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Date: 1911
Text: ms Nu \/ (No héy paj aros en los nidos de antaﬁo S P A N I S H P R O V E RB ; ‘ A /Q J BEE T 9 :: e — % V”“”/f. = A :: V The Poem by ' 7 H .w. LONEFELLOW The Music by Simmm THDMSQNJ Price 6 0ce12Z3 THEWILLIAM MAXWELL MUSIC C9 (Founded1;y.JuuA~£owAA>os) ‘ 96 FIFTH AVENUE N EW YORK. Am /ANS MAM It Is Not Always May PART SONG FOR TWO EQUAL VOICES The words by V ' The music by H.W. LONGFELLOW SYDNEY THOMSON Allegretto grazioso (J ; 100) é A . /*\ pocok 3 male . . . 2 00% ‘gel The sun...
Show morems Nu \/ (No héy paj aros en los nidos de antaﬁo S P A N I S H P R O V E RB ; ‘ A /Q J BEE T 9 :: e — % V”“”/f. = A :: V The Poem by ' 7 H .w. LONEFELLOW The Music by Simmm THDMSQNJ Price 6 0ce12Z3 THEWILLIAM MAXWELL MUSIC C9 (Founded1;y.JuuA~£owAA>os) ‘ 96 FIFTH AVENUE N EW YORK. Am /ANS MAM It Is Not Always May PART SONG FOR TWO EQUAL VOICES The words by V ' The music by H.W. LONGFELLOW SYDNEY THOMSON Allegretto grazioso (J ; 100) é A . /*\ pocok 3 male . . . 2 00% ‘gel The sun is bright, the air is 6‘7’6S6‘L @000 d ﬂ0C’0 dart - ing swallows soar_ and sing, ,9 im 2'! e And from the state- elms I hear The _.. blue birds prophe-sy - ing_ AZsi0vpu5Zz's/zed as a song Copyright MCMXI by The William Maxwell Music Co. I¢zternatz'0mzl Uopgreg/L! secured -995-7 f dam. poco apoco blue yon wind - ing riv -er f1ows,__ d2'm.]9oco a 17000 seems an out - let rom the sky, Where‘, “wait-ing till the west-wind blows, The _ freightedclouds at an - chor lie, Where, wait-ing till the west wind bms/, The 77319 cresc; freigh clouds at an - chor lie. _z__ /x_ a tempo }_ pocozfj W All things are new; the buds,the .s-z'm 2'19 ) A11_.things are_ new- the buds, the 1eaves,And e’en the /T 1eEei/_ That gild the e1mtree’s nod ‘L ding - neath the eaves;There birds in And e’en the nests be-neath the eaves; ________ are no birds in last year’s last year’s nest! All things____.._ - joice in things joice in youth_ and love,.___ 1’ youth,_.____ youthand love! And learn from e soft _Tf—==- 1? ul-ness of their firs de - light! ‘ And learn from the soft heaV’ns a - 0 07680. heav’ns a-bove The ‘melt - ing ten - der - ness of night,‘ cresc. 073' The melt—ing en-der-ness of night, pace cresc. melt - .ing ten \_/ learn from the soft heav’ns a __ boxﬁi night. /T‘ f aotemltvo .Maiden,that readst this SiII1—p1€ rhyme, (z 2‘ 771 - der - ness of 7,Z'l«. L- me1t—ing ten—der-ness of K5 En — joy thy y0uth,itwi1l not Maid—en,that readst this Simple rhyme,__ En - sz'm z'Ze / 1) cresc. 112000 a 19000 /La‘ T-' stay; { joy thy youth, it will not 0! prime, Youth, __ dim poco a joy Spring of Love _._; it is not al - ways V En— joy the rag of thy prime, stay; En -joy the frag ce of thy a’z'm.p0co a poco May! En — joy Springof Love_ and '0! it is not al - Ways May! dim. 17000 a 32000 some good ah - gel eave the rest; and » outh,__ some good an — gel leave the timewillteachthee soon-.the . _ are no birds in last year’s time will teach thee soon_. the time will tench thee soon mﬂa lempo tru\tif'/ There are no birds in last year’s nest. xx cresc. e 7'22‘. }— a temjzo ‘ time WH1 teach thee soon,_; There are ’ no birds in last year’s nest. . _ M2,. I } a tempo f 1295-'7 SOME NEW SONGS — PUBLISHED BY - The William Maxwell Music Company (Founded by _7ulz'mz Edwards) BREiTENFELD,.EMlL “Love Came. at Dawn” A fine song for Medium Voice Key of Al) Range El? to E7 BURLEIGH, HARRY T. “ It was nothing but a Rose” A good teaching song in two keys (1) in Bi? Range Bl) to El? ' (2) in Di? Range Di? to G M0 COY, ROSE EVERSOLE “To Part from Thee” 60¢ A most interesting song for High or Low Voice (1) in F Range C to D (2) in A Range E to F# BARBOUR, FLORENCE NEWELL “To ‘Daffodils’-’i . A dainty song for Medium Voice Key of E Range E to NEAIDLINGER, w. H. . “I Hope the Skies are Kind to You” 60¢ A flowing melody with a fine refrain. An exceptionally good song for Low Voice. . In two keys (1) in F Range E to C (2) in Bl? Range C,# to F GARBETT, A. SEL.WYN’_ "Winter Snows are Past” ‘-A brilliant song for High Voice Key of El) Range . El» to G NEIDLINGER, W. H. “Mah Blackbird” Mn Indigmzm zuzzaag) 60¢ The latest addition to Mr. Neidlinger-’s popu- lar series of ‘Southern Dialect Songs. . Medium Voice in G Range C to E GARBETT, A. SELWYN ‘.‘Love’s Pilgrimage” . A song for Medium Voice Key of El» . Range Bi» to F PERLET, HERMAN “Sing a Song of‘ Gladness” 60¢ The real spirit of Gladness in a song for High Voice. Key of D Range E to B M9 coY, ROSE EVERSOLE. A “The Voice. of the Rain” An unusual song of Dramatic intensity. Intwo keys (1) in D, Range A to E (2) in F Range 0 to G r STARR, T. B. “My Spirit on Thy Care” 60¢ A truly devotional setting of a fine hymn ~ In.two keys ' . (1) in F Range 0 to D (2) in Al? Range El» to F STRICKLAND, LILY "Spring Rapture” 60¢ A bright recital Song for High Voice. Key of Al) Range El» to Air SAMPLE SHEETS UPON REQUEST
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Date: 1911
Text: \/ Im Ms NJ xumws Mm (No héy pajaros en los nidos de antaﬁo) SPANISH PROVERB , sawa ‘:2 V‘*"’,V.V=h :: The Poem by H .W. LONGFELLOW _ (@333) _ The Music by SYDNEY Tl%Ii©MS@NJ Price 60 cenis THEWILLIAM MAXWELL MUSIC C9 (Founded by «JUL/AN EDWARDS) 96 FIFTH AVENUE N EW YORK. It Is Not Always May No hay }7cZjoros~e7z Z03 m'd0s dc zmta/70 Spanish proverb The Poem by The Music by H. W. LONGFELLOW SYDNEY THOMSON Allegretto grazioso (J: 100) pocof /‘T Con Pedale Thesun is bright, the air...
Show more\/ Im Ms NJ xumws Mm (No héy pajaros en los nidos de antaﬁo) SPANISH PROVERB , sawa ‘:2 V‘*"’,V.V=h :: The Poem by H .W. LONGFELLOW _ (@333) _ The Music by SYDNEY Tl%Ii©MS@NJ Price 60 cenis THEWILLIAM MAXWELL MUSIC C9 (Founded by «JUL/AN EDWARDS) 96 FIFTH AVENUE N EW YORK. It Is Not Always May No hay }7cZjoros~e7z Z03 m'd0s dc zmta/70 Spanish proverb The Poem by The Music by H. W. LONGFELLOW SYDNEY THOMSON Allegretto grazioso (J: 100) pocof /‘T Con Pedale Thesun is bright, the air is mrl‘T?’. \__/f \,. dart-ing swallows soar and sing,___ And from the state-ly elms I hear Copyright MCMXI by The William Maxwell Music Co. Im‘ematz'omzl Copyright secured. 1284-7 dim. pow 1112000 b1ue—bird prophe-sy — ‘ing_ Spring; So blue yon wind - ing riv- er 1? f dz'm.poco a 12000 seems an out - let from the sky, Wait-ing till the West - wind blows,_ The freight-ed clouds at ...—__f'__ rit. \_/ lie, Where Wait—ing till the West - Wind blows , e The f reight-ed clouds at an- chor F3 3 im z‘le All things are new; the buds,the largamente 7 771 That gild the e1mtree’s nod-ding crest, Andéenthe nest be-neath the 8 am zle 1284-'7 There are no birds in last year’s nest! things re-joice in youth_ and love,,_ fu_11-nessof their first__ de- //”——_‘"‘\\ __’—:_-——-=--17 And learn from the soft heav’ns 1284-7 co crease ’ melt-mg ten-der- ness of night, And learn from the soft heaV’ns a — poco cres c. The melt - ing ten— der—ness of f'.\ a tempo a tempo L/-” Maid-en,that read§t this sim—p1’e rhyme, En - joy thyyouth,it will not {T atempo T1’ V 7 T1’ 13 1907-esc; pow apooa _ 32' En-joy the fra-grance of thy prime, For {T T fdz'm. poco a poco 0! it is not al - Ways May!#_.._ En — joy the Springof Love_ and {T 1284-'7 some good an — - gel leave the time will teach thee soon__ the tru 7 1*’ pjlvrrrv are no irds last year’s nest;..____ For time will teach thee soon_ the 7 f 1' V 7 t 7 E CTBSC. at lempo are no birds in year’s nest. fﬁ SOME NEW SONGS - PUBLISHED BY — The William Maxwell Music Company (F0mm’ed by jFulz'cm Edwards) BRE|TENFELD,.EMlL Mo COY, ROSE EVERSOLE “Love Game at Dawn” l'To Part from Thee" 60¢ A fine song for Medium Voice A most interesting song for High or Low Key of Al? Range El? to El) V0106 (1) in F Range C to D (2) in A Range E to F# BURLEIGH, HARRY T. “ It was nothing but a Rose” NEHDUNGER’ w_ H__ A good teaching song in two keys _ _ (D in B}, Range B1, to E}, “I Hope the Skies are Kmd to You” 60¢ (2) in Di, Range Db to G A flovying melody with a fine refrain. An S exceptionally good song for Low Voice. ‘ In two keys BARBOUR, FLORENCE“ NEWELL ' (1) in F Range E to C “To Daff-odilsn» (2) in Bl? Range to F A dainty song for Medium Voice A Key of E Range E to Fii . NEIDLINGER, W. H. “Mah Blackbird” /An Intﬁgnam‘ lullaéy) 60¢ G ARBETT, A_ SELWYN The latest addition to Mr.'Neidlinger’s popu- “ _ ” lar series of ‘Southern Dialect Songs. wmter‘ Snows are Past Medium Voice in G Range C to E A brilliant song for High Voice “Sing a Song of‘ Gladness” 60¢ GARBETT, A_ SELWYN The real spirit of Gladnees in a song for “ , _ _ ’ High Voice. ‘ Loves Pﬂgmmage’ Key of D Range E to B A song for Medium Voice Key of El» Range Bi: to F sT/ma, T, 3, "My Spirit on Thy Care” » 60¢ A truly devotional setting of a fine hymn M9 COY, ROSE EVERSOLE 1"tW°k_eYS » “ _ (1) 1n F Range C to D The Voice of the Ram” (2) in Air Range E!» to F An unusual song of Dramatic intensity. In two keys STRICKLAN D, LILY (1) in D Range A to E “Spring Rapture” 60¢ . A bri ht recital son for Hi 11 Voice F R Ct G . 3 3 3 - (2) In ange 0 Key of Al) Range ‘El: to Al) SAMPLE SHEETS UPON REQUEST
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Date: 1910
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New YORK Pi anoforte A“éJ<:o1npani1nenI H JV. L ONGFELLOW Set to Music FLORENCE NEWELL BARBUUR. :33, @\sL———-- dwakel it is ffzeﬂay. ................ ..(3%'§z"o"sB§.“.s.~ am. Stars ofilze Summe2°Iz§gZ2t.% ...;32§28”sBE“an em. .7... }§'1'ce 50021173 each. JXRTHUR 19. 5CHJVIIDT, BOSTON, LEIPZIG, NEW YORK, 120 Boylston St. Lindenstrassel6. ll West36th St. Copyrfg}1tI9/0 by Arthur F.’ Schmidt. International Copyright Secured....
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New YORK Pi anoforte A“éJ<:o1npani1nenI H JV. L ONGFELLOW Set to Music FLORENCE NEWELL BARBUUR. :33, @\sL———-- dwakel it is ffzeﬂay. ................ ..(3%'§z"o"sB§.“.s.~ am. Stars ofilze Summe2°Iz§gZ2t.% ...;32§28”sBE“an em. .7... }§'1'ce 50021173 each. JXRTHUR 19. 5CHJVIIDT, BOSTON, LEIPZIG, NEW YORK, 120 Boylston St. Lindenstrassel6. ll West36th St. Copyrfg}1tI9/0 by Arthur F.’ Schmidt. International Copyright Secured. 3 “ ; § Awake! It is the Day HENRYW LONGFELLOW ’ FLORENCE NEWELLBARBOUR Allegro agitato a temp0 wind came up from 5) And said “O mists, make room for me, 7 Copyright 1910 by:Arthur P. Schmidt International Copyright Secured 01. . . 887. -4 -P S 9 Public Performance Bermilied. hail’d the ships and Cried, “Sail on, Ye a tempo And . . + a dam. 3 mt. - _ - I) hur - ried land - ward far - a - way, Cry-ing,“A _ wake! for p L. the day.” It L touched the wood - bird’s fold - ed Wing, cm? 8. 8879 -4 —-==i::_.."'.::. Chan - ti - clear,» Your clar - ion blow, the aﬂd? 8. 8879 -4» pm animato 12000 oresa - whis pered to the fields 19 pm am'maz‘o 17000 oresa - '1/‘ato accel. - - _ } } down, and hail the com - ing m0rn.”___ A wake, a - > >}> gf Li — f agzlato accel. - - _ A oms-a. _ - molto ff _ wake ’tis day! A - wake H______ A > >' m Brillante F3 > .71.? 8. 8879-4 L./2.3» /T \‘ SELECTED SONGS from the Catalogue of ARTHUR P. SCHMIDT Boston . L Paul Ambrose. .17. The Shoogy-Shoo. Two keys each , A. 18 No.2. A Spring Song. Two keys ea. . 19. The Lotus Flower. Two keys ea. Mrs. H. H. A. ‘Beach. .i9 No.2. Ecstasy. Two keys. . each .37 No. Fairy Lullaby. F (e-for a) . .43 No.2. Scottish Cradle Song. Cmin. .43 No.5. My Lassie. AE> (eiw-at») W. Berwald. .15. The Approach of Spring. Waltz Song. Bl» (c-a). . . . . . . . Arthur Bird. Op.36 No.5. When Katie tuned the old Guitar.’ 'I‘wo keys. . . . each John Hyatt Brewer. Sweet! (The Swallows’ Song). Two keys ea. Op. 39 No. l. Rockabye Dearie. Two keys ea. Op. 39 No. 5. There’s ever a song somewhere my dear. Two keys . each Dudley Buck. The Village Blacksmith, C (at!-eb) . Geo. W. Chadwick. Allah. Two keys . . . . . . . . each Sweetheart, thy lips are to ched with ﬂame. Two keys. . . . . . . . each The Roseleans over the Pool. Two keys ea. O Let Night speak of me. Two keys each Theo. Chandon. An old Love Song. G (tl-d) Mrs. C. F. Chiekering. In the night she told a story. I) (d-ft) . (3. Whitney Coombs. Child of the Dark Eyes. Two keys Once at the’ Angelus. Two keys. . Charles Dennée. In Dreamland. Two keys. . . . . The Sandman (Lullaby). Two keys The Thought of You. Two keys. . Steph. A. Emery. Op. 24 No.1. Somebody(Scotch Song). D (d—f) 011.33 No.2. Bunst, ye Apple Buds! Bmin. (ft!-git). . . . . . . . . . . . Arthur Foote. 0p.13No.2. Pm wearin awa’. Two keys ea. Op. 26 No.2. Love me ifllive. Two keys ea. Op. -13 No.3. Sweetheart. Two keys each Op.43 No.5. Up to her Chamber Window. Two keys . . . . . . . each An Irish Folk Song. Two keys . . each each each each each each Through the long days and years. Two keys ea. Alhan Forster. The Hour will come. D (d-f) . . . . . lnspring. A(c-f)........... Henry K. Hadley. Op. 7 No. 3. Kathleen. Two keys. each No.6. Greeting. Two keys. each Op. 14 No.1. Dear, when Ilook into thine eyes, Db (b-f) . . . Op, 14 No.4. I dreamed of a Princess. Di1.(c-f)........... ‘My ain dear Somebody. A The Awakening of the Rose. New York. I J. H. Hahn. Break, break, break. Two keys . . Love me if I live. Two keys . . . The Prpposal. A((1b-e) . . . E. W. Hanseoni. My Secret. Waltz Song. E5 (cl-ah). . . Victor Harris. In Springtime. Two keys ea. '.l‘heBlackbird. Two keys ea. Georg Henschel. Spanish Serenade. Two keys Reinhold L. Herman. Op.37 No. 2. A Little’ Summer Breeze. F 0p,41 No.1. or Ever. Two keys . each ()p,41 No.6. (tipsy Serenade. Two keys ea. each each Op. 13 No. 1. No.6. each W. Ilennnnn. The Time of Roses. A (dil-gora‘; Edw. liurlingalne Hill. Five Songs for Children from the Hound Rabbit« . . . . . . .n. Mildred J. Hill. The Perfect Day. I) (c~t'3). . Love's Paradise. ll (ll-fit) . Helen Hood. A Disappointment. E (c~c) . The Violet. Ffemin. (ct-ft) Natll. Irving llyutt. Op.4 No.1. Marguerite. Two keys No. 2. Beneath Thy Lattice. Clayton Johns. Because of Thee. D (d-g) Marie. G‘>(_d-gzl-'). . . . . . . . Love’s Revelation. 1) (d-f). , . . Jules Jordan. Two keys Op. 45). A. Life Lesson. each Margaret R. Lang. F (f -f). . . Irish Love Song. Two keys. . . . each An Irish Mother’s Lullaby. Two keys each Frank Lynes. My King. (Companion Song to »He was a Prince«) Two keys . . .. each Marie. Two keys . . . each "Fwas my Heart. Two keys . . . . each If all the dreams. we dream. Two keys each Thy Picture. Two keys . each Dreams. Two keys. . . . . . each W. Manse. Bn (c—a‘o) Violin Oblig. Edward Mae nowen. Deserted and Slumber Song. Eb (eb-eh). Thy Beaming Eyes. Two keys each A Maid sings light and a Maid sings low. Twokeys. . . . . . .. each Four Songs. Complete. Two keys each 11. Three Songs. Complete . . . . . . . .11. Hugh W. Martin. When I behold Thee. D (cit-g). . . . . 3:! In .50 .30 .40 .75 .75 .30 Leipzig. {D John W. llletcalf. Absent. Two keys . . . . Sunrise. E" (d-e) . . . . . . . A Dream so Fair. Two keys . . A Keepsake. Two keys. . each . each each Homer A. Norris. Twilight. B (b-e) . . . Geo. B. Nevin. The Boatswain Bold. D (a-d). . . . . Edna Rosalind Park. The Nightingale and the ltose. Twokeys ea. A Memory Two keys . each Thy Name. Two keys each Alice Locke Pitman. A (e—e) Th. Podberlsky. The Wanderer’s Song. A lr (elwg). . . . Confession. (‘arl lteineeke» On the Strand. I) (e—f3). Violin Oblig. . Dance of the Dragon Flies. E (d-g). Violin Oblig............. Franklin Wing Biker. For Love of Her. F (c-f) . . . . . , . l’ll never cease loving Thee. F (c-g}, . . Clara Kathleen Rogers. Confession. Amin. (0-e) . . . . . . . . The Clover Blossoms. F and A (ye-fitor a) Jas. H. Rogers. The Moon shines pale. Two keys . each Frank E. Sawyer. The Night has a thousand eyes. F ({'-f) . Spanish Romance. C (e~a) . . . . . . . Sch. B. Schlesinger. Up to her Chamber Window. Two keys ea. Longing, Dix (c-eh or glr) I’. A. sehnecker. To the Night. Bass Solo. 1) min. (a-eh). Chas. P. Scott. Only a Ribbon. Ballad. Two keys each Robin Goodfellow. D (a-e). . . . . . . I-‘. N. Shaekley. Ere the moon begins to rise. Two keys ea. Softly blow, ye scented breezes (Serenade) Two keys. . . . . . . . each Thou. G. Shepard. Me . A Cycle of Songs . . . . . . . n. , Gel-rit Smith. Bee Song. A(e-fit), . . . . . .. Alpine Rose. Bb(d-f). . . . . .. Arlhnr W. Thayer. Clover Blossoms. Two keys. Only a Song. Db (db-ab) Gust. Tncherman. The Windmill. Bass. Bbniin. (f~el7) . . .60 Max Wei]. C (e-g) . . . . . . . . .40 z¢_n\J Love’s Captive.
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Date: 1910
Text: w% 8. C. COLBURN % 60 Cents NEW YORK I G. SCHIRMER BOSTON BOSTON MUSIC CO G N O S E H mm T wa D m N A W O R R A E H T. THE ARROW AND THE SONG SHOT an arrow into the air, I It fell to earth, I knew not where; For, so swiftly it ﬂew, the sight Could not follow it in its ﬂight. I breathed a song into the air, It fell to earth, I knew not where; For who has sight so keen and strong, That it can follow the ﬂight of song? Long, long afterward, in an oak, I found the arrow still unbroke; And the...
Show morew% 8. C. COLBURN % 60 Cents NEW YORK I G. SCHIRMER BOSTON BOSTON MUSIC CO G N O S E H mm T wa D m N A W O R R A E H T. THE ARROW AND THE SONG SHOT an arrow into the air, I It fell to earth, I knew not where; For, so swiftly it ﬂew, the sight Could not follow it in its ﬂight. I breathed a song into the air, It fell to earth, I knew not where; For who has sight so keen and strong, That it can follow the ﬂight of song? Long, long afterward, in an oak, I found the arrow still unbroke; And the song, from beginning to end, I found again in the heart of a friend. LONGFELLOW To my Sister The Arrow and the Song Poem by Longfellow _ S. C. Colburn Allegro Voice 21562 c ‘ 00py7‘2'g'/ti, 1.910, by Cr’. Sckirmer Meno mosso, quasi andante breathed a song in - to can 8”_“ bassa ' knew not where; For ?ﬁ’ who has sight so keen and It fell strong, to earth,._ That it can fol-low the flight of song?_ n______2‘ mi’ 17000 accel. . Long, 0 00 (1008 . the ar— row And the song, ter-ward, in an 7.. from be - ginning to b 25 l\Jb|‘l'( VII G. SCHIRMER, NEW YORK D9412-nted to and sung by Mme. Marcella Sembrich Am See Poem by Emil Robert English version by By the Lake Henry G. Chapman Langsam ‘ Frank La Forge Adagio P . - schein I stand up « . len See, da weil’ ich gem mil mei-nem your shore, Oh qui — et lake, my heart is Seuf~ zer sich zum »mel seeks to al - ter in a (/‘apyrfg/rt, 1.m¢,by G.Sc1n'ruzer ‘PNCFI 60 ° The Sheepherder A-ml“? Ch°P"13n "‘ Frank La Forge e Andante Voice the stream, from rm 1“ 4"» 4”\.b _ and dale. The sheep un - to... the bed - ground press. 4*» 4w KY» * By penmssion anne author . Pmcz 60 ‘ "W Copyrigltl, 1909, 0,, G. Sc/zzrmcr 2 1' c To Mr. Elﬂun Van Moon To a Violet ‘“"°"‘5 “Y (The Message) Elizabeth Ruggles Frank La Forge, Voice forth, 0 V1- 0 — 1eL. sweet and ten < der, Bear to my love the thoughts} send her, her breast !.hou.1i — est, Ere thou in ver—y ' Breathe on her 1”" W 6'o_zvyn'gIzl, 1909, by olsoumar P1106 40 03311‘-6 Dcdit'nId'ri to and sung by Mme. Marcella Scmbrich Prun)"Des Knuhcn \Vun(h:rhurn" An einen Boten English version by Henry G. Chapman To a Messenger _ Frank La Forge Schnell mrt Humor Allegro giocoso leggero e Wenn du__ zu_ rnei’m —When you__ see, my_ 7 _ 7 leggero _“_’_;,_,_. j—-'7; Schéit.zl kommst, :j_.___...._.: ich Iiess’sie mis.tress dean.‘ he I love her > sie__ fra . gene she_ asks_ you_ PRICE L30” Copyright, 1.909, by G. Sclzirmer
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Date: 1910
Text: MUSIC LIBRARY VASSAR COLLEGE Poucuuccvsvc. NEW vonx Il'I In-I » u I In The Day is Done. (Prize Madevigal 1.910) Carl Busch The Chafer and the Flower. W. H.Veit Oft in the Stilly Night. (Arr. by D. A.0l/ig;p7,'7zge'r) Old Irisﬂ Morfa Rhuddlan' (Ar/7'. by D. P7'Of/u:’)'ue) Old Welsh Airs . Nos Calan. Turn Ye to Me. (Arr. by l?o.s'.s'c2‘lt.'r7' (r'.0ole) 111 Pride Of M83’ (P73-55* —Ma077'5gll1 1-911) Will G.Mzxcfa.rlane I Know a...
Show moreMUSIC LIBRARY VASSAR COLLEGE Poucuuccvsvc. NEW vonx Il'I In-I » u I In The Day is Done. (Prize Madevigal 1.910) Carl Busch The Chafer and the Flower. W. H.Veit Oft in the Stilly Night. (Arr. by D. A.0l/ig;p7,'7zge'r) Old Irisﬂ Morfa Rhuddlan' (Ar/7'. by D. P7'Of/u:’)'ue) Old Welsh Airs . Nos Calan. Turn Ye to Me. (Arr. by l?o.s'.s'c2‘lt.'r7' (r'.0ole) 111 Pride Of M83’ (P73-55* —Ma077'5gll1 1-911) Will G.Mzxcfa.rlane I Know a Maidon. (Pr/Ize J[aa'ra'g‘al 1.912} Louis Victor Saar The Time 0’Day R-osésetter G. Cole Ye Si11gersﬂA1l (l’m',ze Jlladﬁgr/Z 1.913) _ _ Louis Victor Saar 'ou1d God I were the tender Apple Blossom Arr. by Rossetter G. Cole Nymph and Swain (Prize Madrigal 1.914) Wi11.C. Macfarlane 0 Lady Leave Thy Silken Thread (Prize Madrigal 1.915) G. W. Chadwick New Love (Heme) Mendelssohn-Weidig A Spring Ditty. (Pr/-ize ]l[ad7'27g:_(__z_l 1.916) Harvey B. Gaul A May Caro1,(Pm’ze Zllaah-2'gal 1.917) Will C. Macfarlane The Four Winds A Daniel Protheroe GAMBLE HINGED MUSIC 00. The Day is Done H. W. LONGFELLOW Moderato CARL BUS C H 2 Soprano Alto Tenor Bass Moderaio and’ the darkness falls The day a tempo Z“ nf " — T’\——/V This Composition won the W. W. Kimball Co. prize offered by the Chicago Madrigal Club in 1910. U051);/relght, 1.910, by Gamble Hinged Jllusic 6’o.,0ln'ca0'n. International 0010;:/rig-Int secured. r/:.;—.-_-s“_-any-u‘ -éh-it gg‘ :9 I J; J; ii J: at‘ I: 4?’: --5::-':..-«-. ‘>.._'—-:;.~<--: to-I-A“-"...;<i|-’: -aura.-.‘*_?>‘*--V.‘ Tu‘ ¢u;' §—~s ~‘ugo—u' -.'-—‘-‘ :3 I 31 Ji ii .3; ii I: _...“W9:...'~:.‘--r_.1'_~<.-.5‘-I-v-. 4;. 41!!»-4‘- 4.T";L:“!'l». ~&_—&_cov,-,-. ~ ..Q.v..vzr.:-1.‘-% - 3. , =,v'*>‘..-'._;-,—«Z‘ . Wings of"m'ght;, .._,_.. T..T===_— wings of m'ght,____ As a feather is — L} flight. The Day is Done-19‘ 2 I fea.therV is waft - ed down - ward From an — feather is waft- ed down, waft - ed down-ward eh i- As afeather is waft - ed I From JJ/J Allegretto — I see the _ lights of the village gleam I :__§'‘__.—‘—-—— 1 see the lights of thevillage gleam V mf Allegretto - \__—:_——-:.‘_j ‘ throughtherain, And a feel- ing of sad M - ‘L . ——i::f”_._ J» v ~*— -1.-:w;4.x “c, . .;-~. 5 :. T‘ . ‘\1-«: throughthe rain, And a feel — ’ "'..=:~;.<.*.;.*‘.'r:::,..._"-E.,3.:-:.....‘...-.==.<...¢ T..__«_-_-:....-;.--~.+-- ~ - - throughthe rain and the mist, — v‘ ~ ~,-av-22:: ‘ ,:., ,‘_ throughthe rain and the mist, ..,.,___.;‘__‘._.M‘._,A__. ._“,,4.;_~._.../-_;_V;,...;‘_:5;.‘,.......¢\_;,.—~;; "_.«..__.,_,.\_",,.._‘_,rw»....,.,-..4._.-:s—.‘,......\V.«na-:H_ . _, ,. comes o’er _ That my soul can not re- .._u___.!’'_...’'.'_‘_ I7 molto M t. .1 T‘- _.————{‘*‘ sad-ness comes o’er . L3.;_ ._ :::‘\‘;,+—:, 3,'_’;.;._ . 29 molto Mt. of sad That my soul can L; _ P molto mt. V {- ’I‘h.e Day is Do_ne- 19 - 3 Moderato A feeling of long-ing not a-kin to pain, ar:.r‘;:\."’«, .. .. I . , Modera to :1‘: 343 -—w feeling of Moderato ‘.._..;_..~.<«,+- :—-.;;;;—. :v of sad-ness, not a kin r»»Y:_:. Moderato That is not a—kin to pain, Moderato 17 And re - sem-bles sorrow - " re - sem — bles rain, j.__j"j-’—{—_ P > L2 And re - sem-bles sor-row ' re — sem—b1es the rain. ;..s.....,..vu-.._;, 4_ ﬁn . Kr/'> ,.~_.a—.:.~.-V-_ And re - sembles sorrow as the mist re - sem - bles ,ra1'n..__ ‘..w.\._,......_:...».;.__‘..«,~= — ::*££2!=!-5:‘. :1:-. .:;;s 1.; ..- \ ,_.—ﬁ»_._4,.— _.,.. . re — sem-bles rain. b .---- -*:r=*.».:2:=::.,..==;;:E!-_.... 4 A-....-—::_.u .. A . ,..~..‘ ,...\,,..._, , :\‘v»~u)" ..~‘. ».:=ZfZ_'~;,__.~ The Day is Done--19 ~ 4 * M - ;_._....?.___.;.;_. '~'.a._:.«'I3'«‘-J32.-.e;, read to me S 01116 _ read to me The Day is Done -19" 5 some Sim-ple and heartfelt 1ay,That shall 4% % § 5 ..1 E !. E Q Aﬂ i k E \_2 heart - V poem Sim-ple and *:;—=: L"TL'«§"t?7Je’T-'21?-«"'*i.__‘1f:'h ?;_~A' ‘—-- 2.3:-aaz=v1éu='=I.~.-.an~._-——v_«n\.rr.V . ”*$’F5'“:‘ % % s :1 E t I e E E [6 i ,...t. .-ea » soothe this rest-less feel - ing And The Day is Done-19- 6 f Not from the — Come, read to — lay, Allegro Allegro Allegro grand Allegro and ban —ish ' the thoughts of day. me some Sim - ple some simple heart mf Not from the _ Not from the _________._. 4—:___.___j Not from the 3' er-\~.-..,‘ ‘ -.. «-4. _. ¢ ﬂ .. ., ‘ ... ._ . ,-._.._.,,-..v..,.n—,»¢__-, V.-.7-. ..~..::~'~:- — — 4 sub - lime, , “r*‘—f;~v< — ..j,1C7‘::Q,§n‘I«E';"“L?-=."1:';:.L:v. ‘.--...,,ov-v~ -.aw-.$ ‘.«.._4."A.1'..u-—.. ""'-" sub - lime, 4 5 ~31 sub - limb, ' /\/"""""'h Whose distant mf “ h L 1'7" For like 17’ Through the cor ~ ri Through the cor - ri For like Through the cor - ri The Day is Done-19 -7 . f ‘ strains, sug- gest 1it'e’s strains ' A sug - gest life’s tho hts f 11% mar-tia1 mu‘: — sic, their might-y thoughts __ mar-tial mu - sic, their might-y thoughts Z" ,/ / and en — deav— or; and en - deav— or; sug - gest Iife’s end - iess toil; life's end - less toil; e11d- less toil; _ The Day is Done—19— 8 I long to rest. long. Len ta 27 ....—=;'’; (5 1. night ! L672’/:0 —- _ _ mg I long to rest. /3 Whose songs gushed from his I9 Whose - The Day is Done -19 -9 Read froffhe heart 2’ songs As ‘- . show - ers Moderdto ‘hum- Moderato Moderate Moderato Moderato songs gushed from » < i! :4 9 8 2* 3 W kn S 5 go i n 3 :4 I 1 I N . s Q i 3 *-2 at ~:.'._z..- A/.6-~— ;‘.';:e«....._-——-.z.__*-- his 22 "4-.""z=-_*.n...*'---.4: again 74:: :5-‘,..-2 .——.“”“" .53..‘ :5 —-._c.—:»:.an-p - '_ .';:-g: ~‘ 11 3 5 9 3 J 8 ll] 3: St E St‘ .1? V! ,%l_ .|‘.‘ I“.‘‘ _N‘ X: 3 N: g. ‘-3 J? LIA ....__.-——::...__--- razeiezé --.__1‘>4=:-_'z..."«-'~__._*'- agn lute 2:: j‘,:—: -"§. his heart, gushed from. from the clouds _ clouds Or tears from - ' his heart as show - ex-s_ from the L} Allegretto P Who, through long days of Allegretto Who la h—. bor, And Allegretto through long days of _A l legretto Allegretto The Day Done - 19 - 10 lids start . nights .11ights,andnights de - void — m'ghts,a.nd nights de - void 1" . Heard in his I’ Still heard the P _ The Day Done- 19 - 11 Moderato Maderato Moderato Moderato Moderate mel— o - dies won — der- ful heard the heard the he heard the . have pow’r to Such songs have pow’r ' The Day is Done- 19-12 quiet the rest - less pulse, quiet the pulse , quiet the pulse L the pulse of care, ___....__ And -come like the _ . ' ‘/3‘ like the ben— e - dic—tion that fol - lows, /3% g/ ' \_’/ like____ the ben-e - die - tion aft \ / 3 \ ' hen - e - dic -tion that fol - lows aft — er prayer, p———=_—-;-‘-"‘_§ > -Ami like the hen - e — dic - tion that The Day is Done- 1943 lows aft — prayer. prayer. ___________ Then read from the treas-ured fol -- lows -aft - - er prayer. J-—— fol‘ - lows aft - er prayer. read from the ﬂvol-ume the poem Then read from the vol-ume, _ '1 I ji- .i;? e 1e 1: 3: J; '}f 3. 1 3; A 3; ii 11 1 2 1 fr 1% L I The Day is Done A-19~14 of of the ' poet the beau-ty 4 and lend the beau - ty the beau - ty night shall be ﬁlled And the with mu sic, . And the night shall be filled with mu: - thy voice . 4.11.. : And the shall be ﬁlled ’ — shall be filled And the with The Day is Done—- 19 -15 x-‘,‘,'»—-"““"‘—"‘°"*‘/*-1?-..,=.=-¢_.;»«.§,ao.:«—v-.-_;-;a:--~¢n£: H‘, _.:,._¢-«=~\.,_,., _ ‘ j “ . ‘x . .~ , .,..,.._.__i~ ..‘..,e. ,. ....;.i...4;+ \:.., cares that in-fest day, Shall fold their tents , cares that in— fest _i shall be filled sic, And the cares shall fold their tents -like the ;I in‘: ':xL Hg’: 1.‘ w'',‘ ;? I 2 ,. - lent-ly, and as ._..«V\‘, ‘X ‘~\....~.._ _.,‘ ‘.__-— ._ ;=,_= , -an-5 _ day, shall fold their tents ~ _ ~ _«_<...»,,—...;5,_ The Day is Done - 19 -16 to P Malta mad _ . steal a -way, si - lent - 1y Malta mad’.0, ».s=:.:T_ /‘\ way AITX as si- lent — 1y 1, Malta madéo. :.—.;',,___"‘;_-—.~<7..—,‘_,__.~. 2..., u-_._. 3...‘, en...» way. Malta mad’.‘’. /3?’ And as si—1ent -1y steal a-Way, as si-lent-ly -Malta madl‘.0. _ steal a - way, The Day} is Done - 19 - 1'7 L4; 1; J; 1? 1* at 3% «l: t 1' i S 3 I J ,5 I 5 ( I i: 1 f ff I g V V!|' 1‘ E a. - way, .._ a - way. L3. . __é_——--- . _=f: ....————---'—" . day A vs done and the dark - 11essL falls from the F“ ‘F F ‘ a - way, ___—__._. _:._.T is ‘—...¢,éu--way-:u....=n._-.o.—.,.,... ,-n K _ , - ‘;~2\ 4- and the - ness falls from I; A ;? 1!; £ .6 k f TE --.-.~--- - ness falls the wings '7é:e-fie-9-jana-'9£»3-4%-_aI9i2'nvwn‘axiC.&‘."——n—‘.aa£"«——; _ “flu-,‘..—A~'f-cg-. The Day is Done - 19-18 PP FL _%.___3 The Day is Done - 19-19
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Date: 1909
Text: MUSIC LIBRARY VASSAR COLLEGE Poucmczsrsuc. new vonx N‘? ‘. ,Fnr* Eontraltn ur Bass wnn \/xouw AND ORGAN (on HARMomuM) OBBLIGATOS AD U8 v \‘ ..>Z<- '».~* TJHJE NJMIFE E5 MJLIMJ (KYRIE ElLE1soN> 5 1: E m WW WORDS BY LON C-FELLOW 4} '2 § + MUSIC BY STEPHEN R .PI-HLPOT. (‘L 5) Cupyﬁght |909 by Egertun 5cC'3 % 4% P (‘ice 4/‘ G__? LON DON EGERTON &.C9 Sm/ov House, H5, STRAND, \N.C. New York-. E.5chui:1er‘th 5c C? STEPHEN R. PHILPOT. Obbligato ad lib. VIOLIN. 0 S I E L E...
Show moreMUSIC LIBRARY VASSAR COLLEGE Poucmczsrsuc. new vonx N‘? ‘. ,Fnr* Eontraltn ur Bass wnn \/xouw AND ORGAN (on HARMomuM) OBBLIGATOS AD U8 v \‘ ..>Z<- '».~* TJHJE NJMIFE E5 MJLIMJ (KYRIE ElLE1soN> 5 1: E m WW WORDS BY LON C-FELLOW 4} '2 § + MUSIC BY STEPHEN R .PI-HLPOT. (‘L 5) Cupyﬁght |909 by Egertun 5cC'3 % 4% P (‘ice 4/‘ G__? LON DON EGERTON &.C9 Sm/ov House, H5, STRAND, \N.C. New York-. E.5chui:1er‘th 5c C? STEPHEN R. PHILPOT. Obbligato ad lib. VIOLIN. 0 S I E L E E T S rll Du H C K.‘ I M L A C E T H m N E H T Allegro moderato. at no 36': F P- m an 45 14* Copyright, 1909. by Egerton & Co . Words by LONGFELLOVV. THE NIGHT ISCALM. W M (GHRISTE ELEISON!) M . b LONGFELLOW. STEPHEN R.PHILPOT . Allegro moderate. [919 trawguillo . night is cahn and cloud - less, And still, as still can stars come forth to list - en To the mu _ sic of the - gath_ er,and. gathef, and gath _ er Un _ til they crowd the sky, Copyright, 1909, by Egerton & Co. lis _ ten inbreathless si - 1ence,Tothe so1_emn lit - a, - ny 131° .1 motto ores. I’ It be_g1'ns in ‘rock_y cav_ erns As a Voice that chants a - _a1s of the org _ an, Inm0_n0t-0n0us un_der 19 And a - non from shelving beaches And sha1_10w Sands be - E &Co 173. I9 e ores. yomi In snow White robes up _ ris _ ing The ghostly choirs re . un - ceas - ing mourn _fu1 voice sings on And the snow white choirs still E &-Co 173. (jlfay ée sung 6g C/iorzos 7'72, um's.-ad Zié . ) Christ 7'0/ll;:3"S C-hrist_e e_ _ lei E 8: C0173. THE NIGHT Is CALM. CHRISTE ELEISON! W()rds by Music by LONGFELLOVV. STEPHEN R. PHILPOT . ORGAN. (Or HARMONIUNQ) Obbligato ad1ib_ Allegro moderato . 36 K I J 1 H 1 -I’ I A v L 1; un _ ceas - mg L I I I ' IL I x’ »' ‘ I . I I mourn - ful voice And the snow white choirs Pirwzo . .. - - ppp1*?1"F1|"'1£ C0pyright,1909,by Egerton & Co. E & C0 173 » . ‘ . V \ s’* \. /I,” ”", ’4////,// I." " '’/l/ ‘- W! » A! I I‘ Ex I \ \\ \ ¢~\ \ /Ndhu CINDERELLA. .. 2 SLEEPING BEAUTY .. 3 DICK WHITTINGTON. H 4 BEAUTY AND THE BEAST. ,, 5 RED RIDING HOOD. .. GALADDIN. .. 7 ROBIN HOOD. ., 8 BABES IN THE WOOD. H 9 MAID MARIAN. v ., IO PUSS IN BOOTS. ,, II THE MAGIC FAN. E QC H N U MB ER MUS/C %P057F/PM 1/M5770 /é 3©&:5a$$s EG-ERTON & C.° SAVOY House,//5, S7‘/“and, W.C.
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Date: 1908
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new vonx SUNG BY MADAME CLARA BUTT AND M‘? KENNERLEY RuMFoRD_ L T \ ,...7.<..... u ME m QJNIE <0 (a C <2) 9 G) <9@y§mmEwQ§§9 N92 HIGH. /‘ wifh Drgan auunmpanimant ad lib.) E (C) (0) W0 P\D 5 BY LONGFELLOW ®.@\ CC) ‘ @ MUSIC 5)/ HERMANN LC§HR “WP RIC E (60 ¢>~————«~ CHAPPE LL &C<_> LTD- 37; WEST SEVENTEENTH STREET. NEW YOR K. LONDON. MELBOURNE. THIS DUET MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSIC...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new vonx SUNG BY MADAME CLARA BUTT AND M‘? KENNERLEY RuMFoRD_ L T \ ,...7.<..... u ME m QJNIE <0 (a C <2) 9 G) <9@y§mmEwQ§§9 N92 HIGH. /‘ wifh Drgan auunmpanimant ad lib.) E (C) (0) W0 P\D 5 BY LONGFELLOW ®.@\ CC) ‘ @ MUSIC 5)/ HERMANN LC§HR “WP RIC E (60 ¢>~————«~ CHAPPE LL &C<_> LTD- 37; WEST SEVENTEENTH STREET. NEW YOR K. LONDON. MELBOURNE. THIS DUET MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSIC HALLS. THE RIGHT OF PUBLIC REPRESENTATION OR PERFORMANCE UPON OR BY MEANS OF ANY MECHANICAL INSTRUMENT IS STRICTLY RESERVED. EE1p_yr'ighf_ MCMVHI, by EhappEI|3cE':I Lfd. THE DAY IS DONE. Duet. Words by Music by LONGFELLOVV. HERMANN LCEHR. Andante sostenuto. lst VOICE . 2nd VOICE. mil. ;*7znZ:‘r2 The day is done, .._.__ and the dark ~ mess Falls A 1) calla woe. Copyright, MCMVIIL, jay Chappell & C9 Ltd. from the Wings of Night, |~ ' waft - ed d0Wn—ward From an Come, read to > > mf> >210 . {T em, Some sim-ple and heart— felt dim. That shall soothe this rest —1ess cresc dim- That shall soothe.__. this rest- less ban - 1sh the thoughts of day. 10 ﬁt. ban - ish the thoughts of day. Pose yiil mossoo have power ' _ less pulse of > have power ' less pulse of / like the ben —_e - dic — tion mll. like the ben- e - dic - tion 4“ _ prayer. — lows af prayer._ read from the trea-sured alem - vo — 1ume_.. allargando lend to alla ando M of the choice,__ And lend to of the > > allargando > f > Poco meno mosso. The beau — ty__ of voice. [T Maestoso. > > night > night cares that > > cares that > >/T filled... >/T filled __ > in — fest___ > >/——~\ > Meno mosso. Shall fold__ their tents... Shall fold __ their tents si — 1ent- ly steal si — lent—1y steal Maestoso molto. >_ > > > >/“S And e night shall be filled__ with mu - si<$,__' _. > > > >/"\ . > And the night shall be filled__ with mu — sic,.___ 3 3 3 3 If that in — fest > >>/——g. in — fest 3 K3 their tents, like _ the A - rabs, And as '3 12 their tents, the A - rabs, And as f.\ si - lent —, ly si — 1ent— ly ’ steal sempre dim. si — lent - 1y sempre dim. si - lent- ly ﬂ jzoco accel. perdemlosi Z____T 1: erdendosi Cha.ppe11& Co.’s Ballad Concert Successes The Compass of the ﬁrst Key only is given; from this the Compass of the other Keys can be easily found. IIAUDE VALERIE wnrri-:. Unexpected Joy. BU & Eh. . . . VVhen songs have passed away. C Three Little Songs (Low, Medium, and High): 1. When the Swallows . . .. 2. A Memory 3. Let us Forget Did one but know. D & F . . . . Marching along. G & A . . . . Tl1eOldGrayFox. F&G.. .. So we’ll go no more a~roving. C, Db,&E .. .. .. .. The Spring has come. C, D, & El7. . The Bonnv Curl, E . . .. .. TERESA DEL RIEGO. The Ring. Di), ED, & F .. .. The Two Kisses. A & C The Green Hills of Ireland. mi., & mi. . . . . Three Little People. Db & El? .. While the cotton-ﬂowers bloom. In Ab,Bl7,&C .. .. . A Coon Lullaby. ED, F, & G Brown Eyes. B7, C. St D "IThe Bell. El) 8: F .. Thou little tender ﬂower. C, D, 8: ED C, D, & F .. D mi., §Life’s Recompense. Where love has been. ED & F Happy Song. D, ED, 8: F .. .. Rest thee, sad heart. E‘), F, & . La Vie est Value (A Song of Life). D My Gentle Child. Ab & Bb.. Love is a Bird. . . . . . . ‘l‘IO dry those tears. E. F, _G, & A3. Slave Song. nii., E mi., F ini.. mi. . .. FRANCO LEONI. _\Iy Shadow. E, F, & G .. .. Princess of the sunny smile. E mi. & G mi. . . . . . . .. Leaves on the River. A & C . . Autumn Love. B17 & C . . .. Little Barefoot. C & D . . . . \.‘Vhen he comes home. D & E . Coolan Dhu. D mi., E nii., & F mi. The Birth of Mom. E7, F, 81 G .. In Sympathy. C, D, 8: E .. .. Golden Lilies. B7. C, & D .. A Spring Song. D, F, & G .. . H. WALFORD DAVIES. llame. B'7,C,&D .. .. .. G. H. CLUTSAM. Sweet, be not proud. F & A0 A Cradle Song. D iiii., E nii., S: G . A F..‘.?‘s;,;... A, B7 :: ;: Vanity Fair. F ini., G mi., & A ml. NOEL JOHNSON. An Offering. E? S: G . . Purple Pansies. DD, El), 8: F God's Eternity. D. E. & G .. .. Good-Night, Pretty Stars. G & Bo Two Songs (First Set), _ (Low, Medium, & High): X. The Rose. . . . .. . 2. The River and the Sea . . HERBERT OLIVER. Go to sleep, curly head. Ell BOTHWELL THOMSON. Love-lily. ED, F, & AD ,. . () wayward love ofmine. EU EDSTACE PETT. The Benedict's Lament. D .. GHARLES BRAUN The Golden Broom. ED . . The Little Brown Bee. F . REGINALD SOMERVILLE Spring and Love. . . E. II. MARGETSON. A Song ofAndalusizi. D mi. PHILIP H. WILLIAMS. Day and Night. F, G, & Al? .. CHAS. A. TREW. How I love thee. E, F, & G JEAN DUMAYNE. *For Love s dear sake. AD & Bl) HAROLD GREGORY (arranged by). When I was a bachelor. (Low & High).. FRANK LAMBERT. The Bud’s on the Briar. ’ Of all Septembers. C, D, & Bid you good-morrow. Look down, dear eyes. My Lady June. C, D, & F. . Caressante (Valse Chaiitée). F . }God’s Garden. F, A0, & 111.. .. She is far from the land. G, Al7, & C }Speak but one word. l7 & F .. SERIES or SHORT SONGS: . "I‘isNighL. &F .. . . Love in Absence. _ F & G . . . A Barque at Midnight. E7, F, .4 N w The Niglit hasna Tliioiusandi Because my Heart—\Vound. G mi. & B) mi. .. . See, love, I bring thee flowers. D0 & F .. .. . 9. A Lament. D5781 F . 0. Come close, Beloved. .°°T‘.°“{‘ 1* ‘EV, F, Forethougilit. G 0 let me weep. F, A17, & B9.. Dearest, when I am dead. ED, II- 12. 13. F, & AD .. .. .. 14. O heedless ﬂower. F & Al? .. 15. Yesteidays. ED, F, AD .. I6, Whewn love bends low. El), 17. In Iiine. El7, F.,.& * With Violin Accomp. ad lib. COMPASS or man cocoa 885 88888 mwm Udwmm Db to Db{ Ato FE AtoF Bl7toF Al? to E5 B9 to El) C to E lib to Ebé J17 to C{ G to D EU to F to I}? to E‘) ll’) to D C to ED C to El) ED to Al) A toD Ill? to F B0 to F DtoE DtoA CtoD l}toE D: to E?) C7 to F CtoE7 Cto F i57toEb CtoC CtuE0 DtoC GtoB7\‘ C to D3 Ii? to E7 B‘? to E) C to ' C to 1) C to B7 F to B7 Bl) to E? El? to E’) Sunc. nv [ll r. Plnnketl Grttn and Mr. /llarcns Tlzomson illr. Ktnzzzrley Ii’m/z_fora' Mr. Kznnerley Ru/Ifora’ illr. lﬂznvzzrley Rmlzfortl lllr. Ifenntrley Rut);/’ord . . . /I/Ir. C677/HS! Elmer . . lllixs A g mar Alia"/tolls .. . . . . Min‘ Car///cu Hill 1111113. A (la C roxxluy amt’ /1'/1'.r.\' Carmrn /'/1'/l . . . . Ill//22. Aria C1‘l)$_tlz'_’V . .. 1117'. Dalton Balczr . .Mz‘s: [Margaret C ooﬁzr . . . . . . ix: Carmen Hill . . . . Mr. Dalton Baker Mziss llluriel Foster and Mix: Helen Blain Mr. lﬂnnzrley Rnnzforrl and III/Zr: Carmen Hill . . . . Mnze. l\"z‘r/al)y Lwm . . . . Alix: /llurirl Fortn- . . . . ﬂlixs ﬂluriel Foxttr lllr. Kzimzrlty 1i’1m2/orzl . . . Miss lllzlrizl Foster lllme. Al/ct Gomez ill;/ze. A lice Gor/wz . . . . . . ll[z'.r: Carnzzn Hill . . . . . . . . illr. Bzn Danie: . zllr. 1>‘zn Drzr/{ex Iii: Car/urn Hill . 1 in lllarizz Yzllaml . . . . . ..l:/1‘s.s Carmen Hill ill lfelziltrlzy /i’7(//zforzl . . . _ ll/I r. Ben 1)Il’ZllL'S . . . .11.’?-ezlyl/L /illfntl .. . . .1//He. AI//_y S/tzrzoln . . lllme. Eclna T/zornlan .. . .Mr. Ben Dames anil lllr. /£7/an H/[Ilia/Izs .. .. ..llli.r.r Carmen flill . . ll/I/It. A lire Coma’: .. ..ilI1'.t: Car;/it/L Hill .. lllisx Emzela Trnxcott . /Ills‘: /llurlzl Foster . i'l[r.r. lllary Dar/its .11/He. Horlzazxe Prullstu and .l]/‘xx Muriel lroxlttr . .lll/'5: lllargarzt Coo/er . . . . . . . . Mr. Ben Davin Mr. lfemzzrley lfm//farrl and il/Ir. C/tar/er L/‘rte . . . . . .1llz'ss Esta D’/lzjgo . Illzlrs lllnritl Foster .. . . lllme. Alla Crowley . . illr. Charles Co/Slanil . .ll/r. Gregory [last .l|lr. Dalton Baker .. . Mr. Dalton [falter .. . Mix: Man}: Tem_;>t.vl . . Mfrs Carmen [lill . . . iWz'.s‘s Carmen H ' l . .llr. /Vlaurlcz Far/ma . Illirx Mnrizl l*‘o.\‘lt/r . . Mr. Dalton Baker . . . . Illlsx Illaric Te/H/Jest El? to E5 GUY D’HARDELDT. Thy Songs. F, G, & AD _ In the great unknown. A mi., C mi._. ITH. . . . . . . A year ago. F, G, & Ab .. .. A Garden of Love. Db, Db, & El! . . For you alone. l7 & F . . . You,—and love. Dllg. EV. & F Evfr, G, I think. B9, C, VVhen you speak to me. & A7 . . . . . . . . . . Out ofthe Dzirkness. C, D5. ED, & F I hid my love. B7, DD, 8: E7 . . Because. A’), B3, & C . Afterwards, Love. B7, D7, & E’? .. I know a lovely Garden. ED, F, & G The Dawn. DD, El), F, & G A Lesson with the Fan. Di! 8: ED.. A Bunch of Violets. AD 2 . .. The Star and the Flower. D‘mi., Emi.,&Gmi. .. .. .. Two Songs (Low, Medium, & High): 1. The Perfect Flower . . .. 2. The Sun and the Shower FLORENCE AYLWARD. I gave you roses. B17, C, & D , . . O moonlight deep and tender. EV . Martin's Summer. Dnii. & F mi iizreat Lord of Life. ED, F, & G Kin Winter. D .. I . . l\lot er of mighty sons. ll’). C, S: illeloved, it is morn. D, & F ISunrise. Kt A .. .. Song of the Bow. E, F, & G .. TLove”s Coronation. E, F, G, 8; A Not mine to ask. F, D, 8: G .. AMY WOOUFOROE'FINOEN. Sweiet. before the swallows go. 7 ' F . . . . . . ii HOPE TEMPLE. God’s Lily. C, DD, 8; El? A. L. (arranged by). The Lass with the Delicate Air . -n . 2 .. . . .. How deep the slumber of the ﬂoods ( owe) , . . .. ELLEN WRIGHT. Didst thou but know. D‘) & Eb \Vhen I awake. El) & F . . CAROLINE LOWTHIAN. By Celia's Arbour. G . . ALMA GOETZ; One Golden Day. AD .. Oh I bird of Love. D .. .. Mélisande in the VVood. Bl7 mi., C mi ' D mi. .. .. ELLEN COWDELL. Maytime. AD & B7 .. . . .. Life's Garden. 1) 8: F . . .. FRANCES ALLITSEN. }Li{t thy heart. AH . . .. A Lover’s Song. EU .. . . . . DOROTHY FORSTER. Perhaps. D, ED, F, & G .. .. \\’nen lwthinlf on the happy days. 2, ,vo. .. .. Rose in the Bud. I39, C, DD, 8: El) BERNARD ROLT. Take ti rose at full ofdny. E‘ The Fairy on the Top. F .. .. The Dream Town Trniii. C .. Silhouettes <>é]I.lr(:,iidoii: f 1. The ii ren 0 London . . . . 2. The Organ Man .. ’= 3. River Thames. G ._ iv 4. Amethyst,Rose,aiid Pearl. C \ 5. Belle Brocade. . . .. PAUL A. RUBENS. I don't seem to \\'1J.l1[ you when you're with me. .. .. .. FRANK E. TOURS. I beg your pzirdon. G . . A Meeting. D F .. Mother 0’ mine. BD & D . HUBERT BATH. The Bells of Youth. ED, F, & G .. Your Kiss. E9, F, & .. .. My Sweet. AV, B7, & C .. ALBERT FOX. Old Squire Bob. El? & F .. GEORGE AITKEN. Jest her way. 1 Maire, my Girl. .. HARLD LONSDALE. Suinineﬂs in the world. C & E VERE SMITH. The coming of Spring. D 8: F Fairyliind. B0 . . .. . .. Little Crimson Rose. G .. VVADBIHGTON COOKE. Visitors. G & A . . . . . LORD HENRY SOMERSET. Echo. F, G, SPA .. .. . Husli me, U Sorrow. Eb, F & G .. All through the night. C, Eh, & F .1. L. inoL_i.or. The Hum of Bees. BD, C, Eb. & F 'l‘r.inkadillo. A .. . . . . Richard of Taunton Deane. F L. _m-:nzA. Sleighing. A”, BIZ, &‘C Love in the Valley. C, D. , & E The Rose Enchaiited. C, , A May Morning. D, D, F, An Orchard Cradle Song. ILD, TITO MATTEI. Dear Heart. C, D, & E) .. .. Through sunny Spain. E, F, G, & A J. M. CAPEL. Love, could Ionly tell thee. C, D, & F COMPASS or lsr EV C to F AD to i)17§ Al to D? C to E2 DtoD Btol) DtoD } Dto El) Bl7 toG B: to 162 CtoD§ BtoE Ct0F l F.7tol£l7I DtoG E"ZtoE‘Z{ l)toE§ GtoGL GtoA) uteri: CtoF B2 to Elz in to E7 Cl) to F B2 to El C£toD Ctoli A to F Lorraine, Lorraine Lorrée. C Star and Rose. l‘) D + VVith Violin or Violoncello Accomp. ad lib. 3; VVitli Organ or llarmotiium Accomp. all lib. ), 511/ ,CtoD«, SUNG BV . . . Alix: jnlizt Caroli . . lllr. Dalton Baker .111. Victor Maarel . . . .17Ir. Bzn Dar/[es . . . . . Jll. Victor /Wazzrel Mr. Kemzerlzy Rungfortl Ill:/2:. S nzanne A (lam: lllmt. Hortz71se Panlxen . . . . . . Illr. C /mrla: Tree . . . Zllr. Dalton Baker llimz. Hortense Panlren Illme. Hortense Panlsen M7/M. Mellra and lllr. Denlzam Prict . . . .ll{z'ss lllarie Temfest . . Mr. C. Ha_yzle7z~Coﬂin . . . . Mr. Denlumz Price M7/1:. Horlerzse Paulsen and J! r. Kznntrley R In/gforzl ..Mz':x Car/Izzn /‘/z'll . . ﬂlr. Gregory Hast . . . . ..llIr. /ulfen Henry /11 r. Kc/mcrln Rumforzl .. . lllmz. Alice Gomez .. . .. r. en Dazzle: lllr. lfennerley Rm/gforzl .. . lllme. Alla Gomez Ill/Izt. Alice Gomez . . . . lllr. Evan lVillz'an1s . Alix: lllnrizl Foster . lllrs. Htlen Trust . ' ' rley Rm/zforzl /lllzl illr. Grlgory ﬂax! . . . . . . .. .. . .il1r.Sa/ztlly .ll/":5 llluricl Fostlr anzl /llr. C. /[ayzlen—Co[ﬁ71 Mrs. [felon Trust and /l/13.? Ezllz‘/L [fir/cwoozl . ill:/M. Alla Crosxley . . . . . .3115: Carmen I/[ll . lllr. llltlﬂ‘/.763 T/tozmo/z . . . . ..zlI7's: Carmen llill ..llIz'x: lli/armzrzl Coo/rcr ..Mz':x xllzllgarﬂl Coo/Mr . . . . . . lllirs C ar/um 1/ill . . lllfx: lllargaret Cooper . . lllr. [llmrr/cs [Var/ma .. . . . .ll/r. /Jun /,)awe.r ..l1r. 1:’:/L Dar/ids .lllz'.rs Carmen. Ili/l . .ll[lS.Y Carmen //zll . . . . . ./llirx Carmen I/[ll . . . . .. Mr. Cliarlc: Trtz . .illz'r.r lllargarel Coo/or .. illr. Den/mm Prinz J/mt. llorllare Pazllxcn ..lll[s.r ll/a7g>'a2'.et Cooper . .l1ii~s .llar;;'ar:l C 00/37 . . . .'l1r. fox:/2k 0’.lJam _ , , , .111//14'. Alice Gomez . . . . . . Sigvzor [Poll .Mr. lVat/sin lllillx , illr. C. Hayden-Coﬂln . Mr. C. I/aytltn-Coﬂln . . . . . . lllr. Dalton Ba/oer .llr. lfznnerley Ru//l/orzl EDWARD GERMAN. This England of ours. D & EU . . \Vhen maidens go a-maying. F & AD Four Jollv Sailormen. C & D Losge is meant to make us glad. Dl7, O Peaceful England. F . . .. The Yeomen of Eiiglaiid. C & D . . HERMANN LOHR. Garden Songs : x. Pale stars are the roses. Bl? & D 2. Love's Messengers. C & D.. 3. ’Twas a summer garden. El? 4. Golden Dawn. C & ED .. The Soldier’s Song. . . A Song of Surrey. C & D .. Molly. Bl), C, & D .. .. Messmates. A mi. & B mi. . . . . The Little Galway Cloak. BP7, C, 8: D Songs of the Norseland: 1. My ships that went a-sailing. Fﬂmi.&Ami. .. .. . You loved the time of violets Low& % . Love is an Ocean ‘ . Eyes that used to 1 Low, gaze in mine . . Medium . Time was I roved & High the mountains . . Dl7, Eb, & F .. 8; F . . . Youth has a happy High tread . . . . & F ' A ini., A Chain of Roses. Remember me. ‘ I wish I were a tiny bird. In the heather, my lads. BB mi., & C nii. .. . Lanagan's Log. C, D, & b The Little Irish Girl. BD, C, Chorus, Gentlemen. F 8; AD Two Little Irish Songs (Low, Medium, and I. To my first love . . . 2. You’d better ask me .. .. When Jack and I were children.{ D E & F .. .. 9 &DI'. High): LESLIE STUART. The Old Shield. DD . . .. .. On the Road to Tipperary. F, AD, The Banclolero. A‘? & B7 . . S. LIDDLE. My Lute. E’), F, & C? .. .. Christmas Bells. C, D7, E5, 8: F .. W. H. SQUIRE. Lighterman Tom. Eb & F .. The Siesta. G & B? .. .. Love is waiting. C 8; Eb . . Three for Jack. F & G .. The Old Black Mare. D & Eb The Jolly Sailor. D & ED ERNEST NEWTON. Vivandicre. G.. .. The Drum-Major. F & G Tlirougli the forest. (I, D, El). 8: I~ The Magic Month of May. C, D, 81 E Love's Echo. F, G. & A .. Eb, F, & G MONK GOULD. Two Humorous Songs (Low& High) : 1. To the Moon .. .. I_ 2. St. Patrick ti toast! . . l The Curfew 1-337 8; F. . . . .. HERBERT BUNNING. Two Songs (Low, M edium, & High): Friendship and Treason . . .. The Garden ofPassion. A mi. 3; Cmi. HERBERT HUGHES. The Maid ofthe sweet brown Kno\ve. D S: F . . . . . . .. Lorri a . ROBERT GONINGSBY CLARKE. Master and Man. C & E0 .. .. If she but l{li(:\V. l) ini., nii., & G mi. . . . . . . . . .. The Liniict. F & Al7 . . . . .. A Birthday Song. D, F, & G ., A Dedicrition. C, D, & E? .. .. Tiike your lute and sing. B9, C, & D Betty's \Vay. D, Eb, & F .. Miniatures: 1. April, April. . Say not good-bye. I) & F . Yon lilac fair. ' B .. . A Bowl of Roses. BU, D, &E . The Queen of Loveliness. E17 G&Bl7.. . A Dream. TFOIII .I.{aiiib.o.wl:tiid' El? & F . . . . . . . The Night—and You. DD, ED, 81 F . . . . . . . . That is .11. Elz& F .. .. . A Golden Thread. Dl7 & F . . ANDRE MESSAGER. Long ago in Alcala. F & AD HERBERT H. NELSON.‘ The Windmill. B mi. & C mi. .. FREDERICK BEVAN. The on Soldier. A0, B0, & c F. PAOLO TOSTI. My Dreams. B’), C. DD, 8: E’) .. On Lido YVaters. U7. El), & F '”'Beauty's Eyes. C, E_. , & G .. Venetian Song. LU, D9, El), & F .. REGINALD GRDOME. Stars may forget. ED & F . . JACQUES BLUMENTHAL. An Evening Song. E7, F. G, & AD COMPASS or 1sT KEV to A to F G to E }A'7toEb CtoE CtoD SUNG BY . .1llz'ss /fxla D’Ar_;m . Cznnerlry Rnmford . . lllfss ﬂlargarel Cooper . .. Mme. I\’z'rkl1y Lam: Ill . .111 r. lftinnzr lay Iinmforti lllnze. Arla Crorslcy and Mfrs Agnes Nichol/3 .. . . lllr. joxefh 0'Mara . . . . r. Dalton Baker . . . . .1lIr. Dalton Baker 11! r. K tnnzrlty Ii’am/ord Mr. Kciznerlay Ifum/ord . . .. llliss Muriel Faster . . . . . .ll-lr. Dalton Ba/ctr .. .. .. Illisr Louise Dale . . . . . Jllr. Dalton Ba/leer . il/r. Dalton Ba/aer . . Illr. Dm/tam Price . . . . . .il1r. Dalton Bil/€97!‘ C to D 1 1) to D 9 " “ ‘ ,llm1:. Hortense Pan/sen D ['3 D ‘l and Mme. Florence Duly 1,11”. Dznllam Price DD to F . . . . . Jllr. Dalton l)‘al.':r A to D AI7 to 1)) . .. .. .. ... Signor Fali . . . . . . . .Mr. Ben Dazwfzs .. .. .l/me. Atlll Crowley .llr. Ken/zerlzy Rum/a_rri . . . 7'. . . . . .Mr. illr. /(tn/terley Rmnfortl lllr. /{enntrlzy Ii’ zu/2/ord . . Mr. Dmham Price Margaret Coogﬁtr .. r. C/zarlts Tree B to E /1]: Caroline Hatcltard { ill//1 >. Alice Esly and C ‘° F 1 illiss Ptrcmal Allen C to F % lllisx Ruth Vincent, and B5 to E5 . . ll{lSI 11713“: Perteval Allan . illr. lVz'llz'am Gran . . . . ..Mr. Wat/kin Mill: .. M [:3 Margaret C aoﬂtr . . . . . . M r. Dalton Balezr lllixs Caroline Halcltard . Jlliss Carmen Hill Alix: Carmen /{ill lllr. Kenntrley Rum/ord and .il1r. Clzarle: Trtt .. Miss Ezmeta Tmzscatl . .llIi.m‘ Carmen Hill _. __1l71‘s.t Carwzzzn llill . . . . . .llIl.s.i‘ Carmen [fill B9 to E7 . . . .. lllr. C/Larlzs Tree B7 to E? F to Di? B2 to E7 A5’ to D1 A? to El) Ur. Ifzlmerley Ihmrfarzl A to D3 . . . . . ..‘llr. I/Valluin illilih‘ B7 to C . . . . . . . . . Signor Fall D to E17 . . . . . . . . llfr. Ben Dailies lllme. Kir/éliy Lynn . . . .1l[r. Dalton Ba/ctr B5 to E1 . . . . . . illr. Ben I)aw‘c.t FREDERICK CLAY. Ill sing thee songs of Arahy. ED, F,G,&A7 .. .. .. .. . _ . . Mr. Ben Dat/its §VVith Violoncello Accomp. alllio. CHAPPELL & C0., Ltd., 50, NEW BOND STREET, LONDON, W., NEW YORK, and MELBOURNE, Music Publishers and Pianoforte Manufacturers. flemjl A. Lyttanée \_
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Date: 1908
Text: P EARLS LGW VOICE Muslc BY uow HENRY BUR CARL F|SCHER LONDON’ rams LBIPZIG V_ uusnc uannnv VASSAR COLLEGE “The Sea Hath Its Pearls” (Heine -Longfellow.) Moderato. V its pear1s,..__ my heart,__ HENRY BURCK. P the heaiv - en hath its stars, (1 but my .._.:TV 377: my heart hath its ‘love. Uopyﬂglzt MUMVIII by Carl Fz'sclze1; New York. 12244 - 3 International Copyright Secured. [7 molto tmnqzﬂllo mf Great are the sea and the heaV— ens yet great — er my 2’ molto t'ramqm'llo p and...
Show moreP EARLS LGW VOICE Muslc BY uow HENRY BUR CARL F|SCHER LONDON’ rams LBIPZIG V_ uusnc uannnv VASSAR COLLEGE “The Sea Hath Its Pearls” (Heine -Longfellow.) Moderato. V its pear1s,..__ my heart,__ HENRY BURCK. P the heaiv - en hath its stars, (1 but my .._.:TV 377: my heart hath its ‘love. Uopyﬂglzt MUMVIII by Carl Fz'sclze1; New York. 12244 - 3 International Copyright Secured. [7 molto tmnqzﬂllo mf Great are the sea and the heaV— ens yet great — er my 2’ molto t'ramqm'llo p and fair -’ er than pearls and stars . "f 17> flash-es and beams my love. Thou 1it—t1e youth—fu1 mai — den /‘\ > > > _._“‘_?;:=- >/\ .F‘i‘.tE/we poco animando f c/resc. ed accelemndo P 712 come un—to my_ great heart,___ my heart_ and the sea, f 1...}. }9 Mesa. ed accelenmdo poo-0 ammando broader f _ heart____ and the : and the heav — ens are melt - i_ng, broader If ﬂ‘ pescmte melt-ing a - Way,__ with love.
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Date: 1908
Text: Music uamuw vAssAn COLLEGE '°”°"""~'«'7"5'£. Ntw vmnu \l .9 %9 «"6. Ar=<=@€l\ Vlliiliiia IME 02003000 EIGHT SONGS A Winter Violet. .............................................................................................. .. Pn 25¢ Db major .................... ..The Words by Theodosia Garrison. . Ships that Pass. inthe Night. ...................................................... .. Pn 50¢ F minor. . . ................ ..The words by Henry...
Show moreMusic uamuw vAssAn COLLEGE '°”°"""~'«'7"5'£. Ntw vmnu \l .9 %9 «"6. Ar=<=@€l\ Vlliiliiia IME 02003000 EIGHT SONGS A Winter Violet. .............................................................................................. .. Pn 25¢ Db major .................... ..The Words by Theodosia Garrison. . Ships that Pass. inthe Night. ...................................................... .. Pn 50¢ F minor. . . ................ ..The words by Henry W.Longfellow. Redivivus. ........................................................................................................ .. Pr: 50¢ ED majon. ....... ..’. .......... ..The Words by Louise Morgan Sill. Eventide. ..................................................................................................... ., Pr: 50¢ D major: . ............ ..The Words by Henry Cleveland Wood. Thou Wilt Come with the Flush of the Morning ........... .. Pr: 50¢ E major. .. ................. .. The Words by Homer E.Woodbridge. Song ﬁ"on'fThe"Warzder‘er:'.’.....N9 n. ........................................... .. Pr: 25¢ B minor: .. . The Words by Owen Meredith. Song fr=on'i‘The War1der*er*'.'...... N9 2. ......................................... .. Pr. 50¢ D major. ............................. ..The Words by Owen Meredith. . By- '0 ..... .._..(sLuMat-:9 SONG.) .............................................................................. .. Pr: 50¢ F major ........................... ..The Words by William Roebuck. EDWARD SCHUBERTH &CO., NEW vom<, LONDON,‘ ll EAST 22 "P 51' DéP6%S; 2 STAR YARD,CAREY 81‘ LONDON, ASCHERBI-IRG,HOPWO0D8.CREW L'rn.,l6 MORTlMER ST. LEIPZI 6,C.DIECKM/\NN,2I Tiduacnemwze. Ships that Pass in the Night. The Words by . Henry W’. LongfcHo'w. ‘William Roebuck, Op. 1;’, N‘? 2. From “Tales of a VVayside Inn” Con sostenuto espressione. Voice. 10 Ships that pass in the night sostenuto. 77?" speak each other in pass-ing, On — 1y a s' -nal shown anda dis- tant Cop;/mfg/Lt, 1.908, by 7l'z'lZz'am Ifoebuc/?'. 17 Voice in the dark-ness: So, on the 0-cean of life, pass and speak one an-oth-er, On - 1y a, look and a oi then dark - f - ness a~gain and a si _ lence, On y a sig—na1 Th /L 19 lento dim, Voice, a dis-tant voice, in the dark—ness. Shi s thatpass inthe O 19 1622/0 _ _ 4 2‘67/zp0gz'usf0A A (son Paddle 1y 1y a Voice; Ad A io solenne. dis - tant Voice in the dark '22 moto So, on the o-cean of life, k pass and one an—oth — er, .5’ ﬂ [3 1y a Voice On - 1y a 1ook,then dark—ness! A A Mrma ,. milem‘. then dark - ness and a 1%’ sostmzulo L___/Z f. silence. that pass in the night, Ships that pass in the ,/If a temﬁo {gusto A 15000 (L poco _ 1y a Sig 1y a vo1ce, a Voice, , dagio solenne. Then dar - ness and si
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Date: 1908
Text: MUSIC uannnv VASSAR COLLEGE poucuxsrrsnchusw yomgi ‘I119 ‘Hemmer Cﬂlb 2013. ﬁacteb §>¢f0, fmm 53656115 9 7)) 29 by 2o§§re?rom. I Qﬂuyaic big 911617213 ‘}511Cf’~+ S‘ V 'C‘. ’:®ig§'g)0~;Ce. The John Church Company ~01)? 01 c Cincinnati New York London MUSIC” c...THE HOUSE DEVQTED TO THE PROGRESS OF AMERICAN 7|/3 nef IN U.5.A. My Redeemer and my Lord“ From The “G01d+-11 Legend’: Scene V. Elsié’s Chamber. Night. Elsie praying. (Higlz Voice.) Poonl by H.W. LONGFELLOW. Music by DUDLEY...
Show moreMUSIC uannnv VASSAR COLLEGE poucuxsrrsnchusw yomgi ‘I119 ‘Hemmer Cﬂlb 2013. ﬁacteb §>¢f0, fmm 53656115 9 7)) 29 by 2o§§re?rom. I Qﬂuyaic big 911617213 ‘}511Cf’~+ S‘ V 'C‘. ’:®ig§'g)0~;Ce. The John Church Company ~01)? 01 c Cincinnati New York London MUSIC” c...THE HOUSE DEVQTED TO THE PROGRESS OF AMERICAN 7|/3 nef IN U.5.A. My Redeemer and my Lord“ From The “G01d+-11 Legend’: Scene V. Elsié’s Chamber. Night. Elsie praying. (Higlz Voice.) Poonl by H.W. LONGFELLOW. Music by DUDLEY BUCK. Andante espressivo. O- S/1/2;/1/=e ('07! Pm’. 117/12. 12.11. In ‘1 Copyright MCMVIII by The John Churoh Company. International Copyright. Entered am-orxling to act ofthe Parliament of Canada in theyear MCMVIII My Re — deem - h * I Tbe_seech Thee,‘ I en —treat ‘ Thee, me in each act and word, That here-aft L (1 ’thatThere-aft _T I may meet Thee; O O (“T I 0 \_ dz’/2/. V / wgf wait — ing, 9']?/’.S’(}. _— ing,With my lamp well wel1—trimm’d and burn - no!/(1 zroce. / mz [3060//512721050. In_ter - ced — .— ing with these bleed ingwounds,these ma 12000 I-aiiuzzolo. bleed - ingwounds upon Thy hands and side; : Fof all ' who have lived and _ ed, Thou hast suf - fer’d,Thou hast died, Thou hast / I ll-l;‘U 41 f 12000 (20061. } suf - fer’d., Thou hastldied. I Scourged, and mocked, and N Z]. V- /70 w_ M 7210110 ‘Mt. _ ci ; fied, 772.6550 ‘€006. If /my fee’ - ble prayer can reach Thee, Tempo I. ‘ /\ /_\ /'\ . /-\ /\ /'\ / sew]; 7"e z‘m7zgm'// , 19- /'? /T semjzre Pea’. ior, I be—seech. Thee, I be—seech /5 asThou hast died for me, More sin - cere - 1y, {-3 Q. And in the grave hastThou been bur.ied! ‘ more sin - /-k _ 10wwhereThou lead - est,~ b1eed-ing as Thou if dy_'1ng I may give And more near - /1 Dy -ing thus,____ re-sem-b1e Thee! /"“':\ > ngf f more near - 1y, , more near — ly, - ingthus,re-sem - ble Thee, - sem — ble Thee! /\ /“‘—-T The Most Famous Grouping: of Distin- guished Song Collections Ever Published ﬁn Authenticated Record Disclose: a Sale of Two Hundred and Fifty Thousand Copies-250,000 Eaeh Individual Volume diacriminately edited for an especial purpose and for a particular voice. FJMOUJ J‘O1VGJ‘. Edited l;y . E. Krehbiel. Four volumes. One each or J‘oprano—.0lto—Tenor-Bass. The best 5 of Bach, Beethoven, Becker, Bohm, Brahms, Cho in, Dvorak, Fesca Frans, Godard Gouhydd, Grieg, Haydn, Hotfmann, Holmes, Jensen, Liszt, ewe, Massenet, Mendels- sohn, ltioaart Pergolesi, Purcell, Raﬁ’, Rubinstein, Saint-Saens, Schubert, Schumann, Scarlatti, Binding, Spohr Sullivan, Taubert, Tschaikowsky, Thomas, Tosti, Wagner, Weber, and others, are represents , together with the favorite folk-songs of the various nations. OPERJ J‘0JVGJ‘. _ Four volumes. One each for Soprano-—.IIlto—Tenor—Base. These four books comprise classiﬁed groups of the best known arias, scenas etc. from the standard operas. The numbers contained in each volume have heen selects with the idea of furnishing each of the four voices with a versatility of material and {or all practical purposes the songs are set down in their original key . JONG CL.ﬂJ‘J‘ICJ'. Edited by Horatio Parker. Four ()0 lumes. One each for .l‘oprano—.ﬂlto—'1'enor—8au. These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large an ever increasing class ofearnest as irants to true artistry. The songs are presented always with the original text in order that t eir full ﬂavor and signiﬁcance may be preserved, and because a poem which does not sutfer by translation is a thing hardly conceivable. cause or .sw'r1,Qw1'r. Edited by Dr. one Neuzel. no volume. This anthology of song, collected and edited by one of the greatest scholars of music of modern times, ‘presents a work of unusual interest to voice teachers, singers and music students ener ly; in contrast to the elphemeral character of the average anthology. The ‘amount 0 material used and the carefu ness of the research indicated b the selections, mark this volume as one of essential value to all who are really interested in t e “Art of Song." JZECRED J'OIVGJ'. Edited by w. J. Henderson. Four volumes. One each for .l‘oprano—.ﬁito—‘I'enor~—8ase The group of songs contained in this set is the reatest contribution yet made to collective sacred songs, and cannot fail to make a very powe ul appeal to the interests of all sin rs. Mr. Henderson has here collected the very best of sacred song literature produce during a period covering two hundred years-—from Bach to Cowen. on./rronzo J’OJVG.l'. Standard Oratorio Songs in their original keys, with the accompan lng Recitatives. Four volume . One each for.!‘oprano——.lilto——Tenor- as . . _ The series is a grand ensemble of the best Oratorio Songs of the greatest masters from Johann Sebastian ach to Sir Arthur Sullivan. The contents of these admirable volumes is so widely recognised‘ as the highest type of ~ pure music, that further description is unnecessary and praise superﬂuous. JJCRED DUETJZ Edited by ivilliam Jhakespeare. ‘hoe volumes. One for two high voices. One for one high and one low voice. Becogilsing the demand for collated material for two-part. singing in the service of the Church, t e editor of these volumes, mindful of the fact that the ‘efficiency of good music is not caused by its novelty, has here com iled standard duets from many sources and from all- eras of -music- The volume for two high voices is suitable for two sopranos, two tenors or soprano and tenor; the volume forone ifh and one low voice is practicable for soprano and site‘, for tenor and alto or for" soprano an baritone. O » ‘ens volume Beautifully Printed and aou¢.m.u.¢q pun. news. page
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Date: 1908
Text: MU5!C UBRAHY VASSAR COLLEGE I-ouc.m«a:I-sue. NEW V0“ SONGS‘ C. B. HAWLEY Hearfs Desire Dreams of the Summer Night High Voice 5 Low Voice THE JOHN CHURCH COMPANY ' Cincinnati New York Chicago Leipsic London [[7375 V01.“ Low. Vbice (original Key) Dreams of the Summer Night LONGFELLOW T C. B. HAWLEY Allegretto nw Stars_._ of the Sum - mer Far___ in yon az - ure deep, Hide, hide your go1d- en Copyright MCMVIII by The John Church Company 15929- 4 International Copyright the Sum — mer Far__...
Show moreMU5!C UBRAHY VASSAR COLLEGE I-ouc.m«a:I-sue. NEW V0“ SONGS‘ C. B. HAWLEY Hearfs Desire Dreams of the Summer Night High Voice 5 Low Voice THE JOHN CHURCH COMPANY ' Cincinnati New York Chicago Leipsic London [[7375 V01.“ Low. Vbice (original Key) Dreams of the Summer Night LONGFELLOW T C. B. HAWLEY Allegretto nw Stars_._ of the Sum - mer Far___ in yon az - ure deep, Hide, hide your go1d- en Copyright MCMVIII by The John Church Company 15929- 4 International Copyright the Sum — mer Far__ down your west - ern steeps, Sink, sink in gold-en 15929-4 Dreams of the Sum -mer night, _______ Tell__ her, her lov-er keeps in slum'—ber’s light s1eeps,_ my la - dy She V
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Date: 1908
Text: MUSIC uammv VASSAR COLLEGE L POUGHKIIEPSIE. new YORK @©)lN BY Em :2 3? ; * V V \_/ /|\ B EWA R E , (A DAINTY ENCORE sou c; . AN EASTER WISH, ............................................ .. . ............................................ TH E B ORDERLAN 0 ,( maze TH E B OR DERLAN D, (wnm vnoun oaucno). M.D. SWISHER. PHlLA.,F'A., SELLING AGENT To ./Ilrne. James 0. /1003, TRY THIS OVER ON YOUR PIANO. AN EASTER WISH. Words by EVA V HE TH. ERNEST LENT Andante con espressione N p _ Theworld is...
Show moreMUSIC uammv VASSAR COLLEGE L POUGHKIIEPSIE. new YORK @©)lN BY Em :2 3? ; * V V \_/ /|\ B EWA R E , (A DAINTY ENCORE sou c; . AN EASTER WISH, ............................................ .. . ............................................ TH E B ORDERLAN 0 ,( maze TH E B OR DERLAN D, (wnm vnoun oaucno). M.D. SWISHER. PHlLA.,F'A., SELLING AGENT To ./Ilrne. James 0. /1003, TRY THIS OVER ON YOUR PIANO. AN EASTER WISH. Words by EVA V HE TH. ERNEST LENT Andante con espressione N p _ Theworld is fair at Ea,s—ter — tide, A sunkissed and wide, With Eas-ter lil -‘ ies fresh -ly bloom—‘ing, 3 Sweet — ly all the air per-fum-ing; I hope ‘rheybloomfor y0u._ f .07‘?-5'0. . T Cop;/7-z‘g/at‘ ./11017117111 by The Columbia ./Iluszv Pubo 6’a.,Inc.,WZzs}Lz‘7zgt072,ﬂ 6'. International Copyright To Mz'.9s Fra72cr:.s~ca Kaspar. BEWARE. Wmds by ERNEST LENTV. HENRY WADSWORTH LONGFELLOWV. With animation maid - en fair , * Take care! and friend-ly be, Be - ware! Cop;/rig/at /116’./IIVIII 53/ Tile €olum6z'a Zllusic Pub. 00., Inc.,W'z.s‘/u'ngton,D. 6'. International Copyright A/1.2000 rit. /5 “tempo Trust her not,___._____ trust her not, K5 pvoco mi 97' . a tempo _pa7-Zando ing thee! has two eyes, so soft and brown, Take care! She E3; gives a side" glance and then looks down,_.. 17000 775- parlando ,4-\ a tempo Trust her not,__.__:__ trust her not! " fool—ing thee! poo-vo rit. *?f' . And Ishek has hair of a gold-en hue, parlando 1" care! And what she says, it is not true,Be-ware, be - ware! Beware _ 3 HIGH CLASS SONGS To Nu: tum um» and mu nu lad-nun THE BORDER LAND I w.'.‘ ‘y Sum! Snug ﬁn Snpmuu or Tenar \\'II.1.un rlmumu JOHNSON annssr mam‘ Moderato- Andante sostenuto Wotdnty [EDDIE LPKBRSON. lulu by WILL ‘I’. PlEIISON.jr. V at pdobo when an blnvou noonvuuhlmlag, On an An.;uI night, I'll. rylla.pu man upnuiou won I puhyny, All of gold .0: light nu-light 0! out] av - at then In nu glo-ry, Nu uturliglt no waned Ir. 1 - Vollodvlthln chair than, SI.ny'dfn.nhoIv'n| “Lila tenant-ly calm, As the sen you-dot country [or - ov- er holds glow-lng,WLen o ‘in. 0 6-n-nu Icnn 1-.nom.,:y.A cu ..Iuun.m.n.e. m ,3, . Coryrqll tnnﬁhnvl nu co:-uh lute no.I:oJ~:puMu¢n.:.c. * a.'f,.g,u .vc.vvm ». m mm»... mm IIO.6‘A,ﬂIL, n.n..m-., n 0. htcnulond Cvyyrlglu All Worthy A Place In Your Repertoire. in nu Iragaug ;v..,.,, r. In. J.-u or. Inn. BEWARE. AN EASTER WI SH. Wall: by nun’ wusworrn Lonanuow. “"55” “H E Worth by IVA V. BETH: ERNEST LENT With animation Andante con espressionc ...=—_— 1’ Theworld In hir at Eu-tar - tide, A nnkinevl ho‘ ' 'M”‘” ‘II - den In um! wllo, Will In-In Iil - ion ll-uh-ly bloom-Ins. hMh_ “ho ”‘".“d_ly ,,e_ 3._,,,,°g Iy ml! the -iv per-hm-lug; I hope Iheybhmnlnr you... I 0773. fuyyngll I01 VIII 0] fl: Can: and Hunt ‘Ill. £‘i., Ine.,l6lAin(ln,lA C . ‘ . to”-qu mural 5, In. cu.-m 11...: Put. z~a.,1-.e.,wuAv~«:aa,Aa llhrlllionnl Co" lulu:-lion! c-"ugh Order of your dealer or send direct to publishers ‘run COLUMBIA MUSIC PUB. co , lNC.. Washington, D. c.
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Date: 1908
Text: C1119 ‘Hemmer cmb ‘I111? 201%. §acteb $030, Tf fmm Cheﬁofbm gems, by s.’£§’%from. ‘ Cmwaic 1 big Eubfctg ‘Buck. - , ., , 31’/w 518$ V01C9- E3o$vnCf3nwrcFn Cympwqg 10117 Voice. “ ,s:ayi'$o;x4.“*’“”' 772 NET My Redeemer and my Lord. From the “Goldvn Legend’: Scene V. E1sie’s Chamber. Night.E1sie praying. ‘ (High Voice.) Ptwnl by H.W. LONGFELLOW. Music by DUDLEY BUCK. Andante espressivo. ¢ Sm/r/Ire P0)! Pen’. 7 0 Con (Inn. 1317. Copyright MCMVIII by The John Churéh Company....
Show moreC1119 ‘Hemmer cmb ‘I111? 201%. §acteb $030, Tf fmm Cheﬁofbm gems, by s.’£§’%from. ‘ Cmwaic 1 big Eubfctg ‘Buck. - , ., , 31’/w 518$ V01C9- E3o$vnCf3nwrcFn Cympwqg 10117 Voice. “ ,s:ayi'$o;x4.“*’“”' 772 NET My Redeemer and my Lord. From the “Goldvn Legend’: Scene V. E1sie’s Chamber. Night.E1sie praying. ‘ (High Voice.) Ptwnl by H.W. LONGFELLOW. Music by DUDLEY BUCK. Andante espressivo. ¢ Sm/r/Ire P0)! Pen’. 7 0 Con (Inn. 1317. Copyright MCMVIII by The John Churéh Company. lhternational Copyright. Entered accord ing to act of the Parliament of Canada in the year MCMVIII by TheJ(>|1n(‘|1urch Company in the Department of Agrir-uhure. I be-seeCh Thee, in each act and word, that here — aft - é a’/'///. My Re — deem - /5 I en — treat - er and my That here-aft _ \ — er I may meet /4""—'_\ Thee; 8 -------------------------- -- . I (3/'€.S'('. VVatch _ ing, wait — ing, '- ing,With my lamp well trimm’d, /‘\ r0//a woe. / hop — ing, ‘Z . I C \\'e11—trimm’d and burn — yearn - L- ma poco,/4/z‘z2 molo. In_ter - ced ~ — ing zmpoco/iz’/52 moto. ‘I’ bleed — ingwounds upon Thy hands and side; Thou hast suf - fer’d,Th0u suf - fer’d., Thou hast died. /_;$7I_cf with these bleed ingwounds,these For all ‘who have lived and /'_ — hast died, Thou hast D f poco acne/. > Scourged, and mocked, and ' 1!. ﬂow rd /Izolto r2’/. _ ci _ fied,____ And in the grave hastTh0u been bur—ied! 71/6554 'L'0(-'6’. If my fee - ble prayer can reach Thee, Tempo I. T} 86/Il]I7'6 z‘rmzqu2'// .9e27zl/are Pea’. ior, I be—seech. Thee, I be—seech /T asThou hastdied for me, V More sin - cere - ly, more sin- . _ u ‘ /'1 'cere _ 1y, L j—j—;"[ - 1owwhereThou lead -éest, b1eed-ing as Thou if" dy-ing I may give And more near _ /‘\ 1323B~7 Dy - ing thus, ,j"\ more near - ly, - ingthus,re—sem _ ble Thee, 4 re - sem-ble Thee! > ngf more near - ly, L"; sem — ble Thee! lkhhbl Living unto Thee JOHN ll-I-lR’|'0N C. HUGO GRIMII Moderate sun! Un-veiled ere-A - tlonlies; Anson]; an Thine; we must not say_._ That these are dad who pass CI;yr|gM,llCIl XV, I] In John Quin tunpuny Inlvnnﬁunll Copylgll ‘Weep’ not for me Ham ronsnn: HARRIET wuz: Adagio aontenuto When the por-tals of For I shall see Wish mine own eyes,:._. as Ihro’\nns- ﬂWW.IClxlV 9; m man man I-«mun comm Send Out Thy Light C. B. IMVILEY - in; streams,Wben hen ~ ed in hppijll lCllhXV Dy TII-Hslﬁuuhhnpny I praise the Lord FREDERICK PLMARTENS CHARLES GILBERT SPROSS Will: I praise the I praise the Lord,_._? whose com-mand earth 11- news__ its niir - a-cle of golden With wav-ins Cnqrblﬂ ICXXIII 6! Thu mucus CCIOIW Inhvull-U 0-by-‘M
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Date: 1907
Text: six INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiMar1ito, der Machfge) . . . . Med. Greeting of Hiawatha (Gruss von Hia» watha) . . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei~ gen) . . . . . . Chibiabos (Tschibiabos) . . . . 4 H5235 OF cH1Bla53'S (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawal wach auf", Cveliebtel) OLIVER DITSON COMPANY. Boston New York...
Show moresix INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiMar1ito, der Machfge) . . . . Med. Greeting of Hiawatha (Gruss von Hia» watha) . . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei~ gen) . . . . . . Chibiabos (Tschibiabos) . . . . 4 H5235 OF cH1Bla53'S (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawal wach auf", Cveliebtel) OLIVER DITSON COMPANY. Boston New York Chicago Philadelphia C. H. DITSON 8: CO. LYON 82; HEALY J. E. DITSON 8: CO. To Mr. Alexander llememamz PL_1rr:”..i iwd from the 02*“ % DEATH OF CHIBIABOS T1413?-W» “~“-RENO (TOD VON TSCHIBIABOS) HENRY WADSWORTH LONGFELLOW E Gerrnaﬂ /ra/1.5‘/Ir/z'rm 51/ Herma/112, »5’z‘mo/z CARL BUSCH Grave the sweet mu — si -cian! He the sweetest der sixl - sse Siin—ger, Er, dur /zwrr _ > > > AJJ SiI1g—erSY He has gone ev - er, He has >50”-geﬂ Hat fiir im 3 [as _.srm1, Hb'-7z,</r CO ' ‘ ht MCMVH b ' 01' D1‘ C ' . PS rllngternational op}*xr‘;:r1;1t§teS((:)\§1re?1mpan3 5 ‘ 33“1‘340 0 J‘ the near — er To go - schwun—ge'n Zu Mas — ter of all Afci — star al - Icr br0th—er; Chi — bi Bru-de1', Tschi - bi 5-83-68400-4 And the me} - an-cho1 — y fir trees Waved their dark green fans a — Und die Fich — ten trau—ernd wog—ten Ue — ber ihm die gr1'i_nen Xe Z-T /\ 5’ /‘\ bove him, WaV'ed their pur -p1e cones a - bove him, Fii-cher, Und die pur—jmr - ro — then Za —j>fen to con- sole him, Min gling with his lam _ en-ta _ tion ihn zu trb' - stcn, Misch ten un _ fer sei - mm VVeh - ruf 5-33-86800-4 mollo grave Their com_p1ain _ ing, ‘ He is Ih — rv Scuf _ zcr, " E7’ 1’-91 fmollo grave dead,__: gone for _ todf,___._; " im_mer uns ver- 5—33—66&0O-4 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, post»paid, and in paper with cloth back, price, $1.50, post«paid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in ﬂexible cloth, are handy in size, and range in price from 50 cents to $1.25.. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chieﬂy technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample-copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . Greeting of Hiawatha (Gruss von Hia— watha) . ’ . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei— gen) . . . . . . Chibiabos (Tschibiabos) . . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawa! wach auF', Geliebte!) Med. OLIVER DITSON COMPANY. Boston New York Chicago...
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . Greeting of Hiawatha (Gruss von Hia— watha) . ’ . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei— gen) . . . . . . Chibiabos (Tschibiabos) . . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawa! wach auF', Geliebte!) Med. OLIVER DITSON COMPANY. Boston New York Chicago Philadelphia C. H. DITSON 85 CO. LYON 85 HEALY J. E. DITSON 8: CO. 2 To George Fergusson Purchased from the ES'l"'.:.'37Ii (‘)7-:1‘ THECESJ» !T1:‘:J:i3.TJl‘IO ONAWAY! AWAKE, BELOVED! (ONAWA! WACH’ AUF, GEL,IEBT_ED E HENRY WADSWORTH LONGFELLOW German frmzslalia/2 &_1/ Herman/z Simon Allegretto be-1ov-ed!- Ge_l1,'eb—te/___ way !_____ zvii.’ A — wake,.___ wash) auf,_____ Wil — dc Blu F. '\./ F ;’’''\__;/T‘ LZ for-est!__. Hain’s,__. Thou the wild-bird Wvil — dcr Thou with Mii dos of the prai—rie!___ V0 — gel der Prai - ri — en.’ E’. Copyright MCMVII,by-01iver_Ditson Company International Coyyrightsecured CARL BUSCH Thou the Wi1d—f1ow.er of the — me Du des 5-33-66401-8 and fawn_1ike! If thou on 1y look/‘st at me, I am — ten Blick/__ W7e7m Du [fr be-voll nub]; an — siehst, Gl1'[ck—lich, V"7*5? Ex/r“ 1" L2 hap — py, I am hap — py, As the lil ies of the prai _ rie, VVhen they gliiclz — lich bin ich dal, ‘Vin din Li [iv a'crPrai—ri‘ .. en, ‘Venn drer PM L2 up — on them! On - a — way!________ ,Be-1ov - ed, On - a - sip kiissf./__. On _ a. — wiil __ Ge - Iicb _ te.’ On — a - 5—33~66*i01-6 Be_1ov - ed, My be_1ov — Ge — licb ~ to, On _ a — wd./, (‘#3 1'??? "F9 3' 7*"? ./___$ 7;_zf‘a tempo Sweet thy breath__ is as the Lieb— lich ist De£nHa1Lch wiv 5~33—66401-6 — grance: Of the wild — flowers in the morn_ing,___ As their — gens Wil —der Blu — men Duff im Ha/in, Licb _ lich \—/F’ Pk!/F’ £2 fra—grance is at eVe-ning,”_ In the Moon__._..._ when leaves wic ihr D29‘? am A _ b("II(l,,___ In (Iom Mc;;z({'{.____ wolw Laub fall — ing. the blood with _ in Leap to welkl.___ K - den, zu, um _ ar — All’ main ‘/> 5-33-66401-6 kj . thee, leap to meet thee, spi'ings_ to meet the blut sie _ dend wallt, '2 Friih — lz'ng,s.uchi den > g__/ sun - shine, In / when nights are bright — est? On - a - S0nn' _ schcin In ,, sien Nd'ch - [en Mond.’ On _ a _ V“? T 5-33-6640 1- 6 lov — ed, My be —1ov _ lieb — te.’ 041,- a - wii’ ’.L_:[ be _1ov_ ed! Ge _ licb - to/. \ 19? ml ,2... 10 a tempo F9-/f‘ 5-33-664012-G THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of’ authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of‘ the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postrpaicl, and in paper with cloth back, price, $1.50, postzpaid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in ﬂexible cloth, are handy in size, and range in price from 50 cents to $1.25. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other Form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chieﬂy technical, for the Piano, Organ, Violin, and other instruments, and For the Voice. It addresses itself to music teachers and students of dis» crimination-—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of’ music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. Send 10 cents for sample copy and special premium ofI"er OLIVER DITSON COMPANY, BOSTON
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Date: 1907
Text: SIX INDIAN SONGS FROM THE “HlAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. “Greeting of Hiawatha (Gruss von Hia— watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles Iiegt in Schwei- gen) . . . . . . Chibiabos (Tschibiabos) . . . . Deﬁlmehabiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw‘ai! wach auf’, Geliebtel) . . . OLIVER DITSON COMPANY. Boston I New York Chicago...
Show moreSIX INDIAN SONGS FROM THE “HlAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. “Greeting of Hiawatha (Gruss von Hia— watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles Iiegt in Schwei- gen) . . . . . . Chibiabos (Tschibiabos) . . . . Deﬁlmehabiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw‘ai! wach auf’, Geliebtel) . . . OLIVER DITSON COMPANY. Boston I New York Chicago Philadelphia C. H. DITSON 8: CO. LYON 82: HEALY J. E. DITSON 8: CO. r;1r*:";n, zed from the 1‘. 03‘ "W. 35.35;. ma rﬁo To David Bz'.s‘[2ﬁam C H I B I AB 0 S (TSCHIBIABOS> HENRY WADSWORTH LONGFELLOW § Germa/1' tr(I)1.s'/(Ilz'07/ by }[t’I'III(I/I/7 Sz'7/10/1 CARL BUSCH Allegro moderato Most be_1oved by Hi a — Wa—tha Doch am fieb _ sten Hi ‘a — wa—tha’n Copyright MCMVII b Oliver Ditson Company_, _ International opyright Secured 5-83-66399—5 He the best of all mu — si _ cians, He the sweetest of Er, der Moi - stcr al — lcr Wci_sen, Er, dcr lvieb — lich~_Ste, . W’ sing-ers. V Beau — ti - ful and chi1d—1ike dcr Siin—g-er, Wm: - denschbln und kL'mi—lt'ch T f — Brave as man is, soft as worn- an, \P1i _ ant as Mann an Muth, und W701?) an Sanfzhmuth, Schmiegsam glcich 5~33—66399- 5 wand 1y as wie sin schlan lich P a tempo reeds Ricd hol — low hoh — Zen the dam From Aus ::zZ:>— 1; a tempo That Das s the days low, lick, and mel disc/L lieb si .0211 me — lo — SO U111 — ten so .1 a deer. with Vier — zchn — » fash—ione,d schnitz ~ tr: the lain, brook, Biich - EUJN 3\<_-__:/ 5-83456399-B 1’ bo_w_ish — a, Ceased to mur — mur in the w0od_1and, bi — wi _ schc, Ganz ver-gass- im Wald 214 mm’ - mcln, I That the wood-birds ceased from sing_ing, the squ1'r_re1, Dass der Vb’ — gel Lie — der schwzkugcn, das Eich-horn, Ad — ji —dau — mo, his chat—ter in the oak— tree, At - schi— tau - mo, mchr lei — chm-—1‘r2 im Eich _ baum, /T‘ 5~33~66399-5 And Und’s W" Sat Auf — > the rabbit, Ka-nimchen, the Wa—bas - so, der Wa_bas — so, ,»———-—-—~.\\\\ up— right recht sass .> W, . and lis — ten. lau - schte. 7'27. — p a 5-33-v5(‘=3‘.‘£1-5 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postzpaid, and in paper with_cIoth back, price, $1.50, post»paid. . Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in ﬂexible cloth, are handy in size, and range in price from 50 cents to $1.25. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chiefly technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but-—l”iow good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, 10 cents, which is credited if you subscribe. Subscription price, $l.50 per year. Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA” HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Mat1'ir5'fI“1"é"'Mighty (KitschiManito, der Machfge) . . . . Greeting of Hiawatha (Gruss von Hia- watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt inSchwei» gen) . . . . . . Chibiabose (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw'a£! wach auf’, Geliebte!) Med. OLIVER. DITSON COMPANY.‘...
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA” HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Mat1'ir5'fI“1"é"'Mighty (KitschiManito, der Machfge) . . . . Greeting of Hiawatha (Gruss von Hia- watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt inSchwei» gen) . . . . . . Chibiabose (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw'a£! wach auf’, Geliebte!) Med. OLIVER. DITSON COMPANY.‘ Boston New York Chicago Philadelphia C. H. DITSON 8c CO. LYON 8: HEALY J. E. DITSON 8: CO. To Diwali Bispﬁam Pm;“::::;:;m‘“ GITCHE MANITO, THE MIGHTY (KITSCHI MANITO, DER MAC,HT’GE> '.'[’I£ﬁB.'ESA (name HENRY WADSWORTH LONGFELLOW CARL BUSVCVH German tra7zslatz'o7z by Ilermamz Simon Molto maesto so f FF FF -FVFF‘ Moun- tains Prai _ rie, On the great Red Pipe - stone Ma _ ni — Miicht’ - gs, Er, dos La — bans Herr, stieg FY? Git » che Ma _ ni _to, the might _ y, Zu den Ber_gen der Prai - 71' — en, M& W’ \/F " 5% Copyright MCMVII by Oliver Ditson Company _ K ‘ International Copyright Secured 5-33'563~’°‘6 Mas - ter of Life, de - scend — Bruch der Pfei fen —- sfei — red crags of the quar-rySt00de _ rect,_j.__....___ and calledthe na_tions,. Sie2'n—bruch’s ro—Ihcn Klip — pen Stand er_j___..:_?_. und rief die Na- tio — ne.n,.__ ii - : 3 3 P ‘Called the tribes of men to-geth_er.______ Riqf die Stlim - me all zuv — sum — men. 3 § 5-333-66396-6 17 From the red stone of the quar—ry With his hand he broke a frag_ment, Von dam 1'0-than Fels desStez'mbruchs Brach ein Stiick dann sci — ne Rech — ta, 72?" Mould - edit in — to a pipe — head, Shapedandfash.ionedit with figures; Form _ te es zmnPj}2i—fe7z — koj) — fa, Sc/zuf und lrieb da—rauf F1’ — gu_rcn; Z"’__\ {’-.\ TL‘ _ From the mar_gin of the riv-er Took a long reed Brach zlann van dos Stro_mes U—f<;r Sich cin lam- ges E“; ,t»-, T‘ T‘ 5-333-66396-6 for a p.ipe_stem, With its dark green leaves up_on it; Ried zum Rah - re, Das ge-krc')'nt mit dun - kel11Bliit—tcrn; p _ Fi11’d the pipe with bark of w_il _ low, With the bark of the Fiill — te damn mit Wei — den—rin — dc Voll den Kopf mit 19 _ red Wi1— low; Breathed up — on the neigh — boning for _est, _ thew R'in—dc; In den na _ hon Whld damn blies or -*'u33—66396—6 W" Made its great boughs chafe to-geth- er, Till in flame they burst Dass sich sei - no Ac - ste rie — ben Bis sic glut — um - _ﬂos~ f kin—dled; And e _ reot fZamm_ten; Ki - tschi Ma the fnoun _ tains, Git - che Ma - n1'_to, the might _ der Mdcht’ — gs, Auf - recht sic}: _ end auf den Ber — 5:33‘—66396-6 the Peace — Pipe, rauch — to, Smoked the Sci _ -ma cal - 11 —met, Fm'o_dens_pfei — fr; Aha ha - V61 - 1 to the sig- nal fiir die" Zei — Chen tions. ker. gf f/"Allegro 5-33—66396—6 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, post»paid, and in paper with cloth back, price, $1.50, post»paid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in flexible cloth, are handy in size, and range in price from 50 cents to $1.25.. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. ' ‘ Send for booklet THE DITSON EDITION A new library of approved works, chiefly technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—-to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. ' Send 10 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighiy (KitschiManito, der Machfge) . . . . Med. Greeting of Hiawatha (Gruss Von Hia- watha) . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei~ gen) Chibiabos (Tschibiabos) . Death of’ Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawéil wach auf", Geliebtel) Med. OLIVER DITSON COMPANY. Boston New York Chicago ' Philadelphia...
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighiy (KitschiManito, der Machfge) . . . . Med. Greeting of Hiawatha (Gruss Von Hia- watha) . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei~ gen) Chibiabos (Tschibiabos) . Death of’ Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawéil wach auf", Geliebtel) Med. OLIVER DITSON COMPANY. Boston New York Chicago ' Philadelphia C. H. DITSON 8: CO. LYON 8: HEALY J. E. DITSON 8: CO. To Am’!!! Rio Pxxrclm. 39d from the WHEN THE NOISELESS NIGHT DESCENDED vsl “mm” (NACHTS, WENN ALLES LIEGT IN SCHWEIGEN) HENRY WADSWORTH LONGFELLOW E E German translnlzbn by Hermann Simon CARI. BFSCH Allegro Moderate, When the noise — less night de — scend -ed Broad Nachts,wenn Al — les liegt im Schwei—gen_, Nachts, Copyright MCMVII by Oliver Ditson Company International Copyifight Secured — dark o’er field and for_est, When the mourn—ful Wa _ wo— nais — sa, AI — les liegt im Dun-kel, W"em1 des Schlum—mers Geist, Ni — bo — win, Sor-roW—ing sang a _ mong hem—10cks,» Zu _ schlies al — le Wig — Thii — ran, J-/‘T KT J-’\ [/9 Spit — it of Sleep, Win,.._. Shut the doors of Nie — mami dich 1'en,._____ S0, (lass Me _ mand A 543-86898 ~4 all the Wig — wams, From her bed rose Laugh- ing VVa—ter, dich kann sz: _ /zen} Heb’ dich schzvci — geml 22011 dam La _ gar, 3 [9 Laid a—side her gar—ments Wh01-1y, And with dark - Le — ge ab die Klei — dc?’ a.l — le, Geh} um ness clothed and guard — die be_sii - ten Fel — :4; 4;; 444 5—33~66898-4 shamed and un — af _ fright—ed, Walked se - Cure — 1y round the corn_fie1ds, Drew the Gran — ze al - ler Ae - char, Nur be — deckt mi! dei — nen Lo _ cken, Und in sa — cred, mag- ic cit- cle Of her foot-prints round the corn — Ra — ben -nacht ge— klei-def Das mach! frucht—bar die Ge — fil - 5-33-663‘.-)8-4 THE MUSICIANS LIBRARY An ideal series of‘ independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postapaid, and in paper with cloth back, price, $1.50, postrpaid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in ﬂexible cloth, are handy in size, and range in price from 50 cents to $1.25. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chiefly technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but-how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputaa tion. Each number contains at least 24 pages of music. Sample copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Date: 1907
Text: n if S STIIIYEQ u H wmscrjn smear, : &~@NP§:‘J?§- W/‘~ SU N G BY MADAM E ADA CROSS LEY. N<.>21NDI> N931NEI9 £3 G IIIISIIMAS I I KG (3 I Ir 5/] \\7”><‘-= Q/I M939 ﬁmmm I WORD~S FRO M APOEM BY- LONGFELLOW Q) Lfijio LE; IPRICID I ;\*~xa'1‘ owl} CHAPPE LL &C<.> LTD. 50, NEW BOND STREET, LONDON, W. NEW YORK: . MELBOURNE: 37.WEST SEVENTEENTH STREET. l|5d2 .THE RIALTO. COLLINS STREET. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND...
Show moren if S STIIIYEQ u H wmscrjn smear, : &~@NP§:‘J?§- W/‘~ SU N G BY MADAM E ADA CROSS LEY. N<.>21NDI> N931NEI9 £3 G IIIISIIMAS I I KG (3 I Ir 5/] \\7”><‘-= Q/I M939 ﬁmmm I WORD~S FRO M APOEM BY- LONGFELLOW Q) Lfijio LE; IPRICID I ;\*~xa'1‘ owl} CHAPPE LL &C<.> LTD. 50, NEW BOND STREET, LONDON, W. NEW YORK: . MELBOURNE: 37.WEST SEVENTEENTH STREET. l|5d2 .THE RIALTO. COLLINS STREET. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSIC HALLS. THE RIGHT OF PUBLIC REPRESENTATION OR PERFORMANCE UPON OR BY MEANS OF ANY MECHANICAL INSTRUMENT IS STRICTLY RESERVED. EElpy|"IgI'|‘I‘,‘MCMVIl.b)' EhappEH3cE‘3 Lfd; _. ’._:;NDv:JM. I “i"<m—:.—m—.--f"“ IUSIC LIBRARY 7 VASSAH COLLEGE Christmas Bells. I heard the bells on Christmas Day, Their old, familiar carols play, And wild and sweet The words repeat Of peace on earth, goodwill to men! And thought how, as the day had come, The belfries of all Christendom Had rolled along The unbroken song Of peace on earth, goodwill to men! Till ringing, singing on its Way, The world revolved from day to day, A voice, a chime, A chant sublime Of peace on earth, goodwill to men! LONG FE LLOW. CHRISTMAS BELLS. Song. ‘Words from a poem by Music by LONGFELLOW. S. LIDDLE. Poco Allegro. (Bm‘ghz‘Zy.) VOICE. heard the bells on PIANO. Mzf (very 1'/:_yt}emz'cal thraztg/1011i.) con Christ - mas Day, Their old, farn-il - iar car — ols play, and sweet the words Copyright, MCMVII, by Chappell & C‘? Ltd. will Poco meno mosso. (a little slower and l27'oaa’er.) And thought how, as the day had come, The allargamlo \, - fries of all Christ - en-dom Had rolled alla anda -brok - en song Of peaée on earth, good - will 19 allargando ‘:17: crew‘ 53%. allargrmda . Te 111130 I Till ring - ing, sing - ing on allargrmtlo world re - volved from day allargando ‘ a iempo voice, achirne, A Chan: sub—1ime Of peace on earth, good-will to men, A A A f aZZarg'ana’0 A _ , A A Cha.ppe1l& Co.’s Ballad Concert Successes The Compass of the first Key only is given; from this the Compass of the other Keys can be easily found. C IIAUDE VALERIE WHITE. Petit Pied Rose (Little Rosy foot). , and F . . . . .. Under the Moon. G . . . . .. In golden June. C, Eb, & F .. In the summer garden C, D, & E '1 hree Little Songs (Low, Medium, and High): 1. When the Swallows . . . . . 2. A Memory 3. Let us Forget Did one but know. & F .. .. Marching along. .. The Old Gray Fox. F 8: G.. . So we'll go no more a-roving. C, D . E . . . . . . . . The Spring has come. C, D, & Eh. . The Throstle. F & G .. . . The Bonny Curl. E .. TERESA DEL RIEGO. A Coon Lullaby. ED, F, 8: G lI0 Loving Father. D7, F, 8: AD .. To Phyllida. E (original) . . .. Do. E & F (simpliﬁed) . . I've a cottage down out Devon way. S f h °’§.‘i'.“£i°Ai..ii'§"c.'"ar'.".e.r lTW° 5°"%Si (Low, Medium. & High) Brown Eyes. B7, C. & D .. *IThe Bell. Elz S: F Thou little tender ﬂower. C, D, & EI7 C, D, & F E7 & F & F . E7 F, . .. Song of Life). ILil'e’s Recompense. Where love has been. Happy Song. D, El), Rest Ihee, sad heart. La Vie est Vaine (A D7. .7, & .. . . .. My Gentle Child. All & Bl2.. Love is zi Bird. B5 . . . . . . ‘JO dry those tears. E, F, G, & A. . Slave Song. D mi., E mi., F mi., mi. . .. .. FRANGO LEONI. Autumn Love. Bl7 & C Little Bareloot. C & D .. The Merry Maiden. G mi. . . .. hen he comes home. D & E .. Coolan Dhu. D mi., E mi.,& F mi. At Love s Close. C & E .. . . The Birth of Mom. E7, F, & G .. A little prayer. E 81 G ,.. .. Love's Awakening. C 8: E7 In Sympathy. C, D, & E .. See l5ree7es. B‘) & C . . .. Golden Lilies. BQ. C. 8: D .. A Spring Song. D, F, & G .. H. WALFORD DAVIES. Hame. B'.',C,&D .. .. .. G. H. GLUTSAM. Sweet, be not proud. F & AD In the Days of Roses. & _ .. A Cradle Song. D mi., E mi., 8; ' mi. .. . . . . . . . . A Folk Song. G. A, 8: I37 .. .. I wander the \voods. A7, B2, & C Vaniiy Fair. F mi., G mi., & A mi. NOEL JOHNSON. \Vild Roses. G & B7 .. . VVind of the VVesterri Sea. G, AD, & BU Purple Pansies. D7, El), & F God's Eternity. D, E. & G .. Goud—Night, Pretty Stars. G & B1 Two Songs (First Set) (Low, Medium, & High): 1. The Rose.. .. .. 2. The River and the Sea Two Songs (secmd Set) (Low, Medium, & High) 1. God's Rest .. .. .. 2. My love’s a butterﬂy .. E. J. MARGETSON. A Song of Andalusia. D mi. PHILIP H. WILLIAMS. Day and Night. F & AD .. . '10 Love and Duty. G FRANK LAMBERT. Of all Septembers. C. D, & E2 In that hour. G, A'Z, & B2 .. .. Bid you good-morrow. D, E0, & F The Buried Rose. El? &_ F . . . . Dear Hands. , I .. . Deep in my heart. D2, E7, & F . . Qui sait".7 (Fallen Roses). F & A’Z Look down, dear eyes. D7, D, 8; F C, D. & F. . , & A7 .. Caressante (Valse Chantée). F 1God's Garden. F, A7, & B7. . . A Farewell. A0, B7, & C . . .. She is far trom the land G, A5, & C Ispeak but one word. E & F . . Bonjour, Pierrot. F .. .. ne. I G . . .. . . SERIES or‘ SHORT Son-cs: . ‘Tin Night. D7 & F .. . Love in Absence. ‘ 8: G .. . A Barque at Mitlnight. E), F, . The Night has a Thousand Eyes. . . . One more Clasp. D7 & F . O Purest Pearl. G .. .. . Because my Ijleart-Wound. Gmi.&B7mi. ,. .. . See, love, I bring thee ﬂowers. DD & F, . . . . . 9. A Lament. D58: F . . Come close, Beloved. . Foretliought. F & G . . _ . . 0 let me weep. F, AD, & 137.. . Dearest, when I am dead. EI7, ha, 13‘, . O heedless ﬂower’. A? . Yesterrlays. ED, F, & AI7 .. . When love bends low. Ell, I*,& .. .. . In Tune. Ell, F, & G.. B: to Eh,‘ B7 to c{ E7 to F B7 to in B7 to DD E3 to F E2 to A2 Cﬁ to D Dto F1: Cto E5 Ato CU .DhtoD'2( B7 to E3 - . C to D) E? to E7 B7to E7 Cto D Bl7 to E0 E7 to El) . Ell to Elz * With Violin Accomp. ad lib. OMPASS OF SUNG av .. Mfs:f|1arz'e T2711/ls! 1Wzss C armzn [II r. Kmnerley R nmforri 2 Mr. Kmntrley R um/bni Mr. Kc/znerlay Ruinfard Zllr. /(ennzrley Rnrrzfora’ ./llr. Kenazerlty Rum/Zzrd nnni-V 0000 . . . . Mr. Gerwzse Elwes . . . Jlliss Agnes Nicholls . . . . . . Miss Louis: Dale . . . . . .Miss Carmen Hill W"rJ<'>0 <'):JCO> 8838 6' . . . . . . Miss Carmen Hill zllr. lfennzrlzy R nmforzl . . . . . . Miss Louise Dale . . . . . . Mmz. Alice Esty ... . Mr. Dalton Bakzr Miss Murizl /‘osler and Miss Helen Blain Mr. Kfllﬂe)‘/ﬂy lfnmford and M is: C £Z7‘77ZL’)L Hill .. . . Mme. Kir/cby Lunn . , . . Alix: Muriel Foster . . . . ll/iss /lfuriel Fastzr llfr. [Conner/2 y Rum/oril GtoD DtoF . ll/Iiss lllilriel Foster 1111722. Alice Gomtz ﬂlme. Alice Go//zez . . . . . . Miss C armzn flill . /l/Il/e. lliariztte Sully .. /liiss Maria Vellami . . . . ..1lIiss Carmen 1111/ /17 r. Kennerley R um/oral iWr. Kennerley lfimzforzi Mr. If eniierlc y Rm/i/ord . . . . lllme. l('z'rla/iy Lurm . . . . . . . . lllr. Ben D112/[es . . . . . . ﬂjllss Hilda Foster . . 111/ss Mzrezlyl/2 Elliott .. . . 1111712. Amy Sherwin . . lllmz. Edna Thornton .. . Jllr. Ben Davies and l D to F xllr. Ezzan M/illiams C to E C C0 D . . . . . .llI/'ss Cara/zen Hi I . 11;/me. A//‘cc Gomez . . . . ll!/11;’. A my Sherri/1'»; . . . . . . illiss Carmen H ill CtoEZ Ct0EZ .. . . ll/r. Ben Dzzz/its aim’ .1! r. Lloyrz’ Chanitos . . llliss Emmta Trwscott . xwiss ﬂlzzrzol lwszar . ill rs. /Vary Dames DcoE{ DtoE J1/712. ./{orltnse Paulsen C to J); g and Miss iirluricl Fostzr .Wr. /Ctmizrley I\°m/zforal . . . . . ./lliss Esta D'Argo . . . . ll/iss /llnriel Foster . . . . . . Mr. Dalton b‘a/ear . . . llliss lllarie T27/zjest . . . . . Jlliss Carmen flz‘/l . ll’/iss C tzri/zen Hill .. . Miss Carmzn Hill .. . . .Mr. Dalian Ba/ctr .. /llr. Maurice Far/ma . . . . [Miss ﬂlurizl Foster .. /‘Ir. fallzur Andrews . . Mr. C. Hayden-Coﬂin . . . Miss Marie Temzﬁzsi . . . Miss Marie Tempest . . . . M iss illnriel Foster CtoC CLUED DtoC Gto B7 CtoE GUY D’HARDELOT. A year ago. F, G, & Ah .. .. A Garden of Love. B2, DlZ, & E5. . For you alone. . . . . You,—and love. DD, ED, & F I think. B2, c, & Dtz .. .. ED, F, G, When you speak to me. Out ofthe“Darkness. C, D5. ‘F17, & I hi . B7, DE7, & E2 .. B Afterwards, Lbve. B7, D7, E5 I know a lovely Garden. E7, F, & G The Dawn. 13», ED, F, & G A Lesson with the Fan D7 & E2. . Midsummer Dreams. D & F . . A Bunch of Violets. AV .. . The Star and the Flower. D mi., mi.,&Gmi. .. .. .. Summer's Message. Bll, Dll, & E".. Two Songs (Low, Medium, & High) I. The Perfect Flower . . 2. The Sun and the Shower FLORENGE AYLWARD. .;Great Lord of Life. Ell, F, & G . King Winter. D . . _ . . . . Mother of mighty sons. B2, C, & D I claim you mine. B7, C. & D . Beloved, it is morn. C, D, & F Sunrise. E & A .. . . . . Song of the Bow. E, F, & G .. %TLove's Coronation. E, F, G, & A Not mine to ask. F, D, & G .. LIZA LEHMANN. In the Tassel-Time of Spring. Db, Soul’s'Blossom. I IE0. & ALMA GOETz.' Ohl bird of Love. D .. .. Mélisande in the VVood. C mi. & mi. . . . . . . . . . . ELLEN GOWDELL. Maytime. A17 & B7 . . . . Life's Garden. D & F AMY WOODFORDE-FINDEII. Sweet, before the swallows go. Ell HOPE TEMPLE. God's Lily. C, D2, & E) A. L. (arranged by). Lass with the Delicate Air (Arne). E&G .. .. .. How deep the sliimher of the ﬂoods (Lowe). D, E2, & F .. .. ELLEN WRIGHT. Didst thou but know. D2 & Eb When I awake. .. ' . . LAURA G. LEMON. The Rose Garden. D32, E2, 8: F VERE SMITH. Fairyland. . . Little Crimson Rose. G BERNARD ROLT. The Dream Town Train. .. The Nightingales \Varning. DlZ .. Katinka. I$l7 .. .. .. Little gold ﬁreﬂy. G, A7, & B5 The Lily of Boulter’s Lock. in Silhouettes of London- r. ‘ e Children of London . . . . 2. The Organ Man .. 3. River Thames. .. L 4. Amethyst, Rose.arid Pearl. C 5 FRANK E. TOURS A Meeting. D 8: F .. Mother 0’ mine. B1 & D . . .. ll pleure dans mon c<2Lir (O softly falls the rain). E2. . . . .. The Lilacs. D .. .. .. Wind in the Orchard. B7 & C DALHOUSIE YOUNG. Bredon Hill. D & F.. .. .. GEORGE AITKEN. jest her way. Bil, C, & D . . Maire, my Girl. C, D, & E.. W. H. NEIDLINGER. The Rose in the Garden. F JAMES H. ROGERS. F And love means— you. HAROLD GREGORY (arranged by). When I was a bachelor. (Low & High) . . . . . . . . LORD HENRY SOMERSET. Echo. F. G, (Q A .. Hush me, O Sorrow. Ell, F & G .. All through the night. c, Eh, & F .i. L. MOL_I.0Y. The Hum of Bees. BE, C, Ell, & F Trankadillo. & A .. . . .. Richard of Taunton Deane. F .. My Old Man john. D mi., F mi., & G i . . . Low & L High m . . . .. . Punchinello. F . DENZA. Sleighiug. Al‘), Blz, & C .. Love in the Valley. c, Db, & E The Rose Enchanted. C, D, & A May Morning. D, El), F, & G An Orchard Lradle Song. ED, F, TITO MATTEI. Love. F,G,&A2 .. .. Dear Heart. C, D, & E7 .. .. Through sunny Spain. E, F, G, & A J. M. GAPEL. Love, could I only tell thee. b E . & G C, D, Lorraine, Lorraine, Lorrée. C + With Violin or Violoncello Accomp. ad lié. COMPASS or 151' KEY AD to Da{ Allto D2 CtoE CtoE! .. AtoD Al) to F B2 to EU CtoF CtoE.‘7«: ElZtoE‘2{ DtoE§ GtoGL GtoA) DtoD CtoD SUNG av . . . . . .M. Victor Maura! . . . . . . . . lll r. Ben Dai/its . . . . . . llf. Victor Maurzl Mr. Kenrzzrlzy R ungford Ilimz. Snzarmz Adams Mmz. Hortense Pzmlszn 1;’. M anrim Batu’ . . . . Mr. Dznharn Price Aime. Hortense Paulsen M me. Horlzazse Paulsen Mme. Melba and Air. Drnham Price . . . ..Miss Marie Tam/lest .l1r. Kznnerley Rumﬂzrzi Mr. C. Ha}/den~Coﬂin . Mr. Denham Price Mine. Alice Est)’ M/11:. Hortense Paulsen - an Mr. Kenner/ey R m/gford Mr. /nlien Hznrv fllr. Kemizrlzy R um/om’ Mr. Da/ton Baker . . lllnze. Alice Gomez r. 3271 Davies Mr. Keriaierlzy R7;/rzforzi’ . . . llime. Alice Gomez M1712. Alice Gomez . . .. [Miss llinriel Foster . Miss Muriel Foster .Wiss M urfzl Foster and Mr. C. h7ay(len~Coﬂi;i Mrs. fielzn Trust and llﬁss Edith Ifir/cwoarl . . . Jllr. Evan I-Villiams .. . . llliss lliuriel Fosttr . . . . .. Illrs. Helen Trus’ g illr. Ktnntrlzy /\’1tm_/om’ and Mr. Gregory Hast .. -. . . lllr. Santley . . . . .. Mrs. Helen Trust . .llIz'ss lllargaret Cooper . .Mz’ss zllargaret Coo/mr . .Miss Margaret Coopzr r. Ben Dav/its . .M1ss Esza /J’A rga . .ll[iss Margaret Coo/>er . . . . . .llIiss Carmen flili . . . . . . . . lllr. Ben Dairies Mr. C. }layn’wz»Cr3ﬂin and illr. Ben Dar/its . lllr. lllaurice Farltoa . . . . . ../lfr. Gregory [last . . . . lllr. Dmihizm Price . . . . ..llIr. Gregory Has! . . . . .Mr. _]osi_15h 0’.I]ara . . . . . Jllme. A lire Go)/zvz .. .. . . . . S7:3‘nor Full Jllr. Wat/oi/i Mills . . Allis: Maren’;/lh Elliott .. lllr. C. Ha)/den—Coﬂ1n CtoD CtoEQ t VVith Organ or Harmonium Accomp. ad’ lib. . . lllr. C. Hayden-Cqﬂiii . . Mr. C. /'laydl'n~Co_//"m EDWARD GERMAN. This England of ours. D St El? . When maidens go a-maying. F & Ab Four Jolly Sailormen. 8: D Love is meant to make us glad. D, O Peaceful England. F .. . . The Yeoman of England. C & D . . IIERMANN Lbim. Messmates. A mi. & B mi. . . .. The Little Galway Cloa . BIZ, C, & D Alone. , . . . . . . Ohl to forget. Dl7, ED, 81 F Songs of the Norseland : r. My ships that went a-sailing. Fﬁmi.&Ami. .. .. . You loved the time of violets .. Low & . Youth has ahappy High tread . . . . . Love is an Ocean ‘ . Eyes that used to gaze in mine . Time was I roved & High the mountains . . A Chain of Roses. Dlz, Eh, & F . . Remember me. lZ& F . . . I wish I were a tiny bird. D & F .. In the heather, my lads. A mi., mi., ‘ mi. .. . . Lanagan's Log. C, D, & El? The Broken Cup. E7, F, & A5 Two Little Love Songs (Low, Medium, & High): I. For lack and love of you 2. W'orld that once was a garden The Little Irish Girl. 0, C, (<1 D. . An Episode .. )Two Songs (Low. If all the young Medium, and maidens .. T High) Chorus, Gentlemen. F & AD Lady mine. DlZ& F .. .. So faira ﬂower. C, D7, & F Two Little Irish Songs w Medium, and High): I. To my ﬁrstlove.. .. .. 2. You’d better ask me . . .. When Jack and I were children. L F . . . . l ,, .. LESLIE STUART. The Bandolei-o. AD& B1 .. MONK GOULD. The Curfew Eb & F.. -’ PAUL A. RUBENS. The Summer. C & D Two Songs from the Chinese: I. The Lament of Lien-Mei 2. A Song of Love .. . . HERBERT RUNNING. The Lime Tree. BD & C .. My Sweetheart Al2, BIZ, & C Revelation. Biz, C, & D .. w. H. souini-:. Lighterman Tom. E32 & F . . The Siesta. G & B7 .. . Love is waiting. C & Eb Three for Jack. G .. D & Eb F 8: The Old Black Mare. The Jolly Sailor. D & ED ERNEST NEWTON. Through the forest. C, D, Ell, 81 F The Magic Month of May. C, D, 8: E Love's Echo. F, G. 8: A Lorna. Ell, F, & G .. ROBERT GONINGSBY CLARKE. The Linnet. F & All .. .. .. A Hirtliday Song. D, F, & G A Dedication. I , I V .. .. Take your lute and sing. B2, C, & D Betty's \Vay. I), Ell, & F .. .. Miniatures: . April, April. . Say not good-bye. . Yon lilac fair. Bl7 .. . A Bowl of Roses. Bl2, D, & E . The Queen of Loveliness. Ell G&Bl7.. D&F . A Dream-i‘rom Raiiiblowlandi EV & F . . . .. GERALD LANE. Love is everywhere, A, BR, 8: C .. HAROLD LONSDALE. Summer’s in the world. C 8: E WADIJINGTON GOOKE. Dream Ships. C mi. & D mi. Visitors. G & A . . . . P. MARIO GOSTA. I knowithat you await me (]e sais qne tn iiraitends). 7 .. . The Exile (L Exile). F mum’: IVIESSAGER. Long ago in Alcala. F & All HERBERT H. NELSON. The \Vindmill. B mi. & C mi. FREDERIGK BEVAN. The Old Soldier. AlZ, BIZ, & C F. PAOLO TOSTI. My Dreams. B2, C. DZ & E2 On Lido \Vater$. D2 EE, 3. F *Beauty’s Eyes. C, Ea E, & G .. Venetian Song. Biz, Dh, ‘ll, & F .. REGINALD GROOME. Stars may forget. Ell & F JAGOUES DLUMENTHAL. An Evening Song. ED, F, G, & AJ7 FREDERICK GLAY. COMPASS or BtoC i DhtoDl2 ClJtoD DtoD CtoD CtoC C to C B? to D Dll to E2 Bll to Ed 'D to F A-to C3 LO Bl? to E? BU toC C D All to D2 A to El 8 to F1: GtoEl7 BVtoGi goon >§oeo r-r"'r-9 ronr-vi-vi-v gooc ocooo ctzibrxi Ul,;,‘1F10>:i "Y" Blz to E1 B7 to El7 C1! to D1: AtoF ElZtoG EtoF A2" to En A to D1: B1 to C Dto Eb Biz to E9 I'll sing thee songs of Araby. E2, F, o, &Arz .. .. .. .. §With Violoncello Accomp. SUNG av . . . . . .Mz‘ss Esta D'Argo Mr. K ermcrley Rumford Miss Margaret Caoftré-' Miss Peru:/al Allen Mr. Henry A. LyttmI6' -Mr. Kmnerley Rumfard . . . . . .M r. Dalton Baker Mr. K emtzrley Rum/oral M r. Kmnerley Rum/57rd . . . . Miss Muriel Foster . . . . . .Mr. Dalton B4:/ref . . .. . . Miss Louis: Dale . . . . . .Mr. Dalian Baku- . . . . . .1IIr. Dalton Bah»,-ir .. . .Mr. E7/an Willie-IL: . . Mme. Suzanna Adar-we . Mr. Dmham Price Mr. K:/mzrley Rum/»-vat‘. . . . . . . Mr. Dalton Bake!‘ . . . . Mr. Denham Prices- Mr. Kmnerley Rmnjord .. .- Mr. Dmham Pr-in Mme. Hori/ens: Paulsm and Mme. Flartnct Daily .. .. Signor Felt‘ . . . . ..Mr. Watkin Mill: . . . . . .Mz'ss Carmen Hill- Mr. Kenncrley Rumford . . . . . . . . A r. B2» Davin: r. B0: Darrin ll! r. Kennerlzy Rumford Mr. Kennerley K umford . . Mr. Dznham P7120 llfiss C aralinz Ilatckard‘ lllme. Alice Esly and [Miss Pergfval Alla: _ llliss Ruth I/mcmt, and M is: Peron/al A lien . . . . Mr. William G.-rm M iss Caroline H atckard .. . . . Miss Carmn: Hilf Mr. Kennerley Rum/bra‘ and Mr. Charles Tvsr ..M1'ss Euneta Trusutt . .Miss Carmen Hill .. ..Miss Carmn: Hill .. .. .. Illr. Charles Tree. /lime. Hortense Paulxm .. . . Mz'ss Iliurizl Foster . . llliss lllargartt Caapef . . . . ..Mr. Grzgon Has! J17. Kziznerley Rumford . Jm. Watkin Mun . . . . . . . . . . .. Signor I455 . . . . . . . . Mr. Ben D-was ........Mr. Ben Darin .. .. ..Mr. 30: Davida tzziliﬁ. CHAPPELL & CO., Ltd., 50, NEW BOND STREET, LONDON, W., NEW YORK, and MELBOURNE, Music Publishers and Pianoforte Manufacturers.
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Date: 1907
Text: SUNG BY MADAME ADA CROSSLEY_ .-_.__~__~_._..«..._L _.... ‘NSDZINDE ~ N93mEIo '~'-J\>7‘><" G/do) Q) (D @ " 9 @ WORDS FROM APOEM “ . Q} ~ LONGFELLOW MUSIC BY LIEIQDIQEVQ PRICE NET.CASH. (60 ¢> CHAPPE LL &C<_> LTD- 50, NEW BOND STREET, LONDON, W. NEWYORK: 1 MELBOURNE: 37. WEST SEVENTEENTH STREET. = H&|2.THE RlALTO,COLLlNSSTREET. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSlC HALLS. THE RIGHT OF PUBLIC...
Show moreSUNG BY MADAME ADA CROSSLEY_ .-_.__~__~_._..«..._L _.... ‘NSDZINDE ~ N93mEIo '~'-J\>7‘><" G/do) Q) (D @ " 9 @ WORDS FROM APOEM “ . Q} ~ LONGFELLOW MUSIC BY LIEIQDIQEVQ PRICE NET.CASH. (60 ¢> CHAPPE LL &C<_> LTD- 50, NEW BOND STREET, LONDON, W. NEWYORK: 1 MELBOURNE: 37. WEST SEVENTEENTH STREET. = H&|2.THE RlALTO,COLLlNSSTREET. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSlC HALLS. THE RIGHT OF PUBLIC REPRESENTATEON OR PERFORMANCE UPON OR BY MEANS OF ANY MECHANICAL lNSTRU~MENT IS STRICTLY RFSERVED. Copyright McMvn,b_y Ehappell 8cE‘3 L‘rd_ Christmas Bells. I heard the bells on Christmas Day, Their old, familiar carols play, And Wild and sweet The words repeat Of peace on earth, goodwill to men! And thought how, as the day had come, The belfries of all Christendom Had rolled along The unbroken song Of peace on earth, goodwill to men! Till ringing, singing on its way, The world revolved from day to day, A voice, a chime, A chant sublime Of peace on earth, goodwill to men! LONGFELLOW. CHRISTMAS BELLS. Song. Words from a poem by LON GFELLOW. Poeo Allegro. (Bn‘ghtly.) PIANO_ mi"/(very rhythmical throughout) Music by S. LIDDLE. heard the bells Christ - mas Day, Their old, fam- i1 - iar car - 01s play, wild and sweet the words re— peat mp Of peace on earth, good - Copyright, MCMVII, by Chappe11& C‘? Ltd. a fan;/>0 Poco meno mosso. ‘ (a little slower and And thought how, as the day had come, The allargando ‘\. bel - - fries of all Christ-en— dom Had rolled a- long the un — “”’"g‘md0 L cresc. -brok — en song Of peace on earth, good —will 11 allmgandn allargmzdr) T p0 I . ring - ing, sing _ ing on its Way, .W..___._————- Hf allargmzdo 4.../2 9%. world re—v01ved from day to day, fall¢zrga71do Voice, a chime, A chant sub-lime Of peace on earth, good—Wi11, to men, A A A A A . ' A A A A A A . é fallarga7zdo “ temp” A A : 37$ T_$ earth, good - will earth, good The Compass of the first Key only is given; from this the Compass of the other Keys can be easily found. MAUDE VALERIE WHITE. l‘etit Pied Rose (Little Ro~y foot). C, El7,antl F .. .. -- Under the Moon. G . . .. In golden june. C, ED, & F .- In the summer garden C, D, & E 'I liree Little Songs (lnw. M etlitim, and High): 1. \Vhen the Swallows . _2. A Memory 3. Let us Did one but know. I) & F . l\'Iarcliin;; along. G & A .. The Old Gray Fox. F & G. . . So we'll go no more a-roving. C. The Spring has come. C, D. & Eb.. The Throstle. F & G .. .. The Bonny Curl. E .. .. .. TERESA DEL RIEGO. A Coon Lullaby. IIO Loving Father. .. To Phyllida. E (original) . . . . Do. I‘) K: F (simpliﬁed) .. I've a cottage down out Devon way. Forget Songs of the Suirimer i i ii and Aprils ctr: .. l “V0 SW35‘: (Low, Medium, & High) Brown Eyes. B7, C, & D .. “IThe Bell. Ell St F .. .. .. Thou little tender ﬂower. C, D, & EV {Life's Recompense. C, D, 8: F .. VVhere love has been. E37 & F . Happy Song. I), E7, 8: F .. .. Rest thee, sad heart. EE7, F, 8: .. La Vie est Value (A Song of Life). D‘).F.’7,& F.. .. .. My Gentle Ciilltl. A12 & i3lz.. Love is a 'rd. . . . . .. {'10 dry those tears. E, F,.G, & A_.. Slave Song. 1) iiii., E mi., F 1111., 36 G mi. . . . . . FRANCO LEONI. Autumn Love. L2 & C .. Little Barefoot. C & D .. The Merry Maiden. G mi. .. . . When he comes home. D St E .. Coolan Dhu. D iiii., E mi., & F mi. At Love's Close. C & E . . .. The Birth of Mom. E0, F, & G .. A little prayer. G V.. Love's Awakening. C & E? In Sympathy. C, D, E .. See Bi-ee7es. Bi & C . . . . Golden Lilies. Bl. C, & D .. A Spring Song. D, F, & G . . H. WALI-‘ORB DAVIES. Hame. ]3.'1,C,&L> .. .. .. I G. H. CLUTSAM. Sweet, be not proud. F & AI7 At parting. and A Song of Recall. Ail In the Days of Roses. F & G .. A Cradle Song. D mi., E mi., & mi. . . . . . . . . A Folk Song. G, A, & 137 .. .. I wander the woods. A7, B3, & Vanity Fair. F iiii., mi., & A mi. NOEL «JOHNSON. Wild Roses. G & Bl7 . . . . Wind of the Western Sea. G, AD, 8: Bl’! Purple Pansies. DD, El), & F God's Eternity. D, E, & G . . .. Good-Night, Pretty Stars. G 81 Blz Two Songs (First Set) (Low, Medium, & High): 1. The Rose.. .. .. .. 2. The River and the Sea .. Two Songs (Second Set) (Low. Medium, & High) 1. God's Rest .. .. .. 2. My love's a butterﬂy .. .. E. J. MARGETSON. A Song of Andalusia. D mi. . . PHILIP H. WILLIAMS. Day and Night. F St Al? .. .. To Love and Duty. G FRANK LAMRERT. Of all Septeinbers. C, D, & E2 .. In that hour. G, All, & Bl2 .. Bid you good-morrow. D, EV, & F The Buried Rose. ED & Dear Hands. F, G, & Bll . Deep in my heart. I)l2, EH & Qui sait? (Fallen Roses). Look down, dear eyes. D7, 1), & F My Lady June. C, D. & F.. .. The Secret. F, G, & AD .. .. Caressante (Valse Change). F . IGod's Garden. F, Al7, Bl7. . A Farewell. Al), BU, & C .. She is far from the land. G, All, & ]Speak but one word. Eh & F . Bonjour, Pierrot. .. . tie. ‘ G . . . . . . . Srskies 0!’ SHORT SONGS: 'Tis Night. Dll & F .. Love in Absence. F & G .. A Barque at Midnight. E0, F, 6 ‘t’!“i" & G .. .. . . .. The Night has a Thousand Eyes. F8: Al7 ' .. One more Clasp. D7 & F O I‘urest Pearl. G . . .. Because my Heart-\Vound. G iiii. & B7 mi. .. .. See, love, I bring thee ﬂowers. DD & F . . . . . . . . A Lament. Dl) & F .. .. . Come close, Beloved. E0, F, 9°‘.'?‘‘.’‘ 1‘ & G . . . . . . . . . Forethotight. F & G . . .. . 0 let me weep. F, AD, & B?“ . Dearest, when I am dead. El7, F, . . . . . . . O heedless flower. F8: All .. . Yesterdays. ‘ V‘Vhen love bends low. ,&G .. .. . In lune. ElZ, F, & G.. .. COMPASS or IST KEY C to C B to E‘) C to E A to E 1: to rat B to F4 13?? to D D to F C to E in to En,‘ B7 to c{ GtoD E’7toF I.) to F B7 to EU B5 to DU §0§:‘or‘.U 58838 tr: V ml‘/> '11 uQ9o>w c§§mmmmm DtoE{ Cto E7 AtoCn DtoE Dlzto Dir Cto DD) C to [)7 ED to E7 Bl)toE7 CtoE CtoD C to B’) F to B1 Bl? to ED E) to El7 } . Sum: av .. ll7i:.t‘ Marie Tim/22:2‘ . . . . . . Mrs: Carmen I/ill Ilir. Kenncrley Rum/ard Mr. li'cnnerl.ey /\’urr1_/ant’ ll/r. Kczmcrley /i’m7g/bra’ illr. /(cmierley /fmzzfard Mr. lfzmzcrley [Mug/’.»'rt' . . . Mr. Germzsc Elwc: .ll/is: Agnes .V1'clml/: . . /V113‘: 1.auz':2 Dale . . . . . .1111}: Carmen Hill . . . . . . M is: Carmen H ill L .11 r. Knmtrley R umford . . . .. Mi:: Louis: Dale . . . . .. Mr)ze. Alice Est}! . . . . Mr. Dalton Ba/Per lllix: llluriel Porter and 1111:: Helen Blain llir. Kmnertcy [Cum/ord and 11112:: Carmen /It'll .. .. ll/Imt. Kirkby Lurm . . . . /Wir: Mzcritl Faxlcr .. . . /lli':: /Wuriel Faxtzr lllr. /Qnntrlt y Rzmi/artl .. . . Mi‘x: Murlzl Faslzr Mnzc. Alice Gomez Mme. Alice Gamzz . . . . . .Mz':: Carmm //ill [Ill/r. Marictte Sully ﬁlls: IV/aria Yellamz’ .l1Ii:.s Carmen llill A . Kenntrlzy It’ um/urd 1177‘. Kzmtcrlzy /hlmﬁzrd Mr. Kemlerley Rum/orzz’ .. . . Illmz. Kir/eby Lmm . .. (Mr. Ben Drwic: . . . . lllme. A my .5’/tern/in . .M7ne. Edna Thornton .. . .1117. Ben Davie: and lllr. E1/an I/Villiam: . ..1l/I/'.r.r Carmen Hill . Mzzze. Alice Gomzz . . . . Ill»/c. A my .3‘/Lzrzt/in . . .. . . llIi:: Carmzn H1'll .. . .Mr. EM Davis: and lVIr. Lloyd C/zamlu: .. M11‘: Eunzta Truscotl . M1':: lW1l7‘l£[ Foster . Mr.t. Mary Dazzizs Mme. Horlznre Paulnn and 1l1i':.r Muriel Farter Mr. Kcnnzrlcy Rum/arr!’ .. .. . .M1's: Esta D’/lrgo . . .. Mi:: lllariel Faster . . . . . . Mr. Dalton Ba/«er Mir: Mari: Tent/t:t . . . . . .Mi:: Carmen Hill . . .. ..Mi.r.r Carmen Hill ./V113‘: Carmcn Hill . . . ..llIr. Dalian Ba/Mr .. Ill r. Mrzuricz Far/ma . . . . Mir: M1¢ricl1*‘a:ter . . /5/r. Tallzur Anclrnu: .. illr, C. fla;/den-Coﬂiri . . . . Mir: Mari: 'l'¢'m/95:! . . Mir: Marie Tzmpesl . lllisx lllurizl Foster Ell to E12 * With Violin Accomp. ad lib. GUY IPIIARDELOT. A year ago. F, G, A Gard. n of Love. For you alone. I You, and love. I think. When you speak to me. A Otit ofthe Darkness. C, D“7. I hid my love. B7, D?, & E llecause. A7, B7, 8: C .. .. Afterwards, Love. B7, D7, & E"7 .. I know a lovely Garden. E7, F, & G The Dawn. DD, ED, F, 8: G A I.e<<on with the Fan D‘? & E.’Z.. l\li1l\'lHl|l\1El’ Ilreams. D8: F .. A Bunch of Violets. All .. .. The Star and the Flower. D mi., mi. mi. . . . . .. Summer's Message. BR, DR, 8: Ell” Two Songs (Low, Medium, & High) r. The Perfect Flower .. 2. The Sun and the Shower FLORENCE AYLWARD. IGreat Lord of Life. Ell, F, & G King Winter. .. V .. .. l\Iother of mighty sons. B2, C, St D I claim you mine. B7, C. & D . ilieloved, it is morn. C, D, '& F Zl’,Sunrise. A .. . . Song of the Bow. E, F, & G %1’Love's Coronation. E, F, G, & Not mine to ask. D, & G LIZA LEHMANN. In the Tassel-Time of Spring. V . F . . . . . . Soul's Blossom. ED, F, & G ALMA GOETZ.‘ Oh l bird of Love. I.) .. . . Mélisande in the Wood. C mi. & mi. . . . . . . ELLEN COWDELL. Maytime. AU & BU .. .. .. Life's Garden. D & F .. . AMY WOODFORDEFINIIEN. Swift, before the swallows go. Eb F .. Evfr. G, 132*), & 'F' I . A. Dr, HOPE TEMPLE. God’s Lily. c,m,&Ea .. A. L. (arranged by). The Lass with the Delicate Air Am . .. .. .. I-Iow deep the slumber of the ﬂoods (Lowe). D, Ell, & F .. .. ELLEN WRIGHT. Didst thou but know. D2 & Elz When I awake. F .. LAURA G. LEMON. The Rose Garden. Dll, E1, & F .. VERE SMITH. Fairyland. . . ittle Crimson Rose. G .. BERNARD ROLT. The Dream Town Train. C . . The Nightin;{ale’s \Varning. Dl1 .. Katinka. l7 . . . . . . Little gold ﬁreﬂy. G, A7, & B9 The Lily of Boulter's Lock. BR Silhouettes of London~ 1. The Children of London .. .. » } 2. The Organ Man .. 3. River Thames. G .. L 4, Amethyst,Rose,and Pearl. C l FRANK E. TOURS. A Meeting. D & F .. other 0' mine. Blz & D . . . Il pleure dans mon coeur (O softly falls the rain). ‘ .. .. The Lilacs. D .. .. . . .. Wind in the Orchard. BL‘ & C . . DALHOIISIE YOUNG. Bredon Hill. D & F.. .. GEORGE AITKEN. Jest her way. Bll, C, & D .. Maire, my Girl. C, D, & E.. W. H. NEIDLINGER. The Rose in the Garden. F JAMES H. ROGERS. And 1ovemea.ns—you. F .. HAROLD GREGORY (arranged by). was a bachelor. When I (Low & Hig .. . . LORD HENRY SOMERSET. Echo, F, G, & A .. .. . Hush me, U Sorrow. El7, F & G .. All through the night. C, Ell, .3. F J. L. MOLLOY. The Hutu of Bees. Bll, C, Ell, & F Trankadillo. G 81 A .. .. Ricliard 0f'l'aunton Deane. F .. My Old Man John. D mi., F mi., & G mi. .. Puncliiiiello. F L. DENZA. Sleighing. Al), BIZ, & C .. .. Love in the Valley. C, DlZ, & Ell .. The Rose Enchanted. C, I), & . A May l\Ioi‘ning. 1), ED, F, it . An Orchard Cradle Song. El7, TITO MATTEI. 8: A E G &G Through sunny Spain. E, F, G, &A J. M. GAPEL. Love, could I only tell thee. C, D, F AtoD Al7 to F B! to El) CtoF All to El! CtoF GtoE FtoAl7 FtoG DtoD FtoG Elzto E1 DtoE GtoG GtoA D to D C to D C to l<I‘Z I) to F B2 to F CtoE CﬂtoD Lltoh‘. DlztoA CtoF CtoF Cto E7 1510 C5 CtoD Lorraine, Lorraine, Lorrée. C + \Vith Violin or Violoncello Accomp. ad lib. Cto Ell 1 With Organ or Ilctrmoniuin Accomp. ad lib. COMPASS or Cto ED‘: } l Sum; BY . . .M. Viciar lllaurel . .. ..llIr. Ben Davie: . . .. . .M. Viclar lllazzrel Mr. Kemzer/ey Rumfurcl Mme. Suzanne Aziamr Mme. Hartunrz Pan/szn . . ._. Sig. Manrica Bacci . . . M r. Den/Lam Price .’l.’»’me. Harlem: P/uzlszn /Wmz. H orlzure Paulszn lllmt. Melba /ma’ lllr. Denham Prict .. . .Mi':: Marie Tempest .l1r. Kenncrlty Rum/art!’ . . Mr. C. Hayden-Cz7ﬂin . Mr. Dtnlzam Price Mme. Alice Erty Mr. /ulien Henry Ke/mtr /ey 1\’mIIforzz’ .Mr. Da/tml [fa/cer . .. ll1mt- '*Il7Z‘: Gomez .. . .. r. 5:11 Davie: Mr, Ifzvmerlzy Rum/am’ .. . . Maze. Alice Gomez Mnze. Alicc Gomez /11 r. .. .. Mi:: Muriel Faster .. .. Mz':: Murz'el Forltr Mix: Muriel Forler and Mr. C. llayzlni-Coﬂfn Mrs. fltlcn Trurl and l M i:: E tlil/1 Kir/ewoaa’ .. ..Mr. E1/an William: .. .. Miss Muriel Faster .. .. . . Mrx. Helen Trust Mr. Kcnntrley Rum/22-zl and lllr. Grcgory Has! . .. .. .. .. ..Mr. Sarilley . . . . .. Mrs. Hclm Trust . . Mix: Mar;-'aret Coopzr . . Mz‘:s lllargarct Caaftr . .Mi:: Margaret Caapzr lllr. Ben Daz/it: . . .. . .MI:: Etta D’/l rga . .Mi:: M argarzt C oozﬁzr . . .. ..Mi:: Carma: Hill .. .. .. ..Mr. Ben D/L2/its Mr. C. I/a)/dcn»C(;[/in and Mr. Ben /)a:riu.t Mr. Maurice Far/Eva .. .. . .Mr. Gregory Hart . . . . Mr. Dtnlmm Price . . . . . .Mr. Gregory Has! .. . . Mr. /auph 0'll1ara . . . . . . ll/mz. Alice Gamrz .. . . . . . . . .S'1',-yzor /'2) ‘ . . . . . . Illr. Watkin Allills . . llllri‘ Mcrczlyth Elliott .. Mr. C. //a)/dc):-Caﬂln .. lllr. C. /layritn-Caﬂin . Mr. C. //ayd'eu~Ciz_//m .lI»1z. Harlem‘: Paulrzn > an . tllr. Kcmtcrley Rumfara’ EDWARD GERMAN. This England of ours. D & E7 Vt/hen maidens go a-maying. F & A0 Four Jolly Sailormen. C & D .. Love is meant to make us glad. I). O Peaceful England. F The Yeomen oiiEngland. D IIERMANN Liinn. Messmates. A mi. & 1’. int. . . .. The Little Galway Cloak. BIZ, C, 8: D Alone. C, EU, & F .. .. Ohl to forget. Dl7, ED, & F Songs of the Norseland: I. My ships that went a-sailing. l Fﬂ mi. & A mi, . You loved the time of violets . . Low & . Youth has a happy High tread .. . . . Love is an Ocean ‘ Eves that used to I Low, gaze in mine . Medium 6. Time was I roved & High the mountains .. A Chain of Roses. Dll, Eh, & F Remember me. Ell ’& . . . I wish I were a tiny birtl. D & I7 .. In the heather. my lads, A mi., BlZmi.,&Cnii. .. .. ’.. Lana_izan‘s Log. C, D, & El! The Broken Cup. E7, F, & A‘? Two Little Love Songs (Low, Medium, & High): 1. For lack and love of you . 2. World that once was a garden The Little Irish Girl. B7, C, (S: D.. An Episode .. Two Songs (Low, If all the young % Medium, and maidens . . High) Chorus, Gentlemen. F & AD Lady mine. Dr: 8: F .. . . . . So fair 3 ﬂower. C, D9, & F .. Two Little Irish Songs (Low Medium, and High): x,Tomyfirstlove.. .. .. 2. You’d better ask me . . .. \Vhen Jack and I were children. l, E & F .. .. \ LESLIE STUART. The Bandolero. AD & B2 .. MONK GOULD. The Curfew Ell & F.. PAUL A. RUBENS. The Summer. C & D Two Songs from the Chinese 1. The Lament of Lieii-Mei 2. A Song of Love .. HERBERT RUNNING. The Lime Tree. BU & C .. . . My Sweetheart Ah, Bll, & C Revelation. BlZ, C, & D .. w. H. sotime. Lighterinan Tom. Ell & F .. The Siesta. G & B7 .. . Love is waiting. C & ED Three for Jack. ‘ .. D & Eb & The Old Black Mare. The Jolly Sailor. D 8: El) ERNEST NEWTON. Through the forest. C, D, Ell, SLVF The Magic Month of May. C, I), St E Love's Echo. F, G. 81 A .. Lorna. Ell, F, & G .. .. .. ROBERT OONINCSBY CLARKE. The Linnet. F & All .. .. .. A Birthday Song. D, F, & G . A Dedication. C, D, & .. .. Take your lute and sing. Bll, C, & 1) Betty's \Vay. D, Ell, & F .. .. Miniatures: . April, April. G & BU . . .. . Say not good-bye. D & F .. . Yon lilac fair. D ' .. . A Bowl of Roses. BU, D, & F. . The Queen of Loveliness. Ell A Dream from Rainbowland ED & F . . . . . . GERALD LANE. Love is everywhere, A, Blz, & C . . HAROLD LONSDALE. Summer’s in the world. C & E WADDINGTON COOKE. Dream Ships. C mi. & D mi. Visitors. G & A . . . . P. MARIO COSTA. I know that you await me (Je sais que tu nfattend‘ . F The Exile (L'Ex-ile). ANDRE MESSAGER. Long ago in Alcala. F & AR . HERBERT H. NELSON. The Windmill. B mi. & C mi. FREDERICK BEVAN. The Old Soldier. All, BIZ, & C F. PAOLO TOSTI. My Dreams. Bl, C, D7, & E2 ()ti Lido \V:tters. D7, E32, 8: F .. "'Iieauty's Eyes. C, E5, E, & G .. Venetian Song. Blz, DIZ. ED, & F .. REGINALD GROOME. Stars may forget. Ell S; F .. .. JACQUES TBLUMENTHAL. An Evening Song. ED, F, G, & A? T { COMPASS or IST }A7toEl7{ FREDERICK CLAY. Ill sing Eliee songs of Araby. Ea, ' A .. ’.. tr D110 U? BU to E7 EV B to E A to F G to E CtoE Ctol.) Am I) B7 to l) )C Ctto I) DtoD CtoD Clot,‘ CtoC. W2 to D Dll to E7 Pl? to E2 1) to B3 to C} C to I) B7 to I) D7 to I) C to C C to (Iﬂ D0 to ICD [Cl Sims av Mir: Exla [)’Ar_ga /l”/r. /\'r7tnc’rle*y [(71:21/bra’ /ll/Zr: lllm-garct Cooptré-' ll/is: Percez/al A/[tn Mr. Henry A. Li!/ton é-' /llr. /\'(nm'rlzy lfuui/arc! . . . . . . /Ur. D/1//mi Iw’a/ctr /llr. /ticrinm lay /Bum/urrz’ lllr. Ifznnca-Icy l\’um/orii . lllirs lllvrrirl Fort/er ..Mr. Dalton Ba/ear . lllisr Louis: Dal: . . . . . .Mr. Dalton /laletr .. ll/r. Ditllrm Halter . . . lllr. Evan ll/illirwzs . . Mr/1:. Suzanne Adam: . Mr. Dcnlmm Price ﬂlr. l\'£7mzrltJ/ Rztmforzz’ . . . . . . Mr. Dalton Baker .. . lllr. Den/mm Pricr /l1r. Kzrmcrlty [ham/bra . . . . lllr. Dcnliaz/z Prict .lI/Ire. //orirnst ])(I1(’S/W1 ' and Mme. !"lorc'ncz Daily All to D1 A to E! B to 19:; GtoEl7( lSl7toGl El2toF CtoC CtoD' ll’? to E9 I) to E E7 to G B7 to D A to D A to If. BIOE CtoF Ctnll“ BO to El CtoF{ Eh to E2 B7 to ED CI to D5 Ato F CtoF DtoF. ElZtoG EtoF All to IE2 Am D; B1toC D to E2 Bll to IE] . . . . . . . . . . . . Signor Fall . . . . , , 111;-. PVal/l'1'n tllills . . . . ..lll1':s Carma}; //ill .1/r. /\'2/may/xv lfumford llr. /Em [Far/ic: . . . . . ..llIr. Jim Davie: lllr, \t'enm*r/ey /(mtg/orti lllr. lfcmxzr/cy /I mu/ard . . . . Mr. Den/mm Price fllis: Caroline Hzzlt‘harci [Ill/ll. Alice Esly and .. . . /llr. lVill1'am Green illixs Caroline Halclmrd .. . . . 1lIi:s Carmen Hill ill r. It’cmz:rle_u lt’um/ard and All/. C/mrle: T722 ../llir: limzcta Truscatl .. . .lllz':: Carmen Hill . Jlliss Carmgn Hz/I . . . . . .M[:: Carmzn Hill , . .. Mr. Charla: Tru M1722. Hortcrtrz Paul::n . .. Mist llluriel Faxtcr . lllixr Altzrgaret C00/tr . . . . . . Mr. Grcgory Hart .l1r. Kmnerlzy Rumfard . . . . ..llIr. lVal}.'I'n lllll/J . . . . . . .. Signor Fali . . . . . . . . Mr. lien 17217/its . . . . . . .. Mr. Bari /Jazrics Ban Darrin §\Vith Violoncello Aecomp. azllil. CHAPPELL & CO., l.ld., 50, NEW BOND STREET, LONDON, W., NEW YORK, and MELBOURNE, Music Publishers and Pianoforte Manufacturers. . K.‘ Oha.ppel1& Co.’s Ballad Concert Sutioesses
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Date: 1907
Text: THE FOUR WINDS Words by Longfeilow \ '4 \'4~t.‘¢“{‘ .. ¢ “ ~ 3/ " E! ' . /V 1‘ \‘ i‘ 7 M ‘ \ ) ,' ‘ ,,. Y W,‘ V V] V ‘ .‘f ‘ : I"- \ ‘WA ‘ ‘H j Ir,’ > /, /’ ,5 ‘ ; 1 . . ‘ ‘,_>/~ 5 ‘M, - I V U * W L :3 |[\ [_ 1 7 L 3%? I ‘E. H! 3,. "\ “ » "‘I M \,\;'§ “l';i.' " H“ ‘-‘i IV‘ ‘ , . W n‘. H: «W A ~«‘w', .,«. 5 3'», ’ 2 ‘ ‘\"|_'§ r 1" s , 1‘ -v‘ ‘ I :_:\ . .1, ‘ ;-J*.4 w“! ‘ 3 a‘ Q, - x’ ‘ Y The Music...
Show moreTHE FOUR WINDS Words by Longfeilow \ '4 \'4~t.‘¢“{‘ .. ¢ “ ~ 3/ " E! ' . /V 1‘ \‘ i‘ 7 M ‘ \ ) ,' ‘ ,,. Y W,‘ V V] V ‘ .‘f ‘ : I"- \ ‘WA ‘ ‘H j Ir,’ > /, /’ ,5 ‘ ; 1 . . ‘ ‘,_>/~ 5 ‘M, - I V U * W L :3 |[\ [_ 1 7 L 3%? I ‘E. H! 3,. "\ “ » "‘I M \,\;'§ “l';i.' " H“ ‘-‘i IV‘ ‘ , . W n‘. H: «W A ~«‘w', .,«. 5 3'», ’ 2 ‘ ‘\"|_'§ r 1" s , 1‘ -v‘ ‘ I :_:\ . .1, ‘ ;-J*.4 w“! ‘ 3 a‘ Q, - x’ ‘ Y The Music éomposed by CARL BUSCH ? I , ,- us» ; AA‘: * ff: A THE H. W. GRAY COMPANY Sole Agents for % NOVELLO & CO. LIMITED New York The Four Winds (“DIE VIER I//INDE”) FROM THE SONG OF HIAWATHA S}*ZT'"J1”O MUSIC FOR S()PRA;\T() ;\_\”D TENOR SULI, CHORUS, AND ()RCHliSTR:’\ BY CARL BUSCH Tm: C}JLCR]\/IAN TRANsLA'r1oN BY HERMANN S1MnN 1’.-1/’/LL/Q“, $1.25 —- ]f().4/\’])S. S/",5O — C'L'UL/L/~[, 82.00 :\‘F.'\\' YORK ‘ THE H. \V. GRAY COMPANY .<m,1v: _\¢:1‘;\"rs 1-‘on N()V1*‘.LLO & C0,, LTD. Copyright. 1007, by THE H. W. GRAY C0. TH]? F0 UR IVHVZJS The work is written for two solo Voices, Soprano and Tenor, orchestrated for Strings, 2 Fltites, 2 Obocs-, 2 Clarinets, 2 Baissoons, 4 Horns, 2 Trumpets, 3 Trom- bones, T1.1i)21,, Tympani, Cymbals, Bass Drum, and Harp. - ‘-4-4 T he text is used with the sanction of Messrs. Houghton, Mifﬁin 84: Co., the authoriyed publishers of T..0ngfellow’s works. THE FOUR VVINDS INDEX INTRODUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . i . . . . . . . CH()RL_¥S —- Honor be to Mudjekeewis . . . e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 'J‘s«:NoR So1,0— Hark you, Bear I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHORUS — Then again he raised his war-club 'l‘i«:N<>1< SoI.o— Young and beautiful was Wabnn . . . . . . _ . . . . . . . . . . . . . . . . . . . . . r . 4 . Cimkiis —~ Every morning gazing earthward . . 4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . S(.>l’RAN() ANT) TENOR SOLO AND CHORUS ~— For they both were solitary . _ . . . . . . CHORUS — But the ﬁerce Kabibonokka . . . . . . . L . . . . . . . . . . . 4 . . . . . . . . . . . . . . . . . . . . . . TENOR S()L()—— There among the reeds and rushes . . . . . . . . . . . . . . . . 4 . . . . . . . . . . . . . (THORUS — And at night Kabibonokka . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A 92 S<wRANo SOLO-— Shawondasee, fat and lazy . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4_ . . . . r . . 127 'l‘i«:.\1oR SOL0— Once as he was gazing northward . . . . . . . .‘ . . . . . . . . . . . . . . . . . . . . . . . 131 S<)l’R.»\N() ANT) 'l‘i«:N0R Sou) AND CH()RUS— Till one morning . . . . . . . . . . 4 . . . . . .. 135 THE FOUR WINDS (« DIE VIER ll/']NDE”) CHORUS. ‘llonor be to Mudjekeewisl” Cried the warriors, cried the old men, \\7 hen he came in triumph homeward With the sacred belt of Wampum, From the regions of the North—Wind From the kingdom of VVabasso, From the land of the VVhite Rabbit. He had stolen the Belt of W'ampum From the neck of Mishe—Mol<wa, From the Great Bear of the mountains, From the terror of the nations, As he lay asleep and combrous On the summit of the mountains, Like the rock with mosses on it, Spotted brown and gray with niosses. Silently he stole upon him, Till the red nails of the monster Almost touched him, almost scared him, Till the hot breath of his nostrils W armed the hands of Mudjekeewis, ;\s he drew the Belt of \7\/ampum Over the round ears, that heard not, Over the small eyes, that saw not, Over the long nose and nostrils, The black muﬂle of the nostrils, Out of which the heavy breathing \\’armed the hands of Mudjekeewis. 'J‘hen he swung aloft his war—club, Shouted loud and long his war—cr_v, Smote the mighty Mishe~Mokwa In the middle of the forehead, Rigrlit between the eyes he smote him. “Ehr’ und Preis dem Mudschikihwis!” Riefen Krieger, riefen Greise, Als er triumphirend heimkam Mit des Wampum heil’gem Giirtel Aus des Nordens Regionen, Aus dem Konigreich Wabosso, Aus dem Land’ der weissen Kaninchen-. Wampum’s Giirtel er sich raubte Von dem Nacken Mitscha-Miakwe’s Von dem grossen Bar der Berge, Von dem Schrecken der Nationen, Als er schlafend lag und traumend Auf der Berge hochster Spitse \Vie ein Fels mit Moos bewachsen, Braun und grau vom Moos’ umsponnen. Schweigend stahl er zu ihm hin sich, Bis (les Monstrums rothe Niigel lhn beriihrten, ihn erschreckten, Bis der Niistern heisser Odem Mudschikihwis’ Hande warmte. Schnell schlug er den Wampumgiirtel Um des Scheusals runde Ohren, Die nicht horten, um die kleinen Augen, die nicht sehen konnten, Um die lange Nas’ und Niisterir Deren schwerer Obem gliihend Mudschikihwis’ Hande streifte. Hoch schwang er die Kriegeskeule, Laut und lang sein Krieg’schrei tonte, Mitten auf die Stirne schlug er Dann den starken Mitscha-Mal<we, :\/Iitten zwischen beide Augen. Tl~lE F0 UR W] N l.)S With the heavy blow bewildered, Rose the Great Bear of the mountains; But his knees beneath him trembled, And he whimpered like a woman, As he reeled and staggered forward, As he sat upon his haunehes; And the mighty Mudjekeewis, Standing fearlessly before him, T aunted him in loud derision Spake (lisdainfully in this wise: % TENOR SOLO. ‘Hark you, Bear! you are a coward, ;\nd no Brave, as you pretended; lilse you would not cry and whimper Like a miserable woman! Bear! you know our tribes are hostile, Long have been at war together; Now you ﬁnd that we are strongest, You go sneaking in the forest, You go hiding in the mountains! Had you conquered me in battle Not a groan would I have uttered, But you, Bear! sit here and whimper, And disgrace your tribe by crying, Like a wretched Shangodaya, Like a cowardly old woman!” CHORUS. Then again he raised his war—club, Smote again the Mishe-l\Iok\va In the middle of his lorehead, Broke his skull, as ice is broken, VVhen one goes to ﬁsh in Winter. Thus was slain the Mishe~Mok\\'a, He the Great Bear of the mountains, He the terror of the nations. “Honor be to Mudjekeewis!” With a shout exclaimed the people, “Honor be to Mudjekeewisl Henceforth he shall be the West—Wind And hereafter‘ and forever Shall he hold supreme dominion Over all the winds of heaven. Call him no more Mudjekeewis, Call him Kabeyem, the lV'est-\Vin(ll” VVi'1thend durch cles Schlages Schwere Sprang empor der grosse Bergbiir, Doch die Kniee ihm erbebten, W'ie ein Weib er wimniernd klagte, Als er taumelnd vorw'2irts schwankte. ‘ Sich aul seine Schenkel setste. Und der starke Mudschikihwis Vor ihm dastand ohne Bnnggen, Hohntei ihn mit lautem Spotte, Sprach \'er'2iehtliCh also zu ihm: “Hore, Bar! Du bist ein Feigling, Nicht so muthig wie Du prahltest Nimmer wtirdest Du sonst schreien, \Vimmern wie ein elend \Veibsbild. Bar‘; Feind waren uns're Stiimme, Lange waren wir in Fehde. _letzt siehst Du (lass wir die starksten. Und gehst sehleichend durch die Wiilder, Birgst dich feig in Felsengrijnde. Wenn Du mich im Kampf’ bezwungen, Nimmer hortest Du mich seufzen: Doch Du, Bar! hier wimmernd sitsest Schandest Deinen Stamm durch Klagen, \\'ie ein lump’ger Schagodeje, l\7ie ein leiges, altes \Veib.” l’)ai1n hob er die Kriegeskeule Schlug noeh ein Mal WitsClia—Mal<\\'e (}’rade mitten aul (lie Stirne, Brach den Schadel, \\'ie man’s liis bricht \\"enn man fischen will im Winter. So kam um der l\'lll.\'Cl121-‘_\l2tl{WL*, Jener grosse Bar der l$e1‘ge, lir der Nzitioneii Schrecken. 3 “Ehr’ und Preis dem .\ludschil<ihwisl" Jauchzten laut des Volkes Schaaren, E111" und Preis dem Mudschikihwisl Soll der Westwind sein VOH heut’ an, Und fortan fur evv’_qe Zeiten Soll als Herrseher er gebieten Ueber alle Himmelswinrle; Nennt ihn nicht mehr Mudschikihwis, .\lennt ihn Kabeyun, den \\"estwind. THE Thus was Mudjekeewis chosen Father of the Winds of Heaven. For himself he kept the West—Wind, Gave the others to his children, Unto Waban gave the East—Wind, Gave the South to Shawondasee, .—\nd the North—Wind, wild and cruel, To the ﬁerce Kabibonokka. TENOR SoLo. Young and beautiful was Wabun; lle it was who brought the morning, He it was whose silver arrows Chased the dark o’er hill and valley; He it was whose cheeks were painted With the brightest streaks of crimson, And whose voice awoke the village, Called the deer, and called the hunter. lxmely in the sky was Wabun; Though the birds sang gayly to him, Though the wild—ﬂowers of the meadow Filled the air with odors for him, Though the forests and the rivers Sang and shouted at his coming, Still his heart was sad within him, For he was alone in heaven. But one morning, gazing earthward, \Vhile the village still was sleeping, .-\nd the fog lay on the river, Like a ghost, that goes at sunrise, lle beheld a maiden walking All alone upon a meadow Gathering water—ﬂags and rushes By a river in the meadow. CHORUS WITH SOPRANO SoLo. Every morning, gazing earthward, Still the first thing, he beheld there \\’as her blue eyes looking at him, Two blue lakes among the rushes. And he loved the lovely maiden, \\"ho thus waited for his coming: F0 UR \/VlNl)S So erkor man Mudschikihwis Zu der Himmelswinde Vater: ﬁr behielt fur sich den Westwind, Gab die ander’n seinen Sohnen. Waban ward des Ostwin(.l’s Herrscher, Scliawamlassi Herr des S'Lidwind’s, Fur den Nor(l\\'in<l, wild und grausam Wurde es Kabibonocka ) ]ung und wunderschon war Waban, Braehte als Geschenk den Morgen; Seine Silberpfeile jagten Ueber Berg und Thal das Dunkel. Angehaucht war seine Wange i\/Ilt des schonsten Purpurs Schimmer, Und sein Hauch das Dorf erweckte, Rief das Reh’ und rief den Jager. Einsam zog am Himmel Waban; —— Ob ihm Lust die Vogel sangen, ‘ Ob der Wiese wilde Blumen Ihm die .Luft mit Diiften wtirzten, Ob sein Nah’n auch alle Wéilder Alle Strome froh begriissten, - Traurig schlug sein Herz im Busen, Einsam zog er ja am Himmel. Friih einst schaute er zur Erde, Als noch schlummernd lag das Dorfchen, Nebel noch den F luss, wie Geister V or der Sonne ﬂiehend, deckten. Da sah wandeln er durch Wiesen Ganz allein ein schones Madchen, Binsen pﬂiickte sie und Lilien An des Wiesenstromes Rande. Jeden Morgen sah er erdwarts, Und das Erste was er schautc, “Var der blauen Augen VVinl<en, Zwisehen Ried zwei blaue,Seeen; Gliihend liebte er das Madchen, Das so einsam seiner harrte, 'l‘I~l Ii I)1n«:'r. For the both were solitary She on earth and he in heaven. And he Wooe(l her with ca1‘t5sst*s, Wooed her with his smile of sunshine, With his ﬂattering words he wooed her, With his sighing and his singing, Gentlest whispers in the branches, Softest music, sweetest odors, Till he drew her to his bosom Folded in his robes of crimson, Till into a star he changed her (Chorus) Trembling still upon his bosom; _DUET AND CHORUS. And forever in the heavens They are seen together walking Wabun and the Wabun-Annung, W abun and the Star of Morning. CHORUS. But the ﬁerce Kabibonokka Had his dwelling among icebergs in the everlasting snow—drifts, In the kingdom of VVabass0, In the land of the White Rabbit. lle it was whose hand in Autumn Painted all the trees with scarlet, Stained the leaves with red and yellow; He it was who sent the snow—ﬂakes, Sitting, hissing through the forest, Froze the ponds, the lakes, the rivers, Drove the loon and sea—gull southward, Drove the Cormorant and curlew To their nests of sedge and sea—tang For the realms of Shawondasee. Once the ﬁerce Kabibonokka Issued from his lodge of snow—drifts, From his home among the icebergs, And his hair with snow besprinkled, Streamed behind him like a river, As he howled and hurried southward, Over frozen lakes and moorlands. F0 U R W} N 1) S Waren Beide doch verlassen, Sie auf Etden, er im Himmel. Und er warb um sie mit Kosen, Warb mit seinem sonn’gen Lacheln, Warb um sie mit Schmeichelworten, Warb mit seinem Sang’ und Seufzen, .\Iit der Zweige leisen Wispern, Sanften Klangen, siissen Hauchen, Bis sie lag an seinem l"Ier'/Jen, Eingehiillt im Purpurmantel, Bis sie war zum Stern verwandelt Bebend leis auf seinen Busen. Immer siehst du sie zusammen An dem Morgenhimmel wallen, Waban und die Waban—Anang, Ostwind und den Morgenstern. Doch Kabibonocka hauste Grimmig zwischen Eisgebirgen, In den ew’gen Schneegeﬁlden, In dem Konigreich’ Wabosso, In dem Land’ der weissen Kaninchen. Seine Hand im Herbst’ die Baume Ringsum scharlachroth bemalte, Fétrbte roth und gelb die Bléitter, ,Schiittelte des Schneees Flocken Stiebend, rauschend durch die Walder, Liess der Weiher Wasser frieren, Strome, See’n liess er erstarren, Lummen, Moven trieb er sﬁdwarts, Trieb Seeraben und die Reiher In ihr Nest Von Ried und Seetang In den Reichen Shawandassi’s. Einstmals stieg Kabibonocka Nieder Von der heim’schen Sclmccl.rift, Von der Heimat zwischen Gletschern, Und sein Haar, mit Schnee’ besprenkclt, VVie ein Strom vom Haupt’ ihm wallte, Wie ein dunk’ler Strom im VVintcr, Als er heulend stidwarts jagte Ueber eis’ge See’n und Steppen. THE FOUR WINDS TENOR SOLO. There among the reeds and rushes Found he Shingebis, the diver, Trailing strings of ﬁsh behind him, O’er the frozen lens and moorlands, Though his tribe had long departed To the land of Shawondasee. Cried the ﬁerce Kal)il)on0kka, “Who is this that dares to brave me? Dares to stay in my dominions, When the W awa has departed, When the wild goose has gone southward, I will go into his Wigwam, 1 will put his smouldering ﬁre out!” C HORUS. And at night Kabibonokka To the lodge came wild and wailing, Heaped the snow in drifts about it, Shouted down into the smol<e—ﬁue, Shook the lodge—poles in his fury, Flappetl the curtain of the door—way. Shingebis, the diver, feared not, Shingebis, the diver, cared not; Four great logs had he for ﬁrewood, One for each month of the winter, And for food the ﬁshes served him. By his l)lazing ﬁre he sat there Warm and merry, eating, laughing, Singing, “O Kabibonokka, You are but my fellow-mortal!” Then Kabibonokka entered, And though Shingebis, the diver, Felt his presence by the coldness, Felt his ice breath upon him, Still he did not cease his singing, Still he did not leave his laughing, Only turned the log a little, Only made the ﬁre burn brighter, Made the sparks ﬂy up the smol<e—ﬂue. From Kabibonokl<a’s forehead, From his snow—besprinkled tresses, Drops of sweat fell fast and heavy. Dort traf zwischen Schilf und Binsen Schinschibis er an, den Taucher, Viele Fische nach sich schleppend Ueber eis’ge Stimpi’ und Moore; Er durchstreifte noch das Marschland, W ahrend langst schon die Genossen Fort zum Lande Shawandassi’s. Wuthend schrie Kabibonocka: “Wer wagt hier mir frech zu trotsen? Wagt in meinem Reich’ zu bleiben, Wenn die VVewe sich entfernte, VVenn die VVildgans siiclwiirts eilte, Wenn die Reiher die Schu-schu—gas, Langst hinweg nach Siiden zogen? Will in seinen Wigwam kommen, O \Vehen aus sein dampfend Fetter.” Und es kam Kabibonocka Wild und heulend Nachts zur Hiitte, Haufte um sie Schneegestober, Briillte nieder in den Rauchfang, Schiittelte voll Wuth die Pfosten, Klatschte mit der T htire V orhang; Schinschil)is war nicht erschrocken, Sorglos sah ihm zu der Taucher, Hatte ja vier macht’ge Blocke Um den Winter durch zu feuern, Finer kam auf jeden Monat, Fische auch genug zum Essen, Sass an seinem hellen Fetter, Warm und lustig, ass und lachte Singend, “O Kabibonocka, Bist Wie ich ein Kind des Todes!” Eintrat nun Kabibonocka; Und ob auch der Taucher ﬁihlte An der Kalte, dass er nahe, Seinen eis’gen Odem fiihlte, Horte er doch nicht auf zu lachen, Schiirte nur das Holz ein wenig, Liess das Feuer heller ﬂammen, Liess zur lisse spri,'1h’n die Funken. Von Kabibonoel<a’s Stirne, Von den schneebesprengten Locken Rollten schwere Schweissestropfen, THE Making dints upon the ashes, As along the eaves of lodges, As from drooping boughs of hemlock, Drips the melting snow in spring~time Making hollows in the snow—drifts. Till at last he rose defeated, Could not bear the heat and laughter, Could not bear the merry singing, [But rushed headlong through the d0or—way, Stamped upon the crusted snow—drifts, Stamped upon the lakes and rivers, Made the snow upon them harder, Made the ice upon them thicker, Challenged Shingebis, the diver, To come forth and wrestle with him, To come forth andiwrestle naked On the frozen lens and moorland. Forth went Shingebis, the diver, Wrestled all night with the North-Wind, Wrestled naked on the moorlands With the ﬁerce Kabibonokka, Till his panting breath grew fainter, Till his frozen grasp grew feebler, Till he reeled and staggered backward, And retreated, bafﬂed, beaten, To the kingdom of Wabasso, T o the land of the White Rabbit, Hearing still the gusty laughter, * Hearing Shingebis, the diver, Singing, “O Kabibonokka, You are but my fellow—mortal!” SOPRANO SoLo. Shawondasee, fat and lazy, Had his dwelling, far to southward, In the drowsy, dreamy sunshine, In the never-ending Summer, He it was who sent the wood—birds, Sent the robin, the Opechee, Sent the bluebird, the Owaissa, Sent the Shawshaw, sent the swallow, Sent the wild—goose, Wawa, northward, Sent the melons and tobacco And the grapes in purple clusters. FOUR WIN l)S Gruben Locher in die Asche, Gleichwie von der Hiittchen Rinnc, Wie von schwanken Tannenzweigen Schnee im Friihjahr tropft zerschmolzen, In die Schneeweh’n Furchcn grabend. Endlich sprang er auf, bezwungen, Nicht mehr konnte er ertragen Diese Glut und dies Gelachter, Diese frohlichen Gesange; Jahlings durch die Thijr’ er stiirzte, Stampfte die beeiste Schneeﬂur, Stampfte alle See’n und Strome, Hartete die schnee’ge Kruste, VVOb den eis’gen Mantel starker, Rief zu Schinschibis dem Taucher: “Komm’ heraus und ring’ Dich mit mir, Komm’ und ringe nackend mit mir, Auf dem eis’gen Sumpf’ und Moorland.” Schinschibis, der Taucher, folgte, Rang allnachtlich mit dem Nordwind’ Rang sich nackend auf dem Moorland’ Mit Kabibonocka’s Wiithen, Bis dess Odem zitternd bebte, Schwacher ward sein eis’ger Handgriff, Bis er taumelnd riickwarts wankte, Sich besiegt, getatischt zurtickzog In das Konigreich Wabosso, Zu dem Lande der weissen Kaninchcn, Horend noch das Geisterlachen, Horend Schinschibis, den Tauchcr, Wie er sang: “Kabibonocka! Bist wie ich ein Kind des Todes!” Shawandassi, feist und trage VVohnte weit im fernen Stidcn, In der traum’risch-triiben Sonne, In dem enblos langen Sommer. Er des Waldes Vogel sandte, Sandt’ Opitschis, die Rothkehlchen, Sandt’ Owessis, die Blaumeisen, Sandte Schaschas auch, die Schwalben, Sandt’ die Wildgans, Wcwe, nordwiirts, Sandte Tabak und Melonen, Trauben voll von Purpurbeeren. TH E From his pipe the smoke ascending Filled the sky with haze and vapor, Filled the air with dreamy softness, Gave a twinkle to the water, Touched the rugged hills with smootlmess, Brought the tender Indian Summer To the melancholy N0rth—land In the dreary Moon of Snow-shoes. Listless, careless Shawondaseel In his life he had one shadow, In his heart one sorrow had he. 'I‘1«:NoR SOLO. Once, as he was gazing northward, Far away upon a prairie He beheld a maiden standing, Saw a tall and slender maiden All alone upon a prairie; Brightest green were all her garments, And her hair was like the sunshine. Day by day he gazed upon her, Day by day he sighed with passion, Day by day his heart within him Grew more hot with love and longing For the maid with yellow tresses. But he was too fat and lazy _To bestir himself and woo her; Yes, too indolent and easy To pursue her and pursuade her, So he only gazed upon her, Only sat and sighed with passion For the maiden of the prairie. DUET. Till one morning, looking northward He beheld her yellow tresses Changed and covered o’er with whiteness, Covered as with whitest snow—ﬂakes. “Ah! my brother from the North—land, From the kingdom of Wabasso, From the land of the VVhite Rabbit! You have stolen the maiden from me, You have laid your hand upon her, You have wooed and won my maiden, With your stories of the North-land!” FOUR WINDS Seiner Pfeife Rauch erfiillte Rings die Luft mit Dunst und Nebel Und mit siissem Traum’ den Aether; Liess das Wasser funkelnd blinken, Goss auf wilde Hiigel Anmuth, Hauchte den Indianersommer Auf das melanchol’sche Nordland, In dem Schreckensmond’ der Schneeschuh’. Sorglos~fauler Shawandassil Nur ein Schatten traf sein Leben, Nur ein Gram zerriss das Herz ihm. liinst als er nach Norden blickte Weithin iiber die Prarieen, Sah er bort ein Madchen stehen, Schlank war’s Madchen, hochgewachsen, Stand auf der Prairie ganz einsam, Prachtvoll griin sah’n ihre Kleider, Und ihr Haar wie Sonnensehimmer. Taglich sah er nach dem Madchen, Taglich seufzte er voll Sehnsucht, Taglich gliihender entbrannte Ihm das Herz in seinem Busen Voller Liebe, voll Verlangen Nach der Maid mit gold’nen Locken; Doch er war zu feist, zu trage Sich zu regen, sie zu freien; Zu bequem selbst und zu herzlos, Ihr zu schmeicheln, sie zu werben. Immer schaute er sie an nur, Sass und seufzte voller Sehnsucht Nach dem Madchen der Prairieen. Eines Morgens, nordwarts schauend, Sah er ihre gold’nen Locken Ganz verwandelt, weiss geworden, Wie bedeckt mit schnee’gen Flocken. “Weh! mein Bruder aus dem Norden, Aus dem Konigreich Wabcsso, Aus dem Land’ der weissen Kaninchen! Hast mein Madchen mir gestohlen, Hast an ihr dich frech vergriffen, Hast gefreit sie und gewonnen Durch die schonen Nordlandsmahrchen.” THE FOUR WINDS CHORUS. Thus the wretched Shawondasee Breathed into the air his sorrow; And the South—Wind o’er the prairie Wandered warm with sighs of passion, With the sighs of Shawondasee, Till the air seemedfull of snow—ﬂakes, Full of thistle-down the prairie, And the maid with hair like sunshine Vanished from his sight forever. SOPRANO SOLO, TENOR SoLo AND CHORUS. Nevermore did Shawondasee See the maid with yellow tresses! Poor deluded Shawondasee! ’Twas no woman that you gazed at, ’Twas no maiden that you sighed for, ’Twas the prairie dandelion That through all the dreamy summer You had gazed at with such longing, You had sighed for with such passion And had puffed away forever, Blown into the air with sighing, Ah! deluded Shawondaseel Thus the Four Winds were divided, Thus the sons of Mudjekeewis Had their stations in the heavens, At the corners of the heavens, For himself the West-Wind only Kept the mighty Mudjekeewis. So der arme Shawandassi In die Luft der Kummer hauchte. Ueber die Prairic’n der Siidwind VVehte heiss Von Glutenseufzern, Von den Seufzern Shawandassi’s, Bis die Luft schien voll Schneeilockchen, Die Prairie voll Distelstaubchen, Und die Maid mit Sonnenscheinhaaren Seinem Blick’ entschwand fiir immer. Nie sah Shawandassi wieder Diese Maid mit gold’nen Lockenl O, betrog’ner Shawandassil Ach, kein Weib war’s, das Du ansah’st, Keine Maid, um die Du seufztest, ' ’s war der Lowenzahn der Wiiste, Den Du einen ganzen Sommer Traumerfiillt so sehnend ansah’st, Den Dein Seufzen gliihend suchte. Wehtest ihn hinweg fur immer, Bliest ihn seufzend in die Liifte, Du betrog’ner Shawandassi! So sich die vier Winde theilten, S0 die Sohne Mudschikihwis Ihren Plats im Himmel nahmen In verschied’nen Himmelswinkeln; Nur den Westwind fiir sich selber Nahm der macht’ge Mudschikihwis. THE FOUR VVINDS A CANTATA for sou, CHORUS and ORCHESTRA The éécond scene from “HIAWATHA” by « _ HENRY WADSWORTH LONGFELLOW CARL BUSCH Moderato L ‘ ' - Violinli f V’C'elZo (E Viola .’\ % 2 Wbod Wmd .? p Copyright,MCMVII,by '-I“heH.W. Gray Co. (T/zwzderstorm Wbod T/Wnd B Allegro moderate 1,; Ag TEFTF T FTFA o maiestoso f “H0n_~ or ' be to Mud-je — kee-Wis!” Cried Athe “Eh?” und Prezb dam Mudsch2' — kih -‘wis.”’ Ric - ﬁn Allegro maestoso War: riors, Krie — gm; Cried the old men, rze‘— ﬁm G7'ez—se, Wbodwhd home —Ward the sa - cred belt -of heim - kam des PVizm -pmnfs hail" - gem home—Ward the sa — cred heim — ka/m ales I/Vam — jmm’s ' tri —umph - phirend in tri — umph tri - umph um —ph1're7zd heim - kam, f WaIn—pum, Wam- pum, From the kingdom of Wa- Giin tel , Giir - tel, Aus dem Kéh ig — Veich ward, From the regions of the North - Wmd, Warn—pum, ka/m, A-us des Nonderzs Re - gi - 0 - ‘nan, Whm-jaumv,‘ has ~ so,Fromfhe land of "bus — s0,Ausolem La7wl____ Wa1n-pum, From the land Wam -pum, Aus dam.» Land’ Waxn-pum, From the: land. of Winn-pum, ‘Aus dam Land. the der wezls‘ 1 sen the Kat - I(_'a,_ the: White‘ der‘ weis - sen f He had Wa/m - pwr:/s If“- Rabbit . nz'7wlzen.. Rab b it . ninchen . Rabbit. ninchen . sto-len the belt‘ of Wampum, Giir — tel er sick raubta the neck of ' he —. Mo,» kwa, dam Nack - en schw ~Ma—kwe% the Great Bear the mountains, dam gross ‘— an der Barge, the ter — ror dam Schreck — en he " lay :1 er schla - fend ha}/\b;~. the moan - tains, star Spit - ze» -"‘*?-—-—-—_._ ~ m-1t’ Spit - 26,. . the mdun - tamsg; star Sgiz‘ — ze moss — es on ' it, Moss be -wach —. sen, moss — es on if, Moss be -wach -sen, - es on .T be - =wac}z,~ — Sgaotted, B:rm.m Spotted gmu Sp otted gmu Spotted grau mosses . um ~ sponnen. ._ moss — es. ‘ sj>o7m_en.{ - - Si - lent -ly he Sclvwei »- ‘gend stahl er Si - lent —=ly he 'l stole upworrr Sc/ixwei '—> gend. staid? zu. kin. Si - lent - ly he Schwei - gendstahl er? 1;. Si - lent — ly he stole up-on S_e:Zvw:325 - gemi stahl er zuihm hin Allegfretto stole up-on him, Till the red nails of the zu ihm hin sick, Bis ales Monstnnns rot}; - e L P P stole up—o;1 him, Till the red nails of the men - ster zu ihm hin sick, pBz‘s ales Monstmms roth- e Nd‘ — gel ("S most t’-ouch’d him,‘ al-most scared him, » .' ' , {he hot breath be —- riikr - ten, iim er -schreckr ten, _der Nelstem Tmhae hot T Bisder 0 .- 7 most touchii him, al-most scared him, Till , the hot‘ 7 be- riZhr— ten, iim er-schreck -ten, Bis deer Niistern Till Bis of his nos .- triis, Mud he1's—se7' 0 - dam, Mud warmed hands Mud-schi-kzh - wzls bréath Warmed the hands of Mud-je - kee - Wis, he2's—ser 0 - dem- Mud - schi- kik - wis H¢'i7z- de warm- ta. — breath of his nos - stern heis- ser 0 - /\ - — . L K 1 "1\! I’ 11 1/ k r A's he drew belt‘ of Wa_Lm — pum, O’.er the round ears,the Sclmellsdzluger T/Vavn-j>umg'i¢r ~ tel Um des Sclzeu - sals | l\ 1 I ,»| A U ? I I V drewe: the Sc/mall scizlug er den. ix‘ 5’ 1 1 As he drew ' ‘the belt of ‘Warn - pum, Sc/mall so/zlug er den VI/Zzm-11> umgzlr — tel j.. J \ \ 1" _V I V £1 I I I he drew O’er the round ears, the sch2'~k2’h- wis Hiin-de wiivm -ta. Sclm'ell.sc/zluge7'___?_ den _/ eyes, the eyes that saw not, ears that heard , O’er the small um die Idem - en ru7z—de Oh - V Dz'em'c/22,‘ hfir _ te91,__ Wam _ pum small eyes, G_i¢'r - tel A Scheu - sals ears that heard Oer Sc h — Die 0 - ver tel Um des Scheu _ sals black Au - , black muffle, of the 72/2'0/at h()'rte7L um die O’er the long 11ose,the nose. and nos — tri1s,The black muffle‘ of the Um die klem - en, die l21em— em. Au - genf, Die m'c/2t hE)'n‘e'7z, um die ver long gemjﬁ ./E——X\ Nii — muffle, Out of which the heavy breath gen die lam ge Nay’ uyzd N22 breath - se heav - y Daren schwe - re?‘ 0 - alem the hands ‘of schz7- kih - wis E \ E Allegro maestoso Then he swung at - loft his [I ch so/mm“/zg 67 die Krie -gas- kee - Wis. Then he a - loft - ten. Hock so/twang die Krie - ges- kee - Wis. Then he swung a — loft his >strez_'f - te. Hock schwomg er die Kris - ges- Allegro maestoso E War-Vclub, Shout - ed and‘ —long his War-cry, k_eu—le, Laut und . sein I{7‘Ibg’sSch7'ez' té'n-te, Wan club, Shout ~ ed and long his war—cr}r, keu~ le, Laut and’ sein Krz'eg’sschrez' t6’n-‘te; Smoie the mighty Mis —» he -— mf » *.Mz't - ten auf die Stir - 1 me . > Smote ‘the mighty Mis- - he - Mokwa________ the migh Mt ~ ten auf die Stir _- not schlzgrer den star — W. > Smote the mighty - he -- Mok-wa, Mis —he J1/[it - ten auf die ne scizlug er Damn den Mok-wa in the fore — head, Right be- tween- 5c/‘zylug 67’ Damn den star — ken, scizlug den star - ty M'1s— he — Mok - Inhthe — ken. Mit-so/za— Male - Auf die Smote the Mit - ten z”+—-\ Wa, the mighty Mi S I - he - M0k— wa 11[z’t—5cha-Makwe, the mid — dle of the schlug er Damn den ken, star — ken Jllitscha — , \____,__/ Right e - 'P(%I1 ___._ the eyes, Right be — tween __ JV[1't ~ - ten auf die Smu me of schlug - Right M it Me 1: - hwa sclzllazgr 67’ /’’—~‘\ — fl} heatd, Right ‘ be -- tween we .Mz‘t - ten zwz‘ - __.___ the eyes i smote him __ schlug er zwi -schen eyes, be - tween the Jlﬁt — ten mm‘ - so/zen die of the fore - head, Right - tweeni the ken Mt-schai —./Ifak - we) Mzt — £262’ - der /\ ’ /\ ,\ tsmote him. Right be - tween the eyes he A/u— gen. - thend durch ales Schla — ges eyes. Right be - tween, — tween the Au— gen. W'2'i ‘ thend durch Schla - ges . smote him. Right be - Au -gen. Durch —des Right. be — tween, be - tween. the iW1Z - thend durch ales Schla - gas \ . /\ {{—1\ smote him. With the heaV-y blow ' Schwere Sj>'ra/ng em-for der gross eyes. With the heav—y blow, the heainy blow... Schwere S em -P01’ der Berg - biir, Sprung em — pm; eyes. With - y, wit}; the heav—y Schwereo S der Boar, dergrosse e es . - Cg S chwere _ r_ ‘\_ wild — e red, Bmgbbir) __ be—wi1d-ered With _ der Bergbéir, Sjmmg blow" ‘ VVi‘(h . Bbiv; Spmng blow the heavy blow, g7’0ss—e Begbizb; Sprung the h8aV - y - be - wild — ered em ' P07’ (8 Bag —- biir, the heav em - 1507 the great Bear, great Bear of the mbun - tains;- em — for der gross-e Berg - biig Bear, - great Bear of the" moun — tains; em — "der gmss-e Berg - béir, > 0 of ‘ the met: ~ tains; die Ifmee ihm er. 'Bear, 7’ g . .. ole . . Bar, Z'—\ A But his; knees D0!-J.h‘.d2.'&' Ifniee But hisknees be — neath Bach. die whimpered W???) whimpered Weib Whimp ere d W/Téib Km'ee kne es, ihm kne~es,. X51136‘ beneath him trem — bled, ihm er - beb - ten, h1m_ txemv- bled, 2'/am er — beb — ten, — WO1’I1a_1'l , klagfe, woman, klagte, staggered for — waxvd, vorwiiﬁs ‘ sclz/wank - te, rec-led, sic/1 reeled, sicli haunches; setz- 2&9. haunche.s: sets - te. sat up— on his auf set" - ne Schenkel /\ Mud - je‘ - Mud ' schi - Mud - je - kee'-Wis, Mud - schi - kih.~.zv119 kee~- kih 2 /‘/7 fear - less _ -fore stand, oh 7w de-ri — sion tam Spot - te, de - ri — mic‘ Spot - sion, I/‘6; pake Spmc/L Spake S1>mch_.______;___ Spake Spmch S pake Spra/ch dis — dain —' ful-ly L ‘Z167’ A- iicht - lick ‘veriic/u‘lz'ch dis — dain - -ly war - aﬁht - lich Spake’ . Spmc/L dis— ' -1y Spake Spmcfz, G Moderato }}> h? \_,i’§ g LJ 6' TEN OR SOLO Hark you, Bear‘. you are a coward, And no Brave, as you pre- Ht')'—/re) Béir.’ Dubist em Fezgrlzbzg, lVz'c/Lt so mu — thig wzé Du f‘ Li? Else youwould not cry and whimper Like a mis-e - ra-b1e Nim - mar wiirdest Du sonst sch7’ez'en, I/Vim - mam wie em elend r - r f Woman! - Bear‘. _.. you know our tribes are W'iebsbz'ld. ' Biir.’ Feind wa - ren u7zs’— re "9". hostile, Long have been at ‘ -war to - geth—er; St Lam - ge wa -7672 . wir in Fehde. ‘bl’ Now you find that we are strongest You go hiding‘ in the mountains! Jetzt siehst Dumlass wir die stiirksten Und gehst schleiohendclurchdie Wdlder Had you conqueredime in bat-ﬂe Not a groan would I have Bzvgstdzdzfezgr in Fel- sen — gn2'72de. Werzn Du mic/2 I'm 55». ¥Z/ uttered; A But you, Bear! zwmzgen, ]Vz‘m/mar Iziir - “s and whim-per, And dis - grace your tribe by mic/z seuf- zen; Dock Du, Béirl /zier wim — memd A _ 77! crying Like a Wref — ched Shau-g0 ; day- a, Likea coward—1y old sitzest, Schiindest Del’ — 7zenStamm dzm‘}zI17agen,W?e em fezlges — tes F 34 H CHORUS A11 omaestoso Then a—gain he raised his Damz hob er die Kn‘ - ges ~ Tuttz Then a-gain he raised his Damzhob er die Kris war— club his war - ges - ken -le, Damz.ﬁoZ2 Allegro maestoso Then ‘ a—gain he raised his warc1ub,Smote a - gain the Damz blob’ er die Kris ges - keu - Ze, Schlugnoch em Mal War-c1ub raised his war - I club, Smote the migh keu - la Erie - ges — keu - - - fy, le, Sclzlug ﬂ0Ch em Mal club a - 1§ain_ he raised his club, his war — club. Smote '67’ die rie-gas‘-kue ~ le,‘ ugnoch gin _______ Mal Then again he raised his Damzkob 87 die Krie ges- /TX. — Mis — he~Mok.'vw1- In the mid-dle of his fﬁre — M2't—sc}ta-Mak- we - Ggra - ale m1't—z‘e/n auf die Stir - &___ji. L2. ty Mis - ~ Mok . wa, migh—ty Mis - he - ‘ —' ' ' so/za * Illa./e - we Schlug720ch.Mz't-sc7za- Mis — ‘he ,- Mok — I9 the mid—d1e - soha ' Male - Gm -de mz'tz‘c7z 2 . In G’m fore - head, ‘ Stir - ma, broken E is bﬁcht, head 7 Stime, head, S tirne, “Yin .. fer. VVz‘n - tar. bro - ken. E15) brie/zt, bro — ken. E is brie/2 2‘, skull as Sclzéi - del é gag :/'—X ‘T he ' Mo}: - Wa Mis J1’/I‘ VVAS ham am 1111! ' so/2a - .+’l1’«7/1' slain, um Mia‘ - scha— Mak the Great Bear ner gm - 556 Great Bear gm - sse é ter4 - Schreck - ter - ror Schrecken, ter — ror Sckrec/zen, X 25"}? Na - tions, Sc/zreck -672, Na— tions, Sc/Lreckmz, N a- tions, Sckrec mountain-s. Barge. glf. mountains. _Be7ge. the Bear - nergro — SS6 Great Bear gro - $58 the Great Bear 116?’ gm - sse With a Iauclzz - ten Mud - je - keevwis!” Mud — sclzi - kzh,-.zv2's! Mud - je - kee-Wis!” Mad ' schi - ‘ZZZ;-wis.’ // claimed the peo-ple, be Vol - lees Sc}zaa7'6n, ‘mad Preis f “I-Ion— or be )4 and Preis f f\ ,4 LMud - je ' kee —wis'.” he shall Mud - schz‘ - 122'}: - ‘wis.’ West — rwmd Mud - je - keé-Wis!” Mud — 50122‘ - kih -wis.’ here - af - ter fort - an 0763 fur preme Efdo ‘mi - nion bie - ten p feme ten he hold als [15 W Overallthewinds of heav- en. - zvmde; 0 HI 0 ~ veral1_t.he Ue - bar al-Ze no more kee — wis, nicht mehr kz'h;- wis, no more ' kee- - W'iS,. nicht melw‘ k2'h- wis, > > -9» no more ' kée -Wis, nicht melzr k2’/; - "wig no more je — kee -Wis, nicht mehr so/Li - kl’/L-'zm's, -9- -6- Wis, 7102's, Call 1W,=7mt him iim West Ka - bey -1111 the Wfest K27, - bay - ma) den .27’ Call Nemzt -9- Call him ilm West Ka — bey—1in —— the I/Iész‘ Ka - begv - zm, den 44 J Molto moderate - L kee - Wis sen Zllud - 50/21’ — wis — Mud—je ~ kee — wis Ziluaisc/LI’ - Ieﬂz. .. bzeufs — Mud - je - J Jllzad-so/L2? Molto moderato g$_~’/ Ather of the Winds der Him - mels ‘ win ther of the \V1nds of Heav- en. Va tar: der Hz'mmels-‘win — de — he kept the mels - win . dc, — For he Er behielt‘ ﬁir he ﬁzfr Gave the o - thers Gab die an - der’Iz. him - self the West — Wmds be - hielt den Wést - wmd, the West - Wind; the» S0ut1m~Wmd den Wiest - w1'7zd , mm" ~> Wind; W?nd, chil - dren; Sb7L - nan. Gave thee — the1*)s Gab die an - darn Sha-Won—das — ee, _And the North Wind to the fierce -bi‘—bo— Hen’ des Siid-°w2'nd’s, Fiir den JVo1d-w2"/‘wl, Wzmie es I£Zz—b1-b0- East- Wind, , the South— d to }Ie7"r'- sober, wana dds - s2’ ~ Gave - Herr .._____ — . theWinds of mels wm- de das e — _ee, the-r Siid winds, ' mels "sV1nd. Thus WasMud-je - kee — Wis cho—sen Siid - winds, So er- kor man Mud -sohi — kih-w2's .___. T . was Mud — je - kee - kor man Mud-sch1' - lei}; The Winds __ Der P21 — 45: The Willds __. Der ~ Heaven W1 - te7; PAS TORALE _ NOR SOLO 72 Young and beau-ti -ful Wa - bun; Jung und mun-der.schb'n war Wa - ban \ I‘-Fe‘ whee .B’I:ac}12~te* - si€l€ - var‘ are mwsr pfez?‘ -la — ten Qu m He it was WI710»s:e' An - ge-lit-mc}if war streaks. of cri'm- so~n,, Rim-pzzrs Schzbnmev; 3%: whose 66?‘ - Hé: it? was $627‘ -v we Sil - Oéaes-2 brought the: mor‘- ning; scﬂenk: 2l_1or..gen,‘ 10* \ Tlzaﬁ Clxasedﬁ thee d’ark. dér and val - Iey; D72: -- bar’ S13’ .. the bright -. est (:‘1?1eeks: wrex-'e= pajilt: - ed " ties‘ schbn —ste7z .932‘ —— my Way» -* “ w@.z—ke= the vil - lage, llmgf week - te, Who.s§,» vorfeei a ‘ Und’ se-in Hawk, alas‘ Called the deer, and called the hun- ter. Rief das Rah’ und riqf den fci — gar. Alolfogro moderato e Solo Violin him, V the VVUCI f1ow?rs the meadows sangen, do’? We - se 2 - de Bzumen with 0 ~ dors for him, Though the ma‘ D-22f - ten umrzten, 06 sem V for - ests ri—vers_.____.__ Sang and Shout — Nahn auc/z W’Zz?de7; Al - Ze S576 ~ - ed at ' his com-ing. Still his heart ‘Was - ﬁoh be — griissfen/. Trau - rig scklug sein T V ~ sad with - in‘ him, Herz im Busen, ‘P k_____z I72dz'an'Flageolez‘ Moderato TENO SOLO But ' one F7’/iih einst - ward, ‘While the - Als noch Vil—1age still was sleep - svhlwnmemdlag das Db'7f _ I lay on the den that oes at sun 7 1 ‘star or de?’ , Son. - ne flie/L - end, /1 J, a tmnpo All a - 10ne.. up- Gomz al ~ [em ._.___ em wa—ter flags and rushes ___.___ ri - ver pflﬁckte sfe mzd L2'lz'e¢z, W76 — Indian F Zageol.-at CHORUS gaz- ing earth - wagd, gaz—ing earth — ward, sah er erd - wizrts, sah er erd — wiirts, .L_____”Z gaz- _ sah - gazing earth wagd, sah er erd - warts, EV -‘rv mor . ning, Je - (1972 .1107 — gen, maxi: Gazing SOPRANO SO10 mf- l_L___/ Or ' ._.._....__.. Mar - gen mor -. g M07 - gen. «:27 4. 5 8 “ W ards, ____ ._..._._ 'a' rt 5 V /37’. i11g.\ “*----—'-""/ be er first Er- thing he Ste was held sc}2a.:.z - , - L‘ VVOMAN S CHORUS be‘ 67’ h 0 was ___._......_..._ ‘ SOLO ,,lf 1. he re 61 h eld I schau ~ L __.———--—-———- Still the Und das ‘Was her Wm‘ der 10 0 king at - gen W772 her blue W227 der _‘__‘_‘____ \ . Two blue lakes a - n1m1g thv Z w 1" — so}: 572. RIM! zwei Na’ we 49¢‘ And he ~I‘.u'sﬂa v- es. ‘ Gliiheizd - en; he loved the maid :G ‘ "' f(,Z'—““$ maid - Md'd - lone - ly chm, 03015 "T - em - clam, maid — en Mdd - chm, loved the lie?) - te he "loved the he e Gl1Z' — bend ['1 lone — ly ‘ er das lone -1y maid, the Z2" - lieb - /K V221’ --7812. P’ SOPRANO SOID both were B62" - de X‘ lone - For they - las — I/Va -'/‘en ' T ENOR SOLO both were lone some, Bei - dc doc}: las - sen, __ ’—’——-—— 12 were ‘ - some, Bei - » var - las - sen, __ 4‘ -4; M Allegro Moderate heaven . H immel . And he wooed her with car-ess-es, Allegro Moderato Und er war/rb um $219 mil Ifosen, %LM2oF ? F Wooed herwifhhis smile of. sun - Warb mil‘ se2'nen_so7m’gen Liich — Kﬁ \V1th his faltt’ - ring words he wooed hm; Wizrb um .9229 mit Sc/Lgmez’ - clzel-‘zoo?’ - ten, With his sigh-ing and sing — Wavﬁ mz‘tse2'¢zemSq7zg wzd Seuf - in the bIH1'IGF17.~€S€ lei - sen" W'is: —15ern;. Gent -» 1estWh1's‘-—pers.) M it der Zwei -gt?’ Sweet - est 0. -« d'ors,_; Till he drew s~2'£s -~ sen. Haudiw-2,, Scmf - Klan - Soft - est mu - sic, ‘ A Till he drew her Scmf ten Klein gen, Bis sie lag an mf he dréwher to‘ his bo - som, robes of crimson sic’ lag an sci — nem He7‘z- en, Em — ge-lziillz‘, to his bo-som, old - ed in his of crimson, sei - nem Herzen, Em - ge - hiillt im. ’ Till in - to he changﬂ her, B11? sic war verwandelt Till in-to a star, hechangﬂhex; B219 sie warzum Stem, verwandelt in - to a star he changa T her, sze -war zum Stern wer - wan - delt, 1:} in—to a star a star he chang’d her, s1'evwarz'um_Stem, zum Stem wen-._-man e,_- delt, in - to a star he chang’d her, size war zumStern. var-wan -ddt, P " *$- in - to a star he chang,d her, sz'e war zumStem var ~ wan - deli‘, 66 W” Trem — bling still up - - His ho - som'. Be - bend leis auf ’ - mam Bu — sen. Till he drew her Be - bend leis‘ auf sti1I,Trem - bling still up — on B8 — bend leis az/f sei drew her to hi s 362‘ - nem ‘g_______,g -9- .o_ a star he changed ______:_ her, to‘ a star war zum Stern 7267’ - wan — delt B229 zum Stem in — to star, a star sie war Stem, zum Stem uT\/“ in the Im-mm' siehst‘ du sie zu- And for — ev- er And for— ev-er in the Im — mersfe/zst du sic zu - to —gether zu-Sam-mevz, In - W'abam) bun, ban, ) T/Wxban . Wa VVa And f0r.eV - er They are seen Immer 5219/zst du, siehst du sie- ) ban und die W2; Wabun,Wabun, Wabun - Annung, Wabu11, Wabun, W71bam,Wabmz) W'abam - Amzng They are in Sielzst sie zu- heavens, heavens, Wabun — Annung, Wiabun, Wabun, Wabcm, Wizban, heavens, heavens, An dam AI07gre7z — sammen, Immer, fzimmel wallen, i 1 €- seen sfe/zsr I 1 I I heavens, heavens, They to .geth-er sammen, Immer sierhst ' zusa-mmen + i J I 1 I for - ev- er Wabun — Annung And me?’ siehst du W'aIwm - Ammg Im mi’ in heav zu -sam Wabun - Annung, Wabun and the Wabun-Annung, Wabunand the VVabun-Annung, Wfzban -Anavng Waban und die Waban—A7wmg Wabammi die Waban-Anang and thestar of An dam Morgen - "seen to—gveth-er M07’. gevzhimmel to-geth - erv - genlzzm - mel 32¢- the to —geth - er nung, nang, t0-ge'ih- er men Wabun - Anxiung, I/Vdbanwzdd1'e WZL - ban-Anang Whban, . Witbam -Anmzg Waban -Ammg rung, seen sielzst du sie mng mmg, Wizban - AIza7zgr, to-geth-er, seen the Wa - bun-An und die I/Va -ba72.—A Immer sielzst du sie zu - Sam Wabun ~ Annung, They Wabum - Annung, \Vabum — Annung, _Waba7z. - Ammg; and They are seen’ - ban, Wa - of morning, morning, mor of mor die Wh — ban-A zu-Sam the star of the star and and and Wabun and the Star bun and the Star of mor - ban unddénMo7ge7z - stem. Wa-bun and the Wa - — bun-An- nung, They are seen to — Wa- bcm und die Wa - ' ban -Anmzg, Im.mer szblzst du, f' 19 They are seen Im - mar sielzst Wa— bun and the Wa - bun- An - nung, They are Wa - ban mad die Wa ‘- ban - A — mmg, Im - me/r ‘ A and for - f du, sie/zst {Z- "‘ ‘ “ 7 W I -6‘- Star ' I of IROT - - Stern and den A107 - gen - stem. 0- /"‘\ -3-‘ ff gvether, seen to -getﬁen in the He-av - s2'ehs‘t dxu sic zu -samrnen, “sic zu - Sam - ‘ .. ff ‘gleth - ex: siehst du J)” seen to — geth - er inthe Heav - siehst du sie 2'24’ 1 Sam - ev - er for - ev —— er in the Heav - du - on - ‘men sie zu-sam .9. ff They are seen in the Heav - siehst dru sic zu Sam - h CHORUS > >- But the ﬁerce K3,‘ bi‘ ho-nok-ka, But the fierce Ka- Doch K'a~ bi - bo-'/Lock-a_}zaus-re, ‘ Bach Kb - 62‘ - bo- >-> >.>~$ f But Ka— bi — bo~nok — ka, _ But the Doch Ka - ' K b0—7z0ck—a haus— ta) Dosh Ka ' The I ﬁerce Ka- bi~ bo—nok- ka, Dock IQ: ‘ bi - box/zock-a lzaus-te, bi—~ho-nok-ka A his dwelling among ice - bergs, In the 4.10ckaIza.us—te Grﬁnmingzvwzkchen E13-gs — b - ‘gen, In den Had his dwelling among‘ E1's-ge- fierce Ka- -130-nok-ka bi - be-mocha Imus-ﬁe > er - last - mg. snow -drifts, gen Sclmee - ge ﬁ'l - den, icebergs, In the snowdrifts, birgen, Sc -ge — fil - den, Had his dwelling among ice Grimmig z<wz'schen E13-ge - 2'7’ Had his dwelling In the ev G-'r1'mm1'g zwzlschen Eis - ge - bir 7}. 1971.’-\ J.- — dam of K6’ — nzfg—reza-1;‘ snpw - _A. ._.__. gt‘: ' fig: ,-‘ snow’ -V drifts, the ev — er — int - ing snow — ew’- gen, den ew’- gen Sclmee-ge — ﬁl - dam, ' snow — drifts, In ﬂ1e- king ~ dam of Wa - baéx bir - gen, In dam K6 — mgr-7'e2'c}z.’ Wa -bay - king — dom of Wa — bas so, In the land __.___ K6’ - mg-reich’ Wa-bos - so, In dam Land __ - so, Wa - - Wa — r -domof 'Wa-bas“- so, Wa- snow - drifts, — mg—re2'ch’ Wit - bos - so, Wa- fil - den, , The land In dem Land 1“; FT Rabbit. ________ He it was whose hand ninchen. - ma Hand im Herbst’ — au - tumn Herbst ’ basso. bosso. Rabbit. ___ ninchen. Paint - ed all . the __ The Biiu - me Rings - um - lack __ . whose hand in au - tumn, S62‘ — 728 Hand im He__z_5%__ ’ whose hand die Biiu — T___;__._. hand stained the gelb ___.______ die _ He it ~ hand stained‘ me Fiirb - te . gelb die . He it was whose hand stained the scluzr - Zach - 70 If}; be - mal: - ta, Fiirb if j} a >{_——§$ He Féirb leaves, -leaves with _____._ é yel - low, He it Bléit -' tar) 7'02‘/‘L mzd _.____.__ Bléit - tar) Schiit -2561 — leaves, leaves with yel - low, sent the Bliit - ter, roth zmd Bléit - tar) Sc/2/fit — tel- . leaves ________‘ yel - low, roth 2;... zmd _________ ' A Bliit - tm; > : was, L He it was who gelb, Schilt-tel-te des snow- ﬂakes; siﬂ — mg; Flaék. — en, Stie - snow-ﬂakes sift" - -- - ~ fhro.-” the for ta .. die Floclzé - '.._. it was who sent the snow‘- Sclmeze-es I-‘Each - en, - tel! -. tar ales thro’ the for - est d/wrch die Wiil der hiss — ing muschencl ing sift die . W61‘! sift - ing thro’ the rauscheml durch die through dun-h em; d'u7'clt:. die“ Wc'zZ;' ‘A sift ~ ing hiss — ing- Stie -»be1w£, rausélwnri’, Froze the Liess der Froze the L fess der Froze pond, S175 - me Seem the Ziess Fmze the \F'ro~ze: the riavers, Dmve the Ioon W'ws~ - ser _ Stra -- me}, Sednv Hess er er - star fi “' ‘v’erS,.. the §ea:..-' frie —' fen; Lama s met:-,_,J1{c'>’ . - -, ve1'.s;, Drove 10911,, » star- rm. Lam. - M6‘ - pond Froze the ri‘ - H591‘ - he?’ .- - . - south - ward, M Drove» the , cor -mo-rant M6’ - wen trieb er siid - zviinfs, sea - g-uﬂ and the loan south -ward-, Drove the cur - trieb er siid - wiirts, trieb er 312:1 - wiirts, Trieb See - m -_ sea- south-ward,-., T _ - mo-rant and the trieb er siid — wiirts ' - ban wwl die Drove mom and sea - south Lam - Lzcm -« man 1 6‘ - van J/,7‘ /“7\ the cur - new 1 See - ra - Z2672 and the Cormorant their die Ref - her ihr lew To theirnests of In ihr ‘ Nest won Drove the cur - lew Trieb die Rel‘ - her sea - tang In the realms Sha — {van - da — see. See — tang In den Rei Sha - wan - das -si’s. - . _ » V ’ sea - tang In the Sha -‘wan - da - see. See - tang In den Sha - wan - das- si’s. ‘A { sea - tang In the ____ realms of See — tang In den - Ref - chen J. Once the fierce Einst - mals stieg Once the fierce Einst-mals stieg bi-bo-n0k- ka, Once the ﬁerce Ka.._ - bi - bo-nok —ka bi-b0-nocka , E inst - mals stieg Ka - bi - bo - nocka bi-bo-nok-ka, Once . the fierce Ka - bo-n0k—ka bi.bo.m¢.~ka, ' E_z'nst-mals stieg Ka - 62- be -nocka - ‘ - . A - - ued éisrie-sued from _.__._______ (1113 sSr(1:ow-dr1fts,, N2? Sder won m »-‘van From j ' Is - sued from his of snow of snow Nie - dew’ van der snow drifts, From his home‘ a — mong the icebergs, Solmee ' trzft Vim der Her’ - -mat mvis -c/zen Geltschem) of snow, 10%.; of snow, ‘ From Von From Von ﬁzf From'his home a - mong the icebergs, Von der Hei - mat zwisfhen Geltsohem, /..-.\ /I21 And ., his hair, with snow be - sprinkled, Streamed be-hind him Uml sein Haar, mit Sclmce’ be - 31%-nkelt , W'1‘e em Strom mm hair _IIaa1; hair, - sprink ' led Ham; mit Sclmae’ be - sj>renk— alt, And his hair, with ‘snow be- sprinkled, Streamed L‘52d sein Ham; mit Sclmee’ be -sprenkelt, I/Vie _ f-—— j{,.\—"‘“"“" é/TA like a ri ver, a black -and Haupt ihm wall ta, em dunk’ - ler hind him Like a Win - fry Strum 710m Hzzqat ihm. -wall - te 1/We 7 Strom im I Streamed be-hind him Like _.__.-.. a and ' try W36 ein,.-Strom mom Hcmpt ihm -wallte, im hiild him streamed be» hind J Strom vom Haupt ihm wall -_ howled and hurried heu - lend siidwdvts howled andrhurried lwu - lend sﬁdwiirts 0 —Ver fro — U6-bar eis’ ~ ti TENOR SOLO Thefe among the reeds rush ~ es Found he Dart tmfzwiscken Sc/zilf Bin - sen Sc}u'nsc}u'- 2?"?:' _p Wbod Wind ?. strings___ of fish be- hind him, O’er the fro zen fens and Fisch — e nach sick schleppend Ue - bar 6229’ geSz'c'm4£fum_t , mooz; - lands, Ling’ringsti11 among the moor -lands, Tho’ his Moo - /re; Er durchstrezfte nook das Marschlavzds, Wc‘a‘lm97zd t_ribe__._ had long de - part - ed To the land of ShaWon~da. - Zdngst sclwn die Ge — nos — sen Font zum Lan-deSk_a*io¢m-da - dares ___;__ to brave free}; __.._ zu tro — Wemz H}: ﬁerce Ka -- solznfe .Ka - “'Who is ’’%r wag: stay in my do- me2‘n-emRez'c/‘L’ zu die In/' 'de-part - ed, When the wild goose ent —fe7'n - te, We7m die W'1'ld - guns Ir-?\ he - ran, the Shuh - shuh—ga.h_, Long a - go de - Rex’/267; _____ die Schu — so/Lu —gds, Léingst him-weg mach Iwillgo in — ' to his VVig— warn, I/Vill in I/Wg mam kom - men , his smold’ — ring seize damjsv - fend CHORUS And L ‘ night ka/m ./“X and hen .- Wild Nachts in - to the smoke deer in den Ranch in drifts a — bout sie Schvzeege - sic)‘ in driftsa - bout sie Sclmeege - std’ in drifts sie Sclmee fu - ry, Pfosten, u-ry,L P@€z.t..\ Flapped Klatsch the door - way. er - schrock - en , the door L - way, er - schrock ~ en, Shin - ge — Sclvm - schi - J. Shin - ge — Schin - schi ﬁg” di - nicht .47_.’1T{Z’ cared. schmck not; cared t;. schrock. - 672*,-. laughing‘, _.___. ~ {lac};-te, la crhing, __._;__ lalisjn-ta, ._____ ing! - Qk- bo - nocka.’ 1.h _ ° 31% - 1521;? nokka! __. nockal _..__% laugh’ ~ ing, lus - fig) Maestoso Then ~ bi - bo — nok— ka entered, And fho’ Shin- ge- Em - twat ; mm X11 - bi - bo - ‘nocka, Und ob auch der Shin - ge~ auch der bi - bo - nok- ‘ entered,________ Shin -ge - _.______ . auch der Then Ka - }(a- 62' - bo - nocka, Ein - trdt mm Maestoso bis, the di - ver, Taucher .-te — '- bis,the di_- ver, ' pres - ence by the cold - mess, Thacher _)‘2‘4I}z;l‘-,te K71‘! - te)_' dass er ma - he, .bis,_the. di_ — ver, , Tauclzere. ﬁilzl - te . ‘ ' ';__ the di - ver, "pres - ence by the cold -ness, Ifiil - te, dass er na - he __. clwr ﬁihl - te , ‘Fe-lthis i - cy breath up ' on Semen eis’ - gen 0 ' dam V .i -., cy breath up -. on Seinenw eis’ -T gen 0 . ' dem ) did not cease ' sing- ing, did not 1 did not —e2‘ ,dad}¢zz’cht mg’ . Zach ,7 en, - JYo'.'r-_-tec dosh- vgzbhte... cease, .did not cease his sing '- auﬁ , ,, .Hb'r - te er dock..- m'cht cease, A di<L_not_ ,. didﬁ .1101‘. mg‘, , H6? - te dock ‘nicht : _ -«cease, Still he did not cease‘ his emf, H6? - te dock nicht azgf zu at/‘/-5 A mf . Still he did ‘ not cease, . H6? - te doch rnzcht om , T Did hot Hé'7'- te P leave his - er dock ing aluf,’ cease, Wﬁ sin - ing, lac - en, leave his laughing er doche m'c}zt _ am‘, _.______ leave ,his. laughing, _____ T er dock ., m'c7zt auﬁ dide not doc/L, mblzt leave his auf zu leave, did not er dock nicht I-\!$ leave his mg’ zu lau gh - n iclzt On Schiir - ti On . v Sclizlr On — ly Schiir - te lauvhin , lacz - (3%, in g‘ auf,’ Still he leave , H 57' - ta auf, leave, auf, { ¥/ turned _mcr turned nur fire burn brigh - ter, ﬁel ler flarm - nzgn.) brigh - ter, fqam - men, brigh . m up s1m2'h’n . tip . sprvil/n sparks Fun - snow « be Sdmee - be ka.’s fore — head , afs Stir - 726’ {X P sweat e11 Drops of ‘so/zwe - 71;- Roll - ten Dropé Roll heav t1’0j5f fast and Sch‘wez'ss - es - 21 ° long the van sclvwan -ken droop ' ing schwan - ken eaves , gen , hem - look 9 zwei, - gem, in spring. - time, Making hollows in the zer - schmol — zem ! _ In die Sch7zeewa’z’7z Fur —-c}Le?z time, Making hollows in the tropft , In die Sc/meewek’7z. R11‘ — Chen spring— time, ‘ﬂaking hollows in the troj>ft, lfn d\z‘eSdmee-zvek’n Fur - clzen __ in spring, Making hollows in the _. j avhr trofft, In die Sclmeeweh’n Fur - clzen 110 3 Allegro Vivace drifts . bend. ‘ drifts . bend. Allegro Vivace nu” last sprang de - feat - ed, be - zwun —g‘e7z, de - feat - ed, be - zwun -gen, head long du:ra1i die Stamp’d up ~ on the Stampf -te die sis’ - ge; mf Stamp’d up - on the Sta7Iq‘f- te die eis’ ~ ge) snow - drifts, Sclmee -ﬂur, snow -. dﬁfts, Schnee - on scimee’ on A solmee’ them hard - er, g8 Kms - ta, them d - er, ge Krus ~ ta, J hallenged Rief zu thick - er, ' stiir - km; 3?’ - ge- is, Schin-scl;1'-b2's, dam lenged zu :__ dam {T le nged 2“/=<2> T’ To come forth ”K0mm’ her ~ aus To come forth ”I{0mm’ her — aus bet. 0 ti wrestle with ' _____.____ ,To come forth and wrestle 'ring’d-ich mit ' _.._______ Iﬁ)mm' mzd 7'1'7z ' ge rnacke/nd wre stle with ' forth and wrestle rzE§’di(;h mit ‘ rm - * ge nackend A . the froz — en dem eis’ -- gen naked , mit mz'7;____ T .-v’ Molto viirace went Shin — bis, LWres - ﬂed schi - bis Forth Soiin ge- fol - gte, Rang Molto Vivace /3‘ with the North night - lie}; mit dem Nord ndbht With the J!-1'22‘ dc-m Wrestled R on Rang sic/L aaf dem Wrestled na-ked on the Rang sick nackenda dam wrestled \ all night, » Rang sick nackend, 4’ wrestled all night, Rang sick . nackend, wrestled Rang sick wrestled naked , Rang“ siclz, nackend, faint - er, ‘Till his be!) - te, Schwacher Till his pant - ing ,, his Bis class 0 - dam Scicwadwr #3 froz - en grasp greev fee. - bler, ward sein eis’ - ger Hand griff, Till he reeled and stag — gered Bis er taumelml rizbk - wiirts froz - en grasp grew fee - bler, ward sein eis’ - gar’ Hand Till he reeled angi stab - ‘gered Bis er taumelnd 7/iick - wéirts J /5!‘ T back - ward, wank -rte, beat ~ tiiuscht ' beat - ‘ tiiuscht 7 And :«1:e. Sich .3222 And me .~ﬁS‘.1"ch {be en, ‘en, king- {iom . of , Ifo - m'g- 7’BI.C}L_, WW Wa has of the '7 White T_Ra.b_-bit,‘ Hear- ing‘ still the - dc der Iﬁt ' ninch - en Ho"-, rend nook das } V? r"\~_—/r r\———/r f"\—/ f laugh — ter, Zach _V 37:, f Hear-ing Shin - gt‘. — bis, the xii - ver, H0"-rend Sc/Lin -schz‘ - bis} den Tau -chm; j fel - low - mar - — .ta11”.: To - des!’L.__. Wéod Wind Molto moderate SOPRANO SOLO M oderato Sha - Sha -, fat féist ’3‘\ see, si, 10 $J_W0od W?7wl drow - sy, dream triium - risclz .- tru Y He it was W11Q3S~ent the woodbirds, Sent jthe robin, the O - Er des Wa-l“- ol-633: Vc'2'-ge(l szmd —te, Scmdt 0-;bz'tschis,d1'e pe‘ - chée,__ Sent. __ the; blues--bijr<ii,;tI1e: 04 ~ wais. -. sag,‘ Sent the I.€.at/ﬁ;,- kg/zlclwzz)/3 Sand-t*.’;._ 0: - ‘wras.-»s-2lsv,,_ dz‘-9 BZaume2i.9e.n», Sandie Shawshavscsent the swallow, Sent the wild - goose, Wa-Wa, northxmrd, Sent the Scrhaschas, die SvIm7ac’bem,Sandt’d1'e- I/Vild-gams, We -we, nordzviivts Scmdte ,»-N \f_/T F\-/T melons’ and to - bac co, And the grapes Tabak zmd Me - Z0 mm, Tmuben vol! /T/‘ V'...=__: W. }§111.L'—pf~1:€‘ q17u@.: - From 'v¢~7w - beer - 5%. K J Seiner piipe the smokeas - cend—-ing7Fﬂ1er1‘.the‘ sky hazeand va - por,Fi1led the Ifﬁ< - ﬂ/'Rauc/L er -f2£lZ' - te.R‘z’ngs.- dz}? Dzmst’/mzd M3 - bel Und mit 4. air with dreamy soft~ness,Gave.i ' twinkle to the Wei siiss - em-Tnmmdo.m. Ae'- the7;Lz'ess cﬂms Wasser blin - T \ A. L F ter, Touclfdthe rug - gedhillswith‘ smoothness, ten - der Indian ken, Goss emf wit An- den. In - d2'- a--ner. 0 . 0 /M T“? sum — mer To the mel ~ an—cho-ly north n e drea — rymoo11)of Sam - mer Auf das - éohe .NordZcmd,In dam Sclmzck - ensmond clear’ 11 i V” Snow - s oes. List — less, care Sclmee-schu/L’. Sag - los - fau ~ *%~ da -see! In his life he had one sha- dow, In his heart das-s2'e./1Vurei7z Schatten sein Le- N7 em ”\ # “TA \/ __ one sorrow had he. _. zer - 77295 das Herz . *'\ ﬂ Moderate ‘E O I L 12000 rit. TENOR SOLO _.=_»«:;“ P Once, once as he was gaz - ing northward, Far O a.way up-on a. Einst als er mzch Nor — den bZz'ck- te W792? - hm z‘£—ber die Pmz'- { OJ prai - rie,_.____ . He _._ beheld a maj ~ den standing, M" _ 68??) Sah - er don‘ em — c/zen site/2- en, </"’-"'r /*— \L____/7 Saw a tall and slen — der mai- den \ A11 a-lone up -on the Schlcmk warfs Miidclwn, hodz - ge -waciz-sen, Stand mg’ derPmz’72'e gavzg / ,, :=_.<—7'V 7'?“ mf prai- rie; Bright ~ est greenwere em - sum, ' Pmcht zzollgﬁin sah’n f-\ §\ all her garments ih -_ re Kleider was like the sun — shine, wie Somzen — sclzim - mar. #3‘? Day by Thgrlich upon her, Day by day hesigffdwith dam Mdfdchen, Tiﬁglzbh sevgfz - te er *2/loll, pas — sion,Day by day his heart with - in him Grewmore hot. with love and Se/msuchz‘, Tizgrlich g‘lz'¢'—hcm-der ant - bramzte Iinﬁgas Hem in seinem I» long‘: ing For the maid with yellow tress — e's. Bu - sen Valle?’ Lie — bcyvoll Ver — lcmg - en. /5 F/ ..‘*_‘:_j-— But he was too fat and 1a— zy To be- Dock er war» zu feist, zu trci-ge Sick zu stir himself and Woo h-er; Yes,too in — do-lentand ea- sy To pur- re - ge7z,s1'e zu frez‘-e7zV. Zw be —quemseZbst2¢2zdzu herz-Z05) 17w’ zu sue her andpensuade her. So he on — 1ygaz’d up — on her, On-Iy schmezb/wlyz) sis zu war - ban. Immer sclzasu - te er sie an mm Sass/zmd , / sat and sig~h’d with pas —sion,For ‘the maid ~ sezfz - te vol - ler Se/msuc/Lt IVac/L dam ﬂldtl - d ' den of the prai - rie. - chem der Pmi -72' - een. SOPRANO s'oLo““*- lTi.11 one morn-ing, 1ook_ - ing north — ward, E2 ‘ 7268 M07 ' gens, 7z»ord' - -wc'L'n‘s scizau - end, TENOR SOLO look - ing, look — ing northward, Inoml - zodrts, 7z.o~rdzm'z'rz‘s sclzauend, , V , ’ He be-held her yellow tresses, ChaI1gd,cha1"1gd,and cov—ered Sah er z'h— re g0ld’7zen Locke7z____ Ganz var - zoandelz‘, . : T ‘ , , y I 1 TE/T } 5 Yr with whiteness, Covered withwhitest snow. ﬂakes, withwhitest ge-:*w0r— den, W'z'e __ Jbedecﬁi mit Flock - en ) mit sc}mee’gen Aﬂo R Ab ' IA 1} ' 71 I 1/ U I | ' I (J - I 1 P l l\ I 1 :1 1} I - r I I I I CoVer’do’erm'tl1whiteness, Co — ver’d as with snow ~ ﬂakes, whitest ,weiss_. ge:wor- den, W76 bedeckt mit Flock - en, sclmeefgen ._ L...-J-——J bro - therf Bmdr 87! My brotherfromthe North - f\__z From the king - dom Aus dam Kb‘ -' mg-7e2'c/L land , .Mez'nBmde7‘aus dam [Var - den, From the land of the White ' Rab A-usdem Land der weiss-en Ka - nin You have stolenthe maid ~ Hastme2'nMdblcIwn mir ; Yozu have laid your hand East tan ozihrdzoh _/?m¢:%lz You have wooed and won my maiden , Hast ge -fre2't sic and gewonnen sto - ries of the Soho‘-nan N0rdlands~ . /TE ....._.,-__ ries , VV'1th your new, Duroh die North - land! miihr - c/Len. North. __ 'md'h7’— cizen. f. CHORUS ( Thus the wretched Shawondausee S0 der ar — me Shawa2zd»[z'ssz' f. o the wretched Sha S0 der atrme Sha f Thus thewretched Shawondasee S0 dc?’ ar - me Shawandizhsi f Th_us the wretch— ed S0 der ar ~ me Mae stoso f w at Al Breath—edir1—to the his sorrow; In die Lzgctt den I{um7ne7’ lzauchfe, \, daseeBreath€dhis sor — row; - diissi Kummer hatzzch ~ te, Breatlyedin -to the air his sorrow; In dz'eLzzft den K'umme’r hazzc/2z‘e, p Wanderedvarmwith as - sion, Wivh '~ ta heisz won lu - tenseufzerni) )9 —-s _ And the Southwind o’er the prai -rie Us - bar die Pm - rz'e"n dc?’/" SzZdwz?nd With P ~ Z5‘ > sighs of passion Praz‘ - ?’z'e’¢z. der Sz°[d‘ze:z'nd And the Southwind o’er the pred - rie, prai — rie Ma - berdie Prai— 72'e’n der S/zfd - ‘wind, Siid - ‘wind; With thesighs of Sha—w0n-da - see, Sha won — da V072. denseufzern Sizai-wan,-daS—si_’s Sfza — wan - das ‘Van WE/L sighs 01’ Glu — ten, R pas — sion, seuf — zeﬁz , x_Z , sighs pas —sion, Till the air seemd full of Snowﬂakes, Vweh heiss, B is dz'eLz{f2f Schmz. '2)oZZ Schineqflﬁoken ) the sighs of Sha - won sighs Of den Se ufzehz S/za - wan — Seuf - Z6771 Prairie 0_f Snowflakes , Sbkneoﬁbbken, { hair like. su'nb-shine I hair like sun- shine Gm.-_ ten, sat-zern hair. like sun ‘ shine Sonnenschezhhaaren _________________.————-———————-—-- Vanished ,Vamshed , the vol! prai : tie the prai-rie, D1" - stall —st£iubchen, down , heiss, full wall 0 f thisﬂedown see, s2"s, ./\/1. f Vanished, " S ‘ T671 ished, den VVan - ‘” Van Sei - ished, nem Sc/mee_‘ﬂé'cke7z, Und And Und the maid die Mazd And the maid die Ma id And U7/zd die the Maid, die Z? Shed from his sight for- Seizzem ent9dLzm7zdﬁ2'7 ished 267% for Ska — ished , emf - Van - ished for- schzvandfzir ished from his or- uem Blick entSd2zvandﬁ2'7 SOPRANO SOLO ___j____. TENOR SOLO V ' W - And the maid ' from Seinem Blick entsclbwavnrﬁ “ ‘ fair for - ev - er. __ schwa7zdfm'«1.m - mer.__.. sight, [for ev - er. 2m - -mer. Never more did Shawon —d a - see' See thernaidwith ye11}ow 1Vie sah Shaze2andéissz’ wig d .97 D1'esemaz‘d-mitgold new K \\\_____W,_ Ne - MaI'd, )0 Ne P . Never more Diese Jlfaid, .____$ did see the maid deluded Shawo11— dasee! mit gold’nen Locken.’ betr0g’m=r Shawan-dassi.’ see the maid g'0.7d’7zenL0cke7z.’ tress — es! Poor Won—da—see! It Lock - en. 0 zvan—dadss2'! Ach won - da-see! It wan - dassi. Ash maid,themaidwith ye1— low tress — es.with yel — low tresses! It 1llaz'd-7n7'tg0Id"7ze7z) gold? mm Lock - en! Ach kem I/Veib war 63, E3 more, _ Ne _ Ver It Jlfaid, Alia‘ Locken.’ Es It was: no» Womanthatyougazli. at"I‘was the» Keine'Maid'ksimeMa1dwnd1bDu_seujé:t}ast§zmrdm' - gra~z’d: at, It gtaz7'da an - was nowoman that you; gazli at, day kez‘nWe'2"bwar es an a sahst) no W0 - man that you g-az'd gaid at, It VVeib war as alas Du cm ’swar._ der in - ‘to the Dem Seuf-zen It Wasthedandi—Ii ' on der Lifwevwalmder W22,‘ ~ ste, was the dam . zvarder Lb‘ - T’ M. It was no maid- enthat you- Ach kein W273 war esdas Du m)” the prai - rié’twas dan — wen -zalm, bwar der L6 - was the prai—rie dan- de-1i - on Thatthro’ all the L'o'.*wen-zahn der W12‘-ste,De9z Du e2’-men gm -zen ‘ ing-, the air, Ah de- lu — ded - wan -das -S2’! W'ehtest ilm hm - You had sig-h’d for with such passion,with such . ) ez-nen gan—zen Som - mgr se/mend cmsahst, /T ”’T at, You_ had sigh’d ste Devi Dem Seuf Blown Bliest — sion And had puffed a — way for - test 1'/m hm - weg f72'r im - mar) £$‘vi 148 Y Mqlto lento e grandiose 4 . Thus t11eFourWmds were di ~ vi»-ded; Thus the sons of Mud—je- S0 sich die vier W'z'n~de thez‘Zte7z., So die Sb‘/L - we Mudschi- ___._.——- — Thus theFourWmds Were di — Vi-ded; Thus the sons of Mud-je- So sick d1'e"uz'er W'z'n-dc thezltevz, S0 die S67; - 7zeMudschi- f Molto lento e grandiose Yvf— keewis. Had their station in the heavens, At the crners. of. the he-atvens-I kz’hwz‘s Ihr- an Platz im Himmai mtahmen _ In var-sc:h:z‘ed7” Himmels-wzz”nleeln; L keewis Had their station in the heavens, At the corners of the heavens; kihwzk Ihr- enPlatz 2'm H immel nahmen In 'ver— so/zieofnen Hz'mmels-wzhkeln; the West - zvzbzd f22'r the West - W1nd - wind fzlr sich the So siclz. die‘ C.F.W.SchHmper Music Press , Boston , Mass . THE HWGRAY ( ) COFIPANY
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Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA" HE NRY VV. LONGFE LLOVV With German text by Hgrmann Simon VOICE Ctitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. ‘ G iawatha (Gruss von Hia» watha) . . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei» gen) . . . . . . Chibiabos (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Belovedl (Onawél wach auf’, Geliebtel) . Med. OLIVER. DITSON COMPANY. Boston New York Chicago Philadelphia C....
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA" HE NRY VV. LONGFE LLOVV With German text by Hgrmann Simon VOICE Ctitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. ‘ G iawatha (Gruss von Hia» watha) . . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei» gen) . . . . . . Chibiabos (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Belovedl (Onawél wach auf’, Geliebtel) . Med. OLIVER. DITSON COMPANY. Boston New York Chicago Philadelphia C. H. DITSON 85 CO. LYON 8: HEALY J. E. DITSON 8: CO. Tn A/zz'la Rio Purchased from the GREETING OF HTIAWATHA (G RUSS VON HI AWAT HA) HENRY VVADSWORTH LONGFELLOW 3 g Ger-ma/I /rzz/zslalzmz /7_y f[6’7’IlI((/III Simon CARL BUSCH Moderato V O I C E 7*‘ WA ti _ ful ‘is the sun, 0 stran_gers,__ lin — gel schiin, schiin strahlt die Son _ ne,_ Copyright MCMVII by Oliver Ditson Company International Copyright Secured 5~33~6639’7~6 VVhen you come so far__ to see us‘. All our town in Da,_ Ilzrleunznzf zu uns_ so fern her; Un — scr Volk harrt peace a_waits you, All our doors stand 0 _ pen for Eu — rer fried — lick, Of — fen steh’n Each un — se - re You shall ter all our Wig.wams, Kommt in [(2 un — slre VVig.wams, 5-33 -6639716 right hand zcs Herz _‘ V Allegretto "T Mt. E-\___¢,,/V Nev-er b'loom’d the earth so gai -1y, Nev_er shone the sun so 1Vz'u so fro/L die Er - dc bl1'ih»—1.‘(:, IWP so .90/zb'n die Son — ma >.7 V ' hﬁ "ELLE - bright_1y, As to _ day they shine and b10s-som When you Zach - fc, Wic sic hcu to bliihf und Id -0/tel! Da Ihr ‘7 5--33—6639'7~6 so far u 113 leojnmt ]— Nev _ er was our lake tran—qui1, Nor so free from rocks and Nita war m1 - sor Son ‘ ru _ hig, ‘Nie so frci mm Klifj)’ und 7 \.;r:: 761/’ sand— bars; For your birch ca. noe 1n pass _ing Has re- Santl—banI:; Eu _ or Bir ken-boot oer — scheu—chte, Ihr durch — 533-66397-6 moved both rock‘. fah - rend Kl2‘j>p’_ vi W? ”!/‘’7?'‘ had bis Jzcr so our t0—bac_coT siiss, so licb_l1'ch _ er be—f0re Tknnpo I '? _ pleas — ant hat__ Nev - er Nie: fla — Von go — duf - let, Such a Un — ser Ta- bak the der broad Fe] — sweet and the — dcr leaves , 5-33-6889’7—6 leaves of our corn _ fields Were so beau_tL_fu1 to look brei - fer Blc'it—ter so 19racht—vol—len An — blick [)0 to us this morn _ ing, When you sen Mo7'—gPn bis ~ ten Da [hr zu Zl0 moderalo Li; so far to see.____o_ fkommt so fern 5-33-66897. 6 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postzpaid, and in paper with cloth back, price, $1.50, postzpaid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in flexible cloth, are handy in size, and range in price from 50 cents to $1.25.. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chieﬂy technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis’ crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle--"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, l0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. ' Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Date: 1906
Text: iinféé-».£9$‘€'£‘; §,‘§::i::§,1g',>::‘\f ff. 3.-"£l'~?x:*éii‘S.&§lE ‘W-W-imtswsvat. Mrw ¥{”‘.«9+vr: go '\ Byron \l"|arch Browning Walt3 Field Nocturne Longfellow Waltj Tennyson Romance Shakespeare March Pub//Is/7e0' by 6605 /(W5/t (5. BOSTON, MASS. LDNGFELLUW WALTZ. Composed by A. H. ROSEVVIG. Tempo di Valse. 3 5 ‘ 2 Copyright 1906 by W. A. Evans. E.M. Co. 217, 2 . TT{E}&ATTC‘LJST (H*I?VA}K§BICSIC CCYS PII3LIFAIT(HVS. XX CXﬂ1Pcth)n of...
Show moreiinféé-».£9$‘€'£‘; §,‘§::i::§,1g',>::‘\f ff. 3.-"£l'~?x:*éii‘S.&§lE ‘W-W-imtswsvat. Mrw ¥{”‘.«9+vr: go '\ Byron \l"|arch Browning Walt3 Field Nocturne Longfellow Waltj Tennyson Romance Shakespeare March Pub//Is/7e0' by 6605 /(W5/t (5. BOSTON, MASS. LDNGFELLUW WALTZ. Composed by A. H. ROSEVVIG. Tempo di Valse. 3 5 ‘ 2 Copyright 1906 by W. A. Evans. E.M. Co. 217, 2 . TT{E}&ATTC‘LJST (H*I?VA}K§BICSIC CCYS PII3LIFAIT(HVS. XX CXﬂ1Pcth)n of NIusiCa1E3ketChws,I§asy aIui.A1trnCIiVP. Bv PEARL STAFFORI). 1’,-m» 44)‘? each. Hogeysuckle-Polka. . ' Em)./W W 1,“/U//4/.17 [I W /M.’ W ,,_ /_ E/Ymn ‘J«I.\'1r;I'm.»_—~ ,, A A , .; I-, _.‘, ‘ A, : ,' 9"-'-.-.4.‘ ,o[',37'—'; * _- a «_..m:.,s T‘,-,1 Shady D ell — Reverie. Mod. tﬂn ’‘ @739
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Date: 1906
Text: Tmumetfs Tjuitez THREE—PART CHORUSES Song of the Bells The Land of Dreams A Serenade The Bee and the Dove The Three Fishers The Rhine—Raft Song Werther All Among the Barley Dreaming A Starry Night By the Beautiful Blue Danube Nature’s Resurrection The Wind-Swept Wheat (Sop. Solo) Sweet and Low Ashes of Roses Abou Ben Adhem Wanderer’s Night Song The Grasshopper and the Ant Spring’s Welcome On the Sea Since First I Met Thee I-Iallowing Night (M-Sop. Solo) A Canadian Boat Song Spring Spring Song...
Show moreTmumetfs Tjuitez THREE—PART CHORUSES Song of the Bells The Land of Dreams A Serenade The Bee and the Dove The Three Fishers The Rhine—Raft Song Werther All Among the Barley Dreaming A Starry Night By the Beautiful Blue Danube Nature’s Resurrection The Wind-Swept Wheat (Sop. Solo) Sweet and Low Ashes of Roses Abou Ben Adhem Wanderer’s Night Song The Grasshopper and the Ant Spring’s Welcome On the Sea Since First I Met Thee I-Iallowing Night (M-Sop. Solo) A Canadian Boat Song Spring Spring Song (Love is Spring) Song of :1 Shepherd How Merrily We Live The Call In Springtime (Cycle, Sop. Solo) Night Song C. W. Coombs E. Marzo H. A. Matthews J. B. Grant J. B. Grant J. B. Grant J. B. Grant J. B. Grant H. R. Shelley E. Marzo Strauss-Spicker R. H. Woodman D. S. Smith H. A. Matthews R. H. Woodman Dudley Buck Dudley Buck Dudley Buck Dudley Buck Dudley Buck Rubinstein—Shelley L. V. Saar F. F. Harker G. Borch Mendelssohn- Shelley J. B. Fox Michael Este Mark Andrews Mabel W. Daniels W. C. Heilman (Prices apply to U. S. A.) ®. Stbirmer, Elna, 332111 york To the members of the Treble Clef club, PhiIa., Pa.,and their conductor, Mr..Samue| L. Herrmann A Serenade “Stars of the summer night” Henry VVadsworth Longfellow Three-part Song‘ for Women’s Voices . H Al ‘ d M tt Allegretto tranquillo any exan er a hews _ of the SITITI-mer night, Far in yon of the sum—mer night,_.____ Far in yon \‘._'_"/__/' X . of the sum-mer night,_____._ Far in you a. — zure,far in_yon Hide your gold — en,your golden light,______ She sleeps! she 7 J V Hide, hideyourgolden Ii? _ She. sleeps! she ‘\y \/ a — zure deeps, Hide,hideyour golden light, She sleeps! she QED. Cop}/right, 1.906’, by G’. Sc/ulw-mar; I720. Printed in the U. S. A. s1eeps!v____ my la — dy ______ sleeps!___ my la — dy ,,_——— I my 1:/_ ﬁdy sleeps!_________ S e 1’ She sleeps!She our olden _€______2 * H1de _____your golden sleeps! sleeps sleeps sleeps! sleeps am; sleeps! d7/'m. myla _ dy’ sleeps! my la _ dy s eeps! my la. — dy sleeps! pp - 7'/ft. sleeps!__ my la—dy sleeps!-_ sleepsi: my a—dy s’1:<ﬁ§T_.' s my la—dy s1eeps!___ P000 pill mosso you west- ern Moon___. of the sum—mer Poco piﬁ mosso Sink,___ sinky r sil— ver light, She sleeps! __ She __ sleeps! Meno mosso sleeps! sleeps sleeps! sleeps! my la - dy sleeps! Meno mosso T 45.5 sleeps! sleeps! my 13. — dy sleeps! of the sTn—mer night! Far in you a — ...=—.~_.""'_._ T’ T _ of e sum-mer night!____ Far in you a — —zure,you a — zure / _ s__f( _ \ / . J :4 V _ of the sum-mer night! Far in you a — - zure, far in- yon .5/a Hide- your gold- en, your go1d—en light! ‘._._y_{-——-»— She sleeps! she . Hide, hide your gold— en ht §/ 21 - zuredeeps, Hide, hide your g01d—en light / . \ . She sleepslshe \___,V e s1eeps!~she sleeps! my She sleeps! she sleeps! my he sleeps! She sleeps! SP m); 2'{———_‘'$ ‘ sleeps! sleeps! sleeps! Qéb. Poco iﬁ mosso §__._2 VVind __ of the sum—mer night! __ VVhere yon— - der wood-bine Poco piﬂ mosso Z—”’” ﬂ“‘\ \Vhere CF9eP5;—— ‘ ’ \Vhere //-""'\ — derW00d_bine Creeps, Fold,__ fold. thy pin—i0ns . LT-‘J der woodbme creeps,__ $ﬁf"‘ f T Fo1d,_ fold y pin-ions light! Fold thy pin— ions light! Fold thy pin-ions s e sleeps! — she sleeps! L2 My la — dy sleeps! _; sleeps 2’- X / Meno mosso P 3199135! sleeps! sleelgs! sleeps! Meno mosso dy sleeps! sleeps._____.__v_/2.. my la — dy sleeps’ -A. . 7“’Zr My la — dy ~ £71 19277 Tempo I Dreams___ of the summer \\___’Z Dreams _.._ of the summer _ §-.__——/__,/ Dreams of the summer Tempo I ' appassionalo 3237-m.g.A ni ht! night! Dreams of the sum- Dreamsof the sum- — p___Z/ of the sum .. {_~\ her, her 1ov_er keeps watch, appassionato string. ' -cresc. tell her,pher1ov.er keeps watch, her V her , lov — ) Q5». her, her lov _— — W2 keeps watch, her her 1ov_er keeps tell her,her 1ov.er keeps .— erkeepswatch, tell her,her 1ov.erkeeps her,her lover keeps watch her 1ov_er keeps ff" dim. Watch, keepswatch,while in slumber light, 11 slumber light She ' > WatCh,é__ keeps ,whilein slumber light, light She ' > L Watch __ _ . _;/ _ _' ./.__S keepswatch,Wh1le1n slumb r. 11ght, 1n hght She ff sleeps . sleeps, ,2 PP 19277 S A t . %. '. ma. ' *) Either the large or the small ‘notes in Soprano and Alto maybe sung, or both together Tuf G. CHIRMERB SECULAR CHOlRUSESj wlnmenfs Voices Mellican Man The Dew is on the Clover Dreams in Twilight Bitter for Sweet Song of the Sweep (Bar. solo) Springtime Morning Love’s Lullaby The Bell-Buoy Songbirds are Singing Mankind’s Own Song and II) Alsatian N061 Song of Allegiance My Little Pretty One When the Boys Come Home The Big Brown Bear Tally-Ho! Reveries The Old Road My Little Banjo Mah Lindy Lou Kiver up yo’ Haid Rain Nursery Rhymes A Nocturne Honey Chile Dawn A Banjo Song The Bells of Youth THREE-PART CHORUSES Arthur Bergh C. W. Coombs R. H. Woodman R. H. Woodman H. R. Shelley Dorothy Watkins Oley Speaks A. E. Stetson H. R. Shelley Alfred Wooler H. H. Huss Alsatian Pastoral (Solos Sop. I H. Mirande H. Mirande Arthur Nevin Philip James Oley Speaks Mana-Zucca F. Leoni Oley Speaks J. P. Scott Pretty, Pretty Maid Called Spring E. Marzo Wm. Dichmont Lily Strickland Mary G. Payson Pearl G. Curran Pearl G. Curran D. Protheroe Lily Strickland Pearl G. Curran Sidney Homer Oley Speaks (Prices apply to U. S. A.) ®. ﬁtbirmer, Elna, 332133 ﬁurk
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Date: 1906
Text: . u,._-.1,“ ' H 1 J ‘ »' . “.g‘L_ ' W _,W ;-_:pnnx->..~..\!m2r_'.v.31rlV\A~-:- » ~ : ....,,..,,;.;...1:1~*"* *-"’ R OSSE TTER G. COLE OP. 22 king ikuhzrt of éitily For Recz'ta2‘z'o72” and Pimzoforte ‘ (or Pzkmoforte wit!) Organ) or Orcbeytm 3?? Poem from Longfellow’: “ Tale: qfa Way:1'de Inn” $$$$$3$? New York : G. Scbirmer R OSSE TTER G. COLE QR22 33$???$$33$??3$3$$$$$$?3$$$$$33$3-’€$$$$€33$$$$$ Sking 3Rnhtrt of éttily For Recz'tatz°07z...
Show more. u,._-.1,“ ' H 1 J ‘ »' . “.g‘L_ ' W _,W ;-_:pnnx->..~..\!m2r_'.v.31rlV\A~-:- » ~ : ....,,..,,;.;...1:1~*"* *-"’ R OSSE TTER G. COLE OP. 22 king ikuhzrt of éitily For Recz'ta2‘z'o72” and Pimzoforte ‘ (or Pzkmoforte wit!) Organ) or Orcbeytm 3?? Poem from Longfellow’: “ Tale: qfa Way:1'de Inn” $$$$$3$? New York : G. Scbirmer R OSSE TTER G. COLE QR22 33$???$$33$??3$3$$$$$$?3$$$$$33$3-’€$$$$€33$$$$$ Sking 3Rnhtrt of éttily For Recz'tatz°07z and Pzkmofarte (or Pzkmoforte wit!) Organ) or Orcbeytm 3?? Poemfrom Longﬂ//ow’: “ ‘Ta/ex ofa Wayszﬂe Inn” $$$$33$$$€$$3?$$$$?$$$$$$3$$$$$$$3¢33$$$$$$”-3?? % New rm .- G. Scéirmer PREFATORY NOTE In order t/zat t/ze unity cf t/ze musical and poetic t/zoug/zt may ée more per- fefily éroug/It out in t/2e interpretation, it is necessary t/zat certain mo- ments in t/ze muic and t/ze poetic text s/zould exactly coincide. W /zere t/zis is essential, t/ze éar—line ( | ) /zas aeen used to indicate it, as on page 8 mea- sure 9, page 9 measures 4. and I2, and elsew/zere. ‘T/ze oeginning and end ofeac/2 stanza, or smaller t/zoug/zt—group, are indicated éy t/ze position of t/ze words over t/zeir respective musical measures; t/zis s/zould oe oéserved, and wit/z due reyQ‘rence to t/ze indicated tempo of t/ze music. PI/it/zin 2‘/Iese larger groupings, /zowever, muc/z freedom of r/zetorical utterance is possiole wit/zout disturoing t/ze unity. T/ze r/zetorical pauses, at times, will necessarily ée somew/zat longer t/zan rw/zen t/ze poem is read -éy itself, t/ze music acting as interpreter rw/zen t/ze reader is silent. I W /zen not/z organ and piano are availaéle, t/ze ejreétiveness oft/ze music can ée greatly en/zanced oy playing some parts (as indicated in t/ze score) on t/ze organ. In a few places t/ze organ can éejudiciously used, wit/2 t/ze piano, to add orc/zestral coloring. R. G. C. KING ROBERT OF SICILY OBERT of Sicily, brother of Pope Urbane And Valrnond, Emperor of Allemaine, Apparelled in magniﬁcent attire, With retinue of many a knight and squire, On St. John’s eve, at Vespers, proudly sat And heard the priests chant the Magniﬁcat. And as he listened, o'er and o’er again Repeated, like a burden or refrain, He caught the words, “Deposuit potentes De sede, et exaltavit humiles.” And slowly lifting up his kingly head, He to a learned clerk beside him said, “What mean these words?” The clerk made answer meet, “He has put down the mighty from their seat, And has exalted them of low degree.” Thereat King Robert muttered scornfully, “’Tis well that such seditious words are sung Only by priests and in the Latin tongue; For unto priests and people be it known, There is no power can push me from my throne!” And leaning back, he yawned and fell asleep, Lulled by the chant monotonous and deep. When he awoke, it was already night; The church was empty, and there was no light, Save where the lamps, that glimmered few and faint, Lighted a little space before some saint. He started from his seat and gazed around, But saw no living thing and heard no sound. He groped towards the door, but it was locked; He cried aloud, and listened, and then knocked, And uttered awful threatenings and complaints, And imprecations upon men and saints. The sounds reechoed from the roof and walls As if dead priests were laughing in their stalls. At length the sexton, hearing from without The tumult of the knocking and the shout, And thinking thieves were in the house of prayer, Came with his lantern, asking, “Who is there?” Half choked with rage, King Robert ﬁercely said, q“Open: ’tis I, the King! Art thou afraid?” 18902. l: V ] The frightened sexton, muttering, with a curse, “This is some drunken Vagabond, or worse 1” Turned the great key and ﬂung the portal wide; A man rushed by him at a single stride, Haggard, half—naked, without hat or cloak, Who neither turned, nor looked at him, nor spoke, But leaped into the blackness of the night, And vanished like a spectre from his sight. Robert of Sicily, brother of Pope Urbane And Valmond, Emperor of Allemaine, Despoiled of his magniﬁcent attire, Bareheaded, breathless, and besprent with mire, With sense of wrong and outrage desperate, Strode on and thundered at the palace gate; Rushed through the courtyard, thrusting in his rage To right and left each seneschal and page, And hurried up the broad and sounding stair, His white face ghastly in the torches’ glare. From hall to hall he passed with breathless speed; Voices and cries he heard, but did not heed, Until at last he reached the banquet—roorn, Blazing with light, and breathing with perfume. There on the dais sat another king, Wearing his robes, his crown, his signet-ring, King Robert's selfin features, form and height, But all transﬁgured with angelic light! It was an Angel; and his presence there With a divine eﬂfulgence ﬁlled the air, An exaltation, piercing the disguise, Though none the hidden Angel recognize. A moment speechless, motionless, amazed, The throneless monarch on the Angel gazed, Who met his look of anger and surprise With the divine compassion of his eyes; Then said, “Who art thou? and why com’st thou here?” To which King Robert answered, with a sneer, “I am the King, and come to claim my own From an impostor, who usurps my throne!” And suddenly, at these audacious words, Up sprang the angry guests, and drew their swords; The Angel answered, with unruﬂled brow, “Nay, not the King, but the King’s Jester, thou 18902 |: Vi J Henceforth shalt wear the bells and scalloped cape, And for thy counsellor shalt lead an ape; Thou shalt obey my servants when they call, And wait upon my henchmen in the hall!” Deaf to King Robert’s threats and cries and prayers, They thrust him from the hall and down the stairs; A group of tittering pages ran before, And as they opened wide the folding—door, His heart failed, for he heard, with strange alarms, The boisterous laughter of the men—at-arms, And all the Vaulted chamber roar and ring With the mock plaudits of “ Long live the King!” Next morning, waking with the day’s ﬁrst beam, He said within himself, “It was a dream!” But the straw rustled as he turned his head, There were the cap and bells beside his bed, Around him rose the bare, discolored walls, Close by, the steeds were champing in their stalls, And in the corner, a revolting shape, Shivering and chattering sat the wretched ape. It was no dream; the world he loved so much Had turned to dust and ashes at his touch! Days came and went; and now returned again To Sicily the old Saturnian reign; Under the Angels governance benign The happy island danced with corn and wine, And deep within the mountain’s burning breast Enceladus, the giant, was at rest. Meanwhile King Robert yielded to his fate, Sullen and silent and disconsolate. Dressed in the motley garb thatjesters wear, With look bewildered and a vacant stare, Close shaven above the ears, as monks are shorn, By courtiers mocked, by pages laughed to scorn, His only friend, the ape, his only food What others left,——he still was unsubdued. And when the Angel met him on his way, And half in earnest, halfin jest, would say, Sternly, though tenderly, that he might feel The velvet scabbard held a sword of steel, “Art thou the King?" the passion of his woe A [8902 l: :l Burst from him in resistless overﬂow, And, lifting high his forehead, he would ﬂing in The haughty answer back, “I am, I am the King. Almost three years were ended; when there came Ambassadors of great repute and name From Valmond, Emperor ofAllemaine, Unto King Robert, saying that Pope Urbane By letter summoned them forthwith to come On Holy Thursday to his city of Rome. The Angel with great joy received his guests, And gave them presents of embroidered vests, And velvet mantles with rich ermine lined, And rings and jewels of the rarest kind. Then he departed with them o’er the sea Into the lovely land of Italy, Whose loveliness was more resplendent made By the mere passing of that Cavalcade, With plumes, and cloaks, and housings, and the stir Ofjewelled bridle and of golden spur. And 10! among the menials, in mock state, Upon a piebald steed, with shambling gait, His cloak of foxtails ﬂapping in the wind, The solemn ape demurely perched behind, King Robert rode, making huge merriment In all the country towns through which they went. The Pope received them with great pomp and blare Of bannered trumpets, on St. Peter's square, Giving his benediction and embrace, Fervent, and full of apostolic grace. While with congratulations and with prayers He entertained the Angel unawares, Robert, the Jester, bursting through the crowd, Into their presence rushed, and cried aloud, “I am the King! Look, and behold in me Robert, your brother, King of Sicily! This man, who wears my semblance to your eyes, Is an impostor in a king’s disguise. Do you not know me? does no voice within Answer my cry, and say we are akin?" The Pope in silence, but with troubled mien, Gazed at the Angel’s countenance serene; 1390,, I [ viii -I The Emperor, laughing, said, “It is strange sport To keep a madman for thy Fool at court!” And the poor, baﬂled Jester in disgrace Was hustled back among the populace. In solemn state the Holy Week went by, And Easter Sunday gleamed upon the sky; The presence of the Angel, with its light, Before the sun rose, made the city bright, And with new fervor filled the hearts of men, Who felt that Christ indeed had risen again. Even the Jester, on his bed of straw, With haggard eyes the unwonted splendor saw; He felt within a power unfelt before, And, kneeling humbly on his chamber—ﬂoor, He heard the rushing garments of the Lord Sweep through the silent air, ascending heavenward. And now the Visit ending, and once more Valmond returning to the Danube’s shore, Homeward the Angel journeyed, and again The land was made resplendent with his train, Flashing along the towns of Italy Unto Salerno,and from thence by sea. And when once more within Pa1ermo’s wall, And, seated on the throne in his great hall, He heard the Angelus from convent towers, As if the better world conversed with ours, He beckoned to King Robert to draw nigher, And with a gesture, bade the rest retire; And when they were alone, the Angel said, “Art thou the King?” Then, bowing down his head, King Robert crossed both hands upon his breast, And meekly answered him: “Thou knowest best! My sins as scarlet are; let me go hence, And in some cloister’s school of penitence, Across those stones, that pave the way to heaven, Walk barefoot, till my guilty soul be shriven!" The Angel smiled, and from his radiant face A holy light illumined all the place, And through the open window, loud and clear, They heard the monks chant in the chapel near, Above the stir and tumult of the street: “ He has put down the mighty from their seat, 18902 [ ix ] And has exalted them of low degree!” And through the chant a second melody Rose like the throbbing of a single string: “I am an Angel,-and thou art the King!” King Robert, who was standing near the throne, Lifted his eyes, and lol he was alone! But all apparelled as in days of old, With ermined mantleiand with cloth of gold; And when his courtiers came, they found him there, Kneeling upon the ﬂoor, absorbed in silent prayer. LON GFELLOW To Mr. David Bispham King Robert of Sicily From “Tales of a. Wayside Inn” Henry Wadsworth Longfellow Rossetter G, Cole, Op, 22 Largo (J : 50) 7?? — " Organ continues from here to foot of page 7. Orchestral parts are to be hantof the Publishers. 13902 c Copyright, 1.906‘, by G. Schirmer Robert of Sicily, brother of Pope Urbane And Valmond, Emperor of Allemaine, j Apparelled in magnificent attire, With retinue of many a knight and squire, On St.John’s eve, at Vespers, proudly sat And heard the priests chant the Magnificat. And as he listened, der and o’er again Repeated, Z’;-T - - 31 Q pooo mi‘. 5/\ :2 poor) Mt. “De - po - su—it po - ten-tes de se —de, et ex - like a burden or refrain He caught the words, calla coco And slowly lifting up his kingly 1' head, He to a learned clerk beside him said, “What mean these Words?” The clerk made answermeet, T" ‘l9 L; J “ The rhythmical notation of this chant (Tone VI) as here given is not to be followed literally, for of course the freedom of the chant does not admit of reduction to exact measure-forms. It is merely approximate — a suggestive guide to those who may not be familiar with the chant in its pure form. Should it be desired to read the words of the chant, rather than to 1s$(g)‘2them, the accompanist will omit the five measures following the chord marked f.\, holding this chord until the sixth measure. “He has down the mighty from their seat, And has exalted them of low degree.” 1' Thereat King Robert muttered scornfully,“’Tis Well that such seditious words are sung Only by priests andilntthe a in 1' &/ . tongue; For unto priests and people be it known, There is no power can push me from my 1' throne!” And leaning back,he yawned and fell asleep, Lulled by the chant monotonous and deep. When he awoke, it was already night; The church was empty, and there was no light, Save where the lamps, that glimmered few and faint, Lighted a little space before some saint. He_ started from his seat and gazed around, But saw no living thing and heard no sound. He groped toward the door, but it was locked; He cried aloud, and listened, and than knocked, Poco itato (L34) (Piano) 237 7 And uttered awful threatenings and complaints, And imprecations upon men and saints. 5 5 2 4 2 3 4 3 12 34951‘ 3:54 sounds reéchoed from the roof and Walls As if dead priests were laughing in their] stalls. At length the _Jr , sexton, hearing from without The tumult of the knocking and the "shout, And thinking /T m____/ thieves were in the house of ra , Came th his lantern, aski , “Who is there?” 9 Half choked with rage, King Robert fiercely said, “Open: ’ s I, the King! Art thou a—§ > Z\.> >>{-\.>_5 5 > , The frightened sexton, muttering, with a curse, “This is some drunken vagabond, or worse!” (J : 96) Turned the great key and flung the portal Wide; A man rushed by him at a single stride, Haggard, kjfj — _ half-naked, Without hat or cloak, Who neither turned, nor looked at him, nor spoke, But I ‘ggzb leaped into the blackness of the night, And vanished like a spectre from his Robert of Sicily, brother of Pope Urbane And Valmond,Emperor of Allemaine, Moderate (J : 80) . ref #1 Despoiled of his magnificent attire, Bareheaded, breathless, and besprent with pooo accel. ‘e mi \Vith sense of wrong and outrage desperate, Strode on and thundered at the palace gate; Rushed thro’ the courtyard, thrusting in his rage To right and left each seneschal and page, And hurried up the broad and sounding stair, His white face - > > J ghastly in the torches’ glare. From hall to hall he passed With breathless ' L§peed; Voices and cricg he heard,but did not heed, he reached the banquet- room, I Blazing /X /\ . V _ 2 Pea’. breathing with perfume. 2 Peal. *) The following ten measures (to +) can be effectively taken on the Organ (Swell), with soft 8-foot tone. 18902 There on the dais sat another king, Wearing his robes, his crown, his signet—ring, King R0bert’s Andante (J: 63) ~ e 5* MT self in features,form and height,But all transfigured with angelic light! It was an z"—\ ’ X A Angel; and his presence there With a divine effulgence filled the air, An exaltation, piercing the dis- /" 0:’ L Iguise, zrrf ? T Tho’ none the hidden Angel recognize. A moment speechless, motionless, amazed,The (+) throneless monarch on the Angel gazed, Who met his look of anger and surprise With the divine com- passion of his eyes; Then said, “Who art thou? and why com’st thou /5 To which King Robert answered,with a sneer, “I, I am the King, Allegro con fuoco (J: 432) f U and come to claim my own From an impostor,who usurps my throne!” And suddenly, at these auda- gous L2 3 words, Up sprang the angry guests, and drew their swords; > 3 .5.-ff molfo 7-it The Angel answ_ered,with unruffled brow, “Nay, not the King, but the King’s Jester, Andante (J : 72 14 thou Henceforth shalt wear the bells and scalloped cape, And for thy counsellor shalt lead an ape; Tholil It |§ a a_:_______..? obey my servants when they call, And wait upon my henchmen in the Deaf to King Allegro moderato(J=1os) P000 ma 1' I‘ f Robert’s threats and cries and prayers, They thrust him from the hall down the stairs;A group of animato (J : 120) tittering pages ran before, And as they opened Wide the folding-door, His heart /T X \ A — failed, for he heard, with strange alarms, The boisterous laughter of the men—at- . ' _ 3 ./ f arms, And all the vaulted chamber roar and ring With the mock plaudits of 3 3 . ' ff >>> >>> “ _ _ ” Next lmorning, waking with the day’s L°ng _ We the K1113! a little slower J :96 :b' first beam He said within himself, “It was a Idream!” But the straw rustled ashe / turned his head,There Were the cap and bells b his bed, Around him rose the bare, discolored Walls, Close by, the steeds were champing in their And in the corner, slower still (Hes) 7”!’ revolting shape, Shivering and chattering wretched ape. 12000 accel. 1/0000 rit. It was the World he loved so much Had turned Allegro agitato ( J = 160) to dust and ashes touch! Days came and went; Andante illo :72 and now returned again To Sicily the old Saturnian reign; Under the Angel’s governance benign The UH happy island danced With" corn and Wine, And deep Within the mountain’s burning 17 breast Enceladus, the was at rest. Meanwhile King Robert yielded to his fate, "37 Efﬁlf Sullen and silent and disconsolate. Dressed in the motley garb that jesters Wear, VVith U ’ 0re.s'c. 6 Mt. loo bewildered and a Vacant stare, Close shaven above the ears, as monks are shorn, By courtiers mocked, Allegro (£104) mfv by pages laughed to scorn, His only friend, the ape, his only food What 1 2 others left, he still was unsubdued. And when the Angel met him on his 1 . f way, And half in earnest, half in jest, would might feel The velvet Scabbard ti held a sword Burst agitate (J :42o) King?”the passion of his woe All from him f3 lifting high his forehead, > > > say, Sternly, tho tenderly, that he mf “A. rt Ad of steel, thou the resistless overflow, he would fling The haughty answer back, In strict tempo Almost three years were ended; when there came Ambassadors of great repute and name From Valmond, Emperor of Allemaine, Unto King Robert, saying that Pope Urbane By letter summoned them forthwith to come On Holy Thursday to his city of Rome. The Angel with great joy received his guests, And gave them presents of embroidered vests, And velvet mantles with rich ermine lined, And rings and jewels of the rarest kind. Then he departed with them o’er the sea Into the lovely land of Italy, Whose loveliness was more resplendent made By the mere passing of that cavalcade, With plumes, and cloaks, and housings, and the stir Of jewelled bridle and of golden spur. And 10! among the menials, in mock state, Upon a piebald steed, with shambling gait, His cloak of foxtails flapping in the Wind, The solemn ape demurely perched behind, King Robert rode, making huge merriment In all the country towns through which they went. The Pope received them with great pomp and blare Of bannered trumpets, on St. Peter’s square, Allegro con moto (Jule) mp non legato Giving his benediction and embrace, Fervent, and full of apostolic grace. 1' T with congratulations and With prayers He entertained the Robert, the Jester, V bursting through the crowd, Into their presence rushed, and cried aloud, “I am the King! Look and /‘\ mf behold in me our brother, King of Sicily! This man,who wears my semblance to your eyes,- 1/0000 mt. Is an impostor in a kings disguise. Do you not know me? d > Largo (J:5o) - 12 does no voice Within Answer my cry, and 21 The Pope in silence, but with troubled mien, Gazed at the Ange1’s countenance serene;The Emper0r,laughing, 4 53771170 ' Allegretto (J:96) 3’-” “It is strange sport To keep a madman for thy Fool at court!” And the poor, baffled Jester . ' disgrace hustled back arm the In solemn state the Holy Week went by, And Easter Sunday gleamed upon the sky; The Adagio _ P. presence of the Angel, with its light, the sun rose made the city ._;.£= §'_._,/ And with‘ new fervor filled the hearts of men Who felt that V 1’ Christ indeed had ‘risen again. the Jester, on his bed of F straw, With haggard eyes the unwonted lendor s He felt within a power un- 7 F felt before, And,,kneeling humbly on his chamber - floor, He heard the 23 rushing garments of the Lord Sweep through the silent air, ascending heavenward. 3 4 6’ 1 2 And now the visit ending, and once more Valmond returning to the Danube’s shore,HomeWardthe Maestoso (J = 34) _ .. —_- T T .- . , .-. u my Angel journeyed, and again The land Was made resplendent with his train, Flashing along the towns of Italy Unto Salerno, and from thence by sea. V And When once more Within Palermols Wall, And seated on the throne in his great hall, He heard the Z5 . 0 Slower (Organ) 1’ (as if in the distance) Angelus from convent towers, As if the better world conversed with ours, He beckoned to King Robert to draw nigher, And with a gesture,ba;e/the rest retire, And when they were alone, the Angel said, “Art thou the l King?” Then, f3 (Piano) bowing down his head, King Robert crossed both hands upon his breast And answered him: Ad io (J = 60) “Thou knowest best! My sins as scarlet are, let me go hence, And in some 25 cl0ister’s school of penitence, Across those stones, that pave the way to heaven, Walk bare - foot, till my guilty soul be shriven!” %____é_Z The Angel smiled, and from his radiant face A holy light illumined all the T I_,____,...:-__ place, And throu the n Window, loud and clear, They heard the monks chant in the chapel near, Above the stir and tumult of the street: “‘ “He has put down the might..y from their seat,.,_ And has ex- alt — ed calla voce & #_____’/’// And thro’ the chant a second melody them of low__ de — gree!” {T Z‘''\ mi’/2 iRose like the throbbing of a single string: 2% and thou art the King!”»_ K.mg_R0be who was standing near the v* To be freely intoned, though preserving the general measure outlines as indicated. If this and the following (“I am an Angel”, etc.) are spoken, not sung, the measures marked A and B respectively may be omitted, if necessary. 18902 - 2'7 throne, Lifted his eyes, and lo! he was alone! But all apparelled as in days of /\ ll 1’ \~————/ 1' T old, With ermined mantle and with cloth of gold; And when his courtiers came, _ they found him there, Kneeling upon the floor, absorbed in silent prayer. ::_.'-=>— 1; sotto vooe
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Date: 1905
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New vonx N‘.’21NE" N‘?3»1NF SUNG BY M155 ADA CROSS LEY. WING EJEMS / V ‘, 24‘ O‘ f) ‘ \\'r/ TIC" 7/15‘ The Word s by LONGEEILLOW 7;? The music by ROBERT BATTEN. P/7'66 6W 6'6/Z/.5’ BOOSEY & C‘? 9,EAsT SEVENTEENTH STREET, NEW YORK, AND 295. REGENT STREET.LONDON. ENG. SOLE AGENTS ron CHAPPELL& Co. ENOCH & SONS & G.RlCORDl &Co. COPYRIGHT .1905 BY BOOSEY 8<C°. LIVING POEMS. COME to me, 0 ye children! For I...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New vonx N‘.’21NE" N‘?3»1NF SUNG BY M155 ADA CROSS LEY. WING EJEMS / V ‘, 24‘ O‘ f) ‘ \\'r/ TIC" 7/15‘ The Word s by LONGEEILLOW 7;? The music by ROBERT BATTEN. P/7'66 6W 6'6/Z/.5’ BOOSEY & C‘? 9,EAsT SEVENTEENTH STREET, NEW YORK, AND 295. REGENT STREET.LONDON. ENG. SOLE AGENTS ron CHAPPELL& Co. ENOCH & SONS & G.RlCORDl &Co. COPYRIGHT .1905 BY BOOSEY 8<C°. LIVING POEMS. COME to me, 0 ye children! For I hear you at your play, And the questions that perplexed me Have vanished quite away) Ye open the Eastern windows That look towards the sun, ‘Where thoughts are singing swallows, And the brooks of morning run. In your hearts are the birds and sunshine, In your thoughts the brooklet’s ﬂow, But in mine is the wind of Autumn And the first fall of the snow. Come to me, 0 ye children! And whisper in my ear What the birds and the winds are singing In your sunny atmosphere : For what are all our contrivings And the wisdom of our books, When compared with your caresses And the gladness of your looks ? Ye are better than all the ballads That ever were sung or said ; For ye are living poems, And all the rest are dead. LONGFELLOW. Living Poems. Words by Music by LONGFELLOW. ROBERT BATTEN. Andante sostenuto. Voice _ L can ‘Sim Moderato . chil - dren! you at your play, - tions that per - V - _p1€X€d me Have Va - nish’d quite Copyright 1905 by Boosey dé C‘? o - pen East - ern win - dows That look to -wards the Where thoughts are sing — ing swal - lows, And brooks of morn - ‘ . In your hearts are the birds and the sun — shine, In your thoughts the brook- 1et’s vii Living Poems. wil/zout rall. mine is the Wind of Au - tumn And the first f 1 of 10 poco rall. But in mine is the wind Au - tumn And the calla voce col la voce. first fall of /5 Living Poems. chil - dren! And..... birds and the Winds are sing—ing In your sun - ny at- mos - A cresc. .1: tri — vings Living Poems. Wis - dom of our books, When com-pared with your car — /\ ii colla voce. ess- es And the glad - ness of your looks? bet- ter than bal - lads That ev - er were sung 011.... .5 are liv - mg po - ems 7.; F2: Living Poems. wit/z em‘/zusiasm. all e rest are Ye are bet- ter than all the rall. a! me. rall. al fine. Living Poems. NEW SONGS BY CELIEBRHTED COMPOSERS. PRICE 60 CENTS EACII. THOSE MARKED * 75 CENTS. Sung by Madame CLARA BUTT. *BAi§i?i._oN. (wwt/1 Orgzm 01211/igala.) WORDS BY F. E. WEATHERLY. No. 1 in ED. —I7r'— MUSIC BY STEPHEN ADAMS. No. 3 in G. ' .___n_ ., . e:\ "\ /K L '.\ *%*4'—=-.-—:-'—m'L§‘—'+~t=¥t‘—*=a'-—-—I7i-~I.J—a¥.J—P—-—‘t I I Q I4 I ' F . d I I I I 4 I l I “O go ye not to.. .. Bab-y-Ion! it is adream, it is adi-enin uii-blestI On—ly the road to (ix! Verse.) Out in the morning meadows, and down the broad highway, I saw the children dancing and singing at their play ; And they called to one another upon the golden air, “ Oh, where’s the road to Babylon,—and \vho will bring us there?" But, as the night fell round them and eastward rose a star, Methought the voice of angels was calling them from far,- “ 0 go ye not to Babylon I it is a dream unblest I Only the road to Bethlehem can give you joy and rest I " Copyright, I905, by BOOSEY & Co. Sung by Mr. HERBERT WITHERSPOON. A SOLDIER’—S TOAST. worms BY J. FRANCIS BARRONN MUSIC BY J. AIRLIE DIX. 0. r in C. ,_% :._t2__—__‘ :_—1::t:_ Tempo. 7‘ mareato. J!‘ V I I‘ 'I\I I‘ I RI K I’ . TR‘ ‘ ‘A ‘RT. — —.~—-—t——~.»—+d—-——a—;ri—.——-—.—tEi~ar—e—r?d,§:':3"‘—i5+ Red wine, white wine, comrades; let’s be drink-ing, A truce to trouble and care, lads ; When the (Ir! Verse.) _ _ Meeting to-night in the old me_ss-tent, Each comrades face so glowing, For smile, and jest, and merriinent, _ Should rule when good wine’s ﬂowing. Steady the hand, so ; stand by the glass, You’ve choice of the wine set before us ; “ Here's to the soldier, here's to his lass," ‘Tie the best of all toasts 2 Let us finish the glass, And join in our comrades chorus- Copyright, I905, by BOOSEY & Co. THE LITTLE WHITE SUN. wonns BY ANNIE C. I-IUESTIS. 3' Red wine white wine, comrades; let's be drinking, A truce to trouble and care, lads ; When the wine goes blinking. To the old mess-tent, and the ﬁght we share: The Flag we serve, and the coat we wear : And a bumper toast to the maidens fair, With glasses clinking I MUSIC BY CUTHBERT WYNNE. No. x Ill] D. lighily. .. . \ I I ‘A J A C brown earth laughed, and the sky turned blue, When the \I n is l\ \‘} i r lit-tle white sun came (is! Vers '.) The sky had a gray, gray lace ; The touch of the mist was chill ; The earth was an eerie place, For the wind moaned ovei the hill ; But the brown earth laughed. and the sky turned blue, \Vhen the little white sun came peeping through I Copyright, I905,_by BOOSEY 8!. C0. SHEPHERD OF LOVE. wonos BY ARTHUR PHILIP COXFORD. MUSIC av FRANK L. MOIR. m/A mlante maeslosa. ' ,- _—;¢§ —~i—-, I W. ‘IL I I I7 - : ‘I I‘ 1 Sung bv Mr. FRANCIS ROGERS. THE TRUMPETER. J. FRANCIS BARRON. No 1inF. MUSIC av J. AIRLIE DIX. No. 2 in G. No 3 iii A. ~—-— —~~.-- —--3- I I. 1 $4 .4 »— I . I‘ I I. I‘ AI .5. O 0 _ 0 Trum-pe-ter, what are you sounding now? (Is it the call I’m seeking ?)“ Vou’ll know the call," said the (is! V57 se.) i 4i n i I I l ’I‘i-umpeier, what are you sounding now? (Is It the call I'm seeking?) “You’ll know the call,” said the Trumpeter tall, “ VVhen my trumpet goes a speakin’. I’m rousin’ 'em up, I'm wakin’ ’em up, The tents are astir in the valley, And there’s no more sleep. with the sun's first peep, For I'm soiindiii' the old ‘ Reveillé.‘ Rise up I ” said the Trumpeter tall. Copyright, 1904, by BOOSEY 8:. Co. Sung by Miss EVANGELINE FLORENCE. *APRIL MORN. ROBERT BATTEN. ‘No. 3 in D. wonos iav JOHN DOWERS No. 1 in BI). No. 2 in C. mt Verse.) Ah I the joy to greet the rosy morn, the sun the verdant ﬁelds adorn. Nature awakes, the birds their melodies trill 0'er hill. and dale, and by the woodland rill. A . Copyright, 1901 and I902, by BOOSEY & Co. I 7 i A @—8'—F - -_Llll - ' Q i .i I i '07" . .%/ ' >4 ' ' ' Crown Him e Saints, the fair- est of ten thou - sand! 2 Y (mt Verse.) Oft in the gloom, when nightly shades are falling, Comes to the ear a distant Song of Praise ; Faith in those sounds with tender voice is calling. Sweet come those welcome strains to cheer our pilgrim days. Hearts brighter grow, the clouds of doubt dispelling, Love. in those chords, cloth heal the soul distress’d ; Hark I 'tis the song in which the Saints are telling 0." their great joy in Him the Father blest. Crown Him, ye Saints. the fairest of ten thousand I Shepherd of Love, the God whom we adore ; \Vith harps of gold attune your faithful Voices, Proclaim Him King I both now and evermore I Copyright, 1905, by BOOSEY 8!. CO. Shep - herd A CHINA TRAGEDY. MUSIC BY CLAYTON THOMAS. No. 2 in AI7. No. 3 in BD. *I7a—- —j’__ d O wonos BY R. S. HICHENS. ‘r71-I n I ‘r i h 1‘ 1 i‘ r I i is K i\ i-r 49- '5‘ -=3“-"I***--E-'#~“I--'4‘?-I3‘-;*§—.R‘I-:—'r—..‘* '0-I‘—I:=‘—-°‘+-i’-“R-9--R I":I"3—d"3';‘;I: -2- -{IA-dddldﬂ 1-i IO .iiA.i¢,--i __.._r' A lit-tle chi-na ﬁg-ure On a lit-tle bracket sat, His lit-tle feetwereaIwayscross'd,He (rs! Verse.) A little china ﬁgure On a little bracket sat, His little feet were always crossed, He wore a little hat. And every morning, fair or foul, In shine or shadows dim, A pretty little liousemaid came And softly dusted him. Copyright, 1904-, by BOOSEY & Co, Sung by Miss ADA CROSSLEY. LIVINGTTPOEMS. ROBERT BATTEN. No. 4 in G. '9‘ wonos BY LONGFELLOW. No. 1 in D. No. 2 in Eb. No. 3 in F. ' ‘P :E - d 0! ‘I I - nug,_§...__L¢_._E._,£‘_4. Come to me, 0 ye children I For I hear you at your play, And the questioiisihatperplexﬂ me Hz“: (is! Verse.) Come to me, 0 ye children ! For I hear you at your play, And the questions that perplexed me Have vanished quite away. Ye open the Eastern windows That look towards the sun, Where thoughts are singing swallows, And the brooks of morning run. In your hearts are the birds and sunshine, In your thoughts the brooI<let’s ﬂow, But in mine is the wind ofAutumn And the ﬁrst fall of the snow. Copyright, 1905, by BOOSEY & Co. BOOSEY 84 00., 9, East Seventeenth Street, New York, and 295, Regent Street, London, W. NEW somas BY CEIIEBRHTED COMPOSERS. PRICE 60 CENTS E1-SCI-I. Sung by MADAME CLARA BUTT. MY AIN FOLK THE LIFEBOAT MEN. wILI=.RID MILLS. LAURA . E N. ‘’‘’°’”°'-°' 3’ G L M0 F. E. WEATHERLY. No. I in DIZ. No. 2 in EIZ. No. 4 in G. —__-:22: 0242-54254,’ 5;. Sﬂcialpzrmission, ta 11.12.11. PRINCESS HENRY or 3.4 rrzzvuzxa. Sung by Mr. IVOR FOSTER. MUSIC BY STEPHEN ADAMS. No. x in BIZ. No. 2 in C. No. 3 in D. I_ ‘El: '_ S- 5. . __ l AAAI. V II _A_J\ L n Tr I I I I I I I I I I I I I I I I I I I I I I .I i I I I AL C .d. . T‘ 1-Eh:--2-—===-1 -5‘ i i ‘T’ ‘t ch’ that Far frae my l-Iame I wander : But stillmy thoughts re ~ turn To my ain folk 0 < wer yonder, In the ‘Sn ‘i pay (mt Verse.) When the wild wind blows by day or night, (Is! Verse.) Far frae my hame I wander ; And you are safe at home, But Still mY thoughts return Are you thinking then of the Lifeboat men To my 3i" loll‘ OW” Yonder: ' Watching the hungry foam? 1“ (he Shclllng by ‘he l3“m- Quitting the toil that gives them bread, I 559 ‘he C053’ ingle: Leaving their babes and wives, And the IRIS? abulle the brag: Ready to go when the word is said, And 503' and 53d‘'‘,‘355 mingle: Ready to give their lives. A5 I “St 50"“? 3“ld'W3r1d l?‘Y- For its out they go when the signal comes, And it’s oh I but I'm longing for my ain folk out {mm the th“nd',ing Shores, Th0’ IPIWY be but IOWIYI Pu“: 3"d P133“ f°lk3 ’Tisn't the pay that makes them stay 1 fm‘ IJCYOUCI ‘he 593» , Gripping the straining oars‘, But mY I153" Will CV91’ be It’s the Spirit of Love from He:tv'n above, At hame in dear auld Scotland, wi‘ my ain folk! Working in what they do : Think of them, then, women and men, Copyright, I904. by BOOSEY & C0. . And pray for the Lifeboat crew. Copyright, 1904-, by BOOSEY & Co. Sung by Madame CLARA BUTT Sung by Miss ADA CROSSLEY, and Mr. GERVASE ELWES. My TREASURE NOW SLEEPS T171? CRIMSON PETAL. WORDS BY MUSIC BY WORDS BY MATTHIAS BARR. JOAN TREVALSA. TENNYSON No. x in F. No. 2 in G. No. 3 in A. MUSIC BY ROGER QUILTER. No. x in ED. No. 2 in F. No. 3 in Glz. _Ej€‘,_ '_:_‘*_: *"““— '__-?_‘1:: —r—I— . 3: 1‘ 95 W SEE“ ‘ﬁ‘_J“* “ J‘. " ‘i 3 ': * R ‘A.’ I. 2 : ‘—.rF Ir "‘\;‘ i,_d‘ '5 -i ‘I: i‘. IA - . ‘F Llﬁﬁ ' ld'|4 9 DEC 1' IIV4 V P rrun 0" '13’ 3 baby 5mau’Dr°pp‘d {mm the Skies; 0" ' 1y a laughingface‘ Two Slmmy eyes; U Now sleeps the crimson petal, now the white; Nor waves the cypress in the pa-lace (Is! Vzrse.) Only a baby small. _ Only two cherry lips, ' ’ DY0PP'd from the 514195? O (1)03 Chulljby Yi]°59d§ (tr! Vern.) Now sleeps the crimson petal, now the wivkhite ; Only a laughing face n y two Ill 6 an S or waves the cypress in the palace wa ' Two sunny eyes ; ’ Ten little toes. ’ Nor winks the gold ﬁn in the porphyry foiit: The ﬁre-ﬂy wakens: waken thou with me. Copyright. I903, by BOOSEY & 00- Copyright, 1904-, by BOOSEY & Co. 19 \V (J Sung by - UI E DALE. a M . H. LANE WILSON. Miss EVANGELINE FLORENCE and Madame BLANCI-IE MARCHESI. Sung by M155 L0 S .33 1' THE swEE'fF THE. YEAR. INDIAN DESERT SONG- wonos av VMUSIC BY WORDS BY KATHARINE TYNAN I-IINKSON. ALICIA ADELAIDE NEEDI-IAM. No. x in BIZ. No. 2 in C. No. 3 in D. o 1" MUsIc BY LAURENCE HOPE. AMY WOODFORDE'FINDEN. No. x in E Minor. No. 2 in G Minor. J _ :_%._'_'__::t_:_ E V r- l\l 5 I . ‘nu - #1; I sup 1%:-'c.’—.H-1:! Q—'—'1:I—l— Z -" I. m I‘ .I Iﬁ 1 K m .I .4 sun I '4 an l'dH II4 I !EE 4. Qﬁgg . 'd'.1.Io -griJa."I4- EL I _ _. . . - \_/ x.» - Because it is the sweet o’ the year, the sweet 0' the year, There's white and yellow on Ta: waiting in the deS_en looking out towards the (wt Verse.) I ecause it is the sweet o the year, There's white and yellow on vale and hill, The blackhird sings at his darling’s ear, He has gotten a new gold bill I I. 1 I d 1 I vs I‘ I In | . sun- set, And counting ev - 'ry when bi1‘d5 are “_1€")' and haw? 309d Cheer; (mt Vzrsz.) I am waiting in the desert, looking out towards the sunset, And I'O<<?S,n0d H1 the garden IDOW 1”; \ And counting every moment till we meet; ‘ Oh: the“ It I5 the Sweet 0’ fhe Y5“: I am waiting by the marshes and I tremble and I listen And love and the world In ﬂower ! Till the soft sands thrill beneath your coming feet. Copyright, 1904-, by BOOSEY & Co. Copyright, 1903, by BOOSEY & Co. Sung by Miss LOUISE DALE. Sung by Miss ADA CROSSLEY. IF I BUILT A WBELD FOR YOU. CUPID ATTIIE FERRY. wonos BY MUSIC BY w°RDS BY MUSIC BY HERBERT FORDWYCH. LIZA LEHMANN. CARYL BATTEREBY F N . G No EEWARD GERMAN’ No.1in C. No.2in EIZ. No.3in F. 0.1m ' 0.2m . I3 ' 3‘ 4‘ "T-— —d——— MI I I I ‘Is I I T41‘ r 1 I I I I - I I 1 I I I - ' I *' ' V 1 1 71-’ " I 3- p I it TI 1\ I\I 1 I in NI 0' _- I 5 I: Z J ‘ I I I : Adi‘ CIA-Ei_I_I___ I I U -V _ K‘ _h _1l”\,’Wh' 1‘: dhﬂ , ,d L _ Id I hu' a world for you,dear, If I built a world for you,~ Iwould make the land of Culmd at the femiy ‘med’ Wlww." me WI 30".” ere e3°" t.° owmgn 5 overs gar 3" 3 (mt Verse.) Cl1p{$hal thehferry crliledt “ owit mewi go . (ﬁt Vtum) Wlhere beyongrtlllge 1ﬂ;lo<xII;g tIde If I built a. world for you. dear, I would make the breeze of whispers F vovers gar ‘undin ' [here If I buill a world for you,— Of lovers as they woo,— aﬁry songs are so . g . > : . airy breezes play , I would make the land of pop corn And the rose should live for ever And the sea of mornin dew I In the world I built for on Leave‘ 0 leave this WOT] g ' Y ' Lovers, ‘come away 'I"’ . 0. overs, o.~ Ho! ho I say who will go Where the zephyrs of Loveland blow ; Say who will go Where light the zephyrs of Loveland blow! Copyright, 1904-, by BOOSEY & Co. d of care, Ah 1 Copyright, 1904-. by BOOSEY & Co. BOOSEY & CO., 9, East Seventeenth Street, New York, and 295, Regent Street, London, W.
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Date: 1905
Text: "'”5'¢ Llamny VASSAR c POUGHKEEps,£-otrLvE4cj"E PRESENTED WITH THE PUBLISHERS‘ COMPLIMENTS N9IINDb N?21ND N‘?3>INEb N?4'INF N‘.’5|NG IJEE ii I ;I mg L ALMS G10 0116 *°‘’’‘ The Word s by LONGFELLQW J“? 41>‘ The music by ROBERT BATTEN. ORGAN ACCOMPANIMENT (A0 LIB) 3'? BOOSEY& Ci 295.RI-:cENT STREE'r,LoNooN.W. AND 9. EAST SEVENTEENTH STREET. NEWYORK. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION...
Show more"'”5'¢ Llamny VASSAR c POUGHKEEps,£-otrLvE4cj"E PRESENTED WITH THE PUBLISHERS‘ COMPLIMENTS N9IINDb N?21ND N‘?3>INEb N?4'INF N‘.’5|NG IJEE ii I ;I mg L ALMS G10 0116 *°‘’’‘ The Word s by LONGFELLQW J“? 41>‘ The music by ROBERT BATTEN. ORGAN ACCOMPANIMENT (A0 LIB) 3'? BOOSEY& Ci 295.RI-:cENT STREE'r,LoNooN.W. AND 9. EAST SEVENTEENTH STREET. NEWYORK. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION, HOWEVER, I5 STRICTLY PROHIBITED. COPYRIGHT I905 BY BOOSEV 8<C9 LIVING PoEMs. COME to me, 0 ye children! For I hear you at your play, And the questions that perplexed me Have vanished quite away. Ye open the Eastern windows That look towards the sun, Wl’l6l‘6 thoughts are singing swallows, And the brooks of morning run. ln your hearts are the birds and sunshine, In your thoughts the b1‘ooklet’s ﬂow, But in mine is the Wind of Autumn And the first fall of the snow. Come to me, 0 ye children ! And whisper in my ear What the birds and the winds are singing In your sunny atmosphere : ’ For what are all our contrivings And the wisdom of our books, Wllell compared with your caresses And the gladness of your looks ? Ye are better than all the ballads That ever were sung or said ; For ye are living poems, And all the rest are dead. LONGFELLOW. Living Poems. Words by Music by . LQNGFELLOW_ ROBERT BATTEN. Andante sostenuto. fh Voic e . con Moderato. Come to me, 0 ye chil — dren! hear you at‘ your ques - tions that per- - plexed me . Va — nish’d quite Cojbyright, 1905 by Boasey o - pen the East - ern Win - dows look towards the Where thoughts are sing - ing swal - lows, brooks of morn— ing . In your hearts are the birds... and the sun - shine, In your thoughts the brook- 1et’s..... flow, Living Poems. mine is the wind of Au — tumn And the first fall of the f 1) ﬁoco rall. hBut in mine is the wind of - tumn And the ? F h V calla voce. Living Poems. . “ I- § 1 1! 3 birds and the winds are sing-ing In your sun - ny at - mos - cresci For what are all. our con — tri - vings Living Poems. «ha-e'<suv*!“*" 19” - dom of our books, When com- pared with your car- - , . )4.—.,,_w.~.\,_ ....~;.m,,.,_, calla voce. And the glad - ness of your looks? >- >- bet- ter than all....... the ...... .. bal - lads - er were sung or. ...... .. Living Poems. with ent/zusiasm. the rest are Ye are bet - ter than all the - lads That )- jfgen. I rail al inc. said; ‘ And >- >} c [la voce. ‘ff 0 rall a! fine. Living Poems. NEWE SONGS BY CEIJEBRHTED COMPOSERS. PRICE SIIILLINGS EACH, NET. Sung by MADAME CLARA BUTT. MY AR\I_FOLK. LAURA G. LEMON. No. 4 in G. i‘- _ﬁ__.; worms BY WILFRID MILLS. No. 1 in DI7. No. 2 in El). L: 53 I77 I I I I I I I I ‘I [Id I I I I I II I- A I I J A g a ‘I I I ' I’ " I I I = C .I_L Dedicated, 53/ S/ﬁtdalfzrmissfon, ta H.R.H. PRINCESS HENRY OF BA TTENBERG. Sung by MP. IVOR FOSTER. THE LIEEEBAT MEN. WORDS BY MUSIC BY F. E. WEATHERLY. STEPHEN ADAMS No. I in BI7. No 2 in C. No. 3 in D. _._i.._.I__ _._i.__._. _E_‘..j_. Eit V’ ra L% ﬁ—L4—m+4—b J1 d'4d Iltt I’ C ‘ 4} | C j I - 41 I ‘V ‘I I Il(1| —lI IIJ I Id T l 1 ' "' -5» 1‘ 1 Far frae my hame I wander ; But stillmythoughts re - turn To my ain folk o -wer yonder, In the (U! Vtrsz.) Far frae my hame I wander ; But still my thoughts return To my ain folk ower yonder, In the sheiling by the burn. I see the cosy ing e mist abuiie the hrae: And joy and sadness mingle, As I list some auld-warld lay. And it's oh I but I’m longing for my ain folk Tho’ they be but lowly, puir, and plain folk: am far beyond a, But my heart will ever be At hame in dear auld ocotland, wi' my ain folk 1 Copyright, 1904, by BOOSEY & Co. Sung by Madame CLARA BUTT. MY TEEISURE. MATTHIAS BARR. No. x in F. Music BY JOAN TR EVALSA. No. 2 in G. No. 3 in A. G On - ly a baby small,Di;pp'ClIromtheskies; On - ly a laughing face, Two sun-ny eyes; (13! Varu.) Only a baby small, Dropp'd from the skies; Only a laughing face, '1 wt) sunny eyes; Only two cherry lips, OIIe chubby nose; Only two little hands, Ten little toes. Copyright, 1903, by BOOSEY & Co. Sung by Miss EVANGELINE FLORENCE and Madame BLANCHE MARCHESI. THE SWEETT THE YEAR. wonns BY I Music BY KATHARINE TYNAN I-IINKSON. ALICIA ADELAIDE NEEDHAM. No. x in BI7. No. 2 in C. No. 3 in D. Q ‘P’ : In - i . AI ' ' d E I 3 I 7 7 Because it is the sweet 0’ the year, the sweet 0' the year, There's white and yellow on (In Vtrst.) Because it is the sweet 0 the year, There's white and yellow on vale and hill, The hlackbird sings at his darling's ear, He has gotten a new gold bill I When birds are merry and have good cheer, And roses nod in the garden bow'r, Oh, then it is the sweet 0' the year, And love and the world in ﬂowerl Copyright, 1904-, by BOOSEY & Co. Sung by Miss LOUISE DALE. IF I BUILT A WURLD FOR YOU. WORDS BY HERBERT FORDWYCH. No. I in C. Music BY LIZA LEH MAN N. No. 2 in El). No. 3 in F. I .._._Ijr-—. _9g_.___.._..-_j._ 1° 41 ‘I ‘J P C For it's Out they go when the sig-nal comes, Out from the thund'ring shores. 'Tisn't the pay that (is! Vtrsa.) When the wild wind blows by day or night, nd you are safe at home, Are you thinking then of the Lifeboat men Watching the hungry foam ‘I Quitting the toil that gives them bread, Leaving their babes and wives, Ready to go when the word is said, Ready to give their lives. For its out they go when the signal comes, Out from the thund'ring shores, 'Tisn't the pay that makes them stay Gripping the straining oars; It's the Spirit of Love from Heav’n above, Working in what they do ; Think of them, then, women and men, And pray for the Lifeboat crew. Copyright, 1904-, by BOOSEY 81. co. Sung by Miss ADA CROSSLEY and Mr. GERVASE ELWES. NOW SLEEPS TIIE— CRIMSON PETAL. wonns av TEN NYSON MUSIC BY ROGER QUILTER. No. 1 in ED. No. 2 in F. No. 3 in GD. ,,_ I‘ I I Lid 19 i\ ub -‘‘\III-) I N-1 7- .l ,_~I_ 5 -I 7‘ . I’ § . i$E4=——‘'~-~‘'——Ir-v—t:—‘*—‘I.—‘'—|I-4—p—d \/ white; ———¢=—-F'—9—0—"—'3-n—p—p-H H-4*L~ ti Now sleeps the crimson petal, now the Nor waves the cypress in the pa-lnce (15! Vtrse.) Now sleeps the crimson petal, now the white ; or waves the cypress in the palace walk ; Nor winks the gold ﬁn in the porphyry font: The fire-ﬂy wakens Z waken thou with me. Copyright, 1904-, by BOOSEY & C0. Sung by Miss LOUISE DALE and Mr. H. LANE WILSON. INDIAN 133331‘ SONG. wonos BY LAU RENCE HOPE. No. 1 in E Minor. Music BY AMY WOODFORDE'FINDEN. No. 2 in G Minor. _._1__ I am waiting in th des-ert, lool<—ing out towards the sun- set, And counting ev - 'ry (xst Vern.) I am waiting in the desert, looking out towards the sunset, And counting every moment till we meet; I am waiting by the marshes and I tremble and I listen Till the soft sands thrill beneath your coming feet. Copyright, 1903. by BOOSEY & C0. Sung by Miss ADA CROSSLEY. CUPID AT_Tf1E FERRY. wonos BY Music BY CARYL BATTERSBY. EDWARD GERMAN. No.1 in F. No. 2in G. No.3in A. AI ‘*1 - ,..7’ I I I v I I I I I.I 1 In mi 1 I I I ‘L I '0 I lid I’! I ..I pi - I A R: ‘ ‘ {VITA I 4 U 3 AH . I ‘I _ If I built a world for you, dear, If I built a world for you,— Iwould make the land of (u-t Vern.) If I built 2. world for you, dear, If I built a world for you,- I would make the land of pop-corn, And the sea of morning dew. I would make the breeze of whispers Of lovers as they woo,— In the world I built for you. Copyright, 1904-. by BOOSEY & Co. ‘Tun IT: I- P rm? I- I- -J I "I 1' I , c I A? I y L I .1 I _ ‘I V _’ Cupid at the fer-ry cried : “Who with me will go. . . . Where beyond the flowingtide Lovers‘ garlands (xst Verse.) Cupid at the ferry cried: “ Who with me will go Where beyond the ﬂowing tide Lovers’ garlands blow? Fairy songs are sounding there. Fairy breezes play ; Leave, 0 leave this world of care, Lovers, come away !” Ah 1 Ho I lovers, ho l Ho! ho 1 say who will go Where the zephyrs of Loveland blow ; Say who will go Where light the zephyrs of Loveland blow ! »- »- I P P I I _ Ir I I7—r—r Copyright, 1904-, by BOOSEY & Co. BOOSEY & 00., 295, Regent Street, London, W., and 9, East Seventeenth Street, New York. BOOSEY & CO.’S New and Standard Songs and Ballads. PRICE TYSIO s1-IILLINGS E1-Ycx-I NET. The Compass of the ﬁrst Key only is given: from this the Compass of the other Keys can be readily found. STEPHEN ADAMS THE LII-‘Ei;OAT MEN, B7, C and D IVHEN I WAS ONE AND TWENTY, F, I GandA7 .. .. THE BU RTLY GAY, E7, & G THE VET'ERAN’S SONG, C, D, E781 F NIRVANA, B7, C, I), and E7 THE CITY on LIGHT, C, D, E7 &F EVER so FARAWAY 137, C, D andE7 IDLE IVORDS, C, D7 and E7 . . THE YOUNG ROYALIST, B‘), C & D THEMAID OF MALARAR, D, E7,E 55]?‘ THE LIGHT Ob‘ THE WORLD, E7, | F,G,a.ndA7... .. THE STARS OF NORMANDIE, C. 1 D, E7 and F .. ) THE‘ VALLEY BY THE SEA, E7, F 8.11(I,»_G . ., _ . .; THE HOLY CITY, A7, B7, C & D7 THE ISLAND on DREAMS, C, D, ) E7,a.ndF _ .. ..) BY THE FOUNTAIN, E7, F and G. . dF .. .. E7.F,l C.D7.u_ MONA, C, E7, E an THE STAR OE BETHLEHEM, G and A7 . . . . . p THEY ALL LOVE JACK, D, E7 and F THE GARONNE, E7, F, G and A7 THE MAID OF THE MILL, E7, F,l Ga.ndA7, .. .. ..}' THE OWL. B7, C and E7 .. THE ROMANY LASS, A7, B7 and C THE LITTLE HERO, B7, C and D CHILDREN ON THE CITY, D and F GOOD COMPANY, E7, F, G and A THE MIDSIIIPHITE, B7, C and D NANCY LEE. C, D and E7 THE TAR’S FAREWELL, D and E7 THE BLUE ALSATIAN MOUNTAINS, ) D,E7n.udF.. .. ..)' FRANCES ALLITSEN THER‘E’s A LAND, D, E7, F & G BREAK, DIVINER LIGHT, Duel, \ E7 and F . . . OH! FOR A BURST O1" SONG, A . . LIRE As THE IIABT, C and E7 THE LORD Is MY LIGHT, B7, Cl and E7 . .. I A SONG OF THAN1(SGIVI.\'G, C, ) E7,Fa.ndG.. . ..; ERIC BARING THREE LIGHT LY1tIcS.No. 1 A’ No. 2 AUGUSTUS BARRATT MY SHIPS, C and ' .. .. TI-IE MERMAID, E7, F and G. ROBERT BATTEN , PEACE AND REST, A7, B7,C IV D7 ATRIL MORN, B7, C and D A WOODLAND MADRIGAL,B7,C & S\VEE’I‘J:ZS'1' FLOWJv:R, A and D7 A. H. BEHREND CROSSING THE BAR, D, E and F. . THE GIFT. C, E7 and F .. . DADDY, F, G and A7 FREDK. BEVAN THE EYERLASTING DAY, E7, F,] G and A . . . . .. I THE FLIGHT OF AGES, G, A7,} B7 and C . . .. ‘ J. BLUMENTHAL SUNSHINE AND RAIN, F, G an LEWIS CAREY. NE.\RER, MY GOD, T0 THEE, F. G!_ a.ndA7 .. .. .. .. FREDERIC CLAY SHE WANDERED DOWN, C and E7 GII-SY JOHN, D and E .. ..\ FELIX CORBETT BUTTERFLIES, G and A7 .. IN THE TIME OF ROSES, D7, D], and E7 . . . . . . ) F. H. COWEN BORDER BALLAD, A, B, and ,D.. IWILLGIVE YOUREST, C, D7, E 7&F THE‘ VOICE OF THE FATHER, 1),) E7,E,FandG .. . " THE SWALLOWS, F, G and A‘ .. THE PROMISE OF LIFE, C, D, E7 and F . . . . . . IN THE CHIMNEY CORNER, C, E7 and D (IA 1, J l THE REAPEI{ AND THE FLOWERS, ] E7,FandG.. .. THE BETTER LAND, A7, A and C IT WAS A DREAM, C and E . . GARNET W. COX , THOSE AZURE EYES, A, B7 C & D7 TERESA DEL RIEGO LAND OF ROSES. D. E7 and F L. DENZA CALL ME BACK, A, B7 and C J. AIRLIE DIX Compass of 151; key. C to D B7 toE7 CtOD CtOE7 BtOD B7tOD GtOE At0E7 DEOE UtoE7 Ct*.oE GtoC CISOE7 CtoE B7toE7 CtOE B7 toE7 AIJOD At0D AIIOE7 AtOCﬁ CtOD GLOF B7toC B7 toE7 B7 tOG B7 tOF CﬁtOC,’f AtOD B7 tOC CtOD B7 toD7 Bq toD AtoD CtOF CtOG AtOD DtOE B7tOF CtoE GtOE A'00C# CtOF AtOC BtOD B7‘ooE7 B7toE7 BtoD Cj;toE AtoD BtOE THE TRUMPETER, F, G, A and C AtoC Sung bv Jliss Ruth. Vincent J12‘. Iv/'0')‘ l*‘o.s~2‘er (J11: Z<3dwaI'd Lloyd {:0 Mr. Ben Davies J11‘. Amlrew Black Miss Jlayg/ie Davies Md:/Le. Clara Butt Jlr. A uclrew Blacl: Mr. Jack Iiobertsovi Mr. Edward Lloyd Illdme. Alice Gomez Mdme. Belle Cole J19’. Edward Lloyd Mr. Ezlwa.rd Lloyd Mdnur. Alice Gomez Mr. Edward Lloyd J! '. .ELl’wLl7‘(l Lloyd J17‘. lllaybriclc M1". Erlwarcl Lloyd J11‘. ]a'¢l'zc¢u'd Lloyd i’|[r. Ma;/briclc Mr. E¢lwzml Lloyd I112". Jluybriclc M 1'. J11‘. J11‘. J17‘. Ill ‘. Edward Lloyd Jluybriclc JIa_1/briclc Santluy Edward Lloyd l I11 dme. .—llI»a.m'. and Cl ﬂldnw. (Jlara Butt fM(lnLL'. Ulara Butt 1 (13 J11’. If. Rlluiforil Jl1clHte. Glam. Butt Miss Add Ur'Os.s-lc_z/ Jlclnw. Clara Butt Jlclznc. Clara Butt J11‘. 1'4‘. Rliualow Jltlma. Clara Butt :1 ll 1JLLI'iloI1es Jldme (.'lr.u'¢i Butt J1 iss Iv,‘1:rui. Flore/ice Miss Louise Dale Mr. H. Lana Wilson .11d.nie. Ant. Sterling Jlcluie. A mi. Slerl-iuy Jlduze. Belle Cole Jldnw. Bulle Cole (Mme. A. Sterling &' {Miss Add CrO.s'sl€y Miss Ada Crossl(.',1/ I Jlrs. Jlary Davies Mr. S(L1Lll(’]/ Miss Evzm. Florence Mdme. Clara Butt jlllr. K. Jlumford LC‘ llllr. Ivor Foster Mdme. Clam Butt Mdrrie. Clam Bull Jliss Evan. Flmvmco (Mule. Belle Cole IL‘ \M/Izc. Clam Butt Mdme. Ant. Sterling; Mtlnw. Ant. Sterling Jldme. Ant. Sterling M1‘. Whit1v’lh Mitto/L Jldme. Clara. Burt EDWARD ELG-AR LAND on HOI’E & GLORY, B7, C A WAR SONG, C and D .. . . THE PIPES OI‘ PAN, G, A and B .. COME, GENTLE NIGHT. C, D 8.: VVHERE CORALS LIE, (NO. 1) D, &] B miJ1., O‘: (NO. 2) F, & D min. 1‘ AFTER, F, G, and A minor IN HAVEN, C and E7 SABBATH MORNING AT SEA, B7 & C ARTHUR FOOTE IRISH FOLR SONG, E, F and G .. A. SCOTT GATTY WINTER, D, E and F .. .. GALLANTS OF ENGLAND, A7 & B7 &D APART, . . . ROTHESAY BAY, E7 .. . . PLANTATION SONGS, Vols. 1, 2, 3 & 4 (Six Songs in each), 2/- ea. EDWARD GERMAN CUPID AT THE FERRY, F, G and A DAEEODILS A-RLOWING, C. D, E')&F LOVE, THE PEDLAR, D, E7 and F W'Ho’LL RUY MY LAVENDER, C,i D and E . . . . . . I IN THE MERRY MAY-TIME, G & A7 G. PERCY HADDOCK THE SOUL’s AWAKENING. E and G BATTISON HAYNES FF To PHILADICLPHIA, C and D. . G. HENSCHEL SPRING, F and G .. . . AMY E. HORROCKS BIRD AND THE ROSE, E7, F and G CLAYTON JOHNS . I CANNOT HELP LOVING THEE, B7, ) C and D . . . . . I A. L. THE SWISS GIRIJS LAMENT, D7,} E7 and F . . . . ._ . I WHEN LOVE IS KIND, F and A7 .. LOVE ME OR NOT, E and G .. LIZA LEHMANN SNOWDRORS Duel. NOS. 1 &' 2... THE CUCROO, C and D . .. THE SWING, C and E7 . . . . IF No ONE EVER YIARRIES HE. C IV D MUSTARD AND CRESS, D7 and E7 YOU AND 1, B7, C and D .. S. LIDDLE SONG OI‘ THE SONS OVERSEA, (2,) D7 u.HdE7 . I .. ..)’ ADIDE WITH )IF., C, D7, and E . . LORD IS HYSHEI>HERD,C,D,E7&F HOPE OF THE AGES, D, E7, F St G PILORIMS OF THE NIGHT, 1 E7, F, G and A7 } F. N. LOHR MARGARITA. B7, C and E7 HERMANN LOHR THE LITTLE SUNRONNET (Song Cycle), 4/. IF I HAD A DOLLY, B7, C and D . THEO. MARZIALS Go, I’RE’J."1‘1' ROSE (Duet), F & G THE RIVER or YEARS, E7. F and G ASK NOTHING MORE, D, E7 and F LEAVING YET LOVING, E7 and F. . THE MILLER AND MAID, D,) E7,aI1dF .. .. ..l TWICIIENHAM FERRY, E7 and F.. CONSTANCE MAUD ' DOWN HERE THE LILACS FADE, G, A7 and C , . . A LIFE LESSON, B7 and C JOHN W. METCALF. ADSENT, E7, F, :31 A7 .. SUNRISE, F and G.. . . RANK L. MOIP, DOWN THE VALE, C, D7, E7, F ) and G . . .. . . . ,' DOWN THE VALE. Dual. F s.ndG THE SONGS THE CHILDREN SING,] D,E7a.ndF.. .. ..)‘ CHILDREN ASLEEP, D and F . . ONLY ONCE MORE, E7. F and G J. L. MOLLOY NEVER Go To SEA ON A FRIDAY,] B7,Ca.ndD.. .. THE CORIPLEAT ANGLER, E7, F. J GandA7 .. _ .. THE CARNIVAL, C, D7 and E7 . . I‘IO2\I1£. DEARIE, HOME, D, E7 and F LIGHTHOUSE KEEPER, C and D .. THE THREE BEGGARS, C, D and E LovE’s OLD SWEET SONG, E7, F and G . . . . . . TO—MoRRow WILL BE FRIDAY, E7 and F . . . . . . . ., BOATSwAIN’S STORY, C, D, & E7 THE KERRY DANCE, E7 and F . . LONDON BRIDGE, D and E Mr. Robert Rcidford DARBY AND JOAN, F, G and A Compass Of; Ist key. . BtoD CtOE CtoE C$toE B’aoE Gf:OD .EptoFjl; B? to E7 B7 toD B7toE7 BtOD CtOE7 Btol) B7toE7 AtOE ‘, B7 to E7 B7tOC EtOF AtoC BtOI) BLOD BﬁtoF CLOD B7 to E7 BtoE AtOD Sung by _ ‘jlclme. Clara Butt Mllme. (Ila.m Butt 1117'. .(Ill1.lI‘("ll‘ Black .11 dme. Clara. Butt Illdnw. Clara Butt JD‘. Pluizlmzt Greene Jlclnic. Clam Butt Jldme. Clara Butt Miss Louise Dale Jldnic. Alice Gomez JIISS Ada. (,'1'os.sly1/ Miss Ada (7ros.sle_I/ Jliss Alla Crass-icy I Miss Era. FloI‘ence (10 Jliss I.ouI7se Ulllt’ Miss Ivlnan. Flureiwe Jldlle. Nikita Jlr. Plunlcet Greene JIiss Em/uz. Florence Miss Evan. Florence _l Miss Jlarie [>’2'cma [<0 M7‘. Ivor Foster Miss 1a'z‘a1i. Florence Jliss Liza L(’ll7)lu‘ILII All Baritorws {M'dm,e. Ulcira Butt [I0 J17‘. II’. Jlumfartl Jliss Louise Dale Jliss Louise Dale Jliss .l',ouI'.sr‘ Dale Jlr. Ilenis ()’Sulliv¢m Jliss Louise Dale III)‘. I{ul1a7't li’(1dfoI'd J/(llllﬂ. (Ilrrm Butt ﬂllss I-lolliimlzar Jliss Ada Cm.»-slay { Jlr. Ben 1)a.vies J11‘. Tllos. Illunlas J11‘. E(llU(lI'¢l Lloyd I.Jliss A«lzi(‘ro.s'sle_1/zl' I J11/Io.FloI'eucc]>ril]/ ljlrs. Jlary Jhwics 1 Ll’: Jldllc. Irebclli Jlr. l?urringl.. Foote J11: BLl)"I‘l}l[/l. Foote Mrs. Illary ]):,wics illrs. lllary l)a.1:'ies [ Jlmc. 1I'irl.'l)_z/ Ixlmn 1 IL"il1i.»'s E.’1'l:or1iton llldnia. Ant. Sterling _lM1'xs E. Tlzornlon 41) |J11'.’»'s Jlabel l>’r1LiI:.e> lllr. Wliit. Jliltou. All I'oiz:es. All l"0I'<:ﬂ.x* Jltlme. .1121. Sterling Mr. 'l.'lIoniu..s' Il'l2onia..~' JIissAlical|Iolterzvay Bliss ,-I lice Illotterway Elldnw. Ant. Ste1'l'ln_q Mr. Barrilzg/t. Poole Mr. Bu1')'im)l. Foote Mdme. Ant. Sterling Mr. b’m‘ri1lgl. Foote J['r. Santley Mr. Illa;/l)rick Jldme. Ant. Stcrl'in_(; EDWARD MURRAY THE NIGHTS, E7, F, and G ECHOES, A7 and B7 . . ALICIA A. NEEDHAM BARLEY SHE.-IVES, D, E7 and F THE FAIRY’s LULLABY, E7, F, G and A7 . . . . . . HUSHEEN, B7, C and D .. ERNEST NEWTON AILSA MINE, C, D and F HAROLD PARSONS. WHAT DOES LITTLE BIRDIE SAY ‘R C, D and E . . C. PINSUTI THE LAST WATCH, D, F and G .. PRINCE PONIATOWSKI YEo,\IAN’S IVEDDING SONG, G, A1 and B7 . . . . . . ,' SAINTON-DOLBY. Mme. OUT ON THE ROCKS, D7 and E7 .. WILFRID SANDERSON. GOD THAT )lAI)1<)S'I‘ EARTH AND I HEAVEN. D7, D, E7 and F ..j J. SARGEANT BLOW. BLOW, THOU WINTER wIND, 7 B,Ca.ndD .. .. ..l ARTHUR SOMERVELL CYCLE OE TWELVE SONGS from Tennyson’s ‘Maud.’ Price 5/»} MINE OWN COUNTRY, E, F & G.. . H. SQUIRE. LIKE STARS AROYE, B7, C and D THE HARBOUR LIGHTS, A and B] (Duet .. .. .. ’ NFORD l 1 ) . . C. V. STA AN IRISH IDYLL, in Six Mini- atures. Price 4/- I’LL ROCK YOU To REST, E7, E & F TROTTIN’ To THE FAIR,C,D,E7 &F BEAUTIFUL CITY or SLIGO, F, G, l A and B7 . . . . |' MY LOVE’s AN ARBUTUS, A7 and B7 .. .. FATHER O’FLY'NN, A7,B7 and ARTHUR SULLIVAN THE LOST‘ CHORD, E7, F, G,} A7a.ndA .. .. MY DEAREST HEART, F, G, A7 & B7 ST. AGNES’ EVE, B7, C and E .. LET ME DREAM AGAIN, C, D and E7 SLEEP, MY LOVE, D7, E7 and F ONCE AGAIN. I) and .. GOLDEN DAYS, D, E7 & F LOOKING HACK, D mid F . . VVILL HI-1 COME? D, E7 and F HOPE TEMPLE RORY DARLIN’, E7 and F ‘ THOUGHTS AND TEARS, C, D7, E7 and F . . . . . IN SWEET SE1~'TI:I1RER, D, E 7 ihlld F MY LADY’S BOWJI F and G FOND I'.IF,A1{'J',FAliEWELII,C ,I) 7&E 7 AN OLD GARDEN, G, A7 and B7. . ‘VHEN WE MEET, F, G and A A. GORING THOMAS VVINDS IN THE TREES, C, E7 & F CLAYTON THOMAS A CHINA TRAGEDY, G, A7 and B7 JAPANESE LOVE SONG, F, G, & A7 WING TEE VVEE, A and C JOA.N TREVALSA. MY TREASUIIE, F, G and A H. TROTERE THE DEATHLESS ARMY, A, B7 & D Go To SEA, F, G. A7 a.n<I C KATE VANNAH . MY BAIRNIE~— NO. 1, B7 & D7; N0. 2, C II’ E7; NO. 3,D K’ F R. H. WALTHEW ELDORADO, C and 1) . . . . GLEANER’S SLL'.\IBER SONG. E7 85]?‘ FRED. J. WHISHAW VAINRA’s SONG, F and G . . MAUDE V. WHITE KING CHARLES, F and . . . LOVE ME, SWEET, D, F 3,n(I G .. CHARLES WILLEBY , A FAIRY LOVE SONG, D and E7 A GARDEN SONG, D and F H. LANE WILSON (AHICANGED BY) TINRER’s SONG, B7 and D7 THE PRETTY CREATURE, F . A. WOODFORDE-FINDEN. FOUR INDIAN LOVE LYRICS | Price 8/-}' INDIAN RIVER SONG, B7 and D.. INDIAN DESERT SONG, E & Gr min. KASHHIRI SONG, B7, C and D VERSES, B7 and C TILL I WARE, E7 End F 1+‘, G, n_ I C I l Compass of 1st Key. .E7tOE27 CtOE7 Ato D B7120 E7 B7120 D CbOD AtoE DtOE CtOD A7tODQ A7 to E7 Ff to D For high A: low Voices. B7’ to E7 B7 to D C to D C to D A7 to B7 B7 to E7 A to F CtoD AtOE ALOD to D to C A A B7 to E7 E7170 C B7 to E7 B7 I:o.F CLOC C$tOD Ato'E GDOD .Bb to D9 CtOD For high & low Voices. B7 to D B to E B7 to D C to E7 CboE7 Sung by Mclme. Clam Butt Jltlme. Clara. Butt Mdine. Clara Butt Miss Louise Dale Jldmza. Clam. Butt All Tenors and BI(‘)'llUIIeS llliss Euaii. 1"loreIwe Jlr. lv,'¢lu;urd Llu;/«l L111‘. Sau.Ile_:/ [lI'i.ss .-lrlu. (}ro.s-..-/cg/ zlliss I<.'dnu 1'/iorulou J11’. Plunlrct GI'I.’L'II('t J17‘. l’Iuuk4:l Gre/um 1' HI)‘. 'l'l1onmsTl1onms >( It" .711‘. ll’/z1'.t.I1littu/i _l xllkli/1a.('l«rra Butt IL" (Mr. Ken. l{um_/'urd lllr. Plunlwt Gwclle Miss Ada (7mssll'_I/ Jlr. Plmilrei Grown: Mr. Plulzlcct Gweizc J11‘. J11’. I-’luuIcct G/Tune Na Iltley jlldme. Ant. Sterlilli; jlldme. Clara Butt Mr. Ben, Dltrim ﬂltlilw. 0. Smnuell Jldme. Belle (Joli: J11‘. Sunflcy fllrs. Illary l)u1'i:!.- yﬂliss I11. I)u1;ies ((2 [Miss Ru!/i Vincent The CU)Il])()a'('l’. Mzlrlle. Clara Bull All 13m-iro/res All B(ll'llUIl€.s' ( Jldme. Lillian 1 Blauvelt D17‘. 1"1‘a.1zlcl'i-n. Clive Miss Ada Crossley Jldme. Alice Gomez Mr. Plzmltet Greene Jldme. A lice Gomez llliss Ada Crossle_1/ Miss Ada. (lrossley 317'. H. Lana Wilson. Mi‘ H Laue Wilsoii Jlliss; 1.(r11-isle lmlc llliss xllizze I'Iolliv‘n1lm' in public without fee or licelllse-~ *9‘ The above Songs may be sun , , The public performance of any parodied versions. however. is strictly proh1blted« ’: BDOSEY & 00., 295, Regent St., London, Music Publishers & Band Instrument Manufa,ctu1°ers~.~
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Date: 1905
Text: MUSIC LIBRARY VASSAR COLLEGE POUGMKEEPSIE. new vonx J/.\.7 ..................... .. CENTURY EDITION 9 ................ .. 1.. ------------- ~ SERIES III. . J/4:dI‘14~/n . .1/gzlimn . .1/edium G llig/z -, I,'M¢zd1'u m . A fzaz, /P/er/1'14/;¢ . D_flat,l.om A ﬁI_/'lurt,1lled1‘mn . . .Bflwt,Med1‘mn . GOOCI . . .Ef/(tt,1|!¢ra7zju/n . Time and . YA flm‘.,.1/ed!‘/tin . The Gipsy’S Warning‘. . .C’,.1/mzmu. . Sweet Spirit, Hear my Prayer . . When I Saw Sweet Nellie Home . E iveet...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGMKEEPSIE. new vonx J/.\.7 ..................... .. CENTURY EDITION 9 ................ .. 1.. ------------- ~ SERIES III. . J/4:dI‘14~/n . .1/gzlimn . .1/edium G llig/z -, I,'M¢zd1'u m . A fzaz, /P/er/1'14/;¢ . D_flat,l.om A ﬁI_/'lurt,1lled1‘mn . . .Bflwt,Med1‘mn . GOOCI . . .Ef/(tt,1|!¢ra7zju/n . Time and . YA flm‘.,.1/ed!‘/tin . The Gipsy’S Warning‘. . .C’,.1/mzmu. . Sweet Spirit, Hear my Prayer . . When I Saw Sweet Nellie Home . E iveet Genevieve . . . . . . . When You and I were young, Maggie Lullaby (Vocal) . . . . . . . . . The Harp that once thro’ Tara’s Hal] . In the Gleaming. . . The Village Blacksmith . Rose Marie, (Rock Of Ages) Lookfiiig Buck . ° Once Again. . . . . Carmena, Spanish Waltz Song Spring Song. Stella . . Little Boy Blue The Throstle Rosary. . . Good Night. . . . . Sad,SWeet End of Day . Unless. . . . NEW YOIQK 2116 )1 delssolm . I/bu Swppc. . Ifing. . ]lI‘."GZo'/mu./z I("z'n;:‘. Bruzun . [(ez7.s'er. 50 40 50 . 75 51) 50 y DU Cmvzcciolo. . K'z'21g.‘ Rodney/. . Corzra’. .- . I’,/hill!/()6. . Flwfc/167'. But/e7_-fzfeld. . 0011/1 rd. Moore. .‘ H (l rrison . ‘ We iss. M01103/. . S11 Ila"/ml/1. . Sulliua/4.. ‘ La/re. Centuru (:T£)li(.1:S;i=C; ’l°lLb1'i]S1?l:irI?g: Cbmrpaenu H7/8 BROADWAY and 17 WEST 28‘): STREET AN EXCEEDINGLY ATTRACTIVE MUSICAL SETTING of Robert Cameron Rogers famous lyric A ROSARY, . _ wordsby Mus1c by ROBERT CAMERON ROGERS. . ' ROBERT A. KiNG. Composer of “Beyond the Gates of Parz;(Ii§e”‘ ' “Sweet Home of the Angels’? , _ . ‘.‘Golden Land of Peace” etc. » Andante religioso. ’ The hours I spent‘ with thee, dear heart Are as_ a string ‘of pearls ‘to me; count them 0 - ver- ev—’ry one a-paJt, -My Aros - asrx My. Copyright 1905 by Century Music Pub. 00. 134W. 37th St.N.Y. International Copyright Secured. Get :a copy from your dealer THE FINALE IS VERY EFFECTIVE. The Village Blacksmith. Be/vised (ma! Ea’1'ted Ed'z'tz'0'/2. éVVords by H.W. LONGFELLOVV. Music by W. H. WEISS. ro moderate. Under 1; spreading chest—nut tree The Vil— lage Smithy stands; The smith amighty man is He, With /L \_/ large and sine—wy hands; And the les (if brawn—yarms are strong as i- ron His hair is crisp, and black and long, His face is like the tan; Copyright MCMIX by Century Music Publishing Co. brow is Wet with hon-est sweat, He earns What—e’er he can, And looks the Whole World V in the face, For he owes not a_ny FA Week in,Week out, from morn till night, ou can hear his be1—1ows f.\ 7 * \2 __ ' ' I blow; You can hear him swing his heaV- y sledge, With measured beat and slow, Like a sex—ton ring.ing the vi1-1agebe11, When the evening sun is low. Ahd chi1—dren, coming a tempo > > smcca/(2 home from school, Look in at the o _ pen door; They love to see the f1am_ ing forge, And hear the bel-lows roar, And catch the burn—ing sparks that fly Like chaff from a threshing goes on Sun-day to the church, and sits a—mong his boys; hears a par- son pray and preach, He hears his daughters voice Singing in the Vi1_1age choir, And it makes his heart re _ joice: It sounds to him like her mothers Voice, Singing in Par - a_dise! He needs must think of her once more, How in the grave she And with his hard, rough hand he wipes tear‘ out of his eyes. calla voce Toil — ing, re—joic - ing, sor- row-ing, On— ward thro’ life he goes; morn .— ing sees some task be-gun, Each eVe_ning sees it close; Some- thing at- temp- ted, some- thing done, Has earned a nighfs re‘- pose. m . A Very Beautiful and Patlmtic Song, Full of Pretty Harnlonies and Sweet Melodies. VV0rds by Music by BELLE STEWART. A1 O D ' DAVE FITZGIBBON. Andante Patetico. ’/,__._x "If NJ « p T u \ \ A — lone the shz1do\\'sg'z1t11—cr fast, Days dy.mgsplcndorssw1it—1_y flcc. through the mists thzttvcil the but ~ icd past, T hv by.g011cycarsComeback ‘cu ycexrsw]1c11 1Iopc.wit11kin(11y bv;1m.__.__ A. — cross my way so bright‘ ly shone, ‘ ~.$_2. Copyr1;:ht‘hy Century Music Pub. Co., 17V\'. 28 St .. N.Y. Imcruutiollzll C0p_Vri_Q'ht5('(.‘uI'Cd(l11d Rcservml. Complete copies canbuhzxdofanydealer in "CENTURY EDITION sheet music, or direct from the publisher, CENTURY IVTUSIC PUB. C0,, 17W. 28 St.NeWY)rk. PRACTICAL HINTS AND HELPS ' FOR’ PERFECTI()N IN SINGING I’-V Mine. I.|ll.“-A C/\l‘|’IANl .. Price, l).'\'I5 D0l.I.AR-I"lF'I'S In xmxmnzl |\«~v:uxmn',', lh<- tux(‘1HU\'I in-‘u‘|uLur.~ nml .\|IHi"nl~ (:1 liuropc and .\m<'1ic:\
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Date: 1905
Text: MUSIC uamnv VASSAR COLLEGE ”°”°“KEEPSIE. NEW voax N?21NE" N‘?2>1NF N‘?41NG % SUNG BY M155 ADA CROSS LEY. WND $504 / ’\$?5'v Q'f, \\!r) -7Jﬂ.\;. The Word s by LONGFEILLOW 1'} 44> The ﬂlusic by ROBERT BATTEN. P/‘ice 6W Ce/2/5' BOOSEY & C9 9,EAsT SEVENTEENTH STREET, NEw YORK, AND 295. REGENT STREET,LoNDoN.ENcs. SOLE AGENTS FOR CHAPPELL& Co. ENocH & SONS & G.R|CORD| &Co. COPYRIGHT I905 BYBOOSEV 8<C‘? LIVING POEMS. COME to me, 0 ye children!...
Show moreMUSIC uamnv VASSAR COLLEGE ”°”°“KEEPSIE. NEW voax N?21NE" N‘?2>1NF N‘?41NG % SUNG BY M155 ADA CROSS LEY. WND $504 / ’\$?5'v Q'f, \\!r) -7Jﬂ.\;. The Word s by LONGFEILLOW 1'} 44> The ﬂlusic by ROBERT BATTEN. P/‘ice 6W Ce/2/5' BOOSEY & C9 9,EAsT SEVENTEENTH STREET, NEw YORK, AND 295. REGENT STREET,LoNDoN.ENcs. SOLE AGENTS FOR CHAPPELL& Co. ENocH & SONS & G.R|CORD| &Co. COPYRIGHT I905 BYBOOSEV 8<C‘? LIVING POEMS. COME to me, 0 ye children! For I hear you at your play, And the questions that perplexed me Have Vanished quite away; Ye open the Eastern windows That look towards the sun, Where thoughts are singing swallows, And the brooks of morning run. In your hearts are the birds and sunshine, In your thoughts the brooklet’s ﬂow, But in mine is the Wind of Autumn And the ﬁrst fall of the snow. Come to me, 0 ye children! And whisper in my ear VVhat the birds and the winds are singing In your sunny atmosphere : For what are all our oontrivings And the Wisdom of our books, VVhen compared with your caresses And the gladness of your looks ? Ye are better than all the ballads That ever were sung or said ; F or ye are living poems, And all the rest are dead. LONGFELLOW. Living Words by Music by LONGFELLQW ROBERT BATTEN. Andante sostenuto. /3 Voice. 1' con %. Moderate. Come to me, 0 ye chil — dren! hear you at your And the ques - tions that per- \——-—'/Le — plexed me Va — nish’d quite a — Cbjiyright, 1905 by Boosey & C9 o - pen the East - ern Where thoughts brooks of morn— ing sun - shine, In your thoughts Living Poems. win - dows are the That... sing — ing In your hearts brook — lets... look to svvards the swal - lows, are the f low, birds...“ and the mine is the wind of Au — tumn And the first fall of the f hB ut in mine is the wind of - tumn And the FT” t calla voce. Living Poems. birds and the Winds are s1'ng—ing In your sun - ny at - mos - - our con - tfi -Vings Living Poems. M0 - dom of our books, When com- pared w1th your car- - calla voce. And the glad. - ness of your looks? >>- bet- ter than all ..... .. the........ ev — er were sung 0r......... Living Poems. with enthusiasm. the rest are Ye are bet -’ ter than all the - lads That } fften_ ~ rall al me. said; ' And >- )- L c [la voce. If 0 rail al fine. Livhig Poems. NW SONGS BY CEDEBRHTED COMPOSERS. PRICE 60 CENTS EACH. THOSE MARKED at: 75 CENTS. Sung by Madame CLARA BUTT. *BAi§?LoN. (zwt/L Organ 0115/igato.) WORDS BY F. E. WEATHERLY. No. 1 in El7. MUSIC BY STEPHEN ADAMS. No 4 in A7. 5- ' : 9’ ___,..._.|__. .%i__1:._._ _._i__[_._ I L. bi‘ *'- ' No. 2 in F. No. 3 in G. 11 ttmfﬁ *\ '4 /'\ ’\ /-x «-\ I'j"_T:,l::Zﬂ4 .1 _ ' 9‘ !:h_i__ 4 j ‘ - _ $7 :.:.g;.gg¢:g: H..;=E§13$1% OJ V “O go ye not to.. .. Bab-y-Ion! it is adream, it is adrezun un-blest! On-ly the road to (mt Verse.) Out in the morning meadows, and down the broad highway, I sa e children dancing and singing at their play ; And they called to one another upon the golden air, “ Oh, where's the road to Babylon,—and who will bring us there?" But, as the night fell round them and eastward rose a star, Methought the voice of angels was calling them from far,- “ 0 go ye not to Babylon ! it is a dream unblest I Only the road to Bethlehem can give you joy and rest ! " Copyright, 1905, by BOOSEY & Co. Sung bv Mr. FRANCIS ROGERS. THE TRUMPETER. . WORDS BY J. FRANCIS BARRON. No Illl F. MUSIC BY J. AIRLIE DIX. No.4in C. 0 No. 2 in G. ___4_sE: '_ .3: F ‘I __i__4.___ '0" l\ I‘ I I Ql J‘ I I I‘ ~ I n .g. 0 9 _ v Trum-pe-tei-, what are you sounding now ‘.7 (Is it the call I'm seeking 7) “ You’ll know tl'iecall,"saicl the (is! Verse.) Trumpeter, what are you sounding now? (Is It the call I’m seeking?) “Vou’lI know the call," said the Trumpeter tall, “ When my trumpet goes :9. speakin‘. I'm rousin' 'em up, I'm vrakin’ ’em up, The tents are astir in the valley, And there’s no more sleep. with the sun’s ﬁrst peep, For I’m soundin' the old ‘ Reveillé.’ Rise up ! ” said the Trumpeter tall. Copyright, 1904, by BOOSEY & C0. Sung by M1’. HERBERT WITHERSPOON. A soLi)ii§it’"s’ TOAST. WORDS BY J. FRANCIS BARRON. _ No. I in C. Music BY J. AIRLIE DIX. \ “ s : * :1s:u'_:p-— --“"4: .3:;i.=i.2-2; 1—bv—-E-:?‘_ “Ta- Red wine, white wine, comrades; let's be drink-ing, A truce to trouble and care, lads;When the (Lt! Verse.) Meeting to-night in the old nie_ss-tent, Each comrade's face so glowing, For smile, and jest, and merriment, _ ould rule when good wine’s ﬂowing. Steady the hand, so ; stand by the glass, You've choice of the wine set before us ; “ Here’s to the soldier, here's to his lass," 'Tis the best of all toasts : Let us ﬁnish the glass, And join in our comrade’s chorus- Copyright, I905, by BOOSEY & Co. Red wine white wine, comrades; let's be drinking, A truce to trouble and care, lads; VVhen the wine goes blinking. To the old mess-tent, and the ﬁght we share: The Flag we serve, and the coat we wear : And a bumper toast to the maidens fair, With glasses clinking I ‘ Sung by Miss EVANGELINE FLORENCE. *APR1i.—1vioRN. ROBERT BATTEN. No. 3 in D. -4: WORDS av JOHN DOWERS No. 1 in Bl). No. 2 in C. b -——l—-—:I—- 3.; _T__‘i_— /‘_\' :i—~—i—‘ 5-@;#s sﬁs Ah! . . . . . . .. the joy . . . . .. to...... the greet the ro - sy morn,... mt Verse.) Ah I the joy to greet the rosy morn, If e sun the verdant ﬁ ds adorn. _ Nature awakes, the birds their melodies trill O'er hill‘ and dale, and by the woodland rill. Ah . Copyright, I901 and I902, by BOOSEY 8!. Go. THE LITTLE WHITE SUN. wonos av ANNIE C. HUESTIS. MUSIC BY CUTI-IBERT WY'N N E. Zzjghtly. ‘ accel. . . . ~ . :1. ' . . . ;g“52— 3*i—a‘——4‘——..w——r.~—§+—r J ——r—«+=e4‘e—5——.. —r /I 11. I IIH V j I . C I‘ K RD 5 . j R I II -I Q I I Q} C I C —l I ‘F ~ 0 a Q But the brown earth laughed, and the sky turned blue, When the lit-tle white sun came (mt Var: '.) The sky had a gray, gray lace ; The touch of the mist was chill ; The earth was an eerie place, For the wind moaned over the hill ; But the brown earth laughed, and the sky turned blue, When the little white sun came peeping through ! Copyright, i905,~by BOOSEY & Co. A CHINA TRAGEDY. MUSIC BY CLAYTON THOMAS. No. 2 in Al). No. 3 in BD. —l7r—- ~-P'—r .4 O wonos BY R. S. HICHENS. & \ I I A I ‘K I I I L l\_ I‘ I‘ T1- -4» _i=__i=_ ‘ d » —:=|—-L _‘:~_~h_i=_ ‘ » . ft. ;c :E:;&t::at§¥?3E A lit - tle chi«na ﬁg-ure On a lit-tle bracket sat, His lit-tle feet werealwayscross'd, He (mt Verse.) A little china ﬁgure On a little bracket sat, His little feet were always crossed, He wore a little hat. And every morning, fair or foul, In shine or shadows dim, A pretty little housemaid came And softly dusted him. Copyright, 1904-. by BOOSEY &. Co. SHEPHERD OF LOVE. wonns av ARTHUR PHILIP COXFORD. MUSIC BY FRANK L. MOIR. mfAnd'nmte maestaso. *-r*— Aw I /—j__j__S , __ ii-—-J—-:3? Shep - herd of ,V . , . fa'ir- est of ten thou - sand‘. (mt Verse.) Oft in the gloom, when nightly shades are falling, omes to the ear a distant Song of Praise ; Faith in those sounds with tender voice is calling, Sweet come those welcome strains to cheer our pilgrim days. Hearts brighter grow, the clouds of doubt dispelling, Love. in those chords, doth heal the soul distress’d ; Hark I 'tis the song in which the Saints are telling Of their great joy in Him the Father biest. Crown Him, ye Saints, the faiitest of ten thousand ! Shepherd of Love, the God whom we adore; \Vith harps of gold attune your faithful voices, Proclaim Him King 2 both now and evermore I Copyright, 1905, by BOOSEY & Co. _ _\./ Crown Him, ye Saints, Sung by Miss ADA CROSSLEY. LIVING—_POEMS. ROBE RT BATTEN. No. 3 in F. No. 4 in G. If 3 'P‘ —_ -—_b_—_ I—— ::—'—: bi - ' wonos BY LONGFELLOW. No. 1 in D. No. 2 in E7. '—171‘p i J K L i I I I‘ I J 4L ._"'s.z__' _|._t\__|3_i_. ‘..,':‘_'|.g_:_g_.',_ i d_-_'-g§; ' ':__i__ roo'.g..fv9:— ' "' Come to me, 0 ye children! For I hear you at your play, And the questionsthnt perplex‘d me Have (15! Verse-) , Come to me, 0 ye children I For I hear you at your play, And the questions that perplexed me Have vanished quite away. Ye open the Eastern windows That look towards the sun, Where thoughts are singing swallows, And the brooks of morning run. _ In your hearts are the birds and sunshine, In your thoughts the brooklet's ﬂow, But in mine is the wind c-fAutunin And the ﬁrst fall of the snow. Copyright, 1905, by BOOSEY & Co. BOOSEY & 00., 9, East Seventeenth Street, New York, and 295, Regent Street, London, W. NEW SONGS BY CEIJEBRHTED COMPOSERS. PRICE so CENTS EACH. Sung by MADAME CLARA BUTT. MY AWFOLK. LAURA G. LEMON. No. 4 in G. _?n_ WORDS Ev WILFRID MILLS. No. I in DlZ. ’_._:i;,,—: 5; izv“ No. 2 in Ell. __——:_-I2: Ii I i 171 iiiﬁ I ii I [III 1 g 1 ‘i1 -:-I J 1: I : nillzli i_L v I .4. .5. _d. 1. ae my hame I wander; But stillmy thoughts re - turn To my ain folk 0 - wer yonder, In the I i .1Qd d ll .4 (mt Verse.) Far frae my hame I wander ; But still my th , ghts return To my ain folk ower yonder, In the sheiling by the burn. I see the easy ingle, And the mist abuiie the brae: And joy and sadness mingle, As I list some auld-warid lay. And it’s oh I but I'm longing for my ain folk Tho’ they be but lowly, puir, and plain folk: I am far beyond e sea, But my heart will ever be At hame in clear auld Scotlan wi’ my ain folkl Copyright, 1904-, by BOOSEY & Co. Sung by Madame CLARA BUTT. MY TIEASURE. MATTHIAS BARR. JOAN TREVALSA. No. x in F. No. 2 in G. No. 3 in A. i I ‘A -\ -1 ii’ l\\\ I J 1 P vs V 0 CA- Ir I j On - ly a baby small,Dropp'd from the skies; Only a baby small, Dropp’d from the skies; Only a laughing face, Two sunny eyes; Copyright, 1903, by BOOSEY & CO. I d On - ly a laughiiigface,'I‘wo sun-ny eyes; Only two cherry lips, One chubby nose ; Only two little hands, Ten little toes. (is! Verse.) Sung by Miss EVANGELINE FLORENCE and Madame BLANCHE MARCHESI. THE SWEETDO7 THE YEAR. wonos BY , Music BY KATHARINE TYNAN HINKSON. ALICIA ADELAIDE NEEIDHAM. No. I in BlZ. No.2 in C. 0 ,- L I i ‘bi. 4- ’ M lsll ﬁn I Ii i Vi ll - i I 5 K I Kit’! i I. ~ i §ia4<£—a—H—«'—,r~—sd+I-4-—.i~a—~+J:w4-+e4——d-l+—L':E:E:zd:h No. 3 in D. ‘P’ I l V a Be-cause it is the sweet 0' the year, the sweet o’ the year, There'swhite andyellowon (ist Verrz.) Because it is the sweet o the year, There's white and yellow on vale and hill, The blackbird sings at his darling’s ear, He has gotten a new gold bill 1 Copyright, 1904-, by BOOSEY 8:. Co. When birds are merry and have good cheer, And roses nod in the garden bow’r, Oh, then it is the sweet 0’ the year, And love and the world in ﬂowerl Sung by Miss LOUISE DALE. IF I BUILT A WORLD FOR YOU. MUSIC BY LIZA LEHMANN. No.3in F. 1 WORDS BY HERBERT FORDWYCH, No. x in C. No. 2 in Ell. -4- i i L .g. 9 7° Iii:\4§4I§J\I_ ‘*.l iv 5 la‘ 1’ i\ Ni ' .' I i l L P_l—l: §}%:‘£-4=—A~r+4 —r—+~——s—1~.+d—~—.—i—a . ———t——r—F If I built a world for you,dear, If I built aworld for you,——- Iwould make the land of (irt Vern.) If I built a world for you, clear, If I built a world for you,- I would make the land of popcorn, And the sea. of morning dew. I would make the breeze of whispers Of lovers as they woo,- And the rose should live for ever In the world I built for you. Copyright, 1904. by BOOSEY & Co. Dedicated, by Sfecialpemtisrian, to H.R.H. PRINCESS HENRY OF BA TTENBERG. Sung by Mr. IVOR FOSTER. THE LIFEBOAT MEN. WORDS BY MUSIC BY F. E. WEATHERLY. STEPHEN ADAMS. No. 1 in 1312. No. 2 in C. No. 3 in D. I’ I’ 1 l ‘I i i J 5: B E‘ x IL M I I . I‘ I I I K I WWI ‘J . — r _ V 0 For it’s Out they go when the sig-nal comes, Out from the thund'ring shores, 'Tisn't the pay that When the wild wind blows by day or night, And you are safe at home, Are you thinking then of the Lifeboat men Watching the hungry foam Quitting the toil that gives them bread, Leaving their babes and wives, Ready to go when the word is said, Ready to give their lives. For its out they go when the signal comes, Out from the thv.ind'ring shores, 'Tisn’t the pay that makes them stay Gripping the straining oars; It's the Spirit of Love from I-Ieav’n above, Working in what they do ; Think of them, then, women and men, And pray for the Lifeboat crew. Copyright, 1904-, by BOOSEY & Co. Sung by Miss ADA CROSSLEY, and Mr. GERVASE ELWES. NOW SLEEPS THE CRIMSON PETAL. MUSIC BY ROGER QUILTER. No. 3 in GE. I’.- f:\ i\ I; i (is! Verse.) wonos BY TEN NYSON. No. x in El). No. 2 in F. L 1- i' E 1 I I I _'.__._. _,K;.i.._._ __'_._:_ \./ _ white ; Nor waves the cypress in the pa.-lace Now sleeps the crimson petal, now the Now sleeps the crimson petal, now the white ; Nor waves the cypress in the palace walk; Nor winks the gold ﬁn in the poiphyry font: The ﬁre-ﬂy wakens : waken ou with me. Copyright, 1904-, by BOOSEY & Co, (Lt! Verse.) Sung by Miss LOUISE DALE. and Mr. H. LANE WILSON. INDIAN DESERT SONG. MUSIC BY AMY WOODFORDE'FINDEN. No. 2 in G Minor. WORDS BY LAURENCE HOPE. No. 1 in E Minor. _’_j. A i\J\l .4-i .1 4:1’. in . - agraig iini - ' xx V’-d-T am waiting in th des—ert,look-ing out towards the sun- set, And counting ev-'ry I am waiting in the desert, looking out towards the sunset, And counting every moment llll we meet; . I am waiting by the marshes and I tremble and I listen Till the soft sands thrill beneath your coming feet. Copyright, 1903, by BOOSEY Si. Go. (is! Verse.) Sung by Miss ADA CROSSLEY. CUPID AT.TIIE FERRY. MUSIC BY EDWARD GERMAN. No. 3 in A. WORDS BY CARYL BATTERSBY. No. 1 in F. l _ .'T 4 "—r 4. A is Hi! If K KI ‘T1 __C r Uri T‘ i I K '7‘ I’ I’ I I I I1’ I‘ I g j . R ﬂ l P P t : d d I - — ‘,9 r :- Cupid at the (er-i-y cried : “Who with me will go. . . . Where beyond the ﬂowingtide Lovers’ garlands (is! Verse.) Cupid at the ferry cried : ' “ Who with me will go Where beyond the ﬂowing tide Lovers’ garlands blow? Fairy songs are sounding there. Fairy breezes play; Leave, 0 leave this world of care, Lovers, come away !" Ah 1 Ho 1 lovers, ho 1 H01 ho 5 say who will go Where the zephyrs of Loveland blow ‘, Say who will go Where light the zephyrs of Loveland blow l Copyright, 1904-, by BOOSEY & Co. BOOSEY & CO., 9, East Seventeenth Street, New York, and 295, Regent Street, London, W.
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Date: 1905
Text: MUSIC uasunvt VASSAR COLLEGE POUGHKEEPSIE. new you LEGEND OF THE NORTH A Dramatic Cantata FOR SOLO, CHORUS AND ORCHESTRA The words From LONGFEZLLOW The music composed PERCY ODFREY. Op\._,23. FOR MALE VOICES (SOLI 8; CHORUS) AND ORCHESTRA,COMPOSED FOR AND INSCRIBED TO THE EGLESFIELD MUSICAL SOCIETY. QUEENS COLLEGE,OXFORD.2/6NE.T FULL SCORE AND ORCHESTRAL PARTS MAY BE OBTAINED ON HIRE . O I ‘ — ——————>>—,>>>»~ London ;WEEKES 5:09, I4, Hanover Street,RégentStreetW. Chicag0,U.S.A.;...
Show moreMUSIC uasunvt VASSAR COLLEGE POUGHKEEPSIE. new you LEGEND OF THE NORTH A Dramatic Cantata FOR SOLO, CHORUS AND ORCHESTRA The words From LONGFEZLLOW The music composed PERCY ODFREY. Op\._,23. FOR MALE VOICES (SOLI 8; CHORUS) AND ORCHESTRA,COMPOSED FOR AND INSCRIBED TO THE EGLESFIELD MUSICAL SOCIETY. QUEENS COLLEGE,OXFORD.2/6NE.T FULL SCORE AND ORCHESTRAL PARTS MAY BE OBTAINED ON HIRE . O I ‘ — ——————>>—,>>>»~ London ;WEEKES 5:09, I4, Hanover Street,RégentStreetW. Chicag0,U.S.A.; CLAYTON FSUMMY C9, 220,Wabash Avenue. Copyright, I905,by Weekes 5c C9. WEEI/(ES Xc COEVIVIALE VOICE" PEI RT S O I2 (3 S. 2 -o .5 k—5‘(_)5::l-5\—~713!:)-1622-9-LOCI).\1O3.(f1-PLUN- TO DAFFODILS ........................... .. A.7'.7‘.3_ I=RAs.E_.(3LADsroNE_ MUs,Doc,__ HUNTSMEN5 CHORUS (From SILvIA) L.N.PARKER’_. - SWEET '8 THE BREATH OF MORN A.7_'.z«s.,. ...................... ..A.H_.BONSER__ DEVOTION -------- ...................... .. r.ms.s. ............... .. EDWARD GRIFFITH .. THE GIPS|ES..._.......____.,-,,._,_.._“;_"A,7:7;5_ _______________________ __ A_H_BON3ER__ AFTER THE A.r.rs.s. ........ ....... C.s.LIEKYLL._ .‘ CARE KILLED A CAT, Humgrous A.(0/T/5:7?) rjs. ......... ..LElGH I'<'IIIIesMILL_. . THE HAND OF DA\_A/N .............. ..A.7".'7TB ................ .... ..J.R.GRlFFITHS .. THE FAREWELL ........... ................. ..A.7'.7'._B. .............................. ..CH.GOUNOD.. GOOD NIGHT» BELOVED ......... ..A.r7‘.t3. ........... ..: ............. ..A.FOWLES.. . QUEEN OF THE SILENT NIGHT... rras ................... .. GERARD F. COBB .. . LULLABY .................... ..................... .. HARVEY L'OHR......: WAKING OF THE FAIRIES ............ ..A.T.7‘.B ......................... . _____D9____ ..... .. . BLOW, BLOW THOU WINTER WIND./I.r.77B ........ ._..d.R.COURTENAY GALE... TO MUSIC ............................................. ..A.7T7.’B ....... .......... .. C. LEE WILLIAMS... - , LOST TIME ............ ................. ........... .. Arrs .................... _ D9 . SERENADE."OVERbTHE MOUNTAFN sII:>E>"....... W.S. LAMBERT . A GIPSY SONG ................................... .. . ATBE3 ........ ..JAMES BADEN POWELL..~_ . .THE LASS OF RICHMOND HlLL..._...A.T.7,‘8 ............ .. PHILIP C.MACDONALD.;. A. .MY-OLD KENTUCKY HOME . . . . . . . . . . . . _. .4.7.'8.B. //IFPRANGEDHB)’./.... A.'B.PLANT... ., .NELLlE GRAY ......... ......................... A.T.f_B../ 09 ____—D? . . A SWALLOW SONG ............ ........... .. . /4.78.8. .GOOD NIGHT. 4.73.5. .. ..-...JAMES COLEMAN .TO DAFFADILLS .............................. .. 7.7.-3.5. .ROBT C.L.’CLARKE... . .A LITTLE FARM wELL'TILLED......xI.7:r/oesys, /4/?/?ANGED av/J.S.BUXTON.. . .PH|LLlS THE FAIR...................;..........7r5.3....,................L.M~;I«.ARMsTRoNG.._ . .CUP|D AND cAMPASI=>E............ 77775.52.C.......................1...REG.F. DALE.-— . .LITTLE JACK HORNER._..........._....//..zr5..,_.._.,._,_--............._..E.vINE’ HALL... . .dACK AND JILL .. ,4.7"r.z3,§ ...................... ___o9 -_ .THE OLD SUNDIAL. . ......7T7.'BB. ............. ..I3..ScOTT 4ELDER..~- .SALLV IN OUR ALLEY ........... ..A.7TTB.. ........ ..PH|LlP C.MACDONALD.. . .FA\/RE Is Mv LOVE ............ ../4.7.'B.B ....... .... ..H.DAvAN WETTONH For MALE VOICES with ORCHESTRA. AN ODE TO MUSlC.FOR TENOR sOLO.IvIALE vOICES,AIIo ORCHESTRA . Words L FLORENCE HOARE. MUSIC by MYLES B.FOSTER ............................... ._ NETT I/— THE BURIAL OF DUNDEE. A CHORAL BALLAD FOR MENS VOICES WITH ORCHESTRA. Words by W.E.AYTOUN. Music by E.T.SWEETlNG,MuS.DOC..O><ON. NHI2,/« ELJ DORA . DRAMATIC CANTATA pom BARITONE SOLO,MALE VOICES& ORCHESTRA O Words from M35 HEMANS . Music by MVLES B FOSTER . ~m2/6 MUCILIS SClEVOL.A..( MucIus,THE LEFT-HANDED) Dramatic Cantata for SOlI,Chorus and Orchestra. «Words by FLORENCE GATTENBOROOGH, _MUSIC by H-A--HARD|NG,Mus.Doc§Oxon..............................._...... ....Nm2/6 London 1WEEKES & C9, 14, Hanover SI.,Regen‘r SI.,W. Ch_‘ICagO,U.S.A. CLAYTON FSUMMY C9,220,Wabash Avenue. LEGEND OF THE NORTH (THE SAGA or KING OLAF) A Dramatic Cantata FOR SOLO, CHORUS AND ORCHESTRA The words 1°r‘om LONGFELLOW The music composed PERCY GODFREY. OP._23. FOR MALE VOICES (SOLI 5; CHORUS) AND ORCHESTRA,COMPOSED FOR AND INSCRIBED TO THE EGLESFIELD MUSXCAL SOCIETY, QUEENS COLLEGE,OXFORD.2/GNET FULL. SCORE AND ORCHESTRAL PARTS MAY BE OBTAINED ON HIRE . ~<~é‘-I-'2- >— <<<%-=<+——~— -1 iv London =WEEKES &C‘-’, 14, Hanover StreeI;,RegentStreetW. O Chica_go,U.S.A.; CLAYTON FSUMMY C9, 220, Wabash Avenue. Copyright,l905,by Weekes ES: C9. 3. SOLO & CHORUS 5. SOLO ac CHORUS 55.1 CHORUS 6. SOLO.& CHORUS '7. CHORUS 8. SOLO 8:. CHORUS 9. SOLO& CHORUS CONTENTS. THE CHALLENGE OF THOR..._ KING OLAF’s RETURN- QUEEN SIGRID THE HAUGH’1‘Y. THE WRAITH OF ODIN.___ RAUD THE STRONG... BISHOP SIG-URD AT SALTEN 16-‘IORD.__. A LITTLE BIRD IN THE AIR . KING OLAF AND EARL SIG"v"ALE%. THE NUN OF I\’IDARC*f':§._,,.. Va’. 4483. “I am the God Thor” “And King Olaf heardthe cry” I “The guests wereloud” “All the old Gods are dead” “Loud ‘-.119 angry wind” W. “O21 the grey sea.—s:mds” KING OLAF’S DEATH DR.INK .....__ “Ail any has thebgnile raged” “In the convent Of Dr::.mthei:n” ' ‘O . ,1. Legend of the North. ( THE SA GA OF KING OLAE ) Words by ' Music by LONGFELLOW PERCY GODFREY. N9 1. CHORUS ___“The challenge of Thor.” Allegro. ail ITYBTID T720550 animandn )7 Copyright, 1905, by Weekes & Co. i:tr\4 52'r1'r1g£nda malty / /::1X VCHURUS. A Moderate. I am the God Thor, I amthe War God, A Moderate. f Thunderer! Here in my North_1and, . My fastnessandfort - ress, stringenda -ver! Reign I o )7)’: 5fr1‘ngendz7 The light thou be- ho1d_est BM/'-’“""”T Streamthro’ the heav - ens, Stream thro’ the heavens flash - es of crim - son, 9 red beard ’ \ /3\ /\ /5‘\ '3 ‘’3'\ ‘fan. ~::': [7’£’5[. Af- - fright-ing Blown by the night-wind, fright mg Af - - - , _ fright-in‘g the na - tions!' _ Jove is my eyes are the lightning, The ‘ Ring in e egrth - quake! ham- mer, Ring in earth-quake! fr [7'E5[. fl 'Teb. ‘E23. D Fizz tra Thou art wheels of blows my of cha- _ riot The blows of my, in the earth_quake! ____ ,_ Z"S an! (1 thus sin_g1e hand - ed Un..to the com, bat, Gaunt-let or Gos-pe1, ﬁgierel de _ fy N9 2. SOLO __“King O1af’s return?’ A Allegretto. Allegretto. PIANO. SOLO. 1. And 0 _ laf heard the cry, aw the red light in the 2.To a, -venge his fa .> ther slain, And re - - con-quer realmand Laid his hand up on his Game the youth-ful O - laf As he leaned up - on the rai1_ing, And his ship went sail - ing, Thro’ the mid - night sai1_ing, sai1-ing, Listening to the wild, Wind's SOLO sail- _ ing, ' North-ward in _ to Dron - wail- - ing dash _ ing, And the dashing SOLO. theim There he of the I t A Thus came CHORUS . And his ship went sail_ing, sail - ing In _ to Drontheim fiord. ' Fara menu mnssu stood as one who dreamed; And the red light glancedand .0- t -laf to his own, When up _ 1 _ on the night—wind /-7050 menu mn55z7 ‘ slringenda gleamed On ' the ar - mouf that he wore; And he shout- ed as the blown Passedthat cry a _ long the shore; And he an_swered,While the /__\5trin_q da rift_ed Streamers o'er him shook and shift-ed, rift-ed Streamers o’er him shook and shift_ed, /W Z\ bf.‘ SOLO. .............................................. .. ac- cept , """""""""""""""""""" " "‘ ___,_,_T.—-—— ff [01 vote ac_cept thy challenge, Thor!” L-— ac-cept challenge, Thor!” F N9 3. SOLO & CHORUS __“Queen Sigrid the haughty.” Moderate. Moderate. vr a‘;.¥»/ SOLO. Queen Sig. rid the Haughty sat proud anda _ loft .......... .. f ‘fan. 414* “MP0 '5” Andante ‘ KT her chamb‘er,that looked over meadowand croft ________________________ __ A ndant£r___ __ CHORUS. - est, Why dost thou sor- row so.?..... A F 'A ndante floor ...... ._ with tas-se1s of ' __‘,’,_.’___ A Fan: Andante lg: °2.n1’'\—-—-’ 7' firwas besprent,Fi11ingthe room ..... ..withtheir fra_grant scent....... She heard thebirds rmcrﬁ.’ 1" F"\———/ 7' she saw the sun shine, The air of sum- mer was if sweet- _ er thanwia-.e,The ‘ sum- _ medgwas ‘Xx , _ sword............ with_out sgabbard the bright riv-er lay b.t./\.h A % M J. tween her own king. dom and Nor- ro - way. M. A H an1'mandz7 But O-1af the King had sued for her hand, The sword would be $3. rail. sheathed, the riv_er be spanned. ./"\ C fem/:rz7 maid _ _ enswereseateda _ round her knee,Workingbright fi _ guresin ta _ pes_ —-f..:: /...._. \ C },/x\ [I]! fempa %:—\~_.../ And one ___________ _. was singing the an__cient rune ........ .. Of Bryn - hil- da’s love and thewrathofGudrun. And through it,and round it, and VT /71'/,—-—————~\ F"--/ V’ @.f'*—'’/ V. . sempre dim. o .. ver it‘ all Sounded in - cess - - ant the wa_ter - fall, Sound - ed in- semgre dirn. — - ant ..................... _.; ......... .. the wal- _ ter _ fall; __________________________________________ ._ /“ D Maderata SOLO, D Madgrata The Queen in her hanqhelda ring of go1d,Fromthe door of La- s tem-p1e o1d.King 0_1af had sentherthis wed_ding gift,But her #_ rail. thoughts as arrowswere keen and swift. ........ .. Z"'.\ tempzz giv_en the ring to her go1d-smithstwain,Who smiled as they hand_ed it fem,z;z7 para 5Ir1'I1g.9ndzJ [7'£'5L'. back a - gain. And they answered? OQueen! if the truthinustbe told, The L; r. — para stringendu [7'£'5[. W. 4488. ring ' is of cop_per, and his gifts ...... ._ he can faith _ less be, ......... .. Z’ n'1‘. ad lib. .... ..~_Therewi11 be no no gold.,_._,__,_‘ in his A nimata me. Anlmafo f foot_step was heard on the out- _ er strode King 0 _ laf with kissed the Queen’s hand, and he whispered Stars; ‘[0 be stars, as the /‘\ he ten. {E/72170 a _ bove . ten. fempa 1.711551’ rerit. 3 But she smiledwithcontempt as she ansWered§.‘O K1'ng',W1'1lyouswear1't,as O_din once 19 vi 1717 swore, on this “O speak not of O- _ din to f1‘5”7,”17 ‘T: fyiua L The wife of King 0. L ITIEHU fTll755l7 Christain must be.” Looking straightat theK1'ng,withher le- - velbrows, She /—\ an1'mandz7 rail. - LTE5L'. keep true to my faith .......... ._ and my vows.” Then the /\ Z-T 3 3 face of King O-1af was darkenedwith gloom, He rose in his an _ ger and ten. strode thro’ the room. His zeal was stronger_ than fear or love, Andhe struckthe Queen f rall. fl fl Allegra 3 1% ........ .. in the facewithhis glove..._....__.....__._._. 3 rg *4 \J em. rm Hr a/47 H Queen Si-grid the Haughty said under her breath‘,_._ 0 477 &,l_7_l'£ _ __ A Andante ndante 20 CHORUS I rail. 41'7"- - est, Why dost ‘thou s01‘- row so?.... 5 ' v x; 70' temp” I Pam /fndante maid _ _ enswereseated a - pr/,.——-'—————+ [01 roundherknee,Workingbright fi _ _ gures in tap-- es - ﬁg./r‘ f""\_/1" one ........ .. was sing_ing the I an-cient rune Of Bryn '_ hi1_da’s love andthe wrathof Gu.drun. And thro.’ ....... .. it, androundit,and ov-er it allsoundedin- F"\—/F‘ : re dim. cess _ ant the wa-ter _ fall, Sound - ed in _ cess - ant ______________________ __ _._ the wa_ _ ter _ fall. N9 4. SOLO ___“The Wraith of Odin.” Con moto. The guests were loud, the The King ex-c1aimed,“0 Con moto. ale was str0ng,K1'ng Olaf feasted late and long; The hoar- e_yScalds to- graylbeard palewomewarmtheewiththis cup of alef’ The foam- ingdraughtthe geth - er sang; O'er - head the smo _ ky raft - ers rang. old man quaffed,The noi _ _sy guests looked on and laughed. CHORUS Hassi ’ Dead rides Sir Mor_ten of F0 _ gel _ sang ................ __ h-ﬁt-1_“$ 23 SOLD p _ . J The door swungwide,with creak and din; A blast of cold night- Thenspake the King:“Be not a _ fraid; Sit here byme’.’The air came 1'n,And on thethreshold shivering‘ stood A one—eyed guest, with guest 0 - beyed,And,seat _ ed at the ta _ ble, told Tales ofthe sea, and 3 Z‘ bﬁﬂbfiﬂbfﬁﬁ cloak and Vhood. 321- gas 01d- CHORUS Eassi d tides ir Mo A SOLO from L his lips in mu - sic r ed e Ha _ .va_ma1 of 0.‘ sounds mystenious as the roar f a d1'S-tan’tSh01'e. A ‘I CHORUS Hassi Dead rides Sir Mor_ten of ishop said§‘Late hours We keep! Nightwanes, King! fis time for s1eep!”'Then. “Ea. /mm rall. slept theKing, and when he woke The guest wasgone, the morn-ing_ broke. all /1111,50/r'_‘ b /\ b /\ W. 4483. ‘CHORUS E3551’ tempo Dea, rides Sir Mor.ten of F0 - gel .. sang. .......... .. tempa SOLO B piu 7110550 They found the doors se_ cure-1y barred, ey B 15 found the watchdog foot - prints in the grass, . none had seen the st;fan_ger pass. CHORUS 5’a551' Dead rides__Sir of F0 - gel - sang ............... _. L) King O-laf crossedhim - self and said:“I ‘fax. rall. Sure is the tri- umph of our Faith, sempre rail. - {T /——-X stran_ ger was his wraith? .............................................. __ one— eye d sempre ralf. CHORUS Eassi Deadrides Sir Mor_ten of F0 _ gel - sang....._. /3T pp fill. SOLO 85 CHORUS__“Raud the strong.” Uzzasi reciz‘. SOLO 3 “All the old gods are , tempt 5/ quasi TEE '2'. All the wildwarlocks fled; Xx rresc. stringenda f —-=1 {""_"‘$ But thewhite Christ lives ........ _.and Vreigns, ........................ .. And thro' my T p £7555. wide do- mains ........ ._ His Gos_pe1 shall CHORUS M/1551050 On the E - ;van-ge1-ists Thus swore King’ 0 _ laf ........ ...... .. T A Maestasa > 17‘ [7'E5[. S 0 L O zzasi recit. 1-9771/717 But still in dreams of the night Beheld he 13>“ crim_son 1ight,Andheardthe voice that dc- fied k____,z" V chal - lengedﬂim .............. _. to CHORUS Bish _ op King CHORUS cqn - _ fessed it. SOLO ﬁ’Ec1'z‘. /3 And Si_gurd the Bishop said, “ e old gods are not m I W. 4481} . Moderate “Far north the Sal - ten Fjord fire, and sword, ,4.=:'-.~:“<"‘-'r‘?"“‘~..-,;.iteﬁzgtjf-i-1‘=s‘e‘-::~rE<,2~;;:f‘==-‘F ’=‘:-. .. 1%“ A All the Go _ e g-Tfﬁx strilzyslnda .long_ to him, ....................... .. and his $ string ;_./ /2T hea_ _ then C All egretfu Theﬁ 0. lat‘ cried a .. loud: "I will talk withthis migh_ty ad lib. __ »;:-;.s,:-..3;:;.-2-- J ?~?_-¢~.~:._j=u»:* m‘ Raud, And a-1ong the Sal _ ten Fiord Preachthe Gospe1,Pr'e‘achthe Gos.pe1 with f__ 3 /“Sf-\ sword, ................. .. Preach the Gos _ pel .......... .. be brought back in my is his VV.4-483. D SOLO shroud!” CHORUS north.ward from Dr0n_the1'm A sailed King rail. ‘'1: EV" 4483' Q; [farm N9 5% CH0RUS__"Bish0p Sigurd at Salten Fiord’.’ Moderate. TENORS. ﬁoud the an - gry wind _was BASSES. E Moderato. As King 0. 1af’s ships came - ward out of Dron_theifnha_ven To the mouth of Sal _ten Tho’ the f1y-ing' sea-spray drench - Fore and aft the row-ers’ bench .. heart is cra_ven Of the championsthere F /7 As in_to the Fiordthey dart- _ ed, On each side a path a likesilver mo1_ten _ Steadi_ rowedKingO _ 8 Stead-i _ 1y burned all night the a _ _ pers, And t P White Christ thro’ the va _ pQursG1eameda - cross fl-O d’thef1'ord of /$7 . /17 f Sal - ten, As thro’ john’s A _ po - -1ypse. f I’ ized they all that ' . gion, Swarth_y Lapp and fair Nor - as swimsthe sa1-mon, 1eap-ing, stream of -ten Fiord. I’ W. 4483. "‘ Preached s - pel with el with his /. /— 47 @213. ‘.5 7 para mean 1710550 H swqrd. So th _ _ ward, _ ward 9- ~ /7 /‘Fiﬁ’? 2/.—‘\ I’ ‘/5 sailed sea-gu11s ’ ' ‘South - ward, South _ ward ‘ -'3" sailed the ship that bore him, Till. ....... .......... .. at Dron - - theim land- T at Dron-theim, T at Dron-theim landed O - laf, landed O - laf, ii 5 £1- ”’\ 0 - laf and 1and_ed O- _laf M and his crew a- _ gain. 2"‘*\ perdtndasi N9 6. SOLO & cH0RUs_“A little bird in the air.” Allegretto. ‘ SOLO lit- " _ tle bird in the whisperedKing0 - laf has Allegretto. — /—e—\t sing - ing‘ of Thy- ri the fair, ........................ .. Has talkedwith the beau_ti _ ful Queen»; ........... .. And they shah sis_ter of Svend the Dane; ........... .. And the song of the gar- ru-1ous won.- -der how it will end-, ............... .. For sure-ly, if here she re- bird ................ .. In the streets of the town is heard, .............. ..And re. m t is war with Ki Svend the Dan And 40 SOLO» A /-‘--~\ peat- ed a- gain and a _ - gain ............... .. King Bur-is - laf the Vend! .................... .. CHORUS Hoi\st up your sails CHORUS flee a_way from each oth_e1:_ ..... .. PF menu mass/J I’ ToKing' Bur- is-laf, it is said, Was the bean. ti-ful Thy - ti 0, greatest won_der of all! It is pub_1ishedin hamlet and sor_row-fu1 bride went she; .................... .. > And roars like a flame that is fanned! ........ ‘ The af- ter a week and a day, ................. .. Shehas _ fled a - way and a - King‘... yes, 0. laf the King ............... .. Has wed _ (led her with his A /\,.\ Z‘"‘\ ﬁn. way, ...................... .. From his town- ................................... .. by the star - my ring, and Thy- ri is Queen in all the ,_a W. 4438 . 42 SOLO f£'m/W sea“ ........................ .. land! ......................... __ CHORUS Hoist up your sails of L And flee a_way from each 777 fempa CHORUS I2./~A,.\ perdarzdasi ;/ >/'~”—T. N9 7. CHORUS ._“King Olaf and Earl SigVa1dT’ Poco Andante. TENORS. On the grey sea-sands King BASSES. Poco Andante. O_1af stands, ............... .. Northwardand seaward He points, He pointswithhis With ed_dy andwhirl The sea_tides cu;-1, _________ __ Washning the. san-da1s Of Sig_va1d, Sig - the f> A Pam pizz animata mar- in_ers shout, A Farm in animata shipsswing a_bout, The yards are all hoist_ed, The sails f1ut-ter out. %‘he war-horns are played, The an-chors are weighed,Like moths in the d1's-tance The . 45 /mm rail, . e har.bo11r hes dead, f sails fiit and fade. f P lead, ......................................... .. ‘Ben. 93 _{ corse o s ash reW ose sp rit has fled dead, As a corse whose Spi _ _ .rit has fled! On that . J ehar.bour lies dead 3 fa- tal day, .................. The his - _ - to_ries say, X? F ven _ ty ves-se1s Sailed 2 aizimanda B soon ................. .. scattered wide ’ L lowsthey siringen da/._$ [TESL ride, ................................ .. While Sig -, - vald and stringenda Z’-3T &3./ E 0275:. 336:). SOLO Cried the Ear1:“Fo1_1ow Q me‘. your pi_1ot will VV.4’-13$. ra//. the chan_ne1s Where flows the 5z‘r1'ngendz7 seal” %. D CHORUS Tgmpg /1710 in _ to the straitwherehis foes lie wait , D r a/”_717 Gal _1ant King Sails to his W. 4483. Then sea - - fog veils ......... .. The and their sails-, ................... .. Queen Si _ Haughty, Thy vemgeance pre_ vailsl W. 4483. N9 8. SOLO &CHORUS;_“King O1af’s death drink?’ Allegro con forza. .. :1 Fl’ (*3 f All day has e bat-t1,e raged, All day have the shipsengaged, But not yet is as - éuaged The ven geance of Q __;:i A animanda blood are red, ' The arrows of death are sped, A animanda A with {he And the champions hurl ......................... .. /,_._.__....\_ stringently multa W. The I’ The decks with ships Spears ................ .. Z’———\ 15‘ _._/ the Tampa I ".717 But not yet is as - suaged The vengeance of E_ric the Earl. FF /%_/ _/ B Fara Andante --==== Ah! ne.ver shall Norway a _ gain r sai1_orscomebackoer the main, They *7“ I Andante all lie wound_ed or ~.s1ain Or a - sleep in the bi1-1ows A ndanta j*_..——II-- A : ‘Rob. -11!- C All:/Igra malty In the midst ..... .. of e stonesandthespears, egra ma ta C Kil - biom,the marshal, ap_pears, His shield in the aiir hei1p-i'ears, By the side ........... .. of King _1af he stands. ZT 4 ' s1ip_peryWreck Of theLong Serpent's deck Sweeps E_ric withhardly a 3 8 3 I'\ s/7-\<4‘.\ : D th an_ger are pale; >. furiosa fl’ &_/( _ He hews with his axe at the mast, ' Ti11itL fa11s,with the sails o-ver . pin cast,Like a snow cov-ered pine in the for_ests of dale, in the vast dim for_ests of _ _es aft wi fzzriasa [r£5[. ” U3 stringenda 61' stringenda /.—..~<_——-: E Allegretta Then Ko1-biornspeaks in the ear Of King O-1af aword of E Allegrelta In a whis_per that none may hear, ............ .-. ..................... .. With a smile ........ .. on his trem.u-1ous W. 4483. 56 CHORUS « F legra >/...._\ Two shields ............ .. raisedhigh {'——'$ F [3 r0 1‘ flash_es of gold -~ en 3 3 e_teors’ glare, J} et me_teors’ g1a\re, T»: ff: and both ..................... ._ have leapt from the 3 ho have leap’: from e pp para rail. #2 #/ ¢t./ #/ ,/ ::/ FSoLo V -5 b 5 b Thereis told a wondrous tale, How King strippedoff his mail‘, Like I’/" bgb I leaves of the brown sea - kale, As he swam, he swam be. V Heath the main, ............................... .. he > be - - neath the Fara [£71117 CHORUS Fara lenta But the young grew old and grey, And , by night or kingdom of Nor _ to- _way ........ .. Was King O-laf seen, /‘S - way Was N9 9. SOLO 8: CHORUS__“The Nun of Nidaros.” Poco Allegro. Fl’ _ 5 CHORUS ‘53'3°- Maderafa In the Convent of Drontheim,A - lone in her chamber As_trid he Ab_bess, mid-night,a _ dor-ing, Be - seechjng, en - treating The (5 1.7555. Mo_ther. She heard in the si_1enceThe A rzdante /7}’; voice of one speaking, speaking,With-out in the darkness, A ndante /7’ Now loud-er, now near.er, NQW lost in the G , W ’ _:1ost, lost in the dis_tance,NoW 1 ,Now lost in the distance. lost, lost in distance. SOLO ﬂerit. /'$ “It ..... .. is ac- cept_ed, The an-gry de_fi_ance, Thecha11engeofbatt1e!— But not; ...... ..with the weaponsOf war that thou Wieldest! Mgdzmm T’ T’ 1’ '\_/ 1’ Muderata f Strong- er than steel Is the sword of» the Madera ta Swift - er than ar _ rows Fh Great - er than love, and sub- F -61‘ Thou art a phan_tom, \..i p animanda shape of Rain, and Fear- ful sea- mist, A dark_ness f0rm-1ess ; stringenda Fear - ful form-less, stringenda ‘fen. Maestnsa Day dawns and thou ..... _. CHORUS_ maestasn dis - tant, N61- / the night star - less; faith shall not Christ ................................................... .. Christ W. 4483. J ‘lib. ' Christ _____________________________ __ GLEES, MADRIGALS, PART SONGS,&c. FOR S.A.T.B., UNLESS OTHERWISE MENTIONED. Those with * are also published in Tonic Sol-fa Notation. Armstrong, L. McK. s. d. Gr-ifﬂth, Edward. 8. ol. ' Parker, L. N,_commued, Phillis the fair (T.T.B.B.). . Builders, The 0 3 Oh, let the bells With stringaccompaniment... 0 4 Devotion (T.T.B.B.) 0 3 Sherborne Hive, The Sweet Day 0 3 (S.A.A.T.B.B.) Beecroft, G. A. B. « - - Oh, my Love’s like (S.S.T.) Griffiths. J. R. ‘ §§”‘{’,§lif:§;l§,§°1“§:‘”“‘“m"”'-- Sweet falls the eye 0 The Hand 0fD3-W11 (A-'1-T-B-) 0 3 ' y Hall, E. Vi . P°”'"‘"* ”- °- Becpuggu. 31.85. Jack and (A_T_T.B.) _. 0 3 'ASong of War (choral ballad)... o . , (Orchestral parts, MSS., b hired.) I.“ never love thee more Little Jack Homer (A.T.'1.B.) 0 Phmt’ A_ B_ can e M33’ H9-"Ell-t. Q J’. A Swallow Song (A.T.B.B.) 0 Sundown .._. Home, sweet home 0 My old Kentucky home Tvvillght shades are falling Hatton’ J. L‘ _ (A.T.B.B.) V0109 0f Sprmg, The Restless Sea’/The 0 Nellie Gray (A.T.T.B.) 0 Bonser. A. H. » H ms, N'ch I , Pyev ’§°"°‘” "- , , GiP3ie5: The (A-T-T- 3-) (Oh, wert thc(>)118i1s1 the cauld blast 0 O f.a’1r’ sweet face lmadmgal "1 Sweet is the breath of morn Haw F A J i 3"‘ llaltsl 0 (A.T.T.B.) 0 019% - ' 0 Rendayl. E. 0. Sweet is the breath of mom Fe_“’' 11 ';];h O Admirals all! (sea-song, for ﬁve (S.A.T.B.) 0 ‘ Hilﬁavem’ hmeld Eild lii)"t0 Hi; D‘\‘<1){1c7es)1 0 Buxton, J. 8. love . 0 2 Renlgaﬁi rglﬂlonso A little farm well tilled (A.T. T. Let mine eye the farewell make _. ' 1 . Bught are the stars or B.B.) 0 thee .. 0 R H G ’ oberts, J. Varley. Clarke, Robt. C. L. °°pe"» e°- . God save the Klng To Daﬁodils (T.T.B.B.) ‘How cheery are the manners 0 4 ‘I love my love in the morning 0' ’ F d . _ llIﬂ’e, Fredk. Russell. Sydney_(a.rranged by). Iglxg O;-furezggestors W ThePowerofSong(chora.l ballad) 1 0 Ba1liﬂ°s Daughter of Islington, Jones, H. Festing. lhe _-~~ CON). G- F- _ h Trelawny (‘COI‘11lSh song) . . Four part Songs eac 0 3 S1e°I3S1n§ ﬁefigultgys The (madrlgal: Fain would I change that note. Ryley, G. C. E. Qfga; ‘of’ ‘.11; Silent" nigiii; ° 132.’.S.%;%‘:“¥3;‘.§§’;‘a‘¥§2‘;.‘%Zi3‘E2.’°§;.m. My native Va1e<madrig#1> . 0 ‘ (T.T.B.B.) .. Kingsmill, Leigh. Coleman’ Jag. Ca(1'Zk(i)lrler‘(Pi aTcgt)l (humorous) 0 3 S'mmS' F. H. Good night (A.T.B.B.) '’ " ' . "' To greet thee "1, Kiver Ernest C II’ , H. B. '1 . ' Sbthly H. O ms An Evening Love Song (ﬁve 0 3 AMay Song From Harmony (S.A.T.T.B.)... v0iCes)_ E _ H - " venm mn... Da(e_ peg. F_ g A Vesper Hymn ...0 1% Love afd Fig” Cupid and Campaspe (T.T.B.B.) Lambert._ W. S. Love’s Jubilee , Dean, F_ Serenade : “ Over the mountain Wilt thou in life Slumber “den (A'T'T‘B') - Stokes. G90- E|der-, B‘ scott, Lloyd, G. Free. ' - Sing alsong of sixpence (three 0 I Wait for thee 0 ‘Maid of Ma.1'11vale 0 °qu_3' V019“) Old Sundial (T.T.B.B.) .. "Tw1l1ght... SW99_t'"8. 5- T- . ' ., Burial of Dundee, The (choral Emcott‘ R‘ F‘ L°h'"' Harvey‘ ballad for men’s voices with. New Year forthlooking - A Lullaby ;.. orchestra) Foster, Myles B. as ('11;-T-13,-1,3-) Skye An Ode to Music (tenor solo, and Waking 0f t 9 falrles B Thor-"9, gepthold (3_ male voices and orchestra) v H lT' ' ' ') A song of summer (AISOTOT S.A.T.B.) MaCd°na!d, .11 Grammar Song ___ _,. ,., ‘Gage, J_ R_ cou,.tena_y_ Lasso_fR1chmondH1 (A. . .B.) sonooftheF1ag, The Blow, blow, winter wind 53115’ "1 0*“ Alley (AFT-T-B-)-~ Theoﬂavens (song and chorus)... (T_T,B_B_) 0 Mann A. H_ Two Oats No land like England 0 Lord U11in's Daughterm Yuletide - Garrett, Percival M, I O A W8lke?‘._G80- Blake- Love is a sickness full of woes... 0 ' Mmmﬂe d‘ ' . ‘ Good mght . ."' L0“? °‘““1°t d1°"' " ' Warelng Herbert W Gibbons’ R' S‘ Old nld e-makin . AChristmas Song (soprano solo) 0 Matthews; 4- W tr: Hgrold Eg Gmdstone‘ F_ E.‘ Well of St. Keyne, The Sleep» my pretty (-me To Daﬂ'odi1s(A.T.T.B.) 0 4 Parker, L. N. _ wetter’! H Dayan. G'0V<_3|",_J- H. L A figleemn Cam] for Christmas’ Fayre is my love (A.T.B.i:%‘.) smile m thy slumbers 0 3 A Song of the Silent Land wﬂghtv Adam‘ Good ban. « Fair grey, and ancient; Gather ye rosebuds O°l1i°r"‘ B°nni° Daughter» The 0 2 Hu1itsmen’s Chorus (T.B.B.) Wl|liam_s, C. Lee. Goodworth, W. G. W. King Christmas (chorus, eight Lost tune (S.A.T.B. or A.’1‘.T.B.) 0 3 ‘Merry Springtime 0 4 voices)... To Mus1c(S.A.T..B. or A.T.T.B.) 0 6 London: WEEKES & CO., :4, Hanover Street, Regent Street,’W.. 29 31.5. . .9. d. 0 0 0 0 Simper C. When shades of eve WEEKES 8: co.’s CA N TATA S, 0 PE RAS, &c. BENSON, J. ALLANSON. Bottreaux Bells .. .. » .. .. Libretto by J. C. Evans. Founded on an old Cornish legend, “The Silent Tower of Bottreaux.” It is written for three soloists (S.T.B.) and chorus (S.A.T.B.). Time, 1 hour. Orchestral parts can be hired. Water Nymph, The .. .. .. .. .. .. .. A Dramatic Cantata, written by Alfred Halstead. Music com- posed for three solo voices (S.C.Bar.) and chorus. ECOLLISSON, REV. W. HOUSTON. Game of Chess, The. Dramatic Irish Cantata. Words by Dr. Annie Patterson . . . . . . . . . . . .. The story is based upon the memorable incident in Irish history when ing Brian Born and his son Morrough engaged in a game of chess at the Royal Palace of Kincora. The music is set for soprano, tenor, and two baritone solos and chorus. Full score 2 "id orchestral parts can be hired. a. d. Samhain; or, “ All Ha.11owe’en .” A romantic Irish Cantata. ' ords by Dr. Annie Patterson. Written and composed ex- pressly for the Dublin Musical Festival (Fei: Ceoil) . . . . The story is an abridgment of a Fairy Drama. Eileen, a village beauty, in love with a soldier, is loved by the King of the lfs, whose cruel attempt is frustrated. The music is set for two solos (soprano and bass) and chorus. orchestral parts can be hired. DARNTON, CHARLES. Village Life . .. .. . .. .. .. .. .. The Libretto, written by P. W. Darnton, B.A., is a rustic idyll, and describes the various phases and scenes of English village life. It is .-;et to music as a Pastoral Cantata for five soloists (S.C.T.B.B.) and full chorus. Time, about 1: hour. (Chorus parts, rs. net; Libr. tto, 2d.) Orchestral parts can he hired. DIEMER, P. H. Aloestis .. Libretto by H. M. B. Argument: Admetus at the point of death is spared by the intervention of Apollo, provided his father, mother, or wife dies in his stead. Alcestis, his wife, freely offers herself; but Hercules goes to her tomb and compels Death to restore her to life and her husband. This Dramatic Cantata is writven for six soloists (S.S.C.T.Bar.B.) and chorus (S A.T.B.). Time, I hour. (Words only, 2d.) FOSTER, MYLES B. An Ode to Music. No. I. For tenor solo, male voices, and orchestra. (Score and parts in MS.) \Vords by—Florence Hoare .. .. .. .. .. .. net No. 2. For soprano (or tenor) solo, chorus. and orchestra. Vocal score, 15. ; orchestral accompaniment. arranged as piano duct, 25. 6d. net; harmonium part (ad lib), rs. 6d. net; string parts, each rs. net. (Score and wind parts, in Mo., for full or small. orchestras.) Eudora (The Bride of the Greek lsle). For baritone solo, male voices, and orchestra. Mrs. Hemans .. .. .. .. .. . GLUCK, VON. CH. W. Orpheus. An Opera in three acts. Arranged with Enzlish words for‘Concert use by Louis N. Parker. Time, about 1 hour. (Words only, 3d.) (Act II., separately. 15.) .. .. GODFREY,PERCK Legend of the North. Dramatic Cantata for male voices (soli and chorus) and orchestra . . . . . . . . . . Full score and HARDING. H. A, Mus Doc., Oxon. Muoius Scaevola (Vlncius the Left-hand-d) A Dramatic Cantata. The libretto written by Florence G. Attenborough. PlllJll\l1€tl in two editions :—— No. I. For male voices (sell and chorus) and orchestra. com« posed for and inscﬁbed to the Eglesﬁeld Musical Society, Queen's College, Oxford .. . . . net No. 2 For mixed voices (S.A.T.B., soli, and chorus) and orchestra . .. .. .. .. . . . . . net Full score nnd orchestral parts of both editions may be obtained on hire. The Pu]?/it/re:-x arr prepared /0 make liberal rtductions to Choral Jnci /iris requz'rz'ng /I rou.r1'zz'erable numéer q/"copier. Words selected and arranged from _ (N o. 2 Edition is also published in the Tonic Sol-fa notation, net rs.) ' ILJFFE. ‘FREDERICK, M.A., Mus." Doc., Oxon. Evening. A sho t Pastoral ldyll for contralto solo, chorus S.A.T.B.). and orchestra. Poem by the Rev. Canon Bell, .D. Score and orchc~tral parts (M s'.) can be hired " .. Morning. A short Pastoral Cantata for soprano solo, chorus S.A.T.B.), and orchestra. Words by Rev. Canon Bell, D.D. core and orchestral parts (MS.) can be hired . . . . . . O ILIFFE, FREDERICK, M.A., Mus. Doc., Oxon. 5. d. The Power of Song. Choral Ballad for chorus and soprano solo. Words translated from Schiller. Orchestral parts (MS.) can be hired . . - . . . . MATTHEWS, HARRY A. “ Song of the Silent Land.” For tenor (or soprano) solo, chorus (S.A.T.B.), and orchestra. The poem by Longfellow.- Full_score and orchestral parts (MS.) may he hired of the publishers . . . . . . . . . . . . . ,, ., ' MUNRO,D.R. Etelka. Libretto, by William jones Hunt, is a “ Romance of the Rhine." The characters‘ represented are: Etelka (S.), Le oy T.), Captain in the Imperial Army; Daniello (Bar.), Gipsy ng; and Due de Montero (B.), Commander of the. Imperial Army. Time, 40 minutes . . . . PARKER, LOUIS N. Silvia. A‘ Dramatic Idyll. The poetry by Seward Mariner (Walter Raymond) Scene: The Borders of a Wood. Persons represented : Silvia (S.), Sybil (C.), the Poet (T.), the Hunts- man (B.), and chorus. The story is of unrequited love, a “ woful hunting,” a rude and hardyfhunter, a forced marriage, a death at the altar, and a poet, left forlorn. Full score and orchestral parts can be hired. Time, I hour 10 minutes. (Wo_rds_only, 3d.) . . . . . . . . PERR|N;* H. C. A Song of War. Choral Ballad. Words by Ellen Thorney- groﬁlgaiwler. ‘Full score and orchestral parts (in MS.) may e 1r . . . . . . . . . . . . . . . . ROGER& EDMUND. Elmore; _or, The Border Bride. (Choruses only, Is. 6d.) _ A Pastoral Operetta, written by Edward Oxenford, founded‘ upon an old Borderside story. __Elinore, betrothed to Sir Hubert, on the eve of her nuptials is carried oﬂ‘ by a band of Scottish marauders. She is rescued. the band is disper: ed, and all ends in rejoicing at Elinore's deliverance and her subse- quent marriage. It is written for ﬁve soloists (S.T.Bar.B.B.) and Cl10l’ll\‘. Full score and orchestral parts can be hired. Time, 1 hour and 20 minutes. SUCCESSFUL HUMOBOUS GANTATAS. Prices: Camplete Vocal Scare, mzf 3.v. ear/L ; Ckorm Part: only, net IA‘. 6a’. Jack and‘ the Beanstalk. “ One of the most charming little gems we have ever heard." —~Sumierlana’ Daily Ec/zo. Blue Beard. “ The music has throughout a very_large amount of merit, ‘ and much of it IS really full of genuine humour."-/Wu:z'caZ,v Timex. Beauty and the Beast. “ Not only is the whole of the music really comic, but it is touched throughout with such an artistic hand as to render it equally welcome to musical and non-musical listeners.”- Zllusical Tzmes. .. John Gilpin; or, The Ride to Ware. “A humorous Cantata of intrinsic merit. possessing themes that impress themselves upon the mind through their melodic character and beauty.”—-1Ve'w.r qft/re World. SWEETING. E. T., Mus. Doc., Oxon. Burial of Dundee, The. A Choral Ballad for men's voices, with orchestra. Words by VV. E. Aytoun .. . . :. WALKER, GEO. BLAKE. Ariadne in Naxos. A Scenic Cantata. Dedicated by per- mission to Henry J. Wood, Esq. Argument : Ariadne. daughter of Mines, king of Crete, having assisted Theseus to slay the Minotaur (a monster which was fed on human victims), afterwards ﬂed with him, fearing her fathers wrath The ship ﬁrst reached Naxos. where the priests persuaded Theseus to leave Ariadne behind while he saile to Athens with the Athenian captives. The death of his father, Egeus, delayed Theseus’ return ; but Ariadne was found and woo¢d-- by Bacchus, and became his wi e. Venus promises to avenge Ariadne‘s wrong on Theseus. Vocal ~Co’re, 3-:., orlintboards, ’ 3s. 6d. (Words only, 3d.) 'The work has been orchestrated by N. Gatty, and the parts can be hired or purchased. ‘ Rustic Wedding .. .. .. .. .. .. . The Cantata opens on the green of a country village, amid the rejoicing incident on the marriage of the steward’s daughter. Written for three soloists (MS.T.Bar.) and chorus. Time, about 30 minutes. London: WEEKES & C0., 14 wins , Hanover Street, Regent Street, W. adopzted daughter of Adolph, Warrior of the Rhine; Charles
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Date: 1904
Text: MUSIC Llsmlnv VASSAFI COLLEGE POUGHKEU-sac. New vonu SUNG BY M‘? WATKIN MILLS. IELILEHLLJJSE Q i3€3—n WV Q» («IR A‘ / J I} \ a /4 S)@_}@@ >)N9 FOR BAss OR BARITONE. ' ;n(( )))« ﬁn \ xx: 0) ' MUSIC BY Jr alv ’ xiv V J! J’ "' ,‘\ Alt ilk V Lit Ill ilk . 1|‘ II‘ ‘I’ COPYRIGHT PRICE 2/=NET IN I. J; U.S.A. MC MVI. LONDON, LJOSEPH WILLIAMS, Limited, BZGREAT PORTLAND STREET, W. /YEW >/0/we EDWARD SCHUBERTH & CE? £.J.vF. H.Me)/Er] The lighthouse. The lighthouse lifts its...
Show moreMUSIC Llsmlnv VASSAFI COLLEGE POUGHKEU-sac. New vonu SUNG BY M‘? WATKIN MILLS. IELILEHLLJJSE Q i3€3—n WV Q» («IR A‘ / J I} \ a /4 S)@_}@@ >)N9 FOR BAss OR BARITONE. ' ;n(( )))« ﬁn \ xx: 0) ' MUSIC BY Jr alv ’ xiv V J! J’ "' ,‘\ Alt ilk V Lit Ill ilk . 1|‘ II‘ ‘I’ COPYRIGHT PRICE 2/=NET IN I. J; U.S.A. MC MVI. LONDON, LJOSEPH WILLIAMS, Limited, BZGREAT PORTLAND STREET, W. /YEW >/0/we EDWARD SCHUBERTH & CE? £.J.vF. H.Me)/Er] The lighthouse. The lighthouse lifts its massive masonry, A pillar of fire by night, of cloud by day. And as the evening darkens, 10! how bright, Through the deep purple of the twilight air, Beams forth the sudden radiance of its light With strange, unearthly splendour in its glare. And the great ships sail outward and return, Bending and bowing o’er the billowy swells, And ever joyful, as they see it burn, They Wave their silent Welcomes and farewells. “Sail on! sail on, ye stately ships! And With your floating bridge the ocean span; Be mine to guard this light from all eclipse, Be yours to bring man nearer unto man.” L ONGFELL 0 W J.W.14461. THE LIGHTHOUSE. Words by Music by LONGFELLOW. HERBERT H. NELSON. Allegro mo derato. The 1ight_house lifts its mass-ive ma_s0n-ry, A pi1_1ar of fire by EV of cloud by day, The light- house lifts its mass - ive ma _ son-ry, A p11_1ar of f1re by n1ght,_.____ of cloud Cojtyright MCMVI by Joseph Williams Ltd. in (7. 3.11. J. W. 14461. P272 lento. And as the ev’n_ing dark _ ens, . how Through the deep accel. e cresc. forth the sud _ den ra - _ dianoe } faccel. e 01/esc. Tempo primo. strange,un_ earth _1y splen _ dour f Andante. And. the J. W’. ‘.4461. p Andante. great ships sail out _ ing and bow _ _ing o’er the bil _ lowy swells, _ ful, as they see /“ wave their si_1e11t comes, their Wel _ comes and fare _ Wells, {T ' as Gm. ll d . ~ ’a argan 0 .:._:==_— K3 molto rall e dim. /TN . F' _ Wave their si _ lent 'We1 _ - c0mes,'the1r W€l_c0mes and farpe 9% J.W’.14461. Allegm vm aestoso. > . ritard . 33- 9i9‘§éb. And with your float - ing bridge IT . J. W. 14461. from all e - clipse, from all e _ Clipse, near_er un _ to man!” /5 a tem ff marcafo fl bassa. >39 > 53%. J. W. 144.61. *°53a>. U 5%‘ Erurn2_ Pr-inten lZ.Harn Yard, G’. Windmill 5tr*eet,W. FOUR SONGS FOR BARITONE OR BASS. The !Du‘bchman’s Jug. (Copyright in l7.S.A.) Words by FRED. E.WEA'I‘HI1‘.RLY. Music by LIONEL ELLIOTT. VOICE, littlejng And he said tohisjug one day, _._"The 1 world is dry and so am I,’__ Just as Lmanmight say; “So give me a dra.ught,my jol_1y little Give me a draught,” said lie, "And (Keys to suit all voices.) Drake’s Drum. (Copyright in Izs.A.) Words by HENRY NEWBOLT moderate. Music by FLORIAN PASCAL. VOICE. Now Drake,he was 3 Devon man, ’an ruled the De_von seas. (Cap_ten art tha' s1eepin’there be _ low?) Ro_vin”tho’his deathfell, he went wfheart at ease, An’ dreaIn_in url the time 0’ Plymouth Hoe. Swift flies the Arrow. Arabian War song. (Copyright in L'..S'.A.) English words by EUGENE OUDIN. Music by V01 CE. Swift flies the at- _ row, and with wild La. flé‘. Me 31]’. - fle at sur la and the fait tie spear fiercely lar _ gas en _ \/ While from the shield Des bou _ chi _ ers -_/_ CH. GOUNOD. The Lighthouse. (cnpymg-ht in II.s,A.) VVords by LONGFELLOW. All moderate. Music by HERBERT H. WLSON. VOICE. The light~house lifts its massive ma_son_ry,A pi1_1aroffireby night, / of cloud by day. The light-house litts its massive ma _ son-)-y,A pil - lar of fire by Price 2/— net each. London: List 1873 Joseph Williams Ltcl., 82, Great Portland S’cree‘b,'W.
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Date: 1904
Text: MUSIC uamrw VASSAR COLLEGE -ouauxccu-sue. in van Sung‘ by DAVID BISPHAM. f}Vz'S0N6.s' ' ' ll’ /f‘ Jfedz ZZITI. Vozcra 3%? ‘ CLARENCE ‘ 7!: Op. 45. A ”$ v THE _ ' Joan €nuacn(om»m, 1.The. Qgy IS dark and dreary. .. . .. 5 CENCFNNATLCHQCAGO. _ NEWY°RW"’5!C— 2.TheFountainsmnngiewsththeﬁlvew LON DON . 4_When stars are in thequiet ski2s...5 To /M 12 M Bzlx-lo/mm. The day is dark and dreary Music by CLARENCE LUCAS. Poem by H .W. LONGFELLOW. Andante. (J = 100) /// mf .m...
Show moreMUSIC uamrw VASSAR COLLEGE -ouauxccu-sue. in van Sung‘ by DAVID BISPHAM. f}Vz'S0N6.s' ' ' ll’ /f‘ Jfedz ZZITI. Vozcra 3%? ‘ CLARENCE ‘ 7!: Op. 45. A ”$ v THE _ ' Joan €nuacn(om»m, 1.The. Qgy IS dark and dreary. .. . .. 5 CENCFNNATLCHQCAGO. _ NEWY°RW"’5!C— 2.TheFountainsmnngiewsththeﬁlvew LON DON . 4_When stars are in thequiet ski2s...5 To /M 12 M Bzlx-lo/mm. The day is dark and dreary Music by CLARENCE LUCAS. Poem by H .W. LONGFELLOW. Andante. (J = 100) /// mf .m.s-minetl. 3 3 Perla! at eawﬁ Mr. 14’ and the wind, is nev— er wea — ry; C _/2 — . drear —. y; H5 #5 07'e.s'r;. vine still clings to the mould ' wall, But at {T // {-3 3:; Copyright MCMIV by The John Church Company. International Copyright. Entored according to act at the Parliament of Canada in the yvnr MCMIV by The Jahn Church Company in the nepartment of Agricullurn. 5m‘ 2027/; (z_/‘MZZ lone. the dead leaves fall,_________ ’And the day is dark and [2000 pit} mosso. drear-y. life is cold, ' dark, and drear - ‘y; rains, and the is nev - er wea — ry; My Tempo I:. thoughts still I7 7% 112?} mz2'mru‘o. days are dark and drear—y. Be still, sad broadly. re - pin-ing, - hind o 4 . V clouds is the sun stlll shm — mg; Thy fate is the com-mon fate, of all.__ M >39“ rain must fall, Somedays must be dark and drea.r-y. ;/ Jr-
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Date: 1904
Text: MUSIC uanmv VASSAR COLLEGE "0'-"-‘-NW’?!-s-t. Ntw van N91.i~ E % ORIGINAL. . THE POEM BY” ﬂI.L_/@1:2>gf@1E1@ﬂe THE Mus 1c BY WA EL NJEEDLIJNGEBL Price 50 cents. THE WILLIAM MAXWELL MUSIC C‘? 8 EAST SIXTEENTH STREET, NEW YORK. To Mr. H. 7? Burlezgr/z, The Weary Hours. Poem by . Music by H.W LONGFELLOW. W. H. NEIDLINGER. Larghetto. (tempo rubalojz, i Voice. Good nighﬂgood night! Good ni ht! be - T3/?$/‘D é.b cm are ‘Ben. 9% ::::::::====-—_. i::EEE;::;;EE;:::: 10v - ed! I come ...
Show moreMUSIC uanmv VASSAR COLLEGE "0'-"-‘-NW’?!-s-t. Ntw van N91.i~ E % ORIGINAL. . THE POEM BY” ﬂI.L_/@1:2>gf@1E1@ﬂe THE Mus 1c BY WA EL NJEEDLIJNGEBL Price 50 cents. THE WILLIAM MAXWELL MUSIC C‘? 8 EAST SIXTEENTH STREET, NEW YORK. To Mr. H. 7? Burlezgr/z, The Weary Hours. Poem by . Music by H.W LONGFELLOW. W. H. NEIDLINGER. Larghetto. (tempo rubalojz, i Voice. Good nighﬂgood night! Good ni ht! be - T3/?$/‘D é.b cm are ‘Ben. 9% ::::::::====-—_. i::EEE;::;;EE;:::: 10v - ed! I come //”j;E“\\§ A >——b~?)‘:‘5 C7’€.S‘6‘. accel. /rye To be near thee to be near thee, A ~ lone is /\ calla zroce. crew twee; L11} Copyright MCMIV by The William Maxwell Music Co. International (Jopyrzght secured. 659-3 . mpa tempo Thine eyes______. - are /5“ .,_ 19 molto rt’? ”"“"‘ ’ﬁ— cresc accel, morn — - Thy lips . .____ are /"T3 {T [T cresc accel. mf ores c_ flowers! /1\i» 7.5 calla woe. the Wear - y hours. K5 /any $4. ﬂﬂefx} moreizdo Tab. 959 54.5136’: C? uTu.szENo.u:w voP.'.'. NEW SONGS xg V3 ./and BALLADS By Successful Composers ALLING, WILLIS H. "THOU AND 1'' Keys G and B A “THE SOUL’S DESIRE" Tenor or Soprano AVERY, STANLEY R. "SONG OF JENNY" Keys D and F "I LOVE THEE STILL" Mezzo-Soprano . "QUARREL" -- -- BARTLETT. HOMER N. "ELAINE" Keys C and E . . "LIFE IS A SONNET" Eb Soprano or Tenor BURLEIGH, HARRY T. “]EAN" Keys B ﬂat, D flat and E ﬂat "MAMMY’S LI’L' BABY“ Keys D and F . (Lullaby) (Sung by Mme. Schumman Heink) "LOVE'S GARDEN” Soprano or Tenor "HEIGI-I-HO! ” Keys B ﬂat and D ﬂat . "FOLK SONG” Keys BI) and G ("I love my Jean”) “LOVE‘S PLEADING” Mezzo Soprano "JUST MY LOVE AND 1'’ Keys D and F “ON E DAY” Mezzo Soprano or Baritone CHAFFIN, LUCIEN G." "SO DEAR" Keys Eb and G "GOOD NIGHT” Contralto EDWARDS, JULIAN "MY TRUE LOVE HATH MY HEART" Keys G and B flat "THE ROSE AND THE LARK” Contralto Above two songs sung by Mme. Schumman Heink GRANT, E. M. "WERE WE IN LOVE” Keys B ﬂat and D "SEVILLA” Waltz Song Sung by Mme. Calve KLEIN, MANUEL "FORGET ME NOT” Mezzo Soprano "THE FRIAR AND THE KING” Bass Song LITTLE. ALFRED E. "TI-IE MESSAGE” Soprano . . "THE LAND 0' THE LEAL” Mezzo MARZO, EDUARDO "A DREAM OF HEAVEN” Keys E ﬂat. F and A ﬂat NEIDLINGER, W. H. "SAVIOUR BREATHE AN EVENING BLESSING" Keys E ﬂat and G "THE RED ROSE TREE" Soprano . . . “LOVE'S DESPAIR" with violin or mandolin obligate "SWEETHEART” “ " “ “ “ Keys B ﬂat and D PURDY. M:-.CRACKAN "A LITTLE SERENADE" Keys D and F REMICK, BERTHA “COME INTO THE GARDEN LOVE” Keys F and B ﬂat "YESTERDAY AND TO-DAY” Soprano . SHELLEY, HARRY ROWE "KING OF KINGS” Keys C. D ﬂat and D “THE DAWN OF HOPE” D ﬂat. Eb ﬂat G “O DAY OF REST AND GLADNESS” B ﬂat & D ﬂat "THE ANGELS SONG” E ﬂat. F and A ﬂat SMITH, H. WAKEFIELD "TI-IE LILY AND THE BLUEBELL" Keys D and F "THE I-IUMMING BIRD AND THE FLOWER" Mezzo Soprano THE WILLIAM MAXWELL. Music COMPANY NEW YORK
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Date: 1904
Text: MU"~i»‘3 Lianr-Hay vksssrua -tr;.e,~,,r_r_;E :‘$""IV' u_.-Cr,-V EDITION JCHMIDT, No. 95 Hiawat/7a’s Wooing (A MELODRAMA) WITH MUJIC FOR THE PIANOFO-RTE ... BY... ROJJETTER G. COLE 0?. 20 / \ / .5’ ‘V ' I \\s\\'''. “‘*I._ \ . " ' , __ . ~ - V.‘ V '/Z’ /O % (A Melodrama) . . p ‘ P /, /L - 11% 4’ “ ode/2/fﬂoiny oI73f ows ” 309g of Hiawatha tbvc’ Pia?) ofgrte ﬂy /T 1®SSETTER G. cou: $$I.oe,p. op. 20 AI{l‘HU1{P. SCHMIDT BOSTON, LEIPZICI, NEW...
Show moreMU"~i»‘3 Lianr-Hay vksssrua -tr;.e,~,,r_r_;E :‘$""IV' u_.-Cr,-V EDITION JCHMIDT, No. 95 Hiawat/7a’s Wooing (A MELODRAMA) WITH MUJIC FOR THE PIANOFO-RTE ... BY... ROJJETTER G. COLE 0?. 20 / \ / .5’ ‘V ' I \\s\\'''. “‘*I._ \ . " ' , __ . ~ - V.‘ V '/Z’ /O % (A Melodrama) . . p ‘ P /, /L - 11% 4’ “ ode/2/fﬂoiny oI73f ows ” 309g of Hiawatha tbvc’ Pia?) ofgrte ﬂy /T 1®SSETTER G. cou: $$I.oe,p. op. 20 AI{l‘HU1{P. SCHMIDT BOSTON, LEIPZICI, NEW YORK) no Bo)/[51:07 St. 156 Fijtb Ave Copyright 1903 by Arthur P Scbrpidt A.P. S. 6348 Note. In order to bringpout a more complete unity in the interpretation of the musical and poetic thought, it is essential, when the poem is recited, that at certain moments the strong pulses of the music and poetry should be synchronous; The bar—line 'has been used to indicate this, as at the beginning of the poem and elsewhere. At other places, as on page 8, measures 1, 3, 4 and 5, the beginning oﬁeach verse should coincide with the part of the musical measure over which the first word ap_ pears, the rhythmical delivery of the verse being free, following the reader’s interpretation. Where no bar—lines_are used, it is not essential that the measure—forms of the music and poetry should co- incide, except in their general movement. The rhetorical pauses will necessarily be some- What longer than when the poem is read Without ac- companiment, the music acting as interpreter when the reader is silent. To ESTELLE 111. 6' /ARK. HiaWa.tha’s Wooing. From “The Song of Hiawatha” (Canto X) HE'JV1:’Y WADSWORTII L01m1«iEL1,01V ’ ROSSETTER G, COLE‘ Op. 20. Allegretto. (J :92) ])(J(’0 (’I‘¢',’S(? . A.P.S. 6348-25 Copyright 1904 byArthur P. S0l1m1'dt. poco rit. Adagio-(-1:66 A.P.S. 6348-25 :2}-— poco ml. 1’ “As unto the I bow the cord is, N Eng‘ So unto the I rs’? ,:'%,cA ' \! ‘w . ‘ ﬁr ‘ ‘.1 ~ - , L‘ man is woman, Though she o|_ bends him, she obeys him, Though she] _/K‘: i A.P.S. 6348-25 draws him, yet she follows, pow (‘7'6’.S‘(‘. +2 aocel. Thus the youthful Hiawatha Said within himself and pondered, > T’ plexed by various feelings, I Listless, >. ‘F. still of Minnehaha, land of the Dacotahs. AP. 6:—348— 25 I Useless each without the other!” ﬁr Much per_I longing, I hoping, fearing, Dreaming :> V:> 1’ Of the I lovely Laughing Water, ~36- “VVed a maiden of your people,” 7 Warning said the old Nokomis; “Go not I eastward, go not westward For a | voila vace K? >- stranger, whom we know not! Like a I fire upon the hearth-st0ne Is a I /“S ‘[ pf b ./-\, neigborjs homely daughter, Like the I starlight or the moonlight Is the I /-\ {'7 ijgyw T handsomest of strangers!” Thus diS_l <77?/‘> pace agitato suading spoke Nokomis, And my I Hiawatha answered Only this: Andante. (Jns) a tempo A.P. S. 6348-25 “Dear old Nokomis, Very pleasant is the firelight, T T:-;’;.__."' ‘‘‘*___,e-— 170"" But I like the starlight better, Better doI like the moonlight!” 1’ poco me 0 . P P as: ‘fab. >§< ‘Jim. >15: ‘Ea Gravely then said old Nokomis: here an idle maiden, Bring not here a useless woman, Hands unskillful, feet unwilling; Bring a wife with nimble fingers, Heart and hand that A.P.S. 6348-25 move together, Feet that run on Willing errands!” poco meno am. % daughter, Minnehaha, Laughing Water, Handsomest of all the women. Iwill bring ‘fa. .35. Ta. 5%? 4&3 3: her to our Wigwam, She shall I run upon your errands, starlight, moonlight, firelight, Be the I sunlight of my peop1e!‘’’ /’ ’\ .ig,,'z_g<,.“‘ A.P.S. 6348- 25 ‘ Still dis- I suading said Nokomisz ,2‘ _ “Bring not to my poco Allegro }, . loidge astranger Fromthe land ofthe Dacotahs! Very I fierce are the I)a(:ot'ahs, f3 " pom acvel. ‘Often is there War between us, There are feuds yet unf0_r— I > - 0 gotten, \V0unds that I ache and stillmayl _/_\ /._.__\ R #’*‘~i- 3. )1. :7 dim. e Mt. poco a [moo > Laughing an:<wered Hiawatha: 6348-25 11 “For that reason, if no other, Would 1 Wed the fair Dacotah, Quasi Allegretto. (J=92) 1 — That our tribes might be u— I nited, That old feuds might be for_| gotten, And old Wounds be healed forever!’>” poco meno ~§ > > Thus de-I parted Hiawatha To the land of the Dacotahs, To the land of handsome I Women; Striding over moor andI ALP S. 6348-25 meadow, Through interminable forests, Through uninterrupted silence. > > > > pow 7-it. > > ' With his | > I: omit if necessary ,,f tempo girth. % ’ . _ 3%; moccasins of magic, At each stride a I mile he measured; Yet the > > > ' ‘Eb. 9% > way seemed long before him, And his heart outran his footsteps; And he I journeyed without resting, Till he heard the cataract’s laughter, Heard the I [L A.P. S. 6348-25 Falls of Minnehaha Calling to him through the silence. . -/T 7'11. 9 dim. _ “Pleasant isthe sound!” + “Pleasant is the voice that calls me!” On thel piu lento he murmured, /N a fey-mp0 E 5:23. 3* Tab. °"" outskirts of the forest, ’Twixt the shadow and the sunshine, Herds of pow creso. fallow deer were feeding, But they saw not Hiawatha,- /3 hf \U bow he whispered, “Fail not!” To his I arrow whispered, “Swerve not!” Allegro (J: 116) L17‘ L17- g_/\_/\_/ 1') calla vozge a tempo A.P.S.6348—25 errand, To the red heart of the roebuckg Sent it. singing on its R. “W as gm. Threw the deer across his shoulder, And sped forward without pausing. Maestoso. (J=92)' >. > >. 17 - : H pow acéel. JV At the doorway of his Wigwam Sat the ancient Arrow-rnaker, In the land of the Dacotahs, Making arrow"-heads of jasper, Arrow-heads of chalcedony. At his side, in all her beauty, Sat the lovely Minnehaha, Sat his Dreamily. (J: 56) A.P. S. 6348-25 15 daughter, Laughing Water, Plaiting mats of flags and rushes; Of the | ‘Site. . H 3* ‘Sire. 9‘ past the old man’s thoughts were, And the I maiden’s of the future. ti? 8 He was thinking, as he sat there, Of the days when with such arrowsﬂehadl PP /‘\ struck the deer and bison, On the Muskoday, the meadow, ‘Shot "the con moto (Jzioo) Wild goose, flying southward, On the wing, the Glamorous A.P. S. 6348-25 How they came to buy his a_ri' /x f\ . . arrows . Ah, > > Adagio. ff earth as they were! . ~36 tongues for Weapons! b A.P. S. 6348-25 T Thinking of the great war- parties, 2 = $1 2' \* <1; ows, Could not fight without his| /\ f\ /\ ,\ u . - , }.p (‘7‘€S(?. no more such I noble Warriors Could be found on I Now the men were all like Women, Only used their poco piu moto W. % mp 17 She was thinking of a hunter, From another tribe and country,. ppf7’;'Wp0 4____j___ i . U — [Young and tall and very handsome, W110 one morning, in the Spring _time, Came to buy her father’s arrows, Sat and rested in the Wigwam, A > > > => Lingered long about the doorway, Looking back as he (1 arted. She had I d b . 4 22 gm. * 53%. >%<‘£m. heard her father praise him, Praise his courage and his wisdom; ‘Ea. * 6533- >%< ‘fizz ‘ﬂab. 6% AP. S. 6348-2.5 Would he come again for arrows To the Falls of Minnehaha? b ‘ /—\ \, rm Dreamily. A/i~i: — j pp a tempo izém On the mat her hands lay idle, And her eyes were very; dreamy. [— Tzb. -gg \-/ 9113* Through their thoughts they heard a footstep, Heard a rustling in the Allegro molto. (J:;32) If .. . branches, And with glowing cheek and forehead, With the shoulders, A.P. S. 6348-25 Suddenly from out the woodlands Hiawatha stood before them. Maestoso. ff Straight the ancient Arrow-maker I >§< ‘sun. =%< Looked up gravely from his labor, Laid aside the unfinished arrow, Li? L_/ Bade him enter at the doorway, Saying, as he rose to meet him; V “Hiawatha,you are welcome!” At thel feet of Laughing Water Hiawatha Presto.( -:76 laid his Aburden, Threwthe red deer from - shoulders; Andthe maiden looked up at him, [ repeat 2]’ necessary I Looked up from her that of rushes, Said with gentle look and accent, ‘Sta. 1' ° as “You are welcome, Hiawatha!" Very I spacious was the Wigwam, Lento." (JJ-) 5-1’: Allegro. ‘(J.= 66) 2; slow arpeg. ‘S222. deerskin dressed and whitened, .> ’T 77‘zf > A.P. S. 6348-25 the Gods of the Dacotahs Drawn " and painted Curtains, And so tall the doorway, > /*3 mf Hiawatha stooped to enter, touched his 1 eagle-feathers As he entered at the doorway. paco rit. Then uprose the Laughing Water, From the ground fair Minnehaha, Laid aside Adagio. (Jzes) A.P.S. 6348-25 22’ her mat unfinished, Brought forth food and set before them,Water brought them from the brooklet, Gave them food in earthern vessels, Gave them I drink in bowls of bass —wood, | L; Listened while the guest was speaking, Listenedwhileherl . 000 ?rz't. -5. J father answered, But not I once her lips she opened, T‘ Not a single word she uttered. Yes, as in a dream she I A.P.\S.6348~25 23 listened To the words of Hiawatha, As he talked of old Nokomis, Vvho had nursed him in his childhood, As he mf:.j“-—— D > /R told of his companions, Chibiabos, the musician, And the very strong man, Kwasind, F dim. J >' d > And of happiness and plenty In the land of the Ojibways, In the . J- . xi‘: "”" pleasant land and peaceful. “After many years of Warfare, Many years of I > strife and bloodshed, There is I peace between the Ojibways And the tribeof’theDaCotahs’.’ #. A..P.S. 63-18v 25 Thus continued Hiawatha, And then added,speaking slowly, “That this peace may ‘last forever, 1’ hands be clasped more closely, And our hearts be more u — Give me as. my Wife this maiden, poco accel. e 0072 ferzvnre Minnehaha, Laughing Water,“ Loveliest of A.15.S.634s—25 25 Dacotah Women!” And the ancieni | dim. e r2't. U V’ T ArroW—maker Paused a moment ere he I answered, 1) a tempo Smoked a little While in silence, Looked at Hiawatha proudly, Fondly looked at Laughing Water, And made answer very I gravely: ‘ “Yes, if Minnehaha I Wishes;Letyourheart speak, {T A.P. S. 6348-25 26 Minnehaha! ” 2 ‘Sim. lovely Laughing\Vater Seemed more lovely, as she stood there, Neither willing nor reluctant, As she Went to Hiawatha, Softly took the seat beside him, While she said, and blushed to say it, {I/7-—_—“T 2 ‘£210. 3;; yga. follow you, my husband!” “Rah. A.P. S. 6348-25 This was Hiawathzfs wooing! Thus it was he W011 the daughter Allegretto. \-Z. (”l'6’S(‘. p000 a nun [ega fr‘; Of the ancient .«‘;r:r0w—maker, In the land of the Dacotahsl Xﬁ _ A.P. S. 6348-25
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Date: 1904
Text: Breitkopf & Héirte|’s Bihliothek of Vocal. Scores ‘ ./ Ar** 7 -\ .\ , \ u \ \ wry :° Y/7‘ % ’ I . "4, '- by Longfellow :——-+>x«—-———~ Vocal Score ONE SHILLING AND SIXPENCE - I 54GtMa1'lbor0ughStreet 4_ 15- ’ «(T "V, ‘ V -4. LONDON. w ‘ _ A A .!A,J_, «' .- '” , Q I c., ‘4 " ‘ / ﬁriﬁ ‘ i .2? ' 3 A‘ * Dedlcaled re The Mlulerldgs-Taylor Musical Bucls1y,weehleglee um. e lmvnl nllnha LoNGFbﬁLLow music as four-part Songs ( .3. HT 13.] wllh accomponlmenl...
Show moreBreitkopf & Héirte|’s Bihliothek of Vocal. Scores ‘ ./ Ar** 7 -\ .\ , \ u \ \ wry :° Y/7‘ % ’ I . "4, '- by Longfellow :——-+>x«—-———~ Vocal Score ONE SHILLING AND SIXPENCE - I 54GtMa1'lbor0ughStreet 4_ 15- ’ «(T "V, ‘ V -4. LONDON. w ‘ _ A A .!A,J_, «' .- '” , Q I c., ‘4 " ‘ / ﬁriﬁ ‘ i .2? ' 3 A‘ * Dedlcaled re The Mlulerldgs-Taylor Musical Bucls1y,weehleglee um. e lmvnl nllnha LoNGFbﬁLLow music as four-part Songs ( .3. HT 13.] wllh accomponlmenl of Urcheslra or Planoforle by % S.e(C/®I,lﬂlR§IllDlEﬂe-ﬂ”[lll\Xllol@Bi ODS/-le 1. Beside The ungalhered rice he lay. Copyrighl for all Counlries e. She dwells by greal Kenhawae side. inol.U.S.ﬂ. 5. Loud hesanglhe Psalmofbavid. Vocal Scorel/6 nel. LONDON W BREITHD PF & l'I'F\°FlTEL 5ll,Grea’r Marlborough Slreel. also :11 Leipzig. Brussels. New York. Full Score and OrchesfralParfs may be oblalned on hire byarrangemenl wlfh lhe Publishers. Righfs of Performance reserved. Three Ch0ra1- Ballads. ‘/-‘>44 ' - 0649-0 .___...:. . s‘v\’~)x/‘o ' 1.“Beside the ungathered rice he lay?’ (Longfellow) Moderate. S. Coleridge-Taylor, Op. 54-. N9 1. Appas./.91b\7zaf0.> Pianoforte. §f -gf Be- side th’ungather’d rice he lay, His’ sic_k1e in his Hisbreastwasbare,his ther’d rice helay, His e m__.his > d __ i th’ungather’d rice he lay,His sic_k1e in__. his hand,__ > > > A Printed by Breitkopf & H'a7rte1, London. I . . Copyright 1904, by Bx-eitkopf&}{ii.rt~e1. mat_ted hair Was bur-i in the sand. ' breastwas his matted hair His breastwas bare, his m>at.ted hair BF A_gain, in the mist -gain, in_._ the mist __wasbur.ied the sand._____ A _ gain, the mist - — ed in‘ the sand. A - B shadow___. He saw__ his Na.tive land. m shad - ow s1 __ e saw___ his Land his sleep_ He saw _________._. his He saw__ his Land, his >7? SJ‘ a tempo \-/ thro’ e 1and-scape of his The lord - N The 1ord-1y Ni - ger e lord - Be _ neath pa1rn.treeS on the p ain_.__ Once he strode; And heard the tinkling car.a_Vans Des- more aking he strode;__ Andheard e car _ a_vans Des- aking he strode; the tinkling car _ a._vans he strode; M Andheard the car _ a_vans Des- KT . PO00 cend the mountain road, the moun __ - tain cend the moun _ tain road, Des - cend the mountain Des-cend the road, _ tain the road, Descendthe moun - _ tain > \ poco rit. He sawoncernore his dark- queen A- mongherchil - dren sawoncemore his dark _ _ ey’d queen ’M her chil _ _ dren 07680. 17000 (1 $7000 - They c1asp’dhis neck, theykiss’d his cheeks They held him by the stand, Theyc1asp’dhis neck __ Theyheld him by the 1asp’d_. neck,_._ They ' d__ his cheeks;[‘heyhe1d his hand! They c1asp’d his neck, theykiss’d his eeks, They hand! They c1asp’d________ his neck, kiss’d his cheeks,______ hand ey c1asp’d_________ his neck, kiss’d__:__._. h1S cheeks, They c1asp’d his neck, c1asp’d his neck, they .1" ill tran uillo by the heldhim by e _.___ > burst heldhim by the d! A tear, > a tear > burst fromthe cheeks, They held him by the hand!A tear T F P)’ poco rall. L‘ 65. pifi tranquillo in - tothe sand from the s1eep-er's lids, And fell sleep - lids, And fell from the sleep lids, And fell > KT f 3 t8IIlp0 g/A llegro furioso. A >> G /5 f And then furious pace he rodeA- long fur _ - ious pace he And then at fur-ious pace he rode A- long the N'1_ger’s bank, A/..——-—-TL long, - long, rode a - long then at... fur - _ ious pace he rode a _ bank, e Ni-ger’s then at fur-ious pace he rode A - long e Niger’s long the Ni _ - At at fur.ious the Ni _ _ gers bank, - e-reinswere gol_den chains ger’s bank, rode a_long, ' reins were gol - den fur - _ ious pace he rode a_long, ' rgns were gol - den pace he rode A- long e i_ger’s bank, > His reins I A gol - den xix Z5 _._ Andwith a mar- tial r‘lank,> At each leap hecould Chains,AndWith a. mar - tial Clank, With a mar - ti _ Clank, e could chains, Andwith a mar _ tial > Clank, He Could eel_ at each /\ chains, with a ‘mar _ tial Clank, with a mar - tial__ A A Clank, Z .1" his scab- of steel his scab.bard ’ of steel > At his sCab_bard of steel each leap he could feel > > he could feel, At each leap hecouldfeel K At each leap he couldfeel his scab-bard > leap he could feel, At each eap he could eel his > Q5 > scab_bard of steel, At each leap he couldfeel / his scab_bard > > scab-bard of steel, At each 1eap_ he could feel, hecould feel... his_. Smit-ing bmit_ing Smit _ - ing > scab - bard Smit_ing Be- fore h1m,1ike a b1ood.redf1ag;I'heb >/.-———$ him, like ood _ red flag, the right b1ood-red f1ag;I'he bright f1amin_goes flew, Be - fore him, like Be - fore ,like a b1ood-red f1ag,The A/———--——$ {'1-——-?"*§ flam - in _ goes f1ew,______ be - fore him flew, From blood '- f1ag,the brightflamin _ > - goes flew, ew, rom bright oes flew, Be - fore him, like ag, From Be-fore him,like a b1ood-redflagﬁlhebrightflamingoes ew, From > \ > > f N morn till night he morn till Nll /‘Z?-———T grew, ew,Till he grew grew,Ti1l he f till night till night he > > -13 f0l-1ow’dtheir flight, O’er plainswherethe tamarind he follow’d eir O’er plainswhere the — flight, er plainswhere e tamarind fo11ovv’c1 their > > > their > night fgll f1ight,O ' plainswherethe tamarind Till he ____.___ the roofs of - fre saw the_. aw e ro>ofs of Caf-fre Till he the_ roofs of Caf - fre saw the_ roofs, aw e roofs of Caf-fre the? roofs, saw e roofs, ill he _ the roofs of Caf_fre huts, >. > the roofs of Calf- fre huts, Till he the roofs of Caffre huts, Andthe o_cean the huts, dthe o_cean the roofs of fre hgts, Andthe o_cean > >> > saw__ e__ roofs,sawtheroofsofCaffre huts, And O_cean At night he heard the largamente The 1i_on roar, And e - And the hy _ heard th __ /'\ heard the __ ‘ _____._._ And the hy - roar, He... heard the... >2-\ e - na scream, Crush’dthe 9-T13 Scream» Andthe ‘ _er-horse,__ as he crush’d the__. _ e - na scream, > roar, .___.__ And the riv.er_ horse,_. the _. > > éf reeds, Be-side some hidden side_____ some hidden reeds,>Be-side some hidden __ crush’d the ral1.p0c0 a pace _ _ ' pm lento rall. largamente _: : L... > _ __ like a g10r-iou roll drums, Thro’ the tri umph, like a g ' roll drums, -Thro’ the tr>i umph, the like a lor_ious roll ,_____ Thro’ the - umph, the like a. glor - ious roll ,_____ Thro’ the tri _ - umph, the > /--‘-3: largamente =;—-_A/—--—-\ rall. tri-umph ' And it ass’d like a glor_ious tr>i-umph ' And it pass’d,it__ pass’dl1ke a glor_ious tri-umph ' And , t_ pass’d1ike a g1or_ious > > tri _ umph ' And it pass’d like a gl0r_ious {ii /"\ 97" \ A tempo lgrgamente ._.-____.-é_.':‘__ Thro’ e tri umph, Thro’ the tri umph, Thro’ the tri umph, > Thro’ the tri umph, _ 65.1a,r-gamente L tempo (Allegro furioso) atehnpo (Allegro 1lI'10S0 Shout- ed of 1ib_er- ty; Shout_ed of 1ib-er_ ty; The Shout- ed of 1ib_er _ ty; The \ > of the Desertcried a _ - of the Desertcried and shout-ed of S The for.ests,with their myriad tongues, of lib _ er.ty; And the sh _ ed of lib _ er_ty; for _ ests And the s1;%ut_ed of lib _ er_ty; or- ests shout.ed of lib _ er_ty; . loud, ith a voice so wild_ and shout _ ed of lib- er- ty, > > 1ib_er_ ty, Wild... and > > shout _ ed of ## lib _ er _ ty, T ‘;~’:/f> That he start ' smiled, > A wild and free,That ' and smiled, , free, That he ' s1 and smiled, —-f _ >> > > ’> Sowild and free,That he start ' sleep, and smiled, # T smiled, smiled At eir tem _ pes-tuous 5>mi1ed>-- ‘ed the ______. tern _ smi1ed,_ . smil .._.._> At their tem _ pes-tuous smi1ed,.____._ ' At their term - pes_tuous rit. e dim. a tempo He did not feel thedriveré whip, Nor thebuxningheat of daiy, e 'dnot eel the e ‘d not eel the .9 \ mP d not feel driV_er’swhip,Nor e burn_ing eat... of driv_er’sWhip, or e burn_ing heat_ of > > drive "p, fee __ ee1___ out lay,__ lay, > lay, > Nor the burning heat of ForDeath the heat of For Dea the burningheat of or eath ined, 11 _ orDeathhad1.1 - lum - - 11 I;/’__/’:,_ the Land ___..___ f Andhis hfe _ less y eep, ined the Land ___of Sleep,_ Andhis life_1ess ined the Land_.____.__of Sleep, And ’ life-1ess bo _ ined the Land f leep, Andhislifeless bo _ dy . > > Oco fall. POCO HIEIIO IIIOSSO /J} fetter, that the soul Had fetter, like a Worn _ out fetter, that the soul Had —-<___—f_Z > etter, like a wgrn out etter, that the soul____ Had > ' . fetter, like a worn _ out fetter, that e soul > H),- PO00 mH'L.65. poco meno mosso _ ken and thrown bro - ken and "thrown... a _ - /lgro - ken and ken._____._.___ bro_ken and - ken had b k bro_ken and ken and thrown bro - ken and ken and thrown bro- ken an rall. thrown ______had thrown a thrown ?.___ had thrown a thrown _______. had thrown a thrown a 2.“She dwells by great Kenh'aWa’s side.” (Longfellow) S. Coleridge -Taylor, Op.54. N92. Andantillo (ma con moto). A > 10000 rall. Soli or Semi Chorus. Sop. atem 0 Alt. Tenor. Shedwells bygreat Ken-ha _ wa’s side, In val - leys green._and Bass. F And all her hope and all her _. Are in the vil _ lage school, are in e vil - lage mp B a tempo She dwells by great Ken_ha - wa’s side, In — She dwells great KEY - side, In_ school by greatKen - ha - wa’s side, a > _ She dwells by great‘ Ken-ha - was side ad ad B at9mP0 L. 65. val - leys ._____ her hope and — val _ leys .__ and C001 > hope._ and val - leys green and cool _.._..___ all her val _ leys green and cool,_._____ __.__.__.__ her Are in the vi}. lage school vi1_ lage school vil - lage 0ol> > > the vil-1age schoohallherpride is the fan rall. ,_ are in the vil - lage schoo. vil. - 1 poco accel. /T‘ > poco >accel. soul, ' the trans-par-ent ' robes the__ Her soul, like the ' __._..:Thatrobesthe hills Her soul like the ' __.__Thatrobes hills D " Her soul,_ like the trans_par_ent‘ air That robes the Thoughnot of earth, en - c1r - c es there All witharms of Though no of earth en _ cir - c with Though not of earth, en - cir_c es & with bove,__..__ Though not of earth,en _ cir- cles there All things with arms of mil’ mp And thus walks among her And thus__ walks a - ong her girls And thus she walks > a _ mong her thus __ girls th praise girls With praise mild_ re _ bukes; walks With d_ re _ walks, 1th aise .____.___ and mild re - _.__ among her girls With praise and mild re _ thus s e Walks amongher girls, With praise_ andmild re - th praise Z\ bukes; bukes- ukes; > mild re - bukes; /‘K F L Molto meno mo sso. he She reads at Molto meno mosso. fI'_“'W"““~“‘“~““““~ . f ev - en_tide r came... to iave; €I1-tie Of she reads Of _ en - tide mp G To cast_ the cast To to save; Cap - tive chains__ a _ To save, to G lib - er - ate_._ the slave chains And 11b_er_ate the slave, the slave b - er-ate > >> 1ib_er_ate the slave, {.1 side And W.‘ ﬂ And And And H cap _ tive dim. and lib _ er-ate and lib _ > and lib _ er-a.te oft.__._ the bless ed %— oft the blessed oft the b1ess.ed side chains time _ fore _ - time fore _ time fore _ en sill shall be free, And tells When all men shall be free; tel1sWhen all men free- tellsWhen all men free; Z”f If as sil _ ver bells, eir fall- ing chains_shall C’l'(5S(}. music-al sil _ be , Their chains shall mus1c_al as bells, Their fall - ing chainsshall And bellsffheir chains shall f m, axtempo (Prime). their fall_in chains all their chains shall fall _ ing chains shall shall I fall _ ing chains ﬁgfl > > atemgp (Primo). L. 3. si_cal And my (1 fo1_1ow_ing her ed Lord,In And fo1_loW.ing her ed L0rd,In And fo1-low ' her . ed my . dfol _ de _ cent pov _ er makes her de-cent pov- er Shemakes her her life one de _cent pov _ er She makes her one sweet de - cent pov- er She her sweet K re_cordAnd deed of__ char- i _ ty. cord of char_i _ ty. re_c0rdAnd deed of char- i _ ty. re - cord___ of char_i - ty. K For she was rich For she was ric To break gave up all mf in her in her Of and ve up and gave up She was She was hall hall, wait-ed those who those who 31 > /« all gave up all___ .;1l_ she gave all.__ up and gave up_ all_.__ all she Rich ahd gave up_ Of those who Of those who her in > >>> wait - ed in her > > > wait-ed in her dim. e lands _______._ who of thosewho la bo __ who la - bour’d ‘ lands __._______._ those who la - la ' _:.___ those who la bour’d mf rall. M a tempo 1abour’d in her lémds. la - bo_ur’d in her 1anEIs.___________ _ bour’d in her Ian >/T cresc. > > > , a tempo mp-‘ Longsince .yond the South-ern Sea,T heir outbound sails have Longsincebe- Sea,Their sails have Longsince be _ ‘ e Sea, Their ' ___j_ have ce be - yond the South_ern Sea,Their outbound sails have ._.While e, m deep hu mi - '_ ty, Now earns er dai_ly bread. j __ VVhi1e she,in deep hu m1_1i - ty, Now her read. __ While she, now earns_._ herbread Now earns..____a her bread, __ While she,in deep hu mi - li _ ty, Now earns her ‘ dai - ly bread. A It is their pray’rs,whichc1othe -—._/_: >z—-——-—\ >,./—-—--—--—-$ __ It is their pray’rs,.__.._.__whichnever cease WithSuCh‘ grace ’I;h_eir ing is the light of theirpray’rs That clotheherwithsuch grace .___ mf is their pray’rs It is their ray’rs It is their pray’rs, which 1ightThat shines tip _ on her face. _.________ wgf __whichne_ver ____.__... That c10the__._¥ herwithsuch grace which ne _ ver cease That c othe her with such That clothe _____ herwithsuch grace- Her pray’rsThat clothe her with such grace; Their dim.e rit. > _ Their blessing ' the light of peace, That shinesup - on her A _._ Their b1ess_ing ' the light of peace,the light That shines up- Their bless-ing ' the _ light of peace,the light That shines up -' b1ess_ing ' light That shines up _ on her -\ ‘I dim.e rit. face,_ __ that shines up on her face, that shines that shines up - on her _ (in her face,that shines that shines u _ on her / face,__._ that shines up A mo rundo 3.“Loud he Sang the Psalm of David.” (Longfellow) Allegro furioso. Allegro furioso. >> > >/'\ i. e Psalm of Dav _ id! Psalm of Dav _ id! Copyright of Breitkopf & Hi-rtel, Londonw 54 Great Ma-rlbourgh Street. S. Coleridge Taylor, Op.54. N9 3. Rights of performance reserved. A/' Loud hesang the _. the Psalm Of Dav _ id! Loud hesang __. the Psalm of Dav _ id! > > He, 21 Ne _ gro,and— en - > He, 21 Ne - gro,and en _ > he sang id. > he sang the Psa1m___. > > >> rae1’s Vic - t;o_ry, _ éd, Ne- gro,anden _ ‘ , ‘ _ rae1’s Vic _ /‘ > Z’\ ) Ne- gro,and en _ slav - of Is _ > > ff’ ' _ on,b.ri t and free. ‘ _ on, free. __ ’ _Von, t and ' _ on,brightand free. > > ' ' =3 > Psalm ._ the Psalm of. the Psalm of Dav - the Psahn of Dav - > d he sang of Dav _ id! Loud he sang e Psalm__ of _ id! Loud hesang Loud he sang the >> lie, a Ne- gro,and en _s1aV ed, He, 21 Ne _ gro,and - ed, __ of Dav _ ’ M He, Ne_gro,and en _ - ed, {T ‘ > ' /‘ Psa1m___ of Dav _ ' . I He, 3. Ne- gro,and en _s1av - ed, > > > . > > - rae1’s Vic _ Sang ‘Of ‘ _ rael’s Vic - to_ry, Sang V > _ rae1’s Vic _ to-ry, _ V Sang > > M of Is _ ‘ _ rael’s vie- to-ry, Sang > > > > Zi _ on, t and free. Zi _ on,bri d free. Zi _ on t and 1j{ee. 0 Zi _ on,brightand free. > ’ > > P0 meno inosso, ma con moto. that hour, when night is calm_est, Poco men , ma con moto. co rit. he of the HebreWPsa1m_ist, Sang he of the He _ brew _ ist, poco rit. so sweet and cl __ That could notchoose bu Sang in a voice so sweet._ andclear ThatI could not choose G , Sang in a voice so - that I co d., not choose but hear, Sang in a voice so js— hear, could not choose._ but hear,_________ a voice so In a voice so /—-x P1’ oco rall. sweet and clear That I could not choose —-=:_:'_': clear That I could not clkfose, 1 could not choose but and clear That I could notchoosc, I could not choose but — sweet and clear That I could choose but poco rall. > Tempo I. of Dav- id! of av _ id! ____of /".3 Loud hesang e > Loud hesang the Psalm____. of >>> O _ éd, V Ne- gro,and en _ /\ _ ed, Ne_gro,and en - slav - éd, > > >>> Is of d he sang H Loud he sang a Ne _ gro,and a Ne - gro,a§d er rael’s Vic _ to- , rae1’s Vic _ to- ry, Zi _ on,bright and free. _ tO_ry, _ On, and’ Zi - on,bright and Vic _ to_ry, Zi _ on,brightand free. > K Poco meno mosso (tranquillo). Andthevoice Poco meno mosso( quillo). rit. : — of his vo_tion Fi11’d mysoul thstrange e-mo on, ’d my ulwithstrange e- poco rlt. L. 65. a te111p For its tones byturnswere gla ,_ For..__ its tones._ tums___were glad, Swee .2 ‘WCGL a tempo > f> Sweetly solemn, wil Swee y 501 - emn, wild - ly sad. sol _ _ emn,wi1d - _ 1y._ sad, So1_emnand wil _ ly sad. 0’I'€S(3. oco rit. For its tonesby turnswere glad, Sweet- sol - emn, _ ly > its tones turnswere glad, its toneswere sweet_1y so -ernn, d _1y /'\ __...—___j.___—'_ /3 For its Ltonesby turns were glad, its tonesWeresweet_ sol- emn,wi1d- ly /5 For its tones by were g1ad,Were sol _ emn, Wild _ y poco rit. a tempo C’I'6S0 . Sang ___________ > of Christ, the > of Christ, the L0 > cresc. of Christ, the Lord > 3 3 V N atempo ul and Si _ 111 and i _ las, ul and ul and N m./' a tempo Christ, sang of Christthe Lord a -, > > > > Lord sang of Christ theL0rd a _ ris - en ris _ > f , in_theirprison, in_.their Si - las, > Si _ las > > ) And an And an earthquakes And an earthquake Broke their dungeon gates at > arm of ght Broke their - geon gates, broke eir dungeon gatesat > > > > > arm of might Broke their dun - geon gates, broketheir dungeon gatesat . > > > > >3 >3 >3 3 ; : > >> > > \..Zg2 OAZ >>>> Ias! A what _ho_ly _ V - Brings the _ slave this ad e- But,a_1asl_.___3 what gel Brings e slave this But,a - las! what ho - ly an_gel Brings the slave this ad e m. Onight. But,a _ las! what gelBrings the slave this glad e _ gel? Andwhat earth - quages _ _ of might__ _ gel? And What earthquakes arm of might Breaks his gates, What gel? And what earthquakes arm of might his gates, 5 > > ‘ van _ gel?What earthquakes arm of might ._ Breaks his gates, what > > mf Breaks his dun _ geon gates at —> earthquakeBreaks his dun _ geon Breaks their dun _ geon gates at > > earthqua1<:eBreaks his d=un-geon gates at A he sang the he sgg >e he sang the '0°0 rit; P >> > > > a. tempo > he sang the lm he sang ePsa1m ud___ e sang thePsa1m /*_'$ Loud___ he sang thePsalm > > > > > sang __ the Psalm of V Lou _ sang __ the of Dav > > Lou .._ he sang __ thePsaIm of Dav Loud __ he sang __ thePsa1m of Dav >> > he sang Loud he sang the Psa1m__ id! Lgxd he sang the P _ of Loud he sang the Psa1m__ of > > > > Ne _ groand en _ slaved, Ne _ groagd en _ slaved, He_ a Ne-groand en - s1 He a- Ne-groand en - slav > > > Is rac1’s Vic _ to-ry, Zi-on bright and .free_ Vic _ tory, he Is rae1’s Vic - to-ry, Zi_on bright and .free. > > \./ \/ A David,of Dav.id,of Dav > . sang thePsa1mof sang thePsa1m of Dav > > > sang the Psalm Dav f Dav dof Dav- ,of e Sam the Psa he sang the > sang... the Psa1m_ of he sang the Psalm largamente > egro, d en-s1aved’ egro,and en _ slaved Negro,and en _ slaved Negro, and en - slaved tempo U agcel. pgco d en _ s1aved__ Loud he sangthePsa1m of and en _ Sm Lo>ud he ‘ thePs§1rn of and en - slaved__ Loud thePsalm of A’ ' ~ d en _ slaved_ Loud he sangthePsa1m of _ >_ >’ b > >U> 17 > >c1'esc. >moZta> > t accel. poco a -a empo > > A . M > >/.'7.'f"/-'—""“~\ thePsa1mof Dav - ' . thePsalmof > > > s>angthe Psalm of Dgv - id! gngthe > of sang e Pga £1” Dav - id! sang Pgalm of thePsa1mof Dav - id! thePsa.lmof > > > > V cmsc. > accel. > > > -
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Date: 1904
Text: -~ v.. .33’ Z‘;‘‘>; ' _4,.n.». >v 3- F‘ »V /4, RV » ix M -r-. .z-./~ s,, K ' ,,,.u.; T my Dnnﬁﬁc-a BABY TERENCE [ His Book] TNELVESMALISUNES FDR SMALL PEUPLE l9N DQH SCHQTT & C2 MAYEHCE B.sQH<.>n'ss<2'HNE PARIS EDITIQNS SCHQTT BRUXELLES scrmr FRERES COPYRIGHT PRWTEDIN GERMANY. Hl|[|f\ HDElﬂ°|°DE NEEDHHM. TWELVE SMALL SONGS FOR SMALL PEOPLE. TWELVE SMALL SONGS FOR SMALL PEOPLE ALICIA A1)E'LA°1'DE NEEDHAM ’ ‘ — V v v A‘: ‘ l I A V’ < -scHo...
Show more-~ v.. .33’ Z‘;‘‘>; ' _4,.n.». >v 3- F‘ »V /4, RV » ix M -r-. .z-./~ s,, K ' ,,,.u.; T my Dnnﬁﬁc-a BABY TERENCE [ His Book] TNELVESMALISUNES FDR SMALL PEUPLE l9N DQH SCHQTT & C2 MAYEHCE B.sQH<.>n'ss<2'HNE PARIS EDITIQNS SCHQTT BRUXELLES scrmr FRERES COPYRIGHT PRWTEDIN GERMANY. Hl|[|f\ HDElﬂ°|°DE NEEDHHM. TWELVE SMALL SONGS FOR SMALL PEOPLE. TWELVE SMALL SONGS FOR SMALL PEOPLE ALICIA A1)E'LA°1'DE NEEDHAM ’ ‘ — V v v A‘: ‘ l I A V’ < -scHo'r1"s sbnfzgl‘ . V ,1” J: K.- { ; .‘./' LONDON, SCHOTi’ 8: C0-' 187 8: 159 Regent Street. Printed in Germany. Copyright 1904 by B. Schott’s Sifhne, Mayence. TO MY DARLING LITTLE SON 213%“ ~:.%3§. NOEL TERENCE NEEDHAM (AGED 3) CONTENTS. Mr. Turnip’s Complaint . A Wee Little Star . The New Little Shoes A Sad Tale Seven Times One Six Little Foxes The Trains at 6 and 8 The Bicycle Bird A Naughty Little Girl A Little Brown Rabbit [n Disgrace At Nighte Time MR. TURNlP’S COMPLAINT. Mr. Turnip sat sighing, And this was his moan: ”Those tiresome young rabbits Won’t leave me alone. They nibble and nibble On this side and that,- They think I’ve no feeling Because I’m so fat“. So sighed the poor turnip, With tears in his eyes- "Oh, would that those rabbits Were made into pies!“ MR TURNIP’S COMPLAINT. Words Anon. Muslc by Alicia Adelaide Needham. Allegretto . ter Turnip sat sig ,And this was his moan:“Those tire- some young rab - bits W0n’t leave me a-1one,- They > \¢ y f can z'ndz'g1mzz'one nib-hle and nib-ble On this side and that,- They think I’ve no feel-ing Be- >/‘*5 mf Stich u.D1-uok von B. Schott’s Siihne in Mainz. 27539, 1, cbpg/right 1904 by B. Sclaottis S6lme_ _ corzt. 7”? “ “'7” 0 774?’ cause 1m 0 fat- They think I’ve no feel-ing be - cause Im so fat?’ IT 000 Mt. /———ﬂ—s\ mp m 000 meno mosso. So sighed the poor turn-ip,With #— mp calla voce a temp Q tears in his eyes._“Oh! would that those rabbits Were made m V f 27539.1. A WEE LITTLE STAR* A wee little star lived up in the sky, Ever so high, up, ever so high; V And the way it kept blinking, You couldn’t help thinking, Up there in the sky, it wanted to cry; Up ever so high, up, ever so high. But this same little star, who lived up in the sky. Ever so high, up, ever so high, Was just playing “bo-peep”, With a boy half asleep VVho thought he could spy a hole in the sky, Up ever so high, up ever so high. * By kind permission of Messrs. Novello & Co., Limited. A WEE LITTLBSTAR. Words by Berthold Tours. _ _ M}1S_§C by A11c1a Adeleude Needham. Andante eon grazla . m wee lit-tle star ved up in the sky, E -ver so high, up, T e -ver so high; And the Way it kept blinking, You could-n’t help think- ing, It L; P P Stich u.Druck von B.Schott’s Siihne in Mainz. 2753-9_ 2 _ Uopyrigkt 1.904 by B. Sclzottis Siilme. Want-ed to cry, Up there in the sky, mpa tempo But this same lit-tle star, who lived up in the sky, Up e - ver so high, ..%\ e - ver so high, Was just play-ing“Bo peep”with a boy half asleep, G \ _ thought he could spy a hole in the sky, Up e—ver so, e-ver so ﬁéf. f _ mp molto ritard. 27539. 2. same lit-tle star lived up in sky mfpoco accel a tempo E-ver so, e-ver so high, e-ver so . > wee lit-tle star that lived up 27539. 2. THE NEW LITTLE SHOES. You would know by the way she goes creaking about, Peering down from all possible views At the two little feet thrust complacently out, That Polly has on her new shoes. They are neat, they are gay, they are buttoned up high! They are lined in a brilliant blue tint; They are bright as the stars twinkling up in the sky, Or a penny just out of the mint. But it isn’t for that she’s so happy and proud, That she's almost unable to speak; It’s because they give out such a charmingly loud, Such a perfectly beautiful squeak. EMMA A. OPPER. X THE NEW LITTLE SHOES. Music by W d b E A. 0 . . . , .. of 3 3/ mm“ “W A11c1aAde1a1de Needham. Allegro Vivace. mf You would know by the way she goes creaking a - bout, Peering down from all pos-Si - ble views Stich u.Druok Von B.Sch0tt’s Sﬁhne in Mainz. 27539, 3 _ Copyright [.9 04 by B. S0/iz0ﬂ’~$‘ L5't'J'/me. two lit-tle feet thrust com — p1a.- cent-ly out, That P01-ly has on her new Meno moss m They are neat, they are gay, they are Mano mosso. /3 mf f'\ a tempo. but-toned up high! Theya.re lined in a bril-liant blue tint; They are leggiero a tempo. poco rz't. bright as the stars twinkling up in e sky, pen-ny just out of the /T atem 0 mf vivace A 27539.3. mf But it is.. for that she’s so hap—py and proud,That she’s __———-—"*""" ral- - .f- len- ' a1-most un- at-ble to It’s'be — cause they give out such a f-' Zen - tiff,’ n -mf . ha tempo charm-ing- ly loud, Such per-fect - ly beau-ti - ful squeak! - mf‘- do atempo 27539.3. A SAD TALE. __.iT..9*.._H.__. He was a rat, and she was a rat, And down in one hole they did dwell, And both were as black as a witch’s cat, And they loved one another well. He had a tail, and she had a tail, Both long and curling and ﬁne; And each said, ”Yours is the finest tail In the world, excepting mine“. He smelt the cheese, and she smelt the cheese, And they both pronounced it good; And both remarked, it would greatly add To the charms of their daily food. So he ventured out, and she ventured out, And I saw them go with pain; But What befell them I never ‘can tell, For they never came back again. A SAD TALE. Words Anon. Music by Alicia Adélaide Needham. Andantino . PIANO. mf semplice mf He wasa, rat, and she was a rat, And down in one hole they did And both were as black as a witch’s cat, And they A - Stich u. Druck von B.Sehott’s Siihne in Mainz. 27539. 4 . copyright 1904 I’-7 B‘ Sclmttrs ‘%7me' 000 rz't. ‘‘ 537"?" loved one an-0 - ther Well. He ’had a tail, And T rzz‘. D she had a tail, Both long and curl-ing and fine; {T rail. - — each said.,“Y0ur’s is she fin - est tail In the world, ex - cept - ing {"-'-(1-———.$ rall. if ben marcato 27539. 4. He smelt the cheese, and she smelt the cheese,Andthey sotto voce both pro—nounced it And both remarked, it would 27539.4. —_::_:,_ er! poco ritard. great-1y add 0 the charms of t eir dai - ly food. poco rz ar . > E‘-lx mp a tempo he ventured out, and she ventured out, And I saw them go with $ mp a/h;¢&_\' rall. But what he — fell them I ne—ver can tell, For they /” cf rail. ben marcato ne-Ver came back 3, — gain. fa’ fem 0. F : SEVEN TIMES ONE. There’s no dew left on the daisies and clover, There’s no rain left in heaven: I’ve said my “seven times” over and over, Seven times one are seven. I am old! so old, —— I can write a letter! My birthday lessons are done; The lambs play always, they know not better, They’re only one times one. 0 moon! in the night, I have seen you sailing And shining so round and low; You were bright! all bright! but your light is failing You are nothing now but a bow. You moon, have you done something wrong in heaven That God has hidden your face? I hope if you have, you will soon be forgiven, And shine again in your place. 0 velvet bee, you’re a dusty fellow, You've powdered your legs with gold! 0 brave marsh marybuds, rich and yellow, Give me your money to hold! 0 Columbine, open your folded wrapper, Where two twin turtle-doves dwell! O cuckoo-pint, toll me the purple clapper, That hangs in your clear green bell. And show me your nest with the young ones in it; I shall not steal them’ away; I am old, so old! you may trust me, linnet, I’m seven times one to day! JEAN INGELOW. SEVEN TIMES ONE. Words by Jean Ingelow. I10 Stich u. Druck Von B.Seh0tt’s Siihne in Mainz. Allegretto con dignita . dew left on the /\ There’s no leggiero con grazia rain left in heav-en: {--'—“"*\ mp \-\_§_______-we L/ 27539.5. Music by Alicia Adélaide Needham. daisies and clo-ver,There’s said my “Se-ven times” mf /”"_-'-_'-‘T/-\ 00));/Mgkt 1.904 by B. Sclwtfs i5’()'/me. 0 - ver and O _ write a let - ter! My Se -ven times. one se-ven! old! so o1d,_I can rallf;-:—— mp birth-day les-sons are done; ‘I rall.:_:-,,_~—=. mp 27539.5. a tempo Tall. ’:_:>-- lambs play always, they know no bet-ter, They’re on - 1y one times /"—‘~F/"“‘;,\/"-\\ O moon! in the night, I have rail. . Zi. seen you sail-ing And s - ing so round and low; You were f'.\ g_____/ __»_:i Q a tempo bright! all bright! but your light is fail-ing, You are noth-ing now but a a tempo 1 e ‘era Mezzo mosso You moon, have you done some-thing wrong in heaven That mp. 6>3e$‘\~— _.e__’’’_: “‘_:;> God has hidden your hope if you have, you will molto ritard. _____ ‘:—. soon e or..giv— en, And shine a- gain your place. " molta rit EI m . Tem 1.‘ Vivace. vel - vet bee, you’re a /\- dus — ty fel-1oW,You’ve powderedyour legs with gold! 8 brave marsh ma—ry-buds, r oh and yel — low, Give me your mo-ney to €____________2 J rall. 00- lumbine, op-en your fold — ed wrapper,VVhere two twin tur - tle- doves mf :o mp a tempo. dwell! Cu-ckoo-pint toll me the pur- ple c1ap—per,That 8 ritard. L. hangs in your clear green bell. 8 I 27539. 5. WE: show me your nest with the young ones in it; I shall not steal them a.- mf 0 old! you may trust me, lin-net, I’m my joyfully tempo se — ven times one 27539.5. SIX LITTLE FOXES.* Six little foxes were tempted to roam, Heigh—ho, heigh-ho! They had six little brushes, but never a comb, I-Ieigh—ho, heigh-ho! And their grandmother told them, with tears in her eyes, “You’re old for your age, but you’re small for your size, And out of this hole you’ll not go if you’re wise," Heigh-ho, heigh-ho! But the six little foxes cried, “Grandmother Dear!” Heigh—ho, heigh-ho! “We may not be strong, but there’s nothing to fear!” Heigh-ho, heigh-ho! “And more of the world, we’re determined to see, Than a hole in the ground at the foot of a tree; And we’re cunning, as cunning, as cunning can be!” Heigh-ho, heigh-ho ! “If you meet the Red Huntsman, be not too bold,” Heigh—ho, heigh-ho! “For the hounds ate your Daddy«you’ve often been told,” Heigh-ho, heigh-ho! “And if they catch sight of you, run as you may, You’ll not find it easy, my dears, as I say, To leave them behind, as you gallop away.” Heigh-ho, heigh-ho! - The six brothers laughed at their old granny’s fears, Heigh—ho, heigh-ho! They all scampered off, in spite of her tears Heigh-ho, heigh-ho! She watched and she waited all day by the door, And begged Mr. Weasel to go and explore; But they never, no never, came home any more, Heigh-ho, heigh—ho ! From “LITTLE FOLKS.” ' * By kind permission of Messrs. Cassell & Company, Limited. SIX LITTLE FOXES. From “Little Folks.” Music by Alicia Adélaide Needham. Allegro Vivace non troppo. Six lit- tle fox - es were tempt - ed to roam, They had six lit-tle brushes, but Stich u.D1-uck von B.Schott’s Sﬁhne in Mainz. g7539_ 6_ 6’opym'g}zt 1904 by B. Sclwttlv So"lme. 35 12000 7'z'tard. a tempo - ver a. comb, Heigh — ho, Heigh — 110! And their 7 Eff " poco ritard. L r _.___h_._—§— L’) Grandmother told them,with tears in her eyes,“You’re old for your age,But you’re Z" a temgo : —;_—.—.—,— L f small for your size, And out of this ho1e,yo1f11 not go if you’re wise,” {""-----jh a tempo Heigh - ho, Heigh- ho! f vivace. But the ' lit-tle fox-es cried, “Grand - mo-ther Dear!” 27539.6. m poco ritard. may not be strong,but there’s nothing to fear!” Heigh - ho, m poco rztard. \_j mp a temp0___,___,€_.—_——_--__ “And more of thewol-1d,we’1-ede - termined to see,Than a __=_________,._____————___ ral - hole in theground at the foot of a tree;Andwe’re cunning, as cunning, as - ta” ' ' do a tempo \/ cunm'11gcan__- be!”__. Heigh - ho, Heigh - hq!V {'~———_—T you meet the Red Huntsman, be not too bold? mp Heigh — ho! “For the hounds ate your Dad-dy you’Ve of-ten been p(0fc.0 ritard. e > r atempo if they catehsight of you, run as you may, You’ll not find it e'as— y, my f mu. \/ clears, as I say, To leave them be—hind, as you gal-lop an - way,” {T {T .-_—{’___ fvivace 27539. 6. fmolto ritard. six brothers laughed at their old grannfs fears, Heigh - ho, Heigh- ,fmolz‘o ritard. - mfa tempo ho! They all scampered off, in spite of her tears, poco ritard. Heigh - ho, Heigh - ho! She Watchedand she wait-ed all } poco ritard. \__/ day by the door, And begged Mr. Weas-el to go and exp1ore5But they > flmw ".55 ___—‘___,.. molto ritard. A > "=1:-I: ne-ver, no, ne-ver, came home any more, Heigh - ho, Heigh .. ho! fpoco rit. % ‘L. 27539. 6. THE TRAINS AT 6 AND 8. _:. The ﬁrst train starts at 6 p. m., For the land where the poppies grow; The mother dear is the engineer, And the passengers laugh and crow. The palace-car is the mother’s arms; The whistle, a low, sweet strain; Then the passengers wink and blink and nod And fall asleep in the train. At 8 p. m. the next train starts, For the sleepy land afar; The summons clear falls on the ear, ”All aboard for the sleeping car!“ So I ask of Him, who children took On His knee in kindness great, ”Take charge I pray of the trains each day, That leave at 6 and 8 “ E. R. LOUDEN. THE TRAINS AT 6 AND 8- Words by ER. Louden. MuS__iC by Alicia Adélalde Needham. Allegretto semplice . VOICE . train starts at For the land where the pop - pies Stich u. Druck Von B.Schott’s Siihne in Mainz. 27 53 9_ '7_ 0019.1/7“Z'gkt 1904 53/ 3- 30710317»? 55/1709- M0 - ther dear is the en- gin - eer, And the pas-sen-gers laugh and mp so/wrzando g/. mp dolce rall. pa,-lace - car is the Mother’s arms; The whist-le, a 1ew,sweet 27539.7. strain, Then the pas - sen - gers wink and a tempo fall a - sleep in the train. ¥__./ mfa tempo \._./ At... mfa tempo \_/ the next train star.ts,For the sleep— y.___ land a. le mp The sum-mons clear falls on the ear, “All a- {{_—_“'${é'-""""‘\ mil _ board for the sleep- ing car!” mp so/wrzando {T ask of Him who child-ren took, On His poco rit. i Implorcmdo knee in kind - ness great, “Take charge I pray of the mp poco rit. X 0 trains each day, That leave at 6 /"”"""T\“‘\\ 27539.7. TH E BICYCLE BIRD?‘ The bicycle bird is a wonderful fowl That is found where the roads are good; With scarcely a sound it careers o’er the ground, And oil is its principal food. It utters a sad and peculiar cry Which sounds like “Punk—punka! Punkture!” And sobs fill its throat, when it raises this note, As those who have heard it feel sure. It’s fond of a hill, but it likes to go down, And not up, for itsgtyred from its birth. With one ﬂashing eye it flits rapidly by, When darkness is over the earth. It rests against railings, but ne’er goes to roost, In trees that would shelter it, which Shows singular taste, but it sometimes, in haste, Will seek its repose in a ditch. The bicycle bird makes an excellent pet When tame, it has scarcely its match; But ’tis, I must add, for a girl or a lad, A troublesome creature to catch! FELIX LEIGH. *By kind permission of Messrs. Cassell 8: Company, Limited. THE BICYCLE BIRD. Words by Felix Leigh. Music by Andante con grazia. bi - cy— cle bird is a won—der-ful fow1,That is found where the roads are good; With scarcely a sound it Stich u.Druckvon B.Schott’s Sﬁhne in Mainz. 37539_ 8 . . Copyright 1904 by B. Schottic So”lme. Alicia Adélaide Needham. reers o’er the ground, And oil is its prin—ci - pal food! mm It ut-ters a. sad and pe- cu- li - ar cry, Which sounds like “Punk-punk-a.! Punk - ture!” poc0 {*5 sobs fill its thr0at,when it raises this note, As thosewho have heard it feel /3 {T a tempo J” a tempo It7s fond of a hill, but it likes to go down, And not up, for its tyred from its birth.____ With one flashing eye it flits ra,-pid.-1y by, When dark-ness is 0-ver the earth. 27539.8. P It rests against rail-ings, but ne’er goes to roost, In trees that would Shel-ter it, which Shows mf ‘ 17000 mall. a tempo sin—gu-lar taste, but it some-times inhaste,Wi11 seek its repose in a { 10000 rall. 27539.8. Paco mezzo mosso. The bi - cy - cle bird makes an ex - cel-lent pet._When mf calla 12000 /-——__T 27539.8. a tempo tame, it has scarcely its match; But ’tis, I must add, for a rail. f girl or a lad, A trou-b1e—some creature to catch! K2 27539.8. A NAUGHTY LITTLE GIRL. There was a little girl, and she had a little curl Right down the middle of her forehead; And when she was good, she was very, very good, But when she was bad, she was horrid. One day she was upstairs, when her parents, unawares, In the kitchen were occupied with meals, And she stood upon her head in her little truckle-bed, And she then began hurraying with her heels! Her mother heard the noise, and thought it was the boys A-playing at a combat in the attic; But when she climbed the stairs, and caught her unawares. She took and she did scold her most emphatic! There was a little girl, and she had a little curl, Right down the middle of her forehead; And when she was good, she was very, very good, But when she was bad, she was horrid! LONG FE LLOW. A NAUGHTY LITTLE GIRL. Words by Longfellow. . Music by Alicia Adélaide Needham. Allegro. 9 ’ mf rail, a tempo was a lit-tle girl, And she had a lit-t1ecur1,Right down in the middle of her )- > And when she was good, she was ve - ry, ve— ry good, But /5 F Stich u. Druck Von B.Sehott’s Siihne in Mainz. 27 5 3 9. 9. 6’010:m'g/at 1904 by 13- S0/wtfs Sﬁiwm a tempo when she was bad, she was hor-rid! One day she was upstairs,when her parents, un-a-wares, In the ex kiteh.-en were oc-cu-pied with meals, And she stood up-on. her head, in her 27539.9. I7” little truck1e- bed, And she then began hurray—ing with her heels! meno 7710880. motherheardthenoise,a,n<1 thought it was the boys A - playing at a combat in the p calla voce P000 rall. a tempo ral - at- tic; But when she climbed the stairs, and caught her 1111 - a — wares She {woo rail 0 56771170 2 took and she did scold her most em- pha—tic! A”’/’g7'0- whip a tempo 712 mil. lit - tle lit - tle curl,» Right > a tempo in the middle of her fore-head; And when she was good, she was > mfa tempo ve-ry, ve-ry good, But when she was bad, she was hor-rid! #\____,_,,/ 27539.9. A LITTLE BROWN RABBIT. ‘*9 A little brown rabbit sat under a tree, With a little brown headache, to boot, Since not for his little brown life could he see Why he couldn't get up it on foot. ”There’s a little red animal, very like me, (But with very inferior ears), Who hops to that tree-top as quick as can be!“ And he squeezed out two little brown tears. But the small wicked squirrel peeped down from his branch, (Dropping nut-shells beneath him like hail), And winked at his friends, as he said, "But by chance, You’ve forgotten, friend Rabbit, my tail?“ And a little brown heap gave a little brown jump, And uplifted a little brown wail, As it mournfully looked at its little brown stump, ”\7Vhy of course, I’d forgotten his tail!“ EVELYN GLOVER. * By kind permission of Messrs Cassell & Company, Limited, A LITTLE BROWN RABBIT. Words by Evelyn Woven Alicia A1:2J1SeLi'1°(:ieb1{I7eedham. Andante. lit - tle brown rab-bit sat mf un — der a tree, With a lit -tle brown head—ache, to boot, Stich u.D1-uck von B.Schott’s Stihne in Mainz. 27539. 10. Copyright 1904 53/ 13- 50/005” S070”?- not for his lit-tle brown life could he seeWhy he could-n’t get up it on 07880. “There’s a. lit-tle red a — ni- mal, ve.. ry like me, But with tempo 27539.10. a tempo ve- ry in - fe - ri — or ears,) Who hops to that tree - top as quick as can be!”A;nd he squeezed out two lit-tle brown tears. fI\ 27539.10. down from his branch. (Dropping nut—she11s beneath him like hai1,) winked at his friend.s,a.s he said,“But by chan-ce,You’Ve forgotten,friendRabbit,my c 27539.10. mf And a lit - tle brown heap gave lit-tle brown jump, And up- mfa tempo lift-ed a lit-tle brown wail, , ° mourn-ful-1y looked at Q m lit-tle brown stump§‘Why of com‘- se I7d forgotten his tail!” > mf 27539.10. IN DISGRACE I didn’t mean no harm, Not at all! I only held my hand For the ball, But somehow it hit his head; Then his noseit went and bled; And as if I’d killed him dead, He did bawl. Nursey said I was a horrid Little wretch, And Aunt Jane said the police She would fetch; And cook who's always glad Of a chance to make me mad, Said "Indeed she niver had Seen setch!“ - No, I never, never will Be good! —- I’ll go and be a babe In the wood! I'll run away to sea, And a pirate I will be! Then they’ll never call me, Rough and rude. How hungry I am getting, - Let me see! I wonder what they're going to have For tea! Of course there will be jam, And that lovely potted ham, How unfortunate I am! Dear me! Oh! it’s growing very dark In here, And the shadow in that corner Looks, so queer! Won't they bring me any light? Must I stay in here all night? I shall surely die of fright, Oh! dear! Mother, Darling! will you never, Come back? .I am sorry that I hit him Such a crack. Hark! —— Yes ’tis her voice I hear, Now good bye to every fear, For she’s calling me her clear Little jack! IN DISGRACE. Words Anon. Music by Alicia Adelaide Needham. Alla Marcia. Pat/zezficallg but not slow. did-n’t mean no harm, Not at all_ on-1y held my hand For the ball, But some—how it hit his head;Thenhi.s nose it went and bled, And as mf \_J\, Stich u. Druck von B.Schott’s Siihne in Mainz. 27539. 11. Uopmght 1904 by 19- Sohotti? Mime- ‘if I’d ki11edhimdead,He did bawll Nursey said. I was a hor-rid Lit-tle W1-etch, 1' L1’ -[ ben marcato \ mf <-;'f__ Aunt Jane saidthe po-lice Shewould fetch; And cook who’s always glad Of a f 4___’___2 27539.11. ]_ mp con dz'gm'ta chance to make me mad, Said.“In- deed she niv-. er had Seen setch!” mp con dz'gm'z‘a e_}______—__________j 6-en marca to ben marcato S (with de iance.) No, ' ne-ver, ne-ver will Be J good! mf 27539.11. go and be a babe‘ In the W0od!_ 1711 run a-way to sea,And an “*3 ' Z’{-——-_-_“$ /T mf pi-rate I will be! Thenthey’l1 ne—ver call me, Rough anti rude. Z'‘''_—_—_—‘‘\ (more subdued) How hung..ry I am get-ting,Let me 27539.11. Won-der what they’re going to have For tea! con dolore a temlgo mp 000 Tall. course therewillbe jam,And that lovely potted ham,How un - f0r—tu—nate I am! Dear Z”-——'*T mp sotto voce ben marcazfo 27539.11. Paco meno mosso (tim idly. Oh! its growing very (1311-k,In here, 7”? Paco meno mosso shadow in that corner Looks so queer! Won’t theybring me an-y 1ight?MustI /T J 19000 accel. 00" f.\ . lib. stay in here all night? I shall sure-ly die of fright, Oh! dear! Mother, F3 -—-—:::: /*"'j""‘S 77000 ($008 27539.11. a tempo passione. Imploramlo. -<:: F5 Dar1ing,Wi11you never,Wi11you never Come back?I am sorry that I hit him Such a. f'.\ a tem 0 calla vgce Allegro crack.Hark!__ Yes ’tis her voice I hear, Now good bye to every fear, For she’s m. .? KLJ con molto fenerezza M” a tempo calling me her dear_____ Little Jack! Z’——-—\ ,-l[_[________________, fprecz'pz'toso 27539.11. AT NIGHTE TIME. When thou hast spent the lingering day In pleasure and delighte, Or after toyle and wearie waye Dost seek thy rest at nighte. Unto thy prayers or pleasures past, Adde this one labor yet; Ere sleep close up thyne eie too fast, Doo not thy God forget. About the year 1500. AT NIGHTE TIME. Words mb0um5M' Alicia AC1;/<['311l:i%c€et1)\3I,eedham. Andante con tenerezza. Religioso. mfcon dignita /3 m a tempo When thou hast spent the 1ing’ring day_.______ In pleasure and de - f'.\ ("T f af- ter toyle and wea-rie waye Stich u.D1-uck Von B.Schott’s Siihne in Mainz. 27539_ 12, 6'0py/right 1.904 by B. Sclwttis‘ S0’/me. Un - to thy prayers or pleasures > >>.> _ 07930- Adde this one la - bor ,yet: sleep close up thyne eie too fast, D00 not thy God for- get. if fa — 27539.12. X "7‘u'$~ ‘ gm.» - . -7..
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Date: 1903
Text: ”v‘“u11c(;_2/ C 370/718/Z (J71 %) gain‘ C"j')L7ILC(].5 10 It /1, fgia./2 0 C“Zocc(7Ir'zpa /117/21,0/2 t (‘C/3aV6Ly C) ﬂutirzcq, flw,m*I.r}/ by <9r(‘;a1_q <,(‘/;)I'c{(/c// 80:/ey (®a},zm/i, .:(£>’,;7c’l‘l‘l/ /wy 9(w)cn:(1/ ‘H7. .L:onAq/a/[ow _..__§ (Z33/zc ogaat cl*>)ca .£?oel'1}/ 6}] 6)(1'm'r ‘Ci’.-ml.»/I (:76o/:1Lm (, C) ' .I K _ _V 5716 céooz 0976a/12 J Gfonrq, (W70-ad.) a,{Irony:wxoz¢.) “Bow (voice 381;]/L °?»‘n{.¢'a (@:t:q1'na[...
Show more”v‘“u11c(;_2/ C 370/718/Z (J71 %) gain‘ C"j')L7ILC(].5 10 It /1, fgia./2 0 C“Zocc(7Ir'zpa /117/21,0/2 t (‘C/3aV6Ly C) ﬂutirzcq, flw,m*I.r}/ by <9r(‘;a1_q <,(‘/;)I'c{(/c// 80:/ey (®a},zm/i, .:(£>’,;7c’l‘l‘l/ /wy 9(w)cn:(1/ ‘H7. .L:onAq/a/[ow _..__§ (Z33/zc ogaat cl*>)ca .£?oel'1}/ 6}] 6)(1'm'r ‘Ci’.-ml.»/I (:76o/:1Lm (, C) ' .I K _ _V 5716 céooz 0976a/12 J Gfonrq, (W70-ad.) a,{Irony:wxoz¢.) “Bow (voice 381;]/L °?»‘n{.¢'a (@:t:q1'na[) (’LZ‘>vn1rz.1p¢v.)m/) C}/5ew :2/OZ/1 : (ﬁfe/ziVr/zz,ez, 6'0P“l/'£t:£]/1.3, I:)o3, [>3] (‘E85/z/tine: __‘_ 0.! 0 O O O 0.1010 D I 01010 .0 O.I.I OOOJLIIO 0'50: Ol.‘,Q...l‘IIO,I.9.0lI 0 on no I 0 O,l_».O,.... O 0.0 Do 3 01$ 1 C I o_a,o.u;J 0 DESIGN CQPYR¥C;HT I903 BY.Cu.SC.HlRMER‘ ‘EDWARD B ED,\/VARD5 DES. MUSIC LIBRARY VASSAR COLLEGE To my wife. Daybreak. SIDNEY HOMER. Op. 11., N? 1. Poem by Longfellow. Origillaﬂ key. M0110 Vivace. came up out of the sea, And said,“O mists, make roomfor me3’__ hailed the ships, and cried,“Sai1 on, ye —ners, The night is > > 15 6’opyrz'glzI,1.9()3, by G. Sclzirmer. And hur_ ried land - Cry- ing, “A _ Wake! it / Z"'%"_‘$\ or .. st, “Shout! Hang‘ all your 1eaf—y ban-—ners > 1116710 mr).s'.s‘o. It touched the Wo0d—birc1’s it a’z'm. e m . E-:_.,/7' L2 fold _ ed wing‘,___~ And Said,.._.._—_—— “O bird, a- c1-esc. ed aces]. and the farms, 0 crcsc. ed awe]. mmm’. Chan _ ti — cleer, Y ur clar _ on blow; rzlard. 0 77lI).S‘S‘0 It Whis — pered to the p a tempo the L om — mg morn!_._ f9tr2'Iz emio a fenzpo > ff molfo ritam’. It shout — ed through the bel - ry_toWer, “A _ // ,’ L I./""'“"$. mall‘/2 re m , Andante. Wake, 0 bell! pro — claim the fh /—\. >-,2"-:‘“”T. > W crossed the church _yard Wiﬂ-1 a sigh, And said, “Not yet! Not yet! In qui .. et 1ieZ’ ‘Pill/6 742‘. New Songs and Duets, Selected from the Catalogue of G. Schirmer, New York ALLITSEN, FRANCES, A Song of Thanksgiving (with Organ ad lib.) High, medium or low. $0.75 — I know a little Rose. (Ich Weiss ein Roslein roth.) M.-Sop. .50 —- Eight Heinrich Heine Songs: A Pine-tree standeth lonely. (Der Fz'c/denbaum.) .50 Two Sapphires those dear Eyes of thine. (Sap/tire sind die Augen dein.) .60 Diamonds hast thou and Pearls. (Dz; /last Dz'amante7z um! Perlen.) .60 King Duncan’s Daughters. (Die Boise/zafi.) .60 Since my Love now loves me not. (Seit die Liebsie war entfermf.) .50 Fathoms deep may drift the Snow. (Magda draussenSc/mee sic/1 t/zz'irmeu.) .50 Oh Death, it is the cold, cold Night. (Der Tod das 2'51.‘ die /:22’/zle Nae/ll.) .60 Katherine. (lfat/za7’z'7ze.) .60 Complete in one Volume. net AMBROSE, R. S., One sweetly solemn Thought. Sacred Song. High or low. .35 BARTLETT, HOMER N., Come, see the Place where Jesus layl Easter Song. High or low. .75 —— 0 Little Town of Bethlehem. Christmas Song. With Piano and Violin obl. High or low. .75 —— Sayonara. M.-Sop. .60 BLACK, JENNIE P., 3 Songs for M.-Sop: No. I. Storm, the King! “ 2. The Rosary. “ 3. The Violet. BROCKWAY, HOWARD, Op. 22. Two Songs: No. I. Would thy Faith were mine. Sop. .50 “ 2. Lend me thy Fillet, Love. M.-Sop. .50 BUCK, DUDLEY, Boots and Saddles. (A Soldier’s Farewell.) Ten. (Original) C; Bar. Ab. .60 —— O, Saviour ofthe World. Offer- tory. High or low. .60 —— Until God’s Day. High or low .40‘ -— ‘Why Love is King. High or low. .60 BURLEIGH, H. T., Plantation Melodies, Old and New. net 1.00 CAMPBELL, G., For one sweet Smile. M.-Sop. .50 CASTELLO,GEORGE E., 4 Songs for Sop. (or Ten.): To the West Wind. .50 Could’st thou but know. .60 Du bist wie eine Blume. (Ah, sweet as any Flower.) .40 Sehnsucht. (Yearning) .50 CLAY, FRED, The Sands o’Dee. Sop. .40 DE KOVEN, REGINALD, Abide with me. Sacred Song for Alto. — Barcarollez “ You are the Moon, my Love.” Sop. ~— Battle Grey. M.-Sop. ~— Love’s Trinity. Alto. ———- My Nightingale. Sop. DENZA, L., In Shadowland. High or low. FREY, ADOLF, Over the Way. Sop. GOLDMARK, RUBIN, Op. 5. Four Songs for M.-Sop. (or Bar.): No. I. Ode. “ 2. Spring Rains. “ 3. The old, old Song. “ 4. A Love Symphony. GRAY, HAMILTON, The Golden Pathway. High, medium or low. —- Purple Heather. High or low. d‘HARDELOT, GUY, In Bracken- time. Sop. HASTINGS, FRANK S., Fair Helen. (Old Scotch.) High or low. — For Love of You. High or low. —— Rose dark the solemn Sunset. High or low. HAWORTH, C. E., At Last. High or low. HOMER, SIDNEY, Eight Poems by Tennyson: Break, break, break. M.-Sop. Gm. Sop. Bbm. Crossing the Bar. M.-Sop. Db, Sop. E. Sweet and Low. M.-Sop. Db Sop. E. Thy Voice is heard. M.-Sop. Eb Sop. F. Home they brought her Warrior dead. M.-Sop. Fﬁm., Sop. Am. The City Child. M.-Sop. Eb Sop. F. Minnie and Winnie. D, Sop. Eb. Enid’s Song. M.-Sop. Bb,Sop. Db. M.-Sop. LAER, C. E. van, Crossing the Bar. Sop. LEHMANN, LIZA, Mother Sleep. High or low. MASON, DANIEL GREGORY, I love him. M.-Sop. —— Shall I upbraid or praise her i‘ NEIDLINGER, W. H., Life and Death. Bar. F; Bass D. — Thy Face. Baritone. NORMAND-SMITH, GER- TRUDE, Four Songs for M.-Sop. (or Bar): Auf der Heide. (On the Moor.) Das Hiiterkind. (The Shepherd Child. Sunnenwenduacht. (S o l s t i c e Night.) Der Geworbene. (The Recruit.) PRICE, C. E. B., A Few more Years shall roll. Sacred Song for Bar. $0.75 ~— My Father for another Night of quiet Sleep and Rest. Sacred Song for Bar. (or Bass). .60 RODNEY, PAUL, Clang of the Forge. Bar F ; Bass Eb. .35 ROGERS, JAMES H., “ Moods." Four Songs : No. I. Not from the whole wide World I chose thee. High or low. “ 2. Years have ﬂown since I knew thee ﬁrst. Sop. “ 3. You. High or low. “ 4. Who knows? High or low. SAAR, LOUIS V., Hark, hark, pretty Lark. Sop. With Violin. : Lilian. Sop. With Violin. SARJEANT, J., Blow, blow, thou Winter Wind. High, medium or low. 0 .50 STAHLSCHMIDT, ARTHUR E., Concita. A Serenade in Seville. Ten. (or So-p.). .50 —— If I were loved. M.-Sop. (or Bar.). .50 STERN, LEO, Soupir. (A Sigh.) Valse lente. High or low. .50 THOMSON, SYDNEY, I heard the Voice of Jesus say. Sacred Song for Alto (or Bar.). .60 TSCHAIKOWSKY, P., Pilgrim’s Song. Bar. (or Bass) E; Alto D. .60 WARREN, SAM’L P., Faithful. M.-Sop. .50 — Waiting.’ M.-Sop. .75 WHITE, MAUDE V., How do I love thee. M.-Sop. (or Bar.). .35 WHITING, ARTHUR, Barrack- Room Ballads (by Rudyard Kip- ling). (DamzyDeever. Mandalay. Soldier, Soldier. Fuzz)/— Wuzzy. net 1.00 *- “Floriana.” Poems by Oliver Hereford, from “Overheard in a Garden.” For Solo Voices and Piano. net 1.50 VOCAL DUETS. ALBUM of sixteen Sacred Duets for various Voices. net 1.00 Dvoi'2AK, ANTON, Echoes from Moravia. (Klange aus Mahren.) I3 Two-part Songs for Soprano and Alto. g. e. net 1.00 RUBINSTEIN, A., Eighteen two- part Songs: g. e. Paper. I.oo Cloth.
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Date: 1903
Text: Percy Leo Atherton Four Songs Op. 20 l. In (EdoL1;«.rdPuillcron.) C1‘a(llC .SOIlg. (Thomas Bailey Aldrich.) Serenadfﬁ. (Henry Wadsworth Longfellow.) Fly, ll1lSllC—ClOWn, (Richard Watson Gilder.) THE BOSTON MUSIC C0. G. SCHIRMER, Jr. BOSTON. MASS, Copyriglit, 1905, by (L .‘€cu1[eM1<:R,_lr., for all countries. Sole Agents for Great Britain CHARLES WOOL}-l()USE, London. uuuc unmnv VASSAR COLLEGE SERENADE. Stars of the summer night, Far, far in yon azure deeps Hide, hide your golden, golden...
Show morePercy Leo Atherton Four Songs Op. 20 l. In (EdoL1;«.rdPuillcron.) C1‘a(llC .SOIlg. (Thomas Bailey Aldrich.) Serenadfﬁ. (Henry Wadsworth Longfellow.) Fly, ll1lSllC—ClOWn, (Richard Watson Gilder.) THE BOSTON MUSIC C0. G. SCHIRMER, Jr. BOSTON. MASS, Copyriglit, 1905, by (L .‘€cu1[eM1<:R,_lr., for all countries. Sole Agents for Great Britain CHARLES WOOL}-l()USE, London. uuuc unmnv VASSAR COLLEGE SERENADE. Stars of the summer night, Far, far in yon azure deeps Hide, hide your golden, golden light, Hide, hide your golden light ! She sleeps! my lady sleeps! Moon of the summer night, Far, far down yon western steeps, Sink, sink in silver, silver light, Sink, sink in silver light! She sleeps! my lady sleeps! Wind of the summer night, Where yonder woodbine creeps, Fold, fold thy pinions light, Fold, fold thy pinions light! She sleeps! my lady sleeps! Dreams of the summer night, Tell her, tell her her lover keeps watch, Keeps watch while she sleeps in slumbers light, Keeps watch while in slumbers light she sleeps! My lady sleeps! .Walter Raymond Spalding. Serenade. Words by _ _ Music by Henry Wadsworth Longfellow C _ Percy Lee Aiherfon. 0p.20, N9 3. In dreamy ecstacey. /,(,(1.(, N-,;_ >- . poco mt. ’.___T;——‘T———— 3%-/T’ a tempo Stars of the sum—rner night! Moon ' of the sum—mer night! 1) a tempo Far, far- in you 2 ‘ / hide, hide your gol M en, Far, far_d0wny0n Sink, sink in sii — ver, {'5 C0/>yr.€gIzt, l.’»':/H, by G.Sc/air/iwr, Jr. 3‘ Mr. C9 838 For all countries. gol — den light‘. Hide, hide your gol - den 1ght!She sTeeps!My sil — ver 1ight!____ Sink, sink in sil - ver 1ight!She s1eeps!My Wind f the sum-mer /‘#-T B.,M.C983.~z Where yonder W00d—bine creeps,___ Fold, fold thy pin— ous If?-—~,V“*”‘: y pin— ions sleeps! hi??? 3?? M2‘. (.3. fey//55,10 f"""_'""l Dreams of the sum—mer night ‘/If:/’77?[)0 E E K} ' B.M.CQ 838 ‘Tr? /£311 her, ell er er 10v — er keeps watch! Keeps Watch While ‘S e sleeps 11 '3' " r_T>’_1' slum - be/rs 1ight____ Keeps watch while in s1um—bers light she..s:1eeps,My sleeps ! .;_____________ Sleeps?! e.x'///'g.9.s'7s'z)c* 8 " F. ‘B.M.C9 838 FOUR SON-GS FROM “AN APRIL HEART” (SONG CYCLE) BY H.CLOUGH-LEIGHTER OP.24. A fascinating and ingenious. Cycle of six songs. (Pr.n. 1.25) Complete copy may be had at any Music Shop or from thePublisher G". SCHIRMER, J r. THE BOSTON MUSIC COMPANY . BOSTON, MASS . — “A little Maiden Loves a Boy.” L CHARLES HANSON -IOWNE. All tto }{.CI.0UGH- LEIGHTER, 0p.2~l, No.2. condo. J: 96. "if Daytime, playtime, Maytime, Maytime, All the world is white for me! BE 3 p.________, rall . a ’Tis a fay-’timc,fay-time, It is never night for (‘l ma- gic Ema?’ Dw/die Copyright ‘[902 by G.Schirmer,_]r. “The Magic of the Spring. ” CHARLES HANSON TOWNE. H. CI.0UGH— LEicinEn,op.24, No.5. Poco allegro,con ferinezza.,\J = 34. O > 3 For all countries. Now who can faith- om this, The '2‘ ma-gic of the Spring? And ‘Bab. who can tell one glad bird can make the whole world sing? {T ' 7 . 2 6 \/ Ah, me, ,,.._we cannot measure ,.:t\ _ mezzo mosso m1z»y___ 7 .t\, . . .1 D . * 1902 by G. Schirmer, Jr. -- For all countrje5_ THE S|NGER’S GUIDE. VI “The World is Full of April.” CHARLES HANSON TOWNE. H»‘.CL0li'GH- LEIGHTER, Op. 24, No. 3. The world "sf are one long drt-am,,.,.. earth is wild _ animandosi The woods with mu - cic en ture , can Copyright 1902 by G.Schirmer,_]r. “ You and I and April.” H. CLOUGH- LEIGHTER ,op.24,No.s. : 88 . For all countries . CHARLES HANSON rowmz. Allegretto eon auiina. grazia You and I make perfect All our days, dear You and l shut Letting in the out the dark P /M =x<€r:*eo * Copyright 1902 by G.Sr.hirmer,]r. For all countries. An attraotive booklet, containing a. graded and classified list of recent p11blir.;;:,’r,i<)i1s . useful alike to tea.ohers,protess1onzLls and zxiiiateurs. Qent to miyztddi'ess Iree ot ciiarge .
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Date: 1902
Text: '4 uusLc ununv VASSAR COLLEGI a-ouanxszn-sac. new vonK \ no M \f A 4_ . I \ A 434' TO MISS HELEN MILLER GOULD. eggs 0 THE BROOK AND THEWAVI; _j_.,',L POEM BY HENRY W. LONGFELLOW Set to Music BY HENRY J . LAUTZ. op.zL.N91. sown/mo on renon m D. Price 50¢ M MEZZO-SOPRANO on matron: IN C. jX1{THUR P. §crg~nDT. 9 . BOSTON, LElPZ|G, NEW YORK, 5 St. I36 Fifth Ave. ~ cw”;/an /yozayumw P 5:/mm/c ~___— g THE BROOK AND THE WAVE. The brooklet came from the mountain, As sang the bard of...
Show more'4 uusLc ununv VASSAR COLLEGI a-ouanxszn-sac. new vonK \ no M \f A 4_ . I \ A 434' TO MISS HELEN MILLER GOULD. eggs 0 THE BROOK AND THEWAVI; _j_.,',L POEM BY HENRY W. LONGFELLOW Set to Music BY HENRY J . LAUTZ. op.zL.N91. sown/mo on renon m D. Price 50¢ M MEZZO-SOPRANO on matron: IN C. jX1{THUR P. §crg~nDT. 9 . BOSTON, LElPZ|G, NEW YORK, 5 St. I36 Fifth Ave. ~ cw”;/an /yozayumw P 5:/mm/c ~___— g THE BROOK AND THE WAVE. The brooklet came from the mountain, As sang the bard of old; Running with feet of silver Over the sands of gold! Far away in the briny ocean There rolled a turbulent wave, Now singing along the sea beach, Now howling along the cave. And the brooklet has found the billow, Though they flowed so far apart, And has filled with its freshness and sweetness That turbulent, bitter heart! Henry W Longfellow. 1, L - :- I A ‘.9 . $ '5 A.P. S. 5736- 5 To Miss Helen Miller Gould. THE BROOK AND THE WAVE. (DAS BANCIILEIJV UJVD DIE WELLE.) poemby E HENRY W. LONGFELLOW German translation BERTIIA RAAB. by HENRY J. LAUTZ. — Op.4. N91. The Das 0072 Pedale p dolce E L} brook_ let came from the moun ‘_ _ tain, AS sang the bard Bzic/2. - [em musclz— te vom Ber - - ge, ln’s blu - - men. 7722' - 0/Le /3‘\ — ning with feet la’ - 0/zen Mu _ A Poem used by spec2'alpermissz'an of }[oughtzm,Mzfflz'n cf 6'0. Copyright 1902 by Arthur P. Schmidt. A'P' S‘ 5733 ' 5 Public Performance. Permitted. ver the sands of tier den gold - mm >11 g2'tal Far - a-way in the/bri _ my [/72 _ ge_.9t2’¢'71z rollt’ zmd b7'aust’dz'e {' >agz'ta in \ .4=:_/___"/_ ~ rolled V a tur - bu-1ent fer - - ner gm! - le7z-r1e1/' f can fuoco Now sing - inga_1ong the sea - beach,_ Now Bald t(}'n - te 2'/M‘ Lied am 0' - /'e7',_ Bald . p e.sy7re.s*s. A.P. S. 5736-5 ling a - 1ong_j__;_ the sz'e auf salziiu - .. memder \ . ,2 f mam. M72 00//a Mae 1) atempo ﬁg "3 (L tempo And the brook - let has found the Umi das Biich - [em es famd die />2’:/3/\ d poor) o7"e.s'a “temp” mf- \2 \_/ ‘J \/ - bil - low, Though they flowed so far a - part, W6 - ge, 1)z'e so fen: ma’! 2'}; — rem S0/amerz, p espress. ‘ filled with its fresh - ness and sweet - - ness That tur - bu_1ent, bit - ter goss set". me Fm’ - so/ze und /In - - mm‘/L Ins stair- mzlsclze, bit - t’re . ' >. espress. >. A1’. S. 5736-5 i fa tempo And the brook - let has found the ' _ low/Though they Und das Bic/z _ lez'nVes fami die ‘ _ ge, Die so \_/ L! f a tempo maestoso — _ flowed ' so far a - part,____:_. And has filled with its fresh - ness and fem mil‘ 2% - _ rem Scimzerz, Und es goss sez'-ne Fri _ solze and 13 >7-2'2‘. _ ness That tut- bu—1ent, bit - ter An - - - mat Ins stair- mzlscﬁe, bit - t’re fh com/ﬁe p rit. maremlo 7f_#' 6550771190 , dzluendo et. rit \./ A.P. S. 5736-5 7 I \( SELECTED SONGS from the Catalogue of ARTHUR P. SCHMIDT Boston. _ L Paul Ambrose. . 17. The Shoogy-Shoo. Two keys each . 18 No. 2. A Spring Song. Two keys ea. .19. The Lotus Flower. Two keys ea. Mrs. H. H. A. Beach. .19 No.2. Ecstasy. Two keys. . each .37 No. Fairy Lullaby. F (e-fora.) . .43 No.2. Scottish Cradle Song. Cmiu. -) . . . . . . . . . . . . . . My Lassie. Ab (eZv—a'z>) . W. Berwnld. ".15. The Approach of Spring. Waltz Song. Bb (c-a). . . . . . . . E .43 No.. Arthur Bird. .36 No, 5. When Katie tuned the old Guitar. Two keys. . . . each John Hyatt Brewer. Sweet! (The Swallows’ Song). Two keys ea. Op. 39 No. 1. Rockabye Dearie. Two keys ea. Op. 39 No.5. There’s everasoug somewhere my dear. Two keys . . . each Dudley Buck. The Village Blacksmith. C (atheb) . . . Geo. W. Chadwick. Allah. Two keys . . . . . . . . each Sweetheart, thy lips are touched with ﬂame. Two keys. . . . . . . . each The Rose leans over the Pool. Two keys ea. 0 Let Night speak of me. Two keys each Theo. Chandon. An old Love Song. G (<1-d) Mrs. C. F. (Ihiekering. In the night she told a story. D (d-ft) . (E. Whitney Coomhs. Child of the Dark Eyes. Two keys Once at the Angelus. Two keys . . Charles Dennee. In Dreamland. Two keys. . . . . The Sandman (Lullaby). Two keys The Thought of You. Two keys. . Steph. A. Emery. Op. 24 No.1. Somebody (Scotch Song). D (d-f) Op. 33 No.2. Burst, ye Apple Buds! Bmin. (ft-gt) . . . . . . . . . . . . Arthur Foote. Op. 13 No. 2. I’m wearin awa’. Two keys ea. Op. 26 No. 2. Love me ifllive. Two keys ea. Op. 43 No. 3. Sweetheart. Two keys each Op. 43 No. 5. Up to her Chamber Window. Two keys each An Irish Folk Song. each each each each each Two keys . . each Albnn Forster. The Hour will come. I.) (d-f) . . . .. . In Spring. A (('.-f). . . . . , . . . . . J Henry K. Hadley. Op. 7 No.3. Kathleen. Two keys . each No.6. Greeting. Two keys. each Op. 14 No. 1. Dear, when I look into thine eyes. Div (b-f). . . . . . . . Op. 14 No, 4. I dreamed of a Princess. ‘ D!) (c-f) . . . . . . . . . . L_/Lsx Through the long days and years”. Two keys ea. .40 .60 .40 .40 .30 >32 New York. T J. H. Hahn. Break, break, break. Two keys . . each Love me if I live. Two keys . . . each The Proposal. A (db-e) . . . . . . . . E. W. Hanscom. My Secret. Waltz Song. Eb (d-ab). . . Victor Harris. In Springtime. Two keys ea. The Blackbird. Two keys ea. Georg Hensehel. Spanish Serenade. Two keys Reinhold L. Herman. Op. 37 No.2. A Little Summer Breeze. F (C :4) Op. 41 No.1 Op, 41 No.6. Gipsy Serenade. Two keys ea. Op. 13 No. 1. No. 6. each W. Herinann. Op. 49. The Time of Roses. A (dt-g or a) Edw. Bun-lingame Hill. Five Songs for Children from the >>Round Rabhit« . . . . . . . . . .n. Mildred J. Hill. The Perfect llay. D (_c-fit) . . . . . . . Love’s Paradise. I) (h-fll) . . . . . Helen Hood. A Disappointment. E (e-e) . . . . . The Violet. Filmin. (cil—fil) . . Nath. Irving Hyatt. Op.4 No.1. Marguerite. Two keys No.2. Beneath Thy Lattice. keys . . . . . . . . . . Ilayton Johns. Because of Thee. D (d-g) Marie. G‘:> (d-gb) . . . . . . . . . . . Love’s Revelation. D (d-f). . . . . . . ' Jules Jordan. A Life Lesson. Two keys each Margaret R. Lang. My ain dear Somebody. F (f-f). . . . . Irish Love Song. Two keys. . . . each An Irish Mother’s Lullaby. Two keys each Frank Lyne. (Companion Song to »He was a Prince«) Two keys . . . each Marie. Two keys each ’Twa.s my Heart. Two keys. . . . each If all the dreams, we dream. Two keys each Thy Picture Two keys . . . . . each Dreams. Two keys. . . . . each W. Manse. The Awakening of the Rose. Violin Oblig. Edward Mac Dowell. Deserted and Slumber Song. (eb-eb). Thy Beaming Eyes. Two keys each A Maid sings light and a Maid sings low. Twokoys. . . . . . .. each Four Songs. Complete. Two keys each 11. Three Songs. Complete. ,. . . . . . .n. Hugh W. Martin. When I behold Thee. D (ell-g) My King. Bl» (c-at») 9.3? as Leipzig. 4 John W. Metcalf. Absent. Two keys . . . . . . . . Sunrise. Eb (d-e) A Dream so Fair. A Keepsake. Two keys. . . . . . Homer A.’ Norris. Twilight. B (b—e) . . . . . . . . . . . Geo. B. Nevin. The Boatswaiu Bold. D (a—d) . . . . . . Edna Rosalind Park. The Nightingale and the Rose. Two keys ea. A Memory. Two keys . . . . . . each Thy Name. Two keys . . . . . . each Alice Locke Pitmun. A (e-e) . . . . . . Th. Podherlsky. The Wanderer’s Song. Ah (eh-g). . . . Carl Reine(-.ke- On the Strand. D (e-ft). Violin Oblig. . Dance of the Dragon Flies. E (d—g). Violin Oblig. . . . . . . . . . . . . Franklin Wing Biker. For Love of Her. F (c-f) ["11 never cease loving Thee. Confession. Clara Kathleen Rogers. Confession. Amin. (c-e) . . . . . . . . The Clover Blossoms. F and A (c-filor a) Jas. H. Rogers. The Moon shines pale. Two keys . each Frank E. Sawyer. The Night has a thousand eyes. F (f—f) . Spanish Romance. 0 (e-a) . . . . . . . Sch. B. Schlesinger. Up to her Chamber Window. Two keys ea. Longing. Db (c—e’2 or glr) P. A. Schnecker. Bass Solo. Dmin. (a~el2). Chas. P. Scott. Only a Ribbon. Ballad. Two keys each Robin Goodfellow. D (a-e) . . . . . . . I-‘. N. Shaokley. Ere the moon begins to rise. Two keys ea. Softly blow, ye scented l>1'eez<:S (Serenade) Two keys . . . . . . . . each Thos. G. Shepard. To the Night. :>l\rIe«. Geri-It smmu. Bee Song. A (e-ft) Alpine Rose. B‘? ((1-f) . . . . . . . . . ‘Arthur W. Thnyer. Clover Blossoms. Two keys. . . . Only a Song. Db (db-ab) . . Gust. Tnckerman. . The Windmill. Bass. Bbmin. (f-eb) . . Max Wei]. C (e-g) . . . . . . . . each Love’s Captive. A Cycle of Songs . . . . . . . 11. " .40
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Date: 1902
Text: E.L.A HFORD FDUR sums ROS “/LOVE; 60A BLO , HOU wxxmza WIND as wmsm LOVE IS DONE .. BEWARE 6 WULSC R IO 00. INDIA us, NA. BEWARE. To .7117: Justin T/eatc/aw". LONGFELLOW. , « E. L. ASHFORD. I know .a maid- en fair to Allegrett 0. Take care! be — ware! ‘ She can both false and friend-ly Am'm¢i2fo ‘A be, Take care! be — ware! Trust._—___._. — — ing ‘the9!.._ she is fool - ing .bL. . (70/)y.rI’gIzt 1.902 by Wulsclmer Music Co. Pm lento She has two eyes, so soft and can cmima brown,...
Show moreE.L.A HFORD FDUR sums ROS “/LOVE; 60A BLO , HOU wxxmza WIND as wmsm LOVE IS DONE .. BEWARE 6 WULSC R IO 00. INDIA us, NA. BEWARE. To .7117: Justin T/eatc/aw". LONGFELLOW. , « E. L. ASHFORD. I know .a maid- en fair to Allegrett 0. Take care! be — ware! ‘ She can both false and friend-ly Am'm¢i2fo ‘A be, Take care! be — ware! Trust._—___._. — — ing ‘the9!.._ she is fool - ing .bL. . (70/)y.rI’gIzt 1.902 by Wulsclmer Music Co. Pm lento She has two eyes, so soft and can cmima brown, Take care! Take care! Shegives a side-glanceandlooks down, 0 be- ->Ié°S3eb. -316 Con abandon ‘./—\ C7680. Ware! 0 be - Ware! ATrust her n0t,__she is foo] — ing Beware. 4 Gmzioso And she has hair of gold - en and she has_hair ofgold-en hue, And what she says, it is not cwcel. it is not true, it is not true, Strmgendo Szmg “"010. She gives thee, a gar-land fair, . Tis a fo0l’s cap for thee to Bewa1'e.4 f¢’“i’%’ Trust_. her not, shéis f00]- - — ing thee! cresc. 19000 thee! be - ware,__ be- slower ware,___ 0 trust__.. her not, 0 1ru.=t_._ hér not, ﬂwco (5 fool-ing she’s fool — ing thee! /3 Tempo I m if Beware. 4
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Date: 1902
Text: E Ebwyg @1170 fgﬂttgﬁ OLD SHOES & PARTING (WITH INDIAN AND ENGLISH woaos.) Translated fbomthe Musicai Indian. Play (‘gr ‘ igtawafba" AND HARMONIZED EREDERECEE K B5u1R<E©1NL ——-2)) Price 50¢ ((<--— NEW YORK THE WILLIAM MAXWELL MUSIC Co., 8 EAST I6“'."'ST MUSIC LIBRARY VASSAR CO.'_LZ~f‘ E Old Shoes. Songs of the Ojibways. ]’ransZatz'0n and acc0m;mm'ment by Frederick R. Burton. Muj —je muk -e -sin au — yaw —‘ yon, muj —je mukesin an- yaw - yon, muj-je...
Show moreE Ebwyg @1170 fgﬂttgﬁ OLD SHOES & PARTING (WITH INDIAN AND ENGLISH woaos.) Translated fbomthe Musicai Indian. Play (‘gr ‘ igtawafba" AND HARMONIZED EREDERECEE K B5u1R<E©1NL ——-2)) Price 50¢ ((<--— NEW YORK THE WILLIAM MAXWELL MUSIC Co., 8 EAST I6“'."'ST MUSIC LIBRARY VASSAR CO.'_LZ~f‘ E Old Shoes. Songs of the Ojibways. ]’ransZatz'0n and acc0m;mm'ment by Frederick R. Burton. Muj —je muk -e -sin au — yaw —‘ yon, muj —je mukesin an- yaw - yon, muj-je mukesin au — yaw -yon, muj -je mukesin au yaw - yon. VT)’ Worn out shoes I am a Wear — ing, worn out shoes I am a wear _ing, Worn out shoes I am a Wear- ing, worn out shoesI am a Wear—ing. 1' 1' T T 3 Copyright 190% Hiawatha Drama Co. International Cop;/riglyzt. Parting Song. 7’7'cmslatz'0n and accampam'7/zwzt by Frederick R. Burton. mf Um -bay - ge-way — dohl, -bay - ge-way - dohl, che - way - be -dah — bum, um - bay — ge—way - dohl. V T 7 Let us go home, ’tis near the break 0 the_ day, we should be seen, what would the people say! 1' 1’ 4 Copyright. 1902 by Hiawatha Drama Co. International 6'0171/7"'é'k‘- HIAWATHA: A DRAMATIC CANTATA FOR MIXED CHORUS, SOLI AND ORCHESTRA, BY FREDERICK R. BURTON. This work, designed for Concert use, requires a little more than two hours for performance. Vocal Score, piano accompaniment, - $1.50 Onaway, Awake, Beloved, - - - .50 Air for Tenor or Soprano, from “ Hiawatha." HIAWATHA. the Musical Indian Play: SELECTIONS OF ABORIGINAL OJIBWAY MELODIES HARMONIZED AND THE WORDS TRANSLATED BY FREDERICK R. BURTON. My Bark Canoe, - - - A Song of Absence and Longing, The Lake Sheen, - Old Shoes } Parting Song, ﬂiawatha’s Death Song, - My Bark Canoe, (octavo, mixed voices.) - A Song of Absence and Longing, (oct. mixed voices, J0 WILLIAM MAXWELL MUSIC COMPANY. 8 East Sixteenth Street. New York.
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Date: 1902
Text: ‘ .— —_.,.‘.‘: r-Q‘. -, '.-. —.-..-.-...;,-.,,..-... ..,¢o..~..v...;-.-. - ; ...-‘.‘-9..." -.-_....,,.,.. .._-.-.. ﬂu :.. ‘ ..., :_.a — -.vObU_’, _g- .-I u°-:,’.__.n--. - .¢__n‘-.O..‘l'U_o""-0-4'0 50.6‘:-‘=¢.“-‘--_‘._o..‘.-“ . . '-='~r='-.'-.'-.'-:-:-:': ~.-.. 0 . ‘.->- _ , _V _ . 3 . :0 3 23%’: €‘.'o_'."\;‘9 ;-. ; 0.; I : _v,' ‘.'.'s'. :5}.".’£- - . . ,, .....n_. . ‘st!!! 1 . _ c. ..u....
Show more‘ .— —_.,.‘.‘: r-Q‘. -, '.-. —.-..-.-...;,-.,,..-... ..,¢o..~..v...;-.-. - ; ...-‘.‘-9..." -.-_....,,.,.. .._-.-.. ﬂu :.. ‘ ..., :_.a — -.vObU_’, _g- .-I u°-:,’.__.n--. - .¢__n‘-.O..‘l'U_o""-0-4'0 50.6‘:-‘=¢.“-‘--_‘._o..‘.-“ . . '-='~r='-.'-.'-.'-:-:-:': ~.-.. 0 . ‘.->- _ , _V _ . 3 . :0 3 23%’: €‘.'o_'."\;‘9 ;-. ; 0.; I : _v,' ‘.'.'s'. :5}.".’£- - . . ,, .....n_. . ‘st!!! 1 . _ c. ..u. -3-... .‘u '5 - . , .s¢,o's_qI:::£_‘h!2”c_£o:0_ giggn. G'R’ATHBONE V VOGELWEID .. - ._-., . -,.... u‘o..¢' "‘ .\u . v 6 . . .« ._ ¢"'l"?- "' ‘V; .1 "- °" "‘a*2,::§' ‘ ..:-.-.-.-' * ‘info.-..-3 .-.-‘. "" O . n I ‘ _Ou-bO-l.!,—u:‘’:,:, .. . . ~03,‘ ‘ ‘-‘.4.’-u'u_-;:-.-cu . \ .. . , . .7 .- -111 - - 0 r’ .0006’ ' o? T I .4 u ‘ . , n c, an‘ . .'. go . ‘O '£::¢¢ «J I-0 - o '_.n'.;f' C102."-...A’.." . . ‘ at. no! '. ' all’ I. ' . '.‘.'.'::o '30 Z‘; - - g o’.‘~ - . win" 0 9.-.«v’..°,’.‘.';9 ‘.0.- I THE MINNESINGER "-:_.-...---913:“--"-s: .-:-. .. - '. . . . _ ‘_ ,~'--¢‘.i>a-u_. . ‘ ._< a ‘Div-.-as '-'.*-I.“'oo,¢,‘An‘ ‘I n\’. C '§'.'-n- '0 01¢’ ’. 0;! '4 .,‘:"n_'_“l_D",‘\. .a'i‘5QlIf_,_‘...'. 0:!-03:91..‘ ..a I at UNISON SONGS-—GRADE 1. (Very Easy). EDITED BY W. G. MCNAUGHT. NOVELLO’S SCHOOL SONGS. A SPECIALTY OF NovELLo’s SCHOOL SONGS is that they are issued in Books, each book containing songs of ‘about the same class and degree of difficulty. Most of the songs are obtainable separately. Specially selected numbers can be stitched in a cover to order on favourable terms. all the songs are graded, will be sent post-free on. application. Published in two forms. the B column the A Edition only is published :— The Classiﬁed School Catalogue, in which A, Voice Parts in Staﬁ’ and Tonic Sol-fa Notation, with Pizmoforie Accomjmniment, 8v0 size; B, Voice Parts only in Tonic Sol-fa Notation. Where no prices are given in BOOK 1. S_IX EASY SONGS . Getting up . The Lark . Lazy Sheep . The Snowdrop . . The Autumn Daisy ’ . A Riddle A. Moffat BOOK 2. SIX EASY SONGS . The Little Fish . . The Spring Nosegay . The Old Beggar Man . The Three Little Ants . The Child’s Evening Prayer . The Meadow .. .. A. Moffat BOOK 13. SIX SACRED SONGS . Ye Gentle Flowers . . 0 Jesus, who didst suffer . I love the Flowers so beautiful . God of Mercy, we beseech Thee . Jesus so Merciful V The Gladsome Spring is coming A. Moffat BOOK 14. SIX SACRED SONGS . 0 Children, live in Jesus Christ (Easter Hymn) . Gentle Jesus (Evening Hymn) . O Heavenly Father The Little Birds .. . Forward, Christian Children Carol, Christian Children BOOK 21. NINE UNISON SONGS FOR JUNIORS . Rippling Waters W. W. Pearson . The Snail . H. Elliot Button . The Butterﬂy Chase S. C. Cooke . Swinging . Over’ the Meadows The Wanderer’s Song . Ladybird . My Home . Evening Star Scott Gatty C. A. Miacirone T. Ii/Iurby BOOK 23. TWELVE SACRED SONGS . Listening Angels J. Stainer . Morning Hymn . Hour by Hour . The Beautiful . The Crown is waiting . The Cross of Life . . We will praise Thee . Sabbath Bells . The good Shepherd . The Haven of Glory . The Golden Shore . Evensong A. Moffat _ l-H—H—‘)—H—‘)4l-H-I-‘I-1 A ti. 6 I»-t hw- Woo role‘ l—‘|-—-*)—‘)—-‘V-‘l—‘F-‘F-U-‘l—‘l—‘|—‘ J-A \.\,./\.\,.z--V-—a\.5/_z~—-V..«\—-V./“.‘ B d BOO K 25. TEN UNISON SONGS . Summer Evening Cath. van Rennes . Little Brother ' . The Old Beggar . Little Things... . Cock-a-doodle-do . Patience .. . Summer Showers . A Song for Boys .. . The Sunshine of the . Cradle Song BOOK 58. , TEN UNISON SONGS FOR JUVENILES . The Conceited Fly . The Wasp at the Pic-nic '. Merrily glides our boat . Trip along . The Dew-drop . Fairy Joys_ . Stay, pretty Swallow . Well-a-day ‘ . Were I a Fairy . A Charm , BOOK 83. SONGS FOR THE LITTLE ONES. Twenty-five Songs... By W. W. Pearson BOOK 84. THE JUVENILE SONGSTER. Thirty—three Songs, in one, two, and three parts. Composed and arranged by Lowell Mason BOOK 101. UNISON SONGS FOR CHILDREN. From “The School Music Review” The Jolly Tester (No. 40) J. W. Elliott Jack and Jill (No. 44) ,, The old man clothed in leather (No. 45) ,, The Soft-shell Crab (No. 50). Actions ad. lib. J. W. Chadwick A Child’s Evensong (No. 63) J. Stainer I had a Little Doggy (N0. 68) J. W. Elliott The Coming of Spring (No. 69) Schumann The ’Logical Gardens (No. 70) G. F. Cobb The Child and the Star (No. 66) J. W. Elliott BOO K 147 . TEN UNISON SONGS. From “The School Music Review " Hush-a-bye (No. 81) C. Egerton Lowe The Song of the Grass (No. 82)... Pearson Winter Song (No. 93) . W. W. Pearson Swinging (No. 101) .. A. Medley Christmas Eve (No. 103) A. Moffat The Brook (No. 104) J. VV. Chadwick The First Brigade (Marching Song) (No. 106) P. E. Fletcher Heart A. Scott Gatty Thomas”Murby Arthur Richards A. sciitt Gatty Thomas Murby Seymour Smith Macdonald Bridge K. Boundy Twinkle, twinkle (No. 107) . Daddy Longlegs’ warning (No. 117) The little shadow (No. 122) .. 652. Diamonds‘ R. H. Macdonald 653. The Fairy Book ' ,, , 654. A wet sheet and a ﬂowing sea C. A. Macirone * Staff only. 3'-‘F—‘F-‘F-JI""i—‘V“)"‘)—‘P—‘ mo- °°:“‘“l> ® )—Ir-4gu>—H-—4r—u—4r-H-4!-‘ MP Np-let-M-* * P—‘ T B d. 3 LONDON: NOVELLO AND COMPANY. Lmmap. NOVELLO’S SCHOOL MUSIC... EDITED BY W. G. MCNAUGHT. COMPOSED EXPRESSLY FOR THE‘ WESTMORLAND FESTI"VA"L.. 1903’. VOGELWEID, THE MINNESINGER A POEM BY LONGFELLOWA SET TO MUSIC FOR CHILDREN’S VOICES‘ BY GEORGE RATHBONE. PRICE ONE SHILLING. Tonic Sol-fa Edition, price Sixpence. LONDON: NOVELLO AND COMPANY, LIMITED. NEW YORK: THE H. VV. GRAY CO., SOLE AGENTS FOR THE U.S.Am Copyright, 1902, by Novella and Company, Limited. The right of Public Regﬁresentation and Pe;y"ormcmce is reserved. \‘:=.‘ —‘ .. . _.... .. 4( .. . . ;.___ ~_..,.g—;~,,__”,F‘ 3*-‘~ I r_ I 5 . , , . 5‘: .1 h I ‘ V f TO ALL THE CHILDREN WHO SING THE SE STAVE S. G. R. VOGELWEID, THE MINNESINGER. Walther Von der Vogelweid, or Bird-Meadow, was one of the principal Minnesingers of the thirteenth century. He triumphed over Heinrich Von Ofterdingen in that poetic contest at Wartburg Castle, known in literary history as the War of Wartburg. That the War of Wartburg was in all probability mythical, matters not to us to—day. A great movement in the cultivation of song was initiated in its name, and the musical contests which have since become a feature of educational musical life in this country are a modern reproduction of the spirit of Walther and his songs. CONTENTS. . Introduction . Vogelweid, the Minnesinger . Thus the bard of love departed . Day by day, o’er tower and turret . There they sang their merry carols . Day by day, o’er tower and turret . Till at length the portly abbot . Then 1n vain o’er tower and turret 0. Time has long effaced the inscriptions . But around the vast cathedral WALTER VON DER VOGELWEID. VOGELWEID, the Minnesinger, When he left this world of ours, Laid his body in the cloister, Under Wiirtzburg’s minster towers. And he gave the monks his treasures, Gave them all with this behest: They should feed the birds at noontide Daily on his Place of rest; Saying, “ From these wandering minstrels I have learned the art of song; Let me now repay the lessons They have taught so well and long.” Thus the bard of love departed; And, fulﬁlling his desire, On his tomb the birds were feasted By the children of the choir. Day by day, o'er tower and turret, In foul weather and in fair, Day by day, in vaster numbers, Flocked the poets of the air. On the tree whose heavy branches Overshadowed all the place, On the pavement, on the tombstone, On the poet’s sculptured face. On the cross-bars of each window, On the lintel of each door, They renewed the War of Wartburg, Which the bard had fought before. There they sang their merry carols, Sang their lauds on every side: And the name their voices uttered Was the name of Vogelweid. Till at length the portly abbot Murmured, “Why this Waste of food? Be it changed to loaves henceforward For our fasting brotherhood.” Then in vain o’er tower and turret, From the walls and woodland nests, When the minster bells rang noontide, Gathered the unwelcome guests. Then in vain, with cries discordant, Glamorous round the Gothic spire, Screamed the feathered Minnesingers For the children of the choir. Time has long eﬂaced the inscriptions On the c1oister’s funeral, stones, And tradition only tells us Where repose the poet’s bones. * [Saintly face or rain-Worn letters None may tell which stone to kiss; Choose the fairest for the master, Let the sweetest words be his.] But around the vast cathedral, By sweet echoes multiplied, Still the birds repeat the legend, And the name of Vogelweid. ‘ A Stanza has been inserted here for the purposes of the musical structure. ‘VOGELWEID, THE MINNESINGER. No. 1. INTRODUCTION. G G RA. no . LONGFELLOW. EOR ,_E —__TH_NF > > > Maes&oso._,1_ 79oc0>accel. «:1: >. r- g‘f'_E£: as: poco accel. - > Copyright, 1902, by Novella and Company, Limited. 3337. Andante gmzioso. /_ poco rit. poco rit. G. Ra.thbone—Vage1weid. the Minnesinger. f a tempo. poco rit. -9- —o- G Rat-hbone—Voge1weid. the Minnesiuger. 4 “ VOGELWEID, THE MINNE SINGER. . 1‘ I ‘ Q - A 3'" 14 j .‘ J the Minnesing - er, When he -leftthisworld ef :— .d “r .m :d Is. l_2nd SOPRANO. 1 M ‘ ‘ 1; U‘ ' 0' 31 V0-gel-Weid,the Minnesing - er, Whenheleftthisworld of ours, In] S] :1|.S| .f] in, In. “S; .S[ :‘d .5] :fe1-fe|lS[ bod - y in the clois - ter, Un-der Wi'1rtzburg’s min - ster towers. 4 ' . Hf :r :d .t. r :d :d .d :d' Ir‘ :s ”‘“m '- _ > > > > Laidhis bod—y in the clois - ter, U11-der Wiirtzburg’s ' - towers. Hf. .s. :1. .f. :1. .se. 1:. :1. :1. .1. “Serra :m : Hmse. :- gave the monks his treasures, Gave them all with this {lr .1.:d :t. 1. :s. :m .m r .1. :d > -0- gave the monks his treasures, Gave them all with this be - hest : They should feed the birds atnoontide {ufg .f; 2!’). :1‘. ['9' :37; :d .t| 1| .1] 3S] 3S; IN. :— :S| .S| S1 .11 :t3.|.S| :1; .1334} \T' G. Ra.thbone--Vogelweid, the Minnesinger poco rit. On his place of rest; : s..1.:d :r d ::.:— poco rit. Dai - ly on his place of I HI‘ id :t|.].|lS| :—{:sl rest ; :f. poco 1-it. 0. tempo. these Wand’ring min-s—t:els I have learn’d the art of song ; Let me now re - pay the . :m.m m :—.1:m.r} :— .s :m .r d :s. :1,.t, d .r :m :d lm “F1'0n1 these \vzLnd’ring min - strels I have lear11’dthe art of song; Let; me n :— .s :m .r d :s, :1..t. d .r :m :d m :m.m} -9--a— -0- les - sons Tlleyhavetaughtsowelland long.” Say-ing, “From these_wand’ringmin-strels I have {Id :1. :d .r m .r :d :m s :s..s. m :—.s :m .r d :s. :1..t.} > > _’.. _'_ re - pay the les - sons They l1ave_t2u1gl1t'so Welland long.” Saying,“ From thesewand’ring Hm :— .1 :m .r [d :1. :d .r m .r :d :m s :—- :s..s. m ‘ :— .s :m .rl G. Ra.tbbone~—Voge1weld, the Minneainger. Let me now re— pay the les — sons They have :m .m . :f .m m :r :d .d > lea.m’d the art { Id .r :n Let me now re-pay the min - strels Ihave 1earn’d the art {Id :s. :1. .t. d .r :m . :1. .1. 1 : .s :f .m taught so well Vogelweid, the LBD {la .m :s “ds'..1.:a :— .d H ..'_ They have taught so Well Hm : :s. .s. d .m :s Vogelweid, the :1'I‘1;.S.31. .S| Min-ne-sing - er, When he left this world of ours, Laid his bod — y Hr .m :d Is. :1. .t.“d .r :m :r r : :r.m If :r Min-ne-sing - er, When he left thisworldof ours. Laid his bod-y in the {|f. .f. :m. In. “s. .s. :d .s. zfe. .fe. s. f. .s. :1. .f. :1. .se.} G 1\a.thbone—-—Voge1Weid, the Minnesimzer. towers. 4.BD. II‘‘'“ =- Un-der Wiirtz-burg’s min - ster D.4. :d .d Ht-s :d' Ir‘ :s > > > > clois - ter, {|r > towers. Wi‘Lrtz—bu1‘g’s min - ster |l"‘Se' Un-der :m If :f :1| .1] 5°|l‘1 hest : S I be - Gave them all with this zt. trea. - sures, :m .m r .1. :d {l1| :5] > be :3; Gavethem all with this :d .t. 1. .1. :s. trea - sures, { I re. :m. > And he gave the monks his :m .m [r .1. :d :t. _'_ And he gavethemonks his :s. .s. |f. .f. :m. :1‘. poco rit. They should feed the birds at noontide :5] .S| S1 .11 3133.] .S| :11 $34} \ J FD-.5‘ ""61s min.- G. Rathbone—Voge1weid. the Minnesin-ger. “ THUS THE BARD OF LOVE DEPARTED.” Largo. Quasi marche fumébre. f 0 2nd SOPRANOS. Thus. the bard of love de - part — ed; And, ful - ﬁl - ling his de ~ Lab is D. Doh is F. {I : I1. :— .t. Id :t. Ir :d 't. :1. :1..t. d :1. :m :— .d} K_—..""'—“__——————':—T - sire, On his tomb the birds were feast -ed By the chil- dren of the C t f.F {|1.r'.:— Id’ :~.t|1 :s In :r lf :m :1m.}nm :r If :r 1st SOPRANOS. Thus: the bard 1| :‘ .t[ \_T—._..._:.:/ Ped. G. Ra.thbon¢.~—Vogelweid the Minnesinger. They were : I :1- d .d } - __ F111 -ﬁl- ling his ' his tomb the birds were H .d :d .d It. ' :- .ta. ‘rd :s If ’ :n feast - ed By the chil - dren of the choir. Ha‘ :—,|t :1.1!s :m In :r ed By the chil - dren of the choir. :d.r|m :d II. :t. d .9- l G B.a.t.hbone—Voge}weid, the Minnesinger “DAY BY DAY, O’ER TOWER AND TURRET.” f""_'\ Maestoso. > > > o’er tower and In fo111 weather and in [d :m :d .d Ir .m :d .m } I I I 1 2nd SOPRANO.> Day‘ ' vast - er num-bers, f.D. ‘Id d :m ls .s :- .___...___..\ J 1 G. Ra.thbone-—Voge1Weid, the Minnesingex -'. _‘_ On the tree tops, :t'«n. .r-1. In :-n the tree whose Flock-ed the poets of the air. .d It. :'1. :d .d Ir .n :d .m s J4 A U. l‘ \ l\'ll ' ._ l‘ l ‘ l L U 0- -0- where the branch - es O-verslmdowed all the place, :d‘.t| It] .l3| :11 .t| I . - \ . l ’l I ‘ T‘ \ l 14*‘. — l ' 1 11$ v . vl I ﬁa- .1‘ .“ 1“ l\ r“ ﬂ. '1} ' .x (J | Q: : =- ‘Q1; - O - vershadowed all the place, :— .r Ir .1‘ :d .r In the tomb - stone, the po-et’s sculptured the pave - ment, :— .d' It :1 :d .r Ir .1‘ :d .r } on the tomb - stone, On the po-et’s sculptured On the pave - ment, id .t| It] .13; :1] .t| } :tIm.m |m' :m' :"“s..s. [S :s i\ —'_. -01- G. l{2Lthb0ne—V0gelWeid, the Minnesingeln On the cross-bars . . of each window, On the lintel of each Doh is A. :d .d Ir :m — :d .m ls.s :—— :d (1 Ir .m :d .m } ten. On the cross - bars . . of each window, On the :d.d|r :m l—:d.n s.s:— I :d.d} -.‘- 1 ' -J._ They re - newed . . the War of Wart; - burg, Which the l— :d .d 1 :— .s :f .,s 1 :f I :m .r ). 1in-te1 of each door, They re - newed . . the War of Wart - burg, Which the {Ir .m :d .m Is :(1 .d If :— .d :1. .,d f :1. I :1. .1. } .oL G. Ba.tahbone-Vogelweid, the Minnesinger. had fought be —— l— :d ls :— Is > > bard had be - {[5, :1, :— |.—.:— It. 2 > tr 4”‘ 2'41 mossc. _p. P - r- G R.athbone-—Voge1weid. the Minnesinger. 14 “THERE THEY SANG THEIR MERRY CAROLS.” M d tightly. o erato. mf> > Doh is E. There they sang . . their met-ry : |s .s :1 :— .1; :d' .t } smootl Z . 7"f> L g > > There they sang their H : - : : : lm :m In an M oderato. /\ sempre staccato. Sang their lauds on :n .s 1 :s car—o1s, Sang their lauds on In .r.:d .s. d :m /T /7 There they sang . . theirmer-ry car - ols, . . Sang theirlauds on {ls .s :1 l— .t :d' .t 1 :s l— :r .n |f :s There they sang their mer - ry car-01s,Sa,ngtheirlauds on {lf :f If :f lf :f If .1‘ :t. .d r :m /\ _ /K‘ _ /\ _ /\ _ /\ -0- G. Rathbone—Voge1weid, the Minnesinger. 15 ,._.—.._ ‘ |‘l : I K I I I " ' 1 3 ‘ s I .1 r 1 L . *“"7=j;—“*F . . . 1r. 1 uv V1] 1 L r V V ‘ There they sang . . their mer—ry car - ols, Sang their ls .s :1 |— .t :d' .1; [1 -:‘s :m .s } I . 7“ they sang their - car-01s,Sa.ng their in IN in IN .r :d .s.} /\ /'\ xx \__y _ Therethey sang . . then" mer-ry : : IS; .S; :1| I‘ .t[ .t| } ,——:—-———'——-————§ . . . /1 /3 ' ~5- tit; Sang theirlauds on :m .m ls zf Sang t»heir1a11ds on ev - :s, .s. t. :1, Is. /\ /\ 129. —x— G. Rabhbone-—Voge1weid, the Minnesinger a.1a la. la la la la la. 4.E. {I :('eI)l .s. :1..t. d .r :m .f ls : . I- -.'--O- Fa. la. la la la la la la I .s..:1..t, d .r :m .f ls :— j. /.. > —f2’i_ la. la la. la. la la 13. I .s. :1..t. Id .r :n .f |s la la la, fa la la 1:). la, |—~ :m.rlm : . I .r :m.£e fe :s I /. >/-'\ /--\ lala 121.13. 1a.1a.Ia. . . . . la . . . lalala, 3.G. {I :(”“')| .s.:1..t.ld.r :m.f|s :— —.r |— :f |— :m_£|P1 la. la la la la la la la. 13., :r I. .s. :1..1z. d .rim .f|s : /. > G Rathbono-Vogelweid. the Minnesinger. 17 k . l\ I -1 \? I I I - F I _ 1 C I I‘ fa. la la la la la la, la I .r :f.1|s :1 .s|1 :t Id‘ fa la la la la la. la la la la. la la la H : I .Se»t.:d .r m .f:s I1 :f m :f .m If :r m f'‘“:’\ /—"\ EH #- > > /"T _ /T smoothly. > > There they sang their met car-o1s,Sangtheir1auds fA “in. :n In :m m In .r :d .s. d lightly. L; {- There they sang . . their nrer-ry car Sang their lauds {Ids} .S. :11 I‘ at] ‘d .t| 1| : :91] .5] 1| . gjx ' _'_ ' o o c There they sang their - car-o1s,Sa,ng their f :f If :f If .r :t. .d } K_./ There they sang . . their mer-ry car - Sang their S] .SI :1] K‘ .1}; .t[ 1| - 21‘: J7‘); } Z'\ G. Bathbon<.»Voge1weid, the Minnesinger lands on they sang their {lr ~ :m In :m There they sang . . their mer- ry S| .51 :1] ‘ .t| Id .t| car- ols, Sangtheir lauds IN .1‘ Id .S| d _o.. . Sang the1r lauds znl .s. [1, sang their mer - ry car-oIs,Szmgtheir lauds IN’ :m' IN‘ :m' IN' .1" :d' .d' It 1 I x J 1. ‘ Y I T] 0 O y ‘I Sang their lauds H Ratahbone —Voge1weid, the Mi11nr3singer. Fa la la la. la la. la. 4.A. l(r°).s. :1. .t. d .r :m .f ls Fa la la la la. la la la I .s. :1. .t. d .r :m .f Is la la. la la la la la la la .r :m .fe fe G. 11a’chbone— Vogelweid, the Minnesingeri la la la la la la .t d'.r':m'.f'l§ la la. la, :m'.r'lW Zightlg/. > There they sang . . their mer-ry E 1: ll ”e'.s :1 l— .t :d'.t } smoothly. > > There they sang their H hm :m In zm /'\ /\ "' Ped. G Rathbone--Vogelweid. the Minnesinqer. Sang their lauds on :m .s 1 car-o1s,Sang their lauds In .r :d .s. ld /\ simili. Therethey sang . . their mer-ry car - 01s, Sangtheirlauds on Ms .s :1 l— .t :d' .t 1 :s :r .m f :s side; They sang their car-01s,Sang theirlauds {f :f If :f . If .r :t. .d r /"\ /T /\ There they sang . .their mer-ry car - ols, Sang their s .s :1 l— .t :d' .t 1 :s :m .s } side; They sang fheir car-o1s,Sa11gt11eir :m In :m [m .r :d .s. } /T /"\ _i_ G. RaA:hbone—Vogelweid. the Minnesinger And the name .their voi-ces :1 .1 r' :— l— .d':t 1 1 > And the name . their voi -ces :f .f Ife :— l— .fe zfe .fe } ut-tered Was the name of {d'.s:— I :m.f s '— I1 u weid. :— d‘ :- ut-tered Was the name {|s.s:——l :d.r m \ A zitacca. G. Rathbone-—Voge1weid. the Minnesinszel ‘*3?-7 23 “DAY BY DAY. O’ER TOWER AND TURRET.” M aestoso. In foul weather and in :d .d Ir .m :d .m} Day by day, o'er tower and tur— ret, Doh is A. {Id :— .d [r : d :m is .s :— {|‘ > Maestoso. J?” num-burs, -0- -9- On the tree :*Im. .m. In Fl0ck’d the po-ets of the air. :d .d Ir .m :d .m s > > > -3. j- V _ V G. Rathbone--Vngelweid, the Minnesmgen. where the branch - es 0 - ver-shadowed all the place, 4.F. :ma‘]S|.S|IS :S :d .t| It] .t[ :1. .13] d y branch - es ~ ver-shadowed allthe place, :— .mlr zd :~ .r Ir .r :d .r m :- > the po-et’s scu1ptur’d the pave - ments, on the tomb On 4.A'p-. — .d' It :1 d'm . : :— .r Ir .r :d .r I, On the pave - ment, on the tomb - On the po-et’sscu1ptur’d zt-m.m In‘ :m' :"‘='=*s..s.ls : :d .t. It, .t. :1. .t. } Pedxro“ G. Ra.t.hbone— Vogelweid the Minnesinger On the cross — bars . . of each window, On the lin-tel of each Doh is A. ° dlr :m — :d.mls.s:—— l :d.d|r.m:d.m} ten. On the cross - bars. . of each window, :d.d|r :m |—- :d.mls.s:—,| :d.d} They re - newed . theWarof Wart-burg, Which the bard :— |—~— :d.d 1 :— |—.s zf .,s|1 :f I :m.r s :- > § lin-te1ofeachdoor,Theyre - newed . .theWarof Wart;-burg, Whichthe bard had HI‘ .I‘1 id .I‘1 IS :d .d :'—' I‘ .d :].| qdlf :1; I 211.1; S; 31' fought be - fore. {ls :—- Is :——|d :——| . . . be - fore. {|~:—|t. :—|d :—l : | : > J- .L> -0- -4- I G Bathbone—Vogelweid. the Minnesinger. 26 “ TILL AT LENGTH THE PORTLY ABBOT.” Adagio religioso. DokisC. {I = I = I Adagio 9'eZigz'oso. mf I -5- 0 -9- length the port- ly { |d :— .d Id —a— -0- -0- -0- ab-bot Mur-mured, zd |d.d: Id zdl toloaves hence - for- ward :— .d Ir :m s :s changed {Id A llegro agitato. -'_ V G. Ra.thbone'-—Voge1Weid, the Minnesinger Ped. 2nd Somulvos. -6-‘ of food? Be it .z— |—— :d.d} “Why this Waste Id zd [ma :— I—- ma Id :3‘ ”d‘ For our fast-ing brotherhood.” :s .s la zla |la.,t.:t. 27 “ THEN IN VAIN O’ER TOWER AND TURRET.” I ﬁ.:>confuoco>. > > > > > > Then in vain 0’er tower and tin - ret, From the walls and |1 =- .1 It :d' |r' :t ld'.t :1 ,:1.1lt :11" confuoco. Wood - land { Ir‘ zt When the min - ster bells rang noon-tide, Gathered the |m].| :‘ .1| It; II‘ It. |d—."t_L:1] :1|.1| ltg .J_ _ ‘_ :4- - : 1 - = 1*: I c 11 . , 1 . P*W I1 L’ 1 . ﬂ 1?! F L Then in vain, with cries dis—c01'd—ant, Clam-’rousr0undthe Goth- ic spire. :(‘):d' :—.d'lt :ta '1 :121 Is 2s Id‘ :-.d'|t :ta ‘1 zla ls 1 m' I ﬁgg; L1 1. 1 r. 1*. no . 111 I1 1 {I \1\1 I 1 1 7?L 1 ﬂ g D 1‘L‘I 4 T 1 1 1 A G I _,_. _,_ J ' 0 '\OJ_ _,_4_ 0 V 0 we1— come guests. Then in vein, with cries dis — cordant, C1an1’1'ous roundthe G0th- 10 {Ir :1;. Ids :——‘d :—.dlr :m :r [13:11 | :d.d|r :m G. Rathbone-—Voge1Weid. the Minnesinger _/‘ff: _mol£o rull. _ H. ‘ ' E-P—-}—J: ’/"r t - - 1 ' ' ' =7 1. E ' 4- Scream’d the feather’d Min - ne - singers For the children of the Ehoir, Scream’d the feather’d '0 G.. -C- {|’“'1 :-.1|se :s lfe zf |m.m:—— '1 :~.1:se :s lfe :f |"‘t :— If‘ :—.f'|m' :1 } fff> molto rall. 1‘; ~-., A . - 4 {=- L, e . I‘; . I . , I 1 1;. =.‘_= - ;f 10 If 1 ‘ ! Scream’d thefeather’d Min-ne - singers Forthe children of the choir, Screa1n’dthefeather’d -{lm1|:‘.].||t-1 :d '1‘ :tl IM|:1[ I :1|.].|!t| Ir :1}; ‘as :‘ ll" 2-.1"ld' :d' 1. ‘lam Qg'Q_ _,__—l:‘:I: :1- I- -5- Meno mosso. sostenu/to. -\,——/_:: Min - ne- sing-ers Forthe chil - dren of the choir. Hr‘ :r' Ir‘ :d' I : I :1.t d‘ :—|1 :—|1 : Ise :——II :—|— Jlleno mosso. sostenuto. __i_: ___e— - ne- sing -ers Forthe chil - :1 lse :1 | ° :f.f|m :—|m :—lm : M eno mosso. P sostennto. G. Ra.thbone—Voge1we.id, the Minnesmger. “TIME HAS LONG EFFAGED THE INSCRIPTIONS." Andante religioso e sostenuta. 1, - I K 2'“-——-a I l I’ I Time Doh is F. ' P1 . I l. I ll- 1 Time I : d Andcmte mligioso e sostenuto. 1 1“\ | 2 :— .d Id .d :d .d,d|r . . . - . 1 N 1\ I\ﬁ\ Y , . . ‘ 1 I 1 v e g 44:. I‘ R Fhittrf ‘ i L has long effaced the in_— scrip - tions :— .n In .n :m .n,mlm IN has long effaced the in- scrip - tions stones, (1 ten. neral tn fu Id stones, |d W31‘ Where re - pose :r .d 1;. us - et’s Where re - pose it. .1; S] p0 IS; .:fe| .S| G. Ru.Lhbone—Voge1weid, the Minnesinget. C And ‘era - di —tion on — 1y (1 .d Id .d :d .d — And bra - (11 —tion on - ly 1: -11 I1: -1: 31: -1| * (Saint ly face or rain-worn let - ters None may tell which {Ir L:— .r Ir .r :r .r f :f :f .f |d :d :j_— * (Saint - Iy face or rain-Worn let - ters None may tell which “ta. :" .ta4 ltaa .taq :ta| .ta. |l| :1] 11' .1] 134 3121. o 0 Choose the fair-est for the mas - ter, Let the :1. .1. It. .13. :d .d s :f :f .f } Z.i- Choose the fair-est for the mas - ter, Let the :11 .11 I134 .1a.|:S| .S| 1] 31' 3d .d I. PP—-e Time has long ef-faced thein - m :— .m In .m :m .m,m} Time has long ef-faced the in - d :— .dld -d :d .d,d} * A Stanza has been inserted here for the purposes of the musical structure. vi}. Rathbonc——Voge1Weid, the Minnesmger. - scrip - tions On the clois - ter’s neral stones, {In :m :m .n s :f :r Id 2:" . - scrip - tions On the clois ~ neral stones, {lr :r :d .d n :t. ld :—— =-} -in pppr'————':-'---‘é h I —C---O- And tra - di-tion on - ly tells Where re -pose :d .d Id .d :d .d m :r .d |t. _ -0- And tra - di-tion on -ly tells Where re-pose :1. .1. I1. .1. :1. .1. d :t. .1. s. ly face or rain-Worn let - ters .r Ir .r 21‘ .r f :f —— ly face or rain-Worn let - ters .‘ .1334 “$34 .1734] 31334 .ta. 1' 5].; n>a G. Rathbone-— V< gelweid, the Minnesinger. None may :f.f} None may :1. .1. } which Choose the fair --est for the :d :].| .11 It; .1}; 1d .d } . -'_ Choose the fair -est for the :1; .1. I134 .1a1:S| .SI 1. Let the sweet - est words be his.) :f .f m :f Ir :— .d ld ten. Let the ‘sweet - . W()\I‘(F':". be his.) :d .d d : Id .d |d :— — :-—— } PW’ -;“‘‘j——“ _g_ {| ‘ Pia mosso. f> Gr. Ra.thbone-~V0ge1weid, the Miunesinger. 38 No. 10. “BUT AROUND THE VAST CATHEDRAL.” M oderato. N obilmente. Doh is A But a- round thevast ca . I ' I :s..s.|d :—.dlr zn } {lzl :. :| M oderato. V A 29060 rit. (Bell.)j ff Bysweet ech-oes m11l - ' Still the :s..s. d .d :— Ir :m .n } the vast ca. - the - dx'a.1-, By sweetech-oes ~- .n Ir :d s. :s. :s. .s. In .n :- re-peat the le - gend, Andthe name of V0 - In :—.mlr :d n :m :d.d|m :r lm Stillthe birds re-peat The name of V0 - gel - weid. {|d : :1..1.d. :—.d|t. :1. ld :d Id :d t. :— T. .'_ G. Rethbone—Voge1weid, the Minnesinger. the monks his trea - sures, Gave them all with this :— .f' In‘ :r' r' :d' :d' .n' s‘ :— .s' If‘ allargando. gave the monks his trea - sures, Gave them all With this .— .1 Is :f If :m :m .s ta :— .ta|1 pia mosso. kolto mt‘ Theyshould feed the birds at noon - tide EI:)ai - ly on his place of .4. {ll :— l—— :1 .1 r' :— .r'ld' :t r' :d' Its zfe “s .1 :d' :r H .. molto 'r't. " pm mosso. _i:__"— hest : They should feed the birds at noon - tide Dai - on his place of {If :— l—- :f.ff :‘—-.f In :se t :1 Isem ”m.m:n :f pm mosso. So a-round the vast ca - the - dral, Bysweet echoes mul - ti - :s..s.]d :— .d Ir :n s :s :s..s.|d .d:— Ir :m } A A A ‘ So st - round the vast cs. - the - dral, By sweet- : :s..s.m :—.m Ir :d Is. :s. :s..s._} grandiose. ‘L V G. Rathbone—Vogelwei%‘, the Minnesinger re -peat the le - gend, And the :f .,sl :f :n .r } Stillthe birds {Is 2d .d ll I- .s And the Still the birds re-peat the le - gend, 31' .11 } 1d ogdlf .d :1] .,d f :].| ech-oes Hm .m :- the name of V0 :1. Id :d molto 2-it. sf a tempo. > > > > _g_ G. R:\thboue—Voge1weid, the Minnesingez‘. THE END. ‘UNISON SONGS—GrRADE 111. (Suitable for Higher Divisions). NO)/ELLO’S SCHOOL SONGS. IHHTED BY uA<1 MCNAUGHT. A SPECIALTY or NovELLo’s SCHOOL SONGS is that they are issued in Books, each book containing songs of about the same class and degree of difﬁculty. Most of the songs are obtainable separately. Specially selected numbers can be stitched in a cover to order on favourable terms. all the songs are graded, will be sent post-free on application. Published in two forms. Accompaniment, 8110 size; The Classiﬁed School Catalogue, in which A, Voice Parts in Staﬁ" and Tonic Sol-fa Notation, with Pimzoforte B, Voice Parts only in Tonic Sol-fa Notation. Where no prices are given in the B column the A Edition only is published :— BOOK 32. SIX CLASSICAL SONGS . The Fisherman Schubert . May Song Mendelssohn . Forget me not .. W. S. Bennett . Rose softly blooming . Spohr . The first Violet .. Mendelssohn . Come, ever-smiling Liberty Handel BOOK 37. SIX CLASSICAL SONGS . May—dew W. S. Bennett . Verdant Meadows (Verdi P1/ati) Handel . 0 Sunny Beam .. Schumann . Slumber Song Mendelssohn . Say ye who borrow (Voi che szzpete) Mozart . Who is Sylvia? Schubert BOOK 57. SIX CLASSICAL SONGS . Hear Thou my weeping (Laschia ch’io pirmga) Handel . My Mother Bids me bind my Hair Haydn . To Chloe in sickness W. Sterndale Bennett . Come, happy Spring (Caro mio ben) Giordani Mendelssohn Haydn . Autumn Song . The Mermaid’s Song BooK7L SIX CLASSICAL SONGS FOR LOW VOICES . The Wandering Miller . Crusaders ., . Welcome to Spring Mendelssohn . Sun of the Sleepless ,, . Evening Song . Contentment... BOOK 72. FIVE UNISON SONGS FOR JUNIORS Words, from “A Child’s Garden of Verses,” by R. L. Stevenson. The Music by Schubert 11 Mozart R. Houston Macdonald . 381.‘ The Moon 382. Where go the Boats... 383. My bed is a Boat .’ 384. Pirate Story 385. The Lamplighter BooK1oa S UNISON SONGS FOR CHILDREN From “The School Music Review” Children at Play (No. 35) Mozart Land to the Leeward (No.40) C. H. H. Parry A Beautiful Scheme of Taxation (No. 44) A. Somervell B. Foster A. R. Gaul H. Smart Eaton Faning A. Randegger The Star’S Watch (No. 52) Song of the Brook (No. 53) A Song of Peace (N0. 73) Boat Song (No. 54) At Night (No. 62) ﬁn Nlv-‘ D-4 “°..-’T—“-"”“*‘w:~ °° -‘F’ (Z) I-4 p—4 i—a >--I >—n »—A 63 »—4 +—4 »—I 1-4 »—I >-4 t»:l>—L¢{—-t¢1- lx’/i‘-ix’/l-L\’)lr‘ tol-‘ Ni-{sir BOO K 1 O9. NINE CLASSICAL SONGS From “The School Music Review” The Cottage (No. 29) Schumann Creation’s Hymn (No. 32) Beethoven Greeting (No. 32) . . Mendelssohn} A Song of May (N0 71) . Beethoven O for the Wings ofa Dove (No. 49) Mendelssohn Hark ! hark! the Lark (No. 34) Schubert Fairest Isle (No. 51) Purcell Hey, Baloo E (No. 54) . Schumann Alone (No. 73) .. Mendelssohn BOOK 110. SIX_ UNISON SONGS . Daisy Nurses... .. W. Hately . The old brown House ,, . Up and Down . Woodland Melodies . Cradle Song . Why do Summer Roses fade BOOK 119. SIX UNISON SONGS . Soft star of the West . Sweet day so cool . For Hearth and Home . Rock-a-bye . .. . . A Rose Song . There were four Lilies A. Medley G. Barker Pinsuti Brinley Richards C. Pinsuti C. H. H. Parry Horatio Parker Battison Haynes BOOK 125. SIX CLASSICAL SONGS . Whither .. Schubert . Come, gladsome Spring Handel ’ . The Lotus Flower R. Schumann . Thou’rt like unto a Flower . Ave Maria . Know’st thou the land BOOK 140. SIX CLASSICAL SONGS FOR LOW MEDIUM VOICES . The Two Grenadiers R. Schumann . 0 Star of Eve (T annhauser) Wagner . The Free Mind .. R. Schumann . Litany Schubert . On wings of Song Mendelssohn . The Garland (By Celia's Arbour) ,, BOOK 141. SIX CLASSICAL SONGS . Trust in Spring Schubert 739. Thou art Repose .. 740. Where’er you Walk 741. Fishers’ Song 742. I love thee 743. Gentle Zephyr BOOK 81. PUBLIC SCHOOL (BOYS’) SONGS. 450. Playyhard for the School F. C. Woods 451. A Football Song Summer Suns 453. Football Song 454. A Fives»Song 455. Hammock Song * Staff only. Schubert Beethoven Handel Schubert Beethoven Sterndale Bennett C. A. Engelhardt B. G. T horne F. C. Woods B. G. Thorne A d. .91 LONDON: NOVELLO AND COMPANY, LIMITED. I—' F—‘ >-‘ NJ N) N3 w t»:l:—Lel—Lol«- . B d. ‘-v.-4 NOVELLO’S SCHOOL SONGS. EDITED BY W. G. MCNAUGHT. A SPECIALTY or NovELLo’s SCHOOL SONGS is that they are issued in Books, each book containing songs of about the same class and degree of difficulty. Most of the songs are obtainable separately. Specially selected numbers can be stitched in a cover to order on favourable terms. all the songs are graded, will be sent post—free on application. Published in two forms. Accompaniment, 8210 size ; the B column the A Edition only is published :— The Classiﬁed School Catalogue, in which A. Voice Parts in Staﬂ and Tonic Sol-fa Notation, with Pianoforte B_ Voice Parts only in Tonic Sol-fa Notation. Where no price: are given in BOOK 16. SIX UNACCOMPANIED TRIOS . Sounds of evening Franz Abt . A Winter Song Ferris Tozer . Stars H. Elliot Button . A Canadian Boat Song A. H. Ashworth . The Fairy Barque A. Moffat To Blossoms . G. A. Macfarren BOOK 17. FIVE UNACCOMPANIED TRIOS . G0, Child, in Life’s fair morning W. Roston Bourke . Come sleep, 0 sleep . Ah! surely Melody . The Violet . ... . Be good, my Child BOOK 27. EIGHT UNACCOMPANIED TRIOS From Vol. I. of “The School Music Review” The Delight of Spring (No. I) Abt The Postillion Evening ) (No.2) L. Mason Sabbath Stillness F. Abt St. George for England i (NO' 4) iMacfarren John Gilpin (No. 5) Macfarren A Marching Song (No. 10) Abt The little Valley (No. 9) From the German BOOK 35. SIX UNACCOMPANIED TRIOS . Violets .. H. Elliot Button -. Summer Longings H. A. Donald . Let us to the Woods away Henry Knight . Wake up, my merry Masters all A. Moffat . The Gnomes . Hunting Song WVV. H. Stuart BOOK 59. TEN UNACCOMPANIED TRIOS . To Daffodils H. Elliot Button . The Singers ,, . The Waking Sun Alfred Moffat . Now pray we for our country E. Flower . L’Angelus (Evening Praise) R. L. Ruelens . 0 World, how fair thou dost seem F. Abt . A Song of Evening A. H. Ashworth . In the twilight Abt . The Blossoms Percy Jackman . Laughing Song ,, BOOK 60. SIX ACCOMPANIED TRIOS . Sweet October Seymour Smith . Happy Times ,, . When do Flow’rets Abt . Oh! the ﬂowery month of June Jackson . A Cradle Song Gilbert A. Alcock . Sunset... Franz Abt God be our Guide (s.s.A.) . Evening Peace (S.S.A.) . Blessed are the pure (S.S.A. Morning Hymn (S.S.A.A.) . Vital Spark of heavenly (s.s.A.) Harwood * Staff only. Franz Abt >—- l—| >—4 )—I I-4 )—t [Cl-£\'.I'-L\‘.Iv-‘ tel-4 C: 51' b Iv—H—u—I[0*\4+—-I-u—t{\'>n—-A m L.:|- rel-‘ NP‘ ‘ Ni’-‘l\’—l'-‘ BOOK 84. THE JUVENILE SONGSTER Thirty-Three Songs, in one, two, and three parts (Unaccompanied). Composed and arranged by Lowell Mason BOOK 64. POPULAR GLEES AND PART-SONGS (UNACCOMPANIED) 320. Blow, blow, thou Winter Wind Stevens 321. Soldiers, brave and gallant be (s.s.c.c.) Gastoldi 322. O hush thee, my Babie (arranged for S.S.A. by J. Stainer) Arthur Sullivan 323. The Angel of the Rain R. Rogers 324. Ye Spotted Snakes R. J. S. Stevens 325. All among the Barley E. Stirling 326. Jack Frost (arranged by Leslie) Hatton ACCOMPANIED TRIOS. 341. Our Heroes (March, S.S.A.) H. Clarke 460. The Death of Nelson. Solo, with ad lib. three-part chorus J. Braham 463. Glory and Love (Soldiers’ Chorus from “ Faust ”) (original words) Gounod 246. Ye shall dwell in the land (Harvest . Anthem). Arranged for s.s.c. J. Stainer 419. Within Thy sacred fane. Solo and Three- part Chorus ...]osiah Booth 420. Two Hymn tunes J. Stainer 421. Two Hymns for Children: “ Children, send a song of praise” (C. H. Lloyd) and ‘ Happy children we have been’ Sullivan 422. In the sight of the unwise F. A.G.Ouseley BOOK 99. SIX UNACCOMPANIED TRIOS 566. Now the Golden Morn J. Stainer 567. The Song of the Lark H. Hiles 568. Why do ye weep (To Primroses) ,, 569. The undertone of the Bells Roland Rogers 570. A Dance Song Abt 571. A Shepherd's Lullaby T. D. Edwards BOO K 1 O7. NINE UNACCOMPANIED TRIOS. From the “School Music Review” Sweet day, so cool (No. 25) G. A. Macfarren The Hunter’s farewell (No. 28) Mendelssohn God save the King (No. 32)‘ The Songs our Fathers loved (No. 36) Which is the properest day (No. 38) Dr. Arne Sweet and Low (No. 46) J. Barnby Erin, the Tear and the Smile (No. 39) The Lark’s Song (Four-part) (No. 51) Mendelssohn The Rhine Raft Song(No. 48) C. Pinsuti BOOK 108. EIGHT UNACCOMPANIED TRIOS. From “The School Music Review” Evening (No. 71) Abt 0 who will o’er the Downs (No. 52) Pearsall How merrily we live (No. 57) Este Patter, patter (April Showers) (No. 59) Hatton Vesper Hymn (No. 77) Beethoven In April time (No. 70) C. Pinsuti Annie of Tharaw (No. 76) Hail to the Chief (No. 72) * Staff only. R..”Bishop A d. B -1. oh v-4r'-u—u-—Ar—- 0-: 9-: >9!-‘ LONDON: NOVELLO AND COMPANY, LIMITED."
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Date: 1901
Text: The Rainy Day 6 [£%0%:8%J4(a&*5ﬂ1Mv[A/I/5:4; % k A / ' ~ ° % % 4/g W a C7zya///m7mec;/(é/vpA/1/1{ ‘ " ,'(" ,//‘ 2. e \\ I “”€'”;:‘;:,d:;‘3z:[/:,iW ‘The Rainy Day. (low l"0z'm) . :5 ';J'g5"-?—f~:€ C _ LONGFELLOVV. ; _-_:‘ :. JACQUES BLUMENTHAL. Andante. -\—Z I n V g a V day 1s cold, and dark anddreary, It rams and thewmd IS nev.- er wea - ry, The T f Vine still clings to the mould —’1'ingwall, But at evt' - ’rygust the Copyright...
Show moreThe Rainy Day 6 [£%0%:8%J4(a&*5ﬂ1Mv[A/I/5:4; % k A / ' ~ ° % % 4/g W a C7zya///m7mec;/(é/vpA/1/1{ ‘ " ,'(" ,//‘ 2. e \\ I “”€'”;:‘;:,d:;‘3z:[/:,iW ‘The Rainy Day. (low l"0z'm) . :5 ';J'g5"-?—f~:€ C _ LONGFELLOVV. ; _-_:‘ :. JACQUES BLUMENTHAL. Andante. -\—Z I n V g a V day 1s cold, and dark anddreary, It rams and thewmd IS nev.- er wea - ry, The T f Vine still clings to the mould —’1'ingwall, But at evt' - ’rygust the Copyright MGM} byThe John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MCMI, hy The John Church Company in the Department of Agriculture. dead loawrs full, \/ and d1'eau'— y, anddrear - y,, .S’///()l'£.'(l// (/ 0. But at It — ’1'y gust L The day__ V V rains _ and the wind /11 //g/1 . FA 19 the dead leaves full And the f'.'\ 0- K_/ \_/ ls dark _ and d1'ea1'— fﬁ 7? /2771 M fa. My Iifé is cold, and is nev - er:vvea. - ry, My th011g}1tS stillcling thick days f m to the mould - Ting past, Butt e hopes ofy0uth_ fa11__ F’ _ in the blast, of youth fall thick in theblast, Andthe But the hopes \/ are dark ‘ah; drear - M And the days, the days __ are ff awe]. \ cm/fab?’/6. and drear - tmnyz//’ 0 e I’ Tempo commodo. still, sad heart, and cease_. 1'0-pin — ing,Be - h'1n(L__thec10uds is the 1119/ / \_/V cresc. 7//olio. still shin - ing,Thy fate is the com - mon fate of all, (/'7'!/’.S‘(/‘. .s‘e2//lure c7'e.s'c. f to each life some rain must fall, S0me__ daysmust be dark and d1'0ar— Ljrz , f sew re cresc. [, - ’0- . foo/[av/vane. at (‘M/zpo. //if .s'07z()r(:. Be still, pin — ing, the clouds the sun «:13. c7'e.s'c. ed a(:(:6/, shin - ing, Be-hind the clouds, L 07-esa ea’ rzccel. G still shin 13536-5 6&3
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Date: 1901
Text: MUSIC LIBRARY VASSAR COLLEGE J: 4 llllllljlIlllllllllllllIllllllllllllllll}lillllllIHIEEIlillllllillit % ' llllllllllliliiliﬂilllilliﬂllilllllill .‘ 3_°..= 95 IIIIIIIIIlllilﬁMMIIIIIIIIIIIIIIIIInmm...... T.....mnuIllllllllllllllllllmll uunmuununumm 7?? 3 gr" ._ CC§~,k;> 1/.;g§:7 NO. (Formerly L. &' B., No. 196') Good-Night, Good-Night, Beloved! Four-Part Chorus For Men’s Voices By E. J. Fitzhugh Price, 12 cents I £3 t A ' V . .'-|:,"'| "&apos...
Show moreMUSIC LIBRARY VASSAR COLLEGE J: 4 llllllljlIlllllllllllllIllllllllllllllll}lillllllIHIEEIlillllllillit % ' llllllllllliliiliﬂilllilliﬂllilllllill .‘ 3_°..= 95 IIIIIIIIIlllilﬁMMIIIIIIIIIIIIIIIIInmm...... T.....mnuIllllllllllllllllllmll uunmuununumm 7?? 3 gr" ._ CC§~,k;> 1/.;g§:7 NO. (Formerly L. &' B., No. 196') Good-Night, Good-Night, Beloved! Four-Part Chorus For Men’s Voices By E. J. Fitzhugh Price, 12 cents I £3 t A ' V . .'-|:,"'| "'[gu7 ', '/ Good-night, good-night beloved! MALE VOICES PART-SONG Lento "P E.J.FITZHUGH :;'=’ good—night, be are stars of - lov _ ed! I morn-ing, Thy -:7 67880. I ::>-. ‘ . r I . kl h: It; 51' pk 1* V ' V I I V r V '[ I. V come to watch wo’er thee! Good—night good-night be - 1ov—ed! f1ow’rs,Thine eyes lips are crim — son ‘b ‘=——-_:_: I . are stars of morning, 11’: l‘<"—’—" a 0 J1 I I II I] 1 I I I I - It 135 dim poco rail. come to watch o’er thee. To be near thee, to be near thee, A - lips are crim - son f1ow’rs.To be dim pow near thee, to be near thee, I cztempo dz 1’ m. Copyright, 1905, by Harold Flammer, I720. dz'm.poco rail. P —i_._ :3’ lone is peace for me, a - lone is peace for count the weary hours, I count the weary P‘-;’_C :‘—_;- night good-night be _ lov-ed! I come to Watch o’er thee! good- A ‘<: j{ 4. ‘/T’ \IJ night good—night be — lov - ed! 1 come to watch €li7n. te¢«("'_p'p fall. Coda. (after last verse) _T——=- 17’ Good — night, 1) _..-==— PP {T A CHOICE SELECTION OF TWO-PART CHORUSES For Treble Voices Selected from the Harold Flammer Catalogue 87001 87002 87003 87004 87005 87006 87007 87008 87009 87010 87011 87012 87013 87014 87015 87016 87017 87018 87019 87020 87021 MILLER, Boats of Mine . . . . . . . . . . . . . , . . . . . . . . . . . . .15 TREHARNE, Mother, My Dear . . . . . . . . . . . . . . . . . . . . .15 VPROCTOR, Drowsily Come the Sheep . . . . . . . . . . . . . . . .15 EKNfTELLE,Spﬁng . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...15 RUBINSTEIN, Voices of the Woods (Melody in .12 TOSTI, A Venetian Song . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 CZIBULKA, Morn Rise . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 MILDENBERG, Springtime (Eng. & Ger.) . . . . . . . . . . . .15 MILDENBERG, On the Lagoon . . . . . . . . . . . . . . . . . . . . .12 SCHUBERT, Hark, Hark, the Lark . . . . . . . . . . . . . . . . . .12 MOSZKOWSKI, Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . .15 BRAHMS, Lullaby . . . . . . . . . . . . . . . . . . . . . .~ . . . . . . . . . . .10 ROECKEL, A Bird in Hand . . . . . . . . . . . . . . . . . . . . . . . . .15 MILDENBERG, The Woodland . . . . . . . . . . . . . . . . . . . . .16 MARCHANT, Fishing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 SCHUMANN, Gypsy Life . . . . . . . . . . . . . . . . . . . . . . . . . . .16 BROWN ELL, Four-Leaf Clover . . . . . . . . . . . . . . . . . . . . .15 NEAPOLITAN SONG, Santa Lucia (Eng. & Ital.). . . . .12 FORSHAW, Who Will Come to the Sea? . . . . . . . . . . . . . .15 REICHARDT, When the Roses Bloom . . . . . . . . . . . . . . .12 DRIGO, Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
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Date: 1901
Text: HUNG LIBRARY The Rainy Day. (Low Voice.) LONGFELLOW. JACQUES BLUMENTHAL. Andante. _ .\_/ ' K \2 day 1s cold, and dark and dreary, It rains and thewind is nev-er wea. - ry, The (‘IT cresa ‘ f 7'22 still clings to the mould - Tingwall, But at eve - ’x-ygust the Ceplyrighl MCMI byThe John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MCMI, by The John Church Company in the Department of Agriculture. 13536-5 dead day leaves...
Show moreHUNG LIBRARY The Rainy Day. (Low Voice.) LONGFELLOW. JACQUES BLUMENTHAL. Andante. _ .\_/ ' K \2 day 1s cold, and dark and dreary, It rains and thewind is nev-er wea. - ry, The (‘IT cresa ‘ f 7'22 still clings to the mould - Tingwall, But at eve - ’x-ygust the Ceplyrighl MCMI byThe John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MCMI, by The John Church Company in the Department of Agriculture. 13536-5 dead day leaves fall, \_/ is and drear — y,, It dark ? /’ /V . zuzgﬁn P .92/z‘0rza/u/0. the dead leaves full And the f.\ Butaét ev - ’1'y gust \_/ \./ \‘/ . , \_/ and drear — y, The day_ 1s durk_ auddrea1'- 7? pm Va (0. 0 My life is cold, and rains__. andthewind is new — er___wea - ry, My f rm thoughts stillcling to the mould - Ting past, Butt 0 hopes ofyouth ful1_ thick in the blast, Butthe hopes of youth fall thick in theblast, Andthe ff awe/. days are dark 53 y, And the days, the days __ are ff acne]. \ , L,‘ cmztzzézle. and drear - m/zgz/7' 0 6’ 17 13536-5 Tempo commode. still, sad heart, and cease_ re-pin - ing,Be — hin0L__ thecloudsy is the 2719 / crew. molto. still shin — ing,'Thy fate is the com - mon fate of all, 8'6/I!/7I'6’ crest: f _ to each life some rain must fall, Some- daysmust "be dark :51/ddro.a.r- \ L’? 6'7'9S0. . f co//a woe. a tempo. «/zgf smzare. Be still, ' heart 0/’!/’.S'(}. . the clouds ‘J 623 w-ma ea’ mrcel. shin — ing, Be-hind the clouds, Li} L (;7'e.s'0. ed (local. sun still shin 13536-5 (38380 .j_ the sun 1'6-
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Date: 1901
Text: MUSIC Lmunv VASSAR COLLEGE POUGMKEEPSIE. new vomx —BEWARE . . . . . . I THE ISLAND WHERE BAB- NOBLE A. HARDEE High Voice CUPID’S MISTAKE. EDWARD BROOME Medium voice DRY YO’ EYES SIGMUND LANDsBERG High voice; Low voice “ EV’RY NIGHT ” ETHELBERT NEVIN High voice; Low voice “IF NO ONE EVER MAR- RIES ME” JAMES H. ROGERS Medium voice JUST ACROSS THE WAY FRANKLIN RIKER Medium voice KING BABY G. E. LUNT Medium voice LITTLE BOY BLUE ETHELBERT NEVIN High Voice; Low Voice MY LADY CHLO’ H. CLOUOH...
Show moreMUSIC Lmunv VASSAR COLLEGE POUGMKEEPSIE. new vomx —BEWARE . . . . . . I THE ISLAND WHERE BAB- NOBLE A. HARDEE High Voice CUPID’S MISTAKE. EDWARD BROOME Medium voice DRY YO’ EYES SIGMUND LANDsBERG High voice; Low voice “ EV’RY NIGHT ” ETHELBERT NEVIN High voice; Low voice “IF NO ONE EVER MAR- RIES ME” JAMES H. ROGERS Medium voice JUST ACROSS THE WAY FRANKLIN RIKER Medium voice KING BABY G. E. LUNT Medium voice LITTLE BOY BLUE ETHELBERT NEVIN High Voice; Low Voice MY LADY CHLO’ H. CLOUOH—LEIOHTER High voice; Low voice THE CAPTAIN . JAMEs H. ROGERS High voice; Low Voice IES GROW . JAMES FORD Medium voice THE LAND OF THE PUPPY DOGS JAMES FORD Medium voice THE NEW LOVE FRANKLIN RIKER Medium voice THE NOISETTE G. WARING STEBBINS High voice; LOW Voice THE POLAR BALL THAT WAS SIX MONTHS LONG JAMES FORD Medium voice THE SOLAR MONDAY. G. W. LUNT -' Medium Voice THE WITCH IN THE GLASS HARRY HALE PIKE Medium voice ’VIRA FRANKLIN RIKER l\/Iedium voice WHERE KITTY—CATS HANG IN A ROW . . . . JAMES FORD Medium Voice WONDER SONGS (6) Complete CLAYTON JOHNS Medium Voice @. $tbtrmer, 31:, Boston (Tbe Boston Muyz'c Co.) Foreign Agents: Woolhouse, London Allan & Company, Melbourne Beware! NOBLE A. HARDEE. C oquettishly. 1. I know a maid— en fair see; 2. She has two eyes so soft and brown; 3. And she has hair of gold — en hue; Take care! Take care! , can both false and f endly be; Take care! Take care! She gives a side - glance and looks down, Take care! Take care! And What she says, it is not true, false and end-1y be. side glance and looks down, it is not true, Coj>yrz'g}zt, 1.901, by 6'-. Schirnzm; jr. For all courzlries. 1-3. Be — Ware!”§ Trust er not, d I know a maid-en can both false and friend-1y She’s 001-ing thee! A Take care! Beware! She Z\ £1.-3. I Trust er not, She-’s foo thee! 1.—3. la st /Z°7'.s’e. She gives a gar-land WOV — fair; Take care! Take care! f001’s-cap “(is thee to Wear, . ee to Wear. Be — ware‘. R. ZVLCQ 636 I know a maid- en fair to see; Be-ware! .b $ Take care! She can both false and friend - 1y Trust her not,i____. She’s 1— ing R M. C9 638 VERY USEFUL SONGS FOR TEACHER & SINGER BY TALENTED COMPOSERS! Complete copy may be had at any Music Shop or from the Publisher G.SCHIRMER,]r. _ THE BOSTON MUSIC COMPANY. BOSTON, MASS. V Go,LoVe1y Rose! Published for . Sopr or Tenor F‘min. $50‘? ‘ I know a Alto 01' Barit. (Ill m1n. hythe Author of _ ' Robert Herrick. “Song of file Nig/Lfingalef’ Benﬁmm Whelpley Andante espressivo. M'E' “"b”y‘ 50¢ Harriet Boyer. Andante. Voice. Cm, lovely R050! __ Go, love-ly Voice. :1 hill in mine own land, //f Tell l'lI-'1" lhnl wastes her time, and me, be; I know a he’.-.1r»ih—fire burining bright, ihat burns for f7}i_f' P A~ruund that home: ihis winter (lde the snow lies deep; ‘E... ﬂy- dim. gig. . (7opy1'ig'ht,1903, by G. St-hirmer, Jr. lE‘b‘Fo1' all ('ounf1'ies. Copy1'i;;'hf, 1903, by G. Sr-hirmer Jr. F01’ all t'0uni1'ies. 50¢ 50¢ of I love my 1ady’s «eyes. W ' _ ” B.B1*id;;'es. Also published for Soplzor T('ll.lll A- . “Song ofﬂze Nighimgale Andante. R _ Buual,d_ M. E. Mabery. Voice. .9 _ ', — dy's eyes, \Vedwo1"th‘Wadsworfh. <5’ """""" ‘I Lento, ma non troppo. A Voice. Shadows un—der the /. la—dfs eyes, A have the rare She is most Want to ap—ple—irPes, Slindqiws deems:-, and cool; Shad uws dense and cool;.._ hair, A—hov+— ht-.r $un—ny hair, prize , A - bove her streanfs deep pool. 0 var the meadows hum the bees, and And all {had face 0 face her glass re-penis of grzimv, Now ;uy_ A O . J. L2 . \ . . . Xxvn A C0[>Yl'lghT. 1903,11)’ G. St-hn'mc~1'. Jr. — For all onuntrn-s. (“op_v1«i,2-ht,1900, by G, schiymeg-,,n-, THE SINGER’S GUIDE. An attractive booklet, containing a graded and classified list of recent publications, useful alike to teachers professionals and amateurs. Sent to any address free of charge. For all countries,
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Date: 1900
Text: VASfSA:"Z C-QLL-ZGE MUSIC LIBRARY‘ Clflp Cﬁebeemet C-jfaacretv ﬁofo, from Che Waoféénﬁegcnb. . 1" % 222 6 ll by ﬁmgfeﬁfom. I (mu:-ic lag Eubfeg ‘lﬁuck. V ...$c>m Voice. ’b;i ﬁvbice F,Xo§5vnC¥1wrcF1. fimwyxxqye «-——-—-«--=-- ' {,’lm(.am;LIu, ‘f'fMi‘ﬁW- W '1/aw; W'ra‘!< ,1?/\{€"§i9» ,fuvni)g;rn.« - "% G. SCH IRMER, 35 UNION SQUARE, NEW YORK. Ck. w N , \ My Redeemer and my Lord. From the“G01den Legend’; Scene V. E1sie’s Chamber. Night. Elsie praying....
Show moreVASfSA:"Z C-QLL-ZGE MUSIC LIBRARY‘ Clflp Cﬁebeemet C-jfaacretv ﬁofo, from Che Waoféénﬁegcnb. . 1" % 222 6 ll by ﬁmgfeﬁfom. I (mu:-ic lag Eubfeg ‘lﬁuck. V ...$c>m Voice. ’b;i ﬁvbice F,Xo§5vnC¥1wrcF1. fimwyxxqye «-——-—-«--=-- ' {,’lm(.am;LIu, ‘f'fMi‘ﬁW- W '1/aw; W'ra‘!< ,1?/\{€"§i9» ,fuvni)g;rn.« - "% G. SCH IRMER, 35 UNION SQUARE, NEW YORK. Ck. w N , \ My Redeemer and my Lord. From the“G01den Legend’; Scene V. E1sie’s Chamber. Night. Elsie praying. (Law Voice.) Poem by H.W. LONGFELLOW. Music by ‘DUDLEY BUCK. Andante espressivo . Sempre c072 Pea/’. 012'//2. : TWM r'~w>. ~w Copyright MDCCCC by The John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MDCCCC by The John Church Company in the Department of Agriculture. my Re — deem — — er ,an.d‘ nfy Smaa’ I25. I be — seech Thee, I en - treat me in each act and word, T j That here — aft . that here — aft - _ er I may meet Thee, ./‘\ Watch - ing, wait - ing, Ad - ing,with my lamp well - trimm’d', We11_trimm’d and burn _ PP >' P calla woe. pf " mosso. In _ter —‘ ced — _ ing with these bleed — ingwounds, these " mosso. I’ Z” T bleed - ingwounds up-on Thy hands and side, V For all who havellived and — ‘ F - ‘ed, Thouhhvast suf — fer’d,Thou hast died, Thou hast yaw accel. fer’d~, Thou hast died. Scourged, and mocked, and 77000 ml!‘ molto M2‘. L2 . ' _ ci_fied, __ And in the grave has.t.Thou been bur- iedl Tempo I. mezza 22006. If my fee _ ble prayer can reach Thee, .9677),/are 2‘rmzgm'!/0. ﬂ?-€Ill}07'8 pm’. F /’*_',:d’»"§__:”“‘$ I . be _ seech Thee, I be _ seech /‘\ (/7'6-5’6'. _g L E - ven as Thou hastdied for me, More sin — Qere - ly, Let me fol - L > _ lowwhere ou ead - est, b1eed-ing as Thou if dy-ing I may give &/ L And more near _ dy_ ing thusj_.__ re-sem-b1e Thee! more near _ 1y, more near - 1y, Ts - ingthus re-sem - ble Thee, re - sem _ ble Thee!
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Date: 1900
Text: ,7 8 M uuuuuuuuu nv 4‘ VASSAR COLLEGE L 25 Q POUGHKEEPSIE. NEW vonx C, M I 'r‘i£/~.1 The Maiden and thewezithercock, Song WORDS BY Long fellow, 7‘/§u5ic bxé MARY LOUISA WHITE. Pr/Ice /‘Z7;/F 5/9/////7g5. London, JOSEPH WILLIAMS, 32, G/7532‘ Part/3/7% \5‘z“/1952‘. W “ oz‘ *0 /77; 6111/Lt; . D't»¢»{0 L4)"; »k;-‘_h /, / Dedicated to my sister fessie. ‘(The Maiden and the VVeatherCock.” SONG. Words by Music by LONGFELLOW. MARY LOUISA WHITE. Moderato. W- wea _ ther_c0ck on the vil -...
Show more,7 8 M uuuuuuuuu nv 4‘ VASSAR COLLEGE L 25 Q POUGHKEEPSIE. NEW vonx C, M I 'r‘i£/~.1 The Maiden and thewezithercock, Song WORDS BY Long fellow, 7‘/§u5ic bxé MARY LOUISA WHITE. Pr/Ice /‘Z7;/F 5/9/////7g5. London, JOSEPH WILLIAMS, 32, G/7532‘ Part/3/7% \5‘z“/1952‘. W “ oz‘ *0 /77; 6111/Lt; . D't»¢»{0 L4)"; »k;-‘_h /, / Dedicated to my sister fessie. ‘(The Maiden and the VVeatherCock.” SONG. Words by Music by LONGFELLOW. MARY LOUISA WHITE. Moderato. W- wea _ ther_c0ck on the vil - lage spire With your gold - en fea - thers mf a tempo .7" Tell me,what you can see from your perch A - bove there 0_ver the towers of the church? I can Copyright 1900, by Joseph Williams. see the roofs and the streets be _ low to and fro, And be yond With- out /:\. }9 a tempo great salt sea, and the fish_er _ mamas fleet. f.\ 1) a tempo a ship come sail _ ing in The Maiden and the Weathercock. [L And the peo. ple come mov _ ing f «it. ei _ ther roof or street The ﬂy‘ poco animato poco anima Be - yond the head_1zmds and har_bours of Lynn,And a young man stand _ ing the deck With a silk _ en ker-chief\ appassionato _ c1/esapoco apoco round his neck Now he is press- ing ’ his lips a ‘ to .p0c0 apoco f now he is kiss- ing his fin _ ger tips, And now he is lift _ ing and d im. pow Mt. wev - ing his hand blow _ ing kiss _ es to - wards the ipoco 1/1't4 at dim. The Maiden and the Woathercock is the ship from L 0 - ver the sea That is bring- ing my 10 _ 3 «if back to me, Bring_ing my l0_ver so fond and true Who does not changewith the Winds like you. If I changewith all the winds that blow ’Tis on _ ly be _ cause they /\ o \_/ /'\ . The Maiden am} the Weathercock. f made me so And people would think it Wondfrous strange If I, a Wea ther cock ' - 7 /\ n f 7”]? dolce should not change. 0 pret _ ty mai_ den so fine and so fair With your "W > Mesa. _ e - Mt. . tempogiusto fcon drea _ ry eyes and your gold _ en hair When you and your 10 _ Ver meet to day Y01ﬂ1 /5 con la cresc. _ e - wit. f tewo gmsto f comodo e 0014 cmima 1/it. thank me for look_ ing comodo 3 con anima The Maiden and the Weathercock. J List of Compositions I MARY LOUISA WHITE. s I k I- I z I I- %IHANOFORTE.% *SIX SHORT PIECES FOR CHILDREN *SKETCH BOOK No. I ‘W MINUET in A Flat... SPINNING WHEEL *WALTZ in C *PASTORALE SKETCHES... SCHERZO in A Flat "*NOVELETTE No. 1... BALL SCENES, No. 1, “The Eve of Waterloo,” Valse in B ﬂat N.B.—These divisions are intended as Guide to Standard of Difﬁculty. *%VOCAL.% I HEARD A BROOKLET GUSHING (Song), Solo *Arranged as Part—Song for 3 Female Voices . . net WHEN FIRST I SANG TO MY DARLING (8010), E ﬂat for Baritone, and in G for Tenor ALBUM No. I, of SIX SONGS net CHRISTIANS, AWAKE (Christmas Anthem) net *BEAUTY AND THE BEAST (Fairy Operetta) net Copies of Libretto net *TI'IE BABES IN THE WOOD net Copies of Libretto net *THE FAIRIES’ RECALL (Duet for Treble Voices) net SLEEP, SWEETLY SLEEP (Duet) net FAIRIES HUSH=A=-BYE net THE GOLDEN SUNSET (Song) THE MAIDEN AND THE WEATHERCOCK (Song)... * These Works are recommended by Mr. john Farmer as being specially suitable for School purposes. LONDON: JOSEPH WILLIAMS, 32, GREAT PORTLAND STREET, W. I ‘IV ‘V W.07'7'47.W.‘W‘W.W|W|W.W.W.N.W.F|W.W.W.W.W|‘V.N.N
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Date: 1900
Text: MUSIC uannnv VASSAFI COLLEGE POUGHKEEPSIE, new vonu 13 ‘Hemmer anb ‘mp 201%. gvacreb 590%, Tf from Ch: Q3ol’écn ﬁcgcnb. . 2.17orb:3 1 by Xongfcffom. i Clﬂtuzaic % big Eubfeg %11Cf’~+ E A‘;/‘ I . ‘V - -,v 9' J , (.1 ' A / 15195 Vmce. J<>5”'U’“*"h ﬁmpmw Gwcimm a/TL. (.f?1",£‘1,“""' 1/Lew/1} ark ivwst C. on Ron. My Redeemer and my Lord. From the“G01de11 Legend’; Scene V. Elsie’s Chamber. Night. Elsie praying. (Low Voice.) Poem by H.W. LONGFELLOW....
Show moreMUSIC uannnv VASSAFI COLLEGE POUGHKEEPSIE, new vonu 13 ‘Hemmer anb ‘mp 201%. gvacreb 590%, Tf from Ch: Q3ol’écn ﬁcgcnb. . 2.17orb:3 1 by Xongfcffom. i Clﬂtuzaic % big Eubfeg %11Cf’~+ E A‘;/‘ I . ‘V - -,v 9' J , (.1 ' A / 15195 Vmce. J<>5”'U’“*"h ﬁmpmw Gwcimm a/TL. (.f?1",£‘1,“""' 1/Lew/1} ark ivwst C. on Ron. My Redeemer and my Lord. From the“G01de11 Legend’; Scene V. Elsie’s Chamber. Night. Elsie praying. (Low Voice.) Poem by H.W. LONGFELLOW. Music by DUDLEY BUCK. Andante espressivo. S6?7lj77‘6 0072 Fed. dz’////. -7-WM r~ W). ‘W Copyright MDCCCC by The John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MDCCCU by The John Church Company in the Department of Agriculture. my Re - deem — 8”.“ rm’ 125. be — seech Thee, me in each act and word, That here — aft that here — aft - - er Imay meet Thee, /T. \VéIch _ ing, yearn - /\/"\ — ing,with my lamp well - trimm’d‘,v we11.trimm’d and >burn _ >’ P co/la woe. pp VF 13234-7- " mosso. In -ter _’ ced — - ing with thesé bleed _ / ingwounds, these " mosso. bleed _ ing wounds up-on Thy hands and side, V For all who have lived’ and . Thoulhast suf - fer’d,Thou hast died, Thou hast /zoco acce/. suf - ’ fer’d, Thou hast died: _ Scourged, and mockéd, and /zoco mil. M0110 HZ Lg . - ci_fied, _.._ And in the grave hastThou been bur- ied! Tempo I. mezza voce. If my fee - ble prayer can reach Thee, S6’/7}/)7'6’ /ra72guz'Z!0. E1’-67)/])7‘6.’ per/. ”x be _ seech Thee, I be - seech /\ {Liz L- E - ven as Thouhastdied for me, More sin - cere - ly, more sin _ Let me fol _ T _ lowwhere hou ead - est, b1€ed—ing as Thou if dy-ing I may give who asks to And more near _ 9 6"/'6’.S'(}. dy- ing thus________ re-sem-b1e Thee! More /\ f more near _ ly, more near - ly, es — ingthus re- sem - ble Thee, ble Thee! , u. , u .\
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Date: 1900
Text: SPRING HAD COME FROM SCENES FROM THE E SONG OF HIAWATHA SOPRANO. S. cloleribgeﬁaylor. .1. 1*‘ " K . R ' “~ A ‘I \ ?\‘*~ 0’ / ' , ‘ _‘-*>\ '\ L0./vpoyyxg 11 5? K ,»2 Q; 2 IA. j\(o/Eve//0 €65 Co., Ltd. E V E Compositions by S. Coleridge=T aylor. SCENES FROM LONGEELLOWS “SONG OF HIAWAT HA EOR SOPRANO, TENOR, AND BARITONE SOLI, cHORUs,IAND ORCHESTRA I ( OF. 30). Price, complete, 3s. 6d. Paper Boards, 45. Cloth, gilt, 5s. Tonic So1—fa, 2s. Words only, IOS. per Ioo....
Show moreSPRING HAD COME FROM SCENES FROM THE E SONG OF HIAWATHA SOPRANO. S. cloleribgeﬁaylor. .1. 1*‘ " K . R ' “~ A ‘I \ ?\‘*~ 0’ / ' , ‘ _‘-*>\ '\ L0./vpoyyxg 11 5? K ,»2 Q; 2 IA. j\(o/Eve//0 €65 Co., Ltd. E V E Compositions by S. Coleridge=T aylor. SCENES FROM LONGEELLOWS “SONG OF HIAWAT HA EOR SOPRANO, TENOR, AND BARITONE SOLI, cHORUs,IAND ORCHESTRA I ( OF. 30). Price, complete, 3s. 6d. Paper Boards, 45. Cloth, gilt, 5s. Tonic So1—fa, 2s. Words only, IOS. per Ioo. SEPARATELY, FROM THE ABOVE .-~ (1) HIAW ATHA’S WEDDING-FEAST CANTATA FOR TENOR SOLO, CHORUS, AND ORCHESTRA Price’ Is.6d. ‘Tonic Sol;i‘a,rs. Vocal Parts, 1's. eaci1(.)P.V~I)/(t);rci\sROnI§)r., 5s. per 100. String Parts, 8s. 6d. Wind Parts,22s. ~ » , Full Score, 255. , Comjwsecl for the North Stoﬂowlslzire Musical Festival, I899. I (2) THE DEATH OF MINNEHAHA CANTATA FOR SOPRANO AND BARITONE SOLI, CHORUS, AND ORCHESTRA ' ' O . ,N .2). Price Is. 6d. Tonic Sol-fa, IS. Vocal Parts(, IPs.?e(:1ch.o Words only, 5s. per I00. String Parts, 7s. 6d. Wind Parts, 215. 6d. Cornposed for the Royal Choral Socie Full Score, 255. ty, Royal Albert Hall, London, 1900. (3) HIAWATHA’S 7 DEPARTURE CANTATA FOR SOPRANO, TENOR, AND BARITONE SOLI, CHORUS, AND ORCHESTRA I OP. 30, No. 4). . ‘ Price 2s. Tonic Sol-fa, Is. Vocal Parts, rs. each. Words only, 7s. 6d. per Ioo. Orchestral Parts and Full Score (in the Press). Composed for the Norwich Musical Festival, 1899. TO THE ‘I SONG OF HIAWATHA ” FOR FULL ORCHESTRA (013.30, No. 3). String Parts, _<s. Wind Parts, I35. 6d. Full Score, MS. V Pianoforte Arrangement, 2s. Composed for the Worcester Musical Festival, 1899. SOLEMN PRELUDE I FOR FULL ORCHESTRA ’ (017.40). I Arrangement for Pianoforte Solo, price 25. String Parts, 25. 6d. Wind Parts and Full Score, MS. Composed for the Gloucester Musical Festival, I898. BALLADE ‘IN A MINOR FOR FULL ORCHESTRA (OF. 33)- Arrangement for Pianoforte Solo, 25. String Parts, 45. 6d. I Wind Parts, Ios. 6d. Full Score, 75. 6d. Composed for the London Philhawuouic Society, 1900. SCENES FROM . - AN EVERY—DAY ROMANCE I SUITE FOR FULL ORCHESTRA’ String Parts, 9s..6d. Wind Parts and Full Score, MS. Pianoforte Arrangement, 3s. 6d. ' FOUR CHARACTERISTIC WALTZES ‘.1. ALLEGRO MA NON TROPPO (E MINOR). 2. TEMPO DI VALSE (A MAJOR). ' T 3. ANDANTE CON SENTIMENTO (E MAJOR). 4. ALLEGRO FURIOSO (E MINOR); ’ ‘ (OP. 22) Pianoforte Solo is. Violin and Pianoforte . - 35. String Parts for Full or Small Orchestra 65. Wind Parts for SmallrOrchestra ‘ 7s. . Ditto, for Full Orchestra... I25. ‘ Full Score (Full Orchestra) — ‘ 55. Full Score (Small Orchestra), MS. Arrangement, as a Quintet, for Pianoforte and Strings, each Number, price 2 . Separate String Parts, 6d. each. . :Military Band Arrangement, by DAN GODFREY, Jun., 15s. ' ARIETTA (“ The Village Organist.” Book 16) BALLADE IN D MINOR FOR VIOLIN AND ORCHESTRA (Or. 4). Arranged for Violin and Pianoforte by the COMPOSER. Price 2s. String Parts, 25. 6d. Full Score and Wind Parts, MS. SONGS. . Composcdfor the Hereford lllusiml Festival, I900. THE SOUL’S EXPRESSION. Four Sonnets by ELIZABETH BARRETT BROWNING2—- I. The Soul’s Expression; 2. Tears; 3. Grief; 4. Comfort. (On 42.) Price 25. . ' Price 2s. each. YOU'LL LOVE ME YET. (ROBERT BROWNING.) Op. 37, No. 1. In G minor and B minor. CANOE SONG. (ISABELLA CRAWFORD.) On, 3 ,No. 2. In D ﬂat and F. A BLOOD~RED RING HUNG ROUND TH . MOON. (BARRY DANE.) On. 37, No. 3. (For Contralto.) , SWEET EVENINGS COME AND GO, LOVE. (GEORGE ELIOT.) On. 37, No. 4. In F and B ﬂat. AS THE MO0N’S SOFT SPLENDOUR. (SI-IELLEY.) Op. 37, No. 5. (For Contralto or Baritone.) ELEANORE. (ERIC MACKAY.) Op. 37, No. 6. (For Tenor.) ONAWAYI AWAKE, BELOVED! From “ I-Iiawatha’s Wedding-Feast.” Op. 30, No. I. (For Tenor.) String Parts, 25.; Wind Parts, 3s. 6d.; Full Score (printed) on loan. — HIAWATI-IA’S VISION. Dramatic Scena for Baritone. From “ I-Iiawatha’s Departure.” (English and German words.) SPRING HAD COME. For Soprano. From “Hiawatha‘s Departure.” (English and Germanwords. MORNING ANDHEVFLENING SERVICE _ ~ (OF. 18). TE DEUM BENEDICTUS JUBILATE MAGNIFICAT AND NUNC DIMITTIS ANTHEMS. BY THE WATERS OF BABYLON — IN THEE, O LORD. HAVE I PUT MY TRUST... THE LORD Is MY STRENGTH LIFT UP YOUR HEADS (Tonic Sol~fa, Id.) BREAK FORTH INTO JOY * O YE THAT LOVE THE LORD (Tonic Sol-fa, Id.) ’ ORGAN. MELODY (“ The Village Organist.” ' Book 12) ELEGY (“The Village Organist.” Book I5) >-tuba Hwwuazuua -r—Lu4>-t- 5”I”5” '°"‘D"Q‘Q‘P“.a‘ .D"P".C“.°" I LONDON: NOVELLO & COMPANY, LIMITED; ‘AND NOVELLO, EWER. & CO.V NEW YORK SPRING HAD COME from SCENES FROM THE “SONG OF HIAWATHA” ‘ The Words written by H. W. Longfellow The Music composed by S. Coleridge-Taylor. (OP. 30, No. 4.) PRICE Two SI-IILLINGS NET. L01vD0.7\g g7\(o/‘ve//0 €95 00., Lm’. Coj>y71'ght, 1900, by Novello and Company, L1'mited. SPRING HAD COME. KAM DER LENZ MIT SEINEM GLANZE. S. Coleridge-Taylor, (Op. 30, N9 4.) °.>".> ‘> Allegro con b-rio. mf had come with all its splen - dour, der Lenz mit sei — — nem Glan— -26, All its birds and all its blossoms, All Sei — — nan Vb’ — - geln, sei - — nen Blii—ten, Kam 11161 Copyright, (.900, by Novella 5' Comjwany, Limited. leaves Bldt — a tempo/._————h grass—es. Gm‘ — sem. - Ward, - wdrts, K“- north — nord — Like huge ar—roWs Un — ge — heu-ran and grass - es, — tam, Gm‘ - sem, and leaves - ten, BZc'it— its f1oW’rs_ mit B122’ — A all kam and — tam, to — de Sail-ing on the wind Se—geZ7zd mit dem Win- —ing great flocks, like ar - Zielfnd ez'72—lzer in gm - ssen Hear — > * - rows, — den, Pass’d Kam /1 shot Pfei — the der through hea - ven, - Zen dim — lick, e swan, der Sclzswzm, /"‘\~ (T Mah - nah - be-zee, Speak— ing al-most as a man speaks, Mala - nah - be—zee, Spre ~ chend fast gleichwie ein Mensch spricht, And in long lines Wav - ing, bending, Und in lung ge - knimm-ten Rei-hen, Like a bow - string snapp’d a— sun - der, White Durch- — ge — 7z'55 — ner Bo- —ge72—sc/mm’ gleich, Die Wez'ss—gcms goose, Wa — be - Wa - — Wa;__._.. And in pairs, or . I . kam, dze W21 - be — war, — — wa,-__.__ Und es kam m A .mfA : sin - gly fly - ing, Mahng the loon, With_ clang - ’rous pin-ions, Paa — rm vie — Zen Malmg dew Tau — char mit Zau — ten F122’-gem, AA The blue her-on, the Shuh-shuh-gah, And the grouse,___ the Mush-ko - . Der blame Rezlher, der Sclzu -schu—gah, Kam das M007 — — hulm,Musch—ko — f>. In e ck — — ets and the mea - dows Pip’d the blue — b , Pfiff im Busch zmd auf den W2'e— -5272 Blau - —er V0 - —gel, the O - Wais—sa; On the summit, the sum—mit of the lodg - es der 0 — wais-sa Auf den Firsten, den Fir-sten rings dew Hiit - ten / the rob - -in, the O - pe - chee. die Roth — — bmst,dz'e 0 — pe’ - eke’. P000 meno mosso. . And the sorrowing Hi - a - Wa - tha, Speechless in his in - fi-nite Und der tmwemde H2’ — a - war, - tlza, Spmclzlosi in zm—e7zd—li-chem sor - row, Heard their voi — ces call — ing to him, Went forth from his Kum - mer, H0’? — te sick van ih - 7297: m —fen, Hz'—naus aus dem gloom — y door — Way, gaz’d______ in - to the hea - ven Wig — wam trat er, Starr: — te auf den H2'm—mel, j crE%.1 Gaz’d up - on the A2/f die Er— de, Novella Com4aam:, L39 Engravers &' Printers. COMPOSITIONS BYEOWARO GERMAN. I sum E SYMPHONY IN A MINOR FROM THE MUSIC TO SHAKEVSPEAREJS , _ ' ‘ I Pzarioforte Duet, 4:. V V I ii A I Full Score and Band Parts, Ms. .. I THE MUSIC To it 1. Overture. . » ‘ » ' I —‘ 2.'Prelude to Act II. The Death of Buckingham. 3. Prelude to Act III. Intermezzo. . i . ‘ “‘—‘ — 4. Prelude to Act IV. Coronation March. ’ _ OVERTURE‘ 5. Prelude to Act V. Thanksgiving Hymn. I , V \ 'k . Pi311°f0"e Duet. 35- I 6. Three Dances: 1. Morris Dance; II. Shepherds’ Dance; ‘ . »S‘“"3 P‘‘‘5'}§‘L?1'1‘5§éjn;N‘n‘}‘3S‘’‘E'‘.5' 105' 6'3‘ III. Torch Dance. - , , ‘ ' ’ ' I COMPLETE, PIANOFORTE DUET, price 55. V ‘ V BOUVRR1.fE AND GIGUE V ORCHESTRAL PARTS. I I ' A is d . Pianoforte So1Io.2s.V; 1s’ViVxiV1i1;(>gf€;2:%V1V11ts3Vt,V 2‘sm6;IV.i;p:Iri:V>S1Vi3:nd Pianoforte. 25. 6d. . ' ‘ * core, ‘ Wmd "“;‘“ MS‘ I V MILITARY BAND ARRANGEMENT, 125. ii I: Overture . . . . . . . . . . . . String parts Prelude to Act II. (The Death of Buckingham) ,, Prelude to Act III. (Intermezzo). . '. . . . ,, Prelude to Act IV. (Coronation March . . . . ,, Prelude to Act V. (Thanksgivirigﬂymn) . . ,, “ ' ull Score of each Movement, MS. - s. d. — I s. d. I ‘““"'“*“°‘*“e::2;‘:.§.‘:Ie...;...%...2..JB:i.‘a":O:::;.I“.:;:*;,P.¥’.9?‘*e-5°‘°> 9 ° . SUITE PIN D MINOR ORCI-IESTRAL PARTS ANDc§éJg.éIi]iSeCdORE OF COMPLETE SUITE I I i V n " ' — I SELECTION OF ‘THEMES ," ' » I V V ' Pianoforte Solo,2s. mwtotowyl cocoa?- ”‘’“T— .' A 1. Prelude (Allegro moderato, c). ORPHEUS WITH HIS LUTE. Trio. s.s.A. V 2V Valse Gmcieuse (Allegro, g).V Bvo, 3d.; So1—t'a,V1d. ~ E Ditto, arranged as a Song, 25. ' I I ' 7 ‘ TH C E S ~ ‘ . String parts, 135. 6d.; Wind parts, 26s.i6,d.; Full Score, MS. VALSE GRACIEUSE, from above, arlisanged for Pianoforte Solo, 23. ; and Pianoforte V t . _ , V FROM THE MUSIC TO “ HENRY VIII.” ‘ String parts, 45.; Windugaii-ts,'10s.; Full Score, MS. "I-W«az.—;~;: ,- _ ,. Pianoforte Solo, price 223.; Pianoforte Duet, price 3s_.; Piarioforte and Violin, price 35.; I I Quintet for Pianoforte and Strings, price 5:. String parts, price 45.; Wind parts, price 75. 6d.; Full Score, MS., on Hire only. V MILITARY BAND ARRANGEMENT, by DAN Gonmav, Jun., price 15s. String parts. 65- 6d.; Wind i>arts.13§-; FuII,_Score.MS. GIPSY SUITE ENGLISH FANTASIA IN COMMEMORATION \ '«‘F'IF1’ FOUR CHARACTERISTIC DANCES I — I OVERTURE TO RIOIIARDAIII . Valse Melaricolique ("Lonely Life ”) . . . . . . . . . . . . . . i l . . - - ‘ String parts 25. 6d.; Wind parts 75. . Allegro di Bravura (“ The Dance ' ) . . . . . . . . . . . . . . F13“ SCMCV MSV ’ _ .M tt “L D t” .. .. .. .. .. .. .. . . em“: M We ue ) ' ’ Pianoforte Duet Arrangement, by tht>COMPOSER, 2s. 6d. . Tarantella (“The Revel") . . . . . . . . . . . . . . .. COMPLETE: Pianoforte Solo, price 35. 6d.; Pianoforte Duet, price 45. 6d.; MILITARY BAND ARRANGEMENT“ by GEO‘ M”"“ER' 125' Full Score, I\1/)IlSa.n;of§)t"!‘titi1§ngaYtiS(:I'i7:.’;pWfni1Isi)alflS, 14s. ' V . ~ T V’ ' 1- V ' . MILI ARY BAND ARRANGEMENT, by DAN Gonrruzv, Jun price 1.;s V THE MUSIC To ' ' SUITE, ING OF— ' I V . ’ V 1. Prelude; 2. Pastora1e;3.,Pavane; 4. Nocturne; I 5. Dramatic Interlude. ‘ V For Pianoforte Diiet, price 5S.£;7u§>ltlglgogrg,a$ISé.1_0S. 6d. ; VWind parts, 27s. 6d.; coNsisT1NG or ‘ ' V V " SEPARATE MOVEMENTS: V V Wind parts 7) .. H II 1. Woodland Dance. 2. Children’s Dance. Prelude.. ‘ .. ‘ .. .. .. ..'Stririg parts ‘ Pastorale .. .. .. .. , .. 3' Rust“: Dance’ Pavane .. .. .. .. .. .. .. ‘’ Nocturne .. .. .. .‘. .. ,. - I . - . - - P . "D ‘ '1 Id .. .. .. .. .. ,, — Pianoforte Solo, 25. 6d., Piauoforte Duet, 3s. , Pianoforte and Violin, 8s. 6d., Yamﬂﬂc 11‘ EV‘ 11 3 Fun Score of each Movemerm Ms_ wmwwwp VI‘U!U"U!UYS" mmmmm9 String parts, 43. 6d.; Wind parts, 105. 6d.; Full Score, MS. V — . _ MILITARY BAND ARRANGEMENT, by DAN Gomum, Jun.,15s. Pastmle -I- -- P1.an.°f°"° S9“) -- --’ * _ ,, .. . . Violin and Pianoforte . . . . _ _ Pavane ..' .. Pian_oforte Solo . . . . .. .. IT WAS A LOVER AND HIS LASS , n -- -- gggjggfggg g{?;°‘°*‘° -- -- DUET FOR SOPRANO AND CONTRALTO. Noaume II II Piauoforte Solo .. A . .. .. ‘ Selection of Theme§ V,, ,, . . . . . . .. I P ' T sii‘i1' . I ‘ . \ “’° “*5 I I . THE SEASONS SIUITE FOR SYMPHONIC SUITE FOR FULL ORCHESTRA N AND PIANOFORTE I I I ‘ " “' A S‘ "tr ~ '1. Spring .. .. .. » V. .. .. String parts 5 0 Wind parts 12 I ’ ’ - 2. Summer (Harvest Dance) .. .. 5 0 n 12 5 IN THREE MOVEMENTS. . Pianoforte 153010, 2s. ' I , \ - I P' f t t,3 _ V L ValSe' . 2' Souvem_x," ’V . l\/I1iEii]t(;r0yrI§anLi1le.Arr2iSngement V .. 3._Gipsy Dance. I ~ » 3_ Autumn . .. .. .. .. Str1rigparts~ _ -—-V V ' Pianoforte Solo, 23. - Price Three Shillings. V V 4. Winter .. .. .. .. .. V g] I-‘3lOtOl\'1Nl\'>lO .Ooocooo RLONDON: NOVELLO AND COMPANY, Lmmgn ‘ ' AND I NOVELLO, EWER AND CO.,_ NEW’ YORK. I NET. d. , BIG]-{TEEN SONGS. In Three Books Paper covers, price, each 2 6 « I Phyllis the fair. I _ Russian Love Song. ‘ . I . E It was the time of roses. , I ' VVhile my lady sleepeth. E Light slumber is quitting the eyelids. The Song of Love and Death. O, hush thee, my babie. The first spring day. The earth below and the heaven above. I ' When I am dead. A If love were what the rose is. I A Birthday. VVhat‘doe's little birdie say P} (A) « .Up with the sail. \Vhat does little birdie say? (B) O roaming wind. Of all sweet birds. , Something sad. Lift my spirit up to thee. ‘ I Also jmblished together, bound in cloth, 75. 6d. net. ’ SPRING SONGS Op. 44. I The first rose. I Spring is not dead. Hope. ~ April weather. Springs secrets. A May Song. I Summer at last. LOVE LOST ON EARTH_ Scena for Tenor. Composed for the Birmingham Festival, and sung by Mr. EDWARD LLOYD THERESA WOMAN LIKE A DEWDROP. F01‘T€n0r- From the Tragedy, “A Blot in the "Scutcheon,” by ROBERT BROWNING GENTLE DOVE, THY VOICE IS SAD. V0C€1‘0(“C010mba”)\ WILL SHE FROM THE HILL_ Corsican Love-song (“Colo1nbal’) SO HE THOUGHT OF HIS LOVE_ Old Corsican Ballad (“Colomba”) HERE HAVE I SAT. For Tenor (“Colomba”.) ‘FOR VVINE GLADDENS THE HEART OF MAN. F01‘ SOPFMIO Or T6110? _ (“The‘Troubadour”) , ~ THE SUNRAY’S SHINE_ For Tenor (l‘ The Troubadour”) IN THE PLACES OF LIGHTLESS SORROW. F01‘ SOPMHO (“The Troubadour ”) TO LIET_ For Baritone (“The Troubadour”) BENEATH A HAWTHORN, Morning Song, for Mezzo-Sopiainio (“ Troubadour ”) t .. ... POUR FORTH NOBLE WINE_ Drinking Song, forBaritone (“The Troubadour’l) THE EMPIRE FLAG. For Solo and Chorus .. » THINGS OF BEAUTY THROUGH LOVE TO LIGHT I IN OUR BOAT_ With Violin and Violoncello Accompaniment THE OLD GRENADIER AND With Organ or Harmonium ad lib. FOR LO, THE WINTER IS PAST (“ R056 0f Shaf0I1") ‘THE LORD IS MY SHEPHERD (“R056 0fSha1’0I1") I WHERE SHALL THE LOVER REST <“ Marmion”) LOCHINVAR (“Marmion ”) WHAT DOES LITTLE BIRDIE SAY? LoNDoN: NOVELLO AND COMPANY, LIMITED AND NOVELLO, EVVER AND CO., NEW YORK. Songs byA. C.1\/lackenzie. I» Inthe Children’s Souvenir Song Book 00. O NNNNNNNN IOOOOOOOO
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