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Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE PoUGHK£EPs:E. new YORK . [F4 - R .\ ‘V \_, 3 J EA‘ THE LA‘/ST SONG T \ 7/ \ / ""_’f" ADA]? TE D»TO T / *\ /L/if /Z/17/ /5//[ﬂ 1. THE ANEELE. T /mm/5 2. THE rm. I///Z7./.‘Z.s’..r/*, 3. Mnnmsn SERENADE, TT mm. ‘ rnamme w1nuN:.A:N.;7/,r/;p//z 5. ADIELI 1u5[ﬂTLAND../.’//z/f/‘ﬂ/i¢7z///f , 6. IL auamizn. //2//gm 1. un vmnm run. T ﬂz/z’ /am;//I I 5. T T /‘7ﬂ/Z7/3/’ﬂﬂ/Q7, EANDRE 3([H.11(‘n4TL:m.~a-..ui st: ’ FG_B_E[_[3NSvigjﬁliti/D>EP_1]T. //77///2/////2...
Show moreMUSIC LIBRARY VASSAR COLLEGE PoUGHK£EPs:E. new YORK . [F4 - R .\ ‘V \_, 3 J EA‘ THE LA‘/ST SONG T \ 7/ \ / ""_’f" ADA]? TE D»TO T / *\ /L/if /Z/17/ /5//[ﬂ 1. THE ANEELE. T /mm/5 2. THE rm. I///Z7./.‘Z.s’..r/*, 3. Mnnmsn SERENADE, TT mm. ‘ rnamme w1nuN:.A:N.;7/,r/;p//z 5. ADIELI 1u5[ﬂTLAND../.’//z/f/‘ﬂ/i¢7z///f , 6. IL auamizn. //2//gm 1. un vmnm run. T ﬂz/z’ /am;//I I 5. T T /‘7ﬂ/Z7/3/’ﬂﬂ/Q7, EANDRE 3([H.11(‘n4TL:m.~a-..ui st: ’ FG_B_E[_[3NSvigjﬁliti/D>EP_1]T. //77///2/////2'//////fW£i[/57/WI ..«"/T/'1'" /[///fc§’.f:.71/ /'/3'7///1/'7//,7//T .i///;///I/T /1//57/[/34-.v"ﬂI57,>%¢{ /1-’}’r7/I51?/5’ﬂ /, FOOTSTEPS OF ANGELS. \\'<.)1'd,< by L(T}NG}<‘}‘ILl;0‘W.* Music by CARL MARIA 4\-'.?\HCBTl*IR. $6 By [dud pe['I.L1i.\‘sion of . .\/lessrs: Trit-knor &C,0.. Amlumv G1-aiioso. .,VVheu the PIANO FORTE." " con es n- r’ f V‘ yare numbe (1, And the voices of the night, Waketl19\ bet ..--_t91' soul that _slun1be1"d - hn_l} <-al111du__,lia:l1t;_ Ere-_t 9 n-;-_/ e~V.‘______nin<.'; lzunp.» are lia;l1t-___ed, S11Hd(‘<)V\> Angl like phan_____tumsu1'imand tall, , p.at'lante. 3 temp“ the fit_['ul ﬁre _ _.li:ht Dzmce up_<m the palflour. wall; Then the ma e,~‘pressim1e. .fon.11s nf th:(le pa1’t._,--ed‘ Enter at the .o-pe11 dour, [\ rita rd: > 10 ________ __\ed the true hom‘t_cs.|. (folno tn \i-__.<n m-;- 0ll(.‘L‘ inure. I Fm‘-!x1v-3-.~' vi" \n<."r1~‘. G.A.l1€0. He the * " I and st1'om_: who _+_ TA_.___M-___._.,. (’-he-____1'i.~sh’d Noble lm_:uJ'u=_-s for i“-:’1e ;~,‘n’}i‘e, Brthv !'<’-2:('i_;~;Mt* fellalui ‘Wea--1'} ssith the E1»-1-=‘x»>;»< ~ GU‘. mo. ‘Z ones, and \\ea1s__1_y, V\h<_>tl1e vms.~+ of ,.auffi'jug bore, pa1'1zm1,e . d,'L'1'rL_- their, pale hands so .lll€'9}<Jy, spake with on earth no more. .1 espressioue. théul .Who cm .to my the B9:_ing Beaufe u us, life was giv’ 11 Mfitalx : thiuﬁs elsu to low F(m1~tr'}I.! (rf ;\(x'_-‘4.‘!.<, G.A{-180. Folded a tempo. And with more than he-av’n Foot _ ._step, .. side Fm-txl-'p°‘ of‘ A&‘A“='>‘)]SI (lxI:s>i l'r'f‘il:1li\'(). un p(;('() pin l;tI‘j.',<v. With a sin w and noiseless > > J 101,) 'l'akeStlw vm-ant «mm be- ()o1ne.a‘ that 111e,~‘.sse11ge1' di___\ine,A Lays her g-en__t1e hand in’ mine. -4- -r 4' G.A.180. and g:1_z«,-s at me \\'ilhlliu.se deep tc1i_(lt+:‘ pawlzuite. Like the stars, so still and saint _ __ like, liunkim; a tempo \ duwu__i__i_.~ V\'dl"(l the skies. Ut_-1e1"‘d uni, -he1id _ __- ed 15 the Sp'1'_ i'it§ V'0i(:eless pi'ay’1', b'00ts1ups of Angels. G.A.180. in l>le.~‘.~E1r_‘s 1-nd---_u<l Breatl1iu_s: fruln Pin lmrgo. 0, thnusglx oft... . . . . dt-p1'ess’d and lone ......I_;, my fears are laid ,a--_ side, re _ member on _------- ly Suvh as tlwse hme 1iv’d and died. null?
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Date: 1900
Text: SPRING HAD COME FROM SCENES FROM THE E SONG OF HIAWATHA SOPRANO. S. cloleribgeﬁaylor. .1. 1*‘ " K . R ' “~ A ‘I \ ?\‘*~ 0’ / ' , ‘ _‘-*>\ '\ L0./vpoyyxg 11 5? K ,»2 Q; 2 IA. j\(o/Eve//0 €65 Co., Ltd. E V E Compositions by S. Coleridge=T aylor. SCENES FROM LONGEELLOWS “SONG OF HIAWAT HA EOR SOPRANO, TENOR, AND BARITONE SOLI, cHORUs,IAND ORCHESTRA I ( OF. 30). Price, complete, 3s. 6d. Paper Boards, 45. Cloth, gilt, 5s. Tonic So1—fa, 2s. Words only, IOS. per Ioo....
Show moreSPRING HAD COME FROM SCENES FROM THE E SONG OF HIAWATHA SOPRANO. S. cloleribgeﬁaylor. .1. 1*‘ " K . R ' “~ A ‘I \ ?\‘*~ 0’ / ' , ‘ _‘-*>\ '\ L0./vpoyyxg 11 5? K ,»2 Q; 2 IA. j\(o/Eve//0 €65 Co., Ltd. E V E Compositions by S. Coleridge=T aylor. SCENES FROM LONGEELLOWS “SONG OF HIAWAT HA EOR SOPRANO, TENOR, AND BARITONE SOLI, cHORUs,IAND ORCHESTRA I ( OF. 30). Price, complete, 3s. 6d. Paper Boards, 45. Cloth, gilt, 5s. Tonic So1—fa, 2s. Words only, IOS. per Ioo. SEPARATELY, FROM THE ABOVE .-~ (1) HIAW ATHA’S WEDDING-FEAST CANTATA FOR TENOR SOLO, CHORUS, AND ORCHESTRA Price’ Is.6d. ‘Tonic Sol;i‘a,rs. Vocal Parts, 1's. eaci1(.)P.V~I)/(t);rci\sROnI§)r., 5s. per 100. String Parts, 8s. 6d. Wind Parts,22s. ~ » , Full Score, 255. , Comjwsecl for the North Stoﬂowlslzire Musical Festival, I899. I (2) THE DEATH OF MINNEHAHA CANTATA FOR SOPRANO AND BARITONE SOLI, CHORUS, AND ORCHESTRA ' ' O . ,N .2). Price Is. 6d. Tonic Sol-fa, IS. Vocal Parts(, IPs.?e(:1ch.o Words only, 5s. per I00. String Parts, 7s. 6d. Wind Parts, 215. 6d. Cornposed for the Royal Choral Socie Full Score, 255. ty, Royal Albert Hall, London, 1900. (3) HIAWATHA’S 7 DEPARTURE CANTATA FOR SOPRANO, TENOR, AND BARITONE SOLI, CHORUS, AND ORCHESTRA I OP. 30, No. 4). . ‘ Price 2s. Tonic Sol-fa, Is. Vocal Parts, rs. each. Words only, 7s. 6d. per Ioo. Orchestral Parts and Full Score (in the Press). Composed for the Norwich Musical Festival, 1899. TO THE ‘I SONG OF HIAWATHA ” FOR FULL ORCHESTRA (013.30, No. 3). String Parts, _<s. Wind Parts, I35. 6d. Full Score, MS. V Pianoforte Arrangement, 2s. Composed for the Worcester Musical Festival, 1899. SOLEMN PRELUDE I FOR FULL ORCHESTRA ’ (017.40). I Arrangement for Pianoforte Solo, price 25. String Parts, 25. 6d. Wind Parts and Full Score, MS. Composed for the Gloucester Musical Festival, I898. BALLADE ‘IN A MINOR FOR FULL ORCHESTRA (OF. 33)- Arrangement for Pianoforte Solo, 25. String Parts, 45. 6d. I Wind Parts, Ios. 6d. Full Score, 75. 6d. Composed for the London Philhawuouic Society, 1900. SCENES FROM . - AN EVERY—DAY ROMANCE I SUITE FOR FULL ORCHESTRA’ String Parts, 9s..6d. Wind Parts and Full Score, MS. Pianoforte Arrangement, 3s. 6d. ' FOUR CHARACTERISTIC WALTZES ‘.1. ALLEGRO MA NON TROPPO (E MINOR). 2. TEMPO DI VALSE (A MAJOR). ' T 3. ANDANTE CON SENTIMENTO (E MAJOR). 4. ALLEGRO FURIOSO (E MINOR); ’ ‘ (OP. 22) Pianoforte Solo is. Violin and Pianoforte . - 35. String Parts for Full or Small Orchestra 65. Wind Parts for SmallrOrchestra ‘ 7s. . Ditto, for Full Orchestra... I25. ‘ Full Score (Full Orchestra) — ‘ 55. Full Score (Small Orchestra), MS. Arrangement, as a Quintet, for Pianoforte and Strings, each Number, price 2 . Separate String Parts, 6d. each. . :Military Band Arrangement, by DAN GODFREY, Jun., 15s. ' ARIETTA (“ The Village Organist.” Book 16) BALLADE IN D MINOR FOR VIOLIN AND ORCHESTRA (Or. 4). Arranged for Violin and Pianoforte by the COMPOSER. Price 2s. String Parts, 25. 6d. Full Score and Wind Parts, MS. SONGS. . Composcdfor the Hereford lllusiml Festival, I900. THE SOUL’S EXPRESSION. Four Sonnets by ELIZABETH BARRETT BROWNING2—- I. The Soul’s Expression; 2. Tears; 3. Grief; 4. Comfort. (On 42.) Price 25. . ' Price 2s. each. YOU'LL LOVE ME YET. (ROBERT BROWNING.) Op. 37, No. 1. In G minor and B minor. CANOE SONG. (ISABELLA CRAWFORD.) On, 3 ,No. 2. In D ﬂat and F. A BLOOD~RED RING HUNG ROUND TH . MOON. (BARRY DANE.) On. 37, No. 3. (For Contralto.) , SWEET EVENINGS COME AND GO, LOVE. (GEORGE ELIOT.) On. 37, No. 4. In F and B ﬂat. AS THE MO0N’S SOFT SPLENDOUR. (SI-IELLEY.) Op. 37, No. 5. (For Contralto or Baritone.) ELEANORE. (ERIC MACKAY.) Op. 37, No. 6. (For Tenor.) ONAWAYI AWAKE, BELOVED! From “ I-Iiawatha’s Wedding-Feast.” Op. 30, No. I. (For Tenor.) String Parts, 25.; Wind Parts, 3s. 6d.; Full Score (printed) on loan. — HIAWATI-IA’S VISION. Dramatic Scena for Baritone. From “ I-Iiawatha’s Departure.” (English and German words.) SPRING HAD COME. For Soprano. From “Hiawatha‘s Departure.” (English and Germanwords. MORNING ANDHEVFLENING SERVICE _ ~ (OF. 18). TE DEUM BENEDICTUS JUBILATE MAGNIFICAT AND NUNC DIMITTIS ANTHEMS. BY THE WATERS OF BABYLON — IN THEE, O LORD. HAVE I PUT MY TRUST... THE LORD Is MY STRENGTH LIFT UP YOUR HEADS (Tonic Sol~fa, Id.) BREAK FORTH INTO JOY * O YE THAT LOVE THE LORD (Tonic Sol-fa, Id.) ’ ORGAN. MELODY (“ The Village Organist.” ' Book 12) ELEGY (“The Village Organist.” Book I5) >-tuba Hwwuazuua -r—Lu4>-t- 5”I”5” '°"‘D"Q‘Q‘P“.a‘ .D"P".C“.°" I LONDON: NOVELLO & COMPANY, LIMITED; ‘AND NOVELLO, EWER. & CO.V NEW YORK SPRING HAD COME from SCENES FROM THE “SONG OF HIAWATHA” ‘ The Words written by H. W. Longfellow The Music composed by S. Coleridge-Taylor. (OP. 30, No. 4.) PRICE Two SI-IILLINGS NET. L01vD0.7\g g7\(o/‘ve//0 €95 00., Lm’. Coj>y71'ght, 1900, by Novello and Company, L1'mited. SPRING HAD COME. KAM DER LENZ MIT SEINEM GLANZE. S. Coleridge-Taylor, (Op. 30, N9 4.) °.>".> ‘> Allegro con b-rio. mf had come with all its splen - dour, der Lenz mit sei — — nem Glan— -26, All its birds and all its blossoms, All Sei — — nan Vb’ — - geln, sei - — nen Blii—ten, Kam 11161 Copyright, (.900, by Novella 5' Comjwany, Limited. leaves Bldt — a tempo/._————h grass—es. Gm‘ — sem. - Ward, - wdrts, K“- north — nord — Like huge ar—roWs Un — ge — heu-ran and grass - es, — tam, Gm‘ - sem, and leaves - ten, BZc'it— its f1oW’rs_ mit B122’ — A all kam and — tam, to — de Sail-ing on the wind Se—geZ7zd mit dem Win- —ing great flocks, like ar - Zielfnd ez'72—lzer in gm - ssen Hear — > * - rows, — den, Pass’d Kam /1 shot Pfei — the der through hea - ven, - Zen dim — lick, e swan, der Sclzswzm, /"‘\~ (T Mah - nah - be-zee, Speak— ing al-most as a man speaks, Mala - nah - be—zee, Spre ~ chend fast gleichwie ein Mensch spricht, And in long lines Wav - ing, bending, Und in lung ge - knimm-ten Rei-hen, Like a bow - string snapp’d a— sun - der, White Durch- — ge — 7z'55 — ner Bo- —ge72—sc/mm’ gleich, Die Wez'ss—gcms goose, Wa — be - Wa - — Wa;__._.. And in pairs, or . I . kam, dze W21 - be — war, — — wa,-__.__ Und es kam m A .mfA : sin - gly fly - ing, Mahng the loon, With_ clang - ’rous pin-ions, Paa — rm vie — Zen Malmg dew Tau — char mit Zau — ten F122’-gem, AA The blue her-on, the Shuh-shuh-gah, And the grouse,___ the Mush-ko - . Der blame Rezlher, der Sclzu -schu—gah, Kam das M007 — — hulm,Musch—ko — f>. In e ck — — ets and the mea - dows Pip’d the blue — b , Pfiff im Busch zmd auf den W2'e— -5272 Blau - —er V0 - —gel, the O - Wais—sa; On the summit, the sum—mit of the lodg - es der 0 — wais-sa Auf den Firsten, den Fir-sten rings dew Hiit - ten / the rob - -in, the O - pe - chee. die Roth — — bmst,dz'e 0 — pe’ - eke’. P000 meno mosso. . And the sorrowing Hi - a - Wa - tha, Speechless in his in - fi-nite Und der tmwemde H2’ — a - war, - tlza, Spmclzlosi in zm—e7zd—li-chem sor - row, Heard their voi — ces call — ing to him, Went forth from his Kum - mer, H0’? — te sick van ih - 7297: m —fen, Hz'—naus aus dem gloom — y door — Way, gaz’d______ in - to the hea - ven Wig — wam trat er, Starr: — te auf den H2'm—mel, j crE%.1 Gaz’d up - on the A2/f die Er— de, Novella Com4aam:, L39 Engravers &' Printers. COMPOSITIONS BYEOWARO GERMAN. I sum E SYMPHONY IN A MINOR FROM THE MUSIC TO SHAKEVSPEAREJS , _ ' ‘ I Pzarioforte Duet, 4:. V V I ii A I Full Score and Band Parts, Ms. .. I THE MUSIC To it 1. Overture. . » ‘ » ' I —‘ 2.'Prelude to Act II. The Death of Buckingham. 3. Prelude to Act III. Intermezzo. . i . ‘ “‘—‘ — 4. Prelude to Act IV. Coronation March. ’ _ OVERTURE‘ 5. Prelude to Act V. Thanksgiving Hymn. I , V \ 'k . Pi311°f0"e Duet. 35- I 6. Three Dances: 1. Morris Dance; II. Shepherds’ Dance; ‘ . »S‘“"3 P‘‘‘5'}§‘L?1'1‘5§éjn;N‘n‘}‘3S‘’‘E'‘.5' 105' 6'3‘ III. Torch Dance. - , , ‘ ' ’ ' I COMPLETE, PIANOFORTE DUET, price 55. V ‘ V BOUVRR1.fE AND GIGUE V ORCHESTRAL PARTS. I I ' A is d . Pianoforte So1Io.2s.V; 1s’ViVxiV1i1;(>gf€;2:%V1V11ts3Vt,V 2‘sm6;IV.i;p:Iri:V>S1Vi3:nd Pianoforte. 25. 6d. . ' ‘ * core, ‘ Wmd "“;‘“ MS‘ I V MILITARY BAND ARRANGEMENT, 125. ii I: Overture . . . . . . . . . . . . String parts Prelude to Act II. (The Death of Buckingham) ,, Prelude to Act III. (Intermezzo). . '. . . . ,, Prelude to Act IV. (Coronation March . . . . ,, Prelude to Act V. (Thanksgivirigﬂymn) . . ,, “ ' ull Score of each Movement, MS. - s. d. — I s. d. I ‘““"'“*“°‘*“e::2;‘:.§.‘:Ie...;...%...2..JB:i.‘a":O:::;.I“.:;:*;,P.¥’.9?‘*e-5°‘°> 9 ° . SUITE PIN D MINOR ORCI-IESTRAL PARTS ANDc§éJg.éIi]iSeCdORE OF COMPLETE SUITE I I i V n " ' — I SELECTION OF ‘THEMES ," ' » I V V ' Pianoforte Solo,2s. mwtotowyl cocoa?- ”‘’“T— .' A 1. Prelude (Allegro moderato, c). ORPHEUS WITH HIS LUTE. Trio. s.s.A. V 2V Valse Gmcieuse (Allegro, g).V Bvo, 3d.; So1—t'a,V1d. ~ E Ditto, arranged as a Song, 25. ' I I ' 7 ‘ TH C E S ~ ‘ . String parts, 135. 6d.; Wind parts, 26s.i6,d.; Full Score, MS. VALSE GRACIEUSE, from above, arlisanged for Pianoforte Solo, 23. ; and Pianoforte V t . _ , V FROM THE MUSIC TO “ HENRY VIII.” ‘ String parts, 45.; Windugaii-ts,'10s.; Full Score, MS. "I-W«az.—;~;: ,- _ ,. Pianoforte Solo, price 223.; Pianoforte Duet, price 3s_.; Piarioforte and Violin, price 35.; I I Quintet for Pianoforte and Strings, price 5:. String parts, price 45.; Wind parts, price 75. 6d.; Full Score, MS., on Hire only. V MILITARY BAND ARRANGEMENT, by DAN Gonmav, Jun., price 15s. String parts. 65- 6d.; Wind i>arts.13§-; FuII,_Score.MS. GIPSY SUITE ENGLISH FANTASIA IN COMMEMORATION \ '«‘F'IF1’ FOUR CHARACTERISTIC DANCES I — I OVERTURE TO RIOIIARDAIII . Valse Melaricolique ("Lonely Life ”) . . . . . . . . . . . . . . i l . . - - ‘ String parts 25. 6d.; Wind parts 75. . Allegro di Bravura (“ The Dance ' ) . . . . . . . . . . . . . . F13“ SCMCV MSV ’ _ .M tt “L D t” .. .. .. .. .. .. .. . . em“: M We ue ) ' ’ Pianoforte Duet Arrangement, by tht>COMPOSER, 2s. 6d. . Tarantella (“The Revel") . . . . . . . . . . . . . . .. COMPLETE: Pianoforte Solo, price 35. 6d.; Pianoforte Duet, price 45. 6d.; MILITARY BAND ARRANGEMENT“ by GEO‘ M”"“ER' 125' Full Score, I\1/)IlSa.n;of§)t"!‘titi1§ngaYtiS(:I'i7:.’;pWfni1Isi)alflS, 14s. ' V . ~ T V’ ' 1- V ' . MILI ARY BAND ARRANGEMENT, by DAN Gonrruzv, Jun price 1.;s V THE MUSIC To ' ' SUITE, ING OF— ' I V . ’ V 1. Prelude; 2. Pastora1e;3.,Pavane; 4. Nocturne; I 5. Dramatic Interlude. ‘ V For Pianoforte Diiet, price 5S.£;7u§>ltlglgogrg,a$ISé.1_0S. 6d. ; VWind parts, 27s. 6d.; coNsisT1NG or ‘ ' V V " SEPARATE MOVEMENTS: V V Wind parts 7) .. H II 1. Woodland Dance. 2. Children’s Dance. Prelude.. ‘ .. ‘ .. .. .. ..'Stririg parts ‘ Pastorale .. .. .. .. , .. 3' Rust“: Dance’ Pavane .. .. .. .. .. .. .. ‘’ Nocturne .. .. .. .‘. .. ,. - I . - . - - P . "D ‘ '1 Id .. .. .. .. .. ,, — Pianoforte Solo, 25. 6d., Piauoforte Duet, 3s. , Pianoforte and Violin, 8s. 6d., Yamﬂﬂc 11‘ EV‘ 11 3 Fun Score of each Movemerm Ms_ wmwwwp VI‘U!U"U!UYS" mmmmm9 String parts, 43. 6d.; Wind parts, 105. 6d.; Full Score, MS. V — . _ MILITARY BAND ARRANGEMENT, by DAN Gomum, Jun.,15s. Pastmle -I- -- P1.an.°f°"° S9“) -- --’ * _ ,, .. . . Violin and Pianoforte . . . . _ _ Pavane ..' .. Pian_oforte Solo . . . . .. .. IT WAS A LOVER AND HIS LASS , n -- -- gggjggfggg g{?;°‘°*‘° -- -- DUET FOR SOPRANO AND CONTRALTO. Noaume II II Piauoforte Solo .. A . .. .. ‘ Selection of Theme§ V,, ,, . . . . . . .. I P ' T sii‘i1' . I ‘ . \ “’° “*5 I I . THE SEASONS SIUITE FOR SYMPHONIC SUITE FOR FULL ORCHESTRA N AND PIANOFORTE I I I ‘ " “' A S‘ "tr ~ '1. Spring .. .. .. » V. .. .. String parts 5 0 Wind parts 12 I ’ ’ - 2. Summer (Harvest Dance) .. .. 5 0 n 12 5 IN THREE MOVEMENTS. . Pianoforte 153010, 2s. ' I , \ - I P' f t t,3 _ V L ValSe' . 2' Souvem_x," ’V . l\/I1iEii]t(;r0yrI§anLi1le.Arr2iSngement V .. 3._Gipsy Dance. I ~ » 3_ Autumn . .. .. .. .. Str1rigparts~ _ -—-V V ' Pianoforte Solo, 23. - Price Three Shillings. V V 4. Winter .. .. .. .. .. V g] I-‘3lOtOl\'1Nl\'>lO .Ooocooo RLONDON: NOVELLO AND COMPANY, Lmmgn ‘ ' AND I NOVELLO, EWER AND CO.,_ NEW’ YORK. I NET. d. , BIG]-{TEEN SONGS. In Three Books Paper covers, price, each 2 6 « I Phyllis the fair. I _ Russian Love Song. ‘ . I . E It was the time of roses. , I ' VVhile my lady sleepeth. E Light slumber is quitting the eyelids. The Song of Love and Death. O, hush thee, my babie. The first spring day. The earth below and the heaven above. I ' When I am dead. A If love were what the rose is. I A Birthday. VVhat‘doe's little birdie say P} (A) « .Up with the sail. \Vhat does little birdie say? (B) O roaming wind. Of all sweet birds. , Something sad. Lift my spirit up to thee. ‘ I Also jmblished together, bound in cloth, 75. 6d. net. ’ SPRING SONGS Op. 44. I The first rose. I Spring is not dead. Hope. ~ April weather. Springs secrets. A May Song. I Summer at last. LOVE LOST ON EARTH_ Scena for Tenor. Composed for the Birmingham Festival, and sung by Mr. EDWARD LLOYD THERESA WOMAN LIKE A DEWDROP. F01‘T€n0r- From the Tragedy, “A Blot in the "Scutcheon,” by ROBERT BROWNING GENTLE DOVE, THY VOICE IS SAD. V0C€1‘0(“C010mba”)\ WILL SHE FROM THE HILL_ Corsican Love-song (“Colo1nbal’) SO HE THOUGHT OF HIS LOVE_ Old Corsican Ballad (“Colomba”) HERE HAVE I SAT. For Tenor (“Colomba”.) ‘FOR VVINE GLADDENS THE HEART OF MAN. F01‘ SOPFMIO Or T6110? _ (“The‘Troubadour”) , ~ THE SUNRAY’S SHINE_ For Tenor (l‘ The Troubadour”) IN THE PLACES OF LIGHTLESS SORROW. F01‘ SOPMHO (“The Troubadour ”) TO LIET_ For Baritone (“The Troubadour”) BENEATH A HAWTHORN, Morning Song, for Mezzo-Sopiainio (“ Troubadour ”) t .. ... POUR FORTH NOBLE WINE_ Drinking Song, forBaritone (“The Troubadour’l) THE EMPIRE FLAG. For Solo and Chorus .. » THINGS OF BEAUTY THROUGH LOVE TO LIGHT I IN OUR BOAT_ With Violin and Violoncello Accompaniment THE OLD GRENADIER AND With Organ or Harmonium ad lib. FOR LO, THE WINTER IS PAST (“ R056 0f Shaf0I1") ‘THE LORD IS MY SHEPHERD (“R056 0fSha1’0I1") I WHERE SHALL THE LOVER REST <“ Marmion”) LOCHINVAR (“Marmion ”) WHAT DOES LITTLE BIRDIE SAY? LoNDoN: NOVELLO AND COMPANY, LIMITED AND NOVELLO, EVVER AND CO., NEW YORK. Songs byA. C.1\/lackenzie. I» Inthe Children’s Souvenir Song Book 00. O NNNNNNNN IOOOOOOOO
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Date: 1882
Text: For saleby all Music Dealers . 2"_D EDITION.‘ : ll ,, * hkLdIiII1I,I,,VI<’,/E53; H’ // T POETRY BY 3 I . I I J I I o . v sleeps‘. sleepsI /“S2 / Philadelphia Musical Academy. l8|7Spmice ST. 7//5 W/Jﬂ//5 mi #5547 ﬂy /7/J/’/77‘/I55/'0’,/7 /.7/L:/I/[‘7i:'_7"W,_’7‘ //zw_/,7/zm/7, /W77’///7? /17, /7///i//‘5/7/3/"5 M117/zg;/‘Z7//zzm ﬂ/J/77/7/E/5 it/0/"A/5, Cnpyr1g|'iTlE|H2IJy Ii/livan Fielder. MUSIC LIBRARY VASSAR COLLEGE SPANISH SERENADE’. Poetry by H . W....
Show moreFor saleby all Music Dealers . 2"_D EDITION.‘ : ll ,, * hkLdIiII1I,I,,VI<’,/E53; H’ // T POETRY BY 3 I . I I J I I o . v sleeps‘. sleepsI /“S2 / Philadelphia Musical Academy. l8|7Spmice ST. 7//5 W/Jﬂ//5 mi #5547 ﬂy /7/J/’/77‘/I55/'0’,/7 /.7/L:/I/[‘7i:'_7"W,_’7‘ //zw_/,7/zm/7, /W77’///7? /17, /7///i//‘5/7/3/"5 M117/zg;/‘Z7//zzm ﬂ/J/77/7/E/5 it/0/"A/5, Cnpyr1g|'iTlE|H2IJy Ii/livan Fielder. MUSIC LIBRARY VASSAR COLLEGE SPANISH SERENADE’. Poetry by H . W. LONGFELLOW . Andautiuo . VOICE . 4 > hide your gold - en > light! she sleeps! my la C-’)F'YPI{-3?-4.T 12:32 BY M.vnn Gelder. Music by MARTINUS van GELDER . dy //;\\ Sleeps! the j Sllﬂl - H181‘ “la - dy sleeps! poco rit. dim. j pm am/rnato <l> -I’) sum - mer night! ‘ the west - ern steeps, sleeps! my Spanish Serenade . \2 Wind of the sum - mer night! When can anima 1 wood - bine creeps, Fold, fold thy pin - ions light! She sleepslniy Spanish Su1'mwcJL2. la - dy sleeps! - dy SleepS_1t sleeps! r1. Spanish Serenade . her, her 10 - ver keeps watch! ‘\ I 1} I .-C- 1. H10 .'~;mn -- rner night! While slum - hers PO00 C7'(?SC.. while in light! she > dy sleeps! 8‘ ‘ hmorendo 8' _I I I
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Date: n.d.
Text: -In Dreamland. . . . . -. . . ac. . . .;. .3‘ o.o‘o'o‘o‘~'9'4 0 0.0.0 o o » u o . s . ¢o.oﬁo¢o.o.9‘o~a.o.4. ,o’v.a.».o.<v‘ 5...‘. . . .'.'’.F‘*. ‘7 .. .». . cl‘ . ~ . . .;.;.;.;v.;.;,;.°.'.~.;q.*. ~ ' ' ~ H * .¢._.....,.‘.‘.;.;.;... . 4 Q 0 0 O O 9 9 9 9' o . . ‘.~C*I~Z°.~I‘I~. >2-.' .‘¢‘»‘.’.'..‘o‘.‘ J ‘ POPULAR -SONGS BY F‘;3é’UL,ﬁ¢R WRITERS. .u-- ﬁf ’r AF,’ ‘hat G)‘ zters. At the Ferry. . — Between "1 we Stools. . Birdin the...
Show more-In Dreamland. . . . . -. . . ac. . . .;. .3‘ o.o‘o'o‘o‘~'9'4 0 0.0.0 o o » u o . s . ¢o.oﬁo¢o.o.9‘o~a.o.4. ,o’v.a.».o.<v‘ 5...‘. . . .'.'’.F‘*. ‘7 .. .». . cl‘ . ~ . . .;.;.;.;v.;.;,;.°.'.~.;q.*. ~ ' ' ~ H * .¢._.....,.‘.‘.;.;.;... . 4 Q 0 0 O O 9 9 9 9' o . . ‘.~C*I~Z°.~I‘I~. >2-.' .‘¢‘»‘.’.'..‘o‘.‘ J ‘ POPULAR -SONGS BY F‘;3é’UL,ﬁ¢R WRITERS. .u-- ﬁf ’r AF,’ ‘hat G)‘ zters. At the Ferry. . — Between "1 we Stools. . Birdin the Wood. 7 _ Birds of '9. Feather. Q ‘ Bloom on my Roses. . Blosseme. - . . . » . C-ant thy Bread upon the Waters. ROWCKEL. Changed Her Mind. . . . RrmLw'I<1. Cleansing Fires. ' Cruciﬁx. . . . . . . . '. Fawn Dreaming. . . . . .. . . W2:L1.1N<t.~.. Farmer and the Pigeons. Fizxger-ggxirxte apart. the Pane‘ ‘~.vV’mwrm1e«r)n::w. Fisher1na.u‘:: Bride. ‘ . . Forever Faithful. . . . . . Good-bye. . . . . . . . . tse-ood—bjre-. .‘£.a.sa,. ., . . . He Ghieth His Bezoved. Sieep. I cannot say Geod-bye; . . . . ‘?Vm.L1Nes. .’?.;OECl\EJ}. ‘.zf‘AI '31’R'l‘. ._,];‘<_r.mc1»; EL. i"m7vEN. HA-’1‘TON. GAB1{mL. TA1‘BI‘.E?.’J‘. . G..uu«:L. Domsv. '_i‘o,=:“r. Lb"-' he EL. RQECKEL. BATHO. Ivy-clad.’ Ruin. . . . . . . . Gmnsm. Longest We 3: Round, etc. a R(»m1<m.." {)3 190 9 nb 6 R<’£EC47K1«1L. . L ,. ‘,1 H ya 1 I I \.,, GUMBFTRT. . WAK1s1?r L». Iwiexzq; P-irds. . .. .. . . . No, Sir!. . . ' . . . 01aPoet .....' 013137 a, Dream of my Mather. 1’«17TI.E1><2eE. Grange B1mss.~ms. . . .. . aims, . . . . . Peacsfully S1um‘...ex~. . . Queen 0:2’ the Night. Rose Leaves. Sfbllt‘. . . Somebady, . . . . . . Some Day,” . . . . , 'VVEI.L..‘].;.‘- Speak Kindly to the old Folks. sm».;- There is a Green ’ Till far away. Gm True to the Last. . . . . . Amms ',\-"ust H3? Not. Quartette. . . . Ewiiight the Qua-'1"ette‘ -“U'I>I>m ':'w(,:';5 Cg=m.‘}_;;;1,"‘1§,' . . ./ I ‘R;C.'EC'r{EL. Watching an}. ‘W:a.iti:r?f;. L . . Weavin.g. . . . . . $’V.x2.x..1J:<;;.<. We¢id.ing;' Pay. . . ";.7es,Sir! : . . . . . M OLE": UE"1'.p:I.. 1} gm 5. r<"»‘T' . . (IHSIBEI). G ‘“¥§. C 0 WE?‘ WAI<12:'fm:I..Iu 4'o‘~'¢‘v' .ooooo . O\>~vb$ .0 cos .6... ~w.. ‘ . . . . . . . . . « _,4‘?Ir. , . V . . .......,.,‘. .;.;.;.;.;.;._. A. v.§.;..*.*.>.~.- - ‘4’ . .,_.,,.,.,.,._. , . . 7 . . F.{l‘.a?‘\ ‘Tax: .<.. 3‘. t 5 . ’Bz'.u;»r‘aN'rI1AI.. to 116. 144. 1..{:»'y 9;; ‘.129 109 1.” 1 .43 me 174 ‘ 1.2.; -)« 15.5: 178 8 V’ . ‘V ~f\k/V _\ _ \\ \\\\\ \ \\ \\\\ \\ o:»/€«,1§2,<.>\ \\ 2 s @X._?\~x9T——-ax» POPULAR SONGS BY POPULAR WRITERS. ¢Z,.:”;"’“.... ©@1§§1“EN§1”Se..L“" HZ»- All that Glitters. At the Ferry. - Between Two Stools. . Bird in the Wood. . Birds of a Feather. Bloom on my Roses. . Blossoms. . . . . Changed Her Mind. Cleansing Fires. Cruciﬁx. Dreaming. . . Farmer and the Pigeons. Finger-prints upon the Pane. W ESTENDORR . GEIBEL. Fisherman’s Bride. Forever Faithful. Good-bye. . Good—bye, Lass. . In Dreamland. . Ivy-clad Ruin. . . . .. . Longest Way Round, etc. . ROECKEL. . VVELLINGS. ROECKEL. TAUBERT. ROECKEL. . COWEN. . . IIATTON. Cast thy Bread upon the Waters. ROECKEL- Rosnwm. GABRIEL. . FAURE. . WELLINGS. TAUBERT. . DOLBY. Tosrr. . . . LEYEY. He Giveth His Beloved, Sleep. ROECKEL F I cannot say Good-bye. . ROECKEL. . BATIIO. . GEIBEL. ROECKEL. 98 190 70 169 % I/Trust Her Not. Q11arte’6te- Merry Birds. . No, Sir! . . . Old Poet. . . . . Only a Dream of my Mother. RUTLEDGE. GEIBEL. Orange Blossoms. . Palms. . . . Peacefully Slumber. . Queen of the Night. . Rose Leaves. . Scout. Somebody. Some Day. True to the Last. Twilight on the Sea. QI1artette~ - Two's Company. Watching and Waitin . Weaving. . . - . - Wedding Day. Yes, Sir! . GUMBERT. WAKEFIELD. MOLLOY. . FAURE. RANDEGGER. . TORRY. . GEIBEL. . CAMPANA. LANG. . . . . . WELLINGS. Speak Kindly to the Old Folks. SKELLY- There is a. Green Hill far away. GOUNOD- ADAMS. . Stmns. SUDDS. ROECKEL. . COWEN. . WELLINGS. . BLUMENTHAL. WAKEFIELD. N sum SPANISH BALLAD . Words and Music Arr. by A - M - WAKEF 1E L9 - Allegretto con Spilfito . A 1. Tell me one thing, tell ’ tn: - 13*, Tell me why yen scomme 5 _ , ’ Tell me why, when askd a question, You WI“. always answer no! I pin mosso no sir? no sir? ’ sir! no 2d. My jfétinezr was a Spanish merchant, And be — fore hewentto Sea, , He told me to be sure and answer N07, to all ' you said to me... dole re so . 3d. /If when walking in the gar-den,P1ucking' fluw’rs all wetwith ‘H will you be “of-fen—ded, If I walk andtalkwith you? \_/F Nu Sir . 4. If when walk-‘ing in? the gar . den, .1 should to ‘be mine, And should tell you that love you, Would you \/ii then my heért de — clinez vss, sum Words by W. NLHADINGE . Allegretto con Spifito. mf‘ my When the ship went o’er the wa - te-rs, Ah! but then A T of many daughters, And I 1ev’d a ysai-llor‘ lad. piu mosso. af'- ter, “If the Squire his suitshould press, Dry your eyes Music by A. M . WAKEFIELD . J’'\ 4‘) I was my heart was sad; ’a tempo. Safd .my mother to me and can up laugh-ter, And be ' ’ Squire” 7 so shy and ‘sur- ly, Came we morn- ing; to the strand, ritard . to answer Yes!» b Dry your eyes and call up laugh-ter, And be sure to an~swc+r C‘ ritard . mf‘ Came the ‘<1 '1 And the birds sang Blithe and a t‘c°n1_p0. .. A “ e_ar-ly Sang Jar sea and sang cam: Band. Said the Squire inav.'kwar«H'as§nio:1i<: Would It Yes Sir‘. you now con-fess, If I should declare my passion'.‘”And I laugtfd and an-swex-2| roll a tempo. cres. > >> (I tempo. If I should declare my pas-sion'.‘”And I laug'h’d and an— r’d, ‘Yes. a tempoQuoth the Squire in anger, Tru - ly! So you mock me then,you ll ‘T170830. mother? Yes_ I said, nor laugh}! the less Tell nae do you love an -. o ether! Yes sir, if yes sir, yes sir, yes! Tell me do you love an- 0 -ther? Yes sir, yes sir, yes sir, K.‘ ,-\ )0 ad libitum lento. yes! And the birds sang leaf - y hidden, Sang o’er field and morning sea, And I f\ a Pp }. cres .. cen - 1’. answer hidden, And was true,sweet ‘F({3rt,to_the1“-:3" raﬂcn - tan - . THE. LONGEST WAY ROUND. » Wortis by FRED:E.WEATHERLY. ' . . Music by JOSEPH L.ROECKEL’. Allegxfetto grazioso. Leggiero. > g‘, k 5? I-1 B-v : Patience to max‘-ket at Mil" ._. ton has been, > A_i1d now she stands doubting on Wﬁst .— bu_ry gt-een,*The1-e are two roads, to choose from;And which shall it be? The ,,, pp dolee. road thro’the valeley, orround by the sea? Whichshall it ‘be . Which shall it be? She ‘§)a1't.e , ,5 OM53. ncgv- er has been round the path by the sea. Which shall it bé? Which shall it be? She a\\aI'ga1\A0 . . nev - or has been 1-oumlthe path by the sea! a“e’mY0 There is some-body waltchingthg doubt in her face,And some_bod)’sboundfo:-the X - - . I ’ ver-y same place,An<l sume_bod.~-y‘ suﬂ - .ly makes hold to suggest That the The longest way reunal‘. pp <\o\c»e,. way tIu~o’the va.]—ley,thuughlong1-:st is best. “'her..ev - or you 1-oam,Wher—‘ev _ er you roam, '1' he longwestway round. is the shortest wayhome.Whur-ev _ 9:!‘ you roam, W'!u:r-ev .. er you 5.-oam, The 1!- 3“a‘-‘33-“““ - £3 \'1t§\e sk\wer. longest way round is the shuriest way home!” She caupnot helgp think}... ing how b . ﬁﬁme slower. @- swcet it would be To climb the 5trtM|g'<». pnﬂx —way and wit by the sen; Rut when V/,_.—-——.......%____. Thtr. Iitnpgbt way j«g~::f1:J , some.bod—y part at the door Her heufs sing_ing some-‘E)ody’s rm,’ ‘ song o'er and o’er! “Wher -— ev _ er you roam, Wher _ ev — or you roam ,5 Temoo X“. ‘ pp A0‘; . longest way round is «tho sweetest way home, Wher .. ev - er you roam,Wher— 1"«\\\.> > m o ;=:«,\ ‘ ¢f‘...£”...._€.._.."" ev _ or you roam, The longvost ‘way round. is the sweetest way._. home!” 8-van ~ 1 f oo\\‘!x)19a1'>’(.e . The longest way round. V IN‘ DlRE.A1VILAlN_D Tempo «ii Valse. R?- 1. In xlream 2. let - ver Where loves - ses ’Ti'll~ youth’ - life for eve -” ning clo Ah! who » would Uotnp. by R. E. BATHO. lét me: dwell. l Earth ..ly I-ics’ to wan - der on. _ ln my land of ‘grand . An — thems swell, Glad’- ning and hope have flown And life’s. ‘:0 fresh ly ‘bloom, lin‘ - ‘ger here. heart s flowlrs In ‘that home so fair. . . . .* . . And their breath. 0f.sweet per-fume, Ming-ling‘ care with sor . row, While in Dre -lands sun - ny clime \ ‘M r Min - glcs w tire Abvalvm - y air. Th.e‘re thr0’th<r haze of gold -.en light All that..’s bright. we bor — " -row. Friend — ly voi - ccs greet, us there, Shines the fn — ture pure bright, the trust - ing heart, holds 9 And ‘our tran 7 quil glad-ncss share, Breathingin mu - sic soft and dear, _ brmies hke fruit thats cluster-mg near. ._ Then-. . . . . H1 dream - blest _V;Dreams that lull‘ the heart to rest. Then. . . . . in dream - In Drcmnluuul. 0 let me dwell! Earth - y ties 0 let me dweill Earth -y ties Where loves grand An - thems swell, (}lad°— ning Where loves gs-and An - thems‘swe1l, Glad’-‘ ning lu Dreamland . To MISS ‘CLARA J.BAU. CHANGED HER WIIND . Words by F. E:’.“'EATHERLY. ‘ = Music by A.H. RUSI‘;\VIG . Allegretto . Some -bo '- dy ° walk-ing one morn-ing in May, Chanc’d . to meet some-bo - dy on the same way; “SEE I go} vwifhv you?” some-The - djr Said, S0me—bo .dy CCtF—‘1‘RIGHT mm 1-H *;v‘%’.?,=‘.;‘:5'm~..x-.,~., sau - ci - ly toss’d her sweet head. ‘ some-bo - dy turn’d on his heel where he . a telmpo; stood And gloom-‘i - ly walk}! down the way thro’ -the wood. ‘ piu lento N. Fa-ded -the gold!‘-en joys out of the trees, Drvea-ry and sad grew the voice ‘of h the A‘ breeze, Some-bo- dy’s watching-,with h . AJLR-57. 5 . anxtioueg eyes bent, Watching the way dolorosa. V ’ ‘ 'v bome-|m - dys weep- mg where some - bo -- dy way thro’ t he Tempo I 7*’ Some . bo - dy found her at‘ - ter two hours A.Il.lloI‘7.6. that stood some -130 - dy went . agitate). t And Weep - ing her ' think - ing how lit - the heart out to the flow’rs, “Shall I stay with you now‘£’§ome-bo-dy said, Low-er ahd low - er droop’d some -110 -dy’s head, ’Til1 some — bo - dy sdoth,d her,as some - ho '-~dy animate . And hap-py ohce more is the way thro’ the wood, ’,TiI1 some-bo-dy sooth’dher as some-ho-dy could, And hap-py once more is the way time’ the ' wlood. A.H.R.57. 5. SUMEBODY.% G‘. LANG . Largllet t. 0 con espres sione . rita rd . My heart is sair, I dare na toll, My heart is sail-,for Sumo - bu-dy, Her pro1t_V face is pictured in my hs>art.A beautitﬁl Songand Chm-us,by John T. Rutledge. Price 40cts.(IIlush'-ated-) 1660.3. Copyright 1878 by -VV.F.Shaw. ¢,._-“.14 wake a win L tar night, I-‘(Ir lhe sake of sm_m.~ - bu o--d_v_ Oh‘. b hon, for some- lm_.‘¢l_v . ' hay‘ ’ fur some . |m-¢!y! rimrd » 5‘ would range the world a . round, For the sake of some . l:o.d_y (‘X <=oll,a rave. 9 . . . . pmvn-.s't|1:It,snule on vxr-t.uouslove,(), swcet—l_v smnlc nu scmue .. lm-¢ly!l~r«e - .ka (lam — gor keep him f‘ree,And send me safe my some‘ .. lm- dv. Oh! hon‘. for some - bo - dy! hey! for some .. bo- (|_v!\ vita rd . wad gae where I ' wad not, - the sake’ of some - ho- dy. K3 calla voce. SOME DAY. 0 words MUSiC HUGH CONWAY, _ MILTON WELLINGS. Moderate . know ‘not when . day shall be, V I» know not when our eyes may ’know not are far or near, Or are you dead, or are you _ Wei-come you) may "give to me, know not who the blame should bear, will who ‘ sad who your words he should plead or eyes are clear- er world is wide, but, Love, at ev’— ry cloud shall roll a - last, way “—'..2""" <;jj ‘ T /’ L’1stcsso tom 0. d . ay Some day,‘ It may not But when we dim and grown the truth Our hands, our That dark .. ens tress - es may ’ ’till years have some day, some -ftcmpo. hearts, love must meet ’twixt you some and day I shall / Love, I know not when or how, when or how: on-ly this, on-ly this, this, I love £1 now, On-ly this, I love you now, calla vocc . I know not that once you is. tempo. TWILIGHT 0N‘TIIE SEA. QUART ETTE. Wordshy «mu: M.\‘1cm:ns. V Mimic by w. r. suyus. Mode rato. . A -\ Moderate . P. Now twi-light falls. up - the sea ‘Thewild birds heme - ward wingfflwir Ayru. P Now twi-light falls ‘up-on the sea L The wild birds home - warcfwilug their copvmawr 1332 BY W.F¢Shaw . The dew-drops gath - er on the lea, Andsha-dows gloom the fad-ing The dew-drops gath - er oh the lea, _And sha-dows gloom thefad-ing‘ mid - faster A - hey comes faint the cry, As near - er speeds the fish- e‘:-s mer- ry As near- er speeds the fish-ers mer- ry comes faint the cry f‘ t ‘ ‘(l$(37' mf TE Twilight on the sea. /.\l° from wait-ing',watching' hearts‘ so true. P f\ crew. A-hoy A-hay the fond re -p1y from wait-ingywatching hearts so true, F.'\ ,3!“ mfﬁlst And the break-- ers eréshgﬁknd the break - ers rear, And the dark - ness veils mf CV98 And the bre=ak..ers crash,And the break— ers roar, And the dark- ness veils . : "f "U, fast Tb:7iEi_;j‘ht nu Iiw <;=“.'« 3 ﬂ‘ - M > slowly. land - sea we o’er. And the break - ers crash And the break- ers roar And the dark - ness veils the I 9 9 K3 ff fglozvl y . F.\ lam! w scape o’er. And the break =- ers crash,And the break-ers :Xr,And the dark - ness veils the ff / ” A Pslmpty . 9 land - scape oer. . M ﬁrzsape o’er. . Modgzratb Oh, hap-py twi - light calm and sweet, ' That bids the wea . ry world take‘ P Oh, hap:-py twi - light calm éind sweet, That bids "the wea. - ry world take The hour when part - ed loirsd ones meet, ' And peaceful home‘ is d0I_b fly _'l‘he hour when part‘ - ed lovgd ones’ meet, And gieaceful home ‘is doub- ly Twilight un (hr ssh. faster ‘ ' blest. But hark: A — hoy_! How shrill the _ cry Now o’er the treach’rous,f'oaming'billows f fa St“, hark! hark"! hark! harukl How shrill the cry Hark how o’er the treach’rous,foaming billows faster 0 slowly . I r.\ P borne! Goodnight to joy, to peace good - bye, 0,wretch1i,waiting,watching hearts; forlorn . . slowly. ‘ hfo\ne! Goodnightto joy,Vto peace good-bye , - A O,wretch’d,waiting,watchfng hearts f0r]0m.'.' f\ élowly . app mf Fast. And the break - ers crash,And the break- ers roar, And the dark- ness veils the land-scape o’er, And the mf . Fast- ‘ And the break - ers crash,And the break-ers roar,And the_ dark-ness veils the land-scape o’er, And the m . fFast. mf ‘break-ers erash,And the break ~.= ers mar,But. the fa. — ted crew he a turns. SL015. hrei1k- ere cresh,And the hreak- ers roar,But the fa -.» ted crewht be - turns. . . (, Twilight on the sea. WATCHING ‘Ann warrma. Words by HUGH CON WAY. \ Music by FHEDERIC H .COWEN . lam watching‘ now as in nights of old 1 watch,d,till o—ver the hills a- far a glo -. ry of crim-smland gold Pa1- ing the ligm of the morn-‘ing star, Pa1.- ing the light of the nldru - ing star. /‘ When the res - es,f'reshwiththc ear — ly dew Nodded awel- come d.im,.c rit. Con moto . one 1- lsmcw Might come with the morliinng light . '0 mlta vocc. P Break blush - iug dawn, he - gin I _en reign , night, Come hap - py day, the has fled Watching and Waiting I, (hf And _ . ~ - » A \ . . T 0 lov -L M ing hearts may meet,may meet a - gam. . Temlm 1- . . _ . A /3 /—\ A“ P . T Still 'l'l)und my window the rosl-e's climb 5' A cloud of white and a gleam ‘of red,-'TAhe ' ,/ \. - con scntimento p 1:; ck the. schent 0}‘ the L018 svlreet t'1me,F0r my love who Iovl! ine is dead,long" dead, My love who'lov’d me is ' c C‘ 1'88 M dead, long dead . /\ And the nights are long,and,t-he days are drear,And darkness lies on the 5’ wgmraeig ‘am’: iwaitang I dim. earth for me, Watchizlg and waiting till dawn draws near, Breaking in. gold o’er a shoreless sea . calla voce. Con mote‘. 'Break,hap-‘py dawn I soft - ly .p§ay, Fade,weary night of‘ ._ lone -w—/ly pain, Come radiant mom of end - less day, That nieeét, that hearts may meet‘, may meet a -- gain; r.\ -«A A ‘ . . Watclming and Wuitixug . 'l‘1I]£ MERRY BIRDS. 0 BITT‘ E001-xL_u::B1~.1 VUGELEIN. English Wijrdé by J. .M.H. .-. .. _ _ .-.-__ .. Am‘ ' IT 0? RA NU .VIv_sio. by FR E U, (YUM H'ER'l'. legge.-remcnte The merry birdé are sing- gay, In mead and g ruve their alleery la)’ , Tw o wings have 351111! vielé tat-I-5-end V('>'—g'e — Ieiu. die singeu hell‘ im grii — um Hairt; sie ha- Len they Withwhich to fly, (Yerlmxd mud sea xntitxlltadné high; 'A1K1Yui«0Q‘:.s' .811 zwei Fliig —‘k=in schﬁn, -zu flie—gen ii — ber Laud uud is-win, sic-. ha-hen ~ .si\l\l,~2,"M with might" The-ir joyful praise frum heartis de - tight. siis -- sen Nfuml‘ vn si-{ﬁgs-In hell’ am Her.-. zerfs ..grund. Andante con moito espressione 0, ye lit 0. I ﬁws/uvu\.mA.x~Ibvvvw\«s\\‘\~1~~s\w\\~sv\«sv.\ Down in a. valewhere sparkling springs Filltheoool air with murmur — ings. Where flowers V Ich will euch . sen-den V in einé Thu], mit lust’ gen Queue“ 0}! - ﬁe Z8311, da Qb1ii~hén7 C Tswveeti and bﬁ-tSiItéousV grow , And gent-ly to .zeph—y1-sh Tl_)uvvr.. Thgreis my‘ Bin; men‘ siiss und lind, und nei—gen sich’ im A - Lem! wind: M Ich will such own love}; not — 1‘ tage dear, There springtime 1a’ughs'th1-0' all > sen - den. vor ~ ein -Hans-, da lacht der Friihling selbst A ‘V Aﬁ&&ﬁte .0 Saygy yae ' lit .-' .0 -bitt’ ‘ euch, lie - ry birds ge — loin, sage V hear, I _ te. xhein \Bo >.. .. Az;“itﬁ!.n. A11! could I fly in - stead of you, I3 téll her how my love is true,'M_y ._ Am Ijeb..g1cu fliig’ ich sel ..~ her hiu, und sagt’ ihr wie so Atreu ich bin, uud. 3" . pain to her I wou1(i oon1-pTa—i.n, That. far from her I must re - main‘. Up—on her Jdagt’ ihr «mg-.i-no lan—g;v, Pein, d-as fern vou ihr ich jetzt muss sein; da liigich breast I then would rest. With kiss for . V be — lblest. . auch an ihr—rer Brust, und kuss um‘ kuss uud Lie- hes - lust‘. ‘u _ Andante con fnolto espressione Oh ' say . ye lit 0 -bin’ .euch, lie I 34‘ ‘ ‘ will none_ will lfeius O sgsy ye lit - tle merry Bo -» la main B0 — , 0 l)l"f‘|‘eIIch,lie - bcV('>’.. gt.- none, will name its 0 bi1t’e.uch,lie - be I] \‘\!.\\\~.~'~’- coon BYE nus WI'irteI\ by ‘V. J. STEVVAR1‘. Allegro! t o spirit o_.\ > ,, .1? #5 Not too fast. ad lib. U are speeding a — way my 7 139% what. VV ’ l The hours -1 And" think ﬂue:-~33 "work To L wcaxh—_e_r ev - er may paﬁﬁ wen L'(ui\pn.\‘é{d by VV. C. LEVY. lass And xsnrmwc must say good- my . ., trust to our Fa - Hmr's and you,’ ‘ Sn ‘ of life, And \ . to do _m«-. the Strife. on sun: we haye no‘time ‘ . . . - Then cheer up wife, let us’ rest. in the port ' Then fear not wife, Ive a see thee smile ,, Let tears; ﬁll tn — mm» - row ’ b"e' , sound good ‘ship , That's sail}! (99: man - y a sea. ,_ be I as bright ‘as ive "can I hto-night , ‘A -‘fore I'm a‘- way to crew as bold as . ev - er was to1d,'Will sail in that ship ’ with M gcolla vhée. TL L V I A - fore ﬁn a -way V t_o sea, yo ho ! [Will sail in thatship iéith me, ' Wiih mess -mates A tru and a gal ~ .,g* > 101- will ne‘er, no ne‘er com ~ pl'¢g1_,_;. . . — — — — — 7 - - - - -<- _-/—_— - - - - And a /#\ . . k lit: Lie 7 wife _ . _ . _ _ _ _ __ the pride . _ _ _ __ of’ his life_____ . _ _ . . _ . -_ To welcomehim home a ~ gain, To we-Ionmchim colla Voce A dear lit-Mt-. u ifc. the pmdunfhis (g_ I _\ V’_.-’ \ ,/ - . V - , - . VV life. 10 we! - come lmn home — gam _ _ ___ . _ . , _ . . __ _ _ - 4 . . . . . . . . . . . . a tempo. BLDSSUMS. Wﬂtt«=,nlny ‘ » . A V’ _ Music by 3 1u¥:ATIm:E.Am:m:1'mM.Bu:. '» I _ ‘ \ ' _ J-L~HATT"N- :_A.|l+-g|fei.t_u . Bios - soms sweet, and blus - sums fair, c res, lﬁlossoms, blos - sums ‘K cv . ry where; A - hove, a-round, and at my feet. when-. ling‘ greet,where’er. I ling greet}. . . snow - y white, we1— come sing‘, Ye love - ly chii. =« dren of the Spring‘, the Spring‘ . . . Sf Blossoms sweet,and, biossonxs fair, Bios-s0ms,blos - Sums PP L€ggi€"I'0, where;A -hove, ar0und,and V I'cet,Whei‘e’er I turn,ye smi ..,, V , ,9 . . .. - - . . .= gaunt, VH1cI‘L'-Cl‘ tum ye mm-h_ng greet,\mere’cr I {.-‘T -1-es /ﬂjj . V l78=’+.(i. Blos-soms sweet,aml blos-soms fair, ' Each a lit - tle V I nws - sen -ger . . . Sent, :1 Pa -the:-as love to show To His chi!-dren, lxcre, chi1dren,hcre,. . . . .’ l7‘8-'1-‘L clouds a 9 un - C1IE1Hg‘(l' on - (lure, love that doth its smile ob - Scure, - Am! doth with 2''’ 13105 - son: bring: \ 131° leggiero. 1784.6. __x\ Fresh prom -ise un - fa - ding Spring‘, sweet Spring B105 - soms sweét, and blos-some fair, Blces-soms, Mos - sums ev’m ry where; A-hove, around, and at, my feet, Where’- greet, T Where’er \ ax ye smiling‘ g‘reet,where’er ‘I turn ....................... ..... .. 5 .__.._‘ J’ ing greet . . . . . . . . CRUC|FlXl (0, COME TO HIM!) English version by GEO. BIRDSEYE . 1 J- FAUHE - K . Andante re-1igi0s0.(4:<53.) Vous qui pleu-rez, ve - nez a‘ ce Dieu:car il pleu -’ re. All ye that grieve, 0, come t0H'im.'R¢?-lief’ He giv - efh. ben mcwcato. Vous quj souf'- frez, ve-nez :3 lui: car 1'] gué - rit. All ye— that suf - fer, come to Him! For He can heal. qui — rez,. . . . . ve - nez 5 cc Dieu: car i] pleu - —‘ re. . ya that grieve,. .. 0, come to Him.’Re — lief‘ He giv -» eth. i s - frez, ve- nez 5 7 lui: car il gué - rit. ya that suf .. fer,comc to Hun.’ For He can heat. 73 1‘ E-,. \ .Y0us qui tremblez ' ve-nez a All yr? that fear, ' 0 come to nez lui, . . . . . . . car il. . . . . rit come to Hun, . . . . . . HIS pres .- feel.’ ~ cres. _c0lV canto "J-;"""' qui In pas - .sez, ve - nez $1 I lui: éar il de - meu Death shall come, tlS life with Hun, Your Fath-cw Lw /marcato. . re, car il de - men . . . . M Vous qui pas-sez,ve-. eth, lﬁur Father Liv . . . . WhenDcathshullconzcgtls uez ‘a lui: car il dé -= meu re. Vous qni pas - sez, ,ve-nez ' 1; life?‘ with Him,Y0u'r Fafh - or [iv PM.’ W hen Death shall come, tis life wifh Crlutifix. Crucifix . f car il de Your Fath- er meu Liv car il de- Your Fath .. er. '7 ff} PF,” :37’ A /‘ ‘ g_§_____i i1 de—meu - - re.......... LFath-er liv - eth . . . . . . . . . . (3 ‘TM’, Wm. CLEANSIN G FIRES. wuras by A DE LA11) E p}{()(‘;T}aj R M(’1;s‘§u by VIRGINIA (£3. 1% EUEL . Moderq,t0_. ‘ risoluto gal’; 1. L*—"t‘tl1“’}' gold be cast i111-he 2. In the crux — — efl.fi,re of .mf. L’. 2. I -...‘.f,__,/ \‘/ \Y furnace, Thy red‘ gold precinus and right, Do not fear - . 3- / the hI1n—gry sorrow Cast thy heart do izot faint or wail, Let thy hand. — — be firm and ﬂ . piu cantabile. \_/ " ', ' With its caverns of burning light, And the gold 1*eturhn1(xre Do not let thy spirit quail; But wait tillthe trial is L} . L___,_J' Precious Free And from ev’ take 0 ‘-,V€I' — 1'5’ Spot and stain ............ -- . For. thy hu2L1.'t at — grain ------------ -- F01 as ._ ‘P- I I ,- gold must be tried by gold ............ —m " ' gold must be tried by Is tried by gold ———————————— -— is tried by gold ———— ——————— —- must be tried gold ...... -, ............ -- is tried ¥/ can dolore4qppb1s.<n‘0na/E8. ‘ A \__________,, .fi1‘e, As a heart mustbe fire, So a heart must be tried tried - calla voce I shall know by the gleam and mf g—_/ L.’ glitter, Of the- ' g'0l—dén chain you w?2i‘17, By your heart’s calm strength in 10v—ing ------- -- Of the ‘ fire Athey haveV had to cantabile ma risoluto 0 K‘ ._—//\/ . ' 0n-.- ---------- trueheart for - ev-er.’ ------ -- ' h1‘ight,stI'0ngg0l—de11 And Vbless --------------------- -.— the c1em:s—in.;; sempre CTCS. _Am1 bless .... -- the oleanaing fire, \__I/ appaxsionato. \ bléss .................. —. the cleans -‘ ing fix-e,-———’-——~: ------------ —- And the fur—nace 101 FOR EVER FAITHFUL . CTOUJOURS F1D1§: LE.) Song for Contralto. Words by JETTY VOGEL . Music by Mme . SAINTON - DOLBY . Moderate. 0 v Pgﬁ A fes - ti - val! the joy-bells rent the air, Gay pour’d the crowd. shed no tears, no tears had she to shed, To sit a while fJj”=j\ P . wardVth e ci-ty faif: , One si - lent wo - n1;1711 held her lone-ly way,» vsi-lence by her dead, To tell her beads, and. to her home re-turn, /'r//Z . 1-e—m0te, the qui - at sleep - ers lay . . . . . . lace this’, for which her heart doth yearn. . . . . fi - ate‘ - le, ‘ Toujours fi - de‘ - le, — er faith — ful, For-ev - er faith - ful, ’I’mg'ours, V ' Tolgjours fl‘ - dé For-ev - ,‘ For-ev - er faith f\~_________,_2 wreath " am - ar - an - thine bloom, ‘fcs - ti A- val this orow1|’d her year. I,¢'g(1t0. Fmx-\'|!1“Faithful, fade - leés t,wi11’d . - - 3 clang — mg‘ . ' Jarrd accel. un poco. scroll of accel. un Tau-jgurs fi -dé - 13, And Held/ one mdre “dear . . . . than- T Tau - Jjours fi - dé - Le, For -pev - er faith - ful, Iurevér Faithful. but for the tomb; not on her ear; its ground of flame. her 011 - the way. . 4 gig in her" heart the same. she, that fes - tal day . Tau -jours - dé - Le, For-ev -4 er‘ faith - ftfl, accel un poco. ‘Toqjours, ujours, Taujours fi - dé‘ - ‘Le, For-ev e V ' For-ev '-K er, For-ev‘ - er. faith - ful, _ accel un poco. rall.e ores. Tau-jours. ft’. - dé - Le,’ Tau»-«_}'ours fi - dé - lc,_ For - ev - er faith - ‘fab For-sev — er -‘faith - ful, /”ate7n‘1W-'-""/ '1' ujours, Tout-fours fi - dc‘ For-ev — my For-vev - er faith :\“\\_____.:-=i/ cowl 12009. /13 Fvyrvvvr 'F'1iU;|“uL womas av R.E.FRANCILLON,Esq. Kﬁegreito géamioso. P . — shine BLOOM ON; .MY "ROSES: MUSIC BY FRED.H. COWEN. 1.Eloom on,‘b1oom on, my‘. Q. I go foﬂirwer in. More More than be sum - bright ~ Iy bright than — fore, _ _ _ . . _ _ mer weaves, _ . _ . _ - Re T?raa=u3 1'05 _ dew ._ ~ turn. I giit _ ter on —. es, - tirops , mun>.,_-._... I go, the rose to gath .. er, “Those fr'a..gI-ance fills the le21Ves,-_-_ To float on gales allure {Ta _ grani, Than eﬁen the ros .. es skie.s,_._.__ That fades not e’en in "win _ . ‘ter, Nor dies when sum _mer move,-__._ To pluck the rose of Heav _ en, That blooms on earth as. dies, _ _ _ “ V dies when sum. mer dies._ _ _ §ove»— -’ - ‘ blooms on earth 1:15 l0ve._ _ .. Bloom on, bloom on, More bright .. ly than Bloom on, bloom on, * More bright _ ly than /,_..-.——_..______‘ o For un Bloom on, gooo .turn nev .. meet} your bloom J to you, bloom on, I now your bloom Re _ turn, _ . _ _ _ . _ . _ _ _ . _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __ Your turn _ _ _ _ _ . _ - Illore, _ _ _ _ _ _ _ _ . __ __ bloom . _ _ _ _ _ _ _ . _ _ _ _ _ _ . _ _ _ _ _ _ _ _ _ _ _ , _ __ t$\;_../ a tempo . 1- & 3 H10r'e.._ .. .. .. bloom on , Bloom on,_ - .. _ .. bloom on, 011,- .. .. - bloom o a -/ ‘T /\ o _ 0 . Elm. bloom on, _ . . . . . . . . . . . . _ _ . . . _ _ . . _ _ . _ . . - -o . . _ . _ _ - - 5/ - 13;) a iexnyo. mum IVY’-«C"LA1) RUIN. BALLAD FOB BARITONE OR BASS . Words by GEO.M.VICKERS. Music by ADAM GEIBEL. Andante con mo t0 . . ' [3 my / _,Tis the old, old church that for years .I’ve knowri,And with i - vy greenlanwa its V’ wa1ls_ o’er-g'rown;L All its "an - cient ' passyd a-way, And the:-e,s naught Lre-mains ing but grim \. de-vcay. copvmaur 135:: rw \\Ut«‘.S}xaw. The pale moonbeams glimmer the ‘win - dows throug‘h,And the A ’ ‘ 5‘ con sentimento. reof - less floor is damp with dew;Both the pi - ous,priest and his flock are gone, And grave-stones watch o’er their dead a-lone‘, And the grave-stones watch o’er their dead‘ a - lone. H The Ivy clad ruin. oft I,ve pass’d thro’ the spa - cious aisle And have met the throng with a friend - ly smile; In the P by - gone days when 1% saw them kneel,When I felt the thriil of the 9 or — gans pealz ‘Eff.-u, Ivy clad ruin. forms I knew en-ter here no more, And no foot - steps fall on the "f can sentimento moul-dy f1oor;There’s but one thing left that with life I’ve seen ,Tis the 0 ad. iib . faith - ful vine of the 1 ~ vy green,’Tis the faith-ful vine of the cres, calla voce ‘M’ The Ivy clad ruin. BETWEEN TWO STOOLS. Words by FRED! E.WEATHEBLY. Music by JOSEPH L. ROECKEL. Allegretto grazioso. is he like?” she when are you gt) — ing to wed, When are you go — ing to wed?.’.’..“His atemyo hair is a hon - ny brown, Nel-lie,His eyes a hon guy blue,...... But a te T /Z“"‘$. .haven’t you found a sweetheart Ne1-lie, Haven’t you found one too?.’?..... Ah, V cola woe . atemgo Ma — ry sweet, ah, Nel — lie fair, . Love for a sum — mar day, ....... .. And >r‘.'~l7/0 nev- er deem that love’s tulx-ea’mTi]1~the dream has past a — way,........... Till the Between two Stool u . atexngo d1*eam........... has whutdoes he say to you, Mary, Holding you ‘../ says ﬁn the sweetest of Nel—1ie, The sweet—est in... the land!..... And Betxxuwx two Stcmls. ‘I1 temy 0 what does yours say to you, Nel—lie, What iioesﬁhe say?”said says there’s none in the world, VMa—- I-y, He loves eoﬁa “vane. pp atemwgo Ma — ry sweet, - ah, Love for a sum..mer pp dome . > >m/J13 nev.— er deem that l0ve’s a dream Till the dream has past a _ way, . . . . . . . . . . Till the Be {wean in u riiuci... . a\itt\e slower . alittle shower . /?"——-—_-‘L V9-a»r\ax\\.e. Ma— ry nev—ex- a wqrd she said, And Nel_lie was si .. lent semyre oo\\a ‘sane. ‘ p misxexioso . Mu _ ry wept, and Nellie stamped,But Jock he , ran . V > he had been court — ing both of’ isheihg For many a sun;-mar” day...” . . . > ¢ . Temyo X9. 1. Ma .. 1-y sweet‘, Nel —lie fair! Lovofor a sum—mex- O I 0 ° c ‘ , . , p ﬂake. never deem that love’s a dream Till the dream -has past a .. wny,. . . .. . . . . . past...... a—§vay,has past a — _ /3 Batman two Stools. BIRDS OF A. FEATHER. woipas by FRED.E.WEAT’HERLY. Music by_JQS._EPH L.BOECKAEL. Aﬁegretto con sgirito. Richard and Do - ro .. thy, husband and , ’ Led an un—com~mon — ly» wran—gled and jun-gled, and fretted anti fumed,Til1With one con_stant war.f'are their; eoﬂa wee. com—f0rt_less life, For what the one thought of, or ta1k’d of, or did, lives were con-sumed; Theirtongueswere ex- haust—ed, their tem _ pers worn out, oth — er one grumbled at, thwarted, or cmd. And life lost its cause they had noth—ing to wrangle a — bout‘. The neigh. — — bors were sun _. shine, and ' va.in........... They wish’d themselves right: it was best............ That birds of a -- gle 3. - H — g3.in!onooo‘iooouco- L. er _ should roost ' nest,....-------u it : '________,/ c.‘e'§livoee. A Tempo. Sehemoso . as for the neighbors theythoughtit was best. . . . . . . . . . . . . . . . . . . . . . . .v.. . . That Richard and D0-I'0—t-hy end.-ed their strife......................... .. By 11.- > ' > > > mf A Tempo’. _ ' \Egg'1El'0 ' Bmia ofa l‘ea\he..r. bi:-dsof a feath_e1-shouldrooat in one nest,.....‘.....'..o..........T...... g‘ree—.ing fo difmfer. the rest of their ].ife,..............w.....,.=..a “ﬁg. > leggiero . V V _Roost in one ms*i.,, reusﬁ in (me nest, _ Birds of a feather shoulxi mosﬁ: in one nest! coﬁa igarte . E11d_ed their strife, en4i-eii their shiﬁs, By .9; m gtreez -.. Eng to“ dif — fer the f - coﬂa \;>aﬁe. 13 fherir life! ‘Pirris ufa fzlather. LES » RAMEAUX. The Palms.) lfnylislt uval-(I9 by E. WIM. T Musiv by ~ J. F.-lI'}x'li‘. A r: dun /:9 maes tn.-:0 . Tull. Pa.hx1t,1'e-es and f1ow'rs unite up -' nu our way, Stu-' nus c -1111718198 ra-meauxet [es I’/ezuzs Pad is fed Greet. ~ it-|g~s !.hv_vhl'ing to us uf‘ jay mxdf .f;lad11ess, Lu, . Je -sus corners hail aus- Srmf re’ - /amzrlus ¢IcI1:.s-re _qr-zri2rf_g‘:a:g1* ale fe .. re, JV» ..~;I1s .s"tIl7‘(l/I(‘(‘ il Me’/zt sf?- ff===-- ‘pi-cimzs day,. He comes to ban’-' gitmnx and 5' - m,-55.. v/wins nus 1 }Il'eur.s- [I43 -. jz} la foule [1 /i'u.- - cla - 7118!‘ 8:71}!-}Il'(§f(’-.' F‘v)pvri;,_;~.hr Pet) - 1! and tongues ' p1°aise. Tune we-x/’~ 3 Vvtailc‘-«T 4i1an1«.- )9 Pen ’ Plus 0/umtez, 1-lmute en v/zuezm Qlié’ m-Atw 1302.1" a nu — tree _> 0 _0 Q glad - - ly sing - ing, H0-san -V G10 - ry to God! vozlr re’-pan - de 110- san - (%Zoi1"e au Se2;q1wur.' .a / : Lama . sh: undo. G10 - ry to Hunwhuoun1esb1'im.ngsal - Va. - Be - - ' *e~/fizz’ qui z:z'eI1tsrm»r‘w'* /4» mm: -- col canto. gen - tle voice per-vades a. par — lé, les pm - ples Re - - juice a. -loud e —1'u -= sa -' lem the — .- jazz - is #0:’ Sam-te Je - ru - .s-a .rj-V who brings life jqy and lib - - - er — ty, - mu -w vre leur li - her - tie pe7'- du - //"\ thy notes j0_)'-mus ' "praise as - cend - mg, en-fuI1t.s* i 4-hrm-fe . dé - - Ii - I71‘(IIl - me ff L?” who gives in dark - est night song, -- 711’ ~-- te' donne 31 c - um ‘ droits his grace of Beth - le — hem the low - ly, - rt" — re‘ le Dim: de Beth - 12» - - hem, Light the way -by, ‘ Lord, from thee_ AW ' In/-miére eqt _ 21 cha A - can ren- due; Shall in grate - our - ces blend -. ing, A — la fois t’ap -- par té V - pe'- 1711109.’ 1§‘qrz.~1u/(Id. rz. Imnpr). P90 - -" _ and tongues chant praise . Pen - .. pies chan- tez, chan - tez clweur; Pen» - ple and ‘tongues chant praise. chwm; PW’ - ' I"¢’~°’~‘ chau'--tez, fehnit - tez pf Z"‘\ ev’ - Voice, His name be - ly sing .. - , 2:0 «- tre voir ‘ 52 no — ire re‘- pan - 49 /"—’\\ d‘ voice - - v - ' _ _ ' ‘ H p ‘ 13 mug mg van" a re‘-pun - de, 1'9 G10 - - ry to .Gnd3 Glnire . (til Se{uneur.' in Him who cmnvs bringing s-‘(:1 - va_ - 09- lm‘ qui zrient .s-au~- ver le man ,~ - tinn.! T de! ...... -. " 3 or last time. I \ GIVETH HIS.BELOV'ED SLEEP. Words by MARY MARK-LEMON. Music by JOSEPH L. R(.)E(_?KEL. Audnntino . m . L A 1 3 J -in - uen - do. C‘ I .1? I 4 i _‘ I Espressivo . Who are the Lord’s be - lov _. ed, To whom Yet,when the I,,0rd§ be - lov* - ed Are called w Are they the watchers on earth, . .. Or are they the faith-ful in heaven’! . We. yearn to wak-en their sium - hers, For-get-ting that He knows best; . . We dim - ‘in .. uen .. do know not, we ask notw,We bear but the promise Fall-ing up— on know not our blindncss,We heed not the promise, OUI‘ way, Likct‘ But when lifzgs sha - dows C rec p , We LL? espress. dis - taut song of a pass — ing an knowgthat the best of His $. _ ,;~:_7T" - gel, Sing-ing at close of day. $ heav’n-ly treasures,He gave His he—l0v - ed sleep, . . (I frm 0. Pdolmssz mo. \__j____ I F U 1' 41 I x 1 n I A] V - _ I 1 L I I I\ I L A! X I ’ nr Rest and sleep, no wak - mg pam Can I touch that gold -= en ] I I inf: if .2 fgffé. zt ,§:"W"' Uvgivoth His bvLzv(=d slvopl. and sleep! who does not yearn to reach His slum - ‘oer - land, . 1. motto rail. (1 fggﬂpo. I-each His slum-her .. land! . ‘ .. . 1"”‘““'\ E. . ‘V: 1 mil. calla pm 6:... . éy._ - zmouo rit.’ reach His slum -her - land! . . . . . . . . . . . . . . . . . . . . . . . . . . /\ KN ? . ’:lnolto rit. ' KN iivv -_{iV‘P{h His be10ved.sl+*op. Mezzo Soprano . :\udauti110 . Iwgufo IJI) PP Fall - ing leaf‘, pp 8 legato Shadows ris-ing‘ N; GO0D—BYE! and fa — ding and tree, me; P‘. '[’_A(’)L() T().‘.*7sTI . rit- MS " Lines of white in a sul-Ian sh -dows rs-E on yqu and mo; swab-lows am ma-king them read-y to Wheel-ing out PP lenta mente Good - bye, Summer! Geod — bye, Good-by.e, Good - bye Summer, Good -bye, c-res‘ P parlato e paw gzizz , V {J}? molto rail, 2! 2 ;.::::%:1£ 5?: mice from the far as a way! Lismten and learn, it seems.. to '/’;*~\_ We pm - *9’ E \»-..—’ F P No rulhcvl, All the to nmorrows shall > S 3}’, The is frayed the crilse is l enta menfc lamp. must — die. Good— bye, to (\ col canto Hope! /‘K - bye,_ to b Good - bye, ‘ /& (i|- nil-i‘:,'v . be as to-day.‘ All the to.-mormwssha1.l be as to- 2* The link must break, dry, and‘ the ores. (1 p000 Hope! Good - bye, Good- /'\ Good - bye!‘ /‘K ares. a poco parlato. wait - ing for? col canto ' > ‘Kiss mest onthe _brows! . . . . . . ' Again}... heart! . . , What are we wait — ing A plead - _iug se mpre ?(Ir'q<;'mz':“n’Y‘r,>, > . ery......... Good-bye; rite orfe. > > > > .> > ff largn m£."ni(’. rif- Good-%- bye Good - bye. . . . > > ' d1'rn.se'mprc /-\ col canto. “ALL '1‘HAT.GLI'I"I’ERS” ’ Wm'¢,ls by FRED: E AVEATHERLY. Ailegreﬁto sempjict:-. > 0.‘ A / P cl Q‘ < 2 de - greé, » clad, He was born Rough and , in of high fus - tian wooed her long in Wooed her his court -=' ly Sim V- pie tone, way, ‘ r dolce. heri dear sake would Said} he teased her, glad - ly die, bade him go, fldolce. A \ b "“““~ Music by JOSEPH L. RUECKEL. >/-\ - ly a vil-Iage maid - en she: Robin was but a , vil - lags lad, Said “ he ‘loved but But she lig‘-ht-ly her a-lotfe, For ‘said him nay, she was hon -‘ est All has sweiat when Laughed to see his Sim — ple village maid-en slhé, Trusted him so faith - ful - ly‘. Sil - ly lit-tle maid-en fair! . Wordsaremany,L0ve is V1-are! AT A ma. /3 Sim - ple ml - lage maid-en shé, Trust — ed‘ ‘ so faith-ful’-ly! Sil-ly, sil—ly,sil-ly little maid-en fair! Words are ma-ny! Love is rare! calla parte.' 2_ Slower. Sadly.‘ Ere the .l~;un1-n1<:r time had y; ' ,2 loved so well was wed, Sl0W(;‘I'. T 100 All that glitl.“-.‘., . % Rob-in too had found a War - thy of his love and . life! calla parte. Allegretto . come prima. Lit ~ tle maid — en, chide I L Learn the [es - son ere too Allegretto . ‘ P Heart are cast in ma-ny a mould, All that glit-ters colld pa:-fe is not gold! All that glituters 9’. All that glith-rs , 101 ROSE LEAVES. VVALTZ SONG. COMPANION TO ORANGE BLOS SOMS . Words by GEO. M .VICKERS . / Music by ADAM GEIBELM. Tempo diVa1se . P The sweet - est‘ flowers that bloum, they say, At last. must with-er and a - way; The _ _for my hair, Was fra - grant’, - t.-y rare, And tho’ . its leaves have fall’n a - Way, Yet COPVFNGHT 1332 BY VV.F.S}.>.aw. pre - cious ' they: My pretty rose ; leaves, ah! 1,11 ne’er for. you bIush’d with morn 4- ing; dew all wet- sigh-ing ah! ~cold’s the day, And fad . ed f'1ow- er - ets strew drear. ' Rose leavm . \ my way; The dow buds have lost flleir with Au - tumn’s gloom- My heart. is sad, pizi Lento /7 days that’ ro - ses bring- My pret,t3} rose (“s (,3 piii. lb mo, 54 . . How once you blushd‘ ’W1‘UR nmrn - mg a§ew3lE wet; Ahi. , , . A ., . x-M bloom, And a11..._.;_.’. is long for leaves, ah E911 ne’er.f0r-get spring , For . Tempo I’.’‘.‘’ can gracia. Pr-ét - ty, ' A» .b each leaf /2 bright for you A And I gathered its jeaves in the 5 : piu 'mosso. 0 W33 chill, And for one fight I loxrefdo I keep them still. Ah! piu mosso. c s keep them still; Rose leuvws , DREAMIEIG-E SONG. Words by E.0XENFORD. Anﬁante moderate . ‘ \‘ nj‘ , saw the riv _ er Wh.e1*e the gain I wa _ wil _ lowbranches quiver As the gen - ﬁe zephyrs accents That once held /myheart in thy-all, Music by MILTON WELLINGS. ter ._ Ii -1ies grow, And Vvhere the heard thosewel1—10v’d Aral {hey “W§'iiS -_ §M:i"(§ words of pr0ﬁ1iE;e,—- I was dreaming, that was all! I was: dreaming on-ly dreaming‘, I was drezun .. inmthntwas. - as mtarii. m, m I was dreaming, on_ly d1-eam'ing~, I was drea1n_ing,-that was all! A atemyo. p c0\\av0(se.m1ap In mgr hand thoreutwls an. 1) at/empo . _,.,/_"“_“aL3(5%I1 .. _0th.. eh, And my heart is thmbtmig fast, As he"whis _ pm that to _ mm- an we wili Dreaming. ..y' a temxgo. cling un_to the last!‘ Thenl mur .. murthat I’]1 love him What_so_ ev _ er maybe- \ - lm - ‘tan _ M. patempo. acceﬂ. _ fall, And my soul _ ngf’ atémw). 9 . ., ’ . . ’ . . Tls no dr=eam_1ng,T1s no dreammg, Tls no dr-eammg pa temyo. lit. ’Tis no dreaming‘, ’Tis no dream_ing~, "bis no dream .. ing aflter all! m\\:\ wce.W QUEEN or THE NIGr_ H‘I‘ ‘ (DEL CIEL REGINA.) Poetry byMr-s. BRINE . ‘ Music byMI'S. JANE SLONUKN TORRY. Italian version by AM. * L Temps) di valse . A ‘ ~ //"“"°‘\\ F5 Del ciel re.- gi-ml _sor . ugi ‘in fun bel- Queen of the‘ night rise rise in thy a tempo. splen -1211‘ Su A Ilel Ciel re - gi — mz Queen of the Queen of the night.- sientando am poco. M Sor - gi dol .. cis - si- ma splhen-di su Shine in thy ten - der-ness o’er us to brillante e leggfero. , /'-~ /, T; 1}, _ mm. min go - rlfan ' la cal -‘hm My love and I in the still - ncss of’ ni;2,‘ht. so intillmzte. cal - ma T’e l.’a - mar go — dian_ la night my love and in the, still- mess of Iiff ‘C a tempo. :::_..-:.-.—.==...... brz‘llanz‘e. . go-diam la M caL—/ma 08’ rag - gi tuoi. 3., La - mor si -lent. we wan- der in the still - ness of ni ‘ t . love and 1 a. tempo. S0? un rus — eel. — lo ‘H [(291, s'i-ten-2;‘1'o Save the swvet sounds of soft rip.,p1ing; wa -ters \ \.\\\V \k l.z1s'i~ng(1n72‘o. pot-‘O’ Ni: ,..—.,‘ . ................. . ,.._“... .............- ("Ii ram - 1):‘) ea - — -am I sue ru Sol :41: ruse nau;;"n.t 0159 is heard the still» mess to ~. Save the sweet \*‘\*a~\L \\ \\\\ wit: calla voce. eel - .. to it Del 32' - Zen -zio 0:’ ram -pe an M i sounds of soft rip—pIinp; wa . ters nan_s;‘ht, else is heard the allargzmdo . in suo ru - mar. Deh! sor-gi sor - La ter-raas- stifl. _ mass to mar. b On - ly the light. from thy nmonbeams a n10Zz‘oraU.. (1 tempo. r1‘sueglI'mzd0 . A Q pet _ fa 801 la 9- ii - zziu far Earth is a - wait-ing fm mlgiero, _ ’ , , . A,-\ —-==~'-J... -':==="' Ale-zqato. 0 v leggieroue brillante. 8 Uhpaco pin. lemfo. . Slantzibile . tas-»tooh.' cie -' dost thou know core. . . . . . - ti dz’ gio Tum‘ rat” sa- shinin'g ing of joy ‘ . bring to my /,7) d0lp»,,g£.. . . sm 0 r;“r_zm'1o . run Dal, pa - trio in‘ - heart Far from my home \“--....:-r/ )1/)2 cgmfa . 1” can Impress: tos - to tos - from nay itjvml \_‘_' J I ‘ \ Paco PM I/{,Vnt0_ eon m(zlmr=m1io. Sr;-r-gi t af—fret-fa asutrn (h'- let-to Svcglia aila gio - ja Haste theeto rise chase a-way shadows Let, us re .. juice PI’ moztm‘-an. ’ b*‘ll 2‘ .— :3. > > > A an _x I nos .. tr?‘ ah! ah.’ while yet we . ah! ah‘. (ladenza ad lib. Q. tempo prim 0. ,0 l)(.'L oiel re - gip-na Queen of the l11"J,'htr Tisif ffﬁ _““"‘“'“';«=""““'___.._.. a tempo. noi night 0 Del ciel /re - gi . ml Queen of the night {lfg brillmztc. spievrz u dz’ 0991" us Np My l.’a - mo)‘ mio love and 1 mar mic go - diam la and I in the stil1-n<~ss of 0 :11 V ni{_>,'h‘r INN i II. tun be! » ft: - (18 in thy 3121 an - elf Sit hvauty Qmrm uf the _,..........o--""‘ .*——:—’ slcntanrlo un poco. K\ so:-.g1' e dol - cis - si .. nm Shine in thy t‘¢>n. an . Hess go diam la in ﬂu: stillness of calma night 9 ..9 Te z u~..-mm‘ my love and fly" 0 Pia. lento. (I fem 0. blrillcmte F3 0 1;’u-‘ mar a’fa_nz Ia cal mu 110 my - .. 92 line and . ' Izznt we wan-der inthe still - ness' of a temp 0 . Trijllo ‘ ‘ I 5”‘ M‘ ‘ V ~—1 pum‘m‘o , if?! 05 ‘a“x‘ig‘-‘tat s ccufa. Q 501' Rise tr I\lV‘J‘Iw\I\I\o'W\l\I*r r.r-;v\.N‘»- rvv-A 1’f’if0"“’- rall. calla tone. THE-DLD~POET. Words by F. S .wEA.fmEmZY. A/llegr gtto . agitate . poco pesante TheL"‘Po_- et sat He took ‘the child with- in his room, with ten—der care, rain,; The wind with - out deep’ning' gloom cold, And wipii the rain from his golden hair » Music by ‘J.L.MOLLOY . And heard the pelt.-ing He kissh a - way its Was wail - ing . like And sang a a ghost in. ten - der song of. “Uh Eet me in the night _is ‘wild? A plead-ing voice‘ cried at the Themooushoue out . the storm was past, The lit - the child he flew a .- There hi the was a lit -tle child, A bow and But Eeft‘ a V ’ inthe old mans heart, Which shall be poco rita rd . ‘ ‘ar -5 "vow ’ in A~ his hand .there,which shall__ be there warey beware, Love is here» and love is there, Love that cbmes with ware, beware , Love is here and love is there, Love that comes with The’ Old ‘Poet .‘ 3 . .. . . . snow or sun, Has a dart for ev—ry Bnngnlg Joy . 9 ‘ . .. . . snow or sun, Has a dart for ev- ry Brxngnng gay Wwiaiging fears Love is new 3 all the yua:-as Saul (Sr sweet, .hrin_g‘iug tears imv<:: is .1771!’ E?‘ li11g2;m*e3 yet; And ahivve never {:1-'23‘! f’.=_>.r The 0!-'1 F:=é¢,.. mm FI‘SI—£ERMAN’S Bﬂlﬂﬁo KEY OF‘ . E FLAT . Words ‘by GEO.M.VICKERS. ‘ Musidby ADAM GEXBEL. Aliegretts . 1. with a ’ smiie and a kiss we 2. On that - day came a 3%:-an — gar .. . \..../ goodwhye At our Ht. as ﬁr «not w tage dam-, . . . . . . And the and grand W110 it seems had 3051; his way; . . . . .§ Am, 3 CO1-‘VFNGHT issz Ew VV.F.S1n;w. ris-in4g" red ’sun gave hima drink with‘ trembling" hand,Bi1t a word I hcouldnot stood and watch‘? the snow - y sail As V fa - udeii’ bow?! like a gal - lant knight of“pid_ As I pui:‘xE«»ed~~ 6 i f2°\ me ﬁoiigd av?» ry. thought how he 1-is»k’d the reef’ - and gale Am‘ for grew damp . and co the sun shone «ﬁrm in warm ' _ sum-Amer air _ ,/ pom rail. The Fisherman’s Bride, E mt. lit up the sky And made: gblai the rock-y shore: . . . say. . . . .Then I . . Oh, he . And I . And the I’ . how false,how fair; the sea! But such thoughtslmast puta - side; J3-'“’* Heigh - ho,.. me; at work -I,too should Heigh .. 110,. . . . . .V ’’;{‘is the lot of a fisher-ys bride. a tempo calla woce f The Fkslmx-mnn,s Bride. E fiat . 3‘T’was at night,TinH§estorn1,aﬂ chii} and wet'i‘§1at,my fisher came a - gain, . And the \,. .f paw mama massa. hearth it g10‘W’d13rig‘ht,hiS chair was setﬁind‘ our meaji swzmg us; we crane” pow -mew mcssso. save me f'romdea‘ih_ I ceuhﬁ moi: smiie, Thogwiih .131 my semi ‘I tried... it tempo prime. + me akiss, all free from g~xu§1e,fv‘Ee,h§s vain and foolaish ‘bride. . . . . . e a Mme, E T. ' ﬁcafla race The Fi:‘she1'man’s Bride. E flat . P how f‘aLse5h0w fair thv But such thmzghis Inmst put a - ‘ side. 1 wprk, I,to0 should be! Heigh -= 150,. 9 .» . . . . fT'is the lot ofafishergs bride. ;. collu voee The Fisherman’: Bx-ide.E flat wmm To TEE LAST! Wmwis by s?§m?:Ls«:s~: .s',1'mw1-:. ’ 4 Music by STEPHEN ADAMS- Mm E M8 ' /{?\X\ ,_________ ff. With}:-mceiln r~est,‘. . his yen; - non spread, 'l‘ow"oo the breeze that §__’/ sweeps the plain, , Akxnighthis on - ward course pur - sues,. . Andnuu-ks that *2’ course with heaps of slain, with heaps of slain, ‘His la-d_v’s. g'lov_e_-, /-—\ -r"*§~.-%—.. ' _ ‘$2 he proudly wears, Ex-ult,-itly; ' shouts his bat - tle "T {j_\ ' The mot - to gm - ‘ .' shield . . “True to the I’ll live or . . . . . tfntr ‘ to the last!” True to tho lent . Pom ezzzzirziyfc rm ‘ The day is :=peni,nig'l1t looks up- on the 4%‘ °@- -ﬂf ‘*5? marks the f'ight,sn hard u }y u'o1:,V\='iih c}zast°:=i:a_g; heaps of val-iant dead, 2 _________T e.~‘.‘p7'ess dead. Ex - pix‘ - ing onhis dinted shield. TIN 519.1-» wart. w:9rri<.>1=1m\v doth Iiv. True to the last . 'i“ ‘t’ ". . . . 35 . . ,., , . .w1th hm‘ Ea-te.stb;re,ath ex -= ciamxs, , we to the {ask as kzlaght can due . {we to the last a knlght can. ,as V Y a . 3 ,1) M" 1 Pmgm p;'1rm>. V 1- HM" 0“ (ﬂoats 03.95‘ t» Wiiia e'?&§g‘(?:‘ <=.ye 5329 seems the gwound, \\7\(—‘ a Siuzswck.<f‘m- nmm. . she l<m~.-‘e so ' Ahnzeiihai he shouldthus be Trrsv (4: 1104- Ind , 7‘ found, should thus be ' f()\Il;;:l‘i‘ Upon his breast, . . . . ...s11c'dmo}>s1wr !s=‘:en!.. . /,._—4----—~.- With breaking‘ heart. . she thus doth . . . “For me he fought; . . . . for me he ’_\ n u . . {T //-T Trueto the ‘1:m’.... . . ‘ fl]. die,. . . with him 1511/ I \./ last, . .with him 1’_11, . > ‘ calla voce. True to £71153 last. PEACEFELLY SLUMBER. SANFT SE1 DEIN SCHLUMMER5. By A. RANDEGGAER; Mmierato. M.M—. J .—_— 88. V 59 10 Leggﬂrr , . sb11%p3'e Peace -» ful >=- 137 shim — ‘ hen, my own dar «a king. Scmﬂ 895 Refer . Sc-hlum - mm; main 5312 ‘m sse -— stes . //‘K ~ ' ///5 93? Fed. Close thy dear ‘eye—— lids, and -sweet. '- ly sleep on; Sanft Dei -ne Traii—me, sie wie - gen — Dir.-h_ Lind; /"‘ All things lie bur «- ied m 551 - Renee pro-found, bleep, I will N’? -= Min (Emu Rafi =- 9319919 in: ﬁn .. SCh!Zll’!2L’€I’—.S’0?!ki‘, Mut » tc?r-alien \0 w rm’/.,. ﬂm ,g;xxaafm fizwi, M mg,‘ E’UH§5(§. cum? sfnnnet‘ med. dmzkh mg; L) (3 tcmgw). » ’Tis_ ’ now my dear as est, thy lii'c’s car -= ly Jvfzf ksmmf mein Kind - Chen nioht J‘/‘nth and nivht V 2‘'‘''''''''‘'‘‘\_ ben €.t’!lr_.ct12. ‘V V /"”‘w“_"‘~\ /”"""‘“‘—"“‘x‘ l ‘ M.‘-a3'9 Ah! but " not as to - day, Scinnvrz, F7‘(5h-sliﬂh . _ stvfs :m‘ir1l'i(2I) Ilprzr, F. P~=acr'€'uHy S. . 4- = Trou - ble and care round thy cur - tains shall soar; Then child t.hou’lt. Schiifz - chen, die Zu. - kunft bringt kmmz sol - che Huh’, I}ru'm driic "zum her so sweet - l_v no ‘more. men die Guck - c'iu’g - ‘Iain zu. /"\ . a if/nlpa as love as thou, siind . V die Stern,’ V ﬁrucefull)’ 5. Float, Le/uch ' +9 thee shall sway, sei - H? n Scitlafé 3’/'\ 5“/==\ round zracht drops .“§7&§Em /”""s 3 \ Q/’Be’&?3» PﬂUC€i_1J1iy 3. 9 . T’ will _;;aés? be “.30 Sierra - £P?in mu p‘—‘“\ 3 paw are i'(.~‘sq:a wipe H Em but - mei, /.;:*~ ””" thy S0 /""\ I 3 -_/ Peace =V ful-‘Ry’ Sium - bet my own dar- ling. one, Lie .- bes-ge - be - ta,‘ 0 siei - get gm - pow; \_/V 9/ watch by my bed .. side’, till dark ’ night is gone: - less» Schwin - get euch bit - tend. cm’s h1'?m.m. -‘Li - sche Thor: Mb’ - gen die maid. how laie ij; may beg Moth- ergs love wearies not die heut D-zch sun.-steh’n, Lieb - Eing,dureh’s Le Va been b thee. - fLeh’n. P’!-.'acei"uH_V 5. FINGER-PRINTS'.UPON THE PARK. SONG AND Csmzmrs. Words by ' I ‘ Music by .;Eo_M _wCKERs._‘ V THOS. P. WESTENDOHF. Andante can express. mf /L‘“"\ /'"’\ /””"“’\ Tender] y . op 4 .en:’d wide the shut -ters v 2 long de .. szert .. ed amp Q. ty crib was 7 st£md...‘ing ‘ * old ac -0115 .=. j£om’d heart se-em’d“al .. most break_ing i gath - er-’d from the Ami a flood of gel .. den sun .. shine‘ Chased ' But from neat? _ the lit —— tle , blah -n kets Peep’d Here a shoe and were a stock- ing That j8E-)””r.: ” CI«&1)‘["('v1 I870 \ y ‘V 174 *V'»-*'- way the. drea =» ry gloom . . ’Twasa while gaz - - ing round with . 9 pre -— cious in ~ fant face . . .*“. . How I longd to clasp its lit ‘ «- tie dar -=- ling were . . . And I could not tho’ I der-ness Where ha -» by last had Iain, . . . . . I an -— gel. form One more sweet kiss ‘ ob - .taia,, . . . . From the loved the room One mo -- meat more re - main’. . . . . Where those chanced to see its fing-— er prints Up - on the win - dow pane. . r.o -- sy lips that oft had press’d_A -- gainst the win- dow pane. . snowe y hands had ' left their prints Up -— on the win~ Adow pane .' . . /""'"“\ //“\ CHORUS , How the Si .. lent"‘tear drops “"start,,ed, Foo1_ish tears ‘I knew were the * si, ..»1ant tear“ dmps »sta‘rt_ed, FooLish tears I knew. were vain As I _kiss’d a._way the _ ti _ ny lj‘in_g-er prints from of? the‘ As I ’kiss’d a’_way the ti“- ny Fin-ger prints fram off‘ the pane“. TREJST HER NOT. (QM .&?JEE'§I'\TE.) . 0}‘ . Poetry by _§!4OHGFEL‘L0W. (QHQRUSJ - W. F. SUDDS,0p:107.. . Allegro . mf Take care, take care, . Hf -11>” . . ‘ ' E Emuw a mm<i_.en mm Q0 as-.ae,'Take carmtake care ...... e ., take care, She can Mlegm _' n5£E‘ake care, take care, '12!‘ mf Be_waﬁe, Be _ware, Trust her not she is fdd1ing,Trusther not she". is naf‘ friend1ybe,Bewai=e, Be_ware . . . . . .., Trusi: her not she is !‘001ing,T'rust her not she is 5 Be _ ware, Be _ware, “#1 d C0‘pyright,l882,by W. F. Shzwz. fooling, is f0o1ing,She is foo " is fool .. ing thee. as v-% is molingshe is £001 _ ing thee. soft m"ed?omw:n,Tai:e cam, take care, She gives 8. s gianceandlwksduwmﬁwrtxre, gﬁ Hf Take ca:-e,take cafe. 4 . . .,take care, _ Be-wm-e,Beware.‘, mf Take care , take care , Trust her not. ware, Trust not, she is f ; Trust , ushe is f is fool .. ing foo1ing,She is fool m ing Trust her not. ‘is fun}./ing,She is fo01ing,she is . am she is foalingﬁhe N§@é.e\ta§.£3 . Andshe has hair of , a Hashnix-of And she has hair of a gold .. en. P goldi. en hue,Andshehusu hair,she has/hsiair of a gold- en hue,Andwha$shesays ........ .. it is not of golden hue , V has hair of gold _ en hue, She has hair of golden hue,Andwha‘zh-she says ....... .. it is not hue9 take care, Andshehas hair of a gold._ en hue, i it is not true,‘ rali. true ...... .. ., Andwhaishe says ...... . .,, it is not true . . . . . . . ., iﬁ is not trueﬁ it is not tru-\e.And.shel1a's ,e.,.mm r‘.\ g____'__j true ..... .., Andwhatshe says... . is not true. . . . . . . ., it is not true; it is not true. mmm *3‘ 1%’ V Andwh t h ' a s esays nottrue, atempo. ﬂ\f.\f.\ FA Trust her not. And what she says it is not true,Amlwhm.t she hair? of a gold. on hue ...... Take ca:-e,take care, Take can-e,beware , beware , Take careﬁake caregtaige cam, Andvaéhaﬁ me says ﬁs 110%. érue , And what she . Andshehashair of a go1d-en hue, T .Ts.kecare,beware, “£311. trim . . . . . . . ..,'AndWhaf5she saiya, .... it is not&z°ue,Beware,beware. . says.....§... iﬁ ismot ‘V f3 % true, . . . . . . ; . . it is not true, Bewaro,b€wu‘e.. ‘what she says it ‘r'«x\\- Pm m as as it is nottruxe, J Takecare,bewa1'e,~ Andwhatshesaysitisnottrue, " ‘ ‘ as m r,\ Trust Mr not. Tempo E9 She has two eyes so soft and brown,Ta.ke care , take care , She gives a side ﬁance am1.looksd0w:;B«-, Show has twa eyes so soft and brown ,Take’em-e,iake care ,. . . mm care ,She gixm a side gance &n(l1()9k§(lO5\!§B2— Témpo 3.9 ‘Nike Cam» Beware, Trust her ' f00l—ing,Tr°usthex' not she is f0oling,Sheis Ware,BeWa.re,....... Trust her f0o1—«in_§,Tru.st her not she is foo1ing,She is Beware , Trust "her not} fo0l— ing, she is fooling”, She ‘:4 n f"G0'E—ing‘., awe f90l— mg‘, she is — ing thee, Be - ware, > f > Be — ware, Be _ ware, Trust her not. f0ol~ ing, fooling Trust her not , Trust her not, {haze , fouling‘, fool — ing thee, m /'.‘\ ghe is trust her o trust her ONLY 3 EREEEW .0? MY, IVIOTHER.‘ —E~4U“f‘~IG ANi'.) CE-EORUS . \\.ml:~: 1111:] Music by _ -'li1t_.r0d1toti0u . ./I'I():(?‘(:’I'(1ti).1("ith Vf'eel£7z_q . Vis - ion of And the old On -. ly ’a Moth Moth Moth dream of my dream of my dream of my » 1. 01:»-iy_ a _2. (bu-ly a 3. On-ly a 0th smoth oth heart . as no sad for Cheer - ing . Com ~ ing . Wake me tears to- ’ 9 theres no Copnlght is-ruby W.l‘.shuv. “JOHN T.RU'l‘LEI.)HE . dear. est .de - home ev... er. ’ dreamthat is Thro’ -ai1' the ‘ long wea-ry night . . . . . Lin Com - ing my Sad heart to cheer . ﬁn ~— swer-ing mom .. 0 - rys_ call .. ger. with me in thy . . . . Cali — iug; back days g‘one for . . . . . Let. me sleep on ‘sweet’-liy uess, ‘Tiii i aha}! Stfﬂ her‘ a - genial . . . . Wak - ing would’ err, Wiiesil was close by’ her side. . . . Will they re~ iii§.,"‘ Tizat her dear awn; round me twine; . . With her dear ness Lin - Fer and kee me from bain . '. ’ 9 er? . Long for their .- com - ing Ive sigimd . ing, Speak-ing‘ love ev — er di - vine . . 'H3‘:i8 . 3 ("H()fIl,1S'.. S OI’. U1:-~ly :1 drrzmrmé‘ my I‘ﬁn‘£%: ~ fag Vis-ion of xiezaawsi Jr .. Iigxhi . T l'.'1V()i:’ . ("hr -1)‘ a dreamnf my Mcﬁh _ er’ Wsnitm of dearest do .. light. . PIANO. - Cheer-ing: m“y heart as_ no oth — Th:-05311 the ldng wea-ry night . . . . . . wea -ry night . Cheear-i§I\g' my heart as no oiih - Thro’ all we lung wt:-a-. rjv nig‘l)t.,\ma~r_\' night .. .‘I'HE SCOUT. Sosa OF THE UIILAN. Writtenby H.B. FARNIE. (,vo.mpusmn by F. CAMPANA. Con brio . Allegretto. f ___4=___~—:::_"'_V P mareato . f conbrio. cc . Comelboor, your lit — tle . H . . , ~; 1871.7. -I» Pent Blue”. small cou.-tr) W .ne . I war not‘ friend, with Tel - ling the (‘storm is lmme you!‘ . . 'l"was for this can A 4 bold Uh -Ian, 4 His f can 1-1'0." I, . . . . . . Mcrwly a pet. - rel f} ¢-*‘j"."” f§{—- "’i°‘(‘r{Z‘?”'__-'—-_'——'-- Anigh . . . Clink we a glass, S0 may it pass, Your . Lurking in brake by. marcato, Reading by stars my way, Clat.-_ter—iug fast thro’. Maidens pale at. my glance. Peasants cow’r ’ne§th my lance. ,Mi - ser - ly souls hide fast their gold, From Uh -'- , > _ .Yet his the risk theirs, Thousand and more sfb ( laughing.) L‘ .Lit—tle for odds Rath—er too ma -- than none! Ha! f-N atempo deciso . con brio, Comelboor, your lit — tle blue! . . . . I war not, friend with. — . 9. T’was for this can,A bold Uh-Ian, His bri f Mere-ly a pet - rel I, . . . . . . Te1l—ing' the storm is T f Clink we a glass, So may it pass, Your 11 . - stead f‘-W (?a»ntab2'l‘e espressivo. Andante assai ’ 9 home ‘ . . . Ive Andante assui. &/ P legato. Lov’d ones . . L‘ . for me are sig‘hing'. _/ 1871.7. hand the mooh’s pla-cidv ray, V On and V pale faée ‘lying! good peasant, to me . . . Hearts are hearts the ma.-u-y world all. Peaceé still dwell with thine and‘ \. J roof and . Allegretto , Primo tempo_ con brio. sc . ' now prayeth ' worn, rover! Comeiboer, your 11$ - tle . in \. col canto. I war not,friend with you! I V 'l"was for this can, A bold Uh - Ian Kis. - bri — dle drew. . ()n—lya pet-rel I. . . . Tellingtlxestornxis I >>'> Slqrgando assai. ‘r.all.- m if - Clink we a glass, So may it pass, Your rtkonxestrgad WEAVING: SONG. Words by E.OXENFORD. . 1 Music by MILTON WELLINGS. Mo aerate . P Smootmy. ...—_—_—-——«—w¥*-9-—" T I O szv1t, one si _ lent, eve .. ning, By the loom as the sun sank swiftly flew the shuttle, O’er the war-p,threa(ls to and \-..r / ' ‘ ‘ a sense of mu .. sic As trav_eIled~ the flnxen found my heart was . weav.. ing Fomithoughts of the moments twi Jightcame and faded, The nightspread its sa-ble gloom... All atemwgo . i_d1e lay the. shuttle, And all si-ient slept the loom: But ‘yet. [my heart was 0 weaving, And my fhoughts ceas’d not to flow, And the woof grew in my Weav ing . To the days “of long‘ a _ go) To the days 4 oflong; a _ x L’ I A A‘1 x«,+;::j2_—j4 thoughts ceas’d Weaving . days of long ing, And my . grew in 1-wo’s eougmw,wnnnn:’s hnonm Words by V 1 A A _ ' J Mama by l~‘m-2D:I~2.WI-IATIII-‘.RLY. ' , " - JOSEPH L. ROECKEL Allegretto . /‘ 1’ 1"‘ >81 Smnplioe. V 1.Down the ' zig- zag one ho-dy wcnt,()n a 2.0ne ho-dy n1ut.ter’d, and one ho-dy sighh,An¢lthat. se- cret sweet was one bo-dy bent,And one ho-dy else must.haveknown the , third bo-dy t,a1k’d’t.il1 ev - en - xide, ,Ti|l one bo— dy whispered sau - ci - ly “Can you espress. up the zig-» zag one ho-dy came, nd '/ side by side those two bod-ics stand, tell me what is good compae-ny? Then a twin-kle rose in thatthird bo-dy’seyes,Andthat ha One bo-dy holding one ho-dy’s hand;And Time is sweetwhere the sha-dows fall,’Tiil a third bo-dy was for a mo - ment wise,He did whatythird _bodies aye should d0,Took the Z""“$ I 1 . More slowl and sadly. third bo-fdy came and spoilt‘ it all. And gloomi-ly, si-lent-iy wandered they on, opposite way and ' 1/_\ A More Simply‘ calla p(1rte. J. i f"\ P Two is compawny Three is none! Gloomi-ly, silent-ly wanderedthey on, > \ marcuto . '1'\\'u’aUulIpunygT|mo’n.Nnn¢- . 1 Two VIS compa-_ny F Three ' none!‘ Tempo {mg _.—. calla parts)‘. * > ,,...————- umarucato. ' ,5) l r r .—..-_.-——~.__ “ ) , 3.nd.V(2r.s'(-,. Sr r:\ left the two! f\ Joyously. And happily, happily wanderdthey ou,Two is company, Three is none! (Happily, happily . > > l f wandered they On’ Two is "°°"‘Pa“"Y9 Thrﬁe is gone! . . . . . . . 4, \ f colla 5 9 , Twas Company Throes None. SPEAK nmnnv -ro L-rim» om) FOLKS. sous AND onohnuhs- Writtleuhand Composed 11).’ V . I J- P; SKELLY - Andante modei-ato . 1. ‘wman 2. Oh, on the down - ward path of life, With its smooth their path while: drift - iug on, To Oh, wcl - come then each gen - tle word, Ere , lif'e’s un — cer - tain wea - ry light,’ I COPV'?|GHT 1880 ax/'W.1-‘.S!:uw. Old 9 Ways kind - ncss t_0 the gen - tly fade a - a bless - ing them back a There While old folks, old folks, A :5;-.»_~.M«a...u__\ r<.u..»...mt'u1'1;«.-. The gracé When they _zu'eg0i1e, how oft we V ‘Speak Spuak . fad - mg lives with us they of lov - ing ‘ ten - dcr - mess. sigh kind - ly kind - ly cheer . main . CHORUS . Then let the sunshine fill their hearts,Thro’ each de-clin-iug year, I Speak. ‘ALTO . TEN OR . Then let, the sunshine fill their hearts, ’ each do-clin - ing year, Speak the good old folks, Their fad -“ing lives to cheer. — \ / . kind - ly to . good old folks, Their fad - ilxg; lives to chm,-r. Slwuk 'l<inaH_\; in Iim old folks.‘ %-run FARMEB mm) mm Pxenous. LVOMV MBAU-ERN UND ‘DEN ‘ TAUBEN.) W. TAUBERT. Viv-o griazidso. Vivo grazioso. Leggiero. pi —h geon-lléuse m had, far - mer thinks: ‘ will 4 wait, far —— mer home - ' thy st_aff; — er hat ,' lum- aus, da ' — er (Ienkt; _ ten- dart, und Baa‘ — er— lein,' mzch Hans, 'sonst. P of - mm. -' ty ’ ‘pi .-— g-eons fled; How’ of!‘ they flew, he . came too late; They pi - goons at. thee, on -- .l_y la-ugh; And e «-ggcn swan - 22:9 \ Tau .. ben’ raus;: u'ie will kmmnter kin Imsoh siml sie fort,; - and lqss - nicht la .— chen dir-h (lit: Tau — ben-(ms, die lass — nicht» . P. . catch. § 37122. firm. ﬁrm. . them? gets . ‘he o’er the hill, Sir? * them, A ‘far 7 mer pants ex haust - ed, » then!» . home the'y’re calm - ly ‘stop __ ping, - gen? _ " ' kommt er ii — ber’n . ’ - gel, - gen , _ — V V Bflii — er — .lein L A muss schnau - ﬂan“ — gen. _ . lsmd dahelm und zup fen he, nor had he wings they’re kei — von sich b catch them, e, will catch them, can" —- not, he can - not, hop - ping flop — ping, they’re hop — ping‘, ﬁn: u'ilL e r’s , will r’s, fan . kann sie, doch nhicht, Stun hup - fen, hup - fen, catéh" t cm? .catch them. .hop - ping. . fan-gen? . fan-gen. . Stan-gen. (2-\* - or not pole de 1' nicht gen ow he -— . he can — not, can — not. they’re flop - ping, flop - ping‘ . 9 . '1l"llL e1-s me — er und kann sie doch nicht auf ei - ner lan — gen> “I CANNOT SAY GOOD mm’: Wm-dslpy EDWARD" OXENI-‘ORD. Music by JOSEPH ROECKEL. u « . _ .-..._’::.r"._..._”“.:f; 3(2:nprc Q pesan-te_ ' _ V m(U‘c(lt0 . know ’tis now the hour to part, F would the day‘ could uev - er fgde, That: ev 4 on draw - cth . . . But love’ re - bels with - ‘in . my heart, .night could nev - er ~ . . . ". For 0, the rays’ of ev - en’s shade, con pntssfuzzr». > . 1 can - not say“g~ood -bye!” I can L - not say‘§good-bye!” . - > ,-\ Must mo - ments sad re - call, Mustmo . ments sad re -call. can (mi-ma . calla wee. \,&‘_~___’/ Tfar: ‘ I see the sil_ - vet‘ meon,SwiFt ris — ing irf. . . the’ hear the b1'rd§ soft ves - pars sing, On yon —»der haw - t/horn j ‘ ‘' tristam ente. A - 1&3! that she slipuldcome soT Vs’oou,."”.. so so(_m,To ‘tell us may — ments why should they the mem’—ry bring, That I must part, must part from pp dolc1'ssim,o ed esp'ress’£'vo . can- not say ‘ggogd bye!” ~_ ‘I can -' not 'say “gaod bye!” My. ‘ , ‘€102.09. /"_’__.....— :___._:____‘___=._T ' H — gra mlemernte. ,- . . - ' \ —'‘‘‘'‘' . . - _ > > » '.'...———-~ , _. - . _sc_ lover I can -not, can-not say ‘good j‘ ' Wt 53)’ R90“ _ uvc('l.(' 0 res. <-,an.not say ‘ﬁg,-ood _ My love I can-_ not, (-au-nut say“gnod uo('(‘l.e ore.»-_ ffm s W - l)_vv , ff (.U1mw(.,._ l(H'{]((IH£’)I{(.’. Sonora. rnurd. (lf€U’lpO. . _ 169 THE BIRD IN THE woon. ( Def Vogcl. im Waldo.) W5.‘ TAUBERT. Op._‘158,No.1. » Allegro comodo . . g a 1,111 stroll- ing thro‘1he ver - _- danto wood, verdant‘ Ich gc - Ahc durchden grii - - nen Wald, gr'ii1z(::r M ‘When I am stroll. ing there’, I drjeam a dream so fair: Wcnn ich. im Wal - dc bin, ist’s mir in mci-mam Sinn, ' if but a bird » in the wood I wero, sidxg - - wiir ich cin Va - gel, ein Va — gel, im “Wat - - Sf: A Tiu, tik tak, du - ri-H3 thato is my me-lo - dy‘. Tiu, tik ti:k,. mei-ne Jffc-lo - die. Tiu, fik ttlk‘, Tiu, tik tak, dii - ri-Li! hcissf sf: du - ri-li, du - ri,-li, du - ri-Ii, that is my me-lo - dy! du - r'i-li, du - ri-Li; du - ri-li! hcisst moi-nc Me-lo - die! ﬁn stroll - ing thro’ the . Ioh gc - he durcli den PUB, Ti - morous h-‘narnxing Rah, wood, ver-dant wood. Sc?hiichi‘m'nes,lic - 'bes Wald, g rié - 72 on Wald The m_“Mh;_‘\~.._____ P fear not from me a woe! I am but a bird in- the wood, am but sing -= fhu - c dir nim mer urch, ich bin cin V0 - gcl,c'in V0 - gel im. WaL .. - ing,_ ‘but sing - dc, 1'/m Wat m Sf; A tin, Vciu, tin, tik tak, du - ri-li, that tin, tiu, tiu, tik tak, du . ri-_li,h%cisst P is my me-lo - dy. Tiu, tik ‘ték,du — ri-li, du - ri-li, du-ri-Ii, that 'mc'i..ne Me -Lo. - die. Tiu, tile tak,du - ri-Li, du - 1'1’-Li, dry‘-ri+L1‘,he1'sst /7 . is? my me- lo .. «Jy. 'l1!("i..?1(€ .010 -la - div. ° . z st.roIl_- ing thro’ the ver ~ I ‘ wood, verdant.— wood. Why do yuus gee - he (?;,4r(_{h den grfii -' _‘ "Wald, 'griim'n Wald. Was si(.’h’st (In /’P'_/_, hunt.-er free}, wollderingly stare at. me"! am but. V’ a bird v in the wood, am but J5-gers-m.¢mn,m'ich.so var-wander! cm? bin ja, éin Va . gel,cin Vo - gel im M Péd. PP tak, du - ri_-Ii! that is niny mc- lo - bdy. tak, dii - ri-Lia’ heisst moi-nc _Mc -lo - die. Tiu, téik 1/akg. du - Vi-H9 du - ri-Ii, du - Vri-li! that, is my me - lo - »Tiu, tik fak, dii - ri-Ii, (Iii ~ ri-li, dfi - ri-li! hc'1'sst moi-no Ma - lo- - dy‘ . " (Fro-i..\’amxnann.)' THERE IS 4% GREEN HILL FAR AWAY. Written by Mrs. C .F..ALExA1\Ivm . Composed by'CH« G0UN0D- Amlante mo derato There is a green hill \/ far ‘a-way, With - out a oi-ty wall, Where the dear Lord was eru-ci-fied Who. to save We . rﬁay not know, we can-not tell What _ ‘EU pains He had éto bear But we beiieve it was for us He hung, and suffered I pﬁwﬁ He died that we might, be f‘orgiv’11i He céied to make us good! ~;..=»~»“’ ores , —“.. ..‘.......«.—-«—# ” ’ . Tﬁat ma might. go at last to Heaven? Sav°d by His pre - cious blood! T h are i;-e n /There , was no good e - nough molto C’SpI‘8SS Heaven and - ly has He lov - ed And we must love Him too! And tr;ust.. . . . in His re- hcff.‘ H (I“.'« 4 H ,o‘1_<' . .-de.em-i‘ng blood ré -Tdeeming [blood ' - tx-_\f His works ta. ¢/ moi - tn -—-—--4-=—" dim. L .110, And try His works to do! We n1n.~‘t, love Hirm We" must love Him too,’ And try His works to Jim . p ' There is a Green Hill,etc. 1'78 THE WEDDING DAY. Poetry by EDMUND CLARENCE STEDMAN. ‘ 3 Music b-y JACQUES ’BLL'MENTHAL. Allegro vivaée . f_\All etto molt 0 moderate . &a PC0280‘ . Sweetheart, name the day, ff _ A 1 ' ‘Q PPP legato. 4 V ‘ V _ 7]]'f sweetheart name the day for me When we we shall wedded be,When wé two' shall we(i—ded be,Make _ it ere an - P Piu. lento. Whis-per,-love, and name the day, In this merry month of May. Namethe day! nan1e the day!8’___;_ _ Z——-‘T . \‘\ calla lvoce. 179 .111‘) gigoost). /’ J0 _ P000 I"3T— pin uilvyro. .‘.\'u.nn,no, no, no, no! You shallllotescape me ‘so, You shallnot (~;~‘-cape me so! L0\'t'.. will In rift’ 12.0 d 1' m . L___j.,J for- ev - er wait, ‘ R0 - ses fade when gatl}-er’d late. --.._..a—'' You shallnut vs-caponxe so! Love will not for- ev - or wait. R0 - seas fade-. when gm}: - /'\_ V/' - a tempo. ¢=,r'd Int 1-. ‘{'-‘1c» ‘WV4-"ldi».\(5 Hay. Allegretto molto moderato . _.__——- — Fie,-for shame, Sir Mal-content! Fie, for shame,Sir Mal— content! How can time be better spent,better Than in //f \../ woo - ing? 1 would wed, And the sunshine like a kiss. T accel e ores The Weddirig Day. C'7'9S . I would wed, When the cio-yer blossoms red, When the air is fullof bliss, Paco c res. Pia ‘viva, . mf - ad 1?? b. mf in /.\ If youi'egood,l9l1 grauta boon, Iwilul wed you,Sir,iu June, 1,11 wedyou,Sir., > coLlaT12oce.}0 All‘? g2'o(=z_)_s0. f Nay,nay,nay, nay, Girls for once must . . ""z'ual,Le " . mrf put mi. I 9'0 have their way, Girls for once must *havé“their way, If you love me, till June, . . 9 ' . ses with - er plckd to soon. Girls for once must (1 temp 0, have their way, if you iove me, wait till June, R0 - ses with -- er atempo. "" 9' -£./ L _ > f > S°°"' vimce. CAST. THY BREAD ON THE WATERS. Words by MARY MARK-LEMON. Music by JOSEPH L.ROECKEL. Andantino 1-eligioso . rad . ? ii-/T :__‘*‘——-—'=—- -_.._»_f‘‘__ ~ 7 . . dun - tn - uen do. \../ . - 1.Cast thy bread mi the wa - ten-s,0u the deep, dark stream of life, 2.Cast thy bread on the wa - ten-sx, How - ev - er dark their breast; re 2, ~ q -think of thevague here - af - ter, hWith clouds and ‘sha - dows trust,with a pray’r..ful pa - tience, And He will give thee 4-L=—='~=’—-""""'——— § L ’ cella parte Poco agitate . .Be - side the sea of 801'» - _row, We ' one by one must Each f1ow’r that has b100m,d and fa ,A - Jed, Each star that has lost its p poco agitate. dim- in - uen .» do. leave some heart - loved Cher - ish,d in His‘ dihmh - in - dim _ in _ Wm _ do ’ PP ./élndantino tranquillo. - on the si - lent strand. Drift -» ing a-way in treas-ured ' , His sight. ’ Far on the gold - en ' (‘ea-tt thy bx-ead,&c. dis - - tance Lost to our yearn-ing thresh old, They wait our yearn - ing ares - cen - do. f bread that is cast on the V13 - ters Is found after ma - ny Caét onthe waste’0f wa - ters, But found after ma - ny K_________{/ L largamente _ ‘ 2. f largamente. molto rit. found after ma - ny days! found\ af'— ter ma calla partc. fl arga m ente . Cast trhy bread,&c . 185 ORANGE BLOSSOMS. WALTZ sow; . For SOPRANO or TENOR .. Words by GEO.M.V'ICKERS. K % - Music by ADAM GEIBEL. ‘ Tem di_ Valse . €/-35‘ gai-ly the bells are\ ring 4 ing, Some one is‘ hap-py tom joy to fond hearts Ring on ye proudbells so gay: For me hope COPYRIGHT 1ss2 BY W.F.ShaW'. light, my bear ‘beau - ti - ful drea - my grief OHCC ry Waya fad Inf‘ love The dream of ’f‘f The blossoms I wreat-h’d ed has a - bout my brow, Tho’ }‘)o0r fool - ish collar 110,06’ 0 - ve-r the ‘iiiis - tant ' ‘ b’ . Rjip-ple your sweet chimes}:- here by the flow - ing'A /3’ Min»-gle my tears with its spray: Ring out each sil - bver bell, é ange buds so Land guard" wit/h care:.'. . . . . The bIosso'ms‘I wreatlfd a - bout my brow, ‘Tho’ l f I E bean «M an fui mace [J Con vmoto. ‘poor, fool - ish mes! .. . false was he, ' false was he, false was he, fool - ish me! fool - ish me! /-—-—-‘-—-~ rifcn [pad 11' L a tempo ’C!r&n;;«.-= B . AT ms PERRY. Words by 14‘. E.W.EAT HERLY. 'M{;sa.- by MILTON WELLINGS. Allegretto. M Moderato. hear them 0’e1f the meadows, The oldv chnrcvh-bells a - Chime, O’er the t§riligh1:, miss -‘my meadows, In the sweet spring time; A - Cr-ms the stream we float, In the old. old fer-’ ry- .. 7 W‘ rfr 1‘ And talk of all the ‘days fr) come, In the sweet spring time. caminando. ' \./ ml -der‘ the :<fEiT'S., flow, :<trPznn, by thy sand»-y bars! Rmv‘, row‘. from shore to Share Love. "will Iast._._. love will last._____, 3 Love will last . . . . . . . . . .. fQr-ev- - - - - -1-r—more. drift— ing down the stroa1n,By the Rlarkening wil. -low shore, In :1 At The Ferry 5. hair - py gal-den dream, And my lover I‘m\'s no more;- He lots the old boat TH’ glide, H9 is sit - ting ' . .' And sa'-ing that his heart is min? for Poco animate. ev- er, ev - er - more. Row! ‘x-ow! tm-der the stars,’ Flow, streamby thy sand - y- bars‘. V Row‘, row! from shore to shore, Love will last... in 11;» Ferry love will las€_.... Love‘ will last . . . . .. for av — - - -er-more, C011 }ente7 7,21. 6 But Wis lon,g§' and long a - - 39, AM! P he is" here no do hut. «it and dream ‘(1nﬂdr'e;1xn Be — side the qui -et_ legato. Qlore; The oid boat still fl-oats , _ .~ ' . years a — gone, And tbly .111 Piu animato. words are in my heart,‘ my lave, for ' ov - er, ev -er - more. ‘ ‘Row! row‘. ‘$9- \./ ‘nu-«Yer the stars, Hmv, strvazxghy thy sand — 3' b:un«‘. 1-nu". frmn l'all.ad lib... aooeil. e cresc. shore to shore, Lo\'e_ will last, wiﬁ lash, I Love will ‘ash. . I 8000". e ct-esc. will last for - 5 Andante. ‘ft-all. . At TIN’ Furry 5. .o 4'A$:':;“o’ ’ ) - 1. . 3): at.) ° nusic, yzurtly by ineaus , :?'vas«a, . in T . desiggxued not only ‘E ‘ . V ‘i1‘e1-c.W.>e«3r>'n13 §1‘o%'esw7.:>:1a1piami l -. '1‘ $1105.‘: ~ ho Trim to beamm-. ; Gm SIECIITS, Whilt; 1‘-‘W t{',u< > M (9 é '9 M hecunn? s«:;,f'w7' ' V111 be f<;~und fu-; mu;-:»c er ptlblisheﬂ We would w : bxieﬂyjtcv the ,x"c‘~110'»‘:'n'.g' p02n1:.~ : 1. It 1;ca‘ches ithe ﬁrsn ,>:‘uxoiplc:< oi’ “ n,-\x,e:ic2L1v.:z' ' lwsoxus, to be ﬁ‘.1e<i‘out Ya; ..‘u.r_<_,r 3. much elem-or am} 51 of ovet'c0mir:<>‘ “ :‘i:11,'.f‘iC1I1.ti~"S, thmz «V211-er ("3 A ’7'ca'£4/:é3«77v, 3 _ - p 1'.:~a9:1 e at 2» tame. while ix" ea.c11'«;e..xe - 11m’/e—ss¢s.1°y ex1_21:«na.1;ions, v.'}zi(:‘.) we " {mi We 1 ‘- to gi ye G?‘f1-U5‘; ihie, w1-men in <ie‘r,;uL u. ‘T111: arm {’ f‘1nge1'ing:. x wzwla, ‘A.-.:e11T., r€,wc., is more {'u’¥’s_y t,rua.€ed Umx. in ..-.\'ar-agge T1: comm; ' .. '.r1-miom in Han (my mu} ’£‘lmw-ougm suL.;}ecL;- a]‘.- . yxt ~ 1 ;g A i’i.«u;\~x:‘»._,s;'1«« M ”3,‘f}L2at-Nev: Englancl safs: §2 11, ,‘_T 2: 1.-.».ul1. \¢.}:.(§ 1? mt“ .‘u.k;£ ‘ .«.. - .1.“'n\F~‘E(‘.)./ «urn I“ 3 ‘J02 " ‘.-/«.:i3/ 7‘ x\.~vi(..I ~:’v:'u.'\ 1‘ ' 112-4 ~ ~ 1En‘.ml‘~‘~ ‘ ’. ' '- ed in M31! |vm- ,0 I . , , U :3 ‘ gm cm-eful .s'_L _. ‘ We :- 0 1',Jf:(.‘-V/6.. t far 1u mynlxiug‘ +4 r,J.a.d to ecamn. ml u ur‘ r F )3! :i‘ - 1V‘e‘%Mick{ie .;""::%,":3a my V '_7r10“.«n.J~ }~'v"~-'y‘(‘.<'R. n,- Mme in 591‘ “row «.1 .~,xha m .,i e Sn. . , 1.m~-_r_x_\' r-,-‘.011’ ‘z.‘.‘}.‘ ' .1 1 .u~xi’1.< 11Fu2‘x1mtio.‘1 fmmf. i»\ .ufy L-.,1xe1‘ ‘mml; '1'” me. 1 .13; Lin.--(>1r<‘ ' .<i ‘u)=-K 107' 1 3 i€ni-'=;\‘Jr.=,, ' ,x'(-‘J-I.1""‘l"v', is Nmzonal S \) lrJU~§t .hezm,x1; L :!-‘in. x-1‘:1pi.<i‘.\. hf i‘"2:aa;1mc;1:i£a;§_.; 1’! _ V 3 . i‘rn,rv:'m.-2'r. «jm;n:v;L!u uvunlox :«N— ' f,io1_m - ml g . 121. ,..»_ 1 an L‘1‘un‘. :"u‘1<‘. " ‘Tush r‘<>*rt<»,. L 1; . ‘I VCVVV. St ‘ £10‘ I" 6 Wm H piaug G u§_e 0:, .. ,lc«p‘c;in__'1’1a, Nu? ' ‘=7 no ‘T. ‘m-.3 w'1th;x1I -: -‘hr.-1L‘ %'0tt‘u1'fh, 21.-sw'e-.1‘ ‘ GE(‘xJ|4))1~}f?11e‘ _ . Pg,‘ L111, I/ca 4!’. it3m:;’ , .11) >21, 1‘3\4I“>.4ti FM 4, ~ #01’ u t|1::p1‘)f9 .d<5‘.phi:x. . "I" \1 . i to!’ Uh‘: le /pm? awagg if . ma ..u,.-,.L+::;\. U 0 ';e\' ' 3 E. G. Loo_. Luz" _ (‘Ebn.l: rm. . pg ‘1; if ,.t you wﬂl m‘ rule} A.’ 2:“: you .. ud ‘Vb as :r- hs.ml '\%v.u.~m the Sea1z1:*s1e.:?.~:. Si; May: =.2‘v.1:,cL.~~' . . ‘ya’ *2 J‘ 77. mm; in mg: ,0 my hm -.‘m:_ am ~nLlv,~ , 1'21‘. ~ . ’ ‘ O mi11e.;1 " ' - u ,u u 7'<"~x. AL}-r_,»»t;z ~..+ 1.3! J‘: 1'9-qnisit ‘ <‘i1m'm1g'n.I1~:-F<<. ‘I:s.timm‘1 Schook" rlxe mast :41 3 . ma 1 W1‘ 0, C"6I‘ mm rm" salv. ' ulI1u?‘l1‘("{(’f ’ an very’ c“ xxmete of M1 f!IO¥'Y'f‘5§i()", aon~{.n'ehen‘ ‘(¢?uP‘«\‘,‘ V. the W ;.i;em °~“t:\:.‘tV.»;;L-sag? 6, (A ,u=rE?::.'v'r xL'm??* A ' 4*‘ h ant. :11» 4‘ g 3.031 s..‘j.;u. i'2~.~'«-It «me. ’ ¢\. H21‘ ‘H33’ » H {M1 ;it34~L..n111g‘ . 1euwi_ng_ the : ‘A . “S «EL is ﬂu; onlyﬁpialn __-s, _ iwrea"-Es at a" e {;.h, on the prop ‘r the. szwall , 1d ':.‘ms."z ‘aﬂused, _ perlztl ” “u 1 s’z11)jec1: a.1o:1e,_the is 61' *p.r1:.:e1'ass vadxle To the ymmg‘ stud anaong its contents ' form, ‘pfu'a.sing,. war. \4 ;.J:x'm ‘E01181 i1}'teres»t'ing_’co‘) the 'pu/pi~ ‘V ‘8. V 19 from mofe than th ‘usu 5»-.m«m1x‘«:' v ‘ so—~<,a_‘1ed teclmic maﬁte «_‘ there is iratm-spe.1‘sed "a vama ’ toixa of piamg nmsic, sc1ected from work-3 of {.’~chubcTr,1, ‘\’:enda]s:~:uhu, Moza P»:--.r:11, Beethoven, ‘Rhubirrstein, ’\/I ; the ymagxliarif‘ ' t'o1'1m'111(:e of mail. 9. A nd ylzistbhut not is inc-ixldua , vx LU; biogmphiés and modem 11'1!1_Si anu be tpossiblgg E R. A. mN_A1F Ks:oxvi1‘}e' U I A lam high} ))'|‘32LS uglemt. und 1 aw-.l§* ijliink i: uni: of the mo’.-* f‘ <'x_ ‘ n‘ ‘I ’ ﬂu-‘»~1n‘cs that I ; my L1»; us. . ‘ {\ txomu . lam work.‘ _ ’ ! on:1'_‘,‘ tnethud of we kmd 1 m'k(-,t1m laud.‘ ’ A. 1 ’rE»\1~:o1cerr gxii’ Lo. .\:x.(.3oI\a)Scb001" . I8. ))u/C-x‘L\.~,1<4.~, 13 1 "‘Z‘«'nti nzml .S<>Imr-,1“ ' e br,‘ He: =(‘r‘."'e wml.r..*- v . ~ tin; bxmk dq§fm‘e. Tm M1-AB ~". the popma.r 5 ix Iv . ' 1-« .».2'.m. :1 -~ bea- '. hem for ad'vA,L1m¢¢—p\1pxis. ‘ eg1cyclopaadia.,' 9:» him: us, 3 1:«.,a_ in)-bmperi steriv mmu, I1 9. , Suuim‘ ‘ the kind ’<‘ \: ex-"el mg‘ ‘. ' m L£v:il1cs=rtalm_y have‘; ~ m: t more prominem mm b , 1 :hr- T. med Sta-ﬁes. ' ‘ , Lm,;:.,;;,'((>uL,; 4‘m‘hoI-év R.-ac ; it will hv, f'ou.mK he In ;_ grbli.-hcJ.- ‘ , .. ‘
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Date: 1902
Text: E Ebwyg @1170 fgﬂttgﬁ OLD SHOES & PARTING (WITH INDIAN AND ENGLISH woaos.) Translated fbomthe Musicai Indian. Play (‘gr ‘ igtawafba" AND HARMONIZED EREDERECEE K B5u1R<E©1NL ——-2)) Price 50¢ ((<--— NEW YORK THE WILLIAM MAXWELL MUSIC Co., 8 EAST I6“'."'ST MUSIC LIBRARY VASSAR CO.'_LZ~f‘ E Old Shoes. Songs of the Ojibways. ]’ransZatz'0n and acc0m;mm'ment by Frederick R. Burton. Muj —je muk -e -sin au — yaw —‘ yon, muj —je mukesin an- yaw - yon, muj-je...
Show moreE Ebwyg @1170 fgﬂttgﬁ OLD SHOES & PARTING (WITH INDIAN AND ENGLISH woaos.) Translated fbomthe Musicai Indian. Play (‘gr ‘ igtawafba" AND HARMONIZED EREDERECEE K B5u1R<E©1NL ——-2)) Price 50¢ ((<--— NEW YORK THE WILLIAM MAXWELL MUSIC Co., 8 EAST I6“'."'ST MUSIC LIBRARY VASSAR CO.'_LZ~f‘ E Old Shoes. Songs of the Ojibways. ]’ransZatz'0n and acc0m;mm'ment by Frederick R. Burton. Muj —je muk -e -sin au — yaw —‘ yon, muj —je mukesin an- yaw - yon, muj-je mukesin au — yaw -yon, muj -je mukesin au yaw - yon. VT)’ Worn out shoes I am a Wear — ing, worn out shoes I am a wear _ing, Worn out shoes I am a Wear- ing, worn out shoesI am a Wear—ing. 1' 1' T T 3 Copyright 190% Hiawatha Drama Co. International Cop;/riglyzt. Parting Song. 7’7'cmslatz'0n and accampam'7/zwzt by Frederick R. Burton. mf Um -bay - ge-way — dohl, -bay - ge-way - dohl, che - way - be -dah — bum, um - bay — ge—way - dohl. V T 7 Let us go home, ’tis near the break 0 the_ day, we should be seen, what would the people say! 1' 1’ 4 Copyright. 1902 by Hiawatha Drama Co. International 6'0171/7"'é'k‘- HIAWATHA: A DRAMATIC CANTATA FOR MIXED CHORUS, SOLI AND ORCHESTRA, BY FREDERICK R. BURTON. This work, designed for Concert use, requires a little more than two hours for performance. Vocal Score, piano accompaniment, - $1.50 Onaway, Awake, Beloved, - - - .50 Air for Tenor or Soprano, from “ Hiawatha." HIAWATHA. the Musical Indian Play: SELECTIONS OF ABORIGINAL OJIBWAY MELODIES HARMONIZED AND THE WORDS TRANSLATED BY FREDERICK R. BURTON. My Bark Canoe, - - - A Song of Absence and Longing, The Lake Sheen, - Old Shoes } Parting Song, ﬂiawatha’s Death Song, - My Bark Canoe, (octavo, mixed voices.) - A Song of Absence and Longing, (oct. mixed voices, J0 WILLIAM MAXWELL MUSIC COMPANY. 8 East Sixteenth Street. New York.
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Date: 1843
Text: .1 v’-.~‘“'"" T ‘I ‘fl -J,QAv_\3 fjww)/y I7‘, . « V: v '61-" .,./,/mm, 17,‘ 5Wﬂu.7,,LJ)V:/fl «”/7/‘.171/arr? /(7 ,/,,f _,'.v ‘.r,»m Cami v”/V“ LITH. BF 0. 3: W. ENEHCOTT (IL .1. Got where we vvere 1001?-11. _ , , . . Go 0 all the D out 01", or ATLti- Cu.]0mT(:*T _ 25 uett, 3. EXCG]_Si()1". . Cape AILIL. ., - 2-5 ” 5. ”M9l:hLn:’s Bjllle . S01d1'e1:‘sFu11e1~a] . ' v 50 Q7. V0 3119;: Song” at 89 a . , . 'VuJ_tu]:'e of the A]']’LS....
Show more.1 v’-.~‘“'"" T ‘I ‘fl -J,QAv_\3 fjww)/y I7‘, . « V: v '61-" .,./,/mm, 17,‘ 5Wﬂu.7,,LJ)V:/fl «”/7/‘.171/arr? /(7 ,/,,f _,'.v ‘.r,»m Cami v”/V“ LITH. BF 0. 3: W. ENEHCOTT (IL .1. Got where we vvere 1001?-11. _ , , . . Go 0 all the D out 01", or ATLti- Cu.]0mT(:*T _ 25 uett, 3. EXCG]_Si()1". . Cape AILIL. ., - 2-5 ” 5. ”M9l:hLn:’s Bjllle . S01d1'e1:‘sFu11e1~a] . ' v 50 Q7. V0 3119;: Song” at 89 a . , . 'VuJ_tu]:'e of the A]']’LS. 9. Axes to (‘i1?in a,. O 10.VVc1*e a, cuttixlg. 1],. We are }La,]qLy and ﬂee. ' x‘ 13 Om,‘ Ft1,1:'lt1.e,I*“s He arﬂx. NEW YORK PUBLISHED aw rmrn aunu. Il‘?l,FR/ANKLIN 30,. & FlRTH.l-{ALLEN-‘ONO 239 BROADWAY. MUSIC LIBRARY «Mn --~ Lea: ~ WORDS BY ﬂ£HBY*WgmDHu”ElLOW. .1///M)‘ /,}'//1/I/IJ.'(’// A" ._97//’/{/ ///4' \\W\ G‘r\\Wi‘: G“ E Mk\\.‘4 . 77/z'._v /’m://z /2'/I/'2'.s‘¢’/1/.8‘ ////’ (w///mz/.m/ z/.3‘/II‘/"/I/1'///'/.,9 1'/N/.14,“/Zl-ltd". //._,v .//r»//N“/1:11'U/.?I'0/%ﬂ5'li// /ll;//11'/yllvrz MW?’ 1/: ,///7 ///7/.'/I/'11’/7 /H/1‘////4". 7)/.s*/73/1/1/2‘/1'//g7 ////: /*/'2/4/m’//_r aw//2')/‘/‘S’ 1'7” //'/}3, //I/’ /7//arc’///1////.r /7 low’, I//I/I’ //Iv I/’/‘I/"/II‘/’/4/’/.5‘ 1’:/"431/W/~/'1"/7('./', 2/ /.»/-w.s;w<s- /I'wm/v/ /2/7 //3* 45',/rl/'/1'//K1’ /?/l///. /:'v_/'// in zﬂw/// [Z ///'/(’/r.(' //I.s'/ //.5’ z/Him, mzzl «[7 Ir’/J‘1‘/"1"//"['//I, //71' /1/A/" /I/‘mi////'/I/.9 //I1’ /Ir/g(//"cw /:/"//n'.5‘4»//,/ /'/I/ (7, //[/7/'11’/“ J/7/2/"/’z'._, V ' Mw ‘( cmvx. /}//2,//y/Izﬂ ﬁr» /'/'/‘//7 A-’/////[ /7."/";'//7/1'///1 J}/.,l »Fl RTH HA LL& POND 2.?‘/,/J’/W11/Imp‘, Y‘A.NO TE shadés of night were fall_ing fast, vil_lage pass'§1,A ALTO. ' V __/ shades of vil_ ..lage pass’d, A ENORE. shades of fall- ing fast, Vil--lage pass’d, A BASS. shades of ' fast, Vi]- _lage pass”d, A Enter’d according: to Act of Con gress A .D .l843,by Firth &Hall in the Cler]:s”Ofﬁce of the Diétrict Court of the South’-1 Dist of New York - ’ .349 who bm-e7m,irl snow amhitte banner with the strange de-vi‘ce, Ex- celsior. K3 1 I x who bore hnid sud ice, the strange (10. V (‘ea ct-lsior.: y ‘ s l ‘ who bore ’n1i<[ snow the strange dc- Vice, z-vlsior. 7 who bore ’n1i<l the strange de - vice. Ex _ (-elsior. Q 13*- be - neath Flash?! like a falt-hinn be- neath Flash’d like a falohion he - F‘lash’d like a f‘a.l(‘|1ihn he _ Heath VI-‘lash’d like ,a falchion Excelsior. sheath, A/11:1 like sheath, And like like sheath, And sheath, And like _ (:1-.lsi0r. _ celsior. _ (-elsior. - celsior. Excelsior‘. ' clarion rung,Th‘e sil_ver clarion rung, The .sil_ver .0 arion rung, The clarion rung, The happy llmnes hé homes he’ saw the saw the homes he homes he saw the ace ents » accents accents accents saw the light household ‘ fires, gleam -0- household household household‘ of that IHlkn0\\Tl t<mgue,Ex— f-\ b)‘ tongue, Ex /3 un - kn tongue,‘ Ex- un - known tongue Ex- /3. 2 1 Wu rm and \ I . \ fires, glozml warm and fires, gleam warm and gleam warm and bright; A _ hove the» spectral glaLii(%rs sl1one,And from his lips _/ . . bright; A- _bove the spectral shone, And from his ~ . “ groan, Ex- bright; A- - bove the spectral g1a-liers shone,_ And from his l /-W bright; A- _bbve the spectral glen- ziers shone, And from his _ celsi0rl.7 Try not to T « M old man said, Dark lowersthe tem- pest U ._(*él\~'io1'~ 'I‘ry not to ‘ - old man Dark lowers the ten1_ pest -ce'l~sior‘.' Try not to » old man Dark lowers the tem— pest — cé]'sior’.’ Try not to Dayk lowers the Excelsior. Excelsior. head,The roaring torrent is head, The roaring torrent is head, The roaring torrent is head, The roaring torrent is 5 Oh stay, the maiden said, and rest Thy weary head upon this breast; A tear stood in his briz:;ht. blue eye, ‘ But still he answer-’d with a si;°l1"Exeelsior'f 6 . Beware the pine trees wither’d branch, Beware the awful avalanche.’ This was the peasantslast good night; A voice replied far up the l1ei:.>;ht,r'Ex.(-olsiorl’ deep and wide,lAnd loud that deep and wide, And loud that deep and wide: And loud that deep and wide, And loud that . . . “ l . 3' clarion voice re_pl1ed,Ex-cels1or. _ /3 ' ' “ . 77 voice re plied, Ex celslor. /A clarion _ _ f; ’ 19 voice re- plied, Ex .. celsmr. /3 clarion .4 ,, J is 3‘ clarion voice re- plied, Ex _ celsima /3 7 At break of day as heavenward, The pious monks of St.Bernard Uttei-‘d the oft repeated prayer, A voice (,'.l'i(‘.d thro’ the startled air-‘,LExcel<ioi.:’ at 8 A traveller by the faithful hound, Half buried in the snow was found, Still grasping in his hand of ice That banner with the strange devi<~eEx(~elsior: There in the twilight,cold and gray, Lifeless, but beautiful he lay.’ And from the sky serene and Far. A voice fell like a falling star“Excels«ior.” 349 *,Sun;,r as the 15tVers'~e.
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Date: 1919
Text: Music LHBRARV VA3$ﬁR CQLLEQE Pouauntzavszt, um YORK MEDIUM VOICE T HIGH VOICE SONGS OF LOVE ANDYOUTH LONGFE LLOW AND CHRISTINA R0 SSETTI The Z‘/XI:1‘sic byO WILLIE B.MANsoN. “LOVE! WHAT WILT THOU WITH THIS HEART or: MINE‘! ‘ A 1=_=m'=2THt:>Av. ‘ HENCE1, AWAY! BEGONE! PR1 CE3/6 NET BOOSEY & C5, 295, REGENT STREET, LONDON.W. 9,EAST 177v STREET. AND 228.YONGE STREET. NEW YORK. TORONTO. ' THESE SONGSOMAY BE SUNG IN PUBL|C WITHOUT FEE OR LICENSE. . THE PUBLIC PERFORMANCE OF ANY...
Show moreMusic LHBRARV VA3$ﬁR CQLLEQE Pouauntzavszt, um YORK MEDIUM VOICE T HIGH VOICE SONGS OF LOVE ANDYOUTH LONGFE LLOW AND CHRISTINA R0 SSETTI The Z‘/XI:1‘sic byO WILLIE B.MANsoN. “LOVE! WHAT WILT THOU WITH THIS HEART or: MINE‘! ‘ A 1=_=m'=2THt:>Av. ‘ HENCE1, AWAY! BEGONE! PR1 CE3/6 NET BOOSEY & C5, 295, REGENT STREET, LONDON.W. 9,EAST 177v STREET. AND 228.YONGE STREET. NEW YORK. TORONTO. ' THESE SONGSOMAY BE SUNG IN PUBL|C WITHOUT FEE OR LICENSE. . THE PUBLIC PERFORMANCE OF ANY PARODIED VERSlONS.HOWEVER.»|S STRICTLY PROHIBITED. ' COP\/R.ICvHT 191.9 BY BOOSEY 8<C<? MEDIUM VOICE HIGH VOICE SONGS OF LOVE ANDYOUTH THE POEMS BY LONGFE LLOW AND CHRISTINA ROSSETTI The MIISIC by WILLIE B.MANsoN. LOVE‘. WHAT WILT THOU WITH THTS HEART OF MINE’! A BIRTHDAY. HENCE,AWAY! BEG-ONE‘. PR1 cE_3/6 N ET BOOSEY & (<2 295, REGENT STREET, LONDON.W. 3.EAST |7"."’.‘ STREET. AND 229.YONGE STREET. NEW YORK. TORONTO. THESE SONGS MAY BE SUNG IN PUBLIC W|THOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION$.HOWEVER.|S STRICTLY PROHIBITED. COPYRPGHT l9|9 BY BOOSEY 8c C? LOVE, WHAT WILT THOU WITH THIS HEART OF MINE? Love, love, what wilt thou with this heart of mine? Nought see I fixed or sure in thee! I do not know thee; nor what deeds are thine: Love, love, What wilt thou with this heart of mine? Nought see I fixed or sure in thee! Shall I be mute, or vows with prayers combine? Ye who are blessed in loving, tell it me: Love, love, what wilt thou with this heart of mine? Nought see I permanent or sure in thee! LONGFELLOW. (Translated from Froissard). I I Love! what wilt thou with this heart of mine? Poetry by Music by LONGFELLOW. WILLIE B. MANSON. Andante. C072 molzfo es ressz'o7ze. /73 Love, love, what wilt thou with this heart of mine‘? 11 sempre legato. \‘T Nought see I- fixed Copyright 1919 by Boosey 6% C9 do not know thee, I do not know f ma dolce Love, love, f sempre legato. Love! what wilt than with this heart of mine. nor What deeds are thlne, ......... .. \—4 nor What deeds wilt thou are thine: with this heart of mine? PP Nought see I fixed Love! what wilt than with this heart of mine. esfress. dim. pray’rs com-bine ? ............... .. ajﬁjﬁassimzato. gccel. Ye who are bless’d in 1ov—ing, tell it me,’ /‘T /'\ calla wow. 1, cantabzle./\ ij” /'3‘\. Ye who are bless’d in lov—ing, tell it 3 ..—. T9. )0 dolce. > ,/35$ Tempo I. Love, love, What wilt thou with this heart of mine? 1’ Tempo I. Love! what wilt thou with this heart of mine. per - ma-nent or sure per — ma—nent, canbile. per- ma — nent or /T calando. —__ T Love! what wilt thou with this heart of mine. A BIRTHDAY. My heart is like a singing bird g Whose nest is in a water’d shoot: My heart is like an apple-tree Whose boughs are bent with thick—set fruit; My heart is like a rainbow shell That paddles in a halcyon sea‘; And all because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it with cloves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver f leur-de-lys; And all because my love is come to me. CHRISTINA ROSSETTI. (By kind permission of Messrs. Macmillan if C?) Birthﬂay. Poetry adapted from . Music by CHRISTINA ROSSETTI. ‘ VVILLIE B. MANSON. Allegro Vivace. sing ~ ii1g........ Copyright 1.91.9 by Boosey & C9 ’ . .2 -.-,..4. «...,..‘\. ; T I 1 1‘ J L‘ if i ‘\ thick - set A Birthday. P a tempo. A Birthday- Hang it with Vair ......... \. and it with doves pome - gran — ates, hundred eyes; ....................... .. A Birthday. pp dolce. Work it in gold and ' leaves and sil - _ ver fleur - my love f a tem]5o. A Birthday. HENCE AWAY! BEGONE“ Hence away, begone, begone, Carking care and melancholy! Think ye thus to govern me All my life long, as ye have done? That shall ye not. I promise ye: Reason shall have the mastery. So hence away, begone, begone, Carking care and. melancholy! If ever ye return this way, With your mournful company, A curse be on ye, and the day That brings ye rnoping back to me! Hence away, begone, I say, Carking care and melancholy! LONGFELLOW. (Translated from The Duke of Orleans). Hence away! Begone. Poetry by Music by . LONGFELLOW. WILLIE B. MANSON. (Translatedfrom The Duke of Orlcavu) Allegro non troppo. Voice. f can brio e sempre 72072 legato. > > f C072 brio. Hence a - Way, {J > Cark - ing care and me —1an-cho—ly! > Copyright 1919 by Boosey :6 C2 mf gov— ern me Think ye thus f All my life long, as ye have done? /T mf That shall ye not, I prom-ise ye: Hence away? Begone. _ Rea — son shall have the f So hence a-way, be — gone, V be-gone, Cark—ing care and me - lan - cho — ly ! Hence away! Begone. pom meno meno. cresc. ev - er ye poco memo meno. H p cresc. - ful With your mourn - .ff> curse be on ye, and the day Hence away! Begone. turn this‘ Way, COII1 That brings ye mo—ping back to me! accel. V ff semjﬁre. - ‘T allargazzdo. ff Tempo I. Hence a — way, Hence away! Begone. b H- 9735' Cark-ing care and me -lan-cho-ly, $ Cark-ing care, be - gone! /3\ colla z/oce. allarg. Hence away! Begone. VOLUMES OF songs BY EMINENT COMPOSERS. .1‘ v H U B E RT BATH . THREE INDIAN SONGS. F0?‘ High 07' Low Voiw " - Price of each Edition. 3s. 6d. net. HELENA M. BLAN D. FOUR SONGS OF FAI RY LAN D. WOWIS by HELEN TAYLOR‘ F0?‘ High or Low Voice. *- Price of each Edition, 43. net. CHAS. WAKEFIELD CADMAN. FOUR AMERICAN INDIAN SONGS Words by NELLE RICHMOND EBEREART. For High or Low Voice. Price of each Edition, .55. net. ERIC COATES. FOU R OLD ENGLISH SONGS. The Poems by SHAKESPEARE- Fcvr High, Medium or Low Voice. Band Parts may be had. S. COLERIDGE-TAYLOR. FIVE FAIRY BALLADS, ywords by KATHLEEN EASMDN. For ‘High _ or Low Voice. Price of each Edition, 5s. 6d. net. Full Score and Band Parts may be had. EDWARD ELGAR. SEA PICTURES, Cycle of Five Songs for Contmlto. The 'V‘vords by Mrs. BROWNING, The HON. RODEN NOEL, and others. sung by Madame CLARA BUTT. (Three EditioI1s——-English, French, and German.) . Price 55. 6d. each net. Full Score and Band Parts may be had. A LIV! A G O ETZ . FOUR SONGS FROM “ THE GARDEN OF KAMA.” by LAURENCE HOPE. For High or Low Voice. Price of each Edition, «is. net. HAMILTON HARTY. THREE TRADITIONAL ULSTER AIRS. MACCATHMHAOIL. For High or Low Voice. ’ . Price of each Edition, 35. 6d. net. HERBERT HUGHES. I IRISH COUNTRY SONGS. (2Vo1s.l FREDERICK KEEL. ELIZABETHAN LOVE SONGS (5966 1- and II») ’ Price of each set, is net, Paper Cover. Words by SE05.-‘IMH 5s. etch, net. Also in Limp Cover, Gilt. Ts net, and Limp French Morocco, Gilt, 105. 6d. net. Two Editions of Set II. for High and Low Voices. LIZA LEH MAN N . F NINE FAVOURITE SOPRANO SONGS. For Medium or High Voice. Price of each Edition, 5s. net. B|RD..SQN(.-‘.3, Words by A.S. For Mezzo-Sqprwno or Sop‘r'a.nr;. Price of each Edition, 4s. 5d. net. TH E LI FE OF A ROSE, 51. group of S_6'IE‘-l1V:ShO.l‘I3 Songs. Words and Music by LIZA LEKMANN. For Medium cw High I/owe. ' * ’ Price of each Edition. 4s. 6d. net " THE DAISY OHAAIN " arid“ MORE DAISIES." S0109 M15 Quaafﬁeﬁs» Words by R L. SIEVENSON, and others. Price 75. each. net» ALIcIA ADELAIDE NEEDHAIIII. TWELVE HUSH SONGS. The words by EUGENE FI1'lLLI,FF/.N(‘.IS A. FAHY, and Others. Price 73.. Paper Cover; 103. 6:1 Cloth Gilt. HERBERT OLIVER. SONGS OF A VIVANDIERI‘-_. Wordshy E. TES('HZEB'£Al_‘EER. For Low, Medium or High Voice Price of each Edition 43 not . ROGER QUILTER. FOUR SONGS mp’ 14') Em High mI>fi3éwoIf70éi§IecL Edition, 49. not I -,1? HQ] vL.vv'» SEVEN EIJZABETHAN LYRICIE-ice 8:931-LCz1lI€(:IihiO)IlL. not. THREE SHAKESPEARE SONGS. For High. Mediu1IL or Low ‘ Voice. Price of each Edition. 3s. 6d. net. Band Ports may be had WILFRID SAN DERSON. A COFINISH HAUL. Five Songs, words by BERNARD Moons. rice 55. 6d. not. NQQTU RN ES, Words by E. TESCHEMACHER. For Low or Mediuvn Voice ’ Price of each Edition, 45. net. Price of each Edition, 43. net. ' ARTHUR SOIVIERVELL. CYCLE OF SONGS PROM 'FENNYSON‘S “ MAUD." Sung by Mr. PLUHKET GREENE. Price 73 net. Voice Port only, price Is. net. "A SH ROPSHIRE LAD," Song-Cycle from “ A Shropshire LII.d,”_ by A. E. Housman. Sung by Mr. PLUNKET GREENE. Price 5s. 6d. net. CHAS. VILLIERS STAN FORD. AN IRISH IDYLL IN SIX MINIATURES. The WGWE by MOD“ 0’N1:1LL. Sung by Mr. PLUNKET GREENE. For High or Low VoI‘ce.; . Price of each Edition, 5s. net. SONGS OF THE SEA. (5.) Poems by HENRY NEWBOLT, set to Music for Baritone Solo and Chorus, ad. lib.’ Sung by Mr. PLUNKE1‘ ,GltEENE. Pﬁce 4s net. Chorus only (T,’l‘.B. or -S.A."I,‘.B.), in Old Notation or Tonic Sol-fa, 15. each. . _Full Score and Band Parts may be had.- SONGS OF ERIN. A collection of Fifty Irish Folk-Songs, arranged with words by ALFRED PERCEVAL GRAVES. Price 105. net. SONGS OF OLD IRELAND, A collection of Fifty Irish Melodies. a.rra.nged with words by ALFRED PEBGEVAL Gmxvics. . Price 7s. 6d., Paper Cover; 103. 66., Cloth Gilt. THE IRISH MELODIES or THOMAS MOORE. The 01=i.r.*im1 ' Airs restored and arranged. Price 105. net. FRED. J. WHISHAW. ‘- RUSSIAN SONGS, by Tscnluxowsnv and others, collected and arranged with English words. by FRED J. Wnxsruw. Three Volumes, price 3s. 6d. each not. CHAS. WILLEBY. * B O W B E L L 3. Five London Silhouettes. Words by DOIIOTHY DICKINSON. Price «is. net. R. VAUGHAN WILLIAMS. SONGS OF TRAVEL, Words by R, L. SmvENsoN. In Two Pen-ts. Price 35. 60.. each not, H . LAN E W I LSO N . FLORA'S HOLIDAY. . Cycle of Old English Melodies. _Solos and Quartets. « Price 55, net. OLD ENGLISH M ELODIES. restorecl and arranged CHARLES WOOD. Price 59. net _ IRISH FOLK-SONGS. Twenty-ﬁve Old Irish Melodies arranged with words by A1.rm~:D PERCEVAL Gums. HAYDN WOO D. THREE SEA SONGS, Words by P. J. I ‘REILLY. Price 38. 6d. net. Band Parts may be had. AMY WOODFORDE-FINDEN. To THE HILLS, Four Eastern Poems by LAURENCE HOPE. . ‘Price 45. not. THE MAGIC CASEMENT, Song Cycle by CHAS. HANSON TOWNE. rice 45. net. THREE LITTLE MEXICAN SONGS. WON’-S by HAROLD SIMPSON. For High or Low Voice. Price of each Edition, 33. 6d, net. Price 55. net. —STARS OF THE— DESERT. FOUR MORE “INDIAN LOV-E LYRICS,” by LAURENCE HOPE. For Low, Medium or High Voice. , , Price of each Edition, 4s. net. A DREAM OF EGYPT, Song Cycle. The words by CHARLES HANSON TOWNE.‘ For High. or Low VoI‘pe. Price Of each Edition, 5s. net. AZI ZA_ Three Oriental Sougs., The words by FREDERICK JOHN FRASER. rice «is. net. THE PAGQIDA OF FI_QwERS_ ABIIII-niasc Story in Song Solos, , Duets, and Chorus. words by Fnnmsmcx JOHN FRASER ' Vocal Score 6s. 6d. net; Chorus only, ls. net. ON JHELUM RIVER. A Kashmiri Love Story. For Soprano and Baritcvne. or Mezzo-Soprcmo and Bass Words by 1_“1_%E‘.D‘E-RICK JOHN ):.‘RAs)'~;ﬂ.. Price of each Edition, 5s 6311.. net, —‘sIx SONGS mom “ON JHELUM RIVER." solo auangemms of the above. For High or Low "Voice. “‘ Price of each Edition, 5s. 6d. not. soon INDIAN LOVE LYRICS. By:-wmmon Ham For High ,-,7 Low V0-icc_ ‘ . Price of each Edition, 45. net. Do, with French words, price 5s. net. A LOVER IN DAMASCUS. Set of Six Songs, the Words by CHARLES HANsO':I Towim. For High or Low Voice. Price of each Edition. 5s. net. FIVE LITTLE JAPANESE SONGS. Words by 0. Hwsou TOWNE. For High or Low Voice. MYRTLES OF DAMASCUS. ‘Set of Five Songs, the Words by CHARLES HANSON ’l‘owNE For High or Low Voice. Price of each Edition, 4s. net. BOOSEY €<»)"’I I.CO., LONDON, NEW YORK AND TORONTO. Price of each Edition, 45. net- 0* New and Standard Piiyanoforte Music. PRICE 2/— EACH NET (rm-cpl, where utlwrwz7se stated). DRAYYING-ROOM PIECES. Pomp and Circumstance, Military Marches ’ No.1inD; No.2inA; No.3inCminor; No.4inG. Prices of each March; Solo, 2/- net; Duet, 2/6:net. Edward Elgar Ah, Willow . . .. .. Arr. by Herbert Fryer False Phillis P Arr. by Herbert Fryer My lovely Celia. . .. - Arr. by Herbert Fryer Phillis has such charming graces .., Arr. by Herbert Fryer Butterﬂies in the Garden of Roses (Ballet Music, “Va.lentine") N. Lambelet Thistledown (Intermezzo) . _ J. Hennessy Sea. Pieces from the Hebrides. Two Books, 3/6 each, net... 6 . . s M. Kennedy-Fraser Piano Lyrics from the Hebrides. Three Books, 3/6 each, net M. Kennedy-Fraser On Jhelum River. Price 4/- net Amy Woodforde-F/mien Four Indian Love Lyrics. Price 3/6 11 Amy Woodforde-Finden A Lover in Damascus. Price 3/6 net Amy Woodforde-Finden Six Short Pieces. Price 2/6 net Eric Goates National Anthems of the Allies. Price 1/- net . Arr. by Arthur Fagge Three Dances, Gavotte, Eastern Dance, and English Dance. Price 2/6 net Cyril Scott Two Pierrot Pieces, Lento and Allegro .. . Cyril Scott 6“ Killed in Action ” (from Symphony in D minor‘). "iirthur Somervell Etude de Concert, Octave Study Felix Swlnstead Concert Ya.lse in E ﬂat l Arnold Bax Yeomanry Patrol ... W. H. Squire “Yankia.na.,” American Suite. Price 2/6 not T. W. Thurban , PIANOFORTE ARRANGEMENTS /OF‘ ORCHESTRAL WORKS. * , Cockaigne (EDWARD EDGAR), Concert Overture. Solo, 6/6 net; Duet, 8/- net Otto Singer Thunder-bird (Suite). Price 4/- net... . . 0. Wakeﬁeld Oadman Three English Dances. Solo, 3/6 net; Duet, 4/- net... Roger Quilter Miniature Suite. Price 3/6 not ' Eric Goates Incidental Music to “ Faust ” (as performed at His Majesty's Theatre). Price 3/6 net... Oolerldge-Tay/or ARRANGEMENTS OF‘ CELEBRATED SONGS. ' I hear you calling me (CHAS. MARSHALL) ' .,. Clarence Lucas Nea-rel‘, my G041. to Thee (Lswxs CAREY) Dixon Dawes The Fairy Pipers « ,, A, Herbert Brewer Arthur Su1liva.n’s Songs, Selection of this Composer’s Popular Songs. Price 2/6 not Arr, by William Henley Stephen Adams’ Songs, Selection of this Composer’s Popular Songs. Price 2/6 not Arr. by William Henley “The'Da.isy~ Chain," and “ More Daisies,” Selection of Favourite Airs from LIZA LEIIMANN’S Celebrated Song Cycles, arranged for Pianoforte. Price 2/6 net . ' Adolf Schmid “Abide with me” A samuel Liddle “Come back to Erin” (CLARIBEL) ..., . ° __ .___ W,/(gym -“ The Flight of Ages” (FREDERICK BEVAN) Ohas. Godfrey, Junr. “The Glea.ner’s Slumber Song” H Richard H, wa/thew “ The Holy City” (smmm ADAMS) . Ones. Godfrey, Junr. “ The Star of Bethlehem” (Srnrumz Amms) Boyton Smith “ The Lost Chord” (ARTHUR SULLIVAN) ,, w, /(uh, DANCE MUSIC. Dorma. Yalse Kenneth Park Queen of the Air Yalse ... Bertram Lestrange Ju—Ja.h Jazz . . Bertram Lestrange Louisana. Yalse W. H. Squire Fleurs clu Printemps Yalse Julian Ktindt Aurora Yalse .. . Julian Kéndt Down the Yale Yalse (on FRANK Mom’s Celebrated Song) ... Ernest Allan Mona. Yalse (on STEPHEN_ ADAMS’ Famous Song) . . ‘ ...J. Llddell Love's Old Sweet Song Yalse (on Monnors Charming Song) .~ . , ...Er-nest Buca/ossi Thine Rlone Waltz, Solo and Due .. Mia Gariuima.'Yelso .. 6. van den Dyck *'. BGGSEY & ($0., ’ 295, REGENT STREET, LONDON, W. 0. East nu: arms:-:'r. new vomt. 229, YONG! omen’, ronouto. -- Josef Meissler
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Date: 1920
Text: MUSIC usnAnv VASSAR COLLEGE roucuxu-:Pst£. NEW YORK *¢‘:.‘§X‘3}u1 @€0ng 0/ the qgzm 0/ C/fooicz,/azoz) Poem by HENRY W. LONGFELLOW Low in G minor High in B minor Mtdium in A minor ‘ ‘C . 3 on 0.’ U. > r f Price, sixty cent: :32 _ '.L VQ‘:‘ ¢1.53l“~ XL‘; ‘'4? deneca ocgiezce 68 C975ac/1 8310c/L 375ilwau/tee, Cvvioconoin ‘ \ 03:: 352-: ‘ho: Written for and dedicated to Mme. Frances Aldd Song of the Nun of Nidaros Henry W. Longfellow Seneca Pierce (With great breadth) §‘T pooo a...
Show moreMUSIC usnAnv VASSAR COLLEGE roucuxu-:Pst£. NEW YORK *¢‘:.‘§X‘3}u1 @€0ng 0/ the qgzm 0/ C/fooicz,/azoz) Poem by HENRY W. LONGFELLOW Low in G minor High in B minor Mtdium in A minor ‘ ‘C . 3 on 0.’ U. > r f Price, sixty cent: :32 _ '.L VQ‘:‘ ¢1.53l“~ XL‘; ‘'4? deneca ocgiezce 68 C975ac/1 8310c/L 375ilwau/tee, Cvvioconoin ‘ \ 03:: 352-: ‘ho: Written for and dedicated to Mme. Frances Aldd Song of the Nun of Nidaros Henry W. Longfellow Seneca Pierce (With great breadth) §‘T pooo a poco cresc. e accel. mf can cmima \___;"_2 Dawn is not dis - ‘cant, 00123/right, 1.920, by Seneca Pierce . F0 re ign _ Copyright Secured P is E— ter - nal is E- ter — nal u1.—»—IL..———--*1 L_..——————-'1|_.———~HzI.I2|L.-’——‘ A /*''‘‘‘‘s /»/'''‘‘‘—T L/ His faith shall not fail The Dawn is not dis - tant Nor is the night is still God And His faith shall not fail us /:—--” T r-"T"“‘ faith shall___, not ( non rit.) L1) oresc. molto SECULAR SONGS by SENECA PIERCE Published for High and Low Voice Dadicafcd to Anna Can My Little House KATHARINE ADAMS SENECA pngncg Allegretto "83 W ‘33 No one known SW18 bY ‘ Sung by FRANCES ALDA LOTTA MADDEN CHARLES HACKETT MARCELLA CRAFT JULIA CLAUSSEN CECIL ARDEN And mold - ed ghe key, ‘Q6 W:n- down wide to hold the light, Lit - He door . 00 rlgm N18 by Some» Plano nuhnl Ooyyrlghl Sunni Modiumlnnb ‘ I To our Marker _ The Journey‘ % A Wishing Well Seneca Pierce High in Eb Frank L. Stanton’. from "Songs 42/ the Soil" KATHARXNE ADAMS CA Tenderly (Wﬂh charm) Allegretto A m ‘ “away to walk wnhyommy own Deep in the heart of n fair-y dell.__. Far from the PP can pedal E On - 1y 3 little way,__Then one of us shall weep_ and walk 21-lone Un-til_ know a moss - grown wish-ing weﬂ...— ‘ A prim-rose _ glen,....._.. a tempo g1‘az1‘oso '7. Lime Way" Author's angina! zme. " Reprinlcd by permissxon /Capyrfgll, 1394, o, p. Appleton .9 00.) Copyright, l919,by Senéca_Plo:¢o c M mm 3’ Pk”. ibrszgn Uapyrxg-.':tSec::i~cd ° y’ {on} c¢l?,g‘m gun,‘ 68 Mack Block SENECA PIERCE Milwaukee, Wis.
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Date: 1843
Text: .1 v’-.~‘“'"" T ‘I ‘fl -J,QAv_\3 fjww)/y I7‘, . « V: v '61-" .,./,/mm, 17,‘ 5Wﬂu.7,,LJ)V:/fl «”/7/‘.171/arr? /(7 ,/,,f _,'.v ‘.r,»m Cami v”/V“ LITH. BF 0. 3: W. ENEHCOTT (IL .1. Got where we vvere 1001?-11. _ , , . . Go 0 all the D out 01", or ATLti- Cu.]0mT(:*T _ 25 uett, 3. EXCG]_Si()1". . Cape AILIL. ., - 2-5 ” 5. ”M9l:hLn:’s Bjllle . S01d1'e1:‘sFu11e1~a] . ' v 50 Q7. V0 3119;: Song” at 89 a . , . 'VuJ_tu]:'e of the A]']’LS....
Show more.1 v’-.~‘“'"" T ‘I ‘fl -J,QAv_\3 fjww)/y I7‘, . « V: v '61-" .,./,/mm, 17,‘ 5Wﬂu.7,,LJ)V:/fl «”/7/‘.171/arr? /(7 ,/,,f _,'.v ‘.r,»m Cami v”/V“ LITH. BF 0. 3: W. ENEHCOTT (IL .1. Got where we vvere 1001?-11. _ , , . . Go 0 all the D out 01", or ATLti- Cu.]0mT(:*T _ 25 uett, 3. EXCG]_Si()1". . Cape AILIL. ., - 2-5 ” 5. ”M9l:hLn:’s Bjllle . S01d1'e1:‘sFu11e1~a] . ' v 50 Q7. V0 3119;: Song” at 89 a . , . 'VuJ_tu]:'e of the A]']’LS. 9. Axes to (‘i1?in a,. O 10.VVc1*e a, cuttixlg. 1],. We are }La,]qLy and ﬂee. ' x‘ 13 Om,‘ Ft1,1:'lt1.e,I*“s He arﬂx. NEW YORK PUBLISHED aw rmrn aunu. Il‘?l,FR/ANKLIN 30,. & FlRTH.l-{ALLEN-‘ONO 239 BROADWAY. MUSIC LIBRARY «Mn --~ Lea: ~ WORDS BY ﬂ£HBY*WgmDHu”ElLOW. .1///M)‘ /,}'//1/I/IJ.'(’// A" ._97//’/{/ ///4' \\W\ G‘r\\Wi‘: G“ E Mk\\.‘4 . 77/z'._v /’m://z /2'/I/'2'.s‘¢’/1/.8‘ ////’ (w///mz/.m/ z/.3‘/II‘/"/I/1'///'/.,9 1'/N/.14,“/Zl-ltd". //._,v .//r»//N“/1:11'U/.?I'0/%ﬂ5'li// /ll;//11'/yllvrz MW?’ 1/: ,///7 ///7/.'/I/'11’/7 /H/1‘////4". 7)/.s*/73/1/1/2‘/1'//g7 ////: /*/'2/4/m’//_r aw//2')/‘/‘S’ 1'7” //'/}3, //I/’ /7//arc’///1////.r /7 low’, I//I/I’ //Iv I/’/‘I/"/II‘/’/4/’/.5‘ 1’:/"431/W/~/'1"/7('./', 2/ /.»/-w.s;w<s- /I'wm/v/ /2/7 //3* 45',/rl/'/1'//K1’ /?/l///. /:'v_/'// in zﬂw/// [Z ///'/(’/r.(' //I.s'/ //.5’ z/Him, mzzl «[7 Ir’/J‘1‘/"1"//"['//I, //71' /1/A/" /I/‘mi////'/I/.9 //I1’ /Ir/g(//"cw /:/"//n'.5‘4»//,/ /'/I/ (7, //[/7/'11’/“ J/7/2/"/’z'._, V ' Mw ‘( cmvx. /}//2,//y/Izﬂ ﬁr» /'/'/‘//7 A-’/////[ /7."/";'//7/1'///1 J}/.,l »Fl RTH HA LL& POND 2.?‘/,/J’/W11/Imp‘, Y‘A.NO TE shadés of night were fall_ing fast, vil_lage pass'§1,A ALTO. ' V __/ shades of vil_ ..lage pass’d, A ENORE. shades of fall- ing fast, Vil--lage pass’d, A BASS. shades of ' fast, Vi]- _lage pass”d, A Enter’d according: to Act of Con gress A .D .l843,by Firth &Hall in the Cler]:s”Ofﬁce of the Diétrict Court of the South’-1 Dist of New York - ’ .349 who bm-e7m,irl snow amhitte banner with the strange de-vi‘ce, Ex- celsior. K3 1 I x who bore hnid sud ice, the strange (10. V (‘ea ct-lsior.: y ‘ s l ‘ who bore ’n1i<[ snow the strange dc- Vice, z-vlsior. 7 who bore ’n1i<l the strange de - vice. Ex _ (-elsior. Q 13*- be - neath Flash?! like a falt-hinn be- neath Flash’d like a falohion he - F‘lash’d like a f‘a.l(‘|1ihn he _ Heath VI-‘lash’d like ,a falchion Excelsior. sheath, A/11:1 like sheath, And like like sheath, And sheath, And like _ (:1-.lsi0r. _ celsior. _ (-elsior. - celsior. Excelsior‘. ' clarion rung,Th‘e sil_ver clarion rung, The .sil_ver .0 arion rung, The clarion rung, The happy llmnes hé homes he’ saw the saw the homes he homes he saw the ace ents » accents accents accents saw the light household ‘ fires, gleam -0- household household household‘ of that IHlkn0\\Tl t<mgue,Ex— f-\ b)‘ tongue, Ex /3 un - kn tongue,‘ Ex- un - known tongue Ex- /3. 2 1 Wu rm and \ I . \ fires, glozml warm and fires, gleam warm and gleam warm and bright; A _ hove the» spectral glaLii(%rs sl1one,And from his lips _/ . . bright; A- _bove the spectral shone, And from his ~ . “ groan, Ex- bright; A- - bove the spectral g1a-liers shone,_ And from his l /-W bright; A- _bbve the spectral glen- ziers shone, And from his _ celsi0rl.7 Try not to T « M old man said, Dark lowersthe tem- pest U ._(*él\~'io1'~ 'I‘ry not to ‘ - old man Dark lowers the ten1_ pest -ce'l~sior‘.' Try not to » old man Dark lowers the tem— pest — cé]'sior’.’ Try not to Dayk lowers the Excelsior. Excelsior. head,The roaring torrent is head, The roaring torrent is head, The roaring torrent is head, The roaring torrent is 5 Oh stay, the maiden said, and rest Thy weary head upon this breast; A tear stood in his briz:;ht. blue eye, ‘ But still he answer-’d with a si;°l1"Exeelsior'f 6 . Beware the pine trees wither’d branch, Beware the awful avalanche.’ This was the peasantslast good night; A voice replied far up the l1ei:.>;ht,r'Ex.(-olsiorl’ deep and wide,lAnd loud that deep and wide, And loud that deep and wide: And loud that deep and wide, And loud that . . . “ l . 3' clarion voice re_pl1ed,Ex-cels1or. _ /3 ' ' “ . 77 voice re plied, Ex celslor. /A clarion _ _ f; ’ 19 voice re- plied, Ex .. celsmr. /3 clarion .4 ,, J is 3‘ clarion voice re- plied, Ex _ celsima /3 7 At break of day as heavenward, The pious monks of St.Bernard Uttei-‘d the oft repeated prayer, A voice (,'.l'i(‘.d thro’ the startled air-‘,LExcel<ioi.:’ at 8 A traveller by the faithful hound, Half buried in the snow was found, Still grasping in his hand of ice That banner with the strange devi<~eEx(~elsior: There in the twilight,cold and gray, Lifeless, but beautiful he lay.’ And from the sky serene and Far. A voice fell like a falling star“Excels«ior.” 349 *,Sun;,r as the 15tVers'~e.
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Date: n.d.
Text: ,n.«.»n|IJ d'7'/1/V/VAIFVZI :2 D/X0/V, /M/3 I V V._ J / /\ U T ﬂ. e 4 . a I C? W \ mm zwb M mémm. ﬂ nmmTo___ TL 1“, / aﬁea ). 1.1? .-\\_v: emaMw ﬁn! HVJH , P m1.m@ A mmmm II L‘L1:.L ﬁJH 1.4.865 JM wmmm r1{.1..£ A MM%%_ .§4.V4c7.\.lu\»lv7W m\P... ; moaaw Wm/an E_..L.. hwxwxvo :m.n.nDaS v/A Mtge rnmh O6rT.W. O,mOO dudm . _|. eiaaa $6160 uAn.L.4,I:_.K a1.a SLM Tm ,. .Y. 5 M A. M M r. W A N F. I “THE some OF H|AWATHA.” (“I AM HAPPY, I AM HAPPY?” The Poetry ﬂrranged from L0NGFELLoW’s ...
Show more,n.«.»n|IJ d'7'/1/V/VAIFVZI :2 D/X0/V, /M/3 I V V._ J / /\ U T ﬂ. e 4 . a I C? W \ mm zwb M mémm. ﬂ nmmTo___ TL 1“, / aﬁea ). 1.1? .-\\_v: emaMw ﬁn! HVJH , P m1.m@ A mmmm II L‘L1:.L ﬁJH 1.4.865 JM wmmm r1{.1..£ A MM%%_ .§4.V4c7.\.lu\»lv7W m\P... ; moaaw Wm/an E_..L.. hwxwxvo :m.n.nDaS v/A Mtge rnmh O6rT.W. O,mOO dudm . _|. eiaaa $6160 uAn.L.4,I:_.K a1.a SLM Tm ,. .Y. 5 M A. M M r. W A N F. I “THE some OF H|AWATHA.” (“I AM HAPPY, I AM HAPPY?” The Poetry ﬂrranged from L0NGFELLoW’s “H1AwA'rHAZ’ “Then they said to Chibiabos, To the friend of Hiawatha, To the sweetest of all singers, To the best of all musicians , ‘Sing to us 0 Chibiabosl ‘That the feast may be more joyous, ‘That the time may pass more gayly, ‘And our guests be more cdntented!’” The Music Composed by JOHN BLOCKLEY. “ And the gentle Chibiabos Sang in accents sweet and tender , Sang in tones of deep emotion, g Looking still at Hiawatha, Looking at fair Laughing Water , Sang he softly, sang in this wise .” Song of“Hi;1watha’.’ pp.81.8‘Z. ./WODER.él"TO E SE.MPLICE . f f‘\ mf 0 I am happy, am happy , if thou on _ _1y lookest at me, Thou the wild flower of the forest, The wild bird of the prai_ J _ tencﬁramente .\ My heart sings to .nf be_._1o_ved, Sings with joy, when thou art near, 7’ 1’ The Song of Hiawatha . John Blockley. As the sigh_.ing, sing- ing branches, moon is shining clear. 7 FN a/\piacere . ‘Z When the ,moon is shi _ ning clear . calla voce . J . Piu lento e molto espressivo . When thou art sad be_.10ved, Then my heart is darli as night, ‘Nhen thou. /9/9 appassionato . smilest my he_-1oved, Then my troubled heart is light. Smiles the The Song‘ of Hiawatha . John -Blocidev . earth and smile the waters, Smile the cloudless skies a__bove, But I can espressz'one . . :7 . . v3 \ ~ ' lose the way of sm1hng, VVhen‘ Im ab_sent from . VVhen I111 dim . 8 1-all . ab_sent from my lge. - I am happy, If thou calla vace . on__1y lookest at me, Thou the wild flower of the forest, The wild The Song of Hiawatha. . John Blockley . bird of the ’prai-_._'rie.- ten ramente . My heart sings to thee beloved, Sings with joy, when thou art near, 1’ in As the sighing, singzing bs‘a_nches, M7hen the moon is shining clear. a piacere . ‘ A‘ ‘When the moon is shining clear. calla voce . \_J Thé S098 °f Hiawﬁitha - Londou,Pnb1ished by Jolin Blockley, 2 Park Roa';~d, I-Iaverstocla. Hill. 1.?!-:__—_—~ 9 ' /N ‘V; ‘ “L” \ / I T ' A ~ 17.---"vi W’ K qa~ K/. \ \ I ) T < V m ' ‘I I‘ » gym . ”°7“ 41”” ‘ ’ cT-‘(,1/'//5 T. T5)’ ;“v;> ‘\ 45 @ j V A \ WEE SON/($3 “ W3 A / ’ "(M2 J4’ﬂu5tr Thu \; \./ ‘E JQHTN BLOQKLEY. - - A ﬂ / ‘ I (Llgr 19or1‘1g hv % T 9 * u: _ a i‘‘‘ “W W * ©N4@‘J?'@'m@W / A TVL Qt ‘ / 9 @,*>,.J \ ~’]:w_J_TiJ ‘TT/9) , = ‘ /0 K — S0,N0 DUETT ‘) ‘ SONG OF‘ HIAWATHA T .0 AM HAPPY,lAM HAPPY) (ILLUSTRATED), TT 9/6 7 TEXCELSIOR. _ (ILLUSTRATED) T, T. 2/6 3/' FOOTSTEPS OF ANGELS T T T T TT (wxru PORTRAIT or LONGFELLOW) * 2/6 ‘r J‘ EVANCELINE T (mom LouomLow’s roam T 2/- THE CONSECRATION OF PULA$K|’S BANNER TT (ILLUSTRATED) HYMN or THE momvuu NUNST V TTT :>9T a/- V 3/» . _ A PSALM or ure T TTTT .. TT A TT 2/T”. 4' THE REAPER AND THE FLOWERS TTTT TT T TT TT T 2/1 M A {-I THE RAINV DAY TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT T.‘ TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TT2/.TTTTT.T.2/~ “ TH-E BRIDGETT T TT _T 2/» Ha‘ ‘THE SILENT LAND / 7 ) THE ow CLOCK on THE’ sums (ILLU‘STRATED]T,T,TT.T. Tz/5 T TT T: 8 THE OPEN WINDOW T (view or LoNcrELtow's RESIDENCE) T...2/6 , zﬂ % o THE OLD HOUSE BY THE LINDENS T D9. T TT .2/6 L M I ‘ cu-RFE‘w T T T T. T. T. TT ~ A 6 ‘XL 2,17 1 cool: NIGHTT T TTT (s:n:~Ao:)TTT T T .T .. 2/v ~ \ » TH: Two Locks or HAIRTT. T T _ . TT.2/- T V‘ _ \ \ I’ W~ W H ITH ER T (some or THE wnzn NYMPHS) T T TT 2/v 3 \ 5% TH>E VILLAGE BLACKSMITH TT f.:..J.a—u.ocKL:v) (uuusrnnrao; .2/6 §$ g‘ V: 1 ‘km: WRECK orrua HESPERUS D‘? T 0°. \ 9‘ *1 V suns or THE SUMMER N|GHTT__ T !)°. 4 '”‘, ﬂk SPEAK GENTLV T T. Lwonos rnom sHAnpas MAcAzma_‘TTT_T T X \ I _“'lr‘(#)-f)I'(‘.V"(-‘IITT 11uis1:al;L‘;._ ‘ ’ I ORDERS SHOULD SPECIFY av JOHN BLOCKLEY. D L ‘x V > =&: 6 ,
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Date: 1890
Text: 5: ‘ - .f. I ' C .0’ '7 4'“ "' n .~'=.1-.2?‘-1.1,” '34; ' .‘-: I C%lNclNNATl.- ‘ % V % L PUBLISHED BYTHE JOHN CHURCH C0.74 WEST Founm 37.; ‘ Q ~ , ' [/r/2.'a;a, ‘ /Venrliz-/r, 4 RUDT& SUNS MU II: DD. V , ‘ ' ‘HIE JUHN CHURCH CU. Zﬂﬂ /51:15.7:/9 lvem/2'. /.7575?/519.5‘)! _ 1 x«:..YI.u1.J.(./. A W‘ '/,4 ¢ / 4! / . 7/ ‘\:.\\V§\\.'§\\\\\\\§\\\‘.R\\\§\\§‘\&\\V I11; . tu1§1%!l|l1\1xua..... .I' ‘‘.-_~..,_.);' -‘....
Show more5: ‘ - .f. I ' C .0’ '7 4'“ "' n .~'=.1-.2?‘-1.1,” '34; ' .‘-: I C%lNclNNATl.- ‘ % V % L PUBLISHED BYTHE JOHN CHURCH C0.74 WEST Founm 37.; ‘ Q ~ , ' [/r/2.'a;a, ‘ /Venrliz-/r, 4 RUDT& SUNS MU II: DD. V , ‘ ' ‘HIE JUHN CHURCH CU. Zﬂﬂ /51:15.7:/9 lvem/2'. /.7575?/519.5‘)! _ 1 x«:..YI.u1.J.(./. A W‘ '/,4 ¢ / 4! / . 7/ ‘\:.\\V§\\.'§\\\\\\\§\\\‘.R\\\§\\§‘\&\\V I11; . tu1§1%!l|l1\1xua..... .I' ‘‘.-_~..,_.);' -‘..§-'4’-.1 ~ 5- any 3¢'3~ -} ‘.7 ‘:,' ~ "4- -3‘-31'-‘ . QR ‘-. . g§:._": "‘ . 9. 4.18: 44 ' . i'‘-.. \ nu um. ;v, V. 6 . cmcmn/m; PUBLISHED avTru-: JOHN CHURCH C0.74 WEsTFou:=m1 Sr. I/I/hiya, /Yaw I17/-A; Rnunsuus MUSIC cu. THE JDHN nuuacn ca. ZII /KMJM lye/rut. , /ifasf/5316.9: .CON.TENTS.L AFTERWARDS. ............................................................................................ ..1IIullen'. ..... ._69 AN 01.1) GARDEN. ......................................................................................... ..TempIe.-.-..102 A SERENADE ......................... .; ................ ................................................... ..I..0oM. ..... "24 .CHING- A-RING_A .RING. ............................................................................ ..lIo_llog/.._..-112 COME TO~_ME._ ..... ........... .; ..... ...................................................................... ..ﬂemr1t ...... -42 DEAR HEART. ................. ........... .... .} ......................................................... .Lz!Iazfez. DEAR EOVE. ................... ....................................... ...... .............................. "Klein ...... .-59 . GOLDENLMOON ................................................................................................. Llvdﬂ .... -135‘ HIGH TIDE. .................................................................. ............................... ..0armt'll. .... -.36’ V I ARISE FROM DREAMS OF THEE ........................... _; .......................... .,Salamrm; .... -.3o IN OLD MADRID. .... ._. .................................................................................. .,Trolerr. .... --96‘ IT CAME WITH THE MERRY MAY, LOVE. .................................................. .. Tosli .... -108 IT WAS A DREAM ......................................................................................... A13/ar/. ...... _. 8 . IT WAS NOT THUS TO BE ............................................................ .......... ._Ma.9.s'ler ______ "78 MY .LADY’S BOWER. .................................................................................... ..Tem]1le ...... -.12 . POL LY AND I .......................................................................................... .. If/it/rejfz'eld ...... ..74 QUEEN OF EARTH.. ............... .... ......................................................... ..Pa'1/gm‘! .... ".128 SING TO ME. .................................. .; .................................. ......................... .. 1)e7mz‘ ..... --6’4_ STAR OF MY ‘HEART .................................................................................... ..])en:/I ..... -140 TELL HER I LOVE HER so ..... ..................................... ...................... ..de Faye ...... -34 TELL ME,0 GENTLE MAIDEN. .............. ______________ ________________ _; ............ ..6’oomo/I. .... -18 THE GOLDEN GATE. .................................................................................. 1//mm .... .423 THIZY AI..{L;LOVE }ACK ................................................................................ ._A(1am.s'........88 THE LIFE A. BOAT. ....................................................................................... ._Ea'w/zrzls ...... .52 THE SWIEETEST SINGER. .......................................................................... ,_}?oPc/re/N._,,___I18 THE SEA HATH ITS PEARLS. ................................................................. .,Brg/.9072 ...... "49 Copyright,1890,b’y;Thé John Church Co. Song Mosaics. For Tenor. Dear Heart, L W'ords by G.Clifton Bingharn. Music by Tito Mattei. /7 mf So long the day, so dark the way,---- Dear heart, be—fore you It seems to me it can-not be This world is -Still the same, ‘For /r’-ﬂ,“-"._\ then I stood as in some wood, And vain — Jly sought for r V 10 -can egpreeq. ten. av-ea.. b V ’_ _. . . I" Q But new day daﬁvnson sun-lit 1awns,.-.. And life isglad and {T /§ P/\ 0 leave me not, 0 leave me not, Dear 4:} ZZg V . kg : P000 '17» pin mono. T‘ heart, dear heart3.-.‘- I did not dream that we should y /_\ P/“T love but thee, 0 love thou me, And leave3 and leave me O . . ﬂoral/E. .accel. e cw-es. / /" » r;\-*4’- Dear heart dear heart! leave me not,Dear heart! P With you a — way, the brightest Dear heart, goes by in vain; I dare not dream what life would \__j_z I" If you ne’er came - garnl Dark ways be — fore would hark -en 'The sun would set in vain re —gret.-._ 4——$ 11 '1: mono. 0 leave me not, pace rd.‘ 1“ morn—ir1g brought nof 0 leave me not! thee! can graria , p/"‘\ Dear piu mono, heart, dear‘ heart L3ffEEEEE¥:::::::—-—__~‘§“‘\\ T r/~——\ . dare not dream ‘that 0193.. % love but thee, O~ love thou me, >/1 poco ran . ﬂ leave me Dear heart, /I-*""—"*"e >>>>ﬁ ml-l . heart! ........ -- leave me not,..-. I I Mii./-xﬂ V_/f decico. fa me not,’ Dear heart! ‘ f.\ pp col canto. It was a. Dream. ESWAR EIN TRAUM. Adagio con espressione. Fa - ther—land was mine, sch); - neg Va - ter—laml, staté— -1y oak _ trenes ‘to.w’r - -ed high, V Ea’ - chew -bzmm. wuchs dort .90 -ltoclt 1 z nod - — ding vio‘-lets smiled 1/21‘! - — cﬁe-um}:/c-ten mnfl was a dream. war ein Tr/mm. when to far - off for-eigxrlandsl came,‘ A m.aid-en stood of ma -gic als it-/I mm in’: fer- Me Au/.1-I/m.(l ham, Ila war ein 1!Iiz'd-clam nm -])(?7.‘- grace. With bright and gold-en hair .s'c/zb’7n. . I/nd blond van Ha/tr 11¢ .9eh’n dream , Traum. Who kissed me then and spoke in Da: /mm — te mic/c auf denim]; and Mo — ther tongue, L One scarce can ‘tell how sweet aprac/c auf deulsc/z., mzm glrmlzt 6-S kamn, wie gm’ ores f That word_______ “I love (Ia: If/brl._____ icﬁ lie — V /-‘T if war ein dim. e riten. ’ I”, /" - ' dream. Trrmm, was 3* ‘ My Lady's Bower. SOPRANO. OR TENOR. Words by Frederick E.Weather1y. Music by Hope Temple. Moderate conxmoto. A . __ Thro’ the moat _ ed Grﬁnge,at twi _1ight,‘ My love _ and I Wt; ‘ F {$0 /*° /_ Weints By 611113 - y roo'ms and lone- y stair‘s,v In lov _ er’s swket con- ’ /'\ /‘5 I /—~\ \_.Z V _tent, And round the old . and bro _ken case- ment We watch’d the ros ;es A But theplacewe1ov’d the best of all Was call’d “my La -dy’s f mialerioco. And wiﬁl beat _ _ ing hearts we en ter’d, And_Ls’tood and whisper’d low, I’ sweet and lovely la - dy b who the #4. cqflly. moon shone‘ in the dus — ty grazioxoi . ‘2 Where her +1it_t1e feet had wan —der’d In the court- 1y days of yore.And it touch’d the fad - ed at _ ras And a -gain we seem’d. to‘ see ;A//"’-"'_‘\ lovely la - dy sit _ ting there, Her ‘lov- er rall. molfo. saw him kiss her fair white hand And oh! ‘F we heard him say, K5 _ tempo /tgifalo. 3 love thee, love, for_ev _ er, Tho’ the /-3’ years may pass a -wayl /?s’\ / WI/1. [low It 11000. \ love thee ‘Tho’ the years may pass. a_-way!.. I "1 shall shall Tempo I. tlolciu. But then 0 ’twas but a dream It was not they who sat there hi the A -crempoco a poco ml]. 1 2 ‘Ya. ‘YE. rail. inolfo. _ Tempo I, A V A ‘Ya. ‘Ya. Sil - _ver on-lightgleam1 Ah! no ’twas we, we tw”o to -geth-er,Wh‘o had vsf found our gold-en hour, La _ dy’S mil al. f me. “With- in my La _ x‘ :7 bOW’l’; A alempo, And- told the old, old sto _ ry With- E. E. And told the old, old sto _ zmav corda. Tell Me, O Gentle Maiden. (OU VOULEZ VOUS ALLER .) BARCAROLLE. _ English ‘words by“Winthrop’., _ Ch. Gounod. I’ Tell me, O gen.-tI’e maid -en,Whered0you chooseto go? White sails 0:’. tea la jcuzne be! -le,A 0:2 vou-lc1.vous al- Ier? La voile . Bel - la mia gio - vi -net - ta Do-vei ti Juoi re _ car? Lie - vee _.o- C be/aring s on-ward,Gaily the breezes blow; ........................................ Gai§ ou-vre son at’ -1: Laibralae va .9ouf_fler' ................................ ............. ._ La - la mia barchet - ta Cal moepropizio il mar _______________________________________ .§ ...... .- Cal- Copyright, 1889, by The John Church C‘! ' - ly the breezes blow.---. brzlse va .muf-f1er. moe propizio il mar__.__-__ > All is brightnessand beauty, ’Tis thy’ loverzs sweet du_- ty, Swift - Iy to ‘ L’a—v¢'_' tomes! :15’ - voi _ re, Le pa- v1'7-londe mot" - re, Le ..... .. gou,ver- Sul _ la pro-ra ho la spe- me, In van con-tro lei fre - me . Iel . . . flutto TTT guide thy > way; . . O,er the murmuring wat - ers, Fairest of al1earth,s nail d’or fin, . . . Jhi pour lest une o - rm‘: - ge, Pour vo1'_le une aile cri - stal - lin-. . ‘ Per sae-vor-ra una me _ la le ser-veo di daughters , Sweet as roses in May. ................................................................. .. 7 - . I . . dan - ge , Pour mousse un.s'c.ra.p/ha . ............................................................... .. , _ % , Ve _‘ la L’a _ la dun Che..ru - bin , ........................................................ ...... .. Tell me, O gen-tle maiden,Wheredo you chooseto go? White sails Dz’ _ lea, la jeu.ne bel- le, 0:’; vou-le:_vou_.9 al - lér? La voile Bel _ la A mia gio_vi- net - ta O—ve-ti voui re - car? Lie vee bearing us on-ward,Gai-ly the breezes blow, _, ______________________________________________ _. Gai, tou-vre son at" - le, La brz'-ge mt :ouf-fIer, _______________________________________________ .- La ‘ la mia bar_chet -ta Calmo e propizio il mar, __________________________________ _'_ _________ _ ly the breez_es blow. bri- ae va .9ouf-fIer. - mo e propizio il _ ma‘-r. “ > To the land of the spi . ces? Where all nature en — tic - es? Speaklshiallwe, Est- ce dam in B1: - z‘:'_- qua, Sur la mer Pa-n'-f:' - que, Dane 11' _le 1 Sull on-de fug-gi - ti - ve V Del Bos.fo-r<°) alle ri - ve Dim _ mi,vuoi 1‘ P shall we I On the bosom of ocean, ‘ Lulled by its gentle ‘ de l ja 9 Oeﬁéien dans la Nor-wé-ge, 0ue2'l-Iz'er la fleur de tau - pro _ Op- pur sui f1u_tia vo - lo Vuoi di Golconda i1 Floatwe eV_ef_ a .way,' ________________________________________________________________ .. 01': la _fleurd:4n-g0 -/ca? ............................................................... ._ Fur- ti _va sa-.lu - tar? Tell me, O gentle maid-en,Where do you chooseto go? White sails .02’ - fes, . la jeu_ne be] - Is, 014 vou,le1_vous al - Ier? La voile la mia gio-vi _ net- ta 0 _ ve_ ti vuoi ra - car? Lie - vee bearing us on-ward¥Gai1y thebreezes blow, ............................................ .. ou-vre son at"- Ie, La bri- ae pa :ouf_ fler, la mia banchet -ta Cal-moe propizio il mar, ................................................ .. Cal‘- - ly t» e breezes blow. ‘br1'..9e1 wt :ouf_fler.___- - imo e propizio il mar. ‘ > Seid the beautiful maid - en, "Let us go to that Aiden, Where we shall 1lIe.ne:-mo1',dz'! la be! - Ie, V .4 la rs’- ve ft’ - dé - le on ‘Port La gi0-va-ne ri _ spo _ se': ‘ ~ Me_na-mi fra Ie r‘o - se La do-ve 7”’ I“ love, love fdr aye; To its bright golden por _ tals, To the land of im. at" - me (on. _/our:,_._. v0eI-Ie rt‘ _ ve,ma cﬁe - re, 0!: are la conmzif sa _ ma _0 _ gnor.,---- Ignot ao gi0-vin-cel Q- la, E que__sta piaggia - m0r - t; us, Let us up and a _ way! ........................................................... gue - re, Au p'a-y: ale: a, -nooun. ............................................................ .. bel - la . ‘Nel do-mi .nio da - mor. ........................................................... .. Tell me, O gentle maid-en,Wheredo you cheese to go? _ D2’ - te:, la jeu me be! - la, ou v0u,lel.vou.9 al - Ier? Bel - la mia gio -vi - net- ta, Do-v_e - ti .vuoi re - car? sails bearing us 0n-ward, Gai_ly the breez-es blow, ________________________ __ voile ou_vre son at’ - le, La bri - se M I .¢ouf_f/er. .... ................. .. vee A la mia bra_chet- ta, Cal_m0e pr0-pi_ri0 il mar. ........................ .. -0- ly, yes gai _ _ _ ly blow. 6m‘- se va .......................... .. :ouf-fler. moepropi - - _ zioil‘ mar. }{§ 24 ' A Serenade. German Poem by FRIEDRICH IIJLM. Englishetranslationby GERARD F. C OBB . SOPRJZVO or TENOB. _ ' GERARD FOCOBBC Andante c‘antabi1e.<J : 100 Pc(I.ad lib . night! All ha1— - 1ow’d Nacht! Schliesst euch zu 0 - - pen bright When frisch - - er — wacht, ‘ Wenn 1’ gold - - clouds is beam A - I - _ ing; Good enightg sich die Wolken sau — - men; Ihr blau _ P1" blue, good night! All V hal - , .low,’d b.e,_. ,yo.urg gu - - - te Nacht! Schliesst euch zu hol - ~ den 9 0 0 0 0 Good night, Ihr - blau - — con for‘: f «night! All hal - - - low’d. be ............... .. __ your---- dream -Nacht! Schliesst euch ...... .. _> zu hol — - - Tréieu _ .5-empre calla vocc. ing! men! ccmtabile . love! As V fast the ..Nacht_! Wenn Ster - - ne lips ‘ I gu - -,te When first Sc_h1ie.sst j a fast . i_ si - Tent sleep schliesst auch euch hol - Vrose her beau — ty sich am Him - mel bove, S 0 .P.r,acht . S_o. P05 '. Schwei - M’ ,I love, V In - te Nacht ! P1" Schliesst re denx good pen _ pOS - Schwei- ' . night, gun- pos Schwei good te ‘ 27 - ing, Ye - gen. .“‘=====::::§5h iorta. night, In. Nacht! >ScAhliesst' cantabile dear!L What eye‘ could note the day - light’s N-'acht, ~Wer wiir _- - de A Ta — ges - glam; ver - - ing, Were thy bright beau - - ty — sen, Wenn hell noch dei - - ne “€313 What eye ..... -- could note the day -lightjs pal - Wacht, Wer wifr - — de Ta - - ges — glgnz ver — mis - .1/'\ V L ' t_h_Y ub.r.i_gh,t - —, ,- n.efs_se _veile -_ -in,'g., lent vim W.ei_,- . - .- chen Kis -, sen, ,D.r_u_m, c ntabile. 2 I.’e(l. — ness veil - ing, Good — - chen VKis - sen ‘Du 0071 Orlll. O -9 ad lib. LT ‘ e.s-;2ré.s.9z'vo. - .thy brightness veil - » Good. - chen Kis - (Du; calla vane. rit. » ‘ ‘night , good night.!_ gu — - te _Nacht.. A io. ran . calla vocc. I Arise from Dreams of Thee. SERENADE. ‘ .w0,.(1Sby s]1e,]1éy. ‘ g V Music. by Charles Salalnan. Andante con 1110110 Espressione. J —_- I16. PP1’ Pcd. _ O a- rise fi-om d1-emus of thee, In the fix-51 sweet sleep of -/7'7. .Z.".$. ./.—.*. PPP Both Peds . When the winds ’B¢}m Peds __>/‘T stm-5, Amt the Stars are bu_rn—ing bright, A from drealns of Zﬁj gm of t11ee,0fthee, And a spir— it, b a spirit, km from dreams thee,0f thee, I a -rise {T5 gm _' Z—:§ {T 0.: 0 /.\ Pod. v E. ' : }—-— PP who_ knows how! Hath led ‘in my feet. Hath led me.) ( ‘ o n /5’x a» Soff Pea. m chamber window, sweet, 4 Hath led me to /thy chamber window, Sweet‘. j ' .4-—‘:""'m-_ o 0 0 O 0 u o - O .f-\ . Z:\. . } ' ? } . WPP n11‘$Ie'r1'uso . spirit hath led me A Sweetg A SP1-ﬁt ' hﬁthled I118 ‘*0 . I _,._._._._ 1 - V } ‘ ' 0 a ‘ a ’ ‘ ‘ ’ ' ' ' ’ ch‘; 3%’ i-- wandﬁring m'1'stl.1e}3 faint ..... -- Olrthe da1*k,the si-lent stream, The Champak odors fail,____..__ The PPed P _ a tempo. ——-.—-;: ti ’ SW99‘ thoughtﬁ‘ in . ‘ 7 ‘ The night-in—ga1e’s complaint; ..... -- {T ‘L/\. As I__;_-- Inustonthine, As > I .... -- must on thine,Be10v - ed as thou art, Beloved as -thou agw 33$ r~ ;*ita1.'d. ~ Pad. ‘ * 177: 77 Tempd primo. gen - ﬁe’ —dews of sleep I, b a—las‘. xiaust weep, 'I‘hou,kn0w’st not, 'I‘h0u,kn.0w’st not 1% /-—\ My cheek, my cheek is cold and 3's/‘an, ___.__i can passione. . >r>\> heart, my heart beats, loud andbfast, Oh! press it, Ol1!press_i{ / - \ V /‘.$ ZTS V/‘.5 ‘ to thine own, 01' ‘riirzrd . L 3 L 3 L press it to thine mm, 01' o a spirit hath led me ‘ to it \'n'll break ‘§ Both Pedx. f.‘ it will b1'eak.,O1' it will break at last‘. ‘ FA ri mrd . hathled. ‘me ll to High Tide. Words by G. Clifton 'B‘in‘gham. 7 L Music bY Arthl” Camau Andante con moto. dream when the tide comes in; A Out of the wdrld with its ritard. cl‘amo1_'s and cares,‘ Far from its strife. and collzz voce- Shad - Qws creep o’er the Where ' 3 \ 3w¥——-—/ nmzle. and _r2'lzzrd. Lento. A dream that has drift.- colla war. at an — chor ships ‘"‘ _the past ed by. 4+ ‘Sta. 1... Pin m 0:30- In‘ _ to the mom - ing 7" Pin mo: 0. sailed at break ,of day, . Back from the fishing, their .9z'mz'Ie. ‘ déy’s _1a—bordone, The boats cqme meno.m0uo. Monarchs of storm _and L ' Come plough - ing the\calm_ grey nf memo mono. oyLe9'zl0.A by one V Hand brought home V To the Ha - ven where would be..- . Moderato, 6:2: ,Lenfo.~\.::=._ _ — bor where storms f‘1\ . Lento. know. .................. ..Sor - row_ and wreck and M . 3 ‘ + ~ Andante‘ , and 't ides 3 .4ndzmtz'7z0. b I _ 9 ’”f / ‘ . , by,‘ _ in that Ha .- veh -fair, And zlndrmlino. )9 calla voce. Come to Me. Soprano or Tenor. Words by.W.Boosey. M11510 by L- D9111?!- Andante sostenuto. /5 avfa. P ,Neath the Si] _ — ver si—lence of the /5 m0‘0I1, ............. ..When the winds are sigh-ing in ro — sy bossom buds of June. ............... ..Cl0se their dew — y pet-als in- to col c/mlo. at: ‘Ea. ‘Sim. * When the weary eerth is hushed and sleep—ing, ........ -_ And the - Mia. Mia. cm ,£:0ld—en stars their watch are keep - ing, Come to me, Mv [9007 (vmto my dar - ling heart,» Lay your trem—b1ing hands in eyes di - vine .... __ Love, that life nor death shall part! Lay your ht'rem—b1ing hands in mine; in your eyes di - Vine that life nor death.--. shall ('0! canto. Andante mosso. )0 -Love as boundless as the - cean seal Love that shall be proof a —gainst all 2-3 Love that shall be a life. Vto you and me! fa ammando. Fill-ing both our souls with trust sub—1ime; Till your heart shall beat on mine, re ~ /"T P animando. b — ply - mg ' joy un~end—ing1 nev— .r dy ~ ing! Come‘ .to )3 vol mm/lo. Tempo I. m I?!’ Come to trem-bling hands in mine; ' in your eyes di- vine ..... -- Love, that life nor death shall part! Come trem - - bling r/it. that life nor death, ............................ .. tat life nor > > } '00 Nmfo. > > > col czmfo. > > > } 3l%>72t. > r,\ nor death may }M 3/Int. The Sea Hath its Pearls. Heiﬂe— L°ngf€110W- ~ R. Ernest Bryson. Con moto moderate. L132. V 30 heart . hath its A Great are the sea and e heaven, / great _‘er /Zr“““‘**~\ {And fair. - er than pearls and [ff if Flash_es and beams my can. pasuone. ‘‘ a tempo. j——jéf\ Wlit- - tle youth-vfulh f ' A/———':”“x ‘mil. .9 dim. go almpo. ' cresc.rz'tenufo am poco a Iempo- maid - - én Come un_to my great heart, My héart and the sea and the reemrilenuto un poco a fempo. 2*??? crew . con anima. heaven .......... .- are melt - ing a-way, are melt - ing a.-way, My T E-‘re c anim '. marcaio . f dim, heart and the sea and the heaven are melt - ing a _ wey ......... ..... -. with # mﬂ \ are melt-ing a 7 way with m . rall. _rp - - Pa tempo. The Life J. EDWARDS’. A119. Vivace . } } A—.lmi!la1m0htheboat! Come, dash ____________ _tu the deep! ..... __ A C<)py1'ig}1t l88J,by J.Ch111'oh 6c"C0 . L? ship ____ __ rurshes 011------_--_ to the rocks wild and steep! All torn are the it sails and the helm ____ __f1-omthe bands;-__ 0 l1ast— en! The Life— boat to } 1-es '— cue -the hand.s‘.___ A hoi _____ __ Ialmchthe boat! (Tome, dash ______ __ to the Li deep, ..... __ A ship ____ __ rushes on __________ _-to_theT rocks wild and Sheep; {*3 All torn are the sails ____ -; and the helm.____ fmlnthe bauds,,-___ 0, 11.181 — en! the } hrall.V- — — — Life—b0:n ‘tn 1':-s _ one the hands. L rall.— «,3 — dim. rall. — — — ~ ‘ ’ A110. A ud.-mt.e. WV cresc.——————-———— The Boat has set out}. _________ __ IL--- leaps for.-- the life, .--_- cresc. — ac-cell . Q Agitato . The Vessel has struck.’ A cry drowns the strife; , The ship is > ' flees the brave;.__._ It phnlgvsl it f()lllld(‘I‘:w‘! The its Andante con esp}-essione . Our (—}mL, blesstlléboat! Thé men g to the Inést, Th‘e rigg-ing, the ya1'dS,tl10ugl1 in tel‘ — 1-01', hold fast; A hope of tl1ei1'1"escue is fill — ' ~ Aingeacll breast, And death‘*cI'oucl1es read — y be -hind each waVe’s crest. s /3 Allegro agitate. O! hurry the boat! What dread perils 10111.‘! A wave seelnsa mountain, } ff ¢ Allegro. cresc. _____» . L? mo — — nwmaulmur! How boldly it rideson the bi] A — ff L34 long, Now tleatlfs dis—ap§p0int— —.ed and ,hope“ ..... -- becomes strong. ______ -_ tempo . ; A119. Moan’ It 1'eacl1—es UleWI'f‘.(5k‘. I ev’—1'yn1au Now safe in the Iife~h0at,th0ugh P . wear — y and wan. Hu1'rah!It 1'etu1*11sf1*01n its life Saving feat, While ;- “ ” " ff laugh — ing to scorn the wild wih(ls,waves,aI1dsleet. The boat has returned, 1' rall- en — ~ te1*s1l1ecreek!_ Let mar —j — cy now hast — —eu to sun - c01'7the Maestoso. weak; Thanks giv - — ingand praiseshall as - (tend nu - to Thee ) 3 3 9 3_ 3 u - 3 " ASH‘.-V ~ V611 of life,‘ and the Lord of the sea. ________________ __ G 3 . 3 3 3 3 . 3 _ 3 3 3 /3 0 Dear Love. SOPRANO or TENOR. Words written by H.W.Ingram. Music composed by Henry Klein. Andante molto. ff ‘9@- Mia. A ndanfe. lov’d and ,priz’d thou art, rail. pass my days, How rest - léss can lmseione. havé no- hope in lov — ing thee, A can-not am‘ pa.9.s-ionc. (I lempo (vmm/)z'le thy ‘ déepeyes still fol - Iowme, Bright as the hour 3 3 8 8 8 *m. accel. do. nbt hdlahre M L. to think of thee, Thy § ,.s°lo_u'€r. face still ha_unts-..; my sleep; Em - bly ask that love like mine ..... ..: May pray for thee and weep!.;..-... ::?+_...———.T‘:.:-——> $532». ma. 5: 4,? rz't. : 'V - love like‘ ‘mine. ’May pray‘ ‘for thee I 'aﬁd ‘weep! . kind-ly word did’st thou give me, . si-lent and a - lone, \ dear, Ifeel in lov-ing thee Theworld is _all mine own. (zccel. name I still may breathe to Heav’n, Thy face .is -on my heart; . 5!.’ (local; ‘______,..__—-—-—- L ‘ a’ tempo ' o.zmt(tIn'le let’ ' ‘me now . . r.e-mem 4 brance claim, Th‘o113‘gh.doom5d from thee If fempo one thought . to _ me, slower kind. word I im - plore; Thought reft of hope of winning thee ...... -- I’l1 It lemma calla D008 It tempo . > . > love thee ev — er- more ..... -- Though reft of hope L of win - ning thee, I’II ‘ . 3 5 10V6 or - - er and ev - er - morek A {sing to Me. Words by Fred.E.Weather1y. b . Music by L,Denza,V Andante sostenuto. )9 lranguillo. , Whenjthe leggiero. that usedto 1? go: ................... .. While 11 col canto. watch ............. ..'..your ten - der eyes ................... .. In the ‘moon ‘gleam, ............... Sing t e col canto. V dream, Sing---" col canto . old .................. ..'.sweet memo - mes, col canto. O sing to you, sing ................... .. All. the f’*_: L; -_ ‘fears; ............. .. f0Y days i0 be --------------- -_~ ----- -- From my heart """"""" " take look _______________ __ m_-to your_ eyes, ........... ..... .. Thenl col canto. §——————-—-u-——-—-'Z All the bit. - - - ter mem-o - b ‘col .cam‘o. find _ it in ' Pol-ly?s hairy; — _. And her_ eyes had some‘— thing in t She round"by the dai - ry farm; yTo ” talk of the house lid furn — ish, And the nev- er knew how to say; And I look’d at my sweet lit - tle Pol~1y Till she ring 13 have to give, And the love that we’d bear for each other - So look’d my heart 21- way; Till she l’ook’d my heart a — way,‘ long as we both should live, So long as We both~,should -live, Tempo 1.9. Pol-ly and It were T sweet — hearts, As all the neigh —bors . linow; ‘ Pol—ly and I-.-- were sweethearts Twenty years a -' go. Slowly. v Pol—ly grew wan and wea- ry_The ros-es paled on er Religioso. 3 1 pray’d to our ‘ Fa-ther in Hea.v’n nd our Fa — ther kept me brave;Yes, Slowly. I M". That’s what I want with the cow-slips To lay them on VPol - ly’s‘grave; 10]0 S\lowly and sadly . lay them on Pol - ly’s grave.V Pel—ly and I "were sweet-hearts, As all the neigh-bors know;._;.--_ Pol-ly and I were sweet-hearts, fran. Twen- ty years a - — go. .......... .. f . mu. . R a temgo e accel. It Was Not Thus To Be. HAT N_jI_CH.T SOLLEN‘ sE1N,) DE-=3 TROMPLETER VON LSAKKINCEN. ‘(SCHEFFELJ ‘ English Words by“winthr-op‘) " . A Nessler. Andante con moto. -How stroangeis life! its min - gled Joy and ‘Ba: in im Le — hen /Eiiss - HM em —ge- /——T\ sor - — row, Where with e ros—es thorns do al -ways grow; ’ is smiles to- -r2'cﬁ— - let, d/my bei den II’o-.9(?ngle2'c/c a’2'e Dor—nen .3tM’n, um! was due /41 day’ and bit-ter tears to - mor - row,’Tis part-ing now, and I must from thee IN‘ V - omevﬂerz./zucIe,seﬁnt mm’ die}: ~ tel sum Sc lug-se /comm/t a’/1.9 Von-em — rm — der- /‘g 7 M {" ‘fa. Cop.yr"igh_t,.1889,by The John Chufch Co, Oh dear- est heart! thine eyes - on me‘ beam - - ingw in theif In (lei-hen Au — gen /lab’ ic-A ez’n.s-t‘ ge — le - - sen, es bl’z't5-tee‘ , espam-2'vo. depths a world of bliss I see, God bless thee love, ,my joy was on - ly‘ al’rz'n mm Lieb‘ um! G.l1'ic/c em Scleein: Be - /tiit7d27c/1. Gait.’ es wéir" zu .9ele2)'?l 59‘ (‘T {T seem — ing,_ od bless thee love‘ it was not thus 0 be ............ -- d bless thee -we — sen, ﬁe - lciit’ die}: Golf.’ es Mt m'c/Lt .e0l—len .9ez'n.--—------- Be - MZt’Adz_'cﬁ /‘N lovew my J'0}’lW35 0n“ Y Seem. ' i11g,G0d bless thee love, .it was not thus to be. Gott es wiir’ :34 schﬁnge — we - sen, ée—Iav?Zt’dz'cla Golf! es Mt m'c-let eol — len eein. My way was filled with grief, and hate and Laid, Nee'af1¢7tdIIass,a14cﬁ tel /1116’ sie em —A sad _ —ness, '1 was a wan-d’rer .on life’s st0rm—y sea; Yet th0t’s’ of , ~ez'n sturm-ge — ]2ri«'f—ter, mii — (fer Iﬁm -ders-mann. Icla triim/¢t’von —pf-am - Jen peace, and quill; et — nessaand glad — ness,Came 0 my heart, ‘ e ink—ing love, of , Frie — den (1/t7m7‘un.d .9t2’l - Zen Stun - den, (la hi/7/27' - le mic}: der I/kg zu a’z'r /lin- W th - in thirle arms, thy smile up — on me gleam - — ing, I fond-ly In (lei - wen A’r — men wollt’ 1'0}: gun: ge - ne - — sen, sum ﬁrm-/re ‘ 7 /’‘‘‘“*$ A .‘J. b . ./an-xo — e.9ptm.9¢'vo‘.*,'. hoped to rest, dear 1oV‘e,with ‘thee; od b ssh eev love, y joy was . n — ly dir main jun — ges Le -ben wei/e’n: Bee —.1h’it’ dial) Ga.-ti.’ es wiir’ 1m .s’cﬁb°n‘ge- e-‘—?"——’-—\ ing, od bless thee love, it as n tthus o be. ___________ __ God bless thee sen, ée - lciit’ dick Gall! e ﬁat male! .901". Zen gem..- ....... -- Be — /ciit’ dick ?\ . n o. /' , I g. ~ ._b e love, my Joy was on — y seem — ing7G0d’ bless thee love, it was not thus to Gall! es wt'z'r’ su .90/5°o'n ge — we — sen, ée — lzviit’ (lie/z Go!!! 6.9 ﬁat m',c}2t sol —len he a a o (5 , T ‘ he cl uds ‘la’- Die Wbl —/(€72 rises . The mourn-ful , V ind is sigh-ing, The rain-d ops flie/Pu, der lVz'nd sausf durcﬁ die Bliiﬂler, A em Re - gen - "f up - on my dark - ’ning . Fit emblems - er zieﬁl durcle lI’ald um! , zum Absched- all of hopes that now seem fly — - ing, The gath’ring gloom up - on a hap — py '-neﬁ — men jzzst alas rec};-to If/kt — - tengravu wie der Hz'm.—mel ate/cl vor mir die bl/"F .3u;- ‘IQ. -I-‘Y3-, Ifﬁ coming days shall be with for— tur_1e beam — - ing, r for-tune , D0clc,wemi .e.9 sick tum Gu-ten o - der Eb’ - - eenhdu ecltlzm/ce T ‘e.9}1anV:z'vo. frowns, I shall be ‘true 0, kthee, ’ ’ God bess thee love, my joy was: n - Iy Illaid, in Treu —en — den/r’ ic/L dam: Be — A532" dick Gotf.’ ea wiir’ zu schin ge- /‘''§ {— . \_/ Seem - ing, od bless thee love, it s n tthus 0 he. ........... .- 0d bless thee -we — - sen, be - Mil’ dick Golf! (3 ﬁat me/it sol-len sein. ........ .- Be - ﬁif’ die}: 1 love, my joy was on— y seem - ing,God bless thee love,‘ it was not thus to- Goltl es— wiir’ in so/Eiin ge — we — - sen, be-}n'£t’dz'cIt Gott! ex V/eat niclzt sol — len . 9 o (\o A V ,——-T T Tell Her I Love Her S0. A .Words.by F,E.Weaytherly._M,A. _ b Music by P.de Faye, Andxan‘ti‘r1o con moto. (J.:72.) /_ ”ﬁf Jen man-a/o iléauo l._ Gleam, 2.Greet, sil -» ver stream, Sea — ward gai_,_.__ Iy___ swell _ _-_ soft - 1y my swget, By thy span-gled margin roam - _ _ _ _/ J whisp — ‘ring low, un - der_ themoonL,____ To “your banks my sto-ry tell _ - _ ing. ............... .. In the ten- der love—tide gloam- - - ing. ............... .. 1'!’ >- L,H. luu'ng7z’nr/o _ pppooo piu lenlo Far, far o’er sand—y bar, /5 35 /\ /.\ Greet, greet, soft-ly sweet, P1700114 0008 as reu. fem 17 :3“ pa ores Lies Amy lit-tle 0ne’s dwelling. Tell her thatll am comiing. Flow’ mer""i;1Y’m‘e"“'i ‘ 1)" ,.\ T9:-=7 rmpocrea. L. i . . f \' dim. e rz'l. flow .Tel1herI love her so, ,—.. _ dm. 6 ml. ply: in lfvo > Say, poco marcalo > when she’s a -way, ...... -. ’ ‘dark_,---- ,,——-- T?» <——_: Z} 1‘ ,.:>‘; c-res. ores . an 2'»: amlo: 2' Bright and \fa‘ir-_--___ w hen' she ‘if.’ j #- f /—\>>L near, For ’tis she. ............... __ is the sun- shine on _ 87 ﬁﬁgoco pm lenia /‘\ Greet, greet, -”\ col/a vac: __;_?_,a le1Ig}2o.cres. soft§ly my’ sweet, Shé is my lo_ve,mine on-ly, Flov‘v,___j__ _ flow,-_;-_-_ a tempo. 07-es. } T}; o f ad IM. KN me.r-ri-1y,mer—ri—1y. flow, .... -- Tellherl love herso, ________ __ I love her _/./A ,J,_/‘_/ ‘X; collar voce They All Love Jack. TENOR. SONG; Words by F. E.‘.,,W_catherly. _ Music by Stephen Adams.--. with Spirit. When the . f\ ship is trim and read-y, And the jol-_ ly days are done; When the \ / last goodbyes are whisper’d, And Jack a_board is gone; lass -es fall a »- weeping, they watch his Ves _ sel’s track; the lands-men noth __ ing af - ter Jack, the lands -r’nén 10v - n‘oth - ing af _ ter Jack. . . For his /3 a lempo . heart is like the sea, must lone - ly ‘be 1ove’s the best of all . . ]ack’s the King of L all. . Ev -er V 0 - pen-,brave, and free; comes back . Till his a ship That can a —man be _ fall, . ad lib, For they all calla voce. > And the But goes, their hearts go loft that "lit _ tle o’er the sea he with him , 77 che- rub, Where he E,en his ship he calls her “she!” Up Sure a maid-en she must The mer-maid‘s,down be_ low, Would give ir crys -tal king -V doms For the love of Jack, I triow; give their crys -tal king-dom's For the love of Jack, I trow; -A For his f a tempo. heart is like the sea, Ev_ier 0 _ pen,brave,and free‘, And. the girls must lone _ly be. . . . Till his ship comes back; But if loves the best of all. . . . That can a man be - fall, . king of all,. For they all Z-5 calla voce. When he’s hm sai1,d the world all o-ver, And a _ gain . he steps a - shore; There are scores of lass -es waifying A To.. love him; all the lose his gold - _en guingeeas, V But a wife héll nev_er lack-, wed themall they’d take him, For they all love Jack! If he’g wed them all they’d take "him, For they all, they all love jack! . . .‘ For his r.\ /"5 ’- \ calla voce, heart "is like the sea, EV-e.r _o.» - ’pen,brave,_gnd free; ‘ And the girls must lone - ly be. . ,. . Till his ship comes loves the best or rall . - That can a. man be _fall',_ . J deliberato . ack’s the King of all,.. For the 'all love ack! Y /K f\ calla voce. 96 In Old Madrid. Words by Clifton Bingham. Tempo di Bolero. H_TROTERE_ , A . ' > Long years a - go, in old Mad-rid, 'Where soft-ly sighs of love the light gui- > > A A A Two sparkling eyes_ a lat—tice hid) Two eyes as > > f\. There, on the case-ment ledge,whe.n day was o’er, >> > > 1ight- ly laid; A. face 1o0k’d out as from the riv - er shore, There > } } } ‘ e a tempo. stole a ten - der ser— e - nade! .......... -; Rang the lover’s hap-py song. coll/z vocr. , it It tempo. Light and low from shore to shore, But ah! the riv—er ﬂowjd a - long tween them ev - er - more. _______________________________________________________________ __ A A A ’ A A A A A A A L 10- A AA A e rrwll. _ con tenerezla Come, my love, the stars are shin-ing,‘ Time s f,l‘y- ing, Love is iigh — ing, A . 5.-.- ﬂ~.— r thee a heart is pin - ing, Here a—10 e I wait for thee! > _ A a lempo. Far, far a - veil those sweeteyeslhid; And all the ,—\ > But still, be — tween the — tice wide,’ lat > white hand Opes the VOWS dusk > that and love had sighld were /\ night ’tis said, } the faint sweet ech - 0 j ser - e -nade H Floats weird — 1y 0 er the } calla voce. } of > t.Her "Still she lists her lov-er’s song, Still ‘he sings up-on the shore, Thoxlgh ' f/_______________ astreamthan all more strong Be—tweer1 them ev — er - more! ............... A A A A A A"_ can temrezz/t. Come, my love, the stars are "shin-ingﬁ A Time s £Iy—ing, Love s sigh-ing, Come, for thee a heart A o E O . . 0 . > . . . Here a - lone, I A a temp 0. 1--.. wait for thee; ?—§T wait for thee, ' or thee, love, for A A A V V calla voce. An Old Garden. SO PRANO OR TENOR. Wortis by Helen M.Bur.nside. % Hope Temple. Moderato . ' old % gar _ den V gay 4 lfqun - tain ' the cen - tre, «With its gleam - ing L mar _ble There were A 1’ wind. ing walks where, ros'.es grew, And )0 . mu. fash-ion’d from the hedge of I ca1l’d my La -dy’s gar-den, and Tempo . f m 10 . rm wont to walk witH _ in it, ’ I re —mem-ber best /3 mcolla voce. *Ta. rm1'malo . In her pet. ticoat sat — in, fl little fzuler. f the Mmaid - en I /fair "and of and her gai _ tall Who was _ ly fIower’d j‘ J} 0 And the .per _ _ fume and the pow - der 4 lzllle clower. hair ‘f s'un-ny.’ brown! re — mem _ ber, I re- mem —ber ’tisea- f/\ life - — timesince we met, ‘ But her sweet face pure and« f fI\ — ly in my, mem _ '_"ry lin-gers yet! see her waIk‘1-ing, with her state - 1y‘ grace s guard ‘- ed 1’ {*‘m. of pearl and gold! *‘}3za. f gates 61" pearl" A calla voce. that, swéet gar - den, .with the lil _ ies fair and who wa1_k’d 1_'z'I. calla vocem “Ea. very slow . 108 It Game with the Merry May, Love. Words by Whyte Melville. - Music by Paolo Tosti. p legato armonioso. l.,It calms with the 111:-1' _ 1-y May, love, It 2.T\NaSapla11t with on deep _ or root, love, ’[‘hanthe N/v bloomed with the sum _me1‘ p1'ime,........... In ‘a dy - - ing yeaxgs e- blight _ iug east _ en: tree, ............. For it grew in my heart, and the my, love, It ‘bright -en’d the fad .. - ing fruit, love, Was e bit _ _ tel-laud bane- -ful to /la‘ thought it would last for a life, love, But‘i't went with the win‘ - _ tel-’s.' poi - son is yet _in my’ brain, love, The ‘thorn in my breast. for you col canto. 3 . ' Twas on - _ p tempo. nev_er can bloom an -y v111_01‘e, love, For theplough hath pass’d 0 _ ver the a empo. 7 h And the fur - row hath left ' score, love, In the Sp( 7 JFL: a tempo; _ rite _ _ . a tempo. 1 p1ace.whe1'etheffl0w_ers are not ................ .. ‘T15 gone like a tale tfheawtis PET rit. col canto. a tempo- > >' told, love, L Like a dream it hath fleeted, A1th0u'gh’twas fit. col cantq . O11- ..ly a year ’ 7 . > Twas on .. — Ly a'yea1' a - - go, love, col‘canto. K affret. .. Z \ /‘ col canto. 1; gig ., $5 Ching-a-ring-a-ring. SOPRANO AOR TENOR. WordSb;v F. E.TWeatherly. ' Music byJ.L.Molloy. ’TwasV a lit — tle maid. of But he couldn’t tell her how he loved her,‘ Just be-cause the language it was —-Mean _ while the Man - dear - ins they wooed her, Poor, Jack dis_ - con .— so — late, was he, if I’d on—1y been :.but a _no~ble Mandarin, O Ching-a.-ring,- a_—.r.ing, you‘ '3’, __,z;\:;. ;: .a.~:,:.‘- .—, 1 w'——~— — pret — ty lit — tle thing, Per - haps_ you wouldhave mar — rjed me!” So this, gay and .gal — hint sai — Ior mm//m/lo. .B0Ught~him-Self a yel — low gown, Bought him_self a pair of golds. en- lentamlo dolce. slip.—.pexs, - And. a lorﬁt and.IoVe - Vl'y pig. tail to hang bd<»)_wn.‘ to that lit _- tle Chi-nee maid_en, Grave ly he sank up- on his “Q .I’m. a. Man__ da7— rin, with a pa].-ace in Pe—kin, O /3 . C_hing- a-ring,- a -rir_rg,you’ pret—ty lit -tle thing, 0 say that you will mar - ry me.” ’ f\ poco [pin lenfo. Stated that lit — tle maid of . Won—d’ring.wha_t he meant to kissed her hand. gent — ly, And. flung dis.- guise and all Shone bath her brighf eyes like . gave Her lit _ tie hand and she made him u”n—deVr-stand, That the lentamlo e ores. rich — est Man, _ da_ ;— xrjn, mivez. n0th~ing to a brave young’ Tar. The Sweetest Singer. S 0 N G. * ' Music by‘J.L;ROECKEL. Andantiuo. ‘ /-T ’;I'f.A> > $311 6 Largamento. ‘ A \ n ()0 n In rglzezzu. 9 . ~ . . -Crowud wlth ro - ses, clad Jn sun-shme Comes 9 .And the mu - sic 1-are he Iunk<- eth Eve-ry heal-tmay un - der—stand, Bull. llolr-e. u tempo. Sweet, so Sweet the sounds he dI~aw.-oth From his harp of ma - ny strings, fr: ‘Old and yduug and lit - llv chi!-(lr49n Pause to hear. tlfe song he sings, .g £ Pause to hear the song he sings. Ammpo. > (7(1I1tun(I0. l'.'.s’7 7‘¢?.s's1'1! . ‘i . ay the old, s“t1'ain re- - P A tmnpu. youth, long . Say A the chi! - dl'¢-,n,“Such glad 1nu- - sic "B1-ight-er makes thy-" Dnlr-i.s'.n‘m0. \ And {he nmi - den and her "A , . (70 In parre. temp" eyes their Se- - (ms-.1 ’ Whis - pe1'“Sweet should bv_ his ‘sing- —ing, Love, he sings of Vflwe a - 10119, Love, he of time a -10:19’? gﬁ 2 J’ Gran (lent en re. _ So, for - - ev — -,o_1-, A tempo. Bright —’uiug pla - — (:95 dark and d1-em‘, «S”"“‘~ grvao Through the world the - - - - - - diam sing- - ;or Lungu. all . . . . . . . who choose Collrt Parte. ’I' :2 mp 0 . 1‘) Rich and poor, or high 01; low - Jy, Ev-’ry .heart:‘his voim-. hczm nmve, Tenzpo. ’ Laryrunent. Pin ugituro. All may learn the song he sing- eth For the sing-¢-,1’-,5 'II«‘lllH*. - - - - /__——?“\ / E Q Pin ilgifttfo. J_ "H .L_ La rgum (:1 . Calla ptlrfe. Alley/‘:2 1110110. > > .> The Golden Gate. OR ANG.ELS AWAIT.‘ Words by Edward Oxenford . Music by Jn'o.E. Webster. >T>‘\ ‘ 5 1. As o’e'r life,s path _'way hour by hdilr, We tread by fates de- 2. The sweets of life to ma - ’ny fall, And bring thlemearth- ly gj ‘ , _ _ cree_; Our hearts all feel ' a guid _ - ing powr , That. joys, While sor _ - row 0 - _ thers holds in thrall, And Copyi'ight,18s0,by The John Church Co. eyes can nev_ - er ' Yet pas - dawn — ing bliss, de - _ stroy, ..... -. But for on - ward press, As roll slow- ly _yond the sight,, A en lies in Vscarce ly heed in thoughtlessness The end ‘ that lies there un-chan-ging day and night,The end that lies 0 . I‘ . - co] canto- a Iempo. Ear-_ ly and late, An;ge1s a -»wait,‘ a Iempo . gold - en gate, Ear _ ly and ‘J . Keep - ing guard at the gold‘ - en 'rz‘t.coI canto . \'__/-2 our ways Keep - ingvguard at A the be - strewn with flow’rs Or V they dark and should thro’ all h liv - - ing hours Look V colt -. stant- ly to who fain, would guide our feet, _ ring steps, re. g1ad-lylgreet The end’ .‘t'\ha';li_l‘ie_sN be _ - fore ..... -. Ear-1y and late, V will no] can! . Angels a -wait, Keep_in‘g g?'uard'at the gold1-_e-n gate!‘ Ear_ly and:_l{atc, f 1 Angels a - wait, V Keep - ing guard at the gold - en gate! Keep - ing 'gua_rd, t the, fvr1'l.¢oI canto.v‘ A I‘. 128 Queen of the Earth. Words ‘by H,L.D’Arcy ]axone- Andan't_e,,moderat.o. T ra .« 4 5 A //—‘r Music by..C,iro Pinsuti., /5 cres. -1 ‘ } I’ I 1 V - 0 T \ I \ I ' D I I I It I I’ I I I g ‘r 1 I I .' 0 I ‘ 0 g > , life her vig — ile keep - —ing; VVhose wings are sp.read,o’er each cra - dle A LL I \ Y T bed,Where thehopes of earth Lie’ sleep - ing. /———$ d1 1" 0-‘ “"7"""'f The He-roes . at van-quish a - mid the strife, And write their names on the scroll of life; _____ -_Have fought for the fade -less’ ) laurels of fame, To lay their crowns on her sa - - cred name, } > > 7 7 7 7 . W aéjempo. . p0c0d'im,i V> m"o lie. Tolaytheir crown ______ __ On her sa— cred name! _______ _____________ ________ __ ‘ _ e/res. e mu. molto. ‘f 1Ko.lt0_mae.s-Ato.90. Wide as the world ' mr_ie.9f_o.9o'._ 2; '°' is. ,her scep_tr_e', f. She has‘ fash — " I '0 rec . a 12000 - poco queen ......... .- of the earth ......... ._ Dshe reign throne ..... _ As queen ...... -. of_the earth _____ . , reign - - eth a - lone! dolor wcon e.9pre.9.s'. ?Midcscenes of shade ........ .- and he - row: She weaves'thro’eachenight,..-- “ - ~ of light,.... That,’ IT . leads to a bright 1 to - mor She launches each ‘life on the sea of Timer.-. And guides each ‘ , «h the far off clime; Her pin - ions of ‘love ‘ > > poco dim . spread in each sail,.--- Till she casts the an - chor with-in .... -- the } > , ' > T1 s ecasts e _h-chor " 8 §fHollo Mam-to.;o. as the wor_ld is her - 'Mae.9i_osb°.. } her Sceptre, her As_ allargamlo. animtmdo - auai . 2'5 3 queen .... __ of the earth she reign - - eth a - lone,..-- As queen---- of [the - >allrzrg. 3 /3‘ >> mgfimando 11.9.9’/tz . . 0 0 ' ' ‘ ' ° /x molto rite“ , earth. ..... .. s e reign - - eth — lone! >/_$ col casnte. m a tempo}, >)>} ‘ "rv-——«—--— ..._..¢._<.,§gu‘ ’ ~\ Golden Moon. soNc. Words by SCOTT. Music by C.IVAN. f_ . L '. mfatcmpo. Gold - en moon! a path - way mak — ing Thro’ the ‘waves that lands di - videﬁ f ly to..__ her Lead me home the stars for-sak - ing,Guide me safe - 136_ i . . ' _ - mfa tempo. V" Love - ly light when night ap - pear — ing, Steals 3. — cross the sap — phire sea, f""‘_"__—“'—‘m /"""“-‘—‘—T / Q ‘ /—-——----——T f Say to her my home Iim near—ing, Bid her dream and think of me. _______________ .. p Tempo 19. Tell her my. gold - - Tempo I9 1" . Tho’ ‘W50 are part - - ed‘ Love Wm f Tell her my gold - E: If Tho’ wc_ are part - ed, soon Love will . re - store ............. .. ,»..\ . . . . . . . . . , . . . .- f ~ B ff]. mf at tempo . mf Sil - aim ver star!that guards the o — cean,Lampthat lights the mid - night /——--:j.:. f de - vo — tion,T’wards the heart that waits for :.Z""-‘he Guard my‘ path with ‘ thy It tempo. Faith — ful star! when {Th 1; tom 0. she is sleep-ing.,Fold—ed arms a —cross her breast, /? Z——-—-T-T /-""'—'_-T v \ me ..... -- dim. id ‘her : list - en while Iin weep iI_1g3 For my home and prom-is7d rest. ............... .. ﬂgh Z"——————ﬁ ]9Temp_o I9. Tellher my sil .- Ver star! Howl a — Tern 019 I’ / Near tho-’ I roam, or far, Safe-ly re- store ............... .. C768 . f Tell her my sil - ver star! Howl a— dore .............. f o E; 1 f\/—-————$ Near tho’ I roam or far, Safe-ly re- store ............... .. ff Star of My Heart. SOPRANOf Words by G. Enderssohn. Andant f ’there’s a‘ pearl there’s a leaf b eon the green n_1yr.—_tle - met that‘ [ rz'l.%‘fg ‘ that thrills _____ ._— .......... __ _in the nigTht—in,—Tga1e’s ........... _. ('01 mm /0.» from the the.---'.-- -blrook - l'et_ in ....... -- mel —L and stili long '— if "these V ’ should de-. mféresc. ' will I wor — ship; ‘Thou um.9z'ln'le ('01 cm//0.,,, of my heart! is‘ and--_- great — neSs---- ' IS mem ~ ry ..... _. ' " Friend — ship frbm the blast; Dear face to...._ re’/. 00/ 0/mio. ; — L , voice_t0 sing, Hope to spring, . y and still " if l these should del— part, ........ -. will I wor — ship, wor — ship, thou star ' heart, viiuiairsaiacs 3 y ‘ ls) l SONG l‘JlOSA§*”’S FOR BARITONE OW. ‘~“';t~.SS. Boiind in Boards. 5.‘-. ai.00. CONTENTS. Cliangeless 5 . . . . . . . . . . . . . . . . i . . . . . .’J‘r<)te2':> Dear ‘In,-ve .. .. , . .Kl<‘-lie «Dream isieinor, ’ . . . . ..li_en1ia)x ~Hunter’s Return . . . . . . . . . . , . . . . . . . . . .Parker '71 ‘7 " '-” . . . . . . . . . . . . . . . . . . , . . . . ..Ha_ a.1:<l ,J”ael;'s Yarn . . . . . .‘ . . . . . . . . . . . . . . . . . . . . . .1--Jnl Laughing . . . . . . . . . . . . . . . . . . . . . . . . . . .Tr-alierne ‘LoVe’s Amulet . . . . . . . . . . . . . . . . . . . . . .Web_ster ' My Shadow . . . . . . . . . . . . . . . . . . . . . . . . .Pinsuti Norman’s Tower .....L0l1r Out on the Deep . . ._ . . . . . . . . . . . . . . . ..Moir Hill is the Night. . .‘ . . . . . . . . . . . . . . ..t;‘chilol’sky ~j‘m ‘Ivory Gate . . . . . . . . . . . . . . . . . . . . . . ....Dick '1_‘he—Moss Trooper . . . . . . . . . . . . . . . . . . . . . . .Diehl ‘Vile Reefer’s Song . . . . . . . . . . . . . . . . . .M-almene The liaco . . . . . . . . . . . . . . . . . . . . . . . . . . . .‘v.“.v' ‘yster The Poor Mariner ‘?‘i‘,=e Sailoﬁs Story . . . . . . . ; . . . . . . . . . . . . The Valley . . . . . . . . . . . . . . . . . . . . . . . . . 7‘;'-;22n-t mnod 1 The Vagabond. . ., . V . . . . . . . . . . . . . . . . .Molloy The Vikings. .. . . . . . . . . . . . . . . . .. ....Adarns This is my Dream . . . . . . I . . . . . . . . Wellings ’Tis All That I Can Say . . . .. . . . . ..Te:nple To—morrow Will be Friday.. . . . . . .. ..Mo;ioy ‘ True Hearts . . . . . . . . . . . . . . . . . ..../xclatrns Two Bells..............*..;,..‘.......Wa‘w"' PIANO MOSAICS. A =‘ol.ieetion of "Piano Music of )IU(jer:.L3 Dilﬁtsuiay. Bound in Fﬂzoards. Price. $1.00. ~f.1ONTEl"-.‘T?'3'. \i7f?i‘:ese Sen atle . . . . . . . . . . .1 . . . . . . . . Flieggzé: ’£i der i\.‘pii:n.=Li_ii.e . . . . . ..l{ollii1g ,l~TU':lka la. '- Viungen 15‘:x."= we . . . . . . . . . . .l’a‘=.'sz,rgei‘ Hleen Zslzivourneeiz. 4‘ . . . . . . . ..(‘uhe La Gazelle Tollzsi . . . . . . . . . . . . . . .Wolleiiliaupt Les I’. live of NL-Av "{m'l-1.. . . . . . . . . . . . . . .Satter Le Revel} di; ?i~2i)te1i1 es . . . . . . . . . . . . . . .Smith De Secrw . . . . . . .. \'".x‘ai1t.i».:r 'i.<as: iayipgies. 4 .. . . . . . ..Bachmam'-. 'Loin.(lu in} . . . . . . . . . . . . . . . . . . . . . . . . Aiillet fvm: i . . . . . . . . . . . , . . . . . . . .9i\7i'ai . . . . . . . . . . . . . . . . , . ..Delibes . . . . . . . . . . . . . . .Br1nl<_ma1m V "‘2or}:»:ri >, South . . , . . . . r . ‘ r . . .Spindler . » noel <>l<.l Times . . . . . .Bacl1znann In . . . . . . . , . . . . . . . . . . . ..Lange =t Love . . . . . . . . . . . ..Eilenberg V Le . . . . . . . . . . . . . . . . . . . . . .«.Lange "rl Song. . . . . . . . . , , . . . . . . Lange ‘Lisp .................Jungman SONG M0 AlCS. ‘z’-"(BR I-‘ALTO 05%’ !‘a“3E‘.."..'E.'f.! SOPRANO. Imund in Iﬁoamhs. 1."rico\,&1‘»l.0¢). CONTEN “ill [I .Afte1~W>'-rds Golden Sorrow . . . . . . . . . . . . . . . . .VVatson A rzgns l\/Iaerlnnahrl . . . . . . . . . . . . . . . . . . . .Rovcl<e1 By the Abbe lloor , . . . . . . . . . . . . . . . . . ..Tours Ils:1,ddy ... . . . . . . . . . . . . ...... . . . . . . . ..Behrend Good Nigrhl, Robin . . . . . . . . . . . . . . . . .Roec-kel .‘;:'lome, l)eari.e_. I-l,on_»e . . . . . . . . . . . . . . . . Molloy In the Cliinney ()<>»2'ne1~. . .. . . . . . . . . . . ..CoweI1 ’-’_m';e’s Joy. . ‘ . . .. . . . . . .G11mbert My 1-'"i'iend . .. . . . . . . . . . . .... . . . . . . . “Be-ln'en«,l Only a Rose . . . . . . . . . . . . . . . . . ..Wellings Girl y the Sound of a Voice . . . . . . . . . . . .Watson Relics ... . . , . . . . . . . . . . . . . . . . . . . . . . . . ....Loge The Beach Iiiairlen . , . . . . . . . . . . . . . . . . . La Villa .. . . . . . . . . . . . . . . . . De llara . . . ; . . . . . . . . . . . .Tours / . r . , . . . , ,\—Veh:<ter 'l‘T..s "Ivory (‘rd .......l>vek ' iflie of 3' . . . . . . . . .‘ . . , . . .l\/lam’/.ials 7 ..it'e . . . . . . . . . . . . . . , . . . . . . ..Roecl<el Modern Juvenile filassscs, ' -VOL. 2. ‘T A Collection oi Easy Piano .‘.lnsi0.k Bound in Boards. Price, $1.00. Allegretto Selma-xa.11do. A . . . . . . . A . . . . . A .. Allegro Vivace . . . . . . . . . . . . . . . . . . ‘ Avn b‘prin;__--l>i'i1n1ieis . . . . . . . . . . . . . , . . . . . . .. 1\II10i‘.;‘ the Gypsiea . . . .. . . . . . . . . . . .,v. ' Ati\Iight.......' . . . . . . . . . . . . . . , . . . . ..v. Barcarolle . . .r . . . . . . . . . . . . . . . . . . . . . . . . . .Behr Capriccietto . . . . . . . . . . . . . . . . . . . . .Scliz1rwenka Children's Party. . . . .r . . . . . . . . . . . . . . . .,]«’_.-«hler Evening Song . . . . . . . . . . . . . . . . . . . . . . . . . iehr Fairy Land . . . .. . . . . . . . . . . ..‘ . . . . .. First Violet . . . . . . . . . . , . . Fiir Elise . . . . . . ... . . . . . . . . . . ........Boethove1i Happy Childhood . . . . . . . . . . . . . . . . . . . . . .W-Jlﬁ Huntsman ’s Sport . . . . . . . . . . . . . . , . . . . . .lleller In high Spirits . . . . . . . . . . ..... . . . . . . .v. Wilm In the Forest . . . . . . . . . . . . . . . . . . . . . . . ; . .H.ille1' Intermezzo . . . . . . . . . . . . . . . . . . . . . . . . ..v. Wilm Jolly Huntsman . . . . . . . , . . . .‘ . . . . . . . . . .Merkel Longing for Home . . . . . . . . . .. . . . . . . . . . . ,Hiller Madrigal ..... . . . . . . . . . . . . . . . . . . . . . . . .De Paz Merry Wives of Windsor . . . . . . . .Burgm1ill+'.; Modesty . . . . . . . . , . . . . , . . . . . . . . . . . . . . .Liehner On Wings of Music . . . . . . . . . . . . . . . , . .Liei:ner Over the Ice . . . . . . . . . . . . . . . . . . . . . . . . . ..Hiller Playfulness . . . . . . . . . . . . . . . . . . . . . . . . . .v. V‘/‘iin Polonaise . . . . . . . . . . . . . . . . . . . .Kn-.;l«'_emneistei* Ridin;»;;Song............. . . . . . . . . . . , ..l\/Terkel R mdino . . . . . . . . . . . . . ..‘ . . . . . . . . . . . . . . . .1"-Iiller lmstic Dance . . . . . . . . . . . . . . . . . . . . . . . .v. Wilm Sarabande . . . . . . . . . . . . . . . . . . . . . . . . . ..De Paz Shepherds Song .., . . . . . . . . . .. ’‘ .....Behr Slumber Sweetly» . . . . . . . . . . . . . . . . . . . . .Lichner .‘;i<)\\7 Bells .. ........Lichner by lphirle . . . . . . . . . . . . . . . . . . .Loes<:hhorn The Bird in the Tree , . . . . . . . . . . . . . A . . . . .Fink 'f‘]:<'= ,i1ap{+i . . . . . . . . . . . . . . . . . . . . . .Bu.r-orntiller The <'j?“.1ntry Inn . . . . . .. . . . . . . . i . .Lan;;e ' . . . . . . . . . . T . . . . . . . . . . . . . . . . .Gm'litt (‘orps . . . . . . . . . . . . . . . . . . . .Lichner e 3 pinning Room . K . . . . . . . . . . . . . . . . . .}’:ehr The Village Musicians . . . . . . . . . . ..v. Wilm Think of Me. . . . . . . .. . . . . . . ( . . . . . . . . . . ..i:’-ehr Vaise Caprice . . . . . . . . . . . . . . . . . . . . . .Reinhold Verlassen . . . . . . . . Cooper VVith Sword and Helmet . . . . . . . . . . . . . . .Fink Zigeunertanz. . . . . . . . . . .. . . . . . . . . . . . . ...Wolﬂ' ' THE ROYAL PIANO FOLIO. Bound in Paper. Price, 63% Cents. Alpine Horn. . . . . . . . . . . . . . . . . .Pro(:h-Shirmer Among the Gypsies . . . . . . . . . . . . . . .N. v. VVilm Au Revoir . .. . . . . . . . . . . . ..Lichner (‘/hacone............. . . . . . . . . . . . . . . ..Durand Chinese Serenade. . . .Fliege Die kleine Miillerin . . . . .1-‘airy Polka . . . . . . . . . . . . . . . . . . .......Spindle1= Flora’s Polonaise. . . . ., . . . . . . . . . . . . ..>‘pindler Flore-lla Waltz . . . . . . . . . . . . . . . . . . . . . . .Spindler Floweret (Forget Me Not) . . . . . . . . . i . . ..Giese Fragrant,V'iolet » . . . . . . . . . . . . . . . . . . . . .5‘pIndler Gavotte . . . . . . . . . . . . . . . . . . . . . . . . . . ‘ ‘l Gavotte . . . . . . . . . . . . . . . . . . . . . . . . 1 ' Gretchen at the Spinning Wheel. . A . . Heart’s WlHll(’S . . , , . . . . . . Ihr Bild (Her Image) . . . . . . . . . . . . . . ..; . In] soh<'in.en Mai . . . . . . . . . . . . . . . . . E‘ - In High Spirits . . . . . . . . . . . . . . . . . I nterniezzo . . . . . . . . I/Aiialaise, . . . . . . . . . . . . . . . . . . . j . . . . . . . .5»: _ Le (/‘repuscule . . . . . . . . . . . . . . . . . . . . . . .,Tnon .2; T.r:ve’s Embrace . . . . . . . . . . . . . . . . . . . i . ..Boln;; Melodie . . . . . . . . . . . . . . . . . . . .. . liixbinstein Mit dern Reifen (I-loop Roi ' Myosotis Waltzes . . . . . . . . . . . . , . . . . . .Lowthian O Sonnenschein . . . . . . . . . . . . . . , . . . . liichner Pizzicato . . .' . . . i . . . . . . . . . . . . . . . . . .Deli‘oes Rayon clu Soleil . . . . . . . , '5‘ Rondino No. L . . . . . . .. .lionc'lino No. . Spinnerlied . ., . Staccato Fm l’ Swerlish Tl'na":,pe1" “ . . . . . . . . . .Soderman . . . . . . . . , . . . . .Revnold . . Sclxzxrwveiika» (ISSUED ii In ?UBLlSHEB8G§FlHISWORK. ! i; l l r SONG ‘ lV|OSi5\|CflS, T’ FOR SOPRANO. ‘ Bound in Boards. Price, $1.00. ‘I’ Afterwards .. . . ; . . . . . . . .— . . . . . . . . . . . . .1‘:-'lullen ' A Night in'Spring, . . . . . . . . . . . .._ . . . . , ..l3ohm :"‘ 3 Sings the Ni;gl1tin;fale . . r . . . . . .f“ A 3; wake, 0 My llezzrt. . . . . . . . . . . . . . . . . ..Seidl l . ’ ' ’ Lem-re-me .. . . . ... Follow Hail)’ . . . . . . . . . . . . . . . . . . . . 1 Pinsuti Golden .-*l"ar1’-.s T1-st . . . . . . . . . . . . . . . . . . Archer High Tim’: . . . . , . . . . . . . . . . . . . . . . . ~ . wijarnall Home, i'}v.a Ht’-m<'» . . . . . . . . . . . . . T . .l\r‘.[olloj}' 1’ll Follow "lneo , . . . . , . . . . . . . . . . . . . . . . Faro La-fidie . . . . . . i . . . . . . . . . . . . . . . . . . . . . . . Pi La I/iingarella . . . . . . . . , , , . _ . . . . .. Caniipa Unly a Rose . . , . . . . . . . . . . . . . , . . . . . .Welli Paradise..., . . . . . . . . . . . . . . . . . i . . . . . The Angel Came . . . . . . . . , . . . . . . . . . ..Coa\,—.i The Beating of My C‘\’.’ll Heart The Birthday . . . . . . . . . . . . i . . . . . . . . . . .Chopin The Daisy . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ai'_<liti The Garden of Sleep . . . . . . . . . . . . . . ..de Lam, The Sea of Life . . i . . . . , . . . . . . . . . . .i‘vIr.;ir The Swallow . .— . . . . . . ..... . . . Pinsuti. Unless . . . . . . . . . . . . . . . . . . . . . . .. . .- . . .Canm-gziolo ‘Venetian Song . . . . . . . . . . . . . . . . . . '. . . . . . . .Tosti Winter Song . . . . . . . . . . . . . . . . . . . . . ..heinmn<l Woma-n’s Way. . . . . . . . .,_ . . . . . . . . . .Roe~::kel SONG MWOSAICSL FOR TENOR. _ Bound in Boartis. P1-ice.,.8,%l.0(}. , , Afterwards . . . . . . . . . . . . . . . . . . , . . L . 4 . . .Mullen< An Old Garden . . . . . . . . . . . .’ . . . . . . . . , .'.Eemple A Serenade . . . . . . . i . . . . . . . . . . . . . . . . . .,.Cohb Ching-avRing—a-Rin . . . . . . . . . . . . . . . . . . .Molloy Come to Me Dear Heart . . . . . . . . . . . . , Dear Love . . . . . . . , . . . . . . . . . . . . . . . . . . . . .Klein Golden Moon . . . . . . . . . . . .. . . . . . . . . HighTide......... . . . . . I Arise from Dreams of Thee In Old Madrid,..................i....Trotere It Game with the Merry May, Love . . .’ .Tosti It was a Dream . . ; ; . . . . . . . . . . . . . . . . . . .Mart It was not thus to be . . . . . . . . . . . . . . . . .Nessl‘er My Lady’s Bower . . . . . . . . . . . . . .. ...,Te1nple Polly and . . . . ..‘......Wal<e.‘iel<i Queen of the Earth . . . . . . . . . . . . . . . . . .Pinsuti_ Sing to Me . . . . . . . . . . . . . . . . . Star of My Heart . . . . . . . . . . . . . . . . . .Den7'\. Tell Her I Love Her So . . . . . . . . ; . . . . .De F 1. Tell Me, O Gentle lVIai«len . . . . . . . .Gon‘no<.l The Golden Gate . . . . . . . . . . . . . . . . . ..We‘oster They All Love Jae . . . . . . . . . . . , . . . . . . . Azlanis The Life Boat. . . . . .. The Sweetest Singer . . . . . . . . . . , , . ..i{oeckel The Sea Hatli its Pearls . . . . . . . . . . . . . . .Bryson MODERN CLASSICS; VOL. 2. v A Collection of Piano Mnsio of Moderate Diﬂiculty. Bound in Boards. Price, $1.00. CONTENTS. ~ Anrlenken . . . . . . . . . . . . . . . . . . . . . . . Jadassohn Columbine . . . . . . . . . . . . . . . . . . . . . . . .De1aha.ye Daiiee of Gnomes». . . . . . . . . . . . . . ..Seeling ‘ ‘ ll€!‘,'«7al1bv:!1" . . . . . . . . . . . . . . . . . . . . . . .Brassin "‘l:lingeliml ........n..........;....Seeling (7l2i.vo‘éte , . . . . . . . . . . . . . . . . . . ; . .\ . . . . . . .Godarrl Gazelle. . . . . . I . . . . . . . . . . . . . . V . . . . . . . Kriiger La (‘i!U!l<:x}‘i.'«!. .. . . .“ . . . . . . . . . . . . . . . . . . . .i’.(‘I)d(-El "‘ * . . . . . . . . . . , . . . . . . . . . . . . . . . . . . .Se::eling p .. . . . . . . . . . . . A . t’a<lerevvsl:i' _- . r . . . . . . . . . .Bor:<::herini Polonai.~'«e. . . . . . . . . . . , . . i . . . . . Jloszkowski Polka ale: la; (Sour . . . . . . . . . . . . . . ; . . . . .Bendel _l"o;r2p<>nett;». . . . . . . . . . . .Durand i<,:>nc.:1» Favor: . . . . . , . . . . . . . 1 . . . . . . , .Hnmmel iv--:=nd Maxiirlca . . . . . . . . . . . . . . . . . . . ‘Godard- md Valse. 4 . . . . . . . . . . . . . . . . . , . . . . .Goda.rcl ~ade Hongroise. . . 4 . . . . . . . . . . .Neustedt lie - ... . . . . . .Th(.me K . . . . . . . . . . . . . . ..‘ . . . , . . . .He1mu.=*d “(rise fmproinptu . . . . “ . 2 Univ . . . . . . . . . . . . . .9,;,=.'igi1:111i ,. . . _ .Maefa1ren ' . . . . . . . . . . . . . . . . . . . . .Denza,__ _ . . . . i . . . . . . . [Ed wards- ....Raﬁ"~ ,. W:ill.zer . . . . . . .f......l\/Ioszkow‘ski,«
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Date: 1895
Text: \\\’ :3 §k \ \ $ \\‘\\%’ / 3: !\ ' \\ \ . K \\s\ ' ‘ LEIPZIG, anuxsuas - BREITKOPF & H-A.RTEL— LONDON, NEW vonx. IC LIIRAIV Sn0W- Flakes. ADELINE TRAIN. Moderato. 77217 When—e’er a "snow-=f1ake leaves the It turns, and \:JV “Good — bye, dear C Copyright, 1:495, by P. L. Jung. _ _ M-PaSS°‘V=En%‘r-N%Y~ cloud, dear cloud, so cool and Then light -1y 17}? 2m [1000 wood. trav — els on its : ‘ But, when a an [2000 (M061. flake finds ‘ “Good - day,” it Thou art 1-’. L.J. 333 19 a...
Show more\\\’ :3 §k \ \ $ \\‘\\%’ / 3: !\ ' \\ \ . K \\s\ ' ‘ LEIPZIG, anuxsuas - BREITKOPF & H-A.RTEL— LONDON, NEW vonx. IC LIIRAIV Sn0W- Flakes. ADELINE TRAIN. Moderato. 77217 When—e’er a "snow-=f1ake leaves the It turns, and \:JV “Good — bye, dear C Copyright, 1:495, by P. L. Jung. _ _ M-PaSS°‘V=En%‘r-N%Y~ cloud, dear cloud, so cool and Then light -1y 17}? 2m [1000 wood. trav — els on its : ‘ But, when a an [2000 (M061. flake finds ‘ “Good - day,” it Thou art 1-’. L.J. 333 19 a iempr). }_ p m z‘em];o. 7,90 (l fem 0. \ But when a snow—f1ake,brave and meek, Lights on 1) (5 fem]/0. cheek, _ It stafts:...__._. ‘ :>- :> P.L.J.333 111’ Ada 10' Andante. and it melts .Longfe11ow.) FR
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Date: 1887
Text: We ONG To the Rev. J. W. .HAGEMAN, Franklyn A-716. P)’L’\s‘b. Church, Brooklyn. N. Y. THE SLAVES DREAM. (Poetry by H.W. LONGFELLOW.) JOHANNES BRAUNSCHIEDL. Lento non troppo. ﬁg mollo legato. side the un-gath - er’d rice his sic-k1e L‘apyrig‘ht 1887 by G. Sclzirmer. His breast was bare, his A-gain, his na - tive 0021 Béflr. mat — ted hair mist and shadow0fs1oep,He 4 Maestoso. through the land - ger owed; eneI'g'ic0. palm - trees on the plain Once more a king he L 4/’; I'll”....
Show moreWe ONG To the Rev. J. W. .HAGEMAN, Franklyn A-716. P)’L’\s‘b. Church, Brooklyn. N. Y. THE SLAVES DREAM. (Poetry by H.W. LONGFELLOW.) JOHANNES BRAUNSCHIEDL. Lento non troppo. ﬁg mollo legato. side the un-gath - er’d rice his sic-k1e L‘apyrig‘ht 1887 by G. Sclzirmer. His breast was bare, his A-gain, his na - tive 0021 Béflr. mat — ted hair mist and shadow0fs1oep,He 4 Maestoso. through the land - ger owed; eneI'g'ic0. palm - trees on the plain Once more a king he L 4/’; I'll”. strode; And heard the tink- ling car - a — vans Descend the mountain — ,\\ can moto . road . 1) mo/to legato. 3 dark-eyed queen A- mong her chil - dren stand; They clasped his neck, they Ma pooopiit lenfo. the hand! A kissed cheeks, They held’ him by [/71 12000 piit burst from the sleep - e1’s 1idsAnd fell in—to molto rit. P0c0~pi1‘1 mogso -And then at fu—rious speed he rode A - ¢L/y/ ¢ long the Ni- bank; ' ' bri - d1e-reins gold - en chains, And, mar-tia1 Clank, leap he could - hard of A /egg’. e p 12000 .s-taco. fol — lowed their flight, plainswhere the tam - a-rind ,—\ ,«\ Till he saw the roofs Caf - fre huts, And the \L___’J NH [I000 07'!‘/‘S0 . to _view. f.—_=: 3;. J: 71111. e sost. Andante poco lento. memo mosso. A VTTT he heard the hy - ae — scream, %@'@'E=¥ % St/’I77})I’8 ' - er—horse as he crushed the reeds /T 1’ / / side . some — s*___________/,2 Maestoso. And I ' passed, rm paw wit. zzf I/32 animafo. F‘. , ff. Through dream. So.s-tmmto, (2 can espress. 11.11 [SCH 17.11. '8" 7Il()lf() esp:-ess. \-———-—/-em L______j Maestoso. ests, with their i - ad tongues, of the des - gm mlwso . _ ed in his sleep and /’ their tem - pest _ Vu-ous glee. Lento, e molto espr. d not feel the driv - er’s whi Nor the burn — ing heat of _ J4/om riim . For death had il — lu - mined the Land ' ‘ SIeep,_And his life- less A wormout that the bro - ken A £7’ thrown a - way! ﬂ /argwinmzfe. 1,-g',m/‘a]g_ —# 6 ”‘ 7:} semyzre Iiohm, C., In Switzerland. MUSIC FOR THE PIANO, PUBLISHED BY G. SCHIRMER, 35 UNION SQUARE, NEW YORK. ietto, rev. and ﬂu . and and solo ad lib. y A. R. Parsons . . . . . . . . . . . . . . . . . . . . . . . Bach, J. S., Air. from Sultein D, transcr. V l A. R. Parsons . . . . . . . . . . . . . . . . c Bach, E., Solleg arr. for "3". --—- Prelude, Cm. Bachmnnn, G. es (Eingered) . . . . . . . . . . . . . . . Op. 31, No. 3. Marcia isnta " . éltingered.) . . . . . . . . . .. n"ﬁ".'."“1'i'L§‘ 0”‘ 551"“ ‘?.'ii“'Z=,ii""' III‘ e . . p. . ar c.... —-- L’A,urore. Etude mélodiquc . . . . . . . Beethoven, L. v. Minuet from Sonata Op 49, No. (Fingeved.) . . . . . . .. -—— Adieu to the Piano. (Abschlcd an das Klavicr.) (Fingcred) . . . . . . . . . . . . . Bendel Frnn9., Op. 101. L’AFBiCAlN_E. antaisie’ do Cone. -—— Id 1 d’Amour. -—— 3 Improvisations. (Finfered): No. 1. Siegmund’s ove Song. from “ VVALKURE.” (R. Wagner.) No. 2. By silent Health in Win- tertide, from “MEl8‘l'ER8lNGER." git. Wagner.) . . . . . . . . . . . . . . o. 8. Waltheﬂs Prize Sou , in “ Mnls'rnns1Nosn.” _(R. sgner.) Bennett, W. St_., Rondo placevolc, E. . . Bernard, P., Vcnltc adorernus. Christ- mas (Fin cred.) . . . . . . . . . .. Blliema, R., p. 48. wittering or the H Birds. Divertissement. (Flu .)... Boely, Dansc villageoise. (Fingewre ( 'or er Sennhiilie.) ldyi Iloscovitz F., Chant du Matin. Idylle. ——- Les relots. (Sleigh-bells.) Galop (Fmgered. . . . . . . . . ., . . . . . .. . s¢§§3?£o.§"3“ir?lt§m,3 R. Wagner. (Fin}.:ared.) . ronsart, H. v., Field Flowers. (Flag) Inch, 13., Rondo-Caprice, arr. by W. . a as y . . Cni, Csssur Berceuae, Eb. (Pl Delahuye, 3. L., Coiombine. ﬁngered by A. R. Parsons . . . . . . . .. Dclihes, L., Bullet Srnvuz No. 1. Pin zlc i ---— Do. Durand (Fingere ) —-—- Dance of thelii-tlo Girls. (Flugered. -——- Good Nhzht. (Fingered) Gluck, C. W., Gavotte A, arr. by J. Brahms. (1<"ingere.) . . . . . . . . . . . .. Op. 16. he Gavotte, B. ed. . . . . . . . . . . . . . . . . . . . . . .. . . lre)Vaise brill., Ab. (Fing.) ——- Op. 56. me Vslse, lib . 71. 3mcValse(Valse Sérénade), (gingered) 17 ~—- Le Cavalier fantastique. arcarolle, Goldner, W., Op. 47, No. 1. F. inure-red ) —— Op. -l7, No. 2. ng.) -—— ). 47, No. 3. Polonaise, D‘). ('Fingel'ed .) . . . . . . . . . . . . . . . . . . . . . .. -—— Gavotie mignonne (without Oc- tavcs), Am . . . . . . . . . . . . . . . . . . . . . .. —- Gavotte-Canzonette, C . . . . . . . . . . . . . Gregh, L., Les Bergers-Watteuu. Air dc Danse Louis XV. (Fim:ered.). . —— Les Phalenes. Caprice. (Flam). . . —— The Shcpherd’s Pipe. Pnstoralc. . . . Grieg, Edv., Op. 12. Lyric Pieces. (LyrischcStiicke.) Fingcred . . . . .. ——-.2 Norwegian Melodies. No. 1. Wounds of the Heart. No. 2. Spring. Transsr. b E. Neupert.. Kaberlner, E.,O . orwégian Peas- ant ance. Saltarellc Op. 59, No. 5. Prelude, Em. (Fing.) -—— Op. 59, No. 8. Magic Bells. (Fing.) —-—— A legro-Scherzanclo. Fragment. . .. Heller, St., Op. 67. On Wings of Song, lily Me ldelssohn. ( mger .) . . . . . . . . . . . . . . . . . . . . . .. Op. 82. “ Flowers, Fruits and Thorns ": No. 9. Allegretto, E. (Fingered.).. No. 11. Andante con moto, Gib. (Flngered. -— L Avalanche, Am. -——-Bluette No. 2, G. —— Brooklet, G. (Fingered). .. ——- Coqnetterie, Ciim. (Fingered. .. Hill, J., Op. 98. Adagio, G. (Fingered) Hiller, F., Op. 97 Zur Guitarre. Im- promptu. (Finezered) . . . . . . .. . ——- Courante, G’. (Fin cred.) . . . . . . . . .. Hofmann, 11., Op. 11, o. 2. Maytime. (Inn. Mai.) Fingcred . . . . . . . . . . . .. -—— Barcarollc, G. Arr. by R 'l.‘hai1on.. -—~ Eleqie, Ab. Arr. by it. Thallon. . . . Hollaender V., C nzonetla, G. (Ping) Hopekirk, 11., Gavotte, Bm . . . . . . . . . . .. Huss, H. EL, Ballade, F .. Hyllested, A., Valse sentimentale . . . . .. Jadassohn, S., Op. 25, No.3. Vaise,Db. Jaell, A.,Op. 14. La Danse des Fees. Rh lsodie. (Fingered) . . . . . . . . . . Jelfery J. A., Op. 17. Marche joyeuse, Improvisata. I -~— Op. 20. Danse féeri ne . . . . . . . . . . . Jensen, A., O . 17, No. 0. Im Wlrths- haus. (R1 the Tavern.) Finger-ed.. -—— Minuet F, from “ Lieder Tiinze Op. 33-1, (Finger-ed) -——- Serenade, E. (Fingered.).... . Joncieres,V. , Sévénade hongroisc. g.) Kautz, J., Op. 15; Tarantella . . . . . . . . .. Kelley, E. S., Royal Gaelic March (In- trod. to the Banquet Scene) from the “.1/lusic to Mac-bel:h.”.... . .. . , und ,, . . 35 7'5 65 (Fingered.)... 1 25 Morceau brill. 1 00 ‘T 5 1'5 76 ‘I5 35 00 75 95 25 25 60 75 50 60 35 65 60 60 60 50 25 25 60 Ketlerer, E. Op. 285. Corriuu. Bal- let do O elibcs. Valse brill. (Flnlr.)80 75 Kjerulf, IL, Wlegeulled. (Cradle Song.) 25 Klein, B. 0., Op. 19.‘ Scenes de Ballet. Com lets . . . . . . . . . . . . . . . . . . . . . . .. 1 25 . Allegro modsrato, Am. . . . . 2. Allegretto grszioso, Eb. . Vivace non tanto, Dm. . . . Dreams. 5 Lyric Pieces: . Lento non tauto,G 2. Allegro maestoso, I11 .... .. . Tempo dl Valser lento, F. . . . Intermezzo seberzando, G.. 5 nndante more A No. Ii 75 50 60 50 05 65 50 . Suite in G. Co'mpleto..... 2 50 . Prelude. . Theme with Var. . Minuet . . . . . . . . . . . . . . . Elegy . . . . . .. .. . Gnvotte . . . . . . . . . . . . . . . . . .. 2 Morccaux : . . Le Secret d’Amonr. (Dia- logue. . . . . . . . . . . . . . . . . . . . . . . . .. No. 2. Valse-Impromptu . . . . . . . .. —--— Op. 35. 3 Mmtceaux : o. 1. Danse oricntale, F . . . . . . . . . . “ 2. Me’lodie—Etudc-, G . . . . . . . . .. “ 15. Dause bohémienne, Cln.... Klein E.,l.a GIOCONDA. Rant.-Potp.... --—- mm. —-—— 'l‘h«ine Eyes so blue, by E. Lassen. Transcnption . . . . . . . . . . . . . . . . . . . . . Kontskli, A. de, Op. 288. Souvenir dc snsr, uno -—— Op. 817. Steluaaa. (The Star.) . .. . -——- Op. 818. La Sultana. Valse br ll . . . . Op. 321'. 2nd Gavotte. Am. (flllﬁé). Op. 328. An Bord dc 1’OeeZ-an. verle . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kownlski Roses do Bolléme. Valae __ . ngered.) . . . . . . . . . . . . . . . . . 14 La Gazelle. im- promptu . . .. . . . . . . . . . . . . . . . . . . . .. Kuuqk, 631., O1). 22. La Gazelle. (Fin- -—— oE.062'aud 81. Kinderleben: , (scenes in Childhood.) Flngered. 2 Books, eacl —— The same in 'l..... ..- ............ separate Numbers. each -—— Pastor-sic, G. (Fin:zered.). . . . . .. Laoonhe. I», Deuces Pensées. (Sweet Thouizhls. Flngercd . . . . . . . . . . . . . Lambert, A., also-Impromptu . . . . . . .. Lane, (1., Op. 89. Blumenlied. (Flower Sol .) Fingercd ............. .. . -—— Op» 1 4. 5 Sonatlnns. (Flng.): No X. ' No. 2. G; No. 3. F; No. 4. C; o. . G; each . . . . . . . . . . . . . . . . . . . -—— Op. 184. “ Am stlllen Ht-id,” from Mlis-rnnsmona. Fanlaisie. (Fing.) --— Oil. 143. Slegmund’s Love Song, rom Wsnxunn. Fantaisie. (Fiug.) -—-- Op. 144. Serenade. (Gounod) Pant. -— Op. 940. n the Alpine Hui. (Al- penbiltte.) A Swiss ldyi . . . . . . . . . . -— Op. 200. Fabanera, from “ (Lumen ” lust. Transcr. ( nz. . . . . . . . . . -—— Cheertulness. (Frohsinn. . . . . . . . —-——- Evening Chimes. (Abend1iiuten.). . . -——- The little Wanderer. (FllIEel'6d.).. -— New Sprln . (Neuer Friihling.). . . . ——“Ohappv a .” (O schonn Zell.) Songwny C, one. Transcr . . . . . .. ——-- The anderer's Return. (Helm- kehr.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . —- 3'I‘ranscriptlons from “ Tuuu1’A‘U- sun,” Wagner. (Fingered.); No. 1. Pilgrim’s Choms . . . . . . . .. No. 2. O thou sublime sweet Even. o. 3. Lnngey, 0., Op. 37. Mandollna. lean Serenade . . . . . . . . . . . . . . . . . . . .. Lichner IL, Op. 79. FleuretFleurette. ( in cred.) Nos. 1 and 2, each on. (Abendlied) Fingered. ishes. (Herzenswilnsche.). Liszt, Frz., Der Asru. (The Asra.) A. Rubinstein. 'l‘runser. (Fingered.). ——-~Avo Maria. Schubert. Transcr. (Fingered) . . . . . . . . . . . . . . . . . . . . . . . —-—Du bist die Ruh’. (‘My sweet Re- pose.) Schubcrt. rauscr. (Fin- gered.) . . . . . . . . . . . . . . . . . . . . . . . . . .. —-—~—Fws'r. (G-ounod.) Valse. 1 1 Fantulsie-Potpourri . . . . . . . 1 ( ...... ..1oo 15 £0 75 75 00 00 00 75 75 50 75 ‘I5 195 1 cred Ed . . . . . . . . . . . . . . . . . . . . . . . . .. 1 50 -— éiodie-Polonaise, ,from “Glancs de Woroninee.” ( ingered.). —~“O thou sublime sweet Evening Star,” from Tsimnlusnn R. Wag- ner. Transcr. (Fingered). -— Valse-Impromptu, Ab. (Fingered.). —- Vaise oubliée. (Finger-ed.) . . . . . . . . . -—--- Venezia e Napoli. No. 1, Gondollera. Instructive Edition by A. R. Pin‘- sons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -——Widmnug. (Dedication) R. Schu- mann. Transcr. (Fingered.).. . . . Liischhorll. A., 6 Easy Sonatinas (ﬁn . Op. 1'73, No. 1, e ; No.2, G, eacgn Op. 179, N0. 1, F; No._2, D . each . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Op. 180, No. 1,C;No. 2, Am., each, ——- Soldier‘s Song. (Fingered.) ...... . . LOW, J., March and Chorus from Wag» ner's “ Tannniiusnn. " (Fingered.) Mason, W.. Op. 21. S wing Flower. Im- promptu. New Ed . . . . . . . . . . . . .. -——- Of}. .23. 2 Humoresques do Bal: 0. 1. Polka-Caprice. (Eing.).... “ 2. Mazurka-Caprice, (Fing.£‘... -——Op. 24. Reverie poétique. ( in- gered Ed.) . . . . . . . . . . . . . . . . . . . . . . . . Mantel‘, IL, Charge of the Uluns. Ca- ):-ice militairc . . . . . . . . . . . . . . . . . . .. -—— alse élégrante . . . . . . . . . . . . . . . . . . . . Merkel, (2., Op. 25. In the lovclyMont'h of Ma y. (lmlwundersehdnen Monat Mair) Reverie . . . . . . . .. . Moor, Emam, Sciwrznso,B1r) .. Moscheles, 1. Op. 85. L:tGuil.. . do in-iii. (i«*ingel-ed.) .............. .. Mosskowski, M., Op. 7. No.2. Moment musical, . (Fingered.).......t0 -—— Op. 15, No. 5- Valse, Db. (Fingered.) ——- Op. 17, No. 2; Minuet, G. (Fiugn). . 2. Scherzlno. F. (I-‘ing.) ——-Op. 23, o. 1. Danse russe, Am. Arr. and ting. by A. R. Parsons. . . No.1. In Tempo di Mi- nuetto, E. Finzered.) . . . . . . . . . . .. ———— Op. 82, No. 2. tude, D. (Fingered.) , No. 3. Valsc do Concert, E. (Flngered.) . . . . . . . . . . . . . . . . . . . . . .. 1 Neu rt Edrn., Op. 57.2 Fantaslestiicke: Po 13,0. 1. Spring’s Approach . . . . . . . .. “ 2. Vulse-Caprice . . . . . . . . . . . . .. Nielnann, R., Murmuring Zephyrs, by Ad. Jensen. Transcr. (Fing.).. .. Paeher, J. A., La Danse dos Patincurs. (The Skaters’ Dance.) Fingered.. —-—- Le Ruisseau. The Brooklet.) Etude dc Salon. ( ingered.) . . . . . . . . . . .. Platt, Ch. E., Op. 1. 8 Pieces: No. 1. cradle Song, D1) . . . . . . . . . .. “ 2. Valso poétique, An . . . . . . . .. “ 3. Moment musical, G.. .. Prox, C., Sonatina, G . . . . . . . . . . . . . . . . . .. Ilaﬂ‘, J., O . 55, No. 12. Abends. (At Even nz.) Nocturne. (Finlrered.).. Valse-Etude, A5. 889- 8 same -oFPi:6c 3 ...................... .. 1 oo Op. 0%, ~ No. 1. Lolmnonls, Wing- Fantulsle b ‘ll . . . . .. 1 , No. 3. Tsnxniiusnu, Wag- ner. Fantalsic brill . . . . . . . . . .. .. -—— Op. 72. Suite, Em. Cornplete.. . .. 1 ——- T re same singly: No. 1. Prelude. . . No. 2. Mennci... 35 No. 4. R0- mance. . . No. 8. ’l‘occata.. 35 No. 5. Fugue ——- Op. 111. No. 1. Bolero, . (Flog) —-—-O . 111, No. 2. Valse- rice, C Flnfered.) -——- Op. 1 8. Valse favorite, Db. g'lug.). —-——Op. 121. Illustrations do ‘Anu- onun: No. 1. Bereeuse do Selica . . . . . . . . . “ 2. Septuor ﬁnal du Ilmc Acte. “ 3. La Graude Scene du Man- cenlllier . . . . . . . . . . . . . .. “ 4. Les . Romance nes . . . . . . . . . . . . . . . . .. —— Op. 180. 2 Etudes mélodiqncs. (Fin rod): . , ; No.2, A, eaell . 204, o. 8. Rigaudou. Reiueclre, C., Op. 39. La Chasso. (Jagu- stiick.) Improrisatn. (Fingercd). —» Op. 157, No. 3. Rigodou, D. (Ping) -——- Cilvatinc, C (easy, ling.) . . . . . . . . . . .. Rubinstein, Anl., Op. 10, No. 22. Kalnennoi Osl.l'0W. Porlruit, F8. -—— Op. 14. Le Ball. (Flngered): No. 2. Polonaise, El; “ 4. Vulse do Uoncort,Ai).. _. . “ 9. Gulop dc Concert, B . . . . . .. ~——0p.69, No.2. Nocturne, G. (Fin .) -———Op. 75, No. 2. Aubade. (Morn ng Scrcnadc.) (Fingered)... . . . . . .. Saint-Sac‘-Ens, C., Gavotte, du Beptuor. ranscr. par Dayas . . . . . . . . . . . . . . . . Soharwenka, Ph.,0p. 18, No.2. Mo- ment mu.-ical, Ab . . . . . . . . . . ..\.. ——-- Oﬁ. 41. 5 Charact. Pieces. (Flng.): o. 1. Albumlcuf, Fm . . . . . . . . . . .. “ 2. Mazurka, (1 . . . . .. “ 3. Notturno, Gm..... “ 4. Caprh-cietto, Din . “ 5. Melody, B Seharwenka, X., Op. 3, No. 1. Polish Dance, E3111. ('F“1Ilgered.)...' .... .. ——- Op. 43, No. l. inuct, C. (Flng.) ——- Op. 50, No. 2. Phantasiestiick, Gm. (Fingered.) . . . . . . . . . Schumann, Roi». Op. 2. Paplllons. ( ﬁngered.) . . . . . . . . . . . . . . . . . . . . . .. ~——— Abendmusik. (_'l‘wiilght Music.) (Flam-.red.) . . . . . . . . . . . . . . . . . . . . . .. —— rst Loss and Rustic Song. . . . . . . ..\........ gel-ed.) . . . . . . . . . . . . . ._ . . . . . . . . . . . . . ——- Knight Ru recht. (Flngcred.)..... —— Melody an Humming Song. (Fin- gered.) . —— O lovely Ma . (Fingcred) . . . . . . . . . -—— Scherzo, Eb, from Faschings- schwank. (Fingers . . . . . . . . . . . . . —-Soldiers’ March and A little Piece. (Fingercd? . . . . . . . . _ . . . . . . . . . . . . . . . ——Song of tie Rea ers and Harvest; Son . (Finger-e .) . . . . . . . . . . . . . .. --— Wild orseluau and Rustic Song. (Fingered.) . . . . . . . . . . . . . . . . . . . . . Schytte, I.., At Evening, G. (Fing.). .. seiss, 1., Op. 8, No. 1. Sonatina, D. (F ngered.) . . . . . . . . . . . . . . . . . . . . . .. —-- p. 9, o. . Intermezzo. (Flug.) —— Op. 9, No. 2. Even Song? (Fiuf). Sherwood, W. 11., Op. . so te. (Fingered): No. 1. Prelude, A... . . . . . . . . . . . .. “ 2. Idylle, A.. . . . . 5. Novclette . . . . . . . . . . .. .. ——0p. 6. 2Mazurkas. (F'ing.), eaeh.... No. 1, Cm. No-. , Arn. ——-Op..7. Scherzo, E. (Flngz). . . . . . .. —— Op. 8. Romanza appassionats, G. . . . ———— Op. 9. Scherzo-Caprice. (Fl Smith, Seymour, Dorothy. Old Dame. (Fiugered) . Smith, Wilson 61., 2 Dance-Caprices: o. 1. Impromptu alla Mazurka. . . . “ 2. L’Amour. Valse sentiment. Splndler F., Op. 36. Sehlumm’re siiss. (Slumber sweetly.) Serenade. . ——- Oﬁ. 43. 6 Tone Pictures. each. . . . . o. 1. Alpine Rose. No. 2. For- §(.‘«lrI11(‘r-not. No. 3. Bouquet of iolots. No. 4. Blooming Mead- ow. No. 5. Lily. No. (i. Fading F wet. lr.). . . . 1 English 5: U1 83.‘ 838‘? 3'88? §i%88 V Spindler,MF.:”(:‘li“4W1—io.H.2 ~'o thou sublime sweet Evening Star," from TANNIIXUSIR, Wagner. Transer. (Fhuzered) . . . . . . . . . . . . . . . . .. . . ~— Op. 349. Hedge Roses. (Hccken- roschen.) 3 Tone-Pictures, each. . . ———Field Flowers. 13 Easy Pieces, 2 Books. each . . . . . . . . . . . . . . , . . . .. ————- May Flowers. Maiblurnenﬁl Waltz. 35 Sternherg, C. Op. Dense anclulousc. 1 00 —-‘-Op.25. ’)’:llse-Reﬁt-Ilse . . . . . . . . . . .. 75 ——- Op. 26. Hnmorcsque . . . . . . . . . . . . .. ——-— Danse phrygienne, d’aprés Saint- Saiins . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Straltoseh, M., Confession of a young Girl. 'Idyl. (Firliigered. . . . . . . . . .. strelezlri, A., O 8. Conee . Comiete . . . . . . . .. . c; No. , ,6 ;No, ' N0. 4, II‘unl,75(:; No. ~—-— Arabes no, G isions. (’l‘raumeswirren.) Etude . . . . . . . . . . . . . . . . . . . . . . . . . . .. ——-~ 4 Polish Dances: No. 1, G ; N No. 4, Gm., —-——-Valse—Arubt-sque (dhlprés Waldlen- tel). Morceau de Concern. . . . . . . Tedesco, L, Op. 45, o. 3. Loreley. ’l‘ruuscr. (Flngered.)...' . . . . . Tedesco, W., In the Mill. Impromptu. Thalberg, 8., Op. . “Home! Sweet Home! ’ Air anglais with Var. New, lingered Ed 1 50 ——- The same. Simpliﬁed Ed. . . . . . 1 M) Thullon, 11., Gavotte cnianlinc, 95 Thomas, A. G-ivotie from M1osos,arr. by Bazille. (Flngered) Theme, F‘., Op. 26. Scaramouv.-llc. Scene do Ballet. (Fiugered) . . . . . . . . . . .. ——- Op. 43. Tarantella, Am. (Flnlrered.) -—— Op. 51. Budinage. (Plaxfnlness). -—- Arlequin et Cololnbine. lr do Bal- let. (Fingercd) . . . . . . . . . . . . . . . . ~—-—— Simple Aveu. (Simple Confession.) Romance sans Paroles. (Flng.). . . Tours, IL, An Bord d’un Ruisseau. (By the Brookside.) Finn:-rod . . . . Tscllo.ikow(slt_y, 1’. Op. 39, No. 8. Valse, . ||:Z'l‘l’L . . . . . . . . . . . . . . . . . . Vogrich, Max ~.--Sluccato-On rice, Wieuiawski, ., Knyawiak. Polish National Dance, arr. and ﬁngered. . 50 Gavotte liongroise . . . . . . 60 Wollenhaupt, H.A., Op. 22. 5 Mor- ‘ Wagner A’ eeaux carsct. en Forms d’Etudes 9‘-‘ingerad ._: each . . . . . . . . . . . . . . .. o. 1. AM; No. 2. F3m.: No. 8. Am.; No. 4. E; R0. 5. Em. STUDIES AND METHODS. (ronnlax irnmzurnve.) Bel-tint, 11., 50 Selected Studies, pro- gressively arranged and with Anno- tations by G. Buonamici. Ed. by J. H. Cornell. Complete.....uet, 3 -~--- The same in 4 Parts, each . . . .; .... . . 1 Chrisander, Nils, 323 Tl'('iInl('I1 Studies, as n preparatory Method for the Tsusio-Enuucn Daily Studies. Transl. by A. R. Parsons . . . . . . . . .. 2 ‘J0 Czerny Ch... Op. 139. 100 Short Studies hi rogressivc Order. New revised ans ﬁngered Ed. with modern Phrasing. 5Books, each . . . . . . .. . 1 00 —— Op. 740. Fiugerfertigkcit. (Finger Dexterity.) 50 Studies in brilliant Style. With Annotations by A. R. Parsons. BookI..... . . . . . . . . 150 Diirlng C. H.,O'n. 8 25Easyand ro . Studios. 3 Books, each . . . . l 00 Exercises in Scales. (‘herds and Ar- pegeios. com-u.sn in‘ run Amun- ICAN Common or Musxclans . .nel, Haherhier, E. 44 Daily Studies. Ed by A. 00 50 200 R. ursons. Book 1, $1.25; Book 2 l 50 -—— Preludes in all Major and Minor Keys. Ed. by A. R. Parsons . . . . .. 75 Kiihler, In, Op. 157. 12 Easy Studies. (Introductory to 0p. 50.) . . . . . . . . . . 1 Kulluk Ad., The Art of the Touch. A {Vork for the Use of advanced Players, and a Guide for Teaciiing. Translated by Mrs. J. P. Morgan. net, 2 'l‘h., Materials for elemcnniﬁ, Kullak 1' Translated by A. nstruction. Parson : Book I. Finger-Exercises in the Compass of a Fifth . . . . . . . . . . . . .. l 25 Book Ii. Exercises and Pieces. . .. 2 00 Book III. Little 4~hand t’iL'(;es in the most usual Minor Modes. (Supplement; to Book II.)...... . 1 50 Lecouppey, F., Op. 20 L’A,n;il'ié. 25 tudes rogressives dc Met-auisrne et de Legéreté. Revised Ed . . . . .. 2 50 Low, J., (l)r. 281. New. melodious and * bril . Octave Studies. Edited by J. H. Cornell . . . . . . . . . . . . . . . . . . 1 50 Neupert, E., 77 Exercises for practising the various Hand Movements and Modes of Touch . . . . . . . . . . . . . . . . .. 1 50 Parsons, A. 11., Modern Method of Scales : Part I. Preparatory Exercises. .. .. 35 Schmitt, Hans, Op. 15'. 55 Preludes and Exercises. Edited byA. R. Parsons. 2 Books, each . . . . . . . . . . . . . . . . . . . . 1 00 E. D., First Instruction Book. thorough Course for Teachers and Pupils. ‘Edited by J. H. Cor- nail. '2 Pm-ts, each . . . . . . . . . . .net, 1 50
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Date: n.d.
Text: _ \ 0 2*»/n:Ta%35‘ 7 /’/‘ .’l.U}t(’»l1.N If f ‘(D 9 . Sf); Gompoaeb 26% Ni 4‘ J@ﬂ N B EL]@@Kl&EY@ Zfr //1/» .1’/////I7 //wk/Lo/is‘, we on as none .. _, ..3/- ma aemsn arLow+:ns .. . 2:/' THE GREEN TREES WHISPERED LOW 8: M|LD...3/" TMS IS THE PLACE STAND STILL MY STEED .3/' *’/ THE SILENT LAND (AsAvoc;u. DUETT, ______ D° (ASAVOCALDUETT) * I » \ . ( 12'”:/..5’m_/mg//_ ._ _________ , ________T _T /7-ajra ' A A Lmtiurt: JOHN ‘BLOC/‘KLEY, 3. ARGYLL ST. REGENT ST. W....
Show more_ \ 0 2*»/n:Ta%35‘ 7 /’/‘ .’l.U}t(’»l1.N If f ‘(D 9 . Sf); Gompoaeb 26% Ni 4‘ J@ﬂ N B EL]@@Kl&EY@ Zfr //1/» .1’/////I7 //wk/Lo/is‘, we on as none .. _, ..3/- ma aemsn arLow+:ns .. . 2:/' THE GREEN TREES WHISPERED LOW 8: M|LD...3/" TMS IS THE PLACE STAND STILL MY STEED .3/' *’/ THE SILENT LAND (AsAvoc;u. DUETT, ______ D° (ASAVOCALDUETT) * I » \ . ( 12'”:/..5’m_/mg//_ ._ _________ , ________T _T /7-ajra ' A A Lmtiurt: JOHN ‘BLOC/‘KLEY, 3. ARGYLL ST. REGENT ST. W. THE SILENT H”ritten by H.W. L().\'GFELLOVV. Composed by JOHN B1.o(‘Km:Y. ./I./Io1)E'R.x1‘To. Dulce. Dim. c rall. Into ﬂue Si_..1ent Land’! Ah! who shall lead us thither? LL C1-ouds in the. evening sky More darkly, dark1.y gafhe'r And /T § shattered wrecks lie thicker on the Strand.‘ Who leads us with a gen __ tle hand Thither, O thither , Into the Si _ _. lent /9 fx Dim. e ral_l. V Into I the Si _ .. - Jent Land? /3/3 ' colla vase, The Silent} Land . 2'51 Vérsu . Into the Si _ _ _ lent L Land! ye bound _ _ less /‘7 \_.J n\_____’_/ Cres. regions Of all per _ _ _ fec _ tion! Ten _ derl morn_ing — mf ‘ 5‘ C'rc4.s~ . — visions ‘Of beauteous souls, The .future’s pledge and band! Who K‘ r.\"90 Thh'.S'rlent Laud. John; mojcxxey. in Life§ battle firnl doth .+stand, Shall bear Hopefs‘ _ I)z'7ﬁ. e ral_l. \r blossoms Into the Si-_1ent Land! Into the Si.._1ent /J/9 calla race. 31:1 arse . 0 Land! 0 Land! For." all ‘the br0..ken hearted The .4. -9- The -‘3‘7e:n1 Land. 1 ‘ John lawn.-y. eh; mild _. _ _ - est herald by our‘ fate a1- _ _lotted § ‘ /3 Dulce . Beckons, and with in_-verted torch doth stand, To lead us with a F\ FIN /’/9 gen__t1e hand, the land of the great Depart\_V_,;ed, \,\___/ / Q Morendo . \i Into the} Si--1ent Into the Si‘__1ent Land! /3/9 calla vow. ' Thv ‘EH:-111 Land!
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Date: 1914
Text: MUSUC LIBHIHY VAS.°..‘!."’ coy} --~E . .,..,. ,_ 3 pa N?2INEb Ships that pass in the Night 9%? _ Sons THE WORDS BY LoNGFfrE1..1.ow ' The CD1; sic by T.W1LKINSON STEPHENSON. PRICE 60 CENTS.(NET) BOOSEY & @- 9 EAST SEVENTEENTH STREET, NEW YORK 295 REGENT STFQEET, LONDON. ENG. . THIS SONG MAY BE SUNG IN PUBLICVWITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE or ANY PARODIED VERSION HOWEVER, Is STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoosav& co. OTHER RECENT SUCCESSFUL SONGS BY...
Show moreMUSUC LIBHIHY VAS.°..‘!."’ coy} --~E . .,..,. ,_ 3 pa N?2INEb Ships that pass in the Night 9%? _ Sons THE WORDS BY LoNGFfrE1..1.ow ' The CD1; sic by T.W1LKINSON STEPHENSON. PRICE 60 CENTS.(NET) BOOSEY & @- 9 EAST SEVENTEENTH STREET, NEW YORK 295 REGENT STFQEET, LONDON. ENG. . THIS SONG MAY BE SUNG IN PUBLICVWITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE or ANY PARODIED VERSION HOWEVER, Is STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoosav& co. OTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS V No.4inGia "' ‘lﬂormack. M -'- b ROGER UILTER. 3 Words byQ.ENNyfs,oN. Sung by John M b um y Q Sluuguvvil/é emp/mszs. , _ A h e. Nor waves ress in the pa.}ace walk Nor ks t e gold Now sleeps the 01'1m50-9 P“"“1’“°W the W ’ » 17 f( [ ‘ _ V wake“ - thou with me, ‘ Nowfo ds the all x-sweetness the porp K1‘)? ’ “‘ f /‘\ Copyright MCMIV byBo/oeey & Cc;-r . Musicb” zvfoaléoe 6.9.9 b Z___,\ O’e1-the white- Hiiild dune__ The wan-.. night moon_ Is /zgf ‘Copyright MCMXXII by Boosey&Co. ___.._ Nmmp No.2in Gk tjsyvﬂ E1919} No.3in Ab No'.4InB‘a deBURGH d’ARCY. _ ” A “ "J " GEORGE P. HULTE N. Music by ) KENNEDY RUSSELL. Andamtzho ‘ ' __ _ v ’ p—-_.—r_.___—-- Close my eyes as you wou1d,ten' — der - y, Mourn not my loss, you 1ov’d me faith— ful - ly. ‘ Then, w n the co1d‘g1'ey Dawn breaks s'i - lent - 1y 7 . " v S1D'~t"t “Hf” ..A.“"’ S9 2- im\_____/ Bocieey a§%§3?‘§ ?a§5§§n17t31I§t$, N.Y. Copyright MCMX ‘by Edwin Ashdown,Ltd. V SHIPS THAT PASS IN THE NIGHT. SHIPS that pass in the night, and speak each other in passing, Only a signal shown andva distant voice in the darkness; So on the ocean of life we pass and speak one another, Only a. look and a. voice, then darkness again and a silence. LONGFELLOW. SHIPS THAT PASS LN NIGHT. Words by V ‘ Music by LONGF-ELLOW % ’ ' ' ‘T; WILKINSON S_TE]1HENS.0N. From “Tales of a -Wayside Inn’.’ A . V M Slowly and with feeling. .1" in the ‘T speak___ each oth- er in pass — ing, 00113/rigkt M0./IIXIV by Boosey «E 00. mi’ /—~—--~*g / ‘\ Sig - nal shown and a. dis - tant voice dark - ness; and speak one an .- .{"’f ’ R look... and a voice, _ then- dark - ness dark — neés a. - gain, OTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS No.1inC No.2inEb_ To DJ). , ’ No.3 in F T j , I V ‘ ‘ » WHEN THE DE W IS FALLING. ~ i WW5 by 1:,Il2Nj,f§2%§§0,%'0,t0 gm,m.sZ.,J0\?\71'itten for and _S<u by Mr. John M9 Cormack. Music by EDWIN SGH_NEIl’h7%=- When the dew is all- I have heaqla ca.]l- ae — rial sweet voices the low green hill; And when the noon is . . . - _ ~ \ - . . y - ing I have hezutda he ' . ' f J'il‘- 6 dim :1... a soslenu to cry- ing Wh r-re thehrown bum slippefyh thrtfthe hollows green and still. “ And 0 the sorrow upon me ,7 A. *7“: _ . — The gray grief up-on me. »' eddm. --{——=.... Copyright MCMXV by B0osey& 00. Music by , R.VAUGHAN VVILLIAMS. Andante can moto A DORSET S01‘ ’ No.2inG EN ‘El '1 . No,a1nA - S S ; i ii‘ I’ : Words ‘ - ____l J ____l ‘V V’ l ' ’ W.BARNES. G 3 . With-in the wood-1a.nds,f1low’ry glad - ed, By the . oak treesimoss-y moot; The shin-lng grass l_>la.des,"ti-m-ber aha - Lded, Now do 7‘ F V .q'uiver un-der foot; And birds do whis - tie o-ver-head, And wa.-tex-'5 hub - blingin its bed‘ Andthere for me, The T’ Copyright -MCMXII by Boosey & Co. B5@lS3' EPMS V _S Musig by I}l§'JLLYI.J_(168£1) largo (SOMBRE moons) rr: - ‘A y.' .i , . A ’ ' . ~ - her ' Mon Bois e -pais re- dou - ble ton om - bre . ne sau - ra.1s ctre as-sez som - bre, Tu no peux trop ca 0 > -’ Sum-b2'e woods, ye glades dark amllone-1:1/,’ Fflﬁefemidﬁight 37007” 9”’97'-9 0” ' 11% 0}” mde 10”” In ‘rear . - - - 1) .Tu . . . .. I an - ra.1s etre as sez som 1 mal-heur- eux a-mour. B013 2 -pa.1s re- dou - ble ton om N: T“ n9 S . ‘ ~ ~ > - I Oh! your u7c-IJound- m’gln‘.Som-bre woods, Ye glades dar/7 and lcme- Z3/; W7t37‘97mdmg7“" 87007” ‘mt"""'g 0" 3/’ ..F?TT.1_F 1“: 1%? Copyright MDCCCXGII by Boosey & Co. ‘I Reinald Werrenrath- AMERICA’S PREMIER BARITONE Says:— DUNA IS WITHOUT DOUBT ONE OF THE -MOST EFFEOTIVE SONGS I HAVE EVER KNOWN. WITHOUT A“CHEAP” LINE IN IT, IT ‘HAS THAT WONDERFUL " APPE.AL- THAT REACHES THE HEART OF EVERY LISTENER. IHEDAYI RECEIVED THAT SONG I SHALL ALWAYS GOUNTA MOST FORTUNATE ONE FOR ME. JOhn MQCOrmaOk, Francis Rogers, CANTOR Joseph Rosenblatt A AND SCORES OF OTHER LEADINGSINGERS ENTHUSE OVER THIS MOST CHARMING SONG OE RECENT YEARS TV The Words by D I | N A _ The Music by RMARJORIE PICKTHALL _ , JOSEPHINE MQGILL I VNo.1inB1» No.2\i.'nC f 'No.3inD1» _n A u .3 «J 4 Q) U Con moto. amount (84 :1)‘ pp rid And the - 1it— tlelstars Of Du-na, Call me home. lit-tle stars of Du: na call me home, The lit-tle stars of Du-na, 1210 a tempo home. ‘ V a tempo Copyright MUMXIV by Booséy «E 00. @938 BOOSGY (9: CO. — The House Of Song Fame NEW YORK & LONDON
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Date: 1914
Text: uusnc unnnnv VASSAR COLLEGE POUGHKEEPSIE, new vonu N?2iNED Ships that pass in the Night 5536 LoNG1=«jE:LLow I The music by T.W1LKINSON STEPHENSON. PRICE BO CENTSINET) BOOSEY 8; @. New YORK - TORONTO - LONDON.(’ENc..) . 9 EAST I711‘ ST. RYRIE BLDG.,YQNGE ST. 295 REGENT ST..W. THI-S SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION , HOWEVERV IS STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoostve. co THREE “HOM” SONGS h1That Should Be In Every Home No...
Show moreuusnc unnnnv VASSAR COLLEGE POUGHKEEPSIE, new vonu N?2iNED Ships that pass in the Night 5536 LoNG1=«jE:LLow I The music by T.W1LKINSON STEPHENSON. PRICE BO CENTSINET) BOOSEY 8; @. New YORK - TORONTO - LONDON.(’ENc..) . 9 EAST I711‘ ST. RYRIE BLDG.,YQNGE ST. 295 REGENT ST..W. THI-S SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION , HOWEVERV IS STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoostve. co THREE “HOM” SONGS h1That Should Be In Every Home No.3 in D3» _ _ ThcI'e_ aland I love, Far,far a-way mhere, Eiverltsvolqg 1s call - mg, _'v,I:en-derand c1ea.1-.‘._.. No.4inE'1a Joy in ‘heart a— wakes,» Heal-ingthatsong so true, » Float o’erthe breeZ_6'f1'0m H0I.I1€—y8W€3t f-\ C3111118‘m3b8°kt~° Y0 ' A Copyright MCMXVI by Boosey&Go. Price 30 cemS,(Ket Gash) MEJILIDY cw Lama: Words by.FRED-G-B0WLES- usic by T. WILKINSON STEPHENSON. h There's a patch of white heather a. - glpw on the C1iff,.And I See througha rain of For we .1iv’d we‘-1.osz:5(A"ij1’ the days 6. - W’ _ - gone,‘-l‘ha¢ have tra.vel1’d. fu11- soon to‘ years__. 0, ’1't’s un-derh ‘stars hi s . ci- ty stand, I hear Wher-.ev- er calla vac? ‘ Copyright MCMXV by Boosey & Co. ‘ No.1i3Dl» _ ﬂedz'cat_ed._to _my'frz'eml Ivor Foster Moderafo n. ‘ sottavace that o1d—fa.shion—edrhouse in that old fashi:5nedstreetDwe11a dear/ljt&tle,o fashioned . .._. , I can See their two fa-ces,'so 12_ , « \:/' f\ ten-der and sweet,And I love ev-,’ry wrin-kle thats . I m2hgf&7 "VIE./JZz¢;,,, f love ev—’1‘y mouse that old house In the Copyright by Boosey & Co. I SHIPS THAT PASS IN THE NIGHT. -\r\/xrs/\/u/~/\/\/\ SHIPS that pass in the night, and speak each other in passing. Only a signal shown ad a distant‘ voice in the darkness; So on the ocean of life we pause and speak one another, Only a look and 2 '-:T:»iv.:e=, then ciarkness again and a silence LONGFELLOW. SHIPS THAT PASS IN THE NIGHT. Words by T Music by 'L0NGFELL0W- T. WILKINSON STEPHENSON From “Tales of a. Wayside Inn.” Slowly and with feeling. /K/———-:‘+—~T f 29 ships; that pass in the speak; each oth-er in pass - ing, _ « “sits »’6’op3/Mg/ct,A{0z1{XIV by Baosey c6 00. sig — nal shown dis -tant voice dark - ness; and speak one ,;_—7.:n>:_=5e».r._a; A. ._ dark - ness Ev: [ (4 i 9% $ VT’ dark - ness OTHER RECENT SUCCESSFUL SONGS . BY EMINENT COMPOSERS T W'o1-ds by—'l‘ENNYSON‘. Mow No.47"nG$ . Sung by Mr. John M§Cormack. Music by ROGER QUILTER with em is. ' ' — Now Sleeps the crimson petal,now the W]: ; Nor wax;es the ss in the palace walk t 8 gold ﬁn 1’ J t.heporph’ry font‘ 'waken thou with me. sweetness f A Copyright, MCMIV by Boosey & Cor No.1 in C‘ T No.2 in D No.3 in E Word’: by V D I J x V A . S S Music by . MARJORIE PLCKTHALL ' — v — » JOSEPHINE Me Gun, Con moto about (84. : I” was a 1it—,t-1e1a.dW'1thfol-ly on“my ]ips,._ Fainwas ‘I’ All the seas no_w across 1’ southe1'n'{=we11, Every dawn I - hear- The l‘it~t1e streams of Du-na run-ning clear, No.1inU ‘No.2 inE|v ' T0 111). _ > I _ No.3 in 1» S S §¥%oW’IV1EN_ THE DEW IS FALLING. Words b3'I;1;N2”1:Il2%;§Q,1;Wt0 empWSsZ,w\}Vr1tten for and by Mom M9 C01-mack, , Music by EDWIN SCHNEIDyI(§h». VVhen the dew is all— I have heard a call- ae - rial sweet voices O’er thelow green hill; And when thenoon is - mg I have heardd. ab‘ .2’ e dam —_;—.__~._ a soslenu to cTy- in‘g VVh6‘r31l_1€} brown burn thr0’the hollows green and still. G And 0 sorrowupon me The gray grief f p» Copyright MCMXV by Boosey& Co. BTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS AS Y(@I@EASSj my /vFRED.E.WEATHERLY. KENNEDY RUSSELL Svnoot/zlg/,sim12lg/andwitlzgreat expression > > > >.:ff a_,f,.gt_ Kne¢1down,knee1down,my dearest, And kissthewaving grass, It is myheart. haswaited To hear-you as you pass; KT19e1d0W11:ifY°11 1'9 ' f ajfret. >—- 1"""‘l— PPV . .. 12 - her, And leave a kiss for me, For all the love of long a-go, For all you used to be! _._._.? Kneel down, you re -_ Copyright MCMXVIII by I y&Co. , - No.2 mm, V . ‘ _ 1\Io.3in F 'No.4inG7 D D ? \ J .. j $ S :§‘**~E;m_n "Music.by E.TI‘i.*‘UIIEMACHER- *1 4 J » . : WILFRID SANDERSON. ‘ 0 rose-,b1oom ev - er in... my lone-13" . O , shine stead-fast with ydurlight di -, vine, Ring on, 0. mm-cato > \/ ten. ' stung, yourmel-o -git of‘ joy, Life crownedxt 1a.st,_.__._. And love, and love is L. ‘ ' " Copyright MCMX by . _ 05:35. , at-, K K SEMEAIH ME; MQM LQMBJABDY’ NO_21'n Eb‘ \V01'ds by EDWARD LOCKTON. Music by HAROLD CRAXTON - —i_ :. Moderate I N0.3inG , Love are youwaitin in Lom-bar -_ dy, Wait-ingfor me o’er the cru— e1 sea, Dear, in this land so far n-der the stars for yoxL__ I" pray!“ Oh! might I passthroughthe night Come with a I’ I ’."vpy)-ight .VfCMXVIH"b‘ynBoos;y_&Co. as"-Under the Stars”.
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Date: 1908
Text: Music uamuw vAssAn COLLEGE '°”°"""~'«'7"5'£. Ntw vmnu \l .9 %9 «"6. Ar=<=@€l\ Vlliiliiia IME 02003000 EIGHT SONGS A Winter Violet. .............................................................................................. .. Pn 25¢ Db major .................... ..The Words by Theodosia Garrison. . Ships that Pass. inthe Night. ...................................................... .. Pn 50¢ F minor. . . ................ ..The words by Henry...
Show moreMusic uamuw vAssAn COLLEGE '°”°"""~'«'7"5'£. Ntw vmnu \l .9 %9 «"6. Ar=<=@€l\ Vlliiliiia IME 02003000 EIGHT SONGS A Winter Violet. .............................................................................................. .. Pn 25¢ Db major .................... ..The Words by Theodosia Garrison. . Ships that Pass. inthe Night. ...................................................... .. Pn 50¢ F minor. . . ................ ..The words by Henry W.Longfellow. Redivivus. ........................................................................................................ .. Pr: 50¢ ED majon. ....... ..’. .......... ..The Words by Louise Morgan Sill. Eventide. ..................................................................................................... ., Pr: 50¢ D major: . ............ ..The Words by Henry Cleveland Wood. Thou Wilt Come with the Flush of the Morning ........... .. Pr: 50¢ E major. .. ................. .. The Words by Homer E.Woodbridge. Song ﬁ"on'fThe"Warzder‘er:'.’.....N9 n. ........................................... .. Pr: 25¢ B minor: .. . The Words by Owen Meredith. Song fr=on'i‘The War1der*er*'.'...... N9 2. ......................................... .. Pr. 50¢ D major. ............................. ..The Words by Owen Meredith. . By- '0 ..... .._..(sLuMat-:9 SONG.) .............................................................................. .. Pr: 50¢ F major ........................... ..The Words by William Roebuck. EDWARD SCHUBERTH &CO., NEW vom<, LONDON,‘ ll EAST 22 "P 51' DéP6%S; 2 STAR YARD,CAREY 81‘ LONDON, ASCHERBI-IRG,HOPWO0D8.CREW L'rn.,l6 MORTlMER ST. LEIPZI 6,C.DIECKM/\NN,2I Tiduacnemwze. Ships that Pass in the Night. The Words by . Henry W’. LongfcHo'w. ‘William Roebuck, Op. 1;’, N‘? 2. From “Tales of a VVayside Inn” Con sostenuto espressione. Voice. 10 Ships that pass in the night sostenuto. 77?" speak each other in pass-ing, On — 1y a s' -nal shown anda dis- tant Cop;/mfg/Lt, 1.908, by 7l'z'lZz'am Ifoebuc/?'. 17 Voice in the dark-ness: So, on the 0-cean of life, pass and speak one an-oth-er, On - 1y a, look and a oi then dark - f - ness a~gain and a si _ lence, On y a sig—na1 Th /L 19 lento dim, Voice, a dis-tant voice, in the dark—ness. Shi s thatpass inthe O 19 1622/0 _ _ 4 2‘67/zp0gz'usf0A A (son Paddle 1y 1y a Voice; Ad A io solenne. dis - tant Voice in the dark '22 moto So, on the o-cean of life, k pass and one an—oth — er, .5’ ﬂ [3 1y a Voice On - 1y a 1ook,then dark—ness! A A Mrma ,. milem‘. then dark - ness and a 1%’ sostmzulo L___/Z f. silence. that pass in the night, Ships that pass in the ,/If a temﬁo {gusto A 15000 (L poco _ 1y a Sig 1y a vo1ce, a Voice, , dagio solenne. Then dar - ness and si
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Date: n.d.
Text: uusuc Lmunv VASSAR COLLEGE D(’!lfoN!’_.P-‘tract: N9“, vO~“ To-MY s.sT.=_R BEATRICE HARRADEN. J! - . «"9 "SHIPSIHAIPASSlNIHENlﬂHf / -T . T ~ 1 T \ ‘}"2\ ’ ~/‘. / , L . /E \\\ ,/ \ K \ ~ \ \ 1/ \ / ' C9 WORKS BY G) DGFE LLOW b_y Penmissiun U'F MEss*3§ G.RouTLEDeE &SoNs,THE PROPRI ETORS OF THE COPYRIGHT /V\usii‘c by ETHEL HARRADEN. PRICE 45$: --~—~E— F0 RSYTH B ROTH E R8 267, REGENT STREET, LONDON. 126 &128, ]]ean5gaTE.ManEhE5TEr1. ESCHUBERTH &C.‘323.UNION...
Show moreuusuc Lmunv VASSAR COLLEGE D(’!lfoN!’_.P-‘tract: N9“, vO~“ To-MY s.sT.=_R BEATRICE HARRADEN. J! - . «"9 "SHIPSIHAIPASSlNIHENlﬂHf / -T . T ~ 1 T \ ‘}"2\ ’ ~/‘. / , L . /E \\\ ,/ \ K \ ~ \ \ 1/ \ / ' C9 WORKS BY G) DGFE LLOW b_y Penmissiun U'F MEss*3§ G.RouTLEDeE &SoNs,THE PROPRI ETORS OF THE COPYRIGHT /V\usii‘c by ETHEL HARRADEN. PRICE 45$: --~—~E— F0 RSYTH B ROTH E R8 267, REGENT STREET, LONDON. 126 &128, ]]ean5gaTE.ManEhE5TEr1. ESCHUBERTH &C.‘323.UNION SQUARE,NEW YORK. Eup_\;PighTl894' hyFmT5_yTh Bnnthens. “SHIPS THAT PASS IN THE NIGHT.” '*'Words by Music by LONGFELLOW. ’ ET HEL HARRADEN . Andante Cantabile. Con molto sent2'mem‘0. A ":"By special permission of NIessY_5G.Rout1(«1ge 8; Sons. ‘fab. Ships that pass in the night. in F. dis- I16SS. dark _ Ships that pass in the night. in F. tant Voice in We the pass dark - ness, a dis _ tant vgige in olla voce ’>§e@%. ei€~‘5.°2b. 956 pm mosso So, on the o-cea.n of and speak one the o - oean of {r’—-—%\ pass and speak one a look and nfixi 9% lenta m ente If On - 1y a look and a dark - ness ‘Bab. Ships that pass in the night. in F. a- gain and a that pass speak each 0 - ther g Li’; -—L______J Ships that pass in the night. in 1y a look and dark - ness dark - ness A &_Z—_’// A morendo _ 9:? Ships that pass in the night. in F. F01-syth Bros '\u. it 5"-91°: «'\\« *~\n.\a.'~«.a.‘~ NEW AND POPULAR SONGS. N.B.—The letter: éefore the title: give the highest note in the Song. ACTON, J. LIFEBOAT BRIGADE... A WIND CAME OUT OF THE WEST BRACKEN, E. A. BIRDIE’S SLUMBER SONG HEY-HO THE DAFFODILS CHALLIS, GEORGE. NOT FOR ME PEACE AND PLENTY CORDER, F. A CASTLE IN THE AIR... AUTUMN FLOWERS LULLABY SCENT OF THE PINE SHEPI-lERD'S SONG TELL ME, SWEETHEART YOU AND I. Duet SHE IS THE WORLD TO ME CRUICKSHANK, W. A. C. HOMEWARD BOUND MARGERY DAW SOMEBODY THE GOLDEN WEST. In F Do. In A ﬂat WAITING .. WAKING DUNDAS, P. LOVE’S SONG BOOK HARRADEN, ETHEL. IF AT YOUR WINDOW, LOVE. In C Do. Do. In D Do Do. In F SHIPS THAT PASS IN THE NIGHT. In D Do. Do. SWEET AMABEL. In D Do. In F THE RAINY DAY ' I'nF HILES, HENRY, Mus. Doc. GALLANTS OF ENGLAND HARK, THE RIPPLE... LOVE’S WISHES MAY #35-O»-b-5-h-lb-5 &0ID.\«®-Uh-3-uh-5 00000000 00000000 HILLIER, LOUIS H. BLUE-EYED BABE. In F Do. In G AUBADE (Sung by Mrs. Hum Tnus-r.) HOLME, C. MOUTRI E. THE HOUR OF PRAYER WHEN TWILIGHT DEWS LOHR, FREDERIC N. A SHADOW CHILD LOVE GIVE ILLUSIONS ' SOMEBODY’S COMING THE LORD IS MY SHEPHERD THE VESPER HOUR... THE YEARS THEY COME AND GO... MOORE, GRAHAM P. THE SILENT HARP. InAminor... Do. In C minor THE FOUNT OF TEARS LOVE’S INVOCATION .. THE OLD GUITAR NEWELL, J. E. VMIDNIGHT CHIMES. In E ﬂat Do. In F Do. In G PAGE, ARTHUR. ’TWAS LONG AGO. In E flat Do. In F Do. In G PERRY, A. AN OLDEN KNIGHT PYNE, KENDRIC . OLD IRELAND SHALL BLOSSOM AGAIN O MISTRESS MINE TAYLOR. E. IN DREAMLAND WHITLEY, ARTHUR. OLD CHUMS VERY WRONG .. THE ROAD TO MARKET WILSON, R. H. THE STORY OF OLD VOCAL DUETS, by NICOLAI VON WILM (Op. 124) and EDWIN SCHULTZ (Op. :81, Op. :87, Op. sot). FORSYTH BROTHERS. 267, REGENT STREET, :r_.oNJ:oN, W. 126 and 128, DEANSGATE, MANCHESTER. 0|%0l¢nlb3b8bl0l 00000000
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Date: 1923
Text: MUSIC uamnv VASSAR cones: Pouci-mun"-sat. new vonx SONGS SHA—WON—DA-SEE (The South Wind), Medium, F (No. SKARL THE DRUMMER, Medium, D minor (No. 52535. S COWBOY SONG, Medium, E minor (No. 5254) — WABUN (The East Wind), Medium, F (No. 5255) - - I-IIAWATI-*IA'S SONG, Medium, Fii minor N. as - — — - ADJIDAUMO (The Squirrel) Medium,G ; ( ° 57' ) W J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED iN THE U. S. A....
Show moreMUSIC uamnv VASSAR cones: Pouci-mun"-sat. new vonx SONGS SHA—WON—DA-SEE (The South Wind), Medium, F (No. SKARL THE DRUMMER, Medium, D minor (No. 52535. S COWBOY SONG, Medium, E minor (No. 5254) — WABUN (The East Wind), Medium, F (No. 5255) - - I-IIAWATI-*IA'S SONG, Medium, Fii minor N. as - — — - ADJIDAUMO (The Squirrel) Medium,G ; ( ° 57' ) W J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED iN THE U. S. A. To Mre. F. H. Snyder Sha-Won—da.-see (The South-Wind) “Hiawatha” LONGFELLOW ' Medium JAMES A.BLISS ‘ Op.11,No.3 Larghetto - Lusingando ________________...— Sha—Won — da - ‘see and la - zy Had his dWe1- ling cantando far to south-Ward In the droW- sy dream - y sun-shine In the nev- er .M.bet Caressant( ,60 2336:’; end - ing sum - mer. F T Copyright, 1.923, 53/ J. Fischer & Bro. British Copyright Secured J'F'& B‘ 5252's A MecIzam'ca_l mad all other riglats reserved Printed in U-S-A Ossia From his pipe the smoke as - cend — ' Filled the skywithhaze and Filled the air with dream - y a tempo soft‘ — ness. Gave a twinkle to J.F.& B. 5252-3 Touched the rugged hills with smooth — ness. sum - /\ mer the me1- an-chol - y a tempo SHOW - . In the drear - y moon of use pedal J. F. & B. 5252-3 slower 0.5-sia Brought the ten-der In-dian I» North - land. A Group of A emu) AMERICAN SONGS LIsT No. 1. REG. U S. PAT. OFF. HOWARD BARLOW . . . . . . .1-Iush of the World . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5193, 5194)* . . . . $0.50 I Love isso New . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5192)..... .50 Your Eyes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5195, 5196) . . . .. .50 GENA BRANscoMBE . . . . . .In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . . . .60 ELIZABETH H_ [)AV1D,_,_Honeysuckle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5151, 5152) ..... .50 InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155, 5156)..... Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5153, 5154). . . .. JAMES P. DUNN . . . . . . . . .The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . . .3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) ..... Under the Greenwood Tree . . . . . . . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) .. . . . G. FERRATA.. . . . . . . . . . . .Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) . . . . . CECIL FORSYTH _ , , , , , , , Masque . . . . . . . . . . . . . . . . _ . . . . . . . . . . . . . . . . . . A/ledium (4537,) . . . . . . . . . Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547). . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . .. When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . FAY FOSTER . . . . . . . . . . . .My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . . . Secret Languages . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4665, 4666) . . . . . Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) . . . .. When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . . . Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4454, 4455) . . . .. J. BERTRAM Fox . . . . . . ..A Ballad.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. High (4737) . . . . . . . . . .. Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5079, 5083) . . . .. Sadness; Tears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. FRANK H. GREY - . . - . . . .Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5160, 5161) VICTOR HARRIS . . . . . . . . . .The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) . . . . . A Madrigal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) . . . .. Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..3 keys (5092, 5093, 5<:94) Silver . . . . . . . . . . . . . . . . . . . . . . . ., . . . . . . . . . . . . . . . .2 keys (5098, 5099) A. WALTER KRAMER . - . -Eternal May... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . .. For a Dream's Sake . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (3851, 3852) ..... joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4246, 4247) . . . .. Song ‘Without Words . . . . . . . . . . . . . . . . . . . . . . . . . .High (5020). . . . . . . . . . . HowARD D. MCKINNEY. In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . ..... 2 keys (4863, 4864). . . .. WILLIAM REDDICK . . . . . . —. Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . .High or Medium (5077) . _ Travelin' to de Grave. . . . . . . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) ..... GERTRUDE Ross . . . . . . . . .Early Spanish Californian Folk Songs (Five).. . . .2 keys (5120, 5121) . . . .. 1. 3 Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144) . . . .. LILY STRICKLAN1) . . . . . . . .Bayou Songs (Four) . . . . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) . . . . . 1. A Beggar at Love's Gate; Song Cycle . . . . . . . . . .2 keys (4440, 4501) . . . . . 1. Today is Fair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4338, 4339) ... .. DEEMs TAYLoR . . . . . . ‘. . .Captain Stratt0n's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass _ (5242). . . . . . . . . Bankso'Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Medium (52I0)......... Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) . . . . . The Messenger . . . . . . . . . . . . . . .. . . . . . . . . . . . ..2 keys (4732, 4733) The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) . .. A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) PIETRO A. YoN . . . . . . . . .Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (4452, 4453) ..... Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. - - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND
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Date: 1879
Text: (&ampuJw]ﬁM' V z///I-A Ju/zy W17/L‘r//m/z.s'zzr::.:4a ,-15 741/ A\ﬁ:%@:s>‘%1@iﬁ@W%?i?a@f%i@iA@ .~:\ 5 \\ ‘.~\; 9 R ‘ : ;\ \‘ /« Z..__1\_/// A _ M ﬁx i\jf\_\ W71’/V’/A)" /7,17 , / ELL MUSIC BY BOSTON. OLIVER D|TSON&C‘?45|WASH|NGTON ST CHI CH G5 . LYEN 5: HEALY. ‘ 1\'«'.'.’DRK,.C,H.DIT5D1\T5¢ED. PHIL-‘.*J'E DIT5DN5<DU. Z7Eirz71'I, .5.Fra/701555. 5aIvE5Imz_ 5. J.W}71'm5y&Z7z7_ Slzerman-ﬂyds «X 00. TZ7’0_;7gc7z7V’u7rJ. Copyright 1879...
Show more(&ampuJw]ﬁM' V z///I-A Ju/zy W17/L‘r//m/z.s'zzr::.:4a ,-15 741/ A\ﬁ:%@:s>‘%1@iﬁ@W%?i?a@f%i@iA@ .~:\ 5 \\ ‘.~\; 9 R ‘ : ;\ \‘ /« Z..__1\_/// A _ M ﬁx i\jf\_\ W71’/V’/A)" /7,17 , / ELL MUSIC BY BOSTON. OLIVER D|TSON&C‘?45|WASH|NGTON ST CHI CH G5 . LYEN 5: HEALY. ‘ 1\'«'.'.’DRK,.C,H.DIT5D1\T5¢ED. PHIL-‘.*J'E DIT5DN5<DU. Z7Eirz71'I, .5.Fra/701555. 5aIvE5Imz_ 5. J.W}71'm5y&Z7z7_ Slzerman-ﬂyds «X 00. TZ7’0_;7gc7z7V’u7rJ. Copyright 1879 by O.Ditson&Co. \/Q9 ‘ , \ ', K \\n I &/ \/ \: \\ \ 77/ /_I L/" W / . §ERENADE“TO BE NEAR THEEZ’ Good uighggoodnight, be-10v - ed! I come, to watch o’er thee- 7 } night,g00d night, be - Iov— - ed! I come, to Watch o’er thee; ........... .. nig'h.t,good night, he _ lov- _ ed! I come, to Watch 0’er thee; »# *§ C0j>yI‘ig'ht 1879 by 0. Ditson «S: (‘o. can espress. ;_,/ night,g00d night be- 10v - _ ed! I come to Watch 0’er thee; ..... .. I To be near thee, To be near thee, To be near thee, b. Pi?) mosso. Z"\ stars of morn - mg, L L L > crim _ son > L son fl0w’1-s . rimrd. stars of morn _ ing, Thy crim _ Pill lento. night he. lov _ _ _L ed! I count the > L > While I count the 12000 /-z't(Ira.’. Q. _ Tempo pr-£1710 Good night, good night,be - lov _ - ed! I come to watch 0’er thee; A Tempo primo night, good night, he _ 10v- _ ed! I come to Watch 0’er thee. .... .. (3 m are/ado
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Date: 1906
Text: Tmumetfs Tjuitez THREE—PART CHORUSES Song of the Bells The Land of Dreams A Serenade The Bee and the Dove The Three Fishers The Rhine—Raft Song Werther All Among the Barley Dreaming A Starry Night By the Beautiful Blue Danube Nature’s Resurrection The Wind-Swept Wheat (Sop. Solo) Sweet and Low Ashes of Roses Abou Ben Adhem Wanderer’s Night Song The Grasshopper and the Ant Spring’s Welcome On the Sea Since First I Met Thee I-Iallowing Night (M-Sop. Solo) A Canadian Boat Song Spring Spring Song...
Show moreTmumetfs Tjuitez THREE—PART CHORUSES Song of the Bells The Land of Dreams A Serenade The Bee and the Dove The Three Fishers The Rhine—Raft Song Werther All Among the Barley Dreaming A Starry Night By the Beautiful Blue Danube Nature’s Resurrection The Wind-Swept Wheat (Sop. Solo) Sweet and Low Ashes of Roses Abou Ben Adhem Wanderer’s Night Song The Grasshopper and the Ant Spring’s Welcome On the Sea Since First I Met Thee I-Iallowing Night (M-Sop. Solo) A Canadian Boat Song Spring Spring Song (Love is Spring) Song of :1 Shepherd How Merrily We Live The Call In Springtime (Cycle, Sop. Solo) Night Song C. W. Coombs E. Marzo H. A. Matthews J. B. Grant J. B. Grant J. B. Grant J. B. Grant J. B. Grant H. R. Shelley E. Marzo Strauss-Spicker R. H. Woodman D. S. Smith H. A. Matthews R. H. Woodman Dudley Buck Dudley Buck Dudley Buck Dudley Buck Dudley Buck Rubinstein—Shelley L. V. Saar F. F. Harker G. Borch Mendelssohn- Shelley J. B. Fox Michael Este Mark Andrews Mabel W. Daniels W. C. Heilman (Prices apply to U. S. A.) ®. Stbirmer, Elna, 332111 york To the members of the Treble Clef club, PhiIa., Pa.,and their conductor, Mr..Samue| L. Herrmann A Serenade “Stars of the summer night” Henry VVadsworth Longfellow Three-part Song‘ for Women’s Voices . H Al ‘ d M tt Allegretto tranquillo any exan er a hews _ of the SITITI-mer night, Far in yon of the sum—mer night,_.____ Far in yon \‘._'_"/__/' X . of the sum-mer night,_____._ Far in you a. — zure,far in_yon Hide your gold — en,your golden light,______ She sleeps! she 7 J V Hide, hideyourgolden Ii? _ She. sleeps! she ‘\y \/ a — zure deeps, Hide,hideyour golden light, She sleeps! she QED. Cop}/right, 1.906’, by G’. Sc/ulw-mar; I720. Printed in the U. S. A. s1eeps!v____ my la — dy ______ sleeps!___ my la — dy ,,_——— I my 1:/_ ﬁdy sleeps!_________ S e 1’ She sleeps!She our olden _€______2 * H1de _____your golden sleeps! sleeps sleeps sleeps! sleeps am; sleeps! d7/'m. myla _ dy’ sleeps! my la _ dy s eeps! my la. — dy sleeps! pp - 7'/ft. sleeps!__ my la—dy sleeps!-_ sleepsi: my a—dy s’1:<ﬁ§T_.' s my la—dy s1eeps!___ P000 pill mosso you west- ern Moon___. of the sum—mer Poco piﬁ mosso Sink,___ sinky r sil— ver light, She sleeps! __ She __ sleeps! Meno mosso sleeps! sleeps sleeps! sleeps! my la - dy sleeps! Meno mosso T 45.5 sleeps! sleeps! my 13. — dy sleeps! of the sTn—mer night! Far in you a — ...=—.~_.""'_._ T’ T _ of e sum-mer night!____ Far in you a — —zure,you a — zure / _ s__f( _ \ / . J :4 V _ of the sum-mer night! Far in you a — - zure, far in- yon .5/a Hide- your gold- en, your go1d—en light! ‘._._y_{-——-»— She sleeps! she . Hide, hide your gold— en ht §/ 21 - zuredeeps, Hide, hide your g01d—en light / . \ . She sleepslshe \___,V e s1eeps!~she sleeps! my She sleeps! she sleeps! my he sleeps! She sleeps! SP m); 2'{———_‘'$ ‘ sleeps! sleeps! sleeps! Qéb. Poco iﬁ mosso §__._2 VVind __ of the sum—mer night! __ VVhere yon— - der wood-bine Poco piﬂ mosso Z—”’” ﬂ“‘\ \Vhere CF9eP5;—— ‘ ’ \Vhere //-""'\ — derW00d_bine Creeps, Fold,__ fold. thy pin—i0ns . LT-‘J der woodbme creeps,__ $ﬁf"‘ f T Fo1d,_ fold y pin-ions light! Fold thy pin— ions light! Fold thy pin-ions s e sleeps! — she sleeps! L2 My la — dy sleeps! _; sleeps 2’- X / Meno mosso P 3199135! sleeps! sleelgs! sleeps! Meno mosso dy sleeps! sleeps._____.__v_/2.. my la — dy sleeps’ -A. . 7“’Zr My la — dy ~ £71 19277 Tempo I Dreams___ of the summer \\___’Z Dreams _.._ of the summer _ §-.__——/__,/ Dreams of the summer Tempo I ' appassionalo 3237-m.g.A ni ht! night! Dreams of the sum- Dreamsof the sum- — p___Z/ of the sum .. {_~\ her, her 1ov_er keeps watch, appassionato string. ' -cresc. tell her,pher1ov.er keeps watch, her V her , lov — ) Q5». her, her lov _— — W2 keeps watch, her her 1ov_er keeps tell her,her 1ov.er keeps .— erkeepswatch, tell her,her 1ov.erkeeps her,her lover keeps watch her 1ov_er keeps ff" dim. Watch, keepswatch,while in slumber light, 11 slumber light She ' > WatCh,é__ keeps ,whilein slumber light, light She ' > L Watch __ _ . _;/ _ _' ./.__S keepswatch,Wh1le1n slumb r. 11ght, 1n hght She ff sleeps . sleeps, ,2 PP 19277 S A t . %. '. ma. ' *) Either the large or the small ‘notes in Soprano and Alto maybe sung, or both together Tuf G. CHIRMERB SECULAR CHOlRUSESj wlnmenfs Voices Mellican Man The Dew is on the Clover Dreams in Twilight Bitter for Sweet Song of the Sweep (Bar. solo) Springtime Morning Love’s Lullaby The Bell-Buoy Songbirds are Singing Mankind’s Own Song and II) Alsatian N061 Song of Allegiance My Little Pretty One When the Boys Come Home The Big Brown Bear Tally-Ho! Reveries The Old Road My Little Banjo Mah Lindy Lou Kiver up yo’ Haid Rain Nursery Rhymes A Nocturne Honey Chile Dawn A Banjo Song The Bells of Youth THREE-PART CHORUSES Arthur Bergh C. W. Coombs R. H. Woodman R. H. Woodman H. R. Shelley Dorothy Watkins Oley Speaks A. E. Stetson H. R. Shelley Alfred Wooler H. H. Huss Alsatian Pastoral (Solos Sop. I H. Mirande H. Mirande Arthur Nevin Philip James Oley Speaks Mana-Zucca F. Leoni Oley Speaks J. P. Scott Pretty, Pretty Maid Called Spring E. Marzo Wm. Dichmont Lily Strickland Mary G. Payson Pearl G. Curran Pearl G. Curran D. Protheroe Lily Strickland Pearl G. Curran Sidney Homer Oley Speaks (Prices apply to U. S. A.) ®. ﬁtbirmer, Elna, 332133 ﬁurk
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Date: 1884
Text: MUSIC uenmv VASSAR COLLEGE POUGHKEEPSIE. new vonx C62» C9/Z717/.3 C97Z”,<>)(zz;gc2 (.2). O7zw£11 / @J?(?Z8/lyLZ/Cl//C/ (O(/j00c{—/11Lq/zl/ CC/ ‘)00a/,—/zzgq/2/ />8/m>c?a/./) (36% W o£3L'7Il,‘L7]Z;‘!!L7'((7>) 53/ Ef/Z/8[[)8/ZK7 C77,a<>zh*> €50/o*az,n0 in {>7}/3;/=;0#@J?<>/>. in (Q) C-3 2" mg’) /" , \7 CC C766“) ﬂax/1,, (<7)?(f/l7"‘(I’I2.é’I" (Z[T>1V11V'o/I > @f¢]m1uP ' Serenade. Good night, good night, beloved...
Show moreMUSIC uenmv VASSAR COLLEGE POUGHKEEPSIE. new vonx C62» C9/Z717/.3 C97Z”,<>)(zz;gc2 (.2). O7zw£11 / @J?(?Z8/lyLZ/Cl//C/ (O(/j00c{—/11Lq/zl/ CC/ ‘)00a/,—/zzgq/2/ />8/m>c?a/./) (36% W o£3L'7Il,‘L7]Z;‘!!L7'((7>) 53/ Ef/Z/8[[)8/ZK7 C77,a<>zh*> €50/o*az,n0 in {>7}/3;/=;0#@J?<>/>. in (Q) C-3 2" mg’) /" , \7 CC C766“) ﬂax/1,, (<7)?(f/l7"‘(I’I2.é’I" (Z[T>1V11V'o/I > @f¢]m1uP ' Serenade. Good night, good night, beloved, I come to watch o’er thee, To be near thee, to be near thee Alone is peace for me. Thine eyes are stars of morning, Thy lips are crimson flowers: Good night, good night, beloved, VVhi1e I count the weary hours. E If/. Longfellow. SERENADE. (Good night! good night beloved!) ETHELBERT NEVIN. . Gd'*ht -d._'-ht - Moderato con espressmne . 00 mg 300 mg be swnpre 1’ To be near thee, __ / dolce . lone is peace Good night g00d__ Cojiyrigllt 1884 by G’. Sc/Iz'rmer. cresc. dim . watch 0’er thee, is peace for Good night. Thine eyes __ stars of morn senza pedale. crim — s0n- ﬂow '. Good night! Good__ night be — lov - ed, While count the Wear - y are_.._ stars of morn ing, Thy crim—s0n Good night! night he - lov — ed, While.__. I Good night. New Songs and Duets, Selected from the Catalogue G. SCHIRMER, New York 1 ALLITSEN, FRANCES, Like a Garden after Rain. Alto (or Bar.) in F, Sop. (or Ten.) in Ab ——— The Sovereignty of God. Sa- cred Song. Low BARTLETT, HOMER N., Sayon- ara. Alto (or Bass) —— When Dorcas passes by. High or low ’ BAUGHAN, CHARLES E., Two Birds. Sop. (or Ten.) BENNETT, HOWARD, Absence. Medium —— Slumber Song. Medium BOHLMANN, THEO. 17., Five Songs for Alto (or Bar.) : Dass sie die Perle tragt. (S//c w/zo Z/1e Pea1’Zco7ztm'71x) Durch jedes Erdenleben zieht. (T/170’ every morlnl /.1:/Q2 7(7l- tn/(Z) Ich fragte: Wie haben die Lieder all’. (1 4]/zvsﬁoz/.'d .- For all My tS'o7z,g'.x*, () /.ur,(’) Lied eines Schmiedes. (Swrgr qftz S/mi‘//) Mit einem Christgeschenk. (IV1'I‘/1 (Z C/II’/.YI‘7)1I(S (1///) BOHR, FRANCIS, Thy Will be done. Sop. (or Ten.) Db, M.-Sop. (or Bar.) C BULLARD, FREDERIC FIELD, From “ The Holy Infant.” A Sa- cred Cantata: O little Town of Bethlehem. Sop. Eb, M.-Sop. C, Cont. Ab When from the East the Wise Men came. M.-Sop. F, Bass D Jesus! Name of wondrous Love. Bar. F, M.-Sop. Ab, Cont. D The Prince of Peace. Sop. Bb, M.-Sop. G BURLEIGH, H. T., Thy Heart. M.-Sop. (or Bar.) — Two Plantation Songs for Me- dium Voice: You'll git dar in de Mornin’ Ring, my Bawnjer, ring CARTER, ERNEST, Thou lov’st me not. Medium CHADWICK, G. W., Hark! hark, my Soul. Sacred Song with Organ Acc. High or low —— Six Songs for M.-Sop. (or Bar.) (Euthanasia. The Aureole. Ad- vers i ty. The Wishing—stream. The Honeysuckle. The St'..nger- man) net ———- Three Songs for M.-Sop. (or Bar.): In my Beloved’s Eyes The Brink of Night Thou art to me COOMBS, C. W., The Gondolier. Ten. Db, Bar. Bb —— When the Birds go North again. Sop. (or Ten.) F, M.-Sop. (or Bar.) Eb DENZA, L., A Rose. High or low FREDIN, ALINE, Good Night. ' M.-Sop. (or Bar.) GETTY, ALICE, I have sought him thirty years. Medium $0-75 .60 .60 .50 -75 .60 .50 .25 .40 .40 .40 .60 '9 .60 '60 —Dorothy McGuinness. Medium .60 .40 .25 .40 I .50 .75 L00 .25 .60 .60 .60 .50 .50 .50 HOMER, SIDNEY, Four Songs. High or low: Baby's Outing Daybreak The Last Leaf The poor Man's Song — Three Songs. High or low: A Lake and a Fairy Boat Autumn It was the Time of Roses — Three Songs. High or low: A Woman's last Word My Star Prospice HUSS, HENRY HOLDEN, Home they brought her Warrior dead. Alto (or Bar.) IDLE, FRANK, Nearer, my God, to Thee. Sacred Song. Sop. (or Ten.) F, M.-Sop. (or Bar.) Eb MACK, ALBERT A., Three Songs for Medium Voice: One Summer Night (The Night- ingale) The Samisen The Hermit Thrush MADDEN, CLAUDE, Two Songs for M.-Sop. (or Bar.): A Lullaby When Love is done —— Meister Oluf. Ballade for Bar. MANCINELLI, LUIGI, Four Songs : Le Ondine (T/I!’ Zl[rr7)za1'r{.r) Arrullos. Cradle Song Berceuse. Bylow, Baby all Rosy Talisman MARKS, J. C., The Forsaken Maid. Medium MIERSCH, PAUL TH., Op. 28, M e e rt ra 11 m . (A Sea I)ream.) With Piano and Violin Obl. T Op. 29. Three Songs for Sop. (or Ten.): No. I. Marguerite “ 2. In some sad Hour “ 3. When Daylight breaks NEIDLINGER, W. H., Beloved. A Serenade. High or medium. With Acc. of Mandolin (or Violin) and Piano —— The Mercy-seat. Sacred Song for Low Voice, adapted to the Music of G. Verdi —0 Jesus, Thou art Standing. Sacred Song, adapted to the Mu- sic of Ch. Gounod. High or low —— The Rose in the Garden. High or low — They shall hunger no more. Sacred Song with Organ Acc. High or low NEVIN, ARTHUR, Auf Wieder— sehn. Sop. (or Ten.) Ab, M.-Sop. (or Bar.), F RAND, JOSEPHINE, Love’s Pass- ing. Low ROGERS, JAMES H., Two Songs for Medium Voice: La. Chanson de ma Mie. Song of my Dearest) Julia's Garden ( The .60 ~75 ’ .60 .60 .40 .50 3 .60 -75 -75 .60 -75 60 .60 -75 ~75 .50 .60 -75 .50 .60 .50 .40 .50 .50 SHELLEY, HARRY ROWE, The Name of our God. (Psalm of David LXXVI.) Sacred Song for Low Voice SPICKER, MAX, Why art thou cast down, 0 my Soul? Sacred Song. Sop. (or Ten.) Bbm., M.- gop. (or Bar.) Gm., Alto (or Bass) m. STEBBINS, G. WARING, When Love is Gone. Sop. (or Ten.) STERN, LEO, Coquette. Song. Sop. C Waltz . — A Little Thief. Sop. (or Ten.) F, M.-Sop. (or Bar.) Eb STRASENBURGH, EMILIE PUGHE, Sleepy-town. A Lul- laby. Medium WETZLER, H. H., Op. 3. Four Scottish Ballads for Baritone: No. I. Bannockburn “ 2. Killiekrankie “ 3. When I sleep I dream “ 4. Thejoyful Widower The same complete in I Volume WHITING, ARTHUR, Four Sa- cred Songs with Organ Acc. : Sweet Day. Sop. Still, still with Thee. Contralto God of the earnest Heart. Ten. When Winds are raging. Bass —— Musical Settings of the Rub.=’1i- yét (Fitzgerald's Version). Bar. net WILLEBY, CHARLES, I mind the Day. Sop. (or Ten.) Bb, M.- Sop. (or Bar.) A, Alto (or Bass) G Three Songs for Medium Voice: De ma Prison. (F7071; my P;'z'.r0n) En Avril. (In Aﬁril) L‘Heure Exquise. WOODMAN, R. HUNTINGTON, Three Sacred Songs for Low Voice with Organ Acc. : In Thee, O Lord Blessed is he Out of the Deep ?Flower Songs for Medium Voice: A Morning-glory Song The Pine: A slight Mistake The Forget-me-not The Seed’s Song ZERLETT, J. B., Two Songs for M.-Sop. (or Bar.): Op. 46. Dort auf dem Weg. (T/zere on tile Way) Op. 49. Rosetta’s Lied. setta’s Sang) (Ro- VOCAL DUETS WHITING, ARTHUR, Three Vocal Duets. Sop. and Ten., M.- Sop. and Bar. Complete Fair and Fair. (Peele) Love is Life’s End. (Spencer) Oh, there’s a. Heart for Every One. (Swain) : My Delight and thy Delight. Sop. and Ten. (T/ze flour) _ .60 -75 .40 -75 .50 .60 .50 .60 .40 .25 .40 .40 .60 .40 L00
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Date: 1915
Text: IUSIC LIIRAIY VASSAR C01,: “:7 bps-p_'. CARL FISCHER’S %’.Q\_# Octave Choruses , ‘ ”i+ for Male Voices _ V ‘ Series I MY SVVEETHEART HAS A GARDEN . . . . . . . . . . . . . . . . . . . . . . . . . . . .G. Baldamus FAl{E\VELL, I LOVE BUT THEE ALONE : . . . . . . . . . . . . . . . . . . . . . . . . .H. Schoene SOLDIEIVS FAREWELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Joh. Kinkel RING OUT (E.& G.) . . . . . . . . . . . . . . . . . . . . . . ....
Show moreIUSIC LIIRAIY VASSAR C01,: “:7 bps-p_'. CARL FISCHER’S %’.Q\_# Octave Choruses , ‘ ”i+ for Male Voices _ V ‘ Series I MY SVVEETHEART HAS A GARDEN . . . . . . . . . . . . . . . . . . . . . . . . . . . .G. Baldamus FAl{E\VELL, I LOVE BUT THEE ALONE : . . . . . . . . . . . . . . . . . . . . . . . . .H. Schoene SOLDIEIVS FAREWELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Joh. Kinkel RING OUT (E.& G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Rich. VVo1f STAR SPANGLED BANNER . . . . . . . . . . . . . . . . . . . . . . . . .American National Hymn MY OLD KENT UCKY HOME (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .St. Foster OLD FOLKS AT HOME (E. & G.) _ . . . . . . . . . . . . . . . . . . . . . .-St. Foster OLD BLACK JOE (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .St. Foster HOME, SVVEET HOME (E. & G.) . . . . . . . . . . . . . .A Bishop LULLABY (E. & G.) . . . . . . . . . . Brahms-Zander RECOGNITION OF LAND . . . . . . . . . .Ed. Grieg‘ OLD FLEMISH SONG (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ed. Kremser SHEPIIERD’S SUNDAY SONG (E._ & G.) . . . . . . .C. Krerubzer IIOME GREETINGS .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. Kromer FRATERNITY HYMN . . . . . . . . . . A. Mozart CALM IS THE LAKE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .H. Pfeil FESTIVAL—HYMN (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E. Reyl OH, MOTHER MINE (E. & G.) . . . . . . . . . . . . . . . . . . . . . . .Jac. Mendelsohn BOLD ROBIN HOOD (with Cornet acc.) . . . . . . . . . . . . . . . . . . . . . . . . . . .Ed. Severn HEARTS AND FLOVVERS (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . .Th. M. Tobani PILGRIMS CHORUS FROM “TANNHAUSER” (E. & G.) . . . . . . . .Rich. VVa.gner THE GUARD ON THE RHINE (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . .C Vvilhelm FROM YOUTH’S HAPPY DAY . . . . . . . . . . . . . . . . . . . . . . . . . , . . . . . . . . .Rob. Radecke THREE IN ALL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .'C. Bohm-Zander O THOU CLEAR SHINING HEAVEN . . . . . . . . . . . . . . . . . . . . .Fr. Silcher SOLDIER’S MARCHING SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .A. Methfessel IN M'AY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .A. Jiirgens THE BLUE BELLS OF SCOTLAND . . . .arr. by J. F. Hermann EVENING SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fr. Kuhlau THURINGIAN FOLK-SONG (Ho\v Can I Leave Theo) . . .a.rr. by J. F. Herman ROBIN ADAIR (Irish Melodic) . . . . . . . . . . . . . . . . . . . . . . . . . .arr. by J. F. Herman LONG LONG AGO (Iris11 Folk-Song) . . . . . . . . . . . . . . . . . . . .arr. by J. F. Herman MY HEART’S IN THE HIGHLANDS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Folk—Song' THE LASS O’GO\VRIE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..J. Dilrner SOLDIER’S MORNING SONG . . . . . . . . . . . . . . . . . . . . . . . . . . .arr. by J. F. Herman PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .C. M. v. VVeber, arr. by J. F. Hemnan FAITIIFU’ JOHNIE (Scotch Fo1k—Song) . . . . . . . . . . . . . . . . .arr. by J. F. Herman SPRINGTIME, THOU JOYOUS TIDE . . . . . . . . . . . . . . . . . . . . . . . .P. Eng'el~skirchen AN OLD GERMAN LOVE SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .G. Wohlgecmuth IT IS SUNDAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..S. Breu BY TIIE BROOK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .F. C‘. Lindlnr OLD GLORY . . . . . . . . .. 2‘. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .IIomer N. Bartlett I-IYMN T0 HYGEIA (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..John C. Hemmeter DEAREST FAREVVELL . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . .L11(1wig Hess SOLDIER’S SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ludwig Hess DIXIE’S LAND (Voice parts 25c.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Dan Ermmetti SERENADE: “STARS OF THE SUMMER NIGHT” . . . . . . . .. .Charles H. White BALLYMACLOE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Chas. Scott HUNTIN’ POSSUM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Claude \Va1‘f0rd YOU IS JES’ AS SVVEET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .HzLllett Gilberté THE OLD REFRAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fritz Kreisler TO A SKYLARK (with Bar.Solo) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Louis Victor Saar RONDEAU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...L0uis Victor Saar FAREVVELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lo11is ‘Victor Saar LITTLE SONG FOR TVVO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Louis Victor Saar KISSES KEPT ARE WASTED (with Bar. Solo) . . . . . . . . . . . . .Lo11is Victor Saar AUF \VIEDE.RS_EHN (Chorus and Solo Quartet) . . . . . . . . . . . . .Louis Victor Saar I \VAS A KING IN BABYLON.....................................Oeo1l Forayth ROMANY RYE (Gipsy Gentleman) . . . . . . . . . . . . . . . . . . . . . . . . . .Robert M. Crawford PRAYER OF THANKSGIVING. . . . . . . . . . .. . . . . . . .arr. by E. Kremser MY LAST CRUISE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mayhew L. Lake VAGABOND (Bar. ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ma.yhew L. Lake THERE \VAS A MAN IN OUR TOVVN . . . . . . . .. . . . . . . . . . . . .. ..Mayhew L. Lake CAT AND THE FIDDLE . . . . . . . . . . . . . . . . . . . . . . . . . . .May'hew L. Duke ’TWAS THE POOR OLD MAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mayhew L. Lake THERE'S A HOLE IN THE BOTTOM OF THE SEA . . . . . . . . .M‘ayhew L. Lake PETER, PETER, PUMPKIN EATER . . . . . '. . . . . . . . . . . . . . . . . . .Mayherw L. Lake LITTLE JACK HORNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mayhew L. Lake SIMPLE SIMON . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ma.yhew L. Lake OLD KING COLE .. .. .. .. .. .. . .. ......MayherwL.La.ke CARL FISCHER: ‘Inc. » Cooper Square NEW YORK BOSTON CHICAGO To the“Boston Séinger fest Club ” , Dr. John B LHa.wes 21.“? President N92056 SERENADES. Words -by S Music by LONGFELLOW . CHARLES A, WHITE Moderate gr aziosamente ’ Stars of the sum-mer night, Far ldowpnyonv az - ure deeps, Wind of the sum —-mer night, Where yon-der wood-bine creeps, 7'22‘. molto, Hide, hide your -gol _- den light, She sleeps, .my_l_a‘— _dy isleepsi. Fold’, fold thy pin — ions light, She sleeps, my la 4 dy sleeps. a tempo J>J*‘\ Moon of the sum - mer night, Far downyon West - ern steeps Dreams of the sum — mer night, Tell her her lov - er keeps Mt. 6' dim. espressivo ‘“” —+re~* I I |. ﬂ 4.1] I VI V I '. Sink, sink in sil - ver light, She sleepsa——— my Watchwhile in slum — ber light, ' She s1eeps,__ ‘ f.‘\ sleeps. my sleeps. 1 1 Copyright MCMXV by Cerl Fislcher Boston &New York International Copyright Secured 5101 5102 5103 5104 5105 5106 5107 5108 5109 5110 5111 5112 5113 5114 5115 5116 5117 5118 5119 5120 5121 5122 5123 5124 5125 5126 5127 5128 5129 5130 5131 5132 5133 5134 5135 CHORAL ADAPTATIONS ————AND—— ARRANGEMENTS BY LOUIS VICTOR SAAR MOZART, w. A., U H SCHUBERT, MENDELSSOHN, FEL., PERGOLESE, G. P., WEBER, C. M. von, SCHUMANN, ROB., FRANZ, ROB., JENSEN, AD., RUBINSTEIN, ANT., KREMSER, ED., REINTHALER, C,, OLD WELSH AIR, STRAUSS, RICH., BRAHMS, JOH., RADECKE, ROB., GRIEG, EDV., KROMER, C., RAMEAU, J. PI-1., TAUBERT, W., SACCHINI, A. M. G., WAGNER, RICH., LEROUX, X., TSCHAIKOWSKY, P., WECKERLIN, J. B., (6 H GOUNOD-BACH, MENDELSSOHN, FEL., KREMSER, ED., GRAUN, K. H., OLD FRENCH AIR, (T) BOSTON FOR WOMEN’S VOICES PRICE NET “Hymn to the Sun.” For Soprano Solo, 3 part Chorus and Piano (or Orchestra) “Hear Us, 0 Lord.” (Splendente te, Deus.) For 3 part Chorus and piano (or Orchestra) “Angel’s Chorus from Goethe’s Faust,” a—capella “Miriam’s Song of Triumph.” For Soprano or Tenor Solo, 3 part Chorus and Piano (or Orchestra) “God in Nature.” For 3 part Chorus with Piano .................................. .. “The 23rd Psalm.” “God Is My Shepherd.” For 3 part Chorus with Piano “Hear My Prayer.” Organ (or Piano) “Nina.” For Soprano (or Tenor) Solo, 3 part Chorus and Piano “To-night.” For 3 part Chorus and Piano ....................................................... .. “The Dreaming Lake.” For 4« part Chorus ................................................. .. “To Music.” (In Dreamland.) For 4 part Chorus and Piano .... .. “Murmuring Zephyrs.” For 3 part Chorus and Piano ..................... .. “Dew In Spring.” For 3 part Chorus and Piano .. “Old Flemish Folksong.” For 4« part Chorus .............................................. .. “The Belfry Warden’s' Daughter.” For Soprano Solo, 3 part Chorus and Piano “All Through the Night.” For 3 part Chorus and Piano ..................... .. “Serenade.” (Stiindchen.) For 3 part Chorus and Piano .. “The Little Dustman.” For 3 part Chorus and Piano ...... .. “Lullaby_” For 3 part Chorus and Piano ............................... .. “From Youth’s Happy Days.” For 4« part Chorus “In the Boat.” For 3 part Chorus and Piano .............................................. .. “Home Greetings.” For 3 part Chorus (with Mezzo—Soprano Solo and Piano) “Hymn to Poseidon.” (Solo and Chorus) .......................................................... .. “Cradle—Song” (with Piano or Orchestra) “Chorus of the Druids,” from the Opera “Evelina” (with Piano or Orchestra) “Dreams” (with Piano and Violin Obbligato) .............................................. .. “The Nile” (with Soprano Solo, Violin Obbligato and Piano or Orchestra “A Message.” “Maiden Remember, “from “Bergerettes.” (with Soprano Solo and Piano) “Menuet d’Exaudet,” from “Bergerettes.” For 3 part Chorus (with String Orchestra accompaniment or Piano) ............................ .. Orchestra parts in manuscript. “Ave Maria” (Meditation.) For Children’s and VVom en’s Chorus, Soprano and Alto Solo, Violin Obbligato and Piano or Organ (or String Orchestra and Organ) V “An Old Romance.” For 4« part Chorus ............................................................. .. “Night—Greeting.” For Soprano or Tenor Solo, 3 part Chorus (with Piano) “Let Us Rejoice, All Ye Faithful,” From the Death of Jeans. For 3 part Chorus and Piano (or String Orchestra and Organ) “Cest Mon Ami.” For 3 part Chorus and Piano ....................................... .. For 4« part Chorus Hymn for Soprano Solo, 3 part Chorus and For 3 part Chorus and Piano .............................................. .. For 3 p-art Chorus FISCI-IE, lnc., NEW Y0 COOPER SQUARE Pmwrnn m U. s. A. $ .20 CHICAGO
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Date: 1913
Text: FOR MEDIUM VOICE AND PIANO SET BY TO l1"()RDS BY H. W. LONGFELLOW BOSTON, MASS. NEW YORK : G. SCI-IIRMER, INC. HUIIC LIIIIRY VASSAR COLLEGE Serenade HENRY W. LONGFELLOW E’a’2’ten,’ 42/ [Iago [lies Vivo e leggiero Voice 001 Pedale Allegro moderate “[7 Stars of the sum - mer b night, Far ﬂ0(/'0 6‘7'6.S'6. deeps, Hide, hide your gold - en 10060 6‘7‘6S6. RM. Cm 3634 001223/rz'g'/z‘zj 191.5’, 53/ 17/9 Boslon Jllusic 00. in your light 1, a I7 fall a fempo s1eeps,__ she...
Show moreFOR MEDIUM VOICE AND PIANO SET BY TO l1"()RDS BY H. W. LONGFELLOW BOSTON, MASS. NEW YORK : G. SCI-IIRMER, INC. HUIIC LIIIIRY VASSAR COLLEGE Serenade HENRY W. LONGFELLOW E’a’2’ten,’ 42/ [Iago [lies Vivo e leggiero Voice 001 Pedale Allegro moderate “[7 Stars of the sum - mer b night, Far ﬂ0(/'0 6‘7'6.S'6. deeps, Hide, hide your gold - en 10060 6‘7‘6S6. RM. Cm 3634 001223/rz'g'/z‘zj 191.5’, 53/ 17/9 Boslon Jllusic 00. in your light 1, a I7 fall a fempo s1eeps,__ she sleeps, my_1a - dy sleeps! ll mézgfempo Stars of the sum - mer night,‘ Far in your a - zure a fempo I7 mollo creso. '/‘pow Zemco deeps,___.__._j__ Hide, hide your gold - en__ [2000 lento molio cresc. f at fempo s1eeps,_ sleeps, my__ la -' dy sleeps! afempo B.M.'C0. 3634 m]; L i of the sum - mer b Moon night 17000 oresc. deeps, Sink, sink in sil - [2000 cresc. ‘/ sleeps, my__ la - dy B. M. C0. 3634 Far down your west - ern-~ ver 1ightI_ a fempo sleeps. Moon of the sum - mer night, Far down your west — ern_ b a fempd molto oreso. fﬂoco lento deeps,____+________ Sink, sink in si1- ver_ 1ight!__ 37000 [(27210 mollo crass. s1eeps,_ sleeps, my__ Ia - dy sleeps! an fempo B.M. C0. 3634 mp Dreams of the sum I118!" b [2000 creso. keeps ﬂ000 07380. sleeps ,- B. M. C0. 36 34 night, Tell her, her lov - er_ Watch, while in ‘slurn - bers light'_ a tempo sleeps, my. la - dy sleeps! a tempo mid) fempo l'I1€I'_ b Dreams of the sum - night, a fempo fpoco lento dim. Watch, While in s1um- bers 12000 Zem‘0 mo! 10 crew. “ma; she s1eeps,m)L la — dy sleeps! rail ("T jmmll. morendo ii - B.M.Co. 3634 Tell her, her lov - €I'__. IJ . Com;lete Copies may be had at any Music Shop, or from the Publishers N, MASS. THE BOSTON MUSIC COMPANY 26 & 23 WEST ST. 0 Kiss Divine Price '50 Absence P 11°" -50 W- Ffaﬂke Harling H. A.Benedict W. Franke Harling i°“at° OP‘ 14’ N9 10 Moderate sempre 01114, N911 Voice ' If on - ly you were here Piano _ eyes to trace your dream-yeyes down look-ing on my face, - ling dew up - all my Soul with S“ ' Per - Withtheirhalfveillhhalfsmillng tenderness, Ofirst andbestanddearesgcanyouguess C’op_2/rig/zz‘, 1912, by The Boston Music 00. 0o1;y9'z;.g/22‘, 1.912) by 1726 Boston Jllusic 00. For all countries For all countries Lovers Answer Price .50 Yvonne Price .40 W“ (1870) W- F1'a“ke Haﬂing Bliss Carman W. Franke Harling Moderate 09'”? N9 8 Movimento grave e sosten 0 Voice thoughts havebeenwithyou the Three things there be in this world, - my be- lov - ed, did you know? vonne; And what do you guess they mean? The stat-ble 1and,and the 1 m BS (calm 1/oce) K3 went flying to you in asong, be—10v-ed, didyou hear? ‘ And the tide that hangs be - tween. Uoguyﬁg/zt, 1.912, By T/‘ze Boston Jiusic 00. For all countries XCH Cojzyﬂg/zz‘,1.9§‘2, by Z’/ze Boston ]l{u.s-2'0 00. or all countries S in the selection of choice Repertory Numbers and Teaching Songs, we suggest referance to The B. M. Co. Thematic lists (Handbooks NQS 3, 5 8: 7;’ Directory N9 2); list of Ethelbert Nevin’s Compositions, and The B.M.CO., Catalog,with latest Supplement.(Any or all of these lists sent gratis upon appli- cation.) ‘‘ /
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Date: 1903
Text: Percy Leo Atherton Four Songs Op. 20 l. In (EdoL1;«.rdPuillcron.) C1‘a(llC .SOIlg. (Thomas Bailey Aldrich.) Serenadfﬁ. (Henry Wadsworth Longfellow.) Fly, ll1lSllC—ClOWn, (Richard Watson Gilder.) THE BOSTON MUSIC C0. G. SCHIRMER, Jr. BOSTON. MASS, Copyriglit, 1905, by (L .‘€cu1[eM1<:R,_lr., for all countries. Sole Agents for Great Britain CHARLES WOOL}-l()USE, London. uuuc unmnv VASSAR COLLEGE SERENADE. Stars of the summer night, Far, far in yon azure deeps Hide, hide your golden, golden...
Show morePercy Leo Atherton Four Songs Op. 20 l. In (EdoL1;«.rdPuillcron.) C1‘a(llC .SOIlg. (Thomas Bailey Aldrich.) Serenadfﬁ. (Henry Wadsworth Longfellow.) Fly, ll1lSllC—ClOWn, (Richard Watson Gilder.) THE BOSTON MUSIC C0. G. SCHIRMER, Jr. BOSTON. MASS, Copyriglit, 1905, by (L .‘€cu1[eM1<:R,_lr., for all countries. Sole Agents for Great Britain CHARLES WOOL}-l()USE, London. uuuc unmnv VASSAR COLLEGE SERENADE. Stars of the summer night, Far, far in yon azure deeps Hide, hide your golden, golden light, Hide, hide your golden light ! She sleeps! my lady sleeps! Moon of the summer night, Far, far down yon western steeps, Sink, sink in silver, silver light, Sink, sink in silver light! She sleeps! my lady sleeps! Wind of the summer night, Where yonder woodbine creeps, Fold, fold thy pinions light, Fold, fold thy pinions light! She sleeps! my lady sleeps! Dreams of the summer night, Tell her, tell her her lover keeps watch, Keeps watch while she sleeps in slumbers light, Keeps watch while in slumbers light she sleeps! My lady sleeps! .Walter Raymond Spalding. Serenade. Words by _ _ Music by Henry Wadsworth Longfellow C _ Percy Lee Aiherfon. 0p.20, N9 3. In dreamy ecstacey. /,(,(1.(, N-,;_ >- . poco mt. ’.___T;——‘T———— 3%-/T’ a tempo Stars of the sum—rner night! Moon ' of the sum—mer night! 1) a tempo Far, far- in you 2 ‘ / hide, hide your gol M en, Far, far_d0wny0n Sink, sink in sii — ver, {'5 C0/>yr.€gIzt, l.’»':/H, by G.Sc/air/iwr, Jr. 3‘ Mr. C9 838 For all countries. gol — den light‘. Hide, hide your gol - den 1ght!She sTeeps!My sil — ver 1ight!____ Sink, sink in sil - ver 1ight!She s1eeps!My Wind f the sum-mer /‘#-T B.,M.C983.~z Where yonder W00d—bine creeps,___ Fold, fold thy pin— ous If?-—~,V“*”‘: y pin— ions sleeps! hi??? 3?? M2‘. (.3. fey//55,10 f"""_'""l Dreams of the sum—mer night ‘/If:/’77?[)0 E E K} ' B.M.CQ 838 ‘Tr? /£311 her, ell er er 10v — er keeps watch! Keeps Watch While ‘S e sleeps 11 '3' " r_T>’_1' slum - be/rs 1ight____ Keeps watch while in s1um—bers light she..s:1eeps,My sleeps ! .;_____________ Sleeps?! e.x'///'g.9.s'7s'z)c* 8 " F. ‘B.M.C9 838 FOUR SON-GS FROM “AN APRIL HEART” (SONG CYCLE) BY H.CLOUGH-LEIGHTER OP.24. A fascinating and ingenious. Cycle of six songs. (Pr.n. 1.25) Complete copy may be had at any Music Shop or from thePublisher G". SCHIRMER, J r. THE BOSTON MUSIC COMPANY . BOSTON, MASS . — “A little Maiden Loves a Boy.” L CHARLES HANSON -IOWNE. All tto }{.CI.0UGH- LEIGHTER, 0p.2~l, No.2. condo. J: 96. "if Daytime, playtime, Maytime, Maytime, All the world is white for me! BE 3 p.________, rall . a ’Tis a fay-’timc,fay-time, It is never night for (‘l ma- gic Ema?’ Dw/die Copyright ‘[902 by G.Schirmer,_]r. “The Magic of the Spring. ” CHARLES HANSON TOWNE. H. CI.0UGH— LEicinEn,op.24, No.5. Poco allegro,con ferinezza.,\J = 34. O > 3 For all countries. Now who can faith- om this, The '2‘ ma-gic of the Spring? And ‘Bab. who can tell one glad bird can make the whole world sing? {T ' 7 . 2 6 \/ Ah, me, ,,.._we cannot measure ,.:t\ _ mezzo mosso m1z»y___ 7 .t\, . . .1 D . * 1902 by G. Schirmer, Jr. -- For all countrje5_ THE S|NGER’S GUIDE. VI “The World is Full of April.” CHARLES HANSON TOWNE. H»‘.CL0li'GH- LEIGHTER, Op. 24, No. 3. The world "sf are one long drt-am,,.,.. earth is wild _ animandosi The woods with mu - cic en ture , can Copyright 1902 by G.Schirmer,_]r. “ You and I and April.” H. CLOUGH- LEIGHTER ,op.24,No.s. : 88 . For all countries . CHARLES HANSON rowmz. Allegretto eon auiina. grazia You and I make perfect All our days, dear You and l shut Letting in the out the dark P /M =x<€r:*eo * Copyright 1902 by G.Sr.hirmer,]r. For all countries. An attraotive booklet, containing a. graded and classified list of recent p11blir.;;:,’r,i<)i1s . useful alike to tea.ohers,protess1onzLls and zxiiiateurs. Qent to miyztddi'ess Iree ot ciiarge .
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Date: n.d.
Text: '73? L ‘56 vi 3 3°‘ “' LONDON: . f",»,"._.‘v"' .‘ _ ‘F oL§ NWELW’ E-MR & G DEDICATED TO ':‘LfEg:;_, BRARY, ‘1m§é§g‘;m; Zéiia, W. M R? 8ARToR1s- lM)DL10IL, BOOS EY & C‘? 295, REGE NT STREET.W, MUSIC LIBRARY A; VASSAR COLLEGE’! SEA-WEED. WORDS BY LONGFELLOW. V MUSIC BY D O LORES . JVIODERATO. When descends on the At _ _ Ian- _ tic r~>~/ -/ _ gan _ tic storn1—wi11d of.... the E _ _ _ _ qui -nox, /""‘ ET qgg Landward in his Wrath he scourges...
Show more'73? L ‘56 vi 3 3°‘ “' LONDON: . f",»,"._.‘v"' .‘ _ ‘F oL§ NWELW’ E-MR & G DEDICATED TO ':‘LfEg:;_, BRARY, ‘1m§é§g‘;m; Zéiia, W. M R? 8ARToR1s- lM)DL10IL, BOOS EY & C‘? 295, REGE NT STREET.W, MUSIC LIBRARY A; VASSAR COLLEGE’! SEA-WEED. WORDS BY LONGFELLOW. V MUSIC BY D O LORES . JVIODERATO. When descends on the At _ _ Ian- _ tic r~>~/ -/ _ gan _ tic storn1—wi11d of.... the E _ _ _ _ qui -nox, /""‘ ET qgg Landward in his Wrath he scourges The toiling sur_ges, Laden with L___,2g___2./ sea- _weed from the rocks _ Ever drift - ing, _/_/ drift _ _ ing, _ (M-m__ shift _ _ing cur _ _ _rents of the rest _ _ _ lesis Seaweed . Till in sheltered coves, and reaches of salﬁy beaches; All have Pd ;_.—/ found re _pose a _ gain. So, when storms of wild e _ motion Strike the F’ / | J ’ o_cean of the po - _ _et’s soul, ere long v Sea-weed . each cave and rock - y fast- _11ess, vastness, Floats. some frag- - _ /,9 _/ ad lib: s Ev_ er drift _ _ ~_ Ving, dfift - - - ing, d/&.m_ _ drift - _ing Fina-weed . shift- _i11g cur- _ _rents of the rest- - - less heart; Tranquillmnente e pin lento, Till at length in books re-c0rd_ed, They, like ho_ard_ed Household ui ..—.... -9- .- e mu: Sea-weed; soossvja cogs NEW,P = A complete cclilimz, with English and Italian words, price 33. (id. The separate Songs, «Sc, with English words, price 2.9. each, nctt. THE PORTER OF HAVRE. New Opera by C-AGNDNI, founded on the original French Play from which the celebrated drama “ The Poi-ter’s Knot” was taken. Performed at the Princess’s Theatre by the Carl Rosa Company. THE ROYAL EDITION OF ENGLISH OPERAS. BO'liEMIAN cum. 2/c paper; 4/- cloth. *SATANELLA. 2/6 paper; 4/- cloth. smen or ROCHELLE. 3,-6 paper; 5/-gem LILY or KILLARNEY. 2/Gpaper; 4/-cloth. In the Press. In one vol.,pr1Ice 53., cloth ; or, szparatelg, 1.9. each. ROYAL EDITION OF I BALLAD OPERAS. Containing Dialogue, Stage Directions, &c., complete :- ' LOVE IN A VILLAGE. THE BEGGAR’S OPERA. ROSINA. NO SONG, N0 SUPPER. Edited by JOHN Oxnunoma and J. L. Huron. “ Should be in the hands of the amateurs of tlie period seeking for a genuine air to sing."——Alhe'neum. “Should ﬁnd an honoiucd place in every library. It is a pleasure to meet the sterling old melodies after the surfeit of thin, tuneless compositions of which opera-bonffes are made up.”—-—Gmphz'c. _ . Price 1.9. each. v BOOSEY’S CABINET OPERAS FOR PIANOFORTE SOLO. Ballo in Maschera. Figaro. Martha. ﬂax-biere di Siviglia. Figlia del Reggimento. Masaniello. Brigands. Fille do Madame Angot. Norma. Cent Vierges. Flauto Magico. Perichole. Crispino e la Comare. Fra. Diavolo. Princesse de Trebizonde. Dame Blanche. Freischiitz. Ri oletto. Diamans de la Couronne. Genevieve do Brabant. R0 ert lo Diable. Domino N oir. Grands Duchesse. Satanella. Don Pasquale. Guillaume Tell. Semiramide. Don Juan. Jolie Parfumeuse. Sonnambula. Illlrnani. Lucia di Lammermoor. Traviata. Favorite. Lucrezia Borgia. T1-ovatore. Fidelio. Zampa. _ Double Volumes, f97‘iC‘8 23. each. . Dmorah. I Huguenots. | Lohengiin. | Tannhaiiser. I Vepres Siciliennes. Price 23. 6d. paper covers, 43. clzlth, gilt edges. CHOICE DUETS FOR LADIES’ VOICES. Edited by RANDEGGER. A Collection of Twenty-loixr duets for Ladies’ Voices, with English words, including compositions by—— Handel. Bishop. Sullivan. Rossini. Haydn. Balfe. Jackson. Gabussi. Mendelssohn. Clan. Panofka. Horn. Gordigiani, This collection, which contains duets dc salon only, and neither extracts from oratorios nor operas, will have a special value to amateurs, who will ﬁnd considerable assistance in the directions concerning breathing and ea-press2'on. These have been carefully marked throughout, with the view of ensuring correctness of phrasing, and facilitating an eﬂicient interpretation of the n1usic.~—~“ The Royal Edition.” Campana. Kucken. Price 93. 6d. each, paper: 48. cloth, gilt edges. THE ROYAL SONG BOOKS. THE SONGS OF ENGLAND. Edited by J. L. HATTON. 100 Songs. THE SONGS OF SCOTLAND.‘ Edited by Bnowu & PITTMAN. _15O Songs. THE SONGS OF IRELAND. Edited by MoLLoY. 100 Songs, including the best of Moore’s Melodies. _ THE SONGS OF WALES. Edited by BRINLEY Rxcnanns. 62 Songs, Wltll Welsh ‘ and English Words 'MENDELSSOIIN’S 60 SONGS and DUETS, with German and English Words. SCHUMANNS 75 SONGS, with German and En lish Words. SACRED SONGS, ANCIENT and MODERN. dited by JOHN IIILES. IOO Songs. HUMOROUS SONGS. Edited by J. L. HATTON. 71 new and old Comic Songs suitable for the drawing-room. ‘Kr-entzer’s Forty-ﬁve Studies, ls. (id. I _, lVith Fifteen Illustmtlzms, price 2.51. 6d. LlLLIE’S FIRST MUSIC BOOK. ,’ ‘ ’xty-four Pages. Music size, “‘ The most adnnmble Tutor extant for the I’ianoforte.”-—»Somersel Herald. Also, in continuation of the above, price 13.. full music size. BILLIE S PICTURE MUSIC. No. 1, Sacred; No. 2, Secular; each containing four pieces, with four illustrations. ' Be(lutz'full_y illuslmterl in colours, price 13. LlLLlE’S SONG BOOK. Containing 50 nursery and youthful songs, with Pianoforte Accompaniment. Price 1.9, each. PIANOFORTE NUMBERS OF BOOSEY’S MUSICAL CABINET. 171. C}lOPIN’S NOCTURNES. Complete. 3 ' 165. TEN CLASSICAL PIECES, including, IIiller“s Guitarre, Hensolt’s Berceuse, and a Love Song, Rubonstein's Barcarolle, Von Bulow’s Carnival of Milan, Les Deux , Allouettes, Raﬂ"s Abend, Grluck’s Gnvotte, The Harmonious Blacksmith, &c. 166. TEN POPULAR PIECES, including the Golden Waves, Ghys’ Air of Louis XIII, .‘ Voix du Ciel, La Zephyr, and Wollenhaupt’s Styrienne, Caprice Arien, Gazelle. and Scherzo Brillante, &c. I . 79. TEN DRAWING—ROOM PIECES g2nd selection), including The Shephei-d’s Song, ‘ Die Lauterbacherin, Perles et Dlamans, Il Corricolo, Le Crepuscule, J o pense ; fa. toi, Dors mon enfant, May ﬂowers, and Ella. 87. LEYBACIPS Sonnambula, Puritani, Theme Allemande, Second Reverie and two 1‘ other pieces. Illustrated in colours, price 18. each. DANCE NUMBERS OF BOOSEY’S MUSICAL CABINET. 167. STRAUSS’ “ WEINER BLUT,” “ DOCTRINEN,” “ WEIN, WEIB UND GESANG,’ “BALL PROMESSEN,” “LILIEN KRANZE,” & “FESCHE GEISTER” Waltzes. 157. STRAUSS’ “THOUSAND & ONE NIGHTS,” “TELEGRAM,” and four other Waltzes. v 101. STRAUSS’ “BEAUTIFUL DANUBE,” “ GOOD OLD TIMES,” “ WIENER KIN DER,” and three other Waltzes. 155. GUNGL’S “ DREAM OF THE OCEAN,” “ PETERHOFF,” and four other Waltzes. 164. CHRISTMAS NUMBER, 1874~5, containing the “ MADAME ANGOT” and other Dance Music. , Price 13. each. NEW VOCAL NUMBERS OF BOOSEY’S MUSICAL CABINET. 170. Ten New Ballads, sung by Santley. I63. Twelve Ballads by Alfred S. Gatty. 169. Ten Songs by Virginia Gabriel. I62. Twelve Songs by Oﬂenbach. 168. Ten Songs by Arthur Sullivan. 158. Twelve Ballads by Claribel. Illustrated in colours, price 18. BOOSEY’S CHRISTMAS ANNUAL FOR 1875-6. , Containing the Manola and Vergissmcinniclrt Waltzes, Polly Waltz, Perichole and Indigo ‘ Quadrilles, Godfrey’s New Opera-Bouife Lancers, and a new Polka and Galop. , Price 78. 6d., clclh. DR. SPARK'S HANDY—BOOK FOR THE’ ORGAN. NEW ORGAN TU TOR. Containing complete Instructions for the Use of the Manuals and Pedals, with 150 ‘ various examples by the best Composers for the Organ. “ Dr. Spark has supplied a real want. He has compiled an excellent Manual of Instruction for the Organ, by the use of which many of the faults of other bad systems may be avoided. Young Orgamsts can hate no better tutor than Dr. Spa.rk.~Nettz'ug- ham Gbmrclian. “ A more thorough and complete Organ Tutor than this we have never seen. Every point of diﬂlculty in the study of the instrument is fully elucidated, and the treatment ' of all parts and peculiarities is exhaustively dealt with. Let every one who would learn tlgeplay the Organ well, obtain and study Dr. Spark’s Handy-Book.—Erlz'nImrgn Daily mew. BOOSEY’S STANDARD WORKSTMFOR VIOLIN. Twenty-ﬁve Duets for Two Violins, ls. Gd. Ten Standard Overtures, ls. 6d. , Fourteen Airs with Variations, ls. Ries’ Fifty Fingered Exercises, ls. (id, De Beriot’s Ten Studies or Caprices, ls. Rode’s Twenty-live Capt-ices, 1s. 6d. Fiorillo’s Thirty—six Caprices, Is. Gd. De Be1'iot’s Seven Airs, ls. One Hundred Exercises 8: Studies, 1s.6d. THE NEVVElSTp SONGS. Price 25. each, nctt. ' F. H. COWEN’S BEST SONGS. ALMOST. Ab &BO. Sung byMdme.I’atey. IT WAS A DREAM. C. & E. Sung by AUBADE. D &E. Sung byMr. Sims Reeves. Mdlle. Titiens. SPINNING. D & E. Sung by Madame MARGUERITE. B & C. Sung by Mdme. Sherrington. Trebelh. IF EVERY LUTE ON EARTH WERE MUTE. Sung by Mr. Santley. Price 28. each, nett. SANTLEY’S POPULAR SONGS. THE VAGABOND. E&G. Molloy. TI-IE YEOMAN’S WEDDING. G 8: B. Poniatowski. POLLY. Molloy. FAIR IS MY LOVE. U & Eb. Hatton. Price fls. cach, matt. ARTHUR SULLIVAN’S LAST SONGS. LET ME DREAM AGAIN. 0, D7, 8.: E. Sung by llladame Christine Nilsson LOVE LAID HIS SLEEPLESS HEAD. D & Sung by Edward Lloyd “A ge1n.”——Scot.s7mm. MARY MORISON. G & Btu Sung by Sims Reeves. “ A perfect composition.”—News of the TVo7-Id. LIVING POEMS. E7 & F. Sung by Miss E. Wynne about 30 times with the greatest . success. “ Characteiised by the rarest grace and sympathy.”—— Observer. SLEEP, MY LOVE, SLEEP. D & F. Sung by Madame Patey. LoNI:>o:I.\T: BOOSEY & 00.. Price Is. 6cl., nett. LECOCQ’S NEW ‘SONG. LETTER FROM COUSIN MARY TO COUSIN FRED. Tliewords from the French A by JOHN Oxnmronn, the music by CHARLES LEO-OCQ. This witty and amusing ? song has been sung in all the principal theatres of France with the greatest success. Price 23. each, nclf. A. S. GATTY’S POPULAR BALLADS. All suited for Ladies’ Voices. Stung by Miss Edith Wynne, Miss Antoinette Sterling. and I\’I£1(l2ll1lC Patey. “Very pleasing Songs. It may be that public fazgour will exalt their composer . once to the level of Claribel.”——Br2:ghtzm. Gazette. ONE MORNING, OH I SO EARLY. A SIB THE HAY IS I’ THE MO\V. THE OLD, SIVEET STORY» ONE HAPPY YEAR AGO ROTIIESAY BAY. DEFTON -WOODS. APART. FORGET-ME-NOT THE GOLDEN SHORE. OUT OF THE! DEPTHS (a song for the times, dedicated to Mr. Plimsoll). 4s. THE DEPARTURE. Price 23. each, nétt. HAMILTON AlDE’S CHARMING SONGS. . LET ME DREAM OF HAPPY DAYS. Sung by Miss Madge Robertson in “ A Nine Days’ Woude1'.” ‘ JENNY IN THE ORCHARD. REMEMBER OR FORGET. Twentieth Edition. BROWN EYES OR BLUE EYES. Fourth Edition. THE FISHER. D & F. Sixth Edition. ' SPANISH BOAT-SONG. ED & G. Third Edition. 295. ‘I’ STREET, W.
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Date: 1913
Text: MUSIC LIBRARY vAssAn COLLEGE Bani-_pnop-s.-_‘. . . . 9. SONGS VERNON SPENCER Thou art so like a ﬂower ( Du bist wie cine Blume) 5 The Sea hath its pearls (Das Meer hat seine Perlen) 5 Out there the dune 5 In the home town (In der Vaterstadt) 6 Summermght (Gefunden) 6 At the cradle (An der Wiege) 6 Night gossip (Nachtgeschwiitz) 4 Consolation ( Trost) 5 Good night (Cute Nacht) 5 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON The sea hath its pearls, The heaven hath its stars But my heart,...
Show moreMUSIC LIBRARY vAssAn COLLEGE Bani-_pnop-s.-_‘. . . . 9. SONGS VERNON SPENCER Thou art so like a ﬂower ( Du bist wie cine Blume) 5 The Sea hath its pearls (Das Meer hat seine Perlen) 5 Out there the dune 5 In the home town (In der Vaterstadt) 6 Summermght (Gefunden) 6 At the cradle (An der Wiege) 6 Night gossip (Nachtgeschwiitz) 4 Consolation ( Trost) 5 Good night (Cute Nacht) 5 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON The sea hath its pearls, The heaven hath its stars But my heart, my heart hath its love. Great is the sea and the heaven Yet greater i_s my heart, And fairer than pearls and stars Flashes and beams my love. Thou little youthful maiden Come unto my great heart; My heart and the sea and the heaven Are melting away with love. Ilenry Wizdsworm Iongfe//ow Das Meer hat seine Perlen, Der Himmel seine Sterne Aber mein Herz hat seine Liebe. Gross is das Meer und der Himmel Doch griisser ist mein Herz, Und schoner als Himmel und Sterne Leuchtet und strahlt meine Liebe. Du kleines junges Méidchen Komm an mein grosses Herz; Mein Herz und das Meer und der Himmel Vergehen vor lauter Liebe. ﬁ’ez'm-2'0/c Heine The Sea. its pearls (Das Meer hat seine Perlen) English Words by LONGFELLOW ’ VERNON SPENCER German words éy HEIZVE ‘ J:56 The sea V hath its pearls, The heav - en hath its Dds ./lleer ﬁaz‘ sez'- ne J’cr- 1672, Der I{z‘m - me! .s'ez'- me 19 legato ___.._jl mezzo voce ma can fervore heart, my he hath its love. Hem /ml 562' - me la‘ - 53. Great is the sea and the Gross 1'32‘ dds Meer mm’ der flargamente ’ ﬂcon vigore h >- Copyright MCMXIII by The John Church Company International Copyright heav - en ' heart, And Ham — me! Herzl Una’ >> fair- er than pearls__ and stars____ Flash - es and beams scﬁbl mar als 1[z'm- me! mm’ Star - ne [euc/E- fee‘ mm’ sfraﬁlt Inez’-rze >>- > > >- foon e.mZz‘azz'o7ze acce/. - tle youth—ful maid - en — 726.5‘ jam — gas jllzia’ - Mm >>>>'>> fcon fem/are Come Komm B‘. rzf emy 78 un - to my great an mam gros — .963 (1 scz'o/to heart and the sea [1672 mm’ dds ./Ileer > 2'72 ca/zamio } L melt - ing ge/V73 en Are. me! Ver - g‘ V 8672261 Mi.
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Date: 1908
Text: P EARLS LGW VOICE Muslc BY uow HENRY BUR CARL F|SCHER LONDON’ rams LBIPZIG V_ uusnc uannnv VASSAR COLLEGE “The Sea Hath Its Pearls” (Heine -Longfellow.) Moderato. V its pear1s,..__ my heart,__ HENRY BURCK. P the heaiv - en hath its stars, (1 but my .._.:TV 377: my heart hath its ‘love. Uopyﬂglzt MUMVIII by Carl Fz'sclze1; New York. 12244 - 3 International Copyright Secured. [7 molto tmnqzﬂllo mf Great are the sea and the heaV— ens yet great — er my 2’ molto t'ramqm'llo p and...
Show moreP EARLS LGW VOICE Muslc BY uow HENRY BUR CARL F|SCHER LONDON’ rams LBIPZIG V_ uusnc uannnv VASSAR COLLEGE “The Sea Hath Its Pearls” (Heine -Longfellow.) Moderato. V its pear1s,..__ my heart,__ HENRY BURCK. P the heaiv - en hath its stars, (1 but my .._.:TV 377: my heart hath its ‘love. Uopyﬂglzt MUMVIII by Carl Fz'sclze1; New York. 12244 - 3 International Copyright Secured. [7 molto tmnqzﬂllo mf Great are the sea and the heaV— ens yet great — er my 2’ molto t'ramqm'llo p and fair -’ er than pearls and stars . "f 17> flash-es and beams my love. Thou 1it—t1e youth—fu1 mai — den /‘\ > > > _._“‘_?;:=- >/\ .F‘i‘.tE/we poco animando f c/resc. ed accelemndo P 712 come un—to my_ great heart,___ my heart_ and the sea, f 1...}. }9 Mesa. ed accelenmdo poo-0 ammando broader f _ heart____ and the : and the heav — ens are melt - i_ng, broader If ﬂ‘ pescmte melt-ing a - Way,__ with love.
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Date: n.d.
Text: 3//_”/Z/f ﬁn/t . J34» .3415 . LON D O N: SINCLAIR «:90 09 4-0, GT MARL§OROUGH STREET. W. A750, 773' Z7Le Janie: /foznpziye/~. IONCE HAD A SWEET LITTLE DoLL,_3/4 TELL ME,THE SUMMER S'rARs,._8/=* - THE NIGHT us wn.o ~.-L_s/ 0 WHY I-{ARK WITH PLEASURE, 3/— = osornv SLEEP MY BONNIE amnn, 3/9 one L!TTLE YEAR AG-O 3/= THE MIDNIGHT WIND. _____.___a; :1’ WAS THE TIME OF ROSES,WazZﬂz«cL3>/= I STRIKE THE CHORDS. 3/= THE MOON :5 UP IN SPLENDOUR,—__]).? 3/; THE some on= -ma mven, MUSIC...
Show more3//_”/Z/f ﬁn/t . J34» .3415 . LON D O N: SINCLAIR «:90 09 4-0, GT MARL§OROUGH STREET. W. A750, 773' Z7Le Janie: /foznpziye/~. IONCE HAD A SWEET LITTLE DoLL,_3/4 TELL ME,THE SUMMER S'rARs,._8/=* - THE NIGHT us wn.o ~.-L_s/ 0 WHY I-{ARK WITH PLEASURE, 3/— = osornv SLEEP MY BONNIE amnn, 3/9 one L!TTLE YEAR AG-O 3/= THE MIDNIGHT WIND. _____.___a; :1’ WAS THE TIME OF ROSES,WazZﬂz«cL3>/= I STRIKE THE CHORDS. 3/= THE MOON :5 UP IN SPLENDOUR,—__]).? 3/; THE some on= -ma mven, MUSIC LIBRARY VASSAR COLLEGE THE sen HATH ITS PEARLS. 'rnAus:.A1:a rnom THE GERIAI or HEllE,BY ‘ music In LONGFELLOW. ELIZABETH PHILP. Allegretto ma non troppo. sea hath its pearls, The heavh hath its stars, But my my. heart,‘ 2 my heart. hath its hath its pearls, h » its a‘ita1‘d: But ‘my heart, ‘my heart, my heart hath its love. *1 ritard: "lm sea hath its pearl's . Passilanate. Great are the sea and the heav’n, Yet greater. is my heart; And \; fairerthanpearlsand stars . . . . . Flashes and beamsmy love f Great arethe sea and the heavh; ' Yet greater And fair- er thanpearls and stars_ . . . . . . . . .. The sea hath its pearls, Ran: :__‘___.._.._=____,__ T pgrraxioso. F]zrs3rkx‘esL rand beams /my ‘love.. I .T'¥h‘0’~Ii »listLt1eyouthifu3. { ' f L Ran. ' (1/ts‘/Iizp n V maid . en Come unto my great ~.hea‘I't, V My%heart,;a’mii.’the..sea,Vaamdfthe Tghwin =51 itﬁle gyoiufhﬁul .~hea.v-tin, 1119 a.Way with love. Co-me un.to :n3y great 3 The sea hﬁthits gpeaiths. ritarci: heart, and the sea, and the heavh melt . ing a. way with (7 /\ \ ritard .- c u n z'1'z't0 . sea hath its pearls, The heavh hath its stars, But heart’ hath its , in col a voce. The sea hath its pearls. SINCLAIR & ooxs NEW & POPULAR SONGS. 641 I Heard a Spirit Sing. tremendous applause every evening b Mr. JOHN RAW- LINSON of the Christy’s Minstrels, St. .lames’s Hall. The most beautiful song yet sung by this popular singer . 3 God Bless the Friends we Love, by 0- BLAMPHIN. The latest and prettiest song by the composer of “O would I were a bird,” &c. Illustrated with life—like portrait . . . . . . . . . I Will Stand by my Friend. Composed by GEORGE BICKNELL, and sung by Mr. GREEN for upwards of 200 nights. A capital song and immensely popular . Do as You’d like to be done by. THEODORE GORDON- Sung with great success by Miss CONSTANCE . . A bold, Lend a. Helping Hand. 0- F- SCH!-EYEE striking song, which is everywhere an immense favourite Give me the Man of Honest Heart. M. HOBSON. Sung with great applause by ERNEST FOX . . . Good-bye, Nelly Dear. J. G. MATTHEWS. Sung with immense applause by the Christy’s Minstrels. This ballad. is creating an immense furore . . The Song of the Cable. THEODORE Gonnon. Sung with tremendous success by Miss CONSTANCE . Dedicated to the Atlantic Telegraph Company. Fond ]_V,[emo1-y’s Beam, by CLAUDE STANLEY. most successful tenor song this season . . . F111 the Goblet Again, by ISIDORE DE SOLLA, words by The LORD BYRON. Sung with great success by Mr. GREEN Alone, I'm Alwa s Alone. Ismomc on SOLLA. A beautiful balla for a baritone . . . . . Love is Endless. J on»: OLD. Sung with enthusiastic A applause by Madame LOUISA VINNING . . . . ' My Native Vale. JOHN OLD. . - - - - The Artizans of England. 0. H. R. MARRIOTT- Sung with great applause by Mr. ERNEST Fox . Faces I See in my Dreams. J. E. MALLANDAINE A beautiful subject set to an exquisitely lovely melody . 3 ]V,[a,ry Mavourneen, J. OSWALD KEITH. A new and charming Irish Ballad . . . 3 W. F. TAYLOR. Sung with s. d. O 0 0 3 ELIZABETH PI-IILPS’ SONGS. s. The Song of the River (Clear and 0001) ' - - 3 I Once had a Sweet Little Doll. . . . 3 0 Why I*I1aI)rk with Pleasure (French and English W01‘ 3 . . . . . . . . 0 Softly Sleep, my Bonnie Bairn - . . The Midnight Wind . . . . . . I Strike the Chords . . . The Sea hath its Pearls Tell Me, the Summer Stars The Night is Wild . One Little Year ago . . . . It was the Time of Roses. Vocal Duet The Moon is up in Splendour. Do. - - . “ Her music is always intelligent, melodious, d unforced. She selects her poetry with taste, and interprets it with respect.‘ ——V17 Ie the Morning Post. BESSIE L’EVESQ.UE‘S SONGS. 0’er the Blue Ocean Gleaming (The Sai1or’s Wife) 3 Where the Sun Shines Brightest (The Birds Song) How Beautiful is Sunshine, a Serenade . . A Sylvan Song . . . 0000036060?-000030903 The Three Stars. BERNARD Ossorms. ﬂowing Melody for Baritone . . . . Hope, Hope, the Pleasure laden. ROBERT Bmnmenn. Sung with great success by Miss MINA POOLE . . The Rivulet. H. W. GODFREY. An exceedingly beautiful Melody . . . . Cushlamachree. D. WILLIAMS. Irish melody . . . . . . Hope’s Fairy Dream. J. E. NEWELL. Easy and] very pleasing . . . . . . . . 3 The Rose and the Zephyr. 0. F. ScHLErEn. sung with enthusiastic success by Miss FANNY HALDANE . 3 Speak Gently. J. C. HATTON. A song in an easy compass, very suitable for teaching . . . . A pleasing, . A ‘Very. charming NEW COMIC SONGS. Old J a,ke Johnson. J ESSE WILLIAMS. _ Sunguliny Mr. MOORE, the great Comedian of the Chmsty’s nstrels, now performing at St. J ames’s Hall . . . . Laugh, Cough, and Sneeze. Written and adapted to the celebrated Laughing Chorus in Or‘FENBACH’s Opera, “ Orphée aux Enfers,” by GEORGE H. FRENCH . Turn In and Turn Out; or, The Lawyer's Scufﬂe NEW Marriott’s Come Away Waltz. Founded upon W. F. TAYLoa’s celebrated Melody sung by RAWLINSON, “ I heard a Spirit sing.” . . . . . Marriott’s La Vilda Waltz. Performed with great success by the Composer’s unrivalled band. The most charming Waltz of the season . . . . Marriott's New Derby Galop. Played by every Band in the Country. The greatest hit of the season . Marriott’s Tramp, Tramp Galop, introducing “When Johnny comes marching home,” “ Tramp, Tramp, the Boys are marching,” &c. Comically Illustrated . . 4 Ma.rriott’s W_inter’s Night Quadrille upon Popu- lar Melodies. Splendidly Illustrated . . . . 4 0 0 3,1 The Lady in Want of a Beau. success by Miss CLARA VERNON . . . . Sweet Rosa, Jane. HARRY LIs'roN’s great Song . 3 Who’s for Sandymount? Sung by DAVIES, the Dublin Boy, with immense applause . . . . Och! Johnny, I hardly knew ye. Sung by HARRY LISTON, the Star Comique. This song is the greatest and most successful of all this popular vocalist’s repertoire 3 Sung with great DANCE MUSIC. Marriott’s New American Quadrille. Founded upon the most beautiful of the Christys’ Melodies . The Blarney Quadrilles. P. MULHOLLAND. Intro- ducing 16 of the loveliest Old Irish Melodies 4 The Morning Star Polka. W. HEMINGWAY . 3 The Delight of the Ball Galop. F. WHITTAKER . 3 The Imperial Dagmar Waltz. M. Tnomrsou . 4 The Bold Dragoon Gralop. D’ALEmzEm~. Beauti- tifully Illustrated . . . . . . . The Swan of Pesaro Quadrilles. Dmsuuns SAUNDERS. Founded upon RossINI’s best Melodies The Murmurs of the Severn Waltz. W. F. TAYLOR. 3 CHEAP PUBLICATIONS. The Messiah, complete for Pianoforte, without words 1 6 The Creation, do. do. ' Fifty Songs for Young People, arranged and 1 6 partly composed by C. H. PURD AY. A beautiful present 2 0 This charming little work is a selection of the best Melodies of Beethoven, ‘ Mendelssohn, Haydn, etc., adapted to Words especially suited for Schools, etc. Twenty-ﬁve Popular Sacred Melodies for the Harmonium, selected and arranged by J. A. WADE, from Oratorios and Works by Handel, Haydn, Mendels- sohn, Rossini, etc. An invaluable collection to every Harrnonium player . . . . . Twenty Popular Secular Melodies for the Har- monium, selected and arranged by J. A. WADE, inclu- ding, “ I will Stand by my Friend,” “ VVhen Johnny comes marching Home," “ Tramp, Tramp, the Boys are Marching,” etc., etc. Arranged in an easy manner with the Stops marked, to be used ad libitum . . 77 A T MARLBOROUGH STREET. oooooooooo oo‘.<‘~
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Date: 1917
Text: ~69 Roy F]. Kile. Price 60 ceﬁf. Hmos, HAYDEN at ELDREDGEJNC. PUBLISHERS, NEWYORK CITY. uunc unnnv VASSAR COLLEGI The Sea hath its Pearls The sea hath its pearls, The heav’n hath its stars-, But my heart, my heart My heart hath its love. Great are the sea and the heavh; Yet greater is my heart, And fairer then pearls and stars Flashes and beams my love. Thou little , youthful maiden, Come unto my great heart; My heart, and the sea, and the heav’n Are melting away with love! HENRY W....
Show more~69 Roy F]. Kile. Price 60 ceﬁf. Hmos, HAYDEN at ELDREDGEJNC. PUBLISHERS, NEWYORK CITY. uunc unnnv VASSAR COLLEGI The Sea hath its Pearls The sea hath its pearls, The heav’n hath its stars-, But my heart, my heart My heart hath its love. Great are the sea and the heavh; Yet greater is my heart, And fairer then pearls and stars Flashes and beams my love. Thou little , youthful maiden, Come unto my great heart; My heart, and the sea, and the heav’n Are melting away with love! HENRY W. LONGFELLOW Thé Sea hath its Pearls HENRY W. LONGFELLOW trans. from the German of HEINRICH HEINE Andante e quieto The sea hath its pearls, Copyright, 1917, by Hinds, Hayden & Eldredge, Inc. International Copyright Secured LE ROY M. RILE The heav’n hath its L’istesso tempo Great are the sea and the heav’n;_._____ great — er is.. my ‘ /./-\ And fair — er than pearls and stars F1ash- es and beams my molto rail. e dim. con tenerezza Thou 1it—t1e, youth—fu1 maid — en, Come un—to my great calla 12000 and the sea, and the -L accel. ing a —Way with love! #3 cresc. ed accel. T F; NEW SONGS YOU WILL ENJOY SINGING Norah, the Pride of Kildafe, By CH As, BURNHAM_ A 71 Irish xong that isfar above I/ze a'z/erage— esﬁecialbr in its musical setting. 10 Moderato. ,-.~. As charm-ing as Flo -ra, Is beauteous young Norah; The joy ‘of my heart and the Pride of Kil-dare; I ne'er would deceive her, For Z"" /“T‘_""'$ /‘—j"""'j-5 ’-‘I /- :1 Copyright, 1914, by Hume, NOBI.E & ELDREDGE. International Copyright Secured. . - , 7 - A ' 1 (H 52’ fit! 5 a" ' Garden Song, Words by MRS. EDMUND H. SEARS. Music by E. R. KROLGER, Op. 83, No. 1. g t%:‘I’:£’/ll./;‘(:‘ﬂ]:;,‘ﬁt‘;,l:‘é"0’:,“]Z ::.’n-3:): :1,- mf Allegretto vivo. 1 .\ M79 A lil - y in the gar-den Had a St:c1'et with the bee, A se-cret quaint and ten-der That they would not tell to me! .... .. But the /‘\ \ / . _ Copyright, 1914, by Hmns, Noam 6; Ennmmen. International Copyright Secured. A Southern Lullaby. By ROBERT HUNTINGTON TERRY. A omoz’z_'fu[ little so7zg—one you will moor tz'7/e of. Very slow. de hon-ey-suck-les climbin’ roun de do’, ' de mn- sic is a chim-in’ soft and low, An’ de twi-light skies is gleamin’, An’ de Copyright, 1915, by Hmns, NOBLE & ELDREDGE. International Copyright Secured. The Lord My Shepherd Is. By THEO. H. NORTHRUI’. /1 sow/ca’ Solo of comﬁelling z'1z[e7/est for medzom voice. Andante Religioso. The Lord my shepherd is, my ten-der, gracious guide, To past-ures green, He leads me, wa—ters still be- side. I shall not want, _ L___:___g Copyright, 1914, by Hmvs, NOBLE & ELDREIMSE. International Copyright Secured, ’Twixt Daylight and Dark, Words by FLORENCE PITT—HYKE. Music by E. R. KROEGER, Op. 83, No. 3. {‘4$:“?€’Zf:_7[n~::’:‘:"i”£0J(“” “«’1’9m'5‘ 10 _ jmf : I- *h'’. .:'‘I‘. 5 ' wr- -IAH a I- - = ‘ ' :' - _—z”._ It's the hour when the pur-ple shad-ows fall, Long, from the shin - ing I I j I = . l I _.:_ 1. 19 4 0 0 . I \_.JT Copyright. 1914, by HINDS, NOBLE 6:. ELDREDGE. International Copyright; Secured, . I Carried in stock and for sale by music dealers everywhere. Ask your dealer to show you the Hinds, Hayden & Eldredge, Inc... educational catalog. If interested in other I grades of piano music, Songs or Violin and Piano numbers, write for descriptive and thematic catalogs to Hinds. Hayden 8; Eldredge, |nc., Publishers, ll Union Sq. West, New York. I
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Date: n.d.
Text: 3 kg L\ W 0 R D 5 BY A L M U S I B BY [7,17I[5zm & [a E55/1712. “ ./ s , xx. L 3,, O O , )/ » W"... / an , .. ._ﬂ , Ea, \ .13; _ / _ 2 LMNI PhﬂadB1ph1aLEE &WALKER8BBEhesLnuLSt. WH.Buner &[}n,11U8ChesLnuL Sn. MUSIC usmmv VASSAR COLLEGE wan SEA HATH ms PEARLS. PART S0./VG. Words by LONGFELLOW Music by C.lR0.PINSUTI. ANDANTE MODERATO. 1010 9 sfact‘. hath its pearls, The hea\e11 hath its hathits pearls, The heaven ’ sosfe/1 e C \ \_/ stars, But my heart, heart hath its love 1°...
Show more3 kg L\ W 0 R D 5 BY A L M U S I B BY [7,17I[5zm & [a E55/1712. “ ./ s , xx. L 3,, O O , )/ » W"... / an , .. ._ﬂ , Ea, \ .13; _ / _ 2 LMNI PhﬂadB1ph1aLEE &WALKER8BBEhesLnuLSt. WH.Buner &[}n,11U8ChesLnuL Sn. MUSIC usmmv VASSAR COLLEGE wan SEA HATH ms PEARLS. PART S0./VG. Words by LONGFELLOW Music by C.lR0.PINSUTI. ANDANTE MODERATO. 1010 9 sfact‘. hath its pearls, The hea\e11 hath its hathits pearls, The heaven ’ sosfe/1 e C \ \_/ stars, But my heart, heart hath its love 1° stars, Butmy heart, my heart hath its _, love, T I/..\ 13147 . 9 . {kl Rmoluta. < ff Great arethe sea and the hea-ven; Yet great- er is my heart. > < Great arethe sea and the ]1ea..ven; Yet great _er is my heart. -5.- . ..._£‘~: f Bisaluto. < I 39’ f5 sf > fairerthan pearls and stars Flashes andbeams .32»-44‘ _‘ > _ Sf > fairerthan pearls and stars Flashes and beams my A > The sea hath.&c . . 13147 - 9 - 3.‘ «-.3 AA . «:4 i FEE»:- little youthful maiden dol. V maiden The sea hath .&c . Come un_t0 my great heart, .sf> 1111-130 my great heart,Tl10u little youthful > > > > /\ C0me 11u_t0 my great heart; >>> >> Come 1m _to my great heart; Q . > Inf con molto accenta My heart and the sea and the can molto accenlo 9> 111 f //zf con molfo mrelzfo. >. , \ m can maﬁa accmto. My heart, andﬂlesea anclthe f > , f My heart, andt esea andthe heaven are melting away heaven are melting away with love are melting away > > : F‘ 011 1110110 accellto . In f > {'”:'§<‘\ < My heart, and sea and the heaven are 5 .melt_ __ ing away, with 2&2 heaven are melting a_way [with —love, are nmelt __ f‘ . . love, are melt _ _ . __ing a m love are melting a..way ar e melting a_way, The sea hath.&.c . P/’—_‘\\ PP a_way with love, are mélting‘ a _way, a.way with love, 10> PP (1.- way _ . 1° me away 7 ar e melting away _wa)’ 3J.____“£ f melthlg melting away with ar e melt _ ing a _ _ claim. love,with love‘, The sea hath.&c - a.way with love are me _ way a_way with love .e a- molto. mil. f withlove withlove . . . . . . wiﬂi love . , . . . are melting‘ away with 1° P 1° molto. mil. P a tempo. sea hath its pearls; heaven hath its‘ a stacc. esea hath ‘ pear1s,P. stacc. SW60. sea hath its pearls, heaven hath its a tempo. ’ x '\ The seahath.&c . 131,47 - 9 - \\ soste/z e crres, _____,__.d But my heart, my heart, . . . my heart hath its .3-aster: e cvres. _ 0],,-m_ 13 But my heart, my heart, . .. my hearthath its > dim. e heavn hath stars But my heart, . . . my heart hath its sosten e crree. P ’ \ But my heart, my heart,.. . my heart hath its . sosten e » .5f‘ﬁJ J A J”:.°‘~"’i‘; ” ff/--—“T heart hath its love, heart hath its love , heart hath its love! I I ‘ e anima > > .DJ The sea hath.&e . a [9 111110 , > my heart . . . "P12, gm; 1;, ' My heart hath its love, My heart hath stacc. sfacc. stacc. My heart hath its > My heart hath its a tempo. 77 1° . . _ ,l([’ S . cres.mZé. dun. 4-i‘-qr“' 10 0 P __: h 1010 g, L2 g___z hath its love! . . , _ _ — 4i—::-— 5 §_ 0 1°Ve 9 .1 gralzdioso. ___'h___._=— 10 :PP léve, my heart . . . . . . hath its _ — grandioso. xv The sea hath.&Zc -
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Date: 1888
Text: IUIIC LIIIIAIY VASSAR COLLEGE POW‘-H'~'I:.'.PsI:. Mzw vomt '§‘=~.,I»; ’ — <§'..-7—~7,";:~«*«§-v1~*~—.;--—..a-~.~_ V -— —o._ -—"'~-; ..:-—,...~—<..;’v.—* worry»:-v _:—.—'(.e*'.-,§-go-7-.--4—__— ,'~‘—'~»'-?..’._:.-v *3: “ 0 STARS SO PURE . . . . MEDIUM VOICE . DEATHLESS DREAMS . . . MEDIUM VOICE . GOOD ‘NIGHT AND SWEET REPOSE MED. VC. . HURRAH! FOR THE MAN WHO DIES LOW VC. . IS MY NAME SPOKEN IN HEAVEN? MED. VOICE . REST. . ...
Show moreIUIIC LIIIIAIY VASSAR COLLEGE POW‘-H'~'I:.'.PsI:. Mzw vomt '§‘=~.,I»; ’ — <§'..-7—~7,";:~«*«§-v1~*~—.;--—..a-~.~_ V -— —o._ -—"'~-; ..:-—,...~—<..;’v.—* worry»:-v _:—.—'(.e*'.-,§-go-7-.--4—__— ,'~‘—'~»'-?..’._:.-v *3: “ 0 STARS SO PURE . . . . MEDIUM VOICE . DEATHLESS DREAMS . . . MEDIUM VOICE . GOOD ‘NIGHT AND SWEET REPOSE MED. VC. . HURRAH! FOR THE MAN WHO DIES LOW VC. . IS MY NAME SPOKEN IN HEAVEN? MED. VOICE . REST. . . . . . . . . . LOWVOICE. WHEN LOVE WAKES UP FROM SLEEP MED.VC. . AND THE STATELY SHIPS GO ON LOW VOICE . BECAUSE. . . . . . . . . HIGH VOICE . SONG OF YESTERDAY . . . MEDIUM VOICE . MY OWN MY DEAR ONE . . MEDIUM VOICE . PRAY DON’T TELL . . . . MEDIUM VOICE. MARGERY (Echo Song) . . . MEDIUM VOICE . GOOD NIGHT, SWEET DREAMS. HIGH VOICE . GOOD NIGHT, SWEET DREAMS MEDIUM VOICE . GOOD NIGHT, SWEET, DREAMS. LOW VOICE . HE TOLD ME SO . . . . . . HIGH VOICE HE TOLD ME SO . . . . . . LOW VOICE BOBOLINK . . . . . . . . HIGH VOICE I HEARD THE VOICE OF JESUS SAY SOPRANO OR TENOR THE SEA HATH ITS PEARLS _ ‘A _ .:~.. _. <~‘ , . _-.:t~_<— ._.,—;‘.5:.._ ~ ' 4. ‘* 4; - ;‘~;.:~‘.‘<—- 7F’l'gI|adeI[:-l?'Ia “]?IEobom‘}7re/a:wr@. I712 CZl2e5tIgul5Irt “M4004 THE SEA HATH ITS PEARLS IV0m’s by Heme l’ngl1's/2. 1/e'rs1‘0n by long/‘ellow Music by BISCHOFF Andante _ I’ The sea can espress. ' {,_..—8—————:—h at tempt} ’ _ poco mil. \ hath its [7000 ml]. Copyright 1888 by The John Church Co. Copyright renewed 1915 by Elsie Bond Bischoff - 5 heav’n hath its stars, But my heart, {@200 mil. a tempo heart hath its love! a iempo poco mil. f Great are the sea and the heav- _ en, great — er is fair - er than pearls or 9" >po6o ml]. can espress. F1ash_es and beams my lit - tle youth‘- ful maid — un—t0 my great My heart, and the sea, and the heav — 11000 mi]. 10000 56”“ ﬁ 1n?;—1_t' _ ing a _ way for love! The hath its [7000 lento 1919 -9.05t6’7W'/'0 (l77Z07'0.S'0 ea pear1s,_.. The its stars, 14004-5 My heart sempre c7'es(:. heav’n sempre oresc. , can assione cresc. molto ﬂ‘ 17 stars, But my heart, _ my morenrlo RECENT SONGS §°,.-.‘.:?3° HEAR MY CRY, 0 GOD Pm-ywcents . 4 . H SMER Andante PSAl‘IsA]5° P“b1l»\‘hed for Low VUIFPE. S 0 Leadrne to the rock- that is high - er than 1, Lead me to the Who rd Price, 40 Cents ADDISON F. ANDREWS 1 0. A'1votI'u'o.v if short or tong My ear1h- - ly jounney be; I A - Allegretto c s ' ‘to Price 50 Cents olgﬂgf; ILE THURLOW LIEURANCE Thank 3 way to see sun-shine when clouds fill the sky; ‘H3 to ‘smile, just smile; A way find glad-nest when sad-nest is nigh, 33.3%?‘ ~GOOD NIGHT DEAR Priw.50CenIa Andante mode)-Mo ,,,,,,.,,.,..a,w;\x1'-:1-‘I1-:Ln suim Dear low. good- May sweet . est dreams THEO. PRESSER CO. PHILADELPHIA. PA.
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Date: 1912
Text: MUSIC uammv VASSAR COLLEGE "°UGHK££PsI:, new vonn VICTOR KOLAR / or /76 0021/77 1/0)/[6 HATH ITS PEARLS . . . . . . . . . . . . . . . . . . .. .50 ‘VM‘lf‘;}=2";;‘2V"~tl1e German of Heine, translated by Longfellow. BEWARE ...... ................. ............... .. .50 From the German, translated by Longfellow. DO I LOVE. THEE? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .50 Words by /olzn Godfrey Saxe. Medium Voice in E The Sea hath its Pearls. From...
Show moreMUSIC uammv VASSAR COLLEGE "°UGHK££PsI:, new vonn VICTOR KOLAR / or /76 0021/77 1/0)/[6 HATH ITS PEARLS . . . . . . . . . . . . . . . . . . .. .50 ‘VM‘lf‘;}=2";;‘2V"~tl1e German of Heine, translated by Longfellow. BEWARE ...... ................. ............... .. .50 From the German, translated by Longfellow. DO I LOVE. THEE? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .50 Words by /olzn Godfrey Saxe. Medium Voice in E The Sea hath its Pearls. From the German of Ee2‘m'z‘c}¢ 1732719 Translated by H. W. LONGFELLOVV. Music by . VICTOR KOLAR, Op. 18, N9 1. Moderato con espressmne. > > f "f ff” 1’ T’ 1’ T’ %.~ — Sea hath its pearls, The heav - en hath its T’ 7 3°23. ~36 my heart hath its . 0 ‘IT *5 2%. mf am pogo pi?) masso Great. sea and heav - en, 6 9% 0017,:/right MOMXII by Carl l’z'sc}zer, N, Y , Tnfﬁrnaﬁnnal Cepyright secured. Yet great-er is my heart, than pearls and stars /K _ {“':—-1-"*5 flash - es and beams my love.. ap]1a.s's z’o7mz‘0 77£67l0 7720830 rd!‘/rm! / am Thou lit-tle youthful maid-en Come un - to my great heart, and the heav-en me1t—ing a -Way with love, and the and the heav- en are melt - ing a -way with love. ,-\ >> m > A FEW SUGGESTIONS FOR SINGERS TAKEN FROM THE CARL FISCHER CATALOGUE 1/am-mar to my mum. Sleep Song. words by Music by .W d d M . b ALICE MATTULLATH. ARTHUR rayon. A_ 5§'L§',,';‘N G":',fBg"_\ 5,8,, vow, in A; Low Voice ill F‘ After Sunset. Moderate can amore. Anda"t°' Voice. h d ~ ‘ me your an bleep,iny liutle one sleep, * , sha-dows round prom - ise you‘lI true’! Give me your heart gone be - yond Continued Copyright MCMX by Carl Pischar, N.Y. - - continue‘; 0.0- lnternntlnul Copyright secured. 1lWBI>l Capyyiglil. MC:\'.‘i l;y[‘.\r " lliternnliulml Cnpyriy 1.: «.m.. Price, 50c. I Price, 50c. High Edition in A (In Low Edition in F Love,s Answer. Sop. or Ten. Shadows F 1y. J. touis Von der Mehden Jr. Op. 18. words by Mum by Moderate, con moto agitate. FRED. G. BOWLES. LOUIS VICTOR SAAR, Op, 69.1] con fu0co_ - Mnderato, con moto agitate‘ "!f i—[ 7I_fd “Yes, my lips to ~ night have spo - ken ./3 . E 1 molln Heart,_ are you hope-ful, now ‘us y do,“- .b’é’ '4 L7 ﬁoco rail. _ L Words I said they should not speak, And 1 mt paw mil. _ V a tempo _. are you ea ger for the fight? Continued . Copyright MOM X by Carl Fisoliei-,N.Y. Cont L‘ ruued ‘ inzanmuomu Copyright secured. Copyright MCMX by Carl Fischer, N.V. lnternutimiul Copyright secured. Price, 50c. - Price, 50c. ? It gives you the most comprehensive and complete news’ of everything worth 0 e knowing in the vocal line; contains splendid articles on the voice, voice culture, ° etc., and is onlv one of the many interesting departments contained in the “MUSlC_Al- OBSERVER,”_A{nel‘iCa’s_fas|:est growing musical monthly. (II Each issue of this interesting magazine is virtually an education in itself, while the music supplement consisting of piano solo and vocal music, is worth many times the subscription price of $1.00 a year. Single copy mailed for 10¢. Adi Yollrglealilr to {how you current issue of "The Musical 0luerve'r._" a musical monthly magazine whose interesting and educational articles on music and inluicinnx, oget er with Ill valuable mun: supplement will prove a constant source of inspiration and pleasure to every teacher, student and musiclnver in general. SUBSCRIPTION ONE DOLLAR PER YEAR—SINGLE COPY TEN CENTS.
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Date: n.d.
Text: WORDSWORTEHS RYDAL MOUNT COTTAGE. “%e gag ﬁg (DAS MEER HAT SEINE PERLEN.) Words by H. Heine and Longfellow. Music composed by Wm. Mairhofer. The sea hath its pearls, the Dans [Wear hat sei - 726 Per- Zen, dcr hea - ven hath its stars, But my heart, my heart, my heart, hath its Himmel /zazt sei — ne Stemen, doch mein Hefz, main Herz, main H072 hat sei — 726 Great are the sea and the heaven, Yet great - er is Gross ist dus‘Mecr und der Himmel Doc/2 griiss - er ist Entered according In not of...
Show moreWORDSWORTEHS RYDAL MOUNT COTTAGE. “%e gag ﬁg (DAS MEER HAT SEINE PERLEN.) Words by H. Heine and Longfellow. Music composed by Wm. Mairhofer. The sea hath its pearls, the Dans [Wear hat sei - 726 Per- Zen, dcr hea - ven hath its stars, But my heart, my heart, my heart, hath its Himmel /zazt sei — ne Stemen, doch mein Hefz, main Herz, main H072 hat sei — 726 Great are the sea and the heaven, Yet great - er is Gross ist dus‘Mecr und der Himmel Doc/2 griiss - er ist Entered according In not of Congress in 1856 by EDWARD WIEBE, in the Clerk’: edicts of the U. 5. District Court for the Southern Diltriclof New York. l F l IV LVN u, » I63 Ll.‘ 1: :a~——%~y—l?a—6—a tr-llP—@—a‘:.l . I L LL L; lyl - And fair— er than pearls and stars, Flash- es and beams my U/Id sc/Lb"/zcr als Pc'r- Zen and §temen Lcuchzet zmd stra/alt meine Lie — — ﬂy; (ELL ".WCJFEEﬂ " HJI‘ I: l—‘ 1 LA — H» l‘*‘ D.‘ l _‘_“> l Tl L 1 A v—‘ mwEﬂJm@~aj;1L1: #J$EEl£@J_ 9”” l * .l~-'3’-» I— 94% ‘— @~m~@a—c$—-<3/v ,|_&7_L§S'§_§E_,_ﬂL_i"__@ﬁﬁ"§gg‘_w J, &Lg_éy__@_,;, (701111 xmrze. mmﬂﬂ ll" -.L§l~A;,j_ l LW4 l a l TF lg “5'”e:fvf:a:l: v l v ****ﬁﬁ*ﬁ ‘E ‘V w @'_§._E§.;"¢. H —+- @- —l- '@‘ lit — tle youthful maid - en, come un— to my great heart; My heart and the Sea and the Mei - 77,63 jun — gas Mllzl — c/Len, Komm an main gr0s— scs , Herz; mein H6I‘Z mzd alas Jlfcer umi (Jar heaven melt - ing a — way, with love. Himnzel ° ge/L71, var - gehn tar Lid)’. aaaa; E A SERIES OF %§im:mi1a:vc giaaga, ﬁallllaﬁla %wﬂllZB%. Erilllaaa. “éﬂazmrtaa, Qmuetta. Ila. ISSIDEI>VVEEHKL§C 'I‘PIi:1E§3~IE‘OLLOVVI1.\'l'G‘r ARE ALREADY PUBLISIEED- \/x @@M@ﬂN@& . Annie Laurie. . La Favorita. Waltz. . Kathleen Mavourneen. . Comin’ thro’ the Rye, and Thou art Mine Own, Love. Song. . Red, I/Vhite, and Blue. . Consolation. . Boquet of Melodies. . Scenes that are Brightest, and Cornet Polka. . Will You Love Me Then as Now ? . Thou art Gone from my Gaze. . Mazurka des Traineux. . The Sea has its Pearls. . Evening Song. COPYRIGHT. . Slumber-song By MENDELSSOHN. . The Forget-me-not. . Amelia Polka Redowa. . There’s a Good Time Coming, Boys. . Anvil Chorus Quickstep. . Home of My Heart. . Tell Me Where do Fairies Dwell. S07zg_ COPYRIGHT. COPYRIGHT. 2. 4. 6. 8. 10. 12. 14. 16. 18. 20. 22. 24. 26. 28. SO. 32. 34. 36. 88. 42. 44. 46. 40. Rochester Schottisch, and Affection Waltz. Shells of Ocean. Song. When the Swallows Homeward Fly. Long, Long Ago, and the Gipsy Polka. VVhen Stars are in the Quiet Skies. Dueté. I’ll Pray for Thee. I W andered by the Brook-side, and Le Desir. Waltz. A Song of Home. The Ivy that Grows on the old Abbey Wall. Dearest Spot of Earth to Me is Home. Sad, Long, Weary Day. The Maid of Judah. Warrior’s Joy. March. Variations on Haydn’s National Hymn. Imperial Polka. The Children of Haimon. Quarlrilles. Musidora. Pol/ca Mazurka. Maidens’ Eyes their Hearts Reveal. Pot—Pourri from the I-Iuguenots. May Queen Polka. Elsa ggurkz PUBLISHED BY DAVIS & CO., No. 50 Ann Street. MUSIC uanmv \lﬂ§5AR COLLEGE
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Date: 1915
Text: MUSIC IJUHWY wtssan couzat POUGNU’_%'n1t[_ ﬁg-3, #6,“ THE SEA HfAx1Fﬂr Ms Pmhs >=%ér< gmac 2% WITH Pianoforte Accompaniment COMPOSED BY °RU1)OLPH GANZ. Soprano or Tenor. Mezzo Soprano or Baritone. Price 50 Cents. THUR P. CH DT, I“ BOSTON, LEIPZIG, NEW YORK, I20 Boylston St. 8 West 40th St. Copyr/ghf /.9/5, byArﬂ1ur F? Schm id)‘. lnfernaﬁonal Capyrighfsecured. SONGS FROM CONCERT PIOQFO GRAMMES FAMOUS SINGERS FLOY LITTLE BARTLETT Sung by Miss Mariar . . . . . . . . . . . . . . . . . ...
Show moreMUSIC IJUHWY wtssan couzat POUGNU’_%'n1t[_ ﬁg-3, #6,“ THE SEA HfAx1Fﬂr Ms Pmhs >=%ér< gmac 2% WITH Pianoforte Accompaniment COMPOSED BY °RU1)OLPH GANZ. Soprano or Tenor. Mezzo Soprano or Baritone. Price 50 Cents. THUR P. CH DT, I“ BOSTON, LEIPZIG, NEW YORK, I20 Boylston St. 8 West 40th St. Copyr/ghf /.9/5, byArﬂ1ur F? Schm id)‘. lnfernaﬁonal Capyrighfsecured. SONGS FROM CONCERT PIOQFO GRAMMES FAMOUS SINGERS FLOY LITTLE BARTLETT Sung by Miss Mariar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kitty Cheatham MARION BAUER Only of Thee and Me .......... .- ~.. .; ......... . -‘ Franklin Riker, Marie Morrisey Mrs. H. H. A. BEACH Ah, Love, but a Day! .................................. .. Mme. Schurnann—Heink GENA BRANSCOMBE The Morning Wind‘ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Constance Purdy A Lovely Maiden Roaming .................... .. Edna Dunham, JohnT. Read In Arcady by Moonlight ............................... .. Herbert Witherspoon I send my Heart up to Thee ................. .. Charlotte Lund, Paul Dufault G.W. CHADWICK The Maiden and the Butterfly .............................. .. Geraldine Farrar S. COLERIDGE-TAYLOR Life and Death ............................................... .. John McCormack An Explanation (Her lips were so near) . . . . . . . . . . . . . . . . . . . . . . . .. John MC Cormack MABEL W. DANIELS _ Daybreak . . . . . . . . . . . . . . . _ . . . . . . . . . . . . . . . . . .. Lilla Ormond, Reinald Werrenrath ARTHUR FooTE Ashes of Roses .................................................... .. Julia Culp FRANK LA FoRoE Longing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Mme. Sembrich Love’s Sympathy .................................................... .. Mme. Aida MARGARET RUTHVEN LANo Day is gone .................................................... .. George Hamlin EDWARD A. MAC DOWELL Long ago Sweetheart mine ............................ .. Elizabeth van Endert A maid sings light ..................................... .. Elizabeth van Endert JOHN W METCALF Hark, as the Twilight Pale! .................................... .. Mme. Gadski Love and Springtime ............................................ .. Mme. Gadski WARD-STEPHENS The R0se’s Cup ................................................... .. Mme. Gadski Summer-time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Florence Hinkle Arthur P. Schmidt BOSTON LEIPZIG NEW YORK 120 Boylston St. 11 west 36t_h st_ To JOHN M9’ UORJIIAUK ’1‘he Sea hath its Pearls __-;ir— * LONG FELLOW’ 07"?" ' 1 Aftr‘rU1<* German of IIEINRICII HEINE gym VVith passion /"\ > L . The sea 1ts pearls, sz'ngz'7zg Copyright 1915 by’Arthur P. Schmidt ft}? S_ 10533. 5 International Copyright Secured The hea - - ven hath its But my heart, my heart? _ its love, 'w‘_F"E?’“E?"’ and the hea - - Ven; 0%.? 8.10583 — 5 mollo ems-a Yet great - mo/to oresa do/ce, 19000 sostenuto And fair _ : ii - p subito and beams }. H _ streéto e ems-a JLP. 8. 105S3- 5 lit- tle, youth - - ful maid _ un - to my__. great heart, sostemufo My heart, and the sea, fsosf L i ‘J.:—— f mas. 40533-5 sempre pfzl appa.s‘sz'om1l0 ¢ . Are.____ melt - mg a - way mo/to cresa f are melt- ing love! ussia: (with love, Viva ce marca to b7‘2'Zltmte ~."1.'PS. 10583-5 SCHMIUVS EDUCAT|0HAL SERIES H9 83 E '3 ’,,.‘k mrma FAN/QIES \'/ ; Agelection 3 of.Songs AMERICAN é0l’lPOSER8 VOLUME I. VOLUME 11. High voice 11 Low Voice. High Voice 11 Low Voice. % PRICE $125 EACH ARTHUR RSCHMIDTIJ BOSTON LE I PZ I N YORK 120 Boylston St 11w 36th 81' Copyright 1912 by‘Ar'thur- Rschrnidt. \I V v
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Date: 1912
Text: uumcanananv VASSAR COLLEGE Fouauxzu-soc. new vomg 47* C §,\.\§» T—~:)~~— “ / /, ( 0) " ; ‘« \\ / - \ /»)\§ ‘V; I \> /> 1!‘ ‘ . I . F‘ I 5" 3 , < I K \\ //VA /M.}_ ,.% Imk _\\ ._..._..\ ..(,. Spring Song B5 Autumn Song A major“ The Waves , , ,, T__ T, Bamtone in D5 . 75 % *The Sea hath its Pearls High Voice.nGb Lowvoicem r~:-“.5o *AL_soDuaLuss-«ED FOR MALE VOICES NEW YORK SCHROEDER 8c GUNTHER I45 WEST 45*: ST. The Sea Hath Its Pearls Soprano Poem by I Music by LONGFELLOW...
Show moreuumcanananv VASSAR COLLEGE Fouauxzu-soc. new vomg 47* C §,\.\§» T—~:)~~— “ / /, ( 0) " ; ‘« \\ / - \ /»)\§ ‘V; I \> /> 1!‘ ‘ . I . F‘ I 5" 3 , < I K \\ //VA /M.}_ ,.% Imk _\\ ._..._..\ ..(,. Spring Song B5 Autumn Song A major“ The Waves , , ,, T__ T, Bamtone in D5 . 75 % *The Sea hath its Pearls High Voice.nGb Lowvoicem r~:-“.5o *AL_soDuaLuss-«ED FOR MALE VOICES NEW YORK SCHROEDER 8c GUNTHER I45 WEST 45*: ST. The Sea Hath Its Pearls Soprano Poem by I Music by LONGFELLOW ROBERT S. FLAGLER Adagio sostenuto Sea hath its Pearls, the . Heav’n hath its Copyright MCMXXH by Robert S.F1agler are the Sea the Heav — mf Slower _ And fair - er than Pearls and Star mf Slower flash - es and beams my Love. The Sea Hath etc.-3 j? memo mosso Thou lit-tle, youth - ful fh / . meno mosso rzt. _ 19 12000 a 12000 Ht. 5 ‘Rib. maid-en, - to my great Heart; 75 -f>’{"—"\> Heart and e Sea, and the Heav - en are melt-ing a— way with 2, mortmdo - Are melt-ing a-Way with Love. mo remio - The Sea Hath etc.-3 Vocal Compositions HENRY PURMORT EAMES MY BEAUTIFUL DREAMS Time. you have stol — GOOD FAIRY send you a mould-edbit of bright-ness, arms out, head flu 1 morn—ng sky, § 3 VVHEN LILAC BUDS ARE BURSTING When 1 - h burst - ing, _ thirst-ing o NEVER TROUBLE TROUBLE 60¢ There was a. man in old JR. - pan Who nev-er had a care He did—’m knowt g__\ ’”f MOTHER I MISS YOU or I miss you snoe I have been roaming . “F. v/ THE LITTLE RED BARN ' §60¢ Of nois-ﬂy big cit-ies I’m ter-ri-hly til‘-ed I want to get backto the green lit-tle farm, Whei=e ‘ 1’ I IN MY CABIN BY THE SEA \/ my cab-in b the sea. Iwas all - \'-’ Sruming All above Compositions Copyrighted 1921 by Schroeder & Gunther. Published By SCHROEDER & GUNTHER, 145 West 45th St.,New York.
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Date: 1900
Text: COMPOSITIONS BY 3. COLERIDGE-TAYLOR. SCEN ES FROM LONGFELLOW’S “SONG OF I-IIAVVATHA”. FOR SOPRANO, TENOR, AND BARITONE SOLI, CHORUS, AND ORCHESTRA P-‘ice, complete, 3s. 6d. ]. BENNETT and A. ]. JAEGER, IS. (0 . ). ' Paper Boards, 43. Cloth, gilt,P5g.(.) Tonic Sol—fa, 2s. Book of Words, with Analyses by VVords only, IOS. per 100. Full Score, 633. SEPARATELY FROM THE ABOVE :— (I) H|AWATHA’S WEDDING-FEAST CANTATA FOR TENOR SOLO, CHORUS, AND ORCHESTRA (OF. 30, No. 1). Price Is. 6d. Tonic Sol...
Show moreCOMPOSITIONS BY 3. COLERIDGE-TAYLOR. SCEN ES FROM LONGFELLOW’S “SONG OF I-IIAVVATHA”. FOR SOPRANO, TENOR, AND BARITONE SOLI, CHORUS, AND ORCHESTRA P-‘ice, complete, 3s. 6d. ]. BENNETT and A. ]. JAEGER, IS. (0 . ). ' Paper Boards, 43. Cloth, gilt,P5g.(.) Tonic Sol—fa, 2s. Book of Words, with Analyses by VVords only, IOS. per 100. Full Score, 633. SEPARATELY FROM THE ABOVE :— (I) H|AWATHA’S WEDDING-FEAST CANTATA FOR TENOR SOLO, CHORUS, AND ORCHESTRA (OF. 30, No. 1). Price Is. 6d. Tonic Sol-fa, Is. Vocal Parts, IS. each. Words only, 5s. per 100. String Parts, 8s. 6d. Full Score, 255. (2) THE DEATH OF MINNEHAHA CANTATA FOR SOPRANO AND BA)RITOl1\\IIE SOLI, CHORUS, AND ORCHESTRA ( P. 30, 0.2). Price Is. 6d. Tonic Sol-fa, IS. Vocal Parts, Is. each. Words only, 5s. per Ioo. Wind Parts, 21s. 6d. Full Score, 255. String Parts, 75. (3) H|AWATHA’S DEPARTU RE CANTATA FOR SOPRANO, TENOR, AN8 BARITONE SOLI, CHORUS, AND ORCHESTRA ( P. 30, No. 4). Price 2s. Tonic Sol-fa, IS. Vocal Parts, IS. each. Words only, 7s. 6d. per 100. String Parts, 123. 6d.; Wind Parts, 345. 6d. Full Score, 3os. THE BLIND GIRL OF CASTEL-CUILLLE (Op- 43)- CANTATA FOR SOPRANO AND BARITONE SOLI, CHORUS, AND ORCHESTRA The Poem translated from the Gascon of JASMIN, by H. W. LONGFELLOW. Price 25. 6d. Paper boards, 35. Tonic Sol-fa, I_s. REVISED EDITION. Vocal Parts, IS. each. Words only, 7s. 6d. per 100. String Parts, I28. Wind Parts and Full Score, MS. (Op- 48). ' A RHAPSODY OF THE SEA FOR MEZZO-SOPRANO SOLO, CHORUS, AND ORCHESTRA The Words written by ROBERT BUCHANAN. Price 25. Tonic Sol-fa, 9d. Vocal Parts, IS. 6d. each. String-Parts, 75. Wind Parts and Full Score, MS. THE ATON EM ENT (Op- 53) A SACRED CANTATA »FOR SOLI, CHORUS AND ORCHESTRA The Words written by ALICE PARSONS. Price 3s. 6d. Paper boards, 4s. Cloth, gilt, 5s. String Parts (In the Press). Wind Parts and Full Score, MS. THE SOUL'S EXPRESSION. SONG-S. I ‘ Four Sonnets by ELIzAEE;rH BARRETT BROWNING:—- . I. The Soul‘s Expression; 2. Tears; 3. Grief; 4. Comfort. _ (0p- 42.) Price 25. 6d. Full Score and Orchestral Parts, MS. SIX AMERICAN LYRICS. O TI-IOU, MINE OTHER, STRONGER PA_RT. O PRAISE ME NOT. HER LOVE. ‘ THE DARK EYE HAS LEFT US. O SHIP THAT SAILEST. BEAT, BEAT, DRUMS. Price 2s. each. YOU'LL LOVE ME YET. (Rorsnnr BROWNING.) Op. 37, No.1. In G minor and B minor. CANOE SONG. (ISABELLA CRAWFORD.) Op. 37, No.2, In D ﬁat &F. A BL.OOD—RED RING HUNG ROUND THE MOON. (BARRY DANE.) Op. 37, No. 3. (For Contralto.) SWEET EVENINGS COME AND GO, LOVE. ELIOT.) Op. 37,.No. 4. In F and B ﬂat. AS THE MOON’S SOFT SPLENDOUR. (SI-IELLEY.) Op. 37, _No. 5. (For Contralto or Baritone.) ELEANORE. (ERIC MACKAY.) Op. 37, No. 6. (For Tenor.) ONAWAY! AWAKE, BELOVED! From “ Hia.watha's Wedding- Feast.” Op. 30, No.1. (For Tenor.) String Parts, 2s.; Wind Parts, 3s. 6d.; Full Score, 5s. HIAWATHA'S VISION. Dramatic Scena for Baritone. From “ I-Iiawatha's Departure.” (English and German Words.) Full Score. Orchestral Parts, MS. (GEORGE SONGS—Com£z'nued. SPRING HAD COME. (For Soprano.) From “ Hiawathe'e Departure." (English and German Words.) Full Score, 35. 6d. "”‘ Orchestral Parts, MS. 0 SET THE SAILS. From “Ulysses.” (For Tenor.) GREAT IS HE WHO FUSED THE MIGHT. Song, from " Ulysses.” ‘ (For Tenor.) Price 2s. each. ANTI-IEMS AND SERVICE. NOW LATE ON THE SABBATH DAY (Tonic Sol-fa,1{;d.) BY THE WATERS OF BABYLON .. .. .. .. IN THEE, O LORD, HAVE I PUT MY TRUST .. THE LORD IS MY STRENGTH .. .. .. .. LIFT UP YOUR HEADS (Tonic Sol-fa, Id.) .. BREAK FORTH INTO JOY .. .. .. .. .. O YE THAT LOVE THE LORD (Tonic Sol-fa, Id.) .. MORNING AND EVENING SERVICE IN F (OP. I8). Drinking 'rE DEUM .. . . BENEDIcTUs.. .. .. .. .. JUBILATE .. .. .. .. .. MAGNIFICAT AND NUNC DIMITTIS PART-SONGS. BY THE LONE SEASHORE (S.A.T.B.) (Tonic Sol—fa, Id.) FROM THE GREEN HEART OF THE WATERS. Nymphs’ Song,from “ Ulysses." (s.s.A.) .. .. .. 3d. 9- LONDON: NOVELLO AND COMPANY, LIMITED. Wind Parts. us. NOVELLO’S ORIGINAL OCTAVO EDITION. SCENES FROM THE SONG OF HIAWATHA BY H.VV LONGFELLOW7 SET TO MUSIC FOR SOPRANO,TENOR,AND]&HUTONEr&NJ,CHORUS,AND ‘ORCHESTRA BY 5. COLERIIDGE-"OFAYLOR. (OP.b 30V.) PRICE THREE SHILLINGS AND SIXPENCE. Paper boards, 4s. ; Cloth, gilt, 5s. Tonic Sol-fa, 2s. LONDON: NOVELLO AND COMPANY, LIMITED AND NOVELLO, EWER AND CO., NEW YORK. Copyright, 1900, by Novella and Company, Limited. The right of Public Representation and Performance is reserved. LONDON ; QOVELLO AND COMPANY, LIMITED PRINTERS. PREFATORY NOTE. Tins work was not originally planned as a Whole; on the contrary, the composer intended in the ﬁrst instance to set “Hiawatha’s Wedding Feast" only. This section was produced at a students’ concert, given at the Royal College of Music, South Kensington, London, on November 11, 1898. The second section, “The Death of Minnehaha,” is the outcome of a request made by the Committee of the 1899 North Staffordshire Musical Festival that the composer should contribute a choral work to that Festival. It was produced at Hanley, on October 26, 1899. The third section was written for and performed—with the preceding sections——-by the Royal Choral Society, at the Royal Albert Hall, London, on March 22, 1900. The Overture to “ The Song of Hiawatha,” being a distinct work, is not included. in the present edition. SCENES FROM THE SONG OF HIAWATHA. I. HIAWATHA’S WEDDING FEAST. You shall hear how Pau-Puk—Keewis, How the handsome Yenadizze, Danced at Hiawatha’s wedding ; How the gentle Chibiabos, He the sweetest of musicians, Sang his songs of love and longing , How Iagoo, the great boaster, He the marvellous storyteller, Told his tales of strange adventure, That the feast might be more joyous, That the time might pass more gaily, And the guests be more contented. Sumptuous was the feast Nokomis Made at Hiawatha’s wedding. All the bowls were made of bass-wood, White and polished very smoothly, All the spoons of horn of bison, Black and polished very smoothly. She had sent through all the village Messengers with wands of willow, As a sign of invitation, As a token of the feasting; And the wedding-guests assembled, Clad in all their richest raiment, Robes of fur and belts of wampum, Splendid with their paint and plumage, Beautiful with beads and tassels. First they ate the sturgeon, Nahma, And the pike, the Maskenozha, Caught and cooked by old Nokomis, Then on pemican they feasted, Pemican and buffalo marrow, Haunch of deer and hump of bison, Yellow cakes of the Mondamin, And the wild rice of the river. But the gracious Hiawatha, And the lovely Laughing Water, And the careful old Nokomis, Tasted not the food before them, Only waited on the others, Only served their guests in silence. , And when all the guests had ﬁnished, Old Nokomis. brisk and busy, From an ample pouch of otter, Filled the red stone pipes for smoking With tobacco from the South-land, Mixed with bark of the red willow, And with herbs and leaves of fragrance. Then she said, “O Pau-Puk-Iieewis, Dance for us your merry dances, Dance the Beggar’s Dance to please up, That the feast may be more joyous, That the time may pass more gaily, And our guests be more contented ! ” Then the handsome Pau—Puk—Keewis, He the idle Yenadizze, He the merry mischief-maker, Whom the people called the Storm-Fool, Rose among the guests assembled. Skilled was he in sports and pastimes, In the merry dance of snow-shoes, In the play of quoits and ball-play ; Skilled was he in games of hazard, In all games of skill and hazard, Pugasaing, the Bowl and Counters, Koomtassoo, the Game of Plum-stones. Though the warriors called him Faint-Heart, Called him coward, Shaugodaya, Idler, gambler, Yenadizze, Little heeded he their j esting, Little cared he for their insults, For the Women and the maidens Loved the handsome Pau-Puk-Keewis. He was dressed in shirt of doe-skin, White and soft, and fringed with ermine, All inwrought with beads of Wampum ; He was dressed in deer-skin leggings, Fringed with hedgehog quills and ermine, And in mocassins of buck-skin Thick with quills and beads embroidered. On his head were plumes of swan’s down, On his heels were tails of foxes, In one hand a fan of feathers. And a pipe was in the other. Barred with streaks of red and yellow, Streaks of blue and bright Vermilion, vi n1AwA'rHA’s WE])I)I.NG"F.E[\ST. Shone the face of Pan-Puk-Keewis. From his forehead fell his tresses. Smooth and parted like a woman's. Shining bright with oil, and plaited, Hung with braids of scented grasses, As among the guests assembled, To the sound of ﬂutes and singing, To the sounds of drums and voices, Rose the handsome Pau-Puk-Keewis, And began his mystic dances. First he danced a solemn measure, Very slow in step and gesture, In and out among the pine trees, Through the shadows and the sunshine, Treading softly like a panther, Then more swiftly and still swifter, Whirling, spinning round in circles, Leaping o’er the guests assembled, Eddying round and round the‘ wigwam, Till the leaves went whirling with him, Till the dust and wind together Swept in eddies round about him. Then along the sandy margin Of the lake, the Big-Sea-Water, On he sped with frenzied gestures, Stamped upon the sand, and tossed it Wildly in the air around him ; Till the wind became a whirlwind, Till the sand was blown and sifted Like great snowdrifts o’er the landscape, Heaping all the shores with Sand Dunes, Sand Hills of the N agow Wudjool Thus the merry Pau-Puk-Keewis Danced his Beggar’s Dance to please them, And, returning, sat down laughing There among the guests assembled, Sat and fanned himself serenely With his fan of turkey-feathers. Then they said to Chibiabos, To the friend of Hiawatha, To the sweetest of all singers. To the best of all musicians, " Sing to us, 0 Chibiabosl Songs of love and songs of longing, That the feast may be more joyous, That the time may pass more gaily. And our guests be more contented ! ” And the gentle Chibiabos Sang in accents sweet and tender, Sang in tones of deep emotion, Songs of love and songs of longing, Looking still at Hiawatha, Looking at fair Laughing Water, Sang he softly, sang in this wise: “ Onaway! Awake, beloved! Thou the wild-ﬂower of the forest! Thou the wild-bird of the prairie! Thou with eyes so soft and fawn-like ! “ If thou only lookest at me, I am happy, I am happy, As the lilies of the prairie, When they feel the dew upon them ! “ Sweet thy breath is as the fragrance Of the wild-ﬂowers in the morning, As their fragrance is at evening, In the Moon when leaves are falling. _“ Does not all the blood within me Leap to meet thee, leap to meet thee, As the springs to meet the sunshine, In the Moon when nights are brightest ? “ Onaway! my heart sings to thee, Sings with joy when thou art near me, As the sighing, singing branches In the pleasant Moon of Strawberries! “ When thou art not pleased, beloved. Then my heart is sad and darkened, As the shining river darkens When the clouds drop shadows on it if “ When thou smilest, my beloved, Then my troubled heart is brightened, As in sunshine gleam the ripples That the cold wind makes in rivers. “ Smiles the earth, and smile the waters, Smile the cloudless skies above us, But I lose the way of smiling When thou art no longer near me l “ I myself, myself! behold me! Blood of my beating heart, behold me ! O awake, awake, beloved ! Onaway ! awake, beloved 1" Thus the gentle Chibiabos Sang his song of love and longing ; And Iagoo, the great boaster, He the marvellous storyteller, He the friend of old N okomis, Jealous of the sweet musician, Jealous of the applause they gave him, Saw in all the eyes around him, Saw in all their looks and gestures, That the wedding—guests assembled Longed to hear his pleasant stories, His immeasurable falsehoods. Very boastful was Iagoo : Never heard he an adventure But himself had made a greater ; Never any deed of daring But himself had done a bolder ; Never any marvellous story But himself could tell a stranger. Would you listen to his boasting, Would you only give him credence, No one ever shot an arrow Half so far and high as he had ; Ever caught so many ﬁshes, Ever killed so many reindeer, Ever trapped so many beaver! None could run so fast as he could, None could dive so deep as he could, HmwixrHA’s None could swim so far as he could; None had made so many journeys, None had seen so many wonders, As this wonderful Iagoo, As this marvellous storyteller ! Thus his name became a by-word ’ And a jest among the people ! And whene‘er a boastful hunter Praised his own address too highly, Or a warrior, home returning, Talked too much of his achievements, All his hearers cried, “ Iagoo ! Here’s Iagoo come among us I ” He it was who carved the cradle Of the little Hiawatha, Carved its framework out of linden, Bound it strong with reindeer’s sinevrs; He it was who taught him later How to make his bows and arrows, How to make the bows of ash-tree, And the arrows of the oak-tree. So among the guests assembled WEDDING-FEAST. At my Hiawatha’s wedding Sat Iagoo, old and ugly, Sat the marvellous storyteller. And they said, “ 0 good Iagoo, Tell us now a tale of wonder, Tell us of some strange adventure, That the feast may be more joyous, That the time may pass more gaily, And our guests be more contented! ” And Iagoo answered straightway, “ You shall hear a tale of wonder, You shall hear of strange adventures.” So he told the strange adventures Of Osseo, the Magician, From the Evening Star descended. Such was Hiawatha’s Wedding, Thus the wedding-banquet ended, And the wedding-guests departed, Leaving Hiawatha happy With the night and Minnehaha. Hiawa’tha, the Prophet, the Teacher: son of Mad9'e/ceewais, the West- Wind, and daughter of N okomzis-, Minneha’ha, Laughing Water; wife of Hiawatha. Pan-Puk-Kee'Wis, the handsome Y enadizze, the Storm—Fool. Yenadiz’ze, an idler and gambler; an Indian dandy. Chibia/bos, a musician; friend of Hiawatha, Ruler in the Land of Spirtts. Ia'goo, a great boaster and storyteller. Noko’mis, grandmother of Hiawatha ; mother of Wenonah. Nah’ma, the sturgeon. Ma.sken0'zl1a,, the pike. Pem’ican, meat of the deer or buﬁalo, dried and pounded. Monda.’min, Indian corn. Pugasaing', the game of bowl and counters. Koomtassoo’, the game of plum-stones. Shaugada/ya, a coward. N a/gow Wudjoo', the Sand Dunes of Lake Superior. Onaway’, awake. 0sse'o. Son of the Evening Star. SCENES FROM THE SONG OF HIAWATHA, II. THE DEATH or LMINNEHAHA. 0 THE long and dreary Winter! 0 the cold and cruel Winter! Ever thicker, thicker, thicker Froze the ice on lake and river, Ever deeper, deeper, deeper Fell the snow o’er all the landscape, Fell the covering snow, and drifted Through the forest, round the village. Hardly from his buried Wigwam Could the hunter force a passage ; With his mittens and his snow-shoes Vainly walked he through the forest, Sought for bird or beast and found none, Saw no track of deer or rabbit, In the snow beheld no footprints, In the ghastly, gleaming forest Fell, and could not rise from weakness, Perished there from cold and hunger. O the famine and the fever! 0 the wasting of the famine! O the blasting of the fever! 0 the wailing of the children! 0 the anguish of the women! All the earth was sick and famished, Hungry was the air around them, Hungry was the sky above them, And the hungry stars in heaven Like the eyes of wolves glared at them I Into Hiawatha’s Wigwam Came two silent guests and gloomy, Waited not to be invited, Did not parley at the doorway, Sat there without word of welcome In the seat of Laughing Water; Looked with haggard eyes and hollow At the face of Laughing Water. And the foremost said, “ Behold me I I am Famine, Buckadawin ! ” And the other said, “ Behold me ! I am Fever, Ahkosewin ! ” And the lovely Minnehaha Shuddered as they looked upon her, Shuddered at the words they uttere:-3.. Lay down on her bed in silence, Hid her face, but made no answer; Lay there trembling, freezing, burn1.::; At the looks they cast upon her, At the fearful words they uttered. Forth into the empty forest Rushed the maddened Hiawatha; In his heart was deadly sorrow, In his face a stony ﬁrmness ; On his brow the sweat of anguish Started, but it froze, and fell not. ‘Wrapped in furs, and armed for hunting, With his mighty bow of ash—tree, With his quiver full of arrows, With his mittens, Minjekahwun, Into the vast and vacant forest On his snow-shoes strode he forward. “ Gitche Manito, the Mighty! ” Cried he with his face uplifted In that bitter hour of anguish, “ Give your children food, 0 father! Give us food, or we must perish ! Give me food for Minnehaha, For my dying Minnehaha ! ” Through the far-resounding forest, Through the forest vast and vacant, Rang that cry of desolation, But there came no other answer Than the echo of his crying, Than the echo of the woodlands, “ Minnehaha I Minnehaha ! ” All day long roved Hiawatha In that melancholy forest, Through the shadow of whose thickets, In the pleasant days of Summer, Of that ne’er—forgotten Summer, He had brought his young wife homewarc From the land of the Dacotahs; When the birds sang in the thickets, And the streamlets laughed and glistened, THE DEATH OF MINNEHAHA. And the air was full of fragrance, And the lovely Laughing Water Said, with voice that did not tremble, “ I will follow you, my husband I ” In the Wigwam with Nokomis, With those gloomy guests that watched her, With the Famine and the Fever," She was lying, the Beloved, She the dying Minnehaha. “ Hark ! ” she said, “ I hear a rushing, Hear a roaring and a rushing, Hear the Falls of Minnehaha Calling to me from a distance !” “ No, my child!” said old Nokomis, “ ’Tis the night-wind in the pine-trees ! ” “ Look ! ” she said, “ I see my father Standing lonely at his doorway, Beckoning to me from his Wigwam, In the land of the Dacotahs I ” “ No, my child ! ” said old Nokomis, “ ’Tis the smoke that waves and beckons! ” “ Ah! ” she said, “the eyes of Pauguk Glare upon me in the darkness ; I can feel his icy ﬁngers Clasping mine amid the darkness! Hiawatha ! Hiawatha ! ” And the desolate Hiawatha, Far away amid the forest, Miles away among the mountains, Heard that sudden cry of anguish, Heard the voice of Minnehaha Calling to him in the darkness, “ Hiawatha ! Hiawatha ! ” Over snow~ﬁelds waste and pathless, Under snow—encumbered branches, Homeward hurried Hiawatha, Empty~handed, heavy—hearted, Heard Nokomis moaning, wailing, “ Wahonomin I Wahonomin I Would that I had perished for you, Would that I were dead as you are! Wahonomin 1 Wahonomin I ” And he rushed into the wigwain, Saw the old N okomis slowly Rocking to and fro and moaning, Saw his lovely Minnehaha Lying dead and cold before him ; And his bursting heart within him Uttered such a cry of anguish, That the forest moaned and shuddered, That the very stars in heaven Shook and trembled with his anguish. Then he sat down, still and speechless, On the bed of Minnehaha, At the feet of Laughing Water, At those willing feet, that never More would lightly run to meet him, Never more would lightly follow. With both hands his face he covered, Seven long days and nights he sat there, As if in a swoon he sat there, Speechless, motionless, unconscious Of the daylight or the darkness. Then they buried Minnehaha : In the snow a grave they made her, In the forest deep and darksome, Underneath the moaning hemlocks; Clothed her in her richest garments, Wrapped her in her robes of ermine, Covered her with snow, like ermine; Thus they buried Minnehaha. And at night a ﬁre was lighted, On her grave four times was kindled, For her soul upon its journey To the Islands of the Blessed. From his doorway Hiawatha Saw it burning in the forest, Lighting up the gloomy hemlooks ; From his sleepless bed uprising, From the bed of Minnehaha, ' Stood and watched it at the doorway, That it might not be extinguished, Might not leave her in the darkness. “ Farewell ! ” said he, “ Minnehaha! Farewell, O my Laughing Water ! All my heart is buried with you, All my thoughts go onward with you! Come not back again to labour, Come not back again to suffer, Where the Famine and the Fever Wear the heart and waste the body. Soon my task will be completed, Soon your footsteps I shall follow To the Islands of the Blessed, To the kingdom of Ponemah! To the land of the Hereafter! ” H1AwA"rHA, the Prophet, the Teacher ; son of Mudjekeewis (the West W ind) and Wenonah (Daughter of N ' "I M1NNEHA’HA, Laughing Water; Wife of Hiawatha. GITCHE MAN’I'ro, the Great S'p'l7"lt, the Jlfaster of Lzfe. N oKo’MIs, a Grandntotlzer ; Mother of Wenonah. BUoKADAw’1N, Famme. AHKosE’wIN, Fever. _ MINJEKAHWUN, HzTawatha’s Mzttens. DAco"rAHs (or DAKOTAS), a race of Indians, including many tribes, mostly dwelling West of the Mtssissippi Rivzir. in part, called SIOUX. PoNE’MAH, Hereafter. PAU'GU K, Death. WAHoNo’MIN, a cry of lamentatton. SCENES FROM THE SONG OF HIAWATHA. III. HIAWATHA’S DEPARTURE. SPRING: had come with all its splendour, All its birds and all its blossoms, All its ﬂowers and leaves and grasses. Sailing on the wind to northward, Flying in great ﬂocks, like arrows, Like huge arrows shot through heaven, Passed the swan, the Mahnahbezee, Speaking almost as a man speaks; And in long lines waving, bending Like a bowstring snapped asunder, The white goose, the Waw-be-wawa; And in pairs, or singly ﬂying, Nlahng the loon, with clangorous pinions, The blue heron, the Shuhvshuh-gah, And the grouse, the Mushkodasa. In the thickets and the meadows Piped the blue-bird, the Owaissa ; On the summit of the lodges Sang the robin, the Opechee ; And the sorrowing Hiawatha, Speechless in his inﬁnite sorrow, Heard their voices calling to him, Went forth from his gloomy doorway, Stood and gazed into the heaven, Gazed upon the earth and waters. From his wanderings far_to eastward, From the regions of the morning, From the shining land of Wabun, Homeward now returned Iagoo, The great traveller, the great boaster, Full of new and strange adventures, Marvels many and many wonders. And the people of the village Listened to him as he told them Of his marvellous adventures, Laughing answered him in this wise 2 ‘I Ugh ! it is indeed Iagoo : No one else beholds such Wonders 1 ” He had seen, he said, a water Bigger than the Big-Sea-Water, Broader than the Gritche Gumee, Bitter so that none could drink it! At each other looked the warriors, Looked the women at each other, V Smiled, and said, “It cannot be so! Kaw ! ” they said, “it cannot be so! ” O’er it, said he, o’er this water A canoe with wings came ﬂying, Bigger than a grove of pine—trees, Taller than the tallest tree—tops ! And the old men and the women Looked and tittered at each other. “ Kaw! ” they said, “ we don’t believe it I ” From its month, he said, to greet him, Came Waywassimo, the lightning, Game the thunder, Annemeekee ! And the warriors and the women Laughed aloud at poor Iagoo ; “ Kaw I ” said they, “ what tales you tell us ! " In the great canoe with pinions Came, he said, a hundred warriors; Painted white were all their faces, And with hair their chins were covered 1 And the warriors and the women Laughed and shouted in derision, Like the ravens on the tree-tops, Like the crows upon the hemlocks. “ Kaw 1 ” they said, “ what lies you tell us! Do not think that we believe them ! " Only Hiawatha laughed not, But he gravely spake and answered To their j eering and their jesting: “ True is all Iagoo tells us ; I have seen it in a vision, Seen the great canoe with pinions, Seen the people with white faces, Seen the coming of this bearded People of the wooden vessel, From the regions of the morning, From the shining land of Wabun. H1AwA'rHA’s DEPARTURE. “ Gitche Manito, the Mighty, The Great Spirit, the Creator, Sends them hither on his errand, Sends them to us with his message. \Vheresoe’er they move, before them Swarms the stinging-ﬂy, the Ahmo, Swarms the bee, the honey-maker ; Wheresoe’er they tread, beneath them Springs a ﬂower unknown among us, Springs the White—man’s Foot in blossom. “ Let us welcome, then, the strangers, Hail them as our friends and brothers, And the heart’s right hand of friendship Give them when they come to see us. Gitche Manito, the Mighty, Said this to me in my vision. “ I beheld, too, in that vision All the secrets of the future, Of the distant days that shall be. I beheld the westward marches Of the unknown, crowded nations. All the land was full of people, Restless, struggling, toiling, striving, Speaking many tongues, yet feeling But one heart-beat in their bosoms. In the woodlands rang their axes, Smoked their towns in all the valleys, Over all the lakes and rivers Rushed their great canoes of thunder. “ Then a darker, drearier vision Passed before me, vague and cloud-like. I beheld our nations scattered, All forgetful of my counsels, Weakened, warring with each other ; Saw the remnants of our people Sweeping westward, wild and woful, Like the cloud-rack of a tempest, Like the withered leaves of Autumn! ” By the shore of Gitche Gumee, By the shining Big—Sea-Water, At the doorway of his Wigwam, In the pleasant Summer morning, Hiawatha stood and waited. All the air was full of freshness, All the earth was bright and joyous, And before him through the sunshine, Westward toward the neighbouring forest Passed in golden swarms the Ahmo, Passed the bees, the honey—makers, Burning, singing in the sunshine. Bright above him shone the heavens, Level spread the lake before him ; From its bosom leaped the sturgeon, Sparkling, ﬂashing in the sunshine; On its margin the great forest ’ Stood reflected in the water, Every tree-top had its shadow, Motionless, beneath the Water. From the brow of Hiawatha Gone was every trace of sorrow. Asa fog from oﬁ" the water, As the mist from oﬁ the meadow, With a smile of joy and triumph, With a look of exultation, As of one who in a vision Sees what is to be, but is not, Stood and waited Hiawatha. Towards the sun his hands were lifted, Both the palms spread out against it, And between the parted ﬁngers Fell the sunshine on his features, Flecked with light his naked SlIlO11ld€i'3, As it falls and ﬂecks an oak-tree Through the rifted leaves and branches. O’er the water ﬂoating, ﬂying, Something in the hazy distance, Something in the mists of morning, Loomed and lifted from the water, Now seemed ﬂoating, now seemed ﬂying, Coming nearer, nearer, nearer. Was it Shingebis, the diver ‘P Was it the pelican, the Shada‘? Or the heron, the Shuh-shuh-gah ".7 Or the white goose, Waw-be-wawa, With the water dripping, ﬂashing From its glossy neck and feathers ? It was neither goose nor diver, Neither pelican nor heron, O’er the water ﬂoating, ﬂying, Through the shining mist of morning, But a birch canoe with paddles, Rising, sinking on the water, Dripping, ﬂashing in the sunshine. And within it came a people From the distant land of Wabun, From the farthest realms of morning Game the Black-Robe chief, the Prophet, He the Priest of Prayer, the Pale—face, With his guides and his companions. And the noble Hiawatha, With his hands aloft extended, Held aloft in sign of welcome, Waited, full of exultation, Till the birch canoe with paddles Grated on the shining pebbles, _ Till the Black-Robe chief, the Paleface, With the cross upon his bosom, Landed on the sandy margin. Then the joyous Hiawatha Cried aloud, and spake in this wise : “ Beautiful is the sun, 0 strangers, When you come so far to see us ! * In this manner, and With such salutations, was Father Marquette received by the Illinois. See his Voyagw at Décowuertes. Section V. xii H1AwATHA’s DEPARTURE. All our town in peace awaits you, All our doors stand open for you: You shall enter all our wigwams, For the heart’s right hand we give you. “ Never bloomed the earth so gaily, Never shone the sun so brightly, As to-day they shine and blossom, When you come so far to see us! Never was our lake so tranquil, Nor so free from rocks and sand-bars ; For your birch canoe in passing Has removed both rock and sand-bar I “ Never before had our tobacco Such a sweet and pleasant ﬂavour, Never the broad leaves of our corn-ﬁelds Were so beautiful to look on, As they seem to us this morning, When you come so far to see us ! ” And the Black-Robe chief made answer, Stammered in his speech a little, Speaking words yet unfamiliar : “ Peace be with you, Hiawatha, Peace be with you and your people, Peace of prayer, and peace of pardon, Peace of Christ, and joy of Mary ! ” Then the generous Hiawatha Led the strangers to his wigwam, Seated them on skins of bison, Seated them on skins of ermine, And the careful old Nokomis Brought them food in bowls of bass-wood, Water brought in birchen clippers, And the Calumet, the peace-pipe, Filled and lighted for their smoking. All the old men of the village, All the warriors of the nation, All the J ossakeeds, the prophets, The magicians, the Wahenos, And the medicine-men, the Medas, Came to bid the strangers welcome ; “ It is well,” they said, “ 0 brothers, That you come so far to see us! ” In a circle round the doorway, With their pipes they sat in silence, Waiting to behold the strangers, Waiting to receive their message ; Till the Black-Robe chief, the Pale-face, From the Wigwam came to greet them. Stammering in his speech a little, Speaking words yet unfamiliar ; “ It is well,” they said, “ O brother, That you come so far to see us! ” Then the Black—Robe chief, the prophet, Told his message to the people, Told the purport of his mission, Told them of the Virgin Mary, And her blessed Son, the Saviour : How in distant lands and ages He had lived on earth as we do ; How he fasted, prayed, and laboured; How the Jews, the tribe accursed, Mocked him, scourged him, cruciﬁed him; How he rose from where they laid him, Walked again with his disciples, And ascended into heaven. And the chiefs made answer saying ; “ We have listened to your message, We have heard your Words of wisdom, We will think on what you tell us. It is well for us, 0 brothers, That you come so far to see us ! ” Then they rose up and departed Each one homeward to his Wigwam, To the young men and the women Told the story of the strangers Whom the Master of Life had sent them From the shining land of Wabun. Heavy with the heat and silence Grew the afternoon of Summer ; With a drowsy sound the forest Whispered round the sultry Wigwam, With a sound of sleep the water Rippled on the beach below it ; From the cornﬁelds shrill and ceaseless Sang the grasshopper, Pah-puk-keena; And the guests of Hiawatha, Weary With the heat of Summer, Slumbered in the sultry Wigwam. Slowly o'er the simmering landscape Fell the evening’s dusk and coolness, And the long and level sunbeams Shot their spears into the forest, Breaking through its shields of shadow, Rushed into each secret ambush, Searched each thicket, dingle, hollow ; Still the guests of Hiawatha Slumbered in the silent Wigwam.- From his place rose Hiawatha, Bade farewell to old N okomis, Spake in whispers, spake in this wise, Did not wake the guests that slumbered: “ I am going, 0 Nokomis, On a long and distant journey, To the portals of the Sunset, To the regions of the home-wind. But these guests I leave behind me, In your watch and ward I leave them ; See that never harm comes near them, See that never fear molests them, Never danger nor suspicion, Never want of food or shelter, In the lodge of Hiawatha! ” Forth into the village went he, Bade farewell to all the warriors, Bade farewell to all the young men, Spake persuading, spake in this wise: HIAWATHA7 S DEPARTURE . “ I am going, 0 my people, And the people from the margin On a long and distant journey: Watched him ﬂoating, rising, sinking, Many moons and many winters Till the birch canoe seemed lifted Will have come, and will have vanished, High into that sea of splendour, Ere I come again to see you. Till it sank into the vapours But my guests I leave behind me; Like the new moon slowly, slowly Listen to their words of wisdom, Sinking in the purple distance. Listen to the truth they tell you, For the Master of Life has sent them And they said, “ Farewell for ever! ” From the land of light and morning! ” Said, “ Farewell, O Hiawatha! ” And the forests, dark and lonely, On the shore stood Hiawatha, Moved through all their depths of darkness, Turned and waved his hand at parting; Sighed, “ Farewell, O Hiawatha I ” On the clear and luminous water And the waves upon the margin Launched his birch canoe for sailing, Rising, rippling on the pebbles, From the pebbles of the margin Sobbed, “ Farewell, O Hiawatha ! ” Shoved it forth into the water; And the heron, the Shuh-shuh—gah, Whispered to it, “ Westward! westward! ” From her haunts among the fenlands, And with speed it darted forward. Screamed, “ Farewell, O Hiawatha ! ” And the evening sun descending Set the clouds on ﬁre with redness, Thus departed Hiawatha, Burned the broad sky, like a. prairie, Hiawatha the Beloved, Left upon the level water In the glory of the sunset, One long track and trail of splendour, In the purple mists of evening, Down whose stream, as down a river, To the regions of the home-wind, Westward. westward Hiawatha Of the Northwest wind, Keewaydin, Sailed into the ﬁery sunset, To the Islands of the Blessed, Sailed into the purple vapours, To the kingdom of Ponemah, Sailed into the dusk of evening. To the land of the Hereafter! Ah’mo, the stinging-ﬂy. Annemee’kee, the thunder. Ca/lumet, a pipe ; used as a symbol of peace, and as an evidence to strangers that they are welcome. Gitche Gu'mee, the Big—S’ea- Water, Lake Superior. Git’che Ma.n’it0, the Great Spirit, the Master of Life. Hiawa’tha, the prophet, the teacher ; son of ll/[udje/ceewis, the West Wind, and Wenonah, daughter of N olcomis. Ia.’g0o, a great boaster and story-teller. Joss’a.keed. a prophet. Kaw, no. Keeway’din, the North- West Wind; the Ifome Wind. Malmal1be’zee, the swan. Mahng, the loon, the northern diver (Urinator imber) ,- an aquatic web-footed northern bird, noted for its eacpertness in diving and swimming under water. Me'da, a medicine man. Mushkoda’sa, the grouse. Noko’mis, grandmother of Hiawatha ; mother of Wenonah. Ome’me, the pigeon. Opechee', the robin. Owais’-sa, the blue bird; a small song bird (Sialia sialis), very common in the United States. It is related to the European robin. Pah-puk-kee’na, the grasshopper. Pone’mah, hereafter. Sha.’da, the pelican. Shin’gebis, the diver or grebe; a summning bird of the genus Oolymbus, found in the northern parts of America. Shuh'—shuh’-gah, the blue heron. Ugh, yes. Wabe'no, a magi«-ian ; a,;'ngg/er VVa/bun, the East Wind. Waw-be-wa’Wa., the white goose. WayWas’simo, the /ightnrirzg. PRONUNCIATION Ahkosewin Ahmo Annemeekee Buckadawin Calumet Chibiabos Dahcotahs . . Gitche Gumee Gitche Manito Hiawatha Iagoo J ossakeed Kaw Keewaydin Koomtassoo Mahnabezee Mahng Ma.skenozh:.L Meda Minjekahwun Minnehaha, Mondamin . . . Mushkodasa Nagow Wudjoo Nahma. OF THE INDIAN WORDS “SCENES FROM THE SONG OF HIAWATHA.” AS PRONOUNCED. nu — —— Y Ah~ko—se-w1n. Ah-mo. .. V _ _ An~11e-111e—ke. V .. Z Buck-zu daw—1n. to — V Ca 1u—n1et. c11a-1Y-'a1bBs (soft ch). D'2L—c6-t'zi11s. GE-che G1-Hue. G\i/t-ch}; M'a'.nY.t6. 1f-';i—w'a'—th'aL. ‘I/-'9:-goo. J3s-shL—1{éd. Kgw. I<é-w;-aYn. Koom—t.a:-soo. Ma.n'aL-bye-zé. Ming. Me's-1{\e-n?)-z.a'.. lwédéi. M\i/n-je-ke:-wﬁn. M\i/n-ne-h'a'-h'a'. Man-d.a.,-m\i/n. M1-1511-k3-d'a'-sis... Ne:—g5 W1:-j oo. Na:-m'a'J. AS spam. Nokomis Omeme Onaway Opechee Osseo Owaissa Pahpukkeena. Pauguk Pau—Puk-Keewis Pemican Ponemah Pugasaing Shada Shaugodaya Shingebis Shushugah Ugh Wabeno Wabun Wahonomin Wawbewawa. Waywassimo Wigwam Yenadizze EXPLANATION OF SIGNS :-—~ AS Przonounczn. Ncike-m\i/s. C)-mé-mé. 6—n'a'-xvi. (S)-pe‘-Che‘. E/)s—se-yo. ?)—wz{s—s£a.'. P5:-p1_1k-ke‘-ne.. Pew—gﬁk. l"0'\v-pi/1k—ke_-w\i(s. 1’\e/111115;/n. P5-ne-1n:a'.h. Poog-in.-s5'—‘ing. Sh'z£—d§£. Shou—g-E)-(1.5.-ygaj. Shivn-ge/-big. shﬁ-shﬁ-géIh. Sgh. W'a:—b-<3-n5. We:-bﬁn. W511-h?)-n-(3-m\i/n. W£i-bE-wé£.w£1.'. W2;-xviis-si\-/m3. W\i/g—W'a:m. __ v .. \_I .. Ye-na-d1z-za.. II n .. V V __ _ v V _ -— T ‘j \_/ y .. u a. 2: ﬂaw, a. = father, a = a111, a. := ale, e = end, e —_— eve, 1 = h1de, 1 = 111, o = cow, V S V odd, 5 = 61d, u :: ride, 1: = up V O: CONTENTS. I.§—HIAWATHA’S WEDDING-FEAST. “ You shall hear how Pau-Puk-Keewis "... “ Then the handsome Pau-Puk-Keewis ” “He was dresS’d in shirt of doe-Skin ” CHORUS . . “ First he danc’d a solemn measure ” CHORUS “Then said they to Chibiabos ”... TENOR SOLO “Onaway! Awake, beloved!” CHORUS “ Thus the gentle Chibiabos ” CHORUS . . “Very boastful was Iagoo ” CHORUS .. “ Such was Hiawatha’s Wedding ” CHORUS .. CHORUS CHORUS II.——THE DEATH OF MINNEHAHA. CHORUS “Oh, the long and dreary winter ” CHORUS “ Into Hiawatha’S Wigwam ” BARITONE SOLO... .. “ And the foremost said, ‘Behold me! ’ ” SOPRANO SOLO “ And the other said, ‘Behold me ! ’ " CHORUS .. “ And the lovely Minnehaha ” CHORUS “ Forth into the empty forest ” BARITONE. SOLO .. “ Gitche Manito, the Mighty I ” CHORUS “ In the Wigwam with Nokomis "... xl SOPRANO SOLO “ Hark ! she said, I hear a rushing " - OPRANO SOLO “WahonOmin! Wahonominl” BARITONE SOLO... “ Wahonomin! Wahonomin ! " CHORUS “ And he rush’d into the wigwam ” SOPRANO SOLO “ Then he sat down, still and speechless " CHORUS “Then they buried Minnehaha ” BARITONE SOLO AND CHORUS... “ Farewell! said he, Minnehaha " III.—-HIAWATHA’S DEPARTURE. A SOPRANO SOLO “ Spring had come with all its splendour " CHORUS “ From his wand’rings far to Eastward " TENOR SOLO .. “ He had seen, he said, a water ” CHORUS “ Only Hiawatha laughed not ” BARITONE SOLO... “ True is all Iagoo tells us” . CHORUS “ By the shore of Gitche Grumee " SOPRANO SOLO .. “ From the brow of Hiawatha” CHORUS “ It was neither goose nor diver " BARITONE SOLO... “ Beautiful is the sun, 0 strangers " 'I‘ENOR SOLO AND CHORUS . “ And the Black-Robe chief made answer CHORUS “ Then the generous Hiawatha ” . TENOR SOLO “Then the Black-Robe chief, the prophet ” MALE CHORUS “ And the chiefs made answer, saying " . CHORUS “ Then they rose up and departed” BARITONE SOLO... “ I am going, 0 Nokomis ” CHORUS “ Forth into the village went he " BARITONE SOLO... “ I am going, 0 my people ” ... CHORUS “ On the shore stood Hiawatha " c )1 SCENES FROM THE SONG OF HIAWATHA. I. HIAWATHA’S WEDDING FEAST. LONGFELLOW. S. COLERIDGE-TAYLOR (Op. 30, N o. 1). Allegro moderate. 11 = 136. > } _/ ’_‘ - _’ _‘ .p_ _a. ‘i — K"‘*“"‘——“\ P Fl. 0%‘ Trombe. cres. molto. 3; T“ > C'opyright, 1898, by Novella and Company, Limited. Colerid ge~Ta.y1or——Hiawa.tna.-Novello. B 8285 . " 2 Bomuxo. . . J‘). >- > You shall hear how Pau-Puk-Kee-Wis, How the handsome Ye - na-diz - ze, Danced all Hi— a- Wathafs Ame. _A,_#_,a—»~ >— >— > > > > You shall hear how Pau-Puk-Kee-Wis, How the handsome Ye - n-ardiz - ze, Danced at Hi- a-Wa,t11a;’s I mp with Wood- Wind. } TENOR. mf How the gen- Chi-bi - a- bos, BASS. mf How the gentle Chi—bi - a— bos, the sweetest of mu-sic-ians, Sanghissongsof love and longing; } the sweetest of mu— sic-ians, Sang his songs of love and longing ; }- 3 SOPRANO. How I - ALTO. How I - TENOR. How I - BASS- How I — 3 Sir. a - goo, the great boaster, a — goo, the great boaster, er a — goo, the great boaster, a — goo, the great boaster, J; Wood- Wind» 4,“ ven - ture, ven - ture, ven — ture, the marV’llous sto - ry— teller, the marv’llous sto - ry - teller, the marv’l1ous sto - ry- teller, the marv’l1ous sto - ry— teller, .1. That the Told his tales of strange ad Told his tales of strange ad - Told his tales of strange ad - Told his tales of strange ad - feast . ‘>- . might be more That the feast might be } That the feast might be } That the feast might be Sf S129‘. arse. Qf 4 > That the time . . might pass more gai - ly, And the guests > >- >- gr-ous, That the time might pass gai - ly, And the guests } > > > )'<J>y*- ous, That the time might pass And guests > > joy-ous, That time mightpass And the guests . . . be more con 8f V St - tent- ed. Sumptuouswas the feast N 0 at Hi - a Sumptuous was the feast N 0 - tent - ed. was feast o - ko —mis > - tent - ed. Sumptuouswas the feast N 0 at Hi - a /7,61" .Q_ tha’s wedding. thafs wedding. } tha’s wedding. } tha’s wedding. > All the bowls Weremade of bass-wood, Whiteand. mf _.___{-—__f—__ > All the bowls were made of bass-W , White and 5 Str. pfzg. - ‘la.-I ' - ' -0-1 1!]- All the spoons of horn of bis — on, Black and polished ve - ry mf > > All the spoons of horn of bis - on, Black and polished ve - ry polished ve - smoothly, polished Ve - ry ' ' ' ' Wood—'Wz'nd. /"i""—j?T A :t\/ _a_ Ped. \-/ smoothly. She had sent . . . Mes - sengers with Wan oW, smoothly. Mes - sengers with wands of wil- low, L: L- She had sent thro’ all the vil - lage es — sengers with Wands of wil- low, - _ TM TM; hadsent thro’ all the vil - lage Messengers with wands ofw1'l- low, /\ my sign of in - vi }- L.H. f ores. molto. tok -en ; . . And the wedding - guests as-semb-led, > tok - en of the feast - ing; > tok - en of the feast - ing; Andthe guests «I f Wood,-Wind only. Clad in all, eir nch-est rai- ments, ? Clad in all their rib/h - est rai— ments, /'\ - semb - led, Robes of fur and belts Splen—did with f paint and — mage, Robes of fur and belts wam — pum, 5,.- Sp1en—didWith their paint and plu - mage, /"*3 / 3 Beau - ti — mi with beads and £3; } Beau - ti - ful with beads and > Be2u_1 - ti - ful with beads and tas > > Beau - ti - ful with beads and tas - sels. ./*‘:"‘T _.<»-3.374 molto pesante. they ate the stur-geon, N ah - ma, And the pike, the > > they ate the stur - geon, 2' > they ate the stur - geon, >> First they the stur - geon, .,_..__ﬁ. . . / Str. >' Caught and cooked by old No - ko - mis, > > > Caught, cook’d, by old No-ko— - mis, > > >' Caught, co0k’d, A by old No-ko - mis, > > > Caught, cook’d, by old No-ko - mis, ;I7°> On pem-i - can they feast- ed, On pem-i - can Then pin-i - can they Then on pem-i - can they 10 :0“. Haunch And buf-fa - 10 e mar — row, } mar - row, Haunch > Pem -i - can and buf -fa - 10 gr - row, Haunch Pem —i- can and buf-fa - 10 mar - row, /._\ Yel - low cakes of the Mon- - min, el - low cakes of the Mon - - min, Yel - low cakes of the Mon- - min, 6- Yel - low cakes of the Mon-da - min, } feast - ed, - ed, rice ' dq}m_ Wood-Wind. 1 2 Tmnquillo. gra.—cious Hi 4 a - Wa- And the love - ly Laugh-ing -L 1 Andmeibze‘ 15% But the gra-cious Hi - a - Wa- love - ly Laugh—ing 1 2 Tranquillo. Wa. - ter, 'i‘ “W‘\/ Wa. - ter, . . And the care- ful r(L_l\]:(_);1(#Q Wa.- te‘r,’.. Andthe care-ful old No-ko 110 - fore them. not the food be -f them, On - ly wait - ed on the On — Wait - ed on the dim. e rail. PP —o: - 7 _ U“/“o:_________;af s1 - lence. . . dim. e rall. PP V _ g__j/ s1 - lence. . . . 007- ii‘ Fag-/"\ f\ /‘T dim. L; e rall. PP (sotto voce.) 0- thers, On - ly serv’d their guests On - Ly serv’d their guests in /\ 13 12 Bmsms. W0 >7 And when all the guests had ﬁn-ish’d, /“"'*T /'_"'-"T T‘ > Cl. cﬁ Fag‘ > >f“—’T Old No-ko - mis, brisk and bu-sy, From an am - ple pouch of ot-ter, > ’,—\ 14' ALTOS, — Fil1’d pes for smok- With to-baa - 00 from the South TENORS. _ Fi11’d. the red stone pipes for smok-ing to—bac - co from South-land, ? the pipes, for smok - ir}\g, /‘ /- 15 Sopmmos. And with herbs and leaves of frag-rance. Mix’d with bark . . of the red Wil - low, _And with herbs i Mix’d with bark of the red wil- low, And with herbs of fragrance. And with herbs and leaves of frag- 15 > > Sopmmos. Then she said, . . . Sva .......................................... __ > “\ ores. ed with Brass. pesomte. Allegro molto. ﬁ0> “ O Pau - - Kee - Wis, Pau - Puk- Kee - Wis, Pau - Puk- ee-Wis, . . Z"‘\ “O Pau - Puk-Kee-Wis, . . molto. J Z 168. . your mer- ry . your mer- ry . your mer- ry . your mer- ry poco allowgando. >- . . the Beggar’s to please . That the feast; > } >- . the Beggar’s Dance to please That the feast > " > [2060 allamgcmdo. . the Beggar’s Dance to please > > . the Beggar’s Dance to please \ poco allarganolo. > Str. Wood-Wind at Cor. poco rollmyando. _d_ V 17 more joy-ous, That the time may pass more > more joy-ous, That the time may pass > > That the feast may j0y—0us, > > That the feast may more rﬁ /'—"'*"T guests guests con - tent - !” guests con - tent - ed !” _w_ guests be more con-tent- !” 'T 18 Tempo lmo. BASSES. the hand—s0me Pau - Puk - Kee-Wis, Tempo lmo. J ;.— 136. . W000? <9‘ 007“- the met - ry - chief - mak — er, Whom the peo — ple ca11’d the Storm-Fool, among guests as - semb among the guests as - semb - among the guests as - semb - ._v_ .0. among the guests as - semb mp Ski11’d . . sports, mf Ski]l’d was he ' In the mer - ry dance of snow - shoes, mf . . - _,_ . _,_ Ski11’d was he in sports and pas - times, In the mer - ry dance of snow - shoes, /T /‘S /"\ Z5 Z5 /‘T /"f KT con Ped. Ski11’d . Skill“ In the play of qﬂits and ball - y ; In the play of quoits and ball - play; f; 20 8va ....................................... .- /.5 . I /‘T ' /‘T ff ‘games of haz - ard, , In all games of skill and haz - ard, Pu - ga-saing, games of haz - ard, In games of skill and haz - ard, Pu - ga-saing, Bowl and - ters, Koom - tas—soo, the Game of Plum - — Bowl and Coun - ters, Koom - ta.s—soo, the Game of Plum - stones. Koom - tas-soo,_ the Game of Plum - nes. o Koom - tas-soo, the Game of Plum - stones.21 Sam } , _Q_ } Z—$ /‘*3 2'5 2'"? T (‘T ' ores. molto. Though the War- riors ...S 3?” a tempo. . -1- Coleridge-'I‘ay1or——HiaWatha.—Nove1lo. C Ca11’d him coward, Shau - go- da-ya, I - dler, gam- , Ye - nardiz-ze, ca1l’d him Fa-int‘Heart,, > >. 2-5 Lit- tle heed—ed he their jest - ing, } molto cres. For the W0 - men maid- ens > For the W0 - men maid- ens > molto car’d he for their in - sults, For the W0 - men and maid-ens 22 For the W0 - men and the maid- ens b T > /4* molto ores. Lov’d the hand - some > Lov’d the hand — some > Lov’d the hand - some > Lov’d the hand - some {\ Pau - Puk - Kee Pau - Puk - Kee Pau - Puk - Kee Pau - Puk - Kee 23 _:,7c> lov’d the handsome Pau } lov’d the handsome Pau } lov’d the hand-some Pau > lov’d‘ the hand—s0me Pau 23 [x poco a poco. A T-"—\ -9- Allegro comodo. oi-= 84. 24 f\ A .4. ’_ A‘ 7’ Wood- Wimf: V >- 25 SOPRANOS. He Was dress’d in shirt of doe - skin, and soft, and fring’d with er-mine, Amos. 1- :-_¥__, : --L --.'- -r- 1/ 25 He was dress’d in shirt of doe - skin, White and soft, and fring’d with er—mine, >Z"‘\ 5'1 2"T /"1 55 >/"T >/"T in - Wrought with beads of wam-pum ; -wrought with beads of Wam-pun); > 3:'—"\ ET {T L; Str. at Wood. > > . molto. \_/ He was dress’d in deer - skin 1eg—gings, Basses. — Fring’d with hedgehog quills 2:- He was dress’d in I Z‘—:'T<-1 \ deer - skin leg Fring’d withh } /’\ quills > <*"—\ \_/ Thick with quills and beads — Thick with beads And in moc - ca — sins of buckskin Thick with quills and beads -- of buck-skin And in moc - ca. - sins T—'—:'\ Str. pizz. ' Sopnmos. On :=- On /\ /_-———\ aud. er- mine, and er- mine, >/‘ em - br0ider’d. } em — b1'0ider’d. } em — broider’d } em - br0ider’d. his head Were plumes of swan’s down, T his head were plumes of swan s down, > On his heels were tails of fox-es, On his heels were tails of fox - es, > > > 3 > the o—ther. > And a pipe was And a pipe was the o—ther. Tmrons. >- And a. pipe was the 0-ther. BASSES. } And a. pipe was the 0-ther. 28 } In one hand a fan of fea-thers, > In one hand he 3 fan of fea—thers, 2-3 Barr’d with streaks of red and - low, Streaks of blue and bright ver—mil - ion, > > > A Barr’d with streaks of red and yel - low, Streaks of . . ver-mil - ion, > > > > with streaks of bright ver-mil - ion, > > > > > streaks of bright > O 292? Shone the face of Pau- Puk- Kee - Wis. From his fore - head ' tress - es, >> > > > > Shone the face of Pau-Puk- Kee -Wis. From his fore-head ' tress - es, Shone face of Pau- Puk- ee - From his fore - head /\Shone . . the face of Pau- Puk- Kee - Wis. From his fore — head ' tress - es, 29 >> Z‘ Smooth and part-ed like a Shin - ing bright with oil, and plait - ed, > > > > Smooth and part-‘ed like a - Inan’s, Shin - ing bright with oil, and plait - ed, > > > > Smooth and part—ed like a W0 -ma11’s, - - ing bright and plait - T > Smooth and part-ed like a wo- man’s, bright and plait - ed, /\> > ' . ‘S ' } Hung with braids of scent—ed grass - es, > > > Hung with braids of scent—ed grass — es, } > > braids of scent-ed grass - es, > } -0- Hung } Hung with braids of scent—ed grass — es, > - /\ a. poco. To the sound of ﬂutes > > _poco of ﬂutes To the sound } 2 _poco. To the sound ﬂutes (1: 27000. > To the sound of ﬂutes and > > > sing - ing, sing - ing, 99- sing - ing, )- the handsome Pau-Puk-Kee -Wis, } > } the handsome Pau-Puk-Kee —wis, > > > the handsome Pau-Puk— ee -wis, }}}- the handsome Pau-Puk- ee -Wis, > > ores. > a - Inong ares. > As a-mcng cres. > As a-niong mp - c7'es.> 30 As a-mong } 7 > cms. Wood & Trombe. } > poco . guests as — semb - led, -?__poco guests as - sen1b- led, > guests as v sen1b—1ed, >- guests as - semb - led, }- f\ To the sound of drums and voi - ces, } the sound of drums and voi - ces, ‘> 0 the sound drums and voi - ces, To the sound of drums and voi - ces, } his mys— tic his n1ys- tic his n1ys- tic his mys - tic , First he danc’d a solemn Lento. O -_— 78. /_ Sta‘. PP mea - sure, Ve-ry slow in step and ges - sure, . . In and out a.-mongthe A Pad.- TENORS. P >. ’ the shadows and the_ sun -- shine, . . Treading soft - y like a. f -'~ > . pine trees, . . Thro’ the shadows and the sun - shine, . . Treading soft-ly like a. r——j,\ /\ . -O- P-£21 mosso. pan - ther, . > /‘\ -9- -0- pan ' ther’ ' ‘ Piio mosso. 0' — 100. "> 32> Z.‘ . Then more swift - ly and still swift - er, Leap -ing o’er the guests as - semb - led, . > Whirl-ing, spinning round in cir - cles, Leap - ing f—-—:—'—‘\ _} > -O- . n 33 _/ 171760 leap-ing 0 er the guests as - - led, . . Eddying roundand the wig - 33>"> > > ’ the guests as - semb - led . . Edd ing roundandroundthe Wig - Warn, 2 Y 27 SOPRANOS. Pia mosso. Till the leaves. . Went whirl . mg,‘ l > Till the leaves Went whirling with him, Till the I _o_ > . O Till the leaves went whirling with him, Till the Pm mosso. ti‘ = 120. T Str. 01. 0% Fag-. ,\/ him... ed - dies round a - bout and Wind to - ge - ther Swept in > dust } and Wind to - ge - ther Swept in ed - dies round 3. - bout him. . . 5 " \ /‘ A 5 34 Pia presto. Somme. Then 3,-long the sand—y mar - gin Of the > > a- long the mar - gin Of the Then I’';':''_‘'\ Pia presto. J —_— 144. lake, the Big - > lake, fren - zied ges - tures, Sf Molto vivace. Malta vivace. do: 56. /.._ Sf withBrass.> > > Big - Sea — On he sped with fren- sped with Stamp’d up -on the sand,and t0ss’d > L .7?”> Stan1p’d up-on the sand,zmd t0ss’d 81?” tr sf } Sopmmos. ﬁ> _ TENORS_ Till the wi>nd Till the wind r—g the sand ' Like great > —-i the sand - ' - Like great: > ____._j._. the sand ed > Like great great > > > ...)- snow — drifts o’er the land .- scapes, Heap-ing . . . . the shores 17” > snow - drifts o’er the land - scapes, Heap-ing the shores With Sand ~ Dunes, } sempre > ,-\ snow - drifts 0’er . . the land - scapes, Heap - ing the shores with Sand - Dunes, } } '57- > drifts, Heap-ing the shores with Sand — Dunes, _.>> sempre Sf Pedrd - 36 A } } C7'e3.} } Sand Dunes, S-and Hills of the Wud-j00! /-\ } C7"€6‘.} } A of the - Wud- 00 > . Hills of the ud-joo > c,,.es_> > /\ /\ /‘S /"""— “\ I-I ills of the -joo } } Trombom. 33 Molto pesamte. sempre > > ﬁg > > > Thus the mer - ry Pau-Puk - Kee-Wis Danc’d his Beg- gar’s Dance to please them, SQWLPTG } } } } } } > Thus ,the mer- ry Pau-Puk - Kee-Wis Danc’d his Beg - gar’s Dance to please them, sem 7'6 >29 > } > } > } Thus the mer- ry Pau—Puk Kee- Wis Danc’d his Beg - gar’s Dance to please them, } } j } > > - . Thus the mer - ry Pau-Puk - Kee- Wis Danc’d his Beg-ga.r’s Dance to please them, M olto pescmte. J = 130. f'—'-*7 /\ J?‘ re turn -ing, sat down laugh-ing There a-mong the :} é t - b-ld guess as seg e, re— turn - ing, sat down laugh-ing There among the guests as - semb - led, > > > re— turn-ing, sat down Iaugh—ing There among the guests as - semb - led, > > —r > " re-turn—ing, sat down laugh-ing a-mong the guests as - semb — led, > L O . __-_; X41 i . . L 1 ‘ ‘W 1 ! ,' . ‘ . ‘ ‘ 1 Sat and fann’d himself se - rene - ly VVith his — fan \ > E. <: > rall. |‘I ﬁ'1 I . 1 E ’~s=-=r—r—+.~Q—ei ' . Sat and fa11n’d himself se - rene - ly With his fan of > > > > :=- __{_ > Tall- Sat and fann’d himself se - rene - ly With his fan of m -i tur - key > _> > fall. A A Sat andfann’d himself se- rene - ly With his fan of tur - key ? sf sgﬁ‘ rotll. fea - thers. Aa tempo. fea - thers. (1 fea - thers. > > fﬂ’ a tempo. >1 _q.. Sir. Cl. ct C01‘. h_jj_.___._/ Con mate. Then said they to Chi bi they to Chi-bi - a - bos, _ . they to Chi-bi - a. - bos, ml’ _,:. Then Said they to Chi - bi - a - bos, ! C'ou moto. 0 : 75. To the friend of :. To the friend of of To the friend _ /A To the friend of *-—h:.j. mp Wood-_W7ind. Li L: 9i 1 I L g _ ___l_.__ ._._ . (I ’I* - ._.$;_.._ ﬁg L4 0 _ , , _ r 1-, . 1 the sweet * sing - ers, To the best of . . 0”” . the sweet-est: of all smg -ers, - 1%‘ - - I I ‘ - -' I 0 I C . ' I ‘ I l I I I V _ I sweet;-est of all sing - ers, To the best _2:"‘ ,1 . 1.; A x l 4 Ir L l l I l I I l I I To the sweet- est clans, - cians, - ciaus, si - cians, Str. .2 007'. pp oices alone. .9- .. 5.._.j_ -,_.____ -6- -5» -F‘ \‘____ X _ J- Ooleridge-Taylor-—Hiawa.th9..—Novel1o. D a - bosl Songs of love and songs of long-ing, .—__———*’—.' m n a-bos! and songs of long-ing, :;j-’ -9- Songs love —-=—-:: /\ and songs of 1ong—ing, 4}’ Songs of love - A a.-bos! a - bos! Songs of love and songs of long- ing, 1 joy - ous, That the time may pass more i That joy - ous, gime mw more That the time may pass more joy - ous, may pass more con - tent - ed ! > con -tent- ed! . . > con- tent ~ ed! >- con- tent- ed!” . . Str. con sord. more . t the feast That the feast may be more the feast may be more more That the feast may be -3- our guests } our guests } our guests } .9- our guests —4— And the gen - tle sweet and gentle Chi-bi - a Bvw .................... r * >- |>- —¢— -—¢- PP Harp, Woodr Wind .2 0m‘. mfstr. tones of deep - mo - tion, L ____o_.— Sang in tones of deep e - mo - V -9- -av Pad. V’ 44L 37”‘ _[______.__— Look -ing still at Songs of love . . and songs. . of long - ing. Songs of love and songs long - ing. . Look - ing at fair . . Laugh- ing W3. - ter, sostenuto. rwq-_1"_ 4/ With Trombones. Sang he soft - ly, ram ~ - Sang in this ._._—-—-—-——-1 } 4'5 Andante eon moto. J = 120. _» .ﬁ*l5‘- 9%: Hz; -, -._ —b o——«b L 1 l i ‘::EF" K I ' 4 1 an Lu 1] 4 Str. can sord. (0: 012013. PP tranquillo. Tmzon SOLO. “On—a - way! A-wake, . .be - K /' KT-"\ wall. {*3 Pfatempo. > Thou the wild-ﬂow’r of the for - sempre. Thou . . the wild-bird of the prai - riel . . Thou with eyes so soft and Z* . } } fawn like I Ifﬁu on -ii. /..\>/.\ prai-rie, When they feel ,1 It 47 a tem o. tranquillo. }"§ } Sweet thybreath is as the fmgrance /"T . the dew .1 accel. > ores. As the ,__%> , / Peal. dim. e A rfzll. . up - on dim. e rallkgj the wild-ﬂow’rs in the As . . their fragrance is at K'\ /'5 /._._.——:___.h > /'\ 48 eve-ning, In Moonnwhenleavesare fall - /-x r-—\ > éppasszonato. f> _______ > Does not all the blood within me Leap to Ineetthee, leap to meet thee,As the springs to meet the sun - shine, . . K_\ 3 rall. ----=;—: In the Moon when nights are bright;~est ? -0- - -0- -0- Sings. .With joy . . wheuthouart near me,. . As the sigh - ing, sing - ing > > -O-f?"—-T branch - . . In 40 , — the plea-sa.ntMoon of Straw - ber - When thou T 4 art poco 7-it. Then my heart is sad and dark-en’ "T /"—'——"“"\ not p1eas’d. be - lov - ed, ——-3 T,-\ .drop sha. - dows er dark-ens When the clouds . i"_1_ dim. e Tall. 3 51 Con moto. When thou smil - est, my be- .LT PP heart . . is bright - > /__:,_ ‘ 52 - shine gleam the rip - p1esThatthec01d windmakesin riv - > \ E > ‘ > T largamente. } Smiles the earth,and smile the Wa - ters, Smile the cloud-less skies a.-bove us, KT K“-"\ 1. A. 3 . lose the Way of smil - ing When thou art no l0ng—er near 33 -; /—/#_--\a% --—--“h-*‘''‘"‘' Tall. a tempo. mp M eno mosso. /\ Blood of my beatingheart, be - hold me ! - wake, Meno mosso ,_ 1- Ped. PM molto wall. *7" { T tranquillo. /3 a tempo' On- a - Way ! a - Wake, 'T /'.“\ PP molto rall. Lento. Somme. gen- tle Chi - K1 gamleciu-bi — a . bo?’. L: in D . . .1 "q—"“‘*5.—}—*3—i—r-—}—' _ V 1 L - :3 * I : : -tleChi-bi - a. - bo?’.. Sang gen - tle u Lento. I = 66. ‘ 't Poco piu mosso. love and long - iug; . . love and long - ing ; . love and I - ing; . . ,_ love and long - ing ; .\. 55 P000 pm mosso }- /— 3 7‘ 1‘ S tr. animate. ores. accel. Pin mosso. ::>>> And I - a - goo, the great boast-er, . . > > —-1...’/':,_-.—*-——-> >/\ And I - a. - goo, the great boast-er, .\. \ /——T Piio mosso, T J‘: vC. I1 } the mar - } the mar - v’1lous sto si - cian, si - cian, si - cian, si — cian, .\ friend of . . > the friend of sweet mu sweet; mu sweet mu of the sweet mu T , . Jeal - ous of th'ap—plause they gave him, J eal - ous of th’ap~p1a.use they gave him, Saw in all the eyes a - round him.. 12000. > That the wedding - guests as - sémbled Long’d to > looks, That; the guests as - sembled Long’d to Saw in all theirlooks and Saw . ___j_.'.§. ges—tures, . that the guests as - sembled > /‘«'—‘—"_*/'7-_ Saw in all their looks and ges-tures, Saw . that guests as - sembled /_—j—-‘-7 rall. >> -<: >>>>>__.e-—-r.\ . 1 _.__l___I 1 . #3 I 1 . . . . 1 -———lj~a—;-9,-—o—1—1=——1:~—1;~1—‘-_.e—e—‘—4> 1 hearjﬁs sto - ries, Hvis iln - mea-sur - a. - ble false - h rail. } } ﬁ>.">:‘>‘ plea - sant; :5 ::»:.-::a»—**i—..‘—I—w' ‘—‘a--‘—o‘—1—+*—-~~~——M———e—~=~‘ 5' ‘l I 1 1 r' 1 ,‘;4aaoa_L_i__, His im - mea-sur - a. - ble false - hoods. . . rall. - "1 1 >:>_~>.->:-r ‘ \ \1 l\ 1‘\__1l\ LI l l I hear His plea. - sant ,_‘;a_r::a:l: ____, C H1s 1111 - mea.-sur - a — ble false — hoods. . . ra/ll. :o-?—:o—?—‘{"—o—.—~ . » . I .1 T: 14 l: I l L *1 _1 1 7 1r 7 v i 1 1 ~ 1 his sto - ries, 1 -J” Ills im - mea.-sur - a - ble false - hoods. . “#9! F 1 Q _=1H= we \._ no It §:|'1‘.\:.-. 4.9.1; I Pedfd‘ 57 Jlloderato energico. J : 100. l I I mp Clwr. J: Fag. N ev-er heard he an ad - ad - ven - ture, } - ven-ture thim - self had met a. great-er; an ad - ven - cure, f> ~93 nev- er a - ny deed of dar - ing But him - /T E } A ” " -0- deed, > Bghimselfcould tell . . a. . > > _ﬁQ> >/_\ Nev-er a- nymarv’1loussto - ry -self could tell self had donea - r . . But him -self could tell a > > /: A, _, _, -0- ->o-/'\—o- __ — - -. - _ r Would you to his boast-ing, Woulo you on - ly ve him cre - dence. > > _'_ .0- strang - er. - . on - 1y give him cre - dence, } } } } strang - er. . . on - ly give him cre - deuce, /T >—~— strang - er. . . /:_T .10’. one ev- er shot an ar - row so far and h > Half so high as > —:-i Half so high as >- — Half so high as 0 /T > Str. pizz. 3 1‘ caught so ma-ny ﬁsh - es, ki11’d so ma.-ny rein-deer, —er tra.pp'd so ma.-ny >— >—— _v. caught so ma.-ny ﬁsh - es, Ev - er kiH’d so ma.-ny rem -deer, Ev-er tmpp’d so ma- ny > > Ev-er so ma.- ny h - es, Ev - er trapp’d so 1113- ny bea. - verl A l\/\ j Ev - er ’d.. or trapp’d 12 2-13 W005’ W‘-”d' Wood- Wind. 48 61 > bea. - ver!.. Nonc couldrun so >'* -0- bea - ver !. . None could run so fast as could, > N onecould run so could, . } >———-——— bea. - ver!.. N onecouldrun so fast as > w“ With Brass. dive so could, one could swim could ; . . } dive so could, one could swim could ;.. } }- dive so deep could, one could swim could ; . . None could dive so deep he cou>ld, None could swim could ; . . > > > f—\ > >/.\ ..‘_ -'_ .9- N one made so neys, one had seen } None made so one had seen } N one made so N one had seen \ > None had made so ma. ' None had seen. ma. - ny } } } } -0- 62 mar - v’l1ous sto—1'y - tell mar - v’llous sto- ry - tell sto- ry - tell der -ful mar - v’1]ous sto- ry - tell /—""__‘-'——'—'T 4- : E" > f marcato. } > > Allegro molto. J : 130. /-\ > 1-0-. ' a. - mong the >> >>_>> I A I I? I I I I I I _, ' _ .2. Ia+ur}7,—-iT;§—<I-—-~':¢-{-:r-':i|§-‘- —I U name be - came a. by - word And a jest: a. - mong the > } -1* -5-: -‘ . >r'\ l\ >5‘ ’ ._L,‘._.__ _:5_ -?7\ . "- 1232» I I1 I Ei- Str. Fl. da 007'. 2 I? ‘ .;E:,.__a If... 1% Pad. Coleridge-Tay1ox——Hia.wa.1ha..—Nove11o. -chieve - Inner-‘ts, And when—e'er peo - plel . -e'er a war - rior, home 1' a. war — rior, home V > 4* CV65’. £#‘f' 3"} " ‘F’ .! ‘F ‘ ‘ V' ' ~ 1 U. L . ‘II. ' l . ‘ 1 ‘IT 1 ' > . . r I ' '1 -chxeve - meuts, 1] his hearers cried,“I CV03, ‘. \ ______.<___,\ A‘ __ ' of " 1*.’ *‘——-*7 " All his hearerscried,“I - GT6-9. . \ g4 - D 3' 0*" " g . —t—tfti_’*{* ‘r, ‘ L_ J '77 | 1 V in; v’ :2.-goo! > > All his lrearerscried,“I - C77-'3» -0- 11. A D . 4 ]1._T£' . I1 .' '” I ‘ I: .1 V I? J I V ' 7 ' I All his hearers cried,“ I a. boast - ful hunt - er Prais’d his own a boast - ful hunt - er Prais’d his own Eff: ad- dress too ad- dress too re - turn - ing, Talk’d too much re - turn - ing, Ta1k'd too much } I #3“ 1 > > ¢4‘f{7— ‘II. ' I l I ' I L ‘IT 1 I I I f 1: Here’s I - BT08‘, 1:E*f:;£{W*F-::- ‘ C9'C:9\. } } 3: goo, come a - } IIere’s I - a - goo, come a - C783‘. }. } } } 0 —1—a J ' I 3 Here's I - a - goo, come a f>> - Inong us!” . . . . >f\ /""*—$ - mong us!” . } } c. - mong us!” . 770-’ "_\/ >—— — mong us!” . >>>> 8.1?" 81? 8f it 32 -31 d. P \/ { :> -‘-1 65Pe man it was who carv’d the era - dle >- He it was w carv'd the cra- lit- tle Hi - - Wa- mpA He 652%, ‘$1. mp St7z<.!z0or. >- Ped. } D C'arv’d its frame —work out of lin - den, Bound it strong with rein—deer’s sin - ews; — > —e: lin - den, Bound . . with rein-deer’s sin - ews; > > Carv’d its frame-work out of lin -den, Bound it strong with rein—deer’s sin - ews; / \ > Kj—’T with rein—deer’s sin - ews; was who taught; him lab - er I /\I J ' '* -e Had. ”\ — - ~— -9- :—;‘:|:ge‘I U: P *‘f . | I; 11 '__1L 1 I L . who taught him How to make ash -tree, — How to make the bows ash -tree, - }' How tomake bows and ar-rows, ow make the bows ash- —: }- — How to make the bows and ar-rows, How . . to makethe bows ash- tree, And the - rows of oak - tree. — > And the ar-rows of oak - tree. - > ar - rows of oak - tree. > at - rows of oak - tree. --H" 3 -4- Str. ct O0d.- Wind. a - mong the guests as - semb-led ' a. - wa.- tha’s wed-ding > a - mong the guests as - semb- led ' a - wa- thafs wed-ding > a, - mong the guests as - semb- led ' a - Wa-tha’s wed—ding > So a - mung the guests as - semb-led ' - wa.-tha.’s wed-ding A Q. ﬁ> Str. Wood dc 0o'r. the mar~v’llous sto - ry - tel-ler. —----—=-;__*' > - a. - goo, old and the mar-v’l1ous sto - ry - tel-ler. ““"ij‘ > - a - goo, old and the mar-v’11ous sto - ry - tel-ler. : *‘ '% ,,, > - a - goo, old and the mar—v’l1ous sto - ry - tel-ler. } } fff ben marcato. Pedrf , Pad. with Brass, Drums, cf’ Cymbals. 8285. And they > > And they > >- And they > 3‘ And they /5 -9- '—+ Molto moderate, come al 1ma.’5" 70pesa,nte. Pad “O good ; ~ > > Tell ‘J “O _ “O ggd I V- } -0- “0 good I Tell us now a tale of 7011/[olto moderato, come al lma. > > > > > strange ven - ture, strange ven - ture, strange ven - ture, strange ture, > > > > the feast joy - ous, :2? L the feast joy - ous, ii: i- the feast joy - ous, e That the feast more J'(>>y - ous, > > :1?" m more gai — ly, And 0ur<;gue?‘t;_ be may pass more ' - ly, And our guests L3. -1 3.» ma ass more ' our nests pass more ' our guests } f—t"'_"T }}—} 2 tent - ed!” tent - ed!” tent - ed I ” tent - ed!” 72 And I - a.-goo answer’d 2'5 I ' 56 straight - way, . “ You shall hear a tale of Won Fl. 0b. :9‘ Str. ‘ d -—-'‘’'‘‘‘§‘'' :- .Q.. Jzm e rall. You shall hear of strange ad - ven - tures.” . h dim. a rail. A. 73 Poco meno moaso. AL'1‘0S- — It So he told the strange ad - ven - tures Poco meno mosso. /' WP sempre. Str. trem. the Ma gi From the Eve Star de - scend - ed. f-_"—'_——'—__-'j_':'—T ‘S- \_._...._..__...._...._.__./ 7: Ped. Pad. ‘:4’ with soft Brass. 3285, 74 Meozo mosso, Such mf . Such was M eno mosso. ,_.. 74 O mf sostenuto. str. 01. 0b. & Fag. And the And the And the And the 57 t;ha’s fved—ding, tha/s wed-ding, tha’s wed-ding, - th-a.’s wed-ding, /'—__'j—T guests guests 6_ . wed ding-guests din g-guests the wed-ding-bzt/m;_uet ban quetz ban - quet ban - quet; de - part - de part - ed, Lezzv - “____:-— de - ed, Leav L--9 part; de - part - ed, Leav - ing . and Min-ne - ha L well. A With the night . and Min With the night and Min /\r-—— P ra M eno mosso. > ;-5 -3? mg 76 A 4 _& —-\ 1‘L.¢t Tr. L; -6_\_;€. L_____J tranquillo. j. PP Pppﬁtti. :1: PF?‘ Ped. Tempo lmo. >/T SCENES FROM THE SONG OF HIAWATHA. II. THE DEATH OF MINNEHAHA. LONGFELLOW. S. COLERIDGE-TAYLOR. (Op. 30, N 0. 2). Larghetto lamenvaso. - - > " Copyright, 1899, by Nrmello and Company, Limited. 8299. 4 > H --mfﬁxfag _ l .*x_, , 3 - 0' 1 9 1_,a_..,,.}_.w:_‘_“a I ,_;.r1_l_ Oh, the long and drezn--y Win-ter! Oh, the cold _$_CONTRAL'I‘O. ‘:1 > :7; ‘(if > '_‘____E_:'.__.’~—'*7_:[4_'7L]”/__,§ ‘ \| j ,1‘\.% _\ ;‘-“fr” ’a::a_, 1-0 1 5.; Oh, the long and dream‘-y Win-ter! ii —"‘.::=— } __ I ‘ >- N —_"@""m”._:~I J._ 9 F‘ \.I 2 «\ xx, I‘ '__ I F ' a:l—’ d! ¢__,~J:U:i -=1-§~.— "‘—“"' Oh, the and drear-y Win - ter ! Oh,!the eold and cm -el Win ~ tier I Ev - er -T": ‘F >- cres. E -‘’‘”F’ ,0 ‘ I , ' F 1- _ , : v~v—,u— ' A in F m, and dreary Ev — er Ped.V A ares. poco pace. 3 h> — ~r‘~ $‘::§ - ‘ ”' "*1 £- - _...__+_4_ _ ‘- —¢ o——l3——+> L? a~_. * '-'“9% T "—l'——l*—‘-’ — . -'?l7—‘-’l"':lEE. 4""'Lf‘tIT—:‘ li '"‘a{' V',,"1l' EV] ' V thick-er, thicker, thick- er F roze the ice on lake and riv - er, Ev - er deep-er, deeper, A cres. poco a poco. 3 ; 4 ix xx ﬁ‘T"T‘—T.‘_'* 4 , r-1. . l__¢_;.__0_¢‘-;.£J:‘l_ﬁ.,_.i:’.‘.‘:ﬂ2’_ _?*fl""':!:_’_ thicl<- er, tliickgr, thick- er F roze the ice on lake and riv - er, Ev - er deep—er, deeper, A ores. poco a, poco. 3 > _ I,. I. *$+1p—a—ﬁ-P~l*1."—.-074 1“"‘{'iq_;__ _‘_ o - g:o+'-lVL—P .4 -°—P—l-0—.4—a—.0—F—T- Fi ': :_,~vl! VG1#'y/51! ;,;,—¢—l! 9-‘: 5'l+—P——l—V—¥—l: U thick» er thicker thick- er Froze the ice on lake and riv - er Ev - er deep-er, deeper, 3 1 3 A ores. poco a poco. 3 > T9 J‘ I‘ 1 { .\.M \. 1: (1}§___”—v:_“z_iﬁ;‘:S}_,_.,';_,_-_,_ 1/ ;'§—o——o——_,—,u-—a—;_s2._a~_a_--a+_o - o—a - ,9-{-a_,-v _ 7,, . . .4 u : 11. #1:7z:‘_:P:1_ 4@~—“+—v~L9~—9—Pr——' ”‘ ‘F‘—i—+~—~? V 5 ll *2 ‘* l :1 ++~'v=—1V—?;E thick-er, thicker, thick- er Froze the ice on lake and rivA- er, Ev — er deep-er, deeper, TS (§ J I 9 ". —Jq j 0—O'§ 7:. I V d‘a’ cres. 17090 _‘6_ 5') I I Q I 1 L e;»>o—— .. $9?-/’. ~ dim. deep-er ell snow o’erall 1e landscape, Fell covering snow and drift—ed Thro’the A dim. deep-er Fell the sn/\0w o’er all the landscape, Fell the covering snow ancl drift- ed Thro’ the _ ' (lion. deep—er Fell the snow o’er all the landscape, Fell covering snow and drift- ed Tlgdthe A - dim. ' "' deep-er Fell the snow 0’er all the luxxdscape, Fell the covering snow and drift- ed ‘l‘hro’ the F /——jj:S > > '9_ r—‘-—-j—"""\ /'5 for - est, round the vil - lage. > for - est, round the vil - lage. >- for - est, round the vil - - P /\ for - est, round the vi1- lage. {T U n poco phi moto. With his mf With his Hard-lyfrom his bu-ried wig - warn Could the hunt-er force a pas - sage; mf ‘i — -. Hard - lyfroin his buTied Wig - Wam Could the hunt—er force a. pas - sage; k \ 5 Un poco pm moto. /‘xii: ' .3 1 ’ ‘ _ -'_ dim. \ . 0 =- ~ K I . 4 I: " O V I 1 I I snow - shoes " he through the for . dim. 7\ \ A I ' V " -0- -0- -0- and his snow - shoes Vain-lvwa.lk’d he thro’ the for - est. . . . I I I I u 1 _ ! Z I Z 1 I I I 63 .____§__i_._— S01 vht for rd or beast . . a.n~d_found none, Saw trackof deer or rab - bit, Sought for or beast . . and found none, Saw track of deer or rab - bit. or beast and found .1. "" Sought for mf _ Sought for bi _‘._ . accel. -2-"51 be-held no foot-prints, In the ghast - 1 _ ["1 } be-held no foot-prints, In the ghast ly, g1eam—ing for - est ‘___n___...._ rall. .—_————— > > accel. be—l1e1dno foot-prints, In the ghast lg, gleam-ing I-—— rail. i > ————;I—-*- be—held no foot—prints, In the ghast ly, gleanl-ing &/ V tempo KN 1 an L =‘UI| 2:. V Fell, _9.__j::‘a_tempo E 6} *1 1_+"en, _9_0£',(§a. tempo. ! I .__.»...._I . 9 ' _'_._._ O IIJ E’. I-1 from weak - ness, } (J t I .___..l {I\ \J/ ‘J Fell, ' ‘9_a_tempo Fell, _, S3 __ \ 5 3 <. lb 11' § .j_.__.., from cold and hun -ger. from “cold and hun- get. -0 from cold and hun-ger. — from cold and hun- ger. /‘__':'d :_—:.‘'.l. _ HA _ 5; _ _ ’—\ _;:—\ /.-'-'\ :‘9— 33. [- — :§: ‘. , _-;..G :3: 13:. § :1 ‘ ‘ I. I L I 1 ‘I *:?.¢:l‘ -—v— p:;_ ‘E . jﬁj kgu _ “J;$§§:a§.;:g__E <9 -_ 0 l \ I .—'.°_ 8 Tempo lmo. > Oh, the fa -mine and the > the fa - mine and the - ing of the - ing of the fe - ver! Oh, the wail - ing of the chil - dren! Oh, the 1 - mf . Oh, the wail - ing of the chil - dren! Oh, the -0. > T guish of the guish of . the guish of the guish of the All the earth was sick and L? Coleridge-Tay1or—Hia.Wa.tha,.-—Nove110. F fa. - mish’d, Hun-gry was Hun — gry the f 66 air around them, Hun-gry was the sky above them, accel. And the accel - bove them, And the dim. e rall. in heg:w’n Like the in heav’n Like e hea.v’n Like heav’n Like r-\ ..‘- dim. e wall. /\,// Wolves Wolves Wolves Wolves T glar’d them ! them 1 them ! t?§r11 1 11 o A llegro. PP misterioso. A j ,\ mf- T s - ~ In - to Hi - a - wa-tha,’s wig — wam, . i In - to Hi - a - wa-thafs Wig - wam Came two si - lent guests and gloom- y, — } > In - to Hi - a - Wa-tl1a’s Wig - Warn Came two si - lent guests and gloom —y, 7’ > Came two guests, both gloom - y, ait-ed. not . . to be in - vit - ed, :4- tth d — . a egrwmy, Did not par- ed not to be in - vita - ed, i T Wait - > Waited not . . to be in - vit - ed, Word of we} -come } there without Sat; there . . without Word Sat there without . Word 12 Lo0k’d with haggard eyes and ho1—1ow L0ok’d Withbaggard eyes and ho1—1oW L0ok’d with haggard eyes and hol- Did not par - ley of wel -come } of wel -come at the door—Way, > ley at the door-Way /" Didnot par - - _J_'“_ 5“ ”*“——‘;'* the seat In the seat of Lau a - ter; In ihegag; of La Wa - of Laughing Wa - ter; In the seat At the face of Laugh—ing We-ter. At the face of Laugh-ing We-ter. Wa- tex. At the face Wa-ter. 69 PM mos” BAMTONE Sono. And the foremost said, “Be - ,—————\ me! I am Fam-ine, Buck - a-daw - in!” 2% 7? ‘xjs: r}. in Q :'1 ? «V: ‘ j 9 ~‘\‘. ,. v .‘_., 14- ; . SOPRANO 801.0. T . And the other said, “ Be- hold me ! - win 1 ” *—x 3 I am Fe - ver, Ah - ko- se ,.__._____..______.__ Tempo lmo. Sf 16 Shudder’d as they1o0k’d up - on her, . . And the love - 1yMin-ne - ha - ha . . Shudde1"das they 10ok’d up- on her, __{__ __.__;—- mp And thelovely Min-ne-ha, - ha. Shndder’d as they 10o1<’dup-on her, dun. ‘ Shud—der’dat the words . . they ut - ter’d, -"Laydown on her . . in si —1ence, ‘T “h >’ > dim. Shud-der’d at the words theyut - ter’d, Lay down . . in si - lence, Shud-der’d at the Wordstheyut - ter’d, Lay ed . . in si - :- Shud-der’d at the words . . they ut - ter’d, Lay down . . . in si - lence, f'—''?:'':'''‘'T /: _"—:"-—"T Hid her face, but made 110 an - swer; Lay there tgrrbbling, freez - ing, > Hid. her face, but made no an - Lay there trem—bIing, freez - ing, > >- Hid her face, but made no an - swer; Lay there trem-bling, freez-ing, > > .S_ .0- Hid her face, but made no an - swer ; A Lay there trem-bling, freez- ing, F’_—_—“—‘-* /“ 17 burn-ing At the looks they cast up - on her, At the fearful wordsthey ut-ter’d. > «L14 burn - ing, At the fearful Words they ut-ter’d. } —_—__j'-__, burn- ing At the looks theycast up - on her, At the fearfulwords they ut-ter’d. ‘ *-4-“':'.‘ burn — ing, fearful words they ut-ter’d. /. }- 3 >- } > >-> >- A llegro. } } :/7” Forth in - to emp — ty for - est Forth in— to emp - ty for - est Forth in - to emp - ty for - est emp — ty for - est A Rush’d the mad-den‘d Hi - a - wa- tha; > Rush’d mad-den’d - a - Wa. - tha.; } Rush’d the mad-den’d - a. - wa. - tha; > Rush’d the mad-den’d Hi - a - wa - /j_j_\ /————-x /\ In his face mf _ In his face heart . . was dead — - heart was dead } > mf On his brow sweat of an-guish Start > > ——__———j'_____ > On his brow sweat of guish Start area. ‘ > On his brow the sweat of guish Start ores. “w On his brow Start T“-'\ 20 Wrapp’d in and arm’d > Wrapp’d in W ’din and armid . . > Wrapp’d in and arm’d >- > hunt - ing, With his might - y . . ash - tree, > ‘ > With his might - y bow of ash - tree, With his — >- hunt — ing, With his t - bow of ash - tree, } ' '> hunt - With his t - y bow of ash -tree, full of ar— rows, With his 1nit»tens, Min-je — kgh - wun, In- to the uiver _. 1 of ar — rows’ With his mit-tens, Min-je - kah - mm, In- to the } quiver full of ar - rows, With his mit-tens, - - kah - Wun, — - > full of ar - rows, With his mit-tens, Min-je - kah - wun, In- to the 21 > >> > and Va - ca-nt ' snow—shoes strode he for - WiLI‘d,i3t1‘Ode he > > > and Va - cant ‘ snow - shoes strode he > > > > > > > > and V3. — cant ' ' snow-shoes strode he for - ward, strode he } } > and Va. - cant ' shoes strode Th poco a. poco rit. a tempo. 22 BARITONE SOLO. “Git - che Ma.-ni-to . . . the Might-y, Git - che Ma- ni -to, . . the Might-y !” a tempo. ’ fpi 7%: CH/°—IEs' dim. _ poco rit. Cried . . he with his face up-lift - ed bit-ter hour of anguish, ‘ _7‘it. > Cried he with his face up-lift — ed bib-ter of an #\ dim. '. Cried.. he with his face up-lift - ed bit-ter '. '\ _,_ . Cried.. he with his face up—lift - ed In that bit-ter_ hour of anguish, ’ \ 3 3 3 5 79000 rrit. =———:?’‘ '9‘ M. __f> 23 BARITONE SOLO. mf “Give your chil-dren food, 0 fa. — ther! Give us food, . . . or wemustper- ish! f f f a tempo. ad lib. — > :- dim. e rail. > Give me food for Min - ne-ha — ha, For my dy—ing Minne - ha — ha! 24 a, tempo. Give your chil-dren food, 0 fa - ther! Givens food, . . or wemustper- ish! Give me food . . for Min-ne—ha. - ha, For my dy - f"':—jT /-Tjj on tempo. ing Min-ne - ha - ha. ! ” CHORUS. Thro’ the -1: Thro’ the Thro’ the re — sound-ing for - est, [ Thro’ the far re-sound-ing for - est,’ :%‘-;;‘-“3.é:«»é:Ii‘...xra“1;é7.- 1-. .. A — A sostenuto. for- est vast and va- cant, Rang that T for- est vast and —cant, A Rang that f_—'T Rang that cry . . . of -so - la.-tion, Rang that cry . . . of de-so -13- f—-T /-_''::j /'——*T -p_\ Ped. V dim. a poco. - la - tion. But there came no 0- ther an - swer Than the ' _poco a_poc0 of de—so - la - tion, But there came no 0-ther an - swer Than the dim. poco a poco. But there came no 0- ther an — swer Than the mf _ But there came no 0- ther an - swer Than the /-‘T /-—————-a 25> /x dim. poco on poco. cry - ing, Than the Wood-1ands,j cry - ing, Than the wood—1ands, “Min-ne cry - ing, Than the Wcod—1ands, “Min—ne cry - ing, Than the Wood-lands, “Min-ne Min—ne - ha - ha!” L } Min—ne - ha. - ha!” All da v’d Hi - a - W3. -tha, ____j- o _’_ .\ /_ day long rov’d Hi - a. - wa. - \_/ morendo. R0v’d he in that me-Ian-cho-ly for-est’, - Rov’d he in that me -Ian-cho— ly for-est‘; . . mi 'l‘hro’the Thro’ the sha. - dow of whose thickets, sha. - dow of whose thickets, J-_d r-5 for- got - ten Sum-mer, for- got - ten Sum—mer, > /.-T In the plea - days L . In the plea - sant days of Sum -mer, . . ‘.1 - Of that T.==-— of Sum -mer, Of that . In the plea - sent days > .—$ He had . He had brought his young Wife home - ward,Fromthe > “:2 . He had brought hisyoung wife home - ward, From the > ’ ‘ ..._\ When the When the sang in thick-ets, . . And the stream-lets lauglfd and glis - ten’d, . . L»- sang in the thick-ets, . . And the _ ts laugh-’d and glis -ten . . And the mf “L- birds . . in the thick-ets, was full g P341108, _/30 love - ly Laugh-ing a.-ter with Voice that did not trem-ble, “I will “I will fol - low 0o1en'dge-Ta.ylor——His.wa.tha..——Nove1lo. G Andante. dl : J . ‘\ With those In the Wig -wam with No - - mis, With those the wig - warm with o - ko - mis, With those gloom-yguests Watch’dher,With the Famine and Fe - ver, She was ly - ing, the Be - < L >- g10om— ygueststhat Wa,tch’dher,With the Famine and the Fe - ver, She Was g - ing, the Be - gloom - guests, With the Famine and the Fe - ver, She Was 1y - ing, the Be - . B > dthF-, l-',thB- an 8 63 V61‘ W38 yrlflg 66 _ - ing Min-ne - ha - ha, . - She, the dy - ing Min-ne — ha — ha,\,'./. With the - — ed, dy - i11gMin-ne - ha - ha, . . With the Fa - mine - ed, She, the dy - ingMin-ne - mm _..__m—__. >755- 1r—ing,>::1eBe- <1; ly - ing, the Be - lov - ed, She, the dy — ing Minne - - > '._T——‘“———--' She was If iﬁthe Be - - ed, She, the dy - ing Minne ~ > — > __m._——— - ing, - lov - ed, dy - ing Minne - 84 34- Animate. Animate. d‘ : 4' of preceding movement. K:‘:""‘:'_"_5 Pad. 1. SOPRANO Sono. A 5- l ""‘-‘Maw Hear 3. roar—ing and arush-ing, ?—"—_‘—"_'—"T “ Hark !” she said, a rush-ing, Agitato. = ‘V’ if L .2 * The pause r.\ here and elsewhere in the Soprano Solo Part, to be quite short. 8299. Hear the falls of Min-ne - ha - ha Ca.11- ing to me / T .C\ VJ 36 SOPRANOS AND Amos. mp> ~.s.,,%:‘ dis - tance!” “ N 0, mychild !” said old No-ko-mis, “’Tis the night-Wind \./V\ in the pine-trees, “sis K . ]\ SOPRANO SOLO. pm agitate. “L0ok;” she said, “I see my fa-therStand-inglone—ly at his door-Way, Beckon-ing to me r———-—-—--x r--—-—--\ r:\ from his w1'g—wam, In the land . of the Da - co - tabs!” KT"j'—\ /2\ 37 Sopmxos AND Goummnmos. mf tmnquillo. “No, my child!” said old No - ko-mis, “’Tis the smoke that waves and beck-ons, ’tis the smoke that Waves and beck - ons 1” SOPRANO SOLO. “ Ah 1” she said, “the eyes of Pau—guk Glare up - on me in the darkness; I can feel his .P_ K:'''_‘'‘‘—‘‘'_‘\ """ ,3 /— con terrore. i - cy ﬁn -gers Clasp-ing mine . . a-mid the dark Hi—a-Wa -tha!.. - molto ores. Pf’ PP molto ores. ares. ed accel. on tempo. de— so-late Hi - a And de- so-late Hi - a ———__’.: 0L , so—1ate And the de-so-late Hi "-:4 .3/‘ a tempo. mp I A I A I v‘ I i" _1 1 ' r_/ I r _ .'; r a — n s,Heard that; sudden —{__ I‘F .' F—r'—1- - mid the for-est, a-Way 3. - mid the for-est, the m0untains,Hea1:d that sudden a-way a - mid or-est, the mountains, Heard sudden mp -H a - mong the m0untains,Heard that sudden - ing to him C763. 2 Call - ing to 2him Call - ing to Qhim Call - ing to him Min-ne- ha- ha in the dark *1 > in the dark -: > dark E in the dark - ing to him 40 Heard the voice of Min-ne-ha-ha Min-ne - ha - ha -i: Heard Min; 113 - ha - ha. Min-ne-ha — ha. Heard the vpice of Heard Min - ne — Heard Min - ne ~ 0 in the dark ff’ ores. molto. sf Pedk tha ! ” 42 Andante con moto. CONTRALTOS. TENORS. 0- ver snow ﬁelds Waste and A ndante con moto. 42. U11-der snow en-cumber’d b1'2mch- es, : path — less, .Un— der snow en—cumbe1"d branch- es, Home - ward hurried Hi - a. - / I \ mll. -hand—ed, hea—vy—heart-ed, Heard o—k0 - Inis moan — Emp-ty-hand-ed, hea—vy—heart —ed, Heard o-ko - mis . /" f:‘''—_’'''jT /_ Wail - moan - mg, wa.11 -mg, > pom “pom } } /-'*—'$ S Andante. A S . OPR Ngo p “Wa. - ho-no-min! Wa - h0—n0—min! Would . .that had perish’d you, A ndomte. f /':‘_'_-T molto rall. [ > } j Would that I were dead would I were dead you are! 8220 A } "- :j mf molto rall. a tempo. '~ Wa- ho-no - min! ho-no -min!”.. CHORUS. ls wa BARITONE Sono. mp -L “Wa - ho-no-min! Wa - ho-no-min! Would . . thatlhad perish’d for /—-"T ?'_"';'t_’_—'T Would A 06 tempo. -L Wa- Cnono s. ho-no £6 Ped. 797): E}- Wa - ho-no-min 1 } Wa - ho—no—min ! } Wa — ho-no—min I } Wa. - ho-no—min ! that I were dead as you are! would I were dead as you > A ho — no - min!” - ho-no- min! - ho-no- min! K > > Eooco m't.>. Wa. - ho—no-min ! Would that I } Would . . that I had perish’d you, had Wa - ho-no-min ! Would that I > perish’d for you, Would that I } Wa - ho-no- } I Would that I had perish’d for you, Would -——-L‘, . Wa - ho-no-min ! Would that I had perish’d for you, Would that I that I <-;.““" are I were were were were dead as you are. — dead‘ as you are, dead ' dead as you are, dead y . } dead. as you are, dead 46 A llegro agitate. you are! Wa - ho- no - min ! Wa - h0-n0- min ! ” V Tmrons. And BASSES. And PP- ¢ Saw the old No - Saw the old No - ko K—— ' sf - - ho . ii” Attacca. rush’d in -to the wig - wam, > rush’d in-to the wig - wam, o dim. poco on poco. to and fro dim. poco a pace. fro } and dim. poco a poco. \_’/,_,./ > > mll. Ped. SOPRANOS AND Amos. Saw his love - ly Min-ne - ha - ha Ly-ing dead and f \ Ped. molto accel. him ; K K molto accel. cres. \/ Ped. M olto moderato. And his burst-ing heart Ut—ter’d such a cry — ' And his burst-ing heart Ut1—ter’d such a. cry - U1;-te1"d such a. cry And his burst-in heart J!‘ . Ut-ter’d such a cry > And his burst~ing heart: M olto modemztoc 'A an — guish, an - guish, an - guish, an — guish, A That the That the That the That the the for-est moan’d and sgxd-dyd/, for-est moan’d and shud-der’d, . . > > for-est m0an’d and sh11d—der’d, . . the for—est m0an’d and ud-daﬁ, > > > for-est moan’d and shud—der’d, . . for—est m0an’d and ud—de\r’d, /-\ > the 3 f0r—est m0an’d and shud—der’d, . . the /\ fxr-est m0an’d and shud—der’ hea - ven hea. - ven Shook /_ in hea - ven 49 /T — _J-\ with his an - guish. That the 1 That the {1- That the d Tall. dim. and . and trem dim. and rall. and trem [- trem § trem - bled - bled - bled 50 96 Andante con mono. SOPRANO S0 dolce. Then he sat down, Andante con moto. rﬁ /\ /‘T PP still and speechless, On the bed of Min—ne - ha. - ha, At the feet of Laughing .ar~.-s;~‘ // A /\ Ped. ~———J 4 . rail. 51 ,—\ cres. Wa - ter, At those will ' ,, feet, that More would lightly T _._J dim. morendo. M poco ccccel. /‘—'% run to meet him, Nev-er more would light - ly fol - low. dim. morendo. With both hands . . his K—:—_"T he covk er’ Seven long days and nights he sat /T 53 mp a tempo. there, . . Speech - T“‘:\ mo - tion-less, - con-scious Of the day light . . T‘_;\ __ r—'—'—\ ‘X Speech — less, mo - ‘oionless, un - con-scious Of the Th f’—'—T {-3 light or the sempre P mll. \— Fed" Ped. Coleridge-Ta.y1or—-Hiawatha.~Nove11o. H M oderato, quasi una marcia ff’ C1oth’d C1oth’d C1oth’d mf Wrapp’d Wra.pp’d Wrapp’d mf—e- ° W1'app’d And at night: And at night dled, - dled, four times kin - dled, ores. _.____»—_——> four times kin - dled, ‘ > > >- For her soul . . . up-on its jour For her soul up - on its jour For her soul . . , up-on its jour . . To the For her soul up - on its jour > From his door - 59 K---ﬂ mf gloom the gloom - ing up the hem - locks, 103 the gloom hem - locks; From his sleep - less bed gloom hem - locks; From his sleep - less - the gloom hem - locks; From his sleep - less bed Light ' up the gloom - y hem — locks; I /f——_-\ From the bed . . . of Min- ne - ha. From the bed From the bed . . of Min- ne - ha, From the bed - ha. /‘:1’:-'———'j*. poco /w L’ I I I I I I I and wa.tch’d poco 523 I I_I_ G and Watch’d poco _-_,w~s' give I 1 and watch’d poco I - I /1 I I LI L I I I ahd watch’d not rall. Might; not f L?) \j¥_J 62 Larghetto Zamentoso come al lma. T BABITONE Sono. 63 PP *""-—‘—"—:'- “Fare - Wel1!"saidhe, “Min-ne — ha - ha! Fare - /j‘-j"j'—?T Well, 0 my Laughingwa - ter ! . . All my heart is buried with you, All my thoughts go ./T /‘T /"$\/‘ onwardwith you! Come back ' a-gain to la - your, /'—""———‘-"x ’-T #3 /.1 x Conﬁ not back a-gain to suf - fer, Where the Fa -mine and the .\ ,._.._% /'\ /\ [P mu. i >. 65 Poco pm moto. Fe- ver,Wearthe heart; and vvastethe bo-dy. . . Soon . . ’ ‘ ,_—_% /__\ Poco moto. will be com - - ed, . . Soon your /"_:T .6- con dignita, ma un poco agitato. ores. foot-steps shall fol-low To the Is - lands of the Bless.-ad, To the A Agitato. - 3. 3 king-dom of P0 - ne—n1ah! the land . . . oftheﬁere-af of the Here - a. tempo. “Fare - Well! Min-ne - “Eare “Fare - Well! Min-ne - Fare - well! ’_\ 67 ”"‘ cresf ‘. . _ A accel. ,——-\ - 1- ~ ha.-ha! Fare - well, OmyLaughing Wa. - ter! All my heart is buried with you, -——<_f'____ ‘L--1 - ha. - ha 1 Fare v- Laughing Wa - ter 1 . . My heart is buried with you, J -{A ha - ha! Fare Laughing Wa — ter 1 .v . My heart is buried with you, J -< Well ! .0 my Laughing Wa. L -A ter ! All my heart is buried with you, T f—"—'—‘—':—"-_"":T _‘_ All my thoughts go on - ward with you ! — ——;-=4- aea— - All my thoughts go on - ward with you ! All my thoughts go on - Ward with you! Come _ h 7”P- \ All my thoughts go on-ward with you I Come not back 68 mf 1:- la - bour, not emf Come la - hour, Come not .' a. - gain mf'$ la - J bour, bour, Come not Wear the heart -=1 A ¥' Wear the heart . -1: ~ mine and the A - mine and the Wear the heart --4" /\ Wear the heart and waste the — F . and Waste the and Waste the L and Waste the suf - fer, }- Where the - W here the will be com- plot - ed, com - plet - ed, . . Soon your :3 L .1} f\ com - plet - ed, . > _:='- foot-steps I shall fol - low foot -_ steps shall fol - low To ..{_:‘;——- mp foot - steps shall fol - low To }‘ mp foot-steps . .shall fol - low To {---———————-:—-::1 morendo. - ed, . . To the king - dom . . of P0 — ne morendo. - ed, . . To the king - dom of P0 -pne morendo. Bless ;’- - the king - dom of P0 - ne _ tmorendo. morendo. molto mll. the land of the Here - af molto rall. jc> the la}/1d of the Here- at 1?” wall. f > the land of the Here - af molto rall. ‘i: ﬁg >\ the land of the Here.-af molto rall. morendo. $3 SCENES FROM THE SONG OE HIAWATHAM III. HIAWATHA’S DEPARTURE. LONGFELLOW. S. COLERIDGE-TAYLOR (Op. 30, No. 4.). A °°"”"."°-. . > 2 > ? > A ” Copyright, 1900, by Novella and Company, Limited. 8305. SOPRANO SOLO. mf had come with all its splen - dour, its birds and all its blossoms, its ﬂow’rs and f'—’‘‘\ /——.§ /—-—§ ..m!W o ..;._.;._..___.j.' _"":t:“—‘___§— and grass - Ki‘? and leaves and rit. grass — es. Sail - ing on the wind to > . . > ._ 1: :55: :51: > u 0 >_ _a_ In. 1 111.0 0 > IT} shot througl1l1ea. - ven, Pa.ss’d the swan. the 4- -0-‘ -o— 19--I-L ' -0- -0 l'- ' _._.__ Q.-,—"—|—-vp -—I—!-§—-\'~ __,_._‘“g__:;‘___'_._=4__ “_"_'_._g; =="‘““‘__-§f E I I .-9—r—-—-—f'3-r-—-- ,~--—{ —_ . W ' #—~%—;—~1~‘:gag-g;;1 5 :T=’':§———;E:a::*::L ; > - T 1; 4 .o. _;_L 0 - U9-‘#'u I‘ . i EN‘ J 4‘__ .'(‘u“_“"L*‘J‘" -~-~r % +, % Speak - ing a.1-most as a. man Mah' - nah - bc;ze\e, speaks; /-\ . 15131- -; _p;’_’a" ;n 1‘, ‘T’, '3‘ ;,9; #::='.'.‘_"‘_:’::*-—'- ‘I | J Aria o————a—:»—a————a «o— ~°—o—o~» 0 — -- $_ __ -4.» _._:p_j-_,__ﬂ 0 o: E I g — 3; :§;:::. - P W 1‘ 1 ‘ 2: I v Coleridge-Ta.y1or——Hiawatha..—Novello. I Wan‘ 1’ «H: ‘—-"“ —.‘*" 3'" . ; . 1.74 E if 1 if- wav-ing, bend -ing I 4 w .2 .~ . ‘ bﬁ , r“—‘>’**:="1*_r*‘ 'J*“*E:—": >} . Like a gw - string snapp’d a. - sun - (let, The white goose, the Waw - be - A 0 } o A mf \_ And in pairs, or s~in - gly ﬂy -ing, A . . 5 g ;_ -L > '3 _ ‘C n _ ‘J I ' } |- i‘ ; _:ir’*,z — ”—3‘1:5: lﬁEE r . , r Mahng the 1o>on, with clung - ’rous. pin-ions, The blue her-on, the Shuh-shuh-gab, > . /\ , . .—-- —.‘\ -"~ ;_v1_ G-—6 ‘$- 9 4! I MS (1 dl o\ ,... In the thick the O - wais-sa; sor Speechless in his in - fi-nite tha, the sum-mit of the lodg pa 3 the summit, the O in, scr-row-ing Hi Poco memo m()s,s‘0. 5 Poco meno mosso. Heard their voi -ces call - ing to him, Went forth from his gloom - y door-wa._v, K? \ /T \ L > —. ' A. ="~3$:é§*‘?*MwM~ ~— , W’ L ' - V’ :\. —' —p~—!— 39-1:-‘*’z;‘~‘———.«'—<5*———1~v—--N*:~<—;>~7¥L'—sI’—.4—l-4——-:2: at. = ’ " I L * E V I: ' I U. I 9 1 I C - HI’ TI’ ; 0 “*= l V i 1 Ir: 5 %a = J ‘L! 1 I Stood and gaz’d . . in-to the hen.-ven, Graz’d up - on the earth . f 4&2 2-: 1;. I "L, ‘I F , 9-13.--- Mil..- k ‘i 1 Allegro molto. _Q-- - IT: CHORUS. Sopnmo. - d’rings far From the the mom Wan - d'rings far From the re - gions wan - d’rings far From the re — gions wan - d’rings far From the re - gions ." /' K /" ——-———:.77' v . From the shin ' bun, Home - ward re - turn’d . From the shin ' bun, Home - ward —-—-__-.1: . . From the shin ' bun, Home-ward re - turn’d _1 ‘\ A e: 6- — -0- \ . . Fromthe shin ' - bun, Ilome-ward re — turn’d I \ A /" - vel- ler, tra — vel-'ler, j > a - goo, great tra - vel-ler, ._ ,_\ > a - goo, the great . . tra - vel-ler, f""'""'\ 4f and and and D and - a - goo, the great a a- goo, the I - a - goo, the great . . boast strange strange strange strange 253.- ad - ven - tures, ad - ven - tures, ad - ven - tures, ad - ven — tures, //’:—\ er‘ " . A - ” "- "‘ - ‘I-—er«/8-um. awn. .. ~.“),:"3"“'7.’-—‘_fd',-.§'r'.'—‘it- ‘W-'*“'?“ . -.a-,.4u;y.».. .._...--v.- .....H :'..' - ders. ____;._~> m> ny and ma. > And the And the he 5.8 him - ten’d to Lis told ten’d its he told > _] ,, . ten’d as he } J. U - vel - lous ad - ven - tures, Laugh - ing an-swer’d him them Of his mar —#»~4 I 442,2“-=6 ‘. man - j\ WNW ~——o—f=—d—o‘ 1n —=I“I—zﬁ—“—*5—I ..—‘F-9.—:-I vel — lous 23 I ""7: :'0—’_" an - swe1"d him ' " I Q ad - ven - tures, Laugh - ing /-\ u “a III—" . o::3ﬁ-W2 a‘I II- im Laugh - ing an - sWer’d h _@ D I I T "" 0 - r .‘ " -1- ‘.1 _,_ _(2. +11 1 ad - ven - tures, them (Sf hIs mar ~ vel - lous rx 9 0 0 '9‘ 1" "" "9‘ ﬂ VT;F:I|"'_—_— I vel — lous in - ad - ven - tures, Laugh -ing an - swer’d him them Of his mar TENOR SOLO. d'_ & _ Quasi recitativo; leg_q2'ev'o. -. } seen, he said, a wa - ter I d : & - of preceeding section. — Big-ger than the Big - Sea - Wa - ter, Broad- er than the Git - che Gu-mee, } __$ Bit-ter so that none could drink 11 Cnonus. ther look’d t each ther1ook’d the ther look’d At each 0 ther look’d T/?°> Smil'd, and said, Smil’d, and said, > Snmil'd, and said, > > 0- ap- Smil’d. and said, “ It 1. :" _ 1" it #5 1: I E /\ E 5 E71 Kaw 1 ” they said, A > I I git L11 they said, 0 .‘—T’? 7 ' iL Kaw !” they said, ﬁg» -9- #0- V 1 I Kaw 1" they said, 8305 . TENOB Sono. mf _._..i - - O’er, said he, this wa - ‘oer A ca - noe withwings came ﬂy - ing, Big-ger than a :g: C768. of pine-trees, Tall - er than the tall "- est tree — tops! Unoxms. And the old . . And the old . . 1 _1.= And the old . . : /j Look’d and tit - tefd o - ther. ' they said, } Lo0k’d and tit - ter’d they said, Lnok’d and tit - ter’d - they said, Z- L00k’d and ' - . “ Kaw 1” they said, -O- #—.E_ . _ . . 1 . :1: don’t be - lieve it !” “Kaw 1” they said, “we don’t 7 # ‘ “II II ‘_ P~——'—{—e’—-’—H . ~ lq" 1'!’ 8% “ we don’t I ” they said, don’t be - lieve it!” “Kaw . be - lieve o “ we don't don’tz be —lieve it!” “Kaw 1" they said, don’n be - lieve it!” “Kawl” they said, “we don’t TENOR Sono. agztato. From its } >- he said, to greet him, Came Way- was - si - mo, the light - ning, Game the thun - der, An - ne - mee — kee! /T ,:.:.__.._:—._._.——\ Cnonus. war - ri - ore and Laugh’d a war-ri - ors and La.ugh’d at And the war-ri -ors and Laugh’d a — _’. War- ri-ors and W0 - men La.ugl1’d a. 8am I II 1'!’ .1;-‘$.(§531\ ‘Ii 1 p B > goo; “Kawl” 3. A Hf‘? I “KaW!” 4;. A A_ I “ Kaw I ” /\ ‘ 800 3 V89 L L .<ES 9: “F” 4; 4,‘? ‘- Kaw 1 1' } .o_. I I said they, “what t;Ies you tell us! } \I . I In. '————|' '—-!——+*——{=—II—,.4]:=1——T{——~+‘—*—+-Cl——_ ;‘ ‘ . .-Li:-—-—.—~ i5“§$——+=—E II ‘J " I ' ‘V I I I I I 1 C ' ‘ I I “ what tales > N0 is» I L said they, Kaw! O W —§_ I LIT I II I I I‘ ‘ I you tell us ! said they, “what tales you tell us! Kaw! > /~. IL L L I V I I I “ What tales I I said they, you tell us! you tell TENOB. SoI.o. 15> {T . In the great ca- noe with pin - 005, a hun — dred war Paint - ed white were all their fa Came were GOV And with hair their chins A 4+ 16 CHORUS. And the And the W0 the and war — ri - ors And the F'" I and shout - ed in and shout - ed in and shout - ed in —=— } shout - ed in de - ri — } the crows } the crows } the crows } Like the crows {\ Co1eridge—Tay1or —-Hiawath a.—Novel]o. K they said, they said, they said, they said, Pesante. > > Do not Pesante. §—-—<.J§._.:._/ them ! ” them 1” } think that) } think that } think that } think that 13 aha. On - Hi-a - Wa - tha. 1augh’d not, on - y Hi-a - Wa. - tha. - > H ————______.___ Hi - a - Wa- tha laug ot, ‘ Hi - a ~wa — tha > Hi — a—wa- tha. laugh’d not, on - 1y Hi - a. - Wa - tha - > —__::— — On - ‘ Iy Hi - a— Wa.-tha ]augh’d not, Hi - a.-wa.-tha I 18 d : d.of previous movement. _ rall. laugh’d not, But he grave ly spake swer’d To their — — .i_____Lj_ ]augh’d . . not, ly spake and . . . not, ly e and - 1a.ugh’d not, spake M oderato. jeer - ing their jest > ' > jeer - ing their est; > - ' jeer - ing their jest >- jeer - ing their jest Modemt0_> > mf 19 BAHITONE 501.0. Quasi recitativo. Ben declamato. mf_ ~— “ True is all 1 - a - goo tells - I have seen it A nimato a tempo. \ Seen the great. . can -oe ' pin - ions, . peo - ple with white. com-ing of this beard - peo - ple of the wood f \/ molto rall. } } Largaménte. ﬁ> 3 > re - gions From the shin - ing land of Largcm_Lent_e. . > >,—————T ﬂ‘ 3 molto mll. a tempo. } “Git - che Mafia - to, . . 1: 1' } / -0- the Might - y, The . . Spi - rit, the Cre - 3. - tor, /—. Paco memo mosso. 21 __?{:j———-:——-‘ Sends them hi- ther on his Sends them to us with his Poco meno mosso. > A A nimato . mes - sage. . . Whereso - e’er they move, be — fore them Swarms the sting-ing- ﬂy, /-————-——5 Animate. f>. Ah - mo,Swarms the bee, the hon - ey - ma ker; Whereso - e’er they tread, be - H }}}}} g-Z:--Z-1-1"‘-5 pescmte. f%~ neath them Springs 2. ﬁ0w’r un—kn0wn a - mong us, Springs the White—mzm’s14‘oot in f>pesa7Lte. > > > e con dz'gm'ta. 22> wel - come, then, the stran - Hail them as our friends and bro-tzhers, And the heart’s right hand of friend-ship Give them when . . they come to T a tempo. \_/T" mll. Git - che Ma-ni - to, . the Might -y, Said this to me in my vi - sion. /\ dim. e wit. dim. e rit. 2 \.__j Molto moderato. < } _ — held, too, in that vi-sion All the se — crets of the fu - ture, Of the M olto moderate. PP _J 10060 rit. Agitato. dis-tant days that shall be. . . I be - held . . the Westward A gitato. ’ ‘ >cres. accel. 5 marches Of the unkn0Wn,cr0W na—tions. All the land was full of peo-ple, W cres. accel. 24 P512 mosso; energico. >/‘\ Rest - less, . . strug—gling, toil - ing, striv - ing, Speaking mosso; _ ,7? f ma-ny tongues, yet feel - ing But one . . heart- beat; in their bo — In the Woodlands rang their ax . . 3Sm0k’dtheirtowx1sin all the } }} } > } a tempo. 771/ > accel. val - leys,g 0 -Ver all the lakes and riv - ers Rush’d their great ca—n0es of ' 3 /—‘—T 25> thun — der. /“"—-—\ molto accel. 26 Poco meno mosso.> mp --_f___’‘ a. dark - er 7 P000 meno mosso. _g_ me, vague and cloud - like. .. . . tions scat-ter’d, f’-_-——\ } of y coun - sels, . /"T war - ring with each 0 - ther; . rem - nants A Sweep - ' west - ward, the cloud - tem - pest, wi - the1"d leaves of Au - tumn, /-_'-T-—:T wither’d leaves of A > morendo. 3?” By the shore . > > shore of Git - che Gu > > shore .5- By the >— shore of Git; - che Gu Sea. - Wa. - ter, the shin-ing Big- > > > > > > Big— Sea - Wa. - ter, e shin-ing .>- } > > } } the shin- ing Big- Sea - Wa. - ter, -0- > ’; ing Big- Sea. - Wa —ter, "E ii: door - way of his wig - wam, In door -way of his of Git-che Gu- > > of Git -che GL1’ - mee, } - mee, } mee, } - mee, p -Semi) Sum - mer - plea — sant Sum - mer - D181‘ plea — sant Sum - mer > > stood stood stood 30 All the air was full of fresh-ness, All the Was brightand oy- ous, All the earth was brightand oy- And be - L -—-L4’- Bright and joy - ous, be-fore him be-fore him pass’d Pass’d in swarms . L pass’d Pass’d in swarms . } } thro’ the sunshine, Westward t’Ward the neighb’ring rest, pasS’d in > ’ the sunshine, Westward t’wa.rd the neighb’ring forest, pa>ss’d in swarms the Ah- mo, } } >- } } . 142 ﬁ> Pass’d the bees, the hon ma-kers, Burn > > Pass’d the bees, hon ma - kers, ' sing - ing /\ } } en swarms the hon ma - kers, ' Sing - . > bees, the hon ma- kers, - sing-ing } > > - '0‘ a—bove him shone the heavens, — a-bove him shone the vens.. . From its bo - Lev-el spread the lake be - fore Lev—el spread the lake be - fore ’d the st>urgeon, Sggk-ling, ﬂas>11—i11g,T, ﬂashing in the sunshine ; leap’d the sturgeon, Spark—ling, ﬂashing ' the sun-shme ; A > > > leap’d the 11, Spark-ling, ﬂash-ing ' the sun-shine; A > > > -5- 1eap’d t11e sturgeon, Spark-ling, ﬂashing in the sunshine ; ' mar - gin the /‘—'—"’\ :\ 877“ """""""""""""""""" >_\ -0- /..\ . A dim. f()>rest re - ﬂeet - ed ' the Wet - ter, ’r-y tree; top f()>rest - ed - '. the we - tef‘, iry tree - tap re - ﬂect - ed ' the wa - ter, ’ry tree — top dim. . . . . . . a forest re - ﬂeet - ed ' the we - ter, ’ry tree - top A /\ A /\ poco. had its sha- dow, Mo— tion - less, . had its sha- dow, Mo-tion—1ess, . . th the had its sham» dow, 0-ti0n- . . beneath the wet poco. 7 had its sha.— dew, Mo - ti0n- less, . . beneath the > A 37’ By the shore . . of Git-che Gu— mee, > > > > > > shore of Git - che Gu -mee, > > } By the shore . . of Git -che Gu-mee, } } shore of Git - che G11 - mee, the shin- ing Big-Sea - Wa- ter, } E > E } > shin- ing Big— Sea - Wa - ter, > > } } > > the shin- ing Big- Sea — Wa - ter, -0- Z> } >-— >% shin- ing Big- Sea - Wa -ter, door - way of his wig - Wam, In the - sant Sum - mer morn - ing, — > plea-sant Sum- mer morn - ing; ._$ door -way of his wig-wam, In mqrn - ing, plea-sant Sum-mer morn - ing, ,._\ > } 0 wa - tha. stood stood Pad. 33 All the air was full of fresh-ness, All the earthwas brightand —0us, And be - All the earth was brightand And be - —;r: .1: Bright and joy - ous, And be-fore him And be-fore him 2 pa.ss’d Ah - mo, Pa.ss’d in swarms . . Ah- mo, — } } pa.ss’d - mo. Pass’d. in swarms . . the Ah- mo, .¢:_:_ > > A r———'‘‘:“ ‘the sunshine, Westward t’Wa.rd the neighb orest, pass’d in — ’the sunshine, Westward t’wa.rd neighb’ringforest, pgss’d in swarms the Ah- mo, ‘ J‘ 2 } > } } . } i Coleridge-Ta.y1or—Hia.wa,tha..—Nove11o. L Pass’d the bees, the hon ma.~kers, Si113'i11g in the > > Pass’d the bees, ma. - kers, sing - ing in /\ } - en swarms the ma - kers, S1118 ' } bees, the ma. kers, - sing-ing in } -0- > - _'_ shine, arbove him shone the heavens, Shine’ 3.-bove him shone the vens.. . shine, shine, the heavens, . . From its bo - its bo - Lev- el spread the lake be - fore Lev- el spread the lake be - fore > ’d the sturgeon, > leap’d the sturgeon, Spark-ling, A > > 1eap’d the sturgeon, Spark-ling, /\ > 1eaB’d_Lhe sturgeon, } I10. \ 8fl\’ ‘ forest > forest > forest forest A poco. had its sha-« dow, had its sha- dow, had its sha— dow, had its sha- dow, ,3 > Spark-ling, -1‘ ﬂ h-' mg, 3; mg, ﬂ 1-’ agnng ﬂash-ing } > -0- ﬂash—ing dim. re - ﬂect—ed % re - ﬂect - ed dim. re - ﬂeet - ed A 35 poco Tit. Mo - tion- less, Mo - tion- less, - tion- Mo- ti0n- less, 35 ml. ﬂashing in the sunshine ; the the sunshine ; the sunshine; ‘On } the wa - ter, the Wa - ter, the Wa - ter, the wa. - ter, A be-heath the —-"4’-" be-neath the . be-neath beneath the mar-gin mar- gin the A ’ry tree - top ’ry tree - top ’ry tree - top . . (1 ’ry tree - top L} SOPRANO SOLO. From the >'—\ poco rit. . of Hi-a. - wa. - tha Gone . . was ev-’ry trace K 5 mp a tempo_ — E - row, As a. fog . . from off the W2. - ter, As the mist . . fromoﬂ" the /"'5 \ /—'h-\ mea.—doW, With a. smile of joy and tri - umph, With a look of ex - ulb - {Th (T a - tion, As of one who in a vi-sion Sees What is to /‘\ /"\ /‘Rf’? bp- is not, Stoodand wait - ed Hi - a - Wat-tha, stood and wait /‘T f 771171 Towards the 37 Poco meno mosso. sun his hands were lift - ed, Both the palms spread out at-gainst it, Poco meno mosso. And between the parted ﬁn-gers Fell the sun-shine on his fea—tures,F1eck’d with ’ T his na — ked shoul-ders. r——“‘*-"""""""‘\ — Through the rift - ed 38 a tempo. wa - ter ﬂoat;-ing, /":1-1:3 - ter, Now seem’d ﬂoat-ing, As it falls oak —tree T and ﬂecks an }- poco rit. leaves and branch- es. K, —<‘: >poco rit. z: j—-‘ Some - thing in the ha—zy dis - tance, and lift - ed from the now seem’d ﬂy - ing, Coming near - er, near - er, /\ /—j——:"'T 39 Poco mosso. Was it Shin - ge-bis, the K"“""""“""""‘\ Was it the pe-li-can, the Sha - da? Or the her-on, the Shuh - f""'*""""'—"'—\ } ../ } W shuh - gab? Or the white g'0ose,WaW - - With the wa - ter drip-ping, k 3 12000 mil. A - thers? Cnonns. ﬂash - ing From its gloss - y and fee poco mll. 40 Pia modemto. > > nei -ther ggse nor ' - Nei - ther pe - -can nor her - on, O"er the > . > nei -ther ' N ei - ther pe - li -can nor her - on, } } nei-ther goose ' N ei - ther pe- li -can nor her - on, ‘ } nei_ -ther goose ' N ei - ther pe - Ii -can nor her - on, d . 4.0 mo emto K\ ﬂgt-ing, ing, Thro’ the shin-ing mist ﬂoat-ing, — ing,Th1'0’ the shin -ing mist ﬂoat-ing, - ing, Thro’ the shin- ing mist > ﬂ0at- ing, ing, Thro’ the shin-ing mist with pad - dles, Ris — ing, the wa. - text, } > > birch ca- noe . . with pad - dles, Ris - ing, the W3. - ter, . } }' ca - noe with pad - dles, Ris — ing, the Wa - ter, -1. 3 > A birch .ca - noe with pad-dles, Ris - ing, the wa - ter, D. _ . ’ $139193 ﬂash -ing > ﬂash - ing > ﬂash - ing Dgp-plug. Drip-ping, - ing ' - shine. a > } . /'——-—T And with And with - And with - dis - tapt land Wa - bun, . _ Wa - . . From the far - thest dis- tant of War. - bun, . . dis -tant land of Wa - bun, . peo - ple From the peo - ple From the pee - ple From the peo - ple From the realms . . Came the Bla Game the e the Priest of Prayer, lgle - face, of Prayer, the Pale - face, ' ‘K > Prayer,.. the Pale - face, Hi - a - Wa, tha, With his hands ex - tend > > Hi - a - wa tha, With his hands ex - tend > > tha, With his hands ex - tend tha, With his hands ex - tend - marcatz'ssz'mo. birch ca-noe with paddles shin - ing peb- - Till the birch ca - noe the peb- . - Till the birch ca - noe peb- mf . Till the birch ca. - noe peb - bles, T 156 Black - Robe chief, the Pale - face, . . With the cross up-on his > } } } E — Black - Robe chief, the Pale - face, . . With the cross up-on his > > > Black - Robe chief, Pa-le - face, 4- -9- The Black - Robe Land - ed sand- y the sand- y With the cross up-on his bo - the sand- y .." > Withthe cross up-on his bo - som, Land-ed on . .the sand- y . /ii the joy - 0113 the joy - ous '\ A and sqgie k and spa> e and and spake in > > 4'5 Larghez‘/to. Oommodo, ma can dignita. Larghetto. Oommodo, ma. con digmlta. When'you come so far All our doors stand 0 - pen for you: > >' BARITONE SOLO. -0- 0 stran - gets. 3 “Beauti-ful is the sun, . 3 All our town in peace 3,-waits you, >/“T con calore. YoushaIlen—ter all our wig -Wams, For the heart's right hand We give F you. 3 159 Animate. 46 f . Neverb1oom’dthe earth . . so gai - ly, A m’ma.éo. > 2 ——'—"--'\ Never shone the sun so bright - 1y, they shine and blos-som, When you /* /‘ pow 7_a”_ 47 mfa tempo. _:§._.:—_— come so far . . N ever was our lake . . so tran - quij, > > > r—--—:-\ r"“—"“—\ 1 ' . poco rall.e mf a tempo. poco. M11. Nor so free from rocks and sand - bars; For your birch ca— noe ' pass - ing Has re - > K‘‘'‘‘‘‘*—\ ° ? > /‘T poco rall. as tempo. mov’dboth rock and sand - bars! 48 Lamghetto. Commodo, ma con dz'g<m't a. Never be-fore had our to-bac-co Such asweet and pleasant ﬂa - vour, . . Larghetto. con mf . poco rit. Nev-er thebroadleaves of our com -ﬁelds Were so beau - ti - ful to look on, As they /1-—"‘T T re poco rit. seem to us ' morn - ing, When you come so . . far . /—— poco 'r-all. TENOR Sono. And the Black-Robe chief made an — swer, Stammer’d in his speech . . a 1it—t1e,Sp.eaking /-““—‘“T /—**'— > _'_. > > > yet; un - fa-mi1- 1ar: Coleridge-TaJy1oz'—HiaWatha.—N0ve11o. M Quasi Recitativo. “ Peace be with y.ou,I1i — a - wa - the, Peace of prayer, and peace ofpzu‘ - don, Peace of Christ, and ,——-————------§ /————————§ ll d . so 29000 a,2r9_a2 0 _/ \ joy CHORUS. Joy j" a tempo. Joy 3?“ a tempo. Joy 17'” A tempo. Joy Largamenee. Q Largameme. sf 164 3 Then the generous Hi - 3. - Wa - tha Led the strangers to his Led strahgers to Seat- ed them on skins of bis - on, . . Seat-ed them on skins of gznnine, And the Seat ed them on skins And ed them on skins care - ful old N o - ko- mis Broughtthemfood in bowlsof bass - wood, Waterbrought care - ful old No - ko-misBroughtthemfood in bowls of bass - wood, Wa :: <1 The old No - ko - mis Brought them Wa. - ter in bitch m N0 - - mis Brought them wa. - ter in birch /j-'-;-—-T —\ /-———-———T - And ca1- u—met, the péce - pipe, . . F ’d and lighst-ed for . .x/ .—w- -we . dﬁpers, And the cal- kl.-met, the peace — plpe, . . and 11ght—ed for then‘ : clippers, And pipe, . . and —“t—_ ed for > > dippers, And the peace — pipe, . . and light-ed for /‘T /‘?*"‘—"T 1-!--r \‘ -~ '5‘ smok - ing. _{_¢_ smok - All the vvar—ri0rs of the — } All theold men of the vil - Iage, All the war—rio1's of the > > \ 3 All the J os-sa-keeds, the pro - phets, ma. - gi-cians, the a-be - nos, And the — } C768. All the J os—sa—keeds, the pro - phets, The ma - gi — cians, the We - be - nos, And the cres. > ma — tion, The ma — gi - cians, The Wet -be - nos, And the j- /\ na - tion, /\\ And the 5 ; T me-di-cine-men, das, ' we1- come ; .____e”____ > —cine—men, - das,Came to bid the stran — gers wel—con1e; e _ _ _T_‘_ \ 2 me—di-cine—n1en, the das, Came to bid the — gers we1—come; —a— —o— —a— ' —~—~————’—:‘—' > 3 me-di-cine—men, the das, Games to bid the stran - gers We1- come; , 81,“ .............................................................. .. > > > Well,” they said, bro - thers, That; you come so far > } /\ well,’’ they said, bro - thers, That you come so far > > Well,” they said, bro — thers, That you come > > -9- well,” they said, bro - thers, That you come so far bro- thers, That you come so far > br0—thers, ’_I‘hat you come so far > bro—thers, Thatyou come so far } bro—t11e1's, That you come so far cir - cle round the door-Way,With their pipes they sat With their pipes they sat in in mf 168 Waiting to be-hold stran - gers, . . t-ing to re-ceive their mf W ' to re - ceive to re - ceive Ines - sage; mes - sage ; mes ~ sage; From the wig - Wam came to -9- . _ Till theB1ack-Robe chief, the Pale - face. From the wig - Wam came to f:"":""":'?Z"T Speaking words yet un - fa > Stam — m’ring in his speech a lit- tle, words 1§et un - fa. > > them. . . Stam - 1n’ring, lit-tle, Speaking Words yet un - > > o u lit-tle. Speaking words yet un - fa /—_\_ /. ’_'.\ '.\ . Stam - m’ring, /___.___ well,” they said, That you come well,” they said, Thatyou c0II16 Well,’’ they said, That you come well,” they said, . That you come bro- ther, That you come so far > bro- ther, That you come so far > bro-ther, That you come so far > bro- ther, That you come so far —a-.‘ > TENOR. REOIT. Agitato ‘ma non troppo mo.»-so. _ Then the Black-Robe chief, the A gitato. \ Pro—phet, Told his mes-sage. . to the peo~p1e, Told the pur—port of his mis - sion, . . f-_——_—-—'—j\ f Fla ,—.—._\ ores. mil. Told them of the Vir - gin - ‘ . . And her bless - ed Son, the cres. rall. 58 mpa How in dis-‘cant lands and a - ges He had 1iv’d on earth as /*-———'"—\ We do; How he fast; - ed, ‘ How the /""?'_h“"T F poco mll. rail. 6 dim. > Jews, the tribe ac - curs - ed, Mock’d- him, scourg’d him, cru - ci-ﬁed him; Zhj'j""\ gist- rall. e dim. $ 59 __V 1?‘ Poco meno mosso. How he rose from where theylaid him, W-a.1k’d againwith his dis - A Paco meno mos-so. ‘ K:-—————f mf ci - ples, . . And as — cend - ed in - " {T \ ILL Lc71L[)0. accel. cres. Allegro. 60 Tmxons. BASSES. ,—-—-—\60 3 A llegro. /-_ 6. :1: chiefs madeau - swer y - ing: /\ } chiefs made an — s f:'_j’j—_':'\ say -ing: } M odemto, molto marcato. >——~ “ e have lis - ten’d to your mes - sage, }- } } >- } “ We have lis — ten’d to your mes - sage, Moderate, molto marcato. > > A > A > A e have heard your Words of Wis- dom, } } } }- > W/’\e have heard your words of Wis - dom, And the And the on What you tell us, . . M We will think on What you }- *2 Z ' on What you tell us, . . we will think on what you A > A >>/\ O bro - thers, } /'\ O bro - thers, > } >'\ f!\ That you come so far ‘ f That you come } > poco a, poco. 52 Allegro. ___~____ ’ Then they rose ome - Ward Then they rose up and de - part one home - ward — > > Then they rose up and de ~ gt ' home — ward Then they rose up and de ~ part home - ward 62 Allegro. /--—-——-—\ r—-——'-‘\ K___\ To the young men and — To the young men and the . To the men and wig - wam, /— To theyoungmen and the Told the sto - of the stran the Mas - ter of > > Told the sto - ry of the stran the Mas - ter of - > > Told the sto - ry of stran the Mas - ter of } - Told the sto - ry of the stran Whom the Mas - ter of the shin - ing land *" the shin - ing land vy with the heat si - lence Grew ——-——-e’: .11»- vy with the heat ' - lence Grew A r——----\ Bea. of Sum-mer; drow - sy sound the - noon of Sum - mer; the for Whis - per’d round sul - try wig-warn, With a sound of — Whis - per’d round try wig-wam, Whis — per’d round wig-wam, With a sound of the ----<64 the beach pled . - pled be - low pled 177 mf From corn - ﬁelds shrill and cease - less Sang the grass- , Pah - puk - > >- > > Sang the grass-hopper, Pah - puk - .>- > From the corn Sang the grass- > S . «_ _§x_1_,gr___\the graﬂlopper, guests guests guests guests of Hi - /:' _J_ cres. % mo of Sum-mer, Slum - be1"d sul - try wig - the heat of Sum-mer, Slum - With the heat .of Sum-mer, ber’d, - -.'— with the heat of Sum-mer, Slum - ber’d in the f''\ ,._._____\ 3" Coleridge-'1'a.y1or—Hiawatha..—Nove11o. N slum - ber’d in sul - try wig sul - try wig land-scape poco accel. f ning’s dusk and cool - ness, And the long and And the long and ning’s dusk and cool — ness, And the long accel. >5 And the long and and 179 sun-beams their spears ' - est, sun-beams their spears ' for - est, sun-beams spears ’ for - est, sun-beams spears ' for - est, >- R accel. cres. Break - ing through its shields sha. - dow, Break - ing through ' sha. - dow, Break - ing through ' sha - dow, accel. ores. Break - ing through ' shields sha -g dow, -0- > > accel. ores. .27” am—bush, Se2Lrch’d each thicket, din—g1e, hol-low ; am-bush, Search’d each hol-low ; > am-bush, Search’d each thicket, din»gIe, hol-low; >- > am-bush, Search’d each thicket, din-gle, hol-low ; 6 6Pescmte. }/-\ 180 Tempo lmo. —[ KT guests guests the guests Tempo lmo. 67 Andante con moto. From his rose - a - Wa. - tha, L From his rose Hi - a - wa-tha, rom his place rose - a - Wa-tha, From his place rose Hi - Andante con moto. a. - wa-tha,, 67 Spake in s, spake in this wise, this Wise, in W1 is- ers s wke in ’ pt — in whis- spake in Spake whispers, spake in slum-ber’d : Lj- slum-ber’d : slum-ber’d : :- slum-ber’d : this Wise, this wise, fa-re - well to ti o - ko - mis, Bade fare - Well to old No - ko- mis, L- Bade fare - Well to old No - ko - mis, L h Bade fir/‘e - Well to old N0 - ko - mis, not Wake the guests that <1": i- not wake the guests that T- not Wake the guests that .7» not Wake the guests that BARITONE SOLO. 68 Andante» ‘[1 _ “I am go - ing, a long and distant An/(lame. > > } ' } jour - ney, . . the pot - [tails of [the Sun - /\ poco accel. re - gions of the home - Wind, . . But these guests . . . I leave - hind me, your A >> A > . A > > > o poco accel. - } mp } Watch andwardl leave them ; See thatnever harm comes near them, A 3 \______J Poco meno mosso. } 69. See that never fear mo - lests them, Nev - er dan - ger suspicion, T >> >> Poco meno mosso. ' >> A -mi rall. Nev -er Want of food. shel — ter, /\ >}> 70 OR Forth in-to the vil- lage Went . Forth in- to the vil - lage Wen m’ Forth in-to the vil - lage Went vil — lage Went 70 Forth - /'\ - well to all the young men, Spake to all the young men, Spake young men, Spake the young men, Spake he, Bade fare -Well he, Bade fare —well he, bade fare - well f In the lodge > > Bade farewell to all the -L to all the to all all per - suad - ing, per - suad — ing, per — suad - ing, per - suad - ing, war - riors, war - riors, War - riors, Bade fare - war - riors, poco rit. this Wise : wit. this wise : this wise : poco 'rz't. this wise 2 poco rit. a tempo. 71 BARITONE SOLO. mf . [ am go-ing, On a long and dis-‘cant J: A r——--—\ , jour - ney: . . Ma.-ny moons . . and ma—ny Win - ters Will have } >'> /‘—"'j'—'\ >>>- T‘: molto mll. dolce. and willhave van -ish’d, Ere I come } /7'"-—\ . >->> P molto rall. But my guests . . leave :15 J Lis - ten to their words of ,3 Lis - ten to the truth they 7 8-I‘ L: __2 I Largamente. > > molto T01/ll. - 73 Allegro. > > A :_ Mas - ter of Life has sent them From the Largamente. land of light and mom - molto ing ! Allegro. d‘ = I‘ 7} 0 .Z_ sempg sf (To 82, page 195.) A ‘SA 3 8f 74- Allargomdo. { % i Me/)\l&o modemto. /*':'—"T shore . . . stoodHi-a. - /\ K-""—'——-'\ - \ Molto moderate. /—_'—"——'T >>' * If desired, the Section between 73A and 82 may be omitted in perfermanoe, in which case these 10 bars in small type must be used. 8305. Turn’d and Wa,v’d . . his hand ‘ part; — ing; - tha, Turn’d and wav’d ' . . -ing; - ’l‘urn’d and Wav’d his hand part - ing ; - and Wavéd ' part - ing; 3 > - and 111 - minous Launch’d } and Iu - minous Launch’d and lu - minous Launch’d } clear and 111 - minous Launch’d /"*":_"—-""?""“"'-‘T 75 From the peb-bles, the pebbles From the peb—b1es of - From the peb—bIes - From the peb-bles 75 dim. Whis - per’d to dim. Whis _ - per’d to Whis —;per’d to Whis - per’d to /\ #9- —x— it forth 1> it forth > it forth it forth “ Westward 1 “ estward ! “Westward ! “ Westward E 188 in - to the in - to the in - to the west-Ward! ” > west-ward ! ” } West-ward ! ” } West—ward 1” -3; m f ares. molto. And mf cres. molto speed wi speed with speed m0[éo._p- - with speed it dart-ed it dart-ed And the And the - ning sun de — scend } - ning sun de - scend Set the clouds mf ares. > Set the clouds on ﬁre with /‘ /. Burn’d . . the sky, like hi Burn . . the broad sky, like L - ness, . . Burn’d the sky, like -i .Burn’d the sky, like >- 1?” d , Down whose dour, Down, dour, whose f" - dour Down whose } {* long track . and trail. . of long - One long track and f‘\ One . .long track and trail West - West - Ward, _T——__— stream, stream, as ' T'j""\ West - ward, sun - set, sun - set, - tha. Sa'11’d sun - set, > - tha. Sai1’d 78 in -130 the West - Ward, '_> - mj > mp Sai1’d in - to pur » p16 V79‘ ’ S2'Lil’d in - to the > - Sai1’d in - to the pur - ple Sai1’d in - to the , } mp Sai1’d in - to the pur - ple Va - pours, Sai1’d in - } — > mp Sai1’d in - to the pur - ple Sai1’d in - the the dusk ~ And the And the the dusk 4) } ple from the mar gin Watch’d > - ple from the mar gin W ’d And the ple W ’d mf - _Q_ And the peo ple Watch’d 2-‘ _ seem’d lift - ed _ birch ca-noe seem’d lift — birch ca-noe seem’d lift seem’d lift - ed A it?‘ T111 the Till the in - to that sea. in - to that sea. in - to that sea to that sea of /*""—‘—"‘\ Like the new moon slow / . \ \ dim./' the new. . moon slow T"-—_""“""'—-——'—"\ Co1e1'idge—Tay1or—Hi a.watha.—Nove11o. 0 in the pur — ple ___._:___—_ ‘ pur - ple - in the pur - ple -- 81 f"‘“""“\ 'g_/ morendo. A léegro moderato. M olto modemto. well, farewell for er 1Fare - Well, . ./ O Hi—a And they said, well, farewell for er!Fare-v>'\e11, 0 Hi - a - And they said, “Fare - well, farewell for er!Fare-Well, 0 Hi - a. - /\ And they said, “Fare — well, farewell for er 1 Fare-well, 0 Hi 'Q' A Molto modercwo. ”_—'"“ T T J?“ - them! And the - tha! And the - tha. ! And the - that! And the darkness, Sigh’d “ Fare L darkness, Sigh’d “Fare — depths, Sigh’d “ Fare - darkness, Sigh’d “Fare for - ests, dark — and lone- ly, M0v’d thro’ all their depths of > _ V for _ _ for - ests, dark well, A Well, well, 7. . OHl*3;' ests,dark and lone - ly, M0v’d thro’ all their depths of } — thro’ all . - ests,da.rk and lone - ly, M0v’d } and lone-ly, M0v'd thro’ all their depths of .OHi—a-Wa - A tha. ! ” - that I” And the waves T, W, wa up-on the } . 0 Hi - a - wa - tl12L!”Andtl1e waves up--on the /\ 0Hi - ing,rippling on the peb - bles, S0bb’d, “Farewell, O -pling - So ’d, “Far§vle£,____O Rip- g - bles, Sobb’ “ Farewell, O - the peb - bles, Sobb’d, “Farewell, O -1 _‘Q_ Hi - a-wa — tha ! ” sobb’d, “Farewell, Hi — a - wa - tha. 1 ” And the her-on, - _ mf Hi - a - wa-tha,I “Fare - Well, 0 Hi - a,-we-tha!” AI_1d the F F J mf Hi - a—wa-tha!“Fare - 0 Hi — a — wa-that!” And J...-» — K Hi- a. -W3.-tha!“Fare - 0 Hi - a. - we-tha!” r-——?-% ~--- 35 mf Shuh - shuh-gah, From her haunts a-mong the fen -1a,nds,Scream’d,“Fa,re - well, 0 } her - on, From a - mong the fen - ’d,“Fare~ well, } . From her haunts . . among the fen—lzmds,Screa1n’d, - well, From a. - mong lands, Scream‘d,“ are - well, 0 / 3 86 Un poco meno mosso. mp Thus de-part - ed mp Thus e—part; - mp ’ — a. - Wfb — than 1” Thus e-part — ed mp Hi — a. - wa - tha! ” us de-pa1't- ed U71 ]70(,'0 7?’L(’/IZO 7710880. 86 :1 - Wa — tha, Hi — a — wzvtha Ljh#e_W a — wa - tha, — a - wa—tha -—j:.__ Hi - a-wa-‘aha the Be - Hi — a — wa.-tha Be - lov ft" —-_\ ple mists ple ple mists ple mists gions of the home } gions of the home } gions of the home - wind, Wind, /——-j———-j-—--5 N 0rth—West Wind, Kee -way - din, . . To the Zn _< \/ N orth-west wind, Kee -way - din, . . /T Kee—wa' -din . . 7 N 0rth~west wind, /\ To the 87 N orth-West wind, Kee -Way - din, . . /———:.:—-—§/-—-—-:-T lands of the Bless :} of the Bless } of the Bless > > Is - lands of the Bless /._—.-_._.——.——j\ : /_—.:._—-—-\ rall. poco on poco. king - dom of P0 - 7-all. co poco. king - dom of P0 - mll. pocoa poco. king '- dom of P0 - mll. poco a, poco. king - dom of P0 - /'-T’?-'—ji mll. poco a of the Here - af - ter ! . . . a Kempo. "‘” of the Here - af - ter ! . . . on tempo. . of the Here - af - ter ! . . . a t/e\mpo. _ f'?""'-"T the Here - af C/ THE END NOVELLO’S ORIGINAL OOTAVO_ EDITIONS. OF Oratorios, Cantatas, Odes, Masses, &c. FRANZ ABT. (Female voices) (SOL-FA, 0/6) (ditto) (SOL-FA, 0/6) (ditto) (SOL-FA, 0/6) (ditto) (SOL-FA, 0/6) (ditto) (SOL—FA, 0/6) (ditto) (SOL-F.-1,0/6) (ditto) (SOL-FA, 0/6) (ditto) (SOL-FA, 0/6) . H. ADAMS. J A DAY IN SUMMER (Female Voices) (SOL-FA, 0/6) KING CONOR (Scum, 1/0) THOMAS ADAMS. THE CROSS OF CHRIST (SOL-FA,0/6) THE HOLY CHILD (SOL-FA,0/6) THE RAINBOW OF PEACE B. AGUTTER. MISSA DE BEATA MARIA VIRGINE, IN C (English) (Female voices) MISSA DE SANCTO ALBANO (English) THOMASANDERTON THE NORMAN BARON WRECK OF THE I-IESPERUS (SOL-FA, 0/-1) YULE TIDE J.H.ANGER. A SONG OF THANKSGIVING... W. I. ARGENT. MASS, IN B FLAT (St.Benedict) P. ARMES. MINSTER BELLS SPRINGTIME SUMMER THE FAYS’ FROLIC THE GOLDEN CITY THE SILVER CLOUD THE WATER FAIRIES THE WISHING STONE HEZEKIAH . ST. BARNABAS ST. JOHN ’I'HE EVANGELIST A. D. ARNOTT. THE BALLAD OF CARMILHAN (SOL-FA,1/6) YOUNG LOCHINVAR (SOL-FA, 0/8) E. ASPA. ENDYMION (with Recitation) THE GIPSIES . ASTORGA. STABAT MATER J.C.BACH. I WRESTLE AND PRAY (Motet) (SOL-FA, 0/2) J.S.BACH. A STRONGI-IOLD SURE (SOIrFA, Choruses on1y.0/6) BE NOT AFRAID (Motet) (SOL-FA, 0/4) BIDE WITH US BLESSING, GLORY, AND WISDOM CHRIST LAY IN DEATH'S DARK PRISON CHRISTMAS ORATORIO (PARTS I & 2) DITTO (PARTS 3 & 4) DITTO (PARTS 5 & 6) COME, JESU. COME (Motet) (In the Press) FROM DEPTHS OF WOE I CALL ON THEE n the Press) GOD GOETH UP WITH SHOUTING GOD S0 LOVED THE WORLD . GOD'S TIME IS THE BEST (SOL-FA, 0/6) HOW BRIGHTLY SHINES (In the Press) JESU, PRICELESS TREASURE (SOL—FA.0/6) JESUS, NOW WILL WE PRAISE THEE JESUS SLEEPS, WHAT HOPE REMAINETH... MAGNIFICAT, [N D MASS, IN B MINOR (Choruses only, SOL-FA, 2/0) MISSA BREVIS, IN A MY SPIRIT WAS IN HEAVINESS NOW SHALL THE GRACE (Double Chorus) (D1TTo, SOL—FA, 0/6) 0 LIGHT EVERLASTING (SOL-FA,0/6) PRAISE OUR GOD WHO REIGNS IN HEAVEN PRAISE THOU THE LORD, JERUSALEM SING YE TO THE LORD (Motet) Most of these Cantatas, é“rc., can be supplied in Roa I4/2/05- DITTO Paper gl lsourda. llll IIISIIIIIIII lllllﬁlrlll IIIIISIIIII SI lllzlnnnﬁﬁ llll IIISIIIIIIII J. S. BACH (continued). SLEEPERS VVAKE (SOL-FA,0/6) STRIKE THOU THE HOUR SO LONG EXPECTED (In the Press) THE LORD IS A SUN AND SHIELD THE LORD IS MY SHEPHERD (lathe Press) THE PASSION (S. JOHN) THE PASSION (S. MATTHEW) ._.. DITTO (Abridged as used at St. Paul's) THE SAGES OF SHEBA nthe Press THE SPIRIT ALSO HELPETH US (Motet) (In the Press) THOU GUIDE OF ISRAEL WHEN WILL GOD RECALL MY SPIRIT A. S. BAKER. COMMUNION SERVICE, IN E GRANVILLE BANTOCK. THE FIRE-WORSHIPPERS .. J.BARNBY. REBEKAH (SOL-FA, 0/9) THE LORD IS KING (97th Psalm)(SoL-FA,1/0) KING ALL GLORIOUS (SoL—FA, 0/lg) LEONARD BARNES THE BRIDAL DAY .. . Ix: |l§§Elll J.F.BARNETT. PARADISE AND THE PERI ... ... THE ANCIENT MARINER(SOL-FA, 2/0) ... THE RAISING OF LAZARUS THE WISHING BELL (Female voices) (SOL-FA, 1/0) MARMADUKE BARTON. MASS IN A MAJOR (For Advent and Lent)... BEETHOVEN. A CALM SEA AND A PROSPEROUS VOYAGE CHORAL FANTASIA (SOL-FA, 0/3) CHORAL SYMPHONY DITTO VOCAL PORTION (SOL-FA,0/6) COMMUNION SERVICE, IN C ENGEDI; OR, DAVID IN THE WILDERNESS MASS, IN C MASS, IN D MEEK, AS THOU LIVEDST MOUNT OF OLIVES (CI-IORUSES, SOL-FA, 0/6) DITTO CI-IORUSES ONLY . RUINS OF ATHENS (SOL-FA, 0/6) THE PRAISE OF MUSIC A. H. BEHREND. SINGERS FROM THE SEA (Female Voices) (D1TTo, SOL-FA, 0/9) WILFRED BENDALL. A LEGEND OF BREGENZ (Femalevoices) (DITTo, SOL-FA, 0.8) THE LADY OF SHALOTT (Female voices) (DITTO, SOL-FA, 1/0) SONG DANCES. Vocal Suite. (Female Voices) (D1TTo, SOL-FA, 0/9) KAREL BENDL. WATER-SPRITE'S REVENGE (Female voices) SHIJULIUS BENEDICT. PASSION MUSIC (from ST. PETER) ST. PETER THE LEGEND OF ST. CECILIA (SOL-FA, 1/6) GEORGEJ.BENNETT. EASTER HYMN 1 SHKWRSTERNDALEBENNETT INTERNATIONAL EXHIBITION ODE (1862) THE MAY QUEEN (SOL-FA, 0/6) 1/0 1/0 —— 1/0 1/6 DITTO CHORUSES ONLY 0/8 1/2 THE WOMAN OF SAMARIA(SOL-FA, 1/0)... 4/0 -- n, rounded corners, red under gilt edges,1>rice 33. in excess of the markedprice of e paper cover edition. at . I. Cloth I Gun 1 l|||§l|l NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.~Comfinued. HECTOR BERLIOZ. FAUST (DITTO CI-IORUSES AND WORDS OF SoLos ONLY, SOL-FA, 1/0) THE CHILDHOOD OF CHRIST . (DITTO CHORUSES AND WORDS OF SOLos ONLY, SOL-FA, 0/8) G. R. BETJEMANN. THE SONG OF THE WESTERN MEN W. R. BEXFIELD. ISRAEL RESTORED HUGH BLAIR. BLESSED ARE THEY WHO WATCH (ADVENT) HARVEST-TIDE THE SONG OF DEBORAH AND BARAK JOSIAH BOOTH. THE DAY OF REST (Female voices) (SOL-FA, 0/9) KATE BOUNDY. THE RIVAL FLOWERS (Operetta) (SOL-FA, 0/6) E. M. BOYCE. THE LAY OF THE BROWN ROSARY THE SANDS OF CORRIEMIE (Female voices) (DITTO, SOL-FA, 0/6) YOUNG LOCHINVAR J. BRADFORD. HARVEST CANTATA .. W. F. BRADSHAW. GASPAR BECERRA J. BRAHMS. A SONG OF DESTINY C. BRAUN. QUEEN MAB AND THE KOBOLDS (Operetta) (SOL—F‘A, 0/9) SIGURD THE COUNTRY MOUSE AND THE TOWN MOUSE (Operetta) (SOL-FA, 0/4) THE SNOW QUEEN (Operetta) (SOL-FA,0/6) A. HERBERT BREWER. EMMAUS (SOL-FA,0/9) NINETY—EIGHTH PSALM . O PRAISE THE LORD THE HOLY INNOCENTS J. C. BRIDGE. DANIEL .. RESURGAM RUDEL J. 1*‘. BRIDGE. BOADICEA” CALLIRHOE (SOL—FA, 1/6) FORGING THE ANCHOR (SOL-FA,1/0) HYMN TO THE CREATOR MOUNT MORIAH NINEVEH ROCK OF AGES (Latin and EngllSI1)(SOI.-FA, 0/4)... THE BALLAD OF THE CLAMPHERDOWN (DITTO, SOL-FA, 0/8) THE CRADLE OF CHRIST (“ Stabat Mater Speciosa”) 1/ THE FLAG OF ENGLAND (SOL-FA,0/9) . .. THE FROGS AND THE OX (Operetta) (SOL-FA, 0/6) THE INCHCAPE ROCK THE LOBSTER‘S GARDEN PARTY (Female vv.) (DITTO. SOL-I~‘A,0/4) THE LORD’S PRAYER (SOL-FA, 0/6) THE SPIDERAND THE FLY (Operetta) (SOLvFA,0/6) DUDLEY BUCK. THE LIGHT OF ASIA . .. EDWARD BUNNETT. OUT OF THE DEEP (I3oth Psalm) T. A. BURTON. CAPTAIN REECE (Boys' voices) (SOL-FA, 0/6) THE TRAGEDY OF COCK ROBIN (Short Action Piece) (SOL-FA,0/3) THE YARN OF THE NANCY BELL (Cantata or School Song) (Boys’ voices) (SOL-FA, 0/6) W. BYRD. MASS FOR FOUR VOICES CARISSIMI. JEPHTHAH JOB A. VON AI-IN CARSE. THE LAY OF THE BROWN ROSARY GEORGE CARTER. SINFONIA CANTA'I‘A (uﬁth Psalm) WILLIAM CARTER. PLACIDA (CHORUSES ONLY, 1/0) CHERUBINI. FOURTH MASS,_ IN C FIRST REQUIEM MASS, C MINOR(Lat. and Eng.) SECOND MASS, IN D MINOR... THIRD MASS (CORONATION) E. T. CHIPP. NAOMI II It III III HAMILTON CLARKE. DRUMS AND VOICES (Operetta) (SOL-FA, 0/9) HORNPIPE HARRY (Operetta) (SOL-FA, 0/9) PEPIN TI-IE PIPPIN (Operetta) (SOL-rA,0/9) THE DAISY CHAIN (Operetta) (SOL-FA,0/9)... THE MISSING DUKE (Operetta) (SOL—I=A, 0/9) GERARD F. COBB. A SONG OF TRAFALGAR (I\*IeI1'svOices) MY SOUL TRULY WAITETH S. COLERIDGE-TAYLOR. SCENES FROM THE SONG OF I-IIAWATHA (DITTO, SOI.—FA, 2/0) HIAWATHA’S WEDDING—FEAST (SOI.~FA. 1/O) HIAWATHA’S HOCHZEIT 3 marks THE DEATH OF MINNEHAHA (SOL-I=A,1/0) HIAWATHA’S DEPARTURE (SOL—FA, 1/O) THE BLIND GIRL OF CASTEL-CUILLE (DITTO, SOL-FA,1/0) MEG BLANE (SOL-FA,0/9) THE ATONEMENT FREDERICK CORDER. THE BRIDAL OF TRIERMAIN(SOL-FA,1/0) SIR MICHAEL COSTA. THE DREAM H. COWARD. GARETH AND LINET (SOL—FA, Choruses only, 1/0 THE STORY OF BETHANY (SOL«FA, 1/6)... F. H. COWEN. ADAUGHTEROFTHESEA(FemalevV.)(SOL—FA,1/0) A SONG OF THANKSGIVING... CHRISTMAS SCENES (Female voices) (SOL-FA, 0/9) CORONATION ODE JOHN GILPIN (SOL-FA. 1/0) ODE TO THE PASSIONS (SOI.~1<‘A, 1/0) RUTH (SOL-FA, I/6) .. ST. JOHN'S EVE (SOL-FA,1/6) .. SLEEPING BEAUTY (SOI,—FA,1/6) SUMMER ON THE RIVER(Female vv.) (SOL-I7A,0/9) THE ROSE OF LIFE (Female voices) (SOL-FA,0/9) THE WATER LILY VILLAGE SCENES (Female voices (SOL—FA, 0/9) _]. MAUDE CRAMENT. I WILL MAGNIFY THEE, O GOD(I45th Psalm)... LITTLE RED RIDING—HOOD (Female voices) W. CRESER. EUDORA (A dramatic Idyll) W. CROTCH. PALESTINE W. H. CUMMINGS. THE FAIRY RING ..; W. G. CUSINS. TE DEUM, IN B FLAT FELICIEN DAVID. THE DESERT (Male voices) , H. WALFORD DAVIES. HERVE RIEL... .. THE TEMPLE THE THREE JOVIAL HUNTSMEN (Folio) P. H. DIEMER. BETHANY . . M. E. DOORLY. LAZARUS 1’ c I IlI|§§§H|Ill IIIISSSIIIHI NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.——Comfinuced. F. G. DOSSERT. COMMUNION SERVICE, IN E MINOR... MASS, IN E MINOR LUCY K. DOWNING. A PARABLE IN SONG T. F. DUNHILL. TUBAL CAIN (Ballad) (SOL-FA, 0/6) F. DUNKLEY. THE WRECK OF THE HESPERUS ANTONIN DVORAK. COMMUNION SERVICE, IN D MASS, IN D PATRIOTIC I-IYMN... DITTO (German and Bohemian Words) REQUIEM MASS ST. LUDMILA DITTO (German and Bohemian Words) STABAT MATER (SOL-FA, 1/6) DITTO (English Words) (At the Foot of the Cross) . THE SPECTRE’S BRIDE (SOL-FA, 1/6) DITTO (German and Bohemian Words) A. E. DYER. ELECTRA OF SOPI-IOCLES SALVATOR MUNDI JOHN B. DYKES. THE LORD IS MY SHEPHERD THESE ARE THEY (scum, 0/2) H. J. EDWARDS. PRAISE TO THE HOLIEST THE ASCENSION THE EPIPHANY . EDWARD ELGAR. CARACTACUS (SOL—FA, Choruses only,1/6) KING OLAF (SOL-FA, Choruses only, 1/6) TE DEUM AND BENEDICTUS .. THE APOSTLES (Parts I. & II.) .. (DITTO, German Words, 8 Marks) (Choruses and Words of Solos only, SOL-FA, 2/6) THE DREAM OF GERONTIUS . (DITTO, French Words, Prix fr. 7.50 net) (DITTO, German Words, 6 Marks) (DITTO, SoL-FA, Choruses only, 1/6) THE BANNER OF ST. GEORGE (SOL-FA 1/0) THE BLACK KNIGHT THE LIGHT OF LIFE (Lux Christi) ROSALIND F. ELLICOTT. ELYSIUM THE BIRTH OF SONG GUSTAV ERNEST. ALL THE YEAR ROUND (Female vv.) (SOL-FA, 0/9) HARRY EVANS. THE VICTORY OF ST. GARMON (S01.-FA, o/9) .. A EYRE. COMMUNION SERVICE 'IN.E FLAT T. FACER. A MERRY CHRISTMAS (School Cantata) (DITTO, SOL-FA, 0/6) RED RIDING-HOOD’S RECEPTION (Operetta)... (DITTO, SOL-FA, 0/9) SONS OF THE EMPIRE (School Cantata) (DITTO, SOL-FA, 0/6) E. FANING. BUTTERCUPS AND DAISIES (Female voices) (DITTO, SoL-FA, O/9) HENRY FARMER. MASS, IN B FLAT (Latin and English) (SOL-FA, 1/0) PERCY E. FLETCHER. THE TOY REVIEW (Operetta) (SOL-FA, 0/8) THE ENCHANTED ISLAND (Operetta) (DITTO, SOL-FA, 0/9) THE OLD YEAR'S VISION (Operetta) (SOL-FA, 0/6) J. C. FORRESTER. THE KALENDAR (Operetta) (SOL-FA, 0/9) MYLES B. FOSTER. SNOW FAIRIES (Female voices) (SOL-FA, 0/6) THE ANGELS OF THE BELLS (Female Voices)... (DITTO, SOL-FA, 0/8) THE BONNIE FISI-IWIVES ( Female vv.) (SOL-FA, 0/9) THE COMING OF THE KING (Female voices) (D1TTo, SOL-FA,0/3) 2/0 1/6 1/6 1/6 1/6 ROBERT FRANZ. PRAISE YE THE LORD (IT7th Psalm) NIELS W. GADE. CHRISTMAS EVE (SOL-FA, 0/'1) COMALA ERL-KING'S DAUGHTER(SOL-FA, 0/9) PSYCHE (SOL-FA, I/6) SPR1NG’S MESSAGE (SOL-FA, 0/3) THE CRUSADERS (SOL-FA, 1/0) ZION HENRY GADSBY. ALCESTIS (Male voices) ... COLUMBUS (Male voices)... ... LORD OF THE ISLES(SOL-x<‘A,1/6) F. W. GALPIN. YE OLDE ENGLYSHE PASTYMES (Female voices) G. GARRETT. HARVEST CANTATA (Scum, 0/6) THE SHUNAMMITE THE Two ADVENTS R. MACHILL GARTH. EZEKIEL THE WILD HUNTSMAN A. R. GAUL. AROUND THE WINTER FIRE (Female voices) (DiTTo, SoL—FA,0/9) A SONG OF LIFE (Ode to Music) (SOL-FA, 0/6) ISRAEL IN THE VVILDERNESS (SOL-FA,1/0) JOAN OF ARC (SOL-FA,1/0) PASSION SERVICE RUTH (SOL-FA, 0/9) (Choruses only, 1/0) THE ELFIN HILL(Female voices) TI-IE HARE AND THE TORTOISE (for Juveniles) (D1TTo, SOL-FA, 0/6) THE HOLY CITY(SOL-FA,1/0) THE LEGEND OF THE WOOD (Female voices)... (DITTO, SOL-FA, 0/8) THE PRINCE OF PEACE (SOL-FA,1[0) THE TEN VIRGINS (SOL—FA,1/0) TOILERS OF THE DEEP (Female voices) UNA (SOL-FA, 1/0) UNION JACK (Unison Song with Actions) FR. GERNSHEIM. SALAMIS. A TRIUMPH SONG (Male voices) OUSELEY GILBERT. SANTA CLAUS AND HIS COMRADES (Operetta) (DITTO, SOL—FA, 0/8) F. E. GLADSTONE. PI-IILIPPI GLUCK. ORPHEUS (CI-IORUSES, SOL-FA, 1/ D1TTo (ACT 11. ONLY) PERCY GODFREY. THE SONG OF THE AMAL HERMANN GOETZ. BY TI-IE WATERS OF BABYLON(r37th Psalm)... NGENIA TI-IE VVATER-LILY (Male voices) A. M. GOODHART. ARETHUSA EARL HALDAN’S DAUGHTER FOUNDER’S DAY (Ode) SIR ANDREW BARTON .. THE SPANISH ARMADA CH. GOUNOD. COMMUNION SERVICE (Messe Solennelle) DITTO (Troisieme Messe Solennelle) DAUGHTERS OF JERUSALEM DE PROFUNDIS (r30th Psalm) (Latin Words) DITTO (Out of darkness) GALLIA (SOL-FA, 0/4) MESSE SOLENNELLE (ST. CECILIA)... MORS ET VITA (Latin or English) Drrro, SOL-FA (Latin and English)... O COME NEAR TO THE CROSS (SLabat Mater) OUT OF DARKNESS REQUIEM MASS, from “Mots et Vita” TI-IE REDEMPTION (English Words) (SOL-FA,2/0) D1TTo (French Words) . . D1TTo (German Words)... THE SEVEN WORDS OF OUR SAVIOUR ON THE CROSS (Filize Jerusalem) ... \ TROISIEME MESSE SOLENNELLE .- /4 10 2/6 I I HSSIIISEHIHS Hill 111:: IISIIIISSIIIIIS NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.—Conti/nued. C. H. GRAUN. TE DEUM THE PAss1oN"'oF OUR "L'ORD"(De£"'roaj'ésu) If (CI-XORUSES 0NLY,1/0.) ALAN GRAY. ARETHUSA A SONG OF REDEMPTION THE LEGEND OF THE ROCK-BUOY BELL THE WIDOW OF ZAREPHATH J. O. GRIMM. THE SOUL’S ASPIRATION G. HALFORD. THE PARACLETE E. V. HALL. IS IT NOTHING TO YOU (SOL-FA, 0/3) W. A. HALL. THE PRESENTATION IN THE TEMPLE HANDEL. ACIS AND GALATEA DITTO, New Edition, edited by}. Ba1‘nby(SOL-FA,1/0) ALCESTE ALEXANDER BALUS ALEXANDER’S FEAS ATHALIAH . BELSHAZZAR CHANDOS TE DEUM CORONATION AND FUNERAL ANTHEMS Or, s1ngly:——- LET THY HAND BE STRENGTHENED MY HEART IS INDITING... THE KING SHALL REJOICE (SOL-FA, 0/3) THE WAYS OF ZION ZADOK THE PRIEST (SOL—FA, 0/15) DEBORAH DETTINGEN TE DEUM DIXIT DOMINUS (from Psalm cx.) HERCULES (CHoRUsEs ONLY,1/0) ISRAEL IN EGYPT, edited by Mendelssohn ISRAEL IN EGYPT,edited by V. Novello,Pocl<etEdit. . (DITTO, SOL-FA, 1/0) gEPHTHA .. OSHUA UDAS MACCABA3US(SOL—FA,1/0) IUDAS MACCAB/ZEUS, Pocket Edition DITTO (CHoRUsEs ONLY) L’ALLEGRO (CHORUSES ONLY, 1/0) NISI DOMINUS O COME, LET US SING UNTO THE LORD (5th Chandos Anthem) ODE ON ST. CECILIA'S DAY O PRAISE THE LORD (6th Chandos Anthem) O PRAISE THE LORD, YE ANGELS (Folio) SAMSON (SOL-FA, 1/0) .. DITTO (CHORUSES ONLY) SAUL (CHoRUsEs ONLY, 1/0) SEMELE... SOLOMON (CI-IoRUsEs ONLY, 1/6)... SUSANNA THEODORA THE MESSIAH, edited by V. NOVeIl0(SOL-FA 1/0) THE MESSIAH, edited by E. Prout (SOL-FA, 1/0) THE MESSIAH, edited by V. Novello, Pocket Editio THE MESSIAH, edited by W. T. Best (SOL-FA, 1/0) DITTO (CHORUSES ONLY) THE PASSION DITTO (Abridged Edition) THE TRIUMPH OF TIME AND TRUTH... UTRECHT JUBILATE SYDNEY HARDCASTLE. SING A SONG OF SIXPENCE (Operetta) C. A. E. HARRISS. PAN (A Choric Idyl) BASIL HARWOOD. INCLINA, DOMINE (86th Psalm) F. K. HAT TERSLEY. HOW THEY BROUGHT THE GOOD NEWS FROM GHENT TO AIX KING ROBERT OF SICILY HAYDN. FIRST MASS, IN B FLAT (Latin) ITTO (Latin and English) INSAN/‘E ET VANIE CURZE (Latin and English)... SECOND MASS, IN C (Latin) SIXTEENTH MASS (Latin) . TE DEUM (English and Latin) THE CREATION (SOL—FA, 1/0) THE CREATION, Pocket Edition DITTO (CHORUSES ONLY) -u . on -u HAYDN (continued). THE PASSION; OR, SEVEN LAST WORDS OF OUR SAVIOUR ON THE CROSS THE SEASONS Each Season, singly (SPRING, Tonic Sol-fa, 6d.) DITTO (CHORUSES ONLY) THIRD MASS (IMPERIAL) (Latin and English) DITTO (Latin) BATTISON HAYNES. A SEA DREAM (Female voices) (SOL-FA, 0/6)... THE FAIRIES’ ISLE (Female voices)... THE SEA FAIRIES (Female voices) (SOL-FA 0/6) C. SWINNERTON HEAP. FAIR ROSAMOND (SOL-FA, 2/0) DITTO (CHoRUsEs ONLY) .. EDWARD HECHT. ERIC THE DANE 0 MAY I JOIN THE CHOIR INVISIBLE GEORG HENSCHEL. OUT OF DARKNESS (I3oth Psalm) STABAT MATER TE DEUM LAUDAMUS, IN C HENRY HILES. THE CRUSADERS GOD IS OUR REFUGE WAR IN THE HOUSEHOLD FERDINAND HILLER. A SONG OF VICTORY (SOL-FA 0/9) NALA AND DAMAYANTI ALL THEY THAT TRUST IN THEE H. E. HODSON. THE GOLDEN LEGEND HEINRICH HOFMANN. CHAMPAGNERLIED (Male voices) CINDERELLA MELUSINA SONG OF THE NORNS (Female voices) JOSEPH HOLBROOKE. BYRON (Poem) ... C. HOLLAND. AFTER THE SKIRMISH... T. S. HOLLAND. KING GOLDEMAR (Operetta) (SOL—FA, 0/9) GUSTAV VON HOLST. THE IDEA (Humorous Operetta) (SOL-FA, 0/6) HUMMEL. ALMA VIRGO (Latin and English) COMMUNION SERVICE, IN B FLAT DITTO, IN E FLAT DITTO, IN D FIRST MASS, IN B FLAT QUOD IN ORBE (Latin and English) SECOND MASS, IN E FLAT THIRD MASS, IN D . W. H. HUNT. STABAT MATER G. F. HUNTLEY. PUSS-IN-BOOTS (Operetta) (SOL-FA, 0/9) VICTORIA; OR, THE BARD'S PROPHEC (DITTO, SOL-FA, 1/0) H. H. HUSS. l AVE MARIA(Female voices) F. ILIFFE. SWEET ECHO JOHN W. IVIMEY. THE WITCH OF THE WOOD (Operetta) .. (DITTO, SOL-FA, 0/9) W. JACKSON. THE YEAR . . ... G. JACOBI. CINDERELLA (Operetta) (SOL-FA, 1/0) D. JENKINS. DAVID AND SAUL (SOL-FA, 2/0) Cloth Gilt. l9& as! [S3 NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.~—Co/Itivmed. A.JENSEN. THE FEAST OF ADONIS WAJOHNSON. ECCE HOMO . H. FESTING JONES. KING BULBOUS (Operetta) (SOL—FA, 0/8) C. WARWICK JORDAN. BLOW YE THE TRUMPET IN ZION N. KILBURN. BY THE WATERS OF BABYLON THE LORD IS MY SHEPHERD (23rd Psalm) THE SILVER STAR(Female voices) ALFRED KING. THE EPIPHANY .. OLIVER KING. BY THE WATERS OF BABYLON (I37th Psalm)... THE NAIADS (Female voices) . THE ROMANCE OF THE ROSES THE SANDS O’ DEE (SOL-FA,0/2) J. KINROSS. SONGS IN A VINEYARD (Female vv.) (SOL-FA,0/6) H. LAHEE. THE SLEEPING BEAUTY (Femalevv.)(SoL-FA, 0/6) G. F. LE JEUNE. COMMUNION SERVICE IN C FIRST MASS IN C... EDWIN H. LEMARE. ’TIS THE SPRING OF SOULS TO-DAY COMMUNION SERVICE INF LEONARDO LEO. DIXIT DOMINUS A F. LEONI. THE GATE OF LIFE (SOL—FA,1/0) H. LESLIE. THE FIRST CHRISTMAS MORN F. LISZT. THE LEGEND OF ST. ELIZABETH THIRTEENTH PSALM C. H. LLOYD. A HYMN OF THANKSGIVING ALCESTIS (Male voices) ANDROMEDA A SONG OF JUDGMENT HERO AND LEANDER ROSSALL SIR OGIE AND THE LADIE ELSIE THE GLEANERS’ HARVEST (Female voice THE LONGBEARDS’ SAGA(Male voices) THE SONG OF BALDER THE RIGHTEOUS LIVE FOR EVERMORE CLEMENT LOCKNANE. THE ELFIN QUEEN (Female voices) HARVEY LOHR. THE QUEEN OF SHEBA (CHORUSES ONLY, 1/0) W. H. LONGHURST. THE VILLAGE FAIR (Female Voices) . . lllll||§§ll 2/0 2/6 ELVA LORENCE AND G. KENNEDY CHRYSTIE. TERRA FLORA (or a Peep Operetta for Children) C. EGERTON LOWE. LITTLE BO-PEEP (Operetta). (SOL-FA, 0/4) BERTRAM LUARD-SELBY. THE DYING SWAN HAMISH MACCUNN. LAY OF THE LAST MINSTREL(SOL-FA,1/6) LORD ULLIN’S DAUGHTER (scum, 0/3)... G. A. MACFARREN. AJAX (Greek Play) MAY—DAY (SOL-FA, 0/6) DITTO (CI-IORUSES OUTVVARD BOUND SONGS IN A CORNFIELD (Female voices) (DITTO, SOL-FA, 0/9) ST. JOHN THE BAPTIST Choruses only, 1/0) into Flower Land, Ono ONLY) (DITTO, SOL-FA, THE LADY OF THE LAKE (DITTO, Choruses Only, SOL-FA,1/6) THE SOLDIER’S LEGACY (Operetta) .. 3/6 _ 1/0 A. C. MACKENZIE. BETHLEHEM... Act II., separately JUBILEE ODE . THE BRIDE (SOL-FA, 0/8)... THE COTTER'S SATURDAY NIGHT (SOL-FA,1/0) THE DREAM OF JUBAL (DITTO, Choruses THE NEW COVENANT .. THE ROSE OF SHARON (DITTO, SOL-FA, 2/0) THE PROCESSION OF THE ARK (Choral Scene) DITTO, SOL-FA, 0/9) THE STORY OF SAYID THE WITCH’S DAUGHTER VENI, CREATOR SPIRITUS Billy, s‘.sm';'1/o) C. MACPHERSON. BY THE WATERS OF BABYLON (I37th Psalm) L. MANCINELLI. ERO E LEANDRO (Opera) F. W. MARKULL. ROLAND’S HORN (Male voices) F. E. MARSHALL. PRINCE SPRITE (Female voices) CHORAL DANCES from Ditto GEORGE C. MARTIN. COMMUNION SERVICE, IN A N DITTO. I C FESTIVAL TE DEUM IN A (SOL-FA, 0/2) J. MASSENET. Inc M ANON (Opera) J. T. MASSER. HARVEST CANTATA J.H.MAUNDER PENITENCE, PARDON, AND PEACE (SOL-FA, 1/0) OLIVET T0 CALVARY (SOL-FA, 0/9) T. R. MAYOR. THE LOVE OF CHRIST J.H.MEE. nu HORATIUS (Male voice MISSA SOLENNIS, IN B FLAT MEN DELSSOHN. ANTIGONE (Male voices) (SOL-FA, 1/0) AS THE HART PANTS (42nd Psalm) (SOL-FA,0/6) COME, LET US SING (95th Psalm) (SOL—EA, 0/6) NOT UNTO US, 0 LORD (II5th Psalm) WHEN ISRAEL OUT OF EGYPT CAME (DITTO, SOL-FA, 0/9) ATHALIE (SOL-FA, 0/8) AVE MARIA (Saviour of Sinners) (Double Choir) CHRISTUS (SOL—FA, 0/ ELIJAH (POCKET EDITION) ELIJAI-I (SOL-FA, I/0) DITTO (CI-IORUSES ON Y) FESTGESANG (Hymn ofPraise) (S.A.T,B.) (SOL-FA, 0/2) DITTO (Male voices) (T.’I‘.B.B.) HEAR MY PRAYER (S. solo and chorus) (SOL-FA,0/2} DITTO DITTO HYMN OF PRAISE (Lobgesang) (SOL-FA, 0/6) DITTO (CHORUSES ONLY) JUDGE ME, 0 GOD (43rd Psalm) (SOL-FA, 0/1;) LAUDA SION (P1‘aISeJehOVaI’I)(SOL-FA, 0/9) LORD, HOW LONG WILT THOU (SOL-FA, 0/4) LORELEY (S()L—FA, 0/6) .. MAN IS MORTAL (8 voices) MIDSUMMER NIGHT’S DREAM (DITTO, SOL-FA, 0/4) MY GOD, WHY, 0 WHY HAST THOU FOR- SAKEN ME (22IId Psalm) CEDIPUS AT COLONOS (Malev ices) ST. PAUL(SoI.-I=A,1/'0) DITTO (CHoRUsEs ONLY) ST. PAUL, Pocket Edition .. SING TO THE LORD (98th Psalm) SIX ANTHEMS for the Cathedral at Berlin. 8 voices, arranged in 4 parts SON AND STRANGER (Operetta) THE FIRST WALPURGIS NIGHT (SOL-FA,1/O)... THREE MOTETS FOR FEMALE VOICES . (DITTO, SOL-FA, 0/15, 0/2, and 0/2 each.) TO THE SONS OF ART (Male voices) (SOL-FA, 0/3) WHY RAGE FIERCELY THE HEATHEN (F.e.n1ale"voice‘s'). F6} 1/0 2/0 2/6 2/0 5/0 2/6 2/6 1/0 1/0 1/0 0/6 6/0 1/0 1/6 1/6 1/0 DELPHI, A LEGEND OF HELLAS (Male voices) 1/0 1/0 2/0 4/0 1/0 1/0 1/0 1/0 1/0 1/0 1/0 1/0 2/0 1/0 1/0 1/0 1/0 0/4 1/0 6 0/4 1/0 1/0 1/0 1/0 1/0 0/8 0 4/ 1/0 1/0 1/0 0/6 I-‘bl!-I IOF-I IIIISISSIIIISSSIIS lllll U1 ‘ll: %II1§1%’.“o3i ABRAHAM O SEVENTH MASS, IN B FLA NOVELLO’S OCTAVO EDITION OF ORATORIOS, &C.—-—Com.‘inued. R. D. METCALFE AND A. KENNEDY.’ PRINCE FERDINAND Operetta) (SOL—FA,0/9)‘ 2/0 MEYERBEER. NINETY-FIRST PSALM (Latin) 1/0 (English) 1/0 DITTO A. MOFFAT. A CHRISTMAS DREAM (A Cantata for Children) (DITTO, SOL-FA, 0/4) B. MOLIQUE. J. A. MOONIE. .A WOODLAND DREAM (Female voices) (SOL—FA, 0/9) KILLIECRANKIE (SOL-FA, 0/8) MOZART. ‘COMMUNION SERVICE, IN B FLAT (Latin and English) .. FIRST MASS (Latin and English) GLORY, HONOUR, PRAISE ... HAVE MERCY, O LORD... KING THAMOS LITANIA DE VENERABILI ALTARIS(EI7) "'Thirli'1vIotL'£ Second Motet LITANIA DE VENERABILI SACRAMENTO(BI)') O GOD, WHEN THOU APPEAREST. First Motet (SOL—FA, 0/2) REQUIEM MASS . DITT (Latin and English) (SOL-FA, 1/0)... T SPLENDENTE TE, DEUS Eiré'{Mo:l=.'£ TWELFTH MASS (Latin) DrTTo (Latin and Er1',.,l1ish)"('soLi£€.., 0,/'9')‘ DITTO (CHORUSES ONLY) E. MUNDELLA. VICTORY OF SONG(FemaIe voices) JOHN NAYLOR. JEREMIAH JOSEF NESVERA. DE PROFUNDIS E. A. NUNN. MASS, IN C E. CUTHBERT NUNN. THE FAIRY SLIPPER (Children's Opera) (SOL—FA, 0/8) A. O'LEARY. MASS OF ST. JOHN REV. SIR FREDK. OUSELEY. THE MARTYRDOM OF ST. POLYCARP R. P. PAINE. THE LORD REIGNETH (93rd Psalm) PALESTRINA. COMMUNION SERVICE (Missa Papae Marcelli) COMMUNION SERVICE (Assumpta est Maria) .. MISSA ASSUMPTA EST MARIA MISSA BREVIS MISSA “O ADMIRABILE COMMERCIUM" MISSA PAP/E MARCELL STABAT MATER H. W. PARKER. A WANDERER'S PSALM . HORA NOVISSIMA... LEGEND OF ST. CHRISTOPHER THE KOBOLDS C. H. H. PARRY. AGAMEMNON (Greek Play) A SONG OF DARKNESS AND LIGHT BLEST PAIR OF SIRENS (SOL-FA, 0/8) (DITTO, English and German VVords, 2 marks 50) EEOPROFUNDIS (I3oth Psalm) T N .. INVOCATION TO MUSIC . JOB (CI-IORUSES ONLY, SOL-FA,1/0) . UDITH (CHORUSES ONLY, SOL~FA, 2/0) KING SAUL (CI-IORUSES ONLY, SOL-FA,1/6) L’ALLEGR() (SOL-FA, 1/6)... MAGNIFICAT (Latin) . ODE TO MUSIC ODE ON ST. CECILIA"S DAY OL-FA, 1/0) PROMETHEUS UNBOUND TE DEUM LAUDAMUS (Latin) THE GLORIES OF OUR BLOOD AND STATE TI-IE LOTUS—EATERS (The Choric Song) -.14 lllllll lllllll IIJIIIIISSIII: Illlllllis llll I I moallll C. H. H. PARRY (continued). THE LOVE THAT CASTETH OUT FEAR (Sinfonia Sacra) VOCES CLAMANTIUM (The voices of them that cry) WAR AND PEACE (Ode)... DITTO CHORUSES AND WORDS 01? SoLos ONLY, TONIC SOL-FA . B. PARSONS. THE CRUSADER T. M. PATTISON. MAY DAY LONDON CRIES THE ANCIENT MARINER DITTO (CHORUSES ONLY) THE LAY OF THE LAST MINSTREL DITTO (CHORUSES ONLY) THE MIRACLES OF CHRIST (SOL-FA, 0/6) A. L. PEACE. ST. JOHN THE BAPTIST (SOL-FA, 1/0) PERGOLESI. STA BAT MATER (Female voices) (SOL-FA, 0/6) CIRO PINSUTI. PHANTOMS—FANTASMI NELL’ OMBRA PERCY PITT. I-IOHENLINDEN (Men’s voices) V. W. POPHAM. EARLY SPRING .. J B. POWELL. PANGE LINGUA (Sing, my tongue) A. H. D. PRENDERGAST. THE SECOND ADVENT... . F. W. PRIEST. THE CENTURION’S SERVANT C. E. PRITCHARD. KUNACEPA E. PROUT. DAMON AND PHINTIAS (Male voices) FREEDOM HEREWARD, .. QUEEN AIMEE (Female voices) THE HUNDREDTH PSALM (SOL-FA,0/4) THE RED CROSS KNIGHT (SOL-EA,2/0) PURCELL. DIDO AND ZENEAS .. ODE ON ST. CECILIA’S DAY... . TE DEUM AND JUBILATE, IN D DITTO (Edited by Dr. Bridge) (SOL-FA, 0/6) DITTO (Latin arrangement by R. R. Terry) KING ARTHUR THE MASQUE IN “DIOCLESIAN ” . LADY RAMSAY. THE BLESSED DAMOZEL G. RATHBONE. ORPHEUS (Power of Music) (Female voices) (Drrro, SOL-FA, 0/6) VOGELWEID THE MINNESINGER (Operetta)... (DITTO, SOL—FA, 0/6) F. J. READ. THE SONG OF HANNAH J. F. H. READ. BARTIMEUS CARACTACUS .. HAROLD IN THE FOREST (Male voices) _ PSYCHE (CI-IORUSES ONLY, 32/0) THE C()NSECRA'l‘ION OF THE BANNER THE DEATH OF YOUNG ROMILLY .. THE HESPERUS (SOL-EA, 0/9) DOUGLAS REDMAN. COR UNUM VIA UNA (Female voices) C. T. REYNOLDS. CHILDHOOD OF SAMUEL (scum, 1/0) ARTHUR RICHARDS. PUNCH AND JUDY (Operetta) (SOL-PA, 0/6)... THE WAXWORK CARNIVAL (Operetta) (D11-'ro, SOL—FA, 0/8) lllllll £11111 lllllll llllllll lllllll %IIlJ1 NOVELLO’S OCTAVO EDITI O 2 OF ORATO RIOS, &C.——Continued. J. V. ROBERTS. JONAH THE PASSION . . W. S. ROCKSTRO. THE GOOD SHEPHERD J. L. ROECKEL. LITTLE SNOW-WHITE (Operetta)(SOL-FA, 0/9) THE HOURS (Operetta) (SOL~FA, 0/9) .. THE SILVER PENNY (Operetta) (SOL-FA, 0/ EDMUND ROGERS. THE FOREST FLOWER(Female voices) ROLAND ROGERS. FLORABEL (Female voices) (SoI—fa, 1/0) PRAYER AND PRAISE (Oblong) F. ROLLASON. S’1‘OOD THE MOURNFUL MOTHER WEEPING ROMBERG. TE DEUM THE HARMONY OF THE SPHERES .. THE LAY OF THE BELL (New Edition, translated by the Rev. J. Troutbeck, D.D.) (SOL-FA, 0'8) .. THE TRANSIENT AND THE ETERNAL (D1TTo, SOL-FA, 0/4) ROSSINI. MOSES IN EGYPT STABAT MATER (SOL—FA, 1/0) DITTO (CHORUSES ONLY)... CHARLES B. RUTENBER. DIVINE LOVE ... ED. SACHS. KING—CUPS WATER LILIES C. SAINTON-DOLBY. FLORIMEL (Female voices) CAMILLE SAINT-SAENS. THE HEAVENS DECLARE——CCELI ENARRANT (19th Psalm)... W. H. SANGSTER. ELYSIUM FRANK J. SAWYER. THE SOUL’S FORGIVENESS THE STAR IN THE EAST .. C. SCHAFER. OUR BEAUTIFUL WORLD (Operetta) H. W. SCHARTAU. CHRISTMAS HOLIDAYS (Female voices) SCI-IUBERT. COMMUNION SERVICE, IN A FLAT D1TTo, IN 8 FLAT DITTO, DITTO, DITTO, DITTO, MASS, IN A FLAT IN B FLAT IN C . . IN E FLAT IN F (SOL-FA,0/9) IN G OF MIRIAM (SOL-EA, 0/6) .. (DITTO, Welsh Words, SOL— A, 0/6) OF THE SPIRITS OVER TI-I *2 WATERS (Male voices) (SOL~FA, O/6) SCHUMANN. ADVENT HYMN, “IN LOWLY Guise" FAUST MANFRED MIGNON’S REQUIEM NEW YEAR’S SONG (SOL—FA,0/6) PARADISE AND THE PERI (SOL-FA, 1/6) PILGRIMAGE OF THE ROSE... REQUIEM THE KING'S SON . THE LUCK OF EDENHALL (Male voices) THE MINSTREL'S CURSE . SONG OF THE NIGHT H. SCHUTZ. THE PASSION OF OUR LORD IN C IN E FLAT IN F ING 19 Paper 3 I Boards, H5» oo lllllkelllal Cloth I I Gm. BERTRAM LUARD-SELBY. CHORUSES AND INCIDENTAL MUSIC TO “HELENA IN TROAS" SUMMER BY THE SEA (Female voices) THE DYING SWAN THE WAITS OF BREMEN (for Children) (DITTO, SOL-FA, 0/6) H. R. SHELLEY. VEXILLA REGIS (The Royal Banners forward go) E. SILAS. COMMUNION SERVICE, IN c JOASH MASS, INC R. SLOMAN. CONSTANTIA SUPPLICATION AND PRAISE HEN RY SMART. KING RENE’S DAUGHTER (Female voices) (DITTO, SOL-FA, 1/0) SING TO THE LORD THE BRIDE OF DUNKERRON (SOL-FA,1/6) J. M. SMIETON. ARIADNE (SOL-FA, 0/9) CONNLA KING ARTHUR (SOL—FA, 1/0) ALICE MARY SMITH. ODE TO THE NORTH-EAST WIND ODE TO THE PASSIONS .. THE RED KING (Men’s voices)... THE SONG OF THE LITTLE BALTUNG (ditto) (DITTO, SOL—FA, 0/8) E. M. SMYTI-I. MASS, IN D A. SOMERVELL. KING THRUSHBEARD (Operetta) (SOL-FA,0/9) MASS, IN C MINOR ODE TO THE SEA (SoL—FA,1/0) PRINCESS ZARA (Operetta) (SOL»FA, 0’ ) 9 if THE CHARGE OF THE LIGHT BR GADE. (DITTO, SOL-FA, 0/4) THE ENC HANTED PALACE (Operetta) (SOL~FA, 0/8) 1 THE FORSAKEN MERMAN THE POVVER OF SOUND (SOL—FA,1/0) THE SEVEN LAST WORDS R. SOMERVILLE. THE ’PRENTICE PILLAR (Opera) VV. H. SPEER. THE JACKDAW OF RHEIMS SPUIEIR. CALVARY FALL OF BABYLON FROM THE DEEP I CALLED GOD IS MY SHEPHERD GOD, ’I‘HOU ART GREAT (SOL»FA,0/6) HOW LOVELY ARE THY DWELLINGS FAIR... I-IYMN TO ST. CECILIA... JEI-IOVAH, LORD OF HOSTS... LAST JUDGMENT (SOL-FA,1/0) DITTO (CHORUSES ONLY) MASS (for 5 solo voices and double choi THE CHRISTIAN’S PRAYER JOHN STAINER. ST. MARY MAGDALEN (scum, 1/0) THE CRUCIFIXION (SOL—FA, 0/9) TI-IE DAUGHTER OF JAIRUS (SOL—FA,0/9) C. VILLIERS STANFORD. CARMEN SEECULARE .. .. COMMUNION SERVICE, IN G EAST TO WEST GOD IS OUR HOPE (46th Psalm) MASS, IN G MAJOR (LDIPUS REX (Male voices) THE BATTLE OF THE BALTIC TI-IE REVENGE (SOL-FA, 0/9) (DITTO, German Words, 2 Marks.) THE VOYAGE OF MAELDUNE . F. R. STATHAM. VASCO DA GAMA BRUCE STEANE. THE ASCENSION O to Z0 BS3 §l§§ll!l 11%’ S lllll§ll| S Hlllﬁfirl llllll GO )9 [I5 ‘a*§|1i;.°:.aII11~"~‘3 NOVELLO'S OCTAVO EDITION H. w. STEWARDSON. GIDEON STEFAN STOCKER. SONG OF THE FATES, J. STORER. MASS OF OUR LADY OF RANSOM THE TOURNAMENT E. C. SUCH. GOD IS OUR REFUGE (46th Psalm) NARCISSUS AND ECHO... DITTO (CHORUSES ONLY) . ARTHUR SULLIVAN. FESTIVAL TE DEUM (SOL-FA, 1/0) TE DEUM (A Thanksgiving for Victory) (SOL-FA,0/9) ODE FOR THE COLONIAL AND INDIAN EXHIBITION THE GOLDEN LEGEND (SOL-PA, 2/0) INCIDENTAL MUSIC, KING ARTHUR T. W. SURETTE. THE EVE OF ST. AGNES W. TAYLOR. ST. JOHN THE BAPTIST A. GORING THOMAS. THE SUN-WORSHIPPERS E. H. THORNE. BE MERCIFUL UNTO ME G. W. TORRANCE. THE REVELATION .. BERTHOLD TOURS. A FESTIVAL ODE THE HOME OF TITANIA (Female voices) (DITTO, SOL—FA, 0/6) FERRIS TOZER. BALAAM AND BALAK KING NEPTUNE'S DAUGHTER (Female voices) (DITTO, SOL-FA, 0/6) P. TSCHAIKOWSKY. NATURE AND LOVE (Female voices) (SOL-FA, 0/4) VAN BREE. ST. CECILIA’S DAY (SOL-PA,0/9) CHARLES VINCENT. THE LITTLE MERMAID (Female Voices) TH E VILLAGE QUEEN (Female voices) (SOL-PA,0/6 A. L. VINGOE. THE MAGICIAN (Operetta) (SOL-FA, 0/9) W. S. VINNING. SONG OF THE PASSION (according to St. John)... S. P. WADDINGTON. JOHN GILPIN (SOL-PA,0/8) WHIMLAND (Operetta) (SOL—FA, 0/8) R. WAGNER. HOLY SUPPER OF THE APOSTLES W. M. WAIT. GOD WITH US ST. ANDREW... THE GOOD SAMARITAN OF ORATORIOS, &c.——Conti1zued. R. H. WALTHEW. THE PIED PIPER OF HAMELIN H. W. WAREING. PRINCESS SNOWFLAKE (Operetta) (SOL-FA,0/6) .. THE COURT OF QUEEN SUMMERGOLD ‘ (Operetta) (SOL-FA, 0/6) ... ’IHE WRECK OF THE HESPERUS HENRY VVATSON. IN PRAISE OF THE DIVINE (Masonic Ode) A PSALM OF THANKSGIVING WEBER. COMMUNION SERVICE, IN E FLAT IN CONSTANT ORDER (Hymn) JUBILEF. CANTATA MASS IN E FLAT (Latin and English) DO., IN G (Latin and English)... PRECIOSA (Choruses only, 0/6) _. THREE SEASONS THEOPHIL WENDT. ODE S. WESLEY. DIXIT DOMINUS EXULTATE DEO (Sing aloud with gladness) IN EXITU ISRAEL (English or Latin Wordr) S. S. WESLEY. O LORD, THOU ART MY GOD FLORENCE E. WEST. A MIDSUMMER'S DAY (Operetta) (SOL-FA,0/6) JOHN E. WEST. A SONG OF ZION LORD,I HAVE LOVED THE HABITATION OF THY HOUSE MAY-DAY REVELS (Female voices) (SOL-FA, 0/4) SEED-TIME AND HARVEST (SOL-PA,1/U)... THE STORY OF BETHLEHEM (SOL-FA,0/9) C. LEE WILLIAMS- A FESTIVAL HYMN .. A HARVEST SONG . GETHSEMANE THE LAST NIGHT AT BETPIANY (SOL-FA,1/0) A. E. WILSHIRE. GOD IS OUR HOPE (Psalm 46)... out THOMAS WINGHAM. MASS, IN D (Regina Caeli) TE DEUM (Latin) CHAS. WOOD. ODE TO THE WEST WIND F. C. WOODS. A GREYPORT LEGEND (1797) (Male voices) DITTO, SOL-FA, 0/6) KING HAROLD (SOL-FA, 0/9) OLD MAY-DAY (Female voices) (SOI.—PA, 0/6) E. M. WOOLLEY. THE CAPTIVE SOUL (Soprano, Mezzo, Contralto, and Tenor Soli, and Chorus for Female Voices) D. YOUNG. THE BLESSED DAMOZEL LONDON: NOVELLO AND COMPANY, LIMITED. HSSIII "..:.1»e;’~.$. .-... ;._- .5 , T HE DEATH PRODUCED AT THE NORTH STAFFORDSHIRE MUSICAL FESTIVAL, OCTOBER 26, 1899. "ISCENES FROM LONGFELLOW’S “THE SONG OF HIAWATHA.” NO. 2. or MINNEHAH A CANTATA - FOR SOPRANO AND BARITONE SOLI, CHORUS, AND ORCHESTRA THE MUSIC COMPOSED BY s. COLERIDGE-TAYLOR. (OP. 30, No. 2.) PRICE ONE SHILLING AND SIXPENCE. TONIC SOL-FA, IS. VocAL_PAR'rs, IS. EACH. WoRDs ONLY, 5s. PER 100. STRING PARTS, 7s. 6D. WIND PARTS, 21s. 6:). DAILY TELEGRAPH. “ Mitinehaha” is, in its, way, as complete and adequate a musical expression as the“ Wedding-Feast," and from the very nature of the case one much more _rnoving and impressive. . . . There is in it the same frequent_repetition of a few short themes presented under varying conditions, such as relieve the strain of their persistency; there is the same aptness of expression in the phrases, the same p,artiality for diatonic melody, the same wealth of resource in the orchestration, and an equal measure of the persuasiveness which brings us to think that thus and thus, and in no other way, are the poet's thoughts best clothed upon with musical beauty. The fact just stated embodies the highest triumph of the composer's means and methods, and is the more remarkable because, apart from harmonies and colours that show the freedom of modern treatment. the melodies in which thereal and true spirit of music alwayslies have the simplicity of an older time. About them there is nothing artiﬁcial. They never suggest that they have been sought after, but rather that they have come of themselves. Handel is hardly more natural than Mr. Cole- ridge—Taylor in this regard, or his subjects, so to speak, more inevitable, though. of course, their treatment by the old master, on the one _hand, and the young aspirant, on the other, is in the broadest possible contrast. I do not in the least degree underrate the value of Mr. _Taylor’s powerful and expressive harmonies or the picturesqueness of his orchestration, but I _contend, all the same, that the secret of his m_usic’s moving force lies in the happy phrases upon which he insists with such remarkable iteration. When sorrowful, there are tears in each one, and with a few notes he can touch the springs of emotion in a degree refused to many who labour strenuously and with elaboration towards the same end. Than this I can say nothing more conclusive ofithe fact: that the youthful Anglo—African is a man with a mission, with a gift of free and natural eloquence in a domain which is the favoured home of that priceless quality, and with a potentiality such as must draw to himself the hope and expectation of all who wish well to English art. DAILY CHRONICLE. ,“The Death of Minnehaha” made a deep impression on the listeners. It certainly realised the expectations no less kindled by acquaintance with the first section, “Hiawatha’s Wedding-Feast.” than by the rumours of its pathetic character. As its position in the programme was the reverse of favourable for such a work, the effect it created was specially gratifying. Mr. Coleridge—Taylor avails himself of a11_the resources of the modern orchestra, the scoring being exceptionally full—and to einpliasise certain passages he freely uses the bass drum, cymbals, and harp. Both chorally and instrumentally the opening passages are rather weird, as they presage the approach to ,I‘IZ£ZZF.J£l.f/.Ll?.’S Wigwam of the spectres of Famine and Fever, whose arrival _is indicated- in a g~~nuiuely dramatic manner. Additional suggestiveness is imparteari by the dread visitors being respectively represented by the two s0l0ists—-baritone and soprano—who are thus heard for the first time. The chorus quickly resume, and the line describing how the doomed 1l1’L.7't7'1.C/11!/ML “Lay there trembling, freezing, burning,” is graphically, but thoroughly legitimately dealt with alike in the voice parts and the accompaniment. H1'awathuL's prayer (for baritone solo), “ Give your children food. 0 Fzither,” and the final breathing by Mimieim/in (soprano soloist) of the name of her husband, are so agonising in their poignancy, that it is impossible to listen tinmoved. ' MANCHESTER COURIER. The tragedy of M17/me/in/irL’s death and the sadness of Hi'a.wrzif/m’s farewell were brought out with an intensity that profoundly affected the audience. FULL SCORE, 25s. ATHENZEUM. Mr. Taylor possesses the rare gift of expressing his thoughts and feelings in a simple, direct manner; with a few characteristic notes, a few expressive chords, he achieves more than some composers with their pretentious themes and startling progressions. He has not so much set to music as illustrated the lines of the poem; there isplenty of skill in the music, and it is all wisely hidden behind the notes: or in other, and perhaps better terms, the vivid soul of the music shines through its body. . . . “The Death of Minnehaha” is hitherto Mr. Taylor's highest effort, and if the ﬁnal section of his trilogy shows no falling off, then, indeed, he will have produced something leaving powerful footprints on the sands of time. BIRMINGHAM DAILY POST. The young Anglo-African we may claim as our own. That he is a geniusl do not hesitate to declare. He is in gorgeous imagination, a second Tschaikowsky; in economy of thematic material, another Dvorak. . . . Fine as is “ Hiawatha’s Wedding-Feast," the “ Death of Minnehaha” is ﬁner. One stands for comedy, the other represents tragedy. . . . Few things in poetry are more pathetic and heart- breaking than the description of the famine in the story of Hiaii/utha—his fruitless quest for food in the snow-clad forest; the delirium of poor Lcmgiiivig Water, the victim of fever and starvation; and the devotion of the old Nolaomis. These aretreated by the young composer with a power of pathos that no one can listen to unmoved. I must confess to being so overcome more than once that I could scarcely control my feelings. The themes are few, but they are so varied in treatment that every page is a fresh revelation. Hioiztmt/izL's prayer for food, and his farewell to Miime/Ia/m, are nobly expressed, and are inﬁnitely more touching than even the scene between Wotan and Bminn/tilde. BIRMINGHAM DAILY GAZETTE. “The Death of Minnehaha” touches a higherlevel than “ Hiawatha’s Wedding," and the reason is not hard to discover. In the “Feast” we have lightness and something like revelry. In “ Minnehaha ” we have tragedy, not. be it observed, the deep, and, so to speak, scientiﬁc and studied tragedy of the Greeks, but a human, tender, touching tragedy, which is all the more effective by reason of its simplicity. From the first bar the music takes hold. . . . Those who only see the pianoforte score cannot realise the tremendous effect of the unaccompanied call: “ Minnehaha .' ” on pages 20 and 21, where the utmost passion of human desolation is expressed by the unaccompanied chorus. MANCHESTER GUARDIAN. It is a story of despair, desolation, and death, and the composer has fully realised its tragic interest, every phase of it being vividly pictured. He employs the same devices, he startles again by his rhythmic innovations; some of his themes are almost barbaric in their wildness. In contrast with the joyousness, the fun, and the humour of its predecessor, the new work is very striking. A great effect is produced by the cOmposer’s treatment of the poet’s awful personification of Famine and Fever, and there is something wonder- fully pathetic in llliimc/m.Iici’s death-song. STAFFORDSHIRE SENTINEL. Mr. S. Coleridge-Taylor's new work is iriagiiiﬁceiit. No less a term will describe it. It has proved to be an all-round improvement on the “ VVedding-Feast.” The choruses are more varied and beautiful, and the solos are inexpressibly affecting. . . . Many were deeply touched by the dramatic story and its woncieiful treatment. . . . This work distinctly classes Mr. Taylor as one of the very finest composers who have seen the light in what some people will persist in describing an unmusical country. LONDON: NOVELLO AND COMPANY, LIMITED AND NOVELLO, EWER AND CO., NEW YORK. COMPOSITIONS BY EDWARD ELGA‘ ORATORIOS. THE APOSTLES. For Soprano, Contralto, Tenor, and Bass Soli, Chorus, and Orchestra. (Op. 49.) 'Tonic Sol-fa, Choruses and words of Solos only, is. 6d.) Paper boarcls,6s.; cloth, gilt, 7s. 6d. Vocal Parts, 1s.6d. each; Full Score, £5 5s.; String Parts, 233.; Wind Parts, &c. (on hire only); Book of Words, with Analysis and over 100 Musical examples by A. J. jaeger, I's., or 585. 4d. net per 100. Words only, 6d., or 33s. 4d. net per Too. An Interpretation of the Libretto by C. V. Gorton, M.A., Rector of Morecambe,_ Is. Vocal Score with German words (Deutsche Ubersetzung Von Julius Buths), 8 Mark. Chorstimmen, 2 Mark each. THE DREAM OF GERONTIUS. For Mezzo-Soprano, Tenor, and Bass Soli, Chorus, and Orchestra. (Op. 38.) (Tonic Sol-fa, Choruses only, IS. 6d.) . . Paper boards,4s.; cloth, gilt, 5s. Vocal Parts, IS. 6d. each. Full Score,£3 3s. String Parts,2os. Wind Parts, &c. (01 hire only). Book of Words, with Analysis and over 7o Musical examples by A.J. jaeger, 1a., or 50s. net per roo. Words only, 6d., or 25s. net per I00. Voca_1'Score, with German and English words (Deutsche Ubersetzung vonjulius Buths), 6 Mark. Chorstimmen, each 2 Mark. THE LIGHT OF LIFE (“ Lux Christi ”). A Short Oratorio. For Soprano, Contralto, Tenor, and Baritone Soli, Chorus, and Orchestra. (Op. 29) .. .. Words only, 10s. per Ioo; String Parts, 13s 6d.; Wind Parts, &c., and Full Score, in the Press. CANTATAS. CARACTACUS. For Soprano, Tenor, Baritone, and Bass Soli, Chorus, and Orchestra. (Op. 35.) (Tonic Sol—fa, Choruses and words of Solos only, Is.) . . . . Paper boards,4s. ; cloth, gilt, 5s.; Vocal Parts, Is.6d.each. String Parts, 24s.; Wind Parts, &c., and Fuli Score, in the Press. Book of Words, with Analysis by HERBERT THOMPSON, rs.,or 5os. net per 100; Words only, 6d., or 25s. net per I00. KING OLAF. For Soprano, Tenor, and Bass Soli, Chorus, and Orchestra. p. 30) . . . . . . Cloth, gilt, 5s.; Vocal Parts, rs. 6d. each; String Parts, 23s.; Wind Parts, &c., and Full Score, in the Press. Tonic Sol-fa,Choruses only,rs.6d. Words only,6d.,or 25s. net per 100. Book of Words, with Analysis by JOSEPH BENNETT, '13., or 50s. net per 100. THE BANNER OF ST. GEORGE. For Chorus (Soprano Solo ad lib.) and Orchestra. (Op. 33) . . String Parts, 8s. 6d.; Wind Parts, &c., 19s. 6d.; Full Score, in the Press. Tonic Sol-fa, rs. Words only, 125. 6d. per 100. THE BLACK KNIGHT. Orchestra. (Op. 25) .. .. .. .. .. .. String Parts,9s.; Wind Parts, &c.,and Full Score,1'n the Press - Vocal Parts, IS. each. For Chorus and EMS AN D SERVICES. TE DEUM AND BENEDICTUS IN F. For Chorus (S.A.’I‘.B.), Orchestra, and Organ. (Op. 34) .. String Parts, 4s. 6d.; Wind (Parts, &c., and Full . Score, MS, i=iI;TGHTi OF THE WORLD (“The Light of 1-‘_«‘Life”'). S.A.'I‘.B. .. . . .. .. . SEEK HIM THAT MAKETI-I THE SEVEN STARS (“The Light of Life"). Tenor Solo andChorusforT.T.B.B. .. .. .. .. « .. .. DOUBT NOT THY FATHER’S CARE (“The Light ofLife”). Duet, s. and c. .. AVE VERUM (Op. 2, No. I). Motet. English and Latin Words. (Tonic Sol-fa,1d.) . . . . 5 l PART-SONGS AND oHo§ THE SNOW. For Female Voices (s.s.c.). Accompaniments for Two Violins and Pianoforte) Accompaniments arranged for Small Orchestra (Sci String Parts,2s.3d.; Wind Parts,&c.,3s.9d.). (Op.2‘ (Tonic Sol-fa, Iéd.; Violin Parts, 6d. ea _ FLY. SINGING BIRD. For Female (s.s.c.). With Accompaniments for Two Violi Pianoforte, or the Accompaniments arranged fo Orchestra (Score, 5s.; String Parts, 2s. 6d.; Win &c., 3s. 3d.). (Op.26, No. 2) .. _ .. . . . (Tonic Sol—fa, 1;d.; Violin Parts,6d.eacl' MY LOVE DVVELT IN A NORTH LAND. For S.A.T.B. (Tonic so1-f.-,1, $1,) , VVEARY VVIND OF THE WEST. S.A.T.B. (Tonic Sol-fa, r%_¥d.) . . . . . . 0 HAPPY EYES. For S.A.T.B. (Op. 18) , (Tonic Sol-fa, Id.) SPANISH SERENADE (“ Stars of the Si Night”). For ChO1‘uS(S.A.T.B.)8.nd Orchestra (or Pia Full Score, 5s. ; String Parts, IS. 9d,; Wind Parts (Tonic Sol-fa, 2d.) FIVE PART-SONGS FOR MEN’S VO] 'r.T.B.B. English and German words. p. 45) Vocal Parts (German words only), 2 Mark th Or separately, in Vocal Score (English words . Yea, cast me from heights of me mc (Tonic Sol-fa. 2d.) . Whether I ﬁnd thee. (Tonic 30143, 13 . After many a dusty mile. (Tonic Sol‘ . It’s oh! to be a wild wind. (Tonic so . Feasting I watch. (Tonic So1_fa,2c1_) THE CHALLENGE OF THOR‘ (‘ Olaf”). (Tonic Sol-fa,zd.) .. .. .. String Parts, 25. Wind Parts, &c., and Full -in the 1 ress. . THE WRAITH OF ODIN (“King C (Tonic Sol—fa, 2d.); String Parts, 2s. 6d.; Win‘d5Pa and Full Score, in the Press . . . . . . AS TORRENTS IN SUMME'R’~¥'(‘ Olaf"). (Tonic Sol-fa, Id.) .. .. .. . IT COMES FROM THE MISTY 1‘ (“Banner of St. George”). (Tonic Sol-fa, 2d.) String Parts, 2s.; Wind Parts, &c., 75. 3d.; Full Sc BRITONS, ALERT! (“ Caractacus ”) LITANY (“The Dream of Gerontius ”) BE MERCIFUL, GRACIOUS, I. (“The Dream of Gerontius”) .. .. .. , GO FORTH UPON THY JOURNEY Dream of Gerontius”) . . . . . . . . . PRAISE TO THE HOLIEST IN HEIGHT. S.A.S.S.A.A. (“’1‘heDreamofGero SOFTLY AND GENTLY, DEA RANSOMED SOUL(Fz'nalefron1“The] ofGerontius") .. .. .. .. .. . GOD SAVE THE KING. Arranged for Chorus, Orchestra, and Military Band (ad11$b.) . Tonic Sol-fa, 1d,; Full Score, 2s.6d. String Parts Wind Parts, &c., 45. 3d. ; Organ, 6d. IN MOONLIGHT. (arranged flrom the popolare in the Concert-Overture “ In the South,” 4 (In G, F, and E ﬂat.) THE SWORD SONG (“ Caractacus”) Baritone .. .. .. .. .. .. THE ANGEL’S SONG: “ My work is < (“ Gerontius ”). For Mezzo-Soprano .. .. J THERE ARE SEVEN THAT PULL! THREAD (~ Grania and Diarmid ”) 3 LONDON: NOVELLO AND COMPANY, LIMITED AND NOVELLO, EWER AND CO., NEW YORK.
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Date: 1896
Text: .5 Q. 9 MU§$IC uannnv VASSAR «ZOLLEGE Y, m We N3 E, E R, H” 6: Q.“ F- ; .:i FULL ORCHESTRAL SCORES PUBLISHED BY NOVELLO AND COMPANY, LIMITED. E. AUSTIN. ,5 s. d. DVORAK (Contimtedj. ,5 s. d. VICAR OF BRAY, THE. Variations for String Orchestra SPECTRE’S BRIDE. Op. 69. Cantata. (English,Bohemian, 0 6 0 and German words) ST. LUDMILA. Op. 71. Oratorio. (English, Bohemian, and ' BACH. German words)... SONATA in E ﬂat. (No. I of the Organ Sonatas) NOW ALL GIVES WAY TOGETHER(fr°m Dltto) Op. 35...
Show more.5 Q. 9 MU§$IC uannnv VASSAR «ZOLLEGE Y, m We N3 E, E R, H” 6: Q.“ F- ; .:i FULL ORCHESTRAL SCORES PUBLISHED BY NOVELLO AND COMPANY, LIMITED. E. AUSTIN. ,5 s. d. DVORAK (Contimtedj. ,5 s. d. VICAR OF BRAY, THE. Variations for String Orchestra SPECTRE’S BRIDE. Op. 69. Cantata. (English,Bohemian, 0 6 0 and German words) ST. LUDMILA. Op. 71. Oratorio. (English, Bohemian, and ' BACH. German words)... SONATA in E ﬂat. (No. I of the Organ Sonatas) NOW ALL GIVES WAY TOGETHER(fr°m Dltto) Op. 35 STABAT MATER. Op. 58 GRANVILLE BANTOCK. SYMPHONY No. 4, in G major.mOp. Eié '.'.'. OLD ENGLISH SUITE SAPPHIC POEM (for Violoncello Solo and Orchestra) ED“/vA_RD ELGAR' WITCH OF ATLAS, THE. (After Shelley) (Tone-Poem APOSTLES. 0p- 49- (Oratorio)... No.5) BANNER OF ST- GEORGE 0P» 33- (Ballad) BLACK KNIGHT. Op. 25. (Cantata) J'_ BARNBY’ CAI\gI‘;g1_t]{31’1§()eP‘(‘)II_r.11Xt§g:‘.S(CI)ilItl)1/IOonlight), arr. from the Concert- LORD Is KING. THE. <PsALM 97> CARACTAC'US. Op. 35 (Cantata). ‘.11 11'. III CHANSON DE MATIN. Op. 15, No.2, for Orchestra J- FRANCIS BARNETT CHANSON DE NUIT. Op. :5, NO. r, for Orchestra ANCIENT MARINER, THE. Cantata. (English and CONCERTO for Violin and Orchestra. Op. 61 German words)... Ditto Miniature Full Score .. CONTRASTS (The Gavotte, I7oo and IgOo)- Op. I0, No.3 JULIUS BENE1)1cT_ CORONATION MARCH (1911). Op. 65 _ ST_ PETER (Oratorio) DREAISI )OB GERONTIUS. Op. 38. (English and German LEGEND OF ST. CECILIA (Cantata) .. EL}§"g‘Y5fOr St-pi-ﬁgs "Op 53" f_-_- -_" G J BENNETT FLY, ‘SINGING BIRD. Op. 26, No. 2 (for Ladies’ Voices ' ‘ ' or or Mixed Voices) EVENTIDE MELODY (from Suite in D minor) .. FROISSART. Op- 19- Concert—Overture GOD SAVE THE KING (arranged) W_ STERNDALE BENNETT_ GR.I:%tI:‘I§II]:£XrE:1&lI\\T/IIgrClflIARl\/IID. Op.42. Incidental Music and MAY QUEEN. THE- (Cantata)... IMPERIAL MARCHI op."3‘z If .'.'.' f.'.' INTERMEZZO (Dorabella) (from Op. 35). Small HUGH BLAIR. Orchestra _ ADORAMUS, TE_ Prelude _ ‘ H IN THE SOUTH (Alassio). Op. 50. Concert-Overture HHQ1 Q00 O on» OOONOOU-TO mo mooooacnoo OO OXOSO O0 O30 O30 " ~ INTRODUCTION AND ALLEGRO for Strings (Quartet A. H. BREWER I xrN“é‘%8iZ‘.“"5‘;?;..?8..:t%.;.) ::: ::: ::: AGE AND YOUTH. Two pieces for Orchestra IMIEZHUTREE ONP-29- (O1’3t0Yi0) . p. 10 0.1 _... F- CLIFFE .IIB£5sI.1°I.<3ﬁ:IIsII9;LIA.-....r ~--. SYMPHONY in C minor . 2 Ge,.,.,.ius) ( mm BALLADE from Ditto ~ ROMANCE (Bassoon and Orchestra). Op. 62 . SANCTUS FORTIS (Transposed to A ﬂat) (Dream of 00000 00 S. COLERIDG-E-TAYLOR. Gerontius)... BALLADE in A minor. Op. 33 SCENES from THE SAGA °f KING OLAF' OP’ 3° FOUR CHARACTERISTIC WALTZES. Op. 22... SERENADE MAURESQUE 09- 1,0» N.°- 2-~ . . FOURdNOVEIi.LETTEN, Op. 52(for Strings, Tambourin SN({,V0\’i-ces())p. 26. No. I (for Ladles Voices or for Mixed T ' H. h ... ... ... . SCEa1‘\11ESrf:.':;I11,1g'%\)HE SONG OF HIAWATHA. Op. Soeafu SPANISH SERENADE (Stars of the Summer Night) HIAWATHA’S WEDDING-FEAST (from the above) 0I’- 23 DEATH OF MINNEHAHA, THE ( ,, ,, ) SYMEHONY 1.”.A “at 0P-55 HAvS H 1’ Ditto Miniature Full SCOTS ... ONAWAY, AWAKE, BELOVED , SYMEHONY Nos 2: 1“ E “at 0P- 53 ' ” Ditto Miniature Score ) ) ’ ... HIAWATHASVISION '7 g TRIUMPHAL MARCI-I(Caractacus) §P¥1I,}}:% 3;§DOfg“§§PAN~- " VARIATIONS on AN ORIGINAL THEME. 03. 36 III DITTO. Miniature Full Score . WAND OF YOUTH. O . A. ( t 't) MICHAEL C0STA- WAND OF YOUTH. o§. is. (zirsd ::it:) DREAM, THE. (A Serenata) .. GOD SAVE THE KING (arranged) O00)-(H)-IUJO OD L»-FLIISUILALUN \I\I O’\OOOOOOO\ 0\O\ 0 00¢ 17 HHU|U‘C\\I‘\ILAlUi U1 UIUJUJ LAG UILANUIS :U~) U30‘) N\IU‘ HUJ \IU\UlNNNUJU3 :U\U\ 0000001 C100 H. G-ADSBY. F. H. COWEN. FOREST OF ARDEN, THE. Orchestral Scene BUTTERFLY’S BALL OVERTURE CORONATION MARCH (for Orchestr FOUR ENGLISH DANCES OHN GILPIN (Cantata) EVERIE (for Orchestra)... RUTH (Oratorio) SLEEPING BEAUTY (Cantata) .. WALTZ from Ditto... ORCHESTRAL INTERLUDE from Ditto SUITE OF OLD ENGLISH DANCES, A. (Second Set) MINUET D’AMOUR (from the above) SYMPHONY, No.4 (THE WELSH)... . .. SYMPHONY in F, No.5... TWO PIECES for Small Orchestra, (1. CHILDHOOD; II. GIRLHOOD) . H. BALFOUR GARDINER. OVERTURE TO A COMEDY EDWARD GERMAN. AS YOU LIKE IT. Masque(Three Dances CORONATION MARCH (Henry VIII.) GIPSY SUITE (Four Characteristic Dances) MUCH ADO ABOUT NOTHING. Bourée and Gigue RICHARD III. OVERTURE ROMEO AND JULIET. Pavane DITTO. Prelude... .. THREE DANCES from Henry VIII. " VALSE GRACIEUSE (From Suite in D minor) H. VVALFORD WELSH RHAPSODY. THE SEASONS EVERYMAN. Op. 17 (Cantata)... RHAPSODY ON MARCH THEMES SOLEMN MELODY (for Organ and Strings) SOLEMN MELODY (Full Orchestra)... 0 CH GOUNOD NOOHOONUOOHOOO 0') X\)k:U~)U'|lJ|U'|XQUJ O OOOXOOOOOOIOOIOCD OOOOOOOOOO H H U1\I\IUiUJ\l\IOU3\! OOXOIOOICIOXCIOXGI J. D. DAVIS. BY BA}3YLON’S WAVE... SONG OF EVENING. Op. 42. (For String Orchestra)... {(,,UA'%EC}f{‘§f‘5mC“[‘§‘i’$,£§*R‘(}‘(‘}}°m T";3e'Ré5emp;;on) _‘_'_' ANTONIN DVO1~éAK_ MESSE SOLENNELLE(Ste. Cecile) A T I T CHYMN A O _ _ MESSE SOLENNELLE TROISIEME (de Paques) PA RG0 I d , . p.30. (English, Bohemian,and MORS ET VITA (SacredTnIogy) RE erman wor s)... REDEMPTION (Sacred Trilogy) QUIEM MASS. Op. 89... ... REQUIEM (Part 1., Mors ct Vita) NU2UJNU~lOOO IQUUU~)OO\.lUJUI OOOOOQQO FULL ORCHESTRAL SCORES.—Conti14.ued. HAN-DEL. £ 5. d. MOZART- ACIS AND GALATEA (English and German words) with TWELFTH MASS . Mozart's Accompaniments . ISRAEL INEGYPT. Editedlby Mendelssohn _ . E. MUNDELLA. %‘r‘r“éSr‘l‘.§;'s,“s'i‘.’r‘r—?' Préﬁllefr‘$3‘%‘.“in‘:?.‘r’?°°°““?i“”“?T1‘S ::: VICTORY OF SONG <Fema1<= V°ices> THE MESSIAH,with Mozart’s Accompaniments. Cloth, F A G OUSELEY gilt edge I ' ' ' ' S MARTYRDOM OF ST. POLYCARP (Oratorio) H. W. PARKER. HORA NOVISSIMA (English and Latin words) ORGAN CONCERTO HAYDN. CREATION, THE. Cloth, gilt edges G. HENSCHEL. HAMLET, THE MUSIC TO C. H. H. PARRY. STA-BAT MATER 0P- 53 BLEST PAIR OF SIRENS (Cantata) .. JOB (Oratorio) ARTHUR HERVEY, OVERTURE TO AN UNWRITTEN TRAGEDY QUINTET in E flat (Strings only) TWO TONE-PICTURES (1- ON THE HEIGHTS; 11. ON SUITE IN F (Lady Radnor's Suite)(String Orchestra) THE MARCH) SYMPHONIC VARIATIONS YOUTH. Concert-Overture SYMPHONY in F, No. 3 (The Cambridge) ... SYMPHONY in C (The English) THE PIED PIPER OF HAMELIN HHOOOOIOO OOOOlOO)OC7‘ JOSEPH I-IOLBROOKE. BYRON (for Orchestra and Chorus) PERCY PITT, §;1;?};(§° AND THE SEAMAN AIR DE BALLET (for String Orchestra) " BALLADE (for Violin and Orchestra). Op. 17 CORONATION MARCH. Op. 21 ADOLF ORIENTAL RHAPSODY. Op. 323 SERENADE (Small Orchestra). Op. 33,; FEAST OF ADONIS, THE. (Cantata) (English and German words) E_ PROUT. SYMPHONY No. 3, in F. Op. 22 OLIVER KING. AMONG THE PINES. Op. 36. Concert-Overture W’ H‘ REED‘ NIGHT A SYmPh0nY in F- 0P- 22 SUITE VENITIENNE (for Orchestra) H_ LAHEE C. SAINT-SAENS. HEAVENS DECLARE, THE. (Latin and English words) E. M. SMYTH. C. HARFORD LLOYD. ANACREONTIC ODE (Song) HERO AND LEANDER (Cantata) ODELETTE ,, RING OUT, WILD BELLS (Trio for Female Voices) HAMISH IVIACCUNN. PRELUDE To ACT"l'l. (“On :h’e"C1ifls"ofCo£}§wall"‘*'), irorri LAND OF THE MOUNTAIN AND THE FLOOD, THE. “The Wre°A'“S”“‘ Concert-Overture . SPOHR. CALVARY (English and German words) G- A- MACFARREN. GOD, THOU ART GREAT (English and German words) MAY_DAY. (cantata) THE LAST JUDGMENT (English and German words) , , , The Overture ST. JOHN THE BAPTIST 3 ,: ,: The Second Overture A. C. MACKENZIE. C. V. STANFORD. BALLET MUSIC and RUSTIC MARCH (COLOMBA) IRISH SYMPHONY 1“ F mmon 013- 28 BENEDICTUS. From Six Pieces for Violin. Op. 37 REVENGE. _0p. 24 (Ballad) BRIDE. Op. 25. (Cantata) SUITE for Vlolln Solo and Orchestra CONCERTO FOR THE VIOLIN. Op. 32 SYMPHONY No. 4. m,F major. 012.31 INTERMEZZO (from Jason) .. TE DEUM (from Servicem B ﬂat) JASON. Op. 26. (Cantata)... .:. JUBILATE and BENEDICTUS. Ditto .-_- LA BELLE DAME SANS MERCL Op, 29_ ganad for MAGNIFICAT AND NUNC DIMITTIS. Dltto_ Orchestra ... ... ... ... ... Ditto LA SAVANNAH (Air de Ballet). Op. 72 PRELUDE to COLOMBA. Op. 28 RHAPSODIE ECOSSAISE. Op. 21 . ROSE OF SHARON. Op. 30. (Oratorio) SECOND SCOTCH RHAPSODY (“BURNS”). Op. 24 STORY OF SAYID. Op. 34. (Cantata) .. SUITE for Violin Solo with Orchestra. Op. 68. TWELFTH NIGHT. Op. 40. Overture H NOHHOO N\]I-I)-(VJIO OC\OOOO\ COCO)-(Ht-Iv-I O\Ul-h-FSHHO oooooooo S. STOJOWSKI. SPRING TIME (Cantata) A. SULLIVAN. GOLDEN LEGEND (Cantata) IN MEMORIAM. Overture . OVERTURE DI BALLO J_ B. MCEVVE-N_ grin ‘E (l1)‘he Irish) (in the Press). " ‘CS 1V3 ... ... ... can STRING QUARTETT in A minor TE DEUM (Thanksgiving after Victory) TEMPEST, THE. Music to THREE DANCES from Ditto . TSCHAIKOWSKY. MARCHE SOLENNELLE ... MARCHE MILITAIRE (Military Band) PIANOFORTE CONCERTO No. 3, in El). Op. 75 R. WAGNER. TANNHAUSER. “PRELUDE" TO ACT III. Tann- h'z'1user’s Pilgrimage (Original Version) ... OHNOUJOOOO H D-4 Xooloulwul-l>O\\! OOO§OOOOOO\ MENDELSSOHN. ATHALIE. Op. 74 ,, The Overture... ,, Priests’ March ELIJAH. Op. 70. (English and German worcs) HEAR MY PRAYER ,, ,, HYMN OF PRAISE, A. Op. 52 ,, ,, The Symphony SCHERZO in G minor (from the Octet, Op. 30) . ST. PAUL. Op. 36. (English and German words) "‘OOHO>-«OOH 4‘-Lnxzu-«ox-(>10-F.»-c Oooxoooooo LONDON: NOVELLO AND COMPANY, LIMITED. NOVELI.O’S ORIGINAL OCTAVO EDITION. COMPOSISI) FOR THE NORTH STAFFORDSHIRE MUSICAL FESTIVAL, OCTOBER, 1896. SCENES FROM THE SAGA OF KING OLAF BY H. W. LONGFELLOW AND H. A. ACWORTH, C.I.E. SET TO MUSIC FOR SOPRANO, TENOR, AND BASS SOLI, CHORUS, AND ORCHESTRA BY EDWARD ELGAR. (OP. 30.) PRICE THREE SHILLINGS. Paper boards, 35. 6d.; cloth, gilt, 5s. Tonic Sol-fa Edition (Choruses only), IS. 6d. Vocal Parts, IS. 6d. each. W": 3 _ 2 5 Q} LONDON: NOVELLO AND COMPANY, LIMITED. NEW YORK: THE H. W. GRAY CO., SOLE AGENTS FOR THE U.S.A. Copyright, 1896, by Novella, Ewer and Co. The right of Public Representation and Performance is reserved. LONDON Z NOVELLO AND COMPANY, LIMITED, PRINTERS. KING OLAF. INTRODUCTION. . soL1 AND CHORUS. There is a wondrous book Of Legends in the old Norse tongue, Of the dead kings of Norroway,—— Legends that once were told or sung In many a smoky ﬁreside nook Of Iceland, in the ancient day, By wandering Saga-man or Scald ; Heimskringla is the Volume called; And he who looks may ﬁnd therein The story that we now begin. No. 1.—REGIT. (Bass). Summon now the God of Thunder, H im who ﬁves the hem/ns asunder, Sivzg the words of mighty Thor Clmélmzgivzg the world to war. CHALLENGE OF THOR. N o. 2.——CHORU S. I am the God Thor, I am the War God, ' I am the Thunderer I Here in my Northland, My fastness and fortress, Reign I for ever I Here amid icebergs Rule I the nations ; This is my hammer, Miolner the mighty ; Giants and sorcerers Cannot withstand it! There are the gauntlets Wherewith I wield it, And hurl it afar off; This is my girdle ; Whenever I brace it, Strength is redoubled I The light thou beholdest Stream through the heavens, In ﬂashes of crimson, Is but my red beard Blown by the night-wind, Affrighting the nations! Jove is my brother ; Mine eyes are the lightning, The wheels of my chariot "Roll in the thunder, The blows of my hammer Ring in the earthquake 1 Force rules the World still, Has ruled it, shall rule it; M eekness is weakness, Strength is triumphant, Over the whole earth Still is it Thor’s-Day. Thou art a God too, O Galilean! And thus single-handed Unto the combat, Gauntlet or Gospel, Here I defy thee I (Lon_qfellow.) KING OLAF’ S RETURN No. 3.—SOLO (Tenor). And King Olaf heard the cry, Saw the red light in the sky, Laid his hand upon his sword, As he leaned upon the railing, And his ship went sailing, sailing N orthward into Drontheim ﬁord. There he stood as one who dreamed ; And the red light glanced and gleamed On the armour that he wore ; And he shouted, as the rifted Streamers o’er him shook and shifted, “ I accept thy challenge, Thor! ” To avenge his father slain, And reconquer realm and reign. Game the youthful Olaf home, Through the midnight sailing. sailing, Listening to the wild wind’s wailing, And the dashing of the foam. To his thoughts the sacred name Of his mother Astrid came, And the tale she oft had told Of her ﬂight by secret passes Through the mountains and morass To the home of Hakon old. KING OLAF. Then strange memories crowded back Of Queen Grunhild’s wrath and wrack, And a hurried ﬂight by sea ; Of grim Vikings, and their rapture In the sea-ﬁght, and the capture, And the life of slavery. Then his cruisings o‘er the seas, Westward to the Hebrides, And to Scilly’s rocky shore ; And the her1nit’s cavern dismal, Christ’s great name and rites baptismal, In the ocean’s rush and roar. Norway never yet had seen One so beautiful of mien, One so royal in attire, When in arms completely furnished, Harness gold-inlaid and burnished, Mantle like a ﬂame of ﬁre. X X X X * Thus came Olaf to his own, When upon the night-wind blown Passed that cry along the shore ; And he answered, while the rifted Streamers o’er him shock and shifted, “ I accept thy challenge, Thor I ” (Longfellow) N0. 4.—-—RECIT. (Bass). Tell how Olaf bore the Cross T 0 the folk at N'lcla7*os, Norland, Iceland, lands and seas Winning to the God of peace. THE CONVERSION. N0. 5.—SCENE (Tenor and Bass Salt‘ and Chorus). Chorus. King Olaf’ s prows at Nidaros F111-rowed the golden shore, His axemen and his bowmen Lay round the shrine of Thor. Round the stately fane at Meerin King Olaf’s housecarles lay, And watch’d the men of Drontheim Gather at break of day. Mail-clad they came, and sworded, Corslet and buckler ring As they throng behind the Ironbeard Who leads them to the King. The shipmen grave of Iceland Retir’d to give them room, Their ringed mail was rusted And gray with salt sea—spume. All halted, all were silent, When, shiv’ring through the blue, Smiting the walls of Asgard, King Olaf's bugle blew. OLAF (Tenor). Behold me, my people, and answer and say If the gods of your fathers ye worship to-day 1 Or bend ye your will to the word of your King. To the waters of Christ and the Cross that I bring ? IRONBEARD (Bass). By my beard called of iron, O King, thou shalt know In the name of thy people, I answer thee, “ No." Shall thy cross and thy waters purge out the gods’ ban, Who feed on the ﬂesh and the life-blood of man ‘P . OLAF. Shall Thor and shall Odin be high gods agen ‘? Then give to their altars their guerdon of men. But shall blood of base losels and felons restore The glow to the altars of Odin and Thor ‘.9 Nay, a ‘sacriﬁce rich to their shrines will I yield, My fairest in bower and best under shield. My mightiest dies there, by sun and by moon, Ironbeard, and my fairest, his daughter Gudrun. IRONBEARD. Not the fair or the mighty, Gudrun or her Slru, Shall pass by thy mandate, 0 King, through the ﬁre. See above in the sun gleams the image of gold, Of Thor with the battle-maul gripp’d in his hold ; If he seeks for a hero, his hest thou shalt do, Call the best of thine axemen and offer thereto. OLAF. O hearken, my people, behold me once more, And may Christ lift my axe ’gainst the har'mer of Thor. Chorus. As leap the lights of winter Athwart the northern sky. Against the golden image Flash’d Olaf’s axe on high. KING OLAF . As falls at berg in springtime, Far shiver‘d on the ﬂoe, The golden shards of godhead Crash’d on the ground below. Fierce Ironbeard sprang forward; A housecarle drew his bow, And o’er the shattered image Its champion lay low. IRONBEARD. All-Father, I come ! true to honour and troth, To the faith of my fathers, and Odin the Goth. 0 wide should the doors of Valhalla unroll For a hero who gives for it body and soul. King Olaf the Norseman ! perchance it shall be, That thy Peace-God may rule o’er the Nor- lander free ; But with axe in his hand, and with sword upon thigh, And his face to his slayer doth Ironbeard die. Chorus. Then o’er the blood-stained Horg-stone The Cross of Christ was seen, The holy priests were praying, The singers sang between. King Olaf’s axe was lower’d, His bright blue eyes were dim, As swung the golden censer, As swelled the solemn hymn. The men of Drontheim trembled, They marvell'd and they knelt; Their helpless God was broken, The power of Christ was felt. OLAF. 0 brothers of Iceland, behold them, they kneel ! Of my Lord and His conquest, come, be you the seal. Pass the gods of the Gothland; your serfdom shall cease, For the sacriﬁce bloody I oﬁfer you peace : The peace of the Christian; 0, join in the prayer That swells to the Lord of the earth and the air. Chorus. Receive us, King; we kneel to Him Who felled by thee the War-god grim ; Water bring, our brows to lave, On our shields the Cross engrave ; Blood and battle let them cease, Knit us to the God of peace. OLAF (with Chorus). Lord, receive them! King divine, Breathe a blessing ; they are Thine. (Acworth.) N0. 6.——RECIT. (Bass). Now the child of Ironbeard dead, Fair G’-udrim, doth Olaf wed, Hoping thus, his wergild paying, To redeem him from the slaying. GUDRUN. N0. 7.——SCENE (Soprano and Tenor Sol; and Uho rus). Soprano. On King Olaf ’s bridal night Shines the moon with tender light, And across the chamber streams Its tide of dreams. At the fatal midnight hour, When all evil things have power, In the glimmer of the moon Stands Gudrun. Close against her heaving breast, Something in her hand is pressed ; Like an icicle, its sheen Is cold and keen. On the cairn are ﬁxed her eyes Where her murdered father lies, And a voice remote and drear She seems to hear. Chorus. What a bridal night is this 7 Cold will be the dagger’s kiss; Laden with the chill of death Is its breath. Like the drifting snow she sweeps To the couch where Olaf sleeps; Suddenly he wakes and stirs, His eyes meet hers. KING OLA H‘. OLAF (Tenor). “ What is that,” [King Olaf said] , “ Gleams so bright above thy head ? Wherefore standest thou so white In pale moonlight ? ” GUDRUN (Soprano). “ "Pis the bodkin that I wear When at night I bind my hair; It Woke me falling on the ﬂoor ; 'Tis nothing more.” OLAF. Forests have ears, and ﬁelds have eyes; Often treachery lurking lies Underneath the fairest hair I Gudrun, beware ! ” Chorus. Ere the earliest peep of morn Blew King Olaf’s bugle-horn ; And for ever sundered ride Bridegroom and bride ! (L0ngfellow.) No. 8.—-RE CIT. (Bass). How the lVraith of Odin old Song and tale and Saga told, Coming as unbidden guest To the hall, to Olaf ’s feast; Sing ye now, and with the strain Ancient memories wake again. THE WRAITH OF ODIN. No. 9.——CHORUS (BALLAD). The guests were loud, the ale was strong, King Olaf feasted late and long ; The hoary Sealds together sang ; O’erhead the smoky rafters rang. (Dead rides Sir Morten of Fogelsang.) The door swung wide, With creak and din ; A blast of cold night—air came in, And on the threshold shivering stood A one-eyed guest. with cloak and hood. (Dead rides Sir Morten of Fogelsang.) The King exclaimed, “ O graybeard pale! Come warm thee with this cup of ale.” The foaming draught the old man quaffed, The noisy guests looked on and laughed. (Dead rides Sir Morten of Fogelsang.) Then spake the King : “ Be not afraid; Sit here by me." The guest obeyed, And, seated at the table, told Tales of the sea, and Sagas old. (Dead rides Sir Morten of F ogelsang.) As one who from a volume reads, V He spake of heroes and their deeds, Of lands and cities he had seen, And stormy gulfs that tossed between. (Dead rides Sir Morten of Fogelsang.) Then from his lips in music rolled The Havamal of Odin old, With sounds mysterious as the roar Of billows on a distant shore. -)t- * * * * I! Then slept the King, and When. he woke The guest was gone, the morning broke. (Dead rides Sir Morten of Fogelsang.) They found the doors securely barred, They found the watch-dog in the yard, There was no foot-print in the grass, And none had seen the stranger pass. (Dead rides Sir Morten of Fogelsang.) King Olaf crossed himself and said: " I know that Odin the Great is dead; Sure is the triumph of our Faith, The one-eyed stranger was his Wraith!" (Dead rides Sir Morten of Fogelsang.) (L0n_qfellow.) N0. 10.———RE CIT- (Bass). Sisters, sing us now the song How since Olaf came a-wooing, Sigrid wrought for his undoing, Of the insult and the wrong. SIGRID. No. 11.—SCENE (Soprano and Tenor Soli and Chorus of Maidens). Chorus. Sigrid sits in her high abode, The haughty Queen of Svithiod, And to the West looks she For Norroway’s King, whose suit is told By the ring from Lade’s temple old, Which lies upon her knee. Lady, lady, lances gleam On the farther side of the border stream; Lady, the horses ford the ﬂood, They cross the meadow, and pass the Wood. KING OLA?’ . You may hear the iron hoof-stroke beat On the ringing stones of the village street; Rank on rank come spearmen tall, But the crest of Olaf is o’er them all, And the peace strings bind his sword; See he alights, he mounts the stair, The Norroway King with the golden hair, Queen Sigrid, greet thy lord. OLAF (Tenor). Sigrid, hail 1 with royal hand Knit to thee NorroWay’s King and land, And the ring of Ladé upon thy knee We will change to a cross for thee and me. SIGRID (Soprano) . Olaf, hail! my hand is thine, But the gods of old I will not resign ; Bow thou to thy Cross for woe or weal, But where I have knelt, I still must kneel. OLAF. Queen of Svithiod ! hearken well, Thy gods are mute on ﬁord and fell, Nor ever shall their voice again Be heard where Christ hath ris’n to reign. SIGRID. I hear them speak ! from pole to pole The Norland gods their thunder roll ; For Norland folk their sword—the rod For slaves who own the Southland god. OLAF. I will give my body and soul to ﬂame Ere I take to my heart a heathen dame ; Thou hast not beauty, thou hast not youth, Shall I buy thy land at the cost of truth ? Chorus. King Olaf rises; sisters, say Why does he thrust the Queen away, Why dash his glove on the oaken ﬂoor, And turn and stride towards the door? The gods protect the wrong’d and weak ! The glove has struck Queen Sigrid’s cheek, See the ﬂash of her haughty eye, See her stately form drawn high! Haste thee, O haste, King Olaf, ﬂy. SIGRID. Thou art gone! nay, spur not through the gate ; ' I am one that can watch and wait ; By yonder glove on the oaken ﬂoor, By my father’s head and the soul of Thor. By the hand she offered, Sigrid saith, That Sigrid yet shall be Olaf ‘s death. (Aeworthﬁ N0. 12.—-RECIT. (Bass). Hark I she flies from Wendla-nd forth, Slighted Thyri, to the N orth : There, as Olaf’s wedded dame, Will she set the North aﬂame I THYBI. No. 13.——CHORUS (BALLAD). A little bird in the air Is singing of Thyri the fair, The sister of Svend the Dane; And the song of the garrulous bird In the streets of the town is heard And repeated again and again. (Hoist up your sails of silk, And ﬂee away from each other.) To King Burislaf, it is said, Was the beautiful Thyri wed, And a sorrowful bride went she : And after a week and a day, She has ﬂed away and away, From his town by the stormy sea. (Hoist up your sails of silk, And ﬂee away from each other.) They say, that through heat and througi cold, Through weald, they say, and through Wold. By day and by night, they say, She has ﬂed : and the gossips report She has come to King Olaf ’s court, And the town is all in dismay. (Hoist up your sails of silk, And ﬂee away from each other.) It is whispered King Olaf has seen, Has talked with the beautiful Queen; And they wonder how it will end; For surely, if here she remain, It is war with King Svend the Dane, And King Burislaf the Vendl (Hoist up your sails of silk, And ﬂee away from each other.) 0, greatest wonder of all 1 It is published in hamlet and hall. It roars like a ﬂame that is fanned The King—yes, Olaf the King-— KING OLAF. Has Wedded her with his ring, Borg, And Thyri is Queen in the land! . . . (Hoist up your sails of silk, Comes. the SP“_ng ,un,°h‘“nm3» And ﬂee away from each other. sunshme on 11.13 P13110113’ (L°"9fe“°'”-> A1i$hiii§Vi§i‘l1é?Zi’5;Si,’3,if- b ‘ 9 So the olden romise No. 14.—DUET (Soprano and Tenor). Passed from loiid to lady, Warm with words of loving, THYRL Lifts the heart from thrall. (Aeworth.} The gray land breaks to lively green, Bespangled all with ﬂowers ; The throstles sing to greet the spring Through lengthening sunlit hours. N°° 15°“‘CHORAL RECIT- After Queen Gun/iitd’s death, 80 the old Saga saith, Plighted King Svend his faith, To Sigrid the Haughtg. But what care I for ﬂowers on award, Or bursting buds on tree ? My lands 1'estor’d from Wendland’s lord Were better cheer to me. Still on her seornfutgface, A landless, dowerless bride am I, Blushing with deep disgrace, The bride of NOI'1'0Wa.y’s King, Bore she the crimson trace What boots me, while I sit and sigh, Of Olaf ’s gauntlet. The coming of the spring ? , 0ft to King Svend she spake, “ F or thine own honour’s sake Shalt thou swift vengeance ta/ca On the rite coward ! " OLAF. Thyri, my beloved, Hither come I bearing And to avenge his bride, Angelic“ upliwtedv Soothing her wounded pride, Sweet and fair as thou. QM. the wate7‘s wide Earliest boon of springtime, King Olaf sought he. Sign of snow departing, In their welcome fragrance, Bathe thy snowy brow. (Longfellow) THE DEATH OF OLAF. Tm" No. 16.—CHOB.US. SW:e:;g:t:f§iKO;%%1§ugeO 1 meseems’ King Olaf’s dragons take the sea, The piping south-wind drives them fast. The dltﬁgris that haunts Queen Thy“ 3 The shields dip deep upon the lee, Her down’, Over Sea“ The white sails strain on every mast. - . Leaping from Wave to Wave they round Wide spread they from the Wendland shore, V And rich with fruit and ﬂower’ The cape that bars the stormy sound, And where the ocean opens wide The lands I weep for evermore, _ - - O I give me back my dower. They see far stretched on either side The Danish ships and Svithiod’s ride; High on his deck King Olaf stands, 0LAF- The war-axe grasp’d in both his hands. With helm of gold and jerkin red, F031‘ 11013» doubt 1105» Weep 110*: And fair curls blowing round his head, A5 3 Queen triumphant, First of his ﬂeet, he leads the van T0W3TdS the huPPLY Sunlight And seeks the battle, man to man. Lift thy radiant eyes ; To the strife of favours, But seaward, landward, cape and bay For thy love I gird me, Cast forth their foes on Norroway ; And the lands of Thyri Ten thousand shaven oar-blades sweep Shall I win for prize. The bosom of the troubled deep 1 KING As crash the prows, ring bill and shield, And arm meets arm that will not yield ; Still where the foemen thickest throng King Olaf’s galley sweeps along, And still her lofty sides to scale Ply the ﬁerce foemen car and sail, And pour their heroes bright in mail, Woe, woe for N orroway ! O’erwhelmed, her stout sea-dragons ﬂy, Or, scatter’d, powerless, scarcely try To join once more the fray : Yet still, like sunbeam through a cloud, Glimmers the helm of Olaf proud, Faint and more faint to see : Around it close the dark’ning spears, It sinks, it sparkles, disappears, King Olaf, woe to thee ! Thy latest ﬁght is fought in vain, No more the axe of Olaf slain, No more the glittering crest, Shall victory pluck from ruin’s verge, Or to the chase his spearmen urge ; Above him rolls the sullen surge, That stormy heart has rest. (Acw0rth.) EPILOGUE. SOLI AND CHORUS. Bass Recit. In the convent of Dronthcim Knelt Astrid, the Abbess, At midnight, adoring. She heard in the silence The voice of one speaking Without in the darkness, Now louder, now nearer, Now lost in the distance. Soli and Chorus. " It is accepted, The angry deﬁance, The challenge of battle ! It is accepted, But not with the weapons Of war that thou wieldest I “ Cross against corslet, Love against hatred, Peace-cry for war-cry I Patience is powerful ; He that o’ercometh Hath power o'er the nations! Chorus (nnaccompanied). “ As torrents in summer, Half—dried in their channels. Suddenly rise, though the Sky is still cloudless, For rain has been falling Far off at their fountains ; “ So hearts that are fainting Grow full to o’erﬂowing, And they that behold it Marvel, and know not That God at their fountains Far off has been raining l Soli and Chorus. " Stronger than steel Is the sword of the Spirit ; Swifter than arrows The light of the truth is, Greater than anger Is love, and subdueth! “ The dawn is not distant, Nor is the night starless , Love is eternal! God is still God, and His faith shall not fail us ; Christ is eternal ! ” A strain of music ends the tale, A low, monotonous, funeral wail, That with its cadence, wild and sweet, Makes the long Saga more complete. (Long_fellow.} These words are Copyright under English and Colonial Statutes, and must not be printed without the permission of the Publishers. No'rE.—In the following Scenes it is intended that the performers should be looked upon as a gathering of skalds (bards); all, in turn, take part in the narration of the Saga and occasionally, at the more dramatic points, personify for the moment some important character. ’ The names of persons and places should be pronounced generally as in German. E. E. SYNOPSIS. INTRODUCTION. THE bards name and describe the book in which is written the story they are about to relate. One of their number, who is evidently recognised to be the chief hard or master of the ceremonies, calls upon the members of the company to constitute themselves as representing Thor, the God of thunder, and to repeat his challenge. THE CHALLENGE OF THOR. The Whole assembly, in response to its chief, is here supposed to represent Thor, who arrogates to himself supremacy in the world, and hurling out deﬁance to the Christian religion, issues a challenge to Christ its prototype. KING OLAF’S RETURN. Another of the bards comes forward and relates how the fugitive Olaf hears and accepts the challenge, and after recounting the youthful Olafs wanderings and adventures previous to that time, tells of his return home to Norway as King, and of his resolve to establish Christianity in the kingdom. Their chief here directs the Skalds to tell how Olaf accomplished his mission. THE CONVERSION. In this scene, the minstrels describe the gathering of Olaf"s subjects at the temple of their deity; headed by Ironbeard, they meet the king and his bodyguard of axemen and bowmen. King Olaf, in the person of the tenor bard, offers the religion of Christ to the people, and Ironbeard——which character is for the nonce assumed by the chief bard—in the name of the people refuses it; whereupon the king, goaded to the act by the deﬁant words and attitude of Ironbeard, takes up his war-axe and shatters the image of Thor. In attempting to avert the destruction of the idol, Ironbeard is mortally wounded, but, deﬁant to the last, the grim old Warrior declares himself staunch to the faith of his fathers. With dying breath he commends his soul to Odin (the chief god of the Norse religion), and claiming entrance into VValhalla, the eternal paradise of heroes slain in battle, expires. The people are so much impressed by the manifestation of Thor’s impotence and the death of his champion, that they elect to embrace the new faith, the peace of which, and its completed sacriﬁce, the king offers them as an alternative to the ever-recurring sacriﬁces of blood demanded by the tenets of their religion. Meekly surrendering themselves to the newly- revealed power, in solemn unity they bow before their king, who, with thrilling intensity, invokes upon his kneeling subjects the blessing of the King divine. The master bard himself tells how, as a blo0d—atonement, Olaf weds Gudrun, the daughter of Ironbeard. GUDRUN. The company of Skalds describes how Gudrun, intent on avenging her father's death, steals, on the bridal night, with dagger in hand, to where Olaf sleeps; but Olaf wakes and thwarts her design, and ere the dawn of morn rids himself of the treacherous bride. The chief minstrel now commands his men to sing of the coming, as an unbidden guest to 0laf’s feast, of the spirit of Odin. THE WRAITH OF ODIN. In the words of a stirring ballad, the assembled bards sing of the strange guest who enter- tained the company far into the night with his wonderful stories. How the king slept, but woke to ﬁnd the guest gone; how Olaf, ﬁnding no trace of the departure of the stranger, pronounced him to have been the spirit of Odin, and interpreted the visitation to signify the downfall of Odin the Great, and the effectual triumph of the Christian faith. The chief bard invites the maidens of the company to sing the story of the wooing of Queen Sigrid by King Olaf, of the insult she snjfered at his hands, and of her vow to accomplish his death. SIGRID. The minstrel maids sing of the Queen of Svithiod awaiting the coming of King Olaf, with the ring, taken by Olaf from Ladé’s temple, on her knee.—The two characters are again represented by bards. SYNOPSIS (continued). Olaf arrives, greets the queen, and olfers her himself, his land, and his religion. Sigrid returns the greeting, but will only consent to become his, on condition he swears his love, as Odin once swore it, on the ring. He refuses the condition, and Sigrid, not heeding his appeal, expresses her contempt of “the Southland God,” and protests her constancy to the “ Norland Gods," At this King Olaf’s anger rises, and he strikes her cheek with his gauntlet. King Olaf is warned to ﬂy, and the scene closes with the queen vowing vengeance on the retreating ﬁgure. A Attention is commanded by the principal bard for the recital of the story of Thyri-—t/Le alighted choice of the Wendland King—-and her flight to the North. TIIYRI. In a charming ballad, the minstrels sing of Thyri, the sister of Svend, the Danish king, ﬂeeing away from King Burislaf of Weiidland, to whom she had been betrothed for the short space of eight days. She comes to King Olaf’s court, and Olaf eventually marries her. After the ballad, two singers advance to represent King Olaf and the beautiful Thyri, his wife. Thyri laments the loss of her lands, which King Burislaf has possession of, and deplores her dowerless condition. Olaf, fresh from the delights of a fair morning in early spring, comes before her with a love offering of Angelicas, but with such thoughts rankling in her mind, the sweet smelling herb holds no charm for Thyri. Her mood leads her to taunt Olaf into consenting to rescue her domains from King Burislaf, upon which, having effected her purpose, she once more smiles on her lord. The bards join in reciting how Queen Sigrid becomes the bride of King Svend, the Dane- a union which portends evil for King Olaf—~and relate how she cajoles the Danish king into setting forth to wreak vengeance on Olaf. THE DEATH OF OLAF. Full chorus of Skalds, in which are described the putting out to sea of Olafs warships to meet those of the Danes, and the contact of the opposing forces. Vividly pourtrayed are the deadly combat and the defeat of Olaf, who, ever foremost in the fray, is surrounded and outnumbered, and so perishes in the ﬂood. EPILOGUE. The bard-chief ﬁnally pictures Astrid, the mother of Olaf, in the convent of Drontheim, kneeling at midnight, and listening to the voice of one speaking in the darkness without. The voice which Astrid heard, purports to be that of Saint John taking up the challenge in response to the entreaty of the departed spirit of Olaf. The saga-men, echoing the words of the saint, signify the ultimate acceptance of the challenge of Thor, and the continuance of Olaf’s mission, but this time, in the true Christian spirit of love, and by the power of the Great Spirit Divine, which comes “ not as a vulture, but as a dove.” A. S. BURROWS. The Becitatives serve to prompt the narration of the Story; so, to emphasise their function and signiﬁcance, the portions representing them in the above synopsis are printed in Italics. (From a Concert Programme ofihe Shezﬁeld Musical Union.) CONTENTS. .... .-—€€C€j—-—-- INTRODUCTION. SOLI AND CHoRUs——-“ There is a Wondrous book” . RECITATIVE (Bass)—“ Summon now the God of Thunder ” THE CHALLENGE OF THOR. . CHoRUs——“ I am the God Thor ” . . KING OLAF’S RETURN. . SOLO (Te7zo7')—“ And King Olaf heard the cry" . RECIT. (Bas3)—“ Tell how Olaf bore the cross ” THE CONVERSION. 5. S0LI (Tenor and Bass) AND CHoRUs——“ King Olaf’s prows at Nidaros ” . Rnoir. (Bas3)~—“ Now the child of Ironbeard dead ” GUDRUN. . SoLI (Soprano and Tenor) AND CHoRUs—“ On King Olaf’s bridal night ” . RECIT. (b’ass)——-“ How the Wraith of Odin old” THE WRAITH OF ODIN. . CHORUS (Ba1lad)—“ The guests were loud ” . REc1rr.—“ Sisters, sing ye now the Song ” SIGRID. . SOLI (Soprcmo and T enor) AND CHoRUs——“ Sigrid sits in her high abode " . RECIT. (Bass)—“ Hark 1 she ﬂies from Wendland forth ” THYRI. . CHORUS (Ballad)—“ A little bird in the air” . DUET (Soprano and Te1z07*)—-“ The gray land breaks to lively green . CHORAL RECIT.--~“ After Queen Gunhild’s death " ... THE DEATH OF OLAF. . CHoRUs—“ King Olaf’s dragons take the sea ” EPILOGUE. SoLI AND CHoRUs~—“ In the Convent of Drontheim ” SCENES FROM THE SAGA OF KING OLAF. INTRODUCTION. SoL1 AND CtiORUS.—-“ THERE IS A WONDROUS BOOK.” ‘4nd EDWARD ELGAR, Op. 30. /— >'—*\ /‘T /"T 1 2- P000 0733-: } con Ped.‘5' Oaonua SOPRANO. w' ook L\egends wondrous book Of ‘ in the old wondrous book in the old . . ‘ wondrous book Of in the old kings of Nor - T0 - way,— . kings of Nor - ro - way,— . Of P7’ ' Copyright, 1896, by Novella, F/wer and 00. - 8247. 2 B BASS Sow. P vzzglto espress. .1: 4! p—p—Q :,‘ I 3* I ' § ‘v’ T ? V L .. I 1‘ E‘ ' L I I ' _¢ 1 1 # Legends that once were told or sung, espress. 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L '- — — 7"‘-___T.—> 3: ' -: nE—§__.___._____/'‘5_ sto - ry that we now be_gin now be - gin. . . ’ 7'l,t. f_'\ now be - gin. - *’ Ti‘-o-— r.\ ,2 ﬁnd there-in The now be - gin. f.\ _Q.. 5 REOITATIVE (BAss).~—“ SUMMON NOW THE GOD OF THUNDER.” Allegro con fuoco. Allegro confuoco. 5;- — - A SKALD (B.-xss). K'\ K.\ Sum - man now the God /3 who rives ~ , E1ga.r.—King 01a.f.—Nove11o’s Edition. B 6 Poco meno mosso. hea-vens a -sun - der, Poco memo mosso. fl’ ﬁr-\ adlib. Chal — leng - ing the v xv. A /zfacca Na. 9 7 THE CHALLENGE OF THOR. CHORUS.-—“ I AM THE GOD THOR.” Moderate. SOPRANO. ()' am the God Thor, God Thor, God Thor, God Thor, Moderate. J = 104. PP my North- land, My fast- ness and fort - ress, —u__”: my N 0rth- land, My fast - ness'¢:___2_xnd fort - ress, __.. my North- land, My fast- ness and fort - ress, _. -1 . my N0rth— land, My fast - ness and fort - rggs, - u o o ' o ' I C’opg/7~z'ght, 1896, by Kvovello, Ewer cmd Co. ores. molto. Reign 1 c1-es. mo Zto. Reign I cres. molto. 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Is but my red beard Blown by thenight-wind, Af -fright-ing Sues sempre. L na - tions ! tions ! can form. 17° > > my bro — ther, >> Jove is my bro - ther; Mine eyes are the light- ning; > >> }}} j} }}>:- 13 can form.ﬂ° > > The wheels of my ohar - iot wheels of my char - iot ' the thun }} my bro —ther ; Mine eyes are the light bro-ther; Mine eyes are the lightning; 8va.....- ........................................... .\ b , The blows "f> the shun - The blows Blows of wheels of my char - iot Roll in the thun - der; Blows of my G ham — mer allargando. N -0- €- H Molto maestoso. Force . . rules the .wo/rld still, Has ruled it, shall rikle it: Force . .rulestl1e world still, Has ruled it, shall rule it; Meek - Force . .rules the world still, Has ruled it, shall rule it, ﬂux L x A »\ Force . . rules the World still, Has ruled it, shall rule it ; Meek - ness is H M maestoso. A A /\ . ‘,_. Sves sempre. Meek - ness is weak-ness, Strength is tri - umph - ant, O — ver the /\ >- /\"—$ W% - Strength is tri— ph - ant, 0 - ver the /\ > > Strength’ - umph - ant, ver tﬁe whole A’-\ > > Strength is tI‘i‘11[/I\]ph - ant, V ver the whole whole earth > vs hole earth A L Still is it ThQr’s - Day, } Still is it Th0r’s - Day, ores. poco a poco. L.._.._/ And thus £541 - gle-hand - ed . . . . . Un - to the C’I'€8. pOCO (1 P060. &_._j/ And thus sin ~ gle-hand - ed . . . . .. Un - to the ores. poco a poco. \'____:/ \______.__/ And thus sin - gle-hand - ed . . . . . Un - to the ores. poco a poco. And thus sin - gle-hand — ed . ..:d ares. poco a povo. 1 Sf } com - bat, Gaunt com - bat, Gaunt com - ba t, Gaunt com ~ bat, Gaunt Thus \ E f pesante. gle - hand - ed gle - hand-ed Un - to the gle - hand- ed gle - h-and - ed All 2‘ 07. Z?/\ a/‘gm O/\ bat, Gaunt-let /\ /\ bat, Gaunt- let .27:/\A bat, Gaunt- let: .77’/\ /\ bat, Gaunt;— let or A llargando. V T . Pad. 3 , Also published in Nove11o’s Tonic Sol-fa. Series, No. 971, price 8247 _ 18 KING OLAF’S RETURN. SOLO (TENoR).——“ AND KING OLAF HEARD THE CRY." Allegro. REOIT. r.\_ AndKing 0 - laf heardthe cry, . . light Allegro. /5 ' . . ' PP a tempo. dim. e Laid his hand on his sword, As he leaned up-on the rai1~ing, And his meno mosso. A h. . _ . . s 1p/_ went sa.1'l__$k mg, Jzgasaul meno mosao. L'- sai1- North- north - Ward in—to Dront—heim ﬁord. E; tranquillo. There he stood as one who tranquillo. espTesS' 3 [3 Allegro. J=112. and \ And the gleamed red light glanced A . . _,_ wore; And he shout - ed, . . Sva ................................ > > > = 1 he \ mour that . ' 5 5 allargcmdo. —i_ shook . Stream - ers 0’er him ”\ PP molto ores. 172. o. dreamed ; shouted, and As the shift-ed, 329°‘ ac-cept thy chal Allegro. sf colla pamte. Sf Allegro molto. AZ'legro molto. J = 138. /\ A _ -‘if his . . fa-ther slain, And re - con - que'r\ realm and reign, 3 _,_'Z‘' -1. - ' :m¢;,=— Came . . the youth - ful O -glaf home, And the dash a poco piu tmmquillo. the poco on poco pm G Tranquillo. I Tranquillo. d = 112. /—"—:j—T {"—:?'_—‘T _p- I To thoughts tITe' T-ﬁr-—j—_-% Pad. =l< Ped. =l= Ped. E1;zar.—King 0laf.—Nove1lo’s Edition. alt ed. 0 * 22 - i 3’ 0 . , , =‘ t 1 .. sa. - cred name Of his 1110- ther As-‘arid came, . . And the E ‘Tl’ I j she oft told . . Of her se — cret pass -2 u I poco mt. es Thro’the mountains and mo—ra.ss - es, To . . . the home of H9. ~ kon I M. PP calla parte. VT sempre P old. cc tempo. dolcissimo. con Ped. J Pin mosso. Quasi parlando. strange mem — crowd - ed back of Queen Gun- Pz'2‘a mosso. wmck And a hur - ried ch stringenolo. Of grim Vi-kings, Pia mosso. and their rap - ture In the sea. — ﬁght, . . the cap - ‘sure, And the a tempo. J = 112. his . . cruis ~ing’s o’er the r‘—‘‘‘‘''—‘'’\ to the He - des, And to Sci1- 1y’s rock- y shore ; And the estward /.___ Ped. cies. allargomdc dis - 1113.1, Christ’s Great name and rites bap - tis - mal. In the K. :’%‘—_-\/—~:—-'f\rj-:——'_:—\ her -mit’s cav- em /___._.._ MA f cean’s rush and roar. Nor —wa.y nev - er yet; Allegro. J - : 96. colla parte. . had seen ~/ 0 stringendo molto. Har-ness gold . . in - ‘} } ,\. \ \ m, h S -1 m F1 m X I.. 8 LIJ e 1 m. n 0 C S .m 1 a n -1 When PP agitate. f strmgendo molto. of . . and burnished, } - bo a‘b.-‘fir Thus came - tle like a ﬂame, ares. molto. 26 Tempo lmo. laf to his own, . . . When up - on the night - \wind Tempo lmo. J = 112. allargando. /_.___ _ Passed t . . the shore ; And \ \ PP X allargamdo. : . molto. sWer’d,Whi1e rift - ed Streamers 0’er him shookand shift — ed, ‘ ' ' ' ' ‘ ' ' ' ' ‘ ’ ‘ ‘ "‘ '—.S '‘*s § ffz ;—.____, stringevzdo molto. R _d'_ d REGIT. 3 5‘ wag shift — ed, . . . “ I ac-cept thy chal Sva. sf calla. parte. 27 Rmcrr. (BAss).——“ TELL HOW OLAF BORE THE CROSS." Allegro moderato. 811a I -1- f :::———— 6- I I \___2 A SKALD. Tell Nor - allargandob I .9 . .. : 1 : 1. H E , . . . , F4 I’ Win-ning to peace. J: 92 tm; colla pcmte. > a tempo. piil lento. P ’ dim. THE CONVERSION. SOLI (TENOR AND BASS) AND CHORUS.-—“ KING OLAF’S PROWS AT N IDARO 8.” Allegro moderate. SOPRANO. dolce e legato. King 0 - dolce e legato. King 0 - alolce e legato. King 0 - dolce e legato. King 0 Allegro moderato. > -27- TI semgore motto legato. Fur - 1'oW’d the Fur - roW’d the Fur - row’d the Fur - row’d the round the of / ‘T _ J §—j-—<— state - ly fane . . . . at Mae -rin, King ly . . . . at Mae - rin, King the . . . . at V, - rin, King . _,_ state - ly . . . . at Mae —rin, King r"‘*‘% r—':"-‘T O - 1af’s house carles lay, n» 0 - 1af’s house carles lay, 1 O - la.f’s house carles lay, i O - 1af’s house caries la B —.'. Watch’d the men of Drontheim —o— -0- Drontheim _a.. .0. the men of watch’d the men of theim Watch’d Drontheim /\ /-——— C Poco pie). mosso. W’/\ Clad mail C Paco pm mosso. in J-=92. 73}? qumsi alla marcia. -C- -0- Ga. - ther G_‘ra-ther Ga—ther ther _,'- _,_ at break of at break of at break of at break of they Oo1's- let and buck - ler ed, cors— let and buck - ler ring, cors- let and buck — ler ring, Cors- let; and buck - ler ring, cors-let and buck - ler 2/’/ .4-" they . . came, Cors-let and buck - c0rs- let and buck - ler ring, throng . . - . . I - r0n—beard. sword - ed, As they throng throng be - hind throng be as they throng leads them, leads them to beard, . . Wholeadsthem toK.—’. > leads .> >tl1><e111 T-jﬁ T \ Corslet and buck—1er ring, . . . . - I -ron-beard ‘ > >— > -ron—bezLrd _‘_ - 1'on—beard t>0 the King, leads them to the King, - I - F011-beard ‘J T'‘_———___’—‘\ leads them to the King, . . . I-ron-beard > - _ them to the King, . . . I-ronvbeard —aL } K111;-55 . the {'7 the them } them } let and buck- ler ring. King’, . . King, . . to the King, . I - ron- bean-I I - ron-beard K Oors-let and buck - ler ring. leads them to leads I - ron - beard . . leads them to I\ Re - tired . . .3 them room, Their them room, Their them room, Their them room, f. \—. and gray - sea - spume. _ \_ and gray sea - spume. _ \_ and gray Wlth . . sea — spume. and gray with salt . . X///,__._ All halt-ed. All halt-ed, All halt-ed, A -0- -0- -0- L t - ing the Walls of Smit - ing the walls of blew, King FA J = 126. lv all were all were As O - gard, were When, When, When, King 0 King 0 — King 0 - laf’s b11—gle blew. '3‘ shiv’1'ing shiv’ring shiv’ring laf’s bu - gle - la.f’s bu - gle - laf’s bu -gle T- thro’ the , thro’ the accel. e cres. accel. e ores. blue, accel. e cres. thro’ the blue, King 0-]af’s bu -gle accel. e cres. »-27° J7" Onu. REOIT. (TENOR.) /\ Be - hold me, my Rmorr. > 3 answer and say, answer and say, d ‘:3 112,. _% sf thers ye Wor /3 I If the /'3 I V of your fa. /3 v /3 :": P ma, con fuoco. w of your fa. thers ' /3 /3 P /3 ifthe Gods . . . ye- W01‘ /3 to the Word /3 Or bend /3 vi /3 v /_3 ' yeyour wills . . . / 3 v ' I 1‘ I espress. To the ters of Christ I V ship to - /31 1' t -~ sup/3 '0 calla parte. /‘ 3 I a tempo. that I bring, . the Wa - - ters of; ?j'— calla. parte. ‘ ‘ ‘ ,—3 U T ' ,——3 a.'temp0. /—~' ' C YOSS /_‘ An - swer and say. V > > >colZa partQL_3M_ atempo. Sf. $o— 1/ Sf IRONBEARD. R3011‘. (BASS.) By my beard ca1l‘d of I - ron, 0 King ! shalt thou /"""—""'—'T allarqavzdo. /T In the name . . of thy peo - ple, Z""S } calla parte. ores. Elgar —King OIaf.—~Nove1]o’s Edition. D purge out ,—-————«ﬁ co tempo. ' T- A liegro. an - swer thee, l\' 0 1 CHORUS. Tmvoa. -_t'._':. V N0l.. B . .7§".:é. Nol.. A -0-‘ -v—' Allegro. J = 120. JFIJ‘ QJ 1 .. -;—‘i:. ae7:177<oaj f Shall thy cross . . and thy wa - al/m~_qanrlo. 5 3G» the Gods’ ban, L and thy - '\ Shall thy cross . . ters purge out tlle "T } Shall thy cross . . and thy - ters the I purge out , . -0- -0-‘ ° ‘xv F ‘i ‘If Who feed on the ﬂesh and the life- blood of >-> Gods’ ban, } Gods, ban’ allargando. v v /"' ’"— -.3 a tempo. -H--. ' 1 I feed on the ﬂesh and the life-blood OLIAF. RECIT. Shall Thor and shall 0 - din be high Gods a - gen? atempo. cl iempo. J —_- 126. give to their yea, Thor and O yea, Thor and V /\ ’ emcor pm mos-.90. a1- tars their guer-don of men! give to their _ give to their ai aazcor pa/‘z, mo.s.s'o. J:13s. - u A L’£stesso tempo. 1 4L 4.14 their guer - their guer I /\ shall blood fel - ons - tars of I /,- > ;. .,I-g- ' r“1~1' ~ xP subito. of base and 10s - men ! L’z'.stesso tempo. I els con entusiasmc. mf Nay a. - - criﬁce rich to shrine will I CHORUS. Tnxon. est in bow Ped. sempre. there fl? > _The best under shield, ' might — i—est The best under shield, ‘ might - i~est 2?. I - ron --beard, - 1772' there! - ron - beard! v T there! I - ron - beard! . . I 1. 2?” his daugh - ter, I - ron-beard, and the fair - est, the fair - est, his daugh - ter, e I - ron-beard, and the fair - est, the fair - est, his daugh - ter,3 G11 > 3 3 IRONBEABD. Pia mosso. or the might - y, - drun ! . Pm mosso. d = 152. or her sire. >- A llargando. rit. soatenuto. } > > > am’ a tempo. J : 133. pass by thy man - date. 0 King, thro’ the A” d ﬁ3‘e- . . . . >-\ >\ argan o. - - - - . E‘? - ‘ 1--4f_ J_é1';_*_- ta. sostenuto. _: N See a - bove K K . . o o . . . . I I _,_d_,_1.'t'.1;:j:f‘f ’ A ' ' ' ' ' cres. multo. fff the image of gold, 8175 stringendo. ,._\ Thor . . bat - tle-maul stringendo. P subito. 45 Cuozws. TENORS. sj, sf, sf, Thor: . with the bat - tle-maul gripp’d ‘in his hold. Bassns. 8./.' sf’ Sf’ Thor . . with the bat - tle-maul gripp‘d in his hold. pesante. IR01\'BEARD.alla,7"ga7LCZO. 3 > If he seeks for a tempo. ffz ] allargcmdo. > fp "5 > > a tempo. hest thou shalt do, Call the best .. thine axe-men, there — > calla pane. - a tempo' Clnist ores. molto. Allngro con fuoco, ff » Q doppio 7nom'7nen.fo. axe, . . ’g:Linst the hammer . Thor! CHORUS. As leap the lights of A Zlegro con fuoco, Q doppio movimento. OI: 138. f_ Bf A—tl1\va1't the north - ern sky, As leap the lights ter, the lights of Win ter, .y. 8247. 47 fz age Flasifd /5 age F1ash’d O - 1af’s axe F1ash’d, . . ﬂash’dg- 1af’s axe -9- ,_ F1ash’dO - 1af’s axe ' T Xi } }- } }- J7’ strepitoso. in spring — time, Far in spring time, in spring - time, Fa -42- 9- god } shards of god - head - head > of god - head the ground fz Crash’d Crash’d the ground fz Crash’d Fierce ron—beard sprang for _;:. OH I‘ be - low, ground - low, ground Fierce on-beard sprang for -2 ward, Fierce ron-beard sprang cres. Fierce ward, fz ward, A house . . his bow, . ron-heard sprang for A house O’er the shat-ter’d im - age, o’er the shat-ter’d im - age } o’er the shat-ter’d im - age, o’er the shat-ter’d im - age Its 0’er the shat-ter’d im - age, 0 er the shat-ter’d im — age T > o’er the shat—ter’d im - age, o’er the shat-ter’d im - age Its IRONBEARD. 1VIoderato. P All poco allowgumdo. P molto espress. bsf F a. - ther, Jlloderato. J —_- O] of precedz'n_r/ movement. hon — our and PP the 79]} cres. molto. the faith of Lento. J1 : 5 my and of fa.- thers, movement. molto cantabile. mf Goth. :T Oh,Widesho111d the doors . . 2:3 2 P molto espress. 3 —‘_ a he - r0 who gives, x /*4- /”“ " :5 3 PP and soul, King 0 - lzlf, -p~ #,_ ‘ /§ . V -- J 3 r£t.,.._..\ Norseman! per - clmnce it may be, Tllan thy Peace —God shall rule T /T Z /T /“"‘\ _£_ co3lla parte. 5 I - poco am'mato. ad lzb. ,4- free ; But with axe in his o’er the Nor land - er J Tempo lm0' = 112' poco animato. — _. _ rit. e dim. ammato. r_.___ th sword up - on thigh, . And his face f—$ ritedim. __,_: sfp %m.m'at0 I - ron — beard V L’z'stesso tempo. o’er the blood-stain’d Horgstone, The cross of Christ was > o’er the blood-stai11’d Horgstone, The cross gf Christ was >1: con Ped. poco rit. dim. The ho - ly priests were pray ~ ing, The sing — ers poco rit. dim. The ho - ly priests were pray - ing, The sing — ers PP poco rit. dim. The sing - ers sang /-——j: poco rib. Lento. : :3 0- 1af’s axe was low- er’d, _ — King 0 - 1af’s axe was low - er’d, — tween. , . W Lema , Kmg O -1af’s axe Was1ow- er’d, f T. _: .: Segue arpeggimzdo. Ped. F F * _ /‘T":\/-\ As swung . . the gold - en cen ' yei "" 7?‘ His brightblue eyes Were dim, . . . 3 swelled . '. e e His bright blue eyes were dim, _e— b tbue .V_v:;°e m . . . swelled /T f Slva, Bassa. Ped. - sex-,AssWe11edthe so - They mar-ve1l’d as they lemn The men of ])rontheim ble\d, They mar—ve11’d as they The men of Drontheim trembled, They mar - vel1’d, {T E1ga.r.—King O1af.—Nove11o's Edition. sostemzto. molto ores. knelt, Their help- less God sostemuio. molto ores. knelt, Their help - less God marvell’d as they knelt, {T molto cres. The pow’r, the poW'r of Christ was f \ N7?/\ /-1 ‘ > ::/— , V ’ f bro - ke11,The Wr, . the IE” 0 A/—..-—$ _: bro - ken,The 1/)\ow’r, the p0W’r of Christ was bro-thers of _'_ -0. ' . the pow’r of Christ was -i :> Ea» the poW’r of Christ was C the pow’ of Christ was : 74* l. the pow’r of Christ was \/ :9 X Allegretto. d0lce° Ice-land ! be -hold . Allr3.]7'etr/‘0. J = 76. >_ _ 3 dolczsszmo. 1 . them, they knee], 1;; I 3? 1 lS;__, Pad. >l< 3 Of my Lord and his con - quest come be you the seal, Pass . . the Gods the Goth - land; your serf-dom shall cease ; For the ri - ﬁce bloody, I of - fer you {xx /jsghé‘ nafegi of the Chris .5 I ores. e allargando. (5 ﬂ‘ Y a tempo. join . . in prayer . .That swells . . to the Lord the earth and the CHORU ceive us, ceive us, I ores. e allargando. <:;I?” W2»-ter bring our brows to _i’ Wa — ter bring L bring our brows to 2?e>_-\> bring our brows to /\ /\ -9. -4- Lord, re - ceive them! King . . shields the - grave. legato. { Blood and bat - tle, let them, let them Lord, re ~ ceive them !King (11 - vine, King di - vine, Breathea. - ' breathe . . a $ them cease, bat - tle, them cease, {re {T CV68 3/br_#d‘_3\ /-———-x 3/bJ_3\ 3/bgx 3 ‘I 3 3 3 1 :1: P3. AA Come 1ma_. peace, Come lma. 0' = 92. AA Allargando al ﬁne. brows, . . our brows to cres. molto. our shields the cross, the cross . . en—grave, Sf Blood and bat-tle, let them cease, . . Knit us to the God of T Allargando alfine. «Um- ho. cres. motto. «V —1'3_1ood . . tle, let . . them cease, let them cease, . lave, . and bat- tle, let . . them cease, let them cease, . Blood and bat-tle, let them cease, . .. them cease, let them cease, . ' f\ *3 Blood and bat—tle, let them cease, . . let them cease, . 8120; xii, the God dim. e TM. the God i 3%: dim. e rit. peace. the God peace. dim._e ' God «V —— \_'/ . m. K? ‘ ’ .)«-' Sra [>rL.s=su. ..... ..—.-/ S.«-H. 60 RECIT. (BASS).-—“NOW THE CHILD OF IRONBEARD DEAD.” Andantino. Andomtino. f I \/ 77 espress. \-/ A SKALD. R3011‘. ad lib. Now the child of I-ron-beard dead, Fair a. tempo. 6! ° = 69. mollo es Jress. mf . -7 Hop - ing thus his wer-gild pay - ing, To redeemhim from the. —-\ .-3 _ \ \ f sonore a tempo. J - = 60. PP .Attacca. 1V0. 7 61 GUDRUN. No. 7. SOLI (SOPRANO AND TENOR) AND CHoRUs.—“ ON KING OLAF’S BRIDAL NIGHT. _ _ § x‘ V i r.\ Adamo, J . _ 1l—§J % isr I . -J‘ ‘T . N ‘—-. . *"“ ': I »2~ : — gs . n 60 '0 $0 El 61‘ -Q- ._ L 1: J1 |‘l_g1 1': T 1- poco rit. :_> V SOPRANO SOLO. tranquillo. On King 0 lafs . . bri - dal night /:\B , ; 2 Q Shines the moon with ten- der light, . . 3 And a - the chamber I: n - ~ ..... . . § _g_. _d_. _d__ poco rit. /j—'j""':"?-—"'T - streams, h"? PP}? espress. ‘LT /45 Pia mosso. fa - Piu‘ mosso. J - = 84. con 8222'. Tempo lmo. dim. pow - er, In the Tempo lmo. J - : 53_ Z/":\ vil things have 5 When all ' - poco pizz mosso. > D L_j_____/ Stands . Close . . glim-mer of the moon G11 - drun. .’ \ Z1’_—"_-TT gy poco pill mosso. PP . calla parte. in.-/— pressed ; . . /—?:_—j—-T } heav - ing breast, Something in her hand is tal midnight against her 2.5 Like an {'5 i - ci- cle, its sheen Is cold . . and keen. Onthe F N r :- cairn are fixed her eyes Where her mur — der’d accel. a tempo. lento. ;______.__Q And a voice re- mote and a tempo. lento. seems . CHORUS. J - :58. F SOPRANO. ALTO. TENOR. A Cold . . the dag-ger’s kisls; fﬁ What a -dal night . . Cold will the dag- ger’s kiss; BASS. PP /" /— .1 > :==-*- What a bri - dal is this! . . the dag- ger’s _.kiss ; . . t - =58. : § ./\ G La. - den with chill of death, Is its breath. /\ La~den with the chill of ' Is2its b{e'a};h. /\ I La - den with the chill of j death Is its breath. G‘ - den with the chill of death strmqmdo ——-1-—— —i w’ E’ V Like the drift - ing snowshe n -‘_ ' - mg snow she sweeps P]? a tempo. ‘1 Whe re O-laf 2 2 sleeps ; couch where O—1af sleeps ; sleeps ; A [leg/r0. Sud-den—ly he Wakes and stirs, His .> Sudden-ly he wakes and stirs, His } Sud-den- Iy he wakes and stirs, eyes . > Sud-den-]y he wakes and stirs, His A /lzqrjro. eyes Sva ............................................................ “ ?‘ﬁfTZ_5/‘'$ PP uasi in tem 0. cres. /:\ Qn p L ——-—~— 9———_-—— V % \‘ s \‘ &ka‘——#—-'—-’-I+z%+' e«—v~9=4+—“‘ ‘ “f ' ‘ " E ‘ }'n . ‘i . 1e1‘s. Whatls that, . . what 1s that,. , r.\ \- L I ®5w—a——- ~ ll/I Il‘t 1 [TA ||“t —-e——— that Gleams so bri;;'ht,so brightabove {hy head ; hers. x , _ 1 I _ ,3 I Allegro. Quasi in tempo. _.T \ .. Gumurv \‘.0P1:ANo. Pzulento L (k /-)\ ores. e accel. /_f,- _,_ ‘ Wherefore standestthouso White In ’ pale . . mo0n—light'? Pia lento. ; 3 . /\ cres. e accel. J A llrzgro. X‘‘\ , the bod— kin that I Wear When .. at night, when at All, . 3120. €970 0 3 ' . h A_I/itato. night I bind my hair; /'3'?’ P agitate. ( . _ .32 g‘___.1____3‘___|_§;,a___'3'__..,a_“ r‘<5‘5“—? -L—r r F'—:T°'*J*79" 1 .‘ .|\ I I I . n , ‘ 3247. 3?“ For—ests have ears, and ﬁelds have eyes; N -3 3 ' ' _, 3 3 c Q - V n the bod - k111,'t1s no - ‘clung more; It woke T ten treach - er - y lurk - ing lies Un-der - neath ('—:'-T 3 the ﬂoor, it woke me . .fa11-ing on the L 15¢?/I572 gendo e cred. thing “cis .5-t7-£n_r/(»m.l0 e‘ cres. drun, be - Ware ! - ten trench -er - y \M’_$ 1 «i f “J” —{.-s/P strmgendo. - thing more, - thing more, the fair - - est V lurk - ing lies U11 - der — neath T ——= u7?’-‘K? ’tis no - thing more! cres. molto. sf con Ped. Allegro molto. Ere the ear- li-est: peep of morn > Ere the ear- li-est peep of morn } Ere the ear- li-est peep of morn >‘ Ere the ear- Ii-est peep of morn Alﬂfo molto. J - = 108. -‘ /—3—\ O a tempo. piia lento. 0 - lafs bu - gle c horn; 7135.] King 0 - laf’s bu — gle -O horn; J - : 58. P CL tempo. piiz lento. - -0- ' ~P— . E1gar.—King O1aI.—-Nove11o’s Edition. \_,/ bride ! . . u - dered ride Bridegroom and -6- . 1 sun - dered ride _,Brideg1'oom and rit. Bridegroom and PP}? rit. .Bridegr0o1n and I71 1.1. REo1r. (BAss).——“H0W THE WRAITH OF ODIN OLD.” Allegro molto. A SKALD. How the A llegro molto. /.-o- 2 ye now /"'—‘-"'-‘é L: Wrai’ol1 .\ r————.———~ A REOIT. Coming as unbid-den 1118111 - senza rall. dim. 2 o 0 Sva. Bassa. 72 THE WRAITH OF ODIN. CIIIORUS (BALLAD).—“ THE GUESTS WERE LOUD.”* Alléro. 4 : 125 , T ‘TE No. 9 T f marcato. V co/n Ped. guests were loud, the ale was The guests were loud, the ale f\. .a. SOPRANO. The hoar y Skalds ther sang; ther sang ; feast-ed lge and long; feast-e_d late and long; O’er— - O’er - head the smok - y raft - ers rang. __Z __2 g__?__?__/ heaa . . the smok — - - - y Laft; €18 rang. . . . mf.mamm,cato_ (Dead rides Sir M01'- ten of ma marcato. (Dead rides Sir Mor - ten of F0-gel-sang.) . ¥-_T_,__ The door swung The door swung con Pecl. blast the thresh the thresh \ ‘T with rides Sir Mor - ten of and F0- ge1—sa,ng.; T King exclaimed, “O gray-beard pale! . . . with this cup — — The rr exclaimed, “O gmy—beard pale! . . . Warm thee this cup r———:‘\ O T King eXc1aiIne<1,“O gray-beard pale! . . . Come Warm thee ' this cup -- A The King exc1a.in1ed,“O g1'ay—bezLrd ; . . . Warm thee with this cup E . ale.” The foam ' \ dmught the old T"j'-"""—'-"T 3?” guests looked on and laughed. 2 4; y guests looked on . . and Iaughe . . . . (Dead rides Sir Mor - ten of F0 ' gel ' sang’) ' ' ma marcato. (Dead rides Sir Mor - ten of '6‘ -'- L; Then spake the King: . . . “Be not a. - fraid; _/ And, seat - ed at the ta. - ble, had seen, had seen, had seen, had seen, 1 He spake e spake He spake e spake V their deeds, Of their deeds, Of their deeds, Qf s_/ their deeds, Of 1 storm storm I y gulfs . . that V A blwrganclo. 7 .4, A Ped.“d‘- I J =104. molto sostenuco. Then from his lips in mu-sic rolled j?“/\ molto tossed between. Then from his lips in ]?e,\ moltosostenuto. Then from his lips in mu- sic rolled ZTA molzfo sostenuto. tossed between. J = 1m. 1 Then from his lips in - ' rolled . . 2'5 \__:___/ ‘Z?’ molto grandioso. va - 11131 of 0 -din old, With sounds a -1 rolled - va - mal of 0 - din old, 1st BASS. /-—*--'-\ c;: A’ ‘ '. . . . Va - mal of 2nd BASS. - te - ri—ous as the roar . . . >-> . Withsounds mys-te-rious as the roar Of bil - lows i3 dim. . With sounds . bil - lows > > > > 3 > r---\ —o—' -1-‘ -0- —.— f -9- . Withsoundsmys-te-rious as the roar Of bil - _i—;- dim. ;_?:___..2 With sounds . . a tempo. shore, on a dis-taut /:1?-5 on a. (.'3s—tant /——————-T on a. dis-tant shore, Sounds . 1st & 2nd BASS. fff (Dead rides Sir Mor - ten of F0 — gel - sang, . = 128. 3 _Q_ 3 K Svu a t€77L7)0. Dead rides Sh‘ Mor - ten of F0 - gel - sang.) T molto cres. mys - te Z - ri - ous, mys P molto ores. - ri - ous, mys molto c7‘es.> > >> Eftzl - bil - lows sounds mys - te - ri-ous as the sounds mys — te - ri-ous as the /v—\ shore. _a. a. dis - tant shore. sh:n'e. 3. dis — taut > } ,3 m l w ﬂ em e T C N Tempo lmo. and when he woke The guest was gone, V morn - ing woke The guest was gone, morn - ing V and when he woke The guest was gone, morn - ing and when he woke The guest was gone, morn - ing N Tempo lmo. ‘ - They found t11e broke. 1 They found the They found the They found the se - cure - 1y _ . . . . They found the se - cure - ly . . . . They found the se - cure - ly . . . . They found the se - cure — ly . . . They found the watch- dog Watch- dog watch- dog watch- dog foot - print; foot - print foot - print foot - print in the And And none There was no There was no There was no There was no V molto ores. L; strang — er \____,; and none . . . the L the strang - er molto V stmng - er molto_c7‘es. and none strang I (Dead rides Sir Mor - ten of F0 — gel - sang.) F crossed him crossed him crossed him crossed him molto cres. E *1‘ .0. Ped. 3“ >I< Ped. E]gar.—King O1af.—Nove1lo's Edition. Great ;_2 Great Great - umph - umph - umph - umph strang - strang - strung - st1'a11g - T Wraith, wraith, wraith (Dead rides - F0 — gel — sang. (Dead rides Sir Mor F0-gel-sang, . . ' ' (Dead rides Sir Mor F0-gel- . . rides Sir Mor - ff¢__. (Dead rides Sir Mor F0-g'el—s-ang, . . rides Sir M01‘ - U 812a. ................ 90' -:=- -ar ‘at fo’: —,r F0 - gel - sang.) . . . F 0 - gel - sang. F0 - gel - sang. ares. 7710160. 8247. Also published in Novel1o’s Tonic Sol-fa Series, No. 1356, price 2d. 88 REc1:r.——“SISTERS, SING YE NOVV THE SONG.” Allegro. g__..__j2 1 con Ped. A. SKALD. L ad lib.m a tempo. Sis-ters, sing ye now the song r:\ 7,}, co/la parte. 0 - laf came . . woo - ing, wrought; sm nit and the Wrong. F‘ ‘1 V‘ ‘1 Attacca No. 11. 89 SIGRID. S0L1(So1>RANo AND TENOR) AND CHORUS.-—“ SIGRID SITS IN HER No. 11. HIGH ABODE.” Allegro. J - = 88. < > can Ped. CHORUS (MAIDENS). Ist SOPRANO. 2nd Sopmmo. CONTRALTO. The haught-y Queen of Si - grid sits in her high a - bode, > } her high a - bode, The haught - - y Queen of b‘vi - —" —'— _’__/ \_ Si - grid sits in her high a - bode, . The haught - y Queen of . Svi - thi - A //‘A-—‘\ Svi - thi-od, To the west . . looks she, . . . . . and to thewestlgoks dim. '\_/ the west looks she, . . . and to the west . . looks ['5 dim. ' -0- | ' -0- the west,. . the Westlooksshe, . . ' west, .. thewestlooks \ /— whose suit For N0rroWay’s king, . (_,._ For N01'1‘owzLy'sking, . . . ‘ " I Whose 79 dolcc. espress. \ /\ _a_ by the rh1gWhich1ies up-on her knee. . . Which lies up-on her knee. -i L- I _" . suit is told By the ring from La - e’s tem /—:\ /\ ‘ ‘5 if . -¢\ -g. " //x —-—-—J—'3 -1 -0- ' up- on stream ; stream ; stream ; /:4- y / her knee. . On the dy, Ian - ces gleam . further side of the bor — der e L . On the fu1'—ther side of the bor — der - dy, Ian - ces gleam . 1‘ - L2. L2 dy, Ian-ces gleam . . On the ' L, further side of the bor - der . They cross the meadow and pass the ses ford the ﬂood, __,_,_. “"32; . They cross the meadowand pass the see ford the ﬂood, 1 The hor - - \ meadow and pass the. ‘\ . They cross The hor - ses ford the ﬂood, ' ﬂ ._d— . wood. D807L07‘€. 1.- 1- You may -0- -0- 'i‘ ‘T ‘J’ ' hear the i-ronh0of—str0ke be:t/.. _‘_ ou may On the ring-ingstones of the vil-lage Rank on rank Rank on rank _ 01] rank - stroke —a- 4- -0- -0- —a« You may hear the i - ron hoof-stroke beat, tall, . But the . _:——{" come spear-men crest of come spear-men tall, . But the crest of LJ tall, 5- . But the crest come spear—n1en V /—'’—‘‘S V beat ; the i- ron hoof ; 0 - Iaf is 0 - ver them i O - laf is 0 — ver them — of O - Iaf is 0 — verthem the crest . . the c1'est.. ' ver them ___ but the crest . . - ' ver them And tl1epeace-strings bind his And the peace — strings bmi’ . The N0r- ro-Way king, . . with the gold ~ en Si - grid greet thy lord. -e‘ j .2 lights and mounts . . the . . Si - grid greet, mf cres; Si - grid, hail! . . Si - grid, hail 1 . . with {‘f_—-\{_—\ 1 P]? grazioso molto. . .\—/ roy - alhand Kmt to thee, Nor - r0Way’sk1ng . . and land, 3 3? ‘ x 7f marcato. change to a. ~ 3 it con Ped. cross. . for thee.. and me. is thine, But the Gods /% X hand . . Pi Bow thonto thy cross for kneel. heark - en well, The Gods %/ J" ‘P’ 79 ~l V SIGRID. mf O - lzif, hail! $1 or weal, . . But where I\'./. have knelt, . . r‘\ 0 ‘ 1 3 I OLAF. Pm ammato. Queen of Svi — thi-od ! Piio omimazio. my L . and fell, . are mute, aremute on ﬁord N01‘ 96 es. accel. "‘i: espress. 67 o J I J I 1 - j ‘i ~f“’I 4‘ - LL ’ ‘ ‘ ..._ _ _-___‘- 4-_~.,_i_i_,:__- - _,._-__.._h . —#—i5——f=4f:f;j-~—-—, § : .r*L?*L », h .' E 3;§:. . . '. , '7 . i I ' ' g $ - er shall. . their voice.. a—gain . . Be heard, . .where Christ . . has ,“_,l:I'-glia 'I%.a!"?+IJr '——o:o#1:‘a'-;a;a—a—o:—;E .T\ I A KT .F'——-(“--'—-.*—*1—F-i—%——.‘—1'-$9-4-.-'—:t£—‘+ Iy: 1,: w! !L’''} ‘L ¢:'L I hear them speak! from pole .. to pole. . The Pill am'77m.£0 '- ; ' ‘ . iIT§;::’;‘;'§';E r-_ ‘go o ,0 - T 3, -‘IT ngz) Nor - landG0dstheirthunde1 CHORUS. 1st- & 2nd Sommnos. Their - der roll 1 1st & 2nd CONTRALTOS. ;,/ er roll 1 stringendo. } I K Allegro confuoco. J = 138.>33 Nor - Allegro confuoco. , v 172 P ban marcato. 7'f The rod tr own . the Southland God! >7/”> CHORUS. For Norland folk the sword, The rod > —> For Norland folk the sword,The rod the South- land -i the South— land £7‘ -» NV; . Mi will give my bodyandsoul to J7?/2 stringendo. T‘ >> /—:——\ .5-tringendo. ﬂame! Ere I take to my heart . ' V O I V - v 17” stm'7zge7z.do. heathen dame. Thou hast not beau - thou hast not youth, Shall I buy dl'?. f.‘L.".’_x . x . M land . . . at the cost of Lrutli. Sva" ,~. > >>> -/:\ L" I ' Ct tempo. (rem. Calla ﬂame. ﬁe con /icoco. _’_ E- 1st & 2nd SOPRANOS. Kin" lst; & 2nd CONTRALTOS. D sis - ters,°sa.y, Why doeshe thrust . . the queen a - Way, - ters, say, Why does he thrust . . thequeen a. - way, 2*‘ I J "T I con fuoco. Why dash his glove on the oak - en ﬂoor, > > -0- -0- -0-‘ Why dash his glove on the oak - en ﬂoor, 1st Sopmuvo. e stride . . to-Wards the 2nd SOPRANO. T‘: ,_.\ stride . . to-Wards the T‘) w stride . , to-Wards the /~ A wronged glove __m_/' The glove struck The glove /-‘T. , ' has struck Queen. Si - grid’s grid’s cheek, Haste thee, haste,oh haste, King 0 -laf, Haste thee, haste,oh haste, King 0 -laf, \_/ _ 1 Haste thee, has'te, oh haste, Kmg O-Iaf, > V :3: V SIGRI D. poco on poco memo mosso. Quasz Recit. Thou art gone 1 nay, spur not thro’ the gate ; am one that can watch and f ])0CO 61/ P060 7710880. poco rit. Wait, can Watch and wait ; /'——-T1?-_T—'-jj J = 108. P sostenuto. on the oak W L312 Elgar.-—King O1-a.f.—N0ve1lo’s Edition. head By . . the hand she * f""':'\ £15. ‘ f , Pad. ,——--—————\confuoco. "z: \ qf sostenuto. cres. molto. . the hand she of fered, Si - - grid T a tempo. J = 138. death I colla parle. N0. 12. RECIT. (Bass).-—“HARK! SHE FLIES FROM WENDLAND FORTH.” Allegretto. V0102. Allegretto. J ° = 76. f _ -0. .... PIANO. rg PP cres. _ 9L_i..'§/ {\ mollo sm'ngen_do. A REOIT. ad lib Halk! sheﬂies fr0mWend1andforth, Slight; - ed Thy - ri to the North. . /I\ B a tempo. There, as () - 1af’s wed-ded dame PP a tempo. ares. molto. the North 105 THYRI. CHORUS (BALLAD).———“ A LITTLE BIRD IN THE AIR.’ Allegro. 0: ' =72. SOPRANO. A Is sing-ing of Thy-ri the {: Is sing-ing of Thy --ri the ter of Svend the Dﬁne; The sis ‘C- Uopyrighl, 1905, by Novella and Company, Limited. 8247. - And the song of the gar - ru— Ious bird \__..:._; And the song of the gar-ru-lous bird . . . .0- : sonore. of the town is heard, . . . And re - peat _.i; > dolce. of the town is heard, . . . And re - peat - gain and a — gain. J - gain and a - gain. TENOR. P/\ . Hoist your sails _a_ _ from each 0 - ther, 3 i . it ‘Q =3 5 E 5 3: f 2 ‘:3 -2 each \_/ molto cres. C52?“ . And ﬂee, . from each And ﬂee, . . . from each > > Hoist up your ' And ﬂee a - Way from each . > > oist up your ' And ﬂee a - Way from each > C>, . z-———T sostenuto. beau - ti —fu1 Thy - ri row-ful bride went she; e has ﬂed a - Way and a - way, From his town by the storm your sails your sails from each up your sails . sails of silk, > I Hoist up your sails of silk, > >- And ﬂee a. - Way from each 0 And ﬂee a - way from each 0 T G + They say They say They say They say _.j_ sempre Sm. p‘- that thro’ heat, that thro’ heat, thro’ cold, and thro’ cold, _ _'_ thro’ W (1, t'h'{o’ x?z"§1'<'1, and thro’ Wold, By day and by and thro’ She has ﬂed, she has has ﬂed ; re - port has come gcs - sips, they re - port She has re - port: She has come gos - sips, they re - port She has j night, . .they say, And the gos-sips ﬂed ; And the gos—sips King 0 - laf, come to King to King 0 - laf, come to King /-‘-‘j’-—'~'-:——j—_—T /\ 0 O - {T she has come to King - laf, she has come to King 0 O - 1af’s court, . And the town 1af’s court, . And the town {-T She has come to King 0 - la.f’s court, And the She has come to And the gos-sips kre - port, . She has come to all in dis - may, The gos-sips re - port, . PP subito. dolcissimo. _Q_ Shehas come to King 0 - 1af's court. your sails Come lma. whispered King 0 - laf has whispered King 0 - laf has seen, 0 - ther. .....jm,sonore. F . And they won . And they won sure- ly, if /‘K sonore. I1-as talked with the beau - ti- ful Has talked with the beau - ti- ful won - how it will end; won - der how ts will end‘, , . '7 cres. f re - main, ores. L.....___J here she re - main, . . . It is Queen ; Queen ; King War with King war with King Svend the‘ Dane, Svend the Dane, . war th King Svend Dane, J4-> > War with King Svend war with King Svend the M . And they won King Bu — ris - laf the King Bu - ris - laf the Dane, war with King Svgnd f For sure - ly, For sure-ly, ' re — main, 3 - with King Svend the Dane,AndKing Svend the Da.ne,AndKing with King Sve\nd the Dane, AndKing BI1\1 - war, . . it is war, the Vend! Bu - ris - 1_af the end! Bu - ris - l_af! published 0, great - est won — der of all! It is 2 E1ga.r.—King Olaf.-Nove11o’s Edition. I ham - let pub-Iished 0, great; - est, great - est risoluto. It of an! risoluto. sf/\ It roars O A f marcato. a ﬂame, like a. ﬂame, //——:‘$ fanned, a. ﬂame that is fanned, ﬂame, it roars like a ﬂame that fanned, /‘—:"T ﬂame . . that is fanned, > fanned, it N}. 17” strepitoso. :13 _'_ L the King-— the King- King- lst SOPRANO. f:'—Z"‘-"\ ring, . . 2nd SOPRANO. /"'j"\ And Thy And Thy your sails 8/ A {T 1st & 2nd SOPRANO. qf Hoist your sails of your sails of 122 DUET (SOPRANO AND TENoR).—-“ THE GRAY LAND BREAKS TO LIVELY GREEN.” Allegro. THYRI. [sf ? Allegro. The gray land breaks to live - ly green Be - _ .._ /—jj}:'——:T thros — tles sing to greet, K"‘:—"'jj-j'?"T L/ ’ len th - ‘minor sun - lit hours . . thro’ lenvth - ’ninrr sun - lit: g D 3 D O /‘-1-'——-."'———j—T -'. ’ Allargando. '1 a tempo. The gray land breaks to live — ly green Be - spang 1 FCOZZCI UOC8. f a tempo. with ﬂ0w‘x's. But What care . \___g &.1.....2 What care I for ﬂ0W’r on sward, Or burst - mg bud . on tree! . . . ' ' ’;""__“:T -1‘ _"J_‘A . My lands restored from Wend-1a.nd’s lord Were bet- ter cheer to me, f——'—'j'—'T . /'—'1'e"'-* /'-—"'T F .3!‘ _ -.I‘/*/\ “J. Ped. >1: Pad. ‘Jr Perl. * But What care I for ﬂoW’r on sward, Or bﬁst-ing bud /\ "X >r-i'—'ﬁ _’- 1.” .1 - /_ A I‘ E collwrgando. a tempo. A land-1ess,d0Wer1ess e am I, The X—‘ \./ -33 753 }_ _}"‘. ___ a tempo. V calla parte. mf of Nor-r0-Wa King, dim. molto. . L and sigh, f_'—__:\ f cres. r————-\ /-5 what boots . . . . . . The com f"":'j""""\ colla parte. Spring '5 . -O-/\ f a tempo. 73 ores. (3 string. Pb; OLAF. Modemto. —T ﬂdolcissimo. ‘< }' Thyri, my be-Iov ; ed, Hithercomel bear - ing, An - ge-Ii-cas up-root J11 oderato. dl : 56, ’ — ‘ poco rit. Sweet and fair as thou, sweet and fair . . as thou} /\ = 72. I molto espress. - calla parte. a tempo. PP L u'. _ / I ’~____:_—__'—__\ T g¥I—E“£—_“:’.’£’_°—i’§ 1 > . __ O Earliestboon of Spring \ ﬁﬂmn * %~% u 3/5 a tempo. J = 56. _‘ %§_;;_j; ‘v 19000 rit. Bathethysnowybrow, bathethy snow - y brow. J:72 colla. parte. THYBI. dolce. Sweet are thyW0rds,but oh! me-seemsA sweet.-Ger gift ; . would b}. . 3 /\ /-'\ 3 CL tempo. J ' 3 80. _ _ Z} wm\———/' The . . that hauntsQueenTl1y - ri’s dreams, :S . Wide spread they from the endland T"-"'_'\ And rich withfruit and ﬂower, /—:'j?—‘T ' J agitate. land I weep for ev - er - more, 0 ! give /I_11\e back my (low — er, . . 0! give . T IT 241$ r \ K\ ﬂ —.1— — ' -a'- /N /\ cres. e stringcndo. . . me back } /\ /\ phant, z sun-1ig_ht Lift thy ra diam; eyes, . . To the strife . . of. . fav-ours, dolcissimo. For thy love, .. . . . I gird me, And the lands of T'—:"‘-"""—:\ /_"'j__-—j':\ fj-j--\ \/ 27" Thy - ri . . Shall I win for Lift, lift; thy 1'3. - dizmt eyes ; T ‘ :2?“ allwrgando. ' . ' dim. pi-it tranquillo. _‘__ Tranquillo. THYBL N 7’ C.—__{_— fear no_ doubtnot, Weep not, Queen tri-um phant, To the hap (3788. And the lands of Thy - ri Shall For thy love I gird F or my love, 0 gird thee, - light I lift once more mine eyes; — _____e__—-— K*'’——'‘‘?':—’\ P 2 2 cres. 2 For thy love I gird me,. . 2 ores. molto e string. K—_-T And . . my my (low - ry, Win a. cres. molto e string. Thy - ri Shall I ores. molto e string. 0 Pa} moss-0. 0 ‘J o 5 a prize. Comes the ring un - chzun - mg, j— (T.- ‘ -Z . . pme' Comes the Spring un - chain - , Pia mosso. ’ \ ‘ 3-1‘ . _, _ . __._ _ P sostenuto. chain - ,.\ sostenuto. Sun— shine on . . his pin - ions, C7’€8. ‘ ‘ Sun— shine on . . his pin - ions, chain T '__'_u . all the World, the world im -pri - son’d In the Ice—King’s --_I J‘-\ —— ‘-’ . all the World, the World im - pri - s0n’d In the Ice-King’s -0- _ _ _ ' r-'——‘—'—“-\ gr": ‘:"\ . . _’_ ' gold - en gold - en Passed from lord Passed. from lord . . Q/-—————-—\ ¢ Sves ad lib. r-""'-‘x Warm with words . Warm with words T Lifts the Lifts the /'\ /\ poco a poco tranquillo. ‘ i\ R Lento. 4 = 108. thrall. _. thrall. with Words \_._./ Warm . love, . . . As the /T Z--_'jj‘:$ Sa Spring un - chain a tempo. un- chain - chain - ing, a tempo. d - Z 80. _ S _ ﬁg allamgando. lento. ad lib. So . . the gold -en, - en ‘ﬁe allargamlo. -mise, Lifts lento. ad lib. So . . the gold - en, - en - mise, Lifts . Z’-‘ "T V . sf -ﬁg allargcmdo. thrall. . . . } Spring, . . the Spring, . the Spring, . . Z‘ - Ped. - L 5571- /3 the heart, heart xi ten. hearts, the heart from /3 CHORAL REc1T.—“ AFTER QUEEN GrUNHILD’S DEATH.” Allegro moderate. 807l07‘€. o Gun ’s death, . 7:‘ Gun-hild’s death, f __67‘6S. t-ed King Svendhis fai . . Si - grid. . the Haugh- ty; -L ' _ ores. 2 /E /"‘:"\ t-ed King Svendhis faith . . To Si - grid . . the Haugh - ty; 2% {T Sop RANO. on her scorn-ful . . . Blush - ing with deep dis- > > -0.11‘ her sc0rn—fu1 -E - ingwi deep dis- B sf ‘hp '0-' ‘-3-. , E1gar.—King C:1af.—Nove1lo’s Edition. K gaunt - let ; gaunt - let ; /'\ Shalt thou swift ven - geance take -o- Shalt thou swift ven - geance take Bore she the crim — trace Of 0 - 1af’s o \ Bore she the crim trace Of 0 - 1af’s ff‘? -0- -0- -0- -0- Oft to King Svend she spoke, “ For thine own hon — our’s CT68. 4- -0- 4- -0- “For thine own hon - ou1’s >f/‘X Oft to King Svend she spake, - -6- -0- ' the vile co - ward 1” ores. e A .,_ _,_ . the vile co - ward!” /in CA > Crxorws. '1‘ ENOR. And to - venge his bride, ' wound - edpride, BASS. _ _ sf _ And to a - venge his bride, Sooth - ing Wound — ed pride, ] V A CHORUS. SOPRANO. L__j_____/ ver the W3. - ters, the Wzm - ters wide, - wa - ters, the W3 - ters wide, . 2 0 - ver the O - ver the O - ver the ~:-;;." wa-ters wide . . King 0 — sf Wa-ters wide . . King 0 -[ SJ!‘ wa-ters Wide . . King" 0 sf_'_. Wa—ters wide . . King KT \ sought he. sought he. sought he. sought he. 137 THE DEATH OF OLAF. CHORUS.——“KING OLAF’S DRAGONS TAKE THE SEA.” Allegro. >. . . . . . , A ttacca. SOPRANO. - 1af’s dra. - gons take the sea, . . . pi - ping south laf’sd1‘a. - gonstake the sea, . . . The pi - ping south - / 8/ drives them, drives them fast, sf L. drives them, drives them fast, A_\ shields dip deep shields dip deep shields dip deep The White sf The white . . strain -?fr\ The white . . strain on ev - A the lee, the lee, they round T ing from wave . . to Wave . . they round . . Z—-T T {T I/——§ } } } } {T Z’-5 /“:—\ {T > > > ;._____/ that bars storm - /"1"-\ cape . . that bars T Zjﬁ Sopmmo. Leap ' from Wave . they round . . ALTO. — Leap ' from wave . they round . . Lea ' from wave . the roun . . Y Leap ' from wave . they round . . _o_ X that . the storm that bais . . the storm .-.4.s;.4...%?aazu..§.4.asa;a...v;s«..¢.m~.,M,.w.-..;\,,_..: .. , _ .,..s... :4.» W. v.;~ -' ~ that bars . . . sound, that bars . sound, f'‘\ 1_ _ O - 1af’s dragons take the sea, . . T11e pi - ping south-wind _ 1 0 - laf’s dragons take the sea, . . The pi - ping south—wind ._ -: O -12if’s dragons take the sea, . . The pi - ping south-wind _ T /"R . . O - 1af’s dragons take the sea, . The pi - ping south-w_ind z-5 — - " — ’ -> - > - simile. 8247. drives f\ drives drives } «sf them, drives K; them, drives them, drives them, drives } -3 -3 from wave from Wave from wave them fast, them fast, them fast, them fast, W&Ve they they they they round . round _ that bars that bars that bars that bars the storm > the storm the storm the storm -6. ' Where 0 — pens wide, ___7._——. -LA 0 - pens wide, - o - pens wide, 0 - pens wide, far stretclfd on far st1'etch’d on far stretch’d on far stretclfd on ei-ther side _i ei— ther side ff ei— ther side - ei— ther side ish ships ish ships ish ships ish ships \_ \_._.__—_—.j————-/ D Vivace. D Vivace. J - = 120. T .——S X?‘ High on hisdeck KingO - - la.f stands, High on his deck King 0 stands, High on his deck . O - - la. 17“ -1. \. f stands, 4 I High on his deck King 0 — laf stands, helm, . . with helm . . of gold and hands, helm,. . withhelm . curlsblowing a - round . round curlsblowing a - wing a - ronnd . With war helm . red, helm . ﬂeet, he leads ﬂeet, he leads of gold . of gold . the van the van /\ . And‘ >>3f And seeks the > > And seeks the > > > And seeks the bat; forth their war , cape thou-sand Nor - ro-Way ; - blades sweep, Sweep thou-sand oar - blades. and shield, ii bill and 9 bill and shielgl, where the foe where the foe Where where foe meets arm meets arm meets arm meets arm est throng, King est throng, King est throng, est throng, King prows, -0- -v- the prows, the prows, the prows, Sm’ marcato. : /"""'—'—‘% not yield; that will not yiel ; L that will not yield; [ will not yield ; 3 A la.f’s gal - ley . 1af’s gal - ley _ - laf’s gal - ley -0- 3 3 O —laf’s gal —ley sweeps . . 3 148 G Pia mosso. sweeps ‘ long, long, sweeps long, - long, -\ f G Pm mosso. still herloft ﬁerce foe - men Ply theﬂerce foe - men &--—-—-—--\ V pour their he - roe-s bright, . . _ their he-roes bright in sail, King And pour their he - roes bright, . . tl1e1r st;-ingendo. .L-i . mall. - . . Ply the ﬁerce, llerce '0'‘ L.___/ -1af’s gal - ley sweeps . - long, she sweeps a - long. he - roes bright in mail. still her loft - y, sides to {L ly the ﬁerce foe - men car and sail. -9- H fl’ 01‘ ‘ T0 -Willy, -_{:’ Woe, . . for Nor - ro -way, E1ga1.—King O1a.f.—Nove11o’s Edition. L ro - Way: \ woe . . for N 01' dz'm.> roway : for Nor-roway : ores. molta. whe1m’d, sf WheIm’d, whe1m’d, sf Whe1m’d, Whe1n1’d, Whelm’d wheIm’d her /'—'—-'5 dra - gons, dra - gons, her stout sea - dra - gons } stout sea. - dra - gons } ﬂy, sea - dra-gons ,__.___..5 ﬂy, scattered_pow’r - less, scarce try To j scat scattered power - scarce - try To join once more the like sun - beam like sun - beam once more the fray : Lered, / T less, ttered pow’r - less, > >2 14-?- scarce - thro’ a. cloud, —i;:’ thro’ a cloud, ' r\ -.. e helm Glimmers the—;1elm T it 12 A- round it the dark - ’ and more faint to _ A-round it the dark - ’ning r"—'——""—“‘—'—T 1‘ F I V . ap - pears, slain, more the glib - t’ring dim. the chase the spear - men urge. vic - t’ry from ru — in’s _J_. n _o_ -5- him rolls the .'_ him rolls the —o— 4- —o— him rolls the him rolls the ’ ‘ dim. molto. /‘x 5 That ﬁg»-‘ storm heart; —— -§_ heart sempre PP espress. T T 7‘ V V A ttacca Epilogue. 15$) EPILOGUE. SOLI AND CHORUS.-—“ IN THE OONVENT OF DRONTHEIM." Allegro. FIANO. Pp 1 = 108. :1: Pad. BASS. B13011‘. In the con- vent of Dron-theim, Knelt As — trid, / P calla parte. She heard in 1:115 si—1ence The voice of one With ~ out ' dark - ness, 8va -- Now loud - er, now near - er, ———%-"" colla parte. Pia lento. the dis - tance. . . Pin lento. Andante. C SOLO. SOPRANO. U SOLO. TENOR. “ It Sono. BASS. cc It ' ' Andante. d L 84, C PP But not with the PP - But not with the D Cross agzunst cors-let, Wea-pons _ Of war that thou wield—est! Cross 2Lg'ai11st cots-let, .9.‘ weapons Of war that thouwield-est! K-‘jijh . Love against ha - tred, eace - cry for r- cry !_ . . > ‘ dzm. Love against ha -tred, Peice - cry for war - cry! O . Peace - cry for war — cry I E TU'1"I‘I (SOL1 AND CHORUS). « PRANQ a - tience - ticnce TENOR. _c2'es. tience ores. tience ores. Hath - tions ! _'_ O SOLO. SOPRANO. , . S0L0_ T_EN0R_ Oer the na. - mom 7 _ ' ' SOLO. BASS oer the na txons. O’er the na - tions! f: 3 F F 0' = 76. CHORUS. . . . ‘-2 As tor - rents in sum - iner, Half dried in their chan — nels, . . . . . L tor - rents in sum — mer, Hal: dried 11] their clian - nels, . . to1‘- rents in sum —mer, Half dried in their Chan - nels, . . tor - rents ° Half dried in their clvan - nelsi . Voices only. Sudden-ly sudden—ly rise, tho’ e Sky is still cloud—less, the 3 "—“—‘*‘—- T 1777/. 3 Sudden-ly rise, sudden-ly rise, tho’ the Sky is still cloud-less, the , is still 3 — d.,jm_ E’ — y rise, tho’ the Sky . . . is still cloud - less, the 3 dim. Sudde1i—l; rise, sudden-ly rise, tho’ Sky is still cloud—1ess, the is still 3 “ I 3 -4‘ _5Jr———ﬁ..‘_ cloud - less, . . . has been 211- —-_-:1 n \__,_::_______:/ cloud - less, , , has been ;;.:- cloud - less, . . . . . . . has been ‘_‘‘*—§_— {- cloud - less, G P-== a..>~ * The notes within brackets are intended tor practice only. 8247. fall - ing, fall - ing $_ fall - ing, 1'ain.. - ing, For T. So hearts that are faint- _tempo. S0 hearts hearts that are they thgat be- hold y that be- hold it Mar - 3 /‘—"—__?"—'_T V they that be - hold they tllgt be -hold it I z——'w I -9- -0- has been fall - has been fall - that are faint- ing that are faint- ing t- ing 16} espress. Far ing ing rain has been fall - ing A ¥.+ >‘ PP _i ten. e w full to o’er-ﬂow-ing, L : _._._.. Grow full to "1 ten.__ o’er -ﬂow - ing, Grow full to : ten. o’er -ﬂow - ing, G w full to o’er-ﬂow-ing, dim. vel, and know dim. vel, and know dim. it, Mar - and know I.‘ at their foun - *0‘ at their foun at their foun - poco mt. H tains ; p0co_rz t. _ - tains ; poc0_ their foun - poco, ' tains ; . \/ poco mt. //"\ And they that behold it, 3_— ‘ ' — And they that behold it, 3 __._cres. And they tbehold it, 3 ores. And they that behold it, 3 and know not _ and know not _______ and know not That we and know not, 165 mf lzm. That; God, . that God at their fountains, their foun - tains ‘i i‘ dl’/‘IL. L________; That God, . . . that God at their foun-tains, Far ' . . has been ' cres. r--——-—-& dim. that God . . . . at their foun—tains, Far ' . . has been. /-———-—\ |\ cres.| _&_. mf -1- ess. e . esp: \ __,,. off has been min - ‘ ,,_t..—- off has been rain POCO Tit. e. __ rain - ing, . . .. .. off has been rain - _r2't. -E” oﬂ has been rain — poco rit. ‘ /7 801.0. Sommuo. J Piio mosso. legato.- Strong-er than steel Is the sword of the Spi — rit; Swift er, swift— er than Pia‘; mosso. : 88, .._$ MO‘ Ped. Elgar —King O1af.——Nove1lo's Edition. M love, is love ,._\ K - du - eth, L0._TENOR. mf Strong - er than L0._BASS. 61‘ an — ger Is Is e light and sub - du - eth, ' - xQtl'O1]g than an /,____ love, -i the sword [- a,Z[argando. /'-‘.15 of the truth is; Great - er than an - ger Is calla parte. Ped. tempo . * Ped. dim. dolce. er than an — ger Is love and at tempo. er than steel Is the sword . of the Spi - rit; 1 Is the sword of the Spi - rit; . Great - er than Strong‘-er than /‘*“T - ger, great - er C768. great cres. of the Spi - rit, er, than n\ 1 .\ .r—ﬁ , »a-—a— -0- - - -0- great - er ’ \ . f; sub - L love, is love, and sub - du love, is love, and sub (in - ger is love, and sub - du CHORUS. [_> The dawn Z}- The dawn is $_ 2 The dawn is not Lr Fa‘ / 1.1- i f>ctninziaﬁo. o|?1'."l0. star - less ; Love is e—ter - nal 3 God 37’ star - less ; star - less ; night night night night and His and His and His and His shall not W faith slmll not shall not shall not dis-‘cant, Love dis-ta.nt, Love . . dis Sam. 80 God is and His faith shall not fail us, Sow. TENOR. < _._:_: God is and His faith shall not fail us, SOLO. Bnss. 7? i God, and His faith shall and His faith shall Love . . - tant, Nor the night is the night . . star - less, God, and ' fai/'t}_l . . .shall not - GE is still . God, . . and His faith shall . . shall not - C7‘€S. fail us; ’ . . - ' the night, the night high .-—’_____‘T allarganrlo. God is still God, . /--—\ a.lla7'ga72do. God is still God, star - less, nor is the night . the night . . star — less, God, His fai zl star - less, nor ,_.____ﬁ l /) mol/0 arcs. fail us ; not fail us ; -9- shall fail us ; shall fail us ; Christ is fail us ; Christ is fail us; Christ is N-Mrial 1 not fail us; Christ is e ’ N > \ m f cres. Christ . . rit. . -5 colle vocz. cres. ,—\ Andante (Tempo lmo). ter — nal ; strain of mu- sic ends the tale, A . strain of mu- sic ends the tale, A strain of mu- sic ends the tale, A .___‘______ strain of mu- sic ends the tale, A Andante T can Ped. - to—nous, fu - to-nous,fu - ner - al 3 to-nous,fu - ner - al 3 to-nous, fu - ner - al Makes } \That with its ca - dence, Wild and / con Ped. more com — plate. more com - plete. )- Makes the Sa - ga more com - NoVELLO's MUSIC PRIMERS AND EDUCATIONAL SERIES. EDITED BY SIR JOHN STAINER AND DR. C. I-IUBERT H. PARRY. NOW READY, PRICE TWO SHILLINGS, THE PIANOFORTE ERNST PAUER PRINCIPAL PROFESSOR OF THE PIANOFORTE AT THE NATIONAL TRAINING SCHOOL FOR MUSIC. CONTENTS. facroclaclory Remarés — — . .7%e Posz'z‘z'o7e of Me Performer . Tao Posz'z‘z°o7e of Me Hand — . T/ce Toac/c - - — . Teckmcal Execalzoa ~ — . 07¢ Praclzsmg — ~ - ~- . Feelmg; Expression - ¥- - . 7‘/ze clzjferem‘ Szgas of Eocpressz'o7z— . Graces aml Marcaers, as emﬂloyea’ m ola’er Clavecm Maszc — — — — - 9. Tee necessary Co7eclz'z‘z'o7es for a gooa’ Performance (0. Tee orclmary Faalls m a Per/‘ormame — - . 07¢ Reaclmg az‘ Szgkz‘ - - — -- - Z2. Exercises ; Slaclzes — — - — - I3. Tao Order 2% zoazc/c Z/ze Sorzacas of our Classical Maslers slcoala’ oe scaclzecl - 14. C lasszﬂcalzoa of Comﬁosers ,- Meir Slyles aml Scéools - — - - — - 15. Coaclaclmg Remarés - - — — - r.4¢ﬂemlz'oc.—7%e Pzarcoforie and its Predecessors - Vocaoalary of Tecarczcal Terms and Eocpresszozes comeeclea’ wz'z% Me Pzaaoforle — — - Caroaologzcal Taole of Composers. LONDON : NOVELLO AND COMPANY, LIMITED. NEW YORK: THE H. W. GRAY CO., SOLE AGENTS FOR THE U.S.A. NOVELLO’S ORIGINAL OCTAVO EDITION. THE CHORUSES OF THE ORATORlOS,CANTATAS,&c IN VOCAL SCORE, Especially for the use of Choral Societies. 8. BACH’S PASSION (ST. MATTHEW) BEETHOVEN’S MOUNT OF OLIVES ,, CHORAL SYMPHONY BENNETT’S MAY QUEEN FARMER’S CHRIST AND HIS SOLDIERS--- GAU|_’S RUTH .. GRAUN’S PASSION (DER TOD JESU) HANDEL’S MESSIAH - ,, JUDAS MACCABEUS ,, L’ALLEGRO ,, SAMSON ,, HERCULES ,, SOLOMON HAYDN’S CREATION ,, SEASONS ,, PASSION MACFARREN’S MAY DAY MENDELSSOHN’S ELIJAH ,, ST. PAUL--- ,, HYMN OF PRAISE ROSSINI’S STABAT MATER SPOHR’S LAST JUDGMENT WEBER’S PRECIOSA O3G'>O5C>OO50>OOCI)O3OCDOmmOOOOOO3OF‘* (TO BE CONTINUED.) All the above works may be had in paper boards, price 6d. each extra. LONDON: NOVELLO AND COMPANY, LIMITED. NEW YORK: THE H. W. GRAY CO., SOLE AGENTS FOR "rm; U.S.A NOVELLO’S ORIGINAL OOTAVO EDITIONS OF Oratorios, Cantatas, Odes, Masses, &C. FRANZ ABT. (Female voices) (SOL-FA, 0/6) (ditto) (SOL-FA, 0/6) (SOL-FA, 0/6) (SOL-FA, 0/6) (SOL-FA, 0/6) (ditto) (SOL-FA, 0/6) (ditto) (SOL—FA, 0/6) (ditto) (SOL-FA, 0/6) J. H. ADAMS. DAY IN SUMMER (Children's Voices) (SOL-FA,0/G) KING CONOR (SOL-FA,1/0) THOMAS ADAMS. CROSS OF CHRIST (SOL-FA,0/6) GOLDEN HARVEST (SOL~FA, 0/8) HOLY CHILD (Christmas) (SOL-FA, 0/6) NATIVITY, THE (Christmas) (SOL-FA 0,’8) RAINBOW OF PEACE (Harvest) B. AGUTTER. MISSA DE BEATA MARIA VIRGINE, IN C (English) (Female voice MISSA DE SANCTO ALBANO (English) A. H. ALLEN. NEWFOUNDLAND (Ode) THOMAS ANDERTON. NORMAN BARON WRECK OF THE IIESPERUS (SOL-FA,0/4) YULE TIDE .. FAYS’ FROLIC GOLDEN CITY MINSTER BELLS SILVER CLOUD SPRINGTIME SUMMER VVATER FAIRIES \VISHING STONE (ditto) (ditto) (ditto) J. H. ANGER. SONG OF THANKSGIVING VV. I. ARGENT. MASS, IN B FLAT (St. Benedict) . P. ARMES. HEZEKIAH ST. BARNABAS ST. JOHN THE EVANGELIST .. A. D. ARNOTT. BALLAD OF CARBIILHAN (SOL-FA 1/6) YOUNG LOCI-IINVAR (SOL-FA, 0/6) E. ASPA. ENDYMION (with Recitation) GIPSIES ASTORGA. STABAT MATER IVOR ATKINS. BACH: I VVRESTLE AND PRAY (Motet) (S01.-FA, 0/2) . BACH. HYMN OF FAITH J. BE NOT AFRAID (New Edition) .. BIDE WITH US (SOL-FA, 6) .. BLESSING, GLORY, AND WISDOM CHRIST LAY IN DEATH’S DARK PRISON CHRISTMAS ORATORIO DI'r'ro, (PARTS I & 2) (SOL-FA,0/6) DITTO (PARTS 3 &4) DITTO (PARTS 5 & 6) CO.\IIi, JESU, COME (Motet) COME, REDEEMER OF OUR RACE FROM DEPTHS OF WOE ICALL ON THEE GIVE THE HUNGRY MAN THY BREAD GOD GOETH UP WITH SHOUTING . GOD SO LOVED THE VVORLD GOD’S TIME IS THE BEST (SOL-FA,0/6) HOW BRIGHTLY SHINES (Choruses, SOL-FA, 0/6) IF THOU BUT SUFFEREST GOD ’I‘O GUIDE JESU, PRICELESS TREASURE (SOL-I~A.0/6) JESUS, NOW WILL WE PRAISE THEE JESUS SLEEPS, WHAT HOPE REMAINETH... LET SONGS OF REJOICING .. I.ORD IS A SUN AND SHIELD, THE LORD IS MY SHEPHERD, TI-IE LORD, REBUKE ME NOT .. I\-IAGNIFICAT, IN D MASS, IN B MINOR (Choruses only, SOL-FA, 2/0) MISSA BREVIS, IN A II/.I"x’ SPIRIT \VAS IN I-IEAVINESS (SOL-FA,0/8) NOW SHALL THE GRACE (SOL—FA,0/6) O LIGHT EVERLASTING (SoL—FA, 0/6) O PRAISE THE LORD FOR ALL HIS MERCIES Most ofthese Cantatas, «$0., can be sztpplied in Roan, yomzdetl comers, red under gilt edges,price 33. in extess of mu marked 177506 0f the paper 602187‘ erlzﬁon. I2-_1'II. go Paper 3| IlI|IIIIB°-rd- IIIII IIIII IIIIISIIIIIIIIIIIIIIIIIIIISIIII IIIIISIIIIIIIIIIIIIIIIIIIISIIII an moth BI IIIIIIIIGﬂ=- Paper Band I . J. S. BACH (contmued). O TEACH ME, LORD, MY DAYS TO NUMBER PASSION (ST. JOHN) PASSION (ST. IVIATTHEW) DITTO (ditto) (Abridged, as used at St. Paul's) DITTO itto) CI-IORUSES (SOL-FA, 1/0) PRAISE OUR GOD WHO REIGNS IN HEAVEN PRAISE THOU THE LORD, JERUSALEM SAGES OF SHEBA, THE SING YE TO THE LORD (Motet) (SOL—FA,1/0) SLEEPERS, WAKE (SOL~FA,0/6) SPIRIT ALSO HELPETH US, THE (Motet) STRIKE, THOU HOUR SO LONG EXPECTED STRONGHOLD SURE (CI-IORUSES ONLY. SOL—FA,0/6) TIIERE IS NOUGHT OF SOUNDNESS THOU GUIDE OF ISRAEL . WAILING, CRYING, MOURNING WA-’I‘CH YE, PRAY YE WHEN WILL GOD RECALL MY SPIRIT GRANVILLE BANTOCK. THE FIRE—VVORSHIPPERS J. BARNBY. KING ALL GLORIOUS (soon, 0/1;) LORD IS KING (97:11 PsaIm)(SoL-FA,1/0) REBEKAH (SOL—FA, o/9) LEONARD BARNES. 1|III!II|I SSSI IIIIIIIIIIIII BRIDAL DAY .. J. F. BARNETT. ANCIENT MARII‘IER(SOI.—F.?, 2/0) PARADISE AND THE PER .. WISHING BELL (Female voices) (SOL—FA, 1/0) MARMADUKE BARTON. MASS IN A MAJOR (For Advent and Lent)... ARNOLD BAX. FATHERLAND . . . BEETHOVEN. CALM SEA AND A PROSPEROUS VOYAGE CHORAL FANTASIA (SOL-FA, 0/3) .. CHORAL SYMPHONY ... VOCAL PORTION (SOL-FA,0/G) ... COMMUNION SERVICE, IN C ... ENGEDI; OR, DAVID IN THE WILDERNESS MASS, IN C MASS, IN D MOUNT OF OLIVES (CHORUSES, SOL-FA, 0/6) Dxrro CI-IORUSES ONLY PRAISE OF MUSIC RUINS OF ATHENS (SOL—FA,0/6) A. H. BEI-IREND. SINGERS FROM THE SEA (Female Voices) (DITTO, SOL—FA, 0/9) THROUGH THE YEAR (Female Voices) (DITTO, SOL-FA, 0,9) WILFRED BENDALL. LADY OF SHALOTT (Female voices) (DITTO, SOL-FA,‘0/3) LEGEND OF BREGENZ (Femalevoxces) (D1110, SOL-FA, 0/8) . SONG DANCES. Vocal Suite. (Female Voices) (DITTO, SOL-FA, 0/6) ’KAREL BENDL. WATER-SPRITE'S REVENGE (Female voices) SIR JULIUS BENEDICT. LEGEND OF ST. CECILIA(SoI.-FA, 1/6) PASSION MUSIC (from S1‘. PETER) ST. PETER DITTO GEORGE J. BEN NETT. EASTER HYMN SIR W. S'I‘ERNDALE BENNETT. INTERNATIONAL EXHIBITION ODE (1862) MAY QUEEN (SOL-FA, U 6) DITTO CHORUSES ONLY WOMAN OF SAMARIA(bOL—l’A, J/9: 176 1/2 1/6 1/0 1/0 . O/8 . I/0 III‘53’nT€“ NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.—-—Continued. HECTOR BERLIOZ. CHILDHOOD OF CHRIST (DITTO, CI-IORUSES AND WoRDs OF SoLos ONLY, SOL-FA, 0/8) FAUST .. (DITTO, CHORUSES AND WORDS OF SoLos ONLY, SOL-FA, 1/0) TE DEUM LAUDAMUS (Latin) (SOL—FA,1[6) G. R. BETJEMANN. SONG OF THE WESTERN MEN HUGH BLAIR. BLESSED ARE THEY WHO WATCH (Aovnm) HARVEST-TIDE SONG 0F DEBORAH AND BARAK TRAFALGAR (SOL-FA, 0/8) JOSIAH BOOTH. DAY OF REST (Female voices) (SOL-FA, 0/9) " RUTLAND BOUGHTON. INVINCIBLE ARMADA MIDNIGHT SKELETON IN ARMOUR KATE BOUNDY. RIVAL FLOWERS (Operetta, Chi1dreu’svoices) (DxTTo, SOL-FA, 0/6) E. M. BOYCE. LAY OF THE BROWN ROSARY 1/ SANDS OF CORRIEMIE (Female voices)(SoL—FA, 0/6) 1/ YOUNG LOCHINVAR J. BRAHMS. no REQUIEM (SOL-FA, 1/0) SONG OF DESTINY C. BRAUN. COUNTRY MOUSE AND THE TOWN MOUSE (Chi1dren’s voices) (SOL-FA, 0/4) QUEEN MAB AND THE KOBOLDS (Operetta, Children's voices) (SOL-FA, 0/9) SIGURD SNOW QUEEN (Operetta, Children's voices) (DIT’1‘0,SOL-FA, 0/6) A. HERBERT BREWER. EMMAUS (SOL-1'<’A,0/9) HOLY INNOCENTS O PRAISE THE LORD O SING UNTO THE LORD (98th Psalm) SIR PATRICK SPENS (SOL-FA, 0/8) SONG OF EDEN SUMMER SPORTS J. C. BRIDGE. DANIEL .. RESURGAM IRUDEL J. F. BRIDGE. BALLAD OF THE CLAMPHERDOWN DITTO, SOL—FA, 0/8) BOADICEA CALLIRHOE (SOL-FA, 1/6) CRADLE OF CHRIST (“Stabat Mater Speciosa”)... FLAG OF ENGLAND (SOL-FA,0/9) FORGING THE ANCHOR (SOL-FA,1/0) FROGS AND THE OX(Chi1dren’s voices)(SoL-FA,0/6) HYMN TO THE CREATOR INCHCAPE ROCK (SOL—FA,0/6)... LOBSTER’S GARDEN PAR’I‘ (Children's voices) (DITTO, SOL—FA, 0/4) LORD'S PRAYER (SOL-FA, 0/6) MOUNT MORIAH NINEVEH ROCK OF AGES (Latin and EngIISh)(SOL~FA, 0/4)... SONG OF THE ENGLISH (SoL—FA, 0/6) .. SPIDER AND THE FLY (Children's voices) (DITTO, SOL-FA, 0/6) EDWARD BROOME. HYMN OF TRUST DUDLEY BUCK. LIGHT OF ASIA EDWARD BUNNETT. OUT OF THE DEEP (I3oth Psalm) T. A. BURTON. CAPTAIN REECE (Boys’ voices) (SOL-FA, 0/6) MARTINET (Boys' voices) (SOL-FA, 0/6)... TRAGEDY OF COCK ROBIN (Short Action Piece) (Chi1dren’s voices) (Sox.-FA, 0/3) YARN OF THE NANCY BELL (Boys’ voices) (DITTO, SOL-FA, 0/6) W. BYRD. MASS FOR FOUR VOICES CARISSIMI. JEPI-ITHAH ... IIISII lIII|I|°é°I Inﬁll II|l|II§I III IIIIIII A. voN AHN CARSE. LAY OF THE BROWN ROSARY WILLIAM CARTER. PLACIDA (CHORUSES 0NLY,1/0) CHERUBINI. FIRST RE UIEM MASS, C MINOR(Lat. and Eng.) SECOND ASS, IN D MINOR... THIRD MASS. IN A (CORONATION) FOURTH MASS, IN C E. T. CHIPP. NAOMI . . . HAMILTON CLARKE. DAISY CHAIN (Operetta,Chi1dren'svoices)(SoL»FA,0/9) DRUMS AND VOICES (ditto) (SOL-FA,0/9) HORNPIPE HARRY (ditto) (SOL—FA,0/9) MISSING DUKE (ditto) (SoL—FA,0/9) PEPIN THE PIPPIN (ditto) (SOL-FA,0/9) FREDERIC CLIFFE. NORTH-EAST WIND (scum, o/9) . GERARD F. COBB. MY SOUL TRULY WAITETH .. SONG OF TRAFALGAR (Men's voices) S. COLERIDGE—TAYLOR. A TALE OF OLD JAPAN... .. ATONEMENT... BLIND GIRL OF CASTEL-CUILLE (SOL-FA, 1/0) BON-BON SUITE (S01.-FA. 1/0) DEATH OF MINNEHAHA (SOL—FA,1/0) ENDYMION‘S DREAM (S01-FA, 0/9) HIAWATHA’S WEDDING-FEAST (SoL-FA,1/0) (DITTO, German words) HIAWATHA’S DEPARTURE (SOL-FA, 1/0) MEG BLANE (SOL-FA,0/9) SCENES FROM THE SONG OF HIAWATHA (DITTo, SOL-FA, 2/0) FREDERICK CORDER. BRIDAL OF TRIERMAIN(SoL—FA,1/0) .. SIR MICHAEL COSTA. DREAM . .. I-I. COWARD. GARETH AND LINET (SoL~FA, Choruses only, 1/0) STORY OF BETHANY (SOL-FA, 1/6) F. H. COWEN. CHRISTMAS SCENES (Female voices) (SOL-FA, 0/9) CORONATION ODE DAUGHTER OF THE SEA (Fema.1evv.)(SoL-FA,1/0) HE GIVETH HIS BELOVED SLEEP (SOL-FA, 0/6) JOHN GILPIN (SOL-FA, 1/O) ODE TO THE PASSIONS (SOL-FA,1/0) ROSE OF LIFE (Female voices) (SOL~PA,0/9) RUTH (SOL-FA, I/8) SLEEPING BEAUTY (SOL—FA,1/6) SONG OF THANKSGIVING .. ST.M}OHN’S EVE (SOL—FA,1/6) SU MER ON THE RIVER (Female vv.) (son-“,0/9) THORGRIM (Opera) VILLAGE SCENES (Female voices) (SOL-FA, 0/9) WATER LILY J. w. COWIE. VIA CRUCIS(SoL-FA,1/0) A. L. COWLEY. HARVEST COVENANT (SOL-FA, 1/0)... . J. MAUDE CRAMENT. I WILL MAGNIFY THEE, 0 GOD(145th Psalm)... LITTLE RED RIDING-HOOD (Female voices) ... W. CROTCH. PALESTINE W. H. CUMMINGS. FAIRY RING W. G. CUSINS. TE DEUM, IN B FLAT FELICIEN DAVID. DESERT (Male voices) (SOL-FA, 0/8) . W. T. DAVID. BLIND MAN OF JUDAH (SOL-FA,1/0) H. WALFORD DAVIES. 2 EVERYMAN (founded upon the old MoraIity play) I (SOL-FA,2/0) " I HERVE RIEL... I HUMPTY—DUMPTY (for Children) (SOL—FA, O/9) LIFT UP YOUR HEARTS (Sacred Symphony‘) ‘NOBLE NUMBERS... ODE ON TIME TEMPLE THREE JOVIAL HUNTSMEN (Folio) 10 x Q I I W :1 %‘|IrI:uI%§I 90 020903 IIEIIBIBBIIIIIII 20 \ Q 053 \ O U’! IBIIIII I I am: -6- one: IBEIBIBBI I I I I II ISIIIII NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.~—-Continued. F. G. DOSSERT. COMMUNION SERVICE, IN E MINOR 2/0 T. F. DUNHILL. FROLICSOME HOURS(Children’s VOiC6S)(SOL—FA,0/6) 1/6 TUBAL CAIN (SOL-FA, 0/6) 1/0 ANTONIN DVORAK, AT THE FOOT OF THE CROSS (Stabat Mater) 2/6 , (SOL-FA, 1/6) COMMUNION SERVICE, IN 1/6 MASS, IN D 1/6 PATRIOTIC HYMN... 6 DITTO (German and Bohemian Words) REQUIEM MASS SPECTRE’S BRIDE (SOL-FA, 1/6) DITTO (German and Bohemian Words) ST. LUDMILA DITTO (German and Bohemian Words) STABAT MATER (Latin only) (SOL-FA, 1/6) A. E. DYER. ELECTRA OF SOPHOCLES (Male voices) SALVATOR MUNDI JOHN B. DYf<"Es.m LORD IS MY SHEPHERD THESE ARE THEY (SOL-FA,0/2) H. J. EDWARDS. ASCENSION ... ... ... EPIPHANY ... PRAISE TO THE HOLIEST RISEN LORD... ... EDWARD ELGAR. APOSTLES . . 5/0 6/0 (DrTTo, Choruses and Words of Solos only, SOL-FA, 2/6) (DITTO, German Words, 8 Mark) BANNER OF ST.GEORGE(SoL-EA,1/0) 1/e . 2/o _ 3/6 4/0 3/8 4/0 BLACK KNIGHT (SOL-FA, 1/0) CARACTACUS (S01.-FA,Choruses only, 1/6) DREAM OF GERONTIUS (DrTTo, SOL-FA, Choruses only, 1/6) (DITTO, French Words, Prix fr. 7.50 net) (DITTO, German Words, 6 Mark) GO, SONG OF MINE (Chorus, Six-part) (SOL-M, 0/3) 0/6 KINGDOM 0 (DITTO, German Words, 5 Mark) KING OLAF (SOL-FA, Choruses only, 1/6) 8/0 LIGHT OF LIFE (Lux Christi) (SOL-FA, 1/0) 2/6 TE DEUM AND BENEDICTUS ROSALIND F. ELLICOTT. BIRTH OF SONG . ELYSIUM 1/6 1/o GUSTAV ERNEST. ALL THE YEAR ROUND (Female vv.) (S01.-PA, 0/9) 1/6 HARRY EVANS. VICTORY OF ST. GARMON (seem, o/9) 1/6 A. J. EYRE. COMMUNION SERVICE IN E FLAT 1/0 T. FACER. MERRY CHRISTMAS (Children's voices)(SoL-PA,0/6) 1/0 RED RIDING-HOOD'S RECEPTION (Operetta, Children's voices) (SOL-FA 0/9) 2/6 SONS OF THE EMPIRE(Children's voiccs)(SoL-I-‘A,0/G) 1/6 E. FANING. BUTTERCUPS AND DAISIES (Female voices) 1/6 (DITTO, SOL-FA, 0/9) HENRY FARMER. MASS, IN B FLAT (Latin and English) (SOL-1rA,1/0) 2/0 PERCY E. FLETCHER. ENCHANTED ISLAND (Operetta, Children’: voices) 2/0 DITTO, SOL-FA, 9) OLD YEAR'S VISION (Operetta, Children's voices) 1/6 DITTO, (SOL-FA, 0/6) TOY REVIEW(Operetta,Chi1dren'svoicea)(SoL-11,0/I) 1/I WALRUS AND THE CARPENTER (Children's voices) (SOL-FA,0/4) .. J. C. FORRESTER. KALENDAR (Children’s voices) (SOL-FA, 0/9) MYLES B. FOSTER. ANGELS OF THE BELLS (Female voices) ... 1/3 (D1TTo, SOL-FA, 0/8) BONNIE FISHWIVES (Female vv.) (S_oL-FA,0/9) ... 1/6 COMING OF THE KING (Female VOICCS) 1/8 (DITTO, SOL-FA,0/8) MERRY GAMES FOR CHILDREN (An Action Cantata for Children) . 0/8 SNOW FAIRIES (Female VOlceS)(SOL-FA, 0/6) 1/6 1/0 (DITTO, Choruses and Words of Solos only, SOL-FA, 2/6) ROBERT FRANZ. PRAISE YE THE LORD (I17th Psalm) A. M. ERIEDLANDER. MUSIC RETURN"'To "z‘1oN" NIELS VV. GADE. CHRISTMAS EVE (Sox.-FA, 0,4) COMALA . CRUSADERS (SOL-FA, 1/0) ERL-KING’S DAUGHTER(SOL—FA, 0/9) PSYCHE (SOL—FA, 1/6) SPRING’S MESSAGE (so:.-m, o/3) ZION HENRY GADSBY. ALCESTIS (Male voices) COLUMBUS (Male voices)... LORD OF THE ISLES(SoL-FA,1/6) F. W. GALPIN. YE OLDE ENGLYSHE PASTYMES (Children's voices) ... .. G. GARRETT. HARVEST cANTA’TA (S01.-FA, 0/6) SHUNAMMITE TWO ADVENTS A. R. GAUL. AROUND THE WINTER FIRE (Female voices) (DITTO, SOL-FA,0/9) ELFIN HILL (Female voices) HARE AND THE TORTOISE (Children’s voices) (DITTO, SOL-FA, 0/6) HOLY CITY(SOL-FA,1/0) ISRAEL IN THE WILDERNESS (SOL-FA,1/0) JOAN OF ARC (SOL-FA,1/0) .. LEGEND OF THE WOOD (Children's voices) (DrTTo, SOL-FA, 0/8) PASSION SERVICE PRINCE OF PEACE (SOL-FA,1/0) RUTH (SOL-EA,0/9) (CHoRUsEs ONLY, 1/0) SONG OF LIFE (S01.-FA, 0/6) TEN VIRGINS (SOL-FA,1/0) TOILERS OF THE DEEP (Female voices) UNA (SOL-FA, 1/0) FR. GERNSHEIM. SALAMIS. A TRIUMPH SONG (Male voices) E. OUSELEY GILBERT. SANTA CLAUS AND HIS COMRADES (Operetta, 2 Chi1dren’svoices) (SOL-FA, 0/8) .. F. E. GLADSTONE. PHILIPPI GLUCK. ORPHEUS (CHORBSES ONLY, SOL-FA,1/0) D1TTo (ACT II. ONLY) .. DITTO (ACT II. CHO-RUsEs ONLY, SOL-FA, 0/9) PERCY GODFREY. SONG OF THE AMAL .. HERMANN GOETZ. BY THE WATERS OF BABYLON(I37th Psalm)... NGENIA WATER-LILY (Male voices) (SOL-FA, 0/9) A. M. GOODHART. ARETHUSA EARL HALDAN‘S DAUGHTER FOUNDER'S DAY SIR ANDREW BARTON... SPANISH ARMADA CH. GOUNOD. COMMUNION SERVICE(Messe Solennelle) ... DITTO (Troisiéme Messe Solcnnelle) DAUGHTERS OF JERUSALEM (Latin, 1/0) ..., DE PROFUNDIS (English or Latin V)/ords) ... FAUST (S¢lection)(SoL—FA, 0/9) GALLIA (SOL-FA, 0/4) MESSE SOLENNELLE (ST. CECILIA)... MESSE SOLENNELLE (Troisieme) MORS ET VITA (Latin or English Words) .. DITTO DxTTo Parts II. and . Dxrro Parts II. and III. (English Words) DITTO REQUIEM MASS O COME NEAR TO THE CROSS (Stabat Mater) OUT OF DARKNESS REDEMPTION (English Words) (SOL-FA,1/0) Dx'r'ro (French Words) D1T'ro (German Words) D1TTo Part I. D1TTo Parts II. and III. ul. . 2 (SOL-1u)(Lati&iﬁndEnglish \/Vords) 4Hl§|I'\§lll§i§IIl|l§ Illll zI::§1I1HI§I§II1H%’ lllll NOVELLO’S OCTAVO EDITION OF ORATORIOS, &C.—-Colltllﬂlteli. C. H. GRAUN. PASSION OF OUR LORD (CHORUSES 1/0) TE DEUM .. ALAN GRAY. ARETHUSA LEGEND OF ROCK:-BUOY BELL SONG OF REDEMPTION .. wmow OF ZAREPHATH j.O.GRIMML SOUL’S ASPIRATION . G. HALFORD. no PARACLETE E. V. HALL. IS IT NOTHING TO YOU (SOL-FA,0/3) W. A. HALL. PRESENTATION IN THE TEMPLE HANDEL. ACIS AND GALATEA DITTO, New Edition, edited by J. Barnby (SOL-FA, 0/9) ALCESTE ALEXANDER BALUS ALEXANDER’S FEAS ATHALIAH ... BELSHAZZAR CHANDOS TE DEUM CORONATION AND FUNERAL ANTI-IEMS Or, s1ngly:— LET THY HAND BE STRENGTHENED MY HEART IS INDITING... THE KING SHALL REJOICE (SOL—FA, 0/3) TI-IE WAYS OF ZION ZADOK THE PRIEST (SOL-FA, 0/15) DEBORAH DETTINGEN TE DEUM DIXIT DOMINUS (from Psalm cx. ESTHER... HERCULES (CHORUSES ONLY, 1/0) ISRAEL IN EGYPT, edited by Mendelssohn ISRAEL IN EGYPT,edited by V. Novel1o,Pocket Edit. (DITTO, SOL-FA, 1/0) EPHTHA OSHUA (CI-IORUSES ONLY), (SOL—FA 0/8) UDAS MACCAB}EUS(SoL-FA,1/0) UDAS MACCAB/-EU S, Pocket Edition I)ITTo (CHORUSES ONLY) DITTO . New Edition. Edited by John E. West KING SHALL REJOICE (Four Part), (SOL—FA 0/3) L'ALLEGRO (CI-IORUSES ONLY, 1/0) MESSIAH, edited by V. NOVeIIO(SOL-FA, 1/0) MESSIAH, edited by V. Novello, Pocket Edition MESSIAH, edited by E. Prout (SOL-FA,1/0) MESSIAI-I, edited by W. T. Best (SOL-FA, I/0) DITTO (CI-IORUSES ONLY) NISI DOMINUS O COME, LET US SING (5th Chandos Anthem) . ODE ON ST. CECILIA’S DAY O PRAISE THE LORD (6th Chandos) (SOL-FA, O/4) 0-PRAISE THE LORD, YE ANGELS (Folio) PASSION .. .. , DITTO (Abridged Edition) SAMSON (SOL—FA,1/0) .. DITTO (CI-IORUSES ONLY) SAUL (CI-IORUSES ONLY, 1/0) SOLOMON (CI-IORUSES ONLY, 1/6)... SUSANNA on -THEODORA TRIUMPH oF"TIME"ANi5' TR"U'THfff UT_RECI-IT JUBILATE ALFRED HARBOROUGH. CROSSING THE BAR SYDNEY HARDCASTLE. SING A SONG OF SIXPENCE(Operetta for Children) T. M. HARDY. RIP VAN VVINKLE (Operetta for Children) (DITTO, SOL-FA, 0/6) C. A. E. HARRISS CROWNING OF THE KING .'.. PAN (A Choric Idyl) . SANDS OF DEE JULIUS HARRISON. HARVEST CANTATA (SOL-FA, 0/8) CHARLES HART-DAVIS. COURT CARD (Operetta for Children) (SOL-FA,0/3) BASIL HARWOOD. AS_ /BY THE STREAMS OF BABYLON INCLINA, DOMINE (86th Psalm) . JESUSI THY BOUNDLESS LOVE TO ME J. W. G. HATHAWAY. HOW SWEET THE MOONLIGHT SLEEPS {ACK HORNER'S RIDE (for Children) (SOL-FA, 0/8) EGENI) OF BREGENZ... I-Al‘-VOOCA7 !-'l0 l9 EEEEIEEIIIII I§§§E§I§§ Ulﬂilﬂﬂﬂiilljﬁ 0% U! {W ,5; IO DP Issassslelsllalllsﬁsgel F. K. HATTERSLEY. HOW THEY BROUGHT THE GOOD NEWS FROM GHENT To AIX KING ROBERT OF SICILY HAYDN. CREATION (SOL-FA, I/0) .. ) CREATION, Pocket Edition DITTO (CI-IORUSES ONLY) .. ,?INsAN/E ET VANZE CURXE (Latin o'£'Eng'1'i'sh) If I MASS, IN B FLAT, No. 1 (Latin) DITTO (Latin and English) MASS, IN C, No. 2 (Latin) MASS, IN D, No. 3 (IMPERIAL) (Latin and English) DITTO (Latin) MASS, IN B FLAT, No.16 (Latin) PASSION; OR, SEVEN LAST WORDS SEASONS (complete)... Each Season, singly (SPRING, Tonic Sol-fa, 6d.) DITTO (CHORUSES ONLY) TE DEUM (English and Latin) BATTISON HAYNES. FAIRIES' ISLE (Female voices)... SEA DREAM (Female voices) (SOL-FA, 0/6) SEA FAIRIES (Female voices) (SOL-FA, 0/6) C. SWINNERTON HEAP. FAIR ROSAMOND (SOL-FA, 2/0) (CHORUSES 1/6) EDWARD HECI-IT. ERIC THE DANE 0 MAY I JOIN THE CHOIR INVISIBLE GEORG HENSCI-IEL. OUT OF DARKNESS (I3oth Psalm) STABAT MATER TE DEUM LAUDAMUS, IN C H. M. HIGGS. ERL KING HENRY HILES. CRUSADERS GOD IS OUR REFUGE FERDINAND HILLER. ALL THEY THAT TRUST IN THEE NALA AND DAMAYANTI SONG OF VICTORY (SOL-FA, 0/9) H. E. HODSON. GOLDEN LEGEND HEINRICH HOFMANN. CHAM PAGNERLIED (Male voices) CINDERELLA MELUSINA SONG OF THE NORNS (Female voices) SIDNEY R. HOGG. NORMAN BARON JOSEPH HOLBROOKE. BYRON (Poem) C. HOLLAND. AFTER THE SKIRMISI-I... T. S. HOLLAND. KING GOLDEMAR (Operetta, Children’s voices) DITTO, SoL—FA. 0/9) PASTORAL MEDLEY (Children's voices) (SOL-PA, 0/9) GUSTAV VON HOLST. IDEA (Operetta for Children) (SOL-FA, 0/6) KING ESTMERE (Ballad)... HUMMEL. ALMA VIRGO (Latin and English) COMMUNION SERVICE, IN B FLAT DITTO, IN E FLAT DITTO, IN D MASS, IN B FLAT, No. I MASS, IN E FLAT, No.2 MASS, IN D, No. 3 QUOD IN ORBE (Latin and English) W. H. HUNT. STABAT MATER . G. F. HUNTLEY. PUSS-IN-BOOTS (Opei-ettafor Children) (SOL-FA, 0/9) VICTORIA (SOL-FA, 1/0) H. H. HUSS. AVE MARIA(Female voices) F. ILIFFE. no SWEET ECHO .. . . . JOHN W. IVIMEY. WITCH OF THE WOOD (Operetta for Children)... (DITTO, SOL-FA, 0/9) WKJACKSON. NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.——C0mfinued. G. JACOBI. ' , G. A. MACFARREN; BABES IN THE WOOD (Operetta for Children) 2/o AJAX<G'eek P‘*‘Y)(M“‘° "°i°eS) (DITTO, SOL~FA, 0/_9) TSHE IXAOKSE (Choruses only. SOL-FA, 1/0) CINDERELLA (Operetta for ChI1dren) (scum, 1/0) 2/0 ‘Ding °L“’(CH{)RUSE-S‘-0NL;[-)‘ D_ JENKINS_ OUTWARD BOUND I ... DAVID AND SAUL (SOL—FA, 2/0) 3/o SONGS IN A CORNFE§.I;?0‘%°£§Li‘§7§‘j°S’ ENSEN ST. JOHN THE BAPTIST FEAST OF ADONIS (S(::'_FA, 0/6) 1/O (DITTO, SOL-FA, Choxuseg onI}"...1/0) W, JOHNSON A. C. MACKENZIE. I Iggi I §:5;:.. we G ,g.. Cloth ‘,3 I G-ﬂt. I ECCE HOMO . . 1/o BETHLEHEM -- . DITTO. Act II., separately H, FESTING }oNEs_ BRIDE (SOL-FA,.0/3) KING BULBOUS (OpetettaforChiIdren)(SOL-FA o/3.) 2/o _ _ COLOMBA (Lyr1ca1Drama> ’ DITTO (German Words) WARWICK JORDAN COTTER'S SATURDAY NIGHT (SOL-FA,1/0) BLOW YE THE TRUMPET IN ZION DREAM OF JUBAL J S (DITTO, Choruses only, SOL-FA, 1/0) N_ KILBURN_ A ON .. BY THE WATERS OF BABYLON — — {(H3‘3(,{,L(‘T3(])5V‘13:?,113(NT *' LORD IS MY SHEPHERD (23rd Psalm) 0/ ’ SILVER STAR (Female voices) PROCESSION OF THE ARK (Choral Scene) (DITTO, SOL-FA, 0/9) OLIVER K1NG_ ROSE Og SHARC]))N. New Edition BY THE WATERS OF BABYLON 5 RY F 5”‘ NAIADS (Female voices) TISOUBADOURU-'y“°31Drama)"- ROMANCE OF THE ROSES Vb“: QREATOR SPIRITUS SANDS 0' DEE (5OL_FA' 0/2) WITCH S DAUGHTER THREE FIsHERs (soum, 0/3): A M MACI E . . . AN. :1 I 1 Mg Nil 1% OJ snag [H3 J. KINROSS. SONGS IN A VINEYARD(Femalevv.) (SOL-FA, 0/6) 1/6 . H LAHEE C. MACPHERSON. SLEEPING BEAUTY (Female vv.)SOL.—FA,0/6) 1/6 BY THE WATERS OF BABYL°N“37“" PS“‘”‘>--- HENRY LAwES_ . L. MANCINELLI. MASQUE OF COMUS 2/o ER0 E LEANDR0 (Opera) MAX LAISTNER. F- W MARKULL. FRIAR‘s MERE (Male Voices) .. 1/6 ROLAND’S HORN (Male voices) G. F. LE JEUNE. F. E. MARSHALL. COMMUNION SERVICE IN C . 2/0 PRINCE SPRITE (Female voices) FIRST MASS IN C .. . 2/0 CHORAL DANCES from Ditto ANNUNCIATION EDWIN H. LEMARE. GEORGE C. MARTIN. COMMUNION sERvIcE IN F 2/6 COMMUNION sERvIcE, IN A ’TIS THE SPRING OF SOULS TO-DAY I/o Dmo IN c FESTIVAL TE DEUM IN A (seem, o/2) LEONARDO LEO. -- 1/0 J. MASSENET. F. LEONI. MANON (OPe|‘ﬁ) GATE OF LIFE (sm.-n,1/o) 2/0 ‘ H LESLIE J. T. MASSER. FIRST CHRISTMAS MORN .' .. HARVEST CANTATA F, L1szT_ J. H. MAUNDER. LEGEND OF sT. ELIZABETH BETHLEHEM (SOL-FA,1/0) THIRTEENTH PSALM _ OLIVET To CALVARY (scum. 0/9) PENITENCE, FARDON,AND PEACE (SOL-FA,1/0) C. H. LLOYD. SONG OF THANKSGIVING (SOL-FA,0/9) .. ALCESTIS (Male voices) T. R. MAYOR. DIXIT DOMINUS ANDROMEDA... GLEANERS' HARVEST (Female voices) HERO AND LEANDER I-IYMN OF THANKSGIVING LONGBEARDS’ SAGA (Male voices) O GIVE THANKS UNTO THE LORD RIGHTEOUS LIVE FOR EVERMORE ROSSALL SIR OGIE AND THE LADIE ELSIE 8% ::: .MENmLssoHN. _ ANTIGONE (Male volces) (SOL-FA, 1/0)... CLEMENT LOCKNANE. AS‘ THE HART PANTS (42nd Psalm) (scum, 0/6) ELFIN QUEEN (Female voices) z:"‘1IIgA1é«A}i“«U(§€J(Ié-FA_. 0/3)f S-.~ C}-lg) HARVEY LOHR. cHRmTUsw T”V° ?W"5.°?7 3“ I UEEN OF SHEBA (CHORUSES ONLY, 1/0)... 5/0 COME, LET ITS FSAING (95th Psalm) (SOL-FA, 0/6) Q ELI AH (POCKET EDITION) W. H. LONGHURST. ELIIAH .so.-..,1,o, ::: ": ::: ::: ::: VILLAGE FAIR (Female voIces)... 2/0 2/6 —— DITTO (CHORUSES ONLY) 1/ ELVA LORENCE AND G_ KENNEDY CHRYSTIE FESTGESANG(HymnofPraIse)(s.A T.B.)(SOL-FA,0/2) . . . DITTO (Male voices) (’1‘.T.B. TERRA FLORA (Or 3 Peep Into Flower Land) _ Operetta for Children 2,0 _ _ HEAR MY PRAYER (s. solo and ChI(3I'Il;S1)‘(()SOL FA, DITTO C_ HYIgN OF PRACISE (LObgeSaII1g)) (SOL—FA, 0/6) LIT LE BO-PEEP O f Ch'1d . 1 o “T0 "9“”SE5 0“ Y I T s‘<»‘-’1‘?«‘~?‘?>?‘4>°’ ‘ ‘°”’ ’ :eI3A..%e.Nsg:.FIsI;EIIIa:;Ie W --~.,.. ’ 1 OL—FA, ... . . . . E - , SPORTS (Operetta for Chiﬁrefxd) L... 2/0 §l’£i;*Il§':é:éNIhE4(I§:?I{:)'1{“£IiéC§(%:T‘i‘?fSC€B)REAIM 1... _ ' . CITIB. e VOKCCS (DITTO, SOL-FA, 0/4) LAY OF THE LAST MINSTREL (SOL—FA, 1/6) 4/ MY GOD, WHY HAST THOU (SOL—FA, 0/II) LORD ULLIN’S DAUGHTER (S<)L—FA, 0/8) 1/ NOT UNTO US, 0 LORD (II5th Psalm) V5/VRECK OF THE HESPERUS (SOL-FA, 0/6) GEDIPUS AT COLONOS (Male voices) LOVE OF CHRIST J. H. MEE. DELPHI, A LEGEND OF HELLAS (Male voices) HORATIUS(Ma1e voices) . MISSA SOLENNIS, in B FLAT ‘glllllllllgl gttlluntlgl III Ialngggtillggglllgtl ill !lI.|'¥g|§lll NOVELLOIS OCTAVO EDITION OF ORATORIOS, &c.—Contz'nued. Papa Cove; Cloth 03!. C. H. H. PARRY. AGAMEMNON (Greek Play) (Male voices) ]1§EYD0N(I))FTHESE VOICIEIS TEERIE IS PEACE IR S ARISTOPI-IA ES ( ree Play) (Male) BLEST PAIR OF SIRENS (SoL- ,0/8) . SON AND STRANGER (DITTO, English and German Wliiids, 2 mark 50) THREE MOTETS FOR FEMALE VOICES DE PROFUNDIS(I3oth Psalm) .. (DITTO, SOL-FA, 0/1;, 0/2, and 0/2 each.) ETON .. TO THE SONS OF ART (Male voices) (SoL—FA, 0/3) 1/ ETON MEMORIAL ODE WALPURGIS NIGHT (SOL-FA,1/0) GLORIES OF OUR BLOOD AND STATE WHEN ISRAEL OUT OF EGYPT CAME —— — INVOCATION TO MUSIC (DITTO, SOL-FA, 0/9) OB (CHORUSES ONLY, SOL-FA, 1/0) WHY RAGE FIERCELY THE HEATHEN UDITH (CI-IORUSES ONLY, SOL-FA, ‘3/0) -. (DITTO, SOL-FA,0/3) EINIGLEAUL (CHoRusEs ONLY, SOL-FA, 1/6) ‘A GRO (SOL-FA, 1/6)... R. D. METCALFE AND A. KENNEDY. L°T05'EATERS<The 9h°“° 30119. PRINCE FERDINAND (Operetta for children) 2/o Iﬁiiéﬁlglﬁﬁﬁ (CL‘:§iE)E1H OUT “A ID1“°» 5°"“:°/9) ODE ON ST. CECILIA’S"DAY.(“SoL-it-A,1/0)” _ ODE TO MUSIC (SOL-PA, O/6) MEYERBEER_ EIEOD PIPER OF I-IA“MELIN (SOL-FA,1/0) NINETV-FI§R5T PSALM Ilﬁatilrﬂh 1 SONIGI%1EHDEAURSKNESJS)AJNI11))LIGHT(SOL-RA,0/9):: ‘"0 I D815 I /° §%U1g.'sUI§4ANsOM (A Psalm omie Poor) E LAUDAMUS L ' A. MOFFAT. TE DEUM LAUDAMUS ((C:iii>nn)ation) BEE QUEEN (Operetta for children) (SOL-EA, 0/6) VISION OF LIFE (SOL-F-‘A11/0) 3/ CHRISTMAS DREAM (for children) 1 VOCES CLAMANTIUM ('IhevoIces of them that cry) (Dn-;0_ 501,“, 0/4) WAR AND PEACE (Ode) (CHORUSES, SOL-PA1/6) 3/ B. MOLIQUE. T. M. PATTISON. ANCIENT MARINER (CHORUsEs,1/0) ... £.8Y OF THE LAST MINSTREL (CHoRUsEs,1/0)... NDON CRIES J- A- _MO0N1E- MAY DAY KILLIECRANKIE (SOL-RA, 0/8) _ MIRACLES OF CI‘IRIST(SOL-FA, 0/6) WOODLAND DREAM(chI1dren’svoIces) (SOL-FA, 0/9) A. L. PEACE. A HAROLD MOORE ST. JOHN THE BAPTIST (SOL-FA,1/0) D RKEST HOUR (s - ,0/9) .. CL M PERGOLESI. 1\{[QZAR'[_ STABAT MATER(FemaIe voices)(SoL~I'A, 0/6) ... GLORY,HONOUR,PRAISE(SoI.- A,0/2)'I‘h' dM : t - , - II-(IANVE MERCY, O LORD... Secorlird Mgtgt PHANT0MS—F1‘-NTASM1 NELL OMBRA I G Tl-IAMOS LITANIA DE VENERABILI ALTARIS(E0) 1/ , PERCY PITT. LITANIA DE VENERABILI SACRAMENTO(Bb) HOHENLINDEN (Male voices) MASS, IN C, No. I (Latin and English) ... - JOHN POINTER. MASS. IN B FLAT, No. 7 .. SONG OF HAROLD HARFAGER (Male voices) MENDELSSOHN (continued) ST. PAUL (SOL-FA, 1/0) DITTO (CHoRUsEs ONLY) ST. PAUL, Pocket Edition SING TO THE LORD (98th Psalm) w-cltn I I IEIEGIIL agaaglonrdl. 19 :EE‘\*’ OG@¢ P I I I I Boards. I I I I I | I Paper .u I-1 an N) BI :85 390 to IiI|Is|1aII|iiI%%HiiI1 IIIIIIIIIIIIIIISSIIIIII ABRAHAM IIIII IIIII MASS. IN G, No. 12 (Latin) 1/ DITTO (Latin and English) (SOL—FA, O/9) (SoL_“ 0/6) 0/ ’ ' DITTO (CHORUSKS ONLY) D NO. I5 ... ... V W DITTO (Lutin and English) (so;-121', 1/o)fII SPGOD, WHEN THOU (SOL-FA, o/2)... First Motet EARLY SPRING . LENDENTE TE,DEUs F‘ t M t t "3 °" 1. B. POWELL. E‘ MUNDELLA_ PANGE LINGUA (Sing, my tongue) VICTORY OF SONG (Female voices) A. H. D. PRENDERGAST‘ NAYLOR. SECOND ADVENT... ... . . ... ... ... F_ CENTURION'S SERVANT C. E. PRITCHARD. JEREMIAH JOSEF NESVERA. DE PROFUNDIS KUNACEPA .. STAFFORD NORTH. IN THE MORNING (SOL-FA,0/8) E. PROUT. DAMON AND PHINTIAS (Male voices) E. A. NUNN. FREEDOM MASS. IN C .. HERE-WARD HUNDREDTH PSALM (SOL-FA,0/4) E. CUTHBERT NUNN. QUEEN AIMEE (Female voices) FAIRY SLIPPER(Chi1dren's Operetta.) (SOL-l"A,0/8) /0 RED CROSS KNIGHT (5014-FA. 2/0) A . VIA DOLOROS PU RCELL. SIIIII $11)): DIDO AND /ENEAS KING ARTHUR H ‘ 1y REV. SIR FREDK. OUSELEY. 3’6§%‘i3‘s‘%‘.c§é?&‘fsSI§‘I“y(c......'.,s.;:.i,d;s) MARTYRDOM OF ST. POLYCARP TE DEUM AND JUBILATE. IN D TE DEUM (Edited by]. F. Bridge) (SOL-FA, 0/6) PALESTRINA. DITTO (Latin arrangement by R. R. Terry) COMMUNION SERVICE (Missa. Pa ae Marcelli . COMMUNION SERVICE (Assumptapest Maria) ) G- RA1 HBONE" .M1ssA ASSUMPTA EST MARIA ORPHEUS (Power of Music) (Children's voices) MISSA BREVIS DITTO. SoL—n. 0/6) MISSA "0 A1)M[RAB1LE COMMERCIUM" VOGELWEID THE MINNESINGER (Children's MISSA PAP/E MARCELLI voiccl). (SOL-rA.0/G) -- 1 STABAT MATER . A. O'LEARY. MASS OF ST. JOHN IIIIIII IIIIIII |lI||II ||IlIII H. w. PARKER. F'___J° I_{_Ii‘AD_j. HORA NOVISSIMA... KOBOLDS LEGEND OF ST. CHRISTOPHER ODE SONG OF HANNAH . F. H. READ. DEATH OF YOUNG ROMILLY vﬁ Ills IIII WANDEI{ER’S PSALM NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.~—»Comfz'nuea.'. DOUGLAS REDMAN. H. SCHUTZ COR UNUM VIA UNA (Female voices) PASSION OF OUR LORD C. T. REYNOLDS. CHILDHOOD OF SAMUEL(SoL—EA,1/0) 2/0 BERTRAM LUARD SELBY- DYING SWAN ARTHUR RICHARDS. FAKENHAM GHOST .. PUNCH AND JUDY(O.peretta forchi1dren)(SOL-EA,0/6) 1/6 “HELENA IN TROAS” .. WAXWORK CARNIVAL (Operetta for children) 2/o SUMMER BY THE SEA (Female) (Son-FA. 0/6) (DITTO, SOL-FA, 0/B) VVAITS OF BREMEN (Children) (SOL—I-‘A, 0/6) WNAH . 1- V- ROBERTS 2/0 H. R. SHELLEY. 7pAss1oN 1/6 VEXILLA REGIS (The Royal Banners forward go‘) R. WALKER ROBSON. E_ s1LAs_ CHRISTUS TRIUMPHATOR I 3/6 COMMUNION SERVICE IN C J. L_ ROECKEL MASS, IN C HOURS (Operetta for children) (SOL-FA, 0/9) , LITTLE SNOW-WHITE (Operetta for children) HENRY SMART. (Dxrro. SoL—FA. 0/9) BRIDE OF DUNKERRON(SoL-IrA,1/0) (Operetta fOl' Chlldfell) (s0L.~FA, (Female voices) EDMUND ROGERS. <DITT°:S°L-“:0/9) FOREST FLOWER(FemaIe voices) SING To THE LORD ROLAND ROGERS. J- M- SMIET0N- FLORABEL(Fema1e voiceS)(Sol-fa, 1/0) ARIADNE (SOL-FA, 0/9) PRAYER AND PRAISE CONNLA F‘ ROLLASON KING ARTI‘IUR(SOL-FA,1/0) W E ING STOOD THE MOURNFUL MOTHER E P ALICE MARY SNIITH. OD T HE ' T —E ‘T W HARMONY OF THE SPHERES ODE T8 "1I*‘HE g1§)SRS1(I){NSAS INlﬁ_ §irJI}}:YD<I3:*;mT4HE BELMSOL-FA»°/3) I RED KING (Men’SvoiceS) ..I ... NG T * LE G /1 I ' TRANSIENT AND THE ETERNAL (sown, 0/4) So OF HE LI” (D,E§‘,§jTS[CJ,,1:I_FAf“o‘38“,“’°‘°“‘) c. B. ROOTHAM. I E_ M_ SMYTH. MASS, IN D ... AN DROMEDA RO SINI. S __ A. SOMERVELL. CHARGE OF THE LIGHT BRIGADE (SOL-FA, 0/4) ELEGY MOSES IN EGYPT STABAT MATER (SOL-FA.,”1/0) I: DITTO (CHORUSES ONLY)... CHARLES E’ RUT'EN1;'ER_m ENCHANTED FALAGE(O13erer££.',chi1'éi'r.ri's’§}oiceé) (DITTO, SOL-FA, u/8) FOREAKEQN MEI§E'MAI]\I)(SOL-FA, 0/81)] . . KIN TH USHB AR (0 eretta,c i1dren'svoiceS) JOSEPII RYELANDT. (D,Tf.,,s.,L_F.,o)9) DE KOMST DES HEEREN(The comingofthe Lord) KNAVE OF HEARTS (Operetta, chi1dren’S voices) (DITTO, SOL-FA, 0/8) ED. SACHS. MASS, IN C MINOR 2/6 KING-CUPS ODE ON THE INTIMATIONS OF IMMORTALITY 2/0 WATER LILIES ODE TO THE SEA (SOL-FA-.1/0) 2/0 POWER OF SOUND (SoL»EA, 1/0) .. 2/0 C. SAINTONJDOLBY. PRINCESS ZARA (Operetta, children's voices) 2/0 FLORIMEL(Fcmale voices) . .. (DITTo.SoL-FA.0/9) 1/0 ,, SEVEN LAST WORDS CAMILLE SAINT-SAENS. I-IEAVENS DECLARE—CCELI ENARRANT R. SOMERVILLE. W H SANGSTER PRENTICE PILLAR (Opera) H- W~ 3CHARTAU~ JACKDAW OF RHEIMS CHRISTMAS HOLIDAYS (Children's voices) LAY OF sT_ CUTHBERT SCHUBERT. SPOHR. COMMUNION SERVICE, IN A FLAT CALVARY Dmo. N B FLAT ’ cHRISTIAN'S"I'>RAY"ER DITTO, IN C ... ' FALL 01:.‘ BABYLON DITT0. IN E FLAT FROM THE DEEP I cAL'LED'" DITTO, IN F GOD IS MY SHEPHERD .. DITTO: IN G GOD, THOU ART GREAT (seem, 0/6) LAZARU5 (Easter) -- -- HOW LOVELY ARE THY DWELLINGS FAIR... DIVINE LOVE ELYSIUM MASS. IN A FLAT 3- -- - - ' HYMN TO ST. CECILIA... 33% g FLAT -- -- » JEHOVAH, LORD OF HOSTS... IN E FEAT - LAST JUDGMENT (SOL-FA, 1/0) IN F (SOL_FA--6/9) y_ DITTO (CHORUSES ONLY) _ IN G I - , MASS (for 5 solo vorces and double chonr) OF MIRIAM (SOL-FA, 0c/16) S JOHN STAINER, OF §P,§}_,.‘T°S-I§"I’I'§1f}‘S"V/§’{,}§'R 9rLI‘;"'${f,(TERS CRUCIFIXION (SOL-FA,0/9) (Male voices) (SOL/_M 0/6) DAUGHTER OF JAIRUS (Scum, 0/9) * ST. MARY MAGDALEN (SOL-FA, I/0) SCHUMANN. C. VILLIERS STANFORD. ADVENT HYMN, “IN LOWLY GUISE" .. ‘ BATTLE OF THE BALTIC ... FAUST " CARMEN SEECULARE KING'S SON COMMUNION SERVICE, IN G LUCK OF EDENHALL (Male VOICCS) EAST T0 V/VEST MANFRED ... EDEN (Dramatic Oratorio)... .\IIGNON’S REQUIEM ... EUMENIDES (Malevoices) lVIINSTREL’S CURSE ... GOD IS OUR HOPE (46th Psalm) NEW YEAR'S SONG (SOL-FA,0/6) MASS, IN G MAJOR PARADISE AND THE PERI (SOL-FA, 1/8) (EDIPUS REX (Male voiceg) “ILGRIMAGE OF THE ROSE... ... REVENGE (SOL-FA, 0/9) ... REQUIEM (DI'rTo, German Words, 2 Mark.) SONG OF THE NIGHT ... VOYAGE OF MAELDUNE . NW 32% ISSIIIIIISSS no no lll!l§lllI 09 OD IISSIIIIIISI (0:63 or iieaiiiiinei £3 0 NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.—-Comfiizued. D. STEPHEN. ERNEST WALKER. LAIRD O’COCKPEN (scum, 0/6) HYMN To DIONYSUS STEFAN STOCKER ODE TO A NIGHTINGALE ... If I: SONG OF THE FATES .. R. H. WALTHEW. ' PIED PI ER OF HAMEL .. SIGISMOND STOJOWSKI. P ‘N SPRING-TIME H. VV. WAREING. J_ STORER_ COURT_ OF QUEEN SUMMERGOLD (Operetta for MASS OF OUR LADY OF RANSOM chI1rIreI1)(SoL-FA,0/6) 1 TOURNAMENT _HO-H0 OF THE GOLDEN BELT (Cantata (O }.)._.1d ' . 4 peretta or c I (301) Is OUR REFUGEI:m5(:pSIJCH. WRECK OF 0/6) ma) ( t sa m) ‘ 4 NARCISSUS AND ECHO4(CHoRUSEs 1/0) , HENRY WATSON. ARTHUR SULLIVAN‘ IN PRAISE OF THE DIVINE (Mile voice‘) EXHIBITION ODE . PSALM OF THANKSGIVING GOLDEN LEGEND (Some, :2/-o) KING ARTHUR, INCIDENTAL MUSIC — WEBER TE DEUM FESTIVAL (Some, 1/0) . ‘ .. TE DEUM (A Thanksgiving for VictOry)(SoL-FA,0/9) ._ ._ fbO“é(1V)1I§5§’.}1O§T5’f)1§‘1’)‘EO[§v IN E FL“ T. W. SURETTE. JUBILEE CANTATA EVE OF ST. AGNES _ _ MASS IN E FLAT (Latin and English) Do., IN G (Latin and English)... .. W. TAYLOR. PRECIOSA (Choruses only, 0/6) ST. JOHN THE BAPTIST THMOE SEASONS ~~ A. GORING THOMAS. S. WESLEY. SUN-VVORSHIPPERS (SOL-FA, 0/9) DIXIT DOMINUS EXULTATE DEO (Sing aloud with gladlless) D. THOMAS. IN EXITU ISRAEL (English or Latin VVordS) LLYN Y FAN (VAN LAKE) (Some, 1/6) S S WESLEY H. THORNE. O LORD. THOU ART MY GOD BE MERCIFUL UNTO ME .. FLORENCE E. \/VEST. O' W‘ TORRANOE MIDSUMMER'S DAY (Operetta for children) REVELATION (DITTO, SOL-FA, 0/6) BERTHOLD TOURS. JOHN E_ wEs'f_ FESTIVAL ODE .. V ~ H HOME OF ’I‘ITANIA(Female voices) Log1‘I?«ISI{ ...ABI.I.‘.ATlF_)_N IDITTOI SOL-FA. 0/6) MAY-DAY REVELS (Chi|dren’S voices) (SOL-FA,0/4) FERRIS TOZER §E§8'%‘é‘“§i$§D ‘.‘..A‘“’.‘.“7“ ?.S.°”.i‘.'“°’.'.'.' BALAAIVI AND BALAK . STORY OF BETHLEHEM (S0L’FA.0/'9) IN [HE DESERT AND IN THE GARDEN (DlTTo,SoL—FA 1/0) ARTHUR N. WIGHT. KING NEPTUNE'S DAUGHTER (Female voices) MINSTRELIS CURSE | (DITTO. SOL-FA, 0/6) " P. TSCHAIKOWSKY. C. LEE WILLIAMS. NATURE AND LOVE (Female voices) (SOL—FA, 0/4) (SOL-FA. 0/3) I ‘ ... VAN BREE HARVEST SONG ST. CJ:LCILIA’S DAY (SOL-FA,0/9) LAST NIGHT AT BETHANY (SoL~FA.1/0) CHARLES VINCENT. A- 13- WILSHIRE LITTLE MERMAID (Female voices) . GOD 15 OUR HOPE (PSa‘m 45)-~ - VILLAGE QUEEN(Female vOiceS)(SOL-FA,0/ THOMAS WINGHAM, A. L_ VINGQE ) MASS, IN D (Regina Coeli) T E M L MAGICIAN (Operetta for chi1dl'en)(SOL-FA, 0/9) E D U ( mm) W. S. VINNINCI. SONG OI“ THE PASSION (according to St. john)... F. C. WOODS. S. P. WADDINGTON. . JOHN GILPIN (SOL»I<‘A,0/3) 2/ GREYPORT LEOEND1§‘797)Og“1eV°‘§%S’ VVHIMLAND (Operetta for chiIdren) (SOL-FA,0/8) KING HAROLI)(SOL-1EA’l(‘)r/$0’ (?.Ij‘FA’__‘/ ) R_ WAGNER_ OLD MAY—DAY (Female volces) (SOL-FA,0/G) HOLY SUPPER OF THE APOSTLES .. ' M_ WOOLL,EY_ W, M, WAIT, CAPTIVE SOUL (Female voices and Tenor Solo) D. YOUNG. CHAS. WOOD. ODE To THE WEST WIND GOD WITH US GOOD SAMARITAN . ST. ANDREW... — BLESSED DAMOZEL LONDON: NOVELLO AND COMPANY, LIMITED. I I I ' I NOVELLOS OCTAVO EIHTHJN OF ORATORIOS, CANTATAS, MASSES, &c. PRICE ONE SHILLING EACH. THOMAS ADAMS. TCROSS OF CHRIST, THE {GOLDEN HARVEST, A +HOLY CHILD, THE TNATIVITY, THE RAINBOW OF PEACE, THE THOMAS ANDERTON. NORMAN BARON, THE TWRECK OF THE HESPERUS, THE E. ASPA. GIPSIES, THE ASTORGA. STABAT MATER. BACH. BE NOT AFRAID. 8d. +BIDE WITH US. CHRIST LAY IN DEATH’S DARK PRISON. TCHRISTMAS ORATORIO. DITTO DITTO. PARTS 3-4. DITTO DITTO. PARTS 5-6. COME, JESU, COME (MOTET). COME, REDEEMER OF OUR RACE. DEPTHS OF WOE I CALL ON E. GIVE THE HUNGRY MAN THY BREAD GOD GOETH UP WITH SHOUTING. GOD SO LOVED THE WORLD. 'I"GOD’S TIME IS THE BEST. 1'HOW BRIGHTLY SI-IINES YON STAR OF MORN. IF THOU BUT SUFFEREST GOD TO GUIDE THEE. +]ESU, PRICELESS TREASURE (MOTET). ESUS,NOWWILLWE PRAISE THEE. ESUS SLEEPS, WHAT HOPE REMAINETH. LET SONGS OF REJOICING BE RAISED. LORD IS A SUN AND SHIELD, THE {LORD IS MY SHEPHERD, THE LORD, REBUKE ME NOT. * MAGNIFICAT IN D. TMY SPIRIT WAS IN I-IEAVINESS. INOW SHALL THE GRACE. Gd. 1‘ O LIGHT EVERLASTING. O PRAISE THE LORD FOR ALL HIS MERCIES. O TEACH ME, LORD, MY DAYS TO NUMBER. PRAISE OUR GOD WHO REIGNS IN HEAVEN. PRAISE THOU THE LORD, ]ERU- SIALEM. ISBNG YE TO THE LORD (MOTET). ISI-_-IEEPERS, AVVAKE. SAGES OF SHEBA, THE {SPIRIT ALSO I-IELPETI-I US, THE (MOTET). TSTRONGHOLD SURE, A fTHERE IS NAUGHT OF SOUNDNESS IN ALL MY BODY. THOU GUIDE OF ISRAEL. WAILING, CRYING, MOURNING. WATCH YE, PRAY YE. WHENWILLGOD RECALL MYSPIRIT. J. BARNBY. TREBEKAH. M. BARTON. MASS, IN A (UNACCOMPANIED). BEETHOVEN. PARTS I—2. ‘I-CHORAL FANTASIA (OP. 80). ENGEDI (OP. 85). IMASS, IN C (LATIN WORDS) (OP. 86). *MASS, IN C (OF. 86). TMOUNT OF OLIVES (OP. 85). The WILFRED BENDALL. I SONG DANCES (FEMALE VOICES). KAREL BENDL. WATER SPRITE'S REVENGE (FEMALE VOICES). G. BENNETT. E./ESTER HYMN (ON THE MORN OF EASTER AY). W. STERNDALE BENNETT. EXHIBITION ODE, 1862. + MAY QUEEN, THE 1‘ WOMAN OF SAMARIA, THE G. R. BETJEMANN. THE SONG OF THE WESTERN MEN HUGH BLAIR. HARVEST-TIDE. J. BRAHMS. + REQUIEM (OP. 45). ' SONG OF DESTINY, A (OP. 54). J. B. mm BREE. TST. CECILIA’S DAY. A. H. BREWER. O PRAISE THE LORD. SONG OF EDEN, A J. F. BRIDGE. HYMN TO THE CREATOR. +INCHCAPE ROCK, THE 1-LORD’S PRAYER, THE *’rROCK OF AGES. CARISSIMI. * JEPHTHAH. CHERUBINI. * REQUIEM MASS, IN C MINOR. THIRD MASS, IN A (CORONATION). FOURTH MASS, IN C. G. F. COBB, MY SOUL TRULY WAITETH M. COSTA. DREAM, THE F. H. COWEN. 1- HE GIVETH HIS BELOVED SLEEP. H. WALFORD DAVIES. JHERVE RIEL. ODE ON TIME. T. F. DUNHILL. ITUBAL CAIN. EDWARD ELGAR. TE DEUM AND BENEDICTUS, IN F. ROSALIND F. ELLICOTT. ELYSIUM. .ROBERT FRANZ. PRAISE YE THE LORD (019.19). NIELS W. GADE. I CHRISTMAS EVE (OR. 40). + ERL-KING’S DAUGHTER,THE (OI=.3o). ’rSPRING’S MESSAGE (OP. 35). 8d ZION (019.49). G. GARRETT. THARVE ST CANTATA. F. R. GERNSHEIM. SALAMIS (OP. 10) (Male Voices). HERMANN GOETZ. BY THE WATERS OF BABYLON (OP.I4). NCENIA (OP. Io). A. M. GOODHART. EARL HALDAN’S DAUGHTER. CH. GOUNOD. DAUGHTERS OF JERUSALEM (UNAC- COMPANIED). DE PROFUNDIS (LATIN WORDS). DITTO (ENGLISH WORDS). TFAUST (SELECTION, FOR CONCERT PERFORMANCE). *f GALLIA MEssE SOLENNELLE, S'I‘I£.CECILE.. (LATIN WORDS). PASSION. THE TREDEMPTION (PART 2). TREDEMPTION (PART 3). GRAUN. PASSION OF OUR LORD, THE (CHORUSES ONLY). ALAN GRAY. LEGEND OF THE ROCK-BUOY BELL.. J. O. GRIMM. SOUL’S ASPIRATION, THE E. V. HALL. 'l'IS IT NOTHING TO YOU. HANDEL. ACIS AND GALATEA. V. NOVELLO. 1‘ DITTO. EDITED BY J. BARNBY. CHANDOS TE DEUM. DETTINGEN TE DEUM. DIXIT DOMINUS. + ISRAEL IN EGYPT (POCKET EDITION). TILIUDAS MACCAB/EUS (DITTO). + ESSIAH (DITTO). *NISI DOMINUS. O COME, LET US SING. +0 PRAISE THE LORD. ODE ON ST. CECILIA’S DAY. PASSION OF CHRIST (ABRIDGED) UTRECHT JUBILATE. WAYS OF ZION, THE C. A. E. HARRISS. SANDS OF DEE, THE J. HARRISON. CHRISTMAS CANTATA. 1' HARVEST CANTATA. HAYDN. 1-CREATION, THE (POCKET EDITION). *FIRST MASS, IN B FLAT. FIRST MASS, IN B FLAT (LATIN). SECOND MASS, IN C (LATIN). THIRD MASS (IMPERIAL). (LATIN.) * THIRD MASS (IMPERIAL). * TE DEUM. SEASONS, THE, FROM : 1-SPRING. SUMMER. AUTUMN. WINTER. EDWARD HECHT. 8d. EDITED BY 0 MAY I JOIN T-IE CHOIR INVISIBLE. H. M. HIGGS. ERL KING, THE F. HILLER. ALL THEY THAT TRUST (OP. 60). 8d. -I SONG OF VICTORY, A (OF. 151). Works mm/ked * have Latin and English Words. . Those marked thus + may be had in the Tonic Sol-fa N0t£lt101t. LONDON: NOVELLO AND COMPANY, LIMITED. ORATORIOS, CANTATAS, MASSES, &c.._co.mm...z. PRICE ONE SHILLING EACH. H. HOFMANN. SONG OF THE NORNS (OP. 2:) (FEMALE VOICES). HUMMEL. ’FIRST MASS, IN B FLAT (OP. 77). SECOND MASS, IN E FLAT (OP. 80). [THIRD MASS, IN D (OP.I11). H. H. HUSS. ,‘3"AVE MARIA (OP. 4) (FEMALE VOICES). A.JENSEN. HFEAST OF ADONIS, THE E. H. LEMARE. .°TIS THE SPRING OF SOULS TO-DAY. LEONARDO LEO. DIXIT DOMINUS. C. HARFORD LLOYD. /O GIVE THANKS UNTO THE LORD. [SONG OF BALDER, THE HAMISH MACCUNN. ‘PLORD ULLIN’S DAUGHTER. 1-WRECK OF THE HESPERUS, THE G. A. MAC FARREN. '“3'MAY DAY. OUTWARD BOUND. A. C. MACKENZIE. -IBRIDE, THE MENDELSSOHN. ‘HAS THE HART PANTS (OP. 42). IATHALIE (OP. 74). *AVE MARIA (SAVIOUR OF SINNERS). (OF. 23). I CHRISTUS (OP. 97). ICOME, LET US SING (OP. 46). IELIJAH (OP. 7o) (POCKET EDITION). FESTGESANG (HYMNS OF PRAISE) (MALE VOICES). 13- DITTO (ARRANGED FOR S.A.T.B.). H-IEAR MY PRAYER. H-IYMN OF PRAISE (LOBGESANG) (OP. 52). -?r* LAUDA SION (OP. 93). TLORD, HOW LONG (OP. 96). TLORELEY (OP. 98). MAN IS MORTAL (OF. 23 No. 3). TMIDSUMMER NIGHT’S DREAM (OP. 61). -3”‘ MOTETS, THREE (OP. 39) (FEMALE VOICES). *NOT UNTO US (OP. 31). SING TO THE LORD (OP. 91). 8d. IST. PAUL (OP. 36) (POCKET EDITION). +TO THE SONS OF ART (OP. 68)(MALE VOICES). TWALPURGIS NIGHT, THE FIRST (OP. 60). ‘WVHEN ISRAEL OUT OF EGYPT CAME (OP. 51). MEYERBEER. g1S'r PSALM (LATIN WORDS). 9IST PSALM (ENGLISH WORDS). MOZART. *FIRST MASS. KING THAMOS. REQUIEM MASS (LATIN). *‘+REQUIEM MASS. SEVENTH MASS (LATIN). TWELFTH MASS (LATIN). "‘ ITWELFTH MASS. E.MUNDELLA VICTORY OF SONG (FEMALE VOICES). STAFFORD NORTH. TIN THE MORNING. H. W. PARKER. KOBOLDS, THE C. H. H. PARRY. +BLEST PAIR OF SIRENS. GLORIES OF OUR BLOOD AND STATE, THE TE DEUM LAUDAMUS (CORONATION, 1911 . PERGOLESI. I STABAT MATER (FEMALE VOICES). C. PINSUTI. PHANTOMS. I JOHN POINTER. +SONG OF HAROLD HARFAGER, THE (MALE VOICES). E. PROUT. FREEDOM. +HUNDREDTH PSALM, THE PURCELL. TE DEUM AND JUBILATE, IN D. +TE DEUM, IN D. EDITED BY J. F. BRIDGE. TE DEUM, IN D (LATIN). ROMBERG. HARMONY OF THE SPHERES, THE (OP. 45). ’rLAY OF THE BELL, THE (OP. 25). TTRANSIENT AND THE ETERNAL, THE (OP. 42). ROSSINI. 1 *1 STABAT MATER. ED. SACHS. KING CUPS. WATER LILIES. SCHUBERT. MASS, IN A FLAT. MASS, IN B FLAT (OP. 141). MASS, IN C (OP. 48). TMASS, IN F. MASS, IN G. ISONG OF MIRIAM (OP.136). ‘ TSONG OF THE SPIRITS OVER THE WATERS (OP. 167) (MALE VOICES). SCHUMANN. ADVENT HYMN, H IN LOWLY GUISE.” (OP. 71). _ KING’S SON, THE (OP. I16). MANFRED (OP. 115). MIGNON’S REQUIEM (OP. 9813). 1 TNEW YEAR'S SONG (OF. 144) PILGRIMAGE OF THE ROSE,'THE (OP. 112). SONG OF THE NIGHT (OP. 108). 9d. H. SCHUTZ. , PASSION OF OUR LORD, THE K B. LUARD-SELBY. I DYING SWAN, THE E. SILAS. MAGNIFICAT IN D (LATIN). MASS, IN C. H. SMART. SING TO THE LORD. ALICE MARY SMITH. ODE TO THE NORTH-EAST WIND. RED KING,THE (MEN’S VOICES). TSONG OF THE LITTLE BAL- TUNG, THE (MEN’S VOICES). SPOHR, CHRISTIAN'S PRAYER, THE ’rGOD, THOU ART GREAT (OP. 98). HYMN TO ST. CECILIA (OP. 97). +LAsT JUDGMENT, THE D. STEPHEN. +LAIRD O’COCKPEN, THE S. STOCKER. SONG OF THE FATES. S. STOJOWSKI. SPRINGTIME (OP. 7). A. SULLIVAN. EXHIBITION ODE. IFESTIVAL TE DEUM. 1‘ TE DEUM (THANKSGIVING FORVICTORY). P. TCHAIKOVSKY. ’rNATURE AND LOVE (FEMALE VOICES). A. GORING THOMAS. ’rSUN WORSHIPPERS, THE E. H. THORNE. BE MERCIFUL UNTO ‘ME. B. TOURS. FESTIVAL ODE, A ERNEST WALKER. HYMN TO DIONYSUS, A ODE TO A NIGHTINGALE. C. M. VON WEBER. JUBILEE CANTATA. * MASS, IN E FLAT. * MASS, IN G. PRECIOSA. THREE SEASONS. S. WESLEY. DIXIT DOMINUS. S. S. WESLEY. OLORD, THOU ART MY GOD. 1-WILDERNESS, THE 6d. JOHN E. WEST. LORD, I HAVE LOVED THE HABL TATION OF THY HOUSE. SONG OF ZION, A C. LEE WILLIAMS. +FESTIVAL HYMN, A 8d. C. WOOD. ODE TO THE WEST WIND. F. C. WOODS. +GREYPORT LEGEND,A (MALE VOICES). The Works mcLrked',* have Latin and English Words. . Those marked thus I may be had in the Tonic Sol-fa Notatzon. LONDON: NOVELLO AND COMPANY, LIMITED. NOVELLOS ORIGINAL OCTAVO EDITION OF OPERAS EDITED BY NATALIA MACFARREN and BERTHOLD TOURS. AUBER. FRA DIAVOLO. French and Eng. MASANIELLO. French and Eng. . BEETHOVEN. FIDELIO. Ger. and Eng. Ditto. Choruses only Ditto. Finale, Act II. BELLINI. NORMA. Ital. and Eng. I PURITANI. Ital. and Eng. SONNAMBULA. Ital. and Eng. F. H. COWEN. THORGRIM DONIZETTI. LA FIGLIA DEL REGGIMENTO. Ital. and Eng. . LUCIA DI LAMMERMOOR. Ital. and Eng. -oo Paper Clo cover. gi s. d. s. 3 3 65 65 LUCREZIA BORGIA. Ital. and Eng. 3 FLOTOW. MARTHA. Ger. and Eng. GLUCK. IPHIGENIA IN AULIS. and Eng. IPHIGENIA IN TAURIS. French and Eng. ORPHEUS. Ital. and Eng. Ditto. Choruses only (Sol-fa) Ditto. Act II. . Ditto. ditto. Choruses only (Sol-fa) GOUNOD. FAUST (A Selection in Cantata form) Ditto. ditto. (Sol-fa) ' A. C. MACKENZIE. COLOMBA .. Ditto. German Worde THE TROUBADOUR L. MANCINELLI. HERO AND LEANDER. Ital. and J. MASSENET. MANON. English words MENDELSSOHN. LORELEY (Sol-fa, 6d.) THE SON AND STRANGE MEYERBEER. L’ETOILE DU NORD. Ital.and Eng. French oo- \ :11, d o o MOZART. COSI FAN TUTTE. Ital. and Eng. DON GIOVANNI. Ital. and Eng. LE NOZZE DI FIGARO. Ital. an IL SERAGLIO. Ger. and Eng. DIE ZAUBERFLCETE. Ger.and Eng. PURCELL. DIDO AND ENEAS... DIOCLESIAN (THE MASQUE) KING ARTHUR ROSSINI. IL BARBIERE. Ital. and Eng. GUILLAUME TELL. French and Eng. . SCHUMANN. GENOVEVA. Ger. and Eng. R. SOMERVILLE. THE ’PRENTICE PILLAR... VERDI. ERNANI. Ital. and Eng. RIGOLETTO. Ital. and Eng. LA TRAVIATA. Ital. and Eng. IL TROVATORE. Ital. and Eng. Ditto. Choruses only (Sol—fa) WAGNER. THE FLYING DUTCHMAN. Ger. and Eng. Ditto. Choruses only Ditto. Act III. LOHENGRIN. Ger. and Eng. Ditto. Act I. Ditto. Act III. Ditto. ditto. Chorus only (Sol-fa: TANNHEUSER. Ger. and Eng. .. Ditto. Act II. . Ditto. Act III. Ditto. Choruses only (Sol—fa) TRISTAN AND ISOLDE. Ger. 01/ H WEBER. DER FREISCHUTZ. Ger. and Eng. Ditto. Choruses only . EURYANTHE. Ger. and Eng. OBERON. Ital. and Eng. PRECIOSA. (In Cantata form). and Eng. D Ditto. not on- w >-<Htot»>—m—«»-«cu»-«loco O1 OC7\OO10®O‘xO\O‘\O<3\ on Ger. Choruses only . (To be coiztinued.) LONDON: NOVELLO AND COMPANY, LIMITED. - 'STABAT MATER. ,..éRE UIEM MASS. COMPOSITIONS BY ANTONIN DVORAK. ORATORIOS, CANTATAS, &c. SAINT LUDMILA. (Op. 71.) An Oratorio. For Soli, - Chorus,and Orchestra. Written by JARosLAv VRCHLICl('1. English Version by the Rev. J. TROUTBECK, D.D. Vocal Score paper cover Ditto paper boards Ditto cloth Vocal Parts .. each Vocal Score, German and Bohemian Words Vocal Parts ' Full Score. String Parts Wind Parts Book of Words, with Analytical Notes by J. Bennett (perioo) _ ~ . - Ditto, without Analysis (per loo) 4 PATRIOTIC HYMN. (Op. 30.) A Cantata. From the Bohemian Poem “The Heirs of the White Mountain." Written by V. HALEK. English Words by the Rev. J. TROUTBECK, D.D. Vocal Score, English Words Ditto German and Bohemian Word Full Score. English, German, and Bohemian Words String Parts - "Wind Parts Book of VVords, with Analytical Notes by J. Bennett (per 100) . . .. . ‘THE SPECTRE'S BRIDE. Written by K. J. ERBEN. TROUTBECK, D.D. Voc..1 Score Ditto tto each English, German, and Bohemian Words (Op. 69.) A Dramatic Cantata. English Words by the Rev. J. paper cover paper boards Ditto cloth Ditto Ditto Vocal Parts.‘ Ditto Full Score. String Parts Wind Parts Tonic Sol-fa German and Bohemian Words English Words . German Words English, German, and Bohemian Words . each (per 100) _ Ditto, without Analysts (per I00) (Op. 58.) For Soli, Chorus, and Orchestra. ‘ Vocal Score Ditto Ditto Ditto. Tonic Sol-—fau.x-a Vocal Parts Full Score .. Orchestral Parts, complete . paper cover paper boards . . cloth ‘ .. each 6 63 . 17 , 30 Book of Words, with Analytical Notes by J. Bennett 50 .I III III II. 3 Book of VVords, with Analytical Notes by Joseph Bennett (per ioo) . AT THE FOOT OF THE CROSS (“Stabat Mater," Op. 58). ., '_ﬂ;he English adaptation by Fred. J. W. Crowe; the accom- -péI,n_iments_ arranged for the Organ by H. Elliot Button. , .r ""'Vocal-ttS_core» . ’, _D' -2 paper boards Ditto cloth ‘ Ditto. .7I‘onic Sol-fa _ .- _ ; Vocal ‘Parts each ' Book of Words (per 100) .. ASS IN D. (Op. 86.) For Solo Voices (or small Chorus), I " Chorus, and Orchestra. The English Adaptation by the ‘ ’13ev.J.T1_2oUTBEci<, D.D. Vocalscore Ditto (Communion Service) ,_FullScore, MS. (Op. 89.) For Soli, Chorus, and ‘ rchestra. Vocal Score paper cover Ditto paper boards cloth . each Ditto Vocal Parts Full Score .. Orchestral Parts, MS. ». Book of Words, with Analytical Notes by J. Bennett ‘(per Ioo) ... Ditto, without Analysis (per I00) ORCHESTRA. SYMPHONY IN G. (No.4, Op. 88.) Full Score ' String Parts Wind Parts ... 30 ... I0 .. 22 O OOOOOOChOO- O O\O\OOOOC\O<mO O O O PIANOFORTE SOLO. POETISCI-IE STIMMUNGSBILDER. (Op. 85.) In Three Books BOOK I. Nachtlicher Vl/eg (Twilight way). Tandelei (Toying). Auf der alten Burg (In the old castle). Frtihlingxied (Spring song). _BOOl( II. Bauernballade (Peasant’s ballad). Klagendes Gedenken (Sorrowful Reverie). Ein Tanz (A dance). Koboldstanz (Goblins’ dance). Serenade (Serenade). Book III. Bachariale (Bachanalian). Plauderei (Tittle-Tattle). Am Heldengrabe (At the Hero's grave). Am heiligen Berg (On the Holy mount). PIANOFORTE DUET. SYMPHONY in G (No. 4) VIOLIN AND PIANOFORTE. ALLEGRETTO GRAZIOSO, from Symphony in G (No. 4). Arranged by S. COLERIDGE-TAYLOR ORGAN. ARRANGEMENTS BY G. C. MARTIN. , A Selection of Movemeits from “ St. Ludmila" . No. 1. Air, “ I long with childlike longing." 2. Chorus, “The gods are ever near." 3. Air, “ 0 grant me in the dust to fall.” 4. Air, “Thy leading would I had not followed.‘ 5. Prelude and Chorus, “ Mighty Lord." ~ EIA MATER, from “ Stabat Mater" SONGS. ALBUM OF SIXTEEN SONGS (English and German Words) Go forth, my song, delay not (Ihr Lieder soll’t ertonen). ‘Twas wondrous sweet that dream of ours (Es war der allerschonste Traum). . Nought to my heart can bring relief (Mein Herz ist traurig). _ . Rest in the valley (Ruhe im Tha1e).- v The Orphan Child (Das Waisenkind). The Nosegay (Das Stréiusschen). The Rose (Die Rose). The Cuckoo (Der Kukuk). The Lark (Die Lerche). The Forsaken (Die Verlassene). The Strawberries (Die Erdbeeren). Visions of heaven I fondly paint (Als icli so in den Himmel sah). . ' This I would ask each tiny bird (Ihr winzig kleinen Vogelein). ' Like to a linden tree am I (Ich gleiche einem Linden- aum). , . All ye that labour, come to Me (Ihr Alle, die bedriickt Ihr seid). ’ All through the night a bird will sing (s’ Vogelein singt die Nacht hindurch). EIGHT LOVE SONGS. (Op. 83,.) English, German, and Bohemian Words .. INFLAMMATUS ET ACCENSUS"(“St.abat M-ater’.‘) SERVICES, ‘ANTHEMS, &c. OFFICE FOR THE HOLY COMMUNION in D AT THY FEET IN ADORATION (’I‘.T.B.B.) BLESSED JESU, FOUNT OF MERCY. (Tonic Sol-fa, 3d.) BY THY GLORIOUS DEATH AND PASSION HOLY GHOST, TO EARTH DESCENDING. (“ St Ludmila") BLOSSOMS BORN OF TEEMING SPRINGTIME (“ St. Ludrnila._”) (Tonic Sol-fa, 2d.) NOW ALL GIVES WAY TOGETHER. (“ St. Ludmila.”) (Tonic Sol-fa, 2d.) , Full Score . String Parts Wind Parts FAC ME VERE TECUM FLERE ('r.'r.i3.i3.). (“Stabat Mater”) 5. THOU wiio A'i£r Eon ‘EVER. BLESSED (‘7's:abI-ii‘ Mater’ ) . .u _u. LONDON: NOVELLO AND COMPANY, LIMITED. ' NEW YORK: THE H. W. GRAY CO., SOLE AGENTS FOR THE U.S..A. cl. ‘ ' price each book 3 o
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Date: 1880
Text: ::-‘*e: \\{\§._\\.\\ --\,-~.. ~. . ‘ ‘ 5 ‘_,_s.. -~.s‘,‘\~..\y\\\\ 3‘: \\\\:-\“=:‘ \‘\“=x - ~ s\\ss\\\. \\“~.‘.\ \\\‘\\ ;,:. -. Prin; MUSiC 4._;aa.a.s-w VASSAR COLLEGE POUGHKEEPSIE. NEW vonx Prize Composition, Cincinnati Festival of 1880. RESPEOTFULL Y DEDIUA TED TO THE Po ET. SBENESFH[lMLUNBFELlﬂW’5GULIIENLEIEEN. Symphonic Cantata‘ FOR Solos, Chorus and 07°C/ieszimifc, BY’ DUDLEY BUCK. CINCINNATI, Published by JOHN CHURCH & oo., 66 West Fourth so Copy ight, 1880, by John Church & Co....
Show more::-‘*e: \\{\§._\\.\\ --\,-~.. ~. . ‘ ‘ 5 ‘_,_s.. -~.s‘,‘\~..\y\\\\ 3‘: \\\\:-\“=:‘ \‘\“=x - ~ s\\ss\\\. \\“~.‘.\ \\\‘\\ ;,:. -. Prin; MUSiC 4._;aa.a.s-w VASSAR COLLEGE POUGHKEEPSIE. NEW vonx Prize Composition, Cincinnati Festival of 1880. RESPEOTFULL Y DEDIUA TED TO THE Po ET. SBENESFH[lMLUNBFELlﬂW’5GULIIENLEIEEN. Symphonic Cantata‘ FOR Solos, Chorus and 07°C/ieszimifc, BY’ DUDLEY BUCK. CINCINNATI, Published by JOHN CHURCH & oo., 66 West Fourth so Copy ight, 1880, by John Church & Co. CONTENTS. ‘ SCENE. PAGE 1.——-PROLOGUE, .................................... ..“Hasten, 0 ye Spirits!” and Chorus,..., ......... .. 7 II.-—-RECIT. AND AIR, (Tenor,) ......... .... ..“I can not sleep,” ........................................ .. 21 _ III.—-DUO AND ENSEMBLE, ................... ..(Bass, Tenor, and Chorus,) ............................. .. 27 IV.-—-UNACCOMPANIED QUARTET, ....... ..“ O gladsome light,” ..................................... .. 41 V.—SOPRANO SOLO, ............................. ..“ My Redeemer and my Lord/’....,.,.,.,.,................ 45 T VI.—FOR ORCHESTRA ONLY, ................ ..“ The Pilgrimage to Salerno,” ......................... .. 50 , VII.———DRINKING SONG, .......... .; ............... ..(Bass, and Male Ch0rus,) ......................... VIII.—FOR ORCHESTRA ONLY, ............... ..“The Revel, and appearance of the Abbot,” .... .. 64 IX.——SOPRANO SOLO WITH CHORUS, .... ..“The_night is calm and cloudless,” .................. .. 68 X.—FOR ORCHESTRA ONLY, ................ ..Barear0le, ..................................................... .. 72 XI.—CHORUS OF SAILORS, .................... At Sea,” .................................................... .. 75 XII.-—-DIALOGUE, ..................................... ..(Prince Henry, Elsie, Lucifer, and Cl10rus,)...,... 84 XIII.~—DUET, SOPRANO AND TENOR, ....... ..‘f Behold the llill-‘tops all aglowl 9]. XIV:-EPILOGUE AND FINALE, .............. ..“ O beauty of holiness!” ................................ .. 96 CHARACTERS REPRESENTED. ELSIE ................................................................................... ..Soprano. PRINCE_HENRY OF HOHENECK ................................................ .. Tenor. LUCIFER ._. ....................................................... . .‘. ................ ..Rm'zone. CHORUS OF SPIRITS, THE BELLS, ATTENDANTS, ETC. N. B.—The orchestral parts to this work may be obtairied in manuscript from the pubttshers. Of the piano- score, numbers 2, 4, 5, 7, 9, 11, and 13, may be had SEPARATELY, together with the three orchestral num- bers arranged for pianqforte, four hands. Copyright, 1880. by J elm Church & Co. SCENES FROM LONGFELLOEFS “GOLDEN LEGEND.” The Selection of Words by permission of the Poet and his Publishers. VOICES. Onward! onward! With the night-wind, Over ﬁeld and farm and forest, Lonely homestead, darksome hamlet, Bhghting all we breathe upon! SOEN E I. (PROLOGUE) The .9})tre of Strasburg Cathedral. Night and storm. LUCIFER, with the Powers of the air, trying to pull down the Cross. LUCIFER. Hasten! hasten! 0 ye spirits! From its station drag the ponderous Cross of iron, that to mock us Is uplifted high in air! VOICES. (Female Chorus.) 0, We can not! For around it All the Saints and Guardian Angels Throng in legions to protect it; They defeat us every-where! THE BELLS. (Male Chorus.) Laudo Deum verum! Plebem voco! Congrego clerum! LUCIFER. Lower! lower! Hover downward! Seize the loud vociferous bells, and (llasliing, clanging, to the pavement Hurl them from their windy tower! VOICES... All thy thunders Here are harmless! For these bells have been anointed, And baptized with holy water! They defy our utmost power. THE BELLS. Defunctos ploro !‘ Pestem fugo! Festa decoro! LUCIFER. Aim your lightnings At the oaken, Massive, iron-studded portals! Sack the house of God, and scatter Wide the ashes of the dead! VOICES. 0, we can not! The Apostles And the Martyrs, wrapped in mantles, Stand as wardens at the entrance, Stand as sentinels o’erhead! THE BELLS. Excito lentos! Dissipo Ventos! Paco cruentos! LUCIFER. Baffled! baﬁled! Ineﬂicient, Craven spirits! leave this labor Unto Time, the great Destroyer! Come away, ere night is gone! [They sweep away. Organ and Gre- gorian Chant] CHOIR. Nocte surgentes Vigilemus omnes. -—-o-o}o{oo——-— SCEIN E II. Castle of Vautsberg on the Rhine. A chamber in a tower. PRINCE HENRY alone, ill and restless. .Mz'dn73ght. PRINCE HENRY. I can not sleep! my fervid brain Calls up the vanished Past again, And throws its misty splendors deep Into the pallid realms of sleep! A breath from that far-distant shore Comes freshening ever more and more, And wafts o’er intervening seas Sweet odors from the Hesperides! (‘ome back, ye friendships long departed! That like o’erﬂowing streamlets started, And now are dwindled, one by one, To stony channels in the sun ! Come back, ye friends whose lives are ended, Come back, with all that light attended, Which seemed to darken and decay When ye arose and Went away! They come, the shapes of joy and woe, The airy crowds of long ago, The dreams and fancies known of yore, That have been, and shall be no more. Best! rest! 0, give me rest and peace! The thought of life that ne'er shall cease Has something in it like despair, A weight I am too weak to bear! Sweeter the undisturbed and deep Tranquillity of endless sleep! ———<>o>o<o<>——— SCENE III- A ﬂash of lightning, out of which LUCIFER ap pears, in the garb of a traveling Hzgsician. LUCIFER. All hail, Prince Henry! PRINCE HENRY [startz'ng]. Who is it speaks? Who and what are you ? LUCIFER. One who seeks A moment’s audience with the Prince. PRINCE HENRY. VVhen came you in? SCENES FR OM L ON GFELL OW ’ S “ G’ OLDEN LE 0 END.” LUCIFER. I , A moment since. I found your study door unlocked, And thought you answered when I knocked PRINCE HENRY. What may your wish or purpose be? LUCIFER. The storm, that against your casem ent drives, In the little village below waylaid me, And there I heard, with a secret delight, Of your maladies physical and mental; And I hastened hither, tho’ late in the night, To p_roffer my aid! . . . . . . ‘What is your illness? PRINCE HENRY. It has no name. A smoldering, dull, perpetual ﬂame, As in a kiln, burns in my veins. Even the doctors of Sa.lern Send 1ne back word they can discern No cure for a malady like this, Save one which in its nature is Impossible, and can not be! LUCIFER. What is their remedy? PRINCE HENRY. You shall see; Writ in this scroll is the mystery. LUCIEER [reading]. The only remedy that remains. Is the blood that ﬂows from a maiden’s veins, Who of her own free will shall die, - And give her life the price of yours!” The prescription you may well put by. Meantime permit me to recommend My wonderful Catholicon ! Behold it here! this little ﬂask Contains the wonderful quintessence, The perfect flower and efﬂorescence, Of all the knowledge man can ask! PRINCE HENRY. VVill one draught suffice? _ LUCIFER. If not, you can drink more. PRINCE HENRY. Into this crystal goblet pour So much as safely I may drink. INvIsIRLE CHoRUs or‘ ANGELS. Woe! Woe! eternal woe! , Not only the whispered prayer Of love, But. the imprecations of hate, Reverberate For ever and ever through the air Above! 4 I This fearful curse Shakes the great universe! LUCIFER [disappearing]. Drink! drink! And thy soul shall sink Down into the dark abyss, Into the inﬁnite abyss. " PRINCE HENRY [clrinking]. It is like a draught of ﬁre! Through every vein I feel again The fever of youth, the _soft desire, Ojoy! Ojoy! Ifeel ' ” "’ The band of steel uplifted: My weary breast At length ﬁnds rest. CHoRUs. Touch the goblet no more! It will make thy heart sore To its very core! Beware! O, beware! Sickness, sorrow, and care, All are there! I With ﬁendish laughter, Hereafter, This false physician Will mock thee in thy perdition. PRINCE HENRY. Golden visions wave and hover, Golden vapors, waters streaming! I am like a happy lover Who illumines life with dreaming. Brave physician! Rare physician! Well hast thou fulﬁlled thy mission. CHORUS. Alas! alas! ‘ Like a vapor the golden vision Shall fade and pass, - And thou wilt ﬁnd in thy heart again Only the blight of pain, And bitter, bitter contrition! —-——oo@o-o——— SCENE IV- ELSIE comes in with a lamp ; MAX and BERTIIA follow her; and z‘./Leg all .sz'ng the E'vem“ng Ibcng on the lighting of the lamps. ' ( Quartet, unaccompanied. ) O gladsome light Of the Father Immortal, And of the celestial C Sacred and blessed Jesus, our Savior! Now to the sunset Again hast thou brought us; And, seeing the evening Twilight, we bless thee, Praise thee, adore thee! Father omnipotent! Son, the Life-giver! Spirit, the Comforter! Worthy at all times _ Of worship and wonder! ————o-o',;o.’_oo———- SCENE V- ELsIE’s chamber. Mghit. ELSIE prayin-g. My Redeemer and my Lord, I beseech thee, I entreat thee, Guide Inc in each act and word, That hereafter I may meet thee, Watching, waiting, hoping, ‘yearning, With my lamp ‘well trimmed and burning! Interceding, With these bleeding Wounds upon thy hands and side. For all who have lived and erred Thou hast suﬁ"ered, thou. hast died, Scourged, and mocked, and cruciﬁed, And in the grave hast thou been buried! SCENES FROZII LONGFELLOW’S “GOLDEN LEGEND." If my feeble prayer can reach the O my Savior, I beseech thee, Even as thou hast died for me, More sincerely Let me follow where thou leadest, Let me, bleeding as thou bleedest. Die, if dying I may give Life to one who asks to live, And more nearly, Dying thus, resemble thee! ._—oo§:0<oo——-- SCENE VI- The Pilgrimage to Salerno. (For Orchestra only.) Onward and onward the highway runs to the distant city, impatiently bearing Tidings of human joy and disaster, of love and of hate, of doing and daring. PRINCE HENRY. I-Iark! What sounds are those whose accents holy Fill the Warm noon with music sad and sweet ? ELSIE. It is a band of pilgrims, moving slowly On their long journey with uncovered feet. PILGRIMS. Urbs coelestis, urbs beata, Supra petram colloc-at-a, Urbs in portu satis tuto, De longinquo te saluto! SCENE VII. The Convent of Iiirschau in the Black Forest. The Refectory. Gaudiolum of monks at mid- night. LUCIFER disguised as a frtar. FRIAR PAUL sings. (Drinking Song and Chorus.) Ave! color vini clari, Dulcis potus, non amari, Tua nos inebriari Digneris potential 0! quam placens in colore! O! quam fragrans in odore! O! quam sapidum in ore! Dulce linguae vinculum! Felix venter quem intrabis! Felix guttur quod rigabis! Felix os quod tu lavabis! Et beata labia! CHORUS or MoNKs. Funde vinum, funde! Tanquam sint ﬂuminis undae, Nec quaeras unde, Sed fundas semper abunde! [TRANSLATXON (yon 1-ms wonx) BY EDMUND C. STEDMA1\'.] (Drinking Song and Chorus.) Hail! thou vintage clear and ruddy 1 Sweet of taste, and ﬁne of body, Thro’ thine aid we soon shall study How to make us glorious! O! thy color erubescent! O! thy fragrance evanescent! 0! within the mouth, how pleasant! Thou the tongue’s praetorius! Blest the stomach where thou wendest! Blest the throat which thou distendest! Blest the mouth which thou befriendest, And the lips victorious! CHORUS OF MONKS. Pour the wine, then, pour it! Let the wave bear all before it! There ’s none to score it, So pour it in plenty, pour it! —?oO:=®:,'C>o—._ SCENE VIII- The Revel, and appearance of the Abbot. (For Orchestra only.) What means this revel and carouse? Is this a tavern and drinking-house? Are you Christian monks, or heathen devils, To pollute‘ this eovent with your revels? ——————o-o',>©:,'0<>—- SCENE IX- At Genoa. Night. ELSIE coming from her chamber upon the terrace. The night is calm and cloudless, And still as still can be, And the stars come forth to listen To the music of the sea. 'l‘hcy gather, and gather, and gather, Until they crowd the sky, And listen, in breathless silence, To the solemn litany. It begins in rocky caverns, As a voice that chants alone To the pedals of the organ In monotonous undertone; And anon from shelving beaches, And shallow sands beyond, ’ In snow-white robes uprising, The ghostly choirs respond, Christe eleison! -——-—<>o,':0'{O0-——- SCENE X. (Barcarolle-——for Orchestra only.) The ﬁsherman, who lies aﬂoat, With shadowy sail, in yonder boat, Is singing softly to the Night! A single step, and all is o’er; A plunge, a bubble, and no more; And thou, dear Elsie, wilt be free From martyrdom and agony. ———oo)o<oo—-— SCENE XI. At sea. CHORUS OF SAILORS. -The wind upon our quarter lies, And on before the freshening gale, . That ﬁlls the snow-white lateen sail, Swiftly our light felucca ﬂies. . v Around, the billows burst and foam; , They lift her o’er the sunken rock, 8' SCENES’ FR OM L ON GFELL OW ’S “ G OLDEIV LEGEND.” They beat her sides with many a shock, ELSIE [wtth2‘n]. glrllgytggigeuggﬁ ﬁllféraﬂvevlgytlléregceggﬁ, Farewell, dear Prince! farewell! ‘I 7 ' Ha! that is the ﬁrst dash of the rain, Unba” the 010°“ With a sprinkle of spray above the rails, . Just enourrh to moisten our sails, It - t 1 t 3 And niakei them ready for the strain. IS 00 a e Now keep her head toward the south, ' It Shall not be t00 late! And there is no danger of bank or breaker. Burst the door 0139113 Rush in! With the breeze behind us, on we go; , Not too much, good Saint Antonio! ——°°?©<°°‘*— SCENE XIII- The Return. Castle of Vautsberg on the Rhine. PRINCE HENRY and ELSIE on the terrace at SCENE XII. . em,-,,g_ The College of Salerno. LUCIFER dz'sgu2'sed as PRINCE HENRY AND ELSE‘ a friar. Enter PRINCE HENRY, ELSIE, and Behold! the hill-tops all aglow their attendants. With purple and with amethyst; While the whole valley deep below PRINCE HENRY. Is ﬁlled, and seems to overﬂow, \ With a fast-rising tide of mist. LUCIFER. ——«>o:©=:o<>—- Can you direct us to Friar Angelo? PRINCE HENRY. LUCIFER. _ _ _ The evening air grows damp and chill; He stands before you. _v Let us go in_ - ELSIE. PRINCE HENRY. Ah! not so soon. I am Prince Henry of Hoheneck and this . S d ﬁ - v I < The maiden that I spake of in my letters. sieve’ 31513;, ,0;l§I.' thlg éistggnmﬁﬁif BOTH. It is a very grave and solemn business! / It glimmers on the forest tips Does she of her own free will consent to this? And through the dewy foliage drips / I 1'ttl ' ‘ l=tc f 1'<_‘i t , PRINCE HENRY- Arilnd mealele‘s_u’theel_i)eai']tei]ii, love with night. Against all prayers, entreaties, protestations, In hfeys dehghtw In ‘leath’? dismay» uh - . . In storm and sunshine night and day 5 e. W111 not be persuaded In health and sickness: in decay, , LUCIFER [to ELSIE} Here and hereafter, I am thine! Have you thought Well of it? , _..o;@;oo\. ELSIE SCENE XIV- I come not here To argue, but to die. Your business is not To question, but to kill me. I am ready, . y . . . impatient to be gone. . . . . . _ . I must fulﬁl my pu1.pOSe_ 8fpSOeVl‘fé§‘(.):)%eIt£,fl.c}%/)11el{$lSeSéSOf lowlinessl [To her attendants.] I Whose very gentleness and weakness Weep not, my friends! rather rejoice with me. Are like the yielding’ but irresistible air! I shall not feel the pain, but shall be gone, In Char-&Cte1’S Of gold, And you will have another friend in heaven. That never Shall gI‘0W Old, The deed divine PRINCE HENRY. Shall burn and shine . . Th ° h 11 th . Believe not what she says, for she is mad, “yiltcflugoftaeﬁ-,,1§e:§rceeS! And comes not here to die, but to be healed. O God! ytis thy indulgence E _ That ﬁlls the world with the bliss Lem’ . Of a good deed like this. Alas! Prinee Henry! Lo! over the mountain steeps ° ac mess in e i g Come with me; this way, As a storm-cloud 1urid_with lightning; [ELsIE goes in with LUCIFER, who thrusts And a cry Of 1am‘:’“t‘}t‘°“* PRINCE H/ENRY back and closes the Repeated and agam lepeated’ d0O,._] , peep and loud, _ _ Eiwells and rolls away in the distance. , PRINCE HENRY. _ It is Lucifer, the son of mystery. Gone! and the light of all my life gone with her. 0 beauty of holiness, _ [TO the attendamm] _ eS(E%Ef;-ef((l)l'§’i£3‘ﬂ"1rlll(:1eSS, of lowliiiess! Why did you let this horrible deed be done? Shall burn and shine \Vhy did you not lay hold on her, and keep her Through all the ages. From self-destruction? Angelo! murderer! ‘ runs. (EPILOGUE AND FINALE.) 0 beauty of holiness, ./ "e. Eli‘ p‘ -, SCENES FROM THE GOLDEN LEGEND. SCENE I’.--PROLOGUE. T/w spire of Strasburg Cathedral. Mght and storm. I/Lccifer, with the powers of the air, trying to _ pull down the cross. Allegro con Fuoco ed Agitato. -3- \ » .__._—»—$-/ Corni. jg .. P//1/V0, .5: 1" Viola. ceuo. P » ’ —? $ W Timp. ;: 13 Bassi. ,'..g- ' C01-ni. "‘ ff , kl Trombe. 1 Trom boni. Tuba" f Molto arcato. ff 1- a. 4-- ° 3-9- I Poco Cries. do. 'l‘empo,I. 2% '6- '9' Fl. Ob. Clar. Fag. LUCIFER. olto Energlco. Hast - en! hast - en! Hast-‘en, oh, ye_ spir - its! 0b_ J/4-—_— ”J From its’ sta. - tion drag that to mock . b is up-lift-ed, ' up-lift - ed high .3 SOPR. I ¢ II. Sf J‘ Sf }' Chorus of Spiriis. ‘ Oh, we can not! For around it ALIO & /T- sf the saints guar - dian an-gels Throng in le-gionsto pro- sf They de - feat us, de - feat >- >— >- ff TENORS. “ The Bells.” Mlzle CYIZOTMS. BAssEs. >’ g/Ew gr-1.. Con - gre-go cle . downward! clang - ing, sf T Hurl Low - er! ff’ the loud, . . Clash-ing, )- Seize vocif’rous bells, Tromboni. sf >—>—>— Sempre Forte. 0 0 to the pave - ment hurl them! }-p SOP. I «I: II. Chorus of Spirits. AI/l‘0 I & II. them from their windy tower! >==~—- are lmrm—less! For these bells have been a.-noint 1 ed, And V baptized with .5. +- Celli. Fag. - Iy wa - ter! They de-fy ut.- most p0w’r! >— >~ >- Dlm. 1: Hit. 12 1 A”"\ 2 __"_‘ JD w‘‘‘’‘1 '‘ l. ‘ . l\""‘%~""“'l."ll+'l€‘l«”"‘ , V_ K‘ A TEKOB I & II. Poco Moderato. “ The Bells.” De — func - tos plo - ro BASS I & II. > nl_f . . P n Poco Mode T Pod. * f >'l‘exnpo lmo. _[ f_>- Tempo lmo. LUCIFER. ff pg _A _ "“"‘°°- . Aim your lightnings at E, - A---P ~:‘.§~“§»-1'} ‘T ; Pooo rail. Z'*\ O- A tempo lmo. oak-en, mas-sive, i - ron-stud-ded por - talsl Sack the house of God . . ‘ff Colla Voee. > ’ '\ Molto ritard. . .the ashes of the dead! and scatter wide . /§ A tempo. Motto rit. _\ PP SOP. I & II.f Chorus of Sp1”tS' O We cannot! we can not! AI/1'0 I dz II. > >- }- Mar- tyrs, wrapped in man-tles, Stand as war—ders,§ Stand as war - ders at the )- . Stand as sen ti-nels 0’er “ The Bells.” BNO}! I & f.x- ci-to Dis-si-po BASS 1 a 11. __.,;’ mf LUCIFER. baf - ﬂed! In - ef-f1-cient,C-r’a-ven spil‘-its! _ F1. Ob. Ciar. Poco a poco 1-! leave this 12. - bor Un - to Time, 0 —— Man-cato. 3* Allegro lmo. De - stray - er! Come a — way! come a -‘ way, 333: . - j’ mf Cor. Tromboni. Fag. iu——: Senna I-It. night is gone ! . > P Ciar. _..%-': Fag. 1 2 1 Chorus of Spirits. On - ward! on - ward Wit-h . . the night - wind! 0 Vet ﬁeld mf }- farm . . and for - est, ly home-stead, dark some ham - let, 4* 1y homestead, dark - . some hamlet, 'Bli,<,rlat-ing all . .we breathe up-on.’ Then on - ward,on-ward, With . .thenight-wind, >- > > ' -1- -0- ver field and farm . .and for - est, Lone - ly h0me— stead, 3 P I y homestead, some ham - let, Bllght-ing all we breathe up-on! Blight-ing >' some ham-let, Blight.-ing all breathe up-on! Blight-ing we breathe -r -0- Soprano and Alto in unison. . sf (They 37055? away) On - ward! on — ward! ** .35. %*+ -L___:__ .._,.. W9- s0PR!lN0. ndante poeo Maest-oso. T —: l\oc - te sur - gen _-< R“"""“° within the Chthedml. Organ Gregorian C'h(mt..) TENIDR. —< >- Noc — te Rallent-. Andante pooo Mat-stoma. with voices, ad lib.) Vi - gi -le - mus Vi - gi -le - mus Strings. Fag. Str. Pizz. /.?:...__$ . ,——. -F- -+- ff Ped.; Pea.;" Ped.; Ped. ‘Pea. Vi - gi-1e—mus om - nes! - gi—le-mus om - nes! - gi - le - mus om - ,...-.-._-_¢\_M_.__.,_.__.__..f.f..\- ___ A‘ A__A AA - Vi - gi-le - In US! vi — gi-le - {nus P ~..-<=._._.<...r < I A _ «cc.-"2-c—"..4 . “N 4%. vi—gi-le - mus! vi-gi-le-mus '§ )1: 3 ﬁ Corni. bi * Organ meet from this point. 7 *# SCENE 11. Castle of Vautsberg on the Rhine. Chamber in a ‘tower. Prince Henry alone, ill and restless. ]lI.’d~ night. Andante espressivg. '\ . Cor, >- mfceli-3 « A A A CF08. ed accei. } > >>> Poco agitamo. >.>->- PRINCE HENRY. m anon‘ conanima. —/5 I can not sleep! my fer-vid brain . . Calls up the vanished Z‘ 7’ . Collavoce. | /——\ Moderate in Tc-.mpo.__=:-——-" P 1 Past again, And throws its mis - - ty, misty splendors deep Into the pa1—1id realms, the , . Tem 0. . . . 0&1/o * The recitative portioxis of this work must be taken as nearly in strict time as possible. pal - lid realms of sleep!‘ A breath . . .u_'p_.I § 0 0 n 0 . '?" .,_. F1. Ob. Clar. ,..\ 3 J/‘_J_ Str. ‘X‘Ped. . from that far t shore Comes fresh’ - ' R Sempre piano. .>.-. 5 Ped.-r more and more, And wafts . . . 0’er in—ter - ven-ing seas § -¢f_0f;»92- 2 Z . +—+—- 635? Sweet sweet 0 - dors from the - ning ev - er Hes—per — i- CI-es. ye friendships long de - part - - That like 0’er-ﬂow / ‘ . ‘\ ~ _ streamlets start - ed, And now\are dwin - chan - nels in Come back! ye friends, whose lives are f; — ed, Come back, with all thatlight at-texld - ed, VVl1ich seemed to darken {Ze--$ ’ mf ‘ }— de - Cay, When ye 3 - rose and went a - way! \ >— -\ *\ M,» . ‘}r'~.,£ , f_,,..«£»-ML‘ Poeo An I mato. &—_—_.2 Fl. 0 b. Clnr. Poco A n i mato. Zjx ff ‘ ‘ >'=- they come!_ the shapes . . of joy and woe, sempre piano. Celli. Fag. ‘ V Cor. Ped. “:53 air - y crowds of long a-go, The dreams and fan-cies known of yore, That 3 _V:_[4~I~a~.r~I~ao~I~’> wvv-oAovvv~aoo&wa&~o¢.-rorvv Ay l~I\'~ f have 7 been, Sva ¢-~¢-» Ht,-b—71 '9? F Rest ! Tempo lmo. and peace! Recitante. Molto a con pans! no. The thought of life Pot-0 ran. _shall cease Has something in am too weak to bear! A weight I it like des - pair, Lento. Clar. Fag. Cor. . Sweet - er the un -dis-turbed ‘ﬁr’ Tempo lmo. e; and deep tranquil - i-ty. . . . un - disturbed and deep Tran- (—\ quil - i - ty — — less sleep ! 0 give me rest! SCENE III. ‘(A ﬂash qf lightning, out qf which Lucifer appears, in the garb qf a traveling Physician.) A negro con fuoco. Sva.» . . > _ . LUCIF ER. PRINCE HENRY, (starting) 215 Prince Hen - ry! VVho is it speaks? Who and what i LUCIFER. who seeks a mo-ment’s and-ience with the PRINCE LU Prince. VVhen came you in? A mo-ment since. I found your stud-y door un- locked, And thought you an - swered when I knocked. mf .4 PRINCE HENNRY. «¥;F.-—.‘.-—"F,-H- TZCDJ V / If g\[ ‘- 1." Vvhat may your wish or I ' ' - - 5 H L ‘ . F i ’ 4 : = : ‘ ! .0 : = 7 E _‘L'&v“1*%'—3—"-‘f—":L"-‘:1-L-.5-t""ﬂ g V {'1 I \- 0 E I Cres- ‘-4- -L a—o ,— \‘ . b _ . . q 7 " . 7 . ' .1 ‘I - 12% 7 . 4. I 0 PL I l I ‘I —-e: A LUCIFER. .\ The storm, that a-gainst your case—ment. drives, In the village below way- ‘ -\ laid me. And there I heard, with a. secret de—Iight, Of your maI- a.-dies phy- si—ca1 and L“ - tal; And 1 has-tened hith - er, tho’ late . . . in the night, PRINCE HENRY. prof - fer my aid. What is your ill - ness? Ob. Clar. 2‘./x Andante esp:-essivo. (Tenn del No. 2.) no name. A smoul - d’ring, perpet-ual .. Ped. sempre. As in a. kiln, in my veins. \ . - /._....:_.\ sempre piano. T E - ven the doc—tors of Sa - lern Send me back word they can discern No cure—— J\ _ 0 0 i 9 N for *3, mal - a- dy like this, L LUCIFER. PRINCE H. one which in its na-ture is Im-pos - si-ble, and can-not be! VVhat is their rem-e - dy? You shall Sf LUCIFER, (read/ing.) . _3 - yVrit in this scroll is the mys - te- ry. “The on - ly rem-e - dy which re-mains of herown free will shall die, And give her life as the price of yours!” The pre - scrip - tion you may well put ores. f . o . Mean -while per-mit me to re - com-mend My won?-der-ful Ca- -'O- . V P Pizz. * 8Ve§..o~o~r.rv\I~.ov~avv\o~ tho- li-con! Be-hold it here! Be-hold ' this lit—tle ﬂask Con-tztins the _.____..§ Won-der-ful quint-essence, The per—fe,ct ﬂower of ef- ﬂo -rescence, Of all . . . . the linowledge ’_IO’_ }. no '0 f— 0 O /— M-7‘ 1’ INCE HE RY. LUCIFER. can ask! Will one draught sufnﬁce? If not, you can drink 8I’aaAn Fl. Clar. Lucxmm. SOPR. V ALTO. of angels hovering in the air PRIN HENRY. In - to this crys - tal gob - so much as Z-.—.._.._.....$ let pour V LUCIFER. > Drink ! shall sink Down . in”- to the dark 31- byss, the l f Con fuoco. ’Tis|ike a draught of ﬁre! byss! (Chorus remain seated throughout this number.) 11 al w'0e ! P Tromboni. safe- 1y I may drink I and thy in - ﬁn-ite a- —+- "' Pizz. Th ro’ ev - ’ry . I whis - per’d pray’r, the whisper’d pray’r whis - per’d pray’r, the whisper’d pray’r whis- per’d pray’r, the whisper’d pray’r 0 joy 1 Re - ver - be-rate, re — ver Re - ver - be-rate, re — ver ..Re - ver - be~rate, re - ver feel a — gain . The fe - ver of youth, the soft de - sire: the im- pre-ca — tions - ‘U’ of love, the im - pre-ca. - tions the im - pre-ca. - tions feel the band of steel up - lift. be - rate he - rate L. fear - ful curse- —e f x fear - ful curse- _._p/ fear - ful curse- e f My wea—ry breast at last ﬁnds rest! thro’ the air thro’ the air thro’ the air Shakes the great 7’ Shakes the great I’ Shakes the great I’ :———— ni - verse ! ni — verse ! ni - verse! :>>— 70 (With ecstacy-.) en visions wave ’ hov - er, LUCIFER. Drink! drink! and thy soul’ shall sink mf Semi-Chore’-‘ ——————j .. Sormmos and Amos. (Altos oni y.) VVith ﬁend ish laugh - tel‘, -797’ Sopmuro. Touch the Touch e Touch the PP mf /-x Ped.¥ * som-pro. Er . 3 * This Semi-Chorus to consist of eight to sixteen voices, weakly proportioned to general chorus, and equally divided in Sopranos and A os. Down, down in —to dark a—byss, e in -ﬁ-nite a—byss! Here - af - ter, This false phy-si cian, this false phy- more! Touch the gob - let ——+« Z‘ more! Touchthegob - let Touchthegob - let stream - ing, . . am likea hap soul shallsink, y soul shall sink! In — to the in — — nite n- W I 1*" 5 u'T,'E' thee thyper-di - tion, in thy per- more ! more ! :3 In -lu '- mines. life byss thy soul shall sink! in - to the in - ﬂ - nite, It will make thy heart will make thy heart will make thy heart dreaming! phy - si — eianl . /"""\ dark abyss! Drink! drink! and thy soul di - tion! phy - si - cian! O beware ! 0 . beware ! O beware l T V 4: 4- in — to the V M in thy per- phy- . shall sinlgthysoul shallsinkin-to the f“ V . phy- O beware ! O ‘beware! 0 beware l si - clan! Wellhast thou . . . . ful—ﬁlledthy mis dark a.—byss! si - lcianl ' ell hast thou Sick-ness,sor - row and care, - All, 0 Sf . §:._.._Z S1ck—ness, S01‘ - row and care, All, . . . . Sick—ness,sor - row and care, All, Thy soul shall sink in~to the dark a- Sop. therell 4 A - las! Like a. Va. - por the gold hen vi - sion Shall &__J a there! . . . A - las! . . . Like a va. - por the gold en vi - sion Shall ' Dim. there! A - las! A - las! The gold -en vi — sion Shall }--/‘.$ T e a va - porthe en visions wave Drink! dripk ! and thy soul shall sink! Drink 1 drink! *2 \./ - — h,ﬁendishlaugh - ter ere - af - ter, This false phy «si - cian, fade and . And thou shalt fade and pass! And thou shalt ﬁnd ‘fade and pass! "And thou shalt 2% -P- -5- My wea - ry breast ‘ at last ﬁnds shall sink in - to the dark 3. - byss, in - to the heart a-gain - ly theblight heart ly t.h'ehlight heart a-gain ly the blight thee, a.-byss,the in - will mock bit - ter, and bit - ter 3; J”; bit - ter, and bit - tel‘ bit - — - ter con-tri bit - ter, bit - ter, and bit /- ter I and >- con - tri joy! . . . . . byss ! per - di con - tri con — tri K . con - tri SCENE IV. QUARTET VVITHOUT ACCOMPANIMENT. Ekie comes in with a lamp; Max and Bertha, follow her, and they all sing the “Evening Song" on the lighting Q)‘ the lamps. Con Mot-o. SOPRANO. (E1sie.) ALTO. (Bertha.) TENOR. (Max.) BASS. (G0 ttlieb.) (Ton M an). Intro- ductlon. Tromboni. gladsome light! glad - some light! >‘ O gladsome light! {Th - some light,O gladsome light gladsome light I glad - some light,O gladsome, gladsome light l > 3 ‘fr?’ gladshme light of the Father, 3-’:- gladsome light of the Father, of the \ of the Fa — N Fa-ther Im - mor - ta], And of the ce — les - tiail, Sa-cred and bless—ed Je — sus, ——<>:’ —-<>. Fa — ther Tm - mnr - tal, And of the Ce’ - les - tial, Sa - cred and b1ess~ed Je - sus, >-’ ‘ Tranquillo. bless — ed Je - sus, Our Sav ior! Tn", u,",,_ Now ‘Now . . to the sun-set, the bless - ed J0 — sus, Our .sun—set a.-gain hast thou broughtus, a. - gain . M . . . hast thou brought 7? '5' a - gain hast thou brought us, a. - gain hast thou brought f >_/\. >4. Thou ' to the sun - set hast brought mf /_._.._.\ to the sun-set a.-gain . . . hast thoubrought 1’ - ning twi-light, we bless thee, see - ing the eve - ning see - ing the eve _- ning twi—light, we [bless thee, see — ing the eve - ning twl - hght, we bless thee, Praxse . . thee! twi —light, we bless thee, Praise . . .' ' thee! he mr Fa - ther om —’ni - po-tent! Son, the Life-giv - er! Spir - it, the Com -fort-er! mr Fa. - ther om - ni - po-tent!.Son, the Life-giv - er! Spir - it, the Com- fort‘-er! - thy of wor-ship and won-der! Wor - thy at all ff Wor - thy at all times of wor - ship and won-der! Wor - thy at all /\ ,— 9 won —der, At all, 1..-._ ___p.__- times of wor - ship and won 0 glad-some times of wor - ship and won derl O gladsome light! times of wor >— - ship and won 0 lad-some ff light! 0 gladsomelight! 0 glad-some light! -<ff O gladsome light, gladsome light! 0 glad - some light I Xi -< ff Dim. P >- _ O gladsome light, gladsome light, Og1a.dsome,gladsome light, gladsome light ! 4:5 SCENE V. Elsie’S C’/Lamber. Night.‘ Elsie praying. A ndante espressivo. E-LSIE. My Re- A My Re - deem mf I be - seech thee, _¢< _{ Guide me in each act and word, Thathere-af that here- /“ ‘T ‘T .._c-’‘‘ Watch - in g, /T I may meet thee; UVII ox } hop-ing, yearn - ing,With4my lamp well-trimm’d, we11—trimm’d and ' -+—+- 7' §'O"0r 1 ‘W colla voce. : 0 [In poco piu moto. In-ter-ced - - M ing with these‘ bleed — ing wounds; these K {Tn poco pin mono. Fag.Vio1a. / \. P / \ / \. 2:‘. ,T=> ‘ )- bleed - ing wounds up-on thy hands and side, For all 7 who have lived and D. Bass. Fag. } err -A - ed Thou liast suf - fer’d, thou hast died, thou hast {Tune ‘ f> Paco suf - fer’d, thou hast dieil. . Scourged, Vand mocked, and Aceel. ‘e (.__‘ /,..+__ -F .s..,.u..~,-N, Poco fall. :5) ii’ 7 ‘ Molto ritard. >_. the grave hiast thou been btir - ieii! Molto ritard. IIIOZZII V000 . Tempo lmo. TI - ior, If my fee- ble prayer can reach thee, Oh, my Sav Tempo lmo. a a"r16;_ a el tranquillo. I _' /‘ “\ II I hﬁempr HJ HIT ‘\ /-‘ ‘ll. PI’ j 11 .. ll :3 .u I 1 I I 4 V a‘ nu ‘IN C‘ .' b___a’ 9%.’ sempre Pea I n for I be - seech E - ven as thou hast died 5 thee, more sin - cere - ly, .. 197’ T . More sin - cere low where thou let me fol bleeding as thou bleed‘ - est, if dy-ing I -may Die, me, Let to one who asks to live, Andmore near~ _\ re - sem - ble thee! more near - ly, ' more near ~ 2*‘ - ing ¢hus,re-sem - ble thee, - ble thee- 50 SCENE VI. The Pilgrimage to Salerno. (FOR ORCHESTRA ONLY.) “Onward and onward the highway runs to the distant city, impatiently bearing Tidings of human joy and disaster, of love and of hate, of doing and daring. Hark! what sounds are those, whose accents holy Fill the warm noon with music sad and sweet? PRINCE HENRY. { 4 ELSIE {It is a band of pilgrims, moving slowly, ‘ On their long journey with uncovered feet. Urbs cwlestis, urbs beam, Supra petram collocatai, mbs in porto satis tuto, De lorngtinguo te salute.’ ” PILGRIMS. ‘Tempo di Marcia. Poco mode:-ato. PIA/V0. spy, Ob. Ula r. Fag. mf “ Urbs cw - les - t/is, urbs Str. pizz. mf (Wind.) Ores. sempre. . O Trumpets. Tromboni. >- Poco pin Mosso. Corni. Clar. Ob. Trombe. Corni. f %celcl-;ra_n,«1l‘nB 4‘ rom 0111. u a. Tfomboni, in-uendo. P Poeo All t-gro. Cor. Fag. Celli. Espressivo. -—r- D.Bass. y CIDII Sven. Tempo (lmo) dl Marcia._$ (Wind ins't's.u' Tromboni. Poeo ores. Poeo All fr Celli. Viola. Fag. F1. Ob. Clar. Tempo lmo. 4 H9- Pot-0 Allegro. Tempo lmo. , Fag. Celli. A 1 I K1 l"'-~ HI“- :‘%&; ﬁ:*J.37;=*‘ , wa . d‘r|. ’ ‘ ' q ‘H Espressivcnp 44.-H ' A 7, . *: a7 ,**d I-‘I M. M 0 M M m m T Cor. Fag. (Wind.) > > Allegro Molto. 59 SCENE VIL (DRINKING SONG.) The Refectory. Convent qf Hirschau in the Black Forest. Gaudiolum qf monks at midnight. I/et— ezfer disguised as 'a friar. Friar Paul sings. Allegro con Fuoco. W 0 '9'. FRYAR PAUL?‘ f k‘ 3-‘ -9-. Con abandon. ' . . _ A - ve co - lor vi - ni cla - r1, Dul - c1s po-tus non . . a.-ma, - r1, THail,. . thou vintage, clear and rud V) dy, Sweet of taste and ﬁne . . of bod - y, Z_ Tu a nos ‘in - e - bri-a. - ri, Dig I ne-ris T111-0’ . . thine aid we L . . . shall stud - to make _ Y } g+Cres. Th 0 "to *This part may bevsung’ by the singer of the role of " Lucifer." 1 English translation (for this work) by’Emwxw C. STEDMAN. . A W , P V H E TENCIRS. Uhorus of Monks. un - de vi - num, fun - de! fun—de! Tunquam sint ﬂuminis Pour the wine, then, pour it I pour it ! Let the wave bear all be- /T N BASSES. ff> ‘ -¢54|- -9- J5 ten — ti~ a. Fun - de, funde vinum, un - ! glo - rious. Pour the wine, 0 pour 1t! pour it! ' \ . '5 un - dse, Nec quse - ras, nec quaeras un - fore it! There’s none here, none here to score it >. >_ >- >. >.. >- ec qua: - ras, nec quaeras ;I‘here’s none here, none here to per a - bun — dc! - ty, pour" it! un - de, score 1t, fun - das, sed n - das sern pour it in plen-ty, in plen \ N /____ $4‘ ,., FRIAR PAUL‘ (With exaggerated portamento.) /-'1 . quam pla - cens . thy col - or slmlll. « O! . . quam frag - rans O . . thy fra - grance h-:—-:1:-j-¢.$ poco run. >- > . quam sa. - pi-dum in o - .. . ce lin - quae with-in the mouth how pleas the tongue’s prae- >- > > Chorus 0fMOI1kS. - - de,vi - nnm, fun - de! the wine, ‘then, pour it! .-£-J J de, fun - de vi - num, fun - de! fun - del thewine, Opour it, pour it! pour it! \ "'\ "\ Tan - quam sint ﬂu - mi - nis un - due, Nee‘ quae - ras, nec quae-ran Let the wave bear all be - fore 1t! There’s none here, none here to >. >. nec quae - ras, nec quae-ras un - de, fun - das, There’s none here, none here to score it! Pour it in >- >- >- >- . . ' ' I Sed fun - das, sem — - - S0 pourit in plen - - - per a-bun - de! - ty, pour it! FRIAR PAUL. N T Fe - lix ven - tor Blest the stom - ach quem in - tra. - bis! - lix gut ~ tut‘ quod - - ri - ga - bis! where thou wend - est! the throat which thou . . . . dis - tend - est! _ /_j____. L- /A Fe - - liox os - - quod tu - - la-Va. - bis, Et . . . be—a - ta, be- Blest the mouth . . . which thou . .i . be-friend-est, And . . the lips, . . . the a - ta, be-a - ta la lips, . . . the lips Vic - to Chorus of Monks. > Fun - - evi - uum, fun - de! fun - del Tan-quam tﬂu - min -is un- dae, Nec Pour the wine, then pour i pour it! Let the wave bear all . . be - fore it! There’s 2- > '-«"4 -0- Nec quae - ras, nec quae-ras un — de, it! There’s none here, none here to score in! quae -ras, Nee quaeras un - de, none here, Nonehere to score it, pour it! Sem - - per a.-bun-de‘! Sem - per a. - burn-de! Pour i 0 pour it! C U 6-3: _ SC EN E VI 1 1. The Revel, and appearance Q)" the Abbot. (FOR ORCHESTRA ONLY.) “ What means this revel and carouse‘? Is this a tavern and drinking house? Are you Christian monks. or heathen devils, To pollute this convent with your revels?” ff? Allegro Bacchanale. Con Molto Brio. COI'Ili. >- Viola. Clar. >- 2* >- > mp / ‘\'I‘r0mboni. 3*’ mf > ffﬂolmo mareato. F1. Ob. Ciar. Mareato. rm ' _ ' _ Cel1i.Fag. ff Paco stringendo. Cor. Fag. ‘Vcelli. recitando poco rall. moon v-all. j’ Temlio. P 1'" . Trombe. >2--5 Tromboni, Viola. Clar. 11 t d . ra en an 0 ]__—-§ Adng_io_ Tromboni. ea SCENE IX. At Genoa. A terrace overlooking the sea. Elsie co1ningfl‘om her chamber. Andante moderato. / , o '_ c K /——§ P/A/V0. ’ P Vla. Vcell. .7 _g'_ ‘ ‘ The night is calm and cloudless, — — still as still can be, And the stars come forth to lis-ten, To the Inn - sic of the . f f‘ 7t -9* f-/---\ sea. They gaLh—er, and gath - er. and gath — solvr. Alto. “‘;<- h 553 Chri - ste Ten or. PP!’ Chri - ste Bzue. PPP *.Cl1orus remain seated throughout this number. they Crowd the And lis—ten in breath-less si-lence, ~0- i- son, Chri-ste e - Ie i - }— i-son,Chri - stee-,le - - i- /:- (Organ.) It be-gins rock—y cav - erns, As a voice that chants a - - - Chri-‘Ste e - Organ ped. sustains. To the ped — 9.13 of the or - gan, In mo- no -tonous un - der- sempre piano. And a-non from shelving beach ~es, And shal low sands be- Chris - te, __< snow — white robes up - ris-ing, The ghost ly choirs re- Vcello. Fag. ff Chris - tel Chris - Le e - le ~ i—son, y - ri-e, e - 1e - 1-son, e - le f y - ri-e, e - le - i-son,e - Cros. ‘C f i-son, e - le Christe! Christe e- 1’ Chris - te.I Chris-tie ! Chris - te e - __< Chris - te I Chris - te I Chris - te e - I. '72 SCENE X. Barcarolle. (won ORCHESTRA ONLY.) The ﬁsherman, who lies aﬂoat, With shadowy sail, in yonder boat Is singing softly to the Night! is 7% ~>=,« as ale are A single step, and all ia‘o’er; And thou, dear Elsie, wilt be free From martyrdom and agony. Allegro Mode:-ato e Tranquillo. -—=:.<}‘-—-<’<}- ? sves ad lib. “‘ Two (moderately slow) beats to the measure. Tromboni. Corni. 3 -—+- /\ (Strings. )# '/..—_..__§ 9-1} N-< > F1.C1ar. ob." n. «av Strings unis. Ei- Wlf 4-O- (jor, 1«‘-.1g_ Canto sempre man-cato. 8\'a ~v~¢¢-v~m~v -0- 1‘, n passi one. 2 Poco rall. ./ _.___....__....._\ SCENE XI. At Sea. (CHORUS OF‘ SAILORS.) Allegro con Spirlto. Trombe. Tromboni. P/A/V0. TENOR I. The wind 'rENon II. > up-on BASS I. The Wind 1; A ss II. >- up-on our quar - ter lies, our quar - ter lies, be - ore the fresh’ning e, And on, be- on, and on, . . and on be-fore t.heI're.sh’ninggale, And on, . . and on be- and on be - fore the fres'h’ningg2Lle, And on, fore the fresh’ning gale, . . > - fore the fresh’ninggale, That fore the fresh’ning gale, . . . be - fore thefresh’ningga1e, That > :’ _Z——j——:_ be - fore the That ﬁlls our ' 3 H5 our snow - white lat-een sail, swift - ly ﬁlls ouranow-white lat een sail, Swift-ly, swift - ly ' white l_at~een sgil, ly our light fe ‘ca ﬂies; our light fe — luc - swift ly our light fe ca ﬂies, our light ﬂies, our light ie e bil - lows burst and round ‘— the billows burst and foam, } . >- A - round the billows burst and }— lift her - thesunk - en rock, They beat her sides, They beat her >- >- . They 1-ift. her o’er the sunkenrock, They beat her sides, they beat her ,..__...$ ' > Ped. sempre. sides, they beat her ‘sides with ma -- my a. shock, sides, they beat her sides with ma. 4 ny a shock, shock! shock! '79 * —< f And then, up-on their ﬂowing dome, They poise her, they > >- _ f And then, up—on their ﬂowing dome, They poise her, they _< ise her, poise her, ie like a. weath-er-cock. Now all read-y, eaweath-er-cock. Now all is read-y, good Saint An - to blow! . . . . . . . . . good Saint An - to Hal that is the that is the min first dash, the ﬁrst dash of the rain! Witll a sprin - kle of spray, > } >’ >- mp ﬁrst dash, the first dash of the rain! With :1 sprin - kle of spray, spray a-hove the rail, spmy a-bove Lhe rail, And make And make them make them read - - y /-— 3 y for the ét1'ain1. y for the strain. the strain. .< Just e - nough, > Just, e - nough, >‘ them read - y read — for the to mois - ten our sails, . to Innis - ten our sails, . . . . K ‘ And the strain, and make them read — _v for the strain, and make them strain, . . . and make them how she leaps w en the blasts 0’er—take her, And V >- >— > > how she leaps when the blasts 0’er—t:xke her, And >~ >- F 82 _.._..K.___ speeds 3 zi-way With a bone in herxuomh. speeds a.-way with a bone in her mouth. Now keep hex-head t0- - 3 . mf Now keep her head to - ward. A’ Now keep herhead to - ward the South, m f Now keep her head to - ward, to - ward the South, j — ward the South, toward the South, Now keep her head to -ward the South, South, her head toward e South, there is no dan—ger of bank or of breaker,’ there is I : VVith the there is no dan-ger of bank or of breaker, there is With the _i-'——‘ Col. Sven. ff breeze, the breeze be—hind us, On we go, we go! Not too ff breeze, the breeze be-hind us, No: 100 >- much too much not too much ) , 1 I >- too much, not too much, . good Saint An - to - - good Saint An - to - 84. % SCEN E XII. [The ‘College qf Salerno. Lucifer disguised as a Friar. Enter Prince Henry, IEls1'e,:rand—£heir attendants. A n «Ian ta. nu derato. Dolente. "PRINCE HENRY. LUCIFER. A,,,,_ ,,,,,,,,,,.,,t,,. Can you di-rect. us to Fri - ar . He stands be - fore you, Z.‘ 3 Ana. moderalo. fl’ /" PRINCE HENRY. Deciso. 'I am Prince Herky, of H011-en-eck, am} this the (B1339-) P (Ires. 5. LUCIFER. maid-en that Ispakeof in my letters. It is aver—y grave and S01 - emn >- (Str.-) Sf Pizz.l PRINCE HENRY. business. Does she, ofher own free will consent to this? Against all px-avr’s, en- /? ‘ senuore piano. . . -4- -r LUCIFER (to Elsie.) >- >>. treaties, protest-a-tions, She will not be persuad-ed. Have you thought well ofit? ELSIE. >- Al come not here to A F1. Ob. Clar. 1) (>00 nlarcato. —-’—~*"n"""sf ar- gue, but to die. busi-ness not to question, but to kill / so 1'. PP!’ —< >- .l‘»0- . 0 (Chorus seated.)A pr0-test- A-gainst all p1-ay’rs, >_- ies, Ten or. (Chorus seated.) pp]? A-gainst all pray’rs, — ies, W pro—test— Bass. Chorus of Attendants. am read y, im-pa-tient to be gone. must ful- - ‘d’ Ga -tions, She will not be per - suad a-t-ions, She will not be per - suad :e ( To her attendants.) my pur - pose! Tromboni. Tuba. not, my friends! rather rejoice, rejoice with me; PP . '* . . Against all pray’rs, en - treat - les, pro-test-a - tlons, PP _ ‘Against all pray’rs, en - treat - ies, pro - test- a. - tions, PP .—\ I .-< shall not feel the pain, against all p1'ay’rs against all pray’rs Ball. in heaven. 3 3 friend, an-oth-er fbiend mad,aml comesnot here to die, but to be healed, but shall be gone, And you willl1avean—0Lh—er V 2 ‘she will not be per - suaded. she will not be per -, suaded. PRINCE HENRY. Con Passi 0 ne. Believe not what she says, for she is but to be healed! LUCIFER. > Prince Hen — ry! this way! 1>Im'm«‘, HFNRY. Am, ante-. _‘ Dolente. _ _ (zone! gone! _ and thehght of all my l1f'e. A"da"te. I {tuj - 7 C V . /.\ },_ on somma passione 3 . gone w?th her! Why (lid you let this l1o1'—ri-ble Allegro Assai. < ‘#1’ 'd' 'd' Agitato. I >- deed bedrme? VVh_v did you not lay h01d on her, and keep her from self— e-struc - tion? Mur - der-er! ( Chorus nse will), this mews-'u,a‘e.') 89 ELSIE ‘ (from ,within._) Fare - well, . . farewell, earPrin(:e,fare— F . I I V ‘derer I P RIN HENRY. f farewell! ' the doori. . } Mnr - der-er! Fjj. N____._. _..‘Y"._;L_J-‘.2 ___.__.___. F-;___ j . ' 9‘ 6 ‘ l ' Mur - der—er! ' Un- 1 . LUCIFER. the door! the dgor, Un the door! PRINCE HENRY. Poeo rail. 0 Tempo. shall not be late! It shall not, be gendo. too late I shall . not be too late! a. [boon strin- t shall not be too It shall not be too poco a poco strin- ocoa ocost i - D >_D rn Burst the door 0 - pen! ff too late ! f pen l Burst, the door 0 - Burst the door ff ' rush in ! 91 SCENE XIII. The Return. Castle qf Vautsberg on the Rhine. Prince Henry and E lsie on the terrace. Evening. Allegro non troppo. .ﬁ. ' Q? 0 PIA/V0. mf Trombe. ELSIE. Animato. nim %..—____——... EE :3?- K - ple and with arm - e - thyst; . . . . While . . . the whole val - ley *2 eep be— low . . Is ﬁlled, . . . and seems to ov - er-ﬂow . . \Vith . . a fast ris - ing Is ﬁlled, . . . and seems to ov- er—ﬂow With a fast ?_ P01-0 cres. tide of mist, A '. - ingtide, a ris - - ingtide, a tide ris - - ingtide,a. ris - - ingtide, a ris - - ingtidepé a tide / PRINCE HENRY. The evening _air grows damp, grows damp and chill, Let us go in, . . . let us go in. T /‘ 0 ‘K 0 .ﬁ O ELSIE. i not so soon, seeyon-der ﬁre, see yon-der ﬁre! It is the moon " - ing, slow ris ‘Paco a poco creé. ing o’er the East It glim - mers o’er the /R glim — mers o’er theifor-est tips, And thro’ the dew-y f0 - liage drips, fox: - est tips, And ithro’ . . . .the déw—y fo-liage drips In lit- tle riiv -1.1—1ets of ,._——-—.S/_&,4——S/__\ ./ I . ’ In lit - tle, lit - tle riv - u-lets of light, And makes the heart light, lit.- tle riv — u-lets of light, And makes the heart A J night! ~g:. ff- In life’s ff de - light, in (1e:l.til’S dis - may, night‘ and day, . . In health, and sick-ness, 4-§ in de - bay, . and here-af - am thine, and here-af - ter, I’ i 6 . _ and sun — shine, e i J Here, and hex-eaf - ter, j >?- am thine, yes, f . e ‘T 95 :>=— am thine ! am thine I In death’s dis-may, mf -<";" In life’s de — light, Here and here- » >>> Hefe and here- ca-es.““~"-< sf 2 ‘ Mo] Animate. sew SCENE XIV. Epilogue and Finale. SOPRANO. Andante, lnolto maesloso. Andante, molto maestoso. ff Man-cato. - 1i—ness, Of self - for - get - ful-nesis, E!’ - - li-ness, Of self - - for-get—fu1ness, P - ness, Of self - for - get - ful-ness, of ,f‘,/‘ ./‘f‘ K“ /" low - liness! of meek - ness, Whose ver - ygentleness and low - linessl of meek - 11ess,Wl1ose gen - - tleness and P Whose ver - y gentleness and _ mess Arelike the yield ~ but ir - re-sist - i- ble air! _.—/ . weak - ness Are like the yield ' " ir re~sisL — i — ble (_. H l D’ B I“ I, - 1 Q n L l V J L beau - ty of 110 — liness! O pow’r meek - ness! beau -ty of ho -' liness! O ‘pow’r —=< 8veS l9wv¢vo (Org. Ped. sustains.) ‘ﬁe x « a~ ha 98 g 1:?’ Allegrqilnon troppo. 111 char - ac—ters of mf In char - ac-ters of gold, gold Allegro non troppo. deed, the eed di - vine deed, the di - vine That nev - er shall grow old, That nev - er shall grow old, Shall bu rn, shall burn and shine Sh-all burn, shall burn and shine Thro’ all, thro’all the Thro’ all, thro’ all the ges ! Thro’ char - ac -ters of ges ! char - ac -ters of all Th at That — ges! nev - es shall grow - ges! er shall nev - grow 8V (9go-Iv~o~r~’~o~Iv~ovv-ov- I ges! _l.._.__ The deed, the deed di — vine Shzlll burn, slmll burn and - ges! —<."“» d The deed, e deed di - vine, . . . Shall burn, shall burn and ff Shallshinethro’ all . . . ' a - ges VVitl1 soft - ful - gence! shine thro’ -———j/’d’_’____ f ‘T Shall shine thro’ all . . . a - ges VVi1,hsoft ef - ful — gencelO . "'15 _____>—_ f Shine 0 God I 1 O O 5___ - gence That ﬁlls tl1e\vorl«,l with thebliss, the bliss of 3. good rlul — - gence That ﬁlls tlmworld with t‘l1ebli:=.s,‘ the bliss of a good dul - - gence That ﬁlls . . . . . . the world withthebliss of 21 good . _\ . . T mm 1‘) 0 . ‘“‘— ;j|%j.J::3Sa,:_"”“— ii“'0“#’-“UV? T3!‘ - len - - tando. ' I I 4 I --1 I .‘ I ~4 r”l‘”E”‘l v»}<T-~+-H ' -3- -U- is v (}§’4~&v~l~r A n¢l:unt<- IEl.'l0§I0§I¥. OV - or the mount - air) Stoops, T s z‘- A ntlant nines! 050. >>-f gi-gan-tic shad — ow sweeps, >- . }- }— storm-cloud lu - Ijid with light-ning, >- I and a-gain re - peat—ed, }- peat - peat - ed and a-gain re - peat-e.d, >- mp >_ > A black-ness, inwardly brig11t’ning, IT 3 of la - men - ta - {ion of la. - men- ta - tion Re- Sv e§«--.m¢~vqv\~vv Deep, Deep, deep and loud, mf Deep, deep and’ loud, eep and loud, K Swells and rolls f Swells f Swells and A rolls 2” »--—\ Swells the dis - tance. dis — tance. the dis - tance. Lu - ci—fer! /5’- beau - ty of ho - 1i—ness,.. of K. /T») beau - ty of ho - Ii-ness,.. of L’ istesso Tempo. self - for - get - ful-ness, of li-ness! for - get - fu1—ness, low li - ness! self - for - get - ful-ness, of low - /- /- /* /* of meek -ness 1 of meek-ness ! the deed di - vine the deed di - vine . .2. '1' ff Alk-gro A.-isai. The deed, the deed di- ff The deed, the deed di- ff Ailegrro Assai. 45' vi‘ , 5.’ fl ‘ ‘ ‘ V I . if, ‘ ‘ W ‘ 8 shall burn and . . shall burn and Z"?-'_-'-T . ‘ shine, shall bum shine thro’ >- >- > sen: ]) 1'13 shine, shall burn shine thro’ _\ ﬁﬂlpl‘€ 9,, .. u._‘_x.M.._,.....),.w...,.w.;.u.1m@, . THE LEADING MUSICAL worms. For Singing Schools and Conventions. THE EMPIRE OF SONG,. . . . .. . . . . . By Geo. F. Root. OUR SONG WORLD, . . . . . . . . . . . . . By Root & Case. V THE REALM OF SONG, . . . By Geo. F. Root. CASE'S CHORUS COLLECTION, . . . . . . . . By C. C. Case. - PALI/IER’S CONCERT OHORUSES, . . . . . . . By 1:1. R. Palmer. TEMPLE OF SONG, (Shaped Notes,) . . . . . .60 By A. J. Showalter. THE SONG HERALD, . . . . . . . . . . . . .75 - By H. R. Palmer. THE CROWN OF SONG, - . - - - - - - - - - .50 By M. L. McPl1a.il. For Day Schools and Institutes. THE REPERTOIRE, . . . . . . . . . . . . .$l.0O By Geo. F. Root. INTERNATIONAL DAY SCHOOL SINGER, . . . .50 By Nlurray & Pontius. FIRST YEARS IN SONG LAND, . . . . . . . .50 By Geo. F. Root. JUVENILE CLASS AND CONCERT, . . . . . . .30 By McG1'a,nahan & Laffe1'ty. GRADED SINGERS, NOS. 1, 2, 3, and 4:. By Whittemore & Blackman. No. 1, 25c. No. 2, 500. No. 3, 750. No. 4, 1.00 DAY SCHOOL IDEAL, . . . . . . . . . . . .40 By M. W. Cobb. Cantatas and Oratorios. THE MNSSIAH, . . . . . . . . . . . . .\. .$O.80 By G. F. Handel. ELIIAH, . . . . . . . . . . , . . . . . . . .80 By Mendelssohn. . DAVID THE SHEPHERD BOY, . . . . . . . . .75 By Butterworth & Root. JEPHTHAH AND HIS DAUGHTER,. . . . . .75 By P. G. Hull. THE PILLAR OF FIRE, By Bntterworth & Root. SANTA CLAUS’ MISTAKE, . . . . . . . . . . By Burnl1a.m & Root. FAITH TRIUMPHANTy - By Bntterworth & Root. JUDGE SANTA CLAUS; - - - - - - - - By Burnham & Root. For Churches and Choirs. THE NEW CHOIR AND CONGREGATION, . . . $2.0!) By Geo. F Boot. MCFHAIL'S ANTHEM BOOK, - - - - - - ~ » - 1.00 By M. L. McPhail. CHURCH ANTHEMS, . . . . . . . . . . . . .75 By Case & Williams. IDEAL ANTHEMS, . . . . . . . . . . . . . By H‘. P. Danks. For All Instruments. INSTRUCTORS FOR ALL INSTRUMENTS. Send for Complete Descriptive Catalogue. lnstruction4o:e=13'ooks. A NEW MUSICAL CURRICULUM,. . . . . . . $3.00 For Pia.no—-By Geo. F. Root. MODEL ORGAN METHOD, . . . . . . . 2.50 By Geo. F. Boot. « SCHOOL OF SINGING, . . . . . . . . . . . . 3.00 For Voice—--By F. W. Root. LEBERT AND STARK SCHOOL, each. - - For Piano. Part 1. Part 2. Part 3. URBACH’S PRIZE METHOD, For Piano—Tx-zmslated by Theo. Presser. DeBERIO'I"S METHOD, Part 1, . . . . . . . . 1.50 For Violin——By Ch. DeBeriot. Collections of Music. MODERN CLASSICS, . . . . . . . . . . . . $1.00 For Piano—Medium Diflieulty. MODERN SOPRANO SONGS, . . . . . . . . . . By the Best Composers. ' MODERN JUVENILE CLASSICS, . . . . . ., . For Piano——Easy Grade. " ‘ MODERN VOCAL DUETS, . . . . . . . . . . Choicest of their kind. FIFTY SONGS FOR BASS VOICE, . . . . . . . A Superb Collection. SONG SOUVENIR, . . . . . . . . . . . . . . . Songs by American and Foreign Composers. PIANO SOUVENIR, - - - . . . . . . . . . . A Choice Collection of Piano Music. Theoretical Works. . 3.00 NORMAL MUSICAL HAND BOOK, . . . . . . .e3.oo By Geo. F. Root. A PALMER'S THEORY OF MUSIC, . . . . . . 1.00 By H. R. Palmer. ' MANUAL OF MODULATION, . . . . . ‘. . '. . .2o ' T L K bs B) .. . .re . . I ORGAN VOICING AND TUNING,. - .. . . .30 Invaluable to Organists. TRUE MUSICAL DICTIONARY, . . . . . . .30 A valuable little work. For Sabbath Schools and Revivals. ' WONDROUS LOVE, . . . . . . , . . . . . . $0.35 By Root & Case. THE GREAT AWAKENING, By Rev. Sam. P. Jones. THE CAROL,. . . . By Chas. W. VVendte. ' GOSPEL HYMNS CONSOLIDATED, . . . . . . ’ Music Edition—Lo,rge Type. GOSPEL HYMNS CONSOLIDATED, . . . . . . .50 Music Edition——Small Type. GOSPEL HYMNS CONSOLIDATED, . . . . . . .22 Words only——Boards. GOSPEL HYMNS CONSOLIDATED, . . . . . . .06 Words only—Nonpareil. Miscellaneous Works. ARGHER'S ORGAN BOOK, . - . . - . - . -$2.00 Volunt-caries, etc.——By Frederic Archer. VILLAGE ORGANIST, . . . . . . . . . . . . Preludes, Interludes, Voluntaries, etc. YOUNG ORGANIST, . . Easy Organ Music——By Geo. F. Root. Send for Complete Catalogues oi‘ Musoio and Music Books, Free of Charge. 2.00 I
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Date: n.d.
Text: /V, K‘) 0 CK, ]10weve1' Warez; K + 0.316 (1€ELd T V9 ' N’ . n‘ e]1uw~ » { *~ V3 X5 O,hX(}_s\d .5059} \ , ( - , ~ um: V31.‘-C ~ C Q56‘ [\5mL\1“° ‘, “"“'T C11/2,‘, _\ g%@w*v T‘ N 7 ”\/"—,“\ Wumns wmrrf ((((K((( ‘ ,_, an WI \N\*° D\ALLY n ? 990 “SH TH "/3 P£RM:ssmN.‘° \9\% “W750 \ \\\ \ V 6"/Ilrn 1 (HI B 0 STU N . /’///7//If//1’///_I,I’ 0 LIVE R D ITS UN ﬂff//(Zr/2//_/9'/‘////fl.‘ / /.//!r'/7'r/ /Iqﬂ/‘r///{y //my 1//page/ur./«:7: //r/>_w//r ...
Show more/V, K‘) 0 CK, ]10weve1' Warez; K + 0.316 (1€ELd T V9 ' N’ . n‘ e]1uw~ » { *~ V3 X5 O,hX(}_s\d .5059} \ , ( - , ~ um: V31.‘-C ~ C Q56‘ [\5mL\1“° ‘, “"“'T C11/2,‘, _\ g%@w*v T‘ N 7 ”\/"—,“\ Wumns wmrrf ((((K((( ‘ ,_, an WI \N\*° D\ALLY n ? 990 “SH TH "/3 P£RM:ssmN.‘° \9\% “W750 \ \\\ \ V 6"/Ilrn 1 (HI B 0 STU N . /’///7//If//1’///_I,I’ 0 LIVE R D ITS UN ﬂff//(Zr/2//_/9'/‘////fl.‘ / /.//!r'/7'r/ /Iqﬂ/‘r///{y //my 1//page/ur./«:7: //r/>_w//r /4547 /_II- .1£.L‘m/(I in ma r/rrltr 47/ﬁr! r2/’ /7/r /Jzlr/712:!‘ rz"1/rtr)7‘."I//mar‘. ~\ ”) L ‘ ~ , ‘ L V [LL \ \ ._.;_C_, /’ / \- \‘ ‘, "‘ V, L RESIGNATION. Poetry by H. LONGFELLOW. Music by J. E.» GOULD. With tender Expression. 1st.Verse.—-—The1'e flock, how- these severe af-flic-tions Not from the ground a - rise; . . . . . everwatch’dand tended, But one dead lamb V’ . . . There. > \ of - - ten - - times ce ,- les -= tial loenu eadic -‘tions As - sume this dark dis .- fire - side how-so-e’er defended, But has one > , but dimly through the mists and vapors; .A- .cl1ai1'!. . . . ' is full of farewells to the dying, And L___’/ these earth-ly dalups, . . . . What seem to Hit: Tempo.- .m0ur11 ings for the dead; . . . . _The heart of Ra - chael Temllo. L? dim fu- ne'- real tapers May be Heaven’s dis - - tant lamps. for her children lcrying, Will not be com - fort - ed! 3 She. is not dead—the child of our affection- But gone unto that school, Where she no longer needs our poor protection,- And Christ himself doth rule. In that great cloister’s ‘stillness and seclusion, By guardian angels led, Safe from temptation, safe from sin’s pollution, She lives, whom we call dead. 5 Not as a child shall we again behold her; For when with rapture wild In our embraces we again enfold her, She will not be a child; But a fair maiden in her Father’s mansion, Clothed with celestial grace; And beautiful, with all the souls expansion, Shall we behold her face. 4 . Day after day we think what she is doing In those bright realms of air; Year after year her tender steps pursuing, .. Behold her grown more fair. Thus we do walk with her, and keep unbroken The bond which nature gives, Thinking that our remembrance,though unspoken, May reach her where she lives. - 6 And though, at times, impetuous with emotion, And anguish long suppressed, The swellingheartheaves moaning like the ocean, ' That cannot be at rest, We will be patient, and assuage the feeling VVe cannot wholly stay; By silence sanctifying, not concealing, The grief that must have way. * There is no death !. what seems so is transition; This life of mortal breath ls but a suburb of the life elysian, VVhose portal we call death! This is omitted in the song, there being an irregular number of verses. i9*’:5..?S.4$ uanmv VASSAR COLLEGE POUGHKEEP'5t€. mtw voam
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Date: 1914
Text: v b1T1oNT RLCARL FIscFi”E"fi"g” um OLD SONG FAVORITES ' F (VVITH GERMAN AND ENGLISH VVORDS) SERIES I ABT, FRANZ Gute Nacht du mein herziges Kind (Good Night Little Swcetlieart) High voice in Eb, Low voice in Bl) . . . . . . . . . . . . . . . .. Die Lindenwirtin (The Hostess of tho Linden). 1)'I~C1.lillll1 voice in D. . . . . . . . .. O Jugend wie bist du so schisn (Golden Youth). High voice in El», _ Medium voice in D1), Low ‘voice in B1) . . . . . . . . . . Verlegenheit ...
Show morev b1T1oNT RLCARL FIscFi”E"fi"g” um OLD SONG FAVORITES ' F (VVITH GERMAN AND ENGLISH VVORDS) SERIES I ABT, FRANZ Gute Nacht du mein herziges Kind (Good Night Little Swcetlieart) High voice in Eb, Low voice in Bl) . . . . . . . . . . . . . . . .. Die Lindenwirtin (The Hostess of tho Linden). 1)'I~C1.lillll1 voice in D. . . . . . . . .. O Jugend wie bist du so schisn (Golden Youth). High voice in El», _ Medium voice in D1), Low ‘voice in B1) . . . . . . . . . . Verlegenheit (Embarrassment). High voice in Db, Low voice in Bb. . .. . . . . . . . . . .. VVa.1danda.cht (Anthem in the Woods). High voice in F, Low voice in Db . . . . . . . . . . . Wenn die Schwalben heimwirts zieh'n. Medium voice in Bl» . . . . . . . . . . . . . . . .. ALETTER, W. Ach k6nn1:' ich noch eimnal so lieben (\Vould I Might Love Agaiii). High voice in Eb, Low voice in BOHM, CARL Bitte (lilntreaty). Iligh voice in Ab, Me- dium,-voice in 1‘ Dein (Thine). High voice in Em., Low voice in m. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Deine ‘nlauen Augen (If Thy Blue Eyes). High voice in Db, Medium voice in Bl) Im Grase ta.ut's (The Dew is Falling), High voice in Eb, Low voice in C . . . . . . . . . . . . Mein Gliick (My Joy). High voice in Eb, Medium voice in C . . . . . . . . . . . . . . . Still wie die Nacht ‘(Calm as the Night). High voice in El), Medium voice in 0, Low voice in Bb . . . . . . . . . . . . . . . . . . . Ueber’s Jahr (In a Year). High voice in El); Low voice in Was i hab’ (Three in All). F, Low voice in Eb . . . . . . . . . . . . . . . . . . . Was mir als Kind die Mutter sang (The Song My Mother Sang). High voice in F, Medium voicejn Eb . . . . . . . . . . . . . . . . . . BRANDT, H. Maienzeit und Liebestraum (0 Dawn of Spring, 0 Dream of Love). High voice in D, Medium voice in C, Low voice in Bl) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Vom Rhein der Wein (The Wine from the Rhine). High voice in D, Low voice in Bl . . . . . . . . . . . . . . . . . . . . . . . Méidchens Wunsch (Maiden ’s Wish). voice in A, Low voice in ' GALL, J. Mﬂdchen mit dem roten Miindchen (Maiden with the Lips so Rosy). Medium voice in l-7b.. . . . . . . . . . . . . . . . . . . GOETZE. CARL ‘ O schone Zeit, o sel’ge Zeit! (Those Happy Iluys-. Those Days of Yorel). Medium H voice in Bl) . . . . . . . . . . . . . . . . . . . . . . . .. GUMBERT, I‘. An des Rheines griinen Ufern (Where the Rhine is Swiftly Flowing). Medium voice in D . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sple1mann’s Lied (Minstrel’s -Song). Me« dium voice in Ah . . . . . . . . . . . . . . . . . . . .. 0 but’ euch, liebe Viigelein (Ye M en-_v Birds). High voice in Gb, Low voice in Ell. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . y Zwei Aeuglein braun (Two Eyes of Brown). _ um voice Ill HILDACH, EUGEN Das Kraut; Vergessenheit (Oblivion). High voice _in (‘m., Mwlium voice in 13111., Low voice in Ann. . . . . . . . . . . . . . . . . . . . . . . . .. Mein Liebster ist ein Weber (My Sweet- liiurt is ‘.1 \\'e:1ver). High voice in G, Meiliuni voice in 1", Low'voice in E. . .. Mutter, o sing mich zur Ruh’ (Mother, 0 Sing1\Ii- to Best). High voice in F, Low voice in D . . . . . . . . . . . . . . . . . . . . . . . . . .. Strampelchen (Restless Little Feet). High voice in Bb, Medium voice in Ab, Low voice in Gb HOITMANN, H. L. Das Lied das meine Mutter sang (The Song My Mother Sang). Medium voice in Db HOLLAENDER, V. Unter’m Machandelbaum (Under the J unlper Tree). High voice in Bb, Mcdimn voice in Ab . . . . . . . . . . . . . . . , . . . . . . . . . . . . . . . KJERULI‘, I-I. Sehnsucht (Last Night). High voice in Ab, Medium voice in l‘‘, Low voice in Eb. . . KUECKEN, I‘. Gut’ Nacht, fahr’ wohl (Good-night, Fare- well). High voice in G, Low voice in Eb Die Trine (The Tear). High voice in F, Low voice in Eb . . . . . . . . . . . . . . . . . . . . . . LAC!-INER, I. Stindchen (Serenade). Medium voice in E LIEBE, L. Auf Wiedersehn! (We Meet Above). High voice in C . . . . . . . . . . . . . . . . . . . . . . . . . . . LOEWTE, KARL Niemand ha/c’s geseh’n (No One Ever Knew). High voice in .-\, Low voice in 1" Uhr (Watch). High voice in (1, Medium voice in J", Low voice in I'll» . . . . . . . . .. LUTHER, GUST. In dunkler Nacht (In Night Still Calm). Medium voice in Bl) . . . . . . . . . . . . . . . . .. MATTEI, T. Er kehrt nicht mehr zuriick (He’ll Ne-’er Rcturn—Non torno). Medium voice in Fm. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Es ist nicht wahr! (”l‘is Not 'l‘i'ue——.\'on o ver). High voice in 1", Medium or Low voice in Eb . . _ . . . . . . . . . . . . . . . . . . . . . .. Das Vergissmeinnicht (Forget-l\Ie-Not). Low voice in A . . . . . . . . . . . . . . . . . . . . . . . . . .. MI-JNDELSSOHN, I‘. . Abschied vom Wald (l“zu‘ewell to the i~‘orest). Medium voice in Eb . . . . . . . .. Auf Fliigeln 'des Gesanges (On V\«'iii;_v;s of Song). High voice in Ab. Low voice in J“. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Es ist bestimmt in Gottes Rat (Pzi-[ting and Meeting). Medium voice in.D Friihlingslied (Spring Song). High voice in Bl). Low voice in G!» . . . . . . . . . . . . . . . . . . Ich wollt’ meine Lieb’ ergosse sich (I Wouhl ’l‘hat My Love). 1\Io<.lium voice in 1%.. The Reaper (There is a Reaper Whose Name is Death). English only. High voice in (Jm., Low ygici; in Am . . . . . . . . . . . . . .. music Llaunv VASSAR COLLEGE CARL FISCHER BOSTOH .380 DOYLSTOH 31'. co-ucxaao L-I3-r1Al.zoq am. POUGIIIKEEFSIE. NEW VORK 8_8£§k.‘ NEW YORK) THE REA PE R (Longfellow) __:.()..——j THERE is a reaper whose name is Death, And with his sickle keen He reapeth the bearded grain at a breath, And flowers that grow between. Have a care ye tender flowers, have a care! i “Shall I have naught that is fair,” saith he, “Have naught but the bearded grain? The breath of these flowers, though sweet ’tis to me- I give them all back again. it Have a care ye tender flowers, have a care! My Lord has need of those flowrets gay, The reaper said and smiled. Dear tokens of blooming earth are they, Where He was once a child. Fear ye not, oh chosen flowers, fear ye not. They all shall bloom in fields of light, Transplanted by my care, And angels upon their garments white These sacred blossoms wear. Fear ye not, oh chosen flowers, fear ye not, The mother gave in tears and pain The flowers that she most did love; She knew she should find them all again In the fields of light above-, Happy then ye chosen flowers, happy then! An z'm‘eres2‘z'¢zg and effecz‘z've Song; sz'm;9Zz'cz't2J and seriousness q/‘purpose will make me song /ciglzly impressive and real. The song is not at°aZZ dz_'/"ficult. -QO 16684_I (lopyrig/zt MCMXIV by '(}arZ Fisclzer New York. 16585-1 International Copyright secured. Superior Ed.4671. The Reaper. (Longfellow) 07'z'g2'naZ Keg . Andante con mot . 1. Thereis a Rea - per whose name is Death,and (L .2. Shall I have that is fair§’*saith he, “have Ten. keen, he reap - eth the ’ beard - ed grain at a gra.in?7The breath of these flowers though sweet ’tis to breath, and me __ I as be — tween. a — gain. tween, and flow ers that grow gain, I give them all back iﬁii 10 - der flowers, — flowers , . The sign 7 means “breathe” The Sign 0 means do not breathe” 16685-3 (Top;/7-7',x.z‘Izt 1|//37!]/YJV by Carl Fisc/L(27{, .47.)’. International Copyrlght secured. Low Voice. F. MENDELSSOHN. Edited by Max }1ez'm~1’th. with hit sic -kle naught but the beard-ed ; ‘<_/ n___'z f ow.ers that grow be — give them all back a - T care ye care ye 3. My Lord has need of those flowrets gay, the reap - er said and 4. They all shall bloom in_hfields of light,‘ trans - plant - ed by my 3 L__,z smiled-. Dear to -kens of bloom - ing earth are they where He was once a care, and an-gels up - on their gar - ments white these sa - cred blos - soms IT chi-1d,where He was once wear, these sa — cred blos f 5. The moth — er gave in_.. tears and pain the flow— ers that she most did f. love; she knew she should find them all a - gain, in the fields of light T.‘ bove; in_ the fields of light \ 7 f flow’i's, hap - py then, hap - py then! /\ 1%’ Under the Editorial Supervision MAX HEINRICH T he ‘Tmm/cztiom are by A. MATTULLATH 2/Ax: FRANZ SCHUBERT - — 50 Selected Songs High or Low I-ﬂz/2:7 ,z*1,5a Clo!/2 $2.50 KO B E RT SC HU M AN N — O0 Selecteu’ Songs High or Low /"Lz;‘2a:' $7.50 Clot/l 5251/ ROBICRT SCHUMANN — Poefs Low, op. 45 Papa? /.4 cents IOHANNES BRAHMS - 60 .SeZeczzd Sarzgs High or Low Paper $1.50 _ C101/2 $2.50 CLASSIC SONG ALBUM 50 selected Songs of Old’ am! ./Wademz Masze7's High or Low Paper $1.50 Clot}; $2.50
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Date: n.d.
Text: IIUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE, ugw yopx EAPEHANIHHEHIIWERS $@1a@ Words by LONGFELLOW E°7lT9usic bi OLORES. 50 Copyright. ——>‘fT\'<‘> PI"iC€ London: E.DoNAaowsK1, 26, Castle Stheet,Benners SI:neel:,W. THE REAPER V AND‘ THE FLOWERS. THE POETRY BY LONGFELLOW. THE MUSIC BY DOLORES. There is a reaper, whose name 'i.~Dc-ath. And, with his sic _k]e keen, _ The Reaym-9 nnl the flowtpg. reaps the beard _ed grain in a breath,AndAthe f]ov;’1"sthat-growbejween; ...
Show moreIIUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE, ugw yopx EAPEHANIHHEHIIWERS $@1a@ Words by LONGFELLOW E°7lT9usic bi OLORES. 50 Copyright. ——>‘fT\'<‘> PI"iC€ London: E.DoNAaowsK1, 26, Castle Stheet,Benners SI:neel:,W. THE REAPER V AND‘ THE FLOWERS. THE POETRY BY LONGFELLOW. THE MUSIC BY DOLORES. There is a reaper, whose name 'i.~Dc-ath. And, with his sic _k]e keen, _ The Reaym-9 nnl the flowtpg. reaps the beard _ed grain in a breath,AndAthe f]ov;’1"sthat-growbejween; “Shall I , Z I havenaught that is fair.>”said he; Have naught hutthebeared grain? Tho’ the . . 8‘._,______ breath of these l0W’rs is sweet to me, I will them all k a _ _gain. Th0’the breath of theseflnw’rsis sweet to me,Iw1'l] givethem all back a_gain. /3—~ » Culla voce The RPEPCT and the fhvxvv-1-S . He gaz‘d-at the flowers wlth tearful eyes, He Idss’d their drobping leaves; It was HMFY ‘ for theL0rd of Pa- _ _.1'a_dise, He bound them in his sheaves: Lord hath need of those flow- rets gay," The reaper said, and sinifd 7‘ "Dear The Rowen‘ ram} 11% flower;-. tokens of the earth are they,Wh€-re ewas ‘ a child. Dear tokens of the 71* earth arethe-y,Where he was once a child. /* They shall all bloom in fields of ]ight,Trans-p]an..ted by my care, \sa1'nts,upon their ganmentswhite, These sa_cred b]0s_soms wear-. Andthe Tb A R n‘yw1_ 1‘~ ‘ 1‘-w«r~.<-. mo- _ther gave in tears and pain, The flov/rsshemost did love; She knew she would them all a_g‘ain.Inthe wlds of light a_ _b0\'e. Fnewshe would fi them all a- , In the fields of light a- .b0~.'e./ Th‘.- R«:~xmr an-‘ fhnr Huwnx. NEW AND POPULAR SONGS. SHEPHERD MUSIC. 0 to B‘. Music by GEORGE F.V|NGENT. 7]- Words by CLAXSUN BELLAMY. Alle re A ,s_hepherd {E _A.r_ca‘dian.mead,His oat- pipeiis play- , LORDS AND LADIES. Q to EI9_ Music by wmdsby GEORGE FVINCENT CLAXSON BELLAMY. State Brightly gleam a thousand ta_pers,Onthe brown oak pane1l’d BLOW on THOU GENTLE BREEZE. D to p_ Music by FREDERIC SCARSBROOK. M Words by VIVIAN GRAHNME . Andante. Blow Thy breath so soft and sweet on thou gentle breeze, SPRINC HAS COME WITH SUNSHINE BRIGHT. Words by F to G . Music by VIVIAN GRAHAME. FREDERIC SCARSBRUOK. All retto Giojoso. > Spring has come with sun shine bright, F‘ra_grant 0 _ dours marcato. I STOOD ON THEBRIDICE. B to E . Music by FREDERIC SCARSBRUOK. -M; Words by LU NC FELLOW . Andante I stood on bridge at n1idnigI1t,Asthe clockswere striking the STAR THAT SHINEST IN THE TWILICHh;[T._ b Words by D I’° 9“ FREDERICHSSEIEIRKBRUOK. VIVIAN CRAHAME. Allegretto con Espressione. ‘ ‘St-ar that shi.nest in the twilight, At the ending of the day, yzgf V THE LILY BELL. B.S.‘IIA?fI\‘dTSGBNERY. C3” F‘ Allegro ma 11011 Music by FRANZ AB,T , I fainwould be _1y bc11_ _ _ . _ N COLDEN CFIAI N . C to E. Musicb‘ Words by’ V y H. A. MU'SCfAT. ROBERT I3/U«'E'ER, Moder to. With a slow, sad step I wander’d_ On a fair and sunuyrnorn V THE SONG OF THE NICHTINCALE. Words by C to F_ Music by w.S.PASSMORE ESQ. .M.LARDELL|. An 0 . < Hark! what en_chant; ing mu _ _ sic Wakes up the startled night \ ‘ . . \ THE CH|LD’S PRAYER. Wordsby permission fromthe D to D. DETROIT FREE PRESS. An ante. Musicby WILLIAM BETTRIDCE. She lmeltwitli her sweet hands fold- ed,Her fair lit_tle head bowed THE WO0D—B|RD’S SONG. D to F. Musicby Words by BENNETT GILBERT. FRANCES CHAMBRE STEEL. Alleg Heardl thy sweet Ear- ly pret_ty ma _ vis, DREAMINC OF HOME. ID to D. Music by Words by W.F.TAYLIJR. WALTER EGEIRTDN. Allegretto uasi Andante. Far far a _ way. . . . I sit and dream a- lone, LO‘1”1»dO1"1:E.l:)ON15XJOVVSI/(I,
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Date: n.d.
Text: < 52 £53 0 O5 .92 -s B< M ~.«ﬁi%.L,.;« 73:152. .. q . w."- U My Lord Ewas need of thejse ﬁovx/reLs gay,” L M'|'bey all .S[1ELUH,()<,)}iI"r in [\<:vld.<._~', of M§j';hL,. The Rea¢pew* said ecnél, smled, JL 1'1“cLnspiaJ1l;e<:l Ly my care, ~ Deau“ tokens Kfthe earth are they, And sa1r1Ls,u.pon their ga.rrnem,::s W-m:,. W’l1(>,1‘€ he was Q_1f_).C€? M _ __ M _T}3es_e__sag3.:e_d blossoms \N<4ar"f ’ 004:?/005.512 5 Y ‘*1 I‘ A /577/, 51¢...
Show more< 52 £53 0 O5 .92 -s B< M ~.«ﬁi%.L,.;« 73:152. .. q . w."- U My Lord Ewas need of thejse ﬁovx/reLs gay,” L M'|'bey all .S[1ELUH,()<,)}iI"r in [\<:vld.<._~', of M§j';hL,. The Rea¢pew* said ecnél, smled, JL 1'1“cLnspiaJ1l;e<:l Ly my care, ~ Deau“ tokens Kfthe earth are they, And sa1r1Ls,u.pon their ga.rrnem,::s W-m:,. W’l1(>,1‘€ he was Q_1f_).C€? M _ __ M _T}3es_e__sag3.:e_d blossoms \N<4ar"f ’ 004:?/005.512 5 Y ‘*1 I‘ A /577/, 51¢ //ml/, '5“ ‘ ‘ ' ‘ . '“ ' ' L .,>'r7.’r»(v'//u('/'«’X/IfJ- ‘ﬂu: REAPER’ AN.» THE FLOWERS. vW?~:z‘tte'n by H.W.L"o‘NGFELLow. h Composed by JOHN BLocKL1_«:Y. - ./WODERATO. ‘\ mf Dim. e rall. V‘ There is ‘ a reaper, wlmse nzmle is Death, And with his _sick1€-“h' mf wsszs» - _ s By the same Cmniyioser __ “The Reaper and the Flowers 3_’..(fThe Old Clock on the Stairs _” aS‘D1leﬁs . 35%).. “Shall I have naught that is fair?” sun’! he,-“Have 'nau.g‘l1t but the beard_ed grain? Though the breath of these f1ow’rs is sweet to me, I will E.s‘press1'vo ._ He gazed at the flowers with /9/9 tear_‘_-_ful ejresé, - He kissed" their droopixlg Teelves; Th'e-Reaper andfthna Flewgrs, , _.i.qhn Blogkley. pesante. for the Lord of : 1>4-___’ra_dise He bouﬁd them ‘in his sheaves‘. _ Dzm. 2 rall, . T“ V /9 / ' The Reaper. an-.’l-‘ihe Flowers . “They shall all bluolm in fields of light, Tru1xs_.pla11l:ed‘ by .my saints, up._(>n their garments white, Tlwsse o _2 sa _ __ ._ lot-ed bl().ssums And the mmher ~21‘ tears and ‘pain, The flowers she moxt The Rea~pqr a.IId~thg Flowers . John B1ock']’vy. knew she should find them» all a_guix1 In the fields :3: legati». Malta Espressivo. e ad lib. cru _ _ e1- _t}?‘, not in wrath , The Reap _ _ er ' came that day; "Twas an an _ _ _ gel vi ._ _ sit- _(-rd L-2 ./Wo___ren..__do molta, ‘ 0 B “ ,, the green earth, And took the f10w’rs a A _ _ - way. . .. / . T114: Reaper and the Flowers_ . Loi1don,Pub1ished by John Elia-ckle'y‘,-2 }’arkAR"oad, Haverstoffk‘ Hill» 4 .«»HAvE_M'ERcY '— FROM LaEbcHLEY§ -I’-.'i&*.& J us SACRED SONGS. A_BIDE WITH ME TH REV. FAWTEI E BEAUTIFUL DOV«E ........ .. .,..II.LusTR'ATED _______________ ..WEST,..__,,_,_,_“.,.L2/6 DB C,MACKAY. BETH LEHEM....V ................................ -9». .................... __BLOCKLEY ________ __2/e BETTER LAN D,,_. ......................................... ...................... ..D_9 ____________ __2/» MR5 HEMANS. ‘ BREAST THE wAvE CHRI5TlAN___,a/6 , CHARITY. ., . ......,,..,.___ILLUSTRATED..., _____ _,MENOELssoHN2/6 CHRISTIAN MARTYR ________________ __ILLUsTRATED ,,,,,,,,,,,,,,,,,,, __D°V 3/- COME MEssMATEs'TIsTIME TO HoIsT THE sAIL ______ ,,LlNTER.., ,, 2.6 éoME UNTO ME ALL Y-E THAT LABOUR .......................... ..D.9 .......... “age FROM SCRVPTURE COTTAGE OF BETHANY _______________ _,I'LLU5TR_ATEo..,. ....,,.BLOCKLEY _________ HZ/G B-Y EDMESTON .......,.D9 ______________ _.2/6 GOD Ta-IAT MADEST EARTH & HEAVEN, ___________________________ “D9. _____________ "2/5 FAINT NOT’ CHRISTIAN, ,,,,,,,,,,,,,,,, UPON ME 0 LORD” LINTER 2/G SCRIPTURE v ’ Y 1SH‘§jAyEN Is THY HOME ............. ._JLLUSTRATED ............ __BLOcI<LEY ....... ..2/e , V 47-‘: 37 , »9ROW'DE.D HARBOUR. "A . T5’ I H?) EVERVII ONE THAT THIRSTETH _______________________ __R EYNoLDs_.,;,_,2/O HOPE,,,.,,,,,.,,,,_,_._.:__,_, _.__€__,..,,_,_lLLUSTRATED ____________ __MENDELS$OHN.2/6 I AM THE SHEPHERD TRUE ________ _.I‘>°, ___BLOcKLEY ,,,,,,,, __2/cs l'CANNOT LET THE SUMMER GO ___________________________ _.ToI=LII=I= E, r_-2/6. W‘ LAY MY SINS ON IdESU8...E... .._.REvNOLDs 1 HEAR DTTHE VOICE OF JESUS sAY ..... ._,_...__.,_BLOCKLEY _, IN ._PARADléIO ..................... ..-...ILI.usTnATso __________________________ __D9 _____________ _.2/6 INSCRIBED TO THE NON MR5 NORTON. . IN PERFECT RE\ST__ LINTER .......... -32/6 IN THE LORD PUT I MY. TRUST ...................................... .,.._D.9. ________ _.;___1a/6 ' FR URE. OM SCRTPT I SHINE IN THE LIGHT .D°' _ L2/cs A ‘ . '* 2/5 VOICE FROM HEAVEN. Is TH15 A TIME TO PLANT _§ Do JERUSALEM THE GQLDEN __________ __ILLUsTﬁATED ...... ..‘__....A.E.WyNG _________ _.2/6 '..IEs.Us REFlgi5§E OF MY SOUL .................................... ..JaRowNE ......... :2/6 JUST’ As I AM ____________________________ __.lLLUSTRATED _____________ "BLOCKLEY 2/cs FAITH ....... ..MENDELS$OHN..‘2/6 S ACR E D VABIDE WITH ME ___________________________________________ __________ __R EVNoLDs .... L2/e BEAuTIIg'u'L DOVE WEST 3/- BETTER LAND ...................................................... ,_BLOcKLEY.____j,,,..2/6 aREAsT THE.,WA_VE CHRISTIAN ,,,__D‘? .............. _.z/6 CHRLSTIAN MARTYR , ,,3/- I-'AIN-T”NOT OHRIETIAN __; ......... __ g "D9 .............. ..2/6- OOD THAT MADEST EARTH A HEAVEN._,4 mess " Do.., " ,2/6 HEAVEN IS THY “HOME. .D.? .............. ..2/6 I AMTHE SHEPHERD TRUE .......................................... 2/6 I‘ HEARD THE VOICE or J ESU‘§E.7SAY ,D.°. ....... ..'..‘...2/6 IN HEAVEN THERE'S REST,__, ,O.-...,,__L_.I‘;EWARD A___2/e “IN PERFECT REST? .............................................. »—:‘:LlNTER\<h—A-H-->7} 2/6 I SHINE IN THE LIGHT .......................................... L D9 ............ H2/6 {WILL ALWAY GIVE THANKS ____ ,, ,_,D‘? , _ . _ . _ . . _ . _ D2/G Ju_s'r As I AM‘, . _ _ , .,BLOCKLEY. .9 _ ..REVNOLD s ..... ,.2/6_ V‘ 'TIS NIGHT O LEAD THOU ME ON ................ ..ILL:JETRAT_Eo ........ _.B LOcKLEY._ . We/e LEANINO ON .. D_9_._ “,2/e ’ INSCRIBED To REv.,NoRMAN _ / LIGHT QF THE wORLD., D9. __________________ __D9._., 2/G MY s.AViOuR ESE THOU NEAR ME.,,,. __2{e. ‘SEARER’ HOME (A DAY'- MARCH) .... .m .................. NE > 2/6 I 'POETRV MONTGOMERY‘ NEARER MY GOD To THEE ______ ____ ..D° ___________________ .,D9__._.__.,L,L____2/es NOT A MINUTE To SPARE ........................ _.TOPLlFE ___________ ,_ 2/2. NOT LOST FOR EVER ..................................... ..HARRIsoN ,,,,,, We/e RAINBow[THE) .......................... ..lLLU5TRATED ,,,,, __ sLocKL"EY, _______ __2/- MR,5HEMAN5. RESIG NATION, ., u«_=.LL 2/3 2/3 LONGFELLOW , SAVIOUR EVER NEAR ., , .. ...._.DQ__ ............. D9.__.,,L_ L,2/- SONG OF MIRIAM p9__ _EDME$TON. I sOON & FOR EVER ________________ SPEAK$FOR THY SERVANT HEARETI-I___E_,wEIss ____________ ._ 3/5 SUM OF MY sOUL .................. ..H.LUSTRATED ....... _.BLOCKLEY_ 2/e SWEET CONSOLAT|ON,,.,_ ............................... ..TENDALL ......... "2/- swEET HARP OF HEAVEN _____ JLLUSTRATED, .__..BLOcI<LEY ______ N8/6 EDMESTON. _ _ THE LIVE LONG __ _‘L!NTER- __________ __ THE LORD Is IN HIS HOLY TEMPLE ____________________________ ,_D9_ ________ FROM SCIHIPTURE. THE PAsToR's OFFICE ____________________________________ __WEST_ ,_ THE wEARY I‘-‘|SHERMAN,_‘__ __L|NTER_._,. THERE wAs JOY IN HEAVEN ______________ _, LOCKLEY_ ., _ EDMESTON. _. , . . Q} THOU ART PASSING AWAY__..,_____,_V_________‘f§2._.__HARR]SON ..... .. R . EV. D.SEN|0RT THY FACE LORD wILLI séEI< _________________ _______ _.L|N_TER ____________ AA FROM SCRIPTURE. _ THY wILL BE DONE ______________________________________________ ,.GRANTHAM..m K THY WILL BE BLOCKLEY._._..... WEISS. .............. "8/6 WAKE JUDAH _.T.............TIPFER ............. -2/' 7 A DUETTS. 1‘ LEAD THOU ME ON .......................................... ,.BL0CKLLEY...:.....2'/6, LEANING ON THEE ............................... ............... .. D9 ............. .. ‘8/6__ MY sAVIouR BETHOU NEAR ME ____________________________ ,_D9, ........... .. afa NEARER HOME _,_L,D_° 2/6 NEARER My (500 To THEE ...................................... .. D‘? ............ ,2/6 NOT Los-r roR EVER ________________________________________ ..HARRlSON REsI<3NATIONI...L...............,.;.-.... BLOCK LE\’~~-—-~<— 3/6 sons or MIRIAM .............................................................. J15? .... 2/6 SUN OF MY SOUL ....................... .. .n.D° 2/6 swEET HARP OT HI-:AvEN—....... If A --.0‘? -------------- A-2/6 TI-IE I=A9ToR’s OFFlCE,,, EST .....2/6 THERE wAs JOY ~lN HEAV --------------- --2/G TI-Iou ART PASSTNG AWAY... ........................ .. HARR18_0N ----- 2/6 Tﬁyswmft as DON )7 ,.....,.4.....BL0CKLEY—- .. 2/I5 wIDOw or 3/5 EDITION". 8/6‘
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Date: 1847
Text: %$SONG% POETRY BY %e1L1zg Qaﬁninntzﬂi %’ungﬁn[[nm, ’ MUSIC BY ”sz§z“::,:,:.za1zn 33,. 33EM.1£’S‘3f33B,. Published by 0. DITSON 85 Co., 277 Washington St. Boston: J.C.ﬂAYNES&Oo. l’hiIad'a;C.W.A.TRUMPLER. Cincinnati: J. CHURGH,Jr. N.York: G. H. DITSON J: 00. Chicago : LYON & HEALY . MUSIC Llalunv VASSAR COLLEGE THE DAY. Poetry by H. W. LONGFELLOW. _ Music by WILLIAM R. DEMPSTER. Andante. ’dark, and drea.-ry; It rains, and the wind T is - - er V/wea-ry; The still clings to the’...
Show more%$SONG% POETRY BY %e1L1zg Qaﬁninntzﬂi %’ungﬁn[[nm, ’ MUSIC BY ”sz§z“::,:,:.za1zn 33,. 33EM.1£’S‘3f33B,. Published by 0. DITSON 85 Co., 277 Washington St. Boston: J.C.ﬂAYNES&Oo. l’hiIad'a;C.W.A.TRUMPLER. Cincinnati: J. CHURGH,Jr. N.York: G. H. DITSON J: 00. Chicago : LYON & HEALY . MUSIC Llalunv VASSAR COLLEGE THE DAY. Poetry by H. W. LONGFELLOW. _ Music by WILLIAM R. DEMPSTER. Andante. ’dark, and drea.-ry; It rains, and the wind T is - - er V/wea-ry; The still clings to the’ mouldering Wall, Entered according to act of can/(nu m the year 1847. by OLIVER D1TSON,in the Clcrk’0 oiicc of the District Court of Man. s dark ery and gust drea the And the day dead is‘ leaves dark Car. espress. And the f.\ fall, day \ and dream - ry . . . . . . . . . . And the day is clrea-ry; It rains, and the wind wea-ry; My thoughts still cling to the mould - ‘ring past, But the youth fall thick in the blast, And the days ' and drea - ry, . . . . . . . . .. are dark and drea - ry, . . . . . . . . .. And the j days are dark and drea - _- - - sad heart! and cease pin-ing; Be -‘ bind the clouds is the still shin-ing; Thy fate is the com - \ mon Some days * must be dark must be dark must be dark and drea. - - - - " '\___J , ,,,.. ivlihrﬁﬁhﬂﬁ Mﬂﬁiﬂﬂ A RNBLIQATIBNS. of Beethoven. BY SHINDLER. Edited by lVl0SCIiELES. In One Tolume. . . Price $2.00. Neatly bourvl in Cloth uniformly with Ditson 8: Co’s popu- lar works of Musical Literature, [“Beethoven’s Let- ters,” “l\iendolsso'nn‘s Letters,” “Life of Mendelssohn,” “Life of Gottschalk,” “History of Music,” See.) Sent post-paid on receipt of price. OLIVER DITSON & CO., Boston. 0. H. DITSON & CO., New York. oneness saw METHOD FOR REED ORGANS Is the most popular of all books used in learning to play on‘ these favorite instruments. Mr. Clarke is :1. line musician and brilliant organistnand, in this work, displays good taste as well as talent in combining good music with Well graded and thorough instruction. Price, $2.50. Sent, post-paid,for theabove price. OLIVER DITSON & CO , Boston 0 H. DITSON & CO., New York. iitiosio hooks worth having! Life of BeethOVen....Sc/iindler and llfoscheles. $2.00 Beethoven’s Letters... .... ......... ..Na/it. 2.00 Life of Mendelssohn . . . . . . . . . . . . ..Lampadius. 1.75 Mendelssohrfs Letters.Lrzdy Wallace.2 vo!s.ea. 1.75 Polko’s Reminiscences (Of Mendelssohn) . . . . .. 1.75 Pclkms Musical Sketches (of the Great Masters) 1.75 Life of Handel . . . . . . . . . . . . . . . . . . . . . . Sc/melt/zrr. 2 O0 “ Rossini. . . . . . . . . . . . . .Edwn.7«Is. 1.75 “ Chopin...... . . . . . . . . . . . . . . . . . . . ..Liszt. 1.50 “ Gottsahfilk . . . . . . . . . . ... . . . . . . . . Ifmsel. 1.50 1‘vl[ozart’s Letters . . . . . . . . . . . . . . . ..Lcdy Wallace. 1.75 Mozart. A Romantic Biography . . . . . . . . . . . . . .1?au. 1.75 Music Explained to the W0rld.......Fetis. 1.25 Ritter’s History of Music..... 1.50 Ehlert’s Letters on Music... . 1 50 History of “Old Hundred” ...... ..I-Iauergal. 1.50 Mason’s Musical Letters... 1.50 Hastings’ Forty Choirs... 1.50 Moore’s Encyclopedia of Music. 6.00 Gardiner’s Music of Nature ............... .. 5.00 The recent encouraging progress in Musical Culture and Musical Taste, is clearly indicated by the great and increas- ing demand for the above works, which are all “well got up.” contain nothing: superﬂuous. omit nothing thatisimpor- taut, and are full of “rearlable,,” interesting matter. Sent, post—paid, for the above prices. OLIVER DITSON & 00., Boston. C. H DITSON & CO., New,York. BAKER’S HARMONY AND THQROUGH BASS. The Full and Complete Treatment of the Preliminary Steps, and the Thorough Analysis of the Principles, render a knowl- edge of Harmony available to all. It is THE BOOK for the Student, whether in Instrumental, Vocal, Orchestral or Band Music. BY B. F. BAKER. Price in Cloth, 342. Sent post—paid to any address on receipt of retail price. OLIVER DITSON 86 CO., Boston. 0. H. DITSON &. CO., New York. New and Popular Songs. MAKE ME A JACKET OF PA.’S OLD COAT. Song andllliorus . . . . . . . . . . . ...E. Clzristie. 40 . MEET ME, ADDIE, BY THE OAK TREE. Song and Chorus. . . . . . . . . . . . . . . . . . . . . . . . .E. C/iriszie. 40 TENDER AND 'I'RUE.. . . . . . . Lyle. 40 GOLDEN STREETS. Song and Chorus. W. Kittredge. 40 All have handsome Lithograph titles. ‘Sent by mail on receipt of the above price. OLIVER DITSON & CO., Boston. 0. H. DITSON & CO., New York. Winneﬂs New Schools FOR THE PIANO FORTE, CABINET ORGAN, MELO- DEON, GUITAR, CORNET, VIOLIN, FIFE, ACCORDEON, GERMAN ACCOR- DEON, CLARIONET, FLUTE,’ FLAGEOLET. Price of each book 75 cents. These little works are great favorites, because they are cheap , are full of easy and lively music, and have enough of instruc- tive matter for the wants of amateurs. Mr. Winner has also compiled a. collection of lively PARTY DANCES. For Violin and Piano, and of DANCE MUSIC. For Flute and Piano. Each 75 cents. Sent, post-paid, for the above price. . O. DITSON & 00., Boston. 0. H. DITSON do CO., New York THE SONG GARDEN. Annual Sole 40,000 Copies. A series of Music Books adapted to Schools of all grades. Each book complete in itself. \ By Dr. LOWELL MASON. The Song Garden. First Book. Ilor beginners, w‘ h a. variety of easy and pleasing songs . . . . . . . . . . . . . . . . .50 cts. The Song Garden. Second Book. In addition to a practical course oflnstruution, it contains a. choice collection ofSchooI Music . . . . . . .... . . . . . . . . . . . . . . . . . . .........8O cts. The Song Garden. T/zinl Book. Besides I). treatise on Vocal Culture with Illustrations, Exercises, Solfeggi, &c., it contains New Music adapted to High Schools, Seminaries, Ecc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $1.00 Sent post-paid on receipt of price. OLIVER DITSON & 00., Boston. CHAS. H. DITSON & CO., New York. Ricliaa"dson’s New Method P021 TE-IE PIANOPORTE. “Deserves our hearty recommendation,” N. Y. Musical Review “Unexceptionable in taste and style.” Dwight’s Journal. “Soundest, clearest, best book for the Piano.” Phil. Eve. Bulletin. ‘-Will su- persede every other of the kind.” Worcester spy. “Possesses merit not claimed by other works.” Cleveland Herald. “Common sense, plain talk, and revity.” Boston Journal. “Presents many new and important ideas.” N. Y. Tablet. No long dry lessons, nor wearisome exercises. but Sprightly Studies throughout, and Charming Melo- dies for practice at every step. It is all that can be desired. Price $3.75. Sent post-paid. OLIVER DITSON & CO., Boston. CHAS. H. DITSON& CO., New ‘York. Eatonfs New Method FOR THE CORNET. A. MOST USEFUL AND ATTRACTIVE INSTRUCTION BOOK! Contains, in Part I, plain, full, and complete directions to the learner! Contains, in Part II, a. ﬁne selection of popular melodies, which may be played with the original Piano accompaniments! Contains-i,iI\ Part III, Trios for Cornet, Baritone and Pinnotorre, Brilliant Themes, Variations, &c. Price in Bazmls, $1.50. Specimens sent. post-paid, on re- ccipt of retail price. OLIVER DITSON 85 CO., Boston. C. H. DITSON & CO., New York. h haunts Letters on Music. TRANSLATED BY Fanny Raymond Ritter. HESE entertaining letters are not ﬁlled with technicalities but are calculated to interest as well as instruct. They have met with 9. large circulation and extended success in Ger- many. _Price, in Cloth, $1.50. Sent postpaid on receipt of retail price. OLIVER DITSON 86 CO., Boston. C. H. DITSON db CO., New York. SYSTEM FOR BEGINNERS In the Art of Playing upon the PIANO-FORTE. BY WILLIAM MASON &' E. S. HOADLEY. A wonderfully well-arranged’ and interesting book. with abundance of Recreations, Illustrative Pictures, Duets for Teacher and Pupil, pleasing Accent Exercises, and many fine Melodies for practice. The directions are very plain and practical; and the line musicians and thorough teachers who compiled the work are worthy of all conﬁdence. Price, $3.00. Mailed, postpaid, on receipt of the above price. OLIVER DITSON & CO., Boston. 0. H. DITSON & CO., New York. Deems’ Solfeggi! For Elementary Singing Classes! These Solfeggi are well ‘arranged Exercises, ranging from very easy to moderately diﬂicult, in the Italian style, and all sweet and melodious. Will be useful In Private Instruction, In Seminaries, In High schools, and In Choir Practice, In Advanced Singing Schools. PRICE, 75 Cents. Sent post-paid for the above price. _ OLIVER DITSON & 00., Boston. 0. E. DITSON dt 00., New York. » 'I‘IiIEl ‘ Pestalozzian Music Teacher By DR. LOWELL MASON, THEODORE SEWARD & JOHN W. DICKINSON. A very clear-headed and practical book, serving as a. manual for teachiu g Music, Geography, Arithmetic and all other school studies on the Analytic or Inductive Metlaod, which is amply illustrated by examples. and made ready for the use of all instructors. Price $2.00. Mailed, post-paid, for the -above price. OLIVER DITSON & CO.,’ Boston. C. H, DITSON & CO., New York. A Method of Modern Violin Playing. B. LISTEMANN. A well Arranged and easily Progressive Method by a Distin- guished performer. Pupil of David, Joachim and Vieuxtemps, he is well qualiﬁed to guide learners from the lowest to the highest places in the art of playing. Most of the lessons are arranged with accompaniments for the teacher, thus giving them the character of pleasing duets. Price, $3.00. Sent post-paid on receipt of retail price. OLIVER DITSON & CO., Baton. CHAS. IE_I. DITSON &. CO., New York. p The Woman of Samaria. .4 SAVORED 0./5lJV'T.ﬂT./4. BY ' W. STERNDALE BENNETT. Persons who examine this Cantata, (which is almost an Or- atorio) will agree with a prominent musical writer, who pro- nounces it “charming, from first to last.” . Has eleven Choruses, and a variety of Solos, Quartets, &c., and is well worthy a place in the repertoire of Musical Socie- ties and Choirs. Price,—Paper, $l;O0; Boards, $1.25 ; Cloth, $1.50. OLIVER DITSON & CO., Boston. C. H. DITSON & CO., New York. History of Music BY Frederic Louis Ritter. A series of Five Lectures each embracing distinct epochs in the history of the Art, the whole forming a. book of intense interest to the musical student. Bound in Cloth uniformly with Ditson 8: 00's popular works of Musical Literature. Price $1.50. Sent postage paid on receipt of retail price. Oliver Ditson & 00., Boston, Chas. E. Diton & 00., New York. .v -vs-,... IN THE FORM OF LECTURES.’ "
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Date: 1912
Text: as @ mg Immmyr AM; 6% 3 '-'x@ .3 F. ﬂ @/2: _ G)/-: )\ mﬁﬂgm WORDS BY LON GFELLO W. 79% NIUSIC BY FELIX SWINSTEAD. O COPYRIGHT Mcmxm I V by J.B.CRAMER 8c C9 u".= : PR I C E 1/6 FOR ALL COUNTRIES. NETT CASH. d_B_ CRAMER & C9 |._TP I39, NEW BOND STREET, L.ONDON,w. NEW YORK: EDWARD SCHUBERTH 3509 FREE PERMISSION IS GRANTED TO SINGTHIS SONG-IN PUBLIC WITH THESE WORDS ONLY. IUSIC LIBRARY VASSAR COLLEGE T0 B.LENG ESQ. The Rainy Day. SONG. Wo.r_ds,by LONGFELLOW. Andante con moto. 4...
Show moreas @ mg Immmyr AM; 6% 3 '-'x@ .3 F. ﬂ @/2: _ G)/-: )\ mﬁﬂgm WORDS BY LON GFELLO W. 79% NIUSIC BY FELIX SWINSTEAD. O COPYRIGHT Mcmxm I V by J.B.CRAMER 8c C9 u".= : PR I C E 1/6 FOR ALL COUNTRIES. NETT CASH. d_B_ CRAMER & C9 |._TP I39, NEW BOND STREET, L.ONDON,w. NEW YORK: EDWARD SCHUBERTH 3509 FREE PERMISSION IS GRANTED TO SINGTHIS SONG-IN PUBLIC WITH THESE WORDS ONLY. IUSIC LIBRARY VASSAR COLLEGE T0 B.LENG ESQ. The Rainy Day. SONG. Wo.r_ds,by LONGFELLOW. Andante con moto. 4 The day It rains and the W (1 The vine still clings to the mould Copyright MCMX1Ilby J. B. Cramer & 0‘? Ltd. Music by F EL1X SWINS TVEAD. {’-’x and dtear - T y; 13.0 & C? 11313: the dead leaves fall, wall 6 d 17m . dark, is dark and 0 [la D006. 0 pm mote.- life . ' cold . and dark and drear 190001; u motoz b J B C 6’: C9 11813. and the wind is 11e_ ver Wear _ Z9000 agitato. My thought still clings to the mould _ ; ’ring past. .3’ the hopes of youth___._.,_fa11 [thick in the f And the days J.B. C & .09 11813. Y molto rallz clouds J.B.C & C911813. life some rain must fall > days must be be dark and collaw 22006. J.B.C & C‘) 11813. cnoml.Prxnter-. 12,HamYax~d. ﬁreaﬁmndmill strut M’. N.°1mc. N?2mD*°. N<_=3,N Eb, This %%Ro‘se. (LIEBSTE ROSE.) Words by 8 ON C“ Music by OLGA FRICKSEN. GEORGE UESTRANGE. Andante. 'Copy'rig-ht MCMXI, by J.B.Crumcr & Co..Ltd. JAB‘C C0.11755_
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Date: 1877
Text: To Mrs.M.K.Cal Ian. .EZ?ii_/_'rZZ/‘/7.21/TI,’ /,____j . LON/I3}‘1%iLL oww N EW-YORK= Published by S.T.GORDUN&SON.l3 Easf I4*bs+_ A NEAR FIFTH AVE. Uupy.r*}qh”r IB77 by 5.T.Eurdan&San- V ‘ Iwsac uurmav SEAR COL 7 ‘THE RA INY BAELAD. Words by Music by HJVLONGFELLOWL ALONZO STONES] Andantyj and drea — ry; It and drea — ry; It rains, and the rains, and the C0pyrig_'h(,1877 ,by S. T.Gordon& Son. f vine clings to the maul — der—1:ng wall, But at thoughts cling to the maul —...
Show moreTo Mrs.M.K.Cal Ian. .EZ?ii_/_'rZZ/‘/7.21/TI,’ /,____j . LON/I3}‘1%iLL oww N EW-YORK= Published by S.T.GORDUN&SON.l3 Easf I4*bs+_ A NEAR FIFTH AVE. Uupy.r*}qh”r IB77 by 5.T.Eurdan&San- V ‘ Iwsac uurmav SEAR COL 7 ‘THE RA INY BAELAD. Words by Music by HJVLONGFELLOWL ALONZO STONES] Andantyj and drea — ry; It and drea — ry; It rains, and the rains, and the C0pyrig_'h(,1877 ,by S. T.Gordon& Son. f vine clings to the maul — der—1:ng wall, But at thoughts cling to the maul — der——1ng past, But the ev — — ry gust the dead 7 leaves fall. hope’s of youth fall thick in the blast. day And the days Andante ooh moto. drea —ry! tl-rea -\.-ry I \/ sad and curse re - pine-z'_ng; Be — kind the ‘ f Agitato. clouds is the T still shin—ing,- Thy fate is the com — man ' Agitato. In — to each life some Ir must fall. Tranquille. Some days must be dark and dreu 6' 542 :3
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Date: n.d.
Text: I: \? @R.9. E \u 6FE%.:\IE‘@\,\r\ovf)Q/ —\r *~r'\.v-‘K/"\.l-—“\I'/‘\.r~ COPYRIGHTED I884 BY W. F38 HAW. SONGS. FCELEBRATED ALWAYS . . . . Lexlie 30 I WONDER WHY , , , Gm-,,,,u; STAR SPANGLED BANNER . ALWAYS ALONE . . Henriette 30 JAGK’S MESSAGE . . . jade SWEETHEART . . . . Ba[fe ALWAYS TRUE . . . Parker 30 KJLLARNEY , _ , _ Bag, THE BROKEN PITCHER . . Pontet ARROW AND THE SONG . ~. KINGDOM BLEST _ _’ _ Dz}; THE. IVORY GATE . . . Dz’:/E AS THE SUN GOES DOWN KISS ME TO SLEEP,...
Show moreI: \? @R.9. E \u 6FE%.:\IE‘@\,\r\ovf)Q/ —\r *~r'\.v-‘K/"\.l-—“\I'/‘\.r~ COPYRIGHTED I884 BY W. F38 HAW. SONGS. FCELEBRATED ALWAYS . . . . Lexlie 30 I WONDER WHY , , , Gm-,,,,u; STAR SPANGLED BANNER . ALWAYS ALONE . . Henriette 30 JAGK’S MESSAGE . . . jade SWEETHEART . . . . Ba[fe ALWAYS TRUE . . . Parker 30 KJLLARNEY , _ , _ Bag, THE BROKEN PITCHER . . Pontet ARROW AND THE SONG . ~. KINGDOM BLEST _ _’ _ Dz}; THE. IVORY GATE . . . Dz’:/E AS THE SUN GOES DOWN KISS ME TO SLEEP, MOTHER 1;-m,,g,',¢ THE LAST MILESTONE . . Pmztez‘ AT NOONT]])E . . . . 30 LIGHTHOUSE _ , _ Cram]; TBERESAPATH BYTHERIVER Loder 40 AUTUMN . . . Kz_r1g Hall 30 LOVE LIVES FOR AYE _ S‘-[lira THREE FISHERS . . . . Cruz}/Esltank 35 . . . MAN _ _ _ _Ru_H-£1] . ﬁrmfr . MAN 0’ WAR/S MAN . Giéxanc - " - - - » $771.0” IRD AND LUTE MERRY MAY _ _ _ L5,],-ev ’TIS HARD TO GIVE THE HAND, CHALLENGE (THE) . NAMES UPON THE SNOW Gaodwe E’1‘0- - - R. . . G/om C(EUR DE LION . ‘ MENELLA1 HOW I LOVE YOU 3,,,g,-,, TIT FOR TAT . . . . Pzmtet CRADLE SONG . . * OH; OHIOE NOT My HEART W,,;g;,;,,,, TOGETHER . . zllora DOUBTING LOVE . OH; HUSH THEE’ My BABY Hofman TWO BY TWO . . Fern‘ FACE IN THE CROWD ~ ONE GENTLE VOIOE , _ Bongm VANITY . . . . [fall I§l¥SRl;.‘Y MAID (THE) . Smart LADY _ Be;,,.,,m: ( ) . ~ . M02? RAD - Mm ..;BAINY 11)4;LO,YWM-«-z» . Reiclzardt - - Kmlght I MEAN TO WAIT FOR JACK . Dick g1ggIE““ ‘ , _ Rey . . Smith I'M WEARING AWA’, JEAN . Bislzop sM[LEg AND TEARS _ . W,.,g_;,,o,, WOODMAN (THE). . . S/rattan INSUFFICIENCY . . Stamer SOMETHING, TO LOVE ME , H,-,,,e YES, . . . . . Wakeﬁeld IN THE DAWNING . Halstram SONG OF HYBEIAETHEORETAN Egg,-0;; YOU OUGHT TO KNOW BETTER Solomon D303 ©© gﬁgﬁéﬁggéég nusnc uaunv VASSAR COLLEGE N7! 3.3 II; 'l”_R-fa ~. THE DAY IS 001.1) AND DARK AND DHEARY. Woxns ‘BY LONG FELLOW. M11310 BY CARL I{1<lICH-\]'H)’1‘, PIANO. 0 stacc. . o . . dark and drea.-ry-7 rams, and the wmd ‘ ne - ver Wea-ry; vine still clings to the m0uld’ring wall, But at ev’—1'y gust; -the {- n dead leaves fail, And the any is dark and is dark and . mm )0. coliu Voce. 1 life_ is cold and dark and drea-ry; It 1'ai11s,aud the wind is still, sad heart! And cease re — pi -ning, I10-hind the cloud is the » . * nev — er we-.1-ry; My thoughts still cling to the mould’ring Past, But the sun still bshfvning-7 Thy fate is’ the C0111-n10n _ lot» of all, In - » hopes of youth fall ‘thick 11 the blast, And the days are dark and -to each - life some rain must fall, Some days must be dark and — — ry And the days are dark -. _ -— ry, S0111e days must be dahk /'\ colla voce. 7' at tempt) -—-—----—- I ,_v‘v.v .. _::‘__..- ___ v.r.v. ,: xv '4 E vunv. é7l~PA'A NAT 0NAL SCHOOL F08 THE PANO-FORTE. -m-saa»:BY W. F. 'SUDDS.I§§ses~ for those who are compelled to become lowing points: 1 . detail. average works. base, subjects all-important, Methods. church organist, when necessary; this, WHAT NEW ENGLAND SAYS: Tnos. P. I. MAGOUN Bath,’ Me. The “National ﬁchool ’ is From what I knew of our wor department “Anthem ems ” I had reason to 2.. 1°“ ““‘° ‘“.’.‘i’.‘§.‘§.“.i’.‘.§."°f’i=i.i‘.i’é’..’1.“.‘.’.1.?§‘.’.2°.*. one are mor . features and such masterly treatment of the whole subject, that I can only say—It is Just what we teachers, and our pupils, need. No insgruction book hthat I am aeiqugiiamd w}iltl‘i; em races so mac or so ceary e nesw a they do embrace. l hope it may meet the suc- cess it merits. JULIUS fnrcmanne (Boston Conser- vatory of Music), Boston, ass. ﬁnd “ National School” a useful and well-planned work, well adapted for its purpose and a. welcome addition to the many excellent methods that have been published here and in Europe. I wish you all success. The Pilot, Boston, Mass. An exhaustive and valuable book. S. Susan, New Haven, Conn. Our teachers consider “National School” the best of all piano schools published in the United States. 0. H. KIKBALL Manchester, N. II. The publishers do not claim eno h for “ National School ” It meets a deman never so thoroughly supplied before. F. A. Fownn New Haven, Conn. I consider hat “National School” has no rival among American publications. A. S. BBLDING. Fitehburg, Mass. : I can confidently recommend “National School" to all who wish for an instruction boo; complete in all the details of piano-forte pla ng. ‘ DR. LOUIS MAA8, Boston or a careful survey of School,’’_ I am very glad». 5 I think it one of the; , that description I; ,‘._ _been brought under my noticegqiv t is simple, compre- hensiveand y,_ exhaustive-containing everythingthat can be sou lit for in any- thing of, its kind. I_ s be lid to recommend and use it as far as it is in mypower. .9) ‘ VWEAT THE MIDDLE STATES SAY: Albany (N. Y.) Marni E.-rprus. Destined to have a arge sale. MORGAN at Hsirsoan, Middletown, N Y. ' Our teachers are well pleased with “Na- tional School." Phila. (Pa.) Chronicle-Herald. An admirable and exhaustive work. htly named. in another Mass. in etional t It is desi ed,» not only for those who desire to become professional pianists, but a so for those who aim to become accomplished amateurs, while self-taught players, it will be found the . most valuable and ever published. ' We would callattention brieﬂy to the fol- It teaches the ﬁrst principles of music, partly by. means of musical writing lessons,‘ to be ﬁlled out by the pupil, affording a much clearer and easier way of overcoming ﬁrst diﬂiculties than other works of the kind contain. 2. The exercises are more carefully graded, introducing the pupil to but one new feature at a time, while in each case the necessa , explanations, which are usually left for the teacher to give orally, are, as far a possible, written in 3. The art of ﬁngering, touch, accent, etc., is more fully treated than in 4. It contains full and conflete instructions in Harmony and Thorough- an yet scarcely hinted at in other Piano-forte 5. It instructs the-student in the principles of vocal accompaniment, including playing from a_ vocal score, thereby preparing him to be an eﬁicien — too, is peculiar to the work. V Hdrricbur (Pa.) Independent. Conta as more than double the amount of musical information found in any other book of the kind. G30. I-‘. Btsnor, Philadel hia, Pa. I ﬁnd “National Sc col" an excellent work. As a book for teachers of the piano- forte, I can strongly recommend it. Hnimv Rosanna, Easton, Pa. I have been very partial to Richardson s justly po ular method, but he ed some time to see a me od more complete u some respects _and with clearer e lanations to scholars of many usali detai s. I ﬁnd that “National Sehoo ” has a I the merits of Richardson's, with the {ollcwin additional ones, viz.: Entertain— ing and ins ructive duets; remarks upon the proper use of the edals; clears lanation of he various embel ishments; lates studies of modern masters, Heller, Kohler, Liszt, and others; the exercises upon accent and remarks u on vocal accom animent - the excellent mu- sical and biograp ical dictionary, and, by no means the least important, the ﬁne treatise on harmony with its numerous examples. Jss N. Bncx, Philadelphia Pa. . The “ National School ” has been examined at length. Itgives me leasure to endorse its completeness and the c eamess wherewith all the rudimentary points have been therein set forth, as well as the judgmept displayed in the retention of the va us udies etc. I ve nothing but praise furthermore, for the writing lessons the several dictionaries, and the sh but satisfying treatise on harmony. A. H. E-rrrnena, Allentown, Pa. “ National School ” is a very thorough and minute work. It certainly contains everything that can be desired by teacher or pupil. ADAII GIIBBL, Philadelphia Pa. In eve way I ﬁnd ‘ National School ” the most pract cal work for that king or instru- ments—thb piano—that has ever been brought notice, and I feel that I can so conﬁ- and without p sumption, that t is not onl a thorough instruc r, but also an encyclo- .ae la, which I can recommend most heartily o the profession. A. H. Ross.'wio,.Philadelphia, Pa. ' I have thoroughly examined " National School,” and have no hesitation in ronouncing it one of the best and most thorou instructors . I have seen. Mr. Sudds embod es many new and originalideas in his work, which cannot fail to prove of greatvalue. I Inc. B. Swaimv, Chester a P . '_Ithink “ National School " a grand success in every way. . Jno. P. Douonimrv, Chester, P . . “ National School " is certai ly the best piano instructor ever published in this count . G. W. Suns-irmau, Akron N. Y. consider “ National §chool " worth double that of any piano school I have ever seen. and proper performance of eac . pronunciation of names and musical The following are selected thorn ‘hundreds of ‘testimonials fully endorsing the . W. GILCHRIST, Philadelphia, Pa. “National School’ is a most excel- lent and progressive work for the piano student, and I am pleased to have the opportunity of expressing my approval 0 its many good points. Mssusﬁaﬂlvl. {WsAall.iN'E?;Y§ahllB.d0l hiia,bl;'a. kji a one 00 an in ra e'wor having the different ggsdes of stud well sys: temat sod and suﬂlcient yvaried, wi out being too voluminous. Louis BEBGII, New-York. , I have carefully examined “National School,” and ﬁnd it a ve thorough work, superior to any method publ shed. Aims Bans Fosn, Biaiisville Pa. “National School” is an admirable It will give me pleasure to recommend it DUDLEY BUCK, Brooklyn, N. Y.‘ I have examined “National School ” and am lad to say that I think you have compile a good work. covering all essen- tial points of piano-playing, and which, roperly ma _ use good plafyers. trust that you will be rewarded or the labor and pains you have evidently taken. Music and Drama, New York. “National school” will prove an exceed- ingly useiul work, containing, as it does, a vast amount of information in a condoned form; and most of the studies and pieces are such as will rove useful to thzftudent in forming the han and acquiring “ ucli." work. was-r rm: sournsaiv‘ snrss BAY: Wu. H. Snun, Wheel W. Va. I consider "National hool" the best and most comprehensive I have ever had for sale. Wheeli (W. Va. Re‘g(uer. ' Av uabloboo of nstruction and referen . S. 8. Don»! Washington, D. C. I think “’National School " 9. vs complete work. It contains all the great re u sites ofan instructor-—thorcughness, pro ess on-, compre- hensiveness in a word comp eteneu; leaving the pupil with nothing to be desired. WHAT THE WESTERN STATES SAY: ‘ J. B. Osxsaox Indianapolis’, Ind. I think "National Sc ool ‘ suppliesalong- felt want. All teachers pronounce i am class. Sacramento Cal.) Doll‘ Record Union. This boo is all the is claimed for it. ‘ Chicago (lll.) Intevwocecn. A valuable book of instruction and reference. SEE FULL LIST OF TESTIMONIALS. » ancient and modern musicians and compose .. 6. It is the only piano school which treats, at any length, on the proper use of the so-called, and much-abused, “load pedal.” the work is of priceless value to the young student. 7., We ﬁnd among its contents, the subject of musical form, phrasing, etc., made plain and interesting to the pupil. 8. ~—Aside from more than -the usual amount of so-called technical matter, there is interspersed a. valuable repertoire of piano music, selected from the works of Schubert, Mendelssohn, Mozart, Bach, Beethoven, Rubinstein, Morzkowski and others, with Explanatory notes concerning the peculiarities On this subject alone, 9. And last but not least, is included a dictionary of music, with proper terms, with biographies of prominent . . That the “National School” opens to the student the shortest and best possible road to proﬁciency, is beyond a. doubt, ‘especially when we consider the well-known ability and recognized talent of the editor, as evinced in former works. And after a glance at the foregoi , that this book contains nwro tha/n (toggle the information found in any other work of the kind. it is almost supei-ﬁuous to say amount of m above claims : R. A. Kmzin, Knoxville, Ill. I am hi hi pleased with’ “National School.” I t in ‘ it one of the most com late works on piano teehnics that I have use . I shall adopt it with my pupils. B. J. Vorrrannu. Cleveland, 0. Your “National School " I ﬁnd to be a Vmost excellent work. It has so many advan— tages over everyniethod of the kind, that it cannot fail to take the lead. A. L. BANCROPI‘ as 00., San Francisco, Oal. “ National School" is a ﬁne work. I. G. Looms, La Crosse Wis. “ National School ” is certainly a very ﬁne xork, and pronounced so by all who have seen Hannunr sac Lapeer, Mich. _ e use of ‘ National School ” should be mter-national, for it has more features of merit than any other similar work. Its illustrations and explanations are a great assistance to the teacher and its nianyeother good things are all appreciated. I! is 2 best. Mas. M. W. Krnsnv, Plymouth, Ind. I have examined your “ National school," and pronounce it an excellent work. G. W. WARREN Evansville, Ind. " National §chool ” is, thout doubt, one of the most common-sense instructors. I wish you the success the merits ofthe book deserve. WILL L. Tnoirreoiv, the popular song writer, EastiLiverpool, Ohio. ry much pleased with “National I am ve ‘ Schoo .” It shows careful work of a thorough musician. I believe it will become a standard. J. I-I. Lnsain, Fa ette Ohio “ National Sc ool ’' is the best book of its > class I have ever examined-best for beginners, best for intermediate host for advanced pu ils. It is an instruction k, an enc clopasd a, a history and biography combine in one. It has no superior and is the work of a masterly musician. Our pianist, Mrs. Perry, agrees with me. o. J. WHITNEY Do it, Mich. Sudds’ “Piano ethod” is the best work of the kind we ever saw and it will certainly become popular. CANADA'S VERDICT. Gun. MARTINB, Toronto, Ontario. I can truly say that I see much to admire in our “ atioual School.” I think it the be school of its klndy and it will certainly have a ve large sale amongst the more rom— gitgia teac ers in Canada and the nited B. ' London _(0nt. Catholic Record. It will be ound the most valuable aid ever published. PRICE,.HANDSOMELY BOUND IN HALF CLOTH, $3.25. vat v.v.v.v.v w. I». xv.-.-.~.t.-I.‘ mcoumunu nus n£si—THE KING UF VPIMIU |N8TBUlIT0|lS_—£Nnons£nnv mess mo PROFESSION. VAVAI. - AVAVA .. _——.- -- 2 : ——¢
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Date: 1851
Text: 39/MM/( W/V. ©< €f?,f&J’«M4/ R EAPER AND THE FLOWERs-___./I414/, HALF./F. 5 RESIGNATION ________________________________ ._JE.60ULD. SEA HATH ITS PEARLS. QT...__._0./7//v5UT/. STARS OFTHE SUMMER NIGHT .... ..F.B007r. STARS OF THE SUMMER NIGHT. ........ .5’. 70035. TRUST HER NOT DT.____.__.____.‘._._/W.W/19/41/‘E. VILLAGE BLAGKSMITH. ............... ..I/I/H. WE/SS. WREGK OF THE HESPERUS........J.z5’L00/(LEV. OPEN WINDOW..__,....,.._E..I____.__.__.......__.€/I77)’. ARROW AND THE SONG ......
Show more39/MM/( W/V. ©< €f?,f&J’«M4/ R EAPER AND THE FLOWERs-___./I414/, HALF./F. 5 RESIGNATION ________________________________ ._JE.60ULD. SEA HATH ITS PEARLS. QT...__._0./7//v5UT/. STARS OFTHE SUMMER NIGHT .... ..F.B007r. STARS OF THE SUMMER NIGHT. ........ .5’. 70035. TRUST HER NOT DT.____.__.____.‘._._/W.W/19/41/‘E. VILLAGE BLAGKSMITH. ............... ..I/I/H. WE/SS. WREGK OF THE HESPERUS........J.z5’L00/(LEV. OPEN WINDOW..__,....,.._E..I____.__.__.......__.€/I77)’. ARROW AND THE SONG ...... ..C.P//V507/. B R I D G CAREW. BRI Z/ND.S’A>’_ DAY IS DONE........I......................,/VV1/Z?/ILFE. DAY IS F. 1000. DEATH OF MINNEHAHA ....... ..0C00/v1/M55 EXCELSIOR. DT...................M.I4/BALFE, ‘PSALM OF 25’/.00/(LEV. .._II3.AV,INY DAY. ...................... ..\/1/./?.ﬂEMPS7'£/I’. GOOD NIGHT! BELOVED ......... ../V/.V\/.15’/MFE B O S TO N. V Published by 0 LIVER D ITS 0 N 8: C 0 .451WaShiI1gt01n. St. 1 NEW YORK. SAVANNAH GA. BALTIMOREMD. CINCINNATI. I SAN FRANCISCO. PH I LA. ‘C.H. DITSON 8: C0. LU DDEN 8: BATES. OTTO SUTRO. GEO.D.NEWHALL8<GO. SHERMAN CLAY 8:00. J. E.DlTSON 8:00. CHICAGO. ST LOUIS, 8‘ H JVHABUFVDRDS sons LVVHABOSTON &N:wYoHv., S - N cnO3w§aamm§I>-I> ulmc uuww T.VA_ ‘L THE DAY. Poetry by H. W. LONG-FELLOW. Music by WILLIAM R. DEMPSTER. Andante. cold, and dark, and drea-ry; It rains, and the wind is The vine still clings to the mouldering wall, But at ﬂoﬁgygj uogumg an y gag; an m me ya P351 by OLIVER DI FSUN in IA: ClcrIr‘r"aﬁu rv Nu Dnlirm Cmwrol Hue dreary . . . . . . . . dark and Car. espress. And the day /5 leaves the dead And the day is dark and drea - ry . . . . . . . . . . drea - - - - ry. And the day is drea-ry; It rains, and the wind wea-ry; My thoughts still cling to the mould - ’ring past, But the youth fall thick in the blast, And the days are dark and. drea - ry, . . . . . . . . .. And the days dark and d1-ea - ry, . . . . . . . . .. And the days are dark and {-T sad heart! and cease re - pin-ing; Be - bind the clouds sun still shin-ing; 'l‘hy fate is the com - 5Q. -__. each life some rain K Some davs must be dark and §,.__§ dark and drea - ry, . . . . . . . . . . ( Some days must be dark and
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Date: n.d.
Text: POETRY BY ﬁmuzg @aﬁniunt;£ﬁ Qungwiuixx, MUSIC BY *2z2I::,:,:.zs.1zz£ 3,. 33*;:n1x{::3sm31. BOSTON : ‘ V Published by 0. DITSON 8; 00., 277 Washington St. Boxton:J.G.HAYNE8&0o. I’hilad'a:C.W.A.TRUMPLER. Cincinnati: J.GHURCﬂ.Jr. N.York: W. A.PONDkCo. Chicago: LYOMHEALY MUSOC LOBHAHV vnssm cows 5 THE RAINY DAY: ?Oétry by H; W. LONGFELLOW. Music by WILLIAM R. DEMPSTER. Andante; ’ i i .' \ z J‘ $ 3 9 R 2 9 i A‘: ‘V , and dark, and drea-ry; It rains, and the wind is Wea.-ry; The vine...
Show morePOETRY BY ﬁmuzg @aﬁniunt;£ﬁ Qungwiuixx, MUSIC BY *2z2I::,:,:.zs.1zz£ 3,. 33*;:n1x{::3sm31. BOSTON : ‘ V Published by 0. DITSON 8; 00., 277 Washington St. Boxton:J.G.HAYNE8&0o. I’hilad'a:C.W.A.TRUMPLER. Cincinnati: J.GHURCﬂ.Jr. N.York: W. A.PONDkCo. Chicago: LYOMHEALY MUSOC LOBHAHV vnssm cows 5 THE RAINY DAY: ?Oétry by H; W. LONGFELLOW. Music by WILLIAM R. DEMPSTER. Andante; ’ i i .' \ z J‘ $ 3 9 R 2 9 i A‘: ‘V , and dark, and drea-ry; It rains, and the wind is Wea.-ry; The vine still clings to the mouldering wall, But at Enltrcd actuating to act 9/ Dbngrsqa In gﬁpygw 1847, by OLIVER D1TSON.in the clerk’: oﬂcs n/-the lmlrtct cow! 0/ Man Con espress. ery gust the dead leaves fall, And the day f!\ dreary . . . . . . .. And the day is dark and drea - ry..5 . . . . . And the dark and drea cold, and dark, and drea-ry; It rains, and the wind wea-ry; My- thoughts still cling to the mould - ’ring ,past, But the ‘ fall in the blast, And the days are dark and drea. - ry, . . . . . . . . .. And the days dark and (treat - ry, . . . . . . . . . . And the are dark and still, and cease re - pin-ing; Be - hind the clouds shin-ing; Thy fate is the com - mon life some rain must Some days must be dark and PP &._-2-Z and drea. - ry, . . . . . . . . . . Some days must be dark and drea Got where the Old Folks Died. . Chorus. M. ‘I- no on cosmos SHEET nose. PUBLISIEI EI) BY OLIVER BITSON & C0., 2'77 WASHINGTON S'l‘., BOSTON. NEW HOME SONGS. Acnshla. Gal Mochree. *0 Bright Pulse of my Heart,” from “Arrah nu Pogue.” 30 Aged and Grey, Song. L. B. Starlcweatlier. “For I am old, aged and grey, Children oftime, I am passing away.” Bradley Clay_ Ballad. J. C. Johnson. “When the daylight died away, Died the life of Bradley Clay. When the moon climbed up the hill Climbed his spirit higher still. Knapsack he had laid aside Fora state beatiﬁed. He was at the tattoo blown By the bugles round the throne. Far beyond this earth‘s control, Where archangel’s call the roll.” Bur me at Sunset, A Soldier’s Last Re- iiruest. Frank Wilder. Come, Sing to me Again. Ballad T «Wr- “I have heard sweet music stealing, Round about me as I lay, Like the songs of angels singing , From the bright land far away.” coming Home ; or, “The Cruel War is Over." Song and Chorus. 0. C’. Sawyer. Song and . Leavilt. “But the cot, on the lot, on the top of the hill, Near the spot where I sat and cried, ’Tis the lot where the old folks toiled and lived, And the cot where the old folks died.” Could I be Near my Boy. M Keller- 30 Eﬂie May, Song and Chorus. R. R. French. 30 Ela, the Pride of my Heart. F- Wilmarllu 30 Flower G11-l_ . L. 0. Emerson. 30 “Come, 0, come. buy my ﬂowers. they are fragrant and fair, All wet with the dews of the morn, And sweet with the breath of the pure morning air, For I gathered them all since the dawn.” The Green Shenandoah. J- W- Turret 30 Home the Boys are Marching ; or. “Ring the Merry Bells.” F. Wilmartlz. 30 I cannot Sing the Old Songs. Ballad-_v Clarzbel. 30 I Know he will Return. Rwlolpllsm 30 I Live for those who Love Me. -I G- Clark» I'm Lonely Since my Mother Died. Song and Chorus. H. S. T/iompson. In Peace Again. -7- W- Turrieri “In peace again ! break forth the strain 1 Throughout our native land! — Ring out ye merry bells with joy ! Boom forth, ye cannons grand.” In the lonely, quiet Chamber. Ballad- . ./as. W. Parker. “In the lonely, quiet chamber - There’s an empty cradle bed. With a print upon the pillow, by‘s shining head ; But within the blanket folded. Lies no little form to-night " It is the Mil1er’s Daughter. W0l'<lS by Tennyson. Music by Rudolp/lsen. I’ve no :‘Mother now, Ballad. T. Smith. Kiss me while I’m Dreamin .Wimmersteclt- to g Little Fa1ry,B1ue-Eyed Carrie.” E-Bruce _ “’Mid eternaljoys supernal . Now thou tread’st the heavenly shore, Little fairy, blue-eyed Carrie, With the loved ones gone before.” Mother, when the War is Over. Song and Chorus. J. W. urner. Move my Arm Chair, Dearest VllIother. Ballad. I’. Wzlmart/1. “Move my arm chair. dearest, mother, In the sunshine, bright and strong, For this world is fading, mother. I shall not he with you long.” _ _ V 0, Could I See my Father. The Soldier’s last Words. Song & Chorus. J. W. Turner. Oft in my Dreams I See my Mother. Ballad. L. B. Slur/cweatlzer. She Sang‘ among the Flowers. Wrig/zton. 30 sung by the “Hutchinson Family.’ 30 Tenting on the Old Camp Ground. As Will You come to meet me, Darling’! . Ballad. L. 11. Gum . 3 Wearing of the Green. A8 sung in “Allah Na Pogne.” 40 “Oh, Paddy dear, and did you hear the news that’s going The Sl1ﬂ!1!l)t‘(x):k is forbid by law, to grow on Irish ground.” When you and I were Soldier Boys. Clark 30 “O, the stormy times we knew In our suit of army ue When you and I were soldier boys. together Will.” ey 0 NEW HUMEEOUS SONGS. The Colonel from Constantinople. AS Sung by the Florences. “Kind friends your pity pray bestow, On one who stands before you, And listen to my tale of wo Though I promise not to bore you.” Girl with the Waterfall. Frank Wilder. 30 “'l‘here’s songs about most everything That one could name or call, But until this none has been wrote About the Waterfall.” Intelligent Contraband. An Original Song and Dance. Charlie Pettengill. 80 Jolly Dogs ; or, Slap Bang. Copeland. 30 Matilda Toots; or, “Have you seen her Boots.” The Adventures of a Skater. Solomon. 30 I My Mother did so before me. E C'overt- 30 “The men I’1l tease myself to please, My mother did so before me.” “Weill wed and kiss. what harm is this, My mother did so before me.” Nicodemus Johnson. A Contraband Sons! _ Pettengill. 30 0. My Heart goes Pit-a-Pat. S0113 W3 Duet sung in the “Naiad Queen.” 30 “O, my heart goes plt-a-pat, 0. my brain goes whirligig, And my brow throbs rub-a-duh, That’s my case precisely, O.” Polly Perkins; or, The Broken-Hearted Milk- man. Harry Clz ton. 35 Pretty Girl Milking her Cow. As sling in “Colleen Bawn.” Sarah's Young Man. 0- W- Hunt 30 Susie Clair, Song & Dance. Charlie Pettengill. 30 BEAUTIFUL (ll)lVCERT SONGS. Ave Maria, Gounod. 35 Day is Done. Balfe- 50 Fairies (The) Theo. Barker. 35 Five o’clock in the Morning. Claril>el- 30 Golden Ring. Linley- 30 Good Night, my dearest child. Abt- 35 How fair art thou. Weidb 30 Hunting Tower. (Scotch) . 35 I hear the wee Bird Singing. Linley- 30 I1 Ba,cio_ (The Kiss) “Arditi.’f. 60 Impatience, Curslrman. 30 Lady of the Sea. 19- Smart 40 Laughing Song. Aubeh 40 Love’s Request. Reichardt £30 Merriest girl that’s out. Mim1si~ 30 Nig'htingale’s Trill. W- Gum 40 Night is Serene, “Don Sebastian.” 40 0, say not womanfs love is bought. '_ W/iittaker. 30 0, ye tears. Separation. Shadow Song. - Sing, Birdie, Sing. (Parepo) Sing me a merry lay. Sing, smile, g1eep_ (Serenade). Gounod. 50 Thou, everywhere. Laclmeh 50 Wild Shady Wood, (Sombreford). "Tell." 35 Ye pretty Birds. Gumberh 40 “l)inorah.” I 75 Ganz. 50 Williams. 30 Reichardt._‘ _ Rossini 49 V ‘ Scheiden Waltzes. SACRED PIECES. Axe Maria, Kuclcen. Three voices. Wei el. Celestial I-Iope_ Ten. Solo and Qt. “Fidelio.” Come, ye Weary. Emerson- Guide me, 0 thou great Jehovah. Qt " Hear my Prayer, Quartet. Soulliard. He will not always thus aﬁlict. Fall of Jerusalem.” I will be glad_ Quartet. Soutliard. I will praise the Lord. Quartet " Lauda, Sion_ Chorus. Lambilotte. Let thy loving Mercy, (0 Salutaris)SoutIzard. Morning Service in G. Tuvlcermwh 1-00 O Lord’ my God, Quartet. Soutlzard. 40 0 Lord, veil not thy face. “Fiddle-” 50 0 magnify the Lord, Quartet. Soutlzard. 40 0 Salutaris Hostia. 0- 0- Slearns- 30 0 that I had Wings, Quartet. Davenport. 30 0 were my head like the springs of water, “Fall o/'.Terusalem.” 30 Praise ye the Lord, Qt. & Solo. Beethoven. 40 Rejoice the heart of thy Servant. Qt. Sout/lard. 40 Te Deum Laudamus, in B ﬂat. Stearns. 35 “ “ “ ’ Tuclcerman. 1.00 The Lord Vupholdethn “Fall of Jerusalem.” 30 Trust in God_ Sopr. Solo & Qt. Beethoven. 50 Vespers in C with Magniﬁcat. W0-Fiske« 100 GUlTAR_—SONGS. Aileen Aroon. 30 Call me thine own. 30 Come in and shut the Door. 30 Dear Mother, I'll come home again. 30 Do they pray for me at home. 30 Faded Flowers. 30 Flee as a Bird. so Home Delights. 30 I’d choose to be a Baby. , 30 I'm leaving thee in Sorrow. 30 I’m lonely since my mother died. 30‘ Moss grown cell. 30 Move my arm chair, dearest mother. 30 Tenting on the old camp ground. 30 Too Late. . 30 Twinkling Stars. 30 CHOICE PIECES FOIt THE PIANO. Arion Waltz. J. S. Knight. 30 Brightest Eyes. Kruger. 50 Cricket Polka. lVitliers. 30 Debatten _Wa.ltzes; _ Gung’1. 60 Dying Poet. "Seven Octaves.” 60 Fantasia “L’Africaine.” Ketlerer. Maiden’s Blush Waltz. “Seven Octaves.” 60 Marche des Amazons. -7- M. Welzli. .00 Marche des’ Tambours. »5TI/dne.1/ Sml'tlI- 60 Meteor Galop. Wollenhaupt. 75 Mossy ‘Dell Waltz. Turner. 30 New Anvil Polka. Koppitz. 4o _0 whisper what thou ifeelest. Hoifnzan. 75 ‘Partridge Polka. - - Koppitz. 40 .7. M. VVelilz'. " "J. ‘Ill. Welzli. Weissenborn. Starry Night. '5?/Clney Swill!- Tears, idle 1;ea,rs_ Nocturne. Turner. Tempest of the Heart, Variations. Grebe. Tenting on the Old Camp Ground. Wearing of the Green. Trans» Baumbach. [Polka de Conclart. V Romance Nouvelle.‘ ‘ The above sent by Mail, post-paid, on receipt of price. Oatoggogwcs free, on application. 9 ‘l."i " 1 e
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Date: n.d.
Text: \ 1, W " \ /‘ ~-,,.,« /; Ijm/_:~‘[{% T , ‘ //3Lpléurg'¥I3ah:1l1t«L£[g' jﬁhngﬁellaw; (1/3%! ,\L ]MElJ]$%l£ 117$ " VMmU'¢//?};M\ K K‘ _/ \‘ //. E. // Kg .51’ 1.7;»: wet/V: {x 7 Q, ‘ BOSTON: ] 2129213‘/zzzi ‘/(V/’ OLIVER D lTS0N1[i/7123‘/if/5/;//Z7/Z/2)?‘ Jﬁmzz-a“Z m,w7z'/z'/:,_4/ rug/:7 u/’£irn_z//wzvj/22/ '//{H Z//ii/r’/J/2*/‘var; '7'/L I/3,1’, [Zer7:.5- 0/WM :7/'1’/M (7/Jyr/2 , Jurr u ’ " 7 vv nuscc unnanv, VASSAR COLL’-{GE THE RAINY...
Show more\ 1, W " \ /‘ ~-,,.,« /; Ijm/_:~‘[{% T , ‘ //3Lpléurg'¥I3ah:1l1t«L£[g' jﬁhngﬁellaw; (1/3%! ,\L ]MElJ]$%l£ 117$ " VMmU'¢//?};M\ K K‘ _/ \‘ //. E. // Kg .51’ 1.7;»: wet/V: {x 7 Q, ‘ BOSTON: ] 2129213‘/zzzi ‘/(V/’ OLIVER D lTS0N1[i/7123‘/if/5/;//Z7/Z/2)?‘ Jﬁmzz-a“Z m,w7z'/z'/:,_4/ rug/:7 u/’£irn_z//wzvj/22/ '//{H Z//ii/r’/J/2*/‘var; '7'/L I/3,1’, [Zer7:.5- 0/WM :7/'1’/M (7/Jyr/2 , Jurr u ’ " 7 vv nuscc unnanv, VASSAR COLL’-{GE THE RAINY DAY. Poetry by H.W.LONGFELLOW. Music by WILLIAM R.DEMPSTER. Cres: The day is Cold, and dark, and dreary; It rains,/ and the wind is ,g...——.__\ J weary; The vine still clings to the mouldering wall, Con espress: - - ery gust lthe dead leaves fall, And the day fﬁ P1’ /.\ PP dreary. . . . And the day is dark and dreary. . . . And Hm (lay dark and drea - is cold, and dark, and dreary; It rains, and the wind Weary; My tlmuglxts still cling to the n10ulde1‘ing past, But the lmpes of youth fall flxick in the blast, And the (lays are dark and P1’ <lr<~ary. . . . . AmHl1e><,luys are,-_ dark and dreary. . . . . And the days are dark and drea - - ry. still, sad heart! and cease re - pi11in;_r; Be - hind the clouds is the sun jstill shining; Thy fate is the com - mon fate pr:\ 1) to each life some rain must fall, Some days must be dark ﬂ\ PP /.\ PP Some days must be dark and dreary. . . . Some days must be dark and (lrea - - ry.
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