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Date: 1888
Text: .-/Usac LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW YORK Mr.Theodor3eMarziaIs. WORDS BY . 55 “K ILQNAGIEELVL MUSlC BY /i\ ,i W PRICE BUGENTS. ram... . Y C|NC|NNAT|.0., ‘ THE NEWHALL &EVANS MUSIC. C0., Gupgrigmlﬂﬂﬂ byThE Newnall Mvans Musmﬁu. Q69 BRIDQ1? Song Words by LONGFELLOW. ' I ‘ Music by ANTON STRELEZKI. Grave e con sentimenfo. ‘ mf /-8 o a V sempre con Pedule . — stood on the bridge at midnight, Asthe (‘locks were striking the hour, And the main; 1: rest,-. moon rose 0’e1'...
Show more.-/Usac LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW YORK Mr.Theodor3eMarziaIs. WORDS BY . 55 “K ILQNAGIEELVL MUSlC BY /i\ ,i W PRICE BUGENTS. ram... . Y C|NC|NNAT|.0., ‘ THE NEWHALL &EVANS MUSIC. C0., Gupgrigmlﬂﬂﬂ byThE Newnall Mvans Musmﬁu. Q69 BRIDQ1? Song Words by LONGFELLOW. ' I ‘ Music by ANTON STRELEZKI. Grave e con sentimenfo. ‘ mf /-8 o a V sempre con Pedule . — stood on the bridge at midnight, Asthe (‘locks were striking the hour, And the main; 1: rest,-. moon rose 0’e1' the cit-y, Be - hind the d.'u~k chm-ch f0w’1'. (/8 t en. Copyright 1888 by The NewhalIi& Evans Music Co. J‘ - (lct:r¢r.s'c. - mung‘ the long black rail ter.~;z, The wav’r - ing sh:ulows lay; .. And, the x J‘ .s'o.s-tenuln. e.S‘])I'8.S'.S‘ . current that czune ﬁ'dlllﬂlC ocean, See1n’d to lift and hear them .1 - way. r.\ V [llllfll tt_qiIm‘o. In As sweeping,eddying thro’ them, Rose the be-la,-ted tide, pm-0 agitate. /‘ espre.s*s. . slrezun-ing in - tn the moon -light The see - weed i'I0at - ed wide; # T * e.-’ rem. col (1 vnce; 1,-on p(t,.s'.s'(',0ue. like those w.'1-tors 1-ush-ing, A - mong the wooden piers, V ten. rallen tamlo. __:—Jj" tlecresc. 7"""t"’2‘- flood 0fth01Ig|1ts('a111e _0’e1- 1111: That f'ill’1l my eyes with tezu-s. dale dolciss. # mp dm:7'e;ec. PP col/a voce. ra//en ‘fez. 111]) a tempo pm,-0 ,el. How oft-en! oh, how oft-en, In the U t(€7I1]I() }I0(‘0 (I(,‘(.'€I. 17Ipscm}n-e («mu/0. pr) on rail. days that hm] gone by, I had stood on that I11-itlgeat. mid-night, And pm,-0 rail. a tenzpo. / pre coal. 6 (2:-e.s*_ r-cu g':|z’d onllml wave and sky; Ilow 011-011! oh, how 0f'l-on, Ihml (1. tempo. #-is-\. .2? I) .§‘€l)l[H‘8 (I00 6’ ores "if dim irmendo. wislﬂl that the elrh-ing tide Would hear me .1-way on its ho-som, 0’e1*the "}j"’9" I; diminuendo. # ' ﬂu 72¢.-st” pact) rail _ I "S ' 0-t-c.'m wild and wide, Wen-llnc 0 - cenu wild and wide. For my pm-0 ra/I _ en _ tan - do. ' mp p in mo.s-so . hem-t was [ml and 1-est-less, _ And my life was full of €10 can molt!) espress. L I'll//elltﬂlli/0. ___..— Andthe I;u1'- den laid up - on Seem’1l gm-eat-m-Iluunl could marcalu. £38‘])I'€.S‘S‘. ff rallentrm (lo, a tempo primo . a tempo prinm. P Jim. 6 all. V tramp: illo e (I0/CL’. (lo!/(-iss. {J ‘ P pm.-(1 Wtll. rt tempo. it has fall-en from me, It lies_ Inn--ied in . ) . . 1/ e (in/(re. I poi-0 I'll//. It (£’m;m. on-ly the sorrow‘ of others Throws its shad-ow 0 - ver me; think how mzm-y thousands c1u'e- en-cum-|)e1-’d men, ‘rail « , _ tan. PP ml) hem--ing his hu1'- den of v s01-- 1-ows, Have ('1-0ss’d the bridge since ten. ten ten. then.“ rail. (3 nun-endo. do/L-is-.9. P “ temlm, can Sm-dini. can Petlale. I62?/§_—6 Sta/ndard—~C'iassicai and Popular Mus'ic—For Study and Heoreation. .FOR BEGINNERS. I-I. Lichner-.—The most instructive writer of music for beginners on the Piano. Alpine Violet. Op. 95, No. 1, . . . In The Meadow. “ “ “ 2, Happy Hours. “ “ Spring Verdure. “ “ May Rapture. “ “ Beautiful Dreams, “ The Pink. 111, Polonaise. 135, Polka. ,“ Waltz. Galop. Tyrolienne. Mazurka. Coronation, . Spring Life, . Julius Becht. B0bolink’s Bail, S.<:l1ott., . . Wild Hyacinth Waltz, . . . Cypress Pollgu, _ . . Golden Chime l\Iaz., . . . Dot and Dash Gallop, . . Chas. Kinkel.— Aunt Mollie’s Waltz, . . Four in Hand Gallop, . . Flowret, Schott., . Willie’s Polka, . . . Mother’s Rondo. . . Louis Mew er.~ Mountaineers’ March, . Young Villagers’ March, Violet Blossom Waltz, . . Tyrolienne, . . . . . . . Wymond.— Walz —. Remember Deeds of Kindness, Baker—Lena’s Favorite Waltz,. . . . Baker—Life’s Happy Hours, Waltz, . Geo. Nelson.~ Claretteéfiondo, . . . Etelka—Valse Brill, . Eugenia—Rondo, . My Bird—Valse, . . . . My Fav0rite—Valse, . . C. Schuman.— _ Morgen. (Morning) - Abend. (Evening.) - Frieling. (Sp1'i11g.) — ~ — Sebentust. (Joyous.) - - “ Spinuradchew. (Spinning Wheel.) Tarantella. - - - - “ Bernhard Wollzra Zigeunertanz.(GipsyDance.). . . .——Rondo... Die Kleine Miillerin, (Miller’s Little Girl.) John 0111:.- Die Miihle Sylphide, . . . . . Village Festival,. . Rondoletto............ In the Beautiful Month of May, . Robert Goldbeck.—— Idyl——Nocturne,. . . . . . . Harmonious Blacksmith, . . Chant de Berceau, . . . CHOICE AND Annabel, Polka, . . . Andy Baum, Schott., Antoinette, Gavotte,. . . Austrian Song, . . ~ . Baladine, . . . . . . Beaconsﬁeld Polka, . . . Blue Bells of Scotland, British Patrol, . . . . Calm Night, . . . . . . Changeless Waltz, . Carlotta Waltz, . Chanson ﬁancee, . Chant sans Paroles, . . Clifton Waltz,. . . . . . . . . . . . Crown March Celeste, . . . . . . Faded Leaves, . . . . . . . . .Lomge. 50 Fairy Galop, . . . . . . . . . . . . . W3/mend. 40 Flower of Gold, Schott., . . . . . . . . . . . . . 40 Flowersong, . . . . . . . . . . . . . .Lomge. 50 Flowers of St. Petersburg, . . . . . . Resc/1.. ’ Forsaken and Forgotten, . Jimgmom. Funeral March, . . . . . . . .Sofge. Gavotte, . . .St.;6'aens. “ Stephanie, . . . Czibulka. Hail Storm, . . . . . . .Lessi9ig. Heather ROSG, . . . . . , Lmzge, Hemweh, . . . . . . . . . . . . . .ﬂmgm.an. Impromptu. 0p.142, N0. 2. . . . Schulw/r't, Invitation to the Dance, . . . Weber. Fontaine, . , Last (‘hance, Galop . Leontine. Schott., . Lovers’ Dream, March Calisthenique, March of Troubadours, . Mary to Savior’s Tomb, . . May Breezes, . . Minuet,.. National March,. . . Nein, . . . . . Newport Waltv. . .r35 . 35 . . 35 . . 40 . . 40 . . 40 . 30 . . 30 . . 30 . 30 30 . 30 30 . . 30 . 30 esrysrsssry .35 .35 ..35 .35 .35 '30 ..3o .30 .35 . 50 . 40 . -30 40 40 50 50 75 . . .Jen8m:,, . .Loe.sclzm-ii. . Jensen. . .Spalu'. . Merkcl. (The Mill.). . . . . . . . . .. 50 . .Homdel.. . .Kctte7'ei‘. PLEASING. . . . Sclzonaclce . . ..Pinguel‘i/. . . Griggs. 40 . . Packer. 50 . 75 . 40 . 60 . 50 . 50 . . . 40 . . Millocker. 75 . . Egghard. 40 . Tchaclcowski. 30 . . W3/moml. 50 . . Vilbre. 50 40 40 50 35 50 35 60 35 30 40 50 40 35 35 40 30 40 75 60 30 35 35 40 . . Bohm. . . . .Blake. . .Amemle. . . . Bristow. . . . “ . .Roubie*r. . . .Rees. . . . . . . .La.71.ge. . , . . . .Booche'rim'. . . . . . . Wymond. . . . . .Nemba.c}z. . Walker. iniinntt & EVANS CHOICE AND PLEASING. —Contlnued. Nocturne. Op. 37, No. 1. . . . . Chopin. One Heart, Two Eyes, trans., . . .Pontius. Passing Clouds, . . . . . . . . . .I:'/mlcel. Pass Me Not, trans., . . . . . .Docme. Persian Patrol, . . . . . . . . . .Giese. Rescue the Perishing, . . .Docmc. Rondeauiavori, . . .IIwmmel. Rondoin D, . . . . . . .ﬂIozm“t. Spinning Wheel, . . . .iS'c/imoll. Steele Waltzes, . . . . .Riclzeg/. Sweedish VVcdding March, . , .Sodermom. Sweet Messenger of Love, . . ..Lcssing. Titania, . . . . . . . .Wely. Turkish Patrol, . . . Whispering Pines, . . . Zither Sounds, . Twilight Fancies, Tournhamer March, EveningStar, . . . . . . . . . . Cricket on the Hearth, Waltz, . . . . . . . . . .. VerdictMarch,. . . . . . . . . . . . . .Blake. BRILLIANT AND SHOWY. Vivandier March, . . . . . . . .SC}L0’I’LaC/Le’/‘. 50 Marche Homoresque, . . . ._B’r‘cmdei.s. 70 June Idylle,. . . . . . .SchoiLacIce1'. 50 Meg Merriles,. . . “ VValdten fel’s Visions 0 Il Corricolo, . . . . . Chasse Infern-ale,. . . . . . . . . When You and I Were Young, . . Beautiful May Waltzes, . . . . Corn Flower VValtzes, . . . . . . Norwegian Wedding March, . . Nunsicora,. . . . . . . . . Fidelia, . Loreley, . . Harpe Eolienne, Gailte dc Coeur, . . . . Charge of the Huzzars, . Gipsy Rondo, . . . 40 50 50 25 50 25 60 40 40 75 35 60 60 35 50 40 50 75 75 40 40 . Zlficlzaelis. . ,Less2‘ng. . J/zmgmom. .......Bruce. . . Wagnei‘La.ngc. H H 75 50 65 50 75 60 40 60 75 75 75 65 50 Beautiful Women, . . . ..........DeG'rau. . Kolling. . Lessing. . Slrauss. . . Coote. . . . Grieg. . . Ivlcwtigzni. . Lebierre. . Seeling, . Sid. SirLith_ H . .»S’p2‘ndle7'. . . . . . .HcLyrlen. PIANO STUDIES. Op.91,Book1, .. ... .. Op. 70, “ 1, Op. 299, Book 1, Op. 299, “ 2, (‘zerny. Op. 849, “ 1,. . Diabclli. Op. 149, Book 1, . . . . Duvernoy. Op. 120, Book 1, . . Eschmann. Op 22, Book], . Eschmann. Op. 25, . . . . Gurlett. Op. 85, Book 1, . lleller. Op. 46, Book 1, . Heller. Op. 47, “ 1, . Heller. Op.47, “ 2, . . . . . . . . . . Kayser. Op. 20, Book 1 (Violin) . . . Kohler. . 50, Book 1, . Kohler. .50, “ 2, . Kohler. . 151, . Kohler. . 157, . Kohler. p. 190, . Loeschhorn. Op. , Loeschhorn. Op. 2, . Loeschhorn. Op. 3, . Loc:.-chhorn. Op. “ 1 . . Loeschhorn. Op. 2, . . lioeschhorn. Op, 3 Loeschhorn. Op. 67, 1, . . . . . . . . . . Scales and chords in all major and minor keys . . Schmidt. Op.l6,... BRILLIANT CONCERT Chauson Alpina, . . . . . . . . . Ask Me Not Why, . . . Asperation, . . . . The Belle, . Carnival of Venic . . . Dear Little Cottage, . . . Fatal Love—alto or bar., . . . . . In the Silence of the Heart, 8. . . The Mendieant, ms. . . . . Thou Hast Betrayed Me, .9. . . My Heart I Give Thee, s . . . Venzano Waltz, 3 . . . Drinking Song, 8. . . Smile Vilaltz Song,.s. . . . . . . . Here Within in Her Chamber, . . CONCERT BALLADS, SONGS, Almost,ms............. Always True, 8 . . Baby’s Dimple, a. . Bells of St. Ethelored Anbade,s. . . . .. Better Land, 5 . Bills . . Bird of Love. s . . . . Birds of Song. Waltz. ms, . . Bird That Came in Spring, 8. . Brool<,m.s- . . . . . . . . . .. Cavilier, bar. . . . All Hands Ahoy, bar Anchored in the Bay, Consider the Lilies, s . County Guy, 8. . Davy Jones, bar . . . . . . . Does He Love Me, bird song, Berens. Berens, Czerny. Czerny. .331 ..1 I—‘l-‘I-‘I-'|)—‘>-I)-‘i-‘>—‘ SONGS. . Jamioita. . Donfzetti. - Jaimotti. . Berignani. . Benedict. . Petrella. . . Dmzizetti. . Ivlercadrmte. . Peatti. . Gorno. . .Pinsuti. . Venzcmo. . . Verdi. . . La. Villa. . Thomas. ETC. . . Oowen. . . Temple. . . Fairlamb. . Barnby. . C'01('€’I’L. . . C’ouw1.. . ('2 ouch. . L(’7TlJIl(’7l.S‘. Iiowuwl. . Bcnmlict. . Dolores. . . . .I(ithe. . .Sclm7m(-ker. . Opertc. Topliﬁ‘. ‘ . Sullivan. . 11101103/. . Gflclzrist. 8... CONCERT BALLADS, SONGS, Etc.—Cont’d. Drifting, s . _. ._ Clarabel. Duschinka, s. . . . . . . . . .Pin.9uti. EyesSoBlue,_............. .. “ Finette,.s . . . . . . . . .Mo/zoy. Free Lance am I, bar. . . . . . .(.lxmpana. Good By, God Speed Thee, ms. . . . _ (J’,,Cmmell. Haunting Eyes,s . . . . . . . -. . . .Operti. HomeSoBlest,s .. ... .........Abt. Hope that Breathes of Spring, ms . . IGreet Thee, Love, .9 . . . . . . . I’maF0rester Free, bwr . . . . Jeanie with Nut-Brown Hair, 3 . It’sWeTwo,s . .. ..... Kerry Dance,s . . . . . Little Mountain Lad, s . London Bridge, . . . LostVoice,s . . . . l\1endicant,sorbar . . . . My Childhood’s Home, . Now Was I Wrong‘? . . Remembrances, . . . . . One and Two,sort . . . WhatShallIDo, . .. .. . . One Heart, Two Eyes, . . . . Where the Birds Sing, .9 . . Say NotAdieu,s . . . . Song of The Ball,s . . . . This Is My Dream, ms. . . . . . . . Golden Love, ms . . . . SACRED SONGS, SOLOI. AtTheCross,.. Consider the Lilies, . . . . . . Faith,.. Home So Blest, . . . Mother’s Gift,'ms . Palms,’/ns... .. Some Sweet Day. Solo and Duet. . WhyNeed1Fear, . . . . . . Verdure-Clad, . . . . . . . . . Deem Not They Are Blest, . . . Nothing But Leaves, . . . . LYONS’ ECLFCTIC CABINET ORGANIST. Works Selected from the Great Masters. Popular Selections. Condensed Instructions. Carefully Arranged by Richard Lyon. Price . ~ . . S 2 50 Samp1ebymail,......... .. 125 . Peivring. . Scliubert. . . Molloy. . Roeckel. . . Molloy. . G'i'Zchm‘st. . ..P1'atti. . .Pew'mg. .EngeZ. . . Parry. . . Jenkins. . . . . .Bischo17'- . . . . . Pontius. .Stewart. . . . . erti. . . . . . .Bi.schoﬁ°. . Willmgs. H Izyon. .. .. Campbell: . . . . Abt. . .Doome. . .Fam~e. . . Doane. Gicmetti. Select Music Books for Classes, Schools, Societies, Quartette, Etc. Song Clarion. Edited by Gijfe. A great favorite with Teachers. 50 cents each, $5 00 doz. per Ex. Song Victor, for Primary Schools. Contains Half Secular and Sacred. Also Vocal Instructions. 350, $3 60 per doz. by Express. Little Songs for Little Singer. By W. T. Gigfe. The Most Charming Rote Songs for the Little Ones Yet Issued. 250. each, $2 40 per doz. by Express. A TRIO OF FINE ANTHEM BOOKS. VVestern Anthem Book. Compiled by Gizfe. A Prince Favorite. Examine it Be fore Making Your Choice Elsewhere. $1 00 each, $69 00 per doz. by Ex. Standard Royal Anthem Book. By Clam H. Scott. Selected from the Best Sources. Popular and Choice. Choir Gems from the Great Masters. By Gif/‘"e Solos, Duos, etc. Organ Accompanyments All 1 hrough. $1 00 each, 359 00 per doz. by EX. ——A sample Copy of either of above, with a View to introduction, mailed on receipt of 75c for each. operettas, Musical Sketches for Schools, Exhibitions, Concerts, Etc. Fair Fatima, or Blue Beard, . . . . Bristow. S. P. C. A. O,peretta for 5 or 6 or N “ L bretto, . . . . Musical Surprise for 5 or 6, . Little Shaking Quakers, . Tn1os,QnARTE1u1$,ETc. Au Revoir. Trio Ladies’ Voices. . . . Sclzonaclcer. Adieu. “ “ “ . . . . u Viva. Q’tte. or Cho., Male or Female. . . . Bristow. Xfictol-y_ H H u at it Those Evening Bells. Quartette. . . Let the Merry Sleigh Bells Ring, . . Bounding O’e1 Rippling Foam. Male. . All Among the Barley. Mixed. . . . Sweet and Low. Mixed. . . ]’eaccf\1l Slumbering. Mixed. Good Night Beloved. Mixed. . . . Sea Hath Its Pearls, . . . . . . . . . . . . Past Twelve O’Clock. Trio. S. T. B, . . Maeder. CATECHISMS, PRIMERS, ETC. Common Sense Catechism. By Julia Nichols. A Short, Practical Book by 2 Sue- '&a. "‘11iaaa¢ . Bristow. Gordon. . {)mLm'rzg/zmn. . C7‘w)Ld(L(l. . Sterling. . Bamzby. . C’owwrd. . Pensuti. £5 MEUSEG ©@., Gineinnsti cessful Teacher . . . . . . . . . . . . Music Made Easy. A Useful and Modern Work on Elements of Music, Chords, 1-larmony, etc., by R. Challoner . . . . . . . . . . . First Twenty Hours in Music. The very first Lessons for Beginners on Piano or Organ. Most Simple and Practical
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Date: 1910
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New YORK Pi anoforte A“éJ<:o1npani1nenI H JV. L ONGFELLOW Set to Music FLORENCE NEWELL BARBUUR. :33, @\sL———-- dwakel it is ffzeﬂay. ................ ..(3%'§z"o"sB§.“.s.~ am. Stars ofilze Summe2°Iz§gZ2t.% ...;32§28”sBE“an em. .7... }§'1'ce 50021173 each. JXRTHUR 19. 5CHJVIIDT, BOSTON, LEIPZIG, NEW YORK, 120 Boylston St. Lindenstrassel6. ll West36th St. Copyrfg}1tI9/0 by Arthur F.’ Schmidt. International Copyright Secured....
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New YORK Pi anoforte A“éJ<:o1npani1nenI H JV. L ONGFELLOW Set to Music FLORENCE NEWELL BARBUUR. :33, @\sL———-- dwakel it is ffzeﬂay. ................ ..(3%'§z"o"sB§.“.s.~ am. Stars ofilze Summe2°Iz§gZ2t.% ...;32§28”sBE“an em. .7... }§'1'ce 50021173 each. JXRTHUR 19. 5CHJVIIDT, BOSTON, LEIPZIG, NEW YORK, 120 Boylston St. Lindenstrassel6. ll West36th St. Copyrfg}1tI9/0 by Arthur F.’ Schmidt. International Copyright Secured. 3 “ ; § Awake! It is the Day HENRYW LONGFELLOW ’ FLORENCE NEWELLBARBOUR Allegro agitato a temp0 wind came up from 5) And said “O mists, make room for me, 7 Copyright 1910 by:Arthur P. Schmidt International Copyright Secured 01. . . 887. -4 -P S 9 Public Performance Bermilied. hail’d the ships and Cried, “Sail on, Ye a tempo And . . + a dam. 3 mt. - _ - I) hur - ried land - ward far - a - way, Cry-ing,“A _ wake! for p L. the day.” It L touched the wood - bird’s fold - ed Wing, cm? 8. 8879 -4 —-==i::_.."'.::. Chan - ti - clear,» Your clar - ion blow, the aﬂd? 8. 8879 -4» pm animato 12000 oresa - whis pered to the fields 19 pm am'maz‘o 17000 oresa - '1/‘ato accel. - - _ } } down, and hail the com - ing m0rn.”___ A wake, a - > >}> gf Li — f agzlato accel. - - _ A oms-a. _ - molto ff _ wake ’tis day! A - wake H______ A > >' m Brillante F3 > .71.? 8. 8879-4 L./2.3» /T \‘ SELECTED SONGS from the Catalogue of ARTHUR P. SCHMIDT Boston . L Paul Ambrose. .17. The Shoogy-Shoo. Two keys each , A. 18 No.2. A Spring Song. Two keys ea. . 19. The Lotus Flower. Two keys ea. Mrs. H. H. A. ‘Beach. .i9 No.2. Ecstasy. Two keys. . each .37 No. Fairy Lullaby. F (e-for a) . .43 No.2. Scottish Cradle Song. Cmin. .43 No.5. My Lassie. AE> (eiw-at») W. Berwald. .15. The Approach of Spring. Waltz Song. Bl» (c-a). . . . . . . . Arthur Bird. Op.36 No.5. When Katie tuned the old Guitar.’ 'I‘wo keys. . . . each John Hyatt Brewer. Sweet! (The Swallows’ Song). Two keys ea. Op. 39 No. l. Rockabye Dearie. Two keys ea. Op. 39 No. 5. There’s ever a song somewhere my dear. Two keys . each Dudley Buck. The Village Blacksmith, C (at!-eb) . Geo. W. Chadwick. Allah. Two keys . . . . . . . . each Sweetheart, thy lips are to ched with ﬂame. Two keys. . . . . . . . each The Roseleans over the Pool. Two keys ea. O Let Night speak of me. Two keys each Theo. Chandon. An old Love Song. G (tl-d) Mrs. C. F. Chiekering. In the night she told a story. I) (d-ft) . (3. Whitney Coombs. Child of the Dark Eyes. Two keys Once at the’ Angelus. Two keys. . Charles Dennée. In Dreamland. Two keys. . . . . The Sandman (Lullaby). Two keys The Thought of You. Two keys. . Steph. A. Emery. Op. 24 No.1. Somebody(Scotch Song). D (d—f) 011.33 No.2. Bunst, ye Apple Buds! Bmin. (ft!-git). . . . . . . . . . . . Arthur Foote. 0p.13No.2. Pm wearin awa’. Two keys ea. Op. 26 No.2. Love me ifllive. Two keys ea. Op. -13 No.3. Sweetheart. Two keys each Op.43 No.5. Up to her Chamber Window. Two keys . . . . . . . each An Irish Folk Song. Two keys . . each each each each each each Through the long days and years. Two keys ea. Alhan Forster. The Hour will come. D (d-f) . . . . . lnspring. A(c-f)........... Henry K. Hadley. Op. 7 No. 3. Kathleen. Two keys. each No.6. Greeting. Two keys. each Op. 14 No.1. Dear, when Ilook into thine eyes, Db (b-f) . . . Op, 14 No.4. I dreamed of a Princess. Di1.(c-f)........... ‘My ain dear Somebody. A The Awakening of the Rose. New York. I J. H. Hahn. Break, break, break. Two keys . . Love me if I live. Two keys . . . The Prpposal. A((1b-e) . . . E. W. Hanseoni. My Secret. Waltz Song. E5 (cl-ah). . . Victor Harris. In Springtime. Two keys ea. '.l‘heBlackbird. Two keys ea. Georg Henschel. Spanish Serenade. Two keys Reinhold L. Herman. Op.37 No. 2. A Little’ Summer Breeze. F 0p,41 No.1. or Ever. Two keys . each ()p,41 No.6. (tipsy Serenade. Two keys ea. each each Op. 13 No. 1. No.6. each W. Ilennnnn. The Time of Roses. A (dil-gora‘; Edw. liurlingalne Hill. Five Songs for Children from the Hound Rabbit« . . . . . . .n. Mildred J. Hill. The Perfect Day. I) (c~t'3). . Love's Paradise. ll (ll-fit) . Helen Hood. A Disappointment. E (c~c) . The Violet. Ffemin. (ct-ft) Natll. Irving llyutt. Op.4 No.1. Marguerite. Two keys No. 2. Beneath Thy Lattice. Clayton Johns. Because of Thee. D (d-g) Marie. G‘>(_d-gzl-'). . . . . . . . Love’s Revelation. 1) (d-f). , . . Jules Jordan. Two keys Op. 45). A. Life Lesson. each Margaret R. Lang. F (f -f). . . Irish Love Song. Two keys. . . . each An Irish Mother’s Lullaby. Two keys each Frank Lynes. My King. (Companion Song to »He was a Prince«) Two keys . . .. each Marie. Two keys . . . each "Fwas my Heart. Two keys . . . . each If all the dreams. we dream. Two keys each Thy Picture. Two keys . each Dreams. Two keys. . . . . . each W. Manse. Bn (c—a‘o) Violin Oblig. Edward Mae nowen. Deserted and Slumber Song. Eb (eb-eh). Thy Beaming Eyes. Two keys each A Maid sings light and a Maid sings low. Twokeys. . . . . . .. each Four Songs. Complete. Two keys each 11. Three Songs. Complete . . . . . . . .11. Hugh W. Martin. When I behold Thee. D (cit-g). . . . . 3:! In .50 .30 .40 .75 .75 .30 Leipzig. {D John W. llletcalf. Absent. Two keys . . . . Sunrise. E" (d-e) . . . . . . . A Dream so Fair. Two keys . . A Keepsake. Two keys. . each . each each Homer A. Norris. Twilight. B (b-e) . . . Geo. B. Nevin. The Boatswain Bold. D (a-d). . . . . Edna Rosalind Park. The Nightingale and the ltose. Twokeys ea. A Memory Two keys . each Thy Name. Two keys each Alice Locke Pitman. A (e—e) Th. Podberlsky. The Wanderer’s Song. A lr (elwg). . . . Confession. (‘arl lteineeke» On the Strand. I) (e—f3). Violin Oblig. . Dance of the Dragon Flies. E (d-g). Violin Oblig............. Franklin Wing Biker. For Love of Her. F (c-f) . . . . . , . l’ll never cease loving Thee. F (c-g}, . . Clara Kathleen Rogers. Confession. Amin. (0-e) . . . . . . . . The Clover Blossoms. F and A (ye-fitor a) Jas. H. Rogers. The Moon shines pale. Two keys . each Frank E. Sawyer. The Night has a thousand eyes. F ({'-f) . Spanish Romance. C (e~a) . . . . . . . Sch. B. Schlesinger. Up to her Chamber Window. Two keys ea. Longing, Dix (c-eh or glr) I’. A. sehnecker. To the Night. Bass Solo. 1) min. (a-eh). Chas. P. Scott. Only a Ribbon. Ballad. Two keys each Robin Goodfellow. D (a-e). . . . . . . I-‘. N. Shaekley. Ere the moon begins to rise. Two keys ea. Softly blow, ye scented breezes (Serenade) Two keys. . . . . . . . each Thou. G. Shepard. Me . A Cycle of Songs . . . . . . . n. , Gel-rit Smith. Bee Song. A(e-fit), . . . . . .. Alpine Rose. Bb(d-f). . . . . .. Arlhnr W. Thayer. Clover Blossoms. Two keys. Only a Song. Db (db-ab) Gust. Tncherman. The Windmill. Bass. Bbniin. (f~el7) . . .60 Max Wei]. C (e-g) . . . . . . . . .40 z¢_n\J Love’s Captive.
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Date: n.d.
Text: Iwstc LLLL ARV VASSAR COLLEGE "°'»'GHKEEPsvE. Nu-.' ‘max NEW EDITION OF ,mE11v1MoRTAL SONG TH E Erica ‘ F V Eomdon,4 ﬂ C. SHEARD & C9, l92,H:GH HoLBoRN,W.C. The Village Blacksmith. Pozrnv av LONCFELLOW. MUSIC av W. H.WEIS$. Allegro Moderato. f 71¢‘ Un - der a spreading chest - nut tree The vil — lage smithy stands; T579 mf j \ smith a migh—ty man is he,With ‘large and sin — ewy hands; _/ muscles of his braw ~= ny arms are strong as i - ron bands. .nf hair is crisp, and...
Show moreIwstc LLLL ARV VASSAR COLLEGE "°'»'GHKEEPsvE. Nu-.' ‘max NEW EDITION OF ,mE11v1MoRTAL SONG TH E Erica ‘ F V Eomdon,4 ﬂ C. SHEARD & C9, l92,H:GH HoLBoRN,W.C. The Village Blacksmith. Pozrnv av LONCFELLOW. MUSIC av W. H.WEIS$. Allegro Moderato. f 71¢‘ Un - der a spreading chest - nut tree The vil — lage smithy stands; T579 mf j \ smith a migh—ty man is he,With ‘large and sin — ewy hands; _/ muscles of his braw ~= ny arms are strong as i - ron bands. .nf hair is crisp, and black and long, His face“ is like the tan; Kt V f{“\ brow is Wet with V ho — nest sweat, He earns what—e’er he looks the whole World in the face For he owes not a-ny The Village ' Blacksmith. in, week out, from mom till night, You can hear his bellows blow; You can > nf hear him swing hea — vy sledge; With sex - ton ring-ing the vil -. lags bell Whenthe sun is low. teizzgo. > chil— dren coming home from schoolv Look in at the o - pen door; They The Village Blacksmith . love to see the flam- ing forge And hear the bel-lows roar And catch the burning v_zf>>> "*-'_..=--—~ spa1:ks that fl Like chaff from a threshing floor. He gvoeé on Sunday to the Church and sits among his He hears the par—son pray and p1'eaChHe A hears his daughter’s voice ‘F The Village Blacksmith. Sing-Aing in the vi1—1age _,_ohoir,-..And_it makes his heart re - joice: “xx 10 sounds# to him like her mother’s voice Sing - ing in Pa - ra- dise!.,__ (needs- must think of her once more How in the grave she 1ies:_e_ with his- hard, rough hand he wipes VA tear out of his eyes. _/ / P roolla 2:04-e. The Village Blacksmith. f a lempo. Toil — ing, re -joic-ing,- sor- row-ing, On -Ward throughljfe he morn — ing sees some task be-gun, each eve—ning sees close; Something at - te3mpt—~ed, some-thing done, Has earned. a nighfsﬂ re - pose. The Village Blacksmith .
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Date: 1847
Text: %$SONG% POETRY BY %e1L1zg Qaﬁninntzﬂi %’ungﬁn[[nm, ’ MUSIC BY ”sz§z“::,:,:.za1zn 33,. 33EM.1£’S‘3f33B,. Published by 0. DITSON 85 Co., 277 Washington St. Boston: J.C.ﬂAYNES&Oo. l’hiIad'a;C.W.A.TRUMPLER. Cincinnati: J. CHURGH,Jr. N.York: G. H. DITSON J: 00. Chicago : LYON & HEALY . MUSIC Llalunv VASSAR COLLEGE THE DAY. Poetry by H. W. LONGFELLOW. _ Music by WILLIAM R. DEMPSTER. Andante. ’dark, and drea.-ry; It rains, and the wind T is - - er V/wea-ry; The still clings to the’...
Show more%$SONG% POETRY BY %e1L1zg Qaﬁninntzﬂi %’ungﬁn[[nm, ’ MUSIC BY ”sz§z“::,:,:.za1zn 33,. 33EM.1£’S‘3f33B,. Published by 0. DITSON 85 Co., 277 Washington St. Boston: J.C.ﬂAYNES&Oo. l’hiIad'a;C.W.A.TRUMPLER. Cincinnati: J. CHURGH,Jr. N.York: G. H. DITSON J: 00. Chicago : LYON & HEALY . MUSIC Llalunv VASSAR COLLEGE THE DAY. Poetry by H. W. LONGFELLOW. _ Music by WILLIAM R. DEMPSTER. Andante. ’dark, and drea.-ry; It rains, and the wind T is - - er V/wea-ry; The still clings to the’ mouldering Wall, Entered according to act of can/(nu m the year 1847. by OLIVER D1TSON,in the Clcrk’0 oiicc of the District Court of Man. s dark ery and gust drea the And the day dead is‘ leaves dark Car. espress. And the f.\ fall, day \ and dream - ry . . . . . . . . . . And the day is clrea-ry; It rains, and the wind wea-ry; My thoughts still cling to the mould - ‘ring past, But the youth fall thick in the blast, And the days ' and drea - ry, . . . . . . . . .. are dark and drea - ry, . . . . . . . . .. And the j days are dark and drea - _- - - sad heart! and cease pin-ing; Be -‘ bind the clouds is the still shin-ing; Thy fate is the com - \ mon Some days * must be dark must be dark must be dark and drea. - - - - " '\___J , ,,,.. ivlihrﬁﬁhﬂﬁ Mﬂﬁiﬂﬂ A RNBLIQATIBNS. of Beethoven. BY SHINDLER. Edited by lVl0SCIiELES. In One Tolume. . . Price $2.00. Neatly bourvl in Cloth uniformly with Ditson 8: Co’s popu- lar works of Musical Literature, [“Beethoven’s Let- ters,” “l\iendolsso'nn‘s Letters,” “Life of Mendelssohn,” “Life of Gottschalk,” “History of Music,” See.) Sent post-paid on receipt of price. OLIVER DITSON & CO., Boston. 0. H. DITSON & CO., New York. oneness saw METHOD FOR REED ORGANS Is the most popular of all books used in learning to play on‘ these favorite instruments. Mr. Clarke is :1. line musician and brilliant organistnand, in this work, displays good taste as well as talent in combining good music with Well graded and thorough instruction. Price, $2.50. Sent, post-paid,for theabove price. OLIVER DITSON & CO , Boston 0 H. DITSON & CO., New York. iitiosio hooks worth having! Life of BeethOVen....Sc/iindler and llfoscheles. $2.00 Beethoven’s Letters... .... ......... ..Na/it. 2.00 Life of Mendelssohn . . . . . . . . . . . . ..Lampadius. 1.75 Mendelssohrfs Letters.Lrzdy Wallace.2 vo!s.ea. 1.75 Polko’s Reminiscences (Of Mendelssohn) . . . . .. 1.75 Pclkms Musical Sketches (of the Great Masters) 1.75 Life of Handel . . . . . . . . . . . . . . . . . . . . . . Sc/melt/zrr. 2 O0 “ Rossini. . . . . . . . . . . . . .Edwn.7«Is. 1.75 “ Chopin...... . . . . . . . . . . . . . . . . . . . ..Liszt. 1.50 “ Gottsahfilk . . . . . . . . . . ... . . . . . . . . Ifmsel. 1.50 1‘vl[ozart’s Letters . . . . . . . . . . . . . . . ..Lcdy Wallace. 1.75 Mozart. A Romantic Biography . . . . . . . . . . . . . .1?au. 1.75 Music Explained to the W0rld.......Fetis. 1.25 Ritter’s History of Music..... 1.50 Ehlert’s Letters on Music... . 1 50 History of “Old Hundred” ...... ..I-Iauergal. 1.50 Mason’s Musical Letters... 1.50 Hastings’ Forty Choirs... 1.50 Moore’s Encyclopedia of Music. 6.00 Gardiner’s Music of Nature ............... .. 5.00 The recent encouraging progress in Musical Culture and Musical Taste, is clearly indicated by the great and increas- ing demand for the above works, which are all “well got up.” contain nothing: superﬂuous. omit nothing thatisimpor- taut, and are full of “rearlable,,” interesting matter. Sent, post—paid, for the above prices. OLIVER DITSON & 00., Boston. C. H DITSON & CO., New,York. BAKER’S HARMONY AND THQROUGH BASS. The Full and Complete Treatment of the Preliminary Steps, and the Thorough Analysis of the Principles, render a knowl- edge of Harmony available to all. It is THE BOOK for the Student, whether in Instrumental, Vocal, Orchestral or Band Music. BY B. F. BAKER. Price in Cloth, 342. Sent post—paid to any address on receipt of retail price. OLIVER DITSON 86 CO., Boston. 0. H. DITSON &. CO., New York. New and Popular Songs. MAKE ME A JACKET OF PA.’S OLD COAT. Song andllliorus . . . . . . . . . . . ...E. Clzristie. 40 . MEET ME, ADDIE, BY THE OAK TREE. Song and Chorus. . . . . . . . . . . . . . . . . . . . . . . . .E. C/iriszie. 40 TENDER AND 'I'RUE.. . . . . . . Lyle. 40 GOLDEN STREETS. Song and Chorus. W. Kittredge. 40 All have handsome Lithograph titles. ‘Sent by mail on receipt of the above price. OLIVER DITSON & CO., Boston. 0. H. DITSON & CO., New York. Winneﬂs New Schools FOR THE PIANO FORTE, CABINET ORGAN, MELO- DEON, GUITAR, CORNET, VIOLIN, FIFE, ACCORDEON, GERMAN ACCOR- DEON, CLARIONET, FLUTE,’ FLAGEOLET. Price of each book 75 cents. These little works are great favorites, because they are cheap , are full of easy and lively music, and have enough of instruc- tive matter for the wants of amateurs. Mr. Winner has also compiled a. collection of lively PARTY DANCES. For Violin and Piano, and of DANCE MUSIC. For Flute and Piano. Each 75 cents. Sent, post-paid, for the above price. . O. DITSON & 00., Boston. 0. H. DITSON do CO., New York THE SONG GARDEN. Annual Sole 40,000 Copies. A series of Music Books adapted to Schools of all grades. Each book complete in itself. \ By Dr. LOWELL MASON. The Song Garden. First Book. Ilor beginners, w‘ h a. variety of easy and pleasing songs . . . . . . . . . . . . . . . . .50 cts. The Song Garden. Second Book. In addition to a practical course oflnstruution, it contains a. choice collection ofSchooI Music . . . . . . .... . . . . . . . . . . . . . . . . . . .........8O cts. The Song Garden. T/zinl Book. Besides I). treatise on Vocal Culture with Illustrations, Exercises, Solfeggi, &c., it contains New Music adapted to High Schools, Seminaries, Ecc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $1.00 Sent post-paid on receipt of price. OLIVER DITSON & 00., Boston. CHAS. H. DITSON & CO., New York. Ricliaa"dson’s New Method P021 TE-IE PIANOPORTE. “Deserves our hearty recommendation,” N. Y. Musical Review “Unexceptionable in taste and style.” Dwight’s Journal. “Soundest, clearest, best book for the Piano.” Phil. Eve. Bulletin. ‘-Will su- persede every other of the kind.” Worcester spy. “Possesses merit not claimed by other works.” Cleveland Herald. “Common sense, plain talk, and revity.” Boston Journal. “Presents many new and important ideas.” N. Y. Tablet. No long dry lessons, nor wearisome exercises. but Sprightly Studies throughout, and Charming Melo- dies for practice at every step. It is all that can be desired. Price $3.75. Sent post-paid. OLIVER DITSON & CO., Boston. CHAS. H. DITSON& CO., New ‘York. Eatonfs New Method FOR THE CORNET. A. MOST USEFUL AND ATTRACTIVE INSTRUCTION BOOK! Contains, in Part I, plain, full, and complete directions to the learner! Contains, in Part II, a. ﬁne selection of popular melodies, which may be played with the original Piano accompaniments! Contains-i,iI\ Part III, Trios for Cornet, Baritone and Pinnotorre, Brilliant Themes, Variations, &c. Price in Bazmls, $1.50. Specimens sent. post-paid, on re- ccipt of retail price. OLIVER DITSON 85 CO., Boston. C. H. DITSON & CO., New York. h haunts Letters on Music. TRANSLATED BY Fanny Raymond Ritter. HESE entertaining letters are not ﬁlled with technicalities but are calculated to interest as well as instruct. They have met with 9. large circulation and extended success in Ger- many. _Price, in Cloth, $1.50. Sent postpaid on receipt of retail price. OLIVER DITSON 86 CO., Boston. C. H. DITSON db CO., New York. SYSTEM FOR BEGINNERS In the Art of Playing upon the PIANO-FORTE. BY WILLIAM MASON &' E. S. HOADLEY. A wonderfully well-arranged’ and interesting book. with abundance of Recreations, Illustrative Pictures, Duets for Teacher and Pupil, pleasing Accent Exercises, and many fine Melodies for practice. The directions are very plain and practical; and the line musicians and thorough teachers who compiled the work are worthy of all conﬁdence. Price, $3.00. Mailed, postpaid, on receipt of the above price. OLIVER DITSON & CO., Boston. 0. H. DITSON & CO., New York. Deems’ Solfeggi! For Elementary Singing Classes! These Solfeggi are well ‘arranged Exercises, ranging from very easy to moderately diﬂicult, in the Italian style, and all sweet and melodious. Will be useful In Private Instruction, In Seminaries, In High schools, and In Choir Practice, In Advanced Singing Schools. PRICE, 75 Cents. Sent post-paid for the above price. _ OLIVER DITSON & 00., Boston. 0. E. DITSON dt 00., New York. » 'I‘IiIEl ‘ Pestalozzian Music Teacher By DR. LOWELL MASON, THEODORE SEWARD & JOHN W. DICKINSON. A very clear-headed and practical book, serving as a. manual for teachiu g Music, Geography, Arithmetic and all other school studies on the Analytic or Inductive Metlaod, which is amply illustrated by examples. and made ready for the use of all instructors. Price $2.00. Mailed, post-paid, for the -above price. OLIVER DITSON & CO.,’ Boston. C. H, DITSON & CO., New York. A Method of Modern Violin Playing. B. LISTEMANN. A well Arranged and easily Progressive Method by a Distin- guished performer. Pupil of David, Joachim and Vieuxtemps, he is well qualiﬁed to guide learners from the lowest to the highest places in the art of playing. Most of the lessons are arranged with accompaniments for the teacher, thus giving them the character of pleasing duets. Price, $3.00. Sent post-paid on receipt of retail price. OLIVER DITSON & CO., Baton. CHAS. IE_I. DITSON &. CO., New York. p The Woman of Samaria. .4 SAVORED 0./5lJV'T.ﬂT./4. BY ' W. STERNDALE BENNETT. Persons who examine this Cantata, (which is almost an Or- atorio) will agree with a prominent musical writer, who pro- nounces it “charming, from first to last.” . Has eleven Choruses, and a variety of Solos, Quartets, &c., and is well worthy a place in the repertoire of Musical Socie- ties and Choirs. Price,—Paper, $l;O0; Boards, $1.25 ; Cloth, $1.50. OLIVER DITSON & CO., Boston. C. H. DITSON & CO., New York. History of Music BY Frederic Louis Ritter. A series of Five Lectures each embracing distinct epochs in the history of the Art, the whole forming a. book of intense interest to the musical student. Bound in Cloth uniformly with Ditson 8: 00's popular works of Musical Literature. Price $1.50. Sent postage paid on receipt of retail price. Oliver Ditson & 00., Boston, Chas. E. Diton & 00., New York. .v -vs-,... IN THE FORM OF LECTURES.’ "
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Date: n.d.

Date: 1917
Text: ,__ uusuc uunnv / 8 , vussm COLLEGE L. 5% rououxzcrsut. NEW "°'“‘ \/IIASQ. ‘ ~« I W is S w‘»' 63 (7 L??? 2 ﬂ -"9 ‘.‘,.l O a «D ' ‘ 4. be §« 2 %' SONGS BY ) ($70 0 HERIVIANN VVEIL ALj___Al_-_L_, .50 HIGH VOICE“ IN A MEDIUM VOICE, IN GI? B SOMEWHERE I KNOW .40 HIGH VOICE, IN GI» LOW VOICE, IN Eb Boston: OLIVER DITSON COMPANY New York: CHAS. H. DITSON :7 co. Chicago: LYON 5, HEALY b I D? 0 /4“ .9 .. I °°Z I “ ”-?=_Q. 6%) * .§.-- * ° ‘\ &‘ 9 Z (5 Inga‘ f \ Q ‘ 2,...
Show more,__ uusuc uunnv / 8 , vussm COLLEGE L. 5% rououxzcrsut. NEW "°'“‘ \/IIASQ. ‘ ~« I W is S w‘»' 63 (7 L??? 2 ﬂ -"9 ‘.‘,.l O a «D ' ‘ 4. be §« 2 %' SONGS BY ) ($70 0 HERIVIANN VVEIL ALj___Al_-_L_, .50 HIGH VOICE“ IN A MEDIUM VOICE, IN GI? B SOMEWHERE I KNOW .40 HIGH VOICE, IN GI» LOW VOICE, IN Eb Boston: OLIVER DITSON COMPANY New York: CHAS. H. DITSON :7 co. Chicago: LYON 5, HEALY b I D? 0 /4“ .9 .. I °°Z I “ ”-?=_Q. 6%) * .§.-- * ° ‘\ &‘ 9 Z (5 Inga‘ f \ Q ‘ 2, 0 A d 0 89 i To Julia U1/1}) ALLAH From the German Of V /0rzgim1/ Key. A) Siegfried August Mahlmann by HERMANN WEIL HENRY WADSWORTII LONGFELLOW Broadly . f — lah gives light in dark-ness, lah gives rest ' Cheeks_ that are white with Al - lah paints red Copyright MCMXVH by Oliver Difson Qompany hnternationtil Coﬁyfight Secu ma 5_ M4_.,w,n _3 I0 fIow’rs and the. b1os—so1ns all‘ with - er, I Years van—i:sh with fly — ing °rJ will live on for 7'22‘. . L I7 v in an~guish beat. Glad — 1y to Al — lah’s, 7' ‘t - Q, r- 5- 14471821-8 dwell — ing Yon—der would I {IT .1?" There_._ will the dank — ness . — ish, There will my eyes “T rit. L 5-144-71821-3 §EThe Musicians Library The masterpieces of song and piano literature edited by men of authority SONG ' VOLUMES ' ISSUED For High ‘cc For Low ice Edited by JAMES HUNEKER Edited by WM. FOSTER APTHORP Edited by HENRY T. FINCK Edited by DR. EBENEZER PROUT Edited by DR. EBENEZER PROUT Edited by VVM. FOSTER APTHORP Edited by CARL ARMBRUSTER Edited by HENRY T. FINCK Edited by XAVER SCHARVVENKA Edited by JAMES HUNEKER Edited by JAMES HUNEKER Edited by CARL ARMBRUSTER Edited by CARL ARMBRUSTER Edited by ERNEST NEWMAN Edited by HENRY T. FINCK Edited by DR. CHARLES VINCENT Edited by PHILIP HALE Edited by BRAHMS, JOHANNES FORTY SONGS FRANZ, ROBERT FIFTY SONGS GRIEG, EDVARD FIFTY SONGS HANDEL, GEO. F. SONGS AND AIRS HANDEL, GEO. F. SONGS AND AIRS JENSEN, ADOLF FORTY SONGS LISZT, FRANZ THIRTY SONGS SCHUBERT, FRANZ FIFTY SONGS SCHUMANN, ROBERT FIFTY SONGS STRAUSS, RICHARD FORTY SONGS TCHAIKOVSKY, P. I. FORTY SONGS WAGNER, RICHARD LYRICS I WAGNER, RICHARD LYRICS II gr III WOLF, HUGO FIFTY SONGS FIFTY MASTERSONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS VOL. I (BEMBERG TO FRANCK) MODERN FRENCH SONGS I VOL. II (GEORGES TO WIDOR) ONE HUNDRED FOLKSONGS ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS I, II fr III SONGS FROM THE OPERAS IV ér V For Hi Voice For L Voice v‘z%v‘.~3 For Hi Voice For L Voice vi: For High Voice For Low Voice High Voice Low Voice For Hi Voice For L Voice For Hi Voice For L Voice For High Voice For Low Voice v‘;%v‘z‘«‘%v‘.-3v‘;3v‘;%%.%v‘.~3€.-? For High Voice For Low Voice For High Voice For Low Voice v‘.-'3v‘.~% For Soprano v‘.-3 For Tenor For Baritone and Bass For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Hi Voice For L Voice For High Voice For Low Voice ‘L ‘D ‘S 48 45 48 CL 48 CL 48 45 CL 48 48 CL ‘L >3 )3: by no )3 up 3;: u: by by by by v.-.v at :3 by F°t Medium Voice Edited by GRANVILLE BANTOCK Edited by GRANVILLE BANTOCK Edited by HELEN HOPEKIRK Edited by J ULIEN TIERSOT For High be For Low 'ce ﬂ For High ca For Low 'ce For Medium Voice For Medium Voice Edited by GRANVILLE BANTOCK For High ‘ce For Low 'ce Edited by RUPERT HUGHES Edited by H. E. KREHBIEL Edited by H. E. KREHBIEL For Soprano For Mezz —Soprano For Tenor For Baritone and Bass 5 ¢°.<v‘$v‘:I‘vv‘..-'5i:%>‘.-%v‘;%v‘..°%v‘;%v1.-%&%v‘:3v1.'%v‘;% v‘g‘i¢-.'4v‘.°%v‘.-iv‘.-%v‘;% Each volume in heavy paper, cloth back, $1.50; in Full cloth, pilt, $2.50. Copies mailed postepaid. Other volumes in preparation. For free booklet, giving Full particulars, send to the publishers. =°-‘OLIVER DITSON COMPANY ° BOSTON
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Date: 1913
Text: MUSIC LIBRARY vAssAn COLLEGE Bani-_pnop-s.-_‘. . . . 9. SONGS VERNON SPENCER Thou art so like a ﬂower ( Du bist wie cine Blume) 5 The Sea hath its pearls (Das Meer hat seine Perlen) 5 Out there the dune 5 In the home town (In der Vaterstadt) 6 Summermght (Gefunden) 6 At the cradle (An der Wiege) 6 Night gossip (Nachtgeschwiitz) 4 Consolation ( Trost) 5 Good night (Cute Nacht) 5 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON The sea hath its pearls, The heaven hath its stars But my heart,...
Show moreMUSIC LIBRARY vAssAn COLLEGE Bani-_pnop-s.-_‘. . . . 9. SONGS VERNON SPENCER Thou art so like a ﬂower ( Du bist wie cine Blume) 5 The Sea hath its pearls (Das Meer hat seine Perlen) 5 Out there the dune 5 In the home town (In der Vaterstadt) 6 Summermght (Gefunden) 6 At the cradle (An der Wiege) 6 Night gossip (Nachtgeschwiitz) 4 Consolation ( Trost) 5 Good night (Cute Nacht) 5 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON The sea hath its pearls, The heaven hath its stars But my heart, my heart hath its love. Great is the sea and the heaven Yet greater i_s my heart, And fairer than pearls and stars Flashes and beams my love. Thou little youthful maiden Come unto my great heart; My heart and the sea and the heaven Are melting away with love. Ilenry Wizdsworm Iongfe//ow Das Meer hat seine Perlen, Der Himmel seine Sterne Aber mein Herz hat seine Liebe. Gross is das Meer und der Himmel Doch griisser ist mein Herz, Und schoner als Himmel und Sterne Leuchtet und strahlt meine Liebe. Du kleines junges Méidchen Komm an mein grosses Herz; Mein Herz und das Meer und der Himmel Vergehen vor lauter Liebe. ﬁ’ez'm-2'0/c Heine The Sea. its pearls (Das Meer hat seine Perlen) English Words by LONGFELLOW ’ VERNON SPENCER German words éy HEIZVE ‘ J:56 The sea V hath its pearls, The heav - en hath its Dds ./lleer ﬁaz‘ sez'- ne J’cr- 1672, Der I{z‘m - me! .s'ez'- me 19 legato ___.._jl mezzo voce ma can fervore heart, my he hath its love. Hem /ml 562' - me la‘ - 53. Great is the sea and the Gross 1'32‘ dds Meer mm’ der flargamente ’ ﬂcon vigore h >- Copyright MCMXIII by The John Church Company International Copyright heav - en ' heart, And Ham — me! Herzl Una’ >> fair- er than pearls__ and stars____ Flash - es and beams scﬁbl mar als 1[z'm- me! mm’ Star - ne [euc/E- fee‘ mm’ sfraﬁlt Inez’-rze >>- > > >- foon e.mZz‘azz'o7ze acce/. - tle youth—ful maid - en — 726.5‘ jam — gas jllzia’ - Mm >>>>'>> fcon fem/are Come Komm B‘. rzf emy 78 un - to my great an mam gros — .963 (1 scz'o/to heart and the sea [1672 mm’ dds ./Ileer > 2'72 ca/zamio } L melt - ing ge/V73 en Are. me! Ver - g‘ V 8672261 Mi.
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Date: n.d.
Text: 1.IN 2,INDFLAT. —— 3.IN ”: CON‘l;F:ALTO - ORIGINAL KEY. BARJJONE SOIJRANO. — TENOR. ' - BASS. I’ MEZZO<5OPRANO. D To Ab . ‘ xi . /‘WEI,’ BbToE_ BTOF. C TOG IIIIIIIW am 80176 wc)rc[S /49 £xOD(c3E?€LLOIlf 97/62.1.5‘ [C ﬁg Z,77zZ*.-Ayzfa .-EZZZ . £0 11 5 on ; M ET z L E R Xe C 9, 42 G/"eaf ,ZI{cz//Z60//Oug/z I957/2eez,‘, II/. M *THIs SONG MAY BE SUNG IN PLIBLICV/ITHOUT PAYMENT OF ANY FEE. NEW IVIU S IC .—- Now READY. AIVIETZLER <3 C°.5 THEMATIC CATALOGUES OF NEW SONGS, DANCE.and...
Show more1.IN 2,INDFLAT. —— 3.IN ”: CON‘l;F:ALTO - ORIGINAL KEY. BARJJONE SOIJRANO. — TENOR. ' - BASS. I’ MEZZO<5OPRANO. D To Ab . ‘ xi . /‘WEI,’ BbToE_ BTOF. C TOG IIIIIIIW am 80176 wc)rc[S /49 £xOD(c3E?€LLOIlf 97/62.1.5‘ [C ﬁg Z,77zZ*.-Ayzfa .-EZZZ . £0 11 5 on ; M ET z L E R Xe C 9, 42 G/"eaf ,ZI{cz//Z60//Oug/z I957/2eez,‘, II/. M *THIs SONG MAY BE SUNG IN PLIBLICV/ITHOUT PAYMENT OF ANY FEE. NEW IVIU S IC .—- Now READY. AIVIETZLER <3 C°.5 THEMATIC CATALOGUES OF NEW SONGS, DANCE.and PIANOFORTF. MUSIC. These Catalogues give a clear description o’Feach songwith the compass.character, and a portion of the words and melodies. The same principle applies to the Dance and Pianoforte Music Catalogues. Intending purchasers can therefore Form a correct opinion of what will suit them. N‘? I. SOPRANO SONGS. N9 4. CONTRALTO SONGS. N‘? 2. TEN.OR SONGS. N‘? 5. DANCE MUSIC. N‘? 3. BARITONE SONGS. N° 6. PIANO MUSIC. N9 7 . VOCAL DUETS&TRIOS. N‘? 8. PIANO DUETS &TRIOS. SENT GRATIS AND POST FREE ON APPLICATION. /1/30 ,/IV/ewlzsts 0/5'acre‘d_ﬂ17Lzsz'c, Viol 2'11, Violin ana,7PiaIz0ﬂ[usL'c, American 0/fgaii aizcifjczrmoniuin Music,Part Songs, G[ees,&c. MUSIC LIBRARY VASSAR COLLEGE At the Sale by Public Auction of Music Copyrights at Messrs. Puttiok & Slmpsou’s ‘on June 4th, HEMTS PIANOFORTE TUTOR was bought by METZLER & 00. for the sum or Three Thousand and Ten Pounds. N E W E I) I T I C) l\T. Aﬂzer the sale of over a. QUARTER OF A MILLION Copies. HEMY’S ROYAL WERE PIANOFQRTE TUTTB The PRESENT EDITION of Hemy’s world-renowned Pianoforte Tutor haa been entirely re-engraved, carefully revised, and largely added to by THE AUTHOR, and we have now no hesitation in pronouncing HEMY’s TUTOR to be the most complete, valuable, and easily understood Instruction Book that has ever been oﬁered to the Public. PRICE FIVE SHILLINGS. Bouna’ in cloth, 43. net. , ‘ I gm as ﬂngel ﬂlndomt Tonal §oImnI Boo]: I. For Bass, Baritone, Mezzo-tenor, Contralto,& Mezzo—soprano Voices. BOOK II. Advanced Soprano and Tenor Voices. Price 53. each book; Cloth, 6s. 6d. each. TO BE HAD OF METZLER & 60., 42, GREAT MARLBTROUGH STREET, W. And of all Music and Book Sellers in the United Kingdom and Colonies. THE ARROW AND THE SONG. Words by . Music by LONGFELLOW. CH. GOUNOD . ALLEGRETTO. shot an in- to the air, . . . . . It fell to it fell to I knew not where; . . . . so swiftly,‘ swiftly '. . . . . ' so sWift_ly, swift _ ly it fol _ low it breathll 21 It fell to W. 6464. The sight fligllt; earth , . . could not in _ to it fell the to knew not Where; For, who has sight. . . . . . . and strong, For, who has sight. . . . . . . and strong, . . That it can fol _ 10W, . . . . . _ ' fol - low. the flight af _ tel‘- Ward, , ' . . . . found the found-the the 211'. row’. , . . -still un _ broke, . And the song. . . . from _ g1'n_ning to V . . A And the song‘. . . . from .A~/{S H V. s 3 1 I :2 - g1'n_ning to end. . found ' a _ - gain, . . found a _ - in the A heart \§\\\\\\ IN KEYS FOR ALL VOICES. iasﬁ @@ § primrose Path BEHREND. V2,), pnpugan Just Pub/2's/zm’. "‘ THE voxcxa: 1 LOVE. _" SUNSHINE FAIR ROVINS LIFE Rem Song by Eaby 2Irthur ﬁill. A YESPER MUSIC ‘bong , GilbertBYBoyce. ' sung by Mr. EDWARD LLOYD. BY . 53”“ %’°“£V BY . Sung ‘by g by BY GARUUNE LOWTHIAN. ““aYbV°k: JOSEPH BARNBY ../ V 7‘ ﬁrmmmmmmmm . .,,,+,..,, ..........n............." A GREAT SUCCESS. l§YDE1V[I,1V[YB1KB COMPOSED BY Words by GEORGE ELIOT. LADY ARTHUR 5>°"sI- - HILL. SONG. MUSIC BY ARTHUR SULLIVAN. TIG-TAG, SONG OF THE GLOGK UNLESS. 3,, Ken) Song by 21. 3. dlatbicott. "‘““‘1“°“° sung by the VISGOUNTESS FOLKESTONE. DAYBREAK SUNG BY EDWARD LLOYD Sung by Miss HOPE GLENN. mm %ong av GALDIUOTT PLANQUETTE PINSUTI nx'r1'n.nn . ‘ ‘ ENTITLED xm-rrn.zn ' Unbidden , ' - First Love Follow Me >319 *3? . S *3}? 911* ? 519 G31]?
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Date: 1915
Text: nnussc uunnnv VASSAR COLLEGE nouamuzzv-set. new YORK Poem by Henry W. Longfellow Music by William Blailr Price, 60 cents The John Church Company Cincinnati New York Lonclon Deﬂcated to Jlargarel fem? 6’2'Zm0re The Arrow and the Song HENRY W. LONGFELLOW WILLIAM BLAIR Allegro (J = 92) f Presto Copyright MCMXV by The John Church Company International Copyright Poco Andante I’ an ar— row in to the air fell to earth /alga lo .5‘ 2);; 2'16 [I000 agzm/0 not .._____%____.___ For so swift - ...
Show morennussc uunnnv VASSAR COLLEGE nouamuzzv-set. new YORK Poem by Henry W. Longfellow Music by William Blailr Price, 60 cents The John Church Company Cincinnati New York Lonclon Deﬂcated to Jlargarel fem? 6’2'Zm0re The Arrow and the Song HENRY W. LONGFELLOW WILLIAM BLAIR Allegro (J = 92) f Presto Copyright MCMXV by The John Church Company International Copyright Poco Andante I’ an ar— row in to the air fell to earth /alga lo .5‘ 2);; 2'16 [I000 agzm/0 not .._____%____.___ For so swift - > SO sight_. could not f0l—low f\ f_\ Z"/‘may:/,2‘//0 T in its r1Etrr.‘_./_ 17-191-6 ]I,’0c0 Andante I breathed a song in- to the air It fell to earth .9‘. sz'm 2'16 legalo l7491— 6 keen 2> who 17491-6 17000 agzmto For who has vi - sion so :> :> and strong, for has vi -sion so keen 7 and strong, for '7 > > > > has vi-sion so and strong That it can fol-low the > > > mm/T of song? That ' can 722.3. fﬁ fol—low the flig ____ of ./f m e"/'a2zqa2'//0 Andante es pres sivo NV Long, long af— ter-ward in__ an oak, NV espressivo found__ the ar — row, sti11_ un—broke, and the song, the song from be- f.‘ gin — ning to friend. German, French and Italian Song’ Classics EDITED BY HORATIO PARKER Vol. I Soprano Vol. 2 Alto Vol. 3. Tenor Vol. 4. Bass These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large and ever increasing class of earnest aspirants to true artistry. The songs are presented always with the original text in order that their full ﬂavor and signiﬁcance may be preserved, and because a poem which does not suffer by translation is a thing hardly con- ceivable. Students and teachers as well, should remember that of these noble songs each is an earnest of like treasures which will reward any diligent seeker in the ﬁelds represented by the collections now offered for their use and guidance. The following composers are represented in the collection: Adam (lliaminzulo Ilalm l\I{1SS(‘I1(‘L Surti Iiaclr llelilws Ilamlvl l\lemlel.s.s'ul1i1 Hcmlzitti l’wetlm\'mi l)eIl’;\<:q11a Illllzmlelnt Miiilntli Ht-lu1l>erL I'»(‘lIII)t‘,l'g lmlmis Ilaydn .\loz:n'L Sclnnn-tum Iiixut IIlIl‘;lI1L0 Iloluws l'ul;ulillm »\‘tr:ui.-‘H Rmmnt-,ini Fulire Jensen l’ergolese ’l‘lmuw llrulnns Frzuick Legrenzi l’iernu 'l‘osf.i (i:lL.'L'lIlI Fnmz Loewe Rail" Vidal (‘ztlelara (dordani Lotti Rios \\':ignm' (‘um p-.u1zL Uzodard Luzzi Rosa \Vt,‘(‘I{téI'IIIl (Tau-issinii (lounod Marclxault Rubinstein \\'idur Uavztlli Grieg l\Iarcello S:tint«S;u-11s Wolf Ucdli Price each volume in heavy paper, $1.50. in cIoth, gilt, $2.50 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON
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Date: 1914
Text: MUSUC LIBHIHY VAS.°..‘!."’ coy} --~E . .,..,. ,_ 3 pa N?2INEb Ships that pass in the Night 9%? _ Sons THE WORDS BY LoNGFfrE1..1.ow ' The CD1; sic by T.W1LKINSON STEPHENSON. PRICE 60 CENTS.(NET) BOOSEY & @- 9 EAST SEVENTEENTH STREET, NEW YORK 295 REGENT STFQEET, LONDON. ENG. . THIS SONG MAY BE SUNG IN PUBLICVWITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE or ANY PARODIED VERSION HOWEVER, Is STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoosav& co. OTHER RECENT SUCCESSFUL SONGS BY...
Show moreMUSUC LIBHIHY VAS.°..‘!."’ coy} --~E . .,..,. ,_ 3 pa N?2INEb Ships that pass in the Night 9%? _ Sons THE WORDS BY LoNGFfrE1..1.ow ' The CD1; sic by T.W1LKINSON STEPHENSON. PRICE 60 CENTS.(NET) BOOSEY & @- 9 EAST SEVENTEENTH STREET, NEW YORK 295 REGENT STFQEET, LONDON. ENG. . THIS SONG MAY BE SUNG IN PUBLICVWITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE or ANY PARODIED VERSION HOWEVER, Is STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoosav& co. OTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS V No.4inGia "' ‘lﬂormack. M -'- b ROGER UILTER. 3 Words byQ.ENNyfs,oN. Sung by John M b um y Q Sluuguvvil/é emp/mszs. , _ A h e. Nor waves ress in the pa.}ace walk Nor ks t e gold Now sleeps the 01'1m50-9 P“"“1’“°W the W ’ » 17 f( [ ‘ _ V wake“ - thou with me, ‘ Nowfo ds the all x-sweetness the porp K1‘)? ’ “‘ f /‘\ Copyright MCMIV byBo/oeey & Cc;-r . Musicb” zvfoaléoe 6.9.9 b Z___,\ O’e1-the white- Hiiild dune__ The wan-.. night moon_ Is /zgf ‘Copyright MCMXXII by Boosey&Co. ___.._ Nmmp No.2in Gk tjsyvﬂ E1919} No.3in Ab No'.4InB‘a deBURGH d’ARCY. _ ” A “ "J " GEORGE P. HULTE N. Music by ) KENNEDY RUSSELL. Andamtzho ‘ ' __ _ v ’ p—-_.—r_.___—-- Close my eyes as you wou1d,ten' — der - y, Mourn not my loss, you 1ov’d me faith— ful - ly. ‘ Then, w n the co1d‘g1'ey Dawn breaks s'i - lent - 1y 7 . " v S1D'~t"t “Hf” ..A.“"’ S9 2- im\_____/ Bocieey a§%§3?‘§ ?a§5§§n17t31I§t$, N.Y. Copyright MCMX ‘by Edwin Ashdown,Ltd. V SHIPS THAT PASS IN THE NIGHT. SHIPS that pass in the night, and speak each other in passing, Only a signal shown andva distant voice in the darkness; So on the ocean of life we pass and speak one another, Only a. look and a. voice, then darkness again and a silence. LONGFELLOW. SHIPS THAT PASS LN NIGHT. Words by V ‘ Music by LONGF-ELLOW % ’ ' ' ‘T; WILKINSON S_TE]1HENS.0N. From “Tales of a -Wayside Inn’.’ A . V M Slowly and with feeling. .1" in the ‘T speak___ each oth- er in pass — ing, 00113/rigkt M0./IIXIV by Boosey «E 00. mi’ /—~—--~*g / ‘\ Sig - nal shown and a. dis - tant voice dark - ness; and speak one an .- .{"’f ’ R look... and a voice, _ then- dark - ness dark — neés a. - gain, OTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS No.1inC No.2inEb_ To DJ). , ’ No.3 in F T j , I V ‘ ‘ » WHEN THE DE W IS FALLING. ~ i WW5 by 1:,Il2Nj,f§2%§§0,%'0,t0 gm,m.sZ.,J0\?\71'itten for and _S<u by Mr. John M9 Cormack. Music by EDWIN SGH_NEIl’h7%=- When the dew is all- I have heaqla ca.]l- ae — rial sweet voices the low green hill; And when the noon is . . . - _ ~ \ - . . y - ing I have hezutda he ' . ' f J'il‘- 6 dim :1... a soslenu to cry- ing Wh r-re thehrown bum slippefyh thrtfthe hollows green and still. “ And 0 the sorrow upon me ,7 A. *7“: _ . — The gray grief up-on me. »' eddm. --{——=.... Copyright MCMXV by B0osey& 00. Music by , R.VAUGHAN VVILLIAMS. Andante can moto A DORSET S01‘ ’ No.2inG EN ‘El '1 . No,a1nA - S S ; i ii‘ I’ : Words ‘ - ____l J ____l ‘V V’ l ' ’ W.BARNES. G 3 . With-in the wood-1a.nds,f1low’ry glad - ed, By the . oak treesimoss-y moot; The shin-lng grass l_>la.des,"ti-m-ber aha - Lded, Now do 7‘ F V .q'uiver un-der foot; And birds do whis - tie o-ver-head, And wa.-tex-'5 hub - blingin its bed‘ Andthere for me, The T’ Copyright -MCMXII by Boosey & Co. B5@lS3' EPMS V _S Musig by I}l§'JLLYI.J_(168£1) largo (SOMBRE moons) rr: - ‘A y.' .i , . A ’ ' . ~ - her ' Mon Bois e -pais re- dou - ble ton om - bre . ne sau - ra.1s ctre as-sez som - bre, Tu no peux trop ca 0 > -’ Sum-b2'e woods, ye glades dark amllone-1:1/,’ Fflﬁefemidﬁight 37007” 9”’97'-9 0” ' 11% 0}” mde 10”” In ‘rear . - - - 1) .Tu . . . .. I an - ra.1s etre as sez som 1 mal-heur- eux a-mour. B013 2 -pa.1s re- dou - ble ton om N: T“ n9 S . ‘ ~ ~ > - I Oh! your u7c-IJound- m’gln‘.Som-bre woods, Ye glades dar/7 and lcme- Z3/; W7t37‘97mdmg7“" 87007” ‘mt"""'g 0" 3/’ ..F?TT.1_F 1“: 1%? Copyright MDCCCXGII by Boosey & Co. ‘I Reinald Werrenrath- AMERICA’S PREMIER BARITONE Says:— DUNA IS WITHOUT DOUBT ONE OF THE -MOST EFFEOTIVE SONGS I HAVE EVER KNOWN. WITHOUT A“CHEAP” LINE IN IT, IT ‘HAS THAT WONDERFUL " APPE.AL- THAT REACHES THE HEART OF EVERY LISTENER. IHEDAYI RECEIVED THAT SONG I SHALL ALWAYS GOUNTA MOST FORTUNATE ONE FOR ME. JOhn MQCOrmaOk, Francis Rogers, CANTOR Joseph Rosenblatt A AND SCORES OF OTHER LEADINGSINGERS ENTHUSE OVER THIS MOST CHARMING SONG OE RECENT YEARS TV The Words by D I | N A _ The Music by RMARJORIE PICKTHALL _ , JOSEPHINE MQGILL I VNo.1inB1» No.2\i.'nC f 'No.3inD1» _n A u .3 «J 4 Q) U Con moto. amount (84 :1)‘ pp rid And the - 1it— tlelstars Of Du-na, Call me home. lit-tle stars of Du: na call me home, The lit-tle stars of Du-na, 1210 a tempo home. ‘ V a tempo Copyright MUMXIV by Booséy «E 00. @938 BOOSGY (9: CO. — The House Of Song Fame NEW YORK & LONDON
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Date: n.d.
Text: N92 run 2 on 3 VOICES PR‘mE 3_ ARRANGED BY.J.B E‘ %gﬁmurv% ( V‘ . . LONDOILROBDERT CQCKS&C9 NEW B-URLlNGTONo‘.,. , MUS“: Pubhshers to Her Moat Gracious Mgjyggtigucen Victoria,,&’to His imperial MaJes§y Napoleon H1, ' NEW WORKS‘ BY wuss M.LlND5AY HOME ynev enouem HER vumuoﬂ DEM: ~ WORDS BY TENNYSONW2 MAUDH w0RD5 BY TENNYSON... _ . _ THERES N0 DEARTH OF KINDNESS WORDS av GERALD MAssE~Y_'/ I s‘rARsoFT SUMMER N{GHT»w0n])3 By mN(;rgLLow,._§/6 as-*;,<;a ( 7 AIRY FAIRY L|L|AN~W0...
Show moreN92 run 2 on 3 VOICES PR‘mE 3_ ARRANGED BY.J.B E‘ %gﬁmurv% ( V‘ . . LONDOILROBDERT CQCKS&C9 NEW B-URLlNGTONo‘.,. , MUS“: Pubhshers to Her Moat Gracious Mgjyggtigucen Victoria,,&’to His imperial MaJes§y Napoleon H1, ' NEW WORKS‘ BY wuss M.LlND5AY HOME ynev enouem HER vumuoﬂ DEM: ~ WORDS BY TENNYSONW2 MAUDH w0RD5 BY TENNYSON... _ . _ THERES N0 DEARTH OF KINDNESS WORDS av GERALD MAssE~Y_'/ I s‘rARsoFT SUMMER N{GHT»w0n])3 By mN(;rgLLow,._§/6 as-*;,<;a ( 7 AIRY FAIRY L|L|AN~W0 D5 BYTENNY6§ObL— ' ‘THE LORD VHLL PROVIDE 5.4 CR1-‘,0 50/1 * . . . A PSALM ow uFE. Dyﬁr ‘ORDS BY L NGFELLOW. THE ammo ~«woaas BY LoN<;reLLow, /5 2-zneuum AND ENGLANUS gUEEN . . . . . ...3 > \’‘'O 9. A munsm I)/1:7’ xnn/-":.4‘p:»'n"u. tax ea he u 03 an Worms av LONGFELLOW. . .Mus:c av Muss LINDSAY. \ JLLEGRO. -T-<>©> 1 Shades 0f.I]lg'l1t were fall __ing' fa.st—, As thro’ an Al_pine ViLlag'e travel _ ler by. ‘the ‘faith--ful h_<.>und \ Half butgried in the snow was 19 ‘VA youth who bore ‘mid snow (1 ice A Still grasp _ ing in; his (1 of L‘ ice That- 1' f with the strang'e deqiiee with the strange de,_ vice EX ‘ eel ‘ Si ‘ or 2 f ciwvdvmvf 19 His brow was‘ sad, his eye be_neath Flasﬁd like a. faulchioll fromits 3'?! “Try not the pass” the old man said “Dark low}-sthe tempest 0. Ver - L !\ . 9. ' I I I\ . I A I IV I 1 ’ A I V ' . And li sil a ver c1a_rion 2 rImg‘,\ The roa} 7 torrent is "deep and wide", L 5/ \l\ -' .|-~ 7. ‘ I ‘ f I 5 - ~1 % *1 i I ..L .1 ..-.4 " I ac _ cents of that Vun .§ loud that cIa_1‘i0n- voice‘ re .. plied’ ~*=f'"“"'*""'fff 414 . . ct-1_s1-or! Ex_ce1 _ ('00:. Is [I ress .- ,}!?:‘‘Oh! . stay” the Maid _ en said “and rést Thy_ wea _ ry head ‘ up" on my 19 lwreast” 4 A tear stood; in L his bright" blue eye, But still he an_swer‘d with l sigh >—A éel . si _ or ! ‘ . f Rall: ,cel‘_si_or! Ex_cel _ _ _ _ _ si_or! i I 7 “Be _ ware h wi e.’ ther‘d branch! I } f 0 rﬁ va _ 1a>nch'e.“’ the Pea_sant’sh last PP!” up. the. height “Ex- cel _ nsi _ or"_! :Jp,o ./1/m/av/H7 ‘mu ///rm Z7‘0]I]V). ~:1:?«Tnere in the ma -[light Md and grey, Life- less but beau-_ti_ful he 3* And frnm ' 19 .’W1 cu’/7. S]Iiz'if0. mice fell like a fall _ ing; star Ex __ eel- si _or! J U I 0 EN umcrnms. U . . .NOTE.—This List is always made up to include the latest Novelties tothe time of Printing‘. PIANOFORTE MUSIC. BERINGER, R. Evening Star. Nocturne Morning Star. Morceau de salon BARTON, H. In Shady Groves (transcribed) Shylie Bawn . ,_. . BELLAK, J. March from I Martiri La Favorite . . Linda di . . Bacchanalian Song . Di Pescatore . Verrano, from Lucia BLUMENTHAL, Jacques. zezezezezew 231;; 2928 Danse des Gnomes . Calme.-toi . CASSIDY,‘ James. Punch’s Galop. Illus. DELASEURIE, A. Polka des Demoiselles. GLOVER, Stephen. TheHappyFamily Quadrille. Il. The Holiday Quadrille. Illus. _ Robinson Crusoe Quadrille. Illus. The Marlborough March Illus. Sandringham March. Illus. . The Royal Greek March. Illus. KREMER, J. La Fileuse. LEDUC, A. Jenny of the Mill LOTT, E. M. The Review March PEARCE, S. A. La claire Fontaine . . . 2 RICHARDS, Brinley. The hardy Norseman 3 Warblings at Dawn . 3 Warblings at Noon . . . 3 Warblings at Eve . _ . . 3 3 3 Illus. Caprice O 03 0': Bid me discourse _ . . I know a Bank .' . . 3 The Bells of Aberdovey .- 2 God bless the Prince. Illus. . 4 Echo of Lucerne. Solo, 23 6d. Duet ROCKSTRO, W. S. « La ci darem Di tanti palpiti Hebe . . . . WALLACE, W. Vincent. The Oarsman’s March . 3 When ye gang awa, Jamie . 3 The Mess Rose. Rondo 3 Oh! Nannie, and He’s o’er the hills 3 Corn Riggs are bonnie . Gentle Spring . Swiss Melody . WEST, G. F. On yonder Rock (Auber) La Carita (Rossini) . The bloom is on the rye , Jerusalem the Golden Minnie, Valse . Come é bello . Marche des Croates . Barcarole from Masaniello . Melody from the Corsican Brother Non pin mesta . . . Krieger’s Lust March Oh! Lady Fair Ah che assorta. . Waltz No. 1, Mozart Fall of Paris . . La Cachucha. . . Morning around us (Mozart) WRIGHT, 'A. A The Harp that once, Fantasia Fancy Fair Polka. Illus. @200 OO®OOO3CO D309 l\‘Dl®l€>Z\‘JZ€>l®l€l®l®Z\‘DZ®l€l€l\°.Ca9U‘-Z\‘> QSWOS CO .~G>O>G>C3®O5C‘bCD®O’J®O>O«C7.‘CC3‘— OOOOCC-O vocAL__riUsIc. ADLINGTON, W. Those happy days ABT, Franz. ~ O vision! bright and glowing Tell me, oh Bird . ~. _ . I watched the Sunlight (1 'ng . Thee only 1 love . . . Kathleen aroon . Oh! ye tears Angels’ Visits . . The Music of the Heart The Angel’s watch Sweet is rest . . Sparkling with gems Lovc’s first dream Fair Star of the night BARTON, H. Nearer to thee. Sacred Song . DEMPSTER, W. R. Come o’er the Mountains Flow down, cold Rivulet The Old M an’s Reverie A Butterﬂy in the City EDWARDES, Miss. The Sailor’s Mother FRICKER, Ann.) Thirty years ago . ' . I built a Bridge of Faneies VVhen Celia sings . . Oh that I had the wings of a dove KUCKEN, F. No friendly Moon Like a Snow-ﬂake The waves were dancing . Golden Days . The Spring—time is come . Blanche . . VVhen loving ones are parted The silent sea is calm LEDUC, A. Jenny of the Mill. I/lus. [A decided successj LINDSAY, Miss M. 0 love my W'illie . . The Song of Love and Death Thou wert the ﬁrst. They shall hunger no more Come unto me. Illustrated Thalassa . . . Echoes . . . Too late. Illmnlnated LOTT, A E. M. Journeying on PERCY, Augusta. Across the Sea RICHARDS, Brinley. God bless the Prince of ‘Vales Cloud of the Summer . The Pilgrim’s Path . . . The VVhite Cross of Denmark . The Vl/Vandering Gipsy Girl WESTBROOK, W. J. Ye Uarincrs of England . WRIGHTON, W. T. The Liquid Gem. Embossed . Her bright Smile. Embossed An Evening Prayer . . In Search ofthe Primrose. Emb. The Music of her Voice ' . Shylie liawn . . . ’Twas thy loved voice . . She sang among the Flowers. Em. l\‘DZ\"Dl®l®l®l$C>$>l®lSl$Z\‘.>C»8€a§ to zezezezezezezeze iewwwwwwce -:'-czczcvcsozcnicncu .l®Z®l®Z\'~Dl\‘>l€>l\‘>l\'-D G:®®®O>O§CO©C3®OO OOOGJOOCO O‘: C‘JO§O>ObC§OJO30> NewMusic forliarmonium LIEBE, Louis Thirteen Voluntaries and other Pieces . . . . . Twenty-ﬁve original Voluntaries WARREN,’ J. C Half Hours at the Harmonium. Popular Themes, arranged for Harmoniunts with one ormore Stops. Bks. 1 to 4, now ready. ea. Airs from Sonnambula . A . Andante from Beethoven’s 5th Grand Symphony . . . The l\[arv’lous VVork (Haydn) Agnus Dei (Mozart) . « 2 . God Save the Queen, and God bless the Prince of VVales . Airs from Guillaume Tell ' Gloria in Excelsis (Mozart) PART SONGS, &c. BURLINGTON G-LEE BOOK. A Collection of Part Songs, by Brinley Richards, Abt, Kiicken, Martin, and other eminent composers, in Nos , each 2d. and 0 OSQSOQIQZGNJ C56: OOOOGME CO I CHORISTER/S HANDBOOK. Edited by Joseph Warren. In 2 Vols. Cloth, each Or, in 103 Nos., each Double Nos. . . GLEES, Hand Book of. Edited by Joseph Warren. In 3 Vols.. demy 4to. Cloth, each Nos. each %d. Double Nos. 4d. HILLS, W. 105 Rounds and Canons, 13 Numbers, each . . . Or, complete, Limp Cloth. (Invaluable to Schools.) , Contents of the above four Works, gratis and post free. RICHARDS, Brinley. Sweet day so cool The Boat Son . . . The White Cross of Denmark The Harp of Wales . . . Separate Vocal Parts to the above, each . . . . God bless the Prince of Wales . STANDARD English Songs. Twenty Numbers, each 01', complete. Boards THEMATIC Vocal Catalogue. (FOUR PH GRATUITOUS EDITION), giving the ﬁrst bars of each song, gratis and posljree. NEW CATALOGUE of pm Songs, Anthems, &c., gratis and post free. THEORY. G. F. WEST. Questions relating to the Theory of Music. New Edition ’. 2 0 CLARKE, J, {Just Published.) Catechism of the Elements of Harmony 2 0 ~i.oM)?oN . R()BE1t'l‘ cocks & oo.. N.cw.i BUn1.1.Ne'i‘oN s'1'.nm»rr (W)
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Date: 1897
Text: MUSIC LIBRARY VASSAR COLLEGE roucmxctrsve. NEW Yong ffflxzl 1‘ 1//////7///, 7/ ﬂy 11/; M J'>T:\"T’|V =1} "l*"T.'|4¥'§ }|H!L<!I 1|)‘ 1@C25y2’zZy | //'//////;;i' f /. /é/Z12? D1iverDitsuI1 Company. ECIETDN 1\TE’WYURK. PHILI4. LUNDDN. Ehicaqa Lunn & heaig /fag; /1/gr7x,4zz:cm.~..» A, J’ .,w.«"]/hwy: 4":/77,71./75, To Thomas L .Cushman . G 00 (1 Night! Beloved. Words adapted from LONGFELLOW. Music by CHARLES A.CHASE. goodnight be— — lov ...
Show moreMUSIC LIBRARY VASSAR COLLEGE roucmxctrsve. NEW Yong ffflxzl 1‘ 1//////7///, 7/ ﬂy 11/; M J'>T:\"T’|V =1} "l*"T.'|4¥'§ }|H!L<!I 1|)‘ 1@C25y2’zZy | //'//////;;i' f /. /é/Z12? D1iverDitsuI1 Company. ECIETDN 1\TE’WYURK. PHILI4. LUNDDN. Ehicaqa Lunn & heaig /fag; /1/gr7x,4zz:cm.~..» A, J’ .,w.«"]/hwy: 4":/77,71./75, To Thomas L .Cushman . G 00 (1 Night! Beloved. Words adapted from LONGFELLOW. Music by CHARLES A.CHASE. goodnight be— — lov — _ __ed, I are like the mom — — mg‘, Thy come to Watch 0’e1* 3 - b9V8 lips are cri1n— son g'00d mght Copyright MDCCCXCVII by Oliver Ditson Company. Cnpyriglit secured in England. 4- 8 ‘fn9h8l—3 shi — — - ning‘, Sleep on and dream While I count the Wear — a— lone be—neath case - that now so bright - 1y beam — — 4-8* 5988l‘3 come ........... .. to watch oer sweet, ........... _. my la — dy near thee is peace for F1. thee, To be near near thee, A — lone peace for is peace for 4-8 - 559K531‘ 3 DELIGHTFU L SONGS . Shine on,oh Stars! (ROM.4NZA.) F.E.Sawyer. Pr.50cts. » Amiantino con molto senﬂv/tenfo. The garden breathes asweet perfume, The ightingale is singing I press ourlittle hand in mine And {—'‘"''—T_ pp sempre Copyright MDCCCXCIV by Oliver Ditson Company. Copyright secured in Eng. Serenade. Kate Vannah. Pr.40cts. Scherzcmdo . legato In the warm black millpool wink- ing The first doubtful star shines blue 3 Copyright by Oliver Ditson Company. Copyright secured in Eng. The Hum of Bees. J.L.Mo11oy. 1’r.50cz‘r;. Moderate tranquillo. ,_,, \Ve are sitting by the window, on and I hand in hand,'While the hush of twi1ight’s stealing o’er the peacefulland,And my Copyright MD(ICCXCIV by Oliver Ditson Company. The Land of Dreams. (A Ll'I.I..4l>’Y.) Frank N.Shepperd. Pr.40m‘.~>. .47zdam’e can wsprvsssomv. . l ' Wf a temp 0 Come,close up youreyes,my lit _ tle 0ne,And off to the land of dreams; ‘Where ev- er shines the beautiful sun, mp col voce Copyright MDCCC/XCIVby Oliver Ditson (‘oiiipzinyﬁopyright secured in‘En;_:. There are other Eyes in Spain. John VViegaud. l’r.5(Icis. Tempo di b’0lr7'0 . ._i_r.—_::: r’ —»_.____.. j —:_<(.. __. g’ ' v v v v y C y S‘'“ 1 T7 T} I 1 I 0 There are oth - er eyes in Spain, Dark and dazzling eyes, Cru-ci _ ta; Rosebudlips whichwait the Copyright MDCCCXC/III by Oliver Ditson Company. Copyright secured in Eng. Mailed post—paid to any address on receipt of marked price,O1iver Ditson C0mpany,B0st0n.
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Date: n.d.
Text: 1 .3 *2 '9\§4't‘}L%I»!'¥i‘luF\'t_Li( ‘\/h‘g“ql‘£‘.: 6 st» 35 V §EALJTIEuL IN FORM AND FEATURE, LOVELY AS THE: DAY,“ T CAN THERE BE 50 FAH3? ACRE/TVXTURE FOWRM ED OF COMMON cLAv,TT/<K/(6; 10,; " E / KN (O/,¢;U ct.’q/ ﬂ{j{u,c-4,44; L(/‘KL/f , / ,4 \ ,._. _ 1 é/(L L/(4.0-CJ ClJU(/(,kJ((kL4,<.4A«,5 1/ J3” /:rg_c_>,4>.n ARE«THEgE §TRE. _ "__ Mv5;TEEn OBEY9, A PCUNGESIAND BEARS ME ” \>/ TROUGHTTHETIDE, WTDEARE THESE wooug ‘f I THREAD THE M/~\Z‘ /(F GIANT...
Show more1 .3 *2 '9\§4't‘}L%I»!'¥i‘luF\'t_Li( ‘\/h‘g“ql‘£‘.: 6 st» 35 V §EALJTIEuL IN FORM AND FEATURE, LOVELY AS THE: DAY,“ T CAN THERE BE 50 FAH3? ACRE/TVXTURE FOWRM ED OF COMMON cLAv,TT/<K/(6; 10,; " E / KN (O/,¢;U ct.’q/ ﬂ{j{u,c-4,44; L(/‘KL/f , / ,4 \ ,._. _ 1 é/(L L/(4.0-CJ ClJU(/(,kJ((kL4,<.4A«,5 1/ J3” /:rg_c_>,4>.n ARE«THEgE §TRE. _ "__ Mv5;TEEn OBEY9, A PCUNGESIAND BEARS ME ” \>/ TROUGHTTHETIDE, WTDEARE THESE wooug ‘f I THREAD THE M/~\Z‘ /(F GIANT STEM5, “'5 ; NORA3¥<\/=\f‘LJlDE QHLJNT TILL DAYS. , -A L_A5TGLlMMER DIE3 _ ‘two/1’EF{WO0DY VALE AND V GRASSY HEIGHT /A:[\lD KINDTHE VOICE, . .A‘ AND GLAD THE EYE _ °ITk?+AT WELCOME MY RETURN ‘ AT N IGHT . B.5>>'A/vr. .C7a/D’Zg/"w Wﬂafmwiﬁ @,z,,u.w.f/&,é/’Z’@” ’. ,C MUSIC LIBRARY VASSAR COLLEGE PO06!-mE'_PsvE. "kw vomt
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Date: 1865
Text: As sung by MISS CLARA LOUISA KE 1g§,I,~..4\UU(U(. A Pricc,4'0 cts. ‘§2fE{\N0_ NEW Y0 RK GSCHIRMER 35 UNION S0. MEZZ0 SOPRAQ MUSIC LIBRARY VASSAR C0 >¢ ._ BEWARE! W'ard.s- by II. L0l\'GI'ELLOW'. Jlusic by C’. Jll () UL TOJV. 1. I know a fair to see, 2. She has two . soft and brown, care! She can both false and care! She'gires a side glance friend — Ely be, and looks down, 487 ' E1: to red (wen rvling in .4 Ci of C 0 11 g res8A.D. l 8 6 5, by Bee?‘ ¢%SC,d...
Show moreAs sung by MISS CLARA LOUISA KE 1g§,I,~..4\UU(U(. A Pricc,4'0 cts. ‘§2fE{\N0_ NEW Y0 RK GSCHIRMER 35 UNION S0. MEZZ0 SOPRAQ MUSIC LIBRARY VASSAR C0 >¢ ._ BEWARE! W'ard.s- by II. L0l\'GI'ELLOW'. Jlusic by C’. Jll () UL TOJV. 1. I know a fair to see, 2. She has two . soft and brown, care! She can both false and care! She'gires a side glance friend — Ely be, and looks down, 487 ' E1: to red (wen rvling in .4 Ci of C 0 11 g res8A.D. l 8 6 5, by Bee?‘ ¢%SC,d'T me?-, i’n‘the ('I€"rl".v Offic? of lhe_Di.s"t riot Court of the Southern District of New York. . ‘ f th we thee she‘s she’.s' fool — ing fool - ing Tru st ' Trus l thee ________ __ thee, _______ __ She’s fool - ing She‘.s- fool — ing _ /\ She's fool - ing SI: 93‘ fa 0 I -— ing she's fool — ing .s-he's fool 1.'11g of gold .. en And what shé foul — lug thee, .b She's fool — ing thee ........... -- she”s f‘0oV1 - ing She-’s fool — ']'11g f'\ J New Songs and Duets, Selected from the Catalogue of G. Schirmer, New York ALLITSEN, FRANCES, A Song of Thanksgiving (with Organ ad lib.) High, medium or low. — I know a little Rose. '(Ich Weiss ein Riislein roth.) M.-Sop. — Eight Heinrich Heine Songs: A Pine-tree standeth lonely. (Der Fz'c/zienbaum.) Two Sapphires those dear Eyes of thine. (Sttjﬁ/tire sinrl die Augen deizz.) Diamonds hast thou and Pearls. (Du /last Diamante” um! Perlen.) King Duncan's Daughters. (Die Botsc/mft.) Since my Love now loves me not. (Seit die Lieéste war mztferrzt.) Fathoms deep may drift the Snow. (Magda draussenSc/mee sic/1 t/tz?¢‘r1nen,) Oh Death, it is the cold, cold Night. (Der Tod das ist die /:22‘/zle Nae/ti.) Katherine. (lfat/Larine.) Complete in one Volume. net AMBROSE, R. S., One sweetly solemn Thought. Sacred Song. High or low. BARTLETT, HOMER N., Come, see the Place where Jesus lay! Easter Song. High or low. —— 0 Little Town of Bethlehem. Christmas Song. With Piano and Violin obl. High or low. —: Sayonara. M.-Sop. BLACK, JENNIE P., 3 Songs for M.-Sop: No. 1. Storm, the King! “ 2. The Rosary. “ 3. The Violet. BROCKWAY, HOWARD, Op. 22. Two Songs: No. 1. Would thy Faith were mine. Sop. Lend me thy Fillet, Love. M.-Sop. BUCK, DUDLEY, Boots and Saddles. (A Soldier's Farewell.) Ten. (Original) C; Bar. Ab. —— O, Saviour ofthe World. Offer- tory. High or low. Until God's Day. High or (K 2. -13» low BURLEIGH, H. T., Plantation Why Love is King. High or Melodies, Old and New. net CAMPBELL, G., For one sweet Smile. M.—Sop. CASTELLO,GEORGE E., 4 Songs for Sop. (or Ten.): To the West Wind. Cou1d‘st thou but know. Du bist wie eine Blume. sweet as any Flower.) Sehnsucht. (Yearning.) CLAY, FRED, The Sands o’Dee. Sop. (Ah. $0.75 .50 .50 .5o .60 .60 .4o .60 I.00 .50 DE KOVEN, REGINALD, Abide with me. Sacred Song for Alto. Barcarollez “You are the Moon, my Love.” Sop. ? Battle Grey. M.-Sop. Love’s Trinity. Alto. — My Nightingale. Sop. DENZA, L., In Shadowland. High or low. FREY, ADOLF, Over the Way. Sop. GOLDMARK, RUBIN, Op. 5. Four Songs for M.-Sop. (or Ban): No. I. Ode. “ 2. Spring Rains. “ 3. The old, old Song. “ 4. A Love Symphony. GRAY, HAMILTON, The Golden Pathway. High, medium or low. —— Purple Heather. High or low. d’HARDELOT, GUY, In Bracken- time. Sop. HASTINGS, FRANK S . , F air Helen. (Old Scotch.) High or low. —-— For Love of You. High or low. —— Rose dark the solemn Sunset. High or low. HAWORTH, C. E., At Last. High or low. HOMER, SIDNEY, Eight Poems by Tennyson : Break, break, break. M.-Sop. Gm. Sop. Bbm. Crossing the Bar. M.-Sop. Db, Sop. E. Sweet and Low. M.-Sop. Db Sop. E. Thy Voice is heard. M.-Sop. E]; Sop. F. Home they brought her Warrior dead. M.-Sop. Fj;m., Sop. Am. The City Child. M.-Sop. Eb Sop. F. Minnie and Winnie. D, Sop. Eb. Er]13id’s Song. M.-Sop. Bb, Sop. p. M.-Sop. LAER, C. E. van, Crossing the Bar. Sop. LEHMANN, LIZA, Mother Sleep. High or low. MASON, DANIEL GREGORY, I love him. M.-Sop. : Shall I upbraid or praise her? NEIDLINGER, W. H., Life and Death. Bar. F; Bass D. — Thy Face. Baritone. NORMAND—SMITH, GER- TRUDE, Four Songs for M.-Sop. (or Bar.): Auf der Heide. (On the Moor.) Das Hiiterkind. (The Shepherd Child.) Sunnenwendnacht. (S 0 ls t i c e Night.) Der Geworbene. (The Recruit.) $0.60 .50 .60 .60 .5o .60 .5o .60 .40 .5o .60 .50 .5o .60 PRICE, C. E. B., A Few more Years shall roll. —— My Father for another Night of quiet Sleep and Rest. Sacred Song for Bar. (or Bass). RODNEY, PAUL, Clang of the _ Forge. Bar F; Bass Eb. ROGERS, JAMES H., “Moods." Four Songs : No. I. Not from the whole wide World I chose thee. High or low. “ 2. Years have ﬂown since I knew thee ﬁrst. Sop. “ 3. You. High or low. “ 4. Who knows? High or low. SAAR, LOUIS V., Hark, hark, pretty Lark. Sop. With Violin. —— Lilian. Sop. With Violin. SARJEANT, J., Blow, blow, thou lVVinter Wind. High, medium or ow. STAHLSCHMIDT, ARTHUR E., Concita. A Serenade in Seville. Ten. (or Sop.). —— If I were loved. M.-Sop. (or Bar.). STERN, LEO, Soupir. (A Sigh.) Valse lente. High or low. THOMSON, SYDNEY, I heard the Voice of Jesus say. Sacred Song for Alto (or Bar.). TSCHAIKOWSKY, P., Pi1grim’s Song. Bar. (or Bass)E; Alto D. WARREN, SAM’L P., Faithful. M.—Sop. —— Waiting.‘ M.-Sop. WHITE, MAUDE V., How do I love thee. M.-Sop. (or Bar.). WHITING, ARTHUR, Barrack- Room Ballads (by Rudyard Kip- ling). (Da7myDeever. Zllmzda/rzy. Sacred Song for Bar. $0.75 .50 .5o .50 .50 Soldier, Soldier. F/uzzy— Wuzzy. net I.0o “ Floriana.” Poems by Oliver Hereford, from “Overheard in a Garden.” For Solo Voices and Piano. VOCAL DUETS. ALBUM ofsixteen Sacred Duets for various Voices. net Dvoiuix, ANTON, Echoes from Moravia. (Klange aus Méihren.) I3 Two-part Songs for Soprano and Alto. g. e. RUBINSTEIN, A., Eighteen two-, part Songs : g. e. Paper. Cloth. net 1.50 I.O0 net 1.00 1.00 2.00
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Date: n.d.
Text: PICTURES LONGFELLOWJS POEMS; Tuesday Evening, April 3d, 1883. +%-137-IR3I!+l’lIRSlIl-%:~ J.—Z"mm Some on ﬂmwazvzm. 1.—H1AwA'rHA’s VVEDDING FEAST. “Sum tuous was the feast Nokomis P _ . , . ,, Made at Hiawatha s wedding. 2.—'l‘HE FAMINE (DEATH or M1NNEHAHA).—— “ And he rushed into the wigwam, Saw the the old Nokomis slowly Rocking to and fro and moaning, Saw his lovely Minnehaha Lying dead and cold before him.” !!.'.E.E3’We2<ZEEo “ She gives thee a garland woven fair,...
Show morePICTURES LONGFELLOWJS POEMS; Tuesday Evening, April 3d, 1883. +%-137-IR3I!+l’lIRSlIl-%:~ J.—Z"mm Some on ﬂmwazvzm. 1.—H1AwA'rHA’s VVEDDING FEAST. “Sum tuous was the feast Nokomis P _ . , . ,, Made at Hiawatha s wedding. 2.—'l‘HE FAMINE (DEATH or M1NNEHAHA).—— “ And he rushed into the wigwam, Saw the the old Nokomis slowly Rocking to and fro and moaning, Saw his lovely Minnehaha Lying dead and cold before him.” !!.'.E.E3’We2<ZEEo “ She gives thee a garland woven fair, lake care I It is a fool’s—cap for thee to wear, Beware I Beware I Trust her not—— She is fooling thee I ” I!!. :3 mmamgzwg-ea ztaazzm om ﬁaeazzzg. 1.—THi: BE'r1<oTHAL. “ Then Evangeline lighted the brazen lamp on the table, While from his pocket the notary drew his papers and inkhorn, Wrote with a steady hand the date and the age of the parties, Naming the dower of the bride in flocks of sheep and in cattle." 2.—’l‘HE PARTING. “ Calmly and sadly she waited, until the procession approached her, And she beheld the face of Gabriel, pale with emotion. Tears then ﬁlled her eyes, and, eagerly running to meet him, Clasped she his hands, and laid her head on his shoulder, and whispered,—— ‘Gabriel I be of good cheer I ’ ” 3. “ Silent with wonder and strange surprise,Evangeline listened To the soft ﬂow of her magical words, till the region around her Teemed like enchanted ground, and her swarthy guest the enchantress.’ ) .4——’l‘HE l\/IEETING. “ Whispered a gentle voice, in accents tender and saint—lil<e, ‘Gabriel I O, my beloved I’ . . . Evangeline knelt by his bed-side. . All was ended now, the hope, the fear, and the sorrow . . Meekly she bowed her head, and murmured, ‘ Father, I thank thee I " +2-P}lRlIH~SE(5]\lD-sz. 1/,~ TEE La/gm? on E@EMEﬁ&&. I.--“ ‘ This glass of ﬂashing Crystal tall Gave to my sires the Fountain—Sprite; She wrote in it: I f Z‘/12': glass (lot/z fa/Z, F(z/'€7w7// 271677,‘ 0 Lzzc/e of Ez27m/za// ./ ’ ” 2. —“ As the goblet ringing ﬂies apart In storms the foe with ﬁre and sword ! ” !!.—££fm12.Euw mm may E03/@. 22-“ And a bell was tolled in that I.—-“ He is dead, the beautiful youth, far-off town, The heart of honor, the tongue For one who had passed from ol’ truth.” Cross to crown ; And the neighbors wondered that she should die.” ._MJ.— Tum SRQMJSM e§°Z’l/@E.M97'. 1.—~'l‘HE SERENADE. “Stars of the summer night I Far in yon azure deeps, l-lide, hide your golden light l She sleeps I My lady sleeps 1 Sleeps 1 " 2.—'l‘HE DUEL. “ ‘ She had that ring from me ! God l She is false! But I will be revenged I . . Upon your guard, Sir Count? ’ ” 3.—'l‘HE DANCE BEFORE THE CARDINAL. Arc/2&2’:/m[>.——“ ‘ But the time wears; and we would see thee dance.’ ” ‘)9! P/'cw'0m.~—“ ‘ Your grace shall be obeyed 4.—'l‘HE RECONCILIATION. Pnzczbsa. “ ‘Give me your hand. It is not Crossed, I see.’ ” V z'cz‘m'z'cz/z ( pzzz‘z‘z'/zg‘ cl /22256 of gala’ 2'72/0 /Mr /zamz’ H C v N ‘ 9 H lhere 1S the Cross.
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Date: 1890
Text: MUSIC Lulmmv VASSAR COLLEGE C°0'.'GH-uzensos. new vonx '7 \ {T MLQLLNEUXJ COLLECTION OF’ PART SONG CHORUSES FOR V(0»II©EI SECOND SERIES !!§! !Y!tI:! !T!£<! §.!§i i IE3 i§E'<§iIit1Z'<! HE? ii‘-":<ii§§i 3 922*! iIi§i i IE! iii-":!i!:‘1'.'t!'ii§<iiW-'?ii.IE<|' .0 ,-_._ -.__,_- ____r_:: I . PRICE 0 HOMEWARD WATCH ........................ ..I ................................................ ..H ENRY SMARTVJZ . HUNTER 5...
Show moreMUSIC Lulmmv VASSAR COLLEGE C°0'.'GH-uzensos. new vonx '7 \ {T MLQLLNEUXJ COLLECTION OF’ PART SONG CHORUSES FOR V(0»II©EI SECOND SERIES !!§! !Y!tI:! !T!£<! §.!§i i IE3 i§E'<§iIit1Z'<! HE? ii‘-":<ii§§i 3 922*! iIi§i i IE! iii-":!i!:‘1'.'t!'ii§<iiW-'?ii.IE<|' .0 ,-_._ -.__,_- ____r_:: I . PRICE 0 HOMEWARD WATCH ........................ ..I ................................................ ..H ENRY SMARTVJZ . HUNTER 5' MARCH ............ .; .......................... .................................. ..T.I'IOS.KOSCHAT J5 A FATHERS LULLABY ............. ................ .......................................... ..,..C.M.WISKE .I2 GOOD NIGHT .... ../59/vman&f/7g//k/7Wn_rd5) ......... ............ .. ,M.IB.R-ICHARDS .08 BREAKI BREAKI BREAKI .......................................................... "I. .... ..C.M.WISKE .I5 SPIN, SPIN .......... ._ . - ......... ........ ..HUGO JUNGST 05 THE FOREST MILL ........................................................................... __,.\_/.E.NESSLER .|5 THE COBBLER AND THE CROW //ﬂ//V17/mz/5/' ............ .......... .. GERMAN .05 MERRY MEN ARE WE ................................................................ .. FRANZ CDMMER .05 THE BLOSSOMS CLOSE AT EVE .................................................. FRANZ ABT .08 THE MILL WHEEL ........... , ................................................................... .; ....... ..GE.RMAN AIR .06 THE MARTYRS OF THE ARENA RI LLE .20 FORSAKEN AM I (I575;//'5/7oFZ7./9/*/7/an P1/11/7115) ............................... ..KOS CHAT .08 THE BRIDGE ....... ......................................... .. LINDSAYA/may C.F.$HATTUCK .|O THE MAIDOFTHE MILL ................... .. ADAMS /Imwr C.F.SHATTUCK .|2 THE STORM ............................................................................................................. .. DURRN ER .06 KATHLEEN MAVOURNEEN ........ .. CROUCH ,4/mar C F. SHATTU-CK .| 0 THE WOODLAND ROSE .......................................................................... .. FISCHER .I'2 MYSTERY /]uarl'Et Er ﬂu/ntet .................................. .. WALTER D ECKER .| 2 THE JOLLY OLD CROW .................................................. ..VSLALTER DECKER .|0 CR-OWNED WITH CLUSTERS OF THE VINE ....................... A.’M E LLON .20 NOW"S'ILENCE KEEP .............. .., .............................................. .. WALTER DECKER .I0 EXCELSIOR‘-' .......... , ....................................... ..B.ALFE ‘AH/?. BY C..F.SHAATTUCK .IS :45 aucuo AVE. GED. MOLINEUX IRIDGEFIELD PARK.N..J. I '-—-....---..-....,.,.__‘,,___,,'__’ _ ,___._ ‘.__. . ..._. _....--s./... .-.._...._... .,,_--.!..——.. . .._... ....;. If-:‘I!!§-'1!HE’!“!'§*!!!?1IH"3‘|'W!“WHENIEIHZEIIIEH!§!!!:§I!!2H?E3!?!§?!IEI , ﬁgs Ziﬁrihge. For Male Voices. Arranged by 0. F. SHATTUCK. LINDSAY. P Andante. I Tenor. I Tenor. 1. I stood on the bridge at mid-night, As the clocks were strik-ing the 2. Butmy heart was hot and rest- less, And my life was full of hour, ............. .. And the moon rose o’er the Be - hind care, .............. .. And the laid up Z‘-T dark church - Seemed greater than I could st-rik - ing the hour, V full of care, accel. resoluto. I like the wa. - ters rushing ....... .. A — mong the wood — en now it has fall - en from me, ...... .. It is bur - ied in- I the And like the W3. — ters, the waters1'ush— ing Among the woogi - en But now ’tisfal1 - en, has fallen from me, ’Tis bur - ied in the 1‘ I J like the we-ters, the wa - ters rushing A - mong the wood -- en now it has fallen, has fall - en from me, ”I‘is bur » ied in the __< piers, ................ .. A ﬂood of thought came o’er r me, That ﬁl1’d eeyes sea, ................... .. And only the sorrow of others throws Its sha - (low 0 - V81‘ piers, the wooden piers, ‘2 sea, yes, in the sea, 652-2. Copyright, xnocoxo, by Gino. MOLINEUX. f~ 10 ' ' _ fears; For how oft-en, oh, how oft-en in the dayethat have gone by, ....... .. I had me; But when ev-er I cross the riv - er on its bridge with wooden piers, ..... Like the m . rﬁ stood on that bridge at mid-night, And gazed on that wave and sky,........ How 0 - dour of brine from the o - cean, Comes the thought of 0th - er years,...... While the oft - en, oh, how oft - en, I had wished that its ebb - ing ‘tide ...... .. Might moon with its broken re - ﬂee - tion, And its sha - dows doth ap - pear, .... .. Like an .2 ../.2 ff fz }' dim raﬂ. hear me a-way on its bo - eom,‘ O’er the o - cean wild and em-blem of love from Heav-» en And its wav- ing Im - age fh ’ The Bridge. 652--2.
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Date: n.d.
Text: /ﬁll’ *1-_-I, Deg , N {hf V.‘\*:|,-A EZLK J A LIT L \‘ »~// D \\\//T:5‘\\//D/— ’ « D0 YOLJ REALLY THINK HE DID? \\‘ 4 /A A \r4—¢ V, -a Li | OOMPUSED AND DEDICATED TO ’X, ”‘f§;_; /_M7<;;/7 ‘ /79¢,/fj X g ‘AM///Zé L./722777/, BOSTON. ,7?//2/z;y7Mr.7 by W. H.OAKES am? $0‘,/(.7 747' E. H . WAD E M7.‘/7 M2972/'7/‘I/2‘«/71 J?/1 ,Z',’/77/Ire/7 K/ca;7'z}’/,'/gq in//1.7, /27"/'/1/21//zaxzs’ zéz //m ym/:/J/.’/ 41'!/7/1/’/z7.wr m ///:4 /,/1»/~/my /}/'/tn a...
Show more/ﬁll’ *1-_-I, Deg , N {hf V.‘\*:|,-A EZLK J A LIT L \‘ »~// D \\\//T:5‘\\//D/— ’ « D0 YOLJ REALLY THINK HE DID? \\‘ 4 /A A \r4—¢ V, -a Li | OOMPUSED AND DEDICATED TO ’X, ”‘f§;_; /_M7<;;/7 ‘ /79¢,/fj X g ‘AM///Zé L./722777/, BOSTON. ,7?//2/z;y7Mr.7 by W. H.OAKES am? $0‘,/(.7 747' E. H . WAD E M7.‘/7 M2972/'7/‘I/2‘«/71 J?/1 ,Z',’/77/Ire/7 K/ca;7'z}’/,'/gq in//1.7, /27"/'/1/21//zaxzs’ zéz //m ym/:/J/.’/ 41'!/7/1/’/z7.wr m ///:4 /,/1»/~/my /}/'/tn a/ '2’/22 /’/Ir//211 K.’/;w'/I-t n/‘fl//'z.v.s'. MUSIC LIBRARY VASSAR COLLEGE "Hesﬂdhccametoﬁndmef’ Con Espress. _ T /-—\f\ G D J wa1t—ed t1]l the tvu —l1ght, And yet he did not come, I st1'ay’d-along the brookside, And slowly wande1"d home, When who should come be —- hind me, But him I would have He said he came to find me, Doyou really think’ he He said he came to find me, Doyou\ rea1—1y“ think he He said he came to find me, Do you real — 1y think he He saidwhen last We part — ed, Heﬁd thoughtofnaught so sweet, \_/ -of this ve~ ry mo—ment, The m0—ment We should emeet. He show’d me where, half sha - ded a cot — tage home lay He said for me he made it_ ])o you rea1—1yIhink he ritard. ad lib: L-J . did? He said for me he made it, Doyou real — ly think he \~—.__z did? He said for me he made~ it, Doyou real—ly think he 3 He said when first he saw me, Life seem’d at once divine; Each night he dreamt of Angels, And ev’1*y face was mine; Sometimes a. voice in sleeping, Would all his hopes forbid, Bis. H2And then he wakened weeping_ Do you really think he did? ill
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Date: 1922
Text: 74 .. 7! V‘ 1 CL. The Childrens’ Hour (1901) 71% V Lﬁngfellow ~ Adag1o sostenuto the dark and the day - light, When the '"T»'“' '7' night is beginning to lower, ‘ in the days oc - cu - MUSIC LIBRARY .u. ,— - That is known as Chil-drens’ Hour pm moto rj3__1 hear in the cham-ber a -bove me the pat — ter of 1it—t1e feet |'_—'—"_""1 3 ' 3 r*—*j;'“‘1 ' 3 I sound of a. door that is o-pened and voi - r"""""...
Show more74 .. 7! V‘ 1 CL. The Childrens’ Hour (1901) 71% V Lﬁngfellow ~ Adag1o sostenuto the dark and the day - light, When the '"T»'“' '7' night is beginning to lower, ‘ in the days oc - cu - MUSIC LIBRARY .u. ,— - That is known as Chil-drens’ Hour pm moto rj3__1 hear in the cham-ber a -bove me the pat — ter of 1it—t1e feet |'_—'—"_""1 3 ' 3 r*—*j;'“‘1 ' 3 I sound of a. door that is o-pened and voi - r"""""3‘-1 ' 3 ' d=Jo stu-dy I see in the lamp- light De - scend-ing the broad hall stair, Grave O A1 - ice and laugh - ing A1 - 1e - gra. _. E - dith with gold - en b . pm aresaemoto I pm mm". C O I K Be - tween the dark and day - light, 1%) a tempo /'3 a pause, is known as Chil - drens’ Hour. ‘ rit. 0.. mmm D09 EC1 R
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Date: n.d.
Text: Froml CI. D(19'.}3y Mo._s11r_y& Sills}; ee‘ WORDS FROM - u,@@@$*£a&.&m“§3 mm gm.‘ R‘ Bl E " mmm mz/1. MUSIC BY .@£ﬂ:.. @';gc;_m_v/Ema B Y . BOSTON » MUSIC LIIRAIIEGE Pn1.1+.«1..-A 1w .n rvrn mrsnn wnem +n. m V55-SAR COU- QF MINNEHAHA. Words by I.(rNGFEI.I.H\‘\‘. Music by Ch. C. CONVERSE. : ; A')ld(l.>ltiIlO. 1. 0- -~ — vcr snow - fields waste and path - less, \ 1. In the wig- —wam wvith N0110 - - - 11113 2. In xhe wig- - Wam with Noho . . - mi; 3_“;\h'....
Show moreFroml CI. D(19'.}3y Mo._s11r_y& Sills}; ee‘ WORDS FROM - u,@@@$*£a&.&m“§3 mm gm.‘ R‘ Bl E " mmm mz/1. MUSIC BY .@£ﬂ:.. @';gc;_m_v/Ema B Y . BOSTON » MUSIC LIIRAIIEGE Pn1.1+.«1..-A 1w .n rvrn mrsnn wnem +n. m V55-SAR COU- QF MINNEHAHA. Words by I.(rNGFEI.I.H\‘\‘. Music by Ch. C. CONVERSE. : ; A')ld(l.>ltiIlO. 1. 0- -~ — vcr snow - fields waste and path - less, \ 1. In the wig- —wam wvith N0110 - - - 11113 2. In xhe wig- - Wam with Noho . . - mi; 3_“;\h'.” she said’, “ the eyes of Pan - ~ gulz uu - - der snow - en - - — munbered branches, Homeward hm ried Hi - - —a~w;1 —-U13, Emp- ty hand - ed With thoscglonmy gnusts.t]1at\m1clurdher, With the Fzun - inc and the Fe: — vcr, S110 was ly - — hag, With those gloomy ;;uests,thatwaIchcdher, Wi1h the Fan: - ine and the Fe - yer, She was ]y- - ~ Eng. Glare np- — 011 mu in the darkness, I can feel his 1- - - cy fin - gers €1a:p- ing mine a ‘, heav - - - y heart- ed, Home-ward h — — ried Hi- — - a - - - wa - —’ tha._ ‘T(l Bc--- 10v -'-pd, She the ' <15" - - tug Min -- no — - ha». - - km. Bu - ~ luv -- ed, She the dy - - ing Min no ha ha. the dark-ness 'Hi-—-a-—-wa---tha: Hi---a---Wa--tha! 7’ 1: V _ Heard i\'->- — - ho - - mis moan- - - - mg Wail --mg: Wa - - ho - - no - - -Wm! H llzirki” she said; “I hear at rush—ing, I Hear at wen,---\‘ing “Look!” she said; “I see my fa - - ther Stand-ing lone - - ly And the (la: - -’late Hi- - -a --wa--tha, Far-— 2). --Way a —_- Wa.- - - -ho-no -win! 7’ Heard No - - ho - mis moan - -- ing,Wai1-ing; “Wa - ho - - no-Win! ‘ Wa - - ho - - no - win!,” \ and it rushing Hear the falls ' Min - - -no-h:i_-i -ha at , his doorway, Beckhing to mid the forest, Miles 3. - - Way Calling to me from EL distancc!_"’ from his Wig--Wam In the land of the Da--co--tal1s.!” mong the mountains Heard that sudden cry of an- —guisl,1, “Would that I had per---ishedfor you, Would that I were dead as you are! Would that I had r u u « “No, my clnld!.s:nd old N0-ho-nus, “’TlS “No, my child!”said ald No-ho-mis, “Tis Heard the voice of the night-wind in the pine tl't‘0S!"“N0, n1y_ 0lllI(I!”S£li(i, the smokethat waves and beckons! “No my child!” said . Mine - -ne-ha--ha Call--ing to him in the darkness, Heard the voice of
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Date: 1906
Text: iinféé-».£9$‘€'£‘; §,‘§::i::§,1g',>::‘\f ff. 3.-"£l'~?x:*éii‘S.&§lE ‘W-W-imtswsvat. Mrw ¥{”‘.«9+vr: go '\ Byron \l"|arch Browning Walt3 Field Nocturne Longfellow Waltj Tennyson Romance Shakespeare March Pub//Is/7e0' by 6605 /(W5/t (5. BOSTON, MASS. LDNGFELLUW WALTZ. Composed by A. H. ROSEVVIG. Tempo di Valse. 3 5 ‘ 2 Copyright 1906 by W. A. Evans. E.M. Co. 217, 2 . TT{E}&ATTC‘LJST (H*I?VA}K§BICSIC CCYS PII3LIFAIT(HVS. XX CXﬂ1Pcth)n of...
Show moreiinféé-».£9$‘€'£‘; §,‘§::i::§,1g',>::‘\f ff. 3.-"£l'~?x:*éii‘S.&§lE ‘W-W-imtswsvat. Mrw ¥{”‘.«9+vr: go '\ Byron \l"|arch Browning Walt3 Field Nocturne Longfellow Waltj Tennyson Romance Shakespeare March Pub//Is/7e0' by 6605 /(W5/t (5. BOSTON, MASS. LDNGFELLUW WALTZ. Composed by A. H. ROSEVVIG. Tempo di Valse. 3 5 ‘ 2 Copyright 1906 by W. A. Evans. E.M. Co. 217, 2 . TT{E}&ATTC‘LJST (H*I?VA}K§BICSIC CCYS PII3LIFAIT(HVS. XX CXﬂ1Pcth)n of NIusiCa1E3ketChws,I§asy aIui.A1trnCIiVP. Bv PEARL STAFFORI). 1’,-m» 44)‘? each. Hogeysuckle-Polka. . ' Em)./W W 1,“/U//4/.17 [I W /M.’ W ,,_ /_ E/Ymn ‘J«I.\'1r;I'm.»_—~ ,, A A , .; I-, _.‘, ‘ A, : ,' 9"-'-.-.4.‘ ,o[',37'—'; * _- a «_..m:.,s T‘,-,1 Shady D ell — Reverie. Mod. tﬂn ’‘ @739
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Date: 1882
Text: I e ‘a ﬁillgzge glaaksmitg» “W R i H _]‘~|‘!’ Ax W ‘ «M ‘ I x} I; 3 A I / ‘H Ii ’ w . 5 ‘ ) Tilt VILLAGE BLACKSMITH, “ Under a spreading chestnut tree The village Smithy stands. The smith, a mighty man is he. With large and sinewy lxanilsz And the muscles of his brawny arms Are strong as iron hanzls. "-——-Lo-n,gfellow. In the northern oountygof Y()1‘kShi1‘e. England, dwelt the Grardner fa1nily—my fatlier, Obid Grard- ner, being the head of the family. He was a- blaoksmith, and Worked...
Show moreI e ‘a ﬁillgzge glaaksmitg» “W R i H _]‘~|‘!’ Ax W ‘ «M ‘ I x} I; 3 A I / ‘H Ii ’ w . 5 ‘ ) Tilt VILLAGE BLACKSMITH, “ Under a spreading chestnut tree The village Smithy stands. The smith, a mighty man is he. With large and sinewy lxanilsz And the muscles of his brawny arms Are strong as iron hanzls. "-——-Lo-n,gfellow. In the northern oountygof Y()1‘kShi1‘e. England, dwelt the Grardner fa1nily—my fatlier, Obid Grard- ner, being the head of the family. He was a- blaoksmith, and Worked from morning till night in the little shop at the corner of the road. “ .i-‘hid the children coming homefrom school Look in at the open door: They love to see the flaming forge‘ ’ And hear the bellows roar, And catch the burning sparks that ﬂy I J]. ke chaff from a thrashing-ﬂoor. It was here, in this little shop. that our neigh- bors had their horses shod. and here where the country farmers had their broken wagons mended. Father Gardner, as he was familiarly called” in
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Date: n.d.
Text: Music LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new You e/«Q1117: of turn1vnnIlun5:a<» Im:Consvrrahnt ‘ ‘A V ’{ 1” 1 ‘I ‘ V’ 4MVucc» v . H.W.|.0NGFE|.LOW ESQ. ~«.~ub , - Miss M . LINDSAY. 4%-—~v " % ozmcmco 10 HERSISIER, 5:5: 3/ , j 50040 6? 0° 25:/’0tm:44;?. §mé@7'm.§»¥”¢f:%0 STREEII £0/V00/V~ W- - ‘ed-’3’2ﬁ‘ §§%&33*~‘U El £33» :,,:‘2NiL‘.>«si‘;9-L WI) ﬁj‘ HYMN or THE MDRAVIAN NUNS or BETHLEHEM. (U.S.) AT THE CONSEQZRATION OF PULASKI’S BANNER. (DUET FOR SOPRANO AND coN'rR...
Show moreMusic LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new You e/«Q1117: of turn1vnnIlun5:a<» Im:Consvrrahnt ‘ ‘A V ’{ 1” 1 ‘I ‘ V’ 4MVucc» v . H.W.|.0NGFE|.LOW ESQ. ~«.~ub , - Miss M . LINDSAY. 4%-—~v " % ozmcmco 10 HERSISIER, 5:5: 3/ , j 50040 6? 0° 25:/’0tm:44;?. §mé@7'm.§»¥”¢f:%0 STREEII £0/V00/V~ W- - ‘ed-’3’2ﬁ‘ §§%&33*~‘U El £33» :,,:‘2NiL‘.>«si‘;9-L WI) ﬁj‘ HYMN or THE MDRAVIAN NUNS or BETHLEHEM. (U.S.) AT THE CONSEQZRATION OF PULASKI’S BANNER. (DUET FOR SOPRANO AND coN'rR’AL'ro.) twoaos BY H.W. LONCFELLOW.EsQ. ‘MUSIC BY MISS M.LlNDSAY. 1VtIaest0s0. I When the dy_i11g flame of '_Throughthe chan_cel shot \ mf Far the glinlnfringtapers shed Faint light on the cowled L \_/ _ he/ad; . And the cen_- _ _ ser burn - ,. ing swung, VVhert*, be _ /3g___j L’) .H>;znu:_of4'J.u7- IVIO:-;«u.i'/n1 Nun“ pm,“ Mi“ BL LIXDSAY (}()PTRI(‘;H_'[‘. the Altar, hang The b1o0d—redbanner,T’he b1o0d—redbam1er,The. b1o0d.—red banner,that with pray’r. . _. . .Hadbeen c0n-se-cra_ted_ there. /9/° _ And the nuns’Asux€et hymn was heard the while, Sung low in the dim, u1yste_rious aisle /°/° HN'”‘ °f1ht' VIo1"aviau NTUHQ ‘ ‘ ‘ ~ - - Duet. 3115:: NI LIVDS -KY G 0 « V - e . ~ ~ & C._550. ?na m®ma’nvmm. thy banner! h it wave, ‘ Pr0ud-ly o’er the thy banner! Pr0IId_1y o’er the good and brave; the bat - - t1e’s dis - _ tant wail, good and brave; the bat _ _ t1e’s dis - - tant wail, Breaks the sab_-bath of our vale, VWhen the cla-_r1'm1’s Breaks the sab-- bath of our vale, When the cla _ _.ri0n’s /"/° H3“'“‘ Of U18 1V1qravim1 Nuns. Duet. Mi.» M. LINDSAY. G "' C? 550. mu_sic thrills To the hearts of mu_sic thrills. To the hearts of ‘the spear in con--flict shakes, And the spear in con__flic-t shakes, And shiv ’_ _ _ _ _ ring ' breaks. breaks . shiv ’_ _ - _ _ ring Hymn 0f UH‘ Moravian Nuns. Duet. Miss- M.‘LINDSAY G s’ C9 550' these lone [hills , these lone hills , the strong lance the strong lance Take thy banner! but, when night, Clo_vses round the Take thy banner! but, when night, Cl0_ses round the ghast _ ly fight, > ‘ the van _ quish’d ‘ war- - rior bow, ghast _ ly fight , ho-_1y VOW, By our pray’rs h0-..tly vow, By our pray’rs and» 0 Tu; H5’Fl1~Il=0f the Moravian Nuns Du:-t Mix .‘ -. - _. 5: M. LINDSAY. (, X, (.3 55 2 , , O. ma _ - -_ny tears , mer - _ - oy that endears , ma _ _ - ny tears , mer- - _ cy endears, V Spare ‘him! / hath s112u"d! Spare him as thou‘ Spare. . hath sl12u"d! Spam‘ him as tlmu wo u1d’st _W(H’[1d’St ‘Hymn ‘of “W Mdraviaxl Vans. Duet Miss M L1V])SAY Take thy banner! and if e’er, Take ,thy banner! and if e’er,' s01_dier’s bier, And the muffled s0Ldier’s bier, A nd the mufflwd T0 the tread of mournful feet, T0 the tread of mournful feget, Ymn of the Moymrraxn Nuns. Dm-1.. N115.» Ms LINDSAY. Thou sh0uld’st press the should’st press the drum should 1) eat , drum sho uld b e at , G 4» C9 550. rt tempo Then.. . . this flag. . . . .~ . . . Then this crimson flag shall be, Then.... this flag‘, . . . . . . Then this crimson flag shall he, / 3Iar_tia1 cloak and shroud for Mar_ti.a1 cloak and shroud for The warrior took that banner proud, And it ’was his mar_tial cloak and ‘S7H”0l’'1! ’' . .9 G 8/'C‘.’550. A "emf Alleyro vivace. SUCCESSE UL NEW SONGS. Words by Music by ALFRED H. I-IYATT. GILBERT LOEWE. TILL DAWN. No. 1 in D ﬂat. No. 2 in E ﬂat. MI: 33:: No. 3 in F. —'——-9- (0ri¢im1KBY) M Compass. ——o——- :—iD— No. 4 in G. —_—:_p: ___Il ‘C- Amlants non troppo. , M 4Q P4; L__ 1| IV I I; I‘ 5 I‘ l\l I I‘ u I l'\l:l l‘ §v_~",,,:.:;:&g_,tu;i;—_a—4 _ _ :;;—_—a:,_L.—.;j- _ A V 7 I , -r w- Light in the tired west lin - gets, Shad-ows soft - ly fall,... Touching with ro- sy ﬁn - gers, Earth, sea, and Light in the tired west lingers, Shadows s tly fall, Touching with rosy ﬁngers Earth, sea, and all. Ends with the falling shadow! Grief: of the day; Soft o’er the dewy meadows ease comes to stay. Compass. Compass. compass, _—_£"‘ ..._'-__. pow mu. ares. M _ I - I I I LI;I%l—‘ _ 4. _ . 7- - ul 0.- All the day's toiling, striving, Tears and regret, Night comes with peace arriving- In sleep forg . So in God’s care I leave you Till dawns the light, . Eenceforth no sorrow grieve you, Dear love, good-night! Copyright, MCMYL, by GOULD & co. AUTUMN GOLD. No. 2 in F ‘_.__ 7}L_ ___J__.__._ Words and Millie by GERALD LANE. No. 8 in G .__._.E Compass. T :33, 1 and E 1:13). .:_‘_T_‘.'3i ' ' ff: ﬂglll E] Z Compass. '6‘ mp Andante mm troppa. Compass. I 1 l\ I K . I I I I‘\r 1% ' is . l\| - ll .1 I I\ l\ min: I\.rI—I-I I-- nrﬁwIwﬁ\.Iy.- §%—P~I—-4—-—i—d——a—J.i‘—.—i—e—.e=+4—44—+~+—P~—-:r—L—-—n—»w—- I1 .9. _ V ' \_/ -J— ' T ‘/ When Au-tumn spreads her path with leaves of gold,... When through the land sweet summertime grow: old....... When Autumn spreads her path with leaves of gold, A world of tears that beat upon life’: shore, VVhen through the land sweet summer-time grow: old, A dream that war, a. dream thlt is no moral What harvest shall we gather, you and I, N ow we, dear heart, have said our last good-bye? A ‘. § IF: F Yet ’inid the silence of the waning year One charmed echo still we seem to hear: " The Sfring comes back, and joy forget: the pain, For Go is good, and Love is not in vain l" Oopyrllht. MGMYL. II! GOULD I C0. The haunting inem’ry of one radian: hour, The ling’ring fragrance of one little ﬂow’r, Music by VALENTINE HEMERY. THE FIRST SPRING DAY. __i_ CLIFTON BINGI-IAM. No. 1 in E ﬂat. Compass . . . l I . 777 DIE J ' _ . 4+0 .1‘ . R . I .1 741 II I I III I _ 51 I V 7 . Hark, there's a new voice call-ing, And a new light in the sky, Rain on th sweet earth falling Bids winter grey good- —, s -1 j r. J_] A. : , L1, Elrl See how the darling rirnrose Looks up from its eizfy how’t, Blue-hells are waking gaily To the kiss of sun and show’rl Boon cuckoo will foretell us The coming of sweet May, For all the world is waking To greet the that spring day! Good-bye to you, grey Winter Too long has been your reign, ‘Tie glnd and good to welcome The step of Spring again. . So come, sweethe . , gree it, For skies are bright above, _ Our hearts, like the world, are waking To life, And light, and love! Hark. there’: a. new voice calling, And II. new light in the sky, Rain on the sweet earth falling Bid: winter grey good-bye. There's 3 song through the green wood A that's blithe and gay [ringing, though the world were singing, ' To greet the first spring day! copyright, MCMYL, by GOULD I 60. Words by HELEN TAYLOR. Music by WILFRID SANDERSON. 1 ___pk ‘;-l:I—_—_ ii‘: A SUMMER GREETING. I No. 1 in A ﬂat. __.?.J3_ Compass. No.3 in B ﬂat. (Original Key) Compass. _A _]:1lleyr:tto oon brio. I K 1‘ k pow rit. -0.: ‘ The sum-mer’s on her way, love, I see her her-a.1ds sweet, The blos-som on the up-pleztrees, The (iii-sies at my The summer’: on her way, love, I see her heralds sweet, The blossom on the apple trees, The daisies at my feet. The birds will sing the whole day long _ The birds are always gay. How can I hear to hear their song, If you are still away? 0 will you not COIIIO back, love, on roses come again, Red roses in the garden, love, Wild roses in the lane. I cannot work, I cannot weep, I know not how to pray, How can I live the summer through, If you are still away? Copyright, MCMYL, by GOULD & CO. The summer’: on her way, love, Good-bye to grief and pain, And welcome sing and love and joy, When you return again. NEW VOCAL DUETS :— “AWAKE,” by H. G. Pélissier,"No. 1, for Sop. and Con. or Sop. and Bar. “AWAKE,” ,, No. 2, for Tenor and Baritone. “FAREWELL T0 SUMMER,” by Noel Johnson, for Sop. and Con. or Sop. and Bar. “FOR ALL ETERNITY,” by Angelo Mascheroni, for Sop. and Con. or Sop. and Bar. “LIFE’S THANKSGIVING,” by Valentine Hemery, for Sop. and Con. or Sop. and Bar. “BIRTHDAY MORN, THE” by Landon Ronald, No. 1. in Dl,, for Mezzo-Sop. and Con. “BIRTHDAY MOON, THE ” No. 2, in Eb, for Sop. and Con. “TILL DAWN,” by Gilbert Loewe, for “Sop. and Con. or Sop. and Bar. STANDARD SONGS Com as 93 Lolivezt sum; BY Key only. All the While Keys D, Eb, F, and G. By Lovell Kiny. Awake l Keys Eb. F, and G. By E. G. Pélissier. Birthday Mom, The Keys 0 and Eb. By Landon Ronald. By Special Request Keys Eb and F. By Angelo Mascheroni. Dreamland Voices Keys Eb, Fand G. By Anyelo Maxclzeroni. Fairest Flower,The Keys Eb, F, and G_ K By Fred W. Sparrow. Fairyland Keys Eb, F and G. By Gerald Lane. Farewellto Summer Keys A, Bb and C & D. By Noel Johnson. F Flower Songs (lllustrated.) By Florence Hours and J. L. Roeclcel N 0. 1. Mignonette ... ,, 2. Poppies ,. 3. Pansies ,, 4. Primroses Crocuses ,, 5. . For all Eternity Keys Bi). 0, D mdEb By Angelo Masclzerom‘. Gift of Peace G, Bb and C. ‘ By 0. H. Foyy. I had a Flower Keys Bb, Db and Eb. By Lawrence Kellie. Irish Slumber Song, Keys Eb, F and G. By Ernest Newton. ass ff? Ifl L-ife’s Thanksgiving Keys D, Eb, F and G. By Valentine 1-Iemery. Night Sea’s Lullaby Keys Eb, F and G.‘ By Valentine Hemery. 0 Fair Dove, 0 Fond Dove . Keys F and Ab. By A. Scott Gatty. Patti Waltz Song Keys Bb and D. By J. N. Patttsan. Prayer for You, A Keys C and Eb. By Fred W. Sparrow. Restful Shadows Keys Eb, F and G. By H. G. Pélissier. Tatters Keys D, Eb, E and F. By Gerald Lane. Thy Voice is near Keys G and A. By W. T. Wrighton. Vales of Arklow Keys Ab, Bb and C. By Leslie Stuart. When Roses Bloom Keys 0 and Eb. By G. H. Pélissier. . Miss Elsie Purvis : .. Mdme.MeredythElliott Miss Ethel Bevans &c. Mr. C. Copland B to Miss Edith Serpell . b E, &c. Mdme. Melba . Mdme. Amy Sherwin Mr. Joseph O’Mara. Mr. Hii-wen Jones &c. Mr. Egbert Roberts Mr. Ad. Fowler &c. Miss Mary Desmond Miss Edith Serpell Miss Lilian Turnbull... &c. Mr. William Green Mr. Herbert Grover Miss Maggie Purvis MissVio1et Ludlow Miss Bertha Salter &c. Miss Emily Foxcroft... Miss Maggie Purvis Miss Minnie Chamber- lain . . &c. Miss Violet Ludlow Miss Perceval Allen Miss Grainger Kerr Mr. Wm. Forington &c. Miss Florence Croft Miss Annie Wilson Miss Lilian Turnbull... Miss Edith Serpell Miss Hettie Hills U:>I>l>UU 888388’ ‘#06666 Miss Jennie Atkinson . &c. Mdme. Adeline Patti P 3 6 Miss Perceval Allen Mlle. Marie Vagnolini Mdme. Sadier Fogg Mr. Barry Lindon site. Mr. Lawrence Kellie... Mr. Robert Radford Miss Maggie Purvis Mdme. Ruth Lamb Mdme. Guilia Ravogli Mdme. Kirkby Lunn.. Mdme. Sobrino Mdme. Emily Squire... Mdme. Marian Mo Kenzie Mdme. Maggie Purvis Mdme. Hortense Paulsen. ‘Miss Mabel Bi-nine Mdme. Marian Mc _ Kenzie Mn. Helen Trust Mdme. Adelina Patti Miss Maggie Stirling... Mr. Chas. Copland Mdme. Sadler Fogg Mr. Ben Johnson 8212. Miss Maggie Purvls Miss Edith Serpell Miss Me? Desmond c. Mdme. Belle Cole Miss Perceval Allen Miss Maggie Purvis ... Miss Florence Bulleid Mr. Bingley Show Mrs. Chas. Copland Miss Edith Serpell . Mlle. Ghita. Corri ..._ GOULD & 00., 25, Poland Street, London, W. A'to1)i_"'
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Date: n.d.

Date: 1917
Text: 33 E? E. Phi‘;0mc"i HfV!'4".‘..:',.‘..[\’=. .‘,;21'..-xii. Imsah .M.:~: g>:.;::.»:.x‘E«.:~/4 3V'»'L'J;vv.: mm. mia. -' '“i\‘TIE §_.UL\I¢,2‘v‘?‘1,l.(>'»‘u" j NE;.'w" ‘.‘{"-C’3Ex’i':\?'.: ilH1“s.'“L«, EL ].’9H.'£"fr5*..T!‘A‘-3 éir I.,a.}¢. L'u‘;"§€'I.-‘\u;;a}. ¥..“2’€'.'i>{‘*h {iv §M’i..:X5_."§’ music: LIBRARY VASSA-R COLLEGE YE VOICES, THAT AROSE , 1 - Ye...
Show more33 E? E. Phi‘;0mc"i HfV!'4".‘..:',.‘..[\’=. .‘,;21'..-xii. Imsah .M.:~: g>:.;::.»:.x‘E«.:~/4 3V'»'L'J;vv.: mm. mia. -' '“i\‘TIE §_.UL\I¢,2‘v‘?‘1,l.(>'»‘u" j NE;.'w" ‘.‘{"-C’3Ex’i':\?'.: ilH1“s.'“L«, EL ].’9H.'£"fr5*..T!‘A‘-3 éir I.,a.}¢. L'u‘;"§€'I.-‘\u;;a}. ¥..“2’€'.'i>{‘*h {iv §M’i..:X5_."§’ music: LIBRARY VASSA-R COLLEGE YE VOICES, THAT AROSE , 1 - Ye voices, that arose After the evening/s close, And whispered to my restless heart repose! Go,breathe it in the ear > Of all who doubt and fear, And say to them.,'1Be of good cheer! V’ Ye sounds, so low. and calm, That in the groves of balm V Seemed to me like an ange1’s psahn! Henry I/I/Fzdswort/z _L¢mgfell0w (from the French) 5-’! 50"72079 — 3 From Me Franc/1 mngmaz 311% Al») CECIL BURLEIGH HENRY WADSWORTH LONGFELLOW Op. 32, N0 3 Very slowly; with deep feeling (lg 40 orfslower) FT’! VOICE Ye voi — ces, that a Af'—ter the eve — ninge 2 And Whis—perH to my rest— less heart re — pose! z'ncrea.s*e ‘ —e breathe it ' the ear Of; all who doubt and mcrease -=./' And say to them,__ “Be /X 3?: 5“ Copyright NICMXVTI by Oliver Ditson Company International Copyright Secured 1%’ Ye sounds, so low and calm,.__ = n That in the groves of balm __________ Seem’d to me... like an an — ge1’s ,5: : : " r- Seem’d to me like slower K The Musicians Library The masterpieces OF song and piano literature edited by men of authority SONG ’ VOLUMES ' ISSUED Foi-HIEI1 Voice For Low Voice Ediiedby JAMES HUNEKER Edited by WM. FOSTER APTHORP Edited by HENRY T. FINCK Edited by DR. EBENEZER PROUT Edited by DR. EBENEZER PROUT Edited by WM. FOSTER APTHORP Edited by CARL ARMBRUSTER Edited by HENRY T. FINCK Edited by W. J. HENDERSON Edited by JAMES HUNEKER Edited by JAMES HUNEKER Edited by CARL ARMBRUSTER Edited by CARL ARMBRUSTER Edited by ERNEST NEWMAN Edited by HENRY T. FINCK Edited by DR. CHARLES VINCENT Edited by PHILIP HALE BRAHMS, JOHANNES FORTY SONGS FRANZ, ROBERT FIFTY SONGS GRIEG, EDVARD FIFTY SONGS HANDEL, GEO. F. SONGS AND AIRS HANDEL, GEO. F. SONGS AND AIRS JENSEN, ADOLF FORTY SONGS LISZT, FRANZ ' THIRTY SONGS SCHUBERT, FRANZ FIFTY SONGS SCHUMANN, ROBERT FIFTY SONGS STRAUSS, RICHARD FORTY SONGS TCHA'I'i<OvSi<Y, P. I. FORTY SONGS WAGNER. RICHARD LYRICS I WAGNER, RICHARD LYRICS ii S Iii WOLF, HUGO FIFTY SONGS FIFTY MASTERSONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS VOL. I (BEMBERG TO FRANCK) MODERN FRENCH SONGS VOL. II (GEORGES TO WIDOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (All Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS L II Er III SONGS FROM THE OPERAS IV G V For I‘IIgI\ VOICE For Low Voice Fcrr High Voice For Low Voice For High Voi¢¢ For Low Voica £*.'3v‘.-.$v‘5$v’;:'5v‘.-3 For High Voice For Low Voice For I‘II${I'\ Voice: For Low Voice vi? For High Voirc Ior Law Voice For I*'IIs>,I\ Voice I*'Oi Low Voice For Higiiw Vmcz For I,\Iv/ Vuice Fur I‘II;:Ii VC'iiL‘P, Poi Low \/(JILQ For Soprano Fvt‘ Tenn! For Bunion: and Basis For Hi*,Iw \/OICC For Low Voice For I"I_ii.II Voice For Low Voiuc Fi».— F-I.»,_ii Vote: In): Low \/OlC¢ For HIEII Voice For Low VOIC¢ For High Voicc Fix Low Voice Edited by ' PHILIP HALE {:5 I19 v‘.°*vi':i‘r¢;‘v€-5:’£i.‘zv‘.-f5t‘.:?iv7:t‘iv‘:'5>‘.-E Edited by CECIL SHARP Edited by GRANVILLE BANTOCK Emmi by GRANVILLE BANTOCK Ediied by HELEN HOPEKIRK Edited by JULIEN TIERSOT Edited by WM. ARMS FISHER Ediwd by GRANVILLE BANTOCK Edited by RUPERT HUGHES Fdimi by H. E. KREHBIEL Editedby H. E. KREHBIEL For Medium Voice 8 C For Medium Voice & Fcr HICII \/‘nice For Low Voice For High ‘I/mitt: For Low Voice For Medium \/(MCI! For Hiri.Ii Vcicc for L.0V'\ Vmuz For Medium Voice For I‘Ilf.'II Voice For Law Voice For Sopiisno For IVI¢Z7I)<S0Dl&.I'\O '0.’ A to Far Taiior For Baritone nnd Bun f.-Tv§§t‘!:3ﬁv‘$f$v“;3&% v‘:i‘vv‘:3i‘.°.5is‘.*%v‘;.'5v‘.-.§b‘.:.5i’;‘3i‘:.‘vv‘5 ﬂ iﬁﬁﬁf5§.%$€:§E%€:§&5&%&%&%&¥&%ﬁt§.t§ COMPLETE LIST OF’ PIANO VOLUMES FREE ON REQUEST Each vOIume in heavy paper, CIO[I'1 back, $150; in FLIII CIOtI’i,. giit, $2.50. Copies maiIecI post-paid. Other vOIumes in preparation For Free bOOkIet, giving Full particulars and Easy Payriient Plan, send to the pubIisI1erS % OLIVER DITSON COMPANY" BOSTON
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Date: 1937
Text: The C}zz‘[a’re7zG Hour OR Between the dark and the daylight, There comes from each radio tower LONGFELLOW A series of gentle broadcasts DIDNT KNOW That are known as the Children’s Hour. THE HALF OF IT And the girls and the boys are gathered To listen with bated breath To educational programs Of Murder and Sudden Death. By Then the air is athrob with sirens, Berton Bralgy As the ears of the Little Ones Tune in to the soothing echoes Of “gats” and of Tommy—guns. And the eyes of the kids are...
Show moreThe C}zz‘[a’re7zG Hour OR Between the dark and the daylight, There comes from each radio tower LONGFELLOW A series of gentle broadcasts DIDNT KNOW That are known as the Children’s Hour. THE HALF OF IT And the girls and the boys are gathered To listen with bated breath To educational programs Of Murder and Sudden Death. By Then the air is athrob with sirens, Berton Bralgy As the ears of the Little Ones Tune in to the soothing echoes Of “gats” and of Tommy—guns. And the eyes of the kids are popping, As they listen and wait, perplexed By the educational problem Of who will be rubbed out next. Grave Alice and Laughing Allegra And Harry and Dick and Tom R . O1 Hear music of sawed-OE shotguns, eprmte Accompanied by a bomb; from And quiver and shake and shiver Afmerican At the tender and pleasant quirks Of a gang of affable yeggmen Giving some “punk” the Works! Cavalcade And they listen in awesome silence To the talk of some mobster group, As they’re opening up a bank vault With nitroglycerine “soup”; Oh, sweet is the noise of battle To children’s listening ears, As the guns of detectives answer The guns of the racketeers; And these educational programs Will make the youngsters cower, And the night will be ﬁlled with nightmares Induced by the Children’s Hour! © 1937, Pocket Book Pué. Corp., 420 Lexingion Alva, N J‘ .C. (ﬂmeriam Cavalcade, May, ’37)
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Date: 1907
Text: six INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiMar1ito, der Machfge) . . . . Med. Greeting of Hiawatha (Gruss von Hia» watha) . . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei~ gen) . . . . . . Chibiabos (Tschibiabos) . . . . 4 H5235 OF cH1Bla53'S (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawal wach auf", Cveliebtel) OLIVER DITSON COMPANY. Boston New York...
Show moresix INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiMar1ito, der Machfge) . . . . Med. Greeting of Hiawatha (Gruss von Hia» watha) . . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei~ gen) . . . . . . Chibiabos (Tschibiabos) . . . . 4 H5235 OF cH1Bla53'S (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawal wach auf", Cveliebtel) OLIVER DITSON COMPANY. Boston New York Chicago Philadelphia C. H. DITSON 8: CO. LYON 82; HEALY J. E. DITSON 8: CO. To Mr. Alexander llememamz PL_1rr:”..i iwd from the 02*“ % DEATH OF CHIBIABOS T1413?-W» “~“-RENO (TOD VON TSCHIBIABOS) HENRY WADSWORTH LONGFELLOW E Gerrnaﬂ /ra/1.5‘/Ir/z'rm 51/ Herma/112, »5’z‘mo/z CARL BUSCH Grave the sweet mu — si -cian! He the sweetest der sixl - sse Siin—ger, Er, dur /zwrr _ > > > AJJ SiI1g—erSY He has gone ev - er, He has >50”-geﬂ Hat fiir im 3 [as _.srm1, Hb'-7z,</r CO ' ‘ ht MCMVH b ' 01' D1‘ C ' . PS rllngternational op}*xr‘;:r1;1t§teS((:)\§1re?1mpan3 5 ‘ 33“1‘340 0 J‘ the near — er To go - schwun—ge'n Zu Mas — ter of all Afci — star al - Icr br0th—er; Chi — bi Bru-de1', Tschi - bi 5-83-68400-4 And the me} - an-cho1 — y fir trees Waved their dark green fans a — Und die Fich — ten trau—ernd wog—ten Ue — ber ihm die gr1'i_nen Xe Z-T /\ 5’ /‘\ bove him, WaV'ed their pur -p1e cones a - bove him, Fii-cher, Und die pur—jmr - ro — then Za —j>fen to con- sole him, Min gling with his lam _ en-ta _ tion ihn zu trb' - stcn, Misch ten un _ fer sei - mm VVeh - ruf 5-33-86800-4 mollo grave Their com_p1ain _ ing, ‘ He is Ih — rv Scuf _ zcr, " E7’ 1’-91 fmollo grave dead,__: gone for _ todf,___._; " im_mer uns ver- 5—33—66&0O-4 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, post»paid, and in paper with cloth back, price, $1.50, post«paid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in ﬂexible cloth, are handy in size, and range in price from 50 cents to $1.25.. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chieﬂy technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample-copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Date: 1917
Text: MUSIC LIBRARY VASSAR COLLEGE "°”°”’“~'EPS|E. New vonx -05 a *3 ,. S SONGS Challenge of Thor, The. From “ King Olaf” . Christmas Eve (Chi1dren’s song) Crossing the Bar Eagle, The Gently Swaying . . . Good night, Beloved ‘ . . . . Her Song and his Violin (Violin obbligato) Home they brought him . . . . . . I had a Dove . . . . . . . . . . D I saw thee weep . . . . . . . Indian Lullaby . . . . . . . . . E min. Cs: min. 0 Holy Night (Christmas song) (Violin or ’Cello obbligato) Orpheus...
Show moreMUSIC LIBRARY VASSAR COLLEGE "°”°”’“~'EPS|E. New vonx -05 a *3 ,. S SONGS Challenge of Thor, The. From “ King Olaf” . Christmas Eve (Chi1dren’s song) Crossing the Bar Eagle, The Gently Swaying . . . Good night, Beloved ‘ . . . . Her Song and his Violin (Violin obbligato) Home they brought him . . . . . . I had a Dove . . . . . . . . . . D I saw thee weep . . . . . . . Indian Lullaby . . . . . . . . . E min. Cs: min. 0 Holy Night (Christmas song) (Violin or ’Cello obbligato) Orpheus with his Lute ' Remembrance . . . Sea hath its pearls, The . . . . . . Summer sun is sinking low, The (Violin obbligato) Price‘ .60 .40 .50 .50 .40 .50 .75 .50 .50 .50 .50 .75 .50 .40 .40 .60 .50 Under the Greenwood Tree EIGHT INDIAN SONGS FROM THE “I-IIAWATHA" OF LONGFELLOW (German text by Hermann Simon) Gitche Manito the Mighty (Kits:/22‘ Manito, der Mac/zt’ge) Greeting of Hiawatha (Grass 7/on Iﬁzzwtztha) . . . . When the noiseless night descended (Nat/zts, wmn alley lz'eg‘tz' Sc/zwezlgen) . . . . Chibiabos (Tschibzlzbos) . . . . Death of Chibiabos (Tod der T sclzibiabos) . . Onaway! Awake, Beloved! (0mzwiz’./ wtzc/z auf’, Geliebte./) I-Imi§Ww_‘§1;,hgg.n§ Friends (I{z'awat/uz’s Frezmde) lllll ﬂigarewell Minnehaha (Le5’wo/zZ/ ]Wz‘m1e/zzzlm) Boston: OLIVER DITSON COMPANY New York: CHAS. H. DITSON & CO. Chicago: LYON & HEALY To Mrs. VV. IV. Robinson HIAWATHA’S FRIENDS (HIAWATHAS FREUNDE) HENRY WADSWORTH LONGFELLOW _ - German version by Hermann Simon ((),.,‘gma[ Key) CARL BUS CH Allegro moderate 1’ All the ma _ ny sounds of na _ ‘cure B0f_ rowH Je _ der - dcr_ sang der Schii _ pfung Lieh’ zvon (‘Z-—_h/-\ T9. 1’ . 17 077980- sweet- ness from his sing _ ing; All the hearts of menwere soft _ en'd By the sei _ -ncm Lied’ den Zau, _ her, Al_lcr Men _ sch<mHc'r_ zen schmol - zen Durch die Copyright MCMXVII by Oliver Ditson Company International Copyright Secured 6 -145‘ ’71834- 3 thos of his mu _ '- For he sang of peace der heil_:gen Kliin _ Dewn er sang zvon Frei - _ hcit) KT 1’ Sang of beau _ ty, of love. and Sang vain Schiin _ heit, Lie _ be, X-TZT 19. 1'7 long _ ing; Sang of death, and life un - dy _ ing In the Is _ lands of the Sehn _ sucht, Sang vom Tod; zzom ew_'gen Le _ ben Auf den In - seln derGl1'ick.. 5 -145"71834- 3 In the king .. - dom of P0 _ ne In dem K6 - - nig- reich) Po _ m" of ‘the Here _ af _ des schii-n _’ren Jen _ ﬁx FD % A a tempo 5-145"71834~ 3 The Musicians Library The masterpieces OF song and piano literature edited by men OF authority BRAHMS, JOHANNES FRANZ. ROBERT GRIEG, EDVARD HANDEL, GEO. F. HANDEL, GEO. F. JENSEN, ADOLF LISZT, FRANZ SCHUBERT, FRANZ SCHUMANN, ROBERT STRAUSS, RICHARD TCHA'I‘I<OvsI<Y, P. I. WAGNER, RICHARD WAGNER, RICHARD WOLF, HUGO FIFTY MAsTERsONGs FORTY SONGS FIFTY SONGS FIFTY SONGS SONGS AND AIRS SONGS AND AIRS FORTY SONGS THIRTY SONGS FIFTY SONGS FIFTY SONGS FORTY SONGS FORTY SONGS LYRICS I LYRICS II Er III FIFTY SONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS (BEMBERG TO FRANCK) MODERN FRENCH SONGS (GEORGES TO WIDOR) VOL. I VOL. 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FOSTER APTHORP HENRY T. FINCK DR. EBENEZER PROUT DR. EBENEZER PROUT WM. FOSTER APTHORP CARL ARMBRUSTER HENRY T. FINCK W. J. HENDERSON JAMES HUNEKER JAMES HUNEKER CARL ARMBRUSTER CARL ARMBRUSTER ERNEST NEWMAN HENRY T. FINCK DR. CHARLES VINCENT PHILIP HALE PHILIP HALE CECIL SHARP GRANVILLE BANTOCK GRANVILLE BANTOCK HELEN HOPEKIRK JULIEN TIERSOT WM. ARMS FISHER GRANVILLE BANTOCK RUPERT HUGHES H. E. KREHBIEL H. E. KREHBIEL Each volume in heavy paper, cloth back, $1.50; in Full cloth, gilt, $2.50. Copies mailed postrpaid. Other volumes in preparation For Free booklet, giving full particulars and Easy Payment Plan, send to the publishers . ::- OLIVER DITSON COMPANY‘ BOSTON
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Date: 1912
Text: as @ mg Immmyr AM; 6% 3 '-'x@ .3 F. ﬂ @/2: _ G)/-: )\ mﬁﬂgm WORDS BY LON GFELLO W. 79% NIUSIC BY FELIX SWINSTEAD. O COPYRIGHT Mcmxm I V by J.B.CRAMER 8c C9 u".= : PR I C E 1/6 FOR ALL COUNTRIES. NETT CASH. d_B_ CRAMER & C9 |._TP I39, NEW BOND STREET, L.ONDON,w. NEW YORK: EDWARD SCHUBERTH 3509 FREE PERMISSION IS GRANTED TO SINGTHIS SONG-IN PUBLIC WITH THESE WORDS ONLY. IUSIC LIBRARY VASSAR COLLEGE T0 B.LENG ESQ. The Rainy Day. SONG. Wo.r_ds,by LONGFELLOW. Andante con moto. 4...
Show moreas @ mg Immmyr AM; 6% 3 '-'x@ .3 F. ﬂ @/2: _ G)/-: )\ mﬁﬂgm WORDS BY LON GFELLO W. 79% NIUSIC BY FELIX SWINSTEAD. O COPYRIGHT Mcmxm I V by J.B.CRAMER 8c C9 u".= : PR I C E 1/6 FOR ALL COUNTRIES. NETT CASH. d_B_ CRAMER & C9 |._TP I39, NEW BOND STREET, L.ONDON,w. NEW YORK: EDWARD SCHUBERTH 3509 FREE PERMISSION IS GRANTED TO SINGTHIS SONG-IN PUBLIC WITH THESE WORDS ONLY. IUSIC LIBRARY VASSAR COLLEGE T0 B.LENG ESQ. The Rainy Day. SONG. Wo.r_ds,by LONGFELLOW. Andante con moto. 4 The day It rains and the W (1 The vine still clings to the mould Copyright MCMX1Ilby J. B. Cramer & 0‘? Ltd. Music by F EL1X SWINS TVEAD. {’-’x and dtear - T y; 13.0 & C? 11313: the dead leaves fall, wall 6 d 17m . dark, is dark and 0 [la D006. 0 pm mote.- life . ' cold . and dark and drear 190001; u motoz b J B C 6’: C9 11813. and the wind is 11e_ ver Wear _ Z9000 agitato. My thought still clings to the mould _ ; ’ring past. .3’ the hopes of youth___._.,_fa11 [thick in the f And the days J.B. C & .09 11813. Y molto rallz clouds J.B.C & C911813. life some rain must fall > days must be be dark and collaw 22006. J.B.C & C‘) 11813. cnoml.Prxnter-. 12,HamYax~d. ﬁreaﬁmndmill strut M’. N.°1mc. N?2mD*°. N<_=3,N Eb, This %%Ro‘se. (LIEBSTE ROSE.) Words by 8 ON C“ Music by OLGA FRICKSEN. GEORGE UESTRANGE. Andante. 'Copy'rig-ht MCMXI, by J.B.Crumcr & Co..Ltd. JAB‘C C0.11755_
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Date: n.d.
Text: J/77 A///A/70 4; 17/XIW, /MP VIEW or LONCFELLDWS RESIDENCE.) i COMPOSED BY €§ ( \@@@§I§ w, B D N W MN E DI 8 _.r_ H T WRITTEN BY 'N VV [ L§<E€§ ‘§&\ . S. N EL 9 N U E... H Tl Y ‘B E 5 U nu H 9 IL nu ..r_ H T /LL/I5)’, ///H EN/7'...)"/734.1-M721, L\n.v..u¢nAL]\»wuuaH§L.. 41. K on F: ¥\w.vUime» s l‘\'H\l\ .1 W. JFR .V 77?. VJ .\¢ E42 exwvi A5 7L.;w.wVu!M.. JEIJ. :1 «R «J J._.\.; .54 » iﬂuvt. .....ﬁM)\W.n14».4J!-Jyn x w as ;1 ._ E .. Fx‘wl«.xIA.%\.’.w‘‘‘lv‘u\HJ\.W‘xI...
Show moreJ/77 A///A/70 4; 17/XIW, /MP VIEW or LONCFELLDWS RESIDENCE.) i COMPOSED BY €§ ( \@@@§I§ w, B D N W MN E DI 8 _.r_ H T WRITTEN BY 'N VV [ L§<E€§ ‘§&\ . S. N EL 9 N U E... H Tl Y ‘B E 5 U nu H 9 IL nu ..r_ H T /LL/I5)’, ///H EN/7'...)"/734.1-M721, L\n.v..u¢nAL]\»wuuaH§L.. 41. K on F: ¥\w.vUime» s l‘\'H\l\ .1 W. JFR .V 77?. VJ .\¢ E42 exwvi A5 7L.;w.wVu!M.. JEIJ. :1 «R «J J._.\.; .54 » iﬂuvt. .....ﬁM)\W.n14».4J!-Jyn x w as ;1 ._ E .. Fx‘wl«.xIA.%\.’.w‘‘‘lv‘u\HJ\.W‘xI‘xV~ VxﬁY’|x .lX\&..knkHhn1nV.1\..u..r.i rxAh.U.va xf‘ ).,.;, te)..u.!.ﬂ..,.qA., ....(,c..\ E 1»: ..w 1 “THE OLD HOUSE BY THE1L|NDENS’.’ OR “THE _OPEN wmnow.” Wi~itten by H.W. LONGFELLOW. Composed by JOHN BLOCKLEY.» ~.MoDERAr1'o . The old house by the H11 _ _ dens , Stood si _ _ _ lent in the Esprcssivo. the graveI1’d path _ _way , The J u light and shadow 4 playd nursery Win--d0W ’ ‘. But the Esprcs-s1'vo . . Calando, __ _ cesv M of h the _children, They were no lon .. _ _ _ ger Te mpo. there . e lar ‘e New- .. fo(md_ _ _ _land house — 0 g: "f standing the door; e ‘look)d for his little Espressivo . p1ay_ _ _ _ _mates, Who woulél re ; _ turn Lg’ dotce. Dim. e rall . look’d for his little play _ _ mates,VVh0 would F€_tu1*n no more . \‘f// L2 "’/V /3 ‘-9 calla vocu . The Old House by the Lindens . ~:John Blbckley. under the lin_dens, They p1a..y’d not They wa1k’d not /3 V Espressivo. But shadow, and silence and sad_ness birds SEUISC’; branches , ' With sweet M a __ mi _ _ liar But # Expressive . Calanda . voi__ces of the children Will be heard in dreams /‘7\ _/"g___g The Old House by the Linden: . the El... John‘ Blockley Tempo. And e boy that w2{1k’d be_sirle "f not ‘ — y c user in mine, ah! préss’d his ‘warm, soft hand‘. Dim. e rail. closer In mlne, ’ clo _ _ _ ser, I press’ h1s warm, soft hand! \ /9 " calla vocc. The Old House by the Liridenr, Londgn, Published, by Juhn Blcckley, 2 Park Road,H;:v::u*stock.Hi11 . I «I ®L@-ML. : RNTETTW?‘ W 51' TWA”/WD comPo'SER or"'LuvE NoTj' "HEARTS A HDMES; 'EvANcELINE;‘ "ExcELsIoRi‘a«.. PDEIRY av QESSIEIS DREAMTSTONV DF RELTET or LNCNNDWTGRACE CAMPBELL MESSENGER swALLowIo swA..IgwITENNYS0N. aka I IvIAuD~ L * , _ D° _ zie THE BR-00K. I ' Do 2!- ]coNIE INTO THE GARDEN MALID I D° ’ as MEMORY or THE PAST I'm.‘s mu mm D° aés MUSIC ON THE wIND moumn T0 wuss) D° zle coNc..usIoN_os ouuu or me am) MOTHERS sous BREAK.BR£AK Ipomm or TENNYSDN/I D° THE wARRIoR's RETURN . 0° zie G0 NoT HAPPY DAY I . .D° 21- ELIIN ECHOES. Rmw am BLOW) D° RING OUT WILD BELLS. D° A BLESSING oN THINE EYES H0N“E‘M“.5N0RT0N FRIEND or OUR EARLY DAYS 7 D° IREYIEMBER THY VOICE D°_, WE HAVE BEEN FRIENDS TOGETHERD° THE ABSENT oNE D°‘ MV cHILDHooD's HOMEIPGRTRIIITOFMVNORTONTDO THY NAME,THYTRI:AsuRED NAME THE HAPPY BRIDE 'C.YOUNCx._, (HAPPY Is THE BRIDE THE sun SHINES GMT HOPE IS THE LIGHT OF EVERY HEART GRACE STIRLING 2]‘ FAVORITE SONGS av THE RIVER & STAR ANGELINA 2» ART THou LOST To ME D° ABSENCE ‘Do TELL~TALES. S.LOVER STIR THE FIRE(pom-,avc.muun‘IJOLLY HASTE THELBOATMAN \~’1NllLOP 5L7NG)KUC-K EN . :swEET 1 LOW) . Do 3L" POETRV BY HIGHLAND REscuEI...c..,m AI‘ Lucknow) CARPENTER ale FLOATING AwAY.... . . ‘ D° zt~ MY DEAR OLD HDNIE . . D° z{~ rL'owE'Rs or HDME 7 D9... ate GENTLE woRDs I 21. T FOOTSTEPS or ANGELS -7 LONGFELLOW is IwITH PaRTRA|T) . ARRow 8< THE SoNG..__.... . D°. 2}- A GREEN TREES WHIST5ERED.... D° \ .!- PASSING AwAY. was HEMANS" 2|- THE BRIDES FAREWELL . D9. 2|‘ HoNIEs or ENGLAND. ‘V ,D° 2|~ THE BETTER LAND _ D° BIRTHDAY GlFT_:.. . C.TREVEt.YAN ALL‘s FOR THE BEST MARTIN TUPPER SPEAK GENTLY, LANGFORD AI3sENT‘rRIE‘NDS SHEA... .. RosE,RosE,.oI>EN THY LEAVES SwIss GIRLS DREAM___ BARTHOLOMEW SUMMER... D9 VESTERDAY(coMr.ANIoN To"To DAY" AND To Mmunow) MOTHER WHO HATH A CHILD AT SEA E .COOK ROSE OF THE ALHAMBRA’ VARTOUS COMPOSERS. E.J.LODER BULWER THE SABBATH MORN SN|lLE& KIND WORD OF GREETING D° NY FATHERS BIRTHDAY... . *' D° TIMETHAT BRINGS HINHONE AGAIN MACFARREN THE FALSE GoNDoLIER c.GLovER BIRD OF THE WILDWOOD GOLDBERG _ l_A "3! 1 } ‘ ‘H. 4 “E; Q“ i ‘ ‘ _ J)! ‘V _U___A __“_W " ll/it ‘Y :2 V )_V_ L; ‘Aw -,- ,, A4; ,,1.:A;.2~.“/; L .~ -: ;Uz..«'« ? A./_ V .‘t::~ T E ~".J‘*5“"»"'«,-=-=-v-s4_>.~:I.-_ :a.«ﬁ».<-—::sv~«~—E:e~::-,-: _~;«=r> . ~ I “ﬁ‘*¢".""'"‘:.~—»~‘~?-:-e-*=»:--.~w..-A:-<.'~ ., :E..A¢,:=:P;t-~.. p..r—».«.- ;:r«.«s-a~«4u‘~«=»e-»-.€.,~;,...:_ «-«-‘«~»a«.‘-:‘%‘>~.-.133-vv. « S -A2» as x
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Date: n.d.
Text: BUMPUSED BY ﬂ§N?§i®é$&§¥u N. 0 D N. O _. . IL. Wu. J .52 f{_U.)‘/,-'/, F//AL, _'////0. W R I T T E N B Y 1:5’//f.//////’. AD D I 30 N“, H'0’L LI E R 8; LUCAS. ZIO R'E'G"E‘N'TM$T ,/'}//1,/ _‘.,§_,_¢-.,~..,7._ ‘ ‘ 7 au;%% /1”?/W. L ‘um’:-<9‘ THE ARROW AND THE some. “I shot an arrow into the Air, It fell to earth I know not where g” Poetry by H.W.LONGEELLOW. ./I./[usic by JOHN BLOCKLEY. to swift _ ly CV88 . fdllow M ' ° its ngf calla voce . The...
Show moreBUMPUSED BY ﬂ§N?§i®é$&§¥u N. 0 D N. O _. . IL. Wu. J .52 f{_U.)‘/,-'/, F//AL, _'////0. W R I T T E N B Y 1:5’//f.//////’. AD D I 30 N“, H'0’L LI E R 8; LUCAS. ZIO R'E'G"E‘N'TM$T ,/'}//1,/ _‘.,§_,_¢-.,~..,7._ ‘ ‘ 7 au;%% /1”?/W. L ‘um’:-<9‘ THE ARROW AND THE some. “I shot an arrow into the Air, It fell to earth I know not where g” Poetry by H.W.LONGEELLOW. ./I./[usic by JOHN BLOCKLEY. to swift _ ly CV88 . fdllow M ' ° its ngf calla voce . The Arrow and the Song . flight‘. A Could not John Blockley breathed earth I know not where;/‘ For who has follow the flight of song? "f calla voce . t,7,. . piu animate. Long, long afterwards U11 _ _ _broke; song , from be __ ginning F\ i I found a _ gain in the heart of a friend . And the song, from be- ginning, from be_ginning to end, I found 3. _ gain in theheatrt of a friend . And the song from beginning, fr-om'be.. 1 ’ mf _ginning to end, I found a_gain in the» heart of a friend. 27“ L7 The Arrow and the Song . Londnu,PnM Euhvd by John Blockley, 2 Park Road, Havexstock Hi-11.» /‘_, I7®@IML :iaIma / kg coNIPosER or "I.ovE N01.” "HEARTS 8: HOMES,"“EvAN<;ELINE1'"ExcELsIoRl‘&c. R®@‘“ POETRV BY POETRV av JEssIE's DREAMISTOHVOFRELIETOELURKNOMGRACE CAMPBELL 216 I HIGHLAND RE$cuEI...c.m1 n Lucxnow) CARPENTER 2&6 MESSENGER SWALL0WIo swALIow‘ITENNYSON, 2[6 FLOAT|N(‘, AwAY_ ________________________ __ _ [D9 3,. MAUD . 0° L 216 MY DEAR om HOME..,. D°... 2;- THE BROOK. _ 7 .. 0° 2! A FLOWERS or HOME.....,._._...... 0°. COME TNTO THE GARDEN MAUD D° 216 GENTLE woRDs_ MEMORY or THE PAsT,Im..s,__L><_t ale EooTsT'EPs or ANGELS .,.LONGFELLOW IWITH PORTRAIT) MUSIC oN THE wINDI<. mom” 1.. buss) ova 2[e ARROW 3. THE SONG__,__._________‘, D9‘ _ coHctusIoN.or oumz or me am; I MOTHERS SONG Iswm . LOW,‘ ,D.° 2[- GREEN TREEs WHlSPERED...__.. . 0° BREAK.BREAK._,,(I=onrnAIr or TEN_NvsoN)_,.D9.,,. ._ 216 PA$S|NG AWAY_.._ " ' M".5 HEMANS THE wARRIoR's RETURN I50 2Is THE I3RIoE's FAREWELL ,,,,,,,,,,, _, .o_T<,>_ GO NOT HAPPY DAY . ' D? 2l- HoNIEs or ENGLAND. _____ ,_D° ELFIN EcHoEs EEEE ..(.m am Iuow; D9 . are THE BETTER LAND. oo. RING OUT WILD BELLS... _ D9 BIRTHDAY G|F.T__ ' c.TREvEI.vAN A BLESSING oN THINE EYES EH0N°E‘M“.5N0RT0N. ALI's FOR THE I3EsT,,_ MARTIN TUPPER FRIEND or ouR EARLY DAYS D9 21» SPEAK GENTLY ,,,,, A , ALANGFORDV * IREMEMBER THY VOICE o°_,_,E 21- - ABSENT FRIENDS . T SHEA ________ *7 wr_ HAVE BEEN I-'RlEND$TOGETHERD° 21- ROSE,ROSE,0PEN THY LEAVES ............. L ....... .. . THE A35r_NT on; V D0 2’- swlss GIRLS DREAM ____ __ E,._..BARTHOLOMEW I MY CHILDHOOUS H0ME(PanTRAIT orM-.=NoMo~)D 9 W 3T9 3U M M ER ----------------- - r-A ~ - ~ D-3 - *- THV NAME,THY TREASURED NAME. ., , 2!’ YESTERDAV(co;nPAvIIoN T0"T0 DAV? »»»»»»» »-BROWNE —» no To Moaaowi THE HAPPY BRTDE... C.YOUNG ........ ..21’ MOTHER WHO HATH A CHHD AT SEA E-COOK--—-~ (HAPPY I3 THE BRIDE. TM SUN SHIIIES 0I\ HOPE Is THE LIGHT or EVERY HEART GRACE STIRLING 2|’ ROSE OF THE ALHAMBRA ......... UBULWERA. FAVGF-UTE’ ‘SONGS BY VARTOUS CGMPGSERS. THE RIVER 8: STAR . ........A-NGELINA E2|v THE SABBATH NIoRN ............. _AE..I.LooER ART THOU LOST To .ED9_E . 2|. $IIIIL£& KIND WORD OF‘ GREETING .. . A-A-D°»~— ABSENCE.............._,.. " A 2|- Mv mans BIRTHDAY...“ . .. 0° TELL~TALES . . S . LOVER | TIMETHAT BRINGS HIM HOME AGAIN MACFARREN sTIR THE FIRE(I=oETRvavcARPu4Tm.J0LLY BIG THE'FALSE GONDOUER... A CRGLOVER HASTE THEE,B0A-1-MANI'sHAIIoPsoNo)KUCKEN 2|‘ BIRD OF THE W|LDWOOD,,._ .,,GOLDBERG R
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Date: 1917
Text: HUSIC LIIHANY \l‘S$Aﬁ c I’ C0me,Wander‘ing Sheep10h,C0|'ne! ...... SACRED SONG.. .......... .. Pr: 60¢ F Words by Luis de Gongora yArgote. . Grief and Joy. ................................................................................................. .. Pr. 50¢ c- Words by Frances Stone Mason. . Why? r....(wr-xv CAME THE ROSE.) ...................................................... 7’ Pr. 50¢ G 4. 5. ‘ﬂﬁ 6. 7. Words by Mat“)/[Louise Ritter. Good Night, My Dearest Love .... ..(LOVE‘S...
Show moreHUSIC LIIHANY \l‘S$Aﬁ c I’ C0me,Wander‘ing Sheep10h,C0|'ne! ...... SACRED SONG.. .......... .. Pr: 60¢ F Words by Luis de Gongora yArgote. . Grief and Joy. ................................................................................................. .. Pr. 50¢ c- Words by Frances Stone Mason. . Why? r....(wr-xv CAME THE ROSE.) ...................................................... 7’ Pr. 50¢ G 4. 5. ‘ﬂﬁ 6. 7. Words by Mat“)/[Louise Ritter. Good Night, My Dearest Love .... ..(LOVE‘S SERENADE) .... ..Pr.60¢ Bb Words by Frances Stone Mason. Night. .. _ .. _. Words by Henry W. Longfel low. Little Rose Upon my Heart... . ......... ...... ............................... _.Pr. 50¢ Ev Words by Vlrgnma l.Bidd|e.. Ninnerella. .......... .(SLUMBER SONG; ...................................................... .,Pn50¢ AV Wordsby rancesstone-Mason. Fri)“ ¢ Stars ofthe Summer 1 Ab EDWARD SCHU BE RTH 8: CO., NEW vo'm<, LONDON, n EAST 222 s: 2 smre YARD,CAREY S1’ Stars of the Summer Night! Serenade Words by HENRY W. LONGFELLOW LE ROY M. RILE fI'om“The Spanish Student” ' Allegretto Voice 7/mrcato la melodia my 1" A Stars of the sum-mer /‘X * {'T\ I 3 7n0 . .- W4’. 2 Vt’ :19»/1’ _ \___}/ Far 1n yon a - zure deeps,#__? 2 LA. 2 3°23. ate . ‘fa esc- 6'op_y7'z’ght, 1.917, by Edward Schubert/z (5 6'0. E.S.& Co-4313-4 New York, EDWARD SCHUBERTH & C0,, 11 East 22I1d Street dim. Hide,hide your gold — light! She sleeps! My la - dy sleeps!” €..__2 .421/\ /1 ‘E23. 91% Q23. 9% 3 gf 2%‘ tfvf 2 Moon of the sum-mer night! Far down yon west - ern .3 9%‘ /’4e”' 7% Sink, sink in sil-ver light! ._ She sleeps! My‘ la - dy {-\ TD calla voce i°eb.9!é !3‘S.& C0. 4313-4 Fold, fold thy pin - ions tranquillo s1eeps!My -dy sleeps! 9. E.S.& Co.4313—4 age mp he slee bi Pi1‘1 mosso ed agitate la.-dy 17 Wind of the sum-mer sleeps! S1eeps!_ melo aim marcato Ma Dreams of the summer night! __ Tell her,her 1ov—er keeps Watc __ /#4:: : J- e§é ﬁn . mftardando 2°23. while in slum-ber light She sleeps! y la - dy f2\ 2 2 ‘£23. ﬁe (1 tempo 1.. mmesso dz’ @cb.V-ﬁe eeps! sleeps! ms. a tempo 199 ﬁn E.S.& C0. 4313-4 Select Parlor Songs. Memory’s Dream, by Marie Donavin; Higbvorce, LowVoice,Pr.50"ea.ch. mf Mogeratp. _ K _ “ J‘ 3' J‘: J1 él I. .ll ." 5' I 9 . ' b I — . v .I1 I . _ . ‘ night with its - What. sweet-ervthztn throbs in my breast, 10VeA This K L j I l\ |\ - I - e ‘ . I . - I -. B I" I 5' - I v ' 3 5'’ I 4" -“~ . long-ing to clasp on - y I This ' I . Ah! sweet-er by farywas the hour, love, When naught but we two seemed to Uopyrigr/zt, 4899, by Edward Sclmberth at 00. Song from Pippa Passes, by Natalie Curtis,-Pr.5o6: b - . « V /.1 . K ‘II ,1 I\ I\ I ‘I I1 I ‘ C U rs at the Spring,_.__._._ dim." _ i I ' I F‘ ' ' I F H I’ ' ’~_ I‘ I V . I . I I I ~ V I ' I’! I The hill-side’s dew - pearled, I - " __; ' ~ A God‘s in his heew- n,All’s ' 0032]/rig/zt, 18.9.9, by Edward Scfzubertlt & 6'0. - . P I I Were I a Star by Arthur Nevin Pr. 400. . . . . 7,W|./ eelz;cg my slzgbtly dgzta |'\ ‘— El’ H 4 I. .g S A I I’ it Were 1. 5». star, I’d shine for Ibee 'a-1o‘ e, rose, I’d bloom,I’d bl . Ahd '1 would vi»-br|a.te._ through Ithy pugiz‘/2 g(rs?;‘k”V#nzp pm _ , K _ 04 I\\ I\\ I I I9 -4 ﬁ ﬂ 3 I . - I\I '1’-\ , 5' 2 I 4 n ] I l A A '4 I 1 II II ‘ ‘ "' Q 3 I . I II 7 PI' ' L I! It It ‘I II 17 U {P I I i «'14 I ' I I 1/ tone.’ VVere I -‘a dream, VI wziuld ht- tend thy Isleep; A I II Ir) a I! II II I1 I] ll 5 . V I’ Y . V ‘ At thy a~wak-ing. could I change to love, I’d heart, Were I Copyright, 18.92 by Edward ;S’c}mbe7*tIL& .01). iv thee all I cm no in . .’ 0 I I gndantekcoxjfespregsilone. Ore’ by P Schn ‘40" a‘ffrez‘z‘o - /nI'\ IL [I l“'l\A’l II V ﬂu, ' - I I I IJ na I):- ‘I |\ I I I K I give thee all, I can no_ 1rF)r/ca, Though poor the off-’ring he; My heart and lute are all the store That I can bring to thee: !l_?’87N_]70 / I I molw cresc._[/’ dim. e‘c're.<1:c. E ‘pp! 7 I .=*.v“~.l~.~§Ig"E.«"JEa'r.n_ -we 3 4' lute, whose gen-tle song re - veals The soul of love full well, Ami bet — ter far, a._ heart that feels Much more than lute could tell. 6’01u_1/rig/Lt, 18.98, by Edwdrd.Sc/Lubertlz dc’: 00. l I 1 I I I II I ' I). A‘ I II 11 J II III I II I I J I l F’ H. lI77J~ C I .d- A’ .d- I I’ go I. -1 I — v v 1 I I F K I 1 . K K \ I Maiden yivligh the Lips so rosy, by Marie Donavin, H.500. a 1 . ' ' f } I I ‘ } I I I I - I I 1/ v 5 f -‘ .’. -' .3 . F -‘f -L l A‘ I J A Mvzti-den, wvith the lips so_; - ‘ ' n with the nrut - br\oI'Ir/n hair; L s—ten to my plead-ing, HeztI'~lreII it fg/Lﬂ? . ' > ’ ' [ 3 a . P’ 3 J Li a 3 3-} 5 9 J5 J I J 2 3' I. E. II U V ' 4) I 4 I I J V I 'L I I I I I Mini-rlemwith the eyes sh: sau — cy; M'ali-den,‘with the sinile di‘ - vine; Ah! hut let me tell thee That 11 zIm tru-ly thine; C’op,yr2'g}zz‘, 18.98, by Edward Sc/mberz‘/L c% 00. H I I I I’ 1 I I . I "r 'l 4 I - .. I I7 I P F’ In ‘ 1 I little Voice, by Jessie L.Pease, P1240“. /I . AJ1d3.I1tx€.. I /$_ I Ifr ) I I I 1 4:1”! I l I I I I I- L I - 3 0 ,4 I a V 1' - A II! 4l‘(l I I I I I I =Il| r /'12‘. K I I I I I I I I 1 I Once I heard a. ' lit-tle voice, Mer-ry May; re-joice,”_ Now - I F I I I I I I I I I I C I K ' I I I I I\ I I .' F . I P -‘ ,2 I i’ I ‘ I ‘L I I I V I l_ . it ' was, and ver - y clear, Chas-mg ev-lry thought of pain. . Sum-mer! shall av- er —lIea1~, Such a_voice a. - gain. 0o;0_z/rig/at, 18.98, by Edward Sclmberzfb at 00. I I I I I I C 4 - % A My fair neighbors window-curtain, by Albert Robert, Pr./I06’. it Allegretto. _ . » _ K I ‘ if n 1 I\ IN I I I I} A 1 Li 1') K I I K - I A J I K I I P? Q: I I I I “ J '. l..-_..I‘:-..-.L« » _ 4 - 4.» -‘~ ~ . .4. ,‘n = : I’ V = 5" 4 ,, ﬂhly f:tirAI1Ze]ig'h-bor's wizi - dew - cur - tain Mov-eth ’ ' am‘ cer - tain, In a. mo- ment more ._ pzu _ legro — ’ K I\ I I‘ " I II J 7 l “ — ' o I I I . I I I ' I I Ir’ '17’ I I y ‘y ' ' » Ahlher case-ment o-pens wide - ly, My heart is _ now beat-ing high;_ '/Does, she know, per—haps, that, i - dly, All her ' 001/vg/rigid,18.96§b_g/EdwdrdSc/mb-en‘); «E 00;. If‘ I Werebut a little flower, by P. A.Schnecker, B12500. I dgnte con espressione.rz't.:,_\ 72¢’ 1} f6’72?¥70 _ /, . paw Ha‘. I H D I I I 0 K C I I I‘ I U ' I U A ~ A I\ I 4' I’ I J ' ' w I v I If I were but 8; lit - tle flower, I’d for you.__ The sweet-e per— fume in.,_ m . ar -am n e pow decal. e crlesc. wnpassw Le >[$§ , 3 t _ I I . -. : I ﬁ "H" ‘ HI: I I r I I ’ 7 If ' I (3 u‘ - ‘ad I J vel- vet soft, by sun—light tressed, In daint-Vy clol - 0 s ' ' sin-glre hour Copyright, 1899, by Edward Schubert}; & 6'0. In Dreams, b'Art‘hur Nevin’, H.400. dante af ett-UOSO, I — ‘ \ K g?vg5-0. : T I I J I F I _ - I I\ I\ I\ I-‘ l'.I. -'1' ri. ,v 2 --“—.«”a>->;' 4 II I I Me thought as sleep- ing, I saw my lov’d one ly-ing de:td!_ And when Bit - terwere the tears I I I I I I K I_J_ I I I \| I I0 d- III- T V I e‘ - II was sleep-ing, My love had gone :1.- .- I 3 I I I ' ‘ Me thought as _I Cop]/rig/rt, 18.9.9, by Edward Sc/mbert/z ’& 00. Forﬂwie by all Ilfusic-Dewlem NEW VORKEDWAXRIID S6,:/III_‘II,II-I/|BEnMRI‘1I.£H&‘);@@-4, ll EAST 229' ST. E Piéblis/zers (E ]m}707‘i€7‘.§.
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Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . Greeting of Hiawatha (Gruss von Hia— watha) . ’ . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei— gen) . . . . . . Chibiabos (Tschibiabos) . . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawa! wach auF', Geliebte!) Med. OLIVER DITSON COMPANY. Boston New York Chicago...
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . Greeting of Hiawatha (Gruss von Hia— watha) . ’ . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei— gen) . . . . . . Chibiabos (Tschibiabos) . . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawa! wach auF', Geliebte!) Med. OLIVER DITSON COMPANY. Boston New York Chicago Philadelphia C. H. DITSON 85 CO. LYON 85 HEALY J. E. DITSON 8: CO. 2 To George Fergusson Purchased from the ES'l"'.:.'37Ii (‘)7-:1‘ THECESJ» !T1:‘:J:i3.TJl‘IO ONAWAY! AWAKE, BELOVED! (ONAWA! WACH’ AUF, GEL,IEBT_ED E HENRY WADSWORTH LONGFELLOW German frmzslalia/2 &_1/ Herman/z Simon Allegretto be-1ov-ed!- Ge_l1,'eb—te/___ way !_____ zvii.’ A — wake,.___ wash) auf,_____ Wil — dc Blu F. '\./ F ;’’''\__;/T‘ LZ for-est!__. Hain’s,__. Thou the wild-bird Wvil — dcr Thou with Mii dos of the prai—rie!___ V0 — gel der Prai - ri — en.’ E’. Copyright MCMVII,by-01iver_Ditson Company International Coyyrightsecured CARL BUSCH Thou the Wi1d—f1ow.er of the — me Du des 5-33-66401-8 and fawn_1ike! If thou on 1y look/‘st at me, I am — ten Blick/__ W7e7m Du [fr be-voll nub]; an — siehst, Gl1'[ck—lich, V"7*5? Ex/r“ 1" L2 hap — py, I am hap — py, As the lil ies of the prai _ rie, VVhen they gliiclz — lich bin ich dal, ‘Vin din Li [iv a'crPrai—ri‘ .. en, ‘Venn drer PM L2 up — on them! On - a — way!________ ,Be-1ov - ed, On - a - sip kiissf./__. On _ a. — wiil __ Ge - Iicb _ te.’ On — a - 5—33~66*i01-6 Be_1ov - ed, My be_1ov — Ge — licb ~ to, On _ a — wd./, (‘#3 1'??? "F9 3' 7*"? ./___$ 7;_zf‘a tempo Sweet thy breath__ is as the Lieb— lich ist De£nHa1Lch wiv 5~33—66401-6 — grance: Of the wild — flowers in the morn_ing,___ As their — gens Wil —der Blu — men Duff im Ha/in, Licb _ lich \—/F’ Pk!/F’ £2 fra—grance is at eVe-ning,”_ In the Moon__._..._ when leaves wic ihr D29‘? am A _ b("II(l,,___ In (Iom Mc;;z({'{.____ wolw Laub fall — ing. the blood with _ in Leap to welkl.___ K - den, zu, um _ ar — All’ main ‘/> 5-33-66401-6 kj . thee, leap to meet thee, spi'ings_ to meet the blut sie _ dend wallt, '2 Friih — lz'ng,s.uchi den > g__/ sun - shine, In / when nights are bright — est? On - a - S0nn' _ schcin In ,, sien Nd'ch - [en Mond.’ On _ a _ V“? T 5-33-6640 1- 6 lov — ed, My be —1ov _ lieb — te.’ 041,- a - wii’ ’.L_:[ be _1ov_ ed! Ge _ licb - to/. \ 19? ml ,2... 10 a tempo F9-/f‘ 5-33-664012-G THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of’ authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of‘ the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postrpaicl, and in paper with cloth back, price, $1.50, postzpaid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in ﬂexible cloth, are handy in size, and range in price from 50 cents to $1.25. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other Form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chieﬂy technical, for the Piano, Organ, Violin, and other instruments, and For the Voice. It addresses itself to music teachers and students of dis» crimination-—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of’ music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. Send 10 cents for sample copy and special premium ofI"er OLIVER DITSON COMPANY, BOSTON
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Date: 1923
Text: MUSIC LIBRARY VASSAR COLLEGE '0'.'P-WE’?-svz. new vonx SONGS sHA-wON-DA-sEE (The South Wind), Medium, F (No. 5252) . SKARL THE DRUMMER, Medium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) - WABUN (The East Wind), Medium, F (No. - I-IIAWATI-IA'S SONG, Medium, F# minor N. as - — — — ADJIDAUMO (The Squirre1)'Medium,G } ( ° 52 ) ‘F J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED IN THE...
Show moreMUSIC LIBRARY VASSAR COLLEGE '0'.'P-WE’?-svz. new vonx SONGS sHA-wON-DA-sEE (The South Wind), Medium, F (No. 5252) . SKARL THE DRUMMER, Medium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) - WABUN (The East Wind), Medium, F (No. - I-IIAWATI-IA'S SONG, Medium, F# minor N. as - — — — ADJIDAUMO (The Squirre1)'Medium,G } ( ° 52 ) ‘F J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED IN THE U. S. A. To Mr. and Mrs. Elbert L. 0’m°pente7~ Wabun (The East Wind) “Hiawatha” LONGFELLOVV JAMES A. BLISS Q I Medmm Op.11,N0.2 Allegro con moto r,__§_._, Voice Young and beau - ti - ful was Wa - bun, A Zeggiero x V7 0 ‘ He it was ~wh0 brought the morn-ing. He it was whose Sil - Ver méfr- rows f Ossia Chased the dark 0’er hill and Val - ley; He it was whose cheekswere painted Copyright, 1923, by .ZF2'scI¢er c6 Bro. British Copyright Secured ‘» J.F.& B. 5253-3 Meclzamfcal and all otlzer ﬁghts reserved ].>;~§ymgd in U¢s_A_ mf cresc. With the bright-est streaks of crim-son, And Whose voice a-Woke the Vi1- 1ag‘e,V } Lg > ¥_______,g f? , (M.M. J:1o4) Called the deer, andcalled the hunt-er, Lone - ly in the sky was Wa-bun 19 staccato Though thebirds sang gai - 1y to him, Though the Wildflowers ef the mead-ow J.F. & B. 5255-3 Filled ‘ the air with 0 - dors for him, Though the for-ests and the riv—ers Slower Sang and shout- ed ' at his com-ing Still hisheart was sad with-in ‘him /}i /"T /"““T 1‘ a - lone in Heaven. iv A Group of AMERICAN SONGS L1sT No. I . HOWARD BARLow . . . . . . . GENA BRANSCOMBE . . . . .. ELIZABETH I-I. DAVID. . .. }AMEs P. DUNN . . . . . . . . . G. FERRATA . . . . . . . . . . . .. CECIL FoRsYTII . . . . . . . . . FAY FosTER . . . . . . . . . . . . J. BERTRAM Fox . . . . . . .. FRANK H. GREY . . . . . . .. VICTOR HARRIs.. . . . . . . .. A. WALTER KRAMER . . . . HOWARD D. MCKINNEY. WILLIAM REDDICK . . . . . .. GERTRUDE Ross . . . . . . . .. LILY STR1<,:I<LAND . . . . . . . . DEEMs TAYLOR . . . . . . . . . PIETRO A. YoN . . . . . . . .. I-lush ofthe World . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5193, 5194)* L0veissoNew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5I92)..... Your Eyes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5195, 5196) In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . .. Honeysuckle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5151, 5152) . . . .. InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155, 5156) Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5153, 5154) The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . . .3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) . . . . . Under the Greenwood Tree . . . . .. . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) .. . . . Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) ..... A Masque . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .]\/ledium (4532) . . . . . . . .. Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547) . . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . .. When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . .. Secret Languages . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4665, 4666) . . . .. Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) . . . .. When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . .. Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4454, 4455) . . . .. A Ballad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. High (4737) . . . . . . . . . . . Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . ... . . . . . . . . . . . .2 keys (5079, 5083) . . . .. Sadness; Tears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5160, 5161) . . . .. The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) ... .. A Madrigal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) ..... Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 keys (5092, 5093, 5094) Silver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5098, 5099) ._.... Eternal May. . . J . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . .. ForaDream’s Sake . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (3851, 3852) Joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4246, 4247) . . . . . Song Without Words . . . . . . . . , . . . . . . . . . . . . . . . . .High (5020) . . . . . . . . . . . In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . ... . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys (4863, 4864) . . . .. Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . ..High or Medium (5077) . Travelin‘ to de Grave. _ . . . _ . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) ... .. Early Spanish Californian Folk Songs (Five).. . . .2 keys (5120, 5121) . . . .. Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144). . . .. Bayou Songs (Four) . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) .. . . . A Beggar at Love's Gate; So Cycle . . . . . . . . . .2 keys (4440, 4501) . . . .. I. I. I. ng Today is Fair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4338. 4339) ~ ° ~ -- Captain Stratton's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass (5242). Banks 0' Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .../\/Iedium (5210). . Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) ... .. The Messenger . . . . . . . . . . . . . . .. . . . . . . . . . . . ..2 keys (4732, 4733) The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) .,... A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . ..... 2 keys (4452, 4453) ..... Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . .s.. *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. FOURTH AVENUE AT E1011 NEW YORK 3, NEW STREET, BIRMINGHAM, ENGLAND TH STREET (ASTOR PLACE)
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Date: 1907
Text: SIX INDIAN SONGS FROM THE “HlAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. “Greeting of Hiawatha (Gruss von Hia— watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles Iiegt in Schwei- gen) . . . . . . Chibiabos (Tschibiabos) . . . . Deﬁlmehabiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw‘ai! wach auf’, Geliebtel) . . . OLIVER DITSON COMPANY. Boston I New York Chicago...
Show moreSIX INDIAN SONGS FROM THE “HlAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. “Greeting of Hiawatha (Gruss von Hia— watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles Iiegt in Schwei- gen) . . . . . . Chibiabos (Tschibiabos) . . . . Deﬁlmehabiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw‘ai! wach auf’, Geliebtel) . . . OLIVER DITSON COMPANY. Boston I New York Chicago Philadelphia C. H. DITSON 8: CO. LYON 82: HEALY J. E. DITSON 8: CO. r;1r*:";n, zed from the 1‘. 03‘ "W. 35.35;. ma rﬁo To David Bz'.s‘[2ﬁam C H I B I AB 0 S (TSCHIBIABOS> HENRY WADSWORTH LONGFELLOW § Germa/1' tr(I)1.s'/(Ilz'07/ by }[t’I'III(I/I/7 Sz'7/10/1 CARL BUSCH Allegro moderato Most be_1oved by Hi a — Wa—tha Doch am fieb _ sten Hi ‘a — wa—tha’n Copyright MCMVII b Oliver Ditson Company_, _ International opyright Secured 5-83-66399—5 He the best of all mu — si _ cians, He the sweetest of Er, der Moi - stcr al — lcr Wci_sen, Er, dcr lvieb — lich~_Ste, . W’ sing-ers. V Beau — ti - ful and chi1d—1ike dcr Siin—g-er, Wm: - denschbln und kL'mi—lt'ch T f — Brave as man is, soft as worn- an, \P1i _ ant as Mann an Muth, und W701?) an Sanfzhmuth, Schmiegsam glcich 5~33—66399- 5 wand 1y as wie sin schlan lich P a tempo reeds Ricd hol — low hoh — Zen the dam From Aus ::zZ:>— 1; a tempo That Das s the days low, lick, and mel disc/L lieb si .0211 me — lo — SO U111 — ten so .1 a deer. with Vier — zchn — » fash—ione,d schnitz ~ tr: the lain, brook, Biich - EUJN 3\<_-__:/ 5-83456399-B 1’ bo_w_ish — a, Ceased to mur — mur in the w0od_1and, bi — wi _ schc, Ganz ver-gass- im Wald 214 mm’ - mcln, I That the wood-birds ceased from sing_ing, the squ1'r_re1, Dass der Vb’ — gel Lie — der schwzkugcn, das Eich-horn, Ad — ji —dau — mo, his chat—ter in the oak— tree, At - schi— tau - mo, mchr lei — chm-—1‘r2 im Eich _ baum, /T‘ 5~33~66399-5 And Und’s W" Sat Auf — > the rabbit, Ka-nimchen, the Wa—bas - so, der Wa_bas — so, ,»———-—-—~.\\\\ up— right recht sass .> W, . and lis — ten. lau - schte. 7'27. — p a 5-33-v5(‘=3‘.‘£1-5 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postzpaid, and in paper with_cIoth back, price, $1.50, post»paid. . Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in ﬂexible cloth, are handy in size, and range in price from 50 cents to $1.25. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chiefly technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but-—l”iow good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, 10 cents, which is credited if you subscribe. Subscription price, $l.50 per year. Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Date: 1917
Text: T. TERTIUS NOBLE Two Songs With Piano Accompaniment CUPID’S ARROW % - WINTER _High in F minor Low in L) minor @ Price, each 60 cents net New.Y0rk : : Boston nusoc L}/*IhAnv VAS$AR CO LL EC‘ To my fmend 1i3cz'7aal(lWerrenrntlz VVinter Words by Longfellow V A T- Tertius Noble Lento, molto sostenuto 1’ The day is end - ing, The night is de- A d 8”“ bassa #’ scend-ing,The marsh is fro-zen, the riv - er dead. >>- >> > /\ } 27049 C Copyright, 1.917, by G. Sclzirmer Piﬁ mosso...
Show moreT. TERTIUS NOBLE Two Songs With Piano Accompaniment CUPID’S ARROW % - WINTER _High in F minor Low in L) minor @ Price, each 60 cents net New.Y0rk : : Boston nusoc L}/*IhAnv VAS$AR CO LL EC‘ To my fmend 1i3cz'7aal(lWerrenrntlz VVinter Words by Longfellow V A T- Tertius Noble Lento, molto sostenuto 1’ The day is end - ing, The night is de- A d 8”“ bassa #’ scend-ing,The marsh is fro-zen, the riv - er dead. >>- >> > /\ } 27049 C Copyright, 1.917, by G. Sclzirmer Piﬁ mosso Through clouds like \/ \_/“/ sostenuto flash - es - dows that it tempo 1’ The snow re-com-menc — es, The bur — 8 "" a tempo 13720 ._ Mark no long- er the road to the plain, Z’—\ ".27" While thro’ the mead - Like fear—ful shad - ows, 3 -=-z:/(¢»;=\::<_'ae>;-ﬁ;;.;a.7'a7«a&7&,§..~'Z:; fe S1ow—1y pass—es a fu-n’ra1 train. > > 1’ The bell is peal - ing And ev—’ry feel - ing With— in sx __ re—spondsto the dis — mal knell; ‘.570 /"*3, Sha.dL- ows are trail - ing,______ My heart is be— wail — ing f % And to11-ingWith- in like a fu-rfral bell, > > n'ra1 bell. FOUR SONGS by JAMES H. ROGERS To Felt’: llughu Sea Fever John Masefield James H. Rogers Spiritoso f I must go down to the seas a-gain, to the lone - ly sea and the sky, :11 I usk in 1 tall shlpand A star to steer_her by, wheelk klcknnd the windk songand the white sails_ shah.-ing, > f Copy;-iglt, llll, by 0. Scbirncr PRICE 60 CENTS NET To Miss Geruldxm’ Farrar The Star . wows. W A fragment from Plato Charles F. Lnnums High. in Db Low ;n B], James H. Rogers -K-5:A* ‘YR: semprv R- - inglhemoth . - er shes, - cqyum. um. by no s.s. meme co. ¢'°m"':M 1'": Mr 0< Selim!" PRICE so cams NE‘! “Loves on the highroad“ F. Dana Burnt! James H Rogers Vivace con anima Voice co,,,r.,u, ma, 3., a. Selina! PRICE so cams NET NEW YORK :-G. SCHIRMER Autumn F. Dana Bum“ James H. Rogers Poco Volcé W Swift-ly, my heart, while {adeslhe sum-me-r rose, qfslulaada Speaklhou or love, ere Youlhand Love growcold! The year hath lurnedher face un - to the ngfslcuhmdo . ‘! PRICE so ceﬁf NET BOSTON : THE BOSTON MUSIC CO. Copyright, IBM, by (I. Sclimtr
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Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. Nzw YORK Oliver Dits on Comp any. > Bnsmm. NEWYURK. PI-IILA. Lnmnum. Bhicagn, Lynn & Haalx,/. Z’Ji?1\T " ' — m;{g:4 m. iynﬁwi 1-, LN \ ‘W ‘ " ’v- MJ A ‘U "U IE‘ Wu fr’-Y 3”“ ‘ 1 r.. . ' ,P“°*6“"E‘1*~4é4$;3 & LTA ”u’'' M "Q . "‘5“' * T“ DULUTH, MINN_ IT IS NOTALWAYS MAY. Pommr BY LONGFELLOW. MUSIC m CH: GOUNOD. Allegretto con moto . The dam _ _V1ing‘ swal - lows e blue - gbird . . . . ....
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. Nzw YORK Oliver Dits on Comp any. > Bnsmm. NEWYURK. PI-IILA. Lnmnum. Bhicagn, Lynn & Haalx,/. Z’Ji?1\T " ' — m;{g:4 m. iynﬁwi 1-, LN \ ‘W ‘ " ’v- MJ A ‘U "U IE‘ Wu fr’-Y 3”“ ‘ 1 r.. . ' ,P“°*6“"E‘1*~4é4$;3 & LTA ”u’'' M "Q . "‘5“' * T“ DULUTH, MINN_ IT IS NOTALWAYS MAY. Pommr BY LONGFELLOW. MUSIC m CH: GOUNOD. Allegretto con moto . The dam _ _V1ing‘ swal - lows e blue - gbird . . . . . . .. yon Winding an out-1et from the win (1 blows f reighted clouds an _ chor things are new; the elm _ trees nodding crest . . . . . . .. the be-neath eaves . . . . .. There are no things re - joice . . . . . . .. in ness of their 1rst from the soft heairhs a’- I melting ten, der _ ness..... that read’st this simple rhyme, En - joy thy youth it will not stayg, . . . . . . . . . . . .. En _ joy the fra-g‘rance some good An _ - - gel leave the rest . . . . . . . . . . . . . . . . .. will teach thee e truth! There are no birds in last year’s nest! There ‘are no birds in last year’s /9/9 NEW SONGS Published by Oliver Ditson company, Boston Compass shown by letters in brackets [ First letter is lowest note; notes below the staff indicated by small letters; on staff by CAPITAL letters; above staff by Italic letters. .S‘ECVLA’R SONGS. HIGH VOICE. ARENS, FRANZ X. When the Land was White with Moonlight. ASHFORD, ROBERT Dreamy Days. BULLARD, FREDERIC FIELD Rose of Kenmare, The JACKSON, ANNE VVAKELY Across the Dusk. FICCOY, W. J. At the Garden Gate. To the Raindrops. Op. 48, N0. 2. FIARTIN, GEORGE DUDLEY or Us. NORRIS, IIOFIER A. Dearie. ORSINI, GIUSEPDE Perhaps. (liorse I) PREYER» CARL A. Childhood. Op. 37, No. I. Elusion, Op. 37, No. 2, WARD, FIAUD SPENCER When Hearts are Young. Op. 48. No. l. Key E C F F MEDIUM VOICE. ARENS, FRANZ X. When the Land was White with Moonlight. ASHFORI), ROBERT Dreamy Days. BULLARD, FREDERIC FIELD Kavanagh, The Rose of Kenmare, The BUSCH, CARL Remembrance. COLE, ROSSETTER (1. Auf VViederseh‘n. COWLES, EUGENE Crossing the Bar. Pastoral. A FISHER, WILLIAFI ARNS Gae to Sleep. JOYCE. FLORENCE BUC.~.I.\'(iHAl'l When We Parted. FIAYHEW. GRACE Shoogy-Shoo. L015!) VOICE. ARENS, FRANZ X. At My Grave. BUSCH, CARL Remembrance. COLE. ROSSETTER G. Auf Wiederseh‘n. COWLES. EUGENE Crossing the Bar. FISHER. WILLIAFI ARHS Gae to Sleep Op. 13. No. 1. Sweet is Tipperary. Op. 13, No. 2. FIAYHEW, GRACE Shoogy—Shoo, The NORRIS, HOFIER A. To Thy Chamber Window Sweet. Compass [lib to 11] [E to F3] [Kl to av] Lie» to M 1“ t0.L"] (l to F] [l<‘.:» to Ab] [C to F] Ed‘ to M [ctogror 1] . [c togorlz] . [c to a] [c to F1’-] I”. to E] [C to F] [l) Lu F] [C to F] [F to C] [d to F5] [D U. E] ‘C In E] [C In F] ' ~ to F] .i.[a to F] ,'a to 1)] ]Il to C] [‘“v to 1)] {a to C5] 'l> to li] [a to 1)] up to H] Price .60 .50 .50 SACRED SONGS. HIGH VOICE. CAMPBELL. BRADFORD Jesus, Be My Saviour. El» DRESSLER, LOUIS R. 0 Babe Divine. (\\'itli violin obbligato.) G FISHER. WILLIAFI ARFIS Be Comforted, Ye that Mourn. Op. 12, No. 1. FRANCK, CESAR Panis Angelicus (O }IOl_v Bread of Heziven). FREY, ADOLPH Bow Down Thine Ear. O Lord. Far From My Heavenly Home. FULLER, EDVVARD M. Only to Pass Thro‘ the Gateway. GRANIER, JULES Hosanna! KROEGER, E. R. The Babe in Manger Lowly. (Christmas Song.) Up. 50, No. 2. STEWART, H. J. Safe Home. G VILLA. GIUSEPPE A Little While. MED! UM BARRELL, EDGAR A. O God, Be Merciful to Me. I)'cr FRANCK, CESAR Panis Angelicus (O Holy Bread of Heaven). F (IRANIER, JULES Hosanna! KINDER, RALPH Refuge Divine. NEVIN, GEO. B. Song of Eternity, The ROGERS, JAMES H. I Heard the Voice of Jesus Say. SHELDON, LILLIAN TAITT Jesus, Shepherd of the Sheep. STEWART, H. J. My Soul Thirsteth for God. LOVU VOICE. Key Compass Price [c to ,2] .60 [d to g] .60 [db to F13] [G to [cl tog] |dtouj [E to 11] [F to 1337] [db to a"*] [d to ,q'] C[b0rdt0.g'ora]. \’OICE. [ab to F] [E to 1)] Id to 5:] [lab to F] [c to E] [C to X] [c to E] [C or g to F] . BERWALD, W. Out of the Depths. BRACKETT, FRANK H. Led On. I) DRESSLER, LOUIS R. 0 Babe Divine. (\\'itl1 violin obbligato.) Ii FISHER, VVILLIAM ARFIS Be Comforted, Ye that Mourn. Op. 12, No. l. ' GRANIER, JULES Hosanna! CREEN, VINCENT ELGIE Sun of My Soul. KROEGER, IE. R. The Babe in Manger Lo‘wly. (Christ- mas Song.) Op. 50. No. 2. WO0LERy ALFRED Heaven is not Far Away. [lib to D] [I) to E or F5] . [lib to Eb] [bb to D13] [21 to E] l7[bi> to Error F]. [db to Eb]
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Date: 1877
Text: To Mrs.M.K.Cal Ian. .EZ?ii_/_'rZZ/‘/7.21/TI,’ /,____j . LON/I3}‘1%iLL oww N EW-YORK= Published by S.T.GORDUN&SON.l3 Easf I4*bs+_ A NEAR FIFTH AVE. Uupy.r*}qh”r IB77 by 5.T.Eurdan&San- V ‘ Iwsac uurmav SEAR COL 7 ‘THE RA INY BAELAD. Words by Music by HJVLONGFELLOWL ALONZO STONES] Andantyj and drea — ry; It and drea — ry; It rains, and the rains, and the C0pyrig_'h(,1877 ,by S. T.Gordon& Son. f vine clings to the maul — der—1:ng wall, But at thoughts cling to the maul —...
Show moreTo Mrs.M.K.Cal Ian. .EZ?ii_/_'rZZ/‘/7.21/TI,’ /,____j . LON/I3}‘1%iLL oww N EW-YORK= Published by S.T.GORDUN&SON.l3 Easf I4*bs+_ A NEAR FIFTH AVE. Uupy.r*}qh”r IB77 by 5.T.Eurdan&San- V ‘ Iwsac uurmav SEAR COL 7 ‘THE RA INY BAELAD. Words by Music by HJVLONGFELLOWL ALONZO STONES] Andantyj and drea — ry; It and drea — ry; It rains, and the rains, and the C0pyrig_'h(,1877 ,by S. T.Gordon& Son. f vine clings to the maul — der—1:ng wall, But at thoughts cling to the maul — der——1ng past, But the ev — — ry gust the dead 7 leaves fall. hope’s of youth fall thick in the blast. day And the days Andante ooh moto. drea —ry! tl-rea -\.-ry I \/ sad and curse re - pine-z'_ng; Be — kind the ‘ f Agitato. clouds is the T still shin—ing,- Thy fate is the com — man ' Agitato. In — to each life some Ir must fall. Tranquille. Some days must be dark and dreu 6' 542 :3
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Date: 1860
Text: 7%” n '»“,'_7/‘ La (Nat) ” f PART SONGS‘. N9 200. ' The Poefgy by L@>:N <mE'E1.1L®W% st-:'r‘1'o MUSIC FOR « fﬂa/7.45 Wzé‘/éfzé/20/9/2130%ﬂz’ée.s*z?%Z;{cc0/72/éaizz//zzazzé, BY g3Mr(@»N @.4wm N a jug. ;rza,.z2;~,zz Zzice 6"/zc-:1 LON DON, STANLEY LUCAS, WEBER & C984’, NEW,BOND ST.& 325, OXFORD s'r.w. SOPRANO. ‘ ALTO. TENOR. "3Y?’ lower. BAss. Allegra. M. M. J.:92 { NB. 0‘1°("héstral parts may be ]1_'i'rg3d*.v- . _ J ...
Show more7%” n '»“,'_7/‘ La (Nat) ” f PART SONGS‘. N9 200. ' The Poefgy by L@>:N <mE'E1.1L®W% st-:'r‘1'o MUSIC FOR « fﬂa/7.45 Wzé‘/éfzé/20/9/2130%ﬂz’ée.s*z?%Z;{cc0/72/éaizz//zzazzé, BY g3Mr(@»N @.4wm N a jug. ;rza,.z2;~,zz Zzice 6"/zc-:1 LON DON, STANLEY LUCAS, WEBER & C984’, NEW,BOND ST.& 325, OXFORD s'r.w. SOPRANO. ‘ ALTO. TENOR. "3Y?’ lower. BAss. Allegra. M. M. J.:92 { NB. 0‘1°("héstral parts may be ]1_'i'rg3d*.v- . _ J "5, V MUSIC uInAnﬁ‘r U é VASSAR COLLEGE, _ A wind ....... .. came up out of the out _of the out of the . W. _. o :-13:». r-w+'"P}:= . /¢j.~sW1 E‘fUS!CAL And said, “0 wind .... .. ca:-ne11p out of the sea, .............. .. “CT mf mists, make room for And said, “O Vmists, make room, 0 mists, “O mists, make room, ............. .. make piu mossa. ‘ ~ Vigoroso >- hailed .... .. the ships, and ‘ hailed .... .. the ships, and It; the ships, and f o " . . It ' I iled .... .. the ships, and i- ners, the i _ ners, the i- ners, the i- ners, the 5 (W88. hur _ ried1and_ward‘ far ................. .. a _ way, ............. .. Crying,“aA' x‘ // .- 'hur _ ried1and_ward far ................. .. a _ way ............. .. Crying,M“a. _ d hur _ ed1and_ward'f-ar ......... a And hur _ ried land_ward far .................. .. a .g*____..—»/ awake . ......... .. } all ........ .. your “ Hang all ........ your the for- est “shout! .... .. molto rifard. 6 leaf _ Y . . ' - ners .... .. out!” It to e wo0d— birtfs _ ,I-Pang gll your leaf 37 ban _ nérs out! It totlched the Wood— bitfds ‘ motto ritard. L/Ir‘ .. 5. L. W. 186 . a tempo Awake and 9-’ ‘_ . 4: iI’d,....., .... ....... fold . sald, 0 I 6,.” fold _ ed wing, ........... .... .. and Sing ........ ......... .. /\ a _ _ » A-wake...... and a tempo ‘_ wake, awake and sing,.......... awake and gin wgke ............... .. aw ea (I sing, ....... a sing,~.« ....... ................. ......... ..... awake,a - 53. L. \V. 1860. poco Mt. e sing. ...................... .. ...... _ P060 7-1/'t_ e I Sing. ............. ...5....n'. ........... .. _ poco rit. 9- " si‘ngL.....V ............................ And (for the farms, ....... . oer .... .. — e arms 3“ in r 0 ’ HQ Chanticleer,; ........ .. Your clar _ ion I I 9 And o’ei* the farms, .... .. 0 chém _ ticleer, Your a tempo L. W. 1860.‘ O chantioleer, ion blow; ' ' day is near, the ci1\;a;n'11:/ icleer; —You*1‘ ion blolsi; Your ion blow; i_ on blow, Your ion blow; the ‘ A y is near, the *cm. ail? the day ............... .. is 1'1ear,the day» .......... the day near,the da ............ .. is near, .... .. the 5 . L .- W. 1~b'tS0. pom {meno moaso 707” It whisper’d to the P7’ 2: It whisper’d to the fields of corn, fields of corn, I It whispgiv’/<1 to the fields of corn, 177121.. It whisper’d to the fields of com, dovm, and c0n1_ ing- ’ ‘Ill . com _. iug dim. com _ ing at com_ing V morn’? “A viz} mosso. f It shout _ ed throughthe I be] _ fry tower, “A _ yiil. masso. sh0ut _ ed through the be] _ frytowe-r, sht;ut- ed t}1.1'qu_.;,'h. {he bel _ fry tower, wake, .... ....... .. 0 bell! .......... ‘s. L. w. 1860.7 /7‘ ' . mbzto 7-it. pro _ claim the 9 hour. ..................... .; .... .. ff am. e motto r/it. pro _ c1a1m the our. ........................... .. d L’ m . e" motto Ht. bell........ ............................... ..... ............................ .. > dim. e ’ rit. +'I7‘he small notes‘ to be used for practice only. .5. Lfw. 1860. J;=eo. ::,. _ ‘X . . . <1 crossed the churchyard wlth a slgh, And sald, Not yet! ../1:: crossed the churchyard with a sigh, <41 L. crossed the churchyard with a sigh, .(—_f_'_‘ ::‘j-- crossed the churchyard with a sigh, at - : 60. ."’cc \" he; Not yet! not yet! not CF85. F‘/cc he; Not yet! not l3’I'8.9. yet! not 1ie;“N0t yet! not yet! not (‘7’¢L’8. lie;“Not yet! not yet! not yet! _ accomp. -ii»... “Not yet! not ...{‘_._ .2... “Not yet! not 1 J “Not yet! not Piu lento qui- et not yet! in qui_ et PI’ in q11i_ et. lie, in qui-et P7’ in qui _ et ,_\ Piu ‘lento PP not yet! in M5 yet.!..... yet! .... .. yet! .... .. PI’ lie, in qui_et PP?’ lie, in quiget lie, in qui_et PART” MUSIC FOR CHORAL SINGING. PUBLISHED IN A CHEAP FORM, IN VOCAL SCORE. 1 Barry, C. A. ...O Holy Night ... SSATB 6d 31 Griﬂiths, E. ...Solo_moii's Prayer (an Anthem) SATB 401 | 82 Macfarren,SirG.A.(Joseph No.23)See! Pharoah 13 Beale, W. ...Again the balmy zephyr (Round 32 (xuy. Henry ...I prithee send me back my heart ,, 4d * hath set Joseph Three Voices) SATB 6d. 147 Guzman, N. ...Blow, thou soft West WIDC3... SCTB “ Resurreution)H_vmiis; Late that ...Awake sweet music .. SSATB 4d 62 Hackman, L. Ye Franklyn SATB mom-nful eve was seen By the side of a grove ATFBB 6d 128 Hales. J. ...Syinpathy... ,, 4 _ _ ,( ,, )L1ves again om G101-ions ..How often from the steep SSAATTBB 197 Hatters1ey,F.K.’l‘hey that wait upon the Lord ,. d mg ...How soft the music ATTB (ml 270 1-iause ...It is not always .. ss ,, )0 Christian, cease to weep ...Scenes of Woe ,, 411 134 Heap, C. S. ...Who is Sylvia? ssrn ,,,D0xo]og'y ...I’1l enjoy the present time n 33 Hecht, E. ...At Night SATTB ...Remember not, Lord ...Lo! the pride of thevillageis dead SATTB 6d 34 _ ,, ...H11ul1ng Song ...The Lord sendeth ...Ode to the Memory of Samuel 55 rliggs, M. ...Queen of Fragrance .. ,, ' ‘ ...To Mary in Heaven Webbe .. ATTBB H4 213 H1ller,F. ...A song of Life ,, ‘ ...The Miller's Lassie... ...Oh! by yonder mossy seat .. ATTB 865 261 ...O weep for those .. 285 ,, ...Ye F1ow’ry Banks of Bonny Doon ...The humble tenant SATBB 4d ...Secret love (Stille liebe) SSA 107 Macfarren. W...Daybreak .. ...Th0u herald of the blushi_ng_nioi'i1 SATB Gd ...EXpectatioi1 (Ewartinlg) 17 279 Marzials, T. ...Eventide .. ...When Fanny blooming fair..._ ,, 4d ' ...Where may my__darling_be? (W0 168 Matthay, T. A Fairy’s Serenade . . . ,, ...Sing unto the Lord Canoii4 in 2 ,, 6d magmeiii s_chatzle sein P)... _ .. ., ' 1.58 Moir, F. L. .,,1v[e1~r_v March breeze __ Beethoven. L.v. Calm sea, andaprosperous voyage ,. 11- ...Th0u will: think of me «Du wirst‘ 177 ., ...Reading Abbey .. Benedict, Sir J. The Cherries are R1p¢._(Claudian) SSA 411 an mi denka) ,. 111. Moseley, C. ...Rondel .. Cherries are Ripe SATB 4:01 Who believes it ?(Wer‘.s glaubeii thut),, 112 ., ...Roseate Hues ,, ,, duet ... SA 4:1 .. Cuckoo song (Kukukslied) ,, 111 ,, .. Spring is coming Come to our Fairy ., Gd ...Partiiig song iScheidel1ed) 3 ., .. The First Flight ,, Welcome to our Prince SATB 4d 8 _ ,, ...Play on! (Spieletauf) . Netlierclift, J... , my dear maid 17 ,, H ' ,, ... ATTB 4nd Hine, G. ...Chi_ldren’s Goodiiigh 45 ...Tell me, tell me ... Bennett, G. J....Down in a green and shady bed ss 41d 91 ., ...Fair_ies... . ...’l‘he Ana-ler’s Glee ...Float gently Barcarolle SSA 4d 249 ,, ...O Birds that sing .. . _.,'1‘hou fatal 10ve ,_,See the Children ss 4d 139 Horsley, W. ...Blow light, thou Balniy Air 7 ,, ...Whither away ,. ,, ...They tell me love (Song of Love) SSA 4d 1 ,, ...Sweet is Evenings Oliphant's Ancient Ditties. An Aged Dame Berger, F. ...The Tritons .. sun 6d 101 Jackson, A. H. In the Cornﬁelds 4.8 1 w111n0g, my Beringer, O. ...The Post Horn TTBB 4d 104 ,, Lord Ullin s Daughter 1 My Lady had ,3, Bethune, C. ...E’en brings a’ Hame .. SATB 4d. 266 . ,, ‘ Siren’s Soiig To pitch our tons Bishop, Sir H. No Tocaran Campanas _sCi'i3 4d 155 ,, "l‘was when the seas ., ,, Ye sacred Muses Brahms, J. ...A March Night (Female Voices) 2d 100 Jarvis, S. ...When twilight dews -. -- Pari-att, W. ...Super ﬂumina Babylonis ...A saving health to us is brought 255 Kemp, Stephen 0 lady leave thy silken thread ‘ ' ‘ Peiiiiger, 0. ...Awake, the day is dawn:ng .. (Motett), Op. 29, No. 1 SATBB 6d 251 _ ,, Stars are with the voyager . 4. 96 ,, . mﬁomevvard from the col-“ﬁelds ...Ave Maria, Op. 12 .. ATTB 4d 108 Kjeriilf ...NO1‘Wegl:Ln Bridal Song .. ' ' V H "soon, too soon ,, . ,, , .. SSAA 4d 2 2 ,_, ...Serenade .. . . ,, ...Where the scarlet poppies ...Bai'cai'ole (Female Voices) 2d. 237 Khune, T. ...Volkslieder, Book 1 .. ~ ' 203 Philp, E. ...The Owl in the Ivy Bush ...Blessed are they that go mourning, 238 ,, ,, Book 2 .. 4d 97 Powell, W -R. .. My Ladie's eyes . . O . 45 ,. sun 6d 239 ,, ,, Book 3... 53 P)_‘en(1e];‘gﬁS‘l',_ A 0, Mistress mine ...How long wilt thou forget me SSA 6d. 240 ,, ,, Book43 .. _ .. ,, 51 Prescott, O. L. Our Conversation is in Heaven ...How lovelyis thy dwelling place... SATB 6d 259 Lambert, F. W. Oh. lull _iiie, cha,1‘n1111!! E111’. SSATB (Anthem) ...I€throughthe Olive Yard(Female Voices) 201 117 Lawson, S. ...Away with these self-loving lads SATB 50 ,, ...The righteous live for evermore ...Love Song ) 2d 28 ,, ...L)i1pid’s curse . .. .. ss 6 (Anthem) .. . sun Ad Miller’s Daughte ...The ballad of young John. dd C3 10% OOaL\'>€l!95‘\lIPL3 on an no it 97 97 H 77 ATBB id ., 4d ...Gaudeamus(Motett‘)‘ SATB ” ...Stabat Mater SAATB (()p_g,Eﬂag;)_,_ ...Questionings , .. ...Wilt thouuiikind SATB 89 ,, ...Magniﬁcat (F ﬂat) ...’l‘he Bridegroom 6 ,_, ...The Bride ( ,, Leslie, Hy. ...A Rose of the Garden 90 ,, _ ...Nunc Dimittis ( .. ...’l‘he Meadows at Wildbach( 45 ...Cherry Ripe . 121 Puzey, F. H. ...How amiable are thy dwellings 2 ...The ill/Iountains are Cold(( I ...Go1ge:i Sflumbers .. < 54 Read, J. F. H. Seregiade. The young Mn)’ moo 2 9 ,, The un .. ‘ ...Ur0 en ear is ea,1ni]1g- 12.7 Brouglitoii, J....'1‘he Better Land ' ...Kind Words_ 159 Redhead, A_ _,_1 know a, maiden 157 Bryant, R. ...Pysche ...Lullaby of Life 212 Reeve, P. ...The Vision ... 73 Cheshire, J. ...A Mother's Cradle Hymn ' ...O let ‘me play the Fool 55 Richards. 13, ,,,N0bod_y cares for the 151 Cleather, Nina Harvest ...Red Sun is Sinking 56 Rudall, H. A. ,__Da,y1),_-ea]; 103 Cooke. G. ...'1‘ic, Tic .. .. ,, ,, . . 91 Sangster, W. H.Aiiglican Chan * 153 Copeland ...(‘.arol . : ) ...Song of the Miniiesiiigers 92 ., , ' ._ 22 Coward, J. ...Airy fairy Lilian . ~ ...The Angel s.Visit 287 Santley, C. ...Ave Maria .. 42 ...Peaceful slumb’rii1g .. 2 ...The Rainbow 4 289 ,, ...Christus factus esk... ,, ,, ...We roam and rule the sea 262 Schloesser, A....The dawn of day . ,, . Summer morning . . 7 _ ,, ...Wilt) is the Angel . 157 Schubert, F. ...God in Nature, Op. 133 32 ,, ...The sun is bright Liebe. L. ...Chris1.mas Roses ' 21 ,, ...Spirit of Love 74 Cusins, W. G. ...Masonic Prayers 69 ,, ...Come, cliarni ot night ' ,, ...The Hamlet-, ,, 75 ,. .. Royal Wedding Chorale " ,, 1-Iynin of the Goths... cl 8 ,, ...’l‘he Nightingale I49 Davenport, F...Phillis is my only ...My home of yore Selby, B. L. ...A laughing song 152 ,, ,, ,, ...Pearl of the.Seasons 5 ,, ...Amaryllis 148 ,, ...Sweet day so cool . ...Song 0: Praise . .. 8 ,, ...M_a belle, si ton time 260 Dick, Uotsford Count-y.Guy .. .. ...The Heart s Rest Smart, 11. ...Pipe, red lipp’d autumn, pipe! 119 ,, Tears. idle tears _, , . ...The Soul s repose 1 ,, ...Softly come, thou evening gale 14.2 Distiii, ...Jack Horuer ' 3 _ ,, ...We two ,, ...The Curfew Ben 14,3 ” ,, ; ...... ... ‘ .. Liszt, F. ...Chorus of Reapers ,, Twilight. ,, (Tonic Sol-fa Edition) .. 3 ._ n .» 9y_ ' Soderman, A....Peasant Wedding March ...'l“wilight on the Lake s Lohr, H. ...A Border Raid Spotforth, R. ...L ape e la serpe ...Awa’, Whigs, awa’ .. 2d 2 ,, ...Aii April Shower 3 06 ,, ...Come, Clara, as the lily fair .. ...Duncan Grey ... . ,, ...When the Lord turned again Stanford, C. V. From me to thee glad Serenades ...Rantin’. Rovin’ Robin " (Psalm 126) n ii ...To Chloris ...Scots wha hae Lucas, C. Ah, fading Joy SSATB Stewart, Sir R. P. Night hurrying on ...'1‘heDe'il's awa' .. 29 ...Blessed be the Lord... ._.. sun 9 ,, eligiou ...Ye banks and braes .. Hail to the new-born Spring (Glee) ,, 6 Tait, A. Oh, what is the use of singing of love . ( .. ( 1 . V 52 ,. .. ...Now all the Roses E ...Sigh no more, ladies SSAA 88 P1-out, E_ ,,,M-agniﬁcat, and Nuuc Dimm-,1, ( , Kyrie... . ... 156 ,, ~ _ 185 Duvivier, A. D.Ave Maria . . ...Hosanua ,. 241 Engel, L. ...Our Loves . . ...O "God, the srength of all them . The Brook is purling 3 M 216 ,, ,, (Anthem)... . . Taubert, W. ...Cra.dle Song 200 Faning,Ea.ton Daybreak .. ,, ...O. Lord, open thou my lips 66 ,, ...Cradle Song (Ai'ra.i1god by J. G. 166 ,, ...Liberty... ..: .. ,, ...Sing. 0 Heavens . . . Callcott) 193 ,, ., (Tonic.Sol.fa) .._. ‘ Lutgen, H. J. ...Ave Veru_m .. .. ' Thomas, A. G-. ...Out of the deep (Psalm 130), 98 ,, ...Soiig ot the Vikings (Piaiioforte 51 ,, ...I-Ioly Saviour soprano 010 and Chorus Solo Accompaniment) . Macirone, C. A. Echoes . 95 Tuberville, W...Merrily Ho [26 ,, .. Song of the Vikings v. Piaiioiorte 17 ,, ...Ride a Cock Horse 288 Vicars, G. R. ...Children dear was it yesterday Duet Accompaiiinient) ,, ...The Avon to the Severn... 265 Visetti, A. ...Praise of Song 27 Flotow,F. voii... Serenade (with Clarinet and Harp 70 ., The Soldiei"s Dream 283 Ward, J. E. ...Rove not to the Rhine Accompaniment) . ,, 6d Mendelssohn ...0n.Mu_.sic’s wing ‘ 209 Watson, A. H. My Weather Glass t ...Rose and Lily Bell ss -id 87 ,, ...Parable of the Seasons 253 Weelkes ...Strike it up, Neighbour... ssn or TTB net, 4d - ...Spring-time (Chorus) ssc 601 4 ,, _ ...S1uniber Song ,, 267 ,, ...Alas! 0 Tarry 146 ,, ...Winter ,, Gd Macfarreii, Sir G. A. Blessed are they (St. John 268 ,, ...Ha, ha, ,, ” 256 Foster ...In the Forest . SA iiet Ital the Baptist) ssco 258 Wesley ...0mnia Vanitas SSATB 6d 281 ,, ...Welcome ...Evm_inanuel(Ant1iem_) TB 67 Westlake, F. ...Look all around thee(Spriiig Song) sun 4d 30 Gadsby, H ...Summer winds lie IS the Resurrectioii SOL-FA 179 _ ,. .. 0 Salutaris ... ,. 29 ,. ...The sea is calm .1. . ,, ,, _ .. SATB 109 White, M. V. ...Oh! Nannie .. .. ATTB 4d 28 ,, ...The So1dier’s Song (Male Voices) ...l.ike as a Father (David) . .. so 180 ' ,, ...Prayer _... sun 4d 290 German, J. E...'l‘he Chase . ...(Joseph'No.18) A voice was heard sun 110 _ ,, ...Stars are with the voyager ,, 4d 76 G11], J, ...S2l.V10u1‘, take me for thine own ...( ,, 29) O L)r_d, have mercy u 941 Wilbye, J. Draw on, sweet night ssunn -id 3 _— God save the Queen... ...( ,, 2) O praise our Lord ,, 68 Wolferst2in,E.P.Fair is my love (Male Voices) uvrn 44 3 ,, ...Sin;z, who Sings P rm; 6d 190 Ford, Eriies 99 vi 19 - 25 Gounod, Ch. ...Night andMorning... SA'1‘B2Li 81 ...( ,, 19) Lord of Diadems 13 STANLEY LUCAS, VWEBER 8: CO., 84. NEW BOND STREET, 85 325, OXFORD STREET, W.
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Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE 5 5121757 by Mrs‘. flora E. Eam/. **1 —wx\-§L L % \ \./ .x pqpxj A '*"‘7“‘ m‘T‘7"D'V"" T ‘ . U’ ‘ < - "J .\ JB I A "ii » ‘”]mm]_J]} f—_-'#_v Wm qnairmytllﬂnmﬁrﬁgg, J %E%¥niWJJnJ1w1Jnn1 jm]1]11H1]r;m1mn4‘d \ ﬁg) ‘Jimhj IIUW AWM ' “A ‘/7‘ 131% ZVb‘.r'i5 5 J A__ * ‘x K «Xx ‘\ \ /, ’ ‘ ‘ ‘,~’ // ‘,2 / \\ xx, .7 BOSTON EILIVEH DITSEIN &ED.45l WAEHINETUN ET N.Y'UHTC.C.H.DITE EN E EU. - PHIL-4} J.E.UITE...
Show moreMUSIC LIBRARY VASSAR COLLEGE 5 5121757 by Mrs‘. flora E. Eam/. **1 —wx\-§L L % \ \./ .x pqpxj A '*"‘7“‘ m‘T‘7"D'V"" T ‘ . U’ ‘ < - "J .\ JB I A "ii » ‘”]mm]_J]} f—_-'#_v Wm qnairmytllﬂnmﬁrﬁgg, J %E%¥niWJJnJ1w1Jnn1 jm]1]11H1]r;m1mn4‘d \ ﬁg) ‘Jimhj IIUW AWM ' “A ‘/7‘ 131% ZVb‘.r'i5 5 J A__ * ‘x K «Xx ‘\ \ /, ’ ‘ ‘ ‘,~’ // ‘,2 / \\ xx, .7 BOSTON EILIVEH DITSEIN &ED.45l WAEHINETUN ET N.Y'UHTC.C.H.DITE EN E EU. - PHIL-4} J.E.UITE UN 3. EH. 5215' 5 J5. FE 26:=.r5. .521: 525; 4? WJZIL-E11. ['1'I111. Z7L7Z7J7ujrE1* :1‘-']VeW]za]]. .5512 K737251500 Mcﬂunyé W].=25Ez':E 5'17. E7z1'zra_qz7 Lyn]: If }[5';zZ]/7 N" ‘ F / ‘vs -7 ~ 4'“; r m;I?s‘a7/ 11:75/7/,‘/I//7,,‘ may Jr;///'-Imp I1; ;.~7.7r"z7J/7;.ae'7; /7' , ;1;",’1‘/7,417/5'17///55ﬂV 5 J.7,1;:.~" /» //7 /M V. ._ gr /, _ I-/~ _7,1u/7 zr/‘[1//7., THE LEGEWD OI“'l.‘—HE GROSSBILL. Wbrds by LONGFELLOIV. Music by LE CHE VAVLIER LEMM1u‘I\‘s‘. ‘ Andante sostenuto. T9. On the Cross the dying San _ vinur II(*aV,l]V‘V&ll'd CI'(3.S‘(f . V His eyelids calm, F«w1s,but se:u‘(~,e _ Iy f(‘(‘l!§',}l tram .. bling in Hi.fs' pi¢‘I'(',t*d< zuldbleeding palm. . ' th6*wur1dfm' _ sa _ 1{en,Sm~sIIc- dim . ‘~_/ how wlth zc-ulnus cure At the ruth_less nail of -V-. Wilt‘ bird is striving there AT the ruthless nail of- fall. A little bird - is sf1'ivingfheI'e,' A littlubird is striving stI'iv_ ing $4 TA cresc, ﬂ T calla 1-oce,EJ;\>P A thore . atcnnpo . ET’ 3 doth nut cease , :1 tempo . [ts lmlsw, :1 temp 0 . A91 tutu . ('i’(".‘.'(.‘ , .s‘t:'i11g:*;z4i'u ., S’mine‘d withbhmd Agitatn . :L:.iL::' and never tir- _ ing “Titl]itSl)(‘£|k (,‘l'(’.§'(} . \_J ' F1-on1thecrnss ’twnu1d frve the-Suvim-, Its C1-4-:ntm"sSm1 re- Cr:-_ 21 _ _ _ tn1"s‘S<m re _ 1«:Is+~', Its Cw- 21 _ _ _ _tn1"sS«m re-_ calla vuce . And the {2 S41- - - vior speaksin mildness Blt-st be thou of all the good ...... .. B:-:11‘ as tok _ _ - en of this mo- 111¢-rgt,M:1|'ks of blood and holy rand: And that is callad the Crnssbill; Cnwwtl all withhhmdsn 1-lean‘. f. gl'¢>\'és of pine-‘ it sing- eth Sungslike legends strange to hear . gl'0VVt*S of pine it sing , , _b ell] Songs like lvgvnds strung», like logmds strange, ET it singq-ll) sangs,l1'ks- legends sfrungv to hm!‘ > atempo . . \ / calla voce. Eff?!’ colla voce . ‘ff’ ribra to . . , 9 T . like legends strange ......................... .. T mnrendo . f P)’ f‘ CHOICE GEMS SELECTED FROM MAILED POST-PAID FOR PUBLISHED PRICE. OLIVER DITSON C033 LATEST LISTS OF NEW MUSIC. MAILED POST-PAlD FOR PUBLISHED PRICE. Messrs. OLIVER DITSON C0M!‘AI‘.'Y log to announce the following very atti-active ltluslt-. or §lOC2EXI_..4<+ “ Signal Bells at Sea." Song and (‘/mrm. (E flat, 3d grade, C to D) WILI. S. llAYl£S A good song for a voice of medium compass. Not difficult. Lith. Title. “ Old Home down on the Farm." Song and C/zorux. (B ﬂat, 3d grade, D to T) . One of the ever-popular “ home songs," with a pleasing solo and good chorus. l.ltl'I. Title. " The Banner ofthe Sea." Song. (G. 3d grade, C sharp to I’) . . H. G. GANs§ A prize song, words by Homer Green, one of the best patriotic naval songs. Lith. Title. “ My Little Sweetheart." Szmgﬁor Conlrzz//o or Bari/one. (F. 4th grade, C to D) ll. M. VAN LENNEP A pleasing song with an clTective accompaniment. Suitable for concert encore. " So «~10 I love Thee." Songfor Jllezzo-Soprano or T('110r'. D. 4th grade, D to E) II. M. VAN Ll-ZNNEI’ A well written song, good style, with brilliant accompaniment “ ".l.‘is all that! can Say.” Song. (F. 4th grade, E to F) . l{0Bl'R'l COYICRLY An appropriate setting of a very tender love-poem. “ Until We Meet.” Song. (F. 4th grade, C to F) ., . . . AI\"l‘Ol\' Si'Rr:Lc7.I;I A pleasing song by a popular composer. Tasteful accompaniment. “ Dream. Baby. Dream.” Song/or Can/ral/v. (E ﬂat, 4th grade, B to Ii) ANTON STRI-:I.I~:zKI A delightful “ cradle song " with a pretty melody ai.d tasteful accompaniment. “ By-gone Dreams.” Songfor Soprano 07‘ Tenor. (F. 4th grade, D to G) ANTON STRELEZKX ‘ One of the best of modern song—gems. Smoothly ﬂowing melody and good accompaniment. “Nevermore.” Song and Uzorm. (A. 3d grade, D to E) . 'lIIus. P. I. MAGOUN One of Mr. Magoun’s latest. “ Ring On, Sweet Bells." Due/for T mar amt’ Baritone. (B ﬁat, 4th grade) . A very effective duet, well worthy of a trial by good tenors and baritones. “Then and Now.” Song. (E ﬁat, 4th grade, D to (1) . . . GEORGE H. llAYl.'S Good words, appropriate and pretty melody, and tasteful accompaniment. “The Old Grave Digger.” Bar: Song‘. (E ﬂat, 4th grade, C to C) A. G. Hr.NI>r:RsoN A capital song for a bassvoice of good compass. VVA: recommend it to concert singers. “ Somewhere.” Songfor Illezzo-Soyﬁrano or Iiari/(me. (C. 4th grade, C to E) . . A good song for low voices, tasteful accompaniment. " Oh, Tell Me Why.” Song. 4th grade, E to C) .1 . For a voice that can reach C above the treble staff, this song will be satisfactory. “ Aristocratio Dandies.” Song and Dome. (B ﬁat, 3d grade, C to E) S. DUNCAN I3AKi«1i< One of the latest of its kind. lt has all the elements of minstrel popularity. “ Vlhen the Clovers were a-Blooming.” Ba/lml. ((3. 3d grade,*Eto G) KENYON JONIss A pretty song, suitable for either parlor or concert; light and pleasing. "My Henrt’s True I=Iome." Song. (B Pat, 3d grade, D to G) JOIIN FRANCIS CILDER One of Mr. Gilder's latest vocal compositions, and well worth a trial by lovers of good songs. “ Bed-time Song.” (F. 4th grade, C to E) . . . . ETIiILLBr:Ie".' N111/IN “ Sway to and fro in the twilight grey, this is the ferry for shadow-town; lt always sails at the end o{clay,_1ust as the darkness is closing down- Rcst, little head, on my shoulder, 50." A pretty melody, to exquisite verses. Handsome Picture Title. “Up Comes McGinty.” S077g'£Z17([.D(I77[¢’. (E ﬁat, 3d grade, B to E) HARRY J. DAI.I.0U A popular and rapidly selling comic song. Ballou’s latest. “Hush, Little One.” Lullaby. (F/ﬂat, 4th grade, E to E) , FRANK I-I. BRACKEIT A pretty and appropriate setting of a poem, by [Eugene Field. Suitable for mezzo~soprano. “ My Neighbor.” Sang. Fran:/L amz’1:'ng'lz':/z ‘wan/r. (C. 5th grade, C to F) . . Goiiiiw:-'7.-IoMAs /l/la V0z':z';ze, or “ My Neighbor." will please all who love artistic songs of the modern “ classic" style. “ Little Annie Rooney.” Song and (7w7'u.r. (E flat, 3d grade, E to E) J. C. MAYSEDER A rather sweet little song, of the popular style; a really pretty waltz melody. “ I-aanguitl flower.” Songﬁor Il/szzo-Soﬁrzmo or Barilone. (C. 4th grade, D to E) . GIUSEITE DEL PLTENTE One of Signor Del Puente's latest compositions, with Italian and English words. Tasteful and pretty. “ Speak Low Unto My Love.” Songfor (lnitrnllo or 1x‘m'z'zone. (E. 4th grade, B to E) . . Louis LOMBARD A song that will please all singers with voices of medium compass. Artistic and tasteful. “Friar of Orders Gray.” (C. 4th grade, A to D) . SHinI.1) One of the very best semi-humorous songs for male voice of medium compass. New edition. Quaint Picture Title. (2. Du-ms G130. B. NEVIN . FRED. K. lllI.l. “In 01.1 Madrid.” Song. (G ‘minor, 4:}. grade, D to F) . . . In the “ bolero " style, with a tinge of the Spanish romantic love song. Effective throughout “ E’en the Gay Birds Stop to Listen.” Wa/tz Song. V 4th grade, D to F) . A pretty and showy waltz song, in the popular style. " The Sailor‘s Dance.” Song. (F. 3d grade, C to F) . . . J. L. Mt>I.I.oi( A song in Molloy’s well-known style—catchy and tuneful. Good for Baritone voice. “Radiant Heart." Szmgfor Sop. or 7'.mor. (A ﬁat, 5th grade, E to A) Oiio LANGI-zv An elifective song, with tasteful accompaniment. Good singers will welcome it. "Thy Blue Eyes.” Song. German andEng/7':/z worr/r. D ﬂat, 4th grade, E to A) . . C. ROIIM A sweet and winning melody, with good words and ﬁne accompaniment. Excellent for soprano or tenor. It is classed among the best modern German songs. “Oh, Let Me Sh-are Thine Evening Prayer.” Song. Gem/an mm’ £713‘/2'5/z 7."nr(r’.t. (E ﬂat, 4th grade, G to B) . . C. BOHM Sweet and tender; at good song for soprano or tenor voice. "Cradle Song.” (E ﬂat, 4th grade, C to E ﬂat) . . . . , M, I—I;\I~sir,R A setting of the well-known violin solo; the first and only Edition of this melody with words‘. It makes a beautiful, simple, and pleasing song. Handsome Lithographic Title. "Still as the Night.” German am! Eng/ix/'2 words. (D ﬂat, 4th grade. C to G) C. BOHM An excellent song. One of the best of modern Cermaii compositions. Suitablc for soprano or tenor. "Don't Forget Dar’s a. Weddin’ To-Night.” Song and Olorm‘. (D. 3d grade, D to D) . ll. TR01 can El)L'Al{l) ll0LS'l‘ H. J. BALLOU A characteristic minstrel “ end " song. “A. River Dream.” Sonar or So . or Tenor. F. th rade, D to G , .5 4 3 One of this popular author's best vocal compositions. Artistic and tasteful throughout. "Dream of Mine.” Songfor /V/ezzo-Soprano or Brzrilone. C. 4th grade, C to F) . l‘. LA VILLA. A good song, both as to words and melody, and enhanced by a tasteful and well-written accompaniment. “Pretty Girl Milking Her Cow.” (A flat, 3d grade, C to F ) A captivating favorite. New edition, with a beautiful Picture Title. “Mﬂkmaitl’s Song.” _(G. 3d grade, B to G) . . C. HIENSHAW DANA Tennysonps pretty verses In an appropriate setting. A good “ encore ” song for soprano. Handsome Litho- graphic Title Page. “Come Unto I-Iim.” Sac7'alSo7zg. (E flat, 3d grade, D to G) . . L. O. EMERSON A sweet and appropriate setting of the lines beginning, “ Come unto Him and He will give you rest." Ex- cellent for soprano or mezzo—soprano. GORING-T1-IoMAs . . u . C. H. DITSON & CO., 867 BROADWAY, New YORK. “Creole Love Song." for So/Wano or Tenor. (I). 4th grade, B to A) EDGAR B. Sm‘ H A spirited and effective song, somewhat in the “ bolero " style, with a rythmic and showy accom "‘lll‘tCn". Recommended to lover s of good songs. “ Fair Starry Eyes." .S‘ongfor Soprano or Tenor. (G ﬁat, 4th grade, D to (J) ful Very showy and clTectivi:: well written and taste . l~IIic:AR 13. S.\Ii'I'II -91- INSTRUIKENTHL-to “Chant tin. Soir." (E1/cnzﬁrg ."o77g.) (D. 5th grade) A pretty melody, varied, and affording ample display for either hand. “Danse Pompeuse.” (C. 5th grade) . . . /\R'I'HUR W. l\lAR<:iiAN'r A pleasiiig example of the old style of dance music, partaking somewhat of the gavotte movement. A good piece for the pupil. “Meditation.” (A ﬁat. 5th grade) . . . . . . FRANK H. l’iRA(Tl<l-"l'I‘ A slow movement, affording ample facilities for the practice ofoctaves, chords, and scale passages in trip- lets. Well written and miisicianly in style. “ Cha.tauqna's Rocking Ripples.” Ca-uolte. (G. 5th grade) . In the popular gavotte style. “Nocturne.” (E flat, 5 grade) . . . . . . . ll. MOREY A pretty noctiime, with passages requiring “ crossing” of hands. “The Battle 'Won.” I/l/arr/'12 7 rizmzgﬁ/m/e. (C. 4th grade) A spirited and effective march. Lithograph Title. “ Berceuse.” 015.57. (D ﬂat, 6th grade) . . . . . . F. (‘norm As performed by the famous boy pianist, Otto Hegrier. A Portrait of the child adorns the Title Page. “ Fairy Quickstep.” (C. 2d grade) . . . . . . . MACK Abright and enlivening little quicltstep. Fingered. Litliog - ph Title. “ Governor B1-ackett’s March." (F. 3d grade) . . . J. THOMAS BALI)wIN As performed by Baldwin's Boston Cadet Band. Portrait of Gov. lirackett on Titlt: Page. “Elks Quatlrilles.” (V. K. 4th grade) . . THEO. BENDIX A good set of quadrilles. “The Old Soldier.” (C. 3d grade) . . . Ou. of an admirable set of easy pieces, ﬁngered for pupils’ use. " Spring Flower Mazurka.” (C. Ist grade) . . . . A little gem for little players. Fiiigered for pupils’ use. Pretty Lithograph Title. “Happy Thoughts Polka.” (G. Isl. grade) . . JUl.I<‘.S l::.AssINI l~Z;:..\‘i'0N JONES l:‘.I)uAI<n HoI.s'r MAX FRITZE. . E. MACK l“. MAFK A Sp’i“lg:lll1V;, pleasing little polka, that will please young players. ‘Correctly ﬁngered.'Attractive, lllustraied It e age. __ “The Ball.” (Le Bal.) H7121/z. Op. ‘:0. (F. 3d grade) A very pretty, sprightly, and melodious waltz, by a well-known composer. “ Kittie’s Waltz.” (G. 1st grade) . . . . . . . . E. MACK A graceful, sweet, and simple little waltz, that every child will like to play. Fingered for teaching. Attrac- tive Picture Title. “ Graceful Schottischef (C. 2d grade) . . . . . . . One of the most pleasing of very easy pieces. Fingered for the learner. Lithograph Title. “Old Sentinel March.” (B ﬂat, 3d grade) . R. M. STULTS A spirited and enlivening march. Lithograph Title. “ Cotton Field Dance.” (F. 5th grade) . . . Peciiliarly characteristic and catchy. Beautiful Colored Title Page. “ Merriment.” False. (C. 3d grade) . . . A charming, easy waltz, suitable for pupils’ use, “Ricordanza." ./\*'o:tu7‘71e ll/e/orﬁqz/e. (F. §th gxradc) . . . G. LUDOW: E. MACK . . . . Joint FRANCIS GILDER G. BACHMANN _ . . . H. B. PIITNAM A pretty melody, with “ variations,” aﬁording opportunity for practice in execution. The melody lies al- ternately in treble and bass clefs. “Claudian Waltzes.” (V. K. 4th grade) . Ari attractive set of Waltzes. “Bertha Mazurka.” (C. 5th grade) . . . Brilliant and showy. “The Psha’s Favorite Schottische." (B Fat, 4th grade) . . HARRY L. HARTS “ Schottische" movements are quite fashionable at present, and this pretty one will he sure to please. “Chiming Bells Sehottische.” (19. 3d grade) . . T. H. RoI.I.INsoN One of the prettiest of its kind, by a popular composer. " On the Village Green Schottisclze.” (G. 3d grade) . . . T. H. RoLL1Nso;I A pretty and well accented movement in this popular daiice style, “Centennial Jubilee.” Cram//liar:/'2. (C. 4th grade) . . , A. L. SAMSON A bold and majestic march movement. Plenty of chords and octaves. “Nearer, My God, to Thee." 7' room-2'/2/z'o';z. (A flat, 5th grade) . . M. ELMER Transcription of the \vell—knowu hymn tune. “Little Star.” ]’o//so /\’ez/07:/rt. (F. Ist grade) . . . , , _ One of this author's prettiest little picccs, “ ﬁngered " for pupils’ use. Very pretty Picture Title “ Old Folks at Home.’ I'm'7'o/four. (E ﬂat, 4th grade) Brilliant variation of the ever popular air. Not difficult. “The Ball.” /1’//Ze ]7(Im'ef0r /"our I/zr/zdx. (F. 3d grade) . A pretty piece for two young players. Try It. “Mill in the Forest.” /ojr//e, (‘/>.52. (G. 4th grade) . . R. EILENBERG Lively, showy, melodious, and pleasing. Just the piece for a young pupil. “The Passing of the Guard.” (‘/>. 7: . (D. 4th grade) . . R. EILENBERG Characteristic march, made popular by bands and orclicstras. Very pleasing. “Al Fresco." (G. 4th grade) . . . . . . One of the latest a-nd best compositions for piano. Spirited and elodious. “Benton do Rose.” /I/nrmm o/e Sn/on. (A ﬂat, 5th grade) . VICTOR DELACOUR A composition that will surely please all players. It is artistic and miisicianly. “Santiago.” Va/re Es/zagwo/e. (G and E. 4th grade) . . . . . A. CORBIN A very popular waltz: the movement is characteristically Spanish, and immensely pleasing. Played by orchestras everywhere. Try this piano arrangement. “Father Victory.” (Pore lo Vin‘o7're.) /l/an‘/2. (C. 4th grade) LEOPOLD KESSLER One of the late popular successes; performed by GilmoI‘e's band. This pianoforte arrangement of it is ex- cllent. HARRY L. llARTS . J. H. NIOREY E. MACK J. ALBERT SNow BI<IG<;s BRADSHAW L. ZAVERTAL “ Sweet Sixteen.” (C. 2d grade) . . . . . . Another gem from the choice’ “ Musical Portrait" Set of easy pieces, ﬁngered “ Fairy Wedding March.” (G. 2d grade) . . . . . A favorite teaching piece, and the admiration of little learners. Handsome Title Page. “ Pet Redowa.” (G. 2d grade) . . . . . . MACK Sure to please little players. Has correct ﬁngering. Picture Title. “ Sounds at Day-dawn.” Id}//o. (F. 5th grade) . . A showy and entertaining composition, by a popular author. Lith. Title. “ Sunrise Schottische.” (D. 3d grade) . . . . MAX FRITZE E. MACK W. F. SUDDS N. SII«:I>l.r~: OLIVER DITSON COMPANY, BOSTON. A favorite schottische. New edition, with handsome Lithograph Title'Page. J. E. DITSON & C‘()., 1228 CHESTNUT S-r., PHILA. LYON & HEALY, CHICAGO. \
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Date: n.d.
Text: IIUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE, ugw yopx EAPEHANIHHEHIIWERS $@1a@ Words by LONGFELLOW E°7lT9usic bi OLORES. 50 Copyright. ——>‘fT\'<‘> PI"iC€ London: E.DoNAaowsK1, 26, Castle Stheet,Benners SI:neel:,W. THE REAPER V AND‘ THE FLOWERS. THE POETRY BY LONGFELLOW. THE MUSIC BY DOLORES. There is a reaper, whose name 'i.~Dc-ath. And, with his sic _k]e keen, _ The Reaym-9 nnl the flowtpg. reaps the beard _ed grain in a breath,AndAthe f]ov;’1"sthat-growbejween; ...
Show moreIIUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE, ugw yopx EAPEHANIHHEHIIWERS $@1a@ Words by LONGFELLOW E°7lT9usic bi OLORES. 50 Copyright. ——>‘fT\'<‘> PI"iC€ London: E.DoNAaowsK1, 26, Castle Stheet,Benners SI:neel:,W. THE REAPER V AND‘ THE FLOWERS. THE POETRY BY LONGFELLOW. THE MUSIC BY DOLORES. There is a reaper, whose name 'i.~Dc-ath. And, with his sic _k]e keen, _ The Reaym-9 nnl the flowtpg. reaps the beard _ed grain in a breath,AndAthe f]ov;’1"sthat-growbejween; “Shall I , Z I havenaught that is fair.>”said he; Have naught hutthebeared grain? Tho’ the . . 8‘._,______ breath of these l0W’rs is sweet to me, I will them all k a _ _gain. Th0’the breath of theseflnw’rsis sweet to me,Iw1'l] givethem all back a_gain. /3—~ » Culla voce The RPEPCT and the fhvxvv-1-S . He gaz‘d-at the flowers wlth tearful eyes, He Idss’d their drobping leaves; It was HMFY ‘ for theL0rd of Pa- _ _.1'a_dise, He bound them in his sheaves: Lord hath need of those flow- rets gay," The reaper said, and sinifd 7‘ "Dear The Rowen‘ ram} 11% flower;-. tokens of the earth are they,Wh€-re ewas ‘ a child. Dear tokens of the 71* earth arethe-y,Where he was once a child. /* They shall all bloom in fields of ]ight,Trans-p]an..ted by my care, \sa1'nts,upon their ganmentswhite, These sa_cred b]0s_soms wear-. Andthe Tb A R n‘yw1_ 1‘~ ‘ 1‘-w«r~.<-. mo- _ther gave in tears and pain, The flov/rsshemost did love; She knew she would them all a_g‘ain.Inthe wlds of light a_ _b0\'e. Fnewshe would fi them all a- , In the fields of light a- .b0~.'e./ Th‘.- R«:~xmr an-‘ fhnr Huwnx. NEW AND POPULAR SONGS. SHEPHERD MUSIC. 0 to B‘. Music by GEORGE F.V|NGENT. 7]- Words by CLAXSUN BELLAMY. Alle re A ,s_hepherd {E _A.r_ca‘dian.mead,His oat- pipeiis play- , LORDS AND LADIES. Q to EI9_ Music by wmdsby GEORGE FVINCENT CLAXSON BELLAMY. State Brightly gleam a thousand ta_pers,Onthe brown oak pane1l’d BLOW on THOU GENTLE BREEZE. D to p_ Music by FREDERIC SCARSBROOK. M Words by VIVIAN GRAHNME . Andante. Blow Thy breath so soft and sweet on thou gentle breeze, SPRINC HAS COME WITH SUNSHINE BRIGHT. Words by F to G . Music by VIVIAN GRAHAME. FREDERIC SCARSBRUOK. All retto Giojoso. > Spring has come with sun shine bright, F‘ra_grant 0 _ dours marcato. I STOOD ON THEBRIDICE. B to E . Music by FREDERIC SCARSBRUOK. -M; Words by LU NC FELLOW . Andante I stood on bridge at n1idnigI1t,Asthe clockswere striking the STAR THAT SHINEST IN THE TWILICHh;[T._ b Words by D I’° 9“ FREDERICHSSEIEIRKBRUOK. VIVIAN CRAHAME. Allegretto con Espressione. ‘ ‘St-ar that shi.nest in the twilight, At the ending of the day, yzgf V THE LILY BELL. B.S.‘IIA?fI\‘dTSGBNERY. C3” F‘ Allegro ma 11011 Music by FRANZ AB,T , I fainwould be _1y bc11_ _ _ . _ N COLDEN CFIAI N . C to E. Musicb‘ Words by’ V y H. A. MU'SCfAT. ROBERT I3/U«'E'ER, Moder to. With a slow, sad step I wander’d_ On a fair and sunuyrnorn V THE SONG OF THE NICHTINCALE. Words by C to F_ Music by w.S.PASSMORE ESQ. .M.LARDELL|. An 0 . < Hark! what en_chant; ing mu _ _ sic Wakes up the startled night \ ‘ . . \ THE CH|LD’S PRAYER. Wordsby permission fromthe D to D. DETROIT FREE PRESS. An ante. Musicby WILLIAM BETTRIDCE. She lmeltwitli her sweet hands fold- ed,Her fair lit_tle head bowed THE WO0D—B|RD’S SONG. D to F. Musicby Words by BENNETT GILBERT. FRANCES CHAMBRE STEEL. Alleg Heardl thy sweet Ear- ly pret_ty ma _ vis, DREAMINC OF HOME. ID to D. Music by Words by W.F.TAYLIJR. WALTER EGEIRTDN. Allegretto uasi Andante. Far far a _ way. . . . I sit and dream a- lone, LO‘1”1»dO1"1:E.l:)ON15XJOVVSI/(I,
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Date: 1914
Text: uusnc unnnnv VASSAR COLLEGE POUGHKEEPSIE, new vonu N?2iNED Ships that pass in the Night 5536 LoNG1=«jE:LLow I The music by T.W1LKINSON STEPHENSON. PRICE BO CENTSINET) BOOSEY 8; @. New YORK - TORONTO - LONDON.(’ENc..) . 9 EAST I711‘ ST. RYRIE BLDG.,YQNGE ST. 295 REGENT ST..W. THI-S SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION , HOWEVERV IS STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoostve. co THREE “HOM” SONGS h1That Should Be In Every Home No...
Show moreuusnc unnnnv VASSAR COLLEGE POUGHKEEPSIE, new vonu N?2iNED Ships that pass in the Night 5536 LoNG1=«jE:LLow I The music by T.W1LKINSON STEPHENSON. PRICE BO CENTSINET) BOOSEY 8; @. New YORK - TORONTO - LONDON.(’ENc..) . 9 EAST I711‘ ST. RYRIE BLDG.,YQNGE ST. 295 REGENT ST..W. THI-S SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION , HOWEVERV IS STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoostve. co THREE “HOM” SONGS h1That Should Be In Every Home No.3 in D3» _ _ ThcI'e_ aland I love, Far,far a-way mhere, Eiverltsvolqg 1s call - mg, _'v,I:en-derand c1ea.1-.‘._.. No.4inE'1a Joy in ‘heart a— wakes,» Heal-ingthatsong so true, » Float o’erthe breeZ_6'f1'0m H0I.I1€—y8W€3t f-\ C3111118‘m3b8°kt~° Y0 ' A Copyright MCMXVI by Boosey&Go. Price 30 cemS,(Ket Gash) MEJILIDY cw Lama: Words by.FRED-G-B0WLES- usic by T. WILKINSON STEPHENSON. h There's a patch of white heather a. - glpw on the C1iff,.And I See througha rain of For we .1iv’d we‘-1.osz:5(A"ij1’ the days 6. - W’ _ - gone,‘-l‘ha¢ have tra.vel1’d. fu11- soon to‘ years__. 0, ’1't’s un-derh ‘stars hi s . ci- ty stand, I hear Wher-.ev- er calla vac? ‘ Copyright MCMXV by Boosey & Co. ‘ No.1i3Dl» _ ﬂedz'cat_ed._to _my'frz'eml Ivor Foster Moderafo n. ‘ sottavace that o1d—fa.shion—edrhouse in that old fashi:5nedstreetDwe11a dear/ljt&tle,o fashioned . .._. , I can See their two fa-ces,'so 12_ , « \:/' f\ ten-der and sweet,And I love ev-,’ry wrin-kle thats . I m2hgf&7 "VIE./JZz¢;,,, f love ev—’1‘y mouse that old house In the Copyright by Boosey & Co. I SHIPS THAT PASS IN THE NIGHT. -\r\/xrs/\/u/~/\/\/\ SHIPS that pass in the night, and speak each other in passing. Only a signal shown ad a distant‘ voice in the darkness; So on the ocean of life we pause and speak one another, Only a look and 2 '-:T:»iv.:e=, then ciarkness again and a silence LONGFELLOW. SHIPS THAT PASS IN THE NIGHT. Words by T Music by 'L0NGFELL0W- T. WILKINSON STEPHENSON From “Tales of a. Wayside Inn.” Slowly and with feeling. /K/———-:‘+—~T f 29 ships; that pass in the speak; each oth-er in pass - ing, _ « “sits »’6’op3/Mg/ct,A{0z1{XIV by Baosey c6 00. sig — nal shown dis -tant voice dark - ness; and speak one ,;_—7.:n>:_=5e».r._a; A. ._ dark - ness Ev: [ (4 i 9% $ VT’ dark - ness OTHER RECENT SUCCESSFUL SONGS . BY EMINENT COMPOSERS T W'o1-ds by—'l‘ENNYSON‘. Mow No.47"nG$ . Sung by Mr. John M§Cormack. Music by ROGER QUILTER with em is. ' ' — Now Sleeps the crimson petal,now the W]: ; Nor wax;es the ss in the palace walk t 8 gold ﬁn 1’ J t.heporph’ry font‘ 'waken thou with me. sweetness f A Copyright, MCMIV by Boosey & Cor No.1 in C‘ T No.2 in D No.3 in E Word’: by V D I J x V A . S S Music by . MARJORIE PLCKTHALL ' — v — » JOSEPHINE Me Gun, Con moto about (84. : I” was a 1it—,t-1e1a.dW'1thfol-ly on“my ]ips,._ Fainwas ‘I’ All the seas no_w across 1’ southe1'n'{=we11, Every dawn I - hear- The l‘it~t1e streams of Du-na run-ning clear, No.1inU ‘No.2 inE|v ' T0 111). _ > I _ No.3 in 1» S S §¥%oW’IV1EN_ THE DEW IS FALLING. Words b3'I;1;N2”1:Il2%;§Q,1;Wt0 empWSsZ,w\}Vr1tten for and by Mom M9 C01-mack, , Music by EDWIN SCHNEIDyI(§h». VVhen the dew is all— I have heard a call- ae - rial sweet voices O’er thelow green hill; And when thenoon is - mg I have heardd. ab‘ .2’ e dam —_;—.__~._ a soslenu to cTy- in‘g VVh6‘r31l_1€} brown burn thr0’the hollows green and still. G And 0 sorrowupon me The gray grief f p» Copyright MCMXV by Boosey& Co. BTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS AS Y(@I@EASSj my /vFRED.E.WEATHERLY. KENNEDY RUSSELL Svnoot/zlg/,sim12lg/andwitlzgreat expression > > > >.:ff a_,f,.gt_ Kne¢1down,knee1down,my dearest, And kissthewaving grass, It is myheart. haswaited To hear-you as you pass; KT19e1d0W11:ifY°11 1'9 ' f ajfret. >—- 1"""‘l— PPV . .. 12 - her, And leave a kiss for me, For all the love of long a-go, For all you used to be! _._._.? Kneel down, you re -_ Copyright MCMXVIII by I y&Co. , - No.2 mm, V . ‘ _ 1\Io.3in F 'No.4inG7 D D ? \ J .. j $ S :§‘**~E;m_n "Music.by E.TI‘i.*‘UIIEMACHER- *1 4 J » . : WILFRID SANDERSON. ‘ 0 rose-,b1oom ev - er in... my lone-13" . O , shine stead-fast with ydurlight di -, vine, Ring on, 0. mm-cato > \/ ten. ' stung, yourmel-o -git of‘ joy, Life crownedxt 1a.st,_.__._. And love, and love is L. ‘ ' " Copyright MCMX by . _ 05:35. , at-, K K SEMEAIH ME; MQM LQMBJABDY’ NO_21'n Eb‘ \V01'ds by EDWARD LOCKTON. Music by HAROLD CRAXTON - —i_ :. Moderate I N0.3inG , Love are youwaitin in Lom-bar -_ dy, Wait-ingfor me o’er the cru— e1 sea, Dear, in this land so far n-der the stars for yoxL__ I" pray!“ Oh! might I passthroughthe night Come with a I’ I ’."vpy)-ight .VfCMXVIH"b‘ynBoos;y_&Co. as"-Under the Stars”.
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Date: 1897
Text: UUSIC LIUHRRY \I".Q¢‘-."" "“' v ‘-9: SUNG BY ME WATKIN MILLS. N92 IN CMINOR %i N‘?! INB MINOR \V/ / -—'>> \<*‘ THEWINDMILL . 44 A K‘) , U A K, x A mm M G? J | 'z- ' ln;mM um mu '1‘ L. ‘ ‘ , ‘D \., * J 2 /1‘ /J \- \ / r ‘d ‘§\*» 5 u T 1) L’) 9 N K) WORDS BY %@NG13@ELL@w MUSIC BY -PRICE 4:/; CHAPPELL 8cC<? LTP 50.NEw BOND STREET, LONDON,W. AGE NTS:_N EW YORK; BOOSEY 8cC.° Eup_yr-ighf MDCCCXCVH. b_y E'.happr-_-||XcE‘.‘ MAY BE SUNG...
Show moreUUSIC LIUHRRY \I".Q¢‘-."" "“' v ‘-9: SUNG BY ME WATKIN MILLS. N92 IN CMINOR %i N‘?! INB MINOR \V/ / -—'>> \<*‘ THEWINDMILL . 44 A K‘) , U A K, x A mm M G? J | 'z- ' ln;mM um mu '1‘ L. ‘ ‘ , ‘D \., * J 2 /1‘ /J \- \ / r ‘d ‘§\*» 5 u T 1) L’) 9 N K) WORDS BY %@NG13@ELL@w MUSIC BY -PRICE 4:/; CHAPPELL 8cC<? LTP 50.NEw BOND STREET, LONDON,W. AGE NTS:_N EW YORK; BOOSEY 8cC.° Eup_yr-ighf MDCCCXCVH. b_y E'.happr-_-||XcE‘.‘ MAY BE SUNG WITHOUT FEE. ORVLICENSE. fmlf .- 7 ’ To C. T. Johnson. The Windmill. Song. Words by Music by LONGFELLOW. HERBERT H. NELSON. Vivace . Be- COPYRIGHT, MDCCCXCVII, BY C‘-HAFPELL & C‘? -101“: here in my t0w’r, With my gra.nite jaws I de - Vour 2 -maizeyandthewheat, and the rye,And grind them in - to flour. > O f > >77?" " lento. [Sift lento. look down ov - er the farms; In the fields of grainl ..... .. The har.vest that is to be, fling to the air my arms, For Iknow it is all for Far off, fromthethresh- ing floors doors, with their sails, ........... .. the wind, the wind,in my sails ..................... .. <1 :>—~$f# cresc: 20376. ' me. I hear the sound of In barns, Withtheir 0 - pen rioso. And the wind, the wind, in my .19" Loud .. er and 10ud-er roars. ‘ f Tempo Primo. stand, I stand here in my place, here in my place! mf VWith my foot on the rock be - low, And which-e - ver way it may meet it .... .. face to face,As a brave man meets hxs foe. V 10 15112 lento. And while We Wrestle and strive , My mas —ter, the mil — ler, stands And feeds me with his hands, and feeds me For he knows who makes him thrive,Wh0 makes him I jqa a temfo. On Sun—days I take my rest; e” ]m a tem}$0. Church go-ing bells be - gin Their low me-lo—di0us din, ....... .. their me - di m .- - lo - dious din; cross my arms on my breast,Andall is peace with- - in, and all is peace with - in. /5 risvegliato. f Tempo Primo. Be — hold! be —~ hold! A > '/17’ Tempo Primo. A - loft here in my t0w’r, f gra—nite jaws I de — vour, With my gra - nite jaws I — vour f'\ maize,andthe wheatandthe rye,Andgrindthem’ in - to f10l;.I‘. Be - hold! be- G C\ F5 gi — ant V am I! r:-«, O of 20376.
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Date: 1900
Text: VASfSA:"Z C-QLL-ZGE MUSIC LIBRARY‘ Clflp Cﬁebeemet C-jfaacretv ﬁofo, from Che Waoféénﬁegcnb. . 1" % 222 6 ll by ﬁmgfeﬁfom. I (mu:-ic lag Eubfeg ‘lﬁuck. V ...$c>m Voice. ’b;i ﬁvbice F,Xo§5vnC¥1wrcF1. fimwyxxqye «-——-—-«--=-- ' {,’lm(.am;LIu, ‘f'fMi‘ﬁW- W '1/aw; W'ra‘!< ,1?/\{€"§i9» ,fuvni)g;rn.« - "% G. SCH IRMER, 35 UNION SQUARE, NEW YORK. Ck. w N , \ My Redeemer and my Lord. From the“G01den Legend’; Scene V. E1sie’s Chamber. Night. Elsie praying....
Show moreVASfSA:"Z C-QLL-ZGE MUSIC LIBRARY‘ Clflp Cﬁebeemet C-jfaacretv ﬁofo, from Che Waoféénﬁegcnb. . 1" % 222 6 ll by ﬁmgfeﬁfom. I (mu:-ic lag Eubfeg ‘lﬁuck. V ...$c>m Voice. ’b;i ﬁvbice F,Xo§5vnC¥1wrcF1. fimwyxxqye «-——-—-«--=-- ' {,’lm(.am;LIu, ‘f'fMi‘ﬁW- W '1/aw; W'ra‘!< ,1?/\{€"§i9» ,fuvni)g;rn.« - "% G. SCH IRMER, 35 UNION SQUARE, NEW YORK. Ck. w N , \ My Redeemer and my Lord. From the“G01den Legend’; Scene V. E1sie’s Chamber. Night. Elsie praying. (Law Voice.) Poem by H.W. LONGFELLOW. Music by ‘DUDLEY BUCK. Andante espressivo . Sempre c072 Pea/’. 012'//2. : TWM r'~w>. ~w Copyright MDCCCC by The John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MDCCCC by The John Church Company in the Department of Agriculture. my Re — deem — — er ,an.d‘ nfy Smaa’ I25. I be — seech Thee, I en - treat me in each act and word, T j That here — aft . that here — aft - _ er I may meet Thee, ./‘\ Watch - ing, wait - ing, Ad - ing,with my lamp well - trimm’d', We11_trimm’d and burn _ PP >' P calla woe. pf " mosso. In _ter —‘ ced — _ ing with these bleed — ingwounds, these " mosso. I’ Z” T bleed - ingwounds up-on Thy hands and side, V For all who havellived and — ‘ F - ‘ed, Thouhhvast suf — fer’d,Thou hast died, Thou hast yaw accel. fer’d~, Thou hast died. Scourged, and mocked, and 77000 ml!‘ molto M2‘. L2 . ' _ ci_fied, __ And in the grave has.t.Thou been bur- iedl Tempo I. mezza 22006. If my fee _ ble prayer can reach Thee, .9677),/are 2‘rmzgm'!/0. ﬂ?-€Ill}07'8 pm’. F /’*_',:d’»"§__:”“‘$ I . be _ seech Thee, I be _ seech /‘\ (/7'6-5’6'. _g L E - ven as Thou hastdied for me, More sin — Qere - ly, Let me fol - L > _ lowwhere ou ead - est, b1eed-ing as Thou if dy-ing I may give &/ L And more near _ dy_ ing thusj_.__ re-sem-b1e Thee! more near _ 1y, more near - 1y, Ts - ingthus re-sem - ble Thee, re - sem _ ble Thee!
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Date: 1908
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new vonx SUNG BY MADAME CLARA BUTT AND M‘? KENNERLEY RuMFoRD_ L T \ ,...7.<..... u ME m QJNIE <0 (a C <2) 9 G) <9@y§mmEwQ§§9 N92 HIGH. /‘ wifh Drgan auunmpanimant ad lib.) E (C) (0) W0 P\D 5 BY LONGFELLOW ®.@\ CC) ‘ @ MUSIC 5)/ HERMANN LC§HR “WP RIC E (60 ¢>~————«~ CHAPPE LL &C<_> LTD- 37; WEST SEVENTEENTH STREET. NEW YOR K. LONDON. MELBOURNE. THIS DUET MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSIC...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new vonx SUNG BY MADAME CLARA BUTT AND M‘? KENNERLEY RuMFoRD_ L T \ ,...7.<..... u ME m QJNIE <0 (a C <2) 9 G) <9@y§mmEwQ§§9 N92 HIGH. /‘ wifh Drgan auunmpanimant ad lib.) E (C) (0) W0 P\D 5 BY LONGFELLOW ®.@\ CC) ‘ @ MUSIC 5)/ HERMANN LC§HR “WP RIC E (60 ¢>~————«~ CHAPPE LL &C<_> LTD- 37; WEST SEVENTEENTH STREET. NEW YOR K. LONDON. MELBOURNE. THIS DUET MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSIC HALLS. THE RIGHT OF PUBLIC REPRESENTATION OR PERFORMANCE UPON OR BY MEANS OF ANY MECHANICAL INSTRUMENT IS STRICTLY RESERVED. EE1p_yr'ighf_ MCMVHI, by EhappEI|3cE':I Lfd. THE DAY IS DONE. Duet. Words by Music by LONGFELLOVV. HERMANN LCEHR. Andante sostenuto. lst VOICE . 2nd VOICE. mil. ;*7znZ:‘r2 The day is done, .._.__ and the dark ~ mess Falls A 1) calla woe. Copyright, MCMVIIL, jay Chappell & C9 Ltd. from the Wings of Night, |~ ' waft - ed d0Wn—ward From an Come, read to > > mf> >210 . {T em, Some sim-ple and heart— felt dim. That shall soothe this rest —1ess cresc dim- That shall soothe.__. this rest- less ban - 1sh the thoughts of day. 10 ﬁt. ban - ish the thoughts of day. Pose yiil mossoo have power ' _ less pulse of > have power ' less pulse of / like the ben —_e - dic — tion mll. like the ben- e - dic - tion 4“ _ prayer. — lows af prayer._ read from the trea-sured alem - vo — 1ume_.. allargando lend to alla ando M of the choice,__ And lend to of the > > allargando > f > Poco meno mosso. The beau — ty__ of voice. [T Maestoso. > > night > night cares that > > cares that > >/T filled... >/T filled __ > in — fest___ > >/——~\ > Meno mosso. Shall fold__ their tents... Shall fold __ their tents si — 1ent- ly steal si — lent—1y steal Maestoso molto. >_ > > > >/“S And e night shall be filled__ with mu - si<$,__' _. > > > >/"\ . > And the night shall be filled__ with mu — sic,.___ 3 3 3 3 If that in — fest > >>/——g. in — fest 3 K3 their tents, like _ the A - rabs, And as '3 12 their tents, the A - rabs, And as f.\ si - lent —, ly si — 1ent— ly ’ steal sempre dim. si — lent - 1y sempre dim. si - lent- ly ﬂ jzoco accel. perdemlosi Z____T 1: erdendosi Cha.ppe11& Co.’s Ballad Concert Successes The Compass of the ﬁrst Key only is given; from this the Compass of the other Keys can be easily found. IIAUDE VALERIE wnrri-:. Unexpected Joy. BU & Eh. . . . VVhen songs have passed away. C Three Little Songs (Low, Medium, and High): 1. When the Swallows . . .. 2. A Memory 3. Let us Forget Did one but know. D & F . . . . Marching along. G & A . . . . Tl1eOldGrayFox. F&G.. .. So we’ll go no more a~roving. C, Db,&E .. .. .. .. The Spring has come. C, D, & El7. . The Bonnv Curl, E . . .. .. TERESA DEL RIEGO. The Ring. Di), ED, & F .. .. The Two Kisses. A & C The Green Hills of Ireland. mi., & mi. . . . . Three Little People. Db & El? .. While the cotton-ﬂowers bloom. In Ab,Bl7,&C .. .. . A Coon Lullaby. ED, F, & G Brown Eyes. B7, C. St D "IThe Bell. El) 8: F .. Thou little tender ﬂower. C, D, 8: ED C, D, & F .. D mi., §Life’s Recompense. Where love has been. ED & F Happy Song. D, ED, 8: F .. .. Rest thee, sad heart. E‘), F, & . La Vie est Value (A Song of Life). D My Gentle Child. Ab & Bb.. Love is a Bird. . . . . . . ‘l‘IO dry those tears. E. F, _G, & A3. Slave Song. nii., E mi., F ini.. mi. . .. FRANCO LEONI. _\Iy Shadow. E, F, & G .. .. Princess of the sunny smile. E mi. & G mi. . . . . . . .. Leaves on the River. A & C . . Autumn Love. B17 & C . . .. Little Barefoot. C & D . . . . \.‘Vhen he comes home. D & E . Coolan Dhu. D mi., E nii., & F mi. The Birth of Mom. E7, F, 81 G .. In Sympathy. C, D, 8: E .. .. Golden Lilies. B7. C, & D .. A Spring Song. D, F, & G .. . H. WALFORD DAVIES. llame. B'7,C,&D .. .. .. G. H. CLUTSAM. Sweet, be not proud. F & A0 A Cradle Song. D iiii., E nii., S: G . A F..‘.?‘s;,;... A, B7 :: ;: Vanity Fair. F ini., G mi., & A ml. NOEL JOHNSON. An Offering. E? S: G . . Purple Pansies. DD, El), 8: F God's Eternity. D. E. & G .. .. Good-Night, Pretty Stars. G & Bo Two Songs (First Set), _ (Low, Medium, & High): X. The Rose. . . . .. . 2. The River and the Sea . . HERBERT OLIVER. Go to sleep, curly head. Ell BOTHWELL THOMSON. Love-lily. ED, F, & AD ,. . () wayward love ofmine. EU EDSTACE PETT. The Benedict's Lament. D .. GHARLES BRAUN The Golden Broom. ED . . The Little Brown Bee. F . REGINALD SOMERVILLE Spring and Love. . . E. II. MARGETSON. A Song ofAndalusizi. D mi. PHILIP H. WILLIAMS. Day and Night. F, G, & Al? .. CHAS. A. TREW. How I love thee. E, F, & G JEAN DUMAYNE. *For Love s dear sake. AD & Bl) HAROLD GREGORY (arranged by). When I was a bachelor. (Low & High).. FRANK LAMBERT. The Bud’s on the Briar. ’ Of all Septembers. C, D, & Bid you good-morrow. Look down, dear eyes. My Lady June. C, D, & F. . Caressante (Valse Chaiitée). F . }God’s Garden. F, A0, & 111.. .. She is far from the land. G, Al7, & C }Speak but one word. l7 & F .. SERIES or SHORT SONGS: . "I‘isNighL. &F .. . . Love in Absence. _ F & G . . . A Barque at Midnight. E7, F, .4 N w The Niglit hasna Tliioiusandi Because my Heart—\Vound. G mi. & B) mi. .. . See, love, I bring thee flowers. D0 & F .. .. . 9. A Lament. D5781 F . 0. Come close, Beloved. .°°T‘.°“{‘ 1* ‘EV, F, Forethougilit. G 0 let me weep. F, A17, & B9.. Dearest, when I am dead. ED, II- 12. 13. F, & AD .. .. .. 14. O heedless ﬂower. F & Al? .. 15. Yesteidays. ED, F, AD .. I6, Whewn love bends low. El), 17. In Iiine. El7, F.,.& * With Violin Accomp. ad lib. COMPASS or man cocoa 885 88888 mwm Udwmm Db to Db{ Ato FE AtoF Bl7toF Al? to E5 B9 to El) C to E lib to Ebé J17 to C{ G to D EU to F to I}? to E‘) ll’) to D C to ED C to El) ED to Al) A toD Ill? to F B0 to F DtoE DtoA CtoD l}toE D: to E?) C7 to F CtoE7 Cto F i57toEb CtoC CtuE0 DtoC GtoB7\‘ C to D3 Ii? to E7 B‘? to E) C to ' C to 1) C to B7 F to B7 Bl) to E? El? to E’) Sunc. nv [ll r. Plnnketl Grttn and Mr. /llarcns Tlzomson illr. Ktnzzzrley Ii’m/z_fora' Mr. Kznnerley Ru/Ifora’ illr. lﬂznvzzrley Rmlzfortl lllr. Ifenntrley Rut);/’ord . . . /I/Ir. C677/HS! Elmer . . lllixs A g mar Alia"/tolls .. . . . . Min‘ Car///cu Hill 1111113. A (la C roxxluy amt’ /1'/1'.r.\' Carmrn /'/1'/l . . . . Ill//22. Aria C1‘l)$_tlz'_’V . .. 1117'. Dalton Balczr . .Mz‘s: [Margaret C ooﬁzr . . . . . . ix: Carmen Hill . . . . Mr. Dalton Baker Mziss llluriel Foster and Mix: Helen Blain Mr. lﬂnnzrley Rnnzforrl and III/Zr: Carmen Hill . . . . Mnze. l\"z‘r/al)y Lwm . . . . Alix: /llurirl Fortn- . . . . ﬂlixs ﬂluriel Foxttr lllr. Kzimzrlty 1i’1m2/orzl . . . Miss lllzlrizl Foster lllme. Al/ct Gomez ill;/ze. A lice Gor/wz . . . . . . ll[z'.r: Carnzzn Hill . . . . . . . . illr. Bzn Danie: . zllr. 1>‘zn Drzr/{ex Iii: Car/urn Hill . 1 in lllarizz Yzllaml . . . . . ..l:/1‘s.s Carmen Hill ill lfelziltrlzy /i’7(//zforzl . . . _ ll/I r. Ben 1)Il’ZllL'S . . . .11.’?-ezlyl/L /illfntl .. . . .1//He. AI//_y S/tzrzoln . . lllme. Eclna T/zornlan .. . .Mr. Ben Dames anil lllr. /£7/an H/[Ilia/Izs .. .. ..llli.r.r Carmen flill . . ll/I/It. A lire Coma’: .. ..ilI1'.t: Car;/it/L Hill .. lllisx Emzela Trnxcott . /Ills‘: /llurlzl Foster . i'l[r.r. lllary Dar/its .11/He. Horlzazxe Prullstu and .l]/‘xx Muriel lroxlttr . .lll/'5: lllargarzt Coo/er . . . . . . . . Mr. Ben Davin Mr. lfemzzrley lfm//farrl and il/Ir. C/tar/er L/‘rte . . . . . .1llz'ss Esta D’/lzjgo . Illzlrs lllnritl Foster .. . . lllme. Alla Crowley . . illr. Charles Co/Slanil . .ll/r. Gregory [last .l|lr. Dalton Baker .. . Mr. Dalton [falter .. . Mix: Man}: Tem_;>t.vl . . Mfrs Carmen [lill . . . iWz'.s‘s Carmen H ' l . .llr. /Vlaurlcz Far/ma . Illirx Mnrizl l*‘o.\‘lt/r . . Mr. Dalton Baker . . . . Illlsx Illaric Te/H/Jest El? to E5 GUY D’HARDELDT. Thy Songs. F, G, & AD _ In the great unknown. A mi., C mi._. ITH. . . . . . . A year ago. F, G, & Ab .. .. A Garden of Love. Db, Db, & El! . . For you alone. l7 & F . . . You,—and love. Dllg. EV. & F Evfr, G, I think. B9, C, VVhen you speak to me. & A7 . . . . . . . . . . Out ofthe Dzirkness. C, D5. ED, & F I hid my love. B7, DD, 8: E7 . . Because. A’), B3, & C . Afterwards, Love. B7, D7, & E’? .. I know a lovely Garden. ED, F, & G The Dawn. DD, El), F, & G A Lesson with the Fan. Di! 8: ED.. A Bunch of Violets. AD 2 . .. The Star and the Flower. D‘mi., Emi.,&Gmi. .. .. .. Two Songs (Low, Medium, & High): 1. The Perfect Flower . . .. 2. The Sun and the Shower FLORENCE AYLWARD. I gave you roses. B17, C, & D , . . O moonlight deep and tender. EV . Martin's Summer. Dnii. & F mi iizreat Lord of Life. ED, F, & G Kin Winter. D .. I . . l\lot er of mighty sons. ll’). C, S: illeloved, it is morn. D, & F ISunrise. Kt A .. .. Song of the Bow. E, F, & G .. TLove”s Coronation. E, F, G, 8; A Not mine to ask. F, D, 8: G .. AMY WOOUFOROE'FINOEN. Sweiet. before the swallows go. 7 ' F . . . . . . ii HOPE TEMPLE. God’s Lily. C, DD, 8; El? A. L. (arranged by). The Lass with the Delicate Air . -n . 2 .. . . .. How deep the slumber of the ﬂoods ( owe) , . . .. ELLEN WRIGHT. Didst thou but know. D‘) & Eb \Vhen I awake. El) & F . . CAROLINE LOWTHIAN. By Celia's Arbour. G . . ALMA GOETZ; One Golden Day. AD .. Oh I bird of Love. D .. .. Mélisande in the VVood. Bl7 mi., C mi ' D mi. .. .. ELLEN COWDELL. Maytime. AD & B7 .. . . .. Life's Garden. 1) 8: F . . .. FRANCES ALLITSEN. }Li{t thy heart. AH . . .. A Lover’s Song. EU .. . . . . DOROTHY FORSTER. Perhaps. D, ED, F, & G .. .. \\’nen lwthinlf on the happy days. 2, ,vo. .. .. Rose in the Bud. I39, C, DD, 8: El) BERNARD ROLT. Take ti rose at full ofdny. E‘ The Fairy on the Top. F .. .. The Dream Town Trniii. C .. Silhouettes <>é]I.lr(:,iidoii: f 1. The ii ren 0 London . . . . 2. The Organ Man .. ’= 3. River Thames. G ._ iv 4. Amethyst,Rose,aiid Pearl. C \ 5. Belle Brocade. . . .. PAUL A. RUBENS. I don't seem to \\'1J.l1[ you when you're with me. .. .. .. FRANK E. TOURS. I beg your pzirdon. G . . A Meeting. D F .. Mother 0’ mine. BD & D . HUBERT BATH. The Bells of Youth. ED, F, & G .. Your Kiss. E9, F, & .. .. My Sweet. AV, B7, & C .. ALBERT FOX. Old Squire Bob. El? & F .. GEORGE AITKEN. Jest her way. 1 Maire, my Girl. .. HARLD LONSDALE. Suinineﬂs in the world. C & E VERE SMITH. The coming of Spring. D 8: F Fairyliind. B0 . . .. . .. Little Crimson Rose. G .. VVADBIHGTON COOKE. Visitors. G & A . . . . . LORD HENRY SOMERSET. Echo. F, G, SPA .. .. . Husli me, U Sorrow. Eb, F & G .. All through the night. C, Eh, & F .1. L. inoL_i.or. The Hum of Bees. BD, C, Eb. & F 'l‘r.inkadillo. A .. . . . . Richard of Taunton Deane. F L. _m-:nzA. Sleighing. A”, BIZ, &‘C Love in the Valley. C, D. , & E The Rose Enchaiited. C, , A May Morning. D, D, F, An Orchard Cradle Song. ILD, TITO MATTEI. Dear Heart. C, D, & E) .. .. Through sunny Spain. E, F, G, & A J. M. CAPEL. Love, could Ionly tell thee. C, D, & F COMPASS or lsr EV C to F AD to i)17§ Al to D? C to E2 DtoD Btol) DtoD } Dto El) Bl7 toG B: to 162 CtoD§ BtoE Ct0F l F.7tol£l7I DtoG E"ZtoE‘Z{ l)toE§ GtoGL GtoA) uteri: CtoF B2 to Elz in to E7 Cl) to F B2 to El C£toD Ctoli A to F Lorraine, Lorraine Lorrée. C Star and Rose. l‘) D + VVith Violin or Violoncello Accomp. ad lib. 3; VVitli Organ or llarmotiium Accomp. all lib. ), 511/ ,CtoD«, SUNG BV . . . Alix: jnlizt Caroli . . lllr. Dalton Baker .111. Victor Maarel . . . .17Ir. Bzn Dar/[es . . . . . Jll. Victor /Wazzrel Mr. Kemzerlzy Rungfortl Ill:/2:. S nzanne A (lam: lllmt. Hortz71se Panlxen . . . . . . Illr. C /mrla: Tree . . . Zllr. Dalton Baker llimz. Hortense Panlren Illme. Hortense Panlsen M7/M. Mellra and lllr. Denlzam Prict . . . .ll{z'ss lllarie Temfest . . Mr. C. Ha_yzle7z~Coﬂin . . . . Mr. Denlumz Price M7/1:. Horlerzse Paulsen and J! r. Kznntrley R In/gforzl ..Mz':x Car/Izzn /‘/z'll . . ﬂlr. Gregory Hast . . . . ..llIr. /ulfen Henry /11 r. Kc/mcrln Rumforzl .. . lllmz. Alice Gomez .. . .. r. en Dazzle: lllr. lfennerley Rm/gforzl .. . lllme. Alla Gomez Ill/Izt. Alice Gomez . . . . lllr. Evan lVillz'an1s . Alix: lllnrizl Foster . lllrs. Htlen Trust . ' ' rley Rm/zforzl /lllzl illr. Grlgory ﬂax! . . . . . . .. .. . .il1r.Sa/ztlly .ll/":5 llluricl Fostlr anzl /llr. C. /[ayzlen—Co[ﬁ71 Mrs. [felon Trust and /l/13.? Ezllz‘/L [fir/cwoozl . ill:/M. Alla Crosxley . . . . . .3115: Carmen I/[ll . lllr. llltlﬂ‘/.763 T/tozmo/z . . . . ..zlI7's: Carmen llill ..llIz'x: lli/armzrzl Coo/rcr ..Mz':x xllzllgarﬂl Coo/Mr . . . . . . lllirs C ar/um 1/ill . . lllfx: lllargaret Cooper . . lllr. [llmrr/cs [Var/ma .. . . . .ll/r. /Jun /,)awe.r ..l1r. 1:’:/L Dar/ids .lllz'.rs Carmen. Ili/l . .ll[lS.Y Carmen //zll . . . . . ./llirx Carmen I/[ll . . . . .. Mr. Cliarlc: Trtz . .illz'r.r lllargarel Coo/or .. illr. Den/mm Prinz J/mt. llorllare Pazllxcn ..lll[s.r ll/a7g>'a2'.et Cooper . .l1ii~s .llar;;'ar:l C 00/37 . . . .'l1r. fox:/2k 0’.lJam _ , , , .111//14'. Alice Gomez . . . . . . Sigvzor [Poll .Mr. lVat/sin lllillx , illr. C. Hayden-Coﬂln . Mr. C. I/aytltn-Coﬂln . . . . . . lllr. Dalton Ba/oer .llr. lfznnerley Ru//l/orzl EDWARD GERMAN. This England of ours. D & EU . . \Vhen maidens go a-maying. F & AD Four Jollv Sailormen. C & D Losge is meant to make us glad. Dl7, O Peaceful England. F . . .. The Yeomen of Eiiglaiid. C & D . . HERMANN LOHR. Garden Songs : x. Pale stars are the roses. Bl? & D 2. Love's Messengers. C & D.. 3. ’Twas a summer garden. El? 4. Golden Dawn. C & ED .. The Soldier’s Song. . . A Song of Surrey. C & D .. Molly. Bl), C, & D .. .. Messmates. A mi. & B mi. . . . . The Little Galway Cloak. BP7, C, 8: D Songs of the Norseland: 1. My ships that went a-sailing. Fﬂmi.&Ami. .. .. . You loved the time of violets Low& % . Love is an Ocean ‘ . Eyes that used to 1 Low, gaze in mine . . Medium . Time was I roved & High the mountains . . Dl7, Eb, & F .. 8; F . . . Youth has a happy High tread . . . . & F ' A ini., A Chain of Roses. Remember me. ‘ I wish I were a tiny bird. In the heather, my lads. BB mi., & C nii. .. . Lanagan's Log. C, D, & b The Little Irish Girl. BD, C, Chorus, Gentlemen. F 8; AD Two Little Irish Songs (Low, Medium, and I. To my first love . . . 2. You’d better ask me .. .. When Jack and I were children.{ D E & F .. .. 9 &DI'. High): LESLIE STUART. The Old Shield. DD . . .. .. On the Road to Tipperary. F, AD, The Banclolero. A‘? & B7 . . S. LIDDLE. My Lute. E’), F, & C? .. .. Christmas Bells. C, D7, E5, 8: F .. W. H. SQUIRE. Lighterman Tom. Eb & F .. The Siesta. G & B? .. .. Love is waiting. C 8; Eb . . Three for Jack. F & G .. The Old Black Mare. D & Eb The Jolly Sailor. D & ED ERNEST NEWTON. Vivandicre. G.. .. The Drum-Major. F & G Tlirougli the forest. (I, D, El). 8: I~ The Magic Month of May. C, D, 81 E Love's Echo. F, G. & A .. Eb, F, & G MONK GOULD. Two Humorous Songs (Low& High) : 1. To the Moon .. .. I_ 2. St. Patrick ti toast! . . l The Curfew 1-337 8; F. . . . .. HERBERT BUNNING. Two Songs (Low, M edium, & High): Friendship and Treason . . .. The Garden ofPassion. A mi. 3; Cmi. HERBERT HUGHES. The Maid ofthe sweet brown Kno\ve. D S: F . . . . . . .. Lorri a . ROBERT GONINGSBY CLARKE. Master and Man. C & E0 .. .. If she but l{li(:\V. l) ini., nii., & G mi. . . . . . . . . .. The Liniict. F & Al7 . . . . .. A Birthday Song. D, F, & G ., A Dedicrition. C, D, & E? .. .. Tiike your lute and sing. B9, C, & D Betty's \Vay. D, Eb, & F .. Miniatures: 1. April, April. . Say not good-bye. I) & F . Yon lilac fair. ' B .. . A Bowl of Roses. BU, D, &E . The Queen of Loveliness. E17 G&Bl7.. . A Dream. TFOIII .I.{aiiib.o.wl:tiid' El? & F . . . . . . . The Night—and You. DD, ED, 81 F . . . . . . . . That is .11. Elz& F .. .. . A Golden Thread. Dl7 & F . . ANDRE MESSAGER. Long ago in Alcala. F & AD HERBERT H. NELSON.‘ The Windmill. B mi. & C mi. .. FREDERICK BEVAN. The on Soldier. A0, B0, & c F. PAOLO TOSTI. My Dreams. B’), C. DD, 8: E’) .. On Lido YVaters. U7. El), & F '”'Beauty's Eyes. C, E_. , & G .. Venetian Song. LU, D9, El), & F .. REGINALD GRDOME. Stars may forget. ED & F . . JACQUES BLUMENTHAL. An Evening Song. E7, F. G, & AD COMPASS or 1sT KEV to A to F G to E }A'7toEb CtoE CtoD SUNG BY . .1llz'ss /fxla D’Ar_;m . Cznnerlry Rnmford . . lllfss ﬂlargarel Cooper . .. Mme. I\’z'rkl1y Lam: Ill . .111 r. lftinnzr lay Iinmforti lllnze. Arla Crorslcy and Mfrs Agnes Nichol/3 .. . . lllr. joxefh 0'Mara . . . . r. Dalton Baker . . . . .1lIr. Dalton Baker 11! r. K tnnzrlty Ii’am/ord Mr. Kciznerlay Ifum/ord . . .. llliss Muriel Faster . . . . . .ll-lr. Dalton Ba/ctr .. .. .. Illisr Louise Dale . . . . . Jllr. Dalton Ba/leer . il/r. Dalton Ba/aer . . Illr. Dm/tam Price . . . . . .il1r. Dalton Bil/€97!‘ C to D 1 1) to D 9 " “ ‘ ,llm1:. Hortense Pan/sen D ['3 D ‘l and Mme. Florence Duly 1,11”. Dznllam Price DD to F . . . . . Jllr. Dalton l)‘al.':r A to D AI7 to 1)) . .. .. .. ... Signor Fali . . . . . . . .Mr. Ben Dazwfzs .. .. .l/me. Atlll Crowley .llr. Ken/zerlzy Rum/a_rri . . . 7'. . . . . .Mr. illr. /(tn/terley Rmnfortl lllr. /{enntrlzy Ii’ zu/2/ord . . Mr. Dmham Price Margaret Coogﬁtr .. r. C/zarlts Tree B to E /1]: Caroline Hatcltard { ill//1 >. Alice Esly and C ‘° F 1 illiss Ptrcmal Allen C to F % lllisx Ruth Vincent, and B5 to E5 . . ll{lSI 11713“: Perteval Allan . illr. lVz'llz'am Gran . . . . ..Mr. Wat/kin Mill: .. M [:3 Margaret C aoﬂtr . . . . . . M r. Dalton Balezr lllixs Caroline Halcltard . Jlliss Carmen Hill Alix: Carmen /{ill lllr. Kenntrley Rum/ord and .il1r. Clzarle: Trtt .. Miss Ezmeta Tmzscatl . .llIi.m‘ Carmen Hill _. __1l71‘s.t Carwzzzn llill . . . . . .llIl.s.i‘ Carmen [fill B9 to E7 . . . .. lllr. C/Larlzs Tree B7 to E? F to Di? B2 to E7 A5’ to D1 A? to El) Ur. Ifzlmerley Ihmrfarzl A to D3 . . . . . ..‘llr. I/Valluin illilih‘ B7 to C . . . . . . . . . Signor Fall D to E17 . . . . . . . . llfr. Ben Dailies lllme. Kir/éliy Lynn . . . .1l[r. Dalton Ba/ctr B5 to E1 . . . . . . illr. Ben I)aw‘c.t FREDERICK CLAY. Ill sing thee songs of Arahy. ED, F,G,&A7 .. .. .. .. . _ . . Mr. Ben Dat/its §VVith Violoncello Accomp. alllio. CHAPPELL & C0., Ltd., 50, NEW BOND STREET, LONDON, W., NEW YORK, and MELBOURNE, Music Publishers and Pianoforte Manufacturers. flemjl A. Lyttanée \_
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Date: 1917
Text: Muuc Lnnnnv VASSAR COLLEGE pouomtm-sot. um vonu SONGS BY Philomel (WILLIAM SHAKSPERE) High voice, in B Medium voiczz, in D‘- The sea hath its pearis {HEINRICH HEINE) Medium voice. in F Low voice. in D%' Ye Voices, that arose {HENRY WADSWORTH LONGFELLOW) High voice, in A7 Low voice, in E I heard the trailing garments of the night (HI?.NP.Y' WADSWORTH LONGFFLLOW) High wnice. in D mm. Low \’(‘\1<‘f', in B min‘ ‘Itnuun The lighthouse (HENRY WADSWORTH LONGFELLOVV) High voice, in...
Show moreMuuc Lnnnnv VASSAR COLLEGE pouomtm-sot. um vonu SONGS BY Philomel (WILLIAM SHAKSPERE) High voice, in B Medium voiczz, in D‘- The sea hath its pearis {HEINRICH HEINE) Medium voice. in F Low voice. in D%' Ye Voices, that arose {HENRY WADSWORTH LONGFELLOW) High voice, in A7 Low voice, in E I heard the trailing garments of the night (HI?.NP.Y' WADSWORTH LONGFFLLOW) High wnice. in D mm. Low \’(‘\1<‘f', in B min‘ ‘Itnuun The lighthouse (HENRY WADSWORTH LONGFELLOVV) High voice, in E9 Low voice. in C BOSTON: OLIVER DITSON COMPANY NEW YORK: CHAS. H. DITSON & CO. CHICAGO: LYON & HEALY I HEARD THE TRAILING GARMENTS OF THE NIGHT (J) HENRY WADSW-‘ORTH LONGFELLOW '0”g?”“’ K‘/‘W Tranquilly (J : 63) V O I C E the trail — ing gar - ments of increase -e-— f‘ %. Zi Copyright MCMXVII by Oliver Ditson Company International Copyright Secured CECIL BURLEIGH Op. 32, No 4 10 5450-72081-3 saw her sa - ble skirts all fringed with T light, .5‘/zgﬁf/g /'efarzl grarlmzlly (Hm. ',__ fringed with ' __ From the ce _ les _ tial Walls! slag/ally refard gradually . — 9 q{»'\______,,/ Feb im-rea.s-e sf felt her pres - ence, by its” increase ()— ‘U3 5—150—72081 -3 2'02’!/2 breadflz #‘#,/f The calm, ma—jes — tic wit/z bread!/2 > dim. and net. pres —- ence F gradually dim. and rel‘. E 9% :'1~150-72081-8 The Musicians Library The masterpieces OF Song and piano literature edited by men of authority BRAHMS, JOHANNES FRANZ, ROBERT GRIEG, EDVARD HANDEL, GEO. F. HANDEL, GEO. F. JENSEN, ADOLF LISZT, FRANZ FORTY SONGS FIFTY SONGS FIFTY SONGS SONGS AND AIRS SONGS AND AIRS FORTY SONGS THIRTY SONGS For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low VOIC¢ For High Voice For Low Voiu For High Voice For Low Voice For High Voicc SONG ‘VOLUMES ' ISSUED Edited by Edited by Edited by Edited by Edited by Edited by Edited by JAMES HUNEKER WM. FOSTER APTHORP HENRY T. FINCK DR. EBENEZER PROUT DR. EBENEZER PROUT WM. FOSTER APTHORP CARL ARMBRUSTER For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice SCHUBERT, FRANZ SCHUMANN, ROBERT STRAUSS, RICHARD TCHA'I'I<OvSI<Y, P. I. WAGNER, RICHARD WAGNER, RICHARD WOLF, HUGO FIFTY MASTERSONCS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS (BEMBBRG TO FRANCK) MODERN FRENCH SONGS (GEORGES TO WI DOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (All Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS SONGS FROM THE OPERAS FIFTY SONGS FIFTY SONGS FORTY SONGS FORTY SONGS LYRICS I LYRICS II fr III FIFTY SONGS Edited by HENRY T. FINCK W. J. HENDERSON JAMES HUNEKER JAMES HUNEKER CARL ARMBRUSTER CARL ARMBRUSTER ERNEST NEWMAN HENRY T. FINCK DR. CHARLES VINCENT PHILIP HALE Edited by Edited by Edited by Edited by For Soprano For Tenor For BIFIIOHK and Bins For High Voice For Low Voice For High Voice For Low Voice For High Voice I‘or Low VOICC For High Voice For Low Voicc Edited by Edited by Edited by Edited by 3‘a“vn?v¢$f;'5&%¢$€a‘vv‘.-%€“:3f.~%»‘;'5n‘;'5f$fz%f.‘%f;%ﬁ VOL 1 Edited by VOL. II Edited by PHILIP HALE 3 For High VOICI For Low Voice For Medium Voice Edited by CECIL SHARP GRANVILLE BANTOCK GRANVILLE BANTOCK HELEN HOPEKIRK JULIEN TIERSOT WM. ARMS FISHER GRANVILLE BANTOCK RUPERT HUGHES H. E.i<REHBIEL H. E. KREHBIEL For Medium VOICI Edited by For High Voice For Low Voicc For High Voice F or Low Voice Edited by Edited by For Medium Voicz Edited by For High VOICC For Low Voice Edited by For Medium Voice Edited by I52? E3 I532: Edim’ 5)’ For Soprano For Mezzo-Soprano For Alto I. II Erlll IVf7V Edited by For Tenor For BAHIODO and Btu v‘:i‘vv’z'5v1-.5v‘5v..‘-‘vv‘:‘rv‘.i?vv‘.*$>‘;5v“.*.¥ V3 ﬁZ5ﬁif:3v‘a‘vv?:v?:%€;5€;%&¥v‘.‘5v‘.’vf;%vZ;%i1z%v‘:.%fx$»?:§ Edited by COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST Each volume in heavy paper, Cloth back, $l.50; in Full Cloth, gilt, $2.50. Copies mailed post»paid. Other volumes in preparation For Free booklet, giving full particulars and Easy Payment Plan, send to the publishers 4! OLIVER DITSON COMPANY‘ BOSTON <2‘
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Date: 1902
Text: '4 uusLc ununv VASSAR COLLEGI a-ouanxszn-sac. new vonK \ no M \f A 4_ . I \ A 434' TO MISS HELEN MILLER GOULD. eggs 0 THE BROOK AND THEWAVI; _j_.,',L POEM BY HENRY W. LONGFELLOW Set to Music BY HENRY J . LAUTZ. op.zL.N91. sown/mo on renon m D. Price 50¢ M MEZZO-SOPRANO on matron: IN C. jX1{THUR P. §crg~nDT. 9 . BOSTON, LElPZ|G, NEW YORK, 5 St. I36 Fifth Ave. ~ cw”;/an /yozayumw P 5:/mm/c ~___— g THE BROOK AND THE WAVE. The brooklet came from the mountain, As sang the bard of...
Show more'4 uusLc ununv VASSAR COLLEGI a-ouanxszn-sac. new vonK \ no M \f A 4_ . I \ A 434' TO MISS HELEN MILLER GOULD. eggs 0 THE BROOK AND THEWAVI; _j_.,',L POEM BY HENRY W. LONGFELLOW Set to Music BY HENRY J . LAUTZ. op.zL.N91. sown/mo on renon m D. Price 50¢ M MEZZO-SOPRANO on matron: IN C. jX1{THUR P. §crg~nDT. 9 . BOSTON, LElPZ|G, NEW YORK, 5 St. I36 Fifth Ave. ~ cw”;/an /yozayumw P 5:/mm/c ~___— g THE BROOK AND THE WAVE. The brooklet came from the mountain, As sang the bard of old; Running with feet of silver Over the sands of gold! Far away in the briny ocean There rolled a turbulent wave, Now singing along the sea beach, Now howling along the cave. And the brooklet has found the billow, Though they flowed so far apart, And has filled with its freshness and sweetness That turbulent, bitter heart! Henry W Longfellow. 1, L - :- I A ‘.9 . $ '5 A.P. S. 5736- 5 To Miss Helen Miller Gould. THE BROOK AND THE WAVE. (DAS BANCIILEIJV UJVD DIE WELLE.) poemby E HENRY W. LONGFELLOW German translation BERTIIA RAAB. by HENRY J. LAUTZ. — Op.4. N91. The Das 0072 Pedale p dolce E L} brook_ let came from the moun ‘_ _ tain, AS sang the bard Bzic/2. - [em musclz— te vom Ber - - ge, ln’s blu - - men. 7722' - 0/Le /3‘\ — ning with feet la’ - 0/zen Mu _ A Poem used by spec2'alpermissz'an of }[oughtzm,Mzfflz'n cf 6'0. Copyright 1902 by Arthur P. Schmidt. A'P' S‘ 5733 ' 5 Public Performance. Permitted. ver the sands of tier den gold - mm >11 g2'tal Far - a-way in the/bri _ my [/72 _ ge_.9t2’¢'71z rollt’ zmd b7'aust’dz'e {' >agz'ta in \ .4=:_/___"/_ ~ rolled V a tur - bu-1ent fer - - ner gm! - le7z-r1e1/' f can fuoco Now sing - inga_1ong the sea - beach,_ Now Bald t(}'n - te 2'/M‘ Lied am 0' - /'e7',_ Bald . p e.sy7re.s*s. A.P. S. 5736-5 ling a - 1ong_j__;_ the sz'e auf salziiu - .. memder \ . ,2 f mam. M72 00//a Mae 1) atempo ﬁg "3 (L tempo And the brook - let has found the Umi das Biich - [em es famd die />2’:/3/\ d poor) o7"e.s'a “temp” mf- \2 \_/ ‘J \/ - bil - low, Though they flowed so far a - part, W6 - ge, 1)z'e so fen: ma’! 2'}; — rem S0/amerz, p espress. ‘ filled with its fresh - ness and sweet - - ness That tur - bu_1ent, bit - ter goss set". me Fm’ - so/ze und /In - - mm‘/L Ins stair- mzlsclze, bit - t’re . ' >. espress. >. A1’. S. 5736-5 i fa tempo And the brook - let has found the ' _ low/Though they Und das Bic/z _ lez'nVes fami die ‘ _ ge, Die so \_/ L! f a tempo maestoso — _ flowed ' so far a - part,____:_. And has filled with its fresh - ness and fem mil‘ 2% - _ rem Scimzerz, Und es goss sez'-ne Fri _ solze and 13 >7-2'2‘. _ ness That tut- bu—1ent, bit - ter An - - - mat Ins stair- mzlscﬁe, bit - t’re fh com/ﬁe p rit. maremlo 7f_#' 6550771190 , dzluendo et. rit \./ A.P. S. 5736-5 7 I \( SELECTED SONGS from the Catalogue of ARTHUR P. SCHMIDT Boston. _ L Paul Ambrose. . 17. The Shoogy-Shoo. Two keys each . 18 No. 2. A Spring Song. Two keys ea. .19. The Lotus Flower. Two keys ea. Mrs. H. H. A. Beach. .19 No.2. Ecstasy. Two keys. . each .37 No. Fairy Lullaby. F (e-fora.) . .43 No.2. Scottish Cradle Song. Cmiu. -) . . . . . . . . . . . . . . My Lassie. Ab (eZv—a'z>) . W. Berwnld. ".15. The Approach of Spring. Waltz Song. Bb (c-a). . . . . . . . E .43 No.. Arthur Bird. .36 No, 5. When Katie tuned the old Guitar. Two keys. . . . each John Hyatt Brewer. Sweet! (The Swallows’ Song). Two keys ea. Op. 39 No. 1. Rockabye Dearie. Two keys ea. Op. 39 No.5. There’s everasoug somewhere my dear. Two keys . . . each Dudley Buck. The Village Blacksmith. C (atheb) . . . Geo. W. Chadwick. Allah. Two keys . . . . . . . . each Sweetheart, thy lips are touched with ﬂame. Two keys. . . . . . . . each The Rose leans over the Pool. Two keys ea. 0 Let Night speak of me. Two keys each Theo. Chandon. An old Love Song. G (<1-d) Mrs. C. F. (Ihiekering. In the night she told a story. D (d-ft) . (E. Whitney Coomhs. Child of the Dark Eyes. Two keys Once at the Angelus. Two keys . . Charles Dennee. In Dreamland. Two keys. . . . . The Sandman (Lullaby). Two keys The Thought of You. Two keys. . Steph. A. Emery. Op. 24 No.1. Somebody (Scotch Song). D (d-f) Op. 33 No.2. Burst, ye Apple Buds! Bmin. (ft-gt) . . . . . . . . . . . . Arthur Foote. Op. 13 No. 2. I’m wearin awa’. Two keys ea. Op. 26 No. 2. Love me ifllive. Two keys ea. Op. 43 No. 3. Sweetheart. Two keys each Op. 43 No. 5. Up to her Chamber Window. Two keys each An Irish Folk Song. each each each each each Two keys . . each Albnn Forster. The Hour will come. I.) (d-f) . . . .. . In Spring. A (('.-f). . . . . , . . . . . J Henry K. Hadley. Op. 7 No.3. Kathleen. Two keys . each No.6. Greeting. Two keys. each Op. 14 No. 1. Dear, when I look into thine eyes. Div (b-f). . . . . . . . Op. 14 No, 4. I dreamed of a Princess. ‘ D!) (c-f) . . . . . . . . . . L_/Lsx Through the long days and years”. Two keys ea. .40 .60 .40 .40 .30 >32 New York. T J. H. Hahn. Break, break, break. Two keys . . each Love me if I live. Two keys . . . each The Proposal. A (db-e) . . . . . . . . E. W. Hanscom. My Secret. Waltz Song. Eb (d-ab). . . Victor Harris. In Springtime. Two keys ea. The Blackbird. Two keys ea. Georg Hensehel. Spanish Serenade. Two keys Reinhold L. Herman. Op. 37 No.2. A Little Summer Breeze. F (C :4) Op. 41 No.1 Op, 41 No.6. Gipsy Serenade. Two keys ea. Op. 13 No. 1. No. 6. each W. Herinann. Op. 49. The Time of Roses. A (dt-g or a) Edw. Bun-lingame Hill. Five Songs for Children from the >>Round Rabhit« . . . . . . . . . .n. Mildred J. Hill. The Perfect llay. D (_c-fit) . . . . . . . Love’s Paradise. I) (h-fll) . . . . . Helen Hood. A Disappointment. E (e-e) . . . . . The Violet. Filmin. (cil—fil) . . Nath. Irving Hyatt. Op.4 No.1. Marguerite. Two keys No.2. Beneath Thy Lattice. keys . . . . . . . . . . Ilayton Johns. Because of Thee. D (d-g) Marie. G‘:> (d-gb) . . . . . . . . . . . Love’s Revelation. D (d-f). . . . . . . ' Jules Jordan. A Life Lesson. Two keys each Margaret R. Lang. My ain dear Somebody. F (f-f). . . . . Irish Love Song. Two keys. . . . each An Irish Mother’s Lullaby. Two keys each Frank Lyne. (Companion Song to »He was a Prince«) Two keys . . . each Marie. Two keys each ’Twa.s my Heart. Two keys. . . . each If all the dreams, we dream. Two keys each Thy Picture Two keys . . . . . each Dreams. Two keys. . . . . each W. Manse. The Awakening of the Rose. Violin Oblig. Edward Mac Dowell. Deserted and Slumber Song. (eb-eb). Thy Beaming Eyes. Two keys each A Maid sings light and a Maid sings low. Twokoys. . . . . . .. each Four Songs. Complete. Two keys each 11. Three Songs. Complete. ,. . . . . . .n. Hugh W. Martin. When I behold Thee. D (ell-g) My King. Bl» (c-at») 9.3? as Leipzig. 4 John W. Metcalf. Absent. Two keys . . . . . . . . Sunrise. Eb (d-e) A Dream so Fair. A Keepsake. Two keys. . . . . . Homer A.’ Norris. Twilight. B (b—e) . . . . . . . . . . . Geo. B. Nevin. The Boatswaiu Bold. D (a—d) . . . . . . Edna Rosalind Park. The Nightingale and the Rose. Two keys ea. A Memory. Two keys . . . . . . each Thy Name. Two keys . . . . . . each Alice Locke Pitmun. A (e-e) . . . . . . Th. Podherlsky. The Wanderer’s Song. Ah (eh-g). . . . Carl Reine(-.ke- On the Strand. D (e-ft). Violin Oblig. . Dance of the Dragon Flies. E (d—g). Violin Oblig. . . . . . . . . . . . . Franklin Wing Biker. For Love of Her. F (c-f) ["11 never cease loving Thee. Confession. Clara Kathleen Rogers. Confession. Amin. (c-e) . . . . . . . . The Clover Blossoms. F and A (c-filor a) Jas. H. Rogers. The Moon shines pale. Two keys . each Frank E. Sawyer. The Night has a thousand eyes. F (f—f) . Spanish Romance. 0 (e-a) . . . . . . . Sch. B. Schlesinger. Up to her Chamber Window. Two keys ea. Longing. Db (c—e’2 or glr) P. A. Schnecker. Bass Solo. Dmin. (a~el2). Chas. P. Scott. Only a Ribbon. Ballad. Two keys each Robin Goodfellow. D (a-e) . . . . . . . I-‘. N. Shaokley. Ere the moon begins to rise. Two keys ea. Softly blow, ye scented l>1'eez<:S (Serenade) Two keys . . . . . . . . each Thos. G. Shepard. To the Night. :>l\rIe«. Geri-It smmu. Bee Song. A (e-ft) Alpine Rose. B‘? ((1-f) . . . . . . . . . ‘Arthur W. Thnyer. Clover Blossoms. Two keys. . . . Only a Song. Db (db-ab) . . Gust. Tnckerman. . The Windmill. Bass. Bbmin. (f-eb) . . Max Wei]. C (e-g) . . . . . . . . each Love’s Captive. A Cycle of Songs . . . . . . . 11. " .40
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Date: 1905
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New vonx N‘.’21NE" N‘?3»1NF SUNG BY M155 ADA CROSS LEY. WING EJEMS / V ‘, 24‘ O‘ f) ‘ \\'r/ TIC" 7/15‘ The Word s by LONGEEILLOW 7;? The music by ROBERT BATTEN. P/7'66 6W 6'6/Z/.5’ BOOSEY & C‘? 9,EAsT SEVENTEENTH STREET, NEW YORK, AND 295. REGENT STREET.LONDON. ENG. SOLE AGENTS ron CHAPPELL& Co. ENOCH & SONS & G.RlCORDl &Co. COPYRIGHT .1905 BY BOOSEY 8<C°. LIVING POEMS. COME to me, 0 ye children! For I...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New vonx N‘.’21NE" N‘?3»1NF SUNG BY M155 ADA CROSS LEY. WING EJEMS / V ‘, 24‘ O‘ f) ‘ \\'r/ TIC" 7/15‘ The Word s by LONGEEILLOW 7;? The music by ROBERT BATTEN. P/7'66 6W 6'6/Z/.5’ BOOSEY & C‘? 9,EAsT SEVENTEENTH STREET, NEW YORK, AND 295. REGENT STREET.LONDON. ENG. SOLE AGENTS ron CHAPPELL& Co. ENOCH & SONS & G.RlCORDl &Co. COPYRIGHT .1905 BY BOOSEY 8<C°. LIVING POEMS. COME to me, 0 ye children! For I hear you at your play, And the questions that perplexed me Have vanished quite away) Ye open the Eastern windows That look towards the sun, ‘Where thoughts are singing swallows, And the brooks of morning run. In your hearts are the birds and sunshine, In your thoughts the brooklet’s ﬂow, But in mine is the wind of Autumn And the first fall of the snow. Come to me, 0 ye children! And whisper in my ear What the birds and the winds are singing In your sunny atmosphere : For what are all our contrivings And the wisdom of our books, When compared with your caresses And the gladness of your looks ? Ye are better than all the ballads That ever were sung or said ; For ye are living poems, And all the rest are dead. LONGFELLOW. Living Poems. Words by Music by LONGFELLOW. ROBERT BATTEN. Andante sostenuto. Voice _ L can ‘Sim Moderato . chil - dren! you at your play, - tions that per - V - _p1€X€d me Have Va - nish’d quite Copyright 1905 by Boosey dé C‘? o - pen East - ern win - dows That look to -wards the Where thoughts are sing — ing swal - lows, And brooks of morn - ‘ . In your hearts are the birds and the sun — shine, In your thoughts the brook- 1et’s vii Living Poems. wil/zout rall. mine is the Wind of Au - tumn And the first f 1 of 10 poco rall. But in mine is the wind Au - tumn And the calla voce col la voce. first fall of /5 Living Poems. chil - dren! And..... birds and the Winds are sing—ing In your sun - ny at- mos - A cresc. .1: tri — vings Living Poems. Wis - dom of our books, When com-pared with your car — /\ ii colla voce. ess- es And the glad - ness of your looks? bet- ter than bal - lads That ev - er were sung 011.... .5 are liv - mg po - ems 7.; F2: Living Poems. wit/z em‘/zusiasm. all e rest are Ye are bet- ter than all the rall. a! me. rall. al fine. Living Poems. NEW SONGS BY CELIEBRHTED COMPOSERS. PRICE 60 CENTS EACII. THOSE MARKED * 75 CENTS. Sung by Madame CLARA BUTT. *BAi§i?i._oN. (wwt/1 Orgzm 01211/igala.) WORDS BY F. E. WEATHERLY. No. 1 in ED. —I7r'— MUSIC BY STEPHEN ADAMS. No. 3 in G. ' .___n_ ., . e:\ "\ /K L '.\ *%*4'—=-.-—:-'—m'L§‘—'+~t=¥t‘—*=a'-—-—I7i-~I.J—a¥.J—P—-—‘t I I Q I4 I ' F . d I I I I 4 I l I “O go ye not to.. .. Bab-y-Ion! it is adream, it is adi-enin uii-blestI On—ly the road to (ix! Verse.) Out in the morning meadows, and down the broad highway, I saw the children dancing and singing at their play ; And they called to one another upon the golden air, “ Oh, where’s the road to Babylon,—and \vho will bring us there?" But, as the night fell round them and eastward rose a star, Methought the voice of angels was calling them from far,- “ 0 go ye not to Babylon I it is a dream unblest I Only the road to Bethlehem can give you joy and rest I " Copyright, I905, by BOOSEY & Co. Sung by Mr. HERBERT WITHERSPOON. A SOLDIER’—S TOAST. worms BY J. FRANCIS BARRONN MUSIC BY J. AIRLIE DIX. 0. r in C. ,_% :._t2__—__‘ :_—1::t:_ Tempo. 7‘ mareato. J!‘ V I I‘ 'I\I I‘ I RI K I’ . TR‘ ‘ ‘A ‘RT. — —.~—-—t——~.»—+d—-——a—;ri—.——-—.—tEi~ar—e—r?d,§:':3"‘—i5+ Red wine, white wine, comrades; let’s be drink-ing, A truce to trouble and care, lads ; When the (Ir! Verse.) _ _ Meeting to-night in the old me_ss-tent, Each comrades face so glowing, For smile, and jest, and merriinent, _ Should rule when good wine’s ﬂowing. Steady the hand, so ; stand by the glass, You’ve choice of the wine set before us ; “ Here's to the soldier, here's to his lass," ‘Tie the best of all toasts 2 Let us finish the glass, And join in our comrades chorus- Copyright, I905, by BOOSEY & Co. THE LITTLE WHITE SUN. wonns BY ANNIE C. I-IUESTIS. 3' Red wine white wine, comrades; let's be drinking, A truce to trouble and care, lads ; When the wine goes blinking. To the old mess-tent, and the ﬁght we share: The Flag we serve, and the coat we wear : And a bumper toast to the maidens fair, With glasses clinking I MUSIC BY CUTHBERT WYNNE. No. x Ill] D. lighily. .. . \ I I ‘A J A C brown earth laughed, and the sky turned blue, When the \I n is l\ \‘} i r lit-tle white sun came (is! Vers '.) The sky had a gray, gray lace ; The touch of the mist was chill ; The earth was an eerie place, For the wind moaned ovei the hill ; But the brown earth laughed. and the sky turned blue, \Vhen the little white sun came peeping through I Copyright, I905,_by BOOSEY 8!. C0. SHEPHERD OF LOVE. wonos BY ARTHUR PHILIP COXFORD. MUSIC av FRANK L. MOIR. m/A mlante maeslosa. ' ,- _—;¢§ —~i—-, I W. ‘IL I I I7 - : ‘I I‘ 1 Sung bv Mr. FRANCIS ROGERS. THE TRUMPETER. J. FRANCIS BARRON. No 1inF. MUSIC av J. AIRLIE DIX. No. 2 in G. No 3 iii A. ~—-— —~~.-- —--3- I I. 1 $4 .4 »— I . I‘ I I. I‘ AI .5. O 0 _ 0 Trum-pe-ter, what are you sounding now? (Is it the call I’m seeking ?)“ Vou’ll know the call," said the (is! V57 se.) i 4i n i I I l ’I‘i-umpeier, what are you sounding now? (Is It the call I'm seeking?) “You’ll know the call,” said the Trumpeter tall, “ VVhen my trumpet goes a speakin’. I’m rousin’ 'em up, I'm wakin’ ’em up, The tents are astir in the valley, And there’s no more sleep. with the sun's first peep, For I'm soiindiii' the old ‘ Reveillé.‘ Rise up I ” said the Trumpeter tall. Copyright, 1904, by BOOSEY 8:. Co. Sung by Miss EVANGELINE FLORENCE. *APRIL MORN. ROBERT BATTEN. ‘No. 3 in D. wonos iav JOHN DOWERS No. 1 in BI). No. 2 in C. mt Verse.) Ah I the joy to greet the rosy morn, the sun the verdant ﬁelds adorn. Nature awakes, the birds their melodies trill 0'er hill. and dale, and by the woodland rill. A . Copyright, 1901 and I902, by BOOSEY & Co. I 7 i A @—8'—F - -_Llll - ' Q i .i I i '07" . .%/ ' >4 ' ' ' Crown Him e Saints, the fair- est of ten thou - sand! 2 Y (mt Verse.) Oft in the gloom, when nightly shades are falling, Comes to the ear a distant Song of Praise ; Faith in those sounds with tender voice is calling. Sweet come those welcome strains to cheer our pilgrim days. Hearts brighter grow, the clouds of doubt dispelling, Love. in those chords, cloth heal the soul distress’d ; Hark I 'tis the song in which the Saints are telling 0." their great joy in Him the Father blest. Crown Him, ye Saints. the fairest of ten thousand I Shepherd of Love, the God whom we adore ; \Vith harps of gold attune your faithful Voices, Proclaim Him King I both now and evermore I Copyright, 1905, by BOOSEY 8!. CO. Shep - herd A CHINA TRAGEDY. MUSIC BY CLAYTON THOMAS. No. 2 in AI7. No. 3 in BD. *I7a—- —j’__ d O wonos BY R. S. HICHENS. ‘r71-I n I ‘r i h 1‘ 1 i‘ r I i is K i\ i-r 49- '5‘ -=3“-"I***--E-'#~“I--'4‘?-I3‘-;*§—.R‘I-:—'r—..‘* '0-I‘—I:=‘—-°‘+-i’-“R-9--R I":I"3—d"3';‘;I: -2- -{IA-dddldﬂ 1-i IO .iiA.i¢,--i __.._r' A lit-tle chi-na ﬁg-ure On a lit-tle bracket sat, His lit-tle feetwereaIwayscross'd,He (rs! Verse.) A little china ﬁgure On a little bracket sat, His little feet were always crossed, He wore a little hat. And every morning, fair or foul, In shine or shadows dim, A pretty little liousemaid came And softly dusted him. Copyright, 1904-, by BOOSEY & Co, Sung by Miss ADA CROSSLEY. LIVINGTTPOEMS. ROBERT BATTEN. No. 4 in G. '9‘ wonos BY LONGFELLOW. No. 1 in D. No. 2 in Eb. No. 3 in F. ' ‘P :E - d 0! ‘I I - nug,_§...__L¢_._E._,£‘_4. Come to me, 0 ye children I For I hear you at your play, And the questioiisihatperplexﬂ me Hz“: (is! Verse.) Come to me, 0 ye children ! For I hear you at your play, And the questions that perplexed me Have vanished quite away. Ye open the Eastern windows That look towards the sun, Where thoughts are singing swallows, And the brooks of morning run. In your hearts are the birds and sunshine, In your thoughts the brooI<let’s ﬂow, But in mine is the wind ofAutumn And the ﬁrst fall of the snow. Copyright, 1905, by BOOSEY & Co. BOOSEY 84 00., 9, East Seventeenth Street, New York, and 295, Regent Street, London, W. NEW somas BY CEIIEBRHTED COMPOSERS. PRICE 60 CENTS E1-SCI-I. Sung by MADAME CLARA BUTT. MY AIN FOLK THE LIFEBOAT MEN. wILI=.RID MILLS. LAURA . E N. ‘’‘’°’”°'-°' 3’ G L M0 F. E. WEATHERLY. No. I in DIZ. No. 2 in EIZ. No. 4 in G. —__-:22: 0242-54254,’ 5;. Sﬂcialpzrmission, ta 11.12.11. PRINCESS HENRY or 3.4 rrzzvuzxa. Sung by Mr. IVOR FOSTER. MUSIC BY STEPHEN ADAMS. No. x in BIZ. No. 2 in C. No. 3 in D. I_ ‘El: '_ S- 5. . __ l AAAI. V II _A_J\ L n Tr I I I I I I I I I I I I I I I I I I I I I I .I i I I I AL C .d. . T‘ 1-Eh:--2-—===-1 -5‘ i i ‘T’ ‘t ch’ that Far frae my l-Iame I wander : But stillmy thoughts re ~ turn To my ain folk 0 < wer yonder, In the ‘Sn ‘i pay (mt Verse.) When the wild wind blows by day or night, (Is! Verse.) Far frae my hame I wander ; And you are safe at home, But Still mY thoughts return Are you thinking then of the Lifeboat men To my 3i" loll‘ OW” Yonder: ' Watching the hungry foam? 1“ (he Shclllng by ‘he l3“m- Quitting the toil that gives them bread, I 559 ‘he C053’ ingle: Leaving their babes and wives, And the IRIS? abulle the brag: Ready to go when the word is said, And 503' and 53d‘'‘,‘355 mingle: Ready to give their lives. A5 I “St 50"“? 3“ld'W3r1d l?‘Y- For its out they go when the signal comes, And it’s oh I but I'm longing for my ain folk out {mm the th“nd',ing Shores, Th0’ IPIWY be but IOWIYI Pu“: 3"d P133“ f°lk3 ’Tisn't the pay that makes them stay 1 fm‘ IJCYOUCI ‘he 593» , Gripping the straining oars‘, But mY I153" Will CV91’ be It’s the Spirit of Love from He:tv'n above, At hame in dear auld Scotland, wi‘ my ain folk! Working in what they do : Think of them, then, women and men, Copyright, I904. by BOOSEY & C0. . And pray for the Lifeboat crew. Copyright, 1904-, by BOOSEY & Co. Sung by Madame CLARA BUTT Sung by Miss ADA CROSSLEY, and Mr. GERVASE ELWES. My TREASURE NOW SLEEPS T171? CRIMSON PETAL. WORDS BY MUSIC BY WORDS BY MATTHIAS BARR. JOAN TREVALSA. TENNYSON No. x in F. No. 2 in G. No. 3 in A. MUSIC BY ROGER QUILTER. No. x in ED. No. 2 in F. No. 3 in Glz. _Ej€‘,_ '_:_‘*_: *"““— '__-?_‘1:: —r—I— . 3: 1‘ 95 W SEE“ ‘ﬁ‘_J“* “ J‘. " ‘i 3 ': * R ‘A.’ I. 2 : ‘—.rF Ir "‘\;‘ i,_d‘ '5 -i ‘I: i‘. IA - . ‘F Llﬁﬁ ' ld'|4 9 DEC 1' IIV4 V P rrun 0" '13’ 3 baby 5mau’Dr°pp‘d {mm the Skies; 0" ' 1y a laughingface‘ Two Slmmy eyes; U Now sleeps the crimson petal, now the white; Nor waves the cypress in the pa-lace (Is! Vzrse.) Only a baby small. _ Only two cherry lips, ' ’ DY0PP'd from the 514195? O (1)03 Chulljby Yi]°59d§ (tr! Vern.) Now sleeps the crimson petal, now the wivkhite ; Only a laughing face n y two Ill 6 an S or waves the cypress in the palace wa ' Two sunny eyes ; ’ Ten little toes. ’ Nor winks the gold ﬁn in the porphyry foiit: The ﬁre-ﬂy wakens: waken thou with me. Copyright. I903, by BOOSEY & 00- Copyright, 1904-, by BOOSEY & Co. 19 \V (J Sung by - UI E DALE. a M . H. LANE WILSON. Miss EVANGELINE FLORENCE and Madame BLANCI-IE MARCHESI. Sung by M155 L0 S .33 1' THE swEE'fF THE. YEAR. INDIAN DESERT SONG- wonos av VMUSIC BY WORDS BY KATHARINE TYNAN I-IINKSON. ALICIA ADELAIDE NEEDI-IAM. No. x in BIZ. No. 2 in C. No. 3 in D. o 1" MUsIc BY LAURENCE HOPE. AMY WOODFORDE'FINDEN. No. x in E Minor. No. 2 in G Minor. J _ :_%._'_'__::t_:_ E V r- l\l 5 I . ‘nu - #1; I sup 1%:-'c.’—.H-1:! Q—'—'1:I—l— Z -" I. m I‘ .I Iﬁ 1 K m .I .4 sun I '4 an l'dH II4 I !EE 4. Qﬁgg . 'd'.1.Io -griJa."I4- EL I _ _. . . - \_/ x.» - Because it is the sweet o’ the year, the sweet 0' the year, There's white and yellow on Ta: waiting in the deS_en looking out towards the (wt Verse.) I ecause it is the sweet o the year, There's white and yellow on vale and hill, The blackhird sings at his darling’s ear, He has gotten a new gold bill I I. 1 I d 1 I vs I‘ I In | . sun- set, And counting ev - 'ry when bi1‘d5 are “_1€")' and haw? 309d Cheer; (mt Vzrsz.) I am waiting in the desert, looking out towards the sunset, And I'O<<?S,n0d H1 the garden IDOW 1”; \ And counting every moment till we meet; ‘ Oh: the“ It I5 the Sweet 0’ fhe Y5“: I am waiting by the marshes and I tremble and I listen And love and the world In ﬂower ! Till the soft sands thrill beneath your coming feet. Copyright, 1904-, by BOOSEY & Co. Copyright, 1903, by BOOSEY & Co. Sung by Miss LOUISE DALE. Sung by Miss ADA CROSSLEY. IF I BUILT A WBELD FOR YOU. CUPID ATTIIE FERRY. wonos BY MUSIC BY w°RDS BY MUSIC BY HERBERT FORDWYCH. LIZA LEHMANN. CARYL BATTEREBY F N . G No EEWARD GERMAN’ No.1in C. No.2in EIZ. No.3in F. 0.1m ' 0.2m . I3 ' 3‘ 4‘ "T-— —d——— MI I I I ‘Is I I T41‘ r 1 I I I I - I I 1 I I I - ' I *' ' V 1 1 71-’ " I 3- p I it TI 1\ I\I 1 I in NI 0' _- I 5 I: Z J ‘ I I I : Adi‘ CIA-Ei_I_I___ I I U -V _ K‘ _h _1l”\,’Wh' 1‘: dhﬂ , ,d L _ Id I hu' a world for you,dear, If I built a world for you,~ Iwould make the land of Culmd at the femiy ‘med’ Wlww." me WI 30".” ere e3°" t.° owmgn 5 overs gar 3" 3 (mt Verse.) Cl1p{$hal thehferry crliledt “ owit mewi go . (ﬁt Vtum) Wlhere beyongrtlllge 1ﬂ;lo<xII;g tIde If I built a. world for you. dear, I would make the breeze of whispers F vovers gar ‘undin ' [here If I buill a world for you,— Of lovers as they woo,— aﬁry songs are so . g . > : . airy breezes play , I would make the land of pop corn And the rose should live for ever And the sea of mornin dew I In the world I built for on Leave‘ 0 leave this WOT] g ' Y ' Lovers, ‘come away 'I"’ . 0. overs, o.~ Ho! ho I say who will go Where the zephyrs of Loveland blow ; Say who will go Where light the zephyrs of Loveland blow! Copyright, 1904-, by BOOSEY & Co. d of care, Ah 1 Copyright, 1904-. by BOOSEY & Co. BOOSEY & CO., 9, East Seventeenth Street, New York, and 295, Regent Street, London, W.
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Date: 1892
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/;m:=IM~ , " Copyright 189 '3 by J. E . Per-ring . BEWARE! Words by H.“/. LONGFELLOW. Music lay JAMES ERNEST PERRING. Allegro con spirito ma non troppo presto. 1’ known 1naid- - en fair to see! take careltake care! take czweltakecarel She .f can both false _ and friendly be, Beware, beware, hewgxre, ten: 0. > P hewzu-e,VbeWa1'e, She is fooling thee, she is foolingthee,t1'usthe1' /4'3 tcn1})o.K/ \' not! . . . . oh trust her not! .. . She is fooling thee, she is fooling thee,f1*11sthe1' not! oh trust her not! >>> > > /3 gﬁazioso. Slm has two eyes so soft and [)1'0wn, (-zu'e,t:1kc care, beware, beware!‘ She gives :1 side glziuce and looks down, 1,], rail.- 0ht1'11sthe1' not! 011 beware, hewzu'e,hewa1'e! pp wall.- has two eyes so softand brown, She give_S a side glance amdlooks down, tcnapo. trust he L’ a tempo. a tempo. t rust h e trust herfnot, oh be-w;u-e! trust her not, atem 0. > P fooling thee, she ‘is fooling thee, trust her not, oh trust her not! She is (I tempT‘/ fooling thee, she is fooling thee,t1‘ust her not oh trust her not! >>>:>>f.\ /\ \ '. r.\1’(-\ \ “""V T’—“,;s3?g7 ;.._;“f_ -5 she hag hair 0f"'g0ld-en hue; And what she says it is not true, : «— W 4-~::~.—.=w«.—.)v.~.: -:>.:+-vywwz tempo. she has hair of wall.- gold-en ' And what she says {’— /_\ J‘. Be-w:u-e! beware! beware,‘ beware! For she has hair of a golden hue, 011 trust her not; 011 trust her not! And what shesays it > > > /'\ /"\ is not true, She gives thee a garland fair,‘ 7Tis :1 fools cap f01'theet'0 Z5 Z‘ {T /"\ t * . >cmpo Oh she7s fooling thee, she is fooling thee, Trust her not, 011 trust he /3 she is fooling thee, she is fooling thee,trust her nbt 1, ohtrusthc *3 Perfect Peace. (I heard a Voice.) Sacred Song for Low Voice 221 C, Vvqfds by V I I I ¥ N[1lSiC‘by JOSEPH FLETCHER. e V‘ " W9 DRESSLER. _ Larghetto. heard :1 voice, . Je — sus to me’ speak —ing, u.—mid the prcssund throng, I heard Him ' : “Come ‘wen-ry Copyright 1910 by VVIF1 A.Pond & Co. International Copyrightﬁecured.
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Date: 1783
Text: 1* { I ‘i V ->_,.¢,.:°:;*; ff“? Iv‘ 4'! ‘ ;.,—1;u.I,x _a,........= ,_;... '§ 2 1‘ 1 3 . 2 ‘ rf‘ V’ I" & ' / . fi»/fL¢ut~”f3?”{ J‘ B; W REV. F. HOTMND. SJEPE MANUS DEMENS, STUDIIS IRATA SIBIQUE, MISIT IN ARSUROS CARMINA ‘NOSTRA FOCOS; ATQUE ITA DE MULTIS QUONIAM NON MULTA SUPERSUNT3‘ CUM VENIA, memo, Q_U1sQ4x1s ES, ESTA LEGAS. » OI/ID». E D I N B U R G H: Pﬁntcd for C. ELL 1 OT, PARLxAMENT-SQ:5Azm.' M.DCC.LXXXIII. [Pxmcm QNE SHILLING.] O D E I. From the FRENCH...
Show more1* { I ‘i V ->_,.¢,.:°:;*; ff“? Iv‘ 4'! ‘ ;.,—1;u.I,x _a,........= ,_;... '§ 2 1‘ 1 3 . 2 ‘ rf‘ V’ I" & ' / . fi»/fL¢ut~”f3?”{ J‘ B; W REV. F. HOTMND. SJEPE MANUS DEMENS, STUDIIS IRATA SIBIQUE, MISIT IN ARSUROS CARMINA ‘NOSTRA FOCOS; ATQUE ITA DE MULTIS QUONIAM NON MULTA SUPERSUNT3‘ CUM VENIA, memo, Q_U1sQ4x1s ES, ESTA LEGAS. » OI/ID». E D I N B U R G H: Pﬁntcd for C. ELL 1 OT, PARLxAMENT-SQ:5Azm.' M.DCC.LXXXIII. [Pxmcm QNE SHILLING.] O D E I. From the FRENCH of MONSIEUR FENELON.‘ I. OUNTAINS '*‘, whofe ﬁupendous brows, e Scale high Heav’n with arduous pride; And, cover’d with eternal fnows, Prop the domes where Gods abide: V Here, beneath your oaken gloom, Far above each rolling cloud, Ev’ry ﬂovv’r of vernal bloom I colleél; and hear aloud Dreadful thunders ﬁrike the ground Below my feet, and all around- A thoufand cataraélzs refound. A f Mountains of Auvergne. (2) II. Like to Thracian hills, of old Pi1’d on other mountains high, "Whence the giant, vainly bold, Threaten’d to aﬂail the ﬂiy ; From your many heads fublime, Forming each an ample plain, Other mighty mountains climb 5 VVhofe ambitious tops fuﬁain All the fury of the Ikies, When impetuous winds arife. III. Soon as rofy mom is feen, Gilding with her cheerful ray All thofe Ihaggy mountains green, Tender lambkins rife, and ﬁray, Bleating o’er the pafture-land: Shades, the rivulets along, Waving high with zephyrsibland, Court the fwains and ﬂeecy throng To foft ﬂumbers on the ground, While the Water murmurs round. iii *3 ) IV. But, ah! thofe favage hills and farms, ‘Nhere capricious Nature reigns, Lavifh of romantic charms, How unlike the beauteous plains Where my gentle river flows ; River, vvhofe ﬁnooth furface bright No rude tempeﬁ ever knows ; But mild fun—beams ftill invite, Autumn gone, the vernal air, Winter never howling there. V. Sweet Solitude! whofe peaceful bounds, Sacred to mufings, hear alone The broad cafcade with awful founds Tumbling, foaming, hurrying on: Circled by the azure Pcreams Two umbrageous Iﬂes arife, Fraught with all that Fancy’s dreams Can pourtray to charm the eyes: 0 that my feeble lyre could praife Your beauties in immortal lays! A 2 (4) . VI. Zephyr with his balmy breath Viﬁting our groves again; Yellow harvefts Wave beneath, As he ﬂutters o’er the plain: Hence Ceres, Goddefs of the year, Burﬁs our barns with genial food: Bacchus too, the vintage near, Swells his clu{l:’ring grapes with blood; " Or down the hills with jolly pride, Laughing, pours the purple tide. VII. ‘Where the ﬁelds are feen no more, \Vith their golden produce bright, Mountains rife ; and, azur’d o’er By diftance, feem. to ﬂy the ﬁght: Their fantaﬁic forms and rude Nature’s fportive genius own. By the margin of the ﬂood, As in a faithful mirror fhovvn, The refplendent ﬂ{i€S appear, Painted in the cryﬁal clear. (5) VIII. lVIix°d with vernal beauties, fhine Lavifh Autumn’s grateful boons ; And from the branches of the vine Hang a thoufand gay fefloons. o Enamour’d of the ﬂow’ry meads, That in thofe iﬂes his ftreams adorn, Now the capricious river leads A ﬂeeping train; then, fvviftly borne Along, and with a brawling found The verdant carpets bathes around. IX. Singing to the bagpipe fweet, And loud hautboy, fwains are feen; VVhi1e to meafur’d founds their feet Beat the ﬂow’r-impurpled. green: ’ Birds, with vvarblings void of art, Filling the delightful groves, Baniih care from ev’ry heart: Ye ring—doves, and ye turtle-‘doves, ' True, tender, plaintive! ye alone Within my Woods are heard to moan. < 6 > V X. On a bank of fragrance mild When my carelefs limbs I lay, Soft abﬁraﬁions, vague and wild, Steal me from myfelf away 2 Rapt in tranfports fo divine, Eager I quaff the ne<E‘car’d blifs, While the gazing Gods repine: Ye court—infef’ting ﬂatteries! Ye, like my dreams, fond hopes betray; As falfe, but far lefs fweet than they. XI. Shelter’d from the gloomy ﬁorms, That burll in thunder on the great, Beneath the {hade my foliage forms I ever ﬁnd a fure retreat: There, without the learned line, In fearch of truth I mufe alone; Not with pedantic pride to fhine, But make herfacred rules my own: Then Hiﬁory and;_.Fable, join’d With ancient Wit, imprefs my mind. ( 7 ) XII. Here I the Grecian fage behold, Of an injurious doom the fport; Amid his ihipvvreck calmly bold, And cautious in the peaceful port: Triumphant o’er the ﬁorms, that fhake Inferior fouls, his virtues rife; And, for his cruel country’s fake, The pleafures of the great defpife; Pleafures how mean, compar’d with thofc My cool refrefhing {hade beﬁovvs. XIII. SequePcer’d thus from dread alarms, Ingenious leifure I enjoy; No horrid founds of clalhing arms My ﬁlence and my blifs annoy: My heart, enamour’d of my lyre, No other vain ambition moves, Than to record with rapt’rous ﬁre The bleﬂing it fo dearly loves : Hence Fortune, Favour, treach’rous all? The world to me is but a ball. <8) XIV. Beneath Whatever diﬁant ﬂay, In fearch of fav’rite views, I Ptray, No beauties {trike my gazing eye Like thofe my happy fcenes difplay: Ah E when the fable hand of Death My folitary life {hall clofe, There may I draw my lateﬂ: breath, And there my ﬁlent duft repofe; There Thyrﬁs fprinkle o’er my bier The tribute of a friendly tear !. O D E H. To A DOVE*. a ELANCHOLY pris’ner! late / Tenant of the mountains lone; How I deplore thy haplefs fate, And in thy forrovvs mourn my own‘! Sweet Dove? thy pity-moving tale Sounds more grateful to mine car Than ferenade of nightingale, "The dark Wood”s wakeful chorifter. What ruthlefs hand, poor mourner, fay! "Thy carelefs innocence betray’d; And from thy native, mofs-grown fpray, And cloud-enve1op"d haunts convey’d? B * VVritten in the “Weft Indies, where there is a fpecies of doves that coo in the night. (t ‘O ) Never, 0 never, to return To yon blue romantic grove, To cheer thy widow’d mate forlorn, That calls thee With unvvearied love. Witli her no more the callovv brood To tend, and anxious pleafures ihare; Whofe ceafelefs cry, well underﬁood, Implores each tender paren.t’s care. With her no more the tepid void To trace, on equal pinions borne O’er ftreams, and woods, and valleys Wide, Till Ev’ning Warns you to» return. "With her no more in green retreat To ﬁt, the pale moon riding high, And‘ liften to thy cooing mate, And to thy 1iPt’ning mate reply. Oft has the benighted fwain, (Unobferv’d the ﬂiades among), When wand’ring homevvard from the plaing Paus’d to learn the folemn fongg c : >e And, ﬁx’d in contemplation deep, ‘With folded. arms and ﬁedfaﬁ eyes Has ﬂood; nor felt the moift tears creep; Nor mark’d th’ involuntary ﬁghs, Iﬂhing refponﬁve from his breaﬁ; Wet with the dank, unwholefome devvs; Unmindful of his needed reﬁ, His pmttling babes, and penﬁv-e fpoufea Ill. AN AUTUMNAL ODE. UTUMN, in rofe of ru£l"et dye, Be thou my penﬁve theme! No ﬂeeting cloud dilturbs the ﬂay, No gale the polifh’d ﬁrezun. And, lo, the villas and the farms, How beauteous in decay! Scarce more a fummer-landfcape Cl1a1'1I1.s9 With living verdure gay. Now to the glimm’ring fun the vines Their purple clufters hold; And now the pendant apple lhines With coral and With gold. And rooks diﬁend their clam’rous throats, As thro’ the fky they rove; And the lone redbreaﬁ tunes his notes, Sole warbler of the grove. (13) Say, gentleft of the feather’di kind, " ‘Whoin no rude hand annoys ; Does thy fweet muﬁc ﬁll the wind. \/Vith forrovvs or with joys E Doft thou admire a tarni{h’d thorn, That marks the drooping year? Or chide the dew-befprinkled Morn, And Winter, frowning near? Prophetic, mourn the dreary hours, ‘When to our gazing eyes, As by enchantment, fpires and toW’rs, And wider heav’ns, {hall rife? Ah! when impetuous {torms defcend, And bow the leaﬂefs tree, Beneath my roof there dwells a friend To innocence and thee. There, 'undi{’turb’d, my little gueft Shall peck his ﬁmple food; And, when foft paﬂions warm his breaft, Fly to the tuneful wood. ( I4 3 But, oh! that objecft pains my ﬁght, And tears my very heart! A fvvallovv, tWitt’ring for its ﬂight, Impatient to depart. When laughing Summer cheers the ground With zephyrs in her train, Which of the plumy race is found. More confcant to the plain? But foon. there comes a nipping air, And all the tribe are gone-- juft emblem of the wrongs I bear, Condemrfd. to figh alone. I. ND art thou come, ere Zephyr mild Has wak’d the blackbird’s vernal Pcrain? "‘ Alas! thou com’ﬁ:, my beauteous child, “ Where Poverty her iron reign “ Extends, more bleak and cruel far “ Than winter, or the northern ﬁar: “ Yet ceafe thofe cries, that all my pity move; “ Tho’ cold the hearth, my bofom burns with love. II. “ Soon will the icy brooks renew “ Their liquid fport, and, murm’ring, ﬂow ; “ Pale primrofes and violets blue “ Beneath yon fpangled havvthorns blow; “ And foon, perchance, the mighty Qfleen, “ Who governs this terreﬁrial fcene, "‘ Will bend, propitious, to my plaintive lyre, “ And blefs with patronage thy haplefé. ﬁre.” III. While thus an he-ﬁtating tear Glitter’d with hope and lively thought, The Goddefs with the wheel drew near, And, laughing, gave the boon I fought: O fatal boon. indeed! Farewell The rural comforts, not the cell, The fweets of Liberty, that never cloy ; Bright Hope, domeftic Peace, and friendly Joyl IV. Once more, dread Deity! behold My incenfe on thy altar laid; Not for promotion, fame, or gold, I now invoke thy poW’rful aid: Ah! give me back the honeit frown, The eye, the accent, all my own; My clear, my long-loft liberty reftore; Ahi give me back myfelf; I aﬂa: no 1I1OI‘€a . -. :1 (.5 ‘ "=19 ‘ -“av ‘..‘. .. 1' V" ‘-‘#4:!
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Text: I: \? @R.9. E \u 6FE%.:\IE‘@\,\r\ovf)Q/ —\r *~r'\.v-‘K/"\.l-—“\I'/‘\.r~ COPYRIGHTED I884 BY W. F38 HAW. SONGS. FCELEBRATED ALWAYS . . . . Lexlie 30 I WONDER WHY , , , Gm-,,,,u; STAR SPANGLED BANNER . ALWAYS ALONE . . Henriette 30 JAGK’S MESSAGE . . . jade SWEETHEART . . . . Ba[fe ALWAYS TRUE . . . Parker 30 KJLLARNEY , _ , _ Bag, THE BROKEN PITCHER . . Pontet ARROW AND THE SONG . ~. KINGDOM BLEST _ _’ _ Dz}; THE. IVORY GATE . . . Dz’:/E AS THE SUN GOES DOWN KISS ME TO SLEEP,...
Show moreI: \? @R.9. E \u 6FE%.:\IE‘@\,\r\ovf)Q/ —\r *~r'\.v-‘K/"\.l-—“\I'/‘\.r~ COPYRIGHTED I884 BY W. F38 HAW. SONGS. FCELEBRATED ALWAYS . . . . Lexlie 30 I WONDER WHY , , , Gm-,,,,u; STAR SPANGLED BANNER . ALWAYS ALONE . . Henriette 30 JAGK’S MESSAGE . . . jade SWEETHEART . . . . Ba[fe ALWAYS TRUE . . . Parker 30 KJLLARNEY , _ , _ Bag, THE BROKEN PITCHER . . Pontet ARROW AND THE SONG . ~. KINGDOM BLEST _ _’ _ Dz}; THE. IVORY GATE . . . Dz’:/E AS THE SUN GOES DOWN KISS ME TO SLEEP, MOTHER 1;-m,,g,',¢ THE LAST MILESTONE . . Pmztez‘ AT NOONT]])E . . . . 30 LIGHTHOUSE _ , _ Cram]; TBERESAPATH BYTHERIVER Loder 40 AUTUMN . . . Kz_r1g Hall 30 LOVE LIVES FOR AYE _ S‘-[lira THREE FISHERS . . . . Cruz}/Esltank 35 . . . MAN _ _ _ _Ru_H-£1] . ﬁrmfr . MAN 0’ WAR/S MAN . Giéxanc - " - - - » $771.0” IRD AND LUTE MERRY MAY _ _ _ L5,],-ev ’TIS HARD TO GIVE THE HAND, CHALLENGE (THE) . NAMES UPON THE SNOW Gaodwe E’1‘0- - - R. . . G/om C(EUR DE LION . ‘ MENELLA1 HOW I LOVE YOU 3,,,g,-,, TIT FOR TAT . . . . Pzmtet CRADLE SONG . . * OH; OHIOE NOT My HEART W,,;g;,;,,,, TOGETHER . . zllora DOUBTING LOVE . OH; HUSH THEE’ My BABY Hofman TWO BY TWO . . Fern‘ FACE IN THE CROWD ~ ONE GENTLE VOIOE , _ Bongm VANITY . . . . [fall I§l¥SRl;.‘Y MAID (THE) . Smart LADY _ Be;,,.,,m: ( ) . ~ . M02? RAD - Mm ..;BAINY 11)4;LO,YWM-«-z» . Reiclzardt - - Kmlght I MEAN TO WAIT FOR JACK . Dick g1ggIE““ ‘ , _ Rey . . Smith I'M WEARING AWA’, JEAN . Bislzop sM[LEg AND TEARS _ . W,.,g_;,,o,, WOODMAN (THE). . . S/rattan INSUFFICIENCY . . Stamer SOMETHING, TO LOVE ME , H,-,,,e YES, . . . . . Wakeﬁeld IN THE DAWNING . Halstram SONG OF HYBEIAETHEORETAN Egg,-0;; YOU OUGHT TO KNOW BETTER Solomon D303 ©© gﬁgﬁéﬁggéég nusnc uaunv VASSAR COLLEGE N7! 3.3 II; 'l”_R-fa ~. THE DAY IS 001.1) AND DARK AND DHEARY. Woxns ‘BY LONG FELLOW. M11310 BY CARL I{1<lICH-\]'H)’1‘, PIANO. 0 stacc. . o . . dark and drea.-ry-7 rams, and the wmd ‘ ne - ver Wea-ry; vine still clings to the m0uld’ring wall, But at ev’—1'y gust; -the {- n dead leaves fail, And the any is dark and is dark and . mm )0. coliu Voce. 1 life_ is cold and dark and drea-ry; It 1'ai11s,aud the wind is still, sad heart! And cease re — pi -ning, I10-hind the cloud is the » . * nev — er we-.1-ry; My thoughts still cling to the mould’ring Past, But the sun still bshfvning-7 Thy fate is’ the C0111-n10n _ lot» of all, In - » hopes of youth fall ‘thick 11 the blast, And the days are dark and -to each - life some rain must fall, Some days must be dark and — — ry And the days are dark -. _ -— ry, S0111e days must be dahk /'\ colla voce. 7' at tempt) -—-—----—- I ,_v‘v.v .. _::‘__..- ___ v.r.v. ,: xv '4 E vunv. é7l~PA'A NAT 0NAL SCHOOL F08 THE PANO-FORTE. -m-saa»:BY W. F. 'SUDDS.I§§ses~ for those who are compelled to become lowing points: 1 . detail. average works. base, subjects all-important, Methods. church organist, when necessary; this, WHAT NEW ENGLAND SAYS: Tnos. P. I. MAGOUN Bath,’ Me. The “National ﬁchool ’ is From what I knew of our wor department “Anthem ems ” I had reason to 2.. 1°“ ““‘° ‘“.’.‘i’.‘§.‘§.“.i’.‘.§."°f’i=i.i‘.i’é’..’1.“.‘.’.1.?§‘.’.2°.*. one are mor . features and such masterly treatment of the whole subject, that I can only say—It is Just what we teachers, and our pupils, need. No insgruction book hthat I am aeiqugiiamd w}iltl‘i; em races so mac or so ceary e nesw a they do embrace. l hope it may meet the suc- cess it merits. JULIUS fnrcmanne (Boston Conser- vatory of Music), Boston, ass. ﬁnd “ National School” a useful and well-planned work, well adapted for its purpose and a. welcome addition to the many excellent methods that have been published here and in Europe. I wish you all success. The Pilot, Boston, Mass. An exhaustive and valuable book. S. Susan, New Haven, Conn. Our teachers consider “National School” the best of all piano schools published in the United States. 0. H. KIKBALL Manchester, N. II. The publishers do not claim eno h for “ National School ” It meets a deman never so thoroughly supplied before. F. A. Fownn New Haven, Conn. I consider hat “National School” has no rival among American publications. A. S. BBLDING. Fitehburg, Mass. : I can confidently recommend “National School" to all who wish for an instruction boo; complete in all the details of piano-forte pla ng. ‘ DR. LOUIS MAA8, Boston or a careful survey of School,’’_ I am very glad». 5 I think it one of the; , that description I; ,‘._ _been brought under my noticegqiv t is simple, compre- hensiveand y,_ exhaustive-containing everythingthat can be sou lit for in any- thing of, its kind. I_ s be lid to recommend and use it as far as it is in mypower. .9) ‘ VWEAT THE MIDDLE STATES SAY: Albany (N. Y.) Marni E.-rprus. Destined to have a arge sale. MORGAN at Hsirsoan, Middletown, N Y. ' Our teachers are well pleased with “Na- tional School." Phila. (Pa.) Chronicle-Herald. An admirable and exhaustive work. htly named. in another Mass. in etional t It is desi ed,» not only for those who desire to become professional pianists, but a so for those who aim to become accomplished amateurs, while self-taught players, it will be found the . most valuable and ever published. ' We would callattention brieﬂy to the fol- It teaches the ﬁrst principles of music, partly by. means of musical writing lessons,‘ to be ﬁlled out by the pupil, affording a much clearer and easier way of overcoming ﬁrst diﬂiculties than other works of the kind contain. 2. The exercises are more carefully graded, introducing the pupil to but one new feature at a time, while in each case the necessa , explanations, which are usually left for the teacher to give orally, are, as far a possible, written in 3. The art of ﬁngering, touch, accent, etc., is more fully treated than in 4. It contains full and conflete instructions in Harmony and Thorough- an yet scarcely hinted at in other Piano-forte 5. It instructs the-student in the principles of vocal accompaniment, including playing from a_ vocal score, thereby preparing him to be an eﬁicien — too, is peculiar to the work. V Hdrricbur (Pa.) Independent. Conta as more than double the amount of musical information found in any other book of the kind. G30. I-‘. Btsnor, Philadel hia, Pa. I ﬁnd “National Sc col" an excellent work. As a book for teachers of the piano- forte, I can strongly recommend it. Hnimv Rosanna, Easton, Pa. I have been very partial to Richardson s justly po ular method, but he ed some time to see a me od more complete u some respects _and with clearer e lanations to scholars of many usali detai s. I ﬁnd that “National Sehoo ” has a I the merits of Richardson's, with the {ollcwin additional ones, viz.: Entertain— ing and ins ructive duets; remarks upon the proper use of the edals; clears lanation of he various embel ishments; lates studies of modern masters, Heller, Kohler, Liszt, and others; the exercises upon accent and remarks u on vocal accom animent - the excellent mu- sical and biograp ical dictionary, and, by no means the least important, the ﬁne treatise on harmony with its numerous examples. Jss N. Bncx, Philadelphia Pa. . The “ National School ” has been examined at length. Itgives me leasure to endorse its completeness and the c eamess wherewith all the rudimentary points have been therein set forth, as well as the judgmept displayed in the retention of the va us udies etc. I ve nothing but praise furthermore, for the writing lessons the several dictionaries, and the sh but satisfying treatise on harmony. A. H. E-rrrnena, Allentown, Pa. “ National School ” is a very thorough and minute work. It certainly contains everything that can be desired by teacher or pupil. ADAII GIIBBL, Philadelphia Pa. In eve way I ﬁnd ‘ National School ” the most pract cal work for that king or instru- ments—thb piano—that has ever been brought notice, and I feel that I can so conﬁ- and without p sumption, that t is not onl a thorough instruc r, but also an encyclo- .ae la, which I can recommend most heartily o the profession. A. H. Ross.'wio,.Philadelphia, Pa. ' I have thoroughly examined " National School,” and have no hesitation in ronouncing it one of the best and most thorou instructors . I have seen. Mr. Sudds embod es many new and originalideas in his work, which cannot fail to prove of greatvalue. I Inc. B. Swaimv, Chester a P . '_Ithink “ National School " a grand success in every way. . Jno. P. Douonimrv, Chester, P . . “ National School " is certai ly the best piano instructor ever published in this count . G. W. Suns-irmau, Akron N. Y. consider “ National §chool " worth double that of any piano school I have ever seen. and proper performance of eac . pronunciation of names and musical The following are selected thorn ‘hundreds of ‘testimonials fully endorsing the . W. GILCHRIST, Philadelphia, Pa. “National School’ is a most excel- lent and progressive work for the piano student, and I am pleased to have the opportunity of expressing my approval 0 its many good points. Mssusﬁaﬂlvl. {WsAall.iN'E?;Y§ahllB.d0l hiia,bl;'a. kji a one 00 an in ra e'wor having the different ggsdes of stud well sys: temat sod and suﬂlcient yvaried, wi out being too voluminous. Louis BEBGII, New-York. , I have carefully examined “National School,” and ﬁnd it a ve thorough work, superior to any method publ shed. Aims Bans Fosn, Biaiisville Pa. “National School” is an admirable It will give me pleasure to recommend it DUDLEY BUCK, Brooklyn, N. Y.‘ I have examined “National School ” and am lad to say that I think you have compile a good work. covering all essen- tial points of piano-playing, and which, roperly ma _ use good plafyers. trust that you will be rewarded or the labor and pains you have evidently taken. Music and Drama, New York. “National school” will prove an exceed- ingly useiul work, containing, as it does, a vast amount of information in a condoned form; and most of the studies and pieces are such as will rove useful to thzftudent in forming the han and acquiring “ ucli." work. was-r rm: sournsaiv‘ snrss BAY: Wu. H. Snun, Wheel W. Va. I consider "National hool" the best and most comprehensive I have ever had for sale. Wheeli (W. Va. Re‘g(uer. ' Av uabloboo of nstruction and referen . S. 8. Don»! Washington, D. C. I think “’National School " 9. vs complete work. It contains all the great re u sites ofan instructor-—thorcughness, pro ess on-, compre- hensiveness in a word comp eteneu; leaving the pupil with nothing to be desired. WHAT THE WESTERN STATES SAY: ‘ J. B. Osxsaox Indianapolis’, Ind. I think "National Sc ool ‘ suppliesalong- felt want. All teachers pronounce i am class. Sacramento Cal.) Doll‘ Record Union. This boo is all the is claimed for it. ‘ Chicago (lll.) Intevwocecn. A valuable book of instruction and reference. SEE FULL LIST OF TESTIMONIALS. » ancient and modern musicians and compose .. 6. It is the only piano school which treats, at any length, on the proper use of the so-called, and much-abused, “load pedal.” the work is of priceless value to the young student. 7., We ﬁnd among its contents, the subject of musical form, phrasing, etc., made plain and interesting to the pupil. 8. ~—Aside from more than -the usual amount of so-called technical matter, there is interspersed a. valuable repertoire of piano music, selected from the works of Schubert, Mendelssohn, Mozart, Bach, Beethoven, Rubinstein, Morzkowski and others, with Explanatory notes concerning the peculiarities On this subject alone, 9. And last but not least, is included a dictionary of music, with proper terms, with biographies of prominent . . That the “National School” opens to the student the shortest and best possible road to proﬁciency, is beyond a. doubt, ‘especially when we consider the well-known ability and recognized talent of the editor, as evinced in former works. And after a glance at the foregoi , that this book contains nwro tha/n (toggle the information found in any other work of the kind. it is almost supei-ﬁuous to say amount of m above claims : R. A. Kmzin, Knoxville, Ill. I am hi hi pleased with’ “National School.” I t in ‘ it one of the most com late works on piano teehnics that I have use . I shall adopt it with my pupils. B. J. Vorrrannu. Cleveland, 0. Your “National School " I ﬁnd to be a Vmost excellent work. It has so many advan— tages over everyniethod of the kind, that it cannot fail to take the lead. A. L. BANCROPI‘ as 00., San Francisco, Oal. “ National School" is a ﬁne work. I. G. Looms, La Crosse Wis. “ National School ” is certainly a very ﬁne xork, and pronounced so by all who have seen Hannunr sac Lapeer, Mich. _ e use of ‘ National School ” should be mter-national, for it has more features of merit than any other similar work. Its illustrations and explanations are a great assistance to the teacher and its nianyeother good things are all appreciated. I! is 2 best. Mas. M. W. Krnsnv, Plymouth, Ind. I have examined your “ National school," and pronounce it an excellent work. G. W. WARREN Evansville, Ind. " National §chool ” is, thout doubt, one of the most common-sense instructors. I wish you the success the merits ofthe book deserve. WILL L. Tnoirreoiv, the popular song writer, EastiLiverpool, Ohio. ry much pleased with “National I am ve ‘ Schoo .” It shows careful work of a thorough musician. I believe it will become a standard. J. I-I. Lnsain, Fa ette Ohio “ National Sc ool ’' is the best book of its > class I have ever examined-best for beginners, best for intermediate host for advanced pu ils. It is an instruction k, an enc clopasd a, a history and biography combine in one. It has no superior and is the work of a masterly musician. Our pianist, Mrs. Perry, agrees with me. o. J. WHITNEY Do it, Mich. Sudds’ “Piano ethod” is the best work of the kind we ever saw and it will certainly become popular. CANADA'S VERDICT. Gun. MARTINB, Toronto, Ontario. I can truly say that I see much to admire in our “ atioual School.” I think it the be school of its klndy and it will certainly have a ve large sale amongst the more rom— gitgia teac ers in Canada and the nited B. ' London _(0nt. Catholic Record. It will be ound the most valuable aid ever published. PRICE,.HANDSOMELY BOUND IN HALF CLOTH, $3.25. vat v.v.v.v.v w. I». xv.-.-.~.t.-I.‘ mcoumunu nus n£si—THE KING UF VPIMIU |N8TBUlIT0|lS_—£Nnons£nnv mess mo PROFESSION. VAVAI. - AVAVA .. _——.- -- 2 : ——¢
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