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Beware Take Care
Date
1865
Text
As sung by MISS CLARA LOUISA KE 1g§,I,~..4\UU(U(. A Pricc,4'0 cts. ‘§2fE{\N0_ NEW Y0 RK GSCHIRMER 35 UNION S0. MEZZ0 SOPRAQ MUSIC LIBRARY VASSAR C0 >¢ ._ BEWARE! W'ard.s- by II. L0l\'GI'ELLOW'. Jlusic by C’. Jll () UL TOJV. 1. I know a fair to see, 2. She has two . soft and brown, care! She can both false and care! She'gires a side glance friend — Ely be, and looks down, 487 ' E1: to red (wen rvling in .4 Ci of C 0 11 g res8A.D. l 8 6 5, by Bee?‘ ¢%SC,d...
Show moreAs sung by MISS CLARA LOUISA KE 1g§,I,~..4\UU(U(. A Pricc,4'0 cts. ‘§2fE{\N0_ NEW Y0 RK GSCHIRMER 35 UNION S0. MEZZ0 SOPRAQ MUSIC LIBRARY VASSAR C0 >¢ ._ BEWARE! W'ard.s- by II. L0l\'GI'ELLOW'. Jlusic by C’. Jll () UL TOJV. 1. I know a fair to see, 2. She has two . soft and brown, care! She can both false and care! She'gires a side glance friend — Ely be, and looks down, 487 ' E1: to red (wen rvling in .4 Ci of C 0 11 g res8A.D. l 8 6 5, by Bee?‘ ¢%SC,d'T me?-, i’n‘the ('I€"rl".v Offic? of lhe_Di.s"t riot Court of the Southern District of New York. . ‘ f th we thee she‘s she’.s' fool — ing fool - ing Tru st ' Trus l thee ________ __ thee, _______ __ She’s fool - ing She‘.s- fool — ing _ /\ She's fool - ing SI: 93‘ fa 0 I -— ing she's fool — ing .s-he's fool 1.'11g of gold .. en And what shé foul — lug thee, .b She's fool — ing thee ........... -- she”s f‘0oV1 - ing She-’s fool — ']'11g f'\ J New Songs and Duets, Selected from the Catalogue of G. Schirmer, New York ALLITSEN, FRANCES, A Song of Thanksgiving (with Organ ad lib.) High, medium or low. — I know a little Rose. '(Ich Weiss ein Riislein roth.) M.-Sop. — Eight Heinrich Heine Songs: A Pine-tree standeth lonely. (Der Fz'c/zienbaum.) Two Sapphires those dear Eyes of thine. (Sttjfi/tire sinrl die Augen deizz.) Diamonds hast thou and Pearls. (Du /last Diamante” um! Perlen.) King Duncan's Daughters. (Die Botsc/mft.) Since my Love now loves me not. (Seit die Lieéste war mztferrzt.) Fathoms deep may drift the Snow. (Magda draussenSc/mee sic/1 t/tz?¢‘r1nen,) Oh Death, it is the cold, cold Night. (Der Tod das ist die /:22‘/zle Nae/ti.) Katherine. (lfat/Larine.) Complete in one Volume. net AMBROSE, R. S., One sweetly solemn Thought. Sacred Song. High or low. BARTLETT, HOMER N., Come, see the Place where Jesus lay! Easter Song. High or low. —— 0 Little Town of Bethlehem. Christmas Song. With Piano and Violin obl. High or low. —: Sayonara. M.-Sop. BLACK, JENNIE P., 3 Songs for M.-Sop: No. 1. Storm, the King! “ 2. The Rosary. “ 3. The Violet. BROCKWAY, HOWARD, Op. 22. Two Songs: No. 1. Would thy Faith were mine. Sop. Lend me thy Fillet, Love. M.-Sop. BUCK, DUDLEY, Boots and Saddles. (A Soldier's Farewell.) Ten. (Original) C; Bar. Ab. —— O, Saviour ofthe World. Offer- tory. High or low. Until God's Day. High or (K 2. -13» low BURLEIGH, H. T., Plantation Why Love is King. High or Melodies, Old and New. net CAMPBELL, G., For one sweet Smile. M.—Sop. CASTELLO,GEORGE E., 4 Songs for Sop. (or Ten.): To the West Wind. Cou1d‘st thou but know. Du bist wie eine Blume. sweet as any Flower.) Sehnsucht. (Yearning.) CLAY, FRED, The Sands o’Dee. Sop. (Ah. $0.75 .50 .50 .5o .60 .60 .4o .60 I.00 .50 DE KOVEN, REGINALD, Abide with me. Sacred Song for Alto. Barcarollez “You are the Moon, my Love.” Sop. ? Battle Grey. M.-Sop. Love’s Trinity. Alto. — My Nightingale. Sop. DENZA, L., In Shadowland. High or low. FREY, ADOLF, Over the Way. Sop. GOLDMARK, RUBIN, Op. 5. Four Songs for M.-Sop. (or Ban): No. I. Ode. “ 2. Spring Rains. “ 3. The old, old Song. “ 4. A Love Symphony. GRAY, HAMILTON, The Golden Pathway. High, medium or low. —— Purple Heather. High or low. d’HARDELOT, GUY, In Bracken- time. Sop. HASTINGS, FRANK S . , F air Helen. (Old Scotch.) High or low. —-— For Love of You. High or low. —— Rose dark the solemn Sunset. High or low. HAWORTH, C. E., At Last. High or low. HOMER, SIDNEY, Eight Poems by Tennyson : Break, break, break. M.-Sop. Gm. Sop. Bbm. Crossing the Bar. M.-Sop. Db, Sop. E. Sweet and Low. M.-Sop. Db Sop. E. Thy Voice is heard. M.-Sop. E]; Sop. F. Home they brought her Warrior dead. M.-Sop. Fj;m., Sop. Am. The City Child. M.-Sop. Eb Sop. F. Minnie and Winnie. D, Sop. Eb. Er]13id’s Song. M.-Sop. Bb, Sop. p. M.-Sop. LAER, C. E. van, Crossing the Bar. Sop. LEHMANN, LIZA, Mother Sleep. High or low. MASON, DANIEL GREGORY, I love him. M.-Sop. : Shall I upbraid or praise her? NEIDLINGER, W. H., Life and Death. Bar. F; Bass D. — Thy Face. Baritone. NORMAND—SMITH, GER- TRUDE, Four Songs for M.-Sop. (or Bar.): Auf der Heide. (On the Moor.) Das Hiiterkind. (The Shepherd Child.) Sunnenwendnacht. (S 0 ls t i c e Night.) Der Geworbene. (The Recruit.) $0.60 .50 .60 .60 .5o .60 .5o .60 .40 .5o .60 .50 .5o .60 PRICE, C. E. B., A Few more Years shall roll. —— My Father for another Night of quiet Sleep and Rest. Sacred Song for Bar. (or Bass). RODNEY, PAUL, Clang of the _ Forge. Bar F; Bass Eb. ROGERS, JAMES H., “Moods." Four Songs : No. I. Not from the whole wide World I chose thee. High or low. “ 2. Years have flown since I knew thee first. Sop. “ 3. You. High or low. “ 4. Who knows? High or low. SAAR, LOUIS V., Hark, hark, pretty Lark. Sop. With Violin. —— Lilian. Sop. With Violin. SARJEANT, J., Blow, blow, thou lVVinter Wind. High, medium or ow. STAHLSCHMIDT, ARTHUR E., Concita. A Serenade in Seville. Ten. (or Sop.). —— If I were loved. M.-Sop. (or Bar.). STERN, LEO, Soupir. (A Sigh.) Valse lente. High or low. THOMSON, SYDNEY, I heard the Voice of Jesus say. Sacred Song for Alto (or Bar.). TSCHAIKOWSKY, P., Pi1grim’s Song. Bar. (or Bass)E; Alto D. WARREN, SAM’L P., Faithful. M.—Sop. —— Waiting.‘ M.-Sop. WHITE, MAUDE V., How do I love thee. M.-Sop. (or Bar.). WHITING, ARTHUR, Barrack- Room Ballads (by Rudyard Kip- ling). (Da7myDeever. Zllmzda/rzy. Sacred Song for Bar. $0.75 .50 .5o .50 .50 Soldier, Soldier. F/uzzy— Wuzzy. net I.0o “ Floriana.” Poems by Oliver Hereford, from “Overheard in a Garden.” For Solo Voices and Piano. VOCAL DUETS. ALBUM ofsixteen Sacred Duets for various Voices. net Dvoiuix, ANTON, Echoes from Moravia. (Klange aus Méihren.) I3 Two-part Songs for Soprano and Alto. g. e. RUBINSTEIN, A., Eighteen two-, part Songs : g. e. Paper. Cloth. net 1.50 I.O0 net 1.00 1.00 2.00
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Beware Take Care
Date
1865
Text
yfzw YGRK. 7ot93R®N3W9\Y- 61% ,9-/w-mg;-LM/zc K/ex-,(:r we 45///i/fll.;”2’rt(é (émcyz/2/» (J. J7//}ro‘:r«. .>'ozz///en vflzevt/~iz£ A/Wu/. }’3'I'/1: .25‘:-u2revtarz'or-o£;>zg Q/Jrmfibrzg/rczrr was 2?4.7-_7€5’.>‘ ’ MUSIC LIBRARY VASSAR COLLEGI BEWARE! W7) rds by H. LOI\‘GI'ELLU”". JI1u'I'L' by (". 4 IO (LI/I’()_.f\'. 1. I know a fair to see, 2 . She has I II‘() soft (1 1:41 I; roum , She can both false and She gives a side glance be...
Show moreyfzw YGRK. 7ot93R®N3W9\Y- 61% ,9-/w-mg;-LM/zc K/ex-,(:r we 45///i/fll.;”2’rt(é (émcyz/2/» (J. J7//}ro‘:r«. .>'ozz///en vflzevt/~iz£ A/Wu/. }’3'I'/1: .25‘:-u2revtarz'or-o£;>zg Q/Jrmfibrzg/rczrr was 2?4.7-_7€5’.>‘ ’ MUSIC LIBRARY VASSAR COLLEGI BEWARE! W7) rds by H. LOI\‘GI'ELLU”". JI1u'I'L' by (". 4 IO (LI/I’()_.f\'. 1. I know a fair to see, 2 . She has I II‘() soft (1 1:41 I; roum , She can both false and She gives a side glance be, do u'11 , ~19’? E11 It- rmlztt-r-r» nling In A (‘l ufi '0 ng 1-as-3 A.D. 1 8 6 5, by Bee1~¢f=Schi rmer, in "(P ('10 .»=I.".s- ()ffi¢.-P of llw I) is! rit-l ('01: pl - of the So 11 (Item: I)1'.s' l rid of ,\'e>w I '0 rlr. Sht-'s foul - ing She's foo? - ing /\ f the-4» She's fqv-ML - ing SI1.e‘.s foo?! — ing she‘s fool — ing .s'he’.s' fool - ing V thee sht=’s foul - ing she's fool — ing thee ________ -_ llwe._; _____ __ Sh9’s ‘fool — ing thee ............ .- she's fool — ing thee, She‘s fool — mg /\ BEER 82; SCHIRMERS CATALOGUE of VOCAL MUSIC. SONGS. (Those marked with *‘ are with embellished titles.) 5 Abadie, L., Le Vieux braconier, Rom. franc, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Alary, G., Un Secret. Romance Franc, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 25 Abt, F rz., When the swallows homeward fly, (Wenn die Sc/Lwalben, etc.) . . . . . . 0 ye tears. Contralto, or Soprano, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sleep well, sweet angel, (Schlaf wohl, du siisser Engel du) Spprano.,. . . “ “ A t . . . . . . . 0? ——-- II Sogno, (A happy dream.) Valse composée pour Paolina Lucca. Sop., Annie of Tharau. (Aennc/ten non T/Larau.) Popular Song, . . . . . . . . . . . . . . . . . . Arditi, L., I1 Bacio, (the kiss.) Arietta, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ascher, Jos., Alice. Romance. French and English, . . . . . . . . . . . . . . . . . . . . . Auber, D. F. E., Laughing Song from the Opera “ Manon Lescaut,” English and French words (as sung by Carlotta Patti) . . . . . . . . . . . Balfe, M. W., The Sweet Guitar. Boler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tu m’ami ah si! (Then you’ll remember me.) English and Italian,.. ——- Oh! take me to thy heart again. Song, . . . . . . . . . . . . . . . . . . . . . . . . . Bassford, W. K., “’Tis all for thee.” Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. N ever-More. Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bellini, Ah, non crcdea, (Alas ! for thee, time’s power,) in G minor, de l’op. “Son- nambul ” Berre, Ferd., Loin de Toi 1 (Far from thee.) French and English,. . . .. . . . . . Bordese, L., La Course aux Papillons. Rom. Francaise, . . . . . . . . . . . . . . . . . .. Miracle of the Roses. Parlor Operetta, . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Borg, Louis, Dreams of Love. Son . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Braga, G., Santa Lucia. (When the bright moonbeams.) Rondo de Concert,. * * * La Reine Mignon, (Queen of .Joy’s Realms am I,) . . . . . . . . . . . . . . . . . Campana, F., To thee! (a te !) Ital. and Eng.,. . ., . . . . . . . . . . . . . . . . . . . . .. , Glapisson, L., Within this goblet brightly glowing. Brindisi, from the opera “La Promise.” English and French words, . . . . . . . . . . . . Dama, L., L’Amore. Romanza per Mezzo Soprano, . . . . . . . . . . . . . . . . . . . . . . . . Donizetti, In terra solo, (Lonely, I wander,) in B flat, de l’op. “ Dom Sebastian,” All’ afflitto. Romanza de l’Opera Roberto d’EvereuX, . . . . . . . . . . . . . . Convien partir. De l‘0pera Figlia del Regimento. Italian, French and English, F Minor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 luce di quest anima, (recit. and cav.,) in B flat, de l’op. “ Linda di Chamounix,” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . O mic Fernando, (recit. and cav.,) in C major, de l’op. “ La Favorita.” Ital. and Eng, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Farmer, H., Little Sunbeam, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ferrari, S. A. de, I F iori g’Aprile, (Spring Flowers.) Mazurka per Canto. Ital. and ng ., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Flotow, M’appari, (Ah! so pure,) in E flat, de l’op. “Marta,” . . . . . . . .: . . . . . . . . Franz, Rob., Fondly he sought me, (Er ist gekommen in Sturin,) . . . . . . . . . . . . Glover, S., Do they think of me at home? Song, . . . . . . . . . . . . . . . . . . . . . . . . Gordigiani, 0 santissima Vergine. (Prayer to the Virgin,) . . . . . . . . . . . . . . . . . . Gounod, Chs., Faust, “ Cera un re di Thule,” (Reigned a King in Thule,) Ital., French, and Engl., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. “ Parlate d’amore, (Lovely flower I pray.) Ital., French and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sing, Smile, Slumber! Serenade. French and Engl., or Ital. and . Eiwlish, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gr-aben.Hofi‘man, The Barightest Angel. (Der Schoenste Engel,) . . . . . . . . . . . Guglielmo, My Angel. (Angelo mio,) Italian and English... . . .. . . . . . I love thee! (T’amo, Guion, Prosper, La Fillette aux Chanson. French, and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gumbert, F., Ye merry birds, (0 bit!’ euch, Ziebe Vo'_qele2'n,) Contralto, . . . . “ “ “ “ “ Soprano, . . . .. Soprano, . . . . . . . . . . . . . . . ___ C0ntralto.. Hail Columbia! National Song. Arranged by S. Jackson, . . . . . . . . . . . . . . . . . . Halevy, F., La Juive. ll va venir. (He will be here.) Ital., Fr. and Engl. Sop., Hall, F., Ever of Thee, . K, E, H., Awake,‘love, awake! Serenade, . . . . . . . . . . . . . . . . . . . . . . . . . . Hering, C. E., The Stars and Stripes. Patriotic Song,. . . . . . . . . . . . . Hodges, F . H_, The Dreary Day. Words by Longfellow, . . . . . . . . . . . . . . . . . . L’A.micizia. (Friendship.) __Duett for Sop. and Mezzo Sop., . . . . . . . . . Farewell to N orth-Maven. Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Rose-Bush Song. For Sop. Do. for Alto, . . . . . . . . . . . . . . . . . . . Cloister Memories of Sacred Song: . . . . . . . . . . . . . . . . . . . . . . . . . . . .. No. 1. Blessed are the poor 'n spirit. Mezzo Sop.,... . . . No. 2. Blessed are they tha mourn. Contralto, . . . . . .. No. 3. Blessed are the meek. Duet, 2 Sop., . . . . . . . . . . . N o. 4. Blessed are they that do hunger and thirst. Con. No. 5. Blessed are the merciful. (I/Vill be continued.) Hoelzel, G., The Forsaken One, (Al,/oenkZage,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Tear, (Die TIm‘ine,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . * The Village Blacksmith’s Bride, (Mein Liebster {st im Dowf der Schmied,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Huss, G. -L, A National Lyric. Words by R. S. Willis, . . . . . . . . . . . . . . . . , . . . Jackson, S., Lights and Shades. Words by Mrs. Norton, . . . . . . . . . . . . . . . . . . . Katey’s Letter. Irish Song, King, W. A., Ave Maria, (English,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kotschoubey, L., Oh ! ten him all, (Oh! dites-lui.) Romance, . . . . . . , . . . . . . . Kuecken, Fr., Jewish Maiden, (Mddchen non Judah,) . . . . . . . . . . . . . . . . . . . . . . Thou soft and balmy evening breeze, (Frii/tlings're7'gen,) . . . . . . . . . . . . Linley, G., The Swiss Girl, ' Lucantoni, G., La Danza d’Amore, (Gay dance of love.) Valse. Mezzo Sopr. (Ital. and English,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Manzocchi, M., La Bella Stella di Trinidad. Baroarolle, (Ital. and Engl.,).. . . . . Mendelssohn, Here under the trees, (Da lieg ich miter den .Bd'umen.) Alto,. . .. Merz, K., The Strangers Love, (Des Fremden Liebe,) Meyerbeer, G., Fisher Maiden. (Guide au bord ta nacelle,). French & English, Mill in the Valley, (In cinem 7Ci,i]Ll677. Granola.) Popular Song, . . . . . . . . . . . . . . . . . Millard, H., With all my heart I love you, (Io ti voglio bene assai,) . . . . . . . . . . .. Millet, E., Diana, (Maidenls Warning.) Valse. (Ital. and Engl.) Mezzo Sopr.,. —: Giannetta. Allegro, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . j— Song of our Country's Daughters, . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. —————- A Sailor’s Song, (0 for a whilf of the salt sea breeze,) . . . . . . . . . . . . . . Muller, A., Ye soft blue eyes, good night. (Ihr blauen augen gute nacht.) Ser- enade, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Little Mendicant. (Das Bettelnde Kind.) u ' rt U —_.._. M uzio, E., Brindisi—Waltz. (English and Italian.) As sung by Mlle. Carlotta Patti and Mme. Strakoseh, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ere life’s declining sun has set, (Di tanto ecceso o’perfidi,) Aria in- troduced in the opera “ Bohemian Girl,” Piccoloinini Waltz, _ L’Amour. Clara Louisa Polka. Soprano, . . . . . . . . . . . . . . . . . . . . . . . dfl o. Mezzo Sopr., . . . . . . . . . . . . . . . . . . .. L’Usignuolo. Canzone di Bravura. Soprano. (Composed for and sung by Carlotta Patti,) Le Stelle d’It-alia, (Stars of Italy,) Melodie per Canto, Ital. and Engl., No. 1. Stornello Toscauo. (Toscan Evening Song,)“ La Vedova. (The Widow,) . . . . . . . . “ La Nanna. (Cradle Song,) . . . . . . .. “ I1 Sospiro. (The Sigh,) . . . . . . . . . . . “ . . L’Af’fezi0ne. (Afi‘ection,) . . . . . . . . . “ No. 6. All’anra. (To the Breeze,) . . . . . . . . “ Norton, Hon. Mrs., Juanita. Spanish Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . Perrlng, E., Piccolomini’s Farewell to America, . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Petrella, E., Brindisi (Italian and English) from Opera Jone, . . . . . . . . . . . . . . . . “Abandonata e orfana. (Orphaned, abandoned.) Rom. par Mezzo Sop. de Opera Jone, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Vanne e serba geloso.” (Go, preserve this important.) Duetto par Basso and" Mezzo Sop. Opera Jone, . . . . . . . . . . . . . . . . . . . . . . “ Llamo, l’a1no.” (Love him, love him.) Cavatina par Soprano. Opera Jone, “ Dell’ Ilisso sulle sponde." (0’er the banks of cool Ilissus.) Duetto Sop. and Ten. Opera Jone, , , , . . , “ O Jone, di quest’ amina.” (O Jone, for thy light of love.) Romanza, . Tenor, Preyer, G., Will she com Proch, H., Tyrolese Song, (TyroZe1'Zied,) Reichardt, Alex., Thou art so near and yet so far. (Du bist mir nah und doch sofern.) New edition in the key of E flat. French, Eng- lish and German, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ricci, Alfin brillar. (My heart with joy,) B flat, .......................... .. Rivarde, P. A., The Harvest Moon is beaming, (Guide au bord ta nacelle.) § Barcarolle, obillard, V., Dieu, mon enfant, te le rendra. Romance, . . . . . . . . . . . . . . . . . . . Rondinella, P., I! Griubilo. (Valse elégante.) Italian and English, . . . . . . . . . .. Salaman, Ch., I arise from dreams of thee. Serenade, , . . . . . . . . . . . . . . . . . . . . Schubert, Cam., Le Gondolier de Venise. Barcarolle, . . . . . . . . . . . . . . . . . . . . . Schubert, Franz, Last Greeting. (LebewoILl,) . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Maiden’s Lament, (Mddche7L’s Klage,) My Abode, (Aufent/taZt,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shepherd’s Song of Complaint, (Schdfers Klagelied,) . . . . . . . . . . . . . . . —-——— Serenade, (Stands/zen.) Ital., Fr., Engl., . . . . . . . . . . . . . . . . . . . . . . . .. Schumann, R0b., The Lotus Flower, (Die L0tosbZume,) . . . . . . . . . . . . . . . . . . . . .. Oh I thou art like a flower, (Du bis! wie eine Blume,) . . . . . . . . . . . . . . . Silcher, Loreley. Popular Song. Engl. and Germ. words, . . . . . . . . . . . . . . . . . . Speranza, D., The Hour of Prayer. Sacred Song, . . . . . . . . . . . . . . . . . . . . . . . .. A Hymn of Thanksgiving, “ Spohr, L., To Minona. Serenade, Star—Spangled Banner. National Song, (with Chorus ad libit.) Arr. by S. Jackson, Stigelli, G., Isolina. Arietta. Engl. and Ital. words, . . . . . . . . . . . . . . . . . . . . . .. Szemelenyi, E., Medora, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Templar, E., My heart is breaking. Ballad, . . . . . . . . . . . . . . . . . . , . . . . . . . . .. Thevenet, D’Alphonse, Femme du Pecheur, . . . . . . . . . . . . . . . . . . . . . . . . . . .. Thomas, J. R_, In the clear mirror of her eyes. Canzonet, . . . . . . . . . . . . . . . .. * Thunder, H., G., The Sands o’ Dee. Lyric Ballad, . . . . . . . . . . . . . . . . . . . . . . . Torrente, G., Show me thy ways, 0 Lord! Anth. f. Soprano, . . . . . . . . . . . . . . . . Venzano, L_, The Zingarella. Italian and English Verdi, G., La Traviata: “Dite alla giovine,” (Tell me, fair Maiden.) Song,. . . . Un Ballo in Maschera: “E scherzo od e follia,” (It seems a harmless lying.) Aria, Weber, G. M. V., Lullaby, (Wie_qen.Zied,) . . . . . . . . . . My true love is fair, (jllein Schatzerl is [Lil Pain of secret love, (Heimlichcr Diebe P Weldt, H., How fair art thou l (l/Vie sckocn bist du /) . _ . _ . . Wood, Alb. H., A Psalm of Life. Words by Longfellow, Wrighton, W. T., Gentle ray of sunlight. Song, . . . . . . . . . . . . . . . . . . . . . .. . . . VOCAL DUETS. Campana, F., Do you remember? (Te Prammenti?) . . . . . . . . . . . . . . . . . . . . . .. See the pale moon, (Guarda che bianca Luna,) . . . . . . . . . . . . . . . . . . . . . Tell me thou lovest me, (Dimmi che m’ami,) . . . . . . . . . . . . . . . . . . . . . . Hackel, Ant, Two Nightingales, (Die beiden NachtigaZlen,) . . . . . . . . . . . . . . . . . Hodges, Fa ustina Hasse, L’AInicizia, (Friendship) Polka Duet. 2 Sopr., llgluoantoni, G., Il Bacio, (Bright as the bow of promise gleams.) 2 Sopr., . . . . . . illet E. “With cheerful notes.” Sacred Duet, . . . . . . . . . . . . . . . . . . . . . . . . . . 7 l “ Meekly may my soul receive.” Church Duet. Sop. or Mezzo Sop., and Baritone, Mosenthal, J., “I will magnify thee, O God.” Sacred Duet, . . . . . . . . . . . . . . . . Nicolai, Otto, Evening, (Wenn sanft des abends.) Duets Sopr. and Bass, .. . . . . Yradier, Chev. de, Jota de los Toreros, (Song of the Toreador.) Sop. and Alto, TRIOS AND CI-IORUSES. Bellini, Beatrice di Tcnda, “ Angiol di pace,” (Angel of peace.) Sop., Contr. and Tenor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . e,loli ! come,” coro di donne, . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . Bonoldi, Felice donzella, (Oh! happy the Maiden.) 3 Sopranos, . . . . , . . . . . . . . . Costa, M., “Vagnnse ar coleii fiche adoro,” (Go to the one whom I adore.) Trio, op . an enor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Donizetti, G., Lucrezia Borgia, “Bella Venezia” and “ Bando bando.” Coro di donn Gemma di Vergi, “ Vieni o b Coro di donne, . . . . . . . . . . . . . . . . “ Do’lce zcl'liro.” Coro di donne, de l’Opera: Favorita, . . . . . . . . . . . Jackson, Scalm ‘I, J:11lDllEEIl)(—) Pee, élfllllllilll, 4 vp,1c_es, in E flat, with Organ‘ Accomp., Ol'lfl. Ill XCC SIS an \ (separate voices). . . » Bcnedietus, Anthem, 4 voices, in King, Wm. A,. Six sacred Quartets, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Millet, E., Ye fields of Light. Sacr. Trio, Sopr., Ten. and B., . . . . . . . .. , Verdi, G., Giovanna d’Arco. “ Tu sei bella.” Coro di donne, . . . . . . . . . . . . . . . . IMPORTERS OF FOREIGN MUSI.G.
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Beware Take Care
Date
1865
Text
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Show more-“.,.,......-...-uv W“ ' ix. 1, . I ' ' - .—-_~«-».......‘ .. IA % % : .3 i. N1;WYaR)c. G. S C H IR M E R ,.701;BjR5':);\3)W;&Y. SUCCESSOR T0 BEER &SCHlRMER. z‘,‘m:/ mf rmrw fl’J,/Iq //» //{'1'///ft‘?/I‘/I///‘(‘.C¢‘//£1/,/9’) kw /r?6'j /2;. / K/rfi. z’,':.’F/7':z '//1 //Er ,//e/%cr///7/"rm//1/‘ /}1./}’rz(/ (//311377’./////l4'*‘/r’ W 0 . .>'/;/zzV/r:m /.7/a7w1c‘. 1/ ' ' 4/r74/M/*/r uusnc uannny -VASSAR COLLEGE ?’1*:lce 40 as ME;7Z{) I'>()F’H/\N() BEWARE! H701-(Is by II. LOJVGFELLOVV. Jllusic by C. JIIOULTOJV. 1. I know a maid — en fair to see, 2. She two eyes ,so soft and brown, She can both false and She gives a '-side giance friend — ly and . looks 487 - Fnie red acco/rd1'1zy to A ct ofCo 11gre.9sA.D; 1 8 6 5 , by Bee?‘ cf-ScIu"rme'r, in the ("Ie’rl".s- Office of tIveD ist rict‘C'our't of the Southern l)1Lst1*ict 0,f_7\'ew Y 01-k. . f s}1e’s fool - ing thee She-.’s fool — ingé she's fotfl — ing' thee S'he’.s7§ fool — ing she’s fool - ing‘ .s'he’s fool — ing She's fool — ]'J1g thee ________ _- She".s- fool - ing the? ........ -_ of gold - en A1111 What she thee, S‘he’s fool -~ 1'J1g thee ........... -_ she’s fool — ing thee, She’s fool — " f‘\ Catalogue No. 2 of Vocal Music, published by G. Sohirmer, 70] Broadway, New-York. SONGS. Verdi, G., Luisa l(\iIiller: “ La tomba 6 un letto," (The grave, like gs.rdens,) Melo ie . . . . . . . . . . . . . . . . . . . . . . . . . . Vilanova, IL, Sospiro. Melodia,. —— Ave ltlaria. Sop. or Mezzo-Sop. Warren}, S. P., The sea hath its pearls. WingsofSong.. .. .. . Mother’s Morning Song, . . . . . . . . . . . . . . . . . . . . . . Two Songs: No. 1. Miller’s Daughter, . . . . . . . . . . . . . . No. 2. Love that hath us in the net,. The Fountain. Watson, H. 0 . nllivllti A Happy tears down falliiig,. . . Roving, restless streamlet, _ 0. HI. V., Lullaby, (_Wte (1, ._ .. My true Love is fair, (Mam be/iatzer 25 /mZ>scIL,). — Pain of secret love, (lieiiltlicher Lielze Pein,). . . . xveidt, 11., How fair art thou ! (Wis so/Lon btst du I) . . . . . . . . . . . . . . . . .. Wviebe, EdW., Slumber Song. Engl. and Geiz, . . . . . . . . . . . . . . . . . . .. . . . . Elvood, All). I-[., A Psalm of Life. Words by Longfellow, . . . . . . . . . . . . .. Wriglitoxi. W. T... Gentle ray of sunlight, Song, . . . . . . . . . . . . . . . . . .. Wrobleski. E., Lifeis happy hour. (11 Ballo.) Valse, M. Sop., . . . . . . . . . Yraidier. Chevalier, Lost forever, (Ay Chiquita.) French and English, or Spanish and English, . . . . . . . . . . — Maria clolores. Spanish and English,.. . . .. VOCAL DUETS. (Fliege du Vbglcin.) Duet, . . . . . . . . . . . . . (Surrc, surre Kiiferlein.) Duet, . . . . Sop. and T Latin and Italia Song,. Weber, Abt, Fl'Z., Fly away birdling. —— Music of the Meadow. Arditi, Night in Venice, (Una notte a Venezia.) opraiios, . . . . . . . . . . . . . . . . . . . . . , . . . . . . . . . . . . . . . . . _ , . . . . . . . . Auber, D. F. E., Premier Jour de Bonheur. Nocturne. Sop. and Mez. Sop. French and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . liklangini. 17., Through valley, through forest, (Per Vd.lll,_ per boschi.) Bordese, L., Carnaval dc Venise. (Carnival of Venice.) Sop and Alto, French and English, . . . . . . . . . . . . . . . . . . . Oarnpana, F., “ I live and love thee.” (Io vi _.—— Roma 1 (Rome,) Cont. and Baiz, . Do you remember? (Te Praminenti '2). . See the pale moon, (Guarda che bianca Luna,) . . Tell me thou lovest me, (Dimmi che m‘ami,) . . . . . . . .. ... . . . . . Contralto or Sop. and Ever united, (seinpre insieme.) Sop. and Baritone, . Maria e Kizzio, (Mary and Rizzio.) Sop. d e ., r 2 We’ll go and seek. (Alla capanna andiamo.) Sop. and Sop., or Sop. and Ten., . . . . . . . . . . . . . . . . . . . . . . . —- Come witi. me. (Vieni meco.) Sop. and Mezzo Sop. Carulli. Poor Heart, (Povero cor.) Soprano and Baritone, . . . . . . . . . . . . . . . C111-sclnnann, Welcome be thou light of heaven, (WillIt'0Ir1.me7t do G0tl€8 lstmne.) 2 Sopranos... . .. . .. In the Woods. (1771. Wu/rte.) u t, Sop. , D0 zetti, La Favoiita, “ 0 Days of Youth,” (Ah Leonora l guai o.) and Baritone, The Adieu, (L’Addio.) Soprano and Baritone, . . . . . . . . . . . . Gabussi, La Calabraise. (Fortune teller.) Sop and Mezzo Sop. Italian, English, and French, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gounod, Charles, Romeo e Griulietta. Madrigale, “Angel che adoro,” (Angel beloved.) Duet. Soprano and Tenor, . . . . . . . . . . . . . . . . Grell, A. }3}., Laurel and the Rose. (Larbeer und Ruse.) Sop. and Mezzo Soprano, Graben-Hoffmann,’ Messenger of Spring. and Baritone, Gumbel-t, F., Cheerfulness, (Frohsinn.) Waltz, Duet. 2 Sopranos, I-Iaekel, Ann, Two Nightingaies, (Di 1) ‘den NacILt7;gallen,)... Kiodges, Faustina Hasse, L’Amicizia, (l<‘riendship.) Pol Duet. 2 Sopranos, . . . . . . . . . . . Kiicken, Fri)... fmward bonny boat be flying, (Treibe, treibe, Sc/Lwtein.) ue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (»V‘7"t'i/Lli/z_gs0oten.) Sop. , . —-— On gentle waves. (Die 17" . Duet, . . . . _ . _ . , . __ Lueantoni, G“ 11 Bacio, (Bright as the bow of promise gleams or Tenor and Soprano, . . . . . . . . . . A Night in Venice, (Una notte a Vene . 2 Sopranos, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lovers’ Meeting, (I1 convegno.) Soprano and Tenor or 2 Sopranos,. -—— La Reconcialation. (The Reconciliation.) Duo Sop. and Bar. Italian, French, and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . , . . Mabellini, F., L’Estasi “ Zitto non chiedere.” (’l‘he Ecstasy “ Speak not lov .” Duet, Sop., and Baritone, . _ . . . . , , _ . , . . Malibran, Mme", “ Breathe not that mountain Duetorsolo, . . . . . . . . . . .1 . . . . . . . . . . . . . . . . . . . . Masinl. F., Tshe Land of the Swallows, (La Patric des Hirondelles.) Duet. ‘-4 OPYMIO . Mendelssohn, 17., Two part songs, (new and correct edition,) complete and separate. No. 1. “I would that my love,”. . “ 2. The passage bii-d’s farewell,. 8. Gree ing, . . . . . . . . . . . . . . . 4. Autumn Song,. . . . . . . . . 5. 0, wert thou in the cold blast, 6. May bells and flowers, . , . , . . 7. My bark is bounding, ’ ( des Vaches.) s, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 8. Can I light hearted be, 9. Evening Song, . . . . .. 10. Zuleika and lziassan 11. Sabbath moi'n,.. . . . 12. The harvest field, . . . . . . 13. Song from“ltuy Bla ” .. . , , . lvlillard. I-L, Vieni al ml: qsenl (Come to my heart I) Duet. and Tenor or ' copranos . . . . . .. Mfllet, En Awake up rgy glory, (Quae te Ch . orano. uet......... . . . . L’Aveu. h(The vow !) ‘”Du§t, Tenor, and Sop. French and English,. “ With c eerful notes. acred Duet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Meekgy may my gofil rfceive.” Chiirch Duet. Soprano or Mezzo oprano an an on Adored foreveir, (Beatam te dicent.) 2 Sopranos, . . , . . , . , _ ——- Grlencove. “Duet for Soprano and Mezzo Sop., or Tenor and Soprano, Mosentlial, J., I will magnify thee, 0 (:rod.” Sacred Duet, . . , . . , , . , . , Nicolai,M0ltto, Evenindg, (8/Vem7., sanfl ales Abends.) Duets, Sop. and Bass, at tsubyecte , ( rmai sommesco.) Sop. and Bai-., or Sop. and I] . Offenbach, J._; La Périchple, L’ warrior once said. ’ Duet, Ten. an Palloni, G., L’Oi‘{a.1convenuta.3._(The appointed -h . , Duet, 2 Sop., or sop. am "en. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . _ .. -— Una Sera in Mare.‘ (An Evening at Sea.) Duet, 2 Sop., or Sop. and Ten. Ricci. Now waits the Gondoletta, (I ront e la uondoletta.) Duet or Chorus. Soprano séfriétirb‘ }£xi:i' iwiéiié TwoSop., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Rinck, 0115., Sabliath Eve. 12 devotional songs for 2 voices, Book 1 and eaci... _ , , , , , _ , _ , _. schimon, A., The céi. . L’Eco.) , Sop ., so,,_ and T6,,” S. ll}. S., Felice, amore, (Tell me then, dearest.) Duet, Sop. and Mezzo Sop., Yradier, Cllgghde. Jota de los Toreros, (Song of the Toreador.) Sop. an 0, . . . . . . . . . . . . . . . , COMPLETE CATALOGUE OF IMPORTER OF FOREIGN MUSIC, 5 50 50 «+0 TRIOS, QUARTETS, AND CI-IORUSES. (SECULAR MUSIC.) Bellini, Beatrice di Tenda, “Angiol dl pace,” (Angel of Peace.) Sop., Cont. and Tenor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . —— “ Come, oh! come,” (Coro di donne,) . . . Bonoldi, Felice donzella, (Oh! happy the Maiden.) 8 Soprano Oampana, 17., Row us swiftly, (Voga, voga.) 8 female voices, . , . . . . . . . . 1 — When I am gone from thee, (Quando fia gen-ere,) Trio, 2 Sop., and Ten. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . My mother‘. (Mia madre.) Trio. 3 female voices,. . . .. Clapisson, L., Les Grlaneuses. (The Reapers.) Solo and Trio, or Chorus. Three female voices, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Costa, IVL, “ Vanne a colei che adore,” (Go to the one whom I adore.) Trio, 2 Sop. an enor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Curse-hman. The Violet, (Das Veilc/Len.) Trio, 3 female voices, . . . . . .. Donizetti, G., Lucrezia Borgia, “Bella Venezia,” and “ Bando, Bando Coro (li donne, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A Geinma di Vergi, “ Vieni n Bella.” Coro di donne, . . “ Dolce zefifiro.” Coro di donne, de l’0pera I<‘avorit-a, . . . . . . . . . . . . . Garcia. lVIIne., Se mia prestassi i vanni, (Spirit of Light and Beauty.) Trio, 3 female voices, Gordigiani. 0 come to the Sea, (Vieni al mar.) Trio, Sop., Ten., and B.,. Nigri, G... La Luna, (By Moonlight.) Trio, 3 fem. voices, or Sop., Ten. and B., Rittel', F. L., Practical Method for female chorus classes, Part] and 2, each . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . n Scllumaxin, R01», Gipsey Life. (Zigeuner-Lebzm.) voices, score, . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 voices, parts separate, each,. . .. .. Sibel-, Ferd., Summer. (“ 1m Sommer zremt die Biiume 971271.”) Trio, Sop., Alto, and enor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. G., Giovanna d’Arco. “ Tu sei belia." Coro di dcnne, . . . . . . . .. . Chorus for mixed Verdi, FOR FEMALE VOICES. F. L., and Funny Raymond-Bitter, Collections of Trios and Choruses for female voices, is adapted and arranged, with English words. . 1. “Sleep, sleep, noble Child.” Chorus. Blanche de Provence. Cheriibini, 2. “ To Earth May Win<ls are of the Rose. (Schumann,).. . The Merry Month of May. . (A L Maiden’s Spring Song. Trio, (F. Grumbert, . “ Hark ! ’tis the Indian Drum ” Round. (Bis iop,) . . . .. “ When the Wind blows.” Trio. (Fanny R, l{itter,) .. .. “The World lies hushed in Slumber.” Trio. (It. llol,). The Spanish Tambourine-Girl. Chorus. (Scliumann,). . " Hear our Morning Pr ' ” Solo and Chorus. La Ves tie, (Spontiui,).... . . . . . .. .. . . . . . .. . . " Morn‘s Gates aga . . ( ptmann, “Sprites of Air.” Fairy Chorus. Oberon. (Webei',) . Down in the Dewy Dell. Tfio. (Henry Smart,) . . . . . . . Thou wilt notleaveme,(Ah, nonlasciarmi.) Trio. (Leonlr d,) “ Calm is the glassy." Chorus. ldomenoo. (Nlozai'l.,). . .. . The Chime of Silvery Sabbath Bells. Trio. Abt,) . . . Nightfall and Darkness, (Alta 6 la Notte, oscura) (Grordigi-ani,) . . . . . . . . . Rittor, Chorus. Pilgi nnge _-m_._.»_n._i_ °‘$'-7':F*.°°’~"’!“.° 5°.°°:*‘?’$1‘£".°° 'i~.-it", ) Ti . Campana.)... . “Deck we the Pathway.” Solo and Chorus. Paradise and the Perl. (Schumann . . . . . . . . . . . . . . . . . . . . . “ Let us all to the Fields).” Trio. (Ferrari,) “ ow bending before you.” Trio. Ma (Ciinarosa,) . . . . . . . . . . . . . The Stars. Trio. (Leon 3. “Homeward in Joy.” >-1,.”-A .°.°°I"‘ . . Trio. ) '. The thirtysecond Psalm. Chorus. . . “Give Praise to God.” Trio. (Hauptmann,) . . . . . . . . . . . . . . “ With Thee is Mercy.” (0 Salutaris ) Trio (l’zinsei'on,)., . The Water Elves. Chorus. (F. L. Ritter,).. . . .. .. .. . . “The Duchess Diana.” Chorus, (F. L. Bitter, . “Whirl and Twirl.” Solo and Chorus. Flying Dutchman, (R. W;igner,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Moonlit Rocks. Quartet. (A. Lee,) , . Spi'ing’s Delights. Quartet. (Mueller . “ He hath holpen,” (Magniliciit) Trio. (Bach,). . . “ Oh ! share the Treasure.” Solo and Chorus. Obero . Weber,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SACRED SONGS FOR ONE VOICE. Bach, J 011. Seb.. My heart ever faithful. (Main gldubig Herz ) Sop. or Mezzo Sop, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Banclr, Carl, Three sacred Solos or Quartets. See Quartets, . . . . . . . . . . . . Benedict, J”, He giveth his beloved sleep, . , . . . . . . . . . , . , . . . . . . . . _ . . . , , , , Campana. F., From the depths. (Dal profondo dell ’oblio.) Preghlera, Contr. or l‘5arit,, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . (Prayer to the Virgin,). . . . . . . . . . . . Beatitudes, . . . . . . . . . . . . ezzo Sop., . . _ (Schletterer, . . . . .. (Franz Schubert,). Gomliginiu. O santissima Vergine. Hodges Faustina H Cloister Memories. ————- .1 o. 1. Blessed are the poor in Spirit. No. 2. Blessed are they that mourn. Contralto . No. 8. Blessed are the meek. Duet, two Sop.,. . . No. 4. Blessed are they that do hunger and thirst. Con No. 5. Blessed are the merciful. So . . . . . . . . . . . . . . . . . . . .. . D 7 Jackson, Salnuel, “Teach me 0 Lord.” Soprano solo with Quart.,.... King, Wm. A.’ Ave Maria. Latin and Engl.,, . Lord, (1118. W., Vesper hymn, . . . . . . . . . . . .. Llizzi L. Ave Maria. Ital. and Engl. . . . . . . . . . . .. . ., . . 5 lvlercadante, S.’ Salve Maria. Ital. and Engl. Sop. or Mezzo Sop.,.... lYIilla1'd, I-I.’ Ave Maria. Latin and Engl.,. . . . . . . . . . . . . . . . . . . . . . . . . Procll, I-I., Ave Maria stella. Soprano, (Latin and Eng1,,) . , . . _ , , , , . , , , Rossini, G.’ Messe Solennelle. “Domine.” Tenor,.. —— do. Crucifixus.” do. “ O Salutarls.” do. “ Agnus Dei.” Contralto, . speranza, 1)., The hour of i>rayei~. Mezzo Sop.,.... A A hymn of thanksgiving. Mezzo Sop.,. . . . , . .. , _ , . . , , Stradella, 0 Lord have mercy. (Pieta Signore.) C minor (Sop.,). . . . . . .. . Sprano in G, . . . . . . . . , . . . . . .. Mezzo Sop. in F ‘Vilanova, R.’ Ave Maria. Soprano, Latiu,. , . . , Wood, Alfred H., A psalm of life. Words by Longfellow. Torrente, G., Show me thy ways 0 Lord! -—— do. Sop., . . . DUETS, TRIOS, AND QUARTETS. (SACRED MUSIC.) Banck, Carl, Three Sacred Quartets, (or Sop. Solos.) No. 1. Dawn, . . . . . . . No. 2. The Morning Star, No. 8. The Cloudless,.. . Do., do., do., Complete in one, . . . . . . . 1 Dudley, Episcopal Church Music for Quartet or Chorus Choir: Morning Service, Op. 25, No. 1. Venite, . . . . . . . . . . . . . . . . . . . “ 2. Te Deum, . “ 3. l3enedictus,. . “ 4. Jubilate Deo, Evening Service, Op. 81, No. 1. Gloria in Excelsis U Buck, “ 3 Deus misereatui~,. :: 4. Cantatc Domino, Ch ' t P E t A ii Ben?)d1c2'i)mm"' i-is our assover as er 1] iem, p. , . . . . . . . . . . . . There were Shepherds. Christmas Anthem i I-Iark i What mean those holy voices, Hymn’, Op’ 32*‘ ‘ ' ' ‘ ' ' ‘ ' " Darkly rose the guilty morning, Lenten Anthem, . . . . . . .. _ . . . . . . . . . Special Hymns (in Anthem form) for Quart, or Chor. Choir. No. 1. The s ‘ain upraise Alleluia! . . . . . . . . . . . . . . . . . . . . . . . . . .. 1 u . 5 H-ar'kl a thrilling voice is sounding (Aclvent,) } ' . l Saviour source of ev ry blessing, Hail to the Lord s anoiiited, (h1>ipliany,) H Day of wrath ! _(l)l'eS Irae,)V . . . . , . . . Christ the Lord is risen. (ha _er,). . “ O holy, holy, holy Lord. (Trinity So I ( y, M 7 % ‘l\3I1'e:Lrd.é)lf itli<,;{worlCé inflmercy l)|'(lli€ll, E_ A y :11 l oo s up o ice, ' “ 8. Come yc disconsolate, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Cliristopher, lVla1'i0n, Deus misereatur, Anthem, 4 voices, . . . . . . . .. . 1 Hodges, Fallstillia }I., “I heard a voice from Heaven.” Quartet .. Blessed are the meek. Duet Sop.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Jackson, S., “Peace troubled soul." (llyinn 130, 11 3.) Solo Duet Trio, and Quart From Lysberg,,, . . . . . ,, Gloria in Exce Chant, 4 voices, p Benedictus. Anthem, 4 voi ~ .5, in E flat, with Organ Accomp.. . . Inspirer and llearer of Pra Ilymn 158, for Soprano and TI Solo with Duet and Quartet .. .. Lord foiiever at Thy Side. Sop.’ and on b It as .°°$1‘:‘‘.°° ‘*7 Melody y t, . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . As pants the wearled Hart for cooling Springs ! (Select. 37.) Sop. and Ten. Solo, \vith Duet and Quartet, from Robert Franz. . . . . . . . .. Teach me, O Lord. Sop. Solo with Quart, ad libit., adapted and arr. from Mendelssolmls “ O quam S1l'olVlS,". . . .. . . . . . . . . . . . . . . . . . .. Saviour, Source of every Blessing. (liymn 18.) AYI‘. for Sop. and Ten. Duet, with Alto and Bass Solo. From Franz Abt, . . . . . . . . . I will Arise, (Sonic-nr:e,) from “Agnus Dei," by Liimotte. 4 voices,.. Jesus, Saviour of my Soul. (llymn 143.) Air. for Sop. and Ten. Solo, with Quart, from Franz Abt , Thanksgiving Anthem. “ Great God ! we come with grateful Hearts." Voice‘ Jubilate Deo. Anthem, 4 voices, in E flat, with Organ Accomp., , . , . “ The Lord my pasture shall prepare.” (Hymn 9,) Sop., Solo and Sop., and Ten., Duet with Quart., from GuglieIino,. . . Gloria. in Excelsis. Chant in D. 4 voices,.. . Gloria in Excelsis, in C. 4 voices, . .. Jubilale Deo in F. 4 voices,. . . . Jubilate Deo in D, 4 voices, . . .. . . .. “Sun of my Soul.” (Hymn 268 L. M.) Qua cieiit Melody,. -". Gloria Pati-is, No . ' d. from an an- “ 3 in F “ 4 iii Bi) 6 Gloria tibis. 4 voices, _ _ _ Deus misereatur in E Flat. 4 voices, . . . . . . . . . . . . . . , , , . ._ ,, “ Lord with glowing heart.” (Hymn 150.) Sop. or Ten. Solo with Quai~t,, from Mendelssohn, . . . . . . . . , . . . . . . . . . . . . . . . . . . . . . . . . . . . “Saviour breathe an evening blessing.” Opening piece, arr’d, from Mendelssohn for Sop. Solo and Quartz, . . . . . . . . . . . . . . . . . . . . . . . . . “ Hark a thrilling voice is sounding.” (Advent hymn 218,) arr’d for Sop. and Ten , Solo with Quart, from l\loz:irt, . . . . . . . . . . . . . . . . . . “Jesus Christ is risen to-day.”‘ (Easter hymn, 283,) a ’d for Sop. and Ten., Solo with Quart., from Mozart, . . . . . . . . . . . . Grand Te Deum in A. 4 voices,. . Benedictus, in F. 4 voices, . . . . Kotzschmar. I-L. Te Deum in . . . . . . . .. . :— “O Lord, 0 Lord.” Quartet. Mixed voices, ———« Deus Misereatur. do. do. . Rejoice in the Lord. Anthem. do. King, Wm. A.. Six sacred Quartets,..... . . . . . . . . . . Millet, E... Ye Fields of Light. Sacr. Trio, Sop., C011. and B., _ . , . , , . . _ _ _ ——— Awake up my lory. (Quae te Christe) Sop. and Mezz Sop., Duet, With cheerful notes. Duet, _ M , , _ _ —— Meekly may my soul receive. Sop. or Mezzo Sop., and B itone, . . Adored forever. (Beat-am te dicent.) 2 Sop., . . . . . . . . . . . , . . . . . . . . . . Mosenthal, J., "I will magnify thee, 0 Lord.” Duet, Sop. and Ten., or 2 Sop. —— do transposed for Mezzo, Sopr., and Alto, in F, Eve, l2 devotional songs for 2 voices. Book 1 and Rivarde, P. A., “ Softly now the light of day.” Solo and Quarte , , . Rossini, G.’ Messe Solennelle. “Gratias.’j Trio, Con., Ten., and Bass, _——_— do. “Qui tolhs.” Duo Sop. and Con.,. , Paine, John K.. MasslnD.for4voices,........ . . . . 500‘ Walters, W. H. “0 how amiable.” Quartet. Anthem " Out of the l)eep.” Anthem for Sop. and Ten., wlthifull Choir,. .. 1 00. , , ORGAN. Buck, Dudley, Jr., G-r. Sonata in E fl-it, . . . . .. . . . . . . -——- 18 Studies in Pedal phrasing. Bks. 1 and 2, each,.. Concert V3.l'l'v\tl-‘-I15 on “ Star-spangled Banner,”.. . . “ Andante” from BeethoVen’s Sonata. Op. 28,. . Triumpha1March,..... .. .. Impromptu Pastorale Rondo Oaprice,. .. . . . . . . . . . . . Overture " Gruillau ll,” (Rossini,). . “ “Stradella,” (Flotow,).... 4 Transcriptions from Schumannls “ Pictures from the Jackson, Samuel, 12 Voluntaries. Vols. 1 and 2, each,.... . . . . . . .. .. 1 25 Bridal March, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . lVIendelssol1n9s Wedding Marchharr. by S. Jackson, . .. . . 1’riest’s March, from “ Athalie,” arr. by do., Wagner, Rich., March and Chorus from “ Ta.nnhausei°,” arr. by do.,... ALL MY PUBLICATIONS SENT ON APPLICATION. AND PUBLISHER. so ‘ 35 35 _ 00 00 35 25‘ 50 " 75 35
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