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Date: 1921
Text: MUSIC LIBRARY VASSAR COLLEGE poucuxzansvc NEW vopm SONGS S}-IA-WON—DA-SEE (The South Wind), Medium, F (No. 5232) SKARL THE DRUMMER, Iwedium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) WABUN (The East Wind), Medium, F (No. 5255) HIAWATI-IA'S SONG, Medium, Fiﬁ? minor T ADJIDAUIVIO (The Squirrel) Medium, G 5 W73 : I at. or I (No: 5268) *Except Canada and Foreign J. FISCHER 82 BROTHER - NEW YORK 119 WEST FORTIETI-I STREET 3, NEW STREET, BIRMINGHAM, ENGLAND Pxnu-an in nu To...
Show moreMUSIC LIBRARY VASSAR COLLEGE poucuxzansvc NEW vopm SONGS S}-IA-WON—DA-SEE (The South Wind), Medium, F (No. 5232) SKARL THE DRUMMER, Iwedium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) WABUN (The East Wind), Medium, F (No. 5255) HIAWATI-IA'S SONG, Medium, Fiﬁ? minor T ADJIDAUIVIO (The Squirrel) Medium, G 5 W73 : I at. or I (No: 5268) *Except Canada and Foreign J. FISCHER 82 BROTHER - NEW YORK 119 WEST FORTIETI-I STREET 3, NEW STREET, BIRMINGHAM, ENGLAND Pxnu-an in nu To Mrs. Mc Elroy -Johnston « Hiawathefs Song H JAMES A. BLISS Op. 10. No.1. Me dim m H.W LONGFELLOW eg-ro con brio (Juos) In the land of the Da - c0— tahs Minn — e —ha — ha, Laugh—ing a - ter, Lives the ar - row mak- er’S daugh-ter, /.‘,\.—. at tempo Hand- som- est of all the mai -ens, I will bring her to your wig—wam, W‘ #13‘/13 #? 3- 3 Esp/res She shall run up -on your er - rands, Be your Star-light, moon-1ight,fire-light, F Copyright, 1921, by J. A. Bliss Assz.'g1zea./ to J.Fa'.s>c-law (Q Bro. J. F.& B. 5268-5 PRINTED IN U. $.A. Be the sun-light of my peo-ple (L team Tem,;0o 1 Thus it was that Hi — a — wa - tha To the lodge of old No - k0 — mis Brought the moon-light, star—1ight_, fire - light, /:57 . ._. — ,-.\ (L tempo Brought the sun-shine of his peo-ple, Minn - e-ha - ha Laugh-ing Wa - ter, , . J. .F'.& B.:'>268~5 Hand - som-est of (Of) all the maid — ens . _ the land of p smccato hand-some maid - ens. ‘fab. J.F.& B. 5268-5. H .W. LONGFELLOW 8 ..... ........ .. eggiero _ J.F.& B.5268-5 ADJIDAUMO The Squ(irre1 J JAMES A. BLISS Slower .' x7[ea’imn ‘ Then said Hi-a-Wa-tha to him, 3'5 l"""""""‘1 I I d the squirrel, Brave - ly have toiled to help me; And the name which now he gives you; For here—aft-er and for-ev-er Copyright, 1921, by J. A.B1iss Assig/zed to .lF¢1s'(.'/car & Bro. l':'—j'll:—'—""| Boys shall call you Ad — ji - dau - mo, Tail in air the boys shall «:31? you!” And /3‘ 8... the squir - rel, r""'"‘l Ad - ji-dau- mo, ' 3 ' ' ' Frisked and chattered ver - y gay - ly, o ...._..4 atempo '“3“‘I ' 3 | J. F.&B.5268—5 Maesta slower In‘ his fur rit. e breeze of morn-ing a, A Group of AMERICAN SONGS LIST No. 1 . REG, U‘ S. PAT. OFF. HOWARD BARLow . . . . . . .Hush of the World . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5193, 5194)* . . Love issoNew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5192)..... Your Eyes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5195, 5I96)..... GENA BRANSCOMBE . . . . . .In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . . . ELIZABETH H. DAVID. ...Honeysuck1e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5151, 5152) InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155,5156)..... Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5153, 5154) JAMES P. DUNN . . . . . . . . .The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . ..3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) ..... Under the Greenwood Tree . . . . . . . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) . . . .. G_ FERRA1-A , , _ _ _ , _ , , , , _ ,Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) . . . . . CECIL Foggy-rg , , , , , , , _ ,A Masque . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Medium (4532) . . . . . . . . . Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547). . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . . . When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . FAY FosTER , , , , , , _ _ , , _ ,My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . . . Secret Languages . . . . . . . . . . . . . . . . . .. . . . . . . . . . .2 keys 4665, 4666) . . . . . Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) .. . . . When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . . . Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (4454, 4455) J. BERTRAM Fox . . . . . . . .A Ballad . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . High (4737) . . . . . . . . . . . Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5079, 5083) . . . . . Sadness; Tears . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. FRANK H. GREY - - - - . - . -Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys 5160, 5161) . . . .. VICTOR HARRIS . . . . . . . . . .The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) . . . . . A Madrigal . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..3 keys (5092, 5093, 5094) Silver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5098, 5099) . . . . . A. WALTER KRAMER - - - -Eternal May . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . . . ForaDream’s Sake . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (3851, 3852) joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys 24246, 4247) . . . .. « Song Without Words . . . . . . . . . . . . . . . . . . . . . . . . . .High 5020) . . . . . . . . . . . HOWARD D. MCKINNEY. In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys 4863, 4864) . . . .. WILLIAM REDDICK . . . . . . .Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High or Medium (5077) . Travelin' to de Grave . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) . . . . . , GERTRUDE Ross . . . . . . . . .Early Spanish-Californian Folk-Songs (Five).. . . .2 keys (5I20, 5121) . . . . . . Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144 ‘LILY STRICKLAND . . . . . . . .Bay0u Songs (Four) . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) . . . . . A Beggar at Love's Gate; Song Cycle . . . . . . . . . . .2 keys (4440, 4501) . . . . . Today is Fair . . . . . . . . . . . . . . . . . . . ..‘ . . . . . . . . . . . .2 keys (4338, 4339). . . .. DEEMS TAYLOR . . . . . . . . .Captain Stratton's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass (5242) . . . . . . . . . . . Banks 0' Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Medium (5210) . . . . . . . . . Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) . . . . . The Messenger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4732, 4733 The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) .. . .. A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) .. . .. PIETRO A. YON . . . . . . . . .Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4452, 4453) . . . . . Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . 0,...- *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. - NEW YORK 3, NEW STREET, BIRMINGHAM, ENGLAND
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Date: 1873
Text: 2. A 5./7a:.7:w...,__ _ >. :::'.-._:' :'5_v' Oliver Bits on -Comp any . I/7/55;: 5275/17/7. x47/7//.'’ , A4/47/74$ /7,95/4 L/U/7/7 [C \/75_';//7../_.=j5jc$ [’J. ‘4_’.£TZj7/'7‘5z7/7 LEAQ7. T mmc uuunv VASSAR COLLEGE /V )/z7/'// 5 /7.17/7547/75 £27; :3 E.“ .1 an ff En. nu. n...“ 5? .._.m We ad .h.—: ;._..m mm. 7.5 1.5 «WoMAN’s BUILDING, o 20 Fifth Avenue New York T0 HRS.‘ OHA E. _§£I1VU2I . THE RAINY DAY. Wt'itteJ1'b_)' H.W LONGFELLOW. V...
Show more2. A 5./7a:.7:w...,__ _ >. :::'.-._:' :'5_v' Oliver Bits on -Comp any . I/7/55;: 5275/17/7. x47/7//.'’ , A4/47/74$ /7,95/4 L/U/7/7 [C \/75_';//7../_.=j5jc$ [’J. ‘4_’.£TZj7/'7‘5z7/7 LEAQ7. T mmc uuunv VASSAR COLLEGE /V )/z7/'// 5 /7.17/7547/75 £27; :3 E.“ .1 an ff En. nu. n...“ 5? .._.m We ad .h.—: ;._..m mm. 7.5 1.5 «WoMAN’s BUILDING, o 20 Fifth Avenue New York T0 HRS.‘ OHA E. _§£I1VU2I . THE RAINY DAY. Wt'itteJ1'b_)' H.W LONGFELLOW. V C()n|1p()sed by ERMINIA RUDERSDOl{FE T Moderato e tranquillo. . VOICE. is cold, and $ PIANOPORTE. dark, and dreary, It rains, and the wind er wea-vy, T119 vine SUE C]jI]gS fo the lnouldzring wall, But at ev’- 1_-‘y gust the d€a{l1eaV'Q_§"fa}_1, } ‘ 22:19 7 ‘’Q'*‘f‘5‘‘°d'’‘W°Tdi'‘gt0 3”‘ Of C0"~€“8ss infhe )'eaI'1373 1))’ G. D. R11<seH&(”():int’hx3oﬂice <)f1}xe-Li'9>2‘2'*"’za.1<;!‘{‘(;x1«>‘:"~e=~s; at Va/,». - W3 M . ' "3 1910 p000 rall: And the day is (I-ark and } f mime, mnitlne uiml -% er‘ wear r , my ﬂmnghts :-ﬁll cling to ﬂue W} > \} L ; D 5 = I + J I 51 1 / ’ U I l I I E p000 rail: 41 iaampo. I l —. I5 ‘I’ 3" I ' ' '\\__// da_y.s‘ are (I-ark and (Ire-a - vy. I’ I a tempo. 1.1000 rall: 1319 V ‘- sIti]l_®_*_ I sad 11eaPt!%__, and cease the clouds . 3 still 5111' - .\ X ” ‘ poco tillargrznrlo. _ com - 111011 fate of AA‘ AA EXHIBIT FOR N. Y. ROOM OF WOIvIAN’s BUILDING, 1OAL\ED BY [T In - to melt smue must fall, S0111-9. f"r1V>‘a ———-———— 501119 d"‘.Y~"7 501119 Zen - tanJ - (10- (g;,,,.,‘ W‘ must be dark and (lrea }‘ , rum; 1'rlll!?nf: 1917919 c6lla voce. a tempo. , 20 Fifth Avenue, New York, To be returned to Mrs. Theodore Sutro Cheurman on Music and Law. L'.‘!".‘v’ffWD!-"YT EHEE.‘ “led to -------------------------- .. an on Music andMrs. Theodore gut Law ‘CHOICE GEMS SELECTED ERG/"I IGLIVER DITSON COMPANY'S L/;\Ti:‘sT__i.isTs or piiw. MUSIC VOCAL. Wit and Wine. G. 4. 4. to n. Jf. cz.e=z.«..... so AmeAri;:an Beahuties. 0. 3. . I...C. »f~W.u- 40 v _ Tne story of 2111 fLI1(:l‘l!tl(ln"‘ who inmle inorry wit I hi~' W0-step i-ince movement for the ]il.‘ll1). A '.ll:ll’- SOl’1g 0' Gowane. Db» 4-. (l3 T0 Ell» ' ﬂf¢F“7:l77§7/ C()lll'tlBl‘.~!, anil kiiitriitlell lll.-lbS.:l‘\’lllg-ll] in. IL i-la lino, ining piece for players who like light. II1UlL)(liU11sl‘)i(lll0 A pretty soiig, with \\'0l'(lS in :he S(30t(:ll‘ll1:1lL‘('t. Suit- hezirty, rollick‘in_: soii-,5 for baritone. Try it. llllldlc VV1El1‘iill0 $1110 llimce 1‘l1.Vll1l1l. able for a soprano voice‘ ‘in! , i ‘we llllSlEil,{0 not, 21 song - ~ _ 1 5 (w_ M .. . 1 p. , _ that will be much in \"0.‘—,"lle ainoiig,‘ ailiiiirers of good sweetheart! my Song '5 c°m3' B’ 2 ) ) 7' Boston Belles‘ Olumute $11011’ L)" L F l The $>hiIdren’s Hour r l modern vocal (‘0lllll0~Iitl<)llS F’ S" Sm”'M/rs’ : ' TV'w"”'Im" Maiden Dreaming. G- 4- <1 t0 g- - - . . Mtwl/. The odilness of style nianiI'e.~'t in tlllSllL‘\V:~l0l1g,£1.‘! well as the e.\'cellen(tcoi' both poet ‘ ' I.I14l nielo:ly, shouhl place it zit once ainoii;.>; the most ilc rable of recent song pl‘0lli1cll0ll:l. The piano aecompaniineiitis ol'it.sel1‘an attraction. ' ' F. 4. to F. On the Swinging Branches. at E "Won. “On the Swiiigring Branclics,” or the “Soiig oi'th_e ]’»obolink,” i-I one of the latest of Mr. \Vilson’s composi- tions. It is of an unu~iu:illypleasiiigii:itiii'e,tastet‘iiI and grrai-.el*iil, while the nielorlioii~i wziltiz-i'e1 llll makes it specially 2ltl.l':l('lJl\'C as to the popular reqiiircnieiits. Earth’s Fairest Flower. Di». 4. c to F- Orton 127'/uIIe_1/. One of the best mollern songs for mezzo-soprano or baritone. It liasa ;,-'racel'ul nioveniciit in 9-8 tempo, with nielo;ly anil piano acconipanimeiit alike agreeable. Vj]|ane||e_ (Peastiiitfs Song.) El). 5. hi; to g: Dell Arvmrl. “Villanclle,” or the pcasant’s soiig—./’u£ ru. ]m.s'.>‘(‘7' l’lLi'ronrlelle (“I’ve seen the sw;1ilo\\'si»:isshyine”)Ais one of the most acceptable of the modern s<)iig~s. The translation is by lln.l‘I‘_lS()lll\Illl.‘ll'(l. Both Freiirli iiml Englidi version are given. It is recoininenilcd to sopranos. ﬁe Lea!-jeth |V|e_ Duet. Eb. 4. . . . . S. Salter. A hne sacreil duet lor alt’) an l tenor. \’Vc C0llllllCll(l it_ to <:lioii'—sin;,rers. The accompaniment is 1'oreii.her piano or organ. There's a Friend for Little Children, 0. 4- C- to g‘. E. S. Hosnzer. A solo which many who (lC.~'ll'C suitable ])lC('€H to be sung to a Sabbatli g.',‘2tLll0l‘lll}.;‘ will be plciise<l ll’! obtain. The acconipaiiiineiit 1'or either piano or orgaii is inter- esting. The piece can be usccl to £l(l\’.‘l.I’lt£lf_],‘0 by :1 clioir- soloist for special oitcasions. It is a gem for home use as well. ry' . Titania’5 crad|e_ Sopr. or Ten. F. 5. E to/'i..] .eiman.. 'fitania’s crad[e_ Mezzo—Sopr. or Bar. Ebipllgi 7:1 (1 r. The well-known worrls from Sliakespeawii “Mi l.~'uni- mer Night’s I)reain” (“I know a bank whereon the wild thyme blows”) are liei'e melodioiisly anil arti~‘tically set liy Liza Lehman. It is agooil song for an e.\'pei'ienced Vocalist. Published in two llll'f(I‘I'Cl’ll? keys, as above. _ Ely. 4. bl; to El}. Pe/ez-son f iretty poein set to equally attractive and very tune- ul music. 'Tis that] Love The9_ Duet. D. 4. (Lohr) Vzme. A most a-rreealile duet for two Voices of Illeilllllll compass. Try it. Love's Signal, Ab. 4. cto F‘. A. F. Burnett. One of the most enjoyable of recent songs. The worrls are by Freil. E. VVe:itlierl_v, the well-known ICng_;li.~il1 writer, anil the music by l’>lll'll(‘l$t will llllll l.io~':t.<i o1'iiil- niirers ainoiig lovers of the best English songs. The sentiment is very prctty:— _ “Only a wee worn kerchief That lay in mv trembling hands, As I sat by the \Vll]ll0\\' (lI'0f1illll]g!,‘ And looked on the moonlit liinds.” Waitin to welcome her Bo . G. 2. «i to F11. g y J. W. Wlzeelm‘. PODUl£tl'.SOIlg and chorus byapopularauthor. The sentiment is §:_'()O(l, and the song is worth a place in your collection of vocal gems of this kind. At the French Ball. So11g.\vithD2mc0.DF- iipcto F. . . ;ru.hain. “I went to the ba1l,_theimiiglity French ball, Anwl I ilrinccil with a little grisette; She was not over stout, aml not very tall, And so pretty I soon called her ‘pet.’ " Darke Musketeers. llI2ll‘(.‘ll~S()1l"'. F. 3. The 3' to F. V.‘ W. I/V/teller. Another new comic song by the aiithor of “The Col- ored Four Hun=lre(l.” Briglit aiiil catchy. He isn't on the job just now. Eb. if Fllibto F. C 1 C’IlH.(}IL. Humorous song. Just the kind to provoke inerrinient Spanish cradle Soy-|g_ F in. 4. E!) to Di). lioott. One of Mr. Boott’s latest contributions to the li-tot‘ excellent modern soiigs. Both Spaiiish and Eiiglisli ver. sions are given. The song is one of the most noticeable of recent coinpositioiis. It is for a voice of inecliuin compass. al is told. Bb. 4. bl; to W2. A5 aT e that 147. F Smlzls. An excellent song for low voice. eitheralto or baritone, and we commemil it to all who admire gooil verse set to equally good music. sooner or |_ater_ El). 4. bl; to E5. W. F. Surlds. In this song Mr. Sl.l(l(lS has ailinirably set the ver.~'es of Stewart Allen to an original melody, whicli expres~ie~i the sentiment of the poem in a musicianly anil agreeable manner. The accompaniment is for citlier organ or piano. A line song for low voice. The Touch oftha Wand. G. 3. Chansonette. Eb. 3. who E5. . ..... c l The above three soiigs by Frederick S. So n'ner~4 a"e the work of 3. mu-Iii-ian whose music will repay the learnerin the most il.f_flU()2Ll)lL) manner. The piano p2l>'t.~l are no less satislactory anil iniisiciaiily t.h:in the inehnly 1L~l(:l1’ and the general treatment of the themes. Suﬁer Little Children. D, 4. <~%t~11 R:"’:'<’*'- _ A new sacreil .~l()I)fJ,‘ by Martin R ie lcr; toaclier ol .~ii.i5- 111),’ at the N. E. Coii-acrvatory of Music. He? Last Good By 2. F- 2. 0- to F. D 7'WW8- A song and chorus in the popular vein. Ne\\‘an.l ‘ pleasing. Take up Thy Grog-,s_ E‘). 4. a‘; to F. C’ E. I} I’:-me. A saci'eilsoi1:,r for inezr.o-~Io;ii':iii ) o - l)‘tl'lt.).1l‘ Ex - lent for a choir soloist. Ace.iiii_i.Liiiiiic-iii; s.i;t:Lblelor either piano or orgaii. Forsakey-|_ B.ill:nl. G. 4. ll to F1 . M'i'lIrir.'I. The gooil t i<tc anvl Oxquisit ‘ t eatinent of tha. t‘.i mi: so beaiitil'ully cxpre~i.<el in the vi-.i'+c.~i by Mary (J. l’reston, are <;li:iractei'istii-, of II I. '.-i=on hlillaril. This is his latest .~l()ll_(; and to all <i.i:.,-‘ei's with mezzo-sop 'aiio or tenor V ' ea we say, try this now ballad, Elllll you will not r ‘r , ' The inelorly and the gi':ic.'.1‘iil. llL‘.ll('.2ll§i£ plan» am-.oinpziniinent captivate the hearer at once. Don’t fail to secure this latest song by Millaril. The Boat with My True Love’s Name. F, ‘-’- 0 to I). (,‘oII1n. (7042. A n:'.w song; by Collin Coo. It haa :1 pretty “'1|.‘It'/4' rel’r2iin, anal will [)i'<il):).l)l_\’ be popular as a li'_>;nt, lllL“<)ill- ous “lmrit-soiig,” or a “cats-liy“ song and rei'rain oi’ t’ic college type. Simple, ll:l.lllt_\', anll meloiliou.-.'». Here is a verse, to show the sentiment :— “My true heart is a brave, brave girl; She lives by the wiile, 'i<le sea, Ami when I sail on the r.c«,~.-iii She watclies anil waits for me. I have a boat so trim and neutr- For siiilin-_; she’s won her fame,- Anll I call my boat the ‘ Ilonnie Bell,‘ For that’s my true lo\'e’.~i naine.” “Over the sen, over the sea, My Bonnie Bell goes sailing with me." There’s a Green Hill far Away. E9. 4 E/')l'1) G. J. (7. lVm'7'mi. A sacrerl song for soprano. One of the Very lieu‘. of rccent solos for i-hoirsingers. The familiar verse in a new musical setting. INSTRUMENTAL. Gov. Russell's Grand March. Eb. 4- _ G'I'II(‘€ ,I.’I7‘I]Ill_f/. A captivntiiig March for the piano. A gooil portrait of Gov. Russell ailorns the title page. Stolen |(is5es_ Walt7.. F. B‘;anil G. 4. _ .Io.s'ephin(- (ii-0. Goorl Waltzes are always in ilemanrl. 'l‘h‘is sci is very pretty, and we :1(lVlS(3 all who desire \valtz-iiiiisic for the piano to obtain a copy of it. Beacon Waltzes, ‘,> 4. _ . . . Lruvrence .’\"eeIm. Good lllCl0lllOl1S Walt’/.-inusic for the piano. Try ll‘. Figaro wa[tzgs_ A. I). G. 4. . , . LomI)rzr«Im'r>. Fine W'alt7.e.~i for the piano; not iliilicult, and well worth leariiing, Violanta Po|ka_ G. 3. . . . . . . . J. l{n.ecIil. Spirited, lirigiit, pretty (lance inusic for the piano. Columbia’ Fantasia-l‘olk:i. l<‘ortlie Cornet. Roi/iizson. An - ilmirable solo in G l'or the Iii; cornet. Fine piano accoiiipaniiiieiit. The piece is do licate l to anil play.-«l by John M. Floekton. It is one of Rollinson’s best cor- nct solos The Young Player. Selected Pianoforte Pieces for the Cultivation of a Reﬁned Taste. The >lel:(;<)ll]]1!‘lBO9 the following :- I)i<:.xic l\ll<1M()R\'. . . , . F 7'/mnze. S\VF.I-IT l\Ii«ii.0oi'. . . . . . . F. ‘I’/mnw. A QUAINT 01.1) Sroin’. ’ AL.S'ATIi\N l).\Nci<:. . . . . SLr.i<;i-Y Err‘. (Crarllc Soiig.) A‘). -2. . SHADY NOOK. A. ‘Z. . . . . . I’. Lr/czi/lie INi)i.\N DANCE. . . . . . . I’. LIl<,'()IIlt3. l\Ii«:imIi1i~;N'i‘. A. -. . . . . . P. Lu miirt. JUMPING JACK. G. ‘2. . . . I9" ('/iu.zw,r]/mt, ON TIP'l‘()E. I.)-niajor. F-iiiiiier. E. (I/Lvriwf/n.r/I. FINGER-TIP STUDY. ‘. . . E. K‘/on-.«i,r/nri/. II.\l’P1' GRElC’l‘ING. l). ". . _ . E. (,7/i.rI,i'II_r/i7(I.f. The above ll2lll1()'l pieces tl‘0 alinirably 2lil.I.lllIl.‘(l to tlie use of young players, especially ])llpIl.~l. Dancing on the Levee Schottisch. Q. -3. _ _ E(l£UL)L ( /n'1.s‘lie. Captivatiiig scliottiscli for the piano. Old Hickory. Scliottiscli. C. 3. Pe1'z:_7/.S’«)_i//ii.nm'. A military srliotti-Icli for the piano. ll: l~l not h.-irvl, even if it is old hickory. It is very pretty, and. “c:itcIi_v.” A brilliant moreeziu for piano, by an exr or-«I y 110])» u'_ coinposcr. ll: is not too «li.ii.-ult 1‘.art.ie a\'cr:i;e proliizieiit pupil. ' The world's Fair. Six Ea-‘y Piano Piece-' by IIENRY .\)IB. 1. ‘~l<‘.un C()LU.\IBI.\.” W'u.lt:. G. 2. "ENoi.Isi{ Bi.oNo1<;.” Po//.-u., C. 3. "l‘[‘Al.I.\N (_:lIRL." Yorlc, G. 4 “SUO‘l‘ClI LASSIE." Galnp. (.2 5. “(JIIINZCSE DIAIDEN." il[Il7'i'/I. C. 6. “SPANI-ll[ l§i«:Li.i<:.” S«-mm,» 1,_ _ The :1!) )VU named si\' piano pix:-,e.~i are easy .’lll'l suit- Illlle for _VUll!i_‘.‘;‘ l)i‘gl|llIOI‘.‘l. lllai.-li p.c(-c ll.‘l> the pi'upi’i' “i'ingeriiig” in licatc-'l. The t tlc-pziqe ofcach i= ranti- fully illustrateil bu (il12l."£l(‘tl.‘I‘l~|l2l(‘. lei.-«N of the «ll e"— iit maivlens wl1o<eii:iti ii litv is }_:ivcn in the lit. S.-.n<l lo: fl the “The \Vorl<l’s l<‘air" set of pieces by llcxiry l.:imu Six Easy Pieces. 1 (.‘li.e.»-tor llmmi. . “l§lI.I<?l<]N l\/IAZURKA.” C. 2 . . . . , 2. “F.\li'Nl‘LEI{()\' l\IA1{(ZI[." Eb. . . 3. “illrsric G.\VOT'I‘l£.” . . 4. “.<i;\i\ii«:i: l)iu«:.uis." F. 5. “i\[iNui«:'i‘.” l). 2, . 6. “Sm: \BA:\'I)l<).” F 2. . _ . , _ . ‘A rei_narkahle ple:i.~iii;_§ aiiil wsll w ‘in -.2i ~'et of piano pieces. l<l\'eryboily who lins l.l'lU(l iiliciii -my - so. Silver Chimes, Morceau for piano. l)_;. 4. _ _ _ ‘ I _ V.’ ’I). ll"i/.wiiI.. u3“"'lll'l.'l.I1El)lIl2l1)l’. li'li tiilt in I‘) wile" -._i I t i "ili3’l. .in_«_; l.ii_i‘.a~'ia” style. The correct Ii.i_;e:iiig 14 ;__:iven for the pupil’s use. Societe de Bons Vivants. Piano Piurc. G. 5 . . z'.i'.‘. (.)i-e_of Mr. Sn lrls’s best piano pieces. “Goo-l Feltlo/iv’. ship" Hthe Eiiglisli name for the piece. Enchanted Valley, I\Iorcc:iiil'oi'piano. A5. 4. p _ (i'(LIl«Ihr>1‘. A brilli~.i_nt inorceaii, such as the :L\'ii:':i,gc pi'oIloic.it ainateur will OllJ0_Y. Playful Ron;lo_ For Piiino. G. 2. C’. U7. Greem’. ‘ An exizellciit piece fora pupil. The correct (Gcrinziii) liii,-reriiig is given. Congaree Dance. F. 5 J. F.Gi'(ilcr. The latest piaiiol'orte composition of John Francis _ (lllllUl'. It is in his usual “<::il.cliy” style. «I eranza_ _ (Hope). Melmlie for piano. Alz. 4. Very pleasing. I(](3in_ -Electric P_olka_ For Piano. F. 3. . . ].’oc.a'/cc. Briglit, Jolly, catcliy piano lllllrslll‘. Electric Polka_ Wit/L Toy lust/'imzants. . lfnes/cc. For schools or l(ll1(lCl‘g1l.l’tC11l-‘l, thi~' piece, ii.i'tir the in:iiii_iei' of IIay<ln’s “Toy Syinplioii_\',” has inusic for the ()i-.ai'iii.-i,_ Tin VVhi+tle, Bells, Ti'iaii;.,-‘le, Violoiiitello, l‘)i‘ll|ll, \'ioliii,_ Autoharp, l’op-g;ull, Quail, and (,‘Iapper~, 'Ill..‘ ineloily is pliiveil on the l’ia.no.aiiwltlicl-lnlrli'eii 1ll‘.('.UlIl]l:l.l'ly with the iiistrnmeiits nieiitionexl. This [|l0i'U wzi~' |lCl‘lUl‘nlGLl in :1 Boston I{iii(li:i;;ai'teii \\'ll,ll gool clfect. Les Fleurs_ Value for Piano. F. . Lzulot-£i:. Easy and Pretty. Toreacloyg Walt/. for I’i:iiio. D. 4. A showy waltz oi‘ ine<liuni llilliculry. Colored Four Hundred_ I\Iai'ch for Piano. _ ll». Km;//ll. T. P. 1201/10. The popular song arrangezl as a “two—step.” Sprlng’s Return_ G. 4. . . I3, (7.I(1ez‘1L. Full of Joy_ Waltz. (J. 4. . M abel Gay, G. anil l’»',. 4. , _ . Sy|phide_ Polkzi-inaziirl-;a. U and E; 4. FOR THE MANDOLIN:— Flight of Birds, Polka. (Walilteiifell. Ilfaxc//. A Iiiie polka for two inani_loiins, \VlLll_g‘llllJi1l' or piano :i.ecoinpaninient. FOR THE MANDOLIN WITH GUITAR ACCOMPANIMENT. Llf/7/I (‘mvillgu M'a.7‘ch. (‘Z l\I:iii«lo‘iiis ) I’7-(Ie](n1Il, ’.1/[Til I§i>/Inn's Fair, lVn./1‘.2:<>s. ('2 l\l:lIi(li)lll1S.) l’/-eclmiil. Ullid liowens‘ Fair. l/Valtzes. (solo). . l’/-eclaml FOR VIOLIN AND PIANO:— R‘ -;"s Prn_1/67'. C. 4. . . F. 5. . . -' ‘ .l{.'l irlmmv. . . (' oncltrl. C. 3. KlIl.I'l(’I‘l[6(] G. ‘J. ./lI'cIo(li'e. . 3 . . . . i, A. ‘2. . . . . V01/JIILIIII. above violin pi zis, with piiiiio xii-comp-.iniinciit, are i'.lassic~' whi-eli C\'Cl'_\ lea "lie ', as well as all violiiiists, shoull have. The <,{r2irliii5.; _:ri\'eii above refer.~x to the violin parts only. The piiinoacconipiiniineiitsvuryas to tlilliculty. U7«r/jiier‘. B®$’]?‘®Rl: I9fE’I”‘S©N Philadelphia J. E. DITSON & CO. New York C. H. DITSON & CO. Chicago Boston LYON & HEALY JOHN C. HAYNES & CO.
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Date: 1905
Text: MUSIC uamnv VASSAR COLLEGE ”°”°“KEEPSIE. NEW voax N?21NE" N‘?2>1NF N‘?41NG % SUNG BY M155 ADA CROSS LEY. WND $504 / ’\$?5'v Q'f, \\!r) -7Jﬂ.\;. The Word s by LONGFEILLOW 1'} 44> The ﬂlusic by ROBERT BATTEN. P/‘ice 6W Ce/2/5' BOOSEY & C9 9,EAsT SEVENTEENTH STREET, NEw YORK, AND 295. REGENT STREET,LoNDoN.ENcs. SOLE AGENTS FOR CHAPPELL& Co. ENocH & SONS & G.R|CORD| &Co. COPYRIGHT I905 BYBOOSEV 8<C‘? LIVING POEMS. COME to me, 0 ye children!...
Show moreMUSIC uamnv VASSAR COLLEGE ”°”°“KEEPSIE. NEW voax N?21NE" N‘?2>1NF N‘?41NG % SUNG BY M155 ADA CROSS LEY. WND $504 / ’\$?5'v Q'f, \\!r) -7Jﬂ.\;. The Word s by LONGFEILLOW 1'} 44> The ﬂlusic by ROBERT BATTEN. P/‘ice 6W Ce/2/5' BOOSEY & C9 9,EAsT SEVENTEENTH STREET, NEw YORK, AND 295. REGENT STREET,LoNDoN.ENcs. SOLE AGENTS FOR CHAPPELL& Co. ENocH & SONS & G.R|CORD| &Co. COPYRIGHT I905 BYBOOSEV 8<C‘? LIVING POEMS. COME to me, 0 ye children! For I hear you at your play, And the questions that perplexed me Have Vanished quite away; Ye open the Eastern windows That look towards the sun, Where thoughts are singing swallows, And the brooks of morning run. In your hearts are the birds and sunshine, In your thoughts the brooklet’s ﬂow, But in mine is the Wind of Autumn And the ﬁrst fall of the snow. Come to me, 0 ye children! And whisper in my ear VVhat the birds and the winds are singing In your sunny atmosphere : For what are all our oontrivings And the Wisdom of our books, VVhen compared with your caresses And the gladness of your looks ? Ye are better than all the ballads That ever were sung or said ; F or ye are living poems, And all the rest are dead. LONGFELLOW. Living Words by Music by LONGFELLQW ROBERT BATTEN. Andante sostenuto. /3 Voice. 1' con %. Moderate. Come to me, 0 ye chil — dren! hear you at your And the ques - tions that per- \——-—'/Le — plexed me Va — nish’d quite a — Cbjiyright, 1905 by Boosey & C9 o - pen the East - ern Where thoughts brooks of morn— ing sun - shine, In your thoughts Living Poems. win - dows are the That... sing — ing In your hearts brook — lets... look to svvards the swal - lows, are the f low, birds...“ and the mine is the wind of Au — tumn And the first fall of the f hB ut in mine is the wind of - tumn And the FT” t calla voce. Living Poems. birds and the Winds are s1'ng—ing In your sun - ny at - mos - - our con - tfi -Vings Living Poems. M0 - dom of our books, When com- pared w1th your car- - calla voce. And the glad. - ness of your looks? >>- bet- ter than all ..... .. the........ ev — er were sung 0r......... Living Poems. with enthusiasm. the rest are Ye are bet -’ ter than all the - lads That } fften_ ~ rall al me. said; ' And >- )- L c [la voce. If 0 rail al fine. Livhig Poems. NW SONGS BY CEDEBRHTED COMPOSERS. PRICE 60 CENTS EACH. THOSE MARKED at: 75 CENTS. Sung by Madame CLARA BUTT. *BAi§?LoN. (zwt/L Organ 0115/igato.) WORDS BY F. E. WEATHERLY. No. 1 in El7. MUSIC BY STEPHEN ADAMS. No 4 in A7. 5- ' : 9’ ___,..._.|__. .%i__1:._._ _._i__[_._ I L. bi‘ *'- ' No. 2 in F. No. 3 in G. 11 ttmfﬁ *\ '4 /'\ ’\ /-x «-\ I'j"_T:,l::Zﬂ4 .1 _ ' 9‘ !:h_i__ 4 j ‘ - _ $7 :.:.g;.gg¢:g: H..;=E§13$1% OJ V “O go ye not to.. .. Bab-y-Ion! it is adream, it is adrezun un-blest! On-ly the road to (mt Verse.) Out in the morning meadows, and down the broad highway, I sa e children dancing and singing at their play ; And they called to one another upon the golden air, “ Oh, where's the road to Babylon,—and who will bring us there?" But, as the night fell round them and eastward rose a star, Methought the voice of angels was calling them from far,- “ 0 go ye not to Babylon ! it is a dream unblest I Only the road to Bethlehem can give you joy and rest ! " Copyright, 1905, by BOOSEY & Co. Sung bv Mr. FRANCIS ROGERS. THE TRUMPETER. . WORDS BY J. FRANCIS BARRON. No Illl F. MUSIC BY J. AIRLIE DIX. No.4in C. 0 No. 2 in G. ___4_sE: '_ .3: F ‘I __i__4.___ '0" l\ I‘ I I Ql J‘ I I I‘ ~ I n .g. 0 9 _ v Trum-pe-tei-, what are you sounding now ‘.7 (Is it the call I'm seeking 7) “ You’ll know tl'iecall,"saicl the (is! Verse.) Trumpeter, what are you sounding now? (Is It the call I’m seeking?) “Vou’lI know the call," said the Trumpeter tall, “ When my trumpet goes :9. speakin‘. I'm rousin' 'em up, I'm vrakin’ ’em up, The tents are astir in the valley, And there’s no more sleep. with the sun’s ﬁrst peep, For I’m soundin' the old ‘ Reveillé.’ Rise up ! ” said the Trumpeter tall. Copyright, 1904, by BOOSEY & C0. Sung by M1’. HERBERT WITHERSPOON. A soLi)ii§it’"s’ TOAST. WORDS BY J. FRANCIS BARRON. _ No. I in C. Music BY J. AIRLIE DIX. \ “ s : * :1s:u'_:p-— --“"4: .3:;i.=i.2-2; 1—bv—-E-:?‘_ “Ta- Red wine, white wine, comrades; let's be drink-ing, A truce to trouble and care, lads;When the (Lt! Verse.) Meeting to-night in the old nie_ss-tent, Each comrade's face so glowing, For smile, and jest, and merriment, _ ould rule when good wine’s ﬂowing. Steady the hand, so ; stand by the glass, You've choice of the wine set before us ; “ Here’s to the soldier, here's to his lass," 'Tis the best of all toasts : Let us ﬁnish the glass, And join in our comrade’s chorus- Copyright, I905, by BOOSEY & Co. Red wine white wine, comrades; let's be drinking, A truce to trouble and care, lads; VVhen the wine goes blinking. To the old mess-tent, and the ﬁght we share: The Flag we serve, and the coat we wear : And a bumper toast to the maidens fair, With glasses clinking I ‘ Sung by Miss EVANGELINE FLORENCE. *APR1i.—1vioRN. ROBERT BATTEN. No. 3 in D. -4: WORDS av JOHN DOWERS No. 1 in Bl). No. 2 in C. b -——l—-—:I—- 3.; _T__‘i_— /‘_\' :i—~—i—‘ 5-@;#s sﬁs Ah! . . . . . . .. the joy . . . . .. to...... the greet the ro - sy morn,... mt Verse.) Ah I the joy to greet the rosy morn, If e sun the verdant ﬁ ds adorn. _ Nature awakes, the birds their melodies trill O'er hill‘ and dale, and by the woodland rill. Ah . Copyright, I901 and I902, by BOOSEY 8!. Go. THE LITTLE WHITE SUN. wonos av ANNIE C. HUESTIS. MUSIC BY CUTI-IBERT WY'N N E. Zzjghtly. ‘ accel. . . . ~ . :1. ' . . . ;g“52— 3*i—a‘——4‘——..w——r.~—§+—r J ——r—«+=e4‘e—5——.. —r /I 11. I IIH V j I . C I‘ K RD 5 . j R I II -I Q I I Q} C I C —l I ‘F ~ 0 a Q But the brown earth laughed, and the sky turned blue, When the lit-tle white sun came (mt Var: '.) The sky had a gray, gray lace ; The touch of the mist was chill ; The earth was an eerie place, For the wind moaned over the hill ; But the brown earth laughed, and the sky turned blue, When the little white sun came peeping through ! Copyright, i905,~by BOOSEY & Co. A CHINA TRAGEDY. MUSIC BY CLAYTON THOMAS. No. 2 in Al). No. 3 in BD. —l7r—- ~-P'—r .4 O wonos BY R. S. HICHENS. & \ I I A I ‘K I I I L l\_ I‘ I‘ T1- -4» _i=__i=_ ‘ d » —:=|—-L _‘:~_~h_i=_ ‘ » . ft. ;c :E:;&t::at§¥?3E A lit - tle chi«na ﬁg-ure On a lit-tle bracket sat, His lit-tle feet werealwayscross'd, He (mt Verse.) A little china ﬁgure On a little bracket sat, His little feet were always crossed, He wore a little hat. And every morning, fair or foul, In shine or shadows dim, A pretty little housemaid came And softly dusted him. Copyright, 1904-. by BOOSEY &. Co. SHEPHERD OF LOVE. wonns av ARTHUR PHILIP COXFORD. MUSIC BY FRANK L. MOIR. mfAnd'nmte maestaso. *-r*— Aw I /—j__j__S , __ ii-—-J—-:3? Shep - herd of ,V . , . fa'ir- est of ten thou - sand‘. (mt Verse.) Oft in the gloom, when nightly shades are falling, omes to the ear a distant Song of Praise ; Faith in those sounds with tender voice is calling, Sweet come those welcome strains to cheer our pilgrim days. Hearts brighter grow, the clouds of doubt dispelling, Love. in those chords, doth heal the soul distress’d ; Hark I 'tis the song in which the Saints are telling Of their great joy in Him the Father biest. Crown Him, ye Saints, the faiitest of ten thousand ! Shepherd of Love, the God whom we adore; \Vith harps of gold attune your faithful voices, Proclaim Him King 2 both now and evermore I Copyright, 1905, by BOOSEY & Co. _ _\./ Crown Him, ye Saints, Sung by Miss ADA CROSSLEY. LIVING—_POEMS. ROBE RT BATTEN. No. 3 in F. No. 4 in G. If 3 'P‘ —_ -—_b_—_ I—— ::—'—: bi - ' wonos BY LONGFELLOW. No. 1 in D. No. 2 in E7. '—171‘p i J K L i I I I‘ I J 4L ._"'s.z__' _|._t\__|3_i_. ‘..,':‘_'|.g_:_g_.',_ i d_-_'-g§; ' ':__i__ roo'.g..fv9:— ' "' Come to me, 0 ye children! For I hear you at your play, And the questionsthnt perplex‘d me Have (15! Verse-) , Come to me, 0 ye children I For I hear you at your play, And the questions that perplexed me Have vanished quite away. Ye open the Eastern windows That look towards the sun, Where thoughts are singing swallows, And the brooks of morning run. _ In your hearts are the birds and sunshine, In your thoughts the brooklet's ﬂow, But in mine is the wind c-fAutunin And the ﬁrst fall of the snow. Copyright, 1905, by BOOSEY & Co. BOOSEY & 00., 9, East Seventeenth Street, New York, and 295, Regent Street, London, W. NEW SONGS BY CEIJEBRHTED COMPOSERS. PRICE so CENTS EACH. Sung by MADAME CLARA BUTT. MY AWFOLK. LAURA G. LEMON. No. 4 in G. _?n_ WORDS Ev WILFRID MILLS. No. I in DlZ. ’_._:i;,,—: 5; izv“ No. 2 in Ell. __——:_-I2: Ii I i 171 iiiﬁ I ii I [III 1 g 1 ‘i1 -:-I J 1: I : nillzli i_L v I .4. .5. _d. 1. ae my hame I wander; But stillmy thoughts re - turn To my ain folk 0 - wer yonder, In the I i .1Qd d ll .4 (mt Verse.) Far frae my hame I wander ; But still my th , ghts return To my ain folk ower yonder, In the sheiling by the burn. I see the easy ingle, And the mist abuiie the brae: And joy and sadness mingle, As I list some auld-warid lay. And it’s oh I but I'm longing for my ain folk Tho’ they be but lowly, puir, and plain folk: I am far beyond e sea, But my heart will ever be At hame in clear auld Scotlan wi’ my ain folkl Copyright, 1904-, by BOOSEY & Co. Sung by Madame CLARA BUTT. MY TIEASURE. MATTHIAS BARR. JOAN TREVALSA. No. x in F. No. 2 in G. No. 3 in A. i I ‘A -\ -1 ii’ l\\\ I J 1 P vs V 0 CA- Ir I j On - ly a baby small,Dropp'd from the skies; Only a baby small, Dropp’d from the skies; Only a laughing face, Two sunny eyes; Copyright, 1903, by BOOSEY & CO. I d On - ly a laughiiigface,'I‘wo sun-ny eyes; Only two cherry lips, One chubby nose ; Only two little hands, Ten little toes. (is! Verse.) Sung by Miss EVANGELINE FLORENCE and Madame BLANCHE MARCHESI. THE SWEETDO7 THE YEAR. wonos BY , Music BY KATHARINE TYNAN HINKSON. ALICIA ADELAIDE NEEIDHAM. No. I in BlZ. No.2 in C. 0 ,- L I i ‘bi. 4- ’ M lsll ﬁn I Ii i Vi ll - i I 5 K I Kit’! i I. ~ i §ia4<£—a—H—«'—,r~—sd+I-4-—.i~a—~+J:w4-+e4——d-l+—L':E:E:zd:h No. 3 in D. ‘P’ I l V a Be-cause it is the sweet 0' the year, the sweet o’ the year, There'swhite andyellowon (ist Verrz.) Because it is the sweet o the year, There's white and yellow on vale and hill, The blackbird sings at his darling’s ear, He has gotten a new gold bill 1 Copyright, 1904-, by BOOSEY 8:. Co. When birds are merry and have good cheer, And roses nod in the garden bow’r, Oh, then it is the sweet 0’ the year, And love and the world in ﬂowerl Sung by Miss LOUISE DALE. IF I BUILT A WORLD FOR YOU. MUSIC BY LIZA LEHMANN. No.3in F. 1 WORDS BY HERBERT FORDWYCH, No. x in C. No. 2 in Ell. -4- i i L .g. 9 7° Iii:\4§4I§J\I_ ‘*.l iv 5 la‘ 1’ i\ Ni ' .' I i l L P_l—l: §}%:‘£-4=—A~r+4 —r—+~——s—1~.+d—~—.—i—a . ———t——r—F If I built a world for you,dear, If I built aworld for you,——- Iwould make the land of (irt Vern.) If I built a world for you, clear, If I built a world for you,- I would make the land of popcorn, And the sea. of morning dew. I would make the breeze of whispers Of lovers as they woo,- And the rose should live for ever In the world I built for you. Copyright, 1904. by BOOSEY & Co. Dedicated, by Sfecialpemtisrian, to H.R.H. PRINCESS HENRY OF BA TTENBERG. Sung by Mr. IVOR FOSTER. THE LIFEBOAT MEN. WORDS BY MUSIC BY F. E. WEATHERLY. STEPHEN ADAMS. No. 1 in 1312. No. 2 in C. No. 3 in D. I’ I’ 1 l ‘I i i J 5: B E‘ x IL M I I . I‘ I I I K I WWI ‘J . — r _ V 0 For it’s Out they go when the sig-nal comes, Out from the thund'ring shores, 'Tisn't the pay that When the wild wind blows by day or night, And you are safe at home, Are you thinking then of the Lifeboat men Watching the hungry foam Quitting the toil that gives them bread, Leaving their babes and wives, Ready to go when the word is said, Ready to give their lives. For its out they go when the signal comes, Out from the thv.ind'ring shores, 'Tisn’t the pay that makes them stay Gripping the straining oars; It's the Spirit of Love from I-Ieav’n above, Working in what they do ; Think of them, then, women and men, And pray for the Lifeboat crew. Copyright, 1904-, by BOOSEY & Co. Sung by Miss ADA CROSSLEY, and Mr. GERVASE ELWES. NOW SLEEPS THE CRIMSON PETAL. MUSIC BY ROGER QUILTER. No. 3 in GE. I’.- f:\ i\ I; i (is! Verse.) wonos BY TEN NYSON. No. x in El). No. 2 in F. L 1- i' E 1 I I I _'.__._. _,K;.i.._._ __'_._:_ \./ _ white ; Nor waves the cypress in the pa.-lace Now sleeps the crimson petal, now the Now sleeps the crimson petal, now the white ; Nor waves the cypress in the palace walk; Nor winks the gold ﬁn in the poiphyry font: The ﬁre-ﬂy wakens : waken ou with me. Copyright, 1904-, by BOOSEY & Co, (Lt! Verse.) Sung by Miss LOUISE DALE. and Mr. H. LANE WILSON. INDIAN DESERT SONG. MUSIC BY AMY WOODFORDE'FINDEN. No. 2 in G Minor. WORDS BY LAURENCE HOPE. No. 1 in E Minor. _’_j. A i\J\l .4-i .1 4:1’. in . - agraig iini - ' xx V’-d-T am waiting in th des—ert,look-ing out towards the sun- set, And counting ev-'ry I am waiting in the desert, looking out towards the sunset, And counting every moment llll we meet; . I am waiting by the marshes and I tremble and I listen Till the soft sands thrill beneath your coming feet. Copyright, 1903, by BOOSEY Si. Go. (is! Verse.) Sung by Miss ADA CROSSLEY. CUPID AT.TIIE FERRY. MUSIC BY EDWARD GERMAN. No. 3 in A. WORDS BY CARYL BATTERSBY. No. 1 in F. l _ .'T 4 "—r 4. A is Hi! If K KI ‘T1 __C r Uri T‘ i I K '7‘ I’ I’ I I I I1’ I‘ I g j . R ﬂ l P P t : d d I - — ‘,9 r :- Cupid at the (er-i-y cried : “Who with me will go. . . . Where beyond the ﬂowingtide Lovers’ garlands (is! Verse.) Cupid at the ferry cried : ' “ Who with me will go Where beyond the ﬂowing tide Lovers’ garlands blow? Fairy songs are sounding there. Fairy breezes play; Leave, 0 leave this world of care, Lovers, come away !" Ah 1 Ho 1 lovers, ho 1 H01 ho 5 say who will go Where the zephyrs of Loveland blow ‘, Say who will go Where light the zephyrs of Loveland blow l Copyright, 1904-, by BOOSEY & Co. BOOSEY & CO., 9, East Seventeenth Street, New York, and 295, Regent Street, London, W.
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Date: 1921
Text: MUSiC Lmrmnv VASSAR COLLFC-E POUGHKEEPSIE. NEW YORK JAMES A BLISS No. 1. Hiawathefs Song No. 2. Adjiclaurno, the Squirrel NO. 3. The Rainbow No. -1. Pau—Puk-Keewis Dances 3 $ sm Aqmw SB Smm E3 Sn M1.m 4M A,. .|J ‘ 4 V V )1 ‘ . \\1|X'..Iv.‘4‘w~ﬁ".\‘%‘4V.llIIII’IlI!I”‘:t.l\I||Il«V‘ \““‘.1u.r’..,. , 1 Hwxuillnln. ll.sxl..|3»J\i1‘\“ (L1|I.:|[r.\\ .Au.u ‘\xI lY1.‘.l...s': .W»mn..) :M!|“U..nNL.. 1 /1..F»;xr. To Mrs. Mo Elroy -Johnston a" Hiawathafs Song JAMES A. BLISS ' Op....
Show moreMUSiC Lmrmnv VASSAR COLLFC-E POUGHKEEPSIE. NEW YORK JAMES A BLISS No. 1. Hiawathefs Song No. 2. Adjiclaurno, the Squirrel NO. 3. The Rainbow No. -1. Pau—Puk-Keewis Dances 3 $ sm Aqmw SB Smm E3 Sn M1.m 4M A,. .|J ‘ 4 V V )1 ‘ . \\1|X'..Iv.‘4‘w~ﬁ".\‘%‘4V.llIIII’IlI!I”‘:t.l\I||Il«V‘ \““‘.1u.r’..,. , 1 Hwxuillnln. ll.sxl..|3»J\i1‘\“ (L1|I.:|[r.\\ .Au.u ‘\xI lY1.‘.l...s': .W»mn..) :M!|“U..nNL.. 1 /1..F»;xr. To Mrs. Mo Elroy -Johnston a" Hiawathafs Song JAMES A. BLISS ' Op. 10. No.1. eg-ro con brio (Juos) In the land of the Da - c0- tahs ' Minn — e —ha- ha, Laugh-ing a - ter, Lives the» ar - row mak- er’s daugh-ter, _/\. . . _/.‘.\.% ng _._l /“T on tempo mlt. Hand— som - est of all the maid— ens. as #F\./F #1? 3 3 Espre She shall run up —on your er - rands, Be your star-light, moon—1ight,fire-light, F‘ Copyright 1921 by A. Bliss I will bring her to your wig-Wam, Be the sun - light of my peo — ple ' a, tem Thus it was that Hi - 3. - wa — tha To the lodge of old N0 -k0 —mis Brought the m0on—1ight, star-light, fire - light, t fl Mt a tempo Brought the sun-shine of his peo-ple, Minn - e—ha - ha, Laugh-ing Wa - ter, #1:“. Hia.wa.tha’s S ong-. 3 Hand - som-est of —(°f) all the maid - ens _ the land of ' ' ' V E - ' - . . 19 smccato hand—s0me maid - ens. ‘fen Hiawafthaﬁs Song‘. 3 la“/ax . . “Er thaw Longfellow ! 0 To Kat/zleen Haw-1,‘ Bibb The Squirrel JAMES A. BLISS Slower Op. 10. No. 2. Vivace Then said Hi—a-Wa-tha to him, 8 ---- """"""""""" """"""""""" Zegg2'e7'0_ my lit- tle 'end the squirrel, - a-wa - tha, And the name which now he gives you; . . _ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . _ . . . . . . . . . . . . . . . . . .... n For here aft-er and for—ev—er Copyright 1921 by J. A. Bliss Boys shall call you Ad - ji - dau - mo, Tail in air the boys shall £11 you!” [[1 And the squir-rel, Ad — ji - dau - mo, Maesta rj‘“|3 slower mt, Frisked and chattered ver - y gay — ly, In his fur e breeze of morn-ing .« """ " a » ¢ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...r /'3\ J atempo '-‘F7 ' 3' 8P1ayed as i_n the meadow grasses. it Adjidaumo - 2 8 To Lora Lulsdorff “Hiawatha” Longfellow. JAMES A. BLISS Op. 10. No. 3. Allegro ‘ma grazioso /T At t11e door on sum - mer eve -nings Sat the 1it—t1e Hi - a—Wa — tha; Efﬂftf Mt. Heard the Whis -p’ring of the pine-trees, Heard the lap-ping of the wa — ter, .{’—‘\ Copyright 1921 by J. A. Bliss it tempo , Allegro Sounds of mu-sic, words of won—der; “Minn ﬁﬁf" 3;? M" at tem L“; \_;_j Grazioso said the pine-trees, “Mud - Wa aush - ka!” The Rainbow. 4 said the Wa - ter. ‘ aush - ka!” £7 Andante rubato said the wa - . Saw the Andante /-T a tempo f.'\ rain-bow In the east-ern sky, 1’ Whis -pered T he Rainbow. 4 Rec ita/ndo “What is that, N0—ko - mis?” And the good No- ko -mis an-swered, Andante espressivo the heaV’n of flowers you see there; All the wi1d'f10w’rs of the for— est, V the lil - ies of the i-rie, When on earth they fade and per-ish, TX B105 som in that heav’n The Rainbow. 4 12 To Wm. Goodfellow Pau - Puk- Keewis Dances JAMES A. BLISS Op. 10. No. 4. Allegro con spirito =112) staccato T 0 the sound of flutes and sing - ing, To the sound of drums and voi—ces, f Maesta p Mtstertosov - mt. Rose the hand-some Pau Puk-Kee-Wis And be-gan his mys - tic’ danc-es. bJ h£ First he danced staccato Copyright 1921 by A. Bliss - emn meas - ure Ver - in step and ges - ture, 1 and out a - mdng the pine trees, Through the shad - ows I 3 I 19 the sun - shine, Tread-ing soft - ly like a pan-ther > >_> Then more swiftly and still swift-er, Whirl - ing, spinn (now) Pau Puk- 4 I3‘ in cir— cles. V A Then a long the sand-y mar-gin > > 3\ ’§\ '3"3' Of the lake the Big-Sea-Wa - ter, On he sped with fren—zied ges -tures, /'3\ /‘.s\ /3\ ’3\ V/'‘'\ 7/‘ﬁx t/KT? .——3**|‘_—3' [’““ﬁl3lr—3' Stamp’d up on the sand/id t0ss’d it Wild — ly in the air a-round him; /7 /T # 3 X-73$ 3 '3"3' Till the wind be came a whirl-Wind,Heap-ing all the shores With Sand Dunes Pan Puk. 4 the mer - ‘ ‘.2 19 stapcato 7 - Puk Kee — Wis Danced his beg — gars Dance to please them, sat down laugh Anda/nte se/re/no it tempo Sat and anrfd himself se-ren-1y With his fan of ‘cur-key feathers L.H. leggerio
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Date: n.d.
Text: £7 Cﬁobhawa ;»Afh, ' 9, .- N‘ .. .9 I}; »\ __./—_..‘;\\ /x::f:7‘\#\\ /_ 7 _/ \\\ X \J .....\ \ A &«:AR<\zO.\ N» w A’ A /A \ m ﬂ ’ %?7f**“* / ~_V,,,,.~-_ ._ I ;gg§,Wj;;:::::\\\\\ _ , 3»/I {{{{ 0 7 RT11 S16 ylutv ) \ \_ ‘*'~L,z“'‘ ’/ _ yr \\.\_ L ,. /// \\ L-—r-J / . A 1' \!/ \£——-'4’ I W \I/ \I/ \I/ \1/ W W \|/ \I/ \1/ \Y/ \!/ \I/ /l\ ,l\ 1/Ix /|\ 4 ,i\ /;\/|\/]\ /1\ /]\ /[\ /‘l\ + \/A\\ /A / ”//,.«/ / 1 \\ / El/ﬁ;$?a.,§a7Z. ]’7°ice 3 L 0 11 do n, ‘ . ASHDOWN ...
Show more£7 Cﬁobhawa ;»Afh, ' 9, .- N‘ .. .9 I}; »\ __./—_..‘;\\ /x::f:7‘\#\\ /_ 7 _/ \\\ X \J .....\ \ A &«:AR<\zO.\ N» w A’ A /A \ m ﬂ ’ %?7f**“* / ~_V,,,,.~-_ ._ I ;gg§,Wj;;:::::\\\\\ _ , 3»/I {{{{ 0 7 RT11 S16 ylutv ) \ \_ ‘*'~L,z“'‘ ’/ _ yr \\.\_ L ,. /// \\ L-—r-J / . A 1' \!/ \£——-'4’ I W \I/ \I/ \I/ \1/ W W \|/ \I/ \1/ \Y/ \!/ \I/ /l\ ,l\ 1/Ix /|\ 4 ,i\ /;\/|\/]\ /1\ /]\ /[\ /‘l\ + \/A\\ /A / ”//,.«/ / 1 \\ / El/ﬁ;$?a.,§a7Z. ]’7°ice 3 L 0 11 do n, ‘ . ASHDOWN & PARRY, HANOVER SQUARE- MUSIC ‘LIBRARY » x. . - V _ VASSAR COLLEGE ﬂ ,- , , ../r’ A-_., -V "zy ﬁg’. r.,~ﬂ/ y ‘ - "u 1 ' '1», "N . g /. % ?R@§? WEQ m0?u SONG. WORDS BY LONCFELLOW. MUSIC BY BOYTON SMITH. MODERA To. know a mai».._de11 fair to see, Take care, oh,‘ take care. can both false and frie11d_1y be, Be-ware, oh, be_'ware. )2 {A8cP. N‘? 5526) her not she’s fool ing thee, She can both false and friendly be /9/-7 .staccdt0. _her not she’s foo1.-.ing‘ thee, She’ fool _____________ __ing thee, p 000 7718710 7710880 . She has two eyes so soft andbr0wn,Take care, be__.ware :4 1‘ 3 . \/ ‘\.. $_,/ L2 ~ V /3 P000 menu M3830. ‘/ . ¥/ clam. BOYTON SMITH, Trust hm‘ not, { A &p_ N? 5535) CON 88p ’l‘€b'.5'. gives a side-glance and looksdown, Be-Ware, oh, take care. ritenuto. _ 50-S't€)ll1t(). dunl) 1({()_ Trust her not she’s fool ....ingthee, ‘She can both false, and friendly be Trust her not she’s _f001...i11g thee, Shefs fool .............. _.ing thee. f> BOYTON ‘SMITH, 'I‘ru<:*. her rwf (A 35 p_ N9 5523', {she has hair of a go1-den hue, Take care, beware,take care. \«_*/\“.\§/\E_ \/K \_/ dol. ’ sostenuta . What she says, it is n0ttrue,Oh trust her not, take care. L6) 0 ~ ban sostenu 0. ‘ calla vuce. A- Trust her not she’s fool.....ing‘thee She can both false, and friendly be Trust her-_ not she’s fo0l_-.ing thee, she-’s fool ______________ --ing thee. Trust her nrf, . ‘ N? V ' e Mien: be/n sostenuto. gives . thee a gar.-- land wo ven fair,_ Take care a fool’s-ca.p for thee to wear, be.-. Lw‘itenuto. _ _ _ _ _ _ sempre. .- ed accel: Take care , Trust her not she’s . L_/ mtenuto. _ _ _ _ _ BOYTON SMITH, Trust he)-‘not. ‘ ‘ 4 A & P_ N9 5526; fool ..... -- ing thee, f> Trust her not ff strn BOYTON SMITH, Trust her not. 0 1‘ ere pm} a pm. She can both false and friend .... ..1y be she’s fool ing thee-, She’: fool ....................... -- ing‘ cgfz her not. . . . . she’s fool .... .-ing she’s fool ............. .. ing thee 3 -6- > "6 "5 (5526) J & w" P'£'AnMAN" L:ru6s,?3,cAs1Ls S1'.EA$1‘. JSHDOWN 8cPARRY. LONDON. . ‘ ‘ krklu. h 1, . ix zbrzx £,...t., 2. £2 _ .1», A irEmK!.I..._m..u5..§.n, . . . .. _ ...r»..
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Date: 1900
Text: MUSIC uannnv VASSAFI COLLEGE POUGHKEEPSIE, new vonu 13 ‘Hemmer anb ‘mp 201%. gvacreb 590%, Tf from Ch: Q3ol’écn ﬁcgcnb. . 2.17orb:3 1 by Xongfcffom. i Clﬂtuzaic % big Eubfeg %11Cf’~+ E A‘;/‘ I . ‘V - -,v 9' J , (.1 ' A / 15195 Vmce. J<>5”'U’“*"h ﬁmpmw Gwcimm a/TL. (.f?1",£‘1,“""' 1/Lew/1} ark ivwst C. on Ron. My Redeemer and my Lord. From the“G01de11 Legend’; Scene V. Elsie’s Chamber. Night. Elsie praying. (Low Voice.) Poem by H.W. LONGFELLOW....
Show moreMUSIC uannnv VASSAFI COLLEGE POUGHKEEPSIE, new vonu 13 ‘Hemmer anb ‘mp 201%. gvacreb 590%, Tf from Ch: Q3ol’écn ﬁcgcnb. . 2.17orb:3 1 by Xongfcffom. i Clﬂtuzaic % big Eubfeg %11Cf’~+ E A‘;/‘ I . ‘V - -,v 9' J , (.1 ' A / 15195 Vmce. J<>5”'U’“*"h ﬁmpmw Gwcimm a/TL. (.f?1",£‘1,“""' 1/Lew/1} ark ivwst C. on Ron. My Redeemer and my Lord. From the“G01de11 Legend’; Scene V. Elsie’s Chamber. Night. Elsie praying. (Low Voice.) Poem by H.W. LONGFELLOW. Music by DUDLEY BUCK. Andante espressivo. S6?7lj77‘6 0072 Fed. dz’////. -7-WM r~ W). ‘W Copyright MDCCCC by The John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MDCCCU by The John Church Company in the Department of Agriculture. my Re - deem — 8”.“ rm’ 125. be — seech Thee, me in each act and word, That here — aft that here — aft - - er Imay meet Thee, /T. \VéIch _ ing, yearn - /\/"\ — ing,with my lamp well - trimm’d‘,v we11.trimm’d and >burn _ >’ P co/la woe. pp VF 13234-7- " mosso. In -ter _’ ced — - ing with thesé bleed _ / ingwounds, these " mosso. bleed _ ing wounds up-on Thy hands and side, V For all who have lived’ and . Thoulhast suf - fer’d,Thou hast died, Thou hast /zoco acce/. suf - ’ fer’d, Thou hast died: _ Scourged, and mockéd, and /zoco mil. M0110 HZ Lg . - ci_fied, _.._ And in the grave hastThou been bur- ied! Tempo I. mezza voce. If my fee - ble prayer can reach Thee, S6’/7}/)7'6’ /ra72guz'Z!0. E1’-67)/])7‘6.’ per/. ”x be _ seech Thee, I be - seech /\ {Liz L- E - ven as Thouhastdied for me, More sin - cere - ly, more sin _ Let me fol _ T _ lowwhere hou ead - est, b1€ed—ing as Thou if dy-ing I may give who asks to And more near _ 9 6"/'6’.S'(}. dy- ing thus________ re-sem-b1e Thee! More /\ f more near _ ly, more near - ly, es — ingthus re- sem - ble Thee, ble Thee! , u. , u .\
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Date: 1900
Text: SPRING HAD COME FROM SCENES FROM THE E SONG OF HIAWATHA SOPRANO. S. cloleribgeﬁaylor. .1. 1*‘ " K . R ' “~ A ‘I \ ?\‘*~ 0’ / ' , ‘ _‘-*>\ '\ L0./vpoyyxg 11 5? K ,»2 Q; 2 IA. j\(o/Eve//0 €65 Co., Ltd. E V E Compositions by S. Coleridge=T aylor. SCENES FROM LONGEELLOWS “SONG OF HIAWAT HA EOR SOPRANO, TENOR, AND BARITONE SOLI, cHORUs,IAND ORCHESTRA I ( OF. 30). Price, complete, 3s. 6d. Paper Boards, 45. Cloth, gilt, 5s. Tonic So1—fa, 2s. Words only, IOS. per Ioo....
Show moreSPRING HAD COME FROM SCENES FROM THE E SONG OF HIAWATHA SOPRANO. S. cloleribgeﬁaylor. .1. 1*‘ " K . R ' “~ A ‘I \ ?\‘*~ 0’ / ' , ‘ _‘-*>\ '\ L0./vpoyyxg 11 5? K ,»2 Q; 2 IA. j\(o/Eve//0 €65 Co., Ltd. E V E Compositions by S. Coleridge=T aylor. SCENES FROM LONGEELLOWS “SONG OF HIAWAT HA EOR SOPRANO, TENOR, AND BARITONE SOLI, cHORUs,IAND ORCHESTRA I ( OF. 30). Price, complete, 3s. 6d. Paper Boards, 45. Cloth, gilt, 5s. Tonic So1—fa, 2s. Words only, IOS. per Ioo. SEPARATELY, FROM THE ABOVE .-~ (1) HIAW ATHA’S WEDDING-FEAST CANTATA FOR TENOR SOLO, CHORUS, AND ORCHESTRA Price’ Is.6d. ‘Tonic Sol;i‘a,rs. Vocal Parts, 1's. eaci1(.)P.V~I)/(t);rci\sROnI§)r., 5s. per 100. String Parts, 8s. 6d. Wind Parts,22s. ~ » , Full Score, 255. , Comjwsecl for the North Stoﬂowlslzire Musical Festival, I899. I (2) THE DEATH OF MINNEHAHA CANTATA FOR SOPRANO AND BARITONE SOLI, CHORUS, AND ORCHESTRA ' ' O . ,N .2). Price Is. 6d. Tonic Sol-fa, IS. Vocal Parts(, IPs.?e(:1ch.o Words only, 5s. per I00. String Parts, 7s. 6d. Wind Parts, 215. 6d. Cornposed for the Royal Choral Socie Full Score, 255. ty, Royal Albert Hall, London, 1900. (3) HIAWATHA’S 7 DEPARTURE CANTATA FOR SOPRANO, TENOR, AND BARITONE SOLI, CHORUS, AND ORCHESTRA I OP. 30, No. 4). . ‘ Price 2s. Tonic Sol-fa, Is. Vocal Parts, rs. each. Words only, 7s. 6d. per Ioo. Orchestral Parts and Full Score (in the Press). Composed for the Norwich Musical Festival, 1899. TO THE ‘I SONG OF HIAWATHA ” FOR FULL ORCHESTRA (013.30, No. 3). String Parts, _<s. Wind Parts, I35. 6d. Full Score, MS. V Pianoforte Arrangement, 2s. Composed for the Worcester Musical Festival, 1899. SOLEMN PRELUDE I FOR FULL ORCHESTRA ’ (017.40). I Arrangement for Pianoforte Solo, price 25. String Parts, 25. 6d. Wind Parts and Full Score, MS. Composed for the Gloucester Musical Festival, I898. BALLADE ‘IN A MINOR FOR FULL ORCHESTRA (OF. 33)- Arrangement for Pianoforte Solo, 25. String Parts, 45. 6d. I Wind Parts, Ios. 6d. Full Score, 75. 6d. Composed for the London Philhawuouic Society, 1900. SCENES FROM . - AN EVERY—DAY ROMANCE I SUITE FOR FULL ORCHESTRA’ String Parts, 9s..6d. Wind Parts and Full Score, MS. Pianoforte Arrangement, 3s. 6d. ' FOUR CHARACTERISTIC WALTZES ‘.1. ALLEGRO MA NON TROPPO (E MINOR). 2. TEMPO DI VALSE (A MAJOR). ' T 3. ANDANTE CON SENTIMENTO (E MAJOR). 4. ALLEGRO FURIOSO (E MINOR); ’ ‘ (OP. 22) Pianoforte Solo is. Violin and Pianoforte . - 35. String Parts for Full or Small Orchestra 65. Wind Parts for SmallrOrchestra ‘ 7s. . Ditto, for Full Orchestra... I25. ‘ Full Score (Full Orchestra) — ‘ 55. Full Score (Small Orchestra), MS. Arrangement, as a Quintet, for Pianoforte and Strings, each Number, price 2 . Separate String Parts, 6d. each. . :Military Band Arrangement, by DAN GODFREY, Jun., 15s. ' ARIETTA (“ The Village Organist.” Book 16) BALLADE IN D MINOR FOR VIOLIN AND ORCHESTRA (Or. 4). Arranged for Violin and Pianoforte by the COMPOSER. Price 2s. String Parts, 25. 6d. Full Score and Wind Parts, MS. SONGS. . Composcdfor the Hereford lllusiml Festival, I900. THE SOUL’S EXPRESSION. Four Sonnets by ELIZABETH BARRETT BROWNING2—- I. The Soul’s Expression; 2. Tears; 3. Grief; 4. Comfort. (On 42.) Price 25. . ' Price 2s. each. YOU'LL LOVE ME YET. (ROBERT BROWNING.) Op. 37, No. 1. In G minor and B minor. CANOE SONG. (ISABELLA CRAWFORD.) On, 3 ,No. 2. In D ﬂat and F. A BLOOD~RED RING HUNG ROUND TH . MOON. (BARRY DANE.) On. 37, No. 3. (For Contralto.) , SWEET EVENINGS COME AND GO, LOVE. (GEORGE ELIOT.) On. 37, No. 4. In F and B ﬂat. AS THE MO0N’S SOFT SPLENDOUR. (SI-IELLEY.) Op. 37, No. 5. (For Contralto or Baritone.) ELEANORE. (ERIC MACKAY.) Op. 37, No. 6. (For Tenor.) ONAWAYI AWAKE, BELOVED! From “ I-Iiawatha’s Wedding-Feast.” Op. 30, No. I. (For Tenor.) String Parts, 25.; Wind Parts, 3s. 6d.; Full Score (printed) on loan. — HIAWATI-IA’S VISION. Dramatic Scena for Baritone. From “ I-Iiawatha’s Departure.” (English and German words.) SPRING HAD COME. For Soprano. From “Hiawatha‘s Departure.” (English and Germanwords. MORNING ANDHEVFLENING SERVICE _ ~ (OF. 18). TE DEUM BENEDICTUS JUBILATE MAGNIFICAT AND NUNC DIMITTIS ANTHEMS. BY THE WATERS OF BABYLON — IN THEE, O LORD. HAVE I PUT MY TRUST... THE LORD Is MY STRENGTH LIFT UP YOUR HEADS (Tonic Sol~fa, Id.) BREAK FORTH INTO JOY * O YE THAT LOVE THE LORD (Tonic Sol-fa, Id.) ’ ORGAN. MELODY (“ The Village Organist.” ' Book 12) ELEGY (“The Village Organist.” Book I5) >-tuba Hwwuazuua -r—Lu4>-t- 5”I”5” '°"‘D"Q‘Q‘P“.a‘ .D"P".C“.°" I LONDON: NOVELLO & COMPANY, LIMITED; ‘AND NOVELLO, EWER. & CO.V NEW YORK SPRING HAD COME from SCENES FROM THE “SONG OF HIAWATHA” ‘ The Words written by H. W. Longfellow The Music composed by S. Coleridge-Taylor. (OP. 30, No. 4.) PRICE Two SI-IILLINGS NET. L01vD0.7\g g7\(o/‘ve//0 €95 00., Lm’. Coj>y71'ght, 1900, by Novello and Company, L1'mited. SPRING HAD COME. KAM DER LENZ MIT SEINEM GLANZE. S. Coleridge-Taylor, (Op. 30, N9 4.) °.>".> ‘> Allegro con b-rio. mf had come with all its splen - dour, der Lenz mit sei — — nem Glan— -26, All its birds and all its blossoms, All Sei — — nan Vb’ — - geln, sei - — nen Blii—ten, Kam 11161 Copyright, (.900, by Novella 5' Comjwany, Limited. leaves Bldt — a tempo/._————h grass—es. Gm‘ — sem. - Ward, - wdrts, K“- north — nord — Like huge ar—roWs Un — ge — heu-ran and grass - es, — tam, Gm‘ - sem, and leaves - ten, BZc'it— its f1oW’rs_ mit B122’ — A all kam and — tam, to — de Sail-ing on the wind Se—geZ7zd mit dem Win- —ing great flocks, like ar - Zielfnd ez'72—lzer in gm - ssen Hear — > * - rows, — den, Pass’d Kam /1 shot Pfei — the der through hea - ven, - Zen dim — lick, e swan, der Sclzswzm, /"‘\~ (T Mah - nah - be-zee, Speak— ing al-most as a man speaks, Mala - nah - be—zee, Spre ~ chend fast gleichwie ein Mensch spricht, And in long lines Wav - ing, bending, Und in lung ge - knimm-ten Rei-hen, Like a bow - string snapp’d a— sun - der, White Durch- — ge — 7z'55 — ner Bo- —ge72—sc/mm’ gleich, Die Wez'ss—gcms goose, Wa — be - Wa - — Wa;__._.. And in pairs, or . I . kam, dze W21 - be — war, — — wa,-__.__ Und es kam m A .mfA : sin - gly fly - ing, Mahng the loon, With_ clang - ’rous pin-ions, Paa — rm vie — Zen Malmg dew Tau — char mit Zau — ten F122’-gem, AA The blue her-on, the Shuh-shuh-gah, And the grouse,___ the Mush-ko - . Der blame Rezlher, der Sclzu -schu—gah, Kam das M007 — — hulm,Musch—ko — f>. In e ck — — ets and the mea - dows Pip’d the blue — b , Pfiff im Busch zmd auf den W2'e— -5272 Blau - —er V0 - —gel, the O - Wais—sa; On the summit, the sum—mit of the lodg - es der 0 — wais-sa Auf den Firsten, den Fir-sten rings dew Hiit - ten / the rob - -in, the O - pe - chee. die Roth — — bmst,dz'e 0 — pe’ - eke’. P000 meno mosso. . And the sorrowing Hi - a - Wa - tha, Speechless in his in - fi-nite Und der tmwemde H2’ — a - war, - tlza, Spmclzlosi in zm—e7zd—li-chem sor - row, Heard their voi — ces call — ing to him, Went forth from his Kum - mer, H0’? — te sick van ih - 7297: m —fen, Hz'—naus aus dem gloom — y door — Way, gaz’d______ in - to the hea - ven Wig — wam trat er, Starr: — te auf den H2'm—mel, j crE%.1 Gaz’d up - on the A2/f die Er— de, Novella Com4aam:, L39 Engravers &' Printers. COMPOSITIONS BYEOWARO GERMAN. I sum E SYMPHONY IN A MINOR FROM THE MUSIC TO SHAKEVSPEAREJS , _ ' ‘ I Pzarioforte Duet, 4:. V V I ii A I Full Score and Band Parts, Ms. .. I THE MUSIC To it 1. Overture. . » ‘ » ' I —‘ 2.'Prelude to Act II. The Death of Buckingham. 3. Prelude to Act III. Intermezzo. . i . ‘ “‘—‘ — 4. Prelude to Act IV. Coronation March. ’ _ OVERTURE‘ 5. Prelude to Act V. Thanksgiving Hymn. I , V \ 'k . Pi311°f0"e Duet. 35- I 6. Three Dances: 1. Morris Dance; II. Shepherds’ Dance; ‘ . »S‘“"3 P‘‘‘5'}§‘L?1'1‘5§éjn;N‘n‘}‘3S‘’‘E'‘.5' 105' 6'3‘ III. Torch Dance. - , , ‘ ' ’ ' I COMPLETE, PIANOFORTE DUET, price 55. V ‘ V BOUVRR1.fE AND GIGUE V ORCHESTRAL PARTS. I I ' A is d . Pianoforte So1Io.2s.V; 1s’ViVxiV1i1;(>gf€;2:%V1V11ts3Vt,V 2‘sm6;IV.i;p:Iri:V>S1Vi3:nd Pianoforte. 25. 6d. . ' ‘ * core, ‘ Wmd "“;‘“ MS‘ I V MILITARY BAND ARRANGEMENT, 125. ii I: Overture . . . . . . . . . . . . String parts Prelude to Act II. (The Death of Buckingham) ,, Prelude to Act III. (Intermezzo). . '. . . . ,, Prelude to Act IV. (Coronation March . . . . ,, Prelude to Act V. (Thanksgivirigﬂymn) . . ,, “ ' ull Score of each Movement, MS. - s. d. — I s. d. I ‘““"'“*“°‘*“e::2;‘:.§.‘:Ie...;...%...2..JB:i.‘a":O:::;.I“.:;:*;,P.¥’.9?‘*e-5°‘°> 9 ° . SUITE PIN D MINOR ORCI-IESTRAL PARTS ANDc§éJg.éIi]iSeCdORE OF COMPLETE SUITE I I i V n " ' — I SELECTION OF ‘THEMES ," ' » I V V ' Pianoforte Solo,2s. mwtotowyl cocoa?- ”‘’“T— .' A 1. Prelude (Allegro moderato, c). ORPHEUS WITH HIS LUTE. Trio. s.s.A. V 2V Valse Gmcieuse (Allegro, g).V Bvo, 3d.; So1—t'a,V1d. ~ E Ditto, arranged as a Song, 25. ' I I ' 7 ‘ TH C E S ~ ‘ . String parts, 135. 6d.; Wind parts, 26s.i6,d.; Full Score, MS. VALSE GRACIEUSE, from above, arlisanged for Pianoforte Solo, 23. ; and Pianoforte V t . _ , V FROM THE MUSIC TO “ HENRY VIII.” ‘ String parts, 45.; Windugaii-ts,'10s.; Full Score, MS. "I-W«az.—;~;: ,- _ ,. Pianoforte Solo, price 223.; Pianoforte Duet, price 3s_.; Piarioforte and Violin, price 35.; I I Quintet for Pianoforte and Strings, price 5:. String parts, price 45.; Wind parts, price 75. 6d.; Full Score, MS., on Hire only. V MILITARY BAND ARRANGEMENT, by DAN Gonmav, Jun., price 15s. String parts. 65- 6d.; Wind i>arts.13§-; FuII,_Score.MS. GIPSY SUITE ENGLISH FANTASIA IN COMMEMORATION \ '«‘F'IF1’ FOUR CHARACTERISTIC DANCES I — I OVERTURE TO RIOIIARDAIII . Valse Melaricolique ("Lonely Life ”) . . . . . . . . . . . . . . i l . . - - ‘ String parts 25. 6d.; Wind parts 75. . Allegro di Bravura (“ The Dance ' ) . . . . . . . . . . . . . . F13“ SCMCV MSV ’ _ .M tt “L D t” .. .. .. .. .. .. .. . . em“: M We ue ) ' ’ Pianoforte Duet Arrangement, by tht>COMPOSER, 2s. 6d. . Tarantella (“The Revel") . . . . . . . . . . . . . . .. COMPLETE: Pianoforte Solo, price 35. 6d.; Pianoforte Duet, price 45. 6d.; MILITARY BAND ARRANGEMENT“ by GEO‘ M”"“ER' 125' Full Score, I\1/)IlSa.n;of§)t"!‘titi1§ngaYtiS(:I'i7:.’;pWfni1Isi)alflS, 14s. ' V . ~ T V’ ' 1- V ' . MILI ARY BAND ARRANGEMENT, by DAN Gonrruzv, Jun price 1.;s V THE MUSIC To ' ' SUITE, ING OF— ' I V . ’ V 1. Prelude; 2. Pastora1e;3.,Pavane; 4. Nocturne; I 5. Dramatic Interlude. ‘ V For Pianoforte Diiet, price 5S.£;7u§>ltlglgogrg,a$ISé.1_0S. 6d. ; VWind parts, 27s. 6d.; coNsisT1NG or ‘ ' V V " SEPARATE MOVEMENTS: V V Wind parts 7) .. H II 1. Woodland Dance. 2. Children’s Dance. Prelude.. ‘ .. ‘ .. .. .. ..'Stririg parts ‘ Pastorale .. .. .. .. , .. 3' Rust“: Dance’ Pavane .. .. .. .. .. .. .. ‘’ Nocturne .. .. .. .‘. .. ,. - I . - . - - P . "D ‘ '1 Id .. .. .. .. .. ,, — Pianoforte Solo, 25. 6d., Piauoforte Duet, 3s. , Pianoforte and Violin, 8s. 6d., Yamﬂﬂc 11‘ EV‘ 11 3 Fun Score of each Movemerm Ms_ wmwwwp VI‘U!U"U!UYS" mmmmm9 String parts, 43. 6d.; Wind parts, 105. 6d.; Full Score, MS. V — . _ MILITARY BAND ARRANGEMENT, by DAN Gomum, Jun.,15s. Pastmle -I- -- P1.an.°f°"° S9“) -- --’ * _ ,, .. . . Violin and Pianoforte . . . . _ _ Pavane ..' .. Pian_oforte Solo . . . . .. .. IT WAS A LOVER AND HIS LASS , n -- -- gggjggfggg g{?;°‘°*‘° -- -- DUET FOR SOPRANO AND CONTRALTO. Noaume II II Piauoforte Solo .. A . .. .. ‘ Selection of Theme§ V,, ,, . . . . . . .. I P ' T sii‘i1' . I ‘ . \ “’° “*5 I I . THE SEASONS SIUITE FOR SYMPHONIC SUITE FOR FULL ORCHESTRA N AND PIANOFORTE I I I ‘ " “' A S‘ "tr ~ '1. Spring .. .. .. » V. .. .. String parts 5 0 Wind parts 12 I ’ ’ - 2. Summer (Harvest Dance) .. .. 5 0 n 12 5 IN THREE MOVEMENTS. . Pianoforte 153010, 2s. ' I , \ - I P' f t t,3 _ V L ValSe' . 2' Souvem_x," ’V . l\/I1iEii]t(;r0yrI§anLi1le.Arr2iSngement V .. 3._Gipsy Dance. I ~ » 3_ Autumn . .. .. .. .. Str1rigparts~ _ -—-V V ' Pianoforte Solo, 23. - Price Three Shillings. V V 4. Winter .. .. .. .. .. V g] I-‘3lOtOl\'1Nl\'>lO .Ooocooo RLONDON: NOVELLO AND COMPANY, Lmmgn ‘ ' AND I NOVELLO, EWER AND CO.,_ NEW’ YORK. I NET. d. , BIG]-{TEEN SONGS. In Three Books Paper covers, price, each 2 6 « I Phyllis the fair. I _ Russian Love Song. ‘ . I . E It was the time of roses. , I ' VVhile my lady sleepeth. E Light slumber is quitting the eyelids. The Song of Love and Death. O, hush thee, my babie. The first spring day. The earth below and the heaven above. I ' When I am dead. A If love were what the rose is. I A Birthday. VVhat‘doe's little birdie say P} (A) « .Up with the sail. \Vhat does little birdie say? (B) O roaming wind. Of all sweet birds. , Something sad. Lift my spirit up to thee. ‘ I Also jmblished together, bound in cloth, 75. 6d. net. ’ SPRING SONGS Op. 44. I The first rose. I Spring is not dead. Hope. ~ April weather. Springs secrets. A May Song. I Summer at last. LOVE LOST ON EARTH_ Scena for Tenor. Composed for the Birmingham Festival, and sung by Mr. EDWARD LLOYD THERESA WOMAN LIKE A DEWDROP. F01‘T€n0r- From the Tragedy, “A Blot in the "Scutcheon,” by ROBERT BROWNING GENTLE DOVE, THY VOICE IS SAD. V0C€1‘0(“C010mba”)\ WILL SHE FROM THE HILL_ Corsican Love-song (“Colo1nbal’) SO HE THOUGHT OF HIS LOVE_ Old Corsican Ballad (“Colomba”) HERE HAVE I SAT. For Tenor (“Colomba”.) ‘FOR VVINE GLADDENS THE HEART OF MAN. F01‘ SOPFMIO Or T6110? _ (“The‘Troubadour”) , ~ THE SUNRAY’S SHINE_ For Tenor (l‘ The Troubadour”) IN THE PLACES OF LIGHTLESS SORROW. F01‘ SOPMHO (“The Troubadour ”) TO LIET_ For Baritone (“The Troubadour”) BENEATH A HAWTHORN, Morning Song, for Mezzo-Sopiainio (“ Troubadour ”) t .. ... POUR FORTH NOBLE WINE_ Drinking Song, forBaritone (“The Troubadour’l) THE EMPIRE FLAG. For Solo and Chorus .. » THINGS OF BEAUTY THROUGH LOVE TO LIGHT I IN OUR BOAT_ With Violin and Violoncello Accompaniment THE OLD GRENADIER AND With Organ or Harmonium ad lib. FOR LO, THE WINTER IS PAST (“ R056 0f Shaf0I1") ‘THE LORD IS MY SHEPHERD (“R056 0fSha1’0I1") I WHERE SHALL THE LOVER REST <“ Marmion”) LOCHINVAR (“Marmion ”) WHAT DOES LITTLE BIRDIE SAY? LoNDoN: NOVELLO AND COMPANY, LIMITED AND NOVELLO, EVVER AND CO., NEW YORK. Songs byA. C.1\/lackenzie. I» Inthe Children’s Souvenir Song Book 00. O NNNNNNNN IOOOOOOOO
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Date: 1881
Text: ‘ Lfﬁﬁgny *VA$AH cc.su_£<;£ POUGHKEEp5¢‘§-kggw yo,“ 3; JD) 1334;] Z: 7 CANTATA by EEMMW/H|ﬂJ New-York,G.Sch_irmer. R n f‘ n V'\ K‘ 0 "V f‘ '1 : NlI'))), V UJDJ + 34) W; 3); 3 1) /1 I . )33D)_)))JJ_;_¢iW 74 Edition Schirmer en K‘ 1;) 44% _ 9%, _ » ré\:§Y§a“9\\.\§'»\ <3) /7 jly I K) Dramaﬁc Cantata «mam a 7 1/r 3 . % §@f1@ ‘W0 1“ (15 1) y g/V HENRY W. LONGFELLOW \\ (usedbyspecialpeI’n1issionQI"tl1eI’oet) \ / {f3 Inusic by \_‘ \\ ’ 3 '' rm Ew%Yé>...
Show more‘ Lfﬁﬁgny *VA$AH cc.su_£<;£ POUGHKEEp5¢‘§-kggw yo,“ 3; JD) 1334;] Z: 7 CANTATA by EEMMW/H|ﬂJ New-York,G.Sch_irmer. R n f‘ n V'\ K‘ 0 "V f‘ '1 : NlI'))), V UJDJ + 34) W; 3); 3 1) /1 I . )33D)_)))JJ_;_¢iW 74 Edition Schirmer en K‘ 1;) 44% _ 9%, _ » ré\:§Y§a“9\\.\§'»\ <3) /7 jly I K) Dramaﬁc Cantata «mam a 7 1/r 3 . % §@f1@ ‘W0 1“ (15 1) y g/V HENRY W. LONGFELLOW \\ (usedbyspecialpeI’n1issionQI"tl1eI’oet) \ / {f3 Inusic by \_‘ \\ ’ 3 '' rm Ew%Yé> IR n<,, G. S C H I RM E R 35 Uniron Square. C7()[)VVI"/,:»(//I,/‘» 5'; 5?"/27} 7116/ ' /c§’(.‘>’I , \ _ » V7-7":-7:‘, L“ F \ d 7 J /’ lu55 L;V /4 .4 :7)‘ . x_ ut,nn5fnu,, . '7") , I _ / V] ( , / r T «/15/1/K/2 :2l?iA7/ /.37/I — 4, -— ~ . ,.._;.,._, . .,. _vA......o....—max:r.;;a—_:4 THE SKELETON IN ARl:l()lt. [The following ballad was suggested to me while riding on the sea—shore at Newport. A year or two previous a skeleton had been dug up at Fall River, clad in broken and corroded armor; and the idea occurred to me of connecting it with the Round Tower at Newport, generally known hitherto as the Old \Vind—l\/lill, though now claimed by the Danes as a \Vork of their early ancestors. = H. \V. Longfellow] I. Chorus = Tenors and Basses. “Speak! Speak! thou fearful guest! Who, with thy hollow breast Still in rude armor drest, Comest to dannt me? \Vrapt not in Eastern balms, But with thy ﬂeshless palms Stretched, as if asking alins, Why dost thou haunt me?” II. Chorus. Then, from those cavernous eyes Pale ﬂashes seemed to rise, As when the Northern skies Gleam in December; And, like the water’s ﬁow Under December’s snow, Canie a dull Voice of woe From the heart’s Chamber. III. Air for Baritone. “I was a Viking old! My deeds, though manifold, No Skald in song has told, No Saga taught thee! Take heed, that in thy verse Thou dost the tale rehearse, Else dread a dead man’s curse! For this I sought thee. “Far in the Northern land, By the wild Baltic’s strand, I, with my childish hand, Tamed the ger-falcon; And, with my skates fast-bound, Skimmed the half-frozen Sound, That the poor whimpering hound Trenibled to walk on. “Oft to his frozen lair Tracked I the grisly bear, ‘xVhile from my path the hare Fled like a shadow; Oft through the forest dark Followed the were-wolf’s bark, Until the soaring lark Sang from the meadow. IV. Chorus : Tenors and Basses. “But when I older grew, Joining a corsair’s crew, ()’er the dark sea I ﬂew ‘With the marauders, \Vild was the life we led; Many the souls that sped, Many the hearts that bled, By our stern orders. ' “Many a Wassail bout ‘Were the long Wllltel“ out; Often our midnight shout Set the cocks crowing. As we the Berserk’s tale Measured i11 cups of ale, Draining t11e oaken pail, Filled to o’erﬂowing. V. Air for Soprano. “Once as I told in glee Tales of the stormy sea, Soft eyes did gaze on me, Burning yet tender; And as the white stars shine On the dark Norway pine, On that dark heart of mine Fell their soft splendor.” “I wooed the blue-eyed maid, Yielding yet half afraid, And in the forest’s shade Our Vows were plighted. Under its loosened Vest Fluttered her little breast, Like birds within their nest By the hawk frighted. VI. March and Chorus. “Bright in her father’s hall, Shields gleamed upon the wall, Loud sang the minstrels all. Chaunting his glory; W’ hen of old Hildebrand I asked his daughter’s hand, Mute did the minstrels stand To hear my story. “VVhile the brown ale he quaffed, Loud then the champion laughed, And as the wind-gusts waft The sea-foam brightly, So the loud laugh of scorn, Out of those lips unshorn, From the deep drinking-horn Blew the foam lightly. VII. Air for Baritone. “She was a Prince’s child, I but a Viking wild, And though she blushed and smiled, I was discarded! Should not the dove so white Follow the sea-mew’s ﬂight, \Vhy did they leave that night Her nest unguarded? VIII. Chorus. “Scarce had I put to sea, Bearing the maid with me, - Fairest of all was she Among the Norsemen! ‘.Vhen on the white sea-strand, VVaVing his armed hand, Saw we old Hildebrand \Vith twenty horsemen. “Then launched they to the blast, Bent like a reed each mast, Yet we were gaining fast, W’hen the wind failed us; And with a sudden ﬂaw Came round the dusty skaw, So that our foe we saw Laugh as he hailed us. “And as to catch the gale Round veered the ﬂapping sail, Death! was the helmsman’s hail, Death without quarter! Mid-ships with iron keel Struck we her ribs of steel, Down her black hulk did reel Through the black water! “As with his wings aslant, Sails the ﬁerce oormorant, Seeking some rocky haunt, VVith his prey laden, So toward the open main, Beaten to sea again, Through the wild hurricane, Bore I the maiden. “Three weeks we westward l)o1'e, And when the storm was o'er, Cloud-like we saw the shore Stretching to leeward; There for my lady’s bower Built I the lofty tower, W'hich to this Very hour Stands looking seaward. IX, ' In the vast forest here, Air for Tenor, Clad in my warlike gear, “There lived we many years; Fen I “P011 my Spear: Time dried the maide11’s tears; i 0 death was grateful! She had for ‘ot her fears; She W3: a mother_ “Thus, seamed with many scars, Death closed her mild blue eyes, B‘“'5t.i“g these Prise“ here: Under that lower she lies; ; UP to its native Stars Ne’er shall the sun arise :. My 50111 ascended? on Such an Other! ’ There from the ﬂowing bowl Deep drinks the warrior’s soul, f Skoal! to the Northlandl Skoal!*)” Soprano s0|() and (_‘,horus_ Thus the tale ended. “Still grew my bosom then, i Still as a stagnant fen! i_ "‘) in SCEL11dl11fLViEL this is the custo1nzu'y salu- Hatetnl to me were men, tntion when drinking health. The sunlight liatefull A " H_ ‘W, L, \‘ 3 2 . / "“-‘*~ \. "/1 ’:K\ ._ /am” /mr£ﬁ av/mm / \‘._"'/_. ~\,4"‘ m ~-\ , ¥,/ \j 0VERTURE.* 4 Scored for 2 Flutes 2 Oboes 2 Glarinetts in B 2 Bassoons 4 "Horns 2 Trumpets 3 Trombones, Bass Tuba 7 7 7 7 7 7 2 Strings, Harps and. Drums. Adagio, ma non troppo. Geo. E. Whiting. V1. as. c . ' Pianoforte . 00 07"‘6S0. 2 1’ Copyright 1881 by G. Schirmer. am 0 a .W. V 0 1 HO 8 H A # . 12//co (I ]}(J6’0 rzﬂzra’. _ ' Allegro Vivace- >>>>‘> (x'I'(:’.5'L'. 12 Allegretto. Se/up repp . molto ‘tam’. » T 1ve»a.ci:m;~;:s. % L argo . Ob. VL Pianoforte . (Strings con sordino.) CHORUS . Tenor. . Bass . V solo coco . Speak !' Speak! than feur-i'ul guest Oh. Who, with thy hall low breast still 111'- mar" err/.90. , - - _ Speak! fea1~__ ful guest! Whi), )1-IOW bl'€21St > ..//' drest , Wrapt in East- ern A.-r Wrapt not in East- em a . u o stretchefhas ifask-ing ahlms-, om-est 0 daunt me! balms, /‘\ com-est to daunt um! why /72> why 15 _ com — est dannt me! com-est to dmmf Inc! -wrapt not East- em /1‘ ' balms, wrapt not in East-em . . . > ‘ 9 \ 0 But with thy flcsh-less palms } P dost thou haunt me ? dost thou haunt me? N92. Chorus. Allegro Vivace, Soprano . Alto . Tenor. Bass‘. Allegro Yivooe. o Pizuloforte. fl sh - es seemed to rise, from those cavernous eyes seemed to rise, from those cavernous eyes xleam in ‘De—ce As when the North - em eam in De-cem—ber: eam De-oem— r: /\ As when the North — ern skies Gleam in De—cem-ber: Cor‘ ‘V. J]‘ utti. North North North North flash — es —:i:. flash — as —..__j__ ' flash — es (? skies , skies, s1iies,.___ skies,___ from fI'(£lllll)S() cavernous eyes ._._ f1'0n1thosecavernous eyes ’\‘\\ see d scemd _.._ to _ seeln (1 As when the skies __ gleam, .________.______ De-Gem gleam, _____ _ _ _ in De-cen1 As when the skies... ~=-;'.f'__"§:f' : skies pa 19 flash-es seem’d the Northern skies Then fromthose cavernous eyes Gleam, Gleam De- cem - ber; Gleam, Gleam De-cem — ber; Gleam, Gleam De-c«>m - ber; Gleam, ,' ' De— cem— her; 8 . - - - . - . . - . - . . . . . . . . . . . . . . . . . . . . . . . . . - . . . . . . — . . .... . - . . . - . - - - - . . . . . . . . . . . . . . . . - . ..:_ .19" — der De — - - der De _ - cem came a voice ' Forth came Garllt‘ came snow, Game a voice the hca'rt’s cham - snow, De - — CCU] - Canw forth a Czuno forth 21 snow, Came a snow, Game :1 Oh. voice voice vnicv of woe, of woe, of woe, of woe, m the hearth chan1—ber. From the hea1't7s am- her. From the heart’s In - her. From the heart’s cham- her. Then, Then , Gleam , Gleam , Gleam, G loam, /re/11. from those cavernous eyes ﬁ'omth0se cavernous eyes GI ezun seemed to rise, when the Northern skies seemed to rise, As the Northern skies ~27‘ (//'6’S(«' . - in De-cem — her, in De-cem - her, De-cem - in De-cen1—ber,b Frmn eyes Then __ Fromthosecavernous eyes __ > Then, __ T hen,__ Fromthose cavernous eyes '\ '\ sec,-m’d __ to < seem’d North A skies _. As when the gleam, De — cem in De -ccm gleam, As when the skies___ flush (BS --—-'11 flush CS .. - 7 orth 0211114: 21 volce of woe , hearts mvth came a voice ofwoe the hearts the hearts t 0 hcart’s came a dull _.__ Voice 0f'W0e, came a 4111] came a voice i came a dull voice of woe,___ voice __ came a voice voice .____.. came voice voice came a dull .___ voice 0 the h the heart’s heart f L‘7”(,’8(/‘ . _ 111 From From From t 9 heart the heart’s the heart’s - e hca1't’s chum _ chznn chnnl cham N 9 3. Air for Baritone. Moderato . _ 4 >. C1. Pianoforte. fB“‘*SS- '28 czzm‘zz&z'/9. My deeds, though man—i—f0ld, no Skald in has told, {T ‘ taught thee!. ' f tztught theel. Recit . 2122.7/z 0722')/zzztioiz Take heed, take heed, that in thy verse thou dust the /5 tale re-hearse; Or dread 21 dead man’s mu-s<:!__ Trom . /(:12 PP (I tempo 2-9 ¢'a7zt¢I& 2'/(2 . T My deeds, fhuugh n1an- i-fold, no Skald in song has told,.___ KT ’-\ taught thee! Bit For this I Recit. //0’ /5'5 . sought thee, For this I sought, sought > V: Allegro. Allegro. /T 3'0 Andante con moto. % ‘ w/2 e..«-/mm-. Andante con moto. F" I‘, Bu] '— fic’s strand, by the wild Tmnod the VTT’ Ta11wd ﬂw ,§.:er _ fa] And, with my skates fast bound, Skimmcd the/__ half - fr-oz - en Sound, ' . whim - pering hound {f_——_—-T - . , _ . if T1-om - bled to on, That the poor whim - poring; hound / \dd _ T T P T1-em — bled to walk on, Tren1— Bled to 613/]! I ? . T3. to his froz — Tracked I the gris _ lybear, while from my path the J J‘ Fled like a. shad — ow, fledlike a_ shad — 0w._ Oftthrougll the fUI'—€3Sfd‘dI‘k g--T F0ll0vv’d the wermv01f’s hark, the PP (:1. Cﬁlo. Sun;.'; frmnfhu mend — ow, un « til the lurk _.____- sung‘ frmn tho nluad — ow, ,.,,‘_sL:ct/:zI_zv,?2_7_'§_.:s:c‘.r;_z;*.o_'.-. ...................................................... .. Fl. (,’7”(/’.S‘(y‘ ., 82111:; from the mead — ow. f Un —til the Soar - ing lark ___.____. sang from sang, szu1_‘.: from the mo/'e7m’o _ ,v0(2/1 (1 000 mead — ow, sang from the._ mend - , sang frmn the nlead - — /('0 (I (/67) OW’ . (I Z6‘/12_///2 /. ‘ >- N911. Chorus for male voices. Vivace . (alla Breve.) Tenors . Basses. Vivace. (alla Breve.) Pianofortc. /'BmS§_ f / 0 ~ GI‘ gI‘€VV, - / {*3 But when I 0Id—e1‘ grew, l'ﬁ'1> 0 d—er grew, o But when I 01d—e1‘ //"'—T > C<>r__ ir’s crew. VC0r—sai1*’s crew. 0131' the dark x - ‘ 1% "ii With ma — rau. J./’ 'ith the ma - rau zz [(2//1/20 (I fe/22;)/2 a fem/20 with the ma - ran.-de1*s, with the ma - ra11—dcrs, cz fa//zpr) Brass. .51. With the With the Brass. (3 the 1113 ma T1111 - ma — rz:u1—dv1‘s, era, sf mu - ders . (I(’(«'!.’/. ran - ders . the sea with the ma — rau - ders, sea with the ma; — ver the sea with the ma- Ada i0. Ten.I. 010. hearts_ hearts hearts_ hearts-_ that that that that bled, bled, bled, bled, s0uls__ that s0uls_._ that souls_ that stern stern souls . hearts souls souls ‘ hearts hearts T ' stem /."‘\ Wll(l,__ the life, the_ ' — <lers._ Wild " . , lifc.._ dcrs Wild ‘ - (lets. (lets. Wild f''\ we led, ~ , souls that that spa-d,.___ L _V , hcarts_ that that sped, _ . ltcarts that that sped, , carts _ that that sped, ' hearts._ that Wild,wild was the life, life wé ed, life led, ‘ stern ' the life led, Wild the that that that hearts._ that hearts._ that that that that 1’ Str. ’pizz. ny a was - sail bout, f . Ma — ny a was- sail bout, a was-sai] If Ma — — ny a Wassail bout, Wore the long Win-fer out; /1, vVin-ter out; Set the cooks crow- — ing, ff . Oft - - en our midnight shout Set the cocks croW- - ing, > iii . Set the cooks f Wore the Ma- ny.__ a was_sail bout, Win — ter out, oft _ en our Uft - en our a tempo the cooks crow - ing, Set the cooks crow -ing. the cocks crow ~ ing, Set the cooks crow - ing. .5 Meas-u1'ed in cups of ale, Meas - ured, meas— urcd in cups of Ber-sek’s tale Meats- ured i11 cups of ale, Meas — urcd, meas — ured Meus —u1'ed in cups of ale, M0as— - ured, we the Bcr—sek’s tale Meas— urcd in cups of i meas — ured the oak _ en pail, Drain - ing the FiI1’d to 0’er - flow - ing. to our — flow _ - -ing. we the Ber — sekzstale we the Ber- sek’s tale Meas - ured, meas - ured in cups of Meas - - ured, oak - en pail ,, Film to o’er — flow — ing, Drain — - ing the oak - en pale, Drain—ing the oak — en pail. Drain — - ing the oak - en pale, I Drain-ing the oak ~ on pail, fill’d..___ ow - ing, A to «fer — to o‘er _ - flow 7? Fill’d to o'er - fow - ing, J- — ow - ing, Filld to (for — ow - Film to o’er — flow - ing, N95. Scene and Air for Soprano. Scored for Fls.,Cor. Inglese, Cls.in A, Fgs., 2 H113. in E, Harps and Strings. m Soprano, Pianoforte. 011c¢: as I told. in glee, once as I told ‘in glee 213/" Wind. tales of the storm—y sea, tales of the sea,_ Gor. inglese. 'Sh__ PP _ Soft eyes, soft eyes did gaze on me, Burn- ing yet ten—der, Burndng yet "ten - der, Soft eyes did gaze on me, Burn - ing yet ten - _ Allegro Vivace, ma. 11011 Presto. B1‘. Allegro v1vace, ma. 110111 Presto. c . And as the white stars shine- dark Nor - way as the white stars shine,__ the dark A that dark heart of mine, On___ /that dark heart of mine, felL_ their soft splen - their soft splen _ L 31' - oresc . On that heart of mine, on that heart of... mine fell, fell their soft splen-do1-. Largo . P . . Cor inglese. Allegro Vivace. 1<w$ (Yen Largo . _ f\ VLL ‘*4’; ?, Coringlese. M" T’ can se////1/a'uz’Za. wnoed, I__ wooed the blue - eyed maid, Yield—ingyet Coxningl. half a—fruid, Yield—ingyet half a—fraid, I__. wmmd the._ maid,;_..__ Cor ingl. F1 Yiel — ing yet half :1 — fraid, C0r.In_;‘. 6//II (’A//I‘t’.S'.S' . Aml ' the for — est’s slmde vows were pli;:ht— - for- 9553 slnttle Our pliglnt — ed, And in the f0r—est’s sln-adv, Poco allimato. Uu — der its l0os—em-d Paco a11in1ato. Car. 17;; reuo as (2 n. lit - tle breast, _ If >{1 their__ nest By the > /. terd , flut - terd her Tempo I. I wooed, I wooed the blue - eyed maid, Yield-iug yet Cory’;-_§ Tempo I. /“ /K’ /‘\ LILJ half a-fraid, . yield-ing yet half, yet half -.1 — 1-‘? ff‘ yet half ii — fraid, 21- fraid, yet half a — fra1id,_ _ 2'4//. — /2 /(’/II////. ._____ yield-ing yet half -.1 - fralid. Fls. N‘! 6. March and Chorus. Scored for Piccolo, Fls, Obs, C13 in BE, Fgs, 4 Hns in G 5‘ C, 2 Trumpets in D, 3 Trombones, B.'I‘uba,Timpani,Tri— angle, Military Drum, Bass Drum and Strings. Allegro brillante. Pianoforte. - Brass. '5. ‘ ,7 I‘/‘l5I"1s's' 0b.Fl.Cl. ' u {T _ 05.11.01. - Brurlvt !» Bright‘. Brigllt ' her fan _ tlier’:~' hull, B"i:‘%"”! Briglit! Briglit ’ her fa — tllet-‘ea hull , B gm! Bright! Bright ' at — t|xer’.< hall , Bnfiglitl Briglnt! Bright ' fa—ther°s hall, Shi ids gleamed, shields glezuned Shields glealned, reliields gle med Shields gleamed, shields gleamed Shields gleauned , shields gleamed J‘ A‘ /'_Ji\ Loud sang the ' — strels,san,9: the u1iu—strels all, Chaunt — ing‘ his glo Chaunt — ing; his ,2-lo Loud Loud Loud (-haunt - iug his A (elmuut — ing his streIs,sauig the min—str<+ls stl'eiS,S‘¢ill,\:‘ the min—s rels strels, sang min—stre!s strels.,saug' the miu—st_rels Chzluut Chaunt Chauut Chaunt ing, ch-aunt — iug his in;-.{, 4;-haunt - ing‘ his in , chauut- ing, (-hauut—iug his U. Loud 5111],: the Loud sung the in — — strelsall,Clmunt—inghis gl0— Loud sung the 0 Loud ' min~stre]s Loud sung, loud saung min~s rels strels all, loud 2~;au1g,l<>ud sauna‘ the miu—strvls strels all, loud sang, loud sung min—strels A chauut ' chaunt — iug his " ry:» when . Chauut ° L-haunt-iug his ' ry: when ghaunt ° cl:-.1u|1t—i|1g his ' ry: when Ch ut iug,chauut-ng his _V ry:when ff \/ brand as ed tleiugh ter’s hand, gi.<ked___ her emd,_ brand asked daugfh ter’s hand, asked__ her amd,_ hrziml a ked duu;:'h ter’s hand, asked... her . ud __ >> brand asketi ¢|nu,g'h — ter’s hand, -.1shed_ her hand,__ Z/""\A L A A as ed his duu;3,'li—ter’.~.< |mud,_________ Mute in—strels,Mute did the asked his (lnugh—ter’s hand Mute the min—streis, Mute did the us ed his <la1i1,2'!i—tei"s' hauId,____.___. Mute the iu—strels, ute did the /* asketl his d;iu,t:h—ter’s hand, Mute the min—strels, Mute did the o--¢-4o~¢4v9s~so\~ stand , hear, he-.11‘- and , hear, hear stand, hear, hear stand , hear, J _-5 Wheii of uld Hil _ de-hraiiid asked his d;iu,2‘li—tei"s haiiid,__ Mute did the miii—sti'i~.-ls of 0 d Hil — de—bi'aiiid sked his daiu,L'li—tei"s llilll(l , did the miii—sti'els Wlieii of old Hll-(lt‘—l)r'illl(l asked his diiu;:'li-ter’s- haiiid, did the niiii—strels Wlieii of Old llil — de— lH'il|l(l asked his d;iu,2'li—ter’s h:iiid , ' the miii—strels ' ’ W /‘S o 0 stand lieair, to heair st-and heair, to stand hear, to rstaiiid hear, to _' 3 '_ . While = 1 While the browii - quaiffed, Loud then cliiiiii pioii laiuglied, While * . quaiffed, tlieii (rliam — pioii liiughed, While the l)I‘()Wll ‘ quiiffed, theii chum pioii lauglied, hrowii quail'fed, tlieii Cllillll pitiii li1ll;{llP(l,\VllllP mf While the brown - . , qu-affed,The (-ham lauglued, While ‘ quuffed , The chum laughed , While the brown quatffed, The lai.g'lwd, the brown - qunffed, The (sham lauglwd, f mp Aml as the wind —g‘u.\‘ts . - f‘nam_ hri,9,ht — — ly, wind —,2'usts waft The — f'<)auh bright — ~ ly, /7! wind —g'usts waft brigllt — — ly, Am] wind - gusts , briglut — - y, And as wiud—,g'usts bri,<_z|:t—ly. wind — gusts waft .: 2 bri;_:jl1t—ly. wind — gusts ‘ T bI‘ig|lt-I)’. wind- gusts waft . 2 foam hrigl1t—Iy. the loud laugh of scorn, the loud ugh of n, loud laugh of scorn, of sc01'n,the laugh Out of those those ' _ 1m-shorn , tho se lips 1m_sho1'n , thosv lips un-sho1'n , lips un-shorn,those un - - - shorn, the .8_ d1‘ nle _ ing - horn __ foam __ light - drink - ing _ horn __ the fozun __ light _ drinl~:- ing - ho _ the foam _ ght - drink — ing — horn _. - .137, light. - 1}’, light. - ly, li ht- — IV 783 .9 Fg‘. CB. ff Bright! Bright! fa.ther’s Bright! Bright in her fa.the1"s Bright! Bright! Bright! Bright! Bright in her fa—ther’s J:7‘7>> Shields gleamed, shields gleamed the wall, Shields gleamed, shields gl e wall, Shields gleamed, shields gleamed the wall, elds leamed , shields f-E Chaunt - L f Loud sang the — — strels,sangthe min-st1'els all, __ Chaunt - ing his - ing his glo- — chaunt - ing his glo- - — J 7 strels , sang n1in-st1'els all, strels, sang the min-st1'e1s strels, sang the min-st1'els all, strels, sang the min-strels all, Chaunt - ing, nt — ing,chaunt - - ing,chaun i } I Chaunt - ing,chaunt - ing Sf her fa - ther’s hall, her her min_strels all, loud loud min—strels all, loud fa — ther’s fa — ther’s fa - the1“'s - ther’s sang,l0ud sang sang oud sang sang,loud ' sang,loud sang fa - the1"s her her her min-strels min- strels min- strels min-st1-els fa _ ther’s fa - ther’s _ the-1“’s in her fa - ther’s Bright in hall, Loud sang the hall , hall, Loud sang the hall, 0 unt _ Gllaunt - ff "Chaunt - c If‘ Tutti. ~ Loud mi n-st1'els Loud min_strels all Loud min—strels all, Gl1a“m- ‘mg I‘ ' ' ',- Loud sang c min-st1'cls all, Ghaunt Chaunt Chaunt min - strels é min - strels min - strels min - strels Chaunt Chaunt Ohaunt «$3 J/Z:;€f*/II. strels strels strels strels N‘? 7. Air for Baritone . (:1. Allegro VlVaC€. Pianoforte. 1’ Fl Allegro moderate . semp 7“e‘52m, Andante con mom. 8 . , Allegro moderate. Prin- _ cc’s child, I Allegro moderate. Vi - kingwild,And though she blushed and snlilcd, I was dis - card - ed! .P1*in - - ce’s child, And /T blushed,_ she blushed Presto,ma non troppo. Recit.(Langsamer.) Presto . ed’. Should not the dove so white Presto, ma non troppo. Recit. ‘ ' /L‘ . Presto. /'> . . Presto .3 Should not the Presto. seanlevfsflight, (love so white, Fol _low the p_¢#~___—*:'_f:—==- {:- though _ she Recit. Fol - low the Hecit . sea -mew’s flight, did they leave that night nest unguard - ed? Why did theyleave that night her nest umguarded, her nest, her Allegro maderato . she was a Prin- _ - _ce’s child, I a Vi- kingwild, And Allegro moderate . /_,___.._————dx b1ushed_ and smiled- 1 was dis - card - ed! so white fol - low the sea-n1(wv’sflight,A0 Z’ Piﬁ animate. why did they leave - nest un — guard - - ed? /T . Piﬁ animate. V ' f slaw. Leave . her - guard. 65? leave her nest un - - guard _ 8 ed, her nest un - guard-ed,un- guard- Z_\ 2-\ la 8 };,:=..-/4“ semzz? \\ v N 9 8. (’7%h0ru§}i' \_.. Ailegfeﬁo, molto moderato, A‘ S6p1‘a110. A1“). Tenor. Bass. ~ Allegretto, molto moderate. — Pianoforte .. f "cf Séarcé had I put.__ to sea, Fair — est of all {X mong'_._. the Norse — — men! sea, Bear — in the maid Scarce had I put... to sea, if? ELELETELLTJ Bear — iug the maid with Alto Ch0.. Scarce had me, Bear - hug the maid with 0 0 . 5537551"? «Saw we Fair- est of all was ahe __. ll|<)II,¢: the Norse — — nwn, A~.«mon,tr the Norse» — Fair—est of all was blitz‘ 7 When on the white sezvstrand, WilV—i||t’: MS “Tm - Pd Wav—iu;: his arm — ed lmud, on the white sea — strand on the white sea —.~'trzu1d, Wav — ing his arm — ed lmml, l"“"dv Saw 9 old Hil — — tle-braud,_.____ With old Hil - — (Iv — hralld,‘-?+— With _' lmrsv } Aw. .—- »—-——«-sv —4—c.—;~ 4—————.. .v r When on te white sea — strand, "‘”"5‘* When on the whte When ’on the white a—str-and, /”—""“'*‘$\ When on the white Wav — ing his arm — hand, Saw we old Hi} - strand, b Saw we old Hil — — de— brand, Wav - ing his arm — ed hand, Saw strand, _ Saw ' old Hil— — de~In-and brand With twen — ty horse — men.» With twen — ty horse - Hi] — de—brand with twen—t_V horse — en— — tyhrse — Allegro Vivace. launched» they to launched they to Allegro Vivace. V1. we wvrv gain — ing fast, we were gain - ing When t wind mien the wind failed -27" And with a sud—dnn f. And with a d— en (JLF . ____________r. _} And with a sud—den flaw Came round the skaw, Came round the dus — y skaw, And with a sud—den flaw Came round the skaw,__ e round the dus — skaw, Fl.Vl. - So that our foe we saw Lau,s:'h as he hailed that So that our foe we saw Laugln as he hailed as he Imiled us , Laugh as he lmiled us, Picc. 6)‘ Fl. T[‘0m.> } }}> (tatcll Round veered the catch the ml veered the ath ! Death ! flap - ing sail, ath! Death! Death! Death! /7' > > flap - ing sail, Death! Death! 22/ //'0 /0 lwlms hail, th ! quar helms hail, Death! quar helms hail, ath! quar helms hail, Death! ships ships ships with with with with black black black black I» POI] keel, mu keel , mu keel , Stituck Struok Strut-k her of steel , her 9 steel , her ribs of steel, her ribs of steel , Th rough ,_ Througrh ,_ Th ruugli ,_ r0ugh,_ Down , ____ ,4 1 Down , __ [)0 o Trom. .T . _ 4 - - Au 4,;=.—...rr.=- \ through the black through the black through the black ‘ t rough t|wbl_21 As with his Wing's ns—sl'.1_nt Sails the f_ierce (:0 - m0—runt, Seek—iug some rock— haunt As with his wings u.<—sinut Sails the fierce co — m0—ramt, -ing some rm.-k—v haunt 5731 T ti-‘T1 Cor. So toward the 0 — pen main, Beat - en With his prey la— — den, So towunl the 0 — pen main, Be-at — en to sea a1—gailI, With his prey in- ‘X é_1‘gl_J_'-‘bi’? Th ugh the wild hur— ri—cz1ne mai—deu. rough the wild hur— ri—c-.u1e mai—deu. Through tlw wild hur—ri-cane mai—deu. Through the wild hur— ri—(-zine mai—deu. Molto moderato. (Tempo I.) Allegro Vivice. Vl / Ob . (:1. kg;-. T9m129..I_- ....................................................... .. FL8 ' 2 (‘(5110 1%‘ U. B. L P TIll‘t'P weeks we \wst—w:mJ bore, (Zl.F<». (fell h— And when the storm was Clr)ud—lik+- we saw tlw slmre 1.. Th ree weeks we west —walrd bore , St“/’tC"“i">‘%' t" 3”‘ ' ‘ “"<”'d9 Threeweeks we west—ward And when the storm was o'er, Cloud-like we saw t e shore And when ‘the storm was 0’er, d-like we saw eshore There r my 121- dy’s Stretch — iug to — — \vur.(J; Tlwre T0!‘ my I“ ‘ ‘W5 Stretch — in tn 1) r/0/or: loft — y tower,_____ Which to this we - ry ilt _ loft — y tower,.___.._._ Which to t is w — ry In — (ly’s bow Built I t e loft — y tower, :1 — y’s ow .‘ uit the lot — tower, \ Stands iook—ing sea — ward, There for my Ja1—dy’s how - Stand look-ing sea — ere for my la—dy’s bow — ,_ Which to this we —ry hour Stands look—ing seu—ward, There for my h1—d_v’s ,t Which to this ve —ry hour Stan s look-ing sea—w-ard, There for my a—d_v’.s e loft—y tower,_______ Which to this ve-ry hour stands look—in,s: I the to —y tower, Which tot is we-ry our_..___ stands Iook—ing Built I te loft-y tower, Which to this ve— ry our stiuids .’ ' Built I the loft-y tower, to this ve—ry hour stands Z o — ward; There for la-dy’s bower sea — Ward; There for la — dy’s bower ""’k’i"§ 5“'-‘—“"c""'§ ere for ' la-dy’s bower milk-i|1¢f5€i1*“' I'll; There for * la—dy’s bower _\ /4. V . . 4/‘/1’/1%.; J) .4 _ Built e loft — y tower, i(‘rl! Built I the loft — y tower, it-h p A. the loft — y tower, Which the loft — y tower, VLpi'/.z. . 4.51 Stauds__ look— hug‘ St“ H5-— look — ing- Stauds___ look— iug Stands ./,...~-w._.r_L_e‘ "J N9 9. Romance. p}9_Str. (}7’£?.S‘0. - Tempo I. (3 There lived we ma — ny,___ ' fim0—.dl'i1’d («"1" b’S(/. .sf maxi — den’s tea:-s,_. She had f01'—g_;0t, ‘ - got her'fea1's, F1. K . \. Oh. (I L f 1 6'0)? €810) ’8'S'S . shv had f'01'”'0f herfu:1rs- Shewasa moth — er. H 3 _ C0 ['- There 1iv(>d\\'4e ma - ma — ny____ years;_. Time, V1. nmi — dc-n’.< tears; She had for-got, for - got her fears, ' . . .- .’. 0» 0 o 0 u v had_ forgot herfears; She was a moth was *3. moth - 113/“ had forgot her Poco a11imat0,c0n tranquillité. wasa moth - — 91-. av: /aw‘/If ﬁ\ , ‘Ya. Sm‘/0 I70 , ‘G\ /U Death closed her mild blue. that t0wer,____.___ - der attower she D oath closed her mild blue 07680. un - dur thattowor N691’ Shall Str. .\’«*’or shall rom-sustain. Tempo prime. 3 There lived we ma — ny, ne’er silch an — ofh - _e1-!. 7"////. f\ Time» drivd tho mai — d(*n’9, fhe I ‘/7 WI‘ . - don’s to-ars;._.. She had fnr—got,_ for — gﬁt her-fears, ' Woo(‘I./~75. Z__$ //zfzron e.,s*,17/*e.9.s'. ,\ ,\ had for-got her foau-s, shv was a moth — or, she was a moth — Death closed hormild blue eyes, (J/’P«S’U. - dcrthnttmve1- . , Nv’or shallthe sun, Ne’e1-shallH1e //I'6’S//'. - f — rise On such an - oth — {\ shnllthe sun - N<-‘er shallfhe. sun, Ne’erShall_the (/'7’(?.$‘£?. aria/2:971 N910. Solo and Chorus. Allegro con moto. 171’ FV‘—\ _/.VVind sustain. ./“/"Futti. ’I‘rom..,.B.'I‘. Andante maestoso. S010, Soprano. grexv my boqsom then, Still , ores (I ten);/0 stagnant fen! ful to me were me-n,The ca lempo ./.VVin . Allegro con moto. hate — full. Presto, ma non troppo. like gear, like ge2u*,.__ hY my 593"’: Fell I up - on F911 on my spear, V //I grate - was grate — grate - the for — est 6’/’€6'(/3 — Ii e gear Clad ; my S1)€aI', my spc-ar, Fell L Fell - on my spear, death was grate- _ _ 4:1 If-””__.‘\ ful, 0 death 0 death 0 death 0 death («‘7'(/’S('. _ M“h?'%‘hi Allegro con moto. If Allegro appassionato. . S010. Thus,___ sea1n’d_ with ma _ ny Burst — ing, burs1-in;;these Allegro appass10nato. Thus, wiih Burst - ing these pris — on 417‘ - to? its na-tive sfars My ‘ V soul“ s—cend_ed*,' Chg, Thus,__ seam’d_ ‘ Burst — ing, burst‘ — ing these Bass. ’ Burst — ingeg, hnrsf _ in;:; those Sopr. C110. My __ soul ,_ my Alto. Cho. My <_ soul, a. my pris _ on bars. pr-is - on bars. — soul as - cen _ _ . soul as — Str.T11tti. .17" Uistesso tempo. S .So1o. ¢\ Thus, seam’d with ma_ny scars, se-.am’d with soars, Uistesso tempo. seam’d with scars, 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..: ' rom. I .. f these pris— on_ bars, Burst _ in;: these. Burst _ ing these’ 1-i nhars, Up to its na - five stars, stars, soul, my soul“ as— (tend - «end- ed, my soul as _ _ed,my soul as _ _ed. ed . _ Tll0I‘t‘ll'0lI1l xflowing,‘ b0wlDeep drinkstho wzumim-’s sonl,f ! warrior-’s s0ul,__ - _ Therefmnlfhe flowing lDeep drinksfhv war-rior’s soul, the wzu-1-inr’s soul, Ten. ' f There fromf bowl Deep drinks the soul, Shoal‘. to the ‘N01-fh—land! Skoall‘ Bass. - V There from the bowl Deep drinks the Soul, Shoal! t {he North, Slio-all to 1 N0rth—la'ml‘! There from the f l0w_ing howl Deep drinks the Therefronn howlheep dﬁllks the Bass. . Shoal! There from the bowl Deep Tutti_. ’ ' f mare warrim-’s s0ul,the warrinﬂs suul,._Therefr0mthe b Dc-epdrinksthe soul,- ,—\‘ /—\ wart-i0r’s s0u1,the warri0r’s,t war_ri0r’s soul, ’]"herefr0m bowlDeep ‘ drinks the , o drinks the wan-i0r’s soul, the War_ri0r’s soul, T herefmm the bowl drinks the Shoal! to the N0rth~land! Shoal‘. war _ ri0r’s soul, Shoal! to the N0rth_land‘. Shoal! Shoal! to the N0rth—land! Skoal! Tutti. > f no Sopr. T1101-0 frmn f 1- flow ~ in" how] Dov) drinks ﬂw war _ ri0r’s soul 1 H 1 There from the bowl Deep drinks fho__ war _ 1-ior’s soul, the There from f ehuwl Deep drinks the soul, Deep Fl OW There frmn fhe owl J?” war_ri0r’s sou , Th<-re frmnﬂw how] _ Deep drinksfhe soul , SL<m]!1<> the Nm-fh—l2md‘. / war— —rior’s soul, Thm'ef1*m11thehuwlI)eep drinks the war—rim-’s soul, nks’ the war—.ri0r’s soul, . Thereﬁ'm1n‘hvbuwIDevp drinks drinks he waI'-1'i0r’s . Skmll! ‘wt 0 Nm'1h— — land! 2 ..—__.. . Skual! to the North. land! Shoal‘. ‘I Norfhlmld!-— Shoal! the North —b _ land! Shoal‘. 0 t ‘V m*tl1l2u1d'. 8- ////.~'.s'0. ..... ................ .5 seam’d_ with ma _ j s(é2u‘s,__.. Burst - ing, hu1*sf—ing these ,i. soul, my soul *. .. _ , Thus, with J. 1. J- - ny sum-.s‘,_ Bursf _ ing these pl-is - nu — tive stars My 6'7 '68!/. L’istess0 tempo. soul - — (send _ L’istess0 tempo. ('7‘t’SC‘. - Piﬁ Allegro. A There from t flow-ing howl Deep drinks the War—I'.i0r’s soul, the war- rior’s soul, There from the t'l0w_ing howl Deep drinks the war—rinr’s soul, the war—rior’s soul, There from the t‘l0w_ing; howl Deep drinks the wax-—rior’s war — ri0r’s soul, There from the t'low-ing bowl Deep drinks the war_rinr’s war — rim-’s soul, Piﬁ Aﬂegro. ' /".73 I . _ 4 ff sempre st/I60. L There from the howl There from the bowl S There from 9 how] There from the ff Shoal! Shoal! to Shoal! Shoal! to Shoal! Shoal! to Shoal! Shoal! Deep drinks the soul, Deep drinks the soul, Deep drinks the soul, a Deep drinks soul; North - land! North — land! /'\ North — land! North— land! Shoal! to the Northland! Shoal! to theNorthland! Shoal! to the Northland! Shoal! to the Northland! Shoal! to the Northland! Shoal! "to the Northland! cresc. Shoal! to the Northland! Shoal! to the Northland! 8 .................................................................. .! .... . /T North _ - land! North — North - - land! 114 Presto Largo. 10. There» drinks the war.ri0r Shoal! to 1 There from the flowing There from There from the flowing Jf . There from the f lowing Presto_. ‘ff Sko-al!.___ drinks the war - - rim-’s soul, Shoal !_ > > > > bowl, I Drinks the war.ri0r’s soul,the wa1~.rior’s soul,to Nm-thland! Shoal! >- >>- howl Drinksvthe war.rior’s soul the wal-_rior’s soul, at 0 and! Sknal‘. ) I ) >>>> >>>-> howl, Drinksthe war_ri0r’s s0ul,the war_ri0r’s s0ul,t0 theN0rthlaud! Skoall >>>> l)_u >>>_ ~ 59. Drinks the war-.1-ior’s s0ul,the war-_ri0r’ss0ul,t0 thoN0r-thland! Shoal! fhe Nm'fh—land! the N01-th_land! >>> the N0rth.1and! >>> the N0rth_land! A///I Sire/fa. «Sf £.rl$.ii1«. 1., . !IH. . .lL.. vtii. .« .: ..J.»..t.x r:....u....nn«..».nrIr....b..:.n . . rxm1s4,.r:..
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Text: 2 9 ,0 ﬂ . Twni," wig; =~,,,, 1', H \ .iiii:"|“mul»mllIl|||« W um um‘ . I ‘I L “H” ' ; ‘ /6‘. J I gum; ii!!! I ‘pug. “ll: -- Wu V “V "‘ ‘ 3 it’ ‘F H 'L'|'““‘lLm "|l1r"4l-9‘ /»\ < .9"CHI RM ER —/ §/ 701 BZ7az2m5// 1/; E/#7 an am’/n; /27x1:/‘U/"[0/7§r255 A7 /EEZ Z1} Eezr & 5:/7/rrnar /n7r'7/2 [/erks [Jff/‘£9 u/‘#72 £7/"5 ffuurfuf/he 5uuH1'J D/5 Euf New Yurk- nuscc unnnnv VASSAR COLLEGE A PS-AHLM OF LIFE. What the...
Show more2 9 ,0 ﬂ . Twni," wig; =~,,,, 1', H \ .iiii:"|“mul»mllIl|||« W um um‘ . I ‘I L “H” ' ; ‘ /6‘. J I gum; ii!!! I ‘pug. “ll: -- Wu V “V "‘ ‘ 3 it’ ‘F H 'L'|'““‘lLm "|l1r"4l-9‘ /»\ < .9"CHI RM ER —/ §/ 701 BZ7az2m5// 1/; E/#7 an am’/n; /27x1:/‘U/"[0/7§r255 A7 /EEZ Z1} Eezr & 5:/7/rrnar /n7r'7/2 [/erks [Jff/‘£9 u/‘#72 £7/"5 ffuurfuf/he 5uuH1'J D/5 Euf New Yurk- nuscc unnnnv VASSAR COLLEGE A PS-AHLM OF LIFE. What the heaff Q/‘the young man said to the P.§'((IIIliSf. Fragment from the Poems of Music by lIEA'1{Y IVADSVVORTII L0t\'GF1<J'LLOU'. ALBERT II. II’()0D- Andante (.-on E inmournful numbers, Life -is but an the soul . is dead that slum —-hers, And things not what they seem, and things are not what they Life is re-.211! Life is earn — est, And the gruve ‘ ts goal. Dust 111011 art to dust re-. rif. est, Was not spo — ~ ken of the soul. _/ en- joy - ment and not sor — row, Is pest’: nfe. _,_,/——» .-.—_—T._._.. desA _ tilléd end or calla vbce. /“T W :1 y T’ /% Finds us fur - - ther than to— day that each t0—m0r — row Finds us fur .. that each to — — ther than to- (1 us, We can make our lives sub- Font prints — ! . .—*1¥~~4~——w‘~1 1, on the — er, Sail — int‘ and Sliipwreczked .1 — ;.{ai11. ehiev - ing, still pur- Walt; bor and to wait. I I q d l 4_ _,'a , ——I"1"""-'7 P ?'*""'""'f’“l for _ lurn to V I re-min - ing leave he- hind us, if , Foot prints ‘if perhaps an — nth P T\ A take heart bor and shall V time, I I in“ 1 / great men all 5 de — part of 5‘ JT1 _, M _ _ U . .I.|_ _ I Mﬂ I V And Font prints sol Learn to of ——h 0 the sands »e—ét>——~~—-~9~+— I g? ,_.- d 1 that (fer life’s — emn main, broth — 01', in“ la - ing, still pur- su — ing Learn to la — Lives ehiev — OJ EAT ALUGUE No. 1. OF VOGAL MUSIC. PUBLISHED BY G. SGHIRMER, 701 BROADWAY NEW-YORK. SONG-S. 'l’.‘zose marked w/itlz * are -with etnbellishad titles. ll battle, K4,, Le vlei X lsl'acoiliei', Rom. ‘i'i'aii1;..,.... .. ..... . . . . . . , . . . . .511 Abella, Pedro de Adieu. Romance. l<‘rencli and l<lnglis'h, ., A lit, .!1‘rz.. When the Swallpv/s lionieward It die Sc/L111 .. .- Il V‘.-'hg;iu, (A hap, Valse pour Paolina IllI('CIl.. I thinli of Thee. ’ Soprano or Alto, e:ich,. . Would I wer a w il-ling Bi.-l, (M60/L/e wail! em Vogletn rein, F'(ll'L‘SL worship. ' ‘ A 1.1‘ ‘orig, rI,,) )!l<>p.,. . . .. ... , Z I . S <tl)O1l.Yl<l Alto, e Good night my child. .z'i‘/1'14‘/I.-5 all/, main, /1.2’/'zz‘<,-P.~' Ii andAlto,<;uch,.......... . . .. If thou in dreams w.-uldst . ’. ( "i/eml do im . , fmge .) Sop. and Alto, each, , . . . . . . . . . . . . . . . . . . . .. At dai-lrsome Night, ([7; dim/cler l‘\/cwlii,,) Sop. or Alto, Fly, lig_ht—w‘inged Swallow, (Fl .7 (L jlieg auf, F 'l‘he Secret be‘ nyod, (Var ' Iiuu; (we on miss.) Love is a Blossoiiv. fair, 2:. wt etn .b’lumlez'.n..) Sop. or Alt Where‘er I go, thou goest, (Wohin rich ye/L", go/wt cm 7 Sop, or Alto, each, . . . . . . . . . . . . . . . . . . . . . . . . . . , . . . .. .. .. Alabielf Russian Nightingale Song, (L'Us nuolo.) Italian and Eng sh Alan-y, ., Un Secret. Romance l4"i-ang.,. . . . . . .. . . . .. ——«- he Stranger, (L’Etranger.) Song. 1. Annie of Tharau. (Aemicken non Thamu.) Popula Ardjti, I... Ii Bacio, (the Kiss.) Arietta, D,.. . L’Estasy, (Ecstasy) Valse. . .. I.'0rologio, (the Clock.) Soherzo,. .. U01-fanella, (Little Orphan.) Arietta, . . . . . .. Ilma, (Nouvelle Valse.) Italian and English. y. Ascher, J0s., Alice. Roinztnce. French and English,. . . . . T do. 0. Italian and English,.. . . .. .. Au her, I}. F. E., Laughing Song. Opera “ Manon llescaut.” English and French words, (sung by Carlotta Patti.) . . . . . . . , . . _ . . . . . . . . . . . , , —- Premier Jour de Bonheur Les Djins-Melodie. (“ Ah ! night’s shadows,”) At, _, _ ,_ _, , , , , _ , _ _ _ _ _, Bach, Jollni Seb., My Heart ever faithful, (Main ghiubig HeIrz,) .... .. Badia, Luigi, Cecchino. (I pass love’s happy hour.) Caiizonet-ta Napo- litan' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L’Estasi d’Ainore. (Ecstaoy of Love.) Scherzo-Valse, Iialfe, M. W., The sweet Guitar. Bolero, . . . . . . . ——-— If thou couldst know. (Si tu savais.) ' Sop. in 0. do. Mezzo Sop. in Bb, . . . . .. . Tu m’anii ah si ! (Then yon”1 remember me.) English and Italian, -———- Oh ! take me to thy lleart agll rl. Song, . . . . . . . . . . . . . . . . . . . . . . . .. Banck, Carl, Lullaby. (Wi'egerLlzm,.) English and German, .. —-——- The Brook by the Mill. (Der liivklbac/L.) English and German, . . The Lark in Spring, (Die F7"z2}zlén.;'£le7'c/Le.) Engl'sh and Germa.n,. Banach, Ferd. With You ! Son . _ . . . . _ . . . . . . . . . . . . . . . . . . . . . . Bnssford, W. 1%., “ "l"is all for Thee.” ——-——— Nevermore. e .5‘. . . .. _ Sigh I thou Wind, . ... . . . Bellini, Ah, non credea, (Alas ! for Thee l) G minor, Sonnainbula, Ah, non giunge, (Ali! don’t mingle,) do. in (i‘r,. . .. Beltzlioover, IL, The Rose. Bendelari, Aug., 'l‘it for tat. Benedict, Jules, llc wiveth his beloved sleep. Berta, F., L21 llisette tie iieiaiigei‘. lE.olnaiice,. . . . . . . . . . . . . . . . . . . . . Berre, Fer ., Loin de Toi! (Far from Thee.) French and English . . Bianchi, E., ”I‘will be. (S11.l‘5.l) Canzonetta, .. .. . Boise, 0. 15., “Sleep, my bailing I" Cradle Song. an a i oott, F., “ Soft brown smiling eyes." Song. Words by O. P. Bordese. L., La. Course aux Yapillons. ltoin. I3‘ ncaise,.. Miracle of the Roses. Parlor Op:-rett . . Louis, Dreams of Love. Song, .. “ Perche se mia tu sei,” (Why then, i. on art mine.) Melodi2.,. .. Braga, G., Santa Lucia. (When the bright Moonbeams.) Rondo do Con- cert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Song, . . . . . . . . . . . . . . (Perche oggi non e ‘ieri.) non, Saeied Song,. . Borg, La lteine Mignon, (Queen of Joy's Realms am I,). Angels’ Serenade, (Screnata,) Sop., . . . . . .. . . ——-— do. do. do. with Violin and Piano aceomp.,. . Brumbilla, ML, Withheld thy 'l‘e.'-irs, Love, (La Tenerezza.) Romanza,.. Buck. Dudley, 8 Songs for Mezzo Soprano. No. 1. VVhel-e are the swallows ﬂed‘? . . . . . . . . . . . . . . . .. No. 2. Down by the Mill, . . . . . . . . . . .. No. 3. Sunsetﬂs smile had left the Sky,. ﬁampauia, F. To'I‘hee! (A Te!) Italian and English, .. —-——- Ever. ( Tis true.) Oanzone. Italian and Eiiglisl When near to thee. (Accanto a te l) liolnanza, M. Thy magic beauty! (Sei troppo bella!) Canzonetta Beautiful Star. (Belll Astro.) Elegia, . . . Sweet Angel. (ls'ell’ Angiolo.) Ganzonetta,.. .. Flower-Girl of II‘lcrence. (Ila Fioraja Fiorentina.) Una Glta in Gondola, (In the Gondola,) I cannot live alone, (No posso vivcre seiiza (ii to ett From the Depths, (Dal Profundo dell’0blio.) Preglne 1. Never scorn, my Love, (Non ti scordar di ine.) Kan M S "l‘was an Angel, (Era un Angelo d’Aincre.) Melorli O Souvenir, (O Souve ii-,) l‘vlel<idie,. . . The Unhappy lllaitlen, (La Penseros , . I have lost her, (l.‘ho perduta.) Contra to, . Al. ! Why? (Perclie '1‘) . . . . . . . . . . . . . . . . . . . . .. . Song of Love. (Canto (1 inure.) witii Flute aceomp., -——- The Fire Fly. (La Il‘arl‘all-a.) Canzonetta, . . . . . . . . . .. (‘/Iapisson, L., W'1t‘nin this Goblet. l3l‘II1(llSi, Opera, “ I.-22. Promise.‘ l. and rench . . . . . . . . . . . . . . . . . . . . . . . . . .. . Claribel, “ Only :1. look of hztir.” Song, _ , , , , _ , , _ , _ , , . _ _ Cohen. (1. 55]., You’re fooling me! (Vcns me trompez.) Chansonet-te,. .. Cohen, Jules, li! che la spemel (What fond hope I) Valse. Sop. an Mezzo Sopr. Each. . . .. . . . . . . . . . Coon. Carlo Emery’, Then and Now, (Allora ed oggi.) Ital. and Burt. Colliero, L. 0., Berceiise. (Oh! Sllimbel‘, slumber, Infant, dear,)_. am I... L‘Amore. Romanza per Mezzo Soprano, , . . . . . _, , _, Destrei-1, lV.[., Mauro et Captive, (Vierge de Franc Bonizetti. In terra solo, (Lonely, I wander,) ' Sebas ‘ " . . . . . . . . . . . . . . . . . . . . . . l HHHIH Poor though my Got, (In questo semplice.) “lie . I ' La Notte e s(-rena. (The lriglxt ‘s serene.) Ba ‘!.\‘0l3., do All’ aﬁlitte. Itomzx - do 90; Roberto d’lt'v<:ae:ix,. Convien partir. De u Up:-ra ia del Regiinento. D and giiglish, 1-‘ Minor, _ ., . , ,_ 0. in .01‘ . . . . . . . .. .. .. . 0 luce di quest ajniina, (rec-it. and cav.,) B ﬂat, de Pop. “ Linda,". _ 0 nuo geinapilo, (recit. and cav.,) in C, de Pop. “ La l<‘avorita.” Ita . an ‘rig ., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Duran-al, Einile, _As I dreain'd in my Youth. (Oomineﬁ. vingt a.ns,). . .. Eckert, Kagrl, Beﬂilde a laugillng broolslet. (zln ezne: Bcic/iletrﬁs lhmde.) oprano ii, .. .. . . . . . . . . . . . . . . . . . . . .. . Beside a laughingbroolrlet. (.477 mes l3{ichlez'n’s Rande.) Alto in 0 Farmer, [in Little Sunbeam, . . . . . . . . Faure, 14., Why then? ‘ (Ponrquoi?) Romance. Ferrari, S. A. de, I Flori d’Aprile, (Spring-Il‘lowers.) Ma u Ital. and Engl., . . . . . . . .7. . ‘ Fioravanti, V., Stolto e ben, (I es, ‘tie true.) Rondo, Sop. in El’. in each . . . . . . . . . . . . . . . . . . . . . . . . Fischer, C. The Rose in the Wood. (R03 em im Wald.) Soprano and Alto, each, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fjotow, M’appai*i, (Ah ! so pure,) in E flat, de Pop. “ Martha,”. . . . Franz. liob. Fondly he sought me, (Er wt gekmmrwn im Slurm ff Mai'ie at th<:“Latt'i‘<:e. ‘(Marie am Fe7l.sle7',) . _ , Gabriel, Virginia, ilie Forsaken. so —-——— Whehn Sp‘:tI'(Ii‘O\VS huglt. Soprano Eb. At t e win ow. lt. (i‘-11111.,‘ W. Sing, Birdie, sing. Song; Sung V Mme. Parepa, . . Gel-aldy, Angel of_ Love, (Arigelo ti Aiuore,) . . . . , . . . , . . , . , . . , , , _ Ginmboni, 0 Julia lair l (Giulia gentil.) Fr. and F.ngl., and Ital. and Engl., Glorza, P.n,mThe handsome Drum Major. (Daghela avanti un passe.) anese . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . -————— L‘Usignuolo inessicana. (Mexican Nightingale.) Scherzo, Sop, Giosn, La Polka Mazurka, (Polka Mazurka Song.) Scena di Danza, .. . . . . . . . ——- “I tambnrelli, i campanelll.” (Now sou ds the Tambcrine.) Bolero, Alto g. _ Alto in G, eac , o ., . . . . . . . . , Glover, S... Do they _ A e at h . ..oiig,,.. ..... Glllck, Che faro nenza Eurldlce. (Live without my Euridice.) Opera. “Orfeo, Gordlglani. O santlssirna Verglne. (Prayer to the Virgin,). . . . M other’s Name. (11 noine di iiila. madre.) Oanz.,. __ Mother, let me dance, (Momma voglio balare.) Scherzo. M. ‘ ——-—- ‘Pro in 18, (TM 111 la.) Canznne. Mezzo-Snpra,zio__ . _ ..-o u.» ... ........~ IMPORTER (‘)‘F' {iii 3 I Gounod, (than... Romeo e tiiulletta. Al-‘iettu. linger.) Sop. G, Mezzo .\‘op., E15. desiis or I i-l-til. Italian and E. , all re '11 'I‘n:ale," ( a lEiig.,.... . When in thy Vision.“ (f1uw,i;:!n a we lie ’AhE e strano polar.) ' ‘i ,. “ Non destarini,“ (I would l,. . . . . .. _ . . fired a King in Tllule.) ltal., [\l'i‘«‘ vi * ..,.. Nil» ii‘;xiillii'.«~,“ (Ln 4 ' 6;;-avlieiu-_il1{oiT,:i1J;u:, «(-2 Grain. 18., '1 ' .. il . ii) . '.!"hiilk of im lilelodia pl-r U*i)JI:l‘:'Jli.0, . . . . . . . . . \‘»’=*i‘-.- i :0, - ‘ .1 -‘,0 1»). .. . . ——~—« lit,‘ lit‘\’L‘ " lilo. fﬁiiarllileialilo, iii) ' ~~»— lluve it ~' ’ inn, .. . . . Chi ii‘ i were 4 Swallow, ((1 fossi nil ri .nlii'iP.) (,‘r.n .. Thou art ton !u~,'o.'ly, (Sci taiita bu-ll:i.) iiohi. (,‘oiiti-.,. I live for thee only, (Nel llir min belie.) S0l‘uiianle,. 1» Ever iaitlitnl, (Selnpre l'edele,) . . . . . . . . . . . . . . . . . . . . . . .. .. 6'§lli0J!1, Prosper, he Fillette aux Cl.IZLYl.SiID*i. (Tliere is in our Hamlet.) orn., Fr. and En;’<‘i., . . . . . . . . . . .. .. .. . . . . . . .. .. ihlrnhe1'§i.. Eh, Ye ll1r}X'l‘j,’ Birds, (0 3/16’ («I _ VT‘,/7 -—-- do .) flop. in F .. Tenor in Gt-., o in Eb.,. . Sop. and I do. (10. do. All Deal‘ home of my father. (Dds L/Le:/.67-e V(Zt€1"7L(t'/ts.) 0 ea ~ , . . . , . . . . . . . . . . IIe‘d.I‘t, \\‘Yll(-Billie, thy joy and sorrow? (Was poo/it so lam? im Herzen.) 2d Waltz, Rondo, Soprano Ab, . . . . . . . . . . . .. do. 7 V Mezzo,Sop. in E, . . . . . . . . .. . 3d and 4th Waltz, Rondo, Sppiaiio, and A ‘ear: , ingge %ai3, myn,D(e]a)resli), t(£5;/']l(€1Zdj£7l o}tn).e %ezden,)C t i e en loan as e e 11. e ma. op. or on . eae Ye merry Birds, (Oiseau légere.) Eng. and French, in li‘,.. llail Coliunbia! National Song. Arranged by S. Jackson, . . . . . . . . . . Haendel, F., Verdant Meadows. (Verdi prati.) Italian and Englis , .. Halevy. F.. La Juive. Ii va venlr, (He will be here.) Ital. Fr. and Eng. bop. Hall, F.. Ever of Thee, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. ﬂatten John 1.. Rainy Day. Words by Longfellow .. . . ‘ ood-by, Swesiheart. Ital. and Engl., in G and D,’eaoh,. . .. Heiser. W., The Grave on the Heath. (Das Grab auf der Haide.) Sop. or Alto, each, . . . . . . . . . . . . . . . . . . . . . . .. How can I leave thee, (Ac/L, wée tars ;vru‘zglich,). . . ., Awake, Love. awake l Serenade, . . . . . . .. .. Hodges, F. IL, Dreams. A Reverie. New arrangement by the Author, —— The dreary Day. Words by Longfellow, . . .. j Farewell to North-Maven. Song, . . . . . . . . . . . . . . . . . ~—— The Rose-Bush Song. For Sop. Do. for Alto, each, . . . . . . ———- Cloister Memories of sacred Song: _ ' _ No. 1. Blessed are the poor in spirit. Mezzo S0p., . . . . . . . . . . $0. gesseg are Spay t-ha‘: mfbllrliit. 2Cé)ntralto,.. . . . . o.‘. esse are emee. ue op..... .. No. 4. Blessed are they that do hnniger andythirst. No. 5. Blessed are the merciful. Sop., . . . . . . . . 1 Will be continued.) Hoelzel, G., The Forsaken one. (Alpenklag/e,)... . ~—— ’lhe Tear, (Dze T}w(wle,) . . . . . . . . . . . . . . . . . . . . .. . . * The Visllzﬁge Blacksmith‘s B de. (Mein L1"/ebster wt me Dovf d cLmied,)... . . . . .. . .. HESS G. J. A National , Cradle-’Son Jackson, S., Lights and Shades. Words by Mrs. Nortou,. iioluison, VI/‘alter Russell. Afar beyond the sea, {atey’s Letter. Irish Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Knig, W. 11., Ave Maria, Latin and English,. i'§?§i‘.‘i"z‘§}‘”8"ii* ‘ii ’ i‘.”“.’~‘““ ““’i“”‘ ‘(‘1‘i“”“..“f;2.. Rz°v“£,“3Z’§’zz.m.) . ilsis me or sownray. ast ’ a . , So,p. or 'I‘en., and Alto, each, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . —— “What noble joys ft hunter’s, (Em Sc/mite bin tan.) Nae/Ltager in G’I‘d.IL-’Zd(L. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kiicken, F., No more in sadness on me gaze,” (sehlmicli rt’ tmeflr vo Wemuth an. ong . . . . . . . .. . . . . —— Good night, farewe-ll_, ( Ltl’Z\7I1£/Lt fa/w"wo . . —- Jewish Maiden, (llmulc/Le¢_z 7)on.7zida/L.) ._ _ ‘ L R Thgu soft andlbzillialy evening breeze, (ﬁru/Llmgs7'ezgen,) ast ose of uininer. ta . r. and ng. in ' . . . . . . . . . . . . . . . . . Lecocq, C]lﬁ..‘J., Fleur lie The, No. 1. ,“ ivandiére, Cantiniéi dier, now draw near,) . . . . . . . No. 2. “J’ai coilru grossii. ds,) “Je suis né dans le Japon.” (I was born in old J apaii ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4. “ En tons pays." (In every Land). . . .. .. . 5. “ Césarine a mes voeux.” (Oésarine to my ev‘ry,). No.’ . “,Qnanrl le Champagne.” (When the Cllampagiie,) Llnley, G., The Swiss Girl, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .. Long long weary day, (1)en.lieben larrgen Tag.) F' Ger. and Engl. .. Loljd, Chas. ., Vesper l , . . . . . . . . . . . . .., . . . . . . . . . . . . . . . . . . . . .. Eallcuntoui, ($2., La Danza d’Amore, (Gray dance of love.) Valse. Mezzo Sopr. Ital. and Euglish,. . .. .. Con. (vivahi :— Summer Evening, (La Sera,) .. . Luther, Gustav, In night's still ca. m. Soprano in t, —— In ril;:lit‘s still calm. (I/i dimkler [Vac/L Alto or Baritone in Al>,.. Llltt“/itz, lVIax., Love’s Plaint. (Du hast mil‘ viel gegeben.) Sop. or Alto, eae . . . .. . . . . . . . . . .. . (1.71 'ézi£.i1'cZe'r' '1vaL5m'.)' Lilizzi, L., Ave Marti. . J D u , . . . . . .. . . . . . . . . . . .. .. Nlallzocchi, IVL, La Bella Stella «ll Trinidad. Barcaro e, (Ital. and Eng.,) Mnliliran, ll'.[me., Olla.gi'in dlainonr. En l. and Ir , lllnrsckiiier, H., ileaven in the Valley, (Der Himmelim T/Lale.) Eng. e . o . or Ten., and Alto or Baritone, each, . . . . . ——— Yes, thou art mine, (.711, um bis! mein.) Alto, . . .. . . . . .. lllmsiliii, Une ﬂenr pour reponse. (Flower pledge.) Romance, . and Eng., IVKRSI-(<5, V., Reine Topaze. As roaiiis the Bee, (Chanson do l’Abeille.) Sop., ~—— “ Bright as ‘nu-;~ of opening roses,“ (Couplet de 12. Coupe.) Galathée. In , Riattei, Titto, Non 5, ver. (‘Tis not true.) Romanz , Sop. in F, Mezzo Sop. Eh, each . . .. ' n Eb La Ca-, >1-icoiosa. p. do Mezzo Sop. in (s”r3£.g1Sr"ci.., can e . d -—- . o. V do. . lileiidlelssohn, Here under the Trees, (Do my ic/Lunter den Bdumen.) Alto. —- L 35 onging. (Seﬁltalill;/LE.) Sop. and Alto, each, . . . . . . . . . . . . . . . . . . .. ——— First Violet. (Dax erode V-ailchen.) Soprano and Alto each .. Cradle Song. (Wile €"'l.[i€(l.) Soprano and Alto, each,.’. . Oliwings of Soii" (/.1’ T/1'/Iv M duo’ (r'6Su'/tges.) Sop. and tidallte, Mk‘, V“ M R’. .lt2ll'.1and Eir,;l., . . . . . . . . . . . . . .. Leoxnora. (;r%\)IlRglOV';I.| ;_8|IlJ.\’Et,’ (Youth s Joys are now,) .a tosa. e ose. anzone . . . . . . . . . . . . . . . . . . . . lilerz, IL, The Strariger’a Love, (Des lilremden Liebe,). .. Iileyerbcer, 61., Fisher Maiden, (Guide an bord ta nacel‘. .) Fr. and Engl., ~—— L‘Ai‘rie-an-a, “ Ar!-'lio teri-a native." Soprano, Ital. and Engl.,. . . . ‘ ' , “Ali! mon ﬁls,” (Ah! my son.) Fr., Ital, and -—~———- I’rIJpli<3te, i" Fr., lt:il., and Enrrl. ~;—- May Song. Uh-».iit d —— do. (AI vtivl Mill in the Valley, (in ' L /. . . . . . Eli illinrd 1%., \‘v'i:h 11 my heart I love you, (Io ti voglio bene assai »—. —« A ve lvl-Ania, Latin Hllll English. Mezzo Soprano, .. . . . . . —-—— Faith and Hope, (Old ;\lan’s Song to his ‘vVife,). .. . ' Sonl§.V.......... . .. . .. ~— ' ‘ .. (Companion to “After, iii inlet, EL, . iana, (Maiiieifs Warning.) I‘ Gianetta. Allegro,. . Song of our C'ountry’s i)aughters, -~—-—— A Slsilor’s Song, (0 for a whirl‘ of the salt sea breeze.). Invocation to Sleep (Invocation) Ital., Fr., and Eng_ ,. . . . . . .. Molique, EL, Could I through ether iiy. (1i'o'/mmc/L durcliiiriume ﬁfe/L’n,) imollerihauer, Fred” The M ' JL9-I‘k~ Soﬂgr - - - - ~ - ~ - < - - - » -- 1V}ou1t,on,. ()1 e e. Song aiio, or Mezzo Soprano, each,. onfessioh, . . . . . ... ’I‘heBrook,... . . . . . .. . .. .. lvjﬁller, A.,~ Ye soft blue eyes, good night, (I/Lr blauen Auge-n, gute Naaht.) Sersnade,. . . .. . . . . ., . . . . . . . . . . . . .. The Message Bird, (Vdgelem, man Bate J). .. . . . . . . . . _ . . . . .. liluzio, E., Ilrind'. ‘ -W . . (English and Italian.) As sung by Mlle. Carlotta I’atti and Mme. Strakosch, . . . . . . . . . . . . . . ._ . . . . . . . . . Ere life’s declining sun has set, (Di tanto eoceso o’perIld1.) Aria. in- troduced in the opera. “ Bohemian Girl,” . . Pioooloinini Wziltz,. . . . . . . . . . . . . . . . . . . . . . L’Ainour. lam Louisa Polka. Soprano,. . . ,I.’Aniour. Glam Louisa Polka. Mezzo Sopln, . . . . I<‘1’TIZ‘..F.‘.I G‘v1‘J. M’USIC. ..-$0 '= 3 *1Vl'll zio, E.. L’U'ulgnuolo. Oimzone di Bravura. Soprano. (ﬂoinposed rm and sungbyCarlottaPa.ttl,) . . . . . . . . . . . . .. -~ Le Stelle d’1talia, (Stars of Italy_) Melodie per Canto, Ital. and EngL, No. 1. Str,-rinzllo ’l‘osoanu, ('1‘usca.li Evening Songnl) Itrl. an . . La Veduva, (The Wldow,) Ital. and Engl.,. . . . I . La Nanna, (Cradle Song,) “ . . ll S<‘«e|)lI"l, ("File Silzh,) L'An‘e-',:ioiie, (At"r:«tiorl,) Nu. All‘aui-a, (To the Breeze,) Nallalul. (In, La Valse mes Ailieiix, (Waltz oi‘ Love.) Engl. and F .,. . .. 1‘Jcss.*niil.ler, J. E13, Wlieiie’er 1 long for Native Land, (Went ich mich nm:/z de/r Ileimat/1. se7m.',) . . . . . . . . . . . . . . . . . . , . . . . . . . . . . . . . . . . Norton, Hioli. Mrs., Jiianita. Span!-all Song. Sop. or Alto, each,..... Offen liach, .Il., ha Périchole, No. 1. “O mon cher ainant." (O my dearest hm.-,) Int pr Sling E!-., . . . . . . . . . . . . . . . . . . .. . “ Et la maintanant ” now companions.) (lies femmes,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. No, R. J. Espiigiiole et la jeune Indienne. (A warrior once said.) Duet, . . . . . . . . . . . . . . . . . . . . . ,~ Cll2|.1lS()n ale l<‘crtunio, “ Si vous croyez.” (If you believe.) Song, . . ” Les Bavards, “ Clest l’Espagne.” (’Tis in Spain.) Chanson, . . . . .. Genevieve de Brahant, No. 1. Oouplet de Pﬁté. (”1‘is a pie that is no shaine, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ) . 2. “ En passant sous la fenétre.” (As I pass’d under your window.) Serena e, No. 3. Uno Poule sur le mur. (Once a hen near by a wall.) No. 4. Grﬁce D. vous mes deinoiselles. (Thanks to all young ladies,) . . . . . . . . . . . . . . . . . . Grande Duchesse, No. 1. “ Dites lu' ” (Say to IE1. . . . . No. 2. Le Sabre de mon Pére. (My father’s sword,). . 3. “ Ali ! que j’alme les militaires.” (Ah! I military ) No love ‘has No. 4. Legende du Verre. (Legend of the goblet,). No No . 5. Allez jeunes ﬁlles. (Come now our darling gir1s,) . . 6. Pour épouser une Princesse. (A princess beautiful to marry, . . . . . . . . . . . . . . La Belle Héléne, No. 1. Amoui vins. (Oi love’s divine,)... No. 2. An Cabaret du labirinthe. (Thus at the Wine shop, .. No. 3. Au inont Ida. (At mount Ida three Goddess) . . . . . . . . No. 4. On me nomine Héléne la. blonde. (They call me Helene the blonde,) . No. 5. Un marl sage. (A husband wise will,) . . . . . . No. 6. Venus an fond de nos dines. (Venus bestows, No. 7. (Jes rois reinplis. (These Kings so shock,) . . . . . . . . . . . No. 8. La vrai! Je ne suis pas. (In truth I’m not so much to blame,) . Barbe Bleue, No. 1. “ Y’a des e g . There sh p , . No. ‘2. “ Vlla z’encore de drol’s.” (There people are,) . . No. S. “ Pierre un bean jour.” (Once on a time my love No. 4. “ Ponrquoi qu’ils (Why do they look,). Alfred XL, Tender and true. Ball d,.. . A Year’s Spinning. ‘ ng,. . Stars of the Summer Night. Blow, bugle, blow. S0ng,. . . . . . . . . . . . . . . . . . 1 Good Night. Tenor or Soprano, and Alt r Baritone, each, Petrella, E., Brindisi, (Italian and English,) from Opera lone, . . . . . . . . . .. “ Abandonata e orrana.” (Orphaned, abandoned.) Rom. par Mezzo Sop. from Opera Ione, .. .. .. . . . . . . “Vanna e serba geloso.” (G , preset par Basso and Mezzo Sop. Opera Ione, . . . . . . . . . . . . . . . . . . . . “ L’amo, l'amo.” (Love him, love him.) Cavatina par Soprano. Opera lone, this important.) Duetto Sop. and Ten. “ O Ione, di quest‘ ainina.” manza, Tenor. . . . . . . . . . . . . . . . . .. Preyer. G... Will she come, (ob tie wohl kommen wird,) . . . . .. .. . :—~ The Bird, tll8Fl0W€I‘, the Heart. (Jedem das Seine.) Song. Eng]. andGerman,. . . . . . . . . . . . . . .. .. .. ' rolese Song, (Tl/7‘0l. 7,ed,).. l\ ail. Stella. Latin and Fmgl., . — At Home again, (Wtede7*sehen.) Sop. r Alto, eac , Reden. Kari. My Heart is like a Singing-Bird. Ba11ad,.. . Rtandegger, Au, Ainiaino la Vita. (Life let us love.) Ital. and Engl.,.. lieichirrdt. AI ex., Thou art so near and yet so far. (Du bilst mir nah mid doc/L S0f€7’IL.) New ed. E ﬂat, Fr., Engl., and German, There sings a wild bird. (Es singt em V(‘2'g!em,). . . . . . .. Reissiger. C. G., The two Gi-enadieis. (Die Gvrenadiere, Ricci, Alﬁn brillar. (My heart with joy,) 6 ﬂat, . . . . . . . . . . . . . . -: Crispino e la. (lomare. Opera. 0. 3. I’ve stories rich, (Istorie belle a leggere.) Sop., . . . . . . . No. . I'm no longer poor, (Io non sono piu l’Annetta.) Sop., No. . Piero darling, (Piero miogo qua,) . . . . . . . . . . No. . Bliss all raptures past, (Non ha vioja,). Rlvarde, P. A.. ' celle.) Barcarolle, . . . Vifhen love is kind! Song, .. . . . ... —— Mandolina, (Stars of the Summer Night.) Fr. and Engl.,.. Rondinella, P.. 11 Giubilo. (Valse elégante.) Ital. and Eng . Mezzo Sprano in C Rothschild, Baronne. dire. French and Eng.,. . . . . , Sabbath, }3]., The Minsti-el‘s wish. (.-vdngers W:/ins-c}L,) . Salaman Cli., 1 arise from dreams of thee. Serenade, Sarluien 0, This kiss I oller, (Lu Vasillo.) Canzonetta,.. Schiznon, (Lsweet Mother ‘of sorrow! (Mater dolorosa,) . . . . .. .. Sclioendorf, When the quiet moon is beaming, (Wenn so sa//zft mtd mzld,) Schubert, (‘/11111., Le Gondolier de Venise. Barcaro e, Schubert, Franz. Last Grreetiiig. Lebewo}zl,) Frencli and English Maiden’s Lament, (llf/l3dc}m2’8 lug/9,) French and English,. . , My Abode, (Au7’ent!m.lt,) French and English, . . . . . . . . . . . . . . . Shepherdls Song of Goinplaint, (Sc/L(Zfe7“8 Klagelied.) Fr. and Eng., Serenade, (Sttindc/zen.) ltal., Fr., l<)ngl.,. . . . . . . . . Cradle Song, (I/Veg/enhed,) Fr., Gel-., and Engl., Ave Maria. Fr., Engl., and Ital.,.. . . . . . . — Wamlerer. (Der Wa72.dere?*.) Sop. Alto, each,. Selnnuann, Rob.. The Lotus Flower, (Die Lotosblurrw, oh! thou art like a ﬂower, (Du bist wile eine Blume, Sﬂcher, Loreley. Fopular Song. Engl. and Germ. words,. s(mit]1), .‘. 10., No Time like the old Time. Song,. . . No More, . . . . . . . . . . . . . . . . . . Speranza. £14., The }Iour o a A llvinn of Thanksgiving, . L" To Minona. Serenade, . . . . . . . . . . . . . . . .. Sweet sings the iii htingale. (F8 812 get die Ncwht’ all.) German and Engllsln. . . . . . . . . . . . . , . . . . . . . . . . . . . . . . . . . . . . . Stanzleri, (Eu, 1 will lo , .., . Io iﬁamoro.) Soprano or Tencr,.. .. Star-Spangled Banner. National Song, (Chorus ad lib.) Arr. by S. Jackson,.. . Sﬂgelll, G... Isolina. Arietta. “Engl. and Ital. words. 0. and A., each, . . ——~— Brightest Eyes, (Die S(:77.0n..r-ten Augen.) E ﬂat, Germ, Engl., and Fr rd Proch. IL, ——~— AVG iii ' 6, Spohr. . wo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stradella, Pieta Signore, (O Lord, have mercy.) Ital, and Engl., C minor Suppé. F.. 0 man, be not proud, (Der Mensch soll nwht stolz rein, .. Szemelenyi, 141.. Medora, . . Templar E., My heart is breaking. Ballad,, . Thevcnet, Dullphonse. Eemuie du Pecheur,. . . . . .. Th Oman. J. Il., In the clear mirror of her eyes.’ Ganzonet,. . _ ., Thomas, Amb., Mignone, Opera. Morceaux det. Fr., Ital, and Eng]. No. 1. “ Connais tu le pays.” Romance. Contralto, Db,. . . ,, N o‘. Ibis, do. d Mezzo Sop. Eb, . 2. “ Légers hirondelles.” Duet. . 2 rs, . Voix seul, .. o. 3. “ Je suis Titania." Polonaise in Bb,. . Sbés, do ‘ . 4. Elle ne cl-oyait pas.” . 5. “ O Vierge Marie.” . * Thunder. "H. G., The Sands o’Dee. Lyric Ballad,,....,.,.. ._ Torrente, G., Sliogv me thy ways, 0 Lord! Anth. Soprano, and Mezzo op. eac . . . . . . . . . . . . . . . . ..: . . . . . . . . . ... . . . . . . . . . . . . . . . .. Truhn, IL, Parting; and Sorrow. (scfiezdentmd Lezden.) Song. Sop. or " Tenor in F mino 011 Tyrolese and his Child. and English,. Van Oekellu. Graduate’ ewell. Comic Soi1g,. Van Noorden, P. _E., Kind words are dear to all. Ball Venzano, L., The Zing-ai-ella. Italian and English, ....... ., . Gr. Valse. “ A che assorta.” Original Copy. Soprano, . . . . . .. . . . Verdi. G., La Traviata: “ Dite alla. giovine,” (Tell me, fall" Maiden.) . ‘ E scherzo od e follia,” (It seems 8. harmless lying.) Aria,.. HEM‘ Duets, 5l‘r-ion, mm.’ gamed Music, use Catalogue Na, 9, The Harvest Moon is beaming, (Guide au.b'ord'na'- \ Contralto and Ba.ritone.:: ’
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Date: n.d.
Text: am // ‘g /,// J \ / ‘\ .// V T v_ T T \ 1i;€j;é&; by J; % W 1“ . jé’, <Z)J\V'(67'4/2'*77j',4"(,_£a///,”) L’/V183’ AS 07)Z\V(§2'..SS' in M12 AW/(I/A$S'»)’//"",.4I/4 /Z’? (0 7//@ 517 /[:7 71 Y, WW COMPOSERS JULES NORMANN EJ.WESTROP WEBER JULES NORMANN 6978<8, EXCELSIOR 7:588:19, PSALM OF LIFE 75()&5!, FOOTSTEPS OF ANGELS 7958<8, THE SLAVE'S DREAM 94-8&9, THE VILLAGE BLACKSMITH CARL REINHARDT 9558<6, GOOD NIGHT!...
Show moream // ‘g /,// J \ / ‘\ .// V T v_ T T \ 1i;€j;é&; by J; % W 1“ . jé’, <Z)J\V'(67'4/2'*77j',4"(,_£a///,”) L’/V183’ AS 07)Z\V(§2'..SS' in M12 AW/(I/A$S'»)’//"",.4I/4 /Z’? (0 7//@ 517 /[:7 71 Y, WW COMPOSERS JULES NORMANN EJ.WESTROP WEBER JULES NORMANN 6978<8, EXCELSIOR 7:588:19, PSALM OF LIFE 75()&5!, FOOTSTEPS OF ANGELS 7958<8, THE SLAVE'S DREAM 94-8&9, THE VILLAGE BLACKSMITH CARL REINHARDT 9558<6, GOOD NIGHT! BELOVED \ D° 964&5. THE GREENTREES WHISPERED LOW8<M|LD D° WW 859&60, THEOLD CLOCK ON THE STA|RS 895&6, THE REAPER AND THE FLOWERS 904&5, STARS OF THE SUMMER NIGHT 950&5l,BEWARE’. BEWARE! 3528<3, THE RAINY DAY 96680, THE DAY IS DONE COMPO5[ﬂ& R.sT6PEL CARL REENHARDT FRANZ KULLAK DD CARL REINHARDT DO LL L0) N [D '0 EN: MUSICAL BOUQUET OFF!CE,I92,H|GH HOLBORN; :9. J.ALLEN, 20,WARWICK LANE.PAT‘ERNOSTER R‘O_W. 7 Mlluuc uinnnv vnssm coLu:(-.5 THE VILLAGE BLACKSMITH. Poetry by H .W. LONGFELLOW. Composed by CARL REIN]§{ARDT.. ‘ A A A " .MODER.4TO. I Un _der a spreading ches-nut trees The vil _..lagi,e Smithy The smith a niigh t_y ~m-an is he,VVith_ ilargeiand si-newy hands; And the muscles of his brawny arms Are strong as 1 _iron _ba_pds. '.H_i‘s hair is crisp, and black, and long, His face is like the tan; His brow is ‘wet with o Chairllrﬁ Mackapﬁ SW35 IN ma Muﬁiral Bnuqmt; JOHN BROwN,0.R vva A GUINEA 1 CAN SPEND,jV‘f‘d’£a’z§’c6,» ENGLAND, DEAR ENGLA'ND,J44é‘é’c7,< HAwIHpg-in AND THE. |vv,_/¢¢a>&y,- DR.EAMlNG, mu DREAM\NG‘.]4Jﬂ&.5j,- HAL AND ms r.ax.aNos,14i2&-.3,.1Ha may nAm=,},!5«¢A2~.;
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Date: 1920
Text: . K ,_ . /fr» I :~.. ~ ; Mm . 1/‘ [,{_’~ 31.4 /3 *7 ,»4:-"’“ J V, ‘la ‘a 3 ; - i“ V U ‘Jxﬂ ,‘\,»*L/3:/L!:'_/,[:‘,/ Gompozitionsg my Sobn rlltsokrejs MUSSC LIBRARY VVAEAQAIR COLLEGE voucmmzwsse. new vow 34 ( \ \ ) 1)}: VALCIK. Db Gr. 4-5 . . . . . . . . . . . . . . . . . . . . ..50c TOLD IN JUNE. E Gr. 4.. .' . . . . . . . . . . . . . ..50c ROMANCE. D Gr. 4-5 . . . . . . . . . . . . . . . . . . ..50c OUT OF THE WEST. G Gr. 5 . . . . . . . . . . . . . .50c PRELUDE IN G MAJOR.* Gr...
Show more. K ,_ . /fr» I :~.. ~ ; Mm . 1/‘ [,{_’~ 31.4 /3 *7 ,»4:-"’“ J V, ‘la ‘a 3 ; - i“ V U ‘Jxﬂ ,‘\,»*L/3:/L!:'_/,[:‘,/ Gompozitionsg my Sobn rlltsokrejs MUSSC LIBRARY VVAEAQAIR COLLEGE voucmmzwsse. new vow 34 ( \ \ ) 1)}: VALCIK. Db Gr. 4-5 . . . . . . . . . . . . . . . . . . . . ..50c TOLD IN JUNE. E Gr. 4.. .' . . . . . . . . . . . . . ..50c ROMANCE. D Gr. 4-5 . . . . . . . . . . . . . . . . . . ..50c OUT OF THE WEST. G Gr. 5 . . . . . . . . . . . . . .50c PRELUDE IN G MAJOR.* Gr. 6 . . . . . . . . . .75c SCHERZO IN E MINOR.* Gr. 6 . . . . . . . . . . . .90c INTERMEZZO.* A Gr. 6 . . . . . . . . . . . . . . . . . .75c ARABESQUE.* Db Gr. 5 . . . . . . . . . . . . . . . . . .750 FROM A BOHEMIAN VILLAGE. C Gr. 4-5. 50c DANCE OF YE WITCH OF SALEM TOW . ABSENCE. C MINOR Gr. 2-3 VALSE B}; Gr. 3 AN INDIAN DANCE. C MIN AN INDIAN IDYL.* G Gr. ECOSSAISE (Scotch Dance BAGATELLE IN G. Gr. VILLAGE SCENES.* Gr. THE BLACKSMITH. D. GLADYS AT PLAY. D. . . . . . . JUMPING JACK. C. . EVENING. C. (41 <70 RONDO. C. [ 5 THE BELLS. C. \ Gr. - JACK IN THE PULPIT. C . . . . . . . . . . . . . . . . . . IN THE HAY LOFT. Bb . . . . . . . . . . . . . . . . . . . .25c OLD CHIEF MATAATAKWA. A Minor . . . . . . ..25c THE WHITE BUNNY. C . . . . . . . . . . . . . . . . . . . .25c THE FROG POND. C . . . . . . . . . . . . . . . . . . . . . . .25c DANCING DAISY FIELDS. C . . . . . . . . . . . . . . . .30c PETER PETER.* CCr. 30¢ FROM A TAMA POW-WOW?‘ A Minor Gr. 2.....30c KITE FLYlNG.* D Cr. 2 . . . . . . . . . . . . . . . . . . . . . . 30:; Q (E S HRAB AND RUSTUM. C 25c BOHEMIAN FOLK SONGS.‘ Book I . . . . . . .50c (Arranged as easy Piano Duets. Gr. 1-3). Book II . . . . . . . . . . . . . . . . . . . . . . . . . . . ..90c NATURE SKETCHES. FROM THE HILLS. Bb Gr. 3 . . . . . . . . . . . . . . . .30c THE BIRD RONDO. G 3-4 . . . . . . . . . . . . . . . . ..50c PLAYING LADY. C 2 . . . . . . .I . . . . . . . . . . . . . . .30c IN SUMMER. D 2 . . . . . . . . . . . . . . . . . .30c AD BOY. G 3 . . . . . . . . . . . . . . . . . . . . . . .40c A DA THE / A HERZO. Gb 4 . . . . . . . . . . . . . . . . . . . . . . . .50c MI HINC-TON WAS A BOY* . . . . . . . . 1.00 (An Opera for Young People) LOVE ME YET JG SONG M THE FIELDS OF FRANCE ‘ AH—WAH-TAY—SEE (Little ﬁre-ﬂy) WA—YEA MY LITTLE OWLET E/(EAL E ‘ (\ SONGS OM TH] R’S GARDEN . . . . ..75c (V t teen ngs fo Children.) SONG (L I67‘) . . . . . . . . . . . . . . . . . ..40c (C to F) . . . . . . . . . . . . . . ..50c . (IE) to F) . . . . . . . . . . . . . . ..50c I MELODRAMAS (Reading with Music.) MIANTOWONA.* . . . . . . . . . . . . . . . . .75c (Poem by Thomas Bailey Aldrich) THE LEGEND OF WINONA . . . . . . . . . . . . . .75c TRIO IN B MINOR. (For Violin, ’Cello and Piano.) LESSONS IN HARMONY . . . . . . . . . . . . . . ..1.00 LESSONS IN SIGHT READING."‘ . . . . . . ..75c (For the Beginning Piano Student.) LESSONS IN RHYTHM* . . . . . . . . . . . . . . . . . . . . .. 75c 09 ODOWAN PUBLISHING CO. 880 W. 181st St., New York 831 Ave. B, Cedar Rapids, Iowa ‘Rub. by (Jtayton F. Sammy 00., Chicago. To £3111. You’ll Love Me Yet (SONG FROM PIPPA PASSES) REVISED EDITION BROWNING‘ Moderate You’ll love tar— ry your 1ove’spro—tract - ed grow - ing. 6’o;9y7'2'g/at MUZIBZY by Jolm ﬂlokrejs. JOHN MOKREJ S 17000 piu mosso June _ rear’d that — ers you car- 1-y nf poco piu mosso pri1’s sow. — ing.. I plant a heart — f ul some seed at least to strike and yield __ What you‘ll not pluck in deed‘___ Not love but You?! Love £l[e Met 4 Not love but may be like! Not love, not may be like! V P Yotf ll look 1) ll tempo Tab. loves re - mains,A grave’s one vi — o - let: Agrave’s one Y 0247! Love Me Yet 4 vi at but may be, least your look? that pays a thousand/thousand pains, a thou - sand pains. {-25 What’s death? You’ll love me yet!What’s death?You’111ove me yet! >>>> {T {-5 A 2:} me You’ll__. love me You"11 love me yet! Y0u’11 ~ love me, love me yet! ‘*1 4e ?’ [7000 Mt. Yozdllﬁove Me Ye! 4 To my sister Amze Spring Song REVISED EDITION Words by Music by SHAKESPEARE JOHN MOKREJS Alleg'rettAo d ai — When shep — smocks larks Oopyrig/at MUMXY by J0/m Jllolcrejs. - buds tread, light, cuc - koo then smocks..___. ed men; For. thus._ sings AS"!-wing Song 3 Cuc—k0o, cuc —koo, Spring Song 3 A Tfiéule to our Gallant Boys From The Fields Of France Words as Music L argo (very slowly) E _ B 131£OKREJS _ L __ F.‘ Vwy slowly and profoundly Though our hands be part ,- ed by the deep seas blue, Yet have When the storms go rag - ing, be on sea or land, Then have Like the sun’s down - go - ing, mid its glor — ious ‘hue, In the nff hearts one Song whenthere’s fightéin" to do. Though We ne’er see home and you, we to hearts one Song and as mountains We stand_ As the mountains do we stand, with one roll ca1l’s miss - ing our hearts go home to you. "Yet though clod becomesthe clod, and 1‘ du — ty’s call were true; We lived for the Right and we died for you. heart, one hope, one hand, Un- til Right en - throned shall rule the land. time and a — ges nod, There’s no name e’re lost from the roll call of God. T Oopyriglzt 1l[6’1ﬂ’)f by Jo/an Zllolcrejs. VVah—Wah—T1(:£ré:“0sWé7”e;>I./j3{Ij'1:}kir1‘i).7”ﬁ91e Fire Fly. From Longfe11oW’s Hiawatha. Music by Y JOHN MOKREJS . Andante con moto e tranquillo. ,5 Wah—wah - tay -_ see lit -tle fire - fly Lit-tle flit - ting Whitefire in\: sect, Lit—tle dan—cing »\ 2; white-fire crea - ture Lightme with your lit -'tle can — dle, 6’(/pg/7'77g/¢Z‘ J[6’J[XV by Jo/an Zllo/cre,/Ls‘. Ere up- on_. my bed I lay... me e Ere in sleep I .5 close my eye - lids Wah—wah-tay - see litgtle fire - fly, Lightmewith your lit- tle can - dle Ere in sleep I closemy eye - lids. trrmgmlln Tab. $1.3. ”l"’/"*"””'l"WW-W" ~° ‘ F.\J.LAWSON co.N.v To ﬂfary. EWa—yea My Little Owlet. (From Longfe11oW’s Hiawatha.) JOHN MOKREJS . Andante mo derato. \——/ P 00 7; [’ca’_ Ewa-yea my lit— tle that lights the ‘Wig - warn?Wi‘ih his great eyes lights the wig - warn Sz _>.. 15> 00]);/7‘?:l,"/if MUMXIII by Jaime ]l[o/krejs. Ewa - yea my lit -tle owl - et 7.’ . f great eyes lights 8 Z .7 . P Ewa -yea my lit — tle Ema -yea 2 T0 Jllr. EE. Pirkel. GALLIE. REVISED EDITION (SOUTHERN SERENADE.) JOHN MOKREJS. Moderately. is a out ma dar - — - lin’, ob de sum—mer night, is a in ma dear swoon-in’ Wid de- light Copyright MCMXX by Johh Mokrejs Hi -ho ma dar - lin’ H3 -ho ma dear gva ' ' '3 _ . \./ \_/ Wwjz‘ 4/<3: \¥ J/-\/'_\ b gx J./\ : - : __ /‘T Sweet! Sweet! owls ar’ hoo - tin’, Night croons, stars ar’shoo - tin’, Gal- lie lie “ 1*” I s here Gal-lie. Game_ 2 >2: Cello ditto two octaves lower BY JOHN MOKREJS WHE_N WASHINGTON WAS A BOY An opera“ in one act for young people based on the cherry- tree story and bringing in the important characters, including the negro servants, surrounding Washington’s boyhood. Though written for piano accompaniment only, it is strikingly orchestral L. ESSONS "Lessons in Harmony" is a beginner's harmony book. The facts in it can be taught by any teacher after a slight perusal of the book. The exercises are to be played, listened to and written, and, being simple, can easily be understood by pupils of any age. It teaches how to form and play all intervals and all chords. It teaches the nature and use of all chords, thereby laying the foundation for memorizing, improvising and composing. It teaches the perception of Relative and Positive Pitch and has a most excellent presentation of modulation. The book will be sent on approval. (Price $I .00 net.) "Excellent in thought and content, not conventional, and wide in scope."—-A. L. A. Boo/flist. The average student approaches the study of harmony with a hostile mind. Decades of stupid teaching and dry text have brought about this unsympathetic attitude and only through the use of practical works like the one under discussion can the usefulness and pleasure of the subject be fully disclosed. It ‘ is not ﬁlled with rules that contradict, nor is it padded with dry formulae; nor yet is it made wearisome with endless excerpts from composers’ works; it is almost tersely clear in explanations of formations and progressions. LESSONS This book is for the beginning piano student and it teaches how to read without any drudgery. It teaches the treble, high-treble, loiv-treble, bass, high-bass and Iolv-bass lines as units (pictures) with deﬁnite locations on the keyboard. These six pictures combined take in the entire key- board and each one is equally easily learned. LESSONS Teaches your pupils to play naturally in time. It aims to give your pupils a musician's conception of rhythm. Elastic, ﬂexible, proportionate, accurate. This method establishes that rhythm is to be taught—not as a problem in arithmetic——but as an element in music which must be consciously felt as well as scientifically understood. Notes are named according to their sound, their meanings, their rhythmic or counting values. This is the ﬁrst time that the subject of rhythm——including Time, Tempo, Measure, Pulse, Pulse-Rhythms, Rests, Dots, Ties, Syncopation, Irregularities, etc., is gathered into one com- plete, practical teaching method-«scientifically accurate yet artis- tically intuitive. I N I N in effect and the vocal parts are perfectly within the possibilities of young people. Its length is about an hour and a quarter, and by following the directions given, it can be done with but a month's training. H,ARMONY The chapters on modulation should be mastered by every church organist who essays the necessary transition between the hymn and the anthem. No stiff formula: but the best possible manner of approaching each key clearly set forth in a convincing manner that would mean a little more peace in the choir loft i followed honestly. Again modern usage is taken into con- sideration by a fair recognition of the looser key feeling now obtaining where the old relations were so ﬁrmly fixed.-~—~Cedar Rapids (/a.) Sunday Republican. Harmony Considered From a Practical Viewpoint. Too much has the custom in the past been to merely ap- proach the study of harmony as a sort of geometrical structure, with no instinctive association between the two methods of receiv- ing impressions, viz.: the eye and the ear. The manner in which Mr. Mokrejs insists upon ear training as a fundamental of har- monic comprehension indicates a perception of what has heretofore been the weakest point in our system of theoretical musical educa- tion-weak because it has so often been taken for granted. This work is well adapted for study under almost any conditions-— with or without a teacher. Among its commendable qualities are conciseness, directness, simplicity, brevity——so arranged as to lead to the absorption of the subject rather than of a lot of rules which are supposed to govern the subject.—-~MusicaI Monitor & World. IN SIGHT READING It teaches the Relative and Positive Location" of Keys (which is as necessary to a pianist as Relative and Positive Pitch) afid enables one to naturally see the keys in the notes. It establishes that notes should be learned from the keys and tones they represent, and never disassociated from them. Price 75 cents" RHYTHM The exercises are presented in such a logical manner that they immediately clear up every Rhythm Problem from the sim- plest elementary forms to the most advanced complicated forms. The principles taught in the first elementary lessons are so scientiﬁcally true that they work out equally well when applied to all the more involved forms. This blesses the pupil to the extent that nothing ever needs to be unlearned. These “Rhythm Lessons" can be used for all students of music—-vocal as well as instrumental—-including wind, string and percussion instruments. The price is 75 cents"‘ Two INDIAN MELODRAMAS MIANTOWONA AND THE LEGEND OF WINONIA _ That the Indian -is ﬁguring moreandimore in American art is very apparent. Indian legends, Indian life, Indian exploits are fascinating to young and old alike, and rightly so—~“they are ours. Miantowona and the Legend of Winona» one a legend, the other a tradition; one poetical, the other dramatic~—are both beautiful poems to be read with musical accompaniment-—melo- dramas. “Miant_owona""" (the poem by Thomas Bailey Aldrich) is a legend which tells how the first water-lily came to be———from Miantowona's constant love for Wah-Wah whom the Great Spirit had taken to the‘ happy hunting grounds. "The Legend of Winona" deals with an incident at Maiden's Rock on the upper Mississippi. It is based on a poem by James Athearn Jones and shows the inner thoughts of a brave, heroic Indian girl to whom death was but a stepping stone to liberty and her higher ideals. The character and action of the poems are beautifully ex- pressed by Mr. Mokrejs’ music. Both make splendid numbers for home or club programs. Price. each 75 cents.. ’‘‘Published by Clayton F. Suinmy Co., Chicago.
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Date: 1917
Text: T. TERTIUS NOBLE Two Songs With Piano Accompaniment CUPID’S ARROW % - WINTER _High in F minor Low in L) minor @ Price, each 60 cents net New.Y0rk : : Boston nusoc L}/*IhAnv VAS$AR CO LL EC‘ To my fmend 1i3cz'7aal(lWerrenrntlz VVinter Words by Longfellow V A T- Tertius Noble Lento, molto sostenuto 1’ The day is end - ing, The night is de- A d 8”“ bassa #’ scend-ing,The marsh is fro-zen, the riv - er dead. >>- >> > /\ } 27049 C Copyright, 1.917, by G. Sclzirmer Piﬁ mosso...
Show moreT. TERTIUS NOBLE Two Songs With Piano Accompaniment CUPID’S ARROW % - WINTER _High in F minor Low in L) minor @ Price, each 60 cents net New.Y0rk : : Boston nusoc L}/*IhAnv VAS$AR CO LL EC‘ To my fmend 1i3cz'7aal(lWerrenrntlz VVinter Words by Longfellow V A T- Tertius Noble Lento, molto sostenuto 1’ The day is end - ing, The night is de- A d 8”“ bassa #’ scend-ing,The marsh is fro-zen, the riv - er dead. >>- >> > /\ } 27049 C Copyright, 1.917, by G. Sclzirmer Piﬁ mosso Through clouds like \/ \_/“/ sostenuto flash - es - dows that it tempo 1’ The snow re-com-menc — es, The bur — 8 "" a tempo 13720 ._ Mark no long- er the road to the plain, Z’—\ ".27" While thro’ the mead - Like fear—ful shad - ows, 3 -=-z:/(¢»;=\::<_'ae>;-ﬁ;;.;a.7'a7«a&7&,§..~'Z:; fe S1ow—1y pass—es a fu-n’ra1 train. > > 1’ The bell is peal - ing And ev—’ry feel - ing With— in sx __ re—spondsto the dis — mal knell; ‘.570 /"*3, Sha.dL- ows are trail - ing,______ My heart is be— wail — ing f % And to11-ingWith- in like a fu-rfral bell, > > n'ra1 bell. FOUR SONGS by JAMES H. ROGERS To Felt’: llughu Sea Fever John Masefield James H. Rogers Spiritoso f I must go down to the seas a-gain, to the lone - ly sea and the sky, :11 I usk in 1 tall shlpand A star to steer_her by, wheelk klcknnd the windk songand the white sails_ shah.-ing, > f Copy;-iglt, llll, by 0. Scbirncr PRICE 60 CENTS NET To Miss Geruldxm’ Farrar The Star . wows. W A fragment from Plato Charles F. Lnnums High. in Db Low ;n B], James H. Rogers -K-5:A* ‘YR: semprv R- - inglhemoth . - er shes, - cqyum. um. by no s.s. meme co. ¢'°m"':M 1'": Mr 0< Selim!" PRICE so cams NE‘! “Loves on the highroad“ F. Dana Burnt! James H Rogers Vivace con anima Voice co,,,r.,u, ma, 3., a. Selina! PRICE so cams NET NEW YORK :-G. SCHIRMER Autumn F. Dana Bum“ James H. Rogers Poco Volcé W Swift-ly, my heart, while {adeslhe sum-me-r rose, qfslulaada Speaklhou or love, ere Youlhand Love growcold! The year hath lurnedher face un - to the ngfslcuhmdo . ‘! PRICE so ceﬁf NET BOSTON : THE BOSTON MUSIC CO. Copyright, IBM, by (I. Sclimtr
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Date: 1912
Text: MUSIC uammv VASSAR COLLEGE "°UGHK££PsI:, new vonn VICTOR KOLAR / or /76 0021/77 1/0)/[6 HATH ITS PEARLS . . . . . . . . . . . . . . . . . . .. .50 ‘VM‘lf‘;}=2";;‘2V"~tl1e German of Heine, translated by Longfellow. BEWARE ...... ................. ............... .. .50 From the German, translated by Longfellow. DO I LOVE. THEE? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .50 Words by /olzn Godfrey Saxe. Medium Voice in E The Sea hath its Pearls. From...
Show moreMUSIC uammv VASSAR COLLEGE "°UGHK££PsI:, new vonn VICTOR KOLAR / or /76 0021/77 1/0)/[6 HATH ITS PEARLS . . . . . . . . . . . . . . . . . . .. .50 ‘VM‘lf‘;}=2";;‘2V"~tl1e German of Heine, translated by Longfellow. BEWARE ...... ................. ............... .. .50 From the German, translated by Longfellow. DO I LOVE. THEE? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .50 Words by /olzn Godfrey Saxe. Medium Voice in E The Sea hath its Pearls. From the German of Ee2‘m'z‘c}¢ 1732719 Translated by H. W. LONGFELLOVV. Music by . VICTOR KOLAR, Op. 18, N9 1. Moderato con espressmne. > > f "f ff” 1’ T’ 1’ T’ %.~ — Sea hath its pearls, The heav - en hath its T’ 7 3°23. ~36 my heart hath its . 0 ‘IT *5 2%. mf am pogo pi?) masso Great. sea and heav - en, 6 9% 0017,:/right MOMXII by Carl l’z'sc}zer, N, Y , Tnfﬁrnaﬁnnal Cepyright secured. Yet great-er is my heart, than pearls and stars /K _ {“':—-1-"*5 flash - es and beams my love.. ap]1a.s's z’o7mz‘0 77£67l0 7720830 rd!‘/rm! / am Thou lit-tle youthful maid-en Come un - to my great heart, and the heav-en me1t—ing a -Way with love, and the and the heav- en are melt - ing a -way with love. ,-\ >> m > A FEW SUGGESTIONS FOR SINGERS TAKEN FROM THE CARL FISCHER CATALOGUE 1/am-mar to my mum. Sleep Song. words by Music by .W d d M . b ALICE MATTULLATH. ARTHUR rayon. A_ 5§'L§',,';‘N G":',fBg"_\ 5,8,, vow, in A; Low Voice ill F‘ After Sunset. Moderate can amore. Anda"t°' Voice. h d ~ ‘ me your an bleep,iny liutle one sleep, * , sha-dows round prom - ise you‘lI true’! Give me your heart gone be - yond Continued Copyright MCMX by Carl Pischar, N.Y. - - continue‘; 0.0- lnternntlnul Copyright secured. 1lWBI>l Capyyiglil. MC:\'.‘i l;y[‘.\r " lliternnliulml Cnpyriy 1.: «.m.. Price, 50c. I Price, 50c. High Edition in A (In Low Edition in F Love,s Answer. Sop. or Ten. Shadows F 1y. J. touis Von der Mehden Jr. Op. 18. words by Mum by Moderate, con moto agitate. FRED. G. BOWLES. LOUIS VICTOR SAAR, Op, 69.1] con fu0co_ - Mnderato, con moto agitate‘ "!f i—[ 7I_fd “Yes, my lips to ~ night have spo - ken ./3 . E 1 molln Heart,_ are you hope-ful, now ‘us y do,“- .b’é’ '4 L7 ﬁoco rail. _ L Words I said they should not speak, And 1 mt paw mil. _ V a tempo _. are you ea ger for the fight? Continued . Copyright MOM X by Carl Fisoliei-,N.Y. Cont L‘ ruued ‘ inzanmuomu Copyright secured. Copyright MCMX by Carl Fischer, N.V. lnternutimiul Copyright secured. Price, 50c. - Price, 50c. ? It gives you the most comprehensive and complete news’ of everything worth 0 e knowing in the vocal line; contains splendid articles on the voice, voice culture, ° etc., and is onlv one of the many interesting departments contained in the “MUSlC_Al- OBSERVER,”_A{nel‘iCa’s_fas|:est growing musical monthly. (II Each issue of this interesting magazine is virtually an education in itself, while the music supplement consisting of piano solo and vocal music, is worth many times the subscription price of $1.00 a year. Single copy mailed for 10¢. Adi Yollrglealilr to {how you current issue of "The Musical 0luerve'r._" a musical monthly magazine whose interesting and educational articles on music and inluicinnx, oget er with Ill valuable mun: supplement will prove a constant source of inspiration and pleasure to every teacher, student and musiclnver in general. SUBSCRIPTION ONE DOLLAR PER YEAR—SINGLE COPY TEN CENTS.
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Date: 1890
Text: berm RUUQUHO vo_n ZL1rJV(UTﬂ€Tl. 7% % 1 MM °\/\6rb,s by e ryx/V2:b§wortb fqngfellow, l_SWg‘E_r:g_g_9W Pr. 40 cts. LI5\lto ......... ._ Pr. 40 cts. NEw—Y0RK, BERLIN, EDWARD SCHUBERTH &c9 ED. BOTE& G.BocK 23 Union Square. Kgl. Hof—Musikhandlung. [by/yr/‘git 7690 by Edward /Styx/den‘/7 4? (P Lnh An§r.v,C g.f\6der, Leipzig, MUSIC LI IRARY "ix. _, .2 1 Der Pfeil und das Lied. The arrow and the song‘, (Lougf<~I10w.) Allegro . A Mary Wurm . Einst schoss ich ei _ nen Pfeil weit 1 8...
Show moreberm RUUQUHO vo_n ZL1rJV(UTﬂ€Tl. 7% % 1 MM °\/\6rb,s by e ryx/V2:b§wortb fqngfellow, l_SWg‘E_r:g_g_9W Pr. 40 cts. LI5\lto ......... ._ Pr. 40 cts. NEw—Y0RK, BERLIN, EDWARD SCHUBERTH &c9 ED. BOTE& G.BocK 23 Union Square. Kgl. Hof—Musikhandlung. [by/yr/‘git 7690 by Edward /Styx/den‘/7 4? (P Lnh An§r.v,C g.f\6der, Leipzig, MUSIC LI IRARY "ix. _, .2 1 Der Pfeil und das Lied. The arrow and the song‘, (Lougf<~I10w.) Allegro . A Mary Wurm . Einst schoss ich ei _ nen Pfeil weit 1 8/202‘ an arm-Iv 2'/2. — to 1/26 /‘T Erd’ fiel er an fer—nem Ort, Ist sein Flug doch so schnell fell to earth I /mew not where, For so 8102]’! - [y if f/ew,_ Eigenthum dc’ Ve"1"5‘“' W’ 3119 Lﬁndeh St1'chundDruck derRdder’schen 0§ficinmLe1pzig Ed. Bote 80 G. Rock in Berlin. Edited by H- W- NiC11011~ 13439 Copyright 1890 by Edward Schuberth 80 C? N. Y. leicht,"_.: dass kein Au _ '- ge as Ziel er — reicht. Sig‘/It ____.._ could not fol — low it in 278 flzlg/zl. sang ein ed im rei-en a1d,_.._____.___._.__ 1e’s kl-ang,-.1ch, ch V61‘-g'{LSS breaz‘/zed a song 2'72 - lo‘ 2‘/ze air, ______________ It fell to earl/1 I /mew not a1d._____ Wie kommt ein Lied‘? W0 fliegt es hin? Nicht anh ihm av/zere. For w/20 /gas siglzt so /wen a21d8tr0ng,T/mt 2'2.‘ can L, ¢ fol — - gen er h ’ - ste Sinn! fol - /ow I/Le flig/zt of song. 13/L39 P Doch hab’ end—I1ch ch beid’ Long, long (If— l'6l'— wards 2'1; Pfeil au —- be ef found the (Ir - row still 0T680- 13439 treu /zeart
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Date: 1907
Text: six INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiMar1ito, der Machfge) . . . . Med. Greeting of Hiawatha (Gruss von Hia» watha) . . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei~ gen) . . . . . . Chibiabos (Tschibiabos) . . . . 4 H5235 OF cH1Bla53'S (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawal wach auf", Cveliebtel) OLIVER DITSON COMPANY. Boston New York...
Show moresix INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiMar1ito, der Machfge) . . . . Med. Greeting of Hiawatha (Gruss von Hia» watha) . . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei~ gen) . . . . . . Chibiabos (Tschibiabos) . . . . 4 H5235 OF cH1Bla53'S (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawal wach auf", Cveliebtel) OLIVER DITSON COMPANY. Boston New York Chicago Philadelphia C. H. DITSON 8: CO. LYON 82; HEALY J. E. DITSON 8: CO. To Mr. Alexander llememamz PL_1rr:”..i iwd from the 02*“ % DEATH OF CHIBIABOS T1413?-W» “~“-RENO (TOD VON TSCHIBIABOS) HENRY WADSWORTH LONGFELLOW E Gerrnaﬂ /ra/1.5‘/Ir/z'rm 51/ Herma/112, »5’z‘mo/z CARL BUSCH Grave the sweet mu — si -cian! He the sweetest der sixl - sse Siin—ger, Er, dur /zwrr _ > > > AJJ SiI1g—erSY He has gone ev - er, He has >50”-geﬂ Hat fiir im 3 [as _.srm1, Hb'-7z,</r CO ' ‘ ht MCMVH b ' 01' D1‘ C ' . PS rllngternational op}*xr‘;:r1;1t§teS((:)\§1re?1mpan3 5 ‘ 33“1‘340 0 J‘ the near — er To go - schwun—ge'n Zu Mas — ter of all Afci — star al - Icr br0th—er; Chi — bi Bru-de1', Tschi - bi 5-83-68400-4 And the me} - an-cho1 — y fir trees Waved their dark green fans a — Und die Fich — ten trau—ernd wog—ten Ue — ber ihm die gr1'i_nen Xe Z-T /\ 5’ /‘\ bove him, WaV'ed their pur -p1e cones a - bove him, Fii-cher, Und die pur—jmr - ro — then Za —j>fen to con- sole him, Min gling with his lam _ en-ta _ tion ihn zu trb' - stcn, Misch ten un _ fer sei - mm VVeh - ruf 5-33-86800-4 mollo grave Their com_p1ain _ ing, ‘ He is Ih — rv Scuf _ zcr, " E7’ 1’-91 fmollo grave dead,__: gone for _ todf,___._; " im_mer uns ver- 5—33—66&0O-4 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, post»paid, and in paper with cloth back, price, $1.50, post«paid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in ﬂexible cloth, are handy in size, and range in price from 50 cents to $1.25.. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chieﬂy technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample-copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Date: n.d.
Text: 15%‘ Edition. The BUILDINGWSHIB Qlanfata. C V” D Zwrzltezz, 5_y Hen ry Wadsworth Longfellow, \./ Composed arpressé)/jror the Leeds Triennial Musical Festival, 18 8 O, and res/De c_2ffLZZ)/ de0ZZcaZ‘ecZ/5}/,0e777zz.'9sz'07z/ ﬁizﬁugalﬁigﬁnmgahrﬁrinw ufiﬂﬂalvﬁ. 2? JOHN FRANEIS BARNETT. (1/1). 35. PRICE 4/-/v£ 7r 6222*. Smﬁzll. j BOW 6/_ N iﬂnn E] on ‘ CHO/Pl/S PARTS //— ,,. OR OHESTPAL P/mrs & 3 SEE SEPARATE Lisa‘ 44, Greatjlfarlboroug/7, Street, W \ ]$'."_B__.}’5r 1:77;‘...
Show more15%‘ Edition. The BUILDINGWSHIB Qlanfata. C V” D Zwrzltezz, 5_y Hen ry Wadsworth Longfellow, \./ Composed arpressé)/jror the Leeds Triennial Musical Festival, 18 8 O, and res/De c_2ffLZZ)/ de0ZZcaZ‘ecZ/5}/,0e777zz.'9sz'07z/ ﬁizﬁugalﬁigﬁnmgahrﬁrinw ufiﬂﬂalvﬁ. 2? JOHN FRANEIS BARNETT. (1/1). 35. PRICE 4/-/v£ 7r 6222*. Smﬁzll. j BOW 6/_ N iﬂnn E] on ‘ CHO/Pl/S PARTS //— ,,. OR OHESTPAL P/mrs & 3 SEE SEPARATE Lisa‘ 44, Greatjlfarlboroug/7, Street, W \ ]$'."_B__.}’5r 1:77;‘ 71:7]! 5 ﬂ7Ap)7£r/?)rzruz/Ice 1‘/'}:>z? 0/‘AC/7rI7:’Je '72,//’/’ Wrr: 1.2),»/1, .w.r.z5f' be 777/11/(2 fr» .+/aw /iv/,>1'13;/zr..*/'3. 66 /— \ ‘ \ ‘ \ \ \9D TH; ___/lUT__L/ Series of Eart—Songs, ﬂnthems, &c. IIIIIIIXIIIIIIIIYIXIIXXIIIXIXIXIIIIIIIIIXXIIIXIIXIIIIIIIIXIXXIIXIIXIIIXXXIIIIIIIIIIIIIX SAC R E D_ N SACRED—Contz'nuea’. 3’. F. Bridge, Mus. Doc. 3d. ro3. Praise the Lord, 0 my Soul (Harvest) Wm. Small-wood . . C . 7. Frost 104. O Sing unto the Lord (Harvest Anthem). . Turle Lee ., a. This is the Day . . . A. R. Gaul I05. In Thee, O_Lord (Anthem) .. .. .. 7. R. Alsop 7' 5. Let Thy Merciful Ears .. .. A. R. Gaul 106. 0 How Amiable (Anthem) .. Herhert W. Wareing I2. *Hark ! what mean (Christmas Carol) Sir A. Sullivan ro7.*Sing unto God (Festival) . . . . . . F. Bezlan I 3. ‘Hear, O Lord.. . . . . Michael Watson zo8.*Behold, my Servant (for Christmas) Ehenezer Prout I 5. Let them give thanks W. 9'. Westérook no. Like its the Hart, 0 send out Thy Light C. Lochnane 17. Come Holy Spirit . . . . 7. F. Barnett 1n.Ilf ye then be risen (Easter Anthem) F. Osmond Carr 18. Lord, Remember David .. W. Wei-ehe’ :12. Christ our Passover (Easter Anthem) . . A. C arnall I9. The Lord hear thee . . .. .. . . C. S. Yeh}/ll I13. Out of the deep have I called Hamilton Clarke 20. ‘Praise the Lord, 0 my soul (Harvest Ant.) M. Watson 114. Behold, how good and joyful Ferris Tozer, Mus. Bac. 22 O God, Who hast prepared. . . . . . A. R. Gaul 1x5. Harvest Hymn . . . . .. Turle Lee 23. *Come near ye nations (Christmas Anthem) M. Watson . ii6."Fear not, 0 Land (Harvest) F. C. Maker 25 Rejoice in the Lord alway . . . . .. A. R. Gaul . ir8.¥While shepherds watched (Pastoral Xmas) G. C. Martin 27 Oh, most merciful . . .. 7. F. Bridge, Mus. Doe. ng.IrBreak_forth into joy (Christmas Seymour Smith 29 O Lord, Who hast taught us . . . . W. Metcalfe z2oa.It is high time to awake . . Walter S pinney 32 Unto Thee O God‘ .. . . . . Michael Watson 12ob.Bened1ct1on Hymn .. . . . H. Elliot Button 33 Magniﬁcat and Nunc Dimittis . .. W. H. Hunt :22. Give sentence with me, O God Lewis Thomas 35. "’Daughter of Zion (Xmas Anthem) .. F. C. Maker 122. Awakeuglad Soul. a_Wa.l_<e (Easter) . M. B. Foster 36. *1 will sing unto the Lord , , ,, ,, A, H, jmum x23.*l-lalleluiah ! Christ is risen (Prize Anthem) R.O.Morgan 38. Hear me, O Lord . W. H. Dixon x24a.Almighty God, who has promised . H. Elliot Button 40 41 43 44 46 48 49 xxxxxxxxxxxxxxxxxxxxxn No. 2. ‘Seek ye the Lord . . .. 6. Magniﬁcat and Nunc Dimittis Awakg thou that slecpest , , F_ C, Maker I24l).CvI‘2.nt to 115, Lord . . . . . . H. El‘/llﬂt Button If y¢ love me _ _ , , W, 7, Westbrook , x24c.We humbly beseech Thee, 0 Father H. Elliot Button Let not your heart _, Rev. G, Gardner , 125. How bright those glorious spirits shine A. Page, F.C.0. 0 Worship the Lord . . .. . . Michael Wat;-on , 127. Praise the _Lord, 0 Jerusalem (Harvest) W’. S mallwaod . Blessed is the Man .. .. .. T. Distin . 128. Be Joyful _m God (Harvest) J. C. Bridge. Mus. Doc. . ‘Sing, 0 sing this blessed morn . . flenry Leslie . 129- Tile Lad 13 In sh°Ph°1'd - - ‘ - C- 1- 3- Mtﬂhdm. Blessed is he that considereth‘ Langelon Coléorne, 130- G"{¢_11m° th? 0rd - - - Chm?‘/¢-Y Dﬁﬁtton. the Poor _ , , _ Mus, Doc, ' 131. Rejoice ye Wl_tl’l Jerusalem . . . . . . Arthur Page 51 Thanks be to God (Easter Anthem) William Smallwood . I32. Unto us ‘a Child is born . . H. E. Nichol, Mus. Bat. 53. The Lord is good .. .. ’ .. A. H. Behrend . I33. Wherewlthal shall nyoung man .. .. 7. E. Newell 55. Magniﬁcat and Nunc Dimittis .. Frea'en'e/E Heath . 134-"‘AW3;l<° “P ‘"3’ Gl°l'Y (E3533) - - - - F- C- Maktr 56 Thou Crownest the Year (Harvest Anthem) F. C. Maker 135~*Ch1‘15t 0“? P3-SSOVCT (E3-53°F) 319155“; MW- D06- 5821. Saviour again to Thy dear Name‘ } 136. When the Day of Pentecost (Whitsuntide) A. Kemfton (Anthem, Trio for pcmic voices) Kat‘ U'W”J'" :37. 0 Lord, 1 will praise Thee (Festival) H. A. 7. Campéell 58b. Ditto ditto ditto (For Four-Voices) Kate Llewellyn 59. *Blessed be the Lord God of lsrael (Anthem for Christmas-tide) 9!’ Barmiy 60. O that I had wings like a Dove 7. More Smieton :38. Far down the ages (in March form) . . Coldham Hall 1 39. Behold Ihave given you every herb (Harvest).H.E.Button i4o.*One soweth, another zeapeth (Harvest) . . F. C. Maker Words specially written by Rev. S. Baring Gould, M.A. 141.” Sing,O ye heav’ns(I-Iarvest) W.A.C.Cruick.i‘hank,Mus.B. 62. 0 give thanks unto the Lord (Easter Anthem) M. Watson . 64. IfI go not away (Anthem) . . . . Al/"red 9’. Caldicott . I42. I Will cXl01_Th€¢ -~ - - - . . . F. C. Maker 66. Suffer Little Children . William llietealfe 3d. I43~ HOW beautiful 3-1”‘-‘ the {Get (X3135) W- A- C. C7‘t¢I'Ck-8‘/tank 67a. Rend your Heart . . .. W. H. Dixon 15d. 144- Let l15_“°W Z0 °V°n “M0 B¢thl¢h°m A Ktmftm 67b. 0 Lord, rebuke me not Gaynor Simpson i§d. (Christmas Antlmm) - - - - ' 68 Great‘ is tl'l'ti‘I£4Ol;$ . . . . . . . Fé Ill;/’, fig‘/tr 3%, 14%. 1Pgci)ndei(‘j my i;/lords,hOtIC.lor% (Anthem) Norman Hatfield 69. Teac me y ay . . .. .. ran . air 3 . 14 ~ €559 3” ‘W I 3 0 13 _ 7:. *Fear not '; for behold _ _ .. F. 7. .S'a'wyer. Mus. Doc. 3d. _(«0mm3“d-ments -- -- N’ W’ Hmuard Mc{’!an 72. ‘Arise, shine, for thy Light is come Re?/. 7‘. W. Stephenson, d 147- 5100‘? bY Man C3-m¢ D¢3th (Easter 17- 57"“-Y’ N15/101: (Fun Arnhem) ,_ _, 51,4, 3 - Anthem .. .. .. Mus. Bac. 0.z'on. 73. *Te Deum in B Flat Chas. E. Clemens, F. Gld.0..A.C.0. 3d. :48. The strife is o'er(EasterAnthem)A. - "‘}:;EEb:ft:‘r‘)‘° _]'3““’”“_(_A“”‘f. G. C. Martin, Mus. Doe. . *There is a Green Hill . . Fred. H. Burstall . ‘Sing to the Lord of Harvest . . . . 7. Barnby . ‘Faithful is our God (Harvest Anthem) . . 9. F. Barnett . *Not unto us, 0 Lord (Anthem) . Seymour Smith . ‘There were Shepherds (Anthem for Xmas-tide) A. R. Gaul . *Now is Christ Risen (Easter Anthem) H. Ernest Nichol . ,"Awake up my Glory .. . . .. .. W. G. Wood 89. ‘Blessed be the Name . . . . F. Riclrman 90. *Praise the Lord (Harvest Anthem) . . . F. C. Maker 91. *Rejoice in the Lord, 0 ye Righteous (Festival) A. Page 94 Behold I bring you Good Tidings. . . . Fredh. Peel 95. *Ari=e, Shine (Anthem for Christmas) . . F. C. Maker 97. *The Lord bless you (Wedding and Festival) 7oseph Barnéy 98. *1 have set God_ always before me (Easter) W. Smallwood 99. I am He that liveth . . _ . . 0lz'7/er King 1oo.*I will iﬁiagnify Elie; (Whitsuntide) 7. H. Parry io2. From gypt's on age come (Anthem in style ofa March) - A’””" Pa!‘ Marehant,Mus.B. 149. In that day (Open ye the Gates .. F. C. Maker :50. 0 give thanks unto the Lord Bertram Luard Selby 15:. The Earth is full of the goodness of the F C M A! Lord (for Harvest) ' ' a ‘V . O sing unto the Lord (Harvest) Ferris Tozer, Mus. Bac. . O sing unto God . . . . Arthur Page, F.R.C.0. Sing, 0 heavens . . . . Cola’/tam Hall . Break forth into joy (Christmas) J. C. Bridge, Max. Doe. . 0 be joyful in the ord .. F. Peel, Mus. Bac. Oxon. . The steps of a good man are ordered by the ord . . .. Em. A. Dicks, F.R.C.0. . Ellho is liécedunto Tléeel, 0 Log: (liaster) . . F. Tozer . ehold, o is my a vation nt em for Easter) . . .. . . i W’ Smallwaad . The Lord is my Shepherd. . .. F. C. Maker . Rejoice in the Lord, ye Righteous E. M. Barﬁer . Sing ye to the Lord (Harvest) A. W. Marchant, Mus. B. . Every good Gift (Harvest) . . . . A. W. Ketelbey . O praise the Lord (Harvest) . . (Continued on hack ﬁage.) The numbers marked *‘may be had in Sol-fa, 2d. each. EL 11 1". L‘. IL [L A r; 11 E Iﬂ I". ll F r E E‘. [L ll 11 F. l E‘. S E‘. ll [1 IL [L I1. [L E‘. P. n E. i ll % I1 LL IL n 9+ E‘. E‘. O :1 n E E LONDON: PATEY & WILLIS, 44, Great Marlborough Street, W. BOSTON: A. P. SCHMIDT. 146, BOYLSTON STREET. A . Redhead IXXIIIXIII XXII IIIIXIIIIIIXIIIXIIIIXXIXIIXIXXIIXIIIXIXXIIIIIIIIIIIIIXIIIIIIXXII}IIIIXIXIIIIXIXXIIIXXIXIIXIXXIXIXX I5t.h Edition. The BUILDINGga:&eSHIB Qgaﬁfata. ZWritte2L 5} Henry Wadsworth Longfellow, Composed arpresslj/j’0r t/za Leeds Tﬁenni a1 Musical Festival, 1 8 8 o, and res;0ectjiLZZ}/ dedicated /5}/,0e777zz'ssz'o7z/ 1§mmuga1mhnm2irue1@rium ufﬁiﬂalrﬁ. JOHN FRANCIS BARNEIT: (//>. 35. f; /:‘Q€Zé—E""' /VH7 _ <9n2.‘. S_ta.HELZL. . 2%. W 6/_ H EH0“ C»/opus PARTS 7/- ,, OR OHESTRAL Pxmrs 86 S ’ SEE SEPARATE /_/ST 44; Great Zlfzrlborough Street, W 2\C’B_..E2r £725 Jig/a/: r,>z_“;2z-.v'f?)rzn;,L/zcc '/';"<=-e of}-]n2r;;¢-* '2z;;/2/.1’/~«z17),»/1, M15!‘ 726 ‘nvwfn fr» 2‘/Le / My/' 25/14713. INDEX. 1. INTRODUCTION (INSTRUMENTAL), - -» SOLO (Bass). Build me straight, O worthy Master, CHORUS. The merchant’s word, - - - RECIT. (Bass). And with a voice, - - - CHORUS. The merchant’s word, - - 2 RECIT. (Tenor). Beside the master, - - = - CHORUS (Female Voices). Beautiful they were in sooth, 3 RECIT. (Bass). “ Thus,” said he, - - - - - 4 ARIA (Bass). Choose the timbers, (The Shipwright’s song), RECIT. (Soprano). The Master’s word, - - - - - QUARTET FOR FEMALE VOICES. The sun shone on her golden hair PRELUDE (lnstrunzenial), - - — — - _- - ARIA (Tenor). Love’s command, - - - - - { CHORUS (Male Voices). In the ship-yard, - - CHORUS. Thus with the rising of the sun, - - - DUET (Soprano and Tenor). As in a dream, - - - RECIT. (Bass). Day by day, - - - - - - ' { CHORUS (M ale Voices). Build me straight, O worthy Master, { RECIT. (Contralto). Behold, at last, — - - - - ' ARIA (Contrallo). Ah! when the wanderer, - - - RECIT. AND SCENA (Soprano). To-day the vessel shall be launched, CHORUS. The prayer is said, - - - - - SOLO (Bass). The worthy pastor, - - - - SoLo (Bass) AND CHORUS. “ Like unto ships,” RECIT. (Tenor). Then the Master, - - - - CHORUS. And see! she stirs! - - - - - ' RECIT. (Tenor). And lo ! from the assembled crowd, CHORUS. “ Take her, 0 bridegroom,” - — - QUARTET (Soprano, Conlrczllo, Tenor, and Bass). How beautiful she is, FINALE-— iCHORUs. Sail forth into the sea, - - - - - - - - - 15.4 QUARTET (Soprano, Contralto, Tenor, and Bass). Sail forth into the sea of life, CHORUS. For gentleness and truth, — - - - - - - - - tQUARTET AND CHORUS. Like unto ships, - e v - - - - o 7&6 Bwzi/dzkg of Me Skip. INTRODUCTION (Im2‘r1mze7ztal). REClTATIVE——BASS. “ Build me straight, O worthy Master ! Staunch and strong, a goodly vessel, That sl1all laugh at all disaster, And with wave and whirlwind wrestle !” CHORUS. The merchant’s word, Delighted the Master heard ; For his heart was in his work, and the heart Giveth grace unto every Art. A quiet smile played round his lips, As the eddies and dimples of the tide Play round the bows of ships, That steadily at anchor ride. RECITATIVE——BASS. And with a voice that was full of glee, He answered, “Ere long we will launch A vessel as goodly, and strong, and staunch, As ever weathered a wintry sea !” CHORAL RECITATIVE (MALE VOICES). In the ship-yard stood the Master, With the model of the vessel, That should laugl. at all disaster, And with wave and whirlwind wrestle ! RECITATIVE——TENOR. Beside the Master, when he spoke, A youth, against an anchor leaning, Listened to catch his slightest meaning. Only the long waves, as they broke In ripples on the pebbly beach, Interrupted the old man’s speech. CHORUS (FEMALE Voxcns). Beautiful they were, in sooth, The old man and the iiery youth ! The old man, in whose busy brain Many a ship that sailed the main Was modelled o’er and o’er again ;—— The ﬁery youth, who was to be The heir of his dexterity, The heir of his house, and his daughter’s hand, When he had built and launched from land What the elder head had planned. RECITATlVE——BASS. “ Thus," said he, “will we build this ship ! Lay square the blocks upon the slip, And follow well this plan of mine.” ARIA. “ Choose the timbers with greatest care; Of all that is unsound beware ; For only what is sound and strong To this vessel shall belong. Cedar of Maine and Georgia pine Here together shall combine. A goodly frame, and a goodly fame, And the UNION be her name ! For the day that gives her to the sea Shall give my daughter unto thee ! Ah ! what a wondrous thing it is To note how many wheels of toil One thought, one word, can set in motion I There’s not a ship that sails the ocean, But every climate, every soil, Must bring its tribute, great or small, And help to build the wooden wall !” RECITATIVE —SOPRANO. The Master’s word Enraptured the young man heard ; And as he turned his face aside, With a look of joy and a thrill of pride, Standing before Her father’s door, He saw the form of his promised bride. QUARTET (FEMALE VOICES)——U7zzzcco7/1pmzz'e/i The sun shone on her golden hair, And her cheek was glowing fresh and fair, With the breath of the morn and the soft sea air : Like a beauteous barge was she, Still at rest on the sandy beach, Just beyond the billow’s reach ; But he, Was the restless, seething, stormy sea! ARI A——TENOR. Ah, how slailful grows the hand That obeyeth Love’s command ! It is the heart, and not the brain, That to the highest doth attain, And he who followeth Love’s behest Far exccedeth all the rest ! CHORUS. Thus with the rising of the sun Was the noble task begun, And soon throughout the ship—yard’s bounds ' Were heard the intermingled sounds Of axes and of mallets, plied With vigorous arms on every side; Plied so deftly and so well, That ere the shadows of evening fell, The keel of oak for a noble Ship, Scarfed and bolted, straight and strong, Was lying ready, and stretched along The blocks, well placed upon the slip. a Happy, thrice happy, every one Who sees his labour well begun, And not perplexed and multiplied, By idly waiting for time and tide ! 'DUET—SoPRANo AND TENOR. And when the hot, long day was o’er, The young man at the Master’s door Sat with the maiden calm and still. And within the porch, a little more Removed beyond the evening’s chill, The father sat, and told them tales Of wrecks in the great September gales, Of pirates upon the Spanish Main, And ships that never came back again, The chance and change of a sailor’s life, Want and plenty, rest and strife. And the trembling maiden held her breath At the tales of that awful, pitiless sea, With all its terror and mystery, The dim, dark sea, so like unto Death, That divides and yet unites mankind ! \ And whenever the old man paused, a gleam From the bowl of his pipe would awhile illume The silent group in the twilight gloom, And thoughtful faces, as in a dream. RECITATIVE—BASS. Day by day the vessel grew, With timbers fashioned strong and true, And around the bows and along the side The heavy hammers and mallets plied, Till after many a week, at length, Wonderful for form and strength, Sublime in its enormous bulk, Loomed aloft the shadowy hulk ! And amid the clamours Of clattering hammers, He who listened heard now and then The song of the Master and his men :- CHORUS (MALE VOICES). “ Build me straight, O worthy Master, Staunch and strong, a goodly vessel, That shall laugh at all disaster, And with wave and whirlwind wrestle !” “With oaken brace and copper band, Lies the rudder on the sand, That, like a thought, shall have control Over the movement of the whole ; And near it the anchor, whose giant hand VVill reach down and grapple with the land, And immovable and fast Hold the great ship against the bellowing blast 1” RECITATIVE--s CONTRALTO. Behold, at last, Each tall and tapering mast Is swung into its place ; Shrouds and stays Holding it firm and fast I And everywhere The slender, graceful spars Poise aloft in the air, And at the mast head, White, blue, and red, A ﬂag unrolls. ARIA. Ah ! when the wanderer, lonely, friendless, In foreign harbours shall behold That ﬂag unrolled, ’Twill beas a friendly hand Stretched out from his native land, Filling his heart with memories sweet and endless. RECITATIVE——SoPRAN0. All is ﬁnished ! and at length Has come the bridal day Of beauty and of strength. SCENA. To-day the vessel shall be launched 2 " With ﬂeecy clouds the sky is blanched, And o’er the bay, Slowly, in all his splendours dight, The great sun rises to behold the sight. The ocean old, Centuries old, Strong as youth, and as uncontrolled, Paces restless to and fro, Up and down the sands of gold. His beating heart is not at rest; And far and wide, With ceaseless ﬂow, His heard of snow Heaves with the heaving of his breast. He waits impatient for his bride. There she stands, With her foot upon the sands, Decked with ﬂags and streamers gay, In honour of her marriage day, Her snow-white signals ﬂuttering, blending, Round her like a veil descending, Ready to be The bride of the grey, old sea. On the deck another bride Is standing by her lover’s side. Shadows from the ﬂags and shrouds, Like the shadows cast by clouds, Broken by many a sunny ﬂeck, Fall around them on the deck. CHORUS. The prayer is said, The service read, The joyous bridegroom bows his head, And in tears the good old Master Shakes the brown hand of his son, Kisses his daughter's glowing cheek In silence, for he cannot speak, And ever faster Down his own the tears begin to run. REClTATlVE~—BASS. The worthy pastor—— The shepherd of that wandering ﬂock, That has the ocean for its wold, That has the vessel for its foici, Leaping ever from rock to rock- Spake, with accents mild and clear, Words of warning, words of cheer. BASS SOLO AND CHORUS.‘ “ Like unto ships far offat sea, ’ S ' Outward or homeward bound, are we, Before, behind, and all around, Floats and swings the horizon’s bound, ‘ Seems at its distant rim to rise And climb the crystal wall of the skies, And then again to turn and sink, As if we could slide from its outer brink. Ah ! it is not the sea, It is not the sea that sinks and shelves, But ourselves That rock and rise With endless and uneasy motion, Now touching the very skies, Now sinking into the depths of ocean. Ah ! if our souls but poise and swing Like the compass in its brazen ring, Ever level, ever true To the toil and task we have to do, We shall sail securely, and safely reach The Fortunate Isles, on whose shining beach The sights we see, and the sounds we hear, Will be those ofjoy and not of fear I” RECITATIVE—TENOR. Then the Master, VVith a gesture of command, VVaved his hand ; And at the word, Loud and sudden there was heard, All around them and below, The sound of hammers, blow on blow, Knocking away the shores and spurs. CHORUS. And see ! she stirs ! She starts,——she moves,—she seems to feel The thrill of life along her keel, And, spurning with her foot the ground, V\7ith one exulting, joyous bound, She leaps into the 0ccan’s arms ! RECITATIVE—TENoR. And lo ! from the assembled crowd There rose a shout, prolonged and loud, That to the ocean seemed to say,- CHORUS. “ Take her-, O bridegroom, old and grey, Take her to thy protecting arms, VVith all her youth and all ll.C|.' charms !” QUARTET—— Umzccomgﬁaz/z'ed. How beautiful she is ! How fair She lies within those arms that press Her form with many a soft caress Of tenderness and watchful care 1 FINALE. QUARTET AND CHO RUS. Sail forth into the sea, 0 ship ! Through wind and wave, right onward steer, The moistened eye, the trembling lip, Are not the signs of doubt or fear. Fear not each sudden sound and shock, ’Tis of the wave and not the rock ; "l‘is but the ﬂapping of the sail, And not a rent made by the gale ! In spite of rock and tempest’s roar, In spite of false lights on the shore, Ourhearts, ouriiliopes, our prayers, our tears, Our faith triumphant o’er our fears, Are all with thee,—are all with thee! Sail forth into the sea of life, 0 gentle, loving, trusting wife, And safe from all adversity Upon the bosom of that sea Thy comings and thy goings be! For gentleness and love and trust Prevail o’er angry wave and gust ; And in the wreck of noble lives Something immortal still survives ! Like unto ships far off at sea, Outward or homeward bound, are we. Ah ! if our souls but poise and swing Like the compass in its brazen ring, Ever level, ever true To the toil and task we have to do, We shall sail securely, and safely reach The Fortunate Isles on whose shining beach Sail on, nor fear to breast the sea ! Our hearts, our hopes, are all with thee, The sights we see, and the sounds we hear, Will be those of joy and not of fear ! ANALYSIS OF THE INTRODUCTION AND FINALE. The Amz’am‘e with which the instrumental Introduction opens, is intended to illustrate Sunrise on the sea-shore, with the breath of the mom and the soft sea air.” This leads to a Cantabile melody in E minor, allegro ma non troppo, suggestive of the aspirations of the youth to the hand of the Master’s daughter. (The same melody is used as a connecting link in the musical illustration of the poem by being employed as a prelude to the aria, “ Love’s Command.”) Then the ' air is ﬁlled with the sounds of workmen in the ship-yard commencing their morning’s toil, described by the allegro moderate, during which, from time to time, can be heard the love song of the youth whilst directing the labours of the men, and carrying out the plans of the Master. In the Finale, the scene of a multitude witnessing a vessel leaving the shore is musically illustrated. The instrumental symphony preceding the chorus, describes the vessel receding from the land, whilst the sailors’ Heave ho! as the ship gets under weigh, is imitated by notes of the horn. Then the people cheer with the words, “ Sail forth into the sea, 0 ship ! Through wind and wave, right onward steer !” after which they give vent to their fears for its safety; but hope predominates, and the people burst forth in full chorus, “ Sail on, nor fear to breast the sea! Our hearts, our hopes, are all with thee.” The good wishes of all for the future of the bride are expressed by the solo voices, accompanied by the harp, in the words, “ Sail forth into the sea of life, 0 gentle, loving, trusting wife.” The vessel now is gradually fading out of sight on the horizon, when the impressive words of the Pastor recur to the people, who with one accord join in the melody,—- “ Like unto ships far off at sea, Outward or homeward bound, are we.” /*//P NE N9 1. INTRODUCTION. Wo1'(ls by Music by LONGFELLOW. JOHN FRANCIS BARNETT. A11dzu1t(‘. J _—_ 96. P (rs/Jr(<s'.s'. . Pp Allvgro ma non troppd a’J=I—1-1». :4: '}’.&W.589 3*‘-—-—-_--‘T P.& W’. 5N9 P. & VV. 589' ‘ U ca/2/at/21'/re /if P4 & VV.__58,9 ma//0 (2res.. P. & VV. 589 711 0 I to cttnla/)I'lo° P. & V’. 589 ‘Ea. 5‘? A11d:1nte. —_-96. T p (=.s'pr«>.s-.9. ' BASS Sou). PIANO. 119 fer N9 2. BASS SOLO AND CHORUS. “ The Merchant’s Word? Andante} J = 92. Q . Build me straight, O worthy MaS_terTSt:1unch and VCS_ so], That shall A_11egr(=,tt0.J; 12:5. wrcs _ ‘L10... A11ogr0tto.J= 125. And with wave and ‘whirl _ wind mm/ens‘. A S01'nA~N<>. A 1;.fr0. Tmon. BASS; I) T::vxn:~rr~h:1nt‘s word ...................... .. Dc _‘ 1ig‘}1t_<r<l Dc li_g'ht_<‘(1 9 he 1m*rch:1nt S Tl1e1x1sr<-l1u1xt's word D0 _ li<_{'ht_ed 1? The 111m-<~I1:11'1t-5 word [)0 _ lig‘}1t_<2d Mas _ tor Mas _ ter Mas _ ter p legato. his [({_(_:“¢(f0. hvard; F5”. Fwr his‘ legjato. h<-r1M,- Ew his P [f:,g{(I/0. hen rd,- }wz1rd; he,-":1 rt lwn rt lwnrt hvzlrf was worL, . . . . . . . .;. was For his heart and the ‘gjrzlt-(3 ........ .. work, . . . . . . . . .. and the wyrk. ......... .. L and t 0 I’ work» .......... .. and the ht-art Giv __ eth (.'I‘€S. GTV _ (‘H1 by-;1I't ~re.~;. hmrt Giv __ (‘th Cr!" s‘ o Giv _ nth heart P. & “T 589 H-If. grace . . . . . . . . . . . . . . . . . . . . . . . . .. quiet qu iot quivt 5111111‘ }')1:1y(»>d snlilc p1:1‘/yed sxnilo pl;1y(:(.{ smile played round his round his round his round his lips. As thn lips‘. As tln-V lips. As thcé lips, As the /\_ P. & "W. 5%! ed_di<-9 <*(Ldi(*s ed _di« ss :1 nd and 21 [Id di1n_ pics dim _ pics dim __ ples dim _ plus tide Play round ' CI‘/“*3. hdc Play round ‘ s}1ip.s‘. (,'l“t".S'. tide Play round , ..<}1ip.s'_. (,'I»'?.\’ . tide PL1_V round Ships ....... .. That _ chm‘ I M. chor stca_ di _ A1 1(*g”I‘(). J, r~ S0 _ RECIT. And with V0 ice nth at was full of glee , (1//«Isl. rr-‘('17. 2 an_Swer0d, "Ere long will launcll’ A A11d:u1te . F and Strong, and E’ _ S’tat,mch' ..... ...... .. As . weath _ ervd P. & W 5&9 C AH(‘Q“I‘(‘tT().. C11«'v':I;s. The mer _chant§ word ...................... .. Do light, ed the Mas- tor‘ Cnnmrs. The 11101“ _chant'.’»‘ , 1if_7;}1t_ ed the Mas- tor HORIJS. ‘ Tl1(r111or_(+ha1txt’s word De li0‘ht.. ed the MaS__ tor C . C IIOR.l.'S._ sea?” The 111er_cl1a1'1t§ word De 1i0‘ht_ed the Mas_ter h C Allegretto. lega/0. heard or his heart was " '1 work .......... .. and the Z«{_r_>y1I‘a. For his h(.‘21l‘tW21S plegato. For his heart was ll) legato. heard ‘For his‘ })(.‘{1I‘t was in his /’ \ I’.& ". 38$! Giv _ 0111 -i:: g'ra(-c ............ .. : ~ 0 gr 100 t work ............. . . g;r:1(~e ........... . . and “the and’ the work ....... .; . . . . .. and _ the work .............. . . and the TV a dim . dim. 9. .5; W. 5249 ry Giv_ etln GiV_ oth Giv _ eth Giv _ éth ,/P,_Q‘r([u ’z'rvJ.s'. or his heart /(*_({((/0 C'I'("S. For his his work, /6.271! For his heart his 0th gfrace ......... . . gTﬂC(} . . . . - . . . . . . . . . . . . . .. heart .......... .. g‘ra('o .................... .. 1-‘ ._—,.. N95 CHORUS MALE VOICES, RECITATIVE TENOR, & CHORUS FEMALE VOICES’ . “Beautif1’11 they were in sooth’.’ M0demt0.J = 92. T»: Nous. .s'};ip _ ‘yard stood tho the ship _ '\'.‘1l'(l Vtoud the Mas _ tn‘, Witlm That shmlld i:1u§_rh at all dis. _ V as _ tor. And with ‘ That sho(.11(1 lzxrlgln at all ‘dis - as _ ter. And with and whirlwind wros _ the. wave and whirl wind P. & W. 589 SnL0.. RE<;.xT.T1~:.\'0n. )2 _ Lia‘ _t<-n‘«L to (-ut(-h..... his sliglxt - <-st Moderato. Jess-s. P. & W’. 5%! thv l<m}_;‘ ...... .. as brokv In fip _ . pd) _ My L2 7” (Ill 1].’). lwzwh. ................... ,, In _ j‘m/ / 17». )1‘Il‘Il (7I'P$', CHORUS FEMALE VOICES. BA110gr0tto ma non froppo. 4.: 75-, S()PRA.\’O. AL1'< ). Allegvretto 111:1 non tr0ppo..I.=76. W . 4 _ B.«4.; P 1 r'az('o.s-o they Beau _ ti _ ful they in sooth, The old man and the ___T__j— in sooth, The old man and the U §'outh.Th(.> old u1an in L’/j '_ n_V -a ship 1x1o‘d<:il~d (for and n1<>_doll'd o'er and wl1os<.~ that th at 0'01‘ 0'01‘ snim ............................. .. sail}! géllllp 5:.-1111: dim . the /.5’\ Beau_ ti- ful the‘-y wt-H’. main ..... .. tin-u1;1inVVa1s ('I'P.S’. .. W;1R in south Tlw old man and thv fit-__ 1'3.’ ‘ynxxfh.'nm (,‘I‘P.s‘. Bt-z1u_ti_f'u| tlnqy Wvrt‘, in .<'»u1h. ....... .. The old man in ........ .. Vuld man. in whos‘<> bu _ .s'_V brain . - . :1 ship lm - 5}’ brain V ‘ ' Ship ‘that . .s‘ai\.(l t/11.0 main WIS mow dolfd dvr (>1/N. :~::1il.d thv main ‘V35 u10_deH.d o'er Snpm.\'o. p [e;_q“c,_);. fi9_r.y youth,who was to * : -' ‘ of his dvx to _ ri _ ty, The fi(*_ryyot1t}1.w11() was to be The heir of his dex «i T "_..T—=— fio_ry_youﬂ1,wh0 was to I The of his dox _ to_ ri _ty, $%. P. & W. 589 heir" of his house, and his daz1f_rr1x.__ter;s hand,Whe11 he had built and P/645%‘. .‘:—==- The heir of his house, and his daugh_.ter’s — .The heir of his house, and his daug1)-ter's11and;Whe11 ’“\ latliiclid from land Wiiat the el _ der planrfd, (TI'¢°S _ hand. ............... ..Wi1e1'1 he hadbuilt and 1aunch’d from (3 res . ' dim _ ‘ he .................... had Iaunch’d ....... .. froui land ............................. .i ..... .. P.& W 589 PP el _ der head had planrfd ................ ......... ,,,,,,,,,,,, ,_ PP el _ der head had ‘plantfd ......................................... .. PP ‘ cl _. der head had plamfd ........................................... __ D Beau _ fi_ ful they Beau - ti_fu1 they A Beau __ ti_ful they D SOPRA\'0. ,,if‘___.___:___ were. in woﬂm, The old man and the‘ '. t youth...“ ALTO in sooth. The old mum and the fie‘ _ ry youth.Tl1e v.lmsv old nnn. ' whos‘¢- bmln ...... .. 4 t P 4? (V/()[(‘/’ _-£J——. 'r*rr».s*. a ship shat saim .................... ........ .. tl1&rxnai11W;xs P (.'I'(~.S‘. that sailll tho W19 9 P. $2 W. 5.9%!) mo_d(‘H‘d Beau ._ ti _ ful Hwy d(>H.({ sooth, Beau _ ti _fu\ tlxqy in sooth, '( - T and the fie _ I‘!V youth! The old man, in_ whose The old man, in ................... .. whose bu _ S_y P.,& VV. 589. dim . . ‘ v . ..~ . bu _ sy bram ' _‘ ny :1V shxp that saﬂd tho mam Was dim. :1 ship that saird the main Was» t _ Putt o'er mod _ 01111 (fur . ry youth, who "3 he The lwir of his (.'I'P-S‘. ll youth. ‘ho » ‘P. & S5’. 5&9 _te _ i‘i _ ty, The heir of his home, ........ .. and his udex _ te _i .' The heir.'..... of his d /‘.i\:» %€° ‘Ra. 4+ f d;1u;:h _ __ t(‘l‘iS‘ hand, wilPl') ho..... had built ............... .. and (//'/21. ‘ hmt.~:v..... and... his dauig;h _tm-is hand Wllcii he had built and ha ' é...°// sent two a/1'm~ 1;u.xnclid.....from at the el _ '0 L‘iu|1ch from . iami F .S'(‘lII/)7?’ //II . _ - day head had p1.:11111'(1..-. ................... .. .s-r»m/ma Beau- ‘ti _ ful ' .s'ootl1, old 1111111 and ‘sgp. IL .s'a>/N/JIV? Beau- ti _ fnl ' .s'm1ﬂ1, old 1112111 and ALTO I, .99/)1/)re p Beau _ ti _ ful ' old 1112111 $11111 / ALTO 11. W”/W, 0' Bean. ti _ ful ' south, P. & \V. 589 pr/co ‘I‘l.l€Il . rv _youthTA The the Tic: ” poco ri .22. ry youth? The 111.111 the _fi(; _ pace rftmz. youth? The - ’ the fL'1p poco rilm. ‘e um fin _ /man r-/'/mg , KO \ Z . - _:w:L—————————x\ -' _ rs _youtl1Y ............................................................................................. __ (1 ta//1/)0 /\ youth? _______________________________________________________________________________________________ __ a tr»//1/Jo (3 yottﬂn. _____________________________________________________________________________________________ __ It tram /3 pp a {mu ( cm, F. & ‘V. 395? N9 4:. RECITATIVE 8: ARIA. “The Shipwrighfs Song? Allegro lnpltp. J .—. 112. RPI(?IT. Bi\s.<; SOLO. “T11xxs~‘»,"s:1id he, “will we build this 5112)] ﬂame. Lay square tho blmkvs up _ on shp, A119 molta I’ this pl an Allegro. J : IH. 4:0 . ARIA. Andante. J : 108. '..._{'; 7/? "Choose the tim _bmfs with g'reat_.est Care, Of all that un _ <_../ sound be_ware; or on- ly what is sound and str0ngTo this Ves_sel shall be- B Allegro. J;-176. o~_ Ce _ dar of Mame and Geor_ gia pme ‘lonb Ato_ge _ that‘. shall 1 c0m_bin'c; A good- ly ’ > > > P. & W’. 589 ad [ 17) . And the Uni_0n be her \' 1:? Ahdante (‘on moto. J;-112. can es re.s‘5'.v (ru/zlzz/21'/(2 name? For the day that giV’(2s her‘ to the sea Shall X,_,__._\_ sempre give my d:uIg;h_te'1' Im _ to them The day that gives her (Pg?!/() to the sea Shall give my daI.xg11_ ter 1’. & W’. 589 +2 C Allegrgtto. J -_- 108. th(:(- .” P > ' ' dim. co so/1 ('I‘Z0.S‘() P tr'um]2(I'//u "Ah? what so .9 Inn ll [0 won ._ druus thing; K. wheels of On «‘ t11ot.tgl1t, one word, I’. J; W’. 589 Thcrds‘ that sails the 111 ate , P. &W. 589 $111311, build the wood_ em I’. & W5"‘589 Andante . 7]! “Choose the tim ' _o_~r<-at est sound he _ Q"E..T/ ly what sound and .</mono‘ To this ves_ Se] Shall be _ :>- ° To ves_ sel shall be _ long. . camfabl/e P-. & VV. 589 F Andante ooh mom. J=ll2. pom: esluress e ca)n‘abI'le ‘ For the day that gives her sea Shall g‘iv(: .s-(2/up re legato un_ to thee, Tho day that gives hm‘ to the sea Shaﬂ Pe; give my (laugh - tor, .................................... .. lll~Vd£1I.Igh_tCI‘« h? P. {'3 \H (lattglx- tor un _ to T shall Vg"iV'(> my dz1u;v_'h _ tor dim. '7'”- \' 117 :4 .L I‘. & \\'. 589 N95 RECIT & QUARTETT FOR FEMALE VOICES. “The Sun shone on her golden Hair.” AH({<,;‘1‘0. J: 160. 0\/ ’ f /21'!’//rm//' /)_I'I'//Imfr‘ I‘ R H ‘ IT. SOPRANU. .f.r'()lI /)a.¢.s'I« /7.4 The M:1.s"u-17-‘ word En _ K\ ”X. rap‘turod the }'ui1\1g_v; man hoard: 110 ttlrm-d hiis and 21 thrill look of joy [J0('0 (‘I‘(’S‘. REC-IT. Standing be_for(: Her fatheris‘ door, He saw the ‘:33 bride. ' Andante sostenuto. :1 = 72. PP (Sqft Pedal. ) “Tith a a _ side. form of his promis°d QUARTETT FOB FEMALE VOICES. (UIlaCUo7I1p(I‘IZ.ic?d Andante ($11 mote. or‘: 10$ V SOPBANO 1. SL111 Sh()ll(.‘ ()ll SOPRANO 11. sun shone on CONTRAI.TO 1. Sun shone on C0NTHAI.To II. Andante con mote. PI A _\vO_ ( [51 m 1:0/)1/Jrm I'M! Cheek fresh cheek fr(-#31] I 0 gold _ gold .. on P. & W. 589» pr g:(Jhl_(‘Il hair’,And her g<)l<1_(*11 hair, d -r g;ohL<‘1'1 hair, And her Sun shone on her’ and fair. V\’.iih and fair, With the and fair, en hair’ ‘breath breath lm-ath with the 1) rmth heaI.1t0ou.s‘ barge. like ],Jik(‘ l)oaI1to()us bargv. liko a L ike P. & WI 5:-<9 1)van_t(>m1s barge was _[r beau _tvous barge was i “-___.~_.‘=a—— 1wau_tv0us barge was —-‘J: bear1_t¢2()u.§ barge was (1 y bearh J st (1)7 _A beach Just 1’ d_y. .....beach Just P V san_dy beach Just Still yond the youd the yond the yond the P. <1; W. 589 B bil _ lowis‘ reach; 7)! ach; But he bﬂ _ l0w's bil _ 1ow‘s reach B he was thé rest; less, was the r0st_ less, )1) he was the rest _ .]e.s'.s', seeth _ ingg se<eﬂ1 _ ing, seeth less, sceth _ seething‘, storm _ _y se>et}1iﬁg, storm- y the the rest ,. iess, sect11_ i11f_1‘ rest _ less, .s‘0e’th _ ing; the pace rile»/1. sooth _i 9;, stor111 poco /'l'tH2 . storln ]) /1000 storm _ _ _ par-0 rzlmz . s_€:/ storm I-noz,-0 r/'1»-/2.. rest _ less, Crfh’. rest _ less, CF83. rest a la»)/zpo The a tr>1)1p9' 16 ct tempo The a tempo rffempo S1111 S1101)? 011 sun show- 011 SUI] $110119 UY1 fresh fresh . fresh and an d and fa ir, §I()l({ _ (‘ll §_7:()ld _ (‘.11 gold_ on sun shone the the the hair. hair. hair, 011 breath breath breath P. & W’, 589 (iheek was c}1e0k "as cheek was breath glow. iug glow- ing _ glow. mg hairﬁ be/an _ tc-ous beau _ toous barge dz’ \ . I A beau _ teous r//'1/1. beau _ toous barge ,,,,,,,,,,,,,, __ P. & VV. 589 She, tr»/2. she, ten . barfro , lam . She, beach, P Still at I’ Still at rest on the — San _ cly rest sun at Still at D ‘ : do/(,'¢° )0 __ yoncl thv l Wis‘ acl1.'Tl1esuusl10ne «-4: dolce )each. ‘The sun shone —-=';‘do/ce d_y..... ach.- The sun shone —-a.-;‘_ dolor? L» heachv. The sun shone D P. mi 559 fresh L... dim. f,\ glow _ Ving b fresh /3 P. &. '. 5359 check was C ['63. cheek .......... c_ _ cheek ........ breath of fair, fair, ‘ fair. soft ............................................... .. Sea cre.s.. "dim. the mom" b the (-hovk ....................... .. ('f‘(‘S.' \/ was glow _ ing fresh and (‘PP-9'. ‘ d 'm . ixxg fresh "and g'].()W _. morn and - ihe _.___"T,>- breath the / breath ...................... .. — ,, breath ............ . ._ ......... . . atirt, With the breath of — fair, with the b rvath of the breath of the ~ With the air, air; 11 pa}? a//m - pp soft ............................................ .. pf/P dim. and the . morn . . . . ‘ pl}? r//m .. and the ('12 dim . V P. & VV. 589 r/(‘III . morn and II'l()l‘lX, morn, dim ; 9 of (//m . of (/ fm . the the the N‘? PRELUDE AND ARIA. “Love's ‘command’? Allegro 1n0derato.J=16 O mo/lo a_qI'tato , . 9% Ai1daHt€. J :.- 88. . . t°.S‘[)I‘¢°.S‘.S’. (I in: . sempre Cantabile ARIA. ‘ Andante con moto. J=108.. a/2p/z.s*.w'n7zuc'r( ad /,‘5_ _- r1/we . - *3“ ' fﬁv con spress. P. & W. 5559 , T1~:x(>n. ca/zlzz/2/'/P Ah, hand..... That 0 _ hey _ eﬂ1L0Vo’.s‘ com _ 1nzm<U..-. is the heart, and not . brzlin, That 0 ho _ \_____Z L2 high _ est doth at _ iaih, And he who fol _ Iow_vth... am. . B p Love's bc_l1<-st Far ox _ é'ee<l_etl1 all the restl. It is tlxe Alw:1rt..._ and not the brztin. That to tluk lliglz _ est (loth at - —i'I..T——> _ _T__“*._;——— 3? And he who fol _ _ l()w_(:tl1LoV(.-,’;s‘bu- lmst._,,_ Far ex _ cecd _ eth all the restl’ T ra//. V a zﬂrwzpo Z-T Ah, V fuL... g‘ruvvs ..... the (C /’lll[}O hand .... .. That bey _ <:t1)LoVe’s(-(>111- 1n:mdY.~... " ' — 3 the heart, and not the brain, That to the -—~—f‘.._.""‘___ ./ }1ig'}1 _ est doth at _tai1:), And hv who v.._..‘T—--— fol. _ low _ eth Low’s (lg/ll‘. ceed _ eth all the skil _ ful grows T‘ a z‘r.»n1 mand! .............................. __ a tempo ra ll, ‘ P Ah, how 7-‘- . . . . . . . . - u n . . . . . .. fI\ N‘? 7. C H 0 U S. “Thus with the rising of the Sun’.’ Allegro con brid. J:-.H—1. P. & \V. 589 SK’/lI])I"‘.’ CI‘CT’S‘. ‘fab. P.& V’. 589 SOPRANO. with with with with the the the the .s0on ....... . . through soon ....... . . ﬂ1r0<.1g'h the ship _ O .' bounds - “fore soon ‘through — out he ship __ Vard§ the ship _ y21r(r~'. And soon through — out the ship _ _yard’s‘ A heard ,,,,,,, ,_ the in _ tor _ min _ gled sounds, bounds lxeafd tie .s0unds. bound S heard ¢§¢ }m:1r<l in _ tor _ min'_ glad ‘in __ ta‘ ~_ min _ g‘0d Soxxnds‘. /‘X in ._ fer _ min _ g_'l_ed sounds,... V. and of glcd sounds Of lxeard ‘due in _ tor _ min _ glod sm11x(1.s' min _ g1edsou11d.~; Of’ _ and of l2N'//an/P "- >. L P. & w. 13:24 ma] mal lets, lets, es and of mm} mal ‘ _ lets, P. & “T 589 11131 ma} - lets, _ lets, PHM1 ‘VH1! I. go - I'ou_.s ma] _ lots. mal _. lots‘, plied Wiilx pm .With P. & VV. 589 pliéd With p1i'ed Witil n ]_)Ii0d Witll * PM with ' P. 4% W. 589 o Iil1Ir(,'(IL’r) And soon....... thruuggh _ out ip_.yard’.s' And soon ...... .. through _ out ship _ yard's' P. A‘ “T .3549 S0011 munds .. . bounds‘. through _ th rough __ -out the ship __ yard§ bounds ‘Vere h(:21rd..... the _out the ship _ _y;1r(Ys bounds h0ar<l...,. the in __ ‘(er _ min- gled ter _ min _ gl<*({ sounds, .......... .. heard ............ .. . . ') heard ter _ m1n_ glc-d sounds, .......... .. {T ‘ 0 Sounds, . . . .. hoard _ the P. & W’. 583 _ f;‘1€¥(1SOI.[l'1dS Of _ gl<*d.sou11dS _ gled smn1d.~; in _ tvr _min _ ?<_r;l<V-(l sotnxdsf. the ' - tel‘- min _ glad J» .5 s ounds P. & W. 5:29 mal _ lets, of mal _ lets. pned wam P. &, ‘W. 589. plied With side, plied ‘V1t}1 pued With plied plied well, That» I’ That, we.-IL That, PP That, P. & ‘W. BN9 of . IJOCI) (1. [.1000 of Scéarfd Soaryfa P. W’. 589 38))! 7'6? st raight and 36)]! /'8 straight and .s‘(—)11pr'e straight and .5‘6"I)I})I'6 straight and ..s‘(»//I/1/'6 crew . O- Strctclid .s'tr<:t<~}id .......................... . . stI'ctc}id ........................ . .- be stretclid ........................ .. 1» ‘fan. P. & W. 559 blocks, )10(-ks laced, placed . ’ bloéks slip, slip, , blocks, .......................... ................................... .. slip ................................... .. . blocks , ....................... .. ‘ / Slip, ........................................................ ..; ............................................ .... .. placed, ......................... placed ................ ..... placed ................................................................ . . placed ................................................................. . . P. & W. 589 };or:(; I‘l'l(?Il . KS 93623,, 15.4; W. 589" HA1le ro. Hap U ' fhr‘icé - _ Hap _ thrice Hap thrice one Who sees his one Who sees his one W}xo sees his one who sees his thrice Imp- py thrice hap-p_y thrice hap_ py . thrice hap_pyv time ............................... . . and tilde‘; ........ . . time .......... .. and tide-‘. By i - dly By I’. & W’. 589 Pit} Alle ro. ti(le!__ ........................................................... -- tide! ............................................................... .. Pit} Allegro. .4: ' ' is ' +—T. -— szgmpre ﬁg’ ])(I.\'.s'() 6%. N9 8. DUE T. t . ‘As 1n a dream’? Andante. J _—_ 96. S(,PRA.\.0_ Pit} m0t0.J=l26 And when the And wlwri the Pifx m0to.J=l26. hot, long day was o‘<:r,.... The young man at tho Mas _ tet-’s _______________,_ _ hot. long‘ y o’er,....The _y0ungman at the Mas-ter’s ? K‘ 5 P. <6 VV. 559 ér(>.¢, Sat with the Sat with the maid - en calm and with the p m//, V A Andante. 41:96. 1naicLer1(~a1n1 and sfill, calui and...... still. (17 1')/z._ P Pa.//. maid_en calm and still, calm and Alldallfo. 41:96. sr>mplI7ce° — P 711 And with (1 ' with _ I'.& w.. ass: i i »A11o,9:rett0 ma non troppo. o:-.144. 2710//(1 (wlnfa/21'/v _in ﬁle )_orch, :1 lit _ tlv 1n<n'£*. R0 , m0v'd ]m_Vo11d the" 1/Ia/[0 (rmzlu I/V " _ in the porch, :1 lit tlo more Re _ movﬂ be_‘V0nd the All . tto :1 non troppo. J = 14+. L/I ’\ _ c-hill. Tlw fa __ ﬂwr sat, and told them tlale-.s,.... chill, .- _ sat, . ........... . . [T \ and told than tales Of wrec-ks .......... .. in the great Sep _ (/1) and tuld them tales Of wrecks .......... .. in ‘L .g‘r<~at Sop- Elff tem _ ber ga1es,Of 5 rates - on the Span _ isli ' c" 3-. tem _ ber gales,Of ' rates up_ on the Span _ ish CF83. _ es}; rr>'.és. The chance and chano-e 8$‘})I‘PSS. And ships that no _ vor came back a _ gain, 657,) r'P$‘.S‘. .ai._10r‘s life, .......... .. Waxxt ..... .. and plon _ __.“*_=-. CI'P.S‘. a _ gain... The cham-e.... P. & ‘W. 589. BPOCO agitato. J = 1.60. rest and sai _ lorfs‘ life). P000 itato. J-_-.-160. B held her breath At the ‘L? _ mr and tales of that aw,fu1 ‘ mys _ tor- V. trcmh Jing maid__en pi _ ti _ 1ess_scav,Wit}1 “T The dim, dark I}? The dim, dark Dmth, 3%: Am £11119.) = 96. nites‘ man _. kind! a - nites man - kind‘. I Axldalmxa = 96. And when _ov_ vr the oldman P. & ‘W. 589 Pix‘; moto. o'.—_126. And when ov _ or ‘the old man Pit} 111010, J:-.126. pan9”d, ......... .. gleam From the bowl of his p(/0!(.:z» P (v,-a.nz’(zbI'[€ while .......... .. gle am frmu the (1/1'2iz;. lent grouptin the twi —_ light Wxllct a _ white it __ lame the Si _l0nt gloom , group, And ‘thought ful fa _ ces, \~—-»/ at (?aI2i(l1)l'[(+ V (troam ................................................................. ... ......... .. as in eras‘. . > ' ' tth()IIght _ \’\‘ 88]) P683. ..—_—:i_— ad [(7). and ’(h(>IIg;htfI1l and tlxotxghtfxll droax n . 11 {em Y P e.¢pre.s*.s'. - pr r0/Hm/u. #3‘ Pat’. Vs’. 589 ad‘ /17). . And‘ thoughtful ad lib. And -_th'm1ghtf(V11 fa _ ces, fa _ ces. N9 9. RECIT AND CHORUS. (Male Voices.) “Build me straight, O worthy Master.” Alle ro. 2152. BASS. SOLO. A11da11t(;. con 1n0t(_)'o|‘ =lO&$. day the ves_ sc-1 grew’, 1th strong and And a ’_round the bows and a -10 — fashibn’d .... .. tun _ bars the A Side The hea _ vy _4'-/_...’»——: A_Aﬂegro ma non troppn. oi-=l35 ham_mm's and ma1_.1ets plied, 711 re°(3‘l't. ‘Till af_ tér’ ma _ n_y ‘Von- der_ ful .......... .. s't'ren<__>;tlx, ma/'caz‘(l) “$327.5. Andante _c0n mote, J.-.108. . -,ca/ztzzblle lime "in its en__ or_mou.% bulk,Lo0m'd a _ loft .... .. thesl1a_dow_ y 9%: agila tr) _ . P hulkl~ And a _mid the clam0ur.s' Of clatterirxg hammers, He who co/Zr? war’ ' listeml heard now and then The song of the Mas- tor and his P. & W’. 589 C CHORUS. TENOB I. . "A'Bui1{1 me Straight. 0 WOI‘ﬂ1_V Mastersiaunch and ’ Cnonrs. ; ' TENOK u. - “B uildu 2 straight, worth_y _,Staunch4 and CHORUS. “Build , . raight, 0 worth_y Mastm',Staum-h and CH()RI_'S. ’ Bu.» n. ‘(Build Straight‘, 0 worth__/V Master, staunch and strong‘. a ' .'_ . zv That Shall ' strong, a . That ‘Shall ,sfr()ng', a . That shall- Ves_ sol, That shall. P & V" Ms!) whirl _. wind WI'0S._ tie? whirl - wind wres _ tie? as _ ter, whirl _ wind wres _ tie‘. Build me with whirl __ wind wrés _ tle? .—_ 0 “Build me straight, 0wor’1h_ y Mas _ tor, a g'ood_1y "Build me straight, 0 worth_ y Mas- ter,Staunch and strorig, a good- _y "Build 1110 Straight, 0 worth-y P. 4% Vt’. 539 vvs _ sel . Straight Mas _' tar That shall Oworth _ y seLThat shall Staunch and strox‘1g;, good - Iy Build 111(- Build me Build me Build me Straight. 0 worth __ _‘ Mas _ter,S’tauuch and straight. 0 worth- 0 M;1s,ter,Staunch and straight, 0 worth _ Mas _ ter,Staun<-h zunl Straight, 0 worth- v M;1s_t(‘r,Staunch and ms. so]. That .s'huH lau<_>;}1 ves _. sel, That shall lau}_>;h Thai shall lauwh ‘T3 was. se], That shall laugh P. & V5’. 589 as _i tori And with whirl _wind wres _ tlo, shall as _ tar And with whirl, wind wres _ tie. shall 6 as _ tor And with ' Whirl_wind wres _ tie, shall as ._ ter And with whirl _wind wres _ tle, shall with whirlwind with wave and whirlwind [ wave and whirlwind -<."”"_.._ wave and whirlwind Wit11 oak _ en brace c0p_per. It Wifll oak I. en Lies lt With oak _ en V c0p_per _ Lies the '2} cop- per ‘ Lies the mzvv, 539 on the Thatl ike a Thatglikc a M on the That like a t11<)r1g}1t, > That. like a thought, thought, ' shall have con trol 0_vo‘r the ' > thought, . shall have con trol 4 O_ver thv shall have con trol 0_ver the > 0 0 shall haw clon _tr<.)I O_ver the In ovoine nt 1nuv(-mvnt movement Inovmnent whole; »\~'ho10; whole; whole; giant ‘,4-.u.I| down __________ whose _> (‘h01‘~ whnsv ‘Sta. P.& VV. 589. . grap ,. ple with the giant hand Will g-rap._ lple giant hand Wﬂl reach down . grap_ ple with ilxe giant hand Will reach down g‘l‘ﬁp_ ple with the ‘l7 mov_ a _ Mn Hold the mov_a _l)l¢= » _ Hold the mov_a _blo - Hold the moV_. a __ l)l£‘ Hold the l7>- gamst gains‘: galnst gainst b]ast?:: .................................................. .. “Build me ‘ “Buﬂd me “Budd me ‘ﬁ‘Bm1d straight, Owur" _ tvr. Staunch and strong, <frai}_{’ht. V wot-th_._y Mas _ ter, Stzumch and strong, straight, Ow0rth_y . _ ter, Staunch and strorxg, straight, 0worth_.y _» tor, Stzumch and strong‘. That shall laugh .‘ And with That shall laI1g'h' all dis _ .' . And with laugh H .' And with L That s laugh .' And -vs ith O o O and _w‘hirlwirxd wrcs gtle’? and whirlwind wx-es _ tlof’ V Bqﬁd “HI and whirlwind wres _ tle? ‘and whirlwind wresl _ ‘deg : “Build me straight ‘O w0rth___y “Build me traight, W01-th_'_V> straight, worth- Mas _ tor, a g00(L y vus __ sol, O w'<;rth_y “Build me traight, O w0rth_y Mas _ ter, Staun(~11an(1 CF83. o Mas- tor,’ Staunch and strong, a’ goodjy ves‘_ sol,” T}..\L shall V Mas _ C Mas _ t(‘I'9 for, Se], That That That That $111111 shall That shall shall shall Q89. P.&‘Q.’. 59? I And with A whirl And with And with And with wnos-_ ﬁe!” nmrrrato P.& W 589 “Build A - straig;ht, 0 worth_ y Mas, ter, Staunch V “Build 3 striligtnt, 0 worth _ y Mus _. ter, Staunch "Build , straight, 0 worth _ _y Mas- ter, Staunch Straight, 0 worth- y Mas __ ter, Staunch Ves _ s<-l, That shall veS_ sel, That veg- sel, That shall ves_ sel. That tor, And _ ter, And .‘ _ tér; And with wlth _ ter, And with wlth whirl _ wiﬁd whirl V _ wind - whirl _ wind _ 12:? N‘? 10. RECITATIVE & ARIA. "Ah when the Wanderer?" AI1da1m+..1n:L non tr0pp0.J=l26. . /\ /-\ FIANU. 0, Cox TRALTO. - Ber,-it rfzmzs-7' oz iempu 3e_h;>l.d, at last, Each tall dz}/1; _ ur tom:/Jr) swung in _ to its place; A ,_//’-’‘‘’‘—T\ . . _ uasl I‘¢°C'lf. . . Shrouds and ._ stays Ho1d_ ing it firm 4,, \K________________,,/ P. & VV. 3&9 A . Aﬂegrotto. J: 152-. I) mezza vocc fast‘ And ev’ _ //"-T ry—where The soft PPd(I/. s1vn_ dor. race _ ful Poise a V?’ at the mast /"""’ W"}1ite, blue, and r perdmzdr) ARIA. Andante. J —_- 8+. B_ e.s‘pre.s's. P (W7!/zo11L‘V sqft Pk(/rt/.) I pnc-‘o rI'2‘H2 . p ‘(:0/'2 e.s'press. Ah! when the wan- do;-_er, 0 friend _ 1055, for _ eign .... .. har_bour.s‘ shall hold That flag un _ ro119d,.....A ’Twill be as $ VF’ han(l..... Stretchll oui from his na _ ﬁve land, .... .. k? dim . Fi1_ ling his heart with me_ mo_ries sweet and e nd.1ess‘. ' ' p ling heart 1n0_ries sweet and €.‘,‘})I‘(:“.S‘.S'.- ‘ T ‘Fil .. ling B15 heart . j with mo _ ries /”"v"'“"‘$\ 1n0._ ries ugitctto pm.-0 (zrras. /41//2n. D and (‘W1 '_ !f‘SS! AN 7 when the canta/)1/r~ ’ T .1. 1y, friend. 1055,‘ In for _ eign.... V bar- boars shall be _ hold That flag P. & W. 5:49 roila, ‘Twill be- as a friendl‘\ 11a11dStretc1fd.m.rtfrom his na _tiVe ‘Z [1000 I‘l.(FIl. heart with me _. 1110.. ric-‘S sweet and Fil _ ling his ‘*F\—-—-—--« r with me _ mo _ ries F ‘ . P-&VV.589 N‘? 11. RECITATIVE 8: SCENA. “To-day the,Vesse1 shall be launched? Allegro con bI‘i0.o| :.l52. SOPRAl\'0.. 1mzrcato A fin _ >is}fdY length ‘. come the bri ._dal co//an ‘vac? [)3 m//. A a tempo day Of beau _.T_t‘y_ and of strength. V r((//. ‘Ea. Pit‘; Allegro. es; = 10+. day the Ves ._ so] shall be 1aunch'd'....,... Wi h flee _ clouds ........... .. . '. v ‘ b1anch’d, ....... .. — Slow- 1y, ' tu ._ ries old, ..... .. P. dc V5’. 589 Up and less to \ Pa_c-es’ rest _ down the sands of His b(*at_ing gold . and And v fur ﬁg-i‘:_:— Wit}1 cease _ less P. & VS’. 589 can esp .9. Lpoco ad 113.. heard of snow “eaves with Co/la Z-'0(:0 > /"T brgast . . . H0 waits im _. C a tempo bride. _ ......... .. a t«>m/)0 There she stands, Witll her the he av _ foot .......... .. -mg of sand§, ........... .. Deck’d with flags, déc~kH with flags and stréaxxlers hon - our‘ of her mar- riagevday, Her sn0w—white. . flu’: _ tor _ ing, blend _ ing, ............ .. Rea-dy to be‘ ............... .. The bride of the Andante. J -_-. 80. \/‘\3, can (?sprP.s'.s'. On can rwlpress. deck an ._ 0 - thér bride W hor lov _ 0-r's side‘. dows”... from the flags and shrouds, Like the sha \ [)()C0 C’I‘(’.‘~‘. by ' clouds.- >§< 6533:,’ round ﬂmn on the M 12% 3: ‘QED’ P. & W’. .')h‘.0 Allegro molto. o'=104 clouds ..... .. sky is r"x_.———/ —< To — day the ves_s0ls be launc-H(U with flee __ cy blanc-h’d, And o’er the bay S1ow_ly,_ ‘in P. & WV 589 all hlssplendoursv dight, .... .. The great ................... .. ii. .905 to be _ hold ves_. shall b(‘_ unch’d'.....- ..... .. with flee. ‘ clouds the . t is b1anch’d, .......... .. And 0’er all his 70 fl‘: ores. {T splerldours (light, ...................................................... .. The great sos ................................. .. to be _ hold the ‘iizzb. F ‘pdolce .€£ g,\ﬂ«¢to sight, in all ................... .. his splon _ hdours digght, 10 great ............ . . _/ g/' __/’ J _/ ./ P}; .<wmp/we /nil} u,.«_{“/z’u/o P. & V’. 5249 poco rifelz. 6 con pzz.s'sz'm2e *\ Pin Allegro the Y. & ‘W’. 5&9 N912. SOLO 8: CHORUS. “The prayer is said.” roligioso. J: 69. SOPRANO. ALTO. TE.\'0R. BASS. Andante religi0so.J =69. pmqft I’evda[.) semprw .s‘ost»°nuz’o :0 legato . /_ ‘Siam. ::§< ‘Sta. I 651*)‘ 55‘: 5; P‘ & ‘W. 589 CHORUS. Cuoms. CH.0R['S. Cnoaus. sn.¢tenu lo prayvr is said, The su.s-/Hmto prayer is Said, The uslrnuto prayer is said, The ]) .s'().€t€/llltr) . prayer is said, The P .m.s'te/m/0 o o /2017 (out soft Pedal.) groom bows his _ gI‘OOlI1 ............... .. s‘or_vice ser_vice S er_vice sex-_vico h I joy _ ous L bride_.gro01n _b0ws his read, joy- OHS read , The joy_ ous bride /—-‘S / ‘joy; ous p()C() (,‘I‘PS . the old ....... .. tears.n. good nd ,1) (100 ores . 95 bows his ix 1 P000 CI‘r°.9‘. P. & w. 539 0 ter Shakes the brown hand of his 0/1';/1.. "h tears the good ol .... .. dim. tears the good old a’1'm . head’; i the good old Mas‘ - dim . his \ daugh__tei"s glow-‘ ing cheek In Si _ lenco, dim . his daugh _ter’s glow; ing‘ cheek In si ‘_10nce, .. his dang-h _ ter’s glow- ing cheek si __1ence, his (laugh - ter’s glow_ ing check In si._1ence, (T A ‘Ea. _* P. & W. sag scmprc ‘ And ev _ or . , V Down his fas _ ter» m(,'o /'I'tr- /z . ‘(oars be ._ gin poco rile): . L~_ C an _ poco ﬁtn- o~in ....................... .. P5 . 112000 1'! tan . -'n"‘.i'<?"3 pact) rito-n. 7‘ P. & V5’. ‘589 " .150 BASS SOLO. ’B Moderato. 0‘.-.100 gzmsi Rec-it. The worth- y pas ._ tor __ The shep _ho_rd of that wand’- rixlg; a tempo flock,‘ That has the 0 _; mean for its wold, That has a tempo for I its fold, fromrock ta rock- ~}'g«‘53¢’b. P. It ‘N. 589 mild and clvar, $655. dim . words CAndm1te. 0‘: 72. (‘ I‘P$‘. “Like un _ to ships..... far" Out_w.-nrd or ho1nv_w.-xrd "bound, fore, be_l1ind, ' all a _ round, Fl0atsandsM'i1'1g_s the ho _ ri _7;0n's bound, ..... .. SPOIIIS at its dis _ {ant rim to..... rise And c-liuil) tlx0....crys_tal wall of tmskics, And then a _ gain”. to turn and Sink...... As if we could slidt‘ from its P.& W589 D Allegro agitate. 0' #138. brink. (93 77:58, 7'55"? U1 P ¢°-*‘}H‘P-*'.-S‘- -=7: poco 'cr{-es. Ah‘. bit is not.,... the sea. It is not the sea that ~ 5: 1'Ti.m. 5173?‘ W‘ 1 0 sinks and shelves, Brit... our_se]vosTh:1t rock . and ri.s‘e.... 4 . 7” crps. u‘,c_(I[at'u’ Q I end _ less and un _ eas _ yxno _ ttion, Nowtouch-._ 'ing the ores. ’ ilato 0 0 f""fff° t ( .1‘ rvskics, Now sink _ in EAnd_ante religiosom’ = 69. dc.-pﬂls . .. P snff Pa 041/ SOPBANO- .s'o.<((»m1/0 AI To T he pr:1.y< -r is said, Sm-_viee read, V Tixeprnwr is said, .- s0r_vioe read, ATEMR. .s-'osz‘Pn1/tr) ' T115‘: rayor is said, s<:r_vice road, BASS lenzzlo ’ The prayczr is said, T110 ser_vi(~r-\$_‘\road_, BASS SOLO. .3’ . ’ 1. 0’ AM if our souls but poise and swing Like the sr;$£'P)Il(/0 . X . . '5/tout sqft Peda 1,) P.&\Y.589 ' y;_ous bride _ rrroom bows‘ '5' head; j()y__ou.s‘ bride _ groom bows bis be.-ul: rayer JO)/_0XIS bride _ gro()1nbow.s'his‘ lwml: )rayor j0y_ons bridv groom bows bis In-ad; prayer (\ /'5 /-\ (-0 pass in ' 3 br;1_ zen ri ])()(.'0 jo‘y-ou.s' bridvgrooum ' ‘ bead, C .5‘. joy_0us bridegroom bows his ' ” /Uuco —cl‘r/.5‘. _jo_y_ous bride crroou bows his )C'() 83C . ‘o _ou.s'brid0 room J y (‘I'(‘.§:.g er true To /“the toil and task we have to do, We shall TV\-~/ P. & V’. 559 head, ............ .. head, .......... hoad, bows bows ......................... .. .‘)’_._ §\ sail se}_cIxt'¢~_ly, and _ ly reach The For- ttmatc Isles on whose head; J0). (:r'e.s' " J0)’ 0r'e.s‘. — ours‘/_\ 3" :3 shin _ i Q b(}achThe sights we SCP, and the sounds we hear, Will be’ P. &VV. 589 (Y 1'»; . gl"09lI1 bride groom bows his ride groom bows his bows his brid¢.3 ’ those of and ' joy ‘P I'21y€ I‘ P rayer prayer P rayer \__./ P, & ’W.. 589 -’>x‘~' N9 15- RECIT &cHoRUs. “And see! she sﬁrs.” - Allegro" con spirito. J .—: 176. ‘>313 as TENOR SOLO. Then the Mas- tor, with a l'o°(,‘I?._ # . o Q6-;f'S_tIIl‘('} of ootnxnantll/,1” Wa\'€dhis hand; J’ W:V,m:'§.:_ -)!5(m:¥::}~r<z4- __ . .. ._ .1 ., .. ‘A '''J\ v.*'«:»'.=r'?{':“FX?“ "9 “ AA11e;:§>,-_4__=1:>;<.>_-_.\ m .\“r3.:‘V..-.;v:4_--.v Loud and sud _den there was heard, a tempo All _ round thorn and be »_ low e sound of sr»m/Jr!’ (1 Iain ham- mars, blow on 1) ow, Knock- ing .s'«vn1pr-re agzlzzta The shores and spurs. ' /3 _ Allegro con Lbrio. J =1-H.’ ' B CHORUS. . A119 ro Inoderato. B Allegro moderate. J-_—132. 25: L 5\\_ \ -2? 5&1.’ £m'..s'.¢0 ' '_ P. & W. saw She starts, she C She starts, she \/ life ..... .. -9- , 6%. f1} cm .s'. The thrill of ('11 (:r'r».s=. The thrill of IHOVCS9 __. life life”... pix} crows. 3 ,._ lUH(7‘ H sempre pit} agitato She moves,‘_,__ _ sempre zu agltato She 1noVes_-‘. _ sempre zu agztato Sl1f‘_§€6?1nS to sempre ‘pm agltato sheseeiiis to I u agz ta to IIIOVQS, __. 3811(1) 7'6’ __ ' a Jonq her keel, And keel, ..... .. ['1/flit cn<2.9. U a Jung her P. & ‘W 589 she seems to feel-.. feel.... she seems The thrill of The thrill of i A110 ro molto. sprxrn; ing a_ long her keel, And 7 spam. ing A :.-108. Alleg molto. . Sp [IP11 _ lllg‘ ground, spurn_ ing ground, } ground, ground, SPIIPII __ Hlg ._ with her foot ground, Spurn ._ U'lg with her foot ground, 1*“ Spurn - ing- hcr foot her with her foot the And, with her foot the C with hvr not the ground , .................. ;:rQx.111d, And. Spurn _ ' lg with her ixlg; with ................................... .. her foot the < 3 groutld. And, I SPIIFII C -with her foot the ground, . :.=-» hvr foot the ground, —i ‘ ' ground, Spurn > P. 42 W. 5897 (A[.g¢z‘tcztQ bground, Witlx agila ground, ‘Vith agilalo ground, Witll agz't'az‘o ground, Witll agllato ul _ ting CI’€»8‘ . ul _ ting eras. 111 _ ting ' .‘ bound, C'7'€.$‘. _ u1_ ting ' . 3 bound, P. & ‘W 589 V» s. ;‘\‘\\ §»\ \ \‘ . \v\‘\ i\ N TENOR Sono, D RIELIT. 10? from the assem _b1.d RECIT. loud, " .4!/eugro. ‘ Cnonts. Alleggro. ' " Take he r, "Take her, “ Take he r, J.‘/'” crowd That to the O bride _. groom, O bride _ g‘I‘O0lll, O bride _ gI'0OIIl3 groom, There rose a Shout, o_ cw-an seemdto p ro1ong'H and say,‘__ 0 arm.s'_. ........................ .. ‘T vouth yoxxtln youth youth /""""—'-——‘T"""""""—"‘% charxnsﬁf ...................................... __ charms !".’. ______________________________________ __ charms ‘.1’ ....................................... . . charms !'.’. ............................................. .. > tram . p cam,/a/;I'/«» .0 N9 14'. QUART E TT. (U7l(lcc(m1p(( nzedf) “How beautiful she ' ., Moderate. _ dozce .‘_v_n-RAM). SOLO. How beau "ALTO. ’ SOLO. Tezmn. S014). BA.ss. SULO. How Modorat0.J = 104 P12A1\'o. Shethes with- in these arms, That press Her "fun-Ln She lies with _ §/ arms, those arms e lies with- "in these arms, That press Her - . 0 She lies with _ in those harms P. &W. 589 rcss, How fair" She lies with _. lies with __ in those fess, How fair She lies with _. fair she has with _ 1n ‘those arins. arixis, arms, press .......... .. Her these arms, _.f0rm f()l'lTl .......... .. ncss IIOSS ' l’l(.‘SS A flﬂ 6 legato Of tcn_de1-' Pp 0 legato ca réss 0'1’/1: . Of tcn _dcr- (to with ca ._ rcss e [(4 ca- rcss [Of tcn_der with sm/zpro Caro?" Of tcn ness and watch 3////2/Jr» ID and watch _ ful tcn _ dcr ncss and watch 1’ Of .5‘ H/[prev care? _ and watch _ ul Of tcn _, ~ SfrIIIpI'r“_ 2 /r«g¢n,‘o W21 chful care! and Of ‘ten ._ dcr _ ness and_ watch P. & \V. 589 ful éare? I ten _ dc:-_ ness ten _ d0r_ ness ten _ der-_ ness ten _ der._ ness poco crex. /, teni _ der _ ness C'7'(’-5'. 0 ten _ der _ ness P000 6‘ ten _ der _ ness pdco eras-. ten _ der‘_ ness watch watch _ ful watch - ful F. & \V. 589 watch _ ftil watch __ ful Watch _ ful watch _ ful care? How beau- tli _ ful she 1 care! How beau _ ti _ ful she care! HOW beau _ ti __fu1 she How She lies wit}1_ in CI‘/‘S. fair shg iios C - . 8‘ fair She lies‘ »£?i1h_ in crew. _ beau _ fi L. ful she can 9"-\‘,I} rr2.s2_s~. . O Hei‘ PTCSS PPCSS - - - - - - - Q o v - - o - - - o - - - - - - - - - - . 0 . those Wiﬂl _ 3.111159 in ..... .. arms, those thai. those P e /Pgtrfo ress Of ten _d(*r _ ness, and watoh._fu1 ﬂ I? /egczlu ress Of ton _.der _ Iless, and watch._fu1 P P‘ /(gala Of P [r{r__r(Ito arms,Of ton _dm' _ ness, and wat<~11_fu1 . and watc}i_. {.11 and watch _ ful . and watch- ful .. andwat<-11- ful ton _de1-_ness tvn _der-ness ten _ d(3I‘_l’1€SS te-n_d(>r_n_ess care? » Of care? Of ness, Of care! ‘Of [I]? rail. and watc P ra//_. and w’atch_fu1_ care? PP 17- A and watc-h_ful fall. and w'atci1_f'ul N‘? 15. FINALE QUARTETT & CHORUS. “Sail forth into the Sea? Moderato. J: 8+. «§< Allegretto grazioso. J_—=A1O8. {T \_y P d0[C’P ’ {T 177 Moderate. PP ac «stab, A CHORUS. . J Allegretto grazloso. :..- 08; SOPRANO. Sail forth ‘in to the sea, 0 forth in_. to the sea, 0 forth in_ to the sea, 0‘ Sail forth in _ to the sea, 0 /P A Allegretto ma non troppo. L Through wind and Through wind and Through wind and Through wind and A wave,rig~ht on _wa1-cl ___.———--——’{""' . wave, right on _ward __________. wave, right on _ward ________...._L_—-——-- waw, right on __ ward right on_ward steer.'ThrQugh wind and «< right on_ward steer-?Through wind and < right on_ward steer? Through wind and -< right 0n_ward steer-YThr0ugh wind and right on _w§1rd «—-;' i»- right on_ward -< } ri;_I;ht on_ward «=1: 1» steer! right on_ward P. «E ‘W. 589 Sail Sail Sail Sail forﬂn forth forth forth ship! ........... ..Through wind and sliii) ............. ..Through wind and ship? ............ .. Through wind and ship? ........... ..i..T11rough wind and on _ward The moistened on-ward steer? The moistened 12 (/0106 steer!The moistened The moistened 2"‘—_"‘$ P. & ‘N. 589 poco crest. ' tremb _ 1ing- ‘ ' , not the Signs ' ores. tremb _ ling lip, Are not the not the poco cres. tremb _ ling " , not the signs of {ed 1 J '' poco CI'PS.- B or ...... .. fear, Are not signs... of dim . ~ signs of doubt 0/im . doubt... of doubt ,L. P. &‘W 589 of doubt or fear ' ....... .; ...... .; ................................... .., ........ ..'..’.’;'.'—;"..”;;‘. forth.... ‘in to thcsea, 0 forth.... in- to the sea, 0 {#01-th.... in_ to the sea, 0 forth.... in_ to the sea, 0 /-T /\ iﬁﬂa. P. & ‘W. 589 Through wihd and Through wind and Through wind and Through wind and — wave, right 0n_ward j___{__ wave, right on_ward ’{__,.._ wave, right on_ward ‘o. wave, right on- ward steer! 1’; &VV. 389 right on _wax-d right on_ward right on_ward right 0n_ward d -—< right 0n_ward -;—f‘__. on_ward fight —< right on_ward right on_ward steer‘.Through wind and —-i steer! Through wind and —-—-—:_1" steerTThrough wind and —--:-_f_‘ steerYThrough wind and - stc,er!ThI'ough wind and C 7'65‘. steer!Through wind and C 7'83 . steer!Through wind an CI‘€.S'. steer!Thr0ugh wind and wave, right on_ward . ‘ forth 1n _t0 the right on _ward Sail forth’ ° wavmright on_ward A ‘ Sail forth in_to the M‘z1\'e,rig‘}1t 0n_ward stem, Sail ‘forth .................. .. in _t0 ship?Thr0ug'h wind on _ward soa,T}1rough wind ',.__‘ , 0n_ward ship?Thr0ugh wind on _'ward P ship?" Through wind ' '5 on _ward P. & W". 589 Allegro, J:.-1-1+. I5. 4; w 5x9 Ear not each sud_d0n Ear not each sud _den Erar not each sud_d0n Féar not each su'd_den and shock, each sud- den sound and and shock, each sud- den sound and shock, and shock, each sud- den sound and shock, . _ and shock, each sud- den sound and 0 > ‘S2/en. PP ’Tis OT the wave "Tis of the wave P 'Tis of the wave 0 ‘Tis of '3?-. p. .92 W 5139' rock; ‘T115 but f]ap_piI1g~ * rock: ’TiS but the flap_ ping‘ i— rock,‘ ’ 1e flap_ ping rock; ’Tis but the flap- ping D‘. Pit} Allegro 9 con fuoco. aJ_—_u6, gale? of rock .... .. gale? of r0ck...... gale! of rock .... .. ' ale Y- . D ” Pit‘: Allegro’ e con fnohco; of rbck .... .;. % f .... .. and tem _pest's .... .. and tem_pest’s Vand te1n_p0st's and tem_pest’s P. & V5’. 589 -gr falseni.‘ % lights of false...‘ ..... .. lights of false... lights of’ false....;,;..... lights bruast bx1x1st breast breast P. & V’, ‘.389- a/1/Jasslbmt/0 .S'.P’IlIlU/'(’ ('."l‘.S' . p000 ritmc. ‘Sh. 1VIod0rat0. J - _—_ 76. r. breast breast ........... .. f Sail _ bfcast Modoram. *%o. P. & V". 539 hop<*.s'. hearts. ....... .. our hopes, hearts, ....... .. upes. hopvs, V t})<)<?. ......... .. P» & \\'. Z".>.\9 breast breast breast breast #9 . ‘Ea. hearts, hearts. h0arts- . hopes, llopes , hopes . hop 0.9.. hopo.s'. hoz1r’(.s', 1'1} hmlrts, prayers. V . prayers, prayers, fears, tours. P. & VV. 359 flxitll f}1it11 f}1it}1 f}1it}1 ”""* ~ < ' : ‘L. phant phani pllzlrxt f'(~z1rs. ....... .. 7 phant f(‘Z11‘S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. ..... ;,/"'*’*‘ {vars . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. o >%: >§:%. Sim Z-—-;_’ 4/?» awil b ~— fora)" forth forth SP3 inxg‘ trust P.& T5259 a1l.f..... ad forth P, & \\'. 5‘\‘J the sea ..... .. ' of P. & VS’. 58!) ———?......———IIlljIIII {llrtha ing‘. h‘u.s‘t the sea ....... .. of luv _ _ Sail ‘ forth 13+ P. (in V. f).\9 SOPRANO. SOLO. trust _ SOLO. trust _ C Homrs. SOPRANO. A C HORES. CHORUS. O CHORUS. trust, .................... _ _, trust, .................. .. and ' cfes. _ . _ tle _ poco Cres. / . love and trust- mo/[0 cres. Pre _ Vail mo/to c . Pre _ Vail o'er molto cres. Vail o'er 7210! 6'0 (,‘I‘P.S'. ail mo/to crws. wave .................. . . '\ \ ' ‘ poco rz'te.22. SOLO SoPRA.\'o. 1* 9 . ‘ rlte/2. . SOPRANI; SOLO ALTO with ALT1. co rile/z. . Sum TEI\'()I{ with Txcxom. Sum BASSO mm BASSI. PIANO. H _ wa bound, ward..... bound, uund, ward..... ound, home ward..... bound, souls ........... . . souls ...... souls ........... .. .{"'”—"‘$ ' - .1. C0111 __ P8555 com - pass com - pass com _ pass .P.&- Visas» 34’ ‘E525. P. & V5’. 589 St‘ _ (‘IlY'(f ZlIl(l S21 0 l shall .s‘l1;1ll shall slmll V 50 _ (-urol and .s':1fe _ _V and safe ‘£Q_ I’. & W. say sziil s<>_r-u1'-v_l'V. slmll sail sail, shall ......... .. sail ........... .. so _ d ﬂ slmll 21-3 .S‘€III})I‘P pfzl Zalo 6 can pa.s'.s'ionr= sail s<-(-um-I_\‘ and ‘ ’ 1'c21(*h T110 ('1'! S. reach lwl*1Vn-_txx_nu1w .. . ﬂ ' v\‘]l0s<) ' ' (‘Iwas-. For _ 1u_naf0 ....... .. F01" ‘ . on whose /’—T (:r‘(»‘.s'. v\'h(>s<> ﬁx 5(1):: mp [)l'1't ¢tgif(1f(; u_n:1t<- Islvs 1)e:1(*h ssiglnts ......... .. b<*:1(-ll sigllfs 'in}_;‘ much siglxts ......... .. In-m-h siglxts K P. J1’ ‘W. 559 on '\__\Jl()S(: 1n_in;;‘ beach .... .. The sounds sounds suunds sounds sights ............ .. wv son. ......... .. and the Lsounds we hear ....... .. _, h(‘Z1I' . . . . , . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. P. & \V. In-s9 215 \ joy an those joy and iuV~ and . t : those ']<>.V and joy and ‘ not ........... . Q-........................... ( Q a a o , Pit‘: Al %‘x*‘’' feat-3”." ............................................. ................................... ...... fearT’.’.... ........................ ................................................... ...L fear!’ ........ ....................... ......................... ............... ‘3 . oar‘. ............................. ....................... ............................ .. f(,‘3T".’.’ ................................................................................... Piiz A11<-_s;'-~1~o.J. = 108. P. «C W’. 5&9 swmpre ‘Rib. sr III/177% ‘£50. ‘£2 (§)..oo¢..o-_: o 81'/1 /1((.s'.s’() ’ The “ LUTE ” Series of Anthems & Part-Songs (cominued/. . Tum Thee, O Lord .. . Behold, upon the Mountains .. . Hail to the Lord's Anointed . . . Praise, my soul, the King of Heaven . Sing, 0 Daughter of Zion .*Sing Praises unto the Lord . Witnessing Thy Resurrection . 0 how amiable. . . Sing we merrily . Be strong ! all ye people . Sing to the Lord . Behold ! He cometh '. Sing, 0 Daughter of Zion . The Spirit of God .. . The Lord hath chosen Zion . . . But Mary stood . Lord ofGlory .. .. .. .*Hosanna be the Children's Song . O come hither and hearken . . . If ye walk in My Statutes .. . . . Grant, we beseech Thee (Collect) . . . Let the wicked forsake his way . 0 give thanks unto the Lord . While all things . O worship the Lord . . .]ustasIam .. .. .. . Christ the Lord is risen to-day . Remember not, Lord .*Hear me when I call. . . . Come unto Me, all ye that labour . 0 Praise God . 0 Saving Victim . Bring unto the Lord . . . Arise, O Lord. . . The day is past and over . Break forth into joy . . . Great is our Lord . . Turn Thy face from my sins Cut/zoertHarrz’s, Mus. Doc. . Christ is risen . . . . . Blessed be the man .. . . . . . The loving kindness of the Lord . . . The Lord is gracious and merciful .. . While the earth remaineth .. .. . Great is the Lord SA CR ED— Conttnuea’. Norman Hatﬁeld ..41. W. Ketélbey Arthur W. ./Warehant ..R. M. Harz/ey_ .. H. E. Button A. W. Marc/zant .. ff. E. Button .. . . F. C. Maher C. Harris, Mus. Doc., F.R.C.0. .. Aléert W. Keteloey . .R. M. H a-r2/ey Alhert W. Keteloey . Arthur Page A. I/V. ./Warehant W’. Wolstenholme . G. I-/erlert Parker .. f. /ll. Bentley .. E. M. Barhezr . H. M. Hzlggs 1". R. Ric/eman A. R. Gaul . .R. M. Harvey . Turle Lee C u.’/xoert I‘/arris, Ilius. Doc. [1’ar'z1ey McKz'ntosh Ferris Tozer .. f. F. Barnett .. ]. M. Bentley A. W’. Marchant H. M. Higgs . .Cut/zbert Harris, Mus. Doc. .. ]. Lionel Bennett Ferris Tozer .. F. R. Rzkhmaiz ]. R. .Meale, A.R.C.0. F. Auérey Owen A rthur Page, F.R.C.0. /. C. Bridge, Mus Doc. A. 11. Be/zreml A. W. Ketéloey, . . T. Hzezchinsorz Rev. F. G. Ouseley .. F. N. Baxter 3d. . H. M. Higgs 3d. . The heavens declare the glory (To ilze ca;}'zzm..»;z.') 42. . . . . . . 45a. How sweet the Moonlight (Part Song) .. 7. G. Callcott 45b. Ditto 47. g . . . . . . _ . . 5oa.*Banks of Allan Water (Male Voices) 5ob.*Home, Sweet Home (Male Voices 2. . . . §4a.*Robin Adair (Male Voices). . . . 54b.*When the Swallows (Male Voices) 57. . .. 61;. 7o. 74 76 ~. IOI . . 1 ‘[09. Go, Zephyr, and whisper the Maid .. n7.*My Love, Good Morrow . . .. :26. Annie Laurie (Male Voices) . . 168 *The Skylark . . . . .. . 175 Spring Song . . .. .. .. 177.*The Old Arm Chair (Henry Russell) :94. The last rose of summer (Male Voices) . *Vi-olet’s Fate . *The Singers . *Who is Silvia . . . *Daybreak . Nig . *Cob .. . . . *0 Night, Most Beautiful : ’*The Gallant Troubadiniur . . 79 *Old Mother Hubbard 79b.*Who killed Cock Robin 8:. *0 pure Delight . . .. 84. *Go, Lovely Rose 85. 88 92 9 7 6 SECULAR. ‘The Lost Chord A. _‘7. Caldicott . . Franz Aht _.A. H. Behrend A. R. Gaul . . . . F. Peel .. IV. Mae arren . . A K. Gaul Francesco Berger . . ouless [Michael Watson A. :7. Caldieott 9‘. L. Roe:/eel A. R. Gaul Isle of Beauty . . Fair Daffodils .f Rich or Poor .. Hymn to Diana ht . . . . webs Lord Ullin’s Daughter (For Male Voices) ’Twas a Trumpet’s pealing sound . . joy with Roses . . .. . Merrily Wake Music's Measure To Carnations . . . . . . . Pearsall _‘7. Cli/>;5z'nga’ale . . f7ohn Barnett . . . . I/V. Hay . . [1/[ichael Watson ll/[ichael Watson . . F. N. Lzihr . Hail ! Victoria (jubilee Part Song) *A Slumber Song ditto (Trio for Female Voices) 7. G. Calleott Boat Son .. F. N. Lo'hr f7osef Cantor 7osef Cantor .. . Frank L. Mair Yoxef Cantor Yosef Cantor . Samuel Reay Jfichael Watson . . Samuel Reay 7. Sawyer‘, M713. Doc. Seymour Smith '1’/zeodore Distin .. R. F. Ellieott .. .. .. C. 9‘. Frost Arrangerl éy 1112':/zael Watson .. T. W. Stephenson . . .. . A. King, /Wus. Doc. *My Lady Wakes (Part Song) . . Alfred 7. Dye *Hushed to rest (Part Song) . . . . . . F. Moir Turn Amarillis to thy Swain (Madrigal) _‘7. H. Kearton Come o'er the Sea . . . . . . .. W’. G. Wood *1 dare not ask a kiss (Part Song) . . Arthur Page, F.C.0. The Three Knights. . V. W. Howard-McLean Sweet Summer . Soft Wind of Eve .. . . Sunrise .. . . .. . O Swallow, Prithee stay The Eolian Harp . . . Song of the Mountaineers . . *The Birds are Singing . . *Bring the Bright Garlands . . Frederic/rt Bevan Dr. _I. Parry yosef Cantor Ferris . ozer . . Samuel Reay .. Arr. ]. Cantor Tarle Lee The Numbers marked * may be had in So1—fa, price 2d. each. A Classzﬁezl C ata/ogue of this Series may lie haa’ post free on ap;)lz'catz'on. CCN 6 E L.” TWELVE CHRISTMAS CAROLS. Price, Complete, Paper Cover, Illustrated, 1s., 3 ~ooo\IO\U14>u:toH or in Separate Numbers, as List below. CONTENTS : Price. Hark ! what mean those Holy Voices Sir Arthur .S‘ullz'z/an 3d. A Shout of Mighty Triumph f. H. Gauntlett, Ilfus. D. izfrd. Merrily Ring the Christmas Bells . . W. H. Dixon 2d. Angels from the realms of Glory ]. H. Gauntlett, zllus. D. rid. Lovely Voices of the Sky .. Michael Watson 2d. Behold a Gentle, Tender Babe ]. H. Gauntlett, Mus. D. id. The Shepherds went their hasty way Herbert F. Shargﬁe 2d. Calling of the Kings .. /. H. Gauntlett, Zltus. D. réd. The Shepherds amazed. . . . . Frederick Bevan iéd. From the Hallowed Belfry .. J. /1. Gauntlett, Mus. D. isd. “”fh‘e5 f_l‘:p§‘)‘y°',{,‘f;rﬁ,“d ‘ms .. I, F. Brztlge, Mus. D. 2d. Good Christian men, rejoice .. .. .. Gauntlett xﬁd. AWAKE! AWAKE! PUT ON THY STRENGTH. ANTHEM BY ALBERT W. KETELBEY. Price 3d. soapoancan¢|»$o¢o$oxo$o:orozo¢so:o The Old Folks at Home, ARRANGED‘ AS A PART-SCONG FOR MALE VOICES (A.T.T.B.), By TURLE LEE. Price 2d. 11111111113111: PATEY & WILLISS, 44, GREAT MARLBOROUGH STREET, MADAME PA'l‘EY’S VOCAL TUTOR, For Contralto, Mezzo-Soprano, D aiid Soprano Voices. PRE SS OPINION S. V “The result of years 01 experience——the Exercises contained in the book are those MADAME PATEY uses for her own daily practice." V “It is refreshing to see, on looking through her book, that MADAME PATEY has always the courage of her opinions, and as she has ample experience to appeal to, and publicly-attested taste andiability, few people will be found to object to the rules she lays down.”—Ea’ucatz'on. “MADAME PATEY’s Tutor can be recommended in the strongest terms to the notice of Teachers.”—-Illusic Trades’ Review. _ “MADAME PATEY’s Vocal Tutor will be found a most useful _Compendium of Rules for singing. It is suitable for Soprano, Mezzo-Soprano, and Contralto Voices, and contains various Exercises and Scales.”——[ZZustratea’ London News. , “Instruction from so justly eminent a vocalist as MADAME PATEY, cannot fail to be valuable, and we ﬁnd in her Work a complete epitome of all that it is necessary for Students to know.”—-Sportirzg and Dramatic News. .“ The great merit of MADAME PATEY’s Tutor is its simplicity. The text is briet and to- theppurpose, says what is to the point, and no more.”——zlIz'a’/arza’ Counties Herald. “This eminently practical work on the cultivation of the voice,_ and the formation of style, is the fruit of experience, and any clearer exposition in words and exercises of thoroughly good and useful Method, there is not in the English language.”——Dzma’ee Advertzlver. May be obtained of any Music Seller in the United Kingdom or Colonies, At the Reduced Price of 2/6 nett.-- :xxxx'x1zﬁ-xxxx-xxxxxxxxxxxxxxxxxxxxxx“~ DUSSIEK’S CELEBRATED PIANOFORTE TUTOR, WITH ,1-‘l Seleetion of Popular! melodies BY 3 E 1\£lI Y, &c., EDITED BY IIH].\£[III.'.4'.'I.‘i()§'. _—_ -,4-_-_._-_.._.._._-_.._—_.._.—_.___-_._._._.. NEW EDITION, Price.‘ A1/6 nett. PATEY & WILLIS, 44-, GREAT MARLBOROUGH STREET, LONDON, W.
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Date: 1899
Text: YF1 ION 4; $~§‘:‘vs":‘- 4'.2~Té¢~"‘ I/0 CA 1. xﬁfﬂ/A ( 5010 ) The Poem by Longfcl low. QR . ‘V ,5./' . I"I u.5‘1 c by forﬂprmo in C1 /‘bx///o In Eb Qcgézna//ray 3 77am,/wed/fa I/Z/I [£77/74/V/V. THEJOHNCIIURCH COMPANY. CINCINNATI. CHICAGO. NEWYORK. LEIPJIC . LONDON. Q 0'... '0’ 2 FOR S0PHA1V0. (Original key.) Endymion. Orchestral score and parts may be had of the Publishers. LONGFELLOW. LIZA LEHMANN. U11 poco lento, tranquillo assai.(J : 66.) 1) traizgzzzl/0...
Show moreYF1 ION 4; $~§‘:‘vs":‘- 4'.2~Té¢~"‘ I/0 CA 1. xﬁfﬂ/A ( 5010 ) The Poem by Longfcl low. QR . ‘V ,5./' . I"I u.5‘1 c by forﬂprmo in C1 /‘bx///o In Eb Qcgézna//ray 3 77am,/wed/fa I/Z/I [£77/74/V/V. THEJOHNCIIURCH COMPANY. CINCINNATI. CHICAGO. NEWYORK. LEIPJIC . LONDON. Q 0'... '0’ 2 FOR S0PHA1V0. (Original key.) Endymion. Orchestral score and parts may be had of the Publishers. LONGFELLOW. LIZA LEHMANN. U11 poco lento, tranquillo assai.(J : 66.) 1) traizgzzzl/0. The ris—ing m0on_______ has hid the stars, Her lev-el rays like old—en Copyright MDCCCXCIX by The John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MDCCCXCIX by The John Church Company in the Department of Agriculture. on the landscape green Withshadows brown . And sil-ver _ white — _ j 1017 hr _ the riv—erg1eams, As if Di— a — ha, in her dreams, _Had dropp’d her si1— ver bow ____.__.._ ‘ Up— on the mead-ows bu, hf //000 m~e.s'(;. a fa/1///0. On such a tran — - quilnight as this, pa}? c7‘c.s’(:. She woke End-ymion with a VVhen slee ing in the in L ‘: L. z_;:_______’__,/ (z/we/.6 (ii///. = ' rz lam//0. He dreamed not of her love do/(re. 6 0'/III- P ml]. 1; 22005:. PP F " ‘("7" T:} . pz}? ///o.s:s'o.(J : 80.) > > Like Dian’s kiss un-ask-’d un_ 7120/lo V ., h //212 //10.5290. Love gives it-self, but is not bought, Voice n0r_. s0und_.______ be—trays L’!/2\ , / Andante ritenut0,un poco maestoso. mfma ( : 69.) can amplezza. comes, the beau-ti - ful, the free; of all hu-man-i _ wgf 6672 .9o.9fe7mz‘o. and Seek the 9 -1€Ct — ed ?——_—______ lifts the boughswhose shadows ‘ , ob—1ivi — on, the s0u1’s sleep, And > mil. 6 a’0lcz'.9.s'7'/no. kis - ses the clos ' who slum - ber?-ing pp mil. 6 (1 tw//po e molt. ()7'6.S‘{}. Oh, wea - ry hearts, Oh,slumb’ring fr/‘I2 resc. a iempo e moltcresc. f droop — ingsouls whose des — ti—nies Are fraught with fear (‘T .s'em,m‘c 12/7'1? (:7’c.s’(,~. _ shall be loved one is so ac-cursed by No one so ut - ter—ly > > des — o—1ate some heart, though un - known, molio mil. accel. e crew. ——______ 7 Re-sponds un - to__ his_ own, awe]. e cresc. Tempo I. (J : 69.) (la/(re. sponds 6 8 The accompaniment on the smaller staff can be used if preferred, but the chords should be Well “spread” to obtain the same effect as in the upper version. , 13153-14 a. M 6 T 6 ﬂ ._w H 0 0 Where? 8 2'1} cresc. 7; Where? calla 22006. V8 8""; calla woe. V8 stretto . long? streiio. Tempo I. ’ /2 .9w1/,'2/re ([1/21.. pp a trim//0 as.9az'tm2zqm’/lo. ra//. S67I}ﬂ7’6 dim. pa assai traizqzzillo. rail. 5021/” 5’ d1'7”~
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Date: 1907
Text: THE FOUR WINDS Words by Longfeilow \ '4 \'4~t.‘¢“{‘ .. ¢ “ ~ 3/ " E! ' . /V 1‘ \‘ i‘ 7 M ‘ \ ) ,' ‘ ,,. Y W,‘ V V] V ‘ .‘f ‘ : I"- \ ‘WA ‘ ‘H j Ir,’ > /, /’ ,5 ‘ ; 1 . . ‘ ‘,_>/~ 5 ‘M, - I V U * W L :3 |[\ [_ 1 7 L 3%? I ‘E. H! 3,. "\ “ » "‘I M \,\;'§ “l';i.' " H“ ‘-‘i IV‘ ‘ , . W n‘. H: «W A ~«‘w', .,«. 5 3'», ’ 2 ‘ ‘\"|_'§ r 1" s , 1‘ -v‘ ‘ I :_:\ . .1, ‘ ;-J*.4 w“! ‘ 3 a‘ Q, - x’ ‘ Y The Music...
Show moreTHE FOUR WINDS Words by Longfeilow \ '4 \'4~t.‘¢“{‘ .. ¢ “ ~ 3/ " E! ' . /V 1‘ \‘ i‘ 7 M ‘ \ ) ,' ‘ ,,. Y W,‘ V V] V ‘ .‘f ‘ : I"- \ ‘WA ‘ ‘H j Ir,’ > /, /’ ,5 ‘ ; 1 . . ‘ ‘,_>/~ 5 ‘M, - I V U * W L :3 |[\ [_ 1 7 L 3%? I ‘E. H! 3,. "\ “ » "‘I M \,\;'§ “l';i.' " H“ ‘-‘i IV‘ ‘ , . W n‘. H: «W A ~«‘w', .,«. 5 3'», ’ 2 ‘ ‘\"|_'§ r 1" s , 1‘ -v‘ ‘ I :_:\ . .1, ‘ ;-J*.4 w“! ‘ 3 a‘ Q, - x’ ‘ Y The Music éomposed by CARL BUSCH ? I , ,- us» ; AA‘: * ff: A THE H. W. GRAY COMPANY Sole Agents for % NOVELLO & CO. LIMITED New York The Four Winds (“DIE VIER I//INDE”) FROM THE SONG OF HIAWATHA S}*ZT'"J1”O MUSIC FOR S()PRA;\T() ;\_\”D TENOR SULI, CHORUS, AND ()RCHliSTR:’\ BY CARL BUSCH Tm: C}JLCR]\/IAN TRANsLA'r1oN BY HERMANN S1MnN 1’.-1/’/LL/Q“, $1.25 —- ]f().4/\’])S. S/",5O — C'L'UL/L/~[, 82.00 :\‘F.'\\' YORK ‘ THE H. \V. GRAY COMPANY .<m,1v: _\¢:1‘;\"rs 1-‘on N()V1*‘.LLO & C0,, LTD. Copyright. 1007, by THE H. W. GRAY C0. TH]? F0 UR IVHVZJS The work is written for two solo Voices, Soprano and Tenor, orchestrated for Strings, 2 Fltites, 2 Obocs-, 2 Clarinets, 2 Baissoons, 4 Horns, 2 Trumpets, 3 Trom- bones, T1.1i)21,, Tympani, Cymbals, Bass Drum, and Harp. - ‘-4-4 T he text is used with the sanction of Messrs. Houghton, Mifﬁin 84: Co., the authoriyed publishers of T..0ngfellow’s works. THE FOUR VVINDS INDEX INTRODUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . i . . . . . . . CH()RL_¥S —- Honor be to Mudjekeewis . . . e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 'J‘s«:NoR So1,0— Hark you, Bear I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHORUS — Then again he raised his war-club 'l‘i«:N<>1< SoI.o— Young and beautiful was Wabnn . . . . . . _ . . . . . . . . . . . . . . . . . . . . . r . 4 . Cimkiis —~ Every morning gazing earthward . . 4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . S(.>l’RAN() ANT) TENOR SOLO AND CHORUS ~— For they both were solitary . _ . . . . . . CHORUS — But the ﬁerce Kabibonokka . . . . . . . L . . . . . . . . . . . 4 . . . . . . . . . . . . . . . . . . . . . . TENOR S()L()—— There among the reeds and rushes . . . . . . . . . . . . . . . . 4 . . . . . . . . . . . . . (THORUS — And at night Kabibonokka . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A 92 S<wRANo SOLO-— Shawondasee, fat and lazy . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4_ . . . . r . . 127 'l‘i«:.\1oR SOL0— Once as he was gazing northward . . . . . . . .‘ . . . . . . . . . . . . . . . . . . . . . . . 131 S<)l’R.»\N() ANT) 'l‘i«:N0R Sou) AND CH()RUS— Till one morning . . . . . . . . . . 4 . . . . . .. 135 THE FOUR WINDS (« DIE VIER ll/']NDE”) CHORUS. ‘llonor be to Mudjekeewisl” Cried the warriors, cried the old men, \\7 hen he came in triumph homeward With the sacred belt of Wampum, From the regions of the North—Wind From the kingdom of VVabasso, From the land of the VVhite Rabbit. He had stolen the Belt of W'ampum From the neck of Mishe—Mol<wa, From the Great Bear of the mountains, From the terror of the nations, As he lay asleep and combrous On the summit of the mountains, Like the rock with mosses on it, Spotted brown and gray with niosses. Silently he stole upon him, Till the red nails of the monster Almost touched him, almost scared him, Till the hot breath of his nostrils W armed the hands of Mudjekeewis, ;\s he drew the Belt of \7\/ampum Over the round ears, that heard not, Over the small eyes, that saw not, Over the long nose and nostrils, The black muﬂle of the nostrils, Out of which the heavy breathing \\’armed the hands of Mudjekeewis. 'J‘hen he swung aloft his war—club, Shouted loud and long his war—cr_v, Smote the mighty Mishe~Mokwa In the middle of the forehead, Rigrlit between the eyes he smote him. “Ehr’ und Preis dem Mudschikihwis!” Riefen Krieger, riefen Greise, Als er triumphirend heimkam Mit des Wampum heil’gem Giirtel Aus des Nordens Regionen, Aus dem Konigreich Wabosso, Aus dem Land’ der weissen Kaninchen-. Wampum’s Giirtel er sich raubte Von dem Nacken Mitscha-Miakwe’s Von dem grossen Bar der Berge, Von dem Schrecken der Nationen, Als er schlafend lag und traumend Auf der Berge hochster Spitse \Vie ein Fels mit Moos bewachsen, Braun und grau vom Moos’ umsponnen. Schweigend stahl er zu ihm hin sich, Bis (les Monstrums rothe Niigel lhn beriihrten, ihn erschreckten, Bis der Niistern heisser Odem Mudschikihwis’ Hande warmte. Schnell schlug er den Wampumgiirtel Um des Scheusals runde Ohren, Die nicht horten, um die kleinen Augen, die nicht sehen konnten, Um die lange Nas’ und Niisterir Deren schwerer Obem gliihend Mudschikihwis’ Hande streifte. Hoch schwang er die Kriegeskeule, Laut und lang sein Krieg’schrei tonte, Mitten auf die Stirne schlug er Dann den starken Mitscha-Mal<we, :\/Iitten zwischen beide Augen. Tl~lE F0 UR W] N l.)S With the heavy blow bewildered, Rose the Great Bear of the mountains; But his knees beneath him trembled, And he whimpered like a woman, As he reeled and staggered forward, As he sat upon his haunehes; And the mighty Mudjekeewis, Standing fearlessly before him, T aunted him in loud derision Spake (lisdainfully in this wise: % TENOR SOLO. ‘Hark you, Bear! you are a coward, ;\nd no Brave, as you pretended; lilse you would not cry and whimper Like a miserable woman! Bear! you know our tribes are hostile, Long have been at war together; Now you ﬁnd that we are strongest, You go sneaking in the forest, You go hiding in the mountains! Had you conquered me in battle Not a groan would I have uttered, But you, Bear! sit here and whimper, And disgrace your tribe by crying, Like a wretched Shangodaya, Like a cowardly old woman!” CHORUS. Then again he raised his war—club, Smote again the Mishe-l\Iok\va In the middle of his lorehead, Broke his skull, as ice is broken, VVhen one goes to ﬁsh in Winter. Thus was slain the Mishe~Mok\\'a, He the Great Bear of the mountains, He the terror of the nations. “Honor be to Mudjekeewis!” With a shout exclaimed the people, “Honor be to Mudjekeewisl Henceforth he shall be the West—Wind And hereafter‘ and forever Shall he hold supreme dominion Over all the winds of heaven. Call him no more Mudjekeewis, Call him Kabeyem, the lV'est-\Vin(ll” VVi'1thend durch cles Schlages Schwere Sprang empor der grosse Bergbiir, Doch die Kniee ihm erbebten, W'ie ein Weib er wimniernd klagte, Als er taumelnd vorw'2irts schwankte. ‘ Sich aul seine Schenkel setste. Und der starke Mudschikihwis Vor ihm dastand ohne Bnnggen, Hohntei ihn mit lautem Spotte, Sprach \'er'2iehtliCh also zu ihm: “Hore, Bar! Du bist ein Feigling, Nicht so muthig wie Du prahltest Nimmer wtirdest Du sonst schreien, \Vimmern wie ein elend \Veibsbild. Bar‘; Feind waren uns're Stiimme, Lange waren wir in Fehde. _letzt siehst Du (lass wir die starksten. Und gehst sehleichend durch die Wiilder, Birgst dich feig in Felsengrijnde. Wenn Du mich im Kampf’ bezwungen, Nimmer hortest Du mich seufzen: Doch Du, Bar! hier wimmernd sitsest Schandest Deinen Stamm durch Klagen, \\'ie ein lump’ger Schagodeje, l\7ie ein leiges, altes \Veib.” l’)ai1n hob er die Kriegeskeule Schlug noeh ein Mal WitsClia—Mal<\\'e (}’rade mitten aul (lie Stirne, Brach den Schadel, \\'ie man’s liis bricht \\"enn man fischen will im Winter. So kam um der l\'lll.\'Cl121-‘_\l2tl{WL*, Jener grosse Bar der l$e1‘ge, lir der Nzitioneii Schrecken. 3 “Ehr’ und Preis dem .\ludschil<ihwisl" Jauchzten laut des Volkes Schaaren, E111" und Preis dem Mudschikihwisl Soll der Westwind sein VOH heut’ an, Und fortan fur evv’_qe Zeiten Soll als Herrseher er gebieten Ueber alle Himmelswinrle; Nennt ihn nicht mehr Mudschikihwis, .\lennt ihn Kabeyun, den \\"estwind. THE Thus was Mudjekeewis chosen Father of the Winds of Heaven. For himself he kept the West—Wind, Gave the others to his children, Unto Waban gave the East—Wind, Gave the South to Shawondasee, .—\nd the North—Wind, wild and cruel, To the ﬁerce Kabibonokka. TENOR SoLo. Young and beautiful was Wabun; lle it was who brought the morning, He it was whose silver arrows Chased the dark o’er hill and valley; He it was whose cheeks were painted With the brightest streaks of crimson, And whose voice awoke the village, Called the deer, and called the hunter. lxmely in the sky was Wabun; Though the birds sang gayly to him, Though the wild—ﬂowers of the meadow Filled the air with odors for him, Though the forests and the rivers Sang and shouted at his coming, Still his heart was sad within him, For he was alone in heaven. But one morning, gazing earthward, \Vhile the village still was sleeping, .-\nd the fog lay on the river, Like a ghost, that goes at sunrise, lle beheld a maiden walking All alone upon a meadow Gathering water—ﬂags and rushes By a river in the meadow. CHORUS WITH SOPRANO SoLo. Every morning, gazing earthward, Still the first thing, he beheld there \\’as her blue eyes looking at him, Two blue lakes among the rushes. And he loved the lovely maiden, \\"ho thus waited for his coming: F0 UR \/VlNl)S So erkor man Mudschikihwis Zu der Himmelswinde Vater: ﬁr behielt fur sich den Westwind, Gab die ander’n seinen Sohnen. Waban ward des Ostwin(.l’s Herrscher, Scliawamlassi Herr des S'Lidwind’s, Fur den Nor(l\\'in<l, wild und grausam Wurde es Kabibonocka ) ]ung und wunderschon war Waban, Braehte als Geschenk den Morgen; Seine Silberpfeile jagten Ueber Berg und Thal das Dunkel. Angehaucht war seine Wange i\/Ilt des schonsten Purpurs Schimmer, Und sein Hauch das Dorf erweckte, Rief das Reh’ und rief den Jager. Einsam zog am Himmel Waban; —— Ob ihm Lust die Vogel sangen, ‘ Ob der Wiese wilde Blumen Ihm die .Luft mit Diiften wtirzten, Ob sein Nah’n auch alle Wéilder Alle Strome froh begriissten, - Traurig schlug sein Herz im Busen, Einsam zog er ja am Himmel. Friih einst schaute er zur Erde, Als noch schlummernd lag das Dorfchen, Nebel noch den F luss, wie Geister V or der Sonne ﬂiehend, deckten. Da sah wandeln er durch Wiesen Ganz allein ein schones Madchen, Binsen pﬂiickte sie und Lilien An des Wiesenstromes Rande. Jeden Morgen sah er erdwarts, Und das Erste was er schautc, “Var der blauen Augen VVinl<en, Zwisehen Ried zwei blaue,Seeen; Gliihend liebte er das Madchen, Das so einsam seiner harrte, 'l‘I~l Ii I)1n«:'r. For the both were solitary She on earth and he in heaven. And he Wooe(l her with ca1‘t5sst*s, Wooed her with his smile of sunshine, With his ﬂattering words he wooed her, With his sighing and his singing, Gentlest whispers in the branches, Softest music, sweetest odors, Till he drew her to his bosom Folded in his robes of crimson, Till into a star he changed her (Chorus) Trembling still upon his bosom; _DUET AND CHORUS. And forever in the heavens They are seen together walking Wabun and the Wabun-Annung, W abun and the Star of Morning. CHORUS. But the ﬁerce Kabibonokka Had his dwelling among icebergs in the everlasting snow—drifts, In the kingdom of VVabass0, In the land of the White Rabbit. lle it was whose hand in Autumn Painted all the trees with scarlet, Stained the leaves with red and yellow; He it was who sent the snow—ﬂakes, Sitting, hissing through the forest, Froze the ponds, the lakes, the rivers, Drove the loon and sea—gull southward, Drove the Cormorant and curlew To their nests of sedge and sea—tang For the realms of Shawondasee. Once the ﬁerce Kabibonokka Issued from his lodge of snow—drifts, From his home among the icebergs, And his hair with snow besprinkled, Streamed behind him like a river, As he howled and hurried southward, Over frozen lakes and moorlands. F0 U R W} N 1) S Waren Beide doch verlassen, Sie auf Etden, er im Himmel. Und er warb um sie mit Kosen, Warb mit seinem sonn’gen Lacheln, Warb um sie mit Schmeichelworten, Warb mit seinem Sang’ und Seufzen, .\Iit der Zweige leisen Wispern, Sanften Klangen, siissen Hauchen, Bis sie lag an seinem l"Ier'/Jen, Eingehiillt im Purpurmantel, Bis sie war zum Stern verwandelt Bebend leis auf seinen Busen. Immer siehst du sie zusammen An dem Morgenhimmel wallen, Waban und die Waban—Anang, Ostwind und den Morgenstern. Doch Kabibonocka hauste Grimmig zwischen Eisgebirgen, In den ew’gen Schneegeﬁlden, In dem Konigreich’ Wabosso, In dem Land’ der weissen Kaninchen. Seine Hand im Herbst’ die Baume Ringsum scharlachroth bemalte, Fétrbte roth und gelb die Bléitter, ,Schiittelte des Schneees Flocken Stiebend, rauschend durch die Walder, Liess der Weiher Wasser frieren, Strome, See’n liess er erstarren, Lummen, Moven trieb er sﬁdwarts, Trieb Seeraben und die Reiher In ihr Nest Von Ried und Seetang In den Reichen Shawandassi’s. Einstmals stieg Kabibonocka Nieder Von der heim’schen Sclmccl.rift, Von der Heimat zwischen Gletschern, Und sein Haar, mit Schnee’ besprenkclt, VVie ein Strom vom Haupt’ ihm wallte, Wie ein dunk’ler Strom im VVintcr, Als er heulend stidwarts jagte Ueber eis’ge See’n und Steppen. THE FOUR WINDS TENOR SOLO. There among the reeds and rushes Found he Shingebis, the diver, Trailing strings of ﬁsh behind him, O’er the frozen lens and moorlands, Though his tribe had long departed To the land of Shawondasee. Cried the ﬁerce Kal)il)on0kka, “Who is this that dares to brave me? Dares to stay in my dominions, When the W awa has departed, When the wild goose has gone southward, I will go into his Wigwam, 1 will put his smouldering ﬁre out!” C HORUS. And at night Kabibonokka To the lodge came wild and wailing, Heaped the snow in drifts about it, Shouted down into the smol<e—ﬁue, Shook the lodge—poles in his fury, Flappetl the curtain of the door—way. Shingebis, the diver, feared not, Shingebis, the diver, cared not; Four great logs had he for ﬁrewood, One for each month of the winter, And for food the ﬁshes served him. By his l)lazing ﬁre he sat there Warm and merry, eating, laughing, Singing, “O Kabibonokka, You are but my fellow-mortal!” Then Kabibonokka entered, And though Shingebis, the diver, Felt his presence by the coldness, Felt his ice breath upon him, Still he did not cease his singing, Still he did not leave his laughing, Only turned the log a little, Only made the ﬁre burn brighter, Made the sparks ﬂy up the smol<e—ﬂue. From Kabibonokl<a’s forehead, From his snow—besprinkled tresses, Drops of sweat fell fast and heavy. Dort traf zwischen Schilf und Binsen Schinschibis er an, den Taucher, Viele Fische nach sich schleppend Ueber eis’ge Stimpi’ und Moore; Er durchstreifte noch das Marschland, W ahrend langst schon die Genossen Fort zum Lande Shawandassi’s. Wuthend schrie Kabibonocka: “Wer wagt hier mir frech zu trotsen? Wagt in meinem Reich’ zu bleiben, Wenn die VVewe sich entfernte, VVenn die VVildgans siiclwiirts eilte, Wenn die Reiher die Schu-schu—gas, Langst hinweg nach Siiden zogen? Will in seinen Wigwam kommen, O \Vehen aus sein dampfend Fetter.” Und es kam Kabibonocka Wild und heulend Nachts zur Hiitte, Haufte um sie Schneegestober, Briillte nieder in den Rauchfang, Schiittelte voll Wuth die Pfosten, Klatschte mit der T htire V orhang; Schinschil)is war nicht erschrocken, Sorglos sah ihm zu der Taucher, Hatte ja vier macht’ge Blocke Um den Winter durch zu feuern, Finer kam auf jeden Monat, Fische auch genug zum Essen, Sass an seinem hellen Fetter, Warm und lustig, ass und lachte Singend, “O Kabibonocka, Bist Wie ich ein Kind des Todes!” Eintrat nun Kabibonocka; Und ob auch der Taucher ﬁihlte An der Kalte, dass er nahe, Seinen eis’gen Odem fiihlte, Horte er doch nicht auf zu lachen, Schiirte nur das Holz ein wenig, Liess das Feuer heller ﬂammen, Liess zur lisse spri,'1h’n die Funken. Von Kabibonoel<a’s Stirne, Von den schneebesprengten Locken Rollten schwere Schweissestropfen, THE Making dints upon the ashes, As along the eaves of lodges, As from drooping boughs of hemlock, Drips the melting snow in spring~time Making hollows in the snow—drifts. Till at last he rose defeated, Could not bear the heat and laughter, Could not bear the merry singing, [But rushed headlong through the d0or—way, Stamped upon the crusted snow—drifts, Stamped upon the lakes and rivers, Made the snow upon them harder, Made the ice upon them thicker, Challenged Shingebis, the diver, To come forth and wrestle with him, To come forth andiwrestle naked On the frozen lens and moorland. Forth went Shingebis, the diver, Wrestled all night with the North-Wind, Wrestled naked on the moorlands With the ﬁerce Kabibonokka, Till his panting breath grew fainter, Till his frozen grasp grew feebler, Till he reeled and staggered backward, And retreated, bafﬂed, beaten, To the kingdom of Wabasso, T o the land of the White Rabbit, Hearing still the gusty laughter, * Hearing Shingebis, the diver, Singing, “O Kabibonokka, You are but my fellow—mortal!” SOPRANO SoLo. Shawondasee, fat and lazy, Had his dwelling, far to southward, In the drowsy, dreamy sunshine, In the never-ending Summer, He it was who sent the wood—birds, Sent the robin, the Opechee, Sent the bluebird, the Owaissa, Sent the Shawshaw, sent the swallow, Sent the wild—goose, Wawa, northward, Sent the melons and tobacco And the grapes in purple clusters. FOUR WIN l)S Gruben Locher in die Asche, Gleichwie von der Hiittchen Rinnc, Wie von schwanken Tannenzweigen Schnee im Friihjahr tropft zerschmolzen, In die Schneeweh’n Furchcn grabend. Endlich sprang er auf, bezwungen, Nicht mehr konnte er ertragen Diese Glut und dies Gelachter, Diese frohlichen Gesange; Jahlings durch die Thijr’ er stiirzte, Stampfte die beeiste Schneeﬂur, Stampfte alle See’n und Strome, Hartete die schnee’ge Kruste, VVOb den eis’gen Mantel starker, Rief zu Schinschibis dem Taucher: “Komm’ heraus und ring’ Dich mit mir, Komm’ und ringe nackend mit mir, Auf dem eis’gen Sumpf’ und Moorland.” Schinschibis, der Taucher, folgte, Rang allnachtlich mit dem Nordwind’ Rang sich nackend auf dem Moorland’ Mit Kabibonocka’s Wiithen, Bis dess Odem zitternd bebte, Schwacher ward sein eis’ger Handgriff, Bis er taumelnd riickwarts wankte, Sich besiegt, getatischt zurtickzog In das Konigreich Wabosso, Zu dem Lande der weissen Kaninchcn, Horend noch das Geisterlachen, Horend Schinschibis, den Tauchcr, Wie er sang: “Kabibonocka! Bist wie ich ein Kind des Todes!” Shawandassi, feist und trage VVohnte weit im fernen Stidcn, In der traum’risch-triiben Sonne, In dem enblos langen Sommer. Er des Waldes Vogel sandte, Sandt’ Opitschis, die Rothkehlchen, Sandt’ Owessis, die Blaumeisen, Sandte Schaschas auch, die Schwalben, Sandt’ die Wildgans, Wcwe, nordwiirts, Sandte Tabak und Melonen, Trauben voll von Purpurbeeren. TH E From his pipe the smoke ascending Filled the sky with haze and vapor, Filled the air with dreamy softness, Gave a twinkle to the water, Touched the rugged hills with smootlmess, Brought the tender Indian Summer To the melancholy N0rth—land In the dreary Moon of Snow-shoes. Listless, careless Shawondaseel In his life he had one shadow, In his heart one sorrow had he. 'I‘1«:NoR SOLO. Once, as he was gazing northward, Far away upon a prairie He beheld a maiden standing, Saw a tall and slender maiden All alone upon a prairie; Brightest green were all her garments, And her hair was like the sunshine. Day by day he gazed upon her, Day by day he sighed with passion, Day by day his heart within him Grew more hot with love and longing For the maid with yellow tresses. But he was too fat and lazy _To bestir himself and woo her; Yes, too indolent and easy To pursue her and pursuade her, So he only gazed upon her, Only sat and sighed with passion For the maiden of the prairie. DUET. Till one morning, looking northward He beheld her yellow tresses Changed and covered o’er with whiteness, Covered as with whitest snow—ﬂakes. “Ah! my brother from the North—land, From the kingdom of Wabasso, From the land of the VVhite Rabbit! You have stolen the maiden from me, You have laid your hand upon her, You have wooed and won my maiden, With your stories of the North-land!” FOUR WINDS Seiner Pfeife Rauch erfiillte Rings die Luft mit Dunst und Nebel Und mit siissem Traum’ den Aether; Liess das Wasser funkelnd blinken, Goss auf wilde Hiigel Anmuth, Hauchte den Indianersommer Auf das melanchol’sche Nordland, In dem Schreckensmond’ der Schneeschuh’. Sorglos~fauler Shawandassil Nur ein Schatten traf sein Leben, Nur ein Gram zerriss das Herz ihm. liinst als er nach Norden blickte Weithin iiber die Prarieen, Sah er bort ein Madchen stehen, Schlank war’s Madchen, hochgewachsen, Stand auf der Prairie ganz einsam, Prachtvoll griin sah’n ihre Kleider, Und ihr Haar wie Sonnensehimmer. Taglich sah er nach dem Madchen, Taglich seufzte er voll Sehnsucht, Taglich gliihender entbrannte Ihm das Herz in seinem Busen Voller Liebe, voll Verlangen Nach der Maid mit gold’nen Locken; Doch er war zu feist, zu trage Sich zu regen, sie zu freien; Zu bequem selbst und zu herzlos, Ihr zu schmeicheln, sie zu werben. Immer schaute er sie an nur, Sass und seufzte voller Sehnsucht Nach dem Madchen der Prairieen. Eines Morgens, nordwarts schauend, Sah er ihre gold’nen Locken Ganz verwandelt, weiss geworden, Wie bedeckt mit schnee’gen Flocken. “Weh! mein Bruder aus dem Norden, Aus dem Konigreich Wabcsso, Aus dem Land’ der weissen Kaninchen! Hast mein Madchen mir gestohlen, Hast an ihr dich frech vergriffen, Hast gefreit sie und gewonnen Durch die schonen Nordlandsmahrchen.” THE FOUR WINDS CHORUS. Thus the wretched Shawondasee Breathed into the air his sorrow; And the South—Wind o’er the prairie Wandered warm with sighs of passion, With the sighs of Shawondasee, Till the air seemedfull of snow—ﬂakes, Full of thistle-down the prairie, And the maid with hair like sunshine Vanished from his sight forever. SOPRANO SOLO, TENOR SoLo AND CHORUS. Nevermore did Shawondasee See the maid with yellow tresses! Poor deluded Shawondasee! ’Twas no woman that you gazed at, ’Twas no maiden that you sighed for, ’Twas the prairie dandelion That through all the dreamy summer You had gazed at with such longing, You had sighed for with such passion And had puffed away forever, Blown into the air with sighing, Ah! deluded Shawondaseel Thus the Four Winds were divided, Thus the sons of Mudjekeewis Had their stations in the heavens, At the corners of the heavens, For himself the West-Wind only Kept the mighty Mudjekeewis. So der arme Shawandassi In die Luft der Kummer hauchte. Ueber die Prairic’n der Siidwind VVehte heiss Von Glutenseufzern, Von den Seufzern Shawandassi’s, Bis die Luft schien voll Schneeilockchen, Die Prairie voll Distelstaubchen, Und die Maid mit Sonnenscheinhaaren Seinem Blick’ entschwand fiir immer. Nie sah Shawandassi wieder Diese Maid mit gold’nen Lockenl O, betrog’ner Shawandassil Ach, kein Weib war’s, das Du ansah’st, Keine Maid, um die Du seufztest, ' ’s war der Lowenzahn der Wiiste, Den Du einen ganzen Sommer Traumerfiillt so sehnend ansah’st, Den Dein Seufzen gliihend suchte. Wehtest ihn hinweg fur immer, Bliest ihn seufzend in die Liifte, Du betrog’ner Shawandassi! So sich die vier Winde theilten, S0 die Sohne Mudschikihwis Ihren Plats im Himmel nahmen In verschied’nen Himmelswinkeln; Nur den Westwind fiir sich selber Nahm der macht’ge Mudschikihwis. THE FOUR VVINDS A CANTATA for sou, CHORUS and ORCHESTRA The éécond scene from “HIAWATHA” by « _ HENRY WADSWORTH LONGFELLOW CARL BUSCH Moderato L ‘ ' - Violinli f V’C'elZo (E Viola .’\ % 2 Wbod Wmd .? p Copyright,MCMVII,by '-I“heH.W. Gray Co. (T/zwzderstorm Wbod T/Wnd B Allegro moderate 1,; Ag TEFTF T FTFA o maiestoso f “H0n_~ or ' be to Mud-je — kee-Wis!” Cried Athe “Eh?” und Prezb dam Mudsch2' — kih -‘wis.”’ Ric - ﬁn Allegro maestoso War: riors, Krie — gm; Cried the old men, rze‘— ﬁm G7'ez—se, Wbodwhd home —Ward the sa - cred belt -of heim - kam des PVizm -pmnfs hail" - gem home—Ward the sa — cred heim — ka/m ales I/Vam — jmm’s ' tri —umph - phirend in tri — umph tri - umph um —ph1're7zd heim - kam, f WaIn—pum, Wam- pum, From the kingdom of Wa- Giin tel , Giir - tel, Aus dem Kéh ig — Veich ward, From the regions of the North - Wmd, Warn—pum, ka/m, A-us des Nonderzs Re - gi - 0 - ‘nan, Whm-jaumv,‘ has ~ so,Fromfhe land of "bus — s0,Ausolem La7wl____ Wa1n-pum, From the land Wam -pum, Aus dam.» Land’ Waxn-pum, From the: land. of Winn-pum, ‘Aus dam Land. the der wezls‘ 1 sen the Kat - I(_'a,_ the: White‘ der‘ weis - sen f He had Wa/m - pwr:/s If“- Rabbit . nz'7wlzen.. Rab b it . ninchen . Rabbit. ninchen . sto-len the belt‘ of Wampum, Giir — tel er sick raubta the neck of ' he —. Mo,» kwa, dam Nack - en schw ~Ma—kwe% the Great Bear the mountains, dam gross ‘— an der Barge, the ter — ror dam Schreck — en he " lay :1 er schla - fend ha}/\b;~. the moan - tains, star Spit - ze» -"‘*?-—-—-—_._ ~ m-1t’ Spit - 26,. . the mdun - tamsg; star Sgiz‘ — ze moss — es on ' it, Moss be -wach —. sen, moss — es on if, Moss be -wach -sen, - es on .T be - =wac}z,~ — Sgaotted, B:rm.m Spotted gmu Sp otted gmu Spotted grau mosses . um ~ sponnen. ._ moss — es. ‘ sj>o7m_en.{ - - Si - lent -ly he Sclvwei »- ‘gend stahl er Si - lent —=ly he 'l stole upworrr Sc/ixwei '—> gend. staid? zu. kin. Si - lent - ly he Schwei - gendstahl er? 1;. Si - lent — ly he stole up-on S_e:Zvw:325 - gemi stahl er zuihm hin Allegfretto stole up-on him, Till the red nails of the zu ihm hin sick, Bis ales Monstnnns rot}; - e L P P stole up—o;1 him, Till the red nails of the men - ster zu ihm hin sick, pBz‘s ales Monstmms roth- e Nd‘ — gel ("S most t’-ouch’d him,‘ al-most scared him, » .' ' , {he hot breath be —- riikr - ten, iim er -schreckr ten, _der Nelstem Tmhae hot T Bisder 0 .- 7 most touchii him, al-most scared him, Till , the hot‘ 7 be- riZhr— ten, iim er-schreck -ten, Bis deer Niistern Till Bis of his nos .- triis, Mud he1's—se7' 0 - dam, Mud warmed hands Mud-schi-kzh - wzls bréath Warmed the hands of Mud-je - kee - Wis, he2's—ser 0 - dem- Mud - schi- kik - wis H¢'i7z- de warm- ta. — breath of his nos - stern heis- ser 0 - /\ - — . L K 1 "1\! I’ 11 1/ k r A's he drew belt‘ of Wa_Lm — pum, O’.er the round ears,the Sclmellsdzluger T/Vavn-j>umg'i¢r ~ tel Um des Sclzeu - sals | l\ 1 I ,»| A U ? I I V drewe: the Sc/mall scizlug er den. ix‘ 5’ 1 1 As he drew ' ‘the belt of ‘Warn - pum, Sc/mall so/zlug er den VI/Zzm-11> umgzlr — tel j.. J \ \ 1" _V I V £1 I I I he drew O’er the round ears, the sch2'~k2’h- wis Hiin-de wiivm -ta. Sclm'ell.sc/zluge7'___?_ den _/ eyes, the eyes that saw not, ears that heard , O’er the small um die Idem - en ru7z—de Oh - V Dz'em'c/22,‘ hfir _ te91,__ Wam _ pum small eyes, G_i¢'r - tel A Scheu - sals ears that heard Oer Sc h — Die 0 - ver tel Um des Scheu _ sals black Au - , black muffle, of the 72/2'0/at h()'rte7L um die O’er the long 11ose,the nose. and nos — tri1s,The black muffle‘ of the Um die klem - en, die l21em— em. Au - genf, Die m'c/2t hE)'n‘e'7z, um die ver long gemjﬁ ./E——X\ Nii — muffle, Out of which the heavy breath gen die lam ge Nay’ uyzd N22 breath - se heav - y Daren schwe - re?‘ 0 - alem the hands ‘of schz7- kih - wis E \ E Allegro maestoso Then he swung at - loft his [I ch so/mm“/zg 67 die Krie -gas- kee - Wis. Then he a - loft - ten. Hock so/twang die Krie - ges- kee - Wis. Then he swung a — loft his >strez_'f - te. Hock schwomg er die Kris - ges- Allegro maestoso E War-Vclub, Shout - ed and‘ —long his War-cry, k_eu—le, Laut und . sein I{7‘Ibg’sSch7'ez' té'n-te, Wan club, Shout ~ ed and long his war—cr}r, keu~ le, Laut and’ sein Krz'eg’sschrez' t6’n-‘te; Smoie the mighty Mis —» he -— mf » *.Mz't - ten auf die Stir - 1 me . > Smote ‘the mighty Mis- - he - Mokwa________ the migh Mt ~ ten auf die Stir _- not schlzgrer den star — W. > Smote the mighty - he -- Mok-wa, Mis —he J1/[it - ten auf die ne scizlug er Damn den Mok-wa in the fore — head, Right be- tween- 5c/‘zylug 67’ Damn den star — ken, scizlug den star - ty M'1s— he — Mok - Inhthe — ken. Mit-so/za— Male - Auf die Smote the Mit - ten z”+—-\ Wa, the mighty Mi S I - he - M0k— wa 11[z’t—5cha-Makwe, the mid — dle of the schlug er Damn den ken, star — ken Jllitscha — , \____,__/ Right e - 'P(%I1 ___._ the eyes, Right be — tween __ JV[1't ~ - ten auf die Smu me of schlug - Right M it Me 1: - hwa sclzllazgr 67’ /’’—~‘\ — fl} heatd, Right ‘ be -- tween we .Mz‘t - ten zwz‘ - __.___ the eyes i smote him __ schlug er zwi -schen eyes, be - tween the Jlﬁt — ten mm‘ - so/zen die of the fore - head, Right - tweeni the ken Mt-schai —./Ifak - we) Mzt — £262’ - der /\ ’ /\ ,\ tsmote him. Right be - tween the eyes he A/u— gen. - thend durch ales Schla — ges eyes. Right be - tween, — tween the Au— gen. W'2'i ‘ thend durch Schla - ges . smote him. Right be - Au -gen. Durch —des Right. be — tween, be - tween. the iW1Z - thend durch ales Schla - gas \ . /\ {{—1\ smote him. With the heaV-y blow ' Schwere Sj>'ra/ng em-for der gross eyes. With the heav—y blow, the heainy blow... Schwere S em -P01’ der Berg - biir, Sprung em — pm; eyes. With - y, wit}; the heav—y Schwereo S der Boar, dergrosse e es . - Cg S chwere _ r_ ‘\_ wild — e red, Bmgbbir) __ be—wi1d-ered With _ der Bergbéir, Sjmmg blow" ‘ VVi‘(h . Bbiv; Spmng blow the heavy blow, g7’0ss—e Begbizb; Sprung the h8aV - y - be - wild — ered em ' P07’ (8 Bag —- biir, the heav em - 1507 the great Bear, great Bear of the mbun - tains;- em — for der gross-e Berg - biig Bear, - great Bear of the" moun — tains; em — "der gmss-e Berg - béir, > 0 of ‘ the met: ~ tains; die Ifmee ihm er. 'Bear, 7’ g . .. ole . . Bar, Z'—\ A But his; knees D0!-J.h‘.d2.'&' Ifniee But hisknees be — neath Bach. die whimpered W???) whimpered Weib Whimp ere d W/Téib Km'ee kne es, ihm kne~es,. X51136‘ beneath him trem — bled, ihm er - beb - ten, h1m_ txemv- bled, 2'/am er — beb — ten, — WO1’I1a_1'l , klagfe, woman, klagte, staggered for — waxvd, vorwiiﬁs ‘ sclz/wank - te, rec-led, sic/1 reeled, sicli haunches; setz- 2&9. haunche.s: sets - te. sat up— on his auf set" - ne Schenkel /\ Mud - je‘ - Mud ' schi - Mud - je - kee'-Wis, Mud - schi - kih.~.zv119 kee~- kih 2 /‘/7 fear - less _ -fore stand, oh 7w de-ri — sion tam Spot - te, de - ri — mic‘ Spot - sion, I/‘6; pake Spmc/L Spake S1>mch_.______;___ Spake Spmch S pake Spra/ch dis — dain —' ful-ly L ‘Z167’ A- iicht - lick ‘veriic/u‘lz'ch dis — dain - -ly war - aﬁht - lich Spake’ . Spmc/L dis— ' -1y Spake Spmcfz, G Moderato }}> h? \_,i’§ g LJ 6' TEN OR SOLO Hark you, Bear‘. you are a coward, And no Brave, as you pre- Ht')'—/re) Béir.’ Dubist em Fezgrlzbzg, lVz'c/Lt so mu — thig wzé Du f‘ Li? Else youwould not cry and whimper Like a mis-e - ra-b1e Nim - mar wiirdest Du sonst sch7’ez'en, I/Vim - mam wie em elend r - r f Woman! - Bear‘. _.. you know our tribes are W'iebsbz'ld. ' Biir.’ Feind wa - ren u7zs’— re "9". hostile, Long have been at ‘ -war to - geth—er; St Lam - ge wa -7672 . wir in Fehde. ‘bl’ Now you find that we are strongest You go hiding‘ in the mountains! Jetzt siehst Dumlass wir die stiirksten Und gehst schleiohendclurchdie Wdlder Had you conqueredime in bat-ﬂe Not a groan would I have Bzvgstdzdzfezgr in Fel- sen — gn2'72de. Werzn Du mic/2 I'm 55». ¥Z/ uttered; A But you, Bear! zwmzgen, ]Vz‘m/mar Iziir - “s and whim-per, And dis - grace your tribe by mic/z seuf- zen; Dock Du, Béirl /zier wim — memd A _ 77! crying Like a Wref — ched Shau-g0 ; day- a, Likea coward—1y old sitzest, Schiindest Del’ — 7zenStamm dzm‘}zI17agen,W?e em fezlges — tes F 34 H CHORUS A11 omaestoso Then a—gain he raised his Damz hob er die Kn‘ - ges ~ Tuttz Then a-gain he raised his Damzhob er die Kris war— club his war - ges - ken -le, Damz.ﬁoZ2 Allegro maestoso Then ‘ a—gain he raised his warc1ub,Smote a - gain the Damz blob’ er die Kris ges - keu - Ze, Schlugnoch em Mal War-c1ub raised his war - I club, Smote the migh keu - la Erie - ges — keu - - - fy, le, Sclzlug ﬂ0Ch em Mal club a - 1§ain_ he raised his club, his war — club. Smote '67’ die rie-gas‘-kue ~ le,‘ ugnoch gin _______ Mal Then again he raised his Damzkob 87 die Krie ges- /TX. — Mis — he~Mok.'vw1- In the mid-dle of his fﬁre — M2't—sc}ta-Mak- we - Ggra - ale m1't—z‘e/n auf die Stir - &___ji. L2. ty Mis - ~ Mok . wa, migh—ty Mis - he - ‘ —' ' ' so/za * Illa./e - we Schlug720ch.Mz't-sc7za- Mis — ‘he ,- Mok — I9 the mid—d1e - soha ' Male - Gm -de mz'tz‘c7z 2 . In G’m fore - head, ‘ Stir - ma, broken E is bﬁcht, head 7 Stime, head, S tirne, “Yin .. fer. VVz‘n - tar. bro - ken. E15) brie/zt, bro — ken. E is brie/2 2‘, skull as Sclzéi - del é gag :/'—X ‘T he ' Mo}: - Wa Mis J1’/I‘ VVAS ham am 1111! ' so/2a - .+’l1’«7/1' slain, um Mia‘ - scha— Mak the Great Bear ner gm - 556 Great Bear gm - sse é ter4 - Schreck - ter - ror Schrecken, ter — ror Sckrec/zen, X 25"}? Na - tions, Sc/zreck -672, Na— tions, Sc/Lreckmz, N a- tions, Sckrec mountain-s. Barge. glf. mountains. _Be7ge. the Bear - nergro — SS6 Great Bear gro - $58 the Great Bear 116?’ gm - sse With a Iauclzz - ten Mud - je - keevwis!” Mud — sclzi - kzh,-.zv2's! Mud - je - kee-Wis!” Mad ' schi - ‘ZZZ;-wis.’ // claimed the peo-ple, be Vol - lees Sc}zaa7'6n, ‘mad Preis f “I-Ion— or be )4 and Preis f f\ ,4 LMud - je ' kee —wis'.” he shall Mud - schz‘ - 122'}: - ‘wis.’ West — rwmd Mud - je - keé-Wis!” Mud — 50122‘ - kih -wis.’ here - af - ter fort - an 0763 fur preme Efdo ‘mi - nion bie - ten p feme ten he hold als [15 W Overallthewinds of heav- en. - zvmde; 0 HI 0 ~ veral1_t.he Ue - bar al-Ze no more kee — wis, nicht mehr kz'h;- wis, no more ' kee- - W'iS,. nicht melw‘ k2'h- wis, > > -9» no more ' kée -Wis, nicht melzr k2’/; - "wig no more je — kee -Wis, nicht mehr so/Li - kl’/L-'zm's, -9- -6- Wis, 7102's, Call 1W,=7mt him iim West Ka - bey -1111 the Wfest K27, - bay - ma) den .27’ Call Nemzt -9- Call him ilm West Ka — bey—1in —— the I/Iész‘ Ka - begv - zm, den 44 J Molto moderate - L kee - Wis sen Zllud - 50/21’ — wis — Mud—je ~ kee — wis Ziluaisc/LI’ - Ieﬂz. .. bzeufs — Mud - je - J Jllzad-so/L2? Molto moderato g$_~’/ Ather of the Winds der Him - mels ‘ win ther of the \V1nds of Heav- en. Va tar: der Hz'mmels-‘win — de — he kept the mels - win . dc, — For he Er behielt‘ ﬁir he ﬁzfr Gave the o - thers Gab die an - der’Iz. him - self the West — Wmds be - hielt den Wést - wmd, the West - Wind; the» S0ut1m~Wmd den Wiest - w1'7zd , mm" ~> Wind; W?nd, chil - dren; Sb7L - nan. Gave thee — the1*)s Gab die an - darn Sha-Won—das — ee, _And the North Wind to the fierce -bi‘—bo— Hen’ des Siid-°w2'nd’s, Fiir den JVo1d-w2"/‘wl, Wzmie es I£Zz—b1-b0- East- Wind, , the South— d to }Ie7"r'- sober, wana dds - s2’ ~ Gave - Herr .._____ — . theWinds of mels wm- de das e — _ee, the-r Siid winds, ' mels "sV1nd. Thus WasMud-je - kee — Wis cho—sen Siid - winds, So er- kor man Mud -sohi — kih-w2's .___. T . was Mud — je - kee - kor man Mud-sch1' - lei}; The Winds __ Der P21 — 45: The Willds __. Der ~ Heaven W1 - te7; PAS TORALE _ NOR SOLO 72 Young and beau-ti -ful Wa - bun; Jung und mun-der.schb'n war Wa - ban \ I‘-Fe‘ whee .B’I:ac}12~te* - si€l€ - var‘ are mwsr pfez?‘ -la — ten Qu m He it was WI710»s:e' An - ge-lit-mc}if war streaks. of cri'm- so~n,, Rim-pzzrs Schzbnmev; 3%: whose 66?‘ - Hé: it? was $627‘ -v we Sil - Oéaes-2 brought the: mor‘- ning; scﬂenk: 2l_1or..gen,‘ 10* \ Tlzaﬁ Clxasedﬁ thee d’ark. dér and val - Iey; D72: -- bar’ S13’ .. the bright -. est (:‘1?1eeks: wrex-'e= pajilt: - ed " ties‘ schbn —ste7z .932‘ —— my Way» -* “ w@.z—ke= the vil - lage, llmgf week - te, Who.s§,» vorfeei a ‘ Und’ se-in Hawk, alas‘ Called the deer, and called the hun- ter. Rief das Rah’ und riqf den fci — gar. Alolfogro moderato e Solo Violin him, V the VVUCI f1ow?rs the meadows sangen, do’? We - se 2 - de Bzumen with 0 ~ dors for him, Though the ma‘ D-22f - ten umrzten, 06 sem V for - ests ri—vers_.____.__ Sang and Shout — Nahn auc/z W’Zz?de7; Al - Ze S576 ~ - ed at ' his com-ing. Still his heart ‘Was - ﬁoh be — griissfen/. Trau - rig scklug sein T V ~ sad with - in‘ him, Herz im Busen, ‘P k_____z I72dz'an'Flageolez‘ Moderato TENO SOLO But ' one F7’/iih einst - ward, ‘While the - Als noch Vil—1age still was sleep - svhlwnmemdlag das Db'7f _ I lay on the den that oes at sun 7 1 ‘star or de?’ , Son. - ne flie/L - end, /1 J, a tmnpo All a - 10ne.. up- Gomz al ~ [em ._.___ em wa—ter flags and rushes ___.___ ri - ver pflﬁckte sfe mzd L2'lz'e¢z, W76 — Indian F Zageol.-at CHORUS gaz- ing earth - wagd, gaz—ing earth — ward, sah er erd - wizrts, sah er erd — wiirts, .L_____”Z gaz- _ sah - gazing earth wagd, sah er erd - warts, EV -‘rv mor . ning, Je - (1972 .1107 — gen, maxi: Gazing SOPRANO SO10 mf- l_L___/ Or ' ._.._....__.. Mar - gen mor -. g M07 - gen. «:27 4. 5 8 “ W ards, ____ ._..._._ 'a' rt 5 V /37’. i11g.\ “*----—'-""/ be er first Er- thing he Ste was held sc}2a.:.z - , - L‘ VVOMAN S CHORUS be‘ 67’ h 0 was ___._......_..._ ‘ SOLO ,,lf 1. he re 61 h eld I schau ~ L __.———--—-———- Still the Und das ‘Was her Wm‘ der 10 0 king at - gen W772 her blue W227 der _‘__‘_‘____ \ . Two blue lakes a - n1m1g thv Z w 1" — so}: 572. RIM! zwei Na’ we 49¢‘ And he ~I‘.u'sﬂa v- es. ‘ Gliiheizd - en; he loved the maid :G ‘ "' f(,Z'—““$ maid - Md'd - lone - ly chm, 03015 "T - em - clam, maid — en Mdd - chm, loved the lie?) - te he "loved the he e Gl1Z' — bend ['1 lone — ly ‘ er das lone -1y maid, the Z2" - lieb - /K V221’ --7812. P’ SOPRANO SOID both were B62" - de X‘ lone - For they - las — I/Va -'/‘en ' T ENOR SOLO both were lone some, Bei - dc doc}: las - sen, __ ’—’——-—— 12 were ‘ - some, Bei - » var - las - sen, __ 4‘ -4; M Allegro Moderate heaven . H immel . And he wooed her with car-ess-es, Allegro Moderato Und er war/rb um $219 mil Ifosen, %LM2oF ? F Wooed herwifhhis smile of. sun - Warb mil‘ se2'nen_so7m’gen Liich — Kﬁ \V1th his faltt’ - ring words he wooed hm; Wizrb um .9229 mit Sc/Lgmez’ - clzel-‘zoo?’ - ten, With his sigh-ing and sing — Wavﬁ mz‘tse2'¢zemSq7zg wzd Seuf - in the bIH1'IGF17.~€S€ lei - sen" W'is: —15ern;. Gent -» 1estWh1's‘-—pers.) M it der Zwei -gt?’ Sweet - est 0. -« d'ors,_; Till he drew s~2'£s -~ sen. Haudiw-2,, Scmf - Klan - Soft - est mu - sic, ‘ A Till he drew her Scmf ten Klein gen, Bis sie lag an mf he dréwher to‘ his bo - som, robes of crimson sic’ lag an sci — nem He7‘z- en, Em — ge-lziillz‘, to his bo-som, old - ed in his of crimson, sei - nem Herzen, Em - ge - hiillt im. ’ Till in - to he changﬂ her, B11? sic war verwandelt Till in-to a star, hechangﬂhex; B219 sie warzum Stem, verwandelt in - to a star he changa T her, sze -war zum Stern wer - wan - delt, 1:} in—to a star a star he chang’d her, s1'evwarz'um_Stem, zum Stem wen-._-man e,_- delt, in - to a star he chang’d her, size war zumStern. var-wan -ddt, P " *$- in - to a star he chang,d her, sz'e war zumStem var ~ wan - deli‘, 66 W” Trem — bling still up - - His ho - som'. Be - bend leis auf ’ - mam Bu — sen. Till he drew her Be - bend leis‘ auf sti1I,Trem - bling still up — on B8 — bend leis az/f sei drew her to hi s 362‘ - nem ‘g_______,g -9- .o_ a star he changed ______:_ her, to‘ a star war zum Stern 7267’ - wan — delt B229 zum Stem in — to star, a star sie war Stem, zum Stem uT\/“ in the Im-mm' siehst‘ du sie zu- And for — ev- er And for— ev-er in the Im — mersfe/zst du sic zu - to —gether zu-Sam-mevz, In - W'abam) bun, ban, ) T/Wxban . Wa VVa And f0r.eV - er They are seen Immer 5219/zst du, siehst du sie- ) ban und die W2; Wabun,Wabun, Wabun - Annung, Wabu11, Wabun, W71bam,Wabmz) W'abam - Amzng They are in Sielzst sie zu- heavens, heavens, Wabun — Annung, Wiabun, Wabun, Wabcm, Wizban, heavens, heavens, An dam AI07gre7z — sammen, Immer, fzimmel wallen, i 1 €- seen sfe/zsr I 1 I I heavens, heavens, They to .geth-er sammen, Immer sierhst ' zusa-mmen + i J I 1 I for - ev- er Wabun — Annung And me?’ siehst du W'aIwm - Ammg Im mi’ in heav zu -sam Wabun - Annung, Wabun and the Wabun-Annung, Wabunand the VVabun-Annung, Wfzban -Anavng Waban und die Waban—A7wmg Wabammi die Waban-Anang and thestar of An dam Morgen - "seen to—gveth-er M07’. gevzhimmel to-geth - erv - genlzzm - mel 32¢- the to —geth - er nung, nang, t0-ge'ih- er men Wabun - Anxiung, I/Vdbanwzdd1'e WZL - ban-Anang Whban, . Witbam -Anmzg Waban -Ammg rung, seen sielzst du sie mng mmg, Wizban - AIza7zgr, to-geth-er, seen the Wa - bun-An und die I/Va -ba72.—A Immer sielzst du sie zu - Sam Wabun ~ Annung, They Wabum - Annung, \Vabum — Annung, _Waba7z. - Ammg; and They are seen’ - ban, Wa - of morning, morning, mor of mor die Wh — ban-A zu-Sam the star of the star and and and Wabun and the Star bun and the Star of mor - ban unddénMo7ge7z - stem. Wa-bun and the Wa - — bun-An- nung, They are seen to — Wa- bcm und die Wa - ' ban -Anmzg, Im.mer szblzst du, f' 19 They are seen Im - mar sielzst Wa— bun and the Wa - bun- An - nung, They are Wa - ban mad die Wa ‘- ban - A — mmg, Im - me/r ‘ A and for - f du, sie/zst {Z- "‘ ‘ “ 7 W I -6‘- Star ' I of IROT - - Stern and den A107 - gen - stem. 0- /"‘\ -3-‘ ff gvether, seen to -getﬁen in the He-av - s2'ehs‘t dxu sic zu -samrnen, “sic zu - Sam - ‘ .. ff ‘gleth - ex: siehst du J)” seen to — geth - er inthe Heav - siehst du sie 2'24’ 1 Sam - ev - er for - ev —— er in the Heav - du - on - ‘men sie zu-sam .9. ff They are seen in the Heav - siehst dru sic zu Sam - h CHORUS > >- But the ﬁerce K3,‘ bi‘ ho-nok-ka, But the fierce Ka- Doch K'a~ bi - bo-'/Lock-a_}zaus-re, ‘ Bach Kb - 62‘ - bo- >-> >.>~$ f But Ka— bi — bo~nok — ka, _ But the Doch Ka - ' K b0—7z0ck—a haus— ta) Dosh Ka ' The I ﬁerce Ka- bi~ bo—nok- ka, Dock IQ: ‘ bi - box/zock-a lzaus-te, bi—~ho-nok-ka A his dwelling among ice - bergs, In the 4.10ckaIza.us—te Grﬁnmingzvwzkchen E13-gs — b - ‘gen, In den Had his dwelling among‘ E1's-ge- fierce Ka- -130-nok-ka bi - be-mocha Imus-ﬁe > er - last - mg. snow -drifts, gen Sclmee - ge ﬁ'l - den, icebergs, In the snowdrifts, birgen, Sc -ge — fil - den, Had his dwelling among ice Grimmig z<wz'schen E13-ge - 2'7’ Had his dwelling In the ev G-'r1'mm1'g zwzlschen Eis - ge - bir 7}. 1971.’-\ J.- — dam of K6’ — nzfg—reza-1;‘ snpw - _A. ._.__. gt‘: ' fig: ,-‘ snow’ -V drifts, the ev — er — int - ing snow — ew’- gen, den ew’- gen Sclmee-ge — ﬁl - dam, ' snow — drifts, In ﬂ1e- king ~ dam of Wa - baéx bir - gen, In dam K6 — mgr-7'e2'c}z.’ Wa -bay - king — dom of Wa — bas so, In the land __.___ K6’ - mg-reich’ Wa-bos - so, In dam Land __ - so, Wa - - Wa — r -domof 'Wa-bas“- so, Wa- snow - drifts, — mg—re2'ch’ Wit - bos - so, Wa- fil - den, , The land In dem Land 1“; FT Rabbit. ________ He it was whose hand ninchen. - ma Hand im Herbst’ — au - tumn Herbst ’ basso. bosso. Rabbit. ___ ninchen. Paint - ed all . the __ The Biiu - me Rings - um - lack __ . whose hand in au - tumn, S62‘ — 728 Hand im He__z_5%__ ’ whose hand die Biiu — T___;__._. hand stained the gelb ___.______ die _ He it ~ hand stained‘ me Fiirb - te . gelb die . He it was whose hand stained the scluzr - Zach - 70 If}; be - mal: - ta, Fiirb if j} a >{_——§$ He Féirb leaves, -leaves with _____._ é yel - low, He it Bléit -' tar) 7'02‘/‘L mzd _.____.__ Bléit - tar) Schiit -2561 — leaves, leaves with yel - low, sent the Bliit - ter, roth zmd Bléit - tar) Sc/2/fit — tel- . leaves ________‘ yel - low, roth 2;... zmd _________ ' A Bliit - tm; > : was, L He it was who gelb, Schilt-tel-te des snow- ﬂakes; siﬂ — mg; Flaék. — en, Stie - snow-ﬂakes sift" - -- - ~ fhro.-” the for ta .. die Floclzé - '.._. it was who sent the snow‘- Sclmeze-es I-‘Each - en, - tel! -. tar ales thro’ the for - est d/wrch die Wiil der hiss — ing muschencl ing sift die . W61‘! sift - ing thro’ the rauscheml durch die through dun-h em; d'u7'clt:. die“ Wc'zZ;' ‘A sift ~ ing hiss — ing- Stie -»be1w£, rausélwnri’, Froze the Liess der Froze the L fess der Froze pond, S175 - me Seem the Ziess Fmze the \F'ro~ze: the riavers, Dmve the Ioon W'ws~ - ser _ Stra -- me}, Sednv Hess er er - star fi “' ‘v’erS,.. the §ea:..-' frie —' fen; Lama s met:-,_,J1{c'>’ . - -, ve1'.s;, Drove 10911,, » star- rm. Lam. - M6‘ - pond Froze the ri‘ - H591‘ - he?’ .- - . - south - ward, M Drove» the , cor -mo-rant M6’ - wen trieb er siid - zviinfs, sea - g-uﬂ and the loan south -ward-, Drove the cur - trieb er siid - wiirts, trieb er 312:1 - wiirts, Trieb See - m -_ sea- south-ward,-., T _ - mo-rant and the trieb er siid — wiirts ' - ban wwl die Drove mom and sea - south Lam - Lzcm -« man 1 6‘ - van J/,7‘ /“7\ the cur - new 1 See - ra - Z2672 and the Cormorant their die Ref - her ihr lew To theirnests of In ihr ‘ Nest won Drove the cur - lew Trieb die Rel‘ - her sea - tang In the realms Sha — {van - da — see. See — tang In den Rei Sha - wan - das -si’s. - . _ » V ’ sea - tang In the Sha -‘wan - da - see. See - tang In den Sha - wan - das- si’s. ‘A { sea - tang In the ____ realms of See — tang In den - Ref - chen J. Once the fierce Einst - mals stieg Once the fierce Einst-mals stieg bi-bo-n0k- ka, Once the ﬁerce Ka.._ - bi - bo-nok —ka bi-b0-nocka , E inst - mals stieg Ka - bi - bo - nocka bi-bo-nok-ka, Once . the fierce Ka - bo-n0k—ka bi.bo.m¢.~ka, ' E_z'nst-mals stieg Ka - 62- be -nocka - ‘ - . A - - ued éisrie-sued from _.__._______ (1113 sSr(1:ow-dr1fts,, N2? Sder won m »-‘van From j ' Is - sued from his of snow of snow Nie - dew’ van der snow drifts, From his home‘ a — mong the icebergs, Solmee ' trzft Vim der Her’ - -mat mvis -c/zen Geltschem) of snow, 10%.; of snow, ‘ From Von From Von ﬁzf From'his home a - mong the icebergs, Von der Hei - mat zwisfhen Geltsohem, /..-.\ /I21 And ., his hair, with snow be - sprinkled, Streamed be-hind him Uml sein Haar, mit Sclmce’ be - 31%-nkelt , W'1‘e em Strom mm hair _IIaa1; hair, - sprink ' led Ham; mit Sclmae’ be - sj>renk— alt, And his hair, with ‘snow be- sprinkled, Streamed L‘52d sein Ham; mit Sclmee’ be -sprenkelt, I/Vie _ f-—— j{,.\—"‘“"“" é/TA like a ri ver, a black -and Haupt ihm wall ta, em dunk’ - ler hind him Like a Win - fry Strum 710m Hzzqat ihm. -wall - te 1/We 7 Strom im I Streamed be-hind him Like _.__.-.. a and ' try W36 ein,.-Strom mom Hcmpt ihm -wallte, im hiild him streamed be» hind J Strom vom Haupt ihm wall -_ howled and hurried heu - lend siidwdvts howled andrhurried lwu - lend sﬁdwiirts 0 —Ver fro — U6-bar eis’ ~ ti TENOR SOLO Thefe among the reeds rush ~ es Found he Dart tmfzwiscken Sc/zilf Bin - sen Sc}u'nsc}u'- 2?"?:' _p Wbod Wind ?. strings___ of fish be- hind him, O’er the fro zen fens and Fisch — e nach sick schleppend Ue - bar 6229’ geSz'c'm4£fum_t , mooz; - lands, Ling’ringsti11 among the moor -lands, Tho’ his Moo - /re; Er durchstrezfte nook das Marschlavzds, Wc‘a‘lm97zd t_ribe__._ had long de - part - ed To the land of ShaWon~da. - Zdngst sclwn die Ge — nos — sen Font zum Lan-deSk_a*io¢m-da - dares ___;__ to brave free}; __.._ zu tro — Wemz H}: ﬁerce Ka -- solznfe .Ka - “'Who is ’’%r wag: stay in my do- me2‘n-emRez'c/‘L’ zu die In/' 'de-part - ed, When the wild goose ent —fe7'n - te, We7m die W'1'ld - guns Ir-?\ he - ran, the Shuh - shuh—ga.h_, Long a - go de - Rex’/267; _____ die Schu — so/Lu —gds, Léingst him-weg mach Iwillgo in — ' to his VVig— warn, I/Vill in I/Wg mam kom - men , his smold’ — ring seize damjsv - fend CHORUS And L ‘ night ka/m ./“X and hen .- Wild Nachts in - to the smoke deer in den Ranch in drifts a — bout sie Schvzeege - sic)‘ in driftsa - bout sie Sclmeege - std’ in drifts sie Sclmee fu - ry, Pfosten, u-ry,L P@€z.t..\ Flapped Klatsch the door - way. er - schrock - en , the door L - way, er - schrock ~ en, Shin - ge — Sclvm - schi - J. Shin - ge — Schin - schi ﬁg” di - nicht .47_.’1T{Z’ cared. schmck not; cared t;. schrock. - 672*,-. laughing‘, _.___. ~ {lac};-te, la crhing, __._;__ lalisjn-ta, ._____ ing! - Qk- bo - nocka.’ 1.h _ ° 31% - 1521;? nokka! __. nockal _..__% laugh’ ~ ing, lus - fig) Maestoso Then ~ bi - bo — nok— ka entered, And fho’ Shin- ge- Em - twat ; mm X11 - bi - bo - ‘nocka, Und ob auch der Shin - ge~ auch der bi - bo - nok- ‘ entered,________ Shin -ge - _.______ . auch der Then Ka - }(a- 62' - bo - nocka, Ein - trdt mm Maestoso bis, the di - ver, Taucher .-te — '- bis,the di_- ver, ' pres - ence by the cold - mess, Thacher _)‘2‘4I}z;l‘-,te K71‘! - te)_' dass er ma - he, .bis,_the. di_ — ver, , Tauclzere. ﬁilzl - te . ‘ ' ';__ the di - ver, "pres - ence by the cold -ness, Ifiil - te, dass er na - he __. clwr ﬁihl - te , ‘Fe-lthis i - cy breath up ' on Semen eis’ - gen 0 ' dam V .i -., cy breath up -. on Seinenw eis’ -T gen 0 . ' dem ) did not cease ' sing- ing, did not 1 did not —e2‘ ,dad}¢zz’cht mg’ . Zach ,7 en, - JYo'.'r-_-tec dosh- vgzbhte... cease, .did not cease his sing '- auﬁ , ,, .Hb'r - te er dock..- m'cht cease, A di<L_not_ ,. didﬁ .1101‘. mg‘, , H6? - te dock ‘nicht : _ -«cease, Still he did not cease‘ his emf, H6? - te dock nicht azgf zu at/‘/-5 A mf . Still he did ‘ not cease, . H6? - te doch rnzcht om , T Did hot Hé'7'- te P leave his - er dock ing aluf,’ cease, Wﬁ sin - ing, lac - en, leave his laughing er doche m'c}zt _ am‘, _.______ leave ,his. laughing, _____ T er dock ., m'c7zt auﬁ dide not doc/L, mblzt leave his auf zu leave, did not er dock nicht I-\!$ leave his mg’ zu lau gh - n iclzt On Schiir - ti On . v Sclizlr On — ly Schiir - te lauvhin , lacz - (3%, in g‘ auf,’ Still he leave , H 57' - ta auf, leave, auf, { ¥/ turned _mcr turned nur fire burn brigh - ter, ﬁel ler flarm - nzgn.) brigh - ter, fqam - men, brigh . m up s1m2'h’n . tip . sprvil/n sparks Fun - snow « be Sdmee - be ka.’s fore — head , afs Stir - 726’ {X P sweat e11 Drops of ‘so/zwe - 71;- Roll - ten Dropé Roll heav t1’0j5f fast and Sch‘wez'ss - es - 21 ° long the van sclvwan -ken droop ' ing schwan - ken eaves , gen , hem - look 9 zwei, - gem, in spring. - time, Making hollows in the zer - schmol — zem ! _ In die Sch7zeewa’z’7z Fur —-c}Le?z time, Making hollows in the tropft , In die Sc/meewek’7z. R11‘ — Chen spring— time, ‘ﬂaking hollows in the troj>ft, lfn d\z‘eSdmee-zvek’n Fur - clzen __ in spring, Making hollows in the _. j avhr trofft, In die Sclmeeweh’n Fur - clzen 110 3 Allegro Vivace drifts . bend. ‘ drifts . bend. Allegro Vivace nu” last sprang de - feat - ed, be - zwun —g‘e7z, de - feat - ed, be - zwun -gen, head long du:ra1i die Stamp’d up ~ on the Stampf -te die sis’ - ge; mf Stamp’d up - on the Sta7Iq‘f- te die eis’ ~ ge) snow - drifts, Sclmee -ﬂur, snow -. dﬁfts, Schnee - on scimee’ on A solmee’ them hard - er, g8 Kms - ta, them d - er, ge Krus ~ ta, J hallenged Rief zu thick - er, ' stiir - km; 3?’ - ge- is, Schin-scl;1'-b2's, dam lenged zu :__ dam {T le nged 2“/=<2> T’ To come forth ”K0mm’ her ~ aus To come forth ”I{0mm’ her — aus bet. 0 ti wrestle with ' _____.____ ,To come forth and wrestle 'ring’d-ich mit ' _.._______ Iﬁ)mm' mzd 7'1'7z ' ge rnacke/nd wre stle with ' forth and wrestle rzE§’di(;h mit ‘ rm - * ge nackend A . the froz — en dem eis’ -- gen naked , mit mz'7;____ T .-v’ Molto viirace went Shin — bis, LWres - ﬂed schi - bis Forth Soiin ge- fol - gte, Rang Molto Vivace /3‘ with the North night - lie}; mit dem Nord ndbht With the J!-1'22‘ dc-m Wrestled R on Rang sic/L aaf dem Wrestled na-ked on the Rang sick nackenda dam wrestled \ all night, » Rang sick nackend, 4’ wrestled all night, Rang sick . nackend, wrestled Rang sick wrestled naked , Rang“ siclz, nackend, faint - er, ‘Till his be!) - te, Schwacher Till his pant - ing ,, his Bis class 0 - dam Scicwadwr #3 froz - en grasp greev fee. - bler, ward sein eis’ - ger Hand griff, Till he reeled and stag — gered Bis er taumelml rizbk - wiirts froz - en grasp grew fee - bler, ward sein eis’ - gar’ Hand Till he reeled angi stab - ‘gered Bis er taumelnd 7/iick - wéirts J /5!‘ T back - ward, wank -rte, beat ~ tiiuscht ' beat - ‘ tiiuscht 7 And :«1:e. Sich .3222 And me .~ﬁS‘.1"ch {be en, ‘en, king- {iom . of , Ifo - m'g- 7’BI.C}L_, WW Wa has of the '7 White T_Ra.b_-bit,‘ Hear- ing‘ still the - dc der Iﬁt ' ninch - en Ho"-, rend nook das } V? r"\~_—/r r\———/r f"\—/ f laugh — ter, Zach _V 37:, f Hear-ing Shin - gt‘. — bis, the xii - ver, H0"-rend Sc/Lin -schz‘ - bis} den Tau -chm; j fel - low - mar - — .ta11”.: To - des!’L.__. Wéod Wind Molto moderate SOPRANO SOLO M oderato Sha - Sha -, fat féist ’3‘\ see, si, 10 $J_W0od W?7wl drow - sy, dream triium - risclz .- tru Y He it was W11Q3S~ent the woodbirds, Sent jthe robin, the O - Er des Wa-l“- ol-633: Vc'2'-ge(l szmd —te, Scmdt 0-;bz'tschis,d1'e pe‘ - chée,__ Sent. __ the; blues--bijr<ii,;tI1e: 04 ~ wais. -. sag,‘ Sent the I.€.at/ﬁ;,- kg/zlclwzz)/3 Sand-t*.’;._ 0: - ‘wras.-»s-2lsv,,_ dz‘-9 BZaume2i.9e.n», Sandie Shawshavscsent the swallow, Sent the wild - goose, Wa-Wa, northxmrd, Sent the Scrhaschas, die SvIm7ac’bem,Sandt’d1'e- I/Vild-gams, We -we, nordzviivts Scmdte ,»-N \f_/T F\-/T melons’ and to - bac co, And the grapes Tabak zmd Me - Z0 mm, Tmuben vol! /T/‘ V'...=__: W. }§111.L'—pf~1:€‘ q17u@.: - From 'v¢~7w - beer - 5%. K J Seiner piipe the smokeas - cend—-ing7Fﬂ1er1‘.the‘ sky hazeand va - por,Fi1led the Ifﬁ< - ﬂ/'Rauc/L er -f2£lZ' - te.R‘z’ngs.- dz}? Dzmst’/mzd M3 - bel Und mit 4. air with dreamy soft~ness,Gave.i ' twinkle to the Wei siiss - em-Tnmmdo.m. Ae'- the7;Lz'ess cﬂms Wasser blin - T \ A. L F ter, Touclfdthe rug - gedhillswith‘ smoothness, ten - der Indian ken, Goss emf wit An- den. In - d2'- a--ner. 0 . 0 /M T“? sum — mer To the mel ~ an—cho-ly north n e drea — rymoo11)of Sam - mer Auf das - éohe .NordZcmd,In dam Sclmzck - ensmond clear’ 11 i V” Snow - s oes. List — less, care Sclmee-schu/L’. Sag - los - fau ~ *%~ da -see! In his life he had one sha- dow, In his heart das-s2'e./1Vurei7z Schatten sein Le- N7 em ”\ # “TA \/ __ one sorrow had he. _. zer - 77295 das Herz . *'\ ﬂ Moderate ‘E O I L 12000 rit. TENOR SOLO _.=_»«:;“ P Once, once as he was gaz - ing northward, Far O a.way up-on a. Einst als er mzch Nor — den bZz'ck- te W792? - hm z‘£—ber die Pmz'- { OJ prai - rie,_.____ . He _._ beheld a maj ~ den standing, M" _ 68??) Sah - er don‘ em — c/zen site/2- en, </"’-"'r /*— \L____/7 Saw a tall and slen — der mai- den \ A11 a-lone up -on the Schlcmk warfs Miidclwn, hodz - ge -waciz-sen, Stand mg’ derPmz’72'e gavzg / ,, :=_.<—7'V 7'?“ mf prai- rie; Bright ~ est greenwere em - sum, ' Pmcht zzollgﬁin sah’n f-\ §\ all her garments ih -_ re Kleider was like the sun — shine, wie Somzen — sclzim - mar. #3‘? Day by Thgrlich upon her, Day by day hesigffdwith dam Mdfdchen, Tiﬁglzbh sevgfz - te er *2/loll, pas — sion,Day by day his heart with - in him Grewmore hot. with love and Se/msuchz‘, Tizgrlich g‘lz'¢'—hcm-der ant - bramzte Iinﬁgas Hem in seinem I» long‘: ing For the maid with yellow tress — e's. Bu - sen Valle?’ Lie — bcyvoll Ver — lcmg - en. /5 F/ ..‘*_‘:_j-— But he was too fat and 1a— zy To be- Dock er war» zu feist, zu trci-ge Sick zu stir himself and Woo h-er; Yes,too in — do-lentand ea- sy To pur- re - ge7z,s1'e zu frez‘-e7zV. Zw be —quemseZbst2¢2zdzu herz-Z05) 17w’ zu sue her andpensuade her. So he on — 1ygaz’d up — on her, On-Iy schmezb/wlyz) sis zu war - ban. Immer sclzasu - te er sie an mm Sass/zmd , / sat and sig~h’d with pas —sion,For ‘the maid ~ sezfz - te vol - ler Se/msuc/Lt IVac/L dam ﬂldtl - d ' den of the prai - rie. - chem der Pmi -72' - een. SOPRANO s'oLo““*- lTi.11 one morn-ing, 1ook_ - ing north — ward, E2 ‘ 7268 M07 ' gens, 7z»ord' - -wc'L'n‘s scizau - end, TENOR SOLO look - ing, look — ing northward, Inoml - zodrts, 7z.o~rdzm'z'rz‘s sclzauend, , V , ’ He be-held her yellow tresses, ChaI1gd,cha1"1gd,and cov—ered Sah er z'h— re g0ld’7zen Locke7z____ Ganz var - zoandelz‘, . : T ‘ , , y I 1 TE/T } 5 Yr with whiteness, Covered withwhitest snow. ﬂakes, withwhitest ge-:*w0r— den, W'z'e __ Jbedecﬁi mit Flock - en ) mit sc}mee’gen Aﬂo R Ab ' IA 1} ' 71 I 1/ U I | ' I (J - I 1 P l l\ I 1 :1 1} I - r I I I I CoVer’do’erm'tl1whiteness, Co — ver’d as with snow ~ ﬂakes, whitest ,weiss_. ge:wor- den, W76 bedeckt mit Flock - en, sclmeefgen ._ L...-J-——J bro - therf Bmdr 87! My brotherfromthe North - f\__z From the king - dom Aus dam Kb‘ -' mg-7e2'c/L land , .Mez'nBmde7‘aus dam [Var - den, From the land of the White ' Rab A-usdem Land der weiss-en Ka - nin You have stolenthe maid ~ Hastme2'nMdblcIwn mir ; Yozu have laid your hand East tan ozihrdzoh _/?m¢:%lz You have wooed and won my maiden , Hast ge -fre2't sic and gewonnen sto - ries of the Soho‘-nan N0rdlands~ . /TE ....._.,-__ ries , VV'1th your new, Duroh die North - land! miihr - c/Len. North. __ 'md'h7’— cizen. f. CHORUS ( Thus the wretched Shawondausee S0 der ar — me Shawa2zd»[z'ssz' f. o the wretched Sha S0 der atrme Sha f Thus thewretched Shawondasee S0 dc?’ ar - me Shawandizhsi f Th_us the wretch— ed S0 der ar ~ me Mae stoso f w at Al Breath—edir1—to the his sorrow; In die Lzgctt den I{um7ne7’ lzauchfe, \, daseeBreath€dhis sor — row; - diissi Kummer hatzzch ~ te, Breatlyedin -to the air his sorrow; In dz'eLzzft den K'umme’r hazzc/2z‘e, p Wanderedvarmwith as - sion, Wivh '~ ta heisz won lu - tenseufzerni) )9 —-s _ And the Southwind o’er the prai -rie Us - bar die Pm - rz'e"n dc?’/" SzZdwz?nd With P ~ Z5‘ > sighs of passion Praz‘ - ?’z'e’¢z. der Sz°[d‘ze:z'nd And the Southwind o’er the pred - rie, prai — rie Ma - berdie Prai— 72'e’n der S/zfd - ‘wind, Siid - ‘wind; With thesighs of Sha—w0n-da - see, Sha won — da V072. denseufzern Sizai-wan,-daS—si_’s Sfza — wan - das ‘Van WE/L sighs 01’ Glu — ten, R pas — sion, seuf — zeﬁz , x_Z , sighs pas —sion, Till the air seemd full of Snowﬂakes, Vweh heiss, B is dz'eLz{f2f Schmz. '2)oZZ Schineqflﬁoken ) the sighs of Sha - won sighs Of den Se ufzehz S/za - wan — Seuf - Z6771 Prairie 0_f Snowflakes , Sbkneoﬁbbken, { hair like. su'nb-shine I hair like sun- shine Gm.-_ ten, sat-zern hair. like sun ‘ shine Sonnenschezhhaaren _________________.————-———————-—-- Vanished ,Vamshed , the vol! prai : tie the prai-rie, D1" - stall —st£iubchen, down , heiss, full wall 0 f thisﬂedown see, s2"s, ./\/1. f Vanished, " S ‘ T671 ished, den VVan - ‘” Van Sei - ished, nem Sc/mee_‘ﬂé'cke7z, Und And Und the maid die Mazd And the maid die Ma id And U7/zd die the Maid, die Z? Shed from his sight for- Seizzem ent9dLzm7zdﬁ2'7 ished 267% for Ska — ished , emf - Van - ished for- schzvandfzir ished from his or- uem Blick entSd2zvandﬁ2'7 SOPRANO SOLO ___j____. TENOR SOLO V ' W - And the maid ' from Seinem Blick entsclbwavnrﬁ “ ‘ fair for - ev - er. __ schwa7zdfm'«1.m - mer.__.. sight, [for ev - er. 2m - -mer. Never more did Shawon —d a - see' See thernaidwith ye11}ow 1Vie sah Shaze2andéissz’ wig d .97 D1'esemaz‘d-mitgold new K \\\_____W,_ Ne - MaI'd, )0 Ne P . Never more Diese Jlfaid, .____$ did see the maid deluded Shawo11— dasee! mit gold’nen Locken.’ betr0g’m=r Shawan-dassi.’ see the maid g'0.7d’7zenL0cke7z.’ tress — es! Poor Won—da—see! It Lock - en. 0 zvan—dadss2'! Ach won - da-see! It wan - dassi. Ash maid,themaidwith ye1— low tress — es.with yel — low tresses! It 1llaz'd-7n7'tg0Id"7ze7z) gold? mm Lock - en! Ach kem I/Veib war 63, E3 more, _ Ne _ Ver It Jlfaid, Alia‘ Locken.’ Es It was: no» Womanthatyougazli. at"I‘was the» Keine'Maid'ksimeMa1dwnd1bDu_seujé:t}ast§zmrdm' - gra~z’d: at, It gtaz7'da an - was nowoman that you; gazli at, day kez‘nWe'2"bwar es an a sahst) no W0 - man that you g-az'd gaid at, It VVeib war as alas Du cm ’swar._ der in - ‘to the Dem Seuf-zen It Wasthedandi—Ii ' on der Lifwevwalmder W22,‘ ~ ste, was the dam . zvarder Lb‘ - T’ M. It was no maid- enthat you- Ach kein W273 war esdas Du m)” the prai - rié’twas dan — wen -zalm, bwar der L6 - was the prai—rie dan- de-1i - on Thatthro’ all the L'o'.*wen-zahn der W12‘-ste,De9z Du e2’-men gm -zen ‘ ing-, the air, Ah de- lu — ded - wan -das -S2’! W'ehtest ilm hm - You had sig-h’d for with such passion,with such . ) ez-nen gan—zen Som - mgr se/mend cmsahst, /T ”’T at, You_ had sigh’d ste Devi Dem Seuf Blown Bliest — sion And had puffed a — way for - test 1'/m hm - weg f72'r im - mar) £$‘vi 148 Y Mqlto lento e grandiose 4 . Thus t11eFourWmds were di ~ vi»-ded; Thus the sons of Mud—je- S0 sich die vier W'z'n~de thez‘Zte7z., So die Sb‘/L - we Mudschi- ___._.——- — Thus theFourWmds Were di — Vi-ded; Thus the sons of Mud-je- So sick d1'e"uz'er W'z'n-dc thezltevz, S0 die S67; - 7zeMudschi- f Molto lento e grandiose Yvf— keewis. Had their station in the heavens, At the crners. of. the he-atvens-I kz’hwz‘s Ihr- an Platz im Himmai mtahmen _ In var-sc:h:z‘ed7” Himmels-wzz”nleeln; L keewis Had their station in the heavens, At the corners of the heavens; kihwzk Ihr- enPlatz 2'm H immel nahmen In 'ver— so/zieofnen Hz'mmels-wzhkeln; the West - zvzbzd f22'r the West - W1nd - wind fzlr sich the So siclz. die‘ C.F.W.SchHmper Music Press , Boston , Mass . THE HWGRAY ( ) COFIPANY
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Date: 1900
Text: VASfSA:"Z C-QLL-ZGE MUSIC LIBRARY‘ Clflp Cﬁebeemet C-jfaacretv ﬁofo, from Che Waoféénﬁegcnb. . 1" % 222 6 ll by ﬁmgfeﬁfom. I (mu:-ic lag Eubfeg ‘lﬁuck. V ...$c>m Voice. ’b;i ﬁvbice F,Xo§5vnC¥1wrcF1. fimwyxxqye «-——-—-«--=-- ' {,’lm(.am;LIu, ‘f'fMi‘ﬁW- W '1/aw; W'ra‘!< ,1?/\{€"§i9» ,fuvni)g;rn.« - "% G. SCH IRMER, 35 UNION SQUARE, NEW YORK. Ck. w N , \ My Redeemer and my Lord. From the“G01den Legend’; Scene V. E1sie’s Chamber. Night. Elsie praying....
Show moreVASfSA:"Z C-QLL-ZGE MUSIC LIBRARY‘ Clflp Cﬁebeemet C-jfaacretv ﬁofo, from Che Waoféénﬁegcnb. . 1" % 222 6 ll by ﬁmgfeﬁfom. I (mu:-ic lag Eubfeg ‘lﬁuck. V ...$c>m Voice. ’b;i ﬁvbice F,Xo§5vnC¥1wrcF1. fimwyxxqye «-——-—-«--=-- ' {,’lm(.am;LIu, ‘f'fMi‘ﬁW- W '1/aw; W'ra‘!< ,1?/\{€"§i9» ,fuvni)g;rn.« - "% G. SCH IRMER, 35 UNION SQUARE, NEW YORK. Ck. w N , \ My Redeemer and my Lord. From the“G01den Legend’; Scene V. E1sie’s Chamber. Night. Elsie praying. (Law Voice.) Poem by H.W. LONGFELLOW. Music by ‘DUDLEY BUCK. Andante espressivo . Sempre c072 Pea/’. 012'//2. : TWM r'~w>. ~w Copyright MDCCCC by The John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MDCCCC by The John Church Company in the Department of Agriculture. my Re — deem — — er ,an.d‘ nfy Smaa’ I25. I be — seech Thee, I en - treat me in each act and word, T j That here — aft . that here — aft - _ er I may meet Thee, ./‘\ Watch - ing, wait - ing, Ad - ing,with my lamp well - trimm’d', We11_trimm’d and burn _ PP >' P calla woe. pf " mosso. In _ter —‘ ced — _ ing with these bleed — ingwounds, these " mosso. I’ Z” T bleed - ingwounds up-on Thy hands and side, V For all who havellived and — ‘ F - ‘ed, Thouhhvast suf — fer’d,Thou hast died, Thou hast yaw accel. fer’d~, Thou hast died. Scourged, and mocked, and 77000 ml!‘ molto M2‘. L2 . ' _ ci_fied, __ And in the grave has.t.Thou been bur- iedl Tempo I. mezza 22006. If my fee _ ble prayer can reach Thee, .9677),/are 2‘rmzgm'!/0. ﬂ?-€Ill}07'8 pm’. F /’*_',:d’»"§__:”“‘$ I . be _ seech Thee, I be _ seech /‘\ (/7'6-5’6'. _g L E - ven as Thou hastdied for me, More sin — Qere - ly, Let me fol - L > _ lowwhere ou ead - est, b1eed-ing as Thou if dy-ing I may give &/ L And more near _ dy_ ing thusj_.__ re-sem-b1e Thee! more near _ 1y, more near - 1y, Ts - ingthus re-sem - ble Thee, re - sem _ ble Thee!
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Date: n.d.
Text: A \~ « \_n 1 L7‘»;‘ “HJ1E,'\W'Q £3.99’ 1/ -;§E::\ \\ \ _-\_/J“/ /“‘~~. / “:;// ,@U,@}ﬁ@&%hmg§g:i% ‘“’/73Ef><\\ _._2<“\// ‘\ / TH:awusm;©@mP©$E@ /F’/at .S’z22.E/2.7]. \__~; * Published by HUTCHING-S 8: ROMER, LONDON. WHERE MAY BE HADALL MP FRANK ROMERS COMPOSITIONS. uusac uammv VASSAR CO1..LEGE KJ / TWO LOCKS OF HAIR. W'ou'd~ by M(Isi(- by H.W.LONGFELLOW. FRANK ROMER. } ANDAJVTE. Jr PIANO- FORTE. Fiﬁ -'4 youth, light-he;u'tcd zmd content, I \~"...
Show moreA \~ « \_n 1 L7‘»;‘ “HJ1E,'\W'Q £3.99’ 1/ -;§E::\ \\ \ _-\_/J“/ /“‘~~. / “:;// ,@U,@}ﬁ@&%hmg§g:i% ‘“’/73Ef><\\ _._2<“\// ‘\ / TH:awusm;©@mP©$E@ /F’/at .S’z22.E/2.7]. \__~; * Published by HUTCHING-S 8: ROMER, LONDON. WHERE MAY BE HADALL MP FRANK ROMERS COMPOSITIONS. uusac uammv VASSAR CO1..LEGE KJ / TWO LOCKS OF HAIR. W'ou'd~ by M(Isi(- by H.W.LONGFELLOW. FRANK ROMER. } ANDAJVTE. Jr PIANO- FORTE. Fiﬁ -'4 youth, light-he;u'tcd zmd content, I \~"u1L_de1' thro” the world; A _«_ __ I‘ab—1ike, is pitc.l1’d my tent , And $t1':‘1-ight a-g:1i11 is fu1'1’d. /\ /\ {m.:-R.323.} 2 rin/r,-P P r:r1rzt(1/n‘//P oft I dream, that once a wife, Close MP/9 1oc1:’c1; And in the met mllm. bles - scd child , mck°d. calla voce U dre-un1 ~ 3.. -w;1y! {H & n.32s.} Too long, too long did my heart was of life , re _ main! nun auima . V . long, that both by 11ig'11t‘zu1d day It e-..ver comes It ' e ..’\'e1' cmncs a _ _ - gain. PP But now’ the dream is mo/~ ~\ (Yer , I bathe mine eyes and wau__-_dc1' itlno’ the world once more, .A youth so 11411: ‘ and /\ /\ dolce e Cantabile. Two locks, and they are w0nd’1'ous fair... F!” vi _ sion mild: The brown is from mllen. mo -‘the1"s hziir, The blondc is from the colla 17006 I {H&R..328.} that look of gold , Pale g1'0w.~:~ can am’ ma. evening red, And when the dam; lock I be _ hold , > dim. Wish that I were dead, I wish that I were A 0 dead . PP {:23} V London; Prmfed by Huﬁchinés & Romer, af: theirWho¥esaleWarekou5e,l0 &||,LiEEieMaﬂborough Eiﬁe \ it Q I SONGS REUE/VTLY PUBLISHED BY A TGHES R® ‘\ >‘ commas. Ah! yes, 'tis true - - - E], to E], - An Angel in the ﬂame (in C 8: Eb) F to F A twilight dream - - - C to F - A message from my lady fair - F to F — A Merry Christmas and a Happy New Year - - - D to F3 - F. R. Haw-gal At noontids - - - C to D LadyArtImrHz'll A dream - - - D to El, - -C. Ludsrr A Summer.-’s day - - E to F - -0. Pinauli A merry little maiden - D to G - J{L. Roecésl A year ago - - - C to F - J. Blumenthal Biondella - - E to B], Sue-Int Champion Boa’sn's mate - A to E - - 0. Barn‘ Babe and the sunbeam - - G to E - C’. Obertlmr Blue bird «- - ~ - D to E - - 0. True Borrowed Kiss (in G and B5) - D to F - - R. Yorke Bachelor's complaint - - E to F — A. 0. Bartram Come to the ﬁelds - - B to F - _ A L. Ardili Catarina - - - D to E - ‘J. Barnett Ciphering lesson — - D to E - - H. Fare Conscript, The - - B to F - P. Mazzoni Come back, sweet birdie - C to E - G. Moroni Childrens triumph - - C to F F. R. Haoeryal Dear ones at home - - D to E - - 0. Barri. D.aisy's Song - e - C to F -C’. A. Macirone Doubt no more - B], to E1, - E. Pieraccini Dreams - - - F to F -0. A. Maoirons Dew drop and the rose -D to F or Go - Mazzoni Desert spring - - Db to F - - E- Land Embers of the past - C to F - - F. Ab! Erin, my country - D to E - J. 13.7/’}Lomas Forget Thee - D to F - E. Campobello For ever - C to F - Earl Dunmors Floating on air 0 to F - V. Gabriel Forget-me-nots F to G - - R. Hour From the garden ‘ E to F - .4. M. Smith Gentle dew - - B to E[, Rev. W.H.Havsr_qal Golden harps - - Eb to Eb - F. R. Havsrgal Happy as a wild bird (inB[,&C.) EtoE[,orG- 0. Pimuti Heaven helps those who help themselves - - - B to E ~ Happier than a King - - C to E], - Home of the weary hearted o E to E - He that scattered Israel - o C to D — I am the good shepherd - D to El, - J.F.Bm-net! in dreamleud e - B to F - - E. Bathe in the gleaming - f D to D -Lady/1rthurHill 1 have gone aetragz « o D to F - J.F.Barnett Kitty Muldoeu n - B to E - - -7- Skeqf Lighted home w w - A to E - -1. ds Lara Lang}? Ema]-t a y - o - 90 F ' V. Gabriel Love that loves me true. The - C to F Lgving allalong - e - B to E -' F. R. Haosrgal Listening in darkness, speaking in light -- - - - to F - Tito Mattei - H. Fast V. Gabriel I. Gibsom - H. Fare - L. Badia F. Campana J.F.Barnett M. Winter - R. F. Harvey- Géﬁﬂﬂ Wahﬁtbﬁ 16503-5‘! 8 IﬁUKs#s&9' ooeoooeeoecoe oauoeooocecocococeeoeeecoeooocoooeo coco.‘- courses. C to F A to D CtoE DtoE|, »CtoE CtoE BtoE BtoE[, BtoE BtoF Lord is my shepherd, The Lost bark - - - J. F. Bennett 0. Laden V. Gabriel - C’. Krebs F. Bosoooifz R. F. Harvey -C’. Pimuﬁ J. L. Rosclwl J. F. Duggan B. Palmer D to F J. L. Bosclcsl C to F Eletto Grant E to G - Pants! 0 to F J. L. Roesksl B to D - V. Gabriel B[, to F - V. Gabriel D to E - V. Gabriel B to F - J. L. ‘Hutton D to E - F. R. Haosrgal D to G -C’. J. Jllaelumzia D to E - ll’. 0. Levy D to E - R. F. Harvey D to D - - R. Aspa C to F - Tito Mattel D to F - - F. Pam’ Bi, to D - -_ F. Romsr C to D - F. R. Haosrgal C1,‘. to E o V. Gabriel C to F - F. R. Havergal F to E]; -A.E.Armstrong B to E - - W‘. Gan: C to F Ladydrthurﬂill D to G -C’. J. Mackmzis E to G - E. Pieraaeini Bweet Summer is ﬂeeting C to F - J'.L. Roecl.-cl Storm of sorrow - - - E to F or G - J. L. Rosolul Some other day - - - D to F - - 0. Barn‘ Sooner or later - - - C to E - - E .46: Tidings o'er the ea - - B to F - G. F. Home Twilight voices - - - C to D - F. R. Have:-gal Thou winsoma wife 0' mine - D toF or G - 0. Obertlaar The two “ Ay’s " - - - G to G - E. C. Pun-ell Through Summer seas - - E to F or A- J. R. Roeckel Thy spirit is near (in C at Eb) - D to E], - - H. Smart Up with the sail - A o - D to G - C'J.1}{aclsn:c's Wedding bells '- - C to F - — A. Loder Worthy the Lamb - - C to E - F. R. Haoergal We two are one - - C to F - - 0. Barn’ Wedding Jewels - »o D to F -' L. Bordéss Wishes - - — - -D to D - J. Grunhill When red leaves fall - D to G - 0. F’. Hanan Waves - - - - e C# to F - G. Mona: What will the Summer bring - D to F - M’. Wipmy My darling’s dream . My rustic dwelling - - Month of roses - - My fair one - - - My sweetheart, aged three Mary Hamilton - - Maureen - - . My love - - - Maiden’s winter song «- No love can equal thine - Neﬁ - - - - 0 blue, blue swallow . Only a heart - - Only a sprig of heather - Our Willie - - - 0, mighty, mysterious In Only for Thee - - Oh! roaming wind - O merry Zingarella . One face - . . Past recall - - - Pretty prisoner - Parted - - Promised land - Precious blood of Jesus Rhineland Minstrel Resting - - 8ailor's farewell s‘ Sing on, sweet bird ~ Secret, The - - Bomething sad - Bspphires and Pearls ceases»-E-hr-can eaaneseoeees esaaseaeseeuueeee eses --«nausea «cu--ce.u.c-Am mm rue-am.»-hues may 9°O9©@@9O OOQOQQ Q90¢9@OO€OO OOCOO OOOQO¢OOOOO OGOOOOOOO@O.& HUTCHINGS & ROMER, SEPTEMBER. 1879. I0 & II, Little Marlborough St.,London.W.
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Date: 1888
Text: .-/Usac LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW YORK Mr.Theodor3eMarziaIs. WORDS BY . 55 “K ILQNAGIEELVL MUSlC BY /i\ ,i W PRICE BUGENTS. ram... . Y C|NC|NNAT|.0., ‘ THE NEWHALL &EVANS MUSIC. C0., Gupgrigmlﬂﬂﬂ byThE Newnall Mvans Musmﬁu. Q69 BRIDQ1? Song Words by LONGFELLOW. ' I ‘ Music by ANTON STRELEZKI. Grave e con sentimenfo. ‘ mf /-8 o a V sempre con Pedule . — stood on the bridge at midnight, Asthe (‘locks were striking the hour, And the main; 1: rest,-. moon rose 0’e1'...
Show more.-/Usac LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW YORK Mr.Theodor3eMarziaIs. WORDS BY . 55 “K ILQNAGIEELVL MUSlC BY /i\ ,i W PRICE BUGENTS. ram... . Y C|NC|NNAT|.0., ‘ THE NEWHALL &EVANS MUSIC. C0., Gupgrigmlﬂﬂﬂ byThE Newnall Mvans Musmﬁu. Q69 BRIDQ1? Song Words by LONGFELLOW. ' I ‘ Music by ANTON STRELEZKI. Grave e con sentimenfo. ‘ mf /-8 o a V sempre con Pedule . — stood on the bridge at midnight, Asthe (‘locks were striking the hour, And the main; 1: rest,-. moon rose 0’e1' the cit-y, Be - hind the d.'u~k chm-ch f0w’1'. (/8 t en. Copyright 1888 by The NewhalIi& Evans Music Co. J‘ - (lct:r¢r.s'c. - mung‘ the long black rail ter.~;z, The wav’r - ing sh:ulows lay; .. And, the x J‘ .s'o.s-tenuln. e.S‘])I'8.S'.S‘ . current that czune ﬁ'dlllﬂlC ocean, See1n’d to lift and hear them .1 - way. r.\ V [llllfll tt_qiIm‘o. In As sweeping,eddying thro’ them, Rose the be-la,-ted tide, pm-0 agitate. /‘ espre.s*s. . slrezun-ing in - tn the moon -light The see - weed i'I0at - ed wide; # T * e.-’ rem. col (1 vnce; 1,-on p(t,.s'.s'(',0ue. like those w.'1-tors 1-ush-ing, A - mong the wooden piers, V ten. rallen tamlo. __:—Jj" tlecresc. 7"""t"’2‘- flood 0fth01Ig|1ts('a111e _0’e1- 1111: That f'ill’1l my eyes with tezu-s. dale dolciss. # mp dm:7'e;ec. PP col/a voce. ra//en ‘fez. 111]) a tempo pm,-0 ,el. How oft-en! oh, how oft-en, In the U t(€7I1]I() }I0(‘0 (I(,‘(.'€I. 17Ipscm}n-e («mu/0. pr) on rail. days that hm] gone by, I had stood on that I11-itlgeat. mid-night, And pm,-0 rail. a tenzpo. / pre coal. 6 (2:-e.s*_ r-cu g':|z’d onllml wave and sky; Ilow 011-011! oh, how 0f'l-on, Ihml (1. tempo. #-is-\. .2? I) .§‘€l)l[H‘8 (I00 6’ ores "if dim irmendo. wislﬂl that the elrh-ing tide Would hear me .1-way on its ho-som, 0’e1*the "}j"’9" I; diminuendo. # ' ﬂu 72¢.-st” pact) rail _ I "S ' 0-t-c.'m wild and wide, Wen-llnc 0 - cenu wild and wide. For my pm-0 ra/I _ en _ tan - do. ' mp p in mo.s-so . hem-t was [ml and 1-est-less, _ And my life was full of €10 can molt!) espress. L I'll//elltﬂlli/0. ___..— Andthe I;u1'- den laid up - on Seem’1l gm-eat-m-Iluunl could marcalu. £38‘])I'€.S‘S‘. ff rallentrm (lo, a tempo primo . a tempo prinm. P Jim. 6 all. V tramp: illo e (I0/CL’. (lo!/(-iss. {J ‘ P pm.-(1 Wtll. rt tempo. it has fall-en from me, It lies_ Inn--ied in . ) . . 1/ e (in/(re. I poi-0 I'll//. It (£’m;m. on-ly the sorrow‘ of others Throws its shad-ow 0 - ver me; think how mzm-y thousands c1u'e- en-cum-|)e1-’d men, ‘rail « , _ tan. PP ml) hem--ing his hu1'- den of v s01-- 1-ows, Have ('1-0ss’d the bridge since ten. ten ten. then.“ rail. (3 nun-endo. do/L-is-.9. P “ temlm, can Sm-dini. can Petlale. I62?/§_—6 Sta/ndard—~C'iassicai and Popular Mus'ic—For Study and Heoreation. .FOR BEGINNERS. I-I. Lichner-.—The most instructive writer of music for beginners on the Piano. Alpine Violet. Op. 95, No. 1, . . . In The Meadow. “ “ “ 2, Happy Hours. “ “ Spring Verdure. “ “ May Rapture. “ “ Beautiful Dreams, “ The Pink. 111, Polonaise. 135, Polka. ,“ Waltz. Galop. Tyrolienne. Mazurka. Coronation, . Spring Life, . Julius Becht. B0bolink’s Bail, S.<:l1ott., . . Wild Hyacinth Waltz, . . . Cypress Pollgu, _ . . Golden Chime l\Iaz., . . . Dot and Dash Gallop, . . Chas. Kinkel.— Aunt Mollie’s Waltz, . . Four in Hand Gallop, . . Flowret, Schott., . Willie’s Polka, . . . Mother’s Rondo. . . Louis Mew er.~ Mountaineers’ March, . Young Villagers’ March, Violet Blossom Waltz, . . Tyrolienne, . . . . . . . Wymond.— Walz —. Remember Deeds of Kindness, Baker—Lena’s Favorite Waltz,. . . . Baker—Life’s Happy Hours, Waltz, . Geo. Nelson.~ Claretteéfiondo, . . . Etelka—Valse Brill, . Eugenia—Rondo, . My Bird—Valse, . . . . My Fav0rite—Valse, . . C. Schuman.— _ Morgen. (Morning) - Abend. (Evening.) - Frieling. (Sp1'i11g.) — ~ — Sebentust. (Joyous.) - - “ Spinuradchew. (Spinning Wheel.) Tarantella. - - - - “ Bernhard Wollzra Zigeunertanz.(GipsyDance.). . . .——Rondo... Die Kleine Miillerin, (Miller’s Little Girl.) John 0111:.- Die Miihle Sylphide, . . . . . Village Festival,. . Rondoletto............ In the Beautiful Month of May, . Robert Goldbeck.—— Idyl——Nocturne,. . . . . . . Harmonious Blacksmith, . . Chant de Berceau, . . . CHOICE AND Annabel, Polka, . . . Andy Baum, Schott., Antoinette, Gavotte,. . . Austrian Song, . . ~ . Baladine, . . . . . . Beaconsﬁeld Polka, . . . Blue Bells of Scotland, British Patrol, . . . . Calm Night, . . . . . . Changeless Waltz, . Carlotta Waltz, . Chanson ﬁancee, . Chant sans Paroles, . . Clifton Waltz,. . . . . . . . . . . . Crown March Celeste, . . . . . . Faded Leaves, . . . . . . . . .Lomge. 50 Fairy Galop, . . . . . . . . . . . . . W3/mend. 40 Flower of Gold, Schott., . . . . . . . . . . . . . 40 Flowersong, . . . . . . . . . . . . . .Lomge. 50 Flowers of St. Petersburg, . . . . . . Resc/1.. ’ Forsaken and Forgotten, . Jimgmom. Funeral March, . . . . . . . .Sofge. Gavotte, . . .St.;6'aens. “ Stephanie, . . . Czibulka. Hail Storm, . . . . . . .Lessi9ig. Heather ROSG, . . . . . , Lmzge, Hemweh, . . . . . . . . . . . . . .ﬂmgm.an. Impromptu. 0p.142, N0. 2. . . . Schulw/r't, Invitation to the Dance, . . . Weber. Fontaine, . , Last (‘hance, Galop . Leontine. Schott., . Lovers’ Dream, March Calisthenique, March of Troubadours, . Mary to Savior’s Tomb, . . May Breezes, . . Minuet,.. National March,. . . Nein, . . . . . Newport Waltv. . .r35 . 35 . . 35 . . 40 . . 40 . . 40 . 30 . . 30 . . 30 . 30 30 . 30 30 . . 30 . 30 esrysrsssry .35 .35 ..35 .35 .35 '30 ..3o .30 .35 . 50 . 40 . -30 40 40 50 50 75 . . .Jen8m:,, . .Loe.sclzm-ii. . Jensen. . .Spalu'. . Merkcl. (The Mill.). . . . . . . . . .. 50 . .Homdel.. . .Kctte7'ei‘. PLEASING. . . . Sclzonaclce . . ..Pinguel‘i/. . . Griggs. 40 . . Packer. 50 . 75 . 40 . 60 . 50 . 50 . . . 40 . . Millocker. 75 . . Egghard. 40 . Tchaclcowski. 30 . . W3/moml. 50 . . Vilbre. 50 40 40 50 35 50 35 60 35 30 40 50 40 35 35 40 30 40 75 60 30 35 35 40 . . Bohm. . . . .Blake. . .Amemle. . . . Bristow. . . . “ . .Roubie*r. . . .Rees. . . . . . . .La.71.ge. . , . . . .Booche'rim'. . . . . . . Wymond. . . . . .Nemba.c}z. . Walker. iniinntt & EVANS CHOICE AND PLEASING. —Contlnued. Nocturne. Op. 37, No. 1. . . . . Chopin. One Heart, Two Eyes, trans., . . .Pontius. Passing Clouds, . . . . . . . . . .I:'/mlcel. Pass Me Not, trans., . . . . . .Docme. Persian Patrol, . . . . . . . . . .Giese. Rescue the Perishing, . . .Docmc. Rondeauiavori, . . .IIwmmel. Rondoin D, . . . . . . .ﬂIozm“t. Spinning Wheel, . . . .iS'c/imoll. Steele Waltzes, . . . . .Riclzeg/. Sweedish VVcdding March, . , .Sodermom. Sweet Messenger of Love, . . ..Lcssing. Titania, . . . . . . . .Wely. Turkish Patrol, . . . Whispering Pines, . . . Zither Sounds, . Twilight Fancies, Tournhamer March, EveningStar, . . . . . . . . . . Cricket on the Hearth, Waltz, . . . . . . . . . .. VerdictMarch,. . . . . . . . . . . . . .Blake. BRILLIANT AND SHOWY. Vivandier March, . . . . . . . .SC}L0’I’LaC/Le’/‘. 50 Marche Homoresque, . . . ._B’r‘cmdei.s. 70 June Idylle,. . . . . . .SchoiLacIce1'. 50 Meg Merriles,. . . “ VValdten fel’s Visions 0 Il Corricolo, . . . . . Chasse Infern-ale,. . . . . . . . . When You and I Were Young, . . Beautiful May Waltzes, . . . . Corn Flower VValtzes, . . . . . . Norwegian Wedding March, . . Nunsicora,. . . . . . . . . Fidelia, . Loreley, . . Harpe Eolienne, Gailte dc Coeur, . . . . Charge of the Huzzars, . Gipsy Rondo, . . . 40 50 50 25 50 25 60 40 40 75 35 60 60 35 50 40 50 75 75 40 40 . Zlficlzaelis. . ,Less2‘ng. . J/zmgmom. .......Bruce. . . Wagnei‘La.ngc. H H 75 50 65 50 75 60 40 60 75 75 75 65 50 Beautiful Women, . . . ..........DeG'rau. . Kolling. . Lessing. . Slrauss. . . Coote. . . . Grieg. . . Ivlcwtigzni. . Lebierre. . Seeling, . Sid. SirLith_ H . .»S’p2‘ndle7'. . . . . . .HcLyrlen. PIANO STUDIES. Op.91,Book1, .. ... .. Op. 70, “ 1, Op. 299, Book 1, Op. 299, “ 2, (‘zerny. Op. 849, “ 1,. . Diabclli. Op. 149, Book 1, . . . . Duvernoy. Op. 120, Book 1, . . Eschmann. Op 22, Book], . Eschmann. Op. 25, . . . . Gurlett. Op. 85, Book 1, . lleller. Op. 46, Book 1, . Heller. Op. 47, “ 1, . Heller. Op.47, “ 2, . . . . . . . . . . Kayser. Op. 20, Book 1 (Violin) . . . Kohler. . 50, Book 1, . Kohler. .50, “ 2, . Kohler. . 151, . Kohler. . 157, . Kohler. p. 190, . Loeschhorn. Op. , Loeschhorn. Op. 2, . Loeschhorn. Op. 3, . Loc:.-chhorn. Op. “ 1 . . Loeschhorn. Op. 2, . . lioeschhorn. Op, 3 Loeschhorn. Op. 67, 1, . . . . . . . . . . Scales and chords in all major and minor keys . . Schmidt. Op.l6,... BRILLIANT CONCERT Chauson Alpina, . . . . . . . . . Ask Me Not Why, . . . Asperation, . . . . The Belle, . Carnival of Venic . . . Dear Little Cottage, . . . Fatal Love—alto or bar., . . . . . In the Silence of the Heart, 8. . . The Mendieant, ms. . . . . Thou Hast Betrayed Me, .9. . . My Heart I Give Thee, s . . . Venzano Waltz, 3 . . . Drinking Song, 8. . . Smile Vilaltz Song,.s. . . . . . . . Here Within in Her Chamber, . . CONCERT BALLADS, SONGS, Almost,ms............. Always True, 8 . . Baby’s Dimple, a. . Bells of St. Ethelored Anbade,s. . . . .. Better Land, 5 . Bills . . Bird of Love. s . . . . Birds of Song. Waltz. ms, . . Bird That Came in Spring, 8. . Brool<,m.s- . . . . . . . . . .. Cavilier, bar. . . . All Hands Ahoy, bar Anchored in the Bay, Consider the Lilies, s . County Guy, 8. . Davy Jones, bar . . . . . . . Does He Love Me, bird song, Berens. Berens, Czerny. Czerny. .331 ..1 I—‘l-‘I-‘I-'|)—‘>-I)-‘i-‘>—‘ SONGS. . Jamioita. . Donfzetti. - Jaimotti. . Berignani. . Benedict. . Petrella. . . Dmzizetti. . Ivlercadrmte. . Peatti. . Gorno. . .Pinsuti. . Venzcmo. . . Verdi. . . La. Villa. . Thomas. ETC. . . Oowen. . . Temple. . . Fairlamb. . Barnby. . C'01('€’I’L. . . C’ouw1.. . ('2 ouch. . L(’7TlJIl(’7l.S‘. Iiowuwl. . Bcnmlict. . Dolores. . . . .I(ithe. . .Sclm7m(-ker. . Opertc. Topliﬁ‘. ‘ . Sullivan. . 11101103/. . Gflclzrist. 8... CONCERT BALLADS, SONGS, Etc.—Cont’d. Drifting, s . _. ._ Clarabel. Duschinka, s. . . . . . . . . .Pin.9uti. EyesSoBlue,_............. .. “ Finette,.s . . . . . . . . .Mo/zoy. Free Lance am I, bar. . . . . . .(.lxmpana. Good By, God Speed Thee, ms. . . . _ (J’,,Cmmell. Haunting Eyes,s . . . . . . . -. . . .Operti. HomeSoBlest,s .. ... .........Abt. Hope that Breathes of Spring, ms . . IGreet Thee, Love, .9 . . . . . . . I’maF0rester Free, bwr . . . . Jeanie with Nut-Brown Hair, 3 . It’sWeTwo,s . .. ..... Kerry Dance,s . . . . . Little Mountain Lad, s . London Bridge, . . . LostVoice,s . . . . l\1endicant,sorbar . . . . My Childhood’s Home, . Now Was I Wrong‘? . . Remembrances, . . . . . One and Two,sort . . . WhatShallIDo, . .. .. . . One Heart, Two Eyes, . . . . Where the Birds Sing, .9 . . Say NotAdieu,s . . . . Song of The Ball,s . . . . This Is My Dream, ms. . . . . . . . Golden Love, ms . . . . SACRED SONGS, SOLOI. AtTheCross,.. Consider the Lilies, . . . . . . Faith,.. Home So Blest, . . . Mother’s Gift,'ms . Palms,’/ns... .. Some Sweet Day. Solo and Duet. . WhyNeed1Fear, . . . . . . Verdure-Clad, . . . . . . . . . Deem Not They Are Blest, . . . Nothing But Leaves, . . . . LYONS’ ECLFCTIC CABINET ORGANIST. Works Selected from the Great Masters. Popular Selections. Condensed Instructions. Carefully Arranged by Richard Lyon. Price . ~ . . S 2 50 Samp1ebymail,......... .. 125 . Peivring. . Scliubert. . . Molloy. . Roeckel. . . Molloy. . G'i'Zchm‘st. . ..P1'atti. . .Pew'mg. .EngeZ. . . Parry. . . Jenkins. . . . . .Bischo17'- . . . . . Pontius. .Stewart. . . . . erti. . . . . . .Bi.schoﬁ°. . Willmgs. H Izyon. .. .. Campbell: . . . . Abt. . .Doome. . .Fam~e. . . Doane. Gicmetti. Select Music Books for Classes, Schools, Societies, Quartette, Etc. Song Clarion. Edited by Gijfe. A great favorite with Teachers. 50 cents each, $5 00 doz. per Ex. Song Victor, for Primary Schools. Contains Half Secular and Sacred. Also Vocal Instructions. 350, $3 60 per doz. by Express. Little Songs for Little Singer. By W. T. Gigfe. The Most Charming Rote Songs for the Little Ones Yet Issued. 250. each, $2 40 per doz. by Express. A TRIO OF FINE ANTHEM BOOKS. VVestern Anthem Book. Compiled by Gizfe. A Prince Favorite. Examine it Be fore Making Your Choice Elsewhere. $1 00 each, $69 00 per doz. by Ex. Standard Royal Anthem Book. By Clam H. Scott. Selected from the Best Sources. Popular and Choice. Choir Gems from the Great Masters. By Gif/‘"e Solos, Duos, etc. Organ Accompanyments All 1 hrough. $1 00 each, 359 00 per doz. by EX. ——A sample Copy of either of above, with a View to introduction, mailed on receipt of 75c for each. operettas, Musical Sketches for Schools, Exhibitions, Concerts, Etc. Fair Fatima, or Blue Beard, . . . . Bristow. S. P. C. A. O,peretta for 5 or 6 or N “ L bretto, . . . . Musical Surprise for 5 or 6, . Little Shaking Quakers, . Tn1os,QnARTE1u1$,ETc. Au Revoir. Trio Ladies’ Voices. . . . Sclzonaclcer. Adieu. “ “ “ . . . . u Viva. Q’tte. or Cho., Male or Female. . . . Bristow. Xfictol-y_ H H u at it Those Evening Bells. Quartette. . . Let the Merry Sleigh Bells Ring, . . Bounding O’e1 Rippling Foam. Male. . All Among the Barley. Mixed. . . . Sweet and Low. Mixed. . . ]’eaccf\1l Slumbering. Mixed. Good Night Beloved. Mixed. . . . Sea Hath Its Pearls, . . . . . . . . . . . . Past Twelve O’Clock. Trio. S. T. B, . . Maeder. CATECHISMS, PRIMERS, ETC. Common Sense Catechism. By Julia Nichols. A Short, Practical Book by 2 Sue- '&a. "‘11iaaa¢ . Bristow. Gordon. . {)mLm'rzg/zmn. . C7‘w)Ld(L(l. . Sterling. . Bamzby. . C’owwrd. . Pensuti. £5 MEUSEG ©@., Gineinnsti cessful Teacher . . . . . . . . . . . . Music Made Easy. A Useful and Modern Work on Elements of Music, Chords, 1-larmony, etc., by R. Challoner . . . . . . . . . . . First Twenty Hours in Music. The very first Lessons for Beginners on Piano or Organ. Most Simple and Practical
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Date: 1910
Text: w% 8. C. COLBURN % 60 Cents NEW YORK I G. SCHIRMER BOSTON BOSTON MUSIC CO G N O S E H mm T wa D m N A W O R R A E H T. THE ARROW AND THE SONG SHOT an arrow into the air, I It fell to earth, I knew not where; For, so swiftly it ﬂew, the sight Could not follow it in its ﬂight. I breathed a song into the air, It fell to earth, I knew not where; For who has sight so keen and strong, That it can follow the ﬂight of song? Long, long afterward, in an oak, I found the arrow still unbroke; And the...
Show morew% 8. C. COLBURN % 60 Cents NEW YORK I G. SCHIRMER BOSTON BOSTON MUSIC CO G N O S E H mm T wa D m N A W O R R A E H T. THE ARROW AND THE SONG SHOT an arrow into the air, I It fell to earth, I knew not where; For, so swiftly it ﬂew, the sight Could not follow it in its ﬂight. I breathed a song into the air, It fell to earth, I knew not where; For who has sight so keen and strong, That it can follow the ﬂight of song? Long, long afterward, in an oak, I found the arrow still unbroke; And the song, from beginning to end, I found again in the heart of a friend. LONGFELLOW To my Sister The Arrow and the Song Poem by Longfellow _ S. C. Colburn Allegro Voice 21562 c ‘ 00py7‘2'g'/ti, 1.910, by Cr’. Sckirmer Meno mosso, quasi andante breathed a song in - to can 8”_“ bassa ' knew not where; For ?ﬁ’ who has sight so keen and It fell strong, to earth,._ That it can fol-low the flight of song?_ n______2‘ mi’ 17000 accel. . Long, 0 00 (1008 . the ar— row And the song, ter-ward, in an 7.. from be - ginning to b 25 l\Jb|‘l'( VII G. SCHIRMER, NEW YORK D9412-nted to and sung by Mme. Marcella Sembrich Am See Poem by Emil Robert English version by By the Lake Henry G. Chapman Langsam ‘ Frank La Forge Adagio P . - schein I stand up « . len See, da weil’ ich gem mil mei-nem your shore, Oh qui — et lake, my heart is Seuf~ zer sich zum »mel seeks to al - ter in a (/‘apyrfg/rt, 1.m¢,by G.Sc1n'ruzer ‘PNCFI 60 ° The Sheepherder A-ml“? Ch°P"13n "‘ Frank La Forge e Andante Voice the stream, from rm 1“ 4"» 4”\.b _ and dale. The sheep un - to... the bed - ground press. 4*» 4w KY» * By penmssion anne author . Pmcz 60 ‘ "W Copyrigltl, 1909, 0,, G. Sc/zzrmcr 2 1' c To Mr. Elﬂun Van Moon To a Violet ‘“"°"‘5 “Y (The Message) Elizabeth Ruggles Frank La Forge, Voice forth, 0 V1- 0 — 1eL. sweet and ten < der, Bear to my love the thoughts} send her, her breast !.hou.1i — est, Ere thou in ver—y ' Breathe on her 1”" W 6'o_zvyn'gIzl, 1909, by olsoumar P1106 40 03311‘-6 Dcdit'nId'ri to and sung by Mme. Marcella Scmbrich Prun)"Des Knuhcn \Vun(h:rhurn" An einen Boten English version by Henry G. Chapman To a Messenger _ Frank La Forge Schnell mrt Humor Allegro giocoso leggero e Wenn du__ zu_ rnei’m —When you__ see, my_ 7 _ 7 leggero _“_’_;,_,_. j—-'7; Schéit.zl kommst, :j_.___...._.: ich Iiess’sie mis.tress dean.‘ he I love her > sie__ fra . gene she_ asks_ you_ PRICE L30” Copyright, 1.909, by G. Sclzirmer
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Date: n.d.
Text: 1.! » musmov ..,.e ,. ﬁn! VA . .,..I.3’1§a.xAy. V 1 ..._. .m % m \ f§‘’////u//,4~,‘, \\““F I}////} 1 THE THREE KINGS By HENRY WADSWORTH LONGFELLOW I HREE KINGS came riding from faraway : Melcbior and Gaspar and Baltasar ; Tbree Wise Men out of tbe East were tbey, And tbey traveled by nigbt and tbey slept by day, For tbeir guide was a beautiful, wonderful star. Tbe star was so beautiful, large and clear, Tbat all tbe otber stars of tbe sky Became a wbite mist in tbe atmosﬁbere, And by tbis...
Show more1.! » musmov ..,.e ,. ﬁn! VA . .,..I.3’1§a.xAy. V 1 ..._. .m % m \ f§‘’////u//,4~,‘, \\““F I}////} 1 THE THREE KINGS By HENRY WADSWORTH LONGFELLOW I HREE KINGS came riding from faraway : Melcbior and Gaspar and Baltasar ; Tbree Wise Men out of tbe East were tbey, And tbey traveled by nigbt and tbey slept by day, For tbeir guide was a beautiful, wonderful star. Tbe star was so beautiful, large and clear, Tbat all tbe otber stars of tbe sky Became a wbite mist in tbe atmosﬁbere, And by tbis tbey knew tbat tbe coming was near Of tbe Prince foretold in tbe projzbeey. Tbree caskets tbey bore on tloeir saddle-bows, Tbree caskets of gold witlo golden keys; Tbeir robes were of crimson silk witb rows Of bells and pomegranates and furbelows, Tbeir turbans like blossoming almond trees. 3 # And so the Three King: rode into the Weft, Through the duxh of night, over hill and dell, And sometimes they nodded with heard on hreaft, And sometimes talhed, as they paused to reﬁt, With the people they met at some wayside well. “ Of the child that is horn, ”5aid Baltasar, “Good people, I pray you, tell us’ the new; For we in the Eaﬁ‘ have seen his star, And have ridden fail‘ and have ridden far, To find and worship the King of the Jew. ” And the people answered, “You ash in vain ; We hnow of no hing hut Herod the Great.’ ” They thought the Wise Men were men inyane, And they {purred their horyes aeroxx the plain, Lihe rider: in haste, and who cannot wait. And when they came to Jeruxalern, Herod the Great, who had heard this thing, 4- ii? Sent for the Wise Men and qneftioned them; And said, “Go down nnto Bethlehem, V And hring nze tidings of this new hing. ” So they rode ezwezy ; and the steer stood still, The only one in the gray of nzorn ; Yes, it stopped, and stood still of its own ﬂee will, Right ooer Bethlehem on the hill, The city ofDez1/id, where Chris? wds horn. And the Three Kings rode through the gate etnd the gnetrd, Through the silent street, till their horses tnrned And neighed ds they entered the greezt inn-ydrd; But the windows were closed, and the doors were hezrred, And only 4 light in the stdhle hnrned. And erddled there in the scented hety, In the ezir rnetde sweet hy the hreezth of hine, 5 The little child in the manger lay, The child that wonld he hing one day Of a hingdom not hnman hat dioine. His mother, Mary of Nazareth, Sat watching heside his place of reft’, Watching the eoen ﬂow of his hreath, For the joy of life and the terror of death Were mingled together in her hreaﬂ‘. They laid their oﬂerings at /92 feet .' The gold was their trihnte to a King, The franhincense, with its odor sweet, W/as for the Prieft‘, the Paraclete, The myrrh for the hody’s hnrying. And the mother wondered and howed her head, And sat a: still as a statue of stone ; Her heart was tronhled yet comforted, 6 {‘} Remembering what the Angel had said Of an endless reign and ofDa1/ia"5 throne. Then the Kings rode oat of the city gate, With a clatter of hooﬁ in proaa’ array ; Bat they went not hath to Heroa’ the Great, For they hnew his’ malice ana’ﬁ2area’ hi: hate, Ana’ retarnea’ to their homes hy another way. 0 9©© @9990 936 FOUR HUNDRED COPIES OF THIS BOOK PRINTED FOR HIS FRIENDS BY WILLIAM EDWIN RUDGE NEWYORK- CHRISTMAS MCMXXII . . .. , J, 1 I . . . .w :,. . .v.n.. a-.1): 1.41 ‘ . I ~ ) r 7 . » . bu. : 2.114 \ 1 ll. . : 2 I 1 . u... v I ll: -1 t 1. V r . V . 1 . . x .1. . I la . .. . . , :5, . .: «v 9. . . K . (.14 . .. . . . ., .1. . . . ., , . 4 st. . \ I . .. . . . ..pur»4..ﬂ:..... , I'7 xwuai.-rs». .1 C A: _.«.a.nI.V nu.V&\.n.v1..|mc $45.“. v. . ¢\ . \. 9 -5! E1 ,4‘ 7' 1 pg‘ -
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Date: n.d.
Text: BUMPUSED BY ﬂ§N?§i®é$&§¥u N. 0 D N. O _. . IL. Wu. J .52 f{_U.)‘/,-'/, F//AL, _'////0. W R I T T E N B Y 1:5’//f.//////’. AD D I 30 N“, H'0’L LI E R 8; LUCAS. ZIO R'E'G"E‘N'TM$T ,/'}//1,/ _‘.,§_,_¢-.,~..,7._ ‘ ‘ 7 au;%% /1”?/W. L ‘um’:-<9‘ THE ARROW AND THE some. “I shot an arrow into the Air, It fell to earth I know not where g” Poetry by H.W.LONGEELLOW. ./I./[usic by JOHN BLOCKLEY. to swift _ ly CV88 . fdllow M ' ° its ngf calla voce . The...
Show moreBUMPUSED BY ﬂ§N?§i®é$&§¥u N. 0 D N. O _. . IL. Wu. J .52 f{_U.)‘/,-'/, F//AL, _'////0. W R I T T E N B Y 1:5’//f.//////’. AD D I 30 N“, H'0’L LI E R 8; LUCAS. ZIO R'E'G"E‘N'TM$T ,/'}//1,/ _‘.,§_,_¢-.,~..,7._ ‘ ‘ 7 au;%% /1”?/W. L ‘um’:-<9‘ THE ARROW AND THE some. “I shot an arrow into the Air, It fell to earth I know not where g” Poetry by H.W.LONGEELLOW. ./I./[usic by JOHN BLOCKLEY. to swift _ ly CV88 . fdllow M ' ° its ngf calla voce . The Arrow and the Song . flight‘. A Could not John Blockley breathed earth I know not where;/‘ For who has follow the flight of song? "f calla voce . t,7,. . piu animate. Long, long afterwards U11 _ _ _broke; song , from be __ ginning F\ i I found a _ gain in the heart of a friend . And the song, from be- ginning, from be_ginning to end, I found 3. _ gain in theheatrt of a friend . And the song from beginning, fr-om'be.. 1 ’ mf _ginning to end, I found a_gain in the» heart of a friend. 27“ L7 The Arrow and the Song . Londnu,PnM Euhvd by John Blockley, 2 Park Road, Havexstock Hi-11.» /‘_, I7®@IML :iaIma / kg coNIPosER or "I.ovE N01.” "HEARTS 8: HOMES,"“EvAN<;ELINE1'"ExcELsIoRl‘&c. R®@‘“ POETRV BY POETRV av JEssIE's DREAMISTOHVOFRELIETOELURKNOMGRACE CAMPBELL 216 I HIGHLAND RE$cuEI...c.m1 n Lucxnow) CARPENTER 2&6 MESSENGER SWALL0WIo swALIow‘ITENNYSON, 2[6 FLOAT|N(‘, AwAY_ ________________________ __ _ [D9 3,. MAUD . 0° L 216 MY DEAR om HOME..,. D°... 2;- THE BROOK. _ 7 .. 0° 2! A FLOWERS or HOME.....,._._...... 0°. COME TNTO THE GARDEN MAUD D° 216 GENTLE woRDs_ MEMORY or THE PAsT,Im..s,__L><_t ale EooTsT'EPs or ANGELS .,.LONGFELLOW IWITH PORTRAIT) MUSIC oN THE wINDI<. mom” 1.. buss) ova 2[e ARROW 3. THE SONG__,__._________‘, D9‘ _ coHctusIoN.or oumz or me am; I MOTHERS SONG Iswm . LOW,‘ ,D.° 2[- GREEN TREEs WHlSPERED...__.. . 0° BREAK.BREAK._,,(I=onrnAIr or TEN_NvsoN)_,.D9.,,. ._ 216 PA$S|NG AWAY_.._ " ' M".5 HEMANS THE wARRIoR's RETURN I50 2Is THE I3RIoE's FAREWELL ,,,,,,,,,,, _, .o_T<,>_ GO NOT HAPPY DAY . ' D? 2l- HoNIEs or ENGLAND. _____ ,_D° ELFIN EcHoEs EEEE ..(.m am Iuow; D9 . are THE BETTER LAND. oo. RING OUT WILD BELLS... _ D9 BIRTHDAY G|F.T__ ' c.TREvEI.vAN A BLESSING oN THINE EYES EH0N°E‘M“.5N0RT0N. ALI's FOR THE I3EsT,,_ MARTIN TUPPER FRIEND or ouR EARLY DAYS D9 21» SPEAK GENTLY ,,,,, A , ALANGFORDV * IREMEMBER THY VOICE o°_,_,E 21- - ABSENT FRIENDS . T SHEA ________ *7 wr_ HAVE BEEN I-'RlEND$TOGETHERD° 21- ROSE,ROSE,0PEN THY LEAVES ............. L ....... .. . THE A35r_NT on; V D0 2’- swlss GIRLS DREAM ____ __ E,._..BARTHOLOMEW I MY CHILDHOOUS H0ME(PanTRAIT orM-.=NoMo~)D 9 W 3T9 3U M M ER ----------------- - r-A ~ - ~ D-3 - *- THV NAME,THY TREASURED NAME. ., , 2!’ YESTERDAV(co;nPAvIIoN T0"T0 DAV? »»»»»»» »-BROWNE —» no To Moaaowi THE HAPPY BRTDE... C.YOUNG ........ ..21’ MOTHER WHO HATH A CHHD AT SEA E-COOK--—-~ (HAPPY I3 THE BRIDE. TM SUN SHIIIES 0I\ HOPE Is THE LIGHT or EVERY HEART GRACE STIRLING 2|’ ROSE OF THE ALHAMBRA ......... UBULWERA. FAVGF-UTE’ ‘SONGS BY VARTOUS CGMPGSERS. THE RIVER 8: STAR . ........A-NGELINA E2|v THE SABBATH NIoRN ............. _AE..I.LooER ART THOU LOST To .ED9_E . 2|. $IIIIL£& KIND WORD OF‘ GREETING .. . A-A-D°»~— ABSENCE.............._,.. " A 2|- Mv mans BIRTHDAY...“ . .. 0° TELL~TALES . . S . LOVER | TIMETHAT BRINGS HIM HOME AGAIN MACFARREN sTIR THE FIRE(I=oETRvavcARPu4Tm.J0LLY BIG THE'FALSE GONDOUER... A CRGLOVER HASTE THEE,B0A-1-MANI'sHAIIoPsoNo)KUCKEN 2|‘ BIRD OF THE W|LDWOOD,,._ .,,GOLDBERG R
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Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . Greeting of Hiawatha (Gruss von Hia— watha) . ’ . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei— gen) . . . . . . Chibiabos (Tschibiabos) . . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawa! wach auF', Geliebte!) Med. OLIVER DITSON COMPANY. Boston New York Chicago...
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . Greeting of Hiawatha (Gruss von Hia— watha) . ’ . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei— gen) . . . . . . Chibiabos (Tschibiabos) . . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawa! wach auF', Geliebte!) Med. OLIVER DITSON COMPANY. Boston New York Chicago Philadelphia C. H. DITSON 85 CO. LYON 85 HEALY J. E. DITSON 8: CO. 2 To George Fergusson Purchased from the ES'l"'.:.'37Ii (‘)7-:1‘ THECESJ» !T1:‘:J:i3.TJl‘IO ONAWAY! AWAKE, BELOVED! (ONAWA! WACH’ AUF, GEL,IEBT_ED E HENRY WADSWORTH LONGFELLOW German frmzslalia/2 &_1/ Herman/z Simon Allegretto be-1ov-ed!- Ge_l1,'eb—te/___ way !_____ zvii.’ A — wake,.___ wash) auf,_____ Wil — dc Blu F. '\./ F ;’’''\__;/T‘ LZ for-est!__. Hain’s,__. Thou the wild-bird Wvil — dcr Thou with Mii dos of the prai—rie!___ V0 — gel der Prai - ri — en.’ E’. Copyright MCMVII,by-01iver_Ditson Company International Coyyrightsecured CARL BUSCH Thou the Wi1d—f1ow.er of the — me Du des 5-33-66401-8 and fawn_1ike! If thou on 1y look/‘st at me, I am — ten Blick/__ W7e7m Du [fr be-voll nub]; an — siehst, Gl1'[ck—lich, V"7*5? Ex/r“ 1" L2 hap — py, I am hap — py, As the lil ies of the prai _ rie, VVhen they gliiclz — lich bin ich dal, ‘Vin din Li [iv a'crPrai—ri‘ .. en, ‘Venn drer PM L2 up — on them! On - a — way!________ ,Be-1ov - ed, On - a - sip kiissf./__. On _ a. — wiil __ Ge - Iicb _ te.’ On — a - 5—33~66*i01-6 Be_1ov - ed, My be_1ov — Ge — licb ~ to, On _ a — wd./, (‘#3 1'??? "F9 3' 7*"? ./___$ 7;_zf‘a tempo Sweet thy breath__ is as the Lieb— lich ist De£nHa1Lch wiv 5~33—66401-6 — grance: Of the wild — flowers in the morn_ing,___ As their — gens Wil —der Blu — men Duff im Ha/in, Licb _ lich \—/F’ Pk!/F’ £2 fra—grance is at eVe-ning,”_ In the Moon__._..._ when leaves wic ihr D29‘? am A _ b("II(l,,___ In (Iom Mc;;z({'{.____ wolw Laub fall — ing. the blood with _ in Leap to welkl.___ K - den, zu, um _ ar — All’ main ‘/> 5-33-66401-6 kj . thee, leap to meet thee, spi'ings_ to meet the blut sie _ dend wallt, '2 Friih — lz'ng,s.uchi den > g__/ sun - shine, In / when nights are bright — est? On - a - S0nn' _ schcin In ,, sien Nd'ch - [en Mond.’ On _ a _ V“? T 5-33-6640 1- 6 lov — ed, My be —1ov _ lieb — te.’ 041,- a - wii’ ’.L_:[ be _1ov_ ed! Ge _ licb - to/. \ 19? ml ,2... 10 a tempo F9-/f‘ 5-33-664012-G THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of’ authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of‘ the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postrpaicl, and in paper with cloth back, price, $1.50, postzpaid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in ﬂexible cloth, are handy in size, and range in price from 50 cents to $1.25. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other Form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chieﬂy technical, for the Piano, Organ, Violin, and other instruments, and For the Voice. It addresses itself to music teachers and students of dis» crimination-—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of’ music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. Send 10 cents for sample copy and special premium ofI"er OLIVER DITSON COMPANY, BOSTON
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Date: 1901
Text: The Rainy Day 6 [£%0%:8%J4(a&*5ﬂ1Mv[A/I/5:4; % k A / ' ~ ° % % 4/g W a C7zya///m7mec;/(é/vpA/1/1{ ‘ " ,'(" ,//‘ 2. e \\ I “”€'”;:‘;:,d:;‘3z:[/:,iW ‘The Rainy Day. (low l"0z'm) . :5 ';J'g5"-?—f~:€ C _ LONGFELLOVV. ; _-_:‘ :. JACQUES BLUMENTHAL. Andante. -\—Z I n V g a V day 1s cold, and dark anddreary, It rams and thewmd IS nev.- er wea - ry, The T f Vine still clings to the mould —’1'ingwall, But at evt' - ’rygust the Copyright...
Show moreThe Rainy Day 6 [£%0%:8%J4(a&*5ﬂ1Mv[A/I/5:4; % k A / ' ~ ° % % 4/g W a C7zya///m7mec;/(é/vpA/1/1{ ‘ " ,'(" ,//‘ 2. e \\ I “”€'”;:‘;:,d:;‘3z:[/:,iW ‘The Rainy Day. (low l"0z'm) . :5 ';J'g5"-?—f~:€ C _ LONGFELLOVV. ; _-_:‘ :. JACQUES BLUMENTHAL. Andante. -\—Z I n V g a V day 1s cold, and dark anddreary, It rams and thewmd IS nev.- er wea - ry, The T f Vine still clings to the mould —’1'ingwall, But at evt' - ’rygust the Copyright MGM} byThe John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MCMI, hy The John Church Company in the Department of Agriculture. dead loawrs full, \/ and d1'eau'— y, anddrear - y,, .S’///()l'£.'(l// (/ 0. But at It — ’1'y gust L The day__ V V rains _ and the wind /11 //g/1 . FA 19 the dead leaves full And the f'.'\ 0- K_/ \_/ ls dark _ and d1'ea1'— fﬁ 7? /2771 M fa. My Iifé is cold, and is nev - er:vvea. - ry, My th011g}1tS stillcling thick days f m to the mould - Ting past, Butt e hopes ofy0uth_ fa11__ F’ _ in the blast, of youth fall thick in theblast, Andthe But the hopes \/ are dark ‘ah; drear - M And the days, the days __ are ff awe]. \ cm/fab?’/6. and drear - tmnyz//’ 0 e I’ Tempo commodo. still, sad heart, and cease_. 1'0-pin — ing,Be - h'1n(L__thec10uds is the 1119/ / \_/V cresc. 7//olio. still shin - ing,Thy fate is the com - mon fate of all, (/'7'!/’.S‘(/‘. .s‘e2//lure c7'e.s'c. f to each life some rain must fall, S0me__ daysmust be dark and d1'0ar— Ljrz , f sew re cresc. [, - ’0- . foo/[av/vane. at (‘M/zpo. //if .s'07z()r(:. Be still, pin — ing, the clouds the sun «:13. c7'e.s'c. ed a(:(:6/, shin - ing, Be-hind the clouds, L 07-esa ea’ rzccel. G still shin 13536-5 6&3
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Date: 1885
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKE-EPSIE, NH’! '/52¢: ""“\ Worzis‘ ézjgiz /71‘. if fa/gy/1’?//02% / \ ,J, // 0\ \/\ / ":‘_ 4 /W7" » \ I ;sv , 1/ -/ l /‘ J} K‘\_(/2 2 “~\_*//// §’z/5/Mm §/5/WK/7/za/2 JXRTHUR P. §cHJ~4ID'I‘. THE WIND -MILL. Words by LONGFELLOVV. GUSTAVUS TUCKERMAN. Con spi1‘itg. VOICE.‘ vivane my tow _ ‘- er, With ﬂy gran. , ite jaws The maize, the wheat, and the ‘ APS&m493=6 Copyright 1885 byAR'rHUR ESCHMIDT 8: Co. grind theni, and...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKE-EPSIE, NH’! '/52¢: ""“\ Worzis‘ ézjgiz /71‘. if fa/gy/1’?//02% / \ ,J, // 0\ \/\ / ":‘_ 4 /W7" » \ I ;sv , 1/ -/ l /‘ J} K‘\_(/2 2 “~\_*//// §’z/5/Mm §/5/WK/7/za/2 JXRTHUR P. §cHJ~4ID'I‘. THE WIND -MILL. Words by LONGFELLOVV. GUSTAVUS TUCKERMAN. Con spi1‘itg. VOICE.‘ vivane my tow _ ‘- er, With ﬂy gran. , ite jaws The maize, the wheat, and the ‘ APS&m493=6 Copyright 1885 byAR'rHUR ESCHMIDT 8: Co. grind theni, and grind them, look down 0v- er the farms, be, har _ vesst that is to fling a _ loft mine arms , -\PSS:C0.~’293 = 6 and grind thorn in p Lie 9 rif. (sol/11 voce > In the fields of grainl The har vest that is fling a - loft _ to flour to mine arms , . know it is all for me, know it is all for me, patio ritard .__._.————«~ u [em 1’ heau‘ llle sound of flails, Far off from the threshing floors, J l)aI‘ns "with their op- en doors, Andthe wind ' _ my sails, in my sails, — Louder aml loud- er 1'o.ars, APSAM‘/0.493=6 Loud _ er and loud _ er roars. dim 9 Tit. tempo ecaresc. standhere, h in my place, With my foot on the rock be _ low. And which er way it my blow, meet it face to brave 1I1anmeets his : Wres _ ﬁle and pace ' ‘ I 0 0 calla voce 1/risolufo. Ll'S&Cn.493=6 strive, V mas- ter the mil _ ler stands, For _he knows who makes makes him lord of lands. Church-go _ ing bells XPSXM‘/0.493=G Their low, mel_0_di0us din. cross ,n_1y arms on (10091 . peace with _ And all is rd al fine. decrese. poco a co alfine APs&Co.493=6 Bruno Oscar Klein. 09. I7. Ingeborg’s Lament. Concert Aria. English version by F. W. Bancroft. l Mez. Sop. Cmin. 'c—a) Op. 42. Five Songs for Baritone or Contralto: No. 1. The Moon shines through the Forest Green. E (b—f$l) . . . No. 2. Trooper’s Morning Song. Emin. eb—-f . . . . . . . . . . . No. 3. The Siaeet May Night with Dusky Pall. G (c$——e) No. 4. At Twilight. F (c——e) . . . . No. 5. Serenade (When at Evening). Fmin. (c—eb) . . . . . . . . . Margaret Ruthven Lang. Eros. G (d-g) . . Oh what comes over the Sea? Amin. (e——t') My Lad Jacqueminot. Bb (f—g) . Ojala. Ft (ft-—ﬂ$) . . . . . . . Nameless Pain. G (e——g) . . . . Ghosts. Ab (f-—f) . . . . . . In the Twilight. E (g——e) . . . . Song of the rival Maid. D (f#—g) . Meg Merriles. Gm-in. (d—g) . . . In a Garden. (d——f) . . . . . . . Deserted. E (e-—f#) . . . . . . . A Spring Song. Emin (e~—fil). . . Op. 6. Three Songs for low voice. Chinese Song. Emin. ct--e) . . . A Bedtime Song. E ( ——d8). . . . Lament. D (d—d). . . . . . . . Op. 7. Three Songs of the Night. Night. B (d3l—g). . . . . . . . . Slumber Song. G (dll—-f) . . . . . The Harbor of Dreams. E (d#—f#) . . Three Songs of the East. Oriental Serenade. Medium voice. e e e e e e e e e 1 c n o e o u 0 e o I e e 0 e e u e o e Emin.(c-—-fill. . . . . . . .. Christmas .Lullaby. Medium voice. Fmin. (d—e) A Poet gazes on the Moon. Low voice. Cmin. (c-eb) . . . . . . . . . . Four Songs. Heliotrope. High voice. F (eb—g). Spinning Song. High voice. D(d——f#) The Sky-Ship. Medium voice. Ab (db- f) Betrayed. High voice. A min. (e—a) 1!. Elliot Lath. l.ove’s Courier. —— D ct-—e - Moorish Love Song. T) min. (a-—e) . . . . —— Emin. (b—f). Fmin. (c—g) . . .. . . W. P. P. Long-fellow. O that we two were Maying (Violin obligato). (e——g . . The Mermaiden. Cmin. (c—f). . . 'l‘he Swallow Song. Eb (bb-——f). . E. A. I'«’ia.c Dovell. Op. 34 No. 1. Menie. Dmin. .d——f) . . . No. 2. My Jean. A (e.—e) . . . . Op. 40. Six Love Songs. E..ition Schmidt * No. 19 . . . . . . . . . . . . net. M. R. Macfarlane. Sway to and fro’. F (f or g#—d) . . . . Tellherso. G(d#—g). . . . . . . . . E. P. Header. Sweetheart sigh no more. E (b—f£‘») The Robin. G (d-—g) Soft and gently through m_v soul. E (dl1—-ft) Geo. B. Nevin. The Boatswain Bold. Bar. or Bass. D (a—d) Homer A. Norris. Uradle Song (Rock-a-bye Babie). Ab (c—c) Once indroyal Da.vid’s City. Christmas. Db b——b . . . . . . . . . . . . . ( e Supplication (Oh Father, Thou dost hear us). Bb (e——f) C John Knowles Paine. Op. 40 No. 1. A girddupon a rosy bough. b — . . . . . . . No. 2. A farewell. G (d—e). . . J. 0. D. Parker. lelections from the Oratorio of St. John. lo. 1. Eye hath not seen. Contralto. F gL—d) . . . . . . . . . . . . lo.) ethnic mighty Sop. C(c-—b) u tab ~ eh (J L“’.‘:* E. W. Parker. Slumber Song. Ab (eb-—eb) . . Wedding Song. Bb g—eb) . . Goldilocks. E (d#— . . . _ Op. 14 No. 1. Love’s hase. A (e—g# . . No. 2. Night Piece to Julia. Eb( -g) No. 3. Orsames’ Song. D (d--e). . There is a land of pure delight. Sacred. Gb (c—eb) . . . . . . Rest. Sacred. Gb (db-—fb) . . . I‘. A. Porter. Op. 8. True Love. Db (eb-—gb) . . 0 Memory. G (d—e) . . Love’s Touch. Bbmin. (f-—gb) . . . In May. Db (f——gb) . . . . . . . . Earth in heavenly rest. F g-—f) . The Answered Prayer. G ( —e). . “Seven times four. G (g—-g) . . . . . . . Slumber and rest thee. Sop. Violion obli- gato. D (b—-e) . . . . . . . . . . Martin Roeder. Shall we roam, my Love. C (d-g) . . Unspoken. D (e—f# . . . . . . . . . To the Night. Bb (d-—eb). . . . . . Love’s Strivings. Gb (db—eb) . . . . . My spirit is of pensive mood. Eb (c—f or g) Op. 59. Four Songs. No.1. Dost thou know? Eb (e—f) No.2. Warning. Eb (eb——f or g) . No. 3. Confession. C (cl$—-f or g) . No.4. Cupid’s Song. F (f—f). . . Mrs. Emily 3. Roelofson. Christmas Lullaby. Cmin. (c—eb) . . . . Op. 15 No.1. The Sands 0’ Dee. Cmin. (g—eb) . . . . . . . . . . No. . Sea Shell. E (e—a) . . . No. . As through the land. Fmin. c—- . . . . . . . . . . No. . I leaned out of the Window. Amin. ( No. . From the close shut Window. C min. (c-—f) No. . Carpe Diem. Eb (eb—eb) . No. . 0 heart, my heart. G (d—g) A. Rotoli. Eveningdltest. Sacred. Sop. or Ten. in G ( —g) . . . . . . . . . . . . . . — Mez. Sop. or Bar. in F (c—f) . . . . —- Cont or Bass. D (a—d) . . . . . . . Our King. Sacred. Sop. or Ten. F‘ (f—g) . —- Mez. Sop. or Bar. D (d—e). . . . . — Cont. or Bass. C (c——d) I‘. Rudolphsen. Break, break. F (f—-g). . . . . . . Chas. Salaman. Of thee I fondly dream. Db (c—gb) Jan Saxe. Look down. Bb (d—-g) . . . . . . . Bird’s Love. F (d—f) . . . . . . . At the window. Eb (e$i—-g) . . . . L. L. Soalfe. Beyond all lights. A (e—f#). . . . . . . Exultation. Db (eb-—ab). . . . . . . . . Sidney Seymour. . Only a Song. C (ﬂl or b-e). . . My Love is gone. Dmin.(f——g) . '. At my feet. Eb (ab or c—eb). . -. Her King. F (c—g) . . . , . . Over the Mountains. D (d-—g - u u o o e e a u e o e Wilson G. Smith. . Shadow Song. A (b—a) . . . O Beauteous Maiden, Whither? G (d—a) Op. 22 No. . My Bonny Lass,'Marie. Ab eb-—g . . . . . . . . . . No. . Cradle Song. C (d—f) . . . Templeton Strong. Op. 38. Three Songs. No. 1. %hall I smile or guileful glance. (e——d No.2. Come, Ah come, my life’: do- light. Eb (eb- No. 3. Philon (While t at the Sun) E (dt-—-f) . . . . . . . Op. 10 No. No. Arthur W. '.l.'ha.yer. Clover Blossoms. Sop. or Ten. Db (db-4 b (¥b—d or f) . . . Supplication. Sop. or en. E (e-—gI) . —- Alto or Bar. Bb (bb—-d) . . . My Love. Sop. or Ten. . —AltoorBar. ).... . The Helmsman. Alto or Bar. Cmin. (g-——d) The red, red rose. Alto or Baritone. Bb bb—— . . . . . . . . . » Break,(break, break. Db (g—-eb). . . Somebody. Mez. Sop. Amin. (e——f) . Pictures in the sky. F (c—- . . . The Winds are hushed. Db (db— ab) . I know not where. Sop. Eb (d—g) . — Alto. Bb (a-—d) . The quiet moon upon —-g . . . . . . . . Only a Song. Db (db—-ab). . . . The Milkmaid. Bb (f-—f) . . . . My.Swete Swetyng. Eb (bb—eb) . Beware. A (ct-—d) . . . . . . . Go, hold white Roses. E (e—a) . Good Night. Db (eb~—ab) . . . Chas. E. Tlnney. Art thou Weary. F (c— Bird of the Wilderness. g) . . By the Sea. Contr, or Bar. Eb (bb—-eb) . The Keeper of the Keys. Bass. C (c—c). Peace I leave with you. Sacred. A (e—gb) Rock of ages. Sop. Fmin. (c——f) . . . . — Cont. Dmin. (a—d) . . . . . . . . . Vain Quest. Cont. or Bar. E (b—c8—-e) . The time I’ve lost in wooing. Eb (bb—eb) . Gustavus Tuokerman. O! that we two were maying. C (dﬁ--g) . The Windmill. Bass. Bbmin. (f--eb). . . Vinoenzo Vennini. The Floweret (Il Flore). G (cl?-—f8 or g) . Malinconia. Eb eb——f) 0! were Iblesse (S’io fossi un Angelo). Eb (l.~b—eb) Thee will I love. ([0 t’amero). Ab (eb—f) Oscar Wail. Op. 10 No. 1. In Autumn Herbstfriihling) Gmin. (d—-g . . . . . . . No.2. Spring Song (Friihlingslied). G ——b The same with Violin obligate . . . . . . Op. 11 No. 1. When the day is done(Abend- lied). G (d--f). . . . . . . No.2. Devotion (Die helle Sonue svheiut). A (e——g) . . . . No.3. Farewell (Abschied). Amin. (en Ase) No. 4. Autumn Blossoms (Die Nach- knospen). Bb (f—-a). . . . No. 5. .-\\'e hlaria C (e—g) . . . Arthur Weld. When the sere leaves fall. F (c—c) . . . Floweret barn in the Hedge row shade. Bb (d— ) . By the Bronk’s side. ' . . . . Attraction. C (e—a . . All things to-day. ( f) . . . . . Six Songs to Words by Rennell Rodd: No. I. To—. Eb (bb—eb). . . . . . Lyric. D (e-—c) . . . . . . The Daisy. G (d—g) . . . . The Sea Swallows. D (d—-eb) . Vain Dreams. Eb (eb——f). . . Love’s Reproach. E min. (e-e) Mary E. Wood. Heart's ease. F . ‘A Wild Rose Gb (e—gb). . . . A Souvenir. Cmin. (c—eb) . . . Blossoms. D (d——-ft) . coo Courtship. G (c—d) . . How many times do I love. Eb (eb——eb) . MargeryDa.w.A My Own. E (e--g) . . . What would you bu ? Ab (g-—eb) . . . . That sweet day in une. Eb (f——g) . . . The turn of the Tide. D (a—-(I). . . $%§i‘:°~%-"3-‘:3’ 2883382
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Date: n.d.
Text: //L ‘( i \ mﬁﬂg 0: m§I”3S / I / X‘ x6$ . 7 ¢../\ > I ..r—-\ I ' }’l// I" /,'’‘//////’/'/_i’ ///‘ /I,"////////II/N /I}:,$‘/// /,/// S/.'.= /x}/// LON/IDON1 (J3-RAMER'.'*W,OOD §?c 09 AND LAM BORVN COCK-& c9 ,;,, .~ /////'\ /2/'/,",///’ n/7 /we 01./Pf//.'/V’/4; /’}tz///’/////I}///.s'. MUSIC LIBRARY VASSAR COLLEGE .~. /- ' . _ /— v_\ / V 2/ Z“\ ’ . \ TPE WRECK _OF THE HESYERUS. II'rz'(tch by H. W;'wLang...
Show more//L ‘( i \ mﬁﬂg 0: m§I”3S / I / X‘ x6$ . 7 ¢../\ > I ..r—-\ I ' }’l// I" /,'’‘//////’/'/_i’ ///‘ /I,"////////II/N /I}:,$‘/// /,/// S/.'.= /x}/// LON/IDON1 (J3-RAMER'.'*W,OOD §?c 09 AND LAM BORVN COCK-& c9 ,;,, .~ /////'\ /2/'/,",///’ n/7 /we 01./Pf//.'/V’/4; /’}tz///’/////I}///.s'. MUSIC LIBRARY VASSAR COLLEGE .~. /- ' . _ /— v_\ / V 2/ Z“\ ’ . \ TPE WRECK _OF THE HESYERUS. II'rz'(tch by H. W;'wLang‘fwllvn1'. Composed by J. L. Half .21. 941.1. E.GR,O. _ 'I‘o‘1o1«:’ .‘:‘:€ ‘It was the schooner Hos__pe_;nIs,'l‘hat 'P,I.u1 .N‘() E 0 R T E. ' ‘V mi’ And the Skipper sai l’d -in sea; Nu.’ lime dat1gh-tér, '1‘: bear him" cmn-pa-_ny. Blue were her eyes, as the V’ V fai -_ry flax, er ‘ e the €_iawn'of‘ "day; And her be white as the Z“"“\\ / T. ,h§1w.,;__thorn buds ‘ in I the month ‘of. . May. Hw~uern-R. _ .. ;-. \ V mohth, Am! I ‘4 K ' . . I . .n .1 P m» .1. ...P _. .s .1. _h .h L? .. ...I. N .\ J I; he stood befgside‘ _the ._he lm I/' Elk ‘i’ ‘pp or did blow 'l‘he~‘s1nu.ke now west, now south. watch?'(l how the Veerillg flaw T hon I Z /)L| If!‘ ‘Br, Had sai|’<[ the ‘Spanish niailr, Old up and spake an Sai-_l a hur___ri_-_.c-ane. |,a,<4t pray thee, ut in_.to 0n-der on, Fox‘? fear night the moon had a 0ld_en ri But‘ to—night no moon we smote a-.._mai11 The ves_--s0l in-F shu‘dder’d and paus’d } E} like a fr‘ight_,e_ad. steed, Down C-cune the storm. and’ - its ‘ strength; Fu'r1ns0. en leap’d her ca__b|é’s > H:-xpvrcu j\ 1‘ F’ I Come-hbiihér! come hither! my ‘Iit_tlVe daughﬂér, And \./ not tremble so; For can ‘weather the r0ugh_est gale, T\h~-at e_ver the wind did blowl fa__ther! hear the church—bell rihg, say what may it be?”“’Tis a A 9,. f0gf' 1 On a I‘0Ck—boImd coast, We,must steer for e open sea’.’ \~_/ ‘H -xpurn-. . {I V y it be?” But the fa_-ther answer’d say what ma va ’ /9/9' col a 12006. -01- W V. Lash’d to the helm, all never a word, A f1'u-zen corse was he. ‘ T stiff and stark,With his pale face‘ to the skies, The l.ah‘_ter_h gleam’d through ‘The falling snow On his fiX’d and glas_sy eyes. H~~.*.\wrI'.~, Then the maid-enA clasp?! Ifelj liahds, and prayyd That saV-ed she might /I J\ I :1 . \ I she thought of HIM, Mhnv stiII’d the wavvs I I I _I I W) V Tempho . r I I r I I II. I V I. v. I But fast through /the m1d..-_n1g [. «r I I -0 -OI-' -0 Tempo. dark and dréar,. I ’ .t 0 whistling sleet and sheetfed g ost, the bark swept on T t e’ reef of “N0rman’.s woe”. . . . . ores}: ‘i ff'”‘I”-“’- I Ho! the breakérs J 5 rattling s}nf_0uds all sheuthd in ice,VVith the nmsts,We11tby t] e board; I H0! 1 e stove and sank-, 3 glass, I ,1» V ssel‘ 0 Llke a L‘\ He>.<V-Prux . ‘ "./:1.N"D.»1.}VTE.~' At day—break.on‘ the; bleak seja~beaC}1, V, A 'fish.erman stood a--- ﬂ3"““-‘ the form "of a maid-_--en fair, Float I L on a drift_--ing mast. The salt sea Was ' fro_'_-_zen V her-breast, The salt tears in her eyes; 1' J + was the *m'<=(*k of Um; Hes_;__pe-_rus, In ‘flim- ﬁr . ,5 ./‘I (I ag io . mi<lm'ght and the snow‘. Oh! Save” US_ all from a death like this, On tlw’ /:\ ./Jdaggio. V 8: of “T\'0rmeu1's , Old Clock on the Stairs (The ' *Shepherd’s Winter Sting (The) ...- . *Night Journey (The) . . . SELECT MADRIGALS, GLEES, SONGS, DUETS, &c. ARRANGED AND EDITED BY THOMAS OLIPI-IANT. Madrigals, &c., by R. L. Pearsall. *1 saw lovely Phillis . . . . . . 4 voices . . *The Hardy Norseman . . . . *Great God of love . . . . ‘ . . *0 who will o’er the downs (in F) . . *0 who will o’er the downs (in C, for male voice ) *Take heed ye shepherd sivains . . ‘ . . *Wh0 shall win my lady fair . . *When Allan-a-—dale went a hunting It was upon a spring-tide day . . Spring returns . . . . *N_vmphs are sporting . . *Why with toil thy life consuming . . ,, . . Separate parts, 3d. per page, are published to those marked * . . . .:=~.J>cns>.;:i;><ma=-.~i>ooi«l> saw»--wwzozototzzzotov--_o. A Selection of Madrigals in Score and Parts. Down in a ﬂow'ry vale (in A & F) 4 voices C.Festa 1 Stay one moment . . 4 ,, T. Oliphant J In going to my lonely bed R. Edwards 1 Come again, sweet love . . J. Dowland 1 Lady, see on every side L. Marenzio Hard by a fountain . . H. Waelrent All ye who music love . . B. Donato Ah me ! where is my true love? F. Anerio My mistress is as fair as ﬁne J. Bennet In the merry spring . . T. Ravenscroft Out, alas! what should I say Anonymous To pitch our toils go we Anonymous When April deck’d . . L. Marenzio Under a willow lying . . O. Vecchi Fair May Queen . . L. Marenzio O sweetly sleep . . M. Pierson T’other morning very early Thibaut Strike it up, neighbour T. Weelkes Songs by J. L. Hatton. Laws of the Sea King (Vikingabalk) . . What is life? . . . . . . Wreck of the Hesperus (The) . . Simon the Cellarer (new edition) . . Dream, baby, dream . . . . Blind Boy (The) . . Blue Bell and the Fly (The) Day and Night . . . . Vogelweid the Minnesinger . . . . Herrick’s Letanie . . . . . . Fair daffodils we weep to see . . . . Autumn reﬂections . . . . Cloris, now thou’rt ﬂed away (Amintor’s Well-a-day) Garland (The) . . . . . . Goldsmith’s daughter (The) . Cxiblkl-Pll3c;q_C>OwCI'li5l‘-§H>Hk|§vl>ll>~>P . . 2 . I . Z I I2 (oi-did!-I-202»?!-‘l\3“'-‘P-"‘ Hope . . . . . . Linden Tree (The) . . . . Maureen. . . . . . Meeting and parting . . . . My days have been so wondrous free Nun and the rose (The) Reaper and the ﬂowers (The) Sailor’s Best (The) . . Seasons of life (The). . Streamlet gently ﬂowing The silver moon (Serenade) ’Tis midnight (To my taper) Twilight. . . . Walter the Woodman Weep no more, thou sorry boy *M'ysterious Serenade (The) *Chapel (The) . . *Window Curtain (The) *Mother and Daughter *Greenwood Concert (The) *Dying Swan (The) . . *Gardener’s Song (The) *King’s Daughter (The) *Repose . . . . *Youth by the Brook (The) . . *Violet (The) . . . . *King Sifrid . . . . *Robber (The) . . . . *Roe (The) n o°-.oou.oo.oo- *Poet’s Grave (The) . . . . . *Mountain Shepherd Boy .. . . it Those marked have German words also, and were originally published under the pseudonyme of CZAPEK. Simon the Cellarer Quadrilles, from Popular Melodies, composed by J. L. Hatton. Arranged by C. Coote l€N>t\'>i\?l\3l\'>N>l~33~3t\DtxZJl\')t~3ZO(\9l\Dl\'JZOl0fQb9Z€>Z€ItOl~3l\9l\9KOl~3l0l0lOlOl\91\3lOZCl°l-'l\5°3lot°N3l*3C°°31\3°3 on o :~‘~ cnoocuooonmo:ooovmammocacao:ocnouoosooouonocncncnoaonoacaommocucacscaoocao o®®®®O®®O°°¢”°~’°‘°°°°°®“ 09°’ °°°’°°‘-75°‘ Om Four-part Songs. 0 peaceful be thy slumber (also in Parts) . . Fair Lady Anne . . (ditto) Nymphs are sporting (ditto) The Urchin’s Dance . . (ditto) The Hunt is up . . (ditto) Summer Eve (in F or A) (ditto) When the smiling May returneth (ditto) Weber . . Joyful at the close of day . . . . De Call . . The mist is rising (Chorus from ‘ Euryanthe ’). . Weber , . Volunteer Chorus, “ Up rouse ye ” . . Weber . , Now the Curfew Bell hath ceased (S.A.T. & B.) Kreutzer Welcome spear and shield . . . . Werner . . Rosy-mantled spring _ . . . . Miiller . . Thro' yon lattice—window . Eisenhofer Let me not hear . . Winter , , Sing and drink, boys Lorenz . . When despairing Cupid Seyfried 8. Mendelssohn 2 Mendelssohn 2 Pearsall . . Hatton . . Hatton . . Hatton . . xoysx \o~/9 N; (4; 5,) yo (\'>ON>n—»--ts'>t\'>t~')R\'J Q mic: on oc:o>c:®c:®O>OOO>?~ J os. Haydn. Ariadne. A Cantata . . . . . . 5 Maiden fair (Liebches Madchen), Comic Serenade (Three voices) .. .. .. .. 2 0 Hymns for Four Voices by G. P. L. Da Palestrina. Five Numbers, or in a Set complete . . . . 6 0 Separate parts, 3d. per page. Songs and Duets by Mendelssohn. Fair Lady Anne . . *'I‘he ﬁrst violet . . . . *Fancy’s dream (The Journey) . . Garland (The) . . . . - *How can I sing (Duet) . . *I stood alone beside the mast (Duet) *Maid of the Ganges (The) . . *Now each creature joys the other *0 peaceful be thy slumber . . *Over the mountain . . . . *Onward still old Time is ﬂying . . , . ""Page’s Song, The (Pagen Lied, or the Savoyard’s Song) . *Slumber and dream (Cradle Song) . . *Suleika and Hatem (Duet) . . . . * Those marked have German words also. - an on o .. ..... . . . . . . . . . - 1020200-|r—|l\')l-‘ZOlOK""N9""l‘3 mcuocamocacaoocaczcao 4 English Songs, &c., by various Composers. Auld Robin Gray (with Introductory Preface) Barbara Allen (Old Ballad) . . Harmonious Blacksmith (The), for voices Lord Gregory (Old Ballad) . . . . O weel may the keel row (Old Ballad with Chorus) . . Sandy and Jenny (Ballad) . . . . Sanderson When ye gang awa, Jamie (Hunting-tower), Copyright editio of T. Oliphant . . . . Leeves. . Handel: Three Duets for Treble Voices, by Weber. Tell me truly, gentle maiden . . Leave me to mourn . . . . Hail to Friendship . . . . no In no no 00 -- Duets for Treble Voices, by F. Abt. *Sunday on the Ocean . . . . *Eventide . . *Rural Happiness . . *The Boatman’s Song *The Woodbird’s Song *Home Sickness . . *The Merry Greenwood Tree *The Early Spring Bird *Not too soon . . _*The Wanderer’s Song . *The Mariners . . . . Two Duets for Treble Voices, by 0'. Keller. "‘Ah! could I teach a nightingale . . . . *Lovely as the beam of morning . . . . o . u v C»Z>l\')?€-‘Z\:2lOlx'JZOt\'J(\'Jl\'>2o ©G>C3O)O)®O>®O)G9® o o u o no on o o o o o o . o o a .0 -n ta 2 ..2 Duets for Treble Voices, by Kucken. *The Swallow’s farewell . . **‘My heart ’s in the Highlands . . . . *How mournfully murmurs . . . . *The Hunter . . . . *The Fisherman . . . . . . *Swiftly o’er the wide Laguna (Barcarole) . . * Those marked have German words also. LONDON: ORAMER, WOOD & 00., and LAMBORN COCK AND 00., 62 and 63 NEW BOND STREE .
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Date: 1902
Text: '4 uusLc ununv VASSAR COLLEGI a-ouanxszn-sac. new vonK \ no M \f A 4_ . I \ A 434' TO MISS HELEN MILLER GOULD. eggs 0 THE BROOK AND THEWAVI; _j_.,',L POEM BY HENRY W. LONGFELLOW Set to Music BY HENRY J . LAUTZ. op.zL.N91. sown/mo on renon m D. Price 50¢ M MEZZO-SOPRANO on matron: IN C. jX1{THUR P. §crg~nDT. 9 . BOSTON, LElPZ|G, NEW YORK, 5 St. I36 Fifth Ave. ~ cw”;/an /yozayumw P 5:/mm/c ~___— g THE BROOK AND THE WAVE. The brooklet came from the mountain, As sang the bard of...
Show more'4 uusLc ununv VASSAR COLLEGI a-ouanxszn-sac. new vonK \ no M \f A 4_ . I \ A 434' TO MISS HELEN MILLER GOULD. eggs 0 THE BROOK AND THEWAVI; _j_.,',L POEM BY HENRY W. LONGFELLOW Set to Music BY HENRY J . LAUTZ. op.zL.N91. sown/mo on renon m D. Price 50¢ M MEZZO-SOPRANO on matron: IN C. jX1{THUR P. §crg~nDT. 9 . BOSTON, LElPZ|G, NEW YORK, 5 St. I36 Fifth Ave. ~ cw”;/an /yozayumw P 5:/mm/c ~___— g THE BROOK AND THE WAVE. The brooklet came from the mountain, As sang the bard of old; Running with feet of silver Over the sands of gold! Far away in the briny ocean There rolled a turbulent wave, Now singing along the sea beach, Now howling along the cave. And the brooklet has found the billow, Though they flowed so far apart, And has filled with its freshness and sweetness That turbulent, bitter heart! Henry W Longfellow. 1, L - :- I A ‘.9 . $ '5 A.P. S. 5736- 5 To Miss Helen Miller Gould. THE BROOK AND THE WAVE. (DAS BANCIILEIJV UJVD DIE WELLE.) poemby E HENRY W. LONGFELLOW German translation BERTIIA RAAB. by HENRY J. LAUTZ. — Op.4. N91. The Das 0072 Pedale p dolce E L} brook_ let came from the moun ‘_ _ tain, AS sang the bard Bzic/2. - [em musclz— te vom Ber - - ge, ln’s blu - - men. 7722' - 0/Le /3‘\ — ning with feet la’ - 0/zen Mu _ A Poem used by spec2'alpermissz'an of }[oughtzm,Mzfflz'n cf 6'0. Copyright 1902 by Arthur P. Schmidt. A'P' S‘ 5733 ' 5 Public Performance. Permitted. ver the sands of tier den gold - mm >11 g2'tal Far - a-way in the/bri _ my [/72 _ ge_.9t2’¢'71z rollt’ zmd b7'aust’dz'e {' >agz'ta in \ .4=:_/___"/_ ~ rolled V a tur - bu-1ent fer - - ner gm! - le7z-r1e1/' f can fuoco Now sing - inga_1ong the sea - beach,_ Now Bald t(}'n - te 2'/M‘ Lied am 0' - /'e7',_ Bald . p e.sy7re.s*s. A.P. S. 5736-5 ling a - 1ong_j__;_ the sz'e auf salziiu - .. memder \ . ,2 f mam. M72 00//a Mae 1) atempo ﬁg "3 (L tempo And the brook - let has found the Umi das Biich - [em es famd die />2’:/3/\ d poor) o7"e.s'a “temp” mf- \2 \_/ ‘J \/ - bil - low, Though they flowed so far a - part, W6 - ge, 1)z'e so fen: ma’! 2'}; — rem S0/amerz, p espress. ‘ filled with its fresh - ness and sweet - - ness That tur - bu_1ent, bit - ter goss set". me Fm’ - so/ze und /In - - mm‘/L Ins stair- mzlsclze, bit - t’re . ' >. espress. >. A1’. S. 5736-5 i fa tempo And the brook - let has found the ' _ low/Though they Und das Bic/z _ lez'nVes fami die ‘ _ ge, Die so \_/ L! f a tempo maestoso — _ flowed ' so far a - part,____:_. And has filled with its fresh - ness and fem mil‘ 2% - _ rem Scimzerz, Und es goss sez'-ne Fri _ solze and 13 >7-2'2‘. _ ness That tut- bu—1ent, bit - ter An - - - mat Ins stair- mzlscﬁe, bit - t’re fh com/ﬁe p rit. maremlo 7f_#' 6550771190 , dzluendo et. rit \./ A.P. S. 5736-5 7 I \( SELECTED SONGS from the Catalogue of ARTHUR P. SCHMIDT Boston. _ L Paul Ambrose. . 17. The Shoogy-Shoo. Two keys each . 18 No. 2. A Spring Song. Two keys ea. .19. The Lotus Flower. Two keys ea. Mrs. H. H. A. Beach. .19 No.2. Ecstasy. Two keys. . each .37 No. Fairy Lullaby. F (e-fora.) . .43 No.2. Scottish Cradle Song. Cmiu. -) . . . . . . . . . . . . . . My Lassie. Ab (eZv—a'z>) . W. Berwnld. ".15. The Approach of Spring. Waltz Song. Bb (c-a). . . . . . . . E .43 No.. Arthur Bird. .36 No, 5. When Katie tuned the old Guitar. Two keys. . . . each John Hyatt Brewer. Sweet! (The Swallows’ Song). Two keys ea. Op. 39 No. 1. Rockabye Dearie. Two keys ea. Op. 39 No.5. There’s everasoug somewhere my dear. Two keys . . . each Dudley Buck. The Village Blacksmith. C (atheb) . . . Geo. W. Chadwick. Allah. Two keys . . . . . . . . each Sweetheart, thy lips are touched with ﬂame. Two keys. . . . . . . . each The Rose leans over the Pool. Two keys ea. 0 Let Night speak of me. Two keys each Theo. Chandon. An old Love Song. G (<1-d) Mrs. C. F. (Ihiekering. In the night she told a story. D (d-ft) . (E. Whitney Coomhs. Child of the Dark Eyes. Two keys Once at the Angelus. Two keys . . Charles Dennee. In Dreamland. Two keys. . . . . The Sandman (Lullaby). Two keys The Thought of You. Two keys. . Steph. A. Emery. Op. 24 No.1. Somebody (Scotch Song). D (d-f) Op. 33 No.2. Burst, ye Apple Buds! Bmin. (ft-gt) . . . . . . . . . . . . Arthur Foote. Op. 13 No. 2. I’m wearin awa’. Two keys ea. Op. 26 No. 2. Love me ifllive. Two keys ea. Op. 43 No. 3. Sweetheart. Two keys each Op. 43 No. 5. Up to her Chamber Window. Two keys each An Irish Folk Song. each each each each each Two keys . . each Albnn Forster. The Hour will come. I.) (d-f) . . . .. . In Spring. A (('.-f). . . . . , . . . . . J Henry K. Hadley. Op. 7 No.3. Kathleen. Two keys . each No.6. Greeting. Two keys. each Op. 14 No. 1. Dear, when I look into thine eyes. Div (b-f). . . . . . . . Op. 14 No, 4. I dreamed of a Princess. ‘ D!) (c-f) . . . . . . . . . . L_/Lsx Through the long days and years”. Two keys ea. .40 .60 .40 .40 .30 >32 New York. T J. H. Hahn. Break, break, break. Two keys . . each Love me if I live. Two keys . . . each The Proposal. A (db-e) . . . . . . . . E. W. Hanscom. My Secret. Waltz Song. Eb (d-ab). . . Victor Harris. In Springtime. Two keys ea. The Blackbird. Two keys ea. Georg Hensehel. Spanish Serenade. Two keys Reinhold L. Herman. Op. 37 No.2. A Little Summer Breeze. F (C :4) Op. 41 No.1 Op, 41 No.6. Gipsy Serenade. Two keys ea. Op. 13 No. 1. No. 6. each W. Herinann. Op. 49. The Time of Roses. A (dt-g or a) Edw. Bun-lingame Hill. Five Songs for Children from the >>Round Rabhit« . . . . . . . . . .n. Mildred J. Hill. The Perfect llay. D (_c-fit) . . . . . . . Love’s Paradise. I) (h-fll) . . . . . Helen Hood. A Disappointment. E (e-e) . . . . . The Violet. Filmin. (cil—fil) . . Nath. Irving Hyatt. Op.4 No.1. Marguerite. Two keys No.2. Beneath Thy Lattice. keys . . . . . . . . . . Ilayton Johns. Because of Thee. D (d-g) Marie. G‘:> (d-gb) . . . . . . . . . . . Love’s Revelation. D (d-f). . . . . . . ' Jules Jordan. A Life Lesson. Two keys each Margaret R. Lang. My ain dear Somebody. F (f-f). . . . . Irish Love Song. Two keys. . . . each An Irish Mother’s Lullaby. Two keys each Frank Lyne. (Companion Song to »He was a Prince«) Two keys . . . each Marie. Two keys each ’Twa.s my Heart. Two keys. . . . each If all the dreams, we dream. Two keys each Thy Picture Two keys . . . . . each Dreams. Two keys. . . . . each W. Manse. The Awakening of the Rose. Violin Oblig. Edward Mac Dowell. Deserted and Slumber Song. (eb-eb). Thy Beaming Eyes. Two keys each A Maid sings light and a Maid sings low. Twokoys. . . . . . .. each Four Songs. Complete. Two keys each 11. Three Songs. Complete. ,. . . . . . .n. Hugh W. Martin. When I behold Thee. D (ell-g) My King. Bl» (c-at») 9.3? as Leipzig. 4 John W. Metcalf. Absent. Two keys . . . . . . . . Sunrise. Eb (d-e) A Dream so Fair. A Keepsake. Two keys. . . . . . Homer A.’ Norris. Twilight. B (b—e) . . . . . . . . . . . Geo. B. Nevin. The Boatswaiu Bold. D (a—d) . . . . . . Edna Rosalind Park. The Nightingale and the Rose. Two keys ea. A Memory. Two keys . . . . . . each Thy Name. Two keys . . . . . . each Alice Locke Pitmun. A (e-e) . . . . . . Th. Podherlsky. The Wanderer’s Song. Ah (eh-g). . . . Carl Reine(-.ke- On the Strand. D (e-ft). Violin Oblig. . Dance of the Dragon Flies. E (d—g). Violin Oblig. . . . . . . . . . . . . Franklin Wing Biker. For Love of Her. F (c-f) ["11 never cease loving Thee. Confession. Clara Kathleen Rogers. Confession. Amin. (c-e) . . . . . . . . The Clover Blossoms. F and A (c-filor a) Jas. H. Rogers. The Moon shines pale. Two keys . each Frank E. Sawyer. The Night has a thousand eyes. F (f—f) . Spanish Romance. 0 (e-a) . . . . . . . Sch. B. Schlesinger. Up to her Chamber Window. Two keys ea. Longing. Db (c—e’2 or glr) P. A. Schnecker. Bass Solo. Dmin. (a~el2). Chas. P. Scott. Only a Ribbon. Ballad. Two keys each Robin Goodfellow. D (a-e) . . . . . . . I-‘. N. Shaokley. Ere the moon begins to rise. Two keys ea. Softly blow, ye scented l>1'eez<:S (Serenade) Two keys . . . . . . . . each Thos. G. Shepard. To the Night. :>l\rIe«. Geri-It smmu. Bee Song. A (e-ft) Alpine Rose. B‘? ((1-f) . . . . . . . . . ‘Arthur W. Thnyer. Clover Blossoms. Two keys. . . . Only a Song. Db (db-ab) . . Gust. Tnckerman. . The Windmill. Bass. Bbmin. (f-eb) . . Max Wei]. C (e-g) . . . . . . . . each Love’s Captive. A Cycle of Songs . . . . . . . 11. " .40
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Date: 1917
Text: 33 E? E. Phi‘;0mc"i HfV!'4".‘..:',.‘..[\’=. .‘,;21'..-xii. Imsah .M.:~: g>:.;::.»:.x‘E«.:~/4 3V'»'L'J;vv.: mm. mia. -' '“i\‘TIE §_.UL\I¢,2‘v‘?‘1,l.(>'»‘u" j NE;.'w" ‘.‘{"-C’3Ex’i':\?'.: ilH1“s.'“L«, EL ].’9H.'£"fr5*..T!‘A‘-3 éir I.,a.}¢. L'u‘;"§€'I.-‘\u;;a}. ¥..“2’€'.'i>{‘*h {iv §M’i..:X5_."§’ music: LIBRARY VASSA-R COLLEGE YE VOICES, THAT AROSE , 1 - Ye...
Show more33 E? E. Phi‘;0mc"i HfV!'4".‘..:',.‘..[\’=. .‘,;21'..-xii. Imsah .M.:~: g>:.;::.»:.x‘E«.:~/4 3V'»'L'J;vv.: mm. mia. -' '“i\‘TIE §_.UL\I¢,2‘v‘?‘1,l.(>'»‘u" j NE;.'w" ‘.‘{"-C’3Ex’i':\?'.: ilH1“s.'“L«, EL ].’9H.'£"fr5*..T!‘A‘-3 éir I.,a.}¢. L'u‘;"§€'I.-‘\u;;a}. ¥..“2’€'.'i>{‘*h {iv §M’i..:X5_."§’ music: LIBRARY VASSA-R COLLEGE YE VOICES, THAT AROSE , 1 - Ye voices, that arose After the evening/s close, And whispered to my restless heart repose! Go,breathe it in the ear > Of all who doubt and fear, And say to them.,'1Be of good cheer! V’ Ye sounds, so low. and calm, That in the groves of balm V Seemed to me like an ange1’s psahn! Henry I/I/Fzdswort/z _L¢mgfell0w (from the French) 5-’! 50"72079 — 3 From Me Franc/1 mngmaz 311% Al») CECIL BURLEIGH HENRY WADSWORTH LONGFELLOW Op. 32, N0 3 Very slowly; with deep feeling (lg 40 orfslower) FT’! VOICE Ye voi — ces, that a Af'—ter the eve — ninge 2 And Whis—perH to my rest— less heart re — pose! z'ncrea.s*e ‘ —e breathe it ' the ear Of; all who doubt and mcrease -=./' And say to them,__ “Be /X 3?: 5“ Copyright NICMXVTI by Oliver Ditson Company International Copyright Secured 1%’ Ye sounds, so low and calm,.__ = n That in the groves of balm __________ Seem’d to me... like an an — ge1’s ,5: : : " r- Seem’d to me like slower K The Musicians Library The masterpieces OF song and piano literature edited by men of authority SONG ’ VOLUMES ' ISSUED Foi-HIEI1 Voice For Low Voice Ediiedby JAMES HUNEKER Edited by WM. FOSTER APTHORP Edited by HENRY T. FINCK Edited by DR. EBENEZER PROUT Edited by DR. EBENEZER PROUT Edited by WM. FOSTER APTHORP Edited by CARL ARMBRUSTER Edited by HENRY T. FINCK Edited by W. J. HENDERSON Edited by JAMES HUNEKER Edited by JAMES HUNEKER Edited by CARL ARMBRUSTER Edited by CARL ARMBRUSTER Edited by ERNEST NEWMAN Edited by HENRY T. FINCK Edited by DR. CHARLES VINCENT Edited by PHILIP HALE BRAHMS, JOHANNES FORTY SONGS FRANZ, ROBERT FIFTY SONGS GRIEG, EDVARD FIFTY SONGS HANDEL, GEO. F. SONGS AND AIRS HANDEL, GEO. F. SONGS AND AIRS JENSEN, ADOLF FORTY SONGS LISZT, FRANZ ' THIRTY SONGS SCHUBERT, FRANZ FIFTY SONGS SCHUMANN, ROBERT FIFTY SONGS STRAUSS, RICHARD FORTY SONGS TCHA'I'i<OvSi<Y, P. I. FORTY SONGS WAGNER. RICHARD LYRICS I WAGNER, RICHARD LYRICS ii S Iii WOLF, HUGO FIFTY SONGS FIFTY MASTERSONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS VOL. I (BEMBERG TO FRANCK) MODERN FRENCH SONGS VOL. II (GEORGES TO WIDOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (All Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS L II Er III SONGS FROM THE OPERAS IV G V For I‘IIgI\ VOICE For Low Voice Fcrr High Voice For Low Voice For High Voi¢¢ For Low Voica £*.'3v‘.-.$v‘5$v’;:'5v‘.-3 For High Voice For Low Voice For I‘II${I'\ Voice: For Low Voice vi? For High Voirc Ior Law Voice For I*'IIs>,I\ Voice I*'Oi Low Voice For Higiiw Vmcz For I,\Iv/ Vuice Fur I‘II;:Ii VC'iiL‘P, Poi Low \/(JILQ For Soprano Fvt‘ Tenn! For Bunion: and Basis For Hi*,Iw \/OICC For Low Voice For I"I_ii.II Voice For Low Voiuc Fi».— F-I.»,_ii Vote: In): Low \/OlC¢ For HIEII Voice For Low VOIC¢ For High Voicc Fix Low Voice Edited by ' PHILIP HALE {:5 I19 v‘.°*vi':i‘r¢;‘v€-5:’£i.‘zv‘.-f5t‘.:?iv7:t‘iv‘:'5>‘.-E Edited by CECIL SHARP Edited by GRANVILLE BANTOCK Emmi by GRANVILLE BANTOCK Ediied by HELEN HOPEKIRK Edited by JULIEN TIERSOT Edited by WM. ARMS FISHER Ediwd by GRANVILLE BANTOCK Edited by RUPERT HUGHES Fdimi by H. E. KREHBIEL Editedby H. E. KREHBIEL For Medium Voice 8 C For Medium Voice & Fcr HICII \/‘nice For Low Voice For High ‘I/mitt: For Low Voice For Medium \/(MCI! For Hiri.Ii Vcicc for L.0V'\ Vmuz For Medium Voice For I‘Ilf.'II Voice For Law Voice For Sopiisno For IVI¢Z7I)<S0Dl&.I'\O '0.’ A to Far Taiior For Baritone nnd Bun f.-Tv§§t‘!:3ﬁv‘$f$v“;3&% v‘:i‘vv‘:3i‘.°.5is‘.*%v‘;.'5v‘.-.§b‘.:.5i’;‘3i‘:.‘vv‘5 ﬂ iﬁﬁﬁf5§.%$€:§E%€:§&5&%&%&%&¥&%ﬁt§.t§ COMPLETE LIST OF’ PIANO VOLUMES FREE ON REQUEST Each vOIume in heavy paper, CIO[I'1 back, $150; in FLIII CIOtI’i,. giit, $2.50. Copies maiIecI post-paid. Other vOIumes in preparation For Free bOOkIet, giving Full particulars and Easy Payriient Plan, send to the pubIisI1erS % OLIVER DITSON COMPANY" BOSTON
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Date: 1905
Text: "'”5'¢ Llamny VASSAR c POUGHKEEps,£-otrLvE4cj"E PRESENTED WITH THE PUBLISHERS‘ COMPLIMENTS N9IINDb N?21ND N‘?3>INEb N?4'INF N‘.’5|NG IJEE ii I ;I mg L ALMS G10 0116 *°‘’’‘ The Word s by LONGFELLQW J“? 41>‘ The music by ROBERT BATTEN. ORGAN ACCOMPANIMENT (A0 LIB) 3'? BOOSEY& Ci 295.RI-:cENT STREE'r,LoNooN.W. AND 9. EAST SEVENTEENTH STREET. NEWYORK. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION...
Show more"'”5'¢ Llamny VASSAR c POUGHKEEps,£-otrLvE4cj"E PRESENTED WITH THE PUBLISHERS‘ COMPLIMENTS N9IINDb N?21ND N‘?3>INEb N?4'INF N‘.’5|NG IJEE ii I ;I mg L ALMS G10 0116 *°‘’’‘ The Word s by LONGFELLQW J“? 41>‘ The music by ROBERT BATTEN. ORGAN ACCOMPANIMENT (A0 LIB) 3'? BOOSEY& Ci 295.RI-:cENT STREE'r,LoNooN.W. AND 9. EAST SEVENTEENTH STREET. NEWYORK. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION, HOWEVER, I5 STRICTLY PROHIBITED. COPYRIGHT I905 BY BOOSEV 8<C9 LIVING PoEMs. COME to me, 0 ye children! For I hear you at your play, And the questions that perplexed me Have vanished quite away. Ye open the Eastern windows That look towards the sun, Wl’l6l‘6 thoughts are singing swallows, And the brooks of morning run. ln your hearts are the birds and sunshine, In your thoughts the b1‘ooklet’s ﬂow, But in mine is the Wind of Autumn And the first fall of the snow. Come to me, 0 ye children ! And whisper in my ear What the birds and the winds are singing In your sunny atmosphere : ’ For what are all our contrivings And the wisdom of our books, Wllell compared with your caresses And the gladness of your looks ? Ye are better than all the ballads That ever were sung or said ; For ye are living poems, And all the rest are dead. LONGFELLOW. Living Poems. Words by Music by . LQNGFELLOW_ ROBERT BATTEN. Andante sostenuto. fh Voic e . con Moderato. Come to me, 0 ye chil — dren! hear you at‘ your ques - tions that per- - plexed me . Va — nish’d quite Cojbyright, 1905 by Boasey o - pen the East - ern Win - dows look towards the Where thoughts are sing - ing swal - lows, brooks of morn— ing . In your hearts are the birds... and the sun - shine, In your thoughts the brook- 1et’s..... flow, Living Poems. mine is the wind of Au — tumn And the first fall of the f 1) ﬁoco rall. hBut in mine is the wind of - tumn And the ? F h V calla voce. Living Poems. . “ I- § 1 1! 3 birds and the winds are sing-ing In your sun - ny at - mos - cresci For what are all. our con — tri - vings Living Poems. «ha-e'<suv*!“*" 19” - dom of our books, When com- pared with your car- - , . )4.—.,,_w.~.\,_ ....~;.m,,.,_, calla voce. And the glad - ness of your looks? >- >- bet- ter than all....... the ...... .. bal - lads - er were sung or. ...... .. Living Poems. with ent/zusiasm. the rest are Ye are bet - ter than all the - lads That )- jfgen. I rail al inc. said; ‘ And >- >} c [la voce. ‘ff 0 rall a! fine. Living Poems. NEWE SONGS BY CEIJEBRHTED COMPOSERS. PRICE SIIILLINGS EACH, NET. Sung by MADAME CLARA BUTT. MY AR\I_FOLK. LAURA G. LEMON. No. 4 in G. i‘- _ﬁ__.; worms BY WILFRID MILLS. No. 1 in DI7. No. 2 in El). L: 53 I77 I I I I I I I I ‘I [Id I I I I I II I- A I I J A g a ‘I I I ' I’ " I I I = C .I_L Dedicated, 53/ S/ﬁtdalfzrmissfon, ta H.R.H. PRINCESS HENRY OF BA TTENBERG. Sung by MP. IVOR FOSTER. THE LIEEEBAT MEN. WORDS BY MUSIC BY F. E. WEATHERLY. STEPHEN ADAMS No. I in BI7. No 2 in C. No. 3 in D. _._i.._.I__ _._i.__._. _E_‘..j_. Eit V’ ra L% ﬁ—L4—m+4—b J1 d'4d Iltt I’ C ‘ 4} | C j I - 41 I ‘V ‘I I Il(1| —lI IIJ I Id T l 1 ' "' -5» 1‘ 1 Far frae my hame I wander ; But stillmythoughts re - turn To my ain folk o -wer yonder, In the (U! Vtrsz.) Far frae my hame I wander ; But still my thoughts return To my ain folk ower yonder, In the sheiling by the burn. I see the cosy ing e mist abuiie the hrae: And joy and sadness mingle, As I list some auld-warld lay. And it's oh I but I’m longing for my ain folk Tho’ they be but lowly, puir, and plain folk: am far beyond a, But my heart will ever be At hame in dear auld ocotland, wi' my ain folk 1 Copyright, 1904, by BOOSEY & Co. Sung by Madame CLARA BUTT. MY TEEISURE. MATTHIAS BARR. No. x in F. Music BY JOAN TR EVALSA. No. 2 in G. No. 3 in A. G On - ly a baby small,Di;pp'ClIromtheskies; On - ly a laughing face, Two sun-ny eyes; (13! Varu.) Only a baby small, Dropp'd from the skies; Only a laughing face, '1 wt) sunny eyes; Only two cherry lips, OIIe chubby nose; Only two little hands, Ten little toes. Copyright, 1903, by BOOSEY & Co. Sung by Miss EVANGELINE FLORENCE and Madame BLANCHE MARCHESI. THE SWEETT THE YEAR. wonns BY I Music BY KATHARINE TYNAN I-IINKSON. ALICIA ADELAIDE NEEDHAM. No. x in BI7. No. 2 in C. No. 3 in D. Q ‘P’ : In - i . AI ' ' d E I 3 I 7 7 Because it is the sweet 0’ the year, the sweet 0' the year, There's white and yellow on (In Vtrst.) Because it is the sweet 0 the year, There's white and yellow on vale and hill, The hlackbird sings at his darling's ear, He has gotten a new gold bill I When birds are merry and have good cheer, And roses nod in the garden bow'r, Oh, then it is the sweet 0' the year, And love and the world in ﬂowerl Copyright, 1904-, by BOOSEY & Co. Sung by Miss LOUISE DALE. IF I BUILT A WURLD FOR YOU. WORDS BY HERBERT FORDWYCH. No. I in C. Music BY LIZA LEH MAN N. No. 2 in El). No. 3 in F. I .._._Ijr-—. _9g_.___.._..-_j._ 1° 41 ‘I ‘J P C For it's Out they go when the sig-nal comes, Out from the thund'ring shores. 'Tisn't the pay that (is! Vtrsa.) When the wild wind blows by day or night, nd you are safe at home, Are you thinking then of the Lifeboat men Watching the hungry foam ‘I Quitting the toil that gives them bread, Leaving their babes and wives, Ready to go when the word is said, Ready to give their lives. For its out they go when the signal comes, Out from the thund'ring shores, 'Tisn't the pay that makes them stay Gripping the straining oars; It's the Spirit of Love from Heav’n above, Working in what they do ; Think of them, then, women and men, And pray for the Lifeboat crew. Copyright, 1904-, by BOOSEY 81. co. Sung by Miss ADA CROSSLEY and Mr. GERVASE ELWES. NOW SLEEPS TIIE— CRIMSON PETAL. wonns av TEN NYSON MUSIC BY ROGER QUILTER. No. 1 in ED. No. 2 in F. No. 3 in GD. ,,_ I‘ I I Lid 19 i\ ub -‘‘\III-) I N-1 7- .l ,_~I_ 5 -I 7‘ . I’ § . i$E4=——‘'~-~‘'——Ir-v—t:—‘*—‘I.—‘'—|I-4—p—d \/ white; ———¢=—-F'—9—0—"—'3-n—p—p-H H-4*L~ ti Now sleeps the crimson petal, now the Nor waves the cypress in the pa-lnce (15! Vtrse.) Now sleeps the crimson petal, now the white ; or waves the cypress in the palace walk ; Nor winks the gold ﬁn in the porphyry font: The fire-ﬂy wakens Z waken thou with me. Copyright, 1904-, by BOOSEY & C0. Sung by Miss LOUISE DALE and Mr. H. LANE WILSON. INDIAN 133331‘ SONG. wonos BY LAU RENCE HOPE. No. 1 in E Minor. Music BY AMY WOODFORDE'FINDEN. No. 2 in G Minor. _._1__ I am waiting in th des-ert, lool<—ing out towards the sun- set, And counting ev - 'ry (xst Vern.) I am waiting in the desert, looking out towards the sunset, And counting every moment till we meet; I am waiting by the marshes and I tremble and I listen Till the soft sands thrill beneath your coming feet. Copyright, 1903. by BOOSEY & C0. Sung by Miss ADA CROSSLEY. CUPID AT_Tf1E FERRY. wonos BY Music BY CARYL BATTERSBY. EDWARD GERMAN. No.1 in F. No. 2in G. No.3in A. AI ‘*1 - ,..7’ I I I v I I I I I.I 1 In mi 1 I I I ‘L I '0 I lid I’! I ..I pi - I A R: ‘ ‘ {VITA I 4 U 3 AH . I ‘I _ If I built a world for you, dear, If I built a world for you,— Iwould make the land of (u-t Vern.) If I built 2. world for you, dear, If I built a world for you,- I would make the land of pop-corn, And the sea of morning dew. I would make the breeze of whispers Of lovers as they woo,— In the world I built for you. Copyright, 1904-. by BOOSEY & Co. ‘Tun IT: I- P rm? I- I- -J I "I 1' I , c I A? I y L I .1 I _ ‘I V _’ Cupid at the fer-ry cried : “Who with me will go. . . . Where beyond the flowingtide Lovers‘ garlands (xst Verse.) Cupid at the ferry cried: “ Who with me will go Where beyond the ﬂowing tide Lovers’ garlands blow? Fairy songs are sounding there. Fairy breezes play ; Leave, 0 leave this world of care, Lovers, come away !” Ah 1 Ho I lovers, ho l Ho! ho 1 say who will go Where the zephyrs of Loveland blow ; Say who will go Where light the zephyrs of Loveland blow ! »- »- I P P I I _ Ir I I7—r—r Copyright, 1904-, by BOOSEY & Co. BOOSEY & 00., 295, Regent Street, London, W., and 9, East Seventeenth Street, New York. BOOSEY & CO.’S New and Standard Songs and Ballads. PRICE TYSIO s1-IILLINGS E1-Ycx-I NET. The Compass of the ﬁrst Key only is given: from this the Compass of the other Keys can be readily found. STEPHEN ADAMS THE LII-‘Ei;OAT MEN, B7, C and D IVHEN I WAS ONE AND TWENTY, F, I GandA7 .. .. THE BU RTLY GAY, E7, & G THE VET'ERAN’S SONG, C, D, E781 F NIRVANA, B7, C, I), and E7 THE CITY on LIGHT, C, D, E7 &F EVER so FARAWAY 137, C, D andE7 IDLE IVORDS, C, D7 and E7 . . THE YOUNG ROYALIST, B‘), C & D THEMAID OF MALARAR, D, E7,E 55]?‘ THE LIGHT Ob‘ THE WORLD, E7, | F,G,a.ndA7... .. THE STARS OF NORMANDIE, C. 1 D, E7 and F .. ) THE‘ VALLEY BY THE SEA, E7, F 8.11(I,»_G . ., _ . .; THE HOLY CITY, A7, B7, C & D7 THE ISLAND on DREAMS, C, D, ) E7,a.ndF _ .. ..) BY THE FOUNTAIN, E7, F and G. . dF .. .. E7.F,l C.D7.u_ MONA, C, E7, E an THE STAR OE BETHLEHEM, G and A7 . . . . . p THEY ALL LOVE JACK, D, E7 and F THE GARONNE, E7, F, G and A7 THE MAID OF THE MILL, E7, F,l Ga.ndA7, .. .. ..}' THE OWL. B7, C and E7 .. THE ROMANY LASS, A7, B7 and C THE LITTLE HERO, B7, C and D CHILDREN ON THE CITY, D and F GOOD COMPANY, E7, F, G and A THE MIDSIIIPHITE, B7, C and D NANCY LEE. C, D and E7 THE TAR’S FAREWELL, D and E7 THE BLUE ALSATIAN MOUNTAINS, ) D,E7n.udF.. .. ..)' FRANCES ALLITSEN THER‘E’s A LAND, D, E7, F & G BREAK, DIVINER LIGHT, Duel, \ E7 and F . . . OH! FOR A BURST O1" SONG, A . . LIRE As THE IIABT, C and E7 THE LORD Is MY LIGHT, B7, Cl and E7 . .. I A SONG OF THAN1(SGIVI.\'G, C, ) E7,Fa.ndG.. . ..; ERIC BARING THREE LIGHT LY1tIcS.No. 1 A’ No. 2 AUGUSTUS BARRATT MY SHIPS, C and ' .. .. TI-IE MERMAID, E7, F and G. ROBERT BATTEN , PEACE AND REST, A7, B7,C IV D7 ATRIL MORN, B7, C and D A WOODLAND MADRIGAL,B7,C & S\VEE’I‘J:ZS'1' FLOWJv:R, A and D7 A. H. BEHREND CROSSING THE BAR, D, E and F. . THE GIFT. C, E7 and F .. . DADDY, F, G and A7 FREDK. BEVAN THE EYERLASTING DAY, E7, F,] G and A . . . . .. I THE FLIGHT OF AGES, G, A7,} B7 and C . . .. ‘ J. BLUMENTHAL SUNSHINE AND RAIN, F, G an LEWIS CAREY. NE.\RER, MY GOD, T0 THEE, F. G!_ a.ndA7 .. .. .. .. FREDERIC CLAY SHE WANDERED DOWN, C and E7 GII-SY JOHN, D and E .. ..\ FELIX CORBETT BUTTERFLIES, G and A7 .. IN THE TIME OF ROSES, D7, D], and E7 . . . . . . ) F. H. COWEN BORDER BALLAD, A, B, and ,D.. IWILLGIVE YOUREST, C, D7, E 7&F THE‘ VOICE OF THE FATHER, 1),) E7,E,FandG .. . " THE SWALLOWS, F, G and A‘ .. THE PROMISE OF LIFE, C, D, E7 and F . . . . . . IN THE CHIMNEY CORNER, C, E7 and D (IA 1, J l THE REAPEI{ AND THE FLOWERS, ] E7,FandG.. .. THE BETTER LAND, A7, A and C IT WAS A DREAM, C and E . . GARNET W. COX , THOSE AZURE EYES, A, B7 C & D7 TERESA DEL RIEGO LAND OF ROSES. D. E7 and F L. DENZA CALL ME BACK, A, B7 and C J. AIRLIE DIX Compass of 151; key. C to D B7 toE7 CtOD CtOE7 BtOD B7tOD GtOE At0E7 DEOE UtoE7 Ct*.oE GtoC CISOE7 CtoE B7toE7 CtOE B7 toE7 AIJOD At0D AIIOE7 AtOCﬁ CtOD GLOF B7toC B7 toE7 B7 tOG B7 tOF CﬁtOC,’f AtOD B7 tOC CtOD B7 toD7 Bq toD AtoD CtOF CtOG AtOD DtOE B7tOF CtoE GtOE A'00C# CtOF AtOC BtOD B7‘ooE7 B7toE7 BtoD Cj;toE AtoD BtOE THE TRUMPETER, F, G, A and C AtoC Sung bv Jliss Ruth. Vincent J12‘. Iv/'0')‘ l*‘o.s~2‘er (J11: Z<3dwaI'd Lloyd {:0 Mr. Ben Davies J11‘. Amlrew Black Miss Jlayg/ie Davies Md:/Le. Clara Butt Jlr. A uclrew Blacl: Mr. Jack Iiobertsovi Mr. Edward Lloyd Illdme. Alice Gomez Mdme. Belle Cole J19’. Edward Lloyd Mr. Ezlwa.rd Lloyd Mdnur. Alice Gomez Mr. Edward Lloyd J! '. .ELl’wLl7‘(l Lloyd J17‘. lllaybriclc M1". Erlwarcl Lloyd J11‘. ]a'¢l'zc¢u'd Lloyd i’|[r. Ma;/briclc Mr. E¢lwzml Lloyd I112". Jluybriclc M 1'. J11‘. J11‘. J17‘. Ill ‘. Edward Lloyd Jluybriclc JIa_1/briclc Santluy Edward Lloyd l I11 dme. .—llI»a.m'. and Cl ﬂldnw. (Jlara Butt fM(lnLL'. Ulara Butt 1 (13 J11’. If. Rlluiforil Jl1clHte. Glam. Butt Miss Add Ur'Os.s-lc_z/ Jlclnw. Clara Butt Jlclznc. Clara Butt J11‘. 1'4‘. Rliualow Jltlma. Clara Butt :1 ll 1JLLI'iloI1es Jldme (.'lr.u'¢i Butt J1 iss Iv,‘1:rui. Flore/ice Miss Louise Dale Mr. H. Lana Wilson .11d.nie. Ant. Sterling Jlcluie. A mi. Slerl-iuy Jlduze. Belle Cole Jldnw. Bulle Cole (Mme. A. Sterling &' {Miss Add CrO.s'sl€y Miss Ada Crossl(.',1/ I Jlrs. Jlary Davies Mr. S(L1Lll(’]/ Miss Evzm. Florence Mdme. Clara Butt jlllr. K. Jlumford LC‘ llllr. Ivor Foster Mdme. Clam Butt Mdrrie. Clam Bull Jliss Evan. Flmvmco (Mule. Belle Cole IL‘ \M/Izc. Clam Butt Mdme. Ant. Sterling; Mtlnw. Ant. Sterling Jldme. Ant. Sterling M1‘. Whit1v’lh Mitto/L Jldme. Clara. Burt EDWARD ELG-AR LAND on HOI’E & GLORY, B7, C A WAR SONG, C and D .. . . THE PIPES OI‘ PAN, G, A and B .. COME, GENTLE NIGHT. C, D 8.: VVHERE CORALS LIE, (NO. 1) D, &] B miJ1., O‘: (NO. 2) F, & D min. 1‘ AFTER, F, G, and A minor IN HAVEN, C and E7 SABBATH MORNING AT SEA, B7 & C ARTHUR FOOTE IRISH FOLR SONG, E, F and G .. A. SCOTT GATTY WINTER, D, E and F .. .. GALLANTS OF ENGLAND, A7 & B7 &D APART, . . . ROTHESAY BAY, E7 .. . . PLANTATION SONGS, Vols. 1, 2, 3 & 4 (Six Songs in each), 2/- ea. EDWARD GERMAN CUPID AT THE FERRY, F, G and A DAEEODILS A-RLOWING, C. D, E')&F LOVE, THE PEDLAR, D, E7 and F W'Ho’LL RUY MY LAVENDER, C,i D and E . . . . . . I IN THE MERRY MAY-TIME, G & A7 G. PERCY HADDOCK THE SOUL’s AWAKENING. E and G BATTISON HAYNES FF To PHILADICLPHIA, C and D. . G. HENSCHEL SPRING, F and G .. . . AMY E. HORROCKS BIRD AND THE ROSE, E7, F and G CLAYTON JOHNS . I CANNOT HELP LOVING THEE, B7, ) C and D . . . . . I A. L. THE SWISS GIRIJS LAMENT, D7,} E7 and F . . . . ._ . I WHEN LOVE IS KIND, F and A7 .. LOVE ME OR NOT, E and G .. LIZA LEHMANN SNOWDRORS Duel. NOS. 1 &' 2... THE CUCROO, C and D . .. THE SWING, C and E7 . . . . IF No ONE EVER YIARRIES HE. C IV D MUSTARD AND CRESS, D7 and E7 YOU AND 1, B7, C and D .. S. LIDDLE SONG OI‘ THE SONS OVERSEA, (2,) D7 u.HdE7 . I .. ..)’ ADIDE WITH )IF., C, D7, and E . . LORD IS HYSHEI>HERD,C,D,E7&F HOPE OF THE AGES, D, E7, F St G PILORIMS OF THE NIGHT, 1 E7, F, G and A7 } F. N. LOHR MARGARITA. B7, C and E7 HERMANN LOHR THE LITTLE SUNRONNET (Song Cycle), 4/. IF I HAD A DOLLY, B7, C and D . THEO. MARZIALS Go, I’RE’J."1‘1' ROSE (Duet), F & G THE RIVER or YEARS, E7. F and G ASK NOTHING MORE, D, E7 and F LEAVING YET LOVING, E7 and F. . THE MILLER AND MAID, D,) E7,aI1dF .. .. ..l TWICIIENHAM FERRY, E7 and F.. CONSTANCE MAUD ' DOWN HERE THE LILACS FADE, G, A7 and C , . . A LIFE LESSON, B7 and C JOHN W. METCALF. ADSENT, E7, F, :31 A7 .. SUNRISE, F and G.. . . RANK L. MOIP, DOWN THE VALE, C, D7, E7, F ) and G . . .. . . . ,' DOWN THE VALE. Dual. F s.ndG THE SONGS THE CHILDREN SING,] D,E7a.ndF.. .. ..)‘ CHILDREN ASLEEP, D and F . . ONLY ONCE MORE, E7. F and G J. L. MOLLOY NEVER Go To SEA ON A FRIDAY,] B7,Ca.ndD.. .. THE CORIPLEAT ANGLER, E7, F. J GandA7 .. _ .. THE CARNIVAL, C, D7 and E7 . . I‘IO2\I1£. DEARIE, HOME, D, E7 and F LIGHTHOUSE KEEPER, C and D .. THE THREE BEGGARS, C, D and E LovE’s OLD SWEET SONG, E7, F and G . . . . . . TO—MoRRow WILL BE FRIDAY, E7 and F . . . . . . . ., BOATSwAIN’S STORY, C, D, & E7 THE KERRY DANCE, E7 and F . . LONDON BRIDGE, D and E Mr. Robert Rcidford DARBY AND JOAN, F, G and A Compass Of; Ist key. . BtoD CtOE CtoE C$toE B’aoE Gf:OD .EptoFjl; B? to E7 B7 toD B7toE7 BtOD CtOE7 Btol) B7toE7 AtOE ‘, B7 to E7 B7tOC EtOF AtoC BtOI) BLOD BﬁtoF CLOD B7 to E7 BtoE AtOD Sung by _ ‘jlclme. Clara Butt Mllme. (Ila.m Butt 1117'. .(Ill1.lI‘("ll‘ Black .11 dme. Clara. Butt Illdnw. Clara Butt JD‘. Pluizlmzt Greene Jlclnic. Clam Butt Jldme. Clara Butt Miss Louise Dale Jldnic. Alice Gomez JIISS Ada. (,'1'os.sly1/ Miss Ada (7ros.sle_I/ Jliss Alla Crass-icy I Miss Era. FloI‘ence (10 Jliss I.ouI7se Ulllt’ Miss Ivlnan. Flureiwe Jldlle. Nikita Jlr. Plunlcet Greene JIiss Em/uz. Florence Miss Evan. Florence _l Miss Jlarie [>’2'cma [<0 M7‘. Ivor Foster Miss 1a'z‘a1i. Florence Jliss Liza L(’ll7)lu‘ILII All Baritorws {M'dm,e. Ulcira Butt [I0 J17‘. II’. Jlumfartl Jliss Louise Dale Jliss Louise Dale Jliss .l',ouI'.sr‘ Dale Jlr. Ilenis ()’Sulliv¢m Jliss Louise Dale III)‘. I{ul1a7't li’(1dfoI'd J/(llllﬂ. (Ilrrm Butt ﬂllss I-lolliimlzar Jliss Ada Cm.»-slay { Jlr. Ben 1)a.vies J11‘. Tllos. Illunlas J11‘. E(llU(lI'¢l Lloyd I.Jliss A«lzi(‘ro.s'sle_1/zl' I J11/Io.FloI'eucc]>ril]/ ljlrs. Jlary Jhwics 1 Ll’: Jldllc. Irebclli Jlr. l?urringl.. Foote J11: BLl)"I‘l}l[/l. Foote Mrs. Illary ]):,wics illrs. lllary l)a.1:'ies [ Jlmc. 1I'irl.'l)_z/ Ixlmn 1 IL"il1i.»'s E.’1'l:or1iton llldnia. Ant. Sterling _lM1'xs E. Tlzornlon 41) |J11'.’»'s Jlabel l>’r1LiI:.e> lllr. Wliit. Jliltou. All I'oiz:es. All l"0I'<:ﬂ.x* Jltlme. .1121. Sterling Mr. 'l.'lIoniu..s' Il'l2onia..~' JIissAlical|Iolterzvay Bliss ,-I lice Illotterway Elldnw. Ant. Ste1'l'ln_q Mr. Barrilzg/t. Poole Mr. Bu1')'im)l. Foote Mdme. Ant. Sterling Mr. b’m‘ri1lgl. Foote J['r. Santley Mr. Illa;/l)rick Jldme. Ant. Stcrl'in_(; EDWARD MURRAY THE NIGHTS, E7, F, and G ECHOES, A7 and B7 . . ALICIA A. NEEDHAM BARLEY SHE.-IVES, D, E7 and F THE FAIRY’s LULLABY, E7, F, G and A7 . . . . . . HUSHEEN, B7, C and D .. ERNEST NEWTON AILSA MINE, C, D and F HAROLD PARSONS. WHAT DOES LITTLE BIRDIE SAY ‘R C, D and E . . C. PINSUTI THE LAST WATCH, D, F and G .. PRINCE PONIATOWSKI YEo,\IAN’S IVEDDING SONG, G, A1 and B7 . . . . . . ,' SAINTON-DOLBY. Mme. OUT ON THE ROCKS, D7 and E7 .. WILFRID SANDERSON. GOD THAT )lAI)1<)S'I‘ EARTH AND I HEAVEN. D7, D, E7 and F ..j J. SARGEANT BLOW. BLOW, THOU WINTER wIND, 7 B,Ca.ndD .. .. ..l ARTHUR SOMERVELL CYCLE OE TWELVE SONGS from Tennyson’s ‘Maud.’ Price 5/»} MINE OWN COUNTRY, E, F & G.. . H. SQUIRE. LIKE STARS AROYE, B7, C and D THE HARBOUR LIGHTS, A and B] (Duet .. .. .. ’ NFORD l 1 ) . . C. V. STA AN IRISH IDYLL, in Six Mini- atures. Price 4/- I’LL ROCK YOU To REST, E7, E & F TROTTIN’ To THE FAIR,C,D,E7 &F BEAUTIFUL CITY or SLIGO, F, G, l A and B7 . . . . |' MY LOVE’s AN ARBUTUS, A7 and B7 .. .. FATHER O’FLY'NN, A7,B7 and ARTHUR SULLIVAN THE LOST‘ CHORD, E7, F, G,} A7a.ndA .. .. MY DEAREST HEART, F, G, A7 & B7 ST. AGNES’ EVE, B7, C and E .. LET ME DREAM AGAIN, C, D and E7 SLEEP, MY LOVE, D7, E7 and F ONCE AGAIN. I) and .. GOLDEN DAYS, D, E7 & F LOOKING HACK, D mid F . . VVILL HI-1 COME? D, E7 and F HOPE TEMPLE RORY DARLIN’, E7 and F ‘ THOUGHTS AND TEARS, C, D7, E7 and F . . . . . IN SWEET SE1~'TI:I1RER, D, E 7 ihlld F MY LADY’S BOWJI F and G FOND I'.IF,A1{'J',FAliEWELII,C ,I) 7&E 7 AN OLD GARDEN, G, A7 and B7. . ‘VHEN WE MEET, F, G and A A. GORING THOMAS VVINDS IN THE TREES, C, E7 & F CLAYTON THOMAS A CHINA TRAGEDY, G, A7 and B7 JAPANESE LOVE SONG, F, G, & A7 WING TEE VVEE, A and C JOA.N TREVALSA. MY TREASUIIE, F, G and A H. TROTERE THE DEATHLESS ARMY, A, B7 & D Go To SEA, F, G. A7 a.n<I C KATE VANNAH . MY BAIRNIE~— NO. 1, B7 & D7; N0. 2, C II’ E7; NO. 3,D K’ F R. H. WALTHEW ELDORADO, C and 1) . . . . GLEANER’S SLL'.\IBER SONG. E7 85]?‘ FRED. J. WHISHAW VAINRA’s SONG, F and G . . MAUDE V. WHITE KING CHARLES, F and . . . LOVE ME, SWEET, D, F 3,n(I G .. CHARLES WILLEBY , A FAIRY LOVE SONG, D and E7 A GARDEN SONG, D and F H. LANE WILSON (AHICANGED BY) TINRER’s SONG, B7 and D7 THE PRETTY CREATURE, F . A. WOODFORDE-FINDEN. FOUR INDIAN LOVE LYRICS | Price 8/-}' INDIAN RIVER SONG, B7 and D.. INDIAN DESERT SONG, E & Gr min. KASHHIRI SONG, B7, C and D VERSES, B7 and C TILL I WARE, E7 End F 1+‘, G, n_ I C I l Compass of 1st Key. .E7tOE27 CtOE7 Ato D B7120 E7 B7120 D CbOD AtoE DtOE CtOD A7tODQ A7 to E7 Ff to D For high A: low Voices. B7’ to E7 B7 to D C to D C to D A7 to B7 B7 to E7 A to F CtoD AtOE ALOD to D to C A A B7 to E7 E7170 C B7 to E7 B7 I:o.F CLOC C$tOD Ato'E GDOD .Bb to D9 CtOD For high & low Voices. B7 to D B to E B7 to D C to E7 CboE7 Sung by Mclme. Clam Butt Jltlme. Clara. Butt Mdine. Clara Butt Miss Louise Dale Jldmza. Clam. Butt All Tenors and BI(‘)'llUIIeS llliss Euaii. 1"loreIwe Jlr. lv,'¢lu;urd Llu;/«l L111‘. Sau.Ile_:/ [lI'i.ss .-lrlu. (}ro.s-..-/cg/ zlliss I<.'dnu 1'/iorulou J11’. Plunlrct GI'I.’L'II('t J17‘. l’Iuuk4:l Gre/um 1' HI)‘. 'l'l1onmsTl1onms >( It" .711‘. ll’/z1'.t.I1littu/i _l xllkli/1a.('l«rra Butt IL" (Mr. Ken. l{um_/'urd lllr. Plunlwt Gwclle Miss Ada (7mssll'_I/ Jlr. Plmilrei Grown: Mr. Plulzlcct Gweizc J11‘. J11’. I-’luuIcct G/Tune Na Iltley jlldme. Ant. Sterlilli; jlldme. Clara Butt Mr. Ben, Dltrim ﬂltlilw. 0. Smnuell Jldme. Belle (Joli: J11‘. Sunflcy fllrs. Illary l)u1'i:!.- yﬂliss I11. I)u1;ies ((2 [Miss Ru!/i Vincent The CU)Il])()a'('l’. Mzlrlle. Clara Bull All 13m-iro/res All B(ll'llUIl€.s' ( Jldme. Lillian 1 Blauvelt D17‘. 1"1‘a.1zlcl'i-n. Clive Miss Ada Crossley Jldme. Alice Gomez Mr. Plzmltet Greene Jldme. A lice Gomez llliss Ada Crossle_1/ Miss Ada. (lrossley 317'. H. Lana Wilson. Mi‘ H Laue Wilsoii Jlliss; 1.(r11-isle lmlc llliss xllizze I'Iolliv‘n1lm' in public without fee or licelllse-~ *9‘ The above Songs may be sun , , The public performance of any parodied versions. however. is strictly proh1blted« ’: BDOSEY & 00., 295, Regent St., London, Music Publishers & Band Instrument Manufa,ctu1°ers~.~
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Date: n.d.
Text: < \ ~.—.«,—-«_ _-e;»—‘>j~—" ‘- ~ ._,—’ ‘ _ _, ..—.~«~rx ,‘ ‘ ‘ ~ < gr \‘ Music Composed by a g *- f \ 5 g "J§"W/‘a/”“IJIE ROSE BUSH.“ \' , ji « \_.J“ P7: 2,5 mm: V-'*»—--4"‘--3' --3» . -« 1' - » - »~ ~»_._ .. _ , . , W . N .\CA .,...,.;,. MUSIC LIBRARY L.::,._‘~ - an I »_ _ DREARY £2 VVOI-ds by Music by H. W. LONGFELLOW. FAUSTINA‘HASSE HODGES. Lento. Tempo Rubato. 0"" "wit" The day is 77107 to rit: tempo. -- & and dark...
Show more< \ ~.—.«,—-«_ _-e;»—‘>j~—" ‘- ~ ._,—’ ‘ _ _, ..—.~«~rx ,‘ ‘ ‘ ~ < gr \‘ Music Composed by a g *- f \ 5 g "J§"W/‘a/”“IJIE ROSE BUSH.“ \' , ji « \_.J“ P7: 2,5 mm: V-'*»—--4"‘--3' --3» . -« 1' - » - »~ ~»_._ .. _ , . , W . N .\CA .,...,.;,. MUSIC LIBRARY L.::,._‘~ - an I »_ _ DREARY £2 VVOI-ds by Music by H. W. LONGFELLOW. FAUSTINA‘HASSE HODGES. Lento. Tempo Rubato. 0"" "wit" The day is 77107 to rit: tempo. -- & and dark and drea-ry, Dark and . It rains andfhe ‘PP clings to the mouldering wall, And at ev — ry gust ......... .. the dead leaves /-T A } And the day ................... .. 0071 €Sprc.s‘.s': rI't.- m047to. /;\ My life cold and dark and dreary, Da1~k\and ary, It rains and the PP ritard molto. /3\ L ne — ver wea_ ry, Ne - ver We.a— ry, My thoughts still cling to the mouldering past, And the hopes of youth ......... .. fall thick inthe And the day ............................ .. is can energia. hind must L; sad heart and cease re—piI1i11g, Cease re — p —ing, A the cloudsis the sun still shining, still ................................................. .. shining, Thy fall, Some days {T is the common fate of all, Into each life some rain must f y be dark and dI=ea—ry, Dark and drea 1' LU
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Date: 1913
Text: MUSIC LIBRARY vAssAn COLLEGE Bani-_pnop-s.-_‘. . . . 9. SONGS VERNON SPENCER Thou art so like a ﬂower ( Du bist wie cine Blume) 5 The Sea hath its pearls (Das Meer hat seine Perlen) 5 Out there the dune 5 In the home town (In der Vaterstadt) 6 Summermght (Gefunden) 6 At the cradle (An der Wiege) 6 Night gossip (Nachtgeschwiitz) 4 Consolation ( Trost) 5 Good night (Cute Nacht) 5 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON The sea hath its pearls, The heaven hath its stars But my heart,...
Show moreMUSIC LIBRARY vAssAn COLLEGE Bani-_pnop-s.-_‘. . . . 9. SONGS VERNON SPENCER Thou art so like a ﬂower ( Du bist wie cine Blume) 5 The Sea hath its pearls (Das Meer hat seine Perlen) 5 Out there the dune 5 In the home town (In der Vaterstadt) 6 Summermght (Gefunden) 6 At the cradle (An der Wiege) 6 Night gossip (Nachtgeschwiitz) 4 Consolation ( Trost) 5 Good night (Cute Nacht) 5 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON The sea hath its pearls, The heaven hath its stars But my heart, my heart hath its love. Great is the sea and the heaven Yet greater i_s my heart, And fairer than pearls and stars Flashes and beams my love. Thou little youthful maiden Come unto my great heart; My heart and the sea and the heaven Are melting away with love. Ilenry Wizdsworm Iongfe//ow Das Meer hat seine Perlen, Der Himmel seine Sterne Aber mein Herz hat seine Liebe. Gross is das Meer und der Himmel Doch griisser ist mein Herz, Und schoner als Himmel und Sterne Leuchtet und strahlt meine Liebe. Du kleines junges Méidchen Komm an mein grosses Herz; Mein Herz und das Meer und der Himmel Vergehen vor lauter Liebe. ﬁ’ez'm-2'0/c Heine The Sea. its pearls (Das Meer hat seine Perlen) English Words by LONGFELLOW ’ VERNON SPENCER German words éy HEIZVE ‘ J:56 The sea V hath its pearls, The heav - en hath its Dds ./lleer ﬁaz‘ sez'- ne J’cr- 1672, Der I{z‘m - me! .s'ez'- me 19 legato ___.._jl mezzo voce ma can fervore heart, my he hath its love. Hem /ml 562' - me la‘ - 53. Great is the sea and the Gross 1'32‘ dds Meer mm’ der flargamente ’ ﬂcon vigore h >- Copyright MCMXIII by The John Church Company International Copyright heav - en ' heart, And Ham — me! Herzl Una’ >> fair- er than pearls__ and stars____ Flash - es and beams scﬁbl mar als 1[z'm- me! mm’ Star - ne [euc/E- fee‘ mm’ sfraﬁlt Inez’-rze >>- > > >- foon e.mZz‘azz'o7ze acce/. - tle youth—ful maid - en — 726.5‘ jam — gas jllzia’ - Mm >>>>'>> fcon fem/are Come Komm B‘. rzf emy 78 un - to my great an mam gros — .963 (1 scz'o/to heart and the sea [1672 mm’ dds ./Ileer > 2'72 ca/zamio } L melt - ing ge/V73 en Are. me! Ver - g‘ V 8672261 Mi.
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Date: n.d.
Text: Iwstc LLLL ARV VASSAR COLLEGE "°'»'GHKEEPsvE. Nu-.' ‘max NEW EDITION OF ,mE11v1MoRTAL SONG TH E Erica ‘ F V Eomdon,4 ﬂ C. SHEARD & C9, l92,H:GH HoLBoRN,W.C. The Village Blacksmith. Pozrnv av LONCFELLOW. MUSIC av W. H.WEIS$. Allegro Moderato. f 71¢‘ Un - der a spreading chest - nut tree The vil — lage smithy stands; T579 mf j \ smith a migh—ty man is he,With ‘large and sin — ewy hands; _/ muscles of his braw ~= ny arms are strong as i - ron bands. .nf hair is crisp, and...
Show moreIwstc LLLL ARV VASSAR COLLEGE "°'»'GHKEEPsvE. Nu-.' ‘max NEW EDITION OF ,mE11v1MoRTAL SONG TH E Erica ‘ F V Eomdon,4 ﬂ C. SHEARD & C9, l92,H:GH HoLBoRN,W.C. The Village Blacksmith. Pozrnv av LONCFELLOW. MUSIC av W. H.WEIS$. Allegro Moderato. f 71¢‘ Un - der a spreading chest - nut tree The vil — lage smithy stands; T579 mf j \ smith a migh—ty man is he,With ‘large and sin — ewy hands; _/ muscles of his braw ~= ny arms are strong as i - ron bands. .nf hair is crisp, and black and long, His face“ is like the tan; Kt V f{“\ brow is Wet with V ho — nest sweat, He earns what—e’er he looks the whole World in the face For he owes not a-ny The Village ' Blacksmith. in, week out, from mom till night, You can hear his bellows blow; You can > nf hear him swing hea — vy sledge; With sex - ton ring-ing the vil -. lags bell Whenthe sun is low. teizzgo. > chil— dren coming home from schoolv Look in at the o - pen door; They The Village Blacksmith . love to see the flam- ing forge And hear the bel-lows roar And catch the burning v_zf>>> "*-'_..=--—~ spa1:ks that fl Like chaff from a threshing floor. He gvoeé on Sunday to the Church and sits among his He hears the par—son pray and p1'eaChHe A hears his daughter’s voice ‘F The Village Blacksmith. Sing-Aing in the vi1—1age _,_ohoir,-..And_it makes his heart re - joice: “xx 10 sounds# to him like her mother’s voice Sing - ing in Pa - ra- dise!.,__ (needs- must think of her once more How in the grave she 1ies:_e_ with his- hard, rough hand he wipes VA tear out of his eyes. _/ / P roolla 2:04-e. The Village Blacksmith. f a lempo. Toil — ing, re -joic-ing,- sor- row-ing, On -Ward throughljfe he morn — ing sees some task be-gun, each eve—ning sees close; Something at - te3mpt—~ed, some-thing done, Has earned. a nighfsﬂ re - pose. The Village Blacksmith .
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Date: n.d.
Text: 1.IN 2,INDFLAT. —— 3.IN ”: CON‘l;F:ALTO - ORIGINAL KEY. BARJJONE SOIJRANO. — TENOR. ' - BASS. I’ MEZZO<5OPRANO. D To Ab . ‘ xi . /‘WEI,’ BbToE_ BTOF. C TOG IIIIIIIW am 80176 wc)rc[S /49 £xOD(c3E?€LLOIlf 97/62.1.5‘ [C ﬁg Z,77zZ*.-Ayzfa .-EZZZ . £0 11 5 on ; M ET z L E R Xe C 9, 42 G/"eaf ,ZI{cz//Z60//Oug/z I957/2eez,‘, II/. M *THIs SONG MAY BE SUNG IN PLIBLICV/ITHOUT PAYMENT OF ANY FEE. NEW IVIU S IC .—- Now READY. AIVIETZLER <3 C°.5 THEMATIC CATALOGUES OF NEW SONGS, DANCE.and...
Show more1.IN 2,INDFLAT. —— 3.IN ”: CON‘l;F:ALTO - ORIGINAL KEY. BARJJONE SOIJRANO. — TENOR. ' - BASS. I’ MEZZO<5OPRANO. D To Ab . ‘ xi . /‘WEI,’ BbToE_ BTOF. C TOG IIIIIIIW am 80176 wc)rc[S /49 £xOD(c3E?€LLOIlf 97/62.1.5‘ [C ﬁg Z,77zZ*.-Ayzfa .-EZZZ . £0 11 5 on ; M ET z L E R Xe C 9, 42 G/"eaf ,ZI{cz//Z60//Oug/z I957/2eez,‘, II/. M *THIs SONG MAY BE SUNG IN PLIBLICV/ITHOUT PAYMENT OF ANY FEE. NEW IVIU S IC .—- Now READY. AIVIETZLER <3 C°.5 THEMATIC CATALOGUES OF NEW SONGS, DANCE.and PIANOFORTF. MUSIC. These Catalogues give a clear description o’Feach songwith the compass.character, and a portion of the words and melodies. The same principle applies to the Dance and Pianoforte Music Catalogues. Intending purchasers can therefore Form a correct opinion of what will suit them. N‘? I. SOPRANO SONGS. N9 4. CONTRALTO SONGS. N‘? 2. TEN.OR SONGS. N‘? 5. DANCE MUSIC. N‘? 3. BARITONE SONGS. N° 6. PIANO MUSIC. N9 7 . VOCAL DUETS&TRIOS. N‘? 8. PIANO DUETS &TRIOS. SENT GRATIS AND POST FREE ON APPLICATION. /1/30 ,/IV/ewlzsts 0/5'acre‘d_ﬂ17Lzsz'c, Viol 2'11, Violin ana,7PiaIz0ﬂ[usL'c, American 0/fgaii aizcifjczrmoniuin Music,Part Songs, G[ees,&c. MUSIC LIBRARY VASSAR COLLEGE At the Sale by Public Auction of Music Copyrights at Messrs. Puttiok & Slmpsou’s ‘on June 4th, HEMTS PIANOFORTE TUTOR was bought by METZLER & 00. for the sum or Three Thousand and Ten Pounds. N E W E I) I T I C) l\T. Aﬂzer the sale of over a. QUARTER OF A MILLION Copies. HEMY’S ROYAL WERE PIANOFQRTE TUTTB The PRESENT EDITION of Hemy’s world-renowned Pianoforte Tutor haa been entirely re-engraved, carefully revised, and largely added to by THE AUTHOR, and we have now no hesitation in pronouncing HEMY’s TUTOR to be the most complete, valuable, and easily understood Instruction Book that has ever been oﬁered to the Public. PRICE FIVE SHILLINGS. Bouna’ in cloth, 43. net. , ‘ I gm as ﬂngel ﬂlndomt Tonal §oImnI Boo]: I. For Bass, Baritone, Mezzo-tenor, Contralto,& Mezzo—soprano Voices. BOOK II. Advanced Soprano and Tenor Voices. Price 53. each book; Cloth, 6s. 6d. each. TO BE HAD OF METZLER & 60., 42, GREAT MARLBTROUGH STREET, W. And of all Music and Book Sellers in the United Kingdom and Colonies. THE ARROW AND THE SONG. Words by . Music by LONGFELLOW. CH. GOUNOD . ALLEGRETTO. shot an in- to the air, . . . . . It fell to it fell to I knew not where; . . . . so swiftly,‘ swiftly '. . . . . ' so sWift_ly, swift _ ly it fol _ low it breathll 21 It fell to W. 6464. The sight fligllt; earth , . . could not in _ to it fell the to knew not Where; For, who has sight. . . . . . . and strong, For, who has sight. . . . . . . and strong, . . That it can fol _ 10W, . . . . . _ ' fol - low. the flight af _ tel‘- Ward, , ' . . . . found the found-the the 211'. row’. , . . -still un _ broke, . And the song. . . . from _ g1'n_ning to V . . A And the song‘. . . . from .A~/{S H V. s 3 1 I :2 - g1'n_ning to end. . found ' a _ - gain, . . found a _ - in the A heart \§\\\\\\ IN KEYS FOR ALL VOICES. iasﬁ @@ § primrose Path BEHREND. V2,), pnpugan Just Pub/2's/zm’. "‘ THE voxcxa: 1 LOVE. _" SUNSHINE FAIR ROVINS LIFE Rem Song by Eaby 2Irthur ﬁill. A YESPER MUSIC ‘bong , GilbertBYBoyce. ' sung by Mr. EDWARD LLOYD. BY . 53”“ %’°“£V BY . Sung ‘by g by BY GARUUNE LOWTHIAN. ““aYbV°k: JOSEPH BARNBY ../ V 7‘ ﬁrmmmmmmmm . .,,,+,..,, ..........n............." A GREAT SUCCESS. l§YDE1V[I,1V[YB1KB COMPOSED BY Words by GEORGE ELIOT. LADY ARTHUR 5>°"sI- - HILL. SONG. MUSIC BY ARTHUR SULLIVAN. TIG-TAG, SONG OF THE GLOGK UNLESS. 3,, Ken) Song by 21. 3. dlatbicott. "‘““‘1“°“° sung by the VISGOUNTESS FOLKESTONE. DAYBREAK SUNG BY EDWARD LLOYD Sung by Miss HOPE GLENN. mm %ong av GALDIUOTT PLANQUETTE PINSUTI nx'r1'n.nn . ‘ ‘ ENTITLED xm-rrn.zn ' Unbidden , ' - First Love Follow Me >319 *3? . S *3}? 911* ? 519 G31]?
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Date: 1887
Text: We ONG To the Rev. J. W. .HAGEMAN, Franklyn A-716. P)’L’\s‘b. Church, Brooklyn. N. Y. THE SLAVES DREAM. (Poetry by H.W. LONGFELLOW.) JOHANNES BRAUNSCHIEDL. Lento non troppo. ﬁg mollo legato. side the un-gath - er’d rice his sic-k1e L‘apyrig‘ht 1887 by G. Sclzirmer. His breast was bare, his A-gain, his na - tive 0021 Béflr. mat — ted hair mist and shadow0fs1oep,He 4 Maestoso. through the land - ger owed; eneI'g'ic0. palm - trees on the plain Once more a king he L 4/’; I'll”....
Show moreWe ONG To the Rev. J. W. .HAGEMAN, Franklyn A-716. P)’L’\s‘b. Church, Brooklyn. N. Y. THE SLAVES DREAM. (Poetry by H.W. LONGFELLOW.) JOHANNES BRAUNSCHIEDL. Lento non troppo. ﬁg mollo legato. side the un-gath - er’d rice his sic-k1e L‘apyrig‘ht 1887 by G. Sclzirmer. His breast was bare, his A-gain, his na - tive 0021 Béflr. mat — ted hair mist and shadow0fs1oep,He 4 Maestoso. through the land - ger owed; eneI'g'ic0. palm - trees on the plain Once more a king he L 4/’; I'll”. strode; And heard the tink- ling car - a — vans Descend the mountain — ,\\ can moto . road . 1) mo/to legato. 3 dark-eyed queen A- mong her chil - dren stand; They clasped his neck, they Ma pooopiit lenfo. the hand! A kissed cheeks, They held’ him by [/71 12000 piit burst from the sleep - e1’s 1idsAnd fell in—to molto rit. P0c0~pi1‘1 mogso -And then at fu—rious speed he rode A - ¢L/y/ ¢ long the Ni- bank; ' ' bri - d1e-reins gold - en chains, And, mar-tia1 Clank, leap he could - hard of A /egg’. e p 12000 .s-taco. fol — lowed their flight, plainswhere the tam - a-rind ,—\ ,«\ Till he saw the roofs Caf - fre huts, And the \L___’J NH [I000 07'!‘/‘S0 . to _view. f.—_=: 3;. J: 71111. e sost. Andante poco lento. memo mosso. A VTTT he heard the hy - ae — scream, %@'@'E=¥ % St/’I77})I’8 ' - er—horse as he crushed the reeds /T 1’ / / side . some — s*___________/,2 Maestoso. And I ' passed, rm paw wit. zzf I/32 animafo. F‘. , ff. Through dream. So.s-tmmto, (2 can espress. 11.11 [SCH 17.11. '8" 7Il()lf() esp:-ess. \-———-—/-em L______j Maestoso. ests, with their i - ad tongues, of the des - gm mlwso . _ ed in his sleep and /’ their tem - pest _ Vu-ous glee. Lento, e molto espr. d not feel the driv - er’s whi Nor the burn — ing heat of _ J4/om riim . For death had il — lu - mined the Land ' ‘ SIeep,_And his life- less A wormout that the bro - ken A £7’ thrown a - way! ﬂ /argwinmzfe. 1,-g',m/‘a]g_ —# 6 ”‘ 7:} semyzre Iiohm, C., In Switzerland. MUSIC FOR THE PIANO, PUBLISHED BY G. SCHIRMER, 35 UNION SQUARE, NEW YORK. ietto, rev. and ﬂu . and and solo ad lib. y A. R. Parsons . . . . . . . . . . . . . . . . . . . . . . . Bach, J. S., Air. from Sultein D, transcr. V l A. R. Parsons . . . . . . . . . . . . . . . . c Bach, E., Solleg arr. for "3". --—- Prelude, Cm. Bachmnnn, G. es (Eingered) . . . . . . . . . . . . . . . Op. 31, No. 3. Marcia isnta " . éltingered.) . . . . . . . . . .. n"ﬁ".'."“1'i'L§‘ 0”‘ 551"“ ‘?.'ii“'Z=,ii""' III‘ e . . p. . ar c.... —-- L’A,urore. Etude mélodiquc . . . . . . . Beethoven, L. v. Minuet from Sonata Op 49, No. (Fingeved.) . . . . . . .. -—— Adieu to the Piano. (Abschlcd an das Klavicr.) (Fingcred) . . . . . . . . . . . . . Bendel Frnn9., Op. 101. L’AFBiCAlN_E. antaisie’ do Cone. -—— Id 1 d’Amour. -—— 3 Improvisations. (Finfered): No. 1. Siegmund’s ove Song. from “ VVALKURE.” (R. Wagner.) No. 2. By silent Health in Win- tertide, from “MEl8‘l'ER8lNGER." git. Wagner.) . . . . . . . . . . . . . . o. 8. Waltheﬂs Prize Sou , in “ Mnls'rnns1Nosn.” _(R. sgner.) Bennett, W. St_., Rondo placevolc, E. . . Bernard, P., Vcnltc adorernus. Christ- mas (Fin cred.) . . . . . . . . . .. Blliema, R., p. 48. wittering or the H Birds. Divertissement. (Flu .)... Boely, Dansc villageoise. (Fingewre ( 'or er Sennhiilie.) ldyi Iloscovitz F., Chant du Matin. Idylle. ——- Les relots. (Sleigh-bells.) Galop (Fmgered. . . . . . . . . ., . . . . . .. . s¢§§3?£o.§"3“ir?lt§m,3 R. Wagner. (Fin}.:ared.) . ronsart, H. v., Field Flowers. (Flag) Inch, 13., Rondo-Caprice, arr. by W. . a as y . . Cni, Csssur Berceuae, Eb. (Pl Delahuye, 3. L., Coiombine. ﬁngered by A. R. Parsons . . . . . . . .. Dclihes, L., Bullet Srnvuz No. 1. Pin zlc i ---— Do. Durand (Fingere ) —-—- Dance of thelii-tlo Girls. (Flugered. -——- Good Nhzht. (Fingered) Gluck, C. W., Gavotte A, arr. by J. Brahms. (1<"ingere.) . . . . . . . . . . . .. Op. 16. he Gavotte, B. ed. . . . . . . . . . . . . . . . . . . . . . .. . . lre)Vaise brill., Ab. (Fing.) ——- Op. 56. me Vslse, lib . 71. 3mcValse(Valse Sérénade), (gingered) 17 ~—- Le Cavalier fantastique. arcarolle, Goldner, W., Op. 47, No. 1. F. inure-red ) —— Op. -l7, No. 2. ng.) -—— ). 47, No. 3. Polonaise, D‘). ('Fingel'ed .) . . . . . . . . . . . . . . . . . . . . . .. -—— Gavotie mignonne (without Oc- tavcs), Am . . . . . . . . . . . . . . . . . . . . . .. —- Gavotte-Canzonette, C . . . . . . . . . . . . . Gregh, L., Les Bergers-Watteuu. Air dc Danse Louis XV. (Fim:ered.). . —— Les Phalenes. Caprice. (Flam). . . —— The Shcpherd’s Pipe. Pnstoralc. . . . Grieg, Edv., Op. 12. Lyric Pieces. (LyrischcStiicke.) Fingcred . . . . .. ——-.2 Norwegian Melodies. No. 1. Wounds of the Heart. No. 2. Spring. Transsr. b E. Neupert.. Kaberlner, E.,O . orwégian Peas- ant ance. Saltarellc Op. 59, No. 5. Prelude, Em. (Fing.) -—— Op. 59, No. 8. Magic Bells. (Fing.) —-—— A legro-Scherzanclo. Fragment. . .. Heller, St., Op. 67. On Wings of Song, lily Me ldelssohn. ( mger .) . . . . . . . . . . . . . . . . . . . . . .. Op. 82. “ Flowers, Fruits and Thorns ": No. 9. Allegretto, E. (Fingered.).. No. 11. Andante con moto, Gib. (Flngered. -— L Avalanche, Am. -——-Bluette No. 2, G. —— Brooklet, G. (Fingered). .. ——- Coqnetterie, Ciim. (Fingered. .. Hill, J., Op. 98. Adagio, G. (Fingered) Hiller, F., Op. 97 Zur Guitarre. Im- promptu. (Finezered) . . . . . . .. . ——- Courante, G’. (Fin cred.) . . . . . . . . .. Hofmann, 11., Op. 11, o. 2. Maytime. (Inn. Mai.) Fingcred . . . . . . . . . . . .. -—— Barcarollc, G. Arr. by R 'l.‘hai1on.. -—~ Eleqie, Ab. Arr. by it. Thallon. . . . Hollaender V., C nzonetla, G. (Ping) Hopekirk, 11., Gavotte, Bm . . . . . . . . . . .. Huss, H. EL, Ballade, F .. Hyllested, A., Valse sentimentale . . . . .. Jadassohn, S., Op. 25, No.3. Vaise,Db. Jaell, A.,Op. 14. La Danse des Fees. Rh lsodie. (Fingered) . . . . . . . . . . Jelfery J. A., Op. 17. Marche joyeuse, Improvisata. I -~— Op. 20. Danse féeri ne . . . . . . . . . . . Jensen, A., O . 17, No. 0. Im Wlrths- haus. (R1 the Tavern.) Finger-ed.. -—— Minuet F, from “ Lieder Tiinze Op. 33-1, (Finger-ed) -——- Serenade, E. (Fingered.).... . Joncieres,V. , Sévénade hongroisc. g.) Kautz, J., Op. 15; Tarantella . . . . . . . . .. Kelley, E. S., Royal Gaelic March (In- trod. to the Banquet Scene) from the “.1/lusic to Mac-bel:h.”.... . .. . , und ,, . . 35 7'5 65 (Fingered.)... 1 25 Morceau brill. 1 00 ‘T 5 1'5 76 ‘I5 35 00 75 95 25 25 60 75 50 60 35 65 60 60 60 50 25 25 60 Ketlerer, E. Op. 285. Corriuu. Bal- let do O elibcs. Valse brill. (Flnlr.)80 75 Kjerulf, IL, Wlegeulled. (Cradle Song.) 25 Klein, B. 0., Op. 19.‘ Scenes de Ballet. Com lets . . . . . . . . . . . . . . . . . . . . . . .. 1 25 . Allegro modsrato, Am. . . . . 2. Allegretto grszioso, Eb. . Vivace non tanto, Dm. . . . Dreams. 5 Lyric Pieces: . Lento non tauto,G 2. Allegro maestoso, I11 .... .. . Tempo dl Valser lento, F. . . . Intermezzo seberzando, G.. 5 nndante more A No. Ii 75 50 60 50 05 65 50 . Suite in G. Co'mpleto..... 2 50 . Prelude. . Theme with Var. . Minuet . . . . . . . . . . . . . . . Elegy . . . . . .. .. . Gnvotte . . . . . . . . . . . . . . . . . .. 2 Morccaux : . . Le Secret d’Amonr. (Dia- logue. . . . . . . . . . . . . . . . . . . . . . . . .. No. 2. Valse-Impromptu . . . . . . . .. —--— Op. 35. 3 Mmtceaux : o. 1. Danse oricntale, F . . . . . . . . . . “ 2. Me’lodie—Etudc-, G . . . . . . . . .. “ 15. Dause bohémienne, Cln.... Klein E.,l.a GIOCONDA. Rant.-Potp.... --—- mm. —-—— 'l‘h«ine Eyes so blue, by E. Lassen. Transcnption . . . . . . . . . . . . . . . . . . . . . Kontskli, A. de, Op. 288. Souvenir dc snsr, uno -—— Op. 817. Steluaaa. (The Star.) . .. . -——- Op. 818. La Sultana. Valse br ll . . . . Op. 321'. 2nd Gavotte. Am. (flllﬁé). Op. 328. An Bord dc 1’OeeZ-an. verle . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kownlski Roses do Bolléme. Valae __ . ngered.) . . . . . . . . . . . . . . . . . 14 La Gazelle. im- promptu . . .. . . . . . . . . . . . . . . . . . . . .. Kuuqk, 631., O1). 22. La Gazelle. (Fin- -—— oE.062'aud 81. Kinderleben: , (scenes in Childhood.) Flngered. 2 Books, eacl —— The same in 'l..... ..- ............ separate Numbers. each -—— Pastor-sic, G. (Fin:zered.). . . . . .. Laoonhe. I», Deuces Pensées. (Sweet Thouizhls. Flngercd . . . . . . . . . . . . . Lambert, A., also-Impromptu . . . . . . .. Lane, (1., Op. 89. Blumenlied. (Flower Sol .) Fingercd ............. .. . -—— Op» 1 4. 5 Sonatlnns. (Flng.): No X. ' No. 2. G; No. 3. F; No. 4. C; o. . G; each . . . . . . . . . . . . . . . . . . . -—— Op. 184. “ Am stlllen Ht-id,” from Mlis-rnnsmona. Fanlaisie. (Fing.) --— Oil. 143. Slegmund’s Love Song, rom Wsnxunn. Fantaisie. (Fiug.) -—-- Op. 144. Serenade. (Gounod) Pant. -— Op. 940. n the Alpine Hui. (Al- penbiltte.) A Swiss ldyi . . . . . . . . . . -— Op. 200. Fabanera, from “ (Lumen ” lust. Transcr. ( nz. . . . . . . . . . -—— Cheertulness. (Frohsinn. . . . . . . . —-——- Evening Chimes. (Abend1iiuten.). . . -——- The little Wanderer. (FllIEel'6d.).. -— New Sprln . (Neuer Friihling.). . . . ——“Ohappv a .” (O schonn Zell.) Songwny C, one. Transcr . . . . . .. ——-- The anderer's Return. (Helm- kehr.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . —- 3'I‘ranscriptlons from “ Tuuu1’A‘U- sun,” Wagner. (Fingered.); No. 1. Pilgrim’s Choms . . . . . . . .. No. 2. O thou sublime sweet Even. o. 3. Lnngey, 0., Op. 37. Mandollna. lean Serenade . . . . . . . . . . . . . . . . . . . .. Lichner IL, Op. 79. FleuretFleurette. ( in cred.) Nos. 1 and 2, each on. (Abendlied) Fingered. ishes. (Herzenswilnsche.). Liszt, Frz., Der Asru. (The Asra.) A. Rubinstein. 'l‘runser. (Fingered.). ——-~Avo Maria. Schubert. Transcr. (Fingered) . . . . . . . . . . . . . . . . . . . . . . . —-—Du bist die Ruh’. (‘My sweet Re- pose.) Schubcrt. rauscr. (Fin- gered.) . . . . . . . . . . . . . . . . . . . . . . . . . .. —-—~—Fws'r. (G-ounod.) Valse. 1 1 Fantulsie-Potpourri . . . . . . . 1 ( ...... ..1oo 15 £0 75 75 00 00 00 75 75 50 75 ‘I5 195 1 cred Ed . . . . . . . . . . . . . . . . . . . . . . . . .. 1 50 -— éiodie-Polonaise, ,from “Glancs de Woroninee.” ( ingered.). —~“O thou sublime sweet Evening Star,” from Tsimnlusnn R. Wag- ner. Transcr. (Fingered). -— Valse-Impromptu, Ab. (Fingered.). —- Vaise oubliée. (Finger-ed.) . . . . . . . . . -—--- Venezia e Napoli. No. 1, Gondollera. Instructive Edition by A. R. Pin‘- sons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -——Widmnug. (Dedication) R. Schu- mann. Transcr. (Fingered.).. . . . Liischhorll. A., 6 Easy Sonatinas (ﬁn . Op. 1'73, No. 1, e ; No.2, G, eacgn Op. 179, N0. 1, F; No._2, D . each . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Op. 180, No. 1,C;No. 2, Am., each, ——- Soldier‘s Song. (Fingered.) ...... . . LOW, J., March and Chorus from Wag» ner's “ Tannniiusnn. " (Fingered.) Mason, W.. Op. 21. S wing Flower. Im- promptu. New Ed . . . . . . . . . . . . .. -——- Of}. .23. 2 Humoresques do Bal: 0. 1. Polka-Caprice. (Eing.).... “ 2. Mazurka-Caprice, (Fing.£‘... -——Op. 24. Reverie poétique. ( in- gered Ed.) . . . . . . . . . . . . . . . . . . . . . . . . Mantel‘, IL, Charge of the Uluns. Ca- ):-ice militairc . . . . . . . . . . . . . . . . . . .. -—— alse élégrante . . . . . . . . . . . . . . . . . . . . Merkel, (2., Op. 25. In the lovclyMont'h of Ma y. (lmlwundersehdnen Monat Mair) Reverie . . . . . . . .. . Moor, Emam, Sciwrznso,B1r) .. Moscheles, 1. Op. 85. L:tGuil.. . do in-iii. (i«*ingel-ed.) .............. .. Mosskowski, M., Op. 7. No.2. Moment musical, . (Fingered.).......t0 -—— Op. 15, No. 5- Valse, Db. (Fingered.) ——- Op. 17, No. 2; Minuet, G. (Fiugn). . 2. Scherzlno. F. (I-‘ing.) ——-Op. 23, o. 1. Danse russe, Am. Arr. and ting. by A. R. Parsons. . . No.1. In Tempo di Mi- nuetto, E. Finzered.) . . . . . . . . . . .. ———— Op. 82, No. 2. tude, D. (Fingered.) , No. 3. Valsc do Concert, E. (Flngered.) . . . . . . . . . . . . . . . . . . . . . .. 1 Neu rt Edrn., Op. 57.2 Fantaslestiicke: Po 13,0. 1. Spring’s Approach . . . . . . . .. “ 2. Vulse-Caprice . . . . . . . . . . . . .. Nielnann, R., Murmuring Zephyrs, by Ad. Jensen. Transcr. (Fing.).. .. Paeher, J. A., La Danse dos Patincurs. (The Skaters’ Dance.) Fingered.. —-—- Le Ruisseau. The Brooklet.) Etude dc Salon. ( ingered.) . . . . . . . . . . .. Platt, Ch. E., Op. 1. 8 Pieces: No. 1. cradle Song, D1) . . . . . . . . . .. “ 2. Valso poétique, An . . . . . . . .. “ 3. Moment musical, G.. .. Prox, C., Sonatina, G . . . . . . . . . . . . . . . . . .. Ilaﬂ‘, J., O . 55, No. 12. Abends. (At Even nz.) Nocturne. (Finlrered.).. Valse-Etude, A5. 889- 8 same -oFPi:6c 3 ...................... .. 1 oo Op. 0%, ~ No. 1. Lolmnonls, Wing- Fantulsle b ‘ll . . . . .. 1 , No. 3. Tsnxniiusnu, Wag- ner. Fantalsic brill . . . . . . . . . .. .. -—— Op. 72. Suite, Em. Cornplete.. . .. 1 ——- T re same singly: No. 1. Prelude. . . No. 2. Mennci... 35 No. 4. R0- mance. . . No. 8. ’l‘occata.. 35 No. 5. Fugue ——- Op. 111. No. 1. Bolero, . (Flog) —-—-O . 111, No. 2. Valse- rice, C Flnfered.) -——- Op. 1 8. Valse favorite, Db. g'lug.). —-——Op. 121. Illustrations do ‘Anu- onun: No. 1. Bereeuse do Selica . . . . . . . . . “ 2. Septuor ﬁnal du Ilmc Acte. “ 3. La Graude Scene du Man- cenlllier . . . . . . . . . . . . . .. “ 4. Les . Romance nes . . . . . . . . . . . . . . . . .. —— Op. 180. 2 Etudes mélodiqncs. (Fin rod): . , ; No.2, A, eaell . 204, o. 8. Rigaudou. Reiueclre, C., Op. 39. La Chasso. (Jagu- stiick.) Improrisatn. (Fingercd). —» Op. 157, No. 3. Rigodou, D. (Ping) -——- Cilvatinc, C (easy, ling.) . . . . . . . . . . .. Rubinstein, Anl., Op. 10, No. 22. Kalnennoi Osl.l'0W. Porlruit, F8. -—— Op. 14. Le Ball. (Flngered): No. 2. Polonaise, El; “ 4. Vulse do Uoncort,Ai).. _. . “ 9. Gulop dc Concert, B . . . . . .. ~——0p.69, No.2. Nocturne, G. (Fin .) -———Op. 75, No. 2. Aubade. (Morn ng Scrcnadc.) (Fingered)... . . . . . .. Saint-Sac‘-Ens, C., Gavotte, du Beptuor. ranscr. par Dayas . . . . . . . . . . . . . . . . Soharwenka, Ph.,0p. 18, No.2. Mo- ment mu.-ical, Ab . . . . . . . . . . ..\.. ——-- Oﬁ. 41. 5 Charact. Pieces. (Flng.): o. 1. Albumlcuf, Fm . . . . . . . . . . .. “ 2. Mazurka, (1 . . . . .. “ 3. Notturno, Gm..... “ 4. Caprh-cietto, Din . “ 5. Melody, B Seharwenka, X., Op. 3, No. 1. Polish Dance, E3111. ('F“1Ilgered.)...' .... .. ——- Op. 43, No. l. inuct, C. (Flng.) ——- Op. 50, No. 2. Phantasiestiick, Gm. (Fingered.) . . . . . . . . . Schumann, Roi». Op. 2. Paplllons. ( ﬁngered.) . . . . . . . . . . . . . . . . . . . . . .. ~——— Abendmusik. (_'l‘wiilght Music.) (Flam-.red.) . . . . . . . . . . . . . . . . . . . . . .. —— rst Loss and Rustic Song. . . . . . . ..\........ gel-ed.) . . . . . . . . . . . . . ._ . . . . . . . . . . . . . ——- Knight Ru recht. (Flngcred.)..... —— Melody an Humming Song. (Fin- gered.) . —— O lovely Ma . (Fingcred) . . . . . . . . . -—— Scherzo, Eb, from Faschings- schwank. (Fingers . . . . . . . . . . . . . —-Soldiers’ March and A little Piece. (Fingercd? . . . . . . . . _ . . . . . . . . . . . . . . . ——Song of tie Rea ers and Harvest; Son . (Finger-e .) . . . . . . . . . . . . . .. --— Wild orseluau and Rustic Song. (Fingered.) . . . . . . . . . . . . . . . . . . . . . Schytte, I.., At Evening, G. (Fing.). .. seiss, 1., Op. 8, No. 1. Sonatina, D. (F ngered.) . . . . . . . . . . . . . . . . . . . . . .. —-- p. 9, o. . Intermezzo. (Flug.) —— Op. 9, No. 2. Even Song? (Fiuf). Sherwood, W. 11., Op. . so te. (Fingered): No. 1. Prelude, A... . . . . . . . . . . . .. “ 2. Idylle, A.. . . . . 5. Novclette . . . . . . . . . . .. .. ——0p. 6. 2Mazurkas. (F'ing.), eaeh.... No. 1, Cm. No-. , Arn. ——-Op..7. Scherzo, E. (Flngz). . . . . . .. —— Op. 8. Romanza appassionats, G. . . . ———— Op. 9. Scherzo-Caprice. (Fl Smith, Seymour, Dorothy. Old Dame. (Fiugered) . Smith, Wilson 61., 2 Dance-Caprices: o. 1. Impromptu alla Mazurka. . . . “ 2. L’Amour. Valse sentiment. Splndler F., Op. 36. Sehlumm’re siiss. (Slumber sweetly.) Serenade. . ——- Oﬁ. 43. 6 Tone Pictures. each. . . . . o. 1. Alpine Rose. No. 2. For- §(.‘«lrI11(‘r-not. No. 3. Bouquet of iolots. No. 4. Blooming Mead- ow. No. 5. Lily. No. (i. Fading F wet. lr.). . . . 1 English 5: U1 83.‘ 838‘? 3'88? §i%88 V Spindler,MF.:”(:‘li“4W1—io.H.2 ~'o thou sublime sweet Evening Star," from TANNIIXUSIR, Wagner. Transer. (Fhuzered) . . . . . . . . . . . . . . . . .. . . ~— Op. 349. Hedge Roses. (Hccken- roschen.) 3 Tone-Pictures, each. . . ———Field Flowers. 13 Easy Pieces, 2 Books. each . . . . . . . . . . . . . . , . . . .. ————- May Flowers. Maiblurnenﬁl Waltz. 35 Sternherg, C. Op. Dense anclulousc. 1 00 —-‘-Op.25. ’)’:llse-Reﬁt-Ilse . . . . . . . . . . .. 75 ——- Op. 26. Hnmorcsque . . . . . . . . . . . . .. ——-— Danse phrygienne, d’aprés Saint- Saiins . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Straltoseh, M., Confession of a young Girl. 'Idyl. (Firliigered. . . . . . . . . .. strelezlri, A., O 8. Conee . Comiete . . . . . . . .. . c; No. , ,6 ;No, ' N0. 4, II‘unl,75(:; No. ~—-— Arabes no, G isions. (’l‘raumeswirren.) Etude . . . . . . . . . . . . . . . . . . . . . . . . . . .. ——-~ 4 Polish Dances: No. 1, G ; N No. 4, Gm., —-——-Valse—Arubt-sque (dhlprés Waldlen- tel). Morceau de Concern. . . . . . . Tedesco, L, Op. 45, o. 3. Loreley. ’l‘ruuscr. (Flngered.)...' . . . . . Tedesco, W., In the Mill. Impromptu. Thalberg, 8., Op. . “Home! Sweet Home! ’ Air anglais with Var. New, lingered Ed 1 50 ——- The same. Simpliﬁed Ed. . . . . . 1 M) Thullon, 11., Gavotte cnianlinc, 95 Thomas, A. G-ivotie from M1osos,arr. by Bazille. (Flngered) Theme, F‘., Op. 26. Scaramouv.-llc. Scene do Ballet. (Fiugered) . . . . . . . . . . .. ——- Op. 43. Tarantella, Am. (Flnlrered.) -—— Op. 51. Budinage. (Plaxfnlness). -—- Arlequin et Cololnbine. lr do Bal- let. (Fingercd) . . . . . . . . . . . . . . . . ~—-—— Simple Aveu. (Simple Confession.) Romance sans Paroles. (Flng.). . . Tours, IL, An Bord d’un Ruisseau. (By the Brookside.) Finn:-rod . . . . Tscllo.ikow(slt_y, 1’. Op. 39, No. 8. Valse, . ||:Z'l‘l’L . . . . . . . . . . . . . . . . . . Vogrich, Max ~.--Sluccato-On rice, Wieuiawski, ., Knyawiak. Polish National Dance, arr. and ﬁngered. . 50 Gavotte liongroise . . . . . . 60 Wollenhaupt, H.A., Op. 22. 5 Mor- ‘ Wagner A’ eeaux carsct. en Forms d’Etudes 9‘-‘ingerad ._: each . . . . . . . . . . . . . . .. o. 1. AM; No. 2. F3m.: No. 8. Am.; No. 4. E; R0. 5. Em. STUDIES AND METHODS. (ronnlax irnmzurnve.) Bel-tint, 11., 50 Selected Studies, pro- gressively arranged and with Anno- tations by G. Buonamici. Ed. by J. H. Cornell. Complete.....uet, 3 -~--- The same in 4 Parts, each . . . .; .... . . 1 Chrisander, Nils, 323 Tl'('iInl('I1 Studies, as n preparatory Method for the Tsusio-Enuucn Daily Studies. Transl. by A. R. Parsons . . . . . . . . .. 2 ‘J0 Czerny Ch... Op. 139. 100 Short Studies hi rogressivc Order. New revised ans ﬁngered Ed. with modern Phrasing. 5Books, each . . . . . . .. . 1 00 —— Op. 740. Fiugerfertigkcit. (Finger Dexterity.) 50 Studies in brilliant Style. With Annotations by A. R. Parsons. BookI..... . . . . . . . . 150 Diirlng C. H.,O'n. 8 25Easyand ro . Studios. 3 Books, each . . . . l 00 Exercises in Scales. (‘herds and Ar- pegeios. com-u.sn in‘ run Amun- ICAN Common or Musxclans . .nel, Haherhier, E. 44 Daily Studies. Ed by A. 00 50 200 R. ursons. Book 1, $1.25; Book 2 l 50 -—— Preludes in all Major and Minor Keys. Ed. by A. R. Parsons . . . . .. 75 Kiihler, In, Op. 157. 12 Easy Studies. (Introductory to 0p. 50.) . . . . . . . . . . 1 Kulluk Ad., The Art of the Touch. A {Vork for the Use of advanced Players, and a Guide for Teaciiing. Translated by Mrs. J. P. Morgan. net, 2 'l‘h., Materials for elemcnniﬁ, Kullak 1' Translated by A. nstruction. Parson : Book I. Finger-Exercises in the Compass of a Fifth . . . . . . . . . . . . .. l 25 Book Ii. Exercises and Pieces. . .. 2 00 Book III. Little 4~hand t’iL'(;es in the most usual Minor Modes. (Supplement; to Book II.)...... . 1 50 Lecouppey, F., Op. 20 L’A,n;il'ié. 25 tudes rogressives dc Met-auisrne et de Legéreté. Revised Ed . . . . .. 2 50 Low, J., (l)r. 281. New. melodious and * bril . Octave Studies. Edited by J. H. Cornell . . . . . . . . . . . . . . . . . . 1 50 Neupert, E., 77 Exercises for practising the various Hand Movements and Modes of Touch . . . . . . . . . . . . . . . . .. 1 50 Parsons, A. 11., Modern Method of Scales : Part I. Preparatory Exercises. .. .. 35 Schmitt, Hans, Op. 15'. 55 Preludes and Exercises. Edited byA. R. Parsons. 2 Books, each . . . . . . . . . . . . . . . . . . . . 1 00 E. D., First Instruction Book. thorough Course for Teachers and Pupils. ‘Edited by J. H. Cor- nail. '2 Pm-ts, each . . . . . . . . . . .net, 1 50
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Text: I !§§‘I .' '1 Words by \ .}_,ONGFELLOW, O ' ff ‘ \ ‘ Q"IIlW"""" ,,.. ';3I!!!'!FWW|W“1‘\“ " ' L m ‘.. uiﬂr H“: ’ ‘ r 4 NEW vom< BROOKS & DE_N'I‘ON, 57o suxn-1 AVE.- 39%! 51'. LON DON. FRANCIS, DAY 8: HUNTER I42 Charing Cross ROad,(Oxf'or-d $t.End.) ﬁ'es])ect_/Sully dedicated in Jlhxdnd ZlIrs.Edwa'rd ldutevrbac/z,1Vew York. TRUST HER NOT. ENCORE SONG. Music by Signor G.Tag1iapietra. Words by H.W...
Show moreI !§§‘I .' '1 Words by \ .}_,ONGFELLOW, O ' ff ‘ \ ‘ Q"IIlW"""" ,,.. ';3I!!!'!FWW|W“1‘\“ " ' L m ‘.. uiﬂr H“: ’ ‘ r 4 NEW vom< BROOKS & DE_N'I‘ON, 57o suxn-1 AVE.- 39%! 51'. LON DON. FRANCIS, DAY 8: HUNTER I42 Charing Cross ROad,(Oxf'or-d $t.End.) ﬁ'es])ect_/Sully dedicated in Jlhxdnd ZlIrs.Edwa'rd ldutevrbac/z,1Vew York. TRUST HER NOT. ENCORE SONG. Music by Signor G.Tag1iapietra. Words by H.W.L011gfe110W Allegro A little slower. I know 21 She has two And she has She gives a see, She can both brown, Care ! She gives a — hue, care! And what _ she fair, care! It’s a foolé care! Copyright MCM by E.J.l)enton. English Copyright secured Brooks & Dent0n,670 Sixth Ave.,New York. Slower. false and friend - 1y be, side I glance and looks down , says it is not true , cap for thee to wear, .a tempo K-1-? — ware! ......... -_ Trust her not, Trust her not, She is fooling thee, .... .. She’s fooling K /' Slower. ‘thee? -------------------------- -- 511678 f001-ing thee; .......................... -- Oh, trust her Trust her not .3 Trust her /_._ not, not , j — ware! __________________________ -_ She’s She is fool — ing f00l—i11g thee; ’ } thee ; 2”"-1---T {T % Be —ware! Ah , Trust Be- her F I.st.:2d.& 3d.Ver.se.s. not, Ah trust her She’s \. fool — ing ‘ Last time only. ‘Ah ' 7 not, trust her calla woe Trust her n0t.3 She’s fool .. ing thee! / STANDARD SONGS Bf STANDARD AUTHORS I Tllillli (If T1106 /nF_ Compass D _,F_ Pm-M 50¢ (When M0r11ingSpI‘ings.I 7: Moderate. I I K I I I\-I.I I I III - II: I. I KII ,. I\I ‘ K I II \ 'k~H—1”F%— *4-%*$*%*F#:F “I-r—""I‘—I-I—I’H I V I I ‘I’ T g’ C’ I I!’ '7 ’ I “"’ I .’ V I Y I § IV 4- I young‘.-. bird lifts her VVords by Geo. D. Prentice. Music by Signor G.Tag1iapietra. L I ”"‘ I I _ 1 think of thee ____ when. Iuo1-IIiIIg springs.-. l4'I-om sleep,with plu - — mage I)a’tIlI(I. AIJI dew, I And like a /I II I . L I I I I I L ’ I I I I L I L I LI, . I 9. I‘, M 4 ~.\ .~.__5_-II L I, I“; II I 3 +I++ l\Vj_ .I__e“; *I %' 1‘ ,_ , -'—-—O———I——L—-'—-——J-—'—-#——ﬁ—H —‘—IL'—-I-t9——A~4-§"—«O—-—'--I—6—~d—A— _ 0 (or I ' A. / I r , ?-’ I . . 9 . I . vI1I1gs...... ()1 gladness on .... .. the wel—kIn lIlIIe;__, And wheII,:It noon,___ the breath of love,.. ._0er Ilowraud stream _._ Is Walulrlug E"9”5I‘C°PYI'I9I'II Secured (‘upyI'ight MDCCCXCVII II_V' [lemon 2:‘ Seixas. I K I I I. Had I But Kuovm. In/p_ C0I)’paSs C_E. Sung by Emma Eznnes -Story. Moderate. I L I K 4 I I I I H I A ' I\ I _ v T I I long years I I 1 A '1: ’ I H I . IIe’er,nIy sweet,could 1 English Copyright secured so, ........ .. Not for the wealth of stars that (‘op31<iglItMDCC CX CV by Brooks It llenton (1). stud the PI-rsian S01 g,‘ . InAb.Compass 0-,/lb. P/r.50¢ Sung by Mme. Tavary. J01‘, e_ Moderate. Poem byF‘I.‘ank Dempster S‘hern1an. ByJosephine Homans. I) I T’ I ‘K I II I 1 II I I II A I .« . — I I I I I o I I H C ’ T ves, Who slII{z—est to ‘ ~ The par afo. . 1 ~ - - I I L\ I ' I’) I tI .. . I I II If gm-Ilen’s I‘ra- g1-auee where it Englishcopyright secured Who taught thy featherIi, slen- der throat This straIIg‘e,de—lI(-ious,liII1 — pld note‘? (‘op_yrigl1t MDCC CX CVII by l)eIItoII an Seixas. Why do I Love Thee ? .[n.EI4.C'0mpass E14. 6'. Pr.-50¢‘ qung by M1. Juli“: gteger P Moderato con moto. I ' - P 1 I I VVo‘I‘ds by Jas.C. Harvey. 4.; Music by Robert Heiser. .= 5 - - - II ’I’I I I I\ I\ g I’ III PII C’. I I I I I I I I I love thee‘) Ask tlIe flow’I- L ,, I - 1 - - I r I r. I- I I I I l I I I I’ I the light ofthe II101-I1—iIIg su1I,AII hj — That nods hy the W00d—Iillll'I s loves I I - I I] A . I I II I Ir 4 I ' 4' I./ Y ' H ' I ' E-I I-lo — ver I" ah’ ’ 5 . ‘I I . I 1: ' I I’ J ‘I I I kiss— es each gold— en heanl‘? Ask of the blush _ IIIIZ bloom, III the day, (‘opyright MDCCCXCVII by I’I.A.K9ISt‘I'. of the dawn — mg Matirigztl . Sung by Mme.TaVm.y_ Poem by Arthur Fietcham. In F. Compass AC‘-F. Pr.50€ _ By Josephine Homans. mf d0h.e_ Moilerato. \ L I I L I\ KI B I\ I J ' 41 II II II I v v .. .I ., 5 Gruw—iIIg so fair iII some gar — den fx ' ‘.71’ I II I I 4/ sweet- heart. _..___ 17e1)vI'11¢Q11‘n I " I I ‘L K I L I\ I II II UH J IX I II In J I V / I)’, I v Your g‘old— en heart you’d lay bare (‘opyrittht MDCCCX CVII hy llenton &SeIxas. Il.I I I\llI I I I I I woo you so soft—l_y, so ten-der-— ly, to me, Enghsh Copyright §ecured Aloha! In,C'. C'0mpassD_.E.P1'.50¢ Sung by Sig11or G.Tag1iapietra. Andgnlte espress. I\ Words by Lieut.Wm.E.P. French,U.S.A. Music by Margar et 'I‘ownsend. . I I I I K I\ II I I\\ A I ‘II 7 'LA/ I 7 vv, Ha — wai - ian L I K I A I v Ill the sweet la1I— guage, I I L I I I I\ L I A ' I\ I I I ‘I I V I \ I C I - I ' I J I Q ’ I . A ta — tion of dear frie1Ids,aI1d their a — dieu; English copyright secured ‘Joy of meet-Inst, grief of part-lug, Lov— ex-’s mes—sage ‘from Copyl-ight MDCC CX CV III hy nenton an Seixas. BROOKS 8: DENTON CO. 670 Sixth Ave.(39th.St.I N.Y. FRANCIS, DAY 8c HUNTER, 142 Charing Cross Road, London. And at all Music Stores. Ad.No.3.
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Text: g/K55/L%\§\ , /’/:3/. «W A B La 0 M m 0 .0 M m /_ A m w Lu 0 M on W .0 M R. M H x U M m 0 cu H M c U ; w~»m. 5/rcas/zm AS 4 my 0//[US It/~ ll ' / \\“- XCELSIO R”. "_\ * \ \ ’ \ " V9 ‘ h ’ The shades of night were falling; fast, ‘N As through an Alpine village pass’d ’i ' A youth, who bore, ’mid snow and ice, A banner with the strange device‘, “Excelsior 1” His brow was sad: his eye beneath Flash’d like a faulchionv from its sheath; And like a Silver clarion rung The...
Show moreg/K55/L%\§\ , /’/:3/. «W A B La 0 M m 0 .0 M m /_ A m w Lu 0 M on W .0 M R. M H x U M m 0 cu H M c U ; w~»m. 5/rcas/zm AS 4 my 0//[US It/~ ll ' / \\“- XCELSIO R”. "_\ * \ \ ’ \ " V9 ‘ h ’ The shades of night were falling; fast, ‘N As through an Alpine village pass’d ’i ' A youth, who bore, ’mid snow and ice, A banner with the strange device‘, “Excelsior 1” His brow was sad: his eye beneath Flash’d like a faulchionv from its sheath; And like a Silver clarion rung The accents of that Im known tongue, “Excelsior '.” In happy homes he saw the light Of household fires gleam warm and bright: Above, the spectral glaciers shone, And from his lips escaped a groan , “ JXCQTSTC “Try not the pass l.” the old man said: “Dark lowers the tempest overhead, "The roaring torrent is deep and wide 1” And loud that clarion voice replied , “Excelsior!” “O! stay§’the maiden said,“an{l rest “Thy weary head upon this hrea.st!’»’ A tear stood inihis bright hlue eye, But still. he answer’id.,with a sigh, “Excelsior E” “Beware the pine-tre is withered branch‘. “Beware the awful avalanche !” This was the peasant’s last “Good Night” A voice replied,f'ar up the height, “Excelsior!” At break of day, as heavenward The pious monks of Saint Bernard Utterjd the oft-repeated ‘prayer, A voice cried through the startled air, “Excelsior 1” A traveller, by the faithful hound; Half—buried in the snow was found, Still grasping in his hand_of ice That banner with the strange device, “Excelsior 1” There, in the twilight cold and grey, Lifeless , but beautiful, he lay ; And from the sky, serene and far, \ Ages: fell, like a falling star, ‘ , “Excelsior!” /— e — ‘\;=.\ "" /“ ‘ ’\ \ ‘Ee...g- 1/ , T /,7”§§ \..\T::'% /v . 1 ’ "J 2 L ***“EXCELSILC»JR!” — Compcfsedfby JOHN BLOCKLEY. ‘ F1/'7';'tten by H.W. LONGFELLOW. A ./4.2v1).A.7v°T1.vo . g’‘‘‘\ /5 /921 nﬁj/9/9 /9/9 “I village pass~’d A youth who bore, ’mid snow and ice, ‘T r_\ /5 banner with the strange deVice,“EX _ _ CEL_» _ _s1 _’0R 1” calla race. mf \—/ ,/“x 31* I . . ‘ ,.7m.1wn_3 —EXceIs1r11~__ .Hzgher, John Blockley . brow was sad: his. eye béneath F1ash’d' like a faulchioné /9/9 sil _ _ ver cla _. _ rion rung ‘ The 9 accents of that unknown tongue , “Ex _ _ CEL_ _ _ _ s1 _ _ _OR 1’ mf ‘L2’ /\ Jim: 6 rall. , By the sanie Composer, V i . ' Jul. H‘; ,k‘-. - Excelsior‘. ‘Evange1.1ne”(ofounded on Longfellowis Po«em.)Pr 2/- ‘ °“ “’7 Cbn tenerezza. In happy homes he saw the light Of household gleam Warm and bright: % Above,t»he Sp€.CfI'E1I' glaciers dolenfc . fromohis lips escaped a groan, “Ex__ _-€E'E-._.__si ___oR!” V ‘if’ V, E*<‘e1‘s*iN'7r ' “Excelsior!” as a Duett by J.J.B1ock1eY Pf John B1 ckie _ . . I .- I 0, -7 Parlant-e. '99 “'I‘ry not the pass. the old man said: “Dark 1ow’rs the tempest mf...‘... ...... ;2.......... . ,' ' :."/ molto ores .... -_cen__,-;_do /\ /\ enerkgrico. A 0 _ _‘ _ _ _ verhead, The roar. _ing torrent is deep and wide 1” And 9" ad lib. 4‘ c1a__rion voice replied, “ Ex_-cEL___s1__oR 1” mf /’ /9/9‘ \‘_,/ Exwhior! 7’ I Johxi Blockley - Cantabile Z». molto Espresswo. sta_y;'” the maiden said, “and rest Thy Wea____ry head up- _on this breast!” A tear stood in his bright blue eye,» But \;_// \_// \\./ \_/ \_.»/ LJ rall:e dim. /3 still he ansWer’d , with a sigh,“EX - CEL __ s1 _ 011!” _ware the pine\—tree’s wither’d branch! Beware the aw._fu1 ah__Valanche!” ' V V V'\ Ex°v'e:1Smr‘ ‘ John Jockley. Dulce e poco piu lento , This was the peasant’s 1ast“Good Night3’A voice fep1ied,far up the height ,“Ex‘_ /9/9 G €n0rg1'C0-0 Larghetto 6 Relfgioso. At break of day, as _CEL_ _ _s1__' _0R !” /9/9 /9 QT %F\L \./ heavenward The pi;0U:<Vn.1o11ks of Saint Bernard Uttel-’d the 0ft—1'e_ V ,5‘ rs ad lib.’/-\\ m _peat_éd prayer, A Voice cried thro’ the startled air,“Ex_cEL_s1_oR!”A 0 A "if {J mf ’ mf rall John Block1‘r‘y . Excelsior‘ *“l; Pa rlante. 0 traV’__ler, by the faith__ful hound, Half — bilriedl ill /9/9 snow was found, Still grasp_ing in his hand of ice That mf banner with the strange (leVice,“Ex_ _CEL _ SI _ 012!” I/._..\ 1;, *3; The Alpine or Sl Bernardis‘ Dogs, so celebratetl for the services they render to mankind, are trained by the worthy nionkgs of the Hospice of Mount Si Bernard, for rescuing the unfortunate tra_ veller amid the glaciers and snow-driftsyof the mountains . They are sent out in pairs, one with a warm cloak fastened to his back, the other with a basket tied round his neck, containing some cordial and bread . If they find a traveller who has sunk in the snow, they will lie down beside him, until by their warmth they restore heat and energy, and thus frequently save his life . .. If he re- covers sufficiently to be able to walk,they conduct him to the convent and by loud barking give warning of their return; if the traveller be insensible, they hasten for succour and guide the monks to the spot .- ‘ Excelsior !. John Blockley. There, in the twilight cold and grey, Life____1ess,but beau_tj_ /, ‘Y QT 4 And from the sky, se___rene and far, tcnuto . lz'bitym . véice fell,‘ fall _ ing star, “Ex _ _ _ CEL - _ .81.. .OR '3’ ‘A A A calla voce. .. Worcndo . F5. 5 39 '9) _CEL _ _ _ .. S1- - -03! “Ex _ - - CEL -. - _ _ SI _ - OR . vtnqmllﬁd/U?_ /9/9 /W’ U /2/9 &_~__’(. Q - , ’4 r . Excelsior‘. London, Published fluihn Blockley, (:1gt1cester Street, Rt-guns la It ?§;7m%E1%g?Em Maggi A . /V;/'~ / .“1TllTFﬂ.[Eg- ' L':"'U'J*&Si|' LLu“V\lLEo N’. :1‘ v Tl-|f;;l1‘l5j*§~%%ifl“(i£_I3M_$WA.EL9W_._‘_.__. _ "o SWALLOw,SWAL§.,'JW 2§6 = . 21‘; 2 .TH E M(;TH‘ER.'S SONGIO H LD " swan AND Low...'.f._.. . 2 ,- 3 THE MEMORY OF THE PAST........ .........."TEARS,|DLE TEARS..T'E..,_T.,... 01/57 2?6 ' - ..so~o 1216 4 ma um. . 216 * .0057, 2I6 THE LAST APPEAL .. .. . . Agx MORE_."_ ........................... ...SONG ZIG THE WARRIORVVS RETURN . .. A . “ HOME THEY BRou<;HT._........._..... ...souo 226 pun... 216 T H E P A R EN T AS T H ROU ‘LAN (4 voucas ) ‘ 2 1 J.J.BLOCKLEY JAY) /ﬁe (x227/zadztéaizr, “MUSIC 0 N TH E W I N D " tﬂaapiw/zzrzaiz 0/' TEN NYSON'5 admzr/1//émz "T//E pass” or r/rs AMY. ‘; /7/.‘Zlﬂ ./WW A’d‘z'iZ'a/2 BLOCK LEY “ EXCELS I OR,"/betry LONGF-ELLOW. sozo Du£r.,3/ - " EVA N GEL! N E1‘/fézm/Zea’ an /.om;.=sL4ow.'s £76/£ﬁIz2ZrJl' fawn ./17*.
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Date: n.d.
Text: 15$ ,, N‘? I, THE PAST AND PRESENT.,.2/. _N‘?2, THE SILENT LAND._._......... 2/. 3, THE CASTLE BY THE SEA. 2/. 4, FOOTSTEPS or ANGELS...'2/. 5, FLOWERS. ........................................ ,2/. 6, TWO LOCKS or HAIR .......... __2/. 7, THE FERRY. ................................ ..2/. 8, SPRING TIM 2/. 9, THE FROZEN WRECK_,_._.__......2/. Io, oun LIVES ARE RlVERS..2/. II, A PSALM or LIFE ., I2, CHILDREN ................................ ..2/. I3, RESIGNATION... ,.._.._,2/ca- I4-,...
Show more15$ ,, N‘? I, THE PAST AND PRESENT.,.2/. _N‘?2, THE SILENT LAND._._......... 2/. 3, THE CASTLE BY THE SEA. 2/. 4, FOOTSTEPS or ANGELS...'2/. 5, FLOWERS. ........................................ ,2/. 6, TWO LOCKS or HAIR .......... __2/. 7, THE FERRY. ................................ ..2/. 8, SPRING TIM 2/. 9, THE FROZEN WRECK_,_._.__......2/. Io, oun LIVES ARE RlVERS..2/. II, A PSALM or LIFE ., I2, CHILDREN ................................ ..2/. I3, RESIGNATION... ,.._.._,2/ca- I4-, SILENT RIVE .2/. I5, MY LOST YOUTH . 2/6. I6, DAYBREAK._...,....._..._.,.._.,......_.2/6. I7, THE TWO ANGELS.._.._.._._... ....2/6. I8, HYMN TO THE NIGHT .,._..2/6- I9, THE GOLDEN MlLESTONE.,...2/6.J 20, ,»‘t‘7'1“«‘fI5ﬂ*%~m I; ‘ I 9:’ ¥ \ W >3'\ I //7 ,r§:, 5);; / 3%, T I E, / , % I Z//1l;.."!zI.,//('7?/. R \/cI/ ..,__ ,, L@w@©H, , LEADER 8: COCK, 63, NEW BOND STREET, CORNER OF BROOK STREET. (7 . MUSIC LIBRARY ; ‘ VASSAR co EGE “‘B[§ﬂ.®\VEDmﬂ@ﬂ]iT2”” HYMNQ To THE NIGHT. POETRY BY ‘ V _' I Muslc BY H. W. LONGFELLOW. _ V F.‘ ROMER. ALLEGRETTO cow ESPRESSIONE. voice. heard the traillng garments of ...... .. the night‘ _ Sweep 'thro’ her ma:r___l)le L_./ I saw.~..... her sable skirts ‘all fring’d ‘with light L & C. 3052. From the celes _ - tial walls! /°/59 "L" Beloved night ............ ..! Beloved e~ felt hef pre_ sence by its spell W x../ o'er me from L & C. 3052. ma _ jes _ tic pre_ sence of E of the one . J love. r=rJF\~_g=,./Z/»»’;'%:-.--—-—=—-> heard V - sounds of sor-rowk and be- light, 1 L ma . _ _ _ _ _ _ _ __ ni _ , soft chimes, L & C. 3052. fill the haunted chambers of the; night some old po ____ _-et’s n-ight ................. .! ‘beloved night! ‘fzi-_--J-..o,.&;Z.‘.g;;..V...ﬁ...‘ I’ L & C. 3052. ,\ From the cool cisterns of the mid___night air....d.... My spi___ _ _rit drank .... .. re- foI_1i1 _vtai11 of perpetual peace flows there,—:— From dolce. those deep cis_ terns flows ................ .., From‘ those....‘. deep cis___-_terns Beloved night! Beloved night; ........ L & C. 3052. _____ v_,__.,.——-—-——-- T - cantabﬁc: """"‘“‘ ho _ _ _ . _ _ . -_ ly Nighf! from thee I learn to bear V L layest “ thy fin_ger on the they complain no ‘more. . . ~ Peace! peace! Orestes—1ike I A L & C. 3052. breathe r! .De - scend br0ad—winged flight, Xx OM98. ,.,\ cres. __—__{___ Oh, ‘ night ................ ..! begloved night! } FA * 3 night .................. ..! be_1ov_ ed‘ nightl. fi\ ,3’? morendo. ,3 \_Z/ w _ L & C. 3052. _ LONDON: Printed by LEADER & COCK 63 New Bmtd Street. "V LIST OF NEW SONGS. A LOVING HEART . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Land . . . . . . . . . . . . . . . . .. 2 6 THERE SAT UPON A LINDEN TREE . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . 2 0 SING, PRETTY STREAMLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . 2 0 OUR EARLY DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. G. B. Allen . . . . . . . . . . . . 2 0 DEAR OLD ENGLAND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jlfrs. Gilbert (2 Beckett . . . . 2 0 SONG OF FORTUNE. . . . . . . . . . . . . . . . . . . . . . .IDYLLs 01?‘ THE KING. .Jo/zn Barnett . . . . . . . . . . .. 2 0 VIVIEN’S SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DITTO . . . . . . . .Jolz-n Barnett . . . . . . . . . . . . 2 0 LOVE AND DEATH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI’I‘T0 . . . . . . . .John Barnett . . . . . . . . . . .. 2 0 WITH THE CAROL IN THE TREE . . . . . . . . . . . .M.nz QUEEN . . . . .. W. S. Bennett . . . . . . . . . . 2 0 O MEADOW CLAD IN EARLY GREEN (in D 8c F) . .DI'1‘T0 . . . . . . . . IV. S. Bennett . . . . . . . . . . 2 0 ’TIS JOLLY TO HUNT . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI’l‘T0 . . . . . . .. W. S. Bennett . . . . . . . . . . 2 0 STILL LET ME SING TO THEE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sterlcel . . . . . . . . . . . . . . . . 2 0 LOVE AND FEAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mzlss Smith . . . . . . . . . . . . 2 0 BLOW, BUGLE, BLOVV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lord 0’/zarles Tlzynne . . . . 2 0 MY FRIENDLY HARP! . . . . . . . . . . . . . . . . . . . . . . . . . . . .> . . . . . . . . . . . .Franl: Romer . . . . . . . . . . 2 6 THE ORPHAN’S PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jlltss Dolby . . . . . . . . . . . . 2 0 SLEEPEST THOU? WAKEST THOU P MAIDEN MINE . . . . . . . . . . W. V. Wallace . . . . . . . . . . 2 6 SWEET ROSEBUD OF GLENARRA . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ltnley . . . . . . . . . . . . . . . . . . 2 0 AS I SAT BENEATH A WILLOW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Franlc Romer . . . . . . . . . . . . 2 0 THE JOY OF FRIENDSHIP . . . . . . . . . . . . . . . . . . . .‘ . . . . . . . . . . . . . . . .BeetIzoven . . . . . . . . . . . . . . 2 '0 SOLITUDE. . . . . ............................................... . .Rosa Lg/ne ............ .. 1 6 WHEN BRIGHTEST HOPES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .H. Condron . . . . . . . ., . . . . 2 0 I TRUSTED TO A FAITHFUL HEART . . . . . . . . . . . . . . . . . . . . . . . . . .A. M. Wyatt . . . . . . . . . . . . 2 0 ’MID THE WILD—WOOD’S LEAFY BRANCHES . . . . . . . . . . . . . . . . . ..Menclel.9soltn . . . . . . . . . . . . 1 0 THE SPIRIT’S SONG (transposed edition in D minor) . . . . . . . . . . . . . . . .Haydn . . . . . . . . . . . . . . . . 1 0 WHEN DAY IS BRIGHT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Hatt0n . . . . . . . . . . . . . . . . 2 6 AWAY TO THE FAIRIES’ VVELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Land . . . . . . . . . . . . . . . . . . 2 6 WEEP NO MORE! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Miss Smith . . . . . . . . . . . . 2 0 WE VVERE PLAYMATES IN CHILDHOOD. .‘VILIJAM AND SUSAN. . Tully . . . . . . . . . . . . . . . . . . 2 0 THE BOATMEN’S SONG (and Chorus ad. lib.) . . . . . . . .DITTO . . . . . . . . Tally . . . . . . . . . . . . . . . . . . 2 0 I LOVE MY LOVE IN THE MORNING . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . 2 0 THE YOUNG MOSS ROSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Barnett . . . . . . . . . . .. 2 6 THE ANGEL OF PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .111. W. Balfe . . . . . . . . . . . . 2 0 ZEPHYRS OF THE GOLDEN MORNING . . . . . . . . . . . . . . . . . . . . . . . .AI2t . . . . . . . . . . . . . . . . . . . . 2 0 A BEAM OF SUNSHINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. V. Wallace . . . . . . . . .. 3 O POOR LITTLE BIRD, THY SWEET NOTES HAVE BEEN RINGIN G Mrs. Wilson . . . . . . . . . . . . 2 0 I MURMUR NOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Benedz'ct . . . . . . . . . . . . . . . . 2 6 LONE STAR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. V. Wallace . . . . . . . . . . 2 6 DAWN GENTLE FLOWER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. S’. Bennett . . . . . . . . . . 2 0 COME NINA, COME I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C-l2'u_qlin2' . . . . . . . . . . . . . . . . 2 6 KATIFIS LETTER (in E & G) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lady Duﬁerin . . . . . . . . . . 2 6 THREE FISHERS (THE) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Laltee . . . . . . . . . . . . . . . . . . 2 6 I BEHELD A FLOWER BLOOMING . . . . . . . . . . . . . . . . . . . . . . . . . . . .H. Smart . . . . . . . . . . . . . . 2 0 OLD HOUSE BY THE LINDENS STOOD . . . . . . . . . . . . . . . . . . . . . .James Bennett . . . . . . . . . . 2 0 THOUGHTS OF THEE............. . . . . . . . . . . . . . . . . . . . . . . . . . . . ..FranzKeizer...... . . . . .. 2 0 MERRILY, MERRILY OVER THE SEA . . . . . . . . . . . . . . . . . . . . . . . . . . W. V. Wallace . . . . . . . . . . 2 6 COME INTO THE GARDEN, MAUD . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jolm Barnett . . . . . . . . . . . . 2 6 THEREISANAMEINEVERBREATHE . . . . . . . . . . . . . . ._.........1l[.W.Ba%............ 2 0 IKNOWWHO!...... . . . . . . . . . . . . ..... . . . . . . . . . . . . . . . . . . . ......Mrs.G'room.......... . 2 0 SING,MAIDEN, SING. . . . . . . . . . . . . . . ... . . . . ........ . . . . . . . . . . ..W.S.Bennett.......... 2 0 In 0 N D 0 N’ I LEADER AND COCK, 63, New Born) Srnzzr, coxmmz or Bnoox Srzuwr. _. ‘.2 .
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Date: n.d.
Text: Music LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new You e/«Q1117: of turn1vnnIlun5:a<» Im:Consvrrahnt ‘ ‘A V ’{ 1” 1 ‘I ‘ V’ 4MVucc» v . H.W.|.0NGFE|.LOW ESQ. ~«.~ub , - Miss M . LINDSAY. 4%-—~v " % ozmcmco 10 HERSISIER, 5:5: 3/ , j 50040 6? 0° 25:/’0tm:44;?. §mé@7'm.§»¥”¢f:%0 STREEII £0/V00/V~ W- - ‘ed-’3’2ﬁ‘ §§%&33*~‘U El £33» :,,:‘2NiL‘.>«si‘;9-L WI) ﬁj‘ HYMN or THE MDRAVIAN NUNS or BETHLEHEM. (U.S.) AT THE CONSEQZRATION OF PULASKI’S BANNER. (DUET FOR SOPRANO AND coN'rR...
Show moreMusic LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new You e/«Q1117: of turn1vnnIlun5:a<» Im:Consvrrahnt ‘ ‘A V ’{ 1” 1 ‘I ‘ V’ 4MVucc» v . H.W.|.0NGFE|.LOW ESQ. ~«.~ub , - Miss M . LINDSAY. 4%-—~v " % ozmcmco 10 HERSISIER, 5:5: 3/ , j 50040 6? 0° 25:/’0tm:44;?. §mé@7'm.§»¥”¢f:%0 STREEII £0/V00/V~ W- - ‘ed-’3’2ﬁ‘ §§%&33*~‘U El £33» :,,:‘2NiL‘.>«si‘;9-L WI) ﬁj‘ HYMN or THE MDRAVIAN NUNS or BETHLEHEM. (U.S.) AT THE CONSEQZRATION OF PULASKI’S BANNER. (DUET FOR SOPRANO AND coN'rR’AL'ro.) twoaos BY H.W. LONCFELLOW.EsQ. ‘MUSIC BY MISS M.LlNDSAY. 1VtIaest0s0. I When the dy_i11g flame of '_Throughthe chan_cel shot \ mf Far the glinlnfringtapers shed Faint light on the cowled L \_/ _ he/ad; . And the cen_- _ _ ser burn - ,. ing swung, VVhert*, be _ /3g___j L’) .H>;znu:_of4'J.u7- IVIO:-;«u.i'/n1 Nun“ pm,“ Mi“ BL LIXDSAY (}()PTRI(‘;H_'[‘. the Altar, hang The b1o0d—redbanner,T’he b1o0d—redbam1er,The. b1o0d.—red banner,that with pray’r. . _. . .Hadbeen c0n-se-cra_ted_ there. /9/° _ And the nuns’Asux€et hymn was heard the while, Sung low in the dim, u1yste_rious aisle /°/° HN'”‘ °f1ht' VIo1"aviau NTUHQ ‘ ‘ ‘ ~ - - Duet. 3115:: NI LIVDS -KY G 0 « V - e . ~ ~ & C._550. ?na m®ma’nvmm. thy banner! h it wave, ‘ Pr0ud-ly o’er the thy banner! Pr0IId_1y o’er the good and brave; the bat - - t1e’s dis - _ tant wail, good and brave; the bat _ _ t1e’s dis - - tant wail, Breaks the sab_-bath of our vale, VWhen the cla-_r1'm1’s Breaks the sab-- bath of our vale, When the cla _ _.ri0n’s /"/° H3“'“‘ Of U18 1V1qravim1 Nuns. Duet. Mi.» M. LINDSAY. G "' C? 550. mu_sic thrills To the hearts of mu_sic thrills. To the hearts of ‘the spear in con--flict shakes, And the spear in con__flic-t shakes, And shiv ’_ _ _ _ _ ring ' breaks. breaks . shiv ’_ _ - _ _ ring Hymn 0f UH‘ Moravian Nuns. Duet. Miss- M.‘LINDSAY G s’ C9 550' these lone [hills , these lone hills , the strong lance the strong lance Take thy banner! but, when night, Clo_vses round the Take thy banner! but, when night, Cl0_ses round the ghast _ ly fight, > ‘ the van _ quish’d ‘ war- - rior bow, ghast _ ly fight , ho-_1y VOW, By our pray’rs h0-..tly vow, By our pray’rs and» 0 Tu; H5’Fl1~Il=0f the Moravian Nuns Du:-t Mix .‘ -. - _. 5: M. LINDSAY. (, X, (.3 55 2 , , O. ma _ - -_ny tears , mer - _ - oy that endears , ma _ _ - ny tears , mer- - _ cy endears, V Spare ‘him! / hath s112u"d! Spare him as thou‘ Spare. . hath sl12u"d! Spam‘ him as tlmu wo u1d’st _W(H’[1d’St ‘Hymn ‘of “W Mdraviaxl Vans. Duet Miss M L1V])SAY Take thy banner! and if e’er, Take ,thy banner! and if e’er,' s01_dier’s bier, And the muffled s0Ldier’s bier, A nd the mufflwd T0 the tread of mournful feet, T0 the tread of mournful feget, Ymn of the Moymrraxn Nuns. Dm-1.. N115.» Ms LINDSAY. Thou sh0uld’st press the should’st press the drum should 1) eat , drum sho uld b e at , G 4» C9 550. rt tempo Then.. . . this flag. . . . .~ . . . Then this crimson flag shall be, Then.... this flag‘, . . . . . . Then this crimson flag shall he, / 3Iar_tia1 cloak and shroud for Mar_ti.a1 cloak and shroud for The warrior took that banner proud, And it ’was his mar_tial cloak and ‘S7H”0l’'1! ’' . .9 G 8/'C‘.’550. A "emf Alleyro vivace. SUCCESSE UL NEW SONGS. Words by Music by ALFRED H. I-IYATT. GILBERT LOEWE. TILL DAWN. No. 1 in D ﬂat. No. 2 in E ﬂat. MI: 33:: No. 3 in F. —'——-9- (0ri¢im1KBY) M Compass. ——o——- :—iD— No. 4 in G. —_—:_p: ___Il ‘C- Amlants non troppo. , M 4Q P4; L__ 1| IV I I; I‘ 5 I‘ l\l I I‘ u I l'\l:l l‘ §v_~",,,:.:;:&g_,tu;i;—_a—4 _ _ :;;—_—a:,_L.—.;j- _ A V 7 I , -r w- Light in the tired west lin - gets, Shad-ows soft - ly fall,... Touching with ro- sy ﬁn - gers, Earth, sea, and Light in the tired west lingers, Shadows s tly fall, Touching with rosy ﬁngers Earth, sea, and all. Ends with the falling shadow! Grief: of the day; Soft o’er the dewy meadows ease comes to stay. Compass. Compass. compass, _—_£"‘ ..._'-__. pow mu. ares. M _ I - I I I LI;I%l—‘ _ 4. _ . 7- - ul 0.- All the day's toiling, striving, Tears and regret, Night comes with peace arriving- In sleep forg . So in God’s care I leave you Till dawns the light, . Eenceforth no sorrow grieve you, Dear love, good-night! Copyright, MCMYL, by GOULD & co. AUTUMN GOLD. No. 2 in F ‘_.__ 7}L_ ___J__.__._ Words and Millie by GERALD LANE. No. 8 in G .__._.E Compass. T :33, 1 and E 1:13). .:_‘_T_‘.'3i ' ' ff: ﬂglll E] Z Compass. '6‘ mp Andante mm troppa. Compass. I 1 l\ I K . I I I I‘\r 1% ' is . l\| - ll .1 I I\ l\ min: I\.rI—I-I I-- nrﬁwIwﬁ\.Iy.- §%—P~I—-4—-—i—d——a—J.i‘—.—i—e—.e=+4—44—+~+—P~—-:r—L—-—n—»w—- I1 .9. _ V ' \_/ -J— ' T ‘/ When Au-tumn spreads her path with leaves of gold,... When through the land sweet summertime grow: old....... When Autumn spreads her path with leaves of gold, A world of tears that beat upon life’: shore, VVhen through the land sweet summer-time grow: old, A dream that war, a. dream thlt is no moral What harvest shall we gather, you and I, N ow we, dear heart, have said our last good-bye? A ‘. § IF: F Yet ’inid the silence of the waning year One charmed echo still we seem to hear: " The Sfring comes back, and joy forget: the pain, For Go is good, and Love is not in vain l" Oopyrllht. MGMYL. II! GOULD I C0. The haunting inem’ry of one radian: hour, The ling’ring fragrance of one little ﬂow’r, Music by VALENTINE HEMERY. THE FIRST SPRING DAY. __i_ CLIFTON BINGI-IAM. No. 1 in E ﬂat. Compass . . . l I . 777 DIE J ' _ . 4+0 .1‘ . R . I .1 741 II I I III I _ 51 I V 7 . Hark, there's a new voice call-ing, And a new light in the sky, Rain on th sweet earth falling Bids winter grey good- —, s -1 j r. J_] A. : , L1, Elrl See how the darling rirnrose Looks up from its eizfy how’t, Blue-hells are waking gaily To the kiss of sun and show’rl Boon cuckoo will foretell us The coming of sweet May, For all the world is waking To greet the that spring day! Good-bye to you, grey Winter Too long has been your reign, ‘Tie glnd and good to welcome The step of Spring again. . So come, sweethe . , gree it, For skies are bright above, _ Our hearts, like the world, are waking To life, And light, and love! Hark. there’: a. new voice calling, And II. new light in the sky, Rain on the sweet earth falling Bid: winter grey good-bye. There's 3 song through the green wood A that's blithe and gay [ringing, though the world were singing, ' To greet the first spring day! copyright, MCMYL, by GOULD I 60. Words by HELEN TAYLOR. Music by WILFRID SANDERSON. 1 ___pk ‘;-l:I—_—_ ii‘: A SUMMER GREETING. I No. 1 in A ﬂat. __.?.J3_ Compass. No.3 in B ﬂat. (Original Key) Compass. _A _]:1lleyr:tto oon brio. I K 1‘ k pow rit. -0.: ‘ The sum-mer’s on her way, love, I see her her-a.1ds sweet, The blos-som on the up-pleztrees, The (iii-sies at my The summer’: on her way, love, I see her heralds sweet, The blossom on the apple trees, The daisies at my feet. The birds will sing the whole day long _ The birds are always gay. How can I hear to hear their song, If you are still away? 0 will you not COIIIO back, love, on roses come again, Red roses in the garden, love, Wild roses in the lane. I cannot work, I cannot weep, I know not how to pray, How can I live the summer through, If you are still away? Copyright, MCMYL, by GOULD & CO. The summer’: on her way, love, Good-bye to grief and pain, And welcome sing and love and joy, When you return again. NEW VOCAL DUETS :— “AWAKE,” by H. G. Pélissier,"No. 1, for Sop. and Con. or Sop. and Bar. “AWAKE,” ,, No. 2, for Tenor and Baritone. “FAREWELL T0 SUMMER,” by Noel Johnson, for Sop. and Con. or Sop. and Bar. “FOR ALL ETERNITY,” by Angelo Mascheroni, for Sop. and Con. or Sop. and Bar. “LIFE’S THANKSGIVING,” by Valentine Hemery, for Sop. and Con. or Sop. and Bar. “BIRTHDAY MORN, THE” by Landon Ronald, No. 1. in Dl,, for Mezzo-Sop. and Con. “BIRTHDAY MOON, THE ” No. 2, in Eb, for Sop. and Con. “TILL DAWN,” by Gilbert Loewe, for “Sop. and Con. or Sop. and Bar. STANDARD SONGS Com as 93 Lolivezt sum; BY Key only. All the While Keys D, Eb, F, and G. By Lovell Kiny. Awake l Keys Eb. F, and G. By E. G. Pélissier. Birthday Mom, The Keys 0 and Eb. By Landon Ronald. By Special Request Keys Eb and F. By Angelo Mascheroni. Dreamland Voices Keys Eb, Fand G. By Anyelo Maxclzeroni. Fairest Flower,The Keys Eb, F, and G_ K By Fred W. Sparrow. Fairyland Keys Eb, F and G. By Gerald Lane. Farewellto Summer Keys A, Bb and C & D. By Noel Johnson. F Flower Songs (lllustrated.) By Florence Hours and J. L. Roeclcel N 0. 1. Mignonette ... ,, 2. Poppies ,. 3. Pansies ,, 4. Primroses Crocuses ,, 5. . For all Eternity Keys Bi). 0, D mdEb By Angelo Masclzerom‘. Gift of Peace G, Bb and C. ‘ By 0. H. Foyy. I had a Flower Keys Bb, Db and Eb. By Lawrence Kellie. Irish Slumber Song, Keys Eb, F and G. By Ernest Newton. ass ff? Ifl L-ife’s Thanksgiving Keys D, Eb, F and G. By Valentine 1-Iemery. Night Sea’s Lullaby Keys Eb, F and G.‘ By Valentine Hemery. 0 Fair Dove, 0 Fond Dove . Keys F and Ab. By A. Scott Gatty. Patti Waltz Song Keys Bb and D. By J. N. Patttsan. Prayer for You, A Keys C and Eb. By Fred W. Sparrow. Restful Shadows Keys Eb, F and G. By H. G. Pélissier. Tatters Keys D, Eb, E and F. By Gerald Lane. Thy Voice is near Keys G and A. By W. T. Wrighton. Vales of Arklow Keys Ab, Bb and C. By Leslie Stuart. When Roses Bloom Keys 0 and Eb. By G. H. Pélissier. . Miss Elsie Purvis : .. Mdme.MeredythElliott Miss Ethel Bevans &c. Mr. C. Copland B to Miss Edith Serpell . b E, &c. Mdme. Melba . Mdme. Amy Sherwin Mr. Joseph O’Mara. Mr. Hii-wen Jones &c. Mr. Egbert Roberts Mr. Ad. Fowler &c. Miss Mary Desmond Miss Edith Serpell Miss Lilian Turnbull... &c. Mr. William Green Mr. Herbert Grover Miss Maggie Purvis MissVio1et Ludlow Miss Bertha Salter &c. Miss Emily Foxcroft... Miss Maggie Purvis Miss Minnie Chamber- lain . . &c. Miss Violet Ludlow Miss Perceval Allen Miss Grainger Kerr Mr. Wm. Forington &c. Miss Florence Croft Miss Annie Wilson Miss Lilian Turnbull... Miss Edith Serpell Miss Hettie Hills U:>I>l>UU 888388’ ‘#06666 Miss Jennie Atkinson . &c. Mdme. Adeline Patti P 3 6 Miss Perceval Allen Mlle. Marie Vagnolini Mdme. Sadier Fogg Mr. Barry Lindon site. Mr. Lawrence Kellie... Mr. Robert Radford Miss Maggie Purvis Mdme. Ruth Lamb Mdme. Guilia Ravogli Mdme. Kirkby Lunn.. Mdme. Sobrino Mdme. Emily Squire... Mdme. Marian Mo Kenzie Mdme. Maggie Purvis Mdme. Hortense Paulsen. ‘Miss Mabel Bi-nine Mdme. Marian Mc _ Kenzie Mn. Helen Trust Mdme. Adelina Patti Miss Maggie Stirling... Mr. Chas. Copland Mdme. Sadler Fogg Mr. Ben Johnson 8212. Miss Maggie Purvls Miss Edith Serpell Miss Me? Desmond c. Mdme. Belle Cole Miss Perceval Allen Miss Maggie Purvis ... Miss Florence Bulleid Mr. Bingley Show Mrs. Chas. Copland Miss Edith Serpell . Mlle. Ghita. Corri ..._ GOULD & 00., 25, Poland Street, London, W. A'to1)i_"'
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Date: n.d.
Text: The Words by 3] ongfeﬂow, THE MUSXC Composed ex/z77ae53Zy For MESS EBETH WYNNE , I L ——-———<——j[B?>$’_'> \|/ .______4%_____ L on don, BOOSEY 8<.C‘.’295,RE(3-ENT STREET.W, MUSIC LIBRARY VASSAR COL|.E’.“ : WWW E9@M‘ﬂ§o __”_._—i+© WORDSBY MUSW BY _ H.W. LONGFELLOW. é ARTHUR SULLIVAN. Allegretto non troppo vivo. Vol 0 E . PIANO.» f I Come to me,‘ () ye chil ._ _dren.' For I hear you at your And the ques_ .tions that per-_ .plexed me, Have 0 T66‘: vanished quite a-;_way. Ye o...
Show moreThe Words by 3] ongfeﬂow, THE MUSXC Composed ex/z77ae53Zy For MESS EBETH WYNNE , I L ——-———<——j[B?>$’_'> \|/ .______4%_____ L on don, BOOSEY 8<.C‘.’295,RE(3-ENT STREET.W, MUSIC LIBRARY VASSAR COL|.E’.“ : WWW E9@M‘ﬂ§o __”_._—i+© WORDSBY MUSW BY _ H.W. LONGFELLOW. é ARTHUR SULLIVAN. Allegretto non troppo vivo. Vol 0 E . PIANO.» f I Come to me,‘ () ye chil ._ _dren.' For I hear you at your And the ques_ .tions that per-_ .plexed me, Have 0 T66‘: vanished quite a-;_way. Ye o_pen the east- ern wih- gdows, That look towards the sun, Wllcare thoughts are sing- ing ‘swallows, And the \/ brooks of morning run.‘...... f ~Living- poemg. hearts are the birds and sunshine, In your thotitghts the brooklet flow, But in mine is the wind of Au- tunm And the first fall of the snow, f rail.- Come to me, 0 ye chil-_dren. to }~au.- Living poems. Ah!what would the world he to us, If the ’children were no ‘We-,shou1d dread the de_sert be- ;hind Worse than the dark be- -fore. What the leaves‘ are to fo _ A- rest, hWith light A and air for food, E-re their’ .1’ ‘ I.iying peems. un poco rid’.- . \_/ sweet and ten - dexj jui-ces Have been hard.en’d in- to wood,_ un poco rt’ ' f That to the .world are chil- _ dre11;ThrQ’ them it feels the glow f rail: reach_es the trunks be _ low. Come to ,dim.- . - Living‘ poems. chil- - dren! And whisper in my eat What the birds andthewi11ds are — meno sing- ing In your sunny at- -mos-phere. For what ‘are all. our con- menof _ tri _ vings, And the wisdom of un poco rit: _ res- -ses, And the gladmess of your looks? un poco rz't.- a teinpq sf Living poems. our books, VVhen comparedwith your ca- bet-ter than all the Vbal _ - lads Tllat e _ ver ‘were sung l or For‘ ‘ye are liv_ _ing po _ _ ems, And all the rest are f Ye are better than all the lml . _ lads That éver were sung or ' ,\ am poco pm lento. For ye are liv. ing po. . -ems.,,And all the rest are Living‘ poenis. Come to me, living poems.‘ THE BEST SONGS OF THE BEST COMPOSERS AIDE, HAMILTON. .. The Spanish‘ Boat Song (Eb A and G) Sung in the Drama “ Philip.” The Fisher (D and F) Remember or Forget Brown eyes-or blue eyes A131‘, FRANZ. The Forgotten song 3 Sung by Ham; Bnimnss. BLUIVIENTHAL. 4 3 _... 4 4 The Boatman’s Song (D & E) 4 ‘ Sung by Mr. SANTLEY. _ ‘ Goixdoliera (G and BD) 4 Sung by Mr. Enwsno Lnom. Love, the Pilgrim (Eb and F) 4 Sung by Mdme. T1'_1'll:Ns. Why was I looking out? 4 Words by Guzman. Sung by Mdme. Pun. OLARIBEL. Maggie’s secret (D, E, and F) 4 Sung by Mdms. Ssmron-Donny. Won't you tell me why, Robin? 4 Strangers yet (ED and. F) 4 |Sung by Mdme. Smuon-Domr. We’d better bide a Wee Sung by Mdms. Lmnnirr. Take back the heart (D & F) Silver Chimes .. Sung by Mdme. Ssnrron-Ilomr. ' Marion’s song Milly’s faith (D and F) Janet’s choice Sung by Mame. SAnu'o:i‘—DoLnr.- J anet’s bridal . .. .. . Come back to Erin (C & EV) 4 Sung by Mame. Snmuznuvmn. Five o’clock in the morning (r and G) Drifting .. Half-mast high . . Sung by Miss JULIA ELTON. CLAY, FREDERIG. She wandered down the moun- tain side (0 and E) 4 Sung by Miss Enrm Wrmm. There is a hope within our breast 4 Chorus of Courtiers and Court Ladies .. . 4 It is so like the men... 4 COWEN, F. H. Night and morning (E & 4 Sung by Miss Enrm Wynn. The Carrier Dove (D and up) 4 ‘Sung by Mdme. Pun. Marguerite (G and Bi?) 4 Sung by lldnns. Timsm.u—Bn'riM. It was a dream (0 and E) Sung by Mdme. TITIINI. Only a Violet Sung by Mdme. Suuco. Spinning .. . .. Sung by Mdme. Smnmmron. LINDSAY, Miss. The Goatherd’s song... Sung by Miss JULIA Enron. Cradle song of the poor Words by Miss Pnocrm. 4 4 4 '2 3 0 O O 0 O 0 0 , O 0 0 0 HATTON, J. L. Fair A is my love (0 and rep) Sung by Mr. SANTLEY. Dick Turpin . Sung by Mr. SLNTLEY. The Meeting .., Words bv Loserxmtow. The British Tar _ Sung by Mr. Samar. If my mistress hide her face (rand A),'... A .. Sung by Mr. Suns Rnnvss. GATTY, ALFRED SCOTT. A little longer yet Words by ‘Elisa Pnoorm. Gallants of England... Words by G. Warm Mnvnm. Unspoken . Sung by lfsnum Bum. Voices of the past (0 and Sung by Msnum Psrmr. The Golden Shore Forget-me-not Speed-well . . . . . . One morning, oh I so early (Ab and Bi?) - .. . Words by JEAN Imnww. Sung by Miss Enrm Wrzum. Eleonora (C and E9)... 4 Sung by Mr. SIMS Rznvns. GRAY, LOUISA. Then and Now (E, G, and A) 4 Sung by Miss Enrru WYNNE. Lynette’s song (E and G) 4 Poetry by Tisxxrsox. ‘+94:-on an us. an ax PONIATOWSKI, Prince. The Yeoman’s Wedding Song (G and Bb) Sung by Mr. SANTLIY. SULLIVAN, ARTHUR. Mary Morison (G and Bi?) Words by Bonus. Sleep, my love, sleep (D7 and F) Sung by Mdme. Pxmr. Looking back (D and F) p 4 Sung by Mdme. Psmr. Looking forward (D and‘ E) (sequel to Looking back)... Sung by Miss Enmz Wnmm. Golden days Sung by Mdme. Pxrm. Once again (D and F) Sung by Mr. SD18 REEVES. A life that lives for you ‘ Sung by Mr. Smnnr. The snow lies White Sung by Mr. SIMS REEVES. Will he come? (1) and F) Sung by Mdme. SAINTON and Miss Enrm Wtmcl. My dear and only love 4 Sung by Mr. SANTLEY. Living Poems 4 Sung by Miss Emrn Wnnm. 4 DOLORES. ' Pack clouds away .. The Land of long ago Clear and Cool . . Words by the Rev. CEARLB Kmssxzx. The. Fairies . . . 0 0 000 0 0 0 0 00000000 SAIEITON, Mdme. 5. When we are old and grey A (D7 and F)... 4 Sung by Miss Iiismcuiuz. Out on the Rock... (Dr and Er) Sung by-Mums. ANGELL 5 GABRIEL, VIRGINIA. Remembered (r and ED) Sung by Mr. Vnnnox Rxunr. Across the Sea We two . Only at home ‘ Sung by Mdme. Ssmrox-Donnr. Light in thenwindow _ Sung by Mame. S.uNroN-Domxr. The Skipper and his boy Sung by Mdme. Ssmron-Donny. Somebody/s darling - Sung by Mame. Ssrnron-Donny. SANTLEY, CHARLES. A short yearago (B? and Dr») Sung by Mr. Enwsnn Lnorn. One long thought of you - ' MOLLOY, J. L. ‘ ' Polly Sung. by Mr. Sunny. Don-‘rt be sorrowful, darling (C and . Sung by Miss AN'1'()INE1'l'E Srnsuxo. J ack’s farewell Sung by Mr. Sun Rxmvns. Knitting . So the story goes (F and Sung by Miss Enrrn Wntxl. » Eily’s reason (my, 13‘, and G) Sung by Mdms. Snnnnmomx. The old Cottage Clock Sung by Miss Ebrrn; WYNNI. Thady O’Flinn (D and F) Sung by Mdme. Snmnnwaros. The Vagabond (n and G) Sung by Mr. Surrnsr. Clochette (D and F) Sung by Mame. Snmznmarox. PHILP, Miss. Forgiven Words by Miss Fnoimnan Msnnrr. Of what is my darling dream- ing? .. . ‘ . . Sung by Mdme. Pun. Lillie’s good night Sung by Mdms. Psnr. Lillie’s good morning What is Love? When all the world is young - VAUGHAN, COMYN. Apart 3 Rothesay Bay 3 Words by the Author of “John Halifax." I gave my love a. little rose 3 Rest (Spread thy silver vvings) 3 OBERTETIR. v \ I The stars are with the voyager 3 *< . LONDON: BOOSEY & $0., 295. REGENT STREET, W.
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Date: 1917
Text: Muuc Lnnnnv VASSAR COLLEGE pouomtm-sot. um vonu SONGS BY Philomel (WILLIAM SHAKSPERE) High voice, in B Medium voiczz, in D‘- The sea hath its pearis {HEINRICH HEINE) Medium voice. in F Low voice. in D%' Ye Voices, that arose {HENRY WADSWORTH LONGFELLOW) High voice, in A7 Low voice, in E I heard the trailing garments of the night (HI?.NP.Y' WADSWORTH LONGFFLLOW) High wnice. in D mm. Low \’(‘\1<‘f', in B min‘ ‘Itnuun The lighthouse (HENRY WADSWORTH LONGFELLOVV) High voice, in...
Show moreMuuc Lnnnnv VASSAR COLLEGE pouomtm-sot. um vonu SONGS BY Philomel (WILLIAM SHAKSPERE) High voice, in B Medium voiczz, in D‘- The sea hath its pearis {HEINRICH HEINE) Medium voice. in F Low voice. in D%' Ye Voices, that arose {HENRY WADSWORTH LONGFELLOW) High voice, in A7 Low voice, in E I heard the trailing garments of the night (HI?.NP.Y' WADSWORTH LONGFFLLOW) High wnice. in D mm. Low \’(‘\1<‘f', in B min‘ ‘Itnuun The lighthouse (HENRY WADSWORTH LONGFELLOVV) High voice, in E9 Low voice. in C BOSTON: OLIVER DITSON COMPANY NEW YORK: CHAS. H. DITSON & CO. CHICAGO: LYON & HEALY I HEARD THE TRAILING GARMENTS OF THE NIGHT (J) HENRY WADSW-‘ORTH LONGFELLOW '0”g?”“’ K‘/‘W Tranquilly (J : 63) V O I C E the trail — ing gar - ments of increase -e-— f‘ %. Zi Copyright MCMXVII by Oliver Ditson Company International Copyright Secured CECIL BURLEIGH Op. 32, No 4 10 5450-72081-3 saw her sa - ble skirts all fringed with T light, .5‘/zgﬁf/g /'efarzl grarlmzlly (Hm. ',__ fringed with ' __ From the ce _ les _ tial Walls! slag/ally refard gradually . — 9 q{»'\______,,/ Feb im-rea.s-e sf felt her pres - ence, by its” increase ()— ‘U3 5—150—72081 -3 2'02’!/2 breadflz #‘#,/f The calm, ma—jes — tic wit/z bread!/2 > dim. and net. pres —- ence F gradually dim. and rel‘. E 9% :'1~150-72081-8 The Musicians Library The masterpieces OF Song and piano literature edited by men of authority BRAHMS, JOHANNES FRANZ, ROBERT GRIEG, EDVARD HANDEL, GEO. F. HANDEL, GEO. F. JENSEN, ADOLF LISZT, FRANZ FORTY SONGS FIFTY SONGS FIFTY SONGS SONGS AND AIRS SONGS AND AIRS FORTY SONGS THIRTY SONGS For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low VOIC¢ For High Voice For Low Voiu For High Voice For Low Voice For High Voicc SONG ‘VOLUMES ' ISSUED Edited by Edited by Edited by Edited by Edited by Edited by Edited by JAMES HUNEKER WM. FOSTER APTHORP HENRY T. FINCK DR. EBENEZER PROUT DR. EBENEZER PROUT WM. FOSTER APTHORP CARL ARMBRUSTER For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice SCHUBERT, FRANZ SCHUMANN, ROBERT STRAUSS, RICHARD TCHA'I'I<OvSI<Y, P. I. WAGNER, RICHARD WAGNER, RICHARD WOLF, HUGO FIFTY MASTERSONCS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS (BEMBBRG TO FRANCK) MODERN FRENCH SONGS (GEORGES TO WI DOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (All Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS SONGS FROM THE OPERAS FIFTY SONGS FIFTY SONGS FORTY SONGS FORTY SONGS LYRICS I LYRICS II fr III FIFTY SONGS Edited by HENRY T. FINCK W. J. HENDERSON JAMES HUNEKER JAMES HUNEKER CARL ARMBRUSTER CARL ARMBRUSTER ERNEST NEWMAN HENRY T. FINCK DR. CHARLES VINCENT PHILIP HALE Edited by Edited by Edited by Edited by For Soprano For Tenor For BIFIIOHK and Bins For High Voice For Low Voice For High Voice For Low Voice For High Voice I‘or Low VOICC For High Voice For Low Voicc Edited by Edited by Edited by Edited by 3‘a“vn?v¢$f;'5&%¢$€a‘vv‘.-%€“:3f.~%»‘;'5n‘;'5f$fz%f.‘%f;%ﬁ VOL 1 Edited by VOL. II Edited by PHILIP HALE 3 For High VOICI For Low Voice For Medium Voice Edited by CECIL SHARP GRANVILLE BANTOCK GRANVILLE BANTOCK HELEN HOPEKIRK JULIEN TIERSOT WM. ARMS FISHER GRANVILLE BANTOCK RUPERT HUGHES H. E.i<REHBIEL H. E. KREHBIEL For Medium VOICI Edited by For High Voice For Low Voicc For High Voice F or Low Voice Edited by Edited by For Medium Voicz Edited by For High VOICC For Low Voice Edited by For Medium Voice Edited by I52? E3 I532: Edim’ 5)’ For Soprano For Mezzo-Soprano For Alto I. II Erlll IVf7V Edited by For Tenor For BAHIODO and Btu v‘:i‘vv’z'5v1-.5v‘5v..‘-‘vv‘:‘rv‘.i?vv‘.*$>‘;5v“.*.¥ V3 ﬁZ5ﬁif:3v‘a‘vv?:v?:%€;5€;%&¥v‘.‘5v‘.’vf;%vZ;%i1z%v‘:.%fx$»?:§ Edited by COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST Each volume in heavy paper, Cloth back, $l.50; in Full Cloth, gilt, $2.50. Copies mailed post»paid. Other volumes in preparation For Free booklet, giving full particulars and Easy Payment Plan, send to the publishers 4! OLIVER DITSON COMPANY‘ BOSTON <2‘
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Date: n.d.
Text: A.fA/BY, on [L 1/7 . v 374/v/v»m0d.>z2/X///\/I /M/J WRITTEN BY CDMPOSED BY ENJFEELW/.) QJHM ILIEJKLEY/A f X C! 15/05’, 45 /4 I/6704A gz/£77 rm 50/_°/M/V0 & 7-E/Vﬂpl’ 50/W2/V0 & co/vr/mm, M smw/vo 4/v0 5455, PH. 3 V, A. m Ma 77/; ca/v5£cm NM 0; /11/My/r/qr 6’/I/V/VE/? as/mu/v 0/ 7/201” M0/7/27 I’/A/V /Vl//V5 orggr/an/(M, man 033/ j’ 5 0/V 0» 5 ‘\D(/E77, v.) . LONDON; CRAMTR BEALE5cC‘.’201,REGENT STREET. E; / x: “EXCELSIO:§ :._ The shades of night were falling fast, As through an...
Show moreA.fA/BY, on [L 1/7 . v 374/v/v»m0d.>z2/X///\/I /M/J WRITTEN BY CDMPOSED BY ENJFEELW/.) QJHM ILIEJKLEY/A f X C! 15/05’, 45 /4 I/6704A gz/£77 rm 50/_°/M/V0 & 7-E/Vﬂpl’ 50/W2/V0 & co/vr/mm, M smw/vo 4/v0 5455, PH. 3 V, A. m Ma 77/; ca/v5£cm NM 0; /11/My/r/qr 6’/I/V/VE/? as/mu/v 0/ 7/201” M0/7/27 I’/A/V /Vl//V5 orggr/an/(M, man 033/ j’ 5 0/V 0» 5 ‘\D(/E77, v.) . LONDON; CRAMTR BEALE5cC‘.’201,REGENT STREET. E; / x: “EXCELSIO:§ :._ The shades of night were falling fast, As through an Alpine village pass’d A youth, who bore, ’mid snow and ice, A. banner with the strange device, The. Consecration of Pvxlaskiia Ba'nner,a:id Hymn of the Moravian Nuns of Bethlehem. (llla1s1.v'ated.) Song or Duett. Pr: 3/,. “EXcels’ior'l” His brow was sad: his eye beneath Flaslfid like a faulchion from its sheath; And like a silver clarion rung The accents of that unknown tongue, e “Excelsior l” In happy homes he saw the light Of household fires gleam warm and bright: Above, the spectral glaciers shone, And from his lips escaped a groan, i “Excelsior l” “Try not the pass l” the old man said: “Dark lowers the tempest overhead, “The roaring torrent is deep and wide l” And loud that clarion voice replied, “Excelsior l” “O! stay? the maiden said,“and rest "“*Thy weary head upon this l)reastl” A tear_ stood in his bright blue eye, But still he answer’d,w‘ith a sigh, “Excelsior l” “Beware the piv1k‘.—t1"tilJ{‘-3 withered branch! “Beware the awful avalanche l” This was the peasants last “Good Night :” A voice replied,far up the height, “Excelsior 1“ At break of day, as heavenward The pious monks of Saint Bernard Utter’d the oft—repeated prayer, A voice cried through the startled air, “Excelsior l” A traveller, by the faithful hound; Halt‘-buried in the snow was found; ‘Still grasping in his hand of ice That banner with the strange device‘; V “Excelsior 1” There, in the twilight cold and grey, Lifeless, but beautiful, he lay ; And froin the sky, serene and far, <' ‘ v _ 1 ‘(Speak ggxjilyis’ Companion to "Hearts and l-lomes” Song or Duett by John Blocltlcy . 2% I T ***“ExcELsIoRz” V——-@®>-—— Cémposed by JOHN BLOCKLEY. , I1/'r1'Vtten by H.VV.iLO\IGFELLOW. .x_1Jv1)AJv'cr12vo. T /5 /9 The shades of night were fall _'ing fast, As through an A1_pine /9/9 ' h ‘‘I Q? Village passﬂ A youth who bore, ’mi.d snow and ice, *7 banner with the strange deVi.ce,“Ex _ _ CEL_ _ _s1 _ on '..” * calla race. ﬂy!‘ ‘\-—/ #6 ate * Excelsi0r_. Hzglzverx Exam-1si,9r! John B7ock':-,-y. brow sad: his eye beneath F1ash’d like a faulchion /9/9 %V%' cres-____ccn_____do. from its sheath; And like" 5'11 _-_._Ver C/1Z1.___'I’i0Il rung The accents of tongue , “Ex _ _ CEL- _ - _ s1 _ _ -011!” mf A. dim: e mu. By thesame Composer,‘ Excelsior‘. \ “Evange]ine”(founded on L0n'gf‘el10w’S. Poem P1‘ 2/... 2 ‘> ***“ExcELsIoRz” V:-<®>-—— Cémposed by JOHN BLOCKLEY. , I1/'rz'Vtten by H.W.lowGF1«:LL0w. .x_1Jv1)AJv'cr12vo. T /5 /9 . \ nuﬁ The shades of night were fall _'ing fast, As through an A1_pine /9/9 ' h “I Q? Village passﬂ A youth who bore, ’mid snow and ice, *3 banner with the strange deVice,“Ex _ _ CEL_ _ _s1 _ OR '..” * calla race. nyf‘ ‘\—/ ék * . * Exce1.<;i0r_. Eliglzerx Ffxn-1si,,or! John B7ock’:.,—y. its accents Excelsior‘. beneath Flash 11 like a faulchion ~17” sheath ; And like“ a sil __ __ _ver c121 __ _ rion rung The f. of tongue, “EX_-cEL____s1___0R'.” mf A. dim: e rall. By the same Composer,‘ “Evange1ine”(founded on L0ngfelIow’s Poem .) Pr 2/_ Con tenerezza . In hfa}-Jpy homes. he saw the light Of household‘ gleam warm and bright: AboVe,the ._spe_ct1-a] ‘glaciers dolente. And from his ‘. lips escaped a groan, “Ex__ -_cm.__A_-sj’.__oR!?" Exce’I"i"r"\ - “Exce]Si,0r!y’ ‘Va Duett bi’ ‘.P1'.‘c5l/ - John B1r)n;(1€Y Pqrldrzte. ‘$9 4“Try not the pass the old man said: “Dark 1ow’rs the tempest "f '\;/' emer ico. . . , /{gt motto, ores .... .-cen .... -.do /\ o _ _: _ '_ _ verhead , The réax-_ ..ing‘ torrent is deaf) and wide?’ And o.cv.-.-o-o. "-'._""L_‘_)"". J adlzlb. 5‘ loud that cla - ., rion voice replied, “Ex _ _ CEL _ _ _SI _ _OR '.” A mfL "sf «0! “Eliza Cqo_K’s” Ballads. V ‘ mu." - . _' , _ Excelsior! _ “Love ‘on. ‘ Star of my hoyle 3’ “W1nter.Tree ,” “WiTt thott_he_m1_n_e3’ &c. Pm?‘/_ mach. John Blockley _ »Exc¢1si0r! The admired Songs and Duetts,"‘Ycsterdayf3L‘{To—mox-xrowf and “To-day?’ Ca)_ztabi[e -P molto F.$prcss1'v0. stay,” the maiden said, “and rest Thy wea‘___I'y head up- / C7'(3S_.., ‘.2 _on this breast!” A tear stood ' his bright blue eye, But rall:edz'm. /5 f_\ still he answer’d , -with _a sigh,“Ex _ CEL ._ _ s1_ OR 3” /A A v ' ‘ , /‘j g . 9/ A/E-:./\\ .— /9/9 *\"’/’ "If? ,\f. Sf _ware the pine—tree’s with/er’d branch! Beware the aW_fu1 a._vaIanche*’.’’ . By the same mpofser John B1ockIey( Do./cc e pom piu lento . This was the peasant’s last“Good Night§’A voice rep1ied,far up the height ,“EX_ /9/9 (’7wr'g1'co.r-\ Larghetto e Ré>lfgz'oso. _CEL_-_S'I__-OR!” At break of day, as /9/7 . \_/ . heavenward The pi;ous,n1onks of Saint Bernard L Utter’d the oft—re_ V /5 - /3 dd libf;-\\ /3 _peat._ed. prayer, A Voice cried thro’ the startled aiF:‘EX~CP3L_Sl_OR 1”/\ J? 7”{]v ’ ‘ "f mf_ralZ. . ‘ ~ .\°.=" By the same Composer. , “The last Song‘ of Sapphoi’ Poetry by NIT’ Hemans. (Illustrated in Colors Pr-.2//f6-‘_J l‘)xc€<:i.>r. _Jchx;- Bloc‘-<1‘ey. *3; Pa rlante. trav’_-ler, by the faith -_ ful hound, Half e — buried /9/9 was found, Still g1~asp_ing in his hand of ice That nif banner with the strange device,“Ex__cEL _ s1 _ OR !” *i‘** The Al‘i)ine or S? Bernard’s Dogs, so celebrated for the services they render to mankind, are trained by the worthy monks of the Hospice of Mount Si Bernard, for rescuing the unfortunate tra_ veller amid the glaciers and snow-drifts of the mountains . They are sent out in pairs, one with a warm cloak fastened to his back, the other with a basket tied round his neck, containing some cordial and bread . If they find a traveller who has sunk in the snow, they will lie down beside him, until by their warmth they restore heat and energy, and thus frequently save, his life . __ If he re- covers sufficiently to he able to walk,-Athey conduct him to the convent and by loud harking give warning oflztheir return; if the traveller he insensihle, they hasten for‘ sucéonr and guide the ..monks to the spot . ‘By the same Composer- The Honb_1_e M5 Norton’s Ballads . -“I remember thy voice: “Friend of our early days’."‘My Childhoods home?’ Pr 2/.. ea: John Blockley Lento. 'fI"here, ln the twilight cold and grey, Life___1ess,but ;be=au_ti__ Qf - ‘ef ‘Q? A _ and Jul, he lay; And from the sky, se___rene and far, A tenuto . libitum. voice fell, like a fall _ ing‘ star, “Ex- _ _ CEL _ _ _s1_ _ ~01: 1” “Ex, f'\ calla voce . ./Vlorendo . pa cc ‘ [99 _ _cEL-__._s1___oR. EX-__cEL____s1__0R. Morendor /yo xv/% /9/9/9 M, KSJ Excelsim-. London, Published lxy.J1\hn_ B"l0ck1ey,N° Pa-rk Rc>ad,Haverstock Hill . ;“I“lE\W & @UETIT$3_I@@MP®SE@ vﬂ@AUH*lN _______.______.___....._._.._______.._________._._. ('fm2l24tIn' souo 2/6 DUETT 3/: POETRV. LONGFELLO ,MUSlC.J . B LOCKLEY. Iézoc/rz£r.'9 zxcszs/on //v c, ,/Jr 55 /252/m/2//M (2/2/72, /Io:/Z/"mg, m2/~//¢// 0/Z0//5//k//mV.} paw/‘72/. mm; Ar /25/2: /za/zz/12/zn’ 4%/1///22, "n/.5 I’£ﬂ.S'£ arr//5 A/,4/om." “rm: om /Im/3 Ana/r£.ss§' "ms norm’: or S.’ unm/70$ HM V£ﬂ,"c£3]Z7£(Z//a air 52’/'////2/14’/I/2 at-7 a/”/émizzg am//Z 9'/M22 :2/‘/mix‘ J/Ex’ /M//z/z/may W///%:.r /2/I//1f.r 6})/7///are/.’ '@'bI* 13 mag 13 atg, sons 2/» D u 5712/- , POETHY, LONGFELLOW ,,,, ..MUSlC.J.BLOCKLEY. '//"M Z/u‘I“(2a’/w/0/3.! .5}///L/7&0/y zZa.5'0iz,'0I/‘zine 0/” at A3czZ/z5//)zz_(/ z.r ace/y M/,;/zwﬁ;/7/'.r£1'//', and yaw’/& (L I20z2(3//g/ /'/a éa//Zlad W/ZZZILLQ. " ‘CW5: ﬂértfrgt. PRICE 2/- Foamv. LONG!-'ELLOW,,_,_.,MU SIC , J .3 Lo CK LE Y. I’//rzizﬂré J/Le /L/mm/"aim pop la/a,/'/Jowmv of //ulr ///4/My/: /M éyww o/zm/M l‘€¢l(&'7”l/./{Q max» ([015) aoy Z/M/z"r/IE aw/00:22‘ Ar 4 J‘0!&/ ‘(Viz-/7”!-/y 00//1/2o.ré//‘Z0/z»." glﬁwfzstrpzz nffhtgtlﬁ, . P n I c E 2 / — -.__._._..___,____ POETRY, LONGFELLOW .... ..MUSlC.oJ. BLOCKLEY. /?’/ﬁn:/I.r Ma //tom ézlawlz/Z5! 0/‘Z0/zy./é/lo mi“ /20. r’//w /,‘/ -('4/in/z.r, /ifwn/z oo/&/i'a2/2£(1/ rmrz///1//M/ml /Z M //2/2 /2,/1.//ze/mam cm’/22¢/v/11° 0/‘E VA #6 £4/A/5," my title pa;/za Ar e/2z&e~//Zyéwi mm 4 //[gm I’/24! /)0/'/77,7.z7t 42/" 2‘//zzi.rI'/2/_‘/)5/[_ylya'/‘tea?’/}/air" Ebr Gjtuttlarxn, oua-r1 2/» I If POETRY LONGFELLOW .... ..uIusIc..I.aI.ocIc_I.av.i 3 cousecmmou or PULASKIS BANNER,& HYMN of THE MORAVIAN NUNS, J'a)1gori9Itat£///lHw£razt:ol/3/ 3!’ 210 'PI=u:vI:Ni M.I's‘uKI:s.oI=Ioaas‘ SHOULD SPECIFY av"BLOc‘KLEY." ‘Q A Iamm Ilf arm. j . SONG, 2/- DUETTAZI POETRY. LONGFElLOW,.,,MUSIC.J. B LOCKLE-Y. -ZUIIGFELLOW3‘ PSALM or Z/FE, ;s 50 /25341411/zkl aw ,u.ecz}2Z.{y #13 last [W0 ﬂé‘/1.1‘/,’vJ‘,l/2611.4" ma wax/z/1(M m..rzlI'tqz1,()ézI2zg Z/mm/. [Z is D£:'/y cr//“£m’I.'oe 41: ’ ‘“”“”""" Ognah ﬂight. P R I c E 2/» POETRY. LONGFELLOW, MU SIC, u. B_LocKLEv Z sznsmos IN I, /2» ta/'(&(;&/kl and a/7&5/aw; aompa.r1/liar:/; Z/M /M/‘mo/z/A arwzéizz/1.12/>/_z.r on t/to mpatztm/Ly 0/ 0000 NIGHT asLor£o"r1re ﬁappily oaiwzséla (ml, we doubt /wt‘ tﬁzw [/1133 will beam/w an ,2Mpu//m’-/2/Léoe (la {' /wart. " r-rr-I I ' ’ wlbab er; P RIC E 2/- POET RY, LONGFELLOW .... ,.M U SIC. IJ JBLOCKIEY. .'s'oIvo or THE wnrm NYMPHSTQ7,/77;/,'.I‘ J‘z.w,_a/ /-.9 A ~/ILZ./Z0/IJ‘ aw f‘})/~r;Zé4// 0/0/74? 0/" /20:9//z.r:& aarly (307/L/70¢!‘/ll(77L.S', 13/ 115' //H a//It J5 eelcg ti//I/Z." '?3l‘.éIiI'/&¥1Iff1)L’§f11l1'1ll1’1‘_,*'9,'I‘gI)I, A PRICE 2/— ” F0 ETR Y, LON GFELLO w ~... ..M U SJC,J.J.BLOC KLEY. //L Ma J5/vnacz/3 ée/"one wt [0/Ly//:<‘//of/’.,3‘ ézmz Z;/ZZZ po_/;ra.r zz/1/3 We/I a’¢.'r/2&1/gal. /7/,& J‘/21'/'/Z 0/‘ J/M poetzy 1?-.r /m’mz'zzzé{z/ 1'6/21513/Z’/X. " ‘Eb: way at &tbI:3?1nInrrz«*, so N e 2/. POETRY, LONG-FELLOW I...,,MU SIC, J‘. BLOCKLEY. E59 I§iirn’t LWIIIIB, sons ‘2/- DUETT 2/. POETRY. LONGFELLOW..,., _.MUS|C. J .BLOCKLE‘Y. ELEV. ‘
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Date: 1908
Text: P EARLS LGW VOICE Muslc BY uow HENRY BUR CARL F|SCHER LONDON’ rams LBIPZIG V_ uusnc uannnv VASSAR COLLEGE “The Sea Hath Its Pearls” (Heine -Longfellow.) Moderato. V its pear1s,..__ my heart,__ HENRY BURCK. P the heaiv - en hath its stars, (1 but my .._.:TV 377: my heart hath its ‘love. Uopyﬂglzt MUMVIII by Carl Fz'sclze1; New York. 12244 - 3 International Copyright Secured. [7 molto tmnqzﬂllo mf Great are the sea and the heaV— ens yet great — er my 2’ molto t'ramqm'llo p and...
Show moreP EARLS LGW VOICE Muslc BY uow HENRY BUR CARL F|SCHER LONDON’ rams LBIPZIG V_ uusnc uannnv VASSAR COLLEGE “The Sea Hath Its Pearls” (Heine -Longfellow.) Moderato. V its pear1s,..__ my heart,__ HENRY BURCK. P the heaiv - en hath its stars, (1 but my .._.:TV 377: my heart hath its ‘love. Uopyﬂglzt MUMVIII by Carl Fz'sclze1; New York. 12244 - 3 International Copyright Secured. [7 molto tmnqzﬂllo mf Great are the sea and the heaV— ens yet great — er my 2’ molto t'ramqm'llo p and fair -’ er than pearls and stars . "f 17> flash-es and beams my love. Thou 1it—t1e youth—fu1 mai — den /‘\ > > > _._“‘_?;:=- >/\ .F‘i‘.tE/we poco animando f c/resc. ed accelemndo P 712 come un—to my_ great heart,___ my heart_ and the sea, f 1...}. }9 Mesa. ed accelenmdo poo-0 ammando broader f _ heart____ and the : and the heav — ens are melt - i_ng, broader If ﬂ‘ pescmte melt-ing a - Way,__ with love.
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Date: 1904
Text: -~ v.. .33’ Z‘;‘‘>; ' _4,.n.». >v 3- F‘ »V /4, RV » ix M -r-. .z-./~ s,, K ' ,,,.u.; T my Dnnﬁﬁc-a BABY TERENCE [ His Book] TNELVESMALISUNES FDR SMALL PEUPLE l9N DQH SCHQTT & C2 MAYEHCE B.sQH<.>n'ss<2'HNE PARIS EDITIQNS SCHQTT BRUXELLES scrmr FRERES COPYRIGHT PRWTEDIN GERMANY. Hl|[|f\ HDElﬂ°|°DE NEEDHHM. TWELVE SMALL SONGS FOR SMALL PEOPLE. TWELVE SMALL SONGS FOR SMALL PEOPLE ALICIA A1)E'LA°1'DE NEEDHAM ’ ‘ — V v v A‘: ‘ l I A V’ < -scHo...
Show more-~ v.. .33’ Z‘;‘‘>; ' _4,.n.». >v 3- F‘ »V /4, RV » ix M -r-. .z-./~ s,, K ' ,,,.u.; T my Dnnﬁﬁc-a BABY TERENCE [ His Book] TNELVESMALISUNES FDR SMALL PEUPLE l9N DQH SCHQTT & C2 MAYEHCE B.sQH<.>n'ss<2'HNE PARIS EDITIQNS SCHQTT BRUXELLES scrmr FRERES COPYRIGHT PRWTEDIN GERMANY. Hl|[|f\ HDElﬂ°|°DE NEEDHHM. TWELVE SMALL SONGS FOR SMALL PEOPLE. TWELVE SMALL SONGS FOR SMALL PEOPLE ALICIA A1)E'LA°1'DE NEEDHAM ’ ‘ — V v v A‘: ‘ l I A V’ < -scHo'r1"s sbnfzgl‘ . V ,1” J: K.- { ; .‘./' LONDON, SCHOTi’ 8: C0-' 187 8: 159 Regent Street. Printed in Germany. Copyright 1904 by B. Schott’s Sifhne, Mayence. TO MY DARLING LITTLE SON 213%“ ~:.%3§. NOEL TERENCE NEEDHAM (AGED 3) CONTENTS. Mr. Turnip’s Complaint . A Wee Little Star . The New Little Shoes A Sad Tale Seven Times One Six Little Foxes The Trains at 6 and 8 The Bicycle Bird A Naughty Little Girl A Little Brown Rabbit [n Disgrace At Nighte Time MR. TURNlP’S COMPLAINT. Mr. Turnip sat sighing, And this was his moan: ”Those tiresome young rabbits Won’t leave me alone. They nibble and nibble On this side and that,- They think I’ve no feeling Because I’m so fat“. So sighed the poor turnip, With tears in his eyes- "Oh, would that those rabbits Were made into pies!“ MR TURNIP’S COMPLAINT. Words Anon. Muslc by Alicia Adelaide Needham. Allegretto . ter Turnip sat sig ,And this was his moan:“Those tire- some young rab - bits W0n’t leave me a-1one,- They > \¢ y f can z'ndz'g1mzz'one nib-hle and nib-ble On this side and that,- They think I’ve no feel-ing Be- >/‘*5 mf Stich u.D1-uok von B. Schott’s Siihne in Mainz. 27539, 1, cbpg/right 1904 by B. Sclaottis S6lme_ _ corzt. 7”? “ “'7” 0 774?’ cause 1m 0 fat- They think I’ve no feel-ing be - cause Im so fat?’ IT 000 Mt. /———ﬂ—s\ mp m 000 meno mosso. So sighed the poor turn-ip,With #— mp calla voce a temp Q tears in his eyes._“Oh! would that those rabbits Were made m V f 27539.1. A WEE LITTLE STAR* A wee little star lived up in the sky, Ever so high, up, ever so high; V And the way it kept blinking, You couldn’t help thinking, Up there in the sky, it wanted to cry; Up ever so high, up, ever so high. But this same little star, who lived up in the sky. Ever so high, up, ever so high, Was just playing “bo-peep”, With a boy half asleep VVho thought he could spy a hole in the sky, Up ever so high, up ever so high. * By kind permission of Messrs. Novello & Co., Limited. A WEE LITTLBSTAR. Words by Berthold Tours. _ _ M}1S_§C by A11c1a Adeleude Needham. Andante eon grazla . m wee lit-tle star ved up in the sky, E -ver so high, up, T e -ver so high; And the Way it kept blinking, You could-n’t help think- ing, It L; P P Stich u.Druck von B.Schott’s Siihne in Mainz. 2753-9_ 2 _ Uopyrigkt 1.904 by B. Sclzottis Siilme. Want-ed to cry, Up there in the sky, mpa tempo But this same lit-tle star, who lived up in the sky, Up e - ver so high, ..%\ e - ver so high, Was just play-ing“Bo peep”with a boy half asleep, G \ _ thought he could spy a hole in the sky, Up e—ver so, e-ver so ﬁéf. f _ mp molto ritard. 27539. 2. same lit-tle star lived up in sky mfpoco accel a tempo E-ver so, e-ver so high, e-ver so . > wee lit-tle star that lived up 27539. 2. THE NEW LITTLE SHOES. You would know by the way she goes creaking about, Peering down from all possible views At the two little feet thrust complacently out, That Polly has on her new shoes. They are neat, they are gay, they are buttoned up high! They are lined in a brilliant blue tint; They are bright as the stars twinkling up in the sky, Or a penny just out of the mint. But it isn’t for that she’s so happy and proud, That she's almost unable to speak; It’s because they give out such a charmingly loud, Such a perfectly beautiful squeak. EMMA A. OPPER. X THE NEW LITTLE SHOES. Music by W d b E A. 0 . . . , .. of 3 3/ mm“ “W A11c1aAde1a1de Needham. Allegro Vivace. mf You would know by the way she goes creaking a - bout, Peering down from all pos-Si - ble views Stich u.Druok Von B.Sch0tt’s Sﬁhne in Mainz. 27539, 3 _ Copyright [.9 04 by B. S0/iz0ﬂ’~$‘ L5't'J'/me. two lit-tle feet thrust com — p1a.- cent-ly out, That P01-ly has on her new Meno moss m They are neat, they are gay, they are Mano mosso. /3 mf f'\ a tempo. but-toned up high! Theya.re lined in a bril-liant blue tint; They are leggiero a tempo. poco rz't. bright as the stars twinkling up in e sky, pen-ny just out of the /T atem 0 mf vivace A 27539.3. mf But it is.. for that she’s so hap—py and proud,That she’s __———-—"*""" ral- - .f- len- ' a1-most un- at-ble to It’s'be — cause they give out such a f-' Zen - tiff,’ n -mf . ha tempo charm-ing- ly loud, Such per-fect - ly beau-ti - ful squeak! - mf‘- do atempo 27539.3. A SAD TALE. __.iT..9*.._H.__. He was a rat, and she was a rat, And down in one hole they did dwell, And both were as black as a witch’s cat, And they loved one another well. He had a tail, and she had a tail, Both long and curling and ﬁne; And each said, ”Yours is the finest tail In the world, excepting mine“. He smelt the cheese, and she smelt the cheese, And they both pronounced it good; And both remarked, it would greatly add To the charms of their daily food. So he ventured out, and she ventured out, And I saw them go with pain; But What befell them I never ‘can tell, For they never came back again. A SAD TALE. Words Anon. Music by Alicia Adélaide Needham. Andantino . PIANO. mf semplice mf He wasa, rat, and she was a rat, And down in one hole they did And both were as black as a witch’s cat, And they A - Stich u. Druck von B.Sehott’s Siihne in Mainz. 27539. 4 . copyright 1904 I’-7 B‘ Sclmttrs ‘%7me' 000 rz't. ‘‘ 537"?" loved one an-0 - ther Well. He ’had a tail, And T rzz‘. D she had a tail, Both long and curl-ing and fine; {T rail. - — each said.,“Y0ur’s is she fin - est tail In the world, ex - cept - ing {"-'-(1-———.$ rall. if ben marcato 27539. 4. He smelt the cheese, and she smelt the cheese,Andthey sotto voce both pro—nounced it And both remarked, it would 27539.4. —_::_:,_ er! poco ritard. great-1y add 0 the charms of t eir dai - ly food. poco rz ar . > E‘-lx mp a tempo he ventured out, and she ventured out, And I saw them go with $ mp a/h;¢&_\' rall. But what he — fell them I ne—ver can tell, For they /” cf rail. ben marcato ne-Ver came back 3, — gain. fa’ fem 0. F : SEVEN TIMES ONE. There’s no dew left on the daisies and clover, There’s no rain left in heaven: I’ve said my “seven times” over and over, Seven times one are seven. I am old! so old, —— I can write a letter! My birthday lessons are done; The lambs play always, they know not better, They’re only one times one. 0 moon! in the night, I have seen you sailing And shining so round and low; You were bright! all bright! but your light is failing You are nothing now but a bow. You moon, have you done something wrong in heaven That God has hidden your face? I hope if you have, you will soon be forgiven, And shine again in your place. 0 velvet bee, you’re a dusty fellow, You've powdered your legs with gold! 0 brave marsh marybuds, rich and yellow, Give me your money to hold! 0 Columbine, open your folded wrapper, Where two twin turtle-doves dwell! O cuckoo-pint, toll me the purple clapper, That hangs in your clear green bell. And show me your nest with the young ones in it; I shall not steal them’ away; I am old, so old! you may trust me, linnet, I’m seven times one to day! JEAN INGELOW. SEVEN TIMES ONE. Words by Jean Ingelow. I10 Stich u. Druck Von B.Seh0tt’s Siihne in Mainz. Allegretto con dignita . dew left on the /\ There’s no leggiero con grazia rain left in heav-en: {--'—“"*\ mp \-\_§_______-we L/ 27539.5. Music by Alicia Adélaide Needham. daisies and clo-ver,There’s said my “Se-ven times” mf /”"_-'-_'-‘T/-\ 00));/Mgkt 1.904 by B. Sclwtfs i5’()'/me. 0 - ver and O _ write a let - ter! My Se -ven times. one se-ven! old! so o1d,_I can rallf;-:—— mp birth-day les-sons are done; ‘I rall.:_:-,,_~—=. mp 27539.5. a tempo Tall. ’:_:>-- lambs play always, they know no bet-ter, They’re on - 1y one times /"—‘~F/"“‘;,\/"-\\ O moon! in the night, I have rail. . Zi. seen you sail-ing And s - ing so round and low; You were f'.\ g_____/ __»_:i Q a tempo bright! all bright! but your light is fail-ing, You are noth-ing now but a a tempo 1 e ‘era Mezzo mosso You moon, have you done some-thing wrong in heaven That mp. 6>3e$‘\~— _.e__’’’_: “‘_:;> God has hidden your hope if you have, you will molto ritard. _____ ‘:—. soon e or..giv— en, And shine a- gain your place. " molta rit EI m . Tem 1.‘ Vivace. vel - vet bee, you’re a /\- dus — ty fel-1oW,You’ve powderedyour legs with gold! 8 brave marsh ma—ry-buds, r oh and yel — low, Give me your mo-ney to €____________2 J rall. 00- lumbine, op-en your fold — ed wrapper,VVhere two twin tur - tle- doves mf :o mp a tempo. dwell! Cu-ckoo-pint toll me the pur- ple c1ap—per,That 8 ritard. L. hangs in your clear green bell. 8 I 27539. 5. WE: show me your nest with the young ones in it; I shall not steal them a.- mf 0 old! you may trust me, lin-net, I’m my joyfully tempo se — ven times one 27539.5. SIX LITTLE FOXES.* Six little foxes were tempted to roam, Heigh—ho, heigh-ho! They had six little brushes, but never a comb, I-Ieigh—ho, heigh-ho! And their grandmother told them, with tears in her eyes, “You’re old for your age, but you’re small for your size, And out of this hole you’ll not go if you’re wise," Heigh-ho, heigh-ho! But the six little foxes cried, “Grandmother Dear!” Heigh—ho, heigh-ho! “We may not be strong, but there’s nothing to fear!” Heigh-ho, heigh-ho! “And more of the world, we’re determined to see, Than a hole in the ground at the foot of a tree; And we’re cunning, as cunning, as cunning can be!” Heigh-ho, heigh-ho ! “If you meet the Red Huntsman, be not too bold,” Heigh—ho, heigh-ho! “For the hounds ate your Daddy«you’ve often been told,” Heigh-ho, heigh-ho! “And if they catch sight of you, run as you may, You’ll not find it easy, my dears, as I say, To leave them behind, as you gallop away.” Heigh-ho, heigh-ho! - The six brothers laughed at their old granny’s fears, Heigh—ho, heigh-ho! They all scampered off, in spite of her tears Heigh-ho, heigh-ho! She watched and she waited all day by the door, And begged Mr. Weasel to go and explore; But they never, no never, came home any more, Heigh-ho, heigh—ho ! From “LITTLE FOLKS.” ' * By kind permission of Messrs. Cassell & Company, Limited. SIX LITTLE FOXES. From “Little Folks.” Music by Alicia Adélaide Needham. Allegro Vivace non troppo. Six lit- tle fox - es were tempt - ed to roam, They had six lit-tle brushes, but Stich u.D1-uck von B.Schott’s Sﬁhne in Mainz. g7539_ 6_ 6’opym'g}zt 1904 by B. Sclwttlv So"lme. 35 12000 7'z'tard. a tempo - ver a. comb, Heigh — ho, Heigh — 110! And their 7 Eff " poco ritard. L r _.___h_._—§— L’) Grandmother told them,with tears in her eyes,“You’re old for your age,But you’re Z" a temgo : —;_—.—.—,— L f small for your size, And out of this ho1e,yo1f11 not go if you’re wise,” {""-----jh a tempo Heigh - ho, Heigh- ho! f vivace. But the ' lit-tle fox-es cried, “Grand - mo-ther Dear!” 27539.6. m poco ritard. may not be strong,but there’s nothing to fear!” Heigh - ho, m poco rztard. \_j mp a temp0___,___,€_.—_——_--__ “And more of thewol-1d,we’1-ede - termined to see,Than a __=_________,._____————___ ral - hole in theground at the foot of a tree;Andwe’re cunning, as cunning, as - ta” ' ' do a tempo \/ cunm'11gcan__- be!”__. Heigh - ho, Heigh - hq!V {'~———_—T you meet the Red Huntsman, be not too bold? mp Heigh — ho! “For the hounds ate your Dad-dy you’Ve of-ten been p(0fc.0 ritard. e > r atempo if they catehsight of you, run as you may, You’ll not find it e'as— y, my f mu. \/ clears, as I say, To leave them be—hind, as you gal-lop an - way,” {T {T .-_—{’___ fvivace 27539. 6. fmolto ritard. six brothers laughed at their old grannfs fears, Heigh - ho, Heigh- ,fmolz‘o ritard. - mfa tempo ho! They all scampered off, in spite of her tears, poco ritard. Heigh - ho, Heigh - ho! She Watchedand she wait-ed all } poco ritard. \__/ day by the door, And begged Mr. Weas-el to go and exp1ore5But they > flmw ".55 ___—‘___,.. molto ritard. A > "=1:-I: ne-ver, no, ne-ver, came home any more, Heigh - ho, Heigh .. ho! fpoco rit. % ‘L. 27539. 6. THE TRAINS AT 6 AND 8. _:. The ﬁrst train starts at 6 p. m., For the land where the poppies grow; The mother dear is the engineer, And the passengers laugh and crow. The palace-car is the mother’s arms; The whistle, a low, sweet strain; Then the passengers wink and blink and nod And fall asleep in the train. At 8 p. m. the next train starts, For the sleepy land afar; The summons clear falls on the ear, ”All aboard for the sleeping car!“ So I ask of Him, who children took On His knee in kindness great, ”Take charge I pray of the trains each day, That leave at 6 and 8 “ E. R. LOUDEN. THE TRAINS AT 6 AND 8- Words by ER. Louden. MuS__iC by Alicia Adélalde Needham. Allegretto semplice . VOICE . train starts at For the land where the pop - pies Stich u. Druck Von B.Schott’s Siihne in Mainz. 27 53 9_ '7_ 0019.1/7“Z'gkt 1904 53/ 3- 30710317»? 55/1709- M0 - ther dear is the en- gin - eer, And the pas-sen-gers laugh and mp so/wrzando g/. mp dolce rall. pa,-lace - car is the Mother’s arms; The whist-le, a 1ew,sweet 27539.7. strain, Then the pas - sen - gers wink and a tempo fall a - sleep in the train. ¥__./ mfa tempo \._./ At... mfa tempo \_/ the next train star.ts,For the sleep— y.___ land a. le mp The sum-mons clear falls on the ear, “All a- {{_—_“'${é'-""""‘\ mil _ board for the sleep- ing car!” mp so/wrzando {T ask of Him who child-ren took, On His poco rit. i Implorcmdo knee in kind - ness great, “Take charge I pray of the mp poco rit. X 0 trains each day, That leave at 6 /"”"""T\“‘\\ 27539.7. TH E BICYCLE BIRD?‘ The bicycle bird is a wonderful fowl That is found where the roads are good; With scarcely a sound it careers o’er the ground, And oil is its principal food. It utters a sad and peculiar cry Which sounds like “Punk—punka! Punkture!” And sobs fill its throat, when it raises this note, As those who have heard it feel sure. It’s fond of a hill, but it likes to go down, And not up, for itsgtyred from its birth. With one ﬂashing eye it flits rapidly by, When darkness is over the earth. It rests against railings, but ne’er goes to roost, In trees that would shelter it, which Shows singular taste, but it sometimes, in haste, Will seek its repose in a ditch. The bicycle bird makes an excellent pet When tame, it has scarcely its match; But ’tis, I must add, for a girl or a lad, A troublesome creature to catch! FELIX LEIGH. *By kind permission of Messrs. Cassell 8: Company, Limited. THE BICYCLE BIRD. Words by Felix Leigh. Music by Andante con grazia. bi - cy— cle bird is a won—der-ful fow1,That is found where the roads are good; With scarcely a sound it Stich u.Druckvon B.Schott’s Sﬁhne in Mainz. 37539_ 8 . . Copyright 1904 by B. Schottic So”lme. Alicia Adélaide Needham. reers o’er the ground, And oil is its prin—ci - pal food! mm It ut-ters a. sad and pe- cu- li - ar cry, Which sounds like “Punk-punk-a.! Punk - ture!” poc0 {*5 sobs fill its thr0at,when it raises this note, As thosewho have heard it feel /3 {T a tempo J” a tempo It7s fond of a hill, but it likes to go down, And not up, for its tyred from its birth.____ With one flashing eye it flits ra,-pid.-1y by, When dark-ness is 0-ver the earth. 27539.8. P It rests against rail-ings, but ne’er goes to roost, In trees that would Shel-ter it, which Shows mf ‘ 17000 mall. a tempo sin—gu-lar taste, but it some-times inhaste,Wi11 seek its repose in a { 10000 rall. 27539.8. Paco mezzo mosso. The bi - cy - cle bird makes an ex - cel-lent pet._When mf calla 12000 /-——__T 27539.8. a tempo tame, it has scarcely its match; But ’tis, I must add, for a rail. f girl or a lad, A trou-b1e—some creature to catch! K2 27539.8. A NAUGHTY LITTLE GIRL. There was a little girl, and she had a little curl Right down the middle of her forehead; And when she was good, she was very, very good, But when she was bad, she was horrid. One day she was upstairs, when her parents, unawares, In the kitchen were occupied with meals, And she stood upon her head in her little truckle-bed, And she then began hurraying with her heels! Her mother heard the noise, and thought it was the boys A-playing at a combat in the attic; But when she climbed the stairs, and caught her unawares. She took and she did scold her most emphatic! There was a little girl, and she had a little curl, Right down the middle of her forehead; And when she was good, she was very, very good, But when she was bad, she was horrid! LONG FE LLOW. A NAUGHTY LITTLE GIRL. Words by Longfellow. . Music by Alicia Adélaide Needham. Allegro. 9 ’ mf rail, a tempo was a lit-tle girl, And she had a lit-t1ecur1,Right down in the middle of her )- > And when she was good, she was ve - ry, ve— ry good, But /5 F Stich u. Druck Von B.Sehott’s Siihne in Mainz. 27 5 3 9. 9. 6’010:m'g/at 1904 by 13- S0/wtfs Sﬁiwm a tempo when she was bad, she was hor-rid! One day she was upstairs,when her parents, un-a-wares, In the ex kiteh.-en were oc-cu-pied with meals, And she stood up-on. her head, in her 27539.9. I7” little truck1e- bed, And she then began hurray—ing with her heels! meno 7710880. motherheardthenoise,a,n<1 thought it was the boys A - playing at a combat in the p calla voce P000 rall. a tempo ral - at- tic; But when she climbed the stairs, and caught her 1111 - a — wares She {woo rail 0 56771170 2 took and she did scold her most em- pha—tic! A”’/’g7'0- whip a tempo 712 mil. lit - tle lit - tle curl,» Right > a tempo in the middle of her fore-head; And when she was good, she was > mfa tempo ve-ry, ve-ry good, But when she was bad, she was hor-rid! #\____,_,,/ 27539.9. A LITTLE BROWN RABBIT. ‘*9 A little brown rabbit sat under a tree, With a little brown headache, to boot, Since not for his little brown life could he see Why he couldn't get up it on foot. ”There’s a little red animal, very like me, (But with very inferior ears), Who hops to that tree-top as quick as can be!“ And he squeezed out two little brown tears. But the small wicked squirrel peeped down from his branch, (Dropping nut-shells beneath him like hail), And winked at his friends, as he said, "But by chance, You’ve forgotten, friend Rabbit, my tail?“ And a little brown heap gave a little brown jump, And uplifted a little brown wail, As it mournfully looked at its little brown stump, ”\7Vhy of course, I’d forgotten his tail!“ EVELYN GLOVER. * By kind permission of Messrs Cassell & Company, Limited, A LITTLE BROWN RABBIT. Words by Evelyn Woven Alicia A1:2J1SeLi'1°(:ieb1{I7eedham. Andante. lit - tle brown rab-bit sat mf un — der a tree, With a lit -tle brown head—ache, to boot, Stich u.D1-uck von B.Schott’s Stihne in Mainz. 27539. 10. Copyright 1904 53/ 13- 50/005” S070”?- not for his lit-tle brown life could he seeWhy he could-n’t get up it on 07880. “There’s a. lit-tle red a — ni- mal, ve.. ry like me, But with tempo 27539.10. a tempo ve- ry in - fe - ri — or ears,) Who hops to that tree - top as quick as can be!”A;nd he squeezed out two lit-tle brown tears. fI\ 27539.10. down from his branch. (Dropping nut—she11s beneath him like hai1,) winked at his friend.s,a.s he said,“But by chan-ce,You’Ve forgotten,friendRabbit,my c 27539.10. mf And a lit - tle brown heap gave lit-tle brown jump, And up- mfa tempo lift-ed a lit-tle brown wail, , ° mourn-ful-1y looked at Q m lit-tle brown stump§‘Why of com‘- se I7d forgotten his tail!” > mf 27539.10. IN DISGRACE I didn’t mean no harm, Not at all! I only held my hand For the ball, But somehow it hit his head; Then his noseit went and bled; And as if I’d killed him dead, He did bawl. Nursey said I was a horrid Little wretch, And Aunt Jane said the police She would fetch; And cook who's always glad Of a chance to make me mad, Said "Indeed she niver had Seen setch!“ - No, I never, never will Be good! —- I’ll go and be a babe In the wood! I'll run away to sea, And a pirate I will be! Then they’ll never call me, Rough and rude. How hungry I am getting, - Let me see! I wonder what they're going to have For tea! Of course there will be jam, And that lovely potted ham, How unfortunate I am! Dear me! Oh! it’s growing very dark In here, And the shadow in that corner Looks, so queer! Won't they bring me any light? Must I stay in here all night? I shall surely die of fright, Oh! dear! Mother, Darling! will you never, Come back? .I am sorry that I hit him Such a crack. Hark! —— Yes ’tis her voice I hear, Now good bye to every fear, For she’s calling me her clear Little jack! IN DISGRACE. Words Anon. Music by Alicia Adelaide Needham. Alla Marcia. Pat/zezficallg but not slow. did-n’t mean no harm, Not at all_ on-1y held my hand For the ball, But some—how it hit his head;Thenhi.s nose it went and bled, And as mf \_J\, Stich u. Druck von B.Schott’s Siihne in Mainz. 27539. 11. Uopmght 1904 by 19- Sohotti? Mime- ‘if I’d ki11edhimdead,He did bawll Nursey said. I was a hor-rid Lit-tle W1-etch, 1' L1’ -[ ben marcato \ mf <-;'f__ Aunt Jane saidthe po-lice Shewould fetch; And cook who’s always glad Of a f 4___’___2 27539.11. ]_ mp con dz'gm'ta chance to make me mad, Said.“In- deed she niv-. er had Seen setch!” mp con dz'gm'z‘a e_}______—__________j 6-en marca to ben marcato S (with de iance.) No, ' ne-ver, ne-ver will Be J good! mf 27539.11. go and be a babe‘ In the W0od!_ 1711 run a-way to sea,And an “*3 ' Z’{-——-_-_“$ /T mf pi-rate I will be! Thenthey’l1 ne—ver call me, Rough anti rude. Z'‘''_—_—_—‘‘\ (more subdued) How hung..ry I am get-ting,Let me 27539.11. Won-der what they’re going to have For tea! con dolore a temlgo mp 000 Tall. course therewillbe jam,And that lovely potted ham,How un - f0r—tu—nate I am! Dear Z”-——'*T mp sotto voce ben marcazfo 27539.11. Paco meno mosso (tim idly. Oh! its growing very (1311-k,In here, 7”? Paco meno mosso shadow in that corner Looks so queer! Won’t theybring me an-y 1ight?MustI /T J 19000 accel. 00" f.\ . lib. stay in here all night? I shall sure-ly die of fright, Oh! dear! Mother, F3 -—-—:::: /*"'j""‘S 77000 ($008 27539.11. a tempo passione. Imploramlo. -<:: F5 Dar1ing,Wi11you never,Wi11you never Come back?I am sorry that I hit him Such a. f'.\ a tem 0 calla vgce Allegro crack.Hark!__ Yes ’tis her voice I hear, Now good bye to every fear, For she’s m. .? KLJ con molto fenerezza M” a tempo calling me her dear_____ Little Jack! Z’——-—\ ,-l[_[________________, fprecz'pz'toso 27539.11. AT NIGHTE TIME. When thou hast spent the lingering day In pleasure and delighte, Or after toyle and wearie waye Dost seek thy rest at nighte. Unto thy prayers or pleasures past, Adde this one labor yet; Ere sleep close up thyne eie too fast, Doo not thy God forget. About the year 1500. AT NIGHTE TIME. Words mb0um5M' Alicia AC1;/<['311l:i%c€et1)\3I,eedham. Andante con tenerezza. Religioso. mfcon dignita /3 m a tempo When thou hast spent the 1ing’ring day_.______ In pleasure and de - f'.\ ("T f af- ter toyle and wea-rie waye Stich u.D1-uck Von B.Schott’s Siihne in Mainz. 27539_ 12, 6'0py/right 1.904 by B. Sclwttis‘ S0’/me. Un - to thy prayers or pleasures > >>.> _ 07930- Adde this one la - bor ,yet: sleep close up thyne eie too fast, D00 not thy God for- get. if fa — 27539.12. X "7‘u'$~ ‘ gm.» - . -7..
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Date: n.d.
Text: B FLAT MINOR T WRITTEN BY Mmwmm The Music Composed J OHN L.HA’I"I‘0 Ema J‘tcz.H¢iZé. \ Londo IL, JOSEPH WILLIAM s. 24, BERN ERS STREET. W. Also Z9)» tics szzme Com,Uos-er.‘ CHANGE or TWENTY YE.ARs.,.:.,..._ Jory rar Bass 77»ice......_1,_. W31- CLOWNSrSONG,...-_...........,...,..,... ,_.. f'orBar'zTtone Voice. Ho: FILL, ME A'rANKARD,....._._,_,,,,..yang f‘orBas.s-Virice, .. % ....... .31» IN’ DAYS OF OLD.‘ /£1/“Bass775ice...I..._.,,..._...3]- SIMON THE C'ELLARER.... Vo...
Show moreB FLAT MINOR T WRITTEN BY Mmwmm The Music Composed J OHN L.HA’I"I‘0 Ema J‘tcz.H¢iZé. \ Londo IL, JOSEPH WILLIAM s. 24, BERN ERS STREET. W. Also Z9)» tics szzme Com,Uos-er.‘ CHANGE or TWENTY YE.ARs.,.:.,..._ Jory rar Bass 77»ice......_1,_. W31- CLOWNSrSONG,...-_...........,...,..,... ,_.. f'orBar'zTtone Voice. Ho: FILL, ME A'rANKARD,....._._,_,,,,..yang f‘orBas.s-Virice, .. % ....... .31» IN’ DAYS OF OLD.‘ /£1/“Bass775ice...I..._.,,..._...3]- SIMON THE C'ELLARER.... Vo‘.zZua.......’H~ MUSIC LIBRARY VASSAR COLLEGE THE WRECK OF THE HESPERUSt J. L. HATTON. It was the schoo _. ner Hes _ pe _ ms, That mf \./ sail’d in the win_try sea; And the Skipper had ta’e11 his 1it_t1e daugh_ter, To the K-2 hear him com- pa - ny. Blue were her eyes, as the fai - ry flax, Her cheeks like the dawn of day; And her ho- som white as the haw. thorn buds, That ope in the month of May. The D’ ' T Skip-per he stood be- side the helm,Wit>h his pipe in his mouth, wa.tch’d how the veer _ ing flaw did blow ﬁx; smoke now west, now sﬁuth. V up and spake gm old sai_l0I°, Had s"ai1’d the Span- ish main, pray thee, put in _ to you. der port, For I fear a hur _ ri _ K % T 4’) nvight moon had a gold - en rmg, But to-night no moon we “freak of Hesperus. Skip-pe1' he blew - whiff from his pipe, And a scorn _ ful laugh 1-au'gh’d Down came the storm, and smote a _ main The sh11d-der’d and p21‘us’d like a fright _ ed steed, Then leap’d her > VG,-eck of Hesner[IS¢ Come hi_the1'! come hi _ ther? lit _ tle daulgh _te1°, And . do not trem - ble - ' can Weather the rough _ est g:-l/e, * e-ve1' the wind did blow! fa_the1'! I hear the ch11rch—bell ring, ‘. what may \_/ fog-— bell on ‘ r0ck—-bound coast, We must steer for the 0 _ pen Vfreck of Hesperus. yr \‘ 4* gleamg ing light, 0 say 8 what may be?”. ‘*1 ' ’- — 1 ne_ver a Word, A fro _ zencorse was 115 stiff and stark, With his e face to the skies, fail- snow On his fix’d and glas _ sy eyes. -dim. ‘ Wreck of __ Hesperus. Dear ﬁn. _t.h'er! I see a ‘L Y >\s.._—/ ad lib. But the fa - >ther ans _wer’d Laslfd to the helm, all The lan-tern gleam’dtb1'oughthe .f.'f' pit) lento. Then. the maid’ _ en clasp’d her hands, and pI'ay’d That sav _ ed she might U §~\__.../ be; And. she thought of HIM, A who still’d th V tempo. But fast thro 11 the mid - dark and drear, Thro’ the Whist ling‘ sleet and sheet _ ed ost, the bark swept on To the reef of “ 0r_Inan’s w0e.’5. f furioso. Wreck of Hesperus. rattling shrouds all slleatlfd in ice, With the masts, V t by Like a ves_sel of glass, she stove and sank, H0! H0! the breakers ralle dim. ' ‘ﬂeck of Hesperus. Andante. At day—b1‘eak Aon the bleak sea—be-ach, A fish_er_man stood at. the form of a maid _ _ en a drift _ ing The salt sea was fro ‘s alt tears in b er eyes; M'1'c:cL' of Hesperus. streaIl1 , hair, like the brown sea weed, On the waves did fall and was the wreck of the Hes_ -pe_ rus5 V In the F mid_nigfl1t and the Oh.’ save us all from a death like this, On ‘the '10. if if 13%; . E Q’ '$' 99 ‘C of Nor - malfs Woe! W1-eck of Hespérus. :5 vvvvvvvvvvv *- 9 nwvvvvvvgvvvvv vvvvvvvsew-vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv--v-v--v--v-vvvvvvv- A! DREAMLE55 RE577 THE CHINEE DOLLY. Words by ADRIAN ROSS. - Music by F. OSMOND CARR. >7 Written by ADRIAN‘ ROSS. V-2 <7 0): dis‘: Price 45. ' Andante. Sam/re legato. A Composed by‘ F. OSMOND CARE. 2. Slow - ly the long day pass-es, SIow- ly the sun - set wanes; . . . Price 45‘ A ndanlz can meta. 1. I'm a dear lit-tle Chi—nee dol -ly, Lov’d by ev-'rydoll and toy~ 19 SW55 ' - dew panes. I x 5- —4?-“Q-—k—-'3-l—"——Q—k-‘Ir-Thi—'P‘——§—k~i‘—4’d—::—*—:——4:I*=— —‘—"-—‘—d*'~‘i-'—d—d3—.'I:"‘:3+-d—3—-3'4"-'—l-—~“""'r:'LT— Dolls thatcantalk.And dollsthatcanwalk,But thebest was a bold tin sol-dier boy! . . . __.____ _.p§___I__._ '_ T _"":._i'_"_l . 3'-El" *‘—'—d—d—'—i-3-5-1‘:I—-1-1-I”!—‘—i—£—-‘--i-=l-I--—*:'r—*"*I— 30 U C,’ \; SIOWIY the 10113 day P355559 Into the cloud-land golden Gsd W1)’ the 511“-593 W333-5; Under the ev'ning star. ' ol on the waving grasses , _ 4 0 J 4 ‘ Red on the window p,mes’_ There was the land I hopd to ﬁnd, _ §.,_,____j _‘._g_j"____¢__,'=___i_g__;’_5_.i_,__g__,____I_,__-;_ Slowly the great bell numbers VVhere care and sorrow were left behind ; . _,g:___:_ g by I 74 I I our after weary hour’ %'3'}e]yond.the}f!laIir]Ie of t_helcrimson West, I &/ In Here where the shadow Slumber‘ . ere,“a° L 6 Ome or ove to rest ' I'm a dear little Chinee dolly, ' But my poor little leaden soldier Under the grey old tow r. VaCI)n werelit now to wander Lov'd by ev’ry doll and toy— fell upon the floor one day, This 15 the song of the tolling bell : L “t. ‘° 1 7“ fairy 5l1°1'€y Dolls that can talk, and dolls that _can walk, His head had.a dent, and his stand was bent, When love is happy, to live is well ; "Ire 15 l‘9t1heTe OT )‘0“d5*'y But the best was a bold tin soldier boy! And his uniform was flak d away‘! When_]ove is ended, [0 sleep is best, ‘We “"1 "°,“~1‘"“ "9 m°"e- For he had a coat of red, red, red, I wept for my boy in vain, VE.1ll'l,’\‘£\ll1,, _ Here is the homeof d;-eam1e55 rest 1 Here must I 1111337 100513’: And a gun and a sword oflead. lead, lead, For he never could stand again, gain, gain, DOW“ “'l‘e“e ‘he 5h‘"*d°“'5 fan- And he looked so grand on his little stand. So I wed instead of my lad of lead That he won the maid of the Flowiry Land 1 A Mandarin with a nodding head I Once in a dream departed Hearing the great bell only Saw I a land more fair, I with my love true-hearted, Dream’d I could wander there ; Out of the city olden, Into the West afar,‘ Out of the twilight call. This is the song of the tolling bell I When love is happy, to live is well ; Vi/hen love is ended to sleep is best, Here is the home of dreamless rest I Once so jolly, dolly. talkee folly, dolly, Used to sing song, dancee with a fan, Now, so solly, dolly, melancnoly dolly, All for my tin, tin sojeman! Once so solly. dolly. rnelanc_ho1y dolly, \Veepee so for sojeman of tin ‘ Now so jolly, dolly, give up fbll'y, dolly, Molly piecee Chinee Mandarin . REFRAIN. . _», 9 Ytmpa fnma. .—9—ie ““‘—L—7V‘T REFRAIN. \\I II I aI J‘ In. Q. ' . . 6 This is the song of the toll - ing bell: When love is hap - py, to live is well; Once so jol- ly, dol- ly, talk- ee fol- ly, dol- ly, Used to sing song, dancee witha fan, ‘in’ .II I 5% :7. Ijl » 5- E— ﬁ_—%—-E-'-.E:|5.—._5.-15:57‘ ' v'vl l a Q . , 1* l I5 I o J ‘I | I I Voices. The Young Heart; and the Old. Words by CLIFTON BINGHAM. THE THREE ANGELS. Price 45. Music by E. WALKER HUNTER. Price 45- Modzrata. Moderato Ii I \ I J I ' I\ Iwir _|\ I I ‘i ‘ R I ii I A I I 4--3.-—.I.gd—.c— 9 3' 0-'3" - - \_/ 1. I wan-der’d in God's sunlight. . A-cross theﬁelds of May, The tears ofSpringwere AZ--11. 1 1. The young heart sang in the sun - light, The old heart read in the shade; . . .¢.. E41 . '6-"959 3-2. :1 “E” ==.‘-$55: ‘I J I I {A “2. 5:3 ._l. . .5. ' AAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAA.A;AAAA.sAAA4AAAAAAAAAAAAAAAAAAAAAAAAA;AAAAAAAAAAAAAAAAAAAAAAAAAAA shin - ing on ev' ry leaf-y spray, A phan-torn crept be - side me, .9. The young heart sang in the sunlight, The old heart read in the shade; Oné: was a sunny brpdw d Inlaiden, ne was a grey o mart . She 1ook’(l from the page to listen, To the song by the young heart sung ; Thought she “there are miles a thousand 'Twixt_ the old heart and the young I” The young heart wept in the twilight, O Thefoldf heart drpamt at her side, ne 0 a ar away over One of a lad who died. She whisper’d of hope and comfort, The story of years was told ; Thought she, “ There is but a footstep ’Twixt the young heart and the old.” And the young heart lost its sorrow, As close to the old it was laid, There in the dusk together The old and the young heart prayed. One lover came home in the spring-time, One has been dead long years ; But the old heart forgot its own grief In healing the young heart’s tears. I wander’d in God's sunlight, Across the ﬁelds of May, The tears of Spring were shining On ev’ry leafy spray, A phantom crept beside me, Its shadow on me cast ; I spoke, “ VVhy dost thou haunt me?” It sigh’d, “ I am the Past !” I sat alone at nightfall Within my silent room, A shadow sat beside me With brow of sombre gloom. O‘er burden’d with its presence, At last aloud I cried: , “ O spirit, speak, who art thou?” “ The Present it replied !” In doubt and sorrow wand’ring, I pass’d into the night, A star-brow’d angel met me, I A form ‘o‘fIwonctl1r;oL1;‘lztght. ' n _t spa to am e u ure . I seeni’d God’s peace to see, And sorrow as a mantle Fell fromithe soul of the ! In Keys to suit all Voices. In Keys to suit all Voices. LONDON; JOSEPH WILLIAMS, 24, BERNERS STREET, W.
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Date: 1918
Text: MUSIC Laannnv VASSAR COLLEGE POUGHKEEPSOE. NEW vonx eoeoooooaebooi Q 1 CECIL BURLEIGH S 2 u 2 It § u 11 g 5 With Pizmo Acco1m):1ninm1t Op. 33 Eh» Glam ﬁxing (VX/ords by John Greenlcaf \X7hitticr) 6:.) Cents Eaiagn émtg (Words by John Keats) 60 Cents GD ﬂiuuntaina nf the Nurth (Words by John Grccnlcaf Wlxittier) 60 Cents Q Q % ?Rain in Bummer ( Words by Henry Wadsworth Longfellow) 60 Cent: k Sang nf the Erunk ( Words by Alfred Tennyson) 60 Cents A §mtunrr’n Night (Words by Rodman Drake) 50...
Show moreMUSIC Laannnv VASSAR COLLEGE POUGHKEEPSOE. NEW vonx eoeoooooaebooi Q 1 CECIL BURLEIGH S 2 u 2 It § u 11 g 5 With Pizmo Acco1m):1ninm1t Op. 33 Eh» Glam ﬁxing (VX/ords by John Greenlcaf \X7hitticr) 6:.) Cents Eaiagn émtg (Words by John Keats) 60 Cents GD ﬂiuuntaina nf the Nurth (Words by John Grccnlcaf Wlxittier) 60 Cents Q Q % ?Rain in Bummer ( Words by Henry Wadsworth Longfellow) 60 Cent: k Sang nf the Erunk ( Words by Alfred Tennyson) 60 Cents A §mtunrr’n Night (Words by Rodman Drake) 50 Cents What ﬂaw lliﬁlr Eirhiv Sag ("Words by Alfred Tennyson) ‘ ﬂu Cant: CARL FISCHER coomsk SQUARE NEW YORK BOSTON -:~ 380-382 Boylston Street 335-339 South Wabash Avenue -2- CHICAGO on 1! ;€3%-:__;"€3 €13 3393390 ﬁooooaooooooooooooooooé Q. . Q... 9 3 Q Q 9 Q 9 Q 3 @ Prices subject to a discount To my wife Atossa Burleigh Low Voice Rain in Summer Words by ' T O 3 N 7 HENRY WADSWORTH LONGFELLOW CECIL BLRLEIGH’ P‘ 3’ 9 Joyously (M. M. 144) VOICE 12z.s*m'fz, even r/lyt/am beau—ti - ful is the rain, how beau-ti -ful is the rain! Copy/right MOMXVIII by 6'a7'1Fz'sc/w7;1Vcw York International Copy/mgll Seczared mcrease — Af—ter the dust and heat, increase ~ ‘fa 77%” r-—-"'1 In the nar-row lane, _.____ How In the broad and fier - y‘ street, beau — clat-ters a—10ng the roofs, in crease — Like the tramp of hoofs! z'ncrea.9e ._.——_—_....._..—._... imrease quic/rly gush—es and strug—g1es out From the throat of the 0 — ver- f low-ing spout!__ A- /—-“""*’ \ mj'Z..————Tincrease quic/ray an 62». . jog/ou.s'ly r_______1 cross the Win—d0W pane S f joyously ‘$3.3. ‘fa. and With a mud—dy tide, feta” more broadly zmvrease ' As at first riv-er down the gut-ter roars The rain,__ the wel-come rain! The wel-come Lil. retard . more éroadly As at fz'r.9t mcrease \_ increase retard 33”?‘/‘Z/W rain. __ the wel - - come rain! [.11. swz_',ft!y mcrease reta Out of the East by WILLIAM LESTER Cycle of Five Songs Published for High or Low Voice, Price $1.25 net the/edxtion for high voice. The introductory measures of the Following thematics taken from 4 accompamment have been om1tte . High in G Low in E -96’/'I2p7'6’ rit A .1; PERSIAN LOVE SONG M derato 3 w ’LSSi0n‘Lt‘). _ . , 0 H). ‘J: can moto , poco fardare pm mosso ,\ pow Wt blown blos-som-land _ d but foryou xts leaves un-close‘. "\ /. 1; - _ mine the pow}, /_ ,1. on eviryrose U068 sempre’ 1%?! . 11. SERENADE IN A GARDEN * i “‘“G “" E Andzmtino con lrmguore 't11etmes,'R>uchn0t slumb - ‘rung eyes 3" You dxt-am ‘Io,the Ve-Iy breeze Ln am—or4)us sighs, __ ("on (‘(2/0/'0 p 46 Ce High in D Low in Btr III. JASMINES OF KAIROVVAN L Andante affettuoso carztalnle <=;_ _ P axe] ‘Apr! so lhayebmughryou - mg thexr - gram ware /' '11 (I It xs June and the jaw-rmnoveud>exsAre cry sew fur a lwr-‘p7 rzf. IV. THE DEATH OF THE NIGHTINGALE T Lento Iusmg-ando um 'n.’<.-.’-.> mg. ec - S13. -1 strain, Iondorcry wLId—t. y(-arm ~ I it Bib’ D1; g m V. IN PARADISE BY ALLAH’S THRONE Allegro moderate 2 Pa - ra. - thee. by A] - Iah’s thmne, 15 -m- fels song rap — ture weaves f Carl Fischer BOSTON NEW YORK CHICAGO
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Date: n.d.
Text: _ \ 0 2*»/n:Ta%35‘ 7 /’/‘ .’l.U}t(’»l1.N If f ‘(D 9 . Sf); Gompoaeb 26% Ni 4‘ J@ﬂ N B EL]@@Kl&EY@ Zfr //1/» .1’/////I7 //wk/Lo/is‘, we on as none .. _, ..3/- ma aemsn arLow+:ns .. . 2:/' THE GREEN TREES WHISPERED LOW 8: M|LD...3/" TMS IS THE PLACE STAND STILL MY STEED .3/' *’/ THE SILENT LAND (AsAvoc;u. DUETT, ______ D° (ASAVOCALDUETT) * I » \ . ( 12'”:/..5’m_/mg//_ ._ _________ , ________T _T /7-ajra ' A A Lmtiurt: JOHN ‘BLOC/‘KLEY, 3. ARGYLL ST. REGENT ST. W....
Show more_ \ 0 2*»/n:Ta%35‘ 7 /’/‘ .’l.U}t(’»l1.N If f ‘(D 9 . Sf); Gompoaeb 26% Ni 4‘ J@ﬂ N B EL]@@Kl&EY@ Zfr //1/» .1’/////I7 //wk/Lo/is‘, we on as none .. _, ..3/- ma aemsn arLow+:ns .. . 2:/' THE GREEN TREES WHISPERED LOW 8: M|LD...3/" TMS IS THE PLACE STAND STILL MY STEED .3/' *’/ THE SILENT LAND (AsAvoc;u. DUETT, ______ D° (ASAVOCALDUETT) * I » \ . ( 12'”:/..5’m_/mg//_ ._ _________ , ________T _T /7-ajra ' A A Lmtiurt: JOHN ‘BLOC/‘KLEY, 3. ARGYLL ST. REGENT ST. W. THE SILENT H”ritten by H.W. L().\'GFELLOVV. Composed by JOHN B1.o(‘Km:Y. ./I./Io1)E'R.x1‘To. Dulce. Dim. c rall. Into ﬂue Si_..1ent Land’! Ah! who shall lead us thither? LL C1-ouds in the. evening sky More darkly, dark1.y gafhe'r And /T § shattered wrecks lie thicker on the Strand.‘ Who leads us with a gen __ tle hand Thither, O thither , Into the Si _ _. lent /9 fx Dim. e ral_l. V Into I the Si _ .. - Jent Land? /3/3 ' colla vase, The Silent} Land . 2'51 Vérsu . Into the Si _ _ _ lent L Land! ye bound _ _ less /‘7 \_.J n\_____’_/ Cres. regions Of all per _ _ _ fec _ tion! Ten _ derl morn_ing — mf ‘ 5‘ C'rc4.s~ . — visions ‘Of beauteous souls, The .future’s pledge and band! Who K‘ r.\"90 Thh'.S'rlent Laud. John; mojcxxey. in Life§ battle firnl doth .+stand, Shall bear Hopefs‘ _ I)z'7ﬁ. e ral_l. \r blossoms Into the Si-_1ent Land! Into the Si.._1ent /J/9 calla race. 31:1 arse . 0 Land! 0 Land! For." all ‘the br0..ken hearted The .4. -9- The -‘3‘7e:n1 Land. 1 ‘ John lawn.-y. eh; mild _. _ _ - est herald by our‘ fate a1- _ _lotted § ‘ /3 Dulce . Beckons, and with in_-verted torch doth stand, To lead us with a F\ FIN /’/9 gen__t1e hand, the land of the great Depart\_V_,;ed, \,\___/ / Q Morendo . \i Into the} Si--1ent Into the Si‘__1ent Land! /3/9 calla vow. ' Thv ‘EH:-111 Land!
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Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE V POUGHKEEPSIE. NEW YORK ‘ ,, .,....g,..,~..._.., ........ - J,;,g..1...Ur:mgourau.&....11l.m .3’. n ':v ..j.. V; Mrm‘Cowawrahm %%Uftl7z?Bn:mv:'0f V ‘musué av ». 9. Q;-ORDS B Y ~ _, M : H.w.Lom3rmow ESQ. mss M. LINDSAY W DEDICATEDTO HER SISTER. « :35! " ....,-... up-.«--.-....... ‘ON : RGBERT COCKS; Xi C‘? NEW Bumimmzom 3T REET,W. ; ;-.,-«. =.;Q,::arr’-:Hf?;’:~:";? an-*>~_~:’> P‘: A , ., E‘ ;_UL!.l:._ ‘;a,3:g3i_;¢',\y\1;:);~;;v;...
Show moreMUSIC LIBRARY VASSAR COLLEGE V POUGHKEEPSIE. NEW YORK ‘ ,, .,....g,..,~..._.., ........ - J,;,g..1...Ur:mgourau.&....11l.m .3’. n ':v ..j.. V; Mrm‘Cowawrahm %%Uftl7z?Bn:mv:'0f V ‘musué av ». 9. Q;-ORDS B Y ~ _, M : H.w.Lom3rmow ESQ. mss M. LINDSAY W DEDICATEDTO HER SISTER. « :35! " ....,-... up-.«--.-....... ‘ON : RGBERT COCKS; Xi C‘? NEW Bumimmzom 3T REET,W. ; ;-.,-«. =.;Q,::arr’-:Hf?;’:~:";? an-*>~_~:’> P‘: A , ., E‘ ;_UL!.l:._ ‘;a,3:g3i_;¢',\y\1;:);~;;v; qgﬁﬁigﬂ PUBUC WITHOUT THE PRYMENT OF” ANY FEE IVIUSIC COPYING. /S //Ei'/?EB)/_QL\{_E[\/ ’/7//// /I_\' \’/'i'/(/(' n/'////' .7 ((-6 K71‘. ('///2.-W7. A'/'/'. Q. ///1’ A7//I’ 7/Zr/r'.\‘I'/;2:ﬁ;7/E/'/'{'\' n/'//////c///_r/ ///r////(.»1‘/'//;/ /2/' 11////'/' I-«yr/'r’.s' (I/'I'/'/{$7'{(//I/ W/I/'/\'.\' /,s' w'.~'//*r/ I./I ///(' 4-n'/1/’/'n/.'v/1('// ('zy{\'/'/}//// /I//r/I///'\‘u/ﬂy/‘/1/‘lzv/;//,v //.7/A-//W ,w,-// ,-,;,,,;..v m//mm ////» ///'/‘////.v.»'/u// 12/ //1/' .»'///1/rm’///’/‘ RENDER THEMSELVES LIABLE TO HEAVV PENALTIES 0;? DAMAGES. I/X‘/' /’/'r///,~y/u.~'//m// r1/./‘(7/{\’/‘/(///// .v/I//.1/.v /////1 u///1*/'K'r_'\'.v H'////l//// /I/’/‘///I.'~‘,\'//'/I /5 AN 4/NLA WFU1. COPYING. HYMN or THE MURAVIAN NUNS or BETHLEHEM, (U.S.) ATTHE CONSECRATION OF PULASKl’S BANNER. (DUET FOR SOPRANO AND coNTR’ALTo.) wonos av H.W. LONCFELLOW Esq. Music BY MISS M.L.lNDSAY. Maestoso. '\Vhen the dy.ing flame of day... Throughthe chan_cel shot its ~ \ mf Far the g imlnringtapers shed Faint light on the cowled X} head; . And the cen- - - ser burn _ - ing swung, H’ 7 ‘ . . , )_mu of the Moran-an l\un.~'. Duvt. Miss M. LIXDSAL COPYRIGHT _fore the Altar, hung The bl00d—redbanner,The b1o0d—redbanner,The I‘ b100d»red bannelgthat with pray’r. . . . .Hadbeen c0n-se_cra_ted there. /0/0. And the nuns’ swuaet hymn was heard the while, Sung low in the dim, myste_ri0us aisle. «D /‘P WWII of the Moravian Num. Duet. ms» M LIVDSAY 11 298 ‘ I A . 0 , I W13 meme’ mwnrsf. thy banner! thy banner! good and brave; good and brave; Breaks the sub - -bath Breaks the sub -- bath /°/° may it wave , may it wave , When the bat - - t1e’s When the bat _ - tle’s of our vale , of our vale , Hymn of the Moravian Nuns. Duet. Min M. LIVDSAY Pro ud-ly Pr0ud-ly okr the o’er the dis _ _ tant wail, dis _ _ tant wail, When the When the clan _ _ rimfs cla _ _.rion’s mu-sic thrills To the hearts mu_sic thrills. T0 the 11eaI'1S When the spear in con--flict shakes, When the spear in con__fli(-t shakes, shiv ’_ - - - - ring breaks. shiv’.____ ring breaks . Hym“ “f “W. Moravian Nuns. Duet. Miss M. LINDSAY. of of these lone hills , these lone hills, And And the strong lance the strong lance ‘Take thy bann.e1'! but, when night, Take thy banner! but, when night, ghast _ ly fight, ghast .. ly fight , ho _ -1y VOW, ho - - ly vow, Hymn of the Moravian Nun». Duet. lvlfisg M, LIVDSAY C10 -Vses round the Clo_ses round the the van _ quish’d war- - rior bow, Tall: 7 By our prayrs ' our pray’rs and By ma _ _ -ny tears , Spare him! Spare him! wo u1d’st be would ’st 1) e the mer - - - oy the H181‘- - _ cy hath sha1"d3 luve hath s11a1"d! s,par’d! spar’d! H- . . Mnn of the Mm-avum Nuns. Du-01., Miss M.,I.lNDSAY. that endears , that endears, 1“ him Spare Sp-are him {'3 as thou’ as thou Take thy banner! and if e’er, Thou shouId’st press the Take thy banner! and if e’er, Thou should’st press the soLdier’s bier, And the muffled drum should beat. sol_dier’s bier, And the muffle-d drum should beat, T0 the tread of mournful feet, To the tread of mournful feet. Q a tempo Then. . . . this flag . . . . . . . . Then this crimson flag shall be, Then... . this flag . . . . . . . . Then this crimson flag shall be, / l\Iar_tia.l cloak and . shroud Mar_tia1 cloak and shroud for The warrior took that V»: banner proud, And it was his mar_tial cloak and ‘shroud! 1' l.()N1)()\Y,' , H , ' ‘ ‘ ROBERT COCKS 8: (‘yo-New BurIin_21m SI.P11b1is1]rI'> to the Qheeu H.R.H.the Prince of Vale» New Vocal Duets BY FRANCO LEONL 4!‘ Words by MARK AMBIENT. -:9 Vanity Fair.‘ Sopmmo. COPYRIGHT, I894, BY ROBERT COCKS_ 8: Co. A ' . . 3 Van - i - ty Fair! Van - i - ty Fair] to say “Don't go there] Pray keep a-way from Van -i - ty Fair.” To. Van - i - ty Fairl Van - i - ty Fairl — to say “Don’t go there! Pray keep ai—waiy from Van - - ty Fair.” Allegro. . Tittle=Tattle. Allegro. ’ COPYRIGHT, 1894, BY ROBERT Cocxs & Co. Sweet Mis.tI-ess Ann ask’d La - dy Fan to drink a dish of tea And La - dy Fan wrote“Dear-est Ann, de — lighted I shall be’ Allegro. , - PP Andante. ‘ ‘' Ar"? ‘ AT The May=Queen’,s Requiem. COPYRIGHT, 1894, BY ROBERT Cocxs & Co. . dim. '3 Ring soft .V fl. . '3 ye : .’ . . . I nor . deep,. . . . M sweet May Queen cloth soft- ly . V - ' V\-———/ Ali];-§ntSe(_)ft ' ' ' . . . ‘nor deep, . . . ., I sweet May Queen -ly sleep, Haymaldn COPYRIGHT, 1894, BY ROBERT Cocxs 8: Co. The sun is a—slIin - ing!Come,make hayl Give the boysandthe girls all a ho] - i - day Neighbours too a - crossthe way The sun is a-shin - ing!Come,make hayl Givethe boysandthegirlwst all a ho] - i — day Neighbours too a - cross the way Allegro. "ll ' ‘ i . . f Price 4s. each. Special Edition (the four complete) with 1'llu‘st1-ations by CHRIS. IEIAMJIIOND, Five Shillings, net. LONDON: ROBERT COCKS & CO., 6, NEW BURLINGTON STREET, W. Agents for the United States of America. EDWARD SCI-IUBERTH & CO, NEW YORK.
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