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Text: .\ a9\ . 1 AIl...I:s/\\I.v . .» . /v \ Amks. .. n. 1 . 4% -.9..\.% cl . . . 11.2 , ‘ Ii /,5. x- E % /5? an. “mm. .u....1,? ,«l.LV.r./.--l z._.u.s z:vJ.....,.\...M .; ,_.- ,I....1»n.L 4%.» \\,/..l%> . \.......A.. &\ I- ..V . . New» .7. . \\ﬂUC\ﬂ —7”r/s.....l W.//4v.’/\w.\ _ » V , . no u . . . I ¢N .1. u .2. 2/, ‘#11,. DO 3% Qemem he;/~ ~W@se:_ u ’/n‘ ._ . ., GAUDEAMUS -’ --3 ‘ 4545 ‘.‘/.1o\\' Gau-de-a—mus i-gi-tur, ju—ve-nes dum su—mus: Post ju—cun-dam ju-ven—tu—tem, post mo—les...
Show more.\ a9\ . 1 AIl...I:s/\\I.v . .» . /v \ Amks. .. n. 1 . 4% -.9..\.% cl . . . 11.2 , ‘ Ii /,5. x- E % /5? an. “mm. .u....1,? ,«l.LV.r./.--l z._.u.s z:vJ.....,.\...M .; ,_.- ,I....1»n.L 4%.» \\,/..l%> . \.......A.. &\ I- ..V . . New» .7. . \\ﬂUC\ﬂ —7”r/s.....l W.//4v.’/\w.\ _ » V , . no u . . . I ¢N .1. u .2. 2/, ‘#11,. DO 3% Qemem he;/~ ~W@se:_ u ’/n‘ ._ . ., GAUDEAMUS -’ --3 ‘ 4545 ‘.‘/.1o\\' Gau-de-a—mus i-gi-tur, ju—ve-nes dum su—mus: Post ju—cun-dam ju-ven—tu—tem, post mo—les-tam se-nec-tu-tem, Nos ha—be-bit hu—mus, nos ha-be-bit hu-mus. U-bi sunt qui an—te nos in mun—do fu-e—re? Va—di—te ad su-pe—ros, trans-i-te- U-bi jam fu-e-re, u-bi jam fu—e-re. ad in-fe-ros, Vi-ta nos—tra bre—vis est, bre—vi fi—ni-e—tur: Ve—nit mors ve—lo—ci-ter, ra-pit nos a- Ne-mi-ni par—ce—tur, Vi—vat A—ca-de-mi-a, Vi-vat mem brum quod- ne-mi-ni~par-ce-tur. tro—ci-ter, vi-vant Pro—fes-so—res, quae—li-bet, Sem-per sint in flo-re, semeper sint in flo—re! Vi-vant om-nes vir-gi—nes, f V4vant et mu—li-e-res, Be-nae, la-bori-o—sae, Vi—vat et res-pub—li—ca, et quae il- Vi-vat no—stra ci—vi-tas, Mae—ce—na— Quae nos hic pro—te-git Pe-re-at tris-ti—ti-a Pe-re—at di—a—bo-lus, qui—vis an-ti At—que ir-ri—so-res, G§1Ld¢§24Lrnc»3 , pe—re—ant o-so—res, at-que ir-ri-so-res! li-bet, vi—vant memebra a-ci—les, for-mo-sae, Dul-ces et a-ma—bi-les, bo-nae , la-bori-o-sae! lam re-git: , quae nos hic pro-te-git! -bur-schi-us, ".%»§.m?A § FROM SENIOR SHOW: Let us all be joyful now While we're still around - (repeat) After youth, fertility After that, senility Then we'll li-ve in the ground (repeat) \ 4 Ir’./,‘\.’i2' \ J ,.,,u\! :. ¢f.“§_ ‘*~ .\ - ‘ . - "Q. s f'.~x \{ ' 3/""':.§‘ ‘ “ 3 '.'-/ 1% I W \ \. *5. “key-¢ D U V\¢f'¢ .4n’ I “A . ,~e’4/ ~ 76‘ , $,*..v=’'.£aM.<.., -. .7.s\"".;“‘ —J WHERE, OH, WHERE Where, Oh, Where are the verdant Freshmen? (3 times) . . . .Safe now in the Sophomore class. _ ;' They've gone out from Baldwins Hygiene (3 times) ‘ ,§ . . . .Safe now in the Sophomore class. :9 {X 2. ....Silly, silly Sophomores,.... ;?&=: ....Safe now in the Junior class. ’ I / They've gone out from Dickey's Music ,. ,3 ' ' Safe now in the Junior class. 3. Where, Oh, Where are the dnmken Juniors? (3 times) . . . .Safe now in the Seniors class. b They've gone out from Lockwood's English, etc. 4. Where Grave Old Seniors, Safe now in the wide, wide world, They've gone out from their Alma Mater Safe now in the wide, wide world. ‘_ , 5. Funny‘, funny, faculty ._ Safe now in their trundle beds, I‘-‘-"-Q‘ They've gone out from Poughkeepsies Movies '1"- Safe now in their trndle beds. an-° A , 03“ O ‘Y,’ I Fhncl 1:3,’; /-\ ~. \n\ '. 7': s" r‘ .~\.,._,’. \ 3-] FLING THE BANNER WIDE ’ ' Fling the banner wide! O'er the towers v let it wave. And as we march comes the sound of singing, T'hrough the valleys ringing. Let the echoes resound - send back the sound Of the ever swelling chorus: Hail Alma Mater, Oh Vassar 1?. . ’ / ~:. hail to thee. S2. Ua44a¢, lb l3¢a4£*1 VASSAR IN BEAUTY DWELLING Vassar in beauty dwelling Through all the changing year; Hail to thee, Mighty Mother, Lovely, serene, austere. Praise we thy bloss'ming springtime, Rose red thy June we praise; Crimson and gold thine autumns, Crystal thy winter days. Vassar enthroned on beauty, Glad in thy gates we throng; Mother of all our dreaming, Lifting to thee our song. Glorious do we behold thee, Gleams on thy head a star; Thine eyes survey undaunted The flaming worlds a—far. Long are thy dreams, 0 Mother, Dreams are we taught of thee; Touched with thy sprit's beauty, Kindling our lives to be. Vassar enthroned on beauty, Glad in thy gates we throng, Mother of all our dreaming, Lifting to thee our song. PEACE I LEAVE WITH You Peace I leave with you, my peace I giV€ Unt0 YOU‘ Not as the world giveth, give I unto you. . _ Let not your heart be troubled, neither let it be afraid. Peace I leave with you, my peace I give Unt0 YOU- -LJM}: A\"“'- f 4. _5 ' . K‘! [] Q, A } B A! V! ’ E1] I, I )' |‘“ I I ‘V I 7 . W: = , ,4#r~I\~4 ,_ HARK, ALMAMATER Hark Alma Mater through the world is ringing, The praise thy grateful daughters bring to thee. O thou who dost hold the torch of truth before us, ‘A cross thy lawns we hear the magic song. 'Tis Vassar, our beloved Alma Mater, That stands for ever fair and high and strong. As we, thy children, pass from out thy portals, To scatter far and wide the seeds of right, May we be girt with pow'r and inspiration, And worthy be to raise the loyal song. 'Tis Vassar, our beloved Alma Mater, That stands for ever fair and high and strong. Joyous a host come thronging, Alma Mater, All seek the wisdom thou dost ever give. With rev'rence may they take thy name up on them, Send down the years the never ending song. 'Tis Vassar, our beloved Alma Mater, That stands for ever fair and high and strong. Eather Time Father time is a crafty man And he's set in his ways And we know that we never can Make him bring back past days So Vassar, while we are here Let's be friends firm and true We'll have a gay time A happy play time For we all love to play with you. '49 The cry of brave '49ers was "Golden days must be here." And though they all might have mined it, To-day you'll find it — right here. So at the end of our searching, A round of praise is in line, For all the memories of Vassar And for the class of Forty-nine! '48 Together with our spirits high Our only limit's the sky So Sing The Vassar Class of '48 Tho’ small in size we'll take the prize For we're the best and the last class In this college to accelerate. Ever since 1861 the rose and grey has . Never been outdone So let's renew our cheers for you and Once again celebrate Vassar Class of '48 ‘§§!:=!_$::uﬁ::: as/4633+‘ ‘r//r‘\~ I \.:;,— I '~‘ 'T1’h ‘€ir NJ I J Saga 5,», I?Qx .rh\ “;-14': g 4S\ YOU HAVEN'T STARTED TO LIVE Words and Music by Joan Weisman I9W1$CPHomORE PRRTV If you haven't known the ways of smoky cabarets, Or gambling dens wnere wine and women give, You haven't yet begun, To know what's really fun, You haven't started to live! known the lures of short, but gay amours, nk you've trained a temp'rate heart, You'll fi t at you've been wrong, Home's no where you belong, nd virtue is just a lost art. If you haven't And shoul‘ thi b You may contend that it's tragic for the soul, That there's no end where there isn't any goal. But fun's a passing bliss that you so often miss It slips right by like water through a seive So catch it on the fly, before it passes by, You haven't started to live. "You Haven't Started toéﬂive" \“\2| REUIMON Svow New Words by Javits: If you haven't known the joys of grownup girls and boys Who're gone a while and then come back to live, You haven't yet begun Supporting everyone, You haven't started to give! If you haven't spent a thou Upon their wedding vow, Their honeymoon and soon their baby's crib, You haven't known the glee Of total bankruptcy, You haven't started to give! You spend and spend. They have babies you adore, But there's no end.. They just kepp on having more. ,1 5 But l¥g¥{s-a passing bliss That you so often miss. It slips right by like water through a sieve So tell thaose kids byhy:”8Y£_uVE“ Before they bleed you dry. You haven't started to give, You haven't started to give! ‘2 $0’ -""-—“‘¢§_-» /”'§:E?§€if“§7 _ ’Kl\‘ 7;» .1"/y\‘ ( I J\‘ I.» o s \o 3'4 )«,_gf: -;.‘,k/ I\\ «',»\~ ‘Eég’ y 4N Ry‘: scr-xx»: _\A\,\11S W43 Scsrmcu PART)! THIS ISTHEDAYWEGOHOME THIS IS THE DAY WE GO HOME! AFTER WE VE GOI‘ OUR DIPIOMAS SHOW US THE WAY TO GO HOME. The cry Of brave forty niners was ‘GOLDEN DAYS MUST BE NEAR‘ AND OUR CELEBRATION OF THIS GRADUATION HAS MADE IT A GOLDEN DAY HERE! GONE ARE THE LABORS FOR Fs AND As GONE "LOVE THY NEIGHBOURS"! GONE ARE THE DAYS WE USED TO WONDER WOULD IT EVER BE TIME TO GO HOME FROM TENNESSEETO TACDMA WHO HAD A DIME TO CALL HOME? THOUGH THEY ALL MAY HAVE MINED IT TODAY YOU LL FIND IT RIGHT HERE SO LEND US THE WHEREWITHAL TO PAY THE FARE, WITH ALL SPEED WE WILL PAY IT BACK, DEAR. GONE ARE THE NO 1362 5;‘; . gem MIDNIGHT LIGHTS N JUST THINK OF OH» THOSE ~_ WONDERFUL NIGH'I‘S WE RE GONNA SPEND ASLEEP ,..;.‘~ ASSOONASITSTIMETOGOHOME 1|" ROURYEARSWEVEBEENINAOOMA -.-‘ ‘,1 SEEKING A WAY TO GO HOME , 3 NOW AT THE END OF OUR SEARCHING ‘f A ROUND OF PRAISE IS IN LINE ... .,. .. FOR AN INSPIRATIONAL, SUPER SENSATIONAL, EDIFICATIONAL TIME no GONE ARE THOSE PAINFUL 4,,’ ' BILLS IN ARREARS! "4, GONE THOSE DISDAINFUL 2,“: SLAP HAPPY YEARS WE SPENT INSISTING IT WOULD '\’, NEVERBETIMETOGOHOME -_.yr,._.\ THINK OF THE TIME THAT WE WASTED ‘gr’: WISHING THAT WE OOULD GO HOME \I __-.»..- WITH ALL OUR MEMORIES OF VASSAR 1§\\,_ ANDOFTHECLASS OF F$RTY NINE! 3. =' WE DIDN T KNOW HOW TO MEASURE ’ ,1 THOSE FOUR YEARS OF PLEASURE ~ AND TREASURE OUR LEISURELY TIME! ' WE DIDNT KNOW HOW TO MEASURE THOSE FOUR YEARS OF PLEASURE ' AND TREASURE OUR LEISURELY TIME! } ’ :5 97‘: ,_,: I CAN SEE YOU Mart‘ Rueéebksh I can see you every night :Aw\eqDH Just close my eyes and hold you tight gr|_q° I'll always follow wherever you go "°V'*'°"“*Y Do you love me or don't you know? I always want you by my side The beat of my heart made me decide Darling come back and see this through I'll always go on loving you. KRRWn3R ¢FiSKE Siwﬁivnww -. , _ \ 4 "‘*=~U\uCRD-3‘. I:i..LEN Sewny 7 SPREAD IT AROUND when I was a baby my mother told me "Art for art's sake is a good policy", I took her advice and soon after I found You should throw your bread upon the waters, Spread it, spread it around: So many have lines long enough to hang clothes But when I kiss I don't know where the nose goes. So I have devoted my life to my art. Men are fine, that's if you have the time to Spread it, spread it around: Damuist, expressionists the cubists and impressionists Are all in for1s of art. Eurrzalism gets me, but art never lets me T379 time off to spend on my heart. Now art is Just fine for the ballet brigade, And men who know have said that I could be made In thetzer, in opera, in any big town Art's for all so g_*v your all for art, Spread it, spread it around: 1’-{-. *._ __, ,4!’ —i.’ ' ’ -535$. F‘.-.—;'*i‘;."*‘\|I§ \L§¥.‘.“{2/_ \ A ‘-’--’-' ‘c’7||\\ o Senior Party. Spring 1947,, Here we are together, Together on our honey-moon; Who cares about the weather, All we‘ll do is spoon, and soon, Surrounded by people, We're still allalone, No more courtin' on the telephone. Now that life - expectancy Is reachin' eighty-five, That's not the real expectancy That keeps our love alive, Two-thousand eleven We‘ll still bill and”coo. Can't go on without lovin' you. CONEY, CC.\'E‘.’ ISLAND Cone Cone I That's the place for me Where bathing beauts in briefest suits Never see the sea Every red hot mama With her sugar dad Strolling down the boardwalk Flirts with every lad . Junior wants some ice cream Mother wants a tan Daddy wants a dancer Sister wants a man How about some pop corn? Come and see the babes Where the hell's the ocean? Haven‘t seen a wave‘ Coney, Coney Island That's the place for me Now listen kid I‘ve been around I‘ve been kinda giddy In Atlantic City But it's still Coney Island for me. Wadcvf ﬁgﬁb Sm. ml,-.w~ \q H‘! SUP»-Ach'\cRE P{:R*r-y \DC‘\D~‘> B Y: MAGNOLIAS IN YOUR EYES mumc B.‘/3 I can be the bravest man In a cavalry or ten I can face a whole brigade without a rise. But my heart within me balks And I cannot even talk When I see magnolias in your eyes I have kept the upper hand with a savage pirate band I have made my way through armies in dusguise, But I cannot save myself When I see magnolias in your eyes. I could live a year or two In the depths of he bayou I could kill an octopus of any size I can do most any feat But my boldness must retreat When I see magnolias in your eyes. COO We have steered our bikes with skill Up and down on Skinner Hill Nearly fast enough for an Olympic Prize Now we jog a little ways and we're limping several days still we've got magnolias in our eyes. With Miss Mosscrop and MIss Timm We did cartwheels int he gym At lacrosse and soccer got our exercise But our swayback further curves With arthritis and pinched nerves Still we've got magnolias in our eyes. Vassar Devils took us much To the Drug and to the Dutch Th we'd eat two pizza pies of any size NowA ake one spoon of cream and we bul at every seam Still we've got magnolias in our eyes. We'd play bridge for half the night Then start papers we must write Typing on until the sun began to rise Now we drink a glass of wine Fall asleep at 10 to 9 Still we've got magnolias in our eyes. We could live a year or two And we hope that's what we'll do But before we must start saying our goodbyes One more course ma: e survive.... Geriatrics one oh five Still we've got magnolias in our eyes. I65. LcU\$'5 mY;_1\g \( '\\‘\: :‘«£.c ";‘.«,»>:-:~. ’ . ' \ ., a\\ »;,~’i’S\ S MANYOTHERSWAINS HAVE TOLD ~ —- A ‘ “ (Music & Lyrics by Joan Weisman) Love has been a well-known story,- '.’ - Known to many pairs of old, ‘iv And the words I want to tell you, Many other swains have told. J? ‘q_\5 9‘ So if I should say I love you, ,; ‘j, That you set my dreams aglow, gggé Though the words are over—used, dear, ‘ I They still mean I want you so. S ; Though I may not be a Humphrey Bogart, ’ '_Lf{ A Brummel or a Van, »; J Still I can have the one ambition To be your only man. Why must you be so indifferent? Must you be so very cold? When I'm longing so to tell you What many other swains have told. YOU'RE ESSENTIAL TO ME like a new bonnet An old English sonnet A cottage that's built by the sea like week—ends at beaches Sugar on peaches You're Essential To Me. like summer vacations A new book of rations The honey that's made by a bee like winter and firelight Summer and starli_ht You're Essential To Me. was so stunned when I met you -ow could it really be true? lo it have been accidental were the Fates in it too? dge goes with dummy ‘HI! 3711} C) () .3 U ‘I (I 5;. And England can't live without tea like mayor and campaign New Year's and champagne -9 ; -o ...‘-‘ ma \/To .31.‘. ‘SE LSSEI“- :. —~« «~- bji Tonw Imvﬂg. !C!“!'7 SC~f>!’1c\-nc RC-_ T-7Fu\Ty DRUMS THERE'S A PRIMITIVE URGE IN EVERYBODY! THERE'S AN ANIMAL SURGE IN EVERYBODY! IF YOU CAN.........NCT RESIST IT LOVE WILL COME LIKE THE BEATING OF A DRUM! THERE'S A SAVAGE BEATING IN EVERYBODY! A.TAITOO REPEATING IN EVERYBODY! IF YOU €AN.........NOT SUPPRESS IT LOVE WILL START LIKE THE BEATING OF YOUR HEART! THE FORCE COMELS YOU TO LOWER YOUR RESISTANCE! OF COURSE LOVE JUSTIFIES ALL YOUR EXISTENCEJ YOU LOSE ALL INHIBITION, INDIVIDUALITY! FUSE WILD DISPOSITION AND SENSUALITY! V THERE S A TOM TOM SOUDING IN EVERYBODY! AND A PULSE IS POUNDING IN EVERYBODY! IF YOU CANNOT RESIST IT LOVE WILL COME LIKE THE BEATING OF A DRUM. LOVE WILL COME! As Time Goes By ' “§‘1‘{"1s‘i’8r 3?: HX% Hupfeld like You must remember this, how boys begged for a kiss But settled for a sigh. And everyone was really shy But Time Went By. always Now when two people woo, there's nothing they won't do- And nothing's on the sly . No fundamental rules apply Since time went by. Moonlite and love songs, strictly out of date. Sreakers and flashers, movies to X rat. Woman needs man and neither one CAN WAIT To give the thing a try. Its not the same ols saga, their pot has made them gaga their coke has made them high. I think we had more fun in our day But time went by. a’ )3 %. rt .. . ,...:wwv.”.«VﬁI. /.o....s-.Iés\ ...u.. .u.\ 2. ‘I$/W /..- II. \/Q33 "F \ \A/ a , , H ... \.,um.W..x.s“ \. 47”»... - ,..., aM..\/IM1.__7$// .\ CV .44. T,‘ Stein Song (University of l\‘Iaine) Fill the steins to dear old Maine, To the youth, to the fire, Shout till the rafters ringl To the life that is moving and calling us! Stand and drink a toast once againl To the Gods, to the Fates, Let every loyal Maine man sing— To the rulers of men and their destinies; Then drink to all the happy hours, To the lips, to the eyes, Drink to the careless days— To the girls who will love us some day! Oh- Drink to Maine, our Alma Mater, (llepeat chorus) The College of our hearts always. Copyright 1910 by Carl Fischer, Inc., New Yorl To the trees, to the skyl copyright renewed. To the spring in its glorious happiness, Desperado 1,9,7 \‘ 7‘ ‘ we 1, '9’ 7,; ? F .1 2 He was a desperado from the wild and woolly West, ,3; 7 l ' ll Ile came into Chicago just to give the West a rest. ‘ ’ l He wore a big smnbrero and a gun beneath his vest, ‘g-'_'<_ ' And everywhere he went he gave his war whoop. ‘ l . 9. ,5, He was a brave, bold, man and a—desperado, ’-(‘V From Cripple Creek, way down in—Colorado, c-ﬂ _ v _’_ And he walked around like a—big tornado, ' ’ AI “ And everywhere he went he gave his war whoopl ‘I 0, I He went to Coney Island just to take in all the sights, He saw the hootchic,-lcootehic and the girls dressed up in tights, “\ Ile got so darned excited that he shot out all the lights, ~.e_.‘.- I 7 And everywhere he went he gave his war whoop. I 17/ " I A great big fat policeman was a-wallcing do\vn his heat, Ile saw this desperado come a-walking down the street. Q . 1/. lle grabbed him by the whiskers, and he grabbed him by the seat, - ___‘-‘l C‘ And threw him where he wouldn't give his war whoop. 7’ 7 ' ‘ ;ai:-l”: I \\ I9. You can easily see she's not my mother, ’Cause my mother's over forty-nine. You can easily see she’s not my sister, 'Cause I never showed my sister such a wonderful time, You can easily see she’s not my sweetheart, 'C:mse my sweetheart's too refined. She's just a slip of a kid, she didn't know what she did; She's just a personal friend of mine. I With I Were a Wmlo Thugar Bun =55‘-'-'*=?FF}-‘F55 I with I were a wittle thugar bun, (thugar bun), I with I were a wittle thugar hun, I'd thlippy and I'd thliddy down cveryone's inthididie; ' I with I were a wittle thugar bun. I with I were a witllc cake of thope, (Cake of thopc) etc. I'd thlippy and I'd thliddy over everybody's hidie. I with I were a monkey in the zoo; I'd thit upon a thelf and I'd thquat my wittle thelf. I with I were a wjttle muthkitoc; I'd lmlhie and I'd hitie under everyhody's nightie. I with I were a lithie in the then; . I'd thwim around tho eute without a bathing thuit. I with I were a wittle thafety pin,‘ And everything that's buthtcd, l'd hold until I ruthlcd. I with I were a \vittle thlippewy woot; I'd thtick up in the twail, and I'd llop you on your tail. 20. I with I were a wittle hog of mud; I would ooze and I would gooze inthidc cveryl)o<ly's thuze. I with I were a \vittle can of beer; I'd go down with a Ilurp and come up with ah I with l were a wittle Englitli 'l'lipawwow; I'd thit up on a thteeple, and I'd thpit on all the people. I with I were a wittle kangaroo; I'd hippie and I'd hoppie inthide my mother's poekic. I with I were a thpoon of ('allu'r nil, I'd luhrir.-ate the chathies of all the lads and lathies. I with I were a wittle thriped thkunk, I'd thit up in the treethes, and perfume all the hrcethcs. 4 new nub‘ . OI. A II!‘ MID Ah-H jgu.gyp\pr. ~t'u. nun A u~-Au-vv g to-HD0075 an. nul- . F )1 VOUAII TIC‘ Oh, a Zulu king with a big nose ring, fell in love with a fair young maid, And every night by the pale moonlight, across the lake he came. Oh, a hug and a kiss for a Zulu miss, in the shade of the old palm tree, ‘ Whene’er they met, they sang a duct, and it sounded like this to me: Bar-rumph (kiss kiss) bar-rnmph (kiss kiss) bar-rumph ti (li a di aye, Bar—rumph, (kiss kiss) bar-rumph (kiss kiss) bar-rumph ti di a di aye. We'll build a bungalow, big enough for two, Big enough for two, my honey, big enough {or two, walla walla walla ‘ And when we're married, how happy we’ll be, Underneath the bamboo, underneath the bamboo tree, boomboom Boom, boom, boom boom boom boom boom boom! If you’ll be M-I-N-E mine, I'll be T-IIsI—N-E thine, And I'll L-O-V-E love you all the T-I-M-E time; You are the B-E-S-T best of all the R-E-S-'1' rest, , And l’ll L~O-V-E love you all the T-I-M—E time, ' . Wrap 'em up, stack ’em up, any old time. .~ .. .§ 3, . Sornebody’s been here giving lessons in love; It lacks that inspiration sent from Heaven above, walla walla walla Oh, that kiss you gave me sure was a winner; You're no beginner, 'cause somebody's been here before. You're second-hand. '..".,r‘-C .- e fin‘ Throw It Out the Window Qﬁks f ’ﬂ \ <2: 1 I 1—‘»‘!.’ ///. ‘ \ ~.—_.o / ’ / OHM tl"ll ;- . . ,. " I -roketéii if;p3l§i’,3'$:;‘X°1ZZ§.ié’,"'° °""""“"’ TQLK. -L .<.'t‘.l ‘V But when she got there the on board was ba ‘ ‘) \ - Anldlshe thrlew it out the windoliv. .‘ re’ vb ‘cep :1 ie wim ow, the second-stor wii l I r‘ 7" ' ‘ But when she got there, the ctrpyboard bare TM kl Horne And she threw it out the window. I l‘- 21. Drunk last night, drunk the night before; Coin’ to get drunk tonight like I never got drunk before. For when I'm drunk I'm as happy as can be, ' For I am a member of the souse family. Singin' glorious, glorious, One keg o' beer for the four of us. Clorybe to God that there are no more of us, For one of us could drink it all alone. All alone (damn near), all alone (damn near), Glory be to God that there are no more of us, For one of us could drink it all alone. (Tune "C") Oh, when you hear the roll of the big bass drum, Then you kno\v that the Dutch have come. The Dutch Company is the best company That ever came over from the old country. There's the Amsterdam Dutch and the Rotterdam Dutch, The Pottsdam Dutch and the C-- d--- Dutch. lagged But Right Then there's the Irish, but they're not much, But they're a damn sight better than the G-- d-- Dutch. ’ Oh, why do we go with the girls so much, When we could drink beer with the C-- d--- Dutch? When a Greek meets a Greek it's a restaurant or two; When a Dutch meets a Dutch it's a keg of lager brew. (Tune "A") Singin' glorious, glorious, etc. (Tune "D" ) , t " Oh, they had to cart Carry to the ferry, And the ferry carriecl Carry to the shore. And the reason that they had to carry Carry, Was that Carry couldn’t carry any more. (Follow this with "Sweet Eveline") I just called up to tell you that I'm ragged but right, A thief and a gambliu' woman, drunk eve.ry night. C I order porterhouse steak three times a day for my board, 'l‘hat’s more than any ordinary gal can afford. I got a big handsome man to play around at my feet, A big electric fan to keep me cool when I sleep. For I'm a ramblin' woman, a gambliu' woman, and Lord am I tight, I just called up to tell you that I'm ragged but right. Oh, How He Lied I) u’. the sat down beside her and smoked his cigar, -He told her he loved, but oh, how he liedl Smoked his cigar, smoked his cigar. He sat down beside her and smoked his cigar, Smoked his cigar-r-r. She sat there beside him, and played her guitar. She told him she loved him, but she did not lie. ‘ 5—Thcy were to be married, but she ups and dies. 6~—lIc went to the funeral, but just for the ride. 7—She went up to heaven, and flip-flop she flied. 8——Ile went down below her, and sizzled and fried. 9—The moral of this tale is never to lie. l0—Or you, too, may perish, and sizzle and fry. A l’«'rslun kitty, perfumed and fair, Sn-ollml out on a backyard fence for air When a tomcat, lean and lithe and strong, his I y and yuller, came a-strolling along. I In sniilcd at the perfumed Persian cat As she slrutted about with much éclat Ami a~thinlcin' the time to pass, I ie whispered, "Kiddo, you sure get class." " "i‘is iitten and proper," was her reply, ‘/‘\s she arched her whiskers over her e e. I am ribboned, sleep on illows of sil , Ami I daily bathe in certi ed milk. "But I'm not content with what I've got; ‘ I ought to be happy, but happy I'm not. I should be joyful, yes, I should indeed, For I'll have you know, I'm highly pedigreed." "Now, hark," said the tomcat with a smile, “You must trust in your new-found friend for a while. You must abandon your backyard fence, My dear, what you lack is experience." The joys of iivin he then unfurled As he told her ta es of the outside world; And then suggested, with a leering laugh, A trip for two down the primrose path. The morning after the night before, The cat came home at the hour of four, The innocent look from her face had went, And in its place was a smile of content. Two months later the kittens came To that Persian kitty of pedigreed fame; They were not Persian—they were black and tan- And she told them their pa was a travelin' man. He asked to hold my hand, I seriously objected. I knew the feeling was grand, but I might not be respected. He asked me for a hug. l .~«'rimIsly ohjmetcd. I knew the feeling was snug, but I might not be respected. Ile uskv-(l me for u kiss, l .-:«-n innsly uhjuclotl. I know the feeling was l»Ii~.~-;, but I might not bo rn.s'p¢'('iml. 23. ‘L ;.~ ITT" -\9 ¥‘}‘§ . fad.’ , . ,. __ I \\$..‘p N] 5'. Mb ""':’$: -:5 "‘.4‘3"'." «///a\'?—?F’(‘~r'r;7g~ \o ‘iii )«g«.fa_ 1»). H‘ 4,. \_g_ t IT WAS MIDNIGHT ON THE OCEAN -ls» silver ‘threads mmomqmq H It was midnight on the ocean, not a streetcar was insight; While the sun was shining brightly, for it had rained all the night. 'Twas a summer's day in Winter, and the rain was snowing fast, As the barefoot girl with shoes on stood there sitting in the grass. It was evening and the sunrise was just setting in the west; And the fishes in the treetops were all cuddled in their nests. As the wind was bowing bubbles, lightning shot from left to right; Everything that you could see had been hidden out of sight. While the organ peeled potatoes, lard was rendered by the choir; When the sexton rang the dishrag, someone set the church on fire. "Holy Smokes!” the reacher shouted, as he madly tore his hair, Now his head resemhles heaven, for there is no parting there. THE VUL-GAR BCATMAN How I love mine boatman My very vu1ger°boatman He's just a Russian, dﬁtshin', Prussian, Russian from the sea. ~ When he comes from the ocean He smells like Scott's emulsion _ He's got that silky kind of oilskin What you love to touch. He calls me his moimaid I just love to be his slave His kisses upset me just like the ocean wave But I still I love mine boatman My very vulgar boatman« He's just a Russian, crushin', Prussian, Russian from the sea. Mary Ann McCarty (Tune: Battle llymn of the Republic) Mary Ann ML-Curly, she went out to dig some clams; ,-Mary Ann McCarty, she went out to dig some clams; Mary Ann McCarty, she went out to dig some clams, But she didn't get a single solitary clam. . All that Mary got was oysters, (three times) But she didn't get a single solitary clam. She dug up all the mud there was in San Francisco bay. Glory, glory, what a helluva time she hadl " She went to all the parties that the Psi US ever had. All that Mary got was trench mouthl 2L£ ,,» é/’.—— ‘ﬁjﬁg -.>- 3 . AFTER YOU WORE A TULIP ‘ )3 \‘f"-“‘ Adam . . Oh, Adam was the first man before the world began V The Lord took mud and sand and from them He made man :““.J’~"- But Adam wasn't satisfied. He said, "I want a bride," ’ ‘ ,_ So the Lord took out a rib from Adam's side. You could tell them from each other by the clothes the other were 3&3‘ For ‘ v ’!s"“;, He wore tuli a big yellow tulip ':l'K~‘ n she wore a 1g red rose. - When they gfew older twas then he grew bolder ” ‘I From her head down to her toes ‘ _-‘,5’ They started apanic, said "The Lord was some mechanic .. '->’' when He made you from a rib from my side, 141‘- And if I ever want a harem up, I've got six more ribs to spare Him," ;‘&~.‘-£3?-’ And she blushed like a sweet June Bride. ‘ , ls’, - N.B.- - Beforesinging "Oh, Adam", sing one verse of "When you - -wore a tulip." '/,"\‘$ 1 ‘ ’ / ”\'~w_./4 o\\~_. ’A I .!:/‘7' ’ OH, WHEN THE MOON SHIIVES __',-1,5 Oh, when the moon shines, I want to hold somebody’s hand. _!4" Oh, when the moon shines, I begin 4I'~% to understand. _,.1<e Why all the little bees and all the ‘*W5- little bears never go in threes ; they always go in pairs. Oh, when the moon shines, I want to hold somebody's hand. Why all the little bears and all the little bees always go in pairs - they never go in'threes. . - W] '.'. M 4, ?§E1§—~‘L“js;? e//m\‘>:Fﬂ‘r?f 6;!’ vz YIELD NOT TO TEMPTATTON '7 -- . 4; ,. «§\ ’ ' ‘ -3; 1“ geild not to temptation, for flirting is sin, 7' ‘ gme sister will help you, her brother to win. .\‘.g/, F Sht manfully onward, dark passions subdue. Don't run after the boys girls let them run after We do. They don't. We sitagsb what. Some men argozliuxuzb! ;y,;\,1_ _;ﬁ ’$ v n‘ §L% E :3‘. . . _ §even Beers With the Wrong Woman \ ' . ;;&¢§f Seven beers with the wrong woman; - \, We sat at a table for two. "“ And the first thing I knew, she whispered, “f 4“ "Honey Boy, I could sure go for vou!" 4; Then my heart beat a little bit quicker, .".' - As-I fondled her sweet little hand° Sig‘ . I swelled up with pride, but oh boy, how she lied! ' I sure was a foulish young man. — J. .\*‘* , Seven beers with the wrong woman. g.‘L She asked me to get up and dance. .;4é Around and around we circled, I Til I felt for the dough in my pants. -‘ , when I asked her if she had seen it, -S§ﬁ= She looked up at me and said "No". ‘I3/If From that day, to me, it's a great mystery. ..)' I wonder Just where t did go. ‘. Seven beers with the wrong woman. Her husband came in after that. And when he spied us together, He rushed up and told me to scat. He took me by the seat of my britches, And he sure didn't leave any slack. T'was then I got tossed out the door by the boss, And he told me to never come back. Seven beers with the wrong woman. It left me with only regrets. And I guess she was only follin', When she called me her darlin' and pets. Now I wish that the lord had made Adam, And had nver made anyone else. ' But there's one thing I know;—- That the next place place I go, I'll have fourteen beers by myself. .,I‘ _I_)_ubugue ."_~«;§\ ‘I Oh, Dubuque, oh, Ilzubuquehi . ' ,' . cll e me s ver ’ " githyyguregregtmaide streets and your Mississippi River ' \ oh, I love you with my heart .. And I love you with my liver Q , Oh Dubuque (tsck tsck) -.:~? , By the River (stamp feet) , _- lb. ,ll Williams Man Who’: Far, Far Away Around her hair, she wore a purple ribbon; She \vore it in the springtime and in the month of May, | And if you ask her why she were that ribbon, She wore it for her Williams man who's far, far away. - Far away, far away; far away, far away; She wore it for her Williams man whds far, far away. Around her knee, she wore a purple garter; She wore it in the springtime, and in the month of May, And if you ask her why she wore that garter, She \\'on! it for her VVilliaius man who's far, far away. IN THE QUARTER MASTER CORPS Oh. it's ale, ale, ale, that makes you feel so hale. Far away, iar away; far away, far away; She wore it for her \rVilliams man who's far, far away. Around the block, she pushed a baby carriage. Behind the door her father kept a shotgun. On the wall she keeps a marriage license. In the desk, the sheriff keeps a warrant. And in her heart, she has a secret passion; She has it for an Amherst man who's not so far away. Similarly: llraudy-—dan(ly. Cocoa—lo(;o. Liquid-wicked. ltum——bum. ltye—spry. Sherry—merry. Vodka—hotka. VVhiskey—frisky. VVine-fine. Bourl>on—burpin’. Coke—want to choke. Cin—want to sin. Port—want to sport. Mint—want to . — ' squint. Miisca-museatel—feel like llell. Vennouth—makes you so uncouth. *7 lloyal Royal Crowu—-really gets you down. 1’:-psi-gives you apoplexy. (;h:unpagne—gives you such a pain. ()orn—glad you're born. It's the Ainontillado that gives me this vibrato. Scoteh—gives your name a blotch. Mules (Tune: Auld Lang Sync) On mules \ve find two legs behind, and two we find before, \Ve stand behind before we find é what the two behind be for. When were behind the two behind we find what these be for, So stand before the two behind, behind the two before. 27.. 1... ,' ."~ \j, .._g-.''; . - / / "2 /D .Q_‘- \\._tL“_ \\3%"’ MY GIRL . — xi‘ She goes to Vassar, none can surpass her, She is the stroke of the varsity erew. And in my future life, she's gonna be my wife. Ilow in the world do you know that? She told me so. ’ n .4; 2 v I I I Q ' . My girl's from Tlnnith, thhe talkth like thith, ..._. ‘W’/, ll‘ ’ \"“‘ Thhe taught me how to kith, I love her the, t, at Z _ And in my future life, etc. . '\ My girl's from Ilolyoke, she taught me how to smoke, /"" She knows a dirty joke, now I know one too. I‘? , .; ,, _ | 1 .- ‘.-'5 My girl's from Radelille, she is a big stiff, I And she gets sore at me when I tell her so. ‘u. A .' ’)_./E - My girl's from Wheaton, she takes a l)eatin', I And when she‘s feeling good, I take one too. 5‘ ’ . §f;.t= My girl s from Skidmore, she is an awful bore, ’ § / ”.-- She never knows the score, boy don't I knowl _' My girls from Middlebury, she is extraordinary, She's built just like a fairy, three hundred pounds or so. My girl's from Wellcsley, she always tells me I'm bats in the belfry, but I love her anyhow. . My girl's from MIT, she is a travesty, Girls who go for engineering are not so hot appearing. My girls from Connecticut, she knows her etiquette, ' She taught me how to pet, now I do it too. My man's from Yale, he lands in jail, From drinking too much gin—ger ale. Advertise (Tune: Auld Lang Syne) The fish, it never eaekles 'bout it's million eggs or so, The hen is quite a different bird, one egg—and hear her crow. The fish we spnrn, but crown the hen, which leads me to surmise: Don’t hide your light, but blow your horn, it pays to advertise. 28. NORTH AFTER DINNER SONGS "HOME ON THE QUAD”— words by Joan Javits Oh, give me a sub who will scrub out the tub Give me breakfast in bed on a tray Give me something to eat - I'm so sick of puffed wheat ' Old Matt didn't plan it this way. Home, Home, on the quad Where the North Tower's closest to God Nhere seldom is heard The song of a bird - Cause the snow always covers the sod. My rdmmate believes We have 85 leaves Haven't seen her since early last May She's up skiing at Stowe But there isn't no snow Old Matt must have planned it this way. Home, Home in the stacks Where the seniors are breaking their backs If your book's on reserve Dearie, don't lose your nerve Just swipe it and start to make tracks. Give me free cigarettes Give us hundreds of ts Give us no classes on Saturday Give Professors more dough Or I tell you they'll blow Old Matt didn't plan it this way. Home, Home on the(Quad Where the North Tower's closest to God Where seldom is heard The song of a bird Cause the snow always covers the sod. AT THE BOARDING HOUSE (Tune: Silver Threads Among the Cold) At the boarclin house where I stayed, everything was growing old; Silver hairs among the butter, and the bread was all a—mold. When the dog died, we had sausage, when the cat died, catnip toa, But when the landlord diedAI left there, spare;-ibs were too much for mc_ Girls Can Never Change Their Nature (Tune: Silver Threads Among the Cold) Ci . n ver ch e their nature; that is quite beyond their reach. If a girl is born a lemon, she can never be a peach. But the law of compensation is the one I always preach, You can always squeeze a lemon, but just try to squeeze a peach. But you can try! ’Wolves when They're Young They're wolves when they're young, And they're wolves when they're old, So beware of all men because they blow hot, blow cold- All things that shine My dear are not gold, So beware of all men because they blow hot, blow cold. Now you may work like a maniac And jump around like a jumping jack Just to keep your honey from sliding back And then he flies off with a blonde. They're wolves when they're young, etc. Now I said to Jennie Jones the other day "If a man falls for you just let him lay; '" And don't you believe a single word they say. Cause they blow hot, blow cold. When a man proposes by the garden gate, ' He gets you hot and bothered, then procrastinates, So honey, just be careful when you're picking out a mate, They blow hot, blow cold. - Now you may work like a maniac,:tc. I would play with fire any old day, Just as long as I was sure that it was safe to play, But dammit, the men don't play that way, They blow hot, blow cold. All things that shine, etc. 3c>. u. ‘ 7 .u/’- ~ .2’/« ~ —-‘~ ’.~. \ ; ,€bD— ,1’ \, [U7 \\ 7,‘ _,',, . '.‘\ g ~ \ we're marching we're marching our brave little band. I\\‘.‘¢{a ’ ‘HQ On the right side of Heaven we now take our stand. we don't chew tobacco because we do think _ 1-,‘_.J-I‘-‘.~_ That them that does chew it is liable to drink. v -“ - Down with King Alc ohol, Down all you can. ,_ ‘H’ Ah, Men....Ah women. Ah nuts. ‘G’ .{:~'k~‘ evﬁ’. »/ a if» PERSONALITY I .. Oh oh when Freddy danced, he had the girls entranced ,-m, And you can bet it was easy to see * . ;i:‘€:’~’ He had a well developed Peasscnality _ '5‘. - when Lucy Galpin's hips created an eclipse H » And Lela's face started to fall . — ‘“ He came back to Lela xs " ' ./g”"'~‘; _Cagsg,Le1a had the alcohol-; "I . .-O"'l=:‘vo..=..—4§ ‘I’ . .-1' I ’\\_,_,/4 5I‘v,$? ANNAPOLIS 7&9-‘ It I Got our bags and got our reservations _ _ ..7_ Got each dime we could afford N _ Q4‘, with our hearts in wild anticipation N _ . Longed to hear that ‘Ann-a.pgLi_s_ call a Five oclock, th_at's- when we got up at five o'clock, /Ly ' Potsy waitin' up to see us off, countin' every mile _ 7,.‘§_,_s That leads us to our men in blue V ‘ ' Never thought my face could be so pea green ,3,’-‘.'\' Never thought I'd act like this - ’ [’ with my knees as wobbly as spaghetti .;,j'.‘C Here we come, Anapolis We got there, the goys were there to meet us 1.3‘ Took us to a basketball game 5‘, , Went to the hop-, and home.at~2 oqgdggck iﬂ/'1‘ and you can bet that they weren't tame“ ‘ﬂl Got to our rooms and they were full of people \Q;//¢_ 4 on the bed and 4 on the floor ' Listened inqand this is what we heard - 1, _\ Roll over Jack and do it some more “ ;;;°’ ‘ Chapel that8s where we arrived at ten ‘ ‘dish you could have seen our men marching in review...how we love you '9‘ And we still do L After church we went and got some chow‘ . _..,\.‘-. Q‘ Never thought a day could be such bliss /" They left us with our hearts upon our sleeves \_,/’ Fare thee well, Annapolis \.e W--. \ .1.) I ‘\ _; ‘y . \ ~,-H; I ‘ UGLY TO LOOK AT V ,_ II \ :§'-g'..re-ugly to look at, repu1;m?‘y§?yg§y%;y§§§.;;Q? 19%. .. .. ‘\,‘ Hrcombination like this i t t wn /Rf sass “£35312? 55:32.3“ 9 oa . ' S F’ . ?§Lx3z’1§1::: zrgajiirantic bgcause we don't click like other girls -'9 --'. this is the story of P001“ 1119319 .¥“e -.g1e . ...«=. d ' J)?" ajggard old freshman at Vassar __‘y<_>‘14-1_:.3_,e9__y::_f:‘ ‘A ' -’ ' . " .!i’ﬂq.4..n<L4o-4&-\X-JI¢>d§-;:.*Io-&.‘»~41!-3'!"-"~‘i ‘ ’ '”"""“ "J I "\ §‘3| "f 2’ rs 1-’ ~'~' GOODNIGH’: L ‘_ M !_ _ _ .- , , , . . _3 . 7§ooaﬁ‘1té'ht little sirlii gggggiﬂt. . . . ;: _ h ou get home a ‘$5 iougpliigs was divine, and with each Jug Of Wine Ff" ,__ I thought I could make you H108?» any °1d time ' ./.'I But I see, little sirhil wag ygns A‘. ‘I I 1 b a O . “I gotéoﬁgﬁﬁsllcouldewig you with all that Sin in You .e<>odm1é1:t.»..utt1e girl» 8°°F‘“15“‘.. - t OLD HUDSON VALLEY To the tune of "Red River Valley” Oh, remember the Old Hudson Valley Do not hasten to bid it adieu. Everyone goes away every weekend... They‘re sorry when weekends are through. Yes, and down in the Matthew thought that He invested in good c Soon West Point set We‘l1 remember the Old Hudson alley Where our Founder put Vassar to stay. Oh, how often I think of him fondly.... How much beer he could sell here today. NORTH SONG _ Words and Music by Joan Javits We got it over you The tower's got a super view The wings you must admire, they could fly higher, Cause they've got the spirit, tooo... North is the very top, The tower will rock, but never drop, And if you venture forth you'll wind up at North... Don't misconstrue it, we do mean Jewett. Though we don't think you're a total flop, We've got it over you, we've got it over you. TEASIN' TEASIN' (Verse I) Teasin', Teasin', I was only teasing you, Teasin', Teasin', just to see what you would do. (Of course you know that I was) Teasin', Teasin', just to prove your lone was true -Don't be angry, ‘cause I was only, only teasin' you. DEDICATED TO MISS BLANDING (To the tune of TEASIN') Verse II Found ‘er, founde ‘er Vassar found ‘er when she came to us. We found ‘er, found er But we didn't know what name to call ‘er, when we hollered Found ‘er, found ‘er, I But Prexy lends us no relief; If tuition drops or not, she's tops. And let's just call her our Big Chief. 33. 7/ er- I’ .\‘,;9;\§ ,_ . - WI ' .:.’:, ‘:3-. /’/.x\\3~§‘4 .?}§:?_\"!;‘7,?>.\~,»§-‘(F I\\ 5; 7S\‘. sh .a.- do. . Ink — Oh Vussax c.oue_5e upon no. Hudsanjf At We At We BLOOD ON THE SADDLE There's blood on the saddle And blood on the ground And there's great big puddles Of blood all around. The cowboy lay in it. All bloody and red . For his branco dare throwed him And bashed in his head. Oh pity the cowboy All bloody with gore For he ain't gonna ride Any branco no more. BEER THAT PICKLED DEAR OLD DAD I want a beer Just like the beer That pickled dear old dad. It was a beer, and the only beer That daddy ever had, A real old fashioned beer With lots of foam It took six men To carry daddy home. Oh I want a beer Just like the beer That pickled dear old dad. SLING-A DA INK Vassar College upon the Hudson, sling-a da ink and push-a dapen along; Vassar College upon the Hudson, sling-a da ink and push—a dapen along. Sling-a da ink, sling-a da ink and push—a da pen along, sling-a da ink and push—a da pen along At Vassar College upon the Hudson, We sling-a da ink a¥&*push—a da pen along. T ‘.'‘:.I‘ ‘vi ZIP, .Z.LP, ZIP _ _.(_I,_s_‘ Goodmorning, Mr. Zip, Zip, Zip ‘ }"‘_Jr.". With your hair‘: out just as short as mine. “‘ Good morning I:/LI‘. Zip, Zip, Zip, ' You're really looking fine. 3’\'.‘¥"' Now ashes to ashes, and dust to dust, '5," gamels.don‘§h‘ge§iyou£'thegiFatimas must. &.é"')\“ oo morning . p 1p p g - -‘ with your hair out just as,short as mine. « "“], (If cocaine doesn't get you, then the caffein must) ,. (If a good man doesn't get you, then a bad man must) ~ " 32,384 ' '9 \\‘.‘IA. clﬁgé 9" ’ .~'r GOING BACK . _ ‘Ly-(,\ I used to go down to the station 1 Every evening just to watch those pullman trains come rolling in , . And the one night that great temptation Got the best of me and led me to a life of sin. }‘/ t I took my hat and fourteen dollars ’ And I went to all the trouble of this world that always follers '4.‘ When you're rich and huntin? romance But my hu:1tin' days are over I can tell you that. ,1"; we 2 am 2: at we we n as e me d i.e to see e own And I said "Sure that's zfzhat I’m her fer" ”"r’ So he said he'd take me to the hottest spots in town. ,’.._./5 He mentioned things he’s have to fix up ‘ So he took my fourteen dollars but there must have been a mix-up 3-4,}/A He's been gone since Thursday evening * fjfv And I got a hunch I".l,3. n-syer ‘see that man no more. ,'«: when I STOW old and have a grandsozz \\“A/ 4 .. J- ' I 2"" I will tell him of my romance and.I ll watch his e./es bulge out But you can't say I didn-35 W;—;I‘ﬂ_h3-In d P, ne . \, What would happen if I met up with that 01133’ BUY 0°60 ‘ﬁr’ I'm going back to where I__gomg_ r0I]1 c ere e moc:in' Bird is s1ng1n' in the lilac bush. /\ L :~ 7'" ‘ 1/ \7-- Oz ‘ ‘V, .1’ . ~ ja§:>!- ‘EF;"\u 2542 WE MUST BE VIGILANT AMERICAN PATROL We must be vigilant! We must be vigilant! American Patrol With arms for the navy, ships for the navy, let this be our goal. We must be diligant! We must be diligant! American Patrol. A Protect our shore line to the door line of ev’ry native soul We need this solidarity or else divided we will fall; It means the popularity of peace and happiness for all. ~ Behind this cause we must keep rallying, let there be no dilly- dallying; Keep us free from shilly- shallying, hark to freedom’s call 0n the land! in the air! on the sea! ev'rywhere We must be vigilant! we must be vig- ilant! American Patrol. With planes of the army, planes of the navy, always in control; We must be digilent! We must be digilant! American Patrol! In each direction give protection to ev’ry native soul. We must be vigilant! we must be vigilant by day! We must be diligent! we must be digilent by night! Behind this cause we must keep rallying, let there be no dilly-dallying. Keep us free from shilly shallying and we'll reach our goal. The American, the American Patrol. GOT ALONG WITHOUT YOU /W 1’ . _ V Got along without you before I met you Gonna get along without you now. Going to find somebody just as good as you Cause I never loved you anyhow. You ran around with every girl in town, You'll never know how much it got me down. Got along with out ygu, etc THE LAVENDAR cowaor He was only a lavendar cowboy, and the hairs on his chest were but two. Yet he wanted to be like the heros, and do as the he-men-do. Herbicide and many hair tonics, he rubbed in both morning and night, but each time he looked in the mirror, there were only two hairs in sight. He fought to save Red Nellie's honor-he cleaned out an outlaw's nest, and he died with his sixgwns a-smokin' and only two hairs on his chest. Let Her Sleep Under the Bar l,_ u‘ ﬁll ~;"'\4-\, ,~’Iv\\ - 'Twas a cold winter's evening, the guests were all leaving, O'Lear was closing the bar, When he turned and he said to the lady in red, "Cet outl You can't stay where you are!" ‘SMh&"g_§4, ~ //,x‘i=1.‘.\‘i; She shed a sad tear in er bucket of beer As she thought of the cold night ahead, When a gentleman dapper step ed out of the—phone booth, And these were the words that me said. My , *5 /" "Her mother never told her the things a young girl should know, About the \vays of college men, and howthey come and go (mostly go). Age has taken her beauty, and sin has left its sad scar, So remember your mother and sisters, boys, and let her sleep under the bar." \o 3% Bee’: :1» r\‘\ ms En." h\ >>..~t-g = T «x s A ZUM GALI, GALI . ﬁg? _ Israeli Folk Song l Moderately {II .! - Em ' .3 I] g .14 r I I 1 I ‘II J!" . . 1 . 1' " ' . Claorus: x zum 33- ll, 38-“, 31-11, mm, 33-11, 33- ll, 7‘, ..' . I ﬂaws: L_-l l:LJ_J r Ll ‘r r l' 5010: l l Zum ga.-ll, ga-ll, 3:-ll, nun ca.-ll, gs-ll,Zmn£'tv}A-vo-da.h 1e’ Clwruaandsolo: Zum gs-ll 33-11, 33-11, Zum gs-ll, 3:.-ll, Zum. Vassar Hygiene Song ' - A c _ ‘_,.° lliv c c» _ ll.Z_'. 9 ° _. .6-_Cl gn1«s3 g1QﬁIggE$I@;bJ;§] . J-J-J‘ ; Oh, we never used ((5 bathe till we lxearcl the Doctor rave In the lectures that she gave lnow to l)(‘.ll:lV(!; Now we take our daily lmlln even though we miss our math. How in the world do you lmmv llml? Slu: lnl(l us so. \Vl1cn we grow older, (lien wc’ll be l)0l(lcr, VVe'll take it colder, up to the slmuldvr. This we must (lo every day, even llmnglx we pass away. llmv in llle wm'l(l do you know llml? Slw told us SH. Oh, we always used to weep when we l)C:l|‘(l the chickens peep In the boiled eggs that we eat every old week, Now we cut them every (lay; pepper takes the taste away. How in llnc worlcl (lo yun know that? She told us so. '
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Date: 2/2/1987, 8:30 PM

Date: 11/16/1986, 3:00 PM

Date: 1981-06-02
Text: Actor’: donation hops preserve hsioric home W A S H I N G - TON (AP) --The home _ oi womerfs rights leader Elizabeth Cady ‘ Stanton * will be preserved partly through the gift of $11,©w’ from actor Alan V Alda, the Natiﬂﬁm al Park Service . .~ said Monday. M-9* put the Eiizabeth Cady Stanton Foundation over the top in its ‘ drive to buy the home, which was pﬁrohased for $43,090. V The foundation is acquiring property in the Seneca Falls, N.Y.,, area for a Womerfs Rights National Historical‘...
Show moreActor’: donation hops preserve hsioric home W A S H I N G - TON (AP) --The home _ oi womerfs rights leader Elizabeth Cady ‘ Stanton * will be preserved partly through the gift of $11,©w’ from actor Alan V Alda, the Natiﬂﬁm al Park Service . .~ said Monday. M-9* put the Eiizabeth Cady Stanton Foundation over the top in its ‘ drive to buy the home, which was pﬁrohased for $43,090. V The foundation is acquiring property in the Seneca Falls, N.Y.,, area for a Womerfs Rights National Historical‘ Park, which was authorized by Congress last *December. r Aida made the contribution that, 3 Hm e/:1/WW i ¢
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Date: 9/7/1980

Date: 1979

Date: 1979

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