Libraries

Today's hours:

See all library hours »

Ask a Librarian
FAQ

Search results

(1 - 50 of 250)

Pages

Date: n.d.
Text: ROYAL ALBERT HALL ]UNE 8th to 20th, 1936, inclusive EVENINGS AT 8 SATURDAY MATINEES AT 2-30 YAL HOEAL SOCIEY 1A\z§;ATHA I I (ELEVENTH SEASON) Dramatised and Produced by T. C. FAIRBAIRN PAGEANTRY - MUSIC - BALLET 1,000 PERFORMERS Conductor .. DR. MALCOLM SARGENT FULL SYMPHONY ORCHESTRA T be C axt include: _ WEBSTER BOOTH TREFOR JONES STILES-ALLEN PHYLLIS EVENS ELSA MACFARLANE _ ELSIE SUDDABY HENRY GILL CHIEF OS-KE-NON-TON HENRY WENDON A HOWARD HEMMING EDWARD REACH HAROLD WILLIAMS Ba/let: ERROL...
Show moreROYAL ALBERT HALL ]UNE 8th to 20th, 1936, inclusive EVENINGS AT 8 SATURDAY MATINEES AT 2-30 YAL HOEAL SOCIEY 1A\z§;ATHA I I (ELEVENTH SEASON) Dramatised and Produced by T. C. FAIRBAIRN PAGEANTRY - MUSIC - BALLET 1,000 PERFORMERS Conductor .. DR. MALCOLM SARGENT FULL SYMPHONY ORCHESTRA T be C axt include: _ WEBSTER BOOTH TREFOR JONES STILES-ALLEN PHYLLIS EVENS ELSA MACFARLANE _ ELSIE SUDDABY HENRY GILL CHIEF OS-KE-NON-TON HENRY WENDON A HOWARD HEMMING EDWARD REACH HAROLD WILLIAMS Ba/let: ERROL ADDISON I-IERMIONE DARNBOROUGH MYRTLE FARQUHARSON C/2oreograpbi.rt: EUPHAN MACLAREN PRICES - - BOXES_: £4. : o : o (10 Seats), £3 :4. : o (8 seats), £2 : o : o (5 seats) STALLS 10/6 8: 8/6, BALCONY 6/— & 5/—, GALLERY 2/6 . I Tickets from Royal Albert Hall (Kensington 3661) and usual agents F‘. 1. MIL ER PRINTER KENSINGTON GORE S.W. 7
Show less

Date: 1917
Text: ,__ uusuc uunnv / 8 , vussm COLLEGE L. 5% rououxzcrsut. NEW "°'“‘ \/IIASQ. ‘ ~« I W is S w‘»' 63 (7 L??? 2 ﬂ -"9 ‘.‘,.l O a «D ' ‘ 4. be §« 2 %' SONGS BY ) ($70 0 HERIVIANN VVEIL ALj___Al_-_L_, .50 HIGH VOICE“ IN A MEDIUM VOICE, IN GI? B SOMEWHERE I KNOW .40 HIGH VOICE, IN GI» LOW VOICE, IN Eb Boston: OLIVER DITSON COMPANY New York: CHAS. H. DITSON :7 co. Chicago: LYON 5, HEALY b I D? 0 /4“ .9 .. I °°Z I “ ”-?=_Q. 6%) * .§.-- * ° ‘\ &‘ 9 Z (5 Inga‘ f \ Q ‘ 2,...
Show more,__ uusuc uunnv / 8 , vussm COLLEGE L. 5% rououxzcrsut. NEW "°'“‘ \/IIASQ. ‘ ~« I W is S w‘»' 63 (7 L??? 2 ﬂ -"9 ‘.‘,.l O a «D ' ‘ 4. be §« 2 %' SONGS BY ) ($70 0 HERIVIANN VVEIL ALj___Al_-_L_, .50 HIGH VOICE“ IN A MEDIUM VOICE, IN GI? B SOMEWHERE I KNOW .40 HIGH VOICE, IN GI» LOW VOICE, IN Eb Boston: OLIVER DITSON COMPANY New York: CHAS. H. DITSON :7 co. Chicago: LYON 5, HEALY b I D? 0 /4“ .9 .. I °°Z I “ ”-?=_Q. 6%) * .§.-- * ° ‘\ &‘ 9 Z (5 Inga‘ f \ Q ‘ 2, 0 A d 0 89 i To Julia U1/1}) ALLAH From the German Of V /0rzgim1/ Key. A) Siegfried August Mahlmann by HERMANN WEIL HENRY WADSWORTII LONGFELLOW Broadly . f — lah gives light in dark-ness, lah gives rest ' Cheeks_ that are white with Al - lah paints red Copyright MCMXVH by Oliver Difson Qompany hnternationtil Coﬁyfight Secu ma 5_ M4_.,w,n _3 I0 fIow’rs and the. b1os—so1ns all‘ with - er, I Years van—i:sh with fly — ing °rJ will live on for 7'22‘. . L I7 v in an~guish beat. Glad — 1y to Al — lah’s, 7' ‘t - Q, r- 5- 14471821-8 dwell — ing Yon—der would I {IT .1?" There_._ will the dank — ness . — ish, There will my eyes “T rit. L 5-144-71821-3 §EThe Musicians Library The masterpieces of song and piano literature edited by men of authority SONG ' VOLUMES ' ISSUED For High ‘cc For Low ice Edited by JAMES HUNEKER Edited by WM. FOSTER APTHORP Edited by HENRY T. FINCK Edited by DR. EBENEZER PROUT Edited by DR. EBENEZER PROUT Edited by VVM. FOSTER APTHORP Edited by CARL ARMBRUSTER Edited by HENRY T. FINCK Edited by XAVER SCHARVVENKA Edited by JAMES HUNEKER Edited by JAMES HUNEKER Edited by CARL ARMBRUSTER Edited by CARL ARMBRUSTER Edited by ERNEST NEWMAN Edited by HENRY T. FINCK Edited by DR. CHARLES VINCENT Edited by PHILIP HALE Edited by BRAHMS, JOHANNES FORTY SONGS FRANZ, ROBERT FIFTY SONGS GRIEG, EDVARD FIFTY SONGS HANDEL, GEO. F. SONGS AND AIRS HANDEL, GEO. F. SONGS AND AIRS JENSEN, ADOLF FORTY SONGS LISZT, FRANZ THIRTY SONGS SCHUBERT, FRANZ FIFTY SONGS SCHUMANN, ROBERT FIFTY SONGS STRAUSS, RICHARD FORTY SONGS TCHAIKOVSKY, P. I. FORTY SONGS WAGNER, RICHARD LYRICS I WAGNER, RICHARD LYRICS II gr III WOLF, HUGO FIFTY SONGS FIFTY MASTERSONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS VOL. I (BEMBERG TO FRANCK) MODERN FRENCH SONGS I VOL. II (GEORGES TO WIDOR) ONE HUNDRED FOLKSONGS ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS I, II fr III SONGS FROM THE OPERAS IV ér V For Hi Voice For L Voice v‘z%v‘.~3 For Hi Voice For L Voice vi: For High Voice For Low Voice High Voice Low Voice For Hi Voice For L Voice For Hi Voice For L Voice For High Voice For Low Voice v‘;%v‘z‘«‘%v‘.-3v‘;3v‘;%%.%v‘.~3€.-? For High Voice For Low Voice For High Voice For Low Voice v‘.-'3v‘.~% For Soprano v‘.-3 For Tenor For Baritone and Bass For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Hi Voice For L Voice For High Voice For Low Voice ‘L ‘D ‘S 48 45 48 CL 48 CL 48 45 CL 48 48 CL ‘L >3 )3: by no )3 up 3;: u: by by by by v.-.v at :3 by F°t Medium Voice Edited by GRANVILLE BANTOCK Edited by GRANVILLE BANTOCK Edited by HELEN HOPEKIRK Edited by J ULIEN TIERSOT For High be For Low 'ce ﬂ For High ca For Low 'ce For Medium Voice For Medium Voice Edited by GRANVILLE BANTOCK For High ‘ce For Low 'ce Edited by RUPERT HUGHES Edited by H. E. KREHBIEL Edited by H. E. KREHBIEL For Soprano For Mezz —Soprano For Tenor For Baritone and Bass 5 ¢°.<v‘$v‘:I‘vv‘..-'5i:%>‘.-%v‘;%v‘..°%v‘;%v1.-%&%v‘:3v1.'%v‘;% v‘g‘i¢-.'4v‘.°%v‘.-iv‘.-%v‘;% Each volume in heavy paper, cloth back, $1.50; in Full cloth, pilt, $2.50. Copies mailed postepaid. Other volumes in preparation. For free booklet, giving Full particulars, send to the publishers. =°-‘OLIVER DITSON COMPANY ° BOSTON
Show less

Date: 1887
Text: '78 L36 Al ,% No.| IN. D FLAT V’! % some Wonos BY H.W.LONGFELLOW Mus}uc BY C.VV.CHADW|CK COPYRIGHT PRICE 2/- NET. ELKI N &Co.L-ro.8&|0 BEAKST. REGENT ST. LONDON. BOSTONZARTHURP SCHMIDT COPYRIGHT NDCCCLXXXVII BYARTHUR RSCHMIDT LC? ALLAH. Allah gives light in darkness, Allah gives rest in pain, Cheeks that are white with weeping, Allah paints red again. The flowers and the blossoms wither, Years Vanish with flying feet, But my heart will live on for ever, That here in sadness beat....
Show more'78 L36 Al ,% No.| IN. D FLAT V’! % some Wonos BY H.W.LONGFELLOW Mus}uc BY C.VV.CHADW|CK COPYRIGHT PRICE 2/- NET. ELKI N &Co.L-ro.8&|0 BEAKST. REGENT ST. LONDON. BOSTONZARTHURP SCHMIDT COPYRIGHT NDCCCLXXXVII BYARTHUR RSCHMIDT LC? ALLAH. Allah gives light in darkness, Allah gives rest in pain, Cheeks that are white with weeping, Allah paints red again. The flowers and the blossoms wither, Years Vanish with flying feet, But my heart will live on for ever, That here in sadness beat. Gladly to Allah’s dwelling, Yonder would I take flight, There will the darkness Vanish, There will my eyes have light. II. U’. L ONG FELLO IV E. 83' C9 178 179 Words by Music by H.W. LONGFELLOVV. G. W. CHADWICK. Serioso. V/"OICE. A1 — lah gives light dark- ness, A1 — lah gives rest in Cheeks that are white with >weep - ing, A1 - 1a.h paints red__ at — gain. Theflowersand the b1os- soms /gj Copyright MDCCCLXXXVH by Arthur P, Schmidt & C? E. 8; 00179 van-ish with fly - ing (‘S NZWZ . But my heart will live on for That here in sad-ness $.89 C9179 - 1y to Allahs dwell - ' — derwould Itake 7% . will the darkness van rzz‘. ,—\ will my eyes have light. 15.8: 09179 VRIL SCOTT. on New Songs. Op. 24 Op. 36 No. 1 Op. 36 No. 2 1. Voices of Vision. 2. Willows G (D to and B flat E flat (B flat to E flat) and F F (C to D) and G F (C to E) and A flat D (B to E) and E D (D to D) and E D (B to F) and F Two Poems A Valediction Sorrow My Captain Op. 38 A Gift of Silence . Op. 43 No. 1 Don't Come in Sir, Please! Op. 43 No. 2 The White Knight Op. 43 No. 3 A Reﬂection Op. 43 No. 4 Price each 2/- net. if?/% 4 New Pianoforte Scherzo Solitude Vesperale Chimes Impromptu Lotus Land Columbine Op Op Op Op “ That MR. CYRIL SCOTT is a musician of very great attainment already there can be no doubt, nor can there be any fear that he will soon rise to greater heights than at present perhaps even he has dreamed of. . . . . MR. CYRIL SCOTT is a composer who is already forcing his way to the front.”——The Times. “ MR. CYRIL SCOTT is a talented and enthusiastic musician of the most modern school, fully equipped with the knowledge necessary to the well-being of a first-rate com- poser, and without doubt his works will have to be reckoned with in the near future.”——Musical Times. ' “ MR. CYRIL SCOTT’S music is fresh and pleasing, and the writing shows no sign of effort."~—Daily Telegraph. “ MR. CYRIL SCOTT is a very clever young com- poser.”———Daz'ly News. “ MR. CYRIL SCOTT is a composer who has most assuredly travelled far along the pathway that leads to the laurel wreath.”——Pall Mall Gazette. “ MR. CYRIL SCOTT was last night enthusiastically hailed as a future star.”—Daily Express. “ MR. CYRIL SCOTT has already succeded in making us look forward with keen interest to the future develop- ment of his powers."—Lz"verpool Daily Post. Op. 25 40 No. 1 40 No. 2 40 No. .41 47 No. 1 . 47 No. Music. “ MR. CYRIL SCOTT evidently has a ﬂow of graceful melody, and he knows how to treat it.”—Mcmchester Courier. “ MR. CYRIL SCOTT is regarded by many connois- seurs as a coming man."——Yorkshire Post. “ MR. CYRIL SCOTT has leapt suddenly on to our musical platform and presented quite a new phase of English music, which the educated public has hailed with delight.”—— Musical Standard. “MR. CYRIL SCOTT a young English composer, whose works have lately been a good deal talked of."—— _Westminster Gazette. “ The name of MR. CYRIL SCOTT ought to become well«known among the names of English composers.”——- Bir711inglzam Gazette. “ The name of MR. CYRIL SCOTT has begun to find its way into London concert programmes, and the sooner it becomes more familiar the better."——The World. ‘ “My Captain’," words by VValt Whitman,is a big song, immensely strong and absolutely convincing. MR. SCOTT has a perfect grip over his subject, and never slips for a moment from his straight line. As a piece of music, as a big song, full of vigour and fire, ‘My Captain’ is superb.”—The Rapid Review. ELKIN & co’., Ltd.,i Music Tublishers, 8 &t 10 BEAK STREET, REGENT STREET, LONDON, W. AND OF ALL MUSIC SELLERS IN THE UNITED KINGDOM AND THE COLONIES. vv ’,’, .. Compositions by E 83 5% 33 ea Edward MacDowell. @‘7@V@.“7/£:i‘°’m@"m@V@V@i‘7@V@%"&V&‘7@"QAVQVQVQVQVQVQVQ‘A‘"®V:2§’ﬂZ3i"®Vm 7@’°QV@V@.""@V®“7@7&V@“7@;V@QVQVQVQVQVQVQVQVQVQVQVQVAVQVQVQVQV SONGS. _ Twelve Studies, Op. 39. , Book 1. Hunting Song, Allzi ’l‘alr;ilrit.e|laJ, TWO Old Songs, OD‘ 9 Roiiizmce, Aralieske, In the l“l'.II‘t¢SL, N0v1v D9S‘3“3‘3d * , Dance of tho Gnonios . . . . . , ‘ , ; Db and l*.b,. N0. 3. Slumbﬁf 300% Book 2. ldyl, Shadow Dance, Intermo/mi, Two Songs, Op. 34 Melody, Sohorzino, I-Iungarian . . . No.1. 1Vlenie- - - - « - « - - - « Detached Pieces, from Op. No. 2. My Jean. . . . . . . . . . « Ni, Hunting 3”,“ Six Love Songs, Op. 40 . . _ . . . . .' No. Allii Taranm-ll.:i No. . Sweet Blue-Eyed Maid No. Romance . No. . Siveetlieart tell Me No. Arabeske . No. . Thy Beaming Eyes No In the Forest . . No. . For Sweet Love‘s Saki: No Dance of the Glmrnes No. O Lovely Rose No. liiyl. . . No. . I ask but this No Shadow Damon Thy Beaming Eyes (separately, D. No. 9. 1llll(>‘FlllPZZO . E17, F and G) . . , . No.10. Melody . Two Songs, from Op '40 E3 isicliemino. No.1 0 Lovely Rose ““8"“”‘“1 - - No. 2. Sweetheart. tell Me ' ' Woodland Sketch;/s, Up. 51 . . . . To a. Wild‘ R. 5‘. ll o’tleWi‘ , Ata, Four Songs’ Op’ 56' V . V ‘ _ Old Try;5t,irigOl’l‘:'i.ce,,lln Allll.llll’ll'l,b}€'l‘OITl all H'l~3j1 “T 14"“ V“1"‘* - - "‘“'h lnriiaii lmdgri, To at, Wriner llily, From No.1. Long ago. Sweetheart. Mine Uimle Remus-, A llesertod Fﬂ.l”II‘I, By .'I No. 2 The Swan bent. low to tho Lily ‘Mon.duw Brook, Told at Suiisob. No.3. A Maid sings light Sea Pieces, Op 55. . . .‘ . . . . No.4. As tlieGloamingSha.dows«sleep. T0 the 539% FTUHI 3 VV*"”d‘«““"E§ J°9h0I‘{1. . . » ‘ , . l A D 16:30. Sla.i‘light.,Si\ng. l*'rrim l.l‘lCl)(‘[!lill.\‘, A Maid sings light (separately. D 6!. P). Nlmmusy In Mid Oman Three S°“g57 09* 58 ' ‘ ' S ' ‘ Third Sonata, (Norse) Op. 57 . N0‘ C""St.’a’“ey Fourth Sonata, (Keltin) op 59 N“ =~ S“““3e , y _ Fireside Tales, Op, 61 . . . . . . . . N0. 3. MWTY Malden Spring All Old Love Story, oi‘ Hr.» Rn.liluit., From Merry Maiden Springmeparzillely D&F'i = a Gr‘.l.‘|'llilll Forest. Oi’ HIl.l.‘llll.’llltl‘(‘r‘.\“ A Three Songs’ Op’ 60. ‘ _ ‘ A ; Haunted House. By bln«llllClt)l'll'lg lumber». N,,_1_ Tyrant Love New England ldyls, O;».82 _ ._ . . N” 3 T" the Gmde“ R"‘i liidiuri ldy/l. In an Old '\Vhll,G Piiie, Frorn l'iiril:m l)a_ys, Froin zi Log Cabin. The s-._..., Joy of Aiitiimn. PIANOFORTE SOLOS. PIANOFORTE DUET- Etude de Concert in F sharp on 36 . ‘S! Suite (A””’”gem‘ 0"‘ 42 ' Les Orientales. ——W Three pieces for Piano, Up. 37. No.1. ClELl1' de Lune . . . . . I“ Suite, for Full ll['(‘ll(’Sl.l'8., Op. 42 No. 2. Dans le llzmizic . . . . . , ‘ Or.-liostral Score . . . . . . . 8 No 3. llzinsa Andalousi-. . . . Ur(:licstra.l Parts . . . . . . . . . 24 AV@f“?" .7‘ T‘ S” 9“ F‘ 95 P3 E‘ 4; l:o'.\“;p—-i—-I "L‘2KfLr—*CC'-‘LL .. . .. . “:’”’*~@*Wé-@FV:AfV*-V%3f-*-V?AW;A?*f~? “7?*=@%>?%@@?A@#V4?%Ve?éVe?4?§??4VA@4V V . .“.,. .,;,‘ .,. London: ELKI N &- Co. Ltd., 8& I0 Beak Street, Regenfstreet, W. And of all Musicsellers in the United Kingdom and the Colonies. AWA@§@A@@A@é@A@A@A@AWAWAWAQWAE V _ __ _;_____________._.___._H_.______A__.- ___.. .. _ ~ @AA@AWAWA@AWAWA@A@A@A@AWWQWWEAWAWAWAWQAWAQWAWAWAWAWAWAWAWAWAW > W‘ 0 V 4 4 we ‘6" '3 '“6‘*4"'*% I 4 4 4 4 4 4 4 4 4 4 4 . 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 0' 4 v. v. 2 -v. *2 +. ‘C a .' *3 +. *1‘ -6 o’ .2 6 <2 6“ ~». 0' 1 <2" *2 ->1 4 4 O O O O 4 ‘. ‘T 6’ ‘. a 45 *5 4: 4 ‘. d". *. 4. 4 *L if 4 ->' J 4 4 4 4 4. 2 ". O‘ J 1*". 4 *1 -5 4 4 4 4 4 4 4 1' ELKIN & Co’s Songs? by Popular Composers. ———<—~$————— Words and Music by ROBERT EDEN. Mo derato. polco mll. .11 fmf: I I 4' " I 1 I ‘ 1 A ' I I I u a 1 1 I I I I l I I l I I: ‘J F ‘J I I 4 I . I .1 I l 4:41 .I 11. I I T - v ,1 . v . I Irv V 11- _I I u I 11 V? Come, let us sing a song of glad_ness,Let us call the whole year May; C0me,let us ban_ish time and sIId.m:ss,Let us live but for to day! Copyright MCMIII by Elkiu & 0‘! Ltd. In two keys C (B to F) and EL. Words by ERNEST DOWSON. SORROW-~ Music by CYRIL Very slowly with simple pathos. . 11 l ml’ . . H II) 51 L l\ K I I L I I7 - ' K K - k l N CA I\ I I I I l\ I) I I\ l I F V II J I A A A I I I I J I’ I I I I A ‘I I T " V " I H C V I I I’! =I C V I It Ex _ cued _ing sor _ row Con . sum- eth my sad heart! Be_cause to - mor _ row Copyright MCMIV by Elkin & C? Ltd. In two keys 111- (BI to Eb) and F. MORNING DREAMS. Words by F. E. WEATHERLY. Music by L. DENzA_ 1! lg I L I IIII/In ‘F1 1 II 1 I I . 111.11 11 In In 11 1 I I L V .11 AJ v A I A I J. v I vL v I v 5 5 v r v‘ . . I I -' ' .- I’ I’ I I I Under the white cliffs gleam . ing, Down by the roll _ ing sea, Watch_ing the ships and dream _ ' Thats where long to Copyright MGMV by Elkin & 09 In two key El» (Bl: to E5) and F. THE MESSAGE OF HOPE. Words by E. TESCHEMACHER. Music by G. AITKEN. Slovfyly and very marked. . . I I Lift up your eyes though griefszmdsorrows meet thee, Lift up your hearts thoughdarkc-.n’Il be the way, E2Irth’s11ightshu.ll pzIss__ Copyright MCMIII by Elkin & 0‘? Ltd. I11 three keys D (B to D) F and G. With Organ or HII.rmuI1iun1 ad lib. REMEMBRANCE. Words by NELLIE FIELDING. Music by ETHEL BARNS. 1! I1 L ' _1 lkd Irv I1 I .4. C V’ I ' 7 All lovely things remind me love ' ' : 'l‘heprimr<Ise grow. ing by the qI1i_e:t " . Thegoldmn gorse up _ on the Ilis_t.'I11t hill. Gopyright MCMIII by Elkin & C‘? LL11. III two keys F (U to E) and Al». ‘ I _ _ WHEN I GAZE ON A ROSE. .. . . Words by I«..TEsc11I«.-MACHLR. Music by 11. TROTERIL. Andante moderate. _ # I III [ I i\ l A f -2 A I I 1\ I R I.I_u I1 - I | 11 F I 1 L . I - n 11 - VII/I J P I I An I I I I‘ R do AEI l 4' Pl I -x v V 1 /1 V I I g '1" W V V 1 4‘. I J l A‘ F U] n 11 J V 51 V 11 4} J l 4“ -J V V 4 W When I gaze on ‘ rose, I see HI lit _ tle ' . Dim_pled chin, 1zIugh-iI1g \‘y(‘S, in-s0me grace. .When my Copyright MCMIII by Elkin. & C‘! U11. II1 three keys ELI“ (C to 1*‘) and Ala. Words by GUNBY HADATH. A Music by J. M._CAPEL. Con molto animato -S 6,650 f\ /2_f__.T K‘ S ‘T A ..- / L I I . I A x x I I L 1 n: 1 I 1 ‘ritzy’:/Tn. I‘ I NJI K r I lIl-- I I I 1\'1 HI I i :41 I 1\ I III I L. I ' I O , i V — .n r v T, V 7 7 . v.” - ‘I T L./ \/ Come,who’llIlri\'eII. bar_I,r:Iin -I ' sell... Pri_thee 2111‘ ye‘d have it will ye treat it well? Bid the cri. er cry it, Copyright MGMIV by Elkin & cu» Ltd. In two keys 0 (C to E) and El». SHONE THE SUN YESTERDAY? Words by R.H.ELKIN. Music by REGINALD SOMERVILLE. 175/’ T] C A Sm-11:.-the sun yes_tor_Ilay Were the skies blue‘? Sang a thrush on the spray ht‘iL.Vy with II 7 1 l\ K A A 1 A I ll ll l\ R - ‘ A - I - F 1 A .1 II II 11 1' n I v v 1/ u 7 V 7 3 Copyright MCMIII ll_\’ I-::1ImI & L29 1111. In two keys El: (D II) F) and 1‘. Price 2/- net each. London: ELKIN & C9 Ltfi 8 &1O Beak Street, Regent Street. W’. Adwmsemem M13. And of all Musicsellers in the United Kingdom and the Colonies.
Show less

Date: 1915
Text: nnussc uunnnv VASSAR COLLEGE nouamuzzv-set. new YORK Poem by Henry W. Longfellow Music by William Blailr Price, 60 cents The John Church Company Cincinnati New York Lonclon Deﬂcated to Jlargarel fem? 6’2'Zm0re The Arrow and the Song HENRY W. LONGFELLOW WILLIAM BLAIR Allegro (J = 92) f Presto Copyright MCMXV by The John Church Company International Copyright Poco Andante I’ an ar— row in to the air fell to earth /alga lo .5‘ 2);; 2'16 [I000 agzm/0 not .._____%____.___ For so swift - ...
Show morennussc uunnnv VASSAR COLLEGE nouamuzzv-set. new YORK Poem by Henry W. Longfellow Music by William Blailr Price, 60 cents The John Church Company Cincinnati New York Lonclon Deﬂcated to Jlargarel fem? 6’2'Zm0re The Arrow and the Song HENRY W. LONGFELLOW WILLIAM BLAIR Allegro (J = 92) f Presto Copyright MCMXV by The John Church Company International Copyright Poco Andante I’ an ar— row in to the air fell to earth /alga lo .5‘ 2);; 2'16 [I000 agzm/0 not .._____%____.___ For so swift - > SO sight_. could not f0l—low f\ f_\ Z"/‘may:/,2‘//0 T in its r1Etrr.‘_./_ 17-191-6 ]I,’0c0 Andante I breathed a song in- to the air It fell to earth .9‘. sz'm 2'16 legalo l7491— 6 keen 2> who 17491-6 17000 agzmto For who has vi - sion so :> :> and strong, for has vi -sion so keen 7 and strong, for '7 > > > > has vi-sion so and strong That it can fol-low the > > > mm/T of song? That ' can 722.3. fﬁ fol—low the flig ____ of ./f m e"/'a2zqa2'//0 Andante es pres sivo NV Long, long af— ter-ward in__ an oak, NV espressivo found__ the ar — row, sti11_ un—broke, and the song, the song from be- f.‘ gin — ning to friend. German, French and Italian Song’ Classics EDITED BY HORATIO PARKER Vol. I Soprano Vol. 2 Alto Vol. 3. Tenor Vol. 4. Bass These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large and ever increasing class of earnest aspirants to true artistry. The songs are presented always with the original text in order that their full ﬂavor and signiﬁcance may be preserved, and because a poem which does not suffer by translation is a thing hardly con- ceivable. Students and teachers as well, should remember that of these noble songs each is an earnest of like treasures which will reward any diligent seeker in the ﬁelds represented by the collections now offered for their use and guidance. The following composers are represented in the collection: Adam (lliaminzulo Ilalm l\I{1SS(‘I1(‘L Surti Iiaclr llelilws Ilamlvl l\lemlel.s.s'ul1i1 Hcmlzitti l’wetlm\'mi l)eIl’;\<:q11a Illllzmlelnt Miiilntli Ht-lu1l>erL I'»(‘lIII)t‘,l'g lmlmis Ilaydn .\loz:n'L Sclnnn-tum Iiixut IIlIl‘;lI1L0 Iloluws l'ul;ulillm »\‘tr:ui.-‘H Rmmnt-,ini Fulire Jensen l’ergolese ’l‘lmuw llrulnns Frzuick Legrenzi l’iernu 'l‘osf.i (i:lL.'L'lIlI Fnmz Loewe Rail" Vidal (‘ztlelara (dordani Lotti Rios \\':ignm' (‘um p-.u1zL Uzodard Luzzi Rosa \Vt,‘(‘I{téI'IIIl (Tau-issinii (lounod Marclxault Rubinstein \\'idur Uavztlli Grieg l\Iarcello S:tint«S;u-11s Wolf Ucdli Price each volume in heavy paper, $1.50. in cIoth, gilt, $2.50 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON
Show less

Date: n.d.
Text: BUMPUSED BY ﬂ§N?§i®é$&§¥u N. 0 D N. O _. . IL. Wu. J .52 f{_U.)‘/,-'/, F//AL, _'////0. W R I T T E N B Y 1:5’//f.//////’. AD D I 30 N“, H'0’L LI E R 8; LUCAS. ZIO R'E'G"E‘N'TM$T ,/'}//1,/ _‘.,§_,_¢-.,~..,7._ ‘ ‘ 7 au;%% /1”?/W. L ‘um’:-<9‘ THE ARROW AND THE some. “I shot an arrow into the Air, It fell to earth I know not where g” Poetry by H.W.LONGEELLOW. ./I./[usic by JOHN BLOCKLEY. to swift _ ly CV88 . fdllow M ' ° its ngf calla voce . The...
Show moreBUMPUSED BY ﬂ§N?§i®é$&§¥u N. 0 D N. O _. . IL. Wu. J .52 f{_U.)‘/,-'/, F//AL, _'////0. W R I T T E N B Y 1:5’//f.//////’. AD D I 30 N“, H'0’L LI E R 8; LUCAS. ZIO R'E'G"E‘N'TM$T ,/'}//1,/ _‘.,§_,_¢-.,~..,7._ ‘ ‘ 7 au;%% /1”?/W. L ‘um’:-<9‘ THE ARROW AND THE some. “I shot an arrow into the Air, It fell to earth I know not where g” Poetry by H.W.LONGEELLOW. ./I./[usic by JOHN BLOCKLEY. to swift _ ly CV88 . fdllow M ' ° its ngf calla voce . The Arrow and the Song . flight‘. A Could not John Blockley breathed earth I know not where;/‘ For who has follow the flight of song? "f calla voce . t,7,. . piu animate. Long, long afterwards U11 _ _ _broke; song , from be __ ginning F\ i I found a _ gain in the heart of a friend . And the song, from be- ginning, from be_ginning to end, I found 3. _ gain in theheatrt of a friend . And the song from beginning, fr-om'be.. 1 ’ mf _ginning to end, I found a_gain in the» heart of a friend. 27“ L7 The Arrow and the Song . Londnu,PnM Euhvd by John Blockley, 2 Park Road, Havexstock Hi-11.» /‘_, I7®@IML :iaIma / kg coNIPosER or "I.ovE N01.” "HEARTS 8: HOMES,"“EvAN<;ELINE1'"ExcELsIoRl‘&c. R®@‘“ POETRV BY POETRV av JEssIE's DREAMISTOHVOFRELIETOELURKNOMGRACE CAMPBELL 216 I HIGHLAND RE$cuEI...c.m1 n Lucxnow) CARPENTER 2&6 MESSENGER SWALL0WIo swALIow‘ITENNYSON, 2[6 FLOAT|N(‘, AwAY_ ________________________ __ _ [D9 3,. MAUD . 0° L 216 MY DEAR om HOME..,. D°... 2;- THE BROOK. _ 7 .. 0° 2! A FLOWERS or HOME.....,._._...... 0°. COME TNTO THE GARDEN MAUD D° 216 GENTLE woRDs_ MEMORY or THE PAsT,Im..s,__L><_t ale EooTsT'EPs or ANGELS .,.LONGFELLOW IWITH PORTRAIT) MUSIC oN THE wINDI<. mom” 1.. buss) ova 2[e ARROW 3. THE SONG__,__._________‘, D9‘ _ coHctusIoN.or oumz or me am; I MOTHERS SONG Iswm . LOW,‘ ,D.° 2[- GREEN TREEs WHlSPERED...__.. . 0° BREAK.BREAK._,,(I=onrnAIr or TEN_NvsoN)_,.D9.,,. ._ 216 PA$S|NG AWAY_.._ " ' M".5 HEMANS THE wARRIoR's RETURN I50 2Is THE I3RIoE's FAREWELL ,,,,,,,,,,, _, .o_T<,>_ GO NOT HAPPY DAY . ' D? 2l- HoNIEs or ENGLAND. _____ ,_D° ELFIN EcHoEs EEEE ..(.m am Iuow; D9 . are THE BETTER LAND. oo. RING OUT WILD BELLS... _ D9 BIRTHDAY G|F.T__ ' c.TREvEI.vAN A BLESSING oN THINE EYES EH0N°E‘M“.5N0RT0N. ALI's FOR THE I3EsT,,_ MARTIN TUPPER FRIEND or ouR EARLY DAYS D9 21» SPEAK GENTLY ,,,,, A , ALANGFORDV * IREMEMBER THY VOICE o°_,_,E 21- - ABSENT FRIENDS . T SHEA ________ *7 wr_ HAVE BEEN I-'RlEND$TOGETHERD° 21- ROSE,ROSE,0PEN THY LEAVES ............. L ....... .. . THE A35r_NT on; V D0 2’- swlss GIRLS DREAM ____ __ E,._..BARTHOLOMEW I MY CHILDHOOUS H0ME(PanTRAIT orM-.=NoMo~)D 9 W 3T9 3U M M ER ----------------- - r-A ~ - ~ D-3 - *- THV NAME,THY TREASURED NAME. ., , 2!’ YESTERDAV(co;nPAvIIoN T0"T0 DAV? »»»»»»» »-BROWNE —» no To Moaaowi THE HAPPY BRTDE... C.YOUNG ........ ..21’ MOTHER WHO HATH A CHHD AT SEA E-COOK--—-~ (HAPPY I3 THE BRIDE. TM SUN SHIIIES 0I\ HOPE Is THE LIGHT or EVERY HEART GRACE STIRLING 2|’ ROSE OF THE ALHAMBRA ......... UBULWERA. FAVGF-UTE’ ‘SONGS BY VARTOUS CGMPGSERS. THE RIVER 8: STAR . ........A-NGELINA E2|v THE SABBATH NIoRN ............. _AE..I.LooER ART THOU LOST To .ED9_E . 2|. $IIIIL£& KIND WORD OF‘ GREETING .. . A-A-D°»~— ABSENCE.............._,.. " A 2|- Mv mans BIRTHDAY...“ . .. 0° TELL~TALES . . S . LOVER | TIMETHAT BRINGS HIM HOME AGAIN MACFARREN sTIR THE FIRE(I=oETRvavcARPu4Tm.J0LLY BIG THE'FALSE GONDOUER... A CRGLOVER HASTE THEE,B0A-1-MANI'sHAIIoPsoNo)KUCKEN 2|‘ BIRD OF THE W|LDWOOD,,._ .,,GOLDBERG R
Show less

Date: n.d.
Text: \¥éJ§m.«.LL,( r\/V. 0/7L c1T<X2,SL/Qmu R EAPER AND THE FLOWERS. ..M.l/L/.,9AM£. RESI GN ATI J E. 600:0. SEA HATH ITS PEARLS. QT _____ _,0./7/A/.5(/7/. STARS OF THE SUMMER NIGHT....,._.E._.._F.Boorr STARS OF THE SUMMER NIGHT. ....... .3. 70C/HS. TRUST HER NOT. DT.__,,_._,___,,,.,._/W.WBALFE. VILLAGE BLAGKSMITH........_._..”. W/-/. W5/53 WREGK OF THE HESPERUSLLL.J.6’L0C/(1.5% OPEN wlND0w...__..,.__........_.._L....._..._.LL?/477)’. ARROW AND THE SONG ...... “COP/A/Sc/7/. B R I D G CA HEW....
Show more\¥éJ§m.«.LL,( r\/V. 0/7L c1T<X2,SL/Qmu R EAPER AND THE FLOWERS. ..M.l/L/.,9AM£. RESI GN ATI J E. 600:0. SEA HATH ITS PEARLS. QT _____ _,0./7/A/.5(/7/. STARS OF THE SUMMER NIGHT....,._.E._.._F.Boorr STARS OF THE SUMMER NIGHT. ....... .3. 70C/HS. TRUST HER NOT. DT.__,,_._,___,,,.,._/W.WBALFE. VILLAGE BLAGKSMITH........_._..”. W/-/. W5/53 WREGK OF THE HESPERUSLLL.J.6’L0C/(1.5% OPEN wlND0w...__..,.__........_.._L....._..._.LL?/477)’. ARROW AND THE SONG ...... “COP/A/Sc/7/. B R I D G CA HEW. BRI .._./V/.1/NDSAY, DAY IS DONE ..... A» DAY IS DONE......... EXCELSIOR. PSALM OF LIFE......,............J.BLOC/(LEV. RAINY (W. R. DE/MP5 75/9. GOOD NIGHT! BELOVED ...... ..L/V/.V\/.25’/IZFE mmm§mmm§#p B O S T O N. Pubhghed by OLIVER D ITSO N 8: C0 .4-5lWé1Sh111gU;m St. I, ‘A NEW YORK. SAVANNAH GA. BALTIMORE MD. Cl NGINNATI. SAN FRANCISCO. PH ILA. _H. DITSON 8: C0. LUDDEN St BATES. OTTO SUTRO. GEO.D.NEWHALL&G0. SHERMAN CLAY & 60. J. E.D|TSON 8: 00. CHICAGO. STLDUIS & H .J.H BurroRnSSonsLnu.Bosro~ &N::wYom<. Mussc Luamnv VASSAR COLLIQI THE ARROW AND THE SONG. The Poetry by LONGFELLOW. The Music by CIRO PINSUT1. Andanie moderate. , pogo pm mo3go_ shot an molto cantabile. R.H. 3 1"‘ '5 LH ar— row in- to the air,...... It fell to earth, I knew not where; arpeggzizte. animamlo. anivnando. .Z';):az<_1;. V:/ ‘v.‘. V K »_ «.- swiftly it ﬂew, so swiftly it ﬂew,The sight could not fol - low it in its ﬂight! For, 50 N ‘Z *2 o noto. . C n 7 sempre ommwmdo. 4K§}§’W ??t ﬁ %!2 ~%: «,~g.,~.»— «~. Amphion. [0000 pm mosso. breatifd a memo mosso cantabile. 3 3 '5 L.H. air,...... It fell to earth, Iknew not where; For who has P C- The Arrow and the Sung. amimcmdo a [1000 a poco. sight so keen and strong, That it can fol - low the ﬂight of con moto, song For who has sight so keen and strong......That it can fol - "low the ﬂight of song? Long, long af-terward, 7726720 7720880. The Arrow and the Song. piu mosso assai. the Ar row, still un - broke; :11 O C U I C 3 3 pm 7710880 dS8dZ. ‘(J ‘r’ af - ter- ward, ' an oak I found the ar-row, still un- And the Song,------from beginning to > > > > > W68. 77101150. molto maestoso. allargomdo. The Arrow and the Song. incakando I O 9 V Ifound a- ga1n...... in the heart a friend; And the >>>>>>> >> incaleomdo 8 (3768. €Zp0C0 Cl song.... from be- ginning to end,.... Ifound a- gait}... in the heart of a ‘ > > > > grcmdzoso. >_ {: mil. assai. I ~———/ friend.... I found a -gain.... in the heart of a friend. /5 > > > > ‘> > > 10 col canto. \:—/ Za nt . rgame e > 3 The A:-row and the Song.
Show less

Date: 1890
Text: berm RUUQUHO vo_n ZL1rJV(UTﬂ€Tl. 7% % 1 MM °\/\6rb,s by e ryx/V2:b§wortb fqngfellow, l_SWg‘E_r:g_g_9W Pr. 40 cts. LI5\lto ......... ._ Pr. 40 cts. NEw—Y0RK, BERLIN, EDWARD SCHUBERTH &c9 ED. BOTE& G.BocK 23 Union Square. Kgl. Hof—Musikhandlung. [by/yr/‘git 7690 by Edward /Styx/den‘/7 4? (P Lnh An§r.v,C g.f\6der, Leipzig, MUSIC LI IRARY "ix. _, .2 1 Der Pfeil und das Lied. The arrow and the song‘, (Lougf<~I10w.) Allegro . A Mary Wurm . Einst schoss ich ei _ nen Pfeil weit 1 8...
Show moreberm RUUQUHO vo_n ZL1rJV(UTﬂ€Tl. 7% % 1 MM °\/\6rb,s by e ryx/V2:b§wortb fqngfellow, l_SWg‘E_r:g_g_9W Pr. 40 cts. LI5\lto ......... ._ Pr. 40 cts. NEw—Y0RK, BERLIN, EDWARD SCHUBERTH &c9 ED. BOTE& G.BocK 23 Union Square. Kgl. Hof—Musikhandlung. [by/yr/‘git 7690 by Edward /Styx/den‘/7 4? (P Lnh An§r.v,C g.f\6der, Leipzig, MUSIC LI IRARY "ix. _, .2 1 Der Pfeil und das Lied. The arrow and the song‘, (Lougf<~I10w.) Allegro . A Mary Wurm . Einst schoss ich ei _ nen Pfeil weit 1 8/202‘ an arm-Iv 2'/2. — to 1/26 /‘T Erd’ fiel er an fer—nem Ort, Ist sein Flug doch so schnell fell to earth I /mew not where, For so 8102]’! - [y if f/ew,_ Eigenthum dc’ Ve"1"5‘“' W’ 3119 Lﬁndeh St1'chundDruck derRdder’schen 0§ficinmLe1pzig Ed. Bote 80 G. Rock in Berlin. Edited by H- W- NiC11011~ 13439 Copyright 1890 by Edward Schuberth 80 C? N. Y. leicht,"_.: dass kein Au _ '- ge as Ziel er — reicht. Sig‘/It ____.._ could not fol — low it in 278 flzlg/zl. sang ein ed im rei-en a1d,_.._____.___._.__ 1e’s kl-ang,-.1ch, ch V61‘-g'{LSS breaz‘/zed a song 2'72 - lo‘ 2‘/ze air, ______________ It fell to earl/1 I /mew not a1d._____ Wie kommt ein Lied‘? W0 fliegt es hin? Nicht anh ihm av/zere. For w/20 /gas siglzt so /wen a21d8tr0ng,T/mt 2'2.‘ can L, ¢ fol — - gen er h ’ - ste Sinn! fol - /ow I/Le flig/zt of song. 13/L39 P Doch hab’ end—I1ch ch beid’ Long, long (If— l'6l'— wards 2'1; Pfeil au —- be ef found the (Ir - row still 0T680- 13439 treu /zeart
Show less

Date: n.d.
Text: R —r:_ / :\ j; ~ : ' ,3 ‘_ _ L4 »‘.~‘ \ \ \ >\: if/%dugfg[%%l}¢a \ ¢ \ <3 G) / > 9 \ ./ T/711///z'.s*/zzxd /If 5//‘var D/7‘.s-0/7 & ['17. ./97/—, H'4r’/.<'/’//'/.///./u7/ 52* ‘ izzs/77/7. ./.1’. /Z7//755 rﬁ £27. /-7/7//=7. .4’/I/Lcaqzz \ ,/ L’, 527a/17’, Z/47/7 <3//5.74/. /1/M7/‘,4. W,/1. /70/it cilia I//7/7 . M I/ﬁx/rt/7 .//1 MUSIC Lsunni vussnn cO1.LEG! THE ARROW AND THE SONG. \V01'(1s by 1{.\V. LONGFELLOW. Molto moderate. I shot an...
Show moreR —r:_ / :\ j; ~ : ' ,3 ‘_ _ L4 »‘.~‘ \ \ \ >\: if/%dugfg[%%l}¢a \ ¢ \ <3 G) / > 9 \ ./ T/711///z'.s*/zzxd /If 5//‘var D/7‘.s-0/7 & ['17. ./97/—, H'4r’/.<'/’//'/.///./u7/ 52* ‘ izzs/77/7. ./.1’. /Z7//755 rﬁ £27. /-7/7//=7. .4’/I/Lcaqzz \ ,/ L’, 527a/17’, Z/47/7 <3//5.74/. /1/M7/‘,4. W,/1. /70/it cilia I//7/7 . M I/ﬁx/rt/7 .//1 MUSIC Lsunni vussnn cO1.LEG! THE ARROW AND THE SONG. \V01'(1s by 1{.\V. LONGFELLOW. Molto moderate. I shot an Arrow kn ow not where , /‘For so svdft — ly it Music by M.\V. BALFE. It fell to earth fl ew, I Couldnot follow it, follow it ' its I breatheda Song . . . . It fell to earth I knownot vshere, For vsho has sight . . . .‘ so keen and strong, That it can fol — low the I flight of ‘:1 For vsho has sight so keen and so strong . . . . .. That it can fol The flight Of 3 song? Long, long after - Ward. . in an oak . . . . . I found the still un broke; And the Song from be — ginning to end [found a—gain in the heart of a friend. And the Song‘ from be- -gin - ning to end. . . [found a—g:u'n in the heart of [found a — gain , I found a- gain , I found a—gain a friend! 22578
Show less

Date: 1883
Text: *7 \\ 7 \_k \’\ (J R E! 5 NEW . @ 5 \q RDS %/V/\\; rlttgfellniv % HAWILW ‘J 9.__1 __l‘._._l 49 ' :=: .~ 5 .. A NEW.YORK, % L ’ WM.A.P0ND&Co.25 UNION SQ. -- CCCCCC 0, ‘ 1\/M13 .\z\/my THE ARROW AND THE 1 +$%%b J VV01'ds by I{.W.LONGFELLOW. ‘Allegretto. row in — I I know‘ to earth I‘ know not Where, Copyright. I883 bY W!A.POND&0‘.' to the -air‘, ..... __ -36- a tempo. not where: .... __ For so /N (level. 6 ores. dim. svsiftly it flew, so swift-ly it ﬂew, .... .. the sight...
Show more*7 \\ 7 \_k \’\ (J R E! 5 NEW . @ 5 \q RDS %/V/\\; rlttgfellniv % HAWILW ‘J 9.__1 __l‘._._l 49 ' :=: .~ 5 .. A NEW.YORK, % L ’ WM.A.P0ND&Co.25 UNION SQ. -- CCCCCC 0, ‘ 1\/M13 .\z\/my THE ARROW AND THE 1 +$%%b J VV01'ds by I{.W.LONGFELLOW. ‘Allegretto. row in — I I know‘ to earth I‘ know not Where, Copyright. I883 bY W!A.POND&0‘.' to the -air‘, ..... __ -36- a tempo. not where: .... __ For so /N (level. 6 ores. dim. svsiftly it flew, so swift-ly it ﬂew, .... .. the sight Could not follow it in ......... -_ its .17’ accel. e ores. n\ a tempo. flight. b1'eatl1.ed a song in—t0 the air, .... .. It /5. a tempo. f.\ a tempo. Whefe, I know not Where. For A fell to earth I know not ‘dim. mg 7 a tempo. 0 _accel. e cres. k'«_'_,.-j ' who Has sight so keen and so ‘tr acbel. e ores. the ' cm. strong , .... ._ a tempo. pp sostenuto. : Long, long af- terward, I found the ares. I fmuul the Tlmt . if accel. e ores. Still ......... '0 11Ii— broke; A1111 the song, _______ __ from be-gi1mjng to , ' /5 A A -accel. e ores. end, _____ _. I fdlmd » a — gain __________ ._ in the heart of a f1‘iei1(1;_____ And the A A ‘ A . A A AA Nﬂefa‘ . A. sAo11g, ____ __& from be-ginning to em1,____-_‘ ..... __ I ‘found a.—«“g:iin ..... ._ - in ’ ' I A A V of ............... __ a ﬁ'ie1ul . A A A . JP-. 6m° 10302 ' A Hounslowl Engﬁa N ‘
Show less

Date: 1910
Text: w% 8. C. COLBURN % 60 Cents NEW YORK I G. SCHIRMER BOSTON BOSTON MUSIC CO G N O S E H mm T wa D m N A W O R R A E H T. THE ARROW AND THE SONG SHOT an arrow into the air, I It fell to earth, I knew not where; For, so swiftly it ﬂew, the sight Could not follow it in its ﬂight. I breathed a song into the air, It fell to earth, I knew not where; For who has sight so keen and strong, That it can follow the ﬂight of song? Long, long afterward, in an oak, I found the arrow still unbroke; And the...
Show morew% 8. C. COLBURN % 60 Cents NEW YORK I G. SCHIRMER BOSTON BOSTON MUSIC CO G N O S E H mm T wa D m N A W O R R A E H T. THE ARROW AND THE SONG SHOT an arrow into the air, I It fell to earth, I knew not where; For, so swiftly it ﬂew, the sight Could not follow it in its ﬂight. I breathed a song into the air, It fell to earth, I knew not where; For who has sight so keen and strong, That it can follow the ﬂight of song? Long, long afterward, in an oak, I found the arrow still unbroke; And the song, from beginning to end, I found again in the heart of a friend. LONGFELLOW To my Sister The Arrow and the Song Poem by Longfellow _ S. C. Colburn Allegro Voice 21562 c ‘ 00py7‘2'g'/ti, 1.910, by Cr’. Sckirmer Meno mosso, quasi andante breathed a song in - to can 8”_“ bassa ' knew not where; For ?ﬁ’ who has sight so keen and It fell strong, to earth,._ That it can fol-low the flight of song?_ n______2‘ mi’ 17000 accel. . Long, 0 00 (1008 . the ar— row And the song, ter-ward, in an 7.. from be - ginning to b 25 l\Jb|‘l'( VII G. SCHIRMER, NEW YORK D9412-nted to and sung by Mme. Marcella Sembrich Am See Poem by Emil Robert English version by By the Lake Henry G. Chapman Langsam ‘ Frank La Forge Adagio P . - schein I stand up « . len See, da weil’ ich gem mil mei-nem your shore, Oh qui — et lake, my heart is Seuf~ zer sich zum »mel seeks to al - ter in a (/‘apyrfg/rt, 1.m¢,by G.Sc1n'ruzer ‘PNCFI 60 ° The Sheepherder A-ml“? Ch°P"13n "‘ Frank La Forge e Andante Voice the stream, from rm 1“ 4"» 4”\.b _ and dale. The sheep un - to... the bed - ground press. 4*» 4w KY» * By penmssion anne author . Pmcz 60 ‘ "W Copyrigltl, 1909, 0,, G. Sc/zzrmcr 2 1' c To Mr. Elﬂun Van Moon To a Violet ‘“"°"‘5 “Y (The Message) Elizabeth Ruggles Frank La Forge, Voice forth, 0 V1- 0 — 1eL. sweet and ten < der, Bear to my love the thoughts} send her, her breast !.hou.1i — est, Ere thou in ver—y ' Breathe on her 1”" W 6'o_zvyn'gIzl, 1909, by olsoumar P1106 40 03311‘-6 Dcdit'nId'ri to and sung by Mme. Marcella Scmbrich Prun)"Des Knuhcn \Vun(h:rhurn" An einen Boten English version by Henry G. Chapman To a Messenger _ Frank La Forge Schnell mrt Humor Allegro giocoso leggero e Wenn du__ zu_ rnei’m —When you__ see, my_ 7 _ 7 leggero _“_’_;,_,_. j—-'7; Schéit.zl kommst, :j_.___...._.: ich Iiess’sie mis.tress dean.‘ he I love her > sie__ fra . gene she_ asks_ you_ PRICE L30” Copyright, 1.909, by G. Sclzirmer
Show less

Date: 1887
Text: \3\e5pectfu\\y Dedicated to \ \ w’ (‘)7 N,» 3”} /ix , (/ \ “ . \\_Z\\ \ ////' vw \\ / / \ E , , /H \ MUSIC BY)‘ \ ;/ @, Muﬂljigm ——:§“:vPrice 4o¢d“” — \. F NEW YORK. ‘Q N _ ' J’ ’ /47M//~///i/yy //Wa7//5[//Z/z7£f///Vtffﬂ “VA A. ' COLLEGE Emsvwxxu S©|HJU‘BE|RiTHJ &Jc;:co.J /J % A J $3UJN|ON)‘I:3jQUAR|iZ. ) Respectfully dedicated TO MES THEO A. HAVEMEYER. <>§§<> THE ARROW AND THE SONG. .. WM E1). MULLIGAN. Andantino. ar —I'0W in — to the air, It fell to the...
Show more\3\e5pectfu\\y Dedicated to \ \ w’ (‘)7 N,» 3”} /ix , (/ \ “ . \\_Z\\ \ ////' vw \\ / / \ E , , /H \ MUSIC BY)‘ \ ;/ @, Muﬂljigm ——:§“:vPrice 4o¢d“” — \. F NEW YORK. ‘Q N _ ' J’ ’ /47M//~///i/yy //Wa7//5[//Z/z7£f///Vtffﬂ “VA A. ' COLLEGE Emsvwxxu S©|HJU‘BE|RiTHJ &Jc;:co.J /J % A J $3UJN|ON)‘I:3jQUAR|iZ. ) Respectfully dedicated TO MES THEO A. HAVEMEYER. <>§§<> THE ARROW AND THE SONG. .. WM E1). MULLIGAN. Andantino. ar —I'0W in — to the air, It fell to the earth I r. M7. /3 knew not Where, S0 sWift~ Jy_ it_ flew, S0 swift— 1y_ it_ flew The ‘ /5 3. E, S,& C9169:-2 Clxjﬁyright [887 by Ea"wardS(/zu/1crl/z (42 CC’ sight could not £01- low N ' its flight. ‘-if ' A» ‘ ;€.{‘.f:A:fA f'.\ breathiéd a song in - to the air, It fell to earth I knew not W11ere,E_)r /3 Who has sight so keen and str0ngT11at It can fol — 10w_the_ flight of song, For. E.S.& C9169»-2 Who has sight so keen ‘V s1:rong,That it__ can fol — low the flight of song‘. Lento. Lo11g,1ong afterwards in A an oak I found, The ar — row still un — broke; 17 piil animato. and the S011g 1°'1‘0H1 be - glnnlng » Ullii ——__-_-_.. The song from be - gmn111g'to A an \ S. & C‘) loo»; I found, I found in the heart of a friend; found, I found in the heart a friend; found in the heart of friend. E. S.& C0 169R
Show less

Date: n.d.
Text: 1.IN 2,INDFLAT. —— 3.IN ”: CON‘l;F:ALTO - ORIGINAL KEY. BARJJONE SOIJRANO. — TENOR. ' - BASS. I’ MEZZO<5OPRANO. D To Ab . ‘ xi . /‘WEI,’ BbToE_ BTOF. C TOG IIIIIIIW am 80176 wc)rc[S /49 £xOD(c3E?€LLOIlf 97/62.1.5‘ [C ﬁg Z,77zZ*.-Ayzfa .-EZZZ . £0 11 5 on ; M ET z L E R Xe C 9, 42 G/"eaf ,ZI{cz//Z60//Oug/z I957/2eez,‘, II/. M *THIs SONG MAY BE SUNG IN PLIBLICV/ITHOUT PAYMENT OF ANY FEE. NEW IVIU S IC .—- Now READY. AIVIETZLER <3 C°.5 THEMATIC CATALOGUES OF NEW SONGS, DANCE.and...
Show more1.IN 2,INDFLAT. —— 3.IN ”: CON‘l;F:ALTO - ORIGINAL KEY. BARJJONE SOIJRANO. — TENOR. ' - BASS. I’ MEZZO<5OPRANO. D To Ab . ‘ xi . /‘WEI,’ BbToE_ BTOF. C TOG IIIIIIIW am 80176 wc)rc[S /49 £xOD(c3E?€LLOIlf 97/62.1.5‘ [C ﬁg Z,77zZ*.-Ayzfa .-EZZZ . £0 11 5 on ; M ET z L E R Xe C 9, 42 G/"eaf ,ZI{cz//Z60//Oug/z I957/2eez,‘, II/. M *THIs SONG MAY BE SUNG IN PLIBLICV/ITHOUT PAYMENT OF ANY FEE. NEW IVIU S IC .—- Now READY. AIVIETZLER <3 C°.5 THEMATIC CATALOGUES OF NEW SONGS, DANCE.and PIANOFORTF. MUSIC. These Catalogues give a clear description o’Feach songwith the compass.character, and a portion of the words and melodies. The same principle applies to the Dance and Pianoforte Music Catalogues. Intending purchasers can therefore Form a correct opinion of what will suit them. N‘? I. SOPRANO SONGS. N9 4. CONTRALTO SONGS. N‘? 2. TEN.OR SONGS. N‘? 5. DANCE MUSIC. N‘? 3. BARITONE SONGS. N° 6. PIANO MUSIC. N9 7 . VOCAL DUETS&TRIOS. N‘? 8. PIANO DUETS &TRIOS. SENT GRATIS AND POST FREE ON APPLICATION. /1/30 ,/IV/ewlzsts 0/5'acre‘d_ﬂ17Lzsz'c, Viol 2'11, Violin ana,7PiaIz0ﬂ[usL'c, American 0/fgaii aizcifjczrmoniuin Music,Part Songs, G[ees,&c. MUSIC LIBRARY VASSAR COLLEGE At the Sale by Public Auction of Music Copyrights at Messrs. Puttiok & Slmpsou’s ‘on June 4th, HEMTS PIANOFORTE TUTOR was bought by METZLER & 00. for the sum or Three Thousand and Ten Pounds. N E W E I) I T I C) l\T. Aﬂzer the sale of over a. QUARTER OF A MILLION Copies. HEMY’S ROYAL WERE PIANOFQRTE TUTTB The PRESENT EDITION of Hemy’s world-renowned Pianoforte Tutor haa been entirely re-engraved, carefully revised, and largely added to by THE AUTHOR, and we have now no hesitation in pronouncing HEMY’s TUTOR to be the most complete, valuable, and easily understood Instruction Book that has ever been oﬁered to the Public. PRICE FIVE SHILLINGS. Bouna’ in cloth, 43. net. , ‘ I gm as ﬂngel ﬂlndomt Tonal §oImnI Boo]: I. For Bass, Baritone, Mezzo-tenor, Contralto,& Mezzo—soprano Voices. BOOK II. Advanced Soprano and Tenor Voices. Price 53. each book; Cloth, 6s. 6d. each. TO BE HAD OF METZLER & 60., 42, GREAT MARLBTROUGH STREET, W. And of all Music and Book Sellers in the United Kingdom and Colonies. THE ARROW AND THE SONG. Words by . Music by LONGFELLOW. CH. GOUNOD . ALLEGRETTO. shot an in- to the air, . . . . . It fell to it fell to I knew not where; . . . . so swiftly,‘ swiftly '. . . . . ' so sWift_ly, swift _ ly it fol _ low it breathll 21 It fell to W. 6464. The sight fligllt; earth , . . could not in _ to it fell the to knew not Where; For, who has sight. . . . . . . and strong, For, who has sight. . . . . . . and strong, . . That it can fol _ 10W, . . . . . _ ' fol - low. the flight af _ tel‘- Ward, , ' . . . . found the found-the the 211'. row’. , . . -still un _ broke, . And the song. . . . from _ g1'n_ning to V . . A And the song‘. . . . from .A~/{S H V. s 3 1 I :2 - g1'n_ning to end. . found ' a _ - gain, . . found a _ - in the A heart \§\\\\\\ IN KEYS FOR ALL VOICES. iasﬁ @@ § primrose Path BEHREND. V2,), pnpugan Just Pub/2's/zm’. "‘ THE voxcxa: 1 LOVE. _" SUNSHINE FAIR ROVINS LIFE Rem Song by Eaby 2Irthur ﬁill. A YESPER MUSIC ‘bong , GilbertBYBoyce. ' sung by Mr. EDWARD LLOYD. BY . 53”“ %’°“£V BY . Sung ‘by g by BY GARUUNE LOWTHIAN. ““aYbV°k: JOSEPH BARNBY ../ V 7‘ ﬁrmmmmmmmm . .,,,+,..,, ..........n............." A GREAT SUCCESS. l§YDE1V[I,1V[YB1KB COMPOSED BY Words by GEORGE ELIOT. LADY ARTHUR 5>°"sI- - HILL. SONG. MUSIC BY ARTHUR SULLIVAN. TIG-TAG, SONG OF THE GLOGK UNLESS. 3,, Ken) Song by 21. 3. dlatbicott. "‘““‘1“°“° sung by the VISGOUNTESS FOLKESTONE. DAYBREAK SUNG BY EDWARD LLOYD Sung by Miss HOPE GLENN. mm %ong av GALDIUOTT PLANQUETTE PINSUTI nx'r1'n.nn . ‘ ‘ ENTITLED xm-rrn.zn ' Unbidden , ' - First Love Follow Me >319 *3? . S *3}? 911* ? 519 G31]?
Show less

Date: n.d.
Text: \ _/ I _ I :\ ’ JV / » \ \ X \‘ _< g " ’ ~ I _g‘ \ \ ‘ \\ B / < \ ,7 \/ \\\:TI;;/ AN1D> , »«L//“* ‘” ,/f:;E;:§;;:> xx Q. Z V‘ '"'\ //\ \',/ / // \ S/§€@ﬁyE jlﬂinmihirg $ Ky 1*”/~? L \ \\r’x”3‘\~%i /) V’ /‘/-4, A , % C/* H, 7 . A C§é%;:%%Z;a?é%%7a§%,n%%:§;%?&%%/ /F‘ { % x ﬂ \ a $32 A Ea“ [am %if ma \ .\ . \ /‘ft’ //"\ a\/ .3*"’ > ,x ; w—3 M4 » A¢\7[ R ;%L°L.9M%£&Q9&/x 2- \ / //‘7T*\gE“// .. * . /’/)“((‘6 Z/70' ‘\ / J “*?T.¢)A,5...
Show more\ _/ I _ I :\ ’ JV / » \ \ X \‘ _< g " ’ ~ I _g‘ \ \ ‘ \\ B / < \ ,7 \/ \\\:TI;;/ AN1D> , »«L//“* ‘” ,/f:;E;:§;;:> xx Q. Z V‘ '"'\ //\ \',/ / // \ S/§€@ﬁyE jlﬂinmihirg $ Ky 1*”/~? L \ \\r’x”3‘\~%i /) V’ /‘/-4, A , % C/* H, 7 . A C§é%;:%%Z;a?é%%7a§%,n%%:§;%?&%%/ /F‘ { % x ﬂ \ a $32 A Ea“ [am %if ma \ .\ . \ /‘ft’ //"\ a\/ .3*"’ > ,x ; w—3 M4 » A¢\7[ R ;%L°L.9M%£&Q9&/x 2- \ / //‘7T*\gE“// .. * . /’/)“((‘6 Z/70' ‘\ / J “*?T.¢)A,5“{ . y ‘ 11 ‘ 0 i}‘i) @> l©N®®Nq BOOSEY & SONS. 28. H0'LLES STREETOXFORD STQ v MUSIC LIBRARY -ix - - o THE ARROW AND THE SONG. THE POETRY xv THE Mcsxc BY l.()N(-‘FELLOW- M. W. BALI-"I<I. ./U01. T0 M0Dr:R.4 TU. I'()ICI4.'. PIA .‘\'(). §.______J in _ to the air ............ .. It fell to eurtvh I shot an Arrow kxmw not wllere, For sqswiftb- ly it flew, ii??? /9/9 s«i“§,~'l1t Could‘ not ful_|uMr |Ht_; The sig'l1t could not in its flight. I breatlxcd a Song in __ to the air ‘ . . . . It fell. to earth I know not Wlxcrc, > / >Fm‘ who has sight . . . . . . . . . . .. so keen and strong‘, That 1t can fol _ low thv Hi_;;‘ht of a. snug‘ ' Furwhu has sigllt ‘ keen; and so .st\'nnn;_r 4 . . . . . .. That it Cull ful - , -. _ 1'owtlw1'li;_;-lxt [of :1 song‘? Long, long af'terwurd . . . . . . .. in an oak . . . . . . . . . . . . .. I found tlw Ar- r«.,v\J PP still lmbroke; And the Song; f'ru1n he _ giin11ing'* to end ‘I found ii_g'ai11 the heart of friend . And the Song fmnlbe- 3 _ gi111\i||g to end . . . . . .. I f(_)und a_g‘ain in the heart ‘of :1 friend . q-0* ««- L, ’<3:., :7; 2%s~.;,,»'~. :$ ~u,=a:ss.;\e;~:x>:a‘&e=er 3:4, found u_g‘uin , — found u_g'uin , — I ﬁmnd a_g;'aIiII in the heart .............. .. aﬁ friend! Tempo l”.’° /J/J/.) SONGS AND BALLADS BY " OLARIBEL.” S COME BACK TO ERIN. Composed expressly fvr Madame ' - MY BRILLIANT, AND I . . . . . LEMMENS-SHERRINGTON . . . . . NORAH’S TREASURE. Sung by Madame SAINTON-DOLBY . I CANNOT SING THE OLD SONGS. Sung by Madame MARION’S SONG. Third Edition . . . SAINTON-DOLBY . . . THE LIFEBOAT (for Baritone). Words by Lord STRATFORD DE REDCLIFFE . . . . . Is- o °=+r—o:9n ooo” THE OLD HOUSE ON THE HILL DO YOU REMEMBER? . . GOLDEN DAYS . . . . BLIND ALICE . . . . . DREAMLAND. Sung by Madame PAREPA . . FIVE O’CLOCK IN THE MORNING. Tenth Edition I REMEMBER IT. Sung by Miss PooLE . . . JANET’S BRIDAL. Sung by Madame PAREPA. Tenth Ediiion , »JANE’I"S CHOICE. Sung by Madame SAINTON-DOLBY. THE BROOK . . . . . Twentieth Edition . . . . . . THE TWO NESTS. Illustrated . . LITTLE BIRD, LITTLE BIRD ON THE GREEN TREE; THE SAILOR BOY . . . Or, “Loyal je serai, durant ma, vie.” . . THE OLD PINK THORN. Illustrated . LOWLAND MARY . . . . . . THROUGH THE JESSAMINE . . . . MAGGIE’S SECRET. Sung by Madame SAINTON-DOLBY. WONT YOU TELL ME WHY, ROBIN? E,-97”], Ed[;j0n__ Tenth Edition . ’ . . . . . 4 “ YOU AND I.” Sung by SIMS REEvEs. Sixth Edition MILLY’S FAITH . . ‘ 3 PIANOFORTE ARRANGENIEONTS OF CLARIBEL’S SONGS. . JANET'S CHOICE. By BRINLEY RICHARDS . . _ CLARIBEL GALOR By E_ AUD1BEm._ I11ust,ated . JANET’S CHOICE. By DUMAS . . . . 2 0 _ CLARIBEL POLKA B E A . “JANE’I"S CHOICE” WALTZES. OD Cmmsmxs Songs. MAGGIES SECRET’ B’; K'UH:D“3ERT ' 4 0 ' ' Illustrated. By MUSGRAVE . . . . ' . CLARIBEL VALSE. On CLARIBEL'S Songs, by Cums ‘ MAGGIE“ SECRET BY DUMA5 - - - ' Com. Illustrated , , , _ _ 4 . TAKE BACK THE HEART. By J. A. WADE . . . CLARIBEL QUADRILLE. On Cmmsmxs Popular Songs . FIVE 0’CLOCK IN THE MORNING. By J. A. WADE and Ba11adB- Illustrated 4 . I CANNOT SING THE OLD SONGS. By J. A. WADE . TAKE BACK THE HEART . . . — THE BELLS’ WHISPER . . . PRIEZ POUR ELLE . . . . SUSAN ‘S STORY - . . SPRING-TIME. Companion to “ Dreamland.” THE BLUE RIBBON. Illustrated THE BROKEN SIXPENCE. Dlustrat 0093 IF ¢0D30°C.OC)DOD<‘.DC)Ov# O OOOOOOOOO otooontooun u no It .- O003036OC)0€.)O<D3A‘a3C)9f)909¢A?C)303OO OOOOOOOOOOOOOCO SIX GEMS OF OLARIBEL, EASILY ARRANGED FOR THE PIANOFORTE. Price ls. each. ' 1. MAGGIE’S SECRET. 4. WON’T YOU TELL ME WI-IY, ROBIN? 2. JANET'S CHOICE. ‘ 5. YOU AND I. s. FIVE O’CLOCK IN THE MORNING. 6. TAKE BACK THE HEART. SONGS BY VIRGINIA GABRIEL. THE LADY OF KIENAST TOWER. Romance. Poetry by WEE}? NO MORE. Sung by Madame SAINTON-DOLBY J. R. PLANCHE, Esq. ; composed expressly for and sung by THE SKIPPER AND HIS BOY. Sung by Madame SAINTON Madame SAINTON-DOLBY . . . . . DOLBY. Tenth Edition . . . . NIGHTFALL AT SEA. Reverie . . . . RISE, MY SOUL. Sacred Song. Sung by Mr. WILBYE COOPER DREAM, BABY, DREAM. Sung by Miss BANKS . . THE LIGHT IN THE WINDOW. Sung by Madame SAINToN- OH! MAY’ST THOU DREAM OF ME. Serenade for Two DOLBY. Fifth Edition . . . . Voices . . . . . . I DO NOT ASK TO PRESS THAT CHEEK . IPIANOFORTE ARRANGEMENTS OF MISS GABRIEL’S SONGS. NIGHTFALL AT SEA. Reverie . . . . 3 0 H THE SKIPPER AND HIS BOY. Arranged by B. RICHARDS. NEW SONGS BY “DOLORES.” “ CUSHA.” Poetry by JEAN INGELOW . . . 3 N THE FOOLISH SHEPHERD, a Ditty. Words by HAMILTON UNCHANGED. Song. Words by W. C. Bmmm, Esq. . 3 0 AIDE, Esq. . . . . . . NEW AND POPULAR OHRISTYS MINSTRELS’ SONGS. THE CUCKOO’S NOTES. Composed by C. BLAMPHIN. Sung IN THE MOONLIGHT LONG AGO. Composed by J. R. by Mr. J. W. RAWLINSON with great Success. Illustrated . THOMAS. . . . . . . SWEET EVELINA. Sung by G. W. MOORE . . . ANNIE LISLE . . . WIIEN JOHNNY COMES MARCIIING HOIWE AGAIN . DEAR LIOTHER, I»LL COME HOME AGAIN . COIHPOSGCI J. R. IFHOMAS Composed F. WHY AM I SO HAPPY? Composed by F. WIDDOWES WIDDOWES . . . . _ _ _ BLOWING I WEEPING SAD AND LONELY ' ' ' MARYLAND, MY MARYLAND _ . _ SOFTLY FALLS THE MOONLIGHT. . . IT IS MY COUNTRY’S CALL . . THE BONNIE BLUE FLAG - - 3 O l\Dt\9l\9l\‘.'>l\'>C«O€.D<'.O0D QQOOOSOOOO N 0 W R E A D Y, In Three Volumes, Price 45. each, handsomely bound in extra cloth, lettered and gilt edges; or in One Elegant Volume, Price 12s. OI-IRISTY’S MINSTTRELS’ SONG BOOK, CONTAINING 180 OF THE MOST POPULAR MELODIES. FORMING THE BEST AND MOST COMPLETE COLLECTION OF THESE POPULAR SONGS PUBLISHED BOOSEY AND 00., HOLLES STREET, LONDON, W.
Show less

Date: n.d.
Text: /—\ //Z “\\*° " \ *\ L / ‘. ‘ Q 9 Q \\ 9) } VJ : V \ ,fTH=\¥ / ; 3 $4 , - & A *’{1Z»g»a:w“i1E’ ﬁi@zzsfta%§¢ ﬁ® MWG%%m l.©N@©[r‘{lq _. T’ \’ “ “Boo,.sEY & ca 295, REGENT STREET.W. MUSIC LIBRARY VA ' : 0 THE ARROW AND 'l'H;E SONG. THE p()}..TRy Ry THE .V$EIS.'lC' BX} l.()NHl<‘ELI.OW. V M. W- HAL.F'E‘- JInLTo .MoD1su.ATo., l‘()I(7}<.'. l’I.A.\'(). j I shot an Arrow in - to the air . . . . . . . . . . . . .. It fell to enrtll I r\ know...
Show more/—\ //Z “\\*° " \ *\ L / ‘. ‘ Q 9 Q \\ 9) } VJ : V \ ,fTH=\¥ / ; 3 $4 , - & A *’{1Z»g»a:w“i1E’ ﬁi@zzsfta%§¢ ﬁ® MWG%%m l.©N@©[r‘{lq _. T’ \’ “ “Boo,.sEY & ca 295, REGENT STREET.W. MUSIC LIBRARY VA ' : 0 THE ARROW AND 'l'H;E SONG. THE p()}..TRy Ry THE .V$EIS.'lC' BX} l.()NHl<‘ELI.OW. V M. W- HAL.F'E‘- JInLTo .MoD1su.ATo., l‘()I(7}<.'. l’I.A.\'(). j I shot an Arrow in - to the air . . . . . . . . . . . . .. It fell to enrtll I r\ know not where, For so swift. ly it flvw, 1 PI’ F ‘.\..0 "'[‘}vH-."1\r'rnw 4' ' ta \ ~ sight Could not ful_l0W it, sight cnuid not H f‘«>H«)w it in its flight. Ibreathud a Song‘ £____Z in - to the nil’ . . . . . . . . . . . . . . . .. It fell to eurtll k1mwnot\~lu-rc, >l"m’.whu has‘ sight . . . . . . . . . . .. so k(ft‘lli1\=lld strong‘, That It can fol _ |nw_ Hus Hi;;*l1t of u S()ll;_{‘.l For who has _.n'gl1t ‘ keen and so .stI'<)|1g' "-Or *4 . . . . . .. Tl)-ut it can fol _ low the 1'li§_;‘.lxt of :1 ~.()llg'? Lnllg‘,-* lNuu_;;' ufv‘lh-o'7r"w;nr(l . . . . . . .. in an oak . . . . . ..; . . . . .. I tlnnui the Ar- rx.,w 4 Pl’ 2% still unhrnke And the Snnw I'ujm11 he _ g;'inning' to end I f'mn1d ,u _g-uiu 1n the heau't of’ u friend . And the Songg; f'mn1he_ _ g_;'iI11xin|:_;°- to end.;..... I found u_g*uin in the heart of at friend . '2»: av‘) “'l‘V:--‘. ~ ~ ”(\| \« |{-\x,vr ' I found u_0":1in , — fuund u_.g':1in , — I found an. ,g';nin ' in Hu- huurt . . . . . . . . . . . . . . . . . .. of a friend! rrpmlm lmu I.)/3/.7 ' Gentle Heart V Oncefor all ARTHUR SULLIVAN’S SONGS. 6- d- Let me dream again (0, D7, dz E?) 4 0 Sung by Mdrne Christine l\'ilsson dz Mdme. Edith Wynne. Love laid his sleepless head (D (ft E) Sung by Mr. Sims Reeves. Living Poems (E7 :3! ll‘ ... Sung by Mdme. Edith Wynne. Sleep, my Love, Sleep (D A’; 1*‘) .. . Sung by llldme. Patey. Once Again (D (S: F)... ... Sung by Mr. Sims Reeves. on Golden Days... .. ... Sung by Mdme. Patcy. A Life that Lives for You .. ... Sung by Mr. Santley. Looking Back (D & F) . . Sung by Mdme. Patey. Looking Forward (sequel to Looking bacl ) (D & Sung by Mdme. Edith Wynne. Birds in the Night (D, E. & F) Sung by Mdine. Sherrington. From Rock to Rock ... E) MOLLOY’S POPULAR SONGS. My love has gone a sailing Sung by Mdme. Dresden China (C & D) Sung" by Mdme. Sherrington. Don’t be Sorrowful Darling (C J: E) Edith 'w; H1375. Sung by Mdme. Antoinette Steiling. Jack's Farewell Sung by Mr. Sims Reeves. Polly Sung by Mr. Santley. So the Story Goes (F & Gr) .. Sung by Mdme. Edith Wynne. Clochette (D & F) _ Sung by Mdme. Sherrington. Thady O'F1inn (D ct F) Sung by Mdme. Sherrington. The Vagabond (E & G) Sun g by The Old Cottage Clock . Sung by Mdme. Edith Eily’s Reason (E, F. & G Sung by Mdme. Sherrington. Marching along Wynne‘. no PINSUTI’S Bid me Live A Maiden’s Love NEW SONGS. on on ..- Sung by Mdme. Ratey. m Sung 1;; Mdnie Edith-Wynne‘. sm{;¥ by Li}: lllaybrick. The Free Lance (C & D) . Sung by Mr. Santley. MISS GABRIEL’S FAVOURITE SONGS. 4 o .- ... The Light in the Window The Skipper and his Boy Across the Sea Sacred Vows (D & ... ... FREDERIC CLAY’S SONGS. She wandered down the mountain’ side (0 & E) Sung by llirlnm. Edith Wynne. Days of Long Ago (D & E).. Sung by Mdme Edith Wynne. The Reaper and the Flowers ... Sung by Mr. Sims Reeves. 4 4 4 ¢\/\_/\/'\./\.»'\/\/\/\"\’\/\/\/\I‘\/\_’\/\/'\/\’\/\. :E>oPI:rLAR SONG-F3. The old love is the new (B & C) Sung by llldme‘. Sherrington. Why? and G) ... Sung by Mr. Edward Lloyd. So far away (Mon anii) Sung by Mdme. Roze—Perkins Never again ... Past and Future V Aubade (D & F) Sung by Mr. Sims Reeves. Almost (A'7 & B?) Sung - Spinning (D & E) ... Sung by Mdme. Sherrington. Night and Morning (E & F) Sung by llldme. Edith It was a. Dream (0 & E) Sung by Marguerite (B & C) ... Sung by Mdme. Trebelli. 4 0 cu no u- .“ ... ... lhbﬁrﬁrlin-P~ by Mdme. Eialtey. . Wynnii. Mdi.ne. Titiens. 00 iii IF #5 Only a Violet Sung by Mdme. Edith Wynne. If every lute on earth were mute Sung by Mr. Santley. The Harbour Lights... Children can on ..- Defton Woods . ... Those merry walks together ... Sung by Mdme. Patey. He loup’d the wa’. Scotch ballad ... The Hay is i’ the Mow Sung by Mdme. The Old Sweet Story Sung by Mdme. Edith Wynne. Speed-well ... ..’. ... Forget me Not ... One Morning, oh ! so Early (A & B) Sung by Mdme. Edith The Gallants of England Sung by Signor Foli. Apart (6th edition) Rothesay Bay. (10th edition The Departure -- Wynne. ... on NEW EDITIONS. Farewell to Erin (C & D) Take back the heart (D & F) Mag‘gie’s Secret (D, E7. 5; F) We’d better bide a wee You and I (G, G7, dd B) . . Come back to Erin (C & E) Chi1dron’s Voices (G (la 13) ... Dreamland ... Susan’s Story... Strangers yet (E & F) .Ianet’s Choice I cannot sing the old songs (E_ & G) Five o’clock in the morning (F & Robin Ptedbreast (D & F) Won't you tell me why, Robin? Half—mast high Silver Chimes 0 O 0 When we are Old and Grey Out on the Rocks (W7 & ED (D&F) ) . F. H. COWEN’S NEW SONGS. ALFRED SCOTT GATTY’S SONGS. Out of the depths. (Dbdicatedto lib: Rlimsoll, Antoiiiette Sterling. CLARIBEI/S FAVOURITE BALLADS. MDME. SAINTON’S POPULAR SONGS. d. 0 0 0 M.P§j )wPr#t-I3)-Fvlil-Prhrwﬁrl-‘-phi-Fbébvlirlivwl‘-DIFIIF H“:-Flvﬁ DF I-F-ihrh D-F rPi-F >F-iln5-FF-1% OOOOOOOOOOOOOOOOC G00 O 000 O OO OOCOO ...40 ...40 I Brown Eyes, or Blue Eyes LOUIS DIEHLS’ NEW SONGS. Happy Days Sung by Mdme. Patey. Absent, yet present Sung by A Song of Neptune . ' Sung by Signor Foli. burning (El? d; F) Sung by Signor Foll. . HAMILTON AIDE’S SONGS. Let me dream of happy days ... ... The Maid I love is six years old Spanish Boat Song (E? (55 G) Remember or Forget The Fisher (D & 13).. Mr. Santley. The Winter log is on |F>F|bvFt§:i~ BLUMENTHAL’S NEW A Letter (El) & C) .. Sung by Mr. Sims Reeves. The Boatman’s Song (D & E) Sung by Mr. Santley. Gondoliera (G & B7) ... Sung by Mr. Edward Lloyd. Love, the Pilgrim (E dz F) ..'. Sung by Mdme. Titiens. DOLORES’ BEST SONGS. ifhlhbbiﬁ The Fairies . . Clear and Cool ... ... The Lsndof long ago Sea-weed ... I-IATTON’S NEW SONGS. Fair ismy love (C& El?) . . Sung by Mr. Santley. The British Tar. Sung by Santley MISS PHILP’S BEST SONGS. Lillie’s Good Night ... ... Lilliels Good Morning 3 The Pcaeher's Widow 3 0 NEW SONGS BY VARIOUS WRITERS. DANKS, 11. P. Siingby iss Soldene. DICK, COTSFORD. The secret of thy name ANDERTON, THOMAS. The Little Fishermaiden ... Sung by Mdme. Patey. CELLIER, ALFRED. ... ... no no. on ... .. ... Still united 4 0 -u on on Jack andI ... Sung by Signor Foli. ADAMS, STEPHEN. Nancy Lee ... Sung by Mr. Maybrick. BUCK, DUDLEY. When the heart is young . ... Sung by Mrs. Osgood. HOWELL, FRANCIS. T’was not a dream EAYRES, W. H. Ever Thine (C & D)... ... 4 ‘ Sung by Mr. Edward Lloyd and Mr. Nelson Varley. VVEKERLIN. A Song to a Rose Sung The Flower Girl ... Sung by Mdme. Sheri-ington. 13;. Maixié. Sheirringtdni One Only Sung by Mdme. Edith Wynne. SIX DUETS, Sung by Mdlles. CARLOTTA and ANTOINETTE BADIA at the London Ballad Concerts. Price 2s each not. The Rainbow (Di pace at n0i)—DONIZET’l‘I. The best solace (Dolee conforto)—MER- CADANTE. 'V’OO.A_I_: ZDU Through valley, through forest (Per valli, per Joy is to-day (Giorno d’orrore)—R0ssINI. Say to me (Ripctio mio tesor)—L. DADIA. Yo breezes, softly blow (Buon vento spira in These Duets have English and Italian words. boscl1i)——l3i.ANcINI. Excelsior mar)—-L. BADIA. Coming home... Trust her not... 9’ The Chamois Hunters J. L. HATTON. Sung by Mr. Sims Reeves and Mr. Santle S. 333 T A. SULLIVAN. BALFE. Day dreams ...CLARIBEL. Chimes of St. Mary’s Evening song Yet ‘once again My roses blossom roun 7? GABRIEL. .1. , o 0 0 0 Y. the ‘whole ’year n KUHE. Lohengrin . ... Don’t be Sorrowful, Darling. (Molloy) One Morning, oh! so Early. (Gatty) La Fillo do Madame Angot... Geneviizve de Brabant Come back to Erin. (Claribel) Maggies Secret. (Claribel) Dinorah ... The Vagabond. (Molloy) La Jolie Parfum euse. . . . . . BENEDICT. America. New Fantasia Der Freischiitz ... mwewseamppw oo ooooooooooP' Z IEl'VV' PIANOFORTE 1/TTTSICE COWEN,FREDERIC II. It was a Dream Alice, Troisie’lne Valse Caprice Rondo 3). la Turque ... ... Macbeth I Lombardi Oalme et solitude Madame Angst Moonlight on the Danube Whispering Leaves Valse des Pampas Eolus (Maz-urka) LEYBACH. .d. no ... ... MULLER, THEODORE. Berceuse 4. Marguerite 3 KETTERER. on an ... ..- 0 3 0 Grand l\Iarch,”Maid O1‘le-ans Serenade, Maid of Orleans HAWLEY, MISS. Salopia (Home, sweet home) Ivanhoe (Auld Robin Gray)... _ Hibernia (The LastRose of Summer FORBES. La Caprera ... Castollucia ... ... ... RICHARDS, BRINLEY Polly (l\‘?olloy) Isiilora, Valse de Concert A Visit to VVales . ... Conspirators Chorus ( Madame Angot) Once Again (Sullivan) . Strangers yet. (Claribol) ... FAVARGER. Der Freischiitz .. ... Oberon. 2nd Fantasia ... ... 3 wewwmpmp mooooooP on u. OFFENBACH. La Jolie Parfumeuse Valse and Quadrille . each Genevieve Quadrille. Solo or Duet Genevieve Waltz Périehole Quadrille. Solo or Duet ... Périchole Waltz LONID no . n c‘:N Our Boys Galop Migration Galop Indian Quadrille : BOOSEY <32: 00., N E 'Vi7' , D MONTGOMERY. l\TC3E s.d. 40 MINNIE. Once Again DEBILLEMONT. ... ... ... 4 O Polly Waltz Madame Angot Waltz. MadameAngot Quadrille. Solo orDuet Madame Augot Galop Claribel Waltz. Silver Chimes Waltz :l"_\:{E U S I 0. CHARLES COOTE. Remember or Forget Waltz Waltz ... Solo or Duet 295, REGENT STREET, TN‘. Solbuor SCHNEIDER. Trop de Bonheur Waltz. Solo or Duet L E C O C Q. The Island of I3i.chelors (Les Cent Vierges) Q,ua<,lrille The Island of Bachelors Waltz mpmwemmaw ooooooooP ’»
Show less

Date: 1910
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New YORK Pi anoforte A“éJ<:o1npani1nenI H JV. L ONGFELLOW Set to Music FLORENCE NEWELL BARBUUR. :33, @\sL———-- dwakel it is ffzeﬂay. ................ ..(3%'§z"o"sB§.“.s.~ am. Stars ofilze Summe2°Iz§gZ2t.% ...;32§28”sBE“an em. .7... }§'1'ce 50021173 each. JXRTHUR 19. 5CHJVIIDT, BOSTON, LEIPZIG, NEW YORK, 120 Boylston St. Lindenstrassel6. ll West36th St. Copyrfg}1tI9/0 by Arthur F.’ Schmidt. International Copyright Secured....
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New YORK Pi anoforte A“éJ<:o1npani1nenI H JV. L ONGFELLOW Set to Music FLORENCE NEWELL BARBUUR. :33, @\sL———-- dwakel it is ffzeﬂay. ................ ..(3%'§z"o"sB§.“.s.~ am. Stars ofilze Summe2°Iz§gZ2t.% ...;32§28”sBE“an em. .7... }§'1'ce 50021173 each. JXRTHUR 19. 5CHJVIIDT, BOSTON, LEIPZIG, NEW YORK, 120 Boylston St. Lindenstrassel6. ll West36th St. Copyrfg}1tI9/0 by Arthur F.’ Schmidt. International Copyright Secured. 3 “ ; § Awake! It is the Day HENRYW LONGFELLOW ’ FLORENCE NEWELLBARBOUR Allegro agitato a temp0 wind came up from 5) And said “O mists, make room for me, 7 Copyright 1910 by:Arthur P. Schmidt International Copyright Secured 01. . . 887. -4 -P S 9 Public Performance Bermilied. hail’d the ships and Cried, “Sail on, Ye a tempo And . . + a dam. 3 mt. - _ - I) hur - ried land - ward far - a - way, Cry-ing,“A _ wake! for p L. the day.” It L touched the wood - bird’s fold - ed Wing, cm? 8. 8879 -4 —-==i::_.."'.::. Chan - ti - clear,» Your clar - ion blow, the aﬂd? 8. 8879 -4» pm animato 12000 oresa - whis pered to the fields 19 pm am'maz‘o 17000 oresa - '1/‘ato accel. - - _ } } down, and hail the com - ing m0rn.”___ A wake, a - > >}> gf Li — f agzlato accel. - - _ A oms-a. _ - molto ff _ wake ’tis day! A - wake H______ A > >' m Brillante F3 > .71.? 8. 8879-4 L./2.3» /T \‘ SELECTED SONGS from the Catalogue of ARTHUR P. SCHMIDT Boston . L Paul Ambrose. .17. The Shoogy-Shoo. Two keys each , A. 18 No.2. A Spring Song. Two keys ea. . 19. The Lotus Flower. Two keys ea. Mrs. H. H. A. ‘Beach. .i9 No.2. Ecstasy. Two keys. . each .37 No. Fairy Lullaby. F (e-for a) . .43 No.2. Scottish Cradle Song. Cmin. .43 No.5. My Lassie. AE> (eiw-at») W. Berwald. .15. The Approach of Spring. Waltz Song. Bl» (c-a). . . . . . . . Arthur Bird. Op.36 No.5. When Katie tuned the old Guitar.’ 'I‘wo keys. . . . each John Hyatt Brewer. Sweet! (The Swallows’ Song). Two keys ea. Op. 39 No. l. Rockabye Dearie. Two keys ea. Op. 39 No. 5. There’s ever a song somewhere my dear. Two keys . each Dudley Buck. The Village Blacksmith, C (at!-eb) . Geo. W. Chadwick. Allah. Two keys . . . . . . . . each Sweetheart, thy lips are to ched with ﬂame. Two keys. . . . . . . . each The Roseleans over the Pool. Two keys ea. O Let Night speak of me. Two keys each Theo. Chandon. An old Love Song. G (tl-d) Mrs. C. F. Chiekering. In the night she told a story. I) (d-ft) . (3. Whitney Coombs. Child of the Dark Eyes. Two keys Once at the’ Angelus. Two keys. . Charles Dennée. In Dreamland. Two keys. . . . . The Sandman (Lullaby). Two keys The Thought of You. Two keys. . Steph. A. Emery. Op. 24 No.1. Somebody(Scotch Song). D (d—f) 011.33 No.2. Bunst, ye Apple Buds! Bmin. (ft!-git). . . . . . . . . . . . Arthur Foote. 0p.13No.2. Pm wearin awa’. Two keys ea. Op. 26 No.2. Love me ifllive. Two keys ea. Op. -13 No.3. Sweetheart. Two keys each Op.43 No.5. Up to her Chamber Window. Two keys . . . . . . . each An Irish Folk Song. Two keys . . each each each each each each Through the long days and years. Two keys ea. Alhan Forster. The Hour will come. D (d-f) . . . . . lnspring. A(c-f)........... Henry K. Hadley. Op. 7 No. 3. Kathleen. Two keys. each No.6. Greeting. Two keys. each Op. 14 No.1. Dear, when Ilook into thine eyes, Db (b-f) . . . Op, 14 No.4. I dreamed of a Princess. Di1.(c-f)........... ‘My ain dear Somebody. A The Awakening of the Rose. New York. I J. H. Hahn. Break, break, break. Two keys . . Love me if I live. Two keys . . . The Prpposal. A((1b-e) . . . E. W. Hanseoni. My Secret. Waltz Song. E5 (cl-ah). . . Victor Harris. In Springtime. Two keys ea. '.l‘heBlackbird. Two keys ea. Georg Henschel. Spanish Serenade. Two keys Reinhold L. Herman. Op.37 No. 2. A Little’ Summer Breeze. F 0p,41 No.1. or Ever. Two keys . each ()p,41 No.6. (tipsy Serenade. Two keys ea. each each Op. 13 No. 1. No.6. each W. Ilennnnn. The Time of Roses. A (dil-gora‘; Edw. liurlingalne Hill. Five Songs for Children from the Hound Rabbit« . . . . . . .n. Mildred J. Hill. The Perfect Day. I) (c~t'3). . Love's Paradise. ll (ll-fit) . Helen Hood. A Disappointment. E (c~c) . The Violet. Ffemin. (ct-ft) Natll. Irving llyutt. Op.4 No.1. Marguerite. Two keys No. 2. Beneath Thy Lattice. Clayton Johns. Because of Thee. D (d-g) Marie. G‘>(_d-gzl-'). . . . . . . . Love’s Revelation. 1) (d-f). , . . Jules Jordan. Two keys Op. 45). A. Life Lesson. each Margaret R. Lang. F (f -f). . . Irish Love Song. Two keys. . . . each An Irish Mother’s Lullaby. Two keys each Frank Lynes. My King. (Companion Song to »He was a Prince«) Two keys . . .. each Marie. Two keys . . . each "Fwas my Heart. Two keys . . . . each If all the dreams. we dream. Two keys each Thy Picture. Two keys . each Dreams. Two keys. . . . . . each W. Manse. Bn (c—a‘o) Violin Oblig. Edward Mae nowen. Deserted and Slumber Song. Eb (eb-eh). Thy Beaming Eyes. Two keys each A Maid sings light and a Maid sings low. Twokeys. . . . . . .. each Four Songs. Complete. Two keys each 11. Three Songs. Complete . . . . . . . .11. Hugh W. Martin. When I behold Thee. D (cit-g). . . . . 3:! In .50 .30 .40 .75 .75 .30 Leipzig. {D John W. llletcalf. Absent. Two keys . . . . Sunrise. E" (d-e) . . . . . . . A Dream so Fair. Two keys . . A Keepsake. Two keys. . each . each each Homer A. Norris. Twilight. B (b-e) . . . Geo. B. Nevin. The Boatswain Bold. D (a-d). . . . . Edna Rosalind Park. The Nightingale and the ltose. Twokeys ea. A Memory Two keys . each Thy Name. Two keys each Alice Locke Pitman. A (e—e) Th. Podberlsky. The Wanderer’s Song. A lr (elwg). . . . Confession. (‘arl lteineeke» On the Strand. I) (e—f3). Violin Oblig. . Dance of the Dragon Flies. E (d-g). Violin Oblig............. Franklin Wing Biker. For Love of Her. F (c-f) . . . . . , . l’ll never cease loving Thee. F (c-g}, . . Clara Kathleen Rogers. Confession. Amin. (0-e) . . . . . . . . The Clover Blossoms. F and A (ye-fitor a) Jas. H. Rogers. The Moon shines pale. Two keys . each Frank E. Sawyer. The Night has a thousand eyes. F ({'-f) . Spanish Romance. C (e~a) . . . . . . . Sch. B. Schlesinger. Up to her Chamber Window. Two keys ea. Longing, Dix (c-eh or glr) I’. A. sehnecker. To the Night. Bass Solo. 1) min. (a-eh). Chas. P. Scott. Only a Ribbon. Ballad. Two keys each Robin Goodfellow. D (a-e). . . . . . . I-‘. N. Shaekley. Ere the moon begins to rise. Two keys ea. Softly blow, ye scented breezes (Serenade) Two keys. . . . . . . . each Thou. G. Shepard. Me . A Cycle of Songs . . . . . . . n. , Gel-rit Smith. Bee Song. A(e-fit), . . . . . .. Alpine Rose. Bb(d-f). . . . . .. Arlhnr W. Thayer. Clover Blossoms. Two keys. Only a Song. Db (db-ab) Gust. Tncherman. The Windmill. Bass. Bbniin. (f~el7) . . .60 Max Wei]. C (e-g) . . . . . . . . .40 z¢_n\J Love’s Captive.
Show less

Date: n.d.
Text: 7 333$ \/" 5| l W.cRos ax LONGFELLOW. Music n J.L.HATTON. Maderczvto . _ b heardlthebells0nbChristn1as day - _'ll1 r old falmiliar Carols play, — ' dancl sweet the w0rd_s repeat Of peace on eartl1,go0dwill to men‘. And thought how,ﬁs the dayhadcome The. dint. . belfries of. all Chris-ten_donp . . . . . . .H‘adroll,dl,a.. long‘, tlfxlnbmken s_011g', Of peace on f"_'\ crmc‘. ad li . ,g00dwi1lt.om , Ofpeace on % ,goQdwill to’ 4'> r27Iun.te. MUSIC LIBRIRY I,‘...
Show more7 333$ \/" 5| l W.cRos ax LONGFELLOW. Music n J.L.HATTON. Maderczvto . _ b heardlthebells0nbChristn1as day - _'ll1 r old falmiliar Carols play, — ' dancl sweet the w0rd_s repeat Of peace on eartl1,go0dwill to men‘. And thought how,ﬁs the dayhadcome The. dint. . belfries of. all Chris-ten_donp . . . . . . .H‘adroll,dl,a.. long‘, tlfxlnbmken s_011g', Of peace on f"_'\ crmc‘. ad li . ,g00dwi1lt.om , Ofpeace on % ,goQdwill to’ 4'> r27Iun.te. MUSIC LIBRIRY I,‘ C: N (.1 5 . VASSAR COLLEGE H _ TNE— BELLS.’ .,Til1,ri11gi11g,si11g‘ing on its way, world revolvdfmmnight to day, A—.\_ v0ice,a chime, a chant sub1ime,0f peace 011eafth,goodwi]lto . 3%‘ . Pad: 00 n encirg‘1'<t . But wil _ fnl man now drew the A sword’ Andwarwas > >- cres: m 01 7'" TC‘ rife,and cannons roared . . . . . . ..Andwiththe sound the ca_ro]s drowxfd Ofpeac/e.on Lg L earth, goodwill to noen , Ofpeace on earthgoodwill to then ! L ‘ 4; T rull. /J/J E “ THE BELLS. Paco pm lento. . And in desl-pair I bow’dmyhead‘;"H1erei_s nopeace on earth,’ ’I said’; “For hate strong',and mocksthe song‘ Of peace on earth,g'o0dwill to men 2” . S molfo. pit? cmivnato . peal,d.the bellsﬂnlorel loixd and deep; \ V is L not deacl; nor doth he sléep! wrong‘ shall fail; the right._ prevail,Witl1peac<; on earth, g'00d,Will to men,V\-Tith‘pélace on -S:/‘ ‘if’ ~22” eart , goodwill to 11!. .. ' In * I AM A FRIAR or onnzns GREIY. ,WoRDs,IY JOHN U,KEAEFE. , Iuslc BY_REEVE . ‘Con spirito. Piano . "if 1. I am a fri-Var of or- ders grey.And down "the v,al_1ey I Iiakgeomyway, I pull notblackberry, 2. Af_ter su’pper,0f Heav’n I dream,But that is fat uLlets and c1outedcream;My_self by de_ni - al I . 115/‘ ‘ haw nor hip,Good store of ve-ni_s0n fills my sCrip;My long beald-rol I mer-ri- ly chantM_/here. mor- ti-fy,Wit}1 a gooddain bit of war-den pie; I’m Clo'th’d in sackcloth for my sin, With _ e_ver I 0“ no mo_ney I wa11tWhere_e-ver\I go no money I want.- old sackwine I’m Iin’d with-in,With old sackwine I’m lind with_in .. J. V Andwhylln z;’oplun1p, e rea_:.0n I’ll te11,VVho leads a good life is sure to livewell‘,VVho .A‘ ch‘irp_ing cu is my ma - tin song,And the ves -‘ per bell is my ‘bowl,ding,doug,Andthe I I AM A Farm or qmizns any. ad lib. f'L'\ /L" 0 \J ' ._leads a good life is . . sure" to‘ live we : i _ _ . _ _, . V ._ per bell is my bowl, ding’ dong: .W'hat ba-ron or squ1re,or knight 9f the shire, Llveb . VCS V ’ I m ‘ calla voce. — J : half so well as a ho; 1y friar?Lives half s<)we11,_ half so we11,LiVves half so well as a ho-1y friar, . . . mg,‘ ,\ 7)£f’ _ 1y friar, .21 Lives half so well friar .9. . . I cresc ONE ONLY. . Worms 3‘! JOHN OXENFDRD .l “"5”: BY J'B'wEKERL|‘N' /ll~leg*ro Grazioso . Best of all 0..mens, at my start_ing', I chanc’d to meet a bean..te0r1s- S‘Veet-est maid-€11» how I could love you! Few ri _val you beneath the sun, ,/"""“‘x\ \ /o*""""¥~ _ ‘ / \ P3 ONE ONLY. Bnt_ there /still is .one far . a _ l)ove y0”n‘,. _My 'Ma..x-+y,s’he, oh she’s that .(me., But there still is one far a - bove you, My Ma-ry, sh , oh she’s that one- PP Be-vau - ti_ff1l sigvbls afe e - ver - plea- sant, _I had but gone a lit- tlé Way: VVheu on. the road a fair ‘young? pea- sant,Pass’d me witlh all the fl0w'19s of May; r_.Ro _ sy beau_ty, ‘how ONE ONLY. I could love you , Brig'ht-er f1ow:rs.tha11 yon there are none , Zfjegfjée "vi g 52'2": ‘But there "still is" one far a _ bove -you; My Ma_r_y,she, oh she’s that one. far a - hove you, My Ma_ry,she, oh she’s that one o. Z.____e‘ . \ PP .Now the old town is far be - hind me, Onwandl have no need to go; ' ' . ‘ /—\ -ONEONLY. - .Here is the chain that’sforgf’d to bin me, Nougfhtthat can set me free I know; 2-: 7nJ' Those 0 - thermaid‘s let 0 _ thers lov them, All a - like A I e _ ver will shun: ax mf Ah!there still is one far a - hove them, My Mary,she, oh she’s that Ah!there still is far a - bove them, My Mary, 61 en glissunt . THE TOKEN . Music BY DIIDIN . Avzdzznte can mo to . 1. The breeze wais fresh, the ship in [stays .Each brea’ker hushd. the shore a huze,When Jackmu 2. The storm ,that like a shape-_less wreck. Had strewdwith ri _- ging all the deck, That tars fur Z \_.—— _more on du_ty bcallid, is truelove's itokens 0 - ver - hauhd; The broken gold .‘ thebruide-d_ .sharks hadgiv’ a feast, And left the ship a hu1k_.had ceaS’d;Wl1enJack,as with hismessmates _ hair, The tender mot - to,writ'so fair, Up-on his 'bac_co_box he views, p_0n his’bae..c0_b0x he _ . d , He sh_ar’d the grog theil-hearts to Cheer-,*'l‘ookfromhi§baé.c0_b0x a quid,Tookfromhi§bézc;éo_box" -at LL; ' d/£7" . w‘ views. Nancy the po _ _ et,l0vethe muse, .. ‘ . , quid, Aund spelldfor com ._ fort ‘on the lid‘, U ym‘ “Wes 1’ ' ' ' "*5 I1°"‘3S Y““v NUP3” 50 THE TOKEN . happy as . _ ' 3. The batatle, that wnh hor_ ror V . _ ‘ V 4- V The . v0yage,that hadbeenlongand ' I calla voce. cresc. J /-7 \, 1 ‘\" 7 . gri m Had madly ra _ vagd life andlimb. Had scuppersdrenchdwithhuman gore . And wi A .dow’d manya_wife,- was ‘ ..hard,B'ut.tha had yi 1d- ed full 1-e.ward,Andbroughteaqhsai_1br to s friend Hap_py and.rich,was at an o'er: Whe1xJuck to his companionsdear,Firstpaid the tri .. bute of a tear,Then,as his’bac-c0 x he .end: WhenJack,hist0ils andperils 0’ r, Beheld his Nan - cyifon »the shore:He then the-'bac-co_bo'x dis _. \\:*/ dim. ' ' ‘ ' ' '. ' ' ' ' ‘ ‘I 3 o u o u a a 1 o g o n - ’ T---—-—.:—J? \§.______r____f.4»Z . he1d,Then as his ’bac_co.box he held. Restor'd his-com..f0rt as he spe1l’d, .. r I » .. p1ay’d_.He thenthe'bac_co_box dis_play’d,And ed,ands 'd theyielding-maid, ) Ifyouloves I ' ' ' as loves No pair so hap_py as calla truce , ' cresc . f> I I XLV _' - -I THE VIACAR or my . Melody of the 17*?‘ Century, g Char1es's gold-en daI}'s,WhenI _ a1 James ob-’tai1Ifd the crovm,And 1.. In good‘ 2. “Then ro ' E‘ 1nurca ' J A I . I _ I "I I _ -/-\ I» - -I I III I II I - I I] I I II I I I. I '_J_ -I I T If I H‘ C I I - I I I I I I I I ‘ —|. - ‘ 0 harm meant,A zea .. lous High Churchgmanwgxs I,And s40.,I g0t’pre_ fa- shi0n,The pe - ,na1 laws — I II C fer_ment ;ToI .h00_t:.ed down,AndreadtheDecIar- a _ tion;Thee .- I my‘. a1- ty .n0 ‘ Pqp’. ry camein T teach my flock ‘I nev.. er miss’d,Kings were by'God‘ ap- point - ed.And dannlfd are those that, .Chu he of Rome I ‘foundwould fit Full well my co ‘_s - tu _ tion;And had be--come a. ._ do .re_ -‘=t,0r touchth I.ord’~ _ ‘ t- d. . ., . . . . . 'Je_hsu_§i1f But for th:Re-:: _n011:_ti':m.) And thls ls’, law, I w11lma1n-ta1n, Un _ _t1l’ my dy _ mg. .‘\_X I. I I 1 I I " I ' ' I\ IV I-I I ‘ ~ - I A ' I I I I I M K I I ’ I I I I P I I I L___+; .I d II" I I I I I I 7 Q '“ I ' I I 7 U -I King may reign,StiJ1 Ill be theVicar0f“Bray,Sir.. ‘ Z.‘ I I I’ I I I I I ' I ' y, $i‘r,Tha‘t‘what.;s0 ..e e _ ver ( THE VICAR OPBRAY. - 13 {%.Whe11 Wil _liumw_as‘ our King de-clur’d ,To ease a }1H_'tl()1l',S " g"ri‘eV .' anCe,With this i new wind it _ 4<r._When gra-cious Anne be_c-Amie our Queen,The Church of England’s glo - ry, An - 0 -‘ ther face of 5".fi‘ 1* .. bout I steer’d,And swore t him al - le- giance;Old prin-c -ples I did re- voke,Set things was seen, And I be_came‘ «.a To _ ry', Oc - é'a.. sio_nal C0n-for- mists bas , I conscience at a s _ tance; Pas- sive V o - bedience ‘was a joke, A jest was non -~ re -. ’ . n u - . damnd their mo - der _ a _ tion , And th t the Church in dan _ gel‘ was , B such pre- Va ,. r1‘ _ ‘ “S " ‘a“°e' And this is law, I i will main_tain,Un.. til my dy- ing day, Sir'.Th,at. ca _ tion. 1' what _ so _ e _ ver King may reign,Still Ill be the Vi_car of Bray, Sir.» J. 5 " 6 When George in pud‘ding_time came o’er, And moderate men look'd big, Sir . I turi-fd a c_at-in-a - pun once more , To these I do allegiance swear. And so became a Whig, Sir, While they can keep possession __ § Th’ illustrious house of Hanover. § And thus.preferment I procured , E For in my faithiand loyalty And Protestant succession , From our new.faith's defender , I never more will falter. And almost every day abjured And George my lawful King shall be ,_ The Pope and the Pretender . Until the times do alter . Ami this is law are. And this is law &c. THE LEATHER BOTTEL. Melody of the 179‘ Century , 9 Allegro . VOICE. pmm. l..When ‘ sur- vey _the world a-r0und,The Vw0nd’rous things that o ' a ; bound, The. 2. Now t do you ‘say to these s of .9 Oh, n . in faith, theyc -not be good. For ships _that on the a do swim, To keep out foes, that none _Come in; Well, if the bear- er fall by the w'4y,, Why on the groundyour li _ quor doth lay; But . let them all _ say what they Can:Twas for one end,the use of num, S I . hh. - . _ . ha it bee in a 1 er bot_te1, A1_tho’.’he had fa1l_en all hadbeenm-11,)‘ " W” "'“v’°y W er 17% ‘$7 1*; .e’er he dwell, That first found . . the lea - _ ther bot .. té1\."./. . THE .1.,:A.vH:R sortie . . ‘ 35 T3. ThenVW;lia’t. do you‘ say? (to these’ Then t_ do you sa ‘to those glas_ses fine?0h, they shall have no praise of mine, For L you chance ‘to touch _th.e_brim ts th e?If a m and his wife should 1: a- gree,Why tug and pull till their liquordothvspill; Ina ,f'all's _ l,i-quor_ all therein; But had. it been. in a leatherbot..tel,Andthe '1 -ther bot_tel the ma their fill. And a - wa till theirh ts do ach ,Al1d stag- - per in all‘ had heen well. ye theirliquorno harm can take.) So“ I wish,_him _joy.wher_e’gr he-dwell, That first found‘. 1*? 5 T ’\._/ the lea — _ ther bot- tel. A At morn the haymakers sitthem down . And when thfbbtile at last grows Old .- To drink from their bottles of ale nut-b1-own; And will good liquor no longer hold, In sum tne11,tOé,when the weather is Warm. Out Of the Side}? 7011 ma)’ "lake 3 Clout»/j" Agood full bottle will do them no harm. To m__end your shoes when they’re worn out: . Then the lads and lasses begin to tattle, ’Or take and hang it‘u.p»on a pin, But what, would they be without this bottle? Twill serve to put hinges,and’odd‘things“in . So I wish him joy where’er he dwell , V So lwish. him jay‘ whet-e’er he dwell , I That first found out the leather botté-1'. That first found out the leather bottel . G.N‘." . THE nEu.’s AwA wI’*rHE EXCISEIVIAN . Allegrv; , ./.\ f.'Ihe deil cam d- dling thro’ the t0wn,And _ J .13 s tucc . danc’d a -wa wi’th’E§zcise_ma11,And i1- ka Wifecries, nld Mahotm, I wishyon luck 0’ the . Z“ /‘ I ‘ O I . > I, , »pr1ze,». man‘. The d1el’s a - Va, the d1el’s a _.wa, The (116175 a -Wa W1t_1h.Ex ' . .,I . .. A V, , I ’ . clse- _man:He’s dancd a_wa, he’s dancd_a-wa, Hesdanc’d a_wa w1’LhExc1se-man. THE DE|L'S AWA WI THE EXOISEMAN . 2. .W€ll mak’ our maut , we 11 brew our ‘ drink,VVUl1 3.There’s three_some reels . there’s four- some ree1s,There’s dance - and sing , and re-j0ice, man (1 o _—.n:y b1-aw than to t,he mei_k1e black deil at’s horn - pipes and strath _spe-ys , man;But the ae best dance eca‘ iacam to the land Was the /“\ /*‘\ ’-\ / ZR /___ 5 ’ . a _ Wa,,W1’thEx-C1se _ _ man. .9‘ 7 . . a _ wa w1thEx_C1se - - ‘mm- 0 ) The die1’s a - wa , the die1’s a _ wa, The _/J\/_/ . n’ 7 . r ’ ’ d1el's a .. wa w1thEx_C1se - - mun; He's Mdzgncd a .. W21, h€’s dancd 1 _s 9 . dancd a -wa ,w1thEx-c|se’ - I8 HEARTS OF OAK . Won: BY DAVID GARRICK , MUSIC in DE BOY(iE , Mttestoso. L ‘Piano . . Come'ch"eer, up my ladsftis to glo _ ry we s_t'et'=r, To add somethingnew to this won_derfulyear. To 2. We neer see foes but we wish them to s’ta_y,'They nev_e.r see us but the wi us Qwaa , If the \__( ' \. ’ of .hon_our we call you, not press you’ like slaiées, For who are so free as the sons of the waves. 7 . , . )1-ieartsof , why we fol _ l0w,and ru them a - shore,An. if they wont f1ghtus,we cannot do more. i - -if H . A » /9. ad lib. oak are our ships,jo1-ly tarts are our men,‘ ,We a1.'ways are ready, stea_dy, boys. stea y,'We‘ll calla yoce. fight and will Conquer :1 _ gain and a-gain . ‘”“‘Z/ . -‘If >-V >.IJ. 3 ' Still Britian shall triumph. "her ships plough the sea - Her standard be Justice her watchword,“Be free!" Then cheer up, my lads.with one heart let us sing, Our Soldiers, our Sailors, ‘our Statesmen, our Queen. Hearts of oak &c A LIFE, THAT LIVES FOR YOU. Wonps av L.H.LEW|N. MUSIC ‘BYARTHUR SULLIVAN. Allegro A-m'mato . .$;f' The sweet se - due _ tive arts That c0n-qI1er maiden s’ hearts . . I new - er knew . ten-der pi ..teous sighs , And Jr‘ poco rull. looks from 1ong_ing' eyes , Soft l00ks,that la-diee prizewhen l0v-ers woo, . . poco rt/ll . ALIFE THAT LIVES FOR YOU, (1 tempo .:_>__ when lov..ers wholo; Soft lo0ks,t:hat la - dies prize, “Then lov - - ers- . u t€)_1I})() Tull . "””}’”- Soft. . . looks when lov-ers woo . y winning‘ word 7‘(l . _____‘%_\._ a tempo . 7' W ‘I’! and woo_in lance, _ A ’shiver’d sword . . . . and shatLer’d g' g" 9 _ And hon - ours wrung from but - tle’s chance,A'nd »C7"8S'C‘ 0 hon_onrs wrung‘ from bat;tle’s chance»,BIxt all,. . . . . . . . . all from CUIIH 1'()('(?, J’ 1*-all V’ A LIFE THAT LIVES FOR You, ‘ .S’_f' need to call you fair,A1;dp1:;i's/eyotxr-beatI~.ty rare, . . . . As all V men do ? ,Tis not the. ' sil - ver tongue, Soft ‘ _speeoh and soft-er song‘, ' A LIFE THAT LIVEB FOR YOU . fall. prOy,,es—,rthe loire _ is strong,iThe heart is "true, The heart rall . the sil - ver.tong'ne,, That proves the love Andmite iczmtabile -nan troppo lento; Nay, turn and give thait "palmlw . . . . To "one who yields ,bef0reyo1u- A l0v_ing' heart, a his .. ty arm, A life that lives for 4 ‘Nay, tIII'Ili:'él1ld give that palm . . To one yieldsbeforeyour A LIFE THAT LIVES FOR YOU . Tall. A 10v—iug'heart;. 8 IIIS — ‘ﬂy arm , A life thaq lives, that liveslbr dim ~ calla voce . Tempo I9 ygu . I‘mn}m IQ Nay,tIn:u and give 1; lit _ tle palm (mima to . Vresc . To one who yields before yourcharm, A lov - iugheart , a lus _ ty ralll-. arm, A »lo\'_ ing heart , . life . that calla voce . li\'es. . .for »-.~ 244 THE ARETHUSA . ‘wens aw PRINCE noun: Music n SHIELD Allegro con spirito. voice. Come all y\e/ j0l-ly 9 ~ sai _ lors b0ld,Wh0sehearts ai'e cast h0noI1r’s‘moultl‘,While Enlglish bglo - ry I 0 (1, H1112. \..z . - vra, for-the TA _ re -thr1 _sa. a frigate tight and brzive, As . ev - gar the dashing wave, Her men are staunch to their fav’rite launch;And whenthe foe shall meet‘; our fire, Soon..er thanstrike we'll all ex..p , On board of the A .. re-thII - Sa. . l A _ . THE A.RETHU8A . ’Twas with the spring fleet cruise a - bo11t,When four French sail, in \./ Bore down on the A - re _thr1 - sa. Belle Ponle straight a-head did lie, The A - re - II - sa eeem’d tod fly, Not a. sheet, or 2'1tack,Or a brace did she s d k,Tho’ Frenclrmen Iauglfd, and thought it stuff, Butthey knew notthe hand _ful of men, so to ,On board Ofthe A - I‘e'-thII -sa.. /-3 _ f THE ARETNUSA . The fight was off the Freuchman’slaI1d, ‘V9 drove them back b - on their strand,F0rwe fought till not a Astgickwould gal . lant >A .. e _ thrt _ sa. An'<1_11\ow we’ve -foe a_shore, Nev-er to‘ t with Bri_t0ns»m0re, Let[eaQh fill a glass To his .',and of _fi_cers true, And all that belong to the A .fav’.ri_te lass,‘ A health htojhe cap \.a . jo vial crew, board of the A - r'e'-thu\_sa.. . _!f C.N‘.’5. THE BRITISH TAR. e 27% wom a+.1.v. BRIDGEMAN . e e Mus|c_BY J.L.HATTO,N_. Mztrctzfo . ’“ vows. Come cheer .t.hee,g‘enLle maid_enmine«,Yield not to Craven fears , Nor drown that winiiiiig, ﬁr gladsonie smi1e,In floods. of bit_ter tears; A ‘British sai - lor’s bride,dearg‘irl,ShonId dash such tears a-waiy , M Jixst as agallanf vesselisprov Fling-se } the curling spray; . méf L ‘ V ' ,y~ ,. .s:f \—I English sai’- lor mt1st~n0t shrinkVNhe11Engfland c4a11shimheI1c‘e', ‘ _ His f ifst tiJOIlg'ht;Il‘lT!‘=-St be SJ‘ THE BRTTISH. TAR- .Eng‘land’sfame,H-is dn _ ty,her de_'fence_; And while up - on the blood-stain’d deck There ' -if b%"\___/ stands one single spar , A stick to fly a f1ag,hell fig'ht,As hefought at Trafa1_g'a1:~! 4‘ T -. f ‘V - VJ} . Our sa'i_l0rs are the. FN same theywere,Whenpmud and haughty Spain Her dread Ar -lma _da sent,Ato find De, *2 — feat Hp_.OI1 Chelmain; ‘ Om‘ sei- l0r’splI_1ck,a]l pe-ril scornsflhe world in arms ite,-— THE BRITISH TAR. braves; b Their spirits but with \_/ dan-g*ers rise,As shipsrise to the waves; Then cl1eert,hee, gen- tle maid_enmine,Think, e -A ven tho’ I fall, '" And 0- cean be my ﬁr \../ wind - ing-_sheet,The can - nclfg sm0ke,my pall ; A sailor's grave I shall havefonnd,B_e - _ neaih the ‘roll- ing sea, For England shall have g‘iv’n my life,Br1t left my heart with 4‘ » BLOW HIGH, BLOW LOW. L Music’ BY msmu. ylllegro Moderate . L Blow high,b10w low,let tempests tearThe A mainmastb the Board; My ‘heart,with 1h0ug'hLsof1l1ee,mydear , v And lovewell Sf‘ , -if ">‘ > /9? can (1 {ma . brave all ' ‘ ,scorn all fear,The roar- ing'wi1jds,the' ra - g‘i1;'g-sea,In hopespn shore, .to aud lib. 1 be Qncemore Safe moor’dwith thee , _ . rs calla v0 (2. , f >_ _/ 4 A - loftwhilejal9t1n.tains high xv? go, The whis‘t_ling'winds that‘ send‘ a - long',Audthe mf « e— . « s ~ ?>A .— 9. —j~&j"§ Q‘ 5 ‘ ‘ E \ BLOW HlGH,BLOW LOW. W ar_ing‘ from be_1 /3 1;:-' (Id 2'1 be . calla tﬂ()C’.€. t;empesIstea1-Tllemaiumlast by the 1"_’.)f. can anim t . And l0ve,well storld Shall brave all clan- ./‘> > ra - gingsea, n h0pes,on shore, to be on , S 11‘ mysignal be, to think on thee,Shallmy can as‘ : a .be;to. with thoughts of thee,m déar, ,scorn all fear,Tl1e ad lib. A safe .' . . moorld with thee. Ila race , ar..iug wind V, the.‘ A BLOW HIGH,8LvOW LOW . 7'9)" e11that11i‘g'ht,WheI1 all the crewThe me‘m’r_V of the r f 1ives;0’er f10wing‘cans of flip J. ’ drink th’eirAswee s,‘a11d their wwes , 1,11 heave a si , I_’ll heave a -.s' think on thee;And as the J. con umma , V ship rolls thr0’£h‘ sea The burden 0 mTso11gs11a1l be: Blow low low; let tempests tear The mainmastb ‘theb0ard;My hear with thoughts of .thee,my dear,- s./‘ P can unimu. brave all danger, scorn all fear,The roaring'winds,the ra _ g'ing'sea, n h0pes,on sh0re,to‘be ad lib. it Q I e F r . . L‘Ljz' ‘ 1 I 1 1 _ f . 1 V sa . moofdviith thee. /x /. _\ — I I . ‘-calla vocé .
Show less

Date: n.d.
Text: 15$ ,, N‘? I, THE PAST AND PRESENT.,.2/. _N‘?2, THE SILENT LAND._._......... 2/. 3, THE CASTLE BY THE SEA. 2/. 4, FOOTSTEPS or ANGELS...'2/. 5, FLOWERS. ........................................ ,2/. 6, TWO LOCKS or HAIR .......... __2/. 7, THE FERRY. ................................ ..2/. 8, SPRING TIM 2/. 9, THE FROZEN WRECK_,_._.__......2/. Io, oun LIVES ARE RlVERS..2/. II, A PSALM or LIFE ., I2, CHILDREN ................................ ..2/. I3, RESIGNATION... ,.._.._,2/ca- I4-,...
Show more15$ ,, N‘? I, THE PAST AND PRESENT.,.2/. _N‘?2, THE SILENT LAND._._......... 2/. 3, THE CASTLE BY THE SEA. 2/. 4, FOOTSTEPS or ANGELS...'2/. 5, FLOWERS. ........................................ ,2/. 6, TWO LOCKS or HAIR .......... __2/. 7, THE FERRY. ................................ ..2/. 8, SPRING TIM 2/. 9, THE FROZEN WRECK_,_._.__......2/. Io, oun LIVES ARE RlVERS..2/. II, A PSALM or LIFE ., I2, CHILDREN ................................ ..2/. I3, RESIGNATION... ,.._.._,2/ca- I4-, SILENT RIVE .2/. I5, MY LOST YOUTH . 2/6. I6, DAYBREAK._...,....._..._.,.._.,......_.2/6. I7, THE TWO ANGELS.._.._.._._... ....2/6. I8, HYMN TO THE NIGHT .,._..2/6- I9, THE GOLDEN MlLESTONE.,...2/6.J 20, ,»‘t‘7'1“«‘fI5ﬂ*%~m I; ‘ I 9:’ ¥ \ W >3'\ I //7 ,r§:, 5);; / 3%, T I E, / , % I Z//1l;.."!zI.,//('7?/. R \/cI/ ..,__ ,, L@w@©H, , LEADER 8: COCK, 63, NEW BOND STREET, CORNER OF BROOK STREET. (7 . MUSIC LIBRARY ; ‘ VASSAR co EGE “‘B[§ﬂ.®\VEDmﬂ@ﬂ]iT2”” HYMNQ To THE NIGHT. POETRY BY ‘ V _' I Muslc BY H. W. LONGFELLOW. _ V F.‘ ROMER. ALLEGRETTO cow ESPRESSIONE. voice. heard the traillng garments of ...... .. the night‘ _ Sweep 'thro’ her ma:r___l)le L_./ I saw.~..... her sable skirts ‘all fring’d ‘with light L & C. 3052. From the celes _ - tial walls! /°/59 "L" Beloved night ............ ..! Beloved e~ felt hef pre_ sence by its spell W x../ o'er me from L & C. 3052. ma _ jes _ tic pre_ sence of E of the one . J love. r=rJF\~_g=,./Z/»»’;'%:-.--—-—=—-> heard V - sounds of sor-rowk and be- light, 1 L ma . _ _ _ _ _ _ _ __ ni _ , soft chimes, L & C. 3052. fill the haunted chambers of the; night some old po ____ _-et’s n-ight ................. .! ‘beloved night! ‘fzi-_--J-..o,.&;Z.‘.g;;..V...ﬁ...‘ I’ L & C. 3052. ,\ From the cool cisterns of the mid___night air....d.... My spi___ _ _rit drank .... .. re- foI_1i1 _vtai11 of perpetual peace flows there,—:— From dolce. those deep cis_ terns flows ................ .., From‘ those....‘. deep cis___-_terns Beloved night! Beloved night; ........ L & C. 3052. _____ v_,__.,.——-—-——-- T - cantabﬁc: """"‘“‘ ho _ _ _ . _ _ . -_ ly Nighf! from thee I learn to bear V L layest “ thy fin_ger on the they complain no ‘more. . . ~ Peace! peace! Orestes—1ike I A L & C. 3052. breathe r! .De - scend br0ad—winged flight, Xx OM98. ,.,\ cres. __—__{___ Oh, ‘ night ................ ..! begloved night! } FA * 3 night .................. ..! be_1ov_ ed‘ nightl. fi\ ,3’? morendo. ,3 \_Z/ w _ L & C. 3052. _ LONDON: Printed by LEADER & COCK 63 New Bmtd Street. "V LIST OF NEW SONGS. A LOVING HEART . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Land . . . . . . . . . . . . . . . . .. 2 6 THERE SAT UPON A LINDEN TREE . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . 2 0 SING, PRETTY STREAMLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . 2 0 OUR EARLY DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. G. B. Allen . . . . . . . . . . . . 2 0 DEAR OLD ENGLAND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jlfrs. Gilbert (2 Beckett . . . . 2 0 SONG OF FORTUNE. . . . . . . . . . . . . . . . . . . . . . .IDYLLs 01?‘ THE KING. .Jo/zn Barnett . . . . . . . . . . .. 2 0 VIVIEN’S SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DITTO . . . . . . . .Jolz-n Barnett . . . . . . . . . . . . 2 0 LOVE AND DEATH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI’I‘T0 . . . . . . . .John Barnett . . . . . . . . . . .. 2 0 WITH THE CAROL IN THE TREE . . . . . . . . . . . .M.nz QUEEN . . . . .. W. S. Bennett . . . . . . . . . . 2 0 O MEADOW CLAD IN EARLY GREEN (in D 8c F) . .DI'1‘T0 . . . . . . . . IV. S. Bennett . . . . . . . . . . 2 0 ’TIS JOLLY TO HUNT . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI’l‘T0 . . . . . . .. W. S. Bennett . . . . . . . . . . 2 0 STILL LET ME SING TO THEE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sterlcel . . . . . . . . . . . . . . . . 2 0 LOVE AND FEAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mzlss Smith . . . . . . . . . . . . 2 0 BLOW, BUGLE, BLOVV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lord 0’/zarles Tlzynne . . . . 2 0 MY FRIENDLY HARP! . . . . . . . . . . . . . . . . . . . . . . . . . . . .> . . . . . . . . . . . .Franl: Romer . . . . . . . . . . 2 6 THE ORPHAN’S PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jlltss Dolby . . . . . . . . . . . . 2 0 SLEEPEST THOU? WAKEST THOU P MAIDEN MINE . . . . . . . . . . W. V. Wallace . . . . . . . . . . 2 6 SWEET ROSEBUD OF GLENARRA . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ltnley . . . . . . . . . . . . . . . . . . 2 0 AS I SAT BENEATH A WILLOW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Franlc Romer . . . . . . . . . . . . 2 0 THE JOY OF FRIENDSHIP . . . . . . . . . . . . . . . . . . . .‘ . . . . . . . . . . . . . . . .BeetIzoven . . . . . . . . . . . . . . 2 '0 SOLITUDE. . . . . ............................................... . .Rosa Lg/ne ............ .. 1 6 WHEN BRIGHTEST HOPES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .H. Condron . . . . . . . ., . . . . 2 0 I TRUSTED TO A FAITHFUL HEART . . . . . . . . . . . . . . . . . . . . . . . . . .A. M. Wyatt . . . . . . . . . . . . 2 0 ’MID THE WILD—WOOD’S LEAFY BRANCHES . . . . . . . . . . . . . . . . . ..Menclel.9soltn . . . . . . . . . . . . 1 0 THE SPIRIT’S SONG (transposed edition in D minor) . . . . . . . . . . . . . . . .Haydn . . . . . . . . . . . . . . . . 1 0 WHEN DAY IS BRIGHT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Hatt0n . . . . . . . . . . . . . . . . 2 6 AWAY TO THE FAIRIES’ VVELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Land . . . . . . . . . . . . . . . . . . 2 6 WEEP NO MORE! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Miss Smith . . . . . . . . . . . . 2 0 WE VVERE PLAYMATES IN CHILDHOOD. .‘VILIJAM AND SUSAN. . Tully . . . . . . . . . . . . . . . . . . 2 0 THE BOATMEN’S SONG (and Chorus ad. lib.) . . . . . . . .DITTO . . . . . . . . Tally . . . . . . . . . . . . . . . . . . 2 0 I LOVE MY LOVE IN THE MORNING . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . 2 0 THE YOUNG MOSS ROSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Barnett . . . . . . . . . . .. 2 6 THE ANGEL OF PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .111. W. Balfe . . . . . . . . . . . . 2 0 ZEPHYRS OF THE GOLDEN MORNING . . . . . . . . . . . . . . . . . . . . . . . .AI2t . . . . . . . . . . . . . . . . . . . . 2 0 A BEAM OF SUNSHINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. V. Wallace . . . . . . . . .. 3 O POOR LITTLE BIRD, THY SWEET NOTES HAVE BEEN RINGIN G Mrs. Wilson . . . . . . . . . . . . 2 0 I MURMUR NOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Benedz'ct . . . . . . . . . . . . . . . . 2 6 LONE STAR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. V. Wallace . . . . . . . . . . 2 6 DAWN GENTLE FLOWER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. S’. Bennett . . . . . . . . . . 2 0 COME NINA, COME I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C-l2'u_qlin2' . . . . . . . . . . . . . . . . 2 6 KATIFIS LETTER (in E & G) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lady Duﬁerin . . . . . . . . . . 2 6 THREE FISHERS (THE) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Laltee . . . . . . . . . . . . . . . . . . 2 6 I BEHELD A FLOWER BLOOMING . . . . . . . . . . . . . . . . . . . . . . . . . . . .H. Smart . . . . . . . . . . . . . . 2 0 OLD HOUSE BY THE LINDENS STOOD . . . . . . . . . . . . . . . . . . . . . .James Bennett . . . . . . . . . . 2 0 THOUGHTS OF THEE............. . . . . . . . . . . . . . . . . . . . . . . . . . . . ..FranzKeizer...... . . . . .. 2 0 MERRILY, MERRILY OVER THE SEA . . . . . . . . . . . . . . . . . . . . . . . . . . W. V. Wallace . . . . . . . . . . 2 6 COME INTO THE GARDEN, MAUD . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jolm Barnett . . . . . . . . . . . . 2 6 THEREISANAMEINEVERBREATHE . . . . . . . . . . . . . . ._.........1l[.W.Ba%............ 2 0 IKNOWWHO!...... . . . . . . . . . . . . ..... . . . . . . . . . . . . . . . . . . . ......Mrs.G'room.......... . 2 0 SING,MAIDEN, SING. . . . . . . . . . . . . . . ... . . . . ........ . . . . . . . . . . ..W.S.Bennett.......... 2 0 In 0 N D 0 N’ I LEADER AND COCK, 63, New Born) Srnzzr, coxmmz or Bnoox Srzuwr. _. ‘.2 .
Show less

Date: 1892
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/;m:=IM~ , " Copyright 189 '3 by J. E . Per-ring . BEWARE! Words by H.“/. LONGFELLOW. Music lay JAMES ERNEST PERRING. Allegro con spirito ma non troppo presto. 1’ known 1naid- - en fair to see! take careltake care! take czweltakecarel She .f can both false _ and friendly be, Beware, beware, hewgxre, ten: 0. > P hewzu-e,VbeWa1'e, She is fooling thee, she is foolingthee,t1'usthe1' /4'3 tcn1})o.K/ \' not! . . . . oh trust her not! .. . She is fooling thee, she is fooling thee,f1*11sthe1' not! oh trust her not! >>> > > /3 gﬁazioso. Slm has two eyes so soft and [)1'0wn, (-zu'e,t:1kc care, beware, beware!‘ She gives :1 side glziuce and looks down, 1,], rail.- 0ht1'11sthe1' not! 011 beware, hewzu'e,hewa1'e! pp wall.- has two eyes so softand brown, She give_S a side glance amdlooks down, tcnapo. trust he L’ a tempo. a tempo. t rust h e trust herfnot, oh be-w;u-e! trust her not, atem 0. > P fooling thee, she ‘is fooling thee, trust her not, oh trust her not! She is (I tempT‘/ fooling thee, she is fooling thee,t1‘ust her not oh trust her not! >>>:>>f.\ /\ \ '. r.\1’(-\ \ “""V T’—“,;s3?g7 ;.._;“f_ -5 she hag hair 0f"'g0ld-en hue; And what she says it is not true, : «— W 4-~::~.—.=w«.—.)v.~.: -:>.:+-vywwz tempo. she has hair of wall.- gold-en ' And what she says {’— /_\ J‘. Be-w:u-e! beware! beware,‘ beware! For she has hair of a golden hue, 011 trust her not; 011 trust her not! And what shesays it > > > /'\ /"\ is not true, She gives thee a garland fair,‘ 7Tis :1 fools cap f01'theet'0 Z5 Z‘ {T /"\ t * . >cmpo Oh she7s fooling thee, she is fooling thee, Trust her not, 011 trust he /3 she is fooling thee, she is fooling thee,trust her nbt 1, ohtrusthc *3 Perfect Peace. (I heard a Voice.) Sacred Song for Low Voice 221 C, Vvqfds by V I I I ¥ N[1lSiC‘by JOSEPH FLETCHER. e V‘ " W9 DRESSLER. _ Larghetto. heard :1 voice, . Je — sus to me’ speak —ing, u.—mid the prcssund throng, I heard Him ' : “Come ‘wen-ry Copyright 1910 by VVIF1 A.Pond & Co. International Copyrightﬁecured.
Show less

Date: 1912
Text: MUSIC uammv VASSAR COLLEGE poucmutzpsaz, new vonx VICTOR KOLAR 772ree Son '5 /or /76 0021/77 I/03/[*6 THE SEA HATH ITS PEARLS . . . . . . . . . . . . . , . . . . .. .50 From the German of Heine, translated by Longfellow. 'BE\x_Qgs,R1g.A .......................................... .. 50 From the German, translated by Longfellow. DO I LOVE. THEE? .................................. .. .50 Words by folm Godfrey Saxe. Medium Voice in C From the German Translated by H. W. LONGFELLOVV. B...
Show moreMUSIC uammv VASSAR COLLEGE poucmutzpsaz, new vonx VICTOR KOLAR 772ree Son '5 /or /76 0021/77 I/03/[*6 THE SEA HATH ITS PEARLS . . . . . . . . . . . . . , . . . . .. .50 From the German of Heine, translated by Longfellow. 'BE\x_Qgs,R1g.A .......................................... .. 50 From the German, translated by Longfellow. DO I LOVE. THEE? .................................. .. .50 Words by folm Godfrey Saxe. Medium Voice in C From the German Translated by H. W. LONGFELLOVV. B eware! Music by Allegretto scherzando. VICTOR KOLAR’ 0918’ N9 2' f Wgp dolce know a maid - en fair to see, ‘ake z/nlczlss. "F" She can both false and C’. U. Copy;-z'g}zt MUMXH by Carl }F'z'sche2; JV. Y. 15093 ‘ 4 International Copyright secured. — mﬂ ing thee! She has two eyes so soft and brown‘,Take dolce e ‘fab. 5%. side — glance and looks down, Be - Ware! ﬂfa I‘e'/‘//170 she has hair of gold-en hue, Take care! Take care! 5 D What she says, it is not tme, pow rallen-ttmdo She is fool — ing thee! She L 12030 rallemf. 15092 -4 m at tempo 12000 ﬂid mosso has a bo— som as white as snow, She knows how much m * - fa tempo 17000 pm mosso best to show, She gives thee a gar - land wov - en fair, 15092 - 4 A FEW SUGGESTIONS FOR SINGERS TAKEN FROM THE CARL FISCHER CATALOGUE 2 High Voice in As Low Voice m 1-‘ - Bediunied to my mum”. After Sunset. Sleep Song. Music by . W (1 ' d M ‘ b AWE Mmvl-WET mm FRY” A. 5216:?“ o“,ii§s§n: Moderate con aniore. Anda"t°' l1 d y . me your 3“ Sleep,my lll~llB one sled-:p,__ 5ha.dow5 round prom-ise ymil] be true! Give me your heart sun has gone he - yond the sea, To T Continued Copyright MCMX by cm Piacher, N. I 40- lnternatloinl Copyright secured. (Bill-I Copyright M(‘M.‘( by rm mm ‘ rm.-rnmouii Copyri; Price’ 50c‘ I Price, 50c. High Edition in A ﬂat. Law Edition in F 7 Love 5 Answer. SW” 1.” Shadows F Iy. J. Louis Von der Mehden Jr. 09.18. ‘ words by Mum by Moderato, can moto agitaio. FRED. G. BOWLES. LOUIS VICTOR SAAR, Op, 69.1] cm, fuocu, Moderate, con iiioto agitate. molto n'!. "f qfa “Yes, my lips to - night have spo - ken ' R Heart1_ are you hope—ful, now 'tis niglii?___._ p dolce . . M’ 152 \‘J pom mil. _ L Wards I said they should not speak, TUL pow rall. . . _. are you ea ger for the fight? -6 Continued Contiri/ued Copyright iicu x by cm Fisohar,N.Y. lnternationnl Copyright sec d. Copyright MGMX by cm Fischer, N.Y. '"° lernntioniil Copyright secured‘ Price, 50¢. Price, 50c. ? It gives you the most comprehensive and complete news of everything worth 0 e knowing in the vocal line; contains splendid articles on the voice, voice culture, ' etc., and is only one of the many interesting departments contained in the “MUSIGAL OBSERVER,” _America’s.fastest growing musical monthly. 1]] Each issue of this interesting magazine is virtually an education in itself, while the music supplement consisting of piano solo and vocal music, is worth many times the subscription price of $1.00 a year. Single copy mailed for 19¢. ‘ All! your deal?’ to allow you current isine of "The Musical 0l)server.‘" a muiical montlily magazine wlioue interesting and educational articles on mmic and mnxicinns, tnget er with its valualile music supplement will prove a constant source of inspiration and pleasure to every teacher, student and rnusiclove in general. SUBSCRIPTION ONE DOLLAR PER YEAR——SlNGLE COPY TEN CENTS.
Show less

Date: 1902
Text: E.L.A HFORD FDUR sums ROS “/LOVE; 60A BLO , HOU wxxmza WIND as wmsm LOVE IS DONE .. BEWARE 6 WULSC R IO 00. INDIA us, NA. BEWARE. To .7117: Justin T/eatc/aw". LONGFELLOW. , « E. L. ASHFORD. I know .a maid- en fair to Allegrett 0. Take care! be — ware! ‘ She can both false and friend-ly Am'm¢i2fo ‘A be, Take care! be — ware! Trust._—___._. — — ing ‘the9!.._ she is fool - ing .bL. . (70/)y.rI’gIzt 1.902 by Wulsclmer Music Co. Pm lento She has two eyes, so soft and can cmima brown,...
Show moreE.L.A HFORD FDUR sums ROS “/LOVE; 60A BLO , HOU wxxmza WIND as wmsm LOVE IS DONE .. BEWARE 6 WULSC R IO 00. INDIA us, NA. BEWARE. To .7117: Justin T/eatc/aw". LONGFELLOW. , « E. L. ASHFORD. I know .a maid- en fair to Allegrett 0. Take care! be — ware! ‘ She can both false and friend-ly Am'm¢i2fo ‘A be, Take care! be — ware! Trust._—___._. — — ing ‘the9!.._ she is fool - ing .bL. . (70/)y.rI’gIzt 1.902 by Wulsclmer Music Co. Pm lento She has two eyes, so soft and can cmima brown, Take care! Take care! Shegives a side-glanceandlooks down, 0 be- ->Ié°S3eb. -316 Con abandon ‘./—\ C7680. Ware! 0 be - Ware! ATrust her n0t,__she is foo] — ing Beware. 4 Gmzioso And she has hair of gold - en and she has_hair ofgold-en hue, And what she says, it is not cwcel. it is not true, it is not true, Strmgendo Szmg “"010. She gives thee, a gar-land fair, . Tis a fo0l’s cap for thee to Bewa1'e.4 f¢’“i’%’ Trust_. her not, shéis f00]- - — ing thee! cresc. 19000 thee! be - ware,__ be- slower ware,___ 0 trust__.. her not, 0 1ru.=t_._ hér not, ﬂwco (5 fool-ing she’s fool — ing thee! /3 Tempo I m if Beware. 4
Show less

Date: 1886
Text: MUSIC Lnammv VASSAR COLLEGE poucuxazvsnz. uzw vonu N‘? I. N92. N93. N94. N95. N96. N97. THE QUIET MOON UPON THE CLOUDS... 40.Cts. ONLY A ,, THE ,, MY SWETE SWETYNG ............................ ..25 ,, BEWARE ............................................. .I%,....25 ,, GO, HOLD WHITE ROSES ....................... .. 25 ., GOOD NIGHT ................................................. ..4O ,, J!) BOSTON: ARTHUR PSCHMIDT & C‘? 13 and 15 West Street. % Copy//ig/it /o°d’c2"/4//ﬁzz/’ﬂ Sc&...
Show moreMUSIC Lnammv VASSAR COLLEGE poucuxazvsnz. uzw vonu N‘? I. N92. N93. N94. N95. N96. N97. THE QUIET MOON UPON THE CLOUDS... 40.Cts. ONLY A ,, THE ,, MY SWETE SWETYNG ............................ ..25 ,, BEWARE ............................................. .I%,....25 ,, GO, HOLD WHITE ROSES ....................... .. 25 ., GOOD NIGHT ................................................. ..4O ,, J!) BOSTON: ARTHUR PSCHMIDT & C‘? 13 and 15 West Street. % Copy//ig/it /o°d’c2"/4//ﬁzz/’ﬂ Sc&272z‘([z‘ 45 C’? BEWARE! Trans. from the German by Music by H.W LONGFELLOW. , ARTHUR W. THAYER. Allegretto Vivace. > 1. know a maid-en 2. She__ has two eyes, so I 3. And_ she has hair of a 4. She gives thee a gar-land Pg.‘ L 1 [ill I MA A 0 H’ C I 7 V -‘I P care! She-o__gives a side — glzulce cure! And_What she says, it care! It_._ is a foo1’s cap for- {T I a‘ care! She__can both false and Copyright 1886 Arthur P. Schmidt Jr C0. A3 5.é,.C0_95-7 ' friend—1y be,_ Trust _her and looks down, Trust her is not true, Trust her thee to wear, Trust her f0olV— ing . ' fool - ing fool- ing . fool — ing fool — lug . fool — ing fool - ing . . i ' ‘ fool — ing -4:4 I . . o Be.— — ware! Be — — Ware! Be — — ware! Be — — Ware! :1 I87/{[10 AP S.‘5rCo.967 CATALOGUE OF NEW MUSIC- PUBLISHED BY ARTHUR P. SCHMIDT &CQ.13 and 15 West St. BOSTON. ‘Iv Vocal. Songs. A. .., E. I. Serenade . . . . . Mulevnkl, ‘I’. Love’s Simile . . . -—- Faded Roses. . . . . . . . . Adams, 6. R. The Bedouin Song (Bass) Apmdoc, W. I thought you loved me. —- Only a ‘Face at the Window (Con- tralto or Barit.) . . . . . . . B...;|l.W. Maysong . . . . . . Bach, l. 8. If thou thy heart butowest (Willst du dein Herz mir schenlren) Boon, F. In the Cathedral . . . . -—- Cradle Song . . . . . . . — Flowers of our Spring . . . . . —~ The Sunset Light. Barcarole . Bracken, F. l. Margery . . . . —— The Letter . . . . . . Brown, I). B. 3 Sacred Songs. No. 1. Ohthatthouhadst hearkened No.2. What are these which are arrayed. . . . . . . . . . No. 3. Therefore the Redeemed of theLord . . . . ._. . . Brown, l. L. Clear and Cool . . . . lllmlwlclx, G. W. The Miller’s Daughter — Op. 8. Three Love Songs. No. 1. Rose Guerdon. . No.2. Serenade . , . . . No. 3. Before the Daw . — Three little Songs. No.1. Request . . . . . No.2. Gay little Dandelion . . . No. 3. Thou art so like a Flower . Clrlllo, V. The murmuring Wind . -—- Oh than who drylst the mourners tears............ — Ah why my Love (Soprano or Tenor)........... Eevrlu, Ilrry. The old Abbey Bell. Song for Bass . . . . . . . . — Lullaby. Song for Soprano . — Despair. Song for Tenor Dans, Arlll. Six Sacred Songs. No. 1. Inspirer and 1-Iearer of Prayer (Contralto or Bass) . . . . . No. 2. My Shepherd will supply my Need (Sopr. or Ten. . . . . . 0.3. There is an Eye that never sleeps (Sopr. or Ten. . . . . No.4. In heavenly Love abiding (Sopr. or Ten.) . . . . . . . No.5. Come said Jesus (Sopr. or Ten.)........... No. 6. Now and afterward (Sopr. or Ten.z...... Dru, Ilene III. At Last . —AtRest — Ave Maria (Tenor or Soprano) — Beside the Summer ea (Mezzo Soprano or Contralto) . . . . . -— Bird was singing clear one day. Ballad........... —— It was a Knight of Aragon (Bari- tone or Bass . 0 heart my heart . . . . . . O Salutaris (Contralto) . . . . . Salve Regina No.2 (Mezzo Soprano) Up to her Chamber Window . . Whether the World go up or down Three Songs. No. 1. The Blackbird sings in the Hazslbush . . . . . . . . . No. 2. Where go you pretty Maggie No. 3. Somebody watches and waits foryou..,........ —— Edenland. Duet for Soprano and Tenor........... Dvorllt, A. Language of the Flowers . Emery, 3. A. Op. 19. Good Night. Alto Song......... — Op. 28. 2 Soprano Songs. evening Twilight — 0p.24. No. 2. Naebody . —— 011.36. Skating Song . . -—- Op. 22. Home Songs. No. 1. Where are the Eyes of the lovely one . . . . . . . . . No. 2. Sleep, Baby, sleep . . . . No. 3. Nae shoon to hide her ting tees —- Op.30. Two Alto Songs. No. 1. 0 Love, my Willie . . No.2. Little bud Dandelion . . . -— Op. 31. Spray leaps high on the jut- ting Crag for Soprano. C min. -— The same for Contralto. A min. . Feueudcn, W. II. My gentle Mary (Tenor or Soprano) . . . . . . . . Fools, Arthur. Go, lovely Bose . . . - W'hen Icicles hang by the Wall. LowVoice Ford, C. II. _No love for naught — Tit for Tat (Tenor) . . . Frank, J. W. Wait thou still. Edited by Gr.l'-Ienschel. . . . . . . . . Grndvlell, A. Ave Maria for Sopr. or Ten. llssclll, W. F. 5 Songs. No. 1. Unto Death . . . No. 2. Kyrie Eleison . . . No. 3. A Grreyport Legend No.4. The Bells of Lynn . . No.5. Under the Guns (Bass) learnt, Rlcllrd. Binding Sheaves Iuscllel, Guam. Come away, come away, Death. (The Clown’s Song from Shakespeare’: Twelfth Night) . — My Sweetheart . . . - To my Turtle Dove. Folks Song V — Bird in you Forest — Consolation ' ' ' — Spanish Serenade. For Sopr. or Ten. — The same f. Contralto or Barit. in D —— Three Songs from Kingsley’s Water- babies. No.1. The Brook sings: Clear and coo . . . . . . . . . . . No. 2. When all the World is young, La . . . . . . . . . . . No. 3. I once had a sweet little Doll, Dears........... lenses, 8. L Phantom Isle . . . . ﬂood, lhlen F. Four Songs. No. 1. Shepherdess No.8. A Disappointment No. 3. The Convert . . No.4. The Violet . . . . . . . flows. 1. ll. 4 Sacred Songs f. Contralto or Bass. No. 1. In heavenly Love abiding . No.2. He is thy Lord . . . . . No. 3. His Love is merlasting . No. 4. Glory to Thee. Evening Hymn — Four Songs with Violin or Violon- cello obligate. Op. 8. No. 1. A Day in the Woods . No.2. A Night in the Woods No. 3. The Cricket . . . . No.4. Summer Song . . . . . . hello, 8. ll. Art thou weary, art thou languid. Oﬁertory . . . . . . . — Jennle’s Wooin’. A Scotch Ballad — The Moorish Love Song . . —The Sunbeam . . . . . . . . Johns, clayton. Farewell oh dream of m e . . . . . . . . . . . . Kennedy, Welter. Whether my heart be gladorno......... Knox, J. B. Absence. Romanna. . . —— Bugle Song with Cornet ad lib. -—- The merry Lark was up and singing Kolcllll, 1'. Dance on the Green . . . —Forsaken . . . . . . . . . . —- Heart Sorrow — Peasants Love . . . . . . . . Lsmn, E. Songs. Adapted and edited by L. C. Elsan. . 1. I wander ’mid the Flowers (Soprano) . . . . . .1bis. The same (Contralto). . .2. It was a Dream (Contralto). .2bis. The same (Soprano) . , . .3. My Heart is like the sable Night (Contralto) . . . . 4. Whither ohBird so fast P (So- prano)........ . 5. With thy blueEyes(Contralto) .5bis. The same (Soprano) . .6. Past! (Contralto) . . . No No No No No No.3bis. The same (Soprano) . . No No No No No. 7. At Night (Mezzo Soprano) . No.8. Moonlight (Mezzo Soprano) No.9. Farewell (Mezzo Soprano) . No.10. Serenade (Soprano) . . . Lnvm, W. J. D. My love will return to me . . . . . . . . . . . Lulle, Ernest. Year after year. Love ong . . . . . . . . . . . . Lulle, Herbert. Dear heart good night. Ballad for Soprano or Tenor . . — Left Alone. Ballad for Cuntralto or Baritone . . . . . . . . . — Oh Rest thee my Babe. Lullaby for Contralto . . . . . . . . Loewe. lllrl. Henry the Fowler. Sung by Georg Henschel . . . . . Lucchul, R. A. To Thee (A Te) . . . Hinton, B. W. The Beat of my Lover (Contralto or Mezzo Soprano) . . — Cavaliers Song . . . . . — Days are long (Contralto) — Don’t Forget . . . . . — Douglas my Douglas — Oh heart of my heart —- Lonely . . . . . . — Milkmaidls Song . . . . . . . — Morning Star (Romanza for Tenor or Soprano . . . . . . . . . — The old clock on the stairs . — Promise . . . . . . . . . . -—- Waiting by the Hedges (Tenor or Soprano) . — My God and .Fa.ther.‘Saer.ed-Song. —. 30 —. 25 rllcndoluolnn. Ah ifl were s bee (Spring Son . . layer. As thy wavlring footsteps . llapravnik, E. Cossack Cradle Song . llslnn, Beppo. Cradle Hymn ofthe Virgin (Latin and Engl.) . . . . . lorrls, lloncr A. Cradle Song . Plies, 1. K. Op. 40. Four Songs. No. 1. A Bird upon 5 rosy Bough No.2. A Farewell. . . . . . . No. 3. Beneath the starry Arch . ,. No.4. Music when soft Voices die Parker, l. W. Slumber Song . . . . — Wedding Song . . . . . . . . — Goldilocks . . . . . . . . . lluleclzl. lllgs v. The Sea hath its Pearls Illtier, G. P. In Maytime . . . . . . Rogers, Clare K. Six Songs 1‘. Sopr. or . She never told her Love . The Clover Blossoms . . . The Yearls at the Spring . At Break of Day . . . . The Rose and the Lily . Nothing. . . . . . . . Six Songs. .AMatch. . . . . . Confession . . . . . . Mona (Mezzo Soprano) .Rhapsody . . . . . . . . What does the little one see down there (Mezzo Soprano) .Sprin......... Enlly 9. Op. l5. New Songs. 1. The Sands O’Dee . . . . .Seashell. . . . . . . As through the Land . . . I leaned out of the Window . . From the close shut Window No.6. Carpe Diem. . . . . . No.7. 0 Heart my Heart . — Christmas Lullaby . . . . . . Snlslnan, Charles. Of thee I fondly drezun Stalls, L. L. Beyond all lights . . —— Exultation. . . . . . . . Scinsluluann, Louis. Op. 23. No.1. Upon the vast wide Ocean (Die helle Sonne leuchtet) . No. 2. Spring Song (Grruss) . . . No. 3. The Fisher Lad (Der Fischer- knabe).......... No.4. The Tear (Die Thrfine) . Skelly, .l. P. Our loved ones far away. Song and Chorus . . . . . . . Snllll, Wilson 9. A. Op. 10. Two Songs for Sopr. or Tenor. No. 1. Shadow Song . . . . . . No. 2. O beauteous Maiden, whither? Sirscllausr, lltrlnann. The Sa.ilor’s Return (Baritone or Contralto) . . . . strong, Amalie, Dietrich. Here under the Linden........... llllllnn, Illa. Last Adieu . . . . . Vsnnlnl, Vlncenro. The ﬂoweret (I1 ﬁore) — Malinconia. Romanza . . . . . — S’io fossi un Angelo (Oh were I blest above) Mezzo Soprano or Baritone — Thee will I love (Jo t'amero) . — In our boat . — Our own —- Reconciliation —-SpringSong......... WIII, Oscar. Autumn Blossoms (Nach~ ria . . . . . . . . . -—- Devotion (Die helle Sonne scheint) — Farewell (Abschied) . . . . . . -—- When the day is done (Abendlied) Wilson, .I. ll. How it came about . — Lullaby (Sleep, sleep) . . . . . Wlsler, ll. Arabian Love Song for Barit. or Contralto . . . . . . . . Wooll, B. E. Courtship (Contralto). — Margery Daw. Ballad. . . . . —- The Turn of the Tide (Contralto) — That sweet Day in June . . . . -—- How many atime do I love thee dear Studies. Florlmo, F. 14Vocal Studies. Arranged by Chas. B. Haydn . . . . nett lone, Fr. E. 1.’) Exercises for Medium oice . . . . . . . . . . . Four Part Songs. 41) Male Voices. AM, F. Happiness in wait (with Sopr. Solo............ Atlenlwier, 8. Springs Warning . Brown, 0. B. Bugle Song . Blmlwlck. Margarita . —— Reiterlied . . . Ts;-~>:enss.§.———~ llltlyllclt. The Vickings last Voyage C —.50l - (Male Chorus, Baritone Solo and —. 35 m. so —. 50 _l _| _l J _| .3 _: .1 ,1 .1 J .1 Orchester) Piano Score — Song of the Viking . , Ultla, l. W. The Reamer . . . llanaclicl, B. To my Turtle Dove Kmlm. Cruel Cuckoo . . . . — The Lovers . . . . . . . Iimuer. E. Two Starlets . . . . . Pulse, 1. K. Oedipus Tyrannus of So- phocles (Male Chorus and Orchester) Piano Score . . . . . . . . . -—- Op. 37. Phoebus, arise (Ten. Solo, Male Chorus and Orch.) . . . . Vlllxn, II. V. . nett The Jolly Musician 6) Female Voices. Brown, 0. B. 0 Lord be merciful (Motet) — Winter Song . . . . . . . . liharlwlck, G. W. Op.9. Spring Song . Down, 8. I. Jubilate Deo . . . . Emery, 3. A. The night has a thousand yes . . . . . . . . . . . . lletion. Ballade of the Weaver . lllller, F. Cradle Song . . . . — Evening in the Vale . -—- Morning Song . . . — My Polly Wog (Trio) . llollmnn, G. The Nightingale . Movie, I. II. The Lark now leaves . Isrcelln. J ehovahls Power and Majesty ( rio) . . . . . . . . Holley. Song of the Triton lllnne, R. In Autumn . . . om. Sparrows Twitter . . . . . Peurtt, ll. Thou art so like a ﬂower. — Day«bree.k. . . . . . . . . . Phillpp, G. Greeting . . . -— Little blue eyed Flower Rittsr, G. P. In Maytime . . . sﬁdennann. A Wedding March . St. Saint. Ave Verum . . . . Snack, 6. F. Birdls Message . . . . Tauiel, 1. Sunshine follows the Rain . — Little blue eyed ﬂower . . c) Mixed Voices. Brown, D. 3. Two sacred Tries f. Sopr., Ten. and Bass. No. 1. I will lay me down . . . No. 2. The Lord will comfort Zion —— Op. 8. 2 Anthems f. Church Service. No. 1. Whose dwelleth in the secret Place . . . . . . . . . No.2. Unto thee, 0 Lord . . . Capen, I3. L. 0 Wedding Guest. Hymn from the Ancient Mariner . . . Glnstlwlclr, G. W. Op.6. Three Anthems for Church Service. No. 1. Praise the Lord (Benedic, amma men . . . . . . . No.2. Blessed be the Lord (Bene- di us . . . . . . . , . No. 3. 0 thou that hearest (Hymn) Glrlllo, Vlncsnzo. 0 salutaris hostia Dans, liessliaw. As when the weary trav- eller gains . . . . . . . . . Dunlum, II. I. Hymn Music. Bbooks es. — Oh tell me thou life and delight ofmysoul......... Fenullosa. Under the greenwood tree Ford. Charles II. Te deum laudamus inBﬂa.t.......... -—- Christmas Carol (Soprano Solo, Chorus with Organ Zlbbulupﬂllllllﬁﬂt) llascall, W. F. Guide me o thou great Jehovah llolnlann, ll. Salve Regina . lioml, Helen. The Robin . . . . liuwe, 1. ll. Blessing, Honor, Glory . Knox, l. 0. Sleep! Holy Babel Christ- mas Carol . . . . . . . . . — Blessed be the Man that provideth —— Give Aims of thy Goods . . . . - Be merciful after thy Power -— 0 pray for the Peace of Jerusalem. Anthem for Barit. Solo and Chorus. -—- Te Deum Lnudamus in C . . . ~—— Benedictus in C . . . — Hymns and Responses . . lanigan, R. W. Asperges me . . . . Merston,G.W. Venite exultenius (0 come letus sing) . . . . . . . . . — How beautiful on the Mountain —— I will arise and go to my Father llllver, Ben. E. A shout of mighty triumph. Christmas Carol . . . Pslne, J. |(. The Realm oi‘Fancy. Chorus, Soli and Orchestra . . . . . . — Op. 38. The Nativity . . . . . . Tlayer, Eugene. Immanuel (Bass Solo and Chorus) . . . '. . . . . . — Sweet Day of Rest (Tenor Solo and Chorus)........... tllmsn, lug. Waken Christian Children. A Carol for Christmas . . . . . Whitney, 3. 3. Deus Misereatur (E ﬂat) Wlllls, Richard Siam. Christmas Carol
Show less

Date: 1908
Text: MUSIC uammv VASSAR COLLEGE L POUGHKIIEPSIE. new YORK @©)lN BY Em :2 3? ; * V V \_/ /|\ B EWA R E , (A DAINTY ENCORE sou c; . AN EASTER WISH, ............................................ .. . ............................................ TH E B ORDERLAN 0 ,( maze TH E B OR DERLAN D, (wnm vnoun oaucno). M.D. SWISHER. PHlLA.,F'A., SELLING AGENT To ./Ilrne. James 0. /1003, TRY THIS OVER ON YOUR PIANO. AN EASTER WISH. Words by EVA V HE TH. ERNEST LENT Andante con espressione N p _ Theworld is...
Show moreMUSIC uammv VASSAR COLLEGE L POUGHKIIEPSIE. new YORK @©)lN BY Em :2 3? ; * V V \_/ /|\ B EWA R E , (A DAINTY ENCORE sou c; . AN EASTER WISH, ............................................ .. . ............................................ TH E B ORDERLAN 0 ,( maze TH E B OR DERLAN D, (wnm vnoun oaucno). M.D. SWISHER. PHlLA.,F'A., SELLING AGENT To ./Ilrne. James 0. /1003, TRY THIS OVER ON YOUR PIANO. AN EASTER WISH. Words by EVA V HE TH. ERNEST LENT Andante con espressione N p _ Theworld is fair at Ea,s—ter — tide, A sunkissed and wide, With Eas-ter lil -‘ ies fresh -ly bloom—‘ing, 3 Sweet — ly all the air per-fum-ing; I hope ‘rheybloomfor y0u._ f .07‘?-5'0. . T Cop;/7-z‘g/at‘ ./11017117111 by The Columbia ./Iluszv Pubo 6’a.,Inc.,WZzs}Lz‘7zgt072,ﬂ 6'. International Copyright To Mz'.9s Fra72cr:.s~ca Kaspar. BEWARE. Wmds by ERNEST LENTV. HENRY WADSWORTH LONGFELLOWV. With animation maid - en fair , * Take care! and friend-ly be, Be - ware! Cop;/rig/at /116’./IIVIII 53/ Tile €olum6z'a Zllusic Pub. 00., Inc.,W'z.s‘/u'ngton,D. 6'. International Copyright A/1.2000 rit. /5 “tempo Trust her not,___._____ trust her not, K5 pvoco mi 97' . a tempo _pa7-Zando ing thee! has two eyes, so soft and brown, Take care! She E3; gives a side" glance and then looks down,_.. 17000 775- parlando ,4-\ a tempo Trust her not,__.__:__ trust her not! " fool—ing thee! poo-vo rit. *?f' . And Ishek has hair of a gold-en hue, parlando 1" care! And what she says, it is not true,Be-ware, be - ware! Beware _ 3 HIGH CLASS SONGS To Nu: tum um» and mu nu lad-nun THE BORDER LAND I w.'.‘ ‘y Sum! Snug ﬁn Snpmuu or Tenar \\'II.1.un rlmumu JOHNSON annssr mam‘ Moderato- Andante sostenuto Wotdnty [EDDIE LPKBRSON. lulu by WILL ‘I’. PlEIISON.jr. V at pdobo when an blnvou noonvuuhlmlag, On an An.;uI night, I'll. rylla.pu man upnuiou won I puhyny, All of gold .0: light nu-light 0! out] av - at then In nu glo-ry, Nu uturliglt no waned Ir. 1 - Vollodvlthln chair than, SI.ny'dfn.nhoIv'n| “Lila tenant-ly calm, As the sen you-dot country [or - ov- er holds glow-lng,WLen o ‘in. 0 6-n-nu Icnn 1-.nom.,:y.A cu ..Iuun.m.n.e. m ,3, . Coryrqll tnnﬁhnvl nu co:-uh lute no.I:oJ~:puMu¢n.:.c. * a.'f,.g,u .vc.vvm ». m mm»... mm IIO.6‘A,ﬂIL, n.n..m-., n 0. htcnulond Cvyyrlglu All Worthy A Place In Your Repertoire. in nu Iragaug ;v..,.,, r. In. J.-u or. Inn. BEWARE. AN EASTER WI SH. Wall: by nun’ wusworrn Lonanuow. “"55” “H E Worth by IVA V. BETH: ERNEST LENT With animation Andante con espressionc ...=—_— 1’ Theworld In hir at Eu-tar - tide, A nnkinevl ho‘ ' 'M”‘” ‘II - den In um! wllo, Will In-In Iil - ion ll-uh-ly bloom-Ins. hMh_ “ho ”‘".“d_ly ,,e_ 3._,,,,°g Iy ml! the -iv per-hm-lug; I hope Iheybhmnlnr you... I 0773. fuyyngll I01 VIII 0] fl: Can: and Hunt ‘Ill. £‘i., Ine.,l6lAin(ln,lA C . ‘ . to”-qu mural 5, In. cu.-m 11...: Put. z~a.,1-.e.,wuAv~«:aa,Aa llhrlllionnl Co" lulu:-lion! c-"ugh Order of your dealer or send direct to publishers ‘run COLUMBIA MUSIC PUB. co , lNC.. Washington, D. c.
Show less

Date: 1864
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/;m:=IM~ , " Copyright 189 '3 by J. E . Per-ring . BEWARE! Words by H.“/. LONGFELLOW. Music lay JAMES ERNEST PERRING. Allegro con spirito ma non troppo presto. 1’ known 1naid- - en fair to see! take careltake care! take czweltakecarel She .f can both false _ and friendly be, Beware, beware, hewgxre, ten: 0. > P hewzu-e,VbeWa1'e, She is fooling thee, she is foolingthee,t1'usthe1' /4'3 tcn1})o.K/ \' not! . . . . oh trust her not! .. . She is fooling thee, she is fooling thee,f1*11sthe1' not! oh trust her not! >>> > > /3 gﬁazioso. Slm has two eyes so soft and [)1'0wn, (-zu'e,t:1kc care, beware, beware!‘ She gives :1 side glziuce and looks down, 1,], rail.- 0ht1'11sthe1' not! 011 beware, hewzu'e,hewa1'e! pp wall.- has two eyes so softand brown, She give_S a side glance amdlooks down, tcnapo. trust he L’ a tempo. a tempo. t rust h e trust herfnot, oh be-w;u-e! trust her not, atem 0. > P fooling thee, she ‘is fooling thee, trust her not, oh trust her not! She is (I tempT‘/ fooling thee, she is fooling thee,t1‘ust her not oh trust her not! >>>:>>f.\ /\ \ '. r.\1’(-\ \ “""V T’—“,;s3?g7 ;.._;“f_ -5 she hag hair 0f"'g0ld-en hue; And what she says it is not true, : «— W 4-~::~.—.=w«.—.)v.~.: -:>.:+-vywwz tempo. she has hair of wall.- gold-en ' And what she says {’— /_\ J‘. Be-w:u-e! beware! beware,‘ beware! For she has hair of a golden hue, 011 trust her not; 011 trust her not! And what shesays it > > > /'\ /"\ is not true, She gives thee a garland fair,‘ 7Tis :1 fools cap f01'theet'0 Z5 Z‘ {T /"\ t * . >cmpo Oh she7s fooling thee, she is fooling thee, Trust her not, 011 trust he /3 she is fooling thee, she is fooling thee,trust her nbt 1, ohtrusthc *3 Perfect Peace. (I heard a Voice.) Sacred Song for Low Voice 221 C, Vvqfds by V I I I ¥ N[1lSiC‘by JOSEPH FLETCHER. e V‘ " W9 DRESSLER. _ Larghetto. heard :1 voice, . Je — sus to me’ speak —ing, u.—mid the prcssund throng, I heard Him ' : “Come ‘wen-ry Copyright 1910 by VVIF1 A.Pond & Co. International Copyrightﬁecured.
Show less

Date: 1901
Text: MUSIC Lmunv VASSAR COLLEGE POUGMKEEPSIE. new vomx —BEWARE . . . . . . I THE ISLAND WHERE BAB- NOBLE A. HARDEE High Voice CUPID’S MISTAKE. EDWARD BROOME Medium voice DRY YO’ EYES SIGMUND LANDsBERG High voice; Low voice “ EV’RY NIGHT ” ETHELBERT NEVIN High voice; Low voice “IF NO ONE EVER MAR- RIES ME” JAMES H. ROGERS Medium voice JUST ACROSS THE WAY FRANKLIN RIKER Medium voice KING BABY G. E. LUNT Medium voice LITTLE BOY BLUE ETHELBERT NEVIN High Voice; Low Voice MY LADY CHLO’ H. CLOUOH...
Show moreMUSIC Lmunv VASSAR COLLEGE POUGMKEEPSIE. new vomx —BEWARE . . . . . . I THE ISLAND WHERE BAB- NOBLE A. HARDEE High Voice CUPID’S MISTAKE. EDWARD BROOME Medium voice DRY YO’ EYES SIGMUND LANDsBERG High voice; Low voice “ EV’RY NIGHT ” ETHELBERT NEVIN High voice; Low voice “IF NO ONE EVER MAR- RIES ME” JAMES H. ROGERS Medium voice JUST ACROSS THE WAY FRANKLIN RIKER Medium voice KING BABY G. E. LUNT Medium voice LITTLE BOY BLUE ETHELBERT NEVIN High Voice; Low Voice MY LADY CHLO’ H. CLOUOH—LEIOHTER High voice; Low voice THE CAPTAIN . JAMEs H. ROGERS High voice; Low Voice IES GROW . JAMES FORD Medium voice THE LAND OF THE PUPPY DOGS JAMES FORD Medium voice THE NEW LOVE FRANKLIN RIKER Medium voice THE NOISETTE G. WARING STEBBINS High voice; LOW Voice THE POLAR BALL THAT WAS SIX MONTHS LONG JAMES FORD Medium voice THE SOLAR MONDAY. G. W. LUNT -' Medium Voice THE WITCH IN THE GLASS HARRY HALE PIKE Medium voice ’VIRA FRANKLIN RIKER l\/Iedium voice WHERE KITTY—CATS HANG IN A ROW . . . . JAMES FORD Medium Voice WONDER SONGS (6) Complete CLAYTON JOHNS Medium Voice @. $tbtrmer, 31:, Boston (Tbe Boston Muyz'c Co.) Foreign Agents: Woolhouse, London Allan & Company, Melbourne Beware! NOBLE A. HARDEE. C oquettishly. 1. I know a maid— en fair see; 2. She has two eyes so soft and brown; 3. And she has hair of gold — en hue; Take care! Take care! , can both false and f endly be; Take care! Take care! She gives a side - glance and looks down, Take care! Take care! And What she says, it is not true, false and end-1y be. side glance and looks down, it is not true, Coj>yrz'g}zt, 1.901, by 6'-. Schirnzm; jr. For all courzlries. 1-3. Be — Ware!”§ Trust er not, d I know a maid-en can both false and friend-1y She’s 001-ing thee! A Take care! Beware! She Z\ £1.-3. I Trust er not, She-’s foo thee! 1.—3. la st /Z°7'.s’e. She gives a gar-land WOV — fair; Take care! Take care! f001’s-cap “(is thee to Wear, . ee to Wear. Be — ware‘. R. ZVLCQ 636 I know a maid- en fair to see; Be-ware! .b $ Take care! She can both false and friend - 1y Trust her not,i____. She’s 1— ing R M. C9 638 VERY USEFUL SONGS FOR TEACHER & SINGER BY TALENTED COMPOSERS! Complete copy may be had at any Music Shop or from the Publisher G.SCHIRMER,]r. _ THE BOSTON MUSIC COMPANY. BOSTON, MASS. V Go,LoVe1y Rose! Published for . Sopr or Tenor F‘min. $50‘? ‘ I know a Alto 01' Barit. (Ill m1n. hythe Author of _ ' Robert Herrick. “Song of file Nig/Lfingalef’ Benﬁmm Whelpley Andante espressivo. M'E' “"b”y‘ 50¢ Harriet Boyer. Andante. Voice. Cm, lovely R050! __ Go, love-ly Voice. :1 hill in mine own land, //f Tell l'lI-'1" lhnl wastes her time, and me, be; I know a he’.-.1r»ih—fire burining bright, ihat burns for f7}i_f' P A~ruund that home: ihis winter (lde the snow lies deep; ‘E... ﬂy- dim. gig. . (7opy1'ig'ht,1903, by G. St-hirmer, Jr. lE‘b‘Fo1' all ('ounf1'ies. Copy1'i;;'hf, 1903, by G. Sr-hirmer Jr. F01’ all t'0uni1'ies. 50¢ 50¢ of I love my 1ady’s «eyes. W ' _ ” B.B1*id;;'es. Also published for Soplzor T('ll.lll A- . “Song ofﬂze Nighimgale Andante. R _ Buual,d_ M. E. Mabery. Voice. .9 _ ', — dy's eyes, \Vedwo1"th‘Wadsworfh. <5’ """""" ‘I Lento, ma non troppo. A Voice. Shadows un—der the /. la—dfs eyes, A have the rare She is most Want to ap—ple—irPes, Slindqiws deems:-, and cool; Shad uws dense and cool;.._ hair, A—hov+— ht-.r $un—ny hair, prize , A - bove her streanfs deep pool. 0 var the meadows hum the bees, and And all {had face 0 face her glass re-penis of grzimv, Now ;uy_ A O . J. L2 . \ . . . Xxvn A C0[>Yl'lghT. 1903,11)’ G. St-hn'mc~1'. Jr. — For all onuntrn-s. (“op_v1«i,2-ht,1900, by G, schiymeg-,,n-, THE SINGER’S GUIDE. An attractive booklet, containing a graded and classified list of recent publications, useful alike to teachers professionals and amateurs. Sent to any address free of charge. For all countries,
Show less

Date: 1865
Text: As sung by MISS CLARA LOUISA KE 1g§,I,~..4\UU(U(. A Pricc,4'0 cts. ‘§2fE{\N0_ NEW Y0 RK GSCHIRMER 35 UNION S0. MEZZ0 SOPRAQ MUSIC LIBRARY VASSAR C0 >¢ ._ BEWARE! W'ard.s- by II. L0l\'GI'ELLOW'. Jlusic by C’. Jll () UL TOJV. 1. I know a fair to see, 2. She has two . soft and brown, care! She can both false and care! She'gires a side glance friend — Ely be, and looks down, 487 ' E1: to red (wen rvling in .4 Ci of C 0 11 g res8A.D. l 8 6 5, by Bee?‘ ¢%SC,d...
Show moreAs sung by MISS CLARA LOUISA KE 1g§,I,~..4\UU(U(. A Pricc,4'0 cts. ‘§2fE{\N0_ NEW Y0 RK GSCHIRMER 35 UNION S0. MEZZ0 SOPRAQ MUSIC LIBRARY VASSAR C0 >¢ ._ BEWARE! W'ard.s- by II. L0l\'GI'ELLOW'. Jlusic by C’. Jll () UL TOJV. 1. I know a fair to see, 2. She has two . soft and brown, care! She can both false and care! She'gires a side glance friend — Ely be, and looks down, 487 ' E1: to red (wen rvling in .4 Ci of C 0 11 g res8A.D. l 8 6 5, by Bee?‘ ¢%SC,d'T me?-, i’n‘the ('I€"rl".v Offic? of lhe_Di.s"t riot Court of the Southern District of New York. . ‘ f th we thee she‘s she’.s' fool — ing fool - ing Tru st ' Trus l thee ________ __ thee, _______ __ She’s fool - ing She‘.s- fool — ing _ /\ She's fool - ing SI: 93‘ fa 0 I -— ing she's fool — ing .s-he's fool 1.'11g of gold .. en And what shé foul — lug thee, .b She's fool — ing thee ........... -- she”s f‘0oV1 - ing She-’s fool — ']'11g f'\ J New Songs and Duets, Selected from the Catalogue of G. Schirmer, New York ALLITSEN, FRANCES, A Song of Thanksgiving (with Organ ad lib.) High, medium or low. — I know a little Rose. '(Ich Weiss ein Riislein roth.) M.-Sop. — Eight Heinrich Heine Songs: A Pine-tree standeth lonely. (Der Fz'c/zienbaum.) Two Sapphires those dear Eyes of thine. (Sttjﬁ/tire sinrl die Augen deizz.) Diamonds hast thou and Pearls. (Du /last Diamante” um! Perlen.) King Duncan's Daughters. (Die Botsc/mft.) Since my Love now loves me not. (Seit die Lieéste war mztferrzt.) Fathoms deep may drift the Snow. (Magda draussenSc/mee sic/1 t/tz?¢‘r1nen,) Oh Death, it is the cold, cold Night. (Der Tod das ist die /:22‘/zle Nae/ti.) Katherine. (lfat/Larine.) Complete in one Volume. net AMBROSE, R. S., One sweetly solemn Thought. Sacred Song. High or low. BARTLETT, HOMER N., Come, see the Place where Jesus lay! Easter Song. High or low. —— 0 Little Town of Bethlehem. Christmas Song. With Piano and Violin obl. High or low. —: Sayonara. M.-Sop. BLACK, JENNIE P., 3 Songs for M.-Sop: No. 1. Storm, the King! “ 2. The Rosary. “ 3. The Violet. BROCKWAY, HOWARD, Op. 22. Two Songs: No. 1. Would thy Faith were mine. Sop. Lend me thy Fillet, Love. M.-Sop. BUCK, DUDLEY, Boots and Saddles. (A Soldier's Farewell.) Ten. (Original) C; Bar. Ab. —— O, Saviour ofthe World. Offer- tory. High or low. Until God's Day. High or (K 2. -13» low BURLEIGH, H. T., Plantation Why Love is King. High or Melodies, Old and New. net CAMPBELL, G., For one sweet Smile. M.—Sop. CASTELLO,GEORGE E., 4 Songs for Sop. (or Ten.): To the West Wind. Cou1d‘st thou but know. Du bist wie eine Blume. sweet as any Flower.) Sehnsucht. (Yearning.) CLAY, FRED, The Sands o’Dee. Sop. (Ah. $0.75 .50 .50 .5o .60 .60 .4o .60 I.00 .50 DE KOVEN, REGINALD, Abide with me. Sacred Song for Alto. Barcarollez “You are the Moon, my Love.” Sop. ? Battle Grey. M.-Sop. Love’s Trinity. Alto. — My Nightingale. Sop. DENZA, L., In Shadowland. High or low. FREY, ADOLF, Over the Way. Sop. GOLDMARK, RUBIN, Op. 5. Four Songs for M.-Sop. (or Ban): No. I. Ode. “ 2. Spring Rains. “ 3. The old, old Song. “ 4. A Love Symphony. GRAY, HAMILTON, The Golden Pathway. High, medium or low. —— Purple Heather. High or low. d’HARDELOT, GUY, In Bracken- time. Sop. HASTINGS, FRANK S . , F air Helen. (Old Scotch.) High or low. —-— For Love of You. High or low. —— Rose dark the solemn Sunset. High or low. HAWORTH, C. E., At Last. High or low. HOMER, SIDNEY, Eight Poems by Tennyson : Break, break, break. M.-Sop. Gm. Sop. Bbm. Crossing the Bar. M.-Sop. Db, Sop. E. Sweet and Low. M.-Sop. Db Sop. E. Thy Voice is heard. M.-Sop. E]; Sop. F. Home they brought her Warrior dead. M.-Sop. Fj;m., Sop. Am. The City Child. M.-Sop. Eb Sop. F. Minnie and Winnie. D, Sop. Eb. Er]13id’s Song. M.-Sop. Bb, Sop. p. M.-Sop. LAER, C. E. van, Crossing the Bar. Sop. LEHMANN, LIZA, Mother Sleep. High or low. MASON, DANIEL GREGORY, I love him. M.-Sop. : Shall I upbraid or praise her? NEIDLINGER, W. H., Life and Death. Bar. F; Bass D. — Thy Face. Baritone. NORMAND—SMITH, GER- TRUDE, Four Songs for M.-Sop. (or Bar.): Auf der Heide. (On the Moor.) Das Hiiterkind. (The Shepherd Child.) Sunnenwendnacht. (S 0 ls t i c e Night.) Der Geworbene. (The Recruit.) $0.60 .50 .60 .60 .5o .60 .5o .60 .40 .5o .60 .50 .5o .60 PRICE, C. E. B., A Few more Years shall roll. —— My Father for another Night of quiet Sleep and Rest. Sacred Song for Bar. (or Bass). RODNEY, PAUL, Clang of the _ Forge. Bar F; Bass Eb. ROGERS, JAMES H., “Moods." Four Songs : No. I. Not from the whole wide World I chose thee. High or low. “ 2. Years have ﬂown since I knew thee ﬁrst. Sop. “ 3. You. High or low. “ 4. Who knows? High or low. SAAR, LOUIS V., Hark, hark, pretty Lark. Sop. With Violin. —— Lilian. Sop. With Violin. SARJEANT, J., Blow, blow, thou lVVinter Wind. High, medium or ow. STAHLSCHMIDT, ARTHUR E., Concita. A Serenade in Seville. Ten. (or Sop.). —— If I were loved. M.-Sop. (or Bar.). STERN, LEO, Soupir. (A Sigh.) Valse lente. High or low. THOMSON, SYDNEY, I heard the Voice of Jesus say. Sacred Song for Alto (or Bar.). TSCHAIKOWSKY, P., Pi1grim’s Song. Bar. (or Bass)E; Alto D. WARREN, SAM’L P., Faithful. M.—Sop. —— Waiting.‘ M.-Sop. WHITE, MAUDE V., How do I love thee. M.-Sop. (or Bar.). WHITING, ARTHUR, Barrack- Room Ballads (by Rudyard Kip- ling). (Da7myDeever. Zllmzda/rzy. Sacred Song for Bar. $0.75 .50 .5o .50 .50 Soldier, Soldier. F/uzzy— Wuzzy. net I.0o “ Floriana.” Poems by Oliver Hereford, from “Overheard in a Garden.” For Solo Voices and Piano. VOCAL DUETS. ALBUM ofsixteen Sacred Duets for various Voices. net Dvoiuix, ANTON, Echoes from Moravia. (Klange aus Méihren.) I3 Two-part Songs for Soprano and Alto. g. e. RUBINSTEIN, A., Eighteen two-, part Songs : g. e. Paper. Cloth. net 1.50 I.O0 net 1.00 1.00 2.00
Show less

Date: 1865
Text: yfzw YGRK. 7ot93R®N3W9\Y- 61% ,9-/w-mg;-LM/zc K/ex-,(:r we 45///i/ﬂl.;”2’rt(é (émcyz/2/» (J. J7//}ro‘:r«. .>'ozz///en vﬂzevt/~iz£ A/Wu/. }’3'I'/1: .25‘:-u2revtarz'or-o£;>zg Q/Jrmfibrzg/rczrr was 2?4.7-_7€5’.>‘ ’ MUSIC LIBRARY VASSAR COLLEGI BEWARE! W7) rds by H. LOI\‘GI'ELLU”". JI1u'I'L' by (". 4 IO (LI/I’()_.f\'. 1. I know a fair to see, 2 . She has I II‘() soft (1 1:41 I; roum , She can both false and She gives a side glance be...
Show moreyfzw YGRK. 7ot93R®N3W9\Y- 61% ,9-/w-mg;-LM/zc K/ex-,(:r we 45///i/ﬂl.;”2’rt(é (émcyz/2/» (J. J7//}ro‘:r«. .>'ozz///en vﬂzevt/~iz£ A/Wu/. }’3'I'/1: .25‘:-u2revtarz'or-o£;>zg Q/Jrmfibrzg/rczrr was 2?4.7-_7€5’.>‘ ’ MUSIC LIBRARY VASSAR COLLEGI BEWARE! W7) rds by H. LOI\‘GI'ELLU”". JI1u'I'L' by (". 4 IO (LI/I’()_.f\'. 1. I know a fair to see, 2 . She has I II‘() soft (1 1:41 I; roum , She can both false and She gives a side glance be, do u'11 , ~19’? E11 It- rmlztt-r-r» nling In A (‘l ufi '0 ng 1-as-3 A.D. 1 8 6 5, by Bee1~¢f=Schi rmer, in "(P ('10 .»=I.".s- ()ffi¢.-P of llw I) is! rit-l ('01: pl - of the So 11 (Item: I)1'.s' l rid of ,\'e>w I '0 rlr. Sht-'s foul - ing She's foo? - ing /\ f the-4» She's fqv-ML - ing SI1.e‘.s foo?! — ing she‘s fool — ing .s'he’.s' fool - ing V thee sht=’s foul - ing she's fool — ing thee ________ -_ llwe._; _____ __ Sh9’s ‘fool — ing thee ............ .- she's fool — ing thee, She‘s fool — mg /\ BEER 82; SCHIRMERS CATALOGUE of VOCAL MUSIC. SONGS. (Those marked with *‘ are with embellished titles.) 5 Abadie, L., Le Vieux braconier, Rom. franc, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Alary, G., Un Secret. Romance Franc, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 25 Abt, F rz., When the swallows homeward ﬂy, (Wenn die Sc/Lwalben, etc.) . . . . . . 0 ye tears. Contralto, or Soprano, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sleep well, sweet angel, (Schlaf wohl, du siisser Engel du) Spprano.,. . . “ “ A t . . . . . . . 0? ——-- II Sogno, (A happy dream.) Valse composée pour Paolina Lucca. Sop., Annie of Tharau. (Aennc/ten non T/Larau.) Popular Song, . . . . . . . . . . . . . . . . . . Arditi, L., I1 Bacio, (the kiss.) Arietta, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ascher, Jos., Alice. Romance. French and English, . . . . . . . . . . . . . . . . . . . . . Auber, D. F. E., Laughing Song from the Opera “ Manon Lescaut,” English and French words (as sung by Carlotta Patti) . . . . . . . . . . . Balfe, M. W., The Sweet Guitar. Boler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tu m’ami ah si! (Then you’ll remember me.) English and Italian,.. ——- Oh! take me to thy heart again. Song, . . . . . . . . . . . . . . . . . . . . . . . . . Bassford, W. K., “’Tis all for thee.” Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. N ever-More. Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bellini, Ah, non crcdea, (Alas ! for thee, time’s power,) in G minor, de l’op. “Son- nambul ” Berre, Ferd., Loin de Toi 1 (Far from thee.) French and English,. . . .. . . . . . Bordese, L., La Course aux Papillons. Rom. Francaise, . . . . . . . . . . . . . . . . . .. Miracle of the Roses. Parlor Operetta, . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Borg, Louis, Dreams of Love. Son . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Braga, G., Santa Lucia. (When the bright moonbeams.) Rondo de Concert,. * * * La Reine Mignon, (Queen of .Joy’s Realms am I,) . . . . . . . . . . . . . . . . . Campana, F., To thee! (a te !) Ital. and Eng.,. . ., . . . . . . . . . . . . . . . . . . . . .. , Glapisson, L., Within this goblet brightly glowing. Brindisi, from the opera “La Promise.” English and French words, . . . . . . . . . . . . Dama, L., L’Amore. Romanza per Mezzo Soprano, . . . . . . . . . . . . . . . . . . . . . . . . Donizetti, In terra solo, (Lonely, I wander,) in B ﬂat, de l’op. “ Dom Sebastian,” All’ afﬂitto. Romanza de l’Opera Roberto d’EvereuX, . . . . . . . . . . . . . . Convien partir. De l‘0pera Figlia del Regimento. Italian, French and English, F Minor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 luce di quest anima, (recit. and cav.,) in B ﬂat, de l’op. “ Linda di Chamounix,” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . O mic Fernando, (recit. and cav.,) in C major, de l’op. “ La Favorita.” Ital. and Eng, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Farmer, H., Little Sunbeam, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ferrari, S. A. de, I F iori g’Aprile, (Spring Flowers.) Mazurka per Canto. Ital. and ng ., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Flotow, M’appari, (Ah! so pure,) in E ﬂat, de l’op. “Marta,” . . . . . . . .: . . . . . . . . Franz, Rob., Fondly he sought me, (Er ist gekommen in Sturin,) . . . . . . . . . . . . Glover, S., Do they think of me at home? Song, . . . . . . . . . . . . . . . . . . . . . . . . Gordigiani, 0 santissima Vergine. (Prayer to the Virgin,) . . . . . . . . . . . . . . . . . . Gounod, Chs., Faust, “ Cera un re di Thule,” (Reigned a King in Thule,) Ital., French, and Engl., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. “ Parlate d’amore, (Lovely ﬂower I pray.) Ital., French and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sing, Smile, Slumber! Serenade. French and Engl., or Ital. and . Eiwlish, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gr-aben.Hoﬁ‘man, The Barightest Angel. (Der Schoenste Engel,) . . . . . . . . . . . Guglielmo, My Angel. (Angelo mio,) Italian and English... . . .. . . . . . I love thee! (T’amo, Guion, Prosper, La Fillette aux Chanson. French, and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gumbert, F., Ye merry birds, (0 bit!’ euch, Ziebe Vo'_qele2'n,) Contralto, . . . . “ “ “ “ “ Soprano, . . . .. Soprano, . . . . . . . . . . . . . . . ___ C0ntralto.. Hail Columbia! National Song. Arranged by S. Jackson, . . . . . . . . . . . . . . . . . . Halevy, F., La Juive. ll va venir. (He will be here.) Ital., Fr. and Engl. Sop., Hall, F., Ever of Thee, . K, E, H., Awake,‘love, awake! Serenade, . . . . . . . . . . . . . . . . . . . . . . . . . . Hering, C. E., The Stars and Stripes. Patriotic Song,. . . . . . . . . . . . . Hodges, F . H_, The Dreary Day. Words by Longfellow, . . . . . . . . . . . . . . . . . . L’A.micizia. (Friendship.) __Duett for Sop. and Mezzo Sop., . . . . . . . . . Farewell to N orth-Maven. Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Rose-Bush Song. For Sop. Do. for Alto, . . . . . . . . . . . . . . . . . . . Cloister Memories of Sacred Song: . . . . . . . . . . . . . . . . . . . . . . . . . . . .. No. 1. Blessed are the poor 'n spirit. Mezzo Sop.,... . . . No. 2. Blessed are they tha mourn. Contralto, . . . . . .. No. 3. Blessed are the meek. Duet, 2 Sop., . . . . . . . . . . . N o. 4. Blessed are they that do hunger and thirst. Con. No. 5. Blessed are the merciful. (I/Vill be continued.) Hoelzel, G., The Forsaken One, (Al,/oenkZage,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Tear, (Die TIm‘ine,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . * The Village Blacksmith’s Bride, (Mein Liebster {st im Dowf der Schmied,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Huss, G. -L, A National Lyric. Words by R. S. Willis, . . . . . . . . . . . . . . . . , . . . Jackson, S., Lights and Shades. Words by Mrs. Norton, . . . . . . . . . . . . . . . . . . . Katey’s Letter. Irish Song, King, W. A., Ave Maria, (English,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kotschoubey, L., Oh ! ten him all, (Oh! dites-lui.) Romance, . . . . . . , . . . . . . . Kuecken, Fr., Jewish Maiden, (Mddchen non Judah,) . . . . . . . . . . . . . . . . . . . . . . Thou soft and balmy evening breeze, (Frii/tlings're7'gen,) . . . . . . . . . . . . Linley, G., The Swiss Girl, ' Lucantoni, G., La Danza d’Amore, (Gay dance of love.) Valse. Mezzo Sopr. (Ital. and English,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Manzocchi, M., La Bella Stella di Trinidad. Baroarolle, (Ital. and Engl.,).. . . . . Mendelssohn, Here under the trees, (Da lieg ich miter den .Bd'umen.) Alto,. . .. Merz, K., The Strangers Love, (Des Fremden Liebe,) Meyerbeer, G., Fisher Maiden. (Guide au bord ta nacelle,). French & English, Mill in the Valley, (In cinem 7Ci,i]Ll677. Granola.) Popular Song, . . . . . . . . . . . . . . . . . Millard, H., With all my heart I love you, (Io ti voglio bene assai,) . . . . . . . . . . .. Millet, E., Diana, (Maidenls Warning.) Valse. (Ital. and Engl.) Mezzo Sopr.,. —: Giannetta. Allegro, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . j— Song of our Country's Daughters, . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. —————- A Sailor’s Song, (0 for a whilf of the salt sea breeze,) . . . . . . . . . . . . . . Muller, A., Ye soft blue eyes, good night. (Ihr blauen augen gute nacht.) Ser- enade, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Little Mendicant. (Das Bettelnde Kind.) u ' rt U —_.._. M uzio, E., Brindisi—Waltz. (English and Italian.) As sung by Mlle. Carlotta Patti and Mme. Strakoseh, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ere life’s declining sun has set, (Di tanto ecceso o’perﬁdi,) Aria in- troduced in the opera “ Bohemian Girl,” Piccoloinini Waltz, _ L’Amour. Clara Louisa Polka. Soprano, . . . . . . . . . . . . . . . . . . . . . . . dfl o. Mezzo Sopr., . . . . . . . . . . . . . . . . . . .. L’Usignuolo. Canzone di Bravura. Soprano. (Composed for and sung by Carlotta Patti,) Le Stelle d’It-alia, (Stars of Italy,) Melodie per Canto, Ital. and Engl., No. 1. Stornello Toscauo. (Toscan Evening Song,)“ La Vedova. (The Widow,) . . . . . . . . “ La Nanna. (Cradle Song,) . . . . . . .. “ I1 Sospiro. (The Sigh,) . . . . . . . . . . . “ . . L’Af’fezi0ne. (Aﬁ‘ection,) . . . . . . . . . “ No. 6. All’anra. (To the Breeze,) . . . . . . . . “ Norton, Hon. Mrs., Juanita. Spanish Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . Perrlng, E., Piccolomini’s Farewell to America, . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Petrella, E., Brindisi (Italian and English) from Opera Jone, . . . . . . . . . . . . . . . . “Abandonata e orfana. (Orphaned, abandoned.) Rom. par Mezzo Sop. de Opera Jone, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Vanne e serba geloso.” (Go, preserve this important.) Duetto par Basso and" Mezzo Sop. Opera Jone, . . . . . . . . . . . . . . . . . . . . . . “ Llamo, l’a1no.” (Love him, love him.) Cavatina par Soprano. Opera Jone, “ Dell’ Ilisso sulle sponde." (0’er the banks of cool Ilissus.) Duetto Sop. and Ten. Opera Jone, , , , . . , “ O Jone, di quest’ amina.” (O Jone, for thy light of love.) Romanza, . Tenor, Preyer, G., Will she com Proch, H., Tyrolese Song, (TyroZe1'Zied,) Reichardt, Alex., Thou art so near and yet so far. (Du bist mir nah und doch sofern.) New edition in the key of E ﬂat. French, Eng- lish and German, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ricci, Alﬁn brillar. (My heart with joy,) B ﬂat, .......................... .. Rivarde, P. A., The Harvest Moon is beaming, (Guide au bord ta nacelle.) § Barcarolle, obillard, V., Dieu, mon enfant, te le rendra. Romance, . . . . . . . . . . . . . . . . . . . Rondinella, P., I! Griubilo. (Valse elégante.) Italian and English, . . . . . . . . . .. Salaman, Ch., I arise from dreams of thee. Serenade, , . . . . . . . . . . . . . . . . . . . . Schubert, Cam., Le Gondolier de Venise. Barcarolle, . . . . . . . . . . . . . . . . . . . . . Schubert, Franz, Last Greeting. (LebewoILl,) . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Maiden’s Lament, (Mddche7L’s Klage,) My Abode, (Aufent/taZt,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shepherd’s Song of Complaint, (Schdfers Klagelied,) . . . . . . . . . . . . . . . —-——— Serenade, (Stands/zen.) Ital., Fr., Engl., . . . . . . . . . . . . . . . . . . . . . . . .. Schumann, R0b., The Lotus Flower, (Die L0tosbZume,) . . . . . . . . . . . . . . . . . . . . .. Oh I thou art like a ﬂower, (Du bis! wie eine Blume,) . . . . . . . . . . . . . . . Silcher, Loreley. Popular Song. Engl. and Germ. words, . . . . . . . . . . . . . . . . . . Speranza, D., The Hour of Prayer. Sacred Song, . . . . . . . . . . . . . . . . . . . . . . . .. A Hymn of Thanksgiving, “ Spohr, L., To Minona. Serenade, Star—Spangled Banner. National Song, (with Chorus ad libit.) Arr. by S. Jackson, Stigelli, G., Isolina. Arietta. Engl. and Ital. words, . . . . . . . . . . . . . . . . . . . . . .. Szemelenyi, E., Medora, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Templar, E., My heart is breaking. Ballad, . . . . . . . . . . . . . . . . . . , . . . . . . . . .. Thevenet, D’Alphonse, Femme du Pecheur, . . . . . . . . . . . . . . . . . . . . . . . . . . .. Thomas, J. R_, In the clear mirror of her eyes. Canzonet, . . . . . . . . . . . . . . . .. * Thunder, H., G., The Sands o’ Dee. Lyric Ballad, . . . . . . . . . . . . . . . . . . . . . . . Torrente, G., Show me thy ways, 0 Lord! Anth. f. Soprano, . . . . . . . . . . . . . . . . Venzano, L_, The Zingarella. Italian and English Verdi, G., La Traviata: “Dite alla giovine,” (Tell me, fair Maiden.) Song,. . . . Un Ballo in Maschera: “E scherzo od e follia,” (It seems a harmless lying.) Aria, Weber, G. M. V., Lullaby, (Wie_qen.Zied,) . . . . . . . . . . My true love is fair, (jllein Schatzerl is [Lil Pain of secret love, (Heimlichcr Diebe P Weldt, H., How fair art thou l (l/Vie sckocn bist du /) . _ . _ . . Wood, Alb. H., A Psalm of Life. Words by Longfellow, Wrighton, W. T., Gentle ray of sunlight. Song, . . . . . . . . . . . . . . . . . . . . . .. . . . VOCAL DUETS. Campana, F., Do you remember? (Te Prammenti?) . . . . . . . . . . . . . . . . . . . . . .. See the pale moon, (Guarda che bianca Luna,) . . . . . . . . . . . . . . . . . . . . . Tell me thou lovest me, (Dimmi che m’ami,) . . . . . . . . . . . . . . . . . . . . . . Hackel, Ant, Two Nightingales, (Die beiden NachtigaZlen,) . . . . . . . . . . . . . . . . . Hodges, Fa ustina Hasse, L’AInicizia, (Friendship) Polka Duet. 2 Sopr., llgluoantoni, G., Il Bacio, (Bright as the bow of promise gleams.) 2 Sopr., . . . . . . illet E. “With cheerful notes.” Sacred Duet, . . . . . . . . . . . . . . . . . . . . . . . . . . 7 l “ Meekly may my soul receive.” Church Duet. Sop. or Mezzo Sop., and Baritone, Mosenthal, J., “I will magnify thee, O God.” Sacred Duet, . . . . . . . . . . . . . . . . Nicolai, Otto, Evening, (Wenn sanft des abends.) Duets Sopr. and Bass, .. . . . . Yradier, Chev. de, Jota de los Toreros, (Song of the Toreador.) Sop. and Alto, TRIOS AND CI-IORUSES. Bellini, Beatrice di Tcnda, “ Angiol di pace,” (Angel of peace.) Sop., Contr. and Tenor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . e,loli ! come,” coro di donne, . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . Bonoldi, Felice donzella, (Oh! happy the Maiden.) 3 Sopranos, . . . . , . . . . . . . . . Costa, M., “Vagnnse ar coleii ﬁche adoro,” (Go to the one whom I adore.) Trio, op . an enor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Donizetti, G., Lucrezia Borgia, “Bella Venezia” and “ Bando bando.” Coro di donn Gemma di Vergi, “ Vieni o b Coro di donne, . . . . . . . . . . . . . . . . “ Do’lce zcl'liro.” Coro di donne, de l’Opera: Favorita, . . . . . . . . . . . Jackson, Scalm ‘I, J:11lDllEEIl)(—) Pee, élfllllllilll, 4 vp,1c_es, in E ﬂat, with Organ‘ Accomp., Ol'lfl. Ill XCC SIS an \ (separate voices). . . » Bcnedietus, Anthem, 4 voices, in King, Wm. A,. Six sacred Quartets, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Millet, E., Ye ﬁelds of Light. Sacr. Trio, Sopr., Ten. and B., . . . . . . . .. , Verdi, G., Giovanna d’Arco. “ Tu sei bella.” Coro di donne, . . . . . . . . . . . . . . . . IMPORTERS OF FOREIGN MUSI.G.
Show less

Date: 1865
Text: -“.,.,......-...-uv W“ ' ix. 1, . I ' ' - .—-_~«-».......‘ .. IA % % : .3 i. N1;WYaR)c. G. S C H IR M E R ,.701;BjR5':);\3)W;&Y. SUCCESSOR T0 BEER &SCHlRMER. z‘,‘m:/ mf rmrw ﬂ’J,/Iq //» //{'1'///ft‘?/I‘/I///‘(‘.C¢‘//£1/,/9’) kw /r?6'j /2;. / K/rfi. z’,':.’F/7':z '//1 //Er ,//e/%cr///7/"rm//1/‘ /}1./}’rz(/ (//311377’./////l4'*‘/r’ W 0 . .>'/;/zzV/r:m /.7/a7w1c‘. 1/ ' ' 4/r74/M/*/r uusnc uannny -VASSAR COLLEGE...
Show more-“.,.,......-...-uv W“ ' ix. 1, . I ' ' - .—-_~«-».......‘ .. IA % % : .3 i. N1;WYaR)c. G. S C H IR M E R ,.701;BjR5':);\3)W;&Y. SUCCESSOR T0 BEER &SCHlRMER. z‘,‘m:/ mf rmrw ﬂ’J,/Iq //» //{'1'///ft‘?/I‘/I///‘(‘.C¢‘//£1/,/9’) kw /r?6'j /2;. / K/rfi. z’,':.’F/7':z '//1 //Er ,//e/%cr///7/"rm//1/‘ /}1./}’rz(/ (//311377’./////l4'*‘/r’ W 0 . .>'/;/zzV/r:m /.7/a7w1c‘. 1/ ' ' 4/r74/M/*/r uusnc uannny -VASSAR COLLEGE ?’1*:lce 40 as ME;7Z{) I'>()F’H/\N() BEWARE! H701-(Is by II. LOJVGFELLOVV. Jllusic by C. JIIOULTOJV. 1. I know a maid — en fair to see, 2. She two eyes ,so soft and brown, She can both false and She gives a '-side giance friend — ly and . looks 487 - Fnie red acco/rd1'1zy to A ct ofCo 11gre.9sA.D; 1 8 6 5 , by Bee?‘ cf-ScIu"rme'r, in the ("Ie’rl".s- Office of tIveD ist rict‘C'our't of the Southern l)1Lst1*ict 0,f_7\'ew Y 01-k. . f s}1e’s fool - ing thee She-.’s fool — ingé she's fotﬂ — ing' thee S'he’.s7§ fool — ing she’s fool - ing‘ .s'he’s fool — ing She's fool — ]'J1g thee ________ _- She".s- fool - ing the? ........ -_ of gold - en A1111 What she thee, S‘he’s fool -~ 1'J1g thee ........... -_ she’s fool — ing thee, She’s fool — " f‘\ Catalogue No. 2 of Vocal Music, published by G. Sohirmer, 70] Broadway, New-York. SONGS. Verdi, G., Luisa l(\iIiller: “ La tomba 6 un letto," (The grave, like gs.rdens,) Melo ie . . . . . . . . . . . . . . . . . . . . . . . . . . Vilanova, IL, Sospiro. Melodia,. —— Ave ltlaria. Sop. or Mezzo-Sop. Warren}, S. P., The sea hath its pearls. WingsofSong.. .. .. . Mother’s Morning Song, . . . . . . . . . . . . . . . . . . . . . . Two Songs: No. 1. Miller’s Daughter, . . . . . . . . . . . . . . No. 2. Love that hath us in the net,. The Fountain. Watson, H. 0 . nllivllti A Happy tears down falliiig,. . . Roving, restless streamlet, _ 0. HI. V., Lullaby, (_Wte (1, ._ .. My true Love is fair, (Mam be/iatzer 25 /mZ>scIL,). — Pain of secret love, (lieiiltlicher Lielze Pein,). . . . xveidt, 11., How fair art thou ! (Wis so/Lon btst du I) . . . . . . . . . . . . . . . . .. Wviebe, EdW., Slumber Song. Engl. and Geiz, . . . . . . . . . . . . . . . . . . .. . . . . Elvood, All). I-[., A Psalm of Life. Words by Longfellow, . . . . . . . . . . . . .. Wriglitoxi. W. T... Gentle ray of sunlight, Song, . . . . . . . . . . . . . . . . . .. Wrobleski. E., Lifeis happy hour. (11 Ballo.) Valse, M. Sop., . . . . . . . . . Yraidier. Chevalier, Lost forever, (Ay Chiquita.) French and English, or Spanish and English, . . . . . . . . . . — Maria clolores. Spanish and English,.. . . .. VOCAL DUETS. (Fliege du Vbglcin.) Duet, . . . . . . . . . . . . . (Surrc, surre Kiiferlein.) Duet, . . . . Sop. and T Latin and Italia Song,. Weber, Abt, Fl'Z., Fly away birdling. —— Music of the Meadow. Arditi, Night in Venice, (Una notte a Venezia.) opraiios, . . . . . . . . . . . . . . . . . . . . . , . . . . . . . . . . . . . . . . . _ , . . . . . . . . Auber, D. F. E., Premier Jour de Bonheur. Nocturne. Sop. and Mez. Sop. French and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . liklangini. 17., Through valley, through forest, (Per Vd.lll,_ per boschi.) Bordese, L., Carnaval dc Venise. (Carnival of Venice.) Sop and Alto, French and English, . . . . . . . . . . . . . . . . . . . Oarnpana, F., “ I live and love thee.” (Io vi _.—— Roma 1 (Rome,) Cont. and Baiz, . Do you remember? (Te Praminenti '2). . See the pale moon, (Guarda che bianca Luna,) . . Tell me thou lovest me, (Dimmi che m‘ami,) . . . . . . . .. ... . . . . . Contralto or Sop. and Ever united, (seinpre insieme.) Sop. and Baritone, . Maria e Kizzio, (Mary and Rizzio.) Sop. d e ., r 2 We’ll go and seek. (Alla capanna andiamo.) Sop. and Sop., or Sop. and Ten., . . . . . . . . . . . . . . . . . . . . . . . —- Come witi. me. (Vieni meco.) Sop. and Mezzo Sop. Carulli. Poor Heart, (Povero cor.) Soprano and Baritone, . . . . . . . . . . . . . . . C111-sclnnann, Welcome be thou light of heaven, (WillIt'0Ir1.me7t do G0tl€8 lstmne.) 2 Sopranos... . .. . .. In the Woods. (1771. Wu/rte.) u t, Sop. , D0 zetti, La Favoiita, “ 0 Days of Youth,” (Ah Leonora l guai o.) and Baritone, The Adieu, (L’Addio.) Soprano and Baritone, . . . . . . . . . . . . Gabussi, La Calabraise. (Fortune teller.) Sop and Mezzo Sop. Italian, English, and French, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gounod, Charles, Romeo e Griulietta. Madrigale, “Angel che adoro,” (Angel beloved.) Duet. Soprano and Tenor, . . . . . . . . . . . . . . . . Grell, A. }3}., Laurel and the Rose. (Larbeer und Ruse.) Sop. and Mezzo Soprano, Graben-Hoffmann,’ Messenger of Spring. and Baritone, Gumbel-t, F., Cheerfulness, (Frohsinn.) Waltz, Duet. 2 Sopranos, I-Iaekel, Ann, Two Nightingaies, (Di 1) ‘den NacILt7;gallen,)... Kiodges, Faustina Hasse, L’Amicizia, (l<‘riendship.) Pol Duet. 2 Sopranos, . . . . . . . . . . . Kiicken, Fri)... fmward bonny boat be ﬂying, (Treibe, treibe, Sc/Lwtein.) ue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (»V‘7"t'i/Lli/z_gs0oten.) Sop. , . —-— On gentle waves. (Die 17" . Duet, . . . . _ . _ . , . __ Lueantoni, G“ 11 Bacio, (Bright as the bow of promise gleams or Tenor and Soprano, . . . . . . . . . . A Night in Venice, (Una notte a Vene . 2 Sopranos, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lovers’ Meeting, (I1 convegno.) Soprano and Tenor or 2 Sopranos,. -—— La Reconcialation. (The Reconciliation.) Duo Sop. and Bar. Italian, French, and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . , . . Mabellini, F., L’Estasi “ Zitto non chiedere.” (’l‘he Ecstasy “ Speak not lov .” Duet, Sop., and Baritone, . _ . . . . , , _ . , . . Malibran, Mme", “ Breathe not that mountain Duetorsolo, . . . . . . . . . . .1 . . . . . . . . . . . . . . . . . . . . Masinl. F., Tshe Land of the Swallows, (La Patric des Hirondelles.) Duet. ‘-4 OPYMIO . Mendelssohn, 17., Two part songs, (new and correct edition,) complete and separate. No. 1. “I would that my love,”. . “ 2. The passage bii-d’s farewell,. 8. Gree ing, . . . . . . . . . . . . . . . 4. Autumn Song,. . . . . . . . . 5. 0, wert thou in the cold blast, 6. May bells and ﬂowers, . , . , . . 7. My bark is bounding, ’ ( des Vaches.) s, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 8. Can I light hearted be, 9. Evening Song, . . . . .. 10. Zuleika and lziassan 11. Sabbath moi'n,.. . . . 12. The harvest field, . . . . . . 13. Song from“ltuy Bla ” .. . , , . lvlillard. I-L, Vieni al ml: qsenl (Come to my heart I) Duet. and Tenor or ' copranos . . . . . .. Mﬂlet, En Awake up rgy glory, (Quae te Ch . orano. uet......... . . . . L’Aveu. h(The vow !) ‘”Du§t, Tenor, and Sop. French and English,. “ With c eerful notes. acred Duet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Meekgy may my goﬁl rfceive.” Chiirch Duet. Soprano or Mezzo oprano an an on Adored foreveir, (Beatam te dicent.) 2 Sopranos, . . , . . , . , _ ——- Grlencove. “Duet for Soprano and Mezzo Sop., or Tenor and Soprano, Mosentlial, J., I will magnify thee, 0 (:rod.” Sacred Duet, . . , . . , , . , . , Nicolai,M0ltto, Evenindg, (8/Vem7., sanﬂ ales Abends.) Duets, Sop. and Bass, at tsubyecte , ( rmai sommesco.) Sop. and Bai-., or Sop. and I] . Offenbach, J._; La Périchple, L’ warrior once said. ’ Duet, Ten. an Palloni, G., L’Oi‘{a.1convenuta.3._(The appointed -h . , Duet, 2 Sop., or sop. am "en. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . _ .. -— Una Sera in Mare.‘ (An Evening at Sea.) Duet, 2 Sop., or Sop. and Ten. Ricci. Now waits the Gondoletta, (I ront e la uondoletta.) Duet or Chorus. Soprano séfriétirb‘ }£xi:i' iwiéiié TwoSop., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Rinck, 0115., Sabliath Eve. 12 devotional songs for 2 voices, Book 1 and eaci... _ , , , , , _ , _ , _. schimon, A., The céi. . L’Eco.) , Sop ., so,,_ and T6,,” S. ll}. S., Felice, amore, (Tell me then, dearest.) Duet, Sop. and Mezzo Sop., Yradier, Cllgghde. Jota de los Toreros, (Song of the Toreador.) Sop. an 0, . . . . . . . . . . . . . . . , COMPLETE CATALOGUE OF IMPORTER OF FOREIGN MUSIC, 5 50 50 «+0 TRIOS, QUARTETS, AND CI-IORUSES. (SECULAR MUSIC.) Bellini, Beatrice di Tenda, “Angiol dl pace,” (Angel of Peace.) Sop., Cont. and Tenor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . —— “ Come, oh! come,” (Coro di donne,) . . . Bonoldi, Felice donzella, (Oh! happy the Maiden.) 8 Soprano Oampana, 17., Row us swiftly, (Voga, voga.) 8 female voices, . , . . . . . . . . 1 — When I am gone from thee, (Quando ﬁa gen-ere,) Trio, 2 Sop., and Ten. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . My mother‘. (Mia madre.) Trio. 3 female voices,. . . .. Clapisson, L., Les Grlaneuses. (The Reapers.) Solo and Trio, or Chorus. Three female voices, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Costa, IVL, “ Vanne a colei che adore,” (Go to the one whom I adore.) Trio, 2 Sop. an enor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Curse-hman. The Violet, (Das Veilc/Len.) Trio, 3 female voices, . . . . . .. Donizetti, G., Lucrezia Borgia, “Bella Venezia,” and “ Bando, Bando Coro (li donne, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A Geinma di Vergi, “ Vieni n Bella.” Coro di donne, . . “ Dolce zeﬁfiro.” Coro di donne, de l’0pera I<‘avorit-a, . . . . . . . . . . . . . Garcia. lVIIne., Se mia prestassi i vanni, (Spirit of Light and Beauty.) Trio, 3 female voices, Gordigiani. 0 come to the Sea, (Vieni al mar.) Trio, Sop., Ten., and B.,. Nigri, G... La Luna, (By Moonlight.) Trio, 3 fem. voices, or Sop., Ten. and B., Rittel', F. L., Practical Method for female chorus classes, Part] and 2, each . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . n Scllumaxin, R01», Gipsey Life. (Zigeuner-Lebzm.) voices, score, . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 voices, parts separate, each,. . .. .. Sibel-, Ferd., Summer. (“ 1m Sommer zremt die Biiume 971271.”) Trio, Sop., Alto, and enor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. G., Giovanna d’Arco. “ Tu sei belia." Coro di dcnne, . . . . . . . .. . Chorus for mixed Verdi, FOR FEMALE VOICES. F. L., and Funny Raymond-Bitter, Collections of Trios and Choruses for female voices, is adapted and arranged, with English words. . 1. “Sleep, sleep, noble Child.” Chorus. Blanche de Provence. Cheriibini, 2. “ To Earth May Win<ls are of the Rose. (Schumann,).. . The Merry Month of May. . (A L Maiden’s Spring Song. Trio, (F. Grumbert, . “ Hark ! ’tis the Indian Drum ” Round. (Bis iop,) . . . .. “ When the Wind blows.” Trio. (Fanny R, l{itter,) .. .. “The World lies hushed in Slumber.” Trio. (It. llol,). The Spanish Tambourine-Girl. Chorus. (Scliumann,). . " Hear our Morning Pr ' ” Solo and Chorus. La Ves tie, (Spontiui,).... . . . . . .. .. . . . . . .. . . " Morn‘s Gates aga . . ( ptmann, “Sprites of Air.” Fairy Chorus. Oberon. (Webei',) . Down in the Dewy Dell. Tfio. (Henry Smart,) . . . . . . . Thou wilt notleaveme,(Ah, nonlasciarmi.) Trio. (Leonlr d,) “ Calm is the glassy." Chorus. ldomenoo. (Nlozai'l.,). . .. . The Chime of Silvery Sabbath Bells. Trio. Abt,) . . . Nightfall and Darkness, (Alta 6 la Notte, oscura) (Grordigi-ani,) . . . . . . . . . Rittor, Chorus. Pilgi nnge _-m_._.»_n._i_ °‘$'-7':F*.°°’~"’!“.° 5°.°°:*‘?’$1‘£".°° 'i~.-it", ) Ti . Campana.)... . “Deck we the Pathway.” Solo and Chorus. Paradise and the Perl. (Schumann . . . . . . . . . . . . . . . . . . . . . “ Let us all to the Fields).” Trio. (Ferrari,) “ ow bending before you.” Trio. Ma (Ciinarosa,) . . . . . . . . . . . . . The Stars. Trio. (Leon 3. “Homeward in Joy.” >-1,.”-A .°.°°I"‘ . . Trio. ) '. The thirtysecond Psalm. Chorus. . . “Give Praise to God.” Trio. (Hauptmann,) . . . . . . . . . . . . . . “ With Thee is Mercy.” (0 Salutaris ) Trio (l’zinsei'on,)., . The Water Elves. Chorus. (F. L. Ritter,).. . . .. .. .. . . “The Duchess Diana.” Chorus, (F. L. Bitter, . “Whirl and Twirl.” Solo and Chorus. Flying Dutchman, (R. W;igner,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Moonlit Rocks. Quartet. (A. Lee,) , . Spi'ing’s Delights. Quartet. (Mueller . “ He hath holpen,” (Magniliciit) Trio. (Bach,). . . “ Oh ! share the Treasure.” Solo and Chorus. Obero . Weber,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SACRED SONGS FOR ONE VOICE. Bach, J 011. Seb.. My heart ever faithful. (Main gldubig Herz ) Sop. or Mezzo Sop, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Banclr, Carl, Three sacred Solos or Quartets. See Quartets, . . . . . . . . . . . . Benedict, J”, He giveth his beloved sleep, . , . . . . . . . . . , . , . . . . . . . . _ . . . , , , , Campana. F., From the depths. (Dal profondo dell ’oblio.) Preghlera, Contr. or l‘5arit,, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . (Prayer to the Virgin,). . . . . . . . . . . . Beatitudes, . . . . . . . . . . . . ezzo Sop., . . _ (Schletterer, . . . . .. (Franz Schubert,). Gomliginiu. O santissima Vergine. Hodges Faustina H Cloister Memories. ————- .1 o. 1. Blessed are the poor in Spirit. No. 2. Blessed are they that mourn. Contralto . No. 8. Blessed are the meek. Duet, two Sop.,. . . No. 4. Blessed are they that do hunger and thirst. Con No. 5. Blessed are the merciful. So . . . . . . . . . . . . . . . . . . . .. . D 7 Jackson, Salnuel, “Teach me 0 Lord.” Soprano solo with Quart.,.... King, Wm. A.’ Ave Maria. Latin and Engl.,, . Lord, (1118. W., Vesper hymn, . . . . . . . . . . . .. Llizzi L. Ave Maria. Ital. and Engl. . . . . . . . . . . .. . ., . . 5 lvlercadante, S.’ Salve Maria. Ital. and Engl. Sop. or Mezzo Sop.,.... lYIilla1'd, I-I.’ Ave Maria. Latin and Engl.,. . . . . . . . . . . . . . . . . . . . . . . . . Procll, I-I., Ave Maria stella. Soprano, (Latin and Eng1,,) . , . . _ , , , , . , , , Rossini, G.’ Messe Solennelle. “Domine.” Tenor,.. —— do. Cruciﬁxus.” do. “ O Salutarls.” do. “ Agnus Dei.” Contralto, . speranza, 1)., The hour of i>rayei~. Mezzo Sop.,.... A A hymn of thanksgiving. Mezzo Sop.,. . . . , . .. , _ , . . , , Stradella, 0 Lord have mercy. (Pieta Signore.) C minor (Sop.,). . . . . . .. . Sprano in G, . . . . . . . . , . . . . . .. Mezzo Sop. in F ‘Vilanova, R.’ Ave Maria. Soprano, Latiu,. , . . , Wood, Alfred H., A psalm of life. Words by Longfellow. Torrente, G., Show me thy ways 0 Lord! -—— do. Sop., . . . DUETS, TRIOS, AND QUARTETS. (SACRED MUSIC.) Banck, Carl, Three Sacred Quartets, (or Sop. Solos.) No. 1. Dawn, . . . . . . . No. 2. The Morning Star, No. 8. The Cloudless,.. . Do., do., do., Complete in one, . . . . . . . 1 Dudley, Episcopal Church Music for Quartet or Chorus Choir: Morning Service, Op. 25, No. 1. Venite, . . . . . . . . . . . . . . . . . . . “ 2. Te Deum, . “ 3. l3enedictus,. . “ 4. Jubilate Deo, Evening Service, Op. 81, No. 1. Gloria in Excelsis U Buck, “ 3 Deus misereatui~,. :: 4. Cantatc Domino, Ch ' t P E t A ii Ben?)d1c2'i)mm"' i-is our assover as er 1] iem, p. , . . . . . . . . . . . . There were Shepherds. Christmas Anthem i I-Iark i What mean those holy voices, Hymn’, Op’ 32*‘ ‘ ' ' ‘ ' ' ‘ ' " Darkly rose the guilty morning, Lenten Anthem, . . . . . . .. _ . . . . . . . . . Special Hymns (in Anthem form) for Quart, or Chor. Choir. No. 1. The s ‘ain upraise Alleluia! . . . . . . . . . . . . . . . . . . . . . . . . . .. 1 u . 5 H-ar'kl a thrilling voice is sounding (Aclvent,) } ' . l Saviour source of ev ry blessing, Hail to the Lord s anoiiited, (h1>ipliany,) H Day of wrath ! _(l)l'eS Irae,)V . . . . , . . . Christ the Lord is risen. (ha _er,). . “ O holy, holy, holy Lord. (Trinity So I ( y, M 7 % ‘l\3I1'e:Lrd.é)lf itli<,;{worlCé inﬂmercy l)|'(lli€ll, E_ A y :11 l oo s up o ice, ' “ 8. Come yc disconsolate, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Cliristopher, lVla1'i0n, Deus misereatur, Anthem, 4 voices, . . . . . . . .. . 1 Hodges, Fallstillia }I., “I heard a voice from Heaven.” Quartet .. Blessed are the meek. Duet Sop.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Jackson, S., “Peace troubled soul." (llyinn 130, 11 3.) Solo Duet Trio, and Quart From Lysberg,,, . . . . . ,, Gloria in Exce Chant, 4 voices, p Benedictus. Anthem, 4 voi ~ .5, in E ﬂat, with Organ Accomp.. . . Inspirer and llearer of Pra Ilymn 158, for Soprano and TI Solo with Duet and Quartet .. .. Lord foiiever at Thy Side. Sop.’ and on b It as .°°$1‘:‘‘.°° ‘*7 Melody y t, . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . As pants the wearled Hart for cooling Springs ! (Select. 37.) Sop. and Ten. Solo, \vith Duet and Quartet, from Robert Franz. . . . . . . . .. Teach me, O Lord. Sop. Solo with Quart, ad libit., adapted and arr. from Mendelssolmls “ O quam S1l'olVlS,". . . .. . . . . . . . . . . . . . . . . . .. Saviour, Source of every Blessing. (liymn 18.) AYI‘. for Sop. and Ten. Duet, with Alto and Bass Solo. From Franz Abt, . . . . . . . . . I will Arise, (Sonic-nr:e,) from “Agnus Dei," by Liimotte. 4 voices,.. Jesus, Saviour of my Soul. (llymn 143.) Air. for Sop. and Ten. Solo, with Quart, from Franz Abt , Thanksgiving Anthem. “ Great God ! we come with grateful Hearts." Voice‘ Jubilate Deo. Anthem, 4 voices, in E ﬂat, with Organ Accomp., , . , . “ The Lord my pasture shall prepare.” (Hymn 9,) Sop., Solo and Sop., and Ten., Duet with Quart., from GuglieIino,. . . Gloria. in Excelsis. Chant in D. 4 voices,.. . Gloria in Excelsis, in C. 4 voices, . .. Jubilale Deo in F. 4 voices,. . . . Jubilate Deo in D, 4 voices, . . .. . . .. “Sun of my Soul.” (Hymn 268 L. M.) Qua cieiit Melody,. -". Gloria Pati-is, No . ' d. from an an- “ 3 in F “ 4 iii Bi) 6 Gloria tibis. 4 voices, _ _ _ Deus misereatur in E Flat. 4 voices, . . . . . . . . . . . . . . , , , . ._ ,, “ Lord with glowing heart.” (Hymn 150.) Sop. or Ten. Solo with Quai~t,, from Mendelssohn, . . . . . . . . , . . . . . . . . . . . . . . . . . . . . . . . . . . . “Saviour breathe an evening blessing.” Opening piece, arr’d, from Mendelssohn for Sop. Solo and Quartz, . . . . . . . . . . . . . . . . . . . . . . . . . “ Hark a thrilling voice is sounding.” (Advent hymn 218,) arr’d for Sop. and Ten , Solo with Quart, from l\loz:irt, . . . . . . . . . . . . . . . . . . “Jesus Christ is risen to-day.”‘ (Easter hymn, 283,) a ’d for Sop. and Ten., Solo with Quart., from Mozart, . . . . . . . . . . . . Grand Te Deum in A. 4 voices,. . Benedictus, in F. 4 voices, . . . . Kotzschmar. I-L. Te Deum in . . . . . . . .. . :— “O Lord, 0 Lord.” Quartet. Mixed voices, ———« Deus Misereatur. do. do. . Rejoice in the Lord. Anthem. do. King, Wm. A.. Six sacred Quartets,..... . . . . . . . . . . Millet, E... Ye Fields of Light. Sacr. Trio, Sop., C011. and B., _ . , . , , . . _ _ _ ——— Awake up my lory. (Quae te Christe) Sop. and Mezz Sop., Duet, With cheerful notes. Duet, _ M , , _ _ —— Meekly may my soul receive. Sop. or Mezzo Sop., and B itone, . . Adored forever. (Beat-am te dicent.) 2 Sop., . . . . . . . . . . . , . . . . . . . . . . Mosenthal, J., "I will magnify thee, 0 Lord.” Duet, Sop. and Ten., or 2 Sop. —— do transposed for Mezzo, Sopr., and Alto, in F, Eve, l2 devotional songs for 2 voices. Book 1 and Rivarde, P. A., “ Softly now the light of day.” Solo and Quarte , , . Rossini, G.’ Messe Solennelle. “Gratias.’j Trio, Con., Ten., and Bass, _——_— do. “Qui tolhs.” Duo Sop. and Con.,. , Paine, John K.. MasslnD.for4voices,........ . . . . 500‘ Walters, W. H. “0 how amiable.” Quartet. Anthem " Out of the l)eep.” Anthem for Sop. and Ten., wlthifull Choir,. .. 1 00. , , ORGAN. Buck, Dudley, Jr., G-r. Sonata in E ﬂ-it, . . . . .. . . . . . . -——- 18 Studies in Pedal phrasing. Bks. 1 and 2, each,.. Concert V3.l'l'v\tl-‘-I15 on “ Star-spangled Banner,”.. . . “ Andante” from BeethoVen’s Sonata. Op. 28,. . Triumpha1March,..... .. .. Impromptu Pastorale Rondo Oaprice,. .. . . . . . . . . . . . Overture " Gruillau ll,” (Rossini,). . “ “Stradella,” (Flotow,).... 4 Transcriptions from Schumannls “ Pictures from the Jackson, Samuel, 12 Voluntaries. Vols. 1 and 2, each,.... . . . . . . .. .. 1 25 Bridal March, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . lVIendelssol1n9s Wedding Marchharr. by S. Jackson, . .. . . 1’riest’s March, from “ Athalie,” arr. by do., Wagner, Rich., March and Chorus from “ Ta.nnhausei°,” arr. by do.,... ALL MY PUBLICATIONS SENT ON APPLICATION. AND PUBLISHER. so ‘ 35 35 _ 00 00 35 25‘ 50 " 75 35
Show less

Date: 1888
Text: .-/Usac LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW YORK Mr.Theodor3eMarziaIs. WORDS BY . 55 “K ILQNAGIEELVL MUSlC BY /i\ ,i W PRICE BUGENTS. ram... . Y C|NC|NNAT|.0., ‘ THE NEWHALL &EVANS MUSIC. C0., Gupgrigmlﬂﬂﬂ byThE Newnall Mvans Musmﬁu. Q69 BRIDQ1? Song Words by LONGFELLOW. ' I ‘ Music by ANTON STRELEZKI. Grave e con sentimenfo. ‘ mf /-8 o a V sempre con Pedule . — stood on the bridge at midnight, Asthe (‘locks were striking the hour, And the main; 1: rest,-. moon rose 0’e1'...
Show more.-/Usac LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW YORK Mr.Theodor3eMarziaIs. WORDS BY . 55 “K ILQNAGIEELVL MUSlC BY /i\ ,i W PRICE BUGENTS. ram... . Y C|NC|NNAT|.0., ‘ THE NEWHALL &EVANS MUSIC. C0., Gupgrigmlﬂﬂﬂ byThE Newnall Mvans Musmﬁu. Q69 BRIDQ1? Song Words by LONGFELLOW. ' I ‘ Music by ANTON STRELEZKI. Grave e con sentimenfo. ‘ mf /-8 o a V sempre con Pedule . — stood on the bridge at midnight, Asthe (‘locks were striking the hour, And the main; 1: rest,-. moon rose 0’e1' the cit-y, Be - hind the d.'u~k chm-ch f0w’1'. (/8 t en. Copyright 1888 by The NewhalIi& Evans Music Co. J‘ - (lct:r¢r.s'c. - mung‘ the long black rail ter.~;z, The wav’r - ing sh:ulows lay; .. And, the x J‘ .s'o.s-tenuln. e.S‘])I'8.S'.S‘ . current that czune ﬁ'dlllﬂlC ocean, See1n’d to lift and hear them .1 - way. r.\ V [llllfll tt_qiIm‘o. In As sweeping,eddying thro’ them, Rose the be-la,-ted tide, pm-0 agitate. /‘ espre.s*s. . slrezun-ing in - tn the moon -light The see - weed i'I0at - ed wide; # T * e.-’ rem. col (1 vnce; 1,-on p(t,.s'.s'(',0ue. like those w.'1-tors 1-ush-ing, A - mong the wooden piers, V ten. rallen tamlo. __:—Jj" tlecresc. 7"""t"’2‘- flood 0fth01Ig|1ts('a111e _0’e1- 1111: That f'ill’1l my eyes with tezu-s. dale dolciss. # mp dm:7'e;ec. PP col/a voce. ra//en ‘fez. 111]) a tempo pm,-0 ,el. How oft-en! oh, how oft-en, In the U t(€7I1]I() }I0(‘0 (I(,‘(.'€I. 17Ipscm}n-e («mu/0. pr) on rail. days that hm] gone by, I had stood on that I11-itlgeat. mid-night, And pm,-0 rail. a tenzpo. / pre coal. 6 (2:-e.s*_ r-cu g':|z’d onllml wave and sky; Ilow 011-011! oh, how 0f'l-on, Ihml (1. tempo. #-is-\. .2? I) .§‘€l)l[H‘8 (I00 6’ ores "if dim irmendo. wislﬂl that the elrh-ing tide Would hear me .1-way on its ho-som, 0’e1*the "}j"’9" I; diminuendo. # ' ﬂu 72¢.-st” pact) rail _ I "S ' 0-t-c.'m wild and wide, Wen-llnc 0 - cenu wild and wide. For my pm-0 ra/I _ en _ tan - do. ' mp p in mo.s-so . hem-t was [ml and 1-est-less, _ And my life was full of €10 can molt!) espress. L I'll//elltﬂlli/0. ___..— Andthe I;u1'- den laid up - on Seem’1l gm-eat-m-Iluunl could marcalu. £38‘])I'€.S‘S‘. ff rallentrm (lo, a tempo primo . a tempo prinm. P Jim. 6 all. V tramp: illo e (I0/CL’. (lo!/(-iss. {J ‘ P pm.-(1 Wtll. rt tempo. it has fall-en from me, It lies_ Inn--ied in . ) . . 1/ e (in/(re. I poi-0 I'll//. It (£’m;m. on-ly the sorrow‘ of others Throws its shad-ow 0 - ver me; think how mzm-y thousands c1u'e- en-cum-|)e1-’d men, ‘rail « , _ tan. PP ml) hem--ing his hu1'- den of v s01-- 1-ows, Have ('1-0ss’d the bridge since ten. ten ten. then.“ rail. (3 nun-endo. do/L-is-.9. P “ temlm, can Sm-dini. can Petlale. I62?/§_—6 Sta/ndard—~C'iassicai and Popular Mus'ic—For Study and Heoreation. .FOR BEGINNERS. I-I. Lichner-.—The most instructive writer of music for beginners on the Piano. Alpine Violet. Op. 95, No. 1, . . . In The Meadow. “ “ “ 2, Happy Hours. “ “ Spring Verdure. “ “ May Rapture. “ “ Beautiful Dreams, “ The Pink. 111, Polonaise. 135, Polka. ,“ Waltz. Galop. Tyrolienne. Mazurka. Coronation, . Spring Life, . Julius Becht. B0bolink’s Bail, S.<:l1ott., . . Wild Hyacinth Waltz, . . . Cypress Pollgu, _ . . Golden Chime l\Iaz., . . . Dot and Dash Gallop, . . Chas. Kinkel.— Aunt Mollie’s Waltz, . . Four in Hand Gallop, . . Flowret, Schott., . Willie’s Polka, . . . Mother’s Rondo. . . Louis Mew er.~ Mountaineers’ March, . Young Villagers’ March, Violet Blossom Waltz, . . Tyrolienne, . . . . . . . Wymond.— Walz —. Remember Deeds of Kindness, Baker—Lena’s Favorite Waltz,. . . . Baker—Life’s Happy Hours, Waltz, . Geo. Nelson.~ Claretteéfiondo, . . . Etelka—Valse Brill, . Eugenia—Rondo, . My Bird—Valse, . . . . My Fav0rite—Valse, . . C. Schuman.— _ Morgen. (Morning) - Abend. (Evening.) - Frieling. (Sp1'i11g.) — ~ — Sebentust. (Joyous.) - - “ Spinuradchew. (Spinning Wheel.) Tarantella. - - - - “ Bernhard Wollzra Zigeunertanz.(GipsyDance.). . . .——Rondo... Die Kleine Miillerin, (Miller’s Little Girl.) John 0111:.- Die Miihle Sylphide, . . . . . Village Festival,. . Rondoletto............ In the Beautiful Month of May, . Robert Goldbeck.—— Idyl——Nocturne,. . . . . . . Harmonious Blacksmith, . . Chant de Berceau, . . . CHOICE AND Annabel, Polka, . . . Andy Baum, Schott., Antoinette, Gavotte,. . . Austrian Song, . . ~ . Baladine, . . . . . . Beaconsﬁeld Polka, . . . Blue Bells of Scotland, British Patrol, . . . . Calm Night, . . . . . . Changeless Waltz, . Carlotta Waltz, . Chanson ﬁancee, . Chant sans Paroles, . . Clifton Waltz,. . . . . . . . . . . . Crown March Celeste, . . . . . . Faded Leaves, . . . . . . . . .Lomge. 50 Fairy Galop, . . . . . . . . . . . . . W3/mend. 40 Flower of Gold, Schott., . . . . . . . . . . . . . 40 Flowersong, . . . . . . . . . . . . . .Lomge. 50 Flowers of St. Petersburg, . . . . . . Resc/1.. ’ Forsaken and Forgotten, . Jimgmom. Funeral March, . . . . . . . .Sofge. Gavotte, . . .St.;6'aens. “ Stephanie, . . . Czibulka. Hail Storm, . . . . . . .Lessi9ig. Heather ROSG, . . . . . , Lmzge, Hemweh, . . . . . . . . . . . . . .ﬂmgm.an. Impromptu. 0p.142, N0. 2. . . . Schulw/r't, Invitation to the Dance, . . . Weber. Fontaine, . , Last (‘hance, Galop . Leontine. Schott., . Lovers’ Dream, March Calisthenique, March of Troubadours, . Mary to Savior’s Tomb, . . May Breezes, . . Minuet,.. National March,. . . Nein, . . . . . Newport Waltv. . .r35 . 35 . . 35 . . 40 . . 40 . . 40 . 30 . . 30 . . 30 . 30 30 . 30 30 . . 30 . 30 esrysrsssry .35 .35 ..35 .35 .35 '30 ..3o .30 .35 . 50 . 40 . -30 40 40 50 50 75 . . .Jen8m:,, . .Loe.sclzm-ii. . Jensen. . .Spalu'. . Merkcl. (The Mill.). . . . . . . . . .. 50 . .Homdel.. . .Kctte7'ei‘. PLEASING. . . . Sclzonaclce . . ..Pinguel‘i/. . . Griggs. 40 . . Packer. 50 . 75 . 40 . 60 . 50 . 50 . . . 40 . . Millocker. 75 . . Egghard. 40 . Tchaclcowski. 30 . . W3/moml. 50 . . Vilbre. 50 40 40 50 35 50 35 60 35 30 40 50 40 35 35 40 30 40 75 60 30 35 35 40 . . Bohm. . . . .Blake. . .Amemle. . . . Bristow. . . . “ . .Roubie*r. . . .Rees. . . . . . . .La.71.ge. . , . . . .Booche'rim'. . . . . . . Wymond. . . . . .Nemba.c}z. . Walker. iniinntt & EVANS CHOICE AND PLEASING. —Contlnued. Nocturne. Op. 37, No. 1. . . . . Chopin. One Heart, Two Eyes, trans., . . .Pontius. Passing Clouds, . . . . . . . . . .I:'/mlcel. Pass Me Not, trans., . . . . . .Docme. Persian Patrol, . . . . . . . . . .Giese. Rescue the Perishing, . . .Docmc. Rondeauiavori, . . .IIwmmel. Rondoin D, . . . . . . .ﬂIozm“t. Spinning Wheel, . . . .iS'c/imoll. Steele Waltzes, . . . . .Riclzeg/. Sweedish VVcdding March, . , .Sodermom. Sweet Messenger of Love, . . ..Lcssing. Titania, . . . . . . . .Wely. Turkish Patrol, . . . Whispering Pines, . . . Zither Sounds, . Twilight Fancies, Tournhamer March, EveningStar, . . . . . . . . . . Cricket on the Hearth, Waltz, . . . . . . . . . .. VerdictMarch,. . . . . . . . . . . . . .Blake. BRILLIANT AND SHOWY. Vivandier March, . . . . . . . .SC}L0’I’LaC/Le’/‘. 50 Marche Homoresque, . . . ._B’r‘cmdei.s. 70 June Idylle,. . . . . . .SchoiLacIce1'. 50 Meg Merriles,. . . “ VValdten fel’s Visions 0 Il Corricolo, . . . . . Chasse Infern-ale,. . . . . . . . . When You and I Were Young, . . Beautiful May Waltzes, . . . . Corn Flower VValtzes, . . . . . . Norwegian Wedding March, . . Nunsicora,. . . . . . . . . Fidelia, . Loreley, . . Harpe Eolienne, Gailte dc Coeur, . . . . Charge of the Huzzars, . Gipsy Rondo, . . . 40 50 50 25 50 25 60 40 40 75 35 60 60 35 50 40 50 75 75 40 40 . Zlficlzaelis. . ,Less2‘ng. . J/zmgmom. .......Bruce. . . Wagnei‘La.ngc. H H 75 50 65 50 75 60 40 60 75 75 75 65 50 Beautiful Women, . . . ..........DeG'rau. . Kolling. . Lessing. . Slrauss. . . Coote. . . . Grieg. . . Ivlcwtigzni. . Lebierre. . Seeling, . Sid. SirLith_ H . .»S’p2‘ndle7'. . . . . . .HcLyrlen. PIANO STUDIES. Op.91,Book1, .. ... .. Op. 70, “ 1, Op. 299, Book 1, Op. 299, “ 2, (‘zerny. Op. 849, “ 1,. . Diabclli. Op. 149, Book 1, . . . . Duvernoy. Op. 120, Book 1, . . Eschmann. Op 22, Book], . Eschmann. Op. 25, . . . . Gurlett. Op. 85, Book 1, . lleller. Op. 46, Book 1, . Heller. Op. 47, “ 1, . Heller. Op.47, “ 2, . . . . . . . . . . Kayser. Op. 20, Book 1 (Violin) . . . Kohler. . 50, Book 1, . Kohler. .50, “ 2, . Kohler. . 151, . Kohler. . 157, . Kohler. p. 190, . Loeschhorn. Op. , Loeschhorn. Op. 2, . Loeschhorn. Op. 3, . Loc:.-chhorn. Op. “ 1 . . Loeschhorn. Op. 2, . . lioeschhorn. Op, 3 Loeschhorn. Op. 67, 1, . . . . . . . . . . Scales and chords in all major and minor keys . . Schmidt. Op.l6,... BRILLIANT CONCERT Chauson Alpina, . . . . . . . . . Ask Me Not Why, . . . Asperation, . . . . The Belle, . Carnival of Venic . . . Dear Little Cottage, . . . Fatal Love—alto or bar., . . . . . In the Silence of the Heart, 8. . . The Mendieant, ms. . . . . Thou Hast Betrayed Me, .9. . . My Heart I Give Thee, s . . . Venzano Waltz, 3 . . . Drinking Song, 8. . . Smile Vilaltz Song,.s. . . . . . . . Here Within in Her Chamber, . . CONCERT BALLADS, SONGS, Almost,ms............. Always True, 8 . . Baby’s Dimple, a. . Bells of St. Ethelored Anbade,s. . . . .. Better Land, 5 . Bills . . Bird of Love. s . . . . Birds of Song. Waltz. ms, . . Bird That Came in Spring, 8. . Brool<,m.s- . . . . . . . . . .. Cavilier, bar. . . . All Hands Ahoy, bar Anchored in the Bay, Consider the Lilies, s . County Guy, 8. . Davy Jones, bar . . . . . . . Does He Love Me, bird song, Berens. Berens, Czerny. Czerny. .331 ..1 I—‘l-‘I-‘I-'|)—‘>-I)-‘i-‘>—‘ SONGS. . Jamioita. . Donfzetti. - Jaimotti. . Berignani. . Benedict. . Petrella. . . Dmzizetti. . Ivlercadrmte. . Peatti. . Gorno. . .Pinsuti. . Venzcmo. . . Verdi. . . La. Villa. . Thomas. ETC. . . Oowen. . . Temple. . . Fairlamb. . Barnby. . C'01('€’I’L. . . C’ouw1.. . ('2 ouch. . L(’7TlJIl(’7l.S‘. Iiowuwl. . Bcnmlict. . Dolores. . . . .I(ithe. . .Sclm7m(-ker. . Opertc. Topliﬁ‘. ‘ . Sullivan. . 11101103/. . Gflclzrist. 8... CONCERT BALLADS, SONGS, Etc.—Cont’d. Drifting, s . _. ._ Clarabel. Duschinka, s. . . . . . . . . .Pin.9uti. EyesSoBlue,_............. .. “ Finette,.s . . . . . . . . .Mo/zoy. Free Lance am I, bar. . . . . . .(.lxmpana. Good By, God Speed Thee, ms. . . . _ (J’,,Cmmell. Haunting Eyes,s . . . . . . . -. . . .Operti. HomeSoBlest,s .. ... .........Abt. Hope that Breathes of Spring, ms . . IGreet Thee, Love, .9 . . . . . . . I’maF0rester Free, bwr . . . . Jeanie with Nut-Brown Hair, 3 . It’sWeTwo,s . .. ..... Kerry Dance,s . . . . . Little Mountain Lad, s . London Bridge, . . . LostVoice,s . . . . l\1endicant,sorbar . . . . My Childhood’s Home, . Now Was I Wrong‘? . . Remembrances, . . . . . One and Two,sort . . . WhatShallIDo, . .. .. . . One Heart, Two Eyes, . . . . Where the Birds Sing, .9 . . Say NotAdieu,s . . . . Song of The Ball,s . . . . This Is My Dream, ms. . . . . . . . Golden Love, ms . . . . SACRED SONGS, SOLOI. AtTheCross,.. Consider the Lilies, . . . . . . Faith,.. Home So Blest, . . . Mother’s Gift,'ms . Palms,’/ns... .. Some Sweet Day. Solo and Duet. . WhyNeed1Fear, . . . . . . Verdure-Clad, . . . . . . . . . Deem Not They Are Blest, . . . Nothing But Leaves, . . . . LYONS’ ECLFCTIC CABINET ORGANIST. Works Selected from the Great Masters. Popular Selections. Condensed Instructions. Carefully Arranged by Richard Lyon. Price . ~ . . S 2 50 Samp1ebymail,......... .. 125 . Peivring. . Scliubert. . . Molloy. . Roeckel. . . Molloy. . G'i'Zchm‘st. . ..P1'atti. . .Pew'mg. .EngeZ. . . Parry. . . Jenkins. . . . . .Bischo17'- . . . . . Pontius. .Stewart. . . . . erti. . . . . . .Bi.schoﬁ°. . Willmgs. H Izyon. .. .. Campbell: . . . . Abt. . .Doome. . .Fam~e. . . Doane. Gicmetti. Select Music Books for Classes, Schools, Societies, Quartette, Etc. Song Clarion. Edited by Gijfe. A great favorite with Teachers. 50 cents each, $5 00 doz. per Ex. Song Victor, for Primary Schools. Contains Half Secular and Sacred. Also Vocal Instructions. 350, $3 60 per doz. by Express. Little Songs for Little Singer. By W. T. Gigfe. The Most Charming Rote Songs for the Little Ones Yet Issued. 250. each, $2 40 per doz. by Express. A TRIO OF FINE ANTHEM BOOKS. VVestern Anthem Book. Compiled by Gizfe. A Prince Favorite. Examine it Be fore Making Your Choice Elsewhere. $1 00 each, $69 00 per doz. by Ex. Standard Royal Anthem Book. By Clam H. Scott. Selected from the Best Sources. Popular and Choice. Choir Gems from the Great Masters. By Gif/‘"e Solos, Duos, etc. Organ Accompanyments All 1 hrough. $1 00 each, 359 00 per doz. by EX. ——A sample Copy of either of above, with a View to introduction, mailed on receipt of 75c for each. operettas, Musical Sketches for Schools, Exhibitions, Concerts, Etc. Fair Fatima, or Blue Beard, . . . . Bristow. S. P. C. A. O,peretta for 5 or 6 or N “ L bretto, . . . . Musical Surprise for 5 or 6, . Little Shaking Quakers, . Tn1os,QnARTE1u1$,ETc. Au Revoir. Trio Ladies’ Voices. . . . Sclzonaclcer. Adieu. “ “ “ . . . . u Viva. Q’tte. or Cho., Male or Female. . . . Bristow. Xfictol-y_ H H u at it Those Evening Bells. Quartette. . . Let the Merry Sleigh Bells Ring, . . Bounding O’e1 Rippling Foam. Male. . All Among the Barley. Mixed. . . . Sweet and Low. Mixed. . . ]’eaccf\1l Slumbering. Mixed. Good Night Beloved. Mixed. . . . Sea Hath Its Pearls, . . . . . . . . . . . . Past Twelve O’Clock. Trio. S. T. B, . . Maeder. CATECHISMS, PRIMERS, ETC. Common Sense Catechism. By Julia Nichols. A Short, Practical Book by 2 Sue- '&a. "‘11iaaa¢ . Bristow. Gordon. . {)mLm'rzg/zmn. . C7‘w)Ld(L(l. . Sterling. . Bamzby. . C’owwrd. . Pensuti. £5 MEUSEG ©@., Gineinnsti cessful Teacher . . . . . . . . . . . . Music Made Easy. A Useful and Modern Work on Elements of Music, Chords, 1-larmony, etc., by R. Challoner . . . . . . . . . . . First Twenty Hours in Music. The very first Lessons for Beginners on Piano or Organ. Most Simple and Practical
Show less

Date: n.d.
Text: ﬁx ’ \ 4 = ~§M V (V), M&N. WRITTEN BY [~”~JWuLL@ @ MUSIC COMPOSED MUSIC usnanv VASSAF: COLLEGE Pouauxsersue. new vonx

Date: n.d.
Text: RHD@Ea .ﬂ//.67’/‘r’ V HY aé T HE M U SIC COM/20555 //A/[7 z7[z7/C/Jrm 70 ‘&P®&§® ‘DOE%DﬂE$m Eﬁﬁrﬁ QJV, CHARLES -JEFFERYS 2!, SOHO SQUARE I/V7 \J"7A.H/111.. \/R... I>OUGHKEEF‘S:£. NEW YORK

Date: 1902
Text: '4 uusLc ununv VASSAR COLLEGI a-ouanxszn-sac. new vonK \ no M \f A 4_ . I \ A 434' TO MISS HELEN MILLER GOULD. eggs 0 THE BROOK AND THEWAVI; _j_.,',L POEM BY HENRY W. LONGFELLOW Set to Music BY HENRY J . LAUTZ. op.zL.N91. sown/mo on renon m D. Price 50¢ M MEZZO-SOPRANO on matron: IN C. jX1{THUR P. §crg~nDT. 9 . BOSTON, LElPZ|G, NEW YORK, 5 St. I36 Fifth Ave. ~ cw”;/an /yozayumw P 5:/mm/c ~___— g THE BROOK AND THE WAVE. The brooklet came from the mountain, As sang the bard of...
Show more'4 uusLc ununv VASSAR COLLEGI a-ouanxszn-sac. new vonK \ no M \f A 4_ . I \ A 434' TO MISS HELEN MILLER GOULD. eggs 0 THE BROOK AND THEWAVI; _j_.,',L POEM BY HENRY W. LONGFELLOW Set to Music BY HENRY J . LAUTZ. op.zL.N91. sown/mo on renon m D. Price 50¢ M MEZZO-SOPRANO on matron: IN C. jX1{THUR P. §crg~nDT. 9 . BOSTON, LElPZ|G, NEW YORK, 5 St. I36 Fifth Ave. ~ cw”;/an /yozayumw P 5:/mm/c ~___— g THE BROOK AND THE WAVE. The brooklet came from the mountain, As sang the bard of old; Running with feet of silver Over the sands of gold! Far away in the briny ocean There rolled a turbulent wave, Now singing along the sea beach, Now howling along the cave. And the brooklet has found the billow, Though they flowed so far apart, And has filled with its freshness and sweetness That turbulent, bitter heart! Henry W Longfellow. 1, L - :- I A ‘.9 . $ '5 A.P. S. 5736- 5 To Miss Helen Miller Gould. THE BROOK AND THE WAVE. (DAS BANCIILEIJV UJVD DIE WELLE.) poemby E HENRY W. LONGFELLOW German translation BERTIIA RAAB. by HENRY J. LAUTZ. — Op.4. N91. The Das 0072 Pedale p dolce E L} brook_ let came from the moun ‘_ _ tain, AS sang the bard Bzic/2. - [em musclz— te vom Ber - - ge, ln’s blu - - men. 7722' - 0/Le /3‘\ — ning with feet la’ - 0/zen Mu _ A Poem used by spec2'alpermissz'an of }[oughtzm,Mzfflz'n cf 6'0. Copyright 1902 by Arthur P. Schmidt. A'P' S‘ 5733 ' 5 Public Performance. Permitted. ver the sands of tier den gold - mm >11 g2'tal Far - a-way in the/bri _ my [/72 _ ge_.9t2’¢'71z rollt’ zmd b7'aust’dz'e {' >agz'ta in \ .4=:_/___"/_ ~ rolled V a tur - bu-1ent fer - - ner gm! - le7z-r1e1/' f can fuoco Now sing - inga_1ong the sea - beach,_ Now Bald t(}'n - te 2'/M‘ Lied am 0' - /'e7',_ Bald . p e.sy7re.s*s. A.P. S. 5736-5 ling a - 1ong_j__;_ the sz'e auf salziiu - .. memder \ . ,2 f mam. M72 00//a Mae 1) atempo ﬁg "3 (L tempo And the brook - let has found the Umi das Biich - [em es famd die />2’:/3/\ d poor) o7"e.s'a “temp” mf- \2 \_/ ‘J \/ - bil - low, Though they flowed so far a - part, W6 - ge, 1)z'e so fen: ma’! 2'}; — rem S0/amerz, p espress. ‘ filled with its fresh - ness and sweet - - ness That tur - bu_1ent, bit - ter goss set". me Fm’ - so/ze und /In - - mm‘/L Ins stair- mzlsclze, bit - t’re . ' >. espress. >. A1’. S. 5736-5 i fa tempo And the brook - let has found the ' _ low/Though they Und das Bic/z _ lez'nVes fami die ‘ _ ge, Die so \_/ L! f a tempo maestoso — _ flowed ' so far a - part,____:_. And has filled with its fresh - ness and fem mil‘ 2% - _ rem Scimzerz, Und es goss sez'-ne Fri _ solze and 13 >7-2'2‘. _ ness That tut- bu—1ent, bit - ter An - - - mat Ins stair- mzlscﬁe, bit - t’re fh com/ﬁe p rit. maremlo 7f_#' 6550771190 , dzluendo et. rit \./ A.P. S. 5736-5 7 I \( SELECTED SONGS from the Catalogue of ARTHUR P. SCHMIDT Boston. _ L Paul Ambrose. . 17. The Shoogy-Shoo. Two keys each . 18 No. 2. A Spring Song. Two keys ea. .19. The Lotus Flower. Two keys ea. Mrs. H. H. A. Beach. .19 No.2. Ecstasy. Two keys. . each .37 No. Fairy Lullaby. F (e-fora.) . .43 No.2. Scottish Cradle Song. Cmiu. -) . . . . . . . . . . . . . . My Lassie. Ab (eZv—a'z>) . W. Berwnld. ".15. The Approach of Spring. Waltz Song. Bb (c-a). . . . . . . . E .43 No.. Arthur Bird. .36 No, 5. When Katie tuned the old Guitar. Two keys. . . . each John Hyatt Brewer. Sweet! (The Swallows’ Song). Two keys ea. Op. 39 No. 1. Rockabye Dearie. Two keys ea. Op. 39 No.5. There’s everasoug somewhere my dear. Two keys . . . each Dudley Buck. The Village Blacksmith. C (atheb) . . . Geo. W. Chadwick. Allah. Two keys . . . . . . . . each Sweetheart, thy lips are touched with ﬂame. Two keys. . . . . . . . each The Rose leans over the Pool. Two keys ea. 0 Let Night speak of me. Two keys each Theo. Chandon. An old Love Song. G (<1-d) Mrs. C. F. (Ihiekering. In the night she told a story. D (d-ft) . (E. Whitney Coomhs. Child of the Dark Eyes. Two keys Once at the Angelus. Two keys . . Charles Dennee. In Dreamland. Two keys. . . . . The Sandman (Lullaby). Two keys The Thought of You. Two keys. . Steph. A. Emery. Op. 24 No.1. Somebody (Scotch Song). D (d-f) Op. 33 No.2. Burst, ye Apple Buds! Bmin. (ft-gt) . . . . . . . . . . . . Arthur Foote. Op. 13 No. 2. I’m wearin awa’. Two keys ea. Op. 26 No. 2. Love me ifllive. Two keys ea. Op. 43 No. 3. Sweetheart. Two keys each Op. 43 No. 5. Up to her Chamber Window. Two keys each An Irish Folk Song. each each each each each Two keys . . each Albnn Forster. The Hour will come. I.) (d-f) . . . .. . In Spring. A (('.-f). . . . . , . . . . . J Henry K. Hadley. Op. 7 No.3. Kathleen. Two keys . each No.6. Greeting. Two keys. each Op. 14 No. 1. Dear, when I look into thine eyes. Div (b-f). . . . . . . . Op. 14 No, 4. I dreamed of a Princess. ‘ D!) (c-f) . . . . . . . . . . L_/Lsx Through the long days and years”. Two keys ea. .40 .60 .40 .40 .30 >32 New York. T J. H. Hahn. Break, break, break. Two keys . . each Love me if I live. Two keys . . . each The Proposal. A (db-e) . . . . . . . . E. W. Hanscom. My Secret. Waltz Song. Eb (d-ab). . . Victor Harris. In Springtime. Two keys ea. The Blackbird. Two keys ea. Georg Hensehel. Spanish Serenade. Two keys Reinhold L. Herman. Op. 37 No.2. A Little Summer Breeze. F (C :4) Op. 41 No.1 Op, 41 No.6. Gipsy Serenade. Two keys ea. Op. 13 No. 1. No. 6. each W. Herinann. Op. 49. The Time of Roses. A (dt-g or a) Edw. Bun-lingame Hill. Five Songs for Children from the >>Round Rabhit« . . . . . . . . . .n. Mildred J. Hill. The Perfect llay. D (_c-fit) . . . . . . . Love’s Paradise. I) (h-fll) . . . . . Helen Hood. A Disappointment. E (e-e) . . . . . The Violet. Filmin. (cil—fil) . . Nath. Irving Hyatt. Op.4 No.1. Marguerite. Two keys No.2. Beneath Thy Lattice. keys . . . . . . . . . . Ilayton Johns. Because of Thee. D (d-g) Marie. G‘:> (d-gb) . . . . . . . . . . . Love’s Revelation. D (d-f). . . . . . . ' Jules Jordan. A Life Lesson. Two keys each Margaret R. Lang. My ain dear Somebody. F (f-f). . . . . Irish Love Song. Two keys. . . . each An Irish Mother’s Lullaby. Two keys each Frank Lyne. (Companion Song to »He was a Prince«) Two keys . . . each Marie. Two keys each ’Twa.s my Heart. Two keys. . . . each If all the dreams, we dream. Two keys each Thy Picture Two keys . . . . . each Dreams. Two keys. . . . . each W. Manse. The Awakening of the Rose. Violin Oblig. Edward Mac Dowell. Deserted and Slumber Song. (eb-eb). Thy Beaming Eyes. Two keys each A Maid sings light and a Maid sings low. Twokoys. . . . . . .. each Four Songs. Complete. Two keys each 11. Three Songs. Complete. ,. . . . . . .n. Hugh W. Martin. When I behold Thee. D (ell-g) My King. Bl» (c-at») 9.3? as Leipzig. 4 John W. Metcalf. Absent. Two keys . . . . . . . . Sunrise. Eb (d-e) A Dream so Fair. A Keepsake. Two keys. . . . . . Homer A.’ Norris. Twilight. B (b—e) . . . . . . . . . . . Geo. B. Nevin. The Boatswaiu Bold. D (a—d) . . . . . . Edna Rosalind Park. The Nightingale and the Rose. Two keys ea. A Memory. Two keys . . . . . . each Thy Name. Two keys . . . . . . each Alice Locke Pitmun. A (e-e) . . . . . . Th. Podherlsky. The Wanderer’s Song. Ah (eh-g). . . . Carl Reine(-.ke- On the Strand. D (e-ft). Violin Oblig. . Dance of the Dragon Flies. E (d—g). Violin Oblig. . . . . . . . . . . . . Franklin Wing Biker. For Love of Her. F (c-f) ["11 never cease loving Thee. Confession. Clara Kathleen Rogers. Confession. Amin. (c-e) . . . . . . . . The Clover Blossoms. F and A (c-filor a) Jas. H. Rogers. The Moon shines pale. Two keys . each Frank E. Sawyer. The Night has a thousand eyes. F (f—f) . Spanish Romance. 0 (e-a) . . . . . . . Sch. B. Schlesinger. Up to her Chamber Window. Two keys ea. Longing. Db (c—e’2 or glr) P. A. Schnecker. Bass Solo. Dmin. (a~el2). Chas. P. Scott. Only a Ribbon. Ballad. Two keys each Robin Goodfellow. D (a-e) . . . . . . . I-‘. N. Shaokley. Ere the moon begins to rise. Two keys ea. Softly blow, ye scented l>1'eez<:S (Serenade) Two keys . . . . . . . . each Thos. G. Shepard. To the Night. :>l\rIe«. Geri-It smmu. Bee Song. A (e-ft) Alpine Rose. B‘? ((1-f) . . . . . . . . . ‘Arthur W. Thnyer. Clover Blossoms. Two keys. . . . Only a Song. Db (db-ab) . . Gust. Tnckerman. . The Windmill. Bass. Bbmin. (f-eb) . . Max Wei]. C (e-g) . . . . . . . . each Love’s Captive. A Cycle of Songs . . . . . . . 11. " .40
Show less

Date: 1899
Text: MUSIC uunnv VASSAR COLLEGE poucuxcswsuz. New You Robin Goodfellow. . ......................... .. .50 Only a Ribbon. .................................. .. .40 Dear Little Baretoes. .................... 77 .35 AWidow Bird T .35 The Brook andfrhe Wave ........ A0 GARTHUR P.§cHJ~11D'r. BOSTON. LEIPZIG. NEW YORK. I46 Boylston St. I36 Fifth Ave. C‘o,ay/V;/)2/ﬂﬁlzy/1rt/vur /2 Schmidt. The Brook and the Wave. (pm 52405 Uzvp DIE WOGE.) H. W. LONGFELLOW. Germzm by HANS BERZVIIOFE CHARLES P. SCOTT...
Show moreMUSIC uunnv VASSAR COLLEGE poucuxcswsuz. New You Robin Goodfellow. . ......................... .. .50 Only a Ribbon. .................................. .. .40 Dear Little Baretoes. .................... 77 .35 AWidow Bird T .35 The Brook andfrhe Wave ........ A0 GARTHUR P.§cHJ~11D'r. BOSTON. LEIPZIG. NEW YORK. I46 Boylston St. I36 Fifth Ave. C‘o,ay/V;/)2/ﬂﬁlzy/1rt/vur /2 Schmidt. The Brook and the Wave. (pm 52405 Uzvp DIE WOGE.) H. W. LONGFELLOW. Germzm by HANS BERZVIIOFE CHARLES P. SCOTT. Moderato sostenuto. mp The Es sang the bard old, Bd'0/e-[em mm Berg’ hold, A-. P. S. 4902-4 Copyright 1899 by ARTHUR P. SCHMIDT. Run - _ - ning with feet._ of Das tr2'p—pe/I ml‘! 821- ber- men - ver the sands of Sand 7z>2'e aus law‘. (:72 em the bri - - ny der wiit/z— en — den ‘S13 M; There rolled_____.__ a tur - bu-1ent Daren H132’ . mat/z das 7725170/at- 2' - ge ‘Sin. A.P.S. 4902-4 A.P.S.4902-4 ‘Sin. Now sing- g a - long An der K223- ie bald brecla — end Now how1_1ng a — long Bald lzeul- end an I11}/a— Zen ff etc . Though So they A.P.S. 4902-4 /A f10wedj__._ wee)‘ f illed mil’/2/t tur- bu - W?)—ge so far... a _ die Fern auciz ge _ with 85?:/L ts 2'72 and tier fresh — ness Lie _ be i} lent, bit - _ ter heart! part,’ trenm‘, -sweet _ IV; _ _ ness ge______. 771.8. 1 mm an- ders 377:}; name‘! ‘— ce)........... Moorish Love Song. Dmin. (a-—e) . . The Swallow Song. Eb (bb—f) . Tell her so. G (d#—g) . . . Bruno Oscar Klein. Q. I7. lngeborg’s Lament. Concert Aria. English version by F. W. Bancroft. Mez. Sop. Cmin. (c—a) Op. 42. Five Songs for Baritone or Contralto: No. 1. The Moon shines through the Forest Green. E (b—f$S) . . . No. 2. Trooper’s Morning Song. Emin. eb——f . . . . . . . . . . . No. 3. The Sgreet May Night with Dusky ‘ Pall. G (c#—e) No.4. At Twilight. F (e—e) . . . . No.5. Serenade (When at Evening). Fmin. (c—eb) . . . . . . . . . Margaret Rnthven Lang. Eros. G (d—g) . . Oh what comes over the Sea? Amin. (e—f) My Lad Jacqueminot. Bb (f—g) . Ojala. it (f#—f3) . Nameless Pain. G (e-g) . . . . . Ghosts. Ab (f— . . . . . . . ln the Twilight. E (g—e) . . . . Song of the rival Maid. D (f#—-g) . . . Meg Merriles. Gmin. (d—g) . . In 8. Garden. (d—f) . . . . . Deserted. E (e—f¥) . A Spring Song. Emin (e—f#) . . Op. 6. Three Songs for low voice. Chinese Song. Emin. cil——e) . A Bedtime Song. E ( —d$i). . Lament. D (d——d) . . . . . . . Op. '1. Three Songs of the Night. Night. B(dt—g. . . . . . . . . Slumber Song. (d#— . . . . . The Harbor of Dreams. E (d#—-fi) . Three Songs of the East. Oriental Serenade. Medium voice. Emin.(c—f#). . . . . . . . . Christmas Lullaby. Medium voice. Fmin. (d——e) A Poet gazes on the Moon. Low voice. Cmin. (c—eb). . . . . . . . . Four Songs. Heliotrope. High voice. F (eb—g). Spinning Song. High voice. D (d—f#) The Sky-Ship. Medium voice. Ab (db—f) Betrayed. High voice. Amin. (e—a) 1!. Elliot I-nth. Love’s Courier. Eb (d—f). . . . . . D 8- — Emin. (b——f). Fmin. (c—-g) . . . W. P. P. Longfellow. '0 that we two were Maying (Violin obligate). Cmin. (c-—{). . . E. A. Mao Dovell. . Op. 34 No.1. Menie. Dmin. (d-——f) . . . No.2. My Jean. A3e—e). . . . E ition Schmidt net. 1!. R. llaofarlane. Sway to and fro’. F (f or gt-—d) . . . . E. P. Header. Sweetheart sigh no more. E (b—f#) The Robin. Gr (d—g) Soft and gently through my soul. E (dit--ft) Geo. 3. Kevin. The Boatswain Bold. Bar. or Bass. D (a-—d) Eomer A. Norris. Cradle Song (Rock-a-bye Babie). Ab (c--c) Once in royal David’s City. Christmas. Db (db—eb)...... . . . . . .. Supplicﬁticzn (O61 Father, Thou dost hear us). b John Knowles Paine. Op. 40 No. 1. A bird upon a rosy bough. B(d—g No.2. A farewell. G (d——e) . . . J’. 0. ID. Parker. Ieleetionr from the Oratorio of St. John. No. 1. Eye hath not seen. Contralto. F E-d)............ IQJ Otlntilmightv Sop. C(c--b) oeyoooeoo. Hi_fh <3 ‘ E. W. Parker. Slumber Song. Ab (eb—~eb) . . Wedding Song. Bb (c—~eb) . Goldilocks. E (d#——-fie’) . . . . . . Op. 14 No.1. Love’s Chase. A (e—-gt . . No. 2. Night Piece to Julia. Eb (d—-g) No. 3.‘ Orsames’ Song. D (d—e). . Tllere is a land of pure delight. Sacred- Gb (c—eb Rest. Sacred. Gb (db-fb) P. A. Porter. Op. 8. True Love. Db (eb—gb) . 0 Memory. G (d—-e) . . . . . . . Love’s Touch. Bb min. (f—-gb) . . In May. Db (f—gb) . . . . . . . . Earth in heavenly rest. F g—f) . The Answered Prayer. G ( ——e). . Seven times four. —g . . . . . . . Slumber and rest thee. Sop. Violion obli- gato. D (b—~e) . . . . . . . . . . Martin Roeder. Shall we roam, my Love. C (d—g) . . . Unspoken. D (e—i’£$) . . To the Night. Bb (d—eb) . . . Love’s Strivings. Gb (db—eb) . . . . . . My spirit is of pensive mood. Eb (c-—-f or g) Op. 59. Four Songs. No. 1. Dost thou know? Eb (e—f) No.2. Warning, Eb (eb—f or g) . No.3. Confession. C (c#——t‘ or g) . No.4. Cupid’s Song. F (f—~t). . . 7 Mrs. Emily 3. Roelofson. Christmas Lullaby. Cmin. (c—eb) . . . . Op. 16 No. 1. The Sands 0’ Dee. (1; er) No.2. . F (e—e) . . . No.3. As through the land. Fmin. c—- . . . . . . . . . . No. 4. I leaned out of the Window. Amin. (e—e) . . . . . . . No. 5. From the close shut Window. Cmin. (c——f) No.6. Carpe Diem. Eb (eb—eb) . No. 7. 0 heart, my heart. G (d~g) A. Rotoli. Eveningdliest. Sacred. Sop. or Ten. in G ( —g) . . . . . . . . . . . . . . — Mez. Sop. or Bar. in F (c—f) . . . . — Cont or Bass. D (a—d) . . . . . . . Our King. Sacred. Sop. or Ten. F (f—g) . —- Mez. Sop. or Bar. D (d——e). . . . . —-— Cont. or Bass. 0 (c—d) . . . . . . P. Rudolphsen. Break, break. F (f—g). . . . . . Chas. Salaman. Of thee I fondly dream. Db (c—gb) Jan Saxe. Look down. Bb (d—g) . . . . . . Bird’s Love. F (d—f) . . . . . , At the window. Eb (e8—-g) . . . . I-. 1'... Soalfe. Beyond all lights. A (e--ft). . . . . Exultation. Db (eb—ab). . . . . . . Sidney Seymour. . Only a Song. C (ft or b—e). . My Love is gone. D min. (f-g) No. ‘. At my feet. Eb (ab or c——eb). No. .Her King. F (c—-g) . . . . No. . Over the Mountains. D ((1-1 0 Op. 42 No. No. Wilson G. Smith. 1. Shadow Song. A (b-—a_) . . 2. 0 Beauteous Maiden, Whither? G (d--a) Op. 22 No. 1. My Bonny Lass, Marie. geb——g) No. 2. radio Song. C (d—f) . . . Templeton Strong. Op. 10 No. No. Op. 38. Three Songs, No. 1. Shall I smile or guileful glance. G (e—d) No. 2. Come, Ah come, my life’s de- light. Eb (eb—f) No. 3. Philon (While that the Sun) E(d#—-t').. a__e -._..1->2. . ~. Eeliimidt, Arthur W. Thayer. Clover Blossoms. Sop. or Ten. Db (db—€ or ab) . . . . . . . . . . . . . —- Alto or Bar. Bb b—-d orf) . . . . Supplication. Sop. or en. E (e-—g#) . ——- Alto or Bar. Bb (bb—d) . . . . . My Love. Sop. or Ten. Eb (I-—-ab) . . — Alto or Bar. Bb (c—-eb) . . . . . The Helmsman. Alto or Bar. Cmin. (c—d) The red, red rose. Alto or Baritone. Bb (bb—~d) . . . . . . . . . Break. break, break. Db (g-—eb). . Somebody. Mez. Sop. Amin. (e——f) . Pictures in the sky F (c——»f) . . . The Winds are hushed. Db (db—-ab) . I know not where. Sop. Eb (d—g) . — Alto. Bb (a—d.) The quiet moon upon the clouds. Gmiu. o e a 1. ‘*3 Only a Song. Db (db—-nab) . The Milkmaid. Bb (f—f) . - . . . My Swete Swetyng. Eb (bb—-ob) . . Beware. A (c d ’ . . Go, hold white Roses. E (e--3) .. Good Night. Db (eb-—ab) . . . Chan. 8. Tinney. Art thou Weary. F (c-f) Bird of the Wilderness. F (e—f or g) . . By the Sea. Contr. or Bar. Eb (bb—eb) . The Keeper of the Keys. Bass. C (c-—c). Peace 1 leave with you. Sacred. A (e-gb) Rock of ages. Sop. Fmin. (c—f) . . . . — Cont. Drnin. (a——d . . . . . . . . . Vain Quest. Cont. or at. E (b—-c#——o . The time I’ve lost in wooing. Eb (bb—ebg Gustavus Tuckerman. O! that we two were maying. C (dlt-gi) . The Windmill. Bass. Bbmin. (f-—eb). . . Vlnoenzo Vanninl. The Floweret (Il Fiore). G (03-13 or g) . Malinconia. Eb eb——~f) 0! were I blesse (S’io fossi un Angelo). Eb (lxb-eb) . . . . . . . . . . . . . Thee will I love. (Io t’amero). Ab (eb--1) Osoar Well. Op. 10 No. 1. Iéimiﬂitiggin ()Herbstfriihli.ng). 1 . —g . . . . . . . No. 2. %'pr(i(x11 gong (Friihlingslied). The same with Vihlin obliglatﬂo: : I I I I Op. 11 No. 1. Yl_Vl(11tS.n tlga ((lél.y its) done (Abend- e . —— . . . . . . No. 2. Devotion (Die helle Sonne scheint). A (e-g) . . . . No.3. Fatrevyell (Ahschied). Amin. e — 3 No. 4. Autumn Blossoms (Die Nach- knospen). Bb (f——a). . . . No.5. Ave Maria. C (e—g) . . . Arthur Weld. When the sere leaves fall. F (c——c) . . . Flowereé boyn in the Hedge row shade. Bb By the Brook’s side. Amin. (e—f). . . . Attraction. C (e—e) . . . . . . . . . . All things to-day. F (fhf) . . . . . . . Six Songs to Words by Rennell Rodd: No. 1. To-—. Eb (bb—eb). . . . . . 2. Lyric. D (e—e) 3. The Daisy. G (d—g) . . . . 4. The Sea Swallows. D (d—eb) . 5. Vain Dreams. Eb (eb—f). . . 6. Love’s Reproach. Emin. (e—e V Mary E. Wood. Heart's ease. F . . . . . . . . . A Wild Rose. Gb (e—gb). . . . . A Souvenir. Cmin. (c—eb) . . . . Blossoms. ~D (d-—f#) . . . . . . . B. E. Woolf. Courtship. G (c—d) How many times do I love. Eb (eb—eb) . Margery Daw. A (e——f#) . . . . . . . . My Own. E (e—-gt) . . . What would you buy? Ab (g—ab) . . . . That sweet day in June. Eb (f——g) . . . The turn of the Tide. D (a-—-d). .. . - SS '58 Si 888388888 E'§§'e§25‘o"E 3388833
Show less

Date: n.d.
Text: 15%‘ Edition. The BUILDINGWSHIB Qlanfata. C V” D Zwrzltezz, 5_y Hen ry Wadsworth Longfellow, \./ Composed arpressé)/jror the Leeds Triennial Musical Festival, 18 8 O, and res/De c_2ffLZZ)/ de0ZZcaZ‘ecZ/5}/,0e777zz.'9sz'07z/ ﬁizﬁugalﬁigﬁnmgahrﬁrinw ufiﬂﬂalvﬁ. 2? JOHN FRANEIS BARNETT. (1/1). 35. PRICE 4/-/v£ 7r 6222*. Smﬁzll. j BOW 6/_ N iﬂnn E] on ‘ CHO/Pl/S PARTS //— ,,. OR OHESTPAL P/mrs & 3 SEE SEPARATE Lisa‘ 44, Greatjlfarlboroug/7, Street, W \ ]$'."_B__.}’5r 1:77;‘...
Show more15%‘ Edition. The BUILDINGWSHIB Qlanfata. C V” D Zwrzltezz, 5_y Hen ry Wadsworth Longfellow, \./ Composed arpressé)/jror the Leeds Triennial Musical Festival, 18 8 O, and res/De c_2ffLZZ)/ de0ZZcaZ‘ecZ/5}/,0e777zz.'9sz'07z/ ﬁizﬁugalﬁigﬁnmgahrﬁrinw ufiﬂﬂalvﬁ. 2? JOHN FRANEIS BARNETT. (1/1). 35. PRICE 4/-/v£ 7r 6222*. Smﬁzll. j BOW 6/_ N iﬂnn E] on ‘ CHO/Pl/S PARTS //— ,,. OR OHESTPAL P/mrs & 3 SEE SEPARATE Lisa‘ 44, Greatjlfarlboroug/7, Street, W \ ]$'."_B__.}’5r 1:77;‘ 71:7]! 5 ﬂ7Ap)7£r/?)rzruz/Ice 1‘/'}:>z? 0/‘AC/7rI7:’Je '72,//’/’ Wrr: 1.2),»/1, .w.r.z5f' be 777/11/(2 fr» .+/aw /iv/,>1'13;/zr..*/'3. 66 /— \ ‘ \ ‘ \ \ \9D TH; ___/lUT__L/ Series of Eart—Songs, ﬂnthems, &c. IIIIIIIXIIIIIIIIYIXIIXXIIIXIXIXIIIIIIIIIXXIIIXIIXIIIIIIIIXIXXIIXIIXIIIXXXIIIIIIIIIIIIIX SAC R E D_ N SACRED—Contz'nuea’. 3’. F. Bridge, Mus. Doc. 3d. ro3. Praise the Lord, 0 my Soul (Harvest) Wm. Small-wood . . C . 7. Frost 104. O Sing unto the Lord (Harvest Anthem). . Turle Lee ., a. This is the Day . . . A. R. Gaul I05. In Thee, O_Lord (Anthem) .. .. .. 7. R. Alsop 7' 5. Let Thy Merciful Ears .. .. A. R. Gaul 106. 0 How Amiable (Anthem) .. Herhert W. Wareing I2. *Hark ! what mean (Christmas Carol) Sir A. Sullivan ro7.*Sing unto God (Festival) . . . . . . F. Bezlan I 3. ‘Hear, O Lord.. . . . . Michael Watson zo8.*Behold, my Servant (for Christmas) Ehenezer Prout I 5. Let them give thanks W. 9'. Westérook no. Like its the Hart, 0 send out Thy Light C. Lochnane 17. Come Holy Spirit . . . . 7. F. Barnett 1n.Ilf ye then be risen (Easter Anthem) F. Osmond Carr 18. Lord, Remember David .. W. Wei-ehe’ :12. Christ our Passover (Easter Anthem) . . A. C arnall I9. The Lord hear thee . . .. .. . . C. S. Yeh}/ll I13. Out of the deep have I called Hamilton Clarke 20. ‘Praise the Lord, 0 my soul (Harvest Ant.) M. Watson 114. Behold, how good and joyful Ferris Tozer, Mus. Bac. 22 O God, Who hast prepared. . . . . . A. R. Gaul 1x5. Harvest Hymn . . . . .. Turle Lee 23. *Come near ye nations (Christmas Anthem) M. Watson . ii6."Fear not, 0 Land (Harvest) F. C. Maker 25 Rejoice in the Lord alway . . . . .. A. R. Gaul . ir8.¥While shepherds watched (Pastoral Xmas) G. C. Martin 27 Oh, most merciful . . .. 7. F. Bridge, Mus. Doe. ng.IrBreak_forth into joy (Christmas Seymour Smith 29 O Lord, Who hast taught us . . . . W. Metcalfe z2oa.It is high time to awake . . Walter S pinney 32 Unto Thee O God‘ .. . . . . Michael Watson 12ob.Bened1ct1on Hymn .. . . . H. Elliot Button 33 Magniﬁcat and Nunc Dimittis . .. W. H. Hunt :22. Give sentence with me, O God Lewis Thomas 35. "’Daughter of Zion (Xmas Anthem) .. F. C. Maker 122. Awakeuglad Soul. a_Wa.l_<e (Easter) . M. B. Foster 36. *1 will sing unto the Lord , , ,, ,, A, H, jmum x23.*l-lalleluiah ! Christ is risen (Prize Anthem) R.O.Morgan 38. Hear me, O Lord . W. H. Dixon x24a.Almighty God, who has promised . H. Elliot Button 40 41 43 44 46 48 49 xxxxxxxxxxxxxxxxxxxxxn No. 2. ‘Seek ye the Lord . . .. 6. Magniﬁcat and Nunc Dimittis Awakg thou that slecpest , , F_ C, Maker I24l).CvI‘2.nt to 115, Lord . . . . . . H. El‘/llﬂt Button If y¢ love me _ _ , , W, 7, Westbrook , x24c.We humbly beseech Thee, 0 Father H. Elliot Button Let not your heart _, Rev. G, Gardner , 125. How bright those glorious spirits shine A. Page, F.C.0. 0 Worship the Lord . . .. . . Michael Wat;-on , 127. Praise the _Lord, 0 Jerusalem (Harvest) W’. S mallwaod . Blessed is the Man .. .. .. T. Distin . 128. Be Joyful _m God (Harvest) J. C. Bridge. Mus. Doc. . ‘Sing, 0 sing this blessed morn . . flenry Leslie . 129- Tile Lad 13 In sh°Ph°1'd - - ‘ - C- 1- 3- Mtﬂhdm. Blessed is he that considereth‘ Langelon Coléorne, 130- G"{¢_11m° th? 0rd - - - Chm?‘/¢-Y Dﬁﬁtton. the Poor _ , , _ Mus, Doc, ' 131. Rejoice ye Wl_tl’l Jerusalem . . . . . . Arthur Page 51 Thanks be to God (Easter Anthem) William Smallwood . I32. Unto us ‘a Child is born . . H. E. Nichol, Mus. Bat. 53. The Lord is good .. .. ’ .. A. H. Behrend . I33. Wherewlthal shall nyoung man .. .. 7. E. Newell 55. Magniﬁcat and Nunc Dimittis .. Frea'en'e/E Heath . 134-"‘AW3;l<° “P ‘"3’ Gl°l'Y (E3533) - - - - F- C- Maktr 56 Thou Crownest the Year (Harvest Anthem) F. C. Maker 135~*Ch1‘15t 0“? P3-SSOVCT (E3-53°F) 319155“; MW- D06- 5821. Saviour again to Thy dear Name‘ } 136. When the Day of Pentecost (Whitsuntide) A. Kemfton (Anthem, Trio for pcmic voices) Kat‘ U'W”J'" :37. 0 Lord, 1 will praise Thee (Festival) H. A. 7. Campéell 58b. Ditto ditto ditto (For Four-Voices) Kate Llewellyn 59. *Blessed be the Lord God of lsrael (Anthem for Christmas-tide) 9!’ Barmiy 60. O that I had wings like a Dove 7. More Smieton :38. Far down the ages (in March form) . . Coldham Hall 1 39. Behold Ihave given you every herb (Harvest).H.E.Button i4o.*One soweth, another zeapeth (Harvest) . . F. C. Maker Words specially written by Rev. S. Baring Gould, M.A. 141.” Sing,O ye heav’ns(I-Iarvest) W.A.C.Cruick.i‘hank,Mus.B. 62. 0 give thanks unto the Lord (Easter Anthem) M. Watson . 64. IfI go not away (Anthem) . . . . Al/"red 9’. Caldicott . I42. I Will cXl01_Th€¢ -~ - - - . . . F. C. Maker 66. Suffer Little Children . William llietealfe 3d. I43~ HOW beautiful 3-1”‘-‘ the {Get (X3135) W- A- C. C7‘t¢I'Ck-8‘/tank 67a. Rend your Heart . . .. W. H. Dixon 15d. 144- Let l15_“°W Z0 °V°n “M0 B¢thl¢h°m A Ktmftm 67b. 0 Lord, rebuke me not Gaynor Simpson i§d. (Christmas Antlmm) - - - - ' 68 Great‘ is tl'l'ti‘I£4Ol;$ . . . . . . . Fé Ill;/’, fig‘/tr 3%, 14%. 1Pgci)ndei(‘j my i;/lords,hOtIC.lor% (Anthem) Norman Hatfield 69. Teac me y ay . . .. .. ran . air 3 . 14 ~ €559 3” ‘W I 3 0 13 _ 7:. *Fear not '; for behold _ _ .. F. 7. .S'a'wyer. Mus. Doc. 3d. _(«0mm3“d-ments -- -- N’ W’ Hmuard Mc{’!an 72. ‘Arise, shine, for thy Light is come Re?/. 7‘. W. Stephenson, d 147- 5100‘? bY Man C3-m¢ D¢3th (Easter 17- 57"“-Y’ N15/101: (Fun Arnhem) ,_ _, 51,4, 3 - Anthem .. .. .. Mus. Bac. 0.z'on. 73. *Te Deum in B Flat Chas. E. Clemens, F. Gld.0..A.C.0. 3d. :48. The strife is o'er(EasterAnthem)A. - "‘}:;EEb:ft:‘r‘)‘° _]'3““’”“_(_A“”‘f. G. C. Martin, Mus. Doe. . *There is a Green Hill . . Fred. H. Burstall . ‘Sing to the Lord of Harvest . . . . 7. Barnby . ‘Faithful is our God (Harvest Anthem) . . 9. F. Barnett . *Not unto us, 0 Lord (Anthem) . Seymour Smith . ‘There were Shepherds (Anthem for Xmas-tide) A. R. Gaul . *Now is Christ Risen (Easter Anthem) H. Ernest Nichol . ,"Awake up my Glory .. . . .. .. W. G. Wood 89. ‘Blessed be the Name . . . . F. Riclrman 90. *Praise the Lord (Harvest Anthem) . . . F. C. Maker 91. *Rejoice in the Lord, 0 ye Righteous (Festival) A. Page 94 Behold I bring you Good Tidings. . . . Fredh. Peel 95. *Ari=e, Shine (Anthem for Christmas) . . F. C. Maker 97. *The Lord bless you (Wedding and Festival) 7oseph Barnéy 98. *1 have set God_ always before me (Easter) W. Smallwood 99. I am He that liveth . . _ . . 0lz'7/er King 1oo.*I will iﬁiagnify Elie; (Whitsuntide) 7. H. Parry io2. From gypt's on age come (Anthem in style ofa March) - A’””" Pa!‘ Marehant,Mus.B. 149. In that day (Open ye the Gates .. F. C. Maker :50. 0 give thanks unto the Lord Bertram Luard Selby 15:. The Earth is full of the goodness of the F C M A! Lord (for Harvest) ' ' a ‘V . O sing unto the Lord (Harvest) Ferris Tozer, Mus. Bac. . O sing unto God . . . . Arthur Page, F.R.C.0. Sing, 0 heavens . . . . Cola’/tam Hall . Break forth into joy (Christmas) J. C. Bridge, Max. Doe. . 0 be joyful in the ord .. F. Peel, Mus. Bac. Oxon. . The steps of a good man are ordered by the ord . . .. Em. A. Dicks, F.R.C.0. . Ellho is liécedunto Tléeel, 0 Log: (liaster) . . F. Tozer . ehold, o is my a vation nt em for Easter) . . .. . . i W’ Smallwaad . The Lord is my Shepherd. . .. F. C. Maker . Rejoice in the Lord, ye Righteous E. M. Barﬁer . Sing ye to the Lord (Harvest) A. W. Marchant, Mus. B. . Every good Gift (Harvest) . . . . A. W. Ketelbey . O praise the Lord (Harvest) . . (Continued on hack ﬁage.) The numbers marked *‘may be had in Sol-fa, 2d. each. EL 11 1". L‘. IL [L A r; 11 E Iﬂ I". ll F r E E‘. [L ll 11 F. l E‘. S E‘. ll [1 IL [L I1. [L E‘. P. n E. i ll % I1 LL IL n 9+ E‘. E‘. O :1 n E E LONDON: PATEY & WILLIS, 44, Great Marlborough Street, W. BOSTON: A. P. SCHMIDT. 146, BOYLSTON STREET. A . Redhead IXXIIIXIII XXII IIIIXIIIIIIXIIIXIIIIXXIXIIXIXXIIXIIIXIXXIIIIIIIIIIIIIXIIIIIIXXII}IIIIXIXIIIIXIXXIIIXXIXIIXIXXIXIXX I5t.h Edition. The BUILDINGga:&eSHIB Qgaﬁfata. ZWritte2L 5} Henry Wadsworth Longfellow, Composed arpresslj/j’0r t/za Leeds Tﬁenni a1 Musical Festival, 1 8 8 o, and res;0ectjiLZZ}/ dedicated /5}/,0e777zz'ssz'o7z/ 1§mmuga1mhnm2irue1@rium ufﬁiﬂalrﬁ. JOHN FRANCIS BARNEIT: (//>. 35. f; /:‘Q€Zé—E""' /VH7 _ <9n2.‘. S_ta.HELZL. . 2%. W 6/_ H EH0“ C»/opus PARTS 7/- ,, OR OHESTRAL Pxmrs 86 S ’ SEE SEPARATE /_/ST 44; Great Zlfzrlborough Street, W 2\C’B_..E2r £725 Jig/a/: r,>z_“;2z-.v'f?)rzn;,L/zcc '/';"<=-e of}-]n2r;;¢-* '2z;;/2/.1’/~«z17),»/1, M15!‘ 726 ‘nvwfn fr» 2‘/Le / My/' 25/14713. INDEX. 1. INTRODUCTION (INSTRUMENTAL), - -» SOLO (Bass). Build me straight, O worthy Master, CHORUS. The merchant’s word, - - - RECIT. (Bass). And with a voice, - - - CHORUS. The merchant’s word, - - 2 RECIT. (Tenor). Beside the master, - - = - CHORUS (Female Voices). Beautiful they were in sooth, 3 RECIT. (Bass). “ Thus,” said he, - - - - - 4 ARIA (Bass). Choose the timbers, (The Shipwright’s song), RECIT. (Soprano). The Master’s word, - - - - - QUARTET FOR FEMALE VOICES. The sun shone on her golden hair PRELUDE (lnstrunzenial), - - — — - _- - ARIA (Tenor). Love’s command, - - - - - { CHORUS (Male Voices). In the ship-yard, - - CHORUS. Thus with the rising of the sun, - - - DUET (Soprano and Tenor). As in a dream, - - - RECIT. (Bass). Day by day, - - - - - - ' { CHORUS (M ale Voices). Build me straight, O worthy Master, { RECIT. (Contralto). Behold, at last, — - - - - ' ARIA (Contrallo). Ah! when the wanderer, - - - RECIT. AND SCENA (Soprano). To-day the vessel shall be launched, CHORUS. The prayer is said, - - - - - SOLO (Bass). The worthy pastor, - - - - SoLo (Bass) AND CHORUS. “ Like unto ships,” RECIT. (Tenor). Then the Master, - - - - CHORUS. And see! she stirs! - - - - - ' RECIT. (Tenor). And lo ! from the assembled crowd, CHORUS. “ Take her, 0 bridegroom,” - — - QUARTET (Soprano, Conlrczllo, Tenor, and Bass). How beautiful she is, FINALE-— iCHORUs. Sail forth into the sea, - - - - - - - - - 15.4 QUARTET (Soprano, Contralto, Tenor, and Bass). Sail forth into the sea of life, CHORUS. For gentleness and truth, — - - - - - - - - tQUARTET AND CHORUS. Like unto ships, - e v - - - - o 7&6 Bwzi/dzkg of Me Skip. INTRODUCTION (Im2‘r1mze7ztal). REClTATIVE——BASS. “ Build me straight, O worthy Master ! Staunch and strong, a goodly vessel, That sl1all laugh at all disaster, And with wave and whirlwind wrestle !” CHORUS. The merchant’s word, Delighted the Master heard ; For his heart was in his work, and the heart Giveth grace unto every Art. A quiet smile played round his lips, As the eddies and dimples of the tide Play round the bows of ships, That steadily at anchor ride. RECITATIVE——BASS. And with a voice that was full of glee, He answered, “Ere long we will launch A vessel as goodly, and strong, and staunch, As ever weathered a wintry sea !” CHORAL RECITATIVE (MALE VOICES). In the ship-yard stood the Master, With the model of the vessel, That should laugl. at all disaster, And with wave and whirlwind wrestle ! RECITATIVE——TENOR. Beside the Master, when he spoke, A youth, against an anchor leaning, Listened to catch his slightest meaning. Only the long waves, as they broke In ripples on the pebbly beach, Interrupted the old man’s speech. CHORUS (FEMALE Voxcns). Beautiful they were, in sooth, The old man and the iiery youth ! The old man, in whose busy brain Many a ship that sailed the main Was modelled o’er and o’er again ;—— The ﬁery youth, who was to be The heir of his dexterity, The heir of his house, and his daughter’s hand, When he had built and launched from land What the elder head had planned. RECITATlVE——BASS. “ Thus," said he, “will we build this ship ! Lay square the blocks upon the slip, And follow well this plan of mine.” ARIA. “ Choose the timbers with greatest care; Of all that is unsound beware ; For only what is sound and strong To this vessel shall belong. Cedar of Maine and Georgia pine Here together shall combine. A goodly frame, and a goodly fame, And the UNION be her name ! For the day that gives her to the sea Shall give my daughter unto thee ! Ah ! what a wondrous thing it is To note how many wheels of toil One thought, one word, can set in motion I There’s not a ship that sails the ocean, But every climate, every soil, Must bring its tribute, great or small, And help to build the wooden wall !” RECITATIVE —SOPRANO. The Master’s word Enraptured the young man heard ; And as he turned his face aside, With a look of joy and a thrill of pride, Standing before Her father’s door, He saw the form of his promised bride. QUARTET (FEMALE VOICES)——U7zzzcco7/1pmzz'e/i The sun shone on her golden hair, And her cheek was glowing fresh and fair, With the breath of the morn and the soft sea air : Like a beauteous barge was she, Still at rest on the sandy beach, Just beyond the billow’s reach ; But he, Was the restless, seething, stormy sea! ARI A——TENOR. Ah, how slailful grows the hand That obeyeth Love’s command ! It is the heart, and not the brain, That to the highest doth attain, And he who followeth Love’s behest Far exccedeth all the rest ! CHORUS. Thus with the rising of the sun Was the noble task begun, And soon throughout the ship—yard’s bounds ' Were heard the intermingled sounds Of axes and of mallets, plied With vigorous arms on every side; Plied so deftly and so well, That ere the shadows of evening fell, The keel of oak for a noble Ship, Scarfed and bolted, straight and strong, Was lying ready, and stretched along The blocks, well placed upon the slip. a Happy, thrice happy, every one Who sees his labour well begun, And not perplexed and multiplied, By idly waiting for time and tide ! 'DUET—SoPRANo AND TENOR. And when the hot, long day was o’er, The young man at the Master’s door Sat with the maiden calm and still. And within the porch, a little more Removed beyond the evening’s chill, The father sat, and told them tales Of wrecks in the great September gales, Of pirates upon the Spanish Main, And ships that never came back again, The chance and change of a sailor’s life, Want and plenty, rest and strife. And the trembling maiden held her breath At the tales of that awful, pitiless sea, With all its terror and mystery, The dim, dark sea, so like unto Death, That divides and yet unites mankind ! \ And whenever the old man paused, a gleam From the bowl of his pipe would awhile illume The silent group in the twilight gloom, And thoughtful faces, as in a dream. RECITATIVE—BASS. Day by day the vessel grew, With timbers fashioned strong and true, And around the bows and along the side The heavy hammers and mallets plied, Till after many a week, at length, Wonderful for form and strength, Sublime in its enormous bulk, Loomed aloft the shadowy hulk ! And amid the clamours Of clattering hammers, He who listened heard now and then The song of the Master and his men :- CHORUS (MALE VOICES). “ Build me straight, O worthy Master, Staunch and strong, a goodly vessel, That shall laugh at all disaster, And with wave and whirlwind wrestle !” “With oaken brace and copper band, Lies the rudder on the sand, That, like a thought, shall have control Over the movement of the whole ; And near it the anchor, whose giant hand VVill reach down and grapple with the land, And immovable and fast Hold the great ship against the bellowing blast 1” RECITATIVE--s CONTRALTO. Behold, at last, Each tall and tapering mast Is swung into its place ; Shrouds and stays Holding it firm and fast I And everywhere The slender, graceful spars Poise aloft in the air, And at the mast head, White, blue, and red, A ﬂag unrolls. ARIA. Ah ! when the wanderer, lonely, friendless, In foreign harbours shall behold That ﬂag unrolled, ’Twill beas a friendly hand Stretched out from his native land, Filling his heart with memories sweet and endless. RECITATIVE——SoPRAN0. All is ﬁnished ! and at length Has come the bridal day Of beauty and of strength. SCENA. To-day the vessel shall be launched 2 " With ﬂeecy clouds the sky is blanched, And o’er the bay, Slowly, in all his splendours dight, The great sun rises to behold the sight. The ocean old, Centuries old, Strong as youth, and as uncontrolled, Paces restless to and fro, Up and down the sands of gold. His beating heart is not at rest; And far and wide, With ceaseless ﬂow, His heard of snow Heaves with the heaving of his breast. He waits impatient for his bride. There she stands, With her foot upon the sands, Decked with ﬂags and streamers gay, In honour of her marriage day, Her snow-white signals ﬂuttering, blending, Round her like a veil descending, Ready to be The bride of the grey, old sea. On the deck another bride Is standing by her lover’s side. Shadows from the ﬂags and shrouds, Like the shadows cast by clouds, Broken by many a sunny ﬂeck, Fall around them on the deck. CHORUS. The prayer is said, The service read, The joyous bridegroom bows his head, And in tears the good old Master Shakes the brown hand of his son, Kisses his daughter's glowing cheek In silence, for he cannot speak, And ever faster Down his own the tears begin to run. REClTATlVE~—BASS. The worthy pastor—— The shepherd of that wandering ﬂock, That has the ocean for its wold, That has the vessel for its foici, Leaping ever from rock to rock- Spake, with accents mild and clear, Words of warning, words of cheer. BASS SOLO AND CHORUS.‘ “ Like unto ships far offat sea, ’ S ' Outward or homeward bound, are we, Before, behind, and all around, Floats and swings the horizon’s bound, ‘ Seems at its distant rim to rise And climb the crystal wall of the skies, And then again to turn and sink, As if we could slide from its outer brink. Ah ! it is not the sea, It is not the sea that sinks and shelves, But ourselves That rock and rise With endless and uneasy motion, Now touching the very skies, Now sinking into the depths of ocean. Ah ! if our souls but poise and swing Like the compass in its brazen ring, Ever level, ever true To the toil and task we have to do, We shall sail securely, and safely reach The Fortunate Isles, on whose shining beach The sights we see, and the sounds we hear, Will be those ofjoy and not of fear I” RECITATIVE—TENOR. Then the Master, VVith a gesture of command, VVaved his hand ; And at the word, Loud and sudden there was heard, All around them and below, The sound of hammers, blow on blow, Knocking away the shores and spurs. CHORUS. And see ! she stirs ! She starts,——she moves,—she seems to feel The thrill of life along her keel, And, spurning with her foot the ground, V\7ith one exulting, joyous bound, She leaps into the 0ccan’s arms ! RECITATIVE—TENoR. And lo ! from the assembled crowd There rose a shout, prolonged and loud, That to the ocean seemed to say,- CHORUS. “ Take her-, O bridegroom, old and grey, Take her to thy protecting arms, VVith all her youth and all ll.C|.' charms !” QUARTET—— Umzccomgﬁaz/z'ed. How beautiful she is ! How fair She lies within those arms that press Her form with many a soft caress Of tenderness and watchful care 1 FINALE. QUARTET AND CHO RUS. Sail forth into the sea, 0 ship ! Through wind and wave, right onward steer, The moistened eye, the trembling lip, Are not the signs of doubt or fear. Fear not each sudden sound and shock, ’Tis of the wave and not the rock ; "l‘is but the ﬂapping of the sail, And not a rent made by the gale ! In spite of rock and tempest’s roar, In spite of false lights on the shore, Ourhearts, ouriiliopes, our prayers, our tears, Our faith triumphant o’er our fears, Are all with thee,—are all with thee! Sail forth into the sea of life, 0 gentle, loving, trusting wife, And safe from all adversity Upon the bosom of that sea Thy comings and thy goings be! For gentleness and love and trust Prevail o’er angry wave and gust ; And in the wreck of noble lives Something immortal still survives ! Like unto ships far off at sea, Outward or homeward bound, are we. Ah ! if our souls but poise and swing Like the compass in its brazen ring, Ever level, ever true To the toil and task we have to do, We shall sail securely, and safely reach The Fortunate Isles on whose shining beach Sail on, nor fear to breast the sea ! Our hearts, our hopes, are all with thee, The sights we see, and the sounds we hear, Will be those of joy and not of fear ! ANALYSIS OF THE INTRODUCTION AND FINALE. The Amz’am‘e with which the instrumental Introduction opens, is intended to illustrate Sunrise on the sea-shore, with the breath of the mom and the soft sea air.” This leads to a Cantabile melody in E minor, allegro ma non troppo, suggestive of the aspirations of the youth to the hand of the Master’s daughter. (The same melody is used as a connecting link in the musical illustration of the poem by being employed as a prelude to the aria, “ Love’s Command.”) Then the ' air is ﬁlled with the sounds of workmen in the ship-yard commencing their morning’s toil, described by the allegro moderate, during which, from time to time, can be heard the love song of the youth whilst directing the labours of the men, and carrying out the plans of the Master. In the Finale, the scene of a multitude witnessing a vessel leaving the shore is musically illustrated. The instrumental symphony preceding the chorus, describes the vessel receding from the land, whilst the sailors’ Heave ho! as the ship gets under weigh, is imitated by notes of the horn. Then the people cheer with the words, “ Sail forth into the sea, 0 ship ! Through wind and wave, right onward steer !” after which they give vent to their fears for its safety; but hope predominates, and the people burst forth in full chorus, “ Sail on, nor fear to breast the sea! Our hearts, our hopes, are all with thee.” The good wishes of all for the future of the bride are expressed by the solo voices, accompanied by the harp, in the words, “ Sail forth into the sea of life, 0 gentle, loving, trusting wife.” The vessel now is gradually fading out of sight on the horizon, when the impressive words of the Pastor recur to the people, who with one accord join in the melody,—- “ Like unto ships far off at sea, Outward or homeward bound, are we.” /*//P NE N9 1. INTRODUCTION. Wo1'(ls by Music by LONGFELLOW. JOHN FRANCIS BARNETT. A11dzu1t(‘. J _—_ 96. P (rs/Jr(<s'.s'. . Pp Allvgro ma non troppd a’J=I—1-1». :4: '}’.&W.589 3*‘-—-—-_--‘T P.& W’. 5N9 P. & VV. 589' ‘ U ca/2/at/21'/re /if P4 & VV.__58,9 ma//0 (2res.. P. & VV. 589 711 0 I to cttnla/)I'lo° P. & V’. 589 ‘Ea. 5‘? A11d:1nte. —_-96. T p (=.s'pr«>.s-.9. ' BASS Sou). PIANO. 119 fer N9 2. BASS SOLO AND CHORUS. “ The Merchant’s Word? Andante} J = 92. Q . Build me straight, O worthy MaS_terTSt:1unch and VCS_ so], That shall A_11egr(=,tt0.J; 12:5. wrcs _ ‘L10... A11ogr0tto.J= 125. And with wave and ‘whirl _ wind mm/ens‘. A S01'nA~N<>. A 1;.fr0. Tmon. BASS; I) T::vxn:~rr~h:1nt‘s word ...................... .. Dc _‘ 1ig‘}1t_<r<l Dc li_g'ht_<‘(1 9 he 1m*rch:1nt S Tl1e1x1sr<-l1u1xt's word D0 _ li<_{'ht_ed 1? The 111m-<~I1:11'1t-5 word [)0 _ lig‘}1t_<2d Mas _ tor Mas _ ter Mas _ ter p legato. his [({_(_:“¢(f0. hvard; F5”. Fwr his‘ legjato. h<-r1M,- Ew his P [f:,g{(I/0. hen rd,- }wz1rd; he,-":1 rt lwn rt lwnrt hvzlrf was worL, . . . . . . . .;. was For his heart and the ‘gjrzlt-(3 ........ .. work, . . . . . . . . .. and the wyrk. ......... .. L and t 0 I’ work» .......... .. and the ht-art Giv __ eth (.'I‘€S. GTV _ (‘H1 by-;1I't ~re.~;. hmrt Giv __ (‘th Cr!" s‘ o Giv _ nth heart P. & “T 589 H-If. grace . . . . . . . . . . . . . . . . . . . . . . . . .. quiet qu iot quivt 5111111‘ }')1:1y(»>d snlilc p1:1‘/yed sxnilo pl;1y(:(.{ smile played round his round his round his round his lips. As thn lips‘. As tln-V lips. As thcé lips, As the /\_ P. & "W. 5%! ed_di<-9 <*(Ldi(*s ed _di« ss :1 nd and 21 [Id di1n_ pics dim _ pics dim __ ples dim _ plus tide Play round ' CI‘/“*3. hdc Play round ‘ s}1ip.s‘. (,'l“t".S'. tide Play round , ..<}1ip.s'_. (,'I»'?.\’ . tide PL1_V round Ships ....... .. That _ chm‘ I M. chor stca_ di _ A1 1(*g”I‘(). J, r~ S0 _ RECIT. And with V0 ice nth at was full of glee , (1//«Isl. rr-‘('17. 2 an_Swer0d, "Ere long will launcll’ A A11d:u1te . F and Strong, and E’ _ S’tat,mch' ..... ...... .. As . weath _ ervd P. & W 5&9 C AH(‘Q“I‘(‘tT().. C11«'v':I;s. The mer _chant§ word ...................... .. Do light, ed the Mas- tor‘ Cnnmrs. The 11101“ _chant'.’»‘ , 1if_7;}1t_ ed the Mas- tor HORIJS. ‘ Tl1(r111or_(+ha1txt’s word De li0‘ht.. ed the MaS__ tor C . C IIOR.l.'S._ sea?” The 111er_cl1a1'1t§ word De 1i0‘ht_ed the Mas_ter h C Allegretto. lega/0. heard or his heart was " '1 work .......... .. and the Z«{_r_>y1I‘a. For his h(.‘21l‘tW21S plegato. For his heart was ll) legato. heard ‘For his‘ })(.‘{1I‘t was in his /’ \ I’.& ". 38$! Giv _ 0111 -i:: g'ra(-c ............ .. : ~ 0 gr 100 t work ............. . . g;r:1(~e ........... . . and “the and’ the work ....... .; . . . . .. and _ the work .............. . . and the TV a dim . dim. 9. .5; W. 5249 ry Giv_ etln GiV_ oth Giv _ eth Giv _ éth ,/P,_Q‘r([u ’z'rvJ.s'. or his heart /(*_({((/0 C'I'("S. For his his work, /6.271! For his heart his 0th gfrace ......... . . gTﬂC(} . . . . - . . . . . . . . . . . . . .. heart .......... .. g‘ra('o .................... .. 1-‘ ._—,.. N95 CHORUS MALE VOICES, RECITATIVE TENOR, & CHORUS FEMALE VOICES’ . “Beautif1’11 they were in sooth’.’ M0demt0.J = 92. T»: Nous. .s'};ip _ ‘yard stood tho the ship _ '\'.‘1l'(l Vtoud the Mas _ tn‘, Witlm That shmlld i:1u§_rh at all dis. _ V as _ tor. And with ‘ That sho(.11(1 lzxrlgln at all ‘dis - as _ ter. And with and whirlwind wros _ the. wave and whirl wind P. & W. 589 SnL0.. RE<;.xT.T1~:.\'0n. )2 _ Lia‘ _t<-n‘«L to (-ut(-h..... his sliglxt - <-st Moderato. Jess-s. P. & W’. 5%! thv l<m}_;‘ ...... .. as brokv In fip _ . pd) _ My L2 7” (Ill 1].’). lwzwh. ................... ,, In _ j‘m/ / 17». )1‘Il‘Il (7I'P$', CHORUS FEMALE VOICES. BA110gr0tto ma non froppo. 4.: 75-, S()PRA.\’O. AL1'< ). Allegvretto 111:1 non tr0ppo..I.=76. W . 4 _ B.«4.; P 1 r'az('o.s-o they Beau _ ti _ ful they in sooth, The old man and the ___T__j— in sooth, The old man and the U §'outh.Th(.> old u1an in L’/j '_ n_V -a ship 1x1o‘d<:il~d (for and n1<>_doll'd o'er and wl1os<.~ that th at 0'01‘ 0'01‘ snim ............................. .. sail}! géllllp 5:.-1111: dim . the /.5’\ Beau_ ti- ful the‘-y wt-H’. main ..... .. tin-u1;1inVVa1s ('I'P.S’. .. W;1R in south Tlw old man and thv fit-__ 1'3.’ ‘ynxxfh.'nm (,‘I‘P.s‘. Bt-z1u_ti_f'u| tlnqy Wvrt‘, in .<'»u1h. ....... .. The old man in ........ .. Vuld man. in whos‘<> bu _ .s'_V brain . - . :1 ship lm - 5}’ brain V ‘ ' Ship ‘that . .s‘ai\.(l t/11.0 main WIS mow dolfd dvr (>1/N. :~::1il.d thv main ‘V35 u10_deH.d o'er Snpm.\'o. p [e;_q“c,_);. fi9_r.y youth,who was to * : -' ‘ of his dvx to _ ri _ ty, The fi(*_ryyot1t}1.w11() was to be The heir of his dex «i T "_..T—=— fio_ry_youﬂ1,wh0 was to I The of his dox _ to_ ri _ty, $%. P. & W. 589 heir" of his house, and his daz1f_rr1x.__ter;s hand,Whe11 he had built and P/645%‘. .‘:—==- The heir of his house, and his daugh_.ter’s — .The heir of his house, and his daug1)-ter's11and;Whe11 ’“\ latliiclid from land Wiiat the el _ der planrfd, (TI'¢°S _ hand. ............... ..Wi1e1'1 he hadbuilt and 1aunch’d from (3 res . ' dim _ ‘ he .................... had Iaunch’d ....... .. froui land ............................. .i ..... .. P.& W 589 PP el _ der head had planrfd ................ ......... ,,,,,,,,,,,, ,_ PP el _ der head had ‘plantfd ......................................... .. PP ‘ cl _. der head had plamfd ........................................... __ D Beau _ fi_ ful they Beau - ti_fu1 they A Beau __ ti_ful they D SOPRA\'0. ,,if‘___.___:___ were. in woﬂm, The old man and the‘ '. t youth...“ ALTO in sooth. The old mum and the fie‘ _ ry youth.Tl1e v.lmsv old nnn. ' whos‘¢- bmln ...... .. 4 t P 4? (V/()[(‘/’ _-£J——. 'r*rr».s*. a ship shat saim .................... ........ .. tl1&rxnai11W;xs P (.'I'(~.S‘. that sailll tho W19 9 P. $2 W. 5.9%!) mo_d(‘H‘d Beau ._ ti _ ful Hwy d(>H.({ sooth, Beau _ ti _fu\ tlxqy in sooth, '( - T and the fie _ I‘!V youth! The old man, in_ whose The old man, in ................... .. whose bu _ S_y P.,& VV. 589. dim . . ‘ v . ..~ . bu _ sy bram ' _‘ ny :1V shxp that saﬂd tho mam Was dim. :1 ship that saird the main Was» t _ Putt o'er mod _ 01111 (fur . ry youth, who "3 he The lwir of his (.'I'P-S‘. ll youth. ‘ho » ‘P. & S5’. 5&9 _te _ i‘i _ ty, The heir of his home, ........ .. and his udex _ te _i .' The heir.'..... of his d /‘.i\:» %€° ‘Ra. 4+ f d;1u;:h _ __ t(‘l‘iS‘ hand, wilPl') ho..... had built ............... .. and (//'/21. ‘ hmt.~:v..... and... his dauig;h _tm-is hand Wllcii he had built and ha ' é...°// sent two a/1'm~ 1;u.xnclid.....from at the el _ '0 L‘iu|1ch from . iami F .S'(‘lII/)7?’ //II . _ - day head had p1.:11111'(1..-. ................... .. .s-r»m/ma Beau- ‘ti _ ful ' .s'ootl1, old 1111111 and ‘sgp. IL .s'a>/N/JIV? Beau- ti _ fnl ' .s'm1ﬂ1, old 1112111 and ALTO I, .99/)1/)re p Beau _ ti _ ful ' old 1112111 $11111 / ALTO 11. W”/W, 0' Bean. ti _ ful ' south, P. & \V. 589 pr/co ‘I‘l.l€Il . rv _youthTA The the Tic: ” poco ri .22. ry youth? The 111.111 the _fi(; _ pace rftmz. youth? The - ’ the fL'1p poco rilm. ‘e um fin _ /man r-/'/mg , KO \ Z . - _:w:L—————————x\ -' _ rs _youtl1Y ............................................................................................. __ (1 ta//1/)0 /\ youth? _______________________________________________________________________________________________ __ a tr»//1/Jo (3 yottﬂn. _____________________________________________________________________________________________ __ It tram /3 pp a {mu ( cm, F. & ‘V. 395? N9 4:. RECITATIVE 8: ARIA. “The Shipwrighfs Song? Allegro lnpltp. J .—. 112. RPI(?IT. Bi\s.<; SOLO. “T11xxs~‘»,"s:1id he, “will we build this 5112)] ﬂame. Lay square tho blmkvs up _ on shp, A119 molta I’ this pl an Allegro. J : IH. 4:0 . ARIA. Andante. J : 108. '..._{'; 7/? "Choose the tim _bmfs with g'reat_.est Care, Of all that un _ <_../ sound be_ware; or on- ly what is sound and str0ngTo this Ves_sel shall be- B Allegro. J;-176. o~_ Ce _ dar of Mame and Geor_ gia pme ‘lonb Ato_ge _ that‘. shall 1 c0m_bin'c; A good- ly ’ > > > P. & W’. 589 ad [ 17) . And the Uni_0n be her \' 1:? Ahdante (‘on moto. J;-112. can es re.s‘5'.v (ru/zlzz/21'/(2 name? For the day that giV’(2s her‘ to the sea Shall X,_,__._\_ sempre give my d:uIg;h_te'1' Im _ to them The day that gives her (Pg?!/() to the sea Shall give my daI.xg11_ ter 1’. & W’. 589 +2 C Allegrgtto. J -_- 108. th(:(- .” P > ' ' dim. co so/1 ('I‘Z0.S‘() P tr'um]2(I'//u "Ah? what so .9 Inn ll [0 won ._ druus thing; K. wheels of On «‘ t11ot.tgl1t, one word, I’. J; W’. 589 Thcrds‘ that sails the 111 ate , P. &W. 589 $111311, build the wood_ em I’. & W5"‘589 Andante . 7]! “Choose the tim ' _o_~r<-at est sound he _ Q"E..T/ ly what sound and .</mono‘ To this ves_ Se] Shall be _ :>- ° To ves_ sel shall be _ long. . camfabl/e P-. & VV. 589 F Andante ooh mom. J=ll2. pom: esluress e ca)n‘abI'le ‘ For the day that gives her sea Shall g‘iv(: .s-(2/up re legato un_ to thee, Tho day that gives hm‘ to the sea Shaﬂ Pe; give my (laugh - tor, .................................... .. lll~Vd£1I.Igh_tCI‘« h? P. {'3 \H (lattglx- tor un _ to T shall Vg"iV'(> my dz1u;v_'h _ tor dim. '7'”- \' 117 :4 .L I‘. & \\'. 589 N95 RECIT & QUARTETT FOR FEMALE VOICES. “The Sun shone on her golden Hair.” AH({<,;‘1‘0. J: 160. 0\/ ’ f /21'!’//rm//' /)_I'I'//Imfr‘ I‘ R H ‘ IT. SOPRANU. .f.r'()lI /)a.¢.s'I« /7.4 The M:1.s"u-17-‘ word En _ K\ ”X. rap‘turod the }'ui1\1g_v; man hoard: 110 ttlrm-d hiis and 21 thrill look of joy [J0('0 (‘I‘(’S‘. REC-IT. Standing be_for(: Her fatheris‘ door, He saw the ‘:33 bride. ' Andante sostenuto. :1 = 72. PP (Sqft Pedal. ) “Tith a a _ side. form of his promis°d QUARTETT FOB FEMALE VOICES. (UIlaCUo7I1p(I‘IZ.ic?d Andante ($11 mote. or‘: 10$ V SOPBANO 1. SL111 Sh()ll(.‘ ()ll SOPRANO 11. sun shone on CONTRAI.TO 1. Sun shone on C0NTHAI.To II. Andante con mote. PI A _\vO_ ( [51 m 1:0/)1/Jrm I'M! Cheek fresh cheek fr(-#31] I 0 gold _ gold .. on P. & W. 589» pr g:(Jhl_(‘Il hair’,And her g<)l<1_(*11 hair, d -r g;ohL<‘1'1 hair, And her Sun shone on her’ and fair. V\’.iih and fair, With the and fair, en hair’ ‘breath breath lm-ath with the 1) rmth heaI.1t0ou.s‘ barge. like ],Jik(‘ l)oaI1to()us bargv. liko a L ike P. & WI 5:-<9 1)van_t(>m1s barge was _[r beau _tvous barge was i “-___.~_.‘=a—— 1wau_tv0us barge was —-‘J: bear1_t¢2()u.§ barge was (1 y bearh J st (1)7 _A beach Just 1’ d_y. .....beach Just P V san_dy beach Just Still yond the youd the yond the yond the P. <1; W. 589 B bil _ lowis‘ reach; 7)! ach; But he bﬂ _ l0w's bil _ 1ow‘s reach B he was thé rest; less, was the r0st_ less, )1) he was the rest _ .]e.s'.s', seeth _ ingg se<eﬂ1 _ ing, seeth less, sceth _ seething‘, storm _ _y se>et}1iﬁg, storm- y the the rest ,. iess, sect11_ i11f_1‘ rest _ less, .s‘0e’th _ ing; the pace rile»/1. sooth _i 9;, stor111 poco /'l'tH2 . storln ]) /1000 storm _ _ _ par-0 rzlmz . s_€:/ storm I-noz,-0 r/'1»-/2.. rest _ less, Crfh’. rest _ less, CF83. rest a la»)/zpo The a tr>1)1p9' 16 ct tempo The a tempo rffempo S1111 S1101)? 011 sun show- 011 SUI] $110119 UY1 fresh fresh . fresh and an d and fa ir, §I()l({ _ (‘ll §_7:()ld _ (‘.11 gold_ on sun shone the the the hair. hair. hair, 011 breath breath breath P. & W’, 589 (iheek was c}1e0k "as cheek was breath glow. iug glow- ing _ glow. mg hairﬁ be/an _ tc-ous beau _ toous barge dz’ \ . I A beau _ teous r//'1/1. beau _ toous barge ,,,,,,,,,,,,,, __ P. & VV. 589 She, tr»/2. she, ten . barfro , lam . She, beach, P Still at I’ Still at rest on the — San _ cly rest sun at Still at D ‘ : do/(,'¢° )0 __ yoncl thv l Wis‘ acl1.'Tl1esuusl10ne «-4: dolce )each. ‘The sun shone —-=';‘do/ce d_y..... ach.- The sun shone —-a.-;‘_ dolor? L» heachv. The sun shone D P. mi 559 fresh L... dim. f,\ glow _ Ving b fresh /3 P. &. '. 5359 check was C ['63. cheek .......... c_ _ cheek ........ breath of fair, fair, ‘ fair. soft ............................................... .. Sea cre.s.. "dim. the mom" b the (-hovk ....................... .. ('f‘(‘S.' \/ was glow _ ing fresh and (‘PP-9'. ‘ d 'm . ixxg fresh "and g'].()W _. morn and - ihe _.___"T,>- breath the / breath ...................... .. — ,, breath ............ . ._ ......... . . atirt, With the breath of — fair, with the b rvath of the breath of the ~ With the air, air; 11 pa}? a//m - pp soft ............................................ .. pf/P dim. and the . morn . . . . ‘ pl}? r//m .. and the ('12 dim . V P. & VV. 589 r/(‘III . morn and II'l()l‘lX, morn, dim ; 9 of (//m . of (/ fm . the the the N‘? PRELUDE AND ARIA. “Love's ‘command’? Allegro 1n0derato.J=16 O mo/lo a_qI'tato , . 9% Ai1daHt€. J :.- 88. . . t°.S‘[)I‘¢°.S‘.S’. (I in: . sempre Cantabile ARIA. ‘ Andante con moto. J=108.. a/2p/z.s*.w'n7zuc'r( ad /,‘5_ _- r1/we . - *3“ ' fﬁv con spress. P. & W. 5559 , T1~:x(>n. ca/zlzz/2/'/P Ah, hand..... That 0 _ hey _ eﬂ1L0Vo’.s‘ com _ 1nzm<U..-. is the heart, and not . brzlin, That 0 ho _ \_____Z L2 high _ est doth at _ iaih, And he who fol _ Iow_vth... am. . B p Love's bc_l1<-st Far ox _ é'ee<l_etl1 all the restl. It is tlxe Alw:1rt..._ and not the brztin. That to tluk lliglz _ est (loth at - —i'I..T——> _ _T__“*._;——— 3? And he who fol _ _ l()w_(:tl1LoV(.-,’;s‘bu- lmst._,,_ Far ex _ cecd _ eth all the restl’ T ra//. V a zﬂrwzpo Z-T Ah, V fuL... g‘ruvvs ..... the (C /’lll[}O hand .... .. That bey _ <:t1)LoVe’s(-(>111- 1n:mdY.~... " ' — 3 the heart, and not the brain, That to the -—~—f‘.._.""‘___ ./ }1ig'}1 _ est doth at _tai1:), And hv who v.._..‘T—--— fol. _ low _ eth Low’s (lg/ll‘. ceed _ eth all the skil _ ful grows T‘ a z‘r.»n1 mand! .............................. __ a tempo ra ll, ‘ P Ah, how 7-‘- . . . . . . . . - u n . . . . . .. fI\ N‘? 7. C H 0 U S. “Thus with the rising of the Sun’.’ Allegro con brid. J:-.H—1. P. & \V. 589 SK’/lI])I"‘.’ CI‘CT’S‘. ‘fab. P.& V’. 589 SOPRANO. with with with with the the the the .s0on ....... . . through soon ....... . . ﬂ1r0<.1g'h the ship _ O .' bounds - “fore soon ‘through — out he ship __ Vard§ the ship _ y21r(r~'. And soon through — out the ship _ _yard’s‘ A heard ,,,,,,, ,_ the in _ tor _ min _ gled sounds, bounds lxeafd tie .s0unds. bound S heard ¢§¢ }m:1r<l in _ tor _ min'_ glad ‘in __ ta‘ ~_ min _ g‘0d Soxxnds‘. /‘X in ._ fer _ min _ g_'l_ed sounds,... V. and of glcd sounds Of lxeard ‘due in _ tor _ min _ glod sm11x(1.s' min _ g1edsou11d.~; Of’ _ and of l2N'//an/P "- >. L P. & w. 13:24 ma] mal lets, lets, es and of mm} mal ‘ _ lets, P. & “T 589 11131 ma} - lets, _ lets, PHM1 ‘VH1! I. go - I'ou_.s ma] _ lots. mal _. lots‘, plied Wiilx pm .With P. & VV. 589 pliéd With p1i'ed Witil n ]_)Ii0d Witll * PM with ' P. 4% W. 589 o Iil1Ir(,'(IL’r) And soon....... thruuggh _ out ip_.yard’.s' And soon ...... .. through _ out ship _ yard's' P. A‘ “T .3549 S0011 munds .. . bounds‘. through _ th rough __ -out the ship __ yard§ bounds ‘Vere h(:21rd..... the _out the ship _ _y;1r(Ys bounds h0ar<l...,. the in __ ‘(er _ min- gled ter _ min _ gl<*({ sounds, .......... .. heard ............ .. . . ') heard ter _ m1n_ glc-d sounds, .......... .. {T ‘ 0 Sounds, . . . .. hoard _ the P. & W’. 583 _ f;‘1€¥(1SOI.[l'1dS Of _ gl<*d.sou11dS _ gled smn1d.~; in _ tvr _min _ ?<_r;l<V-(l sotnxdsf. the ' - tel‘- min _ glad J» .5 s ounds P. & W. 5:29 mal _ lets, of mal _ lets. pned wam P. &, ‘W. 589. plied With side, plied ‘V1t}1 pued With plied plied well, That» I’ That, we.-IL That, PP That, P. & ‘W. BN9 of . IJOCI) (1. [.1000 of Scéarfd Soaryfa P. W’. 589 38))! 7'6? st raight and 36)]! /'8 straight and .s‘(—)11pr'e straight and .5‘6"I)I})I'6 straight and ..s‘(»//I/1/'6 crew . O- Strctclid .s'tr<:t<~}id .......................... . . stI'ctc}id ........................ . .- be stretclid ........................ .. 1» ‘fan. P. & W. 559 blocks, )10(-ks laced, placed . ’ bloéks slip, slip, , blocks, .......................... ................................... .. slip ................................... .. . blocks , ....................... .. ‘ / Slip, ........................................................ ..; ............................................ .... .. placed, ......................... placed ................ ..... placed ................................................................ . . placed ................................................................. . . P. & W. 589 };or:(; I‘l'l(?Il . KS 93623,, 15.4; W. 589" HA1le ro. Hap U ' fhr‘icé - _ Hap _ thrice Hap thrice one Who sees his one Who sees his one W}xo sees his one who sees his thrice Imp- py thrice hap-p_y thrice hap_ py . thrice hap_pyv time ............................... . . and tilde‘; ........ . . time .......... .. and tide-‘. By i - dly By I’. & W’. 589 Pit} Alle ro. ti(le!__ ........................................................... -- tide! ............................................................... .. Pit} Allegro. .4: ' ' is ' +—T. -— szgmpre ﬁg’ ])(I.\'.s'() 6%. N9 8. DUE T. t . ‘As 1n a dream’? Andante. J _—_ 96. S(,PRA.\.0_ Pit} m0t0.J=l26 And when the And wlwri the Pifx m0to.J=l26. hot, long day was o‘<:r,.... The young man at tho Mas _ tet-’s _______________,_ _ hot. long‘ y o’er,....The _y0ungman at the Mas-ter’s ? K‘ 5 P. <6 VV. 559 ér(>.¢, Sat with the Sat with the maid - en calm and with the p m//, V A Andante. 41:96. 1naicLer1(~a1n1 and sfill, calui and...... still. (17 1')/z._ P Pa.//. maid_en calm and still, calm and Alldallfo. 41:96. sr>mplI7ce° — P 711 And with (1 ' with _ I'.& w.. ass: i i »A11o,9:rett0 ma non troppo. o:-.144. 2710//(1 (wlnfa/21'/v _in ﬁle )_orch, :1 lit _ tlv 1n<n'£*. R0 , m0v'd ]m_Vo11d the" 1/Ia/[0 (rmzlu I/V " _ in the porch, :1 lit tlo more Re _ movﬂ be_‘V0nd the All . tto :1 non troppo. J = 14+. L/I ’\ _ c-hill. Tlw fa __ ﬂwr sat, and told them tlale-.s,.... chill, .- _ sat, . ........... . . [T \ and told than tales Of wrec-ks .......... .. in the great Sep _ (/1) and tuld them tales Of wrecks .......... .. in ‘L .g‘r<~at Sop- Elff tem _ ber ga1es,Of 5 rates - on the Span _ isli ' c" 3-. tem _ ber gales,Of ' rates up_ on the Span _ ish CF83. _ es}; rr>'.és. The chance and chano-e 8$‘})I‘PSS. And ships that no _ vor came back a _ gain, 657,) r'P$‘.S‘. .ai._10r‘s life, .......... .. Waxxt ..... .. and plon _ __.“*_=-. CI'P.S‘. a _ gain... The cham-e.... P. & ‘W. 589. BPOCO agitato. J = 1.60. rest and sai _ lorfs‘ life). P000 itato. J-_-.-160. B held her breath At the ‘L? _ mr and tales of that aw,fu1 ‘ mys _ tor- V. trcmh Jing maid__en pi _ ti _ 1ess_scav,Wit}1 “T The dim, dark I}? The dim, dark Dmth, 3%: Am £11119.) = 96. nites‘ man _. kind! a - nites man - kind‘. I Axldalmxa = 96. And when _ov_ vr the oldman P. & ‘W. 589 Pix‘; moto. o'.—_126. And when ov _ or ‘the old man Pit} 111010, J:-.126. pan9”d, ......... .. gleam From the bowl of his p(/0!(.:z» P (v,-a.nz’(zbI'[€ while .......... .. gle am frmu the (1/1'2iz;. lent grouptin the twi —_ light Wxllct a _ white it __ lame the Si _l0nt gloom , group, And ‘thought ful fa _ ces, \~—-»/ at (?aI2i(l1)l'[(+ V (troam ................................................................. ... ......... .. as in eras‘. . > ' ' tth()IIght _ \’\‘ 88]) P683. ..—_—:i_— ad [(7). and ’(h(>IIg;htfI1l and tlxotxghtfxll droax n . 11 {em Y P e.¢pre.s*.s'. - pr r0/Hm/u. #3‘ Pat’. Vs’. 589 ad‘ /17). . And‘ thoughtful ad lib. And -_th'm1ghtf(V11 fa _ ces, fa _ ces. N9 9. RECIT AND CHORUS. (Male Voices.) “Build me straight, O worthy Master.” Alle ro. 2152. BASS. SOLO. A11da11t(;. con 1n0t(_)'o|‘ =lO&$. day the ves_ sc-1 grew’, 1th strong and And a ’_round the bows and a -10 — fashibn’d .... .. tun _ bars the A Side The hea _ vy _4'-/_...’»——: A_Aﬂegro ma non troppn. oi-=l35 ham_mm's and ma1_.1ets plied, 711 re°(3‘l't. ‘Till af_ tér’ ma _ n_y ‘Von- der_ ful .......... .. s't'ren<__>;tlx, ma/'caz‘(l) “$327.5. Andante _c0n mote, J.-.108. . -,ca/ztzzblle lime "in its en__ or_mou.% bulk,Lo0m'd a _ loft .... .. thesl1a_dow_ y 9%: agila tr) _ . P hulkl~ And a _mid the clam0ur.s' Of clatterirxg hammers, He who co/Zr? war’ ' listeml heard now and then The song of the Mas- tor and his P. & W’. 589 C CHORUS. TENOB I. . "A'Bui1{1 me Straight. 0 WOI‘ﬂ1_V Mastersiaunch and ’ Cnonrs. ; ' TENOK u. - “B uildu 2 straight, worth_y _,Staunch4 and CHORUS. “Build , . raight, 0 worth_y Mastm',Staum-h and CH()RI_'S. ’ Bu.» n. ‘(Build Straight‘, 0 worth__/V Master, staunch and strong‘. a ' .'_ . zv That Shall ' strong, a . That ‘Shall ,sfr()ng', a . That shall- Ves_ sol, That shall. P & V" Ms!) whirl _. wind WI'0S._ tie? whirl - wind wres _ tie? as _ ter, whirl _ wind wres _ tie‘. Build me with whirl __ wind wrés _ tle? .—_ 0 “Build me straight, 0wor’1h_ y Mas _ tor, a g'ood_1y "Build me straight, 0 worth_ y Mas- ter,Staunch and strorig, a good- _y "Build 1110 Straight, 0 worth-y P. 4% Vt’. 539 vvs _ sel . Straight Mas _' tar That shall Oworth _ y seLThat shall Staunch and strox‘1g;, good - Iy Build 111(- Build me Build me Build me Straight. 0 worth __ _‘ Mas _ter,S’tauuch and straight. 0 worth- 0 M;1s,ter,Staunch and straight, 0 worth _ Mas _ ter,Staun<-h zunl Straight, 0 worth- v M;1s_t(‘r,Staunch and ms. so]. That .s'huH lau<_>;}1 ves _. sel, That shall lau}_>;h Thai shall lauwh ‘T3 was. se], That shall laugh P. & V5’. 589 as _i tori And with whirl _wind wres _ tlo, shall as _ tar And with whirl, wind wres _ tie. shall 6 as _ tor And with ' Whirl_wind wres _ tie, shall as ._ ter And with whirl _wind wres _ tle, shall with whirlwind with wave and whirlwind [ wave and whirlwind -<."”"_.._ wave and whirlwind Wit11 oak _ en brace c0p_per. It Wifll oak I. en Lies lt With oak _ en V c0p_per _ Lies the '2} cop- per ‘ Lies the mzvv, 539 on the Thatl ike a Thatglikc a M on the That like a t11<)r1g}1t, > That. like a thought, thought, ' shall have con trol 0_vo‘r the ' > thought, . shall have con trol 4 O_ver thv shall have con trol 0_ver the > 0 0 shall haw clon _tr<.)I O_ver the In ovoine nt 1nuv(-mvnt movement Inovmnent whole; »\~'ho10; whole; whole; giant ‘,4-.u.I| down __________ whose _> (‘h01‘~ whnsv ‘Sta. P.& VV. 589. . grap ,. ple with the giant hand Will g-rap._ lple giant hand Wﬂl reach down . grap_ ple with ilxe giant hand Will reach down g‘l‘ﬁp_ ple with the ‘l7 mov_ a _ Mn Hold the mov_a _l)l¢= » _ Hold the mov_a _blo - Hold the moV_. a __ l)l£‘ Hold the l7>- gamst gains‘: galnst gainst b]ast?:: .................................................. .. “Build me ‘ “Buﬂd me “Budd me ‘ﬁ‘Bm1d straight, Owur" _ tvr. Staunch and strong, <frai}_{’ht. V wot-th_._y Mas _ ter, Stzumch and strong, straight, Ow0rth_y . _ ter, Staunch and strorxg, straight, 0worth_.y _» tor, Stzumch and strong‘. That shall laugh .‘ And with That shall laI1g'h' all dis _ .' . And with laugh H .' And with L That s laugh .' And -vs ith O o O and _w‘hirlwirxd wrcs gtle’? and whirlwind wx-es _ tlof’ V Bqﬁd “HI and whirlwind wres _ tle? ‘and whirlwind wresl _ ‘deg : “Build me straight ‘O w0rth___y “Build me traight, W01-th_'_V> straight, worth- Mas _ tor, a g00(L y vus __ sol, O w'<;rth_y “Build me traight, O w0rth_y Mas _ ter, Staun(~11an(1 CF83. o Mas- tor,’ Staunch and strong, a’ goodjy ves‘_ sol,” T}..\L shall V Mas _ C Mas _ t(‘I'9 for, Se], That That That That $111111 shall That shall shall shall Q89. P.&‘Q.’. 59? I And with A whirl And with And with And with wnos-_ ﬁe!” nmrrrato P.& W 589 “Build A - straig;ht, 0 worth_ y Mas, ter, Staunch V “Build 3 striligtnt, 0 worth _ y Mus _. ter, Staunch "Build , straight, 0 worth _ _y Mas- ter, Staunch Straight, 0 worth- y Mas __ ter, Staunch Ves _ s<-l, That shall veS_ sel, That veg- sel, That shall ves_ sel. That tor, And _ ter, And .‘ _ tér; And with wlth _ ter, And with wlth whirl _ wiﬁd whirl V _ wind - whirl _ wind _ 12:? N‘? 10. RECITATIVE & ARIA. "Ah when the Wanderer?" AI1da1m+..1n:L non tr0pp0.J=l26. . /\ /-\ FIANU. 0, Cox TRALTO. - Ber,-it rfzmzs-7' oz iempu 3e_h;>l.d, at last, Each tall dz}/1; _ ur tom:/Jr) swung in _ to its place; A ,_//’-’‘‘’‘—T\ . . _ uasl I‘¢°C'lf. . . Shrouds and ._ stays Ho1d_ ing it firm 4,, \K________________,,/ P. & VV. 3&9 A . Aﬂegrotto. J: 152-. I) mezza vocc fast‘ And ev’ _ //"-T ry—where The soft PPd(I/. s1vn_ dor. race _ ful Poise a V?’ at the mast /"""’ W"}1ite, blue, and r perdmzdr) ARIA. Andante. J —_- 8+. B_ e.s‘pre.s's. P (W7!/zo11L‘V sqft Pk(/rt/.) I pnc-‘o rI'2‘H2 . p ‘(:0/'2 e.s'press. Ah! when the wan- do;-_er, 0 friend _ 1055, for _ eign .... .. har_bour.s‘ shall hold That flag un _ ro119d,.....A ’Twill be as $ VF’ han(l..... Stretchll oui from his na _ ﬁve land, .... .. k? dim . Fi1_ ling his heart with me_ mo_ries sweet and e nd.1ess‘. ' ' p ling heart 1n0_ries sweet and €.‘,‘})I‘(:“.S‘.S'.- ‘ T ‘Fil .. ling B15 heart . j with mo _ ries /”"v"'“"‘$\ 1n0._ ries ugitctto pm.-0 (zrras. /41//2n. D and (‘W1 '_ !f‘SS! AN 7 when the canta/)1/r~ ’ T .1. 1y, friend. 1055,‘ In for _ eign.... V bar- boars shall be _ hold That flag P. & W. 5:49 roila, ‘Twill be- as a friendl‘\ 11a11dStretc1fd.m.rtfrom his na _tiVe ‘Z [1000 I‘l.(FIl. heart with me _. 1110.. ric-‘S sweet and Fil _ ling his ‘*F\—-—-—--« r with me _ mo _ ries F ‘ . P-&VV.589 N‘? 11. RECITATIVE 8: SCENA. “To-day the,Vesse1 shall be launched? Allegro con bI‘i0.o| :.l52. SOPRAl\'0.. 1mzrcato A fin _ >is}fdY length ‘. come the bri ._dal co//an ‘vac? [)3 m//. A a tempo day Of beau _.T_t‘y_ and of strength. V r((//. ‘Ea. Pit‘; Allegro. es; = 10+. day the Ves ._ so] shall be 1aunch'd'....,... Wi h flee _ clouds ........... .. . '. v ‘ b1anch’d, ....... .. — Slow- 1y, ' tu ._ ries old, ..... .. P. dc V5’. 589 Up and less to \ Pa_c-es’ rest _ down the sands of His b(*at_ing gold . and And v fur ﬁg-i‘:_:— Wit}1 cease _ less P. & VS’. 589 can esp .9. Lpoco ad 113.. heard of snow “eaves with Co/la Z-'0(:0 > /"T brgast . . . H0 waits im _. C a tempo bride. _ ......... .. a t«>m/)0 There she stands, Witll her the he av _ foot .......... .. -mg of sand§, ........... .. Deck’d with flags, déc~kH with flags and stréaxxlers hon - our‘ of her mar- riagevday, Her sn0w—white. . flu’: _ tor _ ing, blend _ ing, ............ .. Rea-dy to be‘ ............... .. The bride of the Andante. J -_-. 80. \/‘\3, can (?sprP.s'.s'. On can rwlpress. deck an ._ 0 - thér bride W hor lov _ 0-r's side‘. dows”... from the flags and shrouds, Like the sha \ [)()C0 C’I‘(’.‘~‘. by ' clouds.- >§< 6533:,’ round ﬂmn on the M 12% 3: ‘QED’ P. & W’. .')h‘.0 Allegro molto. o'=104 clouds ..... .. sky is r"x_.———/ —< To — day the ves_s0ls be launc-H(U with flee __ cy blanc-h’d, And o’er the bay S1ow_ly,_ ‘in P. & WV 589 all hlssplendoursv dight, .... .. The great ................... .. ii. .905 to be _ hold ves_. shall b(‘_ unch’d'.....- ..... .. with flee. ‘ clouds the . t is b1anch’d, .......... .. And 0’er all his 70 fl‘: ores. {T splerldours (light, ...................................................... .. The great sos ................................. .. to be _ hold the ‘iizzb. F ‘pdolce .€£ g,\ﬂ«¢to sight, in all ................... .. his splon _ hdours digght, 10 great ............ . . _/ g/' __/’ J _/ ./ P}; .<wmp/we /nil} u,.«_{“/z’u/o P. & V’. 5249 poco rifelz. 6 con pzz.s'sz'm2e *\ Pin Allegro the Y. & ‘W’. 5&9 N912. SOLO 8: CHORUS. “The prayer is said.” roligioso. J: 69. SOPRANO. ALTO. TE.\'0R. BASS. Andante religi0so.J =69. pmqft I’evda[.) semprw .s‘ost»°nuz’o :0 legato . /_ ‘Siam. ::§< ‘Sta. I 651*)‘ 55‘: 5; P‘ & ‘W. 589 CHORUS. Cuoms. CH.0R['S. Cnoaus. sn.¢tenu lo prayvr is said, The su.s-/Hmto prayer is Said, The uslrnuto prayer is said, The ]) .s'().€t€/llltr) . prayer is said, The P .m.s'te/m/0 o o /2017 (out soft Pedal.) groom bows his _ gI‘OOlI1 ............... .. s‘or_vice ser_vice S er_vice sex-_vico h I joy _ ous L bride_.gro01n _b0ws his read, joy- OHS read , The joy_ ous bride /—-‘S / ‘joy; ous p()C() (,‘I‘PS . the old ....... .. tears.n. good nd ,1) (100 ores . 95 bows his ix 1 P000 CI‘r°.9‘. P. & w. 539 0 ter Shakes the brown hand of his 0/1';/1.. "h tears the good ol .... .. dim. tears the good old a’1'm . head’; i the good old Mas‘ - dim . his \ daugh__tei"s glow-‘ ing cheek In Si _ lenco, dim . his daugh _ter’s glow; ing‘ cheek In si ‘_10nce, .. his dang-h _ ter’s glow- ing cheek si __1ence, his (laugh - ter’s glow_ ing check In si._1ence, (T A ‘Ea. _* P. & W. sag scmprc ‘ And ev _ or . , V Down his fas _ ter» m(,'o /'I'tr- /z . ‘(oars be ._ gin poco rile): . L~_ C an _ poco ﬁtn- o~in ....................... .. P5 . 112000 1'! tan . -'n"‘.i'<?"3 pact) rito-n. 7‘ P. & V5’. ‘589 " .150 BASS SOLO. ’B Moderato. 0‘.-.100 gzmsi Rec-it. The worth- y pas ._ tor __ The shep _ho_rd of that wand’- rixlg; a tempo flock,‘ That has the 0 _; mean for its wold, That has a tempo for I its fold, fromrock ta rock- ~}'g«‘53¢’b. P. It ‘N. 589 mild and clvar, $655. dim . words CAndm1te. 0‘: 72. (‘ I‘P$‘. “Like un _ to ships..... far" Out_w.-nrd or ho1nv_w.-xrd "bound, fore, be_l1ind, ' all a _ round, Fl0atsandsM'i1'1g_s the ho _ ri _7;0n's bound, ..... .. SPOIIIS at its dis _ {ant rim to..... rise And c-liuil) tlx0....crys_tal wall of tmskics, And then a _ gain”. to turn and Sink...... As if we could slidt‘ from its P.& W589 D Allegro agitate. 0' #138. brink. (93 77:58, 7'55"? U1 P ¢°-*‘}H‘P-*'.-S‘- -=7: poco 'cr{-es. Ah‘. bit is not.,... the sea. It is not the sea that ~ 5: 1'Ti.m. 5173?‘ W‘ 1 0 sinks and shelves, Brit... our_se]vosTh:1t rock . and ri.s‘e.... 4 . 7” crps. u‘,c_(I[at'u’ Q I end _ less and un _ eas _ yxno _ ttion, Nowtouch-._ 'ing the ores. ’ ilato 0 0 f""fff° t ( .1‘ rvskics, Now sink _ in EAnd_ante religiosom’ = 69. dc.-pﬂls . .. P snff Pa 041/ SOPBANO- .s'o.<((»m1/0 AI To T he pr:1.y< -r is said, Sm-_viee read, V Tixeprnwr is said, .- s0r_vioe read, ATEMR. .s-'osz‘Pn1/tr) ' T115‘: rayor is said, s<:r_vice road, BASS lenzzlo ’ The prayczr is said, T110 ser_vi(~r-\$_‘\road_, BASS SOLO. .3’ . ’ 1. 0’ AM if our souls but poise and swing Like the sr;$£'P)Il(/0 . X . . '5/tout sqft Peda 1,) P.&\Y.589 ' y;_ous bride _ rrroom bows‘ '5' head; j()y__ou.s‘ bride _ groom bows bis be.-ul: rayer JO)/_0XIS bride _ gro()1nbow.s'his‘ lwml: )rayor j0y_ons bridv groom bows bis In-ad; prayer (\ /'5 /-\ (-0 pass in ' 3 br;1_ zen ri ])()(.'0 jo‘y-ou.s' bridvgrooum ' ‘ bead, C .5‘. joy_0us bridegroom bows his ' ” /Uuco —cl‘r/.5‘. _jo_y_ous bride crroou bows his )C'() 83C . ‘o _ou.s'brid0 room J y (‘I'(‘.§:.g er true To /“the toil and task we have to do, We shall TV\-~/ P. & V’. 559 head, ............ .. head, .......... hoad, bows bows ......................... .. .‘)’_._ §\ sail se}_cIxt'¢~_ly, and _ ly reach The For- ttmatc Isles on whose head; J0). (:r'e.s' " J0)’ 0r'e.s‘. — ours‘/_\ 3" :3 shin _ i Q b(}achThe sights we SCP, and the sounds we hear, Will be’ P. &VV. 589 (Y 1'»; . gl"09lI1 bride groom bows his ride groom bows his bows his brid¢.3 ’ those of and ' joy ‘P I'21y€ I‘ P rayer prayer P rayer \__./ P, & ’W.. 589 -’>x‘~' N9 15- RECIT &cHoRUs. “And see! she sﬁrs.” - Allegro" con spirito. J .—: 176. ‘>313 as TENOR SOLO. Then the Mas- tor, with a l'o°(,‘I?._ # . o Q6-;f'S_tIIl‘('} of ootnxnantll/,1” Wa\'€dhis hand; J’ W:V,m:'§.:_ -)!5(m:¥::}~r<z4- __ . .. ._ .1 ., .. ‘A '''J\ v.*'«:»'.=r'?{':“FX?“ "9 “ AA11e;:§>,-_4__=1:>;<.>_-_.\ m .\“r3.:‘V..-.;v:4_--.v Loud and sud _den there was heard, a tempo All _ round thorn and be »_ low e sound of sr»m/Jr!’ (1 Iain ham- mars, blow on 1) ow, Knock- ing .s'«vn1pr-re agzlzzta The shores and spurs. ' /3 _ Allegro con Lbrio. J =1-H.’ ' B CHORUS. . A119 ro Inoderato. B Allegro moderate. J-_—132. 25: L 5\\_ \ -2? 5&1.’ £m'..s'.¢0 ' '_ P. & W. saw She starts, she C She starts, she \/ life ..... .. -9- , 6%. f1} cm .s'. The thrill of ('11 (:r'r».s=. The thrill of IHOVCS9 __. life life”... pix} crows. 3 ,._ lUH(7‘ H sempre pit} agitato She moves,‘_,__ _ sempre zu agltato She 1noVes_-‘. _ sempre zu agztato Sl1f‘_§€6?1nS to sempre ‘pm agltato sheseeiiis to I u agz ta to IIIOVQS, __. 3811(1) 7'6’ __ ' a Jonq her keel, And keel, ..... .. ['1/flit cn<2.9. U a Jung her P. & ‘W 589 she seems to feel-.. feel.... she seems The thrill of The thrill of i A110 ro molto. sprxrn; ing a_ long her keel, And 7 spam. ing A :.-108. Alleg molto. . Sp [IP11 _ lllg‘ ground, spurn_ ing ground, } ground, ground, SPIIPII __ Hlg ._ with her foot ground, Spurn ._ U'lg with her foot ground, 1*“ Spurn - ing- hcr foot her with her foot the And, with her foot the C with hvr not the ground , .................. ;:rQx.111d, And. Spurn _ ' lg with her ixlg; with ................................... .. her foot the < 3 groutld. And, I SPIIFII C -with her foot the ground, . :.=-» hvr foot the ground, —i ‘ ' ground, Spurn > P. 42 W. 5897 (A[.g¢z‘tcztQ bground, Witlx agila ground, ‘Vith agilalo ground, Witll agz't'az‘o ground, Witll agllato ul _ ting CI’€»8‘ . ul _ ting eras. 111 _ ting ' .‘ bound, C'7'€.$‘. _ u1_ ting ' . 3 bound, P. & ‘W 589 V» s. ;‘\‘\\ §»\ \ \‘ . \v\‘\ i\ N TENOR Sono, D RIELIT. 10? from the assem _b1.d RECIT. loud, " .4!/eugro. ‘ Cnonts. Alleggro. ' " Take he r, "Take her, “ Take he r, J.‘/'” crowd That to the O bride _. groom, O bride _ g‘I‘O0lll, O bride _ gI'0OIIl3 groom, There rose a Shout, o_ cw-an seemdto p ro1ong'H and say,‘__ 0 arm.s'_. ........................ .. ‘T vouth yoxxtln youth youth /""""—'-——‘T"""""""—"‘% charxnsﬁf ...................................... __ charms !".’. ______________________________________ __ charms ‘.1’ ....................................... . . charms !'.’. ............................................. .. > tram . p cam,/a/;I'/«» .0 N9 14'. QUART E TT. (U7l(lcc(m1p(( nzedf) “How beautiful she ' ., Moderate. _ dozce .‘_v_n-RAM). SOLO. How beau "ALTO. ’ SOLO. Tezmn. S014). BA.ss. SULO. How Modorat0.J = 104 P12A1\'o. Shethes with- in these arms, That press Her "fun-Ln She lies with _ §/ arms, those arms e lies with- "in these arms, That press Her - . 0 She lies with _ in those harms P. &W. 589 rcss, How fair" She lies with _. lies with __ in those fess, How fair She lies with _. fair she has with _ 1n ‘those arins. arixis, arms, press .......... .. Her these arms, _.f0rm f()l'lTl .......... .. ncss IIOSS ' l’l(.‘SS A flﬂ 6 legato Of tcn_de1-' Pp 0 legato ca réss 0'1’/1: . Of tcn _dcr- (to with ca ._ rcss e [(4 ca- rcss [Of tcn_der with sm/zpro Caro?" Of tcn ness and watch 3////2/Jr» ID and watch _ ful tcn _ dcr ncss and watch 1’ Of .5‘ H/[prev care? _ and watch _ ul Of tcn _, ~ SfrIIIpI'r“_ 2 /r«g¢n,‘o W21 chful care! and Of ‘ten ._ dcr _ ness and_ watch P. & \V. 589 ful éare? I ten _ dc:-_ ness ten _ d0r_ ness ten _ der-_ ness ten _ der._ ness poco crex. /, teni _ der _ ness C'7'(’-5'. 0 ten _ der _ ness P000 6‘ ten _ der _ ness pdco eras-. ten _ der‘_ ness watch watch _ ful watch - ful F. & \V. 589 watch _ ftil watch __ ful Watch _ ful watch _ ful care? How beau- tli _ ful she 1 care! How beau _ ti _ ful she care! HOW beau _ ti __fu1 she How She lies wit}1_ in CI‘/‘S. fair shg iios C - . 8‘ fair She lies‘ »£?i1h_ in crew. _ beau _ fi L. ful she can 9"-\‘,I} rr2.s2_s~. . O Hei‘ PTCSS PPCSS - - - - - - - Q o v - - o - - - o - - - - - - - - - - . 0 . those Wiﬂl _ 3.111159 in ..... .. arms, those thai. those P e /Pgtrfo ress Of ten _d(*r _ ness, and watoh._fu1 ﬂ I? /egczlu ress Of ton _.der _ Iless, and watch._fu1 P P‘ /(gala Of P [r{r__r(Ito arms,Of ton _dm' _ ness, and wat<~11_fu1 . and watc}i_. {.11 and watch _ ful . and watch- ful .. andwat<-11- ful ton _de1-_ness tvn _der-ness ten _ d(3I‘_l’1€SS te-n_d(>r_n_ess care? » Of care? Of ness, Of care! ‘Of [I]? rail. and watc P ra//_. and w’atch_fu1_ care? PP 17- A and watc-h_ful fall. and w'atci1_f'ul N‘? 15. FINALE QUARTETT & CHORUS. “Sail forth into the Sea? Moderato. J: 8+. «§< Allegretto grazioso. J_—=A1O8. {T \_y P d0[C’P ’ {T 177 Moderate. PP ac «stab, A CHORUS. . J Allegretto grazloso. :..- 08; SOPRANO. Sail forth ‘in to the sea, 0 forth in_. to the sea, 0 forth in_ to the sea, 0‘ Sail forth in _ to the sea, 0 /P A Allegretto ma non troppo. L Through wind and Through wind and Through wind and Through wind and A wave,rig~ht on _wa1-cl ___.———--——’{""' . wave, right on _ward __________. wave, right on _ward ________...._L_—-——-- waw, right on __ ward right on_ward steer.'ThrQugh wind and «< right on_ward steer-?Through wind and < right on_ward steer? Through wind and -< right 0n_ward steer-YThr0ugh wind and right on _w§1rd «—-;' i»- right on_ward -< } ri;_I;ht on_ward «=1: 1» steer! right on_ward P. «E ‘W. 589 Sail Sail Sail Sail forﬂn forth forth forth ship! ........... ..Through wind and sliii) ............. ..Through wind and ship? ............ .. Through wind and ship? ........... ..i..T11rough wind and on _ward The moistened on-ward steer? The moistened 12 (/0106 steer!The moistened The moistened 2"‘—_"‘$ P. & ‘N. 589 poco crest. ' tremb _ 1ing- ‘ ' , not the Signs ' ores. tremb _ ling lip, Are not the not the poco cres. tremb _ ling " , not the signs of {ed 1 J '' poco CI'PS.- B or ...... .. fear, Are not signs... of dim . ~ signs of doubt 0/im . doubt... of doubt ,L. P. &‘W 589 of doubt or fear ' ....... .; ...... .; ................................... .., ........ ..'..’.’;'.'—;"..”;;‘. forth.... ‘in to thcsea, 0 forth.... in- to the sea, 0 {#01-th.... in_ to the sea, 0 forth.... in_ to the sea, 0 /-T /\ iﬁﬂa. P. & ‘W. 589 Through wihd and Through wind and Through wind and Through wind and — wave, right 0n_ward j___{__ wave, right on_ward ’{__,.._ wave, right on_ward ‘o. wave, right on- ward steer! 1’; &VV. 389 right on _wax-d right on_ward right on_ward right 0n_ward d -—< right 0n_ward -;—f‘__. on_ward fight —< right on_ward right on_ward steer‘.Through wind and —-i steer! Through wind and —-—-—:_1" steerTThrough wind and —--:-_f_‘ steerYThrough wind and - stc,er!ThI'ough wind and C 7'65‘. steer!Through wind and C 7'83 . steer!Through wind an CI‘€.S'. steer!Thr0ugh wind and wave, right on_ward . ‘ forth 1n _t0 the right on _ward Sail forth’ ° wavmright on_ward A ‘ Sail forth in_to the M‘z1\'e,rig‘}1t 0n_ward stem, Sail ‘forth .................. .. in _t0 ship?Thr0ug'h wind on _ward soa,T}1rough wind ',.__‘ , 0n_ward ship?Thr0ugh wind on _'ward P ship?" Through wind ' '5 on _ward P. & W". 589 Allegro, J:.-1-1+. I5. 4; w 5x9 Ear not each sud_d0n Ear not each sud _den Erar not each sud_d0n Féar not each su'd_den and shock, each sud- den sound and and shock, each sud- den sound and shock, and shock, each sud- den sound and shock, . _ and shock, each sud- den sound and 0 > ‘S2/en. PP ’Tis OT the wave "Tis of the wave P 'Tis of the wave 0 ‘Tis of '3?-. p. .92 W 5139' rock; ‘T115 but f]ap_piI1g~ * rock: ’TiS but the flap_ ping‘ i— rock,‘ ’ 1e flap_ ping rock; ’Tis but the flap- ping D‘. Pit} Allegro 9 con fuoco. aJ_—_u6, gale? of rock .... .. gale? of r0ck...... gale! of rock .... .. ' ale Y- . D ” Pit‘: Allegro’ e con fnohco; of rbck .... .;. % f .... .. and tem _pest's .... .. and tem_pest’s Vand te1n_p0st's and tem_pest’s P. & V5’. 589 -gr falseni.‘ % lights of false...‘ ..... .. lights of false... lights of’ false....;,;..... lights bruast bx1x1st breast breast P. & V’, ‘.389- a/1/Jasslbmt/0 .S'.P’IlIlU/'(’ ('."l‘.S' . p000 ritmc. ‘Sh. 1VIod0rat0. J - _—_ 76. r. breast breast ........... .. f Sail _ bfcast Modoram. *%o. P. & V". 539 hop<*.s'. hearts. ....... .. our hopes, hearts, ....... .. upes. hopvs, V t})<)<?. ......... .. P» & \\'. Z".>.\9 breast breast breast breast #9 . ‘Ea. hearts, hearts. h0arts- . hopes, llopes , hopes . hop 0.9.. hopo.s'. hoz1r’(.s', 1'1} hmlrts, prayers. V . prayers, prayers, fears, tours. P. & VV. 359 flxitll f}1it11 f}1it}1 f}1it}1 ”""* ~ < ' : ‘L. phant phani pllzlrxt f'(~z1rs. ....... .. 7 phant f(‘Z11‘S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. ..... ;,/"'*’*‘ {vars . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. o >%: >§:%. Sim Z-—-;_’ 4/?» awil b ~— fora)" forth forth SP3 inxg‘ trust P.& T5259 a1l.f..... ad forth P, & \\'. 5‘\‘J the sea ..... .. ' of P. & VS’. 58!) ———?......———IIlljIIII {llrtha ing‘. h‘u.s‘t the sea ....... .. of luv _ _ Sail ‘ forth 13+ P. (in V. f).\9 SOPRANO. SOLO. trust _ SOLO. trust _ C Homrs. SOPRANO. A C HORES. CHORUS. O CHORUS. trust, .................... _ _, trust, .................. .. and ' cfes. _ . _ tle _ poco Cres. / . love and trust- mo/[0 cres. Pre _ Vail mo/to c . Pre _ Vail o'er molto cres. Vail o'er 7210! 6'0 (,‘I‘P.S'. ail mo/to crws. wave .................. . . '\ \ ' ‘ poco rz'te.22. SOLO SoPRA.\'o. 1* 9 . ‘ rlte/2. . SOPRANI; SOLO ALTO with ALT1. co rile/z. . Sum TEI\'()I{ with Txcxom. Sum BASSO mm BASSI. PIANO. H _ wa bound, ward..... bound, uund, ward..... ound, home ward..... bound, souls ........... . . souls ...... souls ........... .. .{"'”—"‘$ ' - .1. C0111 __ P8555 com - pass com - pass com _ pass .P.&- Visas» 34’ ‘E525. P. & V5’. 589 St‘ _ (‘IlY'(f ZlIl(l S21 0 l shall .s‘l1;1ll shall slmll V 50 _ (-urol and .s':1fe _ _V and safe ‘£Q_ I’. & W. say sziil s<>_r-u1'-v_l'V. slmll sail sail, shall ......... .. sail ........... .. so _ d ﬂ slmll 21-3 .S‘€III})I‘P pfzl Zalo 6 can pa.s'.s'ionr= sail s<-(-um-I_\‘ and ‘ ’ 1'c21(*h T110 ('1'! S. reach lwl*1Vn-_txx_nu1w .. . ﬂ ' v\‘]l0s<) ' ' (‘Iwas-. For _ 1u_naf0 ....... .. F01" ‘ . on whose /’—T (:r‘(»‘.s'. v\'h(>s<> ﬁx 5(1):: mp [)l'1't ¢tgif(1f(; u_n:1t<- Islvs 1)e:1(*h ssiglnts ......... .. b<*:1(-ll sigllfs 'in}_;‘ much siglxts ......... .. In-m-h siglxts K P. J1’ ‘W. 559 on '\__\Jl()S(: 1n_in;;‘ beach .... .. The sounds sounds suunds sounds sights ............ .. wv son. ......... .. and the Lsounds we hear ....... .. _, h(‘Z1I' . . . . , . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. P. & \V. In-s9 215 \ joy an those joy and iuV~ and . t : those ']<>.V and joy and ‘ not ........... . Q-........................... ( Q a a o , Pit‘: Al %‘x*‘’' feat-3”." ............................................. ................................... ...... fearT’.’.... ........................ ................................................... ...L fear!’ ........ ....................... ......................... ............... ‘3 . oar‘. ............................. ....................... ............................ .. f(,‘3T".’.’ ................................................................................... Piiz A11<-_s;'-~1~o.J. = 108. P. «C W’. 5&9 swmpre ‘Rib. sr III/177% ‘£50. ‘£2 (§)..oo¢..o-_: o 81'/1 /1((.s'.s’() ’ The “ LUTE ” Series of Anthems & Part-Songs (cominued/. . Tum Thee, O Lord .. . Behold, upon the Mountains .. . Hail to the Lord's Anointed . . . Praise, my soul, the King of Heaven . Sing, 0 Daughter of Zion .*Sing Praises unto the Lord . Witnessing Thy Resurrection . 0 how amiable. . . Sing we merrily . Be strong ! all ye people . Sing to the Lord . Behold ! He cometh '. Sing, 0 Daughter of Zion . The Spirit of God .. . The Lord hath chosen Zion . . . But Mary stood . Lord ofGlory .. .. .. .*Hosanna be the Children's Song . O come hither and hearken . . . If ye walk in My Statutes .. . . . Grant, we beseech Thee (Collect) . . . Let the wicked forsake his way . 0 give thanks unto the Lord . While all things . O worship the Lord . . .]ustasIam .. .. .. . Christ the Lord is risen to-day . Remember not, Lord .*Hear me when I call. . . . Come unto Me, all ye that labour . 0 Praise God . 0 Saving Victim . Bring unto the Lord . . . Arise, O Lord. . . The day is past and over . Break forth into joy . . . Great is our Lord . . Turn Thy face from my sins Cut/zoertHarrz’s, Mus. Doc. . Christ is risen . . . . . Blessed be the man .. . . . . . The loving kindness of the Lord . . . The Lord is gracious and merciful .. . While the earth remaineth .. .. . Great is the Lord SA CR ED— Conttnuea’. Norman Hatﬁeld ..41. W. Ketélbey Arthur W. ./Warehant ..R. M. Harz/ey_ .. H. E. Button A. W. Marc/zant .. ff. E. Button .. . . F. C. Maher C. Harris, Mus. Doc., F.R.C.0. .. Aléert W. Keteloey . .R. M. H a-r2/ey Alhert W. Keteloey . Arthur Page A. I/V. ./Warehant W’. Wolstenholme . G. I-/erlert Parker .. f. /ll. Bentley .. E. M. Barhezr . H. M. Hzlggs 1". R. Ric/eman A. R. Gaul . .R. M. Harvey . Turle Lee C u.’/xoert I‘/arris, Ilius. Doc. [1’ar'z1ey McKz'ntosh Ferris Tozer .. f. F. Barnett .. ]. M. Bentley A. W’. Marchant H. M. Higgs . .Cut/zbert Harris, Mus. Doc. .. ]. Lionel Bennett Ferris Tozer .. F. R. Rzkhmaiz ]. R. .Meale, A.R.C.0. F. Auérey Owen A rthur Page, F.R.C.0. /. C. Bridge, Mus Doc. A. 11. Be/zreml A. W. Ketéloey, . . T. Hzezchinsorz Rev. F. G. Ouseley .. F. N. Baxter 3d. . H. M. Higgs 3d. . The heavens declare the glory (To ilze ca;}'zzm..»;z.') 42. . . . . . . 45a. How sweet the Moonlight (Part Song) .. 7. G. Callcott 45b. Ditto 47. g . . . . . . _ . . 5oa.*Banks of Allan Water (Male Voices) 5ob.*Home, Sweet Home (Male Voices 2. . . . §4a.*Robin Adair (Male Voices). . . . 54b.*When the Swallows (Male Voices) 57. . .. 61;. 7o. 74 76 ~. IOI . . 1 ‘[09. Go, Zephyr, and whisper the Maid .. n7.*My Love, Good Morrow . . .. :26. Annie Laurie (Male Voices) . . 168 *The Skylark . . . . .. . 175 Spring Song . . .. .. .. 177.*The Old Arm Chair (Henry Russell) :94. The last rose of summer (Male Voices) . *Vi-olet’s Fate . *The Singers . *Who is Silvia . . . *Daybreak . Nig . *Cob .. . . . *0 Night, Most Beautiful : ’*The Gallant Troubadiniur . . 79 *Old Mother Hubbard 79b.*Who killed Cock Robin 8:. *0 pure Delight . . .. 84. *Go, Lovely Rose 85. 88 92 9 7 6 SECULAR. ‘The Lost Chord A. _‘7. Caldicott . . Franz Aht _.A. H. Behrend A. R. Gaul . . . . F. Peel .. IV. Mae arren . . A K. Gaul Francesco Berger . . ouless [Michael Watson A. :7. Caldieott 9‘. L. Roe:/eel A. R. Gaul Isle of Beauty . . Fair Daffodils .f Rich or Poor .. Hymn to Diana ht . . . . webs Lord Ullin’s Daughter (For Male Voices) ’Twas a Trumpet’s pealing sound . . joy with Roses . . .. . Merrily Wake Music's Measure To Carnations . . . . . . . Pearsall _‘7. Cli/>;5z'nga’ale . . f7ohn Barnett . . . . I/V. Hay . . [1/[ichael Watson ll/[ichael Watson . . F. N. Lzihr . Hail ! Victoria (jubilee Part Song) *A Slumber Song ditto (Trio for Female Voices) 7. G. Calleott Boat Son .. F. N. Lo'hr f7osef Cantor 7osef Cantor .. . Frank L. Mair Yoxef Cantor Yosef Cantor . Samuel Reay Jfichael Watson . . Samuel Reay 7. Sawyer‘, M713. Doc. Seymour Smith '1’/zeodore Distin .. R. F. Ellieott .. .. .. C. 9‘. Frost Arrangerl éy 1112':/zael Watson .. T. W. Stephenson . . .. . A. King, /Wus. Doc. *My Lady Wakes (Part Song) . . Alfred 7. Dye *Hushed to rest (Part Song) . . . . . . F. Moir Turn Amarillis to thy Swain (Madrigal) _‘7. H. Kearton Come o'er the Sea . . . . . . .. W’. G. Wood *1 dare not ask a kiss (Part Song) . . Arthur Page, F.C.0. The Three Knights. . V. W. Howard-McLean Sweet Summer . Soft Wind of Eve .. . . Sunrise .. . . .. . O Swallow, Prithee stay The Eolian Harp . . . Song of the Mountaineers . . *The Birds are Singing . . *Bring the Bright Garlands . . Frederic/rt Bevan Dr. _I. Parry yosef Cantor Ferris . ozer . . Samuel Reay .. Arr. ]. Cantor Tarle Lee The Numbers marked * may be had in So1—fa, price 2d. each. A Classzﬁezl C ata/ogue of this Series may lie haa’ post free on ap;)lz'catz'on. CCN 6 E L.” TWELVE CHRISTMAS CAROLS. Price, Complete, Paper Cover, Illustrated, 1s., 3 ~ooo\IO\U14>u:toH or in Separate Numbers, as List below. CONTENTS : Price. Hark ! what mean those Holy Voices Sir Arthur .S‘ullz'z/an 3d. A Shout of Mighty Triumph f. H. Gauntlett, Ilfus. D. izfrd. Merrily Ring the Christmas Bells . . W. H. Dixon 2d. Angels from the realms of Glory ]. H. Gauntlett, zllus. D. rid. Lovely Voices of the Sky .. Michael Watson 2d. Behold a Gentle, Tender Babe ]. H. Gauntlett, Mus. D. id. The Shepherds went their hasty way Herbert F. Shargﬁe 2d. Calling of the Kings .. /. H. Gauntlett, Zltus. D. réd. The Shepherds amazed. . . . . Frederick Bevan iéd. From the Hallowed Belfry .. J. /1. Gauntlett, Mus. D. isd. “”fh‘e5 f_l‘:p§‘)‘y°',{,‘f;rﬁ,“d ‘ms .. I, F. Brztlge, Mus. D. 2d. Good Christian men, rejoice .. .. .. Gauntlett xﬁd. AWAKE! AWAKE! PUT ON THY STRENGTH. ANTHEM BY ALBERT W. KETELBEY. Price 3d. soapoancan¢|»$o¢o$oxo$o:orozo¢so:o The Old Folks at Home, ARRANGED‘ AS A PART-SCONG FOR MALE VOICES (A.T.T.B.), By TURLE LEE. Price 2d. 11111111113111: PATEY & WILLISS, 44, GREAT MARLBOROUGH STREET, MADAME PA'l‘EY’S VOCAL TUTOR, For Contralto, Mezzo-Soprano, D aiid Soprano Voices. PRE SS OPINION S. V “The result of years 01 experience——the Exercises contained in the book are those MADAME PATEY uses for her own daily practice." V “It is refreshing to see, on looking through her book, that MADAME PATEY has always the courage of her opinions, and as she has ample experience to appeal to, and publicly-attested taste andiability, few people will be found to object to the rules she lays down.”—Ea’ucatz'on. “MADAME PATEY’s Tutor can be recommended in the strongest terms to the notice of Teachers.”—-Illusic Trades’ Review. _ “MADAME PATEY’s Vocal Tutor will be found a most useful _Compendium of Rules for singing. It is suitable for Soprano, Mezzo-Soprano, and Contralto Voices, and contains various Exercises and Scales.”——[ZZustratea’ London News. , “Instruction from so justly eminent a vocalist as MADAME PATEY, cannot fail to be valuable, and we ﬁnd in her Work a complete epitome of all that it is necessary for Students to know.”—-Sportirzg and Dramatic News. .“ The great merit of MADAME PATEY’s Tutor is its simplicity. The text is briet and to- theppurpose, says what is to the point, and no more.”——zlIz'a’/arza’ Counties Herald. “This eminently practical work on the cultivation of the voice,_ and the formation of style, is the fruit of experience, and any clearer exposition in words and exercises of thoroughly good and useful Method, there is not in the English language.”——Dzma’ee Advertzlver. May be obtained of any Music Seller in the United Kingdom or Colonies, At the Reduced Price of 2/6 nett.-- :xxxx'x1zﬁ-xxxx-xxxxxxxxxxxxxxxxxxxxxx“~ DUSSIEK’S CELEBRATED PIANOFORTE TUTOR, WITH ,1-‘l Seleetion of Popular! melodies BY 3 E 1\£lI Y, &c., EDITED BY IIH].\£[III.'.4'.'I.‘i()§'. _—_ -,4-_-_._-_.._.._._-_.._—_.._.—_.___-_._._._.. NEW EDITION, Price.‘ A1/6 nett. PATEY & WILLIS, 44-, GREAT MARLBOROUGH STREET, LONDON, W.
Show less

Date: 1914
Text: uusuc LIIIAIY VASSAR COLLEGE oouc.HK::I-su-:. new YORK EELE;lEllE'lEIEl[E1E[@lEL§rE]|EI§IEJ['Ex'IEIEJELEJE]|§LElELl “*3 .,.:I mi « FU-i 5- Second Series The Daughter of Mendoza (serenade) . . _ . _ . . . . . . . . . . . . . . .. §I°E*’Z-7j’(§_TS§1}“,_»0rBAR_ 60 That Golden Hour SOP "TEN 30 M EZZO—SOP. or BAR. MEZZO-SOP. BAR. Yesterday ................................................... .. Am 0, MS‘; so SOP. TEN. The Curfew ALTO“; BAR _ . . . . .. 60 Periwinkle Bay . _ . _ ...
Show moreuusuc LIIIAIY VASSAR COLLEGE oouc.HK::I-su-:. new YORK EELE;lEllE'lEIEl[E1E[@lEL§rE]|EI§IEJ['Ex'IEIEJELEJE]|§LElELl “*3 .,.:I mi « FU-i 5- Second Series The Daughter of Mendoza (serenade) . . _ . _ . . . . . . . . . . . . . . .. §I°E*’Z-7j’(§_TS§1}“,_»0rBAR_ 60 That Golden Hour SOP "TEN 30 M EZZO—SOP. or BAR. MEZZO-SOP. BAR. Yesterday ................................................... .. Am 0, MS‘; so SOP. TEN. The Curfew ALTO“; BAR _ . . . . .. 60 Periwinkle Bay . _ . _ _ _ . . _ . _ _ . . . _ . _ . _ _ . . _ . . . _ _ _ _ . . _ _ _ _ _ . . _ . . _ .. MEZZO-SOP. or BAR. so Fulfilment . . . . _ _ _ _ _ . _ . . . . _ _ _ _ . _ . , _ . _ _ _ _ _ _ _ _ . _ _ _ _ _ _ _ _ . . _ . _ _ . . __ {SOP °"”3N- _ _ _ _ _ _ __ 60 ALTO or BAR. @EEE1EEFﬂE|EE151EfﬂE]EFﬂ§lEﬁ1E1EEE|E]@E'|-EEEWEETQEETEEEIEEE [it] EEL%rEILEt@TF3ELwwLEte@[E@JElLmE@EELwElE@J@ELmEEm|E]E@EIELmﬁlE we |EFE7|EIF@J7B1§J1@lE15][EFETL@lE|E|EﬂlEfEElfEF8T|E1|EJE|El ARTHUR P. SCHMIDT. Boston Leipzig NewYork _ 120 Boylston Street. 11 West 36"‘ Street. dis? 3. 10236-10237-5 The Curfew Solemnly, mournfully, Dealing its dole, The Curfew Bell is beginning to tell. Cover the embers, And put out the light; Toil comes with the morning, And rest with the night. The book is completed, And closed, like the day; And the hand that has written it Lays it away. Dim grow its fancies; Forgotten they lie, Like coals in the ashes, They darken and die. Song sinks into silence, The story is told, The windows are darkened, The hearth-stone is cold. 1!. W LOIVGFELLOW To MISS MARIAIVNE KIVEISEL The Cur few H.W. LONGFELLOW G.W. CHADWICK Lento espressivo — S01- emn-1y, mourn- fu1-1y deal- ing its dole The Cur- few {T -o r" is be- gin-ning to toll the em _ bers and 1) crew put out the light_ Toil comeswith morn - ing and rest with the night, The Copyrigght 1914 by Arthur P. Schmidt J‘ P8 102.36_5 International Copyright Secured . ' ' Public Performance Permitted con mzzma book is com - ple - ted and closed, like the day, And the hand that has Writ- ten it__ lays it a - way Dim grow its fan - cies for- f \, got - ten the lie,___ Like coals in the ash - es they dark- en and Song sinks in- to si - 1ence,the sto- ry is told {——\ ,/ JH?$,1o2:z6— 5 |._——-—-""“‘l The M Win-d0ws are dark - ened The hearth stone is cold Dark - er and dark- er the black sha-d0ws fall Sleep and 0, pm 19 e dim. bliv - ion reign 0 - Ver all. 39 osteuuto z—\ S01 - - emn-ly mourn - - fu1-1y deal - - ing its eﬂnl? S. 10236- 5 gin_ ning , er the em - - bers and‘ Z‘ ‘$393 9% - out the light comeswith morn - - ing and /‘\ the night. ﬁn c'ﬂ..'F.' 8. 10236 -5 vocal compositions in G. 0). Clllllllillcll Songs. Op.8 No.1. Rose Guerdon. Al,» (eb-—g) No ‘. Serenade. Eli (e !»~-g) . . No. . Before the Dawn. Db (el>~al>) Op. 11 No. . Request. F (c——f or a). . . . No . Gay little Dandelion. l\“al-‘C-‘IV . Thou art so like a Flower. E (e—gif . . . . . . . . The Danza. F (f—g) Db (d lr—-e) . . . . . . . . . He Loves me. F1? (e#——f'l¥) In Bygone Days. Eb (f~ab) . I know two Eyes. D (a——e) . Sweet wind that blows. Bl) weww P w ( —a) . . . . . . . . . No. 6. Lullaby. F (c—f). . . . Allah. E (c£l—glt), Db (hb—f) . . . . The Lament. Cmin. (c~—g), Amin. (a~e) The Lily. G (d#—g), Eb (b—eb) . . Green grows the Willow. Amin. (g —e) . The Millei"s Daughter. Eb (d—gl2). . . Sorais’ Song. D min. (a——eb) . . . . . . King Death. Ctimin. (gt?-— e) . . . . . The Sea King. Ciniii. (bb—-eb) . . . . Nocturne. Ainiii. ( Song from the Persian. Amin. (e—a) . A Bonny Curl. D (h~—-ft) . . . . . . . The Maiden and the Butterﬂy». .D (cit -—f#) A Warning. F (c—f) Bedouin Love Song. Dinin. (b—a), Bbmiii. (g— b) . . . . . . . . . . Two Folk-Songs. 0 Love and Joy. The Northern Days 0 Love and Joy. G min. (c——f), Amin. (<1 - g) Lyrics from “Told in the Gate”. (Words by Arlo Bates.) Complete. (Edi- tion Schmirlt No. 71a, 1).) High or Low Voice . . . . . . . . . 1 2' Sweetheart, thy lips are touched with ﬂame. C (d—_g), BE: (c—f) . . . Sings the Nightingale to the Rose. El’ (d—g), 0 (11-6) The Rose leans over the Pool. G (d—g), E (b—e) . . . . . . . . Love’s Like a Summer Rose. A (cl#———f'#), G (b——e) As in waves without number. (c——al>), Bb (a——f) Dear Love when in thine arms. (d—a), Db (bl»—f) Was I not Thine. G (d—g), (b E» — el») _ In Mead where Roses Bloom. Cmin. (c—-g), Amin. (a——e) Sister fairest, why art thou sigliing? Cmin. (e l>——aE>), Amiii. (c—-f) . 0 let Night speak of me. Eb (d-—-g), Db (c— f ) I Said to the Wind of the South. B (h——g), Ab (ab-—e) . . . .. Were I a Prince Egyptian. Amin. (d———a), Fmin. (bl»—f) 50 50 50 50 50 50 50 50 Lochinvar. Ballad for Baritone Solo and Orchestra, or Piano . . . . . . . . 125 Songs of Brittany. A Collection of Breton songs. Words by Arlo Bates. (Edi- tion Schmidt No. :20) . . . . . . ii. Loud trumpets blow — Proudly Child Haslin —- How ﬂowers fade — The autumn winds ~« As summer wind —— Love is ﬂeeting — My Sweetheart — How youth with passion plays — The lark that sang — Proudly at morn — The trumpet sounds -— The distatf whirled. er Cycle. The Crocus. G (d—e). . . The Trilliums. F ((1 —~ 8.) . . The Waterlily. Ab (ol>——ab). The Cyclamen. Ab (eb—ai>) The Wild Briar. C (f—g). . The Columbine. F (c-—g) The Fox Glove. F (d——f) . The Cardinal Flower. D min. (f—gtl) . . . . . . . . . . No. .. The Lupine. Bl» (e—f) No.10. The Meadow Rue. Amin. (c—g) No. ll. The Jasmine. Eb (f——ab) . No. 12. The Jacqueminot Rose. Cmin. 9 .°°.“‘.7°S":“.°’!~°!“ (c-—a . . . . . . . . . . 50 Song-Album 15 Selected Songs for Sopr. or Tenor. (Edition Schmidt No. 13) ii. 100 Nocturne —~— Song from the Persian —— He loves me —- Allah — The Danza — In By~ gone Days — Sweet Wind that blows - Lnllaby —— Gay little Dandelion e— Request — Thou art so like a Flower —— The La- ment —— The Lily -— Serenade — Before the Dawn. Song—Alhum. 17 Songs for Alto or Bar. (ldilitwn Sclmtirlt No. 38) . . 11. 100 Bedouin Love Song — Allah ——- He loves me ~— A Bonny Curl —— Tho Maiden and the Butterﬂy — Nocturne ——- The Lament —- ’i‘he Millerls Daughter — 0 Love and Joy- The Northern Days —- Thou art so like a. Flower —— I know two eyes —- In bygone days — Sweet wind that hlows —— Before the Dawn — The Dome -— Song from the Persian. Sacred Songs. When our heads are bowed with woe. Eli (c——g), Di» (bb—f) 0 Mother dear, Jerusalem. A I» (eb-—f or g), F (c—d Let not your heart be troubled. Eb (c——g), C (a—f) . . . . . . . . . . . . . . There is a river. Eb (eb——ab), C (c——f) 50 He maketh wars to cease.‘ Bi» (c—f), G (a——d ., . . . . . . . . . . . . 50 Brightest and Best (Christmas). G (d—fl¥). 40 Oratorios, Cantatas etc. The Viking’s last voyage. Baritone Solo, Male Chorus and Orchestra. . . . . 50 Ecce Jam noctis.( Lo, now Niglit’s Shadows) Male Chorus, Organ and Orchestra . 25 Phonix Expirans. Soli, Mixed Chorus and Orchestra . . . . . . . . . . . . . 75 V Abide with me. Lovely Rosalielle. Ballad for Mixed Chorus and Orchestra . . . . . . . . . . . The Pilgrims. Soli, Mixed Chorus and Or- chestra . . . . . . . . . . . . . . 50 The Lily Nymph. Dramatic Poem. Soli, Mixed Chorus and Orchestra . . . 1 Dedication Ode. Mixed Chorus, Solo and Orchestra . . . . . . . . . . . . . 30 Part-Songs. a) Men’s Voices. Jabberwocky. . . . Margarita . . . . . . . . . . . . . . 10 Reiterlied. Trooper’s Song . . . . . Song of the Viking. .’ . . . . . . . . The Boy and the Owl. (Humorous). . . Serenade “Softly the Moonlight”. . . . Drinking Song . . . . . . . . . . . . When love was young. (Humorous) . . lnconstaiicy . . . . . . . . . . . . . It was a lover . . . . . . . . . . . . b) Women’s Voices. Spring Song . . . . . . . . . . . . . Liillab . . . . . . . . . . . . . . . Mary’s Lullaby . In a China Shop . . . . . . . . . . Miss Nancy’s Gown (Minuet) . . . . It was a lover and his lass (Trio) . . Inconstaiicy . . . . . . . . . . Elﬁn Song . . . . . . . . Church Music. (Mixed Voices.) Praise the Lord (Benedic, Aninia Mea). Blessed be the Lord (Benedictus) . . . 0 Thou that Hearest (Hymn) . . . . . As the Hart pants (Psalm) God who madest Earth and Heaven, (Even- ing Prayer) . . . God to whom we look up blindly. (Prayer) 0 Day of rest. (Trio A. B.) . . . . O cease, my wandering Soul. (Trio A. T. B. or S.) (Trio S. A. T.) . . . . There were Shepherds. (Christmas) . . Brightest and Best. (Christmas). . . . Prayer “Thou who sendest sun and -rain” God be merciful . . . . . . . . . . . Art thou weary? . . . . . . . . . . . Come hither, ye faithful. (Christmas) . Behold the Works of the Lord . . . . While Thee I seek. . . . . . . . . . Saviour, like a Shepherd . . . Awake up my Glory . . . . . . Peace and Light . . . . . . . . . . . Lord of all Power . . . . . . . . . . Jiibilate in Bl) . . . . . . . . . . . . Sentences and Responses . . . . . . . The Beatitudes . . . . . . . . . . . . Thou who art Love Divine . . . . . . Welcome Happy Morn. (Christmas) . . 0 Holy Child of Bethlehem (Alto Solo and Chorus) . . . . . . . . . . . . Shout, Ye High Heavens! (Easter) . . ARTHUR P. SCHMIDT BOSTON 120 Boylston Street. LEIPZIG Lindenstraﬁe No. 16. NEW YORK 11 West 36”‘ Street.
Show less

Date: 1907
Text: SIX INDIAN SONGS FROM THE “HlAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. “Greeting of Hiawatha (Gruss von Hia— watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles Iiegt in Schwei- gen) . . . . . . Chibiabos (Tschibiabos) . . . . Deﬁlmehabiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw‘ai! wach auf’, Geliebtel) . . . OLIVER DITSON COMPANY. Boston I New York Chicago...
Show moreSIX INDIAN SONGS FROM THE “HlAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. “Greeting of Hiawatha (Gruss von Hia— watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles Iiegt in Schwei- gen) . . . . . . Chibiabos (Tschibiabos) . . . . Deﬁlmehabiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw‘ai! wach auf’, Geliebtel) . . . OLIVER DITSON COMPANY. Boston I New York Chicago Philadelphia C. H. DITSON 8: CO. LYON 82: HEALY J. E. DITSON 8: CO. r;1r*:";n, zed from the 1‘. 03‘ "W. 35.35;. ma rﬁo To David Bz'.s‘[2ﬁam C H I B I AB 0 S (TSCHIBIABOS> HENRY WADSWORTH LONGFELLOW § Germa/1' tr(I)1.s'/(Ilz'07/ by }[t’I'III(I/I/7 Sz'7/10/1 CARL BUSCH Allegro moderato Most be_1oved by Hi a — Wa—tha Doch am fieb _ sten Hi ‘a — wa—tha’n Copyright MCMVII b Oliver Ditson Company_, _ International opyright Secured 5-83-66399—5 He the best of all mu — si _ cians, He the sweetest of Er, der Moi - stcr al — lcr Wci_sen, Er, dcr lvieb — lich~_Ste, . W’ sing-ers. V Beau — ti - ful and chi1d—1ike dcr Siin—g-er, Wm: - denschbln und kL'mi—lt'ch T f — Brave as man is, soft as worn- an, \P1i _ ant as Mann an Muth, und W701?) an Sanfzhmuth, Schmiegsam glcich 5~33—66399- 5 wand 1y as wie sin schlan lich P a tempo reeds Ricd hol — low hoh — Zen the dam From Aus ::zZ:>— 1; a tempo That Das s the days low, lick, and mel disc/L lieb si .0211 me — lo — SO U111 — ten so .1 a deer. with Vier — zchn — » fash—ione,d schnitz ~ tr: the lain, brook, Biich - EUJN 3\<_-__:/ 5-83456399-B 1’ bo_w_ish — a, Ceased to mur — mur in the w0od_1and, bi — wi _ schc, Ganz ver-gass- im Wald 214 mm’ - mcln, I That the wood-birds ceased from sing_ing, the squ1'r_re1, Dass der Vb’ — gel Lie — der schwzkugcn, das Eich-horn, Ad — ji —dau — mo, his chat—ter in the oak— tree, At - schi— tau - mo, mchr lei — chm-—1‘r2 im Eich _ baum, /T‘ 5~33~66399-5 And Und’s W" Sat Auf — > the rabbit, Ka-nimchen, the Wa—bas - so, der Wa_bas — so, ,»———-—-—~.\\\\ up— right recht sass .> W, . and lis — ten. lau - schte. 7'27. — p a 5-33-v5(‘=3‘.‘£1-5 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postzpaid, and in paper with_cIoth back, price, $1.50, post»paid. . Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in ﬂexible cloth, are handy in size, and range in price from 50 cents to $1.25. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chiefly technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but-—l”iow good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, 10 cents, which is credited if you subscribe. Subscription price, $l.50 per year. Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
Show less

Date: 1922
Text: 74 .. 7! V‘ 1 CL. The Childrens’ Hour (1901) 71% V Lﬁngfellow ~ Adag1o sostenuto the dark and the day - light, When the '"T»'“' '7' night is beginning to lower, ‘ in the days oc - cu - MUSIC LIBRARY .u. ,— - That is known as Chil-drens’ Hour pm moto rj3__1 hear in the cham-ber a -bove me the pat — ter of 1it—t1e feet |'_—'—"_""1 3 ' 3 r*—*j;'“‘1 ' 3 I sound of a. door that is o-pened and voi - r"""""...
Show more74 .. 7! V‘ 1 CL. The Childrens’ Hour (1901) 71% V Lﬁngfellow ~ Adag1o sostenuto the dark and the day - light, When the '"T»'“' '7' night is beginning to lower, ‘ in the days oc - cu - MUSIC LIBRARY .u. ,— - That is known as Chil-drens’ Hour pm moto rj3__1 hear in the cham-ber a -bove me the pat — ter of 1it—t1e feet |'_—'—"_""1 3 ' 3 r*—*j;'“‘1 ' 3 I sound of a. door that is o-pened and voi - r"""""3‘-1 ' 3 ' d=Jo stu-dy I see in the lamp- light De - scend-ing the broad hall stair, Grave O A1 - ice and laugh - ing A1 - 1e - gra. _. E - dith with gold - en b . pm aresaemoto I pm mm". C O I K Be - tween the dark and day - light, 1%) a tempo /'3 a pause, is known as Chil - drens’ Hour. ‘ rit. 0.. mmm D09 EC1 R
Show less

Date: 1937
Text: The C}zz‘[a’re7zG Hour OR Between the dark and the daylight, There comes from each radio tower LONGFELLOW A series of gentle broadcasts DIDNT KNOW That are known as the Children’s Hour. THE HALF OF IT And the girls and the boys are gathered To listen with bated breath To educational programs Of Murder and Sudden Death. By Then the air is athrob with sirens, Berton Bralgy As the ears of the Little Ones Tune in to the soothing echoes Of “gats” and of Tommy—guns. And the eyes of the kids are...
Show moreThe C}zz‘[a’re7zG Hour OR Between the dark and the daylight, There comes from each radio tower LONGFELLOW A series of gentle broadcasts DIDNT KNOW That are known as the Children’s Hour. THE HALF OF IT And the girls and the boys are gathered To listen with bated breath To educational programs Of Murder and Sudden Death. By Then the air is athrob with sirens, Berton Bralgy As the ears of the Little Ones Tune in to the soothing echoes Of “gats” and of Tommy—guns. And the eyes of the kids are popping, As they listen and wait, perplexed By the educational problem Of who will be rubbed out next. Grave Alice and Laughing Allegra And Harry and Dick and Tom R . O1 Hear music of sawed-OE shotguns, eprmte Accompanied by a bomb; from And quiver and shake and shiver Afmerican At the tender and pleasant quirks Of a gang of affable yeggmen Giving some “punk” the Works! Cavalcade And they listen in awesome silence To the talk of some mobster group, As they’re opening up a bank vault With nitroglycerine “soup”; Oh, sweet is the noise of battle To children’s listening ears, As the guns of detectives answer The guns of the racketeers; And these educational programs Will make the youngsters cower, And the night will be ﬁlled with nightmares Induced by the Children’s Hour! © 1937, Pocket Book Pué. Corp., 420 Lexingion Alva, N J‘ .C. (ﬂmeriam Cavalcade, May, ’37)
Show less

Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW YORK @ ¢/ $0ﬁ\§ CB8 / / K A X If by o1§1GFELLov\7, IX’ Music by .5 ‘r\ § 1 Cb//zpayer 02"z%e Jbrzg “COME TO ME,O YE CHILDREN" _Z777/5. 5Z°a.ﬁ’2zI/ZZ. \ P/Z209 L o n d o n, H.BERESF'ORD,62,E3ERNERS STREET,VI\/. AND AT ’ BIRMINGHAM. FREE PERMISSION IS GIVEN TO SING THIS SONG IN PUBLIC. TH12 CH1 LDRENS HOUR. .Words by Music by Longfellow. Thomas Anderton. Moderato. A mf - tween. the. dark and the day — - light. Wllen the night _is be...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW YORK @ ¢/ $0ﬁ\§ CB8 / / K A X If by o1§1GFELLov\7, IX’ Music by .5 ‘r\ § 1 Cb//zpayer 02"z%e Jbrzg “COME TO ME,O YE CHILDREN" _Z777/5. 5Z°a.ﬁ’2zI/ZZ. \ P/Z209 L o n d o n, H.BERESF'ORD,62,E3ERNERS STREET,VI\/. AND AT ’ BIRMINGHAM. FREE PERMISSION IS GIVEN TO SING THIS SONG IN PUBLIC. TH12 CH1 LDRENS HOUR. .Words by Music by Longfellow. Thomas Anderton. Moderato. A mf - tween. the. dark and the day — - light. Wllen the night _is be—gin — ing to 0 \_/ Comes a pause in the day’s oc—cu - pa — — tions That is \/\_/ \/ as the childrens hour That is known as the chi1—drens \/t hear in the cham — her a — bove — patter . of lit _- tle feet, The sound of a door that is 0 - pen’d . And’ voi — c\e's soft and sweet A Whisper and thgn a g The Children’s Hour. - lence Yet I know bytheir mer — ry eyes. J. plot — ting and plan—ning to — geth— er To take me takeme by sur—prise *3 A sudden rush from the poco am’/mz'to. sudden raid from the hall! The Children’s Hour . poco Nfaro’. J three doors loft un—guard ed en — ter my cas — tle calla voce. Wall‘! you fast in my fort ~ — ress, And tempo pri/no. '0' — not let *7 you de—part put you doVmin—to the 5 1} con espressione. dun » — geon In the; round tow’r of my _____%..__..~> ﬁrolla woe. The Children’s Hour. con smtzmnlo. there Iwill keep you for ev - . Yes for ev — Till the Walls s1:;11 cr{1jn—b1et0 ru — Con espressioize. moul _ dor in dust at - 00110 0008. ad lib. dust in dust /3 I‘-col/(z 13066’. The ChiIdren’s Hour . NEW AND PLR SONGS. THE CHIMES OF HEAVEN . Written by H.W. Ingram, Composed by Odoardo Barri. THINE ONLY THINE. Written 8: Composed by Moderato Lindsay Lennox, A l.. I a—go, Be — side. One gold—en eve long years the sil — ver I I I I I A- w p sempre legato. 1 01 It It I I -C u-og- 4! VI . =' -d \O .3 V. :14:-,9 T (\ \.v Oft, from afar, Ihear a joyous pealing Like chimes set ringing by an angel hand, Fond hopes reviving, ever comfort bringing, And Wafting echoes from a better land. Tho’ in the darkness weary pilgrims Wander, Yet light and rest come from the heav’nly strains, And souls bowd down with grief, may solace gather While those clear notes swell o’er terrestrial plains! In 3 keys Eb, G (D toE)&-Bb. .‘.. One golden eve long years ago, Beside the silver sea, We watchd the rippling Wavelets flow, ’And dreamt of days to be; You laid your hands in mine that night, My heart with rapture beat, For while your eyes with love were bright, 'You said in accents sweet;- I115 keys Eb, F (Cto E) 8: Gr. ‘-‘Nor KNOWING, eAN’T SAY.” Words by H,L.D’Arcy Jaxone. Music by Louis Diehl. “IN THE OLD ABBEY.” Words by Lindsay Lennox, Music by J. G.Veaco. .l L .r« ITIRI I\I J IVL 3" ” I L 61, ' , I lit—tle'maid.’ Thus he sang,andthusthey playd; L I . . L [\ I\ I‘ I I I II I II \ / / 4/ ,. 0 , ‘ 77 “Do you love me, little maid.’ “Thus he sang, and thus they playld; “Do you love me best,” said he Will you give yourself to me.’ ;Then she nestled in her place, ‘(Kissed the bonnie bearded face: Yes?” she cried,I love you best, Better than I love the the rest? I stood in the grey old. Abbey, With sarlrleifd heart one day; I was weary of life’s hard battle And worn by the ceaseless fray-, I prayed while the organ was pealing A strain that was mighty in tone, And it seemld while I prayed that an answer Came down from the Fathers throne! DONA NOBIS PACEM. C5 )7 . . , GRANT Us PEACE. Words 8: Music by . Lindsay Lennox. O “Andante relig|10s-0., A PRETTY TALE. Written 8: Composed by Henry Pontet I I? K III\ 1 i I ‘null I 1 vui. A 1/‘:- T 7 The night was dark,the hdurgrew late, A wand’r|e r, dame to the ‘ I .; 1 a ly~onher head; ' I F I Gr aniiame Mar j o ry doinfd l- AL ‘J 1 *1 [I D Ii I r‘! ~/I I I I —d~ J ' r :1 r M ' ._ 3 dim, 3 p 3 osteiuz to. F" I 11% JT 2 ii‘ The night was dark, the hour grew late, A vvanlirer came to the Abbey gate, Weary of worldly strife and sin, Doubting she stood nor enter’d in; l\'eath ‘where the painted windows shone She listen’d to the organs tone, And heard the voices, sweet and clear, Joining in song of faith sincere,- ln 5 keys A, C-(CtoF) 8: I), .1, -5 .5; - -0 Gran’ dame Marjory donned her nightcap, Fixed it firmly on her head; Then most carefully’ looked around her, Quenched the light, and Went to bed.- Suddenly she heard, amid the stillness, “ Rustling, bustling, footsteps pit~a—pat; That gran‘ daughter, mine Iin sure is lingiing With those silly maids, to laugh and chat!” In 2Vkeys Eb 8: F..v PRICE FOUR SHILLINGS EACH 4° POST FREE HALF. PRICE. LONDON. H. BERESFORD, 62, BEBNERS STREET , Biriningham, 99, New Street & 45 ~& 44, GE. Western . Arcade. AND. ALL MUSIC SELLERS.
Show less

Date: 1907
Text: n if S STIIIYEQ u H wmscrjn smear, : &~@NP§:‘J?§- W/‘~ SU N G BY MADAM E ADA CROSS LEY. N<.>21NDI> N931NEI9 £3 G IIIISIIMAS I I KG (3 I Ir 5/] \\7”><‘-= Q/I M939 ﬁmmm I WORD~S FRO M APOEM BY- LONGFELLOW Q) Lfijio LE; IPRICID I ;\*~xa'1‘ owl} CHAPPE LL &C<.> LTD. 50, NEW BOND STREET, LONDON, W. NEW YORK: . MELBOURNE: 37.WEST SEVENTEENTH STREET. l|5d2 .THE RIALTO. COLLINS STREET. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND...
Show moren if S STIIIYEQ u H wmscrjn smear, : &~@NP§:‘J?§- W/‘~ SU N G BY MADAM E ADA CROSS LEY. N<.>21NDI> N931NEI9 £3 G IIIISIIMAS I I KG (3 I Ir 5/] \\7”><‘-= Q/I M939 ﬁmmm I WORD~S FRO M APOEM BY- LONGFELLOW Q) Lfijio LE; IPRICID I ;\*~xa'1‘ owl} CHAPPE LL &C<.> LTD. 50, NEW BOND STREET, LONDON, W. NEW YORK: . MELBOURNE: 37.WEST SEVENTEENTH STREET. l|5d2 .THE RIALTO. COLLINS STREET. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSIC HALLS. THE RIGHT OF PUBLIC REPRESENTATION OR PERFORMANCE UPON OR BY MEANS OF ANY MECHANICAL INSTRUMENT IS STRICTLY RESERVED. EElpy|"IgI'|‘I‘,‘MCMVIl.b)' EhappEH3cE‘3 Lfd; _. ’._:;NDv:JM. I “i"<m—:.—m—.--f"“ IUSIC LIBRARY 7 VASSAH COLLEGE Christmas Bells. I heard the bells on Christmas Day, Their old, familiar carols play, And wild and sweet The words repeat Of peace on earth, goodwill to men! And thought how, as the day had come, The belfries of all Christendom Had rolled along The unbroken song Of peace on earth, goodwill to men! Till ringing, singing on its Way, The world revolved from day to day, A voice, a chime, A chant sublime Of peace on earth, goodwill to men! LONG FE LLOW. CHRISTMAS BELLS. Song. ‘Words from a poem by Music by LONGFELLOW. S. LIDDLE. Poco Allegro. (Bm‘ghz‘Zy.) VOICE. heard the bells on PIANO. Mzf (very 1'/:_yt}emz'cal thraztg/1011i.) con Christ - mas Day, Their old, farn-il - iar car — ols play, and sweet the words Copyright, MCMVII, by Chappell & C‘? Ltd. will Poco meno mosso. (a little slower and l27'oaa’er.) And thought how, as the day had come, The allargamlo \, - fries of all Christ - en-dom Had rolled alla anda -brok - en song Of peaée on earth, good - will 19 allargando ‘:17: crew‘ 53%. allargrmda . Te 111130 I Till ring - ing, sing - ing on allargrmtlo world re - volved from day allargando ‘ a iempo voice, achirne, A Chan: sub—1ime Of peace on earth, good-will to men, A A A f aZZarg'ana’0 A _ , A A Cha.ppe1l& Co.’s Ballad Concert Successes The Compass of the first Key only is given; from this the Compass of the other Keys can be easily found. C IIAUDE VALERIE WHITE. Petit Pied Rose (Little Rosy foot). , and F . . . . .. Under the Moon. G . . . . .. In golden June. C, Eb, & F .. In the summer garden C, D, & E '1 hree Little Songs (Low, Medium, and High): 1. When the Swallows . . . . . 2. A Memory 3. Let us Forget Did one but know. & F .. .. Marching along. .. The Old Gray Fox. F 8: G.. . So we'll go no more a-roving. C, D . E . . . . . . . . The Spring has come. C, D, & Eh. . The Throstle. F & G .. . . The Bonny Curl. E .. TERESA DEL RIEGO. A Coon Lullaby. ED, F, 8: G lI0 Loving Father. D7, F, 8: AD .. To Phyllida. E (original) . . .. Do. E & F (simpliﬁed) . . I've a cottage down out Devon way. S f h °’§.‘i'.“£i°Ai..ii'§"c.'"ar'.".e.r lTW° 5°"%Si (Low, Medium. & High) Brown Eyes. B7, C. & D .. *IThe Bell. Elz S: F Thou little tender ﬂower. C, D, & EI7 C, D, & F E7 & F & F . E7 F, . .. Song of Life). ILil'e’s Recompense. Where love has been. Happy Song. D, El), Rest Ihee, sad heart. La Vie est Vaine (A D7. .7, & .. . . .. My Gentle Child. All & Bl2.. Love is zi Bird. B5 . . . . . . ‘JO dry those tears. E, F, G, & A. . Slave Song. D mi., E mi., F mi., mi. . .. .. FRANGO LEONI. Autumn Love. Bl7 & C Little Bareloot. C & D .. The Merry Maiden. G mi. . . .. hen he comes home. D & E .. Coolan Dhu. D mi., E mi.,& F mi. At Love s Close. C & E .. . . The Birth of Mom. E7, F, & G .. A little prayer. E 81 G ,.. .. Love's Awakening. C 8: E7 In Sympathy. C, D, & E .. See l5ree7es. B‘) & C . . .. Golden Lilies. BQ. C. 8: D .. A Spring Song. D, F, & G .. H. WALFORD DAVIES. Hame. B'.',C,&D .. .. .. G. H. GLUTSAM. Sweet, be not proud. F & AD In the Days of Roses. & _ .. A Cradle Song. D mi., E mi., 8; ' mi. .. . . . . . . . . A Folk Song. G. A, 8: I37 .. .. I wander the \voods. A7, B2, & C Vaniiy Fair. F mi., G mi., & A mi. NOEL JOHNSON. \Vild Roses. G & B7 .. . VVind of the VVesterri Sea. G, AD, & BU Purple Pansies. D7, El), & F God's Eternity. D, E. & G .. Goud—Night, Pretty Stars. G & B1 Two Songs (First Set) (Low, Medium, & High): 1. The Rose.. .. .. 2. The River and the Sea Two Songs (secmd Set) (Low, Medium, & High) 1. God's Rest .. .. .. 2. My love’s a butterﬂy .. E. J. MARGETSON. A Song of Andalusia. D mi. PHILIP H. WILLIAMS. Day and Night. F & AD .. . '10 Love and Duty. G FRANK LAMBERT. Of all Septembers. C. D, & E2 In that hour. G, A'Z, & B2 .. .. Bid you good-morrow. D, E0, & F The Buried Rose. El? &_ F . . . . Dear Hands. , I .. . Deep in my heart. D2, E7, & F . . Qui sait".7 (Fallen Roses). F & A’Z Look down, dear eyes. D7, D, 8; F C, D. & F. . , & A7 .. Caressante (Valse Chantée). F 1God's Garden. F, A7, & B7. . . A Farewell. A0, B7, & C . . .. She is far trom the land G, A5, & C Ispeak but one word. E & F . . Bonjour, Pierrot. F .. .. ne. I G . . .. . . SERIES or‘ SHORT Son-cs: . ‘Tin Night. D7 & F .. . Love in Absence. ‘ 8: G .. . A Barque at Mitlnight. E), F, . The Night has a Thousand Eyes. . . . One more Clasp. D7 & F . O Purest Pearl. G .. .. . Because my Ijleart-Wound. Gmi.&B7mi. ,. .. . See, love, I bring thee ﬂowers. DD & F, . . . . . 9. A Lament. D58: F . . Come close, Beloved. . Foretliought. F & G . . _ . . 0 let me weep. F, AD, & 137.. . Dearest, when I am dead. EI7, ha, 13‘, . O heedless ﬂower’. A? . Yesterrlays. ED, F, & AI7 .. . When love bends low. Ell, I*,& .. .. . In Tune. Ell, F, & G.. B: to Eh,‘ B7 to c{ E7 to F B7 to in B7 to DD E3 to F E2 to A2 Cﬁ to D Dto F1: Cto E5 Ato CU .DhtoD'2( B7 to E3 - . C to D) E? to E7 B7to E7 Cto D Bl7 to E0 E7 to El) . Ell to Elz * With Violin Accomp. ad lib. OMPASS OF SUNG av .. Mfs:f|1arz'e T2711/ls! 1Wzss C armzn [II r. Kmnerley R nmforri 2 Mr. Kmntrley R um/bni Mr. Kc/znerlay Ruinfard Zllr. /(ennzrley Rnrrzfora’ ./llr. Kenazerlty Rum/Zzrd nnni-V 0000 . . . . Mr. Gerwzse Elwes . . . Jlliss Agnes Nicholls . . . . . . Miss Louis: Dale . . . . . .Miss Carmen Hill W"rJ<'>0 <'):JCO> 8838 6' . . . . . . Miss Carmen Hill zllr. lfennzrlzy R nmforzl . . . . . . Miss Louise Dale . . . . . . Mmz. Alice Esty ... . Mr. Dalton Bakzr Miss Murizl /‘osler and Miss Helen Blain Mr. Kfllﬂe)‘/ﬂy lfnmford and M is: C £Z7‘77ZL’)L Hill .. . . Mme. Kir/cby Lunn . , . . Alix: Muriel Foster . . . . ll/iss /lfuriel Fastzr llfr. [Conner/2 y Rum/oril GtoD DtoF . ll/Iiss lllilriel Foster 1111722. Alice Gomtz ﬂlme. Alice Go//zez . . . . . . Miss C armzn flill . /l/Il/e. lliariztte Sully .. /liiss Maria Vellami . . . . ..1lIiss Carmen 1111/ /17 r. Kennerley R um/oral iWr. Kennerley lfimzforzi Mr. If eniierlc y Rm/i/ord . . . . lllme. l('z'rla/iy Lurm . . . . . . . . lllr. Ben D112/[es . . . . . . ﬂjllss Hilda Foster . . 111/ss Mzrezlyl/2 Elliott .. . . 1111712. Amy Sherwin . . lllmz. Edna Thornton .. . Jllr. Ben Davies and l D to F xllr. Ezzan M/illiams C to E C C0 D . . . . . .llI/'ss Cara/zen Hi I . 11;/me. A//‘cc Gomez . . . . ll!/11;’. A my Sherri/1'»; . . . . . . illiss Carmen H ill CtoEZ Ct0EZ .. . . ll/r. Ben Dzzz/its aim’ .1! r. Lloyrz’ Chanitos . . llliss Emmta Trwscott . xwiss ﬂlzzrzol lwszar . ill rs. /Vary Dames DcoE{ DtoE J1/712. ./{orltnse Paulsen C to J); g and Miss iirluricl Fostzr .Wr. /Ctmizrley I\°m/zforal . . . . . ./lliss Esta D'Argo . . . . ll/iss /llnriel Foster . . . . . . Mr. Dalton b‘a/ear . . . llliss lllarie T27/zjest . . . . . Jlliss Carmen flz‘/l . ll’/iss C tzri/zen Hill .. . Miss Carmzn Hill .. . . .Mr. Dalian Ba/ctr .. /llr. Maurice Far/ma . . . . [Miss ﬂlurizl Foster .. /‘Ir. fallzur Andrews . . Mr. C. Hayden-Coﬂin . . . Miss Marie Temzﬁzsi . . . Miss Marie Tempest . . . . M iss illnriel Foster CtoC CLUED DtoC Gto B7 CtoE GUY D’HARDELOT. A year ago. F, G, & Ah .. .. A Garden of Love. B2, DlZ, & E5. . For you alone. . . . . You,—and love. DD, ED, & F I think. B2, c, & Dtz .. .. ED, F, G, When you speak to me. Out ofthe“Darkness. C, D5. ‘F17, & I hi . B7, DE7, & E2 .. B Afterwards, Lbve. B7, D7, E5 I know a lovely Garden. E7, F, & G The Dawn. 13», ED, F, & G A Lesson with the Fan D7 & E2. . Midsummer Dreams. D & F . . A Bunch of Violets. AV .. . The Star and the Flower. D mi., mi.,&Gmi. .. .. .. Summer's Message. Bll, Dll, & E".. Two Songs (Low, Medium, & High) I. The Perfect Flower . . 2. The Sun and the Shower FLORENGE AYLWARD. .;Great Lord of Life. Ell, F, & G . King Winter. D . . _ . . . . Mother of mighty sons. B2, C, & D I claim you mine. B7, C. & D . Beloved, it is morn. C, D, & F Sunrise. E & A .. . . . . Song of the Bow. E, F, & G .. %TLove's Coronation. E, F, G, & A Not mine to ask. F, D, & G .. LIZA LEHMANN. In the Tassel-Time of Spring. Db, Soul’s'Blossom. I IE0. & ALMA GOETz.' Ohl bird of Love. D .. .. Mélisande in the VVood. C mi. & mi. . . . . . . . . . . ELLEN GOWDELL. Maytime. A17 & B7 . . . . Life's Garden. D & F AMY WOODFORDE-FINDEII. Sweet, before the swallows go. Ell HOPE TEMPLE. God's Lily. C, D2, & E) A. L. (arranged by). Lass with the Delicate Air (Arne). E&G .. .. .. How deep the sliimher of the ﬂoods (Lowe). D, E2, & F .. .. ELLEN WRIGHT. Didst thou but know. D2 & Eb When I awake. .. ' . . LAURA G. LEMON. The Rose Garden. D32, E2, 8: F VERE SMITH. Fairyland. . . Little Crimson Rose. G BERNARD ROLT. The Dream Town Train. .. The Nightingales \Varning. DlZ .. Katinka. I$l7 .. .. .. Little gold ﬁreﬂy. G, A7, & B5 The Lily of Boulter’s Lock. in Silhouettes of London- r. ‘ e Children of London . . . . 2. The Organ Man .. 3. River Thames. .. L 4. Amethyst, Rose.arid Pearl. C 5 FRANK E. TOURS A Meeting. D 8: F .. Mother 0’ mine. B1 & D . . .. ll pleure dans mon c<2Lir (O softly falls the rain). E2. . . . .. The Lilacs. D .. .. .. Wind in the Orchard. B7 & C DALHOUSIE YOUNG. Bredon Hill. D & F.. .. .. GEORGE AITKEN. jest her way. Bil, C, & D . . Maire, my Girl. C, D, & E.. W. H. NEIDLINGER. The Rose in the Garden. F JAMES H. ROGERS. F And love means— you. HAROLD GREGORY (arranged by). When I was a bachelor. (Low & High) . . . . . . . . LORD HENRY SOMERSET. Echo. F. G, (Q A .. Hush me, O Sorrow. Ell, F & G .. All through the night. c, Eh, & F .i. L. MOL_I.0Y. The Hum of Bees. BE, C, Ell, & F Trankadillo. & A .. . . .. Richard of Taunton Deane. F .. My Old Man john. D mi., F mi., & G i . . . Low & L High m . . . .. . Punchinello. F . DENZA. Sleighiug. Al‘), Blz, & C .. Love in the Valley. c, Db, & E The Rose Enchanted. C, D, & A May Morning. D, El), F, & G An Orchard Lradle Song. ED, F, TITO MATTEI. Love. F,G,&A2 .. .. Dear Heart. C, D, & E7 .. .. Through sunny Spain. E, F, G, & A J. M. GAPEL. Love, could I only tell thee. b E . & G C, D, Lorraine, Lorraine, Lorrée. C + With Violin or Violoncello Accomp. ad lié. COMPASS or 151' KEY AD to Da{ Allto D2 CtoE CtoE! .. AtoD Al) to F B2 to EU CtoF CtoE.‘7«: ElZtoE‘2{ DtoE§ GtoGL GtoA) DtoD CtoD SUNG av . . . . . .M. Victor Maura! . . . . . . . . lll r. Ben Dai/its . . . . . . llf. Victor Maurzl Mr. Kenrzzrlzy R ungford Ilimz. Snzarmz Adams Mmz. Hortense Pzmlszn 1;’. M anrim Batu’ . . . . Mr. Dznharn Price Aime. Hortense Paulsen M me. Horlzazse Paulsen Mme. Melba and Air. Drnham Price . . . ..Miss Marie Tam/lest .l1r. Kznnerley Rumﬂzrzi Mr. C. Ha}/den~Coﬂin . Mr. Denham Price Mine. Alice Est)’ M/11:. Hortense Paulsen - an Mr. Kenner/ey R m/gford Mr. /nlien Hznrv fllr. Kemizrlzy R um/om’ Mr. Da/ton Baker . . lllnze. Alice Gomez r. 3271 Davies Mr. Keriaierlzy R7;/rzforzi’ . . . llime. Alice Gomez M1712. Alice Gomez . . .. [Miss llinriel Foster . Miss Muriel Foster .Wiss M urfzl Foster and Mr. C. h7ay(len~Coﬂi;i Mrs. fielzn Trust and llﬁss Edith Ifir/cwoarl . . . Jllr. Evan I-Villiams .. . . llliss lliuriel Fosttr . . . . .. Illrs. Helen Trus’ g illr. Ktnntrlzy /\’1tm_/om’ and Mr. Gregory Hast .. -. . . lllr. Santley . . . . .. Mrs. Helen Trust . .llIz'ss lllargaret Cooper . .Mz’ss zllargaret Coo/mr . .Miss Margaret Coopzr r. Ben Dav/its . .M1ss Esza /J’A rga . .ll[iss Margaret Coo/>er . . . . . .llIiss Carmen flili . . . . . . . . lllr. Ben Dairies Mr. C. }layn’wz»Cr3ﬂin and illr. Ben Dar/its . lllr. lllaurice Farltoa . . . . . ../lfr. Gregory [last . . . . lllr. Dmihizm Price . . . . ..llIr. Gregory Has! . . . . .Mr. _]osi_15h 0’.I]ara . . . . . Jllme. A lire Go)/zvz .. .. . . . . S7:3‘nor Full Jllr. Wat/oi/i Mills . . Allis: Maren’;/lh Elliott .. lllr. C. Ha)/den—Coﬂ1n CtoD CtoEQ t VVith Organ or Harmonium Accomp. ad’ lib. . . lllr. C. Hayden-Cqﬂiii . . Mr. C. /'laydl'n~Co_//"m EDWARD GERMAN. This England of ours. D St El? . When maidens go a-maying. F & Ab Four Jolly Sailormen. 8: D Love is meant to make us glad. D, O Peaceful England. F .. . . The Yeoman of England. C & D . . IIERMANN Lbim. Messmates. A mi. & B mi. . . .. The Little Galway Cloa . BIZ, C, & D Alone. , . . . . . . Ohl to forget. Dl7, ED, 81 F Songs of the Norseland : r. My ships that went a-sailing. Fﬁmi.&Ami. .. .. . You loved the time of violets .. Low & . Youth has ahappy High tread . . . . . Love is an Ocean ‘ . Eyes that used to gaze in mine . Time was I roved & High the mountains . . A Chain of Roses. Dlz, Eh, & F . . Remember me. lZ& F . . . I wish I were a tiny bird. D & F .. In the heather, my lads. A mi., mi., ‘ mi. .. . . Lanagan's Log. C, D, & El? The Broken Cup. E7, F, & A5 Two Little Love Songs (Low, Medium, & High): I. For lack and love of you 2. W'orld that once was a garden The Little Irish Girl. 0, C, (<1 D. . An Episode .. )Two Songs (Low. If all the young Medium, and maidens .. T High) Chorus, Gentlemen. F & AD Lady mine. DlZ& F .. .. So faira ﬂower. C, D7, & F Two Little Irish Songs w Medium, and High): I. To my ﬁrstlove.. .. .. 2. You’d better ask me . . .. When Jack and I were children. L F . . . . l ,, .. LESLIE STUART. The Bandolei-o. AD& B1 .. MONK GOULD. The Curfew Eb & F.. -’ PAUL A. RUBENS. The Summer. C & D Two Songs from the Chinese: I. The Lament of Lien-Mei 2. A Song of Love .. . . HERBERT RUNNING. The Lime Tree. BD & C .. My Sweetheart Al2, BIZ, & C Revelation. Biz, C, & D .. w. H. souini-:. Lighterman Tom. E32 & F . . The Siesta. G & B7 .. . Love is waiting. C & Eb Three for Jack. G .. D & Eb F 8: The Old Black Mare. The Jolly Sailor. D & ED ERNEST NEWTON. Through the forest. C, D, Ell, 81 F The Magic Month of May. C, D, 8: E Love's Echo. F, G. 8: A Lorna. Ell, F, & G .. ROBERT GONINGSBY CLARKE. The Linnet. F & All .. .. .. A Hirtliday Song. D, F, & G A Dedication. I , I V .. .. Take your lute and sing. B2, C, & D Betty's \Vay. I), Ell, & F .. .. Miniatures: . April, April. . Say not good-bye. . Yon lilac fair. Bl7 .. . A Bowl of Roses. Bl2, D, & E . The Queen of Loveliness. Ell G&Bl7.. D&F . A Dream-i‘rom Raiiiblowlandi EV & F . . . .. GERALD LANE. Love is everywhere, A, BR, 8: C .. HAROLD LONSDALE. Summer’s in the world. C 8: E WADIJINGTON GOOKE. Dream Ships. C mi. & D mi. Visitors. G & A . . . . P. MARIO GOSTA. I knowithat you await me (]e sais qne tn iiraitends). 7 .. . The Exile (L Exile). F mum’: IVIESSAGER. Long ago in Alcala. F & All HERBERT H. NELSON. The \Vindmill. B mi. & C mi. FREDERIGK BEVAN. The Old Soldier. AlZ, BIZ, & C F. PAOLO TOSTI. My Dreams. B2, C. DZ & E2 On Lido \Vater$. D2 EE, 3. F *Beauty’s Eyes. C, Ea E, & G .. Venetian Song. Biz, Dh, ‘ll, & F .. REGINALD GROOME. Stars may forget. Ell & F JAGOUES DLUMENTHAL. An Evening Song. ED, F, G, & AJ7 FREDERICK GLAY. COMPASS or BtoC i DhtoDl2 ClJtoD DtoD CtoD CtoC C to C B? to D Dll to E2 Bll to Ed 'D to F A-to C3 LO Bl? to E? BU toC C D All to D2 A to El 8 to F1: GtoEl7 BVtoGi goon >§oeo r-r"'r-9 ronr-vi-vi-v gooc ocooo ctzibrxi Ul,;,‘1F10>:i "Y" Blz to E1 B7 to El7 C1! to D1: AtoF ElZtoG EtoF A2" to En A to D1: B1 to C Dto Eb Biz to E9 I'll sing thee songs of Araby. E2, F, o, &Arz .. .. .. .. §With Violoncello Accomp. SUNG av . . . . . .Mz‘ss Esta D'Argo Mr. K ermcrley Rumford Miss Margaret Caoftré-' Miss Peru:/al Allen Mr. Henry A. LyttmI6' -Mr. Kmnerley Rumfard . . . . . .M r. Dalton Baker Mr. K emtzrley Rum/oral M r. Kmnerley Rum/57rd . . . . Miss Muriel Foster . . . . . .Mr. Dalton B4:/ref . . .. . . Miss Louis: Dale . . . . . .Mr. Dalian Baku- . . . . . .1IIr. Dalton Bah»,-ir .. . .Mr. E7/an Willie-IL: . . Mme. Suzanna Adar-we . Mr. Dmham Price Mr. K:/mzrley Rum/»-vat‘. . . . . . . Mr. Dalton Bake!‘ . . . . Mr. Denham Prices- Mr. Kmnerley Rmnjord .. .- Mr. Dmham Pr-in Mme. Hori/ens: Paulsm and Mme. Flartnct Daily .. .. Signor Felt‘ . . . . ..Mr. Watkin Mill: . . . . . .Mz'ss Carmen Hill- Mr. Kenncrley Rumford . . . . . . . . A r. B2» Davin: r. B0: Darrin ll! r. Kennerlzy Rumford Mr. Kennerley K umford . . Mr. Dznham P7120 llfiss C aralinz Ilatckard‘ lllme. Alice Esly and [Miss Pergfval Alla: _ llliss Ruth I/mcmt, and M is: Peron/al A lien . . . . Mr. William G.-rm M iss Caroline H atckard .. . . . Miss Carmn: Hilf Mr. Kennerley Rum/bra‘ and Mr. Charles Tvsr ..M1'ss Euneta Trusutt . .Miss Carmen Hill .. ..Miss Carmn: Hill .. .. .. Illr. Charles Tree. /lime. Hortense Paulxm .. . . Mz'ss Iliurizl Foster . . llliss lllargartt Caapef . . . . ..Mr. Grzgon Has! J17. Kziznerley Rumford . Jm. Watkin Mun . . . . . . . . . . .. Signor I455 . . . . . . . . Mr. Ben D-was ........Mr. Ben Darin .. .. ..Mr. 30: Davida tzziliﬁ. CHAPPELL & CO., Ltd., 50, NEW BOND STREET, LONDON, W., NEW YORK, and MELBOURNE, Music Publishers and Pianoforte Manufacturers.
Show less

Date: 1907
Text: SUNG BY MADAME ADA CROSSLEY_ .-_.__~__~_._..«..._L _.... ‘NSDZINDE ~ N93mEIo '~'-J\>7‘><" G/do) Q) (D @ " 9 @ WORDS FROM APOEM “ . Q} ~ LONGFELLOW MUSIC BY LIEIQDIQEVQ PRICE NET.CASH. (60 ¢> CHAPPE LL &C<_> LTD- 50, NEW BOND STREET, LONDON, W. NEWYORK: 1 MELBOURNE: 37. WEST SEVENTEENTH STREET. = H&|2.THE RlALTO,COLLlNSSTREET. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSlC HALLS. THE RIGHT OF PUBLIC...
Show moreSUNG BY MADAME ADA CROSSLEY_ .-_.__~__~_._..«..._L _.... ‘NSDZINDE ~ N93mEIo '~'-J\>7‘><" G/do) Q) (D @ " 9 @ WORDS FROM APOEM “ . Q} ~ LONGFELLOW MUSIC BY LIEIQDIQEVQ PRICE NET.CASH. (60 ¢> CHAPPE LL &C<_> LTD- 50, NEW BOND STREET, LONDON, W. NEWYORK: 1 MELBOURNE: 37. WEST SEVENTEENTH STREET. = H&|2.THE RlALTO,COLLlNSSTREET. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSlC HALLS. THE RIGHT OF PUBLIC REPRESENTATEON OR PERFORMANCE UPON OR BY MEANS OF ANY MECHANICAL lNSTRU~MENT IS STRICTLY RFSERVED. Copyright McMvn,b_y Ehappell 8cE‘3 L‘rd_ Christmas Bells. I heard the bells on Christmas Day, Their old, familiar carols play, And Wild and sweet The words repeat Of peace on earth, goodwill to men! And thought how, as the day had come, The belfries of all Christendom Had rolled along The unbroken song Of peace on earth, goodwill to men! Till ringing, singing on its way, The world revolved from day to day, A voice, a chime, A chant sublime Of peace on earth, goodwill to men! LONGFELLOW. CHRISTMAS BELLS. Song. Words from a poem by LON GFELLOW. Poeo Allegro. (Bn‘ghtly.) PIANO_ mi"/(very rhythmical throughout) Music by S. LIDDLE. heard the bells Christ - mas Day, Their old, fam- i1 - iar car - 01s play, wild and sweet the words re— peat mp Of peace on earth, good - Copyright, MCMVII, by Chappe11& C‘? Ltd. a fan;/>0 Poco meno mosso. ‘ (a little slower and And thought how, as the day had come, The allargando ‘\. bel - - fries of all Christ-en— dom Had rolled a- long the un — “”’"g‘md0 L cresc. -brok — en song Of peace on earth, good —will 11 allmgandn allargmzdr) T p0 I . ring - ing, sing _ ing on its Way, .W..___._————- Hf allargmzdo 4.../2 9%. world re—v01ved from day to day, fall¢zrga71do Voice, a chime, A chant sub-lime Of peace on earth, good—Wi11, to men, A A A A A . ' A A A A A A . é fallarga7zdo “ temp” A A : 37$ T_$ earth, good - will earth, good The Compass of the first Key only is given; from this the Compass of the other Keys can be easily found. MAUDE VALERIE WHITE. l‘etit Pied Rose (Little Ro~y foot). C, El7,antl F .. .. -- Under the Moon. G . . .. In golden june. C, ED, & F .- In the summer garden C, D, & E 'I liree Little Songs (lnw. M etlitim, and High): 1. \Vhen the Swallows . _2. A Memory 3. Let us Did one but know. I) & F . l\'Iarcliin;; along. G & A .. The Old Gray Fox. F & G. . . So we'll go no more a-roving. C. The Spring has come. C, D. & Eb.. The Throstle. F & G .. .. The Bonny Curl. E .. .. .. TERESA DEL RIEGO. A Coon Lullaby. IIO Loving Father. .. To Phyllida. E (original) . . . . Do. I‘) K: F (simpliﬁed) .. I've a cottage down out Devon way. Forget Songs of the Suirimer i i ii and Aprils ctr: .. l “V0 SW35‘: (Low, Medium, & High) Brown Eyes. B7, C, & D .. “IThe Bell. Ell St F .. .. .. Thou little tender ﬂower. C, D, & EV {Life's Recompense. C, D, 8: F .. VVhere love has been. E37 & F . Happy Song. I), E7, 8: F .. .. Rest thee, sad heart. EE7, F, 8: .. La Vie est Value (A Song of Life). D‘).F.’7,& F.. .. .. My Gentle Ciilltl. A12 & i3lz.. Love is a 'rd. . . . . .. {'10 dry those tears. E, F,.G, & A_.. Slave Song. 1) iiii., E mi., F 1111., 36 G mi. . . . . . FRANCO LEONI. Autumn Love. L2 & C .. Little Barefoot. C & D .. The Merry Maiden. G mi. .. . . When he comes home. D St E .. Coolan Dhu. D iiii., E mi., & F mi. At Love's Close. C & E . . .. The Birth of Mom. E0, F, & G .. A little prayer. G V.. Love's Awakening. C & E? In Sympathy. C, D, E .. See Bi-ee7es. Bi & C . . . . Golden Lilies. Bl. C, & D .. A Spring Song. D, F, & G . . H. WALI-‘ORB DAVIES. Hame. ]3.'1,C,&L> .. .. .. I G. H. CLUTSAM. Sweet, be not proud. F & AI7 At parting. and A Song of Recall. Ail In the Days of Roses. F & G .. A Cradle Song. D mi., E mi., & mi. . . . . . . . . A Folk Song. G, A, & 137 .. .. I wander the woods. A7, B3, & Vanity Fair. F iiii., mi., & A mi. NOEL «JOHNSON. Wild Roses. G & Bl7 . . . . Wind of the Western Sea. G, AD, 8: Bl’! Purple Pansies. DD, El), & F God's Eternity. D, E, & G . . .. Good-Night, Pretty Stars. G 81 Blz Two Songs (First Set) (Low, Medium, & High): 1. The Rose.. .. .. .. 2. The River and the Sea .. Two Songs (Second Set) (Low. Medium, & High) 1. God's Rest .. .. .. 2. My love's a butterﬂy .. .. E. J. MARGETSON. A Song of Andalusia. D mi. . . PHILIP H. WILLIAMS. Day and Night. F St Al? .. .. To Love and Duty. G FRANK LAMRERT. Of all Septeinbers. C, D, & E2 .. In that hour. G, All, & Bl2 .. Bid you good-morrow. D, EV, & F The Buried Rose. ED & Dear Hands. F, G, & Bll . Deep in my heart. I)l2, EH & Qui sait? (Fallen Roses). Look down, dear eyes. D7, 1), & F My Lady June. C, D. & F.. .. The Secret. F, G, & AD .. .. Caressante (Valse Change). F . IGod's Garden. F, Al7, Bl7. . A Farewell. Al), BU, & C .. She is far from the land. G, All, & ]Speak but one word. Eh & F . Bonjour, Pierrot. .. . tie. ‘ G . . . . . . . Srskies 0!’ SHORT SONGS: 'Tis Night. Dll & F .. Love in Absence. F & G .. A Barque at Midnight. E0, F, 6 ‘t’!“i" & G .. .. . . .. The Night has a Thousand Eyes. F8: Al7 ' .. One more Clasp. D7 & F O I‘urest Pearl. G . . .. Because my Heart-\Vound. G iiii. & B7 mi. .. .. See, love, I bring thee ﬂowers. DD & F . . . . . . . . A Lament. Dl) & F .. .. . Come close, Beloved. E0, F, 9°‘.'?‘‘.’‘ 1‘ & G . . . . . . . . . Forethotight. F & G . . .. . 0 let me weep. F, AD, & B?“ . Dearest, when I am dead. El7, F, . . . . . . . O heedless flower. F8: All .. . Yesterdays. ‘ V‘Vhen love bends low. ,&G .. .. . In lune. ElZ, F, & G.. .. COMPASS or IST KEY C to C B to E‘) C to E A to E 1: to rat B to F4 13?? to D D to F C to E in to En,‘ B7 to c{ GtoD E’7toF I.) to F B7 to EU B5 to DU §0§:‘or‘.U 58838 tr: V ml‘/> '11 uQ9o>w c§§mmmmm DtoE{ Cto E7 AtoCn DtoE Dlzto Dir Cto DD) C to [)7 ED to E7 Bl)toE7 CtoE CtoD C to B’) F to B1 Bl? to ED E) to El7 } . Sum: av .. ll7i:.t‘ Marie Tim/22:2‘ . . . . . . Mrs: Carmen I/ill Ilir. Kenncrley Rum/ard Mr. li'cnnerl.ey /\’urr1_/ant’ ll/r. Kczmcrley /i’m7g/bra’ illr. /(cmierley /fmzzfard Mr. lfzmzcrley [Mug/’.»'rt' . . . Mr. Germzsc Elwc: .ll/is: Agnes .V1'clml/: . . /V113‘: 1.auz':2 Dale . . . . . .1111}: Carmen Hill . . . . . . M is: Carmen H ill L .11 r. Knmtrley R umford . . . .. Mi:: Louis: Dale . . . . .. Mr)ze. Alice Est}! . . . . Mr. Dalton Ba/Per lllix: llluriel Porter and 1111:: Helen Blain llir. Kmnertcy [Cum/ord and 11112:: Carmen /It'll .. .. ll/Imt. Kirkby Lurm . . . . /Wir: Mzcritl Faxlcr .. . . /lli':: /Wuriel Faxtzr lllr. /Qnntrlt y Rzmi/artl .. . . Mi‘x: Murlzl Faslzr Mnzc. Alice Gomez Mme. Alice Gamzz . . . . . .Mz':: Carmm //ill [Ill/r. Marictte Sully ﬁlls: IV/aria Yellamz’ .l1Ii:.s Carmen llill A . Kenntrlzy It’ um/urd 1177‘. Kzmtcrlzy /hlmﬁzrd Mr. Kemlerley Rum/orzz’ .. . . Illmz. Kir/eby Lmm . .. (Mr. Ben Drwic: . . . . lllme. A my .5’/tern/in . .M7ne. Edna Thornton .. . .1117. Ben Davie: and lllr. E1/an I/Villiam: . ..1l/I/'.r.r Carmen Hill . Mzzze. Alice Gomzz . . . . Ill»/c. A my .3‘/Lzrzt/in . . .. . . llIi:: Carmzn H1'll .. . .Mr. EM Davis: and lVIr. Lloyd C/zamlu: .. M11‘: Eunzta Truscotl . M1':: lW1l7‘l£[ Foster . Mr.t. Mary Dazzizs Mme. Horlznre Paulnn and 1l1i':.r Muriel Farter Mr. Kcnnzrlcy Rum/arr!’ .. .. . .M1's: Esta D’/lrgo . . .. Mi:: lllariel Faster . . . . . . Mr. Dalton Ba/«er Mir: Mari: Tent/t:t . . . . . .Mi:: Carmen Hill . . .. ..Mi.r.r Carmen Hill ./V113‘: Carmcn Hill . . . ..llIr. Dalian Ba/Mr .. Ill r. Mrzuricz Far/ma . . . . Mir: M1¢ricl1*‘a:ter . . /5/r. Tallzur Anclrnu: .. illr, C. fla;/den-Coﬂiri . . . . Mir: Mari: 'l'¢'m/95:! . . Mir: Marie Tzmpesl . lllisx lllurizl Foster Ell to E12 * With Violin Accomp. ad lib. GUY IPIIARDELOT. A year ago. F, G, A Gard. n of Love. For you alone. I You, and love. I think. When you speak to me. A Otit ofthe Darkness. C, D“7. I hid my love. B7, D?, & E llecause. A7, B7, 8: C .. .. Afterwards, Love. B7, D7, & E"7 .. I know a lovely Garden. E7, F, & G The Dawn. DD, ED, F, 8: G A I.e<<on with the Fan D‘? & E.’Z.. l\li1l\'lHl|l\1El’ Ilreams. D8: F .. A Bunch of Violets. All .. .. The Star and the Flower. D mi., mi. mi. . . . . .. Summer's Message. BR, DR, 8: Ell” Two Songs (Low, Medium, & High) r. The Perfect Flower .. 2. The Sun and the Shower FLORENCE AYLWARD. IGreat Lord of Life. Ell, F, & G King Winter. .. V .. .. l\Iother of mighty sons. B2, C, St D I claim you mine. B7, C. & D . ilieloved, it is morn. C, D, '& F Zl’,Sunrise. A .. . . Song of the Bow. E, F, & G %1’Love's Coronation. E, F, G, & Not mine to ask. D, & G LIZA LEHMANN. In the Tassel-Time of Spring. V . F . . . . . . Soul's Blossom. ED, F, & G ALMA GOETZ.‘ Oh l bird of Love. I.) .. . . Mélisande in the Wood. C mi. & mi. . . . . . . ELLEN COWDELL. Maytime. AU & BU .. .. .. Life's Garden. D & F .. . AMY WOODFORDEFINIIEN. Swift, before the swallows go. Eb F .. Evfr. G, 132*), & 'F' I . A. Dr, HOPE TEMPLE. God’s Lily. c,m,&Ea .. A. L. (arranged by). The Lass with the Delicate Air Am . .. .. .. I-Iow deep the slumber of the ﬂoods (Lowe). D, Ell, & F .. .. ELLEN WRIGHT. Didst thou but know. D2 & Elz When I awake. F .. LAURA G. LEMON. The Rose Garden. Dll, E1, & F .. VERE SMITH. Fairyland. . . ittle Crimson Rose. G .. BERNARD ROLT. The Dream Town Train. C . . The Nightin;{ale’s \Varning. Dl1 .. Katinka. l7 . . . . . . Little gold ﬁreﬂy. G, A7, & B9 The Lily of Boulter's Lock. BR Silhouettes of London~ 1. The Children of London .. .. » } 2. The Organ Man .. 3. River Thames. G .. L 4, Amethyst,Rose,and Pearl. C l FRANK E. TOURS. A Meeting. D & F .. other 0' mine. Blz & D . . . Il pleure dans mon coeur (O softly falls the rain). ‘ .. .. The Lilacs. D .. .. . . .. Wind in the Orchard. BL‘ & C . . DALHOIISIE YOUNG. Bredon Hill. D & F.. .. GEORGE AITKEN. Jest her way. Bll, C, & D .. Maire, my Girl. C, D, & E.. W. H. NEIDLINGER. The Rose in the Garden. F JAMES H. ROGERS. And 1ovemea.ns—you. F .. HAROLD GREGORY (arranged by). was a bachelor. When I (Low & Hig .. . . LORD HENRY SOMERSET. Echo, F, G, & A .. .. . Hush me, U Sorrow. El7, F & G .. All through the night. C, Ell, .3. F J. L. MOLLOY. The Hutu of Bees. Bll, C, Ell, & F Trankadillo. G 81 A .. .. Ricliard 0f'l'aunton Deane. F .. My Old Man John. D mi., F mi., & G mi. .. Puncliiiiello. F L. DENZA. Sleighing. Al), BIZ, & C .. .. Love in the Valley. C, DlZ, & Ell .. The Rose Enchanted. C, I), & . A May l\Ioi‘ning. 1), ED, F, it . An Orchard Cradle Song. El7, TITO MATTEI. 8: A E G &G Through sunny Spain. E, F, G, &A J. M. GAPEL. Love, could I only tell thee. C, D, F AtoD Al7 to F B! to El) CtoF All to El! CtoF GtoE FtoAl7 FtoG DtoD FtoG Elzto E1 DtoE GtoG GtoA D to D C to D C to l<I‘Z I) to F B2 to F CtoE CﬂtoD Lltoh‘. DlztoA CtoF CtoF Cto E7 1510 C5 CtoD Lorraine, Lorraine, Lorrée. C + \Vith Violin or Violoncello Accomp. ad lib. Cto Ell 1 With Organ or Ilctrmoniuin Accomp. ad lib. COMPASS or Cto ED‘: } l Sum; BY . . .M. Viciar lllaurel . .. ..llIr. Ben Davie: . . .. . .M. Viclar lllazzrel Mr. Kemzer/ey Rumfurcl Mme. Suzanne Aziamr Mme. Hartunrz Pan/szn . . ._. Sig. Manrica Bacci . . . M r. Den/Lam Price .’l.’»’me. Harlem: P/uzlszn /Wmz. H orlzure Paulszn lllmt. Melba /ma’ lllr. Denham Prict .. . .Mi':: Marie Tempest .l1r. Kenncrlty Rum/art!’ . . Mr. C. Hayden-Cz7ﬂin . Mr. Dtnlzam Price Mme. Alice Erty Mr. /ulien Henry Ke/mtr /ey 1\’mIIforzz’ .Mr. Da/tml [fa/cer . .. ll1mt- '*Il7Z‘: Gomez .. . .. r. 5:11 Davie: Mr, Ifzvmerlzy Rum/am’ .. . . Maze. Alice Gomez Mnze. Alicc Gomez /11 r. .. .. Mi:: Muriel Faster .. .. Mz':: Murz'el Forltr Mix: Muriel Forler and Mr. C. llayzlni-Coﬂfn Mrs. fltlcn Trurl and l M i:: E tlil/1 Kir/ewoaa’ .. ..Mr. E1/an William: .. .. Miss Muriel Faster .. .. . . Mrx. Helen Trust Mr. Kcnntrley Rum/22-zl and lllr. Grcgory Has! . .. .. .. .. ..Mr. Sarilley . . . . .. Mrs. Hclm Trust . . Mix: Mar;-'aret Coopzr . . Mz‘:s lllargarct Caaftr . .Mi:: Margaret Caapzr lllr. Ben Daz/it: . . .. . .MI:: Etta D’/l rga . .Mi:: M argarzt C oozﬁzr . . .. ..Mi:: Carma: Hill .. .. .. ..Mr. Ben D/L2/its Mr. C. I/a)/dcn»C(;[/in and Mr. Ben /)a:riu.t Mr. Maurice Far/Eva .. .. . .Mr. Gregory Hart . . . . Mr. Dtnlmm Price . . . . . .Mr. Gregory Has! .. . . Mr. /auph 0'll1ara . . . . . . ll/mz. Alice Gamrz .. . . . . . . . .S'1',-yzor /'2) ‘ . . . . . . Illr. Watkin Allills . . llllri‘ Mcrczlyth Elliott .. Mr. C. //a)/dc):-Caﬂln .. lllr. C. /layritn-Caﬂin . Mr. C. //ayd'eu~Ciz_//m .lI»1z. Harlem‘: Paulrzn > an . tllr. Kcmtcrley Rumfara’ EDWARD GERMAN. This England of ours. D & E7 Vt/hen maidens go a-maying. F & A0 Four Jolly Sailormen. C & D .. Love is meant to make us glad. I). O Peaceful England. F The Yeomen oiiEngland. D IIERMANN Liinn. Messmates. A mi. & 1’. int. . . .. The Little Galway Cloak. BIZ, C, 8: D Alone. C, EU, & F .. .. Ohl to forget. Dl7, ED, & F Songs of the Norseland: I. My ships that went a-sailing. l Fﬂ mi. & A mi, . You loved the time of violets . . Low & . Youth has a happy High tread .. . . . Love is an Ocean ‘ Eves that used to I Low, gaze in mine . Medium 6. Time was I roved & High the mountains .. A Chain of Roses. Dll, Eh, & F Remember me. Ell ’& . . . I wish I were a tiny birtl. D & I7 .. In the heather. my lads, A mi., BlZmi.,&Cnii. .. .. ’.. Lana_izan‘s Log. C, D, & El! The Broken Cup. E7, F, & A‘? Two Little Love Songs (Low, Medium, & High): 1. For lack and love of you . 2. World that once was a garden The Little Irish Girl. B7, C, (S: D.. An Episode .. Two Songs (Low, If all the young % Medium, and maidens . . High) Chorus, Gentlemen. F & AD Lady mine. Dr: 8: F .. . . . . So fair 3 ﬂower. C, D9, & F .. Two Little Irish Songs (Low Medium, and High): x,Tomyfirstlove.. .. .. 2. You’d better ask me . . .. \Vhen Jack and I were children. l, E & F .. .. \ LESLIE STUART. The Bandolero. AD & B2 .. MONK GOULD. The Curfew Ell & F.. PAUL A. RUBENS. The Summer. C & D Two Songs from the Chinese 1. The Lament of Lieii-Mei 2. A Song of Love .. HERBERT RUNNING. The Lime Tree. BU & C .. . . My Sweetheart Ah, Bll, & C Revelation. BlZ, C, & D .. w. H. sotime. Lighterinan Tom. Ell & F .. The Siesta. G & B7 .. . Love is waiting. C & ED Three for Jack. ‘ .. D & Eb & The Old Black Mare. The Jolly Sailor. D 8: El) ERNEST NEWTON. Through the forest. C, D, Ell, SLVF The Magic Month of May. C, I), St E Love's Echo. F, G. 81 A .. Lorna. Ell, F, & G .. .. .. ROBERT OONINCSBY CLARKE. The Linnet. F & All .. .. .. A Birthday Song. D, F, & G . A Dedication. C, D, & .. .. Take your lute and sing. Bll, C, & 1) Betty's \Vay. D, Ell, & F .. .. Miniatures: . April, April. G & BU . . .. . Say not good-bye. D & F .. . Yon lilac fair. D ' .. . A Bowl of Roses. BU, D, & F. . The Queen of Loveliness. Ell A Dream from Rainbowland ED & F . . . . . . GERALD LANE. Love is everywhere, A, Blz, & C . . HAROLD LONSDALE. Summer’s in the world. C & E WADDINGTON COOKE. Dream Ships. C mi. & D mi. Visitors. G & A . . . . P. MARIO COSTA. I know that you await me (Je sais que tu nfattend‘ . F The Exile (L'Ex-ile). ANDRE MESSAGER. Long ago in Alcala. F & AR . HERBERT H. NELSON. The Windmill. B mi. & C mi. FREDERICK BEVAN. The Old Soldier. All, BIZ, & C F. PAOLO TOSTI. My Dreams. Bl, C, D7, & E2 ()ti Lido \V:tters. D7, E32, 8: F .. "'Iieauty's Eyes. C, E5, E, & G .. Venetian Song. Blz, DIZ. ED, & F .. REGINALD GROOME. Stars may forget. Ell S; F .. .. JACQUES TBLUMENTHAL. An Evening Song. ED, F, G, & A? T { COMPASS or IST }A7toEl7{ FREDERICK CLAY. Ill sing Eliee songs of Araby. Ea, ' A .. ’.. tr D110 U? BU to E7 EV B to E A to F G to E CtoE Ctol.) Am I) B7 to l) )C Ctto I) DtoD CtoD Clot,‘ CtoC. W2 to D Dll to E7 Pl? to E2 1) to B3 to C} C to I) B7 to I) D7 to I) C to C C to (Iﬂ D0 to ICD [Cl Sims av Mir: Exla [)’Ar_ga /l”/r. /\'r7tnc’rle*y [(71:21/bra’ /ll/Zr: lllm-garct Cooptré-' ll/is: Percez/al A/[tn Mr. Henry A. Li!/ton é-' /llr. /\'(nm'rlzy lfuui/arc! . . . . . . /Ur. D/1//mi Iw’a/ctr /llr. /ticrinm lay /Bum/urrz’ lllr. Ifznnca-Icy l\’um/orii . lllirs lllvrrirl Fort/er ..Mr. Dalton Ba/ear . lllisr Louis: Dal: . . . . . .Mr. Dalton /laletr .. ll/r. Ditllrm Halter . . . lllr. Evan ll/illirwzs . . Mr/1:. Suzanne Adam: . Mr. Dcnlmm Price ﬂlr. l\'£7mzrltJ/ Rztmforzz’ . . . . . . Mr. Dalton Baker .. . lllr. Den/mm Pricr /l1r. Kzrmcrlty [ham/bra . . . . lllr. Dcnliaz/z Prict .lI/Ire. //orirnst ])(I1(’S/W1 ' and Mme. !"lorc'ncz Daily All to D1 A to E! B to 19:; GtoEl7( lSl7toGl El2toF CtoC CtoD' ll’? to E9 I) to E E7 to G B7 to D A to D A to If. BIOE CtoF Ctnll“ BO to El CtoF{ Eh to E2 B7 to ED CI to D5 Ato F CtoF DtoF. ElZtoG EtoF All to IE2 Am D; B1toC D to E2 Bll to IE] . . . . . . . . . . . . Signor Fall . . . . , , 111;-. PVal/l'1'n tllills . . . . ..lll1':s Carma}; //ill .1/r. /\'2/may/xv lfumford llr. /Em [Far/ic: . . . . . ..llIr. Jim Davie: lllr, \t'enm*r/ey /(mtg/orti lllr. lfcmxzr/cy /I mu/ard . . . . Mr. Den/mm Price fllis: Caroline Hzzlt‘harci [Ill/ll. Alice Esly and .. . . /llr. lVill1'am Green illixs Caroline Halclmrd .. . . . 1lIi:s Carmen Hill ill r. It’cmz:rle_u lt’um/ard and All/. C/mrle: T722 ../llir: limzcta Truscatl .. . .lllz':: Carmen Hill . Jlliss Carmgn Hz/I . . . . . .M[:: Carmzn Hill , . .. Mr. Charla: Tru M1722. Hortcrtrz Paul::n . .. Mist llluriel Faxtcr . lllixr Altzrgaret C00/tr . . . . . . Mr. Grcgory Hart .l1r. Kmnerlzy Rumfard . . . . ..llIr. lVal}.'I'n lllll/J . . . . . . .. Signor Fali . . . . . . . . Mr. lien 17217/its . . . . . . .. Mr. Bari /Jazrics Ban Darrin §\Vith Violoncello Aecomp. azllil. CHAPPELL & CO., l.ld., 50, NEW BOND STREET, LONDON, W., NEW YORK, and MELBOURNE, Music Publishers and Pianoforte Manufacturers. . K.‘ Oha.ppel1& Co.’s Ballad Concert Sutioesses
Show less

Date: n.d.
Text: HYMN BE THE MDHAVIAH NUHS OE BETHLEHEM. H/////"////V /; r /’ ',«1.// ‘/1,’ , J /)7 W 0% H.LfDLr‘LJl£‘+3:LE*1L5:*',UL‘lLELwJJ\~VA“/fEo Lawn . ' . I ' /» rwv "'0/2 /oazrfr/0.9 a«4.u..4.,.- A _//‘,/V,”//,;,, THE CONSECRATION OF PULASK|’S,B.A1NNER. DUETT. T4"r1'tten by W. H.LONGFELLOW. A . _ Composed, by JOHN BLOCKLEY.» Jlarcta . G‘ MAESTOSO. /9/9 —€®:» Jflrzdante. SOLO 17.75.“ ff Dim. e molto rall. VVhén the dy _ ing flame of /*3 ‘ Dulce’ . Trumpet ....
Show moreHYMN BE THE MDHAVIAH NUHS OE BETHLEHEM. H/////"////V /; r /’ ',«1.// ‘/1,’ , J /)7 W 0% H.LfDLr‘LJl£‘+3:LE*1L5:*',UL‘lLELwJJ\~VA“/fEo Lawn . ' . I ' /» rwv "'0/2 /oazrfr/0.9 a«4.u..4.,.- A _//‘,/V,”//,;,, THE CONSECRATION OF PULASK|’S,B.A1NNER. DUETT. T4"r1'tten by W. H.LONGFELLOW. A . _ Composed, by JOHN BLOCKLEY.» Jlarcta . G‘ MAESTOSO. /9/9 —€®:» Jflrzdante. SOLO 17.75.“ ff Dim. e molto rall. VVhén the dy _ ing flame of /*3 ‘ Dulce’ . Trumpet . Through the chan _ cel shut its ray, /ﬁg//W mering tapers ' shed Faint light on the cowled head; The (‘uncecrationx of the Banner. Dnett.. ~ ‘ John Blockley. . The Consecration of the Banner. Duett . Energtéco . * And the cen‘_ ser burn-‘ swung, Where , be_fore the al‘-_.___ tar, And the cen _ ser burn _ ing swung, “There , ‘be. fore the al .. _ tar, The blood .red '. banner, that with ’prayer hood red banner, that with‘ prayer Rall. e dim. F\ A Rel"g'.°S°' il Canto ben tenuto. Had been c0n_se_cra..ted there. And the nuns’ sweet hymn was Had been c(m_se_cra..ted there. And the nuns’ sweet hymn was Dulce. /7 .Mo_ - -7-en- _ _do. heard the while , Sung low in the dim , mys -1- _te _ _ rious aisle . heard t e while, 1 ' in the dim , mys _ .. ’..te -5. rious aisle . P ‘ _ » 3 calla voce . John Blockley . \./ 4 aoete HYMN‘ op THEV MQRAVIAN NUNS’ AT BETHLEHEM .v SOLO. “Take thy banner! May it wave Proudly o’er the good and brave! JLAEsTosn. lVVhen the battles dis__tant wail .B'reaks the Sub_bath of our vale; When the battles di.~;__tzm1 wail Breaks the Sab_ba.th of our vale; /9 ‘SoLo. "fA VVhen‘the clarion"s mu_sic thrills To the hearts of these Alone hills; ’ * “ ’ s ‘ 816* Should this Duett be found too long the 31191 Verse may be omitted , V . The Conseeration of the Banner. Duett . V John Blockley . When the spear in conflict shakes, And the strong lance shivering breaks.” — And the strong lance shixering breaks.” /j VVhen the spear in conflict shakes; K‘) Tempo . Dim. e rall . “Take thy banner‘. May it wave Proudly o’er the good and brave.” “Take thy banner! May it wave Proudly o’er the good and brave.” calla voce. Trumpet. The,Consecration ,9! the Banher. Dnett . John Blockley . 6 2911 Vierse. Take thy banner! and beneath The battle‘-cloud"s en circling wreath /are f Guard it!._ till our homes are free‘. Guard it!_ Heav’n.will prosper‘ thee! Guard it'._ till our homes are free‘. Guard it!__ Heav’n will prosper thee! ﬂy” V /9 nlf SOLO 2&1’ In the dark and try_ing hour, , breaking forth of power, : In the rush of steeds and men, His right hand will shield thee then.” « - In .the rush of steeds and men , His right hand will shield thee then.” f _ The Cimsecration of the Banner. Duett . I _ Johxi -Blockley. “Take thy banner! May it wave “ Take thy banner! I May it Wave 371! Fﬁrse SOLO 1711 cs L “Take thy h2umer‘._ But, “hen night. If the vanquished warrior bow, wa rrior bow, If the vanquished The (louse:-ration of the Banner. Duett. Dim. e rall. Proudly 0_’er the good and brave.” Proudly o’er the good and brave.” col la voce. numpet, /T C1o_ses round the ghast_ly fight, Spare him!_ By our ho_..1y vow; Spare him!_. By our ho__1y vow; /9 John Blocldey 5 SOLO 2 iii‘ molfo E'.s‘pre.s'.s'1'vo. By our prayers and ma_ny tears By the mer_cy that Vendéars /3/’. /5’/9 Spare him!_ he our love hath shared! Spare hi1/11!- as thou would’st be spared!” Spare him!_ he our love hath shared! Spare him!_ as ou w0u1d"st be spared!” /3/9 “Take thy banne'r!__ May it wave Proudly o’er the good and brave.” . “/Take thy bannel-!_ May it wave Proudly o’er the good and brave.” /9 calla 15066. Trumpet. The Consecration of the Banner. Duett . John Blocklevl _ I 801.0 I '11" A 44?.’ [?rse. molfo /t'.s'pr'e.v.x'I'1<(). Take th l);mnerl- And if e’er Thou 4should’st press; the Soldier’s bier, And the muffled drum should beat To the tread of mournful feet, And the muffled drum should beat To the tread of mournful fl-et, /9/9 S0L02‘1_" Then this crimson flag shall be, Martial cloak and shroud for me.” The - f\ ‘1&_/- Slouimﬂ J/[orendo molto Wltrrior took that banner proud, It wax his martial cloak and shroud . ’W'ar'rior took that banner proud‘, 11 “us his martial cloak and shroud . O [9/9 xv The ('ousecra_1inn of the Banner. Duett . ‘ «Lond01},PU,blished ‘»by John Blocklay, Park Road, Halveramvk Hill.
Show less

Date: 1917
Text: MUSIC LIBRARY ASSA COLLEGE Q5132 iubn Qtburnb Qlinmpanp (Einzinnati ﬁetn Earl: Jlonhnn Qauartets ant Qtijutuses’ for ﬁilixeh ’9ui£e5——§2:uIar Ilr--= --- 3B92554~15¢‘ ‘Wan jliﬂary ilaelen iﬁruinn ||jI+tmnm4.od be Columbia, we hail . . . . . . . . . . . . . . .Donizett Kisses . . . . . . . . . . . . . . . . . . . . . . . . . . Armstrong Mandalay (Baritone solo) . . . . . . . .Damrosch Mighty lak’a rose (Soprano solo) . . . . . .Nevin Sweetest ﬂower . . . . . . . . . . . . . . . . . . ..Hawley...
Show moreMUSIC LIBRARY ASSA COLLEGE Q5132 iubn Qtburnb Qlinmpanp (Einzinnati ﬁetn Earl: Jlonhnn Qauartets ant Qtijutuses’ for ﬁilixeh ’9ui£e5——§2:uIar Ilr--= --- 3B92554~15¢‘ ‘Wan jliﬂary ilaelen iﬁruinn ||jI+tmnm4.od be Columbia, we hail . . . . . . . . . . . . . . .Donizett Kisses . . . . . . . . . . . . . . . . . . . . . . . . . . Armstrong Mandalay (Baritone solo) . . . . . . . .Damrosch Mighty lak’a rose (Soprano solo) . . . . . .Nevin Sweetest ﬂower . . . . . . . . . . . . . . . . . . ..Hawley In May time . . . . . . . . . . . . . . . . . . . . . . . .Speaks When Mabel sings . . . . . . . . . . . . . . . . . .Speaks Lover and his lass . . . . . . . . . . . . . . . . . .Haw1ey Sleeping why now sleeping . . . . . . . . . . Browne Tell me, ye winged . . . . . . . . . . . . . . . .Heinrich Death and Life . . . . . . . . . . . . . . . . . . . . .Browne Venetian serenade . . . . . . . . . . . . . . . . . .Speaks Stars of the summer . . . . . . . . . . . .Woodbury Night has a thousand . . . . . . . . . . . . . .Pontius Night witchery vocal Waltzes . . . . . . . . . .Boex Washington, beloved . . . . . . . . . . . . . . deKoven Lark now heaves . . . . . . . . . . . . . . . . . . . .Parker Time of maying . . . . . . . . . . . . . . . . .Hammond Awake, arise . . . . . . . . . . . . . . . . . . . .Hawthome Over the snow (Unison) . . . . . . . .Hawthorne Snowflakes (Three parts) . . . . . . . .Hawthorne Call of spring . . . . . . . . . . . . . . . . . . . . ..Hawley Mammy’s lullaby . . . . . . . . . . . .Dvorak-Spross Star spangled banner . . . . , . . . . . . . . . . . . .Key Columbia, gem of the ocean . . . . . . . . . .Shaw America . . . . . . . . . . . . . . . . . . . . . . . . . . . .Smith Nymph and Swain . . . . . . . . . . . . . . . . Barrett Sacrifice . . . . . . . . . . . . . . . . . . . . . . . . . . .Walling Sunrise . . . . . . . . . . . . . . . . . . . . . . . . . . . .Taneyef Autumn . . . . . . . . . . . . . . . . . . . . . . Grechaninof Chorus and Dance of the Reapers, Tschaikowsky Spring Chorus . . . . . . . . . . . . . . . . .Saint-Saens Chorus of the Philistines (sextette) Saint-Saens Lindy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Spross The Village Blacksmith . . . . . . o . . . . .Berwald Curfew . . . . . . . . . . . . . . . . . . . . . ..M. H. Brown D In the forest o'er the meadows. .Hammond Longing for summer . . . . . . . . . . . .Hammond i g > Curfew HENRY W. LONGFELLOW MARY HELEN BROWN I Andante sostenuto ptranquillo Sol- em - ly, mourn - ful — ly, Andante sostenuto J::56 Ptra.n uillo . can Pcdale Deal- ing its dole, The Cur - few Bell is be - g‘in~ning' to toll, Copyright, MCMXVII, by The John Church Company International Copyright [7 Cov - er the em-bets, And put out ‘the light; Toil comes with the morn ~ing',And rest with the night. > > mp Dark. grow the win ~ dows And ding___ dong, ding__ dong, ding.____________ dong, ding._. dong, ding__ dong, ding___________,_ dong, . --='—‘=‘_"'_. 3'3‘-—='==-19 quench’d is the fire; Sound fades in- to si-lence, A11 foot— steps re-tire. ding‘.____________ dong',.___ ding‘ dong, ding'.____.__._ dong‘, - dong, voice in the chambers,No pow rall. sound in the hall! Sleep and ob-liv-E - on Reign o—ver all 4"-7':-* jzoco rall. ding» --¢oco rall. ding, oco rall. dong, jzoco rall. Allegretto con brio > > book is com-plet-ed And > > book is com-plet—‘ed. And Allegretto con brio (J-: 76) > /. c1osed,like t e day; > > c1osed,11 e the day; L-> hand that has writ—ten it lays it a - way, 'ng hand that has writ-ten it lays it a-way, dmg poco rit. > L-— dong‘. . >p0co rit. a temﬁov/_zf' dong. The book is complv .And closed like the day; pom rit. >‘ L- dong.!___ >g>0c0 rzt. . dong. /‘T a temﬁo .t. _ . ﬁoco rz P \ 5 book is com-ple» .And closed, like the --1"“ n£l!!l_1!:!g. 5-‘.i.‘ ii book is com-ple-ted,And . a/Iemﬁo . 1, 15000 rzt. _:______ closedlike the day; closedliketheday; ding 19; pow rit. a tcmjw (:- ClOS€;d like [>060 rit. _% “"110 like the day; day {taco rit. closed like }9¢ocoi rit. 17829 - 5 pizi lento cresc. dong And the hand that has Writ - ten it M12 lento cresc. L day ding ding, dong- £12 le to cresc. dong ding‘ ding‘, dong_._.____ pm lento cresc. ding‘ ding, dong. 4:122 lento oresc. , Dim grow its fan-cies;. For -. g‘ot- ten they lie; P -___—_i__, — ding__..__: ding, ding',dong‘ >19--..—_:_-’___ 2.2:. -o 1... ding‘______ dong_;.______ Like 19 -——--:4 1.. --i .2- 17829 - 6 pm mosso — ding _____. 1'12 moss ding ‘ ding 1712-iu mosso coals in 1’ piil mosso : ding ding — ding dong > ding CTIJSC. dong (7'L’S(. ) CTBSC. dong L ding dong dong the ash- es They dark-en and die. dong agitato C7’¢’Sl‘. e acccl. Song sinks in - to si- lence,The crest. e arccl. ding crest. e accel. ding agi tato to si-1ence,The Song sinks. in - cresae accel. ding > lungn K.‘ stgntando dong‘, The lunga stentando’ in: m is told) The unga /3 to - ry stenttmdo d dong The stvntando 1“”é"' 3 f.\ cf is told , The lunga f.\ sto - ry \ lunga A . tiecla ma to win—dows are derlamato win—dows are dvrlamato win—dows are dvclamato win- dows are dark - en’d > dark - en’d > dark - en’d > dark - en’d. - \ 11 meno mosso 7'.’/f The memo mossoj The The men0_ M-0850‘ f 50}: enfasi cresc- X“ can enfasi hearth— stone can enfasi hearth—stone_ ' can enfasz hearth-stone ' can enfasi hearth-stone ' \.« ﬁstentando - Tempo primo Tempo primo ~rit.e dim. ' L- P’ If > 8. -It-Hold two bars with Ped. mm corda I’ Sleep and ob-liv-i — on He tranquillo pp Dark-er and dark-er The black shad-ows fall; ding, molto tranquillo _ 1,}, Dark- er and dark—er The black shad-ows fail; . ding, Vmelto tranquillo. 117829 - Z6 ' dccrvsc. Reign 0 — ver all dur r1’S(.. V ding })dvrrv.s‘(. 9) sleep and ob -liv — i - on d ccresc. ding, rall. (11 fine 0- ver Reig‘n.__._____.. rall. al fine dong, rall.al fine Reign 0 - ver all rall. al fine 1, dong Reign 0 — ver 13 j217_a nissimo ¢0ssibile i. all._..._.___..._ pianissimo possibile —: i=- , all . z 1 mo ossibilc :19 P .311-. . zamsmmo all. j>2'am'ssz'mo possibilc German, French and Italian Song’ Classics HORATIO PARKER Vol. 1. Soprano Vol. 2. Alto Vol. 3. Tenor V01. 4. Bass These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large and ever increasing class of earnest aspirants to true artistry. The songs are presented always with the original text in order that their full ﬂavor and signiﬁcance may be preserved, and because a poem which does not suffer by translation is a thing hardly con- ceivable. ’ Students and teachers as well, should remember that of these noble songs each is an earnest of like treasures which will reward any diligent seeker in the ﬁelds represented by the collections now offered for their use and guidance. The following composers are represented in the collection: Adam Chaminade Hahn Massenet Sarti Bach Delibes Handel Mendelssohn Scarlatti Beethoven Del1’Acqua D’Hardelot Mililotti Schubert Bernberg Dubois Haydn Mozart Schumann Bizet Durante Holmes Paladilhe Strauss Bononcini Faure Jensen Pergolese Thome Brahms Franck Legrenzi Pierne Tosti Caccini Franz Loewe Raﬁ‘ Vidal Caldara Giordani Lotti Ries Wagner Campana Godard Luzzi Rosa Weckerlin Carissimi Gounod Marchault Rubinstein Widor ggvalli Grieg Marcello Saint-Saens Wolf sti Price each volume in heavy paper, $1.50. in cloth. gilt, $2.50 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON
Show less

Date: n.d.
Text: Z1/.”1z}2/A /M /‘7-”.3%?l??ﬁ 0&2)"/CA TE D 7- 0 M6? ,4/25.//7///V07 FE/A 05/v. . . . S.’UN.G’ BY. . . M 3.3 E3 8 8:9 9 D . c“‘*"°‘“33’C—““’7 1. AHATH ITSPEARZSJ Words by I E-. [ W @ ~>> __J 111 Y5“a/7z.9Zatea7/ Z git fﬁiﬁ .§Ium§2:I1;an, REIHUSIEQ JBY_ JE VALER E Wlﬂlh 4772/é. Jzu.¢%/ZZ. ﬂzbg 4/: L on cl 0 n, STANLEY LUCAS‘WEBER & C9 3%,]!/é14/ﬁ’o‘72cZ J'z’7Aeez% 3% (525, ﬂ/v67”aZ.J‘Z7‘eet.7V’ MUSIC LIIRAIY _ vAssAn COLLEGE @538 8113813 Uléﬂ‘ $3l3U[I][3%lPEBE.E3[I...
Show moreZ1/.”1z}2/A /M /‘7-”.3%?l??ﬁ 0&2)"/CA TE D 7- 0 M6? ,4/25.//7///V07 FE/A 05/v. . . . S.’UN.G’ BY. . . M 3.3 E3 8 8:9 9 D . c“‘*"°‘“33’C—““’7 1. AHATH ITSPEARZSJ Words by I E-. [ W @ ~>> __J 111 Y5“a/7z.9Zatea7/ Z git fﬁiﬁ .§Ium§2:I1;an, REIHUSIEQ JBY_ JE VALER E Wlﬂlh 4772/é. Jzu.¢%/ZZ. ﬂzbg 4/: L on cl 0 n, STANLEY LUCAS‘WEBER & C9 3%,]!/é14/ﬁ’o‘72cZ J'z’7Aeez% 3% (525, ﬂ/v67”aZ.J‘Z7‘eet.7V’ MUSIC LIIRAIY _ vAssAn COLLEGE @538 8113813 Uléﬂ‘ $3l3U[I][3%lPEBE.E3[I]o THE SEA HATH 11's PEARLS. MAUDE VALERIE WHITE}. Allegro animate . giojoso. Das% Meer hat sei _ _ne Per _ _ _ Ien, Der The sea . . . . . . . . hath its pearls, . . . . . . . . . . . . The s L.w.14s+. poco rall. Him- me] sei_ _ne Ster _ _ _ ne, er mein Herz mein Herz,.... Mein hea ven hath its stars . . . . . . . . . . ... But my heart my heart“... My a tempo . ‘If — Herz hat sei - ne Lie - -be. Das Meer hat sei _ _ ne Per - -1en, Der heart hath its love. . . . . .. The sea hath its pparls,...... The H'1m.-me] sei-_ne _ . _ _ ne, A_beI'n1ein Herz,... Mein heat _ ven hath its stars,...... . . . . ............. But my_ heart“... My amoroso. anima Herz hat sei _. ne Lie _' - - be. Gross ist das Meer und der Him _ _ mel,Doch heart hath its love . . . . Great are the sea and the hea - _ ven, Yet 3 L.W .1464-. grbsser ist mein Herz, . . . . ..Und schiiner als Perlen und g-reater is my heart, . . . . . .. And fair_er than pearls and giojoso. Leuchtet und strahlt me'1_neL Flash _ es and beams my con brio. S |__,.W .1464-.. carremando. Méid mai _ chen, _ deny klei _ _ nes jun _ - ges lit .. - tle youth .. _ ful Herz und das Meer heart, and the Dian My Herz,......... heart,......... sea, G/ﬂ’lzO1”0S’() . he! love!.............. lau _ _ ter Lie" for gehn vor- Inelt _ ing a _ _ way Mid - xn ai Komm an Come _ chen, d911, mein g 1'0 _ to my _ _ - I111- __ great 1’ Komm an Come un mein gro _ _ sses to my great ravviv Du klei _ _ nes Thou lit -b _ _ no jun _ _ ges youth _ _ ful Mein My He1*z,........V.. heart,.......... ._ SSBS und das Meet‘ und der Him _ _ me] LVe1"_ gehn I‘ lau _ _ter and the sea and the hea _ _ _ve'n , Are melt _ ing a -Way for a tempo. u antmato . Lie _ _ _ be! as Meer hat sei .113 Per _ _ ]en_,Der Himmel se'1_ ne love! . . . . . .... The sea hath its pear1s,........ The hea-ven hath its . f A giojoso. Ster - _ - ne, Aber mein Herz, mein Mein Herz hat :S'ei__ne stars,............ But my heart, my ' heart... hath its 3 L.W .14-64 . WORDS 3! gym; 3y Mn. SANTLIY. ABSENT YET PRESENT. L030 Lm°N- V MISS JESSICA 0’B1uEN. 139- 130- Do‘ MISS HELEN D’AL'roN. Do_ 330, Do. MISS HELEN Aamu. A-Va MARIA (with organ) Latin Words. MR. SAN'l'l.EY. no. (with Piano) No.1 Do Do_ Do_ No_ 2 _ _ _. __ Do, Mrss ]EssicA 0’BmEN. MISS SANTLEY and- 0EAN'.l'EZ,‘0HAN'1'EZ JEUNE msrmﬁn, No. 1.. Vicrok Huco. MISS Ronmm Do, No. 2. . Do. ms. MEEE HAT SEINE PERLEN, No. 1 .. H. Hmm. (The Sea hath its Pearls). H. "FA;frIfé:t§<:E1L>zOw_ Do. Do. Do. No. 2 Do. G Mns. Osooon. V MR. T!-IEO. MARZIALS. MISS SANTLEY and MISS WAKEFIELD. ‘%T1%.ii»% .. 9 ESPOIR EN DIEU, No. 1 Vzcroa Hvoo. Bﬂat if El Do. No. 2 .. .. 130- D ﬂat MR. THEO. MARZIALS. .1 7 I ES WAR EIN K6NIG IN 'I.'HULE.. From GoETHE’s Faust. D minor (Therepwas a King of Thule.) HEUREUX QUI PEUT AIMER VICTOR HUGO. D ﬂat Translated from the " Persian by Iclﬂf ' F. BODENSTEDT. ( ee. 7 ‘ea’ 5 5 mnge 3 ' English Version by E. D’EsTERRE. I PRITHEE SEND ME BACK MY HEART ‘ .. SIR JOHN SUCKLING. (Orchestral accompaniment to this song can be had on hire). I613-I64: LOVING AND TRUE No. 1. .. .. .. .. Do. Do. No. 2. .. .. .. .. MR. G. HENSCHEL. Mn. SA.N'rLE\c. ml’ MR. SANTLEY. Ni Mas. Oscoon. MISS CLARA SAMUELL. Woe ‘mil MONTROSE'S A LOVE SONG (Original Edition) MARQUIS or MONTROSE MR. -SANTLEY. (1612-1650). D0. D0. (Simpliﬁed Accompaniment) Do_ Do. ml MY AIN KIND DEARIE, oz (Original Edition) ROBERT B.,RNs_ M... wm'..,m, D0. D0. (Simpliﬁed Accompaniment) Do‘ and i C MISS MARY DAVIES. T0 BI-OSSOMS N0. 1. .. ROBERT Hmuucx, 2 (1591-1674)) Do. No. 2. .. C minor Q. B ﬂat min” MR. SANTLEY. mg; Do. MISS J. O’B1uEN. f?“ Iii? T0 DAFFODILS . . . F minor To . . I . C Q C I C #114‘ ‘ if Miss WAKEFIELD. ‘ii .111 To Music, To BEGALM ms FEVER .. WHEN DELIA ON THE PLAIN APPEARS Lom) Ly'1'n3:L'rnN, (I709-I773). Do. Do. Do. Do. MR. EDWARD LLOYD. Iii . as urn MR. Enwmm LLOYD. «ii 0 Do. is l . ZWEI LIEDER, set 1 :— .. .. H.HExN1r. No. 1. Liebe (Baritone or Contralto). . No. 2. Im wunderschonen Monat Mai N0. 1. Liebe (Tenor or Mezzo—Soprano) F minor No. 2. Im wunderschiinen Monat Mai ’ F major ZWEI LIEDER, Set 2 :— « No. 1. Ein Jiingling liebt ein Maldchen F minor ill I i C sharp minor in V Miss SANTLEY. U E major °.. °.@“>. *s*4“EIfw%u~..s. Mn. SANTLEY. l I } ran. AEY L ii: .2 0 1‘: Ml. AND 325 OXFORD STREET. N o. 2. Aus meinen Thrialnen spriessen D major
Show less

Date: 1904
Text: MUSIC uamrw VASSAR COLLEGE -ouauxccu-sue. in van Sung‘ by DAVID BISPHAM. f}Vz'S0N6.s' ' ' ll’ /f‘ Jfedz ZZITI. Vozcra 3%? ‘ CLARENCE ‘ 7!: Op. 45. A ”$ v THE _ ' Joan €nuacn(om»m, 1.The. Qgy IS dark and dreary. .. . .. 5 CENCFNNATLCHQCAGO. _ NEWY°RW"’5!C— 2.TheFountainsmnngiewsththeﬁlvew LON DON . 4_When stars are in thequiet ski2s...5 To /M 12 M Bzlx-lo/mm. The day is dark and dreary Music by CLARENCE LUCAS. Poem by H .W. LONGFELLOW. Andante. (J = 100) /// mf .m...
Show moreMUSIC uamrw VASSAR COLLEGE -ouauxccu-sue. in van Sung‘ by DAVID BISPHAM. f}Vz'S0N6.s' ' ' ll’ /f‘ Jfedz ZZITI. Vozcra 3%? ‘ CLARENCE ‘ 7!: Op. 45. A ”$ v THE _ ' Joan €nuacn(om»m, 1.The. Qgy IS dark and dreary. .. . .. 5 CENCFNNATLCHQCAGO. _ NEWY°RW"’5!C— 2.TheFountainsmnngiewsththeﬁlvew LON DON . 4_When stars are in thequiet ski2s...5 To /M 12 M Bzlx-lo/mm. The day is dark and dreary Music by CLARENCE LUCAS. Poem by H .W. LONGFELLOW. Andante. (J = 100) /// mf .m.s-minetl. 3 3 Perla! at eawﬁ Mr. 14’ and the wind, is nev— er wea — ry; C _/2 — . drear —. y; H5 #5 07'e.s'r;. vine still clings to the mould ' wall, But at {T // {-3 3:; Copyright MCMIV by The John Church Company. International Copyright. Entored according to act at the Parliament of Canada in the yvnr MCMIV by The Jahn Church Company in the nepartment of Agricullurn. 5m‘ 2027/; (z_/‘MZZ lone. the dead leaves fall,_________ ’And the day is dark and [2000 pit} mosso. drear-y. life is cold, ' dark, and drear - ‘y; rains, and the is nev - er wea — ry; My Tempo I:. thoughts still I7 7% 112?} mz2'mru‘o. days are dark and drear—y. Be still, sad broadly. re - pin-ing, - hind o 4 . V clouds is the sun stlll shm — mg; Thy fate is the com-mon fate, of all.__ M >39“ rain must fall, Somedays must be dark and drea.r-y. ;/ Jr-
Show less

Date: 1908
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new vonx SUNG BY MADAME CLARA BUTT AND M‘? KENNERLEY RuMFoRD_ L T \ ,...7.<..... u ME m QJNIE <0 (a C <2) 9 G) <9@y§mmEwQ§§9 N92 HIGH. /‘ wifh Drgan auunmpanimant ad lib.) E (C) (0) W0 P\D 5 BY LONGFELLOW ®.@\ CC) ‘ @ MUSIC 5)/ HERMANN LC§HR “WP RIC E (60 ¢>~————«~ CHAPPE LL &C<_> LTD- 37; WEST SEVENTEENTH STREET. NEW YOR K. LONDON. MELBOURNE. THIS DUET MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSIC...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new vonx SUNG BY MADAME CLARA BUTT AND M‘? KENNERLEY RuMFoRD_ L T \ ,...7.<..... u ME m QJNIE <0 (a C <2) 9 G) <9@y§mmEwQ§§9 N92 HIGH. /‘ wifh Drgan auunmpanimant ad lib.) E (C) (0) W0 P\D 5 BY LONGFELLOW ®.@\ CC) ‘ @ MUSIC 5)/ HERMANN LC§HR “WP RIC E (60 ¢>~————«~ CHAPPE LL &C<_> LTD- 37; WEST SEVENTEENTH STREET. NEW YOR K. LONDON. MELBOURNE. THIS DUET MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSIC HALLS. THE RIGHT OF PUBLIC REPRESENTATION OR PERFORMANCE UPON OR BY MEANS OF ANY MECHANICAL INSTRUMENT IS STRICTLY RESERVED. EE1p_yr'ighf_ MCMVHI, by EhappEI|3cE':I Lfd. THE DAY IS DONE. Duet. Words by Music by LONGFELLOVV. HERMANN LCEHR. Andante sostenuto. lst VOICE . 2nd VOICE. mil. ;*7znZ:‘r2 The day is done, .._.__ and the dark ~ mess Falls A 1) calla woe. Copyright, MCMVIIL, jay Chappell & C9 Ltd. from the Wings of Night, |~ ' waft - ed d0Wn—ward From an Come, read to > > mf> >210 . {T em, Some sim-ple and heart— felt dim. That shall soothe this rest —1ess cresc dim- That shall soothe.__. this rest- less ban - 1sh the thoughts of day. 10 ﬁt. ban - ish the thoughts of day. Pose yiil mossoo have power ' _ less pulse of > have power ' less pulse of / like the ben —_e - dic — tion mll. like the ben- e - dic - tion 4“ _ prayer. — lows af prayer._ read from the trea-sured alem - vo — 1ume_.. allargando lend to alla ando M of the choice,__ And lend to of the > > allargando > f > Poco meno mosso. The beau — ty__ of voice. [T Maestoso. > > night > night cares that > > cares that > >/T filled... >/T filled __ > in — fest___ > >/——~\ > Meno mosso. Shall fold__ their tents... Shall fold __ their tents si — 1ent- ly steal si — lent—1y steal Maestoso molto. >_ > > > >/“S And e night shall be filled__ with mu - si<$,__' _. > > > >/"\ . > And the night shall be filled__ with mu — sic,.___ 3 3 3 3 If that in — fest > >>/——g. in — fest 3 K3 their tents, like _ the A - rabs, And as '3 12 their tents, the A - rabs, And as f.\ si - lent —, ly si — 1ent— ly ’ steal sempre dim. si — lent - 1y sempre dim. si - lent- ly ﬂ jzoco accel. perdemlosi Z____T 1: erdendosi Cha.ppe11& Co.’s Ballad Concert Successes The Compass of the ﬁrst Key only is given; from this the Compass of the other Keys can be easily found. IIAUDE VALERIE wnrri-:. Unexpected Joy. BU & Eh. . . . VVhen songs have passed away. C Three Little Songs (Low, Medium, and High): 1. When the Swallows . . .. 2. A Memory 3. Let us Forget Did one but know. D & F . . . . Marching along. G & A . . . . Tl1eOldGrayFox. F&G.. .. So we’ll go no more a~roving. C, Db,&E .. .. .. .. The Spring has come. C, D, & El7. . The Bonnv Curl, E . . .. .. TERESA DEL RIEGO. The Ring. Di), ED, & F .. .. The Two Kisses. A & C The Green Hills of Ireland. mi., & mi. . . . . Three Little People. Db & El? .. While the cotton-ﬂowers bloom. In Ab,Bl7,&C .. .. . A Coon Lullaby. ED, F, & G Brown Eyes. B7, C. St D "IThe Bell. El) 8: F .. Thou little tender ﬂower. C, D, 8: ED C, D, & F .. D mi., §Life’s Recompense. Where love has been. ED & F Happy Song. D, ED, 8: F .. .. Rest thee, sad heart. E‘), F, & . La Vie est Value (A Song of Life). D My Gentle Child. Ab & Bb.. Love is a Bird. . . . . . . ‘l‘IO dry those tears. E. F, _G, & A3. Slave Song. nii., E mi., F ini.. mi. . .. FRANCO LEONI. _\Iy Shadow. E, F, & G .. .. Princess of the sunny smile. E mi. & G mi. . . . . . . .. Leaves on the River. A & C . . Autumn Love. B17 & C . . .. Little Barefoot. C & D . . . . \.‘Vhen he comes home. D & E . Coolan Dhu. D mi., E nii., & F mi. The Birth of Mom. E7, F, 81 G .. In Sympathy. C, D, 8: E .. .. Golden Lilies. B7. C, & D .. A Spring Song. D, F, & G .. . H. WALFORD DAVIES. llame. B'7,C,&D .. .. .. G. H. CLUTSAM. Sweet, be not proud. F & A0 A Cradle Song. D iiii., E nii., S: G . A F..‘.?‘s;,;... A, B7 :: ;: Vanity Fair. F ini., G mi., & A ml. NOEL JOHNSON. An Offering. E? S: G . . Purple Pansies. DD, El), 8: F God's Eternity. D. E. & G .. .. Good-Night, Pretty Stars. G & Bo Two Songs (First Set), _ (Low, Medium, & High): X. The Rose. . . . .. . 2. The River and the Sea . . HERBERT OLIVER. Go to sleep, curly head. Ell BOTHWELL THOMSON. Love-lily. ED, F, & AD ,. . () wayward love ofmine. EU EDSTACE PETT. The Benedict's Lament. D .. GHARLES BRAUN The Golden Broom. ED . . The Little Brown Bee. F . REGINALD SOMERVILLE Spring and Love. . . E. II. MARGETSON. A Song ofAndalusizi. D mi. PHILIP H. WILLIAMS. Day and Night. F, G, & Al? .. CHAS. A. TREW. How I love thee. E, F, & G JEAN DUMAYNE. *For Love s dear sake. AD & Bl) HAROLD GREGORY (arranged by). When I was a bachelor. (Low & High).. FRANK LAMBERT. The Bud’s on the Briar. ’ Of all Septembers. C, D, & Bid you good-morrow. Look down, dear eyes. My Lady June. C, D, & F. . Caressante (Valse Chaiitée). F . }God’s Garden. F, A0, & 111.. .. She is far from the land. G, Al7, & C }Speak but one word. l7 & F .. SERIES or SHORT SONGS: . "I‘isNighL. &F .. . . Love in Absence. _ F & G . . . A Barque at Midnight. E7, F, .4 N w The Niglit hasna Tliioiusandi Because my Heart—\Vound. G mi. & B) mi. .. . See, love, I bring thee flowers. D0 & F .. .. . 9. A Lament. D5781 F . 0. Come close, Beloved. .°°T‘.°“{‘ 1* ‘EV, F, Forethougilit. G 0 let me weep. F, A17, & B9.. Dearest, when I am dead. ED, II- 12. 13. F, & AD .. .. .. 14. O heedless ﬂower. F & Al? .. 15. Yesteidays. ED, F, AD .. I6, Whewn love bends low. El), 17. In Iiine. El7, F.,.& * With Violin Accomp. ad lib. COMPASS or man cocoa 885 88888 mwm Udwmm Db to Db{ Ato FE AtoF Bl7toF Al? to E5 B9 to El) C to E lib to Ebé J17 to C{ G to D EU to F to I}? to E‘) ll’) to D C to ED C to El) ED to Al) A toD Ill? to F B0 to F DtoE DtoA CtoD l}toE D: to E?) C7 to F CtoE7 Cto F i57toEb CtoC CtuE0 DtoC GtoB7\‘ C to D3 Ii? to E7 B‘? to E) C to ' C to 1) C to B7 F to B7 Bl) to E? El? to E’) Sunc. nv [ll r. Plnnketl Grttn and Mr. /llarcns Tlzomson illr. Ktnzzzrley Ii’m/z_fora' Mr. Kznnerley Ru/Ifora’ illr. lﬂznvzzrley Rmlzfortl lllr. Ifenntrley Rut);/’ord . . . /I/Ir. C677/HS! Elmer . . lllixs A g mar Alia"/tolls .. . . . . Min‘ Car///cu Hill 1111113. A (la C roxxluy amt’ /1'/1'.r.\' Carmrn /'/1'/l . . . . Ill//22. Aria C1‘l)$_tlz'_’V . .. 1117'. Dalton Balczr . .Mz‘s: [Margaret C ooﬁzr . . . . . . ix: Carmen Hill . . . . Mr. Dalton Baker Mziss llluriel Foster and Mix: Helen Blain Mr. lﬂnnzrley Rnnzforrl and III/Zr: Carmen Hill . . . . Mnze. l\"z‘r/al)y Lwm . . . . Alix: /llurirl Fortn- . . . . ﬂlixs ﬂluriel Foxttr lllr. Kzimzrlty 1i’1m2/orzl . . . Miss lllzlrizl Foster lllme. Al/ct Gomez ill;/ze. A lice Gor/wz . . . . . . ll[z'.r: Carnzzn Hill . . . . . . . . illr. Bzn Danie: . zllr. 1>‘zn Drzr/{ex Iii: Car/urn Hill . 1 in lllarizz Yzllaml . . . . . ..l:/1‘s.s Carmen Hill ill lfelziltrlzy /i’7(//zforzl . . . _ ll/I r. Ben 1)Il’ZllL'S . . . .11.’?-ezlyl/L /illfntl .. . . .1//He. AI//_y S/tzrzoln . . lllme. Eclna T/zornlan .. . .Mr. Ben Dames anil lllr. /£7/an H/[Ilia/Izs .. .. ..llli.r.r Carmen flill . . ll/I/It. A lire Coma’: .. ..ilI1'.t: Car;/it/L Hill .. lllisx Emzela Trnxcott . /Ills‘: /llurlzl Foster . i'l[r.r. lllary Dar/its .11/He. Horlzazxe Prullstu and .l]/‘xx Muriel lroxlttr . .lll/'5: lllargarzt Coo/er . . . . . . . . Mr. Ben Davin Mr. lfemzzrley lfm//farrl and il/Ir. C/tar/er L/‘rte . . . . . .1llz'ss Esta D’/lzjgo . Illzlrs lllnritl Foster .. . . lllme. Alla Crowley . . illr. Charles Co/Slanil . .ll/r. Gregory [last .l|lr. Dalton Baker .. . Mr. Dalton [falter .. . Mix: Man}: Tem_;>t.vl . . Mfrs Carmen [lill . . . iWz'.s‘s Carmen H ' l . .llr. /Vlaurlcz Far/ma . Illirx Mnrizl l*‘o.\‘lt/r . . Mr. Dalton Baker . . . . Illlsx Illaric Te/H/Jest El? to E5 GUY D’HARDELDT. Thy Songs. F, G, & AD _ In the great unknown. A mi., C mi._. ITH. . . . . . . A year ago. F, G, & Ab .. .. A Garden of Love. Db, Db, & El! . . For you alone. l7 & F . . . You,—and love. Dllg. EV. & F Evfr, G, I think. B9, C, VVhen you speak to me. & A7 . . . . . . . . . . Out ofthe Dzirkness. C, D5. ED, & F I hid my love. B7, DD, 8: E7 . . Because. A’), B3, & C . Afterwards, Love. B7, D7, & E’? .. I know a lovely Garden. ED, F, & G The Dawn. DD, El), F, & G A Lesson with the Fan. Di! 8: ED.. A Bunch of Violets. AD 2 . .. The Star and the Flower. D‘mi., Emi.,&Gmi. .. .. .. Two Songs (Low, Medium, & High): 1. The Perfect Flower . . .. 2. The Sun and the Shower FLORENCE AYLWARD. I gave you roses. B17, C, & D , . . O moonlight deep and tender. EV . Martin's Summer. Dnii. & F mi iizreat Lord of Life. ED, F, & G Kin Winter. D .. I . . l\lot er of mighty sons. ll’). C, S: illeloved, it is morn. D, & F ISunrise. Kt A .. .. Song of the Bow. E, F, & G .. TLove”s Coronation. E, F, G, 8; A Not mine to ask. F, D, 8: G .. AMY WOOUFOROE'FINOEN. Sweiet. before the swallows go. 7 ' F . . . . . . ii HOPE TEMPLE. God’s Lily. C, DD, 8; El? A. L. (arranged by). The Lass with the Delicate Air . -n . 2 .. . . .. How deep the slumber of the ﬂoods ( owe) , . . .. ELLEN WRIGHT. Didst thou but know. D‘) & Eb \Vhen I awake. El) & F . . CAROLINE LOWTHIAN. By Celia's Arbour. G . . ALMA GOETZ; One Golden Day. AD .. Oh I bird of Love. D .. .. Mélisande in the VVood. Bl7 mi., C mi ' D mi. .. .. ELLEN COWDELL. Maytime. AD & B7 .. . . .. Life's Garden. 1) 8: F . . .. FRANCES ALLITSEN. }Li{t thy heart. AH . . .. A Lover’s Song. EU .. . . . . DOROTHY FORSTER. Perhaps. D, ED, F, & G .. .. \\’nen lwthinlf on the happy days. 2, ,vo. .. .. Rose in the Bud. I39, C, DD, 8: El) BERNARD ROLT. Take ti rose at full ofdny. E‘ The Fairy on the Top. F .. .. The Dream Town Trniii. C .. Silhouettes <>é]I.lr(:,iidoii: f 1. The ii ren 0 London . . . . 2. The Organ Man .. ’= 3. River Thames. G ._ iv 4. Amethyst,Rose,aiid Pearl. C \ 5. Belle Brocade. . . .. PAUL A. RUBENS. I don't seem to \\'1J.l1[ you when you're with me. .. .. .. FRANK E. TOURS. I beg your pzirdon. G . . A Meeting. D F .. Mother 0’ mine. BD & D . HUBERT BATH. The Bells of Youth. ED, F, & G .. Your Kiss. E9, F, & .. .. My Sweet. AV, B7, & C .. ALBERT FOX. Old Squire Bob. El? & F .. GEORGE AITKEN. Jest her way. 1 Maire, my Girl. .. HARLD LONSDALE. Suinineﬂs in the world. C & E VERE SMITH. The coming of Spring. D 8: F Fairyliind. B0 . . .. . .. Little Crimson Rose. G .. VVADBIHGTON COOKE. Visitors. G & A . . . . . LORD HENRY SOMERSET. Echo. F, G, SPA .. .. . Husli me, U Sorrow. Eb, F & G .. All through the night. C, Eh, & F .1. L. inoL_i.or. The Hum of Bees. BD, C, Eb. & F 'l‘r.inkadillo. A .. . . . . Richard of Taunton Deane. F L. _m-:nzA. Sleighing. A”, BIZ, &‘C Love in the Valley. C, D. , & E The Rose Enchaiited. C, , A May Morning. D, D, F, An Orchard Cradle Song. ILD, TITO MATTEI. Dear Heart. C, D, & E) .. .. Through sunny Spain. E, F, G, & A J. M. CAPEL. Love, could Ionly tell thee. C, D, & F COMPASS or lsr EV C to F AD to i)17§ Al to D? C to E2 DtoD Btol) DtoD } Dto El) Bl7 toG B: to 162 CtoD§ BtoE Ct0F l F.7tol£l7I DtoG E"ZtoE‘Z{ l)toE§ GtoGL GtoA) uteri: CtoF B2 to Elz in to E7 Cl) to F B2 to El C£toD Ctoli A to F Lorraine, Lorraine Lorrée. C Star and Rose. l‘) D + VVith Violin or Violoncello Accomp. ad lib. 3; VVitli Organ or llarmotiium Accomp. all lib. ), 511/ ,CtoD«, SUNG BV . . . Alix: jnlizt Caroli . . lllr. Dalton Baker .111. Victor Maarel . . . .17Ir. Bzn Dar/[es . . . . . Jll. Victor /Wazzrel Mr. Kemzerlzy Rungfortl Ill:/2:. S nzanne A (lam: lllmt. Hortz71se Panlxen . . . . . . Illr. C /mrla: Tree . . . Zllr. Dalton Baker llimz. Hortense Panlren Illme. Hortense Panlsen M7/M. Mellra and lllr. Denlzam Prict . . . .ll{z'ss lllarie Temfest . . Mr. C. Ha_yzle7z~Coﬂin . . . . Mr. Denlumz Price M7/1:. Horlerzse Paulsen and J! r. Kznntrley R In/gforzl ..Mz':x Car/Izzn /‘/z'll . . ﬂlr. Gregory Hast . . . . ..llIr. /ulfen Henry /11 r. Kc/mcrln Rumforzl .. . lllmz. Alice Gomez .. . .. r. en Dazzle: lllr. lfennerley Rm/gforzl .. . lllme. Alla Gomez Ill/Izt. Alice Gomez . . . . lllr. Evan lVillz'an1s . Alix: lllnrizl Foster . lllrs. Htlen Trust . ' ' rley Rm/zforzl /lllzl illr. Grlgory ﬂax! . . . . . . .. .. . .il1r.Sa/ztlly .ll/":5 llluricl Fostlr anzl /llr. C. /[ayzlen—Co[ﬁ71 Mrs. [felon Trust and /l/13.? Ezllz‘/L [fir/cwoozl . ill:/M. Alla Crosxley . . . . . .3115: Carmen I/[ll . lllr. llltlﬂ‘/.763 T/tozmo/z . . . . ..zlI7's: Carmen llill ..llIz'x: lli/armzrzl Coo/rcr ..Mz':x xllzllgarﬂl Coo/Mr . . . . . . lllirs C ar/um 1/ill . . lllfx: lllargaret Cooper . . lllr. [llmrr/cs [Var/ma .. . . . .ll/r. /Jun /,)awe.r ..l1r. 1:’:/L Dar/ids .lllz'.rs Carmen. Ili/l . .ll[lS.Y Carmen //zll . . . . . ./llirx Carmen I/[ll . . . . .. Mr. Cliarlc: Trtz . .illz'r.r lllargarel Coo/or .. illr. Den/mm Prinz J/mt. llorllare Pazllxcn ..lll[s.r ll/a7g>'a2'.et Cooper . .l1ii~s .llar;;'ar:l C 00/37 . . . .'l1r. fox:/2k 0’.lJam _ , , , .111//14'. Alice Gomez . . . . . . Sigvzor [Poll .Mr. lVat/sin lllillx , illr. C. Hayden-Coﬂln . Mr. C. I/aytltn-Coﬂln . . . . . . lllr. Dalton Ba/oer .llr. lfznnerley Ru//l/orzl EDWARD GERMAN. This England of ours. D & EU . . \Vhen maidens go a-maying. F & AD Four Jollv Sailormen. C & D Losge is meant to make us glad. Dl7, O Peaceful England. F . . .. The Yeomen of Eiiglaiid. C & D . . HERMANN LOHR. Garden Songs : x. Pale stars are the roses. Bl? & D 2. Love's Messengers. C & D.. 3. ’Twas a summer garden. El? 4. Golden Dawn. C & ED .. The Soldier’s Song. . . A Song of Surrey. C & D .. Molly. Bl), C, & D .. .. Messmates. A mi. & B mi. . . . . The Little Galway Cloak. BP7, C, 8: D Songs of the Norseland: 1. My ships that went a-sailing. Fﬂmi.&Ami. .. .. . You loved the time of violets Low& % . Love is an Ocean ‘ . Eyes that used to 1 Low, gaze in mine . . Medium . Time was I roved & High the mountains . . Dl7, Eb, & F .. 8; F . . . Youth has a happy High tread . . . . & F ' A ini., A Chain of Roses. Remember me. ‘ I wish I were a tiny bird. In the heather, my lads. BB mi., & C nii. .. . Lanagan's Log. C, D, & b The Little Irish Girl. BD, C, Chorus, Gentlemen. F 8; AD Two Little Irish Songs (Low, Medium, and I. To my first love . . . 2. You’d better ask me .. .. When Jack and I were children.{ D E & F .. .. 9 &DI'. High): LESLIE STUART. The Old Shield. DD . . .. .. On the Road to Tipperary. F, AD, The Banclolero. A‘? & B7 . . S. LIDDLE. My Lute. E’), F, & C? .. .. Christmas Bells. C, D7, E5, 8: F .. W. H. SQUIRE. Lighterman Tom. Eb & F .. The Siesta. G & B? .. .. Love is waiting. C 8; Eb . . Three for Jack. F & G .. The Old Black Mare. D & Eb The Jolly Sailor. D & ED ERNEST NEWTON. Vivandicre. G.. .. The Drum-Major. F & G Tlirougli the forest. (I, D, El). 8: I~ The Magic Month of May. C, D, 81 E Love's Echo. F, G. & A .. Eb, F, & G MONK GOULD. Two Humorous Songs (Low& High) : 1. To the Moon .. .. I_ 2. St. Patrick ti toast! . . l The Curfew 1-337 8; F. . . . .. HERBERT BUNNING. Two Songs (Low, M edium, & High): Friendship and Treason . . .. The Garden ofPassion. A mi. 3; Cmi. HERBERT HUGHES. The Maid ofthe sweet brown Kno\ve. D S: F . . . . . . .. Lorri a . ROBERT GONINGSBY CLARKE. Master and Man. C & E0 .. .. If she but l{li(:\V. l) ini., nii., & G mi. . . . . . . . . .. The Liniict. F & Al7 . . . . .. A Birthday Song. D, F, & G ., A Dedicrition. C, D, & E? .. .. Tiike your lute and sing. B9, C, & D Betty's \Vay. D, Eb, & F .. Miniatures: 1. April, April. . Say not good-bye. I) & F . Yon lilac fair. ' B .. . A Bowl of Roses. BU, D, &E . The Queen of Loveliness. E17 G&Bl7.. . A Dream. TFOIII .I.{aiiib.o.wl:tiid' El? & F . . . . . . . The Night—and You. DD, ED, 81 F . . . . . . . . That is .11. Elz& F .. .. . A Golden Thread. Dl7 & F . . ANDRE MESSAGER. Long ago in Alcala. F & AD HERBERT H. NELSON.‘ The Windmill. B mi. & C mi. .. FREDERICK BEVAN. The on Soldier. A0, B0, & c F. PAOLO TOSTI. My Dreams. B’), C. DD, 8: E’) .. On Lido YVaters. U7. El), & F '”'Beauty's Eyes. C, E_. , & G .. Venetian Song. LU, D9, El), & F .. REGINALD GRDOME. Stars may forget. ED & F . . JACQUES BLUMENTHAL. An Evening Song. E7, F. G, & AD COMPASS or 1sT KEV to A to F G to E }A'7toEb CtoE CtoD SUNG BY . .1llz'ss /fxla D’Ar_;m . Cznnerlry Rnmford . . lllfss ﬂlargarel Cooper . .. Mme. I\’z'rkl1y Lam: Ill . .111 r. lftinnzr lay Iinmforti lllnze. Arla Crorslcy and Mfrs Agnes Nichol/3 .. . . lllr. joxefh 0'Mara . . . . r. Dalton Baker . . . . .1lIr. Dalton Baker 11! r. K tnnzrlty Ii’am/ord Mr. Kciznerlay Ifum/ord . . .. llliss Muriel Faster . . . . . .ll-lr. Dalton Ba/ctr .. .. .. Illisr Louise Dale . . . . . Jllr. Dalton Ba/leer . il/r. Dalton Ba/aer . . Illr. Dm/tam Price . . . . . .il1r. Dalton Bil/€97!‘ C to D 1 1) to D 9 " “ ‘ ,llm1:. Hortense Pan/sen D ['3 D ‘l and Mme. Florence Duly 1,11”. Dznllam Price DD to F . . . . . Jllr. Dalton l)‘al.':r A to D AI7 to 1)) . .. .. .. ... Signor Fali . . . . . . . .Mr. Ben Dazwfzs .. .. .l/me. Atlll Crowley .llr. Ken/zerlzy Rum/a_rri . . . 7'. . . . . .Mr. illr. /(tn/terley Rmnfortl lllr. /{enntrlzy Ii’ zu/2/ord . . Mr. Dmham Price Margaret Coogﬁtr .. r. C/zarlts Tree B to E /1]: Caroline Hatcltard { ill//1 >. Alice Esly and C ‘° F 1 illiss Ptrcmal Allen C to F % lllisx Ruth Vincent, and B5 to E5 . . ll{lSI 11713“: Perteval Allan . illr. lVz'llz'am Gran . . . . ..Mr. Wat/kin Mill: .. M [:3 Margaret C aoﬂtr . . . . . . M r. Dalton Balezr lllixs Caroline Halcltard . Jlliss Carmen Hill Alix: Carmen /{ill lllr. Kenntrley Rum/ord and .il1r. Clzarle: Trtt .. Miss Ezmeta Tmzscatl . .llIi.m‘ Carmen Hill _. __1l71‘s.t Carwzzzn llill . . . . . .llIl.s.i‘ Carmen [fill B9 to E7 . . . .. lllr. C/Larlzs Tree B7 to E? F to Di? B2 to E7 A5’ to D1 A? to El) Ur. Ifzlmerley Ihmrfarzl A to D3 . . . . . ..‘llr. I/Valluin illilih‘ B7 to C . . . . . . . . . Signor Fall D to E17 . . . . . . . . llfr. Ben Dailies lllme. Kir/éliy Lynn . . . .1l[r. Dalton Ba/ctr B5 to E1 . . . . . . illr. Ben I)aw‘c.t FREDERICK CLAY. Ill sing thee songs of Arahy. ED, F,G,&A7 .. .. .. .. . _ . . Mr. Ben Dat/its §VVith Violoncello Accomp. alllio. CHAPPELL & C0., Ltd., 50, NEW BOND STREET, LONDON, W., NEW YORK, and MELBOURNE, Music Publishers and Pianoforte Manufacturers. flemjl A. Lyttanée \_
Show less

Date: n.d.
Text: 9.7 Z/Z:z,:s‘/az//7 .9/ii LEE 8 WALKER 75’ JA5 sou an H ov EN 13:9’/2%/jvmm;a= U ‘ P M U U \ G .. \\ 6 .U M C .4“/.2,/zz/V’;-‘o '7/Z,/;.}./Tzz/41}/_,’ “TEE DﬁY is DONE? SONG. THE POETRY BY ,, THE MUSIC RY LONGFELLOW. M-W.BALFE- >k <é+~ Moderate molto . and the darkness L‘; ~ , Falls from the Wings of night; afeather is wafted doWnWardFroman EC 7°88. C’l"€S. \_j E_a/_ gle in his flight, From an Ea _g1e ,7 his flight. . I See the ts Ofthe Cvillage .G1cum1thr0ug‘hthe rum and the ...
Show more9.7 Z/Z:z,:s‘/az//7 .9/ii LEE 8 WALKER 75’ JA5 sou an H ov EN 13:9’/2%/jvmm;a= U ‘ P M U U \ G .. \\ 6 .U M C .4“/.2,/zz/V’;-‘o '7/Z,/;.}./Tzz/41}/_,’ “TEE DﬁY is DONE? SONG. THE POETRY BY ,, THE MUSIC RY LONGFELLOW. M-W.BALFE- >k <é+~ Moderate molto . and the darkness L‘; ~ , Falls from the Wings of night; afeather is wafted doWnWardFroman EC 7°88. C’l"€S. \_j E_a/_ gle in his flight, From an Ea _g1e ,7 his flight. . I See the ts Ofthe Cvillage .G1cum1thr0ug‘hthe rum and the $1! : 1_1'jv1»v‘vvHv 1‘! v’Ln‘vv :1 PP Animando —-F a pace rjten .- \ K / ' . ‘ , - _ L And an. feelmg of sadness co1nes,()’er I118," That my soul." gcamnnt re _ P pdlll, \ .AVll(l‘I‘(f _ S€l1lb1CS sorrow 0n_1y _ As the mlst re _ sem _ _ blm a .\.n» X."“’K“(1"‘i\'qV":t',, /\| \y “:1 y; \ 4* . Jloderato Aniniato-. 1%/uix 1 ’. P0811] l,‘ Smne 49 . f'cL-hing‘ And masters , ’ Not fjronl the bards sublime, Come road to me $01116 Pl’ W 1:“ % 17 '1 > l . ’ _ . /\.z ' simple and lleart-felt lay; That shall soothgthis restless M at banish th e~tl1oug'h'ts of day. Not fromthe grand old H ;Wl10Su dixs _ tamt f'uot— stcpx Who t11r(T)1(g'l1l()117{V;’da3r"s V v I 1 1 , I v v won _ der-ful me The ‘M . 14' /.\.0 6' ) H 1i]:41’i\ xx :1!)I=r- ” /V \«'.1a\i.w: ) ‘ And nights (19 _v0id . . ... . 1 1 v v v of’ V In _ bur,-‘_ v v v v v I’ u 1 1 "of ‘K; I heard in his soul the mu _ Sic Paco meno mosso. Such’ songs "have powler to stare .- ' rest ; lesspulae _,,_._,, ,, i:T ‘(.\'»lmnnIy and Slow.) s’m”‘z__ V ﬁeﬁume like the he _ ne _ (lig-,__tiun , '_ That fol _' A lows 07‘£’.§‘ I -cu calla pa»rt.e:~ .7: ‘riqen : ‘ praye.r.,{ Then br'e‘_a(l fm111 the treasured volwume, T The ‘poem of P'P\gEr'1'ten :_ ‘L choice, _ _And lend to the‘ rhyme ofvthe p0_et , I The beau _ ty iv . Paco A riima to . thy ‘ VL0iCe- L. And the 11ig"h:’t‘S11ull.l)e_ﬁlled with ‘/-\.'i‘’ ).."V\‘1H(!“l\ ‘.~"7nI’Lr- ‘H (W ‘V Ni! \ £ . > null - sic, ‘And the cares that infest ' _'tl1e';;.da'3," 'A ‘ ' “ . Shall foldv their tents like ‘?'t.he"’ J'Arub:s',V ' ‘And’-as si.,,— ,_1e/u-tly, ,’ '9 . I . * ~ ' kvfld io assai (imitating voice.) ’-and"-as ' ‘ si...;. _ -lent - Pl’ perﬂendosi. ‘V pp/» 0%/3/3/JP? \ Q i/.\"’ 6’ ) " Tim d.n is dhnoa .”V (M . B ~\[,V1«j.)
Show less

Date: n.d.
Text: B}/;%_ \§ ‘H J .\‘_. I?’/. . J_ V 7 ‘ x V V .,?1;\‘;_H 3 E ‘ \_N ’ ' T ‘ ‘{\‘.‘”_“ _ ‘ T T ‘ ~ r:y\\)“1— E . My .‘ ~;;,/ ft- ‘ H \ \ T‘ TT_‘T\y;V>‘E\\/T C} . \\ O \\ 77-D ﬂ L 1/’ E '7/ :3 " \‘T‘ T‘_ T‘ : ‘IT ‘ ‘l.“ T1§LTWw.i* 1[Tj|T.‘T‘.‘TT_lJ"‘ 1~'W_f\ — — T T"Ir«'(T T /——-A ,. V “ ‘T VLE '» ”> 4 / ” iT\‘F0 B M E113 5 UPRANU . A J ‘EB B Alto. IIHEARTHEWEE3%RDS|NEING 1/,7/E.~z, mwns [JUNE ‘Ea//2: 50 SPIRIT UF AH? [.731/af//1,7 Z/‘ll:/L;’,! ‘IE3/Jr...
Show moreB}/;%_ \§ ‘H J .\‘_. I?’/. . J_ V 7 ‘ x V V .,?1;\‘;_H 3 E ‘ \_N ’ ' T ‘ ‘{\‘.‘”_“ _ ‘ T T ‘ ~ r:y\\)“1— E . My .‘ ~;;,/ ft- ‘ H \ \ T‘ TT_‘T\y;V>‘E\\/T C} . \\ O \\ 77-D ﬂ L 1/’ E '7/ :3 " \‘T‘ T‘_ T‘ : ‘IT ‘ ‘l.“ T1§LTWw.i* 1[Tj|T.‘T‘.‘TT_lJ"‘ 1~'W_f\ — — T T"Ir«'(T T /——-A ,. V “ ‘T VLE '» ”> 4 / ” iT\‘F0 B M E113 5 UPRANU . A J ‘EB B Alto. IIHEARTHEWEE3%RDS|NEING 1/,7/E.~z, mwns [JUNE ‘Ea//2: 50 SPIRIT UF AH? [.731/af//1,7 Z/‘ll:/L;’,! ‘IE3/Jr/Bl J I I SECRETS ' /f/.;r/[‘,_-'/ SJ T AT HER WITVJUW H0 -[Var/'l1Bl TAKE BACK THE H EA RT /j/.;:=/"/n:‘/ 3 '." STU R M //17/"'1/.1/'/.'/T/5 /.lmn/nE/ »/(u//3/7 1} 7 0 w:-:EBE ARE ‘mu GOING SWEETRUBIN ‘z.’/,E—-.3 THE BRI U SE /J//yﬂa/W (50 LT’T(ET|TEBBm:.nEB|Bns m SUMMER :/,—,;,=,:, 40!, SLEEP BABY SLEEP B/"uwn35 ANNTEUTHEBANITS B'nEE ,1‘//f/z.['/Tar./1}://jm/T Tm BY THE BLUE sE.:\.5nm/35. aumm. 5:2/TE" and am. Euncnne. 50 WE MERRY B|BBB_B'mz,mm¢. M’ YE MERRY EIRDS. I‘ Eumbarf. 50 BIJULI. //E’/’V/6.’. My !\'|§jLL*»,T" ﬂ_//g/~/7g/'1 ,2}? UTUKINC BACK /L5/1///I/a/1. ".557 ST'RT;H\_1r_f3ER5 \(=|T_T L‘/3,~,‘b[.~i/V 357 1 AGTURTOUSTIME/£7355/jnrT‘zI'I79' ONCE ;‘TG\A1?'Vé 14.55///./'L",E7F7..?[] T9010” W3 x3£?e.;//;m»».: LEJUKTNTS BA [1 K /4‘ .5”;///’/"v.:2_:;-. ‘H7’ Tnmv t ‘L WM M NOT A BMBBBW '+"A!.H:'TH /.y:.s/.35 T'~”‘“- “M ‘ . ~ - L” . ‘~' 3, .M}‘,~_1»'*‘T'1'»;’-. 3 AH‘: TELL ME. wm 2 A/f’£’-Wnfhschr/d35 TN BBBTTTB mm .‘n’F’* 53:33 NTGHT My QNTY 3:-MEL] ‘GOOD nughtmygnly CHLJ. 4») ' BETTER BTUE AwEE man‘ a \l’%VEEF[EEl3T.|0N /Mam/gay). ﬂ/Mm. /H//I4/7/‘E <30 1,. 7 " .:‘ ‘H. . T ::.’.j_;_i~ 1-:-M8 A z”:.;';i‘//'5.'7?/F5/'W TSAMJT ETT‘__ «"§.\.r“’\/'33 ER M? .!T’. «"}}"'.5',«»’E'? MUSIC LIBRARY . A a O M Y LU V T; mi/5 1//Jz7.v 2%.? Q L} ‘T’ . .5‘, &‘:7!«7y’ .5 \ \ 0 “'30 ONE” ;%vf4 \’Tk» SQNG.Uw ‘ . M1lSiC1ly M.WBALFE. ‘ Iv Poetry by LONGFELLOW. MODERATOMOLTO; ’ The day is doneand the dark- ness Falls from the wings of night 5 ...... ______,_ AS a ‘feather is waft- ed doWnwardFrom an" Q EaJ_VVg1e in hi4S:f1‘ight,F‘rom an E3. gle , in his .f1ight.;- - . - - - - g__/-9' I see thelightsofthél vi]- lage; (a}leamt11rougi1t11erain and the " "oo_..~.o0ooo.. -0 I 0 '0 o 0 PP V Animandoun po poco rit: ,mist'; a fee1_ingofsad_nesscdmGS'(;G1‘IiY165 '1313éLt'm§? ‘s'o'_u1 c"eﬁ1_not . re__ _ 00 0 ~- 900. 0". } ?ANDANTE.T __ _sist5 W AW feeling of 'sad-ness and 1ong.ing, Thaf ‘is no‘ra_kinA _, to i SLOWER. pain _____ -_ And.‘ 1’e'__seII'1bIes“S01*’.."I"oW on _ 1y As ~the_ mist re _ sem ~ ; bles F MODERATO ANIMATO. ’ Come readéto me some A '7-D UB7 \_2 poem, Some sim_-~p1e» a.n'dheaI1_felt lay; ' That shallsoothethis rest_less D */F7 '73 B B7 737 feeling And ba_nishM thethoughtsof day ............ __ Not fromthegrandold 1313” V137 mas_ters, ________ ,_ Not frolnthebards sub, lime, \\’ho‘se dis __ tant foot-steps .e%_ _ cho_throughthe ACCELERANDO. strains of mar ltial L ‘Their migh - ty thoughts sug ¥_ — 57 V .V »A % ‘ E7 string. — — gest,__-__ _______ -_ —Life’s end _ _ less toil and en _ dea _ v§or», _‘ ' . And to string. -75 rall: nigh I long fol‘ resf, ..... --A .... -- T0 ilighfl long for. res -frall: c0n8’_’£’__-E-- .... "J: I»740¢ s TEMPO 1‘? L L sottovoce. VTEMPOIQ A I V Read from some hum_1&)1er’p[0et, V \\'hos.é F F Vsbngs gushed from ........... -_ his kh€‘a1‘T7 .frOm 1 his heart; F (10106 :“e,‘ﬂ“AA\S>S’hO.wj€,e‘:rS from the clouds of sum._me1“,Aor, tears?‘ fromtho eye_1ids _. '5 staff», 0.11/(ears from the eye‘; start. . .' . . . .h .di.m" . ’ Animandounpoc I Whothro1L1gh:1ongdays of la - bol’; ______________ ,_ AIidI1ightSde—v0id ..... -- of O 0 0 . o 0 . . . . . I 0 I 3 Q . V. O 0 0 . Still heard in his soul the mu _ sic } Poco MENO Mosso. won- der_fulme1 Such songs have pow _ er to O O 0 pp staccato. The rest _ less pulse of Care, ................. -- And’ 1740 g 3 ( 1.‘: o’L§E41s}'1\'LY SL'OW.)‘ ‘ [ ' co1riCIbik'éAtl1eA1)‘é__ n'e_ die'~‘_t_io1"1'5 _" That-~_ fo1“ _ 1ow}s af .4 j ~wer%4.‘A% = V pp+F-collspart.‘ 'F"cre's. - " ' riltenz "vP;I?aY'er,='_» ‘V '~Then. read fromthé.‘{rea\sured .. vo ‘ lume, " V ‘V./ipp r ten: ‘ ..chQiéfeA,: L1: lend to htheﬂrhymé of . The _.p¢ '_ Vet"): %VT11’e§‘*bea‘1_1‘ »_—._T";-$3}; POCO ANIMATO. ‘~voicg;,- .......... -;;-____»._; _A11d? tﬁe -night shall be Vt'i1_l»ed__x“\ith:-_-v $ V “mu. _V sic__;,;_ f H —’ And’ the fares" Athatﬂ i‘117f¢Ast» _ ritcn: . I J L‘ V 0 fold their;tents like ‘the A _ rabs’, ____ __,-_-.L ‘ And_as si ,. A_A 1ent_rl_‘y,’ ~ 5, T ritcnz ADAGIO AssA1.‘ tAirig_t1ae voice.) .si' _ lent -.ly __________ ".5. ........ .._A.-_L-_AIld' as si. _: _ 1ent‘ _ ‘ f‘ . “ = ' . ‘ 5" ' pegieﬁdo si. colla Parte. pp 1’ % ' ..’> 9“- ? l‘ wi. 01’ TI-IE} ZPCDQJR. C)IE=2.IE3I-I.A.].V C3‘:-IE.I... ‘ J" ESTELCEI, By J. M. NORTH. The best Song yet writ*ten by this popular composer. Price 40 Gents. The Latest Serio Conlic Song: “Will you love me when I’m bald.” Price 35 Cents. Ainialii Watching for Thai. ————+o+—— SONG AND CHORUS, BY ‘ J. VV. HERTEL. <-0% This Song counts its sale by thousands. N o Lady’s Repertoire is complete Without it- -—--.10‘) PFQICE 40 CENTS, With beautiful Picture Title. Lililﬂ Sillllllll SHVBI‘ Tillﬂﬂli. (-O‘)-—-j SONC‘-x& CHORUS BY HARRY BANKS. Oh ! little shining silver thread Lies curling on my dear one’s head, Nelsling among the locks ofgold, It tells the story growing old. 443+ This Song exceeds in popularity “Silver Threads among the Gold,” to which it is a companion. <»c>————-— PRICE 40 CENTS. with beautiful illuminated title page. ecu) FANTASIE FOR PIANO in the style of “Silvery Waves,” COMPOSED BY . J. C. MEININGER. +o»> PRICE '75 CENTS. Floating Alon. , (O)- A CHARMING REVERIE BY J. W. HERTEL. <-6+--—-— PRICE BO CENTS. cw lint CONSPIRATORS’ CHORUS, Vocal........30 'l‘RANSCRIP'l‘ION, RICHARDS...‘ ............ ..50 WALTZ by 1l1U11:LLER...... ..................... .375 »eo+ — ‘ The Choicest Selections from ihis Opera. 4» 6 l t \’\/ITF-‘I FIQUIQES, PROF. Am MAHLER. Prime 60 Cents. —~—-ec>>~-—~ talisman wclniiist. <—o+ CAPEICE, .._..BY_. CHAS. DRUMHELLER. f¢-)' - Price, Solo 50,- Duett 60. WE would call especial attention to the following elegant Piano Compositions. They are all choice, and deserve a place on every piano :- Pearls of Dew ............ ..Ch. Lange...60 Question and Answer .... ..Jungman...50 Turtle Dove Polka ............. ..Behr...50 La Fontaine .............. .."..Reyno1ds...40 Dream of Spring ............ ..Lichner...50 Bird's Nest and the Rose.....Mattei...30 Thine is my Heart ......... ..Lichner...50 Lucia. de Lammermoor ...... ..Smith...75 Snow-White ............ ...... ..-..Bohm...35 On the Barge .................. ..Bendel...50 Silent Love .................. . .Lic11ner.. .50 Fete Militaire .................. ..Smith...60 The Village Maiden.....Baumfelder...40 Flower Song .................... ..Lange...50 Lancers Galop ............... ..Lichner...60 Redcap .......................... ..Bohm...30 Fairies’ Pasttime .............. ..Bohm...5O WE would beg to inform all our friends and patrons that our establishment is the only one West of New York or Boston where a complete stock of Sheet Musio AND Music B00115 AS WELL AS MUSICAL MERCHANDISE can be found. liemember the Place, BALMER & WEBER, No. 206 North Fifth Street. gat. cﬂonis, "3810. TIIEE VVI-ITS? GE‘ A. EIJTIEII. By J , W. IIERTEL. Suitable for Parlor and Concert Room. Price 40 Cents. .3 '90:: 'sx.\Ivg{ LHHVII /{q smoqg 29 Sues prmneaq V -ouoﬁ put; peep S1 901‘ I[:m[;[ pm tspxoin [Lupin-zoq oz pappam ‘ipopm Euginreqo e ‘.m'1sa's1J -M T A H. ""$.lE\7.EI"'I'ﬂ'VJ EIICITQIE ‘EHIEIIL JEVQS §'I!HI'$_§'V'
Show less

Date: n.d.
Text: Z’—~””/ // i T > / /““ ._ T Lani! “**’7 * ‘‘<:~/{i;K<%:7’‘\ \ *\/¢ I _ . 7 \.\\ ' V. V’ _Wy/ 2/ I 4, THE HZ’ :1 (‘A M %( ‘ m at 0 S ‘~‘l*".% ‘D .;\%:\‘;1%) ;1.>1«:1m[ _ ,»~ \ 2* E‘ ax‘ \\ X /I‘ \ ~/ ﬁx T0 ~“ LURD 1.‘ g; 1; I. -_ t I ‘:' ;r& ’ LIE __t x‘t'*fk:=y‘-—.... 2?-— . M B 111 L F E _/2 7226.5?‘/1.127/z//. - A ,. — ~ . /7»/,7-» _'///1’ . ' H ' 7 ,2, ._._1_A< -,..<.m....»««—t~,.Ag-,=w—§, ..._-.»-»e:.__5..,.A ‘-A/3 L O N D 0 N1,...
Show moreZ’—~””/ // i T > / /““ ._ T Lani! “**’7 * ‘‘<:~/{i;K<%:7’‘\ \ *\/¢ I _ . 7 \.\\ ' V. V’ _Wy/ 2/ I 4, THE HZ’ :1 (‘A M %( ‘ m at 0 S ‘~‘l*".% ‘D .;\%:\‘;1%) ;1.>1«:1m[ _ ,»~ \ 2* E‘ ax‘ \\ X /I‘ \ ~/ ﬁx T0 ~“ LURD 1.‘ g; 1; I. -_ t I ‘:' ;r& ’ LIE __t x‘t'*fk:=y‘-—.... 2?-— . M B 111 L F E _/2 7226.5?‘/1.127/z//. - A ,. — ~ . /7»/,7-» _'///1’ . ' H ' 7 ,2, ._._1_A< -,..<.m....»««—t~,.Ag-,=w—§, ..._-.»-»e:.__5..,.A ‘-A/3 L O N D 0 N1, BOOSEY &soNs.28, HOLLES STREET.OXFOR_D STREET. /»"’;,.,,,<v-»ae~‘:..'x{_‘~«.=£¢~;.,~.;~‘-...*‘.'.~ AA? >—n«~%,.A..-‘~..:-a:..3»_\‘,:~_‘)é;-'“_T)-‘r:v<;a.«» < _;, \-.—_»,= » ., .4, ,.- - <- ... ‘~A,,< ‘_», :»,-3' ‘A ~— --IA‘ ‘Q3?-E-‘,-3::-:,‘«<....¢.;w..7-:,. M '73,‘ _'~;:. ..‘ n . — :Cq~ uTHE DAV Is DONE.” Inn POETRY BY’ 1 : v" V THE .MCslC xv" LONGH:LLow.V ’» _ ’ V ’ ‘ ‘ 7 M.w’;,BA_’u<'t{:.-« MODER.-I’F0 JVIOLVTB-.j' _ ’ , ‘ ( VOICE; Tllemduy is (l <)1‘1e_ and the -A.’ (l:L‘l'!\'il(‘\‘S PIANO; iVi§M9° ‘ _\\_,/ 4 V A ” ' ‘ Fall x_- _.f'run1 the w intgs of ni ght; ._§v ‘cres: ‘in his f‘l.,ig‘l1t, from an
Show less

Date: 1910
Text: MUSIC LIBRARY VASSAR COLLEGE Poucuuccvsvc. NEW vonx Il'I In-I » u I In The Day is Done. (Prize Madevigal 1.910) Carl Busch The Chafer and the Flower. W. H.Veit Oft in the Stilly Night. (Arr. by D. A.0l/ig;p7,'7zge'r) Old Irisﬂ Morfa Rhuddlan' (Ar/7'. by D. P7'Of/u:’)'ue) Old Welsh Airs . Nos Calan. Turn Ye to Me. (Arr. by l?o.s'.s'c2‘lt.'r7' (r'.0ole) 111 Pride Of M83’ (P73-55* —Ma077'5gll1 1-911) Will G.Mzxcfa.rlane I Know a...
Show moreMUSIC LIBRARY VASSAR COLLEGE Poucuuccvsvc. NEW vonx Il'I In-I » u I In The Day is Done. (Prize Madevigal 1.910) Carl Busch The Chafer and the Flower. W. H.Veit Oft in the Stilly Night. (Arr. by D. A.0l/ig;p7,'7zge'r) Old Irisﬂ Morfa Rhuddlan' (Ar/7'. by D. P7'Of/u:’)'ue) Old Welsh Airs . Nos Calan. Turn Ye to Me. (Arr. by l?o.s'.s'c2‘lt.'r7' (r'.0ole) 111 Pride Of M83’ (P73-55* —Ma077'5gll1 1-911) Will G.Mzxcfa.rlane I Know a Maidon. (Pr/Ize J[aa'ra'g‘al 1.912} Louis Victor Saar The Time 0’Day R-osésetter G. Cole Ye Si11gersﬂA1l (l’m',ze Jlladﬁgr/Z 1.913) _ _ Louis Victor Saar 'ou1d God I were the tender Apple Blossom Arr. by Rossetter G. Cole Nymph and Swain (Prize Madrigal 1.914) Wi11.C. Macfarlane 0 Lady Leave Thy Silken Thread (Prize Madrigal 1.915) G. W. Chadwick New Love (Heme) Mendelssohn-Weidig A Spring Ditty. (Pr/-ize ]l[ad7'27g:_(__z_l 1.916) Harvey B. Gaul A May Caro1,(Pm’ze Zllaah-2'gal 1.917) Will C. Macfarlane The Four Winds A Daniel Protheroe GAMBLE HINGED MUSIC 00. The Day is Done H. W. LONGFELLOW Moderato CARL BUS C H 2 Soprano Alto Tenor Bass Moderaio and’ the darkness falls The day a tempo Z“ nf " — T’\——/V This Composition won the W. W. Kimball Co. prize offered by the Chicago Madrigal Club in 1910. U051);/relght, 1.910, by Gamble Hinged Jllusic 6’o.,0ln'ca0'n. International 0010;:/rig-Int secured. r/:.;—.-_-s“_-any-u‘ -éh-it gg‘ :9 I J; J; ii J: at‘ I: 4?’: --5::-':..-«-. ‘>.._'—-:;.~<--: to-I-A“-"...;<i|-’: -aura.-.‘*_?>‘*--V.‘ Tu‘ ¢u;' §—~s ~‘ugo—u' -.'-—‘-‘ :3 I 31 Ji ii .3; ii I: _...“W9:...'~:.‘--r_.1'_~<.-.5‘-I-v-. 4;. 41!!»-4‘- 4.T";L:“!'l». ~&_—&_cov,-,-. ~ ..Q.v..vzr.:-1.‘-% - 3. , =,v'*>‘..-'._;-,—«Z‘ . Wings of"m'ght;, .._,_.. T..T===_— wings of m'ght,____ As a feather is — L} flight. The Day is Done-19‘ 2 I fea.therV is waft - ed down - ward From an — feather is waft- ed down, waft - ed down-ward eh i- As afeather is waft - ed I From JJ/J Allegretto — I see the _ lights of the village gleam I :__§'‘__.—‘—-—— 1 see the lights of thevillage gleam V mf Allegretto - \__—:_——-:.‘_j ‘ throughtherain, And a feel- ing of sad M - ‘L . ——i::f”_._ J» v ~*— -1.-:w;4.x “c, . .;-~. 5 :. T‘ . ‘\1-«: throughthe rain, And a feel — ’ "'..=:~;.<.*.;.*‘.'r:::,..._"-E.,3.:-:.....‘...-.==.<...¢ T..__«_-_-:....-;.--~.+-- ~ - - throughthe rain and the mist, — v‘ ~ ~,-av-22:: ‘ ,:., ,‘_ throughthe rain and the mist, ..,.,___.;‘__‘._.M‘._,A__. ._“,,4.;_~._.../-_;_V;,...;‘_:5;.‘,.......¢\_;,.—~;; "_.«..__.,_,.\_",,.._‘_,rw»....,.,-..4._.-:s—.‘,......\V.«na-:H_ . _, ,. comes o’er _ That my soul can not re- .._u___.!’'_...’'.'_‘_ I7 molto M t. .1 T‘- _.————{‘*‘ sad-ness comes o’er . L3.;_ ._ :::‘\‘;,+—:, 3,'_’;.;._ . 29 molto Mt. of sad That my soul can L; _ P molto mt. V {- ’I‘h.e Day is Do_ne- 19 - 3 Moderato A feeling of long-ing not a-kin to pain, ar:.r‘;:\."’«, .. .. I . , Modera to :1‘: 343 -—w feeling of Moderato ‘.._..;_..~.<«,+- :—-.;;;;—. :v of sad-ness, not a kin r»»Y:_:. Moderato That is not a—kin to pain, Moderato 17 And re - sem-bles sorrow - " re - sem — bles rain, j.__j"j-’—{—_ P > L2 And re - sem-bles sor-row ' re — sem—b1es the rain. ;..s.....,..vu-.._;, 4_ ﬁn . Kr/'> ,.~_.a—.:.~.-V-_ And re - sembles sorrow as the mist re - sem - bles ,ra1'n..__ ‘..w.\._,......_:...».;.__‘..«,~= — ::*££2!=!-5:‘. :1:-. .:;;s 1.; ..- \ ,_.—ﬁ»_._4,.— _.,.. . re — sem-bles rain. b .---- -*:r=*.».:2:=::.,..==;;:E!-_.... 4 A-....-—::_.u .. A . ,..~..‘ ,...\,,..._, , :\‘v»~u)" ..~‘. ».:=ZfZ_'~;,__.~ The Day is Done--19 ~ 4 * M - ;_._....?.___.;.;_. '~'.a._:.«'I3'«‘-J32.-.e;, read to me S 01116 _ read to me The Day is Done -19" 5 some Sim-ple and heartfelt 1ay,That shall 4% % § 5 ..1 E !. E Q Aﬂ i k E \_2 heart - V poem Sim-ple and *:;—=: L"TL'«§"t?7Je’T-'21?-«"'*i.__‘1f:'h ?;_~A' ‘—-- 2.3:-aaz=v1éu='=I.~.-.an~._-——v_«n\.rr.V . ”*$’F5'“:‘ % % s :1 E t I e E E [6 i ,...t. .-ea » soothe this rest-less feel - ing And The Day is Done-19- 6 f Not from the — Come, read to — lay, Allegro Allegro Allegro grand Allegro and ban —ish ' the thoughts of day. me some Sim - ple some simple heart mf Not from the _ Not from the _________._. 4—:___.___j Not from the 3' er-\~.-..,‘ ‘ -.. «-4. _. ¢ ﬂ .. ., ‘ ... ._ . ,-._.._.,,-..v..,.n—,»¢__-, V.-.7-. ..~..::~'~:- — — 4 sub - lime, , “r*‘—f;~v< — ..j,1C7‘::Q,§n‘I«E';"“L?-=."1:';:.L:v. ‘.--...,,ov-v~ -.aw-.$ ‘.«.._4."A.1'..u-—.. ""'-" sub - lime, 4 5 ~31 sub - limb, ' /\/"""""'h Whose distant mf “ h L 1'7" For like 17’ Through the cor ~ ri Through the cor - ri For like Through the cor - ri The Day is Done-19 -7 . f ‘ strains, sug- gest 1it'e’s strains ' A sug - gest life’s tho hts f 11% mar-tia1 mu‘: — sic, their might-y thoughts __ mar-tial mu - sic, their might-y thoughts Z" ,/ / and en — deav— or; and en - deav— or; sug - gest Iife’s end - iess toil; life's end - less toil; e11d- less toil; _ The Day is Done—19— 8 I long to rest. long. Len ta 27 ....—=;'’; (5 1. night ! L672’/:0 —- _ _ mg I long to rest. /3 Whose songs gushed from his I9 Whose - The Day is Done -19 -9 Read froffhe heart 2’ songs As ‘- . show - ers Moderdto ‘hum- Moderato Moderate Moderato Moderato songs gushed from » < i! :4 9 8 2* 3 W kn S 5 go i n 3 :4 I 1 I N . s Q i 3 *-2 at ~:.'._z..- A/.6-~— ;‘.';:e«....._-——-.z.__*-- his 22 "4-.""z=-_*.n...*'---.4: again 74:: :5-‘,..-2 .——.“”“" .53..‘ :5 —-._c.—:»:.an-p - '_ .';:-g: ~‘ 11 3 5 9 3 J 8 ll] 3: St E St‘ .1? V! ,%l_ .|‘.‘ I“.‘‘ _N‘ X: 3 N: g. ‘-3 J? LIA ....__.-——::...__--- razeiezé --.__1‘>4=:-_'z..."«-'~__._*'- agn lute 2:: j‘,:—: -"§. his heart, gushed from. from the clouds _ clouds Or tears from - ' his heart as show - ex-s_ from the L} Allegretto P Who, through long days of Allegretto Who la h—. bor, And Allegretto through long days of _A l legretto Allegretto The Day Done - 19 - 10 lids start . nights .11ights,andnights de - void — m'ghts,a.nd nights de - void 1" . Heard in his I’ Still heard the P _ The Day Done- 19 - 11 Moderato Maderato Moderato Moderato Moderate mel— o - dies won — der- ful heard the heard the he heard the . have pow’r to Such songs have pow’r ' The Day is Done- 19-12 quiet the rest - less pulse, quiet the pulse , quiet the pulse L the pulse of care, ___....__ And -come like the _ . ' ‘/3‘ like the ben— e - dic—tion that fol - lows, /3% g/ ' \_’/ like____ the ben-e - die - tion aft \ / 3 \ ' hen - e - dic -tion that fol - lows aft — er prayer, p———=_—-;-‘-"‘_§ > -Ami like the hen - e — dic - tion that The Day is Done- 1943 lows aft — prayer. prayer. ___________ Then read from the treas-ured fol -- lows -aft - - er prayer. J-—— fol‘ - lows aft - er prayer. read from the ﬂvol-ume the poem Then read from the vol-ume, _ '1 I ji- .i;? e 1e 1: 3: J; '}f 3. 1 3; A 3; ii 11 1 2 1 fr 1% L I The Day is Done A-19~14 of of the ' poet the beau-ty 4 and lend the beau - ty the beau - ty night shall be ﬁlled And the with mu sic, . And the night shall be filled with mu: - thy voice . 4.11.. : And the shall be ﬁlled ’ — shall be filled And the with The Day is Done—- 19 -15 x-‘,‘,'»—-"““"‘—"‘°"*‘/*-1?-..,=.=-¢_.;»«.§,ao.:«—v-.-_;-;a:--~¢n£: H‘, _.:,._¢-«=~\.,_,., _ ‘ j “ . ‘x . .~ , .,..,.._.__i~ ..‘..,e. ,. ....;.i...4;+ \:.., cares that in-fest day, Shall fold their tents , cares that in— fest _i shall be filled sic, And the cares shall fold their tents -like the ;I in‘: ':xL Hg’: 1.‘ w'',‘ ;? I 2 ,. - lent-ly, and as ._..«V\‘, ‘X ‘~\....~.._ _.,‘ ‘.__-— ._ ;=,_= , -an-5 _ day, shall fold their tents ~ _ ~ _«_<...»,,—...;5,_ The Day is Done - 19 -16 to P Malta mad _ . steal a -way, si - lent - 1y Malta mad’.0, ».s=:.:T_ /‘\ way AITX as si- lent — 1y 1, Malta madéo. :.—.;',,___"‘;_-—.~<7..—,‘_,__.~. 2..., u-_._. 3...‘, en...» way. Malta mad’.‘’. /3?’ And as si—1ent -1y steal a-Way, as si-lent-ly -Malta madl‘.0. _ steal a - way, The Day} is Done - 19 - 1'7 L4; 1; J; 1? 1* at 3% «l: t 1' i S 3 I J ,5 I 5 ( I i: 1 f ff I g V V!|' 1‘ E a. - way, .._ a - way. L3. . __é_——--- . _=f: ....————---'—" . day A vs done and the dark - 11essL falls from the F“ ‘F F ‘ a - way, ___—__._. _:._.T is ‘—...¢,éu--way-:u....=n._-.o.—.,.,... ,-n K _ , - ‘;~2\ 4- and the - ness falls from I; A ;? 1!; £ .6 k f TE --.-.~--- - ness falls the wings '7é:e-fie-9-jana-'9£»3-4%-_aI9i2'nvwn‘axiC.&‘."——n—‘.aa£"«——; _ “flu-,‘..—A~'f-cg-. The Day is Done - 19-18 PP FL _%.___3 The Day is Done - 19-19
Show less

Pages