Search results

(151 - 200 of 1,720)

Pages

Creator: Vassar, Matthew, 1792-1868
Date: August 25, 1866
Text: Mrss. Sarah. J. Hale Philadephia JenPoughkeepsie, N.Y. "Spring Side Aug 25th 1866 My dear Mrss Hale Yours of the 22 .. current is just received this morning, I send you by return post one copy each of our College "Circular & Catalouge" last issued. I hope they will be in time for viz notice in the next number of your "Lady? Book any matters they may- contain &c. I thought our- Clerk M. Schou had sent you Copies before this,-----Students & Teachers all absent...
Show moreMrss. Sarah. J. Hale Philadephia JenPoughkeepsie, N.Y. "Spring Side Aug 25th 1866 My dear Mrss Hale Yours of the 22 .. current is just received this morning, I send you by return post one copy each of our College "Circular & Catalouge" last issued. I hope they will be in time for viz notice in the next number of your "Lady? Book any matters they may- contain &c. I thought our- Clerk M. Schou had sent you Copies before this,-----Students & Teachers all absent enjoying vacation season, Mechanics & Domestics busy repairing & cleaning ready for opening among Sep*' term-r I am spending the hot months the Evergreens & flowing water-brooks at Springside, our average temperature some 8 degrees less that our City residence, my health is fair - that is, only subject my to occasional oscillations resulting from last attack of a slight par yalys is, otherwise I would scarcely feel the ordinary infirmitives of advanced years & of which you manifest so much solicitude to prolong. I take a ride to the College every pleasant day inspecting the progress of the general work, all of which will be completed by the 15:r proximo,-- Our numerous Seminarys of learning being now passing thier vacation terms & citizens who can afford it absent at the fashionable water-retreats makes quite a vacum in our little City of Po Will not Mrss Hale honor us with a visit.after the College opens, I assure her it would be very gratifying to fifzfz me Your Very humble Serv^ & friend P#S. The necessary preliminarys for the change of title to the College are being drawn up ready to present to our next Legislature &c. M.V. 308
Show less

Creator: Hofrichter, Ruth J., Milinowski, Marta, Klett, Ada M.
Date: [After 1944]
Text: HANNAH SASSE 1899 - 19bit The life of Hannah Sasse was out off before its peak, an eminence already well in sight. Superficially considered, it was not spectacular. Born in Toledo, Ohio, a city very different in flavor from the pic- turesque Hannoverian village of Hille from which Dr. Otto Sasse brought his bride, Maria Siveke, to Amer- ica in 1898, Hannah Sasse called Toledo her home dur- ing her entire lifetime. On Put-in-Bay Island, famous for Commodore Perry's victory as for his...
Show moreHANNAH SASSE 1899 - 19bit The life of Hannah Sasse was out off before its peak, an eminence already well in sight. Superficially considered, it was not spectacular. Born in Toledo, Ohio, a city very different in flavor from the pic- turesque Hannoverian village of Hille from which Dr. Otto Sasse brought his bride, Maria Siveke, to Amer- ica in 1898, Hannah Sasse called Toledo her home dur- ing her entire lifetime. On Put-in-Bay Island, famous for Commodore Perry's victory as for his words, Dr. Sasse bought a second house for summer relaxation, one that was to become increasingly dear to his family. There it was natural to revert to the simpler ways of Hille tradition, especially since the majority of the island inhabitants were also German, at least by de- scent. German was the language of the house, and so foreign was its atmosphere that one autumn, when the time came to return to Toledo, Hannah Sasse's sister was heard to complain: "Do we have to go back to America?" In Put-in-Bay Hannah Sasse learned to feel at home in and on the water, and surrounded herself with a veritable menagerie of animal friends. From kindergarten to College one school, the Smead School of Toledo took charge of her formal education, a happy choice that brought contact with teachers who allowed her to find wholehearted enjoyment in learning. Mrs. Sasse, herself a child at heart, carefully super- vised the play time of her daughters. Her home became the gathering place for the children of the neighbor- hOOd0 Hanah Sasse entered Vassar College when the first World War was still in eruption. It was character- istic of her that she did not permit antagonism and prejudice to distort her appreciation of whatever she found good in the country of her ancestry as in the country of her birth. Appropriately the subjects upon which her interest crystallized were English and German literature and language. She read with avidity and also wrote. Some of her poems were published in the Vassar Miscellany. Courses with Miss Wylie, Miss Peebles, and Miss Struck intensified her desire to become a teacher. She never forgot that it was Vassar College which pointed out the way in which she could best expand and be of use in the teaching profession. ! HANNAH SASSE (Continued) The invaluable experience of assisting Miss Peebles as research secretary in London and Oxford the year after graduation frdm College in 1921 was followed by two years of teaching Latin and English at the Colonial School for Girls in Washington, D. C. In preparation for a:more rewarding career further study was indicated. Accordingly"Hannah Sasse enrolled in the Graduate School of adcliffe College under Profes- sor John Livingston Lowes, earning her Master's degree in 1925 in the field of English. Before entering upon several years of teaching at the school of her childhood in Toledo she spent two absorbing terms as Miss Wylie's assistant in the Summer School for Workers in Industry at Bryn Mawr College. At this time it became apparent to Professor Marian P. Whitney, then head of the Department of German at Vassar Col- lege, that a person of Hannah Sasse's worth and bi- lingual background would be assured of a successful career in the field of College German. It was she who persuaded her to study for a Doctorate with this change of focus. ' Not long after matriculating at the University of Munich she encountered her first enemy in the form of an illness serious enough to have discouraged all thought of a professional career. Returning to her home she seconded her father's efforts by devoting herself to the battle for health under his wise di- rection. Not until the fall of 1930 was she able to accept an appointment as instructor in the German Department at Vassar College on a half time basis. She had to learn to husband her strength with the help of her alter ego, the car. Some of this faculty will remember a succession of them from the ragged roadster with the flapping side curtains, affectionately called "Der Taugenichts", to the super-deluxe convert- ible Ford coupe, with dachshund Loki, her horizontal shadow, barking from the window, ears flapping in the Windo For four good years Hannah Sasse forged ahead with all enthusiasm. In 193k a new and more threatening ill- ness beset her. This too was faced, and consigned to the past. Again, Hannah Sasse could make plans for acquiring the higher degree demanded by her ambition. In 1936 a special grant for research from the Board of Trustees and later a Faculty Fellowship prepared the i ¥ E 1 i \ i I HANNAH SASSE (Continued) way for two thoroughly happy years spent at the University of Freiburg. She returned to America with the title of Doctor of Philosophy and that of P f t V h Assistant ro essor a assar College, also wit her published thesis on Friedericke Caroline Neuber, Versuch einer Neuwertun . It was Eer Intention one day to write a Biography in English of this impor- tant actress and writer of the late Baroque period. From Europe she brought back memories of quiet work in the little apartment facing the Schwarzwald, of long walks through the fields, of the pleasures of the road as she chugged along in her German car from Freiburg northward to the ocean - and of threatening tremors of war. maturing rapidly as a scholar and a teacher, Hannah Sasse's joy in the subjects she taught was contagious. Enthusiasm and wide interests made her instruction a living 6Xp8PiHlO6 for her students and her influence a constructive element in their lives. More and more her opinion began to count not only in Department matters but in the College at large. $he was a defin- ite person, liking forceful language._ While she was_ at all times ready to consider many sides of a ques- tion, she was never reluctant to take an unpopular stand. In recognition of her qualities as a leader she was appointed Chairman of the Comittee on Pub- lications at the time of the Seventy+Fifth Anniversary of the founding of Vassar College, in l9hD. This meant assuming the responsibility of choosing and publishing in time for the celebration a group of works, including books, music, and the reproduction of a painting, and all this under the unpropitious conditions of wartime. In l9hl Hannah Sasse was promoted to the rank of Associate Professor. A second onslaught of illness in 19h3 necessitated an operation from which recovery was temporary. In spite of increasing weakness and discomfort she carried on at her post until within a few weeks of her death on June fifteenth l9hh, and with such success and self-forgetfulness that few of her students were aware that she was critically ill. In Hannah 3asse's death Vassar College has lost one whom it will be difficult to replace. She will be HANNAH SASSE (Continued) generally missed for her outgoing friendliness and helpfulness, her exuberant vitality, her unfailing effort to promote understanding between countries, and her constructive dissatisfaction in striving for the best interests of Vassar College. Her life, though truncated, had completion through the way in which it was lived. With clarity and de- tachment she faced facts and dealt with them. Never admitting the possibility of defeat, she was able to look forward to the future with optimism.to the end and beyond it. Hers was a personality in good equi- librium. Of necessity, and often against her in- clination, she was obliged to observe the law of measure. Strength as well as finances had to be care- fully budgeted. She was efficient but not too meticu- lous; her scholarship was solid yet not pedantic; although thoroughly artistic she was no visionary;her strongly intellectual leanings did not lack the vi- talizing human touch. Already in early years she had discarded fear as a factor in her life. This enabled her to enjoy the present with undivided zest, to live freely and ﬁiolly. Therefore, it is only temporally considered that Hannah Sasse's life can be said to lack completion. The words of that other hero of Put-in-Bay might well be hers: "We have met the enemy and they are ours." Ruth J. Hofrichter Marta Milinowski Ada M. Klett XI - 171-173
Show less

Date: n.d.
Text: BUMPUSED BY ﬂ§N?§i®é$&§¥u N. 0 D N. O _. . IL. Wu. J .52 f{_U.)‘/,-'/, F//AL, _'////0. W R I T T E N B Y 1:5’//f.//////’. AD D I 30 N“, H'0’L LI E R 8; LUCAS. ZIO R'E'G"E‘N'TM$T ,/'}//1,/ _‘.,§_,_¢-.,~..,7._ ‘ ‘ 7 au;%% /1”?/W. L ‘um’:-<9‘ THE ARROW AND THE some. “I shot an arrow into the Air, It fell to earth I know not where g” Poetry by H.W.LONGEELLOW. ./I./[usic by JOHN BLOCKLEY. to swift _ ly CV88 . fdllow M ' ° its ngf calla voce . The...
Show moreBUMPUSED BY ﬂ§N?§i®é$&§¥u N. 0 D N. O _. . IL. Wu. J .52 f{_U.)‘/,-'/, F//AL, _'////0. W R I T T E N B Y 1:5’//f.//////’. AD D I 30 N“, H'0’L LI E R 8; LUCAS. ZIO R'E'G"E‘N'TM$T ,/'}//1,/ _‘.,§_,_¢-.,~..,7._ ‘ ‘ 7 au;%% /1”?/W. L ‘um’:-<9‘ THE ARROW AND THE some. “I shot an arrow into the Air, It fell to earth I know not where g” Poetry by H.W.LONGEELLOW. ./I./[usic by JOHN BLOCKLEY. to swift _ ly CV88 . fdllow M ' ° its ngf calla voce . The Arrow and the Song . flight‘. A Could not John Blockley breathed earth I know not where;/‘ For who has follow the flight of song? "f calla voce . t,7,. . piu animate. Long, long afterwards U11 _ _ _broke; song , from be __ ginning F\ i I found a _ gain in the heart of a friend . And the song, from be- ginning, from be_ginning to end, I found 3. _ gain in theheatrt of a friend . And the song from beginning, fr-om'be.. 1 ’ mf _ginning to end, I found a_gain in the» heart of a friend. 27“ L7 The Arrow and the Song . Londnu,PnM Euhvd by John Blockley, 2 Park Road, Havexstock Hi-11.» /‘_, I7®@IML :iaIma / kg coNIPosER or "I.ovE N01.” "HEARTS 8: HOMES,"“EvAN<;ELINE1'"ExcELsIoRl‘&c. R®@‘“ POETRV BY POETRV av JEssIE's DREAMISTOHVOFRELIETOELURKNOMGRACE CAMPBELL 216 I HIGHLAND RE$cuEI...c.m1 n Lucxnow) CARPENTER 2&6 MESSENGER SWALL0WIo swALIow‘ITENNYSON, 2[6 FLOAT|N(‘, AwAY_ ________________________ __ _ [D9 3,. MAUD . 0° L 216 MY DEAR om HOME..,. D°... 2;- THE BROOK. _ 7 .. 0° 2! A FLOWERS or HOME.....,._._...... 0°. COME TNTO THE GARDEN MAUD D° 216 GENTLE woRDs_ MEMORY or THE PAsT,Im..s,__L><_t ale EooTsT'EPs or ANGELS .,.LONGFELLOW IWITH PORTRAIT) MUSIC oN THE wINDI<. mom” 1.. buss) ova 2[e ARROW 3. THE SONG__,__._________‘, D9‘ _ coHctusIoN.or oumz or me am; I MOTHERS SONG Iswm . LOW,‘ ,D.° 2[- GREEN TREEs WHlSPERED...__.. . 0° BREAK.BREAK._,,(I=onrnAIr or TEN_NvsoN)_,.D9.,,. ._ 216 PA$S|NG AWAY_.._ " ' M".5 HEMANS THE wARRIoR's RETURN I50 2Is THE I3RIoE's FAREWELL ,,,,,,,,,,, _, .o_T<,>_ GO NOT HAPPY DAY . ' D? 2l- HoNIEs or ENGLAND. _____ ,_D° ELFIN EcHoEs EEEE ..(.m am Iuow; D9 . are THE BETTER LAND. oo. RING OUT WILD BELLS... _ D9 BIRTHDAY G|F.T__ ' c.TREvEI.vAN A BLESSING oN THINE EYES EH0N°E‘M“.5N0RT0N. ALI's FOR THE I3EsT,,_ MARTIN TUPPER FRIEND or ouR EARLY DAYS D9 21» SPEAK GENTLY ,,,,, A , ALANGFORDV * IREMEMBER THY VOICE o°_,_,E 21- - ABSENT FRIENDS . T SHEA ________ *7 wr_ HAVE BEEN I-'RlEND$TOGETHERD° 21- ROSE,ROSE,0PEN THY LEAVES ............. L ....... .. . THE A35r_NT on; V D0 2’- swlss GIRLS DREAM ____ __ E,._..BARTHOLOMEW I MY CHILDHOOUS H0ME(PanTRAIT orM-.=NoMo~)D 9 W 3T9 3U M M ER ----------------- - r-A ~ - ~ D-3 - *- THV NAME,THY TREASURED NAME. ., , 2!’ YESTERDAV(co;nPAvIIoN T0"T0 DAV? »»»»»»» »-BROWNE —» no To Moaaowi THE HAPPY BRTDE... C.YOUNG ........ ..21’ MOTHER WHO HATH A CHHD AT SEA E-COOK--—-~ (HAPPY I3 THE BRIDE. TM SUN SHIIIES 0I\ HOPE Is THE LIGHT or EVERY HEART GRACE STIRLING 2|’ ROSE OF THE ALHAMBRA ......... UBULWERA. FAVGF-UTE’ ‘SONGS BY VARTOUS CGMPGSERS. THE RIVER 8: STAR . ........A-NGELINA E2|v THE SABBATH NIoRN ............. _AE..I.LooER ART THOU LOST To .ED9_E . 2|. $IIIIL£& KIND WORD OF‘ GREETING .. . A-A-D°»~— ABSENCE.............._,.. " A 2|- Mv mans BIRTHDAY...“ . .. 0° TELL~TALES . . S . LOVER | TIMETHAT BRINGS HIM HOME AGAIN MACFARREN sTIR THE FIRE(I=oETRvavcARPu4Tm.J0LLY BIG THE'FALSE GONDOUER... A CRGLOVER HASTE THEE,B0A-1-MANI'sHAIIoPsoNo)KUCKEN 2|‘ BIRD OF THE W|LDWOOD,,._ .,,GOLDBERG R
Show less

Creator: Kenyon, Helen

Creator: Monks, Caroline Townsend
Date: 1954
Text: 85* Tha CoMdsaion#ra of the State of lew T rk To Horatio Jones Br* To my tarries attending as Interpreter from the Uth June to the 2nd July 21 Bays at 24/ clay #63 July 2» 1802 (Signed) Horatio Jones Gentleman please to pay the above sum ^ixty three Dollars to Jasper Parrish & yon will much oblige Your hxm Servt* Mr. Zzrm Iamidien and Oliver Phfclps Esq & G D Cooper of the State Hew York (oi,-. aa) Horatio Jones Canunuagato*' 2nd July 180£xt e • -"/-A * > <<■ ...
Show more 85* Tha CoMdsaion#ra of the State of lew T rk To Horatio Jones Br* To my tarries attending as Interpreter from the Uth June to the 2nd July 21 Bays at 24/ clay #63 July 2» 1802 (Signed) Horatio Jones Gentleman please to pay the above sum ^ixty three Dollars to Jasper Parrish & yon will much oblige Your hxm Servt* Mr. Zzrm Iamidien and Oliver Phfclps Esq & G D Cooper of the State Hew York (oi,-. aa) Horatio Jones Canunuagato*' 2nd July 180£xt e • -"/-A * > <<■ ' / 36* Charles to "aaper Parish March i, 1797 Indenture. Indenture triads the Klnth day of March in the i'ear of our lord 0a« thousand seven hundred and Slnety seven Between Charles Morgan »i#-84 of tha Town of seipio in tha County of Onondaga and State of Aew fork and Hal ana hi® daughter of tha On® part and jasper Parish of tha town of Canandaf&Ka in tha County of Ontario end Stat a a foraoaid of tha other part Witness e-tf* that tha said Halana, daughter of tha said %arlaef a^ed eleven ye&re on the third day of July in the Year Jejenteen hundred and Kir; ety six, by end with the consent of the aaid HaarlaS, her- father, hi hath of her own free and Voluntary Will plaoed and bound heraelf Apprentice unto the said -aeper, with hik to *>weli and 3erve fro® the Day of the Date of these Presents until the said Apprentice shall accomplish the full Age of Eighteen Teara, according to the Statute in that Case made arid provided* During- all which time the said Apprentice her aaid Master faithfu. ly shell serve on all lawful business according to her Power, Wit and ability: and shell honestly, orderly, and Obedient/ in all things deaieaa and he* have herself towards har said Master, and all his, during the said Tern. And the said Jasper far hlza&elf, hie Executors and Administrators doth covenant and agree to and with the said Charles ai;d Salens and with tha Executors and Adaialstrators of the aaid wharl®a, by theae Presents, that ha the said ^asper shall and will during all the tern aforesaid find, provide and allow unto the said apprentice competent and sufficient meat, drink and apparel, washing lodging, ©ending, and all other things necessary and fiir for such an Apprentiee; and at the end of the said Term shall and will sake, allow, provide and deliver unto the said apprentice two f good new suits of clothes; and also allow, procure and Deliver unto the said Apprentice a good Milch Cow at the Expiration of said Term; And also shall for the Space of six jsosths during the said term put the aaid Apprentice to soae good English School, to be instructed in reading writing and Arithmetic. In Witness whereof $he said parties to these presenta have hereunto inter changably set their hands ana seala the Day and Tear firat above Written. - - (Signed) Charles Morgan Sealed and Delivered In presence of Thos. Muaford Strong - Jasper Parrish Canandaigua Augt. 3d 1807 Heed, of Jasper Parrish thirty five Dollars in full of the with Indenture, for and in behalf of ay wife Helena Morgan, the within named girl • (Signed) Abel Hawley Sf, 87. To Parrish from Acting Sec. of War March 19, 1817. Department of War* March 19th. 1817. Sir, The sonny which you hava reoeived from the Cashier of tha "ranch Bank of tha United States at Washington, on dKmnt of tha amount of tha interest due to the Seneca nation on tha Stock held by the President, in trust for the®, amounting to five thousand and forty eight dollars, you will pay to tha Chiefs of that nation, and you will also present to the Chiefs for the benefit of that nation the further sum of nine hundred and fifty two dollars and out of the money which you have received on account of the Indian Department - you will its© pay to Little Billy fifty dollars on account of his annuity for the year 1817 the balance of the money placed in your hands on the account of the Indian Department amounting to nineteen hundred and and ninety eight dollars, will be applied by you in such manner as you may think best, in procuring provisions and other supplies fo e six nations of Indians wfco have suffered in oonsequence of the destruction of their crops of corn by the frost. The amount received by you on account of Annuities for the year 181«T(*4500) will be applied excluaively to that object two thousand dollars to be distributed in cash agreeably to the request of the Chiefs, and the residue in farming essentials, blaoksmiths work, and other necessaf^feupplies. I have the honor to be With respect Tour Obedt Servant (Signed) Geo. Graham Acting Seoty of War Mr. Jasper Parish Asst Agent to the Six nationsGranger to Far ish Bee* 1819 • Buffalo Deer* 11th* 1816* Dear Sir, I have reed •..your two letters since you returned home* - Red Jacket says you Must Hot Make any communication of What took place at the Westward until he sees you - that a talk took place after you left them, which Must be added to what Hosmer took down* - 1 have received of Potter the amount of your Debt of Hawkins I have bought to Barrels of White fish at $80• pr* Barrell -have opened one for My own use, they are good* • You can have the other, but the rice is great* but few came down* - please write Me whether I shall send them to you* ~ I expect to he in Canandaigua about the 25th of this Month, and Shall Meet the Chiefs previous to Hy going - will endeavour to get a receipt for the Money paid for the prisoners taken Yours ko {Signed} 3 Granger J Parrish Bsqr* 89. Letter from Moses Ten Campen at Angeliea August SS| 1817 to Jasper Parish asking Parish to sake oertain banking arrangements for a loan for improving a road in Allegany the bank is the Ontario Bank. V 90. I certify that the Troops of the TJ. States under the Command of Oenl. Alex. Smyth were hy the orders of the Oenl encamped at the mouth of Conjoohatys Creek the latter part of Hovesaber and the first days of Deer. 1812 apart of them on tne farm of Jasper parish Isqr. situated at the mouth of said Creek. - The season at that period was very1 inclement and stormy, And I am knowing to the Troops buring rails and fences on the said farm of %.Parish. . (Signed) James Thomas Col & Q. 11. Oenl. of the late U.S. Army Washington m® 18th 1819. / Th© Un'ted State® 91a Br to Jasper parrish 1812 For my Extra traveling expenses incurred sinoe the declaration of War, by the order and under the directions of Istastus Granger, Seal the Indian Agent resident at Buffalo©, & pursuant to the instruotiona of the Secretary at War, as f-his letter to Mr* Granger dated day IS July 1812 - - - ——Ti«#« July 13 To Travelling Hxpences to & from Buffaloe #6.25 w txpences at Buffalo© as r* Raphael Cook's Reoeipt of 9 July 1612 --------------#5.81 Ho. while there Si among the Indians 4.44 10.25 * the services of my Horse at the same time 13 days 4/ - - - - - - <5.50 23 " Travelling Sxps to & from Onondaga, including Stage Fare ----- 7.94 Sep. 10 " do. to & from Buffaloe---- - - - - 5.25 * Xjsps. while the re, as p-^Tl, Cooks Reot 9 3 Sep. 1812 w------- -#42.25 " do. while there & among the Indians - - e.25 20.50 * tha Service of my horse at the same time 18 days - ©.#® Oct. 22 * Travelling Sxps. to &. from Buffaloe ----- 3,50 * Stage Fare--- to & from do ------ 10.-- " Ixpa. while there as ps II. Cooks Sect of 20 Oct.---- - - - - -135.372 " do. wiiile there k among the Indians - . 40.372 Nov. 13 " Travelling Sxps to & from Oneida & —- Onondaga to invite the Indians to a Council at Euffeloe - ----- - - - l|Ji w Stage Fare to & from do --------- 9,50 Deo. 2 » Travelling Sxps. to & from Buffalo© ----- Jj§§ n Exps. while there as p-'R. Cooks leot 30 Nov. «-------.„• $30.$- * while there k among the Indians - - 5.75 35.75 the Services of ay horse for 21 Days - - - 4/ - lo.SG UO?2 Canandsigua 15 July 1813 (Copy) V' 92 United Statue \ To Jasper Parrish iem Sub Aeent of Indians affaire - Dr to traveling expenceB to & from Washington on publick business. March 25 to stage fare & expanses from Canandaigua to Albany - #18.75 27 to expenees at Albany - 2.50 to Btage fare ft expences from Albany to Mar York 16.00 to expencee ir New York - 3,50 April 2 to Stage fare & expenees fro® Sew York to Phildelphia - — ---—------11.75 ~ 5 J. go to Stare fare & ©apences fron Philadelphia to Baltimore - - — « - - — - - 12.25 to expenees in Baltimore 1.75 5 to -stage fare & expenees from xsaltimor© to Washington - — 5.12 ~77 4Z. 10 to expenees at ^ashii-gton - — - - 15. to Stage fare & axpences from Washington to Canandaigua :m my return ----- - 77.62 160.49 On Back: Copy of expenees to & from Washington April 24.. 1815 fraic in full^vw As - -^Trr,. / 93. ■ ' ' > ' - Latter of Qm1» Porter at tort ^rie July Jfe^l814« ■ 3i Fort Irie July 31. 1814. Dear Sir, I have this morning received yours of the 27 th. It is tha wish, of MaJ. Oenl. Browfn that the eastern Indiana should return to the army ae aeon as possible & that you should send a messafle to them to this effect without lose of tin©* At a meeting with the Chiefs 2 days ago they requested that I would sand a measafe to tha eastern Indiana to return to Buffaloe immediately -They at the same time sent runners to Tonewatft&* Tuscarora, Cat^iragu & Allegany & today many of these Indians are coming in* the Indians will be promptly paid foi their services-Probably as soon aa they return* But x cannot uiyself undertake to settle the question whether they will receive pay for the time they are visiting their homes against the wishes of the Oenl & when their services were much needed. As soon as your health will permit I shall be much gratified to see you here In haste yours truly P> B* Porter Br Genl ? Letter from Capt Ridgeway to Parrish October 3, 1813 Balls Tavern • Ootr 3rd* 1813 Sir, If the Indians should arrive in Canandaigua this Evening - & t want provision you will bo pleased to th© requision as usualJ & say to th© Contractor I will Sign and requision you may make for th© .0, States Indians, - When I am not Present, - I am Sir, respectfully (Signed) pi alder Ridgeway Capt S. R Hag.-1' Ca.nd 3r Rec% ^ Ho 3 Capt Parrish if.S. Indian Agent Canandaigua (N.Y) y m. Miagrti May sail 1818 Dear Sir, I wrote you last winter by two Mohawk boys the Grand Children of Oapt* Duncan who were then on their way to see him* -Their Parents are anxious to hear how they got on after they left this, and any other Information you can give them - * accuse the liberty I have taken ~ and oblige Dr Sir Tour'most oh* Ser* - Ke>, 7 (Signed) Willi mi J ♦ Kerr-- Mr* Jasper Parrish Canandalgua State of H* York / 95 b Ko~ of Onondagos at Onondaga grata & small — - 16 8- Septem 5th 1808 (Signed) lphv— Webster r 97. Messrs, Jasper Parish or Gentlemen, Either of you, who hold my watch in hand, which was left in pledge for Six dollars and one half# will please & Deliver the Same to van Davis, after he has paid the said $6-50 Cents and much oblige Tour humble Servt (Signed) Nicholas Sllverheels Cold Spring Allegany River April 1st, 1806 Pmg.m with sampl#s of pmp#r money Ctonluft of th* Mountain* om mmh desires prn will fin a tlm$ for puji'g a visit tote tourt House and dttftmim in what light and shadow th* friend of the Indian^ shall be placed, at present It hangs on th* right, and next to the Bendi* wait*g your l*||r«felp« OoNMXide* 1 mmdn at the - ^Snuggary" * P*8* for thle gift, 4 coxild #my with fGowp#rf ~*eltda£ and jfedfiMist Join at one© in you* uprightly ms youth, m age, eor*tfMj» too,11 On back, For Mrs* Townaend by Ur« Parrinh • "Mothers Bit/ 100.. a) (3i:n»d) 3gbet$ Benton Jr. b) Envelope with pictures of Breekenridge and Lane, three oent eta»p with head of Washington, addressed to Editor Hbnetituiion Washington City d. o; o) on fcack, Joseph Kllicott receipt for 1225 April 2d, 18©8 Received Batavia April 2d 1806 of Jasper Parrish two "ollare and twenty three Cents being the amount of tax aforesalf on 6b0 Acre® of Land In his Raise In the town of Erie for the years 1B06 &1807. (Signed) 1? Joseph Sll cott Treasurer Genesee County David £. Branay tots On bmk$ John 0* Splinter (Copy) Washington 19 my 181? 1 hereby acknowledge to hairs reed of Mr# "asper %rriah a draft of Mr* Gamble on at for #1#1rm hundred and sixty thrm dollars J5/100 for collection* vhieh is ehen paid to be held for Mi aoct #1165 —75/100' ( igmd) him Kerr fron? Mr* Grom purse agent at Charleston 3* 0a Reoeiirel October 20, 181? of yaap#r ^arrlah Stfr the original receipt of which the above it a copy, for collection - (Signed) John 8* Spencer102a a) description of Town him for Garandftigua t^id j^^Plmtt and ^atper Parrieh]C^ ' ? } b) (Signed) Aitgel. Be ferriere angel De ferrier^* StlHvan MM&ieon County * Mri Parish KaqrV' 10% Proceeding* of Starlit; fmtmm In a Blast of 179? Nurtln Cain fmm&w 9*ter Qbm^ Keeper IT ? % Drawing arid description of parte of furmm in detail Q* * j )fm Mim Q* Tmmmi. with !%t lt Brown® ompliMmU* Washington Oct, *X># I860. Ant#graph written for fiiaa 0* fmmend by Willie Smith OtSri#fi 129 %fth Avenue %w fork Kau 27* 1859.I 05* Litter to Jmp#r %rrl§h from John R* VMLefeee Btonmber 7* 1806* Enclosed In the letter by frl^hm 1» nmmt}mr mmbm of the P&mer* for publication and 15*00 to go to Mtpir. Gould and (s / 106. Mat of sigmtwre® of Anerleans »lgnad at Canandaigua. April 8, 1799* 107.. Ontario uounty Clerk's Office Seal Signature of James B, Mower, Clerk, to aertification that the foregoing (not included) is a true and correcr exemplification of the record of the Instrument herein set forth, examined, and compared. October 15, 1808. ( J^......) / v108* 0n lMkf Mr* <?atp*r Rarrisf Smimiidaigia Qenenl Painefs letter May 26, 1796 Sclpio May 26, 1798 Sir Mr* Herriten litis jumtt B@ turned, I haire teen him, but cannot prweil upon hi® to hire out* I with yfcu to assist Joel In the appraisal of the Cattle m he it unacquainted with the People in your Quarter, and will have the cfeOMlng of cm Apprisor on which ngteh depend®* fa h&ire made search in the Office, and there It no euoh mm on the files m you m entioned in youtr Letter v I m Sir your© sincerely (Signed) Edward %in* fcr* ^aeper Parrish Perh&pe you and Porter can agree,) if he will five m much as you ) think they will be *ppr/l»ed at )109. rmtmnt between Oilw and Jonathan Barlow iigmd In tht prttttnoe of Jftsper Parrish• A of Barlowelai© ftgrtntt t estate of Oliver Phtlpe $ late of ^uiwndftIgm* deposited with %rri«h ** certain exoeptlftM nwrttloriftd* Signed Oliver t* Fholp* fiNrl«* f ^ J )110/ a) on bmk$ 8* Howell He«a4pt Aim M 181J Br* Jaepsr Parrish To the Truetooe of^CateiMAtgua Aeadoisy • Br* To tuition on# fuarter from 5 April to 26 June 1815 of Xooao Parrish In reading to - - - |3#50 mnmm^w^ of wood — lloed (Si-nad) Kath f* Howell b} This it to certify that Jasper Parrish of tha town of Canandigua in the county of Ontario in tha twenty-fourth tpUootion district of ¥mm *¥ort, hath paid the duty of two fiollars, for the uear to end on the 51st clay of Doe mbmr mn%$ 1 for and upon a two wheel carriage, celled $ Ohai«*a owned by hlr r~ 3 the harness Used therefor* This certificate to to of no mnll longer than tee aforesaid carriage shall be owned by tha said Sasper %rrish unless said certificate shall be produced to a collector, and an entry be made thereon, specifying the name of the then owner of said carriage* and the ttoe when he taenia possessed thereof♦ Qlmn in conformity with tJ e laws of the United Hatas this fifteenth dai^ of May 1815. (Signed) S* Batfcs Collector of tha ??4th collection district of Nsw~Yorfc« Countersigned, Kliphalet Taylor Deputy Collector 6v\ ^aci Qpiyvvo^e ^GiJ 1-Sf 111. On back. Plan of the House Floor plan of bouse SB* at point of greatest width, 60* « * " * length./ lis Permission is Imrmy given tqJKr* Jasper fan Interpreter to the Coiisx^aloa© of the United states) to pass from benoe to ttm Eolith of tim Detroit Bivert or to whateimr place ttm *ommiBBlomrs may tee, at the time of his arrival there - Qi*?en tinder mj hand at Fort trie this 5.day of August 1793 (Signed) Robert Pratt Captiu St Regt* OohnubAIng To All Concerned.948a wn back. Invoices of Indian Annuity for the year 1605. Invoice of rundry packages delivered by George Inge Is Esquire Agent for the Indian Department to William Linnard Esqre Military Agent for transporting^ to Aifeany, a/iddressed to 3enl Oansevoort and to be by him forwarded agreeably to the order® of t e Secretary of far. Karked & numbered a® per Margin- U. S, 1805 United State® Arsenal May 10th 1806 Oneidas & Onondaga® Annuity Bo I Oaek 5 pieces coarings no, 761 yde advance 2 pieces uellow flannel 1 do jW I i Ho 2 Oaek y6 Kefee Ho 7 en 10 Ho 11 Box 12 pieces sundry calicoes 55®! yde a JO cte 15 piece® Ouzzapoor Baftas 5 pieces while platillae k qt Casks powder 100 lbe " Wrapping 240 in It 52 ct Keg Casks r 250 lbs Lead blankets do do do do do do do do strip*d no. 1 5 5 <5 11 12 12 78/ 2» I4i6 5« 616 7»16 Ai 5i6 5« 1 5» 5» 6 5» 121 6 5i 17» 5' advance 120 pot j1 ! £ 1 pr red Strands Ho 19§ yds a § 5 pr blue 1695. 19 ea 60/ advance 120 pet h Gaeke & cooperage I Cask do 1 box &> strapping 5« 5 m 181 5 21 <18 1 $25 X-JLi_L ■7 5 I Did Sept 11thtmolm of sundry pmkngna dtllirartd by %orge InBpln Saffcirt Agtut for tha la&iaii OajMrtaaxti'to til Ham Linnard Batjra Military Agaot for trmnsportlf^'1 to Allans adiartatfti to §at$l Oanaa?oort a d to bp by Mm forwarded agre#alily to tha orders of the Saeratary of far* fearkad & nwbtrad as pur Margin St 1805 !>♦»• Araenal May 10th. 1805# Six Unions 77 Annuity io i 2 Oaaka 6 piaoaa striped coatings 144J yards • J/<f I pr blue boc^in; Sate® 20 yds - 2/8| 2tl3i9 Advance 115 pet, 32i 4i fe 24 pr Sundry Calicoes 28 ea 672 ud§ JO cents 9 i* white platlllas 9 11 I 2 Casks & Cooperate 9 9/4/2 J3 12 Kegs 10 qt Casks powder 250 lb * J2 cents Wrapping a 10 *5 15 ditto 750 lb Lead 9 I 16 Cask J ps red flannel 5 p» yellow do ilJJ IB au&oodles Casi%f Cooperage 59»18 17319 Casks 5 pr strip'd blankets (15 ea) no 1.. 76/6 19.2.6 7 * do • 2 82/6 38,17,6 Advance 115 pot 4 diaper coverlids ® 9/4 5 Casks & Cooperage a 9/4| 207 Bale 1 Cask j No 20 Bale 21 Cask 1 pr Strip'd buff Blankets (15) 1 ' 1 do I 1 * do 1 » 1 do 2 Blankets 0 5$ 2 R%gs 9 4/10 Canvaa Carr. ftp ... Brought kp 1 pr strip'd Buff Blankets no. 1 1 * * ditto 2 1 11 • ditto 4 no 1 2 I 2«15.6 % 5.10. 5.17.6 10.6 9.8 ..............V 2.15.6 5.? JklM. Advanea 120 pot * 11 ® H 40 ? " 31 ^ 113 10 /, ft JL l" ±±-J- 14 it __JL~JL Cask ^CooperageBo 22 Oa©k~) 5 pr r»d Birmie So 61,62,55. yd« * | 9.18,4 25 tot { 11 * Hue ditto 1595 19 y&M « 4 5 Advance 120 pet 51.10. Oaah & Ooop go. box 5/9 115a 5 0 vwlds (In box Ho, 23) 8 11 #7 Invoice of one i&c/delivsrod by Oeotge Ingela Eaqr Agent for the Indian Department* to tllliajr linnord fSoqr Military Agent, for transportation to Albany, addrst-eed to 3e%l Ol»fi«ovoort and to be by hip? forwsrded agreeably to the orders of the Secretary of War Mark'd & rarabered at pr Margin 0. 3. 1605 U. Aresnal *Cth May 1605. SiT Nations Okilefa So, I 5 yde "Scarlet Cloth « lj/10 Advance 120 p#t / : - iO 12 yda blue Sloth « k% 50/100 Box & trapping 1 certify these are true copies fror toe wiftimli (Signed) Jne Wilson 01k114" •2- Miscellaneous Canandaigua June 28th 1826 0- Hath* Prime Esq: Bear Sir Allow e to introduce to you the Bearer of this Capt* Jasper Parrish* on of our Directors t acd one of our most wealthy# and respectable Citizens* Gapt* Parrish having expressed a wish to become acquainted wit hi .you, hai» induced me to give him this letter I am very Respectfully Your mo obt Servt On back: (Signsdf W* B* Gibson lathaniel Prime Ssq# Mew York ---— - Signatures only Btfad . Trowbridge Indian Inspector Xphrm Webster Interpreter Canandalf.ua July 2d 1611 Received of Mr* Jasper Parrish the sum of Ten ^ollars in full for his subscription to the first Congregational Society of said Town to sixth day of October next* (Signed) Hatha Gorham Treasurer Heed the amount of the v. ithin act in full by J Pariahs Acct rendered up to May 16thf1821. & Cash to balance -{ Richd Welle On Sides J Parrish Asq. Copy On back of same paper; Jasper Parish Isq to Eichd *«ells Br 181? July 27 to Dec 20 To sundry visits & medicine - - • v15*50 1818 ' Feby 17th to Octr 10th To sundry visits medicine • - 11*25114" •2- Miscellaneous 1819 feby 20th to Isov 17. To sundry visits & medicine - - 4.25 1820 Feby 5th to July 9th To sundry visits k medicine - - 2 m 7 Gr By Cow-i- powder returnd 4/. By Cash for Indian 18/ 1 Granger letter ) On side April 14, 18011, ) Buffaloe Greek April 15. - In S. Granger p. jr. Jasper Parrish, Esquire On oth r side of scrap of paper: Buffaloe ^reek April 14th 1806 Friend Parrish Having an opportunity this day to send to Allegany by the Prophet k his party, I have been under the necessity of fixingMiscellaneous us Ontario' Bang Cana&daigua June 28th 18S6 Robert Kaq* Cashrfi , Dear Sir This will be Handed to you by Oapt* Fairish One of the Dim® tor a of this Institution* should Capt arrish wish for Ira* or Three Thousand dollars/he pleased to Cash Lis draft on for that amount - 1 am very Haspdotfully Tour mo* obt* 3#rrt« (signed} * M* 01bson, Gash* Sir Inclosed is a small Note against Richard Knighis I understand that he resides in your Vicinity - 1 wish you would toe so good as to try to collect it of him -and you will oblige your friend &tc (Signed) John 0. frisbae On Back: •• — Doctor Wti&b&x letter Octr 5,1805 Capt Jasp (Balance torn off) Canan Ford toy Oenl Taylor115" •2- Miscellaneous fstate of Mrs. J. Parrish To A. -1. Bristol Dr 1837 Jany 12th to plaster 8/.. April £lst, S3d to 3 visits & aed 20,,. ——--------- |g.7S April 2d to visit at night 12/.. ----------- 1.50 April 3d to 6th 10 vts k medicine fty ----- 7.50 April 7th to attendance all eny 40/. ——« 5.00 Canaadalgua June 13th 1937 Heed Payt of 1. Parrish (Signed) ',..0. Bristol On back: . . Bristol 14 June 1837/ m. Utter dated September I 1864 from *Headqj»artare Second Array Oorpe* -si ;nature tt » to Major Oen, A. Pleaoanton , ,|.S. Amy St. Loui - the Civil War is dincuaeed and there la uantiort of 3am Grant. ■w-it?* UiBmllmm^omt a) on Imk§ Young <Jfagfs t $100 1621 1100 ftaaft of 1* Key Bayard ami Mr* Evtrs fc IhCN* ttorrla per the timbds of JM|p#r l^rrish Sub Agatii to tha Sin Nation of Indiana $E8& hwiAmi ^IMm it baitig in full for m Annuity 4ua at by an mgrmmm^ n&de wit!) Robart fferrla at Big Tree in Siptwbtr 1797 up to Saptemtor 1820 Signctd qftpllaat* Raoalpi* In prenenee of Dated Buffalo ilay 26th, 1821 1* Oumiinjhw 1 hit B* P* Bawl ah Immg X' Xing ^ark b} on back $ 14 # Howalla Baaalpt 19^Augfc 1812 Mfe* Jacipor PafcMalt fo the Trustees of Cferamdarqua. AoadanQrf Ds*# To Tuition of lame Parrish ona qmriar I J##00 ending 19 Augt 1812 f au»ai*aamaai for wood. * Iteaaiwd pnj%mn%$ (Signed) c) Iwelopet JSaffn* Bairia U*" #3* W* MU Browne Ssqr Constitution Office Washington 0*0 # / d) four friend ft Huml* Sert (aigmd) Frederic Delano a) Oapt, Pollardfn Receipt $100 ) Jany 16J1 ) on back 1100 Received of Barman La Roy one of tha Trustees of Certain Seneoa Chiefa* by • the handa of Jaaper Barrlaha^lata ~ub Agent of tha United States to tha Six nations of XMlajia, One hundred dollars in full for an Annuity (by an agreement made with Robert Morria at Si tree in September 1797) up to Saptowber ft»? Da tad at Buffalo Jmil-r; 29 1££1 # - Signed duplicatea (Sljjiied) fol# Pollard hlaX mrfc in presence of Sao* Hurt I* P# Parrish-2- Miscellaneous ' 117. y f) Jasper Parrish To James B* Mower Dr. 1811 - June 19 To drawing deed Tou to McGulre # .50 n 49 To registering itort* UoOuire to you ----- 1.75 " To recording deed Hortor to Granger —— 1.12§ « To ---- Bees to you —— .B7& iOr 19. June 1811 Seed pay»e»t in full (Signed) James 3* Mower On Back: James B. Mower Beceipt 19th of June 1811•2- Miscellaneous 118" Signature With great esteem four most Obedt Servt {Signed} Btritt Clinton Jasper Parrish Esqr Face of Envelope: Stamped: Thomass Irving Hotel "ashington.* D.C • Stamped: Free Washington Jan 9 I486 ??????? Isaac Townsend £ Chn. Ex* Comi New York Capt Jasper Parrish To Henry Chap&n Dr 1810 July SO To- 5 Galls Oil at .,1.25 Reed In full of the above (Signed) Henry Chapin On jack: Henry Ghapin Receipt 1810 Capt Parrish a/e 46.25Latter fro® Byron dated London'Deo 8, 175? 11® Paws 1 have s$i& y^ Trustees k have got there consent to out down ye Timber that was valued at 0ringleyt 1 shall bring down with a© their approbation signed by them* to shew y£ Purchaser* on y^ recet of this I would ha you go to %*ingley & sell to y^penon that 1 de air fed to hmm y^ refusal!, but not under 5130 1 would have you ask 500 Guihe *s & that ye Timber shall be a1eared in two years$ if he agrees to this 1 would have his get y^ articles ready as soon as possible, that 1 may alga them as soon as I com© down* 1 also axpact ye money to' be paid at signing of y articlesf if ha objects to any part of this, I would have you look out for another purchaser if he talks of interest for ye two years tell him I take (?) y 25 for that purpose ■— (Signed) Byron London Deo r y^ 3* 1757 ' , a, You may shew Him this lett r if it is requisit that He may see it is my orders you take no help -A brief Narrative of Jasper Parrish who was taken oaptive by the Indiana In the Revolutionary War, and remained a prisoner among tham sis years ana eight months* Ha with Ma father were captured 01 tl» 5th of July 1770 by a small party of the tfousie India na* and iwre conducted by them ujj&he Delay-are Hivar to a place called Cookhouse where ttitty arrived in mi days after being taken prisjMi*r« Ten day a after there arrival at Cookhouse they were separated by the Indians* Ms father being taken from Mm, to be given up to the British at iort Niagara where be was surrendered to them* and two years thereafter was exchanged as a prisoner of war and returned to his family. When captured they mre about six miles from home and had with them 5 horses which the Indians also took with them* Cookhouse where they'were first conducted to, wm& a small place where eight families of the Mousie tribe of Indiana re resided. While in this situation Jasper Parrish belonged to a Capt or War Chief of the same tribe by th- name of Capt Mounsh who became his master. In a few days after reaching Cookhouse Capt Mounsh left his prlsnor in the charge of an Indian family and eat off to the West and was gon a long time, during which time the Indiana offered no violence to him, who being a boy only eleven years old was permitted by them to ride on of there horsea, and was in oth r respects treated by them with much kindness, After a long time his master Capt Mounsh returned to ^ookhouae to receive his prianor and conduct him to Chemung* While he had been left thus, he was taken verry severely sick with the dyssntary owing to change of diet and habit, and in this situation the Indians endeavoured to rel eve him by adttinis%-terlng some of there remedies, but ha nas so afraid they would poison him that he refused at first to take there medicine. At length he consented to take it f and it gave him immediate relief and in the course of a few days he recovered entirely* It vas a black svrr ip nade of" roots and herbs. The Indians gennerally appeared to be friendly to him, ana took g-*od 'are of himj at the sam they would frequently say that fey & by they would take the Yankee Boy a scalp accompa Led with motions mm & gesture of taking the scalp, fhis conduct of th® Indians kept him In continual apprehensive untill hi a mater Capt Mounsh eame on from the lestward to receive him. On the first of October he set out with his prlsnor for Chemung, - the first settlement of Indians they come to was on the Big ^mn^bn the Susque ;annah River, - they continued on without delay till they reached Chemung *har* they remained the followin- "Inter. On there arrival at there place and before they entered the Indian Village Ms naster and hleself were both riding on horse back* Capt Mounsh gave the Indian scalp Holloo verry loud which is a long drown sound, the accent on the last a and pronounced like quaga. At this the Indians men and hoys came running fro® evaxy part of the2- (Narrative of Jasper Parriah) village to the center. This was a verry noted place to mk% there prlanora run the gantlet* ab soon as they cam® to the ©enter of the village the Indians set up a horrid yell, and casus running to wapt Mounah and his prianor aa they were riding and getting hold of Japper tore him with great violence from his horse on to the ground and like ao many tigers began to heat hla with olubs, whips and handle® of tomahawk. At length and after he had received a terrible beating, his mater interfeered, and spoke verry loud to them in tha Mousle language and said "that is enough." At this they all a toped beating him, and after a short time he was abl® to get up off the ground and stand up, where then he was conducted to an Indian hut or cabin, where he remained untill the next day being completely covered with black and blue bruses. In a few days after he was sold by his master at this place to a Delaware Indian family, who resided on the south aide of the Tioga Kiver, and who paid for him the sum of Twenty dollars. Immediately after he vms sold his former master left that place and went *est Fort Niagara, where in a drunken frollic he was stabed and killed by another Indian. Jasper remained with the ^ela^are family on the Tioga River during the winter and spring of 1779. Daring the winter he was verry soanty clad, and his suffering from both cfold and hunger were verry great, the winter being verry long and intensely cold. His food *ea the saoe as the Indian tally and constuted of venison, wolf, dog, fox and muskrat meat, and some wild fowls. Verry little corn was to be found at this time among the Indians and salt was not to be had, and there were no white Pepple short of Niagara to idiom they could apply for relief. During the winter he «as compelled by the Indians with two Indian boys Ithe snow being veriy deep) to go down to the Elver a distance of 30 rods, then to throw off their blanketts and Jumpt into the Biver through a hole in the ice and %eh then putting on these Blankets to return to the aabin. This was done as th© Indians told him to make him tough so that he might stand the cold weather without feeling it so much-ihls he waa obliged to go through with repeatedly in the coldest weather, the*; the spring opened and the warn weather came on, he with the Indians »as accustomed to go a hunting, fishing and a diging ground nuts to procure something to support themselves, and oontlnued this mode of living untill the middle of **umsserj when he and three Indians Kent up the Elver Tioga to a place caled whimney Harrows on a hunting trip for a few days. While encamped here near the River the Indians killed several deer. In three or four dayafter they arrived here the Indians got out of lead, and one evening as thay were sitting by the fire, one of them remarked that ha would get some tomorrow. Parrish t ough it was verry strange that he should be able to obtain lead in one day when there were no white people of whom they could prooure it nearer pan Niagara . However, the next morning the three Indians took there guns and went off as usual as he supposed hunting, in the afternoon the Indian who apoke of getting lead returned with about a peck of lead ore tied up in his blanket, droped2- (Narrative of Jasper Parriah) it down by tho firs and directed Parrish to aakm up a large fire with dry wood which ha did In a few adults* The Indian placed the or© on the top of the firs and sdraped away the ashed under the fire so as to give a place for the lead to run in as it MtltsA* them with an iron ladlit lis dlp«A up the lead anfi poursd It on to pieces of bark as it melted till ttm whole ws asperated from tbs dross . Parrish thought that he must have obtained from 8 to IE Iba of purs lead* Three days after the Indiase returned with him to Chemung. By this tire Parrish had been a captive with the Indiana about oils ysar during which time ha had seldom heard the enrlish language spoken* Ee hud acquired enough of the language to understand there conversation verry well and could spssk it v©rry wall so as to be understood by than* Parrish remained at this place with ths Indian family that bought him untill ths last of Ay,gust 1779 at whioh time Geni ^ulliv&n was marching with his army into tbs Indian oountiy to chastise them for there mmj enornaties. Ths Indiana were a oils a ting a large fores at Hswtoun near Sl^yra to attack hlmf and seise tad a point about 4 miles below Sewtown where thsy intended to make ths contemplated stand and to surprise his if possible while he was advancing* The Indiana had placed the bagage squaws and provisions about 1 mil© back from, where they wars laying in wait for Sullivan, and had gather tlgether a vary largs war party among whom wars soma few whites and wars verry confident of success* Soon after ths battls cornmended ths Indiana found that thsy could not stand there ground, as Sullivan was makl g an attempt to surround them and they iMssdlstsly despatched a runner to th place where tbs squaws baggage and prisnors were left dirsct.ions for them to pack up and retreat up the River to Painted Post. Parrish was left with ths squaws and baggage, who together vith a number of young Indiana Immediately moved off up ths Elver. Ths Indiana being hard pressed soon retreated ,. rom ths battleground, and next day overtook them at Pal'tad Post. Ths ? arty of Indians who had charge of Parrish iMiiediately took up there line of march westward by the way of Bath, Genesseo, Tenew&nda and so on to Fort Niagara then a British Post* Here they remained till late in the fall, furnished with salt prevision by the British, which the Indians being unaccustomed to occasioned a great deal of disease and deal?", among them. %ile they were raking verxy short stops untill they arrived there. In a verry short time afterwards, the *hole of th© six Hat ions of Indians w®re encamped on th© plain around the Fort, encamped near the *'ort they had a general drun&en frolic during whl<& one Ind|§a killed anotter; upon this this Indian law of relatlation was reaorted to by the friends of the dea Indians and in less than an hour afterwards they became so infurated that five Indians were laying dead before the Chiefs could restrain there V«ar?-iora»2- (Narrative of Jasper Parriah) While at yort Niagara with th® Delaware family Parrish understood the British ware offering a guinea bounty for every Yankee scalp that was taken and brought in by the Indians * He ms afterwards infor* ed that they offered th© above bounty for the purpose of getting the Indians to disperse in wall war parties on the frontier of the Statesf as they ere becoming verry troublesome at Fort Hiagara* Parrish waa with them In camp at this place about six weeks* At a certain time a aimber of the Indians belong to the sum family as his Meter got drunk in the evening, two of the drunken Indiana were left alone with Parrish at the e&ap and were sitting on the side of the fire oposlte to hi© they soon fell Into conversation how they could procure Bom mora rum; After a short time one of them observed to the othe-r* that they would kill the young Yankeet and take his scalp to the ?ortf and sell it and then would be able to buy some more rum* The young Yankee understood all the converaatl -n and put hinoself on his guard Innease they should make any attempt against him* In a few minita one of the Indiana drew a long half burned brand from the fire, and hurled it at Parrishe 'head; But he being on the alert* dodged the brand and sprang up anc ran out into the bushes ishieh surrounded the encampment• The Indiana attempted to folio* hl®f but being drunk and the night dark9 Parrish escaped from then eepinc away till next morning when the Ifidians become - * he returned again to . oanp, While he was in Camp with the Indians near Niagara five-died out of this masters famil y including his wife* One day Parrish Indian master took him into Fort Niagara where he offered to sell him to the White peoplef none of whom appeared willing to purchase him* At length his meter set with a large fine portly looking Mohawk Indian by the name of Capt .David Hill who bought him of his Delaware master for the sum of Twenty dollars without any hesitations Capt Hill was than living on the plain immediately below and' adjoining the fort* He led Parrish immediately away and conducted him to his hone or cabin, where having arrived Capt David said to him in English f*thia ia your home; you Bust stay hare11. HI8 reflections were not verry pleasant on his change of masters; after becoming wall acquainted with the Delaware Ian taa, e» to be under the necessity of acquiring a new one the Mohawk differing entirely from the Delaware and to sake new acquaintances and fMend a after being attached as he did to hie Delaware mm er* The exchange o master a pr ved however to be a verry fortunate and happy* Parrish r#tsided with Ca: t Pav d Hills family five years and upwards* during all which they furnished Mm with the necessary Indian clothing and with abundant of comfortable food* He passed all that time in traveling with the Indiana, and in hunting and fishing & vorklcff» but they never compelled, him to ao any hard work or anything beyond his ability or endurance*2- (Narrative of Jasper Parriah) In the month of November 1705 the °hiefs of the Six Nations held a general council with the Britis at *ort Niagara. ' At this Council Capt David took his prisnor into it, and into-the midst of the assembled Chiefs, ana in the most formal k public maimer had him adopted into his family as a son* He placed a large belt of wampum around his neck; then an old chief took him by the hand, and made u long epeach such as is een#irie^ei customary among the Indians on siMlar occasions • He spoke with much dignity and solemnity, often interrupted by the other chiefs with exclamations of Bahoe which is a mark of attention and approbation* iifter^tEe speech was concluded the Chiefs a rose* and came forward and shook hands with the adopted Prlmor and the mvmmj closed* His Indian father then came t o him, and desired him to return home* During the following winter ha remained with his Indian Father at Fort Niagara, in the following month of Mpy ^apt David Hill, and the Maturate Indians removed to and made a settlement at fe point higher up the Hi a gar a Biver at a place known as Legist on* Here Parrish resided among the Mohawks in the family of his Indian father and mother until the close of the Revolutionary %r* During thia long time he was frequently with Capt Hill traveling among other tribes and nations of Indians; invariably receiving at all times from his adopted Fa tilers family, and from other Indians among whom they sojourned, and was kindly treated and his wants attended to, and not uiifrequently many acts of friendship and favor were ba&towed up by them upon him* during his captivity among them * In September 1784 a Treaty of peace between the United States and the Nations of Indians was held at Port Stanwlx (now Home in Oneida. County} at which the Indians agreed to deliver up all prisnors captur d and detained among theip, belonging to, or captured in the United i tates* There were at this time among the dix Nations ninety tree white prisnors, Parrish among the nusfcers* On the 29th day of Hove bar 1784 he left Lewieton accompanied by the Indians to be surrendered at ,;ort itmwlx* Immediately afterwards he set out on his return to his own tsally and friends whom, he had - heard from or of during his long captivity among the Indians; but whom he at length found residing In "loshan in Orange County, ii* Y* He had heard the English language so rarely, and been so t&tely unaccustomed to speak it himself during long a time , that he could with difficulty make himself understood speaking it bo brokenly* He was destitute of education, and was able to devote but variy little time and ttention to school on his return hom#* receivlngly nine month schooling* lith that exception he was wholly self taught and educated from his after reading and intercourse with • the world* U» Wovenber 1790, he was requested by Tiisothy Fpckeri&g commissioner on the r>art of Congress to act as Interpreter between the &eneea lation of Indians tmd the %rernment at a Treaty held at that time at flogs Point* He was called upon aga!n by the tame *>oiamissione» to act-6- Karratlve of Jasper Parrish as Interpreter at another Treaty at Xewtown I4»4 Point (near XlxayreT in July 1791. This treat was held with th® ii-g Kations of Indiana, Here he gained a good deal of commendation and applause from tha Commissioner and Indians for the werry accurate and faithful manner in which he rendered the SagUek Indian language - In April 1792 he was appointed by the President Washington as a standing interpreter for the six Hations of Indiana and was instructed of «enl IsraelChepin then gent to the *>i* Iations, in November 1794 another Treaty was held with the Six Katlons at Canendaigua, »n the Hon. T. Piokering prenidelng ea Oomm? esione on the part of the TJ. S. where again he was the principal Interpreter, This Treaty now remains as the governing treaty between ybe U. and the M.> Ketiona of Indians to the present tire 1822* After serving as Interpreter 13 years he was appointed Sub Agent and Interpreter # the President of the T7. 3. on the 15th day of February 18031 which two appointrents he held thro all the successive administrations of the Government down to the ■ eoond tens of Oenl Jackson, transacting all kltfd of business between the J'. B. and the Kations and also et*esn the *t*t« of Mew York and tha Indians. He has also officiated as Interpreter and en present at verry many other treaties during his tern <f Office, He was verry desirous to civilize the Indians by inculcating among them habits of industry and instructing them how to ultivate their land, and by endeavouring to impress them with the use of property an d the value of time. In his endavors to effect this object, he has found a friendly disposition among the meidas said Steeari Tuscarora tribes as among the Senecas residing at Buffalo reservation, xoept Red Jacket to welcome missionary® and school masters and all instruction to ameliorate- there condition. Teachers and mtsslonars meet with considerable enoouragement among thecu, andthe children of the above named tribes' are receiving from schools verry great bennifit, end much good has already been accomplished, and great advance In 6 years towrds improvements in husbandry, than had een made in 40 y«ars before. Tl»y re tilling their lands much better, making good f noes and buildings and more confortable twelllngs for themselves. The means that are placed in the hands of the Agent by the Government enables him to furnish each tribe annually with all necessary faming utensals and all Implements Of husbandry to enable them properly to till the land, and they are then instructed how to use them* They re thus enabled to rais a considerable surpplus of grain beyond wheat Is equlred for there own consumption , Instead of being wholy dependent upon the precarious results of the ohase, . During the time I was ffi prlsnor among them six years & eight months, and for many years subsequent to the Sevolutionary war, the use of the plow was entirely unknow among thea But they re now familiar with all most every essential farming implement, notwithstanding this great advenee twoards improvement and all the efforts making ty Government and other citizens to christianize the &ix Kations0*0- -7- the noted Bed Jacket has b en, and atill la violently opposed to all inovations upon there old customs and all obanges in there condition. He says they were created Indians rind Indians they should remain and that he never wij.1 relinquish their ancient pagan customs and hateits.
Show less

Creator: Thom, Katherine Bissell

Creator: Barber, Leila C., Howson, J. Howard, Claflin, Agnes R.
Date: [After 1953]
Text: otrvaa samtst TONKS 1874 - 1953 Oliver Samuel Tonks, Professor Emeritus of Art, died on December 25, 1953, one day before his eightieth birthday. Born in Malden, Massachusetts, he took his undergraduate and graduate work at Harvard where, in 1903, he received the first doctorate in Classical Archaeology conferred by Harvard. He was also the first student at Harvard to hold the Charles Eliot Ngrton Fellowship for studies abroad in Archaeology, spending 1901-02 in Greece. He began his long and...
Show moreotrvaa samtst TONKS 1874 - 1953 Oliver Samuel Tonks, Professor Emeritus of Art, died on December 25, 1953, one day before his eightieth birthday. Born in Malden, Massachusetts, he took his undergraduate and graduate work at Harvard where, in 1903, he received the first doctorate in Classical Archaeology conferred by Harvard. He was also the first student at Harvard to hold the Charles Eliot Ngrton Fellowship for studies abroad in Archaeology, spending 1901-02 in Greece. He began his long and fruitful career in teaching, first as an instructor in Greek at the University of Vermont, and then as lecturer in Greek at Columbia University. From 1905 to 1911 he was a member of the department of Art and Archaeology at Princeton. Mr. Tonks came to Vassar in 1911 as Professor of Art and continued as head of the department until his re- tirement in l9hh, after thirty-three years of service. In l9lh he was appointed curator of the Art Gallery installed that year in the newly built Taylor Hall. While studying for his doctorate he had served as assistant curator of Classical Art at the Boston Museum of Fine Arts; and throughout his career he was active in the conduct and development of the Vassar Art Gallery, one of the first of its kind to serve a vital function in a college curriculum. His special interest in Italian painting was a factor in the acquisition in 1917 of the large and important Pratt Collection. Many valuable additions to the Gallery were made subsequently because of his efforts. when Mr. Tonks came to Vassar he was the sole member of the department of Art; upon his retirement, the staff numbered lh including a departmental assistant and an Art Librarian. His appointment established at Vassar the discipline of Art History, a relatively new field of studies at that time. His strong conviction that courses in drawing, painting and sculpture should be an integral part of instruction in art led to the appointment four years later of Professor Chatterton, who reinstated courses in painting that had been among the pioneer features of Matthew Vassar's college under Professor Van Ingen. His generosity of spirit, his deep wisdom and insight continued to sustain the growth and development of the whole curriculum in art. Durtzg his years as head of the department many scholars now s OLIVER SAMUEL TONKS (Continued) distinguished in the field had an opportunity to launch their careers at Vassar - Alfred Barr of the Museum of Modern Art, Hyatt Mayor of the Metropolitan Museum, Henry Russell Hitchcock of the Smith College Art Gallery and John Coolidge new director of the Fogg Museum at Harvard. He also fostered the new departure of adding a course in architectural draughting and design in- augurated by John McAndrew, now professor and director of the gallery at Wellesley. The breadth of his interest was shown in such activities as his service on the managing committee of the American School of Classical Studies in Athens, his chairmanship of the cmmittee to select the WPA murals for the Fough- keepsie Postoffice, and his frequent contributions on a wide range of subjects to various periodicals. An article, "The Realism of Gothic Sculpture", appeared in Vassar Mediaeval Studies in 1923, and his Histor of Italian Faintin was pu5lished in 1927. In His lectures and I hi It? Mr. T k ' d f th E li h n s wr ngs on s comman o e ng s language set a distinguished and enviable standard. The venerable phrase "a scholar and a gentleman" could never be more appropriately applied than in this in- stance. He had the true gift of the teacher--of foster- ing and encouraging learning, in his students, his staff, and his own children, and this without a trace of self-importance or professional jealousy. But Mr. Tonks did not confine his interests to the academic life on campus. For many years he was active in the work of Christ Church, as a Vestryman and a member of the editorial board of the Chronicle. Among his par- ticular enjoyments were the meetings of a Poughkeepsie group called "The Club", where papers were read and discussions held on all manner of subjects. This Novem- ber he contributed a paper on Modern Abstract Art. Perhaps no member of our faculty ever commanded more love and affection from his fellows. Although his active association with the College ceased with his retirement, his interest in the community did not diminish. His companionship will be sorely missed by all those who knew him. Leila C. Barber J. Howard Howson Agnes R. Claflin XIII - M33-k3H
Show less

Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . Greeting of Hiawatha (Gruss von Hia— watha) . ’ . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei— gen) . . . . . . Chibiabos (Tschibiabos) . . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawa! wach auF', Geliebte!) Med. OLIVER DITSON COMPANY. Boston New York Chicago...
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . Greeting of Hiawatha (Gruss von Hia— watha) . ’ . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei— gen) . . . . . . Chibiabos (Tschibiabos) . . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawa! wach auF', Geliebte!) Med. OLIVER DITSON COMPANY. Boston New York Chicago Philadelphia C. H. DITSON 85 CO. LYON 85 HEALY J. E. DITSON 8: CO. 2 To George Fergusson Purchased from the ES'l"'.:.'37Ii (‘)7-:1‘ THECESJ» !T1:‘:J:i3.TJl‘IO ONAWAY! AWAKE, BELOVED! (ONAWA! WACH’ AUF, GEL,IEBT_ED E HENRY WADSWORTH LONGFELLOW German frmzslalia/2 &_1/ Herman/z Simon Allegretto be-1ov-ed!- Ge_l1,'eb—te/___ way !_____ zvii.’ A — wake,.___ wash) auf,_____ Wil — dc Blu F. '\./ F ;’’''\__;/T‘ LZ for-est!__. Hain’s,__. Thou the wild-bird Wvil — dcr Thou with Mii dos of the prai—rie!___ V0 — gel der Prai - ri — en.’ E’. Copyright MCMVII,by-01iver_Ditson Company International Coyyrightsecured CARL BUSCH Thou the Wi1d—f1ow.er of the — me Du des 5-33-66401-8 and fawn_1ike! If thou on 1y look/‘st at me, I am — ten Blick/__ W7e7m Du [fr be-voll nub]; an — siehst, Gl1'[ck—lich, V"7*5? Ex/r“ 1" L2 hap — py, I am hap — py, As the lil ies of the prai _ rie, VVhen they gliiclz — lich bin ich dal, ‘Vin din Li [iv a'crPrai—ri‘ .. en, ‘Venn drer PM L2 up — on them! On - a — way!________ ,Be-1ov - ed, On - a - sip kiissf./__. On _ a. — wiil __ Ge - Iicb _ te.’ On — a - 5—33~66*i01-6 Be_1ov - ed, My be_1ov — Ge — licb ~ to, On _ a — wd./, (‘#3 1'??? "F9 3' 7*"? ./___$ 7;_zf‘a tempo Sweet thy breath__ is as the Lieb— lich ist De£nHa1Lch wiv 5~33—66401-6 — grance: Of the wild — flowers in the morn_ing,___ As their — gens Wil —der Blu — men Duff im Ha/in, Licb _ lich \—/F’ Pk!/F’ £2 fra—grance is at eVe-ning,”_ In the Moon__._..._ when leaves wic ihr D29‘? am A _ b("II(l,,___ In (Iom Mc;;z({'{.____ wolw Laub fall — ing. the blood with _ in Leap to welkl.___ K - den, zu, um _ ar — All’ main ‘/> 5-33-66401-6 kj . thee, leap to meet thee, spi'ings_ to meet the blut sie _ dend wallt, '2 Friih — lz'ng,s.uchi den > g__/ sun - shine, In / when nights are bright — est? On - a - S0nn' _ schcin In ,, sien Nd'ch - [en Mond.’ On _ a _ V“? T 5-33-6640 1- 6 lov — ed, My be —1ov _ lieb — te.’ 041,- a - wii’ ’.L_:[ be _1ov_ ed! Ge _ licb - to/. \ 19? ml ,2... 10 a tempo F9-/f‘ 5-33-664012-G THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of’ authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of‘ the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postrpaicl, and in paper with cloth back, price, $1.50, postzpaid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in ﬂexible cloth, are handy in size, and range in price from 50 cents to $1.25. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other Form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chieﬂy technical, for the Piano, Organ, Violin, and other instruments, and For the Voice. It addresses itself to music teachers and students of dis» crimination-—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of’ music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. Send 10 cents for sample copy and special premium ofI"er OLIVER DITSON COMPANY, BOSTON
Show less

Date: [After 1936]
Text: RUTH GILLETTE HUTCHINSON (MPSQ Arthur Re) 1898 - 1936 The Faculty of Vassar College wish to record at this time their appreciation of the contribution made by Ruth Gillette Hutchinson to the life of the college. Fronrthe time of her entrance into the Department of Economics and Sociology in 1922 she unassumingly but readily met every demand and carried her full share of responsibility. Her good judgment and integrity of purpose won very early the confidence of her stu- dents and colleagues....
Show moreRUTH GILLETTE HUTCHINSON (MPSQ Arthur Re) 1898 - 1936 The Faculty of Vassar College wish to record at this time their appreciation of the contribution made by Ruth Gillette Hutchinson to the life of the college. Fronrthe time of her entrance into the Department of Economics and Sociology in 1922 she unassumingly but readily met every demand and carried her full share of responsibility. Her good judgment and integrity of purpose won very early the confidence of her stu- dents and colleagues. The steady development of these qualities made it possible for her in the year 193k- 1935 to fulfill the duties of the Acting Chairmanship of the Department with dignity and marked success. She pursued the advancement of knowledge,1>oth in her teaching and in her research. Among her publications "State-Administered Locally Shared Taxes‘ is accepted as the authoritative work on this subject. As a genuine scholar, she had an absorbing interest in car- rying forward her research work. She never sacrificed the quality of her teaching, however, always drawing on her own strength in order that her students might acquire in full both the methods and the spirit of real scholarship. Knowing well that intellectual interest is an integral part of the entire life of the students, she won their deepest respect and confidence, through an unusually sympathetic understanding of their life. Her wise counsel was sought and accepted as teacher, Resident and friend. Sensitive balance, gentleness, and clarity, distinguished her human relationships. As a member of the Faculty, whether as individual or as committee meme ber, she gave of herself without limit, always thorough in her consideration and tolerant in her point of view. Ruth Gillette Hutchinson lived a gracious and a gener- ous life. True to herself and to others, she contributed a fineness and a firmness which has permanently enriched the life of Vassar College. Therefore, be it resolved that this minute be placed on the Faculty records, and that copies be sent to her family. RUTH GILLETTE HUTCHINSON (Continued) 1920 A.B. University of Rochester 1921 A.M. Colubia University 1920-21 Courses in New York School of Social Work 1921-22 Federal Reserve Board, Junior Research Assistant 1922-26 Instructor in Economics, Vassar College l92h Marriage 1927-28 American Telephone and Telegraph Company, Economic Statistician March 1928-30 Assistant Professor of Economics, Vassar College 1931 Ph.D. Columbia University 1930-36 Associate Professor of Economics, Vassar College March S, 1936 Death Publications: What's in a College Week? by Ruth Gillette Hutchin- son and Mary Hayward Connard. School and Society. December 18, 1926. 2h:768-72 State-Administered Locall Shared Taxes: Develo ment In the State_EnH_Ioca{“Tax S stems_oT the United States. N. Y. ‘Columbia Uhf%ersity'P¥3ss. I931? I57p. (Studies in History, Economics and Public Law, no. 355.) Taxation of Land Values in Canada by Mabel Newcomer and Ruth G. Hutchinson. The Journal_of Political Economy. April 1932. hU?366J7B Occupations of Vassar Alumnae: a Statistical Summary of a Selected Group, by Mabel Newcomer and Ruth G. Hutchinson. In College Women and the Social Sciences, Essays by er er er ls an s Former Students. N. Y. John Day. 193h. p.309-2h Child Labor Survey of Dutchess County, by Mabel New- cmer and Ruth G. Hutchinson. The American Child vol. VIII, no. 11. November 1926, p. 6. Emily Brown IX - 316-317
Show less

Creator: Scotto, Ottaviano
Date: 1500

Creator: Tourne, Mary
Date: June 1, 1861
Text: Mary L. Towne Oneida Castle June 1, 1861Mr. Matthew Vassar I suppose there is no law of society or rule of etiquette that makes it necessary for me to acknowledge the receipt of your book of Proceedings, but I want to —— the ——. I felt discouraged when I saw that there were 2 1/2 years between me and Vassar College. The —— community (a paradise of summer) that are located within sight of me, are building ——. Their structure is to accommodate in hundred, perhaps it will not be as highly...
Show moreMary L. Towne Oneida Castle June 1, 1861Mr. Matthew Vassar I suppose there is no law of society or rule of etiquette that makes it necessary for me to acknowledge the receipt of your book of Proceedings, but I want to —— the ——. I felt discouraged when I saw that there were 2 1/2 years between me and Vassar College. The —— community (a paradise of summer) that are located within sight of me, are building ——. Their structure is to accommodate in hundred, perhaps it will not be as highly finished as yours, it \ was commenced this spring, and all will be finished this autumn. So I keep saying to my-self certainly within a year I shall enter college. I have two wealthy friends herethat would start for Poughkeepsie tomorrow if the door were opened, but in two years they will think they have passed the meridian, but still I will wait patiently. Prophet and Kings desired it long and died without the sight I may but will hope on. You have one daughter. I thought so. and was sorry for you but what a multitude of young women will rise up and call you blessed, may the Good Father preserve your valuable life till you have secured verbally the blessings of those that were ready to perish is the prayer of Mary T. Towne Oneida Castle
Show less

Creator: Vassar, Matthew, 1792-1868
Date: August 19, 1864
Text: Springs ide Friday Morning. Aug. 19. 1864 My dear Doctor All safe-----the steamer arrived l/4 4. O'cke----- 6 spring Waggons in attendance at Wharff - at 5 P.M - all safe in College. The Docks where litteraly black with people, majority being Black Legs who came up from N. Y City and Towns along shore to see the long announced Boat Race perhaps 10.000 persons witnessed this foolish and useless exhibition------ It is not often I allow myself an indulgence of grief - but I con- fess my...
Show moreSprings ide Friday Morning. Aug. 19. 1864 My dear Doctor All safe-----the steamer arrived l/4 4. O'cke----- 6 spring Waggons in attendance at Wharff - at 5 P.M - all safe in College. The Docks where litteraly black with people, majority being Black Legs who came up from N. Y City and Towns along shore to see the long announced Boat Race perhaps 10.000 persons witnessed this foolish and useless exhibition------ It is not often I allow myself an indulgence of grief - but I con- fess my spirits failed me yesterday on reading the closing portion of your note - viz - nWhen our hearts are both dust may the print of our toil still feed the myriads of immortal minds &cn - this sentence brought me down with tears, considering how many eyes will hearafter be gazing upon these Gems while the Collector, and donor bones lies mouldering in the in the grave----. Yours truly &c M. Vassar (To Elias L. Magoon) 241 40Springs ide Friday Morning. Aug. 19. 1864 My dear Doctor All safe-----the steamer arrived l/4 4. O'cke----- 6 spring Waggons in attendance at Wharff - at 5 P.M - all safe in College. The Docks where litteraly black with people, majority being Black Legs who came up from N. Y City and Towns along shore to see the long announced Boat Race perhaps 10.000 persons witnessed this foolish and useless exhibition------ It is not often I allow myself an indulgence of grief - but I con- fess my spirits failed me yesterday on reading the closing portion of your note - viz - nWhen our hearts are both dust may the print of our toil still feed the myriads of immortal minds &cn - this sentence brought me down with tears, considering how many eyes will hearafter be gazing upon these Gems while the Collector, and donor bones lies mouldering in the in the grave----. Yours truly &c M. Vassar (To Elias L. Magoon)
Show less

Creator: Vassar, Matthew, 1792-1868
Date: January 24, 1861
Text: Poughkeepsie, Jan. 24, 1861, John H. Raymond, Esq., Dear Sir, You will perceive from a copy of the Charter accompany- ing, that you are appointed one of the Corporators of "Vassar Female College". Permit me to express the earnest hope that you will accept the trust, and that you will not only give to the enterprise about to be inaugurated the sanction of your name & reputation, but also your best counsel and active support and cooperation. The first meeting of the Trustees will...
Show morePoughkeepsie, Jan. 24, 1861, John H. Raymond, Esq., Dear Sir, You will perceive from a copy of the Charter accompany- ing, that you are appointed one of the Corporators of "Vassar Female College". Permit me to express the earnest hope that you will accept the trust, and that you will not only give to the enterprise about to be inaugurated the sanction of your name & reputation, but also your best counsel and active support and cooperation. The first meeting of the Trustees will be held at the Gregory (twenty sixth)- House in this city, on Tuesday, February 28th at 10 o'clock, A.M. Immediately on the organization of the Board, I shall place in its hands the Funds and Securities which I have appropriated to the College. At this meeting, measures must be adopted for the custody and management of the College funds, the erection of the Buildings, and the improvement of the Grounds. Needful preliminary and prospective arrangements will also be considered in regard to the Organization of the F-tHid-s College. H-enc-e? -it-is-ef- ^-ea4>impe3?t8rfK^ 4hafc- -ev-e€*y- T-^^s-te e-^feo^d-d-be-p^eeettt-T It is thought that thebusiness may be finished, either in the Board itself, or by reference to appropriate Committees, so that the members 40 .133 . Jan, 24, 1861 -2 may return home, the same evening. With sentiments of high consideration, I am, Very truly & respectfully, Your obt, svt., M Vassar
Show less

Descriptor(s): Taylor, Steven
Date: 2017-05-29

Creator: Vassar, Matthew, 1792-1868
Date: April 5, 1860
Text: Poughkeepsie April 5th I860 My Dear friend I am this morning in receipt of your verry kind note of the 26™ ultimo, what has detained it on its transit I know not, but ten days seems to remind one of our youth full days some 70 years ago, however, it is never too late to profit by your counsels, and altho1 I deeply regret that I cannot avail myself of them as fully as I could wish, yet it is encouraging to notice your kindness of doing what you can in aid of my contemplated enterprise. Would...
Show morePoughkeepsie April 5th I860 My Dear friend I am this morning in receipt of your verry kind note of the 26™ ultimo, what has detained it on its transit I know not, but ten days seems to remind one of our youth full days some 70 years ago, however, it is never too late to profit by your counsels, and altho1 I deeply regret that I cannot avail myself of them as fully as I could wish, yet it is encouraging to notice your kindness of doing what you can in aid of my contemplated enterprise. Would that your health & other circumstances were at my entire service in this my purposed plans. I begin to feel the greater urgency in this my long cherrished object as I see and hear so many of my friends & relatives passing off from time into eternity, admonishing me that "whatever my hands findeth to do &cn to do quickly I notice you are progressing with your "University*1 buildings, how much I could desire to have the beni- fits of your valuable building stone, we have nothing of the kind within available distance, so we shall rear our whole Structure of Brick, of which we have abundant and off the best quality. Doct Babcock, Profr Jewett and a few other friends were out yesterday on a tour of examination for Locating our College, but have not definitely settled as yet upon the location. There are some indispensable considerations to be keep in view, vis. 1 . An airy & healthy situation 2 . An ample supply of good Water 3. facilities for cesdbs-pools & other) drainage) 4r Proximity to our city to insure easy ingress & egress, yet avoiding to much exposure or contact with the masses. 5 Sufficiently Elevated to command a fine prospect of our beau- tifull surroundings-----&—without bleakness.My own grounds r,Springsiden and nMillcoven embraces more or less of these several points, yet we find objections to both, our attention was then turned to other localities, but found none within our measure of fitness and price to warrant a purchase Next Week we make another examination with our Architect and hope then to decide upon the grounds* I shall be always happy to receive your counsels and advise, for I greatly need it, I am treading upon entirely new occupation to me, and fear less I make a misstep, therefore I shall always be extremely thankfull to receive advise from the friends of Education and progress in Knowledge throughout our Common Country As I am receiving many communications respecting my plans &c, you will excuse my haste in the acknowledgement of your valued kind now before me Yours very truly &c M Vassar (To Martin B. Anderson)
Show less

Creator: Griffin, Charles C., Linner, Edward R., Mercer, Caroline G.
Date: [After 1970]
Text: 7/ HENRY NOBLE MacCRACKEN 1880 — 1970 In his book of reminiscences, The Hickory Limb, President MacCracken calls the greatest gift to Vassar of his predecessor, President Taylor, "the group of really distinguished teachers he persuaded to come to its comfortable but sparsely furnished chairs." One can hardly define the single greatest gift to the college of President MacCracken himself, let alone describe the complex personality which was expressed in his various benefactions. But...
Show more7/ HENRY NOBLE MacCRACKEN 1880 — 1970 In his book of reminiscences, The Hickory Limb, President MacCracken calls the greatest gift to Vassar of his predecessor, President Taylor, "the group of really distinguished teachers he persuaded to come to its comfortable but sparsely furnished chairs." One can hardly define the single greatest gift to the college of President MacCracken himself, let alone describe the complex personality which was expressed in his various benefactions. But perhaps his overarching achievement here was to foster an academic comunity, one offering freedom, and governed increasingly by its citizens; a community dedicated to academic excellence and giving its students and faculty the opportunity to be, at the highest levels of imagination and critical thought, citizens of the world comunity. For him this was made possible not only by the faculty and the students but by the staff of employees, the Trustees, and the Alumnae. He came to Vassar a young man convinced that men should not govern women, and that the day of the benevolently despotic college president was gone. He discovered upon his arrival that the faculty was already on its way to self-government, and he supported his faculty in this. He had confidence in the increasing maturity of the students; his belief that they should have more say in their own education was reinforced by his study of the new free universitites of Europe after the end of the first world war. It was with his help and encourage- ment that the powers and right of Trustees, faculty, and students were set down in the Academic Statute of 1923, the forerunner of our present governance. He prized scholarship, but he saw it as including far more than a conventional study of the ordinary materials of learning. He found congenial the traditional Vassar emphasis upon the interconnections of the arts and social life, and of theory and practice in all fields; he strengthened this tradition. The college theatre was encouraged. New off-campus studies were set up, as were inter-departmental programs in the sciences and social sciences, some of them forerunners of our present environmental studies. He brought the college and the local community together, for he wanted the students to be, as he said, "citizens of the world, beginning with Poughkeepsie." HENRY NOBLE MacCRACKEN (continued) Good teaching and study were the center of all this. He sought in various ways to help the faculty teach better and to conduct the research and study necessary to this sort of depth and unity in education. Some of his methods were informal. A young instructor might tremble to be invited to join the Dean and the President in a faculty group called Pot Luck, but he had the opportunity to hear papers by his col- leagues in various fields and to contribute his own research. The students too were encouraged to enlarge their views of their situation; President MacCracken reminded them in chapel talks that they belonged to an old company of students going back to the mediaeval universities. During the two world wars that his administration saw, he showed them various ways in which they might serve society, one being by studying. The relationship between American students and teachers he saw as friendship in shared learning. He wrote: "The authority of the older person, based on experience and wider study, need not prevent the shared life, if it is held in reserve as needed, and if teacher and pupil are both of the community of scholars." He founded the Vassar Journal of Undergraduate Studies so that a larger scholarly world might read the works of our youngest scholars. With President MacCracken's belief in community and inter- connection went the conviction —- natural to an American democrat, teacher of Chaucer and Shakespeare, and participant in the drama -- that human variety is a value to be cherished. In the college this meant his diffusion of his sense that all students should have an equal chance to develop, in their own way, whatever power they had. The standards were very high. The rewards were not external, nor was competition presented as the basis of motivation. It was a true kind of academic freedom, as he said and believed: the freedom to gain knowledge and self—respect. Respectfully submitted, Charles C. Griffin Edward R. Linner Caroline G. Mercer I ~_. 1* 1 __
Show less

Date: 1901
Text: The Rainy Day 6 [£%0%:8%J4(a&*5ﬂ1Mv[A/I/5:4; % k A / ' ~ ° % % 4/g W a C7zya///m7mec;/(é/vpA/1/1{ ‘ " ,'(" ,//‘ 2. e \\ I “”€'”;:‘;:,d:;‘3z:[/:,iW ‘The Rainy Day. (low l"0z'm) . :5 ';J'g5"-?—f~:€ C _ LONGFELLOVV. ; _-_:‘ :. JACQUES BLUMENTHAL. Andante. -\—Z I n V g a V day 1s cold, and dark anddreary, It rams and thewmd IS nev.- er wea - ry, The T f Vine still clings to the mould —’1'ingwall, But at evt' - ’rygust the Copyright...
Show moreThe Rainy Day 6 [£%0%:8%J4(a&*5ﬂ1Mv[A/I/5:4; % k A / ' ~ ° % % 4/g W a C7zya///m7mec;/(é/vpA/1/1{ ‘ " ,'(" ,//‘ 2. e \\ I “”€'”;:‘;:,d:;‘3z:[/:,iW ‘The Rainy Day. (low l"0z'm) . :5 ';J'g5"-?—f~:€ C _ LONGFELLOVV. ; _-_:‘ :. JACQUES BLUMENTHAL. Andante. -\—Z I n V g a V day 1s cold, and dark anddreary, It rams and thewmd IS nev.- er wea - ry, The T f Vine still clings to the mould —’1'ingwall, But at evt' - ’rygust the Copyright MGM} byThe John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MCMI, hy The John Church Company in the Department of Agriculture. dead loawrs full, \/ and d1'eau'— y, anddrear - y,, .S’///()l'£.'(l// (/ 0. But at It — ’1'y gust L The day__ V V rains _ and the wind /11 //g/1 . FA 19 the dead leaves full And the f'.'\ 0- K_/ \_/ ls dark _ and d1'ea1'— fﬁ 7? /2771 M fa. My Iifé is cold, and is nev - er:vvea. - ry, My th011g}1tS stillcling thick days f m to the mould - Ting past, Butt e hopes ofy0uth_ fa11__ F’ _ in the blast, of youth fall thick in theblast, Andthe But the hopes \/ are dark ‘ah; drear - M And the days, the days __ are ff awe]. \ cm/fab?’/6. and drear - tmnyz//’ 0 e I’ Tempo commodo. still, sad heart, and cease_. 1'0-pin — ing,Be - h'1n(L__thec10uds is the 1119/ / \_/V cresc. 7//olio. still shin - ing,Thy fate is the com - mon fate of all, (/'7'!/’.S‘(/‘. .s‘e2//lure c7'e.s'c. f to each life some rain must fall, S0me__ daysmust be dark and d1'0ar— Ljrz , f sew re cresc. [, - ’0- . foo/[av/vane. at (‘M/zpo. //if .s'07z()r(:. Be still, pin — ing, the clouds the sun «:13. c7'e.s'c. ed a(:(:6/, shin - ing, Be-hind the clouds, L 07-esa ea’ rzccel. G still shin 13536-5 6&3
Show less

Creator: Vassar, Matthew, 1792-1868
Date: December 16, 1862
Text: Poughkeepsie December, 16, 1862 Mrs Sarah M Perkins Dear Madam Yours of the 11th (…) is received and in reply would remark that am College buildings are in process of construction but from the magnitude will require some 18 mos or 2 years to complete. In consequence of the long absence of our President (…) M P Jewett, on a professional tour in Europe no organization or rules of (…) for the College has as yet been adopted, as soon as these arrangements can be made you will her [sic] from us...
Show morePoughkeepsie December, 16, 1862 Mrs Sarah M Perkins Dear Madam Yours of the 11th (…) is received and in reply would remark that am College buildings are in process of construction but from the magnitude will require some 18 mos or 2 years to complete. In consequence of the long absence of our President (…) M P Jewett, on a professional tour in Europe no organization or rules of (…) for the College has as yet been adopted, as soon as these arrangements can be made you will her [sic] from us again, in the mean while your letter will be placed on file to be referred to again at the proper time. Yours respectfully &c MV
Show less

Date: 1885
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKE-EPSIE, NH’! '/52¢: ""“\ Worzis‘ ézjgiz /71‘. if fa/gy/1’?//02% / \ ,J, // 0\ \/\ / ":‘_ 4 /W7" » \ I ;sv , 1/ -/ l /‘ J} K‘\_(/2 2 “~\_*//// §’z/5/Mm §/5/WK/7/za/2 JXRTHUR P. §cHJ~4ID'I‘. THE WIND -MILL. Words by LONGFELLOVV. GUSTAVUS TUCKERMAN. Con spi1‘itg. VOICE.‘ vivane my tow _ ‘- er, With ﬂy gran. , ite jaws The maize, the wheat, and the ‘ APS&m493=6 Copyright 1885 byAR'rHUR ESCHMIDT 8: Co. grind theni, and...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKE-EPSIE, NH’! '/52¢: ""“\ Worzis‘ ézjgiz /71‘. if fa/gy/1’?//02% / \ ,J, // 0\ \/\ / ":‘_ 4 /W7" » \ I ;sv , 1/ -/ l /‘ J} K‘\_(/2 2 “~\_*//// §’z/5/Mm §/5/WK/7/za/2 JXRTHUR P. §cHJ~4ID'I‘. THE WIND -MILL. Words by LONGFELLOVV. GUSTAVUS TUCKERMAN. Con spi1‘itg. VOICE.‘ vivane my tow _ ‘- er, With ﬂy gran. , ite jaws The maize, the wheat, and the ‘ APS&m493=6 Copyright 1885 byAR'rHUR ESCHMIDT 8: Co. grind theni, and grind them, look down 0v- er the farms, be, har _ vesst that is to fling a _ loft mine arms , -\PSS:C0.~’293 = 6 and grind thorn in p Lie 9 rif. (sol/11 voce > In the fields of grainl The har vest that is fling a - loft _ to flour to mine arms , . know it is all for me, know it is all for me, patio ritard .__._.————«~ u [em 1’ heau‘ llle sound of flails, Far off from the threshing floors, J l)aI‘ns "with their op- en doors, Andthe wind ' _ my sails, in my sails, — Louder aml loud- er 1'o.ars, APSAM‘/0.493=6 Loud _ er and loud _ er roars. dim 9 Tit. tempo ecaresc. standhere, h in my place, With my foot on the rock be _ low. And which er way it my blow, meet it face to brave 1I1anmeets his : Wres _ ﬁle and pace ' ‘ I 0 0 calla voce 1/risolufo. Ll'S&Cn.493=6 strive, V mas- ter the mil _ ler stands, For _he knows who makes makes him lord of lands. Church-go _ ing bells XPSXM‘/0.493=G Their low, mel_0_di0us din. cross ,n_1y arms on (10091 . peace with _ And all is rd al fine. decrese. poco a co alfine APs&Co.493=6 Bruno Oscar Klein. 09. I7. Ingeborg’s Lament. Concert Aria. English version by F. W. Bancroft. l Mez. Sop. Cmin. 'c—a) Op. 42. Five Songs for Baritone or Contralto: No. 1. The Moon shines through the Forest Green. E (b—f$l) . . . No. 2. Trooper’s Morning Song. Emin. eb—-f . . . . . . . . . . . No. 3. The Siaeet May Night with Dusky Pall. G (c$——e) No. 4. At Twilight. F (c——e) . . . . No. 5. Serenade (When at Evening). Fmin. (c—eb) . . . . . . . . . Margaret Ruthven Lang. Eros. G (d-g) . . Oh what comes over the Sea? Amin. (e——t') My Lad Jacqueminot. Bb (f—g) . Ojala. Ft (ft-—ﬂ$) . . . . . . . Nameless Pain. G (e——g) . . . . Ghosts. Ab (f-—f) . . . . . . In the Twilight. E (g——e) . . . . Song of the rival Maid. D (f#—g) . Meg Merriles. Gm-in. (d—g) . . . In a Garden. (d——f) . . . . . . . Deserted. E (e-—f#) . . . . . . . A Spring Song. Emin (e~—fil). . . Op. 6. Three Songs for low voice. Chinese Song. Emin. ct--e) . . . A Bedtime Song. E ( ——d8). . . . Lament. D (d—d). . . . . . . . Op. 7. Three Songs of the Night. Night. B (d3l—g). . . . . . . . . Slumber Song. G (dll—-f) . . . . . The Harbor of Dreams. E (d#—f#) . . Three Songs of the East. Oriental Serenade. Medium voice. e e e e e e e e e 1 c n o e o u 0 e o I e e 0 e e u e o e Emin.(c-—-fill. . . . . . . .. Christmas .Lullaby. Medium voice. Fmin. (d—e) A Poet gazes on the Moon. Low voice. Cmin. (c-eb) . . . . . . . . . . Four Songs. Heliotrope. High voice. F (eb—g). Spinning Song. High voice. D(d——f#) The Sky-Ship. Medium voice. Ab (db- f) Betrayed. High voice. A min. (e—a) 1!. Elliot Lath. l.ove’s Courier. —— D ct-—e - Moorish Love Song. T) min. (a-—e) . . . . —— Emin. (b—f). Fmin. (c—g) . . .. . . W. P. P. Long-fellow. O that we two were Maying (Violin obligato). (e——g . . The Mermaiden. Cmin. (c—f). . . 'l‘he Swallow Song. Eb (bb-——f). . E. A. I'«’ia.c Dovell. Op. 34 No. 1. Menie. Dmin. .d——f) . . . No. 2. My Jean. A (e.—e) . . . . Op. 40. Six Love Songs. E..ition Schmidt * No. 19 . . . . . . . . . . . . net. M. R. Macfarlane. Sway to and fro’. F (f or g#—d) . . . . Tellherso. G(d#—g). . . . . . . . . E. P. Header. Sweetheart sigh no more. E (b—f£‘») The Robin. G (d-—g) Soft and gently through m_v soul. E (dl1—-ft) Geo. B. Nevin. The Boatswain Bold. Bar. or Bass. D (a—d) Homer A. Norris. Uradle Song (Rock-a-bye Babie). Ab (c—c) Once indroyal Da.vid’s City. Christmas. Db b——b . . . . . . . . . . . . . ( e Supplication (Oh Father, Thou dost hear us). Bb (e——f) C John Knowles Paine. Op. 40 No. 1. A girddupon a rosy bough. b — . . . . . . . No. 2. A farewell. G (d—e). . . J. 0. D. Parker. lelections from the Oratorio of St. John. lo. 1. Eye hath not seen. Contralto. F gL—d) . . . . . . . . . . . . lo.) ethnic mighty Sop. C(c-—b) u tab ~ eh (J L“’.‘:* E. W. Parker. Slumber Song. Ab (eb-—eb) . . Wedding Song. Bb g—eb) . . Goldilocks. E (d#— . . . _ Op. 14 No. 1. Love’s hase. A (e—g# . . No. 2. Night Piece to Julia. Eb( -g) No. 3. Orsames’ Song. D (d--e). . There is a land of pure delight. Sacred. Gb (c—eb) . . . . . . Rest. Sacred. Gb (db-—fb) . . . I‘. A. Porter. Op. 8. True Love. Db (eb-—gb) . . 0 Memory. G (d—e) . . Love’s Touch. Bbmin. (f-—gb) . . . In May. Db (f——gb) . . . . . . . . Earth in heavenly rest. F g-—f) . The Answered Prayer. G ( —e). . “Seven times four. G (g—-g) . . . . . . . Slumber and rest thee. Sop. Violion obli- gato. D (b—-e) . . . . . . . . . . Martin Roeder. Shall we roam, my Love. C (d-g) . . Unspoken. D (e—f# . . . . . . . . . To the Night. Bb (d-—eb). . . . . . Love’s Strivings. Gb (db—eb) . . . . . My spirit is of pensive mood. Eb (c—f or g) Op. 59. Four Songs. No.1. Dost thou know? Eb (e—f) No.2. Warning. Eb (eb——f or g) . No. 3. Confession. C (cl$—-f or g) . No.4. Cupid’s Song. F (f—f). . . Mrs. Emily 3. Roelofson. Christmas Lullaby. Cmin. (c—eb) . . . . Op. 15 No.1. The Sands 0’ Dee. Cmin. (g—eb) . . . . . . . . . . No. . Sea Shell. E (e—a) . . . No. . As through the land. Fmin. c—- . . . . . . . . . . No. . I leaned out of the Window. Amin. ( No. . From the close shut Window. C min. (c-—f) No. . Carpe Diem. Eb (eb—eb) . No. . 0 heart, my heart. G (d—g) A. Rotoli. Eveningdltest. Sacred. Sop. or Ten. in G ( —g) . . . . . . . . . . . . . . — Mez. Sop. or Bar. in F (c—f) . . . . —- Cont or Bass. D (a—d) . . . . . . . Our King. Sacred. Sop. or Ten. F‘ (f—g) . —- Mez. Sop. or Bar. D (d—e). . . . . — Cont. or Bass. C (c——d) I‘. Rudolphsen. Break, break. F (f—-g). . . . . . . Chas. Salaman. Of thee I fondly dream. Db (c—gb) Jan Saxe. Look down. Bb (d—-g) . . . . . . . Bird’s Love. F (d—f) . . . . . . . At the window. Eb (e$i—-g) . . . . L. L. Soalfe. Beyond all lights. A (e—f#). . . . . . . Exultation. Db (eb-—ab). . . . . . . . . Sidney Seymour. . Only a Song. C (ﬂl or b-e). . . My Love is gone. Dmin.(f——g) . '. At my feet. Eb (ab or c—eb). . -. Her King. F (c—g) . . . , . . Over the Mountains. D (d-—g - u u o o e e a u e o e Wilson G. Smith. . Shadow Song. A (b—a) . . . O Beauteous Maiden, Whither? G (d—a) Op. 22 No. . My Bonny Lass,'Marie. Ab eb-—g . . . . . . . . . . No. . Cradle Song. C (d—f) . . . Templeton Strong. Op. 38. Three Songs. No. 1. %hall I smile or guileful glance. (e——d No.2. Come, Ah come, my life’: do- light. Eb (eb- No. 3. Philon (While t at the Sun) E (dt-—-f) . . . . . . . Op. 10 No. No. Arthur W. '.l.'ha.yer. Clover Blossoms. Sop. or Ten. Db (db-4 b (¥b—d or f) . . . Supplication. Sop. or en. E (e-—gI) . —- Alto or Bar. Bb (bb—-d) . . . My Love. Sop. or Ten. . —AltoorBar. ).... . The Helmsman. Alto or Bar. Cmin. (g-——d) The red, red rose. Alto or Baritone. Bb bb—— . . . . . . . . . » Break,(break, break. Db (g—-eb). . . Somebody. Mez. Sop. Amin. (e——f) . Pictures in the sky. F (c—- . . . The Winds are hushed. Db (db— ab) . I know not where. Sop. Eb (d—g) . — Alto. Bb (a-—d) . The quiet moon upon —-g . . . . . . . . Only a Song. Db (db—-ab). . . . The Milkmaid. Bb (f-—f) . . . . My.Swete Swetyng. Eb (bb—eb) . Beware. A (ct-—d) . . . . . . . Go, hold white Roses. E (e—a) . Good Night. Db (eb~—ab) . . . Chas. E. Tlnney. Art thou Weary. F (c— Bird of the Wilderness. g) . . By the Sea. Contr, or Bar. Eb (bb—-eb) . The Keeper of the Keys. Bass. C (c—c). Peace I leave with you. Sacred. A (e—gb) Rock of ages. Sop. Fmin. (c——f) . . . . — Cont. Dmin. (a—d) . . . . . . . . . Vain Quest. Cont. or Bar. E (b—c8—-e) . The time I’ve lost in wooing. Eb (bb—eb) . Gustavus Tuokerman. O! that we two were maying. C (dﬁ--g) . The Windmill. Bass. Bbmin. (f--eb). . . Vinoenzo Vennini. The Floweret (Il Flore). G (cl?-—f8 or g) . Malinconia. Eb eb——f) 0! were Iblesse (S’io fossi un Angelo). Eb (l.~b—eb) Thee will I love. ([0 t’amero). Ab (eb—f) Oscar Wail. Op. 10 No. 1. In Autumn Herbstfriihling) Gmin. (d—-g . . . . . . . No.2. Spring Song (Friihlingslied). G ——b The same with Violin obligate . . . . . . Op. 11 No. 1. When the day is done(Abend- lied). G (d--f). . . . . . . No.2. Devotion (Die helle Sonue svheiut). A (e——g) . . . . No.3. Farewell (Abschied). Amin. (en Ase) No. 4. Autumn Blossoms (Die Nach- knospen). Bb (f—-a). . . . No. 5. .-\\'e hlaria C (e—g) . . . Arthur Weld. When the sere leaves fall. F (c—c) . . . Floweret barn in the Hedge row shade. Bb (d— ) . By the Bronk’s side. ' . . . . Attraction. C (e—a . . All things to-day. ( f) . . . . . Six Songs to Words by Rennell Rodd: No. I. To—. Eb (bb—eb). . . . . . Lyric. D (e-—c) . . . . . . The Daisy. G (d—g) . . . . The Sea Swallows. D (d—-eb) . Vain Dreams. Eb (eb——f). . . Love’s Reproach. E min. (e-e) Mary E. Wood. Heart's ease. F . ‘A Wild Rose Gb (e—gb). . . . A Souvenir. Cmin. (c—eb) . . . Blossoms. D (d——-ft) . coo Courtship. G (c—d) . . How many times do I love. Eb (eb——eb) . MargeryDa.w.A My Own. E (e--g) . . . What would you bu ? Ab (g-—eb) . . . . That sweet day in une. Eb (f——g) . . . The turn of the Tide. D (a—-(I). . . $%§i‘:°~%-"3-‘:3’ 2883382
Show less

Creator: Singleton, Hugh
Date: 1548-1582

Creator: Stanton, Elizabeth Cady, 1815-1902
Date: 1885-03-13
Text: 7 // q ~ w cgﬂ Jonnstown Maren 13th (iégg ’ Deer Hr. Underwood If the Independent has anything of mine it must have been copied from some other eaper. My speech at the Wash. Con. was on that subject “ the limitations & disabilities of sex” & what I had said in The Index was was incorporated in that speech, & that speech was published in full in The Womans Tribune. The Womans Journal copied The Index arw ticle giving you credit. What The Independent bee must have been copied as I...
Show more7 // q ~ w cgﬂ Jonnstown Maren 13th (iégg ’ Deer Hr. Underwood If the Independent has anything of mine it must have been copied from some other eaper. My speech at the Wash. Con. was on that subject “ the limitations & disabilities of sex” & what I had said in The Index was was incorporated in that speech, & that speech was published in full in The Womans Tribune. The Womans Journal copied The Index arw ticle giving you credit. What The Independent bee must have been copied as I have sent them nothing in years. with kind regards Sincerely yours Elizabeth Csdg ﬁtanton
Show less

Date: [After 1936]
Text: CAROLINE ELLEN FURNESS 1869 - 1936 The Faculty of Vassar College records with regret the death on February 9, 1936, of Professor Caro- line Ellen Furness. Miss Furness, a member of the faculty since l89h, has been director of the col- lege observatory since 1915 and in 1916 was appoin- ted Alumnae Maria Mitchell Professor of Astronomy. She was the academic descendant of Maria Mitchell who chose her student, Mary W. Whitney, to be her successor, Miss Whitney in turn choosing Miss Fur- ness to...
Show moreCAROLINE ELLEN FURNESS 1869 - 1936 The Faculty of Vassar College records with regret the death on February 9, 1936, of Professor Caro- line Ellen Furness. Miss Furness, a member of the faculty since l89h, has been director of the col- lege observatory since 1915 and in 1916 was appoin- ted Alumnae Maria Mitchell Professor of Astronomy. She was the academic descendant of Maria Mitchell who chose her student, Mary W. Whitney, to be her successor, Miss Whitney in turn choosing Miss Fur- ness to succeed her. Miss Furness carried on the tradition established by Maria Mitchell and the Vas- sar Observatory continued to make frequent and valuable contributions in the field of astronomy. Under Miss Furness' direction the observatory also took part in cooperative enterprises such as the observation of the total solar eclipse of January 1925. Because of her numerous publications, both scientific and of a general nature, Miss Furness was internationally known and had many friends among astronomers at whose observatories she was always a welcome guest and an enthusiastic co-worker. At the Century of Progress Exposition the judges included her book "An Introduction to Variable Stars" among the best one hundred books written by American women during the last century. The college has lost a loyal, able and devoted alum- na, the faculty one of its most valued and best known members, and the community a generous friend. Edna Carter Mary Landon Sague IX - 311-312
Show less

Date: n.d.
Text: //L ‘( i \ mﬁﬂg 0: m§I”3S / I / X‘ x6$ . 7 ¢../\ > I ..r—-\ I ' }’l// I" /,'’‘//////’/'/_i’ ///‘ /I,"////////II/N /I}:,$‘/// /,/// S/.'.= /x}/// LON/IDON1 (J3-RAMER'.'*W,OOD §?c 09 AND LAM BORVN COCK-& c9 ,;,, .~ /////'\ /2/'/,",///’ n/7 /we 01./Pf//.'/V’/4; /’}tz///’/////I}///.s'. MUSIC LIBRARY VASSAR COLLEGE .~. /- ' . _ /— v_\ / V 2/ Z“\ ’ . \ TPE WRECK _OF THE HESYERUS. II'rz'(tch by H. W;'wLang...
Show more//L ‘( i \ mﬁﬂg 0: m§I”3S / I / X‘ x6$ . 7 ¢../\ > I ..r—-\ I ' }’l// I" /,'’‘//////’/'/_i’ ///‘ /I,"////////II/N /I}:,$‘/// /,/// S/.'.= /x}/// LON/IDON1 (J3-RAMER'.'*W,OOD §?c 09 AND LAM BORVN COCK-& c9 ,;,, .~ /////'\ /2/'/,",///’ n/7 /we 01./Pf//.'/V’/4; /’}tz///’/////I}///.s'. MUSIC LIBRARY VASSAR COLLEGE .~. /- ' . _ /— v_\ / V 2/ Z“\ ’ . \ TPE WRECK _OF THE HESYERUS. II'rz'(tch by H. W;'wLang‘fwllvn1'. Composed by J. L. Half .21. 941.1. E.GR,O. _ 'I‘o‘1o1«:’ .‘:‘:€ ‘It was the schooner Hos__pe_;nIs,'l‘hat 'P,I.u1 .N‘() E 0 R T E. ' ‘V mi’ And the Skipper sai l’d -in sea; Nu.’ lime dat1gh-tér, '1‘: bear him" cmn-pa-_ny. Blue were her eyes, as the V’ V fai -_ry flax, er ‘ e the €_iawn'of‘ "day; And her be white as the Z“"“\\ / T. ,h§1w.,;__thorn buds ‘ in I the month ‘of. . May. Hw~uern-R. _ .. ;-. \ V mohth, Am! I ‘4 K ' . . I . .n .1 P m» .1. ...P _. .s .1. _h .h L? .. ...I. N .\ J I; he stood befgside‘ _the ._he lm I/' Elk ‘i’ ‘pp or did blow 'l‘he~‘s1nu.ke now west, now south. watch?'(l how the Veerillg flaw T hon I Z /)L| If!‘ ‘Br, Had sai|’<[ the ‘Spanish niailr, Old up and spake an Sai-_l a hur___ri_-_.c-ane. |,a,<4t pray thee, ut in_.to 0n-der on, Fox‘? fear night the moon had a 0ld_en ri But‘ to—night no moon we smote a-.._mai11 The ves_--s0l in-F shu‘dder’d and paus’d } E} like a fr‘ight_,e_ad. steed, Down C-cune the storm. and’ - its ‘ strength; Fu'r1ns0. en leap’d her ca__b|é’s > H:-xpvrcu j\ 1‘ F’ I Come-hbiihér! come hither! my ‘Iit_tlVe daughﬂér, And \./ not tremble so; For can ‘weather the r0ugh_est gale, T\h~-at e_ver the wind did blowl fa__ther! hear the church—bell rihg, say what may it be?”“’Tis a A 9,. f0gf' 1 On a I‘0Ck—boImd coast, We,must steer for e open sea’.’ \~_/ ‘H -xpurn-. . {I V y it be?” But the fa_-ther answer’d say what ma va ’ /9/9' col a 12006. -01- W V. Lash’d to the helm, all never a word, A f1'u-zen corse was he. ‘ T stiff and stark,With his pale face‘ to the skies, The l.ah‘_ter_h gleam’d through ‘The falling snow On his fiX’d and glas_sy eyes. H~~.*.\wrI'.~, Then the maid-enA clasp?! Ifelj liahds, and prayyd That saV-ed she might /I J\ I :1 . \ I she thought of HIM, Mhnv stiII’d the wavvs I I I _I I W) V Tempho . r I I r I I II. I V I. v. I But fast through /the m1d..-_n1g [. «r I I -0 -OI-' -0 Tempo. dark and dréar,. I ’ .t 0 whistling sleet and sheetfed g ost, the bark swept on T t e’ reef of “N0rman’.s woe”. . . . . ores}: ‘i ff'”‘I”-“’- I Ho! the breakérs J 5 rattling s}nf_0uds all sheuthd in ice,VVith the nmsts,We11tby t] e board; I H0! 1 e stove and sank-, 3 glass, I ,1» V ssel‘ 0 Llke a L‘\ He>.<V-Prux . ‘ "./:1.N"D.»1.}VTE.~' At day—break.on‘ the; bleak seja~beaC}1, V, A 'fish.erman stood a--- ﬂ3"““-‘ the form "of a maid-_--en fair, Float I L on a drift_--ing mast. The salt sea Was ' fro_'_-_zen V her-breast, The salt tears in her eyes; 1' J + was the *m'<=(*k of Um; Hes_;__pe-_rus, In ‘flim- ﬁr . ,5 ./‘I (I ag io . mi<lm'ght and the snow‘. Oh! Save” US_ all from a death like this, On tlw’ /:\ ./Jdaggio. V 8: of “T\'0rmeu1's , Old Clock on the Stairs (The ' *Shepherd’s Winter Sting (The) ...- . *Night Journey (The) . . . SELECT MADRIGALS, GLEES, SONGS, DUETS, &c. ARRANGED AND EDITED BY THOMAS OLIPI-IANT. Madrigals, &c., by R. L. Pearsall. *1 saw lovely Phillis . . . . . . 4 voices . . *The Hardy Norseman . . . . *Great God of love . . . . ‘ . . *0 who will o’er the downs (in F) . . *0 who will o’er the downs (in C, for male voice ) *Take heed ye shepherd sivains . . ‘ . . *Wh0 shall win my lady fair . . *When Allan-a-—dale went a hunting It was upon a spring-tide day . . Spring returns . . . . *N_vmphs are sporting . . *Why with toil thy life consuming . . ,, . . Separate parts, 3d. per page, are published to those marked * . . . .:=~.J>cns>.;:i;><ma=-.~i>ooi«l> saw»--wwzozototzzzotov--_o. A Selection of Madrigals in Score and Parts. Down in a ﬂow'ry vale (in A & F) 4 voices C.Festa 1 Stay one moment . . 4 ,, T. Oliphant J In going to my lonely bed R. Edwards 1 Come again, sweet love . . J. Dowland 1 Lady, see on every side L. Marenzio Hard by a fountain . . H. Waelrent All ye who music love . . B. Donato Ah me ! where is my true love? F. Anerio My mistress is as fair as ﬁne J. Bennet In the merry spring . . T. Ravenscroft Out, alas! what should I say Anonymous To pitch our toils go we Anonymous When April deck’d . . L. Marenzio Under a willow lying . . O. Vecchi Fair May Queen . . L. Marenzio O sweetly sleep . . M. Pierson T’other morning very early Thibaut Strike it up, neighbour T. Weelkes Songs by J. L. Hatton. Laws of the Sea King (Vikingabalk) . . What is life? . . . . . . Wreck of the Hesperus (The) . . Simon the Cellarer (new edition) . . Dream, baby, dream . . . . Blind Boy (The) . . Blue Bell and the Fly (The) Day and Night . . . . Vogelweid the Minnesinger . . . . Herrick’s Letanie . . . . . . Fair daffodils we weep to see . . . . Autumn reﬂections . . . . Cloris, now thou’rt ﬂed away (Amintor’s Well-a-day) Garland (The) . . . . . . Goldsmith’s daughter (The) . Cxiblkl-Pll3c;q_C>OwCI'li5l‘-§H>Hk|§vl>ll>~>P . . 2 . I . Z I I2 (oi-did!-I-202»?!-‘l\3“'-‘P-"‘ Hope . . . . . . Linden Tree (The) . . . . Maureen. . . . . . Meeting and parting . . . . My days have been so wondrous free Nun and the rose (The) Reaper and the ﬂowers (The) Sailor’s Best (The) . . Seasons of life (The). . Streamlet gently ﬂowing The silver moon (Serenade) ’Tis midnight (To my taper) Twilight. . . . Walter the Woodman Weep no more, thou sorry boy *M'ysterious Serenade (The) *Chapel (The) . . *Window Curtain (The) *Mother and Daughter *Greenwood Concert (The) *Dying Swan (The) . . *Gardener’s Song (The) *King’s Daughter (The) *Repose . . . . *Youth by the Brook (The) . . *Violet (The) . . . . *King Sifrid . . . . *Robber (The) . . . . *Roe (The) n o°-.oou.oo.oo- *Poet’s Grave (The) . . . . . *Mountain Shepherd Boy .. . . it Those marked have German words also, and were originally published under the pseudonyme of CZAPEK. Simon the Cellarer Quadrilles, from Popular Melodies, composed by J. L. Hatton. Arranged by C. Coote l€N>t\'>i\?l\3l\'>N>l~33~3t\DtxZJl\')t~3ZO(\9l\Dl\'JZOl0fQb9Z€>Z€ItOl~3l\9l\9KOl~3l0l0lOlOl\91\3lOZCl°l-'l\5°3lot°N3l*3C°°31\3°3 on o :~‘~ cnoocuooonmo:ooovmammocacao:ocnouoosooouonocncncnoaonoacaommocucacscaoocao o®®®®O®®O°°¢”°~’°‘°°°°°®“ 09°’ °°°’°°‘-75°‘ Om Four-part Songs. 0 peaceful be thy slumber (also in Parts) . . Fair Lady Anne . . (ditto) Nymphs are sporting (ditto) The Urchin’s Dance . . (ditto) The Hunt is up . . (ditto) Summer Eve (in F or A) (ditto) When the smiling May returneth (ditto) Weber . . Joyful at the close of day . . . . De Call . . The mist is rising (Chorus from ‘ Euryanthe ’). . Weber , . Volunteer Chorus, “ Up rouse ye ” . . Weber . , Now the Curfew Bell hath ceased (S.A.T. & B.) Kreutzer Welcome spear and shield . . . . Werner . . Rosy-mantled spring _ . . . . Miiller . . Thro' yon lattice—window . Eisenhofer Let me not hear . . Winter , , Sing and drink, boys Lorenz . . When despairing Cupid Seyfried 8. Mendelssohn 2 Mendelssohn 2 Pearsall . . Hatton . . Hatton . . Hatton . . xoysx \o~/9 N; (4; 5,) yo (\'>ON>n—»--ts'>t\'>t~')R\'J Q mic: on oc:o>c:®c:®O>OOO>?~ J os. Haydn. Ariadne. A Cantata . . . . . . 5 Maiden fair (Liebches Madchen), Comic Serenade (Three voices) .. .. .. .. 2 0 Hymns for Four Voices by G. P. L. Da Palestrina. Five Numbers, or in a Set complete . . . . 6 0 Separate parts, 3d. per page. Songs and Duets by Mendelssohn. Fair Lady Anne . . *'I‘he ﬁrst violet . . . . *Fancy’s dream (The Journey) . . Garland (The) . . . . - *How can I sing (Duet) . . *I stood alone beside the mast (Duet) *Maid of the Ganges (The) . . *Now each creature joys the other *0 peaceful be thy slumber . . *Over the mountain . . . . *Onward still old Time is ﬂying . . , . ""Page’s Song, The (Pagen Lied, or the Savoyard’s Song) . *Slumber and dream (Cradle Song) . . *Suleika and Hatem (Duet) . . . . * Those marked have German words also. - an on o .. ..... . . . . . . . . . - 1020200-|r—|l\')l-‘ZOlOK""N9""l‘3 mcuocamocacaoocaczcao 4 English Songs, &c., by various Composers. Auld Robin Gray (with Introductory Preface) Barbara Allen (Old Ballad) . . Harmonious Blacksmith (The), for voices Lord Gregory (Old Ballad) . . . . O weel may the keel row (Old Ballad with Chorus) . . Sandy and Jenny (Ballad) . . . . Sanderson When ye gang awa, Jamie (Hunting-tower), Copyright editio of T. Oliphant . . . . Leeves. . Handel: Three Duets for Treble Voices, by Weber. Tell me truly, gentle maiden . . Leave me to mourn . . . . Hail to Friendship . . . . no In no no 00 -- Duets for Treble Voices, by F. Abt. *Sunday on the Ocean . . . . *Eventide . . *Rural Happiness . . *The Boatman’s Song *The Woodbird’s Song *Home Sickness . . *The Merry Greenwood Tree *The Early Spring Bird *Not too soon . . _*The Wanderer’s Song . *The Mariners . . . . Two Duets for Treble Voices, by 0'. Keller. "‘Ah! could I teach a nightingale . . . . *Lovely as the beam of morning . . . . o . u v C»Z>l\')?€-‘Z\:2lOlx'JZOt\'J(\'Jl\'>2o ©G>C3O)O)®O>®O)G9® o o u o no on o o o o o o . o o a .0 -n ta 2 ..2 Duets for Treble Voices, by Kucken. *The Swallow’s farewell . . **‘My heart ’s in the Highlands . . . . *How mournfully murmurs . . . . *The Hunter . . . . *The Fisherman . . . . . . *Swiftly o’er the wide Laguna (Barcarole) . . * Those marked have German words also. LONDON: ORAMER, WOOD & 00., and LAMBORN COCK AND 00., 62 and 63 NEW BOND STREE .
Show less

Creator: Raymond, Cornelia M.
Descriptor(s): Ditkoff, Andrea
Date: 1902
Text: January, WEDNESDAY 1. 1902. Read "Right of Way" Rec'd a call from George Lunn. The whole family went to Harolds for New Years dinner. He ... so very happy. He & I talked about Jr. He feels happy that one good year has passed. After coming home I called on George & [Mahl] Lunn. Read Van Dyke while Harvey, Winifred, Ruth & Bertha played games.January, THURSDAY 2. 1902. A letter from Miss. Linet says she is much displeased because he has started the [Mission]. About...
Show moreJanuary, WEDNESDAY 1. 1902. Read "Right of Way" Rec'd a call from George Lunn. The whole family went to Harolds for New Years dinner. He ... so very happy. He & I talked about Jr. He feels happy that one good year has passed. After coming home I called on George & [Mahl] Lunn. Read Van Dyke while Harvey, Winifred, Ruth & Bertha played games.January, THURSDAY 2. 1902. A letter from Miss. Linet says she is much displeased because he has started the [Mission]. About finished "Right of Way" Mother, Minnie, & I went over to take luncheon with Marguerite. Evidently she had forgotten, for she & Harlan were out. The maid gave us luncheon & we played with Dorothy! I left my dress with Mme .... Bright white silk waist at [Nuttings], called to see Winifred. Called on Aunt Kate. Took dinner with Agnes Jones. Miss Linet writes again that Jn has given up [Mission]. She enclosed nice letter from him. Helen [Caruwana] sent Mother [$5.00]Mother rec'd a contrite letter from Marguerite which I .... Wrote letters, began "Circumstances" Mother and I took luncheon at the Sharpes. Miss S... and I played. Aunt Kate is here for treatment. I called on Lily .... They soon go to Europe & Egypt for a year. Minnie & I called on Mrs. Reen. She has a dear little baby. Went to prayer-meeting. Mr. [Henson] did not appear. Two years ago to-night Harold & I spent in the parlor! January, SATURDAY 4. 1902. Right after breakfast I went down to call on Ruth. Harold had gone to the office. Came home and read. Wrote to Jennie Hughes explaining silence. Mended stockings. Effie Sullivan called also Louie Richardson. Minnie went to Miss Grahams. Will & I started to call on Kittie Howard. Met Mrs. ... who said she was out. I went to Lucy Skinners (out) Will met me & he went to Mahls (out). Came home & read. After dinner, Will & I went to call on Kittie. He talked of the Babcocks. Came home & read. We are reading "Circumstance". January, SUNDAY 5. 1902. A.M. Dr. H... began his pastorate. Preached about Paul II. L... 3:10, Phil. 3:13, 14. Harold & Ralph came but could not stay to communion. Harold was converted 2 years ago tonight. ... & Harvey came to dinner. I read awhile. Mother taken with kind of chill so Will took me to prayers. L... A.. said: Uncle A was like Jesus Christ. I don't want to praise him above his level. He couldn't heal the sick or raise the dead, but if he could he would have done it. "He was ... of when you can't remember anything that was not pleasant. Some people you have to try to forget what isn't pleasant." ... a letter to Lily, you C... son & brother Alfred Raymond B. Heard Geo. [Lunn] for first time Jno. 19:22. The [Record] of Life.January, MONDAY 6. 1902. Bought ticket. Harold comes to say good-bye. Call from Mrs. Miles & Louis Cadmus. Wrote letters. Frank left this evening. We played Russian Patience. Minnie made me a nutcake.January, TUESDAY 7. 1902. Did a few errands. Wrote letters [etc.] [Came] with the girls on the 4'oclock train. Bernice Taylor had a civil [ceremony] on Friday to Lawrence Chamberlain. Dr. Moxom married them Sunday. Found a paper here from Mr Jessup.January, WEDNESDAY 8. 1902 Miss Gruyer & Hilda Johnston came to-day. Went to library. Letter from Jennie Hughes; Min has called in Mrs. Taylor. They are [down] on Dr. Moxon. Miss Emerson has had an operation to-day. They are all very anxious. Unpacked to-night.January, THURSDAY 9. 1902. Went down town. Went first to see Mrs. .... She says Jn has given up [the place] of a mission & of regular work. [Lives] anywhere. I ordered bookcase sent up. Had corns removed. They are having week of prayer. Good meeting to night. Jn spoke well. We feel very anxious about Miss Emerson. Mr Story 24.January, FRIDAY 10. 1902. My bookcase came. Sent Ray a letter of introduction to Mrs. Collins. This evening called on Mrs. Porter. Played letters and Romance. Miss King. 26.January, SATURDAY 11. 1902. Read Outlook & magasines [sic] Letter from Mrs Griffin Miss Berensen.(8)January, SUNDAY 12. 1902. Dr. Moxom Psa. 33:11. Volunteers Mark 10:28-34 Jn was there. Violet is to read one hr. to club. ... & Lizzy & I alternate walking. I walked to night.January, MONDAY 13. 1902. Will writes asking my advice about teaching in High School or College. Outlook class. Mr. Story.25.January, TUESDAY 14. 1902. Blue, confidential letter from Rob. Miss King (270 Mrs. Starr (9) Evening Outlook class. I went to library. My dress came from Madame .... Miss Jacobs says that Miss Emerson has - cancer.January, WEDNESDAY 15. 1902. Wrote to Will about high school & college. Grace MacFarlane's [wedding] cards.January, THURSDAY 16. 1902. Mr. Story. 26 Went to hospital with Mrs. Carmichael. Saw Mrs. Williamson & little boy about to be operated on for ear. Called on Laura Rice (out) then Maxine & Jacob. Mrs. M. was away but I saw Edith, Dr M. & others. Did a little shopping. Good prayer meeting. There is unusual interest.January, FRIDAY 17. 1902 Five girls & I went to hear Prof. Story's Cantata "The Admiral" at Northampton. I felt helped spiritually. Then got ice-cream at B.... Miss King (.28)January, SATURDAY 18. 1902. Wrote Mr. Strong. Letters from Mother, Cousin Lizzie, & Mrs. ... 5 music lessons. Want dinner time. Exam... papers. Read Outlook ... ency. ? Miss Berensen (9)January, SUNDAY 19. 1902. [Adeleson] P. Foster. Sec. for new [Engl for S.S. Union ... gru.10:25. 3 Pres. have ... a division in U.S. Washington estabished U.S. ... for .... McKinley for foreign relations. How shall M meet our responsibilities. I. City e... II. Village " have Mission ... III. Country. Am. S.S. Union. The country, population is sparse, foreign & different .... So S.S. Union is needed. Good meeting at [Volunteers] Lottie ..., Mr. P..., Jr & Mr. LeClare were there. Talked on Receiving Kingdom as child. Miss [Guyer] walked to night. Amy Gillette was here before breakfast on the way to train.January, MONDAY 20. 1902 Mr. St... .27 Analysis class (4) Rec'd from Mrs. S... E.... Hubbant's Mendelssohn limited edition. Gladys explained "the pony". She did not use .... ... this was a piece of her [uncles]. Marion is ill. Aline Underhill returned to school. January, TUESDAY 21. 1902 Beulah Fleck is 15. Mrs. Starr (10) Miss King.(29) Rec'd letters from Fannie, Balis, Esther [Patchen] & Raymond.January, WEDNESDAY 22. 1902. Rolly club at Dr. ... "...in Medicine" papers by Drs. Parsons, White & .... We saw Roentgen rays. Miss Gruyer asked to join a whist club & she and Miss Porter have discussed it. - [cussed] it too. Helen [Keiper] returned from the wedding.January, THURSDAY 23. 1902. Mr. Story.28 Lively prayer meeting. I spent a long afternoon in the library reading up Henry VIII's reign.January, FRIDAY 24. 1902. Miss King. (30) Beulah Fleck gave a peanut party. Hunted for peanuts - [raced] with peanuts - pinned peanut bag on elephant. I won booby prize in last. - a plaster medallion. Gizzy was ill.January, SATURDAY 25. 1902 Miss Berensen.(10) Minnie writes that Mother has gastritis & ... she has a trained nurse. She is better now. I went down town morning & afternoon to get [s]ight names in Mrs. Hunt's musical programme. Miss Price called. I took Florence Murphy to get head shampooed. ... [Matthew] spent the day here.January, SUNDAY 26. 1902. Dr. Moxom Prov.11:11. Sermon on the Church & Civic Righteousness preached again by request. Did not stay to S.S. The girls sympathised [sic] with ... when Hilda & Eliza reproved her for being selfish about her chair. Very small meeting at Volunteers for H.. was at Y.M.C.A. Rained this ev. so no walking. No word from Mother. Called on Mrs. [Linet].January, MONDAY 27. 1902. Mr. Story.29 He gave me a peanut! Outlook class. Terrible explosion in N.Y. Mother is better. Francine Bates is coming on Saturday.January, TUESDAY 28. 1902. Mrs. Starr ... Miss KIng 31 Outlook Class. We discussed Shuler's "Individual" & left Fiske's Life Everlasting & Briggs "School College & Character undiscussed.January, WEDNESDAY 29. 1902. Minnie writes that Mother is doing nicely. Violet sick to-day. Virgil examination.January, THURSDAY 30. 1902. Called on Miss [Parsons] at the hospital & then on Mrs. .... Her daughter Mrs. Smith is home & the husband in the ... Retreat Hartford. Then took Supper at Volunteers & attended Annual Meeting. Mr. Allen, & Hunt & Mrs. Smith & some of [Willimansett] came. Mr. Story 30January, FRIDAY 31. 1902. Miss King 32. Eliz. Gruyer has gone to N.Y. We do not know why. Ida Swayne broke her arm sliding down hill. February, SATURDAY 1. 1902 Miss Berensen (11) Read Outlook & magazine. Florence Murphy & I went down & had our heads shampooed. Then I met Fannie Bates. Mrs. W... came to-night.February, SUNDAY 2. 1902. Dr. Moxom. Splendid sermon on Education. It should not be easy. It should not be Elective ... ... Education. 1. Cultivate the mind. 2. Make us capable of service. 3. Discipline the mind. 4. Train the mind. Very rainy but we had a meeting of .... Talked of Christ the Bread of Life Jn 6:22-35. Gizzy came home to night. We sang hymns then visited in Gizzies room. She brought us H....February, TUESDAY 4. 1902. Mrs. Starr, 12. Miss King, 33. Fannie Bates went home.February, WEDNESDAY 6. 1902. I went with Miss Porter to hear her read a paper before the Y.W.C.A. Mrs. Hudson said I remind her of Mrs. Gen. Armstrong. Wrote to Dr. Moxom about his Sermon for Education & the help it had been to [Bertha Smith] & me. February, THURSDAY 6. 1902. Had no day out because of yesterday. This is Amy Gillettes wedding day. I went with Lizzie & played for Ferry St. gymnastics. The came to prayer meeting to see Jr. Mr. & Mrs. Chandler were there & seemed very glad to see me again. They had a long talk with Mr. Kraus. February, FRIDAY 7. 1902. Miss King 34. Lovely letter from Dr. Moxom. Girls made candy to-night. Miss Porter says I talk too much about family.February, SATURDAY 8. 1902. Miss Berensen (12) I read the Outlook [then] worked the rest of the day finishing reports at 12 P.M. In the afternoon I took Florence Murphy to have her head shampooed.February, SUNDAY 9. 1902. Dr. Moxom spoke Jno.8:32 (...) on Freedom. I stayed to S.S. At volunteers I spoke on Matt.8:23-24. A Y.M.C.A. young man raised handds for prayers. ... was with a man ... I followed in the street. He seemed impressed. Called on .... Jr has ... accus.. Mrs. S. J writing that letter. Read for my S.S. paper this evening.February, MONDAY 10. 1902. Outlook class in the evening because of the party ... night. Mr. Story 32.February, TUESDAY 11. 1902. Mrs. Starr & Miss King were not here. Last day of term. We had no holiday in A.M. but gave out no lessons. Miss Guyer's sister-in-law is very ill. Re... party this evening.February, WEDNESDAY 12. 1902 New term began this A.M. Mary Porter is 20. Florence Murphy is 15.February, THURSDAY 13. 1902. Called to see the Moxoms about meeting Prof. Bracq, ... Laura Rice, & ... ... 10 Hunt [home]. They had ... that Jr .... I f... from Mrs. [Linet] it was Austin Jn McDonald. Went to Mrs. ... ... to ... & m attended Union meeting at Belmont. ... Volunteers till 1 A.M. Mr. Story. 33.February, FRIDAY 14. 1902. Miss King didn't come. Miss Murphy came to see ... My valentines were handed around at luncheon. Took the girls to fire house. D... a little in ....February, SATURDAY 15. 1902. The family went twice to the theatre. ... in Merchant of Venice and Louis XI. I went down town. Got ... - present from C... - corns removed - flowers for Miss Emerson. Eliza, Mary Porter, 3 children, Lena, Violet & I staid home this evening. [Violet] finished her story. Miss Berensen. 13. ...finished her story "The Atonement"February, SUNDAY 16. 1902. Prof Bracq. Acts.17:30. He & Prof. Guillet came to dinner. The Volunteers I spoke on the 3 parables Matt 13:44-50. The Chandlers were there & asked me to write to their daughter. Copeland says he isn't a [Christian] because he .... Smith very last Sunday's friend, came .... Afterward we had a personal talk. Called on Miss Hastings. Took nice long walk. Mr. [Bostind] is in the Pokeepsie [Poughkeepsie] asylum.February, MONDAY 17. 1902 Mr. Story 33. Analysis class (3) Dreadful Snow-storm & few came to school.February, TUESDAY 18. 1902 Miss King. 35 Mrs. Starr. 13 I went to library. Did not go to S... concert .... I rec'd complimentary ticket.February, WEDNESDAY 19. 1902. Miss Porter & Lena went to hear Florence Kelley. I feel very tired to-night.February, THURSDAY 20. 1902. Mr. Story 34. S... -- shopped -- prayer-meeting. Mr. Rollins ... S.S. .... Decided not to go to Quality Street February, FRIDAY 21. 1902. I went to Wellesley. Left at 3.18, but train was so late that I missed connection at Worchester. I was met by a cab at Wellesley Hotel & went in a snow-storm to the cottage. I found Mrs. Bates, Fannie [Rathmore] & Kath. Singleton there.February, SATURDAY 22. 1902. Very sunny. Katherine, Fanny and I went to Boston. Many stores were closed. Got luncheon & candy. Visited Museum of Art & Public Library. Heard a woman Say to a man. " Let me alone you violent [pupper]. Came home about 4. Slept. Wellesley Glee Club Concert in the evening. Met Miss McN... of Oxford.February, SUNDAY 23. 1902. Long sleigh ride through grounds. Went to Wellesley Chapel. I heard Mr. Clark (?). on ... up your .... Met Pres. Hazard. Got 5:51 train home, [reaching] hf at 8.27. February, MONDAY 24. 1902. Mr. Story 35. Ida broke her arm again in two places. Hilda returned from Vassar. Miss Porter, Lena & I went to [Braid of Grade] dinner. Thank Pres. .. & Rev. Mr. Anderson.February, TUESDAY 25. 1902. Miss King did not come. Mrs. Starr 14. All [but] Lena, Gizzie, Aunt Carrie, Florence Murphy, Ida Margie & me went to see Maude Adams in Quality St. Harold writes that he is on M...y's paper The News. John Richardson will probably soon die.February, WEDNESDAY 26. 1902. I went to library.February, THURSDAY 27. 1902. Mr. Story 39. Called on Rose Dutton (out) Mrs. [Cooper] (out) Miss Young & ... Mattie .... Cousin Helen (in H...) & Celia. She kept me to tea & she got it. [Talked] with Clare Howard. Mrs. ... & Mrs. Sprague were there. At prayer-meeting. Mr. [Matthews] relates his experiences. Mr. ... said he wants to join the church. February, FRIDAY 28. 1902. Miss King. 37. She comes ... [Now twice] a week. children played Parlor Tennis. I played "hanging" with them.March, SATURDAY 1. 1902. Miss Berensen didn't come. [Violet] went to N.Y. to talk with Gillettes. I went to library & downtown. P.M. Walked - finished Vol. I of Huxley & took 4 .... Rec'd this evening.March, SUNDAY 2. 1902. A.M. Very rainy. I went to State St. & sat with Jr. No Service. Anna Jacobson & [Henry] Matthews were baptized. Communion. To South Church, Dr. Selden preached. Very small Volunteers meeting. I ... about Thoughtfulness Ps. 34. Red-headed Smith gave long testimony. I called on Jr in his room 475 Main & gave him a dollar. ... walked up the other side of State, crossed over & went as far as Dr. Sweets. I didn't find them in, so I called on the Hastings. Instead of going to walk we sang hymns. Violet returned from the Gillettes.March, MARCH 3. 1902. Mr. Story 40. Miss Porter found that most of the girls had been whispering.March, TUESDAY 4. 1902. I went to library. Rec'd a card from Geo. [Lunn] Jr. Mrs. Starr 15March, WEDNESDAY 5. 1902. Almost a blizzard. Helen ... Matthews has a baby son.March, THURSDAY 6. 1902. Miss Porter ... let me give up my afternoon so Violet could go to dress-rehearsal of College Club. I called on C... King & Ethel Merriam & did shopping. Prayer meeting. Sat between Jr and the Chandlers. All took part. I was introduced to Mr. [Wheeler]. Mr. Story 41 Florence Murphy is to be dropped back to Aline's [Latin].March, FRIDAY 7. 1902. Miss King 38. The College Club gave "The ..." at Bright.... I took up the tickets. I went in a carriage with Mrs. Ma..., Laura, Gizzie, & Margaret Calhoun. Came home by car. Gizzie was Nadine. Miss Madeleine Camp came to spend the night with Hilda Johnston.March, SATURDAY 8. 1902 Mrs. Rodman came this P.M. In the A.M. I took Ida Swayne & Florence Murphy down to hairdressers. In the afternoon we went to meet Mrs. R. Beulah & I went with Louise but returned by cars. Gizzie & Violet took some of the girls to [watch] gymnastics & in the evening Gizzie & Violet went to Bright... to see Teacher' Club give ... the Cricket. I read all I could yesterday. Felt too tired to go out. March, SUNDAY 9. 1902. Dr. Moxom Gen.3:12 Woman & the Well Being of Society. In Bible class ... of his ... at Chicago. I call him a Unitarian. I brought him home to dinner. volunteers. I spoke on Jesus [Love] and Patience Luke 15:1-10. Mr. Smith (red-haired) had [drunk] last night. A drunken man let us pray for him. I called on Jr who took me to see Jennie ... Then ... met me & [joined] me to Dr. Sweets. I repeated my remarks. The [Sweets] howled when I told them. Wrote on my S. S. paper that evening after I had walked.March, MONDAY 10. 1902. Mr. Story 42. Madame Pedro came for [Corrie] & it took her over 2 hrs. This evening I got chilled.March, TUESDAY 11. 1902/ Mrs. Starr 16. Outlook class. Marjory & Pauline do not read. Call from Mrs. Cooper.March, WEDNESDAY 12. 1902. I went to the library.March, FRIDAY 14. 1902. Miss King 39. Miss P. wants Eliz if she returns to be a missionary. She says she won't come back.March, SATURDAY 15. 1902. I worked all day on my Seminar paper on "Sin" Miss Porter & Lena have talked with me about Gizzie & Violet. Miss Berensen 15.March, SUNDAY 16. 1902. Just about sick on this trouble with Gizzie & Violet. Retired at 8. Did not read my paper. Dr. Moxom - fine sermon on the evolution of the Soul. Luke 21:19. In patience possess ... your soul - In [sweet] [pastures], gain your soul. Very few at Volunteers. I talked on Sin. Mark 7:1-9, 17-23. Red-headed Smith not there. I called on Jr & the Sweets. Jr wants to join a church which will back him.March, MONDAY 17. 1902. Mr. Story 44. Analysis class. This evening Lena talked with Violet & reduced her to tears.March, TUESDAY 18. 1902. Mrs. Starr 17. Henry [R...] has had a stroke of apoplexy. Mrs. G... is dead. Gizzie & I took Hilda & Louise to Elsa [Morrison's] Monologue. Grace [Morrison] ... sang & we thought her beautiful. Lena not well.March, WEDNESDAY 19. 1902. Eliz. Gruyer hears that Charlie's wife has stroke of paralysis. Lena is sick to-day.March, THURSDAY 20. 1902. Mr Story. 45. I spent my afternoon (out) reading Huxley in bed. At prayer meeting, 8 names were presented by standard committee. Mr. lee was prayed for. Stopped in at Mrs. Sweet's. Lena held classes upstairs. March, FRIDAY 21. 1902. Miss King 40. Violet went to Vassar to visit Clara Russell. Children played ping-pong.March, SATURDAY 22. 1902. Miss Berensen did not come. I finished Huxley & read N.Am.. Outlook, Scribner's & part of Cent. Called for the first time on Miss Emerson since her operation & Mr. Hahn came in. Dr. Moxom, Hahn, Quick & [Giliam] have all been good. All day a married woman hung around the house wailing for a married man. I talked with her. First she was [bad], then partly acknowledged her ... then rushed off to meet him. Helen [Keeper's] cousin, Mrs. T... called.March, SUNDAY 23. 1902. Dr. Moxom. Palm Sunday sermon on Children Heredity Environment: Home, School, Society, Church, God. Individuality. I read my paper on Jesus' Doctrine of Sin in Gospel Of Mark. We had a lively discussion. Hilda Johnston & Mary Porter staid & spoke in Volunteers on [Slavery]. II. Peter 2:9-19. Luke 4: 16-18. Violet came back from Vassar. I retired at 8. Gizzie walked. I went so see Mr. Hahn. Talked about Chandlers & my paper. Dr. John Richardson died.March, MONDAY 24. 1902. Last afternoon Outlook class. [Mother] writes that Dr. John died yesterday. Miss Porter does not want me to go to the funeral. Mr. Story 46.March, TUESDAY 25. 1902. Mrs. Starr did not come. Last Outlook class. Discussed Huxley. Eliz. Gruyer hears that Charlie's wife is worse.March, WEDNESDAY 26. 1902. I came down to N.Y. on the 222 train. Hilda Johnston and L... Rodman were in one car, Beulah H..., Florence Murphy, Eliza Buffington and I (and R... ...) in .... Laura Richardson was here as Dr. John's funeral was this morning. Harry & Winifred came in.March, THURSDAY 27. 1902. I met Ruth Raymond & we ... my checkered silk dress. I went to Miss Dunne's. She then came home to dinner. She trimmed my last year's hat. I called to see the Lunn baby. Went to see Mr. Kim. Called on Mrs. Gulick (out). Went to Lucy Skinner's. She is in Baltimore but I visited with the housekeeper. Ev. ... to make peanut candy. The Dobson's came in & we played "Artists".March, FRIDAY 28. 1902. I began reading "Cromwell's O..." Al... Rained. This afternoon, I went to shirtwaist place to K...'s & to ... shirtwaist .... Harold called & brought me candy. Evening. At prayer meeting, Mrs. H... was ill & Minnie had to go out with her. 9 were [brought] before the church.March, SATURDAY 29. 1902. Rainy day. I went up to ... measured for shirtwaists. Read "Cromwell's O...". Wrote letters. Mended gloves. Winifred came to luncheon. Slept. Read "Circumstances". Rec'd cards from Mrs. Holbrook to Minister's ... reception. This evening ... & Harry came in & we played games with the Artist cards.Easter Sunday. March, SUNDAY 30. 1902. Dr. H.... I Cor. 15:57 "Victory". Mother & I went to Harold's for dinner. Ruth & Ralph had been to Plymouth Church & Harold to Holy Trinity. Harold asked the blessing. I expected to call on [Reens], [but] went with Salvation Army. There I saw a man ... ... who had been Deacon in Memorial Bapt. under Halsey R.... He was drunk, but went forward. Met Mother at prayers. We took supper at C... Callie's with R..., Susy, Lucy, & Hattie Bliss Charlie Ray. Went to hear Paul preach on Pictures of ... Paul. Carfare 10 Mother owes 10 Plym. 5 C... E... 25 S.A. 25 March, MONDAY 31. 1902. Dr. [Strane's] Bible cless. Went up to tailor. Slept. Read Absalom & [Achilles] phil. Blanche Martin came. I made peanut candy & we played games with Artist cards. [Pelluval] silk 2.69 D. Story 25 Peanuts Tailor ... 05 Mother 2.79 Carfare 05April, TUESDAY 1. 1902. I met Ruth & [in bright red] vest [hat] all [trimmed] white crown. Took luncheon at Ruth's. Went to tailors & Miss Dunne. Read Cromwell's [Oeuvres]. En. Ruth & Ralph called. I sewed. Then Mother, Hill & I played ...-game. Jennie Hughes wants me though her mother is very low. Met Hollis Gibson on [cars].April, WEDNESDAY 2. 1902. I read Cromwell's [Oeuvre}. Wrote to Mr. Jessup. Mother & I called on Mabel King Brown. I say Alice & her Howard & little Mary. We called on Cousin Rachel Raymond, Susan Howard (out) & Bertha [Backus] Brown. Saw her little Helen aged 22 months. Evening. Read Cromwells [Oeuvre]. Then Harvey & Min came in & we played games. Bertha has [follicular] .... Mr. L... is dead. My black broadcloth & gray skirt came from the tailor. Pay ... Strap 55 Owe Mother 55 Ribbon 15 Car fare 10 Buttons 6 Tailor 37.00 Gloves 20 Owe Mother 35 Ties 50 Owe Mother 50April, THURSDAY 3. 1902. I met Miss Minnie Wade at the [Grand Union] & we talked about the chandlers & Grace Darling. Then I went out to O.... Anna Hughes has left C... B.... They say all at Headquarters R... ... which they won't tell me. Evening home. I saw by the paper that Atlantic City is in flames. Will went down to-day. Martin M... & I took dinner at Peter Howards & spent a pleasant evening.April, FRIDAY 4. 1902. A terrible day. Just before breakfast Mother fell on the stairs & broke her hip. Kittie Howard, Susie Raymond, Hattie Bliss, Lucy Skinner, & Cousin Sue Howard called. Susie Raymond brought $25 Mothers leg is 2 /12 inches shorter.April, SATURDAY 5. 1902. Very hard day. I cared for Mother all night & it was a restless one. Miss Kingsbury a pretty little nurse from Ottawa came. Laura Richardson sent $50.00, Bertha brought a pot of pansies, Ruth Raymond, roses, Harold violets Harvey stawberries & chicken, Walter & Fred Al... whiskey & port wine. Lena & Miss Porter sent 2.00 for flowers. The hardest moment was when I waked & thought "it is time for Mother to get up." Calls from Cousin Hattie, nancy, Dr. & Mrs. Hanson, Ruth, Harold, Mabel Lunn, Aunt Kate. This evening I tried to play "26" with Harvey. ... & Ruth ... was so exhausted I kept falling asleep. Julia has taken the ... - & comes back ... paper 20April, SUNDAY 6. 1902. Much encouraged. Mother's leg is now only 3/4 of an inch shorter & she has been better to-day. She saw Harold. I staid with her this afternoon while Miss Kingsbury was out. Calls from Marguerite & Belle Richardson, Lucy Bliss, Lucy Skinner (with jonquils) & Ralph. This evening Russell, Frank & I talked about [girls].April, MONDAY 7. 1902. I went to ... ... place & to Miss Dunn's. Calls from Cousin Hattie & Susie Raymond. Aunt Kate spent the afternoon here. I took care of Mother through the afternoon. She is better but feels very bad. Cousin H. postpones her ... visit 2 ... Frank Sharpe expects to give up trip to Luke .... Played 26 this evening. Will hears there is to be no math exam for High School.April, TUESDAY 8. 1902. Very rainy day. Mother tried to read Outlook a minute. Sadie Jones called. Bertha stayed home with cold. Afternoon. Took car of Mother. Ev. Played to Mother. Read to Will. Mrs. Starr did not come.April, WEDNESDAY 9. 1902. Geo. Lunn brought carnations. I took centerpiece to Kittie Howard. Got my shirtwaist. Had last fitting at Mrs. Dunn's. Frank is very much afraid of bed sores. Mother went to sleep while I sat by her this afternoon. She kissed me good-by before she slept, but waked before I went. I thought my heart would break. Came up on the train with lots of Smith girls. Miss Grace Hubbard I knew. Carfare 15 M... 10 Mrs. M... 80 Trunk 25 ...mark 2.78 Key 35 ... & ... ... Fall of Stuarts April, THURSDAY 10. 1902. Half sick with a cold. I called on Mrs. Porter & the Sweets. Dr. Sweets thinks mother will get pretty well but can't leave her room for six months. I did not go to prayer-meeting. Violet & Eliz. went to rehearsal. Lena & Mrs. P to ... musicale. Mr. Story 47 Mrs. Jno Leach Wellesley St. 70 Main Dr. ...April, FRIDAY 11. 1902. Rec'd letters from Fannie Bates, Ros Bliss, Cousin Lizzie, Minnie. Mother had bad night after I left. Said she didn't want to die. Yesterday she said was her best day. She has broken the femur where it joins the hip-bone. Gay C... took luncheon & prays for us. Miss King 41.April, SATURDAY 12. 1902. Music lesson. Miss Berenson 16. Finished correcting papers to-night. Went down town to get money from bank, & have ... ... corns cut by Mrs. S... Told Mr. Schenk about Mother. Slept ... afternoon. Mary Porter returned.April, SUNDAY 13. 1902. Mr [Mesein] preached for Dr. Moxom who sat in the pulpit but has bronchial trouble. Mrs. Russell was there. I walked to D..., with her, went back to lunch. Very few at Volunteers. Went home with Miss ... & Lena. They think Volunteers is dying. Called on Jr. & Sweets. Walked with girls.April, MONDAY 14. 1902. Mr. Story 48. All [but] the three children. Helen Keeper, & Mary Porter, Violet, Eliz. & self went to see Otis Skinner in Francisco De R....April, TUESDAY 15. 1902. I feel so used up to-day. I think ... ... feeling the reaction. Mother is doing well but, Minnie's letters make me blue. I took the girls a long walk as it was ... day out 1-- Eliz had to go out about the play. Mrs Starr 18 Miss Porter & Lena have gone to a Collegiate Alum. lecture.April, WEDNESDAY 16. 1902. I was dressed in cap & gown & gave out programmes in the open house for College Club play "The Amazons". It was for the Young Muses's Guild and Ferry St. Club. I saw very little of the play. I went to Johnstons & read, called on Jr. came home & studied. After dinner, I called on Miss Emerson. She is suffereing, but hopes to be well in 2 .... My silk dress has come from Miss Dunn & they all like it.April, THURSDAY 17. 1902. Lovely letter from Min. l... me not to worry about her. Miss P. says I have not taken Mother's accident right. Went to library, but staid ... the rest of the afternoon as I had to have .... Good prayermeeting. Francis was there. Krauses & I went to the Sweets when Jr came in. Mr Story 49April, FRIDAY 18. 1902. Miss King. 42 I had 1 1/2 hrs. Chemistry ... Elizabeth walked with the girls. 1st Festival Concert. Legend of St. Elizabeth. Mr. Cornell. Conductor Sara Anderson B...stein Soprano Rosa L... Contralto Daniel B... Baritone Frederic Martin BassoApril, SATURDAY 19. 1902. Miss King & I went to the morning rehearsal. Miss C... is fine. No fencing. Minnie writes that Harold sent $25. they had a scare about Kidney trouble & ... keep the nurse another week. Afternoon concert. Mr. Mollenhauer Conductor Miss Augusta C... Pianist Ray Carson Contralto Ice cream with girls. Evening Concert. Gounod's Faust. A... Rio Marguerite Janet Spencer Siebel & Martha ... Van ... Faust Guiseppe Campanari Valentino Joseph Baernstein Mephistopheles I [tripped] & sat in the aisle.April, SUNDAY 20. 1902. Dr. Moxom. 2 ... 1:12. Col Robt. Gardner did the [homilies]. He is brother of Mrs. Maj. Taylor formerly of the A.... Jr thinks he must give up his room this .... He says he thinks of me all the time. He thanked God for my motherly & sisterly love. Called on Sweets. Did not walk tonight. April, MONDAY 21. 1902. Letter from Minnie. Mother improves slowly. Mr. Story 50 Analysis class. Took supper with Col. Robt. Gardner at Volunteers & reception later. He told a thrilling story of his experience in a whaler.April, TUESDAY 22. 1902. Mrs. Starr 19 I got to bed early to-night. Miss B... took girls to the .... Mr. [Baem] of [Luymeadow] died.April, WEDNESDAY 23. 1902. Did not go to E... Holbrooks College Club musicale. ... Ellison is dying of blood poisoning. Did not to lecture on Victoria. Minnie writes that Mother has discovered that [Dee] can't come here but says she must go to Hamilton.April, THURDAY 24. 1902. Ethel Van Deusen took luncheon here. Mr. Story 51. I called at the Hastings & told about Mother. Nell ... ... hopes soon to visit Miss H. Called on the Sweets & learned that the deacons had paid Jr's rent till June 1st. Head washed. Shopped. Gertrude Elson is dying. At prayer meeting I saw the Chamberlains & Mr. Frances. Called in at the Sweets.April, FRIDAY 25. 1902. Miss King 43. Hilda Johnston went to N.Y. Ethel Van Deusen came to spend Sunday. We ... off to-night. Minnie writes that Mother grows more nervous & Miss Kingsbury is a little impatient. Will has accepted a position to teach Greek at the Horace Mann School. He receives $800 and his instruction at Columbia.April, SATURDAY 26. 1902. Miss Berensen 17. Miss Gruyen's sister-in-law died this morning & she has gone to Goshen. Ethel Van Deusen left with her. Spent the day cleaning my room & mending. Writing letters to night.April, SUNDAY 27. 1902. Everett [Stetson] from [Pittsfield] came as agent of West Mass Bible Society. Not good speaker. I slept. Wrote Mother. No letter from Minnie. At mission the two Smiths were there. E. Smith was drunk. His little brother has been hurt. I took tea at the Volunteers [Union] with Hilda Johnston.April, MONDAY 28. 1902. Mr. Story 52. Better news from Mother. R... has sent another $100. & a patient of Frank's [was in invalid] chair. I called on the Sweets.April, TUESDAY 29. 1902. Mrs. Starr 20. I took the girls to [Nigersall farm] for May flowers. Minnie writes that Mother is about the same. April, WEDNESDAY 30. 1902. Elizabeth returned from her sister-in-law's funeral. Lena took girls to Park.May, THURSDAY 1. 1902. Mr. Story 53. Mrs. Sweet telephoned me to come there to supper. I went first to call on Mrs. Weston who used to be at W... and H.... I also did errands. Eliz. Gruyer has had a long talk with Lena.May, FRIDAY 2. 1902. Miss King. 44. Eliz Gruyer has positively decided not to return. This evening we had dancing and charades.May, SATURDAY 3. 1902. Miss Berensen. 18. Cousin Charlie Raymond sends Mother $50. I called on Miss Emerson & found Mr. Hahn there.May, SUNDAY 4. 1902. Mr. Hahn Col. 3:3. Slept. Jr & Smith were at Volunteers. I read Ananias & Sapphira & talked of the sin of lying. Smith says he won't drink for one year. I went to see the Chandlers & they got supper for me. They are to come before the standing committee tomorrow. We walked to-night went out St. James An. across the ....May, MONDAY 5. 1902. Mr. Story 54. I feel blue because Minnie wrote me a blue letter. Miss Seaman says she can't get up so much Mother & Mother want two nurses & to send for Sue. Mrs. ... [Hadley] home ... 90 ct Bible Rec'd lovely photo of Mrs. Reen & Ruth. Call from Miss [Muslin] the white shield High School teacher.May, TUESDAY 6. 1902. Mrs. Starr 21. Very cheerful letter from Minnie. Mother seemed to profit by her bath & did not require so much attention the next night. I went to the library. Rec'd Sallie Chapin's card. Miss King 45May, WEDNESDAY 7. 1902. Finished letter to Edith Ball. Read a good deal of history.May, THURSDAY 8. 1902. Mr. Story 55. The day has been changed until Friday & yet I have to return on time for 5:30 Vigil! Thursday I can out at 5. I called on the Hasting & in the evening went to prayer-meeting. Jr wants me to squelch Smith. Stopped in at Sweets & ate ice-cream. Minnie writes Miss Seaman is .... She thinks the bones have not .... Paul Leicester [found] shot by his brother. May, FRIDAY 9. 1902. Miss B... took the girls to West Sp. I went out called on Mary Randall & found Aunt Till there. Called on the Chandlers & saw Mr. C & his visitors. We talked of swearing & smoking. Went down town. Bought Chandlers' Bible.May, SATURDAY 10. 1902. Miss Berensen came & gave a fencing exhibit before the mothers. I went out a little way on ... wheel & there called on Miss Berensen. Wrote to Fred Reen & Miss Hattie ... Lena's mother's nurse. Lena says I am to have very ... class at 2 on Friday. Mary Porter, Bertha Smith & I went to Library & Science Building. College Club elected Alice Wing is re-elected. Read History this evening.May, SUNDAY 11. 1902. Dr. Ballantine a review of Jn Lukes' 4 religious books. Went down to Dr. P... & he removed a small cinder from my eye. Relieved & went with Mr. Hahn's S.S. class on Saul & David. I wanted to ask him about the Chandlers. Then I came home. Did not go to volunteers (small [pox next] ...) Went down town to meet Mrs. [Booth] at 4.24 train from Boston. She spoke in Mr. [Tuthill's] church to a rather small audience.May, MONDAY 12. 1902. Mrs. Booth has three readings all day. She says she will take me to D... & L... this summer. Mother has begun to have her head [social] a little. Violet & Eliz. took the girls to the [Driscolls]. May, TUESDAY 13. 1902. Miss King 46. Mrs. Starr 21. Mrs Booth spoke at Smith [Haillier] & Miss Porter went with her.May, WEDNESDAY 14. 1902. Mrs. Booth spoke beautifully in her drawing room meeting. She left before dinner.May, THURSDAY 15. 1902. I met Jn on the street & he went with me to take supper at the Chandlers. We had a fine time. Then we went to prayer-meeting & the Chandlers & three Matthews related their experience. Miss hastings asked me whether there might be a place for Nell Irwin. Mr. Story 57May, FRIDAY 16. 1902. I had [vigil] at 2 P.M. Then I went calling on ... ..., Mrs. [Ravel] (out), Mrs. Bryce, Mrs. Quick, & library. This evening Hilda & I played ... and ..., the letter game.May, SATURDAY 17. 1902. Read Ency. History morning & evening. In the afternoon Mary Porter, Bertha [Smith], Roberta Scott, Beulah [Fleck],Ida. ... & I went on trolley to Warehouse Point. May, SUNDAY 18. 1902 I went to my own church to see the Chandlers baptized. In the afternoon we had about 4 in the Volunteers (Smith was one) so after hymns & prayers I Joined Jn & we went to the Chandlers. Wonderful little meeting. ... Mrs. Chandler read & prayed God be merciful to [me] a sinner. Walked & played for ....May, MONDAY 19. 1902 Mr. Story 58. Analysis class. Minnie writes that Mother can't hold herself up without support. We attended event by ... Y... Violet in great pain to-day.May, TUESDAY 20. 1902. Mrs. King 47 Miss Starr 22. I found Chandler painting. His mother has not spoken to him but he thinks her ....
Show less

Date: 1902
Text: '4 uusLc ununv VASSAR COLLEGI a-ouanxszn-sac. new vonK \ no M \f A 4_ . I \ A 434' TO MISS HELEN MILLER GOULD. eggs 0 THE BROOK AND THEWAVI; _j_.,',L POEM BY HENRY W. LONGFELLOW Set to Music BY HENRY J . LAUTZ. op.zL.N91. sown/mo on renon m D. Price 50¢ M MEZZO-SOPRANO on matron: IN C. jX1{THUR P. §crg~nDT. 9 . BOSTON, LElPZ|G, NEW YORK, 5 St. I36 Fifth Ave. ~ cw”;/an /yozayumw P 5:/mm/c ~___— g THE BROOK AND THE WAVE. The brooklet came from the mountain, As sang the bard of...
Show more'4 uusLc ununv VASSAR COLLEGI a-ouanxszn-sac. new vonK \ no M \f A 4_ . I \ A 434' TO MISS HELEN MILLER GOULD. eggs 0 THE BROOK AND THEWAVI; _j_.,',L POEM BY HENRY W. LONGFELLOW Set to Music BY HENRY J . LAUTZ. op.zL.N91. sown/mo on renon m D. Price 50¢ M MEZZO-SOPRANO on matron: IN C. jX1{THUR P. §crg~nDT. 9 . BOSTON, LElPZ|G, NEW YORK, 5 St. I36 Fifth Ave. ~ cw”;/an /yozayumw P 5:/mm/c ~___— g THE BROOK AND THE WAVE. The brooklet came from the mountain, As sang the bard of old; Running with feet of silver Over the sands of gold! Far away in the briny ocean There rolled a turbulent wave, Now singing along the sea beach, Now howling along the cave. And the brooklet has found the billow, Though they flowed so far apart, And has filled with its freshness and sweetness That turbulent, bitter heart! Henry W Longfellow. 1, L - :- I A ‘.9 . $ '5 A.P. S. 5736- 5 To Miss Helen Miller Gould. THE BROOK AND THE WAVE. (DAS BANCIILEIJV UJVD DIE WELLE.) poemby E HENRY W. LONGFELLOW German translation BERTIIA RAAB. by HENRY J. LAUTZ. — Op.4. N91. The Das 0072 Pedale p dolce E L} brook_ let came from the moun ‘_ _ tain, AS sang the bard Bzic/2. - [em musclz— te vom Ber - - ge, ln’s blu - - men. 7722' - 0/Le /3‘\ — ning with feet la’ - 0/zen Mu _ A Poem used by spec2'alpermissz'an of }[oughtzm,Mzfflz'n cf 6'0. Copyright 1902 by Arthur P. Schmidt. A'P' S‘ 5733 ' 5 Public Performance. Permitted. ver the sands of tier den gold - mm >11 g2'tal Far - a-way in the/bri _ my [/72 _ ge_.9t2’¢'71z rollt’ zmd b7'aust’dz'e {' >agz'ta in \ .4=:_/___"/_ ~ rolled V a tur - bu-1ent fer - - ner gm! - le7z-r1e1/' f can fuoco Now sing - inga_1ong the sea - beach,_ Now Bald t(}'n - te 2'/M‘ Lied am 0' - /'e7',_ Bald . p e.sy7re.s*s. A.P. S. 5736-5 ling a - 1ong_j__;_ the sz'e auf salziiu - .. memder \ . ,2 f mam. M72 00//a Mae 1) atempo ﬁg "3 (L tempo And the brook - let has found the Umi das Biich - [em es famd die />2’:/3/\ d poor) o7"e.s'a “temp” mf- \2 \_/ ‘J \/ - bil - low, Though they flowed so far a - part, W6 - ge, 1)z'e so fen: ma’! 2'}; — rem S0/amerz, p espress. ‘ filled with its fresh - ness and sweet - - ness That tur - bu_1ent, bit - ter goss set". me Fm’ - so/ze und /In - - mm‘/L Ins stair- mzlsclze, bit - t’re . ' >. espress. >. A1’. S. 5736-5 i fa tempo And the brook - let has found the ' _ low/Though they Und das Bic/z _ lez'nVes fami die ‘ _ ge, Die so \_/ L! f a tempo maestoso — _ flowed ' so far a - part,____:_. And has filled with its fresh - ness and fem mil‘ 2% - _ rem Scimzerz, Und es goss sez'-ne Fri _ solze and 13 >7-2'2‘. _ ness That tut- bu—1ent, bit - ter An - - - mat Ins stair- mzlscﬁe, bit - t’re fh com/ﬁe p rit. maremlo 7f_#' 6550771190 , dzluendo et. rit \./ A.P. S. 5736-5 7 I \( SELECTED SONGS from the Catalogue of ARTHUR P. SCHMIDT Boston. _ L Paul Ambrose. . 17. The Shoogy-Shoo. Two keys each . 18 No. 2. A Spring Song. Two keys ea. .19. The Lotus Flower. Two keys ea. Mrs. H. H. A. Beach. .19 No.2. Ecstasy. Two keys. . each .37 No. Fairy Lullaby. F (e-fora.) . .43 No.2. Scottish Cradle Song. Cmiu. -) . . . . . . . . . . . . . . My Lassie. Ab (eZv—a'z>) . W. Berwnld. ".15. The Approach of Spring. Waltz Song. Bb (c-a). . . . . . . . E .43 No.. Arthur Bird. .36 No, 5. When Katie tuned the old Guitar. Two keys. . . . each John Hyatt Brewer. Sweet! (The Swallows’ Song). Two keys ea. Op. 39 No. 1. Rockabye Dearie. Two keys ea. Op. 39 No.5. There’s everasoug somewhere my dear. Two keys . . . each Dudley Buck. The Village Blacksmith. C (atheb) . . . Geo. W. Chadwick. Allah. Two keys . . . . . . . . each Sweetheart, thy lips are touched with ﬂame. Two keys. . . . . . . . each The Rose leans over the Pool. Two keys ea. 0 Let Night speak of me. Two keys each Theo. Chandon. An old Love Song. G (<1-d) Mrs. C. F. (Ihiekering. In the night she told a story. D (d-ft) . (E. Whitney Coomhs. Child of the Dark Eyes. Two keys Once at the Angelus. Two keys . . Charles Dennee. In Dreamland. Two keys. . . . . The Sandman (Lullaby). Two keys The Thought of You. Two keys. . Steph. A. Emery. Op. 24 No.1. Somebody (Scotch Song). D (d-f) Op. 33 No.2. Burst, ye Apple Buds! Bmin. (ft-gt) . . . . . . . . . . . . Arthur Foote. Op. 13 No. 2. I’m wearin awa’. Two keys ea. Op. 26 No. 2. Love me ifllive. Two keys ea. Op. 43 No. 3. Sweetheart. Two keys each Op. 43 No. 5. Up to her Chamber Window. Two keys each An Irish Folk Song. each each each each each Two keys . . each Albnn Forster. The Hour will come. I.) (d-f) . . . .. . In Spring. A (('.-f). . . . . , . . . . . J Henry K. Hadley. Op. 7 No.3. Kathleen. Two keys . each No.6. Greeting. Two keys. each Op. 14 No. 1. Dear, when I look into thine eyes. Div (b-f). . . . . . . . Op. 14 No, 4. I dreamed of a Princess. ‘ D!) (c-f) . . . . . . . . . . L_/Lsx Through the long days and years”. Two keys ea. .40 .60 .40 .40 .30 >32 New York. T J. H. Hahn. Break, break, break. Two keys . . each Love me if I live. Two keys . . . each The Proposal. A (db-e) . . . . . . . . E. W. Hanscom. My Secret. Waltz Song. Eb (d-ab). . . Victor Harris. In Springtime. Two keys ea. The Blackbird. Two keys ea. Georg Hensehel. Spanish Serenade. Two keys Reinhold L. Herman. Op. 37 No.2. A Little Summer Breeze. F (C :4) Op. 41 No.1 Op, 41 No.6. Gipsy Serenade. Two keys ea. Op. 13 No. 1. No. 6. each W. Herinann. Op. 49. The Time of Roses. A (dt-g or a) Edw. Bun-lingame Hill. Five Songs for Children from the >>Round Rabhit« . . . . . . . . . .n. Mildred J. Hill. The Perfect llay. D (_c-fit) . . . . . . . Love’s Paradise. I) (h-fll) . . . . . Helen Hood. A Disappointment. E (e-e) . . . . . The Violet. Filmin. (cil—fil) . . Nath. Irving Hyatt. Op.4 No.1. Marguerite. Two keys No.2. Beneath Thy Lattice. keys . . . . . . . . . . Ilayton Johns. Because of Thee. D (d-g) Marie. G‘:> (d-gb) . . . . . . . . . . . Love’s Revelation. D (d-f). . . . . . . ' Jules Jordan. A Life Lesson. Two keys each Margaret R. Lang. My ain dear Somebody. F (f-f). . . . . Irish Love Song. Two keys. . . . each An Irish Mother’s Lullaby. Two keys each Frank Lyne. (Companion Song to »He was a Prince«) Two keys . . . each Marie. Two keys each ’Twa.s my Heart. Two keys. . . . each If all the dreams, we dream. Two keys each Thy Picture Two keys . . . . . each Dreams. Two keys. . . . . each W. Manse. The Awakening of the Rose. Violin Oblig. Edward Mac Dowell. Deserted and Slumber Song. (eb-eb). Thy Beaming Eyes. Two keys each A Maid sings light and a Maid sings low. Twokoys. . . . . . .. each Four Songs. Complete. Two keys each 11. Three Songs. Complete. ,. . . . . . .n. Hugh W. Martin. When I behold Thee. D (ell-g) My King. Bl» (c-at») 9.3? as Leipzig. 4 John W. Metcalf. Absent. Two keys . . . . . . . . Sunrise. Eb (d-e) A Dream so Fair. A Keepsake. Two keys. . . . . . Homer A.’ Norris. Twilight. B (b—e) . . . . . . . . . . . Geo. B. Nevin. The Boatswaiu Bold. D (a—d) . . . . . . Edna Rosalind Park. The Nightingale and the Rose. Two keys ea. A Memory. Two keys . . . . . . each Thy Name. Two keys . . . . . . each Alice Locke Pitmun. A (e-e) . . . . . . Th. Podherlsky. The Wanderer’s Song. Ah (eh-g). . . . Carl Reine(-.ke- On the Strand. D (e-ft). Violin Oblig. . Dance of the Dragon Flies. E (d—g). Violin Oblig. . . . . . . . . . . . . Franklin Wing Biker. For Love of Her. F (c-f) ["11 never cease loving Thee. Confession. Clara Kathleen Rogers. Confession. Amin. (c-e) . . . . . . . . The Clover Blossoms. F and A (c-filor a) Jas. H. Rogers. The Moon shines pale. Two keys . each Frank E. Sawyer. The Night has a thousand eyes. F (f—f) . Spanish Romance. 0 (e-a) . . . . . . . Sch. B. Schlesinger. Up to her Chamber Window. Two keys ea. Longing. Db (c—e’2 or glr) P. A. Schnecker. Bass Solo. Dmin. (a~el2). Chas. P. Scott. Only a Ribbon. Ballad. Two keys each Robin Goodfellow. D (a-e) . . . . . . . I-‘. N. Shaokley. Ere the moon begins to rise. Two keys ea. Softly blow, ye scented l>1'eez<:S (Serenade) Two keys . . . . . . . . each Thos. G. Shepard. To the Night. :>l\rIe«. Geri-It smmu. Bee Song. A (e-ft) Alpine Rose. B‘? ((1-f) . . . . . . . . . ‘Arthur W. Thnyer. Clover Blossoms. Two keys. . . . Only a Song. Db (db-ab) . . Gust. Tnckerman. . The Windmill. Bass. Bbmin. (f-eb) . . Max Wei]. C (e-g) . . . . . . . . each Love’s Captive. A Cycle of Songs . . . . . . . 11. " .40
Show less

Creator: [Dudley Saltonstall]
Date: n.d.
Text: Dudley Saltonstall

Creator: Davis, Ellen M.
Date: February 1, 1864
Text: Kingham, Feb. 11, 1864 Dear Mr Vassar: I received your kind letter on Thursday last, but have been prevented answering it until the present time, having been in the meantime preparing for, and ultimately conducting the quarterly public examination of my school. I wished very much to write to you at once. Will you please excuse me that I did not. I thank you, Sir, for the Reports. I have read them with much interest. When I wrote you I thought that one could not enter your College without the...
Show moreKingham, Feb. 11, 1864 Dear Mr Vassar: I received your kind letter on Thursday last, but have been prevented answering it until the present time, having been in the meantime preparing for, and ultimately conducting the quarterly public examination of my school. I wished very much to write to you at once. Will you please excuse me that I did not. I thank you, Sir, for the Reports. I have read them with much interest. When I wrote you I thought that one could not enter your College without the customarypreparation termed “fitting,” and also that it was expected of them to remain four years. Since you have told me that such a course is not insisted upon, but that a pupil may take up any branch that she may hitherto have had no opportunity to pursue, and continue in the Institution less time than the four specified years. I have decided that, of all Schools, I would rather attend yours: and if you will remember me, as you suggested, when the glad time of its commencement comes, I shall be proud to enter those Halls as one of the “original” members of Vassar Female College. In my wildest dreams of the future I had never anticipated such high distinction.And now, Sir, if it is not asking too much, will you please write me again, and tell me what will be the probable expense, per year, for me, at your school? I wish so much that I might see and converse with you on this subject, and on others relating to the time where I in common with many other grateful women shall enjoy the fruits of your magnificence. I am extremely sorry, Sir, that your health is not firm as you could wish. May God be with you, Sir, and may He restore to you that priceless soon if it can be His Will. And now, dear Sir, will you please accept my most heartfelt thanks for your kindness. God’s hand, I trust, directedme to you. My acquaintance with you marks an era in my existence. Henceforth my path shall be broader, and light shall illumine the darkness which I have felt in these many years. May God bless you, dear Mr Vassar Is the prayer of Your sincere friend Ellen M. Davis
Show less

Date: 1917
Text: 33 E? E. Phi‘;0mc"i HfV!'4".‘..:',.‘..[\’=. .‘,;21'..-xii. Imsah .M.:~: g>:.;::.»:.x‘E«.:~/4 3V'»'L'J;vv.: mm. mia. -' '“i\‘TIE §_.UL\I¢,2‘v‘?‘1,l.(>'»‘u" j NE;.'w" ‘.‘{"-C’3Ex’i':\?'.: ilH1“s.'“L«, EL ].’9H.'£"fr5*..T!‘A‘-3 éir I.,a.}¢. L'u‘;"§€'I.-‘\u;;a}. ¥..“2’€'.'i>{‘*h {iv §M’i..:X5_."§’ music: LIBRARY VASSA-R COLLEGE YE VOICES, THAT AROSE , 1 - Ye...
Show more33 E? E. Phi‘;0mc"i HfV!'4".‘..:',.‘..[\’=. .‘,;21'..-xii. Imsah .M.:~: g>:.;::.»:.x‘E«.:~/4 3V'»'L'J;vv.: mm. mia. -' '“i\‘TIE §_.UL\I¢,2‘v‘?‘1,l.(>'»‘u" j NE;.'w" ‘.‘{"-C’3Ex’i':\?'.: ilH1“s.'“L«, EL ].’9H.'£"fr5*..T!‘A‘-3 éir I.,a.}¢. L'u‘;"§€'I.-‘\u;;a}. ¥..“2’€'.'i>{‘*h {iv §M’i..:X5_."§’ music: LIBRARY VASSA-R COLLEGE YE VOICES, THAT AROSE , 1 - Ye voices, that arose After the evening/s close, And whispered to my restless heart repose! Go,breathe it in the ear > Of all who doubt and fear, And say to them.,'1Be of good cheer! V’ Ye sounds, so low. and calm, That in the groves of balm V Seemed to me like an ange1’s psahn! Henry I/I/Fzdswort/z _L¢mgfell0w (from the French) 5-’! 50"72079 — 3 From Me Franc/1 mngmaz 311% Al») CECIL BURLEIGH HENRY WADSWORTH LONGFELLOW Op. 32, N0 3 Very slowly; with deep feeling (lg 40 orfslower) FT’! VOICE Ye voi — ces, that a Af'—ter the eve — ninge 2 And Whis—perH to my rest— less heart re — pose! z'ncrea.s*e ‘ —e breathe it ' the ear Of; all who doubt and mcrease -=./' And say to them,__ “Be /X 3?: 5“ Copyright NICMXVTI by Oliver Ditson Company International Copyright Secured 1%’ Ye sounds, so low and calm,.__ = n That in the groves of balm __________ Seem’d to me... like an an — ge1’s ,5: : : " r- Seem’d to me like slower K The Musicians Library The masterpieces OF song and piano literature edited by men of authority SONG ’ VOLUMES ' ISSUED Foi-HIEI1 Voice For Low Voice Ediiedby JAMES HUNEKER Edited by WM. FOSTER APTHORP Edited by HENRY T. FINCK Edited by DR. EBENEZER PROUT Edited by DR. EBENEZER PROUT Edited by WM. FOSTER APTHORP Edited by CARL ARMBRUSTER Edited by HENRY T. FINCK Edited by W. J. HENDERSON Edited by JAMES HUNEKER Edited by JAMES HUNEKER Edited by CARL ARMBRUSTER Edited by CARL ARMBRUSTER Edited by ERNEST NEWMAN Edited by HENRY T. FINCK Edited by DR. CHARLES VINCENT Edited by PHILIP HALE BRAHMS, JOHANNES FORTY SONGS FRANZ, ROBERT FIFTY SONGS GRIEG, EDVARD FIFTY SONGS HANDEL, GEO. F. SONGS AND AIRS HANDEL, GEO. F. SONGS AND AIRS JENSEN, ADOLF FORTY SONGS LISZT, FRANZ ' THIRTY SONGS SCHUBERT, FRANZ FIFTY SONGS SCHUMANN, ROBERT FIFTY SONGS STRAUSS, RICHARD FORTY SONGS TCHA'I'i<OvSi<Y, P. I. FORTY SONGS WAGNER. RICHARD LYRICS I WAGNER, RICHARD LYRICS ii S Iii WOLF, HUGO FIFTY SONGS FIFTY MASTERSONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS VOL. I (BEMBERG TO FRANCK) MODERN FRENCH SONGS VOL. II (GEORGES TO WIDOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (All Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS L II Er III SONGS FROM THE OPERAS IV G V For I‘IIgI\ VOICE For Low Voice Fcrr High Voice For Low Voice For High Voi¢¢ For Low Voica £*.'3v‘.-.$v‘5$v’;:'5v‘.-3 For High Voice For Low Voice For I‘II${I'\ Voice: For Low Voice vi? For High Voirc Ior Law Voice For I*'IIs>,I\ Voice I*'Oi Low Voice For Higiiw Vmcz For I,\Iv/ Vuice Fur I‘II;:Ii VC'iiL‘P, Poi Low \/(JILQ For Soprano Fvt‘ Tenn! For Bunion: and Basis For Hi*,Iw \/OICC For Low Voice For I"I_ii.II Voice For Low Voiuc Fi».— F-I.»,_ii Vote: In): Low \/OlC¢ For HIEII Voice For Low VOIC¢ For High Voicc Fix Low Voice Edited by ' PHILIP HALE {:5 I19 v‘.°*vi':i‘r¢;‘v€-5:’£i.‘zv‘.-f5t‘.:?iv7:t‘iv‘:'5>‘.-E Edited by CECIL SHARP Edited by GRANVILLE BANTOCK Emmi by GRANVILLE BANTOCK Ediied by HELEN HOPEKIRK Edited by JULIEN TIERSOT Edited by WM. ARMS FISHER Ediwd by GRANVILLE BANTOCK Edited by RUPERT HUGHES Fdimi by H. E. KREHBIEL Editedby H. E. KREHBIEL For Medium Voice 8 C For Medium Voice & Fcr HICII \/‘nice For Low Voice For High ‘I/mitt: For Low Voice For Medium \/(MCI! For Hiri.Ii Vcicc for L.0V'\ Vmuz For Medium Voice For I‘Ilf.'II Voice For Law Voice For Sopiisno For IVI¢Z7I)<S0Dl&.I'\O '0.’ A to Far Taiior For Baritone nnd Bun f.-Tv§§t‘!:3ﬁv‘$f$v“;3&% v‘:i‘vv‘:3i‘.°.5is‘.*%v‘;.'5v‘.-.§b‘.:.5i’;‘3i‘:.‘vv‘5 ﬂ iﬁﬁﬁf5§.%$€:§E%€:§&5&%&%&%&¥&%ﬁt§.t§ COMPLETE LIST OF’ PIANO VOLUMES FREE ON REQUEST Each vOIume in heavy paper, CIO[I'1 back, $150; in FLIII CIOtI’i,. giit, $2.50. Copies maiIecI post-paid. Other vOIumes in preparation For Free bOOkIet, giving Full particulars and Easy Payriient Plan, send to the pubIisI1erS % OLIVER DITSON COMPANY" BOSTON
Show less

Creator: Vassar, Matthew, 1792-1868
Date: January 26, 1864
Text: Poughkeepsie January 26tjl 1864 My Dear Miss Davis Your frank, and soul stirring letter of the 23 inst is at hand mental and its contents are only another proof of the want of some^medium whereby the craving desires, of so many of your sex can be gratified. to It was this very idea to afford '"Woman" an opportunity to help herself may that she -will do it - and that as well as Men, but being created after Man, desired thus too have he has in all ages. obliged her to become...
Show morePoughkeepsie January 26tjl 1864 My Dear Miss Davis Your frank, and soul stirring letter of the 23 inst is at hand mental and its contents are only another proof of the want of some^medium whereby the craving desires, of so many of your sex can be gratified. to It was this very idea to afford '"Woman" an opportunity to help herself may that she -will do it - and that as well as Men, but being created after Man, desired thus too have he has in all ages. obliged her to become second to him in all departments of life .while the Creator only intended her to be a help mate to him, not he hasAmost countrie hia Servant or Slave, he hasAmost countries made her his Slave. I will place your intelligent note on file and when our College open (Spring '65) will endeavour to find a possition for you in some one of the department of Studies, for I cannot believe that a Lady manifesting such intense thirst for human knowledge would prove a drone in the hive of any Institution.Your case meets the primary object for which V.F.C. was^fes designed, vis to furnish an education M the highest mental instruction to those you were hungering & thirsting for such Knowledge, Our College enter it is founded upon the University plan, any pupil canover the age of 12 years, and may learn such branches of Study as she or her guardians choose. The s whole course ^f Ctudica would occupy ordinaryly 4 Years, but any special given branches which she prefer to attain of Course will be grantod and she can the remain in College only one Year receiving a diplomata for what Studies 194 a Jan. 26, 1864 - 2 she has mastered. My health is such I do not as not to permit'me to go abroad, therefore could not meet your proposed appointment I send you a brief sketch of the proceedings of the first Board of Trustees, and a Copy of Pres. Jewett professional tour to Europe I single would send our plan on "Organisation" but have not a copy left. Now Dear Miss D I avail myself of the permission suggested in your kind let- you ter, "not to denyAthe Means needed" without the best of reasons," and that is suhstantialy this, that I have pledg" myself to God, and Country women, to Build \ eqtlp and endow an Institution for "Woman", and I dare other not allow myself to turn aside from this purpose for any.earthly object. I am dr Madame ^Matthew Vassar 1
Show less

Creator: Vassar, Matthew, 1792-1868
Date: March 22, 1864
Text: Poughkeepsie March 22d 1864 Prof M0P. Jewett Dear Sir. Yours of the 17""1 inst is before me and I have delayed a reply thus far hardly conceiving that one was necessary or perhaps expected- Upon reflection I have satisfied you for the right myself that one is due touthorough understanding of our present position and to prevent any possible misconceptions. You speak of being nencouragedn by the Hon Mr Kelly to renew the assur- ances of your regret &c-----I do not of course know...
Show morePoughkeepsie March 22d 1864 Prof M0P. Jewett Dear Sir. Yours of the 17""1 inst is before me and I have delayed a reply thus far hardly conceiving that one was necessary or perhaps expected- Upon reflection I have satisfied you for the right myself that one is due touthorough understanding of our present position and to prevent any possible misconceptions. You speak of being nencouragedn by the Hon Mr Kelly to renew the assur- ances of your regret &c-----I do not of course know to what circum- is stances that encouragement is due and it but fair to you to say that our positions are in no respect altered from what they were when I wrote you on the 2** inst, at least for the better as I have since heard (if true) much to widen our difficulties It is impossible that we shall ever again occupy the same relation to each other hereafter, and a sense of self respect require me in honesty & canodr to leave the expression of them just as I have already written them to you as I cannot nor would not disguise ray feelings. I subscribe myself Respectf^ &c jMatthew Vassar }Copy Letter to Prof. M. P. Jewett 22 March 22, 1864
Show less

Date: 1797
Text: Know all men by these presents that we the Chief Warriors and Chief Sachems of the Seneca Nation, for and in consideration of the sum of one dollar, to us in hand paid by Mary Jimeson the receipt whereof we do hereby acknowledge and are fully satisfied and contented, and paid, having given granted bargained, Aliened, released conveyed and confirmed into her the said Mary Jimeson her Heirs and assigns forever one certain parcel or Tract of Land being and lying on the Genesee River beginning at...
Show moreKnow all men by these presents that we the Chief Warriors and Chief Sachems of the Seneca Nation, for and in consideration of the sum of one dollar, to us in hand paid by Mary Jimeson the receipt whereof we do hereby acknowledge and are fully satisfied and contented, and paid, having given granted bargained, Aliened, released conveyed and confirmed into her the said Mary Jimeson her Heirs and assigns forever one certain parcel or Tract of Land being and lying on the Genesee River beginning at the Mouth of the Steep Hill Creek and running a due East line till it strike the old path, thence South till a West line will intersect with certain steep Rocks on the West side of Genesee River, then extending due West, due South and due East till it strikes the first mentioned Bounds, inclosing as much land upon the West Side of the River as it does upon the East side of the River. - - - To have and to hold the above granted and Bargained premises with all the appurtenances and privileges thereunto belonging to her the said Mary Jimeson her Heirs and assigns forever, and furthermore we the said Chief Sachems and Warriors for ourselves our heirs, executors and Administrators, do by these presents warrant, engage and promise to defend the above granted Premises with all the appurtenances unto her the said Mary Jimeson her heirs and assigns forever, will warrant and Defend the above granted. Premises against all claims and Demands of all persons whatsoever- In confirmation whereof we have hereunto set our hands and seals this in the year of our Lord one thousand seven hundred and ninety seven Farmers Brother Little Billy Pollard hannan Shawen Raggea neghgue Tommy Jimmison Corn Planter Kowana See Signed sealed & Delivered in presence of - Horatio Jones. Wm. Johnston. c. Winney. Chs. Williamson Thomas MorrisBe it remembered that on the thirtieth day of October in the year one thousand seven hundred and ninety eight, personally appeared before me Moses Atwater one of the Judges of the Court of Common Pleas for the County of Ontario, Thomas Morris, who being duly sworn declared he saw the Grantors of the within instrument affix their signatures to the same as execution thereof - And that he the deponent with Charles Williamson in the presence of each other subscribed their names as witnesses to the same - I being personally acquainted with Thomas Morris and upon inspection of the said instrument, finding no material erasures or interlinations do allow the same to be recorded - - - - - Moses Atwater Clerks Office, County of Ontario Registered in the Fifth Book of the Records of Deeds for the County of Ontario Page 355 &c this Thirtieth day of October A. D. 1798 - Peter B. Porter, ClerkMary Jimeson copy of Decl. of Conveyance 1797
Show less

Date: 1905
Text: "'”5'¢ Llamny VASSAR c POUGHKEEps,£-otrLvE4cj"E PRESENTED WITH THE PUBLISHERS‘ COMPLIMENTS N9IINDb N?21ND N‘?3>INEb N?4'INF N‘.’5|NG IJEE ii I ;I mg L ALMS G10 0116 *°‘’’‘ The Word s by LONGFELLQW J“? 41>‘ The music by ROBERT BATTEN. ORGAN ACCOMPANIMENT (A0 LIB) 3'? BOOSEY& Ci 295.RI-:cENT STREE'r,LoNooN.W. AND 9. EAST SEVENTEENTH STREET. NEWYORK. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION...
Show more"'”5'¢ Llamny VASSAR c POUGHKEEps,£-otrLvE4cj"E PRESENTED WITH THE PUBLISHERS‘ COMPLIMENTS N9IINDb N?21ND N‘?3>INEb N?4'INF N‘.’5|NG IJEE ii I ;I mg L ALMS G10 0116 *°‘’’‘ The Word s by LONGFELLQW J“? 41>‘ The music by ROBERT BATTEN. ORGAN ACCOMPANIMENT (A0 LIB) 3'? BOOSEY& Ci 295.RI-:cENT STREE'r,LoNooN.W. AND 9. EAST SEVENTEENTH STREET. NEWYORK. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION, HOWEVER, I5 STRICTLY PROHIBITED. COPYRIGHT I905 BY BOOSEV 8<C9 LIVING PoEMs. COME to me, 0 ye children! For I hear you at your play, And the questions that perplexed me Have vanished quite away. Ye open the Eastern windows That look towards the sun, Wl’l6l‘6 thoughts are singing swallows, And the brooks of morning run. ln your hearts are the birds and sunshine, In your thoughts the b1‘ooklet’s ﬂow, But in mine is the Wind of Autumn And the first fall of the snow. Come to me, 0 ye children ! And whisper in my ear What the birds and the winds are singing In your sunny atmosphere : ’ For what are all our contrivings And the wisdom of our books, Wllell compared with your caresses And the gladness of your looks ? Ye are better than all the ballads That ever were sung or said ; For ye are living poems, And all the rest are dead. LONGFELLOW. Living Poems. Words by Music by . LQNGFELLOW_ ROBERT BATTEN. Andante sostenuto. fh Voic e . con Moderato. Come to me, 0 ye chil — dren! hear you at‘ your ques - tions that per- - plexed me . Va — nish’d quite Cojbyright, 1905 by Boasey o - pen the East - ern Win - dows look towards the Where thoughts are sing - ing swal - lows, brooks of morn— ing . In your hearts are the birds... and the sun - shine, In your thoughts the brook- 1et’s..... flow, Living Poems. mine is the wind of Au — tumn And the first fall of the f 1) ﬁoco rall. hBut in mine is the wind of - tumn And the ? F h V calla voce. Living Poems. . “ I- § 1 1! 3 birds and the winds are sing-ing In your sun - ny at - mos - cresci For what are all. our con — tri - vings Living Poems. «ha-e'<suv*!“*" 19” - dom of our books, When com- pared with your car- - , . )4.—.,,_w.~.\,_ ....~;.m,,.,_, calla voce. And the glad - ness of your looks? >- >- bet- ter than all....... the ...... .. bal - lads - er were sung or. ...... .. Living Poems. with ent/zusiasm. the rest are Ye are bet - ter than all the - lads That )- jfgen. I rail al inc. said; ‘ And >- >} c [la voce. ‘ff 0 rall a! fine. Living Poems. NEWE SONGS BY CEIJEBRHTED COMPOSERS. PRICE SIIILLINGS EACH, NET. Sung by MADAME CLARA BUTT. MY AR\I_FOLK. LAURA G. LEMON. No. 4 in G. i‘- _ﬁ__.; worms BY WILFRID MILLS. No. 1 in DI7. No. 2 in El). L: 53 I77 I I I I I I I I ‘I [Id I I I I I II I- A I I J A g a ‘I I I ' I’ " I I I = C .I_L Dedicated, 53/ S/ﬁtdalfzrmissfon, ta H.R.H. PRINCESS HENRY OF BA TTENBERG. Sung by MP. IVOR FOSTER. THE LIEEEBAT MEN. WORDS BY MUSIC BY F. E. WEATHERLY. STEPHEN ADAMS No. I in BI7. No 2 in C. No. 3 in D. _._i.._.I__ _._i.__._. _E_‘..j_. Eit V’ ra L% ﬁ—L4—m+4—b J1 d'4d Iltt I’ C ‘ 4} | C j I - 41 I ‘V ‘I I Il(1| —lI IIJ I Id T l 1 ' "' -5» 1‘ 1 Far frae my hame I wander ; But stillmythoughts re - turn To my ain folk o -wer yonder, In the (U! Vtrsz.) Far frae my hame I wander ; But still my thoughts return To my ain folk ower yonder, In the sheiling by the burn. I see the cosy ing e mist abuiie the hrae: And joy and sadness mingle, As I list some auld-warld lay. And it's oh I but I’m longing for my ain folk Tho’ they be but lowly, puir, and plain folk: am far beyond a, But my heart will ever be At hame in dear auld ocotland, wi' my ain folk 1 Copyright, 1904, by BOOSEY & Co. Sung by Madame CLARA BUTT. MY TEEISURE. MATTHIAS BARR. No. x in F. Music BY JOAN TR EVALSA. No. 2 in G. No. 3 in A. G On - ly a baby small,Di;pp'ClIromtheskies; On - ly a laughing face, Two sun-ny eyes; (13! Varu.) Only a baby small, Dropp'd from the skies; Only a laughing face, '1 wt) sunny eyes; Only two cherry lips, OIIe chubby nose; Only two little hands, Ten little toes. Copyright, 1903, by BOOSEY & Co. Sung by Miss EVANGELINE FLORENCE and Madame BLANCHE MARCHESI. THE SWEETT THE YEAR. wonns BY I Music BY KATHARINE TYNAN I-IINKSON. ALICIA ADELAIDE NEEDHAM. No. x in BI7. No. 2 in C. No. 3 in D. Q ‘P’ : In - i . AI ' ' d E I 3 I 7 7 Because it is the sweet 0’ the year, the sweet 0' the year, There's white and yellow on (In Vtrst.) Because it is the sweet 0 the year, There's white and yellow on vale and hill, The hlackbird sings at his darling's ear, He has gotten a new gold bill I When birds are merry and have good cheer, And roses nod in the garden bow'r, Oh, then it is the sweet 0' the year, And love and the world in ﬂowerl Copyright, 1904-, by BOOSEY & Co. Sung by Miss LOUISE DALE. IF I BUILT A WURLD FOR YOU. WORDS BY HERBERT FORDWYCH. No. I in C. Music BY LIZA LEH MAN N. No. 2 in El). No. 3 in F. I .._._Ijr-—. _9g_.___.._..-_j._ 1° 41 ‘I ‘J P C For it's Out they go when the sig-nal comes, Out from the thund'ring shores. 'Tisn't the pay that (is! Vtrsa.) When the wild wind blows by day or night, nd you are safe at home, Are you thinking then of the Lifeboat men Watching the hungry foam ‘I Quitting the toil that gives them bread, Leaving their babes and wives, Ready to go when the word is said, Ready to give their lives. For its out they go when the signal comes, Out from the thund'ring shores, 'Tisn't the pay that makes them stay Gripping the straining oars; It's the Spirit of Love from Heav’n above, Working in what they do ; Think of them, then, women and men, And pray for the Lifeboat crew. Copyright, 1904-, by BOOSEY 81. co. Sung by Miss ADA CROSSLEY and Mr. GERVASE ELWES. NOW SLEEPS TIIE— CRIMSON PETAL. wonns av TEN NYSON MUSIC BY ROGER QUILTER. No. 1 in ED. No. 2 in F. No. 3 in GD. ,,_ I‘ I I Lid 19 i\ ub -‘‘\III-) I N-1 7- .l ,_~I_ 5 -I 7‘ . I’ § . i$E4=——‘'~-~‘'——Ir-v—t:—‘*—‘I.—‘'—|I-4—p—d \/ white; ———¢=—-F'—9—0—"—'3-n—p—p-H H-4*L~ ti Now sleeps the crimson petal, now the Nor waves the cypress in the pa-lnce (15! Vtrse.) Now sleeps the crimson petal, now the white ; or waves the cypress in the palace walk ; Nor winks the gold ﬁn in the porphyry font: The fire-ﬂy wakens Z waken thou with me. Copyright, 1904-, by BOOSEY & C0. Sung by Miss LOUISE DALE and Mr. H. LANE WILSON. INDIAN 133331‘ SONG. wonos BY LAU RENCE HOPE. No. 1 in E Minor. Music BY AMY WOODFORDE'FINDEN. No. 2 in G Minor. _._1__ I am waiting in th des-ert, lool<—ing out towards the sun- set, And counting ev - 'ry (xst Vern.) I am waiting in the desert, looking out towards the sunset, And counting every moment till we meet; I am waiting by the marshes and I tremble and I listen Till the soft sands thrill beneath your coming feet. Copyright, 1903. by BOOSEY & C0. Sung by Miss ADA CROSSLEY. CUPID AT_Tf1E FERRY. wonos BY Music BY CARYL BATTERSBY. EDWARD GERMAN. No.1 in F. No. 2in G. No.3in A. AI ‘*1 - ,..7’ I I I v I I I I I.I 1 In mi 1 I I I ‘L I '0 I lid I’! I ..I pi - I A R: ‘ ‘ {VITA I 4 U 3 AH . I ‘I _ If I built a world for you, dear, If I built a world for you,— Iwould make the land of (u-t Vern.) If I built 2. world for you, dear, If I built a world for you,- I would make the land of pop-corn, And the sea of morning dew. I would make the breeze of whispers Of lovers as they woo,— In the world I built for you. Copyright, 1904-. by BOOSEY & Co. ‘Tun IT: I- P rm? I- I- -J I "I 1' I , c I A? I y L I .1 I _ ‘I V _’ Cupid at the fer-ry cried : “Who with me will go. . . . Where beyond the flowingtide Lovers‘ garlands (xst Verse.) Cupid at the ferry cried: “ Who with me will go Where beyond the ﬂowing tide Lovers’ garlands blow? Fairy songs are sounding there. Fairy breezes play ; Leave, 0 leave this world of care, Lovers, come away !” Ah 1 Ho I lovers, ho l Ho! ho 1 say who will go Where the zephyrs of Loveland blow ; Say who will go Where light the zephyrs of Loveland blow ! »- »- I P P I I _ Ir I I7—r—r Copyright, 1904-, by BOOSEY & Co. BOOSEY & 00., 295, Regent Street, London, W., and 9, East Seventeenth Street, New York. BOOSEY & CO.’S New and Standard Songs and Ballads. PRICE TYSIO s1-IILLINGS E1-Ycx-I NET. The Compass of the ﬁrst Key only is given: from this the Compass of the other Keys can be readily found. STEPHEN ADAMS THE LII-‘Ei;OAT MEN, B7, C and D IVHEN I WAS ONE AND TWENTY, F, I GandA7 .. .. THE BU RTLY GAY, E7, & G THE VET'ERAN’S SONG, C, D, E781 F NIRVANA, B7, C, I), and E7 THE CITY on LIGHT, C, D, E7 &F EVER so FARAWAY 137, C, D andE7 IDLE IVORDS, C, D7 and E7 . . THE YOUNG ROYALIST, B‘), C & D THEMAID OF MALARAR, D, E7,E 55]?‘ THE LIGHT Ob‘ THE WORLD, E7, | F,G,a.ndA7... .. THE STARS OF NORMANDIE, C. 1 D, E7 and F .. ) THE‘ VALLEY BY THE SEA, E7, F 8.11(I,»_G . ., _ . .; THE HOLY CITY, A7, B7, C & D7 THE ISLAND on DREAMS, C, D, ) E7,a.ndF _ .. ..) BY THE FOUNTAIN, E7, F and G. . dF .. .. E7.F,l C.D7.u_ MONA, C, E7, E an THE STAR OE BETHLEHEM, G and A7 . . . . . p THEY ALL LOVE JACK, D, E7 and F THE GARONNE, E7, F, G and A7 THE MAID OF THE MILL, E7, F,l Ga.ndA7, .. .. ..}' THE OWL. B7, C and E7 .. THE ROMANY LASS, A7, B7 and C THE LITTLE HERO, B7, C and D CHILDREN ON THE CITY, D and F GOOD COMPANY, E7, F, G and A THE MIDSIIIPHITE, B7, C and D NANCY LEE. C, D and E7 THE TAR’S FAREWELL, D and E7 THE BLUE ALSATIAN MOUNTAINS, ) D,E7n.udF.. .. ..)' FRANCES ALLITSEN THER‘E’s A LAND, D, E7, F & G BREAK, DIVINER LIGHT, Duel, \ E7 and F . . . OH! FOR A BURST O1" SONG, A . . LIRE As THE IIABT, C and E7 THE LORD Is MY LIGHT, B7, Cl and E7 . .. I A SONG OF THAN1(SGIVI.\'G, C, ) E7,Fa.ndG.. . ..; ERIC BARING THREE LIGHT LY1tIcS.No. 1 A’ No. 2 AUGUSTUS BARRATT MY SHIPS, C and ' .. .. TI-IE MERMAID, E7, F and G. ROBERT BATTEN , PEACE AND REST, A7, B7,C IV D7 ATRIL MORN, B7, C and D A WOODLAND MADRIGAL,B7,C & S\VEE’I‘J:ZS'1' FLOWJv:R, A and D7 A. H. BEHREND CROSSING THE BAR, D, E and F. . THE GIFT. C, E7 and F .. . DADDY, F, G and A7 FREDK. BEVAN THE EYERLASTING DAY, E7, F,] G and A . . . . .. I THE FLIGHT OF AGES, G, A7,} B7 and C . . .. ‘ J. BLUMENTHAL SUNSHINE AND RAIN, F, G an LEWIS CAREY. NE.\RER, MY GOD, T0 THEE, F. G!_ a.ndA7 .. .. .. .. FREDERIC CLAY SHE WANDERED DOWN, C and E7 GII-SY JOHN, D and E .. ..\ FELIX CORBETT BUTTERFLIES, G and A7 .. IN THE TIME OF ROSES, D7, D], and E7 . . . . . . ) F. H. COWEN BORDER BALLAD, A, B, and ,D.. IWILLGIVE YOUREST, C, D7, E 7&F THE‘ VOICE OF THE FATHER, 1),) E7,E,FandG .. . " THE SWALLOWS, F, G and A‘ .. THE PROMISE OF LIFE, C, D, E7 and F . . . . . . IN THE CHIMNEY CORNER, C, E7 and D (IA 1, J l THE REAPEI{ AND THE FLOWERS, ] E7,FandG.. .. THE BETTER LAND, A7, A and C IT WAS A DREAM, C and E . . GARNET W. COX , THOSE AZURE EYES, A, B7 C & D7 TERESA DEL RIEGO LAND OF ROSES. D. E7 and F L. DENZA CALL ME BACK, A, B7 and C J. AIRLIE DIX Compass of 151; key. C to D B7 toE7 CtOD CtOE7 BtOD B7tOD GtOE At0E7 DEOE UtoE7 Ct*.oE GtoC CISOE7 CtoE B7toE7 CtOE B7 toE7 AIJOD At0D AIIOE7 AtOCﬁ CtOD GLOF B7toC B7 toE7 B7 tOG B7 tOF CﬁtOC,’f AtOD B7 tOC CtOD B7 toD7 Bq toD AtoD CtOF CtOG AtOD DtOE B7tOF CtoE GtOE A'00C# CtOF AtOC BtOD B7‘ooE7 B7toE7 BtoD Cj;toE AtoD BtOE THE TRUMPETER, F, G, A and C AtoC Sung bv Jliss Ruth. Vincent J12‘. Iv/'0')‘ l*‘o.s~2‘er (J11: Z<3dwaI'd Lloyd {:0 Mr. Ben Davies J11‘. Amlrew Black Miss Jlayg/ie Davies Md:/Le. Clara Butt Jlr. A uclrew Blacl: Mr. Jack Iiobertsovi Mr. Edward Lloyd Illdme. Alice Gomez Mdme. Belle Cole J19’. Edward Lloyd Mr. Ezlwa.rd Lloyd Mdnur. Alice Gomez Mr. Edward Lloyd J! '. .ELl’wLl7‘(l Lloyd J17‘. lllaybriclc M1". Erlwarcl Lloyd J11‘. ]a'¢l'zc¢u'd Lloyd i’|[r. Ma;/briclc Mr. E¢lwzml Lloyd I112". Jluybriclc M 1'. J11‘. J11‘. J17‘. Ill ‘. Edward Lloyd Jluybriclc JIa_1/briclc Santluy Edward Lloyd l I11 dme. .—llI»a.m'. and Cl ﬂldnw. (Jlara Butt fM(lnLL'. Ulara Butt 1 (13 J11’. If. Rlluiforil Jl1clHte. Glam. Butt Miss Add Ur'Os.s-lc_z/ Jlclnw. Clara Butt Jlclznc. Clara Butt J11‘. 1'4‘. Rliualow Jltlma. Clara Butt :1 ll 1JLLI'iloI1es Jldme (.'lr.u'¢i Butt J1 iss Iv,‘1:rui. Flore/ice Miss Louise Dale Mr. H. Lana Wilson .11d.nie. Ant. Sterling Jlcluie. A mi. Slerl-iuy Jlduze. Belle Cole Jldnw. Bulle Cole (Mme. A. Sterling &' {Miss Add CrO.s'sl€y Miss Ada Crossl(.',1/ I Jlrs. Jlary Davies Mr. S(L1Lll(’]/ Miss Evzm. Florence Mdme. Clara Butt jlllr. K. Jlumford LC‘ llllr. Ivor Foster Mdme. Clam Butt Mdrrie. Clam Bull Jliss Evan. Flmvmco (Mule. Belle Cole IL‘ \M/Izc. Clam Butt Mdme. Ant. Sterling; Mtlnw. Ant. Sterling Jldme. Ant. Sterling M1‘. Whit1v’lh Mitto/L Jldme. Clara. Burt EDWARD ELG-AR LAND on HOI’E & GLORY, B7, C A WAR SONG, C and D .. . . THE PIPES OI‘ PAN, G, A and B .. COME, GENTLE NIGHT. C, D 8.: VVHERE CORALS LIE, (NO. 1) D, &] B miJ1., O‘: (NO. 2) F, & D min. 1‘ AFTER, F, G, and A minor IN HAVEN, C and E7 SABBATH MORNING AT SEA, B7 & C ARTHUR FOOTE IRISH FOLR SONG, E, F and G .. A. SCOTT GATTY WINTER, D, E and F .. .. GALLANTS OF ENGLAND, A7 & B7 &D APART, . . . ROTHESAY BAY, E7 .. . . PLANTATION SONGS, Vols. 1, 2, 3 & 4 (Six Songs in each), 2/- ea. EDWARD GERMAN CUPID AT THE FERRY, F, G and A DAEEODILS A-RLOWING, C. D, E')&F LOVE, THE PEDLAR, D, E7 and F W'Ho’LL RUY MY LAVENDER, C,i D and E . . . . . . I IN THE MERRY MAY-TIME, G & A7 G. PERCY HADDOCK THE SOUL’s AWAKENING. E and G BATTISON HAYNES FF To PHILADICLPHIA, C and D. . G. HENSCHEL SPRING, F and G .. . . AMY E. HORROCKS BIRD AND THE ROSE, E7, F and G CLAYTON JOHNS . I CANNOT HELP LOVING THEE, B7, ) C and D . . . . . I A. L. THE SWISS GIRIJS LAMENT, D7,} E7 and F . . . . ._ . I WHEN LOVE IS KIND, F and A7 .. LOVE ME OR NOT, E and G .. LIZA LEHMANN SNOWDRORS Duel. NOS. 1 &' 2... THE CUCROO, C and D . .. THE SWING, C and E7 . . . . IF No ONE EVER YIARRIES HE. C IV D MUSTARD AND CRESS, D7 and E7 YOU AND 1, B7, C and D .. S. LIDDLE SONG OI‘ THE SONS OVERSEA, (2,) D7 u.HdE7 . I .. ..)’ ADIDE WITH )IF., C, D7, and E . . LORD IS HYSHEI>HERD,C,D,E7&F HOPE OF THE AGES, D, E7, F St G PILORIMS OF THE NIGHT, 1 E7, F, G and A7 } F. N. LOHR MARGARITA. B7, C and E7 HERMANN LOHR THE LITTLE SUNRONNET (Song Cycle), 4/. IF I HAD A DOLLY, B7, C and D . THEO. MARZIALS Go, I’RE’J."1‘1' ROSE (Duet), F & G THE RIVER or YEARS, E7. F and G ASK NOTHING MORE, D, E7 and F LEAVING YET LOVING, E7 and F. . THE MILLER AND MAID, D,) E7,aI1dF .. .. ..l TWICIIENHAM FERRY, E7 and F.. CONSTANCE MAUD ' DOWN HERE THE LILACS FADE, G, A7 and C , . . A LIFE LESSON, B7 and C JOHN W. METCALF. ADSENT, E7, F, :31 A7 .. SUNRISE, F and G.. . . RANK L. MOIP, DOWN THE VALE, C, D7, E7, F ) and G . . .. . . . ,' DOWN THE VALE. Dual. F s.ndG THE SONGS THE CHILDREN SING,] D,E7a.ndF.. .. ..)‘ CHILDREN ASLEEP, D and F . . ONLY ONCE MORE, E7. F and G J. L. MOLLOY NEVER Go To SEA ON A FRIDAY,] B7,Ca.ndD.. .. THE CORIPLEAT ANGLER, E7, F. J GandA7 .. _ .. THE CARNIVAL, C, D7 and E7 . . I‘IO2\I1£. DEARIE, HOME, D, E7 and F LIGHTHOUSE KEEPER, C and D .. THE THREE BEGGARS, C, D and E LovE’s OLD SWEET SONG, E7, F and G . . . . . . TO—MoRRow WILL BE FRIDAY, E7 and F . . . . . . . ., BOATSwAIN’S STORY, C, D, & E7 THE KERRY DANCE, E7 and F . . LONDON BRIDGE, D and E Mr. Robert Rcidford DARBY AND JOAN, F, G and A Compass Of; Ist key. . BtoD CtOE CtoE C$toE B’aoE Gf:OD .EptoFjl; B? to E7 B7 toD B7toE7 BtOD CtOE7 Btol) B7toE7 AtOE ‘, B7 to E7 B7tOC EtOF AtoC BtOI) BLOD BﬁtoF CLOD B7 to E7 BtoE AtOD Sung by _ ‘jlclme. Clara Butt Mllme. (Ila.m Butt 1117'. .(Ill1.lI‘("ll‘ Black .11 dme. Clara. Butt Illdnw. Clara Butt JD‘. Pluizlmzt Greene Jlclnic. Clam Butt Jldme. Clara Butt Miss Louise Dale Jldnic. Alice Gomez JIISS Ada. (,'1'os.sly1/ Miss Ada (7ros.sle_I/ Jliss Alla Crass-icy I Miss Era. FloI‘ence (10 Jliss I.ouI7se Ulllt’ Miss Ivlnan. Flureiwe Jldlle. Nikita Jlr. Plunlcet Greene JIiss Em/uz. Florence Miss Evan. Florence _l Miss Jlarie [>’2'cma [<0 M7‘. Ivor Foster Miss 1a'z‘a1i. Florence Jliss Liza L(’ll7)lu‘ILII All Baritorws {M'dm,e. Ulcira Butt [I0 J17‘. II’. Jlumfartl Jliss Louise Dale Jliss Louise Dale Jliss .l',ouI'.sr‘ Dale Jlr. Ilenis ()’Sulliv¢m Jliss Louise Dale III)‘. I{ul1a7't li’(1dfoI'd J/(llllﬂ. (Ilrrm Butt ﬂllss I-lolliimlzar Jliss Ada Cm.»-slay { Jlr. Ben 1)a.vies J11‘. Tllos. Illunlas J11‘. E(llU(lI'¢l Lloyd I.Jliss A«lzi(‘ro.s'sle_1/zl' I J11/Io.FloI'eucc]>ril]/ ljlrs. Jlary Jhwics 1 Ll’: Jldllc. Irebclli Jlr. l?urringl.. Foote J11: BLl)"I‘l}l[/l. Foote Mrs. Illary ]):,wics illrs. lllary l)a.1:'ies [ Jlmc. 1I'irl.'l)_z/ Ixlmn 1 IL"il1i.»'s E.’1'l:or1iton llldnia. Ant. Sterling _lM1'xs E. Tlzornlon 41) |J11'.’»'s Jlabel l>’r1LiI:.e> lllr. Wliit. Jliltou. All I'oiz:es. All l"0I'<:ﬂ.x* Jltlme. .1121. Sterling Mr. 'l.'lIoniu..s' Il'l2onia..~' JIissAlical|Iolterzvay Bliss ,-I lice Illotterway Elldnw. Ant. Ste1'l'ln_q Mr. Barrilzg/t. Poole Mr. Bu1')'im)l. Foote Mdme. Ant. Sterling Mr. b’m‘ri1lgl. Foote J['r. Santley Mr. Illa;/l)rick Jldme. Ant. Stcrl'in_(; EDWARD MURRAY THE NIGHTS, E7, F, and G ECHOES, A7 and B7 . . ALICIA A. NEEDHAM BARLEY SHE.-IVES, D, E7 and F THE FAIRY’s LULLABY, E7, F, G and A7 . . . . . . HUSHEEN, B7, C and D .. ERNEST NEWTON AILSA MINE, C, D and F HAROLD PARSONS. WHAT DOES LITTLE BIRDIE SAY ‘R C, D and E . . C. PINSUTI THE LAST WATCH, D, F and G .. PRINCE PONIATOWSKI YEo,\IAN’S IVEDDING SONG, G, A1 and B7 . . . . . . ,' SAINTON-DOLBY. Mme. OUT ON THE ROCKS, D7 and E7 .. WILFRID SANDERSON. GOD THAT )lAI)1<)S'I‘ EARTH AND I HEAVEN. D7, D, E7 and F ..j J. SARGEANT BLOW. BLOW, THOU WINTER wIND, 7 B,Ca.ndD .. .. ..l ARTHUR SOMERVELL CYCLE OE TWELVE SONGS from Tennyson’s ‘Maud.’ Price 5/»} MINE OWN COUNTRY, E, F & G.. . H. SQUIRE. LIKE STARS AROYE, B7, C and D THE HARBOUR LIGHTS, A and B] (Duet .. .. .. ’ NFORD l 1 ) . . C. V. STA AN IRISH IDYLL, in Six Mini- atures. Price 4/- I’LL ROCK YOU To REST, E7, E & F TROTTIN’ To THE FAIR,C,D,E7 &F BEAUTIFUL CITY or SLIGO, F, G, l A and B7 . . . . |' MY LOVE’s AN ARBUTUS, A7 and B7 .. .. FATHER O’FLY'NN, A7,B7 and ARTHUR SULLIVAN THE LOST‘ CHORD, E7, F, G,} A7a.ndA .. .. MY DEAREST HEART, F, G, A7 & B7 ST. AGNES’ EVE, B7, C and E .. LET ME DREAM AGAIN, C, D and E7 SLEEP, MY LOVE, D7, E7 and F ONCE AGAIN. I) and .. GOLDEN DAYS, D, E7 & F LOOKING HACK, D mid F . . VVILL HI-1 COME? D, E7 and F HOPE TEMPLE RORY DARLIN’, E7 and F ‘ THOUGHTS AND TEARS, C, D7, E7 and F . . . . . IN SWEET SE1~'TI:I1RER, D, E 7 ihlld F MY LADY’S BOWJI F and G FOND I'.IF,A1{'J',FAliEWELII,C ,I) 7&E 7 AN OLD GARDEN, G, A7 and B7. . ‘VHEN WE MEET, F, G and A A. GORING THOMAS VVINDS IN THE TREES, C, E7 & F CLAYTON THOMAS A CHINA TRAGEDY, G, A7 and B7 JAPANESE LOVE SONG, F, G, & A7 WING TEE VVEE, A and C JOA.N TREVALSA. MY TREASUIIE, F, G and A H. TROTERE THE DEATHLESS ARMY, A, B7 & D Go To SEA, F, G. A7 a.n<I C KATE VANNAH . MY BAIRNIE~— NO. 1, B7 & D7; N0. 2, C II’ E7; NO. 3,D K’ F R. H. WALTHEW ELDORADO, C and 1) . . . . GLEANER’S SLL'.\IBER SONG. E7 85]?‘ FRED. J. WHISHAW VAINRA’s SONG, F and G . . MAUDE V. WHITE KING CHARLES, F and . . . LOVE ME, SWEET, D, F 3,n(I G .. CHARLES WILLEBY , A FAIRY LOVE SONG, D and E7 A GARDEN SONG, D and F H. LANE WILSON (AHICANGED BY) TINRER’s SONG, B7 and D7 THE PRETTY CREATURE, F . A. WOODFORDE-FINDEN. FOUR INDIAN LOVE LYRICS | Price 8/-}' INDIAN RIVER SONG, B7 and D.. INDIAN DESERT SONG, E & Gr min. KASHHIRI SONG, B7, C and D VERSES, B7 and C TILL I WARE, E7 End F 1+‘, G, n_ I C I l Compass of 1st Key. .E7tOE27 CtOE7 Ato D B7120 E7 B7120 D CbOD AtoE DtOE CtOD A7tODQ A7 to E7 Ff to D For high A: low Voices. B7’ to E7 B7 to D C to D C to D A7 to B7 B7 to E7 A to F CtoD AtOE ALOD to D to C A A B7 to E7 E7170 C B7 to E7 B7 I:o.F CLOC C$tOD Ato'E GDOD .Bb to D9 CtOD For high & low Voices. B7 to D B to E B7 to D C to E7 CboE7 Sung by Mclme. Clam Butt Jltlme. Clara. Butt Mdine. Clara Butt Miss Louise Dale Jldmza. Clam. Butt All Tenors and BI(‘)'llUIIeS llliss Euaii. 1"loreIwe Jlr. lv,'¢lu;urd Llu;/«l L111‘. Sau.Ile_:/ [lI'i.ss .-lrlu. (}ro.s-..-/cg/ zlliss I<.'dnu 1'/iorulou J11’. Plunlrct GI'I.’L'II('t J17‘. l’Iuuk4:l Gre/um 1' HI)‘. 'l'l1onmsTl1onms >( It" .711‘. ll’/z1'.t.I1littu/i _l xllkli/1a.('l«rra Butt IL" (Mr. Ken. l{um_/'urd lllr. Plunlwt Gwclle Miss Ada (7mssll'_I/ Jlr. Plmilrei Grown: Mr. Plulzlcct Gweizc J11‘. J11’. I-’luuIcct G/Tune Na Iltley jlldme. Ant. Sterlilli; jlldme. Clara Butt Mr. Ben, Dltrim ﬂltlilw. 0. Smnuell Jldme. Belle (Joli: J11‘. Sunflcy fllrs. Illary l)u1'i:!.- yﬂliss I11. I)u1;ies ((2 [Miss Ru!/i Vincent The CU)Il])()a'('l’. Mzlrlle. Clara Bull All 13m-iro/res All B(ll'llUIl€.s' ( Jldme. Lillian 1 Blauvelt D17‘. 1"1‘a.1zlcl'i-n. Clive Miss Ada Crossley Jldme. Alice Gomez Mr. Plzmltet Greene Jldme. A lice Gomez llliss Ada Crossle_1/ Miss Ada. (lrossley 317'. H. Lana Wilson. Mi‘ H Laue Wilsoii Jlliss; 1.(r11-isle lmlc llliss xllizze I'Iolliv‘n1lm' in public without fee or licelllse-~ *9‘ The above Songs may be sun , , The public performance of any parodied versions. however. is strictly proh1blted« ’: BDOSEY & 00., 295, Regent St., London, Music Publishers & Band Instrument Manufa,ctu1°ers~.~
Show less

Date: n.d.
Text: < \ ~.—.«,—-«_ _-e;»—‘>j~—" ‘- ~ ._,—’ ‘ _ _, ..—.~«~rx ,‘ ‘ ‘ ~ < gr \‘ Music Composed by a g *- f \ 5 g "J§"W/‘a/”“IJIE ROSE BUSH.“ \' , ji « \_.J“ P7: 2,5 mm: V-'*»—--4"‘--3' --3» . -« 1' - » - »~ ~»_._ .. _ , . , W . N .\CA .,...,.;,. MUSIC LIBRARY L.::,._‘~ - an I »_ _ DREARY £2 VVOI-ds by Music by H. W. LONGFELLOW. FAUSTINA‘HASSE HODGES. Lento. Tempo Rubato. 0"" "wit" The day is 77107 to rit: tempo. -- & and dark...
Show more< \ ~.—.«,—-«_ _-e;»—‘>j~—" ‘- ~ ._,—’ ‘ _ _, ..—.~«~rx ,‘ ‘ ‘ ~ < gr \‘ Music Composed by a g *- f \ 5 g "J§"W/‘a/”“IJIE ROSE BUSH.“ \' , ji « \_.J“ P7: 2,5 mm: V-'*»—--4"‘--3' --3» . -« 1' - » - »~ ~»_._ .. _ , . , W . N .\CA .,...,.;,. MUSIC LIBRARY L.::,._‘~ - an I »_ _ DREARY £2 VVOI-ds by Music by H. W. LONGFELLOW. FAUSTINA‘HASSE HODGES. Lento. Tempo Rubato. 0"" "wit" The day is 77107 to rit: tempo. -- & and dark and drea-ry, Dark and . It rains andfhe ‘PP clings to the mouldering wall, And at ev — ry gust ......... .. the dead leaves /-T A } And the day ................... .. 0071 €Sprc.s‘.s': rI't.- m047to. /;\ My life cold and dark and dreary, Da1~k\and ary, It rains and the PP ritard molto. /3\ L ne — ver wea_ ry, Ne - ver We.a— ry, My thoughts still cling to the mouldering past, And the hopes of youth ......... .. fall thick inthe And the day ............................ .. is can energia. hind must L; sad heart and cease re—piI1i11g, Cease re — p —ing, A the cloudsis the sun still shining, still ................................................. .. shining, Thy fall, Some days {T is the common fate of all, Into each life some rain must f y be dark and dI=ea—ry, Dark and drea 1' LU
Show less

Date: 1913
Text: MUSIC LIBRARY vAssAn COLLEGE Bani-_pnop-s.-_‘. . . . 9. SONGS VERNON SPENCER Thou art so like a ﬂower ( Du bist wie cine Blume) 5 The Sea hath its pearls (Das Meer hat seine Perlen) 5 Out there the dune 5 In the home town (In der Vaterstadt) 6 Summermght (Gefunden) 6 At the cradle (An der Wiege) 6 Night gossip (Nachtgeschwiitz) 4 Consolation ( Trost) 5 Good night (Cute Nacht) 5 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON The sea hath its pearls, The heaven hath its stars But my heart,...
Show moreMUSIC LIBRARY vAssAn COLLEGE Bani-_pnop-s.-_‘. . . . 9. SONGS VERNON SPENCER Thou art so like a ﬂower ( Du bist wie cine Blume) 5 The Sea hath its pearls (Das Meer hat seine Perlen) 5 Out there the dune 5 In the home town (In der Vaterstadt) 6 Summermght (Gefunden) 6 At the cradle (An der Wiege) 6 Night gossip (Nachtgeschwiitz) 4 Consolation ( Trost) 5 Good night (Cute Nacht) 5 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON The sea hath its pearls, The heaven hath its stars But my heart, my heart hath its love. Great is the sea and the heaven Yet greater i_s my heart, And fairer than pearls and stars Flashes and beams my love. Thou little youthful maiden Come unto my great heart; My heart and the sea and the heaven Are melting away with love. Ilenry Wizdsworm Iongfe//ow Das Meer hat seine Perlen, Der Himmel seine Sterne Aber mein Herz hat seine Liebe. Gross is das Meer und der Himmel Doch griisser ist mein Herz, Und schoner als Himmel und Sterne Leuchtet und strahlt meine Liebe. Du kleines junges Méidchen Komm an mein grosses Herz; Mein Herz und das Meer und der Himmel Vergehen vor lauter Liebe. ﬁ’ez'm-2'0/c Heine The Sea. its pearls (Das Meer hat seine Perlen) English Words by LONGFELLOW ’ VERNON SPENCER German words éy HEIZVE ‘ J:56 The sea V hath its pearls, The heav - en hath its Dds ./lleer ﬁaz‘ sez'- ne J’cr- 1672, Der I{z‘m - me! .s'ez'- me 19 legato ___.._jl mezzo voce ma can fervore heart, my he hath its love. Hem /ml 562' - me la‘ - 53. Great is the sea and the Gross 1'32‘ dds Meer mm’ der flargamente ’ ﬂcon vigore h >- Copyright MCMXIII by The John Church Company International Copyright heav - en ' heart, And Ham — me! Herzl Una’ >> fair- er than pearls__ and stars____ Flash - es and beams scﬁbl mar als 1[z'm- me! mm’ Star - ne [euc/E- fee‘ mm’ sfraﬁlt Inez’-rze >>- > > >- foon e.mZz‘azz'o7ze acce/. - tle youth—ful maid - en — 726.5‘ jam — gas jllzia’ - Mm >>>>'>> fcon fem/are Come Komm B‘. rzf emy 78 un - to my great an mam gros — .963 (1 scz'o/to heart and the sea [1672 mm’ dds ./Ileer > 2'72 ca/zamio } L melt - ing ge/V73 en Are. me! Ver - g‘ V 8672261 Mi.
Show less

Creator: Stanton, Elizabeth Cady, 1815-1902
Date: 1840-11-03
Text: , ./ .—~" /’ /V" / / -2" f -' X/~/f /' , ‘ ,,.,« 2 2 ./// 5/ /, j / ”’ J » ’’‘‘7”/ M, J //y /I ' /‘ //f// / \ /12/,, ’,,Z?7%«.¢«z:'.« ' 2',’;'—'«c’13z!«z-,-~»~.\ ,/ ;/:6/27x./Z«‘Z/" , /' ///’ ‘ "/ " ' .' 1 5/ ‘ 1/ I / / // r /;*'.. .,/’ / . 354:1. / , , ,, 2./,//2/.%</z..’;» /,Z«2</ 4’/"‘ » ,4» .c-« 74?? ~{/ ‘*é’/ r ’ /’ -— /v //i/7‘ /V '/1} /7 V‘ Z /2 %»—,;/mg/z«z«-/" //////¢' ...
Show more, ./ .—~" /’ /V" / / -2" f -' X/~/f /' , ‘ ,,.,« 2 2 ./// 5/ /, j / ”’ J » ’’‘‘7”/ M, J //y /I ' /‘ //f// / \ /12/,, ’,,Z?7%«.¢«z:'.« ' 2',’;'—'«c’13z!«z-,-~»~.\ ,/ ;/:6/27x./Z«‘Z/" , /' ///’ ‘ "/ " ' .' 1 5/ ‘ 1/ I / / // r /;*'.. .,/’ / . 354:1. / , , ,, 2./,//2/.%</z..’;» /,Z«2</ 4’/"‘ » ,4» .c-« 74?? ~{/ ‘*é’/ r ’ /’ -— /v //i/7‘ /V '/1} /7 V‘ Z /2 %»—,;/mg/z«z«-/" //////¢' “ / K / /l/ff/7 L _ y/7‘ ‘.5’, ,7 ‘7'’‘‘”“ M7 { {&2//é~Z/‘/fj7,x’/ 3” I /’ _ 1 / 7 W’ 7 /6 /,./'/'; \ 7 . // _ "rl /V .r ,// , // ,.»/’/ /‘ ".;€«:¢ //I f// £1551//~ 4% </ '//4 ?¢V‘ 19/ // / ( /,2?~z¢r«c«// » //i ; I _ ‘ /‘ 1 X3? % , 14/ // 7 V i 7 ‘ 7 J ‘ // /L ” K /C/. /I /7 I 1/ J”) ‘_ ,/ , ’- %;z.~z«¢*’/-~L«.//“.2/&”‘ 15,. / e/ ,7’ /.<?/ r , g ;.:?/2'»//Z4~—.z,e:» /*//”‘’‘'£’’ ‘ % T ~/-Z!“ 4//'7' ' / , //4’ /_ // T- ; 2 / 7,. r , M’ A%2/l"z~i:’/2a» «:1 7 / /'7 ,.. .. -2’-« z /(.15? /:<i»z.. 1:27’ IV’ 4/ {'7 _ _/ I_ _, 1,. __>_/ 0 .. , r. ’/ A -/I’ "‘/.‘ x I/«V! ,.— // . /K’ / " .»-'>'/«* /«""—<i—-~ / c"f/ ' _ / /7/f /" 1 /4) ‘ " I ‘ ”M4, j>*L_ ' ’ \\/ . , '/I .//I //I -' '1‘‘/'/l /’ ‘)5/‘I _ K ‘ ’/ / " ’ 1"" ’ / V‘ - V. c;/It////'79 Z ./,4’/{5 .,—/-,;«£¢/Z/5, /: » /<_M, / ./ 55/ ./ * A/ * —~// / / . .« / ,,4., : _. , 7 , » / /,/ ‘ l/// ‘J J , . /z /. / 411/ .. 1'//' ix./' / ﬂ“ _’,; _/ __,, // é;(;»/,1’:/-' ‘V-'—‘-V‘- / ,/',. ! x , — I (iyﬂr V, , V ,. i /’ ,» ..—-//H /« ' / > . /’7 7:’ , "’ / 9’ /’ ,« . " I //I x ' /l/ 7/ .//7 ') V I 5/ »: »',-- — cu ” >/I _/ f ' / _ J , I//' ,_ ’ , I » A / 4.,/' 4.-- -. f//é:/‘fl, /, /I 1,/<,/¢// .1.’ ”‘\ // -.\ L;,"'/ 4//5:///-'(,,./--/—~ K 3- / . -»"//;;l’/ I ,«.’ ‘ ‘ ,,.':}';/ /' ’/'’_’,_,;‘‘4i«£«t«?’‘;:’¢ /5/Z»;/'Vj_,.zzj,¢ f)" A /7 // '/’—1ﬁ/ L» ‘X 1 1/ 1,. § §\ \.x l‘\i‘%x '\:§\.\\ \ ‘\ N )1 \ \ \ ,3 \ :§,?j/,g;‘f’,’g,/4/%L-~m 7 / .,r I _ ,/ /4: ’/ 1 /_,— . T’ -5 _. /--~' ' 'T7’L'*' // 7 1/7” « ‘ ,. ',» . ' V '" ” /’ ‘ T/' . / w/'3 "’ .2 , ~ ’ , Xgﬁ Lia. / 5./" / . 4 /V -" J”! ., ‘/;'//V‘ 7”,» / :\ x /r _, V \ . v/,/ I ,- — A/,7 ‘V /I’ W // / I /.« - /,2 .. // ( ‘/, / / /' / ‘) A , / 4‘/’ £5’ 4'/C’:/7¢""’/~/Z»/-- ////I -//V” " _4::«*‘\ ~ /; / // ‘ / 5///-5:’ ». 49"Z1«"“ (f/[:2/” \ // ,‘’I/ // ; , ¢’ 1 y ,/"7: ,, ’"} /’ " I 579/ , G./‘ / *L/ / /« /% I if . / // V /I . 27/ 1 I. I ,’/,5 /VA,« //7*" V f ( / ‘~////\.\—- / —«l , /V‘: ’/Z /":)(//, « (: /£( /& .x2:/ Z / />.\///_7 // //' ’ / i‘ ’ ' " /_.* _//:!//K / ./ 4/ .4» /,— 4/ , // I A 4/‘ /Lfé '6' // /7' K /L «/~»/1/, ” / ;;7 in / fie," _ 75;. A It I //~/~’” 52///Z ,->*%%=¢e««2z/ /2'/1 .<:¢/ %-.\_ ,4/” ‘ ,- 7 ../. " ‘ _/¢--—— » ' I /V ’ //I / /'1/r av" "' :”/ ’.-L/’ (2.? Z ‘5 g.«?/%,7/¢/z/1/Z;7/ / & /'d4/<’/¢< " “K-—~ ,//’ , /. .47, ‘ / / W x / / \ \ K // . I _,»‘/ //' «—~ ,:5’,/,«1:5c/§«/ /T, /05’ /~ ¢«;«~’;.,/-—zf»’~.2//.«&g/ x/ ,,/ ,-«‘.'”‘ , f Z 1/] ‘ < 7 /. ;f3:.c«,:/;/ ~ ‘/3275-('4 ~/,;.:i1 «.;:é-éL?r?’j,;’5i«//‘7~/ 5;’? .»,L«z/A//</;’.£... ' ,/' I / ' /‘ r’ 4 . . ' /~72 mi‘ 4 /1./, ,. " f’ I .;7‘~'/j‘,/L,//3:‘ 1&3."//’, ,Z',z:,/zl-4/" : ,_'/' V ., ' -~. , /7,’ / 1 ./ / ’ ,, /V V’ /, /, V 4‘ ‘W, /I/ / _ ‘J’, ‘/2 ¢V?"/.?‘? l 7 // ("L'CfZ’/%€/’// ;4'%\ 4/ .,////&7‘—” ,/V’ ' /V > __z .4‘ /7' 7 /4 , / ,, ‘;7,1;<*”, /' / V‘ » < ' “Z; ‘ “" ‘*5/47 at» Z/c“—<ii~ ¢M..«/%/.£o/’ / /’ ~ /j/" ' 1,, ,/ _, ./ -/ ,4 > M / /If/,;,~ y/I/ >:, //.;x V /V, ‘. »/~//‘/ / / / V" / w ./z// /, - (1 / i , % / ‘/M‘//%»z'~c—- 47//«:%.~. ‘.1//if . ,.—<7%/ / K //' /,../:,';,.r’./ /. r ‘ 1/ ,‘;»;1Z/Z/Z";/2?-1/c/3»;/7 « ‘ ‘If’ / 2' ‘ /- /’/ ‘) -V / M ~——-~«~ / {.«tr/“/,«/ _ .—/ /I _ 17/. /6 /. ’, .g%~—/:/' & I) Q,//, 5;‘/5/4//j‘.«;«_,r }g_,,.._.. » 2 / /’ ’ Z”’,?/””;Z«zr««;::»d« 2/«zw--Tm ,//T/' ,.4«z/.a—¢;%c///>.«//¢:,./m’/ / «(,// (L-r» /‘ , / 4 /1‘ 7/ V r . 4/ , «_ .7 ‘ ‘ > X //"I —- / ‘ 7 /Z’ / 7/ ,////9'/Z7‘;/7/z_,«~a 55 4/1 :4f;é,Z¢,/z_,¢,/ Z» 4/ \ ,.//V’ ix ' 4:- " /“é/,{,-;¢,Z_ l;.;;,;;;5, ' gf/’ ‘/— / ,"‘:’/ /5/" V ,/ T’ ‘. \ / \ // ’ WNW’ // _ ' / T ~/ /I ', %, /.-’.',.‘,<~z,«~' //,,/,,.r./¢¢;’/;//c:-.-» "’///X/.5.”/’”«-"Z./-;»‘{—’¢"/é/77' / /// ( ’_,»’ / "‘ /””"”""' / /-~ .. 4__ _ a ‘/ /, .— W x?’ ,/ %?//;=».e=».'r;«-é. _-.>¢/ ,/Z»-2/J/15/5 £44/JL- .. ,.,.~> / /L//W \ ‘ ;;/ ,./6, ,« /"9 :7 / /« . ’ ” /I *’ ,¢/,« l./ ‘/ y« / K ‘ ///_,\., .«.:Ci¢¢—¢~<:.%w ‘j:/;«;m,,¢’/Z/I /f’24«“Z”’Z*V"*~ , / ’\ , /’ ,/ / ’ ‘ ,./’/ /‘ _ /;T>”’ / 4,4 V. ‘. I \ >_, r,/ /4“ , »(;1‘r 3;,» ’,/ ‘>1 / Z‘ J/I’; 4, all //r ,/,—4./&—1_-. / /’ x / // t D / (J7 I X K,/::, »» « :5 “T7 , ,4 7/ _ :7 ,. / /2;//,;./«//’»::.a L,» /~ A ~ , / ,4 '_ ,.—-V/'1 /» 1 V 45, /J ’/K, M /C»x,./—«z:// _: g<_'iA/5-'”'.[:,;’{/V ~ 3 /4. .. < 4 " '//ikv .,> ,. - 5/ ’ f /'1" ,4»;>//2x664?’/-" ‘(/--é/Z%.,,[,7/J , Q/.4/«-Z...€_ » -~ Q1:/2-:z.».,//",'/«° I/' ' — ’ I Original in Alma Lute I Collection Lendon Novaﬁrﬁ (1840) ﬁeer friend. ﬂed I the control of my own movements or even of Henry‘e I ehould have been with you now, but the feet ie Joseph aturge commands and we obey, I have nothowever yet given up the hope of eeeing you at Qerlingtone We did think of eeillng on the ?th but it ie how poetponed indefinitely» Temorrow we go to Nerwieh where we ehall have a meeting on Friday night there is to be e gathering of the cevilteationiete there et that time. I spent a week at Dublin very pleasantly and received your note there. I wee glad to find that Gerrieon bee ee many were friends in Ireland, Richard Webb and I hed much pleeeere in ooepere ing notes of the past: A James G. Birney ea%le in the Go We the 7th, we parted with him at Birmingham where we spent a dey with that deer good men Jeeeph stereee What do you think of the Belfast breekfeet? Net e einele ehe wee admitted. Had I been there I would have gone, though expreee ordere eeme from London that on that morning the Lore of Greetioneuet breekfeet elone. The women of Belfast were indienente aha well they might bee I do hopeeooo to get time to write you a long letter but this evening K em in heete having many notes end eome emerieen letters te write before I leave LQﬂdOﬂe Geod night ~ Henry geine me in kind regerde to youreelfe Father, Mother and all those whom we know in Derlingtone Adieu your einoere friend Elizeheth G. ﬁtentee Te Elizabeth Peeee Derlingten
Show less

Date: n.d.
Text: Iwstc LLLL ARV VASSAR COLLEGE "°'»'GHKEEPsvE. Nu-.' ‘max NEW EDITION OF ,mE11v1MoRTAL SONG TH E Erica ‘ F V Eomdon,4 ﬂ C. SHEARD & C9, l92,H:GH HoLBoRN,W.C. The Village Blacksmith. Pozrnv av LONCFELLOW. MUSIC av W. H.WEIS$. Allegro Moderato. f 71¢‘ Un - der a spreading chest - nut tree The vil — lage smithy stands; T579 mf j \ smith a migh—ty man is he,With ‘large and sin — ewy hands; _/ muscles of his braw ~= ny arms are strong as i - ron bands. .nf hair is crisp, and...
Show moreIwstc LLLL ARV VASSAR COLLEGE "°'»'GHKEEPsvE. Nu-.' ‘max NEW EDITION OF ,mE11v1MoRTAL SONG TH E Erica ‘ F V Eomdon,4 ﬂ C. SHEARD & C9, l92,H:GH HoLBoRN,W.C. The Village Blacksmith. Pozrnv av LONCFELLOW. MUSIC av W. H.WEIS$. Allegro Moderato. f 71¢‘ Un - der a spreading chest - nut tree The vil — lage smithy stands; T579 mf j \ smith a migh—ty man is he,With ‘large and sin — ewy hands; _/ muscles of his braw ~= ny arms are strong as i - ron bands. .nf hair is crisp, and black and long, His face“ is like the tan; Kt V f{“\ brow is Wet with V ho — nest sweat, He earns what—e’er he looks the whole World in the face For he owes not a-ny The Village ' Blacksmith. in, week out, from mom till night, You can hear his bellows blow; You can > nf hear him swing hea — vy sledge; With sex - ton ring-ing the vil -. lags bell Whenthe sun is low. teizzgo. > chil— dren coming home from schoolv Look in at the o - pen door; They The Village Blacksmith . love to see the flam- ing forge And hear the bel-lows roar And catch the burning v_zf>>> "*-'_..=--—~ spa1:ks that fl Like chaff from a threshing floor. He gvoeé on Sunday to the Church and sits among his He hears the par—son pray and p1'eaChHe A hears his daughter’s voice ‘F The Village Blacksmith. Sing-Aing in the vi1—1age _,_ohoir,-..And_it makes his heart re - joice: “xx 10 sounds# to him like her mother’s voice Sing - ing in Pa - ra- dise!.,__ (needs- must think of her once more How in the grave she 1ies:_e_ with his- hard, rough hand he wipes VA tear out of his eyes. _/ / P roolla 2:04-e. The Village Blacksmith. f a lempo. Toil — ing, re -joic-ing,- sor- row-ing, On -Ward throughljfe he morn — ing sees some task be-gun, each eve—ning sees close; Something at - te3mpt—~ed, some-thing done, Has earned. a nighfsﬂ re - pose. The Village Blacksmith .
Show less

Date: n.d.
Text: 1.IN 2,INDFLAT. —— 3.IN ”: CON‘l;F:ALTO - ORIGINAL KEY. BARJJONE SOIJRANO. — TENOR. ' - BASS. I’ MEZZO<5OPRANO. D To Ab . ‘ xi . /‘WEI,’ BbToE_ BTOF. C TOG IIIIIIIW am 80176 wc)rc[S /49 £xOD(c3E?€LLOIlf 97/62.1.5‘ [C ﬁg Z,77zZ*.-Ayzfa .-EZZZ . £0 11 5 on ; M ET z L E R Xe C 9, 42 G/"eaf ,ZI{cz//Z60//Oug/z I957/2eez,‘, II/. M *THIs SONG MAY BE SUNG IN PLIBLICV/ITHOUT PAYMENT OF ANY FEE. NEW IVIU S IC .—- Now READY. AIVIETZLER <3 C°.5 THEMATIC CATALOGUES OF NEW SONGS, DANCE.and...
Show more1.IN 2,INDFLAT. —— 3.IN ”: CON‘l;F:ALTO - ORIGINAL KEY. BARJJONE SOIJRANO. — TENOR. ' - BASS. I’ MEZZO<5OPRANO. D To Ab . ‘ xi . /‘WEI,’ BbToE_ BTOF. C TOG IIIIIIIW am 80176 wc)rc[S /49 £xOD(c3E?€LLOIlf 97/62.1.5‘ [C ﬁg Z,77zZ*.-Ayzfa .-EZZZ . £0 11 5 on ; M ET z L E R Xe C 9, 42 G/"eaf ,ZI{cz//Z60//Oug/z I957/2eez,‘, II/. M *THIs SONG MAY BE SUNG IN PLIBLICV/ITHOUT PAYMENT OF ANY FEE. NEW IVIU S IC .—- Now READY. AIVIETZLER <3 C°.5 THEMATIC CATALOGUES OF NEW SONGS, DANCE.and PIANOFORTF. MUSIC. These Catalogues give a clear description o’Feach songwith the compass.character, and a portion of the words and melodies. The same principle applies to the Dance and Pianoforte Music Catalogues. Intending purchasers can therefore Form a correct opinion of what will suit them. N‘? I. SOPRANO SONGS. N9 4. CONTRALTO SONGS. N‘? 2. TEN.OR SONGS. N‘? 5. DANCE MUSIC. N‘? 3. BARITONE SONGS. N° 6. PIANO MUSIC. N9 7 . VOCAL DUETS&TRIOS. N‘? 8. PIANO DUETS &TRIOS. SENT GRATIS AND POST FREE ON APPLICATION. /1/30 ,/IV/ewlzsts 0/5'acre‘d_ﬂ17Lzsz'c, Viol 2'11, Violin ana,7PiaIz0ﬂ[usL'c, American 0/fgaii aizcifjczrmoniuin Music,Part Songs, G[ees,&c. MUSIC LIBRARY VASSAR COLLEGE At the Sale by Public Auction of Music Copyrights at Messrs. Puttiok & Slmpsou’s ‘on June 4th, HEMTS PIANOFORTE TUTOR was bought by METZLER & 00. for the sum or Three Thousand and Ten Pounds. N E W E I) I T I C) l\T. Aﬂzer the sale of over a. QUARTER OF A MILLION Copies. HEMY’S ROYAL WERE PIANOFQRTE TUTTB The PRESENT EDITION of Hemy’s world-renowned Pianoforte Tutor haa been entirely re-engraved, carefully revised, and largely added to by THE AUTHOR, and we have now no hesitation in pronouncing HEMY’s TUTOR to be the most complete, valuable, and easily understood Instruction Book that has ever been oﬁered to the Public. PRICE FIVE SHILLINGS. Bouna’ in cloth, 43. net. , ‘ I gm as ﬂngel ﬂlndomt Tonal §oImnI Boo]: I. For Bass, Baritone, Mezzo-tenor, Contralto,& Mezzo—soprano Voices. BOOK II. Advanced Soprano and Tenor Voices. Price 53. each book; Cloth, 6s. 6d. each. TO BE HAD OF METZLER & 60., 42, GREAT MARLBTROUGH STREET, W. And of all Music and Book Sellers in the United Kingdom and Colonies. THE ARROW AND THE SONG. Words by . Music by LONGFELLOW. CH. GOUNOD . ALLEGRETTO. shot an in- to the air, . . . . . It fell to it fell to I knew not where; . . . . so swiftly,‘ swiftly '. . . . . ' so sWift_ly, swift _ ly it fol _ low it breathll 21 It fell to W. 6464. The sight fligllt; earth , . . could not in _ to it fell the to knew not Where; For, who has sight. . . . . . . and strong, For, who has sight. . . . . . . and strong, . . That it can fol _ 10W, . . . . . _ ' fol - low. the flight af _ tel‘- Ward, , ' . . . . found the found-the the 211'. row’. , . . -still un _ broke, . And the song. . . . from _ g1'n_ning to V . . A And the song‘. . . . from .A~/{S H V. s 3 1 I :2 - g1'n_ning to end. . found ' a _ - gain, . . found a _ - in the A heart \§\\\\\\ IN KEYS FOR ALL VOICES. iasﬁ @@ § primrose Path BEHREND. V2,), pnpugan Just Pub/2's/zm’. "‘ THE voxcxa: 1 LOVE. _" SUNSHINE FAIR ROVINS LIFE Rem Song by Eaby 2Irthur ﬁill. A YESPER MUSIC ‘bong , GilbertBYBoyce. ' sung by Mr. EDWARD LLOYD. BY . 53”“ %’°“£V BY . Sung ‘by g by BY GARUUNE LOWTHIAN. ““aYbV°k: JOSEPH BARNBY ../ V 7‘ ﬁrmmmmmmmm . .,,,+,..,, ..........n............." A GREAT SUCCESS. l§YDE1V[I,1V[YB1KB COMPOSED BY Words by GEORGE ELIOT. LADY ARTHUR 5>°"sI- - HILL. SONG. MUSIC BY ARTHUR SULLIVAN. TIG-TAG, SONG OF THE GLOGK UNLESS. 3,, Ken) Song by 21. 3. dlatbicott. "‘““‘1“°“° sung by the VISGOUNTESS FOLKESTONE. DAYBREAK SUNG BY EDWARD LLOYD Sung by Miss HOPE GLENN. mm %ong av GALDIUOTT PLANQUETTE PINSUTI nx'r1'n.nn . ‘ ‘ ENTITLED xm-rrn.zn ' Unbidden , ' - First Love Follow Me >319 *3? . S *3}? 911* ? 519 G31]?
Show less

Date: 1887
Text: We ONG To the Rev. J. W. .HAGEMAN, Franklyn A-716. P)’L’\s‘b. Church, Brooklyn. N. Y. THE SLAVES DREAM. (Poetry by H.W. LONGFELLOW.) JOHANNES BRAUNSCHIEDL. Lento non troppo. ﬁg mollo legato. side the un-gath - er’d rice his sic-k1e L‘apyrig‘ht 1887 by G. Sclzirmer. His breast was bare, his A-gain, his na - tive 0021 Béflr. mat — ted hair mist and shadow0fs1oep,He 4 Maestoso. through the land - ger owed; eneI'g'ic0. palm - trees on the plain Once more a king he L 4/’; I'll”....
Show moreWe ONG To the Rev. J. W. .HAGEMAN, Franklyn A-716. P)’L’\s‘b. Church, Brooklyn. N. Y. THE SLAVES DREAM. (Poetry by H.W. LONGFELLOW.) JOHANNES BRAUNSCHIEDL. Lento non troppo. ﬁg mollo legato. side the un-gath - er’d rice his sic-k1e L‘apyrig‘ht 1887 by G. Sclzirmer. His breast was bare, his A-gain, his na - tive 0021 Béflr. mat — ted hair mist and shadow0fs1oep,He 4 Maestoso. through the land - ger owed; eneI'g'ic0. palm - trees on the plain Once more a king he L 4/’; I'll”. strode; And heard the tink- ling car - a — vans Descend the mountain — ,\\ can moto . road . 1) mo/to legato. 3 dark-eyed queen A- mong her chil - dren stand; They clasped his neck, they Ma pooopiit lenfo. the hand! A kissed cheeks, They held’ him by [/71 12000 piit burst from the sleep - e1’s 1idsAnd fell in—to molto rit. P0c0~pi1‘1 mogso -And then at fu—rious speed he rode A - ¢L/y/ ¢ long the Ni- bank; ' ' bri - d1e-reins gold - en chains, And, mar-tia1 Clank, leap he could - hard of A /egg’. e p 12000 .s-taco. fol — lowed their flight, plainswhere the tam - a-rind ,—\ ,«\ Till he saw the roofs Caf - fre huts, And the \L___’J NH [I000 07'!‘/‘S0 . to _view. f.—_=: 3;. J: 71111. e sost. Andante poco lento. memo mosso. A VTTT he heard the hy - ae — scream, %@'@'E=¥ % St/’I77})I’8 ' - er—horse as he crushed the reeds /T 1’ / / side . some — s*___________/,2 Maestoso. And I ' passed, rm paw wit. zzf I/32 animafo. F‘. , ff. Through dream. So.s-tmmto, (2 can espress. 11.11 [SCH 17.11. '8" 7Il()lf() esp:-ess. \-———-—/-em L______j Maestoso. ests, with their i - ad tongues, of the des - gm mlwso . _ ed in his sleep and /’ their tem - pest _ Vu-ous glee. Lento, e molto espr. d not feel the driv - er’s whi Nor the burn — ing heat of _ J4/om riim . For death had il — lu - mined the Land ' ‘ SIeep,_And his life- less A wormout that the bro - ken A £7’ thrown a - way! ﬂ /argwinmzfe. 1,-g',m/‘a]g_ —# 6 ”‘ 7:} semyzre Iiohm, C., In Switzerland. MUSIC FOR THE PIANO, PUBLISHED BY G. SCHIRMER, 35 UNION SQUARE, NEW YORK. ietto, rev. and ﬂu . and and solo ad lib. y A. R. Parsons . . . . . . . . . . . . . . . . . . . . . . . Bach, J. S., Air. from Sultein D, transcr. V l A. R. Parsons . . . . . . . . . . . . . . . . c Bach, E., Solleg arr. for "3". --—- Prelude, Cm. Bachmnnn, G. es (Eingered) . . . . . . . . . . . . . . . Op. 31, No. 3. Marcia isnta " . éltingered.) . . . . . . . . . .. n"ﬁ".'."“1'i'L§‘ 0”‘ 551"“ ‘?.'ii“'Z=,ii""' III‘ e . . p. . ar c.... —-- L’A,urore. Etude mélodiquc . . . . . . . Beethoven, L. v. Minuet from Sonata Op 49, No. (Fingeved.) . . . . . . .. -—— Adieu to the Piano. (Abschlcd an das Klavicr.) (Fingcred) . . . . . . . . . . . . . Bendel Frnn9., Op. 101. L’AFBiCAlN_E. antaisie’ do Cone. -—— Id 1 d’Amour. -—— 3 Improvisations. (Finfered): No. 1. Siegmund’s ove Song. from “ VVALKURE.” (R. Wagner.) No. 2. By silent Health in Win- tertide, from “MEl8‘l'ER8lNGER." git. Wagner.) . . . . . . . . . . . . . . o. 8. Waltheﬂs Prize Sou , in “ Mnls'rnns1Nosn.” _(R. sgner.) Bennett, W. St_., Rondo placevolc, E. . . Bernard, P., Vcnltc adorernus. Christ- mas (Fin cred.) . . . . . . . . . .. Blliema, R., p. 48. wittering or the H Birds. Divertissement. (Flu .)... Boely, Dansc villageoise. (Fingewre ( 'or er Sennhiilie.) ldyi Iloscovitz F., Chant du Matin. Idylle. ——- Les relots. (Sleigh-bells.) Galop (Fmgered. . . . . . . . . ., . . . . . .. . s¢§§3?£o.§"3“ir?lt§m,3 R. Wagner. (Fin}.:ared.) . ronsart, H. v., Field Flowers. (Flag) Inch, 13., Rondo-Caprice, arr. by W. . a as y . . Cni, Csssur Berceuae, Eb. (Pl Delahuye, 3. L., Coiombine. ﬁngered by A. R. Parsons . . . . . . . .. Dclihes, L., Bullet Srnvuz No. 1. Pin zlc i ---— Do. Durand (Fingere ) —-—- Dance of thelii-tlo Girls. (Flugered. -——- Good Nhzht. (Fingered) Gluck, C. W., Gavotte A, arr. by J. Brahms. (1<"ingere.) . . . . . . . . . . . .. Op. 16. he Gavotte, B. ed. . . . . . . . . . . . . . . . . . . . . . .. . . lre)Vaise brill., Ab. (Fing.) ——- Op. 56. me Vslse, lib . 71. 3mcValse(Valse Sérénade), (gingered) 17 ~—- Le Cavalier fantastique. arcarolle, Goldner, W., Op. 47, No. 1. F. inure-red ) —— Op. -l7, No. 2. ng.) -—— ). 47, No. 3. Polonaise, D‘). ('Fingel'ed .) . . . . . . . . . . . . . . . . . . . . . .. -—— Gavotie mignonne (without Oc- tavcs), Am . . . . . . . . . . . . . . . . . . . . . .. —- Gavotte-Canzonette, C . . . . . . . . . . . . . Gregh, L., Les Bergers-Watteuu. Air dc Danse Louis XV. (Fim:ered.). . —— Les Phalenes. Caprice. (Flam). . . —— The Shcpherd’s Pipe. Pnstoralc. . . . Grieg, Edv., Op. 12. Lyric Pieces. (LyrischcStiicke.) Fingcred . . . . .. ——-.2 Norwegian Melodies. No. 1. Wounds of the Heart. No. 2. Spring. Transsr. b E. Neupert.. Kaberlner, E.,O . orwégian Peas- ant ance. Saltarellc Op. 59, No. 5. Prelude, Em. (Fing.) -—— Op. 59, No. 8. Magic Bells. (Fing.) —-—— A legro-Scherzanclo. Fragment. . .. Heller, St., Op. 67. On Wings of Song, lily Me ldelssohn. ( mger .) . . . . . . . . . . . . . . . . . . . . . .. Op. 82. “ Flowers, Fruits and Thorns ": No. 9. Allegretto, E. (Fingered.).. No. 11. Andante con moto, Gib. (Flngered. -— L Avalanche, Am. -——-Bluette No. 2, G. —— Brooklet, G. (Fingered). .. ——- Coqnetterie, Ciim. (Fingered. .. Hill, J., Op. 98. Adagio, G. (Fingered) Hiller, F., Op. 97 Zur Guitarre. Im- promptu. (Finezered) . . . . . . .. . ——- Courante, G’. (Fin cred.) . . . . . . . . .. Hofmann, 11., Op. 11, o. 2. Maytime. (Inn. Mai.) Fingcred . . . . . . . . . . . .. -—— Barcarollc, G. Arr. by R 'l.‘hai1on.. -—~ Eleqie, Ab. Arr. by it. Thallon. . . . Hollaender V., C nzonetla, G. (Ping) Hopekirk, 11., Gavotte, Bm . . . . . . . . . . .. Huss, H. EL, Ballade, F .. Hyllested, A., Valse sentimentale . . . . .. Jadassohn, S., Op. 25, No.3. Vaise,Db. Jaell, A.,Op. 14. La Danse des Fees. Rh lsodie. (Fingered) . . . . . . . . . . Jelfery J. A., Op. 17. Marche joyeuse, Improvisata. I -~— Op. 20. Danse féeri ne . . . . . . . . . . . Jensen, A., O . 17, No. 0. Im Wlrths- haus. (R1 the Tavern.) Finger-ed.. -—— Minuet F, from “ Lieder Tiinze Op. 33-1, (Finger-ed) -——- Serenade, E. (Fingered.).... . Joncieres,V. , Sévénade hongroisc. g.) Kautz, J., Op. 15; Tarantella . . . . . . . . .. Kelley, E. S., Royal Gaelic March (In- trod. to the Banquet Scene) from the “.1/lusic to Mac-bel:h.”.... . .. . , und ,, . . 35 7'5 65 (Fingered.)... 1 25 Morceau brill. 1 00 ‘T 5 1'5 76 ‘I5 35 00 75 95 25 25 60 75 50 60 35 65 60 60 60 50 25 25 60 Ketlerer, E. Op. 285. Corriuu. Bal- let do O elibcs. Valse brill. (Flnlr.)80 75 Kjerulf, IL, Wlegeulled. (Cradle Song.) 25 Klein, B. 0., Op. 19.‘ Scenes de Ballet. Com lets . . . . . . . . . . . . . . . . . . . . . . .. 1 25 . Allegro modsrato, Am. . . . . 2. Allegretto grszioso, Eb. . Vivace non tanto, Dm. . . . Dreams. 5 Lyric Pieces: . Lento non tauto,G 2. Allegro maestoso, I11 .... .. . Tempo dl Valser lento, F. . . . Intermezzo seberzando, G.. 5 nndante more A No. Ii 75 50 60 50 05 65 50 . Suite in G. Co'mpleto..... 2 50 . Prelude. . Theme with Var. . Minuet . . . . . . . . . . . . . . . Elegy . . . . . .. .. . Gnvotte . . . . . . . . . . . . . . . . . .. 2 Morccaux : . . Le Secret d’Amonr. (Dia- logue. . . . . . . . . . . . . . . . . . . . . . . . .. No. 2. Valse-Impromptu . . . . . . . .. —--— Op. 35. 3 Mmtceaux : o. 1. Danse oricntale, F . . . . . . . . . . “ 2. Me’lodie—Etudc-, G . . . . . . . . .. “ 15. Dause bohémienne, Cln.... Klein E.,l.a GIOCONDA. Rant.-Potp.... --—- mm. —-—— 'l‘h«ine Eyes so blue, by E. Lassen. Transcnption . . . . . . . . . . . . . . . . . . . . . Kontskli, A. de, Op. 288. Souvenir dc snsr, uno -—— Op. 817. Steluaaa. (The Star.) . .. . -——- Op. 818. La Sultana. Valse br ll . . . . Op. 321'. 2nd Gavotte. Am. (flllﬁé). Op. 328. An Bord dc 1’OeeZ-an. verle . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kownlski Roses do Bolléme. Valae __ . ngered.) . . . . . . . . . . . . . . . . . 14 La Gazelle. im- promptu . . .. . . . . . . . . . . . . . . . . . . . .. Kuuqk, 631., O1). 22. La Gazelle. (Fin- -—— oE.062'aud 81. Kinderleben: , (scenes in Childhood.) Flngered. 2 Books, eacl —— The same in 'l..... ..- ............ separate Numbers. each -—— Pastor-sic, G. (Fin:zered.). . . . . .. Laoonhe. I», Deuces Pensées. (Sweet Thouizhls. Flngercd . . . . . . . . . . . . . Lambert, A., also-Impromptu . . . . . . .. Lane, (1., Op. 89. Blumenlied. (Flower Sol .) Fingercd ............. .. . -—— Op» 1 4. 5 Sonatlnns. (Flng.): No X. ' No. 2. G; No. 3. F; No. 4. C; o. . G; each . . . . . . . . . . . . . . . . . . . -—— Op. 184. “ Am stlllen Ht-id,” from Mlis-rnnsmona. Fanlaisie. (Fing.) --— Oil. 143. Slegmund’s Love Song, rom Wsnxunn. Fantaisie. (Fiug.) -—-- Op. 144. Serenade. (Gounod) Pant. -— Op. 940. n the Alpine Hui. (Al- penbiltte.) A Swiss ldyi . . . . . . . . . . -— Op. 200. Fabanera, from “ (Lumen ” lust. Transcr. ( nz. . . . . . . . . . -—— Cheertulness. (Frohsinn. . . . . . . . —-——- Evening Chimes. (Abend1iiuten.). . . -——- The little Wanderer. (FllIEel'6d.).. -— New Sprln . (Neuer Friihling.). . . . ——“Ohappv a .” (O schonn Zell.) Songwny C, one. Transcr . . . . . .. ——-- The anderer's Return. (Helm- kehr.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . —- 3'I‘ranscriptlons from “ Tuuu1’A‘U- sun,” Wagner. (Fingered.); No. 1. Pilgrim’s Choms . . . . . . . .. No. 2. O thou sublime sweet Even. o. 3. Lnngey, 0., Op. 37. Mandollna. lean Serenade . . . . . . . . . . . . . . . . . . . .. Lichner IL, Op. 79. FleuretFleurette. ( in cred.) Nos. 1 and 2, each on. (Abendlied) Fingered. ishes. (Herzenswilnsche.). Liszt, Frz., Der Asru. (The Asra.) A. Rubinstein. 'l‘runser. (Fingered.). ——-~Avo Maria. Schubert. Transcr. (Fingered) . . . . . . . . . . . . . . . . . . . . . . . —-—Du bist die Ruh’. (‘My sweet Re- pose.) Schubcrt. rauscr. (Fin- gered.) . . . . . . . . . . . . . . . . . . . . . . . . . .. —-—~—Fws'r. (G-ounod.) Valse. 1 1 Fantulsie-Potpourri . . . . . . . 1 ( ...... ..1oo 15 £0 75 75 00 00 00 75 75 50 75 ‘I5 195 1 cred Ed . . . . . . . . . . . . . . . . . . . . . . . . .. 1 50 -— éiodie-Polonaise, ,from “Glancs de Woroninee.” ( ingered.). —~“O thou sublime sweet Evening Star,” from Tsimnlusnn R. Wag- ner. Transcr. (Fingered). -— Valse-Impromptu, Ab. (Fingered.). —- Vaise oubliée. (Finger-ed.) . . . . . . . . . -—--- Venezia e Napoli. No. 1, Gondollera. Instructive Edition by A. R. Pin‘- sons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -——Widmnug. (Dedication) R. Schu- mann. Transcr. (Fingered.).. . . . Liischhorll. A., 6 Easy Sonatinas (ﬁn . Op. 1'73, No. 1, e ; No.2, G, eacgn Op. 179, N0. 1, F; No._2, D . each . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Op. 180, No. 1,C;No. 2, Am., each, ——- Soldier‘s Song. (Fingered.) ...... . . LOW, J., March and Chorus from Wag» ner's “ Tannniiusnn. " (Fingered.) Mason, W.. Op. 21. S wing Flower. Im- promptu. New Ed . . . . . . . . . . . . .. -——- Of}. .23. 2 Humoresques do Bal: 0. 1. Polka-Caprice. (Eing.).... “ 2. Mazurka-Caprice, (Fing.£‘... -——Op. 24. Reverie poétique. ( in- gered Ed.) . . . . . . . . . . . . . . . . . . . . . . . . Mantel‘, IL, Charge of the Uluns. Ca- ):-ice militairc . . . . . . . . . . . . . . . . . . .. -—— alse élégrante . . . . . . . . . . . . . . . . . . . . Merkel, (2., Op. 25. In the lovclyMont'h of Ma y. (lmlwundersehdnen Monat Mair) Reverie . . . . . . . .. . Moor, Emam, Sciwrznso,B1r) .. Moscheles, 1. Op. 85. L:tGuil.. . do in-iii. (i«*ingel-ed.) .............. .. Mosskowski, M., Op. 7. No.2. Moment musical, . (Fingered.).......t0 -—— Op. 15, No. 5- Valse, Db. (Fingered.) ——- Op. 17, No. 2; Minuet, G. (Fiugn). . 2. Scherzlno. F. (I-‘ing.) ——-Op. 23, o. 1. Danse russe, Am. Arr. and ting. by A. R. Parsons. . . No.1. In Tempo di Mi- nuetto, E. Finzered.) . . . . . . . . . . .. ———— Op. 82, No. 2. tude, D. (Fingered.) , No. 3. Valsc do Concert, E. (Flngered.) . . . . . . . . . . . . . . . . . . . . . .. 1 Neu rt Edrn., Op. 57.2 Fantaslestiicke: Po 13,0. 1. Spring’s Approach . . . . . . . .. “ 2. Vulse-Caprice . . . . . . . . . . . . .. Nielnann, R., Murmuring Zephyrs, by Ad. Jensen. Transcr. (Fing.).. .. Paeher, J. A., La Danse dos Patincurs. (The Skaters’ Dance.) Fingered.. —-—- Le Ruisseau. The Brooklet.) Etude dc Salon. ( ingered.) . . . . . . . . . . .. Platt, Ch. E., Op. 1. 8 Pieces: No. 1. cradle Song, D1) . . . . . . . . . .. “ 2. Valso poétique, An . . . . . . . .. “ 3. Moment musical, G.. .. Prox, C., Sonatina, G . . . . . . . . . . . . . . . . . .. Ilaﬂ‘, J., O . 55, No. 12. Abends. (At Even nz.) Nocturne. (Finlrered.).. Valse-Etude, A5. 889- 8 same -oFPi:6c 3 ...................... .. 1 oo Op. 0%, ~ No. 1. Lolmnonls, Wing- Fantulsle b ‘ll . . . . .. 1 , No. 3. Tsnxniiusnu, Wag- ner. Fantalsic brill . . . . . . . . . .. .. -—— Op. 72. Suite, Em. Cornplete.. . .. 1 ——- T re same singly: No. 1. Prelude. . . No. 2. Mennci... 35 No. 4. R0- mance. . . No. 8. ’l‘occata.. 35 No. 5. Fugue ——- Op. 111. No. 1. Bolero, . (Flog) —-—-O . 111, No. 2. Valse- rice, C Flnfered.) -——- Op. 1 8. Valse favorite, Db. g'lug.). —-——Op. 121. Illustrations do ‘Anu- onun: No. 1. Bereeuse do Selica . . . . . . . . . “ 2. Septuor ﬁnal du Ilmc Acte. “ 3. La Graude Scene du Man- cenlllier . . . . . . . . . . . . . .. “ 4. Les . Romance nes . . . . . . . . . . . . . . . . .. —— Op. 180. 2 Etudes mélodiqncs. (Fin rod): . , ; No.2, A, eaell . 204, o. 8. Rigaudou. Reiueclre, C., Op. 39. La Chasso. (Jagu- stiick.) Improrisatn. (Fingercd). —» Op. 157, No. 3. Rigodou, D. (Ping) -——- Cilvatinc, C (easy, ling.) . . . . . . . . . . .. Rubinstein, Anl., Op. 10, No. 22. Kalnennoi Osl.l'0W. Porlruit, F8. -—— Op. 14. Le Ball. (Flngered): No. 2. Polonaise, El; “ 4. Vulse do Uoncort,Ai).. _. . “ 9. Gulop dc Concert, B . . . . . .. ~——0p.69, No.2. Nocturne, G. (Fin .) -———Op. 75, No. 2. Aubade. (Morn ng Scrcnadc.) (Fingered)... . . . . . .. Saint-Sac‘-Ens, C., Gavotte, du Beptuor. ranscr. par Dayas . . . . . . . . . . . . . . . . Soharwenka, Ph.,0p. 18, No.2. Mo- ment mu.-ical, Ab . . . . . . . . . . ..\.. ——-- Oﬁ. 41. 5 Charact. Pieces. (Flng.): o. 1. Albumlcuf, Fm . . . . . . . . . . .. “ 2. Mazurka, (1 . . . . .. “ 3. Notturno, Gm..... “ 4. Caprh-cietto, Din . “ 5. Melody, B Seharwenka, X., Op. 3, No. 1. Polish Dance, E3111. ('F“1Ilgered.)...' .... .. ——- Op. 43, No. l. inuct, C. (Flng.) ——- Op. 50, No. 2. Phantasiestiick, Gm. (Fingered.) . . . . . . . . . Schumann, Roi». Op. 2. Paplllons. ( ﬁngered.) . . . . . . . . . . . . . . . . . . . . . .. ~——— Abendmusik. (_'l‘wiilght Music.) (Flam-.red.) . . . . . . . . . . . . . . . . . . . . . .. —— rst Loss and Rustic Song. . . . . . . ..\........ gel-ed.) . . . . . . . . . . . . . ._ . . . . . . . . . . . . . ——- Knight Ru recht. (Flngcred.)..... —— Melody an Humming Song. (Fin- gered.) . —— O lovely Ma . (Fingcred) . . . . . . . . . -—— Scherzo, Eb, from Faschings- schwank. (Fingers . . . . . . . . . . . . . —-Soldiers’ March and A little Piece. (Fingercd? . . . . . . . . _ . . . . . . . . . . . . . . . ——Song of tie Rea ers and Harvest; Son . (Finger-e .) . . . . . . . . . . . . . .. --— Wild orseluau and Rustic Song. (Fingered.) . . . . . . . . . . . . . . . . . . . . . Schytte, I.., At Evening, G. (Fing.). .. seiss, 1., Op. 8, No. 1. Sonatina, D. (F ngered.) . . . . . . . . . . . . . . . . . . . . . .. —-- p. 9, o. . Intermezzo. (Flug.) —— Op. 9, No. 2. Even Song? (Fiuf). Sherwood, W. 11., Op. . so te. (Fingered): No. 1. Prelude, A... . . . . . . . . . . . .. “ 2. Idylle, A.. . . . . 5. Novclette . . . . . . . . . . .. .. ——0p. 6. 2Mazurkas. (F'ing.), eaeh.... No. 1, Cm. No-. , Arn. ——-Op..7. Scherzo, E. (Flngz). . . . . . .. —— Op. 8. Romanza appassionats, G. . . . ———— Op. 9. Scherzo-Caprice. (Fl Smith, Seymour, Dorothy. Old Dame. (Fiugered) . Smith, Wilson 61., 2 Dance-Caprices: o. 1. Impromptu alla Mazurka. . . . “ 2. L’Amour. Valse sentiment. Splndler F., Op. 36. Sehlumm’re siiss. (Slumber sweetly.) Serenade. . ——- Oﬁ. 43. 6 Tone Pictures. each. . . . . o. 1. Alpine Rose. No. 2. For- §(.‘«lrI11(‘r-not. No. 3. Bouquet of iolots. No. 4. Blooming Mead- ow. No. 5. Lily. No. (i. Fading F wet. lr.). . . . 1 English 5: U1 83.‘ 838‘? 3'88? §i%88 V Spindler,MF.:”(:‘li“4W1—io.H.2 ~'o thou sublime sweet Evening Star," from TANNIIXUSIR, Wagner. Transer. (Fhuzered) . . . . . . . . . . . . . . . . .. . . ~— Op. 349. Hedge Roses. (Hccken- roschen.) 3 Tone-Pictures, each. . . ———Field Flowers. 13 Easy Pieces, 2 Books. each . . . . . . . . . . . . . . , . . . .. ————- May Flowers. Maiblurnenﬁl Waltz. 35 Sternherg, C. Op. Dense anclulousc. 1 00 —-‘-Op.25. ’)’:llse-Reﬁt-Ilse . . . . . . . . . . .. 75 ——- Op. 26. Hnmorcsque . . . . . . . . . . . . .. ——-— Danse phrygienne, d’aprés Saint- Saiins . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Straltoseh, M., Confession of a young Girl. 'Idyl. (Firliigered. . . . . . . . . .. strelezlri, A., O 8. Conee . Comiete . . . . . . . .. . c; No. , ,6 ;No, ' N0. 4, II‘unl,75(:; No. ~—-— Arabes no, G isions. (’l‘raumeswirren.) Etude . . . . . . . . . . . . . . . . . . . . . . . . . . .. ——-~ 4 Polish Dances: No. 1, G ; N No. 4, Gm., —-——-Valse—Arubt-sque (dhlprés Waldlen- tel). Morceau de Concern. . . . . . . Tedesco, L, Op. 45, o. 3. Loreley. ’l‘ruuscr. (Flngered.)...' . . . . . Tedesco, W., In the Mill. Impromptu. Thalberg, 8., Op. . “Home! Sweet Home! ’ Air anglais with Var. New, lingered Ed 1 50 ——- The same. Simpliﬁed Ed. . . . . . 1 M) Thullon, 11., Gavotte cnianlinc, 95 Thomas, A. G-ivotie from M1osos,arr. by Bazille. (Flngered) Theme, F‘., Op. 26. Scaramouv.-llc. Scene do Ballet. (Fiugered) . . . . . . . . . . .. ——- Op. 43. Tarantella, Am. (Flnlrered.) -—— Op. 51. Budinage. (Plaxfnlness). -—- Arlequin et Cololnbine. lr do Bal- let. (Fingercd) . . . . . . . . . . . . . . . . ~—-—— Simple Aveu. (Simple Confession.) Romance sans Paroles. (Flng.). . . Tours, IL, An Bord d’un Ruisseau. (By the Brookside.) Finn:-rod . . . . Tscllo.ikow(slt_y, 1’. Op. 39, No. 8. Valse, . ||:Z'l‘l’L . . . . . . . . . . . . . . . . . . Vogrich, Max ~.--Sluccato-On rice, Wieuiawski, ., Knyawiak. Polish National Dance, arr. and ﬁngered. . 50 Gavotte liongroise . . . . . . 60 Wollenhaupt, H.A., Op. 22. 5 Mor- ‘ Wagner A’ eeaux carsct. en Forms d’Etudes 9‘-‘ingerad ._: each . . . . . . . . . . . . . . .. o. 1. AM; No. 2. F3m.: No. 8. Am.; No. 4. E; R0. 5. Em. STUDIES AND METHODS. (ronnlax irnmzurnve.) Bel-tint, 11., 50 Selected Studies, pro- gressively arranged and with Anno- tations by G. Buonamici. Ed. by J. H. Cornell. Complete.....uet, 3 -~--- The same in 4 Parts, each . . . .; .... . . 1 Chrisander, Nils, 323 Tl'('iInl('I1 Studies, as n preparatory Method for the Tsusio-Enuucn Daily Studies. Transl. by A. R. Parsons . . . . . . . . .. 2 ‘J0 Czerny Ch... Op. 139. 100 Short Studies hi rogressivc Order. New revised ans ﬁngered Ed. with modern Phrasing. 5Books, each . . . . . . .. . 1 00 —— Op. 740. Fiugerfertigkcit. (Finger Dexterity.) 50 Studies in brilliant Style. With Annotations by A. R. Parsons. BookI..... . . . . . . . . 150 Diirlng C. H.,O'n. 8 25Easyand ro . Studios. 3 Books, each . . . . l 00 Exercises in Scales. (‘herds and Ar- pegeios. com-u.sn in‘ run Amun- ICAN Common or Musxclans . .nel, Haherhier, E. 44 Daily Studies. Ed by A. 00 50 200 R. ursons. Book 1, $1.25; Book 2 l 50 -—— Preludes in all Major and Minor Keys. Ed. by A. R. Parsons . . . . .. 75 Kiihler, In, Op. 157. 12 Easy Studies. (Introductory to 0p. 50.) . . . . . . . . . . 1 Kulluk Ad., The Art of the Touch. A {Vork for the Use of advanced Players, and a Guide for Teaciiing. Translated by Mrs. J. P. Morgan. net, 2 'l‘h., Materials for elemcnniﬁ, Kullak 1' Translated by A. nstruction. Parson : Book I. Finger-Exercises in the Compass of a Fifth . . . . . . . . . . . . .. l 25 Book Ii. Exercises and Pieces. . .. 2 00 Book III. Little 4~hand t’iL'(;es in the most usual Minor Modes. (Supplement; to Book II.)...... . 1 50 Lecouppey, F., Op. 20 L’A,n;il'ié. 25 tudes rogressives dc Met-auisrne et de Legéreté. Revised Ed . . . . .. 2 50 Low, J., (l)r. 281. New. melodious and * bril . Octave Studies. Edited by J. H. Cornell . . . . . . . . . . . . . . . . . . 1 50 Neupert, E., 77 Exercises for practising the various Hand Movements and Modes of Touch . . . . . . . . . . . . . . . . .. 1 50 Parsons, A. 11., Modern Method of Scales : Part I. Preparatory Exercises. .. .. 35 Schmitt, Hans, Op. 15'. 55 Preludes and Exercises. Edited byA. R. Parsons. 2 Books, each . . . . . . . . . . . . . . . . . . . . 1 00 E. D., First Instruction Book. thorough Course for Teachers and Pupils. ‘Edited by J. H. Cor- nail. '2 Pm-ts, each . . . . . . . . . . .net, 1 50
Show less

Date: n.d.
Text: I !§§‘I .' '1 Words by \ .}_,ONGFELLOW, O ' ff ‘ \ ‘ Q"IIlW"""" ,,.. ';3I!!!'!FWW|W“1‘\“ " ' L m ‘.. uiﬂr H“: ’ ‘ r 4 NEW vom< BROOKS & DE_N'I‘ON, 57o suxn-1 AVE.- 39%! 51'. LON DON. FRANCIS, DAY 8: HUNTER I42 Charing Cross ROad,(Oxf'or-d $t.End.) ﬁ'es])ect_/Sully dedicated in Jlhxdnd ZlIrs.Edwa'rd ldutevrbac/z,1Vew York. TRUST HER NOT. ENCORE SONG. Music by Signor G.Tag1iapietra. Words by H.W...
Show moreI !§§‘I .' '1 Words by \ .}_,ONGFELLOW, O ' ff ‘ \ ‘ Q"IIlW"""" ,,.. ';3I!!!'!FWW|W“1‘\“ " ' L m ‘.. uiﬂr H“: ’ ‘ r 4 NEW vom< BROOKS & DE_N'I‘ON, 57o suxn-1 AVE.- 39%! 51'. LON DON. FRANCIS, DAY 8: HUNTER I42 Charing Cross ROad,(Oxf'or-d $t.End.) ﬁ'es])ect_/Sully dedicated in Jlhxdnd ZlIrs.Edwa'rd ldutevrbac/z,1Vew York. TRUST HER NOT. ENCORE SONG. Music by Signor G.Tag1iapietra. Words by H.W.L011gfe110W Allegro A little slower. I know 21 She has two And she has She gives a see, She can both brown, Care ! She gives a — hue, care! And what _ she fair, care! It’s a foolé care! Copyright MCM by E.J.l)enton. English Copyright secured Brooks & Dent0n,670 Sixth Ave.,New York. Slower. false and friend - 1y be, side I glance and looks down , says it is not true , cap for thee to wear, .a tempo K-1-? — ware! ......... -_ Trust her not, Trust her not, She is fooling thee, .... .. She’s fooling K /' Slower. ‘thee? -------------------------- -- 511678 f001-ing thee; .......................... -- Oh, trust her Trust her not .3 Trust her /_._ not, not , j — ware! __________________________ -_ She’s She is fool — ing f00l—i11g thee; ’ } thee ; 2”"-1---T {T % Be —ware! Ah , Trust Be- her F I.st.:2d.& 3d.Ver.se.s. not, Ah trust her She’s \. fool — ing ‘ Last time only. ‘Ah ' 7 not, trust her calla woe Trust her n0t.3 She’s fool .. ing thee! / STANDARD SONGS Bf STANDARD AUTHORS I Tllillli (If T1106 /nF_ Compass D _,F_ Pm-M 50¢ (When M0r11ingSpI‘ings.I 7: Moderate. I I K I I I\-I.I I I III - II: I. I KII ,. I\I ‘ K I II \ 'k~H—1”F%— *4-%*$*%*F#:F “I-r—""I‘—I-I—I’H I V I I ‘I’ T g’ C’ I I!’ '7 ’ I “"’ I .’ V I Y I § IV 4- I young‘.-. bird lifts her VVords by Geo. D. Prentice. Music by Signor G.Tag1iapietra. L I ”"‘ I I _ 1 think of thee ____ when. Iuo1-IIiIIg springs.-. l4'I-om sleep,with plu - — mage I)a’tIlI(I. AIJI dew, I And like a /I II I . L I I I I I L ’ I I I I L I L I LI, . I 9. I‘, M 4 ~.\ .~.__5_-II L I, I“; II I 3 +I++ l\Vj_ .I__e“; *I %' 1‘ ,_ , -'—-—O———I——L—-'—-——J-—'—-#——ﬁ—H —‘—IL'—-I-t9——A~4-§"—«O—-—'--I—6—~d—A— _ 0 (or I ' A. / I r , ?-’ I . . 9 . I . vI1I1gs...... ()1 gladness on .... .. the wel—kIn lIlIIe;__, And wheII,:It noon,___ the breath of love,.. ._0er Ilowraud stream _._ Is Walulrlug E"9”5I‘C°PYI'I9I'II Secured (‘upyI'ight MDCCCXCVII II_V' [lemon 2:‘ Seixas. I K I I I. Had I But Kuovm. In/p_ C0I)’paSs C_E. Sung by Emma Eznnes -Story. Moderate. I L I K 4 I I I I H I A ' I\ I _ v T I I long years I I 1 A '1: ’ I H I . IIe’er,nIy sweet,could 1 English Copyright secured so, ........ .. Not for the wealth of stars that (‘op31<iglItMDCC CX CV by Brooks It llenton (1). stud the PI-rsian S01 g,‘ . InAb.Compass 0-,/lb. P/r.50¢ Sung by Mme. Tavary. J01‘, e_ Moderate. Poem byF‘I.‘ank Dempster S‘hern1an. ByJosephine Homans. I) I T’ I ‘K I II I 1 II I I II A I .« . — I I I I I o I I H C ’ T ves, Who slII{z—est to ‘ ~ The par afo. . 1 ~ - - I I L\ I ' I’) I tI .. . I I II If gm-Ilen’s I‘ra- g1-auee where it Englishcopyright secured Who taught thy featherIi, slen- der throat This straIIg‘e,de—lI(-ious,liII1 — pld note‘? (‘op_yrigl1t MDCC CX CVII by l)eIItoII an Seixas. Why do I Love Thee ? .[n.EI4.C'0mpass E14. 6'. Pr.-50¢‘ qung by M1. Juli“: gteger P Moderato con moto. I ' - P 1 I I VVo‘I‘ds by Jas.C. Harvey. 4.; Music by Robert Heiser. .= 5 - - - II ’I’I I I I\ I\ g I’ III PII C’. I I I I I I I I I love thee‘) Ask tlIe flow’I- L ,, I - 1 - - I r I r. I- I I I I l I I I I’ I the light ofthe II101-I1—iIIg su1I,AII hj — That nods hy the W00d—Iillll'I s loves I I - I I] A . I I II I Ir 4 I ' 4' I./ Y ' H ' I ' E-I I-lo — ver I" ah’ ’ 5 . ‘I I . I 1: ' I I’ J ‘I I I kiss— es each gold— en heanl‘? Ask of the blush _ IIIIZ bloom, III the day, (‘opyright MDCCCXCVII by I’I.A.K9ISt‘I'. of the dawn — mg Matirigztl . Sung by Mme.TaVm.y_ Poem by Arthur Fietcham. In F. Compass AC‘-F. Pr.50€ _ By Josephine Homans. mf d0h.e_ Moilerato. \ L I I L I\ KI B I\ I J ' 41 II II II I v v .. .I ., 5 Gruw—iIIg so fair iII some gar — den fx ' ‘.71’ I II I I 4/ sweet- heart. _..___ 17e1)vI'11¢Q11‘n I " I I ‘L K I L I\ I II II UH J IX I II In J I V / I)’, I v Your g‘old— en heart you’d lay bare (‘opyrittht MDCCCX CVII hy llenton &SeIxas. Il.I I I\llI I I I I I woo you so soft—l_y, so ten-der-— ly, to me, Enghsh Copyright §ecured Aloha! In,C'. C'0mpassD_.E.P1'.50¢ Sung by Sig11or G.Tag1iapietra. Andgnlte espress. I\ Words by Lieut.Wm.E.P. French,U.S.A. Music by Margar et 'I‘ownsend. . I I I I K I\ II I I\\ A I ‘II 7 'LA/ I 7 vv, Ha — wai - ian L I K I A I v Ill the sweet la1I— guage, I I L I I I I\ L I A ' I\ I I I ‘I I V I \ I C I - I ' I J I Q ’ I . A ta — tion of dear frie1Ids,aI1d their a — dieu; English copyright secured ‘Joy of meet-Inst, grief of part-lug, Lov— ex-’s mes—sage ‘from Copyl-ight MDCC CX CV III hy nenton an Seixas. BROOKS 8: DENTON CO. 670 Sixth Ave.(39th.St.I N.Y. FRANCIS, DAY 8c HUNTER, 142 Charing Cross Road, London. And at all Music Stores. Ad.No.3.
Show less

Creator: Stanton, Elizabeth Cady, 1815-1902
Date: 1895-07-28
Text: Original in Alma Lutz Collection ﬂ Peterbaro Madisan Co New York July 28 Dear Mrs Send fifty cents to 35 Wall Street N.Y; European Publishing Company & they will send you a copy of the woman's Bible I have nine at hand. The retail price is fifty cents, if you take one or two dozen you get them for thirty cents. Thus in a large number you cbuld make a good profit. If you take a package of twenty~f1ve or over you get them for 25 cents apieceo Yours truly Elizabeth Cady Stanton

Descriptor(s): Taylor, Steven
Date: 2017-05-27

Creator: Stanton, Elizabeth Cady, 1815-1902
Date: n.d.
Text: fx ^ J ^ f ^ ' J 'V.' > r -! ' r' r " '^ -S <• - ^' V ^Yf > ^fy ' r r 1 i * ^^ if Si^SPlli ^^ '^ ^ ^' HIS J T '' i \ ,, ,, i^j k\ > ^ ^' ' ' / ' " ... ^ \ v"[^it v. . i:' -''' ''-^'i •• i '3 mm f asiiiKii rW^:' •M - J-'-; j v:ail$r '"IP' ^Iplllllllii; i i i i itp^s^/si i ^ ^ ^i ^ w ii l t, V % ^ ,., t, ' - * . It.',

Date: n.d.
Text: g/K55/L%\§\ , /’/:3/. «W A B La 0 M m 0 .0 M m /_ A m w Lu 0 M on W .0 M R. M H x U M m 0 cu H M c U ; w~»m. 5/rcas/zm AS 4 my 0//[US It/~ ll ' / \\“- XCELSIO R”. "_\ * \ \ ’ \ " V9 ‘ h ’ The shades of night were falling; fast, ‘N As through an Alpine village pass’d ’i ' A youth, who bore, ’mid snow and ice, A banner with the strange device‘, “Excelsior 1” His brow was sad: his eye beneath Flash’d like a faulchionv from its sheath; And like a Silver clarion rung The...
Show moreg/K55/L%\§\ , /’/:3/. «W A B La 0 M m 0 .0 M m /_ A m w Lu 0 M on W .0 M R. M H x U M m 0 cu H M c U ; w~»m. 5/rcas/zm AS 4 my 0//[US It/~ ll ' / \\“- XCELSIO R”. "_\ * \ \ ’ \ " V9 ‘ h ’ The shades of night were falling; fast, ‘N As through an Alpine village pass’d ’i ' A youth, who bore, ’mid snow and ice, A banner with the strange device‘, “Excelsior 1” His brow was sad: his eye beneath Flash’d like a faulchionv from its sheath; And like a Silver clarion rung The accents of that Im known tongue, “Excelsior '.” In happy homes he saw the light Of household fires gleam warm and bright: Above, the spectral glaciers shone, And from his lips escaped a groan , “ JXCQTSTC “Try not the pass l.” the old man said: “Dark lowers the tempest overhead, "The roaring torrent is deep and wide 1” And loud that clarion voice replied , “Excelsior!” “O! stay§’the maiden said,“an{l rest “Thy weary head upon this hrea.st!’»’ A tear stood inihis bright hlue eye, But still. he answer’id.,with a sigh, “Excelsior E” “Beware the pine-tre is withered branch‘. “Beware the awful avalanche !” This was the peasant’s last “Good Night” A voice replied,f'ar up the height, “Excelsior!” At break of day, as heavenward The pious monks of Saint Bernard Utterjd the oft-repeated ‘prayer, A voice cried through the startled air, “Excelsior 1” A traveller, by the faithful hound; Half—buried in the snow was found, Still grasping in his hand_of ice That banner with the strange device, “Excelsior 1” There, in the twilight cold and grey, Lifeless , but beautiful, he lay ; And from the sky, serene and far, \ Ages: fell, like a falling star, ‘ , “Excelsior!” /— e — ‘\;=.\ "" /“ ‘ ’\ \ ‘Ee...g- 1/ , T /,7”§§ \..\T::'% /v . 1 ’ "J 2 L ***“EXCELSILC»JR!” — Compcfsedfby JOHN BLOCKLEY. ‘ F1/'7';'tten by H.W. LONGFELLOW. A ./4.2v1).A.7v°T1.vo . g’‘‘‘\ /5 /921 nﬁj/9/9 /9/9 “I village pass~’d A youth who bore, ’mid snow and ice, ‘T r_\ /5 banner with the strange deVice,“EX _ _ CEL_» _ _s1 _’0R 1” calla race. mf \—/ ,/“x 31* I . . ‘ ,.7m.1wn_3 —EXceIs1r11~__ .Hzgher, John Blockley . brow was sad: his. eye béneath F1ash’d' like a faulchioné /9/9 sil _ _ ver cla _. _ rion rung ‘ The 9 accents of that unknown tongue , “Ex _ _ CEL_ _ _ _ s1 _ _ _OR 1’ mf ‘L2’ /\ Jim: 6 rall. , By the sanie Composer, V i . ' Jul. H‘; ,k‘-. - Excelsior‘. ‘Evange1.1ne”(ofounded on Longfellowis Po«em.)Pr 2/- ‘ °“ “’7 Cbn tenerezza. In happy homes he saw the light Of household gleam Warm and bright: % Above,t»he Sp€.CfI'E1I' glaciers dolenfc . fromohis lips escaped a groan, “Ex__ _-€E'E-._.__si ___oR!” V ‘if’ V, E*<‘e1‘s*iN'7r ' “Excelsior!” as a Duett by J.J.B1ock1eY Pf John B1 ckie _ . . I .- I 0, -7 Parlant-e. '99 “'I‘ry not the pass. the old man said: “Dark 1ow’rs the tempest mf...‘... ...... ;2.......... . ,' ' :."/ molto ores .... -_cen__,-;_do /\ /\ enerkgrico. A 0 _ _‘ _ _ _ verhead, The roar. _ing torrent is deep and wide 1” And 9" ad lib. 4‘ c1a__rion voice replied, “ Ex_-cEL___s1__oR 1” mf /’ /9/9‘ \‘_,/ Exwhior! 7’ I Johxi Blockley - Cantabile Z». molto Espresswo. sta_y;'” the maiden said, “and rest Thy Wea____ry head up- _on this breast!” A tear stood in his bright blue eye,» But \;_// \_// \\./ \_/ \_.»/ LJ rall:e dim. /3 still he ansWer’d , with a sigh,“EX - CEL __ s1 _ 011!” _ware the pine\—tree’s wither’d branch! Beware the aw._fu1 ah__Valanche!” ' V V V'\ Ex°v'e:1Smr‘ ‘ John Jockley. Dulce e poco piu lento , This was the peasant’s 1ast“Good Night3’A voice fep1ied,far up the height ,“Ex‘_ /9/9 G €n0rg1'C0-0 Larghetto 6 Relfgioso. At break of day, as _CEL_ _ _s1__' _0R !” /9/9 /9 QT %F\L \./ heavenward The pi;0U:<Vn.1o11ks of Saint Bernard Uttel-’d the 0ft—1'e_ V ,5‘ rs ad lib.’/-\\ m _peat_éd prayer, A Voice cried thro’ the startled air,“Ex_cEL_s1_oR!”A 0 A "if {J mf ’ mf rall John Block1‘r‘y . Excelsior‘ *“l; Pa rlante. 0 traV’__ler, by the faith__ful hound, Half — bilriedl ill /9/9 snow was found, Still grasp_ing in his hand of ice That mf banner with the strange (leVice,“Ex_ _CEL _ SI _ 012!” I/._..\ 1;, *3; The Alpine or Sl Bernardis‘ Dogs, so celebratetl for the services they render to mankind, are trained by the worthy nionkgs of the Hospice of Mount Si Bernard, for rescuing the unfortunate tra_ veller amid the glaciers and snow-driftsyof the mountains . They are sent out in pairs, one with a warm cloak fastened to his back, the other with a basket tied round his neck, containing some cordial and bread . If they find a traveller who has sunk in the snow, they will lie down beside him, until by their warmth they restore heat and energy, and thus frequently save his life . .. If he re- covers sufficiently to be able to walk,they conduct him to the convent and by loud barking give warning of their return; if the traveller be insensible, they hasten for succour and guide the monks to the spot .- ‘ Excelsior !. John Blockley. There, in the twilight cold and grey, Life____1ess,but beau_tj_ /, ‘Y QT 4 And from the sky, se___rene and far, tcnuto . lz'bitym . véice fell,‘ fall _ ing star, “Ex _ _ _ CEL - _ .81.. .OR '3’ ‘A A A calla voce. .. Worcndo . F5. 5 39 '9) _CEL _ _ _ .. S1- - -03! “Ex _ - - CEL -. - _ _ SI _ - OR . vtnqmllﬁd/U?_ /9/9 /W’ U /2/9 &_~__’(. Q - , ’4 r . Excelsior‘. London, Published fluihn Blockley, (:1gt1cester Street, Rt-guns la It ?§;7m%E1%g?Em Maggi A . /V;/'~ / .“1TllTFﬂ.[Eg- ' L':"'U'J*&Si|' LLu“V\lLEo N’. :1‘ v Tl-|f;;l1‘l5j*§~%%ifl“(i£_I3M_$WA.EL9W_._‘_.__. _ "o SWALLOw,SWAL§.,'JW 2§6 = . 21‘; 2 .TH E M(;TH‘ER.'S SONGIO H LD " swan AND Low...'.f._.. . 2 ,- 3 THE MEMORY OF THE PAST........ .........."TEARS,|DLE TEARS..T'E..,_T.,... 01/57 2?6 ' - ..so~o 1216 4 ma um. . 216 * .0057, 2I6 THE LAST APPEAL .. .. . . Agx MORE_."_ ........................... ...SONG ZIG THE WARRIORVVS RETURN . .. A . “ HOME THEY BRou<;HT._........._..... ...souo 226 pun... 216 T H E P A R EN T AS T H ROU ‘LAN (4 voucas ) ‘ 2 1 J.J.BLOCKLEY JAY) /ﬁe (x227/zadztéaizr, “MUSIC 0 N TH E W I N D " tﬂaapiw/zzrzaiz 0/' TEN NYSON'5 admzr/1//émz "T//E pass” or r/rs AMY. ‘; /7/.‘Zlﬂ ./WW A’d‘z'iZ'a/2 BLOCK LEY “ EXCELS I OR,"/betry LONGF-ELLOW. sozo Du£r.,3/ - " EVA N GEL! N E1‘/fézm/Zea’ an /.om;.=sL4ow.'s £76/£ﬁIz2ZrJl' fawn ./17*.
Show less

Creator: Vassar, Matthew, 1792-1868
Date: September 29, 1865
Text: VASSAR FEjMALE COLLEGE Poughkeepsie, N.Y., Sept* 29^ 1865 Messs Eastmans Gentlemen I am just in receipt of your nOffice Western Institution National Business College Circular11 inviting me to attend its opening on Tuesday next and in reply allow me to say that it would afford me the most gratifying pleasure to join you and your numerous friends on that interesting occasion if my health would possibly admit, but having been quite exhausted in the late exercises of the V. F* College I do not...
Show moreVASSAR FEjMALE COLLEGE Poughkeepsie, N.Y., Sept* 29^ 1865 Messs Eastmans Gentlemen I am just in receipt of your nOffice Western Institution National Business College Circular11 inviting me to attend its opening on Tuesday next and in reply allow me to say that it would afford me the most gratifying pleasure to join you and your numerous friends on that interesting occasion if my health would possibly admit, but having been quite exhausted in the late exercises of the V. F* College I do not find my strength adequate to meet with you, I can only therefore express my desire that God will sustain you in your noble efforts in elevating your Institution for the development of the youthfull mind in that City as in this--- Miss G*--------joins me in these wishes with her sincere regards &c I remain Gentlemen Yours truly &c. M* Vassar PresJ H« G* Eastman L,L#D. ) ) Profr— E. P. Eastman, Principal.) ^?38aVASSAR FEjMALE COLLEGE Poughkeepsie, N.Y., Sept 29th 1865 Messs Eastmans Gentlemen I am just in receipt of your nOffice Western Institution National Business College Circular11 inviting me to attend its opening on Tuesday next and in reply allow me to say that it would afford me the most gratifying pleasure to join you and your numerous friends on that interesting occasion if my health would possibly admit, but having been quite exhausted in the late exercises of the V. F* College I do not find my strength adequate to meet with you, I can only thereforeexpress my desire that God will sustain you in your noble efforts in elevating your Institution for the development of the youthfull mind in that City as in this--- Miss G*--------joins me in these wishes with her sincere regards &c I remain Gentlemen Yours truly &c. M* Vassar PresJ H« G* Eastman L.L.D. Profr— E. P. Eastman, Principal.
Show less

Creator: Stanton, Elizabeth Cady, 1815-1902
Date: 27-May
Text: i / @%L/ « %/ ,/// 3‘ W% L / ‘ / 1/ o /M / ,/ , » //I ( “‘7‘-~ lu’{ai§,r 27th Dear Mrs Darlington I have such pleasant meeories of my visit to you that I should indeed be glad to see you.in the leafy month of June but I do not see my way clear just new & hesitate topromise what I feer I shall be u — able to perform. Having tested your hospitality I feel assured you could make me comfortable. But my chief care is in leaving home as four of my sons are at home & I K, expect three more...
Show morei / @%L/ « %/ ,/// 3‘ W% L / ‘ / 1/ o /M / ,/ , » //I ( “‘7‘-~ lu’{ai§,r 27th Dear Mrs Darlington I have such pleasant meeories of my visit to you that I should indeed be glad to see you.in the leafy month of June but I do not see my way clear just new & hesitate topromise what I feer I shall be u — able to perform. Having tested your hospitality I feel assured you could make me comfortable. But my chief care is in leaving home as four of my sons are at home & I K, expect three more children from school the last of June. ll am looking over summer clothes, house cleaning & c, e c. an‘.- The W ardrotes of nine persons & £f the same is not a small circumstance & keeping the peace when together needs a governing power such as women onlyxMH%<$With kind regards e my best wishes that your meeting may be pleasant & profitable I Yours ever Elizabeth Cady Stanton
Show less

Creator: Stanton, Elizabeth Cady, 1815-1902
Date: 1898-03-23
Text: 17' 1», 5. , 7, / / K“ - .. i v’ ' I ’( .1} 1 i " " J / 1 M Copy of original in Alma Lutz Collection 2” River St. Boston. 26 %@st~ 613$ ﬁt. ﬂew York Déar Ere. Ellaworth I send you a few ncticea of “Eighty Years anﬁ §ore?§ to give to your friends in the Hotel, or to slip into letter to neighbors in your summer heme, anﬁ thus oblige Yaurs sincerely Eligabeth Gady Stantmn (Only the signature is in the handwriting of ﬁrs. Staaton)

Date: n.d.
Text: 15$ ,, N‘? I, THE PAST AND PRESENT.,.2/. _N‘?2, THE SILENT LAND._._......... 2/. 3, THE CASTLE BY THE SEA. 2/. 4, FOOTSTEPS or ANGELS...'2/. 5, FLOWERS. ........................................ ,2/. 6, TWO LOCKS or HAIR .......... __2/. 7, THE FERRY. ................................ ..2/. 8, SPRING TIM 2/. 9, THE FROZEN WRECK_,_._.__......2/. Io, oun LIVES ARE RlVERS..2/. II, A PSALM or LIFE ., I2, CHILDREN ................................ ..2/. I3, RESIGNATION... ,.._.._,2/ca- I4-,...
Show more15$ ,, N‘? I, THE PAST AND PRESENT.,.2/. _N‘?2, THE SILENT LAND._._......... 2/. 3, THE CASTLE BY THE SEA. 2/. 4, FOOTSTEPS or ANGELS...'2/. 5, FLOWERS. ........................................ ,2/. 6, TWO LOCKS or HAIR .......... __2/. 7, THE FERRY. ................................ ..2/. 8, SPRING TIM 2/. 9, THE FROZEN WRECK_,_._.__......2/. Io, oun LIVES ARE RlVERS..2/. II, A PSALM or LIFE ., I2, CHILDREN ................................ ..2/. I3, RESIGNATION... ,.._.._,2/ca- I4-, SILENT RIVE .2/. I5, MY LOST YOUTH . 2/6. I6, DAYBREAK._...,....._..._.,.._.,......_.2/6. I7, THE TWO ANGELS.._.._.._._... ....2/6. I8, HYMN TO THE NIGHT .,._..2/6- I9, THE GOLDEN MlLESTONE.,...2/6.J 20, ,»‘t‘7'1“«‘fI5ﬂ*%~m I; ‘ I 9:’ ¥ \ W >3'\ I //7 ,r§:, 5);; / 3%, T I E, / , % I Z//1l;.."!zI.,//('7?/. R \/cI/ ..,__ ,, L@w@©H, , LEADER 8: COCK, 63, NEW BOND STREET, CORNER OF BROOK STREET. (7 . MUSIC LIBRARY ; ‘ VASSAR co EGE “‘B[§ﬂ.®\VEDmﬂ@ﬂ]iT2”” HYMNQ To THE NIGHT. POETRY BY ‘ V _' I Muslc BY H. W. LONGFELLOW. _ V F.‘ ROMER. ALLEGRETTO cow ESPRESSIONE. voice. heard the traillng garments of ...... .. the night‘ _ Sweep 'thro’ her ma:r___l)le L_./ I saw.~..... her sable skirts ‘all fring’d ‘with light L & C. 3052. From the celes _ - tial walls! /°/59 "L" Beloved night ............ ..! Beloved e~ felt hef pre_ sence by its spell W x../ o'er me from L & C. 3052. ma _ jes _ tic pre_ sence of E of the one . J love. r=rJF\~_g=,./Z/»»’;'%:-.--—-—=—-> heard V - sounds of sor-rowk and be- light, 1 L ma . _ _ _ _ _ _ _ __ ni _ , soft chimes, L & C. 3052. fill the haunted chambers of the; night some old po ____ _-et’s n-ight ................. .! ‘beloved night! ‘fzi-_--J-..o,.&;Z.‘.g;;..V...ﬁ...‘ I’ L & C. 3052. ,\ From the cool cisterns of the mid___night air....d.... My spi___ _ _rit drank .... .. re- foI_1i1 _vtai11 of perpetual peace flows there,—:— From dolce. those deep cis_ terns flows ................ .., From‘ those....‘. deep cis___-_terns Beloved night! Beloved night; ........ L & C. 3052. _____ v_,__.,.——-—-——-- T - cantabﬁc: """"‘“‘ ho _ _ _ . _ _ . -_ ly Nighf! from thee I learn to bear V L layest “ thy fin_ger on the they complain no ‘more. . . ~ Peace! peace! Orestes—1ike I A L & C. 3052. breathe r! .De - scend br0ad—winged flight, Xx OM98. ,.,\ cres. __—__{___ Oh, ‘ night ................ ..! begloved night! } FA * 3 night .................. ..! be_1ov_ ed‘ nightl. fi\ ,3’? morendo. ,3 \_Z/ w _ L & C. 3052. _ LONDON: Printed by LEADER & COCK 63 New Bmtd Street. "V LIST OF NEW SONGS. A LOVING HEART . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Land . . . . . . . . . . . . . . . . .. 2 6 THERE SAT UPON A LINDEN TREE . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . 2 0 SING, PRETTY STREAMLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . 2 0 OUR EARLY DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. G. B. Allen . . . . . . . . . . . . 2 0 DEAR OLD ENGLAND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jlfrs. Gilbert (2 Beckett . . . . 2 0 SONG OF FORTUNE. . . . . . . . . . . . . . . . . . . . . . .IDYLLs 01?‘ THE KING. .Jo/zn Barnett . . . . . . . . . . .. 2 0 VIVIEN’S SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DITTO . . . . . . . .Jolz-n Barnett . . . . . . . . . . . . 2 0 LOVE AND DEATH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI’I‘T0 . . . . . . . .John Barnett . . . . . . . . . . .. 2 0 WITH THE CAROL IN THE TREE . . . . . . . . . . . .M.nz QUEEN . . . . .. W. S. Bennett . . . . . . . . . . 2 0 O MEADOW CLAD IN EARLY GREEN (in D 8c F) . .DI'1‘T0 . . . . . . . . IV. S. Bennett . . . . . . . . . . 2 0 ’TIS JOLLY TO HUNT . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI’l‘T0 . . . . . . .. W. S. Bennett . . . . . . . . . . 2 0 STILL LET ME SING TO THEE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sterlcel . . . . . . . . . . . . . . . . 2 0 LOVE AND FEAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mzlss Smith . . . . . . . . . . . . 2 0 BLOW, BUGLE, BLOVV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lord 0’/zarles Tlzynne . . . . 2 0 MY FRIENDLY HARP! . . . . . . . . . . . . . . . . . . . . . . . . . . . .> . . . . . . . . . . . .Franl: Romer . . . . . . . . . . 2 6 THE ORPHAN’S PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jlltss Dolby . . . . . . . . . . . . 2 0 SLEEPEST THOU? WAKEST THOU P MAIDEN MINE . . . . . . . . . . W. V. Wallace . . . . . . . . . . 2 6 SWEET ROSEBUD OF GLENARRA . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ltnley . . . . . . . . . . . . . . . . . . 2 0 AS I SAT BENEATH A WILLOW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Franlc Romer . . . . . . . . . . . . 2 0 THE JOY OF FRIENDSHIP . . . . . . . . . . . . . . . . . . . .‘ . . . . . . . . . . . . . . . .BeetIzoven . . . . . . . . . . . . . . 2 '0 SOLITUDE. . . . . ............................................... . .Rosa Lg/ne ............ .. 1 6 WHEN BRIGHTEST HOPES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .H. Condron . . . . . . . ., . . . . 2 0 I TRUSTED TO A FAITHFUL HEART . . . . . . . . . . . . . . . . . . . . . . . . . .A. M. Wyatt . . . . . . . . . . . . 2 0 ’MID THE WILD—WOOD’S LEAFY BRANCHES . . . . . . . . . . . . . . . . . ..Menclel.9soltn . . . . . . . . . . . . 1 0 THE SPIRIT’S SONG (transposed edition in D minor) . . . . . . . . . . . . . . . .Haydn . . . . . . . . . . . . . . . . 1 0 WHEN DAY IS BRIGHT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Hatt0n . . . . . . . . . . . . . . . . 2 6 AWAY TO THE FAIRIES’ VVELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Land . . . . . . . . . . . . . . . . . . 2 6 WEEP NO MORE! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Miss Smith . . . . . . . . . . . . 2 0 WE VVERE PLAYMATES IN CHILDHOOD. .‘VILIJAM AND SUSAN. . Tully . . . . . . . . . . . . . . . . . . 2 0 THE BOATMEN’S SONG (and Chorus ad. lib.) . . . . . . . .DITTO . . . . . . . . Tally . . . . . . . . . . . . . . . . . . 2 0 I LOVE MY LOVE IN THE MORNING . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . 2 0 THE YOUNG MOSS ROSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Barnett . . . . . . . . . . .. 2 6 THE ANGEL OF PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .111. W. Balfe . . . . . . . . . . . . 2 0 ZEPHYRS OF THE GOLDEN MORNING . . . . . . . . . . . . . . . . . . . . . . . .AI2t . . . . . . . . . . . . . . . . . . . . 2 0 A BEAM OF SUNSHINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. V. Wallace . . . . . . . . .. 3 O POOR LITTLE BIRD, THY SWEET NOTES HAVE BEEN RINGIN G Mrs. Wilson . . . . . . . . . . . . 2 0 I MURMUR NOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Benedz'ct . . . . . . . . . . . . . . . . 2 6 LONE STAR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. V. Wallace . . . . . . . . . . 2 6 DAWN GENTLE FLOWER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. S’. Bennett . . . . . . . . . . 2 0 COME NINA, COME I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C-l2'u_qlin2' . . . . . . . . . . . . . . . . 2 6 KATIFIS LETTER (in E & G) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lady Duﬁerin . . . . . . . . . . 2 6 THREE FISHERS (THE) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Laltee . . . . . . . . . . . . . . . . . . 2 6 I BEHELD A FLOWER BLOOMING . . . . . . . . . . . . . . . . . . . . . . . . . . . .H. Smart . . . . . . . . . . . . . . 2 0 OLD HOUSE BY THE LINDENS STOOD . . . . . . . . . . . . . . . . . . . . . .James Bennett . . . . . . . . . . 2 0 THOUGHTS OF THEE............. . . . . . . . . . . . . . . . . . . . . . . . . . . . ..FranzKeizer...... . . . . .. 2 0 MERRILY, MERRILY OVER THE SEA . . . . . . . . . . . . . . . . . . . . . . . . . . W. V. Wallace . . . . . . . . . . 2 6 COME INTO THE GARDEN, MAUD . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jolm Barnett . . . . . . . . . . . . 2 6 THEREISANAMEINEVERBREATHE . . . . . . . . . . . . . . ._.........1l[.W.Ba%............ 2 0 IKNOWWHO!...... . . . . . . . . . . . . ..... . . . . . . . . . . . . . . . . . . . ......Mrs.G'room.......... . 2 0 SING,MAIDEN, SING. . . . . . . . . . . . . . . ... . . . . ........ . . . . . . . . . . ..W.S.Bennett.......... 2 0 In 0 N D 0 N’ I LEADER AND COCK, 63, New Born) Srnzzr, coxmmz or Bnoox Srzuwr. _. ‘.2 .
Show less

Date: n.d.
Text: Music LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new You e/«Q1117: of turn1vnnIlun5:a<» Im:Consvrrahnt ‘ ‘A V ’{ 1” 1 ‘I ‘ V’ 4MVucc» v . H.W.|.0NGFE|.LOW ESQ. ~«.~ub , - Miss M . LINDSAY. 4%-—~v " % ozmcmco 10 HERSISIER, 5:5: 3/ , j 50040 6? 0° 25:/’0tm:44;?. §mé@7'm.§»¥”¢f:%0 STREEII £0/V00/V~ W- - ‘ed-’3’2ﬁ‘ §§%&33*~‘U El £33» :,,:‘2NiL‘.>«si‘;9-L WI) ﬁj‘ HYMN or THE MDRAVIAN NUNS or BETHLEHEM. (U.S.) AT THE CONSEQZRATION OF PULASKI’S BANNER. (DUET FOR SOPRANO AND coN'rR...
Show moreMusic LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new You e/«Q1117: of turn1vnnIlun5:a<» Im:Consvrrahnt ‘ ‘A V ’{ 1” 1 ‘I ‘ V’ 4MVucc» v . H.W.|.0NGFE|.LOW ESQ. ~«.~ub , - Miss M . LINDSAY. 4%-—~v " % ozmcmco 10 HERSISIER, 5:5: 3/ , j 50040 6? 0° 25:/’0tm:44;?. §mé@7'm.§»¥”¢f:%0 STREEII £0/V00/V~ W- - ‘ed-’3’2ﬁ‘ §§%&33*~‘U El £33» :,,:‘2NiL‘.>«si‘;9-L WI) ﬁj‘ HYMN or THE MDRAVIAN NUNS or BETHLEHEM. (U.S.) AT THE CONSEQZRATION OF PULASKI’S BANNER. (DUET FOR SOPRANO AND coN'rR’AL'ro.) twoaos BY H.W. LONCFELLOW.EsQ. ‘MUSIC BY MISS M.LlNDSAY. 1VtIaest0s0. I When the dy_i11g flame of '_Throughthe chan_cel shot \ mf Far the glinlnfringtapers shed Faint light on the cowled L \_/ _ he/ad; . And the cen_- _ _ ser burn - ,. ing swung, VVhert*, be _ /3g___j L’) .H>;znu:_of4'J.u7- IVIO:-;«u.i'/n1 Nun“ pm,“ Mi“ BL LIXDSAY (}()PTRI(‘;H_'[‘. the Altar, hang The b1o0d—redbanner,T’he b1o0d—redbam1er,The. b1o0d.—red banner,that with pray’r. . _. . .Hadbeen c0n-se-cra_ted_ there. /9/° _ And the nuns’Asux€et hymn was heard the while, Sung low in the dim, u1yste_rious aisle /°/° HN'”‘ °f1ht' VIo1"aviau NTUHQ ‘ ‘ ‘ ~ - - Duet. 3115:: NI LIVDS -KY G 0 « V - e . ~ ~ & C._550. ?na m®ma’nvmm. thy banner! h it wave, ‘ Pr0ud-ly o’er the thy banner! Pr0IId_1y o’er the good and brave; the bat - - t1e’s dis - _ tant wail, good and brave; the bat _ _ t1e’s dis - - tant wail, Breaks the sab_-bath of our vale, VWhen the cla-_r1'm1’s Breaks the sab-- bath of our vale, When the cla _ _.ri0n’s /"/° H3“'“‘ Of U18 1V1qravim1 Nuns. Duet. Mi.» M. LINDSAY. G "' C? 550. mu_sic thrills To the hearts of mu_sic thrills. To the hearts of ‘the spear in con--flict shakes, And the spear in con__flic-t shakes, And shiv ’_ _ _ _ _ ring ' breaks. breaks . shiv ’_ _ - _ _ ring Hymn 0f UH‘ Moravian Nuns. Duet. Miss- M.‘LINDSAY G s’ C9 550' these lone [hills , these lone hills , the strong lance the strong lance Take thy banner! but, when night, Clo_vses round the Take thy banner! but, when night, Cl0_ses round the ghast _ ly fight, > ‘ the van _ quish’d ‘ war- - rior bow, ghast _ ly fight , ho-_1y VOW, By our pray’rs h0-..tly vow, By our pray’rs and» 0 Tu; H5’Fl1~Il=0f the Moravian Nuns Du:-t Mix .‘ -. - _. 5: M. LINDSAY. (, X, (.3 55 2 , , O. ma _ - -_ny tears , mer - _ - oy that endears , ma _ _ - ny tears , mer- - _ cy endears, V Spare ‘him! / hath s112u"d! Spare him as thou‘ Spare. . hath sl12u"d! Spam‘ him as tlmu wo u1d’st _W(H’[1d’St ‘Hymn ‘of “W Mdraviaxl Vans. Duet Miss M L1V])SAY Take thy banner! and if e’er, Take ,thy banner! and if e’er,' s01_dier’s bier, And the muffled s0Ldier’s bier, A nd the mufflwd T0 the tread of mournful feet, T0 the tread of mournful feget, Ymn of the Moymrraxn Nuns. Dm-1.. N115.» Ms LINDSAY. Thou sh0uld’st press the should’st press the drum should 1) eat , drum sho uld b e at , G 4» C9 550. rt tempo Then.. . . this flag. . . . .~ . . . Then this crimson flag shall be, Then.... this flag‘, . . . . . . Then this crimson flag shall he, / 3Iar_tia1 cloak and shroud for Mar_ti.a1 cloak and shroud for The warrior took that banner proud, And it ’was his mar_tial cloak and ‘S7H”0l’'1! ’' . .9 G 8/'C‘.’550. A "emf Alleyro vivace. SUCCESSE UL NEW SONGS. Words by Music by ALFRED H. I-IYATT. GILBERT LOEWE. TILL DAWN. No. 1 in D ﬂat. No. 2 in E ﬂat. MI: 33:: No. 3 in F. —'——-9- (0ri¢im1KBY) M Compass. ——o——- :—iD— No. 4 in G. —_—:_p: ___Il ‘C- Amlants non troppo. , M 4Q P4; L__ 1| IV I I; I‘ 5 I‘ l\l I I‘ u I l'\l:l l‘ §v_~",,,:.:;:&g_,tu;i;—_a—4 _ _ :;;—_—a:,_L.—.;j- _ A V 7 I , -r w- Light in the tired west lin - gets, Shad-ows soft - ly fall,... Touching with ro- sy ﬁn - gers, Earth, sea, and Light in the tired west lingers, Shadows s tly fall, Touching with rosy ﬁngers Earth, sea, and all. Ends with the falling shadow! Grief: of the day; Soft o’er the dewy meadows ease comes to stay. Compass. Compass. compass, _—_£"‘ ..._'-__. pow mu. ares. M _ I - I I I LI;I%l—‘ _ 4. _ . 7- - ul 0.- All the day's toiling, striving, Tears and regret, Night comes with peace arriving- In sleep forg . So in God’s care I leave you Till dawns the light, . Eenceforth no sorrow grieve you, Dear love, good-night! Copyright, MCMYL, by GOULD & co. AUTUMN GOLD. No. 2 in F ‘_.__ 7}L_ ___J__.__._ Words and Millie by GERALD LANE. No. 8 in G .__._.E Compass. T :33, 1 and E 1:13). .:_‘_T_‘.'3i ' ' ff: ﬂglll E] Z Compass. '6‘ mp Andante mm troppa. Compass. I 1 l\ I K . I I I I‘\r 1% ' is . l\| - ll .1 I I\ l\ min: I\.rI—I-I I-- nrﬁwIwﬁ\.Iy.- §%—P~I—-4—-—i—d——a—J.i‘—.—i—e—.e=+4—44—+~+—P~—-:r—L—-—n—»w—- I1 .9. _ V ' \_/ -J— ' T ‘/ When Au-tumn spreads her path with leaves of gold,... When through the land sweet summertime grow: old....... When Autumn spreads her path with leaves of gold, A world of tears that beat upon life’: shore, VVhen through the land sweet summer-time grow: old, A dream that war, a. dream thlt is no moral What harvest shall we gather, you and I, N ow we, dear heart, have said our last good-bye? A ‘. § IF: F Yet ’inid the silence of the waning year One charmed echo still we seem to hear: " The Sfring comes back, and joy forget: the pain, For Go is good, and Love is not in vain l" Oopyrllht. MGMYL. II! GOULD I C0. The haunting inem’ry of one radian: hour, The ling’ring fragrance of one little ﬂow’r, Music by VALENTINE HEMERY. THE FIRST SPRING DAY. __i_ CLIFTON BINGI-IAM. No. 1 in E ﬂat. Compass . . . l I . 777 DIE J ' _ . 4+0 .1‘ . R . I .1 741 II I I III I _ 51 I V 7 . Hark, there's a new voice call-ing, And a new light in the sky, Rain on th sweet earth falling Bids winter grey good- —, s -1 j r. J_] A. : , L1, Elrl See how the darling rirnrose Looks up from its eizfy how’t, Blue-hells are waking gaily To the kiss of sun and show’rl Boon cuckoo will foretell us The coming of sweet May, For all the world is waking To greet the that spring day! Good-bye to you, grey Winter Too long has been your reign, ‘Tie glnd and good to welcome The step of Spring again. . So come, sweethe . , gree it, For skies are bright above, _ Our hearts, like the world, are waking To life, And light, and love! Hark. there’: a. new voice calling, And II. new light in the sky, Rain on the sweet earth falling Bid: winter grey good-bye. There's 3 song through the green wood A that's blithe and gay [ringing, though the world were singing, ' To greet the first spring day! copyright, MCMYL, by GOULD I 60. Words by HELEN TAYLOR. Music by WILFRID SANDERSON. 1 ___pk ‘;-l:I—_—_ ii‘: A SUMMER GREETING. I No. 1 in A ﬂat. __.?.J3_ Compass. No.3 in B ﬂat. (Original Key) Compass. _A _]:1lleyr:tto oon brio. I K 1‘ k pow rit. -0.: ‘ The sum-mer’s on her way, love, I see her her-a.1ds sweet, The blos-som on the up-pleztrees, The (iii-sies at my The summer’: on her way, love, I see her heralds sweet, The blossom on the apple trees, The daisies at my feet. The birds will sing the whole day long _ The birds are always gay. How can I hear to hear their song, If you are still away? 0 will you not COIIIO back, love, on roses come again, Red roses in the garden, love, Wild roses in the lane. I cannot work, I cannot weep, I know not how to pray, How can I live the summer through, If you are still away? Copyright, MCMYL, by GOULD & CO. The summer’: on her way, love, Good-bye to grief and pain, And welcome sing and love and joy, When you return again. NEW VOCAL DUETS :— “AWAKE,” by H. G. Pélissier,"No. 1, for Sop. and Con. or Sop. and Bar. “AWAKE,” ,, No. 2, for Tenor and Baritone. “FAREWELL T0 SUMMER,” by Noel Johnson, for Sop. and Con. or Sop. and Bar. “FOR ALL ETERNITY,” by Angelo Mascheroni, for Sop. and Con. or Sop. and Bar. “LIFE’S THANKSGIVING,” by Valentine Hemery, for Sop. and Con. or Sop. and Bar. “BIRTHDAY MORN, THE” by Landon Ronald, No. 1. in Dl,, for Mezzo-Sop. and Con. “BIRTHDAY MOON, THE ” No. 2, in Eb, for Sop. and Con. “TILL DAWN,” by Gilbert Loewe, for “Sop. and Con. or Sop. and Bar. STANDARD SONGS Com as 93 Lolivezt sum; BY Key only. All the While Keys D, Eb, F, and G. By Lovell Kiny. Awake l Keys Eb. F, and G. By E. G. Pélissier. Birthday Mom, The Keys 0 and Eb. By Landon Ronald. By Special Request Keys Eb and F. By Angelo Mascheroni. Dreamland Voices Keys Eb, Fand G. By Anyelo Maxclzeroni. Fairest Flower,The Keys Eb, F, and G_ K By Fred W. Sparrow. Fairyland Keys Eb, F and G. By Gerald Lane. Farewellto Summer Keys A, Bb and C & D. By Noel Johnson. F Flower Songs (lllustrated.) By Florence Hours and J. L. Roeclcel N 0. 1. Mignonette ... ,, 2. Poppies ,. 3. Pansies ,, 4. Primroses Crocuses ,, 5. . For all Eternity Keys Bi). 0, D mdEb By Angelo Masclzerom‘. Gift of Peace G, Bb and C. ‘ By 0. H. Foyy. I had a Flower Keys Bb, Db and Eb. By Lawrence Kellie. Irish Slumber Song, Keys Eb, F and G. By Ernest Newton. ass ff? Ifl L-ife’s Thanksgiving Keys D, Eb, F and G. By Valentine 1-Iemery. Night Sea’s Lullaby Keys Eb, F and G.‘ By Valentine Hemery. 0 Fair Dove, 0 Fond Dove . Keys F and Ab. By A. Scott Gatty. Patti Waltz Song Keys Bb and D. By J. N. Patttsan. Prayer for You, A Keys C and Eb. By Fred W. Sparrow. Restful Shadows Keys Eb, F and G. By H. G. Pélissier. Tatters Keys D, Eb, E and F. By Gerald Lane. Thy Voice is near Keys G and A. By W. T. Wrighton. Vales of Arklow Keys Ab, Bb and C. By Leslie Stuart. When Roses Bloom Keys 0 and Eb. By G. H. Pélissier. . Miss Elsie Purvis : .. Mdme.MeredythElliott Miss Ethel Bevans &c. Mr. C. Copland B to Miss Edith Serpell . b E, &c. Mdme. Melba . Mdme. Amy Sherwin Mr. Joseph O’Mara. Mr. Hii-wen Jones &c. Mr. Egbert Roberts Mr. Ad. Fowler &c. Miss Mary Desmond Miss Edith Serpell Miss Lilian Turnbull... &c. Mr. William Green Mr. Herbert Grover Miss Maggie Purvis MissVio1et Ludlow Miss Bertha Salter &c. Miss Emily Foxcroft... Miss Maggie Purvis Miss Minnie Chamber- lain . . &c. Miss Violet Ludlow Miss Perceval Allen Miss Grainger Kerr Mr. Wm. Forington &c. Miss Florence Croft Miss Annie Wilson Miss Lilian Turnbull... Miss Edith Serpell Miss Hettie Hills U:>I>l>UU 888388’ ‘#06666 Miss Jennie Atkinson . &c. Mdme. Adeline Patti P 3 6 Miss Perceval Allen Mlle. Marie Vagnolini Mdme. Sadier Fogg Mr. Barry Lindon site. Mr. Lawrence Kellie... Mr. Robert Radford Miss Maggie Purvis Mdme. Ruth Lamb Mdme. Guilia Ravogli Mdme. Kirkby Lunn.. Mdme. Sobrino Mdme. Emily Squire... Mdme. Marian Mo Kenzie Mdme. Maggie Purvis Mdme. Hortense Paulsen. ‘Miss Mabel Bi-nine Mdme. Marian Mc _ Kenzie Mn. Helen Trust Mdme. Adelina Patti Miss Maggie Stirling... Mr. Chas. Copland Mdme. Sadler Fogg Mr. Ben Johnson 8212. Miss Maggie Purvls Miss Edith Serpell Miss Me? Desmond c. Mdme. Belle Cole Miss Perceval Allen Miss Maggie Purvis ... Miss Florence Bulleid Mr. Bingley Show Mrs. Chas. Copland Miss Edith Serpell . Mlle. Ghita. Corri ..._ GOULD & 00., 25, Poland Street, London, W. A'to1)i_"'
Show less

Libraries

Today's hours:

Vassar College Digital Library

Search results

Pages

Pages