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Wreck of the Hesperus, The
Date
n.d.
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B FLAT MINOR T WRITTEN BY Mmwmm The Music Composed J OHN L.HA’I"I‘0 Ema J‘tcz.H¢iZé. \ Londo IL, JOSEPH WILLIAM s. 24, BERN ERS STREET. W. Also Z9)» tics szzme Com,Uos-er.‘ CHANGE or TWENTY YE.ARs.,.:.,..._ Jory rar Bass 77»ice......_1,_. W31- CLOWNSrSONG,...-_...........,...,..,... ,_.. f'orBar'zTtone Voice. Ho: FILL, ME A'rANKARD,....._._,_,,,,..yang f‘orBas.s-Virice, .. % ....... .31» IN’ DAYS OF OLD.‘ /£1/“Bass775ice...I..._.,,..._...3]- SIMON THE C'ELLARER.... Vo...
Show moreB FLAT MINOR T WRITTEN BY Mmwmm The Music Composed J OHN L.HA’I"I‘0 Ema J‘tcz.H¢iZé. \ Londo IL, JOSEPH WILLIAM s. 24, BERN ERS STREET. W. Also Z9)» tics szzme Com,Uos-er.‘ CHANGE or TWENTY YE.ARs.,.:.,..._ Jory rar Bass 77»ice......_1,_. W31- CLOWNSrSONG,...-_...........,...,..,... ,_.. f'orBar'zTtone Voice. Ho: FILL, ME A'rANKARD,....._._,_,,,,..yang f‘orBas.s-Virice, .. % ....... .31» IN’ DAYS OF OLD.‘ /£1/“Bass775ice...I..._.,,..._...3]- SIMON THE C'ELLARER.... Vo‘.zZua.......’H~ MUSIC LIBRARY VASSAR COLLEGE THE WRECK OF THE HESPERUSt J. L. HATTON. It was the schoo _. ner Hes _ pe _ ms, That mf \./ sail’d in the win_try sea; And the Skipper had ta’e11 his 1it_t1e daugh_ter, To the K-2 hear him com- pa - ny. Blue were her eyes, as the fai - ry flax, Her cheeks like the dawn of day; And her ho- som white as the haw. thorn buds, That ope in the month of May. The D’ ' T Skip-per he stood be- side the helm,Wit>h his pipe in his mouth, wa.tch’d how the veer _ ing flaw did blow fix; smoke now west, now sfiuth. V up and spake gm old sai_l0I°, Had s"ai1’d the Span- ish main, pray thee, put in _ to you. der port, For I fear a hur _ ri _ K % T 4’) nvight moon had a gold - en rmg, But to-night no moon we “freak of Hesperus. Skip-pe1' he blew - whiff from his pipe, And a scorn _ ful laugh 1-au'gh’d Down came the storm, and smote a _ main The sh11d-der’d and p21‘us’d like a fright _ ed steed, Then leap’d her > VG,-eck of Hesner[IS¢ Come hi_the1'! come hi _ ther? lit _ tle daulgh _te1°, And . do not trem - ble - ' can Weather the rough _ est g:-l/e, * e-ve1' the wind did blow! fa_the1'! I hear the ch11rch—bell ring, ‘. what may \_/ fog-— bell on ‘ r0ck—-bound coast, We must steer for the 0 _ pen Vfreck of Hesperus. yr \‘ 4* gleamg ing light, 0 say 8 what may be?”. ‘*1 ' ’- — 1 ne_ver a Word, A fro _ zencorse was 115 stiff and stark, With his e face to the skies, fail- snow On his fix’d and glas _ sy eyes. -dim. ‘ Wreck of __ Hesperus. Dear fin. _t.h'er! I see a ‘L Y >\s.._—/ ad lib. But the fa - >ther ans _wer’d Laslfd to the helm, all The lan-tern gleam’dtb1'oughthe .f.'f' pit) lento. Then. the maid’ _ en clasp’d her hands, and pI'ay’d That sav _ ed she might U §~\__.../ be; And. she thought of HIM, A who still’d th V tempo. But fast thro 11 the mid - dark and drear, Thro’ the Whist ling‘ sleet and sheet _ ed ost, the bark swept on To the reef of “ 0r_Inan’s w0e.’5. f furioso. Wreck of Hesperus. rattling shrouds all slleatlfd in ice, With the masts, V t by Like a ves_sel of glass, she stove and sank, H0! H0! the breakers ralle dim. ' ‘fleck of Hesperus. Andante. At day—b1‘eak Aon the bleak sea—be-ach, A fish_er_man stood at. the form of a maid _ _ en a drift _ ing The salt sea was fro ‘s alt tears in b er eyes; M'1'c:cL' of Hesperus. streaIl1 , hair, like the brown sea weed, On the waves did fall and was the wreck of the Hes_ -pe_ rus5 V In the F mid_nigfl1t and the Oh.’ save us all from a death like this, On ‘the '10. if if 13%; . E Q’ '$' 99 ‘C of Nor - malfs Woe! W1-eck of Hespérus. :5 vvvvvvvvvvv *- 9 nwvvvvvvgvvvvv vvvvvvvsew-vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv--v-v--v--v-vvvvvvv- A! DREAMLE55 RE577 THE CHINEE DOLLY. Words by ADRIAN ROSS. - Music by F. OSMOND CARR. >7 Written by ADRIAN‘ ROSS. V-2 <7 0): dis‘: Price 45. ' Andante. Sam/re legato. A Composed by‘ F. OSMOND CARE. 2. Slow - ly the long day pass-es, SIow- ly the sun - set wanes; . . . Price 45‘ A ndanlz can meta. 1. I'm a dear lit-tle Chi—nee dol -ly, Lov’d by ev-'rydoll and toy~ 19 SW55 ' - dew panes. I x 5- —4?-“Q-—k—-'3-l—"——Q—k-‘Ir-Thi—'P‘——§—k~i‘—4’d—::—*—:——4:I*=— —‘—"-—‘—d*'~‘i-'—d—d3—.'I:"‘:3+-d—3—-3'4"-'—l-—~“""'r:'LT— Dolls thatcantalk.And dollsthatcanwalk,But thebest was a bold tin sol-dier boy! . . . __.____ _.p§___I__._ '_ T _"":._i'_"_l . 3'-El" *‘—'—d—d—'—i-3-5-1‘:I—-1-1-I”!—‘—i—£—-‘--i-=l-I--—*:'r—*"*I— 30 U C,’ \; SIOWIY the 10113 day P355559 Into the cloud-land golden Gsd W1)’ the 511“-593 W333-5; Under the ev'ning star. ' ol on the waving grasses , _ 4 0 J 4 ‘ Red on the window p,mes’_ There was the land I hopd to find, _ §.,_,____j _‘._g_j"____¢__,'=___i_g__;’_5_.i_,__g__,____I_,__-;_ Slowly the great bell numbers VVhere care and sorrow were left behind ; . _,g:___:_ g by I 74 I I our after weary hour’ %'3'}e]yond.the}f!laIir]Ie of t_helcrimson West, I &/ In Here where the shadow Slumber‘ . ere,“a° L 6 Ome or ove to rest ' I'm a dear little Chinee dolly, ' But my poor little leaden soldier Under the grey old tow r. VaCI)n werelit now to wander Lov'd by ev’ry doll and toy— fell upon the floor one day, This 15 the song of the tolling bell : L “t. ‘° 1 7“ fairy 5l1°1'€y Dolls that can talk, and dolls that _can walk, His head had.a dent, and his stand was bent, When love is happy, to live is well ; "Ire 15 l‘9t1heTe OT )‘0“d5*'y But the best was a bold tin soldier boy! And his uniform was flak d away‘! When_]ove is ended, [0 sleep is best, ‘We “"1 "°,“~1‘"“ "9 m°"e- For he had a coat of red, red, red, I wept for my boy in vain, VE.1ll'l,’\‘£\ll1,, _ Here is the homeof d;-eam1e55 rest 1 Here must I 1111337 100513’: And a gun and a sword oflead. lead, lead, For he never could stand again, gain, gain, DOW“ “'l‘e“e ‘he 5h‘"*d°“'5 fan- And he looked so grand on his little stand. So I wed instead of my lad of lead That he won the maid of the Flowiry Land 1 A Mandarin with a nodding head I Once in a dream departed Hearing the great bell only Saw I a land more fair, I with my love true-hearted, Dream’d I could wander there ; Out of the city olden, Into the West afar,‘ Out of the twilight call. This is the song of the tolling bell I When love is happy, to live is well ; Vi/hen love is ended to sleep is best, Here is the home of dreamless rest I Once so jolly, dolly. talkee folly, dolly, Used to sing song, dancee with a fan, Now, so solly, dolly, melancnoly dolly, All for my tin, tin sojeman! Once so solly. dolly. rnelanc_ho1y dolly, \Veepee so for sojeman of tin ‘ Now so jolly, dolly, give up fbll'y, dolly, Molly piecee Chinee Mandarin . REFRAIN. . _», 9 Ytmpa fnma. .—9—ie ““‘—L—7V‘T REFRAIN. \\I II I aI J‘ In. Q. ' . . 6 This is the song of the toll - ing bell: When love is hap - py, to live is well; Once so jol- ly, dol- ly, talk- ee fol- ly, dol- ly, Used to sing song, dancee witha fan, ‘in’ .II I 5% :7. Ijl » 5- E— fi_—%—-E-'-.E:|5.—._5.-15:57‘ ' v'vl l a Q . , 1* l I5 I o J ‘I | I I Voices. The Young Heart; and the Old. Words by CLIFTON BINGHAM. THE THREE ANGELS. Price 45. Music by E. WALKER HUNTER. Price 45- Modzrata. Moderato Ii I \ I J I ' I\ Iwir _|\ I I ‘i ‘ R I ii I A I I 4--3.-—.I.gd—.c— 9 3' 0-'3" - - \_/ 1. I wan-der’d in God's sunlight. . A-cross thefields of May, The tears ofSpringwere AZ--11. 1 1. The young heart sang in the sun - light, The old heart read in the shade; . . .¢.. E41 . '6-"959 3-2. :1 “E” ==.‘-$55: ‘I J I I {A “2. 5:3 ._l. . .5. ' AAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAA.A;AAAA.sAAA4AAAAAAAAAAAAAAAAAAAAAAAAA;AAAAAAAAAAAAAAAAAAAAAAAAAAA shin - ing on ev' ry leaf-y spray, A phan-torn crept be - side me, .9. The young heart sang in the sunlight, The old heart read in the shade; Oné: was a sunny brpdw d Inlaiden, ne was a grey o mart . She 1ook’(l from the page to listen, To the song by the young heart sung ; Thought she “there are miles a thousand 'Twixt_ the old heart and the young I” The young heart wept in the twilight, O Thefoldf heart drpamt at her side, ne 0 a ar away over One of a lad who died. She whisper’d of hope and comfort, The story of years was told ; Thought she, “ There is but a footstep ’Twixt the young heart and the old.” And the young heart lost its sorrow, As close to the old it was laid, There in the dusk together The old and the young heart prayed. One lover came home in the spring-time, One has been dead long years ; But the old heart forgot its own grief In healing the young heart’s tears. I wander’d in God's sunlight, Across the fields of May, The tears of Spring were shining On ev’ry leafy spray, A phantom crept beside me, Its shadow on me cast ; I spoke, “ VVhy dost thou haunt me?” It sigh’d, “ I am the Past !” I sat alone at nightfall Within my silent room, A shadow sat beside me With brow of sombre gloom. O‘er burden’d with its presence, At last aloud I cried: , “ O spirit, speak, who art thou?” “ The Present it replied !” In doubt and sorrow wand’ring, I pass’d into the night, A star-brow’d angel met me, I A form ‘o‘fIwonctl1r;oL1;‘lztght. ' n _t spa to am e u ure . I seeni’d God’s peace to see, And sorrow as a mantle Fell fromithe soul of the ! In Keys to suit all Voices. In Keys to suit all Voices. LONDON; JOSEPH WILLIAMS, 24, BERNERS STREET, W.
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Wreck of the Hesperus, The
Date
n.d.
Text
//L ‘( i \ mfiflg 0: m§I”3S / I / X‘ x6$ . 7 ¢../\ > I ..r—-\ I ' }’l// I" /,'’‘//////’/'/_i’ ///‘ /I,"////////II/N /I}:,$‘/// /,/// S/.'.= /x}/// LON/IDON1 (J3-RAMER'.'*W,OOD §?c 09 AND LAM BORVN COCK-& c9 ,;,, .~ /////'\ /2/'/,",///’ n/7 /we 01./Pf//.'/V’/4; /’}tz///’/////I}///.s'. MUSIC LIBRARY VASSAR COLLEGE .~. /- ' . _ /— v_\ / V 2/ Z“\ ’ . \ TPE WRECK _OF THE HESYERUS. II'rz'(tch by H. W;'wLang...
Show more//L ‘( i \ mfiflg 0: m§I”3S / I / X‘ x6$ . 7 ¢../\ > I ..r—-\ I ' }’l// I" /,'’‘//////’/'/_i’ ///‘ /I,"////////II/N /I}:,$‘/// /,/// S/.'.= /x}/// LON/IDON1 (J3-RAMER'.'*W,OOD §?c 09 AND LAM BORVN COCK-& c9 ,;,, .~ /////'\ /2/'/,",///’ n/7 /we 01./Pf//.'/V’/4; /’}tz///’/////I}///.s'. MUSIC LIBRARY VASSAR COLLEGE .~. /- ' . _ /— v_\ / V 2/ Z“\ ’ . \ TPE WRECK _OF THE HESYERUS. II'rz'(tch by H. W;'wLang‘fwllvn1'. Composed by J. L. Half .21. 941.1. E.GR,O. _ 'I‘o‘1o1«:’ .‘:‘:€ ‘It was the schooner Hos__pe_;nIs,'l‘hat 'P,I.u1 .N‘() E 0 R T E. ' ‘V mi’ And the Skipper sai l’d -in sea; Nu.’ lime dat1gh-tér, '1‘: bear him" cmn-pa-_ny. Blue were her eyes, as the V’ V fai -_ry flax, er ‘ e the €_iawn'of‘ "day; And her be white as the Z“"“\\ / T. ,h§1w.,;__thorn buds ‘ in I the month ‘of. . May. Hw~uern-R. _ .. ;-. \ V mohth, Am! I ‘4 K ' . . I . .n .1 P m» .1. ...P _. .s .1. _h .h L? .. ...I. N .\ J I; he stood befgside‘ _the ._he lm I/' Elk ‘i’ ‘pp or did blow 'l‘he~‘s1nu.ke now west, now south. watch?'(l how the Veerillg flaw T hon I Z /)L| If!‘ ‘Br, Had sai|’<[ the ‘Spanish niailr, Old up and spake an Sai-_l a hur___ri_-_.c-ane. |,a,<4t pray thee, ut in_.to 0n-der on, Fox‘? fear night the moon had a 0ld_en ri But‘ to—night no moon we smote a-.._mai11 The ves_--s0l in-F shu‘dder’d and paus’d } E} like a fr‘ight_,e_ad. steed, Down C-cune the storm. and’ - its ‘ strength; Fu'r1ns0. en leap’d her ca__b|é’s > H:-xpvrcu j\ 1‘ F’ I Come-hbiihér! come hither! my ‘Iit_tlVe daughflér, And \./ not tremble so; For can ‘weather the r0ugh_est gale, T\h~-at e_ver the wind did blowl fa__ther! hear the church—bell rihg, say what may it be?”“’Tis a A 9,. f0gf' 1 On a I‘0Ck—boImd coast, We,must steer for e open sea’.’ \~_/ ‘H -xpurn-. . {I V y it be?” But the fa_-ther answer’d say what ma va ’ /9/9' col a 12006. -01- W V. Lash’d to the helm, all never a word, A f1'u-zen corse was he. ‘ T stiff and stark,With his pale face‘ to the skies, The l.ah‘_ter_h gleam’d through ‘The falling snow On his fiX’d and glas_sy eyes. H~~.*.\wrI'.~, Then the maid-enA clasp?! Ifelj liahds, and prayyd That saV-ed she might /I J\ I :1 . \ I she thought of HIM, Mhnv stiII’d the wavvs I I I _I I W) V Tempho . r I I r I I II. I V I. v. I But fast through /the m1d..-_n1g [. «r I I -0 -OI-' -0 Tempo. dark and dréar,. I ’ .t 0 whistling sleet and sheetfed g ost, the bark swept on T t e’ reef of “N0rman’.s woe”. . . . . ores}: ‘i ff'”‘I”-“’- I Ho! the breakérs J 5 rattling s}nf_0uds all sheuthd in ice,VVith the nmsts,We11tby t] e board; I H0! 1 e stove and sank-, 3 glass, I ,1» V ssel‘ 0 Llke a L‘\ He>.<V-Prux . ‘ "./:1.N"D.»1.}VTE.~' At day—break.on‘ the; bleak seja~beaC}1, V, A 'fish.erman stood a--- fl3"““-‘ the form "of a maid-_--en fair, Float I L on a drift_--ing mast. The salt sea Was ' fro_'_-_zen V her-breast, The salt tears in her eyes; 1' J + was the *m'<=(*k of Um; Hes_;__pe-_rus, In ‘flim- fir . ,5 ./‘I (I ag io . mi<lm'ght and the snow‘. Oh! Save” US_ all from a death like this, On tlw’ /:\ ./Jdaggio. V 8: of “T\'0rmeu1's , Old Clock on the Stairs (The ' *Shepherd’s Winter Sting (The) ...- . *Night Journey (The) . . . SELECT MADRIGALS, GLEES, SONGS, DUETS, &c. ARRANGED AND EDITED BY THOMAS OLIPI-IANT. Madrigals, &c., by R. L. Pearsall. *1 saw lovely Phillis . . . . . . 4 voices . . *The Hardy Norseman . . . . *Great God of love . . . . ‘ . . *0 who will o’er the downs (in F) . . *0 who will o’er the downs (in C, for male voice ) *Take heed ye shepherd sivains . . ‘ . . *Wh0 shall win my lady fair . . *When Allan-a-—dale went a hunting It was upon a spring-tide day . . Spring returns . . . . *N_vmphs are sporting . . *Why with toil thy life consuming . . ,, . . Separate parts, 3d. per page, are published to those marked * . . . .:=~.J>cns>.;:i;><ma=-.~i>ooi«l> saw»--wwzozototzzzotov--_o. A Selection of Madrigals in Score and Parts. Down in a flow'ry vale (in A & F) 4 voices C.Festa 1 Stay one moment . . 4 ,, T. Oliphant J In going to my lonely bed R. Edwards 1 Come again, sweet love . . J. Dowland 1 Lady, see on every side L. Marenzio Hard by a fountain . . H. Waelrent All ye who music love . . B. Donato Ah me ! where is my true love? F. Anerio My mistress is as fair as fine J. Bennet In the merry spring . . T. Ravenscroft Out, alas! what should I say Anonymous To pitch our toils go we Anonymous When April deck’d . . L. Marenzio Under a willow lying . . O. Vecchi Fair May Queen . . L. Marenzio O sweetly sleep . . M. Pierson T’other morning very early Thibaut Strike it up, neighbour T. Weelkes Songs by J. L. Hatton. Laws of the Sea King (Vikingabalk) . . What is life? . . . . . . Wreck of the Hesperus (The) . . Simon the Cellarer (new edition) . . Dream, baby, dream . . . . Blind Boy (The) . . Blue Bell and the Fly (The) Day and Night . . . . Vogelweid the Minnesinger . . . . Herrick’s Letanie . . . . . . Fair daffodils we weep to see . . . . Autumn reflections . . . . Cloris, now thou’rt fled away (Amintor’s Well-a-day) Garland (The) . . . . . . Goldsmith’s daughter (The) . Cxiblkl-Pll3c;q_C>OwCI'li5l‘-§H>Hk|§vl>ll>~>P . . 2 . I . Z I I2 (oi-did!-I-202»?!-‘l\3“'-‘P-"‘ Hope . . . . . . Linden Tree (The) . . . . Maureen. . . . . . Meeting and parting . . . . My days have been so wondrous free Nun and the rose (The) Reaper and the flowers (The) Sailor’s Best (The) . . Seasons of life (The). . Streamlet gently flowing The silver moon (Serenade) ’Tis midnight (To my taper) Twilight. . . . Walter the Woodman Weep no more, thou sorry boy *M'ysterious Serenade (The) *Chapel (The) . . *Window Curtain (The) *Mother and Daughter *Greenwood Concert (The) *Dying Swan (The) . . *Gardener’s Song (The) *King’s Daughter (The) *Repose . . . . *Youth by the Brook (The) . . *Violet (The) . . . . *King Sifrid . . . . *Robber (The) . . . . *Roe (The) n o°-.oou.oo.oo- *Poet’s Grave (The) . . . . . *Mountain Shepherd Boy .. . . it Those marked have German words also, and were originally published under the pseudonyme of CZAPEK. Simon the Cellarer Quadrilles, from Popular Melodies, composed by J. L. Hatton. Arranged by C. Coote l€N>t\'>i\?l\3l\'>N>l~33~3t\DtxZJl\')t~3ZO(\9l\Dl\'JZOl0fQb9Z€>Z€ItOl~3l\9l\9KOl~3l0l0lOlOl\91\3lOZCl°l-'l\5°3lot°N3l*3C°°31\3°3 on o :~‘~ cnoocuooonmo:ooovmammocacao:ocnouoosooouonocncncnoaonoacaommocucacscaoocao o®®®®O®®O°°¢”°~’°‘°°°°°®“ 09°’ °°°’°°‘-75°‘ Om Four-part Songs. 0 peaceful be thy slumber (also in Parts) . . Fair Lady Anne . . (ditto) Nymphs are sporting (ditto) The Urchin’s Dance . . (ditto) The Hunt is up . . (ditto) Summer Eve (in F or A) (ditto) When the smiling May returneth (ditto) Weber . . Joyful at the close of day . . . . De Call . . The mist is rising (Chorus from ‘ Euryanthe ’). . Weber , . Volunteer Chorus, “ Up rouse ye ” . . Weber . , Now the Curfew Bell hath ceased (S.A.T. & B.) Kreutzer Welcome spear and shield . . . . Werner . . Rosy-mantled spring _ . . . . Miiller . . Thro' yon lattice—window . Eisenhofer Let me not hear . . Winter , , Sing and drink, boys Lorenz . . When despairing Cupid Seyfried 8. Mendelssohn 2 Mendelssohn 2 Pearsall . . Hatton . . Hatton . . Hatton . . xoysx \o~/9 N; (4; 5,) yo (\'>ON>n—»--ts'>t\'>t~')R\'J Q mic: on oc:o>c:®c:®O>OOO>?~ J os. Haydn. Ariadne. A Cantata . . . . . . 5 Maiden fair (Liebches Madchen), Comic Serenade (Three voices) .. .. .. .. 2 0 Hymns for Four Voices by G. P. L. Da Palestrina. Five Numbers, or in a Set complete . . . . 6 0 Separate parts, 3d. per page. Songs and Duets by Mendelssohn. Fair Lady Anne . . *'I‘he first violet . . . . *Fancy’s dream (The Journey) . . Garland (The) . . . . - *How can I sing (Duet) . . *I stood alone beside the mast (Duet) *Maid of the Ganges (The) . . *Now each creature joys the other *0 peaceful be thy slumber . . *Over the mountain . . . . *Onward still old Time is flying . . , . ""Page’s Song, The (Pagen Lied, or the Savoyard’s Song) . *Slumber and dream (Cradle Song) . . *Suleika and Hatem (Duet) . . . . * Those marked have German words also. - an on o .. ..... . . . . . . . . . - 1020200-|r—|l\')l-‘ZOlOK""N9""l‘3 mcuocamocacaoocaczcao 4 English Songs, &c., by various Composers. Auld Robin Gray (with Introductory Preface) Barbara Allen (Old Ballad) . . Harmonious Blacksmith (The), for voices Lord Gregory (Old Ballad) . . . . O weel may the keel row (Old Ballad with Chorus) . . Sandy and Jenny (Ballad) . . . . Sanderson When ye gang awa, Jamie (Hunting-tower), Copyright editio of T. Oliphant . . . . Leeves. . Handel: Three Duets for Treble Voices, by Weber. Tell me truly, gentle maiden . . Leave me to mourn . . . . Hail to Friendship . . . . no In no no 00 -- Duets for Treble Voices, by F. Abt. *Sunday on the Ocean . . . . *Eventide . . *Rural Happiness . . *The Boatman’s Song *The Woodbird’s Song *Home Sickness . . *The Merry Greenwood Tree *The Early Spring Bird *Not too soon . . _*The Wanderer’s Song . *The Mariners . . . . Two Duets for Treble Voices, by 0'. Keller. "‘Ah! could I teach a nightingale . . . . *Lovely as the beam of morning . . . . o . u v C»Z>l\')?€-‘Z\:2lOlx'JZOt\'J(\'Jl\'>2o ©G>C3O)O)®O>®O)G9® o o u o no on o o o o o o . o o a .0 -n ta 2 ..2 Duets for Treble Voices, by Kucken. *The Swallow’s farewell . . **‘My heart ’s in the Highlands . . . . *How mournfully murmurs . . . . *The Hunter . . . . *The Fisherman . . . . . . *Swiftly o’er the wide Laguna (Barcarole) . . * Those marked have German words also. LONDON: ORAMER, WOOD & 00., and LAMBORN COCK AND 00., 62 and 63 NEW BOND STREE .
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Vogelweild the Minnesinger
Date
n.d.
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. , _, ) ‘//' . ‘/:/:/.eS’la./flz//. ‘ ’ Wm ,,/"/(V. ...,\") L/ K / k,/. \\ / W: {T/_\ ‘<_, “_ /"\..\_/,4’/___T7\ /,.;_\ /fw/j,/“\_/f f ‘_ _ f /7:" ‘//’ ’ \\ ' // /. In / /D ///‘—\\ j = / A \ iy / /'\ /—-~—\ — :1//_/V //r~—~\T_ flfimggfellrrm 8 T‘ 1\_//k / "” "‘\ ,/ K\»\ \_j\_ ,, ~ \\/V, 4 fi @@1:A \\ ‘V / I . \/ * j:\ x /“A ~9/,{\ ‘ / .\’VV’,/‘—\Z// , HI,” ”"‘ _ _ Z716 Z’;/operfy of’ Z710 .‘ (7/l,'z?/Larzz‘ £37.” / ¢ @,7\v+72> «@ N,...
Show more. , _, ) ‘//' . ‘/:/:/.eS’la./flz//. ‘ ’ Wm ,,/"/(V. ...,\") L/ K / k,/. \\ / W: {T/_\ ‘<_, “_ /"\..\_/,4’/___T7\ /,.;_\ /fw/j,/“\_/f f ‘_ _ f /7:" ‘//’ ’ \\ ' // /. In / /D ///‘—\\ j = / A \ iy / /'\ /—-~—\ — :1//_/V //r~—~\T_ flfimggfellrrm 8 T‘ 1\_//k / "” "‘\ ,/ K\»\ \_j\_ ,, ~ \\/V, 4 fi @@1:A \\ ‘V / I . \/ * j:\ x /“A ~9/,{\ ‘ / .\’VV’,/‘—\Z// , HI,” ”"‘ _ _ Z716 Z’;/operfy of’ Z710 .‘ (7/l,'z?/Larzz‘ £37.” / ¢ @,7\v+72> «@ N, ADDISON & HOLLI ER , 2| 0, REGENT STR E ET. W71?/"6 Ina; 5;’ //ad all M 9 OI./PH/lNT§ fitbZzl"zza'z2273:s*. MUSIC Lrammv VASSAR COLLEGE VOGEMILWEID’ THE I1‘m~J.s by HA.WI iongfellow. 1 »ALLEGRETT0C 0- -g‘e1Weid’ the L Min‘__ne_7sin ; ger ,7 é‘ legato.. ""'Laid his howdy‘ ‘in ‘v-()fl‘*‘]\\t-'i(1.H16= MfIi¥Il'<i1|‘_"‘F‘ ‘ _c1oi.=fter, MINNESINGER, T Music by J:L.Hattnfi. _ left this world of' Un__dernéath yon Ab _bey ‘_1()'W’rs. Theyshr-> eed jyirds, =at4-.1V1Q91\Xtide' on his -‘plAaLce~f restub;-"Z " L /z-\ .T “ or (said '1A1"e) from these sweet min _stre1s I have learnii the art of song‘: /5 Let me now _' re____pay thellessons. They Kavetaught so well and l(r)‘I{g:° Thus-/1;11e,.1)ard of love V ‘__part--ed: And, his tombthe ‘birds were feasted - _ \:'ex*‘ < towgr {X11 df dim: ‘r 1*‘ 1 V is ' ‘ R ok I ..V ' 3’ ' V i’ W ' . .— lr.--I V; ' " ~ . V 111 fbui wea._..fi.:ue‘r and. "In ' Ian‘, Da1_-_ly to the » ‘ 1 - _..‘-.__.../.,. ' . \ N A V ‘V v \:y' ‘ -,1‘ (V .1: *7 I - I I noontlde ban_‘qu§t Flccka Eh -pc«__e~ts f i g:::p—'_. in - ’V hea -'-vy bran/ch-es’ / O---ver_;.sha_-dow<i all V piace, On pavement‘, o c s u . ./3. I II I’ J5- I I V _ y , s(;ptlp__tured face,’/' if .1 I. I r $ ' A [V A the cross~barsfi-.-o‘f each window, O‘t’1/1116;"’1ifi.;:.Vte1 . of each ..,»dub'r,' They re-i_Ii‘e.w’d the __v_tIV1ne_-_-f'u1 WarV_._A V» A. “V ,.the’~/A bard had i ‘ ‘fought. be....fore. ; V Praising‘ theirflkind be --ne _fac_-tor “ aI._ter ‘ VOH er» Vo-gé1_weid’.” ‘ ,_A..\ V g.n.»a.1“ vs M .. Till lratilj-lllength the V - ’_ - _m1_I;r’<i;i~,“why it ' /J. it changid to lloavtés l1ence_fo1*_ward. I ‘ ou’1I~«.. fads/f-.-ing --_th(+1??__~V._hood/.” Then _ in iwvavin. with‘ mr ’ cries dis __cord ant, Clam’ __ -rous L round V the - thic ‘ spire, "V T -9- Z—\ Sc1;gm1'd the ’fea_ rid Mi.1i_n¢, isinwgers For the children of ~ _— I - -..--. Ruthless time "has left no tra__ Of the cloisters Af'u,n’_-ral stones ‘ A‘ L A’ Afnc_1 tra-_di__tion on--.1y, tells us ere _re_pos’el the ’ po_--et’s bonésl Bufi a__roundltl1e Lvast ca_:_the_‘l_dra‘l,V _ y’sweet <e-_c os mul._ti.....pi , ‘Still Birds re--.peat /_ 1é,_._gend,V _fLl1e na1V1’1ebof' l‘Vo---geI.-.wéid’.” SELECT MADRIGALS, GLEES, SONGS, DUETS, &c. ARRANGED AND EDITED BY TE-{Ol‘v'.i.’AS OLEPI-IANT. Madrigals, &c., by R. L. Pearsall. Four-part Songs. 8. O peaceful be thy slumber . . . Mendeisgoim <2 Fair Lady Anne. . . . . . . Mendelssohn 2 Nymphs are sporting ‘ . . . , Pearsall . . Joyful at the close of day . . . . De Call . . The Urchiii’s_ Diince . . (also in Parts) Hatton ‘“‘[ saw lovely Phillis . . . . . . 4 voices .. ""Tho Hardy Norseman . . *Great God of love . . . . *0 who will o’er the downs (in F) . . *0 who will o'er the downs (in C, for male voices) "’*1‘alte heed ye shepherd swains . . . . °l"Who shall win my lady fair . . . ‘*When Allan-a-dale went a hunting . . It was upon a spring-tide day . . Spring returns . . o n l ‘ _ . . . 2 The Hunt is up i .. (lingo) Hatton __ 2 Summer Eve (in B or A) (ditto) . . Hatton .. 2 When the smiling May returneili (ditto) , , Weber , , 1 The mist is rising (Chorus from ‘ Euryanthe ’). . Vlileber . . 2 0 2 Q 2 -on to Volunteer Chorus, “ Up rouse ye ” .. Weber _ , Nymphs are sporting . . Now the Curfew Bell hath ceased (S.A.T. & B.) Kreutzer 9-(‘Why with toil thy life consuming . . ,, . . Welcome spear and shield . . . . Werner . . Separate parts, 3d. per page, are published to those marked * Rosy-maiilled spring , , _ _ Mfi_][er_ __ } A Selection of liiiadrigals in Score and Parts. “miiiw I Z :: Down in a Ilow’ry vale (in A& F) 4 voices C. Festa ) Stay one moment .' T. Oliphant In going to my lonely bed R. Edwards Come again, sweet love . . J. Dowland Lady, see on every side L. Marenzio Hard by a fountain . . H. Waelrent All ye who music love . . B. Donato Ah me l where is my true love? F. Anerio My mistress is as fair as fine J. Bennet In the merry spring . T. Ravenscroft ‘ Out, alas! what should I say Anonymous To pitch our toils go we Anonymous When April deck’d . . L. Marenzio Under a willow lying . . O. Vecchi Fair May Queen . . L. Marenzio O sweetly sleep - . . M. Pierson T’other morning very early Tlllbzlut Strike it up, neighbour T. VVeelkcs How merrily we live ,, M, Este .i>'.J>oia>.isit>o~.a:a>ooi§ ts'>t\'>i—z~:>tx‘JzOl:>l\'>I~Dl\'>v-‘t-‘go ocmcoooococaasn Sing and drink, boys . . . , Lorenz When despairing Cupid . . Seyfried 2 o <3 o o o@o~,c.c..c:mc:coo?~ Haydifs Trios. Maiden fair (Liebches Miidchen), Comic Serenade Plioelie's only fault . . Love and folly , Youth, manhood, and age . . _ , The power of beauty . . Hymns for Four Voices by G. P. L. Da Palestrina. 0 be joyful . . . . 0 I will give thanks . . L. . O Miserere mei . . . 6 Why do the heathen . . 6 By the waters of Babylon In Thee, 0 Lord } 0 or c.cci:»!>ii>il>o.mc;1c;.,.i;t!>-ii\..i>.iJ>-.i:>ti;..s.>i> ,_,l\r),_is_ip_.»—'lO2ob—41_\3t—-—:—-v—-ZC;i—I—i—|u-- caoaraaaoomocvoacuocnacao. Separate parts, 3d. per page. Songs by J. L. Hatton. "What is life ? . . Wreck of the Hesperus (The) . . Simon the Cell-arer (new edition) . . Dream, baby, dream . . Blind Boy (The) . . Blue Bell and the Fly (The) Day and Night . Vogelweid the Minnesinger Herrick's Letanie . . Fair daffodils we weep to see . . Autumn reflections . . . . . Cloris, now thou’rt fled away (Amintor’s Well-u—day) Garland (The) . . . . Goldsmith’s daughter (The) Hope . . . . . . Linden Tree (The) . . . . Maureen. . . . . . Meeting and parting . . . . My days have been so wondrous free Nun and the rose (The) . . Old Clock on the Stairs (The) . . Reaper and the flowers (The) . . Sailor’s Rest (The) . . . . Seasons of life (The). . . . Streamlet gently flowing . . The silver moon (Serenade) . . _’Tis midnight (To my taper) . . Twilight. . . . . _ . . Walter the Woodman . . Weep no more‘, thou sorry boy . , ”*Mysterious Serenade (The) *Chapel (The) . . *Window Curtain (The) *Mother and Daughter *Greenwood Concert (The) ‘*Dying Swan (The) . . *Gardener’s Song (The) *‘King’s Daughter (The) *Ptepose . . . . °*Youth by. the Brook (The) *Violet (The) . . ’«*King Sifrid . . *Robber (The) . . ‘rice (The) . . . *Shepherd’s Winter Song (The) . *Poet’s Grave (The) . . . . =.t<i_:/i[‘0lim3m Shcphrfxid Boy ' ' *The Fisherman . . . . . . L lg It Gurney ( )6) . ' ' ' - ' ' ""S "ltl ’ tl 'd Lacuna (l3-art-arole) 9* Those marked have German words also, and were originally ‘ ‘ll 3' " er )0 V“ 6 '0 ’ ' ' published under. the pseudonyine of‘CzAPEK. ‘VF Those marked have German words also. Songs, &c., by Mendelssohn. Fair Lady Anne .. . . ‘ . . Ditto Arranged for four voices . . *The first violet . . . . . ‘7“Fancy’s dream (The Journey) . . Garland (The) . . . *How can I sing (Duet) .. *I stood alone beside the mast (Duet) . , ‘l~*Mai«l of the Ganges (The) . . . . *‘Now each creature joys the other . . *0 peaceful be thy slumber . . .. Ditto ditto Arranged for four voices *Over the mountain . . . . . . . *Oiiward still old Tine is flying . . — . . . ’X‘Pa_ige°s Song, The (Pagen Lied, or the Savoyaru"s Song) . . *Slii:iilier and diram (Cradle Song) , . *Suleika and I‘I‘«tl€‘I]] (Duet) . . . . *Those marked have German words also. no lOZOZO—'i—IlOl\'JI--ZCrlO2O>'-‘ZOF-'lOZO ©C©62r®©©®©OOO>®®O© In English Songs, 850., by various Composers. Auld Robin Gray (with Introductory Preface) Leeves. . Barbara Allen (Old Ballaol) . . . . . . Bid me to live (words from Herrick’s Hesperides Oliphant Harmonious Blacksmith ( lihe), for voices Handel. . Lord Gregory (Old Ballad) . . . . . . O weel may the keel row (Old Ballad with Chorus) . . Sandy and Jenny (Ballad) . . . . Sanderson When ye gang awn,Jamie (Hunting-tower), Copyright edition of T. Olipliant . . . . . . . Three (Duets for Treble Voices, by Weber. Tell me truly, gentle maiden . . . . . . 2 Leave me to mourn . . . . . . 2 Hail to Friendship . ,, . . . . . . 2 ‘Two Duets for Treble Voices, by 0. Keller. *‘Al‘i! could I teach a nightingale . . . . . . 2 *Lovely as the beam of morning . . . . 2 -o.an. Duets for Treble Voices, by Kucken. ’l’~‘ lilic S\vallow’s farewell . . . . *My hcart’s in the Highlands . . . . ”'FEIow mournfully murmurs . . . . it llhe Hunter . . . . . . .I.Il' lo'o°o"' .... . .o........ l°‘°i~91\'>t~9t~'>NR0t~'>N>towwzowmwwwtotozozosozotxatototxozozotobazozozozxzwi-wwwwwtozoww oooooomcraoooooaooooocoooooooooooooooooocaoooooocaom Simon the Cellarer Q,uadrilles, from Popular Melodies, composed by J. L.‘Hatton. Arranged by C. Coote . . . .' '13). I 4;‘ _
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