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Art History, Classification, Collectives, Computation, Conceptual Art, Curatorship, Intellectual Property, Interdisciplinarity, Invisible College, Philosophy, Science and Art, Serials Publishing
Michael Corris, the artist, critic, art historian, and Professor of Art at the Meadows School of Art at Southern Methodist University in Dallas talks about the Conceptualist art movement and about his book Leaving Skull City: Selected Writings on Art (Press du Réel, 2016). "Beginning with his work as a participant in the collective Art & Language, Corris's texts include critical surveys of conceptual art, the Artist Placement Group, the early work of Ad Reinhardt, “Young British Art” of the 1990s, and a mordant satire of management in art education. Leaving Skull City is filled with theoretical reflections on the social, philosophical, and political dimensions of contemporary art. Many of these concepts will seem familiar, as they drift in art's contemporary discourse. Yet, these ideas were hardly uncontroversial when first formulated in the context of conversations throughout the New York artworld of the 1970s."