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Creator: Lawrence, Margaret Stanton
Date: n.d.
Text: <3 (:._.;t: aw ' ~ -_ c»,~';:v:.e:: ‘ 1. M . .1 " " a. -, \ "‘ ., ‘ ( V ’ — 7 * * — , ’ V _ ~" . V . 3, , y ‘ , P‘ v , - 5 . , 5- ' a v V I I . I ; . \‘ V _ 3 :3 D » ., / » ‘ O 4,. r. . 3 ‘V _ x ~. “ » , ; , ’*‘~ ’ A , , ‘ . .. \ 1 _, 4 _ - .3 "~ , . \ ., . « I 7 K . ‘ 1 . \ L. , V V - . ‘ ' _ [3 J4 .- 1» a ‘ A ‘ A ; ' w G o 1 ~ / , , - 4 / ': ~~,§§- 1» WHO WAS ELIZABETH CADY STANTON? 1815~1902 MY MOTHER By Margaret Stanton Lawrence In...
Show more<3 (:._.;t: aw ' ~ -_ c»,~';:v:.e:: ‘ 1. M . .1 " " a. -, \ "‘ ., ‘ ( V ’ — 7 * * — , ’ V _ ~" . V . 3, , y ‘ , P‘ v , - 5 . , 5- ' a v V I I . I ; . \‘ V _ 3 :3 D » ., / » ‘ O 4,. r. . 3 ‘V _ x ~. “ » , ; , ’*‘~ ’ A , , ‘ . .. \ 1 _, 4 _ - .3 "~ , . \ ., . « I 7 K . ‘ 1 . \ L. , V V - . ‘ ' _ [3 J4 .- 1» a ‘ A ‘ A ; ' w G o 1 ~ / , , - 4 / ': ~~,§§- 1» WHO WAS ELIZABETH CADY STANTON? 1815~1902 MY MOTHER By Margaret Stanton Lawrence In 3 Parts. Part 1 Picture of Elizabeth Cady Stanton Mrs Stanton was the first person in the world to ask for votes for women, away back in 1848. And as the ballot has now been given to all the women of the United States, I thought this would be a good time to tell the rising generation of young people something about the home life of the individual who started the whole question of suffrage for her sex. ._‘,.4:- 94. \\‘ ELIZ.&ETH cm STANTQN y Earl Bars iﬁ Jehnstcwn , Y 3 Over one hundred years age, a little girl was born whese meme Wee destined to be keen by the gee ideas ehe set adrift. JAIﬁie ehild was Elizabeth Cedyg TShe first saw the light ef day November 12,Li§15, en the hills of Johnsﬁewng Fulton Cagney, ﬂew York. Her iether, Daniel Cady, was e renowned jurist; he set on the bench of the Supreme Court %and Court of Appeals, of New York State, till he was ever eighty years of age, A.life~eized portrait of him hangs in the Capitol at Albany. Her metherﬁ Margaret Livingston,'Wes a tell, handsome eomanﬁ a daughter ef Gel. James Livingsten, who served on General Weshingten‘s eteff during ﬁhe Revolutionary Ear. Ere. Cady was a daring horse~woman9 she was full of "vim? and “go”, so that Elizabeth inherited beauty, breine ana fight freezbeth eidee of her family. % She eas breught up in the midst of ease ané luxury; ené this makes it the mere remarkable that, even in her youth, she sheule have felt so keenly the injustice of the laws bearing on eemen. ’«3®t'.i=Is&’$-ﬂ95G$¢SG$€&E§Qﬁ$$'$ ¢ 1 I 5 3 G 9 :3 3 Picture 1 3 5 <° 5 3 of : 3 e 3 *3’ » . ° §‘:’§Z‘S 3 Cadgf 3 5.» m ‘ , 5’ w ,,_3:”, .» . , g :4: k 3 Q 4; -_., etcedoeaocca-sweetie-necoetﬂ Childhood I erwaye like te knew haw the people lack that I am.reediﬂg abﬁutv There were no photographs taken in those far-off days so I was glad to come upon this pen picture of my mother: “Elizabeth Cady was a plump little girl with very fair skin, rosy cheeks, good features, dark brown curly hair, laughing blue eyes, and beautiful tooth“. Those merry blue eyes were one of her marked features through life. An event that made a deep impression upon her, as a child, was the birth of a sister. Before she saw the now arrival, she heard several people say, “What a pity that the baby is another girl!" There were already four girls in the family, so when tho nurse took her in to see the little stranger, Elizabeth felt a kind of compassion for the baby. She remarked, in later life, "I didn't understand then that girls were considered an inferior order of beings." In those days there were no law schools in the United States. To the most noted lawyer in any region, the young man went who desired to study law. Judge Cady’s law offices, which adjoined his house, were famous all over the land and students came from the four points of the compass to be under his tutelage. Elizabeth’s Interest in the Law. my mother, from her earliest years, was constantly in her father’s offices, deeply interested in all that was going on there particularly in hearing the students talk about the laws they were studying. There was nothing those boys enjoyed more than roading aloud to Elizabeth all the bad laws they came upon relating to women. They found much more interesting to see her fly into a rage than to pore over musty law books. They always had a new batch ready whenever she appeared. Johnstown was in the midst of a large farming district, and Elizabeth often sat on hot father’s knee as he talked to his clients, especially if they were the wives of farmers who came to tell the tender-hearted judge of how unjustly they were being treated by their husbands. The cases often concerned the farm, on which many of the women had been born, and which frequently had been left them by their fathers before they were married. In 1823, no married woman could own property, If, as a girl, she had inherited a piece of land, the moment she married John Jones it passed into his hands. Everything she possessed his; her clothes, her false teeth even! If he took them away, she couldn't masticate her food! And she had no redress. The money she earned ever the wash~tub was likewise his, and he could collect it at the end of the day from the people for whom she worked! Worse still, he didn’t have to give her any of it. And this right of a husband to collect hie wife‘e wages was the law in California till 1910; when the women won the vote in that state. The Judge was explaining all these laws to old Sarah, whose ne‘er-do-well husband had mortgaged the beautiful farm which she had inherited from her father when she was a girl, till there was very little left. Sarah always supplied the Judge's family with eggs; butter, chickens, cider, and other good things, so that little Elizabeth looked upon her as a kind of lady bountiful, when she appeared at the week~ends. My grandfather got down many books and read the laws to Sarah to show her why he could not help her; however, petting her on the back, he told her he would put her on one of the best farms he owned, stock it for her, and she could have all she made from it, and could stay there as long as she lived. But it was justice not charity that the old woman wanted. Elizabeth had not been idle during this interview; When her father finished with a book, she quietly marked each law that he had read, turned down the leaf, and put the books back on the shelves upside down, so that she would know them. She followed the weeping woman into the street and when out of sight of the office she threw her arms about her, bade her cry no more, and told her that she had marked every one of those wicked laws, and that when the men had left the offices that evening she was going back and would cut them all out of the books. "Then", she said, "your troubles will be over!" As soon as Sarah could get rid of the child, she hurried back to Judge Cady and told him what his little intended doing. So, after supper, he took Elizabeth over to his office, and there, with the child seated on his knee, before the crackling logs of a big fireplace he told my mother how laws were made by the legislators at Albany, that his library was only one of many all over the state, that even if it burned up it would make no difference, that when people wanted to get the laws changed they had to go to Albany, talk to the legislators, and get them to alter the laws, then new books would be printed and the old ones laid aside. Little did that conservative judge dream that what no woman had ever done would, in years to come, be done by that very daughter of his. He unconsciously planted the seeds of rebellion in that fertile brain; and when grown to womanhood, the mother of four sons and a daughter, she took two nurses and two babies with her, and, leaving them at the Delevan house, went up to the Capitol building and made her first speech before a legislature on tﬁa unjust laws pertaining to married women. That was in 1854. 3i=39!?!&$a!Q5§9$'DiD9Q3@'8§§I§i§ -------------------------- : Picture : : of : : Judge Cady : -------------------------- Loss of her only Brother During my mother's childhood Judge and Mrs. Cady lost their only son, a fine, manly fellow, who had just graduated, with high honors, from Union College, JUDGE DANIEL CADY. Schenectady, N. Y. It nearly broke my grandfather's heart. He was always saying to Elizabeth, when she tried to console him, "Oh, my daughter, if you had only been a boy!“ Throwing her arms about him, she said “I will try to be all my brother was." She resolved to study hard and stand at the head of her class, to learn Greek, Latin, the higher mathematics, and to ride horseback--all of which resolves she carried out. Rev. Simon Hosack. Judge Cady‘s next door neighbor was an old Scotch Presbyterian clergyman, the Rev. Simon Hosack. Elizabeth was a great pet of his. Whenever she was in trouble she ran at once to consult him, she was eleven years old at this time. One morning, as he was working in his garden before breakfast, She came running over to ask him which he liked the better, girls or boys. "Why, girls of course," he replied, “I wouldn't give you for all the boys in Christendom." “My father doesn't feel that way," said the child, "he prefers boys, he wishes I had been one, and I intend to be as nearly like one as I possibly can. I am going to learn to ride horseback and swim, and I want to study Latin and Greek. Will you give me a Greek lesson now, Doctor? I want to begin at once”. “Yes, dear child," he said throwing dawn his hoe, come into my library and we will start without delay." He entered fully into the feeling of suffering that possessed the little girl, and putting into her hands the old grammar he had used in the University of Glasgow, Scotland, he taught her the Greek article before breakfast. Elizabeth Cady was educated in the old Academy in Johnstown. The girls and boys were all in the same classes, except in the languages and higher mathematics. In these subjects my mother was the only girl among a number of boys, mast of them older than she, who were preparing for college. She was always running races with John Wells to see who should stand at the head of the class. Some- timas it’W&$ Jﬁhﬂg aamﬁéimaﬁ @lﬁZa%@€h$ She carrieé cff any cf tha prizes, buﬁ, when flushed with iriumphg she ran té her father’s affice and laid thasa traasn uras im his 1ap§ and 1o§kad up inta his face for a word of praise; his mag ram spansa was; “Chi if you had only'been a bag.” Thus it was bcrne in uyan har, at an early age; that boys saemad ta ﬁe mars hivhly valuad than girls. The iran sank deep inio her Saul and aha ﬁeterminsd is see what she c@u1d do to lif% ﬁha terrible edium aﬁtached ta al1‘W@mankinﬁ¢ “Eighty years and I quate the follawing from.my mothergs autabiagraphyg Msre“:!"FroH;the Jchnstown ﬁcadamy many of tha bays 0f my glass wsnﬁ ta Enian H Collegeﬁ S$h@ﬂ@§ﬁ&ﬂy¢ ‘When those‘with‘whom.I had studied and aonﬁaﬁdad far ‘prizes for aver fiva years saws ta bid me goodubya, and I learned 0f the barrier that prevented my follwwing in their footstegs, ‘No girls amiﬁted here?, my vexation and marﬁification knew mg bounds. I remsm$er nsw how'prauﬁ amd%hamdsoma the boys lacked in their naw clothes as they jumpad an the staga~caach and drsve off, and haw lonaly I felt after they were gone, and I had aathing ta do, for the plans far my future were not yet determined. I felt mnrg kaenlf than aver ﬁhe humiliatian of the distinciion made on the grounds cf sex." There was not a oﬁilege for girls in the'world at that time;~1830. (Oberlin Collegeﬁ in Ohie, was nut o§ened till 1833.) The Emma‘Wi11ard Schecl. In family ceumcil it was decided to send Elizabeth is tha Emma ﬁillard ,Sehoa1 aﬁ Tray, N. Y.; the mast calebraiad educaﬁional instiﬁutian far girls to study but French, music and dancing. in ﬁha United States at that data¢ Alasi when Elizabeth reaahadfﬁwxéfﬂshe I’-£3 fauna that her sﬁudias in the excallant Jehnstcwn Acad@m§"had carried her far bavand the mast aﬁvanaeﬁ glasses in.her new schgcl. There as ngthimg fer her . t, . 2.3 W- ,,_. kylk“ She was so disgusted when she learned this and thought of her boy chums at Union College, only a few miles away, going on into the higher realms of study; that she burst into tears at the injustice of it all. But being a good deal of a philosopher, she pitched into French and music with all her might, and wrote home to her father for the extra money needed for the dancing lessons. The judge promptly wrote back that he was perfectly willing to pay out any amount of money to educate her head, but would give nothing to educate her heels! He was toe mush of a Puritan to believe in dancing. Elizabeth Cady, even as a girl, rarely let any men get the better of her in an argument. She sent off an epistle post-haste, “Thank you, dear father, but your letter shows great ignorance, dancing is done on the toes not on the heels! So please send me the money by return mail." And he did, for Daniel Cady was too just a judge not to know When he was worsted in a case! Educating a Young Man for the Ministry. In these early days girls and women were always doing things to educate young men for something that these sons of Adam were not able to accomplish by their own efforts. My mother was the leader of a club of girls in their church which had undertaken to raise funds to educate a young man for the ministry. They sewed, baked, brewed tea and coffee, held fairs and sociables to pay his way through the Auburn Theological Seminary. When he was ready to graduate, they sent him money to buy a new suit of black broadcloth, a high hat, and a cane. Then they invited him to come and preach them a serman in the presbyterian Church, the largest in the town. Everyone turned out to hear him. The front pews were reserved for the girls. When the church was full and the psychological moment had arrived, the club marched in, head by my mother, and took their seats, all dressed in spring attire, each girl on the tiptoe of expectation to hear what their youthful theolagua wnuld say. I shall never forget hearing my mother describe that scene ta an audi~ enea in Chiaagag when she was on one of her lecturing trips. After dilating on haw faithfully that club of girls had worked to aducaie liha young man, in her round, rich voiae, she askaﬁ that vast assembly; “Ana what do ycu think, my friends: he took for his text? That passage of the Scriptures which says, Pausing a momsnﬁ ts let her hearers catch the full significance of ihe ﬁhingg ﬁrs. Stanton remarked in a slow} distincﬁ tone, “we never aducatadanQih~ eri” Hef hearers bursi agﬁ into shcuts of laughter and ayplausaa Some man called ou%5 "I should hope net." when quigg was restored, mother‘went on to relate haw those girls turned and looked at cue ancther for just a momsnt, than all arose, and with heads l ‘they erect, drawing themselves ug to their full height, two by twg/marched dawn that lang aisle and out into the streei. They never stcpped ta hear ona ward ha said. And the huga Chicagc audience, 50 years after the incidenﬁ, shonisd they selves hearse calling, "Bravo! bravoil for those girls, and thraa eheers for Elizabeﬁh Cady' Stantoni" Girlhood. my grandfather had a large stable full of good driving and saddle horses, carriages and slaighs of all descriptiens. He didn’t allow his ﬁaughters to gs anywhere with young E@n.n1ess he prsvided the horses far horsebask riﬂing, ar the vehicles for driving, nor ceuld they go to public anﬁertainmgats unless he provided the tickets. This being'well understeod the Cady gir1s'wera graaé , . many favcrltes, and as grandmmther kept open house, and there wara%alway§[nice yaupg. man studying law in her husband’s offices, they never lacksd for asserts. A.most amusing incident occurred in connectian with a certain yaung man fror* T ’ 0 .* - ~ ﬁ - u . \ u‘Ln1on aullega, wna was spending hlS Chrlsﬁmaﬁ vaoatlgn at the Cady manﬁicn. 10 It was oviéont that he was quito smitton with y mothor; he had boon toooing her for being gush o chattorbox, and said he didn’t boliovo she could keep still too minutoo, she emphatically vowing she oould'olohout diffioulﬂy.% lhoro was o party of these gouﬁg §eOple gothorod about tho piano singing, lough~ ing and talking by turns. It was a glorious moonlight night anﬁ fins sloighingg so or. Blank oroposoo to my mother thotthoy go for a ride, and ooo if sho really ooulo koop still.l She sent oorﬂ to Peter to héoo a sloigh harnessed, and she left the room.togot ready. Her sister ﬁoogo went with hor,ﬁ:§E[$hor£1y appeared in the drowingoroom and told ﬁr. Blank heﬂﬂfbettor got on his coat, as the sleigh: was at tho door and his lady already io. So the young man rushoé out iﬁgw the hall, donned his fur coat, cap and gloves ond popped in booido his companion, ﬁll the young folks troopod out on the piazza to see them otort. The ooaohmon handed him.tho lines and finiohed tucking in tho robes; »’Eid shouts from.tho porch and answering ones from.the sleigh they dashed off, the bolls ringing mor- rily as they disappoorod in the moonlight. 0 "Iso‘t this o glorious night for o sloigh~rido, Eiss Elizabothﬁﬁ romorkod or. B. ﬁe ?oply. ﬁftor making several more attempts and getting Mo"ansWors hel “Uh; oomo now, thoro’ooo’t be any fun riding if you aro not going to talks I didn‘t really moan What I said, I knoo you oon koop still if you oono to, I was only fooling.“ Still his companion modo no roply.l The horse was guito a gag ono/(Juogo Ca&§ liked good horse flesh; his - 7 an I ‘i. __. * Wife and all hio¢ lﬁwooulo ride and drivo'anything)3 and kept tho young man busy trying to control it. But after a whilo he said, “ooll, if you are not going to talk we might as ooll drive home,“ Still the young lady made no answor, so after a little he turned the horse and drove boob lf iiss Cody kept oil hor lovers at onm‘s length, they never droamod of touching her, house o y or. olonk had not loiﬁ his hand on hor arm.ond bogged her 11 to ﬁargive him and speak; when he drové up in frcné cf the hangs all its inhabitants game out on tha giazza, inquiring how he had enjoyed his ridgﬁ anﬁ fcremgst among_ them was my moﬁher, Elizabeth Cayi As acon as Era Blaﬁk saw'har he gasped and turning to the lady besiﬁe him, he axclaimad, “Far haavenis sake; Wiﬁh whom.have I been ridiﬁg: Julia Jones?” a gﬁ%%» girl Wham ha thaﬁaughly daw- ﬁastad. ’ “Bring in the yeung lady; Peter; and shaw Mr. Blank wha it is,“ 1aughn inglycallad Gui Elizabath Sady. It was a feather bolster dressad up in ha? alathesi Ehe yang man wa$ SQ maé,, SQ digusted ﬁhai he mever fully §ogave my moﬁhér the joke she ylayaﬁ on him. E3 soon transfarrad his devetiens to soﬁemoae alas, WhQm.1atar he married. The news spread as far ﬁawn the Mohawk Vallay as Sghanactady and when he gﬁt back he collega, the ﬁoys would say5 “So yam Wenﬁ sleighing with a bolster up in Johnsﬁown, Slamk, dié yea enjoy your ri&e?“ ﬂy Kwﬁher, I have been ﬁeld, was a very beautiful yvung wnmaag Ska wag brilliani in cenveraatien, sang and played wall on the pianc and guiiar, was a graceful danger, one whose society was aiways scughts aha had me and 9f admirw ers,'was a fearless hcrsewwow 1, coulé laap any fence or,jum@ any éitch. Euﬁj she had 3 sericus side to her naﬁuras she was an omniveréus reaé E, af staaéaré Eeaks, ever éelving into social questiéns and trying ta solve knotty prmblemsa Sh8‘W&S particularly fond ofarguing with learnadzmen. In diacuasion she aiways kept her temper, was quick to parceive and.to take aﬁvanﬁage sf 3 1@0p*hQ183 or a flaw in an Qppcnent’s argumant, and she was blessed Wiﬁh a kean sensa of humara 311 my grs¢&mother*s daughters were well trained in hausa§§}é ﬂuties, and; natwithstanding there were many'sarvan%s in the house§ aash§¢¢h%Ww%r“Was obliged Q V~..._ to spend a certain lengﬁh of time every day attending ta her special task. 12 Gorrit Smith . Elizabeth Cady was brought up in tho midst of the most oonoorvativo; sooﬁarian surroundings; How she became so liberal, along so many lines, has always been an interesting study to mo; one of iho poiont influences in the life of this wideuawako young Womn was her oogstant visiting at the home of her cousing Gorrit Smith, the aboliw tionist, at Potefboro, New York. His daughter Elizabeth anﬂ my mother formed a strong friendship that lastoé all thoir 1iVBSa Grandfothor did not altogether approve of these visits; ”5udgo Cody ad» mired his brilliant nophoo'and appreciated his sterling oharaoiorg but ovary fibre of his being rovoltod against the aovanood opinions of Gorrit Smith. However, the two families were so knitted togothor by relationship and sinooro friendship ﬁhat a rupturowas absolutely impossible, so Elizabeth Cady osoapod oonstantly from the religious austerity of her homo into the swootor3 froor at» mospher of the ?etorboro household," wvitoo my sister, Harriot Stanton Blatoh. “Tho Potooboro house was spacious, and always full of choice society", Writes my mother; "hero you met scholars, philosophers, philanthoopigts, judges; bis~ hops, artists, musicians, and statomon. \ ........ There novor'wao such an atmosphoﬁoof peace, freedom ano good cheer, nor were there over two such hosts as Cousin Nancy and Cousin Gorrit.” There were tins when anﬁi-slavery was tho all~absorbing EOpi3a Through the portals of the home at Poterboro stopped Wendell Phillips; ﬁilliam Lloyﬂ Garm rison, Horace Greeley, Frederick Douglass, and John Brown} As it was one of the stations on the “Under Ground Railway", the outnbuildings often harbored runaway slaves, resting for a day or so till Mr. Smith was able to convey thomby oar- riago, or sleigh, safely to Canaéa, Where, the moment they stopped foot on English soil, freodom.awaitod thom. My mother saw and oonvorsed with those runaway slaves and heard from.thoir own lips the tales of their tortures; Thus it was that she early became interested in the sad lot of that much abused race; Every possible phase of political and social life come up for discussion at Peterfboro, and as those who did thetalking,were the leaers of thought of that day you can readily judge of the influence all this had on the open mind of my mother. . . , , Henry Brewster Stanton It was at Peten¥boro that Elizabeth Cady first met Henry Brewster Stentonﬁ _ re a direct descendant of Elder’ﬁi1liam,BreWster, who came over in the Mayflower, Mr. Stanton‘wae then considered the most eloquent aod impassioned orator on the anti-slavery pletforme eHe was a finemlooking man, ten years ow mother‘e senior» Elizabeth Cady had a passion for oratory, who unuotal powers and earnest» mess of Mr. Stanton soon made a deep impression upon her. Carriegewloads of ladies and gentlemen drove off every morning to dttend the anti~s1avery meetings that were being hold all over Eadison Gounty. The enthuoiesm.of the people in these great gatherings, the thrilling oratory, were experiences never to be forgotten. My mother says in her autobiography,- "I became deeply interested in anti~s1avory and temperance questions; saeeoeseee I felt a new inspiration in life, and was enthused with new ideas of individual rights; for the anti-slavery platform was the best sooool the American poopie ever had in which tolemmoteepublioan prinoioles of government." Her‘ﬁedding Journqyg I The result of that meeting in Peterboro in Ootoben,1839,'Wao a wedding in Johnotown, N. Ye; im.May, 1840. Judge and ﬁrs. Cody oppoeed.th9tmarriagé Ld of their :w@5%ﬁ{“ fdaughter to "a radical“; but the young P90P19 were Obduratga 14 and a'wedding trip follcwed ts tha'§br1d’s Antiwslavery Convention heﬁd in Lcnden, England; in June, 1840; My father was Secretary ef the Convantion; as well as one of ths delagates fr¢m;£he United States‘ E333 Amsriéan*wmmen had also been sent as delegates, but on account of English prajudisasg based on asriptural texts; thay-were net permitteﬁ to take ﬁhair seats an tha flocrg so had ta sit in the galleries and look on ignomigfuslyi There were many ringing appeals made in that greai hall $0 seat tha Woman 1 delegatas from.th@ United States; My father; I aﬂzprcué £0 say, made an impassionm ’ ed speech in their favor, William Lloyd Garrison %i11iamKL10yd Garrison, the knowledge of Whose eloquence was wcrldwwideg and whQm.a11 England had be@n.anxieus to hear; was so indignant at the insult to his counirywemen that he refused to take his saai an the flaer, and sat silent in tirza §~‘§a.1.1ef3? ‘z»*«z'i‘t;h. the ”¥HC}31'L*?31T'1a ~ /7/5‘/7 ‘‘‘’7/(/’'‘‘ , M/%% Z“‘“;,‘Z f 3&4 7 / &/Z:-L/-:1 /9/éjisaniel O‘Conne11 Daniel O‘C0nnel1$ the great Irish oratcrg made his first agpearanca aﬁ the world‘s Coneniioné a few days after the women delegates had beeﬁ rejected. He paid a beautiful tribuﬁa to wamam and saiﬂ ﬁhat if he had been presanﬁ an the opening day he wmulé have spaken in her f&VQfa‘ Gssaecuaoosaatasoaesma we can) i‘ I 1: 5 o st :1 2 t 85 m ‘Piciure af 99 Lucreﬁia Mﬁﬁt : «: 9G!'DlQ'U!*ItﬁCQI!I<IOOC~1ﬂ!Q*3 - 4. \ ' '~,'i.’.f~‘: V H ‘\ ﬂ’ ' . ,g,;l,§»s."'” 15 Lueretieemeei These scenes all made e etreng impression on ehe heppy young brideg Eliz- abeth Ceey Stanton; One ether experience meée this cenventicnmemereble ﬁe my meeher. Threughouﬁ its sessions ehe set in the gallery next to Leeretie mﬁﬁt§ the distinguished Quaker yreeeher free ?hiledelphie; she end Ere“ eeee became well eequehted. eﬁother afterward ereee oﬁ her: “She was is me an entirely nee revelem tiem.of Wﬁmﬁﬂhﬁgdascseseasacstcal shell never cease te be grateful fer ﬁhe pet» ieeee eed seeming pleeeure with ehieh she fed my huegering Sﬁﬂlasssseeeseseseaea Eben I first heerd frem.her lips that I had the eeme right he ehine fer myself that Luther} ﬁelvie end Jeen Knox bed; end the eeme right he be guideda by my Gen eenvietione; I felt e eeewbern sense of dignity ewe freedeen“ These ewe ﬂiew cussed the grebleme of life fer the eomen cf thee egg, and decided} en their re~ tureﬂee emerieeg he eell e eonventien with the ebjeet “ef deeiing eéequetely eith the rights cf eomen". This meeting did et take piece, heeeverg till 1848» ey perente trevelled all overﬁngleedg Ire1end5*Sce£1end end§ be eeme ex~ teeiﬁ Freeeeg and feihee spake in all the large citiee ef the British :S1$5e On returning is her native lend; meeher,eee eekeeeeeet ehe had seen eeeeee that ieierested her meet. Her promgt reply eee, “Lucretia eeeeiﬁ While in ﬁublinﬁ Irelend, they were eeeerteineé by Daniel G‘Gonne11§ eke "Qreet $ieeriee“3 as he wee eelled. During dinner, Ere, Steeiee eeked him.if he heped ﬁe geie liberty for Ireland; “Ne”, he eeid; “but ii ie elweye geed eeliey ﬁe claim the ettermoetg and when yen will get eemethingﬁe caashesocosoaocnesavaaseoaoessn Q ‘ '3 Q 55 Q Q ,. > at A //"’""“"‘-. 5 _,;~'' .3 9; an U ‘,~~/ I W ﬁqgﬁurexcf 3 Q, . V 3 ‘1 ‘V ‘_', I... »-~‘“="_’“"' _ Q s . Eeeeegﬁezlree treln ; 1 [4, V ~..,\\‘ Q \( /1;?" ‘ ‘_ §§¥“»-3,_: C If,/"' 5 3‘ G 1* § a ﬁggggibiﬁiiﬁiftﬁﬁ~§9§O&$O!O$Q89‘ Hbmaward Bcunﬁ §hen.mothar wenﬁ in Troy to school she rode on the firsi railreaé built in ﬁhe United Statesg which rau between Schaneciady ané Albany. My parenﬁs WBm$ ﬁg Europe an a sailing vessslg But they camﬁ hemg an ﬁha first steamﬁr ﬁhat ever crossed the Atlantic Ocean, the iggfius” of the Cunard Lineg All threugh her evantful life she di& things ﬁhat ware beiﬁg dame for the first timai On their returnimr. and ﬁrs. Stanton wenﬁ to Jahns%awn$'where thgy ran maimed under ﬁhe parantal reaf fof twp yearsa Faihar studied law in Granéfather§s effice. Esther busiad herself reading law, historyg ad galitieal agansmyg but in 1842 all her thoughts were turned to the ﬁractical one; mf'hat ts ﬁe iﬁﬁ a baby. Sha says; “Though mwtherhsad is the mst important of all tha professions; requiring mre knawledga than any oﬁher departmsnt of human affairs, there is not sufficient attention given to the preparation for this high office.” In September, 1842, she gave birth to a fiﬂe boy, Whm was nameﬁ afiar his graméfathar5 Daniel Caiy 3tant@n. The scientifia manna? iﬂ'Whi$h she raised thaﬁ baby'wsu1d have ﬂame creﬂiﬁ he gif twentieth century mairani She said she had been ﬁhimking$ raading and absarving, ‘ad had as liitla faith in iha pgyular tﬁaarw ies sf tﬁﬁﬁé days as regarés babies as she baa an m&ﬁy othar subjgaﬁsy 03% ry sf ligﬁt illuminated the darkness about her, “It was a hawk by gndraw Qcmbafgn la” 3‘? famayg sha“Wriiaa, She Proved Ber Th0?i%S g ﬁaulﬂ that I had tims and spasa to tell in daiail haw she ﬁraimed her hursag her husbamdg her parenﬁgg evén the d0ct9r§ as $3 haw ha? baby was ta ha iﬁaatadg when mast of them.ha& been tha parents Qf num@?aus ahildramg Sui aha carried the day; and har‘h@a1thy3 bauﬁcing baby convinced tham.£ha$ her thcrigs mmat be right, as he never ariad, slept a gﬁad Shara of the tima, and; baing givw ” an planﬁy af fresh air amd‘water to drink, being wmrsed reguzarky by tha_o1cek3 17 -’ gégi,/é;44Lqnm%%¢2e~ua.Zé%vu¢¢A4ij:Z;;4»» M__ . ¢ M A.‘ a-.« V ‘N 1- wt; aw ’ -3‘ «-1 ‘ _‘}={»‘‘ '-._.'’7 .'.._g‘ "'3: *3 _, 1 _ h@4 wag never 111* E9 ﬁl§§t &1mn@ mg a raam by ﬁ1maa;$:‘ Egbuﬁf sa$u all ac? .% ;% , 8 ,, - _ ¢= mm ..,V;g . ~= *; 2 ~ : , ﬁn I * . ~ $ -+ [ w “’w §ead&n& ﬁi hhls blﬂm G6ﬂmﬁT$d an pay$1a¢0g§; dgat and nyglaneﬁ anﬁ aha“ she cam t tha Qonalusian that babies ; s}% vied uwless somgthing wag ﬁha mattﬁr thaﬁ "7 *3 gauld be remediaﬁ§ Eémaa sha wa child cry withaut faaling haunﬁ ta flﬁﬂ J. R-4 » at “e‘-"* 2 c ‘i , .9» " 1* sub whaﬂ ma; baa cauaﬁg I %e? in life she lecﬁurad far aight mmnéhs af avary‘y@a?3 far twalva X‘ 25* Q'"‘§"‘ "'5"? 5 ’~ —‘ us": ‘ ‘“‘ *"“:§Vé.' .‘ ’ 1" ’ ﬁ ‘ 3‘ -9 . 4, " 1' ‘-3 ygayg§ frgm,m&1m$ as Ca1ifgrnma3 fr$m.k;aaasa%a ta Texas; On thasa axtgnazvg traps h 1Fﬁ A‘ ” av 'ﬁ”“ W%%‘ rv‘n “whims aﬁd i@na?a@t n9%@ﬂ%q Qwd %“?%%v “ai Siaa ‘x.1.£a33E§Z‘1.i:‘J§.1.“J‘e3S E5; 41.. us’-.1 Q {I 1 :3 /L .*...z‘ 5 .-..:. V ‘3 . "' ~ *‘ * «N» J‘ - «-’$« 5 ‘—»~“¥>»3~ «a- G‘? and» *5 in $9 savan sauﬂd shildraﬂ sf her awn she felt she aauld sp@ak‘vi%h authmriiya An Imgragsiva ﬂbjacﬁ Lassen . .... Jae ._ Gm ana aocasian, a'wh01a car full of peo§1s'was pn tenﬁerhmeks fram thg graisngad 3?yiﬂg_Q§ a b&%y, As maths? enﬁarad éha car anﬁ task he? seaﬁg sha hearﬁ its pit@0us'Wai1s, SQ she want fcrward and askea the‘waary5 ysumg mgthar if sha might taka ii; The b&%y raadi1y"wanﬁ ta % marg and wa1king‘With ii ta ihe anﬁ sf tha car she tagk har ymakat drinkiag qlass from.iﬁ3 saga; ringimg 1%, gig ﬁraiaﬁi ii af avery ﬁyay. Sas”ag him 35 ihirsiyg mgthar gag the liﬁiia fgi aw ‘Y s samﬁ mﬁrﬂﬁ iheng smiling mg7%§ he? face, Ea laiﬁ hia ¢@ad 0n.her b?§a$%«an&‘wamt poi’ "‘f” . Q‘ ~ . .7,-4 -“=;"‘:' > 1"‘ "‘,“‘,‘~. g ’s,. pt. -3- ~u-« -v ' .. . faaw as;ae§ lmﬁuﬂﬁuﬁy; ﬂfu§T aghzls gha saturnmd is whara the babylg maramis waragm is th@ chiig gﬁill sleyt an paaaafuilya I!” 3“ 3? , . - .,.,.- '? _, ., ‘H! . ‘~‘~. ,. ‘ ,— A Yam S%a3.mada&ﬁ‘; said %ﬂh%ﬂ?§ all ia@ Erb§‘ﬁ§3d§ﬂ‘W%3 a drink @§‘waie:&“ Y?‘-:'~:1:“ 15 age ~ 1 ‘ “Y _' F .,,‘x, 6. V, g , . , V . at 5. g 3 awﬁggw axclazmad tha woman} why, ha 3 nava? had a drink mf Waiar mm hlﬁ lifai“ it A _ '_ _ W. r V N H .. .w._ h N w_ V, , , Euﬂgi you glVﬁ3ﬁMn¢§h§§l@ﬁ and Eibtmﬁg waﬁar?“ Mmﬁhar znqmgraﬂs fir”. 1 ’ «,3 . ‘E « ;-,~-. #9 r,«;‘ -r 9». Uﬁﬁ gas; cgitaxﬁg, was 0&3 «nswar. “Haw aid ia geurboy?" mcthar askad. 18 "One year last Tuesday". Wﬁhat have yam been giving him to drink when he was thirsty?" ﬂnﬁ t0 he? hG?FGF she received this &ﬂSWG?a "Tea? coffee er milk, and when he crias very har&, we put a few drops cf whiskeygor soothing syrup; in the mil&;§ So methar sat down opposite thése ignorant young paremts and gave them a simple talk em hygiene, disk, dress, digestion, physiolegy, ha impertance above all things of giving children glenty of water ta ﬁring. ézﬂkzihig tims ﬁhg baby lay on.m@ther’s lap sweetly sleeping; she had thrgwn a light shawl over the chilé. Tha §e0ple in the car gathereﬁ araund, samﬁ standing am the seats ta listen. Hang of the man asked questicns, ta carry heme the informaticn to their wives, as they said, they also, haé babies that criaﬁ incessanély. The years after the birih of hér 1fir3t son.Were very full aﬁﬁ busy ones. In lﬁéﬁ my parenﬁs mpved to Boston, Mass., where my father began.thapractiee cf lawg as a parimer of Ruus Chcate. There mother mat Lydia.ﬁaria{Chi1é, Elizabeth Peab¢dy3 Thaodare Parker, Ralph Ealdo Emerson, Charles Sumner; Jehn G."Whittier, Bronsen &lcoit§ ﬁathaniel Hawihorne, and many ether litarary pegple and reformerag She ané father were frequent viaitmfs at the h0mﬂs0f §ande1l Phillips and ﬁilliaz Lleyﬁ Garrisana ﬂhila in BOStGmﬁ mother attended all the lecﬁures, churehas, cencertsg theatrés, temperanceﬁ paace, prisan~ref¢rm.and antinslavery oonvantions that mgt in the city; She says:"I never lived in such an enthusiastiaally litarary and ram fmﬁm latiiuﬂa befare. my mantal powers wera kept at the highast tansimn." Th0se'wMre stirring times in which my paranis lived, BostQm‘Wag the stgym cenire of many of the big movements of that day» The great antiagggvgr mgatingg 19 in Fanuail Hall rmakad Basion to its very founﬁatisn. They were cften dis» turbed by huge mgbs that woulﬂ held the most gifted orator at bay hmur after hear. These an the §latform‘were pelted with rattan eggs: cabbagasg and even brickbatsi During this parioé of her life in Bosﬁon my mother alga visited Brook Farm, gpandigg Emu d&ys thera, and saw that cammunity ﬁxyarimant at its heigﬁll " -_ ‘:9 ~,,.», «7 - A ’ 3 _.‘ .v.s“_z,"-9, , .« Yark Sun§‘Waited an ﬁablg. Thus through her earlv vears’was the bent of this breaﬁminded thmuvhtn 2.3 u 21 3 «.3 ful yaung wnman made firm; the foﬁndation stones were Wall laid amang “*l native hills, and nsw she began ﬁg build tha supafsﬁruature thereon. ﬁrs. Stanton as a Housekeeper- *?‘f"" my grandfather had given maihar a fine, naw heuse, baautifully farm nimhed, on the hills of Shelsea, overlooking Beaten Harbaur. She says; "ﬁhen firsi installed as mistress avg? an gstablishmant, one has the ﬁama faaling of pride and satisfaction thai a young ministar must have in ﬂaking charge ‘-3 5 *.-”:§1I’§3. {:9 w £3 cf ﬁis first eaugregationg s.... It is a praud mmmant in a woman’$ life i suprams wﬁthin four walls. ..... I gtuﬁiad my everything yextaining ta hou$a~ kaapingl ..... I had all ihe mast ap§roved cook~book5, aud spent much sf my , lg . '= M V . ‘l " ' ‘:7 ,M«(. timg picklingfand exyeriménting on.n9w‘&ishes. I felt the same ambiiion ta _% axeell in all ﬁepartments sf ﬁhe culinary art that I did at schcal la iﬁa ﬁifferent .ranehes cf laa?ming. seats I put my whole Saul imts everything and enjoyad it.“ my mnther was a famous housakeeper and cook; though she always kept several household employaes, thera'was nothing she herself could not dc. Her house was always in ﬁerfecﬁ orﬂer frem garret to cellar, her back dear as —.u.vz‘-‘v=—’(¢’ 20 ha? front door. Eu 1845 Judge ani ﬁrs. Gady mmvad to ﬂlbany fer a faw years ta as~ tablish twn of their senswinwlaw in the legal yrsfassian ihare, S0 ﬁhﬁ J Qapiﬁal 9f the Stata gﬁﬁﬁmg the family rallying paint far same time. G@verncr‘¥illiam H, Seward « ﬁrs. ﬁﬁaniam made several visits ta £1bany during thig period, and ﬁhus‘was able ta take anzzative part imthe discuaaien cf t&a Earriad ﬁomangs Pramerty Bi11§ the V;-3 - mending in the Legislatures Ths bill haé bean introﬁugad in 183* it did mat pasﬁg hewaver; Wniil 1848. ﬁi1liam‘H. Sew&rd'was Govarnor - 3 9- _ ’ ’ ’ “ “’ ﬁgriﬂg §art gf this tima; he appravad of the bill; anﬁ hi; Wlfﬁﬁ a wvman of b o A 0 w‘ . if n» V E3 N‘; “ = , rt ‘*1 3 2“- rare lmtalllganae, advacatad 1t warmly. logawhar , ﬁrs. Stanton ﬂT;t$§§ “ﬁrs. Seward and I had the epgartunity of talking abeuﬁ tha bill with many membars3 bath cf the Senate and ﬁssembly, in S0ci@iy§ as wail as in smmittas raams.” Gmvarner amﬁ Mrs. Sewar&‘s friendship far my mather laatad t0 the and 9; uhair £335, and thay'were freguant visitars at aaah 0£har’a hamasg §il1ia3:£. Sewarﬂ was afﬁerward Secretary Sf Staﬁﬁ in ?ra$i&ent Lina01n‘s Gahinaﬁa %Mr3. Stan%on‘$ saemné son Henry was barn im Albany in 1843, during one cf hay visits taera, ﬁunéar mare favarabla auspices than w§'first ﬁarnﬁ she; writes, “as them I ts dc 1:zr:i.i:.E’; sza. bsa.z:y.*‘ imzi. }—mx¥ 33.§.z*d son, C;~erz*i*%; gm-2,33 3ﬁﬂHt0n,“W&S born im 1845 at Che1aea¢ H533. under the ahadaw cf Bunkér Eill mmnumanta Sha:musﬁ have been a very bay wammn wiih thmeé bays iﬁ Pan? years; she nursad all her b&hies3 and; though she always had nurses; ska did man .31‘ ._‘i things hewsalf for her children, She was a meat devotaé mmthar; she sang and plryad for us on bath yiano anﬁ guitar; anﬁ tald uswandarful stories. She 21 cculd racita poeﬁry by the page; often thesa recitations were fram tha Odes of Hsrace, 0? the Eclsguas of Virgil, she nevar forgeﬁ her Latin er Greek. I hava often seen her, at the twilight hour ih her ald age; surraunded by a bevy of children listeninv s§el1b0und't0 her thrilling tales. -; ”‘5?%l£* * il57” 51 ? Lif@ at Seneaa Fallso lflha sevaritv of the Naw‘England climaie provad toe rigcraus for my father’s ~ he&lth; sa this stimulating; intellectual and sccial lifal and his brilliant legal start, all had to he given up; and in the Spring of 1847 my parents mgved to Seneca Falls, ﬁew*?ark. Father’s haalth improved greatly; hey spant sixteen years of their married life in that littla village; and the?e their ' :¢..s;;\,l~—m . qﬁéﬁf four ohilﬂren'war9 born. t A 7 %§%w¢i¢ Grandfaﬁher had given mmther a large, ol§~£ashionadR§ame in Seneca Falls, also a farm near the town. On her way to the new home she stapped in“ Johns» town to visit her parents, and left her nurse and three boys there While she . want on.to Seneca Falls alone to put tha house in hahitablg condition. Father had been called to New'Y0rk ﬂity on important business. Ebther’s eldast sister, ﬁrs. Edward Bayard; had lived in ﬁhat villagé sevaral years before, and as ELih@F had oftéa Viaiteﬂ her, she was already acquainted‘With many of the tawnspeapleg I At parking Grandfather gave his daughﬁer & gooﬁly sized check and said with a kiss anﬂ a smile, “You believe in woman‘s capacity £0 dc and dare; 35W Q? ahead and_show us what you can do'With that hause.“ She started off quite hagpy at thafhcﬁght of the rasbansibility cf repairing a hause and puﬁtimg all things in arder. Tha ylaca had bean clmsad for several yearsﬁ and needed extensive repairs; anﬁ the grounds, compriaing several acres, were overgrawn with weeds, and the trees, hedges and shruba sadly neglected. %y'mpther writes in her autobiography: “tit %mi@ute survay of the _ ‘ ‘Y ‘,.3§ﬂij_,*,, - 3 praises anﬁ due consultatian with sevewal sons 0 '4 v‘: :'~*':'t~~ ’ ’ painters, paperwhangers, and garﬂeners to work; built a fine haw kitahana wpod~hause and several perches and in six'waaks took passassianiﬁ my mather possessed a great ﬁeal cf axacutive atility and astanishad every ate at wtat she aécomglished in S0 shart 3 time; She told me maay amusing taies of sitting on kegs cf nails and disw cussiag the tapics ef the day with samé of the leading Judgas and lawyers of the tswng who draypad in to adviae her, while the workman were pounding and hammering about themJ In Seneca ?a11s my mother found life decidedly sclitarg and even depressing. In Beaten all her immediate friends were thinkers and refarmars, amang tham.the chief figures of that ﬁay. There she had a new hcuse‘ith all tthe mmdern conveniences, well-trained sarvants, near and delightful neighbors. Eéra the home was remote, built at the edge of a cauntry village: The h0usa~ hold employees were inferior. ’She had an increasing number of children, anﬁ 1 fathar was frequantky abliged to be away frat hama on outiness. §hi1e‘we lived in Seneca Fallg he was a member cf the ﬂew York Legislature. Ebthar sums it all uy grayhically in the fol10wing‘wor&s; *Ta kaap a larga hause .and many acres of grauné in orderg purchase evaryzartinla fer daily use? Keep the wardrobea cf half a dozen human beings in proper trimﬁ take children ta dentiﬁts, shoemakers; day and dancing schools, and tc find teachers for home study,- altogether made sufficient work to keep one brain busy, as Well as all the hands I couié press into service. .fhen, tca; the novelty 0f housekeeping had gasseﬂ away, and much that was ance attractive in dgmggﬁig life was now i?ksom.. I had so many cares that the oompant I neaaeé for in~ tellectual stimu1us‘as a trial rather than a pleasure.“ Before this, my mother's life had glided by¥with ccmparative ease, Aﬁith her hameepathie book and bag sf buﬁ new ﬁhe real struggle of existence was ugen her; Her &utias'wer9 two numerousg an&§ “None”, she sayss “sufficiently exhilaraﬁing £0 bring inte play my higher faculties; hamaa 1 auffereé from.m@nﬁm1 hunger. I naw fully underw steed the practiaal difficultias East wcmsn have to eanﬁand‘with in the isolated hemsehsld, ﬂﬁw i%e impossibilitr cf wamangs besi davelopment if in centact, the chief part of her life, with servanﬁs and children“, i§~£4§§ﬁi-¥’O§§94E°I5§4Q$$§O§%$'9G$Oﬂ‘NB " at “’ 1' 3 : C ’ 9 S 9 1., E 0' ‘ ‘ 9 " ~ 3 \E>"§x;> ‘met’ * z \\ u 5 “‘- 5 “ .‘ 9 : 1 A I is . - ..-=-. ~ - -:=.~.‘- new E aad ﬂmf Qgm Olu3Sb ~ 9 3 ‘ 3 Q t 7-‘ ‘re 1* . ' . ‘agﬁv ' 3' 0 S (‘I V * 3 3 5 $ Q I 8 ’ 2 1 I 3 OOG0i§§0®OO!it>Cl=5352?!-ﬁtﬁﬂifi$- Mrse Stanton and twe 3? her bavs ffsm an old dayuerrect G _ ta 3' x,.ZT' Near Our h0me'w&s an Irish setiiament frcxzwﬁish came constant commlaints E‘ "§' 1 . 5*’ «rm $ .~m— A ,, -..v ‘ .y, 4, ‘a F‘ ‘ I ‘ 5 ‘ I‘ . th&u krsﬁ §EdﬁtGn 3 bays were thlawzmg stauag mi their “pigs anﬁ reefs”; 38 successful was my mmﬁher in bar diplemaﬁic adjustnanﬁ of affairs, thaﬁ S18 S90? 1 0',‘ ‘‘t_ ' ‘. 1 - ‘ , N, 2 3‘ mecgms the umpire of the nexghborhood. bhe lent boogs anﬁ payers ta tﬁ@’WG§ﬂ ﬁﬁﬁ mﬂﬁi invited the chiléram inta her beautiful grcunds ta pl“y‘wiﬁh her hg;g ‘ "' ‘L "75" ' ‘”"’ W ‘ 1?‘ tn A ’ 1» u »- n. . » and angog uhﬁ Eﬂlugm, p&Pmll@1 mﬁd hC?l£Qﬁi&1 bags: the trageza aﬁd laﬁﬁergﬁ ymdicines, she tenﬁed thg sick and mgnistgrad is tha wmmen im the nangs of mate?nitv§ ti‘? she Qagﬁﬁw Qn%f§ an exmﬁri if thﬂi J. ~ E . as -. _ .e=‘m.:... -4» J‘- ,,,,., 1- ,~ ~ 1" 4 ‘L d“ C l XX’) #55- branch 9? the mgdical prafessien. She imugzé them.haw to take intelligent cara cf their babias and children. She was lookad ugan by all her naighbars as their beat friend anﬁ adviseﬁ, anﬁ thera'was noﬁhing they wou1& moi ﬁe for ha? in return. Emerson says a hsalthy discontent is the first step in progress; my mgther says, “The general discontent, which I now‘felt,with woman‘s partian aa wife; mother} hou$ekeeper3 sgiritual guide, the weariﬁﬁ, anxious look of tha majayity of wemen, all impressed mg with the feeling that some aotiva maaaureﬁ must %a ‘ﬁaken to ramedy the‘Wrongs of society in general and GE woman in particular, ﬁy experiamme at the'ﬁor1d’s £ﬁti~S1avery Gcnvantian in Lemdanj all I had ra&d of ihe lagal status of women in my faiher‘s law books, ané ﬁhe cpprassian af wnmgn I saw everywhere swept across yg*smul, intensifieﬂ nww by Hg'mﬁny personal exw‘ periencés. it seemgd as if all the eleménts had conspireﬂ to impel me te same ﬂﬂwayﬁ Sggg, 1 ggulﬁ net sge‘wh&t to de or where to begin, ~ my only thought was 3 public meating for protest and discussion.” In this perturbed sﬁate of mind, mother received an inviﬁatimn to yo my ta '%aterlo0, the naxt tawn, and spanﬁ he day at the home cf her friends, the Eunﬁs, ﬁe see Lucﬁetia ﬁatt, wha was there on a visii. Ehey haé invited a party of their z— Quaker acquaintances, all earnest, married women, ta meat 4! - ﬁrs. Matt and ﬁrs‘ Stamioa. §y?hé%her was so full of the spirit wf discmntent, and sﬁa poured it autwith such vahamenca anﬂ eloquanca, that she stirrea herself and all her hearers, as she says, “Te de and dare anythingi" like First ﬁcman’s Rights ﬁenventien 0 They deciéed to holé a ”%bman's Eights Convention”. They wrote the call ﬂ A that afterncon and had it printed in ihe Seneca Gsunév Courier an July 14, l8é8. if . , H‘ 5.. 9 Q rs ,, _* I - ‘,3 Q a w I K The c&11 was 1bgued‘w1th0ut slgnaﬁures, mt was merely an announcement that a r . f 9 ‘ . 5 ‘Hr » _ I ‘. , Jonah s Rzghts Conventlon would be held on July 19, and £0, lﬂ Seneca Falls. The chief mnvers were Elizabeth Cadv Stant on of Seneca Falls, Lucretia Matt of Philadelphia, %ary'enn ﬁcC1intock and Jane Hunt of Waterloo, and Martha C. T E dright of iuburn. The last mentioned ledy*eee the sister of ﬁrs. ﬂott, and the grandmother of Themes ﬁott Osborne, the famous exdwerden of Sing Sing Prison, who thus comes naturally by his reform proclivities. , .. The Convention was held in the~” Church in Seneca Falls. It ees a great success, the place ees crowded at every meeting, both men end women spoke. James Eott, Lucretia's handsome husband, presided. Someone sage of it: “A religious earnestness dignified all the proceedings”. M 4'c«¢,é"4..:;z/a 3 * ~ -in 'L.«.~.- ~ »~~vr~ —+‘:a’"’ " . “ ‘ - ‘ Of that first ConventionZme»eeeeee dig in her eutcbiogzephy, Eighty Years and More“, "These eere the hasty, initiative steps of the moet;momentoue refornz that hee yet been leunchede in this world, the first organized protest against the injustice which has brooded for ages over the oherecter and destiny of one- helf the race.” But mother fails to tell, in her book, one incident that I think most significant, and which I have often heard her relete; "It shows how far ahead she eee of her times and how clearly she see into the future. She asked Frederick Douglass, the great colored orator, who had oome down from.Rooheeter to ettend the Ccnventicn,°what it ees that his people, the slaves on the southern p1ente~ tions§ needeaﬁtp out them.on the right plane. "The ballot”, he promptly replied. “And I see that is exactly ehat we Women need“, said Mrs. Stanton. Then she explained d" T to him.thet she had drawn up a resolution, tetdshe intended to present to the »%“"'5"5;3 ‘ Convention, and he must immediately jump to his feet and make e speech in favor of its passage, and then she would do likewise. The resolution reed: “Resolved, That it is the duty of the eomen of this country to secure to themselves their sacred right of the elective franchise.” “éﬂ-Q i,/¢¢¢,{;§::’,¢¢ ii; ey mother told Er. Douglees that in the conﬁerences they had been holding before the Convention, ehen she had maintained that the ballot in the hands of eomen'ees the keynote to the situation, Lucretia ﬁott had exclaimed: ”Oh3,Lizzie, 26 if thee demands that, thee will make us ridiculousi ﬁe must go slcwly.“ And my father, aha usually stood by my mother in all she did and saiﬁ3 and aha disc spoke and‘ﬁorked for the cause of wnman,'was so amazed at her .9‘ daring,'when she confiéad ta him what she intended doing,and sp distressed that she would not listen to his advice, that he left tqwn and dié not attend any of ths'meetings3 But mother felt she was right, and nething anyoae saié coulﬁ turn.her from.her path. Thenﬁ tee, she remsghered the advice given her by Daniel O3C0nnel1 years bafore in Ireland: “Always ask for the uttermpst; than you may get semethingi” Of course those on the platformywere furious at her for springing her reseluticn on the ﬁonventiont it created hot debate, but the brilliant éefeﬂse, of Bouglass and her own elcquence and logic so roused the audience that many arese and spoke for her side; and after a two hours’ tussle it was carried. v ﬂ’ ' 4 ﬂ 4') /~',’ /' u r éﬂemand fram the first was those three . 40 So that Elizabath Cady Stant0n's 1/’? 05/ little worés ~ "VotesJfor Womami“ Susan B. ﬁnthony was not present at that first ﬁonventiens she did met some inte the mavemant until three years later, in lﬂﬁlu
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Date: 1921
Text: MUSIC LIBRARY VASSAR COLLEGE poucuxzansvc NEW vopm SONGS S}-IA-WON—DA-SEE (The South Wind), Medium, F (No. 5232) SKARL THE DRUMMER, Iwedium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) WABUN (The East Wind), Medium, F (No. 5255) HIAWATI-IA'S SONG, Medium, Fiﬁ? minor T ADJIDAUIVIO (The Squirrel) Medium, G 5 W73 : I at. or I (No: 5268) *Except Canada and Foreign J. FISCHER 82 BROTHER - NEW YORK 119 WEST FORTIETI-I STREET 3, NEW STREET, BIRMINGHAM, ENGLAND Pxnu-an in nu To...
Show moreMUSIC LIBRARY VASSAR COLLEGE poucuxzansvc NEW vopm SONGS S}-IA-WON—DA-SEE (The South Wind), Medium, F (No. 5232) SKARL THE DRUMMER, Iwedium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) WABUN (The East Wind), Medium, F (No. 5255) HIAWATI-IA'S SONG, Medium, Fiﬁ? minor T ADJIDAUIVIO (The Squirrel) Medium, G 5 W73 : I at. or I (No: 5268) *Except Canada and Foreign J. FISCHER 82 BROTHER - NEW YORK 119 WEST FORTIETI-I STREET 3, NEW STREET, BIRMINGHAM, ENGLAND Pxnu-an in nu To Mrs. Mc Elroy -Johnston « Hiawathefs Song H JAMES A. BLISS Op. 10. No.1. Me dim m H.W LONGFELLOW eg-ro con brio (Juos) In the land of the Da - c0— tahs Minn — e —ha — ha, Laugh—ing a - ter, Lives the ar - row mak- er’S daugh-ter, /.‘,\.—. at tempo Hand- som- est of all the mai -ens, I will bring her to your wig—wam, W‘ #13‘/13 #? 3- 3 Esp/res She shall run up -on your er - rands, Be your Star-light, moon-1ight,fire-light, F Copyright, 1921, by J. A. Bliss Assz.'g1zea./ to J.Fa'.s>c-law (Q Bro. J. F.& B. 5268-5 PRINTED IN U. $.A. Be the sun-light of my peo-ple (L team Tem,;0o 1 Thus it was that Hi — a — wa - tha To the lodge of old No - k0 — mis Brought the moon-light, star—1ight_, fire - light, /:57 . ._. — ,-.\ (L tempo Brought the sun-shine of his peo-ple, Minn - e-ha - ha Laugh-ing Wa - ter, , . J. .F'.& B.:'>268~5 Hand - som-est of (Of) all the maid — ens . _ the land of p smccato hand-some maid - ens. ‘fab. J.F.& B. 5268-5. H .W. LONGFELLOW 8 ..... ........ .. eggiero _ J.F.& B.5268-5 ADJIDAUMO The Squ(irre1 J JAMES A. BLISS Slower .' x7[ea’imn ‘ Then said Hi-a-Wa-tha to him, 3'5 l"""""""‘1 I I d the squirrel, Brave - ly have toiled to help me; And the name which now he gives you; For here—aft-er and for-ev-er Copyright, 1921, by J. A.B1iss Assig/zed to .lF¢1s'(.'/car & Bro. l':'—j'll:—'—""| Boys shall call you Ad — ji - dau - mo, Tail in air the boys shall «:31? you!” And /3‘ 8... the squir - rel, r""'"‘l Ad - ji-dau- mo, ' 3 ' ' ' Frisked and chattered ver - y gay - ly, o ...._..4 atempo '“3“‘I ' 3 | J. F.&B.5268—5 Maesta slower In‘ his fur rit. e breeze of morn-ing a, A Group of AMERICAN SONGS LIST No. 1 . REG, U‘ S. PAT. OFF. HOWARD BARLow . . . . . . .Hush of the World . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5193, 5194)* . . Love issoNew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5192)..... Your Eyes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5195, 5I96)..... GENA BRANSCOMBE . . . . . .In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . . . ELIZABETH H. DAVID. ...Honeysuck1e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5151, 5152) InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155,5156)..... Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5153, 5154) JAMES P. DUNN . . . . . . . . .The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . ..3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) ..... Under the Greenwood Tree . . . . . . . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) . . . .. G_ FERRA1-A , , _ _ _ , _ , , , , _ ,Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) . . . . . CECIL Foggy-rg , , , , , , , _ ,A Masque . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Medium (4532) . . . . . . . . . Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547). . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . . . When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . FAY FosTER , , , , , , _ _ , , _ ,My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . . . Secret Languages . . . . . . . . . . . . . . . . . .. . . . . . . . . . .2 keys 4665, 4666) . . . . . Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) .. . . . When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . . . Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (4454, 4455) J. BERTRAM Fox . . . . . . . .A Ballad . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . High (4737) . . . . . . . . . . . Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5079, 5083) . . . . . Sadness; Tears . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. FRANK H. GREY - - - - . - . -Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys 5160, 5161) . . . .. VICTOR HARRIS . . . . . . . . . .The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) . . . . . A Madrigal . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..3 keys (5092, 5093, 5094) Silver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5098, 5099) . . . . . A. WALTER KRAMER - - - -Eternal May . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . . . ForaDream’s Sake . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (3851, 3852) joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys 24246, 4247) . . . .. « Song Without Words . . . . . . . . . . . . . . . . . . . . . . . . . .High 5020) . . . . . . . . . . . HOWARD D. MCKINNEY. In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys 4863, 4864) . . . .. WILLIAM REDDICK . . . . . . .Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High or Medium (5077) . Travelin' to de Grave . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) . . . . . , GERTRUDE Ross . . . . . . . . .Early Spanish-Californian Folk-Songs (Five).. . . .2 keys (5I20, 5121) . . . . . . Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144 ‘LILY STRICKLAND . . . . . . . .Bay0u Songs (Four) . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) . . . . . A Beggar at Love's Gate; Song Cycle . . . . . . . . . . .2 keys (4440, 4501) . . . . . Today is Fair . . . . . . . . . . . . . . . . . . . ..‘ . . . . . . . . . . . .2 keys (4338, 4339). . . .. DEEMS TAYLOR . . . . . . . . .Captain Stratton's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass (5242) . . . . . . . . . . . Banks 0' Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Medium (5210) . . . . . . . . . Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) . . . . . The Messenger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4732, 4733 The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) .. . .. A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) .. . .. PIETRO A. YON . . . . . . . . .Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4452, 4453) . . . . . Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . 0,...- *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. - NEW YORK 3, NEW STREET, BIRMINGHAM, ENGLAND
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Date: 1873
Text: 2. A 5./7a:.7:w...,__ _ >. :::'.-._:' :'5_v' Oliver Bits on -Comp any . I/7/55;: 5275/17/7. x47/7//.'’ , A4/47/74$ /7,95/4 L/U/7/7 [C \/75_';//7../_.=j5jc$ [’J. ‘4_’.£TZj7/'7‘5z7/7 LEAQ7. T mmc uuunv VASSAR COLLEGE /V )/z7/'// 5 /7.17/7547/75 £27; :3 E.“ .1 an ff En. nu. n...“ 5? .._.m We ad .h.—: ;._..m mm. 7.5 1.5 «WoMAN’s BUILDING, o 20 Fifth Avenue New York T0 HRS.‘ OHA E. _§£I1VU2I . THE RAINY DAY. Wt'itteJ1'b_)' H.W LONGFELLOW. V...
Show more2. A 5./7a:.7:w...,__ _ >. :::'.-._:' :'5_v' Oliver Bits on -Comp any . I/7/55;: 5275/17/7. x47/7//.'’ , A4/47/74$ /7,95/4 L/U/7/7 [C \/75_';//7../_.=j5jc$ [’J. ‘4_’.£TZj7/'7‘5z7/7 LEAQ7. T mmc uuunv VASSAR COLLEGE /V )/z7/'// 5 /7.17/7547/75 £27; :3 E.“ .1 an ff En. nu. n...“ 5? .._.m We ad .h.—: ;._..m mm. 7.5 1.5 «WoMAN’s BUILDING, o 20 Fifth Avenue New York T0 HRS.‘ OHA E. _§£I1VU2I . THE RAINY DAY. Wt'itteJ1'b_)' H.W LONGFELLOW. V C()n|1p()sed by ERMINIA RUDERSDOl{FE T Moderato e tranquillo. . VOICE. is cold, and $ PIANOPORTE. dark, and dreary, It rains, and the wind er wea-vy, T119 vine SUE C]jI]gS fo the lnouldzring wall, But at ev’- 1_-‘y gust the d€a{l1eaV'Q_§"fa}_1, } ‘ 22:19 7 ‘’Q'*‘f‘5‘‘°d'’‘W°Tdi'‘gt0 3”‘ Of C0"~€“8ss infhe )'eaI'1373 1))’ G. D. R11<seH&(”():int’hx3oﬂice <)f1}xe-Li'9>2‘2'*"’za.1<;!‘{‘(;x1«>‘:"~e=~s; at Va/,». - W3 M . ' "3 1910 p000 rall: And the day is (I-ark and } f mime, mnitlne uiml -% er‘ wear r , my ﬂmnghts :-ﬁll cling to ﬂue W} > \} L ; D 5 = I + J I 51 1 / ’ U I l I I E p000 rail: 41 iaampo. I l —. I5 ‘I’ 3" I ' ' '\\__// da_y.s‘ are (I-ark and (Ire-a - vy. I’ I a tempo. 1.1000 rall: 1319 V ‘- sIti]l_®_*_ I sad 11eaPt!%__, and cease the clouds . 3 still 5111' - .\ X ” ‘ poco tillargrznrlo. _ com - 111011 fate of AA‘ AA EXHIBIT FOR N. Y. ROOM OF WOIvIAN’s BUILDING, 1OAL\ED BY [T In - to melt smue must fall, S0111-9. f"r1V>‘a ———-———— 501119 d"‘.Y~"7 501119 Zen - tanJ - (10- (g;,,,.,‘ W‘ must be dark and (lrea }‘ , rum; 1'rlll!?nf: 1917919 c6lla voce. a tempo. , 20 Fifth Avenue, New York, To be returned to Mrs. Theodore Sutro Cheurman on Music and Law. L'.‘!".‘v’ffWD!-"YT EHEE.‘ “led to -------------------------- .. an on Music andMrs. Theodore gut Law ‘CHOICE GEMS SELECTED ERG/"I IGLIVER DITSON COMPANY'S L/;\Ti:‘sT__i.isTs or piiw. MUSIC VOCAL. Wit and Wine. G. 4. 4. to n. Jf. cz.e=z.«..... so AmeAri;:an Beahuties. 0. 3. . I...C. »f~W.u- 40 v _ Tne story of 2111 fLI1(:l‘l!tl(ln"‘ who inmle inorry wit I hi~' W0-step i-ince movement for the ]il.‘ll1). A '.ll:ll’- SOl’1g 0' Gowane. Db» 4-. (l3 T0 Ell» ' ﬂf¢F“7:l77§7/ C()lll'tlBl‘.~!, anil kiiitriitlell lll.-lbS.:l‘\’lllg-ll] in. IL i-la lino, ining piece for players who like light. II1UlL)(liU11sl‘)i(lll0 A pretty soiig, with \\'0l'(lS in :he S(30t(:ll‘ll1:1lL‘('t. Suit- hezirty, rollick‘in_: soii-,5 for baritone. Try it. llllldlc VV1El1‘iill0 $1110 llimce 1‘l1.Vll1l1l. able for a soprano voice‘ ‘in! , i ‘we llllSlEil,{0 not, 21 song - ~ _ 1 5 (w_ M .. . 1 p. , _ that will be much in \"0.‘—,"lle ainoiig,‘ ailiiiirers of good sweetheart! my Song '5 c°m3' B’ 2 ) ) 7' Boston Belles‘ Olumute $11011’ L)" L F l The $>hiIdren’s Hour r l modern vocal (‘0lllll0~Iitl<)llS F’ S" Sm”'M/rs’ : ' TV'w"”'Im" Maiden Dreaming. G- 4- <1 t0 g- - - . . Mtwl/. The odilness of style nianiI'e.~'t in tlllSllL‘\V:~l0l1g,£1.‘! well as the e.\'cellen(tcoi' both poet ‘ ' I.I14l nielo:ly, shouhl place it zit once ainoii;.>; the most ilc rable of recent song pl‘0lli1cll0ll:l. The piano aecompaniineiitis ol'it.sel1‘an attraction. ' ' F. 4. to F. On the Swinging Branches. at E "Won. “On the Swiiigring Branclics,” or the “Soiig oi'th_e ]’»obolink,” i-I one of the latest of Mr. \Vilson’s composi- tions. It is of an unu~iu:illypleasiiigii:itiii'e,tastet‘iiI and grrai-.el*iil, while the nielorlioii~i wziltiz-i'e1 llll makes it specially 2ltl.l':l('lJl\'C as to the popular reqiiircnieiits. Earth’s Fairest Flower. Di». 4. c to F- Orton 127'/uIIe_1/. One of the best mollern songs for mezzo-soprano or baritone. It liasa ;,-'racel'ul nioveniciit in 9-8 tempo, with nielo;ly anil piano acconipanimeiit alike agreeable. Vj]|ane||e_ (Peastiiitfs Song.) El). 5. hi; to g: Dell Arvmrl. “Villanclle,” or the pcasant’s soiig—./’u£ ru. ]m.s'.>‘(‘7' l’lLi'ronrlelle (“I’ve seen the sw;1ilo\\'si»:isshyine”)Ais one of the most acceptable of the modern s<)iig~s. The translation is by lln.l‘I‘_lS()lll\Illl.‘ll'(l. Both Freiirli iiml Englidi version are given. It is recoininenilcd to sopranos. ﬁe Lea!-jeth |V|e_ Duet. Eb. 4. . . . . S. Salter. A hne sacreil duet lor alt’) an l tenor. \’Vc C0llllllCll(l it_ to <:lioii'—sin;,rers. The accompaniment is 1'oreii.her piano or organ. There's a Friend for Little Children, 0. 4- C- to g‘. E. S. Hosnzer. A solo which many who (lC.~'ll'C suitable ])lC('€H to be sung to a Sabbatli g.',‘2tLll0l‘lll}.;‘ will be plciise<l ll’! obtain. The acconipaiiiineiit 1'or either piano or orgaii is inter- esting. The piece can be usccl to £l(l\’.‘l.I’lt£lf_],‘0 by :1 clioir- soloist for special oitcasions. It is a gem for home use as well. ry' . Titania’5 crad|e_ Sopr. or Ten. F. 5. E to/'i..] .eiman.. 'fitania’s crad[e_ Mezzo—Sopr. or Bar. Ebipllgi 7:1 (1 r. The well-known worrls from Sliakespeawii “Mi l.~'uni- mer Night’s I)reain” (“I know a bank whereon the wild thyme blows”) are liei'e melodioiisly anil arti~‘tically set liy Liza Lehman. It is agooil song for an e.\'pei'ienced Vocalist. Published in two llll'f(I‘I'Cl’ll? keys, as above. _ Ely. 4. bl; to El}. Pe/ez-son f iretty poein set to equally attractive and very tune- ul music. 'Tis that] Love The9_ Duet. D. 4. (Lohr) Vzme. A most a-rreealile duet for two Voices of Illeilllllll compass. Try it. Love's Signal, Ab. 4. cto F‘. A. F. Burnett. One of the most enjoyable of recent songs. The worrls are by Freil. E. VVe:itlierl_v, the well-known ICng_;li.~il1 writer, anil the music by l’>lll'll(‘l$t will llllll l.io~':t.<i o1'iiil- niirers ainoiig lovers of the best English songs. The sentiment is very prctty:— _ “Only a wee worn kerchief That lay in mv trembling hands, As I sat by the \Vll]ll0\\' (lI'0f1illll]g!,‘ And looked on the moonlit liinds.” Waitin to welcome her Bo . G. 2. «i to F11. g y J. W. Wlzeelm‘. PODUl£tl'.SOIlg and chorus byapopularauthor. The sentiment is §:_'()O(l, and the song is worth a place in your collection of vocal gems of this kind. At the French Ball. So11g.\vithD2mc0.DF- iipcto F. . . ;ru.hain. “I went to the ba1l,_theimiiglity French ball, Anwl I ilrinccil with a little grisette; She was not over stout, aml not very tall, And so pretty I soon called her ‘pet.’ " Darke Musketeers. llI2ll‘(.‘ll~S()1l"'. F. 3. The 3' to F. V.‘ W. I/V/teller. Another new comic song by the aiithor of “The Col- ored Four Hun=lre(l.” Briglit aiiil catchy. He isn't on the job just now. Eb. if Fllibto F. C 1 C’IlH.(}IL. Humorous song. Just the kind to provoke inerrinient Spanish cradle Soy-|g_ F in. 4. E!) to Di). lioott. One of Mr. Boott’s latest contributions to the li-tot‘ excellent modern soiigs. Both Spaiiish and Eiiglisli ver. sions are given. The song is one of the most noticeable of recent coinpositioiis. It is for a voice of inecliuin compass. al is told. Bb. 4. bl; to W2. A5 aT e that 147. F Smlzls. An excellent song for low voice. eitheralto or baritone, and we commemil it to all who admire gooil verse set to equally good music. sooner or |_ater_ El). 4. bl; to E5. W. F. Surlds. In this song Mr. Sl.l(l(lS has ailinirably set the ver.~'es of Stewart Allen to an original melody, whicli expres~ie~i the sentiment of the poem in a musicianly anil agreeable manner. The accompaniment is for citlier organ or piano. A line song for low voice. The Touch oftha Wand. G. 3. Chansonette. Eb. 3. who E5. . ..... c l The above three soiigs by Frederick S. So n'ner~4 a"e the work of 3. mu-Iii-ian whose music will repay the learnerin the most il.f_flU()2Ll)lL) manner. The piano p2l>'t.~l are no less satislactory anil iniisiciaiily t.h:in the inehnly 1L~l(:l1’ and the general treatment of the themes. Suﬁer Little Children. D, 4. <~%t~11 R:"’:'<’*'- _ A new sacreil .~l()I)fJ,‘ by Martin R ie lcr; toaclier ol .~ii.i5- 111),’ at the N. E. Coii-acrvatory of Music. He? Last Good By 2. F- 2. 0- to F. D 7'WW8- A song and chorus in the popular vein. Ne\\‘an.l ‘ pleasing. Take up Thy Grog-,s_ E‘). 4. a‘; to F. C’ E. I} I’:-me. A saci'eilsoi1:,r for inezr.o-~Io;ii':iii ) o - l)‘tl'lt.).1l‘ Ex - lent for a choir soloist. Ace.iiii_i.Liiiiiic-iii; s.i;t:Lblelor either piano or orgaii. Forsakey-|_ B.ill:nl. G. 4. ll to F1 . M'i'lIrir.'I. The gooil t i<tc anvl Oxquisit ‘ t eatinent of tha. t‘.i mi: so beaiitil'ully cxpre~i.<el in the vi-.i'+c.~i by Mary (J. l’reston, are <;li:iractei'istii-, of II I. '.-i=on hlillaril. This is his latest .~l()ll_(; and to all <i.i:.,-‘ei's with mezzo-sop 'aiio or tenor V ' ea we say, try this now ballad, Elllll you will not r ‘r , ' The inelorly and the gi':ic.'.1‘iil. llL‘.ll('.2ll§i£ plan» am-.oinpziniinent captivate the hearer at once. Don’t fail to secure this latest song by Millaril. The Boat with My True Love’s Name. F, ‘-’- 0 to I). (,‘oII1n. (7042. A n:'.w song; by Collin Coo. It haa :1 pretty “'1|.‘It'/4' rel’r2iin, anal will [)i'<il):).l)l_\’ be popular as a li'_>;nt, lllL“<)ill- ous “lmrit-soiig,” or a “cats-liy“ song and rei'rain oi’ t’ic college type. Simple, ll:l.lllt_\', anll meloiliou.-.'». Here is a verse, to show the sentiment :— “My true heart is a brave, brave girl; She lives by the wiile, 'i<le sea, Ami when I sail on the r.c«,~.-iii She watclies anil waits for me. I have a boat so trim and neutr- For siiilin-_; she’s won her fame,- Anll I call my boat the ‘ Ilonnie Bell,‘ For that’s my true lo\'e’.~i naine.” “Over the sen, over the sea, My Bonnie Bell goes sailing with me." There’s a Green Hill far Away. E9. 4 E/')l'1) G. J. (7. lVm'7'mi. A sacrerl song for soprano. One of the Very lieu‘. of rccent solos for i-hoirsingers. The familiar verse in a new musical setting. INSTRUMENTAL. Gov. Russell's Grand March. Eb. 4- _ G'I'II(‘€ ,I.’I7‘I]Ill_f/. A captivntiiig March for the piano. A gooil portrait of Gov. Russell ailorns the title page. Stolen |(is5es_ Walt7.. F. B‘;anil G. 4. _ .Io.s'ephin(- (ii-0. Goorl Waltzes are always in ilemanrl. 'l‘h‘is sci is very pretty, and we :1(lVlS(3 all who desire \valtz-iiiiisic for the piano to obtain a copy of it. Beacon Waltzes, ‘,> 4. _ . . . Lruvrence .’\"eeIm. Good lllCl0lllOl1S Walt’/.-inusic for the piano. Try ll‘. Figaro wa[tzgs_ A. I). G. 4. . , . LomI)rzr«Im'r>. Fine W'alt7.e.~i for the piano; not iliilicult, and well worth leariiing, Violanta Po|ka_ G. 3. . . . . . . . J. l{n.ecIil. Spirited, lirigiit, pretty (lance inusic for the piano. Columbia’ Fantasia-l‘olk:i. l<‘ortlie Cornet. Roi/iizson. An - ilmirable solo in G l'or the Iii; cornet. Fine piano accoiiipaniiiieiit. The piece is do licate l to anil play.-«l by John M. Floekton. It is one of Rollinson’s best cor- nct solos The Young Player. Selected Pianoforte Pieces for the Cultivation of a Reﬁned Taste. The >lel:(;<)ll]]1!‘lBO9 the following :- I)i<:.xic l\ll<1M()R\'. . . , . F 7'/mnze. S\VF.I-IT l\Ii«ii.0oi'. . . . . . . F. ‘I’/mnw. A QUAINT 01.1) Sroin’. ’ AL.S'ATIi\N l).\Nci<:. . . . . SLr.i<;i-Y Err‘. (Crarllc Soiig.) A‘). -2. . SHADY NOOK. A. ‘Z. . . . . . I’. Lr/czi/lie INi)i.\N DANCE. . . . . . . I’. LIl<,'()IIlt3. l\Ii«:imIi1i~;N'i‘. A. -. . . . . . P. Lu miirt. JUMPING JACK. G. ‘2. . . . I9" ('/iu.zw,r]/mt, ON TIP'l‘()E. I.)-niajor. F-iiiiiier. E. (I/Lvriwf/n.r/I. FINGER-TIP STUDY. ‘. . . E. K‘/on-.«i,r/nri/. II.\l’P1' GRElC’l‘ING. l). ". . _ . E. (,7/i.rI,i'II_r/i7(I.f. The above ll2lll1()'l pieces tl‘0 alinirably 2lil.I.lllIl.‘(l to tlie use of young players, especially ])llpIl.~l. Dancing on the Levee Schottisch. Q. -3. _ _ E(l£UL)L ( /n'1.s‘lie. Captivatiiig scliottiscli for the piano. Old Hickory. Scliottiscli. C. 3. Pe1'z:_7/.S’«)_i//ii.nm'. A military srliotti-Icli for the piano. ll: l~l not h.-irvl, even if it is old hickory. It is very pretty, and. “c:itcIi_v.” A brilliant moreeziu for piano, by an exr or-«I y 110])» u'_ coinposcr. ll: is not too «li.ii.-ult 1‘.art.ie a\'cr:i;e proliizieiit pupil. ' The world's Fair. Six Ea-‘y Piano Piece-' by IIENRY .\)IB. 1. ‘~l<‘.un C()LU.\IBI.\.” W'u.lt:. G. 2. "ENoi.Isi{ Bi.oNo1<;.” Po//.-u., C. 3. "l‘[‘Al.I.\N (_:lIRL." Yorlc, G. 4 “SUO‘l‘ClI LASSIE." Galnp. (.2 5. “(JIIINZCSE DIAIDEN." il[Il7'i'/I. C. 6. “SPANI-ll[ l§i«:Li.i<:.” S«-mm,» 1,_ _ The :1!) )VU named si\' piano pix:-,e.~i are easy .’lll'l suit- Illlle for _VUll!i_‘.‘;‘ l)i‘gl|llIOI‘.‘l. lllai.-li p.c(-c ll.‘l> the pi'upi’i' “i'ingeriiig” in licatc-'l. The t tlc-pziqe ofcach i= ranti- fully illustrateil bu (il12l."£l(‘tl.‘I‘l~|l2l(‘. lei.-«N of the «ll e"— iit maivlens wl1o<eii:iti ii litv is }_:ivcn in the lit. S.-.n<l lo: fl the “The \Vorl<l’s l<‘air" set of pieces by llcxiry l.:imu Six Easy Pieces. 1 (.‘li.e.»-tor llmmi. . “l§lI.I<?l<]N l\/IAZURKA.” C. 2 . . . . , 2. “F.\li'Nl‘LEI{()\' l\IA1{(ZI[." Eb. . . 3. “illrsric G.\VOT'I‘l£.” . . 4. “.<i;\i\ii«:i: l)iu«:.uis." F. 5. “i\[iNui«:'i‘.” l). 2, . 6. “Sm: \BA:\'I)l<).” F 2. . _ . , _ . ‘A rei_narkahle ple:i.~iii;_§ aiiil wsll w ‘in -.2i ~'et of piano pieces. l<l\'eryboily who lins l.l'lU(l iiliciii -my - so. Silver Chimes, Morceau for piano. l)_;. 4. _ _ _ ‘ I _ V.’ ’I). ll"i/.wiiI.. u3“"'lll'l.'l.I1El)lIl2l1)l’. li'li tiilt in I‘) wile" -._i I t i "ili3’l. .in_«_; l.ii_i‘.a~'ia” style. The correct Ii.i_;e:iiig 14 ;__:iven for the pupil’s use. Societe de Bons Vivants. Piano Piurc. G. 5 . . z'.i'.‘. (.)i-e_of Mr. Sn lrls’s best piano pieces. “Goo-l Feltlo/iv’. ship" Hthe Eiiglisli name for the piece. Enchanted Valley, I\Iorcc:iiil'oi'piano. A5. 4. p _ (i'(LIl«Ihr>1‘. A brilli~.i_nt inorceaii, such as the :L\'ii:':i,gc pi'oIloic.it ainateur will OllJ0_Y. Playful Ron;lo_ For Piiino. G. 2. C’. U7. Greem’. ‘ An exizellciit piece fora pupil. The correct (Gcrinziii) liii,-reriiig is given. Congaree Dance. F. 5 J. F.Gi'(ilcr. The latest piaiiol'orte composition of John Francis _ (lllllUl'. It is in his usual “<::il.cliy” style. «I eranza_ _ (Hope). Melmlie for piano. Alz. 4. Very pleasing. I(](3in_ -Electric P_olka_ For Piano. F. 3. . . ].’oc.a'/cc. Briglit, Jolly, catcliy piano lllllrslll‘. Electric Polka_ Wit/L Toy lust/'imzants. . lfnes/cc. For schools or l(ll1(lCl‘g1l.l’tC11l-‘l, thi~' piece, ii.i'tir the in:iiii_iei' of IIay<ln’s “Toy Syinplioii_\',” has inusic for the ()i-.ai'iii.-i,_ Tin VVhi+tle, Bells, Ti'iaii;.,-‘le, Violoiiitello, l‘)i‘ll|ll, \'ioliii,_ Autoharp, l’op-g;ull, Quail, and (,‘Iapper~, 'Ill..‘ ineloily is pliiveil on the l’ia.no.aiiwltlicl-lnlrli'eii 1ll‘.('.UlIl]l:l.l'ly with the iiistrnmeiits nieiitionexl. This [|l0i'U wzi~' |lCl‘lUl‘nlGLl in :1 Boston I{iii(li:i;;ai'teii \\'ll,ll gool clfect. Les Fleurs_ Value for Piano. F. . Lzulot-£i:. Easy and Pretty. Toreacloyg Walt/. for I’i:iiio. D. 4. A showy waltz oi‘ ine<liuni llilliculry. Colored Four Hundred_ I\Iai'ch for Piano. _ ll». Km;//ll. T. P. 1201/10. The popular song arrangezl as a “two—step.” Sprlng’s Return_ G. 4. . . I3, (7.I(1ez‘1L. Full of Joy_ Waltz. (J. 4. . M abel Gay, G. anil l’»',. 4. , _ . Sy|phide_ Polkzi-inaziirl-;a. U and E; 4. FOR THE MANDOLIN:— Flight of Birds, Polka. (Walilteiifell. Ilfaxc//. A Iiiie polka for two inani_loiins, \VlLll_g‘llllJi1l' or piano :i.ecoinpaninient. FOR THE MANDOLIN WITH GUITAR ACCOMPANIMENT. Llf/7/I (‘mvillgu M'a.7‘ch. (‘Z l\I:iii«lo‘iiis ) I’7-(Ie](n1Il, ’.1/[Til I§i>/Inn's Fair, lVn./1‘.2:<>s. ('2 l\l:lIi(li)lll1S.) l’/-eclmiil. Ullid liowens‘ Fair. l/Valtzes. (solo). . l’/-eclaml FOR VIOLIN AND PIANO:— R‘ -;"s Prn_1/67'. C. 4. . . F. 5. . . -' ‘ .l{.'l irlmmv. . . (' oncltrl. C. 3. KlIl.I'l(’I‘l[6(] G. ‘J. ./lI'cIo(li'e. . 3 . . . . i, A. ‘2. . . . . V01/JIILIIII. above violin pi zis, with piiiiio xii-comp-.iniinciit, are i'.lassic~' whi-eli C\'Cl'_\ lea "lie ', as well as all violiiiists, shoull have. The <,{r2irliii5.; _:ri\'eii above refer.~x to the violin parts only. The piiinoacconipiiniineiitsvuryas to tlilliculty. U7«r/jiier‘. B®$’]?‘®Rl: I9fE’I”‘S©N Philadelphia J. E. DITSON & CO. New York C. H. DITSON & CO. Chicago Boston LYON & HEALY JOHN C. HAYNES & CO.
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Date: n.d.
Text: Whereas by Mutual agreement between Oliver L. Phelps of Canandaigua County of Ontario & State of New York and Jonathan Barlow of …County of Hampshire once State of Massachusetts it is agreed that a …..given this day by said .. as his & administration of the Estate of Oliver L. Phelps Esq. late of Canandaigua always shall be .. with Capt. Jasper Parrish of said Canandaigua to him held, or delivered as in hereafter stated It is … the understanding that paid change is to be final and...
Show moreWhereas by Mutual agreement between Oliver L. Phelps of Canandaigua County of Ontario & State of New York and Jonathan Barlow of …County of Hampshire once State of Massachusetts it is agreed that a …..given this day by said .. as his & administration of the Estate of Oliver L. Phelps Esq. late of Canandaigua always shall be .. with Capt. Jasper Parrish of said Canandaigua to him held, or delivered as in hereafter stated It is … the understanding that paid change is to be final and conclusion as to any claim of the Estate of Oliver L. Phelps d… against said Jonathan Barlow but as this this an others .. whom it is thought may be able to pay this proportion of said Bond,it is agree that said Jonathan Barlow shall not have the benefits of said … to .. against the Estate of said Phelps or in favor of the other …, but that in .. he should be found on any of the Bond aforesaid and be able to .. and .. then the said Parish on having proper nation of the same shall be authorized to deliver said … to John Barlow- said Barlow further agrees that before he applies for said d.. he will notify said Phelps of the same, and if in any .. then may be instructed, against him in which he may be liable for cost or damages said phelps will give sufficient indemnity for such liability and it may be .. for said Phelps to make up of the name of said Barlow, then in that .. the .. shall not … to relieve the other .. from this … Signed in presents of Jasper Parrish Oliver L. Phelps J[?] Barlow
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Creator: Pach, G. W.
Date: 1876

Creator: Slee Bros. (Poughkeepsie, N.Y.)
Date: 1865?

Date: July 9, 2015

Creator: Griffen, Clyde, Glasse, John, Marshall, Natalie
Date: May 8, 1984
Text: / ,’i y / epRfOgQVg t 5'-0,‘, 9 X‘ \i_ . v48 At a Meeting of the Faculty of Vassar College held May ninth, nineteen hundred and eighty—four, the following Memorial was unanimously adopted; Edna Cers Macmahon, Professor Emeritus of Economics was born 9 February 27, 1901 in Riga, Latvia, the daughter of John William and V Alvia Julia Lischmann Cers. Her family emigrated to the United States when she was a child and she grew up on a farm in Massachusetts. Edna began her long career of...
Show more/ ,’i y / epRfOgQVg t 5'-0,‘, 9 X‘ \i_ . v48 At a Meeting of the Faculty of Vassar College held May ninth, nineteen hundred and eighty—four, the following Memorial was unanimously adopted; Edna Cers Macmahon, Professor Emeritus of Economics was born 9 February 27, 1901 in Riga, Latvia, the daughter of John William and V Alvia Julia Lischmann Cers. Her family emigrated to the United States when she was a child and she grew up on a farm in Massachusetts. Edna began her long career of community service by sharing with neighboring farmers helpful information from her careful reading of agricultural bulletins. A favorite teacher persuaded her to change her original plan of going to a normal school; instead, she entered Radcliffe at age l6, working her way through college. A seminar with Frederick Jackson Turner inspired her life-long fascination with the influence of the frontier and of geographic mobility upon American history. At age 20 Edna began graduate work at Bryn Mawr On the Susan B. Anthony scholarship. The next summer, in 1922, she met her d d. . future Vassar colleague, Margaret MYBPS» when they b°th le 1S°“SSl°n ' d t Br Mawr. groups at the School for Women Workers in Industry hel a yn ' Ph'l d l hia when they learned that Y°u"8 "°men °n Strlke at a 1 a e P _ - ' 11 they decided Clothing factcry were being arrested illega Y» . - - ‘ themselves arrested at to provide publicity bY getting -2- the strike site. With support from a young male friend from an Old Philadelphia family, they began interviewing the strikers On the picket line. The police hustled them off to the city jail where they briefly sharéd a Qell next ta a young woman who called out cheerfully: "What are you in for? shoplifting?" The venture ended with a double standard in sentencing which left them furious; their male friend was fined, but the future Vassar economists were let off with nothing but an admonition. In 1923 Columbia University appointed Edna as the first woman to hold its Gilder Research Fellowship. At Columbia she studied under Wesley Clark Mitchell, pioneer institutional economist, whose course on economic theory provided the framework for her thinking about economics. From her studies with Mitchell and with two other famous institutionalists, Thorstein Veblen and John R. Commons, she drew the lesson that economists should be critics and shapers of the societies they study. In 1924 she accepted a fellowship from the newly-founded Robert Brookings Graduate School of Economics and Government, an experiment in studying at the intersection of theory and public policy. She received her Ph.D. in 1930 with a doctoral thesis on labor injunctions. While working toward her doctorate, she investigated child labor in Maryland and Delaware canneries for the Children's Bureau of the United States Department of Labor. She also worked for the District of Columbia Consumers‘ League in 1926 as it brought pressure for the enforcement of District laws on maximum hours for women. In 1927, while employed by the U. S. Chamber of Commerce, she began a study of immigrae tion which continued subsequently for the Council on Foreign Relations. But with teaching her long—term goal, she was glad in 1929 to become an _3_ inst - G ructor of economics at Hunter College. In that Year Edna married Arth P ' ' ur Ihlttler Ma°mah°n» then associate professor and subsequently Eaton pr°feSS°r °f Publi¢ administration a t Columbia University They had two chil ' dreni Gail» now livin ' g in Austria wh h ' ~ ere er husband is a diplomat, and Alan, now a physigigt at the University of Texas. During their childhood, the family lived in Croton where Edna helped run a cooperative school inspired by what remains durable in John Dewey's theories of education. She also ran an annual plant sale for the school notable for the stream of varied advice that accompanied her sales as she visualized each purchaser's plot, its probable disadvantages of soil or shade, and the owner's probable lack of time or knowledge. In later years members of the Vassar community would benefit from Edna's advice on gardening and from the well—developed aesthetic imagination which informed it. That imagination could be seen in the gardens and houses she arranged, and especially in the beloved cottage at Lake Awosting with its wonderful relating of domestic comforts, works of craftsmanship, and the natural beauty of the setting. While still at Croton in the late l93Os, Edna began to travel for research and for consulting assignments. In 1941-42 she served as Director of Research for the Division of Minimum Wage and Women ln h d d Industry of the New York State Department of Labor and also ea 8 . . . O . . . Off‘ f Price the EcQnQmlCS unit in the Consumer Division of the lce 0 Administration. Ed . . d the Vassar fagulty in 19142. At that time the Vassar na ]Oln8 . . - d . t Qf a joint department, economics an economics department was par -u_ sociology, which would shortly become the economics, sociology, and anthropology department-—B.S.A. Edna found the philosophy of the department to her liking. Abstract theory was not for her——she always regarded economic problems in the context of the overall problems facing a society. She described the introductory course in an article for the Alumnae magazine in l9H9: The teaching of economics at Vassar has always been directed, rather deliberately, toward a broad understanding of the economy as a whole, and to analysis and discussion of the major economic issues which confront our society. The introductory course, in particular, frankly aims to equip students to exercise their responsibility as citizens intelligently rather than to provide a mastery of economic principles. This does not mean that theory is neglected, but that it is constantly taught in relation to concrete problems to which it is applicable. The emphasis necessi- tates a continuous search for ways of making theory a more practicable tool in the analysis of current problems. Under Edna's influence the department introduced an introductory interdisciplinary course for the joint department, a course which flouished for a number of years. Economists, sociologists, and anthropologists together prepared the year—long introductory course and a required senior seminar. Students majored in one discipline. _5_ Edna's Special fields -'th' - wi in economics reflected her philosophy- consumer economics ' Amerwo ' ' 0 _ an economic histor ' Y» economic development. Her students were ' - - » ln the Vassar tradition, encoura ged to go to the original sources and th 9 ese sources were often Opepatin ' - - 8 lnstitutions in the community Field tri ‘ - ps to farms and factories were a re gular Part of Economics lO5 and Poughkeepsie residents were surveyed on a variety of topics. In the mid l96Os Edna worked with other faculty in the development of an interdisciplinary course on the river and its impact on those living around it. Her participation in the course was inspired by her long observation of the Hudson and her concern for it before "ecology" became a popular term. A late colleague said he always wanted to follow Edna around with a tape recorder for she was a veritable fountain of ideas. But she was interested primarily in people and in doing. Although she published several journal articles, she never found enough time for her own research, especially for her study of Poughkeepsie shoemakers which was in advance of its time in methodology. Her tracing of craftsmen over time through census and city directories anticipated by more than a decade the historical social mobility studies which became important in the 1960s and 70s. Edna retired from Vassar in 1966, but continued her teaching in the . . . H l d extensive State University of New York for three years er a rea y V _ . . ' sed. She had been activity in the community beyond the College lncrea t t f Dutohess Community College from its founding in 1957, a rus ee o _ _ . - ' d in its formative period. playing 3 ma]OP role in setting policy ur 8 ard for seventeen YEBPS, until 197a‘ She served on the BO ’”!‘\$4'- ~ 161 In government, she served on the Advisory Committee to the Consumer Counsel to the Governor of New York and, in Dutchess County, on its comittees on tax policy and on economic opportunity. Politically, she was an active member of the League of Women Voters and of both the Vassar Democratic Club and the Dutchess County Women's Democratic Club. She delivered countless addresses to community groups, ranging from the Dutchess County Council on World Affairs to the Newcomers’ Home Bueau Club, from the Anti-Defamation League to the YWCA, and from the Poughkeepsie Business and Professional Women's Club to the Dutchess County Grange Tax Comittee. The topics of these talks expressed the range of her concerns: consumer economics, anti-poverty programs, county planning for water and land development, integration and quality in education, and travels with her husband in Europe, Africa, and Asia. Also expressive of her concerns was her membership in the Poughkeepsie Friends Meeting. Bowdoin Park, on Poughkeepsie's bank of the Hudson, is an abiding embodiment of Edna Macmahon's care for the land and for the people of the place where she lived for nearly three decades. There, the Edna Maemahon Trail for the study of nature commemorates her leadership in reclaiming an abandoned waterfront for the use of the community. In 1978 Edna moved to Kennett Square, Pennsylvania, where she died on July 2%, 1983. \hntHal\h¢dlhnl\Qnin,\inIIl1l|\0@ll0II ‘A hnnbllho. muuuuuwuaumn-nmqgquq. luv-¢a\hnrabltl\y\olnbl1lanIpIo¢u\|uqq_|.@§ wwvh. tiwwbvlcw. mvvollwhaumualnauducn Ilnhattawoodtdltlno. !alt\lnba&—0Q\Qqﬂﬂ|p Dhﬂonlqnn QlI.1t1tohlothoIQ0lIUOl|ﬂOIlOd_l»ﬂﬁ onnnltyocvtoonlactlnnltajohugottnruﬂqnnlcilq honnnounoa Inopocthlly Ulﬂtﬂ, cub tum. Quinn <¥~i':- 3%” *5,
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Creator: Olsen, Donald, Campbell, Mildred, Clark, Evalyn, Havelock, Christine, Marquez, Antonio
Date: [After 1976]
Text: dl l Jl»).L»7' ,.Ll' f , 5 '4‘; ’-'Yé§ _‘ V 1.; 7 ' ‘ . ,1,-" 1"‘ fl < i . > V .;!r;_?=¢\- v R ,§§, At a Meeting of the Faculty of Vassar College held November seventeenth, nineteen hundred and seventy-six, the following Memorial was unanimously adopted: Charles Carroll Griffin was born on May 24, 1902, in Tokyo, where his father was Professor of Economics at the Imperial University. His family returned to the United States in 1913, settling in...
Show moredl l Jl»).L»7' ,.Ll' f , 5 '4‘; ’-'Yé§ _‘ V 1.; 7 ' ‘ . ,1,-" 1"‘ fl < i . > V .;!r;_?=¢\- v R ,§§, At a Meeting of the Faculty of Vassar College held November seventeenth, nineteen hundred and seventy-six, the following Memorial was unanimously adopted: Charles Carroll Griffin was born on May 24, 1902, in Tokyo, where his father was Professor of Economics at the Imperial University. His family returned to the United States in 1913, settling in Westboro, Massachusetts. Charles attended Harvard, receiving his B.A. in 1922. Then, seeking horizons beyond the academic, he was off to South America for seven years, two in Argentina and five in Uruguay,'in the employ of the National Cement Company. He returned home with an interest in Hispanic American culture and a knowledge of the Spanish language that were to last him the rest of his life. Beginning graduate work at Columbia, he also served as an instructor in Spanish there in 1930. His next venture the following year was as a Research Associate of the Library of Congress, to go to Madrid, where, enrolling at the Centro de Es- tudios Hist6ricos~~at that time perhaps the most significant concentration of liberal intellectuals in the Republic—-he supervised the transcription of historical documents in the Archives of Seville and Valladolid. The next year he was again at Columbia where in 1933 he was awarded the M.A. Nineteen thirty- four brought two important personal events: marriage to Jessica Frances Jones, a graduate of Reed College, and the acceptance of an instructorship in history at Vassar. The early forties brought a period of great concern in the United States for closer relations with Latin America. Men who knew the field were in demand, and Charles Griffin was ready to supply the need. In 1940 he went as exchange professor to the Universidad Central in Caracas, Venezuela, the first United States citizen to serve under the program set up by the Buenos Aires Convention for International Cultural Relations. A letter written later by the Director of the university to our ambassador pointed out that "Dr. Griffin's lectures W€re the first ever given in a school of higher learning in Venezuela . . . regarding the discovery, the conquest and the colonization of North America.” An article in a Venezuelan magazine in 1941 characterized him not as the typical "fat, red—faced North American", but as an aristocratic Castilian: until one heard his "slight Anglo—Saxon accent", one might have mistaken the tall, slender professor for a resident of Burgos or Segovia in a play by Lope de Vega or Calderbn. It might have added, "or a portrait by El Greco." Charles came back to Vassar in 1941, as associate professor; but was off again in February 1943 to the State Department in Washington, where he served as Assistant Chief of the Division of Liaison and Research in the Office of American Republics Affairs. He returned to Vassar in 1944, this time to a full- professorship. Charles served as visiting professor at many places including Columbia, Oé» _, r. I. C, -2- Cornell, Harvard, Princeton, Wisconsin, and at the Universidad de Chile. But happily for Vassar he always returned here where his own course in South American history had entered the curriculum, a break—through in the tradition that most history offerings should deal with our European background and the United States. For years it was traditional that every member of the department should teach the one introductory course offered, a survey of European civilization. Charles later regaled his younger colleagues with accountsci'his struggles to cope with "all those popes and emperors." Although most of his teaching at Vassar was in United States political and diplomatic history, his scholarly work lay entirely in Latin America. At in- tervals he represented the United States as forwarder of pan-American affairs, in Chile in 1950 and in Ecuador in 1959, in l962 at the Salzburg Seminar on American Civilization, and as delegate to the Conference on Contemporary Latin American History at Bordeaux. He published four books on Latin American history (one with a Spanish translation, one written in Spanish and published in Ca- racas), and was contributing author to five others. (A selective bibliography is appended to this Minute.) In addition he contributed articles to practical- ly all the scholarly periodicals in his field, and also to the more general historical journals. His last major scholarly achievement was as editor-in- chief of Latin America: A Guide to Historical Literature (1971), the first inclusive bibliography in that field. His place as leader among Latin American historians was recognized first by appointment to the Board of Editors of the Hispanig American Historical Review, and as Managing Editor from 1950 to 1954. In 1970 the Conference on Latin American History gave Charles its "Distinguished Service Award", in the form of a handsome plaque which, characteristically, he kept trying to hide from view. Few of his colleagues or students at Vassar were aware of the extent of his scholarly activities or of his international reputation. "Charles is such a modest chap," wrote his chairman on one occasion, "that it is only when one digs it out of him that it becomes evident" how extensive his achievements and honors were. Self—doubt, humility, and an awareness of his own frailties made him wonderfully understanding of the anxieties of others, and made him the best of all people to turn to for sympathetic advice. Countless colleagues, friends, and students could say, with Sarah Gibson Blanding, ". . . when things got really tough I could always talk with Charles and knew without any doubt I was getting the best and most unbiased opinion possible. Of all my colleagues I counted on him the most." At Vassar Charles served four terms as chairman of the history department. For the last two years before his retirement in 1967 he was first Acting Dean of Faculty and then Dean of Faculty. He felt a deep commitment to the local community outside the college, and took an active part in politics. Among other activities he served on the Dutchess County Committee of the Democratic Party and as Director of the Dutchess County Council on world Affairs. In 1968 he became the first Executive Director of the Associated Colleges of the Mid-Hudson Area, and from 1968 to 1970 served on the Board of Trustees of the Southeastern New York Library Resources Council. He was a member of the Board of Trustees of Marist College, and in 1969 became secretary of the Board. But it was as a member of this faculty that we knew Charles best. For him, loyalty to Vassar was no mere catch—phrase, but involved him in genuine financial, ///“ / /:>8 I3? and perhaps even professional sacrifice. He turned a deaf ear to offers to return to the State Department at a salary far above anything Vassar could give him. He did the same to other attractive offers from the Rockefeller Foundation, Stanford, U.C.L.A., and Cornell because, to quote a letter from his chairman to President Blanding, "of his interest in working at an institu- tion in which he believed as heartily as he does believe in what we try to do at Vassar." In February 1950 Miss Blanding wrote him while he was Visiting Professor at the University of Wisconsin, enclosing a new contract, saying, "I hope like fury you are going to feel like signing. We have missed you and . . . have kept our fingers crossed wondering if Wisconsin was going to wean you away from us. As you can see, we have jumped your salary . . . which I am sure is not as much as Wisconsin could pay you [in fact, Vassar's new offer was only two-thirds what Wisconsin was paying him], but is all we can stretch at the moment." Charles happily accepted the economic sacrifice and returned to Vassar. He, of course, would not have called it a sacrifice. He had abundant ex- perience of great universities, and none of them gave him the intense intellectual and emotional satisfactions that Vassar did: students who delighted in and responded to his broad-ranging intellect and provocative, questioning teaching; colleagues who could be waylaid for speculative discussion or riotous argument; department, comittee, and faculty meetings in which he could observe the wit and cantankerousness, wisdom and perversity, mental agility and abnormal psy- chology of his colleagues. He took affectionate delight in displays of insti- tutional absurdity and human folly, which Vassar offered in prodigal abundance. Charles never forgot what it had been like to be a young, inexperienced instructor, ”. . . Newer and younger [faculty] members . . . instinctively feel him to be their friend,” his chairman once wrote. One of them later recalled: "I first knew Charles at a crucial time in my life—-at the beginning of my career. He quickly became for me a kind of mentor, such as I had never in graduate school . . . By watching him in action in faculty meetings . . . talking to him at faculty tea, or simply chatting with him on an evening . . . I got some idea of what it meant to be a scholar, a teacher, and a man of integrity. Charles and I had our differences--we really were not very much alike——but his example for me was central to my life." Charles came to Vassar at a time when, as he recalled three decades later, "the college . . . was more self—contained than it is today." The Vassar comunity dominated the social as well as the professional lives of a large proportion of the faculty. Depending on their tastes, they used it as a vast salon in which to hammer out their ideas in friendly yet critical company, as a stage on which to develop and display their eccentricities, or a kind of en- counter group in which to express their inner hostilities and aggressions. Charles did his best to maintain the notion of the faculty as an intellectual community even into the fifties and sixties, when outside at“factions, whether professional or personal, were drawing the attention of both zaculty and student body away from the college. It was a mystery how Charles managed to produce the extraordinary bulk of his publications and pursue his professional activities on top of a heavy teach- ing load. For he always seemed to be found in the back parlor of Swift, in the Retreat, or at faculty tea, engaging in anecdote or argument, covering every -4- subject under the sun. ". . . His intellectual curiosity was insatiable, as his fund of knowledge was almost fathomless," one colleague recalls. ". . . What I think of most in connection with him was not just his helpfulness and companionability," writes another, "but those glorious, continuous, shimmering days and nights we all had at Raymond Avenue. That for me was the Golden Age . . . we all belonged to Charles's extensive, amusing, and beautifully domestic- ated world." Charles played an active role in Vassar politics, serving on most major committees, and as president of the local chapter of the A.A.U.P.; in the 1930's he was much involved with the Teachers‘ Union. He firmly believed in maintain- ing the authority of the faculty as a corporate body, and in seeing that the body exercised its powers wisely and responsibly. when Alan Simpson was inau- gurated as President, Charles spoke in the name of the faculty. "The Faculty of Vassar College has never been a placid, harmonious body," he warned the new president. "Because of our nature as questioners, our training as critics, and our diverse associations and interests we are likely to provide opposition as well as support to your endeavours." Charles spoke often in faculty meetings, and one never could be sure in advance what stand he was going to take on an issue. while his commitment to basic principles—-academic freedom, faculty power, individual liberties--never faltered, he embodied the definition of an intellectual as one who is continual- ly and systematically questioning his own opinions. He belonged to no camp, and voted and acted as his conscience and intellect directed. Impressive as he was in faculty meeting, Charles was at his best in a small group, late at night. He delighted in the varieties of human nature, the in- tricacies of thought, and the techniques of politics. But above all he loved conversation. For him, as for Dr. Johnson, conversation offered the best alle- viation for the pain of existence. It was his chief joy, a means of adding to his stock of knowledge, of encountering new ideas--the more subversive and he- terodox the better--and of savouring the pleasures of articulate sociability. Of colleagues in other disciplines he could ask a simple, sincere, and yet so basic a question that one found oneself rethinking ideas long taken for granted. Charles was a moderate historical relativist, for whom the conviction that absolute certainty was an imposible ideal was.not a depressing, but an ex- hilarating belief. For he enjoyed the process of debate more than he cared about the outcome. But while pragmatic and flexible in his approach both to questions of historical truth and educational policy, he never abandoned his moral convictions for the sake of expediency. Intensely sensitive to personal attaﬁksv he 8¢ted a¢¢0rdin9 to his conscience as chairman, as dean, and as individual, never swerving from what he was convinced was his duty for the sake of popularity or a quiet life. President Simpson has summed up the qualities for which we loved Charles: "A dearer man we never knew--gentleman, scholar, wit. I never saw him without thinking of the motto of New College, Oxford——‘Manners makyth man‘. He was . . . a model of good sense, good-heartedness, and fidelity. when I asked him for help he always replied that he would do anything for Vassar—-and did so." -5- Respectfully submitted, ,\ ..1 . _ Donald Olsen, Chairman Q ’ ), ~c , / _.' / ¢ , ‘ _,, 1',‘ /{/,» . .' / \ , , / I '/’-»»1,‘(-"// ~ ,.“/ ~" rt 4, , j M " .>~'L, ( J‘.-1, Mildred Cani'pbe 11 .'/ I 22,,/;j£, J Evalyn Clark ..-/c’. " - - ‘" ,-‘W. V \ A/~" ' - ~ / Christine Havelock A 1./1. ‘:1/1 4 Antonio Marquez / /0 /// _6_ ¢v'¢~€¥¢z»/>1 C-_C, > Bibliographical Note His publications include The United States and the Disruption of the §panish Empire, 1810-1822 (1937), Latin America T1944); The National Period in the History of the New World (1961, with Spanish translation in 1962), and Los Temaspsociales y Economicos de la Epoca de la Independencia (published in Caracas in 1961). He edited and contributed to Concerning Latin American Cu1tur§_(l940), and contributed chapters to Ensayos sobre la Historia del Nuevo Mundo (Mexico, 1951), a commemorative volume in honor of Emeterio Santovenia (Habana, 1958), Conocimento z_desconocimento en las Americas (1958), to vol. XI of the new edition of the Cambridge Modern History on Latin America, 1870-1900 (1961), and to A.P. Whitaker, ed., Latin America and the Enlightenment (1961). In addition he contri- buted articles to the Hispanic American Historical Review, the Haryland Historical Magazine, the IntereAmerican Quarterly, Revista de Historia de America, Boletin de la Academia de Historia (Caracas), Cahiers d'Histoire Mondiale, and the Vene- zuelan RevistafNaciona1 de Cultura. His last major scholarly achievement was to edit the bibliographical volume, commissioned by the Library of Congress, Latin ‘ America: A Guide to Historical Literature (1971). 17 I W ' 7 " 'J—.
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Creator: Skot, John
Date: 1530

Creator: Burroughs, John, 1837-1921
Date: January 17, 1894 - July 24, 1894
Text: 17 Read of Frank Bolle's death this morning. Was much shocked. Saw him once, Dec. 1892 and liked him Something clean-cut and pleasing about him -- red hair and sandy complexion Some of his out-door sketches interest me, and some do not. He was hardly a poet, or thinker. -- Write what you feel, not merely what you think. One may think anything and everything; he can only feel certain things. What he feels is vital to him. When I think I grope, and do not always know where I stand. What I...
Show more17 Read of Frank Bolle's death this morning. Was much shocked. Saw him once, Dec. 1892 and liked him Something clean-cut and pleasing about him -- red hair and sandy complexion Some of his out-door sketches interest me, and some do not. He was hardly a poet, or thinker. -- Write what you feel, not merely what you think. One may think anything and everything; he can only feel certain things. What he feels is vital to him. When I think I grope, and do not always know where I stand. What I feel I see, and what I see I feel.Clear and sharp this morning, like Nov. Ground bare; grass yet quite green. Mercury down to 24 degrees this morning. 18 Mild with SW wind. Julian and I have our first skate on the river; ice less than 2 inches. 19 Like an April morning, clear, still, mild; raindrops hanging to the limbs and grapevines. Objects steam in the sun like a morning in summer. Sounds very noticeable. Rumbling of wagons, barking of dogs heard from over the river. Very few birds this winter, except crows. Now and then a large flock of goldfinches. Few English sparrows. On anopen winter like this the birds disperse over the open country. A deep snow would drive them about our habitations. 20 A bright and beautiful day. How naked the world seems, no snow, no verdure, no clouds. A fine skate on the river; condition all perfect, a glare of ice, a medium temperature, and a still air. Not a breath of wind. I fly up and down like a bird. At night, Julian and I skate an hour by moonlight, a rare treat. How we dash off into the dimness over the black smooth surface. -- These days I am hacking away at my Whitman matter, cutting, burning, rewriting. My matter mproves under my heroic treatment, but I doubt if I can make it worthy the subject. Health not very good past two weeks. 21 Mild, overcast, with sprinkle of rain in P.M. Signs of fog. The steam from the passing train swells and increases and stretches far behind in a long, tapering window. 22 Cleared off in the night as silently as usual. The weather is in a most gentle and placid frame of mind this winter. The storms sprinkle a little, or spit a little snow and then fold their tents like the Arabs and steal away. Fog this morning. P.M. Clear, warm, still likeIndian summer -- insects dancing in the air -- a day to walk through the fields and stand long by the bars, or lean upon the wall and look long and long over the brown, weedy lifeless fields. Almost brings the bees out of the hive. 24 Another attempt at a rain from the South, with only a slight sprinkle. Mercury up to near 50 degrees. 25 Cold wave last night, clear and lovely today, but sharp. Julian and I go to Black Pond skating; fly like birds over the glassy surface -- a fine time. Not a speck of snow to be seen. 26 Mercury down to 12 degrees this morning. 27 Winter again. The snow came like thief in the night, about 5 or 6 inches, and is still at it, from the North, which means that the storm clouds really came up the coast. 28 Bright and lcear adn sharp. Mercury down to 10 degrees this morning. The large opening on the river in front closed up this morning. -- That Death awaits you and me and all men is of little account. But that the race is to become extinct, that the earth is to grow old and die, and the sun itself wither like a leaf and be blown about the barrens of infinite space -- this strikes one dumb, and paralyzes the soul -- this is the abyss of science into whic e cannot gaze. What bow of promise spans it? That the very soil which hold out dead must become lifeless meteoric dust! Human monuments must perish, but the solar system is to be disrupted. How many times may this have happened in the past eternities! I see no reason to doubt that this game of the gods may not have been played over and over, and that even you and I may, in effect, have lived many times on other worlds, and may live again. The same results, culminations, must go on forever and ever. When great clock runs down, it will wind itself up again and strike the same hours as before.-- Forty years ago was my last winter at the old school-house in West Settlement. Of my schoolmates at that time I recall eleven who are dead, Walter Elliott of Bovina was teacher. In the spring of 1854 I left home to teach school in Olive; taught there fro mApril to middle of Sept. at 10 or 12 dollars a month and boarded around. Went to Ashland to school in Nov.; lefft there in Sprinng and went to Jersey in April in search of school; failed; came home and stayed all summer, working and studying. After haying started for Jersey again; stopped in Olive to visit; was again hired to teach same school at 20 dollars a month; taught till spring. In spring (April 20) went to Cooperstown seminary. Left therein July; worked in haying and went West in Sept. Tom Kniffin with me. Stopped at Dr. Allaben's in Polo. Engaged the school there and taught till spring of 1957. Came back home in April; stayed home till June or July when I engaged to teach at High Falls in Ulster County. Was married that fall September 13. Taught till spring. In July went to Rosendale to teach. Got interested in a patent buckle; threw up the school and went to Newark, N.J. Buckle failed and engaged school in Jan. 1859 at East Orange. Taught there about 2 years. In fall of '60 took the school at Marlboro on Hudson; taught there till spring of '62. Went home in April. Stayed all summer. In fall went to Olive to study medicine with Dr. Hull; heard of a school atButtermilk Falls, secured it, and went there to teach probably in Jan. 1863. Taught there, and began there the study of birds and flowers, stimulated to the latter by Prof. Eddy. Taught there till fall of '63 (made the Adirondack trip in August of that year) when I threw up the school and went to Washington (in October). On Jan. 4, 1864 I was appointed to a clerkship in the office of Comptroller of Currency. Continued a cleark till Jan 1, 1873 when I left W. and came to Middleton, N.Y. as Receiver of the Wallkill Nat. Bank. Wound up the affairs of the bank in 3 or 4 years. In Aug. '73to about '85. Built my house in '73 and '74, moved into it late in Nov. '74. -- Capt. Steven Burroughs was born in Bridgeport, Conn. in 1729. Died in 1817. A man of unusual mental endowments, ship-builer and astronomer: said to have invented the system of Federal Money. He had 4 brothers, Eden, John, Edward, and Ephraim. The latter was my great-grandfather, his son Eden was my grandfather. Ephraim died in Stamford, in April 1818, and nwas buried there in a field which is now under cultivation. He was born near Bridgeport (Conn.) about 1735. He hadsix sons and several daughters. His sons were Eden, Curtis, William, David, Daniel, and Ephraim. Eden, father's great uncle, was the father of Stephen, the notorious. Eden was a Presbyterian minister. 30 More snow, pretty heavy, about 10 inches now on the ground. Weather mild. 31 Bright, mercury 40 degrees. Feb. 1 Showing again this morning. Storm center seems south of us. Ver deliberate, evidently means business. -- Snow turned out only about an inch of hyperborean chaff. 3 Mild, overcast, mercury 42-- How common in literature is the sin of over-writing. It strikes one as vulgar, like over-dressing. The piece has a studied, formal, artificial air. Simple things must be simply said -- all things must be as simply said as possible. A man must work a long time to get out of the ambition of writing of inflating and bedecking what he has to say. I think this was at times or of the sins of Franis Parkman. I judge so from extracts I have seen of a sealed paper, giving an account of his life, which he left with a friend, and which was opened after his death. It is full of the balancing of period and is more like an amateur than like a master. 5 Cold wave; down to 2 degrees above this morning, clear and still. 6 Down to zero this morning. Bright and still all day. Had a skate on the river. -- In saying that Homer and the Bible are not literary, I mean they do not savor of literary or artificial culture, or of conscious literary art. They savor more of the larger culture of life and nature. From this point of view Tennyson is more literary that Wordsworth, Longfellow that Bryant. Milton than Shakespeare, the later novelists than Scott and Fielding. There is a deeper seriousness in Wordsworth than in Tennyson, in Whittier than in Lowell, a More profound humility and religiousness. It is not mrerely the seriousness of the scholar, the poet, it is the seriousness and humility of the man. I would have the unadulterated man, or human, flavor always predominate, as it does in the greates works. The Bible was not written with a view to literary edification as The Princess was, or Maud, or the Fable for Critics were; but for moral and spiritual edification. The literary spirit must always walk behind the spirit of universal love and sympathy, the spirit of man as man and not as a literary expert.8 Milder, a thaw at hand. -- Just finished A Window in Thrums, a delicious piece of work -- would rather have written it than all Mr. Howell's or James have written. How one loves these characters! because the author himself loved them. If Mr. Mowells only had this girft of love! P.M. Thermometer up to near 59 degrees. Bees out of the hive. 9 Snowing, moist and heavy. Mercury up to 36 degrees. 10 Deeply saddened by the death of Archdeacon Ziegenfusz, a man I had come to love. Only a few weeks ago he was here and passed the day in this room with the rest of the "Gang" as he called them -- the picture of health and good nature. His chances of long life seemed vastly better than m own. His wife died only a few weeks ago, and this calamity seemed to have broken him up and killed him. He was a man to love for his genial good-fellowship, as well as for his fine mind and character. I feel a keen sense of personal loss. Going over to the station last night I said to myself, Here have I lived in this place 20 years, and am not yet wonted to it. Twenty years of youth here, and these hills and valleys and river would seem like a part of myself; now I look upon them with alien, reluctant eyes. I seem only a camper for a day and a night. So much more plastic and impressionable are we in youth! As manhood is reached we begin to harden, and by and by our affections will not take on new shapes at all. 13 The boss snow storm of the winter so far, nearly a foot of snow, much drifted. Mercury down to 18 degrees, began yesterday afternoon. -- Attended the funeral of Ziegenfuss yesterday. A great crowd. Saw the body in the morning, looked like life -- never saw Death counterfeit Sleep more perfectly. No emaciation, no pain. His old mother came while I was standing near. Dear old woman! how her heart was wrung! how I wanted to comfort her! How the past must have come like a flood upon her! She remembered him as a babe in her arms, as a child by her side, as a ladwith his books and playthings, as a youth going out into the world, as a young man entering upon his career. How pathetic, how overwhelming! Oh, the inrrevocable past! Bishop Potter spoke well -- a metropolitan man, stamped with the air of a great city. Conventional, precise, dignified, clean-cut. Not a large, homely, original nature, but a fine-trained talent -- an epitome of better New York. Ziegenfusz himself was a true democrat. I loved him much and shall always carry a sweet remembrance of him. How mysterious, I heard several say, that such a man should be taken; the bishop said so, too. It is mysterious when weLucky if here and there on a writer's page we catch the scent of fresh new soil. Once in a while Carlyle, Goethe, Arnold, go in to the and we are exilarated, dilated; and then, again it is scratch, scratch. Rocks and stones with Carlyle and hard-pan with Goethe, or roots and weeds with Arnold. 15 More snow, 5 or 6 inches, this morning; half leg deep now. The cloud cows have had good grazing lately; they pour down their milk like cows in June. Well, they went dry early in the fall, and it is time. As the sun comes North he drives the hot moist air of the tropics before him, and we get the benefit. -- I never read a newspaper but I way, What a poor editor I shold make, according topresent standards. Nine-tenths of this stuff I should leave out. It is useless for a newspaper to try to be a private correspondent of every man woman and child trying to tell them the news about the people they know, and the matters they are concerned in. It should aim only at real news, important news for all, and when there is no news, it shold print a smaller sheet, just as it prints a larger sheet when there is extra news. Printing the same number of columns daily shows the absurdity of the whole business. If there is real news one day, and noe the next, then chaf must take its place, and readersbe robbed of their time. Does any same man more than glance at the editorial page? He knows before hand that he will find no honest, disinterested discussion there, but only lis and make-believe. 17 Cold, cold 8 degrees or 10 degrees below this morning, yet the air looks as innocent and genial as in summer; a soft, bluish haze veils everyting. Sun bright, sky blue, the steam whistles have that split shrill minor character of every cold weather. 18 Rain this morning from the south, mercury 40 degrees. Truly a weather spasm. The grip of Winter is not sure when these happn. P.M. cleared off; mercury 5024 Very cold. 10 degrees below this morning. Bright sunshine all day. Mercury only 2 degrees above at noon. Ice-men on the river suffer much. 25 Still colder, 14 degrees below this morning. But now at 10 A.M. temperature recovering rapidly. A storm evidently approaching. The past week has been free from storm. Cold wave began on Wednesday, the 21st. 26 A driving snow storm from the North -- that is from the South -- mercury about 15 degrees. Winter grown robust and desperate in his last days. -- Took down Carlye's Past and Present last night and leafed it over for half an tasting it here and there. I was glad I did not feel abliged to read it again. It is hard reading. I confess I did not want to be bruised and bumped about by a ride over this rough road. Run the eye over the page and bumped about by a ride over this rought road. Run the eye over the page and see how rought and thorn it looks, and it feels no less so to the mind. The great classical turnpikes, how different! In Carlyle's prose, at its worst, as in Browning's poetry, the difficulties are mechanical; it is not in the thought; it is in the expression. There is fire and intensity about it, but a blow with a club will make you see stars, or a sudden jolt give you a vivid sense of real things. Oh, do level and roll your road a little, Mr. Cor I fear travellers upon it in the future will be few. we do not want it made easier, but simply do not want to be bruised. Carlyle will never be forgotten; he is one of the few monumental writers but probably he will be named and referred to oftener than he is read. A book that one cannot read a second or third time -- A man's private storms and whirlpools and despairs and indigestino ought to appear in his work only as power, or light, or richness of tone. It is near 50 years since Past and Present was written, and none of its dire prophecies have yet come true. Yet I love this Scotch Jeremiah as I love few men. 29 Four or five inches of snow yesterday. Mercury down to 8 degrees this morning. -- Milton's poetry, for the most part, is to me a kind of London Tower filled with old armor, stuffed knights, wooden chargers, and the emblems and bedizzlements of the past. Interesting for a moment, but dead, hollow, moth-eaten. Not a live thing in one of his poems that I can find. Yes, there is a nightingale and a few flowers, and a human touch, here and there. But half a dozen pages would hold all that any man need read. The "Sampson" is said to be in the Greek spirit, but what business find he, a Puritan of Cromwell's time, writing in the Greek spirit?Why did he not write in his own spirit, or in the Puritan spirit? the 17th Century spirit? What business had he masquerading in this old armor? He put no real life under these ribs of death. His "Paradise Lost" is a huge puppet show, so grotesque and preposterous that it is quite insufferable. Milton seems to have been a real man, but he stands there in English literature like a great museum of literary archeology. He seems to have had no experiences of his own, and rarely to have seen the earth and sky, or men and women with his own natural eyes. He saw everything through the classic eyes of the dead past. Who reads him? Professors of literature, I suppose. He was a great craftsman no doubt, but he has been of no service to mankind, except a literary service; he has helped us to realize the classic spirit of letters, and the absurdity of the old theological dramaturgy. He spoke no word to any man's real moral or spiritual wants. March 1 Welcome, thrice welcome the first day of the almanac's spring! Bright and warm, a sap-day. May tempt the bees out by and by. Mercury down to 25 degrees last night. Snow a foot or more on the ground. Ice-men at work on the river, with 10 or 11 inch ice, half of it snow-ice. 2 Warm with signs of rain. Light shower in P.M. Wind shifting to N.W. and cooler. 3 Warm and clear, a day without a cloud, a real blue day. Stiffened up a little last night. but hardly touched freezing-point. Gentle breeze from the North. No spring birds yet. River opened last ight. 4 Sunday, Still bright and sprin-like. The spring birds this morning; bluebirds before sunrise, and robins and purple finches a little later the latter singing in chorus. The perfection of sap-weather. Snow running very fast. 5 Clear and warm, snow runs rapidly. 6 The bright spring days continue. Mud and slush very bad. But little frost at night. 9 Fine spring days, without a break till today. Snow nearly all gone. Excellent sap-weather. Sparrows in song. Turtle-dove on the 6th. Clouds today and sprinkles of rain in P.M. Gilchrist came last night on his way to Vassar. Rather too good an opinion of himself and work. 10 Still warm with sunshine. never remember ten days of March in succession so spring-like. Down to freezing only two or three nights. Near 60 degres some days. G's lecture at Vassar not a success, and I told him so. 11 Sunday. Cloud and fog this morning, but no frost. Sunshine in P.M. River opened night of the second.12 A little frost last night, calm and cool this morning. No wind yet this spring. Only a little floating ice on the river. Can the spark be said to sleep in the flint or the steel? No, only the condition of the spark sleeps there. The spark, the fire, sleeps in the arm, or inthe power that brings the flint and steel in collision. The motion, the force is converted into heat. 18 Sunday. The end of another week of remarkable March weather, April weather, in fact. In the past twenty years I remember nothing equal to it. Sunshine most of the time, and only a little frost. Showed on Thursday about 1 1/2 inch; all gone by 3 on Friday and mercury up to 55. On Friday my four friends from Poughkeepsie came up and spent the day. A pleasant time again. Yesterday Julian and I spent the day over by Black Creek after ducks. Killed no ducks but had a delightful day. Many signs of life in the air and water -- two or three kinds of butterflies, weveral moths, and occasional piping frog, insects in the air, newts and water bugs in and on the water, nuthatches calling, sparrows and robins and bluebirds everywhere. Not a breee stirring. Black Creek like glass as we floated or paddled up and down its length. Only a few ducks here and there. Only a few patches of old snow in the woods. Roads getting dry and vineyard calls us to work.My new man, Auchmoody, moved in yesterday. Buds of the soft maples swelling perceptibly. Saw my first snake and did not harm him. P.M Mercury up to 64 degrees, too warm. Hazel in bloom. Bees carry in pollen. Crocuses piercing the turf. Julian and I walk along the creek and back on RR. Arbutus buds swelling. Phoebe bird today. Standing after night fall now anywhere on the lawn one hears a slow stirring or rustling in the leaves and dry grass. It is made by large earth worms coming up out of their burrows and ruching out over the ground, whetlere for feeding or breedingI know not. My boy calls them "night walkers". In summer he hunts them at night to make bobs of. They are very sly and jerk swiftly back in their holes on the slightest sound. I suppose they feed your footsteps on the ground. 19 Warmer and warmer, up to 69 degrees. A sprinkle of rain in P.M; the fairest April weather. The little piping frongs in full chorus tonight; the whole tribe in full cry, also clucking frogs and the long-drawn Tr-r-r-r-r-r-r-r-r-r-r-r of the toad. 20 Cooler this morning, north wind. 22 Another big storm flashed in the pan. The fourth or fifith storm that had started from the West failed to reachus. Only a little dash of rain and mist and fog. Warm this morning, like lat April; grass greening and the plow at work. A cold wave said to be coming. No rain to speak of in over a month. -- A passage omiited on second thought from my essay in last Critic on the Sapphic Secret. "Discursive and experimental writers like Mr. Thompson and myself - the mere nibbling mice of Criticism, shoud temper their wrath when they sit in judgement upon the great ones -- the lions who make the paths through the jungles of the world. It is no fault of theirs that they are not micebut is it not a fault of ours that we do not see them to be lions?" 23 Rain set in P.M. and continued all night. Julian and I spend the day at Black Pond and Creek after ducks. See a few but no shot. Cook and eat our dinner on the miniature island, 8 x 10, near outlet of lake. Very pleasant time. The first warbler singing in the trees near us. J. has his new canvas canoe. 25 Overcast, storm threatened. 26 A white-was of snow this morning. All gone at night but getting colder. 27 A cold wave, down to 20 degrees this morning. Begin foundation of fruit house. A typical March day fo the chilly sort. 28 Like yesterday, with wind shifting to southerly in P.M. A storm approaching. How true it is that we want something untamed and untamable in a poet -- a strain of the original savage man. It is this salt that gives the tang to his poetry and that keeps it. No matter how great his culture and refinement if he only strikes back through it to his original uneducated nature and draws from that. He must be a poet before he has ever seen or heard of poetry. No doubt we strike here on one source of weakness of much modern poetry -- it does not smack at all of the soil, or simple, unlettered, human nature. The singers are poets mainly after what books and art ahve done for them. Their works are an intellectual and not an emotional product. Even in such a poet at Lowell, the original man is deeply overlaid iwth the scholar, and with literature. Which shall lead -- the emotional and intuitive nature, or the reasoning, intellectual nature? 31 Wonderful Aurora last night, beyond any I have ever before seen. Once while a boy I saw someting approaching it. The wonder of this display was that it made a complete circle all around the horizon. We stood in the midst of a greattent of streaming aurora. The ghostly flame shot up from north, east, south, west, and came to a focus just a few degrees south of our meridiam never before have I seen it rise up from the south. The apex of this tent was the scene of constantly shifting and vanishing forms of light. It was fairly apochryphal. At times it seemed as if the heavens opened at this point and troops of angels and winged horses came straight toward us. A pencil like Dore's would have caught many suggestions. Sometimes the electric clouds would gather at this point liek foam over the point of escaping fluid and whirl about. Sometimesthere would be curious openings through it where the black sky and the stars would appear. A deep crimson flush would appear here and there near the horizon and spread upward to the zenith. at 8:30 the motion of the streamers was hardly perceptible, but at 8:45 they were leaping up and very rapidly, the sublty impulses traveling up precisely like flame; and such ghostly flame! Never was anything more spectral and unearthly then the whole display. It was a wild dance of many-colored sheeted ghostly forms! What an impression such a phenomenon must have made upon rude primitive man. I myself could hardly keep down an emotion of superstitous fear.A warm fine day with summer clouds and wind. Work all day on the new foundation walls of barn. April 1 Warm and breezy; mercury about 50 degrees in morning. Grass quite green and all buds swelling. The spring three weeks ahead of time. Hepatica today out probably a day or two. 2 Bright, dry, cold. A day to burn brush and rubbish. 3 My 57th birthday. Clear, sharp, dry; mercury down to 20 degrees this morning. The sky so clear and dry that the cold air falls down upon us. House painters here this morning. Julian resumes scool. Settle up P.O matters with S. Health good, spirits ditto.8 Sunday. Ground white with snow this morning. We had an April March now we are having a March April. The week has been rather cold, quite a freeze two or three nights. -- What a difference between the artist's interest in a picture, and the public's interest! The people are interested in the picture, in what it tells them, in the subject, in what they see in it that agrees with their experience, or their ideals. The artist is interested in the art of the picture, the drawing, the coloring, the handling -- in the form and not in the substance. Which is right? The artists do not much respect the popular verdict. An artist will greatly admire a portrait that is not a good likeness, while the first thing that the layman demands is that it be like the original. If it is not like, he has no further interest in it. It is the old story of art for art's sake, and not for what it tells. The professional view of a doctor whom he met rubbing his hands with delight because he had just been called to a chase of some kind or other that was "beautiful" -- just according to the books, every feature was perfect. The book or the picture that has not something besides its art to recommend it, will not carry very far. -- Prof. Huxley says the ethical process and the cosmic process are at war -- the former combats the latter. And yet if your ethical process is not in keeping with the laws of nature, if it be not really founded upon the cosmic order, will it last? will it carry? Can the settled order of the Whole be combatted? Do we combat it in setting up the moral order? Certainly not. The conflict is not fully cleared up by Husley. Our benevolence, our humanity prompts us to interfere with the law of natural selection, the survival of the fittest in seeking to prolong the lives of the unfit. We do prolong them, but evidently to the detriment of the stock. Moral value, moral goodness -- what are they? Are they founded in the constitution of things? Self-denial, self-sacrifice, heroism, mercy, forgiveness, etc. are these things contrary to the eternal verities? Man confronts Nature and puts her under his feet, but only within certain narrow limits. He does not make the tide rollback, but he utilizes it, rides it. He cannot change the nature of lightning, but he can use it, control it, (not tame it.) We say Man tames the lightning, or tames the elements, but that is only a figure of speech. They are untabalbe. He measured them and adjusts his wants to them. He tames the animals; he subdues them. He tames them his own animal nature; he lets the ape and tiger ide. The cosmic process of course includes man and lass his doings, since he is part of the cosmos, and the ethical process is at war with the cosmic process only as the lever is at war with gravitation. A new element is introduced, the will of man, which sorks upon and uses the old order. Man uses Nature and is part ofher unconsciously, while the animals do not. He is an animal plus a developed (more or less) moral consciousness. By reason he uses Nature. (The lamper-eels use Nature also when they go up stream for the stones which the current helps them float down to their nest.) The moral order is opposed to the animal order -- is not that about all? Must think further on this matter. Is the ethical process analogous to the cultivating and improving of the surface of the earth -- draining, clearing, shaping, fertilizing? Is the farmer at war with Nature? In one sense; but unless Nature favors him, where is he? 9 Windy, chilly. Froze some last night. Sheets of snow all day yesterday and a very chilly air. -- Dick Martin just dropped in to show me a handful of young 'possums, very young -- 16 of them -- likely newly-born mice. The mother was picked up dead on the RR, head and one leg cut off and these young were in her pouch each clinging to its teat dead. The connection seems almost as vital as when they-- When I am flollowing my plow over a refractory piece of ground, and see it dip in here and come to the surface there, now and then the turning of the soil fairly, but as often only making a mark, I say that while that is not good plowing it is about as good as the best writing, so rarely do even the best authors more than turn up fresh soil here and there -- a steady uniform furrow, opening up virgin soil -- who turns it? We arewere in the mother's womb. They are born in about two weeks after gestation begins, and placed by the mother in her pouchm where they fasten upon the teats. The teats, Dick says, are long and slender like a little skunks, 'possums, muskrats, woodchucks, and foxes. The red foxes seem to be run down by the fast night trains. 11 Forty years ago to-day -- how appalling that sounds! -- I began my first school, Tongore, Ulster County. A driving snow storm from the North. Winter again in earnest. Moved the wagon-house today, and now call it the fruit house.12 Five or six inches of wet snow yesterday. Flurries of snow in the air this morning, with north wind still blowing very chilly. Mercyry a little above freezing. -- Some natures are essentially moral, the categories to which they refer all things are those of good and evil; others are intellectual; their categories of reference are those of the true and the false; still others are esthetic; they see only the beautiful and ugly, only poetry or prose. 15 Lovely day, the world flooded with light; warm, dry, north wind. A luxury to be out doors. Fine yesterday also, with some cloud. drive to Sherwood's in PM.-- How curious, almost startling, the thought or discovery that there is such a thing as light or sound -- these two universal phenomena that play such a part in our lives. That they are sensations -- merely, physiological effects of vibrations in the ether. But what causes the vibratons in the ether that causes our sensations of light? some material force certainly. The same with sound; the waves are there, if the ear is not. Light effects even the rocks. So there is an influence, an emanation from the sun or the lamp which is real, and which makes the conditions for the sensation we call light. There is such thing as sweet or sour, hot or cold; these are sensations. The universe is an illusion, a creation of our own after all. 17 The fourth of the charmed days. Bright, dry and warm. The yellow redpoll warbler today. Walk up to the creek for suckeys but get none, but how beautiful the full, clear, cold stream rushing along in the sunlight! Began plowing vineyard to-day. 20 Two days of cloud and blue vapor -- veiled, soft, quiet, moist orodous April days. 21 Shower with thunder last night, and light rains during forenoon. Bright and warm in PM, and rain again at sundown. 22 Rain with thunder in morning and cooler. Misty all forenoon. The April drought fairly broken.Notes for an April poem: The soft maples are crimson and the buds of the elm swarm like bees in the branches, The bee comes home with golden thighs from the willows, and honey in her bag from the arbutus. School children pass with their hand full of hepaticas and arbutus. The newly-lpoughed fields glow like the breasts of robins. I walk in the new furrow in the stron sunlight till it is photographed upon my spirit. The farmer strides across the brown field scattering the seed oats at steps alternate. The sparrow, the robin, the jay, have nest-material in their beaks. The kinglet pipes his fine lyrical strain in the evergreens -- he flashes his ruby crown to his mate. The white-throat sings on his way northward. Long and long the highhole calls fro mthe distand field. The first swallow laughs down to me from the sky. From the marshes rise the shill, infantile chorus of the little piping frogs. From the trees above them comse the o-ka-lee of the red-wing. The song of the toad tr-r-r-r-r-r-r-r-r-r is heard in the land. The first dandelion lies like a gold coin upon the greening turf.Something delicate, prophetic, spiritual is in the air. The bud-scales are falling from the buds -- some are fragrant and gummy. The light shower fills the air with wild perfume, The bluebird lifts and flickers to his mate his cerulean wing, In the twilight the robin-racket is prolonged and intense, The cow bird sits beside his dusky mate on the top of the tree and pumps up his liquid, glassy notes. In the leafless woods the pedestrian partridge beats his drum -- his own inflated breast. Amid the alders in the moist bottoms, the marsh marigold have the effect of coined sunshine. Here and there is the moist bottoms, the marsh marigolds have the effect of coined sunshine. Here and there is the tree-dotted landscape, the greening rye fields delight the eye. Ere the month is ended the shad-blow makes a white mist, here and there along the forest borders.27 A week of fine April weather, slowly warming up till to-day it is nearly summer heat. Again the maples have shaken out their fringelike blossoms, again the cherry trees are white. Season much earlier than last. A few days ago the air was filled with a dleicious wild perfume, a pungent, stimulating, bitter-sweet odor. I could not trace it to its source. It seemed to be general and to fill all the air. Was it from the just-bursting buds of the sugar maples? I know of no toher likely source. Tops of the trees over in Langdon's woods just faintly etched in opening leaf-buds. Currants blooming. On the night of the 24th went to Kingston to hear and see Ingersoll Much stouter and redder than when I saw him last May; much too much belly. Can drink whiskey, he says, but not wine. Wine makes him throb and throb. He ate his supper in his room after the lecture; drank iced-milk and iced-water freely. Lecture full of telling points, much sound argument, and many eloquent passages. He said, in talking with me in his room, that he was by no means sure that immortality was desirable; he would name conditions before accepting it -- unconditional immortality he would refuse.28 A lovely day, feminine day, veiled, tranquil, almost voluptuous. Mercury at 78. A little rain in afternoon. -- Had a glimpse of father the other night in my dream; we were at the table and a plate of trout was passed around, and I was father pick out the big one, as I have so often seen him do. I smiled in my sleep. 29 Clear and cooler, with North wind. 30 The last of the April days, clear, warm, still, with just a tinge of vapor in the air -- the beginning of brided veil ofSummer. Cherry and plum trees in bloom; pear trees spring and apple trees showing the pink. Carpenders began the new barn t0-day. May 1st May day shads in warm soft, wind southerly, wide hazy clouds in the sky. Wood thrush to-day in my grounds. The first big run of shad yesterday. 2. Hot and dry -- 88 degrees in shade to-day. Apple trees leaping into bloom. 3d Cooler this morning; North wind. Leaves half out; a tender mist of green over Langdens woods. Grass and grain need rain.-- In P. library I glance over Mr Grosses "Note on Walt Whitman" in the New Review for April. Must read it at my leisure some time. Gross is a very clever, but a very small critic and man -- has spent his days in overlading and sorting and inspecting the small potatoes of Enlish literature (and no literature has more small potatoes) How much he knows about [crossed out: English lit] said literature that is not worth knowing that it would be a mere weariness to know. He is a man of details and of deft careful workmanship, but entirely superficial. You never strike a great thought or a fresh thought in his workand his criticisms compare with Arnold's, or Scherer's as a vine compares with a tree. The professional critic, if he be not a large nature, can make nothing of Whitman. A man like Gosse, trained in the schools and overtrained is in literature, much like the orthodox theologian in religion. How the latter snorts at the idea that there can be any religion outside the church, the dogmas, the forms, the Bible etc. The former in the same way snorts at the idea that there can be any poetry outside of or in opposition to the rules and models and schools. He sees nothing but a barbarous, unregenerated poetic nature in W.W. Mr G. thinks the secret of W's attraction for certain minds is that they see themselves in him etc. Well, a poet in which such men as Stevenson Symonds, Emerson, Thoreau and others see themselves, must be something and somebody to be sure. In Mr Gosse's poems we see only little Mr Gosse. When we can all see ourselves in him [crossed out: we] he will have increased immeasurably in size and importance. 10 Lovely May days without a break, nearly summer tem-perature. A brief shower on Sunday the 6th getting pretty dry. Showy orchis in bloom and fringed polygala. Leaves all out. Trees clad in their under garments, tho' some of the maples look fully clad. Go to N.Y. to-day to attend Authors Club dinner at night. 12. Back home to-day from N.Y. Still dry and warm. Apple bloom all gone. The last run of shad (apparently) in the river. Was greatly shocked on my arrival home to learn of the sudden death of my neighbor Mr Hathaway yesterday morning. While I was at the authors club, speaking or eating and making merry, he was struggling with death. He has been my neighbor there under the hill for 10 years and I shall miss him much. I could almost look down into his chimney and I shall greatly miss the smoke from his fire going up into the air on winter mornings, and his friendly voice and manner. A blameless, good natured, rather intelligent man, without childrenwith a wife fearfully neat. A deacon in the church, a cooper by trade, and in all ways a kind and brotherly man. My last word with him or vision of him was last Friday the 4th of May. He had lived many years in Brooklyn working at his trade. Came here 10 years ago to look after the big ice house. Age, 67. To-day is his funeral day (Sunday 13th) -- The [crossed out: onl] main difference between a precious stone and a common stone is not in the substance, but in the arrangement -- the crystalization. In substance the charcoal and the diamond are one, but in form how widely they differ. This crystalization is not an easy thing. It requires almost an eternity of time. 19 Weather the last week warm and dry till last night, when a fine shower fell, nearly one inch of water. 19 Go home on morning train take up some shad; reach home at noon. How green and fresh the old spot looks, how the bobolinks sing. all are well. Stay home till Wednesday, the 23d Wind and light rain till last day, the bright and warm. I go fishing over in Meeker's Hollow; take 33 trout to the song of bobolinks. A hot pull home at 12. Take a few trout from West Settlement stream on Monday. Return home in afternoon. 24. Began raining last night from a depression in Va, yesterday, and has rained steadily all day. No let-up for a moment. Easily an inch of water has fallen. Grape arms 2 feet long and begin-ning to break some. 25 Rain continued all day and all last night, and is still at it; threatening to be a regular debauch of the rain godsStill my drains are not running. The earth was very thirsty. Grape arms dropping off this morning. -- Slow rain nearly all day. -- I do not seem to have made any proper record of my visit home from the 19th to the 23rd. Heavy East wind with light rain most of the time. I strolled about in the usual way, listening, looking for something I could not find. I sat for an hour or more on two occasions on the top of the hill above the house looking over in West Settlement and listening to the shore larks singing far above me. Twice after supper I walked out on the hill and looked long and long off east into Montgomery Hollow and trying to conjure up the old days I poked about the grave yard on the hill and found the grave of Obadiah Scudder, 1804, the oldest date I could find. I watched the boys draw dung and tried to get up courage to takea hand in, but could not. One afternoon I went down into the hemlocks and wandered along the little stream, all much changed since my boy hood. How green and fresh the country looked, with a sort of pathos over all, the pathos of my vanished youth. 29. The big rain of the season thus far yesterday; began about 2 P.M. and rained nearly all night, nearly 2 inches of water in 10 hours, drains all running this morning; broke the grape arms badly. I find they break less in stony, gravelly soil; the worst breakage is in the soft sandy soil. Bright and cool to-day. 31. Another rain set in last night from the N.E. a hell of rain seems imminent. The locusts have dropped their bloom. Daisy has come again and clover. June 1st June comes in like a huzzy, cold and sour-- clouds with spurts of rain. 3d A fine day at last but very cool. Dr Bucke and wife here. The 17 year locusts are coming out think in places. 4 Rain again last night and this morning. Clearing off is no good any more. Before you can turn around the rain is upon us again. It is "water affirmative" as Goethe says. No matter where the wind is it rains. Where two or three clouds are gathered together it rains. This is the third week of rain every day but one. 5th Threatens rain again. Coldand sour. We go to West Point. Actually clears off in P.M. and we have a fine day. 6 Cold and sour again threatening rain. Hellish weather, worse than in England. Barn not yet finished. Straw-berries just ripening a little. A cold wave coming from the N.W. with frosts in its course. In P.M. walk over to the weasel swamp. Find three interesting things -- The 17 year locusts coming out all along the borders of the woods; some little bushes loaded with them. Under certain trees find their little earth mounds [crossed out: thick] many of them yet sealed up, or with only a peep hole in them. Saw a little moth that evidently imitates bird droppings on the leaves. When disturbed it would fly a few rods and alight on [crossed out: the]a broad green leaf, spreading itself out perfectly flat, simulating the droppings of a bird. It was yellowish with a faint dark brown etched upon its wings. It would not move till touched. I have read of a moth or butterfly found on some island of Oceanica that exactly mimmicks the excrement of a bird upon a leaf -- this of course for protection. Found the nest of the worm-eating warbler beside the path in the edge of the woods. As I came along down the path on my return a small brown bird started up from the ground a few feet from me. From the glimpse of it I had, I took it to be the oven bird. Looking to the spot [crossed out: from] whence it started I saw another bird with a striped head standing on the edge of a nest in the side of the bank with the droppings of one of the young birds, whose heads I saw beneath her, in her beak. My appearance upon the scene was sudden and the mother bird was surprised while waiting upon her young. She stood motion-less, half turned toward me and kept the white mass in her beak, neither of us stirred for a minute or two, when I withdrew and sat down a few paces away. The male bird now became quite uneasy and flitted from bush to bush and uttered his alarm chip. The mother bird never stirred. I could see her loaded beak from where I sat. In two or three minutes she dropped or otherwise disposed of her unsavory morsel, but kept her place above her young. Then the male bird, seeing that was the game, quieted down also and dis-appeared from view. After long waiting I approached the nest and pausing 10 feet away, regarded it some moments. The bird never stirred. Then came nearer, and when I sat down within 4 or 5 feet of the nest the parent bird flew out upon the ground 3 or 4 paces from me and began trying that old confidence game of the birds upon me. She was seized with incipient paralysis, she dragged herself about in the ground, she grieved and tottered and seemed about ready to go all to pieces. [crossed out: The male now sudden] seeing this game did not work she began to use her wings and to scold sharply. The male now suddenly appeared upon the scene, and, ture to his name had a worm in his beak. Their scolding brought avireo upon the scene, which they seemed to regard as an intrusion. The nest was composed mainly of dry leaves. The young were probably a week old. I shall visit them again. 7. Cold and sour; almost a frost last night. No heat since April. We greatly overdrew our a/c in that long succession of bright mild days in March and April. 9 Weather still fair and beginning to warm up. Nearly 80 to-day. Grape arms have broken very badly this year. Met poor old Mrs Green last night trudging down from Esopus to take train here to go to Newburgh to see her son fatally hurt on the R.R. Poor old mother, I could have wept with her. Son a worth-less fellow, hard drinker, better dead than alive, but his mothersheart could not give him up easily. There were tears on her brown wrinkled face as we talked. It was very hard for her she said, so old, so much trouble, so much hard work as she had seen. [???] children, a drinking husband and sons, poverty and yet the old woman tries to keep up a cheerful front, and has preserved a certain innocence and sweetness. The methodist dominie went down and prayed beside her son; went on purpose, she said. "It was showing him a good deal of respect" said she, and she was touched by it. Probably the first mark of respect the poor devil had ever seen. I have known her for 20 years and yet she cant get my name right; calls me Mr Burrell generally. As she stepped along alertly to get on the train I saw how pinched and crooked her old back looked, bet. 70 and 80 10 No clouds to-day. Summer heat over 80. A lovely June day. Walked to the woods. Found nest of water thrush, and came near another, the brood had flown. Locusts in full chorus to-day. How warm and fragrant the breath of the meadow I passed through. A very little grape bloom to-day under the hill. 11. A still dim day of great heat, 90 in shade. 12 Still very hot; sky veiled with vapor or smoke till noon. Go to Vassar. A heavy shower at 6 1/2 P.M. 13. Hot, with streaks of sunshine cooler in evening. 14. Bright, cooler; grapes blooming. 21. Very warm the past ten days, from 80 to 90. Light thunder showers. Grapes done blooming yesterday, except a few stragglers, about the same as last year. Currants earlier. The 17-year cicadas humming and flying everywhere. Buildings at last finished and painted. 23. Heat continues, 92 to-day on north end of house. Began the currants. I do not remember such a hot June. July 1st No let-up in the heat, from 86 degrees to 91 degrees every day. Only light dashes of rain; getting dry. Finished currants yesterday, about 4 tons. Prices low.2d Mercury 90 degrees to-day. Start for Snyder Hollow, Julian and I. Reach Larkins about 10 A.M. Stay there in the camp till Friday the 6th A delicious time -- never had better, Julian a good camper out. Great pleasure in being with him in the woods and teaching him wood craft. Took [crossed out: ???] and ate about 90 trout from 5 to 10 inches. Began to get cooler on the 4th. Stopped at Phoececia and caught 2 fine rainbow trout. In the ice-cream saloon the boy asked us, "Will you have it in brick or in bulk?" "If the bricks are bulky," I said "We will have it in 'brick'"? "But what is the difference?" "In the brick it is all in a cake, and in bulk it is shovelled out.""'Shovelled out sounds good", we replied, "we are very hungry for cream;" we will try it both ways" which we did, and liked the shovelled out plates the best. Reached home Friday night. 10. Very cool for past few days and very dry; things begin to suffer much for want of water. 12 Start for Adirondacks to-day on invitation of Mr Chubb. Very hot. Stay at White Hall over night. Reach the Willey House in Keene Friday P.M. Stay one week. Very cool and delightful. The grandest mountain view I ever saw.Like the Chubbs much. Give a talk on Nature in Parlors on Saturday night, and one on Whitman on Sunday night. On Monday we climb Hurricane Mt. The view amazing for extent and sublimity. Meet Prof Davison and some of his philosophers; the Prof. an old time student and thinker -- lives on the past. Nothing new or vital in him. (The new is always vital, and the vital is always new). Return home Friday the 20th; heat terrible -- 94 in the cars all day, 96 in Albany and Troy stations. Very dry, -- a light rain last Sunday the 15th. 22d Cool and cloudy, about 1/2 ich of rain last night.Strays the drouth, but does not cure it. Grapes and all things suffering. A summer of great heat and dryness so far. -- I can well understand the feelings of the old Romans that prompted them to thrash and flog their gods when things went wrong with them. I never knew of a god that did not deserve flogging every day in the year. Take the god of rain, for instance. What a mess he makes of it, always drowning some part of the country and burning up some other part. 24. Cloudy, misty, getting hot. A hot wave near by no rain to speak of. Getting ready to go out to old home, Julian and I.
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Date: December 10, 2014

Creator: [unknown]
Date: [After 1878]
Text: JOHN H . rmvmowo 181a - 1878 At the first meeting of the Faculty of Vassar College after the death of our late honored President, John H. Raymond, we record a brief statement of his work in this College, and an expression, altogether inadequate, of the love we have for his memorye We appreciate, as others cannot, the unceasing toil, the perplexity, the solicitude, the many discouragements which attended his heroic and successful endeavor to secure for this College its present eminence among...
Show moreJOHN H . rmvmowo 181a - 1878 At the first meeting of the Faculty of Vassar College after the death of our late honored President, John H. Raymond, we record a brief statement of his work in this College, and an expression, altogether inadequate, of the love we have for his memorye We appreciate, as others cannot, the unceasing toil, the perplexity, the solicitude, the many discouragements which attended his heroic and successful endeavor to secure for this College its present eminence among educational institu- tions. We appreciate, as others cannot, the complica- tions of the problem given to him for solution at the time of his election to his office. At the outset, there was a Board of Trustees having the heartiest interest in this work, but pre- senting many shades of opinion on educational questions. And the Faculty, organized under peculiar limitations needed time and trial to give it experience and strength. And the demand made by the public upon this College in its earlier years, insisting that students sent hither should be trained to the accomplishments of the fashionable world rather than to the earnestness of the scholar, was a demand that he resisted with an unfaltering, a religious con- stancy, and defeated utterly, so that under his leadership a victory, complete, enduring, has been gained for the higher education of women. Beset by the ill-advised and persistent appeal of the parents of our students, with no pioneers to guide him, President Raymond cautiously and safely led this College through the wilderness of its first years. We know what his thoughtfulness has accomplished in the improvement of all the appointments and properties of the College, in securing for it the respect of educated people, in winning for it the loyalty of students, and in organizing a happy domestic regime. But these achievements made by devotion to the duties of his office, though they have commanded expressions of public JOHN H. RAYMOND (Continued) admiration, still seem to us to fade in comparison with the result he attained in promoting the steady growth of our educational work. Comparing the Scheme of Instruction" published in our first catalogue, with the clear and well adjusted cur- riculum now followed by our students we see the traces of his most difficult work, and his brightest success. While others point to his temperament, or to his scholarship, or to his literary and oratorical skill as the secret of his power in this College, we, recognizing all these qualities in him, point to his rare gift for organization as his prime endowment - a gift blending with comprehensiveness of plan a conscientious zeal for the performance of smallest details. This endowment made it possible for him to watch every interest related to his office, and insured the uninterrupted progress of Vassar College under his administration. We remind ourselves that our late President himself grew to loftier ideas under the discipline of his work. Each new success inspired him with grander hopes, to more intense endeavor. He led the way to broader freedom in the discipline of the College; and in presiding over our legislative deliberations, he had come to be the most advanced among us in demanding an unfaltering respect for the womanliness of our students. Always considerate of the weariness of his fellow- workers, he gave himself no rest. In recalling what he has done for Vassar College, we pay our reverent re- spect to his industry, to his fidelity, to his sacrifice of self, to his wisdom, which have laid our foundations so secure that no adversity, not even his death, can overturn them. He was modest, he was honest, he was cautious, he was patient, he was just, he was devout, he was faithful in all things. He was eminent, and he was eminently good, He is dead, but his work survives, I - 391-393
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Creator: Notman, William
Date: 18--

Creator: Slee Bros. (Poughkeepsie, N.Y.)
Date: 1872 or 1873

Date: 1905
Text: MUSIC uamnv VASSAR COLLEGE ”°”°“KEEPSIE. NEW voax N?21NE" N‘?2>1NF N‘?41NG % SUNG BY M155 ADA CROSS LEY. WND $504 / ’\$?5'v Q'f, \\!r) -7Jﬂ.\;. The Word s by LONGFEILLOW 1'} 44> The ﬂlusic by ROBERT BATTEN. P/‘ice 6W Ce/2/5' BOOSEY & C9 9,EAsT SEVENTEENTH STREET, NEw YORK, AND 295. REGENT STREET,LoNDoN.ENcs. SOLE AGENTS FOR CHAPPELL& Co. ENocH & SONS & G.R|CORD| &Co. COPYRIGHT I905 BYBOOSEV 8<C‘? LIVING POEMS. COME to me, 0 ye children!...
Show moreMUSIC uamnv VASSAR COLLEGE ”°”°“KEEPSIE. NEW voax N?21NE" N‘?2>1NF N‘?41NG % SUNG BY M155 ADA CROSS LEY. WND $504 / ’\$?5'v Q'f, \\!r) -7Jﬂ.\;. The Word s by LONGFEILLOW 1'} 44> The ﬂlusic by ROBERT BATTEN. P/‘ice 6W Ce/2/5' BOOSEY & C9 9,EAsT SEVENTEENTH STREET, NEw YORK, AND 295. REGENT STREET,LoNDoN.ENcs. SOLE AGENTS FOR CHAPPELL& Co. ENocH & SONS & G.R|CORD| &Co. COPYRIGHT I905 BYBOOSEV 8<C‘? LIVING POEMS. COME to me, 0 ye children! For I hear you at your play, And the questions that perplexed me Have Vanished quite away; Ye open the Eastern windows That look towards the sun, Where thoughts are singing swallows, And the brooks of morning run. In your hearts are the birds and sunshine, In your thoughts the brooklet’s ﬂow, But in mine is the Wind of Autumn And the ﬁrst fall of the snow. Come to me, 0 ye children! And whisper in my ear VVhat the birds and the winds are singing In your sunny atmosphere : For what are all our oontrivings And the Wisdom of our books, VVhen compared with your caresses And the gladness of your looks ? Ye are better than all the ballads That ever were sung or said ; F or ye are living poems, And all the rest are dead. LONGFELLOW. Living Words by Music by LONGFELLQW ROBERT BATTEN. Andante sostenuto. /3 Voice. 1' con %. Moderate. Come to me, 0 ye chil — dren! hear you at your And the ques - tions that per- \——-—'/Le — plexed me Va — nish’d quite a — Cbjiyright, 1905 by Boosey & C9 o - pen the East - ern Where thoughts brooks of morn— ing sun - shine, In your thoughts Living Poems. win - dows are the That... sing — ing In your hearts brook — lets... look to svvards the swal - lows, are the f low, birds...“ and the mine is the wind of Au — tumn And the first fall of the f hB ut in mine is the wind of - tumn And the FT” t calla voce. Living Poems. birds and the Winds are s1'ng—ing In your sun - ny at - mos - - our con - tfi -Vings Living Poems. M0 - dom of our books, When com- pared w1th your car- - calla voce. And the glad. - ness of your looks? >>- bet- ter than all ..... .. the........ ev — er were sung 0r......... Living Poems. with enthusiasm. the rest are Ye are bet -’ ter than all the - lads That } fften_ ~ rall al me. said; ' And >- )- L c [la voce. If 0 rail al fine. Livhig Poems. NW SONGS BY CEDEBRHTED COMPOSERS. PRICE 60 CENTS EACH. THOSE MARKED at: 75 CENTS. Sung by Madame CLARA BUTT. *BAi§?LoN. (zwt/L Organ 0115/igato.) WORDS BY F. E. WEATHERLY. No. 1 in El7. MUSIC BY STEPHEN ADAMS. No 4 in A7. 5- ' : 9’ ___,..._.|__. .%i__1:._._ _._i__[_._ I L. bi‘ *'- ' No. 2 in F. No. 3 in G. 11 ttmfﬁ *\ '4 /'\ ’\ /-x «-\ I'j"_T:,l::Zﬂ4 .1 _ ' 9‘ !:h_i__ 4 j ‘ - _ $7 :.:.g;.gg¢:g: H..;=E§13$1% OJ V “O go ye not to.. .. Bab-y-Ion! it is adream, it is adrezun un-blest! On-ly the road to (mt Verse.) Out in the morning meadows, and down the broad highway, I sa e children dancing and singing at their play ; And they called to one another upon the golden air, “ Oh, where's the road to Babylon,—and who will bring us there?" But, as the night fell round them and eastward rose a star, Methought the voice of angels was calling them from far,- “ 0 go ye not to Babylon ! it is a dream unblest I Only the road to Bethlehem can give you joy and rest ! " Copyright, 1905, by BOOSEY & Co. Sung bv Mr. FRANCIS ROGERS. THE TRUMPETER. . WORDS BY J. FRANCIS BARRON. No Illl F. MUSIC BY J. AIRLIE DIX. No.4in C. 0 No. 2 in G. ___4_sE: '_ .3: F ‘I __i__4.___ '0" l\ I‘ I I Ql J‘ I I I‘ ~ I n .g. 0 9 _ v Trum-pe-tei-, what are you sounding now ‘.7 (Is it the call I'm seeking 7) “ You’ll know tl'iecall,"saicl the (is! Verse.) Trumpeter, what are you sounding now? (Is It the call I’m seeking?) “Vou’lI know the call," said the Trumpeter tall, “ When my trumpet goes :9. speakin‘. I'm rousin' 'em up, I'm vrakin’ ’em up, The tents are astir in the valley, And there’s no more sleep. with the sun’s ﬁrst peep, For I’m soundin' the old ‘ Reveillé.’ Rise up ! ” said the Trumpeter tall. Copyright, 1904, by BOOSEY & C0. Sung by M1’. HERBERT WITHERSPOON. A soLi)ii§it’"s’ TOAST. WORDS BY J. FRANCIS BARRON. _ No. I in C. Music BY J. AIRLIE DIX. \ “ s : * :1s:u'_:p-— --“"4: .3:;i.=i.2-2; 1—bv—-E-:?‘_ “Ta- Red wine, white wine, comrades; let's be drink-ing, A truce to trouble and care, lads;When the (Lt! Verse.) Meeting to-night in the old nie_ss-tent, Each comrade's face so glowing, For smile, and jest, and merriment, _ ould rule when good wine’s ﬂowing. Steady the hand, so ; stand by the glass, You've choice of the wine set before us ; “ Here’s to the soldier, here's to his lass," 'Tis the best of all toasts : Let us ﬁnish the glass, And join in our comrade’s chorus- Copyright, I905, by BOOSEY & Co. Red wine white wine, comrades; let's be drinking, A truce to trouble and care, lads; VVhen the wine goes blinking. To the old mess-tent, and the ﬁght we share: The Flag we serve, and the coat we wear : And a bumper toast to the maidens fair, With glasses clinking I ‘ Sung by Miss EVANGELINE FLORENCE. *APR1i.—1vioRN. ROBERT BATTEN. No. 3 in D. -4: WORDS av JOHN DOWERS No. 1 in Bl). No. 2 in C. b -——l—-—:I—- 3.; _T__‘i_— /‘_\' :i—~—i—‘ 5-@;#s sﬁs Ah! . . . . . . .. the joy . . . . .. to...... the greet the ro - sy morn,... mt Verse.) Ah I the joy to greet the rosy morn, If e sun the verdant ﬁ ds adorn. _ Nature awakes, the birds their melodies trill O'er hill‘ and dale, and by the woodland rill. Ah . Copyright, I901 and I902, by BOOSEY 8!. Go. THE LITTLE WHITE SUN. wonos av ANNIE C. HUESTIS. MUSIC BY CUTI-IBERT WY'N N E. Zzjghtly. ‘ accel. . . . ~ . :1. ' . . . ;g“52— 3*i—a‘——4‘——..w——r.~—§+—r J ——r—«+=e4‘e—5——.. —r /I 11. I IIH V j I . C I‘ K RD 5 . j R I II -I Q I I Q} C I C —l I ‘F ~ 0 a Q But the brown earth laughed, and the sky turned blue, When the lit-tle white sun came (mt Var: '.) The sky had a gray, gray lace ; The touch of the mist was chill ; The earth was an eerie place, For the wind moaned over the hill ; But the brown earth laughed, and the sky turned blue, When the little white sun came peeping through ! Copyright, i905,~by BOOSEY & Co. A CHINA TRAGEDY. MUSIC BY CLAYTON THOMAS. No. 2 in Al). No. 3 in BD. —l7r—- ~-P'—r .4 O wonos BY R. S. HICHENS. & \ I I A I ‘K I I I L l\_ I‘ I‘ T1- -4» _i=__i=_ ‘ d » —:=|—-L _‘:~_~h_i=_ ‘ » . ft. ;c :E:;&t::at§¥?3E A lit - tle chi«na ﬁg-ure On a lit-tle bracket sat, His lit-tle feet werealwayscross'd, He (mt Verse.) A little china ﬁgure On a little bracket sat, His little feet were always crossed, He wore a little hat. And every morning, fair or foul, In shine or shadows dim, A pretty little housemaid came And softly dusted him. Copyright, 1904-. by BOOSEY &. Co. SHEPHERD OF LOVE. wonns av ARTHUR PHILIP COXFORD. MUSIC BY FRANK L. MOIR. mfAnd'nmte maestaso. *-r*— Aw I /—j__j__S , __ ii-—-J—-:3? Shep - herd of ,V . , . fa'ir- est of ten thou - sand‘. (mt Verse.) Oft in the gloom, when nightly shades are falling, omes to the ear a distant Song of Praise ; Faith in those sounds with tender voice is calling, Sweet come those welcome strains to cheer our pilgrim days. Hearts brighter grow, the clouds of doubt dispelling, Love. in those chords, doth heal the soul distress’d ; Hark I 'tis the song in which the Saints are telling Of their great joy in Him the Father biest. Crown Him, ye Saints, the faiitest of ten thousand ! Shepherd of Love, the God whom we adore; \Vith harps of gold attune your faithful voices, Proclaim Him King 2 both now and evermore I Copyright, 1905, by BOOSEY & Co. _ _\./ Crown Him, ye Saints, Sung by Miss ADA CROSSLEY. LIVING—_POEMS. ROBE RT BATTEN. No. 3 in F. No. 4 in G. If 3 'P‘ —_ -—_b_—_ I—— ::—'—: bi - ' wonos BY LONGFELLOW. No. 1 in D. No. 2 in E7. '—171‘p i J K L i I I I‘ I J 4L ._"'s.z__' _|._t\__|3_i_. ‘..,':‘_'|.g_:_g_.',_ i d_-_'-g§; ' ':__i__ roo'.g..fv9:— ' "' Come to me, 0 ye children! For I hear you at your play, And the questionsthnt perplex‘d me Have (15! Verse-) , Come to me, 0 ye children I For I hear you at your play, And the questions that perplexed me Have vanished quite away. Ye open the Eastern windows That look towards the sun, Where thoughts are singing swallows, And the brooks of morning run. _ In your hearts are the birds and sunshine, In your thoughts the brooklet's ﬂow, But in mine is the wind c-fAutunin And the ﬁrst fall of the snow. Copyright, 1905, by BOOSEY & Co. BOOSEY & 00., 9, East Seventeenth Street, New York, and 295, Regent Street, London, W. NEW SONGS BY CEIJEBRHTED COMPOSERS. PRICE so CENTS EACH. Sung by MADAME CLARA BUTT. MY AWFOLK. LAURA G. LEMON. No. 4 in G. _?n_ WORDS Ev WILFRID MILLS. No. I in DlZ. ’_._:i;,,—: 5; izv“ No. 2 in Ell. __——:_-I2: Ii I i 171 iiiﬁ I ii I [III 1 g 1 ‘i1 -:-I J 1: I : nillzli i_L v I .4. .5. _d. 1. ae my hame I wander; But stillmy thoughts re - turn To my ain folk 0 - wer yonder, In the I i .1Qd d ll .4 (mt Verse.) Far frae my hame I wander ; But still my th , ghts return To my ain folk ower yonder, In the sheiling by the burn. I see the easy ingle, And the mist abuiie the brae: And joy and sadness mingle, As I list some auld-warid lay. And it’s oh I but I'm longing for my ain folk Tho’ they be but lowly, puir, and plain folk: I am far beyond e sea, But my heart will ever be At hame in clear auld Scotlan wi’ my ain folkl Copyright, 1904-, by BOOSEY & Co. Sung by Madame CLARA BUTT. MY TIEASURE. MATTHIAS BARR. JOAN TREVALSA. No. x in F. No. 2 in G. No. 3 in A. i I ‘A -\ -1 ii’ l\\\ I J 1 P vs V 0 CA- Ir I j On - ly a baby small,Dropp'd from the skies; Only a baby small, Dropp’d from the skies; Only a laughing face, Two sunny eyes; Copyright, 1903, by BOOSEY & CO. I d On - ly a laughiiigface,'I‘wo sun-ny eyes; Only two cherry lips, One chubby nose ; Only two little hands, Ten little toes. (is! Verse.) Sung by Miss EVANGELINE FLORENCE and Madame BLANCHE MARCHESI. THE SWEETDO7 THE YEAR. wonos BY , Music BY KATHARINE TYNAN HINKSON. ALICIA ADELAIDE NEEIDHAM. No. I in BlZ. No.2 in C. 0 ,- L I i ‘bi. 4- ’ M lsll ﬁn I Ii i Vi ll - i I 5 K I Kit’! i I. ~ i §ia4<£—a—H—«'—,r~—sd+I-4-—.i~a—~+J:w4-+e4——d-l+—L':E:E:zd:h No. 3 in D. ‘P’ I l V a Be-cause it is the sweet 0' the year, the sweet o’ the year, There'swhite andyellowon (ist Verrz.) Because it is the sweet o the year, There's white and yellow on vale and hill, The blackbird sings at his darling’s ear, He has gotten a new gold bill 1 Copyright, 1904-, by BOOSEY 8:. Co. When birds are merry and have good cheer, And roses nod in the garden bow’r, Oh, then it is the sweet 0’ the year, And love and the world in ﬂowerl Sung by Miss LOUISE DALE. IF I BUILT A WORLD FOR YOU. MUSIC BY LIZA LEHMANN. No.3in F. 1 WORDS BY HERBERT FORDWYCH, No. x in C. No. 2 in Ell. -4- i i L .g. 9 7° Iii:\4§4I§J\I_ ‘*.l iv 5 la‘ 1’ i\ Ni ' .' I i l L P_l—l: §}%:‘£-4=—A~r+4 —r—+~——s—1~.+d—~—.—i—a . ———t——r—F If I built a world for you,dear, If I built aworld for you,——- Iwould make the land of (irt Vern.) If I built a world for you, clear, If I built a world for you,- I would make the land of popcorn, And the sea. of morning dew. I would make the breeze of whispers Of lovers as they woo,- And the rose should live for ever In the world I built for you. Copyright, 1904. by BOOSEY & Co. Dedicated, by Sfecialpemtisrian, to H.R.H. PRINCESS HENRY OF BA TTENBERG. Sung by Mr. IVOR FOSTER. THE LIFEBOAT MEN. WORDS BY MUSIC BY F. E. WEATHERLY. STEPHEN ADAMS. No. 1 in 1312. No. 2 in C. No. 3 in D. I’ I’ 1 l ‘I i i J 5: B E‘ x IL M I I . I‘ I I I K I WWI ‘J . — r _ V 0 For it’s Out they go when the sig-nal comes, Out from the thund'ring shores, 'Tisn't the pay that When the wild wind blows by day or night, And you are safe at home, Are you thinking then of the Lifeboat men Watching the hungry foam Quitting the toil that gives them bread, Leaving their babes and wives, Ready to go when the word is said, Ready to give their lives. For its out they go when the signal comes, Out from the thv.ind'ring shores, 'Tisn’t the pay that makes them stay Gripping the straining oars; It's the Spirit of Love from I-Ieav’n above, Working in what they do ; Think of them, then, women and men, And pray for the Lifeboat crew. Copyright, 1904-, by BOOSEY & Co. Sung by Miss ADA CROSSLEY, and Mr. GERVASE ELWES. NOW SLEEPS THE CRIMSON PETAL. MUSIC BY ROGER QUILTER. No. 3 in GE. I’.- f:\ i\ I; i (is! Verse.) wonos BY TEN NYSON. No. x in El). No. 2 in F. L 1- i' E 1 I I I _'.__._. _,K;.i.._._ __'_._:_ \./ _ white ; Nor waves the cypress in the pa.-lace Now sleeps the crimson petal, now the Now sleeps the crimson petal, now the white ; Nor waves the cypress in the palace walk; Nor winks the gold ﬁn in the poiphyry font: The ﬁre-ﬂy wakens : waken ou with me. Copyright, 1904-, by BOOSEY & Co, (Lt! Verse.) Sung by Miss LOUISE DALE. and Mr. H. LANE WILSON. INDIAN DESERT SONG. MUSIC BY AMY WOODFORDE'FINDEN. No. 2 in G Minor. WORDS BY LAURENCE HOPE. No. 1 in E Minor. _’_j. A i\J\l .4-i .1 4:1’. in . - agraig iini - ' xx V’-d-T am waiting in th des—ert,look-ing out towards the sun- set, And counting ev-'ry I am waiting in the desert, looking out towards the sunset, And counting every moment llll we meet; . I am waiting by the marshes and I tremble and I listen Till the soft sands thrill beneath your coming feet. Copyright, 1903, by BOOSEY Si. Go. (is! Verse.) Sung by Miss ADA CROSSLEY. CUPID AT.TIIE FERRY. MUSIC BY EDWARD GERMAN. No. 3 in A. WORDS BY CARYL BATTERSBY. No. 1 in F. l _ .'T 4 "—r 4. A is Hi! If K KI ‘T1 __C r Uri T‘ i I K '7‘ I’ I’ I I I I1’ I‘ I g j . R ﬂ l P P t : d d I - — ‘,9 r :- Cupid at the (er-i-y cried : “Who with me will go. . . . Where beyond the ﬂowingtide Lovers’ garlands (is! Verse.) Cupid at the ferry cried : ' “ Who with me will go Where beyond the ﬂowing tide Lovers’ garlands blow? Fairy songs are sounding there. Fairy breezes play; Leave, 0 leave this world of care, Lovers, come away !" Ah 1 Ho 1 lovers, ho 1 H01 ho 5 say who will go Where the zephyrs of Loveland blow ‘, Say who will go Where light the zephyrs of Loveland blow l Copyright, 1904-, by BOOSEY & Co. BOOSEY & CO., 9, East Seventeenth Street, New York, and 295, Regent Street, London, W.
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Creator: Griffin, Charles, Miller, John, Campbell, Mildred
Date: [After 1950]
Text: JAMES FOSDICK BALDWIN 1871 - 1950 James Fosdick Baldwin was born in Chelsea, Massachusetts, in 1871. He died in Poughkeepsie, New York, on Thurs- day, Qctober the fifth, 1950. During forty-four of the seventy-nine intervening years, he was a member of the Vassar College faculty in the department of history. Hence it is to a fellow gildsman of long service that we now pay respect and honor. As Mr. Baldwin, setting about his most recent task of writing a history of the college in its modern era...
Show moreJAMES FOSDICK BALDWIN 1871 - 1950 James Fosdick Baldwin was born in Chelsea, Massachusetts, in 1871. He died in Poughkeepsie, New York, on Thurs- day, Qctober the fifth, 1950. During forty-four of the seventy-nine intervening years, he was a member of the Vassar College faculty in the department of history. Hence it is to a fellow gildsman of long service that we now pay respect and honor. As Mr. Baldwin, setting about his most recent task of writing a history of the college in its modern era, sifted with trained eye and hand the boxes and volumes that constitute the college archives, - Presidents' cor- respondence, faculty minutes, committee reports, reports of departmental chairmen, and old files of the Miscellan News that recounted gala skits of Founder's Day, Ee must often have run across his own name and his own handwriting, for he had a zest for life and was ever an active partic- ipant in all that was going on about him. His courses in English history introduced him to large numbers of stu- dents and his circle of friends and acquaintances among alumnae was wide. His interest in every part of the col- lege was marked, - one could mention for instance certain of our library treasures, rare for a college of this size that are here because of his scholarly discernment and his initiative. Engrossing as was the campus to him, however, Mr. Baldwin did not forget that there were pleasures and obligations outside of it, that he was a resident of the town of Poughkeepsie, a citizen of Dutchess County and of his state and nation. He took a lively interest in public affairs to which his approach was that of a humanitarian and a liberal. Better also than some of us, he was able to transfer the field of his specialized interests to the scene at hand. Hence the student of constitutional origins in a distant age and place found ways of making Dutchess County origins exciting to his friends and fel- low townsmen. He held office repeatedly in the Dutchess C t Hi t ri i t ° l f i oun y s o cal Soc e y, and in 9h2 was o fic ally honored with the title, Dutchess Count Historian. Other community activities enlisted His support. His lifelong interest in music, found expression in his work as an organist in one of Poughkeepsie's churches, a post which he filled for years. After his retirement many of these interests were continued. Indeed, there was true gallantry in the way Jmnes Baldwin set about to explore Q 28 JAMES FOSDICK BALDWIN (Continued) the resources within himself in order to make his retirement a period both useful and happy. And it was a source of pleasure to his friends that neither old_ age nor adversity dulled his salty wit nor dimmed the twinkle in his eye. But beyond these memories left with friends and assoc- iates, James Fosdick Baldwin in his early manhood created a more lasting memorial through his contribu- tion to historical scholarship in a highly selective field, that of the Ehglish Medieval Constitution. His book on the Kin 's Council in En land Durin the Middle A es published §n Uxford In I§I§ was Hailed By scholarly journals on both sides of the Atlantic as charting new ground and superseding previous treatments of the sub- ject. It led to his election at once to membership in the Royal Historical Society, and gave him a place among the best scholars in the field in his own country. Even now after almost forty years it still remains a recognized authority. Hence, as Poughkeepsie notes the passing ofia good citizen and neighbor, and Vassar Col- lege a friend and colleague, medieval historians in both Europe and America record the passing of a respected member of their fraternity, the author of The King's Council. Charles Griffin John Miller Mildred Campbell XIII - 1&3
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Creator: Stanton, Elizabeth Cady, 1815-1902
Date: 1896-08-01

Date: 1921
Text: MUSiC Lmrmnv VASSAR COLLFC-E POUGHKEEPSIE. NEW YORK JAMES A BLISS No. 1. Hiawathefs Song No. 2. Adjiclaurno, the Squirrel NO. 3. The Rainbow No. -1. Pau—Puk-Keewis Dances 3 $ sm Aqmw SB Smm E3 Sn M1.m 4M A,. .|J ‘ 4 V V )1 ‘ . \\1|X'..Iv.‘4‘w~ﬁ".\‘%‘4V.llIIII’IlI!I”‘:t.l\I||Il«V‘ \““‘.1u.r’..,. , 1 Hwxuillnln. ll.sxl..|3»J\i1‘\“ (L1|I.:|[r.\\ .Au.u ‘\xI lY1.‘.l...s': .W»mn..) :M!|“U..nNL.. 1 /1..F»;xr. To Mrs. Mo Elroy -Johnston a" Hiawathafs Song JAMES A. BLISS ' Op....
Show moreMUSiC Lmrmnv VASSAR COLLFC-E POUGHKEEPSIE. NEW YORK JAMES A BLISS No. 1. Hiawathefs Song No. 2. Adjiclaurno, the Squirrel NO. 3. The Rainbow No. -1. Pau—Puk-Keewis Dances 3 $ sm Aqmw SB Smm E3 Sn M1.m 4M A,. .|J ‘ 4 V V )1 ‘ . \\1|X'..Iv.‘4‘w~ﬁ".\‘%‘4V.llIIII’IlI!I”‘:t.l\I||Il«V‘ \““‘.1u.r’..,. , 1 Hwxuillnln. ll.sxl..|3»J\i1‘\“ (L1|I.:|[r.\\ .Au.u ‘\xI lY1.‘.l...s': .W»mn..) :M!|“U..nNL.. 1 /1..F»;xr. To Mrs. Mo Elroy -Johnston a" Hiawathafs Song JAMES A. BLISS ' Op. 10. No.1. eg-ro con brio (Juos) In the land of the Da - c0- tahs ' Minn — e —ha- ha, Laugh-ing a - ter, Lives the» ar - row mak- er’s daugh-ter, _/\. . . _/.‘.\.% ng _._l /“T on tempo mlt. Hand— som - est of all the maid— ens. as #F\./F #1? 3 3 Espre She shall run up —on your er - rands, Be your star-light, moon—1ight,fire-light, F‘ Copyright 1921 by A. Bliss I will bring her to your wig-Wam, Be the sun - light of my peo — ple ' a, tem Thus it was that Hi - 3. - wa — tha To the lodge of old N0 -k0 —mis Brought the m0on—1ight, star-light, fire - light, t fl Mt a tempo Brought the sun-shine of his peo-ple, Minn - e—ha - ha, Laugh-ing Wa - ter, #1:“. Hia.wa.tha’s S ong-. 3 Hand - som-est of —(°f) all the maid - ens _ the land of ' ' ' V E - ' - . . 19 smccato hand—s0me maid - ens. ‘fen Hiawafthaﬁs Song‘. 3 la“/ax . . “Er thaw Longfellow ! 0 To Kat/zleen Haw-1,‘ Bibb The Squirrel JAMES A. BLISS Slower Op. 10. No. 2. Vivace Then said Hi—a-Wa-tha to him, 8 ---- """"""""""" """"""""""" Zegg2'e7'0_ my lit- tle 'end the squirrel, - a-wa - tha, And the name which now he gives you; . . _ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . _ . . . . . . . . . . . . . . . . . .... n For here aft-er and for—ev—er Copyright 1921 by J. A. Bliss Boys shall call you Ad - ji - dau - mo, Tail in air the boys shall £11 you!” [[1 And the squir-rel, Ad — ji - dau - mo, Maesta rj‘“|3 slower mt, Frisked and chattered ver - y gay — ly, In his fur e breeze of morn-ing .« """ " a » ¢ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...r /'3\ J atempo '-‘F7 ' 3' 8P1ayed as i_n the meadow grasses. it Adjidaumo - 2 8 To Lora Lulsdorff “Hiawatha” Longfellow. JAMES A. BLISS Op. 10. No. 3. Allegro ‘ma grazioso /T At t11e door on sum - mer eve -nings Sat the 1it—t1e Hi - a—Wa — tha; Efﬂftf Mt. Heard the Whis -p’ring of the pine-trees, Heard the lap-ping of the wa — ter, .{’—‘\ Copyright 1921 by J. A. Bliss it tempo , Allegro Sounds of mu-sic, words of won—der; “Minn ﬁﬁf" 3;? M" at tem L“; \_;_j Grazioso said the pine-trees, “Mud - Wa aush - ka!” The Rainbow. 4 said the Wa - ter. ‘ aush - ka!” £7 Andante rubato said the wa - . Saw the Andante /-T a tempo f.'\ rain-bow In the east-ern sky, 1’ Whis -pered T he Rainbow. 4 Rec ita/ndo “What is that, N0—ko - mis?” And the good No- ko -mis an-swered, Andante espressivo the heaV’n of flowers you see there; All the wi1d'f10w’rs of the for— est, V the lil - ies of the i-rie, When on earth they fade and per-ish, TX B105 som in that heav’n The Rainbow. 4 12 To Wm. Goodfellow Pau - Puk- Keewis Dances JAMES A. BLISS Op. 10. No. 4. Allegro con spirito =112) staccato T 0 the sound of flutes and sing - ing, To the sound of drums and voi—ces, f Maesta p Mtstertosov - mt. Rose the hand-some Pau Puk-Kee-Wis And be-gan his mys - tic’ danc-es. bJ h£ First he danced staccato Copyright 1921 by A. Bliss - emn meas - ure Ver - in step and ges - ture, 1 and out a - mdng the pine trees, Through the shad - ows I 3 I 19 the sun - shine, Tread-ing soft - ly like a pan-ther > >_> Then more swiftly and still swift-er, Whirl - ing, spinn (now) Pau Puk- 4 I3‘ in cir— cles. V A Then a long the sand-y mar-gin > > 3\ ’§\ '3"3' Of the lake the Big-Sea-Wa - ter, On he sped with fren—zied ges -tures, /'3\ /‘.s\ /3\ ’3\ V/'‘'\ 7/‘ﬁx t/KT? .——3**|‘_—3' [’““ﬁl3lr—3' Stamp’d up on the sand/id t0ss’d it Wild — ly in the air a-round him; /7 /T # 3 X-73$ 3 '3"3' Till the wind be came a whirl-Wind,Heap-ing all the shores With Sand Dunes Pan Puk. 4 the mer - ‘ ‘.2 19 stapcato 7 - Puk Kee — Wis Danced his beg — gars Dance to please them, sat down laugh Anda/nte se/re/no it tempo Sat and anrfd himself se-ren-1y With his fan of ‘cur-key feathers L.H. leggerio
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Creator: Chamberlain, W. G.

Date: 1792-11
Text: Numbers of the six Nations, viz, Senekas Main Villag Buffaloe Creek 331 White Chiefs Village 107 Cataragrous 225 Munces Cataragrous 143 Cornplanters two Villages 331 Tonwanters 104 Cohanagues 22 Genesee 91 Bigtree 96 Squaka Hill 190 Ka oun a dee 148 Onondagous at Buffalo Creek 215 At their old Reservation 145 360 Oneidas 600 At Genesee 26 626 Tuskaroas Niagara 262 at Oneidas 63 325 Cayugas at Cayuga 51 at Buffaloe 22 Stockbridge Indians near Oneida 315 To Share the annuity of 4500, DrsThe...
Show moreNumbers of the six Nations, viz, Senekas Main Villag Buffaloe Creek 331 White Chiefs Village 107 Cataragrous 225 Munces Cataragrous 143 Cornplanters two Villages 331 Tonwanters 104 Cohanagues 22 Genesee 91 Bigtree 96 Squaka Hill 190 Ka oun a dee 148 Onondagous at Buffalo Creek 215 At their old Reservation 145 360 Oneidas 600 At Genesee 26 626 Tuskaroas Niagara 262 at Oneidas 63 325 Cayugas at Cayuga 51 at Buffaloe 22 Stockbridge Indians near Oneida 315 To Share the annuity of 4500, DrsThe foregoing numbers of the Six Nations taken by Col. Pickering in Nov 1792 at a treaty held in CannadaiguayMain Village Buffaloe Creek 331 White Chiefs Village 107 Cataragaus 225 Allagany 331 Tonawande 100 Canawagus 22 Genesee Village 91 Bigtree 96 Squaka Hill 100 31 Kaonnoeeo 120 Onondagus B C 215 Tuskeroras 200 Cayuas BC, 50 Oneidas at Genesee 30 Munses at Caturagurs 143 Do at B. Creek 15Numbers of the six Nations
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Creator: Stanton, Elizabeth Cady, 1815-1902
Date: 1872-04-01
Text: -,--',n'au; »« ‘~Tv-\. \_ av"-wu- pf / ~ 7 \ ,. N 4 S 2 A p ‘ , " 2 r . v _ » ...3; ' Q vﬁ” .9»-~ -«=>'~””"' , . , ﬁx, Tﬁgﬁ V t A s‘ '*‘~v* 2 t '62:: ., 2’ l;'er: Geetle Ajoril let (I 872.) Deer Lucretia, Reach d here last evening, cold better! I have C0 thought much inoe leaving of our eer Wooﬁhull, eﬁ the goeeie about her, oeme to the conclusion thet it'e greet impertinenoe in any of we to pry into rer affairs. Bow ehoulo we...
Show more-,--',n'au; »« ‘~Tv-\. \_ av"-wu- pf / ~ 7 \ ,. N 4 S 2 A p ‘ , " 2 r . v _ » ...3; ' Q vﬁ” .9»-~ -«=>'~””"' , . , ﬁx, Tﬁgﬁ V t A s‘ '*‘~v* 2 t '62:: ., 2’ l;'er: Geetle Ajoril let (I 872.) Deer Lucretia, Reach d here last evening, cold better! I have C0 thought much inoe leaving of our eer Wooﬁhull, eﬁ the goeeie about her, oeme to the conclusion thet it'e greet impertinenoe in any of we to pry into rer affairs. Bow ehoulo we feel to have everybody overhauling our anteoeéente, turning up the weitee of their eyes over each new eieeovery on invention. There is to me a eaoreﬁnees in individual exeerienoe that eeeme like profanetion to Search into or ex- pose, Victoria Woodhull etenﬁs before us today one of the ebleet epeekere& writers of the oentury sound & raéioel, alike in political, religious, e racial principles. Ker face, form manners, oonvereetien, all inﬂioete the triumph of the moral, intelleeteel, spiritual over the eeneuoue in her nature. The processes & localities of eer education are little to us. But the gremé reeult is everythi;g. Are our brilliant flowers leee fregrent, our 1&%ious fruits leee palatable because the degree of filthy streets and barn» yards have mourieheé enﬁ developeﬂ them? %Doee not the men or women thet oer pass through.every phase of eooiel degregation,*”% poverty, vice, orime, temptetion in all ite forms, & yet tower above all their kind, give unmistekeble proof of their high origin, the motel grendeur of their true nature. The lilium caneieue that magnificent lily, thet queen of flowers, so lofty, ehite, and pure, thet looks es if it neiee bed battled with the elements, floerisees in ell soils, & many latitudes, it braves ell Wind & weather, heat & cold & oft times with its feet in frozen clods, etill lifts its yure, white fsce upweee to the stars. most women, eho like th tenﬁer Fusehie, perish in the first rude blast, think there test be something wrong, some sublte poisen in the hardy glents that grow stronger, braver, more beautiful in the poor soil, end reugh exposure ehere they fell faded, ehithered, bleeding to tee earth. es have had women eneegh secrificed to this sentimental hyper oriticel, preting about purity. This is one of men’s most effective engines, for our division, and subjegetion. He creates the puelic sentiment builds the gallows, end thenteekee us hengman for our sex, ﬁomen have crueifieﬁ the Mary» ﬁelstenm crafts, the Fanny weights the ﬁeorge Sends the Fanny Kembles the Lucretia Eotts of all ages; end new men mock us with the feet and sey, we are ever cruel to each ether. Let me end this ignotle record, end henceforth etend ty eomeneoed. If Victoria ﬁoodhull must be cruciiied, let men drive the spikes and plate the crown of thorns. Ci 4 I do not believe your 3. E. J. . will belt! I shell eee the glorious victim as soon as I return te e.Y. I em visiting E...Jc some friends who have e megnif cent place in ﬁeleeete Bey. Everything here is gorgeous ene ltnurieus. The wife quite radical, the husband s member of the Legislature, who believes in the “whix; ” post, (if I have tam manv mg in thjg word 3,] l‘L:V B "" *5; , K‘ “(V ‘ iv? _“ .,: .,‘ .63 1 Q‘ .1 )'.u¢ Q .. 7/04: is-~33 ‘ -no. ‘?.."v.: excuse me, 1 Suffmﬁ ﬁrom ga;ngu¢ umcerLa1nty OPtuDm?ayg: . 8"“ _..a W. ,.... ms... 3 * ..,_,,,‘ * . .9 A, Etemmology syntax & I of tha language, o;L1m@s 1&ag1m;n% myself wrong when E am not and sometimas in reverse. ﬁagqie and I hava a &e1ight§ul r@mamb?amce of our visit ta you. ﬁaggie thinks your twe sons in law are @s§acial1y charming & ‘9 says if ﬁe? brchhars were lime them 3%@ shauld net ccnaiﬁer 908 th@ nuisances she now ﬁoes. I sugaestgﬂ ﬁhat ting might -4» immravg our boys, as it umdombﬁéﬁly haﬁ ﬁhine. %Eith may Waﬁm3at lava for you and yam? heusaholﬂ I want to gay goad night. Had . . '1 ‘_ _ M m W _‘ u’ . ,,. ..‘. .> 1, ~, _ 5, A: a §leasant viglﬁ at gorristown. I hcpa yam? gaung may may maﬁa '5 ﬁna acquaintancé of my nieca ~ She £3 a v@A§ ﬁﬁod littlﬁ woman. Lovingly gem? friend Elizabeth Gaﬁv Stantan
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Date: c1914
Text: A‘ 1 A ‘ _ } W}: ‘ “‘ “ {K ‘ \‘ ‘ I ‘ I ‘ ‘|_ ‘ ‘ ‘ I ‘k tdh‘ ‘ “‘ ‘ }';: ‘ ; :1, ‘ _ 5" v_ ,l;1}‘_vl_ _ ‘ _v I ‘ E’ V: K V , ‘ _ 7“, :7! I! 1 1‘ ‘ ‘ V‘ W ‘ ) A “ klv‘ K: “V V11: V’ “H““\ _ 7 ‘ ‘_;“YlH‘::HV ‘ ‘ Vi‘ “Niki \‘ 7}“ :{‘I_‘v‘ ; ‘_‘ >7 I ‘ V t /I I ‘:i_iv ‘ :1, I‘ Kg“ : ‘ ‘ ‘ _‘ _::‘ ‘ “ ' ‘ ‘V’ ‘ ‘ L I‘ E _ ‘V V ‘ ‘ V 1} ‘ I ‘ Y ‘ } ‘ ‘ ‘ :r_:v" ‘ ‘ _‘ I ‘ ‘ > ‘ “Y ‘ VFW‘ I :1 ‘ b ‘ ;:‘ I‘, ‘ Y“ ‘V I ‘ U‘ ‘M E; ‘ V ll: ‘:1 k r,‘ ‘ I ‘ ‘ 11;’: HM“ V ‘ VI“...
Show moreA‘ 1 A ‘ _ } W}: ‘ “‘ “ {K ‘ \‘ ‘ I ‘ I ‘ ‘|_ ‘ ‘ ‘ I ‘k tdh‘ ‘ “‘ ‘ }';: ‘ ; :1, ‘ _ 5" v_ ,l;1}‘_vl_ _ ‘ _v I ‘ E’ V: K V , ‘ _ 7“, :7! I! 1 1‘ ‘ ‘ V‘ W ‘ ) A “ klv‘ K: “V V11: V’ “H““\ _ 7 ‘ ‘_;“YlH‘::HV ‘ ‘ Vi‘ “Niki \‘ 7}“ :{‘I_‘v‘ ; ‘_‘ >7 I ‘ V t /I I ‘:i_iv ‘ :1, I‘ Kg“ : ‘ ‘ ‘ _‘ _::‘ ‘ “ ' ‘ ‘V’ ‘ ‘ L I‘ E _ ‘V V ‘ ‘ V 1} ‘ I ‘ Y ‘ } ‘ ‘ ‘ :r_:v" ‘ ‘ _‘ I ‘ ‘ > ‘ “Y ‘ VFW‘ I :1 ‘ b ‘ ;:‘ I‘, ‘ Y“ ‘V I ‘ U‘ ‘M E; ‘ V ll: ‘:1 k r,‘ ‘ I ‘ ‘ 11;’: HM“ V ‘ VI“ xi“ k ‘H\ ‘__‘ M_U i _M__“\‘M N V‘ W i‘ ‘: _ _ V‘ H ‘L I 5 1 \\ 1 _ i M%_|v_V\H"‘ H * ly “ Hwy aw M‘: l ‘ I K ‘ ‘ I‘ ‘ “ 1‘ ‘ ‘ ‘ ‘ _ ‘I 7;; ‘ ‘V |H| _‘r‘>VH_M 2 ‘ 4:‘ > Y ‘ Y ‘ K llvl _ LL? Y ‘V _v‘:iE__ r T :‘ “V “U 1“: _ ‘ II} ‘ :1 ‘ ‘JP I I “I; \ > l’ ‘ ‘J V ‘ '__ I :__|_ '1 | 1 V > V y i V “ ;‘ ‘ “ Y H ‘ ‘ Y ‘ ‘ ‘ Y Y: 1‘ ‘r‘: L Y R ‘ A‘ l_ V_l\ ‘ _‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘:A|‘i‘v ‘ V, ‘ $4 I ‘ 1 ‘ ; 5 ‘I 1‘ ‘ 1‘) \ _ L ‘ :l‘\‘ ‘H K _‘ l “L _‘y1 I ‘ ll ‘ V’ V _ ‘ " ‘_ _‘l‘;':‘§: Y ‘ 1;L‘Hi“ V } ‘ V t II ‘ H‘ ‘ “ ‘ M 2,: ‘ i; ‘ ‘ ‘ ‘ V ‘I ‘V :;‘;Y ‘IQ‘;‘_:_i{[Y|)__“ ;[{:_X2K ‘ " ‘ I; Y 1: Y’ v k I“;'K 1‘ ‘ ‘ k I ‘ H if L’ k_;1 :5‘ VIE‘ 3!‘ ‘ ‘ ‘ k Vii; |'|'["|"“tl|‘ I \::E ‘L11 I V E‘ _ _ L Y ‘ 1| M ‘ 1‘ >H“ ‘V I ::i_ l_‘_;_ V. > _v k vl__i‘M'H: Ii?“ I‘ ix :5‘ ‘ V ‘ Y _; V: ‘H ‘V > Y v _ I ‘ :_\ I ‘:::l,{ ‘ vv‘ “ ' K \ ‘L ‘ I’: V‘ ‘ _{ \Y’\‘ ‘ Kl“‘ :___ ‘ 1 I V ‘ ‘ V)‘ _ ‘ 1 ‘ ‘ ‘ ‘ :1 i ‘,1 ‘ ‘ “ 1 r ‘I E ‘ __ ‘} ‘V , It ‘ll _ ' _ I ‘ Viv Lt‘ ‘ 12:‘ ‘V ‘ 5 )3“ V '7 “ H‘ ‘ k ‘ ‘ ‘ ‘ 1 1 _[ I ‘ I I ‘ ‘ I ‘ ; ;‘: ‘ ‘ ‘ ‘ ‘ lv ‘ L _ _H““,l ‘ ‘ ‘ ‘I:w,‘ ‘ UL‘; MW‘ L ‘:,HMM’H‘ ‘ U‘ : ‘ ‘ :; ‘ ‘ ‘ V Y ‘ ‘ Y‘ ‘ V V “ ‘ MI ‘ ‘ I ‘ ‘ V V; ‘ ‘ i ‘,::|§:‘ > K \:__ ‘ \“‘!‘l‘_\‘ ’ P ‘_ I _‘v ‘ ILL‘ V‘ ‘ 1 I K: "I ‘ ‘V ‘ ‘ ‘ _ 1“ iv ‘ V’ ‘ 'VM‘i M £7 ‘/3: V‘ I __ ‘ II > ‘V ‘ t “‘ irkyil ‘ Y ‘I ‘ ‘ ‘_ _ ‘V ‘I; ll‘ ‘t It _;) ‘ i ‘ ‘ _]'v I I ii ‘ ‘ ‘V ‘[ I 1 ' ‘ I zé ix‘, ‘ I ‘ _VL[ "_‘ L; ‘ _ ‘ ‘ ":1, ‘ ‘L"‘ ‘ : \‘}\\,vU‘ I‘ ‘ ‘ VI‘ l V 4/LiLVL I; it 1} “ *7“ V’ ‘ ‘ ‘ V ‘ _ ‘ ‘ 1;: “ 1‘! ‘ “V ‘ll f 1 ‘ k‘ 2, _ > ‘ _‘;::‘ ‘ ‘V ‘ ‘ V‘ '1 > ‘ ‘ ‘ ‘ ‘ ‘ MM‘! _ ‘H L Vklnlﬂ _‘MN_ ‘ €hu‘" ‘MN _ “ ‘ ‘ ‘ ‘ ‘V ‘ll IV K [[v ‘ ‘ ‘Hi l I P A’ ‘ ‘ L __ _‘>H'lWb‘v‘|\“‘ I _ 7;‘, ‘ W‘ ‘E5 ‘ :‘_?,"HVH‘\ ‘ 1 \ ll 1 2 ‘ éééé K ‘ ‘ 2 L‘ ‘ I N M’ N H N N _ NI‘ ‘ ‘ I _“H_"'N;l’“H\“MMH‘M ‘ ‘ ‘V ‘ 1 ‘ ‘ ‘_W‘M‘ %N‘|' V‘ 1:1 IWYS ‘U M v‘ H \\\\\\\\\\\\ I ‘ “ ‘ I ‘ iVH»yN‘M“' “{N“‘H _ ‘ MW H1’! W ‘:5 ‘V ‘ AM‘ ‘ ‘ K 111 ff," ‘P2 ‘la 11‘;\gv_"‘:J]_‘r_!_U ‘ _\,'_2‘:‘ ‘all ‘f£‘;“ _ ‘ ‘ -“~L‘YVvE“ _ﬁ:“‘ “Q :1: L\‘_ 1?}: 1‘ ‘ I ‘ L r V L" “I 1‘ ‘ _!'_‘__VvI ‘ >1‘ ‘ 1“ ‘ _ ‘ In J “\H“_W\H‘>V"\_ Mb y‘H‘U‘ ' _QM[M'rh‘__“Qq~8uAm"h__(vV__;L‘§N‘+‘hMJMUV1bwmy'H““‘_”ﬂMWhm¥\‘{7y§,'|_\n"‘ ’ Mi“ vAUr_HH‘wnH__m_‘Y‘_'l‘MV‘|Wvﬂ\?"¥i‘ ‘ _H§‘v%>‘ ‘éulﬂi 1:5 ‘ b Hywwﬂ M‘ ‘ WW_‘ "V Y‘ FPIHVWGMHHMM V5: !\‘H_‘_‘H|‘_'v§“ _‘ (H! I X‘! ‘H ‘ 1 __ \ ‘ ’ ‘Y1 ‘ > Y, EV %’[_VEu_‘r}_p > V_"kV:1_ﬂ“"_Lz"___:___lwIR” FM‘ M _|__ Y‘ Wx‘ vJL'Ill 1 Mn“ H‘_"‘N__!1> k_‘?% ‘v\w_,Hl,_‘H:‘W‘H’_U_C_“‘g:_:UH "aw _n__'h_:Mﬁ‘t M_L:=‘__t___,_A§w_"_h‘4“A,_rJ_“F%_’_mQV_‘.W_‘;ve:ﬁp._____N_P_H V_"i“>_(w>HﬁdHFH‘y‘L)_NW_UU\‘_|_\N_!‘_HhMHvHvHw"V_HF’M >_‘€“‘HH’_ H _£_A%iHI_::1_1l_‘| A“v-Jtg‘ ‘I‘L'F“‘v|_.",">“ V _ ‘ 5 1, I Hi)" in _ > v _ ‘ If, 5 V; V‘ J’) _‘ __ > ’ k ‘I ‘V ‘ _ A ‘L ww rm ~ ~<11|11»-.1 IMP») \ ~ m‘; ' Y FREDERICK FERRIS THOMPSON MEMORIAL l_ 1 -VASSAR-COLLEGEUBRARY ' ﬁj ‘ ' GIFT OF ‘I’;-QUE‘: EQNSON Fae 615:. SONGS J VA SSAR 1914 .‘ \' 04‘ ‘L ‘t ‘\Q I r ‘ ‘ ‘ ‘ ‘ ‘ K "cu ‘ v, ‘ ‘~ Q “ m PUBLISHED BY S THE STUDENTS’ ASSOCIATION VASSAR COLLEGE Pnnted by G. SCHIRMER, INC., NEW YORK C pyrlght 1914 Th S d nts’ Association VA DEDICATED TO THE STUDENTS OF VASSAR COLLEGE 1914 I § l ? v I» I l 1 .l K I _2$’ ¥ L S‘ :1") 7 \/ V-___ LO 4*? C/3 FOREWORD In revising this-Song Book, the committee has aimed to put in only those college songs constantly in use, along with a few class songs which are handed down each year and, therefore, permanent. ' @@n'-2, Gretchen Thayer '14 Dorothy Smith '14 Frances Curtis '15 Martha Armstrong '16 Helen" Potter '17 Chairman, ' 8 '7 7 1 1 ‘ . INDEX 0E TITLES Page ALMAMATER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 BY THE LIGHT OF THE M0oN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 16 CHIMEs SQET PEALING . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 CLOsING CHANT (“Peace I leave with you”) . . . . . . . . . . . . . . . . . . . . . . . . _, . 41 CQLLEGE SERENADE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 19 COLLEGE SERENADE (Tune “B0ola, Boola”) . . . . . . . . . . . . . . . . . . . . . . . . . . 19 CoME ALONG THERE, OLD V. C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 13 CoNTEsT SoNG (Spring 1911) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 30 DEAR OLD PALS, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 6 EVEN CLAss MARCHING SoNG (1912), . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 25 EVEN CLAss MARCHING SoNG (1914). . .4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 EVEN CLAss STEP SoNG (Integer Vitae) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33- EVEN CLAs's STEP SoNG (The Sophomore) . . . . . . . . . . . . . . . . . . . . . . . . .. 34 EVEN CLAss STEP SoNG (1914 to 1916) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 FOUNDING OF V. C.THE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 17 MARCH TQGETHER, MARCH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 31 MATTHEW VAssAR’s AID . . . . . . . . . ._ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 10 ODD CLAss MARCHING SONG ('11 and '13 too) . . . . . . . . . . . . . . . . . . . . . . . . 23 ODD CLAss MARCHING SoNG (’Gainst the Line) . . . . . . . . . . . . . . . . . . . . .. 24 ODD CLAss STEP SONG (March, March on down the Field) . . . . . . . . . . .. 37 ODD CLAss STEP SONG (Hip, Hip, Hooray) . . . . . . . . . . . . . . . . . . . . . . . . .. 38 ODD CLAss STEP SQNG (Come and Sing) . . . . . . . . . . . . . . . . . . . . . . . . . . .. 39 OLD S0LoIvI0N . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 15 ONWARD WE MARCH.....§ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 20 QUI VIVE SoNG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 6 RosE AND THE GRAY, THE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 SALVE, SENIoR SoNG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 40 SENIoR STEP SoNG (“The Sun is Low”) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 T AND M SoNG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 7 VAssAR CQLLEGE . . . . . . . . . . . . . . . . . . . . . . . . - . . . . . . . . . . . . . . . . . . . . . . . .. 8 VAssAR, THY CALL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 18 VAssAR MARCHING SoNG (“Our Feet are Beating”) . . . . . . . . . . . . . . . . . . . . 21 VAssAR MARCHING SoNG (“We are from Vassar College”) . . . . . . . . . . . . . . 22 WE ARE FROM VAssAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 14 WHAT Is CQLLEGE SPIRIT? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 30 WHERE, OH) WHERE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 17 W G C 8 9 m r O W H M Y _ F M I¢% IWHN O _ I O _ Z '9‘$ 39!! _ i \ l E Fl‘-3. - fl: _ tel if . 6 % F _ _ ll,‘ ( )9 I. m__”w‘M$ ( _ lr _ j “Mb pl . . . . . u j '53 Q; M W I43 plmmm G -|_ W _D S y gm t _ b ( V -I m f . . . {.0 bf __ . H . M _ j OOW ‘ml; In ma ma I _ __ __? _ _ _ _ % ___ 1-I _ F Mk / _ L g Tl] 4 4 ' n, Ii wlmmpg 3 M" $8 SIM $0 ﬁg Q M t M Q (eﬂ, J maﬁ I: Jr hmm_ I‘ Humm { l’Mtmq i j ll‘ __ ’, n,__ _ y{_m8d_ _ __ J MF imam ‘Q ‘ma “mm jj ‘ r I- 1 Tl __ 6| _ “ff _ . _ _ Fmmﬁﬁ MM m E_U 2% V __ AR lammm Z E5 Pimmm }Q% l¢% ‘I 0__/ . ‘m"_N , ‘W . . l.|_%_%‘mW /4. Ii Hm mmw { 1 PSS A 3 ,,S, _ j Ii’ F_m_mm]_§ lav _ II i Q11 w at (_ __ . I no ‘iv - _ . ? ___uW___“_ HE ’ __ S I V . . _ _ _ d_ _ OOH I _ ‘I mm _ _ “ttO §__U A amt _ _ womwl J5 "Wig lgjémemia ii £81 j y 7 _ Mdm _mwB \ ‘imam S 30k t Qmmyw _ l_8h‘w _ _ _ whm h yy mm ym S86 .. .. M86 Plm_a__HM _8%b Pal Jmwm 1-H“ Utmw it ta k h ttﬁ _ V_mwJ A _ _ Ia *3] _ _ mtl ﬁg _ * W .&mi'_mnW_ %/“ﬁll __ _ lll‘_ mama _ ‘Fl . _ _ _ A Ofﬂ __ . _ 6 u %€&8O _ 1 hOf l§l__|h L%h‘__ rmﬁm Q _ mmm I/_ _ _ _ lyw t \ t 10 t S O 6 . __ __ II tt \ I3 X mb m F lpf II $ﬁ$Uiﬁ$ Ifmw J_ 8% kt? ‘I _ '10 Jwwmkgr _ F _\$_%D_ % F '0 g_ F IT Jag '3; X _] I‘/Mwiﬂﬁ _ W __ M’w8 V ﬁ Q ‘I ‘V I0’ V __ J SMW k iwmwi‘ OJ _ __m_y ‘I ‘ . .1_Hm ,’. . . . I 7.. %W6/ ’ . . Um _m__mm _ _ __ H S 1:9 _ MO _ _ _ _ I: mmw I; T8 O3 i Q_OWT gm; mm? J“ "UT FTNMAHMV T__%____% I_g%Jw V ,,, _ _ ‘I ,m,, _? 0 la Qail. ‘j Id? !__ L F|_mb_mmJﬁv I5; ~ ___, ___§fn__6 i? ’ O ‘I mo ti kl n 6"! 11 ‘I? %,m,m / . . . . 8 >.V. . . . _m'_ . . . . _ . d W . 6 _m_m°_ _ _ mmmé I; I0m_W_1 j mmwé *2; 9|! _m_ ‘I I _ jb o__ ‘I I'M‘; , _ ____. ___ h’. . ._ V _..h. __ - _ maul _$_ __A ii ll_|'9a Mb F Q5 H" Mg i__Hmb u___” "NJ d Ii inj _ _ I-_ 1: mi H aj Q gamma _ r _H,£ __ _ WV.“ _ all f 7: ‘ﬂan ll; ‘WI-_‘ __ k _ m F U” J la‘ A _ _ ’ X‘ k?‘ 1_%,_. _'H _ __ __ _O ‘M3? \ )_ %#vy__n5_ H? Ewe ‘Fm “Z U, AHWH A _ i __I ___ﬁ_ t i ﬁg __r, _ II 7 _ _ r_ (. _ _ 7 Ii: % __ "T . @ T. $_ . S _ . . W, _ _ ‘pink _-8’ ‘jg "|"M .. . V S F. V . . . . . . g 5 1 ‘ 1| it H K m )0 ‘gm I _ . .. _ F _ ‘Q0 2 _ . _ _Z_ _ . . _ I ___d _ O _ ll‘ I If %_PmM%JTm._m__ __ _ H__M_"__gjl& ﬁg S lb id % U I‘-__ M Z _ plligw Ah; t i Id]. h I.’ ___ ______ M ma -4 ‘-5 T W ‘IL l _ _, F _ _ _ ‘I ,_ _ __ ‘I lav ‘L J {gr _ iii Lagw Jag” 13; {O M U % I m ‘-7’ Z 7 e . _. _, a _ ?__1_ \ mm j _ _ /’ mo _ a ____ _ _ _ _ M _ _ a _ _ _ Mb ‘(%m'm_|__w_e ﬁg wM_n__ ljvlfw _ L3_ %M J3 gm . é__ Ag 9 __ ‘mp Lg ‘MP lg $5 $5 % R“ R“ F Rm Em? F V % Se S8 SQ SQ /‘\/\’\ 6 Dear Old Pals s H ar I11 aﬁ- §¢_I_ 31' T5 2.5.7 ii‘ "i.‘ -ma» -F-aw Q, Q E? qg, q__l_g’:'t_ \__l_p L_\._. u_ §d_\_. m.m_§q__m__ -§‘L§q_¢_. ‘N gﬂ "Q §- W. -"n 3¢_l__ M 5:’? 9 -‘F, ﬁg‘; -51‘ gag mg mg ~a,,,@a~,4,5 Q wérkm F|:’ |jH|Aa%i| I . P s er, »~¢eiw;=§g4;waa'§* 0 r ear 01 V. . V PrHFF=IFFrIF.rrI§4 1!- ¢_u__ ‘EC ¢»»4@u»¢¢4” Dear old Pals, i¢i@f ~’<" as '9- gpihr 5 . E: W Q’ fo goth “er ii: all sorts of Weather §??% c_l__ \_.I_ mm. <@_"' ___.. wt. "TI "-rm ﬂu" aw;-Q ._.. W? ‘I131 -11' =.§l— Y,‘ H9117 "" “Q17 ‘E am“-‘_ Q! ,"— ‘£7 ?*q°9 0..\_ == .1 ar lg A ear 01, '01-1 01 .s. W lg. ¢._n_§q-__ m_m__§el_m._ in . "1' 3*!-$7 Q “~+» “I1 9.’¢fn__ Q- "rm§=@_n__ U "lFF§EFI§sﬂ iVive Song i ah aww E1 3 \/ Viva. AQ-i1-i V-‘i-v-"er/' Qui Vive Jﬁ e.__q_1O Y?‘ ? . . #0 ? < ' Q :£ﬁIUa1@"fj3 §l9‘é’J j If-mi it - '7 T and M Song $@.w .5;-§.b|.BJ M e %”°£»§ £513 £5 £4 jéﬁ-We @?‘P*'.w $4 L.B 1 ipmwg M-he ' We'll stick by you, _ Q _ 'I‘hr0ugh thick andthin, oh we will cheer on your fight wewill Wig £4 Haw; gm $5 4 HT-@E~§ HQ] gm» .5; awggl Meﬂ 8 Vassar - College , Words by Amy L. Reed, 92 Music “Song of the Triton by _]. L. Molloy” . Rearranged ~:M@-BJ@J.@J,tl ' l Q An ‘in '- sti - tn" - tion once therewas Of A strong east wind at last came by, A Hi H i E-it M $5 .b _‘1 _a~ ,_a= @821 @033 "£17 !“—'.— !'J—%~ ‘E-E- '!—!— 94-’.- .H -5% 1'51-FT5Ji.bJ .BJ _5I learn-ing and of know - 1edge,Which had‘ up - on its high brick front A Wind that blew from Nor - wich; It tore the Fe - male off the sign Which ‘\- In 1, W \ I: '=' i 0 ;== ‘H- ¢|_3__ *.—!— 1 I___I.__ uu..n___ F’;- eu_q_~ M 5 r' r gl-@-B-1¢.@J.@J_Bl “Vas - sar Fe-male Col - 1ege’.’ The maid - ens fair could not en -joy Their was up-on the Col - lege. And as_ the fac - u1- ty progressed In 551515 Fﬂiei $5 .@ 53 ii 1% ii ii ii ii ii -1 4:‘ t, ‘I \ ‘ L v , _ _ . bread and milk end por - ridge, For gran - en on the forks and spoons Was wis - dom and in know - ledge, They took the Fe-male off- the spoons As I =l:i:1§”,'%:v~5§i 4-“mii I: 2: n- " ;== ; ‘E-5- 1!-—!~ "-2- ¢q_ "—*r <u_g_ *—'.— @ iii H H .5 JM -W r-iiﬁﬁr-BEEN -Bl ‘\ ‘J i r V 9 /:'1' r’ \_. I__.. ._‘—‘ O0 b-lﬁ—l | I I-*r—~ 0909 Tra .1a la. la la la la la la la, n Kai‘ ’ _ ' i E .' ' . V -sar Fe - mae 0 e ei’ well as off. the 0 e e. I . K57 . . |' _ In Z m I I: I"'?£ ' - En F 51;?" & i. V ~ ' 3 i" A 7 1 1 . .1-M W J->1 _Bs 0... 5:7 1.. Er 4?; *1 Y1: O '-a N‘ F5 o € |—l av D- <79 5° .5: 0 5‘ AM ;-Mm» in ~ sti - tu -tion oncehthere was Of '1earn- ing and } 4- 4 2'1 I“-u ql-’.'—"‘."‘ Q17 I 0 i: ii ii IT i j -I .5J .5kfJtx5|VJ -Bi 51871 h-5 hd p t a u -on is high bric ron “as-sar e-mae 0 I P-Q $3 -®*~ gfﬂi-@i£*¢.>[Mi@§I 1 41 i *1 I__I___ Q‘ 45-‘._ Q3‘ sw- a-=*‘H' 5% F ' E’-‘I10 CD 5’ *1 <13 _" Q O ﬁfty 93 5:“:- am 5: ‘"1 5*’ Gm Q ""1 <13 ' ﬁﬁro 99 33;- :1 un.__ ‘H1 . PM q%_ un_ ‘ca 33+ un__ ‘U1 /‘§-/\i'\ I5‘ R . 3! _:- _l__. *5‘ *.—!— "'1! !l1—'.—— 9 0 ii ) ES! .3, 5 W '5"*'l1I 5“?! ;T‘UI 5 Hy ='=»* av ET ‘CIT F 217 5 F‘? ’1~' 4 5 “Kg- F 9 T 2;! ;=Y= ‘I 4 I —%zm) “P91? J. /‘Q;/\i\ 13 \. I‘ Q2‘ +:~»!—- O.__I__ —I'_‘l T! W:-~9 4? 9 \ 10 ‘ Matthew Vassar’s Aid ‘ ' Ms' b D K u 1c y e oven - , I 0 Allegro ma non troppo From the Opera ‘Robm Hood" 2~: - 1 - i - E:~=:;@'ar $1 » - We'll sing a jo1- ly Q no \*°§ a.T I r -y Y. It II... ' V \\\I IQ V LII’ ‘Ti’ Pym 4 i%iF;§§ifi7 A? Mr ar aé'”"‘ra@'-*"Z5»l song or man-y I §§1:_.brJ\.§r.'b;'.'5 L 4g " F {I( Jv O /'\ gh anddy A y t “U sﬁl‘ r: 2'-1 9->"3l E“! gm‘ Q- I»\ -" I 5» MJ .Bt:a@""“ , rig. .v,n\et0ur 3h;i%sare~str0ng.-__ve sA faéiaw égew Mgrs wif 5;~F Yrrn M47 ~¥’0 ¢n_l_. "ﬁll"! pg? -C5 -b -U -his 5 E5‘ work that's done And‘ all that is ' to mare: 5 I $41» »a 11 -<21? §>O__ 9!]; '1 . L. 2.7 ' 1 IQ u 0 ¢ 0 ' ' - a . P - - 1“ i ‘l = 7 1 s F l 9 . ' r I __ II“ 1“? gvr 55:‘-%"“g*l;@”Fr -Bil -ET E 54 -EU love shall nev - er fade, ull well we know that all we owe To Mat-thew Vas-sar’s aid, ~ .5 I V Irl- l\!I IQ ' U’ " l wﬁlgwaggi EHW ' 69w IF: EH Ml" I r 95’ O 2 (D v.1I'1' 1 ‘ I /'5»)? c Ev _l MJ-M My 5 Frg I I I4- ‘Q. I V ;> is Q- m O '~< o ct 0: ca ca 2-4- O o I-1 Q- .< 9 O :1 '1 V-I O <1 an m t=" sv =2 3 < I-n Q- - er a e,._ Full II? 1.17. I !.. ' luv I'\ I " Q Qu_o__ “W :§I!*?‘ZFfifiI .1 It ' I 0 6 Fr v E Gm -Ml-B, IQM §|'F‘?| ! 1.‘ I!.. luv .1 well; we know that all we owe E0 Mat -- thew Vas - sar’s aid,___, E0 1.1%- I I.‘ Q“? '7-3* \ 3'13-F IF W‘ IF; lg ~ 551'!-BJM: PM-5 rm" :1 5\ 'I‘ If TI ' r S 0 1+ g . §I U 'é’<»':r\ '” @“a~~|- | - 1 - I -an E I_...1_ \\" ) a - ew - - r’s aid._ " - _- >- _- " ' I v H gfnl > i.:_ > n l I | i.Zf.'I ~ -I II I _ _ | an ‘I ail! ::l f Q :: r‘-.....E.» -: > ' \._/ ' ' >- > ~ ' \-’. » 12 The Rose and the Gray Words by Florene Hahiday,' 91 Rgarranged @i-»# u o @'F'F@’r*F’“B@'| r A J Vas-sar, we sing thy praises,___ Thy beau-ty, thy pow’r thy fame,__._ V From the far off Pa - cif - ic,___________ Flor-i - da and ]a- pan;___ Who than our“prex’? more no - ted, __i__ Who tha.nour“fad’more Wise, ___ Here’s a long life to Vas - sar!____ Wave we her flag un- furled,__ 3 ft ‘Z -P-' Q! Le- llil .ié; ‘ In I III \I:E . | > ‘ll 5' I J ‘W "I 3 None can e’er vhf?‘ r‘ hm é"rIF”'1iF' 1 Each loy-al heart now rais-esi A song tothine hon - ored name._. \ Heednot ex-ams ter - ri - fic,_____ Gath-er all ye who can;_____ Tha.nour“a1-ums” more quot-e<_1,_____ For Wit and en - ter - prise?___ sur--pass her,_i Queenof the 001- le e W r1d.__ Wu I E G \ F‘! |i' it H U ii! II II II hi 5 ta §_ W LETQEL iii? h Ina ﬂﬁi H13 Drink to our A1 - Come to our Al - Drink to our Al - Drink to our A1 - Ma-ter, Hur- rah for the Rose Ma-ter, Hur- rah for the Rose Ma- ter, Hur-rah for the Rose and and and and the the the the f"9@"rE'JJ|JJJLJ- LJ Jlf"‘E*fI Gray,.__.. Gray,._._ Gray,___ Gray,.___ ma Ma-ter, Hur- rah for the Rose “eta . Q ft? ii? E Fgeﬁ tftttit $»rr"v@*rh-J.1|J,Ju- LJ J Lg“ R LJ Drink to our A1 - ma Drink to our Drink to our Ihﬁnk to 0 zz EB Ma-ten Hur-rah for the Rose Ma-tex; Hur-rah for the Rose Ma- ter, Hur- rah for the Rose Ma-ter, Hur-rah for the Rose and and and and the the the the Gray. ___' Gray.___. Gray"; Gray.___ watt EFF; § |:;= “"'" :1 '-"nub l_ ii‘_, IIII *!iI he \ \I:a- E: ____,_ s 5 in i... -44- —4H-_. #1 @3‘u»w|,WJ-@.w- -mu»: ‘ J, m a ar J0-yam gay, mea- ong, come a- ong, ome § 6, \ r r I R 4 13 L Come along there 01d V. C. I ﬁ§ii@;%Li£GﬁIb‘;i_1lﬁI[-yT§—] JJJ.B-@_{;>_;,J -P-El %-5%ﬁJ- join our songwith us nowwhileyou may, Comea - long, - come a - long, come a- ?! 5'3 {Q H3 ﬁiﬁfﬂﬁtf 3 é 5 5 C£i'1ﬁ' mi‘ 2 ~ iii; 5 jg égi J J W In Wymk W - Pwmpwnpumawm Pvmpmlpwmpm, g | 5 ii ii iii % 6, ‘ 6, } 6% 3- e,i&‘1¥1vPﬂmv1%1,pfm, Q; U Ewﬁy 5 lg *3 * ay in ﬁb ‘UIId,l_l_Q___ ttlwa 25,. ¢1L.u__\ ﬁ;_§_\__¢||p g!D_¢l_iv=-_\h|$__;¢__ W3-— GI-;;.\___ E=‘J7_ cu gqcy <hl_B_1$l-f’\-— ' nun.’ E"? @"' ihl_B__Ql.__a>l__. a-Q17 ‘ Q ‘Q--wf~. ~21? “L... %hFy__gu__ .J__._ L ""0 ILL!-I__Iu_n_ 1... ¢Ll_§__l__:I— I_L_!__L_1_.l__‘“'I ¢LLl__¢L_I___ - IHJ!-_cLL1_ \._. '~<' ﬁ- xii 14 I 'II' We are fr0m'Vassar '-In: €"<:m <1Iu' -3’ ar f m “I !II' —;I, ~ I I aw pl HIM -FM: ‘—-—- cw 6-“. d_l_l__ wysﬂ §:-E 3:] $ -— =5?» -_-__ 5,» §. ~u_\__ A _Q d_L_I___ IVFE ?lf 1 éﬁﬁégﬁj FIL1 f*§rh--5115-M-W15 Sin - in or - ness, Right mer - ' - . And now that ii I 4- ‘I jﬁj ‘magi? I g;'@g|l"‘rWF @@* I 0 e are 0 - e - er, Hap - p a r e W e, I I I5’- fiﬁim iwf EU §»i g Ii 3 ,1 ii 3' I ‘rm "1 W1: '_I . 9 I C. Rah! Rah! 'Rah! F‘ o :== (N 5; co ('§ o o bi Q-I .4 Tfsﬂ “-$917 A ‘W’-' M '1-\-917 “—T;_ "I c;L|__ vi j V _"I'7 _'I""'O I__l___ q_L_\.__ ifii 5 15 Old Solomon 1. 2. 3. Old ' Sol Old Sol Old S01 O00“ - mon A he came to old V 0., (old V. 0.), Old - mon he had a lot of gold, (lot of gold), Old - mon he met a fresh-man small (fresh-man small), Old 2'2 iiliﬂ f$""’=§=Wl=i llll Pl lwj F xi :1 L; rlﬁll S5 Sol - So ll-l bi | I COO“ Ill mon he came to old V. C. (oqdb 0.), Old mon he had a lot of gold, (lot of gold) , Old mon he met a fresh - man small (fresh -man small), Old =j plj U131 Q13; ~ l »§.@.@§,;|,@,@§;,@|.@.@=@;,@| Sol - 0 - mon he came . to old V. 0., The Queen of She - ba Sol - o - mon he had a lot of gold, As much as six - ty Sol - o - mon he met a fresh-man small; She said “I will W i "“ 2% there sought he, Hard luck, bags would hold; Wealth - y old Sol o mon_____ “bi If :1 *1 H 4ll=O1d Solomon he went to dine in Maine, :|l '7||= Old Solomon he met rolling chair,:|| He will ne’er go there again, Poor man he had an awful scare, Foxy old Solomon. Hard luck, old Solomon. 5|I=Old Solomon he went to dinner 1ate,:l| 8||=“Oh, Freshman, if you’ll let me goﬂ’ said he,=lI And there he found an empty plate, All my gold I’l1 give to thee, Starvation Solomon. For the endowment fund. 6 ll=Old Solomon he went to basket ba1l,=l| 9|l= Old Solomon he’s gone from Old V. C.,=|l This will never do at all, He's awiser man than he used to be, No men allowed in here. Vassar taught Solomon. . gw j 16 By the light of the Moon tart» _@J i-M-W _t119~;1 By the _1ight'0f the moon, by the light of the moon, _ by the 6; is Mﬂis M5? hi M3513 ’i=%: I V light, by the light, by the light of the moon, If you want to go to Vas-sar, Just :§i?f?1fiWi‘?iﬁ‘1 8“ - a CD "TED A. phwj‘ qlg ﬁ__t9_;i-__) :| gm ‘EYE: Q m._n__ ||i1_ “E-,1 gm 4 gm °§§*H~ s>.,~1.. %‘H\ B '7' “E Y - 1 g wth t _oon. iii 5 - é 1 I i I 1 17 Where, oh Where s :4 lu ,h@rl3i4iJHJiI,%~MJJ1 \/ \/ Where, oh Where are the ver - dant freshmen, Where,oh where are the ver- dant' Theyyegone out fromtheir math- e - mat- ics, They'vegone out fromtheir math-e - ‘ Where, oh Where are the gay young Soph’mores)?Vhere,oh where are the gay young They've gone out fromtheir Soph-'more Lit oh, They've gone out fromtheir Soph-’more . /_ _ is F era Ir r M a Fe; gm F1 l£1£:hiii+J£eJ151l,>.u4 uh \./ 4 freshmen, Where,oh where are the - 'ver dant freshmen, Safe now in the Soph'more class. mat- ics, They'vegone out fromtheir math-e - mat-ics, Safe now in the Soph'm0re class. Soph’mores,Where,oh where are the gayyoungSoph'mores, Safe now in the Jun-ior class. Lit oh, They'vegone outfromtheir Soph-'more Lit oh, Safe now in the Jun-ior class. F W emlrt e W ‘F 5 % e W" Where, oh where are the jolly Juniors Where, oh where are the grand old Seniors . Safe now in the Senior Class. -Safe now in the wide, wide world. They've gone out from their economics They’ve gone out from Prexy’s ethics Safe now in the Senior Class. Safe now in the wide, wide world. _ The Founding of V. C. (To be sung to the tune of “Two Little Love Bees"from The Spring Maid") When Matthew Vassar was founding V. C. Said he,“I hope these maidens will be Sweetly serene and not too highly dressed, I trust they'll find in their rooms peace and rest? Chorus ‘ ”Then',' said his friends,“your plan will surely fail, sir, Let your better judgement o'er this whim prevail, sir, He who would rule young females by the score, A Solomon should be, or more. Music and French suffice for ev’ry girl, sir Chemistry and Greek would make their heads to Whirl, sir, They'll soon forget their sphere is in the home And learn as suffragettes to roam. But Matthew Vassar, as firm as could be, Said, “In my cornfield, friends, soon you'll see Main building rambling and four stories tall" Vassar Female College crowning all!’ 18 Vassar thy call L Words by Natalie A. Bassett,'14 From 1914 Music by Gretchen Thayer, '14 Marcia . r& 0 /_\ =.!=- ye-wﬁr he‘? H 5% F ,§ Vas~sar,thyca11rings10udandc1ear Its might-y sound re - ech-oes» round and E55!. ‘P: .45 i aw . . 4_ 4;. 7 59!. FE - m» 1. e "I ‘AT? T “i A 1* Q) \.___ *1" ‘:2 ‘rF. In I ng!| '1'? (I .! IIIBAIW 4 '0 “Em Z7 /'\ . Q I I I E-a-'1'-ﬁg ﬁt _-_ i‘-',ri_e I __ i ’- r wr"r r 5”’ ‘ \./ outfromthegreatworld far and near We send____ theglad re-ply P 255 5!. ‘I: ~25‘! .5 .. 2' 1!!‘ 15 '_*s “ I . . -:' ‘ iLLl!__ - r we *dll!_-_ _:i ‘ 'l1II -.-in; 2‘ In -L IIII — _ 1!. I-.-A‘ -»-_ I) ii [.- cLL41.. ' Q _ IIII In ~u_\__ _ ~u4s.__ _ ||||‘ A n Q 'i-_g»~AII " _ [.5 € "7’ 9%’ 5?? k-5-£1-[$535 £ 1-=.= V e._5.,, Daunt-less, fear-less do we pledge our courage in the flight for honor truthandright, - _ Q e ' *5 <1. 1!. ' e 'lIln “ uiiilrjn r - Y < ~ , , . . . , 2 , - . _ ,l,_ ' . , , , M ‘Z70 " " ll ll V V new - "ﬁe ,Jr§‘”@1"fFé° F “*5 Brave-ly well guard and raise to fame_ Thine hon - ored name. l\lI I — : ’\ j A L1 _'il . p= e e 1; he M Fﬁ‘:ﬁ"é we é g gé ‘.~/' 555 _ee;?Er‘e@'9: -1 19 College Serenade /“~ . I ‘ v I . There 1s _.__' a man w I.__. ‘v W ..__. 31' .@.1 £4 Q___lg .._. m. 5 _.cv"° S7 :2 "Q 5-E A 755 id. Q_.__'_' Q.__._ £3, . \n_E U) '“I§ u__. L. “I? I?» P4 :,b_;;.@w| I1 Ya TD, “Utt- I 5“ er Q52?‘ £112.? € 2*-A O 1... s 3 I___ s~— lor an 111‘ we'd like_ to know a 2 -- 1%! O... .>.1 M4 I___I Q_ ﬁ_ ii E L-r ;L"L€'J r JP] r‘*“- .51 J manw Ir F more go, We'll all stand am eE"*¢=~ FF 2“- rb ‘ 5 "In .° ‘W Y .w4§iﬁ?7 F J F -‘Pk j I A-aysy -‘-2?! FE L; i %? CO llege Serenade Tune “B0o1a, Boola” 61! ' P 1 We we R» e=w Fm rm m PM I I i (-3 l \ ' j Jr mm 431 2>~;su 4 I;.b-:5%¢/"‘;'/H nev- er find your e- 11 ere’s 0 ou..___.. 7 / ___._ W "W ~"¢ew eel?! 15¢? Mm Jjv ie . W _, I _ _ 7 i ’ _ ;__. 1 ,_ , _ , } 5 L $41» erg; $FgJJ§f’§ u £0 Onward We March 4,»: new M 4 W .@¢;_t__g KEV As onward we march and ev- er we sing‘ The songs of “our” dear old V. ' jgiﬂj 7 I I U. [(q; 8 eeﬁeme. JL~@1'g-5‘?-5 C. Greeting the days that shall be, With heaxts that are fear-less and Y K I ‘ ‘ Y II . . - __l 1 , a 7 ‘ ‘ i i - gig; jg gig t I I-7 .-.<a2"' J?-M-MEIIIBJ-5JJL$-1-5-5J——;§ free; Our liv-ing shallprove the depths of the love We p1edge,A1-ma Ma-ter, to * . . I I I I I \ — II'.. ' e_ - I .11. 1- I. . -1. ._ I m nuv ' .I"I"i'I?:"'lI‘IP‘i‘i‘§‘I 5.4 , ll f IQ K 7 L t n l q4_o__ ¢UJ!-- Q_l__l__ ll__l__ ¢LLll- §l__l__ 1|-L!-~ U-LP» ¢| .1 1LLI- ¢U_I_- q4_o_ D mp g-_l_._ :<1“"I )§>‘I$ Thee, Singwitha Will, ' Hon-er-ing stili the spir-it Of .7 n 1 L \ I ’ ' _ I 54'. A |— 5.4.. Q I : ' I15 ' : 3 I ‘ .—I-I . . I i ' III - | 4 ,_ ,1 %t777 H H D, gwiéii 5 i 5 eiiéé \’J T / v 1 P \ 3 3 3 § . , 21 Vassar Marching Song , 2 A 4 gt? 5 F E‘ ;-" I‘; Our feet art beat - ing,___ with out re-treat - ing-,___ to thesame meas-ure \I f”~’i%*% U 9- ; fgg-LL~51g ME re%.@.@1M;V1 beat - ing in the hearts_ of all the class - es__ whichhave marched for - ward__ ??E‘FE5”i§"%”TW In I /-\I vra-ew%§ 5'p _ with stand-avrds high as each de - parts,AndWhen its 0urtui‘n,'tl1owe sev - er,-__ \ In 1 n ‘_ ‘ii ‘In Q .j. ‘ \ ,, I . IV II.. Q“! ; . I __ 7 Il—- , I Q \/ - I IQ _ ' u I! _ 1 ' V 1 _':5 Q4- “D 4 qw "'1 4 q_ <1-\ _:%' 4 ‘I ‘ TV ; I‘!!! V H w I II I \ I d_l__I_ I "' ;=-=.= %' W FE 5 $5-J liﬁlﬂ _we'll keep step ev ¥ er+ true to the Swinging measure set by A1-ma -Ma - ter. , an E i- 455 t. :5 < RI _u- I‘ =: llll :1 1!‘ = ‘ .-.1-Q1 I f+I i LIIII | A 1 in V ii >> >' - >>> j: r r Ii =~ 22 Vassar Marching Song Words and Music by _ Rev. J. C. Andrus L. V n. -E -RIF I5 RF .=_ bk We are from Vas-sar Col -i "1ege,_ We are gay and snmetixnes grane, V ' -R‘ Q5?-1: L.5g:E9“W l1 Y3 I v .7 gflfj ‘III é : 7'.-_ 3 A ‘ Sing - ing the joy of liv - ing_.__ In a world so free and brave. Our PB ﬁ='“u@.@I@~+ IP@1i'r'aCU'-WT f ._i_ Er.‘ I’ . I . 'IIJ‘ 1 ’ 5% i s hearts and minds will be always leal, Our thoughts are true as sup-ple steel, To our -'\ ° I gull I1 ii; rs LLL5"=§~.@_ﬂ'~%:|_[1$%=»T—1 P I Ex‘ ‘Y I K !. .-a Ai1i@~fi**“=°?= a*4@w' ' Class, our friends of C01—1egedays, And our no - ble A1 - ma Ma-ter, The '/3LLLL]"’$‘13 Lﬁ::1j'[U:r:J‘Qjj?'I3| 5 I Q? Q W K Y !. ..:1 - : a-:21 I i M £@iQM'i£i W =51 great world Waits be - fore us n0W,_ Waits till We’re 'thr0 with our learn-ing § $1115-@|;1T1§vJLﬁ11LL[ ;1 \ I! ' \~u nu! g fiI‘fjjI;i;l* ya M3 #1 i€*i1iii%§’%»% 5 iii H ! ! ._;__ 5:5 , 11 B !!. - -H Q I I _ -V IIIE ‘II -. I II H UP \ t \ I s X < 1 \ 1 | 1 I n. Odd Class Marching Song 23 I 'lI0 .ITI 4. qr r'rLJ- *1 Come and sing for e - lev’n and thir-teen too, Come and give a heart-y cheer, I iii * Wﬁ”?:§§M ;@1.@;1u¢;-1-re 1 joinoursongaswe g lym h lg“ ai- arc a- on , ’ith hearts that know no fear; . G I %1%”E”?1;h mw 1 :4 -%~w@1 Fwrr rl=~*~ ﬂ Left and right be - neath the green and White To each oth-er we’l1 be true, I V-II ii I 1 g j ? F i gig 3 F} 13 Q! ,-a'r¢J|m;.@..m,-91.1w. ta Oh, ev-’ry-bod-y shout and sing For e - 1ev- en and thir-t too. i iii? Ii ‘jig W ; M § 5 i, § 24 Odd Class Marching Song ’Gainst the line "H kn ‘E Q § ‘ E0 HL-o w \ gﬁl FF 1» = \._._ U9 2-I.._.. 0 La; L_~*nl_s__ ~12 .... E211 ~Le fl ( »‘f"*§i'0-*:?_'“; g II=, 3 ‘G51 J 51 J J3 j 17 - cross the ca - - us Y Lg JJL;m P3 I ‘ =1? #5417391: vﬁppgg E5 M1 ‘———-‘(Q-1-“-—-g; 4' -. l___L___: ¢,_n___| w me, we come, we come,we come to join the'j0l-1y -I-- $40??- .l_._ ¢___n__ u1_g**\ [¥§_=Ii_—q'a1*i§‘-1; 1:3 °§ =1=1§ ‘.3 1; 5;’ 1; \!\' ‘s F Q £3 \" 4 ‘L §’.q@ 9* \ 5'11 on :___ \ 6* ~ '3 <d_n_ 5* <9 5 §f1_ 3- .__ ~11- JT "3. E ~19 ' XIII ' 4 ~19 é Cb __‘;'$ W Ii % I I ""0 HI 1_. E ¢_.l_ ¢-- -~. L-_. E ""0 L ‘ d0 ¢_...__ 1. I r.. ( l\!I 1 Q U‘ Q CD H '5" H FF 5" Q ?‘ :3 I Die Q "1 U1 or nine - een e even. ‘ PM L ” v I3 E5!‘ mt >1 ‘n \ _u ‘ \‘; I \.._.l__ . I__.I_ ¢J_I__ ' 4: ﬁts“ "*EEf%*-E{3§ iii, = E111? , #W‘ . J I .?— % Even Class Marching Song 25 9 Q .b~ M .a . .5 1:». .a .@. .a JJ» .@ | 'e are arc - in g, We are march~ ing‘A nine-teen hun -dred we ve,_ Wit . W . §1'I“W1P;|i:7i:Yi:7"'f| “i 5 i i 5 i gi “av A-B -M .@..§1:»..@L.@. .51 .5. M /i/\i"’\ ““'*Zi1F* :~ inf’? T? ,,.%>' ‘kw Q1117 Qtw $>~.E.F1»;5l.E.E§'g;-/\“.EI /§/;\*_ Tﬁﬁﬁ “jg ¢LLn_ _ ,:_ LL i 5 3 g i 1 ,5 .b ~¢%17 ‘Em I-6 51:7 :1-1157' tn -;,*\_ 2. ‘<1 5. Si~1:w CD 3? Few it-V 31:27 g1_.. '97 Sic: “L Q17: w'@|@m#:1'@| 1% ism '11 “E Er ~—-Z? dlzw '_, hr Ev GIW (79 ta Q1 Fl =‘1! ‘Isa m ght y F‘ T ‘7"=1.E \_, EL.-J’ /§/\{\ A d__!.__.-J‘: oé ¢|_~n_A '” , ‘ll.-_. 0 nu “ 1.1.. % » 2 ~_-_. I] 2 ¢_l__.é.é 3 CL ¢Ll!__nl_n.__ ,,,¢“__ 26 .JJJtJ @;%'=' ma. 13y = -.17 %’¥, '_< 1.... mm Q mma W ii‘ ﬁﬁhlﬁﬁl LI’ iii 1P1? @ /1T3 I Q 31' m Q27 5°21? ;? E iz '3; ff szi 1, 6,. U J4 Jtamaﬁﬂ 0, A glo-rious class are 0, 2-Bf \ -F"};q,a, mg’ “iii. 5"-1 "'\ CD §"‘E!\ §'*1sEl E;'ﬁZI aa -‘T7 £4 iii ’“JﬁEH¢£ﬁ1J¢F ""6 <-1 I-'3 ~.= I ﬁt 0 O H __U2 $1 wi H O C. So “-‘~.::1 "“lI3 ‘|“\ in I '- r.—. |r.. " A F 3 F E /.8 1.! J J J | L\\I ~,_g d as our sin - £11 i 5! 1!-5 U... g Y g g S 6 3 ‘I 2 4 Yih 4' tn A I3 __ I‘ QLIL c___|.,_ § . FFi' Jaws ti P? 27 W 11 th ght f 2%? '5 12$ 3,- W3 i 3 1* $2; F ‘g 595-,5’*.5I‘3 ‘LN-T‘ us ii 4 Q: *1 A 5%‘?-ﬁiif-lg-J! 3'1 -1 :2‘ §"I H =2‘ 8-“ ca CD n % 9 that bi s us nev- er, nev- er U-_I_~ l._~_I__ ¢_I___ U-I_ U;Q.__ @1p’*'E¢=n‘5J°‘7JTl ii jF§b? ;,* Y Ii‘ I._ Z5” iv ~2u__ m ﬁk fl - Q‘ In‘ _ ~= m *5 -“B 1.? ¢l_|__ tin 1* L-I_ +* ‘QIQQ l._l__ -1 YE! 4! . E37 :: ¢l__l;_ _ 3 . ' ¢1_I_ _ =~> m..:—:a; ‘Q; 2"’-'_-7 Tho’ % FF M” "M31 1 j 1 . I... I.__ l__. I____ HI; ‘U’ -a-n I-3 Q O H U) N‘ ﬁnlb CD tn U‘ CD cm 3 §.< 5' ,5 ,5 £15’ F F r I One nine one two, our class tp EHEIT. ._ tip \P -?1=-'1-W? gbij _'* d_L_.;_ "Tn —¢Ib \Ll_1._ m 8V- 61' sr: ¢_ "El T irm and true. "-9 '~< s B 8 "CD 5. 4“ 5:1’; (D H H CD ‘A-u\u__S‘ %$B:§' ¢» ¢~ _¢p~ ""II¢- 8' H F” ob ¢¢= H “'1. \___I_ HE F'\9'-E'@=°"%'a §E '11 Hf '5 £8 Even Class Marching Song .w-5%’ ‘r em 11 11 _, ” Fm am in 1 E33: J and v1c tor y__..i_ And for nineteen fourteen qr ; kl cheer___We’l1 play the game__ and win our fame__ A-gainst alloddswith out a Q1 f“ 1.1 l % I 7 1 \/ i r ‘Q-lr_e= jiﬂl gtﬁl r Ag/&'b‘h‘$CJk I-E-%@'1¢@|rwr@+@ fear.___R1se up and sh0ut' laugh at your doubt‘ We W111 W111 on the side of the *"""***~” - 1 = t it it '>!l 17 ‘§ ., - § ": III! I lb 1,1 ’ {Q K-§‘ C Q URI €;‘q9 ‘ W ire" §F$%F9FW+ﬂ right_. Make for the fair the square and face the light With a thrill andthe swing of might. II’ If ’ . ' l __l‘n 4a_> ul— 0 ii I " :+' . I 7. _. - ‘ I Illlnl 1 Ir‘. 4‘ ‘<a -1 I i ,_ _ » $1.5) I . l: rag’ " ’ I .I' :1 ' ' ‘ r- FIIFQFI " _ _ ' II , _ ' _ ~A IE I e !E Q ;’L*-'__ -53:01 I I ‘I !!II I ..III !I,.llL JIL .ll =!_l IIII Ede \\ L QY Y 5 0 ,....,,~.»_\ »~ »-. 1 I J I F-H14; |JJJ@Jl4\_,J%| ?; g rrF+F#%§‘ ilil iii -Lilitﬂ iiiﬁ ?€?#’ i1iJ J-llJJ,J.Ji~t 4 1; :1 Q1 m $7 H CD Ion VS the win-ners as we march a - g $ I_._ ¢l__n__ —ur\m.__ -11$ -rr\n_ l__. "'llT\\__ ¢.l_l__ \L1n__ - “- ~11; I___. \ A... W. ,~\—¢;. L__ "*’§h__. 94-’ _j1‘ '~—“"‘1-— ‘L—§-In -__—‘§*r\ ‘_ 1Q’; Rah! or th r vic - tor g "‘W?#%#i“i4*%1ﬁ# ?jJj.l jxjs fiji “ ,@J1|;;|E-,4,@.|<> | rA@@rr|rJJJ|Ff|' 59/5‘ ¢ an - y day an #J.BJJJ ggi -"u n,._ ::n_ -11_ ~a__. WE??? **um_ "REE; \__ O 5! 30 What is College Spirit? ' 4 Words by M. Edgar, '11 Tune,_. “From the Arcadians” Slow, When entering on wisdom’s way, With some for studies, some for play, The Freshmen hear such catchwords new is are Wel1’l<1‘1‘own to me and you,‘ . ” s Sloshes, Firewalls, Chutes 1n Main, Whose meaning dim, they search in vain. When later on they solve all these, , Yet one remains their wits to tease. ' Seniors, will you this term quite carefully for us define? Is it in your marching line? Do you buy it with a fine? Oh, Juniors, Sophmores, around the tree in mystic fire does it shine, What, oh, what is College Spirit? Contest Song__ Spring 1911 SWiI1g‘iI1g' rhythm Won by 1914 Words and Music Original \_/ we gath er here to night neath the trees- Hear the sound of ehiidﬁgm £A=1,g- 5; +~5f5;@55 5| etﬁéliiﬁ wile. at ié 4,‘ We F? 4 lri?iF1i:iii5l §-I ‘ §¢_l____ &m._n__ 5 ;l é Q voic-es ming-ling with the breeze___ Wheth-er odd or ev-en we, I___ U__ “W A = wife], LP‘ Fﬁg @ﬁ'lFF4,lr=Fi ' l #~@%ea§-e@%¥%e“@ei4IFF¢~@@ ,\ Let us al-ways be friends for-ev-er ne’er to sev- er true to old V. C..___ la 5%‘ 5 ‘id ' 1 ~ ' f A Y [C \.— ' ‘see L; -6-'1» ¢!_* "W Us W“-— ; \./ March, Together, March W b 191‘! 31 011 Y . rds by Helen Scobey Music by Lillian Lang f‘ ‘II ;. ; II 0 -I-; _. *§__/I - I \\_Z/ March, - to - geth - er, march, I _|~ H I . \ I \ I I I‘ I I‘- FFFE” fl 1.... 90;. GD gt III -m B - OTB 11S I [:—£’_ I _ \LUs__v M-I-iv Emigil 4 F 7 H bl I ;_\/A ,2 -W4 . i - . 11- I - ar ev-er OI;\_Z{J ﬁll ‘(Z5188-BFS ﬁe Ieﬁd Hnld fim mwmft w PP i * *1 jj§b=1:5[j;1FJf';JJJ m b ‘ . \ _ \‘ V ' 7 'i-:1?-I o i::; \ J J 1 J F F r ‘A .E5'I Y ' B ee ‘n all 0 r hearts We’11 hold for- V Lj ear ay teak our hne ut d p 1 u ___ V I A,-QM» ~ ==§.,- A; J :1 Fig 0 O . {iii 33? 1 5 E rpﬁg 5'-Er J1 ll 1'!‘ 1' IF“?! E xi ev - er___ This one en - deav- or. To march t0-geth- er march.___ ;»{TT1g 1% iv %iiFF V WI; aoir 7 r’ If Hi I I 32 Chimes Soft Pealing y Won by 1915 Vgzfidskgy D91:g%?' gi'ivI:g1t1;5 Music by Adele M. Beattys ’15 um with regularity of Olzimes <> <> f 2--—-— p<> <> -PAW “S ""¢l-"*2 5 —\9-- *I\...... ﬁr: —-J: '—\I_ _I!___ —.¢§I ‘t “ii... *\I.__ _g 1: *II__ -1.... 1%; FTP Smoothly and without ritard V 2’; Faggigt-d,é"’F3F”‘F5 wee :1 Melody Thro’ the day the chimes’ soft pea1- ing Marks the hours that fly. ‘M FFFU F#bF1;1 FFbFuW\ "" e mf *"';PP F’ ri § we s 7.1. _ ~ Q I Bq=1::g1**%=:| In our hearts the ech- oes steal - ing Leave their im -print e’er they die. if? ‘H31’? ‘Fm J rl IN -1%: cresc. m 1;#W#r”FWmme§£E| Since now thro’ our best en- deav - or, Each hour marks a gain in p0W’r, J FFF|JF¥bF1%[FFFlJ F rm I I s I I I 2 \ 3% " dim. - ~ strict tempo teﬁttattﬁﬁﬁﬁme elﬁggieﬂﬂ May We, in the fu-ture, ev - er fill with strength each pass-ing hour ‘B: 1.. *‘, __'_j "1"": —‘3EU3i "T1 "W? "WP -ah: ‘ﬁg ‘l -1.. I §.L_. ¢,||pi Repeat first eight bars kum~min_g' I Even Class Step Song L Integer vitéie H15 5 H AH he Q :5 H1 1. Crim-son the sun - set, Pale the yel-low moon-beams Shine on the 2. Vic -tor - y, de - feat, What-e’er may be - tide us, No spot is 'eFFF|F F Q NF? E ‘H Hr, ,;~1a14=.w we ta 44%! ' pine- stem Wav-ing soft a - hove us; Com-rades are gath-‘ring er h er dear - er, Nev- er song sang clear - ; Bound fast to - get - , t W |F‘EF F 1; F IF we F4 ‘ :t1:BQJ|@g|jJJIé,JIeﬂ Songs of joy are ring _ ing Here on the steps to - night. * Round the old steps ga - ther, Loy- al for - e’er and aye. ett” 9F F We at FF15 J lam i 34: ' L Even Class Step Song PJ J"_| J 1:-5-5.5-5; JIJ JJ J I 1.When you find your spirits run ning low And to eth - ics y 5; y §Jﬁ§JﬁJv§Jﬁ 5% §v%JvJv%v JJBJJJJ J JJJJJJJ .L§iJJ.@; H4111:-B-%% L <11» um Q you no more can go, When ath - let - ics seem a tri-fle stale, You dont needto see dear doctor 1 s I! "I "= T" IQII = I L41 fl \I f J F/5 r r v E76 ' - g ' , s_ ~" " lL¢!_- du11_ ¢,_1__ ILL;-» \UJ_ ¢,_n__ \LL.\__ u I J ¢ - .. GLI- Il__ o__ Il_ F7, Chorus _ V éé J 2:. :.- :1 J ":.-L- H § § L5 % § E 5 E5] W II ll! ' \ 1 . I V _ ' ‘J § T______The Sopho - m0re___ the Sopho - more Both for you and for me she is the 5 m_;: ~:di *2: ILLLI___ 1L_l_. 0LLl1__ ILLll__ U4... ILLl!_ - \_Z V I . l\!I :1 Im at I - . V _ ﬁg? 944- A he .%.,<ﬁ4_m \/ LIZ \_¢ 9, best rem- e-dy,TheSopho - m0re__the Soph_o -more Take a wa1kwiththeS0pho. - more. , I B I II Si I D I‘!!! I YIII '1 I ' high #1’ gr gig; And your books and fountain pen mislaid When your hungry, cannot eat a bite You forget your troubles when you see The Sophomore etc. ' -q 4,‘-—-4A t I 9 2 i 3 \ 3 / Even Class Step Song T 35 eiﬁm A -E -B. at .@e-QB ,5. ‘E gm Oh who will cast their cares a - side And toss_ their books a - Way__ And S0 ho! for tramps on coun-try roads With s an - tumn 11i1‘__ And 5’ “:1 5 .@ﬁ'1'?mjt—Tw1 FTAF 7 I..__ \._I___ Q.___ come to bat in this wind-y world, That ca11s_. us out to p1ay?___ Oh, ho! for a life as gay as ours, And death to a thought of care'___ The ’ EX . 3 . W ﬁifll i J “J J i 1773?? » gﬁﬁgﬁﬁhgwhﬁi gm] we will toss_ our cares a - side And prof-it by ‘hours that pass,__ Come leaves that fal1_ are gold and red The sun light is crisp and c01d_ The /é~ A- r: “L7 #3? ¢l_l_ i pf LL_fJJ'>j;[;_'?7 we -“E5 -E .§I.§'D.@»ar"“s 501 out to day to join our play, T play with the ev - en cIass.____ trail is bright with scat-tered light And glo - ry of red and go1d__ Y0 H71 F § ti I._I._ “Tb 4: i U V11 9" Q5/at ﬁle?/_\a LJj/—_\£J\/‘Q. ETD‘ OO -I ,____ y ,_______ To play with the ev - en c1ass.___ ,+___ 0 h0,_______ The glo - r of red__ and go1d.____ 7 . t~ 5 3 -1 3 f ¢J._I_ ‘TQ’ I_._.I.._. ‘WY F 1 l \ \ \ I \ X t Senior Step Song The Sun Is Low Tune “On The Volga” igg__p|p= gm gm J_J'1|§~-W1! 1. The sun is low With ev-’ning glow, And Sen-iors ga - ther on their ti-11 I |E[ U s E 3| .1 7% we swag [H ye; $5,: steps Swift speed the time in joy of sing-ing,’Midtdark-some pines and shadows E[;ﬁ'_U'¢;[[[_¢_F'mIl_LH11:[l'_LLJ r~t>>F$tE.‘T§”L¢_c_r@r'1otLrt-‘ﬁ grey A-cross the camp.- us floats the e - cho,Last memo - ry of pass-ing day. ﬂugﬂ ft F %_LLr 111131 M 2. The distant chimes, Gay marching lines, And Seniors towards the chapel turn Lift high your song in joy of living‘, Face future years with courage strong, From out the past there’ll steal an echo Blest memory of college days. 3'7 i Odd Class Song March, march on down the field arcia J Ghee arc , are on own the field and 3M4}! JHJQJ J W" rl cheer for 1 - 9 - 1 '5 %Z%@;*%%@F%@%’?t”?ﬁ%”;’?*;1 I Straight on a. - cross the field while fif-teen’s en s out v1c- r ,v1c- r ,v1c- r ,v 4 JJ l,,.\.1’J H1f:L{L@~t,@.§»t%.e § %§*§%§%§|§%s%sWE“ 14:4 J JJ 4 J J “T y If J Uléﬁ Q_.. ‘Q . U-A-~ 111-‘ ¢_ I__.. O 5‘ 0 >1 8‘ H r4~ b‘ co o i—l 11> m m O H» I-In I co co :3 \_/ f f t they’re all right, Rai ‘NU’- \__e~r¢_LL|9_ van d"-— Q... qﬂllﬂ _ Y“ \l__ ;~=¢JJJI_ tﬂ ~ '""—T='=E""" l._._\:Q_]_1:__|__~ Til nl__§*¢|J1I_ ?W??’;W in: E11,, é “Ev 9=\__ ‘< 52'.” 511” 0. O 97 3 é. -@-sir J M If teen and w . O O m__ u___ II" *1 \_,\_» try, , jaw! Fa ii ‘Mr’ " —n|_—\ it \i—¢ —m.___'*\ 8 E h e '5' Odd Class Song Hip, hip, hooray Then it’s hip, hip hoo - ray -5--EH vélf Paw M" -El We’ sin ’ i an O J??? FF F 2 L: hi Iii Ii ;| -L Q‘?! WI! 2 =.“:! 011 glf I vo- - - ‘Q 1-.-Q ' ‘J7 1-vgsy Q5; $-1 8- T:]8wx I O ‘~19; CD jm CD Z Ml ‘E /*1) . I. —I I._~__ kw? 3 L} ion a ealth 0 e an ou, ine - een, i - O._I___ “Fl”! TY ﬂu U ‘i 4 » ii i F ‘Jr 117 *1 TI] ma Ya ‘ma —m ? “"1... ;_/' 00 Our love for you is like the 0 - - - C0311. D Er- l._L_ D '. ‘. aliilfiﬁﬁ $3? Pr,-;.1%j A V "I"! 1 1 I 1 I 1 I I | ¢ A \ tr Hmwj PP pr P‘ 5 IE a HI E l F I W 3 F 1 1 4—'i~ I141 [J 39 Odd Glass Song Come and sing » ;¢JJJ e@@@;~£4@'awrc rl Come an 1 sin or i - een an sev'n- een 00 ome an ive a ear - *§:;1 ,1; U]! H J, ﬂ§_|_JJ J-lflFFFF 9 1-I J 1 ﬁ~%~@ 9- -5.11 u 4- r r | cheer Join our song as we gai-ly march a-long With hearts that know no g =F=r'r'r5U‘Hj ii H4 L... 1... "1"¢$u__ -—|n___ —EEﬁ¢T_£II % nu\_ \_u__ -11 ¢T‘mJ:J -51%-we-E: 9'Blrr'f1'I d right be - neath the green and white, To each oth-er we’11 be Hg; ;,1L':HH r Q E” 1 J LPN] $17 M \;r}$;r;U*J4J##reJ_JL4;1u ts ;;::+ Hﬁja»-Lﬁeiatav » we W FF-‘ ~ > 40 I '11!" 1%: 6 Sa1ve_ Senior Song "1 ll??? Hi __.____ C0me,Senio ‘X3:-B-%ﬁ¢.JI’F€'1% rs,hai1 all hail our Ill Ill 4 4 I I "r-0 ‘Ki B ,. ~ =@==.. _a# ..-eI!'.!!I!i. g ' ' 7,. “"7’”5%§‘ wj !§' 1; F14] I I e 1r . “/3| r F E9 W" class, We're out for play to-day; \!§§ "In ~.I Z‘ ‘ E. 3 .%.w%@2’@”%@@%1 “E- I_ .a..:%..f§ '.:....-J. 3. =1; J U) 5 0 “U 0%“- F E11 e '1 ~=¢J_n_ WI 4‘. I YD 7 ‘I 4 § 1 ;"“:~1 T‘ ‘ii ’ I! _ ‘E ‘B P % r‘ LE4 I’ F 8?’ F vi v0 vim and send a rock - et high once more " §Y§ B QYIQ CD ! I! I I '4 I . . . ' - In. ' . mu ~ _ I .I. . I Iwi-' Ital .5-' rri r I-I1 ~15 ‘II . . I 7 - h 5 | ‘I ‘I 7 ‘III -‘ e > ,4 S; 1'“; '1 II II -g—i— I I I- §@@Fé *1 F -;i F \ ‘n \..._.I__. J ran 9 up _ 1' PM WE’ a;r mil Sen - iors are out it is time then 0sh0ut= For 1 - - I 9 1- -4. v-no .| I , -I in I 1. . III 1 In I I 5.. I - I IL‘! -0* - -1 I It I .4141 .4.‘ I . 1. 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Creator: Shattuck, George Burbank
Date: between 1906 and 1919

Creator: Burroughs, John, 1837-1921
Date: April 13, 1888 - March 4, 1889
Text: April 13 A day of great brightness and beauty, but sharp; froze hard last night. While waiting for the little boat plucked my first hepatica, a small handful of them down by the river. Dear, welcome flower. Very happy these days improving my new lot. Blessed is the man who has a lot to improve, or who has some real occupation. How trivial and flitting the new generation seems to one -- of no account. The people whom we find upon the stage when we come into the world -- the old established...
Show moreApril 13 A day of great brightness and beauty, but sharp; froze hard last night. While waiting for the little boat plucked my first hepatica, a small handful of them down by the river. Dear, welcome flower. Very happy these days improving my new lot. Blessed is the man who has a lot to improve, or who has some real occupation. How trivial and flitting the new generation seems to one -- of no account. The people whom we find upon the stage when we come into the world -- the old established people, they seem important, and like a partof the natural system of things. When they pass away what a void it leaves. Those who take their places, the new set, how inconsequential they seem . But they are for the most part the same class of[crossed out: people] persons, and will seem permanent and important to others as the old people did to us. So it goes. -- The Andover Review says that "in Christ God reconciled the world unto himself" How curious and absurd this jargon of the theologians does sound to an outsider. And jargon it is. Theology and the theological view of the universe is precisely thehe antipode of the natural or scientific view. There is no sense or reason in it. It comes down to us from the dark ages. It ruled the minds of men before science or the rationalistic view of things was born. Think of what trouble poor God took to reconcile [crossed out: him] the world to himself; what a curious and intricate scheme he concocted -- worthy a theologian He got himself born of a virgin, then grew to manhood, then became an itinerant preacher, then got himself crucified by the Romans and buried, then came to life again etc. etc. -- all to reconcile the world to himself, that is to appease his own anger20 April continues cool with very beautiful days now and then; no warmth yet. Last night I found the last remnant of snow bank on my grounds, no bigger than my hand. Very busy and happy on my new lot. Work hard all day, and sleep pretty well at night. The fox sparrows sing all about and cheer me. And the purple finch -- how finely he sings these days. The death of Matthew Arnold which came without warning the other day, has been constantly in my thoughts since. does it give a sad tinge to this April, or does April beautify and render more significanthis death? It does really seem to put a seal upon him as I think of him as I go about my work and hear the happy birds and see the grass springing. April can make even death beautiful. I look upon Arnold as the greatest critic of English literature, such steadiness, directness, sureness of aim, and elevation, we have not before seen. He had the best qualities of the French and he had something the French have not. He was not at all a miscellaneous man; he stood for certain definite things; he was like a through train always on time and only fetching up at important points. His poetry is wonderfully good, only for some reason it does not melt intoone and stick to his mind, as it ought to. As with all first-class men, his death leaves a vacancy that no one else can fill. April 27 The perfection of April days. Yesterday and today were and are ideal days. And a perfect day in April surpasses all others. Its sweetness, freshness, uncloyingness, and a sort of spirituality can be had at no other time. Still, brooding days, when every sound strikes musically upon the ear. The high-hole now his long loud call comes up from the fields on all sides. At night the full moon rises red and warm and the toad begins his long drawn and to me musical tr-r-r-r-r-r-r-rVery busy these days setting out currants. This morning the river is like a great mirror. This labor in the field gives me a keener relish for Nature. I get such glances from her, stolen glances. One may have too much leisure. But the laboring man does not get sated with Nature. He has not time. To him she is like a mistress who never fully indulges him. April 29. Sunday. Very hot, 85 degrees in the shade; hot and dry [crossed ou: all the] since Wednesday. Julian and I get our first arbutus to-day. Several of the little warblers here. Oriole came yesterday, but silent.May 1st Overcast -- light rain, cool. Go to P. to meet Mulford. He does not come. 6th A cool week with frost one or two nights; getting dry; no rain to speak of for several weeks. Very busy at the new lot. The summer birds are arriving fast. Wood thrush yesterday. A walk through the woods with Mr Buck and Mr Mason. Violets in bloom. The adders tongue unusually late this season. Often find it before arbutus. Maples late. These things vary much different seasons. Shad trees in bloom.22d A cool May so far, and very dry up to the 12th; then a fine rain. Apple trees in bloom for a week past, just beginning to drop their petals. The world very beautiful now, like fairy land. Still at work in the fields, and quite well and happy. One cannot keep his love for the land, the soil, without work. Work brings him close to it; he embraces it and loves it and strikes his roots into it. 24 Still cool with light rain. The apple bloom is beginning to strew the ground. My spring work about done; begin to feel as if I could lay off a little.On the whole it has been better for me than a trip to Europe. Every drop of sweat I let fall into these furrows came back to me in many ways. My sleep seems restored and my interest in things is much keener. -- One reason why this country is uninteresting to the cultivated foreigner, is that it is mainly the work or result of the modern industrial democratic spirit, while Europe [crossed out: is the] was mainly fashioned [crossed out: by the] during the age of poetry and romance, the age of chivalry, of lords and ladies, before the "average man" with his industries and rail roads and prose had come to the front.All the vest[crossed out: a]iges of that previous age are profoundly interesting to us, because we see [crossed out: it] them afar off; [crossed out: it] the age belongs to literature and poetry and art and romance. Man had not then lost the perception of and the desire for beauty. In this country the mass of the people are [crossed out: ???] entire strangers [crossed out: of] to the sentiment of beauty; they deform whatever they touch. Will it always be so? -- I believe mind to be just as insep[crossed out:e]arable from matter as Electricity is; it is not matter but a property or quality of matter. Electricity is not a thing; it is probably a mode of motion, of molecular motion.May 30 Go home to-day on morning train. Walk up form station with a burden of shad. Reach home at 11 1/2. Hiram and his men are seated on the stone steps waiting dinner. The old place looks green and fresh, apple trees just blooming. In afternoon walk over to Curtis's place to see Abigail. No one at home. Sit a long time on the door steps wrapped in thoughts of the past, and in gazing upon the familiar landscape about me. It is all sweet and good and I enjoy being alone at such a time and place. Walk up through the woods, the dog following me. He trees a woodchuck up a small smooth sapling.the chuck keeps his hold as long as he can, but presently his feet begin to slip; he can keep up the pressure no longer, and down he comes into the dogs jaws. -- 6:45 p.m Out on the hill in the woods on my way again over to see sister Abigail, the fresh green familiar scene about me, the hermit thrush singing in the mountain above me, the bobolink in the meadows, the air still and delicious; sky nearly overcast, robins warbling here and there, cattle lowing, orchards in bloom, fresh plowed land all about the distant landscape. Oh, that hermits flute, how it pleases me! 31. Warm and still. I walk up the road early in the morning to hear the bobolinks in the meadows, how they do sing, and very nearly song of my boyhood, only some slight variations. But the song up there towards the sky above the hill meadows is new; it is the song of the shore lark; presently my eye discerns the happy singer 2 or 3 hundred feet in the air flying round and round; when he utters his crude halting lisping song he flies in a peculiar manner, tail spread and very conspicuous, and wings slowly flapping. The song is only a faint copy of the sky larks. The bird sings 5 minutes after I [crossed out: see] discover him, then nears theEarth singing at intervals till within a hundred feet of the ground when he plunges straight down in true sky lark fashion. Then I go up on the top of the big side hill where the boys are plowing, dragging and sowing oats. Here I sit a long time and immensely enjoy the scene. Charley Grant is there and with his blind eyes sees the landscape in memory thirty years back. I tell him what is in this direction and what in that, and he seems to see it all again. Hiram sows the oats, and while waiting for the plow, sits in deep meditation on the wall. Then I go up to the Old Clump and spend [crossed out: a couple of] an hour on the top; three hermits are in song as I go up. The spring beauty in bloom on the summit. In the afternoon I go attended by a throng of memories, over to the stream below the school house and fish a little, and dream a good deal; take three fine trout, which are as well as three hundred, I walk over [crossed out: ???] about the site of the old school house and in the field where we used to play ball 40 years ago, and think of many things. I am tempted to go up to the spring where we used to get water, but I do not go. The spring is doubtless there, but where are the childish faces it used to mirror? Dead, many of them and scattered far and wide, the others.I return by Angie's house and sit [crossed out: and] an hour with her and John, then home again. June 1st A bright lovely day rather cool. At 9 a.m. I leave home and go down through Chase's fields and woods to the church yard. I sit a long time at the graves of my dead. It seemed for a day or two afterward that I had seen father and mother, so vividly did their images rise up before me. Two men at the stable across the way finally disturb [crossed out: me] and annoy me much. One was telling the other about his bakly horse, his voice was harsh as a grater and he keptthe air blue with oaths. I moved away and after a while came back again. Just such June days thousands of them they had seen, but not here they lie. I noted that [crossed out: Aunt] Aunt Olly died on the 2d of June 1839. The new made grave of H. K. Jr beside fahter's makes me remember that I had half hoped, half feared that my own place would be there. At 11 am I walk up to the village and pass the rest of the day with Smith and Emma. S. and I walk up the copper mine in the late afternoon. Then we try for trout, but get none. I stay all night and take early trainfor Homer Lynch's in the morning. Find Jane well; Homer in the lot dragging, not so well as when I last saw him; he is fast breaking, klled by overwork, or reckless work and exposure. In the afternoon we drive to Edens, Ursula with us. Edens folks well and at supper when we arrive. Margaret looks bad; she too is breaking. 3 Sunday. Cool and bright. Chant comes over with Hirams team and I go back with him, a fine drive over the mountains. Stay at Hiram's all night. 4 Leave home at 7. Hiram and I. H. walks down with me to the village, where I take the train for Olive.As I enter Father North's door I see him sitting in a chair looking old and feeble. It has been over a year and a half since I have seen him. He looks up an recognizes me, and is very glad to see me. He can hardly walk. I help him up and into the other room. We sit here several hours to-gether. He talks of the past and of the time he used to cradle and reap, and gets quite animated over it. Also of wrestling; back hold was his favorite hold. As I help him walk across the floor, he says, jocosely, that he is done dancing.June 20 Go down to West Point and with Denton and others make an excursion to tamarack swamps. A hot day. The great purple fringed orchids in bloom in the swamps, very fine. Am taken with a bad head ache; go home with E. P. Roe, who keeps me over night and treats me very kindly. 24 Very hot and dry. June has been a pretty dry month. Showers all around us to-day but only a sprinkle here. 28 An old fashioned rain from the N.E. and N. began in the morning slowly and has rained moderately till this midafternoon. Drew in the last of the hay yesterday. A good year for clover. Never saw more clover. A great dealof white clover, and being pretty dry, the bees have made clover honey. 30 A bright cool morning, June rounded and full. Curr[crossed out:e]ants nearly ready. This mornign the bees are busy in the chestnut trees gathering pollen. The trees by the road near Gordons, hum like a hive. A cuckoo calling a long time this morning in the old apple tree by the house; had a good view of him, the black billed species. In calling his manner and motions are much like a dove or pigeon in cooing. I have often noticed a certain resemblence to the pigeon in his eye and head, and now the resemblence is confirmed by his way of calling or cooing. He inflates his throat quite as much as the dove does and makes a visible effort to produce the notes. His tail moves at every note. The remote ancestor of the cuckoo is nocturnal in his habits, which the pigeon is not.July 7 Go with Mr Van Cleef up to Balsam Lake and spend three days; a very agreeable time. Cool and delightful. Eat and sleep at a great rate; take about 50 trout from the lake in all, nearly as many casts for each trout as it takes bullets to kill a man in war. On Sunday the 8th, go to top of Balsam mountain and get a glimpse of my native hills from the observatory there. Heard the hermit thrush; about the lake heard the veery, olive-backed and wood thrushes, the latter most common. On Sunday while fising on the lake saw some small objectswimming across the glassy surface. As I came near I saw it was a mouse, the meadow mouse. He dipped beneath the water as I came near, I saw it was a mouse, the meadow-mouse. He dipped beneath the water as I came near, but came to the surface again in a twinkling. His legs went so swift I could hardly see them. I put out my oar and he crawled up it. Then from the oar he came to my hand and cuddled up in it as if he was cold fixing his feet and cleaning himself and eyeing me keenly. After holding him awhile I put down in the boat where he remained nearly an hour, when he got disconcerted and boldly plunged over board and set out for shore again. The meadown mouse is quite at home in the water, only he cannot stay long beneath the surface. 12 Eventless days, mostly occupied in pulling weeds, hoeing and lounging about; full of sad thoughts about Walt Whitman, expect each day to hear of his death, and trying to taste the bitter cup in advacne so as to be used to it when it really comes. How life will seem to me with Whitman gone I cannot imagine. He is my larger, greater earlier self. No man alive seems quite so near to me in many ways. 14 A letter from Walt; he is better and my spirits revive. Weather very dry; no rain to speak of since early May.19 A fine pouring rain [crossed out: the] to-day, began at 4 in the morning; how delicious it was to hear it come down. Rained till nearly noon; then a smart shower at 6 p.m. Wet the ground pretty well. July so far very cool, especially the nights 24 Digging our potatoes for market, price high (3.75 dollars) but yield poor, owing to dry weather. May get back the expense and a little more, in which case the fun of the thing will not have cost me anything. All my hoeing, watering, killing of bugs, on Sunday and nights, will not costme a cent Nights still very cool, getting very dry again. In the potato patch a big spider with a young toad, body of toad about one inch long, spider has fangs planted in the back of the toads neck, toad soon succumbs, spider easily drags him along; when the toad is dead he leaves him and retreats into the shade under a weed. Toad soon turns dark color. Did the spider suck his blood? He did not come back and claim his prey. When Johnny was cultivating the grapes, one of the native mice starts up with her young clinging to her teats and scampers away. 25 Whitman still improving, so says a card from Phila. A great load is lifted from my spirits. -- Think of the myriads of peoples that fill the past, the great ocean. There in that sea of faces I see father and mother; how precious they look to me. Oh if they could only draw near and speak! -- The little mouse I saw swimming in Balsam Lake did not get as wet as a domestic animal would have [crossed out: done]. It was quite dry save on its legs and belly. Its fur shed water like a duck's feathers. 26 the July days go by and bring me little pleasure or interest. I pull weeds by spurts, read a little, and look after the farm work. I crave and need above all some one to talk to, some comrade, and quite a different home life from what I have, not the least companionship seems possible between me and wife, and Julian is still too young to meet the requirement. Aug 1st A warm day after the rain of last night, a stingy rain, considering our needs. A great downpour in P. and in R. but only about 1/2 inch here. All summer the showers have [crossed out: went] gone round us, as theydo nearly every summer. We get the skirts of the showers that go south and north, but seldom does a shower strike us fairly. Digging potatoes to-day, and pulling weeds, and long sitting i the summer house with book or magazine. But little relish for reading and none for literary work. 2d A cool, still smoky day, a real August day with a hint of fall. 3 I miss the indigo bird this summer; have hardly heard one; usually [crossed out: their] his not is very noticeable the long August days. I hope no ill has befallen him.4 A smart thunder shower after a very hot forenoon. It came black and portentious out of the north west, a very carnival of thunder and lightning. Have not heard such rapid explosives for many a day. Certainly no before this season. An inch of water fell in a brief time. -- How completely the world was once dominated by theological ideas, but how surely these ideas and ideals are passing away, and the world is coming under the sway of an entirely different class of ideas -- the ideas begotten by physical science and naturalism.The Evangelical churches [crossed out: ???] are slowly but surely giving up their theology, outgrowing it, getting ashamed of it. It is [crossed out: ???] moribund. [crossed out: and] They are trimming their sails to catch the new forces. Only the old mother Church, the Catholic, still abates not her superstitions. She has faced and weathered many a storm and she thinks she can weather this one, but she cannot. This is the flood, the deluge, and she must either float or be buried beneath the waves, or to vary the figure, it is not merely a change in the weather; it is a change like the going off the ice ageAug 5. While walking amid my new vineyard and lamenting the damage done by the rain, my attention was attracted by a [crossed out: bi] strange bird note high in the air. Presently I discovered the bird circling around as if undecided which way to go. It seemed lost. After a moment I know it to be an English sky lark. Its size, flight, and strong, harsh call note, were those of the lark. It finally went northward. We have not bird that looks just as that did as it flew swiftly across the sky.6 Wet and drizzly; no work today. Read Stedman a little, but soon tire. There is something fine and choice about his prose, and yet it does not ventilate the mind like that of the great writers. On the contrary the air is rather close and the view narrow. But such a poem as his on John Brown really makes a breeze in the mind. 12 Rain, rain, and cool. 15 Dr Burroughs and family came to-day. Immensely tickled to see him, a man to love and follow.16 A trip to the falls in the woods. Spend a couple of hours with the Doctor Julian and Johnny. Weather very hot and muggy. 17 Lawyer Proctor of Brooklyn calls and spends the day. Has some new things to tell me. He says some birds Earth them selves and some wash, and a few do both. The English sparrow does both, says that the mass of jelly like spawn in the pools in spring is by the liz[crossed out:z]ard; that it swells up after being deposited. Says the young of the box turtle keep under the ground till they are a few years old; are dirt color. A young farmer in N.J. told him this, which hehas found correct. That is why we never see any small ones of this species. He has switched a garden snake when a boy and seen the young come out of her mouth, and then run in again. He saw a cross between a monkey and a cat, and a cat and a rabbit. He is very prolix, but has real knowledge. He is a bachelor and says he has never known woman. 19 A delicious August day. We go to church in morning, and take a row on the river in the afternoon, a sweet day. 20 The good doctor and family leave to-day. Of all my relatives he it is whom I love most.23d A clear, bright, vig[crossed out:e]orous morning with a decided feeling of fall; must have come near a frost last night back in the hills. Sleep nearly perfect these days, and general healthy very good. From 24th to 27th at Onteora Park in the Catskills, a pleasant restful time. Sept 1st Alone in this house once more. Mrs. B. and Julian at Hobard since Thursday. A heavy rain last night and this morning. Warm, with breaking sky now. -- There seems to be some spirit or presence in the soil to whichvegetation acts as a sort of draft draught, just as the chimney is draught to the air in the room. This spirit or force finds an outlet and expression in vegetation. Hence when a tree or plant or vine gets established, how difficult it is to make anything grow beneath it. The current of growth seem to be all going out through the established vine. It is not merely a question of moisture and fertility, but the soil is preoccupied; its attention is all diverted into the old channel. Hence seeds lay dormant in the ground for years, with plenty of moisture and fertility about them, and only the vital force of the soil wanting. This finds an outlet through the other growths, check these andthe seeds germinate and spring up at once, like soldiers, to take the place of their slain comrades. 7 Very cold; a frost in some places back of the hill last night. Busy these days shipping grapes. 8 A heavy rain and warm. Go to P. to-day. -- The new book or essay must either add to our knowledge, or else it must tell us what we already know in such a way as to make us enjoy it afresh. If it is neither new in matter, nor fresh in treatment we do not want it. Can my books stand this test? I believe they can. 19. Start for Camden to-day. Spend a few hours in N.Y. and then to Camden about 4 p.m. Walt is lying on his bed when I enter his room. He looks and speaks as usual. I stand by his bed side a few moments, his hand in mine, and then help him up and to his chair, where he sits amid a chaos of books letters and papers, as usual. He talks and looks almost the same as usual. Is alert and curious when I speak. I note his hearing is poorer than when we met a year ago. I stay an hour with him, and then, for fear of tiring him, go over to Phila. to see Gilchrist. Come back at night and find Walt bright and ready to talk as ever. But we soon tire him, and so leave.20. This was one of Walts poor days and I do not see him, tho' I call twice. Go to the grave of Franklin, and gaze at it long through the iron fence from the side walk. How much it calls up and suggests. Visit the old State House and indepencence Hall also for the first time. In the evening see Walt for a moment to say good bye. He is partly undressed and ready for bed. He presses my hand long and tenderly, we kiss and part, probably for the last time. I think he has in his own mind given up the fight, and awaits the end.21 To Brille on the Jersey coast three days with the Johnsons. Beautiful country, like England, and the sea roaring away there in the distance. Weather cool and fair. 24 Back home to-day and find that Mrs. B. and Julian came back the day I left. Oct 6. Weather cool and wet; an unusually wet fall and cold, more rain I think, than even last fall. Health good these days, and my interest in the place, in grapes, and my vineyards etc. keener than ever.10 The first glorious October day, full of light and beauty. Spent it on the housetop mending my chimney. How my eye did rove from the work in hand. 14 Still cold and wet; rain, rain, and yet no severe frosts. Too much cloud for frosts, but when shall we have our beautiful autumn days? 15 A glorious day, too bright. 16 Rain, rain. -- After all would one not rather be a poet who could not be narrowed into a Cause, so large and sure and easy that no one could dispute him, tho' they might be indifferent to him. To excel on the common ground and with the accepted means and tools -- that is the best -- "The Whitman Cause" sounds provincial. 18. Fine day, full of color. 19. Rain, rain, rain. 20. Fine morning, clearing after the rain and quite warm 21. Clear and windy, and cold. 22. Mild, partly over cast. 23. Cloud and mist and light rain. 24. Rain in the morning, clearing at noon. 25 A lovely day, still warm, and brilliant, too fine to last. moving stone wall, and plowing etc. 26 Fair day of cloud and sunshine. 27 Rain and mist and fog. 28 Fog and mist and little rain, the ground covered with just fallen leaves. Signs of a cold wave.The gusts of wind bring down the leaves in great flocks. They look like the alighting of immense flocks of little and big golden birds. Maples will soon be stripped, some of them are so already. 29 Clearing weather 30 Bright and fair. 31 Fine day. go to P. in quest of a house for wife. Nov. 1 A lovely day at last; a perfect Indian Summer day. Thermometer above 60 for the first time in many weeks. 2 Still fine. Myron Benton comes at 4 1/2 P.M. Suddenly the world and life looks different to me, so glad am I to see him. For a moment the atmosphere of long gone days is over things again and the old joy in life comes back. 3d Cloud and light rain, clearing cool and delightful in afternoon. We go to P. 4 A perfect Nov. day, bright, cool still, no cloud, no wind, charming. 5 Fine day. 6 Warm, cloudy, threatening rain in fore noon, clearing in afternoon. Election day. Vote again for Cleveland; long since sick of high tariff. 7 Fine day. Election news bad. 8 Cloudy; slow rain in afternoon. 9 Warm, with slow rain in forenoon. 10 Mist, fog and rain. I notice that the wild carrots blooming this fall are quite pink; shows how a cool mild climate gives more color to the flowers as in England12. Go home to-day to see about Hiram's affair; an overcast Nov. day; drink again at the old fountain of youth; look again upon the dear familiar scenes. Walk over to Curtis's old house and down to J. S. Carroll's in afternoon. 13 Down to Olive this morning to see father North, doubtless for the last time. The old man on his back in bed; tells me he is almost gone. But he gets up in afternoon and sits in his chair, jokes a little and looks at times quite like himslef, and his mind seems unchanged, except a weaker memory. Slowly his sun is setting, and in a few months at most must vanish in darkness. A bright lovely day. the soft grindstone cuts the steel faster than the hard. It gives itself away more liberally. Nov 25 Sunday. The past week cold, clear and hard. Tuesday night the mercury fell to 18 degrees. Wednesday was clear and cold, Thursday the same, Thursday night another cold wave which sent the mercury down to 10 and froze over all the ponds, and made skating. Friday clear and cold and dry. Saturday, still, overcast. To-day a fierce wind from the north, almost a gale with snow which set in about noon. The flakes drive horizontally throughthe air. If this is but the introduction to winter, what prospect before us. If these days are the foothills, what are the mountains to be? How chilling the river looks through the veil of snow, lashed and foaming down there. The past week and part of the week before, at work in the old house, George R. and I. Have it now nearly ready for the masons. Dec. 2d Bright and lovely. I sit a long time on the old elm tree out by the spring and gaze upon my new land and plan and speculate about the future of my vineyard. In afternoon Julian and I go over to Sterlings and walk with Henry overhis land, advising him about planting vineyards etc. Coming back old Mr Sterling walks ith us and shows us the old road through the woods. the old Scotchman, I felt tender toward him, Scott and Burns and Carllyle walked beside me in him. 9 Much dark damp cloudy weather the past week, but no severe cold, and no snow. Plastered the old house. 10 A melting snow all day; an inch or two remaining on the ground. 14 Ground bare and hardly frozen, mercury down to 16 degrees this morning. A cold wave upon us. 15 Bright, clear, sharp, exhilarating move some trees.-- The best prose, the best criticism of whatever sort, is always creative like the best poetry. A page may be eloquent and brilliant and not be creative, I think Lowells prose is seldom creative. Matthew Arnold's is much more generally so. Arnold often quickens and satisfies one's deepest sesne. Goethe's criticism was often creative, so was St Beuves. Mr. Stedmans? I doubt it. Emersons prose at its best is creative. This is the test or proof that it is good prose. It feeds and stimulates the spirit. Creative prose gives me a sense of life and reality like that of nature. Ones mind is brought in contact with someting [crossed out: real and wo] palpable and warm. Mr Birrell comes nearthe creative touch at times, but I am not certain that he really has it. Indeed, I am not certain that any British critic, now that Arnold is gone, has it. I note it at times in Amiel's journal. The writer of creative prose always in producing it, experiences a kind of intellectual orgasm, as does the reader, if he be capable of it, in reading it. Vital prose is but another name for creative force. -- How many of the notions of mankinds are like the common one that the sun puts out the fire. The sun does put out the fire to the eye, but not to the pot above it. Its [crossed out: own] greater light eclipses the lesser light of the fire,but in no way does it check it. 17 Heavy rain of 36 hours or more. Ground chock full of water and frost all out. One of my tile drains unable to carry off the water. Last night Julian finished his school composition, and sat in his chair by the stove and read it to me. It is about "Papas Dogs", he has been at work on it many days. It is quite a production. 19 Bright sharp days, floating ice in the river; no snow to be seen. 21. Bright and pleasant. Go up to the school in afternoon to hear the speaking, compositions, etc. Julian is very anxious I should be on hand to hear him. He is quite embarassed when his turncomes, but he does well, decidedly the best of all of them. He speaks two pieces and reads his essay. His essay made them laugh. It was the second one he has written. His other described his tramp from Highland home two winters ago. It also made them laugh, he said. I am glad to see his mind take this turn. He does not look far off for a theme, like the other boys, but writes about something near at hand, that he actually knows about. His essay was in my own vein, and vastly more promising than anything I ever did at that age. It was areal piece of writing about my dogs. How curious it was to me to see him stand up there and read an original essay!22. Clear and cold, mercury below 10 degrees. Ice on the river stationary this morning (11 am). The bare naked earth aches with cold. 23 Bright and milder. 24 Lovely day without a cloud, looks like Indian Summer. Drive to P; roads dry and dusty. Thermometer about 40 degrees. 25 The mildest, finest Xmas I have seen in many, many years, soft and mild as October. Bees out of the hives. Thermometer 50 degrees on north side of the house. Feel well and enjoy standing about in the genial warmth and looking out into the soft hazy day, and upon the brown earth. 26 Still warm and pleasant. Bluebirds call in the air.27 A warm rain out of the sout hwest threatens to be severe. Reading "Tom Brown" to Julian these nights, and get very much excited over it myself. J. seems to think much about Martin, the "madman" as the boys called him. Dec 30. Day of great calm and beauty. A perfect winter Indian summer day. Here and there a floating mass ofice in the river like a stray cloud in a summer sky. 31. A mild cloudy day, a sprinkle of rain in morning. Drive to P. plenty of mud.1889 January 1st A bright warm lovely day, [crossed out: the] a copy of Xmas, no frost in the ground, no wind. Thermometer about 40 degrees. 2d Last night came Willie. Glad to see him, Eden's only child, about 23 years of age. To-day cloudy and mild, sun almost got through several times. 3d The mild gentle weather continues. Hardly a cloud to-day. Thermometer about [crossed out: 50] 44 degrees. At no time during the fall did we have ten days of as fine weather as the past ten have been. This weather was due us long ago but got delayed somewhere. Outlook for ice on the river very poor.1889 January 4 Still clear and mild. A strange winter calm. Is nature holding her breath, which will come by and by with de-doubled force? 5. Mild, overcast, with rain from the north at night. 6 Cooler, cloudy, with some rain. An eagle sat this morning a long time on the top of a tree down by the river. He looked as big as a turkey -- I notice that in the shallower water along shore the time turns much quicker than out in the deeper channel. 9 The 5th anniversary of father's death; Sat in my study and wrote. Warm rain from 11 to 4.10 Heavy rain again yesterday. Thermometer 50. Down to 40 to-day with high wind No frost in the ground, no ice on the river; river as free from ice as in May. The rye grows perceptibly. Mrs. B. and Julian start for Poughkeepsie to-day to board, the rest of the winter. It is my plan that we keep house here no more. I am to stay here a week or so and try again to write something. 15 A day of sun and calm, a kind of heroic Indian summeer, mercury down to 17 degrees this morning. No snow, not a speck of ice on the river. The little steamer Black resumes her trips to-day I [crossed out: ???] sit in my study by the open fire and look over some essays with a view to printing a new vol. "Indoor Studies". In afternoon I burn brush and help about hauling stone. A great calm over all Nature; not a cloud in the sky. Much worried about my dog, "I-know" who disappeared very mysteriously Monday morning during my absense in P. 16 Another lovely mild, Indian summer day. Thermometer 40 degrees. "I-know" turns up at Dr Gills where there are two sluts in heat. I thought surely he would come home with me, but no, he is crazy, like a man desperately in love, there is not spot on earth like that one. 17 A warm rain from the S.W. last night and this morning. Sudden heavy spurts this forenoon. Bees out of the hive. Clear at night with a full moon. 18 Day like a dream; the river a mirror, the sky a benediction. Florida days almost. Bees lively about the hives. Few birds this wintter so far, only a lot of gold-finches about, a few snow-birds, chickadees, and nuthatches and now and then a troop of blue birds. No ice in the river for ten days or more. First considerable snow about the 20th -- 8 inches, which drives me to Po'keepsie. Spend the rest of the month and all of Feb. in P. writing most of each forenoon; write another essay on Science and Theology, and a paper on Lovers of Nature, and some miscellaneous stuff, mostly of a theological cast. Feel pretty well, but one bad head ache and one attack of winter cholera. Mrs B. in one of [crossed out: hr] her tantrums the last of Feb. Weather a moderate uniform winter temperature, but little snow and no severe cold; thermometer down to 3 below once or twice. River closed up about the 1st of Feb. ice 6 inches thick. March 1st A bright lovely day, a good sap day; really feelslike Spring. Snow nearly gone. Walk over on the ice to Highland and back. Still life does not look very inviting to me. 3. Warm and spring like, rain in forenoon, only little patches of snow and ice left. 4 News this morning from Scotland that my friend Robert Scoular is dead. Made his aquaintance at Alloway in 1882. He visited me here in summer of 1886. A most hearty enjoyable Scotchman, a boy in enthusiasm and in his delight in life. While in this country everything he saw delighted him. Full of blood and spirits and health. I thought he would live to be 80. Some sudden stoppage of his breath by pressure on the bronchial tubes, probably from fat. What a delightful Sunday we once spent together on the "banks and braes of bonnie Doon", lying on the grass and strolling through the groves, listening to the birds!
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Date: 1909?

Creator: Guttman, Ida (Frank)
Date: 1883
Text: NATHAN FRANK OGDENSBURG, N.Y.WITH COMPLIMENTS OF BATES, REED & COOLEY, 343, 345 & 347 BROADWAY, NEW YORKInventory Sept. 14, 1883 5 6 towels. 6. Table Napkins. 11 -. 2 sets Flannel Underwear. 2 gauze wrappers. 7 pr. Drawers. 6 Under Waists. 5 night Gowns. 2 Aprons. 2 Flannel Skirts. 4 White Skirts. 2 pr. Corsets. 5 pr. Woolen Hose, 2 pr. Cotton. 2 Cloth Skirts. 3 pr. Shoes. 1 pr. Slippers. 1 Umbrella. 2 Hats, 1 felt, one Straw 1 velvet Hat 1 Black velvet Cap; 1 Gossamer 1 Fall Wrap. 1...
Show moreNATHAN FRANK OGDENSBURG, N.Y.WITH COMPLIMENTS OF BATES, REED & COOLEY, 343, 345 & 347 BROADWAY, NEW YORKInventory Sept. 14, 1883 5 6 towels. 6. Table Napkins. 11 -. 2 sets Flannel Underwear. 2 gauze wrappers. 7 pr. Drawers. 6 Under Waists. 5 night Gowns. 2 Aprons. 2 Flannel Skirts. 4 White Skirts. 2 pr. Corsets. 5 pr. Woolen Hose, 2 pr. Cotton. 2 Cloth Skirts. 3 pr. Shoes. 1 pr. Slippers. 1 Umbrella. 2 Hats, 1 felt, one Straw 1 velvet Hat 1 Black velvet Cap; 1 Gossamer 1 Fall Wrap. 1 Winter sacque 1 Beaver New Market. 6 DRESS GOODS BATES, REED & COOLEY Dresses. 1 Black Cashmere Brown Lady's Cloth, Blue Velvet and Silk. Blue Jersey Cloth dress. Olive Brown Lady's Cloth. Red Wrapper. Green Silk. Electric Blue Cloth dress. Ecru Bunting Polonaise. Blue Cambric. White Muslin. Blue Flannel Dress.Diary 1883. 9 Sept. 15 Left Ogdensburg at 9 o'clock by U. and B.L.R.R. Mrs. Fulton, Hattie and Allie, and Hattie and our boys went over to see us off. Had very pleasant journey and arrived at N. Y. at 10 P.M. Hattie, Henry, and Rozelle met us at the depot. Sept. 16. Wrote a letter home. Trunk arrived at noon. Mr. Ed. Frank came to dinner and spent the rest of the day. In the afternoon made a very pleasant call at Cousin Hanna's. Kate and her husband spent the evening, and later, we went to the Restaurant. Re-10 DRESS GOODS. BATES, REED & COOLEY. tired about twelve. Sept. 17..Cousin Hattie and I went down town, bought tickets for theatre, and did some shopping. Reached home in time for lunch. Received a Journal from home containing a notice of my departure, which I did not like. In the evening, Hattie, Henry, and I saw Lawrence Barrett at the Star Theatre (corner Broadway and 13th St.) in Francesca Da Rimini. It was grand and I enjoyed it immensely. It rained a little all evening, but not hard.SILK GOODS. 11 BATES, REED & COOLEY. Sept. 18. Hattie, Zell, and I spent the morning at Central Park. Met Aunt Bessie on the way. Hattie and I went to Kate's, 104 E. 90th St.,and stayed to dinner. In the evening Kate and Mr. K. took us three girls down to see the Brooklyn Bridge; and from there across on the Ferry to Hoboken to see some of his relatives who were to leave on a steamer for Europe next morning. Met a great many of his family. Stopped at an oyster restaurant coming back, and reached home very tired at 12.12 SILK GOODS. BATES, REED & COOLEY. Sept. 19. First day at Vassar. Expected to leave N. Y. at 9 A. M. but on account of a change found we must wait until 10:30. Hattie left us and went down town. Papa and I went to Arnold Constable & Co., where a gentleman showed us all around. Can't think of his name. Returned to the depot in time for our train. A young lady sat with me part of the time, who was on her way from Brooklyn to "St. Agnes" Albany. Name, Miss Gill, very pleasant. Hope to meet her again.SILK GOODS. 13 BATES, REED & COOLEY. Reached Poughkeepsie about 12:40, and took lunch at the waiting room. Took the street car on Main St. which brought us directly to the College gates. Rang the bell at the front door, and were ushered into the parlor. First girl I spoke to was Miss Belle Ward. After waiting some time, was taken to be interviewed by Miss Finch. Regents preliminary Certificate accepted; but cards, n. g. Too bad. First examined in U. S. History, next in Rhetoric. Passed in both. Supper at six. After finishing exam, was assigned room 118, a 14 SILK GOODS BATES, REED & COOLEY. 4th corridor. Papa then took leave for N. Y. Very good supper, apple sauce to be sure. After tea, Miss Hillyer, a sweet girl from Topeka, Kan. invited several of us "new girls" up to her room, and was very kind. As neither her room mates had arrived, she asked Miss Lyon and myself to stay with her, which we were glad to do. Was almost bitten up with mosquitoes and have not fully recovered yet. Sept. 20. Arose at 7. Took breakfast at 7:45. Made my bed. Took long examination in Latin Gram. and Caesar, and in French.SILK GOODS. 15 BATES, REED & COOLEY. Passed in both. Dinner at one. Examined in Algebra, and had short interview with Miss Hinkel, German teacher. Decided to continue my French for a while yet. Supper at six. Miss Ward spent part of the evening in my room. Room mate, Miss Shields arrived about nine o'clock. Very sweet pleasant girl. Retired at ten. Sept. 21. Arose at 7. Breakfasted at 7:45. Spent the morning on an examination in Geometry. Real hard, but passed. Went to the President's Office, where Miss Finch arranged my classes. Dinner at one. Did some un-16 SILK GOODS BATES, REED & COOLEY packing. Wrote a long letter home. Sent to Pokeepsie, by Miss Goldberg for a yard of calico, and partly made a wash bag. Supped at six. Chapel at 6:30. Made and received calls during evening. Retired at ten, as usual. Sept. 22. Arose, breakfasted, and made my bed as usual. First gathering of clothes for the Laundry. Read quite a long prayer. Dined at one. Spent the afternoon in my room, reading and talking to Miss Shields. Supper at six. Chapel at 6:30. Evening, calls. Retire at 10. 17 RIBBONS AND DRESS TRIMMINGS. BATES, REED & COOLEY. Sept. 23. Arose at 7:45, breakfast bell. Late, but descended at 8:30. Made my bed, wrote two letters, then dressed and went to Chapel at 11. Visited reading room, and had dinner at one. Took a walk with Miss Wheeler. Called on Miss Ward. Supper at 6. Chapel at half past. Commenced Lucile in the P. M. Know I will like it. Miss Sweet, of Albany, spent the evening with me. Had a very pleasant literary conversation. She left at nine. I then undressed, and commenced my diary. Conse-18 RIBBONS AND DRESS TRIMMINGS. BATES, REED & COOLEY. quently all inaccuracy is from lack of memory. Lights out at ten. Sept.24.Arose before seven. Went down to breakfast at 7:45. Then went to Chapel, when our classes were given out. French, 2nd per. Room H, at 9:15 Lesson assigned and class excused. Purchased Lessons in Idiomatic French for 50 cts. Lexicologie for .30. Mathematics, 4th per. room 4. at 10:45. Lesson in Geometry assigned. Bought Chauvenet's for $1.00. Took lunch at 12:15. Finished my bag in the morning.19 RIBBONS AND DRESS TRIMMINGS. BATES, REED & COOLEY. Latin, 7th per. room B at 2:00. Purchased Latin book for $1:00. Saved about $1.95 on books. Studied a little this P. M. Had dinner at 5:15. Had just returned to my room, when I heard papa was in the parlor. Hurried down, too delighted for anything. He stayed only about 20 minutes. Miss Goodsell came down by request for a few moments. Chapel at 6:30. Meeting of our corridor girls in Lecture room. Study hour from 7 to 8. Too tired to study very long. Will retire before ten. Good night.20 RIBBONS AND DRESS TRIMMINGS. BATES, REED & COOLEY. Sept. 25. Arose about 7. Studied a little. Took breakfast at 7:45. Walked with Miss Mills for half an hour. Recited French from 9:15 until 10. Miss Johnson arrived. Like her very much. Went to Geom. at 10:45. Studied my Latin next period. Lunched at 12:15. Walked with Miss Van Zandt from one until half past. Studied until two. Recited "Cicero" until 2:45. Studied and talked until 5:10. Went to Lecture room to have our places at table assigned. Dinner until six.21 RIBBONS AND DRESS TRIMMINGS. BATES, REED & COOLEY. Spent next half hour in my room with Misses Shields Johnson and Taggart. Chapel from 6:30 to 7. Studied until 8, and later. Lessons fair, first day. Room for improvement. Retired at ten, usual hour. Sept 26. Arose at quarter of seven. Studied from 7 to 7:45. Took breakfast. Came up and made my bed. Studied until nine. Went to Office, and received a letter from Ray Fischel. French from 9:15 to 10. Studied next period. Recited Geom. 4th per. Walked half an hour with22 RIBBONS AND DRESS TRIMMINGS. BATES, REED & COOLEY. Misses Ward and Bemis. Took lunch at 12:15. Studied until 2:00. Recited Cicero 4th period. Walked 1/2 hour with Miss Gilchrest. Studied until about 15 minutes to 5. Washed and prepared for dinner. Dined at 5:15. After dinner, went with Miss Tyler to her room, where I met Misses Poppenheim, Perrin, and Winne. Miss Lyon also came in. Spent very pleasant half hour. Chapel from 6:30 to 7. Spent evening in our room. Did not study. We fixed up a little. Miss Dowdall was 23 WHITE GOODS. BATES, REED & COOLEY. here quite a while. Retired at ten. Sept. 27. Arose at 7. Studied until 7:45. Breakfast until after 8. Made my bed. Studied and recited at usual periods. Lunched at 12:15. Walked from about 12:50 until 1:30. Bought a French literature for $1,40; also some fruit and candy. Went out on the Lake for over 1/2 an hour. Delightful now. Dinner at 5:15. Spent from 6 to 6:30 in Miss Hillyer's room. Met there Misses Wilkinson, ..., and Anderson. Played muggins.24 WHITE GOODS. BATES, REED & COOLEY. Chapel from 6:30 until 7. Miss Heller came up to our room, and she Miss Johnson, and myself studied French together. Miss Shields and Miss Dowdall then came up with three mush melons. Picnic. Talked until half past nine. Received clothes from the wash today. Nicely done up. Retired at ten. Sept. 28. Arose about seven. Studied French until 7:45. Ate breakfast. Studied French again with Misses Johnson & Heller until 9. Miss Shields then brought me up a letter25 WHITE GOODS. BATES, REED & COOLEY. from dear Mamma and Hattie, including a note from Minn. Oh joy! oh rapture! It just cheered me up. Very interesting and newsy. Recited next period. Came up, made my bed, and studied Geom. Recited 4th period. Studied the remaining time, with the exception of lunch time, until 2. Latin period, after which Miss Ward and I spent 3/4 of an hour on the lake. Exceedingly pleasant. Came in for Miss Heartwell and Miss Rand, and26 WHITE GOODS. BATES, REED & COOLEY. took a short walk. Prepared laundry list, and then got ready for dinner. Dined at 5:15. Went with Miss Tyler to call on Mrs. De Saussure. Met there Misses DeS., Halliday, Hancock, and Dean. Chapel from 6:30 to 7. Called on Miss Harvey, Miss Leech, corridor teacher Miss Lyon, and some other girls. Missed some callers while I was gone. Took a bath at 9:20. Retired at ten. Sept. 29. Arose, breakfasted and made bed as usual. Received a letter and P.O.or- 27 WHITE GOODS. BATES, REED & COOLEY. der for $5.00 from papa. Quite a surprise, a very agreeable one. Miss Heartwell, music teacher, invited me to walk to town; but I declined, as it is too far. Read prayer and other books. Spent a while in Miss Ward's room. Lunched at 12:15. Read "Lucile" most of the P.M. Walked an hour with Miss Ward and Miss Milk accompanied us part of the time. Misses Johnson and Shields went to P--, and bought sofa and curtains. Dined at 5:15. Chapel at 6:30. Spent evening in28 WHITE GOODS. BATES, REED & COOLEY. my room. Wrote New Year's letter home, and commenced a letter to Hattie. Misses Greene and Wallace called. Then Miss Dowdall came in and later Miss Hillyer and Miss Wilkinson. Latter knew Lou Ashley. Retired before ten. Sept. 30. Arose at 7:15. Breakfast at 7:45. Made my bed, and wrote a long letter home. Went to Chapel at 11. Spent from 12:30 until one in the reading room. Dinner at one. Walked from 2:10 to 2:40 with Miss Lyon. Came29 WHITE GOODS. BATES, REED & COOLEY. in and copied some French exercises, and then studied a while with Miss Johnson. Miss Dowdall, and Miss Taggart came in for quite a while. Wrote a letter to Hattie Fulton. Supper at six. Chapel at 6:30. Miss Briggs came up with Miss Shields and made a long call. Studied a while after she went, and then almost finished a long letter to Jennie Jones. Wrote in my diary, and retired at ten. Oct. 1. Real cold day. Arose, break fasted, made my bed,30 WHITE GOODS. BATES, REED & COOLEY studied, recited,lunched, and dined at usual hours, walked half an hour alone, and half an hour with Miss Bemis. Prayers as usual. Miss Heller was up here in the evening. Retired about ten. Oct. 2. Happy New Year. Would like to be at home today. Break fast at 7:45. Excused from all lessons. Read a long prayer, and spent most of the morning in my room. Lunched at 12:15. Spent about an hour and a half in the reading room. 31 LINENS. BATES, REED & COOLEY. It rained very hard all day until about 3:30. Miss Hills and I took an hour's exercise. Went first to the orchard and got some apples, then walked around. Dinner at 5:15. Meeting of new students in Lecture Room at six. Addressed by Miss Goodsell. Chapel at 6:30. Immediately after, certain of the young ladies, myself included, were to go to the Lecture Room. Object, to see about Essays, &c. Are to meet Mondays and Thursdays, at ninth period. Miss 32 LINENS. BATES, REED & COOLEY Goldberg gave me a very pretty New Year's card. She also gave me a sheet of N. Y's paper, Saturday, on which I wrote home. She is from Jefferson, Texas. Miss J. and I studied French together for over an hour. Then Miss Goldberg came in and stayed until 9:35. Miss Patterson, Senior, was around to see about our getting collation tickets for Phil. day. Put our names down. Retired at ten. Oct. 3. Arose before seven. studied a while; break fasted at 7:45;33 LINENS. BATES, REED & COOLEY. studied and recited as usual. Lunched at 12:15. Took part of my exercise on the Lake; then walked the rest of the time. Made my first visit to the Museum with Miss Shields. Had dinner at 5:15. Misses Poppenheim, Winne, Tyler, and Lyon were here between dinner and Chapel time, when we all went to prayers. Miss Heller came up to study French. Wrote a letter to Minnie Church. (How glad I would be to see her.) Was much disappointed not to34 LINENS. BATES, REED & COOLEY. hear from home so far this week. Retired at ten. Oct.4. Arose and studied as usual, had breakfast at 7:45. Made my bed, studied and recited as usual. Had meals at regular hours. Took usual amount of exercise, partly on the Lake, and part walking. Went to the English class for first time. Must have an essay ready three weeks from today. This evening after dinner went to the parlor and danced with Miss Winne. A great many of the girls35 LINENS. BATES, REED & COOLEY. go every evening, but chiefly old girls. Miss Heller came up again. Had seats assigned in Chapel last night and occupied them tonight for first time. Mine is in the 4th row from the front. Miss Patterson and Miss ... came to collect fee for Exoteric $1.00. I am now a member. Hope I will enjoy it. Miss Marchand was here for quite a while. Have not studied much to night. Will retire at ten. Am not satisfied with my diary; as it is36 LINENS. BATES, REED & COOLEY. composed of only the facts without comments; but I have so little time, and so many come into our room. Of course I am always glad to have them; but when they are here, I can not write. Just the same with my letters. Wish they would send me some papers and letters from home. Must write to them to do so. This is all for to night. Bon nuit. Oct. 5. Arose at a quarter of seven; studied a little; had breakfast at 7:45; 37 WOOLENS. BATES, REED & COOLEY. Made my bed; studied until 9; went down to the Office; "still not letter from home;" recited French until 10; studied then recited Geometry until 11:30. Commenced 6th book to day. Studied Latin until 12. Lunched at 12:15. Wrote a postal to papa. Walked 1/4 hour. Came in and studied Cicero. Miss Dowdall was here most of that period. Recited C. at usual time; after which started out to walk alone; met Miss Bemis, and we were out38 WOOLENS. BATES, REED & COOLEY. until four. Went over to the Tennis grounds and met Misses Dudley, Krauss (?), & Botsford. On my return, filled out my laundry list. Studied a little; then dressed for dinner. Dined at 5:15. Made a very short call on Misses Knight and Motley. Misses Jones and Fox came in and stayed a while. Chapel at 6:30; after which we called on Misses Mills and Colburn. Did not make any more calls, as many were out. Miss Shields and I went39 WOOLENS. BATES, REED & COOLEY. down to the store and bought some fruit, crackers, and butter. Lunched until bedtime. Miss Shaw came in and stayed all night with Miss S. Retired at 10. Oct. 6. Arose 7:15; breakfast at 7:45; made bed; went for mail; received three letters or rather six. Happy! Read and spent some time in the Library. Walked about fifteen minutes with Miss Van Zandt. Lunched at 12:20. Read in Lucile. Went down to Parlor J with Misses Jones and Johnson. Played on the40 WOOLENS. BATES, REED & COOLEY. piano for first time in Vassar College. Went walking with Miss Ward. Number of young gentlemen strolling around the grouds. Several of the girls were in our room. Cutrains all up at last. Had dinner at usual time. Chapel also. Went to Exoteric with Misses J. S. & Mills. Danced and had refreshments. It was very pleasant. That is about all I can say of it. There is a little girl in college Miss Marshall of Nashville, who has attracted a good deal41 WOOLENS. BATES, REED & COOLEY. of attention by her rather pretty face, peculiar walk. A good many remarks are made about her, some pro, some con. I do not admire her, as to me there is rather a fast look about her. She was quite the belle last night. The Misses Halliday came up with us from Ex. and stayed until 9:30. Retired at 10. Oct. 7. Arose about 7:15; took breakfast at 7:45; made bed; went to Bible class at 9; wrote to mamma and Hat. Chapel from 11 to 12:30. Walked till one; dinner till almost 2;42 WOOLENS. BATES, REED & COOLEY. read a little; studied French an hour; dressed and made a call; had supper at six; Chapel at 6:30; called on Miss Hartwell, Misses Goldstines and Hillyer & Wilkinson. At nine, went to an organ concert in Chapel by Miss Finch. Music very fine. retired at ten. Oct. 8. Arose at seven; studied; breakfast at 7:45; made bed; studied French until 9; received advertisement from P.-by mail; studied and recited Geometry as usual after French class; studied Cicero until 12; lunch43 FLANNELS. BATES, REED & COOLEY. at 12:15; went out at one and studied Latin with Miss Ward; recited from 2 until 2:45; rowed on the lake about 20 minutes; came in and studied until five; dinner at 5:15; note to Uncle Eli; Chapel at 6:30. Studied from 7 to 8. Had corridor meeting before 7; Miss Jones came up and stayed till almost nine; Miss Leech came to see me about changing place at table; am real sorry to leave Miss Hartwell. Took bath about 9:20. Retired at ten. Oct. 9. Arose a little before 7;46 FLANNELS. BATES, REED & COOLEY. day as usual; lunched at 12:15; spent about an hour on the Lake in the P. M.; was excused by Miss Goodsell for Thursday; had dinner at 5:15; made a call on Miss Leech; Chapel at 6:30; read a little in Lucile; had a very pleasant call on Miss Braislin. She is so kind and lovely. Met Miss Acker in her room. Came back to my room, and retired about 10. Oct. 11. It is Yom Kippur, and I have fasted all day. Arose after eight; received a letter from home; said a prayer47 SHAWLS. BATES, REED & COOLEY. for two hours; walked half an hour with Misses Shields and (Johnson) Greene; read another prayer in the afternoon; read other matter; walked an hour with the Misses Goldstine; dined at 5:15, pretty hungry. Missed our usual Yom Kippur supper. After chapel came up and studied till after eight. Went over to Music Hall, and bought some candy. Returned and studied until almost 10:30. Retired. Oct. 12. Arose about 7; had breakfast at 7:45; made48 SHAWLS. BATES, REED & COOLEY. bed; studied and recited French and Geometry as usual; prepared Cicero; lunched at 12:15; had an examination in C; walked an hour, part of the time in the rain; came in and found Miss Marchand here, prepared laundry list; dressed for dinner; dined at 5:15; spent half an hour in reading room looking over the Hamilton Lib. Became quite interested, as I found frequent mention of John D's name; also Dr. Miller's49 SHAWLS. BATES, REED & COOLEY. and Mr. Morey's. Latter seems to be studying law. Chapel at 6:30; called on girls in parlor 64; then on Miss Shulze, not at home; on Miss Hartwell, where I met Miss Farnham; on Dr. Allen with some of the girls; then came home; read some; Misses Shaw and Harvey came in; retired about ten. Oct. 13. Arose at seven; had breakfast at 7:15; made bed; got clothes ready for laundry; received a lovely letter from Hattie Fulton;50 SHAWLS. BATES, REED & COOLEY. read nearly all morning. went down to Miss Goldstine's room about 11:30; stayed till lunch, 12:15; received three papers from home; walked with Miss Rose G. from one to two; came in and read more or less until dinner time; had dinner at 5:15; called on Miss Goodsell for a little while before Chapel; prayers at 6:30; came up and began to get my French; Misses Taggart and Conkling came up to hear the story of the man said to51 SHAWLS. BATES, REED & COOLEY. have been in Miss Means' room. Hardly believe the story; but don't know. Misses S. and J. went down for some pickles; and we munched till bedtime; retired at ten. Oct. 14. Arose at 7:20; had breakfast at 7:45; went to reading room to learn Bible lesson; came up and made bed; went to Bible class at nine. wrote a letter to Hattie Houston; dressed for Chapel; wore my white muslin as it was so warm; services at eleven; dinner at one; took exercise52 SHAWLS. BATES, REED & COOLEY. and found some chestnuts; came in and wrote to papa and mamma, Hattie, Jennie Meyer, and Ray Fischel. (Dined at 5:15) Had supper at six. No evening prayers; but instead some missionary lecture; did not attend; Misses Goldstine came up with me from supper and stayed until seven; tried to study a little, but could not. Miss Trude Jones stayed all evening. Retired at ten. Oct. 15. Arose at 6:30; studied until breakfast, 7:45; made53 HOSIERY AND GLOVES. BATES, REED & COOLEY. bed; studied and recited French and Geometry at usual periods; received a nice letter from Julius and James; had lunch at 12:15; studied and recited Latin Prose; went chestnutting with Miss Pomerine; came in and studied some until dinner time, 5:15; spent a short time in reading room; attended a short meeting of Exoteric, special. Not as much dignity as Kalamathian; Chapel at 6:30; studied till after eight; called on Miss Lyon; Miss Dean and " (meaning "Miss") Jones stayed in our room 54 quite a while. Retired at ten. One thing I forgot. Subscribed for Vassar Misc. $2.00. Oct. 16. Arose after seven; breakfast at 7:45; made bed; made professional call on Dr. Allen; no prescription yet, am to go again Friday, may be before. Studied and recited all lessons as usual. Received a most interesting letter from Jennie Jones. Lunched at 12:15; went to walk about three; studied until nearly five; "Miscellany " was brought by Miss Ewing; Dinner at 5:15; wrote part of a letter to Dora55 Frank. Chapel at 6:30; attended lecture on art by Prof. Van Ingen from 7 to 8. Miss Heller came up to study French; but we talked most of the time; munched on crackers jam and pickles until bed time; retired at ten. Oct. 17. Arose after seven; had breakfast at 7:45; studied and recited all day as usual; received a letter from my dear mamma; lunched at 12:15; walked from 3 to 4; went to see Miss Finch about taking Virgil; not yet decided; A number of teachers and 56 pupils went to Newburgh to the celebration. Dined at 5:15; spent a while in reading room; Chapel at 6:30; Misses Kaufman Schreyer, and Marchand spent part of evening; studied and read until bed time. Retired at ten. Oct. 18. Arose at seven; had breakfast at 7:45; studied and recited all day, as usual; lunched at 12:15; received a message to go to Miss Finch at her office hour; walked 1$ of an hour; went to Miss F's and was admitted to Virgil Class, on trial. Am57 to go to her again Nov.1. Remained in V. Class but a few minutes; spent 3/4 of an hour on the lake with Miss Van Zandt; studied until 5; dinner at 5:15; wrote to mamma; Chapel at 6:30; studied from seven until nine; retired at 10. Oct. 19. Arose at 7; had breakfast at 7:45; made bed; went to see Dr. Allen, who gave me some medicine which was effectual; studied and recited at usual periods; first recitation in Virgil; walked an hour; heard part of a lecture given in Chapel58 by a Pinte Indian woman in costume, very good; dinner at 5:20; dressed and went to Chapel; called on Misses Anderson, Cowles (French teacher), Ward, Abbott, and Goldstine; a number of the girls were in till bed time. Retired at ten. Oct. 20. Arose 7:15; breakfasted at 7:45; spent a while in reading room; went to the Mail and received very interesting letter from Hattie; made bed; said prayer; read until 11:30; walked 1/2 hour; lunched at 12:15; walked another half hour; rained real59 hard; spent a while in library; read a little; girls came in and proposed a little spread for evening; buttered bread and prepared things; dressed for dinner; dined at 5:15; went to chapel at 6:30; Exoteric in room D at 7:30; went with Misses Kauffman[sic] and Schreyer, and had reserved seat; large attendance; exercises consisted of a farce "Who's to win him." Very good indeed. Adjourned about 8:15. Misses March and Dean, Wychersham; Schreyer, and Kaufmann[sic] spent most of60 evening in our room. Served chocolate and sandwiches; pleasant time. Miss Leach came and spoke about girls not being in their rooms by the twenty five minutes bell; second time she has been here lately. Retired at ten +. Oct. 21. Arose at 7:15; had breakfast at 7:45; studied Bible lesson; made bed; went to Bible class; dressed and went to Chapel; walked half an hour; dined at one; wrote long letter to Hattie; prepared my Latin Prose; had supper at six; no prayers61 this evening; wrote to Cousin Hat.; studied French a little, and commenced Essay; read a few minutes. Retired at 10. Oct. 22. Arose at 6:45; studied a little; had breakfast at 7:45; studied and recited as usual; lunched at 12:15; received four papers from home, which I had no time to read till this evening; took an hours exercise; dined at 5:15; read papers; Chapel at 6:30; Studied French with Miss Heller from 7 until 8 P.M. Studied Latin rest of evening. 62 Some of the girls here nearly all the time. Retired at ten. Oct. 23. Arose at 7:15; breakfasted at 7:45; made bed; studied and recited all day as usual. Received a letter from Hattie Honston; lunched at 12:15; returned my Virgil as Miss Kauffman lent me one; ... pens $1.30, consequently; took an hour's exercise; dined at 5:15; chapel at 6:30; studied till bed time. Nell Johnson had been sick all day and a great many have been in to see her. Time now to retire, 10.P.M. Oct. 24. Arose about 7; breakfasted at 7:45; made bed; studied and recited all day as usual; lunched at 12:15; was asked to take part in Exoteric, but have not time now; have to study real hard with four studies; took an hour's exercise, part with Miss Ward; dinner at 5:15; chapel at 6:30; studied all evening. Went to see Miss Clark; excused till Monday for Essay; obtained permission from Miss Leach to keep light burning until twenty minutes past ten. Retired. 64 Oct. 25. Arose at 7:15; breakfasted at 7:45; made bed; studies and recitations at usual periods. Examination in Geometry, Book VI; not hard; English class met; another essay in three weeks; received ... papers from home; forgot to say that I received letters from Papa, Julie, and Dora yesterday. Lunched at 12:15; dined at 5:15; took hour's exercise during the day; darned a pair of stockings, and did a little sewing; chapel at 6:30; studied nearly all evening. Retired at 10.65 Oct. 26. Arose about 7; had breakfast at 7:45; lessons as usual; began Book VII in Geometry; lunched and dined at usual time; walked an hour with Miss Mills; came in and made out wash list, and then dressed for dinner; spent some time in reading room; chapel at 6:30; did not make any calls; at eight went to chapel to hear a lecture on Greece, by a native; lasted two hours and was very interesting; illustrated by a stereopticon; 66 took my bath at 10:15; retired about a quarter of eleven. Oct. 27. Arose at 7:15; breakfasted at 7:45; made bed and prepared clothes for the laundry; received letters from Mamma and Heather; read "Through one Administration", by Mrs. Burnett, nearly all morning; lunched at 12:15; walked for an hour with Miss Tyler, and spent 1/2 hour in the museum. Miss Shields received a handsome brass placque for our room. Misses Symonds and Hassan were here for a while. Dined67 at 5:15; chapel at 6:30; spent most of the evening on my essay. Retired at 10. Oct. 28. Arose at 7:15; had breakfast at 7:45; made my bed; Bible class at nine; commenced a letter to Mamma and Papa; dressed and went to Chapel at 11; dined at one; walked half an hour with Miss Halleck; finished my letter and wrote to Heat. and Jule; studied French till after five; supper at six. Chapel at 6:30; called on Miss Heartwell; (out), Misses Hillyer, Wilkinson,68 and Hassan called. Studied some; talked to Misses Shields, Kauffman, and Schreyer. Miss K. has a decided mash on Lizzie, and is here nearly all the time. Have a miserable cold in my head. Retired at ten. Oct. 29. Arose at seven; had breakfast at 7:45; made bed; studied and recited as usual; lunched at 12:15; received a Bible from home; it rained all day, so I did not go out; dined at 5:15; darned a pair of stockings;69 went to chapel at 6:30; corridor meeting afterward; studied till after eight; Miss Jones came up and we made some chocolate; Misses Goldstine and Marchand came in and stayed until twenty minutes to ten; took foot bath and retired at ten. Oct. 30. Arose at 6:15; studied; breakfasted at 7:45; made bed; studied and recited as usual; lunched at 12:15; obtained missing clothes from laundry; received two papers from home; walked an hour;70 dined at 5:15; commenced letter to Hattie Fulton; chapel at 6:30; went to Miss Abbott's room with Miss Van Zandt to learn something about reading Virgil; studied good part of the evening; Misses Colburn and Milk called; retired at t0. Oct. 31. Arose before 6:30; studied till 7:45; had breakfast; made bed; studied and recited as usual; lunched at 12:15: walked an hour; dined at 5:15; studied til 8 , with exception of chapel time; invited Miss Kauffman, Schreyer, and Colburn71 in to celebrate Hallow E'en; first wrote names on slips of paper, put them in apples, and dived for them. My Apple had Mr. Coleman's name on it, one of Nell's Spring field fellows. next we had Neapolitan cream and cake, which we ordered from Smiths; climbed a sheet, played a few tricks; and altogether had a very nice time. Celebrated pretty well after all. Retired after eleven. October gone; Thanksgiving will soon be here. Hurra!72 Nov.1. Arose at 6:30; studied a little; had breakfast at 7:45; studied and recited all day as usual; lunched at 12:15; received a letter from Minn. Church, dear girl any way, though she waited so long before writing; wonder when I will answer it. Had examination in Cicero today and yesterday. Went to see Miss Finch and expect to stay in Virgil. Miss Dewitt, singing teacher died here today, and Miss Goodsell called a meeting in Chapel at 1:15. First death in College,73 since I have been here. Very sad. Received oil painting, tabourine, and velvet cap from home. All very nice. Walked an hour. Dined at 5:15; chapel at 6:30; studied French, wrote a postal home; ate candy and cake; "talked"; and retired at ten. Nov.2. Arose about 7; had breakfast, lunch, and dinner at regular hours; studied and recited as usual; went to English class for twenty minutes; walked an hour; did not dress till after dinner; read my four74 papers which I received from home; chapel at 6:30; called with Misses Ward, and Lowe on Prof. Braishir, Misses Finch and Hillard; all out or engaged; sent card up to Miss Clark's room, as I knew she was out; took bath at 9:20; retired at ten. Nov.3. Nell and Lizzie left for New York a little after five; I arose at 7:15; said prayer for Sabbath; received a letter from Hattie; settled laundry bill; obtained some ... and screws from Mr. Wheeler for 75 oil painting; went in to Miss Hartwell's for a few minutes, and she gave me permission to play on her piano in the afternoon; finished "Through one Administration", and like it very much; lunched at 12:20; walked an hour; practiced almost two hours at music hall; ...came up and bring my picture, which looks very nice indeed, and reminds me so much of home; dined at 5:15; spent time until chapel in reading room; chapel at 6:30; studied76 until about nine; Miss Poppenheim was here a while; girls returned about nine; retired at ten. Nov. 4. Arose at 7:20; had breakfast at 7:45; went to Bible class at 9; wrote or rather finished letter to Hattie Fulton; went to chapel; walked half an hour; dined at 1:15; wrote to Hat. and James; studied my Virgil; went to organ concert by Miss Finch from 5:30 to 6: then had supper; chapel at 6:30; called on Misses Hillyer and Wilkinson;77 came back and studied French, nearly all evening. Miss Hartwell has very kindly offered me the use of her piano for every Saturday P. M. Lovely of her. Miss Heller came up for "Second Wife." Retired at 10. Nov. 5. Arose at 7; had breakfast, dinner, and lunch at regular hours; most delightful day; received letter from Ray Fischel; walked half an hour, and spent the same length of time on the Lake; went to Reading room after dinner; chapel78 at 6:30; corridor meeting; studied all evening; took bath; retired about ten. Nov. 6. Arose at 7; breakfasted at 7:45; studied and recited all day as usual; lunched at 12:15; received a lovely letter from Belle Howe, and an advertisement from town. Was so glad to get the former; took an hour's exercise in the P.M.; dined at 5:15 in the French room; like it very well for a change, and hope it will help me with my French; wrote a letter to Papa and Mamma;79 went to Chapel at 6:30; studied remainder of evening. Retired quite weary at 10. Nov.7. Arose at 7; decided change in the weather; quite "breezy"; had breakfast at 7:45; studies and classes as usual; lunch at 12:15; Miss Conant called with her parrot; Nell and Miss Heller went to town; took my hour's exercise; dined at 5:15; read in Reading Room until chapel at 6:30; studied all evening. If I were at home tonight I would no doubt be at the Opera House to80 see Mrs. Langtry in "She stoops to Conquer". Would like to have the pleasure; but what's the diff? What can't be, can't be. Will hear all about it. [sentence in French] Almost ten, time to retire. Bon nuit. Nov. 8. Arose at 6:30; dressed and studied till breakfast time 7:45; studied and recited all day as usual; lunched at 12:15; received Catalogue of Eastman College; took an hour's exercise; dined at 5:15; spent remainder of evening as usual;81 retired at ten. Nov. 9. Arose at 6:30; studied; had breakfast at 7:45; lessons as usual; lunch at 12:15; excused from exercise on account of rain; did some mending; patched my "first elbow"; not so badly either; Nell is trying to break me of say[sic] "I don't know", so much; dined at 5:15; read "Hamilton Lit." in reading room. Only one name in it to interest me this month; Dr. Caldwell is absent so Miss Goodsell filled his place; consequence, prayer longer82 than usual, which is by far too long; called on Miss Colburn, Mrs. De Saussure, Misses Heller, Jones, Goldstine, Winne and parlor mates; all out but Miss C. Came home and read "Christabel" and "Among the Hills"; took bath, and retired a little after 10. Nov. 10. Arose at 7:15; had breakfast at 7:45; much disappointed to receive no mail; read a prayer; bought a hair pin; learnt a little of my French; kept Nell company while she worked; Lizzie had to go to Infirmary,83 on account of her eyes; but came back in afternoon; lunched at 12:15; received a circular from Eastman; Mr Hank from Springfield sent Nell a lovely basket of fruit; I spent a couple of hours in reading room, looking over the different college papers; walked an hour in the rain; practiced 3/4 of an hour on Miss Hartwell's piano in Music Hall; dined at 5:15; happened to ask Miss Brown in French room where her home is; she replied in Dansville;84 knows Ed. Money, his sister, and Miss Clara Whiteman Norman Marsh's "friend"; commenced talking English at a great rate; but Mademoiselle soon stopped up; told her we were excited at having found mutual acquaintances and could not speak of it in French; When we mentioned Bertha Holbrook, Miss Ellis from Antwerp, who sits next to me, asked if I knew her. Discovered she knows Bertha, Addis Whitney, Herb. Clarke, Alice Lawrence, and all the Gonv-85 ... crowd. Chapel at 6:30; meeting of Exoteric at 7:30; very good. First on program, "Greece in Flames" a burning candle; second "Things to Adore"; key, padlock, &c.; next a recitation by Miss Symonds; Maud Muller illustrated; very good, indeed; Farce "Courtship under Difficulties", very short having but three characters, Misses Welden, Dunham, and Hannah Patterson; after meeting, wrote part of my essay; retired at ten. Nov. 11. Arose at 7:20; had86 breakfast at 7:45; Bible Class at 9; finished essay; wrote letter to Hattie; dined at one; walked half an hour with Miss Ward; studied a while; at 3:30, went to Chapel; Pulpit occupied by Dr. Ferguson of the Five Points Mission, New York; there were with him fifteen of the Mission children, who sang very nicely , and also recited. One, especially, had a beautiful voice; copied my essay; had supper at 6; chapel at 6:30; commenced to study Virgil;87 Miss Brown made a long call; studied a little more; and the Misses Goldstine called; retired at ten. Nov.12. Arose at 6:30; studied; breakfasted at 7:45; studies and recitations as usual; received letters from Cousin Hat. and Sister Hat.; lunched at 12:15; walked an hour; dined at 5:15; chapel at 6:30; Prof. Dwight in the pulpit; studied and read papers from home; retired, after bath, at ten. Nov. 13. Arose at 6:30; had meals and recitations as usual; received letters from88 Mamma and Eleanor Couper; Nell had to go to Infirmary on account of a cold; so many sick; Lizzie has much trouble with her eyes; am very, very sorry and hope she will not have to go home. Walked an hour; wrote to Hattie Houston; chapel at 6:30; Prof. Drennan in Pulpit, and short prayer for a change; hope he will conduct the meetings while Dr. Caldwell is absent; studied till nine; retired at ten. Nov. 14. Arose at 7:15; had meals and lessons as usual; Nell still in Infirmary;89 Lizzie and Jean Kauffman sick all day; at least, inclined to be; took an hour's exercise; wrote to Mamma and Belle Howe; studied nearly all evening; retired at ten. Nothing new. Nov. 15. Arose at seven; studied, recited, and had meals as usual; received letters from Hattie, Julie, Leo and James; needless to express my pleasure; lovely in Hat. to answer my letter so quick; walked an hour; had English class; another essay Dec. 6th; interview90 Nov. 22nd in Miss Clark's room. Made short call on Miss Ward, it being her birthday; chapel at 6:30; studied some in the evening; Retired about ten. Nov.16. Arose about seven; had meals and lessons as usual; took exercise; chapel at 6:30; wrote letter to Hattie; Lizzie in N. Y. to see the Doctor. Misses Shulze, Rabe, and Nix called; Misses Jones spent the evening, made popcorn, and had good time generally; Lizzie returned about91 nine; can not study any more, and expects to go home soon; retired at ten. Nov. 17. Arose at 7:20; practiced an hour; meals as usual; went to town in the afternoon with Lizzie; visited Smith's, and several other places. returned home very tired; lay down all evening; Misses Jones, Briggs, Forbes, and Maloney were here during evening; retired at 10. Nov. 18. Arose at 7:15; had breakfast at 7:45; went to see Dr. Allen, as my throat92 felt a little sore. made me to to the Infirmary, and stay until Friday. Nov. 19. Spent the day in bed at the Infirmary. Received a letter from Hattie Judson. Nov. 20. Another day in bed. Letter from Jule; did not feel a bit sick; trouble with me, contagious sore throat. Nov. 21. Allowed to get up today; received "Advance" from home; studied a little Latin; played games with Jean Kauffman who is also in Inf. and in same room.93 Nov.22. Am one day ahead, but nothing of importance happened during preceding days, so no matter. Received while in Inf. a note from Nell, a rose from Miss Goodsell; a note and some flowers from the Misses Goldstine. Nov. 23. Came out of the Infirmary; everybody very nice and glad to see me. Went to classes as usual; examination in Geometry at hand. retired at ten, after attending a meeting of Exoteric.94 Nov. 24. Arose at 7:30; made long morning call on Miss Jones; called this P.M. on Miss Ward; borrowed her satchel; walked an hour with Miss Colburn; had interview with Miss Clark about my last essay; attended a Phil. play "Cricket on the Hearth", with the Misses Goldstine. It was very good indeed. Held in Music Hall. Large audience. Retired at ten. Nov. 25. Arose at 7:30; breakfasted at 7:45; wrote to Cuz. Hat; went to Bible Class at 9;95 chapel at 11: dinner at 1; walked half an hour; Miss Heller brought me up my ... materials; supper at six; spent a little time in reading room; studied more or less all day and evening. Retired at 10. Nov. 26. Arose at 7:15; took meals and recited as usual; received letter from Jule and check of $10 from Papa; did not go out on account of rain; commenced my banners; retired at ten. Nov. 27. Arose at 6:30; meals96 and lessons as usual; received letters from Hat. & Hat. Fulton; took exercise; went down to Miss Heller's for a little while after dinner; this evening attended very fine piano recital by Miss Stevens, graduate of the class of '82, who has been in Europe some time. Retired at ten. Nov. 28. Arose at seven; lessons all day; bought tickets to and from N.Y. Nearly all the girls went away on the P.M. train. Miss Howell and myself97 had a special street car. Met Hat. at the depot, and arrived in N.Y. at ten. Hat. was sick all the way down. Henny, Zelle, and Cousing Hat. met us at the depot. Nov. 29. Thanksgiving Day. went over to Kate's in the morning. Found her sick with a cold. Stayed until twelve. Abe and Ed. came up after dinner and stayed all evening. Cousin Hattie from Scranton came in the afternoon. In the evening, we had music, and then98 all took a long walk. Had lunch after our return. Nov.30. At 11:30, started for Hoboken to see Hattie off from Scranton; had lots of fun on the Ferry; spent some time on Broadway; walked from 14th St. up to 55th. Met Campanini on the street, also Jim Tallman and Turner. Spent the afternoon with PaulineSchloss; met there the Misses Davis, Meyer, Mayer, and several others. Did not go out in the evening. Dec. 1. Went with grandma99 to Aunt Bessie's; thence to Pauline's with Zelle; then down town; saw the Masonic Temple on five; went to Simpson;s and bought jersey; then to Huyler's; then home; received invitation to party Christmas Eve; returned to College on the 4 P.M. train; came out on the car with Miss Nassau; lent her 30 cents (in parenthesis); had lunch before retiring. Dec. 2. Heard neither rising nor breakfast bell; went to Bible Class and100 Chapel. wrote home and to Aunt; walked with the Misses Goldstine; studied; called on Miss Hartwell in the evening. Dec.3. Lessons as usual; first day of gymnastics; not assigned to any class yet; notheing particular happened, that I remember. Dec. 4. Was measured and weighed for gyms. Weigh 140 lbs.; belong to 8 P.M. class; received letter from Belle and Mamma. Dec. 5. Took part of my exam. in Geometry in the101 evening. Wrote and sent back my Jersey to Simpson's to have it exchanged. Only required to take half an hour's exercise now. Dec.6. No lessons today; received postal from Hat. saying she would arrive at noon; met her at the depot; went to Smith's for lunch; spent afternoon in the College; Hat. did not feel well; dressed about 6:30; and went down at 7:30; had good seats in chapel; exercises as follows; playing by the orchestra,102 "Poet and Peasant"; prayer by Dr. Caldwell; address by Miss McMillan Pres. of Phil.; Singing by Miss B... of N.Y.; playing by Miss Stevens; announcement by Miss Loomis, the Marshall. Collation in dining room; promenading in corridor and parlor, beautifully decorated; dancing and singing by College Glee Club. Retired a little after eleven. Hat stayed with me and Miss Beach with Nell. Very pleasant evening.103 Dec.8. Purchased some breakfast for Hat., as she could not go down. She concealed herself in the wardrobe while the maid did the room work. Received a letter and $5.00 from Jule. Went to dfepot with Hat., who left at 1:15; slept over an hour in the afternoon. Miss Brown called just before dinner and chapel in reading room. In the evening wrote letters to Mamma, Papa, boys, Dora and Ray. Got a bottle104 of mineral water from Dr. Allen. Retired at ten. Dec. 9. Arose at 7:35; went to Bible Class and Chapel; Rev. Dr. Elmendorf of Po'keepsie occupied the pulpit; wrote to Hattie Fulton; walked half an hour; spent a long time in reading-room; Misses Jones and Walratty called; studied all evening. Dec. 10. Lessons as usual; corridor meeting; took an exam. in Geometry in the evening; made105 out traveling list. Dec. 11. Lessons and everything as usual; received a letter from Jennie Jones; gyms. every night at 8; walk only half an hour. Dec. 12. No change from other days, only one day nearer vacation. Nell took my gold pin to town today to get it mended, walked with Miss Ward; she gave me an opportunity to trade ... with Hat. . This evening after gyms. went in to Miss Mill's room and stayed until 25 minute bell.106 Dec. 13. Lessons harder than usual today, especially Latin; went down to Mis Heller's room between dinner and Chapel with my work; short lecture by Miss Goodsell, subject "Advice for Vacation"; Miss Van Zandt came down to study Latin after gyms. Retired at ten. Dec. 14. Lessons difficult. Received letter and Check for $10 from Papa and Ma & letter from Hattie. Answered former. Walked an hour; in the evening107 called on Miss Hilllyer and room-mates; went to Exoteric at 7:45; meeting rather dull; after exercises, treat and dancing; took bath, and retired. Dec. 15. Had to report to Miss Goodsell, as I was marked absent from gyms. Thursday night by mistaken, made it all right. Received letter from Jule. Walked an hour very cold; trunk and hat arrived. Ticket agents came out with tickets, checks, &c.; made morning call108 on Misses Goldstine; wrote to Hattie Judson, Eleanor, Belle and Hat. in the evening. Well done n'est ce pas. Dec. 16. Went to Bible Class and Chapel; wrote to Jule and Mamma; prepared my French and Virgil; walked half an hour; called on Miss Brown; did most of my packing. Dec.17. Lessons as usual; first day of snow; trunk all packed and ready to go. Took hour's exercise; sent off box with ... in. 113 Dec.18. Lessons as usual until noon; left College at 12 M., Po'keepsie at 1:15. reached N. Y. at 3:45; two Hatties met me at the depot; did some shopping; found all well. Dec. 19. Received a letter from home; very stormy; spent a most pleasant day at Cousin Hannah's; returned home to dinner. Dec. 20. Went down town shopping in the afternoon; bought my cloak at Sterns;114 Met Gen. Judson on 3rd Avenue; had lots of fun. In the evening, went with Henry to the Casino to see the "Beggar Student". Dec. 21. Did not go out in the morning as Cousin Hat. was sick in the A. M.. Kate came over and we went to call on Miss Willard; During our absence, Mrs. Cohn and her daughter called. Received letters from Mamma and Minne; Abe came up and spent the evening.115 Dec.22. Went to the Temple in the morning; to see Geistinger in "Boccaccio" in the afternoon. Dec.23. Spent day with Kate; Abe came up after dinner and walked home with us; Ed was at Uncle's to supper, and spent evening. One of the coldest days of this winter. Dec. 24. In the morning, Hattie went to her painting, and cousin H. and I went shopping. P.M. we went over to Brooklyn, and116 called on Nellie Barrett. 115 or 159, I think, 6th Avenue. Received box from home Saturday containing dresses and Xmas gifts from Jennie and Hattie F. Dec. 25. Merry Christmas. Snowed very hard. Spent P.M. with Mirs Klingenstein; went with H... to see Ada Rehan in 7-20-8, in the evening. Missed callers, Miss Isidor, Messrs Halin, Isidor, and Simpson. Dec. 26. P. M. Went to Pau-117 line's to sewing class. Met Misses Seligman and all the girls; had a fine spread, and music. Dec. 27. Went to Cousin Hannah's to spend a few days; Mark was home from College, and a friend of his, Mr. Kelly stayed to lunch. P.M. Went in the carriage to call on Dr. B.; thence to the dress makers; rained very hard so made no more calls. Met all the boys and Mr. S. at dinner; had to play, of course,118 In the evening, six of us went to see Booth in the "Merchant of Venice" & "Katherine and Petruchio." Her is grand. Went to Bernard's restaurant; reached home at 12:40 P.M. Dec. 28. A.M. Wemt through Macy's, Tiffany's, and the Cathedral on 5th AVe. Met Pauline on Broadway. P.M. Cousin Hattie and Jennie Meyer called; was sorry not to see more of Jennie, but she119 made a very short stay. The evening Sabbath service was beautiful; Cousin H. wore an elegant white cashmere wrapper, embroidered down the front, and all trimmed with lace; very fine supper; lasted about two hours; we then adjourned to the parlors, where we ate and talked until nearly eleven. Dec.29. Went to 34th St. Schule in the morning. Dinner was not over until nearly three; Mr. Sondheim and Louis Blum-120 enthal called; left S-'s about 4:30; L. B. came home with us. Had a most delightful visit at Cousin Hannahs's. In the evening, Cousin Hat. went to the Freundschaft, and Abe took us to see the "Rajah", at the Madison Square. Went to Dorlans and had oysters. Reached home after 12. Found letters from Mamma and Hattie Fulton. Dec. 30. Wrote letters in the morning, and read. Uncle Ed. came up to121 dinner and stayed as usual. P.M. Addie and Julia Blumenthal called with Louis, and spent afternoon. Like them very much. In the evening, called on Miss Rosenthal, next door. Do not admire her in the least. Dec. 31. Last day of the year. Zelle and I went shopping in the morningl P.M. Hattie and I went to the Loan Exhibition: very fine and interesting; met the Brosnans from Brooklyn. Called on Mrs.122 Cohn, 269, East 61st St. Spent the evening at Mr. Jake Blumenthal's; met Lottie and Elias B. there; had a very pleasant time. The old year with all its joys and sorrows has departed; and with the bright New Year we will turn over a new leaf and begin a fresh page. 1883, Farewell.125 Sold or Rented. Virgil --- $1.30. Geometry --- 1.00 Botany -- R---- .75135 Sept.18 $18.00. 10.00136 April, 1883 11. $ 8 silk balls .75 1 pr. steels .17. 1 Collar .15 Cream .15 Car Fare .20 Founders Invitations. 1.20.
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Creator: Stanton, Elizabeth Cady, 1815-1902
Date: 1890
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Creator: Wenssler, Michael
Date: 1493

Date: 19-Jul
Text: Life Sketch of czgawt can Slcudan by her Granddaughter NORA STANTON BARNEY Civil Engineer and Architect rd‘! Published on the 100th Anniversary of the day that 4 ex.-Quart eat, gfaafoa submitted the first resolution in the world demanding the Elective Franchise for Women Seneca Falls, N. Y., July 19, 1848 Elizabeth Cady Stanton was born in Johnstown, New York, on No- vember l2th, 1815. Her family was wealthy, judged by contempo- rary standards, and she could have lead a life of ease and...
Show moreLife Sketch of czgawt can Slcudan by her Granddaughter NORA STANTON BARNEY Civil Engineer and Architect rd‘! Published on the 100th Anniversary of the day that 4 ex.-Quart eat, gfaafoa submitted the first resolution in the world demanding the Elective Franchise for Women Seneca Falls, N. Y., July 19, 1848 Elizabeth Cady Stanton was born in Johnstown, New York, on No- vember l2th, 1815. Her family was wealthy, judged by contempo- rary standards, and she could have lead a life of ease and luxury, but the seed of divine discontent was A within her. The sad lot of most women penetrated her soul at an early age, and she chose, instead, a life of continual work, hardship and battle. She had to contend with op- position within the family, also. Her determination to speak in public, and her stand for the enfranchisement of her sex caused her father to disin- herit her. Yet she was never hitter , and her dignity, humour, unbounded health and energy carried her through the ocean of ridicule, frus- trations, prejudice and intolerance to the ripe age of 86 years. She was ageless, , and could en- _ thrall my English and French cous- ins and me with stories of her youth as easily as she could move a vast audience with her oratory and logic. Her lectures and writings covered the whole ﬁeld of human progress———— “Motherhood”, “Sex”, “Our Boys”, “Our Girls”, °‘Woman Suffrage”, “Dress Reform ”, “Woman, the Church and the Bible”. She was a diligent Greek scholar and a great student of the Bible. She inveighed against the degraded position accord- ed to women by the orthodox churches of her generation. She was a Unitarian, and a firm believer in the brotherhood of man and the right to political and economic equal- ity of all human beings regardless of color or sex or race. Seneca Falls was her home for 16 years from 1847. The little town seethed with activity from the day she set her foot there, and on July 19 and 20,1848, the long-discussed plans of Elizabeth Cady Stanton and Lucretia Mott to hold a Woman’s Rights Convention were realized. One hundred well-known men and women attended and signed the “Declaration of Sentiments”, but it was Mrs. Stanton who moved the reso- lution that women should be granted the elective franchise, a motion sec- onded by Frederick Douglass. A storm of protest arose, but the motion was carried by a small margin. Over the cries of ridicule and denunciation heaped on the Convention and its sponsors by pulpit and press arose the clarion voice of Wendell Phillips. ————“This is the inauguration of the most momentous reform yet launched upon the world, the first organized protest against the injus- tice that has brooded for ages over the character and destiny of half the human race”————, and Frederick Doug- lass in “Lone Star” and Horace Gree- ley in New York Tribune published the only editorials in praise of the Convention and its objectives. Often reformers of one generation _ become the conservatives of the next. , Thiswas not true of Mrs. Stanton. She wrote a letter which was read at the celebration of the 50th anniver- sary of the 1848 Convention, which ended as follows: “. . . My message today to our coadju- tors is that we have a higher duty than the demand for suffrage. We must now, at the end of fifty years of faithful ser- vice, broaden our platform and consider the next step in progress, to which the signs of the times clearly point,———name- ly, co-operation, a new principle in in- dustrial economics. We see that the right of suffrage avails nothing for the masses in competition with the wealthy classes, and worse still, with each other. “Women all over the country are working earnestly in many fragmentary reforms, each believing that her own, if achieved, would usher in a new day of peace and plenty. With woman suf- frage, temperance, social parity, rigid Sunday laws and physical culture, could any, or all, be successful, we should see changes in the condition of the masses. We need all these reforms and many more to make existence endurable. What is life today to the prisoner in his cell, to the feeble hands that keep time with machinery in all our marts of trade, to those that have no abiding place, no title to one foot of land on this green earth? Such are the fruits of competi- tion. Our next experiment is to be made on the broad principle of co-operation. At the end of fifty years, whose achieve- ments we celebrate here today, let us reason together as to the wisdom of lay- ing some new plank in our platform. “The co-operative idea will remodel codes and constitutions, creeds and cat- echisms, social customs and convention- alism, the curriculum of schools and colleges. It will give a new sense of jus- tice, liberty and equality in all the re- lations of life. Those who have eyes to see recognize the fact that the period for all the fragmentary reforms is ended. “Agitation of the broader questions of philosophical Socialism is now in order. This next step in progress has been fore- shadowed by our own seers and prophets, and is now being agitated by all the thinkers and writers of all civilized coun- tries. “The few have no right to the luxuries of life, while the many are denied its necessities. This motto is the natural out- growth of the one so familiar on our platform and our official paper, ‘Equal Rights for All’. It is impossible to have ‘equal rights for all’ under our present competitive system. ‘All men are born free, with an equal right to life, liberty and happiness’. The natural outgrowth of this sentiment is the vital principles of the Christian religion. ‘Love thy neighbor as thyself’. In broad, liberal principles, the suffrage association should be the leader of thought for wom- en, and not narrow its platform, from ‘year to year, to one idea, rejecting all relative ideas as side issues. “Progress is the victory of a new thought over old superstitions!” If she were living today, she would no doubt be a champion of civil rights and just as many unpopular causes as in 1848. She would be de- manding the full emancipation of woman and equality of rights under law, inveighing against intolerance and bigotry, imperialism and monop- oly, and championing the rights of the common man throughout the world. Until 1900, she held, the pre-emi- nent position in the feminist move- ment, not only in her own country but throughout Europe too. During the last years of her life, she was uni- versally known as “The Grand Old Woman of America”. Some of the high lights of her long life were: In 1848, was the principal organ- izer of the ﬁrst Woman’s Rights Con- vention, and moved the woman suf- frage resolution. In 1854, the ﬁrst woman to ad- dress the New York legislature from the speaker’s rostrum. She was president of New York State -Woman Suffrage Society in 1854. She helped form the ﬁrst National organization for woman’s rights—— The National Woman’s Suﬁrage As- sociation, and was its president from its inception almost continuously for 20 years (1869-1890). When later the American Woman Suffrage Association merged with the National Woman’s Suffrage Associa- tion to become the National Ameri- can Woman Suffrage Association, she was elected president. She made the principal address at the great Cooper Union mass meet- ing in 1861, calling on Lincoln to free women as well as the Negro, and enfranchise both. She ran for Congress in New York State in 1866. In 1869, when the family ﬁnances were at a low ebb and the education of the ﬁve younger children in jeop- ardy, she registered with the Lyceum hureau, and toured the country from Maine to Texas on the famous Or- pheum Circuit, earning from $100.00 to $200.00 per lecture. She did not stop this arduous work until Bob, her youngest, was graduated from Cornell University in 1881. She and Packer Pillsbury edited the periodical, “The Revolution,” from 1868 to 1871. She made the principal address when the W7oman Suffrage Amend- ment was ﬁrst introduced in Congress in 1878. She wrote her coworker, Su- san B. Anthony, who was lecturing in the West, an account of it. This amendment was identical with that ﬁnally passed in 1919 as the 19th Amendment (sometimes erroneously named the Susan B. Anthony Amend- ment). s The three ﬁrst volumes of the “His- tory of Woman Suffrage” early edi- tions, bear the legend, “Edited by Elizabeth Cady Stanton, Susan B. Anthony, Matilda, .1 oslyn, Gage.” She initiated the International A Woman Suffrage Committee in 1882, in England. On her 80th birthday in 1895, there was a huge celebration at the Metropolitan Opera House of New York City, with memorials and pres- ents from every state, anddmany from abroad. In the Smithsonian Institute at Washington, there stands a large goblet presented to her by the Wom- an Suffrage League on which is en- graved, “Defeated Day by Day, but unto Victory Born”. The reforms she advocated and for which she was ridiculed have largely come to pass: Higher education for women; won1an’s political enfranchisement; dress reform; short skirts; the aban- donment of corsets; the abandonment of swaddling clothes and tight ban- dages for babies; the abandonment of seclusion for women during preg- nancy; getting up soon after child- birth, and continuing one’s duties; liberal divorce laws; a single stand- ard of morals; equal guardianship; property rights, etc. But some of her demands of 1848 still remain unaccomplished, as for instance, complete emancipation of women so that they may have equal- ity of rights under the law, and the full protection of the Constitution. And with all this public activity, she bore and reared seven children, ﬁve boys and two girls. There is a letter from an admirer of hers, my grandfather, writing from Washington, January 16, 1857, to my aunt Margaret Livingston Stanton, then ﬁve years old. He said: “Tell your mother that I have seen a throng of handsome ladies, but that I had rather see her than the whole of them :————hut I intend to cut her acquaintance unless she writes me a letter.” My memories of my Queenmother, as all of us grandchildren called her, are of a delightful person to live with and play with. Backgammon, chess and checkers were our almost night- ly amusement. I have memories of men and women, colored and white, of high and low estate, seeking her counsel and advice. The mornings she spent writing endless letters and articles. During those years, 1897 to 1902, she wrote her autobiography, “Eighty Years and More”, and also “The Woman’s Bible” (her delight- ful commentaries on the women characters of the Bible and her inter- pretations) . Indefatigable to the end, the day before she died, she wrote a letter to Theodore Roosevelt urging him to include sponsoring woman sulirage in his inaugural address. A great writer, author, feminist, philosopher, orator and reformer, friend of Phillips, Douglass, Carri- son, Greeley, Whittier, the Brights and McLarens and feminists through- out the world, passed on into history the 26th day of October, 1902. The author lived with her during the last years of her life, at 26 West 61 st Street and 250 West 94th Street, New York City. Additional copies can be obtained by writing Box 436, Greenwich, Conn. Price 25 cents, postage paid.
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Creator: Stanton, Elizabeth Cady, 1815-1902
Date: 1872-04-01
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L i 3: j.» a» if . L’ “it -L~; _,.;«' . A _ ' ___,.»_ I . <.‘.7.\‘ J.‘ #3 is ’ 44*‘ 9" 9 1 /11' 4.. . -,3 V; K‘ i .4 f p" 1' ‘ \ R ‘J’ y/, ,,.r i ,7 J 4‘ "‘ 7' " , 9’ I » ‘ V7 :7’ Z R’ / ‘F ’ if, K‘ r ' K ‘__, W ’;. J ‘ Q _I ; 7 A3 Y . .52‘ {1’:—:;’' ,4 /"0 A *3’ . _ I 49 ‘ I xe _./V“ _":,‘J' .. ./ 5.-» w.»‘ ;->s’mIs.»'.;~..-V . 1 zk A 5. ~ -~* ' ‘ E,» . J .2‘ i -. '7 . 1* .é* . ‘r 16, ,' I. .;. 4- 1’ “ n I .5 re .1’? I? ./ a‘'‘«:r..- _ » , , ‘ _ _ , _ , \ /-v‘ ,-1 _ ’k’/>.r" - , I .159 C O ? Y ~$£aw&ﬂt .xi*““‘ ‘e /, -u-:«-'I:»,...«ﬁ},7"' ‘,5 1‘ my; 1 ’y ,. New Castle Delaware Ea:-ril 1 , 187;] Dear ﬁaulina, dead encloeed and eend to Ere. Hooker ae reqneeted. I have just enent a day and night with Lucretia a hrs. wright where I meet John Bright's sister again a many ther pleasant friends ae Lucretia invited one dett ieiﬂ to dinner, another to tea, a etill another to enend the night & hreakfaet. Ere. h. a I read all theee letters hut decided that it was not heat to enggeet any doubt in reference to dear Woodhull in other ninde. I queation the wiedon of any inveetigation or connente on are. §oodhull‘e antecedente,& we did not ehow thie letter eeven to L.nJ there ie to me a eaoredneee in individual ewnerience that seen liwe nrofanation to search into or ewpoee. Woodhull etande before we today, one of the ahleet eneawere and writere of the century, sound a radical aliwe in nolitical a social nrincinlee. her face a form indicate the complete triumph of the eeiritnal over the eenenone. The nroceeeee of her education are little to ue, the grand reenlt everything. are our brilliant beautiful flowere leee fragrant, our rich luscious fruite lees nalataole hecanee the debris of filthy etreet d barnyarde have nouriened d enriched then. ﬁne natn e that can stand every nhaee of eooial degradation, poverty, vice, temptation in all its forme & yet tower up above all wonankind ae our Victoria doee today, gives unmistakable proof of ita divinity. Ehe Lilian dandidum, that magnificent lily so white d nure that looks ae if it had never battled with wind or etorn, the queen of flowere, flourienee in all eoile, hravee all winde a weather, heat a cold d with ite feet in frozen clode, it lifts ite pure whiten face towarde the etare. aoet wonen liae the fnehia faint in the firet rude hlaet — faded d withered nroetrate in the duet they think there muet he eonething wrong, eone euhtle noieon in the hardy nlante that grow etronger d braver in the hattlee where they fell. We have had women enough eacrificed to thie eentinental h nocritical oratinz about nuret‘£ this ie one of nan‘e moat Fr l S * _ Jz , I 1 , effective enginee for our euhgugation. he createe the puolic sentiment, hnilde the gallowe, a aawee we the hangman for our own eew. Women have crncitied the aary Eolletonorarte, ranny ﬁriante, George Sande, Fanny Kenhlee of all agee a now men mock we with the fact a say we are creel to each other. Let ne end this ignoole record d if ViCtOPiaWoOdﬂUil ie to he crucified, let nen do the deed, while aa her aeienaere we hedae her round aoont, ever true to womanhood. that contemptihle nunny referred to in ﬁre. hooker‘e letter, would not nelieve under oath. he undoubtedly helonge to T that large claee of men who imagine themselves eo irreeietahle z”doilection . -2- Enat a;L women aye melted in their preaaace. Gf ai¢ the atories writtan & told me, I have made one invaria@le ?@§ly ﬁe men & woman. Grant all yen gay is true; whaﬁ nag crushed magt wamen n&$ bash the mgamg of & gramﬁ éaveiapment ts her. If Gaﬁkerine Eeecher had aver leved with sufficiemt d€VOtiOﬂ, passion, & abandon any of &@am‘3 sang to have rcrgotzen neraeir, me? God, new iamiiv, her propriety, & enéured for a Mrief sp&ce the world‘s coléneag, ridicule, or gcarm, Ehe deptng & ricnneﬁs 0f may napure mlgnp nave mean p;0ugned up & 3&3 saveé from exhihiting to the wmrld the narrow, bigoﬁed, arrogant woman aha 1% taéay. These @001, calm prager Ehariseea than never Eiunagr, who thank the Lorﬁ in their clagetg that they are not like other men er wom@n, are invariably the moat selfiah & uﬂf§@llﬁ§ of &Li &od‘$ craazures. " *~ -5 M *'* m 1".” 1* - -. 4»-* m * .‘ I naa a fine aualenee lﬂ :n1;adeLgh1a & mUGf8ul& b&l@ Z maﬁa a aooﬂ gpeech. I am new Sgemaxng a zew @&ga in a Qaiace meme 0: egg or my Sougnern friends on ﬁne maaga Sf Eexaware ﬂay. E gs E0 E.E. on Eandag. ﬂaw Rahal at ﬂwarthmore. I have ROE time taday ta write to hrs. ﬁocxer so send mar ﬁnig. Eourg sincereiy, -“jfw -'1 ("*1 g («I 3 (Elizabeth Cad; ﬁﬁanhon) .,T. L Y I mo‘
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Date: n.d.
Text: £7 Cﬁobhawa ;»Afh, ' 9, .- N‘ .. .9 I}; »\ __./—_..‘;\\ /x::f:7‘\#\\ /_ 7 _/ \\\ X \J .....\ \ A &«:AR<\zO.\ N» w A’ A /A \ m ﬂ ’ %?7f**“* / ~_V,,,,.~-_ ._ I ;gg§,Wj;;:::::\\\\\ _ , 3»/I {{{{ 0 7 RT11 S16 ylutv ) \ \_ ‘*'~L,z“'‘ ’/ _ yr \\.\_ L ,. /// \\ L-—r-J / . A 1' \!/ \£——-'4’ I W \I/ \I/ \I/ \1/ W W \|/ \I/ \1/ \Y/ \!/ \I/ /l\ ,l\ 1/Ix /|\ 4 ,i\ /;\/|\/]\ /1\ /]\ /[\ /‘l\ + \/A\\ /A / ”//,.«/ / 1 \\ / El/ﬁ;$?a.,§a7Z. ]’7°ice 3 L 0 11 do n, ‘ . ASHDOWN ...
Show more£7 Cﬁobhawa ;»Afh, ' 9, .- N‘ .. .9 I}; »\ __./—_..‘;\\ /x::f:7‘\#\\ /_ 7 _/ \\\ X \J .....\ \ A &«:AR<\zO.\ N» w A’ A /A \ m ﬂ ’ %?7f**“* / ~_V,,,,.~-_ ._ I ;gg§,Wj;;:::::\\\\\ _ , 3»/I {{{{ 0 7 RT11 S16 ylutv ) \ \_ ‘*'~L,z“'‘ ’/ _ yr \\.\_ L ,. /// \\ L-—r-J / . A 1' \!/ \£——-'4’ I W \I/ \I/ \I/ \1/ W W \|/ \I/ \1/ \Y/ \!/ \I/ /l\ ,l\ 1/Ix /|\ 4 ,i\ /;\/|\/]\ /1\ /]\ /[\ /‘l\ + \/A\\ /A / ”//,.«/ / 1 \\ / El/ﬁ;$?a.,§a7Z. ]’7°ice 3 L 0 11 do n, ‘ . ASHDOWN & PARRY, HANOVER SQUARE- MUSIC ‘LIBRARY » x. . - V _ VASSAR COLLEGE ﬂ ,- , , ../r’ A-_., -V "zy ﬁg’. r.,~ﬂ/ y ‘ - "u 1 ' '1», "N . g /. % ?R@§? WEQ m0?u SONG. WORDS BY LONCFELLOW. MUSIC BY BOYTON SMITH. MODERA To. know a mai».._de11 fair to see, Take care, oh,‘ take care. can both false and frie11d_1y be, Be-ware, oh, be_'ware. )2 {A8cP. N‘? 5526) her not she’s fool ing thee, She can both false and friendly be /9/-7 .staccdt0. _her not she’s foo1.-.ing‘ thee, She’ fool _____________ __ing thee, p 000 7718710 7710880 . She has two eyes so soft andbr0wn,Take care, be__.ware :4 1‘ 3 . \/ ‘\.. $_,/ L2 ~ V /3 P000 menu M3830. ‘/ . ¥/ clam. BOYTON SMITH, Trust hm‘ not, { A &p_ N? 5535) CON 88p ’l‘€b'.5'. gives a side-glance and looksdown, Be-Ware, oh, take care. ritenuto. _ 50-S't€)ll1t(). dunl) 1({()_ Trust her not she’s fool ....ingthee, ‘She can both false, and friendly be Trust her not she’s _f001...i11g thee, Shefs fool .............. _.ing thee. f> BOYTON ‘SMITH, 'I‘ru<:*. her rwf (A 35 p_ N9 5523', {she has hair of a go1-den hue, Take care, beware,take care. \«_*/\“.\§/\E_ \/K \_/ dol. ’ sostenuta . What she says, it is n0ttrue,Oh trust her not, take care. L6) 0 ~ ban sostenu 0. ‘ calla vuce. A- Trust her not she’s fool.....ing‘thee She can both false, and friendly be Trust her-_ not she’s fo0l_-.ing thee, she-’s fool ______________ --ing thee. Trust her nrf, . ‘ N? V ' e Mien: be/n sostenuto. gives . thee a gar.-- land wo ven fair,_ Take care a fool’s-ca.p for thee to wear, be.-. Lw‘itenuto. _ _ _ _ _ _ sempre. .- ed accel: Take care , Trust her not she’s . L_/ mtenuto. _ _ _ _ _ BOYTON SMITH, Trust he)-‘not. ‘ ‘ 4 A & P_ N9 5526; fool ..... -- ing thee, f> Trust her not ff strn BOYTON SMITH, Trust her not. 0 1‘ ere pm} a pm. She can both false and friend .... ..1y be she’s fool ing thee-, She’: fool ....................... -- ing‘ cgfz her not. . . . . she’s fool .... .-ing she’s fool ............. .. ing thee 3 -6- > "6 "5 (5526) J & w" P'£'AnMAN" L:ru6s,?3,cAs1Ls S1'.EA$1‘. JSHDOWN 8cPARRY. LONDON. . ‘ ‘ krklu. h 1, . ix zbrzx £,...t., 2. £2 _ .1», A irEmK!.I..._m..u5..§.n, . . . .. _ ...r»..
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Date: 1900
Text: MUSIC uannnv VASSAFI COLLEGE POUGHKEEPSIE, new vonu 13 ‘Hemmer anb ‘mp 201%. gvacreb 590%, Tf from Ch: Q3ol’écn ﬁcgcnb. . 2.17orb:3 1 by Xongfcffom. i Clﬂtuzaic % big Eubfeg %11Cf’~+ E A‘;/‘ I . ‘V - -,v 9' J , (.1 ' A / 15195 Vmce. J<>5”'U’“*"h ﬁmpmw Gwcimm a/TL. (.f?1",£‘1,“""' 1/Lew/1} ark ivwst C. on Ron. My Redeemer and my Lord. From the“G01de11 Legend’; Scene V. Elsie’s Chamber. Night. Elsie praying. (Low Voice.) Poem by H.W. LONGFELLOW....
Show moreMUSIC uannnv VASSAFI COLLEGE POUGHKEEPSIE, new vonu 13 ‘Hemmer anb ‘mp 201%. gvacreb 590%, Tf from Ch: Q3ol’écn ﬁcgcnb. . 2.17orb:3 1 by Xongfcffom. i Clﬂtuzaic % big Eubfeg %11Cf’~+ E A‘;/‘ I . ‘V - -,v 9' J , (.1 ' A / 15195 Vmce. J<>5”'U’“*"h ﬁmpmw Gwcimm a/TL. (.f?1",£‘1,“""' 1/Lew/1} ark ivwst C. on Ron. My Redeemer and my Lord. From the“G01de11 Legend’; Scene V. Elsie’s Chamber. Night. Elsie praying. (Low Voice.) Poem by H.W. LONGFELLOW. Music by DUDLEY BUCK. Andante espressivo. S6?7lj77‘6 0072 Fed. dz’////. -7-WM r~ W). ‘W Copyright MDCCCC by The John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MDCCCU by The John Church Company in the Department of Agriculture. my Re - deem — 8”.“ rm’ 125. be — seech Thee, me in each act and word, That here — aft that here — aft - - er Imay meet Thee, /T. \VéIch _ ing, yearn - /\/"\ — ing,with my lamp well - trimm’d‘,v we11.trimm’d and >burn _ >’ P co/la woe. pp VF 13234-7- " mosso. In -ter _’ ced — - ing with thesé bleed _ / ingwounds, these " mosso. bleed _ ing wounds up-on Thy hands and side, V For all who have lived’ and . Thoulhast suf - fer’d,Thou hast died, Thou hast /zoco acce/. suf - ’ fer’d, Thou hast died: _ Scourged, and mockéd, and /zoco mil. M0110 HZ Lg . - ci_fied, _.._ And in the grave hastThou been bur- ied! Tempo I. mezza voce. If my fee - ble prayer can reach Thee, S6’/7}/)7'6’ /ra72guz'Z!0. E1’-67)/])7‘6.’ per/. ”x be _ seech Thee, I be - seech /\ {Liz L- E - ven as Thouhastdied for me, More sin - cere - ly, more sin _ Let me fol _ T _ lowwhere hou ead - est, b1€ed—ing as Thou if dy-ing I may give who asks to And more near _ 9 6"/'6’.S'(}. dy- ing thus________ re-sem-b1e Thee! More /\ f more near _ ly, more near - ly, es — ingthus re- sem - ble Thee, ble Thee! , u. , u .\
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Creator: Blackstone Studios (New York, N.Y.)
Date: 19--

Creator: Bushby & Hart (Lynn, Mass.)
Date: 1872

Date: 1900
Text: SPRING HAD COME FROM SCENES FROM THE E SONG OF HIAWATHA SOPRANO. S. cloleribgeﬁaylor. .1. 1*‘ " K . R ' “~ A ‘I \ ?\‘*~ 0’ / ' , ‘ _‘-*>\ '\ L0./vpoyyxg 11 5? K ,»2 Q; 2 IA. j\(o/Eve//0 €65 Co., Ltd. E V E Compositions by S. Coleridge=T aylor. SCENES FROM LONGEELLOWS “SONG OF HIAWAT HA EOR SOPRANO, TENOR, AND BARITONE SOLI, cHORUs,IAND ORCHESTRA I ( OF. 30). Price, complete, 3s. 6d. Paper Boards, 45. Cloth, gilt, 5s. Tonic So1—fa, 2s. Words only, IOS. per Ioo....
Show moreSPRING HAD COME FROM SCENES FROM THE E SONG OF HIAWATHA SOPRANO. S. cloleribgeﬁaylor. .1. 1*‘ " K . R ' “~ A ‘I \ ?\‘*~ 0’ / ' , ‘ _‘-*>\ '\ L0./vpoyyxg 11 5? K ,»2 Q; 2 IA. j\(o/Eve//0 €65 Co., Ltd. E V E Compositions by S. Coleridge=T aylor. SCENES FROM LONGEELLOWS “SONG OF HIAWAT HA EOR SOPRANO, TENOR, AND BARITONE SOLI, cHORUs,IAND ORCHESTRA I ( OF. 30). Price, complete, 3s. 6d. Paper Boards, 45. Cloth, gilt, 5s. Tonic So1—fa, 2s. Words only, IOS. per Ioo. SEPARATELY, FROM THE ABOVE .-~ (1) HIAW ATHA’S WEDDING-FEAST CANTATA FOR TENOR SOLO, CHORUS, AND ORCHESTRA Price’ Is.6d. ‘Tonic Sol;i‘a,rs. Vocal Parts, 1's. eaci1(.)P.V~I)/(t);rci\sROnI§)r., 5s. per 100. String Parts, 8s. 6d. Wind Parts,22s. ~ » , Full Score, 255. , Comjwsecl for the North Stoﬂowlslzire Musical Festival, I899. I (2) THE DEATH OF MINNEHAHA CANTATA FOR SOPRANO AND BARITONE SOLI, CHORUS, AND ORCHESTRA ' ' O . ,N .2). Price Is. 6d. Tonic Sol-fa, IS. Vocal Parts(, IPs.?e(:1ch.o Words only, 5s. per I00. String Parts, 7s. 6d. Wind Parts, 215. 6d. Cornposed for the Royal Choral Socie Full Score, 255. ty, Royal Albert Hall, London, 1900. (3) HIAWATHA’S 7 DEPARTURE CANTATA FOR SOPRANO, TENOR, AND BARITONE SOLI, CHORUS, AND ORCHESTRA I OP. 30, No. 4). . ‘ Price 2s. Tonic Sol-fa, Is. Vocal Parts, rs. each. Words only, 7s. 6d. per Ioo. Orchestral Parts and Full Score (in the Press). Composed for the Norwich Musical Festival, 1899. TO THE ‘I SONG OF HIAWATHA ” FOR FULL ORCHESTRA (013.30, No. 3). String Parts, _<s. Wind Parts, I35. 6d. Full Score, MS. V Pianoforte Arrangement, 2s. Composed for the Worcester Musical Festival, 1899. SOLEMN PRELUDE I FOR FULL ORCHESTRA ’ (017.40). I Arrangement for Pianoforte Solo, price 25. String Parts, 25. 6d. Wind Parts and Full Score, MS. Composed for the Gloucester Musical Festival, I898. BALLADE ‘IN A MINOR FOR FULL ORCHESTRA (OF. 33)- Arrangement for Pianoforte Solo, 25. String Parts, 45. 6d. I Wind Parts, Ios. 6d. Full Score, 75. 6d. Composed for the London Philhawuouic Society, 1900. SCENES FROM . - AN EVERY—DAY ROMANCE I SUITE FOR FULL ORCHESTRA’ String Parts, 9s..6d. Wind Parts and Full Score, MS. Pianoforte Arrangement, 3s. 6d. ' FOUR CHARACTERISTIC WALTZES ‘.1. ALLEGRO MA NON TROPPO (E MINOR). 2. TEMPO DI VALSE (A MAJOR). ' T 3. ANDANTE CON SENTIMENTO (E MAJOR). 4. ALLEGRO FURIOSO (E MINOR); ’ ‘ (OP. 22) Pianoforte Solo is. Violin and Pianoforte . - 35. String Parts for Full or Small Orchestra 65. Wind Parts for SmallrOrchestra ‘ 7s. . Ditto, for Full Orchestra... I25. ‘ Full Score (Full Orchestra) — ‘ 55. Full Score (Small Orchestra), MS. Arrangement, as a Quintet, for Pianoforte and Strings, each Number, price 2 . Separate String Parts, 6d. each. . :Military Band Arrangement, by DAN GODFREY, Jun., 15s. ' ARIETTA (“ The Village Organist.” Book 16) BALLADE IN D MINOR FOR VIOLIN AND ORCHESTRA (Or. 4). Arranged for Violin and Pianoforte by the COMPOSER. Price 2s. String Parts, 25. 6d. Full Score and Wind Parts, MS. SONGS. . Composcdfor the Hereford lllusiml Festival, I900. THE SOUL’S EXPRESSION. Four Sonnets by ELIZABETH BARRETT BROWNING2—- I. The Soul’s Expression; 2. Tears; 3. Grief; 4. Comfort. (On 42.) Price 25. . ' Price 2s. each. YOU'LL LOVE ME YET. (ROBERT BROWNING.) Op. 37, No. 1. In G minor and B minor. CANOE SONG. (ISABELLA CRAWFORD.) On, 3 ,No. 2. In D ﬂat and F. A BLOOD~RED RING HUNG ROUND TH . MOON. (BARRY DANE.) On. 37, No. 3. (For Contralto.) , SWEET EVENINGS COME AND GO, LOVE. (GEORGE ELIOT.) On. 37, No. 4. In F and B ﬂat. AS THE MO0N’S SOFT SPLENDOUR. (SI-IELLEY.) Op. 37, No. 5. (For Contralto or Baritone.) ELEANORE. (ERIC MACKAY.) Op. 37, No. 6. (For Tenor.) ONAWAYI AWAKE, BELOVED! From “ I-Iiawatha’s Wedding-Feast.” Op. 30, No. I. (For Tenor.) String Parts, 25.; Wind Parts, 3s. 6d.; Full Score (printed) on loan. — HIAWATI-IA’S VISION. Dramatic Scena for Baritone. From “ I-Iiawatha’s Departure.” (English and German words.) SPRING HAD COME. For Soprano. From “Hiawatha‘s Departure.” (English and Germanwords. MORNING ANDHEVFLENING SERVICE _ ~ (OF. 18). TE DEUM BENEDICTUS JUBILATE MAGNIFICAT AND NUNC DIMITTIS ANTHEMS. BY THE WATERS OF BABYLON — IN THEE, O LORD. HAVE I PUT MY TRUST... THE LORD Is MY STRENGTH LIFT UP YOUR HEADS (Tonic Sol~fa, Id.) BREAK FORTH INTO JOY * O YE THAT LOVE THE LORD (Tonic Sol-fa, Id.) ’ ORGAN. MELODY (“ The Village Organist.” ' Book 12) ELEGY (“The Village Organist.” Book I5) >-tuba Hwwuazuua -r—Lu4>-t- 5”I”5” '°"‘D"Q‘Q‘P“.a‘ .D"P".C“.°" I LONDON: NOVELLO & COMPANY, LIMITED; ‘AND NOVELLO, EWER. & CO.V NEW YORK SPRING HAD COME from SCENES FROM THE “SONG OF HIAWATHA” ‘ The Words written by H. W. Longfellow The Music composed by S. Coleridge-Taylor. (OP. 30, No. 4.) PRICE Two SI-IILLINGS NET. L01vD0.7\g g7\(o/‘ve//0 €95 00., Lm’. Coj>y71'ght, 1900, by Novello and Company, L1'mited. SPRING HAD COME. KAM DER LENZ MIT SEINEM GLANZE. S. Coleridge-Taylor, (Op. 30, N9 4.) °.>".> ‘> Allegro con b-rio. mf had come with all its splen - dour, der Lenz mit sei — — nem Glan— -26, All its birds and all its blossoms, All Sei — — nan Vb’ — - geln, sei - — nen Blii—ten, Kam 11161 Copyright, (.900, by Novella 5' Comjwany, Limited. leaves Bldt — a tempo/._————h grass—es. Gm‘ — sem. - Ward, - wdrts, K“- north — nord — Like huge ar—roWs Un — ge — heu-ran and grass - es, — tam, Gm‘ - sem, and leaves - ten, BZc'it— its f1oW’rs_ mit B122’ — A all kam and — tam, to — de Sail-ing on the wind Se—geZ7zd mit dem Win- —ing great flocks, like ar - Zielfnd ez'72—lzer in gm - ssen Hear — > * - rows, — den, Pass’d Kam /1 shot Pfei — the der through hea - ven, - Zen dim — lick, e swan, der Sclzswzm, /"‘\~ (T Mah - nah - be-zee, Speak— ing al-most as a man speaks, Mala - nah - be—zee, Spre ~ chend fast gleichwie ein Mensch spricht, And in long lines Wav - ing, bending, Und in lung ge - knimm-ten Rei-hen, Like a bow - string snapp’d a— sun - der, White Durch- — ge — 7z'55 — ner Bo- —ge72—sc/mm’ gleich, Die Wez'ss—gcms goose, Wa — be - Wa - — Wa;__._.. And in pairs, or . I . kam, dze W21 - be — war, — — wa,-__.__ Und es kam m A .mfA : sin - gly fly - ing, Mahng the loon, With_ clang - ’rous pin-ions, Paa — rm vie — Zen Malmg dew Tau — char mit Zau — ten F122’-gem, AA The blue her-on, the Shuh-shuh-gah, And the grouse,___ the Mush-ko - . Der blame Rezlher, der Sclzu -schu—gah, Kam das M007 — — hulm,Musch—ko — f>. In e ck — — ets and the mea - dows Pip’d the blue — b , Pfiff im Busch zmd auf den W2'e— -5272 Blau - —er V0 - —gel, the O - Wais—sa; On the summit, the sum—mit of the lodg - es der 0 — wais-sa Auf den Firsten, den Fir-sten rings dew Hiit - ten / the rob - -in, the O - pe - chee. die Roth — — bmst,dz'e 0 — pe’ - eke’. P000 meno mosso. . And the sorrowing Hi - a - Wa - tha, Speechless in his in - fi-nite Und der tmwemde H2’ — a - war, - tlza, Spmclzlosi in zm—e7zd—li-chem sor - row, Heard their voi — ces call — ing to him, Went forth from his Kum - mer, H0’? — te sick van ih - 7297: m —fen, Hz'—naus aus dem gloom — y door — Way, gaz’d______ in - to the hea - ven Wig — wam trat er, Starr: — te auf den H2'm—mel, j crE%.1 Gaz’d up - on the A2/f die Er— de, Novella Com4aam:, L39 Engravers &' Printers. COMPOSITIONS BYEOWARO GERMAN. I sum E SYMPHONY IN A MINOR FROM THE MUSIC TO SHAKEVSPEAREJS , _ ' ‘ I Pzarioforte Duet, 4:. V V I ii A I Full Score and Band Parts, Ms. .. I THE MUSIC To it 1. Overture. . » ‘ » ' I —‘ 2.'Prelude to Act II. The Death of Buckingham. 3. Prelude to Act III. Intermezzo. . i . ‘ “‘—‘ — 4. Prelude to Act IV. Coronation March. ’ _ OVERTURE‘ 5. Prelude to Act V. Thanksgiving Hymn. I , V \ 'k . Pi311°f0"e Duet. 35- I 6. Three Dances: 1. Morris Dance; II. Shepherds’ Dance; ‘ . »S‘“"3 P‘‘‘5'}§‘L?1'1‘5§éjn;N‘n‘}‘3S‘’‘E'‘.5' 105' 6'3‘ III. Torch Dance. - , , ‘ ' ’ ' I COMPLETE, PIANOFORTE DUET, price 55. V ‘ V BOUVRR1.fE AND GIGUE V ORCHESTRAL PARTS. I I ' A is d . Pianoforte So1Io.2s.V; 1s’ViVxiV1i1;(>gf€;2:%V1V11ts3Vt,V 2‘sm6;IV.i;p:Iri:V>S1Vi3:nd Pianoforte. 25. 6d. . ' ‘ * core, ‘ Wmd "“;‘“ MS‘ I V MILITARY BAND ARRANGEMENT, 125. ii I: Overture . . . . . . . . . . . . String parts Prelude to Act II. (The Death of Buckingham) ,, Prelude to Act III. (Intermezzo). . '. . . . ,, Prelude to Act IV. (Coronation March . . . . ,, Prelude to Act V. (Thanksgivirigﬂymn) . . ,, “ ' ull Score of each Movement, MS. - s. d. — I s. d. I ‘““"'“*“°‘*“e::2;‘:.§.‘:Ie...;...%...2..JB:i.‘a":O:::;.I“.:;:*;,P.¥’.9?‘*e-5°‘°> 9 ° . SUITE PIN D MINOR ORCI-IESTRAL PARTS ANDc§éJg.éIi]iSeCdORE OF COMPLETE SUITE I I i V n " ' — I SELECTION OF ‘THEMES ," ' » I V V ' Pianoforte Solo,2s. mwtotowyl cocoa?- ”‘’“T— .' A 1. Prelude (Allegro moderato, c). ORPHEUS WITH HIS LUTE. Trio. s.s.A. V 2V Valse Gmcieuse (Allegro, g).V Bvo, 3d.; So1—t'a,V1d. ~ E Ditto, arranged as a Song, 25. ' I I ' 7 ‘ TH C E S ~ ‘ . String parts, 135. 6d.; Wind parts, 26s.i6,d.; Full Score, MS. VALSE GRACIEUSE, from above, arlisanged for Pianoforte Solo, 23. ; and Pianoforte V t . _ , V FROM THE MUSIC TO “ HENRY VIII.” ‘ String parts, 45.; Windugaii-ts,'10s.; Full Score, MS. "I-W«az.—;~;: ,- _ ,. Pianoforte Solo, price 223.; Pianoforte Duet, price 3s_.; Piarioforte and Violin, price 35.; I I Quintet for Pianoforte and Strings, price 5:. String parts, price 45.; Wind parts, price 75. 6d.; Full Score, MS., on Hire only. V MILITARY BAND ARRANGEMENT, by DAN Gonmav, Jun., price 15s. String parts. 65- 6d.; Wind i>arts.13§-; FuII,_Score.MS. GIPSY SUITE ENGLISH FANTASIA IN COMMEMORATION \ '«‘F'IF1’ FOUR CHARACTERISTIC DANCES I — I OVERTURE TO RIOIIARDAIII . Valse Melaricolique ("Lonely Life ”) . . . . . . . . . . . . . . i l . . - - ‘ String parts 25. 6d.; Wind parts 75. . Allegro di Bravura (“ The Dance ' ) . . . . . . . . . . . . . . F13“ SCMCV MSV ’ _ .M tt “L D t” .. .. .. .. .. .. .. . . em“: M We ue ) ' ’ Pianoforte Duet Arrangement, by tht>COMPOSER, 2s. 6d. . Tarantella (“The Revel") . . . . . . . . . . . . . . .. COMPLETE: Pianoforte Solo, price 35. 6d.; Pianoforte Duet, price 45. 6d.; MILITARY BAND ARRANGEMENT“ by GEO‘ M”"“ER' 125' Full Score, I\1/)IlSa.n;of§)t"!‘titi1§ngaYtiS(:I'i7:.’;pWfni1Isi)alflS, 14s. ' V . ~ T V’ ' 1- V ' . MILI ARY BAND ARRANGEMENT, by DAN Gonrruzv, Jun price 1.;s V THE MUSIC To ' ' SUITE, ING OF— ' I V . ’ V 1. Prelude; 2. Pastora1e;3.,Pavane; 4. Nocturne; I 5. Dramatic Interlude. ‘ V For Pianoforte Diiet, price 5S.£;7u§>ltlglgogrg,a$ISé.1_0S. 6d. ; VWind parts, 27s. 6d.; coNsisT1NG or ‘ ' V V " SEPARATE MOVEMENTS: V V Wind parts 7) .. H II 1. Woodland Dance. 2. Children’s Dance. Prelude.. ‘ .. ‘ .. .. .. ..'Stririg parts ‘ Pastorale .. .. .. .. , .. 3' Rust“: Dance’ Pavane .. .. .. .. .. .. .. ‘’ Nocturne .. .. .. .‘. .. ,. - I . - . - - P . "D ‘ '1 Id .. .. .. .. .. ,, — Pianoforte Solo, 25. 6d., Piauoforte Duet, 3s. , Pianoforte and Violin, 8s. 6d., Yamﬂﬂc 11‘ EV‘ 11 3 Fun Score of each Movemerm Ms_ wmwwwp VI‘U!U"U!UYS" mmmmm9 String parts, 43. 6d.; Wind parts, 105. 6d.; Full Score, MS. V — . _ MILITARY BAND ARRANGEMENT, by DAN Gomum, Jun.,15s. Pastmle -I- -- P1.an.°f°"° S9“) -- --’ * _ ,, .. . . Violin and Pianoforte . . . . _ _ Pavane ..' .. Pian_oforte Solo . . . . .. .. IT WAS A LOVER AND HIS LASS , n -- -- gggjggfggg g{?;°‘°*‘° -- -- DUET FOR SOPRANO AND CONTRALTO. Noaume II II Piauoforte Solo .. A . .. .. ‘ Selection of Theme§ V,, ,, . . . . . . .. I P ' T sii‘i1' . I ‘ . \ “’° “*5 I I . THE SEASONS SIUITE FOR SYMPHONIC SUITE FOR FULL ORCHESTRA N AND PIANOFORTE I I I ‘ " “' A S‘ "tr ~ '1. Spring .. .. .. » V. .. .. String parts 5 0 Wind parts 12 I ’ ’ - 2. Summer (Harvest Dance) .. .. 5 0 n 12 5 IN THREE MOVEMENTS. . Pianoforte 153010, 2s. ' I , \ - I P' f t t,3 _ V L ValSe' . 2' Souvem_x," ’V . l\/I1iEii]t(;r0yrI§anLi1le.Arr2iSngement V .. 3._Gipsy Dance. I ~ » 3_ Autumn . .. .. .. .. Str1rigparts~ _ -—-V V ' Pianoforte Solo, 23. - Price Three Shillings. V V 4. Winter .. .. .. .. .. V g] I-‘3lOtOl\'1Nl\'>lO .Ooocooo RLONDON: NOVELLO AND COMPANY, Lmmgn ‘ ' AND I NOVELLO, EWER AND CO.,_ NEW’ YORK. I NET. d. , BIG]-{TEEN SONGS. In Three Books Paper covers, price, each 2 6 « I Phyllis the fair. I _ Russian Love Song. ‘ . I . E It was the time of roses. , I ' VVhile my lady sleepeth. E Light slumber is quitting the eyelids. The Song of Love and Death. O, hush thee, my babie. The first spring day. The earth below and the heaven above. I ' When I am dead. A If love were what the rose is. I A Birthday. VVhat‘doe's little birdie say P} (A) « .Up with the sail. \Vhat does little birdie say? (B) O roaming wind. Of all sweet birds. , Something sad. Lift my spirit up to thee. ‘ I Also jmblished together, bound in cloth, 75. 6d. net. ’ SPRING SONGS Op. 44. I The first rose. I Spring is not dead. Hope. ~ April weather. Springs secrets. A May Song. I Summer at last. LOVE LOST ON EARTH_ Scena for Tenor. Composed for the Birmingham Festival, and sung by Mr. EDWARD LLOYD THERESA WOMAN LIKE A DEWDROP. F01‘T€n0r- From the Tragedy, “A Blot in the "Scutcheon,” by ROBERT BROWNING GENTLE DOVE, THY VOICE IS SAD. V0C€1‘0(“C010mba”)\ WILL SHE FROM THE HILL_ Corsican Love-song (“Colo1nbal’) SO HE THOUGHT OF HIS LOVE_ Old Corsican Ballad (“Colomba”) HERE HAVE I SAT. For Tenor (“Colomba”.) ‘FOR VVINE GLADDENS THE HEART OF MAN. F01‘ SOPFMIO Or T6110? _ (“The‘Troubadour”) , ~ THE SUNRAY’S SHINE_ For Tenor (l‘ The Troubadour”) IN THE PLACES OF LIGHTLESS SORROW. F01‘ SOPMHO (“The Troubadour ”) TO LIET_ For Baritone (“The Troubadour”) BENEATH A HAWTHORN, Morning Song, for Mezzo-Sopiainio (“ Troubadour ”) t .. ... POUR FORTH NOBLE WINE_ Drinking Song, forBaritone (“The Troubadour’l) THE EMPIRE FLAG. For Solo and Chorus .. » THINGS OF BEAUTY THROUGH LOVE TO LIGHT I IN OUR BOAT_ With Violin and Violoncello Accompaniment THE OLD GRENADIER AND With Organ or Harmonium ad lib. FOR LO, THE WINTER IS PAST (“ R056 0f Shaf0I1") ‘THE LORD IS MY SHEPHERD (“R056 0fSha1’0I1") I WHERE SHALL THE LOVER REST <“ Marmion”) LOCHINVAR (“Marmion ”) WHAT DOES LITTLE BIRDIE SAY? LoNDoN: NOVELLO AND COMPANY, LIMITED AND NOVELLO, EVVER AND CO., NEW YORK. Songs byA. C.1\/lackenzie. I» Inthe Children’s Souvenir Song Book 00. O NNNNNNNN IOOOOOOOO
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Date: 1904

Creator: MacLeish, Martha (Hillard), n.d.
Date: n.d.

Date: 1881
Text: ‘ Lfﬁﬁgny *VA$AH cc.su_£<;£ POUGHKEEp5¢‘§-kggw yo,“ 3; JD) 1334;] Z: 7 CANTATA by EEMMW/H|ﬂJ New-York,G.Sch_irmer. R n f‘ n V'\ K‘ 0 "V f‘ '1 : NlI'))), V UJDJ + 34) W; 3); 3 1) /1 I . )33D)_)))JJ_;_¢iW 74 Edition Schirmer en K‘ 1;) 44% _ 9%, _ » ré\:§Y§a“9\\.\§'»\ <3) /7 jly I K) Dramaﬁc Cantata «mam a 7 1/r 3 . % §@f1@ ‘W0 1“ (15 1) y g/V HENRY W. LONGFELLOW \\ (usedbyspecialpeI’n1issionQI"tl1eI’oet) \ / {f3 Inusic by \_‘ \\ ’ 3 '' rm Ew%Yé>...
Show more‘ Lfﬁﬁgny *VA$AH cc.su_£<;£ POUGHKEEp5¢‘§-kggw yo,“ 3; JD) 1334;] Z: 7 CANTATA by EEMMW/H|ﬂJ New-York,G.Sch_irmer. R n f‘ n V'\ K‘ 0 "V f‘ '1 : NlI'))), V UJDJ + 34) W; 3); 3 1) /1 I . )33D)_)))JJ_;_¢iW 74 Edition Schirmer en K‘ 1;) 44% _ 9%, _ » ré\:§Y§a“9\\.\§'»\ <3) /7 jly I K) Dramaﬁc Cantata «mam a 7 1/r 3 . % §@f1@ ‘W0 1“ (15 1) y g/V HENRY W. LONGFELLOW \\ (usedbyspecialpeI’n1issionQI"tl1eI’oet) \ / {f3 Inusic by \_‘ \\ ’ 3 '' rm Ew%Yé> IR n<,, G. S C H I RM E R 35 Uniron Square. C7()[)VVI"/,:»(//I,/‘» 5'; 5?"/27} 7116/ ' /c§’(.‘>’I , \ _ » V7-7":-7:‘, L“ F \ d 7 J /’ lu55 L;V /4 .4 :7)‘ . x_ ut,nn5fnu,, . '7") , I _ / V] ( , / r T «/15/1/K/2 :2l?iA7/ /.37/I — 4, -— ~ . ,.._;.,._, . .,. _vA......o....—max:r.;;a—_:4 THE SKELETON IN ARl:l()lt. [The following ballad was suggested to me while riding on the sea—shore at Newport. A year or two previous a skeleton had been dug up at Fall River, clad in broken and corroded armor; and the idea occurred to me of connecting it with the Round Tower at Newport, generally known hitherto as the Old \Vind—l\/lill, though now claimed by the Danes as a \Vork of their early ancestors. = H. \V. Longfellow] I. Chorus = Tenors and Basses. “Speak! Speak! thou fearful guest! Who, with thy hollow breast Still in rude armor drest, Comest to dannt me? \Vrapt not in Eastern balms, But with thy ﬂeshless palms Stretched, as if asking alins, Why dost thou haunt me?” II. Chorus. Then, from those cavernous eyes Pale ﬂashes seemed to rise, As when the Northern skies Gleam in December; And, like the water’s ﬁow Under December’s snow, Canie a dull Voice of woe From the heart’s Chamber. III. Air for Baritone. “I was a Viking old! My deeds, though manifold, No Skald in song has told, No Saga taught thee! Take heed, that in thy verse Thou dost the tale rehearse, Else dread a dead man’s curse! For this I sought thee. “Far in the Northern land, By the wild Baltic’s strand, I, with my childish hand, Tamed the ger-falcon; And, with my skates fast-bound, Skimmed the half-frozen Sound, That the poor whimpering hound Trenibled to walk on. “Oft to his frozen lair Tracked I the grisly bear, ‘xVhile from my path the hare Fled like a shadow; Oft through the forest dark Followed the were-wolf’s bark, Until the soaring lark Sang from the meadow. IV. Chorus : Tenors and Basses. “But when I older grew, Joining a corsair’s crew, ()’er the dark sea I ﬂew ‘With the marauders, \Vild was the life we led; Many the souls that sped, Many the hearts that bled, By our stern orders. ' “Many a Wassail bout ‘Were the long Wllltel“ out; Often our midnight shout Set the cocks crowing. As we the Berserk’s tale Measured i11 cups of ale, Draining t11e oaken pail, Filled to o’erﬂowing. V. Air for Soprano. “Once as I told in glee Tales of the stormy sea, Soft eyes did gaze on me, Burning yet tender; And as the white stars shine On the dark Norway pine, On that dark heart of mine Fell their soft splendor.” “I wooed the blue-eyed maid, Yielding yet half afraid, And in the forest’s shade Our Vows were plighted. Under its loosened Vest Fluttered her little breast, Like birds within their nest By the hawk frighted. VI. March and Chorus. “Bright in her father’s hall, Shields gleamed upon the wall, Loud sang the minstrels all. Chaunting his glory; W’ hen of old Hildebrand I asked his daughter’s hand, Mute did the minstrels stand To hear my story. “VVhile the brown ale he quaffed, Loud then the champion laughed, And as the wind-gusts waft The sea-foam brightly, So the loud laugh of scorn, Out of those lips unshorn, From the deep drinking-horn Blew the foam lightly. VII. Air for Baritone. “She was a Prince’s child, I but a Viking wild, And though she blushed and smiled, I was discarded! Should not the dove so white Follow the sea-mew’s ﬂight, \Vhy did they leave that night Her nest unguarded? VIII. Chorus. “Scarce had I put to sea, Bearing the maid with me, - Fairest of all was she Among the Norsemen! ‘.Vhen on the white sea-strand, VVaVing his armed hand, Saw we old Hildebrand \Vith twenty horsemen. “Then launched they to the blast, Bent like a reed each mast, Yet we were gaining fast, W’hen the wind failed us; And with a sudden ﬂaw Came round the dusty skaw, So that our foe we saw Laugh as he hailed us. “And as to catch the gale Round veered the ﬂapping sail, Death! was the helmsman’s hail, Death without quarter! Mid-ships with iron keel Struck we her ribs of steel, Down her black hulk did reel Through the black water! “As with his wings aslant, Sails the ﬁerce oormorant, Seeking some rocky haunt, VVith his prey laden, So toward the open main, Beaten to sea again, Through the wild hurricane, Bore I the maiden. “Three weeks we westward l)o1'e, And when the storm was o'er, Cloud-like we saw the shore Stretching to leeward; There for my lady’s bower Built I the lofty tower, W'hich to this Very hour Stands looking seaward. IX, ' In the vast forest here, Air for Tenor, Clad in my warlike gear, “There lived we many years; Fen I “P011 my Spear: Time dried the maide11’s tears; i 0 death was grateful! She had for ‘ot her fears; She W3: a mother_ “Thus, seamed with many scars, Death closed her mild blue eyes, B‘“'5t.i“g these Prise“ here: Under that lower she lies; ; UP to its native Stars Ne’er shall the sun arise :. My 50111 ascended? on Such an Other! ’ There from the ﬂowing bowl Deep drinks the warrior’s soul, f Skoal! to the Northlandl Skoal!*)” Soprano s0|() and (_‘,horus_ Thus the tale ended. “Still grew my bosom then, i Still as a stagnant fen! i_ "‘) in SCEL11dl11fLViEL this is the custo1nzu'y salu- Hatetnl to me were men, tntion when drinking health. The sunlight liatefull A " H_ ‘W, L, \‘ 3 2 . / "“-‘*~ \. "/1 ’:K\ ._ /am” /mr£ﬁ av/mm / \‘._"'/_. ~\,4"‘ m ~-\ , ¥,/ \j 0VERTURE.* 4 Scored for 2 Flutes 2 Oboes 2 Glarinetts in B 2 Bassoons 4 "Horns 2 Trumpets 3 Trombones, Bass Tuba 7 7 7 7 7 7 2 Strings, Harps and. Drums. Adagio, ma non troppo. Geo. E. Whiting. V1. as. c . ' Pianoforte . 00 07"‘6S0. 2 1’ Copyright 1881 by G. Schirmer. am 0 a .W. V 0 1 HO 8 H A # . 12//co (I ]}(J6’0 rzﬂzra’. _ ' Allegro Vivace- >>>>‘> (x'I'(:’.5'L'. 12 Allegretto. Se/up repp . molto ‘tam’. » T 1ve»a.ci:m;~;:s. % L argo . Ob. VL Pianoforte . (Strings con sordino.) CHORUS . Tenor. . Bass . V solo coco . Speak !' Speak! than feur-i'ul guest Oh. Who, with thy hall low breast still 111'- mar" err/.90. , - - _ Speak! fea1~__ ful guest! Whi), )1-IOW bl'€21St > ..//' drest , Wrapt in East- ern A.-r Wrapt not in East- em a . u o stretchefhas ifask-ing ahlms-, om-est 0 daunt me! balms, /‘\ com-est to daunt um! why /72> why 15 _ com — est dannt me! com-est to dmmf Inc! -wrapt not East- em /1‘ ' balms, wrapt not in East-em . . . > ‘ 9 \ 0 But with thy flcsh-less palms } P dost thou haunt me ? dost thou haunt me? N92. Chorus. Allegro Vivace, Soprano . Alto . Tenor. Bass‘. Allegro Yivooe. o Pizuloforte. fl sh - es seemed to rise, from those cavernous eyes seemed to rise, from those cavernous eyes xleam in ‘De—ce As when the North - em eam in De-cem—ber: eam De-oem— r: /\ As when the North — ern skies Gleam in De—cem-ber: Cor‘ ‘V. J]‘ utti. North North North North flash — es —:i:. flash — as —..__j__ ' flash — es (? skies , skies, s1iies,.___ skies,___ from fI'(£lllll)S() cavernous eyes ._._ f1'0n1thosecavernous eyes ’\‘\\ see d scemd _.._ to _ seeln (1 As when the skies __ gleam, .________.______ De-Gem gleam, _____ _ _ _ in De-cen1 As when the skies... ~=-;'.f'__"§:f' : skies pa 19 flash-es seem’d the Northern skies Then fromthose cavernous eyes Gleam, Gleam De- cem - ber; Gleam, Gleam De-cem — ber; Gleam, Gleam De-c«>m - ber; Gleam, ,' ' De— cem— her; 8 . - - - . - . . - . - . . . . . . . . . . . . . . . . . . . . . . . . . - . . . . . . — . . .... . - . . . - . - - - - . . . . . . . . . . . . . . . . - . ..:_ .19" — der De — - - der De _ - cem came a voice ' Forth came Garllt‘ came snow, Game a voice the hca'rt’s cham - snow, De - — CCU] - Canw forth a Czuno forth 21 snow, Came a snow, Game :1 Oh. voice voice vnicv of woe, of woe, of woe, of woe, m the hearth chan1—ber. From the hea1't7s am- her. From the heart’s In - her. From the heart’s cham- her. Then, Then , Gleam , Gleam , Gleam, G loam, /re/11. from those cavernous eyes ﬁ'omth0se cavernous eyes GI ezun seemed to rise, when the Northern skies seemed to rise, As the Northern skies ~27‘ (//'6’S(«' . - in De-cem — her, in De-cem - her, De-cem - in De-cen1—ber,b Frmn eyes Then __ Fromthosecavernous eyes __ > Then, __ T hen,__ Fromthose cavernous eyes '\ '\ sec,-m’d __ to < seem’d North A skies _. As when the gleam, De — cem in De -ccm gleam, As when the skies___ flush (BS --—-'11 flush CS .. - 7 orth 0211114: 21 volce of woe , hearts mvth came a voice ofwoe the hearts the hearts t 0 hcart’s came a dull _.__ Voice 0f'W0e, came a 4111] came a voice i came a dull voice of woe,___ voice __ came a voice voice .____.. came voice voice came a dull .___ voice 0 the h the heart’s heart f L‘7”(,’8(/‘ . _ 111 From From From t 9 heart the heart’s the heart’s - e hca1't’s chum _ chznn chnnl cham N 9 3. Air for Baritone. Moderato . _ 4 >. C1. Pianoforte. fB“‘*SS- '28 czzm‘zz&z'/9. My deeds, though man—i—f0ld, no Skald in has told, {T ‘ taught thee!. ' f tztught theel. Recit . 2122.7/z 0722')/zzztioiz Take heed, take heed, that in thy verse thou dust the /5 tale re-hearse; Or dread 21 dead man’s mu-s<:!__ Trom . /(:12 PP (I tempo 2-9 ¢'a7zt¢I& 2'/(2 . T My deeds, fhuugh n1an- i-fold, no Skald in song has told,.___ KT ’-\ taught thee! Bit For this I Recit. //0’ /5'5 . sought thee, For this I sought, sought > V: Allegro. Allegro. /T 3'0 Andante con moto. % ‘ w/2 e..«-/mm-. Andante con moto. F" I‘, Bu] '— fic’s strand, by the wild Tmnod the VTT’ Ta11wd ﬂw ,§.:er _ fa] And, with my skates fast bound, Skimmcd the/__ half - fr-oz - en Sound, ' . whim - pering hound {f_——_—-T - . , _ . if T1-om - bled to on, That the poor whim - poring; hound / \dd _ T T P T1-em — bled to walk on, Tren1— Bled to 613/]! I ? . T3. to his froz — Tracked I the gris _ lybear, while from my path the J J‘ Fled like a. shad — ow, fledlike a_ shad — 0w._ Oftthrougll the fUI'—€3Sfd‘dI‘k g--T F0ll0vv’d the wermv01f’s hark, the PP (:1. Cﬁlo. Sun;.'; frmnfhu mend — ow, un « til the lurk _.____- sung‘ frmn tho nluad — ow, ,.,,‘_sL:ct/:zI_zv,?2_7_'§_.:s:c‘.r;_z;*.o_'.-. ...................................................... .. Fl. (,’7”(/’.S‘(y‘ ., 82111:; from the mead — ow. f Un —til the Soar - ing lark ___.____. sang from sang, szu1_‘.: from the mo/'e7m’o _ ,v0(2/1 (1 000 mead — ow, sang from the._ mend - , sang frmn the nlead - — /('0 (I (/67) OW’ . (I Z6‘/12_///2 /. ‘ >- N911. Chorus for male voices. Vivace . (alla Breve.) Tenors . Basses. Vivace. (alla Breve.) Pianofortc. /'BmS§_ f / 0 ~ GI‘ gI‘€VV, - / {*3 But when I 0Id—e1‘ grew, l'ﬁ'1> 0 d—er grew, o But when I 01d—e1‘ //"'—T > C<>r__ ir’s crew. VC0r—sai1*’s crew. 0131' the dark x - ‘ 1% "ii With ma — rau. J./’ 'ith the ma - rau zz [(2//1/20 (I fe/22;)/2 a fem/20 with the ma - ran.-de1*s, with the ma - ra11—dcrs, cz fa//zpr) Brass. .51. With the With the Brass. (3 the 1113 ma T1111 - ma — rz:u1—dv1‘s, era, sf mu - ders . (I(’(«'!.’/. ran - ders . the sea with the ma — rau - ders, sea with the ma; — ver the sea with the ma- Ada i0. Ten.I. 010. hearts_ hearts hearts_ hearts-_ that that that that bled, bled, bled, bled, s0uls__ that s0uls_._ that souls_ that stern stern souls . hearts souls souls ‘ hearts hearts T ' stem /."‘\ Wll(l,__ the life, the_ ' — <lers._ Wild " . , lifc.._ dcrs Wild ‘ - (lets. (lets. Wild f''\ we led, ~ , souls that that spa-d,.___ L _V , hcarts_ that that sped, _ . ltcarts that that sped, , carts _ that that sped, ' hearts._ that Wild,wild was the life, life wé ed, life led, ‘ stern ' the life led, Wild the that that that hearts._ that hearts._ that that that that 1’ Str. ’pizz. ny a was - sail bout, f . Ma — ny a was- sail bout, a was-sai] If Ma — — ny a Wassail bout, Wore the long Win-fer out; /1, vVin-ter out; Set the cooks crow- — ing, ff . Oft - - en our midnight shout Set the cocks croW- - ing, > iii . Set the cooks f Wore the Ma- ny.__ a was_sail bout, Win — ter out, oft _ en our Uft - en our a tempo the cooks crow - ing, Set the cooks crow -ing. the cocks crow ~ ing, Set the cooks crow - ing. .5 Meas-u1'ed in cups of ale, Meas - ured, meas— urcd in cups of Ber-sek’s tale Meats- ured i11 cups of ale, Meas — urcd, meas — ured Meus —u1'ed in cups of ale, M0as— - ured, we the Bcr—sek’s tale Meas— urcd in cups of i meas — ured the oak _ en pail, Drain - ing the FiI1’d to 0’er - flow - ing. to our — flow _ - -ing. we the Ber — sekzstale we the Ber- sek’s tale Meas - ured, meas - ured in cups of Meas - - ured, oak - en pail ,, Film to o’er — flow — ing, Drain — - ing the oak - en pale, Drain—ing the oak — en pail. Drain — - ing the oak - en pale, I Drain-ing the oak ~ on pail, fill’d..___ ow - ing, A to «fer — to o‘er _ - flow 7? Fill’d to o'er - fow - ing, J- — ow - ing, Filld to (for — ow - Film to o’er — flow - ing, N95. Scene and Air for Soprano. Scored for Fls.,Cor. Inglese, Cls.in A, Fgs., 2 H113. in E, Harps and Strings. m Soprano, Pianoforte. 011c¢: as I told. in glee, once as I told ‘in glee 213/" Wind. tales of the storm—y sea, tales of the sea,_ Gor. inglese. 'Sh__ PP _ Soft eyes, soft eyes did gaze on me, Burn- ing yet ten—der, Burndng yet "ten - der, Soft eyes did gaze on me, Burn - ing yet ten - _ Allegro Vivace, ma. 11011 Presto. B1‘. Allegro v1vace, ma. 110111 Presto. c . And as the white stars shine- dark Nor - way as the white stars shine,__ the dark A that dark heart of mine, On___ /that dark heart of mine, felL_ their soft splen - their soft splen _ L 31' - oresc . On that heart of mine, on that heart of... mine fell, fell their soft splen-do1-. Largo . P . . Cor inglese. Allegro Vivace. 1<w$ (Yen Largo . _ f\ VLL ‘*4’; ?, Coringlese. M" T’ can se////1/a'uz’Za. wnoed, I__ wooed the blue - eyed maid, Yield—ingyet Coxningl. half a—fruid, Yield—ingyet half a—fraid, I__. wmmd the._ maid,;_..__ Cor ingl. F1 Yiel — ing yet half :1 — fraid, C0r.In_;‘. 6//II (’A//I‘t’.S'.S' . Aml ' the for — est’s slmde vows were pli;:ht— - for- 9553 slnttle Our pliglnt — ed, And in the f0r—est’s sln-adv, Poco allimato. Uu — der its l0os—em-d Paco a11in1ato. Car. 17;; reuo as (2 n. lit - tle breast, _ If >{1 their__ nest By the > /. terd , flut - terd her Tempo I. I wooed, I wooed the blue - eyed maid, Yield-iug yet Cory’;-_§ Tempo I. /“ /K’ /‘\ LILJ half a-fraid, . yield-ing yet half, yet half -.1 — 1-‘? ff‘ yet half ii — fraid, 21- fraid, yet half a — fra1id,_ _ 2'4//. — /2 /(’/II////. ._____ yield-ing yet half -.1 - fralid. Fls. N‘! 6. March and Chorus. Scored for Piccolo, Fls, Obs, C13 in BE, Fgs, 4 Hns in G 5‘ C, 2 Trumpets in D, 3 Trombones, B.'I‘uba,Timpani,Tri— angle, Military Drum, Bass Drum and Strings. Allegro brillante. Pianoforte. - Brass. '5. ‘ ,7 I‘/‘l5I"1s's' 0b.Fl.Cl. ' u {T _ 05.11.01. - Brurlvt !» Bright‘. Brigllt ' her fan _ tlier’:~' hull, B"i:‘%"”! Briglit! Briglit ’ her fa — tllet-‘ea hull , B gm! Bright! Bright ' at — t|xer’.< hall , Bnfiglitl Briglnt! Bright ' fa—ther°s hall, Shi ids gleamed, shields glezuned Shields glealned, reliields gle med Shields gleamed, shields gleamed Shields gleauned , shields gleamed J‘ A‘ /'_Ji\ Loud sang the ' — strels,san,9: the u1iu—strels all, Chaunt — ing‘ his glo Chaunt — ing; his ,2-lo Loud Loud Loud (-haunt - iug his A (elmuut — ing his streIs,sauig the min—str<+ls stl'eiS,S‘¢ill,\:‘ the min—s rels strels, sang min—stre!s strels.,saug' the miu—st_rels Chzluut Chaunt Chauut Chaunt ing, ch-aunt — iug his in;-.{, 4;-haunt - ing‘ his in , chauut- ing, (-hauut—iug his U. Loud 5111],: the Loud sung the in — — strelsall,Clmunt—inghis gl0— Loud sung the 0 Loud ' min~stre]s Loud sung, loud saung min~s rels strels all, loud 2~;au1g,l<>ud sauna‘ the miu—strvls strels all, loud sang, loud sung min—strels A chauut ' chaunt — iug his " ry:» when . Chauut ° L-haunt-iug his ' ry: when ghaunt ° cl:-.1u|1t—i|1g his ' ry: when Ch ut iug,chauut-ng his _V ry:when ff \/ brand as ed tleiugh ter’s hand, gi.<ked___ her emd,_ brand asked daugfh ter’s hand, asked__ her amd,_ hrziml a ked duu;:'h ter’s hand, asked... her . ud __ >> brand asketi ¢|nu,g'h — ter’s hand, -.1shed_ her hand,__ Z/""\A L A A as ed his duu;3,'li—ter’.~.< |mud,_________ Mute in—strels,Mute did the asked his (lnugh—ter’s hand Mute the min—streis, Mute did the us ed his <la1i1,2'!i—tei"s' hauId,____.___. Mute the iu—strels, ute did the /* asketl his d;iu,t:h—ter’s hand, Mute the min—strels, Mute did the o--¢-4o~¢4v9s~so\~ stand , hear, he-.11‘- and , hear, hear stand, hear, hear stand , hear, J _-5 Wheii of uld Hil _ de-hraiiid asked his d;iu,2‘li—tei"s haiiid,__ Mute did the miii—sti'i~.-ls of 0 d Hil — de—bi'aiiid sked his daiu,L'li—tei"s llilll(l , did the miii—sti'els Wlieii of old Hll-(lt‘—l)r'illl(l asked his diiu;:'li-ter’s- haiiid, did the niiii—strels Wlieii of Old llil — de— lH'il|l(l asked his d;iu,2'li—ter’s h:iiid , ' the miii—strels ' ’ W /‘S o 0 stand lieair, to heair st-and heair, to stand hear, to rstaiiid hear, to _' 3 '_ . While = 1 While the browii - quaiffed, Loud then cliiiiii pioii laiuglied, While * . quaiffed, tlieii (rliam — pioii liiughed, While the l)I‘()Wll ‘ quiiffed, theii chum pioii lauglied, hrowii quail'fed, tlieii Cllillll pitiii li1ll;{llP(l,\VllllP mf While the brown - . , qu-affed,The (-ham lauglued, While ‘ quuffed , The chum laughed , While the brown quatffed, The lai.g'lwd, the brown - qunffed, The (sham lauglwd, f mp Aml as the wind —g‘u.\‘ts . - f‘nam_ hri,9,ht — — ly, wind —,2'usts waft The — f'<)auh bright — ~ ly, /7! wind —g'usts waft brigllt — — ly, Am] wind - gusts , briglut — - y, And as wiud—,g'usts bri,<_z|:t—ly. wind — gusts waft .: 2 bri;_:jl1t—ly. wind — gusts ‘ T bI‘ig|lt-I)’. wind- gusts waft . 2 foam hrigl1t—Iy. the loud laugh of scorn, the loud ugh of n, loud laugh of scorn, of sc01'n,the laugh Out of those those ' _ 1m-shorn , tho se lips 1m_sho1'n , thosv lips un-sho1'n , lips un-shorn,those un - - - shorn, the .8_ d1‘ nle _ ing - horn __ foam __ light - drink - ing _ horn __ the fozun __ light _ drinl~:- ing - ho _ the foam _ ght - drink — ing — horn _. - .137, light. - 1}’, light. - ly, li ht- — IV 783 .9 Fg‘. CB. ff Bright! Bright! fa.ther’s Bright! Bright in her fa.the1"s Bright! Bright! Bright! Bright! Bright in her fa—ther’s J:7‘7>> Shields gleamed, shields gleamed the wall, Shields gleamed, shields gl e wall, Shields gleamed, shields gleamed the wall, elds leamed , shields f-E Chaunt - L f Loud sang the — — strels,sangthe min-st1'els all, __ Chaunt - ing his - ing his glo- — chaunt - ing his glo- - — J 7 strels , sang n1in-st1'els all, strels, sang the min-st1'e1s strels, sang the min-st1'els all, strels, sang the min-strels all, Chaunt - ing, nt — ing,chaunt - - ing,chaun i } I Chaunt - ing,chaunt - ing Sf her fa - ther’s hall, her her min_strels all, loud loud min—strels all, loud fa — ther’s fa — ther’s fa - the1“'s - ther’s sang,l0ud sang sang oud sang sang,loud ' sang,loud sang fa - the1"s her her her min-strels min- strels min- strels min-st1-els fa _ ther’s fa - ther’s _ the-1“’s in her fa - ther’s Bright in hall, Loud sang the hall , hall, Loud sang the hall, 0 unt _ Gllaunt - ff "Chaunt - c If‘ Tutti. ~ Loud mi n-st1'els Loud min_strels all Loud min—strels all, Gl1a“m- ‘mg I‘ ' ' ',- Loud sang c min-st1'cls all, Ghaunt Chaunt Chaunt min - strels é min - strels min - strels min - strels Chaunt Chaunt Ohaunt «$3 J/Z:;€f*/II. strels strels strels strels N‘? 7. Air for Baritone . (:1. Allegro VlVaC€. Pianoforte. 1’ Fl Allegro moderate . semp 7“e‘52m, Andante con mom. 8 . , Allegro moderate. Prin- _ cc’s child, I Allegro moderate. Vi - kingwild,And though she blushed and snlilcd, I was dis - card - ed! .P1*in - - ce’s child, And /T blushed,_ she blushed Presto,ma non troppo. Recit.(Langsamer.) Presto . ed’. Should not the dove so white Presto, ma non troppo. Recit. ‘ ' /L‘ . Presto. /'> . . Presto .3 Should not the Presto. seanlevfsflight, (love so white, Fol _low the p_¢#~___—*:'_f:—==- {:- though _ she Recit. Fol - low the Hecit . sea -mew’s flight, did they leave that night nest unguard - ed? Why did theyleave that night her nest umguarded, her nest, her Allegro maderato . she was a Prin- _ - _ce’s child, I a Vi- kingwild, And Allegro moderate . /_,___.._————dx b1ushed_ and smiled- 1 was dis - card - ed! so white fol - low the sea-n1(wv’sflight,A0 Z’ Piﬁ animate. why did they leave - nest un — guard - - ed? /T . Piﬁ animate. V ' f slaw. Leave . her - guard. 65? leave her nest un - - guard _ 8 ed, her nest un - guard-ed,un- guard- Z_\ 2-\ la 8 };,:=..-/4“ semzz? \\ v N 9 8. (’7%h0ru§}i' \_.. Ailegfeﬁo, molto moderato, A‘ S6p1‘a110. A1“). Tenor. Bass. ~ Allegretto, molto moderate. — Pianoforte .. f "cf Séarcé had I put.__ to sea, Fair — est of all {X mong'_._. the Norse — — men! sea, Bear — in the maid Scarce had I put... to sea, if? ELELETELLTJ Bear — iug the maid with Alto Ch0.. Scarce had me, Bear - hug the maid with 0 0 . 5537551"? «Saw we Fair- est of all was ahe __. ll|<)II,¢: the Norse — — nwn, A~.«mon,tr the Norse» — Fair—est of all was blitz‘ 7 When on the white sezvstrand, WilV—i||t’: MS “Tm - Pd Wav—iu;: his arm — ed lmud, on the white sea — strand on the white sea —.~'trzu1d, Wav — ing his arm — ed lmml, l"“"dv Saw 9 old Hil — — tle-braud,_.____ With old Hil - — (Iv — hralld,‘-?+— With _' lmrsv } Aw. .—- »—-——«-sv —4—c.—;~ 4—————.. .v r When on te white sea — strand, "‘”"5‘* When on the whte When ’on the white a—str-and, /”—""“'*‘$\ When on the white Wav — ing his arm — hand, Saw we old Hi} - strand, b Saw we old Hil — — de— brand, Wav - ing his arm — ed hand, Saw strand, _ Saw ' old Hil— — de~In-and brand With twen — ty horse — men.» With twen — ty horse - Hi] — de—brand with twen—t_V horse — en— — tyhrse — Allegro Vivace. launched» they to launched they to Allegro Vivace. V1. we wvrv gain — ing fast, we were gain - ing When t wind mien the wind failed -27" And with a sud—dnn f. And with a d— en (JLF . ____________r. _} And with a sud—den flaw Came round the skaw, Came round the dus — y skaw, And with a sud—den flaw Came round the skaw,__ e round the dus — skaw, Fl.Vl. - So that our foe we saw Lau,s:'h as he hailed that So that our foe we saw Laugln as he hailed as he Imiled us , Laugh as he lmiled us, Picc. 6)‘ Fl. T[‘0m.> } }}> (tatcll Round veered the catch the ml veered the ath ! Death ! flap - ing sail, ath! Death! Death! Death! /7' > > flap - ing sail, Death! Death! 22/ //'0 /0 lwlms hail, th ! quar helms hail, Death! quar helms hail, ath! quar helms hail, Death! ships ships ships with with with with black black black black I» POI] keel, mu keel , mu keel , Stituck Struok Strut-k her of steel , her 9 steel , her ribs of steel, her ribs of steel , Th rough ,_ Througrh ,_ Th ruugli ,_ r0ugh,_ Down , ____ ,4 1 Down , __ [)0 o Trom. .T . _ 4 - - Au 4,;=.—...rr.=- \ through the black through the black through the black ‘ t rough t|wbl_21 As with his Wing's ns—sl'.1_nt Sails the f_ierce (:0 - m0—runt, Seek—iug some rock— haunt As with his wings u.<—sinut Sails the fierce co — m0—ramt, -ing some rm.-k—v haunt 5731 T ti-‘T1 Cor. So toward the 0 — pen main, Beat - en With his prey la— — den, So towunl the 0 — pen main, Be-at — en to sea a1—gailI, With his prey in- ‘X é_1‘gl_J_'-‘bi’? Th ugh the wild hur— ri—cz1ne mai—deu. rough the wild hur— ri—c-.u1e mai—deu. Through tlw wild hur—ri-cane mai—deu. Through the wild hur— ri—(-zine mai—deu. Molto moderato. (Tempo I.) Allegro Vivice. Vl / Ob . (:1. kg;-. T9m129..I_- ....................................................... .. FL8 ' 2 (‘(5110 1%‘ U. B. L P TIll‘t'P weeks we \wst—w:mJ bore, (Zl.F<». (fell h— And when the storm was Clr)ud—lik+- we saw tlw slmre 1.. Th ree weeks we west —walrd bore , St“/’tC"“i">‘%' t" 3”‘ ' ‘ “"<”'d9 Threeweeks we west—ward And when the storm was o'er, Cloud-like we saw t e shore And when ‘the storm was 0’er, d-like we saw eshore There r my 121- dy’s Stretch — iug to — — \vur.(J; Tlwre T0!‘ my I“ ‘ ‘W5 Stretch — in tn 1) r/0/or: loft — y tower,_____ Which to this we - ry ilt _ loft — y tower,.___.._._ Which to t is w — ry In — (ly’s bow Built I t e loft — y tower, :1 — y’s ow .‘ uit the lot — tower, \ Stands iook—ing sea — ward, There for my Ja1—dy’s how - Stand look-ing sea — ere for my la—dy’s bow — ,_ Which to this we —ry hour Stands look—ing seu—ward, There for my h1—d_v’s ,t Which to this ve —ry hour Stan s look-ing sea—w-ard, There for my a—d_v’.s e loft—y tower,_______ Which to this ve-ry hour stands look—in,s: I the to —y tower, Which tot is we-ry our_..___ stands Iook—ing Built I te loft-y tower, Which to this ve— ry our stiuids .’ ' Built I the loft-y tower, to this ve—ry hour stands Z o — ward; There for la-dy’s bower sea — Ward; There for la — dy’s bower ""’k’i"§ 5“'-‘—“"c""'§ ere for ' la-dy’s bower milk-i|1¢f5€i1*“' I'll; There for * la—dy’s bower _\ /4. V . . 4/‘/1’/1%.; J) .4 _ Built e loft — y tower, i(‘rl! Built I the loft — y tower, it-h p A. the loft — y tower, Which the loft — y tower, VLpi'/.z. . 4.51 Stauds__ look— hug‘ St“ H5-— look — ing- Stauds___ look— iug Stands ./,...~-w._.r_L_e‘ "J N9 9. Romance. p}9_Str. (}7’£?.S‘0. - Tempo I. (3 There lived we ma — ny,___ ' fim0—.dl'i1’d («"1" b’S(/. .sf maxi — den’s tea:-s,_. She had f01'—g_;0t, ‘ - got her'fea1's, F1. K . \. Oh. (I L f 1 6'0)? €810) ’8'S'S . shv had f'01'”'0f herfu:1rs- Shewasa moth — er. H 3 _ C0 ['- There 1iv(>d\\'4e ma - ma — ny____ years;_. Time, V1. nmi — dc-n’.< tears; She had for-got, for - got her fears, ' . . .- .’. 0» 0 o 0 u v had_ forgot herfears; She was a moth was *3. moth - 113/“ had forgot her Poco a11imat0,c0n tranquillité. wasa moth - — 91-. av: /aw‘/If ﬁ\ , ‘Ya. Sm‘/0 I70 , ‘G\ /U Death closed her mild blue. that t0wer,____.___ - der attower she D oath closed her mild blue 07680. un - dur thattowor N691’ Shall Str. .\’«*’or shall rom-sustain. Tempo prime. 3 There lived we ma — ny, ne’er silch an — ofh - _e1-!. 7"////. f\ Time» drivd tho mai — d(*n’9, fhe I ‘/7 WI‘ . - don’s to-ars;._.. She had fnr—got,_ for — gﬁt her-fears, ' Woo(‘I./~75. Z__$ //zfzron e.,s*,17/*e.9.s'. ,\ ,\ had for-got her foau-s, shv was a moth — or, she was a moth — Death closed hormild blue eyes, (J/’P«S’U. - dcrthnttmve1- . , Nv’or shallthe sun, Ne’e1-shallH1e //I'6’S//'. - f — rise On such an - oth — {\ shnllthe sun - N<-‘er shallfhe. sun, Ne’erShall_the (/'7’(?.$‘£?. aria/2:971 N910. Solo and Chorus. Allegro con moto. 171’ FV‘—\ _/.VVind sustain. ./“/"Futti. ’I‘rom..,.B.'I‘. Andante maestoso. S010, Soprano. grexv my boqsom then, Still , ores (I ten);/0 stagnant fen! ful to me were me-n,The ca lempo ./.VVin . Allegro con moto. hate — full. Presto, ma non troppo. like gear, like ge2u*,.__ hY my 593"’: Fell I up - on F911 on my spear, V //I grate - was grate — grate - the for — est 6’/’€6'(/3 — Ii e gear Clad ; my S1)€aI', my spc-ar, Fell L Fell - on my spear, death was grate- _ _ 4:1 If-””__.‘\ ful, 0 death 0 death 0 death 0 death («‘7'(/’S('. _ M“h?'%‘hi Allegro con moto. If Allegro appassionato. . S010. Thus,___ sea1n’d_ with ma _ ny Burst — ing, burs1-in;;these Allegro appass10nato. Thus, wiih Burst - ing these pris — on 417‘ - to? its na-tive sfars My ‘ V soul“ s—cend_ed*,' Chg, Thus,__ seam’d_ ‘ Burst — ing, burst‘ — ing these Bass. ’ Burst — ingeg, hnrsf _ in;:; those Sopr. C110. My __ soul ,_ my Alto. Cho. My <_ soul, a. my pris _ on bars. pr-is - on bars. — soul as - cen _ _ . soul as — Str.T11tti. .17" Uistesso tempo. S .So1o. ¢\ Thus, seam’d with ma_ny scars, se-.am’d with soars, Uistesso tempo. seam’d with scars, 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..: ' rom. I .. f these pris— on_ bars, Burst _ in;: these. Burst _ ing these’ 1-i nhars, Up to its na - five stars, stars, soul, my soul“ as— (tend - «end- ed, my soul as _ _ed,my soul as _ _ed. ed . _ Tll0I‘t‘ll'0lI1l xflowing,‘ b0wlDeep drinkstho wzumim-’s sonl,f ! warrior-’s s0ul,__ - _ Therefmnlfhe flowing lDeep drinksfhv war-rior’s soul, the wzu-1-inr’s soul, Ten. ' f There fromf bowl Deep drinks the soul, Shoal‘. to the ‘N01-fh—land! Skoall‘ Bass. - V There from the bowl Deep drinks the Soul, Shoal! t {he North, Slio-all to 1 N0rth—la'ml‘! There from the f l0w_ing howl Deep drinks the Therefronn howlheep dﬁllks the Bass. . Shoal! There from the bowl Deep Tutti_. ’ ' f mare warrim-’s s0ul,the warrinﬂs suul,._Therefr0mthe b Dc-epdrinksthe soul,- ,—\‘ /—\ wart-i0r’s s0u1,the warri0r’s,t war_ri0r’s soul, ’]"herefr0m bowlDeep ‘ drinks the , o drinks the wan-i0r’s soul, the War_ri0r’s soul, T herefmm the bowl drinks the Shoal! to the N0rth~land! Shoal‘. war _ ri0r’s soul, Shoal! to the N0rth_land‘. Shoal! Shoal! to the N0rth—land! Skoal! Tutti. > f no Sopr. T1101-0 frmn f 1- flow ~ in" how] Dov) drinks ﬂw war _ ri0r’s soul 1 H 1 There from the bowl Deep drinks fho__ war _ 1-ior’s soul, the There from f ehuwl Deep drinks the soul, Deep Fl OW There frmn fhe owl J?” war_ri0r’s sou , Th<-re frmnﬂw how] _ Deep drinksfhe soul , SL<m]!1<> the Nm-fh—l2md‘. / war— —rior’s soul, Thm'ef1*m11thehuwlI)eep drinks the war—rim-’s soul, nks’ the war—.ri0r’s soul, . Thereﬁ'm1n‘hvbuwIDevp drinks drinks he waI'-1'i0r’s . Skmll! ‘wt 0 Nm'1h— — land! 2 ..—__.. . Skual! to the North. land! Shoal‘. ‘I Norfhlmld!-— Shoal! the North —b _ land! Shoal‘. 0 t ‘V m*tl1l2u1d'. 8- ////.~'.s'0. ..... ................ .5 seam’d_ with ma _ j s(é2u‘s,__.. Burst - ing, hu1*sf—ing these ,i. soul, my soul *. .. _ , Thus, with J. 1. J- - ny sum-.s‘,_ Bursf _ ing these pl-is - nu — tive stars My 6'7 '68!/. L’istess0 tempo. soul - — (send _ L’istess0 tempo. ('7‘t’SC‘. - Piﬁ Allegro. A There from t flow-ing howl Deep drinks the War—I'.i0r’s soul, the war- rior’s soul, There from the t'l0w_ing howl Deep drinks the war—rinr’s soul, the war—rior’s soul, There from the t‘l0w_ing; howl Deep drinks the wax-—rior’s war — ri0r’s soul, There from the t'low-ing bowl Deep drinks the war_rinr’s war — rim-’s soul, Piﬁ Aﬂegro. ' /".73 I . _ 4 ff sempre st/I60. L There from the howl There from the bowl S There from 9 how] There from the ff Shoal! Shoal! to Shoal! Shoal! to Shoal! Shoal! to Shoal! Shoal! Deep drinks the soul, Deep drinks the soul, Deep drinks the soul, a Deep drinks soul; North - land! North — land! /'\ North — land! North— land! Shoal! to the Northland! Shoal! to theNorthland! Shoal! to the Northland! Shoal! to the Northland! Shoal! to the Northland! Shoal! "to the Northland! cresc. Shoal! to the Northland! Shoal! to the Northland! 8 .................................................................. .! .... . /T North _ - land! North — North - - land! 114 Presto Largo. 10. There» drinks the war.ri0r Shoal! to 1 There from the flowing There from There from the flowing Jf . There from the f lowing Presto_. ‘ff Sko-al!.___ drinks the war - - rim-’s soul, Shoal !_ > > > > bowl, I Drinks the war.ri0r’s soul,the wa1~.rior’s soul,to Nm-thland! Shoal! >- >>- howl Drinksvthe war.rior’s soul the wal-_rior’s soul, at 0 and! Sknal‘. ) I ) >>>> >>>-> howl, Drinksthe war_ri0r’s s0ul,the war_ri0r’s s0ul,t0 theN0rthlaud! Skoall >>>> l)_u >>>_ ~ 59. Drinks the war-.1-ior’s s0ul,the war-_ri0r’ss0ul,t0 thoN0r-thland! Shoal! fhe Nm'fh—land! the N01-th_land! >>> the N0rth.1and! >>> the N0rth_land! A///I Sire/fa. «Sf £.rl$.ii1«. 1., . !IH. . .lL.. vtii. .« .: ..J.»..t.x r:....u....nn«..».nrIr....b..:.n . . rxm1s4,.r:..
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Date: n.d.

Creator: van Liesvelt, Jacob
Date: 1528-1545

Date: n.d.
Text: 2 9 ,0 ﬂ . Twni," wig; =~,,,, 1', H \ .iiii:"|“mul»mllIl|||« W um um‘ . I ‘I L “H” ' ; ‘ /6‘. J I gum; ii!!! I ‘pug. “ll: -- Wu V “V "‘ ‘ 3 it’ ‘F H 'L'|'““‘lLm "|l1r"4l-9‘ /»\ < .9"CHI RM ER —/ §/ 701 BZ7az2m5// 1/; E/#7 an am’/n; /27x1:/‘U/"[0/7§r255 A7 /EEZ Z1} Eezr & 5:/7/rrnar /n7r'7/2 [/erks [Jff/‘£9 u/‘#72 £7/"5 ffuurfuf/he 5uuH1'J D/5 Euf New Yurk- nuscc unnnnv VASSAR COLLEGE A PS-AHLM OF LIFE. What the...
Show more2 9 ,0 ﬂ . Twni," wig; =~,,,, 1', H \ .iiii:"|“mul»mllIl|||« W um um‘ . I ‘I L “H” ' ; ‘ /6‘. J I gum; ii!!! I ‘pug. “ll: -- Wu V “V "‘ ‘ 3 it’ ‘F H 'L'|'““‘lLm "|l1r"4l-9‘ /»\ < .9"CHI RM ER —/ §/ 701 BZ7az2m5// 1/; E/#7 an am’/n; /27x1:/‘U/"[0/7§r255 A7 /EEZ Z1} Eezr & 5:/7/rrnar /n7r'7/2 [/erks [Jff/‘£9 u/‘#72 £7/"5 ffuurfuf/he 5uuH1'J D/5 Euf New Yurk- nuscc unnnnv VASSAR COLLEGE A PS-AHLM OF LIFE. What the heaff Q/‘the young man said to the P.§'((IIIliSf. Fragment from the Poems of Music by lIEA'1{Y IVADSVVORTII L0t\'GF1<J'LLOU'. ALBERT II. II’()0D- Andante (.-on E inmournful numbers, Life -is but an the soul . is dead that slum —-hers, And things not what they seem, and things are not what they Life is re-.211! Life is earn — est, And the gruve ‘ ts goal. Dust 111011 art to dust re-. rif. est, Was not spo — ~ ken of the soul. _/ en- joy - ment and not sor — row, Is pest’: nfe. _,_,/——» .-.—_—T._._.. desA _ tilléd end or calla vbce. /“T W :1 y T’ /% Finds us fur - - ther than to— day that each t0—m0r — row Finds us fur .. that each to — — ther than to- (1 us, We can make our lives sub- Font prints — ! . .—*1¥~~4~——w‘~1 1, on the — er, Sail — int‘ and Sliipwreczked .1 — ;.{ai11. ehiev - ing, still pur- Walt; bor and to wait. I I q d l 4_ _,'a , ——I"1"""-'7 P ?'*""'""'f’“l for _ lurn to V I re-min - ing leave he- hind us, if , Foot prints ‘if perhaps an — nth P T\ A take heart bor and shall V time, I I in“ 1 / great men all 5 de — part of 5‘ JT1 _, M _ _ U . .I.|_ _ I Mﬂ I V And Font prints sol Learn to of ——h 0 the sands »e—ét>——~~—-~9~+— I g? ,_.- d 1 that (fer life’s — emn main, broth — 01', in“ la - ing, still pur- su — ing Learn to la — Lives ehiev — OJ EAT ALUGUE No. 1. OF VOGAL MUSIC. PUBLISHED BY G. SGHIRMER, 701 BROADWAY NEW-YORK. SONG-S. 'l’.‘zose marked w/itlz * are -with etnbellishad titles. ll battle, K4,, Le vlei X lsl'acoiliei', Rom. ‘i'i'aii1;..,.... .. ..... . . . . . . , . . . . .511 Abella, Pedro de Adieu. Romance. l<‘rencli and l<lnglis'h, ., A lit, .!1‘rz.. When the Swallpv/s lionieward It die Sc/L111 .. .- Il V‘.-'hg;iu, (A hap, Valse pour Paolina IllI('CIl.. I thinli of Thee. ’ Soprano or Alto, e:ich,. . Would I wer a w il-ling Bi.-l, (M60/L/e wail! em Vogletn rein, F'(ll'L‘SL worship. ' ‘ A 1.1‘ ‘orig, rI,,) )!l<>p.,. . . .. ... , Z I . S <tl)O1l.Yl<l Alto, e Good night my child. .z'i‘/1'14‘/I.-5 all/, main, /1.2’/'zz‘<,-P.~' Ii andAlto,<;uch,.......... . . .. If thou in dreams w.-uldst . ’. ( "i/eml do im . , fmge .) Sop. and Alto, each, , . . . . . . . . . . . . . . . . . . . .. At dai-lrsome Night, ([7; dim/cler l‘\/cwlii,,) Sop. or Alto, Fly, lig_ht—w‘inged Swallow, (Fl .7 (L jlieg auf, F 'l‘he Secret be‘ nyod, (Var ' Iiuu; (we on miss.) Love is a Blossoiiv. fair, 2:. wt etn .b’lumlez'.n..) Sop. or Alt Where‘er I go, thou goest, (Wohin rich ye/L", go/wt cm 7 Sop, or Alto, each, . . . . . . . . . . . . . . . . . . . . . . . . . . , . . . .. .. .. Alabielf Russian Nightingale Song, (L'Us nuolo.) Italian and Eng sh Alan-y, ., Un Secret. Romance l4"i-ang.,. . . . . . .. . . . .. ——«- he Stranger, (L’Etranger.) Song. 1. Annie of Tharau. (Aemicken non Thamu.) Popula Ardjti, I... Ii Bacio, (the Kiss.) Arietta, D,.. . L’Estasy, (Ecstasy) Valse. . .. I.'0rologio, (the Clock.) Soherzo,. .. U01-fanella, (Little Orphan.) Arietta, . . . . . .. Ilma, (Nouvelle Valse.) Italian and English. y. Ascher, J0s., Alice. Roinztnce. French and English,. . . . . T do. 0. Italian and English,.. . . .. .. Au her, I}. F. E., Laughing Song. Opera “ Manon llescaut.” English and French words, (sung by Carlotta Patti.) . . . . . . . , . . _ . . . . . . . . . . . , , —- Premier Jour de Bonheur Les Djins-Melodie. (“ Ah ! night’s shadows,”) At, _, _ ,_ _, , , , , _ , _ _ _ _ _, Bach, Jollni Seb., My Heart ever faithful, (Main ghiubig HeIrz,) .... .. Badia, Luigi, Cecchino. (I pass love’s happy hour.) Caiizonet-ta Napo- litan' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L’Estasi d’Ainore. (Ecstaoy of Love.) Scherzo-Valse, Iialfe, M. W., The sweet Guitar. Bolero, . . . . . . . ——-— If thou couldst know. (Si tu savais.) ' Sop. in 0. do. Mezzo Sop. in Bb, . . . . .. . Tu m’anii ah si ! (Then yon”1 remember me.) English and Italian, -———- Oh ! take me to thy lleart agll rl. Song, . . . . . . . . . . . . . . . . . . . . . . . .. Banck, Carl, Lullaby. (Wi'egerLlzm,.) English and German, .. —-——- The Brook by the Mill. (Der liivklbac/L.) English and German, . . The Lark in Spring, (Die F7"z2}zlén.;'£le7'c/Le.) Engl'sh and Germa.n,. Banach, Ferd. With You ! Son . _ . . . . _ . . . . . . . . . . . . . . . . . . . . . . Bnssford, W. 1%., “ "l"is all for Thee.” ——-——— Nevermore. e .5‘. . . .. _ Sigh I thou Wind, . ... . . . Bellini, Ah, non credea, (Alas ! for Thee l) G minor, Sonnainbula, Ah, non giunge, (Ali! don’t mingle,) do. in (i‘r,. . .. Beltzlioover, IL, The Rose. Bendelari, Aug., 'l‘it for tat. Benedict, Jules, llc wiveth his beloved sleep. Berta, F., L21 llisette tie iieiaiigei‘. lE.olnaiice,. . . . . . . . . . . . . . . . . . . . . Berre, Fer ., Loin de Toi! (Far from Thee.) French and English . . Bianchi, E., ”I‘will be. (S11.l‘5.l) Canzonetta, .. .. . Boise, 0. 15., “Sleep, my bailing I" Cradle Song. an a i oott, F., “ Soft brown smiling eyes." Song. Words by O. P. Bordese. L., La. Course aux Yapillons. ltoin. I3‘ ncaise,.. Miracle of the Roses. Parlor Op:-rett . . Louis, Dreams of Love. Song, .. “ Perche se mia tu sei,” (Why then, i. on art mine.) Melodi2.,. .. Braga, G., Santa Lucia. (When the bright Moonbeams.) Rondo do Con- cert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Song, . . . . . . . . . . . . . . (Perche oggi non e ‘ieri.) non, Saeied Song,. . Borg, La lteine Mignon, (Queen of Joy's Realms am I,). Angels’ Serenade, (Screnata,) Sop., . . . . . .. . . ——-— do. do. do. with Violin and Piano aceomp.,. . Brumbilla, ML, Withheld thy 'l‘e.'-irs, Love, (La Tenerezza.) Romanza,.. Buck. Dudley, 8 Songs for Mezzo Soprano. No. 1. VVhel-e are the swallows ﬂed‘? . . . . . . . . . . . . . . . .. No. 2. Down by the Mill, . . . . . . . . . . .. No. 3. Sunsetﬂs smile had left the Sky,. ﬁampauia, F. To'I‘hee! (A Te!) Italian and English, .. —-——- Ever. ( Tis true.) Oanzone. Italian and Eiiglisl When near to thee. (Accanto a te l) liolnanza, M. Thy magic beauty! (Sei troppo bella!) Canzonetta Beautiful Star. (Belll Astro.) Elegia, . . . Sweet Angel. (ls'ell’ Angiolo.) Ganzonetta,.. .. Flower-Girl of II‘lcrence. (Ila Fioraja Fiorentina.) Una Glta in Gondola, (In the Gondola,) I cannot live alone, (No posso vivcre seiiza (ii to ett From the Depths, (Dal Profundo dell’0blio.) Preglne 1. Never scorn, my Love, (Non ti scordar di ine.) Kan M S "l‘was an Angel, (Era un Angelo d’Aincre.) Melorli O Souvenir, (O Souve ii-,) l‘vlel<idie,. . . The Unhappy lllaitlen, (La Penseros , . I have lost her, (l.‘ho perduta.) Contra to, . Al. ! Why? (Perclie '1‘) . . . . . . . . . . . . . . . . . . . . .. . Song of Love. (Canto (1 inure.) witii Flute aceomp., -——- The Fire Fly. (La Il‘arl‘all-a.) Canzonetta, . . . . . . . . . .. (‘/Iapisson, L., W'1t‘nin this Goblet. l3l‘II1(llSi, Opera, “ I.-22. Promise.‘ l. and rench . . . . . . . . . . . . . . . . . . . . . . . . . .. . Claribel, “ Only :1. look of hztir.” Song, _ , , , , _ , , _ , _ , , . _ _ Cohen. (1. 55]., You’re fooling me! (Vcns me trompez.) Chansonet-te,. .. Cohen, Jules, li! che la spemel (What fond hope I) Valse. Sop. an Mezzo Sopr. Each. . . .. . . . . . . . . . Coon. Carlo Emery’, Then and Now, (Allora ed oggi.) Ital. and Burt. Colliero, L. 0., Berceiise. (Oh! Sllimbel‘, slumber, Infant, dear,)_. am I... L‘Amore. Romanza per Mezzo Soprano, , . . . . . _, , _, Destrei-1, lV.[., Mauro et Captive, (Vierge de Franc Bonizetti. In terra solo, (Lonely, I wander,) ' Sebas ‘ " . . . . . . . . . . . . . . . . . . . . . . l HHHIH Poor though my Got, (In questo semplice.) “lie . I ' La Notte e s(-rena. (The lriglxt ‘s serene.) Ba ‘!.\‘0l3., do All’ aﬁlitte. Itomzx - do 90; Roberto d’lt'v<:ae:ix,. Convien partir. De u Up:-ra ia del Regiinento. D and giiglish, 1-‘ Minor, _ ., . , ,_ 0. in .01‘ . . . . . . . .. .. .. . 0 luce di quest ajniina, (rec-it. and cav.,) B ﬂat, de Pop. “ Linda,". _ 0 nuo geinapilo, (recit. and cav.,) in C, de Pop. “ La l<‘avorita.” Ita . an ‘rig ., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Duran-al, Einile, _As I dreain'd in my Youth. (Oomineﬁ. vingt a.ns,). . .. Eckert, Kagrl, Beﬂilde a laugillng broolslet. (zln ezne: Bcic/iletrﬁs lhmde.) oprano ii, .. .. . . . . . . . . . . . . . . . . . . . .. . Beside a laughingbroolrlet. (.477 mes l3{ichlez'n’s Rande.) Alto in 0 Farmer, [in Little Sunbeam, . . . . . . . . Faure, 14., Why then? ‘ (Ponrquoi?) Romance. Ferrari, S. A. de, I Flori d’Aprile, (Spring-Il‘lowers.) Ma u Ital. and Engl., . . . . . . . .7. . ‘ Fioravanti, V., Stolto e ben, (I es, ‘tie true.) Rondo, Sop. in El’. in each . . . . . . . . . . . . . . . . . . . . . . . . Fischer, C. The Rose in the Wood. (R03 em im Wald.) Soprano and Alto, each, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fjotow, M’appai*i, (Ah ! so pure,) in E flat, de Pop. “ Martha,”. . . . Franz. liob. Fondly he sought me, (Er wt gekmmrwn im Slurm ff Mai'ie at th<:“Latt'i‘<:e. ‘(Marie am Fe7l.sle7',) . _ , Gabriel, Virginia, ilie Forsaken. so —-——— Whehn Sp‘:tI'(Ii‘O\VS huglt. Soprano Eb. At t e win ow. lt. (i‘-11111.,‘ W. Sing, Birdie, sing. Song; Sung V Mme. Parepa, . . Gel-aldy, Angel of_ Love, (Arigelo ti Aiuore,) . . . . , . . . , . . , . , . . , , , _ Ginmboni, 0 Julia lair l (Giulia gentil.) Fr. and F.ngl., and Ital. and Engl., Glorza, P.n,mThe handsome Drum Major. (Daghela avanti un passe.) anese . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . -————— L‘Usignuolo inessicana. (Mexican Nightingale.) Scherzo, Sop, Giosn, La Polka Mazurka, (Polka Mazurka Song.) Scena di Danza, .. . . . . . . . ——- “I tambnrelli, i campanelll.” (Now sou ds the Tambcrine.) Bolero, Alto g. _ Alto in G, eac , o ., . . . . . . . . , Glover, S... Do they _ A e at h . ..oiig,,.. ..... Glllck, Che faro nenza Eurldlce. (Live without my Euridice.) Opera. “Orfeo, Gordlglani. O santlssirna Verglne. (Prayer to the Virgin,). . . . M other’s Name. (11 noine di iiila. madre.) Oanz.,. __ Mother, let me dance, (Momma voglio balare.) Scherzo. M. ‘ ——-—- ‘Pro in 18, (TM 111 la.) Canznne. Mezzo-Snpra,zio__ . _ ..-o u.» ... ........~ IMPORTER (‘)‘F' {iii 3 I Gounod, (than... Romeo e tiiulletta. Al-‘iettu. linger.) Sop. G, Mezzo .\‘op., E15. desiis or I i-l-til. Italian and E. , all re '11 'I‘n:ale," ( a lEiig.,.... . When in thy Vision.“ (f1uw,i;:!n a we lie ’AhE e strano polar.) ' ‘i ,. “ Non destarini,“ (I would l,. . . . . .. _ . . fired a King in Tllule.) ltal., [\l'i‘«‘ vi * ..,.. Nil» ii‘;xiillii'.«~,“ (Ln 4 ' 6;;-avlieiu-_il1{oiT,:i1J;u:, «(-2 Grain. 18., '1 ' .. il . ii) . '.!"hiilk of im lilelodia pl-r U*i)JI:l‘:'Jli.0, . . . . . . . . . \‘»’=*i‘-.- i :0, - ‘ .1 -‘,0 1»). .. . . ——~—« lit,‘ lit‘\’L‘ " lilo. fﬁiiarllileialilo, iii) ' ~~»— lluve it ~' ’ inn, .. . . . Chi ii‘ i were 4 Swallow, ((1 fossi nil ri .nlii'iP.) (,‘r.n .. Thou art ton !u~,'o.'ly, (Sci taiita bu-ll:i.) iiohi. (,‘oiiti-.,. I live for thee only, (Nel llir min belie.) S0l‘uiianle,. 1» Ever iaitlitnl, (Selnpre l'edele,) . . . . . . . . . . . . . . . . . . . . . . .. .. 6'§lli0J!1, Prosper, he Fillette aux Cl.IZLYl.SiID*i. (Tliere is in our Hamlet.) orn., Fr. and En;’<‘i., . . . . . . . . . . .. .. .. . . . . . . .. .. ihlrnhe1'§i.. Eh, Ye ll1r}X'l‘j,’ Birds, (0 3/16’ («I _ VT‘,/7 -—-- do .) flop. in F .. Tenor in Gt-., o in Eb.,. . Sop. and I do. (10. do. All Deal‘ home of my father. (Dds L/Le:/.67-e V(Zt€1"7L(t'/ts.) 0 ea ~ , . . . , . . . . . . . . . . IIe‘d.I‘t, \\‘Yll(-Billie, thy joy and sorrow? (Was poo/it so lam? im Herzen.) 2d Waltz, Rondo, Soprano Ab, . . . . . . . . . . . .. do. 7 V Mezzo,Sop. in E, . . . . . . . . .. . 3d and 4th Waltz, Rondo, Sppiaiio, and A ‘ear: , ingge %ai3, myn,D(e]a)resli), t(£5;/']l(€1Zdj£7l o}tn).e %ezden,)C t i e en loan as e e 11. e ma. op. or on . eae Ye merry Birds, (Oiseau légere.) Eng. and French, in li‘,.. llail Coliunbia! National Song. Arranged by S. Jackson, . . . . . . . . . . Haendel, F., Verdant Meadows. (Verdi prati.) Italian and Englis , .. Halevy. F.. La Juive. Ii va venlr, (He will be here.) Ital. Fr. and Eng. bop. Hall, F.. Ever of Thee, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. ﬂatten John 1.. Rainy Day. Words by Longfellow .. . . ‘ ood-by, Swesiheart. Ital. and Engl., in G and D,’eaoh,. . .. Heiser. W., The Grave on the Heath. (Das Grab auf der Haide.) Sop. or Alto, each, . . . . . . . . . . . . . . . . . . . . . . .. How can I leave thee, (Ac/L, wée tars ;vru‘zglich,). . . ., Awake, Love. awake l Serenade, . . . . . . .. .. Hodges, F. IL, Dreams. A Reverie. New arrangement by the Author, —— The dreary Day. Words by Longfellow, . . .. j Farewell to North-Maven. Song, . . . . . . . . . . . . . . . . . ~—— The Rose-Bush Song. For Sop. Do. for Alto, each, . . . . . . ———- Cloister Memories of sacred Song: _ ' _ No. 1. Blessed are the poor in spirit. Mezzo S0p., . . . . . . . . . . $0. gesseg are Spay t-ha‘: mfbllrliit. 2Cé)ntralto,.. . . . . o.‘. esse are emee. ue op..... .. No. 4. Blessed are they that do hnniger andythirst. No. 5. Blessed are the merciful. Sop., . . . . . . . . 1 Will be continued.) Hoelzel, G., The Forsaken one. (Alpenklag/e,)... . ~—— ’lhe Tear, (Dze T}w(wle,) . . . . . . . . . . . . . . . . . . . . .. . . * The Visllzﬁge Blacksmith‘s B de. (Mein L1"/ebster wt me Dovf d cLmied,)... . . . . .. . .. HESS G. J. A National , Cradle-’Son Jackson, S., Lights and Shades. Words by Mrs. Nortou,. iioluison, VI/‘alter Russell. Afar beyond the sea, {atey’s Letter. Irish Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Knig, W. 11., Ave Maria, Latin and English,. i'§?§i‘.‘i"z‘§}‘”8"ii* ‘ii ’ i‘.”“.’~‘““ ““’i“”‘ ‘(‘1‘i“”“..“f;2.. Rz°v“£,“3Z’§’zz.m.) . ilsis me or sownray. ast ’ a . , So,p. or 'I‘en., and Alto, each, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . —— “What noble joys ft hunter’s, (Em Sc/mite bin tan.) Nae/Ltager in G’I‘d.IL-’Zd(L. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kiicken, F., No more in sadness on me gaze,” (sehlmicli rt’ tmeflr vo Wemuth an. ong . . . . . . . .. . . . . —— Good night, farewe-ll_, ( Ltl’Z\7I1£/Lt fa/w"wo . . —- Jewish Maiden, (llmulc/Le¢_z 7)on.7zida/L.) ._ _ ‘ L R Thgu soft andlbzillialy evening breeze, (ﬁru/Llmgs7'ezgen,) ast ose of uininer. ta . r. and ng. in ' . . . . . . . . . . . . . . . . . Lecocq, C]lﬁ..‘J., Fleur lie The, No. 1. ,“ ivandiére, Cantiniéi dier, now draw near,) . . . . . . . No. 2. “J’ai coilru grossii. ds,) “Je suis né dans le Japon.” (I was born in old J apaii ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4. “ En tons pays." (In every Land). . . .. .. . 5. “ Césarine a mes voeux.” (Oésarine to my ev‘ry,). No.’ . “,Qnanrl le Champagne.” (When the Cllampagiie,) Llnley, G., The Swiss Girl, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .. Long long weary day, (1)en.lieben larrgen Tag.) F' Ger. and Engl. .. Loljd, Chas. ., Vesper l , . . . . . . . . . . . . .., . . . . . . . . . . . . . . . . . . . . .. Eallcuntoui, ($2., La Danza d’Amore, (Gray dance of love.) Valse. Mezzo Sopr. Ital. and Euglish,. . .. .. Con. (vivahi :— Summer Evening, (La Sera,) .. . Luther, Gustav, In night's still ca. m. Soprano in t, —— In ril;:lit‘s still calm. (I/i dimkler [Vac/L Alto or Baritone in Al>,.. Llltt“/itz, lVIax., Love’s Plaint. (Du hast mil‘ viel gegeben.) Sop. or Alto, eae . . . .. . . . . . . . . . .. . (1.71 'ézi£.i1'cZe'r' '1vaL5m'.)' Lilizzi, L., Ave Marti. . J D u , . . . . . .. . . . . . . . . . . .. .. Nlallzocchi, IVL, La Bella Stella «ll Trinidad. Barcaro e, (Ital. and Eng.,) Mnliliran, ll'.[me., Olla.gi'in dlainonr. En l. and Ir , lllnrsckiiier, H., ileaven in the Valley, (Der Himmelim T/Lale.) Eng. e . o . or Ten., and Alto or Baritone, each, . . . . . ——— Yes, thou art mine, (.711, um bis! mein.) Alto, . . .. . . . . .. lllmsiliii, Une ﬂenr pour reponse. (Flower pledge.) Romance, . and Eng., IVKRSI-(<5, V., Reine Topaze. As roaiiis the Bee, (Chanson do l’Abeille.) Sop., ~—— “ Bright as ‘nu-;~ of opening roses,“ (Couplet de 12. Coupe.) Galathée. In , Riattei, Titto, Non 5, ver. (‘Tis not true.) Romanz , Sop. in F, Mezzo Sop. Eh, each . . .. ' n Eb La Ca-, >1-icoiosa. p. do Mezzo Sop. in (s”r3£.g1Sr"ci.., can e . d -—- . o. V do. . lileiidlelssohn, Here under the Trees, (Do my ic/Lunter den Bdumen.) Alto. —- L 35 onging. (Seﬁltalill;/LE.) Sop. and Alto, each, . . . . . . . . . . . . . . . . . . .. ——— First Violet. (Dax erode V-ailchen.) Soprano and Alto each .. Cradle Song. (Wile €"'l.[i€(l.) Soprano and Alto, each,.’. . Oliwings of Soii" (/.1’ T/1'/Iv M duo’ (r'6Su'/tges.) Sop. and tidallte, Mk‘, V“ M R’. .lt2ll'.1and Eir,;l., . . . . . . . . . . . . . .. Leoxnora. (;r%\)IlRglOV';I.| ;_8|IlJ.\’Et,’ (Youth s Joys are now,) .a tosa. e ose. anzone . . . . . . . . . . . . . . . . . . . . lilerz, IL, The Strariger’a Love, (Des lilremden Liebe,). .. Iileyerbcer, 61., Fisher Maiden, (Guide an bord ta nacel‘. .) Fr. and Engl., ~—— L‘Ai‘rie-an-a, “ Ar!-'lio teri-a native." Soprano, Ital. and Engl.,. . . . ‘ ' , “Ali! mon ﬁls,” (Ah! my son.) Fr., Ital, and -—~———- I’rIJpli<3te, i" Fr., lt:il., and Enrrl. ~;—- May Song. Uh-».iit d —— do. (AI vtivl Mill in the Valley, (in ' L /. . . . . . Eli illinrd 1%., \‘v'i:h 11 my heart I love you, (Io ti voglio bene assai »—. —« A ve lvl-Ania, Latin Hllll English. Mezzo Soprano, .. . . . . . —-—— Faith and Hope, (Old ;\lan’s Song to his ‘vVife,). .. . ' Sonl§.V.......... . .. . .. ~— ' ‘ .. (Companion to “After, iii inlet, EL, . iana, (Maiiieifs Warning.) I‘ Gianetta. Allegro,. . Song of our C'ountry’s i)aughters, -~—-—— A Slsilor’s Song, (0 for a whirl‘ of the salt sea breeze.). Invocation to Sleep (Invocation) Ital., Fr., and Eng_ ,. . . . . . .. Molique, EL, Could I through ether iiy. (1i'o'/mmc/L durcliiiriume ﬁfe/L’n,) imollerihauer, Fred” The M ' JL9-I‘k~ Soﬂgr - - - - ~ - ~ - < - - - » -- 1V}ou1t,on,. ()1 e e. Song aiio, or Mezzo Soprano, each,. onfessioh, . . . . . ... ’I‘heBrook,... . . . . . .. . .. .. lvjﬁller, A.,~ Ye soft blue eyes, good night, (I/Lr blauen Auge-n, gute Naaht.) Sersnade,. . . .. . . . . ., . . . . . . . . . . . . .. The Message Bird, (Vdgelem, man Bate J). .. . . . . . . . . _ . . . . .. liluzio, E., Ilrind'. ‘ -W . . (English and Italian.) As sung by Mlle. Carlotta I’atti and Mme. Strakosch, . . . . . . . . . . . . . . ._ . . . . . . . . . Ere life’s declining sun has set, (Di tanto eoceso o’perIld1.) Aria. in- troduced in the opera. “ Bohemian Girl,” . . Pioooloinini Wziltz,. . . . . . . . . . . . . . . . . . . . . . L’Ainour. lam Louisa Polka. Soprano,. . . ,I.’Aniour. Glam Louisa Polka. Mezzo Sopln, . . . . I<‘1’TIZ‘..F.‘.I G‘v1‘J. M’USIC. ..-$0 '= 3 *1Vl'll zio, E.. L’U'ulgnuolo. Oimzone di Bravura. Soprano. (ﬂoinposed rm and sungbyCarlottaPa.ttl,) . . . . . . . . . . . . .. -~ Le Stelle d’1talia, (Stars of Italy_) Melodie per Canto, Ital. and EngL, No. 1. Str,-rinzllo ’l‘osoanu, ('1‘usca.li Evening Songnl) Itrl. an . . La Veduva, (The Wldow,) Ital. and Engl.,. . . . I . La Nanna, (Cradle Song,) “ . . ll S<‘«e|)lI"l, ("File Silzh,) L'An‘e-',:ioiie, (At"r:«tiorl,) Nu. All‘aui-a, (To the Breeze,) Nallalul. (In, La Valse mes Ailieiix, (Waltz oi‘ Love.) Engl. and F .,. . .. 1‘Jcss.*niil.ler, J. E13, Wlieiie’er 1 long for Native Land, (Went ich mich nm:/z de/r Ileimat/1. se7m.',) . . . . . . . . . . . . . . . . . . , . . . . . . . . . . . . . . . . Norton, Hioli. Mrs., Jiianita. Span!-all Song. Sop. or Alto, each,..... Offen liach, .Il., ha Périchole, No. 1. “O mon cher ainant." (O my dearest hm.-,) Int pr Sling E!-., . . . . . . . . . . . . . . . . . . .. . “ Et la maintanant ” now companions.) (lies femmes,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. No, R. J. Espiigiiole et la jeune Indienne. (A warrior once said.) Duet, . . . . . . . . . . . . . . . . . . . . . ,~ Cll2|.1lS()n ale l<‘crtunio, “ Si vous croyez.” (If you believe.) Song, . . ” Les Bavards, “ Clest l’Espagne.” (’Tis in Spain.) Chanson, . . . . .. Genevieve de Brahant, No. 1. Oouplet de Pﬁté. (”1‘is a pie that is no shaine, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ) . 2. “ En passant sous la fenétre.” (As I pass’d under your window.) Serena e, No. 3. Uno Poule sur le mur. (Once a hen near by a wall.) No. 4. Grﬁce D. vous mes deinoiselles. (Thanks to all young ladies,) . . . . . . . . . . . . . . . . . . Grande Duchesse, No. 1. “ Dites lu' ” (Say to IE1. . . . . No. 2. Le Sabre de mon Pére. (My father’s sword,). . 3. “ Ali ! que j’alme les militaires.” (Ah! I military ) No love ‘has No. 4. Legende du Verre. (Legend of the goblet,). No No . 5. Allez jeunes ﬁlles. (Come now our darling gir1s,) . . 6. Pour épouser une Princesse. (A princess beautiful to marry, . . . . . . . . . . . . . . La Belle Héléne, No. 1. Amoui vins. (Oi love’s divine,)... No. 2. An Cabaret du labirinthe. (Thus at the Wine shop, .. No. 3. Au inont Ida. (At mount Ida three Goddess) . . . . . . . . No. 4. On me nomine Héléne la. blonde. (They call me Helene the blonde,) . No. 5. Un marl sage. (A husband wise will,) . . . . . . No. 6. Venus an fond de nos dines. (Venus bestows, No. 7. (Jes rois reinplis. (These Kings so shock,) . . . . . . . . . . . No. 8. La vrai! Je ne suis pas. (In truth I’m not so much to blame,) . Barbe Bleue, No. 1. “ Y’a des e g . There sh p , . No. ‘2. “ Vlla z’encore de drol’s.” (There people are,) . . No. S. “ Pierre un bean jour.” (Once on a time my love No. 4. “ Ponrquoi qu’ils (Why do they look,). Alfred XL, Tender and true. Ball d,.. . A Year’s Spinning. ‘ ng,. . Stars of the Summer Night. Blow, bugle, blow. S0ng,. . . . . . . . . . . . . . . . . . 1 Good Night. Tenor or Soprano, and Alt r Baritone, each, Petrella, E., Brindisi, (Italian and English,) from Opera lone, . . . . . . . . . .. “ Abandonata e orrana.” (Orphaned, abandoned.) Rom. par Mezzo Sop. from Opera Ione, .. .. .. . . . . . . “Vanna e serba geloso.” (G , preset par Basso and Mezzo Sop. Opera Ione, . . . . . . . . . . . . . . . . . . . . “ L’amo, l'amo.” (Love him, love him.) Cavatina par Soprano. Opera lone, this important.) Duetto Sop. and Ten. “ O Ione, di quest‘ ainina.” manza, Tenor. . . . . . . . . . . . . . . . . .. Preyer. G... Will she come, (ob tie wohl kommen wird,) . . . . .. .. . :—~ The Bird, tll8Fl0W€I‘, the Heart. (Jedem das Seine.) Song. Eng]. andGerman,. . . . . . . . . . . . . . .. .. .. ' rolese Song, (Tl/7‘0l. 7,ed,).. l\ ail. Stella. Latin and Fmgl., . — At Home again, (Wtede7*sehen.) Sop. r Alto, eac , Reden. Kari. My Heart is like a Singing-Bird. Ba11ad,.. . Rtandegger, Au, Ainiaino la Vita. (Life let us love.) Ital. and Engl.,.. lieichirrdt. AI ex., Thou art so near and yet so far. (Du bilst mir nah mid doc/L S0f€7’IL.) New ed. E ﬂat, Fr., Engl., and German, There sings a wild bird. (Es singt em V(‘2'g!em,). . . . . . .. Reissiger. C. G., The two Gi-enadieis. (Die Gvrenadiere, Ricci, Alﬁn brillar. (My heart with joy,) 6 ﬂat, . . . . . . . . . . . . . . -: Crispino e la. (lomare. Opera. 0. 3. I’ve stories rich, (Istorie belle a leggere.) Sop., . . . . . . . No. . I'm no longer poor, (Io non sono piu l’Annetta.) Sop., No. . Piero darling, (Piero miogo qua,) . . . . . . . . . . No. . Bliss all raptures past, (Non ha vioja,). Rlvarde, P. A.. ' celle.) Barcarolle, . . . Vifhen love is kind! Song, .. . . . ... —— Mandolina, (Stars of the Summer Night.) Fr. and Engl.,.. Rondinella, P.. 11 Giubilo. (Valse elégante.) Ital. and Eng . Mezzo Sprano in C Rothschild, Baronne. dire. French and Eng.,. . . . . , Sabbath, }3]., The Minsti-el‘s wish. (.-vdngers W:/ins-c}L,) . Salaman Cli., 1 arise from dreams of thee. Serenade, Sarluien 0, This kiss I oller, (Lu Vasillo.) Canzonetta,.. Schiznon, (Lsweet Mother ‘of sorrow! (Mater dolorosa,) . . . . .. .. Sclioendorf, When the quiet moon is beaming, (Wenn so sa//zft mtd mzld,) Schubert, (‘/11111., Le Gondolier de Venise. Barcaro e, Schubert, Franz. Last Grreetiiig. Lebewo}zl,) Frencli and English Maiden’s Lament, (llf/l3dc}m2’8 lug/9,) French and English,. . , My Abode, (Au7’ent!m.lt,) French and English, . . . . . . . . . . . . . . . Shepherdls Song of Goinplaint, (Sc/L(Zfe7“8 Klagelied.) Fr. and Eng., Serenade, (Sttindc/zen.) ltal., Fr., l<)ngl.,. . . . . . . . . Cradle Song, (I/Veg/enhed,) Fr., Gel-., and Engl., Ave Maria. Fr., Engl., and Ital.,.. . . . . . . — Wamlerer. (Der Wa72.dere?*.) Sop. Alto, each,. Selnnuann, Rob.. The Lotus Flower, (Die Lotosblurrw, oh! thou art like a ﬂower, (Du bist wile eine Blume, Sﬂcher, Loreley. Fopular Song. Engl. and Germ. words,. s(mit]1), .‘. 10., No Time like the old Time. Song,. . . No More, . . . . . . . . . . . . . . . . . . Speranza. £14., The }Iour o a A llvinn of Thanksgiving, . L" To Minona. Serenade, . . . . . . . . . . . . . . . .. Sweet sings the iii htingale. (F8 812 get die Ncwht’ all.) German and Engllsln. . . . . . . . . . . . . , . . . . . . . . . . . . . . . . . . . . . . . Stanzleri, (Eu, 1 will lo , .., . Io iﬁamoro.) Soprano or Tencr,.. .. Star-Spangled Banner. National Song, (Chorus ad lib.) Arr. by S. Jackson,.. . Sﬂgelll, G... Isolina. Arietta. “Engl. and Ital. words. 0. and A., each, . . ——~— Brightest Eyes, (Die S(:77.0n..r-ten Augen.) E ﬂat, Germ, Engl., and Fr rd Proch. IL, ——~— AVG iii ' 6, Spohr. . wo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stradella, Pieta Signore, (O Lord, have mercy.) Ital, and Engl., C minor Suppé. F.. 0 man, be not proud, (Der Mensch soll nwht stolz rein, .. Szemelenyi, 141.. Medora, . . Templar E., My heart is breaking. Ballad,, . Thevcnet, Dullphonse. Eemuie du Pecheur,. . . . . .. Th Oman. J. Il., In the clear mirror of her eyes.’ Ganzonet,. . _ ., Thomas, Amb., Mignone, Opera. Morceaux det. Fr., Ital, and Eng]. No. 1. “ Connais tu le pays.” Romance. Contralto, Db,. . . ,, N o‘. Ibis, do. d Mezzo Sop. Eb, . 2. “ Légers hirondelles.” Duet. . 2 rs, . Voix seul, .. o. 3. “ Je suis Titania." Polonaise in Bb,. . Sbés, do ‘ . 4. Elle ne cl-oyait pas.” . 5. “ O Vierge Marie.” . * Thunder. "H. G., The Sands o’Dee. Lyric Ballad,,....,.,.. ._ Torrente, G., Sliogv me thy ways, 0 Lord! Anth. Soprano, and Mezzo op. eac . . . . . . . . . . . . . . . . ..: . . . . . . . . . ... . . . . . . . . . . . . . . . .. Truhn, IL, Parting; and Sorrow. (scfiezdentmd Lezden.) Song. Sop. or " Tenor in F mino 011 Tyrolese and his Child. and English,. Van Oekellu. Graduate’ ewell. Comic Soi1g,. Van Noorden, P. _E., Kind words are dear to all. Ball Venzano, L., The Zing-ai-ella. Italian and English, ....... ., . Gr. Valse. “ A che assorta.” Original Copy. Soprano, . . . . . .. . . . Verdi. G., La Traviata: “ Dite alla. giovine,” (Tell me, fall" Maiden.) . ‘ E scherzo od e follia,” (It seems 8. harmless lying.) Aria,.. HEM‘ Duets, 5l‘r-ion, mm.’ gamed Music, use Catalogue Na, 9, The Harvest Moon is beaming, (Guide au.b'ord'na'- \ Contralto and Ba.ritone.:: ’
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Date: n.d.
Text: am // ‘g /,// J \ / ‘\ .// V T v_ T T \ 1i;€j;é&; by J; % W 1“ . jé’, <Z)J\V'(67'4/2'*77j',4"(,_£a///,”) L’/V183’ AS 07)Z\V(§2'..SS' in M12 AW/(I/A$S'»)’//"",.4I/4 /Z’? (0 7//@ 517 /[:7 71 Y, WW COMPOSERS JULES NORMANN EJ.WESTROP WEBER JULES NORMANN 6978<8, EXCELSIOR 7:588:19, PSALM OF LIFE 75()&5!, FOOTSTEPS OF ANGELS 7958<8, THE SLAVE'S DREAM 94-8&9, THE VILLAGE BLACKSMITH CARL REINHARDT 9558<6, GOOD NIGHT!...
Show moream // ‘g /,// J \ / ‘\ .// V T v_ T T \ 1i;€j;é&; by J; % W 1“ . jé’, <Z)J\V'(67'4/2'*77j',4"(,_£a///,”) L’/V183’ AS 07)Z\V(§2'..SS' in M12 AW/(I/A$S'»)’//"",.4I/4 /Z’? (0 7//@ 517 /[:7 71 Y, WW COMPOSERS JULES NORMANN EJ.WESTROP WEBER JULES NORMANN 6978<8, EXCELSIOR 7:588:19, PSALM OF LIFE 75()&5!, FOOTSTEPS OF ANGELS 7958<8, THE SLAVE'S DREAM 94-8&9, THE VILLAGE BLACKSMITH CARL REINHARDT 9558<6, GOOD NIGHT! BELOVED \ D° 964&5. THE GREENTREES WHISPERED LOW8<M|LD D° WW 859&60, THEOLD CLOCK ON THE STA|RS 895&6, THE REAPER AND THE FLOWERS 904&5, STARS OF THE SUMMER NIGHT 950&5l,BEWARE’. BEWARE! 3528<3, THE RAINY DAY 96680, THE DAY IS DONE COMPO5[ﬂ& R.sT6PEL CARL REENHARDT FRANZ KULLAK DD CARL REINHARDT DO LL L0) N [D '0 EN: MUSICAL BOUQUET OFF!CE,I92,H|GH HOLBORN; :9. J.ALLEN, 20,WARWICK LANE.PAT‘ERNOSTER R‘O_W. 7 Mlluuc uinnnv vnssm coLu:(-.5 THE VILLAGE BLACKSMITH. Poetry by H .W. LONGFELLOW. Composed by CARL REIN]§{ARDT.. ‘ A A A " .MODER.4TO. I Un _der a spreading ches-nut trees The vil _..lagi,e Smithy The smith a niigh t_y ~m-an is he,VVith_ ilargeiand si-newy hands; And the muscles of his brawny arms Are strong as 1 _iron _ba_pds. '.H_i‘s hair is crisp, and black, and long, His face is like the tan; His brow is ‘wet with o Chairllrﬁ Mackapﬁ SW35 IN ma Muﬁiral Bnuqmt; JOHN BROwN,0.R vva A GUINEA 1 CAN SPEND,jV‘f‘d’£a’z§’c6,» ENGLAND, DEAR ENGLA'ND,J44é‘é’c7,< HAwIHpg-in AND THE. |vv,_/¢¢a>&y,- DR.EAMlNG, mu DREAM\NG‘.]4Jﬂ&.5j,- HAL AND ms r.ax.aNos,14i2&-.3,.1Ha may nAm=,},!5«¢A2~.;
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Creator: Davis, Jefferson
Date: n.d.
Text: Jefferson Davis ? N. M. Browne Esqr. Constitution office Washington D. C.

Date: 1920
Text: . K ,_ . /fr» I :~.. ~ ; Mm . 1/‘ [,{_’~ 31.4 /3 *7 ,»4:-"’“ J V, ‘la ‘a 3 ; - i“ V U ‘Jxﬂ ,‘\,»*L/3:/L!:'_/,[:‘,/ Gompozitionsg my Sobn rlltsokrejs MUSSC LIBRARY VVAEAQAIR COLLEGE voucmmzwsse. new vow 34 ( \ \ ) 1)}: VALCIK. Db Gr. 4-5 . . . . . . . . . . . . . . . . . . . . ..50c TOLD IN JUNE. E Gr. 4.. .' . . . . . . . . . . . . . ..50c ROMANCE. D Gr. 4-5 . . . . . . . . . . . . . . . . . . ..50c OUT OF THE WEST. G Gr. 5 . . . . . . . . . . . . . .50c PRELUDE IN G MAJOR.* Gr...
Show more. K ,_ . /fr» I :~.. ~ ; Mm . 1/‘ [,{_’~ 31.4 /3 *7 ,»4:-"’“ J V, ‘la ‘a 3 ; - i“ V U ‘Jxﬂ ,‘\,»*L/3:/L!:'_/,[:‘,/ Gompozitionsg my Sobn rlltsokrejs MUSSC LIBRARY VVAEAQAIR COLLEGE voucmmzwsse. new vow 34 ( \ \ ) 1)}: VALCIK. Db Gr. 4-5 . . . . . . . . . . . . . . . . . . . . ..50c TOLD IN JUNE. E Gr. 4.. .' . . . . . . . . . . . . . ..50c ROMANCE. D Gr. 4-5 . . . . . . . . . . . . . . . . . . ..50c OUT OF THE WEST. G Gr. 5 . . . . . . . . . . . . . .50c PRELUDE IN G MAJOR.* Gr. 6 . . . . . . . . . .75c SCHERZO IN E MINOR.* Gr. 6 . . . . . . . . . . . .90c INTERMEZZO.* A Gr. 6 . . . . . . . . . . . . . . . . . .75c ARABESQUE.* Db Gr. 5 . . . . . . . . . . . . . . . . . .750 FROM A BOHEMIAN VILLAGE. C Gr. 4-5. 50c DANCE OF YE WITCH OF SALEM TOW . ABSENCE. C MINOR Gr. 2-3 VALSE B}; Gr. 3 AN INDIAN DANCE. C MIN AN INDIAN IDYL.* G Gr. ECOSSAISE (Scotch Dance BAGATELLE IN G. Gr. VILLAGE SCENES.* Gr. THE BLACKSMITH. D. GLADYS AT PLAY. D. . . . . . . JUMPING JACK. C. . EVENING. C. (41 <70 RONDO. C. [ 5 THE BELLS. C. \ Gr. - JACK IN THE PULPIT. C . . . . . . . . . . . . . . . . . . IN THE HAY LOFT. Bb . . . . . . . . . . . . . . . . . . . .25c OLD CHIEF MATAATAKWA. A Minor . . . . . . ..25c THE WHITE BUNNY. C . . . . . . . . . . . . . . . . . . . .25c THE FROG POND. C . . . . . . . . . . . . . . . . . . . . . . .25c DANCING DAISY FIELDS. C . . . . . . . . . . . . . . . .30c PETER PETER.* CCr. 30¢ FROM A TAMA POW-WOW?‘ A Minor Gr. 2.....30c KITE FLYlNG.* D Cr. 2 . . . . . . . . . . . . . . . . . . . . . . 30:; Q (E S HRAB AND RUSTUM. C 25c BOHEMIAN FOLK SONGS.‘ Book I . . . . . . .50c (Arranged as easy Piano Duets. Gr. 1-3). Book II . . . . . . . . . . . . . . . . . . . . . . . . . . . ..90c NATURE SKETCHES. FROM THE HILLS. Bb Gr. 3 . . . . . . . . . . . . . . . .30c THE BIRD RONDO. G 3-4 . . . . . . . . . . . . . . . . ..50c PLAYING LADY. C 2 . . . . . . .I . . . . . . . . . . . . . . .30c IN SUMMER. D 2 . . . . . . . . . . . . . . . . . .30c AD BOY. G 3 . . . . . . . . . . . . . . . . . . . . . . .40c A DA THE / A HERZO. Gb 4 . . . . . . . . . . . . . . . . . . . . . . . .50c MI HINC-TON WAS A BOY* . . . . . . . . 1.00 (An Opera for Young People) LOVE ME YET JG SONG M THE FIELDS OF FRANCE ‘ AH—WAH-TAY—SEE (Little ﬁre-ﬂy) WA—YEA MY LITTLE OWLET E/(EAL E ‘ (\ SONGS OM TH] R’S GARDEN . . . . ..75c (V t teen ngs fo Children.) SONG (L I67‘) . . . . . . . . . . . . . . . . . ..40c (C to F) . . . . . . . . . . . . . . ..50c . (IE) to F) . . . . . . . . . . . . . . ..50c I MELODRAMAS (Reading with Music.) MIANTOWONA.* . . . . . . . . . . . . . . . . .75c (Poem by Thomas Bailey Aldrich) THE LEGEND OF WINONA . . . . . . . . . . . . . .75c TRIO IN B MINOR. (For Violin, ’Cello and Piano.) LESSONS IN HARMONY . . . . . . . . . . . . . . ..1.00 LESSONS IN SIGHT READING."‘ . . . . . . ..75c (For the Beginning Piano Student.) LESSONS IN RHYTHM* . . . . . . . . . . . . . . . . . . . . .. 75c 09 ODOWAN PUBLISHING CO. 880 W. 181st St., New York 831 Ave. B, Cedar Rapids, Iowa ‘Rub. by (Jtayton F. Sammy 00., Chicago. To £3111. You’ll Love Me Yet (SONG FROM PIPPA PASSES) REVISED EDITION BROWNING‘ Moderate You’ll love tar— ry your 1ove’spro—tract - ed grow - ing. 6’o;9y7'2'g/at MUZIBZY by Jolm ﬂlokrejs. JOHN MOKREJ S 17000 piu mosso June _ rear’d that — ers you car- 1-y nf poco piu mosso pri1’s sow. — ing.. I plant a heart — f ul some seed at least to strike and yield __ What you‘ll not pluck in deed‘___ Not love but You?! Love £l[e Met 4 Not love but may be like! Not love, not may be like! V P Yotf ll look 1) ll tempo Tab. loves re - mains,A grave’s one vi — o - let: Agrave’s one Y 0247! Love Me Yet 4 vi at but may be, least your look? that pays a thousand/thousand pains, a thou - sand pains. {-25 What’s death? You’ll love me yet!What’s death?You’111ove me yet! >>>> {T {-5 A 2:} me You’ll__. love me You"11 love me yet! Y0u’11 ~ love me, love me yet! ‘*1 4e ?’ [7000 Mt. Yozdllﬁove Me Ye! 4 To my sister Amze Spring Song REVISED EDITION Words by Music by SHAKESPEARE JOHN MOKREJS Alleg'rettAo d ai — When shep — smocks larks Oopyrig/at MUMXY by J0/m Jllolcrejs. - buds tread, light, cuc - koo then smocks..___. ed men; For. thus._ sings AS"!-wing Song 3 Cuc—k0o, cuc —koo, Spring Song 3 A Tfiéule to our Gallant Boys From The Fields Of France Words as Music L argo (very slowly) E _ B 131£OKREJS _ L __ F.‘ Vwy slowly and profoundly Though our hands be part ,- ed by the deep seas blue, Yet have When the storms go rag - ing, be on sea or land, Then have Like the sun’s down - go - ing, mid its glor — ious ‘hue, In the nff hearts one Song whenthere’s fightéin" to do. Though We ne’er see home and you, we to hearts one Song and as mountains We stand_ As the mountains do we stand, with one roll ca1l’s miss - ing our hearts go home to you. "Yet though clod becomesthe clod, and 1‘ du — ty’s call were true; We lived for the Right and we died for you. heart, one hope, one hand, Un- til Right en - throned shall rule the land. time and a — ges nod, There’s no name e’re lost from the roll call of God. T Oopyriglzt 1l[6’1ﬂ’)f by Jo/an Zllolcrejs. VVah—Wah—T1(:£ré:“0sWé7”e;>I./j3{Ij'1:}kir1‘i).7”ﬁ91e Fire Fly. From Longfe11oW’s Hiawatha. Music by Y JOHN MOKREJS . Andante con moto e tranquillo. ,5 Wah—wah - tay -_ see lit -tle fire - fly Lit-tle flit - ting Whitefire in\: sect, Lit—tle dan—cing »\ 2; white-fire crea - ture Lightme with your lit -'tle can — dle, 6’(/pg/7'77g/¢Z‘ J[6’J[XV by Jo/an Zllo/cre,/Ls‘. Ere up- on_. my bed I lay... me e Ere in sleep I .5 close my eye - lids Wah—wah-tay - see litgtle fire - fly, Lightmewith your lit- tle can - dle Ere in sleep I closemy eye - lids. trrmgmlln Tab. $1.3. ”l"’/"*"””'l"WW-W" ~° ‘ F.\J.LAWSON co.N.v To ﬂfary. EWa—yea My Little Owlet. (From Longfe11oW’s Hiawatha.) JOHN MOKREJS . Andante mo derato. \——/ P 00 7; [’ca’_ Ewa-yea my lit— tle that lights the ‘Wig - warn?Wi‘ih his great eyes lights the wig - warn Sz _>.. 15> 00]);/7‘?:l,"/if MUMXIII by Jaime ]l[o/krejs. Ewa - yea my lit -tle owl - et 7.’ . f great eyes lights 8 Z .7 . P Ewa -yea my lit — tle Ema -yea 2 T0 Jllr. EE. Pirkel. GALLIE. REVISED EDITION (SOUTHERN SERENADE.) JOHN MOKREJS. Moderately. is a out ma dar - — - lin’, ob de sum—mer night, is a in ma dear swoon-in’ Wid de- light Copyright MCMXX by Johh Mokrejs Hi -ho ma dar - lin’ H3 -ho ma dear gva ' ' '3 _ . \./ \_/ Wwjz‘ 4/<3: \¥ J/-\/'_\ b gx J./\ : - : __ /‘T Sweet! Sweet! owls ar’ hoo - tin’, Night croons, stars ar’shoo - tin’, Gal- lie lie “ 1*” I s here Gal-lie. Game_ 2 >2: Cello ditto two octaves lower BY JOHN MOKREJS WHE_N WASHINGTON WAS A BOY An opera“ in one act for young people based on the cherry- tree story and bringing in the important characters, including the negro servants, surrounding Washington’s boyhood. Though written for piano accompaniment only, it is strikingly orchestral L. ESSONS "Lessons in Harmony" is a beginner's harmony book. The facts in it can be taught by any teacher after a slight perusal of the book. The exercises are to be played, listened to and written, and, being simple, can easily be understood by pupils of any age. It teaches how to form and play all intervals and all chords. It teaches the nature and use of all chords, thereby laying the foundation for memorizing, improvising and composing. It teaches the perception of Relative and Positive Pitch and has a most excellent presentation of modulation. The book will be sent on approval. (Price $I .00 net.) "Excellent in thought and content, not conventional, and wide in scope."—-A. L. A. Boo/flist. The average student approaches the study of harmony with a hostile mind. Decades of stupid teaching and dry text have brought about this unsympathetic attitude and only through the use of practical works like the one under discussion can the usefulness and pleasure of the subject be fully disclosed. It ‘ is not ﬁlled with rules that contradict, nor is it padded with dry formulae; nor yet is it made wearisome with endless excerpts from composers’ works; it is almost tersely clear in explanations of formations and progressions. LESSONS This book is for the beginning piano student and it teaches how to read without any drudgery. It teaches the treble, high-treble, loiv-treble, bass, high-bass and Iolv-bass lines as units (pictures) with deﬁnite locations on the keyboard. These six pictures combined take in the entire key- board and each one is equally easily learned. LESSONS Teaches your pupils to play naturally in time. It aims to give your pupils a musician's conception of rhythm. Elastic, ﬂexible, proportionate, accurate. This method establishes that rhythm is to be taught—not as a problem in arithmetic——but as an element in music which must be consciously felt as well as scientifically understood. Notes are named according to their sound, their meanings, their rhythmic or counting values. This is the ﬁrst time that the subject of rhythm——including Time, Tempo, Measure, Pulse, Pulse-Rhythms, Rests, Dots, Ties, Syncopation, Irregularities, etc., is gathered into one com- plete, practical teaching method-«scientifically accurate yet artis- tically intuitive. I N I N in effect and the vocal parts are perfectly within the possibilities of young people. Its length is about an hour and a quarter, and by following the directions given, it can be done with but a month's training. H,ARMONY The chapters on modulation should be mastered by every church organist who essays the necessary transition between the hymn and the anthem. No stiff formula: but the best possible manner of approaching each key clearly set forth in a convincing manner that would mean a little more peace in the choir loft i followed honestly. Again modern usage is taken into con- sideration by a fair recognition of the looser key feeling now obtaining where the old relations were so ﬁrmly fixed.-~—~Cedar Rapids (/a.) Sunday Republican. Harmony Considered From a Practical Viewpoint. Too much has the custom in the past been to merely ap- proach the study of harmony as a sort of geometrical structure, with no instinctive association between the two methods of receiv- ing impressions, viz.: the eye and the ear. The manner in which Mr. Mokrejs insists upon ear training as a fundamental of har- monic comprehension indicates a perception of what has heretofore been the weakest point in our system of theoretical musical educa- tion-weak because it has so often been taken for granted. This work is well adapted for study under almost any conditions-— with or without a teacher. Among its commendable qualities are conciseness, directness, simplicity, brevity——so arranged as to lead to the absorption of the subject rather than of a lot of rules which are supposed to govern the subject.—-~MusicaI Monitor & World. IN SIGHT READING It teaches the Relative and Positive Location" of Keys (which is as necessary to a pianist as Relative and Positive Pitch) afid enables one to naturally see the keys in the notes. It establishes that notes should be learned from the keys and tones they represent, and never disassociated from them. Price 75 cents" RHYTHM The exercises are presented in such a logical manner that they immediately clear up every Rhythm Problem from the sim- plest elementary forms to the most advanced complicated forms. The principles taught in the first elementary lessons are so scientiﬁcally true that they work out equally well when applied to all the more involved forms. This blesses the pupil to the extent that nothing ever needs to be unlearned. These “Rhythm Lessons" can be used for all students of music—-vocal as well as instrumental—-including wind, string and percussion instruments. The price is 75 cents"‘ Two INDIAN MELODRAMAS MIANTOWONA AND THE LEGEND OF WINONIA _ That the Indian -is ﬁguring moreandimore in American art is very apparent. Indian legends, Indian life, Indian exploits are fascinating to young and old alike, and rightly so—~“they are ours. Miantowona and the Legend of Winona» one a legend, the other a tradition; one poetical, the other dramatic~—are both beautiful poems to be read with musical accompaniment-—melo- dramas. “Miant_owona""" (the poem by Thomas Bailey Aldrich) is a legend which tells how the first water-lily came to be———from Miantowona's constant love for Wah-Wah whom the Great Spirit had taken to the‘ happy hunting grounds. "The Legend of Winona" deals with an incident at Maiden's Rock on the upper Mississippi. It is based on a poem by James Athearn Jones and shows the inner thoughts of a brave, heroic Indian girl to whom death was but a stepping stone to liberty and her higher ideals. The character and action of the poems are beautifully ex- pressed by Mr. Mokrejs’ music. Both make splendid numbers for home or club programs. Price. each 75 cents.. ’‘‘Published by Clayton F. Suinmy Co., Chicago.
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Creator: Reed, Amy L., Underhill, Adelaide
Date: [After 1916]
Text: SOPHIA F. RICHARDSON 1855 - 1916 The Faculty wish to record their sorrow at the death on February 2, 1916, of Sophia F. Richardson, Assistant Professor of Mathematics. Miss Richardson, who was graduated from Vassar in 1879 and who re- turned as instructor in 1886, had almost completed thirty years of devoted service to her college. She literally gave her life to teaching and to study for the sake of teaching, using her many talents and employing her times of rest solely for the benefit of her...
Show moreSOPHIA F. RICHARDSON 1855 - 1916 The Faculty wish to record their sorrow at the death on February 2, 1916, of Sophia F. Richardson, Assistant Professor of Mathematics. Miss Richardson, who was graduated from Vassar in 1879 and who re- turned as instructor in 1886, had almost completed thirty years of devoted service to her college. She literally gave her life to teaching and to study for the sake of teaching, using her many talents and employing her times of rest solely for the benefit of her profession. Her work was character- ized by definiteness and originality of teaching method and by the mental and moral energy of the response which she secured from her students. While her great reserve confined her friendships to a small circle, those who knew her well received the highest inspiration from her exquisite appreciation of the fine things of life, her singleness of pur- pose, and her essentially Christian character. By her death the college loses a rare personality, a teacher of long and successful experience, and a faithful friend. Amy L. Reed Adelaide Underhill VI - 97
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Creator: Sague, Mary, Monnier, Mathilde
Date: [After 1941]
Text: 1 J \ 4 1 x MARY MacCOLL 1877+ - l9lpl The Faculty of Vassar College with deep regret records the death of Mary MacColl on February lh, l9hl. For the past twenty-five years her life was wholly devoted to the well being of the college which she served in the triple capacity of teacher, resident, and active member of the community. Fro the time of her graduation from Vassar she was as- sociated with educational work, first as a teacher at Stratford, Connecticut; later, when a graduate student...
Show more1 J \ 4 1 x MARY MacCOLL 1877+ - l9lpl The Faculty of Vassar College with deep regret records the death of Mary MacColl on February lh, l9hl. For the past twenty-five years her life was wholly devoted to the well being of the college which she served in the triple capacity of teacher, resident, and active member of the community. Fro the time of her graduation from Vassar she was as- sociated with educational work, first as a teacher at Stratford, Connecticut; later, when a graduate student at Columbia University, as secretary in a Barnard College dormitory. Having been granted the degree of Master of Arts in 191S,sshe returned to Vassar in February 1916. As Associate Warden and Resident she was an untir- ing and valued liaison officer between the students, the parents, and the Faculty. With patience, human understanding, unfailing tact, and sound judgment, she gave herself gladly and.generously to the ad- justing of the problems forever arising in a complex comunity. These same gifts were brought to bear on her duties as social head of the Vassar Nurses Train— ing Camp in 1918 and for the Vassar Summer Institute of Euthenics from 1926 to 193h. Guests, alumnae, members of the college pay grateful tribute to Mary MacColl, hostess of Main Building, for her ever kindly, gracious hospitality. Her as- sociates in Poughkeepsie and in Dutchess County too pay tribute to her, for her well-known constructive interest in civic affairs. For all her friends the regret for her going will always be tempered by gratitude for having known her gay kindly wit, her loyal gallant spirit. Mary Sague Mathilde Monnier x-211;
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Creator: Burroughs, John, 1837-1921
Date: October 1, 1897 - April 4, 1898
Text: Oct 1st The month comes in bright and hot, 88 degrees. 4 Bright lovely days, and cooler. 5 We start for Boston to day at 10. I go by way of St Albans and wife to B. I reach St. A. at 8 P.M. Spend [crossed out: 3] 2 days there pleasantly; weather cloudy and chilly. 8 Reach Boston to-night and Julians room at 8. Very happy to see the dear boy again. 9. Go with J. to hear two lectures and in P.M. to see football bet. Harvard and Dartmouth. Bright lovely days. 10 To church -- use three -- a flat,...
Show moreOct 1st The month comes in bright and hot, 88 degrees. 4 Bright lovely days, and cooler. 5 We start for Boston to day at 10. I go by way of St Albans and wife to B. I reach St. A. at 8 P.M. Spend [crossed out: 3] 2 days there pleasantly; weather cloudy and chilly. 8 Reach Boston to-night and Julians room at 8. Very happy to see the dear boy again. 9. Go with J. to hear two lectures and in P.M. to see football bet. Harvard and Dartmouth. Bright lovely days. 10 To church -- use three -- a flat, insipid sermon 12 Warm to day with showers in P.M. 14 Bright lovely days; we start for home at 8,30. Julian goeswith us to the street car on Harvard Square, in the clear crisp morning light. He stands there in the pave-ment as we move off and waves his hand. I look back and see him run quickly across the street toward his hall. I dare say my heart is much the heaviest. It is the October of my life, the May of his. We ride all day through the sunlit golden land; reach home at 7 P.M. 15 Still bright and cloudy; foliage all crimson and gold. But oh, how sad it all is to me; the thought of Julian constantly in my mind. Distance does contain a little bitterness of death. 16 Very warm. 90 degrees on my porch a brisk S.W. breeze; dry 17 A change in the night with brisk wind from NW. No rain. Much cooler, and clear.-- As a rule I think the men who deny Christ now are the men who would have accepted him in his own day. They are men who believe in the present hour and man. They live in to-day and not in yesterday. Is the converse of this true also? namely that those who accept Christ to-day, are the ones who would have denied him had they seen and heard him? I believe it is mainly true. To accept the new man, the Christ of to-day, requires different endowment from that which accepts the theological Christ, or the theoretical Christ of the past ages. The Christ is always unpopular or denied by the mass of his contemporaries. 18 Bright and sharp. A severe frost last night. "The fact revealed by the spectro-scope, that the physical elements of the earth exist also in the stars, supports the faith that a moral nature like our own inhabits the universe" An example of false reasoning by analogy. We know the stars exist; we see them, and the spectroscope reveals to us that the elements we know here on earth are found there. But this moral nature like our own -- this is assumed and is not supported at all by the analogy. The only legitimate inference from the analogy is that beings like ourselves inhabit the stars or their planets. As our sun has planets it is legitimate to infer that the other suns have planets. As our sun has planets, it is legitimate to infer that the other suns have planets, and that they have or have had, or may yet have beings like ourselves upon them. The above quotation is the opening sentences of an article in The Forum of last May, on "Fallacies Concerning Prayer." The conclusion of the writer is that prayer is answered by or through its reflex action upon the petitioner; he rises to the height of his prayer. If he prays earnestly for health the [crossed out: mind] psychic effect may help cure the disease; if he prays for more faith, he already by that act of will has it. This is the new conception of prayer that science has brought about. Yet this writer a Reverend, has his little fling at science. But it is doubtful if mankind will continue to pray if they once come to take this viw of answer to prayer. 23. Still bright and mild and dry Go down to Summit to-day to visit Mabie24 Cloudy and chilly, light rain. Mabie and I walk in the morning. A pleasant family -- new house excellent taste -- books by the thousand. In P.M. Whittridge the artist comes in; like him much; the plainness and simplicity of a country farmer. We take to each other. 25 Rain and wind to-day -- storm coming up the Coast. Start for home. 26. Home this morning; no rain here; clear and dry. 27 Still clear and dry. Katy-did last night. 28 Hiram goes back to Hobart to-day. 30 Colder, go down to West Point. Meet Alden of Harpers. Something very good and sweet about Alden. See the West Point team tie Yale at football.Nov 1st Warmer. Slow rain this morning from S.W. No rain to speak of for six weeks. -- How high the clouds sail above the mountains; their long uplifted ridges seem no barrier to them. Yet the mountains, so fixed and inert, surely cast a spell upon the clouds. They rob them of their rain; they hold the summer shower as with a tether, or they fix the boundaries of the storm. 2. Rain all night pretty heavy and now at 9 A.M. still at it; over one inch of water. -- Shall we say then that literature is not matter or substance, but a quality of substance? A true literary genius shall make literature out of the most [crossed out: normal] ordinary or commonplace subject by passing it through his heart or emotions. He imparts to it some quality from his own genius [crossed out: as the] An image or analogy that perpetually recurs to me is that of the bee and her honey. What the bee gets from the flower is sweet water to this she imparts a drop of formic acid, secreted by her own body. In like manner the literary artist imparts to his matter some quality or effluence of himself. -- I think it is a very just remark [crossed out: which] or Criticism which Arnold makes in a letter to Norton of Lowells essay on Democracy -- namely that it lacks body and current, and that its bright sayings and points cannot make up for the want [crossed out: lack] of these. It is more or less true of all Lowells prose, it seems to me; his essays have not body and direction; too much force is spent upon wit and verbal detail. They lack simplicity and rapidity of movement. There are no leading ideas that shed a light over the whole. Arnold himself had this virtue in a pre-eminent degree; there are in his writings no verbal fire-works to distract the attention; he moves right along; we follow him easily; he is as lucid as the day. It seems to me this is the highest merit; motion, motion, simplicity, and the clearness that comes out of them. -- As soon as a work is conscious-ly literary, its value is gone. This is the fault I find with much of Walter Paters work; the effort is too obviously a literary one; the style takes note of itself. When a man is consciously religious do we not question his sincerity? The style that standsbefore the glass has fallen from grace. "Behold the lilies of the field" etc. Let your style be a real blossoming like theirs, a grace from within and not an adornment from without. Indeed, there is hardly a maxim true in morals or religion that is not equally true in art. Literature is a much broader term than science; it is not the thing itself but that which embalms and preserves the thing; it is an atmosphere, an effluence. A work may have a high literary value that has not a rag of literary adornment, and that never thinks of itself as literature at all, as the Bible. The utterencs of illiterte men under certain pressure, may have a hight literary value. Literature is not this or that, but it is the flavor, the quality of this, or that. We are apt to thinkthat the moral, or religious, or philo-sophical value of a work is quite independent of its [crossed out: relig]literary value. But it is not. Its literary value rises out of tis moral or other value and is great or little as it is great or little. The most moving passage in the sermon is for that very reason the best literary passage. The most effective political tract is good literature just in pro-portion to its effectiveness. To say a thing so that it goes to the quick -- that is the demand of [crossed out: good] literature. Grants Memoirs and many of his despatches from the field of battle have literary value. Lincolns Gettysburg speech has high literary value, tho it never for a moment takes thought of itself. Everetts speech on the same occasion was a literary effort, but poor literature for all that. Literary efforts -- who does not want to steer clear of them in his reading. Give usan effort to speak a sane and truthful and sincere word. Huxleys writings have a great literary value because the effort is never a literary one, but a real one. When the preacher forgets that he is a preacher and is intent only to speak some real word but of his life and or experience as one soul to another soul, we listen to him gladly. When the editorial writer in the daily paper has some real conviction burning within him, and not merely a column to fill up, we warm up as we follow him; he is making literature. Real indignation, real anger, real love, real sym-pathy, real insight, real convic-tion -- out of these things comes literature. 4 Day of great beauty -- all gold, mild as early Oct, no wind, the river a great mirror. Some Poughkeepsie people on their wheels in the P.M. Night all silver. Suffering from my first cold for 3 or 4 years, -- I have often tried to define to myself what it is that makes good prose. I suppose one might as well try to define what it is that makes a good apple or a good melon. It is a complex result, or the result of complex causes. One mans prose may differ vastly from that of another, and yet be equally good. There must of course be a sense of maturity of ripeness, as in the case of the apple; and there must be savor, quality, the thing must be real and vital. [crossed out: 9] 7. Fine day, cool and bracing; drive over to Sherwoods with young Arthur. 9th Cloudy, foggy, slow rain all night and part of yesterday after noon; chilly, a typical Nov. day of the negative sort, clears in P.M. Colder and windy. -- How much more valuable to a man is an instinct for the truth than any special gift or accomplishment. If he craves the truth alone, he will not be disturbed if his theories and systems fall in ruins about his head. Then I must find a larger and deeper truth, he says. What an instinct for the truth had Darwin. When facts appeared to be against him, how he wel-comed them, when they became his friends. How often we see men of brilliant part who achieve nothing of permanent worth because they have not this instinct for truth. A man with a system or theory to uphold is handicapped, unless he has an instinct for the truth like Darwin. Taine's criticism is less valuable than it would be had he no system to uphold. They are free indeed whom the truth makes free, because the truth finds them free. 15 Nov. still rather mild. No snow yet and not much frost. Nearly three inches of rain this month Discouraging news from Julian, low marks in his studies. He has no talent for languages; in consequence he may have to give up College. Overcast, threatening rain 16. Storm over; clear and warm like early October; air hazy. -- The day inevitably comes to every author when he must take his place amid the silent throngs of the past, when no new work can call atention to him afresh, when the partiality of friends no longer counts; when his freinds and admirers are [???] when gathered to their fathers the spirit of the day in which he writes has given place to [crossed out: another ???] the spirit of another and different day how, oh how will it fare with him then? How is it going to fare with Lowell, with Longfellow, with Emerson, with Whitman? How will it fare with poor me? 19. First snow to-day, all the forenoon a quiet fall of large light flakes; they lie on the grass and weeds and trees like tufts of cotton or wool, an inch or more. 20. A white wash of snow over all; still a seamless cloud. No wind, no sun, chilly. 23 Our second snow last night, nearly 3 inches. Bright and still this morning. -- What is only a bud in the father often becomes a branch in the son. -- When I write upon any literary theme I have to write and write till I get a sort of fund or capital to do business on. 25. Thanksgiving day. Mercury has been down to 10. Chilly to-day, ground white. 26 Rain and warmer. Snow all off. Go to P. 27. Rained nearly all night, clearing and colder this morning. 28 Clear and bright with sharp biting air. -- Emerson is a poor singer [crossed out: but] with wonderfully penetrating tones; it seems to me ha has no equal in this respect. And it was these tones that he valued most in others, any aeolian strain caught his ear at once. -- I see that the success of my little poem "Waiting" is not on account of its poetic merit, but for some other merit or quality. It puts insimple and happy form some common religious aspiration, without using at all the religious jargon. People write me from all parts of the country that they treasure it in their hearts, it is an anchor to windward. A celebrated N.Y. preacher writes me that it steadies his hand at the helm. A woman died the other day in P. with these verses, as it were, in her hand. They had been the consolation of her life. Pure poetry never affects people in this way, but poetry alloyed with religion does. Burns's best poem, "The Jolly Beggars" is not so popular as "The Cotters Saturday Night." The old people had their favorite hymns in the hymn book -- some verse or verses that spoke to theirparticular case or experience, or aspiration. But the impartial disinterested reader would be compelled to judge the hymns by their poetic quality alone. Because this alone is permanent and universal. This we never out grow as we do the religious views and feelings of the past. The religious thrill, the sense of the infinite, the awe and mys-tery of the universe, is no doubt permanent in the race, but all [crossed out: cr]expression of it in creeds and forms addressed to the understanding, or exposed to the analysis of the understanding, are transient and flitting like the leaves of the trees. My little poem is vague enough to escape the reason, sincere enough to go to the heart, and poetic enough to stir the imagination. Dec 1. The month comes in cloudy and cold. Am writing on criticism, etc. I must write and write and decant my thoughts till it is clear and satisfactory 5 Sunday. Clears off mild after an all nights rain and two cold cloudy days. Mild as Nov. Walk to S.S. in afternoon. Finished Macaulays life and letters to-day. A great omnivorous partisan mind -- not fine but solid and strong -- oratorical, always pleading or arraigning, or eulogizing, alternating from invective to panagyric. Coarse like British oak and loyal and strong. His style antithetic, lucid, sweeping. Indeed he is always the orator, never the poet or the true critic. One of the strangest things in contemporary literary history is that he and Carlyle should not have seen and known each other. 6 Clear and mild, only two or three degrees of frost last night. 8 Overcast, still, hazy, mild. Spend the day at Slabsides with Booth and Lowne. 9 Air loaded with smoke and vapor. Still, partly overcast, mild, mercury 35. Insects in the air. No ice, no snow. I predict a mild winter. -- Soft moonlight night [crossed out: with] veiled with Indian summer vapor. No frost to-night. 10 The river hidden by haze and vapor; the call of wild ducks come up out of it; the belated Troy and Albany boats go by. Crows fly high [crossed out: in] where the air is clearer. Clouds high and slow moving. A mild Nov. day. Sore Soar throat and slight indisposition to-day.Day gets warmer -- 62 at Slab-sides; warm all through the West. The bee is out the hive to-day and that is fatal to the winter. 11 Still warmer and April like, wind S.W. mercury up to 60 -- The Causes of poverty in modern democratic communities? Why, it is simple enough. It is because society is organized on a selfish basis, allowing each man to have all he can get, and some are able to get more than others. It is a scramble in which the quick, the strong, the bold, the unscru-pulous, get the most. Life is a struggle, business is a struggle, and every thing that tells in a struggle tells here. There are only two ways to abolish poverty -- abolish inequality in men intheir endowments and opportunities, or else regulate society as you would a hospital, or your stock yard, or anything else where each individual is allowed only one share. 12 April weather continues. Soft clear moonlight when I went to bed; rain in the morning with a cooler breath from the North. 13 Still April like -- nearly clear; only a light frost last night. 14 Raining this morning from NE. -- J. as he comes up the hill of life on one side, I go down on the other. I suspect I am as near the botton as he is the top. Oh. if we two could have climbed and descended nearer together! -- Is no criticism as much self-expression as poetry? and in the same way. The poet is prohibited from expressing his private personal griefs and joys unless he can easily relate them to the griefs and joys of all men. He must make his experience my experience. His passion must be intense enough and famil-iar enough to kindle the same passion in me. The personal note is sounded in every good lyric, a cry of joy or pain, or aspiration, which comes out of a private heart and goes to the private heart of each of us. The personal estimate in criticism is the real estimate when the personal element is overarched by the impersonal. We prize the flavor of individualityis criticism as much as in anything else, but this flavor of individuality is like the flavor in fruits, it is a subtle quality that escapes our analysis. The universal intelligence taking form in a particular and definite type of mind, [crossed out: that is what we want], and surveying life and letters from a definite stand point; that is what we want. Not Smith or Jones served up raw, but S. or J. clarified, sublimated. The verdict of the disinterested critic differs from that of prejudice and half culture as refined petroleum differs from the crude -- the more personal, accidental elements have been taken out of it (We do not want the crude petroleum to burn in our lamps nor [crossed out: personal prejudice] theheat and fumes of eulogy or invective to read our books by. Criticism must shed a pure dispassionate light. Such it does not shed in the mass of British critics. The light is purer in Arnold than in any man before him Arnold was perhaps the most completely emancipated from cliques and parties and John Bullism of any British critic of his time, much more so than Macaulay or Carlyle in both of whom we get fumes or highly colored lights; highly colored in Macauley, intense and bewildering in Carlyle. We must purge ourselves if we would give a clear steady light. Self-expession, yes, but it must be your better self -- the self that relates you to the best in me and in all other men. 15. Rain turned out very heavy, 3 or 4 inches of water; ground overflowing same as last July and August. Foggy, still, warm this morning, like April. -- Just read Prof Raleighs essay on Style, a kind of invertebrate book, no back bone -- no central idea or ideas from which it radiates. Choice diction, a connoisseur of words, but his ideas are thin, elusive. His flour is too finely bolted -- his matter too sublimated. Or we may say the rays he gives out are too near the violet end of the spectrum; We [crossed out: want] rarely get strong white light. 17. April weather contintues. Cloud and rain sprinkles. 18 Clear, colder; down to freezing this morning. Killed 11 rats in horse stable.19. Clear and sharp; down to 20 this morning. To a Young Writer -- always attack your subject from the rear if you can; that is, approach it from some deeper question, some broader gen-eralization. You shall then find that you overlook it and command all its aspects. If you attack it from the front, or from its own level, you shall find that it will yield to you only the fragments, a piece now and then, but get under it, or back of it, and see how it gives way. You have just read say, the life of Macaulay and want to write about him; so you draw up in front of him as it were and fix your attention upon Macaulay. No, go behind him, fix your attention uponupon some type or principle of which M. is an illustration, and the oratorical type, the great middle class mind etc. and thus get a vantage ground from which to survey him. 20. Cold this morning and [crossed out: read] red in the East. Mercury down to 10. Long, long thoughts of father and mother this day. Fathers birth day and mothers death day. Light snow in afternoon, and warmer. [crossed out: 2] It is curious that Wordsworth should have liked only Burns'es serious poetry -- like "The Cotters Saty Night," his little amatory songs he said we must forget. Tennyson, on the other hand could not tolerate the serous poetry, but liked immensely the little "amatory songs" The moralist chose in W. the artist and true critic in T.24. Cold, clear, windy; down to 9 this morning Julian home yesterday from Harvard. I meet him at Esopus and we walk down the track. How delighted we are to see him. He looks well and a little more manly than 3 months ago. How he blots out everything else for the time being. How I pity those who have no boy to come home from College at the holidays. He is full of the life there. How poetic and romantic it all seems to me. To day he is off a hunding with Jimmy Acker. -- To be roiled up is an expressive phrase. If the river is muddy I observe that it shows the most plainly when it is angry. In a calm you hardly notice it. 25 Xmas; bright, sharp day; a light skim of snow -- mercury down to 5 in the morning; thin floating ice on river. We have our Xmas turkey at 2 P.M. Mrs. Binder comes in the evening. 26 Milder. Light snow nearly all day -- about an inch. No wind. Julian takes a row up the river in PM. 28. Clear sharp day, down to 10 this morning. Julian goes up the river in his boat after ducks. At 3 P.M. I go down to the river and am alarmed at the condition of the ice; vast masses of it grinding on the shore; seems impossible for a boat to live in it. So I start up the river bank hoping to see him coming back. The ice roars louder and louder and jams and grinds harder and harder, and I becomemore and more alarmed. The farther I go the more anxious about the boy I become. My imagination begins to work and I am soon wrethed indeed. At last I reach Esopus dock, but no Julian in sight. But a man tells me he saw him go up about 2 P.M. It is now 4. The man, who is an older river man and duck hunter says the ice makes it dangerous, he was himself afraid to go out on such a day. I worry more and more Darkness will surely come on, and the boy with his canvas boat will be ground to pieces and frozen fast in the ice. I tear on up the river and reach Pells Dock a mile farther up. The I fancy I see him in an open canal of water near the [crossed out: ???] "quarry dock". He does not seem to be rowing, and the ice is shutting up the opensouth of us faster and faster. Bill Obrien joins me and we look and speculate, and try to put in his boat and go to the rescue, but it is too heavy. Then I tear along the shore again and when within a quarter of a mile of what seems to be his boat I shout to him. Just then his gun goes off, and I see he has been stalking a duck, and is not alarmed and in no hurry. I shout to him and he rows along much amazed to see me. No danger he says and laughs at my anxiety. The sun is down and the tide nearly slack. I try to persuade him to put the boat ashore at Pells and come home with me on foot, but he refuses and says he can beat me home. Says there is open water all along shore, as indeed does seem now to be the case, and as indeed allhe found. Nip and I take the road for home; the good level walking is much a change from our scramble along the river bank, that I am less tired than I thought and make good time. At ten minutes to 6 we are home, and a few minutes later J. reaches the dock. I go down and am greatly relieved to see him safe back again. All my worry was vain but I got a big walk and ought to be better for it for days. 29. Down to 4 this morning; trees all feathered out with frost feathers, ice fast. Now at 9 A.M. ice is moving down, leaving a clean open space in front. -- Spencer's rely to Huxley is very pertinent. "If ethical man is not a product of the cosmic process, of what is he a product?"-- Extract from a letter from Mrs Woodworth of St Albans Vt, "I met Miss -- from Boston the President of the W.C.T.U. for the U.S. etc. She asked me if I had seen your paper on the Re-reading of Books in Nov. Century. She told me how she had enjoyed it. She had noticed too what impressed me, the sad note through it all. Why, my dear friend, the pathos of that paper is enough to break ones heart. Did you realize yourself how pathetic it was? As if you had tried everything in life and found it all only dust and ashes at last. I find that note in most of your work now, so sad, oh, so sad." I knew there was a plaintive tinge to the essay, but did not dream it was really sad. It came of the retrospection I suppose; the past is so full of pathos to me.31. Heavy snow storm, about one foot of damp heavy snow from N.E. 1898 Jany 1. Real winter at last -- deep snow and colder; bright day. Julian clears the walks of snow etc. 2d Sunday; down to 6 below this morning, 10 and 12 below back from river. River all closed in front. Julian returns to Harvard on morning train. Expect now two or three days of moping sadness His 10 days at home have been bright ones. He hunted 3 or 4 days, 4 quail, one partridge, 2 ducks. 3 Bright clear day. 4 Colder again, zero this morning. -- In ones thinking how much difference it makes whether he has a thesis to maintain, or is simply hunting for the truth. Only he who is pledged to the truth aloneis a free man. He is disinterested The most eminent example I know of an honest truth-seeker, who yet had a system to uphold, was Darwin. His first service was to truth and not to theory. -- Oh, the mystery of the universe, how it presses upon one at times. It pressed upon me to-night as I walked to the P. O. through the darkness. The stars up there, I here, what is back of it all. My father solved the mystery by accepting the old faith -- this made it all clear to him. But to me, born in a later time, this is no solution; it is a child's dream 5. Fine even winter weather down to 16 degrees this morning. 7. Light rain last night; water on the ice this morning. Prospects of cooler 9. Sunday; bright mild days lately, snow melting, ice wasting, only two or three degrees of frost at night. I keep well and work away at my essays on Style, Criticism etc. "Absurd" I say for me to waste my time on such barren themes, but they haunt me. I can not drop them, and so I keep on. Well, some things are made clearer to me than when I began to write. I have to serve a long apprentice-ship to every subject before I master it. I have to begin at the stump and work up, and the process is a slow one. Dreamed of father and mother last night. This is the 14th anniversary of father's death.12. Still mild spring like weather, only a few degrees of frost at night. Ice still hard and smooth on the river; not much power in the sun yet; two months later at the same temperature how his rays will rot and disintegrate the ice. Madam is passing through the winter solstice of her temper. Nip and I may soon have to take to the woods. Fog and light rain in P.M. and at night. 13. Bright and spring like this morning, mercury 40; a thin sheet of water over the ice which puts a smooth familiar face upon the river. It reflects the shores as in summer.14 As I started out for the P.O. this morning I heard the nuthatch calling in the trees near the school house. When I returned he was still calling, calling. It was only the middle of January, but the ground [crossed out: snow] was getting bare in places, the air was mild and there was the look if not the feeling of spring. I heard the nuthatch with the ears of youth. To have heard him with the ears of to-day, or as if for the first time, would not have been much. But I was a boy again in the old sugar bush at home; the great kettles were boiling, the tin pans glistened at the feet of the big maples, the little new born rills went murmuring by, the air was soft and full of awakening soundsand not the least of them was this soft nasal call of the nuthatch, as it came from the near trees. Why do all such sounds refer to ones youth. It seems as if then only did things make a lasting impression upon us. The call of the bird as I heard it there in my boyhood was a part of the season and it carried that time and scene deep into my heart and became one with them. 15. Still mild, but snowing this morning. 19. Two or three cold mornings -- down to 12 and 14. Much worried these days about Julian. Hiram came back to-day. Stormy weather in the kitchen The domestic furies have worried me the ast week almost beyond endurance. Sleep poor.20. Snow last night, turning to rain, becoming heavy this morning. heavy all day. -- The dog does not know enough to turn his back to the fire to warm and dry that side also. Yet when my dog tries to cross an enclosure which he has entered by a gate, and finds no egress on the other side, he runs swiftly back to the gate by which he entered. He works all around the fire but will not turn his face from it. 23. Snow last night turning to rain, heavy all night; probably 2 or 3 inches of precipitation the last week. Warm to day, 40 degrees. 24. Clear windy and getting cold -- probably a cold wave. 26 Snowed all ngiht; about 8 inches this morning and not yet finished.29 Colder the past two days -- down to 4 above. Mrs B. leaves for Pouhgkeepsie to day. Hiram and I with the Ackers 30. Bright and cold -- 6 below this morning -- the prospect of the ice harvest brightens. Still writing on Style, Criticism etc. 31. Began snowing this morning, very fine, and below zero. Feb 1st The biggest storm of the season; over one foot of snow. 21 inches now on the ground The country buried in snow, and all trains delayed, cold and windy. 2d Bright and cold -- 6 below zero. All roads cho[crossed out:a]ked up with snow. Rugged winter weather. 7 Fine winter weather the past few days, warmer yesterday and the day before, colder to day -- down to 6. Still and clear, air full of frost mist. Ice men opening their canals to-day.8. Start for Cambridge this morning at 6:20; reach Boston at 3,50 and Harvard Square at 4,30. Julian is on the spot to meet me, happy and well. We have ten days to-gether again. I occupy his chums room till Sunday, when I take a room with Rodman Gilder. [crossed out: We] I take my meals with him at the Fox Croft. I like being among the boys, and seem really to share their young eager life. I read in the library here, and many days go to Boston and read in the Athenaeum library. I am soon in excellent health and spirits We dine at the Suters and the Pages, and make several calls. One night we go to Boston to the theatre -- see "The Heart of Maryland" -- poor stuff.19 Last night I said good bye to Julian and this morning at 7 am up and off to Boston; take train at 8,30 and reach Poughkeepsie at 4,50. 20 Heavy rain all night and nearly all day -- probably 2 inches of water. Came up home to-day. 21. Still raining by spurts and colder. Tom Riley died suddenly while at work on the ice the morning I left. I met him near the station as I was going for the train; he was on his way to his work. In two hours he was dead, from heart disease. Rest his soul! 21 Thunder to-day and sudden sharp shower A freshet in the streams 22 Still densely cloudy with spurts of snow and rain 23 No signs of clearing yet, snowing this morning and thawing.27 Fair weather at last, clear sharp air from the north, freezing at night. Blue-birds to-day and yesterday. 28 Still clear and sharp. March 1st Clear and colder, ten degrees of frost -- wind north W. Hiram and I walk up to Esopus to Town Meeting; road muddy, with here and there a dry streak or a streak of snow. 2d Still clear and sharp; clouding up in P.M. 3d Light snow last night, snowing a little yet this morning. Ice on the river slowly moving up this morning. It lifted anchor without the usual warnings. 6 Weather continues fine. Clear bright days and moonlight nights. Ideal sap weather to-day, mercury 42. Sap runs very fast, mercury down to 24 in the morning. First birds slow in arriving. 7 Still clear and fine, perfect sugar weather. First sparrow song this morning. Mrs B returns to-day from P. gone since January 25. 8 Glorious spring morning, soft, hazy, more sparrows. The first robins, a band of 50 or more fly over my head, their faces set northward, as I go to the P.O. They shout out as if in greeting. First meadow lark to-day, seems to say "Come to me, dear," the last word long and plaintive. Boiling sap on the old stove in the open air, and still working on my essays on Style, Criticism etc. 10 The April like days continue, mercury above 50. Sap-run about over; ice nearly disappeared from the river. I have boiled down 8 or 10 pails of sap in a wash boiler on an old stove set here in the wood pile near the Study. In the interval I read Sainte Beuve -- a spirit like these genial lucid March days. Not many birds yet. A college President writes like this: "Experiment and inference are the hook and line by which Science fishes the dry formulas out of the fluid fact. Art, on the other hand undertakes to stock the stream with choice specimens of her own breeding and selection," Hyde. The artis says La Farge, always gives to Nature the character of the lens[crossed out: e] through which [crossed out: you] he sees it. No absolute Nature, the man is always the main question. 11 The wonderful weather continues, mid-April days, milder and milder, no frost last night. Clear this morning. But few robins yet; one black-bird this morning. Sap all boiled in. [crossed out: Was]La Farge says that ten men sketching the same view, and not seeking self expression, will make ten different pictures -- each will lay the emphasis on a different feature. 12 Cloudy, hazy, soft, rainy this morning. Warm as mid April, ice all gone from the river; snow all off the fields. Sparrows singing everywhere. -- What a thorn or sheaf of thorns Walt Whitmam is in the side of Edgar Fawcett. Poor Edgar. I hope W. does not keep him awake nights. I think I have seen at least half a dozen spiteful allusions to W. from his pen the past year, and now in the last Colliers Weekly, he has a long, carefully worded outburst. Think of it. This rude uncouth bard of democracy hailed in Europe as a great poet and prophet and poor Edgar, with his faultless verse not hailed at all! If faultless verse, Edgar, made poetspoets would be as plenty as black-berries. But it requires a man too, and in this respect, I suspect you are not much. 13. The third day born of the S.W. wind -- warm ([crossed out 54 or 5] 66 at Slabsides at 3 P.M.) hazy, cloudy, opaque, vague, dissolving, rain-spirnkles or on the point of dissolving, full of earth odors, full of sparrow notes and songs, (fox and song) melting the snow in the woods, the ice on the ponds, the frost in the ground, [crossed out: the] bringing out the angle worms, the caterpillars and the first butter-flies, stopping the flow of sap in the sugar maples; quickening the roots of grass under ground and causing them to push up the first [crossed out: folded] green leaf, bringing out the toads and frogs and hunting the joyous season of Spring. Phoebe, this morning. Toads and frogs last night. 14 Cooler, clear, breezy, lovely, wind from N.W. mercury down to 34 this morning. Men tieing grape vines to-day. Health excellent all winter and spring so far, mind active and fruitful. -- my out-door and bird papers could only have been written by a country-man and a dweller in the country. But probably my literary critiism and essays suffer from this very cause. They should have been written by a dweller in cities, a mover and [crossed out: ???] among the throngs of books and men. This would have helped to give them snap, decision, brevity, point. The intellect, the judgement are sharpened in the city, the heart; the emotions, the intuitions, the religious sense are fostered in the country. (Is this true?)18 The wonderfully fine March weather continues; nearly clear each day; only a light frost at night. Frogs in full chorus, birds ditto. [crossed out: W] Hazel nut in bloom two days ago -- a great display of masculinity, and a feeble display of femininity. How modest and shy as it were are all female blossoms, the hazel, the hickory, the alder the oak, the butternut etc. How I pity the dweller in town these days. The fox sparrow that I am now hearing, the musical clatter of the juncos, the trill of the song sparrow -- how sweet and inspiring, and the song of the toad at twilight -- that long drawn lulling tr-r-r-r-r-r and the chorus of the little frogs filling all the valley with a maze of musical sound -- what is there in town that can make up for that Yesterday I heard the first highhole announce his arrival -- send out his challenge to the spring -- how it stirs my memory. The fields and open spaces have a sudden new attraction. My thoughts go and scratch with the hens amid the dry leaves; I pick up as much as they do; they nip the short new spears of grass with the geese, they follow the migrating ducks northward; they hover about the farm and garden fires about me; they career away to the sugar maple woods where the sap is [crossed out: dripping] making music in the tin buckets. I have trouble to keep them here at my prosy tasks. 19 Dark and showery this morning with thunder, warm, air blurred with smoke and vapor.22 Quite a heavy rain from S.W. with some snow in the air. More rain at night. 25 Wonderfully fine day. Clear and still all day 26 Some frost last night. Nearly clear to-day, wind shifting to southerly. 27 Overcast, chilly. Grass greening, arbutus just opening. Never knew arbutus to bloom before in March in this climate. In Nature it is the middle of April. -- Kipling [crossed out: is] has a fine talent but not a great nature [crossed out: or passion]. We admire his things more than we love them. He does not quite reach the soul. He has no atmosphere. He is not a great poet, but a wonderfully clever one.April 1st Clear and sharp; froze last night. In afternoon Hiram and I move over to Slabsides and again begin our life there. Arbutus, blood root, and hepatica in bloom, at sunset a winter wren sings briefly in front of the door. 2d Cold, quite a freeze again last night. Cloudy, to-day with snow flakes in the air, and then a dash or two of rain. Clears off at sunset. 3d Colder last night, froze hard, fear for fruit, our delayed March weather at hand My 61st birt hday. Health good after a winter of good deal of mental activity. Grows colder all day with flurries of snow on the Catskills. A severe cold wave.4th Hard, bright, cold, cold -- down to 20 this morning, colder than any time in March. No doubt peaches and cherries are all killed.
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Date: 18--?

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