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Endymion
Date
1899
Text
MUSIC UBRARY VASSAR COLLEGE uouGHI(EEPsI:, uzw YORK I/0‘ CA L x/(E5/VA ( Solo ) The Poem by LongFc1 low. V 5: “ % . Music by for//>ra/zoxn C‘ for/Vlezzo fafi/29120 in M 2 rrawwem [ll/I lfll/Y4/V/V. != "£7 g ’{i "if : --=~.4—_»:~ TH E JOHN CHURCH COMPANY. CINCINNATI . NEWYORK. LON D ON . — 4. ~. A.=::.~.-7.‘=“:< ( 2/6 NET.) 2 FOR 5' 01713../I 4V0. (0r1'g1Tnal key.) Endymion. Orchestral score and parts may be had of the Publishers. LONGFELLOW. LIZA LEHMANN. Unpoco lento...
Show moreMUSIC UBRARY VASSAR COLLEGE uouGHI(EEPsI:, uzw YORK I/0‘ CA L x/(E5/VA ( Solo ) The Poem by LongFc1 low. V 5: “ % . Music by for//>ra/zoxn C‘ for/Vlezzo fafi/29120 in M 2 rrawwem [ll/I lfll/Y4/V/V. != "£7 g ’{i "if : --=~.4—_»:~ TH E JOHN CHURCH COMPANY. CINCINNATI . NEWYORK. LON D ON . — 4. ~. A.=::.~.-7.‘=“:< ( 2/6 NET.) 2 FOR 5' 01713../I 4V0. (0r1'g1Tnal key.) Endymion. Orchestral score and parts may be had of the Publishers. LONGFELLOW. LIZA LEHMANN. Unpoco lento, tranquillo assai.(J : 66.) 3 J_ p z‘m72qm'[lo. ‘ The ris—ing moon____________ has hid the stars, Her lev-el rays like gold-en __.———-/ L___________/9 V 5 \.r \L Copyright MDCCCXCIX by The John Church Company. International Copyright. Entered according to act of the Parliamentvof Canada in the year MDCCCXCIX by The John Church Company in the Department of Agriculture. “ALL RIGHTS RESERVED’) “Including Public, Performance For Profit!’ Made in the U.S.A. on the landscape green ppa lei)///0. With shadows brown be — tween, And si1—ver - white 147 hf _. the riv-er gleams, As if Di — a — na, in her dreams, Up— on the mead-ows as A;/0170 cresc. a te-m/Jo. On such a - quil night as this, ///'12 crew. She woke End-ymion with a ' When slee ing in the _‘ \_/ m cresc. _R /1/we]. 6 (17111. P/""‘T‘\ 1'17 lem//0. grove, He dreamed .... ..__._ not of her love doing. e ([1721. ,; «,,0c¢._ pp a (em /17}? m0.s'.s'0.(J : 80.) > > WW0, Like Dian’s kiss un-ask’d un- 7 /mi mosso. 13163-14 Love gives '1t—se:1f, but is not bought, ‘I? ()7'c.s‘t:'. VOiC€ n0r__ SOuT1d,_______,__ be—tra,ys_____ Its deep h<ctv7~~\_ _____ __ ./-‘G‘ '\ /« A11da1nte,ritcn11t0,unpoco maestoso. m ma ( : 69.) It can amplezza. comes, the beau-ti — f_ul, the free; The crown of all hu-man-i _ wgf //en .s'0.s'temzz‘0. lence, and a - lone, seek the e —1ect — ed lifts the boughswhose shadows L‘: 1'1’ ob-livi - on, the s0u1’s A sleep, And } ml]. 6 a'olc2'.s=.s°z'//10. kis — ses the C105 - ‘ who slum — ber-ing pp ml]. e (1 tempo e mall. c7'e.s'(:. Oh, wea - ry hearts, Oh,slumb’ring eyes, a tempo e molt. cresc. f - ing souls whose des — ti-nies Are fraught W1t,h fear‘ and (‘T sem,m'e;21’z7cre.s'c.ea' allzwgarzdo ‘shall be loved pix? @390 (J : 69.) 77l0«S'-3'0. one is so ac—cursed by No one so ut - ter-ly > >- des - 0-late V But some heart, V thoughun-known, mollo mil. mice/. e c'7'e.s*c. . 1. 7 Re - sponds (meal. 6 cre.s'c. Tempo I.(J : 69.) (lo/cc. 4 sponds 6 8 . The accompaniment on the smaller staff can be used if preferred, but the chords should be well “spread” to obtain the same effect as in the upper version. 13153-14 L 2; 8 1R15R—1A touched strings (3021 tenerezza. dolce, I-0000 mil. 2) rz fey/2,220 dolce, poco mil. > . P; a tempo Ion g ? jgdolce pqtdolce Where P 8 in cresc. 7; Where? 8 $9159.15 hast ou stayed ('0//a ’d'0(76. calla @006. \/8 /_\_.sfre to. .+< (3 K) H II W’\"’fl '\$JJ 9) long? .s'zi‘7'«2*./«J0. cl tam 0 as.s'ax1‘tm7z mllo. mZZ.sem re dim. PI’ 7’ assai tranquillo. 7311- 5 3 7711)?’ 3 0' 17'1- 8 1.'—?1K.‘2—1‘ The Most Famous Groupings of Distin- guished Song Collections Ever Published An fluthenticated Record Disclose: a Sale of Two Hundred and Fifty Thousand Copies——250,000 Each Individual Volume discriminately edited for an especial purpose and for a particular voice. FflMOUJ JONGJ‘. Edited by H. E. Krehbiel. Four volumes. One each for J‘oprano—.fllto——'Touor—8au. The best songs of Bach, Beethoven, Becker, Bohm, Brahms, Chopin, Dvorak, Fesca Frans, Godard, Gounod, Grieg, Haydn, Hoffmann, Holmes, Jensen, Liszt, Loewe, Massenet, Mendels- sohn, Mozart, Pergolesi, Purcell, Raff. Rubinstein, Saint-Saens, Schubert, Schumann, Scarlatti, Binding, Spohr, Sullivan, Taubert, Tschaikowsky, Thomas, Tosti, Wagner, Weber, and others, sre represented, together with the favorite folk-songs of the various nations. OPERJ9 J'0NGJ'. Four volumes. One each for J'oprano—.fllto—Tenor—Bass. These four books comprise classified groups of the best known arias, scenas, canzonettas etc. from the standard operas. The numbers contained in each volume have been selec wit the idea of furnishing each of the four voices with a versatility of material and for all practical purposes the songs are set down in their original keys. SONG CLflJ‘J‘ICJ‘. Edited by Horatio Parker. Four Uolumes. One each for J‘oprano——.I}lto-7'enor—8ass. These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large an ever increasing class of earnest as irants to true artistry. The songs are presented always with the original text in order that t eir full flavor and significance may be preserved, and because a poem which does not suffer by translation is a thing hardly conceivable. ' GEMJ‘ OF flNTLQUITY'. Edited by Dr. Otto Neitzel. One Uolume. This anthology of song, collected and edited by one of the greatest scholars of music of modern times, pr- sents a work of unusual interest to voice teachers, singers and music students generally; in contrast to the ephemeral character of the average anthology. The amount of material used and the carefulness of the research indicated by the selections, mark this volume as one of essential value to all who are really interested in the “Art of Song." JIHCRED J‘ONGJ'. Edited by (I). J. Henderson. Four Uolumes. One each for J‘oprano—.lIlto—'Tenor—Bass. The group of songs contained in this set is the greatest contribution yet made to collective sacred songs, and cannot fail to make a very powerful appeal to the interests of all sin ers. , Mr. Henderson has here collected the very best of sacred song literature produce during s period covering two hundred years—from Bach to Cowen. OR.fl'I"ORIO JONGI. ‘ Standard Oratorio Songs in their original keys, with the accompanying Recitatives. Four Uolumes.- One each for J‘ oprano—-.fllto—'1'enor-—Bass. The series isa grand ensemble of the best Oratorio Songs of the greatest masters from Johann Sebastian Bach to Sir Arthur Sullivan. ‘ The contents of these admirable volumes is so widely recognized as the highest type of pure music, that further description is unnecessary and praise superfluous. JJCRED DUETJ‘. Edited by william Jhakespeare. Two Uolumes. One for two high voices. One for one high and one low voice. Recognizing the demand for collated material for two-part singing in the service of the Church, the editor of these volumes, mindful of the fact that the efliciency of good music is not caused by its novelty, has here com piled standard duets from many sources and from all A eras of music. The volume for two high voices is suitable for two sopranos, two tenors ‘or soprano and tenor; the volume for one hi h and one low voice is practicable for soprano and alto, for tenor and alto or for soprano an baritone. Bach Doluaso Beautifully Printed and Bound in "Heavy Paper. PR1 CE, 31.50..
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Endymion
Date
1899
Text
YF1 ION 4; $~§‘:‘vs":‘- 4'.2~Té¢~"‘ I/0 CA 1. xfiffl/A ( 5010 ) The Poem by Longfcl low. QR . ‘V ,5./' . I"I u.5‘1 c by forflprmo in C1 /‘bx///o In Eb Qcgézna//ray 3 77am,/wed/fa I/Z/I [£77/74/V/V. THEJOHNCIIURCH COMPANY. CINCINNATI. CHICAGO. NEWYORK. LEIPJIC . LONDON. Q 0'... '0’ 2 FOR S0PHA1V0. (Original key.) Endymion. Orchestral score and parts may be had of the Publishers. LONGFELLOW. LIZA LEHMANN. U11 poco lento, tranquillo assai.(J : 66.) 1) traizgzzzl/0...
Show moreYF1 ION 4; $~§‘:‘vs":‘- 4'.2~Té¢~"‘ I/0 CA 1. xfiffl/A ( 5010 ) The Poem by Longfcl low. QR . ‘V ,5./' . I"I u.5‘1 c by forflprmo in C1 /‘bx///o In Eb Qcgézna//ray 3 77am,/wed/fa I/Z/I [£77/74/V/V. THEJOHNCIIURCH COMPANY. CINCINNATI. CHICAGO. NEWYORK. LEIPJIC . LONDON. Q 0'... '0’ 2 FOR S0PHA1V0. (Original key.) Endymion. Orchestral score and parts may be had of the Publishers. LONGFELLOW. LIZA LEHMANN. U11 poco lento, tranquillo assai.(J : 66.) 1) traizgzzzl/0. The ris—ing m0on_______ has hid the stars, Her lev-el rays like old—en Copyright MDCCCXCIX by The John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MDCCCXCIX by The John Church Company in the Department of Agriculture. on the landscape green Withshadows brown . And sil-ver _ white — _ j 1017 hr _ the riv—erg1eams, As if Di— a — ha, in her dreams, _Had dropp’d her si1— ver bow ____.__.._ ‘ Up— on the mead-ows bu, hf //000 m~e.s'(;. a fa/1///0. On such a tran — - quilnight as this, pa}? c7‘c.s’(:. She woke End-ymion with a VVhen slee ing in the in L ‘: L. z_;:_______’__,/ (z/we/.6 (ii///. = ' rz lam//0. He dreamed not of her love do/(re. 6 0'/III- P ml]. 1; 22005:. PP F " ‘("7" T:} . pz}? ///o.s:s'o.(J : 80.) > > Like Dian’s kiss un-ask-’d un_ 7120/lo V ., h //212 //10.5290. Love gives it-self, but is not bought, Voice n0r_. s0und_.______ be—trays L’!/2\ , / Andante ritenut0,un poco maestoso. mfma ( : 69.) can amplezza. comes, the beau-ti - ful, the free; of all hu-man-i _ wgf 6672 .9o.9fe7mz‘o. and Seek the 9 -1€Ct — ed ?——_—______ lifts the boughswhose shadows ‘ , ob—1ivi — on, the s0u1’s sleep, And > mil. 6 a’0lcz'.9.s'7'/no. kis - ses the clos ' who slum - ber?-ing pp mil. 6 (1 tw//po e molt. ()7'6.S‘{}. Oh, wea - ry hearts, Oh,slumb’ring fr/‘I2 resc. a iempo e moltcresc. f droop — ingsouls whose des — ti—nies Are fraught with fear (‘T .s'em,m‘c 12/7'1? (:7’c.s’(,~. _ shall be loved one is so ac-cursed by No one so ut - ter—ly > > des — o—1ate some heart, though un - known, molio mil. accel. e crew. ——______ 7 Re-sponds un - to__ his_ own, awe]. e cresc. Tempo I. (J : 69.) (la/(re. sponds 6 8 The accompaniment on the smaller staff can be used if preferred, but the chords should be Well “spread” to obtain the same effect as in the upper version. , 13153-14 a. M 6 T 6 fl ._w H 0 0 Where? 8 2'1} cresc. 7; Where? calla 22006. V8 8""; calla woe. V8 stretto . long? streiio. Tempo I. ’ /2 .9w1/,'2/re ([1/21.. pp a trim//0 as.9az'tm2zqm’/lo. ra//. S67I}fl7’6 dim. pa assai traizqzzillo. rail. 5021/” 5’ d1'7”~
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Endymion
Date
1899
Text
$.‘*!§:‘v~5'£7 //0‘ CA L \/C“£/VA ( $010 ) The Poem by Long F61 low: I"[ u.ri c b f'01‘fi/firanom Cwflbr/4//0 in 55 ‘Y 01/£178//(8% 3 7fWW/W I/Z/I lf/7/YA/V/V. T H E JOH N CHU RCH COM PANY. CINCINNATI. CHICAGO. NEWYORK. LEIP./'lC . LONDON. (2/6 NET.) 2 F01? SOPBANO. (0r1'g1Tmzl key.) Endymion. Orchestral score and parts may be had of the Publishers. LONGFELLOW. LEHMANN Un poco lento, tranquillo assai.(J : 66.) [3 trmzyml/0. The ris—ing m0on_____.______ has hid the stars...
Show more$.‘*!§:‘v~5'£7 //0‘ CA L \/C“£/VA ( $010 ) The Poem by Long F61 low: I"[ u.ri c b f'01‘fi/firanom Cwflbr/4//0 in 55 ‘Y 01/£178//(8% 3 7fWW/W I/Z/I lf/7/YA/V/V. T H E JOH N CHU RCH COM PANY. CINCINNATI. CHICAGO. NEWYORK. LEIP./'lC . LONDON. (2/6 NET.) 2 F01? SOPBANO. (0r1'g1Tmzl key.) Endymion. Orchestral score and parts may be had of the Publishers. LONGFELLOW. LEHMANN Un poco lento, tranquillo assai.(J : 66.) [3 trmzyml/0. The ris—ing m0on_____.______ has hid the stars, Her lev-el rays like gold--cn -9 Copyright MDCCCXCIX by The John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MDCCCXCIX by The John Church Company in the Department of Agriculture. L_—_—’/ § ‘ Withshadows brown :1‘ __ the riv—erg1eams, __Had dropp’d her si1— ver bow bu , 13153-14 on the landscape green And sil-ver - white __%M? As if Di— a — na, in her dreams, Up— on the mead-ows “F //oco (?re.s1:. (2 Z/2/1//10. On such a tram — ‘ — quil night as this, ,1/2'12 crcsif. She woke End-ymionwith a I ‘ ing in the E- «M61 6 0'2’///. P/‘hxm P1’ (1 tel//2/)0. He dreamed not of her love 6’ I//'/IL I’ mil. a 210cc. PP F Like Dian’s kiss un-ask«’d mo/[0 (77'c.9(I. > > > > ., h //22? //20.930. Love gives it-self, but is not bought, _‘:-__—~«~__:://,-——§\ voice nor. sound ~44 — ~ t;*.:*, _ {_ J W 1 3‘ Andante, ritenut0,un poco maestoso. mfma ( = 69.) con amjzlezza. comes, 72_zf beia so.9te7mt‘o. seek the e - lect — the beau- ti — ful, the free; and lence, ed a - lone, lifts [H L: of all hu-man - i - the boughs whose shadows Are life’s ob—1ivi - on, the sleep, And mil. 6 a’0lcr':;.s'7'//L0. kis — ses the clos - ' who s1um—ber-ing a iem/20 6’ ////0/2‘. crew. Oh, - ry hearts, Oh,s1umb’ring eyes, a tempo e molt. c¢'e.s*c. ’/am raw‘ f droop — ing souls whose des— ti—nies Are fraught with fear {T .s'e7/1]/re I2/7'/7 c7'c.s‘(). _ shall be loved one is so ac-cursed by one so ut — ter-ly > P des — o—late But some heart, though un- known, zn0hh2raLL arcel e cresc. ::==,_ 9 Re-sponds 1u1—to.__ hS__ arcel e cresc. Tbnqu)IAJ:ea) dbfir. sponds 9- 8 The accompaniment on the smaller staff can be used if preferred, but the chords should be well “spread” to obtain the same effect as in the upper version. 13153 -14 { touched strings 0022 tenerezza. 8 2'2} 0719.90. ”> Where? calla voce. calla woe. \./ 8 stretto . long? stretio. 8 13153-14 Tempo I. _ w .s‘w//,2/re (Z1/12.. pp a iwm//0 a.s‘.s*'m.' tmzz/gm’//0. m//. .S'6’7/I/107? dim. pa t1.xxs'aL' 2‘ra2zqm'ZZo. 7411- 597711574’ dim-
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