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Date: 1911
Text: ms Nu \/ (No héy paj aros en los nidos de antaﬁo S P A N I S H P R O V E RB ; ‘ A /Q J BEE T 9 :: e — % V”“”/f. = A :: V The Poem by ' 7 H .w. LONEFELLOW The Music by Simmm THDMSQNJ Price 6 0ce12Z3 THEWILLIAM MAXWELL MUSIC C9 (Founded1;y.JuuA~£owAA>os) ‘ 96 FIFTH AVENUE N EW YORK. Am /ANS MAM It Is Not Always May PART SONG FOR TWO EQUAL VOICES The words by V ' The music by H.W. LONGFELLOW SYDNEY THOMSON Allegretto grazioso (J ; 100) é A . /*\ pocok 3 male . . . 2 00% ‘gel The sun...
Show morems Nu \/ (No héy paj aros en los nidos de antaﬁo S P A N I S H P R O V E RB ; ‘ A /Q J BEE T 9 :: e — % V”“”/f. = A :: V The Poem by ' 7 H .w. LONEFELLOW The Music by Simmm THDMSQNJ Price 6 0ce12Z3 THEWILLIAM MAXWELL MUSIC C9 (Founded1;y.JuuA~£owAA>os) ‘ 96 FIFTH AVENUE N EW YORK. Am /ANS MAM It Is Not Always May PART SONG FOR TWO EQUAL VOICES The words by V ' The music by H.W. LONGFELLOW SYDNEY THOMSON Allegretto grazioso (J ; 100) é A . /*\ pocok 3 male . . . 2 00% ‘gel The sun is bright, the air is 6‘7’6S6‘L @000 d ﬂ0C’0 dart - ing swallows soar_ and sing, ,9 im 2'! e And from the state- elms I hear The _.. blue birds prophe-sy - ing_ AZsi0vpu5Zz's/zed as a song Copyright MCMXI by The William Maxwell Music Co. I¢zternatz'0mzl Uopgreg/L! secured -995-7 f dam. poco apoco blue yon wind - ing riv -er f1ows,__ d2'm.]9oco a 17000 seems an out - let rom the sky, Where‘, “wait-ing till the west-wind blows, The _ freightedclouds at an - chor lie, Where, wait-ing till the west wind bms/, The 77319 cresc; freigh clouds at an - chor lie. _z__ /x_ a tempo }_ pocozfj W All things are new; the buds,the .s-z'm 2'19 ) A11_.things are_ new- the buds, the 1eaves,And e’en the /T 1eEei/_ That gild the e1mtree’s nod ‘L ding - neath the eaves;There birds in And e’en the nests be-neath the eaves; ________ are no birds in last year’s last year’s nest! All things____.._ - joice in things joice in youth_ and love,.___ 1’ youth,_.____ youthand love! And learn from e soft _Tf—==- 1? ul-ness of their firs de - light! ‘ And learn from the soft heaV’ns a - 0 07680. heav’ns a-bove The ‘melt - ing ten - der - ness of night,‘ cresc. 073' The melt—ing en-der-ness of night, pace cresc. melt - .ing ten \_/ learn from the soft heav’ns a __ boxﬁi night. /T‘ f aotemltvo .Maiden,that readst this SiII1—p1€ rhyme, (z 2‘ 771 - der - ness of 7,Z'l«. L- me1t—ing ten—der-ness of K5 En — joy thy y0uth,itwi1l not Maid—en,that readst this Simple rhyme,__ En - sz'm z'Ze / 1) cresc. 112000 a 19000 /La‘ T-' stay; { joy thy youth, it will not 0! prime, Youth, __ dim poco a joy Spring of Love _._; it is not al - ways V En— joy the rag of thy prime, stay; En -joy the frag ce of thy a’z'm.p0co a poco May! En — joy Springof Love_ and '0! it is not al - Ways May! dim. 17000 a 32000 some good ah - gel eave the rest; and » outh,__ some good an — gel leave the timewillteachthee soon-.the . _ are no birds in last year’s time will teach thee soon_. the time will tench thee soon mﬂa lempo tru\tif'/ There are no birds in last year’s nest. xx cresc. e 7'22‘. }— a temjzo ‘ time WH1 teach thee soon,_; There are ’ no birds in last year’s nest. . _ M2,. I } a tempo f 1295-'7 SOME NEW SONGS — PUBLISHED BY - The William Maxwell Music Company (Founded by _7ulz'mz Edwards) BREiTENFELD,.EMlL “Love Came. at Dawn” A fine song for Medium Voice Key of Al) Range El? to E7 BURLEIGH, HARRY T. “ It was nothing but a Rose” A good teaching song in two keys (1) in Bi? Range Bl) to El? ' (2) in Di? Range Di? to G M0 COY, ROSE EVERSOLE “To Part from Thee” 60¢ A most interesting song for High or Low Voice (1) in F Range C to D (2) in A Range E to F# BARBOUR, FLORENCE NEWELL “To ‘Daffodils’-’i . A dainty song for Medium Voice Key of E Range E to NEAIDLINGER, w. H. . “I Hope the Skies are Kind to You” 60¢ A flowing melody with a fine refrain. An exceptionally good song for Low Voice. . In two keys (1) in F Range E to C (2) in Bl? Range C,# to F GARBETT, A. SEL.WYN’_ "Winter Snows are Past” ‘-A brilliant song for High Voice Key of El) Range . El» to G NEIDLINGER, W. H. “Mah Blackbird” Mn Indigmzm zuzzaag) 60¢ The latest addition to Mr. Neidlinger-’s popu- lar series of ‘Southern Dialect Songs. . Medium Voice in G Range C to E GARBETT, A. SELWYN ‘.‘Love’s Pilgrimage” . A song for Medium Voice Key of El» . Range Bi» to F PERLET, HERMAN “Sing a Song of‘ Gladness” 60¢ The real spirit of Gladness in a song for High Voice. Key of D Range E to B M9 coY, ROSE EVERSOLE. A “The Voice. of the Rain” An unusual song of Dramatic intensity. Intwo keys (1) in D, Range A to E (2) in F Range 0 to G r STARR, T. B. “My Spirit on Thy Care” 60¢ A truly devotional setting of a fine hymn ~ In.two keys ' . (1) in F Range 0 to D (2) in Al? Range El» to F STRICKLAND, LILY "Spring Rapture” 60¢ A bright recital Song for High Voice. Key of Al) Range El» to Air SAMPLE SHEETS UPON REQUEST
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Date: n.d.
Text: .275./mvafezi hi I Prof. Iﬁkm/"l§Merz. ,_ 2;» ; / I W;‘:%‘\“ ' \: Ix /V /— ‘s > <3 , T-:3‘ Q’ \ Wﬂ/wCsj,/7j*{,.«)C. , ' ; gv / M 4 ‘W “ \\ §;;%*<‘Jgg§ﬁ;§[ﬂ:,\\mJ ., ~— :3; Jpytvﬁténof “ 4A Published by S .'Bn:a'1narH Y! Snn§.Z[i3 ‘Eugen-inr Street EnlE/aL'n7m7'/ﬁg/riﬂr/ufl’ang/‘£55A?/Eﬁﬁ1Iy.M,Eu7rs=rﬁé01&[a «57 my £’>’£-W5 ./17$}: afr,/.‘»'m',"é2‘;:".rm::'-f‘:/,7 ﬂrrwénvav ._, . uusoc Lolnnnv RSSAR .9 \‘ . —-~"V...
Show more.275./mvafezi hi I Prof. Iﬁkm/"l§Merz. ,_ 2;» ; / I W;‘:%‘\“ ' \: Ix /V /— ‘s > <3 , T-:3‘ Q’ \ Wﬂ/wCsj,/7j*{,.«)C. , ' ; gv / M 4 ‘W “ \\ §;;%*<‘Jgg§ﬁ;§[ﬂ:,\\mJ ., ~— :3; Jpytvﬁténof “ 4A Published by S .'Bn:a'1narH Y! Snn§.Z[i3 ‘Eugen-inr Street EnlE/aL'n7m7'/ﬁg/riﬂr/ufl’ang/‘£55A?/Eﬁﬁ1Iy.M,Eu7rs=rﬁé01&[a «57 my £’>’£-W5 ./17$}: afr,/.‘»'m',"é2‘;:".rm::'-f‘:/,7 ﬂrrwénvav ._, . uusoc Lolnnnv RSSAR .9 \‘ . —-~"V X ozo Q ~\~»-»»— . 7 ' Ilords by L()NGI<‘ELL()W. }[u.;-g‘(- by MISS L, E_gTQ1)DAR]),. \‘ K ‘*2 Andante. 1 '|‘h¢ sun . is bfight, the air is clear, ’.l‘he dart I ing; Iwal ~— lows 2 A11 thingy . new, the buds, the leaves, ‘That giid the elm trees 3 Mai — do-n, \ that roads‘t this sim —— pie 1'?!)-IIIQ, l:1~. joy thy youth. it soar and sing; Tram the .~.-fate nod. ... ding (-rest, 2-v_.vu {lav smn will not stay, , my {the fra grarwo the blue —- bird i11g. -*'p.l'ing. There- are no ' getrs no-st. For Uh? it ' 1 May: May! blmx yarn ‘Rind ' V ‘ er flows, K It 5901119 thixms 1‘e....jn.i«p,o ‘ and low; 9.3;! _3oy- the spring; ‘ and Xollfh. the sky , ‘When. wait’ - ing ii]? <1e_1::,<m; ’ ~\_zI.~1 l93n‘11‘.4. from the the rest; For Time will tcﬂb South wind blows, freiszht — ed clouds heavens a — bove, melt — in; ten noon the truth, are no lie. night. ' nut!
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Date: n.d.
Text: V B C A L B U ET, Dedicated to his esteenid Pupil Concanen 39 Lee, lith. Stannard 8: Dixo I THE WORDS BY LO N. G FE? LLWOW. The Music by § m@ Ems Szzvffca/Z» wxwvw _ ,% 0 N 12/») @O]V)\_9 % CRAIVIER BEALE $< CH/\‘P‘D-ELL. MUSIC uannnv VASSAR COLLEGE ’ POUGHKEEPSIE. uzw vonx

Date: 1857
Text: ?ﬁ$W?ﬁﬁWT —=: INDIANAPOLIS ' :- Published byllﬁ FAULUS 3-U9 |.ouisviHeKy. .1.A.M.cLum:yu7mw crmrz yrzmzgc. WM.HALL&SUNﬂ1}?27r, nnusuc uammv VASSAR COLLEGE A: . T +1 V ‘ . The sun '. bright the ' is clear, The dal-_ ting swa1_10ws Y. MUSIC C()MP()SED BY J.K.\TEI’HLER. FA 1'?‘ VTORDS BY H.W.L()NGFELLOW. O 3 N ‘V L. ‘V N 5".’ - ~. -— ~ The elms I hear, the state _ ly soar and Sing, And from 1 7 spring, S0 blue yon winding _ phe _sy_ _1ng blue birds p1-0, _ mi \...
Show more?ﬁ$W?ﬁﬁWT —=: INDIANAPOLIS ' :- Published byllﬁ FAULUS 3-U9 |.ouisviHeKy. .1.A.M.cLum:yu7mw crmrz yrzmzgc. WM.HALL&SUNﬂ1}?27r, nnusuc uammv VASSAR COLLEGE A: . T +1 V ‘ . The sun '. bright the ' is clear, The dal-_ ting swa1_10ws Y. MUSIC C()MP()SED BY J.K.\TEI’HLER. FA 1'?‘ VTORDS BY H.W.L()NGFELLOW. O 3 N ‘V L. ‘V N 5".’ - ~. -— ~ The elms I hear, the state _ ly soar and Sing, And from 1 7 spring, S0 blue yon winding _ phe _sy_ _1ng blue birds p1-0, _ mi \ Entorml nccol-din;-_‘ in Act of‘ (‘nnggr-ess, AJ). 1857. by David P. F‘3u1¢ls,inthe Clerks nf‘f‘ice of‘ the District Court of‘. Ky ‘Z032 ——~ 44. I-iv__er flows, It seems an out _ let from the sky, CF05. wai _ ting till the west wind blows, The freigzhted cloud 1-itard. .an_cho1- All things are new the buds the leaves, That dim. (3 gild the elm t1-ee‘s nod _ ing crest, And He __ _ven the nest he _. - It is not .'1lw::_\'s mny‘. ‘£031’. —4- K: neath the caves, There are no birds in last years things re _ joice in youth and love. The ful _ CF95. first de _ light. And. learn from the soft heavens a_bove, mel _ ting ten _ _ der _ ness of night. (3 ad lib. It is not always may, 20%? — 4«. J-51i11g1311d*»ET1gVF& P-P
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Date: 1911
Text: \/ Im Ms NJ xumws Mm (No héy pajaros en los nidos de antaﬁo) SPANISH PROVERB , sawa ‘:2 V‘*"’,V.V=h :: The Poem by H .W. LONGFELLOW _ (@333) _ The Music by SYDNEY Tl%Ii©MS@NJ Price 60 cenis THEWILLIAM MAXWELL MUSIC C9 (Founded by «JUL/AN EDWARDS) 96 FIFTH AVENUE N EW YORK. It Is Not Always May No hay }7cZjoros~e7z Z03 m'd0s dc zmta/70 Spanish proverb The Poem by The Music by H. W. LONGFELLOW SYDNEY THOMSON Allegretto grazioso (J: 100) pocof /‘T Con Pedale Thesun is bright, the air...
Show more\/ Im Ms NJ xumws Mm (No héy pajaros en los nidos de antaﬁo) SPANISH PROVERB , sawa ‘:2 V‘*"’,V.V=h :: The Poem by H .W. LONGFELLOW _ (@333) _ The Music by SYDNEY Tl%Ii©MS@NJ Price 60 cenis THEWILLIAM MAXWELL MUSIC C9 (Founded by «JUL/AN EDWARDS) 96 FIFTH AVENUE N EW YORK. It Is Not Always May No hay }7cZjoros~e7z Z03 m'd0s dc zmta/70 Spanish proverb The Poem by The Music by H. W. LONGFELLOW SYDNEY THOMSON Allegretto grazioso (J: 100) pocof /‘T Con Pedale Thesun is bright, the air is mrl‘T?’. \__/f \,. dart-ing swallows soar and sing,___ And from the state-ly elms I hear Copyright MCMXI by The William Maxwell Music Co. Im‘ematz'omzl Copyright secured. 1284-7 dim. pow 1112000 b1ue—bird prophe-sy — ‘ing_ Spring; So blue yon wind - ing riv- er 1? f dz'm.poco a 12000 seems an out - let from the sky, Wait-ing till the West - wind blows,_ The freight-ed clouds at ...—__f'__ rit. \_/ lie, Where Wait—ing till the West - Wind blows , e The f reight-ed clouds at an- chor F3 3 im z‘le All things are new; the buds,the largamente 7 771 That gild the e1mtree’s nod-ding crest, Andéenthe nest be-neath the 8 am zle 1284-'7 There are no birds in last year’s nest! things re-joice in youth_ and love,,_ fu_11-nessof their first__ de- //”——_‘"‘\\ __’—:_-——-=--17 And learn from the soft heav’ns 1284-7 co crease ’ melt-mg ten-der- ness of night, And learn from the soft heaV’ns a — poco cres c. The melt - ing ten— der—ness of f'.\ a tempo a tempo L/-” Maid-en,that read§t this sim—p1’e rhyme, En - joy thyyouth,it will not {T atempo T1’ V 7 T1’ 13 1907-esc; pow apooa _ 32' En-joy the fra-grance of thy prime, For {T T fdz'm. poco a poco 0! it is not al - Ways May!#_.._ En — joy the Springof Love_ and {T 1284-'7 some good an — - gel leave the time will teach thee soon__ the tru 7 1*’ pjlvrrrv are no irds last year’s nest;..____ For time will teach thee soon_ the 7 f 1' V 7 t 7 E CTBSC. at lempo are no birds in year’s nest. fﬁ SOME NEW SONGS - PUBLISHED BY — The William Maxwell Music Company (F0mm’ed by jFulz'cm Edwards) BRE|TENFELD,.EMlL Mo COY, ROSE EVERSOLE “Love Game at Dawn” l'To Part from Thee" 60¢ A fine song for Medium Voice A most interesting song for High or Low Key of Al? Range El? to El) V0106 (1) in F Range C to D (2) in A Range E to F# BURLEIGH, HARRY T. “ It was nothing but a Rose” NEHDUNGER’ w_ H__ A good teaching song in two keys _ _ (D in B}, Range B1, to E}, “I Hope the Skies are Kmd to You” 60¢ (2) in Di, Range Db to G A flovying melody with a fine refrain. An S exceptionally good song for Low Voice. ‘ In two keys BARBOUR, FLORENCE“ NEWELL ' (1) in F Range E to C “To Daff-odilsn» (2) in Bl? Range to F A dainty song for Medium Voice A Key of E Range E to Fii . NEIDLINGER, W. H. “Mah Blackbird” /An Intﬁgnam‘ lullaéy) 60¢ G ARBETT, A_ SELWYN The latest addition to Mr.'Neidlinger’s popu- “ _ ” lar series of ‘Southern Dialect Songs. wmter‘ Snows are Past Medium Voice in G Range C to E A brilliant song for High Voice “Sing a Song of‘ Gladness” 60¢ GARBETT, A_ SELWYN The real spirit of Gladnees in a song for “ , _ _ ’ High Voice. ‘ Loves Pﬂgmmage’ Key of D Range E to B A song for Medium Voice Key of El» Range Bi: to F sT/ma, T, 3, "My Spirit on Thy Care” » 60¢ A truly devotional setting of a fine hymn M9 COY, ROSE EVERSOLE 1"tW°k_eYS » “ _ (1) 1n F Range C to D The Voice of the Ram” (2) in Air Range E!» to F An unusual song of Dramatic intensity. In two keys STRICKLAN D, LILY (1) in D Range A to E “Spring Rapture” 60¢ . A bri ht recital son for Hi 11 Voice F R Ct G . 3 3 3 - (2) In ange 0 Key of Al) Range ‘El: to Al) SAMPLE SHEETS UPON REQUEST
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Date: 1919
Text: music uammv VASSAR COLLEGE rououxzznsoz. New vonx 4x‘ '1 /( xx ‘ \\ /1 . \\ /1 4( \ . Jr \\_ THE WORDS BY LONGFELLOW g-————— —-T I \ VThe Music by T. WILKINSON STEPHENSON PRICE 60 CENTS (new) BOOSEY (<2. N New YORK - TORONTO - LONDON (Eng) 9 EAST I72‘ ST. V RYRIE BLDG..YONGEST. ‘ b 295 REGENT ST..W. ' THIS sous MAY as suns IN PUBLIC WITHOUT FEE LOR‘ LICENSE . THE PUBLIC PERFORMANCE or ANY PARODVIED vaasnow. How:=.v+:n,ns s'rmc'ruv PROHIBITED COPYRIGHT MCMXAIX BY BOOSEVE...
Show moremusic uammv VASSAR COLLEGE rououxzznsoz. New vonx 4x‘ '1 /( xx ‘ \\ /1 . \\ /1 4( \ . Jr \\_ THE WORDS BY LONGFELLOW g-————— —-T I \ VThe Music by T. WILKINSON STEPHENSON PRICE 60 CENTS (new) BOOSEY (<2. N New YORK - TORONTO - LONDON (Eng) 9 EAST I72‘ ST. V RYRIE BLDG..YONGEST. ‘ b 295 REGENT ST..W. ' THIS sous MAY as suns IN PUBLIC WITHOUT FEE LOR‘ LICENSE . THE PUBLIC PERFORMANCE or ANY PARODVIED vaasnow. How:=.v+:n,ns s'rmc'ruv PROHIBITED COPYRIGHT MCMXAIX BY BOOSEVE CO. INTO THE DAWN TO BE. Four by the clock! and yet not day, Only the lamp in the anchored bark But the great World rolls and wheels away, Sends its giimmer across the dark, With its cities on land and its ships at sea, And the heavy breathing of the sea Into the dawn that is to be. Is the only sound that comes to me. Words by h . A Music by LONGFELLOW. y y T. WILKINSON STEPHENSON. Slowly and with expression. Four by the clock! and (The Clock.) yet not. day; But the great world rolls andwheels Copyright MCMXIX byiﬂoosey «.6 0'0. With its ci-ties on land, and its ships - to the dawn that Four by the clock! and yet not day, (The Sea.) an - ehor,d bark ' glim-mer a - cross the dark, And the /,»—""'—-__-——“*~\ ,/”"-————_-_—““- \~./ hea. - vy breath- ing of the sea Is the on — 1y sound that_— /————---—'—“,—‘e f comes___ to me, And the hea - vy breath — ing of /’’”———_—~‘‘*~\\ ' 2210-4 dim e rall. fl» "dim. e rall. clock! f'\ . \/___ 9- \.J -316 0011168 (The Clock.) mll. e dim. mll. e dim. ‘Eb. OTHERRECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS SHIPS THAT PASS IN THE NIGHT. ords by LONGFELLOVV. - , 7 O Fmmmrales of a.Wayside Inn.” ’ MUSIC b_\ T. V\ ILKINSON STEPHENSON. Slowly and’wz'tl2 ' ~ 7 71/' Ships thatpassin the V ht, and ‘ speak eacho er in- ing, On-1 a s nalshown and at ca in the dm darkness; Copyright MCMXIV by,Bo-osey&Co. O Words by Music by ROSE FYLEMAN ARTHUR M. GOODHART. _meno 7730880 _AEA&IfEKY( UEM A&MiA:E&K®EEMI@ fai - ry went a - mar - ket - ing— She bought A gen- tle mouse T0 pow menu mosso‘ lgsep her day she }t_ept its bu_S_:_¥ feet Pit - Vpegtrting to anti ‘fro_,___ _ And then she kiss’5d__i_t_s si1k—en ears, > > -‘ The words appeared in“Pu.nch” Jan. 24918. Copyright MCMXVIII by Boosey & :E1rI1Eii Words by ELIZABETH K.R’EYNOLDS. by Mr_ John Mqgormack EDWIN SCHNEIDER- /\ ’ p Andante misterioso. Green things,moss - es ferns, _ .__._._ Hid in the shadow-y softness of Here" sunshine en - rs not,But still - ness rests like tlream it- New Edltlon Copyright MCMXIX by Boosey & C0. OTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS V ’ No.1'inG To Madame [iza Zelmzmzn N0-2 B5 . SW“ 0E1 \ SE1 M.b '01‘ s )7 11510 y ED_LocKTSoN. \J \ ) ’I‘.WILKINSON STEPHENSON. Slowiy and .,wz't'/2 exprEss2'on crew 0 from my heart, . an op -’ning , flowr In deep tran-qui1-1i- ty,___ Doth rise in- cense of my (7/1936 co a poco S .2‘:-. 10ve,_ _ 0 soul of . in-cense,th<V2> Lin-cense of my love,_ > f ' Co yright. MCMXVI1 by Boosey & Co. TJHJE ILHBJHTSJ‘ F IHQM ‘ Music by _ » ‘ C.LINN SEILEIL 0p.10,No.2.. Inmoderatel slow timeand with feeling.‘ ' z’ . ‘ em‘! — 4 :_“‘—.—}- gm», — lot ow arfrom 0t :11‘, {S A ht ofs ray, tar. . A Setkbirds fl ht’ ’ - en eliahts of home! permission, F1-om“Co ected Poems? Vol. II. _ ‘ 1 Copyright 1913 by The Frederick A. Stokes Co.) C°PY’“ght' MGMXV by B°°S9Y& C0- THE RAINBOW CHILD. _T’I‘E RADCLYFFE - HALL . Music by S. COLERIDGE—TAYL(‘5R. The ‘sun —) shine met the st<;rm—wind the p1a.in,_______v And. she’ wooed him And his kisses .34’ a tempo. > Copyright MCMXI by Boosey & Co. OTHER RECENT SUCCESSFUL SONGS ABY EMINENT COMPOSERS NM SLEEPS @m1Ms@MPEmm zinm, No.4inGl> Words by,'I‘ENNYSON._ Sung by Mr. John M9Cormack. Music by ROGER QUILTER. / with , ' - Nowsleeps crimsonpe novrthe - Nor waves the ress in the pahtce walk Nor nks t e gold fin p 1 4 _ A ' _ §/T‘. . porphyry’ _font- waken thou with me. Nowfoldsthe yin Sweetness Copyright MCMIV by Boasey & Co. - , ., R0) BM summlzgmmwgxggﬁgmi N .2‘ G‘ . L 1 M ~ Words by ALFRED HYATT. Dedlcated to and Sung by Mme.Clara Butt. —Music by ERNEST NEWTON. Andante. Roses bysummer for- Ba - ken, Li—1iesofsunshine be-reft, Summer her fare-well has whis‘ - per’d, J» e. t! \ R L LI I x 1 I - n v. . 1 1 1. 1; I 1 1. ,, 1 v 1 In ,__ 13 41 ‘ ~ , - -' U Nzxght ‘but hermem-o-ry left... . V Weafied heswa.1lowsde- dim e Copyright MGMVI by Boose_y& Co. B5I£IRiIDJ@J1E‘B5IL_JIJEJ ' Words b - 5! Music by » - “-GHRYSTA E1“ J: 88) EDWARD GERMAN; ' Allegro ag2'tatb.( for 831-Ways» Little irdof Blue! Com dbring us crownsof ro-Vses, A11 un-tolich 0 rue: it never, Copyright MCMX by Boosey & Co.
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Date: 1917
Text: Muuc Lnnnnv VASSAR COLLEGE pouomtm-sot. um vonu SONGS BY Philomel (WILLIAM SHAKSPERE) High voice, in B Medium voiczz, in D‘- The sea hath its pearis {HEINRICH HEINE) Medium voice. in F Low voice. in D%' Ye Voices, that arose {HENRY WADSWORTH LONGFELLOW) High voice, in A7 Low voice, in E I heard the trailing garments of the night (HI?.NP.Y' WADSWORTH LONGFFLLOW) High wnice. in D mm. Low \’(‘\1<‘f', in B min‘ ‘Itnuun The lighthouse (HENRY WADSWORTH LONGFELLOVV) High voice, in...
Show moreMuuc Lnnnnv VASSAR COLLEGE pouomtm-sot. um vonu SONGS BY Philomel (WILLIAM SHAKSPERE) High voice, in B Medium voiczz, in D‘- The sea hath its pearis {HEINRICH HEINE) Medium voice. in F Low voice. in D%' Ye Voices, that arose {HENRY WADSWORTH LONGFELLOW) High voice, in A7 Low voice, in E I heard the trailing garments of the night (HI?.NP.Y' WADSWORTH LONGFFLLOW) High wnice. in D mm. Low \’(‘\1<‘f', in B min‘ ‘Itnuun The lighthouse (HENRY WADSWORTH LONGFELLOVV) High voice, in E9 Low voice. in C BOSTON: OLIVER DITSON COMPANY NEW YORK: CHAS. H. DITSON & CO. CHICAGO: LYON & HEALY I HEARD THE TRAILING GARMENTS OF THE NIGHT (J) HENRY WADSW-‘ORTH LONGFELLOW '0”g?”“’ K‘/‘W Tranquilly (J : 63) V O I C E the trail — ing gar - ments of increase -e-— f‘ %. Zi Copyright MCMXVII by Oliver Ditson Company International Copyright Secured CECIL BURLEIGH Op. 32, No 4 10 5450-72081-3 saw her sa - ble skirts all fringed with T light, .5‘/zgﬁf/g /'efarzl grarlmzlly (Hm. ',__ fringed with ' __ From the ce _ les _ tial Walls! slag/ally refard gradually . — 9 q{»'\______,,/ Feb im-rea.s-e sf felt her pres - ence, by its” increase ()— ‘U3 5—150—72081 -3 2'02’!/2 breadflz #‘#,/f The calm, ma—jes — tic wit/z bread!/2 > dim. and net. pres —- ence F gradually dim. and rel‘. E 9% :'1~150-72081-8 The Musicians Library The masterpieces OF Song and piano literature edited by men of authority BRAHMS, JOHANNES FRANZ, ROBERT GRIEG, EDVARD HANDEL, GEO. F. HANDEL, GEO. F. JENSEN, ADOLF LISZT, FRANZ FORTY SONGS FIFTY SONGS FIFTY SONGS SONGS AND AIRS SONGS AND AIRS FORTY SONGS THIRTY SONGS For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low VOIC¢ For High Voice For Low Voiu For High Voice For Low Voice For High Voicc SONG ‘VOLUMES ' ISSUED Edited by Edited by Edited by Edited by Edited by Edited by Edited by JAMES HUNEKER WM. FOSTER APTHORP HENRY T. FINCK DR. EBENEZER PROUT DR. EBENEZER PROUT WM. FOSTER APTHORP CARL ARMBRUSTER For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice SCHUBERT, FRANZ SCHUMANN, ROBERT STRAUSS, RICHARD TCHA'I'I<OvSI<Y, P. I. WAGNER, RICHARD WAGNER, RICHARD WOLF, HUGO FIFTY MASTERSONCS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS (BEMBBRG TO FRANCK) MODERN FRENCH SONGS (GEORGES TO WI DOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (All Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS SONGS FROM THE OPERAS FIFTY SONGS FIFTY SONGS FORTY SONGS FORTY SONGS LYRICS I LYRICS II fr III FIFTY SONGS Edited by HENRY T. FINCK W. J. HENDERSON JAMES HUNEKER JAMES HUNEKER CARL ARMBRUSTER CARL ARMBRUSTER ERNEST NEWMAN HENRY T. FINCK DR. CHARLES VINCENT PHILIP HALE Edited by Edited by Edited by Edited by For Soprano For Tenor For BIFIIOHK and Bins For High Voice For Low Voice For High Voice For Low Voice For High Voice I‘or Low VOICC For High Voice For Low Voicc Edited by Edited by Edited by Edited by 3‘a“vn?v¢$f;'5&%¢$€a‘vv‘.-%€“:3f.~%»‘;'5n‘;'5f$fz%f.‘%f;%ﬁ VOL 1 Edited by VOL. II Edited by PHILIP HALE 3 For High VOICI For Low Voice For Medium Voice Edited by CECIL SHARP GRANVILLE BANTOCK GRANVILLE BANTOCK HELEN HOPEKIRK JULIEN TIERSOT WM. ARMS FISHER GRANVILLE BANTOCK RUPERT HUGHES H. E.i<REHBIEL H. E. KREHBIEL For Medium VOICI Edited by For High Voice For Low Voicc For High Voice F or Low Voice Edited by Edited by For Medium Voicz Edited by For High VOICC For Low Voice Edited by For Medium Voice Edited by I52? E3 I532: Edim’ 5)’ For Soprano For Mezzo-Soprano For Alto I. II Erlll IVf7V Edited by For Tenor For BAHIODO and Btu v‘:i‘vv’z'5v1-.5v‘5v..‘-‘vv‘:‘rv‘.i?vv‘.*$>‘;5v“.*.¥ V3 ﬁZ5ﬁif:3v‘a‘vv?:v?:%€;5€;%&¥v‘.‘5v‘.’vf;%vZ;%i1z%v‘:.%fx$»?:§ Edited by COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST Each volume in heavy paper, Cloth back, $l.50; in Full Cloth, gilt, $2.50. Copies mailed post»paid. Other volumes in preparation For Free booklet, giving full particulars and Easy Payment Plan, send to the publishers 4! OLIVER DITSON COMPANY‘ BOSTON <2‘
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Date: 1920
Text: M ‘:9 " UU IIIIIIII RY VASSAR COLLEGE G % ’. Qornposed by Clocugbfon Ellen and Klordfs b Henry Kl. Lor2g1‘3e| lcam K F I. HYl‘1l‘| TO THE NIGHT 2. THE EVEH|%r|G STAR K Publfsﬂed by CPEIGHTON ALLEN I806 Creswel I St. SH REVEPORT, LA. Jjﬁ” To Mrs Mabel? Atkins Vance Words hy , CREIGHTOIJ ALLEN HENRY W. LONGFELLOW Op. 2, No.1 Molto Expressive I heard. the trail—ing gar-mentsof the night I heard the sounds of sor-row and de - light .. Sweep throughher mar- ble halls! ._.____ . I sawher sab...
Show moreM ‘:9 " UU IIIIIIII RY VASSAR COLLEGE G % ’. Qornposed by Clocugbfon Ellen and Klordfs b Henry Kl. Lor2g1‘3e| lcam K F I. HYl‘1l‘| TO THE NIGHT 2. THE EVEH|%r|G STAR K Publfsﬂed by CPEIGHTON ALLEN I806 Creswel I St. SH REVEPORT, LA. Jjﬁ” To Mrs Mabel? Atkins Vance Words hy , CREIGHTOIJ ALLEN HENRY W. LONGFELLOW Op. 2, No.1 Molto Expressive I heard. the trail—ing gar-mentsof the night I heard the sounds of sor-row and de - light .. Sweep throughher mar- ble halls! ._.____ . I sawher sab-le skirts are f1-ing-edwith the _. The. man - i — fold soft chimes, That fill the haunt-ed cham—bers of the From the ce. — les — tia-1 walls! ________.__ I felt her TT pre-sence by its Like some old po — et’s rhymes. ' From._ the cool leis-terns of the /""":"'*S spell of might Stoops o’er , me from a - bove; ._ The I I I calm. mat-., jes —,tic pre—sence mid- night air My spir - it , drank, re - pose; __ _The efoun-tain of , per-pet—ual ' Copyrightl\/ICMXX by Creighton Allen, Sl1reveport,La. of the night As of the one of love. peace flows there From thosedeep cis-tern flows...___ 0 ho—1y night, fromethee I learn to bear What man hes,.borne-be - fore!_ Thou layest thou fin-ger on the lips of care, And they com—plain no ‘ more, T Peace! Peace! 0-rest-es like I breath this prayer! V .De-scendwith broadwinged flight,_.____ The we1—o.ome,the thricedprayedfor, themost fair, The best be ~ loved night! Hymn To The Night 2 _ " 4 To Mr. Harry A1-d CREIGHTON ALLEN HENRYV1S:'.O(IeEI:lI)gFELLOW The EV3ning Star Op-2»No-2 Calmato e s stenutou ’”_‘\J Just a-bove you sand —Ly bar, as the day» grows_fa1'n-terand dim - mer, Lone.-ly and love-iy a. sing — le star lights Tthe_aJ1'r with a dusk-.y glim— met In - to,the o — ceam faint and far fallsthe trail of its gol - den splen - dor, And the; gleam of that sin-gle star is ev—er re - ful-gent,_sToft.a¢nd ten —_de_r Copyright MCMXX by Creighton._Allen, Shreveport, La. Chry - sax-dor I-is-ing out of the sea,show’d thus glo-ri— ous‘ andthus emu] — ous Leav—ing the arms of Cal — lirr-hoe’ fox--ev—er ten - der, soft and F tre—mul—ous . Thus o’er the 0 - cean faintand far t1'ai1—ed the gleam of his fal-chion bright — ly; Is a star, that en - t1-ane’d, I gaze 77 011., night - 1y The Evening Star 2
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Date: n.d.
Text: Music LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new You e/«Q1117: of turn1vnnIlun5:a<» Im:Consvrrahnt ‘ ‘A V ’{ 1” 1 ‘I ‘ V’ 4MVucc» v . H.W.|.0NGFE|.LOW ESQ. ~«.~ub , - Miss M . LINDSAY. 4%-—~v " % ozmcmco 10 HERSISIER, 5:5: 3/ , j 50040 6? 0° 25:/’0tm:44;?. §mé@7'm.§»¥”¢f:%0 STREEII £0/V00/V~ W- - ‘ed-’3’2ﬁ‘ §§%&33*~‘U El £33» :,,:‘2NiL‘.>«si‘;9-L WI) ﬁj‘ HYMN or THE MDRAVIAN NUNS or BETHLEHEM. (U.S.) AT THE CONSEQZRATION OF PULASKI’S BANNER. (DUET FOR SOPRANO AND coN'rR...
Show moreMusic LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new You e/«Q1117: of turn1vnnIlun5:a<» Im:Consvrrahnt ‘ ‘A V ’{ 1” 1 ‘I ‘ V’ 4MVucc» v . H.W.|.0NGFE|.LOW ESQ. ~«.~ub , - Miss M . LINDSAY. 4%-—~v " % ozmcmco 10 HERSISIER, 5:5: 3/ , j 50040 6? 0° 25:/’0tm:44;?. §mé@7'm.§»¥”¢f:%0 STREEII £0/V00/V~ W- - ‘ed-’3’2ﬁ‘ §§%&33*~‘U El £33» :,,:‘2NiL‘.>«si‘;9-L WI) ﬁj‘ HYMN or THE MDRAVIAN NUNS or BETHLEHEM. (U.S.) AT THE CONSEQZRATION OF PULASKI’S BANNER. (DUET FOR SOPRANO AND coN'rR’AL'ro.) twoaos BY H.W. LONCFELLOW.EsQ. ‘MUSIC BY MISS M.LlNDSAY. 1VtIaest0s0. I When the dy_i11g flame of '_Throughthe chan_cel shot \ mf Far the glinlnfringtapers shed Faint light on the cowled L \_/ _ he/ad; . And the cen_- _ _ ser burn - ,. ing swung, VVhert*, be _ /3g___j L’) .H>;znu:_of4'J.u7- IVIO:-;«u.i'/n1 Nun“ pm,“ Mi“ BL LIXDSAY (}()PTRI(‘;H_'[‘. the Altar, hang The b1o0d—redbanner,T’he b1o0d—redbam1er,The. b1o0d.—red banner,that with pray’r. . _. . .Hadbeen c0n-se-cra_ted_ there. /9/° _ And the nuns’Asux€et hymn was heard the while, Sung low in the dim, u1yste_rious aisle /°/° HN'”‘ °f1ht' VIo1"aviau NTUHQ ‘ ‘ ‘ ~ - - Duet. 3115:: NI LIVDS -KY G 0 « V - e . ~ ~ & C._550. ?na m®ma’nvmm. thy banner! h it wave, ‘ Pr0ud-ly o’er the thy banner! Pr0IId_1y o’er the good and brave; the bat - - t1e’s dis - _ tant wail, good and brave; the bat _ _ t1e’s dis - - tant wail, Breaks the sab_-bath of our vale, VWhen the cla-_r1'm1’s Breaks the sab-- bath of our vale, When the cla _ _.ri0n’s /"/° H3“'“‘ Of U18 1V1qravim1 Nuns. Duet. Mi.» M. LINDSAY. G "' C? 550. mu_sic thrills To the hearts of mu_sic thrills. To the hearts of ‘the spear in con--flict shakes, And the spear in con__flic-t shakes, And shiv ’_ _ _ _ _ ring ' breaks. breaks . shiv ’_ _ - _ _ ring Hymn 0f UH‘ Moravian Nuns. Duet. Miss- M.‘LINDSAY G s’ C9 550' these lone [hills , these lone hills , the strong lance the strong lance Take thy banner! but, when night, Clo_vses round the Take thy banner! but, when night, Cl0_ses round the ghast _ ly fight, > ‘ the van _ quish’d ‘ war- - rior bow, ghast _ ly fight , ho-_1y VOW, By our pray’rs h0-..tly vow, By our pray’rs and» 0 Tu; H5’Fl1~Il=0f the Moravian Nuns Du:-t Mix .‘ -. - _. 5: M. LINDSAY. (, X, (.3 55 2 , , O. ma _ - -_ny tears , mer - _ - oy that endears , ma _ _ - ny tears , mer- - _ cy endears, V Spare ‘him! / hath s112u"d! Spare him as thou‘ Spare. . hath sl12u"d! Spam‘ him as tlmu wo u1d’st _W(H’[1d’St ‘Hymn ‘of “W Mdraviaxl Vans. Duet Miss M L1V])SAY Take thy banner! and if e’er, Take ,thy banner! and if e’er,' s01_dier’s bier, And the muffled s0Ldier’s bier, A nd the mufflwd T0 the tread of mournful feet, T0 the tread of mournful feget, Ymn of the Moymrraxn Nuns. Dm-1.. N115.» Ms LINDSAY. Thou sh0uld’st press the should’st press the drum should 1) eat , drum sho uld b e at , G 4» C9 550. rt tempo Then.. . . this flag. . . . .~ . . . Then this crimson flag shall be, Then.... this flag‘, . . . . . . Then this crimson flag shall he, / 3Iar_tia1 cloak and shroud for Mar_ti.a1 cloak and shroud for The warrior took that banner proud, And it ’was his mar_tial cloak and ‘S7H”0l’'1! ’' . .9 G 8/'C‘.’550. A "emf Alleyro vivace. SUCCESSE UL NEW SONGS. Words by Music by ALFRED H. I-IYATT. GILBERT LOEWE. TILL DAWN. No. 1 in D ﬂat. No. 2 in E ﬂat. MI: 33:: No. 3 in F. —'——-9- (0ri¢im1KBY) M Compass. ——o——- :—iD— No. 4 in G. —_—:_p: ___Il ‘C- Amlants non troppo. , M 4Q P4; L__ 1| IV I I; I‘ 5 I‘ l\l I I‘ u I l'\l:l l‘ §v_~",,,:.:;:&g_,tu;i;—_a—4 _ _ :;;—_—a:,_L.—.;j- _ A V 7 I , -r w- Light in the tired west lin - gets, Shad-ows soft - ly fall,... Touching with ro- sy ﬁn - gers, Earth, sea, and Light in the tired west lingers, Shadows s tly fall, Touching with rosy ﬁngers Earth, sea, and all. Ends with the falling shadow! Grief: of the day; Soft o’er the dewy meadows ease comes to stay. Compass. Compass. compass, _—_£"‘ ..._'-__. pow mu. ares. M _ I - I I I LI;I%l—‘ _ 4. _ . 7- - ul 0.- All the day's toiling, striving, Tears and regret, Night comes with peace arriving- In sleep forg . So in God’s care I leave you Till dawns the light, . Eenceforth no sorrow grieve you, Dear love, good-night! Copyright, MCMYL, by GOULD & co. AUTUMN GOLD. No. 2 in F ‘_.__ 7}L_ ___J__.__._ Words and Millie by GERALD LANE. No. 8 in G .__._.E Compass. T :33, 1 and E 1:13). .:_‘_T_‘.'3i ' ' ff: ﬂglll E] Z Compass. '6‘ mp Andante mm troppa. Compass. I 1 l\ I K . I I I I‘\r 1% ' is . l\| - ll .1 I I\ l\ min: I\.rI—I-I I-- nrﬁwIwﬁ\.Iy.- §%—P~I—-4—-—i—d——a—J.i‘—.—i—e—.e=+4—44—+~+—P~—-:r—L—-—n—»w—- I1 .9. _ V ' \_/ -J— ' T ‘/ When Au-tumn spreads her path with leaves of gold,... When through the land sweet summertime grow: old....... When Autumn spreads her path with leaves of gold, A world of tears that beat upon life’: shore, VVhen through the land sweet summer-time grow: old, A dream that war, a. dream thlt is no moral What harvest shall we gather, you and I, N ow we, dear heart, have said our last good-bye? A ‘. § IF: F Yet ’inid the silence of the waning year One charmed echo still we seem to hear: " The Sfring comes back, and joy forget: the pain, For Go is good, and Love is not in vain l" Oopyrllht. MGMYL. II! GOULD I C0. The haunting inem’ry of one radian: hour, The ling’ring fragrance of one little ﬂow’r, Music by VALENTINE HEMERY. THE FIRST SPRING DAY. __i_ CLIFTON BINGI-IAM. No. 1 in E ﬂat. Compass . . . l I . 777 DIE J ' _ . 4+0 .1‘ . R . I .1 741 II I I III I _ 51 I V 7 . Hark, there's a new voice call-ing, And a new light in the sky, Rain on th sweet earth falling Bids winter grey good- —, s -1 j r. J_] A. : , L1, Elrl See how the darling rirnrose Looks up from its eizfy how’t, Blue-hells are waking gaily To the kiss of sun and show’rl Boon cuckoo will foretell us The coming of sweet May, For all the world is waking To greet the that spring day! Good-bye to you, grey Winter Too long has been your reign, ‘Tie glnd and good to welcome The step of Spring again. . So come, sweethe . , gree it, For skies are bright above, _ Our hearts, like the world, are waking To life, And light, and love! Hark. there’: a. new voice calling, And II. new light in the sky, Rain on the sweet earth falling Bid: winter grey good-bye. There's 3 song through the green wood A that's blithe and gay [ringing, though the world were singing, ' To greet the first spring day! copyright, MCMYL, by GOULD I 60. Words by HELEN TAYLOR. Music by WILFRID SANDERSON. 1 ___pk ‘;-l:I—_—_ ii‘: A SUMMER GREETING. I No. 1 in A ﬂat. __.?.J3_ Compass. No.3 in B ﬂat. (Original Key) Compass. _A _]:1lleyr:tto oon brio. I K 1‘ k pow rit. -0.: ‘ The sum-mer’s on her way, love, I see her her-a.1ds sweet, The blos-som on the up-pleztrees, The (iii-sies at my The summer’: on her way, love, I see her heralds sweet, The blossom on the apple trees, The daisies at my feet. The birds will sing the whole day long _ The birds are always gay. How can I hear to hear their song, If you are still away? 0 will you not COIIIO back, love, on roses come again, Red roses in the garden, love, Wild roses in the lane. I cannot work, I cannot weep, I know not how to pray, How can I live the summer through, If you are still away? Copyright, MCMYL, by GOULD & CO. The summer’: on her way, love, Good-bye to grief and pain, And welcome sing and love and joy, When you return again. NEW VOCAL DUETS :— “AWAKE,” by H. G. Pélissier,"No. 1, for Sop. and Con. or Sop. and Bar. “AWAKE,” ,, No. 2, for Tenor and Baritone. “FAREWELL T0 SUMMER,” by Noel Johnson, for Sop. and Con. or Sop. and Bar. “FOR ALL ETERNITY,” by Angelo Mascheroni, for Sop. and Con. or Sop. and Bar. “LIFE’S THANKSGIVING,” by Valentine Hemery, for Sop. and Con. or Sop. and Bar. “BIRTHDAY MORN, THE” by Landon Ronald, No. 1. in Dl,, for Mezzo-Sop. and Con. “BIRTHDAY MOON, THE ” No. 2, in Eb, for Sop. and Con. “TILL DAWN,” by Gilbert Loewe, for “Sop. and Con. or Sop. and Bar. STANDARD SONGS Com as 93 Lolivezt sum; BY Key only. All the While Keys D, Eb, F, and G. By Lovell Kiny. Awake l Keys Eb. F, and G. By E. G. Pélissier. Birthday Mom, The Keys 0 and Eb. By Landon Ronald. By Special Request Keys Eb and F. By Angelo Mascheroni. Dreamland Voices Keys Eb, Fand G. By Anyelo Maxclzeroni. Fairest Flower,The Keys Eb, F, and G_ K By Fred W. Sparrow. Fairyland Keys Eb, F and G. By Gerald Lane. Farewellto Summer Keys A, Bb and C & D. By Noel Johnson. F Flower Songs (lllustrated.) By Florence Hours and J. L. Roeclcel N 0. 1. Mignonette ... ,, 2. Poppies ,. 3. Pansies ,, 4. Primroses Crocuses ,, 5. . For all Eternity Keys Bi). 0, D mdEb By Angelo Masclzerom‘. Gift of Peace G, Bb and C. ‘ By 0. H. Foyy. I had a Flower Keys Bb, Db and Eb. By Lawrence Kellie. Irish Slumber Song, Keys Eb, F and G. By Ernest Newton. ass ff? Ifl L-ife’s Thanksgiving Keys D, Eb, F and G. By Valentine 1-Iemery. Night Sea’s Lullaby Keys Eb, F and G.‘ By Valentine Hemery. 0 Fair Dove, 0 Fond Dove . Keys F and Ab. By A. Scott Gatty. Patti Waltz Song Keys Bb and D. By J. N. Patttsan. Prayer for You, A Keys C and Eb. By Fred W. Sparrow. Restful Shadows Keys Eb, F and G. By H. G. Pélissier. Tatters Keys D, Eb, E and F. By Gerald Lane. Thy Voice is near Keys G and A. By W. T. Wrighton. Vales of Arklow Keys Ab, Bb and C. By Leslie Stuart. When Roses Bloom Keys 0 and Eb. By G. H. Pélissier. . Miss Elsie Purvis : .. Mdme.MeredythElliott Miss Ethel Bevans &c. Mr. C. Copland B to Miss Edith Serpell . b E, &c. Mdme. Melba . Mdme. Amy Sherwin Mr. Joseph O’Mara. Mr. Hii-wen Jones &c. Mr. Egbert Roberts Mr. Ad. Fowler &c. Miss Mary Desmond Miss Edith Serpell Miss Lilian Turnbull... &c. Mr. William Green Mr. Herbert Grover Miss Maggie Purvis MissVio1et Ludlow Miss Bertha Salter &c. Miss Emily Foxcroft... Miss Maggie Purvis Miss Minnie Chamber- lain . . &c. Miss Violet Ludlow Miss Perceval Allen Miss Grainger Kerr Mr. Wm. Forington &c. Miss Florence Croft Miss Annie Wilson Miss Lilian Turnbull... Miss Edith Serpell Miss Hettie Hills U:>I>l>UU 888388’ ‘#06666 Miss Jennie Atkinson . &c. Mdme. Adeline Patti P 3 6 Miss Perceval Allen Mlle. Marie Vagnolini Mdme. Sadier Fogg Mr. Barry Lindon site. Mr. Lawrence Kellie... Mr. Robert Radford Miss Maggie Purvis Mdme. Ruth Lamb Mdme. Guilia Ravogli Mdme. Kirkby Lunn.. Mdme. Sobrino Mdme. Emily Squire... Mdme. Marian Mo Kenzie Mdme. Maggie Purvis Mdme. Hortense Paulsen. ‘Miss Mabel Bi-nine Mdme. Marian Mc _ Kenzie Mn. Helen Trust Mdme. Adelina Patti Miss Maggie Stirling... Mr. Chas. Copland Mdme. Sadler Fogg Mr. Ben Johnson 8212. Miss Maggie Purvls Miss Edith Serpell Miss Me? Desmond c. Mdme. Belle Cole Miss Perceval Allen Miss Maggie Purvis ... Miss Florence Bulleid Mr. Bingley Show Mrs. Chas. Copland Miss Edith Serpell . Mlle. Ghita. Corri ..._ GOULD & 00., 25, Poland Street, London, W. A'to1)i_"'
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Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE V POUGHKEEPSIE. NEW YORK ‘ ,, .,....g,..,~..._.., ........ - J,;,g..1...Ur:mgourau.&....11l.m .3’. n ':v ..j.. V; Mrm‘Cowawrahm %%Uftl7z?Bn:mv:'0f V ‘musué av ». 9. Q;-ORDS B Y ~ _, M : H.w.Lom3rmow ESQ. mss M. LINDSAY W DEDICATEDTO HER SISTER. « :35! " ....,-... up-.«--.-....... ‘ON : RGBERT COCKS; Xi C‘? NEW Bumimmzom 3T REET,W. ; ;-.,-«. =.;Q,::arr’-:Hf?;’:~:";? an-*>~_~:’> P‘: A , ., E‘ ;_UL!.l:._ ‘;a,3:g3i_;¢',\y\1;:);~;;v;...
Show moreMUSIC LIBRARY VASSAR COLLEGE V POUGHKEEPSIE. NEW YORK ‘ ,, .,....g,..,~..._.., ........ - J,;,g..1...Ur:mgourau.&....11l.m .3’. n ':v ..j.. V; Mrm‘Cowawrahm %%Uftl7z?Bn:mv:'0f V ‘musué av ». 9. Q;-ORDS B Y ~ _, M : H.w.Lom3rmow ESQ. mss M. LINDSAY W DEDICATEDTO HER SISTER. « :35! " ....,-... up-.«--.-....... ‘ON : RGBERT COCKS; Xi C‘? NEW Bumimmzom 3T REET,W. ; ;-.,-«. =.;Q,::arr’-:Hf?;’:~:";? an-*>~_~:’> P‘: A , ., E‘ ;_UL!.l:._ ‘;a,3:g3i_;¢',\y\1;:);~;;v; qgﬁﬁigﬂ PUBUC WITHOUT THE PRYMENT OF” ANY FEE IVIUSIC COPYING. /S //Ei'/?EB)/_QL\{_E[\/ ’/7//// /I_\' \’/'i'/(/(' n/'////' .7 ((-6 K71‘. ('///2.-W7. A'/'/'. Q. ///1’ A7//I’ 7/Zr/r'.\‘I'/;2:ﬁ;7/E/'/'{'\' n/'//////c///_r/ ///r////(.»1‘/'//;/ /2/' 11////'/' I-«yr/'r’.s' (I/'I'/'/{$7'{(//I/ W/I/'/\'.\' /,s' w'.~'//*r/ I./I ///(' 4-n'/1/’/'n/.'v/1('// ('zy{\'/'/}//// /I//r/I///'\‘u/ﬂy/‘/1/‘lzv/;//,v //.7/A-//W ,w,-// ,-,;,,,;..v m//mm ////» ///'/‘////.v.»'/u// 12/ //1/' .»'///1/rm’///’/‘ RENDER THEMSELVES LIABLE TO HEAVV PENALTIES 0;? DAMAGES. I/X‘/' /’/'r///,~y/u.~'//m// r1/./‘(7/{\’/‘/(///// .v/I//.1/.v /////1 u///1*/'K'r_'\'.v H'////l//// /I/’/‘///I.'~‘,\'//'/I /5 AN 4/NLA WFU1. COPYING. HYMN or THE MURAVIAN NUNS or BETHLEHEM, (U.S.) ATTHE CONSECRATION OF PULASKl’S BANNER. (DUET FOR SOPRANO AND coNTR’ALTo.) wonos av H.W. LONCFELLOW Esq. Music BY MISS M.L.lNDSAY. Maestoso. '\Vhen the dy.ing flame of day... Throughthe chan_cel shot its ~ \ mf Far the g imlnringtapers shed Faint light on the cowled X} head; . And the cen- - - ser burn _ - ing swung, H’ 7 ‘ . . , )_mu of the Moran-an l\un.~'. Duvt. Miss M. LIXDSAL COPYRIGHT _fore the Altar, hung The bl00d—redbanner,The b1o0d—redbanner,The I‘ b100d»red bannelgthat with pray’r. . . . .Hadbeen c0n-se_cra_ted there. /0/0. And the nuns’ swuaet hymn was heard the while, Sung low in the dim, myste_ri0us aisle. «D /‘P WWII of the Moravian Num. Duet. ms» M LIVDSAY 11 298 ‘ I A . 0 , I W13 meme’ mwnrsf. thy banner! thy banner! good and brave; good and brave; Breaks the sub - -bath Breaks the sub -- bath /°/° may it wave , may it wave , When the bat - - t1e’s When the bat _ - tle’s of our vale , of our vale , Hymn of the Moravian Nuns. Duet. Min M. LIVDSAY Pro ud-ly Pr0ud-ly okr the o’er the dis _ _ tant wail, dis _ _ tant wail, When the When the clan _ _ rimfs cla _ _.rion’s mu-sic thrills To the hearts mu_sic thrills. T0 the 11eaI'1S When the spear in con--flict shakes, When the spear in con__fli(-t shakes, shiv ’_ - - - - ring breaks. shiv’.____ ring breaks . Hym“ “f “W. Moravian Nuns. Duet. Miss M. LINDSAY. of of these lone hills , these lone hills, And And the strong lance the strong lance ‘Take thy bann.e1'! but, when night, Take thy banner! but, when night, ghast _ ly fight, ghast .. ly fight , ho _ -1y VOW, ho - - ly vow, Hymn of the Moravian Nun». Duet. lvlfisg M, LIVDSAY C10 -Vses round the Clo_ses round the the van _ quish’d war- - rior bow, Tall: 7 By our prayrs ' our pray’rs and By ma _ _ -ny tears , Spare him! Spare him! wo u1d’st be would ’st 1) e the mer - - - oy the H181‘- - _ cy hath sha1"d3 luve hath s11a1"d! s,par’d! spar’d! H- . . Mnn of the Mm-avum Nuns. Du-01., Miss M.,I.lNDSAY. that endears , that endears, 1“ him Spare Sp-are him {'3 as thou’ as thou Take thy banner! and if e’er, Thou shouId’st press the Take thy banner! and if e’er, Thou should’st press the soLdier’s bier, And the muffled drum should beat. sol_dier’s bier, And the muffle-d drum should beat, T0 the tread of mournful feet, To the tread of mournful feet. Q a tempo Then. . . . this flag . . . . . . . . Then this crimson flag shall be, Then... . this flag . . . . . . . . Then this crimson flag shall be, / l\Iar_tia.l cloak and . shroud Mar_tia1 cloak and shroud for The warrior took that V»: banner proud, And it was his mar_tial cloak and ‘shroud! 1' l.()N1)()\Y,' , H , ' ‘ ‘ ROBERT COCKS 8: (‘yo-New BurIin_21m SI.P11b1is1]rI'> to the Qheeu H.R.H.the Prince of Vale» New Vocal Duets BY FRANCO LEONL 4!‘ Words by MARK AMBIENT. -:9 Vanity Fair.‘ Sopmmo. COPYRIGHT, I894, BY ROBERT COCKS_ 8: Co. A ' . . 3 Van - i - ty Fair! Van - i - ty Fair] to say “Don't go there] Pray keep a-way from Van -i - ty Fair.” To. Van - i - ty Fairl Van - i - ty Fairl — to say “Don’t go there! Pray keep ai—waiy from Van - - ty Fair.” Allegro. . Tittle=Tattle. Allegro. ’ COPYRIGHT, 1894, BY ROBERT Cocxs & Co. Sweet Mis.tI-ess Ann ask’d La - dy Fan to drink a dish of tea And La - dy Fan wrote“Dear-est Ann, de — lighted I shall be’ Allegro. , - PP Andante. ‘ ‘' Ar"? ‘ AT The May=Queen’,s Requiem. COPYRIGHT, 1894, BY ROBERT Cocxs & Co. . dim. '3 Ring soft .V fl. . '3 ye : .’ . . . I nor . deep,. . . . M sweet May Queen cloth soft- ly . V - ' V\-———/ Ali];-§ntSe(_)ft ' ' ' . . . ‘nor deep, . . . ., I sweet May Queen -ly sleep, Haymaldn COPYRIGHT, 1894, BY ROBERT Cocxs 8: Co. The sun is a—slIin - ing!Come,make hayl Give the boysandthe girls all a ho] - i - day Neighbours too a - crossthe way The sun is a-shin - ing!Come,make hayl Givethe boysandthegirlwst all a ho] - i — day Neighbours too a - cross the way Allegro. "ll ' ‘ i . . f Price 4s. each. Special Edition (the four complete) with 1'llu‘st1-ations by CHRIS. IEIAMJIIOND, Five Shillings, net. LONDON: ROBERT COCKS & CO., 6, NEW BURLINGTON STREET, W. Agents for the United States of America. EDWARD SCI-IUBERTH & CO, NEW YORK.
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Date: 1896
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEFSIE. nzw vonx N‘?.2 |NEb I,‘ go gfﬁllgﬁaflﬁon. SUNG BY M155 ADA CROSSLIEY. @ ES@N The Words by Cgm v III fi a (15 [av pgmwggnuw up AND av ARRANGEMENT WITH M55595 HIJLJGI->ITClN,MIFF‘L_IN &C=.' PUBLISHERS Ur-‘,L1:INI:rFEI_Lmw‘r:. wnnxs] I The Music by TADDEEI PRICE 2/‘NET B 0 o SEY &@ 295‘REGENT STREET, LON DON,W. I AND 9,EAsT SEVENTEENTH STRE ET. N Ew YORK. THIS’SONG MAY BE SUNG IN PUBLIC WITHOUT FEEQR--LICENSE THE PUBLIC PERFORMANCE OFANY...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEFSIE. nzw vonx N‘?.2 |NEb I,‘ go gfﬁllgﬁaflﬁon. SUNG BY M155 ADA CROSSLIEY. @ ES@N The Words by Cgm v III fi a (15 [av pgmwggnuw up AND av ARRANGEMENT WITH M55595 HIJLJGI->ITClN,MIFF‘L_IN &C=.' PUBLISHERS Ur-‘,L1:INI:rFEI_Lmw‘r:. wnnxs] I The Music by TADDEEI PRICE 2/‘NET B 0 o SEY &@ 295‘REGENT STREET, LON DON,W. I AND 9,EAsT SEVENTEENTH STRE ET. N Ew YORK. THIS’SONG MAY BE SUNG IN PUBLIC WITHOUT FEEQR--LICENSE THE PUBLIC PERFORMANCE OFANY PARODIED VERSION.HOWEVER.Iv5 STRICTLY PROHIBITED COPYRIGHT 1896 BY BOOSEN/8<C° HOME SONG. STAY, stay at home, my heart, and rest, Home--keeping hearts are happiest, For those that wander, they know not where, Are full of trouble and full of care——— To stay at home is best. Weary and home-sick, and distress’d, The Wander east, they wander West, Andy are baﬂiled and beaten, and blown about By the winds of the Wilderness of doubt-——— To stay at home is best. Then stay at home, my heart, and rest, The bird is safest in its nest; O’er all that ﬂutter their wings and ﬂy, A hawk is hov’ring in the sky—- To stay at home is best. LONGFELLOW. HOME Words by LONGFELLOW. Andante con moto. €S])1'€S3l170. =.'.’: 2% . esp ressiz-0 . Stay, stay Home-keep - _ ing hearts. . ,2; » V; 110- ‘:4? COPYRIGHT 1891‘: BY BGCSEY & C‘? Music by S . LIDDLE. wan- _der, ‘ they know //,/—*’g£££L’h ////”"—_—_—‘ //”/”’.‘—_. ‘Bub. trou- _b1e and full ntzfib b i / LH. /J/J collq vace. tempo. - _ ;_...————«-'/ ‘Bab. mofto espress- L VVea - - ry and home sick, and dis- - _ tress’d, col pedal sempra. HOME SONG. \_— ‘ wan _ _- _der east, beaten ,' and blown 9:1» ;Z doubt,__. . . . . con fenere Thén stay fell. /9/9 =>/9 HOME SONG . ./4'*—"'$ _ dg; West, And are baffled —and f . 9322». fhewinds T‘ of the wi1-derness =.'.<~°,'€m. __..:_“"___. 7'61 (1 _ .2 home I 1s best . cgf semp7'e._f:§fc0Ila voce. a tempo. [I000 C1’€SC.‘ : . it\§i - ’ 3 that ’ se colla voce. '» $3 $5 - f 1ut-ter their Wings Z" {’ $3. . ~2‘.:~ an sky{.———-% 4! tempo. molfo rail.- co Ia voce. > V! 9.: HOME SONG. ' I-1.1697. NCGBOOSEY & CO.’S New and Standard Songs and Ballads. PRICE Two SI-IILLINGS E1161-I NET. The Compass of the first Key only is given: from this the Compass of the other Keys can be readily found. STEPHEN ADAMS 1CO1.L1p£\.sS of 1st key. Sung by CUP OI‘ LIFE, E7, F, G 3:: D to E3 ‘Mr. Edward Lloyd 2 WORDS. C. D? and E7 GLOE ,J[iss Clara Butt YOUNG RUYALIST’ B7’ C’)-‘E A to E7 lJ1r. Andrew Black Id D . . .» . - - MAID OF MALADAR, D, E l,_ {(1 F . . . . I D, E)’, Andi‘ . LIGHT 01-‘ THE VVORLD, E7, )_ , ,G, and A7, New Edition. . | E . .‘ C to E 'A, C. D, E? and F .. ro JACK ! F, G and A FORGE AND THE BELL, E91 Id F . . a - - ‘HE FRONT, D, E] and F . VAI.I.EY RY THE SEA, 0, D7. l and F .. - - zu, MARIE, E7, F, G and A7 HOLY CITY, A7, B7, C, and }_ 0 with Gerinan Words, in B‘). ISLAND OF DREAMS, C, D, l_ , and F - - - T AM I, LOVE, WITHOUT _ EE?GaH(IB:7‘ .. ‘I-IE FOUNTAIN, E’), F and . WORK-A-DAY WORLD, Abl d Bb , . . . . . . A,C,E7,Ea.ndF .. .. STAR OF BETHLEHEM, Eb, F, and Ab . . . . . . J ‘ ALL LOVE JACK, D, E.) and GARONNE, E9, F, G and A9 MAID OF THE MILL, Eb, F, 1 and . . OWL, B3. C and E7, .. ROMANY LASS, Ab, B7 and C LITTLE HERO, Bb, C and D .DREN OF THE CITY, D and F COMPANY, Eb, F, G and A MIDSHIPMITE, Bb, C and D “Y LEE, C, D and Eb .. TAR’s FAREWELL, D and E BLUE ALSATIAN MOUNTAINS, Eb and F . . . . . . HAMILTON AIDE EMRER OR FORGET, D and F RANGES ALLITSEN K, DIVINER LIGHT, Dnet,] I and F . . . . . . FOR A BURST OF SONG, A . . ET AND DAWN, D and F AS THE HART DESIRETII, C (I Eb . . . . V . . LORD IS MY LIGHT, 139, C _ (1 E17 . . , . NG OF THANKSGIVING, Eb, I: Dd G . . . . . . LD ENGLISH LOVE -SONG, C and Eb . . . . . . A. H. BEHREN SING THE BAR, D, E and F. . GIFT, C, Eb and F )Y, F and A . . FREDK. BEVAN EVERLASTING DAY, Eb, F,\ I nd A . . . . . I FLIGHT OF AGES, G, Ab,)> and C . . . . . . } J. BLUMENTHAL 1:, Db, and F .. I INE AND RAIN, F, G and FREDERIC CLAY WANDERED DOWN, C and Eb JOHN, D and E FELIX CORBETT ERFLIES, G and Ab . . . IE TIME OF ROSES, Db, Di I Eb . . . . . . F. H. COWEN I THE VVORLD IS FAIR, F,[ nd A . . . . . . VOICE OF THE FATHER, Eb, F and G .. . . . . SWALLOWS, F, G and A LIES ASLEEP IN THE ROSE,} D and E7 .. " PROMISE OF LIFE, and E CHIMNEY A .. C’ FJORNER, C, 1_ BJJAPER AND THE FLOWERS, , F and G. . . . . . BETTER LAND, A and C . . IING, D and E s A DREAM, C and E L. DENZA ME BACK, A, Bb and C LOUIS DIEHL 3 TO MARKET, C, D and E7 ARTHUR FOOTE. jDtoE A to D O to E7 AIOD =B;7tOE7 ‘AIJOD §GnoO ‘B7toEb‘ ECIOEQ CIGOE fDtOE ;BpIoE'7 AbtOE;7 CtoE B7toEb iAtoD_ lE;vtoE;> ,lDcoEy ALOD [7 E uua>§',°.~é'¥r2>,g,¢_3" ° 8833333 431 P’UuE,".USP‘ U er- 0 O Al-.OE DIOF AtOD AtOEb CtOEﬁ AIOD AIOD BbtOC CtOD BbtODb BﬂtOD E Bb F CtOF BbtoD CtOF CtOE AIIOC BIJOD BbtOEb BtOE CLOF BtOD BtOE B‘aOE B tOE FOLK SONG, E, F and G .. Jack Robertson J’ '. A-ndreu: Black Mr. E'¢'lward. Lloyd Mr. Edward Lloyd Mr. Maybriek Miss Clara Butt Mr. Maybrick Mdme. Belle Cole Mr. Edward Lloyd Mr. Edward Lloyd Mr. Edward Lloyd , Mr. Maybriek ‘ Mdme. Alice Gomez Mllnie. Belle Cole Mr. Edward Lloyd Mr. Edward Lloyd Mr. .‘|Iayb'r-icls Mr. Edward Lloyd Mr. Jrldward Lloyd Mr. Maybrick Mr. Edward Lloyd Mr. Maybrick Mdme. Paley Mr. Edward Lloyd Mr. Maybrielc Mr. Maybrick Mr. Santley Mr. Edward Lloyd Miss Clara Butt LC {F112 K. Raniford Miss Clara Butt Miss Maeintyre Miss Ada Crossley Miss Clara Butt Miss Clara Butt { Mr. Herbert I Thorndiloe Mdme. Ant. Sterling llldme. Ant. Sterling Miss Damian Mclme. Belle Cole Mdme. Belle Cole Miss C'lara Butt M dine. Ant. Sterling Mrs. Mary Davies M r. Santley Miss Evan. Florence Miss Clara Butt Mr. Edward Lloyd l Miss Clara J}-utt Miss Evan. Florence Miss Evan. Florence I Mdme. Belle Cole I ll" Miss Clara Untz‘ Mdme. Ant. Sterling M dine. dnt. Sterling Mdme. Ant. Sterling Mdme. Sherringlon Mdme. Marie Haze Miss A. Larlccom Mrs. Hensc/eel and Miss Louise Dale A. SCOTT GATTY WINTER, D, E and F , .., THE GALLANTS OF ENGLAND, Ab } and B12 . . . . . . I A1>ART,E7.. .. .. .., ROTHI-LSAY BAY, Eb . . . ., PLANTATION SONGS, Vols. 1, 2 and-; 3 (Six Songs in each). ‘3/- eacln EDWARD GERMAN \VHO’LI. BUY MY LAVENDER, C,! D and E . . . . . . ' IN THE MERRY MAY-TIME, G and} A7 . . . J‘ PERCY HADDOCK THE SOUL’S AWAKENING, E and G BATTISON HAYNES OFF To PHILADELPHIA, C and D . . G. HENSCHEL SPRING, F and G . . . . AMY E. HORROCKS THE BIRD AND THE ROSE, Eb] and . . . . . . , . . THE NIGHTINGALE, C and E7 . . A. L. DORILLA (LE SupeI'betta.), Eb WHEN Two THAT LOVE ARE } PARTED, Db and D 5' HEAR ME I YE WINDS AND WAVES, \, WHEN LOVE IS KIND, F.a‘.nd . FRANK LAMBERT. BEYOND THE VEIL, F, Gb, G & A LIZA LEHMANN THE MINUET, C & D . . YOU AND I (Cradle Song), Bb, C and D . . . . ‘" THE CASTILIAN MAID, C and (minor) . . . . S. LIDDLE PILORIMS OF THE NIGHT, E7, F, G and Ab . . THE MOTH & THE MAIDEN, F THE GAY GORDONS, Bb & C ARIDE WITH ME, Db, 3.'D.CI E I LOVE THEE LIFE, Db, D F. N. LOHR MARGARITA, By, C and Eb A. C. MACKENZIE A DEAR WIRIE, Eb and G THEO. MARZIALS GO, PRETTY ROSE (Duet), F and) G . E -.l and THE RI\'1«;RDI«‘ Yl§".\hI’.S, F an-d G ASK N0'1'HII\'G MORE D E9 and F NEVER TO KNOW, F,,G7anr1 Ab .. LEAVING YET LOVING, E9 and F. . THE MILLER AND THE MAID, D,} Eb and F . . . . . ' A SUMMER SHOWER, E7 and F . . TWIOKENHAM FERRY, E7 and F.‘. THREE SAILOR BOYS, A9 and Bb CONSTANCE MAUD A LIFE LESSON, B9 and C FRANK L. MOIR. LOVE IS THE STAR, Eb, F & Ab . . DOWN THE VALE, C, E? and F .. THE SONGS THE CHILDREN SING, } D,Eba.1IdF.. .. GOLDEN HARVEST, D, E and F . . A. LARK’S FLIGHT, D, F and G . . CHILDREN ASLEEP, D and F . . ONLY ONCE MORE, Eb, F and G J. L. MOLLOY THE CARNIVAL, C, D7 and . . HOME, DEARIE, HOME, D, Eb and F LIGHTHOUSE I{EEPER,,C and D . . THE LADS IN RED, Eb and F THE THREE BEGGARS, C, D and E OUR LAST WALTZ, Bb, C and D . . LOvE‘S OLD SWEET SONG, Eb, F and G . . . . . . . . TOMORROW WILL BE FRIDAY, Eb and . . . . . . . . THE BOATSWAIN’.S STORY, C, D and . . . . . . THE KERRY DANCE, Eb and F .. LONDON BRIDGE, D and E . . DARRY AND JOAN, F, G and A ALICIA A. NEEDHAM THE FAIRYfs LULLARY, E9, F, G and Ab . . . . . . THE STILE INTHE LANE, G,Ab&Bb I DREAM OE THEE, C & D HUSHEEN, Bb, C and D .. . LITTLE BLUE PIGEON, Eb and Gb .EbtOFjl; .BbtOEb :(‘n (SS Of‘ Ilsltpﬁey. Sun? by A to D } Jlllnie. Alice Gomez C to Eb I .S’i,r/nor Foli 1 CIIOF DtOEb CIOE C#tOE Jliss Evan. Florence Miss Evan. Florence B to E Mdlle. Nikita G to 1) Mr. Plzeulcet Greene Miss Evan. Florence Bb to Eb Miss Evan. Florence A to E DtOF Abto EI7 GtOEb CtOD Miss Clara Butt Miss Liza Lehmann A to D Miss Ada Crossley CtOG Dt.OF GtOEb Miss Evan. Florence Miss Louise Dale Miss Liza Lehvnann CtOEb CtOF BbtsOD AbtOF AbtOE Mr. Be-n Davies Miss Evan. Florence Mr. Andrew Black Miss Clara Butt Miss Clara Butt Mr. Edward Lloyd Mllme. Ant. Sterling Mrs. Mary Davies (0 Mcllle '1'-rebelli Miss Eleanor Rees Mr. Barringt. Foote Miss Damian Mr. Barri-ngt. Foote Mrs. Mary Davies Mrs. Mary Davies ‘ M rs. Mary 1_)aI:ies EU I70 Eb Mr. Santley Mdme. Ant. Sterling 83 cwrjb U Obi V Miss Jessie King er 0 Mllme. Ant. Sterling Mdnle. Valleria Mdme. Ant. Sterling gems tn SE54 E838” V’ Mr. Charles Chilley Mdme. Ant. Sterling Mr. Barringt. Foote Mr. Barr-ingt. Foote Mr. Barringt. Foote Mdme. Trebelli Mllme. Ant. Sterling i> ﬁogioww 3 ° 38333 o gvgcltjm Bb to E9 GEOD CIIOF AtOD CtOC Mr. Barringt. Foote Mr. Santley Mdme. Sherrington Mr. Maybrick M drne. Ant. Sterling 1 Bb to Eb I Miss Louise Dale A to D D to G B0 to D Miss Clara Butt Bb to Eb ‘Mr. Franklin Clive VVHO OARRIES THE GUN? F and G THE DONOVANS, Ab and Bb ERNEST NEWTON AILSA MINE, C, D and F C. PINSUTI THE LAST WATCH, D, F and G .. PRINCE PONIATOWSKI YEOMAN’S VVEDDING SONG, G, A] and Bb , , , . ’ ..J SAINTON-DOLBY, Mme. OUT ON THE ROCKS, Db and» Eb. .' J. SARGEANT BLOW, BLOW, THOU WINTER WIND,} B, C and D . . .. 1‘- ARTHUR SOMERVELL. ON A SUMMER MORNING, B7, C & D ARTHUR SULLIVAN THE LOST CHORD, Eb, F, G,) Ab and A . . . . , . ‘ MY DEAREST HEART, A9 and B9. . ST. AGNES‘ EVE, C and E . . LET ME DREAM AGAIN, C, D and SLEEP, MY LOVE, Db and F . . ONCE AGAIN, D and F . . GOLDEN DAYS, D . . LOOKING RACK, D and F . . WILL HE COME? D, and F C. V. STANFORD IS IT THE WIND OR THE DAWN,) Duet,G&A .. .. ...)' THE CALICO DRESS, F and Ab . . MY LOvE’S AN ARDUTUS, F, G,‘y Aband Bb .. .. .. FATHER O’FLYNN, Ab,Bb and C LEO. STERN OH FOR A DAY OF SPRING, C and Eb G. H. STONE. A DOLLY AND A COACH, Eb, F & G HOPE TEMPLE THE SOENT OF THE I\'.IIGN0I\'ETTE,l C, D, Eb and . . ‘ ALL MY VVORLD, D, Eb and F .. SLEEP, MY BELOVED, F, G and Ab RORY DARLIN’, Eb and F . . MEMORIES, F and Ab . . . . THOUGHTS AND TEARS, C, Db, Eb and F . . . . . . } IN SWEET SEI>TEMnER, D, and F A MOTHI-1R’S LOVE, E17, F and G MY LADY’S BOWER, Eb, F and G FOND HEART, FARE\VELI., C, Db and Eb . . . . . . AN OLD GARDEN, G, Ab and Bb. . VVERE WE LOVERS THEN? Eb, F and G . . . . . . VVHEN WE MEET, F, G and A . . A. GORING THOMAS THE BLAcKSMITH’S I'IAM1\IER, Eb and F . . . . . . . . WINDS IN THE TREES, C, Eb & F H. TROTERE THE DEATHLESS ARMY, A and Bb R. H. WALTHEW MAY-DAY, Ab, Bb & C . . .. BREAK, BREAK, BREAK, C and D. . APRIL AND I, C, Eb, and F . . ELDORADO, C and D . . GLEANER’S SLUMDER SONG, Eb &F F. E. WEATHERLY BEE AND THE SONG, G and Bb FRED. J. WHISHAW VAINI<A’S SONG, F and G MAUDE V. WHITE LITTLE BOY LOVE, D, E and F minor . . . . . . WHEN YOU RETURN, Bb, C, D KING CHARLES, G .. . . LOVE ME, SWEET, WITH ALL THOI.’ ART, D, F and G .. .. H. LANE WILSON {ARRANGED BY) COME, LET’S BE MERRY, Bb WHEN DULL CARE, F AND G ‘I’; )1! A SAILOR LOVED A LASS, Eb . ALICIA A. NEEDHAM-coma. C°;;1,1’;}:§, 0“ Bb tOD Ab ‘oOF C DOD DtOE A9 to DJ; Fit tOD CtOD CIOD AbtOEb AIGOD B1? to Eb toE BbtoEb AbtoD EIOF Bt3OE BbtOEb CtOD Cit Bb tOEb GtOD AbOD E E0 E 0 El? BbtoF tOF tOEb toD ﬁtOD Bb to AtOD GtOEb K M r. M r. M '. '. Sa-ntley Miss Ada Cro Signor Foli ,\ Miss Ada Cro Mdmc. Ant. 8. Mrs. Osgood Miss Clara B1 Mdme. Nilssoi Mrlnze. Paley Mr. Sims Ree Mdme. Patsy ' Mdme. Pale Mllme. Treb Mdme. Paley Miss Maggie L Mr. Plunlcet G {M72 Sanlley Signor Foli Miss Clara Bil Miss Lucy Cla Mdme. Belle 0 Mr. Herbert Mr. Ben Dam” Miss M. Ellio ‘, Mr. Ben Dam’ , Mdme. C. San Mdine. Belle Cl Mr. Santley ' Miss Eleanor M-r. Barringt. — Mdlle. Trebell Mr. W. H. Bu Miss Louise D Miss Clara Bi Mme. Bertha IT Mr. Franklin Miss Ada Ora. Mrs. Mary D E Md-me. Al-ice G , Miss Louise D l Miss Clara Bu} ! Mr. Plunket G : Mdme. Alice Eb Mr. H. Lane Mr. H. Lane ‘Mr. H. Lane I 1 *,,* The above Songs rnay be sung in public without fee or license. The public perrormance of any parodied versions, however. is strictly prohibited. OSEY & CE, 295, Reent St., London, Music Publishers & Band Instrument Manufacturii
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Date: 1904
Text: MU"~i»‘3 Lianr-Hay vksssrua -tr;.e,~,,r_r_;E :‘$""IV' u_.-Cr,-V EDITION JCHMIDT, No. 95 Hiawat/7a’s Wooing (A MELODRAMA) WITH MUJIC FOR THE PIANOFO-RTE ... BY... ROJJETTER G. COLE 0?. 20 / \ / .5’ ‘V ' I \\s\\'''. “‘*I._ \ . " ' , __ . ~ - V.‘ V '/Z’ /O % (A Melodrama) . . p ‘ P /, /L - 11% 4’ “ ode/2/fﬂoiny oI73f ows ” 309g of Hiawatha tbvc’ Pia?) ofgrte ﬂy /T 1®SSETTER G. cou: $$I.oe,p. op. 20 AI{l‘HU1{P. SCHMIDT BOSTON, LEIPZICI, NEW...
Show moreMU"~i»‘3 Lianr-Hay vksssrua -tr;.e,~,,r_r_;E :‘$""IV' u_.-Cr,-V EDITION JCHMIDT, No. 95 Hiawat/7a’s Wooing (A MELODRAMA) WITH MUJIC FOR THE PIANOFO-RTE ... BY... ROJJETTER G. COLE 0?. 20 / \ / .5’ ‘V ' I \\s\\'''. “‘*I._ \ . " ' , __ . ~ - V.‘ V '/Z’ /O % (A Melodrama) . . p ‘ P /, /L - 11% 4’ “ ode/2/fﬂoiny oI73f ows ” 309g of Hiawatha tbvc’ Pia?) ofgrte ﬂy /T 1®SSETTER G. cou: $$I.oe,p. op. 20 AI{l‘HU1{P. SCHMIDT BOSTON, LEIPZICI, NEW YORK) no Bo)/[51:07 St. 156 Fijtb Ave Copyright 1903 by Arthur P Scbrpidt A.P. S. 6348 Note. In order to bringpout a more complete unity in the interpretation of the musical and poetic thought, it is essential, when the poem is recited, that at certain moments the strong pulses of the music and poetry should be synchronous; The bar—line 'has been used to indicate this, as at the beginning of the poem and elsewhere. At other places, as on page 8, measures 1, 3, 4 and 5, the beginning oﬁeach verse should coincide with the part of the musical measure over which the first word ap_ pears, the rhythmical delivery of the verse being free, following the reader’s interpretation. Where no bar—lines_are used, it is not essential that the measure—forms of the music and poetry should co- incide, except in their general movement. The rhetorical pauses will necessarily be some- What longer than when the poem is read Without ac- companiment, the music acting as interpreter when the reader is silent. To ESTELLE 111. 6' /ARK. HiaWa.tha’s Wooing. From “The Song of Hiawatha” (Canto X) HE'JV1:’Y WADSWORTII L01m1«iEL1,01V ’ ROSSETTER G, COLE‘ Op. 20. Allegretto. (J :92) ])(J(’0 (’I‘¢',’S(? . A.P.S. 6348-25 Copyright 1904 byArthur P. S0l1m1'dt. poco rit. Adagio-(-1:66 A.P.S. 6348-25 :2}-— poco ml. 1’ “As unto the I bow the cord is, N Eng‘ So unto the I rs’? ,:'%,cA ' \! ‘w . ‘ ﬁr ‘ ‘.1 ~ - , L‘ man is woman, Though she o|_ bends him, she obeys him, Though she] _/K‘: i A.P.S. 6348-25 draws him, yet she follows, pow (‘7'6’.S‘(‘. +2 aocel. Thus the youthful Hiawatha Said within himself and pondered, > T’ plexed by various feelings, I Listless, >. ‘F. still of Minnehaha, land of the Dacotahs. AP. 6:—348— 25 I Useless each without the other!” ﬁr Much per_I longing, I hoping, fearing, Dreaming :> V:> 1’ Of the I lovely Laughing Water, ~36- “VVed a maiden of your people,” 7 Warning said the old Nokomis; “Go not I eastward, go not westward For a | voila vace K? >- stranger, whom we know not! Like a I fire upon the hearth-st0ne Is a I /“S ‘[ pf b ./-\, neigborjs homely daughter, Like the I starlight or the moonlight Is the I /-\ {'7 ijgyw T handsomest of strangers!” Thus diS_l <77?/‘> pace agitato suading spoke Nokomis, And my I Hiawatha answered Only this: Andante. (Jns) a tempo A.P. S. 6348-25 “Dear old Nokomis, Very pleasant is the firelight, T T:-;’;.__."' ‘‘‘*___,e-— 170"" But I like the starlight better, Better doI like the moonlight!” 1’ poco me 0 . P P as: ‘fab. >§< ‘Jim. >15: ‘Ea Gravely then said old Nokomis: here an idle maiden, Bring not here a useless woman, Hands unskillful, feet unwilling; Bring a wife with nimble fingers, Heart and hand that A.P.S. 6348-25 move together, Feet that run on Willing errands!” poco meno am. % daughter, Minnehaha, Laughing Water, Handsomest of all the women. Iwill bring ‘fa. .35. Ta. 5%? 4&3 3: her to our Wigwam, She shall I run upon your errands, starlight, moonlight, firelight, Be the I sunlight of my peop1e!‘’’ /’ ’\ .ig,,'z_g<,.“‘ A.P.S. 6348- 25 ‘ Still dis- I suading said Nokomisz ,2‘ _ “Bring not to my poco Allegro }, . loidge astranger Fromthe land ofthe Dacotahs! Very I fierce are the I)a(:ot'ahs, f3 " pom acvel. ‘Often is there War between us, There are feuds yet unf0_r— I > - 0 gotten, \V0unds that I ache and stillmayl _/_\ /._.__\ R #’*‘~i- 3. )1. :7 dim. e Mt. poco a [moo > Laughing an:<wered Hiawatha: 6348-25 11 “For that reason, if no other, Would 1 Wed the fair Dacotah, Quasi Allegretto. (J=92) 1 — That our tribes might be u— I nited, That old feuds might be for_| gotten, And old Wounds be healed forever!’>” poco meno ~§ > > Thus de-I parted Hiawatha To the land of the Dacotahs, To the land of handsome I Women; Striding over moor andI ALP S. 6348-25 meadow, Through interminable forests, Through uninterrupted silence. > > > > pow 7-it. > > ' With his | > I: omit if necessary ,,f tempo girth. % ’ . _ 3%; moccasins of magic, At each stride a I mile he measured; Yet the > > > ' ‘Eb. 9% > way seemed long before him, And his heart outran his footsteps; And he I journeyed without resting, Till he heard the cataract’s laughter, Heard the I [L A.P. S. 6348-25 Falls of Minnehaha Calling to him through the silence. . -/T 7'11. 9 dim. _ “Pleasant isthe sound!” + “Pleasant is the voice that calls me!” On thel piu lento he murmured, /N a fey-mp0 E 5:23. 3* Tab. °"" outskirts of the forest, ’Twixt the shadow and the sunshine, Herds of pow creso. fallow deer were feeding, But they saw not Hiawatha,- /3 hf \U bow he whispered, “Fail not!” To his I arrow whispered, “Swerve not!” Allegro (J: 116) L17‘ L17- g_/\_/\_/ 1') calla vozge a tempo A.P.S.6348—25 errand, To the red heart of the roebuckg Sent it. singing on its R. “W as gm. Threw the deer across his shoulder, And sped forward without pausing. Maestoso. (J=92)' >. > >. 17 - : H pow acéel. JV At the doorway of his Wigwam Sat the ancient Arrow-rnaker, In the land of the Dacotahs, Making arrow"-heads of jasper, Arrow-heads of chalcedony. At his side, in all her beauty, Sat the lovely Minnehaha, Sat his Dreamily. (J: 56) A.P. S. 6348-25 15 daughter, Laughing Water, Plaiting mats of flags and rushes; Of the | ‘Site. . H 3* ‘Sire. 9‘ past the old man’s thoughts were, And the I maiden’s of the future. ti? 8 He was thinking, as he sat there, Of the days when with such arrowsﬂehadl PP /‘\ struck the deer and bison, On the Muskoday, the meadow, ‘Shot "the con moto (Jzioo) Wild goose, flying southward, On the wing, the Glamorous A.P. S. 6348-25 How they came to buy his a_ri' /x f\ . . arrows . Ah, > > Adagio. ff earth as they were! . ~36 tongues for Weapons! b A.P. S. 6348-25 T Thinking of the great war- parties, 2 = $1 2' \* <1; ows, Could not fight without his| /\ f\ /\ ,\ u . - , }.p (‘7‘€S(?. no more such I noble Warriors Could be found on I Now the men were all like Women, Only used their poco piu moto W. % mp 17 She was thinking of a hunter, From another tribe and country,. ppf7’;'Wp0 4____j___ i . U — [Young and tall and very handsome, W110 one morning, in the Spring _time, Came to buy her father’s arrows, Sat and rested in the Wigwam, A > > > => Lingered long about the doorway, Looking back as he (1 arted. She had I d b . 4 22 gm. * 53%. >%<‘£m. heard her father praise him, Praise his courage and his wisdom; ‘Ea. * 6533- >%< ‘fizz ‘ﬂab. 6% AP. S. 6348-2.5 Would he come again for arrows To the Falls of Minnehaha? b ‘ /—\ \, rm Dreamily. A/i~i: — j pp a tempo izém On the mat her hands lay idle, And her eyes were very; dreamy. [— Tzb. -gg \-/ 9113* Through their thoughts they heard a footstep, Heard a rustling in the Allegro molto. (J:;32) If .. . branches, And with glowing cheek and forehead, With the shoulders, A.P. S. 6348-25 Suddenly from out the woodlands Hiawatha stood before them. Maestoso. ff Straight the ancient Arrow-maker I >§< ‘sun. =%< Looked up gravely from his labor, Laid aside the unfinished arrow, Li? L_/ Bade him enter at the doorway, Saying, as he rose to meet him; V “Hiawatha,you are welcome!” At thel feet of Laughing Water Hiawatha Presto.( -:76 laid his Aburden, Threwthe red deer from - shoulders; Andthe maiden looked up at him, [ repeat 2]’ necessary I Looked up from her that of rushes, Said with gentle look and accent, ‘Sta. 1' ° as “You are welcome, Hiawatha!" Very I spacious was the Wigwam, Lento." (JJ-) 5-1’: Allegro. ‘(J.= 66) 2; slow arpeg. ‘S222. deerskin dressed and whitened, .> ’T 77‘zf > A.P. S. 6348-25 the Gods of the Dacotahs Drawn " and painted Curtains, And so tall the doorway, > /*3 mf Hiawatha stooped to enter, touched his 1 eagle-feathers As he entered at the doorway. paco rit. Then uprose the Laughing Water, From the ground fair Minnehaha, Laid aside Adagio. (Jzes) A.P.S. 6348-25 22’ her mat unfinished, Brought forth food and set before them,Water brought them from the brooklet, Gave them food in earthern vessels, Gave them I drink in bowls of bass —wood, | L; Listened while the guest was speaking, Listenedwhileherl . 000 ?rz't. -5. J father answered, But not I once her lips she opened, T‘ Not a single word she uttered. Yes, as in a dream she I A.P.\S.6348~25 23 listened To the words of Hiawatha, As he talked of old Nokomis, Vvho had nursed him in his childhood, As he mf:.j“-—— D > /R told of his companions, Chibiabos, the musician, And the very strong man, Kwasind, F dim. J >' d > And of happiness and plenty In the land of the Ojibways, In the . J- . xi‘: "”" pleasant land and peaceful. “After many years of Warfare, Many years of I > strife and bloodshed, There is I peace between the Ojibways And the tribeof’theDaCotahs’.’ #. A..P.S. 63-18v 25 Thus continued Hiawatha, And then added,speaking slowly, “That this peace may ‘last forever, 1’ hands be clasped more closely, And our hearts be more u — Give me as. my Wife this maiden, poco accel. e 0072 ferzvnre Minnehaha, Laughing Water,“ Loveliest of A.15.S.634s—25 25 Dacotah Women!” And the ancieni | dim. e r2't. U V’ T ArroW—maker Paused a moment ere he I answered, 1) a tempo Smoked a little While in silence, Looked at Hiawatha proudly, Fondly looked at Laughing Water, And made answer very I gravely: ‘ “Yes, if Minnehaha I Wishes;Letyourheart speak, {T A.P. S. 6348-25 26 Minnehaha! ” 2 ‘Sim. lovely Laughing\Vater Seemed more lovely, as she stood there, Neither willing nor reluctant, As she Went to Hiawatha, Softly took the seat beside him, While she said, and blushed to say it, {I/7-—_—“T 2 ‘£210. 3;; yga. follow you, my husband!” “Rah. A.P. S. 6348-25 This was Hiawathzfs wooing! Thus it was he W011 the daughter Allegretto. \-Z. (”l'6’S(‘. p000 a nun [ega fr‘; Of the ancient .«‘;r:r0w—maker, In the land of the Dacotahsl Xﬁ _ A.P. S. 6348-25
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Date: 1898
Text: E COMPOSITIONS BY S. COLERIDGE-TAYLOR (VOCAL). CANTATAS. ATONEMENT, THE (Op. 53). A Sacred Cantata for Soli, Chorus, and Orchestra. The words written by ALICE PARSONS .. .. .. .. .. .. .. Paper board=, 6s. 6d. Cloth, gilt, 7s. 6d. Vocal Parts, 23. 6d. each. \VOrdS Only, 8d., or 33s. 4d. per 100. String Parts, 28s. 6d. Full Score and Wind Parts, MS. BLIND GIRL OF CASTEL-CUILLE, THE (Op. 43). Cantata for Soprano and Baritone Soli, Chorus, and Orchestra. The Poem translated from the Gascon of...
Show moreE COMPOSITIONS BY S. COLERIDGE-TAYLOR (VOCAL). CANTATAS. ATONEMENT, THE (Op. 53). A Sacred Cantata for Soli, Chorus, and Orchestra. The words written by ALICE PARSONS .. .. .. .. .. .. .. Paper board=, 6s. 6d. Cloth, gilt, 7s. 6d. Vocal Parts, 23. 6d. each. \VOrdS Only, 8d., or 33s. 4d. per 100. String Parts, 28s. 6d. Full Score and Wind Parts, MS. BLIND GIRL OF CASTEL-CUILLE, THE (Op. 43). Cantata for Soprano and Baritone Soli, Chorus, and Orchestra. The Poem translated from the Gascon of JASMIN, by H. W. LONGFELLOW. Revised Edition .. .. Paper Boards, 5S. Tonic Sol-fa, IS. 6d. Vocal Parts, IS. 6d. each. Words only, gs. 6d. per IOO. String Parts, 17s. Full Score and Wind Parts, MS. BON-BON SUITE (Op. 68). Baritone Solo, Chorus, and Orchestra. ' The Wordsby THOMAS MOORE . . .. Tonic Sol-fa, rs. 6d. Book of Words, 45. per Ioo. String Parts, IIS. 3d. Full Score and VVind Parts, MS. ENDYMION’S DREAM (Op. 65). and Tenor Soli, Chorus, and. Orchestra. C. R. B. BARRETT .. .. .. .. .. .. Tonic Sol-fa, Is. String Parts, IOS. 6:1. Full Score and Wind Parts, MS. Words by HIAWATHA, SCENES FROM THE SONG OF (Op. 30). For Soprano, Tenor, and Baritone Soli, Chorus, an Orchestra. Words by Longfellow. Complete .. . . Paper Boards, 6S. 6d. Cloth, gilt, 7s.'6d. Tonic—SOl-fa, 3s. Vocal Parts, 3S. each. Book of words, with Analyses by J. BENNETT and A. J.-JAEGER, 1s. 4d. Words only, 12s. 6d. per IOO. Full Score, 635. SEPARATELY FROM THE ABOVE I-— I. HIAWATHA’S WEDDING-FEAST (Op. 30, NO. I). Cantata for Tenor Solo, Chorus, and Orchestra . . . . Tonic Sol-fa, IS. 6d. Vocal Parts, IS. 6d. each. I/Vords only 65. 6d. per. 100. String Parts, I25. gd. ,Wind Parts, 325. 4d. Full Score, 25S. Vocal Score, German VVords, by FERDINAND FREII.IGRA_T'r, 4s. 6d. Pianoforte Solo (Arr. by JOHN POINTER),‘5S. 6d. 2. THE DEATH OF MINNEHAHA (Op. 30, No. 2). Caiitatafor Soprano and Baritone Soli, Chorus, and Orchestra . . . . . . . . . '. . .. . . Tonic SO1-fa, IS. 6d. Vocal Parts, IS. 6d._ each. VVordS only, 65. 6d. per 100. String Parts, 113. 3d. Wind Parts, 315. 3d. Full Score, 255. Pianoforte Solo (Arr. by JOHN POINTER), 5s. 6d. 3. I-[IAWATHA’S DEPARTURE (Op. 30, No. 4). Cantata for Soprano, Tenor, and Baritone Soli, Chorus, and Orchestra . . . . .. . . . . . . . . Tonic Sol-fa, IS. 6d. Vocal Parts, IS. 6d. each. Words only, 95. 6d. per IOO. String Parts, 185. Wind Parts, 503. 8d. Full Score, 30s,j KUBLA KHAN (Op. 61). A Rhapsody for Solo, Chorus, and Orchestra. The Words by COLERIDGE . . . Tonic Sol-fa. Is. 6d. String Parts, 155. Parts, MS. MEG BLANE (Op. 48). Mezzo-SopranofSOlO, Chorus, and Orchestra. written by ROBERT BUCHANAN .. .. .. .. .. Tonic Sol-fa, Is. Vocal Parts, ,2s. 6d. each. VVords only, 6s. 6d. per 100. String Parts, IOS. 6d. Full Score and Wind Parts, MS. I ' TALE OF OLD JAPAN, A (Op. 76). For Soli, Chorus, and Orchestra. The Poem by ALFRED NOYES .. .. . . Paper boards, 5S. Cloth, gilt, 6s. Tonic Sol-fa, 2s. 6d. Words Only, 95. 6d. per mo. Vocal Parts, IS. 6d. each. String Parts, 165.‘ 3d. Full Score and Wind Parts (on hire only). Full Score and A Rhapsody of the Sea for The VVords A Cantata for Soprano‘ S. d. SONGS. AMERICAN LYRICS, SIX (Op. 45). (Contralto or Baritone) :— I. O THOU, MINE OTHER, STRONGER PART . O PRAISE ME NOT .. . . . . . HER LOVE . . . . .. . THE DARK EYE HAS LEFT US . O SHIP THAT SAILEST . BEAT, BEAT, DRUMS. MS.) .. .. (Full Score and OI‘chestI‘al Partisi, As THE MoON’S SOFT SPLENDOUR (Op. 37, No. 5). (SI-IELLEY.) For Contralto or Baritone .. .. .. .. . . BLOOD-RED RING HUNG ROUND THE MOON, A(Op. 37, No. 3). (BARRY DANE.) In G minor and C minor . . .. .. CANOE SONG (Op. 37, No.2). (ISABELLA CRAWFORD.) In D ﬂat andF .. .. .. . .. .. .. .. ELEANORE (Op. 37, No.6). (ERIC INIACKAV.) In D, B ﬂat, A, and C. Full Score and Orchestral Parts in D and A Only, MS. GREAT IS HE \vHO FUSED THE MIGHT. Drinking Song, from “Ulysses.” For Tenor .. .. .. .. .. HIAWATIIA (Movements from): HIAwATHA'S VISION. Dramatic Scena for Baritone. From “ Hiawatha’S Departure.” English and German VVOrds. Full Score, 65. Orchestral Parts, MS. . . .. . . ONAWAY! A\VAICE, BELOVED ! From “ Hiawatha‘s .\Ve(lclIng-Feast” (Op. 30, No. I). In 1) ﬂat, Baritone; In G ﬂat, Tenor. (String Parts, 2s. 8d. VVind Parts, 45. 8d. Full Score, 73. 6d. Military Band Parts, 75. 6d.) (Orchestral Parts to Tenor key Only.) SPRING HAD COME. _ For Soprano. From “ HiawatlIa’S Departure." English and German VVOrds. Full Score, 55. 6d. Orchestral Parts, MS. .. .. . . . . 0 SET, THE SAILS. From “ Ulysses.” For Tenor .. .. .. SONS OF THE SEA. (SAROGINI NAIDU.) In F minor and E minor. ‘ Full Score and Orchestral Parts in F Ininor, MS. SOUL’S EXPRESSION, THE (Op. 42). Four Sonnets by ELIZAIIETH BARRETT BROWNING. Contralto .. » -.. .. .. I. The Soul’s Expression; 2. Tears; '3. Grief; 4. Comfort. Full Score and Orchestral Parts, MS. I" SwEET EVENINGS COME AND Go, LOVE (Op. 37, No. 4). (GEORGE ELIOT.) In FandBﬂat.. .. .. .. .. .. WHO CALLS? (From “ Endymion’s Dream.,’’) (The Words by C. R. B. BARRETT.) Tenor .. .. .. .. .. YOU’LI. LOVE ME YET (Op. 37, No. I). (ROBERT BRO\vNI.\G.) In G minor and B minor .. . . . . . . . DUET. KEEP THOSE EYES. (THOMAS MOORE.) Soprano and Tenor ANTHEMS AND SERVICE. BREAK FORTH INTO JOY .. BY THE WATERS OF BABYLON. IN THEE, O LORD, HAVE I PUT MY TRUST. LIFT UP YOUR HEADS. Sol-fa, I%d. . LORD IS MY STRENGTH, THE. Sol-fa, 3d. .. Now LATE ON THE SABBATH DAY. Sol-fa, 2d. 0 YE THAT LOVE THE LORD. Sol-fa, 2d. .. TEDEUM. InF .. .. .. .. BENEDICTUS. In F ]UI3II.ATE. In F MAGNIPICAT AND PART-SONGS, ETC. BY THE LONE SEASHORE. Sol-fa, 2d. EVENING STAR, THE. Sol-fa, 2d. LEE-SHORE, THE. Sol-fa, 2d. .. LORD! HEARREN To ME. Epilogue. “Meg Blane”) .. .. .. .. .. .. .. SEA-DRIFT. (Op. 69.) Rhapsody. For 8 Voices. Sol-fa, 6d. .. SONG OF PROSERPINE. Sol-fa, I%f'l. .. .. .. .. .. WHISPERS or SUMMER. Sol-fa, 2d. .. .. .. PART—SONGS FOR FEMALE AND BOYS’ VOICES. ENCINCTURED wITH A TWINE OF LEAVES. Sol-fa, 2d. .. .. FROM THE GREEN HEART OF THE WATERS. (From “UlysSes.”) ol-fa_.2d. .. .. .. .. .. .. .. .. PIXIES, TI-IE. Sol-fa, 2d. WHAT CAN LAMBKINS DO. ‘Sol-fa',‘2d. I: °.. .. Sol-fa, 2d. .. NUNC DIMITTIS. In F (S.A.T.B.) ”Chor.u's, 8 Voices. . . (Froiri Sol-ifa,2d.” '. II II (July. 1923-) LONDON: NOVELLO AND COMPANY, LIMITED. NEJNNN 5” 00000000000 9 0% O\O\-¥¥N-{BJN-A¢-k ’NOVELLO’S ORIGINAL OCTAVO EDITION. To SIR GEORGE GROVE, C.B. AS A SLIGHT TOKEN OF SINCEREST AFFECTION, RESPECT, AND. ADMIRATION. SCENES FROM THE SONG OF HIAVVATHA No. I. HIAWATHA’S WEDDINGFEAST A CANTATA FOR TENOR SOLO, CHORUS, AND ORCHESTRA THE WORDS WRITTEN BY H. W. LONGFELLOW THE MUSIC COMPOSED BY S. COLERIDGE-TAYLOR. (OP. 30, No. 1.) (PRICE Two SHILLINGS AND SIXPENCE.) LONDON: NOVELLO AND COMPANY, LIMITED. NEW YORK: THE H. VV. GRAY CO., SOLE AGENTS FOR THE U.S.A Copy;/riglzz‘, I898, by Novella and Company, Limited. The right of Public Repe/esentazfion and Pee/fwmcmee is reserved. MADE IN ENGLAND. Hiawathefs Wedding - Feast (OP. 30, NO. 1.) The Death Minnehaha (OP. 30, No. 2.) COMPOSED BY S. COLERIDGE-TAYLOR. ARRANGED FOR PIANOFORTE SOLO BY JOHN POINTER. (PRICE FIVE SHILLING9 AND SIXPENCE EACH.) LONDON: NOVELLO AND COMPANY. LIMITED. MADE IN ENGLAND. SCENES FROM THE SONG OF HIAVVATHA. I. HIAWATHA’S WEDDING FEAST. You shall hear how Pan-Puk-Keewis, How the handsome Yenadizze, Danced at Hiawatha’s wedding; How the gentle Chibiabos, He the sweetest of musicians, Sang his songs of love and longing ; How Iagoo, the great boaster, He the marvellous storyteller, Told his tales of strange adventure, That the feast might be more joyous, That the time might pass more gaily, And the guests be more contented. Sumptuous was the feast Nokomis Made at Hiawatha’s wedding. All the bowls were made of bass-wood. White and polished very smoothly, All the spoons of horn of bison, Black and polished very smoothly. She had sent through all the village Messengers with wands of willow, As a sign of invitation, As a token of the feasting; And the wedding-guests assembled, Clad in all their richest raiment, Robes of fur and belts of Wampum, Splendid with their paint and plumage, Beautiful with beads and tassels. Fir st they ate the sturgeon, Nahma, And the pike, the Maskenozha, Caught and cooked by old Nokomis, Then on pemican they feasted, Pemican and buffalo marrow, Ha-unch of deer and hump of bison, Yellow cakes of the Mondamin, And the wild rice of the river. But the gracious Hiawatha, And the lovely Laughing Water, And the careful old Nokomis, Tasted not the food before them, Only waited on the others, Only served their guests in silence. And when all the guests had ﬁnished, Old N okomis, brisk and busy, From an ample pouch of otter, Filled the red stone pipes for smoking With tobacco from the South-land, Mixed with bark of the red willow, And with herbs and leaves of fragrance. Then she said, “O Pan-Puk-Keewis, Dance for us your merry dances, Dance the Beggar’s Dance to please us, That the feast may be more joyous, That the time may pass more gaily, And our guests be more contented ! " Then the handsome Pau~Puk-Keewis, He the idle Yenadizze, He the merry mischief-maker, Whom the people called the Storm-Fool, Rose among the guests assembled. Skilled was he in sports and pastimes, In the merry dance of snow-shoes, In the play of quoits and ball-play ; Skilled was he in games of hazard, In all games of skill and hazard, Pugasaing, the Bowl and Counters, Koomtassoo, the Game of Plum-stones. Though the warriors called him Faint-Heart. Called him coward, Shaugodaya, Idler, gambler, Yenadizze, Little heeded he their jesting, Little cared he for their insults, For the women and the maidens Loved the handsome Pau—Puk-Keewis. He was dressed in shirt of doe-skin, White and soft, and fringed with ermine, All inwrought with beads of wampum ; He was dressed in deer-skin leggings, Fringed with hedgehog quills and ermine, And in mocassins of buck-skin Thick with quills and beads embroidered. On his head were plumes of swan’s down, On his heels were tails of foxes, In one hand a fan of feathers. And a pipe was in the other. Barred with streaks of red and yellow, Streaks of blue and bright Vermilion, HIAwArHA’s WEDDING-FEAST. Shone the face of Pau—Puk-Keewis. From his forehead fell his tresses. Smooth and parted like a woman’s. Shining bright with oil, and plaited, Hung with braids of scented grasses, As among the guests assembled, To the sound of ﬂutes and singing, To the sounds of drums and voices, Rose the handsome Pau-Puk-Keewis, And began his mystic dances. First he danced a solemn measure, Very slow in step and gesture, In and out among the pine trees, Through the shadows and the sunshine, Treading softly like a panther, Then more swiftly and still swifter, Whirling, spinning round in circles, Leaping o’er the guests assembled, Eddying round and round the Wigwam, Till the leaves went whirling with him, Till the dust and wind together Swept in eddies round about him. Then along the sandy margin Of the lake, the Big—Sea-Water, On he sped with frenzied gestures, Stamped upon the sand, and tossed it Wildly in the air around him ; Till the wind became a whirlwind, Till the sand was blown and sifted Like great snowdrifts o’er the landscape, Heaping all the shores with Sand Dunes, Sand Hills of the N agow Wudjool Thus the merry Pau-Puk-Keewis Danced his Beggar’s Dance to please them, And, returning, sat down laughing There among the guests assembled, Sat and fanned himself serenely With his fan of turkey-feathers. Then they said to Chibiabos, To the friend of Hiawatha, To the sweetest of all singers. To the best of all musicians, “ Sing to us, 0 Chibiabos! Songs of love and songs of longing, That the feast may be more joyous, That the time may pass more gaily, And our guests be more contented 1 °‘ And the gentle Chibiabos Sang in accents sweet and tender, Sang in tones of deep emotion, Songs of love and songs of longing, Looking still at Hiawatha, 7 Looking at fair Laughing Water, Sang he softly, sang in this wise: “ Onaway! Awake, beloved! Thou the Wild-ﬂower of the forestl Thou the wild-bird of the prairie ! Thou with eyes so soft and fawn-like! “ If thou only lookest at me, I am happy, I am happy, As the lilies of the prairie, When they feel the dew upon them I “ Sweet thy breath is as the fragrance Of the wild—ﬂowers in the morning, As their fragrance is at evening, In the Moon when leaves are falling. “ Does not all the blood within me Leap to meet thee, leap to meet thee, As the springs to meet the sunshine, In the Moon when nights are brightest? “ Onaway! my heart sings to thee, Sings with joy when thou art near me, As the sighing, singing branches In the pleasant Moon of Strawberries! “When thou art not pleased, beloved, Then my heart is sad and darkened, As the shining river darkens When the clouds drop shadows on it! “ When thou smilest, my beloved, Then my troubled heart is brightened, As in sunshine gleam the ripples That the cold wind makes in rivers. “ Smiles the earth, and smile the waters, Smile the cloudless skies above us, But I lose the way of smiling When thou art no longer near me l “I myself, myself I behold me ! Blood of my beating heart, behold me i O awake, awake, beloved ! Onaway 1 awake, beloved ! ” Thus the gentle Chibiabos Sang his song of love and longing ; And Iagoo, the great boaster, He the marvellous storyteller, He the friend of old N okomis, Jealous of the sweet musician, Jealous of the applause they gave him, Saw in all the eyes around him, Saw in all their looks and gestures, That the wedding-guests assembled Longed to hear his pleasant stories, His immeasurable falsehoods. Very boastful was Iagoo: Never heard he an adventure But himself had made a greater; Never any deed of daring But himself had done a bolder; Never any marvellous story But himself could tell a stranger. Would you listen to his boasting, Would you only give him credence, No one ever shot an arrow Half so far and high as he had.; Ever caught so many ﬁshes, Ever killed so many reindeer, Ever trapped so many beaver! None could run so fast as he could, None could dive so deep as he could, HIAWA'1‘HA’S N one could swim so far as he could; None had made so many journeys, None had seen so many wonders, As this wonderful Iagoo, As this marvellous storyteller! Thus his name became a by-word And a jest among the people ! And whene’er a boastful hunter Praised his own address too highly, Or a warrior, home returning, Talked too mucl1 of his achievements, All his hearers cried, “ Iagoo ! Here’s Iagoo come among us ! ” He it was who carved the cradle Of the little Hiawatha, Carved its framework out of linden, Bound it strong with reindeer’s sinews; He it was who taught him later How to make his bows and arrows, How to make the bows of ash-tree, And the arrows of the oak-tree. So among the guests assembled Hiawa/tha, the Prophet, the Teacher; son of jlludjekeewis, the West-Wind, and Wenonah, daughter of Nolcomis. WEDDING-FEAST. At my Hiawatha’s Wedding Sat Iagoo, old and ugly, Sat the marvellous storyteller. And they said, “ 0 good Iagoo, Tell us now a tale of wonder, Tell us of some strange adventure, That the feast may be more joyous, That the time may pass more gaily, And our guests be more contented! ” And Iagoo answered straightway, “You shall hear a tale of wonder, You shall hear of strange adventures.” So he told the strange adventures Of Osseo, the Magician, From the Evening Star descended. V Such was Hiawatha’s Wedding, Thus the wedding-banquet ended, And the wedding-guests departed, Leaving Hiawatha happy With the night and Minnehaha. Minneha’ha, Laughing Water; wife of Ifiawatha. Pau-Puk-Kee’wis, the handsome Yenadizze, the Storm-Fool. Yenadiz’ze, an idler and gambler ; an Indian dandy. Chibia’bos, a musician; friend of Hiawatha, Ruler in the Land of Spirits. Ia’go0, a great boaster and storyteller. Nol<o’n1is, grandmother of Hiawatha ; mother of Wenonah. Nah’ma, the sturgeon. Masken0'zha, the pike. Pem’ican, meat of the deer or buﬂalo, dried and pounded. Monda’min, Indian corn. Pugasaing', the game of bowl and counters. Koomtassoo’, the game of plum—stones. Shaugada’ya, a coward. Na'gow Wudjoo’, the Sand Dunes of Lake Superior. Onaway’, awake. Osse'o, Son of the Evening Star. SCENES FROM THE SONG OF HIAWATHA. I. HIAWATI-IA’S WEDDING FEAST. LONGFELLOW. S. COLERIDGE-TAYLOR (OP. 30, No. 1). Allegro moderate. J = 136. > > ./'\ _ /'\ Fl. (6 Trombe. P — T- :> } Copyright, 1898, by Novello and Company, Limited. 8285. 2 SOPRANO. } f> You shall hear how Pau-Puk-Kee-Wis, How the handsome Ye — na.—diz—ze, Danced at - a -wa—tha’s ALTO. > > >>> _ } You shall hear how Pau-Puk-Kee-Wis, How the handsome Ye - na.-diz—ze, 2 Danced at Hi - a —wa-cha’s -0- . —P— P S tr. pizz. mif mp with Wood- Wind. >- TENOR. mf How the gen- Chi—bi - a- hos, BASS. mf .1- How the gen-tle Chi-bi -a-bos, He thesweet—est of mu-sic-ians, ? Sang his songs of love and longing ; . > He the sWeet—est of mu-sic—ia.ns, Sang his songs of love and longing; P I }- —/ SOPRANO. - ﬁntfg I\‘ .. I J\ I - - I I {,9 ,=-._,,I_' «:g.:I_;;,: r _ I I ‘I I U C G How I ~ a — goo, the great boaster, He the marv’llous sto— ry — teller, Told his talesof strange ad - ALTO. I1I7I—.—jl\—m I q]-l—;7—f\~jl——.::,_.I_ﬁI . A ‘ ‘ll .9 MI 3 = 3 L §}:o—aﬁ>——{——-a—-a——I-—I/—— ~-9- .1: M :2 * I IV, I 'V__'f_l_ How I - a - goo, the great boaster, He the 1narv’llous sto -ry - teller, Told his tales of strange ad - TENOR. : '$In_f. A- r 1 .. - 1 IV’ 4.~ﬂ ~I4‘I V -' ,. 1' .1-,--7-+ ' II 1: 4" D L. ' V I’: 7 L I I.., I!’ 1. | J . I - I-» - ..I_ I.- I v = I’ III’ i'ﬁ' "'- 9 I L II l;”l: T I I I V {q;——a';4—+——aI=3j.La'—.- fa‘ How I — a - goo, the great boaster, He the marv’ lous sto - ry - teller, Told his tales of strange d - -‘ﬂ__g_ - I :P—JH———:I-fL*—F—F—F+—L-F+ ‘R’ I I I I I I V] I1 I I‘: i -/I ‘ . 7 7' . . I the greathoaster, He the marv’llous sto— ry - teller, Told his tales of strange ad - -9- _I__ Str. dc W0od- Wind. J I _ I. '* l ‘ l : J‘-0 ME M I I J I ' I I I‘ ven - ture, That the feast . . Inight be more > ven - ture, That the feast might be E van - tum, That the feast might be more ._p;_ '' f‘ .. .. > 0 0 N‘ u./ \*h1% . F X I 5/ ven - tupe, That the feast might be ,9- ff‘ to‘. area. ,§f I-I . l M I T - ' I 1 } -5 I I1 } I I I I 0' I :2“ T"ﬁ:‘\7 I \ ‘ I O -0 s, lhat the tune . . con - } } ’ . } } ﬂeet CEESHDK ~ v I 4 ‘I - I I I - I\ \| 4 I ‘ I g I I. I . I I . I F ‘ ‘ I I F j___._.__J;+L;_!__I.-. ‘ ' _§_ _ joy -0115, That the time might pass more gai - ly, And the guests be more con - > > > > >. 7:”/L-J > >. = = I _ I _I . I T . I I I V W. I I I F I I I £1 I C) 0 E Joy-ous, That the time might pass more gen - 1y, And the guests be more con - > > >, ._ f 4 3 ' .. diﬂl. I I I I I I I\ P 0 I ' F ; I I I I I I I —f—I"—I=—?-’~-:RlI-a~.—a—g———-[——~—Il—I:—I:”——v=—z 1 _ -—o—-—-»~E . . r5—"«s~ _ _ joy —ous, That the time Imght pass more gen - ly, And the guests . . be more con- -0- 14-1 "9' w I - I” ' I ' I I T S it :» __‘=R==¥ 4 I 3 I I 7? _L I =#¥5\=‘; 4 I w I ( II P *1. élllikﬂﬁm II_.ImI_ *1.‘ II Surrlptuouswas thefeast No - ko-mis Made Sum tuouswas the feast N0 - k0~111is Made — tent - ed. Sumptuous was the feast No - ko-mis Made > _______—_— > ' - -tent - ed. Sumptuous was thefenst N0 - ko -mis Made /-_,_4_Q_ Pedfg: - tha’s wedding. - 1:ha’s wedding. > thafs wedding. '> tha.’s wedding. _,_ . > 3:‘ 3: ; _>>> > dz'm.; -0- -9- —o~ —u— -0- -ﬂ- -B" -0- m f All the bowlswere made of bass—wood,White and mf_p_' _ _ > All the bowls were made of bass—wood,White and 5Str.piz_z. _ ' ' ' ' ' ° ' O\ ___/‘P‘ mf.| All the spoons of horn of bis - on, Black and polished ve - ry — > > All the spoons of horn of b - on, Black and polished ve - ry polished ve - ry smoothly, olished ve - r smoot y p‘ ' ‘ ' y ' ' ' ', Wood-Wind. _'|_d_._ A r-' Oelli pizz. _._ .0- Peal. \—/ Peel. 1 '.._—T———'' smoothly. Shehad sent . . . Mes - sengerswith wands of xviﬁosl, M J.»- Mes - sengerswith wands ofwil—low, L :.:::— Shelladsent thro’ all the vil-lage Mes - sengersw1thwzLnds of wil—lo\v, T:-::’—‘ —=——-’—"‘ Shehad sent thro’ all the vil—lage Messengers with wands of wil-low, /— . Q_ _g_ Ta- - ta-‘non, As ‘L? — ta—tion, As L.H. f ores. molto. And the wed-ding - guests as-semlxled, -0- -39- - ken of the feast - mg; the feast - ing; And the guests f Wood- Wind only. Clad. in all their rich -est rai-ments, -—-- Clad in all their r'ic/h -est rai-ments, /-\ : led, add St/r. . {Sf f Robes of fur and belts of Wam - pum, ﬁ’} _ I _ {Fm E w 1 U f . Robes of fur and belts of wam - pum, Splen-did with their paint and plu ’ - mage, 3 Beau - ti - ful with beads and tas > Beau - ti - ful with beads and tas > Beau_ - ti - ful with beads and tas > > Beau - ti - ful with beads and tas molto pesanie. ha, } ha, } ha, } N ah - ma, And the pike, the }} they ate the stur - geon, they ate the stur - geon, And. ‘—':jj‘ '—":-"'Z"“}} they the stur — geon, > d ; And the stur - geon, ' eé‘ Caught and cooked by old No - ko — mis, > > > Caught, cooked, by old No—ko — mis, > > >- Caught, cooked, by old N 0-ko - mis, } } } cooked, by old No—ko - mis, ==¥=\= ." §__, _%_ (gym:-5: - can thyy feast - ed, {E5563 K 4415.: f‘ U 4 Then f. 1/ JR‘ 4 CF55» tasw» N I Then on p /‘o- -.-2.”‘-e$£#'+‘—‘—-E3 ; ?§3:_—++ ( ’ i _ —==... I 1 £5. “*"'“4.:'=F’#ﬁ? 3 '-it " -:._-*__‘.‘ And buf—fa - 10 of deer :.4‘f“____ > mar - row, Haunch } Pem-i-can and buf-fa- lo . . . Haunch « Pem—i - can and buf-fa - 10 low cakes of the Mon - low cakes of the Mon - low cakes of the Mon - 11 pescmte. And drimh W00d- Wind. 12 T7‘cmqm'lZo. gra.-cious Hi - a - wa -‘aha, And the love - ly Laugh-ing gra—cious Hi - 3. - wa - E Andthe 10Ve ' 1Y gg And e Ve - ly Laugh-ing 12 I[’mnqm'Zlo. mp Cor. Tast - ed} And thecare - ful old No - ko - mis, Ta“ ‘ ed : Andthe care—fu1 old N0 - ko - mis, . (SOHO W06’) not thefood be - fore them. —-——‘-L{_ , , 1- not thefood be - foret11g1;1, On - 1y wait - ed on the 0-thers, On - 1yserv’dtheirguests On - ly w -ed. on the On - ly serv’(I their guests in /\ dim. e mll. si - lence. dim. e mll. ..._.._..x\._/;_......__—/ u L‘ s1 - lence. . Cor. dcFag./5 /.1 /..\ ,—————-\ dim. e mll. PP —— — -- -i‘ ”‘ _ ”‘ ._“I "C? ' TC?‘ ‘O’ 352 ,3 Coleridge-Taylox-— liiaWut112L’s Wedding Feast.—~—Nove1lo. B 13 12 BASSES ml? And when all the guests had ﬁn-ish’d, }T"""'_‘\ ;""";$ 77;/23 Cl. (fl! Fag. :- Old No— ko - Inis, brisk and bu - sy, From an am - ple pouch of 01; - ‘oer, >- /‘S >/--—--—\ ' -0- 14 Amos. Fill’d the red stone pipes for smok-ing With to-bac - 00 from the S0uth—lancl, TEN0Rs. Fill’d the red stone gipes for smok-ing W1tl1tO-lﬁl - co from the South-land, __ the pipes, the pipes for A /' -9. ‘ 15 SOPRANOS. And with herbs and leaves of frag-rance. MiX’d with bark . . of the red wil-low, Andthe herbs . . 0f..frag—rance. L - T d with bark of ﬁhe red wil - low, f And with herbs of . . frag-rance. ._:__.j And with herbs and leaves of frag- ce. 15 > )- f 7/nth Cor. Sormmos. ores. ed acoel. with Brass. A llegwo molto. jf> “O Pau - Puk - Kee-Wis, Pau - Puk — Kee — Wis, . Pau - Puk - Kee-wis, -'_ “O Pau - Puk—Kee-Wis, . . Allegro molto. ‘}___168 29“ . your mer—ry . your mer-ry . your n1er—ry . your mer -Ty poco allargando. o } . the Beggar’s Dance to please That the feast may > > > . the Beggar’sDance to please That the feast may > > . the Beggar’s Dance to please . the Beggar’s Dance to please poco allargcmdo. > / Str. Wood-Wind, dc 007'. more joy-ous, Thatthe time may pass more gai - ly, And our >- be more joy-ous, Thatthe time may pass more gai - . > > That thefeast may joy - ous, . >- > That the feast may more joy-ous, 17 And our zﬁ r-'--"—“—-"'—T r—‘-—-"‘—“"\ r*“-T r-—\\ dim. guests con - tent - 1” 12) guests con - tent - guests con - tent - ed 1” -0‘ -9- guests more con - tent - ed l ” /:"—:j"—:'—__‘—_-'-T the hand—some Pau - Puk - Kee- wis, Wood. cf/: C01‘. —/ 18 Tempo lmo. N 0 Tempo lmo. J: 136. I‘-4 -81/‘\..‘. :47 .i4+'44— -Gaff;-J—ti ,ﬂ the mer - ry - na -diz - ze, “1 £% ca11’d the Storm- Fool, mis - chief - ma - ker, Whom the peo - ple A t¥C3es— Al 51 14 Ha ...—‘I 19 f) 16 >R0se a—mong the guests as - semb - led. Rose a—mong the guests as - semb - led. > Rose a—mong the guests as - semb - led. -§- -0- -O‘ -0- -0- Rose . a-mong the guests as - semb - led. 19+ ' /Q 27" mf Ski11’d was he in sports and pas - times, In the Iner - ry dance of snow— shoes, mf . . . In the mer - ry dance of snow - shoes, Ski11’d was he in sports and pas - times, f\ /"\ Z5 /‘T /;\/——\Z——1/.—\ con Peel. 2 0 SkiH’d was he ~ Ski11’d was he } In the play of quoits and ball - play ; —‘:‘ In the play of quoits and ball . play; kj; Z5 : Z""T 2''? f‘‘''\ . games of haz - ard, of haz - ard, in all games In all games of skill andhaz - ard, Pu - ga—saing, the of skill andhaz - ard, Pu - gal-saing, Bowl Bowl and - ters, Koom andCoun - ters, Koom tas-soo, tas~soo, tas—soo, tas-soo, 21 the Game of lum- stones. of Plum-stones. the Game of lum-stones. the Game of Plum—stones.21 ores. molto. Though the War - > ‘“'‘$ Cal1’d him coward, Shau - go-daryag, I-dler, gamb , Ye - na-diz~ze, ca11’d him Faint—heart, > f> Lit-tle heed-ed he their jest - ing, :- molto ores. For the wo - men ' maid - ens } For the W0 - men (1 emaid — ens > molto Lit- car’d he for their in - sults, For the §) - men and maid- ens 2- molto‘ For the W0 - men and the maid - ens T A.—\ > molto ores. Lov’d the hand - some } L0v’d the hand - some } Lov’d the hand. - some > Lov’d the hand - some Kee - Wis. } Z‘?-—j:.\ Kee - wis. } Kee - Wis. }- Pau— Puk - Kee Pau - Puk - Kee Pau- Puk- Kee Pau - Puk - Kee the h2md—some the hand-some the hand-some tl1e hand-some Pau _> _Pau j Pau } Pau poco a poco E" Cor. .- ‘T I } K-—-—; _§_ \ 2 5 SOPRANOS. mf He w2Lsdress’d in shirt Amos. of doe - skin, be and soft, ::=— L.- He wasdress’d in shirt of doe - skin, White 25 _g2_ >//—-\ >/§ > -0- . _o_. ' _I— All in-wrought with beads - of wam- pum ; in-wrought‘ with beads >f“"\ f'T /"‘\ of wan1— purn; > /'\ I\—»I, Str. &: Wood. > and soft, > and fring’ d } with er-mine, 4/ f — molto. and fring’d with er-mine, } ,5 } He was dress’d in deer - skin leggings, Fring’d with hedgehog q and er-mine, BASSES. -1: L» L‘ _,T.’- He was <lress’d deer - skin leg-gings, F ring’cl with liedgehog quills and er—niine, | 26 d > > > > _ ,— %——\_'f-—'*\ /’\ f""“\ /‘S /_“"“‘\_'_ 0/\ Thick with quills and beads em-broi—der’d. — f} Thick with beads em —broi-der’d. f > f > And in nioc - as - sins of buck—skin Thick with quills and beads em-broi—der’cl. And in moc - as - sins . . . em-broi—der’d. /\"_/‘. " \ S tr. pizz. . ?' ''P'_:i’’ Pea’. SOPRANOS. 27 [3 3::-" "=";_"~ } 2 On his head were plumes of swan’s down, T 2:- _ 2 On his head were plumes of swan’s down, 27> Wood. 2 V In one hand a fan of fez»-thers, cw e X 0 II. :1 0 On his heels were tails }- On his heels were tails of foX—es, In one hand a fan of fea.-t11ers, I .~1—-—a.-:L,- I 1s”::9."b'T4—-7"‘? - V I} K - in the 0-ther. And a pipe was .9 I T I I -,_,:‘§_§‘ in the o—’oher. And a pipe was TENORS. Andapipe was in the 0-ther. BASSES. I T} %§§:§:;E§;' And a pipe was V P! in the 0-ther. T67/(Q00 lmo ‘if sf J9“ Tutti. Barr’d with streaks and yel - low, Streaks of blue and bright Ver-mil - ion, E E E /\ Barr’d with streaks and yel - low, Streaks of b‘ > > t . . ver-mil - ion, } streaks and bright ver—mil - ion, E } } Barr’d with streaks ‘ ion, } .29’ Shone the face of Pan - Puk- Kee - Wis. From his fore— head E ~ E E E Shone the face of Pan - Puk - Kee - Wis. From his fore- head E - E E E Shone the face of Pau- Puk - Kee - Wis. From his fore- head E E E E "-0- - ,\Shone . .the face of Pau-Puk- ee -wis. From his fore- head fell tress } } Smooth and part-ed like wo- n1an’s, ing bright with oil, plait > > > Smooth and part-ed like wo-man’s, ing bright with oil, and plait E E E Smooth and part-ed like wo- man’s, ing bright and plait - > -9- -0- >E Smooth and part—ed like W0-man’s, ' ' right and plait /\> > u > 9- -0. Q2 Hung with braids of scent—ed grass - es, } > >- Hung with braids of scent—ed grass - es, } > ,$ Hung braids of scent»ed grass - es, }} }- Hung with braids of scent-ed grass - es, -.>» - +- sf a poco. To the sound of ﬂutes and sing-ing, > > > To the sound of flutes and sing-ing, ‘J ‘ } )> To thesound of ﬂutes and sing-ing, a poco. > > To thgound of > > ﬂutes and sing - ing, 2 > the handsome Pau-Puk-Kee - Wis, > } > the handsome Pau-Puk-Kee - wis, > > > the handsome Pau—Puk-Kee - Wis, > > > the handsome Pau—Puk- ee - wis, e > } /‘T l‘/l sf 30 mp c9-es. > > poco Av}: As a-inongt guests as - semb-led, mp c7-es. > > As a—mong the guests as - semb — led, > ?,.p0c0 As a-rnong guests as - senib - led, } mp . ores. > 30 As a-mong the guests as - seml) - led, } } } } /‘T (W68. '?f mp Wood ck Trombe. To the sound of drums and > To the sound of drums and } To the sound of drums and }- the sound of drums and > mys — tic mys - tic mys - tic mys - tic :'—'+_e$ fig- First he danc’d a solemn : ° 9 ~72: «a -mong the I [1 A i’ F . I .9 ' .5 a-=1—uL-I:—g ] T In and out a Treading soft - Iy like an Tr/eadingsoft-lylike {L BASSES. ]0_,_ . :‘\ sun - shme, sun - shine,.. f"_j—__—:—‘\ Q ,$ -3- . s—”H— > _ E‘ ‘1‘~r‘2—‘—1 J Thro’ the shadows and the Thro’ the shadows and the /\ >- [\ -‘_ _g_ Ijid‘ trees, . . T J . -9- ' T-‘:—"'j—"-—_T pine Stv‘. pp zvit‘-IE7) \/ kL'J--ﬁ'1L'TT Q) Piit mosso. pan - ther, . . > _’_. _‘_ 32 p3'lL—'—£}—1—e—ér’ ' ' Pia? mosso. A2100. > > Z. . Then more swift - ly and still swift - er, . Leap-ing 0’er theguests as - semb - led, . . E - ing —T Whirl-ingyspinning round in ' . . Leap —:'_T }- >— - _ g..._—__._J poco . poco leap-ing o’er the guests as - semb - led, . Eddyingroundzmdroundthe wig - _ , /'\ 4- - o’er . . the guests as -semb - led, . . Eddyingroundandroundlthe wig - wa£n_,____ . 33 > > r—-—-s > ‘ -D_ . 27 Sopmmos. Pizl mosso. Till the leaves . . went whirl — ing, } Till the leaves went whirling _ with him, Till the > o o n Till the leaves went whirling with him, Till the PM mosso. J=1‘.20. Str. Cl. of: Fay. and wind to - ge - ther Swept in ed - dies round a - bout >- and wind to - ge - ther Swept in ed - dies round 3. - bout /\ /\ € f~A /5\ 45 34 Pit‘ resto. SOPRANOS. ” P Then a-long the sand-y mar ——t=:;; >_ Then a -long the mar I Fizz presto. J: 144. -3- -9. ' Coleridge-Ta.y1or——Hiawa,tha,’s Wedding Feast—N0ve1lo. 011 he sped with fren . zied he sped with baa‘ _, Pad. 37” > Stamp’d up-on the sand, and toss’d > — | l > fren - ziedges - tures, Stamp’d up—0n the sand,and toss’d tr ﬁg: W’ Sf M05250 vivace. SOPRANOS. _ Till the Wind . E TENORS. Till wind 1 Malta vivace. 0- = 56. -9- /TE" lg: _ —L— ‘T 51?” with Brass. > > > _ _.. -0- w hit} the sand was :- the sand was } whirl the sand —". sempre f 9/\o : ‘F! I I I . , . 1 scapes, Heap-ing semprejﬁg the I I I the land - Iscapes, Heap—ing se7np7'e I 9 9 - I I I . - I 1 C I I I land - scapes, Heap - in the shores F I I . I I | . I I I 7 the shores Like great Like great - Like great ‘> great > > '0'- I I I D A I I I ' I I shores wlth } } I I I with Sand - Dunes, .9- ..‘ I I F IL I I I‘ I >‘I: with Sand — Dunes, Sand—Dunes, Sand gcxv Wud - j/no I /\ > g/ew Wud - '00 ggvv Wud - £00 I . /{.1 f of the gkxv Wud - joo! > } Trombom‘. <9” 38 Molto pesame. 38 semre >191? >>>> Thus the mer - ry Pau-Puk Kee - Wis S6772’ 7'6 J ﬂu } } >— } } Thus the mer- ry Pau-Puk Kee-wis 38777]??? > > > > > > Thus the mer- ry Pau-Puk sempre 37“ >. > >' > > Thus the mer- ry Pau-Puk M olto pesomzte. 0' = 130. /____.__ /__._._..T /\ /\ sempre J7 Tutti. 8 -9: «Sf Beg-gar’s Dance Beg-gar’s Dance Beg-gar’s Dance a Beg-gar’s Dance to please them, to please them, to please them, to please them, =ne—nur.n - =ing, down laugh -ing a.-mong the guests as - semb-led, re—‘ourn - ing, sat down laugh —ing a-mong the guests as - semb -led, > > re-turn . ing, sat down 1augh- a-mung the guests as - semb-led, -0‘ ‘W > -0- -9- > re-turn ' sat down laugh -ing a-mong the guests as - semb - led, 3.5‘ "‘ :35 Sat and fann’d himﬂse - rene - ly With his } > i Sat and,fann’»d himself -se - rene - 1y Wlth his > ; > j -1‘ Sat and fann’d If se . rene - ly With his ~ } S > > , > , -3- Sat and fann’d himself se - rene - Iy "‘a tempo. 9., - fea - thers. A I - fea -'thers. Aa tempo. - fea - thers. a tempo. A c - fea - thers. > > ﬁgtenzpo. Con moto. h Then said they to Chi - bi - a - bos, To the friend of ml]? . h_ . Then said they to Chi.bi - a - bos, To the friend of ~ — — they to Chi - bi - a. — bos, To the friend Then said they to Chi - bi - a. - bos, To the friend of I 0072 moto. d: 75. mp Wood- Wind. wa - the, — W3, — tha, e we, - that, n- wa - tha, /-\ To To To t e sweet - est of — the sweetest of all sing -—_ sweetest of all .___.__._..__ sing the sweet - est of sing _‘- Str. dz Cor. pp E To the best L. To the best L To the best Z‘ To the best Voices alone. joy - ous, joy - ous, joy - ous, joy - ous, __..m_._:,‘ A o Songs of love and songs of long-ing, /\ _j.:—-- -9- _ Songs and songs of long - mg, i- love /\ and songs of long-ing, m- Songs of love - /\ Songs of love and songs of long-ing, That the time That may pass more ' __—4 the time . That the time may pass more ‘I L may pass more ed!” . . Str. con sord. That the feast may That the feast be may be KIIOFB lI101'€ the feast may be more That the *—-*5; -5}- _ 43 And our ”%f P I And the feast may be IDOFG 1% 4 -4- } Clint. guests be > wont. be guests dun. } be guests dwn. j guests be 3 i § - gen - tle mf The “Chi - bi - a -—— -:~:—j“" gen-tle Chi-bi - a - ten - der, ‘,7 - der, - cents sweet and pp Harp, Wood- Wind (2 Cor. Str. mf tones of 1-: deep e - mo - tion, - Sang in tonesof deep e - mo - on, V ed. 4-4-i _: Look - ing still at Songs of and songs. . long - ing. and songs of fair Laugh - ing Wa - ter, sostemufo.‘ PP /-1‘ 5:‘ -5- With Trombones. 3. - wa. - tha, Look ~ ing at 4'5 Andante con moto. 0:120. /j'—':'———‘j" ‘T 1% ,. Str. con sord. cf: Oboi. PP tranqmllo. ‘ii? /'—'::j*j-"T Ped. TENOR SOLO. a tempo‘ “On—a - Way! A-wake, /" /" T"——""""\ I K——%/\ mu’ /iiaéﬁ PP a tempo.) by . Thou thewild-ﬂow’r of the for - > > I: P sempre. "KW ‘F’ Ped. > Pad. > > Thou . . the wi1d—bird of the prai - riel. . Thou with eyes so soft and ’ ‘ ,.———T ’ } > I } _C- 38 46 - L- If thou on - 1y look - est- Ped. cwcel. > ewes. &§—'the lil - ies, 1 /—-_.————-———\ a tempo. ‘ ’—’— .>.— WP accel. ares. } /" ‘C" P — If}, dz???" e_A§7_‘§lll‘ -ies of the prai -rie, When they feel . . . tl1e dew . . . up - on them ! > *3 —\ r*'—:—-—-— ’ ‘ ,2- ‘e _dz'm. e mll. -,_ 3- H313 47 t . t‘ 'll . a empo gzquzé Sweet thy breath is as the fragrance Of the wild-ﬁ0'.v’r.e in the ‘ ‘ ,/‘*3 /~. ...—_._\ their fragrance is at ,3 48> 89 eve - ning, Inthe Moon when leaves are fall - /T /"“‘% > A A 20 passionato. f) > Does no blood Withm me Leap to meet thee,1eap to meet thee,As the springs to meet the sun - /..\ ,._ /T 3 3 /’e"—“'S /5 -9- -0- _._. -0- -4- /- L-P -l__. rall. e f In the 0011 when nights are bright-est 2’ _/?'—:"—'*\ /1' ‘T T5. -0- ‘ $31 -0- Z'“ r- 1 . my heart . . sings to thee. . . D Sings with joy . . when thou art near me, . . }- } /'—_'j-——T branch , /‘-_—?“"'-—_""-"'jj1—' art ‘T 50 not pleas’d, be - Iov - ed, accel . As In the plea,-sant Moon of Straw — bet —ries When thou > , I poco mt. :>_ is sad and dark-en "‘\ Then my heart he S /T '3‘ V dim. 6 MN. _. 07,63’ /“T the shi - ning riv er dark-ens Whenthe c1ou(_1_s .dropshad dim. e rail. I 1‘ 51 Con moto. J sempre Ped. Whenthousmi —Iest, my e—iov - /-—_"\ led heart . . /‘S rip - ples That the cold wind /""""'T > > P largamen te. \j Smiles the earth,andsmi1e e Wa - ters, Smile thecloudless skies a—bove /"S -1. "' rall. dz'7n.-——-§-—_: :_ . lose the way of smi - ' thou art no long-er near -0- rall. dim. a tempo. senza Ped. 17'- 8285. a tempo. mp 54 M eno mosso. I\ Blood of Inybeatingheart, be- hold me! O a - wake, M em) mosso. K Pad. -P‘ Ped. . molto WJLZL: a mm 0 tranquzllo. ,3 ‘<42; \ P‘ On-a-way! a.-wake, . .be-lov - /: /I\ M9 molto rall. a tempo. -=<sf>- rall - en - tando.PPP /\ /\ mf {Z Sf. J /—-—j--————§ /\ /\ Lento. SOPRANO. Thus the gen ' ' . . his song " -«LT. the gen-tle -bi - a — bos . . his song of.. — h [ us gen-tle Chi-bi -‘ a - bos . his song of '_:=- «i -—;’ BASS. i Thus the gen Chi - bi - bos . . his song of I . Lento. as = 66. Wood- Wind. \./7". 5 5 P000 pm mosso. and long - ing; . —‘——j“‘ aﬁfi 1ong— ing; . . [I and long - ing; . . 1:: love and long ' mg ; '\‘ \ 55 P000 pizl mosso. } /. avmnato. ores. accel. -6- Piu mosso. And - a - goo, the great boast - er, ﬁzf } - /Z— } }/j And I - goo, the great boast - er, .\. \ PM 9720330. —-T A 1" T —C- -C— .. -9- :9‘ — mi -9- * '—r —— :1: -g: 9‘ -d V V V ColeridgeTzLy1or——Hi:LW:Ltha’s Wedding Fea4st.—-I\'ove110. D c¢es.> the mar - ous sto - ry - tel - ler, . . t efriend of. . old > cres.> /..\ > mar - v’llous sto - ry - tel - ler, .\. thefriend of.. old 1 2' I _.g_ >a tempo. Jeal - ous Jeal - ous Jeal - ous the sweet .> Jeal ~ ous . . of the sweet mu - r‘ f a tempo. clan, Jeal - ous of th’ applause they gave him, si - cian, ‘ Saw ' all the eyes a - round si - cian, .' of tl1’ap—plausethey §e—vel1in1, si — cian, -\ - sem-bled Long’d to > I v l—§$3+i~—i - That the guests as - sem.bled L0ng'd to 2’__ n That the wled-ding - guests as all their looks and sem-bled -0- -0- ‘l‘ T‘ I. thatthe guests as - ‘Saw ges-tlures, 3. ~54’ } . L’ -.1 . that the guests as - ‘Saw Saw in all their looks and ges—tures, ti; /5 /\ A l, aé:§’::;:l::i:i;l; ‘Qf 3:53-24: . .;u.EﬁB I l -oi- :1: Ped. 1‘ f.\ =— mll. 1 >- > > > > W.\ n An v .:. - a - ble false - vhoods. His im - mea—sur his plea — sant sto - ries, > > I I a 0‘ - mea-sur- a- ble false - hoods. ‘I l hear his His iE 1/ sto - ries, } plea ~ sant T mil. .“>.‘>.—>.‘r‘>. |\ -L ‘; J\ } F) x — w H'is im ' - mea—sur - a - ble false - Vhoods. rail. .1 }-—}—}— {'7' I Lw Lu His 1m I - mea-sur - a - ble false - "hoods. ﬁll /.'\ A l i A) A .5? 1 _‘_ _q_ __ﬂ;__ :1: I -1- Ped. ‘i‘ Pedfi" Pedfi‘ 57 , M oderato energico. a = 100. f> Nev—er heard e an ad - ad - ven - ture, >- >- > - ven -ture But him - self hadmeta, great - er; > ‘ ad - ven - ture, f> \ nev-er a -ny deed of dar - ing‘ But him - /'\ _ } } A /\ "‘ "‘ -0- mf - er a Buthimselfcouldtell . . a\.. f} E >' } Nev-er a-ny marv’11ous sto - ry him -self could tell - self haddonea. bold - er; . . Buthim-self couldtell a -9- ° -L X-‘ > J?” Wouldyoulisten to his boast-ing, Would you on - ly give him ore - \dence, strang — er. . . ‘ . ly give him cre - dence,. }~ } } stsrang - er. . . give him cre - dence, . /\ >— strung — er. T"-_—_—\ No one ev -er shot an ar - row had; Ev-er } so high as had ; > so high as — so high as 60 ~--—----—-\ caught; so ma-ny ﬁsh - es, Ev- er kil1’d so ma, -ny rein -deer, Ev - er trapp’d so ma,-ny >— >— -7 '— *3‘ T‘ ' *‘ caught so ma-ny ﬁsh - es, Ev- er ki1l’d so ma-ny rein- deer, Ev - er trapp’d so 1na.- ny > > Ev - er caught so ma-ny ﬁsh - es, Ev - er trapp’d so 111.2» -ny bea - ver 1 A /\ /\f\ /\ caught, or ' ’d t2rapp’d Str. pizz. /_\ Wood- Wim1- Wood- Wind. 48 61 bea - ver! .. None could run so fast as could, . . >— baa _'$ér1 _ _ None could run so fast as could,. . None d run so bea - ver! . . None couldrun so fast as pesamfe. molzfo ores. 37‘ With Brass- N one d dive so deep could, None could swim ' could ; . . None could dive so could, one could swim could ; . . None co d dive so could, None could swim ' - could; . . \ {\ None could dive so ' could, None could swim } > > {\ ? None made so None had seen None made so None had seen None made so Nonehad seen As this ‘\ > _'_ _'_ bone hadmade so ma-ny N one had seen As this } > > > > n . > ...;_ 8285. -:7} , H 8 . H 8 t . y r. _ O t S S u 0 uh V . r m S .1. h t ' goo: 3: der - ful I - goo, As this mar - v’l1ous sto-ry- - tell - er! a der - ful I - goo, As this mar - v’11ous sto-ry - tell - er! der - ful I - goo, As this mar - v’1_1g1_%__st0-ry- tell - er! ’. I ‘ 62> der - ful I 27” marcato. } } Allegro molto. 0‘: 130. /'\ be - came by - Word And a jest a-mong the > > 3; name 0 a\ /0' by - word . . the And a jest a - mong 3» name be - came his 3 F~r=t a - mong the E J V i~*~{—-'—'+{—. JJ. 3:. T1 “X by - word And 4 §it%-—f=#-1~<—;~vH4¢&t'—,4 C O @ I 3%..’ *v jest 3. Thus his name be - came >, Str. Fl. dz T b '. H ram in: > Sf .. Lﬁigg: 3 1 Andwhen—e’er a boast - ful hunt - er Pmis’d his own ad-dress too Andwhen-e’er a boast - ful hunt - er Prais’d his own ad- dress too /'\ _Q_ _Q_ Or a. war - rior, home re-turn—i'ng,Ta1k’d too much high - ly, a war - rior, home 1'e.turn-ing,Ta1k’d too much All his hear-erscried,“I - a - goo! Here ’sI - a - goo, > ‘\ > 2‘ All ' hear-erscried,“1 - a - goo! Here’sI - a,-goo, }- ' } }- ve—ments, All his hear-ers cried,“I - a - goo! Here’sI - a - goo, "" ores. -> 64 #1- A11 hishear—erscried,“I - a . goo! Here’sI - a - goo, -6- . molto ores. .31?‘ Q? /———__—-—:\ _..>-ji-/‘T. #4‘. ft . L — mong us!” fa? \J/ U- — mong us!” —yf>- > - xnong us!” . #+-* g; >'— - mong us!” 2/ - tle Hi - a - wa—tha, - dle Of the lit -< a . F C e h t no V T a C O h W He it was np i <1’. i:%:ZE >._ -< ‘T““5 Hi “' —‘-‘:E—'#4 :+~—P=> — 1_tZ 3 ——o:ui:5‘ Of it was who carv’d the cra -’ dﬁ‘ T_ -a-w the lit - tle He 21- - tha, :- F" _.= mp/\ —?E ‘be I I J lin - den, Bound it strong with rein-deer’s sin -ews; } of: Oarv’d its frame-work out with rein-deer’s sin - ews; ) of 1in- den, Bound it strong with rein-deer’s sin - ews f} Carv’d its frame—work out; with rein-deer’s sin — ew*; was whotaug11t11i1n lat - er j— -1 }— -93.. was who taughthim lat; - er {T I Wood- Wind. f> taught him How to make ash-tree, How to make the bows ash-tree, -2—z How to make bows and ar-rows, ow to make the bows ash-tree, \ -< > _ How to make the bows and ar-rows, How . . tomakethe bows ash-tree, f‘——'\ /“\ — And the ar - rows oak - tree. And the ar-rows oak - tree. — } ar - rows oak - tree. } And the ar - rows oak — tree. 67 Str. J: Wood- Wind. the guests the guests the guests the guests Str. Wood ck Co7'.> Old > a - goo, and a-goo, old and _ _ > a - gQ<L_i1cL_a11c1 } a-goo, old and } as—semb - led as-semb - led a.s—sen1b - led as-semb - led A the marvtllous sto - ry the 111a1'v’ll0L1s sto a - wa - tl1a’s a - wa - thafs a - wa - tha’s a - wa - tha’s te1—1er. - > tel-ler. } - ry Z- the n1arv’l10us sto « ry ___——-j——- the n1arv’l1ous sto - ry M alto pit) mosso. 4': 180. /\ _§- A {T /T fff ben marcato. Peel. V P‘éd. with Brass, Drums, J»: Cymbals. 8285. wedding } wedding > wedding } weddlng won - der, t won - der, t won - cler, won - (ler, } >‘ } “O ggod I - a El o—)>> [-3. 54 }-} And they .> > And they > } And they i-75> A And they -5?’ S17 Pad. M ol to moderazfo, come al lma. Tell Tell Ll S _ HOW 3; 70 M alto moderate, come al lma. > mf > "ﬁll 1 I 1 \\L_Q: "ill! I 1 1 l\L._U: ‘wt 04 $1414 ‘ strange strange strange strange } the feast more ’ “' That the c "‘ :1 _\t" the feast may be That the feast may be ‘ . That "Li- L‘: ‘O- the feast may be more >}->- }-} >>>> -0- bet dim. In-ay__pass more ' our guests be more —-:> -< > dam. may pass more ' our guests more :‘—‘;-" _,i T’). dun. may pass more C,‘ ' 0111‘ guests be more 1- 1 - dim. may pass more ' our guests be more } -2- \ f"‘—"“"‘:"-ﬁ —s— >- >- } /:"'-‘——T, And I - a- goo answer’d a tempo. PPP Str. &: Wood. straight - Way, . . “ You shall hear a tale of Fl. Ob. Le Str. ’ be!» J- €- -—" g .— E P7’ 3 L h. éf {: h‘. .o_- chm. e 7'alZ. Youshallhear of strange ad - ven - tures.” . . /"?:-':—“'T /:—:"—:'j'::'T d dim. e rall. . dim. 73 P000 meno mosso. ALT0S- .;—__t L. So he told e strange ad - ven Pocomeozo mosso. 77/) sempre. \/ Peel. the Ma - cri From the Eve 4 1 1 I - I -' I de - scend - ed. 1 "356 0; V’ :3 W 1 _.._J_ '1 H'}.J_L. Pedf; legato. with soft Brass. J412J Mano mosso. } [X L 4? l}§- C "1 ‘ 4/3 Iv ! I ; . i F5’ 7 I Such thla/s Wed-ting, Eignvji _ O. . u Such Such gnf.‘6>=-- [a\ -4- I .lL.Q4”' I Such was 74 Me7ao mosso. ﬁﬁtbg . (J a1—ae0 //)0" 3033677/ago. S57‘. Cl. Ob. ct‘ Fag. ﬁg-‘+15 ,_ ‘$4’? - ,. (I - ding—guests — And the guests And the guests . . . Leav - ins And the ding guests Leav - ing I f~—_—_\ . and Min-ne - ha Tempo lmo. M eno mosso. ]) })—i _ UT 3 Nu 0. n .a M. Ped. motto cres. COMPOSITIONS BY EDWARD ELGAR. VOCAL. PART-SONGS (MIXED VOICES). Unaccompanied (unless otherwise stated). AFTER MANY A DUSTY MILE (Sol-fa, 3d.) __ ANGELUS (Tuscany) (Op. 56. No. I) (Sol—fa, 2d.) RIRFHRIGI-IT, THE (Marching Song) _ H DiTTO, for Unison-Singing . . . . . . . . .. ,. §CIIRIST.l)/IAS GREETING, A (Op. 52). For two Sopranos (Soli or Chorus), Tenor and Bass Chorus, all 1772. With accompaniment for two Violins and Pianoforte (Sol-fa, 4d.) Violin Parts, 81. each. DEATH ON THE HiLLs (7 Parts) (Op. 72) (Sol-fa, 6d.) .. .. .. .. EVENING SCENE (Sol—Ia, 3d.) .. FEAS TING I WATCH (Sol-fa, 3d.) §FLY, SINGING BIRD (Op. 26, No. 2) (Sol-fa, 4d.) .. .. .. . .. FOUNTAIN, TH (5 Parts) (Op. 71, NO. 2) (Sol—fa, 6d.) .. .. .. .. .. .. .. FOUR PART—SONGS (Op. 53) (Sol-fa, IS. 6d.) Complete.. .. .. .. .. .. .. .. .. Or, separately- I. There is sweet music (8 parts) (Sol-fa,,'6d.) ol 4d.) .. (I3 OOOO (Arranged by POINTER) 2. Deep in my soul (6 parts) (S - Ditto, German Words . . .. . . . . 3. 0 wild \Vest wind (8 parts) (Sol-fa, 4d.) .. .. . 4. Owls (an Epitaph) (5 parts) (Sol-fa, 3d.) .. . . . . GO, SONG OF MINE (6 parts) (Op. 57).(Sol-fa, 4d.) §GOD SAVE THE KING (Arranged) (Sol—fa, lid.) (Full Score, 45.) HOW CALMLY THE EVENING IT ‘s OH! TO BE A WILD WIND (Sol-fa, 2d.) LOVE (Op. 18, No. 2) (Sol-fa, 3d.) _, ,, _, LOVE’S TEMPEST (5 parts) (Op. 73, No. I) (S 1.12., 6d.) .. .. .. .. .. .. .. .. MYO LOVE DWELT IN A NORTIIERN LAND (Sol-fa, 2d.) .. .. .. .. .. .. .. .. DITTO, German words . . . . . . . . . . . . 0 HAPPY EYES (Op.I8) (Sol-Ia, 2d.) .. .. .. SERENADE (Op. 73, N0. 2) (Sol-fa, 4d.) .. .. SHOWER, THE (Op. 7:, No. I) (Sol-fa, 4d.) .. §SNOW, THE. (Arranged by POINTER) (Op. 26, No. 1) (Sol-fa, 4d.) .. .. .. .. .. .. .. §SPANISl*I SERENADE (Stars of’ the Summer Night) (Op. 23) (Sol-fa, 3d.) (Full Score, 7s. 6d.) .. . . WEARY WIND OF THE WEST (Sol—fa, 2d.) WHETHER I FIND THEE (Sol-fa, 2d.) .. .. WITH PROUD THANKSGIVING (Chorus). Words by LAURENCE BINVON. Arranged from “For the Fallen,” for s.A.T.i3., with accompaniment for Military or Brass Band, or Organ, or Pianoforte (Sol-fa, 6d.) Military Band Accompaniment, gs. ; merit, 6s. YEA. CAST ME FROM HEIGHTS OF MOUNTAINS (Sol-fa, 2d.) .. § Orchestral Parts (Sol-fa, 2d.) Brass Band Accioimpaiiil THE may -be had. d 4 6 4 2 O3 O\(.;.> I0 4% O0 O\O\O\O\O'D O\ iI3ART—SON GS (MALE VOICES). T.T.B.B. (unless otherwise stated). (Unaccompanied. ) s_ AS TORRENTS IN SUMMER (“King Olaf”) (Op. 30). Arranged for A.'I‘.B.l3. .. .. . .. .. O FIVE PART-SONGS (Op. 45. Nos. I——5) ,_ __ 2 5 (The words from the Greek Anthology.) Or, separately, English words only— After many a (lusty mile (Sol-fa, 3d.) . . Feasting I watch (Sol-‘fa, 3d.) . . . . It ‘s oh I to be a wild wind (Sol-fa, rad.) VVhether I ﬁnd thee _ (Sol-fa, I4},-d.) .: . . . . . . Yea, cast me from heights of the mountains (Sol-fa, 3d.) . . Vocal Parts (German words only), 8d. each. REVEILLE, THE ('s3fa,"6d.) .. .. .. BIRTHRIGI-IT, THE (Unison School Song) Staff and Sol-fa Notations together . . . . . . . . . . o §_FOLLOW THE COLOURS (Unison). Marching song for soldiers (Voice Parts, 3d.) (Sol-fa, 3d.) .. .. § Orchestral Parts may be had. SEPARATE NUMBERS 6 FROM THE CHORAL WORKS. APOSTLES, THE (Op. 49). Prologue. The Spirit of the Lord is upon me BANNER or ST. GEORGE, THE (Op. 33). It comes from the misty ages. Epilogue (March) (Sol-fa, 3d.) CARACTACUS (Op. 35). Britons, alert (Sol-fa, 2d.) . . . . Lament—(O, my warriors) (Sol-fa, 2d.) . . The March triumphal thunders (Sol-fa, 3d.) DREAM OF GERONTIUS (Op. 38). I Softly and gently, clearly ransomed soul (Full Score, gs.) . . Litany.. .. .. .. .. .. .. .. .. Be merciful . . . Go forth upon thy journey. . .. Praise to the Holiest (Sol-fa, 3d.) KING OLAF (Op. 30). A little bird in the air (Sol-fa, 4d.) As torrents in summer (Sol-fa, dd.) Ditto (arranged for male voices) The challenge of Thor (Sol-fa, 3d.) The Wraith of Odin (Sol-fa, 3d.) LIGHT OF LIFE, THE (Op. 29). Doubt not thy Father’s care (Sol~fa, rﬁd.) . . . . Light of the World, we know Thy praise (Soil-fa, 3d.) Seek Him that maketh the seven stars (Male Voices) Orchestral Parts may be had of the above Chnruses. PART-SONGS (FEMALE (VOICES). (Accompanied. ) §CHRISTMAS GREETING, A (Op. 52). With accompaniment for two Violins and Pianoforte. (Sol-fa, 4d.) 0 8 Violin Parts, 8d. each. §DOUBT NOT THY FATHER’S CARE (Op. 29).’ (Sol-fa,1.'§d.) .. .. .. .. .. .. .. .. T§FLY, SINGING BIRD (Op. 25, N0. 2). With accompaniment for two Violins and Pianoforte. (Sol-fa, 4d.) Violin Part». 8d. each. (Full Score, 7s. 6d.) MY LOVE DWELT IN A NORTHERN LAND (Sol-fa, 3d.) .. .. .. .. .. .. .. .. §PRAISE TO THE HOLIEST (“ Dream of Gerontius”) (Op. 38). ‘Chorus and Semi-Chorus, S.S.A.A. (Sol-fa, 3d.) s. d. f§SNOW, THE (Op. 26, No. I). VVith accom- paniment for two Violins and Pianoforte. (Sol-fa, 4d.) Violin Parts, 8d. each. (Full Score, 75. 6d.) §STARS OF THE SUMMER NIGHT (Spanish Serenade), with Accompaniment for two Violins and Pianoforte (Op. 23) (Sol-fa, 4d,). . . . .. .. . . .. . . Violin Parts, 8d. each. ‘r Editions with German Words may also be had. § Orchestral Parts may be had. LONDON: NOVELLO AND COMPANY, LIMITED. (July. 1923) New YORK: THE H. W. GRAY CO., SOLE AGENTS F|OR THE U.S.A. COMPOSITIONS BY EDWARD ELGAR. VOCAL. ORATORIOS. THE APOSTLES. For Soprano, Contralto, Tenor, and Bass Soli, Chorus, and Orchestra. (Op. 49.) (Tonic Sol-fa, Choruses and VVo1'ds of Solos only, 45.) .. . . . . . (Vocal ParLs,2/6. each.) Full Score, £5 55. Book of Words, with Analysis, 15. 4Cl., or 75s. net per 100. VVorcls only, 8cl., or 4.Is. 8d. net per IOO. An Interpretation of the Libretto by C. V. GORTON, M.A., IS.vO(,l. Vocal Score, with German words (Deutsche Ubersetzung von JULIUS BUTHS), 12s. Chorstimmen, 3s. each. Textbuch, 8d. Erliiuterung vou Max Hehemann, 1s. 4d. String Parts, 345.; \Vind Parts on hire only. THE DREAM OF GERONTIUS. For Mezzo- Soprano, Tenor, and Bass Soli, Chorus, and Orchestra. (Op. 38.) (Tonic Sol-fa, Choruses only, 2s. 6d.) .. .. . . . . (Vocal Parts, 2s. 6d. each.) Full Score, £3 35. Miniature Full Score, paper, 115. 6d.; cloth, 165. Book of Words, with Analysis, IS. 4d., or 665. 8d. net per 100. Words only, 8d., or 33s. 4d. net per IOO. Vocal Score, with German and English words (Deutsche Ubersetzung von JULIUS BUTHS), 9s. Chorstimmen, each, 35. Textbuch, 33s. 4d. per 100. Vocal score, with French \vords (Traduction francaise de d'Offoél), gs. Parties de Choeur, 3s. each. Livret, 33s. 4d. per 100. String Parts, 295. 6d. ; Wind Parts on hire only. Sanctus Fortis. Tenor Solo from above. Transposed ‘to A ﬂat,6d. Full score, 55. 6d. String Parts, 3s.4cl.; Wind Parts on hire only. THE KINGDOM. For Soprano, Contralto, Tenor, and Bass Soli, Chorus, and Orchestra. (Op. 51.) (Tonic Sol-fa, Choruses and Words of Solos only, 4s.) .. . . . . (Vocal Parts, 2s. 6d. each.) . Full Score, £5 5s. Book of VVords, with Analysis, rs. 4d., or 75s. net per 100. Words only, 8d., or 41s. 8d. net per 100. An Interpretation of the Libretto by C. V. GORTON, M._A., 1s. 6d. Vocal Score, with German words (Deulsche Ubersetzung von JULIUS BUTHS), 7s. 6d. Cliorstimmen, 35. each. Textbuch, 8d. each. String Parts, 375. 6d.; Wind Parts on hire only. THE LIGHT OF LIFE (“ Lux Christi ”). A Short Oratorio. For Soprano, Contralto, Tenor, and Baritone Soli, Chorus, and Orchestra. (Op. 29) . . . . Tonic Sol-fa, 1s. 6d. Full Score, £2 2s. ; \Vords only, I25. 6d. per roo. String Parts, 205. ; \Vind Parts on hire only. CA NTATAS BANNER OF ST. GEORGE, THE. (Soprano Solo om’ lib.) and Orchestra. (Op. 33) . . . . Full Score, 253. Tonic Sol-fa, IS. 6d. VVords only, 95. 6d. per roo. String Parts, 125. 6d. ; \Vind Parts, 285. 1rd. BLACK KNIGHT, THE. For Chorus Orchestra. (Op. 2 . . . . . . . . . . . . .. Tonic Sol-fa, rs. 6d. Words only, 65. 6d. and 5) Full Score, 313. 6d. per 100. String (I;arts,l IP35. 6d. ; VVind Pgtrts on hire only, oca arts, Is. 6d. eac .) CARACTACUS. For Soprano, Tenor, Baritone, and Bass Soli, Chorus, and Orchestra. (Op. 35) . . . . Full Score, £3 3s. Tonic Sol-fa (Choruses and Words of Solos only), 2s. 6d. Book of\Vords, with Analysis, rs. 4d., or 665. 8d net per 100; VVorcls only, 8d., or 338. 4d net per 100. String Parts, 365. 6d.; VVintl Parts on hire only. - _ - (Vocal Parts, 2s. 6d. each.) KING OLAF. For SO rano, Tenor, and Bass Soli, Chorus, and Orchestra. Op. 30) . . . . . . .. Full Score, £3 3s. ; Tonic Sol-fa (Choruses only), 25. 6d. Book of Words, with Analysis, Is. 4d. or 66s. 8d. net per I00. Words only, 8d., or 23s. 4d. net per 100. String Parts, 345. 6d.; VVind Parts on hire only. ocal Parts, 2s. 6d. each.) MUSIC~MAKERS, THE (Op. 69). Ode by Arthur O’Shz1ughnessy. For Contralto Solo, Chorus, and Orchestra. . Tonic Sol-fa, 2s. 6d. ; Vocal Parts, 1s. 6d. each ; \Vorcls only, 9s. 6d. per IOO. String Parts, 135. 6d. Wiiid Parts on hire only. SPIRIT OF ENGLAND, THE (Op. 80). A poem by Laurence Binyon. Set for Tenor or Soprano Solo, Chorus, and Orchestra . . . . . . . . . . . . complete Tonic Sol-fa, 2s. 6d. Full score, complete, 255. Complete String Parts, Ios. ; VVind Parts on hire only. Vocal Parts on hire only. Words only, 125. 6d. per me. Or, Sing THE FOURTH OF AUGUST .. . . . . . . Tonic Sol-fa, 15.; Full Score, 135. ; String Parts, 35. 4d.; Wind Parts on hire only. TOWOMEN .. .. .. .. .. .. .. Tonic Sol-fa, 8d. ; Full Score, 75. 6d. ; String Parts, 33. 4d.; Wind Parts on hire only. FOR THE FALLEN .. .. .. .. .. .. Tonic Sol-fa, rs.; Full Score, 165. ; String Parts, 35. 4d,; Wind Parts on hire only. Words only, 6s. 6J. per 100. For Chorus H ANTHEMS, SERVICES, 810. S, d_ §CORONATION OFFERTORIUM (Op. 64) DOUBT NOT THY FATI‘IER’S CARE (“The Light of Life”) (Op. 29). Duet, S. and C. (Tonic Sol-fa, FEYAR NOT, 0 LAND (Harvest) ,_ (Tonic Sol-fa, 3d.) §GIVE UNTO THE LORD §GREAT IS THE LORD (Psalm xlviii.) (Op. 67) (Tonic Sol-fa, 8d.) JESU, LORD OF LIFE AND GLORY. Anthem. Adapted from Op. 2, No. 2 (Tonic Sol-fa, 2d.) . JESU, MEEK AND LOVVLY. from Op. 2, No. 3 (Tonic Sol-fa, 2d.) .. .. .. JESU, WORD OF GOD INCARNATE (Ave Verum) (Op. 2, No. I). Motet. English and Latin Words (Tonic Sol-fa, I%cl.) .. . . . . .. .. .. DITTO. English Words only (Tonic Sol-fa, Iﬁd.) .. §LIGHT OF THE WORLD (“ The Light of Life”) (Op. 29). S.A.'I‘.B. (Tonic Sol-fa, 3d.) .. .. LO l CHRIST THE LORD IS BORN. Carol LO HEARKEN TI-IOU (Arranged from the Coro- nation Offertorium) (Op. 64) . . . . . . . . . . O RIIGHTIEST OF THE IVIIGHTY (Coronation Hymn) .. .. .. .. .. .. .. .. SEEK HIIVI THAT IVIAKETH THE SEVEN STARS (“The Light of Life”) (Op. 29). Tenor Solo and Chorus for T.T. B. B. .. .. .. .. .. .. .. §TE DEUIVI AND BENEDICTUS IN F. For Chorus (S.A.’I‘. 13.), Orchestra, and Organ. (Op. 34) . . . . THEY ARE AT REST. Elegy (Tonic Sol-fa, 2d.) (Psalm xxix.) Anthem. Adapted MOTETS (LATIN WORDS). AVE VERUM (Op. 2, No. 1) (Tong. s.,1.f,., 1%d_)_, AVE MARIA (op. 2, No. 2).. .. .. AVE MARIS STELLA (Op. 2, No. 3) §INTENDE VOCI ORATIONIS MEAE (Coronation Offertorium) (Op. 64) . . . . . .. . . . . . . SONGS. §ANGEL’S SONG, THE : “My work is done” (“Gerontius") (Op. 38). For Mezzo-Soprano .. .. .. CHILD ASLEEP, A (Contralto) __ §FOLLOW THE COLOURS (Marching Song) IN MOONLIGHT (arranged from the Czzzzlo /wpolare in the Concert-Overture “ In the South,” Op. 50). (In G, F, andEﬂ:tt) .. .. .. .. .. .. .. .. OH, SOFT WAS THE SONG (Op. 59, N0. 3). In D and E (Orchestral Parts in E only). . . . . . . . PLEADING (Op. 48, No. I). In A flat, G, and F (Orchestral Parts in G only) . . .. . . .. . . RIVER, THE (Op. 60, No. 2). In G minor, Aminor, and B minor (original). (Orchestral Parts in A minor only) . . SVVORD SONG, THE (“ Caractacus,” Op. 35). In E flat and F (Orchestral Parts in F only) .. .. . . §TI‘IERE ARE SEVEN THAT PULL THE TI-IREAD (“ Grania and Diarmid") (Op. 42). Mezzo-Soprano or Baritone .. . . .. . . . . . . .. . TORCH, THE (Op. 60, NO. I). (Orchestral Parts in G only) . . .. §TVVILIGHT (Op. 59, No. 6). Contralto §wAs, IT sOME GOLDEN STAR (Op. No.5). Contralto .. .. .. .. .. .. .. § Orchestral Parts may be had. In F, G, andA LONDON: NOVELLO AND COMPANY, LIMITED. (July, 1923.) NEW YORK: THE H. W. GRAY CO , SOLE AGENTS FOR THE U.S.A. O 3 _a H ; - . _ . v . . N .l\IINNE’I-IAHA FALLS AND STONE ARCH BRIDGE, MINNEAPOLIS, ‘ _ e -9 F" 8. 63 <1: D E S G as D. E c C) ' o 2 é Q G.) 5 , Minn. MINNEHAHA FALLS AND STONE ARCH BRIDGE, MINNEAPO- LIS, MINN. The most widely celebrated of Natural Curiosities ".01-..'.~the Northwest. Longfellow’s Hiawatha -has made Min- nehaha an object of the curiosity and admiration of Travelers. The Stone Arch Bridge was erected from Stones taken from the Gorge beneath. >u:c:§rnCJ)>3 POST CARD ‘ PLACE THIS SIDE IS FOR THE ADDRESS {_.____a. .--_ - STAMP HERE ;
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Date: 1921
Text: MUSIC LIBRARY VASSAR COLLEGE poucuxzansvc NEW vopm SONGS S}-IA-WON—DA-SEE (The South Wind), Medium, F (No. 5232) SKARL THE DRUMMER, Iwedium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) WABUN (The East Wind), Medium, F (No. 5255) HIAWATI-IA'S SONG, Medium, Fiﬁ? minor T ADJIDAUIVIO (The Squirrel) Medium, G 5 W73 : I at. or I (No: 5268) *Except Canada and Foreign J. FISCHER 82 BROTHER - NEW YORK 119 WEST FORTIETI-I STREET 3, NEW STREET, BIRMINGHAM, ENGLAND Pxnu-an in nu To...
Show moreMUSIC LIBRARY VASSAR COLLEGE poucuxzansvc NEW vopm SONGS S}-IA-WON—DA-SEE (The South Wind), Medium, F (No. 5232) SKARL THE DRUMMER, Iwedium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) WABUN (The East Wind), Medium, F (No. 5255) HIAWATI-IA'S SONG, Medium, Fiﬁ? minor T ADJIDAUIVIO (The Squirrel) Medium, G 5 W73 : I at. or I (No: 5268) *Except Canada and Foreign J. FISCHER 82 BROTHER - NEW YORK 119 WEST FORTIETI-I STREET 3, NEW STREET, BIRMINGHAM, ENGLAND Pxnu-an in nu To Mrs. Mc Elroy -Johnston « Hiawathefs Song H JAMES A. BLISS Op. 10. No.1. Me dim m H.W LONGFELLOW eg-ro con brio (Juos) In the land of the Da - c0— tahs Minn — e —ha — ha, Laugh—ing a - ter, Lives the ar - row mak- er’S daugh-ter, /.‘,\.—. at tempo Hand- som- est of all the mai -ens, I will bring her to your wig—wam, W‘ #13‘/13 #? 3- 3 Esp/res She shall run up -on your er - rands, Be your Star-light, moon-1ight,fire-light, F Copyright, 1921, by J. A. Bliss Assz.'g1zea./ to J.Fa'.s>c-law (Q Bro. J. F.& B. 5268-5 PRINTED IN U. $.A. Be the sun-light of my peo-ple (L team Tem,;0o 1 Thus it was that Hi — a — wa - tha To the lodge of old No - k0 — mis Brought the moon-light, star—1ight_, fire - light, /:57 . ._. — ,-.\ (L tempo Brought the sun-shine of his peo-ple, Minn - e-ha - ha Laugh-ing Wa - ter, , . J. .F'.& B.:'>268~5 Hand - som-est of (Of) all the maid — ens . _ the land of p smccato hand-some maid - ens. ‘fab. J.F.& B. 5268-5. H .W. LONGFELLOW 8 ..... ........ .. eggiero _ J.F.& B.5268-5 ADJIDAUMO The Squ(irre1 J JAMES A. BLISS Slower .' x7[ea’imn ‘ Then said Hi-a-Wa-tha to him, 3'5 l"""""""‘1 I I d the squirrel, Brave - ly have toiled to help me; And the name which now he gives you; For here—aft-er and for-ev-er Copyright, 1921, by J. A.B1iss Assig/zed to .lF¢1s'(.'/car & Bro. l':'—j'll:—'—""| Boys shall call you Ad — ji - dau - mo, Tail in air the boys shall «:31? you!” And /3‘ 8... the squir - rel, r""'"‘l Ad - ji-dau- mo, ' 3 ' ' ' Frisked and chattered ver - y gay - ly, o ...._..4 atempo '“3“‘I ' 3 | J. F.&B.5268—5 Maesta slower In‘ his fur rit. e breeze of morn-ing a, A Group of AMERICAN SONGS LIST No. 1 . REG, U‘ S. PAT. OFF. HOWARD BARLow . . . . . . .Hush of the World . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5193, 5194)* . . Love issoNew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5192)..... Your Eyes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5195, 5I96)..... GENA BRANSCOMBE . . . . . .In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . . . ELIZABETH H. DAVID. ...Honeysuck1e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5151, 5152) InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155,5156)..... Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5153, 5154) JAMES P. DUNN . . . . . . . . .The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . ..3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) ..... Under the Greenwood Tree . . . . . . . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) . . . .. G_ FERRA1-A , , _ _ _ , _ , , , , _ ,Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) . . . . . CECIL Foggy-rg , , , , , , , _ ,A Masque . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Medium (4532) . . . . . . . . . Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547). . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . . . When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . FAY FosTER , , , , , , _ _ , , _ ,My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . . . Secret Languages . . . . . . . . . . . . . . . . . .. . . . . . . . . . .2 keys 4665, 4666) . . . . . Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) .. . . . When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . . . Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (4454, 4455) J. BERTRAM Fox . . . . . . . .A Ballad . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . High (4737) . . . . . . . . . . . Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5079, 5083) . . . . . Sadness; Tears . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. FRANK H. GREY - - - - . - . -Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys 5160, 5161) . . . .. VICTOR HARRIS . . . . . . . . . .The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) . . . . . A Madrigal . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..3 keys (5092, 5093, 5094) Silver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5098, 5099) . . . . . A. WALTER KRAMER - - - -Eternal May . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . . . ForaDream’s Sake . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (3851, 3852) joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys 24246, 4247) . . . .. « Song Without Words . . . . . . . . . . . . . . . . . . . . . . . . . .High 5020) . . . . . . . . . . . HOWARD D. MCKINNEY. In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys 4863, 4864) . . . .. WILLIAM REDDICK . . . . . . .Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High or Medium (5077) . Travelin' to de Grave . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) . . . . . , GERTRUDE Ross . . . . . . . . .Early Spanish-Californian Folk-Songs (Five).. . . .2 keys (5I20, 5121) . . . . . . Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144 ‘LILY STRICKLAND . . . . . . . .Bay0u Songs (Four) . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) . . . . . A Beggar at Love's Gate; Song Cycle . . . . . . . . . . .2 keys (4440, 4501) . . . . . Today is Fair . . . . . . . . . . . . . . . . . . . ..‘ . . . . . . . . . . . .2 keys (4338, 4339). . . .. DEEMS TAYLOR . . . . . . . . .Captain Stratton's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass (5242) . . . . . . . . . . . Banks 0' Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Medium (5210) . . . . . . . . . Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) . . . . . The Messenger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4732, 4733 The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) .. . .. A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) .. . .. PIETRO A. YON . . . . . . . . .Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4452, 4453) . . . . . Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . 0,...- *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. - NEW YORK 3, NEW STREET, BIRMINGHAM, ENGLAND
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Date: 1917
Text: MUSIC LIBRARY VASSAR COLLEGE "°”°”’“~'EPS|E. New vonx -05 a *3 ,. S SONGS Challenge of Thor, The. From “ King Olaf” . Christmas Eve (Chi1dren’s song) Crossing the Bar Eagle, The Gently Swaying . . . Good night, Beloved ‘ . . . . Her Song and his Violin (Violin obbligato) Home they brought him . . . . . . I had a Dove . . . . . . . . . . D I saw thee weep . . . . . . . Indian Lullaby . . . . . . . . . E min. Cs: min. 0 Holy Night (Christmas song) (Violin or ’Cello obbligato) Orpheus...
Show moreMUSIC LIBRARY VASSAR COLLEGE "°”°”’“~'EPS|E. New vonx -05 a *3 ,. S SONGS Challenge of Thor, The. From “ King Olaf” . Christmas Eve (Chi1dren’s song) Crossing the Bar Eagle, The Gently Swaying . . . Good night, Beloved ‘ . . . . Her Song and his Violin (Violin obbligato) Home they brought him . . . . . . I had a Dove . . . . . . . . . . D I saw thee weep . . . . . . . Indian Lullaby . . . . . . . . . E min. Cs: min. 0 Holy Night (Christmas song) (Violin or ’Cello obbligato) Orpheus with his Lute ' Remembrance . . . Sea hath its pearls, The . . . . . . Summer sun is sinking low, The (Violin obbligato) Price‘ .60 .40 .50 .50 .40 .50 .75 .50 .50 .50 .50 .75 .50 .40 .40 .60 .50 Under the Greenwood Tree EIGHT INDIAN SONGS FROM THE “I-IIAWATHA" OF LONGFELLOW (German text by Hermann Simon) Gitche Manito the Mighty (Kits:/22‘ Manito, der Mac/zt’ge) Greeting of Hiawatha (Grass 7/on Iﬁzzwtztha) . . . . When the noiseless night descended (Nat/zts, wmn alley lz'eg‘tz' Sc/zwezlgen) . . . . Chibiabos (Tschibzlzbos) . . . . Death of Chibiabos (Tod der T sclzibiabos) . . Onaway! Awake, Beloved! (0mzwiz’./ wtzc/z auf’, Geliebte./) I-Imi§Ww_‘§1;,hgg.n§ Friends (I{z'awat/uz’s Frezmde) lllll ﬂigarewell Minnehaha (Le5’wo/zZ/ ]Wz‘m1e/zzzlm) Boston: OLIVER DITSON COMPANY New York: CHAS. H. DITSON & CO. Chicago: LYON & HEALY To Mrs. VV. IV. Robinson HIAWATHA’S FRIENDS (HIAWATHAS FREUNDE) HENRY WADSWORTH LONGFELLOW _ - German version by Hermann Simon ((),.,‘gma[ Key) CARL BUS CH Allegro moderate 1’ All the ma _ ny sounds of na _ ‘cure B0f_ rowH Je _ der - dcr_ sang der Schii _ pfung Lieh’ zvon (‘Z-—_h/-\ T9. 1’ . 17 077980- sweet- ness from his sing _ ing; All the hearts of menwere soft _ en'd By the sei _ -ncm Lied’ den Zau, _ her, Al_lcr Men _ sch<mHc'r_ zen schmol - zen Durch die Copyright MCMXVII by Oliver Ditson Company International Copyright Secured 6 -145‘ ’71834- 3 thos of his mu _ '- For he sang of peace der heil_:gen Kliin _ Dewn er sang zvon Frei - _ hcit) KT 1’ Sang of beau _ ty, of love. and Sang vain Schiin _ heit, Lie _ be, X-TZT 19. 1'7 long _ ing; Sang of death, and life un - dy _ ing In the Is _ lands of the Sehn _ sucht, Sang vom Tod; zzom ew_'gen Le _ ben Auf den In - seln derGl1'ick.. 5 -145"71834- 3 In the king .. - dom of P0 _ ne In dem K6 - - nig- reich) Po _ m" of ‘the Here _ af _ des schii-n _’ren Jen _ ﬁx FD % A a tempo 5-145"71834~ 3 The Musicians Library The masterpieces OF song and piano literature edited by men OF authority BRAHMS, JOHANNES FRANZ. ROBERT GRIEG, EDVARD HANDEL, GEO. F. HANDEL, GEO. F. JENSEN, ADOLF LISZT, FRANZ SCHUBERT, FRANZ SCHUMANN, ROBERT STRAUSS, RICHARD TCHA'I‘I<OvsI<Y, P. I. WAGNER, RICHARD WAGNER, RICHARD WOLF, HUGO FIFTY MAsTERsONGs FORTY SONGS FIFTY SONGS FIFTY SONGS SONGS AND AIRS SONGS AND AIRS FORTY SONGS THIRTY SONGS FIFTY SONGS FIFTY SONGS FORTY SONGS FORTY SONGS LYRICS I LYRICS II Er III FIFTY SONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS (BEMBERG TO FRANCK) MODERN FRENCH SONGS (GEORGES TO WIDOR) VOL. I VOL. II ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (All Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS SONGS FROM THE OPERAS I, IIE-x-III IVérV v‘$v‘.-3i°.5v‘z%v‘.t3€:%i:%%3%.%&%$%%.%%§&%£ v‘.-3v‘.~.%v1.-3»‘z‘5v‘..-%v‘:.%>‘;%v‘.-.%»‘;%v‘.°5 #3 >13 For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Soprano For Tenor For Baritone and Bass For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Medium Voice For Medium Voice For High Voice For Low Voice For High Voice For Low Voice For Medium Voice For High Voice For Low Voice For Medium Voice For High Voice For Low Voice For Soprano For Mezzo~S ano For All For Tenor For Baritone and Bass SONG ° VOLUMES ° ISSUED fir‘.-.I‘v$‘;%v‘.-3!‘.-ﬁr‘.-iv‘.-.3v‘;%v‘.-.%v‘..-3 f5 9.-%f£c€;?f.t%€5i%€..-%v1.-3f:.%i:%€:%i.'%i:%fz%f:.%€.:%i% Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST JAMES HUNEKER WM. FOSTER APTHORP HENRY T. FINCK DR. EBENEZER PROUT DR. EBENEZER PROUT WM. FOSTER APTHORP CARL ARMBRUSTER HENRY T. FINCK W. J. HENDERSON JAMES HUNEKER JAMES HUNEKER CARL ARMBRUSTER CARL ARMBRUSTER ERNEST NEWMAN HENRY T. FINCK DR. CHARLES VINCENT PHILIP HALE PHILIP HALE CECIL SHARP GRANVILLE BANTOCK GRANVILLE BANTOCK HELEN HOPEKIRK JULIEN TIERSOT WM. ARMS FISHER GRANVILLE BANTOCK RUPERT HUGHES H. E. KREHBIEL H. E. KREHBIEL Each volume in heavy paper, cloth back, $1.50; in Full cloth, gilt, $2.50. Copies mailed postrpaid. Other volumes in preparation For Free booklet, giving full particulars and Easy Payment Plan, send to the publishers . ::- OLIVER DITSON COMPANY‘ BOSTON
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Date: 1914
Text: 2?: x; , :..: er »» \ f V n M ii‘ Wm‘ H ‘A C‘iiLDi‘i88D H OPERETTA BESSIE M. \X/HITELELY. I: 3' 1. 4 3' 4 "4 3- i . ;. :7 , _” ' _ I V _ \,\__»;¥;W Pantomime: Suggestions for Presentation of Hi_awatha’s Childhood COSTUMING OF INDIANS. . Boys: The usual play—Indians’ costume, sold at furnishing stores, is appro- priate. The “warriors” should have their faces as hideously painted as possible, and should wear a head-dress consisting of a bright colored band, decorated with up...
Show more2?: x; , :..: er »» \ f V n M ii‘ Wm‘ H ‘A C‘iiLDi‘i88D H OPERETTA BESSIE M. \X/HITELELY. I: 3' 1. 4 3' 4 "4 3- i . ;. :7 , _” ' _ I V _ \,\__»;¥;W Pantomime: Suggestions for Presentation of Hi_awatha’s Childhood COSTUMING OF INDIANS. . Boys: The usual play—Indians’ costume, sold at furnishing stores, is appro- priate. The “warriors” should have their faces as hideously painted as possible, and should wear a head-dress consisting of a bright colored band, decorated with up-standing feathers. They should carry bows and arrows, and tomahawks. ’ Girls: Select ankle-length skirt fringed around the bottom. The appro- priate colors to be worn are red, yellow, tan and brown. A bright colored shawl or scarf may be draped around the shoulders. Many strings of bright colored beads should" be worn. The hair should hang loose or in braids, and a band of cloth or of beads may encircle the forehead. Indian War Dance: This should be executed in a circle with much vigorous and stiff-legged jump- ing, accompanied by a ﬂourishing of_ tomahawks. A frequent breaking away from the circle by individuals, who indulge in a skulking movement, may be made. The dance suggested may be extended as long as needed by repetitions of the repeated passage on pp. 1 and 2. General Suggestions in regard to Characteristic Dances: It is considered best not to plan (through these suggestions) any set steps for these dances, as it has proven to work out more satisfactorily if the expression trainers in charge of the action are left free to follow the dictates of their individual imaginations, as excited by the plot and the music of the com- position. Steps, gestures, and general action should seem spontaneous. Dance of Mudjekeewis and Wind Spirits: These enter at the beginning of the music on p. 8. Mudjekeewis, only slightly accompanied by action on the part of the Wind Spirits, may execute a char- acteristic dance to the music, on pp. 8 and 9. Afterwards, to the music on pp. 11 and 12, the Wind Spirits have a more active part. A whirling ﬁgure performed by the individual dancers should be a characteristic of the dance of the Wind Spirits. All movements should be of extreme lightness. The costume for this dance should be of white or very light grey gauze, and long scarfs of the same material should befreely used as in any scarf dance. Phantom Dance: This action should express mystery and unearthliness. The arms must become most expressive, being frequently outstretched, and used in a beckon- ing gesture. The costume for this dance should be a long shroud-like drapery of white, covering head and body and fastened wing-style to the wrists. Fireﬂy Dance: Any dainty two-step form of dance can be used for this dance, for which only the smaller girls should be chosen. The circle, the serpentine ﬁgure, and individual ﬂitting about, always with exceeding lightness of step, are appro- priate. Hiawatha may take an active part in this dance, catching at or coquetting with the ﬁreﬂies. This pantomime may even be extended during his song “Wah—wah—taysee” during the rests in the solo, a repetition being made in the accompaniment during the rested voice-part. The costume for this dance may be of white or red gauze, and each dancer may carry a tiny electric ﬂash-light which is played upon frequently during the dance. During the singing of No. 11, p. 19, an interesting bit of pantomime may be carried on between Nokomis and Hiawatha. No. 16, p. 31, may be sung by a concealed chorus, Hiawatha being left alone in the woods, curiously listening and looking about for various birds and animals, even crawling under bushes, etc., in quest of his “forest friends.” The chorus may then make its appear- ance, with the three lndian maidens, in Nos. 17 and 18, p. 36, during the action of the shooting of the arrow by Hiawatha. At the close of Finale A, he leaves the stage, returningat Finale C. A — .. . _ . BESSIE WHITELEY HIAWATHA’S CHILDHOOD OPERETTA IN ONE ACT FOR UNCHANGED VOICES TEXT BY HENRY WADSWORTH LONGFELLOW MUSIC BY BESSIE M. WHITELEY 3 ﬂwarded tbe Prize by “Tbe National Federation of Music Clubs’ Competition,” closing September I, 1912, in tbe Operetta C/as: (Una/mnged 1/ oices) C. C. BIRCHARD E9’ COMPANY BOSTON Copyrzg/it, 1 914., by C. C. Bircbtzra’ 59° Conxpargv International Copyrig/Ivt yecured ‘CHARACTERS HIAWATHA. (As a young child in Scenes I and II,and as a youth in Scene III.) Represented by a young child and a youth. NQKOMIS. Represented by a girl dressed as an Indian woman. MUDJEKI-:EwIs. (West-Wind.) Represented by a youth. IAGoo. (T/ye Boaster.) Represented by a youth of size or a young man. FIRST INDIAN YOUTH SECOND INDIAN YOUTH Youths. THIRD INDIAN YOUTH FIRST INDIAN MAIDEN SECOND INDIAN MAIDEN Girls. THIRD INDIAN MAIDEN Indian Tout/)5, Warriors, Maidens, Women, U/ind-Spirits, Pbantoms, Fire-;ﬂt'e:,. etc. SCENE I A forest by a lake-, an Indian wigwam in foreground. SCENE II Further in the forest. SCENE III Same as Scene I. ‘T/2e 0 eretta ma be iven with one scene on] . P J’ 45' J’ Performed before the NATIONAL FEDERATION OF MUsIC Cums’ CONVENTION at Chitago, Illirzoir, April 2 5, I91 3 ; wider the direﬁion of M. Teresa Arm itage. The Orchestra P‘ll'(‘S may be obtained from the Publishers. Requirements for Performance: Purchase of at least 6 copies of the piano—voca1 score for the principal characters; where vocal parts only are preferred to the piano-vocal score for chorus use, a sufficient number of copies must be purchased for the participants, with two additional copies of thepianoyocal score; royalty fee of 315.00 where admission is charged. If more than one performance is given, and not on consecutive dates, there is an additional royalty fee for each performance. The names of the author and composer must appear on the program and in all publicity matter before and after performance. Chorut; .Przr£"s available CONTENTS SCENE I . INTRODUCTION: Indian War Dance Entrance of Mudjekeewis . CHORUS: “By the shores of Gitchie Gumee” . RECITATION: A little Indian maiden . SoLo: “Ewa-yea.” Nokomi: . RECITATION: First, Second, and ‘T/zird Indian Youth: . WIND SONG AND PHANTOM DANCE: PVz'nd-Spirzt: and P/zantonxr . Cuoxws: “At the door on summer evenings" SCENE II 8. DANCE 01-‘ THE FIRE-1'-‘LIES. Fire— in . RECITATIONZ An Indian maiden . SoLo: “Wah-wah-taysee." Hiawat/za . CHORUS: “Saw the moon,” etc. . CHORUS: “Then the little Hiawatha" SCENE III . RECITATIONZ F inc! and Second Indian Tout/2.: . ‘Sow: “Go, my son." Iagoo . CHORUS: “All alone walked Hiawatha . Cnoausz “And the birds sang round him . RECITATION: Fzrst, Second, and Third Indian Mazaen: . FINALE: (a) “Then upon one knee." C/zorz/5 (5) “Dead he lay there in the forest.” C/torus (c) “But the heart of Hiawatha.” C/zaru: MOT IVES The music is based on the following motives, derived from' Indian melodies . “GAME SONG" Indians of.Vanc0uver’s Island “LOVE CALL” Omaha"Indians ‘Used in No.1, (last movement) and No.6. .9 I ,5» A characteristic phrase from the original, a“Love Callﬁplayed on the native _/Zzzgeolet. “REST SONG” Omaha Indians Used in No’s 2, '7, 18 b. The melody line as’ in the original, the five measure groups devised by the composer. “LOVE SONG” Omaha Indians Used in No.4. The melody line as in the original, the rhythm devised by the composer. “DANCE SONG” Omaha Indians . i I" I’ W’ I’ ‘ Used in No.10. ‘rm E—l I The germ of the “Dance Song”, in the original of which there is more rhythmic than melodic development. “SONG OF THE SPIRIT” Omaha Indians Used in No.11. Derived melodically fromthe original, but condensed rhythmically. “OLD MAN'S LOVE SONG” Omaha In-dians .2’ Used in No.16. The repetition of the first two measures in the 5I_h below, is an in teresting feature of this melody. The publishers are indebted to Miss Alice C. Fletcher for permission to use the above motives from “Indian Story and Song from North Americav HIAWATHA’S CHILDHOOD Text selected from “Hiawatha” by Music by ‘ .HENRY WADSWORTH LONGFELLOW _ BESSIE M. WHITELEY Scene 1 A forest by a take; a zoigzmi/1 2'72 t/ze foreground , flag? closed. A few men and women seated about on the ground. ‘ Il]tI'OdIlCtiOIlZ Chorus and Dance of Indian Warriors Music oosort 2:/2071 a “Game Song” (f the I7za_’z'a7zs of Vurzcouzre/s z‘sZamz’. Allegro Vivace (Smmgzy mark the czzttar r /‘A . 7 1" 1' //-j*—§$ A (Enter I7m'z'a7z ‘warriors who A _ A A \ A A _A/—--\ A/""‘\_ give yells and dance m'goroz_¢sZy a war o’a7zcc.) Ki - yi—yi-yi, Ki-yi—yi-yi, Ki— i— '! IEi-yi-yi- ' '—yi-yi! A A A arcotiss. » “fab. {$3 The publishers are indebted to Messrs. Houghton, Mifflin Company for permission to incorporate ex- cerpts from T.ongfeHow’s“Hmwat}za3’ Copyright, 1914, by C. C. Birchard 81 Company (C'o7z2‘z’7zuea’ dancirzg of [7za’z'a7z warriors.) £3. axe (T/ze a’a7zc2'7zg gradually subszdes. A‘/..___—— decresc, 3% They are seen to was/z 2‘/zeir /zarzds 2'71 2‘/ze Za/ea, may z‘/zraw away 2‘/zezr arrows, to make peace-pzjﬁes 70/Liv}; they A 916 L/ ‘Sim “fem. axe 9,5 (Enter .3£UDJEKE7EW1SA9(WéSf-W/Z‘ﬂd) by WIjY;0- smoke 2'72 quiet groups.) T mprZ.c2.0S0 [A TE‘) 7710110 accel. , . _ $23. Hiawatha A11egr% KEEWIS raises 2‘/zeflap molto creso. ' : molto decresc. V ' so I 6%. of tile wzgzoam dz’soZosz'7zg N OKOMIS nursirzg the lz'lz‘Ze HIAWATHA.) _ (.412 group for C/zorus.) a Ze m Ch0I'uSZ “By the shores of Gitche Gumee” Soprano 1-H, Alto /lfusic based upon Omaha I7m’z'a7z “Rest Song» ¥ Andante moderate 7’!/' resAer7;e 1‘/zefz.'ve—7%easure r/zyz‘/z7/1A 2‘/zrouglzout.) A fab. 3!: ‘fab. 3:‘: etc. rzttaoco A ‘K At z‘/zis tempo, co7zsz‘der eac/z measure one beat. H 1' awat ha Andante moderato e e ressivb mf Soprano 1-H shores of Git - che Gu 2. By shin- ing Big - Sea -Wa ”€/' Alto 1. By Git - che gvu Big - Sea - . a shin — in wig - warn black an firs with wig - wam firs with , .\ Teheie '1. Daugh - ter 2.Br1ght be - Dau. h - tef of the Moon, 0 - Brig t ._,be - fore it beat the Dau h - ter of the Moon, 0 - Brig t be - fore it beat the Hiawatha Hiawatha ‘fab. T/my gal/zer irzto groups to flu? rig/22‘ amz’ /eff. NOKOMIS comes from file wzgwam, bearing an I7za'z'a71 cradle. black and shin - ing black and shin - ing ibe - hind the clear be - hind the clear gloom — y pine Big - Sea - Wa gloom - y pine Big — Sea — Vfa — bk; dim. 8 /22 trmzquillo "Eb. S/13 places 771 7'2‘ 2‘/ze Zitlle HIAWATHAV N‘? 3. Recitation (Sp0kVe7z by a Zz'z‘z‘Ze» I7za’z'a7z /m1z'a’e7z) “There the wrinkled old Nokomis Nursed the little Hiawatha, Rocked him in his linden cradle, Bedded soft in moss and rushes, Safely bound with reindeer sinews; Stilled his fretful wail by saying, “Hush! the Naked Bear will hear thee!” Lulled him into slumber, singing. N 9 4. S010: “Ewa—Yea" (zvozzoms) M02‘z've for music suggested by an Ullld/la 17zdz'a7z "Low Song” Molto moderato ‘mp 1. E _ wa-yea! My lit - tle owl — et! 2. E - wa-yea! My lit - tle owl — et! /rzolto traizquillo e espressrzzo F p legato E-wa-yea!__ E - wa-yea!._ Who is this, that E - wa—yea!_ E- wa.-yea!__ Hushlthe Nak - ed id 15000 rzz‘. H temﬂo \‘\_____/ ‘Em. >3@ Hiawatha lights the Wig‘-wam? With h1s great eyes Ii hts the wLg—wam? Bear will hear. thee! E - wa-yea! % '- wa—yea! A llt - tle owl - et, . - wa-yea! My ht - tle owl - et, E - wa—yea! My A lit - tle ow1~et! Who is this, that lights the wig-wam? lit - tle owl—et! Hush! the Nak-ed Bear willhear thee! > xfx/F 1' motto rtt. l 1 E- wa-yea! E -w‘a - ‘Em. are V, ./VTOKOMIS at the erzd of the song stoojzs over the cradle of the sZee_zbz'7zg HIAWATHA. All the others re - tire from the stage except three I7za’z‘zm youths who sjmale the foltozvtngr Hiawatha N0 5'). Recitation FIRST INDIAN YOUTII.‘ “Many things Nokomis taught him Of the stars that shine in heaven,‘ Showed him Ishkoo-dah,the comet. Ishkoo-dah, with fiery tresses :” SECOND INDIAN YOUTH: “Showed the Death-Dance of the spirits, Warriors with their plumes and war-clubs, Flaring far away to northward In the frosty nights ofWinter:” THIRD INDIAN YOUTH.‘ “Showed the broad white road in heaven) Pathway of the ghosts, the shadows, Running straight across the heavens, Crowded with the ghosts)the shadows.” Du-rz’7zg 2‘/ze rec1Itatz'07z qf 2‘/Le precea’z'7zg) I/ze stage is darkened. Enter /VIUDJEKEEWIS (West Wine’) and WIND SPIRITS and PHANTOMS. T/ze t/tree Iﬂdidﬂ your/zsi retire 2'71 fright. N9 6. Wind Song and Phantom Dance West Wind motive from Omaha Imiiarz “Love Call.” C .. apricioso .\ m,:)\ K? \m molto accel. e ores . H 1 .1vvzith;, Allegretto WAY!) .\‘/’./R1718‘ ,_ :'_ -__.,. _f I _ V .:.':: “ 4: Q; T . mo/to crest. _f ucce/. molto dim. amzcca Hiawatha Phantom Dance 74/‘ a lgmpo 6’ 71071 [again A A 77_1/' legato 1'!’/2/171/0272.: disperse) / ’\’\\ PP \ Z egg7'erz'ss2'IIz 0 Hiawatha Wind-Song AHGSYO (WIND SPIRITS < >- — 0o___.______j /I Zeggiero molto a’€crz.:sc. Hiawatha L ‘: mo//0 07’ 50. “$323. (l’f1A/1"/‘(M/,8‘ and WIND SPIRITS disagﬁpear as My siage is gradually Jig/zted.) ‘Sim. Qeb. (Mg/zzea slag ».) a [67/Zﬂo /é ajfa (,‘(/‘(z .b~.LA~ (Reenler Indian men, women and you:/zs.) Ky . 1’/H"//./_$/1.1/E.‘ — T/I6’ crowd Z00/as about czzriaus/y. Tlzey pic/e 24¢ afan offeaz‘/zers, an a7z2‘z'que war club, a 7I1(zC£7(I.s'Z7l, a /zeaolwtress etc, rep;-cserz/zvzg surprise by geslure. T/zzly lake rzotice 0f1V0I(0M1S and HIAWATHA by the zevzgzwzzlz, zm/zur/Izea’: a7za’fz'7za/Zy groupfor 1/zefollozwizg c/zorus: Hiawatha . ChOI'1lSZ “At the door on Summer evenings” Unison Chorus Mofme of music from Omaha “Rest Song” as in N? 2 *Andante moderato ’ f\ D mf Zega to J “m. (}’re.s‘er7~e //zc fnw 2/zwauzre r//yl/zm.) 7/; 1. At the door on sum - mer ’nings Sat the 2. Heard the whis— p’ring of the .. trees) Heard the /‘\ /\ I7 mf legato > \-2 - ’ - lit - tle Hi - a - Heard the wh1s -- p rmg lap - ping of__ “Mi - ne — wa f wa!” f\ (\ \ X’ /}0n.sz'a7er eac/z 7/zeasum as a sfrzgle /mm‘ Hiawatha of the pine Heard the lap - ping of t e said the pine “Mud - way - aush - ka!” said ‘ the der; Sounds of mu- sic, words of won der; Sounds of mu- sic, words of won T‘ g) _ 7/10110 rz'z‘. . a poco Ped~ ‘CURTAIN. Hiawatha Scene 2 A wooded scene. Stage senzzldarlg. ./V7'g/zl'scsr1z29. (Hiawat/za_.ana’ oz‘/zers gﬁresenzﬂ) N0 8. Dance of the Fire-flies INTRODUCTION Moderato 5 - ‘ /’/’g8""”"’ acccl e crcesc . (Enzer FIRE —FL[ES' and arrange for Dance.) .'/_\ .11 Zjemj) 0 attacca A DANCE Al1egre_t/t \/ 771}? Zeggz'erz'ss mo Hiawatha 7716710 WZOSSO T/M F]/{E- FL/ES vumis/I 4; 19’ A F H i awat ha N0 9. Recitation ( by (171 I/t/z’z‘a7z .1lm‘den) “Saw the fire-fly, Wah-wah-taysee, Flitting through the dusk of evenihg, With the twinkle of its candle Lighting up the brakes and bushes, And he sang the song of children, Sang thesong No/zomis taught him:” N0 10. S010: “Wah-wah—taysee”(HJAWATHA) (Mo2‘7'z'e for music of “Wu/1-7/ea/1-ta}/see)’xzzggesled by Omaha 17za’2’a'72 ‘i’/Jmzce Sang” ) Moderato (Preserve 2‘/ze culiar rlzytlzm ) mp Zeggie/0 sew/z,22Zz'ce 1, “Wah-wah-tay-see, Wah-wah-tay-see; lit-tle fire-fly, lit-tle fire-fly, 2_“Wah-wah~tay-see, Wah-wah—tay-see, lit-tle fire-fly, lit-tle fire-fly, Wah-wah—tay—see, Wah~wah~tay-see, Lit - tle flit-ting‘ white- fire in- sect, Wah-wah-tay-see, Wah—wah-tay-see, Lit- tle danc-ing‘ white— fire creature ,- Hiawatha Light me with your lit—t1e can—d1e, Light rne with your 1it—t1e can-dle, Light me with your lit-t1e_ can- (He, Light me with your lit-tle can-dle, _ A . 7Il€7Z0 7Il0SSO Ere up-on my. bed I lay me, Ere up—on my bed I lay me, Ere in sleep I close my eye-lids, Ere in sleep I close my eye-iids.' 6710 7110350 A I I1 916 a Zempo , light me! Light me with your.1it—tle can— e. Ah, light me‘. Light me with your lit-tle can-dle. ..:;- c1 lemﬁo } . Wah-wah-tay-see, Wah-wah—tay - Wah-wa.h-‘tay- see, Wah-wah-tay - L _ [mp atfacca L} During the sz'7zgz'7zg by I/Le c/torus £72 [/13 fa/Zozoirzg, A/'0I(0./IIIS and HIAWATHA wander aéaut, the form» er, e72z‘a’e7zz‘Zy }‘>0z'n2‘z'7zg om‘ zzarious natural wonders. . T/ze rejﬁ/ies of A70K0MIS are spoken afier eaclz dz‘m'sz'07z of the 0/zorus sz'7zgz’7zg. Hiawatha 19 N9 . ChOI‘IlS1 “Saw the Moon’? “Saw the Rainbow" ‘(When he heard the owls” (Scmi—Chorus in Unison) AZZer7zz1z‘z‘7zg,wz't}z spoken words M0z‘z'72e for music from Omar/za l7zdz'a7z “Song of the S'pz'rz‘z"’ T ranquillo Saw the moon rise Rip - phng, -rip-p1ing)round—ing" rom__ the wa /3 Saw the flecks and shad ws Hiawatha 15 z’ 24 agzfa Z0 Whispered“What 15 that?” flecks and shad-ows on it, /4;“; W“/“L-x # Right against the moon he threw her; ’Tis her body that you see there?’ Spoken l2y'1V0I(0M1S .- Once a warrior, very angry, Seized his grandmother’ and threw her Up into the sky at midnight; /ramq 112710 the heav - 2. Saw the rain - bow 11° Hiawatha Saw the rain-bow in the eav"n,_ /r;-—\\ Saw the rain-bow in the heaV—en, pm agilala In the East -ern e rain-bow, Whispered 1s g,t\~\~ss d {f_______\ VVhat 1s that,____ No-ko - misli_._ (K; .S'f)(I/(€71 éy NOKOMIS - Tis the heaven of flowers you see there/: When on earth they fade and perish, All the wild-flowers of the forest, Blossom in the heaven above us.” All the lilies of the prairie, JJ 1 .:walha Semi- Chorus Ah! tranqui poco agita to (mz'sterz' 3. When he heard t- ing, laugh — ing Hiawatha £1} a taro U - - ( . VVhat 1s e cr1ed__ 1n ter - ror‘/.What 1s. that?” e said, VVhat 1s__ that ff}. Sjzoken Wards by No/c0mz's 652%’ “That is but -the owl and owlet, I Talking in their native language Talking, scolding at each other .” W T m /' sezzz/We z‘ra7zqm'ZZ0 V L. 19 Semi Chorus //-——%§Oh!.________ 5 ./‘T . -./‘*5 . Hiawatha N9 Chorus. “Then the little Hiawatha” (Full Chorus in three parts) Moderato con s irito 7’!/° Soprano I-II the lit — tle Hi - a —wa-tha all beasts he learned their language, the lit — tle Hi — a - wa-tha Of all beasts he learned their language, Moderato con spirito \_ V T I ' . ‘ V Learned of ev - ’ry bird its lan-guage, Learned their names and all their se-crets, Learnedtheir names and all their se- crets, How the beav - ers built. their lodg-es) 4* —— N K I I I ' |\ | K 1 I . I II I W R I K 4:» d d’ II N l\ v T’ v 4- 47 at at -it .v xx Learned of ev — ’ry bird its Ian-guage, Learned their names and all their se- crets; Learned their names and all their se-crets, How the beav- ‘ers built: their lodg-es, {Lid JA 5 T +5T,g~4 J T V3 #5 LI: ... l .g I Hiawatha f Learned their names‘ and _ all their se—crets,How theybuilt‘ their nests in sum~mer, Where the squir-rels hid their a-Corns, How the rein-deer ran so swiftly, f 2- "9" Learned their names and_ all their se- crets, How they built their nests, VVhere the squir- rels_ hid their a—corns,_How they ran so swift-ly, they hid them-sel_Ves,} ____i so tim _ Talked Where‘ they hid them-S.e1VeS’} 1~2. Talked with themwhen—e’er he met themjii Why so tim - Id) marcato Where they hid them-selves in win-ter , . Why the rab _ bit was so tim_id”}’l-2.Talked with them, with them, Hiawatha them where- e’er he... met them , f Talked them._ when - e’er Ea met them, Talked with \_/ . them, Talked with /—'‘T Called them “Hi wa-tha’s Chick-ens.” Called them “Hi wa — tha’s Broth—ers J’ I’ - tha’s , Called them“Hi - a - 7 }) ‘ ‘has: Called them “Hi - a - sempre can .3 Called them "Hi - a - wa—tha’s Chicken.” Called them“Hi- a - wa—tha’s Brothers.” f “ ) H - . - tha, — - thas) H1 - a - wa -tha! cresc. \ /3 wa-tha’s Chick-ens.” 4: . , 2; . . I wa_tha,sBI_Oth_erS‘”}H1 a - wa - thas, the ht-tle H1- a -\na tha. 53%. w * Hiawatha - 9 Scene (Place. —- As in Scene 1. Upon the stage are Iliazoat/za as ayonth, Nokomis, Iagoo, Indzan men, wom- en, youths, etc. Iagoo is seen makmg arrows.) N0 13. Recitation FIRST INDIAN YOUTH Then Iagoo,the great boaster, He the marvelous story—te11er’ He the traveller and the talker) He the friend of old Nokomis, Made a bow for Hiawatha. SECOND INDIAN YOUTH From a branch of ash he made it, From an oak-bough made the arrows, Tipped with fl-int, and winged with feathers, And the cord he made of deer-skin, I Then he said to Hiawatha N9 14. S0l0:“Go, my sonz”<1Aooo) Motive of music based upon “Game Song” of 2‘heIndz‘ans of V(I7Z(/‘07t7;gI’)S Is/and Allegro e vigoroso Begin music with last [me o]’recz'tatz'on A A f A(Preser71e the r rhythm e A “Go, my son, in - to the for-est, Where the red deer herd to—geth-er, A , ‘Ea. Hlawatha Kill for us ‘a fa-mous roe—buck} K111 for ' A, ~ /'1‘ “Go, my son, in - the for - est, Where the reddeer herd to-g'eth—er, A Go! Kill for us A a-mous roe-buck, Ki f r us a ‘deer with ant-lers! Go, my son, in - to the for - Hi uwatha Where the red deer herd to—geth - er.” IAGOO gz'7*w.s~ in HJAWATHA 271/» (Low and arrows mm’ [5/{I(z’.s‘ /12'/22 (ff; poz'7zz‘z'7zg to t}1e_f0res2‘ 1'71 ﬂze bac/e~ altapca f.\ L_____,, T/1e 02‘/zers watch his a’epar2‘ure,gi7'1'7zg /zz'm.(by 1§a7zlomz‘r/re) rm e7zcoumgz,-‘rr1e7zz‘ far /1219 2/zzr/er!/1/«mg. T /16 semzlclzorz/5, z'7z cu7z2’emj>Zat7'07z sings 2‘//e fa//07m'7zg: NQ) “All alone walked Hiawatha” Semi Chorus in U ison And ante (Quasi rec7'I‘al2‘720) Forth in—to the for—est straightway All a~1one walked legato ' > /(IA-af,.,,, a fcmpo H 2 uwatlm Hi- a-wav-tha) All a. - lone walked Hi - a - §va—tha, > ' Proud-1y,with his bow and ar—rows; Proud-1y)with his ::”\ ”‘\ bow_ and ar - a- lone walked /'\ /57 V __ W.‘ H iawatha N9 16. Chorus: “And the birds sang round him" Full Chorus in Unison wtih Flute and Violin Obbligato Matwe Qf music from “Old Ma7z’s Love Song” of the (/ma/za Irzdzmzs Moderato Quasi rec-Z‘[afl’.z)0 espresszvo ea’ irmzq. Chorus 1. And the 2. Sprangthe 3. d Zra7zquz’ZZ0,co7z azioso, sempre /eg/12'/u An the {F - ————‘-T .7’ ‘ . birds sang round him 0 ’er birds sang squir - rel, Au’ — jz' - dau Ad’ — jz' - rab - bit from his path from his {"‘\ Hiawatha him, Sang the rob - in, the 0 — paw - L‘//M’, mo, Up the oak - tree, close be — side him, way, Leaped a - side, and at a dis ~ tance, 3-6 ----------- --L ---------------------- --, r b \ /—\ Sang the blue - bird, the 0- wais-sa, And the bi;?1s sang In and out a - rnong the bran—ches, Laug‘hed,and said be - Sat e - rect up - on his haunches, Say - ing to the 2-\ Hfawatha him, bir s sang o’er his laugh-ing, close be — side the hunt — er, to the hunt H i awat ha “Do... not shoqt us, “Do____ not shoot me, “Do__ not shoot me, / /, Hiawatha decresc. molto dim . e Hiawatha N9 17. Recitation FIRST» INDIAN MAIDEN: But he heeded not, nor heard them, For his thoughts were with the red deer; On their tracks his eyes were fastened) Leading downward to the river, To the ford across the river, And as one in slumber walked he. SECOND INDIAN MAIDEN: I-Iiddenin the alder-bushes, There he waited till the deer came, Till he saw two antlers lifted, Saw two eyes look from the thicket, Saw two nostrils point to windward, And a deer came down the pathway Flecked with leafy light and shadow. THIRD INDIAN MAIDEN: And his heart within him fluttered, Trembled like the leaves above him, Like the birch-leaf palpitated, As the deer came down the pathway. Fina;l€I(A)“Then upon one knee” (Chorus in Unison) Motiw of music based upon I2za’z'a7z “Game So7zg""(Vanc0u22e.r’s Island) Allegro con vivo (Praserwe //M j)€Cu/1'11)’ r/zy//2///J A /X on one knee u -ris-in Hi - a-wa-tha aimed an ar— row- P 2 . 2 /’’”'x fl Scarce a twig moved with his /A’—\ #A I‘11S tamped with all his hoofs foot up-1ift— ed, ‘ Hiawatha to-gether.‘ List- ened; mo-tion, Scarce a leaf was stirred or J 2"'”—“$ semﬁre 721 -fa rte roe—buck start—ed ) List-ened with one a [em/Jo Leaped as if to meet the ar — row.‘ a tempo cresc. I €23. Ten fa -tal ar - row, Li e a wasp Vit.. buzzed nd 2 qf mall‘;/1 dz‘/22. ‘fa. as \« Finale (B) “Dead he lay there in’ the forest” Semi Chorus in Three Parts Preserve the five measure r/zytlmz ndante moderate e espressivo ‘K Soprano It/II. Alto 7 P ,., >' boprano Hum_ Dead he lay there in Andante moderate‘ Hum. Beat his tim-id heart no C(msz'a’er*eac/z measure as one lzeaz‘ Hxawat a Beat his tim - id heart atta 0 ca decresc Hiawatha Finale “But the heart of Hiawatha” Chorus in Unis on Motzkre for music of (0) and ((2') based ujﬁon “Game Sd7zg” oft/1e 17m’z'a7zs of Va7zc(/zwer’s lslmza’. Enter HIAWATHA bearing the deer, aim’ exultanlly Allegro con sp1r1to » - (Preserve the peculiar rlzyt/mz J. ‘(T ‘Eek. heart of Hi- 21 - wa - tha,___ Throbbed and -ed) shout-ed and ex-‘ A A ult — ed! Throbbed shouted and ex—uIt—ed.' AAS he bore the A A ‘S Amarcato red—deer home - afmrm 3% Hiawath a Finale “Strong-Heart” - Full Chorus in Three Parts Allegro Vivace A Sopranol Soprano II Alto I erve 2‘/ze peculiar r/wt/zm) A _ , Allegro _v1Vace A f marcato a - goo and No - ko-mis Hailed his com-ing with ap - plaus - es. Hailed his com'- ing with ap-plaus - es. Hailed his com-ing with ap - plaus - es. " '‘ A/-————$ From the red- deer’s hide, No - From the Hailed 2— A Hiawatha ko4 mis, Made’ a red- deerh hide, a red-deer’s de, a Made a cloak for ban-quent to his ban-quet to his Vban-quet to his Hiawatha cloak for c1oak‘for Hi - a - - tha, wa - tha, A \ cloak for Hi - a - 2. ‘fa. red-deer’s flesh,No- ko-n1is Made a hon - Mad a ban-quet /.”"""T marca to All e vil-lage came and feast -ed, to his hon-or, ' All e vi1- lage came and feast-ed, T All e guests praised Hi - a ~ wa - tha, All the guests praised‘ '- a—wa—tha, Called him “Strong'~Heart, Scan - ge Called him “StrongHeart, Soan - ge Called him “StrongHeart, Soan- ge Hiawatha him “Strong — eart, '— Called him “Strong - Heart, Called him “Strong - Heart, A /4. A _/j" ma rcatov A decresc. ‘fab. CURTAIN A Vsempre H i aw atha. 221 Columbus Ave. Birchard Operettas, I Cantatas, and Operas For Treble Vozces BLUE BEARD. Operetta in 1 act. Libretto by ' ALICE MONROE FOSTER; Music by FAY FOSTER. May be given in high schools. 4 principals; chorus optional. Time, 1 hour. $1.25. CARMEN. BIzET’S. Opera. Abridged edi- tion for stage or concert performance. For choral societies and high schools. 7 prin- cipals; chorus. Time, 45 minutes. $1. CHILDE JESUS. Christmas cantata. Text by HAZEL JEAN KIRK,‘ Music by JOSEPH W. CLOKEY. May be given in junior high school and above. Time, 25 minutes. . Piano-vocal Score, $ .60. DRAGON OF WU FOO. Operetta in 2 acts. Libretto by DAVID STEVENS; Music by CHARLES REPPER. May be given in high schools. 12 principals; unlimited chorus. Time, 2 hours. $2. FIRST CHRISTMAS, THE. Christmas Can- tata. Text by CORDELIA BROOKS FENNO; Music by LOUIS ADOLPHE COERNE. For _ high schools and choral societies. P. V. score, $ .75. FOUNTAIN OF YOUTH, THE. Cantata. Poem by M. JOSEPHINE MORONEY, Music by E. S. HOSMER. May be given in junior high schools and above. Time, 20 minutes. P. V. Score, $1.00. HANSEL AND GRETEL. An English song- play adopted from Humperdinck’s opera by BERTA ELSMITH. May be given by junior high schools and above. 5 principals; cho- rus. Time, 1%; hours. $1.50. HIAWATHA’S CHILDHOOD. Operetta in 1 act. Text from LONGFELLOW; Music by BESSIE M. WHITELEY. May be given in junior high schools and above. 6 princi- pals; chorus. Time, 30 minutes. $ .75. I HEAR AMERICA SINGING. Cantata. Text by WALT WHITMAN; M u s i c b y HARVEY B. GAUL. For advanced high schools and choral societies. Time, 15 min- utes. P. V. score, $ .60. JOHNNY APPLESEED. Operetta in 1 act. Libretto by DAVID STEVENS; Music by HARVEY WORTHINGTON LOOMIS. May be given in grades above 4th. 8 principals; chorus. Time, 25 minutes. $ .75. LEGEND OF THE DANDELION, THE. Cantata. Text by CLARA LOUISE KESSLER; Music by JOSEPH W. CLOKEY. May be given in high schools. Time, 20 minutes. P. V. score, $ .75. LOVE’S SACRIFICE. Opera. Libretto by DAVID STEVENS; Music by GEORGE W. CHADWICK. For choral societies. 4 prin- cipals; small chorus. Time, 30 minutes- $1. 5 0. BOSTON C. C. BIRCHARD S; COMPANY Address Boston Oﬂice. MAY THE MAIDEN. Choral Dance Cycle from Gounod’s F a u S t , paraphrased by HARVEY V‘!/ORTHINGTON LOOMIS. May be given in high schools. Time, 15 minutes. P. V. score, $ .35. MOTHER GOOSE ARABESQUE. Cantata. Text and music by JESSIE MERRILL TUKEY. May be given in junior high schools and above. Time, 15 minutes. P. V. score, I $ .75. OLD JOHNNY APPLESEED. Cantata. For junior high schools and above. Text by WILL DEEMS; Music by HARVEY B. GAUL. P. v. score, $1.00. OUT WHERE THE WEST BEGINS. Cantata. Text from tbe poem by ARTHUR CHAP- MAN; Music by SAMUEL RICHARDS GAINES. May be given in high schools. Time, 10 minutes. P. V. Score, $ .25. PENNY BUNS AND ROSES. Operetta in one act for unison Singing. Libretto by LEISA G. WILSON; Music by CHARLES REPPER. May be given in grades above 5 th. 4 principals; chorus. Time, 1 hour and 15 minutes. $1.25. RIDDLE OF ISIS. Operetta in one act for unison singing. Libre t to by DAVID STEVENS; Music by BENDIX WILSON. May be given in junior high schools and above. 6 principals; unlimited chorus. Time, 50 minutes. $1.25. ROCOCO ROMANCE, A. Cantata. Text by FREDERICK H. MARTENS; Music by A. WALTER KRAMER. May be given in high schools. Time, 20 minutes. P. V. score, $1. SPRING RAPTURE. Cantata. Text by NELL R. EBERHART; Music by HARVEY B. GAUL. May be given in junior high Schools. Time, 20 minutes. P. V. score, $ .75 . TUBAL CAIN. Cantata. Text by CHARLES MACKAY; Music by HARVEY B. GAUL. May be given in junior high schools and above. Time, 30 minutes. P. V. score, $1.00. YOUTH AND LIFE. Cantata. Text by DAVID STEVENS; Music by PETER BENOIT. May be given in grades above 5th. Time, 25 minutes. P. V. score, $ .65. WAY DOWN SOUTH IN DIXIE. Operetta in one act. Based upon songs by STEPHEN C. FOSTER, arr. by CARL ENGEL. Libret- to by FREDERICK H. MARTENS. May be given in junior high schools. Time, one half hour. $ .75 . 4,, NOTE: Orchestration: are available for all opera: and operettas, and for most of the Cantatas. NEW YORK 113 W. 57th St. 9'. ; 3 i § 4 K € £ 5 é .9 V Z 5 ‘E '.._a 5 2 . E 5 ['1 ‘ , 1 WITH SAILS &OARS ; '.V|«1\\?R\_\\V~i§x—V,\VV--§-V-s-V7VT\_.I:tTV'-1\!\\¥ -L
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Date: 1921
Text: MUSiC Lmrmnv VASSAR COLLFC-E POUGHKEEPSIE. NEW YORK JAMES A BLISS No. 1. Hiawathefs Song No. 2. Adjiclaurno, the Squirrel NO. 3. The Rainbow No. -1. Pau—Puk-Keewis Dances 3 $ sm Aqmw SB Smm E3 Sn M1.m 4M A,. .|J ‘ 4 V V )1 ‘ . \\1|X'..Iv.‘4‘w~ﬁ".\‘%‘4V.llIIII’IlI!I”‘:t.l\I||Il«V‘ \““‘.1u.r’..,. , 1 Hwxuillnln. ll.sxl..|3»J\i1‘\“ (L1|I.:|[r.\\ .Au.u ‘\xI lY1.‘.l...s': .W»mn..) :M!|“U..nNL.. 1 /1..F»;xr. To Mrs. Mo Elroy -Johnston a" Hiawathafs Song JAMES A. BLISS ' Op....
Show moreMUSiC Lmrmnv VASSAR COLLFC-E POUGHKEEPSIE. NEW YORK JAMES A BLISS No. 1. Hiawathefs Song No. 2. Adjiclaurno, the Squirrel NO. 3. The Rainbow No. -1. Pau—Puk-Keewis Dances 3 $ sm Aqmw SB Smm E3 Sn M1.m 4M A,. .|J ‘ 4 V V )1 ‘ . \\1|X'..Iv.‘4‘w~ﬁ".\‘%‘4V.llIIII’IlI!I”‘:t.l\I||Il«V‘ \““‘.1u.r’..,. , 1 Hwxuillnln. ll.sxl..|3»J\i1‘\“ (L1|I.:|[r.\\ .Au.u ‘\xI lY1.‘.l...s': .W»mn..) :M!|“U..nNL.. 1 /1..F»;xr. To Mrs. Mo Elroy -Johnston a" Hiawathafs Song JAMES A. BLISS ' Op. 10. No.1. eg-ro con brio (Juos) In the land of the Da - c0- tahs ' Minn — e —ha- ha, Laugh-ing a - ter, Lives the» ar - row mak- er’s daugh-ter, _/\. . . _/.‘.\.% ng _._l /“T on tempo mlt. Hand— som - est of all the maid— ens. as #F\./F #1? 3 3 Espre She shall run up —on your er - rands, Be your star-light, moon—1ight,fire-light, F‘ Copyright 1921 by A. Bliss I will bring her to your wig-Wam, Be the sun - light of my peo — ple ' a, tem Thus it was that Hi - 3. - wa — tha To the lodge of old N0 -k0 —mis Brought the m0on—1ight, star-light, fire - light, t fl Mt a tempo Brought the sun-shine of his peo-ple, Minn - e—ha - ha, Laugh-ing Wa - ter, #1:“. Hia.wa.tha’s S ong-. 3 Hand - som-est of —(°f) all the maid - ens _ the land of ' ' ' V E - ' - . . 19 smccato hand—s0me maid - ens. ‘fen Hiawafthaﬁs Song‘. 3 la“/ax . . “Er thaw Longfellow ! 0 To Kat/zleen Haw-1,‘ Bibb The Squirrel JAMES A. BLISS Slower Op. 10. No. 2. Vivace Then said Hi—a-Wa-tha to him, 8 ---- """"""""""" """"""""""" Zegg2'e7'0_ my lit- tle 'end the squirrel, - a-wa - tha, And the name which now he gives you; . . _ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . _ . . . . . . . . . . . . . . . . . .... n For here aft-er and for—ev—er Copyright 1921 by J. A. Bliss Boys shall call you Ad - ji - dau - mo, Tail in air the boys shall £11 you!” [[1 And the squir-rel, Ad — ji - dau - mo, Maesta rj‘“|3 slower mt, Frisked and chattered ver - y gay — ly, In his fur e breeze of morn-ing .« """ " a » ¢ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...r /'3\ J atempo '-‘F7 ' 3' 8P1ayed as i_n the meadow grasses. it Adjidaumo - 2 8 To Lora Lulsdorff “Hiawatha” Longfellow. JAMES A. BLISS Op. 10. No. 3. Allegro ‘ma grazioso /T At t11e door on sum - mer eve -nings Sat the 1it—t1e Hi - a—Wa — tha; Efﬂftf Mt. Heard the Whis -p’ring of the pine-trees, Heard the lap-ping of the wa — ter, .{’—‘\ Copyright 1921 by J. A. Bliss it tempo , Allegro Sounds of mu-sic, words of won—der; “Minn ﬁﬁf" 3;? M" at tem L“; \_;_j Grazioso said the pine-trees, “Mud - Wa aush - ka!” The Rainbow. 4 said the Wa - ter. ‘ aush - ka!” £7 Andante rubato said the wa - . Saw the Andante /-T a tempo f.'\ rain-bow In the east-ern sky, 1’ Whis -pered T he Rainbow. 4 Rec ita/ndo “What is that, N0—ko - mis?” And the good No- ko -mis an-swered, Andante espressivo the heaV’n of flowers you see there; All the wi1d'f10w’rs of the for— est, V the lil - ies of the i-rie, When on earth they fade and per-ish, TX B105 som in that heav’n The Rainbow. 4 12 To Wm. Goodfellow Pau - Puk- Keewis Dances JAMES A. BLISS Op. 10. No. 4. Allegro con spirito =112) staccato T 0 the sound of flutes and sing - ing, To the sound of drums and voi—ces, f Maesta p Mtstertosov - mt. Rose the hand-some Pau Puk-Kee-Wis And be-gan his mys - tic’ danc-es. bJ h£ First he danced staccato Copyright 1921 by A. Bliss - emn meas - ure Ver - in step and ges - ture, 1 and out a - mdng the pine trees, Through the shad - ows I 3 I 19 the sun - shine, Tread-ing soft - ly like a pan-ther > >_> Then more swiftly and still swift-er, Whirl - ing, spinn (now) Pau Puk- 4 I3‘ in cir— cles. V A Then a long the sand-y mar-gin > > 3\ ’§\ '3"3' Of the lake the Big-Sea-Wa - ter, On he sped with fren—zied ges -tures, /'3\ /‘.s\ /3\ ’3\ V/'‘'\ 7/‘ﬁx t/KT? .——3**|‘_—3' [’““ﬁl3lr—3' Stamp’d up on the sand/id t0ss’d it Wild — ly in the air a-round him; /7 /T # 3 X-73$ 3 '3"3' Till the wind be came a whirl-Wind,Heap-ing all the shores With Sand Dunes Pan Puk. 4 the mer - ‘ ‘.2 19 stapcato 7 - Puk Kee — Wis Danced his beg — gars Dance to please them, sat down laugh Anda/nte se/re/no it tempo Sat and anrfd himself se-ren-1y With his fan of ‘cur-key feathers L.H. leggerio
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Date: 1898
Text: Music Lmnnww VRSSAR COLLEGE POUGHKEEPSME, saw vogx Dramatic Cantata by frzdcrick R. Burton I1:xWATHA* Oliver Ditson Company Boston, New York and Philadelphia Chicago, Lyon & ﬁealy I-IIAWATI-IA Dramatic Cantata by frederick R. Burton ‘Che words selected from the poem by ,a? ﬁenry Kladswortb Longfellow ,e? Orchestral Score and Darts may be bad of the Dublisber Oliver Ditson Company Boston, New York and Dbiladelpbia Chicago, Lyon & Bealy Copyright MDCCCXCVIXI b liver Ditson Company....
Show moreMusic Lmnnww VRSSAR COLLEGE POUGHKEEPSME, saw vogx Dramatic Cantata by frzdcrick R. Burton I1:xWATHA* Oliver Ditson Company Boston, New York and Philadelphia Chicago, Lyon & ﬁealy I-IIAWATI-IA Dramatic Cantata by frederick R. Burton ‘Che words selected from the poem by ,a? ﬁenry Kladswortb Longfellow ,e? Orchestral Score and Darts may be bad of the Dublisber Oliver Ditson Company Boston, New York and Dbiladelpbia Chicago, Lyon & Bealy Copyright MDCCCXCVIXI b liver Ditson Company. International Cop ri it Secured. Dedication. O the “Yonkers Choral Society,” whose friendly interest inspired the completion of the work, the music of “l5iawatba” is gratefully dedicated. frederick R. Burton. Yonkers, N.Y., November 1897‘. prefatory Note ' N HIS PREFACE to “The Song of Hiawatha,” Mr. Longfellow wrote: “This Indian Edda—if I may so call it——is founded on a tradition, preva- lent among the North American In- dians, of a personage of miraculous birth, who was sent among them to clear their rivers, forests and fishing grounds, and to teach them the arts of peace. . . . Into this old tradition I have woven other curious Indian legends. . . . ” That there was a real Hiawatha, who lived five centuries ago, was known to the poet. In setting aside the historical personage, and creating one to serve as the leading figure of his poem, the poet may have been actuated by a desire to give freer rein to his fancy than could have been the case had he limited the “ Edda ” to an account of the real Onondaga chief; but, in any event, he idealized the North American Indian and established an elevated type of man and prophet. It is Longfellow's conception of Hiawatha that I have tried to embellish with music, and in my treatment of the subject I have had no theories to pro- mote or expound. Iregard the poem as a narrative, and the chorus, soloists, and orchestra as narrators. The most important events in Hiawatha’s life, as de- scribed in the poem, were the battle with Mudiekeewis, the wooing of Minnehaha, the loss of his wife during the famine, and his mystical departure from his people to take his place among the immortals. These events, including a suggestion of the festivities attending Hiawatha’s wedding, and the prophet’s gloomy vision of the future of his race, have been chosen, as the sa- lient points in the story, for musical setting. F. R. B. November, 1897. plan of the (Clerk. part I. Prelude . . . . . . . . Introductory Chorus. “ Should you ask me whence these stories.” Hiawatha and Mudjekeewis. . .. Four soli and chorus. part II. Hiawatha’s Wooing. . Four soli and chorus. The Wedding Festivities: (a.) “Onawavl awake, beloved!” . . Soprano solc. (6.) The dance of Pau—puk-keewis. . . . Chorus. (c.) “When I think of my beloved.” . . Contralto solo. part III. The Famine. . . . . Three soli and chorus. Hiawatha’s Vision. . . . Tenor solo. Hiawatha’s Departure. . . Tenor solo and chorus. H IAWATHA. I . — Frederick R . Burton . N9 1 . Prelllde . Molto andante. J: 44. , /‘\ /*7: J/’\I3J2_ I 0 071980. J :4” ‘E11! é/“Bil? _;_/\. Wo1‘ds used by m'x'nngemv:nt with Hr.-ug .Mifflin 6° Co. Publishers of Mr. Longfellowﬁs vvorks . Copyright MDCCCXCVllIby Oliver Dilson Company. Into:-natioxml copyright sgcured . 4- 20 ‘($0431 -165 -2U‘60!l5l ‘lﬁﬁ rm S 6 4. . In S A. 0, 6 .. U 2 . 4 a temp 0. P1, q~20~¢so4M ~16!-i PART I. -N9 2. Introductory Chorus. mp Andanfe moderate. J: 84. Should you .ask me whence sto - ries,VVhence these leg‘ - ends and tra- mp Should you‘. ,sto — ries, nee ese leg - ends and tra- mp di - tions With the o - - dors of the for - est, With the dew and ‘damp of di - tions With the - - dors of the for - est, dew ‘ and damgﬂof meadows, With the curl - ing smoke of wig‘-wa.ms,VVith the rush — ing of great meadows, curl - ing smoke of Wig‘-wams,With the rush - ing of great 4» 2o~ 60¢8i-4Q8 . riv — ers, With their fre quent re— pe - ti — tions, With their wild V re-ver-ber_ wild . re -vex--ber_ riv- ers, With their fre quent I-e—pe - ti - tions,With their wild re - - ver-ber- wild re - ver- her- :._==..Ef —-Q As of thun - - der in the moun-tains. ..................... -. j As of than - ‘ - der the moun — tains. As of thun - der, of thun — er in the moun-tains. —< As of thun - der in the moun - ./' “Ea. 9-20-60581~l68 ml’ /5 m"!/" B J; 100. 9 I should an — swer, Ishould tell you: “From the for- ests and the px-a»i-ries, From the d W1 _ r.\”«‘/' I should an— swer, I should tell you:“From the f - th p /‘\, \./ .3’ B 7 F "3" Great Lakes of V the No1'th—1and,F1'om the 1and,the land of O - jib —Ways,From the Great Lakes of N -land,Fr m land,the land of Da - ko - tas, From the moun- tains,moors and fen- IandsVVherethe fen — lands Where the 4-20-604 81~i62§ her - on,the S - shu- gab, Feeds a - mong the reeds and rush-es. - 011, the Shu - shu— gab, Feeds a - mung‘ the reeds and rush-es. a - mong the them as I heard them From e lips of Na-wa- da - ha, them as heard them From the lips I of —Wa- da — ha, - cian the sweet sing - er 3’ si - - cian the sweet sing- er 2’ 4-20-6'o481-uis /5 p T(77TI¥}0 A If still fur - ther you should ask me, Say- ing “Who was Na-wa - If still fur - ther you should ask me, 'Say- ing‘ “Who was Na—wa ~ da - ha? Tell us of this Na.-Wa - da - ha,” I should on — swer your in- da — ha? Tell us of this Na—wa - da ‘- ha? I should an - swer your in- ! ~20~60481~!63 qui - ries Straightway in "such words as fol - low. qni - ries Straightway in such words as fol — low. in ' I’ “In the Vale of Ta-Wa — sen — that, In the P “In the vale of Ta -wa - sen - the, In the “In the vale of Ta- wa - sen- tha, In the and si—1ent val — ley, By the A pleas - ant Wa-ter — cours- es, Dweltthe 12000 marcato. and si-lent val — ley, By’ the easantwa — - ter - cours - es, Dwelt the and si-lent vaI — ley, By the pleas - ant wa -ter - cours - es, 251. 168 13 sing- - er Na-wa - da i- ha. Round a-bout Indian Vil - lage Spread the sing - er N - - da - ha, Round a-bout the In — - dian vil - lage Spread the . sing: _ ' Round a-bout the Indian_ - lage mead - - ows and the corn- fields, And be-yond them stood for - est, Stood the mead- - ows and the corn- fields, And be-yond stood the for - est, Stood groves of singing pine— trees, Gwen in mer,White in win - ter, Ev—er rail. groves of singin pine - trees,Green in snmmelgwhite in win - ter, EV- ere - mer,White in win - ter, M 1. T, 4-2 0.. 604 3 «~46 8 atempo 1'1’ mf E /—\ sing‘ - ing./\There he sang‘ of Hi — e- 1'}? fa ' A sing- ing. ‘There he 1'1’ h _ {Wag f. ﬂ\ 1’ wa.- tha, Sang the song; of Hi - a - Wa ~ the, Sang his won- drous birth and /5 we» — tha, Sang‘ the song‘ of Hi - a — wa - tha, Sang‘ his won-drous hirth and /T\ A/'*\ Tm £6 - ing, How he prayed and how he fast- ed, How he lived and toiled and - ing, How he prayed and how he fast — ed, How he lived and toiled and ,-4~20—6048l-i68 suf- fered, That tribes of men might pros — per, the, might ad-Vance his suf - fered, That tribes of men might pros - per, That he might ad -Vance his Tin do peo — pie, That the tribes of men might pr0s- per, That he might ad-Vance, he» peo— ple, That the tribes of men might pros—per, That he might ad—vance, .,he .1?" /-'—‘\ might ad — Vance , .................. .. ad-Vance his ﬁt’ —Va11ce, ad - - Vance, might ad—vance, ad - - Vance, ad -Vance his fad- Vance ......... ...................... -- his _ .19" 4- 20~604b1--168 ’l~L’0- 604 81 ~16 3, Part I. N9 3.» Hiawatha and Mudjekeewis. Andante maestoso. 3:60. _ ./' SOLI . All retto. Out of child- h\o‘<:l in - to man-hood, Now had grown my Hi- at —wa-tha, SOLI/"f Out of childhood in - to man -hood, Now had g1'own my Hi - a~wa- tha, SOL]. W/‘ ¥ Allegretto. 0 =1;.'6. v »f Learned in all the lore of old men, Skilled youth-ful sports and pas”. times Learned in all the lore of old men, Skilled in youth- ful sports» and pas»~times ‘ !|'I~’0~60’4?'H~V5S In all man~ly He could shoot an He could shoot an That the ar— row That the ar - row _ arts and arts and 1a- b0I'S. Swift of foot w\a's/ Hi— a la.- bors. Swift of foot was Hi -a /\ ar- row from him, And run for-Ward with such fleet-ness ar-row from him, And run for-ward with such fleet-ness A M6110 fell be- hind_-... him. Strong‘ of arm was Hi - a — f ‘/‘S _ fell be-hihd .... .. him. Strong of arm was Hi - a- At/‘ Menu mosso. J : 108. f i~20~6 048! ‘I168 rfa tempo. wa.- that; 7'3)" a tempo. Wa - that; He could shoot ten ar -rows a tempo_ "if strength and swiftness. That the tenth ha\d/ strength and swiftness That the ‘tenth had \./ He could‘ shoot ten a1'- rows 19 up —ward, up -wa-rd, Shoot them with such up —ward ,up-ward, Shoot them with such left the bow string’ Ere the first to left the bow string Ere the first to earth had fal—1en, Ere the first to earth had fal-len. earth had fal-len, Ere the firstto earth hid fa1—1en. 4-2 0- 504 3,4. 16 as 20 B J: 108. TENOR SOLO. B Much he questioned Old No~ k_o-mis Of his Fa - ‘aha: \—/ Mud-J9-kee-WiS§ Learned from her the fa.—tal se - _ cret‘ of the bean - ty of his moth - er, Of the falsehood of his Fa- ther, And his heart was hot With-in him,Likea 1iv- ing‘ coal his &r '2-2 U- 4&1-465 TUTTI. TUTTI jour - neyed we So he jour- neyed westward, west _ ward, So he jour- neyed westward, TUTTI. So he jour — neyed westward , west - ward , 0 he jour - neyed Westward» Piz? m0.s.s-0. :72. jour-neyed westward, westward To the king-dom of the westward , westward, So he jou1'—neyed westward, westward To the kingzdom of the li~2 0—60§ Si -168 West-wind an- cieut Mud—je _ J’ an — ciént Sat the Mud—je - West-Wind Where, kee - Wis, kee _wis, BASS SOLO. gusty sum - mits f D ' Ru -le1' of Winds of heaven. Bu -ler of the Winds of heaven. L} ﬂ' D ".9" Filled Withjoy was Mud - je-kee - Wis 4 -2 u-60¢ 8l-168 When he looked Hi — ~:a—wa - thua; Sawhis youth rise up .... ..be-fore him. EU In theface Hi - a-wa-the, Saws the bean - -9 ‘CED’ . nah fromthe grave rise up be - fore him,E'omthe g'1'ave rise up be - -fore ‘ c5 E “ \—r L) E TENOR SOLO. .L’z'sfesso tempo. Many days they talked to—g‘ether, Questioned , listened , waited, 3 answered; Much the an - cient Mud-je — kee - Wis boast - of his an- cient F J r «~20-so-is:--"468 accel. malty. Pa, tient ly sat Hi- a - wa - tha, List - ~ P \.a V a tempo. Pie} mossy cresc. But his heart was " L Like a iiv -. - O- 1; P22}. mos-so 6 cresc. a tempo. Then theytalked of Hi- a — Wa -tha’s moth—er, V The beau ~ ti - ful We - no - nah, I: ~ , 4-20 ~60§3i"ll5b Of her birth 91) - on Of her death old No-ko-mihs had re-mem-bex'ed and re — lat— ed. up start — ed Hi — o‘=s0. f Jlaestosu. .f’ f . up start- ed — a — Then rup start- ed Hi — a - Wa. rent the jut - wa - tha, rent the ' V ' crag Ia- sun - der, a - a li '20-60liSl ‘-1"!‘ \y Then Th en - tha, rent the ting;'cra,g-a - sun — up st-art- ed Hi — up startedHi— a-Wa - tha, ,jut—ting crag‘ a- sun — — der , der.,thejut—ting‘crag- a - - sun - der, -Wa—tha1'ent the jut ting (Tag a - sun - der. rent the jut- ting‘ rent ejut-tingcrag‘ it ~ - sun - der, rent the jut-tingcrag jut-ting crag, rent the jut -ting crag rent e crag, rent the jut-ting‘ crag" sun - der, rent, rent the crag‘ rent, rent e crag‘ ............. .. sun - der, sun —der, rent, rent the crag, rent, rent the sun- der, rent, rent the crag, rent, rent the 4.-20~60@8l‘lt'>!'§ rent, rent the Crag‘ rent, rent 9 crag a - crag ...................... .. a - /”"""—"—s sun — der , sun - der , sun - der, ................................... .. them Hur ed them mad-1y at his Hurled ‘ them mad~1y at his '- - der; Smote der , rent the jut- ting der, rent the jut- ting der, rent the jut- der, rent the jut-tingcrag a- sun - der, a - der; Smote - to fragzm nts, Hurled and crushed it ‘ der; Smote and crushed it and crushed frag- ments, ‘ der; Smote and crushed 2nd‘£Q_ at his fa - - ther fa — ther, his fa - ther for his heart... fa. - - ther, at his fa - ther for his madly at his fa - ther for his: heart was 4-20-60481-16 8 for his heartwas hot..... ' With- in - him heart Was. .was hot ' Ya liv- ing coal '~ heart was, heart was hot with - — ' A ' like a liv- ing coal ’ heart was. hot ________________________________________________ _ . coal ; ________________ _ _ But 6’ V4 :1 Li’ 1 But the ru - ler of theWest - Wind ru ler of the ' the fra ments backward from him, blew ........... .. blew the frag- ments bankwcnmbackward from him , blew..-..... the fragmentsbadivsard, But. the ru-ler of eVVest- wind blew ...................... .. But the ru — ler of VVest -wind frag- ments back-Ward from him, back - Ward, 5''}, L20-60&84. ‘J68 *SOL0|STS. I back - ward from seized — mente back - — ward from- him, seized blew the frag- nrents back - from him,_ fragments back - ward from him, seized - ward, back - dragged it, dragged it, dragged it from its ooze the gi — — ant bul dragged it, dragged it, dragged it from its ooze the gi - ~ ant bul dragged it, dragged it, it from its ooze . nhe gi-ant bul dragged it,dragged it , dragged it from its ooze the gi-ant bul *9 the bk} the bul seized the bul ebul - Loud and /‘T -'1-20 -6011 81 ‘ 108 /‘\ long laugzhed Hi - a-Wa — tha, Loud and longlanghed Hi ~ a - wa.tha longlaughed Hi — ah-wa —tha, Loud and longlanghed Hi - a - Wa.-tha 3 Then he. gan ................. .. Then he — gan ................. .. Then be - 4~20-u 04 84-468 ........... .. the deadly con- flict, %\ ........... ..the deadly con-flict, gan the deadly con- f lict, gan the dead-ly con- flict , to hand a- mong, a- mong the to hand a-mong, a,-mung‘ the to hand a. mong, a- mung the. to hand a- Vmqng‘, a. - mong the From his ey- ry sc1'eamdﬂ1e moun-tains,hand to hand moun-tains , hand to hand moun-tains, hand to hand moun-tains, hand to hand ’.2\ 4 ~' 20"-6043 1 ~-1 as zs ea- - gle, Sat hand to hand,hand to hand hand to hand,l1and to hand hand to hand, hand to hand hand to hand, hand to hand the mountains . the mountains . the mountains. the mountains. / "‘\ /"\ /'\ up — on the crags a-round them , Wheeling‘ f1app’d his wings a - bove Q Wheeling flapp’dhis wings a - hove , \L VVheeling" flappd his wings a. - hove Wheeling £1app’d his Wings a- hove 4‘ 20~804Si-l68 Like it Like a tall thee in the tem— pest Like a tall tree in the tem - pest \/ bent and lashed the gi - ant bul - rush, And in bent and lashed the - ant bul — rush, And in lashed the gi — ant bul — rush, bent the bul - - hul - — rush, And in masses huge and hea- vy tall tree in the tem - pest tall tree in the tem - pest bent , bent and masses huge and hea - vy masses huge and rush crashing’ fell the fa - # I - 2.0-30431 -168 crash.-ing‘ fell the Waw-beek, like a tree in tem— pest bent the bul ~ rush crash- fe . waw.beek, like a. tree in tem— pest bent the bul — rush g‘i - - ant bu1- rush, like a tall tree in the K‘ Waw— beek,crashing,fel1_ crash - ing‘, like a tree in the tem - pest crash- ing‘, crash - i»n'g' fell the Waw - beek, crash - ing bent the - rush‘, tall tree the tem - pest, crash - ing‘ tem _ pest bent and lashed the bul - rush, crash — in ' bent and lashed the - gi — - ant bul - rush, I‘:-rash- ing waw — beek, fe1\1'/ the — - beek, like a , crashing‘ fell, fell the Waw — beek fa — tal Wa - beek, crashingfell, fell the waw — beek , crash-ing‘ fell, - beek,.--.. 4 -20'60481-108 tall tree bent the gi, - ant, the 4 -crash- ing ‘Ky bent and or ash — bent and lashed crash - ing bent the. gi _ crash — ing fa _ tal waw— crash—ing, crash- ing fell the fa - tal waw- beck, tall tree in the tem— pest, crash - ing fell the fa - rtal fa - tal waw- beék, fell, fell the fa - tal waw- beck fell T waw_ beck, crash - ing, waw- beck, f the fa — tal waw- beck, crash- ing~ fell the fa.- tal waw- beek,fe11. the a- tal waw-beek, waw - - - beek, fell the fa- tal crashing’ fell the fa — tal waw- beck, fell a~ tal 1, ’1—2(|"6()f1."4l-463 crash- ing, crash-ing', erash- mg», . crash- ing, waw-beek, crashing‘, — ing Like a tall tree in waw- beek, leshed the bu] rush, fell the waw - beek, crash - ing‘, waw— beek, the bul- rush, fell the waw- beek, crash — ing ‘V’ A Like a tall tree in the tem - pest till the earth shook Withthe tu— mult, shook withthe con- - pest, ’ ' tem-pest tillthe earth shook Withthe tu - mult, shook with the con- I Like a tall tree in tem-pest till the earth shook with the tu- mult, shook with the con- u A _ a tall tree in the tem~pest earth shook with the tu - mult, shook the con- 3 3 - sion of “the hat- tle and the air was full of '1-20‘-60481 - H55 And the thun-der of moun - tains start— an- swered And the thun-der of start- - sweréd And the thun-der of moun - tains start-ing an —sWered' And the thun-der of mountains starting answered , start-ing an - swered wa!Baim- wa - _ - wa, 1” Baim- Wa - wa! — Baim-wa-wa!Baim- wa - - -wa!Baim~ Wa —‘ Back re -' treat - ed Mud-je - kee -wis, Rushing /\ "31" km. treat- ed Mud-je - kee - Wis, Rush—ing /‘\ ... L’z'stcss0 1” 4--2‘o~eo4s4-4es west-ward o’er the est- ward o’er the -days I-e-treated fighting‘. . days re - treated fighting, Still pur— suedbbyHi- a - wa- tha! moun-tains, Stumbling west-wa1-d o’er the moun-tains, Stumbling west-ward o’er the mountains,ThI-ee whole mountains ,Three whole pu1'— sued by — a - wa — that, N To the door- ways of the To the door - ways of the q~20—¢iU 481- M519 West-Wind, 0 the port — - als of the west—wind, To the - M set, To the earth’s re - mot - est earth’s re- xgot ~ est the emp- ty spa - ces Sinks the sun, flamin - go Drops in - the emp - ty spa- ces Sinks the sun, as a. f1amin.- go Drops in- -/"\. ores - 4~20—60’a 8'1-168 her nest at night — fall, In the - an — chol - y marshes. 1'1’ to her nest at night.- fall, In the 'mel - an» chol - y marshes.» can - not kill th’im - - 4-20-00 48l"488 \ I 11101‘ - ‘t'<11!------ . I have put you to this mil. tri - al, But to know your strength and courage; Now receive the prize of val— or! \- 19 Slower. Go back to your honie and Pomposo. J _ 66 4: FR 7'1‘ 5 peo - ple, Live a-mongthem, toil them;C1eansethe of all that it, ..... .. Cleansethe fish - — ing grounds and 4 -20-00451-4624 riv - _ ers, Slay all mons-- ters, slay £f_* E last when death draws of Pan - guk Glare up- on you near you , VVhen the aw - Vful eyes .2" the darkness I will share /‘T in poco accelh _ f 4 ‘-2 0- 60484 ‘iﬁh shall be thence — T _ west—Wind Kee — (X _ wind, the Kee — . Way -— din, Of the K€9"'W3«)' - din: 4-20-6048 {-168 CHORUS. Thus was fought the fam — ous 77;/‘CHORUS. us was fought the fam — ous m , ' Faster. 0 .— 96. bat— tle In the days long‘ since de — part — ed king — dom of the bat- tle In the days longsince de — part- ed king - dom of the L. _:\_____?_. VVest-Wind, In the king — dom of the VVest-wind. Still the hun — ter sees the L- West-wind, In the ~ king- dom of “est-wind. Still the hun - ter sees &‘2 0-6 0451-4158 7-all. es dim. traces Scattered far der and -ley, tra-ces Scattered far o’er and val-Iey, rail. e. dim. traces Scattered far o’er hill and val-ley, J. o’er hill and val - ley,o’er hill and va1- ey, o’er hill, 0’erl hill and vlal- ley, o’er hill, o’er hill. Vale , f 1» bul-rush grow- - ing By the bu1— By the easant ing, grow — - e pleasant ing, grow — - ing‘ By the pleasant T 1' Vale , ...................... -- o’er hill and vale ..... .. 0 o’er evry ev — - ’ry far ................... _. o’er hilk and val - - 0- H1 vale , Sees the vale, Sees vale, Sees the Sees the wa -ter _ cours Wa- ter - cours wa - ter - cours wa- ter - cours gi - ant bul-rush By ev - ’ry OW - gi - ant bul—rush grow - the pleasant By the By the pleasant e p easant §‘20-604811 6 8 wa.~ telucours - es; wa-.te1'_co1u's - es; . \_.7J ‘ the masses of eWawbeek /‘ Sees the masses hf» the_tWawbeek T still in eV_’ry va1—ley, Ly-ing‘ still in ev-’ry still in ev. ’ry in ev.’ry val—1ey, Ly-ing‘ still in ev -’1-xy Ly- ing still Sees the masses of the Wawbeek, - Sees the masses of the Wawbeek , Va-l— Val - ley, ................. .. val-ley, Ly- ing still in evfry val— ley, Ly- ing‘ still /1-20-60481-168 L g./E" 4-20—G048~l_l65 Part 2. N91. H iawathavs Wooing . Andante. d]: 50. 5 19 IE?’ Tanon.” “As un-to the how the hem is, So un-to the man is W0- man, Tho’ she . r—‘\._‘ \___J/ bends him she o - beys him, Tho’ she draws himyét she fol - lows. , (N {*3 / ‘ Use-1ess each without the 0th — er!” 4 -'20- 60451-£68 . , Thus the youth-ful Hi - a - wa-tha said with-in him ~ self and pon - dered List- less, long- ing, hop - ing, fear - ‘mg, Dreaming still of Min- ne - 1; d ii” hm Of the 1ove—1y Laughing VV -ter In the land of the Da- co - tahs. B CONTRALTO. B Stesso tentpo. 4-20-60481-16 8 your peo — —' ple,” Warn-ing‘ said ....... .. /" "\"‘\ Bring .\/ maid - Bring not here ...... .. \—...Z' \_j Hands un- skil - - ful, feet vL::.ft.f..?fLFLf_1‘"-LEII.L1‘”Lf C can an-iymz‘. the old No—ko - - - mis; not .. a use - less ‘\2 $2 un - wi11.- - ing; Bring a accel. and hand ....... 86181-1875 -....that work ‘to - geth er - ~- Heart and Hands ___________________ _, thatwork to - geth... er _______ __ Ta. '. arm ‘ D {T "f/""‘\ . - “J Smll - - - mg‘ answeredﬂi - a. - wa - tha ______ ,_ -4.v ~ - -~ “In the land of the Da — co- tahsLivest_he arrow-mak- er’s daughter, Min-ne- /\ Un poco pie} allegro. L63. ;/ I-20-60481-16 8 ha-ha Laughing‘ Wa — ter, Hand-som - est of all the W0. men; I willbring fl her “to your wiguwam She shall run up-on your eluraxlds Be your 1' E , ‘T f / ‘~ rail. moonh-,lig'ht,star- light, fire - light, Be the sun - - light of my‘. E v CHORUS. _ Allegro. 715/" Thus de— part- ed CHORUS. CHORUS. . f Thus de-part-ed CHORUS. Thus de - - part — - — - ed Thus de- part-ed /5 P12} allegro. J :96. J. 4 -20- 6048{~l68 53 wa- tha,Hi— a-Wa.tha,To the land, to land of the Da— co- ,the Da-co-tahs,To the Wa- tha,Hi- a -wartha,To the land, to the land of the Da - co—tahs,the Da- co-tahs,To the - tha, 8 land ................ .. of the - co - - tahs,_,.,.. To Da- — co - tahs, To the land, to the land of handsome wo land, to the land of handsome wo land ................ .. of handsome wo { land ................. .. of handsome "sf Striding ov— er moor and meadow,moor and meadow,with his Striding ov-er moor and meadoW,moor and méadow,with his th his Stri-ding ov - er moor and mead - — - ow, Striding ov—er moor and mead - ow,‘ with his. 1 -.20- 60485 -168 moc- ca-sons of mag'- mile he measured Buthis moc - - ca- sons of mag _ ic At each stride a mile he measured But his - - easonsofmag - - ic At each stride a mile he measured But moc- ca- sonslof mag- ic At each stride a measured But his foot- steps jour- neyed with — out. foot - steps jour — with - ou foot - steps ' jour fo ot - s And jam‘ 4 — ing, ~ ceas — ing. _ mg, ‘ ceas - ing, - neyed with - out, ceas - ing. - _ neyed ceas - ing. 4-20-60481-4 68 4-20-60481-188 CHORUS. CHORUS“ out - skirts of the cHORus_ out — - skirts of the CHORUS. out— skirts of out — skirts of 12000 mil. Wmm /‘,.'_'\T for - est,"l_‘wixtthe shad — - ow and the sun-shine, Herds oi‘ - lowdeeruere for est, ’Twixt the shad — ow and the sun — shine, Herds of fal-low deer were f - for , ’Twixt the shad — - ow and the_ sun-shine, Herds f — low deer were est, ’Twixtthe ad—ow and the sun-shine,Herds of fal - low deerwere H feed- ing, But they not Hi- a — wa — that; ' bow ...... .. he Whispered t ing‘, But they Hi — a - wa.- tha; ' bow ...... .. he whispered feed- , But they saW__...... not Hi - a — Wu - that; ' how ...... .. he whispered . feed- ing, But they saw not Hi - a — Wa — tha; ’ how he whispered 4-20- 60§8i-168 //_-_\g ' _ <1 14/‘/_\ not!” To ' ar- - row Whisper-’d“S\vervenot'.”v Sent it sing - - ing on not!” To ' ar - row whisperH“Swen'enot!” Sent -ing not!” To ' ' ‘ ’d*‘SWeme 1” Sent t sing- ing . -<=::::: not!” To ' ’d“Swervenot!” Sent. sing- ing —-=:::::: zgip er- 1-and To the red heart of the roe.buck,To the red heart of the‘roe-buck;'I‘hrewthe er‘: ra.11dTo the red heart of the roe-buck,To the red heart of the roe-buck;ThreWthe er - 1andTo the red heart of roe.-buck,To e red heart of the roe-buck;Th.rewthe er - ra.ndTo the red heart of the roe-buck,To the red heart of the roe-b_uck;Threwthe eer..._.._. upon his shou1-eder, And sped‘for — ward paus - ing, deer ...... .. upon his shoul- der, And spedfor‘ - ward without pans - ingx. deer up-on his shoul — der, on his shou1der,And sped ’ forward ’ pans - ing. deer up- on shoul - der, up- on his shou1der,And sped.‘vforwardm'thout paus— ing. ,5-20'00£8l-168 -‘B CONTRALTO SOLO. mp At the door - way Wig - wa.m Sat the cient ar - row ' . 0:58. 4.21» a 04 81-16 8‘ mak— er, In the land of the Da- co - tahs,Making ax"-row heads of jas-per J sormmo SOLO. ,, ml) J dolce‘ V ‘ /“At his side,in alt her beau- ty, tsat the #5321 \~—-—————~</ - . . . ‘*2 _1ove-1y Mm- ne — ha - ha, Sat h1s daughter,LaugiungaWa — - ter, ‘P1a_it-ing mats Mi \_/ ........... ..of flags and rush - es, Plaiting of flags and rush - es, Of the past hr. ‘ A T’ KJJ poco ml]. .... the old man’s thoughts were, And the maid- en’s of the fu - ture.A T9’ :[____:___;=___ ‘A a tempo. 12000 4- ~u0§s1 »-168 eé___._________,/ BASS SOLO. Pic} alle 0 cont am'ma. 7'0)’ G.7'¢"/‘9- grcresc. He was think- ing, as he sat there, Of the days whenwith such ar - Piz} a . J:96. T .f' He had struck the deer and bi : son, On the mus-ko - day, the meadow,Shot 7‘ F\/ .25” wild g0ose,fly- ing southward,On the wing the clamorous Wa-wa. Think - ~ ing of the 0 f .2 par - ties........ How they came .............. .. to buy his 3 I~20~ ($0481 ~16!‘ - rows Could not f ight ....... .. ........ .. without his ar molto meno mosso. L12 Ah! L mollo meno mosso. no more such no - ble E SOPRANO SOLO. 7”’ 73‘ She was V1’? 1734.3 War—ri0rs Could be found ........ .. on earth as :4 In J? IL} .._...._._..- .P2'2} allegro. thinking of a hun - ter From an T Pia} allegir-0. J : 84. 4- 20-60481-168 051/— er tribe and coun - - try, Young‘ and tall, and ve — _ry hand — some, Who one morn - ing-' in the Spring- time Came to buy her fa - the:-’s ar - \./ Sat and rest - ed in the Wig‘- wam,Lin- gered long tam» - I do . molto M . .a tempo. door- Way, Look- i11g‘back when he de - — part — - ed. She had muzto a tempo. \./ heard her fa — ther praise him,Praise his cour— age and his Wis - - dom, 5-20-60l8l-188 W’ memo mosso. Would he come a— gain for ar- rows To the falls of Min - ne - -=:=—";—.“ meno mosso, ha - ha? On the mat her hands lay i- dle,And her eyes were ve—ry /5 thoughts they heard a foot- step,Heard a. rust- ling in the b‘1ranch—es,And with glow- "mg cheek and fore-head,With the -4- 20- 60481-165' deer up - on his shou1-de—r, Sud - den - ly from out the wood-lands, N BASS SQLO. Straight the an - cient ar - row mak— er L 1111 grave- ly from his la — bor, Laid a - side. th’un—fin-ished ar — row, Badehim en- ter at the dooxuway, Say — ing V In-3.’.0~ 601481‘! 68 as he rose to meet him, “Hi- a - wa- tha, you are Wel — comet’ Q /\ SOFRANO. Then up- rose the Laughing Wa - ter, Laid a - side her mat O fin~ ished,Broughtforth food and set be-fore them 7 Wa—ter brought them from the brook- 0 Listened, ’ listened while the guest was speaking. ]'\_/— 1.! ml]. But not once her lips she opened,Not a single word she uttered. 1 O : 60. .I.\ dolciss. T K2.’ ° V ‘ 4.. 20-60481-168 man — — y years of war- fare, Man-y years of strife and blood—shed,There is peace between th’0 — jib-Ways And the tribe of the Da - co - tahs.” F.::L__. Thus con - tin _ ued 4-20 _ 150484-188 And then ad - ded, speak- R “That this peace may last for - R_J:76. mp ev - ex: Andour hands he c1asp’d more close—ly, And our hearts be more 11 — mama to. Give me ' as my wife thiSmaid-en , Langhingwa — - ter, Love- - liest of Da- co - an 20-60481 ~-[.68 \o______jL___’J BASS" Malta modemto. /5 And the an—cient arrow - maker Pansed a. mo- ment ere he" answered ,A A ’ A E‘ Smoked a lit-tle while in si—1ence,Looked at Hi- a - wa-tha proud~ly, Fond-ly /Z\ looked at Laughingwa-ter,And made an— swer ve-ry grave-1y: “.Yes, if Min-ne-ha-ha m . S wishes;Let your heart speak,Laug'hingWater.” S 1’? l4-20- 604-81~l0H SGPRANO. mp cresc . .5. love - will ing nor re- luc - tant,As a- tem Soft — ly took seat a tempo. molto rail. it: ly Laug‘h— ing'Wa - ter Seemed more love — be- “I will follow you,my husband?’ J). as she sat there,Nei - ther rail. molto. she went to Hi - a-wa — /7\ .7111]. mo/to. side him,While she said , andblushed to D; vivace, /5 /_\ tcnzzgu # 4 - 20- 60454- 168 " tha,..... ., , SOL! . 7)/'¢'4{llb’g'7'0. This was Hi- a - wa— tha’s Woo-ing! Thus it was he won the da11gh—ter.._.. SOLI. ” was Hi- a. — wa.-thafs woo-i_ng! Thus it was he won the dangh- ter..__ Z''\ »/ Allegro. : 176. pow rail. Of the an - cient a.1'—roW makyerh In the land of poo-0 rail. 01' the an — cient axurow mak-er In the land of 12000 rail. 1:‘ 2U~ 60481 "168 71 /5 a tempo, T tahs! From the Wig‘—Wam he — part-ed, Lead—ing‘ With Lang‘h—ing - /5 A a tempo. tahs! From e Wiguwam he (16 — pax‘t-ed, Lead- ing‘ th Laughing‘ - Hand to hand theywent to - g'eth- er, Thro’ the Hand to hand they went. to — g'éth- er, Thro’ the Wood - land and the Wood - land and the 4-20 -30484-1158 CHORUS. man stand - ing lone - 1y At n H 4 I 1 IF‘ 7 Wig‘- wam, Heard the falls 0 Min-ne - ha -ha Call- ing to them from a - 5. MI L . 4 N1 11; x ‘L i I I [K H x\ n I\ I 1\ A I r V v r 1 K I . - I i x no 1 I\] Ar 1‘, wig*-w:m1,Heard the falls of Min—ne -, ..ha.- ha Call- ing to them from a ~ I 1 I H R‘ K 4 I 1:\ 4 A k L IN‘ KY 4 I l\ A A 4 I V V I Y Wig’-wam, Heard the falls 0.1’ 7 I Min-ne -. ha. — ha. Ca1l- ihg to thhm ti;-m ﬁa 49 1] If 7 a’ a ; I] I I I) I 1 TI r_ r r r _r r 8 r Wlg-wam,Hea.rd the falls of Mm-n A W T} V I ﬂ ﬁx’ if rﬁ Es ’-”V-? 1] 1/]! 1] I) V r r r r - ha - ha Call - ing to them from a - 4- 2o~ eons:-ms off§‘Fa.re thee Well, 0 Laughing Wa thee well , far off,“Fare thee well, 0 Laughing Wa . thee well, off,“Fare thee well, Laughing Wa . thee well, - off,“Fare thee well, Laughing Wa. . . V. e thee well, 0 4- 20- 60!. a4- ma Laughing Wa — ' ' LaughingWa—ter! Fare thee Laughing Wa — , Laughingwa-ter! Fare thee Laughing Wa - ' Laughing Wa.-ter! Laughing Wa - 4 Laughingwa-ter! Fare thee 4-20-6045l— 168 fare thee Well ! Well ! fare tixeewell ! ........... .. thee well 1 \./ ........... .. thee well ! ........... ..thee well! fare — \/ ........... ..theewel1‘. fare — - l~20‘O0481-168 theewell ! Oh! fare thee well ! thee well! fare - — well ! thee well ! Oh ! fare thee well ! theewelll, fare - - well! fare - well, ........... ..farewe11! fare - well, ........... . . farewell - well ,- — fare-well , fare - I ‘ 20- 0048! ~i 08 ........... .. farewell ! . ........... .. farewell ! fare - Well! 1'1’ creso. e mll. CHOR ' . ' cmdante. All the went with them , Paco audante. th travelling winds went withthem, All the travelling winds, ............ .. all the travelling went them , all Paco amdante. : 69. W,» /"'\" All ............................... ........................... .. stars looked at them All the stars of night looked at them ’ went Wm, , went with th , went with them , All stars them /'\ went with them, .... with them, All stars looked at them . A 4‘20-604 81 -46 8 Watched with sleepless eyes their slum birds,the birds sang‘ sleepless eyes their slum ‘ S 1191'» the birds sang" W with sleepl eyes their slum — - M1’, the birds sang .9 <'\ . VVatched sleepless eyes their slum _- her the birds sang- . . loud and sweetly Songs of hatp- pi - ness loud and sweetly "Songs of hap-pi - ness andheartsease. loud and Songs of hap‘- i- ness , From the sky the sun be.Li1ig.nant h______§___,/ _ loud and sweetly Songs of hap- i — ness ........................... -- The From the sky the sun beinigznant Looked ' em thro’ e branch - es, Said un— The- looked thro’ b1'anch — es» Said 1111. Looked up - _ on them, 1) -on thro’ branch - es,Said un- Looked up — - them thro’ branch — es, ........... .. Said un- & ~20~30481-16 S 79 —to them:“0 my chi1.dren, Love is sun- shine, hate is sha-dow; Rule by 10%;”... rule by -to them:“O my chi1.dren, Love is sun-shine, hate is sha- dew; Rule by love,..... rule by love, .... .. rule by love, 0 Hi — a —Wa - tha! Rule by love, 0 love, .... .. rule by love, 0 Hi - a.~ wa - tha! Rule by love, wa - tha! The moon ...................... _.' .............. .. filled the lodge..... with mys—ti0 wa . tha! om the ky ....... ., the moon looked a_t the , f ........... ..thelodg‘ewithmyS~tic wa - tha! From the sky the moon looked at lodge with mys —tic wa— tha! The moon looked at them, filled Xlodge with mys 0 V 4 -20- 60484 -108 sp1en-dor, Said un- to them: “O my children, Day rest-less.,day rest- less, < > < > sp1en.'dor, Said un- to them: ‘-‘0 my splen-dor, - to them: f.\ splen_dor,Said un - to them,- puco cresc. qui- - et, ' Man im- per’-ious, \./ n . qui - - — , qm Man im - per-ious, wo-man ui - et is i- et. Man im- er-ious wo—man -q ’ 3 (Pl ’ or-esv. p ’ qui - ~ et, night is qui- et, Man im - per- ious, Wo - man paco creso, fee-b1e, Half is mine ....... .. al-tho’ I ‘fol - low; by pa _ tience,Laugh- ing ee—ble, Half is mine ....... .. a1—tho’ I fol - low; by pa — tience,Langh- ing fee—hle, Half is mine al- tho’ fol - low; by pa- tience,La1ighing fee—ble, Half is mine a1- tho’ I fol - low; -1 -zo-ooas4‘-.435 ater; Rule by Water; [Rule by ” f VVate1' ; f\ﬂ\ home —Wa1'd, Thus it was .............. ..that Hi- a - home -ward , Thus it hand- som—est of all the hand-som-est of all the wo ~ men From the From the Rule by patience Laughing VVa- ter.” Thus it patience Laug'h- ing' Wa- ter.” Thus it was f.\ﬂ\ was ,’—————§\ /. P122 allc-gm. 3:96. wa - tha Brought e was ............. ..that Hi—a. - wa- /"“"“\\ of hand — some land of hand - some 6'20-Bﬂﬁﬁimlﬁﬂ was ....... .. was that was that men; Thus ' men; Thus ' men; Thus men; Thus ' J ..... .. thatHi- a- Hi- Hi- mis , Br ought the mis , Brought the mis , Brought e mis , Br ought the Wa - tha. wa - tha moon- light, star _ light, oon - light, star - lights _ light, star - light, moon-light, star - light, (-2-0-604251-'ll$?§ 7%’ cresc. Brought the 0I'6’SC. light, light,Bro light the 0.'T'€-5'0. fire - - fire - — light,Broug'htthe crass. 77¢’ , Brought the 4 -20-00484 -ma moon — light , moon - light, moon - light, moon - light, St-31' - lights star - light , star - light, star - light , A fire - - light; Broughtthe fire - fire - fire - /1'\ - light ; Brought the /5 - light; Brought the F5 . — light; Brought the Part II, N9 2. 2(3L)“0naway! Awake, Beloved!” SOPRAN 0 SOLD. Andante g-razioso. J: 58. K5 ml’ On - a. - way‘. a.-Wake, be _ 1’ 6’ E Thou the wild—f10Wer of the for - est!Th0u the Te:o.e»1e°e1e wild - birdvof the prai _ rie'.Thou,with eyes so soft and faWn—1ike'. On— a _ » f\ way! a-wa.ke,be- ldv - ed! If thou 4- 20~6048lr 188 A on— ly 1ook- est at me I am ha.p—py, sI— hm ha.p- py as the A lil — ies of the prai—rie When they feel the dew up - on them. Sweet thy breath is as the fragrance of the wild flowers inthe morning, Astheir ‘V B fra- grance is at even- ing In the moon whenleavesare fall-ing'. 1' Does not the blood with- in me Leap to Q-20 -6048! - 468 meet thee, leap to meet thee as the springs to meetthe sun- shine In the f j“>’ ‘[3 f 1’ 12000 maircato. moon when nights: are bright — dim. 6 mil. On _ a - way, my heart sings a ' tempo primo C Sings with joy when thou art 4 -20-60484-'l¢58 1’ near me, As the sigh - ing',singing‘ branch-es In the pleas - ant means of spring— time! On— a - Way, myheart sings to V /5 Dmp When thou art not p1eased,he - lov - ed Then my poco maroato; is sad angl darkened As the shin .~ing' riv- er . dark- ens When the F ' ? ': ~ pr clouds drop shadows on» it. 0'2 0- 60 481 -1 6 8 smil - est, my be — 1oV— ed , Then my troubled heart is 1ig'ht- ened As in “T sun— shine gleam the rip1 ples That the cold Wind makes in E Smiles the earth and smilewhe Wa — ters Smile» the cloud - less skies 95%. smil ~ ing VVhen than 12000 mare-a2‘o 5~20—60v-'48-I — 16% Blood. of my beat - ing-heart 3 be - lov - ed! ................. .. On - a - - Way, a,-wake,be - f.\ . 1-20- 60481 -«.1615 Part II, N9 2(1)); The Dance of Pau—puk-keewis. CHORUS. ( You shall hear how Pau—puk—keewis Danced at Hiawathms wedding‘. Old Nokomis-.< :4 >: said,:< >4 ‘r= “Dance for us your merry dances That the feast may be more joyous, That the time may pass more gaily.” Then the handsome Pau-p1Lk- keewis, Y K :< . x X Bose among the guests assembled, >4 :4 z: » x x 'I‘o the sounds of. flutes and singing, To the sounds of drums and voices, And began his mystic dances. ) Andante moderate. mp SO -6111]! meas - I Andante moderate. 0 : 50. Andante moderato. mp. so1-emn meas - . '3‘? In rehearsals the drum notes,whenever practicable,should be played upon the Piano at the ﬁitch indicated. (The theme of this number, comprised in the first nine measures,is a song of the Kwaliiutl Indians. I am indebted for it to Mr.H.E. Krehbiel who took it down in the course of observing one of the tribal ceremonies.) F.R.B. /3‘ ‘.‘(|‘60’A8l ' ‘Ibis ' out _a - mong pine ees, in In and out ‘a. - mong the pine trees,in mong the e ees, Thro’ the shad-ow and the snn-shine, out a -mong the nine trees thesun-shine. 1,1) B ____ 171’ 6-20—60€8l‘lli‘8 like a panther, ah, .0. 'I‘red-ing‘soft—1y ah, like a panther, treading s0ft—1y like a pan-ther, A 2 5 51:. Then more 'I~k’0—60'gR I-10% swift - ly :1/Zr: m. Pie} allegro. . 8 . . . - - - . — . . . . . . . . . . . . _ .. B- Pzﬁ} (tile leaves 4‘20~6048l-1l38 . 1 Presto. U . I g I I O 9K‘ ¢3'nd_P_6d.K.-2 915 ,2» , ed. In-estz'ss imo . V, 8 = ' ' ‘ ' ' ' ' ' “ ' ‘ ‘ - - --Y - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -‘ - - - - - - - - - -,i .19" prestzlvsimo. §-20- 60481-16?! Part II. N9 2.(c) “When I think of my beloved!’ CONTRALTO SOLO. Paco andante. J ; 84. Then a- gaill SaI1g"Chi ~ bi — a -bos, sanga song of love ..................... .. and longinggsang‘ a maiden’s la -men-ta.tions for her 1ov_ er, her Al — gon — quin. J? i-20-00481 ‘468 ,5 Pm vwo. Whenl think of my be - 10v - ed, Ah,me! think of my m P52} vivo. J :96. T-=‘*“—-‘—’————“““"""" F gon - quin ,VV hen my heart is t11ink- ing‘ of ....... .. O my sweet - — .=::::: ,2--.\\ O my sweet — hea1't,myAl - gon - - quin, ’ A gon— quin ! h _ ¢-2orso4s4-165 Ah, me‘. when I parted from him Bound my neck he hung the ;\vg\. k\. B wam- pum as a pledge, The snow—White, snow - White wam - pum , ‘sweet - heart , my A1 _ gon - quin , O , my sweet-heart , my A1 - go with you , $‘___:;j i mollo port. _'\_\~___.. WhiS- pered , Ah ................................ .. me‘. to your nat - - 4;-2 0*6048i -1 68 can cmima. coun - try Let me go with you,he Whis- pered, ‘ix t/' P27? alle 0. Far, ................................................................................... -- ‘ff Pz'z2 allegro. J: 108. E O , my sweet —heart, I-20-60481 - 138 me! is my na - tive coun - try, Ah 9 Z? sweet ’— heart,_ my A1 - gon - quin , 0 ........... .. my sweet - heart! , /<§‘\ \ /””_—‘_—:§\\ con Mia. 25 /’-'f"‘\\ 4F2U_6048i-l38 VVhen I looked back to be - - hold ........ .. him wherewe part — — ed to be - hold ........... ..him, At‘— ter he still my sweet — , 7716 71/0 .m0.s-s 0 heart, V ’ - - heart,my sweet ~ ii a tempo. 1? \ , 0 I My Al - gon _ - quin, By the tree he still was # \_/ calla 12003 1 1’ ‘O’ 4.20- 6045!-I6 8 standing, By the fall- en tree was stand — ing That had dropp’d in to - the my sweetheart, my Al - gon-quin! .7” think of my be - - lov - - ed, Ah me! think of my 4-20 —60lA81‘ltEﬂ lov - - ed," When my heart is think- h sweet . - heart , 0 my 0 my (‘T my sweetheart, O ................... ._ '/LJJA J’ -ob Andaiz te. .................... .. sweet - heal.-t, Andante . sweet — heart,myAl- gon — - _ ’\_/ mg‘; of ........... .. - quin, 4-20 -60481 ;- 168 Part III. N9 1. The Famine. Allegro moderato. J : 126 . CHORUS. Soprani . 0 the long and d1-ea» ry the long‘ and drea-ry Ev-er thick— - era -er thick- - er, Ev— er thick - er, 4' 20-60484 -465 thick — er , thick — er, thick - er thick - er, Ev-er Ev— er deep - er, Ev- - er B land -. scape, thick - er , thick - er, thick - er, thick _ er, V d 7'' Bl‘, deep — er , /\ deep — er T‘? Fell the Froze the Froze the cov — ’ring‘snow and drift — . on lake and Froze the lake lake Froze ..... .. the iceon lake {T snow o’er’ all ... "' ........ .. the de -er fellthe snow o’er. deep-er fell the snow o’e1j al1._.._' ...... .. the snow o’er all he the 8: — ed Thro’the for - - A {'3 cov ~ ’ring snowand drift - _, ed Thro’ the for - ‘- &‘20-6048 1'‘! 6 8 est, round the est, round the Hard-ly from his bur — ied _}’}’ Hard-ly from his bur - ied force a pas-sage; bth his mit-hens force a With his mit- tens‘ Pa5‘538'95 Could the hun—ter Could the hun-ter Ha pocu and his hnowshoes 17000 and his snowshoes 4 -20-6048 1-108 12000 f D Vain—1y Walkedhe thro’ the for- est Sought for bird ./' vain—1y walked he for - est Sought for bird ’" D f V beast, and found none Saw no track deer or rah -bit, ‘In the snow "h h‘ s tto woe beast, and found none Saw no track deer or rab_bit, In the snow «*7; sotto voce held no foot-prints, ghast - - ly gleaming for- est ghastly gleam - — ing for—est held no foot-prints, ghast — — ly gl for.est !A~20~0048l~ 168 E and could not rise from Weakness, Perished there from cold and and could not r from weakness, Perished there from cold and fam- - ‘me and -Othe fam- — - ver, 0 the - ver, .0 the A fe - Ver!The '4~20- 60481‘ 168 O the blast - — — ing", the 0th .b1t-— —.—t -’ " ‘L-————\ mg ﬁg _ 0 the blast - '- - - ing 0 the_ blast - _ ing of O the wail - ing of O the wail of the of the child - ren , the wail - ing o>f child-ren, the Wail - - ing bof wan _ of - ren,the Wail — of child — mm the wail £11 ,LA£4 4-20-60431» uss children 1 4-20—60l81~J6 8 TENOR SOLO. J , Tempo ad lib. = 0 Forth in - to the emp—ty for- est Rushed the mad — dened Hi - a- wa- tha; f ........... .. he with his face up - lift- ed In that bit - ter hour /5 L} fl A/\ ﬂ _ /\ mp tenqao “Git- che Ma - ni - to, the Migh — ty 1 Give your 7"0d""“[0- M061, 6' cresc, chil - dren food , 0 Fa- ther! Give us food, or we ‘ must per- ish‘. Give me 1) tempo mode/rat‘o. 610095 6 07'6’-5‘0- WLBNO ’/II/0880. g food for Min — ne - ha- ha; Formy dy - ing~Min-ne - — ha —- ha!” f ’ meno mosso. M- 1» rs~2o~604M -468 re,- sound—ing for -, est, .20” Me. Thro’ the far re— sounding‘ for - est, 'f/pdndante. J = 88. ﬁe _ Va —' cant Bang‘ that cry of des — o - la - tion, of des- o - la.-tion, Bang cry Than the ech- o of his cry-ing, Than the ech- o of his cry- ing, Thro’ the 1’ But there came 1’ for. - est vast H ' no oth - er But there c'a.me 1’ . Than the Than the H ech- 0. ech- 0 4*20~ 60481-168 11 10 PP}? wood — 1ands,“Min-ne - ha — ha! Min—ne - ha. - ha!” 171’ wood - 1ands,“Min_ne — ha. - ha! Min-ne - ha - ha!” CONTRALTO SOLO. In the Wig- wam with N - ko _ mis , With those g1oom—y guests that I watched her, With the fam - ine and the few er , Shewas ly ~ ingthe be— M V Laugh- ing Wa - ter. 4- 20450481» 168 SOPRANO SOL/'0.» Hear a Hear the falls 4- 20- 60481 ~ 468 C§ntf,‘_“,1,;c-- from the dis - tance No,’ my child , night - — Wind, ___________ _. it is the night — 1’ standing pine - _ trees. No, my child! his wig- - Warn,‘ Beck + — ’ning to me from his 4520-604 51 -1 68 my child ! No mychildl ’Tis the Glare up — on In the land of the Da — C0- :17)/—$ Ah! ............ .. the eyes beck- ons that Waves and smoke in the dark - - ness Clasp -ing ’c—'€0~60481‘J6h dark 4 ness! my child ! 4-2-U -60681-1 68 Heard that 4~20-$0 481-168 sud - — den cry of anguish, Heard the voice of Minlne - ha — ha, sud - a den cry of anguish, Heard the voice of Mim1e—ha—ha, that sudden cry of anguish, Heard the voice of Min-ne - ha - ha, that sudden cry of anguish, Heard voice of Min—ne - ha - ha, wa—tha! Hi-a - wa — tha!” /3\ !” Over snow—fie1ds,waste,and pathless Under snow en.- SOLO. Wa-ho- no - — win!Wp»ho- no _ — cum-bered branches Homeward hurried Hi- a- wa-tha; Heard No-ko - mis moaning‘ Wail - 4-2o-- sous: -168 Would that I had perished or you! Would that I were dead as you are! Wa—ho-now - ing. \/ ~\_/ in!..... Wa-ho— now— In!...... TUTTI. TUTTI-And his heart Within him TUTTI. TU-rn And his bursting heart With-ill him Andhis burst - — in heart With-in him M9750 L? Uttered such a cry of an - guish That the for - est moaned and shud-dered Utteredsuch a cry of an- guish That the for - est moaned and shud-dered Ut - tered such a cry of an--guish I-i0-60481-.1 cs N ........... ..'1‘hatthe ve-ry stars in heav—en shock, and trembled with his a;/. guish, ........... ..Thatthe ve-ry stars in heav—en shook, and trembled with . an 17 guish . ‘., Li ( Hummz’/¢g".) ( H u mm mg‘. (11 na’cmte . Then theylbur . ied - ne - ha - ha, In the snow a grave eymade her, Andante. d :72. . ’ p 4'-20-*6048i‘l68 ' In . the for - est deep and dark;sVome, Une—_ der-’neath the moan_—ing‘ hem —locks, her rich-est gm-'-ments,Wrapp’dher . robes of er - e, Clothed her in ‘» her rich-e.st gar-ments,V$i’app’dher h her . robes of er-mine, Hmnmi 0 Cov— ered her with snow-like er- mine, Thus they bur— ied Min- ne — ha - ha, Cov— ered her ‘ with snow-like er-mine, Thus they bur - ied Min- ne - ha - ha, Thus they bur— ed Min- 11_e - he - ha, ghus theyehur- ed ,Min-ne- ha — 4»-20~eo4s4 -168 Thus they bur — ied Laugh - ing Wa - ter, ied Lﬁu1gh— ing ied Laugh - ing Thus they bur - ied Laugh — ing‘ Wa — ter, théy bur - ied ied Laugfh—ing‘ Laughing Wa — - ter..A ..... Wa - - — . TENOB SOLO. Fare-We11, 0 my Min—ne - ha — ha! L__________’/ 4—20~6o«rs1- 16 3 0 Laughh1gWa—ter! All my heart is , bur- ied with you, All mythoughts go on- Ward with you! Come not back a— gain to la - bor, ..... .. Come not back a- gain to suf- fer, VVhere the fam- inc and the fe — ver" Wear the heart andfwaste /\ f Soon my taskwill be com - p1e-ted, ’4‘20‘60&8i-468, Soon your fooﬁsteps Ishall follow To the is - lands of the bless-ed", T0 the .ﬁ0("”"_5“\ king" - dom of P0 - ne-mah, To the 7 land ............. ...... .. of the Here- land .................... ............. .. of the Here —. af - A \_/ mil. e dim. 1'17 -E 4-20-60/H5’!-1ti8 ‘ Part III. N92 . HiaWatha.’s Vision. TENOH SOLO . Con moto. 7'/’ I have seen in a Can moto. J:96. vis-ion , seen a great 3 3 ‘__¥«’/‘ .f’ "3/' - ions, Seen a peo - ple with Seen the com - ing' of this bearded peo - ple From the re — g-ions 12000 wall. A mor11~ ing, from the shin - ing land......... of Wab — un; ’ pow 7-all. V/\____/ ea-noe with 3 ~____——”/ Git- ehe " 4-20-60481-168 _ i- to, the Might - ,. y, the great spirit,the C1-e - - tor, Sends them hith-er T Maestoso . éends them to _ us with His mes - Mano mosso. Let’ us We1come,then,these ‘strangers, Hail them as our Mano mosso. o : 69. B friends and brothers, And the heart’s right hand of friendship Give ;them when they 4 -20~6048i" 168 Gitche Man - i- to the Might - y, said this to me.in my vis - ion ............ .. i I be- held, too, in that 17000 ad lib. vis-ion All the se-crets of the fu - ture, of t dis- tant days that Con moto. held the Westward marches of the unkn0wn,crowded L92 5’ 4“20—604 81- 16% na- tions, All the land was full of peo .ple, Best-less,strug*g'lil1g‘;toi1ing‘,striv-ing', . .9 can gran anima :‘ Speaking‘ ma— ny tongues, ..... .. yet feel- - ing but one heart beat .... .. in their .2 3 b0s—0ms. In the wood—1ands rang their ax— es,Smoked. their towns in all ‘ .2 * 3 val - leys , 0v-er all the lakes and riv ~ ers Ru.sh’d their great canoes of ( thun’— - d ‘. 7 ex Andante maestoso. J :69. .19” 4- 20-60454 -168 mp Then a dark— er, drearier vis- ion Passed be - fore me cloud — like , scattered , ,ﬁ"/x 12000 rail. of my counsels , povo 7-all. —_%‘?" ‘ vague and ﬂ’ Adagio. I be- Weakened, War; ring‘ with each piz? viva. f held our na - tions ﬂép All forget — ful ﬂ L- er , Saw the 4'2-0-6048!-/168 remnant of my peo- ple Sweeping Westward, wild and W0 - ful, Like the 6‘ .9 cloud - rack‘ of a tem- pest. p ﬂy’ _ W Like the withered leaves of Like the withered leaves of an - ’A—40‘60£8l -465 Part 3 . N9 3. Hiawathevs Departure. /T 4- 20-60481- 168' 4 V 133 1’ Hea—vy with the heat and si - lence Grrex-v the af - ter - noon of sum - mer; 1’ Hea—vy with the heat and si-1ence Grew the at’ — ter— noon of sum -mer; drow — — sy sound the - est Whis— pered round the With a drow — - sy sound the - est W11is— p round the th a draw - sy sound ' - pered found the 1’ sul - - try Wigwam; sul — — try Wigwam; 4 —20".60-'48!-.1629 1’ With a sound of sleep the 4 —‘.’0-050481-J68 sound of A sleep mp Rip - - pled Rip - Rip — - p1_ed on the beach — ' Rip ~ 4-‘20~5048i ‘I68 corn - - fields {:—"\ grass - hopper, /-""‘\ 4~20~(i0481~16S [And the guests the guests And the guests 1’ And the guests D Slum - bered Slum - hered Slum - bered . bered s D Hi- a.— we. -tha, weal ry with - a —wa-tha., Wea— rywith Hi - a -wa- tha, Wea- Hi - a — Wa - tha, ,Wea-ry with ‘ Wig - - Wam,s1um - wi v- — wam,s1um — wig‘- — wam,s1um — % 137 heat of sum—mer, heat of sum— mer, — heat of sum- mer, bered in bered in bered, in . 4-20-6048! -168 438 SOPRANI. mf Slow — ly o’er the {’_\ poco rail. simm—’ring land- scape Fell the eve - ning’s dusk and coolb- ness, E ‘ Shot theix-spears in- t_6' the for - est, Break-ing thro’ its shields of shad - ow, ‘mil. ﬂ\ ° /.\ R—u’shedV in - to each se - cx-ct.‘ am - bush, Sea.rch’deach thick- et,din - gle, hol - low_ £2 //-—*""“$‘¢ 4‘20 ~60¢81~IOI-\ 1'!’ Still the guests Still the guests 17]’ Still the. guests Still the guests Hi - a -wa-tha. Hi — ab- Wa-tha. Slum — bered in Slum - bered in Shim - bered in Slum- bered in lent wig‘ - wam; lent wig - wam. si - lent wig- wam. T’ 4-20~604!§'l ~ 158 140 TENDR soLo. 7,9; /,_.__...__1 From his (place .................................... .. rose Hi? 21 — Bade fare ~ well .................................... .. to old ko - mis,SpokeiI1 whispers,spoke in this Wise, ............................ -- Wake the guests that slum — — - 3 ¥—___'__z 1-20-60Al8l-10V8 g'o— —ing*, 0 No- 110- mis, )7 jour- ney To the port — als of the sun- set, To the re - gions of the home — wind, Of the North — west-Wind,Kee- way- ..din. 4; -zo-oo481-168 P But these guests I leave he - hind me your looo. 7 J D »_J_,L and ward I: leave them, See that new - - er harm comes “DJ E; near.....z,.. them, Nev-er darn - - ger nor sus — pi - cion, Nev- er poco 1-all. Want of food, or shel - ter In the lodge of Hi - a - wa - poco rail. 4~2o~6o4s4~wzs CONTRALTI. Forth in-to the vil - - lage ' 2-‘ Badefarez — - well /5 Bade fare - /"\ is 20*60 481 >165 Spakeper — suad - - ing, spake Z1‘-. 4\‘ \___JJ this wise: ..................................................... .. /Z——\_ /5 ,/ TENOR SOLO. “I am go - ing, 0' my peo- ple, On a long and distant jour - ney; Ma- ny moons and ma - ny Win - Will have 4 ‘ 20~60l-8 1~158 ished Er} I dome and will have van - ere I come I leave he. hind me._ of Wis - dam, List — t5 the ‘. truths ..... .. they 4 - 20-6048! 465 For the ‘Mas - ter of Life H ing; For the Mas - ter them From the 4- 2.0 -60481~1¢iS CHORUS. id 60 mp 011 4;; molto legato 6 [1 4 - 20~60481-168 lu - — mam-ato. lu - minous /‘\ Iu - min - ous lu - min - ous 4 -3) -0048 1-158 Launched aunched Launched Launched peb.— - —bles peb — blee peb - - bles peb - — bles J1» it forth ' Whis- pered /to it forth ' ' VVhis- pered to Shaved it forth ' - , Whis -pered to Shoved it forth ' Whis -pered to 4 ~20- 80481 .18 8 — ward!“ west—ward , west - . west - ,westWard !“ west-ward, west - ward! west-wax-d,westWard! { vI<esc. ed avcel. And with speed it dart- ed or - Ward, it And with speed it da1j_t - ed, West - And /.\ West - Ward !” 19 cercsc, a accel. . speed it dart- ed speed it dart - ed for‘ _ ward. Allegro. =126. "' J: A 4~20 ~60481~ £68 the clouds ........... .. on ' withred — - clouds ' with red. - - ness , clouds with red - — ness, Set the clouds ........... .. on 4-20-001121!-£0 8 452 ,,.=:____ Burned the Burned the _ . Burned H the Burned the broad burned the broad ............................ -. b ned the» ............................. .. buigned __________&_____ 7 __AV burned e broad ................. .., Left prai — - rie, Left - prai — - rie, sky like ‘ sky {T 3. prai - a prai - 4-20-604$“-1625 -153 f-\/_,_.__...———-T long track ..................................................... .. g- long 4-20"6048l..16S ward , west - est- - ward, west - - West - - Ward, west — {T ward, west - 7970 ate Sailed ....... .. Sailed Sailed '\../ 4-20-60481-168 J. S ailed Sailed Sailed Sailed Sailed - ing , Sailed ..................... .. of Veven - Sailed ..................... .. in - -4 ewfen - ing, in - - to the even - - 1113', S aile d , sailed: ...................................... .. 4-20-60481 -168 P1’ sailed. ..... .. in - to -B‘, éven - — - _ sailed ' - ' . sailed’ sailed sailed ‘ 88mpT6_[)P dusk , the dusk of 7'6 ing, the dusk not‘ ing, .__§_._%______.__ sempre . the dusk of mg, dusk - to the e d the dusk ..................... .. 4"20-804S1‘l6 8 sempre K\ seemed seemed the peo —ple the peo- ple the pee - ple the peo - ple watched watched Watched watched b'7“6’S0, High in-to that sea GTESO. High 0T’€b'L’, in—t0 that sea High ....................................... .. 67886‘. High .* ...................................... .. 4 -2 0-60£8l"18 8 High in— to_ that sea S83. 4_zu—1i0!4hl-408 €~ 20- 60484- 468 tha! fare thee well, 3 tha! fare thee well, tha! fare thee well, ’ 3 tha! fare thee well, 3 4-20-60481-188 thee Well , O fare thee thee Well , 0 fare thee fare - well, fare - Well for- ev- er, fare thee well, fare - Well , ................ .. fare - well ................................. 1’ well, 0 Hi — a~wa - tha, fare thee well, 0 Hi— a-wa-tha!”And ceresc. . , _ .9 ﬁg , 1’ well, 0 Hi- a—Wa- tha, fare thee well, 0 Hi -- a,-wa-thah!”And R I‘20‘ 80481‘ 168 ests , ness, ness , ness, dark and And And And. lone - ly, lone - ly, lone - ly, lone - ly, moved thro 3 moved thro moved the 3 ‘moved thro their depths their depths their depths their depths of mar - gin , mar - gin, 4-40 -604 81-16?! bles , Subbed - - bles , Sobbed bles, Sobbed rip — - pling‘ on bles, Subbed well ........... .. 0 Hi - - well, hZ""‘\. fare well ........... .. 0 Hi— well , well, farewell, fare- f-- wel1,_ farewell , f — well, farewell, fare- well , farewell , fare - a -Wa - tha, fare theewell , fare fare thee well , fare a - wa- tha, '4' 20 ‘SO ’i.\'|.-£68 thee Well , well, 0 Hi - “ - well, n» 3 well, 0 Hi - for - - farethee Well .................................. .. ﬂ‘ A fare theewell for - - ev — er, well,» fare-We1l, fare — fare thee 4‘ 20-8048!-468 well fare thee well , fare 7 4- 20~604Si-16S ple shades ple shades pur - ple pur - ple shades shades re — gions re - gions re- gions re - grions ll-20'6"}-481-(<38 .1" home - — Wind ./' home ~ - Wind home — - wind home - - Wind the North - North - North - west west West west. “ind 4-20 -30581-ms bless - - bless - - T !4—20- 011681-468 L here - af - ~ ter, to the land _____________________________________________ __ of here.— af — - here - af - 4-20 -60-181-16 8 A-20=so431..u%s --Ivan - ‘ Secular Choral Work PUBLISHED BY OLIVER DITSON COMPANY ANDERTON, THOFIAS The Wreck of the Hesperus. . (Ottawa Na. 7206.) BEETHOVEN. L. VAN Becalmed at Sea and Prosperous Voyage. (Octaw ./Va. 7045.) BENNE1 T, \VILLIAl’I STERNDALE The May-Queen . . . BREE, J-OHANNES B. VAN Saim Cecelia's Day. BRUCH, l’IAX The Birches and the Alders. . (0cz‘awa /Va. 7205.) Fair Ellen. (Schiin Ellen.) . . (English and German words.) BULLARD, FREDERIC FIELD and GRACE HAYHEW The Sleighing Frolic. (VVomen’s Voices.) . . .20 BURTON, FREDERICK R. Hiawatha. . . . COWEN, FREDERIC The Rose Maiden . GADE, NIELS W. The Crusaders. . . . . . The Erl-King's Daughter . . . Spring’s Message. (Friihlings-Botschaft.) (English and German words.) HADLEY, HENRY K. In Music’s Praise. HAYDN, JOSEPH Spring. (From “ The Seasons.") . HOPMANN, H. Fair Melusina. . . . . (Ottawa No. 7204.) JORDAN, JULES Barbara Frietchie. . . .- . (Ottawa Na. 8571.) KIEL, FRIEDRICH An Idyll. . . . . . (Octawa Na. 7199.) KIES, GEORGE A. The Last Hymn . . . . (0£f(l7/0 Na. 7813.) FIARKULL, F. W. Roland's Horn. . . . . (Octawa Na. 7202.) FIAYHEW, GRACE and FREDERIC FIELD BULLARD The Sleighing Frolic. (Women’s Voices.) . . . .20 LAHEE, HENRY Building of the Ship. . . . . . - .60 MIENDELSSOHN, FELIX First Walpurgis Night. . . .50 Loreley (Unﬁnished Opera.) . . .40 FIOZART, W. A. The Praise of Friendship. NOYES, CHARLES F. The Village Blacksmith . . (Octtzwa Na. 0001.) RAFF, JOACHIFI Elegy . . . . (0£fll7/0 Na. 6847.) (The solo part can be sung by Sopranos in unison.) REINECKE, CARL Evening Hymn. (Ottawa No. 10,058.) RHEINBERGER, JOSEPH The Roses of Hildesheim. . (Ottawa Na. 0855.) (Ein geistliches Abencllied.) . . (English and German words.) RIES, FRANZ Morning. . . . . (Ottawa No. 8305.) ROGERS, EDMUND john Gilpin ROFIBERG, ANDREAS The Song of the Bell. . sAIN1‘=sAi'3'Ns, CAMILLE_ The Deluge . . . SINGER, OTTO The Power of Song. . . (Ottawa Na. 7314.) SMART, HENRY King Rene"s Daughter. . (Women’s Voices.) STEVENSON, FREDERICK May-Day. (Rustic Dance.) . . . . . Oclzzwa No. 10,101.) (Orchestra and Band.) z(")LLNER, HEINRICH Battle of the I-Iuns. (Men’s Voices.) . (Octzzwa Na. 7211.) DRAMATIC CANTATAS. (With directions for staging.) ANDREWS. EBEN A. Ruth and Boaz BUCK, DUDLEY The Legend of Don Munio. . BUTTERFIELD, J. A. Belshazzar . . . (Can be given without action.) CHADWICK, J. M. Joseph's Bondage. . HODGES, D. F. Rebecca. (Words and Music by D. F. H.) ROOT, GEORGE F. Belshazzar‘s Feast. The Haymakers The Pilgrim Fathers TROWBRIDGE, J. E. The Heroes of’76. .
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Date: 1912
Text: 9 T W0 SONGS /Y\ezzFc:R\79|ce Va} THE HEQHEQCKTREE BEWARE I 1. W oooo BY J HENRY WHDSWURTH IQNGELIQW RAYm9ﬂl5m|:|m.BBﬂLDW|H THE HEMLOCK TREE (From the German) 0 Hemlock tree! 0 hemlock tree! How faithful are thy branches! ‘ Green not aloneein summertime, But in the winter’s frost and rime 0 hemlock tree! 0 hemlock tree! _ How faithful are thy branches. 0 Maiden fair! 0 Maiden fair! How faithlessis thy bosom. To love mein prosperity And leave me in adversity » O Maiden fair! 0 Maiden fair! How...
Show more9 T W0 SONGS /Y\ezzFc:R\79|ce Va} THE HEQHEQCKTREE BEWARE I 1. W oooo BY J HENRY WHDSWURTH IQNGELIQW RAYm9ﬂl5m|:|m.BBﬂLDW|H THE HEMLOCK TREE (From the German) 0 Hemlock tree! 0 hemlock tree! How faithful are thy branches! ‘ Green not aloneein summertime, But in the winter’s frost and rime 0 hemlock tree! 0 hemlock tree! _ How faithful are thy branches. 0 Maiden fair! 0 Maiden fair! How faithlessis thy bosom. To love mein prosperity And leave me in adversity » O Maiden fair! 0 Maiden fair! How faithless is thy bosom. The Nightingale! The Nightingale! Thou tak’st for thine example! So long as summer laughs she sings But in .the autumn spreads her wings The Nightingale! The Nightingale! Thou tak’st for thine example. The Meadow Brook! The meadow brook! is mirror of thy falsehood It flows so long as falls the rain In drought it springs soon dry again The Meadow Brook! The meadow brook! is mirror of thy falsehood. Henry I'VadszeortIz Longfellow THE HEMLOCK TREE Words by a Music by HENRY WADSWORTH LONGFELLOW RAYMOND H. BALDWIN Andante Oh Hem-lock tree! Oh hem—1ock tree! How dear thy branches are to me! Oh Maid-en fair! Oh maid-en fair! Thou’rt dear to me, though faith-less be f Boldly Green not a-lone in sum— mer time, But in the win - ter’s frost and rime, To love me in pros - per ‘— i - ty, And leaveme in ad - ver - si - ty, TL./ Oh tree! hem —1ock treé! How dear ‘ branch - are to me! Oh maiden fair! Oh maid - en fair! . . Thou-’rt dear to me, though faith-less be /‘\ /‘ 3 > Copyright 1912 by .19. W }7effel_,f'2’nger ﬂedicated to MISS" HARZBIETT PEARL BERRY, [as Angeles, Cal. BEWARE! Words by Music by HENRY WADSWORTH LONGFELLOW RAYMOND TH" BALDWIN. Allegretto I know a maid-en fair to (see, take care, take care! . /R _can both false and friend — Iy be, be — ware, _(Zopyrz'gItt 1912 by Heffelfinger trust her not, trust her notj for she is fool - ing thee. 15-, givesithee a gar —.1and en fair,..take care, 993... is a f001’s-cap for wear, be - V be - ware! take care! Be,-Ware, be-Ware! For she is fool - ing ﬁedicated to Ilelvn Jzzslis Stoc/te-7' THE PURPLE IRIS Words by GRACE ROSE ZERBE Music} by LAURA A.ZERBE Quietly ftjf fair re-f1ec—tion lay - ing, In the Wa- ters clear and cool. V 3 3 3 3 3 3 3 3 3 :3 1’? 00];y¢z’,g'/ct x1{CMIX-by R. IV. Ileffeéfinger Short Pieces COMPILED AND FINGERED Wﬂkﬂfﬁﬂi @3A:RiuRi@ﬂ.L_ﬂ I Book I A Price Seventy-five Cents PUBLISHED BY R. W. HEFFELFINGER LOS ANGELES cupgmgntnan-R_w.HeffaIfingen By the same compiler and publishers. First Lessons in Bach BOOK II. Price Seventy-five Gents Specially arranged to follow Bookl and to form a link between that work and the Two Part Inventions.
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Date: n.d.
Text: /ﬁll’ *1-_-I, Deg , N {hf V.‘\*:|,-A EZLK J A LIT L \‘ »~// D \\\//T:5‘\\//D/— ’ « D0 YOLJ REALLY THINK HE DID? \\‘ 4 /A A \r4—¢ V, -a Li | OOMPUSED AND DEDICATED TO ’X, ”‘f§;_; /_M7<;;/7 ‘ /79¢,/fj X g ‘AM///Zé L./722777/, BOSTON. ,7?//2/z;y7Mr.7 by W. H.OAKES am? $0‘,/(.7 747' E. H . WAD E M7.‘/7 M2972/'7/‘I/2‘«/71 J?/1 ,Z',’/77/Ire/7 K/ca;7'z}’/,'/gq in//1.7, /27"/'/1/21//zaxzs’ zéz //m ym/:/J/.’/ 41'!/7/1/’/z7.wr m ///:4 /,/1»/~/my /}/'/tn a...
Show more/ﬁll’ *1-_-I, Deg , N {hf V.‘\*:|,-A EZLK J A LIT L \‘ »~// D \\\//T:5‘\\//D/— ’ « D0 YOLJ REALLY THINK HE DID? \\‘ 4 /A A \r4—¢ V, -a Li | OOMPUSED AND DEDICATED TO ’X, ”‘f§;_; /_M7<;;/7 ‘ /79¢,/fj X g ‘AM///Zé L./722777/, BOSTON. ,7?//2/z;y7Mr.7 by W. H.OAKES am? $0‘,/(.7 747' E. H . WAD E M7.‘/7 M2972/'7/‘I/2‘«/71 J?/1 ,Z',’/77/Ire/7 K/ca;7'z}’/,'/gq in//1.7, /27"/'/1/21//zaxzs’ zéz //m ym/:/J/.’/ 41'!/7/1/’/z7.wr m ///:4 /,/1»/~/my /}/'/tn a/ '2’/22 /’/Ir//211 K.’/;w'/I-t n/‘fl//'z.v.s'. MUSIC LIBRARY VASSAR COLLEGE "Hesﬂdhccametoﬁndmef’ Con Espress. _ T /-—\f\ G D J wa1t—ed t1]l the tvu —l1ght, And yet he did not come, I st1'ay’d-along the brookside, And slowly wande1"d home, When who should come be —- hind me, But him I would have He said he came to find me, Doyou really think’ he He said he came to find me, Doyou\ rea1—1y“ think he He said he came to find me, Do you real — 1y think he He saidwhen last We part — ed, Heﬁd thoughtofnaught so sweet, \_/ -of this ve~ ry mo—ment, The m0—ment We should emeet. He show’d me where, half sha - ded a cot — tage home lay He said for me he made it_ ])o you rea1—1yIhink he ritard. ad lib: L-J . did? He said for me he made it, Doyou real — ly think he \~—.__z did? He said for me he made~ it, Doyou real—ly think he 3 He said when first he saw me, Life seem’d at once divine; Each night he dreamt of Angels, And ev’1*y face was mine; Sometimes a. voice in sleeping, Would all his hopes forbid, Bis. H2And then he wakened weeping_ Do you really think he did? ill
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Date: 1896
Text: v 'A3"'g.. Music uannnv VASSAR COLLEGE "006!-mszv-su:. uzw vac... -'1 i ¥'U‘a"4 ’l5‘n\. ._ J ‘ﬁg ..—I ( ~._?;=z$‘\\»- ?."’._z ’,«si»%g:~w / Hayes, Maria Ximena Haynes, Battison Hirnmel, Friedrich H. Hughes, R. S. Iude, W. H. do do do do King, Oliver Leach, Stephen Leslie, Henry Loder, Edward I. Lbhr, Frederic N. Mackenzie, Sir A. C. Marchant, Arthur W. Mattei, Tito Maws0n—Marks, C. do Moir", Frank L. MoIloy,J. L. do do do do Moncrieff, Mrs. L....
Show morev 'A3"'g.. Music uannnv VASSAR COLLEGE "006!-mszv-su:. uzw vac... -'1 i ¥'U‘a"4 ’l5‘n\. ._ J ‘ﬁg ..—I ( ~._?;=z$‘\\»- ?."’._z ’,«si»%g:~w / Hayes, Maria Ximena Haynes, Battison Hirnmel, Friedrich H. Hughes, R. S. Iude, W. H. do do do do King, Oliver Leach, Stephen Leslie, Henry Loder, Edward I. Lbhr, Frederic N. Mackenzie, Sir A. C. Marchant, Arthur W. Mattei, Tito Maws0n—Marks, C. do Moir", Frank L. MoIloy,J. L. do do do do Moncrieff, Mrs. L. Mullen, John W. Old English Parker, Henry Parry, John, Ir. Perkins, W. O. Peuschel, Moritz Pinsuti, Ciro do do FIRST SERIES Faith and Courage Off to Philadelphia. Battle Prayer, The. Inchcape Bell, The Bill the Bo’sun Deep in the Mine Happiest L_a,;;d_, The Mighty Deep, The Skipper, The Israfel . (Old Irish Melody) . . ( Gebtz‘ wdhrwzd tier S:/z/at/zt.) Let All Obey Speed on, My Bark, Speed on Diver, The . . . Out on the Deep . Old Grenadier, The Man-0’-War’s Man, The. Hearest Thou? (01/2' tuf) My Part in Thee . Three Wanderers . Sea—Dreams . Boatswain, The Postillion, The Thursday Trankadillo . Vagabond, The Creole Love Song, A Afterwards Vicar of Bray . King of the Forest Am 1 Flying Dutchman, The Tempest, The . . . . . . M0narch’s Tear, The. (De: Kaiser: T /Lriine.) Op. 18. Arrow and the Song, The . . . Op. 80 . . . . (English and Italian) . Bedouin Love Song Bugler, The (English and German) . Eb KEY *c *c C min. *Bb (English and German) * The voice part of songs marked with an asterisk does not range above Dﬁ. \ ’j #4. V4 Boston Oliver Ditson Company New York C. H Ditson & Co. Chicago Lyon &. Healy. Philadelphia J. E. Ditson & 00. PRICE .60 .60 .40 .50 .60 .60 .50 .50 .40 .50 .50 .40 .50 .50 .50 .50 .50 .40 .60 .50 .50 .50 .50 .50 .60 .40 .40 .40 .50 .50 .40 .50 The Happiest Land. For Bass in F. Words from the German by LONGFELLOW. §* Music by W.H.JUDE.. Used by permission of Houghton,Miff1in Q‘ Co. publishers of the K ‘ Edited W UK- Works of Henry Wbongfellow. Allegro alla Marcia. \/ sat one day in \/ qui — et, By an a1e—h0use on the Rhine, > f g/ drank the pre — cious Wine. The Land1ord’s daughter filled their cups, A - round the rus 4 tic >/-3 ' stare. . . y. P t9mI90 Then sat they all so calm and still, And spake not one rude Word. ten . ten. ten . ten. > f '1? Copyright MDCCCXCVI by Oliver Ditson Company. 5 $200 It - 6 &/ whim the maid de- part— ed, A SR7/a-bian raised his. ‘,/ \_/ ,/]'> cried, all hot and fl11sh’d With Wine, “Long live the SWa.—bian .ﬁ"'-:7"-sf > marrcato Long‘ live the Swabian The greatest kingdom up—0n this earth Carmotwith ff that, can-not with that com _ pare; With all the stout and hard_‘y men, nut - brown maid — ens >., calla voee la Ag-itato. there,Z’_ .... ..“Ha! Ha!” cried a SaX- on, laughing, / And dashed his beard with Wine; > > V > > > -4 i (3 p Andante eantabile. 1 “I’d rather live in La.p—1and, Thanthat SWa—bia.n land of thine! The good - - —1iestland on ritard. aiéﬁo. pm mosso ‘£23. this earth, It is the Sax —~ on land! .......... .. There have I as ma - ny > > > > *m. 916 9* /“T p maid - ens, As fin— gers M on this hand!» ........... .. Yes, the g00d-1iest land on 5 f declamatory. V #2 all the earth, It is the Sax— on land! It is the Sax— on land!” Hold your {TX f H calla vase hi can spirito Hold your tongues! Hold your tongues! both Swa.—bi—an and Sax — on!”A > {T ' - _ Andahte cantabile. Bo—he - mian cries, .......... .. A Ifthere’s a KT H A heav’n, a hea _ ven up —- on this earth , It ' Bo—he 4 mia ‘ lies .............. .. There the f\ 59004-6 Presto. tai-lor blows the flute, And the cob-bler blows the horn, And the mi-ner blows the > > > § bu—g1e 0- ver mountain gorge and boom, And the tai_10r blows his flute, > ~ >- > h> -0- cob—b1er blows his horn , And the m'1— nor blows the bu—g1e 0 -ver moun—tain gorge > , L the Landlord’s daugh — ter Up to hea - ven rais’d her hand, said, “Ye may no more con .- tend , There lies the hap—piest land, There, ............. ._ v n hap\— — piest, There hes the hap - plest land, ............... .. BARITONE AND BASS SONGS Adams, Stephen do do do do Arditi, Luigi Balfe, M. W. Barnard, d’ Auvergne Barri, Odoardo Berger, Emile Bizet, Georges FIRST SERIES Heart of a Sailor, The . Six O’clock in the Bay . They All Love Jack Vikings’ Song, The Warrior Bold, A Stirrup Cup, The . Day is Done, The Bid Me to Love Old Brigade, The Message from the Deep, A . . . . ’. . . . . Here’s to You. (Can zmiéer.) (Song of the Toreador, from “Carmen.” ) (English and Italian) . . . . . . . . . . . . Blanchard, Maud Conway Scythe Song Blumenthal, Iacques do Bonheur, Theo. do do Bottesini, J. Brown, 0. B. Chesham, Edward W. Clay, Frederic Daubert, Camille Denza, Luigi do D’ Hardelot, Guy Diehl, Louis do Eayrs, M. P. Evers, Carl Flégie-r, A. Gilchrist, W. W. Gotze, Carl Gounod, Charles Halley, T. G. B. do Handel, Georg F. Harriss, Charles A. E. Life My Queen Red Scarf, The Star of the Desert . . Westward Ho ! or, The Spanish Main . . . Were I a King. (Sz'j’ez‘zzz'r Roi.) (English and French) Yachtman’s Song, The . . . . . . Longshoreman, The Gipsy John . Spirit of the Deep Come to Me Fountain and Star . . . To Thee. (.5 ma) (English and French) Gay Hussar, The . . . . . Mariner, The Song of the Sea To the Stormwind. (Art z/en Slurrzzu/z'7m’.) (English and German) Adrift. (15 la z/érz'2/5.) (English and French) . . . Where Would I Be. (Sea Song) . . . . . . . . . 0 Happy Day. (05:/zﬁneZez'l, 0 st[’ge Zeil.) Op. I 60, No.1. (English and German) She Alone Charmeth My Sadness. (Recitative and Aria, from “Reine de Saba”) Ca1iph’s Daughter, The . . . . . Sailor’s Dream, The O Ruddier than the Cherry l (From “Acis and Galatea”) Old Tubal Cain . . * The voice part ofsongs marked with an asterisk does not range above D11. PRICE *Bb '*'C Bl: min. ‘*D Ab G ”"'G min. * D G min. aseBu, .40 .60 ~35 .50 —35 -35 .50 .50 .40 .60 .50 -35 .50 .60 .50 .50 .50 .40 .50 .50 -35 .50 .40 .40 .40 .60 .60 .40 -35 .40 .50 .30 .50 .60 .50 .40 .50 NEW YORK CHAS. H. DITSON BOSTON OLIVER DITSON COMPANY CHICAGO LYON 8: HEALY PHILADELPHIA J. E. DITSON & co.
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Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA" HE NRY VV. LONGFE LLOVV With German text by Hgrmann Simon VOICE Ctitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. ‘ G iawatha (Gruss von Hia» watha) . . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei» gen) . . . . . . Chibiabos (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Belovedl (Onawél wach auf’, Geliebtel) . Med. OLIVER. DITSON COMPANY. Boston New York Chicago Philadelphia C....
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA" HE NRY VV. LONGFE LLOVV With German text by Hgrmann Simon VOICE Ctitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. ‘ G iawatha (Gruss von Hia» watha) . . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei» gen) . . . . . . Chibiabos (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Belovedl (Onawél wach auf’, Geliebtel) . Med. OLIVER. DITSON COMPANY. Boston New York Chicago Philadelphia C. H. DITSON 85 CO. LYON 8: HEALY J. E. DITSON 8: CO. Tn A/zz'la Rio Purchased from the GREETING OF HTIAWATHA (G RUSS VON HI AWAT HA) HENRY VVADSWORTH LONGFELLOW 3 g Ger-ma/I /rzz/zslalzmz /7_y f[6’7’IlI((/III Simon CARL BUSCH Moderato V O I C E 7*‘ WA ti _ ful ‘is the sun, 0 stran_gers,__ lin — gel schiin, schiin strahlt die Son _ ne,_ Copyright MCMVII by Oliver Ditson Company International Copyright Secured 5~33~6639’7~6 VVhen you come so far__ to see us‘. All our town in Da,_ Ilzrleunznzf zu uns_ so fern her; Un — scr Volk harrt peace a_waits you, All our doors stand 0 _ pen for Eu — rer fried — lick, Of — fen steh’n Each un — se - re You shall ter all our Wig.wams, Kommt in [(2 un — slre VVig.wams, 5-33 -6639716 right hand zcs Herz _‘ V Allegretto "T Mt. E-\___¢,,/V Nev-er b'loom’d the earth so gai -1y, Nev_er shone the sun so 1Vz'u so fro/L die Er - dc bl1'ih»—1.‘(:, IWP so .90/zb'n die Son — ma >.7 V ' hﬁ "ELLE - bright_1y, As to _ day they shine and b10s-som When you Zach - fc, Wic sic hcu to bliihf und Id -0/tel! Da Ihr ‘7 5--33—6639'7~6 so far u 113 leojnmt ]— Nev _ er was our lake tran—qui1, Nor so free from rocks and Nita war m1 - sor Son ‘ ru _ hig, ‘Nie so frci mm Klifj)’ und 7 \.;r:: 761/’ sand— bars; For your birch ca. noe 1n pass _ing Has re- Santl—banI:; Eu _ or Bir ken-boot oer — scheu—chte, Ihr durch — 533-66397-6 moved both rock‘. fah - rend Kl2‘j>p’_ vi W? ”!/‘’7?'‘ had bis Jzcr so our t0—bac_coT siiss, so licb_l1'ch _ er be—f0re Tknnpo I '? _ pleas — ant hat__ Nev - er Nie: fla — Von go — duf - let, Such a Un — ser Ta- bak the der broad Fe] — sweet and the — dcr leaves , 5-33-6889’7—6 leaves of our corn _ fields Were so beau_tL_fu1 to look brei - fer Blc'it—ter so 19racht—vol—len An — blick [)0 to us this morn _ ing, When you sen Mo7'—gPn bis ~ ten Da [hr zu Zl0 moderalo Li; so far to see.____o_ fkommt so fern 5-33-66897. 6 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postzpaid, and in paper with cloth back, price, $1.50, postzpaid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in flexible cloth, are handy in size, and range in price from 50 cents to $1.25.. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chieﬂy technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis’ crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle--"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, l0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. ' Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Date: n.d.
Text: @°~@)7@”x‘@“@l‘i$‘E’a, E“ mm wﬂmsuﬁﬁﬂiﬂ [1 J \/V\) 1 J,u11§?1§Lﬂ’Lj§D 4 L’l)1V</?}~_’7'.V/XE,/ZLZ//W” L’ 3:/).7-aV’Lf?,.S' in ///«cf Z~'iLZ 10/ ff)’, //“.5 COM/’0S[I?$. /V".5 com/>055/as. G97&8, EXCELSIOR JULES NORMANN 859 &G0, THE OLD DLOCK ON THE STAIRS R.STDPEL 738&9, PSALM OF LIFE E.J.WESTROP 895&6,THE REAPER AND THEFLOWERS CARL RFJNHARDT 750&5I,FO0TSTEF‘S OF ANGELS WEBER 904&5,STARS OFTHE SUMMER NIGHT FRANZ KULLAK 7958<6,THESLAVE&apos...
Show more@°~@)7@”x‘@“@l‘i$‘E’a, E“ mm wﬂmsuﬁﬁﬂiﬂ [1 J \/V\) 1 J,u11§?1§Lﬂ’Lj§D 4 L’l)1V</?}~_’7'.V/XE,/ZLZ//W” L’ 3:/).7-aV’Lf?,.S' in ///«cf Z~'iLZ 10/ ff)’, //“.5 COM/’0S[I?$. /V".5 com/>055/as. G97&8, EXCELSIOR JULES NORMANN 859 &G0, THE OLD DLOCK ON THE STAIRS R.STDPEL 738&9, PSALM OF LIFE E.J.WESTROP 895&6,THE REAPER AND THEFLOWERS CARL RFJNHARDT 750&5I,FO0TSTEF‘S OF ANGELS WEBER 904&5,STARS OFTHE SUMMER NIGHT FRANZ KULLAK 7958<6,THESLAVE'S DREAM . .......JULES NORMANN 950&5|,BEWARE‘.BEWARE! D°. 94-8&9, THE VILLAGE BLACKSMITH-. CARL REINHARDT 95286, THE RAINY DAY CARL REINHARDT 955&6, GOOD NIGHT‘. BELOVED. D° 9668<7, THE DAY IS DONE D° 9G4»8<5, THE GREENTREES WHISPERED LOW&M|LD D° D. (ID RI ID) (I) N: MUSICAL BOUQUET bOFF|CE,l92,HlGH HOLBORN: &J.A‘LLEN,20,WARWl‘C.K LANE,PATERNOSTER ROW. N°.5964.& 965,MUs1c5L BOUQUET. > MUSIC Luamlnv "/ as n vassan COLLEGE L POUGHKEEPSIE. NEW YORK :5 \<' EKG GREEN TREES WHISPERZEID Low AND MILD. tEoe_tr.y {by H.W. LONGFELLOW. Composed by CARL REINHARDT. _.e?1,ND./1JvT1Jv0. VOICE. The greentreeswl1is_——per’d lowandmild, It was a sound of joy, were my play--mates when a child, And r()ckH me in their arms so wild, No.5 964 8: 965 Mttsical Bouquet.
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Date: n.d.
Text: as émsymm E ‘4 x‘ \ \ / ( \ Q1 ‘ / ?§\\i/’" & If /) / . kg“ *3: “* , / '1 _ j ’ ’. ‘ ___>/\ ‘ / / .\ M/><b /W /, \ \ _- \i/E4 L‘ ‘@192 &n an¢,3B$h’tgaRh _ \\:‘T© ‘\€ 3 \k' 1/ ‘ \. V V / ‘ Jim .sm.12azzz. _ ‘ [$753 . BOOSEY &S0‘N‘3', 28. HOLLES STREET, QXFORD STREET. MUSIC LIBRARY -_,,:,: J ,. “ THE, GREEN TREES WHISPERED LOW AND MILD.” @ THE POETRY BY THE MUSIC BY L()NGFELLOW~ V M. WJBALFE. AJvD.AJv'1'I.r0 C’./uv-1.4 311.19 . dolce. Z doléé....
Show moreas émsymm E ‘4 x‘ \ \ / ( \ Q1 ‘ / ?§\\i/’" & If /) / . kg“ *3: “* , / '1 _ j ’ ’. ‘ ___>/\ ‘ / / .\ M/><b /W /, \ \ _- \i/E4 L‘ ‘@192 &n an¢,3B$h’tgaRh _ \\:‘T© ‘\€ 3 \k' 1/ ‘ \. V V / ‘ Jim .sm.12azzz. _ ‘ [$753 . BOOSEY &S0‘N‘3', 28. HOLLES STREET, QXFORD STREET. MUSIC LIBRARY -_,,:,: J ,. “ THE, GREEN TREES WHISPERED LOW AND MILD.” @ THE POETRY BY THE MUSIC BY L()NGFELLOW~ V M. WJBALFE. AJvD.AJv'1'I.r0 C’./uv-1.4 311.19 . dolce. Z doléé. The green t'i'ees whispered _’_‘\ VTempo . H ' ( - (N9 3 The green trees whispered low and 311:1 ‘.’—~'- ('31.-M’.IHT,.I-‘Iv: low and mild,‘ It was :1 saound of Joy . . . . . . . . . . . . . .. Thvy‘ were my pluy—n1;Ltes when a child, And rocked mo in their zu-111:5 50 wild , ' Still they looked at me and slnilcd , i ’ (JV? 3 “'l‘l1t¢ green trees whjspeneii low and mild?’ (M.W. BALI-‘E..) And ever wh1spe:I'tfd' mild And ever whispered mild and low, mild and low, /°P\-—’/ O Slow, /5 Animato motto ‘Quasi ‘./:1llTegVro. m’il\d and low. Come be a. child once niore ......... ‘ Animate motto ‘ g; calla parte . Come be it Id once more .......... . .'. .... V Come be 1). child, PP -‘)“Thé _L{:1‘t'r‘I1 trees w.'2i:.pr—1-ed 10w and miidz’ (XVI-M’. BVALI-‘E.) f\ P Malta rztrm .- 0 child once 111oI_:e’, . And waved their longfurlns to and fro, » /\ P stacc : Animate assai . bookou’d solemnly and slow. Oh! I could not choose but go ................ .. mf __ to the woodlands ho:u'....., ............ ., ..... .. _ to the woodlands a piacere. llour . . . . . . . . . . . . . . ..‘ . . . . ... .............. . .' ......... .. v. . . . . . . . . . . . . . - . . . . . . . . . . . . . . - . . . . on. - . - . . . . . . . . . . . . . . . . .. . “Thu s:;reeI1 trees M’!1is;)e:redfow and mild .” (?»1.\\'. 133.1. FE '1'cn1p.Q l'":° g'ru’¢»:1 trees whispered :‘ low and mild, It was it sound of They . were my plu.y—n1:m-s when a chili], rocked me in ‘their artm sowild, A Still they looked at me and smiled , (.V“.' 3‘ .l “ "U16 g;'~een.+.r‘e¢s vrhisperedlow aticl mi1d.”‘ ()1. W. HAL I-‘E dolce riten : Still {hey looked at me and slniled .......... .. a piacere . Q X_____/ *9‘ ‘(/.'\',.° .3 .)_‘“ The green trees whispered low and :: 'I‘.:i.” ()1 .W. BALI-‘E IE3 *'I7»‘I?‘?U',,..-‘-TIIIIE ESEIXIPEIR AIFIIIDI ‘II-’II{IE FIL®WEEi§S, DEDICATED TO THE IION"":l LADY HAMILTON SEYMOUR. ?2',-W@©©‘I£)A INIICG-IIIIT.I ©@[D)«Iﬁ‘III©b"1ITI’.°. @EL1.©\‘IEID. SERENADE, DEDICATED TO ALGERMON GREVILLE ESQ. 55,-_.‘II'I‘rCIE ©LR§EEIN TREES WII{III§IPIEIBIE.ID IL©W MIKE) MIII!.E),__ DEDICATED TO Ml‘ ‘VILLEBOIS. --II-,r_#\II‘INIIIE ©F ‘ITIIIIN?-SAW» oamcnan To ms osaonnz. ~5afTI'III_III‘$ IIS ITWIE. PE.AI~\©E»$TAN@ STTIIILIL WY $:WI§.EI9v\- ozmcnao TO LADY ncnmc. @i,JII'I:"~JE. IEAY II8 @©NE» DEDICATED TO LORD GERALD‘ FITZfGERALD. 7 _jI‘I}Il[E ‘J'W© IL©©IK£8 ©I? IRIAIIIISI» DEDICATED TO THE BARONESS LIONEL DE ROTHSCHILD. ®,-_‘1TIIIIE II3IM’IF’IIE.$Tl' ILAII‘\IIID; DEDICATED TO THE MOST NOBLE THE MARQUIS OF DOWNSHINE.‘ ’ ;~‘J'IIIII'E. AIIRRQIW AM.) THE S©N@; DEDICATED TB THE MOST NOBLE THE NARCIIIONESS OF HASTINGS . ‘I*'I<D.,»~S‘LI‘M‘&§S ©I? ‘IIIIIIIE. €§IIIWEIIIE.II’3 NII@IIIITg-___.._.__.___~_ DEDICATED TO LADY ALICE HILL. IIII ,,”..‘ﬁ’II{IE IRAIINY IEAY, DEDICATED TO THE RIGHT HON“-F SIR JAMES HUDSON . E?! ,,,i.T'II-IIIE. VI.I&I.l:s.I-‘&<CG5L€. lE’I1A@IK$I‘.IIﬁ'1T‘IIII» DEDICATED TO GEORGE SAMUEL ESQ. Il5,._.?R'II$'T‘ IIIJIER N@‘LI“’;, EDMETQ DEDICATED TO THE MISSES BEALE. M-1,_»IE'.X‘sC3EE.¢»‘3II@I'r’$» ?.§l‘3:‘3.III.7?‘.“iIV;; DEDICI.-TED"¥{‘) TI-IE :»;ms:«.,o: WESTMONELAND. mus:-s ;/~ 2/.“ mo .3/.uc1:. / 711: cazurcmu cowunr. PR/CE ow: sums». BOOSEY &.SON$. HOLLES STREET.
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Date: 1892
Text: uwsac uananv VASSAR COLLEGE ’0UGHKEE%: 1%. THE CODA ~ SUPPLEMENTARY MUSIC FOR-PUBLIC SCHOOLS Normal or High. Graded as follows: Lower and Upper Primary, Lower, Interrn., and Upper Grammar, High and Normal School. GINN & COMPANY. < PUBLISHERS, BOSTON, NEW YORK. <3: CHICAGO. Words by H. W. LONGFELLOW. Andante cantabile. ALTO II or TENOR. GOOD-NIGHT, GOOD—NIGHT, BELOVED! PART SONG. From CIRO PINSUTI. Arr. by GEO. F. WILSON. CTGS‘. mm SOPRANO. g_____j/ Good-night, good-night, be — 10v -...
Show moreuwsac uananv VASSAR COLLEGE ’0UGHKEE%: 1%. THE CODA ~ SUPPLEMENTARY MUSIC FOR-PUBLIC SCHOOLS Normal or High. Graded as follows: Lower and Upper Primary, Lower, Interrn., and Upper Grammar, High and Normal School. GINN & COMPANY. < PUBLISHERS, BOSTON, NEW YORK. <3: CHICAGO. Words by H. W. LONGFELLOW. Andante cantabile. ALTO II or TENOR. GOOD-NIGHT, GOOD—NIGHT, BELOVED! PART SONG. From CIRO PINSUTI. Arr. by GEO. F. WILSON. CTGS‘. mm SOPRANO. g_____j/ Good-night, good-night, be — 10v - ed! I come to watch o’er ALTO I. cres. T Good-night, good-night, be — lov - ed! I come to Watch o’er C7'€8. 11*‘ §_______Z good-night, be - .2’ 10V ed 1 to Good-night, - I come BASS. cres. /____.___...\ Andante cantabile. 7979 C0 PYR|GHT,1892, BV GINN do 00. iNDERSON dz WENTWORTH, BOSTON, MASS, ‘ Watch o’er L THE CODA: SUPPLEMENTARY MUSIC. }- good - night, good - night, } good - night, good- night, j»- good - night, good - night, n Omit 3d time and go to C01) sf> un poco Mt I come to Watch o’er thee! come to Watch o’er thee! 70 sf > un poco Tit. ‘# fd' ‘i- to Watch o’er thee! come to Watch o’er thee! sf > un poco rit. \_Z ' . g to Watch o’er thee! come to watch o’er thee! sf >/\ 20000 Omit 3d time and go to CODA. 7070 un poco mt. No. 175.] THE CODA: SUPPLEMENTARY MUSIC. 1st time. — -- —- - - f risoluto. f To be near - lone is peace for f risoluto. thee, to - lone is peace for cres. thee, a - lone is peace for 1st time. f ‘lute. 17" to be near thee, to be near thee, a - lone is rf 1?” peace for thee, to be near thee, a - lone is peace for rf f to be near thee, a - lone is peace for if f THE CODA: SUPPLEMENTARY MUSIC. n_ u. > 10 7'0L_ll. me! Good - night, he -lov - ed! I come to Watch o’er 79 > 79 >— 79 fall‘ me! Good - night, be -10v - ed! I come to Watch o'er :>- 79 > 70 : 79 Tall- \_/ - \_' me! Good - night, be - 10%! I come *0 Watch o’er thee! _-‘e7/-"" 79 ' good-night, good-night, ._ _. _ - 201 time. - dolce con grazta. a, tempo. . Kj_ZZ_j___i____,J . . . . Thme eyes are stars of morn - 1ng, Thy llps are crlm - son ﬂ0w’rs, on tempo. > > > \_ \, Thine eyes are stars of morn-ing, Thy lips are crim— son ﬂ0W’rs. 0t tempo. > > > ’ K? Thine eyes are stars of morn-ing, Thy lips are 0 -son ﬂoW’rs. are crim - son ﬂ0W’rs. } I can grazta. THE CODA! SUPPLEMENTARY MUSIC. thy ps arec mson ow’rs, Good-night,be - thy ps arec n oW’rs, Good-night,be - Thylips are crimson ﬂoW’rs, Good-night, tj./ eyes are stars of morn—ing, Thy lips are crimson ﬂoW’rs, ._ ._ ._. _. _ ... ._ _. While I count the molto ritenuto. } } } } Wea-ry hours. >>i- While I count the molto 7-itenuto. } } } } 10v-ed! wea - ry Wea.-ry hours. j]. V While I count the Wea-ry hours. umolto ritenuto. >. > > > lov-ed! > >- 1- While I count the Wea - ry while I count the } 2 } >- molto mtenuto. Wea.-ry hours, THE CODA: SUPPLEMENTARY MUSIC. CODA. p cmimato apoco apoco. I come to watch o’er thee, I come, I come, omimato a poco apoco. to Watch o’er thee, I - come, I come, ainimato a 10000 a poco. ‘J V to watch 0’er thee, come,. . . I come, . . . am)/zaz‘o a pace cz pom. to Watch 0’ er thee, cmimato a 10000 apoco. ej/*4 2”‘! _J_ %” to Watch to watch ‘<‘ come to watch, to watch 79 79 to Watch No. 175.] THE CODA: SUPPLEMENTARY MUSIC. come to watch, to watch o’er thee, Good-night, . . J > 0’er thee, } L_ I come to Watch o’er thee, i} > 70 L» } z\ J :> Tall e dim. good - night, . . good - night! . . > rall e dim. > nyofo \« *6‘ g/ good-night, good-night, good - night! . . > Tall e dim. > > npjo . ‘Rx g00d—night, good-mght, good - night! . . /‘T /"_‘\ %, good-night,. . . . good-night! . . . . . . . mll a dim. > THE CODA: SUPPLEMENTARY MUSIC. [No. 175. EVENING SONG. Words by Rev. J. A. THOMPSON, D.D. G, F. W1Lso1§:, ,Lento. Sop. I & II. I/9}“ - . I 41,?! {V J . n I I . pi” 9.1 —d— 1. Slow-1y all wround us gath- er, Shadows of the e — ven—tide,Home We 2. Bright with dewdrops was the morning, Gold-en fair the ear - 1y light, Earth and 3. Therefore tho’ the shad—oWs dark-en, Trudging wea—ri - 1y 3. -long, Yet We ALTO. m :&‘i/if: . 17' I j L L L ' 1 ‘ I ‘ ' A -I T T \ ‘glib-+7‘ EL K’ ii I I Q ‘: § 1 3 I 1% ?"?i _,_ _,- Let our hearts with thee a - bide, We are sea, and sky at - dorn - ing, With its splen -dor pure and bright, Birds their knowtheir ear will hea1'k—en, While We sing our e - ven song, Slow-ly - 1 V’ ' come to thee, O Fath- er. I I 1| 1| """‘1t1 4; . strife,. . Thouwllt Weak, and worn, and Wea. - ry, Chafed by toil, and care, and bow’rs, Incense mat - in songs were sing — ing, In the fra-grant leaf — y e — ven-tide, . . Home We all a-round us gath- er Shadows of the mf<\{: j 15‘ I Irri L V i I W 4 N i ' , 1 1 \'/ :9?’ 1 -* , ‘v I 7 I love and life. vest — ed ﬂoW’rs. a — bide. /'.\ us We1- come cheer - y, To thy home of breath-ing, 0 - dors bring -ing, Were the glo - ry come to thee, O Fath - er, Let ourhearts with thee V t\ —9.—bn5g ~?-1+?
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Date: 1884
Text: MUSIC mommy Is. new you“ ETHELBERT N EVIN “®uuiJ=3]2igI)t, ®nni1=3]%igI)t, iﬁeluhehl” SERENADE FOR A SOLO VOICE. WITH PIANO ACCOMPANIMENT Poem by LONGFELLOW 3 High in B __1yI_edium in G 60 Cents net ‘ NEW YORK : G. SCHIRMER E BOSTON : THE BOSTON MUSIC CO. 7 . Serenade (Good-night! good-night,be1ov‘ed!) A E. W. NEVIN Moderate ed espressivo Z; VOICE G00d—night! good - night, be- sempre 1) to_____ watch 0’er thee.‘ \__/ ~\.__.i (25. To be. near... thee,___ to dol. is peace for me. A Good-night’!...
Show moreMUSIC mommy Is. new you“ ETHELBERT N EVIN “®uuiJ=3]2igI)t, ®nni1=3]%igI)t, iﬁeluhehl” SERENADE FOR A SOLO VOICE. WITH PIANO ACCOMPANIMENT Poem by LONGFELLOW 3 High in B __1yI_edium in G 60 Cents net ‘ NEW YORK : G. SCHIRMER E BOSTON : THE BOSTON MUSIC CO. 7 . Serenade (Good-night! good-night,be1ov‘ed!) A E. W. NEVIN Moderate ed espressivo Z; VOICE G00d—night! good - night, be- sempre 1) to_____ watch 0’er thee.‘ \__/ ~\.__.i (25. To be. near... thee,___ to dol. is peace for me. A Good-night’! good F . r r 1,. 0'opyr2'g'lzt,1884, by G.ScIzz'rme ' Uopg/right Renewed,1912, by Mrs. Etlzelbert Nevin Wmhﬂl okr thee, near is peace (}ood xﬂghl. rI"""‘ 771- a tempo . Vi: L7» ' L Thme eyes stars of morn sfaco. 6 se7}2}2r}a p senza 1201!/I/e — crim _ son flow . gars, Good night! Good__. night, sempw p e staco. $_——/ 10v’- ed, ‘While I count the Wear — y hours. are___ stars .01” morn are_._ crim_ son 0 ."I. 1'. C ers. Good night! Good... night, be-10v — ed, While... I X‘ '12 rit‘. count the Wea — ry hours. /'$ 171! Good night .‘ Four New Sacred Songs I A Prayer 0 Master, let me walk with Thee Robert Southey 1' B°'"‘“” F” Rev. Washington Gladden, D.D. may speag. Religioso Andante sostenuto Voice Plano or Organ h ‘ _ H H as 0 Mas-tar, let me Walk with Thea In low- ry paths at Lord! W 0 at mer.c1- u as we col male 5 Tell me Thy sa - cret. Loni! who art met - cl - ful as well as ,,”,!KM_ 1,”, ,1, a _m,,,M, cogyrcg/u, 19174 by 0. Schrmer Repent Ye Come, Ye Blessed ‘ Matthew xxv: ll-I! mmmr m. 1.2,7,s, 11,): John Prlndle scou Maestoso ' ) Voice John Prlndls Scot! Maestoso Recit Voice Themthenshall King say un-to thfe\m up-on HIS Yr 1’ thosedays, camejohmthe Bap-tlsnpreach-lng in the wll - der-ness of Ju- Come, ye bless-ed "If of my Fa-ther. in - her - it. the king-dom pre - pared_ for yov 0!I4171U'gM, 1312. by 0. Scbjrmnr Coyyrigllg, lM7"bg G.££h'.rnur 3 East 43d St. V G. SCHIRMER New York T 282
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Date: n.d.
Text: V?‘ f;; j mxga, ( Q,‘ ( \ \\ \ > lj@ /// / L/ K, / ‘K J \, ,/ G;//z/a ~/”\<:;/ /:”/// ,////1’//"//////*“‘l/.\\ 4 -\ ./ /\\J/1 \ Akx/l&CDE£€%I?I§1Q N, ‘ WE Mu@§mA©3®W®/E’@ N @Lu@A\“ix:\ig\.‘@ /“\4 § % “T T) ﬁfmtllrﬁgjg}. ““'/ <\-> L ‘ ..., \ Kr ///é‘$‘ ./w 5/‘ \ »« , , ,-/REY 3 7:?\ gZ“= \“ ' ‘W“>ALFE ; 9; ‘,./ 9 «\.J\..__\,' ,W,A\ \\‘¥_/I K L/[W \ \ I mwmMw V ~ _ ﬁwvgg / / , , . X ,_ ,/ ﬂ//0éc'.;zI‘zrZ,0(z [.9 L©m@@N¢ BOOSEY & sons, 28, HOLLES...
Show moreV?‘ f;; j mxga, ( Q,‘ ( \ \\ \ > lj@ /// / L/ K, / ‘K J \, ,/ G;//z/a ~/”\<:;/ /:”/// ,////1’//"//////*“‘l/.\\ 4 -\ ./ /\\J/1 \ Akx/l&CDE£€%I?I§1Q N, ‘ WE Mu@§mA©3®W®/E’@ N @Lu@A\“ix:\ig\.‘@ /“\4 § % “T T) ﬁfmtllrﬁgjg}. ““'/ <\-> L ‘ ..., \ Kr ///é‘$‘ ./w 5/‘ \ »« , , ,-/REY 3 7:?\ gZ“= \“ ' ‘W“>ALFE ; 9; ‘,./ 9 «\.J\..__\,' ,W,A\ \\‘¥_/I K L/[W \ \ I mwmMw V ~ _ ﬁwvgg / / , , . X ,_ ,/ ﬂ//0éc'.;zI‘zrZ,0(z [.9 L©m@@N¢ BOOSEY & sons, 28, HOLLES STREET. Oxrono STREET. ~...o-=-**""""""'""'--ﬁt‘- * MUSIC DEPT» 7‘ CR:/‘gs ROAD. ¢_'i,T:_“__...’»»--* “ GOOD—'NlGHT! GOOD NIGHT! BELOVED!‘ ” THE POETRY BY LONGFELLOW. ./ILLEGRETTO MODERATO . VOICE. -./.’V'." 2.) “Good night! good night? beloved! ” (1\1.M'. BALFE THE MUSIC BY M. W. BALFE. Good 1o'g'ht . o . . . A . . . . . . . . . ‘ . . . .. good nig'ht ..................... .. good night! good night he _- 10 _ to watch 0’ er theo . V To be near thee , ' ’-\ to be near thee», (-r'V'92~) “Good night! good night! beloved '. "’ (M.‘W. BALFE an _ lone, u _' lone is peace for ee, tobe nearthee, a _ lone, -.1. _ lone, is peace for Thine eyes are stars of mor_ning', Thy lips are crimson flowers, Good — . night! good {light V I _ Ved. VThine eyes are stars of (JV-02-) 5‘ Good night! good night? beloved! ” BALIIE.) 1u0rm'n,g', Thy lips are crimson f10WeI's,Go0d n'Eg*231t!g'00d night he _/10 _ _ Ved, while I count the weu_ry hours,whilo I count the we:¢_ry hours, Good poco riten : _ ved, while I c'01n1tthe weary hovur-s,while I count the weary lmurs,Go0d night .... .............. .. be -10 _ {N9 2 .) “Good night.‘ good nig‘hf!.beIoved! ” (\1.w. sum .) staccato ~ long‘ en _ - ligh {N9 2 “Good night! good night! bgloved-' ” (\1.\4’. 3.3.1.?!-L love , my 1’-:L_dy love ................ . . .. Good. night ...... .:. .._ ....... .. ' , good PP night ! good night night! good night he _ lo _ (NP 2.) “Good night! good night! ‘oelnvz .12” (.~1.v:. HAL]-‘rj.) f'g°/"_""""‘\ /."""\»\ eyes are stars of morning, Thy lips are crimson flowers .................................. .. f night he- __ rf ritenuto .' .. _ _ ved. While I count the wear. _ ry houx-sl,wl1ile I a count the. wea_ry hours, Good night ........................... .. be _ lo - (/~lv~"i' "Good night! good n.i9_;ht! beloved! ” (M,w. 351,33 To be near thee , to be near thee , .Alleg'ro. for 1111* . Good I11';_;ht! g'()0d Allegro. /"\’:\ ni;_r_-ht! good night .............. .. good ................. .; night! . (.\’.'~’ 2.) “‘ Good night! good night? belovulf” (M.W BALI-‘]i.) “RIB-_fI‘:‘°.../l!-IVE 57"” *1: /‘K V L,/J‘ ( L/ .\J \_ ~W@FEEm®WL (5/:>Lt to ﬁ‘l1t.2itt B13 /// /1 /2/x/zz/sf/2//M 717/zz//2/’ fir)‘/1].?/5, /2/' mm;/71Zz:?(}«' ax/é//(214/..<'. N?l,__LTHE REAPER AND THE FLOWERS, _ 2/6 .///7/ziiz//m4’ [(1 ffzxz [.l.l’{')[/ZK‘//’v’KItz7/ZZrZZ"ﬂ/Z fry;/200/'. 2, ___GOOD NIGHT 3 GOOD NIGHT I BELOVED, 5 ER ENADE , _____ 2/6' I/Ra2’z(7'rzZzn’L //7 ..{/_i/yer/1,0/1 /57‘/*1/1‘//6 3, w_THE GREEN TREES WHISPERED LOW AND WILD, ..__.__ 2/- ]/5’/Zz'o'zz2‘o7Z zfu.,%7."” l7ZZ/:2/2r2z{c. 4,__ANNlE OF THARAW, ‘ 2/6 f/K/2"z/in//(Z Z/2 J,/7." ./7.5‘/7/'O(/I‘/i(.’. 5, ,_-_TH|$ rs TH E PLACE, STAND STILL MY STEED, ____# /2/:/zmzzm? /n [/1/zj’ ]/(7 ﬂay. 6,,,_THE DAY us DONE, " 2/6 ﬁe/271/krzzmz ta [(2775 6’(%/72107 Z2‘/2- /r’/1/W,///7 . 7, ,aTRUST HER NOT, DU ET FOR TWO EQUAL VOICES, (SOPRANl.}..3/L //572’/22//ml zfz/L/ﬁn J£7Q»_:§'z:¢ ﬁt’///1.’. V L0 N D O N, BOOSEY & SONS, Z8, HOLLES STREET.
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Date: 1901
Text: MUSIC LIBRARY VASSAR COLLEGE J: 4 llllllljlIlllllllllllllIllllllllllllllll}lillllllIHIEEIlillllllillit % ' llllllllllliliiliﬂilllilliﬂllilllllill .‘ 3_°..= 95 IIIIIIIIIlllilﬁMMIIIIIIIIIIIIIIIIInmm...... T.....mnuIllllllllllllllllllmll uunmuununumm 7?? 3 gr" ._ CC§~,k;> 1/.;g§:7 NO. (Formerly L. &' B., No. 196') Good-Night, Good-Night, Beloved! Four-Part Chorus For Men’s Voices By E. J. Fitzhugh Price, 12 cents I £3 t A ' V . .'-|:,"'| "&apos...
Show moreMUSIC LIBRARY VASSAR COLLEGE J: 4 llllllljlIlllllllllllllIllllllllllllllll}lillllllIHIEEIlillllllillit % ' llllllllllliliiliﬂilllilliﬂllilllllill .‘ 3_°..= 95 IIIIIIIIIlllilﬁMMIIIIIIIIIIIIIIIIInmm...... T.....mnuIllllllllllllllllllmll uunmuununumm 7?? 3 gr" ._ CC§~,k;> 1/.;g§:7 NO. (Formerly L. &' B., No. 196') Good-Night, Good-Night, Beloved! Four-Part Chorus For Men’s Voices By E. J. Fitzhugh Price, 12 cents I £3 t A ' V . .'-|:,"'| "'[gu7 ', '/ Good-night, good-night beloved! MALE VOICES PART-SONG Lento "P E.J.FITZHUGH :;'=’ good—night, be are stars of - lov _ ed! I morn-ing, Thy -:7 67880. I ::>-. ‘ . r I . kl h: It; 51' pk 1* V ' V I I V r V '[ I. V come to watch wo’er thee! Good—night good-night be - 1ov—ed! f1ow’rs,Thine eyes lips are crim — son ‘b ‘=——-_:_: I . are stars of morning, 11’: l‘<"—’—" a 0 J1 I I II I] 1 I I I I - It 135 dim poco rail. come to watch o’er thee. To be near thee, to be near thee, A - lips are crim - son f1ow’rs.To be dim pow near thee, to be near thee, I cztempo dz 1’ m. Copyright, 1905, by Harold Flammer, I720. dz'm.poco rail. P —i_._ :3’ lone is peace for me, a - lone is peace for count the weary hours, I count the weary P‘-;’_C :‘—_;- night good-night be _ lov-ed! I come to Watch o’er thee! good- A ‘<: j{ 4. ‘/T’ \IJ night good—night be — lov - ed! 1 come to watch €li7n. te¢«("'_p'p fall. Coda. (after last verse) _T——=- 17’ Good — night, 1) _..-==— PP {T A CHOICE SELECTION OF TWO-PART CHORUSES For Treble Voices Selected from the Harold Flammer Catalogue 87001 87002 87003 87004 87005 87006 87007 87008 87009 87010 87011 87012 87013 87014 87015 87016 87017 87018 87019 87020 87021 MILLER, Boats of Mine . . . . . . . . . . . . . , . . . . . . . . . . . . .15 TREHARNE, Mother, My Dear . . . . . . . . . . . . . . . . . . . . .15 VPROCTOR, Drowsily Come the Sheep . . . . . . . . . . . . . . . .15 EKNfTELLE,Spﬁng . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...15 RUBINSTEIN, Voices of the Woods (Melody in .12 TOSTI, A Venetian Song . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 CZIBULKA, Morn Rise . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 MILDENBERG, Springtime (Eng. & Ger.) . . . . . . . . . . . .15 MILDENBERG, On the Lagoon . . . . . . . . . . . . . . . . . . . . .12 SCHUBERT, Hark, Hark, the Lark . . . . . . . . . . . . . . . . . .12 MOSZKOWSKI, Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . .15 BRAHMS, Lullaby . . . . . . . . . . . . . . . . . . . . . .~ . . . . . . . . . . .10 ROECKEL, A Bird in Hand . . . . . . . . . . . . . . . . . . . . . . . . .15 MILDENBERG, The Woodland . . . . . . . . . . . . . . . . . . . . .16 MARCHANT, Fishing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 SCHUMANN, Gypsy Life . . . . . . . . . . . . . . . . . . . . . . . . . . .16 BROWN ELL, Four-Leaf Clover . . . . . . . . . . . . . . . . . . . . .15 NEAPOLITAN SONG, Santa Lucia (Eng. & Ital.). . . . .12 FORSHAW, Who Will Come to the Sea? . . . . . . . . . . . . . .15 REICHARDT, When the Roses Bloom . . . . . . . . . . . . . . .12 DRIGO, Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
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Date: n.d.
Text: 0 D ILLID N <5} FE lF_4'JC Lil) “W 7/Xi J/Z/f/C‘ CU/I//70550 A4051?/CATEZ7 7'0 lWRf3Lv‘?\uf§3EZ‘§ULRM@W7T E3[ULF?:[Klf%HE3Vo Eﬁg ' L0) CD ll: (Q) S 0 L0 NUUN: CHARLES JEFFERYS, 67, BERNERS ST OXFORD ST MUSIC uannnv VASSAR COLLEGE POUGHKEEPSIE, NEW vonx

Date: 1884
Text: MUSIC UBRARY VASSAR COLLEGE POUGNW:'.'.-5*E. NEW vomt ””’*-rr £33 ETHELBERT NEVIN “®uniJ=3RigI)t, @uuiJ=3B1'gI)t, Jﬁeluheh!” SERENADE FOR A SOLO VOICE VVITH PIANO ACCOMPANIMENT Poem by LONGFELLOW 3 High in B Medium in G 60 Cents net NEW YORK : G. SCHIRMER BOSTON : THE BOSTON MUSIC CO. Serenade (Good-night! good-night, beloved I) ETHEVLBERT LNEVIN VOICE ' Moderate can Good-night! good — night,be—‘ sempre 1’ r. watch 0’er thee . To be near A thee, ___. /" dolce. lone is...
Show moreMUSIC UBRARY VASSAR COLLEGE POUGNW:'.'.-5*E. NEW vomt ””’*-rr £33 ETHELBERT NEVIN “®uniJ=3RigI)t, @uuiJ=3B1'gI)t, Jﬁeluheh!” SERENADE FOR A SOLO VOICE VVITH PIANO ACCOMPANIMENT Poem by LONGFELLOW 3 High in B Medium in G 60 Cents net NEW YORK : G. SCHIRMER BOSTON : THE BOSTON MUSIC CO. Serenade (Good-night! good-night, beloved I) ETHEVLBERT LNEVIN VOICE ' Moderate can Good-night! good — night,be—‘ sempre 1’ r. watch 0’er thee . To be near A thee, ___. /" dolce. lone is ~ peace . for me." Good- night! good - ﬁ0c"'0 ril. (70[7_y7'1'g/It, 1884’, by G. S('II7'rme7' Copyright Renewed, 1.912, by Mrs. Etlzelbert Nevin watch o’er thee, _ To. be near for Good night. Thine eyes ' stars of morn 52‘ e sernpre 1; Sﬂilkid peddle. crim — son flow ' Good night! G00d._ count the wear - a1'e__. stars of morn U Good night! Good... night he — lov - ed, While_. I ' rit. count ’the wea - ry hours. Good A night. At taper-time Evening b If ﬂowers could speak Leaves Morning Mother dear Priere d’arnour Speak to rnel TWO little stars What is a kiss? by SONGS Two Little Stars Modem“) Mana Zuccn Op [1 (mm the gold-an num.her. Came to earth upon a s : Sfayed there 1 . dream (n — ly s|um.ber. And he . wll - dered by the mom - 1 lng light. qpyngs-, m7. 4, a .sm.+.,.u Price, 60 cemfx, mt Speak to me! Sprich zu mir‘! Engmn and German word: by Ben Ahheimev Moderate con espreasionc Voice Speak Sp:-ich That my sweet voxca . Dass del nu Sum me zu so clean’ pen klingz Each word from pure hps Jed‘ Wort Von del-nen Lip To Capyright. 1317, by 0 Sclhrmer may reach my ear mlr drlngl Price, 60 -cents, mi Mann zum Op )!.No - » E“g'“"‘ "°"‘°“ by r. Th. Baker Allegro ‘'0 m’ Voice 11: mix” lell me (rue,w1:at is sag‘ mlr ‘null, was oes lhro’ em 3 chosunge if you do not know yourself, wenn du das nichv fiih- len kannsgzu What is a Kiss? Was ist ein K_uss? (Krusu) n kfss? is! ein Kuss, Du aapyirght, M7, by a.'sm'mu- _0_THER WORKS net Song C0//ectiorz A child’s day in boards song FM Duet Tendres aveux _75 (Soprano and baritonz) Pzkmo S0/0 Fugato humoresque .75 (On the theme of Dixie) Scene de ballet .50 Valse brillante .75 M“. luoon op. 1e,No.1 Price, 60 centy, net 3 East 43d Street T 274 Thematic list of new mug: rent on request, New York
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Date: 1897
Text: MUSIC LIBRARY VASSAR COLLEGE roucmxctrsve. NEW Yong ffflxzl 1‘ 1//////7///, 7/ ﬂy 11/; M J'>T:\"T’|V =1} "l*"T.'|4¥'§ }|H!L<!I 1|)‘ 1@C25y2’zZy | //'//////;;i' f /. /é/Z12? D1iverDitsuI1 Company. ECIETDN 1\TE’WYURK. PHILI4. LUNDDN. Ehicaqa Lunn & heaig /fag; /1/gr7x,4zz:cm.~..» A, J’ .,w.«"]/hwy: 4":/77,71./75, To Thomas L .Cushman . G 00 (1 Night! Beloved. Words adapted from LONGFELLOW. Music by CHARLES A.CHASE. goodnight be— — lov ...
Show moreMUSIC LIBRARY VASSAR COLLEGE roucmxctrsve. NEW Yong ffflxzl 1‘ 1//////7///, 7/ ﬂy 11/; M J'>T:\"T’|V =1} "l*"T.'|4¥'§ }|H!L<!I 1|)‘ 1@C25y2’zZy | //'//////;;i' f /. /é/Z12? D1iverDitsuI1 Company. ECIETDN 1\TE’WYURK. PHILI4. LUNDDN. Ehicaqa Lunn & heaig /fag; /1/gr7x,4zz:cm.~..» A, J’ .,w.«"]/hwy: 4":/77,71./75, To Thomas L .Cushman . G 00 (1 Night! Beloved. Words adapted from LONGFELLOW. Music by CHARLES A.CHASE. goodnight be— — lov — _ __ed, I are like the mom — — mg‘, Thy come to Watch 0’e1* 3 - b9V8 lips are cri1n— son g'00d mght Copyright MDCCCXCVII by Oliver Ditson Company. Cnpyriglit secured in England. 4- 8 ‘fn9h8l—3 shi — — - ning‘, Sleep on and dream While I count the Wear — a— lone be—neath case - that now so bright - 1y beam — — 4-8* 5988l‘3 come ........... .. to watch oer sweet, ........... _. my la — dy near thee is peace for F1. thee, To be near near thee, A — lone peace for is peace for 4-8 - 559K531‘ 3 DELIGHTFU L SONGS . Shine on,oh Stars! (ROM.4NZA.) F.E.Sawyer. Pr.50cts. » Amiantino con molto senﬂv/tenfo. The garden breathes asweet perfume, The ightingale is singing I press ourlittle hand in mine And {—'‘"''—T_ pp sempre Copyright MDCCCXCIV by Oliver Ditson Company. Copyright secured in Eng. Serenade. Kate Vannah. Pr.40cts. Scherzcmdo . legato In the warm black millpool wink- ing The first doubtful star shines blue 3 Copyright by Oliver Ditson Company. Copyright secured in Eng. The Hum of Bees. J.L.Mo11oy. 1’r.50cz‘r;. Moderate tranquillo. ,_,, \Ve are sitting by the window, on and I hand in hand,'While the hush of twi1ight’s stealing o’er the peacefulland,And my Copyright MD(ICCXCIV by Oliver Ditson Company. The Land of Dreams. (A Ll'I.I..4l>’Y.) Frank N.Shepperd. Pr.40m‘.~>. .47zdam’e can wsprvsssomv. . l ' Wf a temp 0 Come,close up youreyes,my lit _ tle 0ne,And off to the land of dreams; ‘Where ev- er shines the beautiful sun, mp col voce Copyright MDCCC/XCIVby Oliver Ditson (‘oiiipzinyﬁopyright secured in‘En;_:. There are other Eyes in Spain. John VViegaud. l’r.5(Icis. Tempo di b’0lr7'0 . ._i_r.—_::: r’ —»_.____.. j —:_<(.. __. g’ ' v v v v y C y S‘'“ 1 T7 T} I 1 I 0 There are oth - er eyes in Spain, Dark and dazzling eyes, Cru-ci _ ta; Rosebudlips whichwait the Copyright MDCCCXC/III by Oliver Ditson Company. Copyright secured in Eng. Mailed post—paid to any address on receipt of marked price,O1iver Ditson C0mpany,B0st0n.
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Date: n.d.
Text: .\ / U WRITTEN COIVIPOSED BY J-UHN BLGCKLEY. [7/z/1. 5'/4,. f/JAZZ. J’/‘A/V/V/4/P/J cf. ///X/7/V //I/" B)’ 7'/9’[J’,¢ﬂ/[ 4//7/$’Oﬁ’.$ EXCELSIOR .. SONG OR DUETT FOOTSTEP3 OFANGELS ﬂ=onmA/rozlﬂ/1/€f[Z[ﬂl'1/) THE RAINY DAY .. [/3 .0? . .-‘I WHITHER . .. /.90/v/xr/F7/%EWATF/7/VY/I/f’//J7 THE PSALM OF LIFE .. 0‘ 0° " THE BRIDGE . . STARS OF THE SLJMMER NIGHT . SERENADE LONDON,/\DUlSUN8<HULLHR,210,REGENT STT uusoc Lluunv , ..ﬂ;~m» E V> Ll Ft-E GOOD NIGHT! SERENADE ....
Show more.\ / U WRITTEN COIVIPOSED BY J-UHN BLGCKLEY. [7/z/1. 5'/4,. f/JAZZ. J’/‘A/V/V/4/P/J cf. ///X/7/V //I/" B)’ 7'/9’[J’,¢ﬂ/[ 4//7/$’Oﬁ’.$ EXCELSIOR .. SONG OR DUETT FOOTSTEP3 OFANGELS ﬂ=onmA/rozlﬂ/1/€f[Z[ﬂl'1/) THE RAINY DAY .. [/3 .0? . .-‘I WHITHER . .. /.90/v/xr/F7/%EWATF/7/VY/I/f’//J7 THE PSALM OF LIFE .. 0‘ 0° " THE BRIDGE . . STARS OF THE SLJMMER NIGHT . SERENADE LONDON,/\DUlSUN8<HULLHR,210,REGENT STT uusoc Lluunv , ..ﬂ;~m» E V> Ll Ft-E GOOD NIGHT! SERENADE . 77V;'1.'tten by H.W. LONGFELLOW. Composed by JOHN BLOCKLEY. A A MODERATO. /“ F ’’’7\ /\/’ /\ /\x Good night! beloved, Good night! Good night ! (Serenade .) come to watch o’er thee! . . . . . . . . .. To be near thee, alone, _\‘__”,// \Kk_”’//// \\‘_~",// \\\‘__"/,/ \\\\__,///’ \\‘__,// peace for me, Good night! beloved, Good night! /9/9 a piacere. near thee,a lone, is peace for me, Good night! beloved, ‘Good ¢ f‘\ COLZII ‘U068. K? Good night! (Sex-enaﬁe.) Joizn Blockley . w17th..ﬂn‘t'mwt1'on . /\ eyes are stars; of morn y 1195 are c;~im__ _g()n' L _ vf1ow‘!rs ! Good night !' Good night! be __1'0 _ vedi, While I9 G(9‘[~I=1]Y mf* . tempo. jmolto e(spress!iv‘o‘. wea_ __ry hours. Good night! beloved, Good night! beloved‘, While I ‘Q on-/°/9/évg. >" . . -~ /9 .,——s o KIN Tempo 17."? count the wea_ _ _ry hours ! . . . . . . Good night‘. he. loved , Good calla 1:0 0 Gaga night !. ‘(Sex-enadg._)‘ ‘ John Blockle)/_ .. night‘! to watch 0’er near thee, alone, is peace for me, Good night! beloved, a piacere . To be near thee, alone, is peace for. me, Good night! beloved, Good } mf L_/’/ . /——~: it/)!:).C0ll.(l ‘U009.’ morendo . Good night! Good night! a c 0 Good night! (Serenade London, Published by" John Blockley, 2 Park Roa.d,Hn’er-stock Hi11_
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Date: n.d.
Text: @°@@2JlW ,/W? % d”‘jj‘\i;\ /. J '\MW(( Kﬁk;/ & COMPOSED BY JOHN BLUCKLEY. I/zt. LS’/‘KL. //all . ”S”ﬁ*»;.» .I'7v/VIVJVIRII cf, /7/X05’ /M." 577/7’[J'/4/1/E /4!/7‘/0/PS EVXCELSIOR . SONG OR DUETT FOOTSTEPS Of‘-‘ANGELS {/»°anmA/rmrlﬂ/1/6?‘/"[110!/1./J THE RAINY DAY, , .D.“.... ..' WHITHER . /J71/v/;.//F7i9’£ VI/247577/V7/1/P//J’) THE PSALMOF L}FE......0'. .. IHE BRIDGE . . . . STARS OF THE SUMMER NiGHT SERENADE LONDON, CR-AMER BEALE &.C°, 201,HEGENT...
Show more@°@@2JlW ,/W? % d”‘jj‘\i;\ /. J '\MW(( Kﬁk;/ & COMPOSED BY JOHN BLUCKLEY. I/zt. LS’/‘KL. //all . ”S”ﬁ*»;.» .I'7v/VIVJVIRII cf, /7/X05’ /M." 577/7’[J'/4/1/E /4!/7‘/0/PS EVXCELSIOR . SONG OR DUETT FOOTSTEPS Of‘-‘ANGELS {/»°anmA/rmrlﬂ/1/6?‘/"[110!/1./J THE RAINY DAY, , .D.“.... ..' WHITHER . /J71/v/;.//F7i9’£ VI/247577/V7/1/P//J’) THE PSALMOF L}FE......0'. .. IHE BRIDGE . . . . STARS OF THE SUMMER NiGHT SERENADE LONDON, CR-AMER BEALE &.C°, 201,HEGENT STR‘. '1 tam-1 (..uLLhCsh POUGHKEEPSIE. «cw YORK
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Date: 1913
Text: MUSIC uamuw VASSAR COLLE’:E PO’, " ’ ‘-"- - -' ‘ﬁt’ R£z72?z)/‘[1 I-Pﬁrrenratﬂ CARL BUSCH THREE SONGS A % FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOM PANIMENT Words from “Hiawatha” by ‘,‘GIVE ME OF YOUR BARK, 0 BIRCI-LTREE!” ”"‘ (,,Gieb mir deine Rinde, Birke“) .60 PAU-PUK-KEEWIS’ BEGGAR’S DANCE (Der Bettlertanz Von Pau-Puk-Kih-Wis) .75. “TAKE YOUR BOW, O HIAVVATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRM ER NEW YORK : 3 EAST 43d ST. - LONDON, W. : 18, BERNERS ST....
Show moreMUSIC uamuw VASSAR COLLE’:E PO’, " ’ ‘-"- - -' ‘ﬁt’ R£z72?z)/‘[1 I-Pﬁrrenratﬂ CARL BUSCH THREE SONGS A % FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOM PANIMENT Words from “Hiawatha” by ‘,‘GIVE ME OF YOUR BARK, 0 BIRCI-LTREE!” ”"‘ (,,Gieb mir deine Rinde, Birke“) .60 PAU-PUK-KEEWIS’ BEGGAR’S DANCE (Der Bettlertanz Von Pau-Puk-Kih-Wis) .75. “TAKE YOUR BOW, O HIAVVATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRM ER NEW YORK : 3 EAST 43d ST. - LONDON, W. : 18, BERNERS ST. BOSTON : THE BOSTON MUSIC CO. LEIPZIG : FRIEDR. HOFMEISTER “Give me of your bark, O Birch-tree!” Give me of your bark, O Birch-tree! Of your yellow-bark, O Birch—treel Growing by the rushing river, Tall and stately in the valley! I a light canoe will build me, Build a swift Cheemaun for sailing, That shall ﬂoat upon the river Like a yellow leaf in Autumn, Like a yellow water-lily. HENRY WADSWORTH LONGFELLOW From “I-Iiawatha" T0 Remald Werrenratlz “Give me of your bark, O Birch-tree!” Gieb mir deine Rinde Birke!“ From“Hiawa.tha,” by Longfellow ” , German vergion by Carl Busch Herman Sxmon A116 0 mo derato Voice 1’ of your bark, O Birch-tree!__ Of your yyel-low bark, O dei—ne Rin — de, Bir— ke!__ Dei — ne ge1—be Rin - de, in Birch- ‘creel- ing by the rush — ing riv' - er, Bir - ke! __ ' du an dem W11 — den Stro - me 46 Oopyrigkt, 1.913, by G. Sclzirmer 24074 C and stately in the Val - ley! __..._..___. a lightw- und stattlich ragst im Tha - 1e! ________. ein leichtes P noe willbuild me, Build a swift Cheemaun for sail — ing, That shall Boot mir bau - en, ein Tschimann,das flink beim Se — geln. Auf dem "f f up-on the riv - er Like a yel-low leaf in Au-tumn, Like a me soll es schwimmen’ Wie ein gel-besB1att im Herb—ste, wie die T '/x ye1- low wa — ter - lil - .____ That shall gel - be Was - ser -11 e _______ Auf dem 1’ float up-on the riv - e_r__. Like a leaf in Au - tumn,_. Stro- me S011 es schwim—men,_ wie ein Blatt im Herb— ste,___ Like a yel-Vlow wa - - ter - lil-y! Wie die ge1—be Was - L — ser - 11- lie. 1 A Beware of the Hawk, my Baby An Indian Lullaby From the opera “Natoma” ;.,.,2. nkedding Victor Herbert Andante Voice ware of the hawk, my - were of the hawk, my 225“: Uopyrsfht. IDII. by 0. Srhirmer Vaquerds Song From the opera “Natoma” Joseph D. Redding Victor Herbert Allegro Voice dares the bron - co looks the mus -tang‘ molto muraato in the eye ? us" 0 Oryyright, 1.911, by G. Sahinnar PRICE 60 CENTS “In my dreams” From the opera "Natoma” Joseph D. Redding . victor Herbs“ Moderato e molto rubato Pa“ 11,1900 amz, {T Volce Gen-tle ma1d—en, tell me, have I p pom: acoel. seen thee in my dreams? I won-derla‘ When 3- hove my pow rif. dim. f >—=-" pil- low from the nightfall star - - ry gleams? I won-derl \, Oopyrigkr, 1.911, by G. Sc/u'rmc‘r Serenade From the opera “Natoma” Joseph D. Reddlng Victor Herbert Moderato Alvarado Voice When the sun - light dles,., V .l_.When the night - wind 'slghs,_ When the dove will come. nry love‘_ 2”“ O 6'0p1/rig’/H '91!» 57/ 0- -5'¢'1“"""9" PRICE 60 CENTS
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Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA” HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Mat1'ir5'fI“1"é"'Mighty (KitschiManito, der Machfge) . . . . Greeting of Hiawatha (Gruss von Hia- watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt inSchwei» gen) . . . . . . Chibiabose (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw'a£! wach auf’, Geliebte!) Med. OLIVER. DITSON COMPANY.‘...
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA” HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Mat1'ir5'fI“1"é"'Mighty (KitschiManito, der Machfge) . . . . Greeting of Hiawatha (Gruss von Hia- watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt inSchwei» gen) . . . . . . Chibiabose (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw'a£! wach auf’, Geliebte!) Med. OLIVER. DITSON COMPANY.‘ Boston New York Chicago Philadelphia C. H. DITSON 8c CO. LYON 8: HEALY J. E. DITSON 8: CO. To Diwali Bispﬁam Pm;“::::;:;m‘“ GITCHE MANITO, THE MIGHTY (KITSCHI MANITO, DER MAC,HT’GE> '.'[’I£ﬁB.'ESA (name HENRY WADSWORTH LONGFELLOW CARL BUSVCVH German tra7zslatz'o7z by Ilermamz Simon Molto maesto so f FF FF -FVFF‘ Moun- tains Prai _ rie, On the great Red Pipe - stone Ma _ ni — Miicht’ - gs, Er, dos La — bans Herr, stieg FY? Git » che Ma _ ni _to, the might _ y, Zu den Ber_gen der Prai - 71' — en, M& W’ \/F " 5% Copyright MCMVII by Oliver Ditson Company _ K ‘ International Copyright Secured 5-33'563~’°‘6 Mas - ter of Life, de - scend — Bruch der Pfei fen —- sfei — red crags of the quar-rySt00de _ rect,_j.__....___ and calledthe na_tions,. Sie2'n—bruch’s ro—Ihcn Klip — pen Stand er_j___..:_?_. und rief die Na- tio — ne.n,.__ ii - : 3 3 P ‘Called the tribes of men to-geth_er.______ Riqf die Stlim - me all zuv — sum — men. 3 § 5-333-66396-6 17 From the red stone of the quar—ry With his hand he broke a frag_ment, Von dam 1'0-than Fels desStez'mbruchs Brach ein Stiick dann sci — ne Rech — ta, 72?" Mould - edit in — to a pipe — head, Shapedandfash.ionedit with figures; Form _ te es zmnPj}2i—fe7z — koj) — fa, Sc/zuf und lrieb da—rauf F1’ — gu_rcn; Z"’__\ {’-.\ TL‘ _ From the mar_gin of the riv-er Took a long reed Brach zlann van dos Stro_mes U—f<;r Sich cin lam- ges E“; ,t»-, T‘ T‘ 5-333-66396-6 for a p.ipe_stem, With its dark green leaves up_on it; Ried zum Rah - re, Das ge-krc')'nt mit dun - kel11Bliit—tcrn; p _ Fi11’d the pipe with bark of w_il _ low, With the bark of the Fiill — te damn mit Wei — den—rin — dc Voll den Kopf mit 19 _ red Wi1— low; Breathed up — on the neigh — boning for _est, _ thew R'in—dc; In den na _ hon Whld damn blies or -*'u33—66396—6 W" Made its great boughs chafe to-geth- er, Till in flame they burst Dass sich sei - no Ac - ste rie — ben Bis sic glut — um - _ﬂos~ f kin—dled; And e _ reot fZamm_ten; Ki - tschi Ma the fnoun _ tains, Git - che Ma - n1'_to, the might _ der Mdcht’ — gs, Auf - recht sic}: _ end auf den Ber — 5:33‘—66396-6 the Peace — Pipe, rauch — to, Smoked the Sci _ -ma cal - 11 —met, Fm'o_dens_pfei — fr; Aha ha - V61 - 1 to the sig- nal fiir die" Zei — Chen tions. ker. gf f/"Allegro 5-33—66396—6 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, post»paid, and in paper with cloth back, price, $1.50, post»paid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in flexible cloth, are handy in size, and range in price from 50 cents to $1.25.. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. ' ‘ Send for booklet THE DITSON EDITION A new library of approved works, chiefly technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—-to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. ' Send 10 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Date: n.d.
Text: -1.2“-id.» an: . v nrtquun-uv—.n=,w»u...._. .«.wwmmM .d\u.w—ya..w.—.o.v.u!I—¢..t4t4al-uv:u»¢n:.u.5. . ‘tn:-11.. ..!..:IA.u..I.v»i.f,., ....‘...I.m..n..;.,.$m.n.-.Wu._ ._...:....._uuﬂuu.:..:.ux I .1. ...I..3I.uy|»x.-.x.uu.n.& 5.£m...m»mr.«!u.n_=1.u_m.m: A COLLECTION OF VERY CHOICE saws, wins and QUARTETS. WITH Ali’ ACCOMPANIZMENT FOR THE PIANO—FORTE- - BOSTON: OLIVER DITSON & COMPANY. c. H. nrrson & co., LYON & HEALY, J.‘ E. mrson & co., New York. Chicago. Philadelphia....
Show more-1.2“-id.» an: . v nrtquun-uv—.n=,w»u...._. .«.wwmmM .d\u.w—ya..w.—.o.v.u!I—¢..t4t4al-uv:u»¢n:.u.5. . ‘tn:-11.. ..!..:IA.u..I.v»i.f,., ....‘...I.m..n..;.,.$m.n.-.Wu._ ._...:....._uuﬂuu.:..:.ux I .1. ...I..3I.uy|»x.-.x.uu.n.& 5.£m...m»mr.«!u.n_=1.u_m.m: A COLLECTION OF VERY CHOICE saws, wins and QUARTETS. WITH Ali’ ACCOMPANIZMENT FOR THE PIANO—FORTE- - BOSTON: OLIVER DITSON & COMPANY. c. H. nrrson & co., LYON & HEALY, J.‘ E. mrson & co., New York. Chicago. Philadelphia. INDEX. AH! IF THOU\COULDST KNOW . . . . . . . . . . . . '. . . . .BALFE. A VVARRIOR BOLD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ADAMS. ALICE, WHERE ART THOU? . . . . . . . . . . . . . . . . . ..AsCHER. AULD ROBIN GRAY .................................. .. BALLAD SINGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Lnmay. BELLS OF ABERDOVEY . . . . . . . . ..S...“ WELSH MELODY.” BEAUTIFUL BIRD, SING ON . . . . . . . . . . . . . . . . . . ..HOwE. BLUE ALSATIAN MOUNTAINS . . . . . . . . . . . . . . . ..ADAMS. BRIDE BELLS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..‘ROECKEL. "BRIDGE, (THE) . . . . . . . . . . . . . . . . . . . . . . . . . . . ..LADY CAREW. BRIGHT BEYOND, (THE) . . . . . . . . . . . . . . . . . . . . . . . ..HOWE. BY THE BLUE SEA . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..SMART. CHRISTMAS SONG. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ADAM. ’ CLANG OF THE WOODEN SHOON .......... ..MOLLOY. COME WITH ME, (Duet) . . . . . . . . . . . . . . . . . . . . . ..CAMPANA. CONSIDER THE LILIES . . . . . . . . . . . . . . . . . . . . . . ..TOPLIFF. ‘DAY IS DONE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..BALFE. DO I LOVE THEE . . . . . . . . . . . . . . . . . . . . . . . . . . . ..WIEGAND. DO YOU REMEMBER. (Duet) . . . . . . . . . . . . . . . ..CAMPANA. DOUGLAS! TENDER AND TRUE...... ..LADY J. SCOTT. DRESDEN CHINA . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..MOLLOY. EMBARRASSMENT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ABT. ESMERALDA . . . . . . . . . . . .~ . . . . . . . . . . . . . . . . . . . . . . . . ..LEVEY. FAR AWAY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..LINDsAY. FLY FORTH, O GENTLE DOVE . . . . . . . . . . . . . ..PINSUTI. HOUR OF SWEET REPOSE.‘ . . . . . . . . . . . . . . . . . . . ..HOwE. I AM CONTENT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..SAINTON. I AM WEARY WITH ROWING . . . . . . . . . . . . . . . . ..BooTT. I LOVE MY LOVE . . . . . . . . . . . . . . . . . . . . . . ..PINsUTI. I LOVE MY LOVE IN THE MORNING . . . . . . . ..ALLEN. IT WAS A DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..CowEN. IN THE GLOAMING . . . . . . . . . . . . . . . . . . . . . . . . ..HARRIsoN. JAMIE, DO YOU HEAR ME CALLING ?.. ......MOLLOY.' KILLARNEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..BALFE. KING’S HIGHWAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MOLLoY. KERRY DANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MOLLOY. LET ME DREAM AGAIN . . . . . . . . . . . . . . . . . . ..SULLIVAN. I LIKE THE LARK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ABT. LITTLE MAIDOF ARCADEE ............ . ...‘.’SULL1vAN. LONDON BRIDGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..MOLLOY. LOST CHORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..SULL1vAN. LOOKING BACK . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . .SULLIVAN, LOVER AND THE BIRD . . . . . . . . . . . . . . . . . . ..GUGLIELMo. MAIDEN’S ROSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..HATToN. MAID OF ATHENS ......................... ..Ax.um. MIDSHIPMITE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ADAMS. NANCY LEE .......... ....................... ..ADAMs. NAZARETH (“Though poor be the chamber”). . . . .GouNon. NO, ’TIS NOT TRUE . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA'I"I‘EI. O SWALLOW, HAPPY SWALLOW. (Duet). . . .KUCKEN. OHI HOW DELIGHTFUL ..................... ..MoLLoY. O FAIR DOVE! O FOND DOVE . . . . . . . . . . . . . . . ..GATTY. ONE MORNING, OH, so EARLY .............. ..GA'rTY. ONLY A FACE AT THE WINDOW .......... ..GABRIEL. ONCE AGAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..SULLIVAN. PALM BRANCHES . . . . . . . . . . . . . . . . . . . . . . . . . . ..FAURE. RING ON, SWEET ANGELUS . . . . . . . . . . . . . . ..‘..GOUNOD. ROSE OF THE ALPS ....................... ..V...Ln~u.Ev. RUBY (“I opened the leaves of a book.”) . . . . . . . . . . .GABRIEL. SING, BIRDIE, SING ............................ ..GANZ. SING, SMILE, SLEEP . . . . . . . . . . . . . . . . . . . . . . . . . ..GoUNoD. SING, SWEET BIRD . . . . . . . . . . . . . . . . . . . . . . . . .. . . .. .GANz. SO THE STORY GOES . . . . . . . . . . . . . . . . . . . .......HATTON. SPEAK TO ME . . . . . . . . . . . . . . . . . . . . . . . . . . . ..CAMPANA. SWEET SPIRIT, HEAR MY PRAYER- . . . . . ..WALLACE. TAR’S FAREWELL ....... [ .................. ..ADAMS. TENDER AND TRUE ........................... ..Lm;. THERE’S NOTHING LIKE A FRESH’NING A BREEZE . . . . . _. . , . . . . . . . .. . . . . . . . . . . . . . . . .RANDEGGER. ’TIS NOT TRUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. MATTEI. TWILIGHT FANCY . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MOLLoY. TWICKINHAM FERRY . . . . . . . . . . . . . . D . . . . . . . .. .-MARZIALS. VAGABOND (THE). . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MOLLoY. WAKING AT EARLY DAY . . . . . . . . . . . . . . . . . . . . ..LINLEY. WEARY OF LIVING, SO WEARY . . . . . . . . . . . . ..GABRIEL. WE’D BETTER BIDE A WEE . . . . . . . . . . . . .; ...CLARIBEL. WELCOME, PRETTY PRIMROSE . . . . . . . . . . . . ..PINsU'rI. WHEN THE THORN IS WHITE . . . . . ..r....VON WEBER. WHO’S AT MY WINDOW . . . . . . . . . . . . . .;’;’...».,§.OsBoRNE. YEOMAN’S WEDDING SONG . . . . . . . . . . . HCPONIATOWSKI. YOU AND I . . . . . . . . . . . . . . . . . . . . . . . ......CLARIBEI... RING ON, SWEET ANGELUSI Written by H. B. mums. T \ Music by CH. GOUNOD. Andante moderate. (J -_— 76.) 1. Hark! ’tis the Angelusl sweet - ly ring-ing 2. Now O’er my heart a spell, gen - tly is stealing, O’er hill and vale,........ Hark! now the me1- 0 - dy maid- ens are singing, For Words too deep, ...... .. When to the wander - er, com - eth that feeling, the gale; ........ .. ﬂoats on the but weep! ...... .. he can but V-_._..............—? V & . . cres. poco. ' ad lzb/. m1 }- On such a night in years long per - ished, , n I too have- I’ve heard‘ the lute in du1- cet mea — sure,’ Neath state-ly mf% Those dearold lays, so sweet, so . cherished, When life was - When life was But ah! its tones brought me no plea-sure, A - far from A - far from tempo. Ring on! sweet An-ge-lus, “V17.” to Voi - ces long si - lent With thee are wak - ing from out V’ the years, ...... .. from out ' \‘ ad lib. 7 With thee are wak - ing from out the years! Oh 1 sweet An- ge- lus ring on! . sweet An - ge - lus ring on! Sweet Angelus rihg on! ring fx "F, una corda per — — den ~ - - dosi.‘ AHI IF THOU COULD’ST. KNOW. Trans. by J. C. J. M. W. BALFE. L Moderato. = H Recit. ' VOICE. O‘ wilt thou share an honored name; With all my wealth, with all my fame, Say but a word; I love thee_ on - ly, Adagio molto. I1-lume my heart,’ so sad and lone-ly, And all I have is thine, is thine. . ~ > A Adagio. Andante cantabile. Romance. Ah! could’st thou know the bliss of lov - ing, Could’st thou but know and test my faith - ful love, Ah! surely then, thou,thou would’st love me, 1 sure! Ah! sure! thou wou1d'st love me, Ah ! surely then, thou would’at love me, thou wou1d’st love me,then would’at thou . -+- . V I > . calla voce. ,3 poco accel. 3 Take, then, my heart, r'.\ ﬂu--H Thy name there-on in gold-en is deep en- dim. graved, ‘ And Since my heart I give to thee, Be - _ _ ‘T "U" —.—--———+- stow the like fair gift on me, be -stow the like. . . . . fair gift on me. 3 L Exchange, 0, gen - - - tle la. - dy dear, Enduring pledge . . of love sincere, . . . _y5;: GT6-S. ' \ of love SID - cere, > col canto. Ah! cou1d’st thou know how much I love Ah! could’st thou know how much I love Then, surely, then, then . ’. . thy love would be as - sured, as-sured . . Ah! la - dy dear, cou1d’st thou but know how much I love calla _ ONE MORNING, OH, so AEARLY. Words by JEAN INGELOW. Music by ALFRED SCOTT GA'l'l'Y. morning, oh, so ear- ly, my be - lov - ed, my be - lov - ed, _ . birds were sing- ing blith-ly, As if nev-er they would cease, . ’Tw:as the O . 13 Thrush sang in the gar - den, Hear the sto ‘- ry, hear the sto- ry, And the sang “give us 4 - - _ * .5- 3- pp e leggiero. ,———I\ > -glo - ry,” And the Dove sang“give us peace !”...... ecolla voce. Paco piu lento. 1isten’d, oh, so ear — ly, be - lyvff my be - ad lib. m lov - - - ed, To the murmur from the woodland, of the dove, my dear, the dove; When the m 6056!! 11003. Night - in - gale came af — ter, “Give us fame. G to sweet-en du - ty,” When the {GT Wren sang “give us beau - ty,” an-swer, “ give us love 1” She made 2'5 4:‘ j . riten. gf dim. 1" tempo >1. ban - swer, “Give us love!” She made an-swer, “Give us love !” Fair is f’ . F-\ / calla voce. A - pril, fair the morn-ing, My be - lov - ed, be - lov - ed, Now for” ._\ . . us doth Spring’s bright morn-ing, ait up - on the year’s in - crease, . ‘ . T. -'--N voice be heard that ask-eth Not" for and not for glo - ry, Give for -0-0 :- :1::‘;3E'3[:: ‘ 1!: 3,2: 4'4"’ _,,..._;__ _§_.- pp e leggiero. ,5 Pin lento". all our life’s dear sto - ry, Gi us and give us peace,——— Give for m m My Pin l'en?.-'/ /A - rall. alﬁne all our life’s dear sto - ry, Give us love, and give us . A A THE YEOMAN’S WEDDING SONG. Words by MARIA X. HAYES. ‘ ‘ Music by PRINCE PONI1:&TOWSKL ' > > \ > f"\ ‘ Allegretto gz'ojoso.> ' 0 --:3 . , ding dong, I love the song, ' is my Wed - ding ‘A ding ‘ dong, my steed, hie on, church will soon be ; g And the bride so gay in ﬁne ar - jThey must not wait, they must not . . . day will be now a - dorn late, they’d deem the groom un - will con brio. Tho’ I've lit - tle wealth but sov’-reign health, . .o _ The sun is high in the morn -ing sky, . .. . . And the m pl? When heart . am only‘ a yeoman - .- . . . . . . . A bri - o’er our heads _ doth {gar the land there’s none L a. - long, as we gal We. Ding dong, ding dong, we’ll gal-lop .i°;Ys ring. Ding dong, SL0. bells V /-\ /-K- ::-I V- I .. _, g g 3: - l A 3 = .—~-—~—e-:v——.—~—~—- L7 V 3 -. -, :4 L1 L1 L \ :: Ding dong, We’ll gal - lop a -_ long, ‘ A11‘ ﬂ ‘ D I ._JQ:5..__E,;;*', ’\ ,-‘~_,, ‘?:—E—E; \/ ‘' ~ ""‘“’ . E311: . 3 : E | - _:’_I’ i . ' l v_;f)“,;‘) : OJ fears and doubt - ing scorn ing, and doubt - inhg % scorn - -V g-——\{-s we’ve no time to Through the Val - ley we'll Solenne. 2nd time. wed - - ding 20 WHEN THE THORN IS WHITE WITH BLOSSOM. C. M. von WEBER. Moderato. When the thorn is white with — blos - som, And ‘tﬁ foun - tain ﬂows a - gain; Tell me, Mo - ther, must I ﬂy him, If he seek me on the plain 4 meadow ;‘ Where the primrose ﬁrst is . found, And be ..neath the spreading‘ beeches Many a vio -let decks the grouzm, W hen the thorn is white with hlos - som,_ And tﬁ foun‘ - tain Should I at the raﬁ of .2 twi-light, Hear a -‘far his ﬂute’s soft lays? Mother, must I close the lat - tice, If V know for me he wil-low when en- g1'av’d, I ﬁnd my , I I lin - ger long to read it, Shall I hear my Mother blame? Whenthe Tell me, if dew-Ay garlend Hang be- - side my summer bow’r; Twin’d with L 1‘ : ' ;—a*_n*_r‘_: §—€:i$E— If . 9-1- . \./ the s~—-——a’————a*-——~—‘e——d- r:_?: a And }- '*’,l°__d““—”* ;._ with blos - som, ear - ly ﬂow’r. tell me, would you chide me, P— ——0:,"———g9———a—— «—a——— *+——— a--o-——~:e— is wh1te '.’*—'P“'—,'?‘9.—““ 1*‘ Mother, ~r——r thorn % 1-1 4 I And each fair - est j 6.. ; 5:}: '——s ',w__1,___‘_Vp When the d\ "“*§:q _fc::p::;a.____ '1 know he plac’d it there? :“::c“‘ —”L“ ﬂ _ 3 9. _ §:_'p“T""fC ‘W I fra -‘grant myr - tle, If 2'”-:3 . /. o\ ‘ 5 I,.._.—.._ iﬁwk-—+:.}—n—e round my. hair? ﬂows a__ . E§__ 1t leaves of H- $4:4:r_._ . bound °» foun - tam DOUGLAS. Woras by Miss MULOCK. ~ Music by LADY J. sco'r'r. }-- 80Cl’U(’». “ ‘ .6. 2. Nev-er a— scorn - ful word should pain you, I’d smile as sweet as « E- gels do. 4. I was not half worthy of you Douglas, Not half worthy the like of you, Now OJ P-ow Sweet as yoursmile on me shone e - ver, Douglas! Douglas! ten - der and true! all men besides are to me like shadows, Douglas! Douglas! ten — der and true! 3. Oh! to call back the days that are not, 5. Stretch out your hand to me,\ Douglas! Douglas! 2 « D . Mine eyes were blind-ed, Your words are few. you. know the Truth now Drop for - give-ness, from Heaven like dew, As I lay my heart on your 12'“- up in Heaven, Douglas ! Douglas 1 ten - der and true. dead heart,Douglas ! Douglas !Douglas! ten -der and true. hear 1earn’d «» 2 the thresh’s to hun - 8m 89*‘: mm: OF SWEET REPOSE. 8va~,,,, 8zva~¢,N 8va -éi $’='“.~_'-‘E T. H. HOWE. +~O~O0~I~l‘ 9 2 -P.. . light is fa - 1ife’s brief spring '5' 8w 1 1: V 1. The 2. My 8va,,, obooovz \__,. -p1y.... I -less-1y,....I 8va mul - - ti fruit - oooooog have borne With toil and you, love, oh, hap-py ‘ But I seng, ' found walt, I 822a ev’ - nin g strive _ and 82205 o~4~o-o~t4- 4-ro¢o~o§ M J _I,_ _ - ‘ . . . \—w ‘I: so long, But I have borne with toil and wrong so I so late, ’ long. I found you, love, oh, hap-py fate, so late. 1' -é- .; q I-' :7 ‘ ____‘,2:: ': _____.___,____ im dreams N ow all my drowsy sen - ses drown, So dar -‘ - my ﬁelds are turning lin brown, So dar - - ling :9 M9 iv: ' kiss my eyelids down, Dim dreams my drowsy senses drown, So darling, darling, kiss. . . .my eye-lids down. kiss my eyelids down, Now all my ﬁelds are turning brown, So darling, darling, kiss. . .my eye-lids down. '59‘ 19' av- Oh! blessed sleep, oh! perfect rest, , f O, tender heart since you are here, i . Thus pillow"d on your7faithfu1' breast,’ ” V ' Sweetlove my.soul’s suﬂicient crown; Nor life, nor death is wholly drear, Now, darling kiss my eyelids down. “LIKE THE LARK.” Words by J. oxmmromn. Music by FRANZ ABT. .Op. 174. No. 2. Allegretto. ’ Lively. ""\ ht. Voxcn. _._——-L’ 1. Like the Lark, would I were sing - ing Thro’ the a - zure plains on 2. Like the Lark, Would I were drink-ing Draughts of pur - est morning 3. Like the Lark, ’twixt earth and hea - ven Could I free - ly ﬂoat a- —-h I } 2nd. Vorcrc. Allegretto. . 0 - ver hill and val - ley bring - ing, Till on dew - y ﬂow’ - rets sink — ing, I would ri - vet earth to bee. - ven, Dreams of V I could With the 0 - ver hill and val - ley, bringing Dreams of Till on dewy ﬂow’ - rets sinking I could I would rivet earth to hea. - ven With the I 1 I i spring a - long the sky, Dreams of spnng a - long the sky, bask in fragrance rare, I could bask in fragrance rare, ma - gic of my song, With the ma - gic of my song, } bringing ‘sink - ing, hea - ven hill and val - ley bring-ing, dew - y ﬂow’ - rets sink - ing, to hea - ven, 0 - ver Till on I would ri - vet earth spring along the sky. bask in fragrance rare. Ina - gic of my song. 29 .__.;%——: 3.?__. 0 -Ver hill and val - ley Till on dew - y ﬂow’ - rets I would ri - vet earth to Dreams of spring, a- long the sky, Dreams of I could bask in fragrance rare, I could With the ma - gic of my song, With the >’* VIRGINIA GABRIEL. Allegretto. dolce. I 1. On - ly a face amt: Window, On - ly a face, nothing more; Yet the look in the eyes as they 2. On - ly a smile of welcome, On - ly a smile as I pass’d ; But that smile will still be re - I 3. On - ly her love I ask for, On - ly her love, and yet! The sweet boon I can ,- not .1 7 ‘l 4- -2- «is 14 :1-*”—‘:«¢#-=11-1 —1——-— :=.=v— so I must strive to for - dim. for 3d Verse; ﬂ L . . I 1 T‘ - 3 J L N A v. I ‘4— 3» I Y5 \ of greet - ly a woman you tell ly a wordlow-ly spo - . D J‘ I I ‘1_;_ __ w__ __.:a._~.__ = L Still comes to me o’er and as my life shall As long And so I must strive to for ’o’er, last, 89*‘: in me, ken, _ .-a; -i'_':-g-4T.'J J :"*‘=7:3—w~~ H j / l l l -1- --l— -.- 19% ~—_~¢!:az ‘ ' _ :d: U“ 0 g: 01 I , m___ —_ ——1——— al—— I , ——- ‘"36 E—"*’"--;;«.r;""-_—_EF—_“'-E’-_':':-‘lEF_E mine for - ev 7- er and aye dim. A j_.:._ _.N Nﬁja . _‘ g E; ———+<~~ ——_....'~'.u'a‘?i§ L x 5‘ ‘N L N E°:ﬁiN: . C _v_ echoed Like the sound of an an - R *1 -1* -N l‘ V :7 On -ly a Worchthéit was all; On - ly a woman! to thee: On - ly a. “yes,” would she say ; Yet all day in my heart it gel’s call. But there’s naught that this mere earth containeth Half so dear as this woman to me. It would give the sweet face at the window, To be mine for e - vet and aye. Zst d§‘2nd Verse. 33-1! -9- -9-!’ 7" 9 _'L:;_’f;:E.Ei:§_ 32 Words by LOUIS C. ELSON. Andante mosso. sotto voce. /Z-\ Sonnxo. Come, sotto voce. Cos 1-nmo o Bnsso. Come, Andante mosso. 3 79"‘ W ing, Midst the even - ing my ‘loved my loved do SC&l'CC 3. 3 ing, Midst the even -, ing +-—- m xx 3 1% /4’ scarce a p__ _ /‘S _ f_!‘__ U murmur is V murmur COME WIT H ME. Musié by F. CAMPANA. > \*.Z . wlth sweet s1- 1ence- sur - round - 3 V \~.—/ . Wlth sweet s1 -lence sur - round - . come love Come, ah ! come love I) ‘all: X A IV F ﬁ_a7_TJ ""'_N' ‘ F‘-‘j-o——3ﬁ _i‘:nf:'." 4, a:E r I I . .7 C 4 ll :1 7' 0 V 4 r L :- -: A a .g—»-——gv——:—- 3 . -~3——— — ————V V where the zephyrs are bound - ing, L 11 Come, oh ! . g_z ’t1s the hour [7 ‘ __ /A e then, of love. _4q V3 \ .1 .1-« “ I -,‘7'- e where the zephyrs are 536'—————c u bound - in g, a——§—%— -39 \—-/ I Come, oh! come -,1 .2‘ =“ 2 ji‘ 71 - --§i"'1':_ﬁr““”'1:‘ 3 3 ‘.2 111' \ then, "tis the ho of love. ..-ﬁ- ,___1n:: r’ | .. V‘ ’_ | 3;? I =:§Es¥::; » pk I L _—5: L P :1 ¢ _,_____ _J. a tempo. cantabihh i the calm hour of love and of Now is the calm hour of love and of slumber, \.é “"/ a tempo. slumber, Na-ture a-reund us is tran - quil -ly Na.-ture around us is tran-quil-ly gleaming. f_____.._.__————-—*=’— gleaming, Waves are sleeping and re - ses are dreaming, Soft their pet - als they si - lent - ly f Waves are sleeping and res - es are dreaming, Soft their pet -.a1s they si - lent- ly f _,_ -p- __ -92- 3 close; . Come, . . then, . . then, ah! . Come, oh! dear one, :L___l: i_ close. Come then,come . . then, come, oh! come . . then, ah! . Come,oh! dear one, $-——/ while the stars without "in the a - zure of heaven are shin - ing, While the 3 3 . 3 V the a - zure of heaven are shin - ing, While the \_J _ , while the stars wxthout num - ber a tempo. n c n 0 o u 0 V moonbeams with thelr hght are en - twm - mg, Gently 1n - spn‘ mg these new songs of love. rall. \.’1—/ . .\3-/ . . 3 . . . 3 , s moonbeams wlth then‘ hght are en - twm - lng, Gently 1n - Spll‘ - mg these new songs of love. Ct tempo. a f ‘D ff . '.L’ 77 col canto. pm ammato. con grazia. ———c Now is the calm hour of love and of slum-ber, Na- ture a -round us is tran - quil-ly gleam-ing, Waves are sleep - ing, and are dreamihg, Sofi their pet - als they hour, Waves are sleep - ing, and are dreaming, Soft their pet - als they drow - si - ly close, Come then, oh, dear one, the stars without number, Midst the a - zure of drow - si - ly close, Come, oh! dear one! f/f heav’n now are shin - ing, While the moon-beams with star - light en - twin-ing, Moves our com-ca/love, While the moon-bearns with star - light en - twin-ing, Moves our calando a hearts to. these new songs of love, love, hearts to these new songs of love, _/ .2 . p calcmdo Ct poco. /-\ f cadenza. /-x love. Moves our hearts to these new songs of love.Moves our hearts to these new songs of love. f ‘ f"§ T J1 /A V3 3 ms 3 Moves our hearts to these new songs of love. Moves our hearts to these new songs of love. /5 col canto. fﬁ DO YOU REMEMBER‘? Translated and adapted by THEODORE T. BARKER. Music by Sig. CAMPANA. ff . T Andante sostenuto. con grazza. 3\ Dost re - call ......... ..that summer night, love, When the Dest re - call .......... ..that summer night, love, When the heav’ns we gazed on to-geth - er, How with pure ...... .1‘ .......... .. e - the -‘real heav’ns we gazed‘ to-geth - er, How with pure ..... ........... .. e - the - real v con espress. ‘ a tempo." i _ __ I H -4__I \ Planets gem’d the veil of blue. Planets gem’d the veil r-\ » pathway, thy star resplendent, As we Watch’d it, did mine pur- partanle. ._7_____ __j_ In its my star resplendent, As We watch’d it, VU'U'd" 19a" 3'“ U"‘ 3'‘ Spoke of love, .......... .. and then as - cend - . ant, did mine pur - sue. Spoke of love, .......... .. and then parlcmte con grazia. -3 L H _ _ :5 . F i 2‘ 7*. N ‘i"%‘—:'-'—._3‘I! F-'1. -,'1'::t—*'::_—‘;’::i:,.'.:::!:!:i:;‘::. -,1 a 5 -,1 ~ #1 : to view, Dost recall that summer night love,when the heav’ns we watch’d to- ﬁ+—¢-—:~—:=e>~=-- t V @g_:,-% *”g::::§ﬁ::§:::F__ - i -I. gether,HOW with pure yes ! recall .—{. -0- .0. Brightly Brightly ﬂa.shing,While we gazed was lost to view, e~therea1 light,love,Planets ge1n’d the veil of blue, accel a poco. Dost re- recall it, stacc. accel a poco. Z—‘$ When I {-_:—---T whis - pered of love, the e When I whis - pered of love, the a tempo. ﬂashing,Whi1e we gazed,Was lost to view. :j*+_.:§ In its course thy star re- Spoke of love, and then as-cendant, In a ﬂash was lost to "at: spléndent,as we watch’d did mine pursue. Dost recall recall ' . recall . While I f _ 0077. 9711226! . whispered of love, the V plan - et .......... .. Brightly ﬂashing,As we gazed,Was lost to /V \ -~\——~—- whispéred _ of love, the plan - et .......... .. Brightly ﬂashing,As we gazed,Was lost to >._..i___>/ "*.__ _ own ........ .. . love, oh! dearest view. Oh dear - est ‘love! " L1;:;;:5,:j; :~:+:-,=--e=:~—‘ :¢423;3_—* §"_§?&*:_i:’.53ﬁ_” _& ,_ U ‘ a tempo. 7-all. a piacere. love, my own, dear - est. own love, yes, all m-——-——~———r:\—— ._._. yes, all col canto. DO I LOVE THEE‘? Andante quasi allegretto. Do I love thee? ask the bee «Q lea, Where the ho - ney—suc - kle blows, rall. a tem_po- e forte. A /\ K>='- she an - - swers yes or no; J. WIEGAND. Op. 34. 1 /-——————%— 12¢ -0- If she loves . . . . the ﬂow’ - ry 1" 1‘ -e-§ — And the fra - -_ grant clo - ver Dar-ling, take . . . my answer bird . poco. ac fair ? poco. ac When her ma. Flee - cy cloud, . - swers yes or no, . . . Darling, take . . my answer Do I love thee? Ask the -—==-;"' f _/-\ poco tin song is heard, If she loves . the sky so .'y"- a tempo. /\ {T - ran — —— do. Amll. . and1i- quid air? . . . As she an - - swers yes or i‘ - ran - -— do. rall. Darling, take . . . my answer so; . . . As she an - - swers yes or calcmdo. Dar - ling, take . . . . my answer I PP slower. con espressioize. . Do I love thee? Ask the ﬂow - er If she loves. . the ver-nal 7126710 1770880. 7 crescendo. shower, Or the kiss - es of thé Or the dew when day is :‘: _ calcmdo. j: _ - I 1- %. tempo 12720. /\./’'S K __- _ ‘T ' -9- -I— - swersyes or Darling, take . . . my an - swer \ f tempo Imo. .4 . /1 As she an - swersyesor no, . . Darling, take . . . myanswerso. .4-\ !- 49- . ’ 1:: :t:: ‘- calamdo. , my morendo. { THE‘. LOVER AND THE BIRD. P. D. GUGLIELMO. _ Allegretto non troppo. > ' _ mono. ad lzb.8va. ECHQ > j (5 {- -0- -0- > er-r —— — ~—; I717!’ Thou Wilt not ﬂy, Why shouldst thou fear Vain ﬂatt’ - ring hopes; Oh! do not leave :—- ‘ love, of love on - ly sing; Those hon - ied notes thine, love, of love on - ly sing; Soon from my dreams shall I /- /- Thro’ me are ' - ing, This heart, long de - spending, with pleas - ure ﬁll - ing, Wa - ken to - row, To - day give me rap-ture, I’ll weep to - mor - row, /f r :l: calla voce. -e i -[ sweet - ly to cheer me, Sing e’en to de - ceive me, -'- KT 1: z’mz‘taiz'ngly. /"'5 Zarg/zetto soszfenuto. porzfando can form e passione. m r:\ A. ah! ah! Ah! songster ' - ty me, Why poo-tamdo. /__\/‘___\ Tempo Z. Isl. of rap - ture like thee ? {-0- /3 “WED BETTER BIDE A WEE.” SONG. Words and Music by CLARIBEL. ANDANTE MODERA T0. auld folk at hame, ye mind, Are frail, and fail - ing » we told our sto - ry,V lad, Their bless - ing tell me sair, they’re fail - ing baith, For when I sit Weel I ken they’d miss ' came hame gave nae thought to self ' but think talk 0’ heav’n sae ear - _ _ nigh breaks out, the times are hard, that's a time a. - Wa, din - na urge me mair, kine are on mi - ther’s like - ly winna We’d better hide a. Wee. 3. folk now, folk now, folk now, the the the We’d bet - ter We’d bet - ter We’d bet - ter auld auld auld We’d bet - ter We’d bet - ter We’d bet - ter folk now, folk now, folk now, We’d better hide a Wee. 3. bide bide bide ’TIS NOT TRUE. Translated and adapted by THEODORE T. BARKER. Composed by TITO MATTEL ,. Amlamte. ‘ Is't not true? TL When be - side thee ,' mf _.__+_#M S dis - coursed to thee of love, Dost thou still re - call to our throb - bing hearts did prove ? thee I reclined, — coursed to thee Ah ! ,.'% . — -—r 4.<~——-:——— « E. 2:E33§:::——:m,="4g§3?3;?:,, _ 4 * ?s=7—1;3e:ﬁ-jﬁi ' ’”%* _,:‘“d"~0#-*—5-I‘-" A ’:g'Z—gT.J:"' “'*“‘ if _ ores. L no, "(is not true ! I} pin mosso. { Dost thou still j 4 4 :3- fz No, ’t' not true! W.‘ "‘n dim. «i rall. j}'— A beating hearts then ............................................. .. did prove? a tempo. No “(is not true! 4 Ah! Dost re - mem - her? thou did’st say, /:\ ._._4_. __ ._ 0- -0- —y~ ‘ mall. I \'_—Z ‘'12 ~—-—-—/ .” 77 NW ‘love thee thro’1ife as now? But ’twas false ‘- hood From the heart ne’er came the ber, thou did’st say ‘I Thee I’l1 love thro’ life L -F?- -9- _H f £:::r—"":_; :’f:C::£E"_ -0-?» k fz No, ’tis not true ! ~ . H No, ’tis not true ! :9: . _1 _0_ - '-.' :0: o {;:¢;_.__ ' ‘L "*ﬁ§&p f Piu mosso. false - hood dim. mi mll. ,2»- heart that spoke ...................................... .. the ff:\ No, ’tis not true! . No, no, not true! ........... .. TWICKENHAM FERRY. NOT T00 QUICK. who’s for the fer - ry? ‘ bri - ar’s in bud, “ I’m for the fer - ry,” The bri - ar’s_ in bud, late for the fer - ry! The bri - ar’s in bud, THEO. MARZIALS. Ho - ye - ho, Ho - ye - ho, Ho! you’re too go - ing down, And I’ll go - ing down, And it’s go - ing down, And he's 0 1 0 row ye so quick and I’ll row ye so stead - y, And ’tis p but a pen - ny to late as it is, and I haven’t :1 pen - ny, And how shall I get me to not rowing quick,’ and he’s not row -ing stead -ly, You’d think ’tWas a jour -ney to Twick — en - ham Town. The. fer - ry - man's slim and the fer - ry - man’s young, And he’s Twick - en-ham Town? She’da rose in her bon - net, and Oh! she look’d sweet As the Twick - en-ham Town. “O hoi, and 0 ho,” you may call as you Will; The /5 just a soft twang, in the turn of his tongue, And he’s fresh as ' a pip - pin and lit - tle pink ﬂow - er that grows in the Wheat;With her cheeks like a rose and her moon is a ris - ing on Pe - ters-ham Hill, And with Love like a rose in the Twickenhaxn Ferry 3. brown as a ber- ry, . And ’tis but a. pen - ny to Twick - en-ham Town. lips like a che - ry, “ And sure and you’re Wel - come to Twick - en -ham Town.” . stern of the Wher-ry, There’s dan- ger in cross - ing to Twick - en -ham Town. - hoi - ye-ho,H0 - ye-ho, HO - ye-ho, ‘In lckenlmn Perry 3. FLY FORTH, Oh. GENTLE DOVE. SONG. Poetry by F. E. WEATHERLY. B. A. _ - Music by CIRO PINSUTI. Andante grazioso. ,. n1 1. I sent a let - ter to my love, 2. And when beneath her bow’r thou art, bright with 10v - ing words and sweet, I gave it to a ten - der dove, seest her lean - ing from a - bove, Fly up -ward straightin - to her heart, /——§_ -0- +- _ 1: con grazia. car - ry to my dar1ing’s feet, Fly forth,0 gentle dove, I nes - the in the warmth thereof. — My love will love thee for my 2'5 un poco rall. tempo. >2‘-'5 cried, Spread westward,spread thy pinions ﬂeet, And give thee welcome, hap-py dove! sake, .< my bear my let-ter to my bear my let-ter to ores . — rall. con anima. H / -<r And O’er hi11s,a11d woods and meadows wide, And Then westward swift thy journey take, sweet ! ............................................. .. love 1 ................ ................... .. . .... .. __,.:.—:>,_____ __e:_mI__. t I I;gi:eEE§l V-9 \ L L p_e__.. I I T I EA 7 j- Fly forth,O gehtle dove,I cried, Then westward swift thyourney take, -0- *" '9‘ "Z 3. _ _ '9‘ $1 1:: 3;- 1;. j‘_’_‘._ love ! T‘ .. ” I E __ __,_ I '1 .9 9 _ n I ll .7.- i__ I '/’:y[;__ __:_'L_._'._§”_i :I_-_ I__- U " ‘ r f segua il canto. -9- And bear my let - ter to And bear my let - ter to my love! /3 : I I Y I' ‘ ii. I I LII I I , :t:r" d:!:ﬁ!:::____- ‘ T’ :2: ‘T 5.‘ col canto. I 'p‘ ‘E’ __y E :' I 0 ;"7f‘?:::}:E::;,_._ -—‘-E g 3 L I ‘J ' I I >- _¢{ 29/-N !molto. rall. -————-———-J.w——+~ my sweet ! to my love ! bear my let - ter to bear my let - ter fh col canto. J leg*g-Z-“em MAID OF ATHENS. Words by LORD BYRON. A Music by HENRY R. ALLEN. Andante con molto espressione. /" "‘ .1. E: ‘L: ,_ 1. Maid of Athens, ere we part, . . . Give, oh, give me back my heart! . . . 3. Maid of Athens, I am gone; . . Think of me, sweet,whenn - lone, . . . . ..'j.. -5- Or since that has left my breast, . . Keep it now, and take the rest! . . . . Tho’ I ﬂy to Is -tam-bol, . . . A - thens holds my heartand soul, . . . . .i_ 7 — . — -.2 .1. con tenerezza. piu lento. Z § 1% Z.‘ \ \ 5. 11- 4"——— —p;p_ . __ __‘_ E’ is ' i .; , _ " Li’ '—#--:I—: = rx ‘r 1 rw a _.. '____ '_ ‘_ 1 01 . - 1:1.-_,_. :3“ 5 ' - d_a I I , -—g—— : . $1 :1! 21 '~: —:i 4* I 7 ‘I r r 1 7 Hear myvoW,be-fore I go,Hearmyv0w,be - fore I go, My life, . . . . . love thee, Can Iceaseto 1ovethee?no?CanIcease to love thee‘?no!My life, . . . . . I love thee, we ’ yo \ x . ....... - 1 :;%;‘|:: \ ' ; :=?- 5 . . 1. “ ,'.",‘; ‘L a_#'_U 9 U‘ /1 E1 f’ . l ‘ *t:*'il9“' ' ‘.2 ' ._.._..E._ g_.__ AfP"‘°" ’*"Ped. :>§<:Pecl. :§cPed.bi¢ dear - est life, I love thee, H Hear my vow, before I go, dear - est life, - I love thee, Can I cease to 10vethee‘?no! secondo la voce al fine. 3f 8f I Iove but thee. Ending for verse. .94 .9- ’-3!-’ 2. By those tresses un - con-ﬁn’d, . . . .Wo0ed by eachZE - ge - an Wind, . . . . -ax ' ' / 'v“\ thy soft cheeks’ blooming tinge, . . . By those lids whosejet - ty fringe, . I cease to love thee? no! . . . . Can I cease to love thee? no! . piu lento. By these wild the roe, Hear my vow, be—fore Can I cease to thee? no! Hear my vow, be-fore . I /‘ /6... con tenerezzrz. est life, I love thee, life, . . . . love thee, [9 awzpo. Hear my vow,before I I love but thee. I AK /"“"\3¢- -d*‘**d* _a_ _ _ _ U _z L _ {ct tempo. seconds la voce al fine. a’ & V‘ IN THE GLOAMING. Words by META ORRED. Music by ANNIE FORTESC UE HARRISON. u1JV'D.x1.7V'TE. the gloam -ing, oh, my dar - ling, when the lights are dim and IOW,—- And the qui - eta sha. - dows fall - ing, soft; - ly come and soft - ly go-— .71gz'Zato . When the winds are sob_ - bing faint - ly with a gen - tle un - known Woe- Con mzima. Will you think of and love me, did once long a. - go? the gloam - ing, oh! my dar - ling, think not bit - ter -‘ 1y In the Gloaming. 3. Though I passed a - way in si - lence, left you lone - 1y, set you free, 75'-' my heart was crushed with long - ing, what‘ had been could nev - er .best; to leave you thus, dear, best calla woce. T A was best to leave you thus, . . . . . . . . .. Best or you and best for me. ...... .. I9 2 In the Gloaming. 3. q SING, SWEET BIRD. Written by L. M. THORNTON. Composed by WILHELM GANZ. Moderato. _p_ ‘*1? 7%: 1.i Sing,sweet bird,and chase my sorrow, Let me lis - ten to thy strain; Fromvthy warblings 2. Morn and noon and dew - y e - ven, Anxiously for thee I’ll Wait; Come thou cho - ri- poco rz'ten'uto. I can bor — row That which bids me hope again. Hover still around his dwelling, - ster of heav - en,Cheer a soul dis - con - so-late. So shalltime fond thoughts awaken, n There is pleasure where thou art; While thy tale of love thou’rt telling, Say—-who can be sad at heart, Joy once more shall live and reign, And the harp so long for - sa - ken,Yield its dul - cet notes a - gain, 710 giojoso. While thy tale of love thou’rt te1ling,Say who can be sad at heart? Sing,sweet bird,Sing,sweet bird,Let me lis-ten /3 ""coZla voce. ‘ . “ _p_jp:}::;::-;—:"_:f:g;j ‘l'“‘—"ﬁ" 'l“"'_"7" "'“'"”"" “ rallent. T L’Istesso Tempo. I I a tempo. f 5‘ f grazioso /' \ -0-——v¢———s.;»—— A_ to thy strain;Sing,sweet bird,Sing,sweet bird, Let me lis - ten to thy strain. Ah! - - sing,sweet L’Istehsso Tempo. Z13 calamdo. bird, Ah! _ . sing,sweet bird; . - . . - . . ' - . sing,sweet bird, Ah! poco mllent. ’ calla voce. a tempo. f Aw- __-g.L_ - si11g;s\veetbi1'd,A11!. . . sing,s_weet bird,Ah! . . . sing,sweet bird,Ah!sing,Ah!sing,sweetbird. C7"6S. /\ _ __..___-_. ; .1: # 5- L"”‘°',Q'2d time. $——/ . . . . Smg, sweet b1rd, sweet bxrd, me 11s - ten, let me lis - ten L’Istesso Tempo. - f grasioso /_/-\. R\ (1-5 strain. , Ah! ’ - ~ sing, sweet‘bird, Ah! - . sing,sweet.bi1'd, . L’Istesso Temlfo. A poco ralleni. calla voce. > dole-e. //"-:—$ .4- - sing, sweet bird, Ah!- ~ - - sing,sweet bird, . . . . - sing,sweet colla voce. sing, sweet bird, Ah! sing, Ah! sing, sweet /3 VVEARY. Words by FLORENCE L. CARTER. 33. ._,_ 1. Wea.- ry of I liv - ing, so wea-ry, 2. Wea-ry, so wea-ry of wait-ing, 3. Ti ~ red, so ti - red of drifting, SE ﬁnd for the sad heart and dreary, something to love, and to love me, . tTi-red of breasting the billows, Music by VIRGINIA GABRIEL. Longing to lie down and die, .......... .. To Waiting for sym-pa- thy sWeet,..‘ ........ .. For A-down the dark stream of life, .......... .. The end of the pil-grim-age nigh ......... And pleasures that are not so ﬂeet .......... .. For a The billows of toil and of strife ............ u ......_._F__._\._. in‘ in‘ ‘ E E :§~-——¢:—Jqi'—~a‘——F——J' ——a'—:- :1 Wea -ry, so Wea - ry of wish - ing, hand to be laid on my fore - head, Wishing and waiting "so sad - 1y, voice that is hush’d to me step that to me was sweet VWi1l-ing to _die, oh! so ev - er, or eyes mu- sic, glad - ly, If V 7 For a form that has gone from my sight, ......... .. A glimpse of the golden brown hair, .......... .. For love that was sweetest and best, .......... .. that to And a brow that was that would bring qui - et me were no - ble S0 and and AM CONTENT. Poetry by CLARIBEL. Music by C. H. SAINTON. Andantino. I Andante ad lib. I am content, I am content, K3 S75’ Tempo I0. I am content to be dwelling in shadow, It on - ly the sun-light may sweep 0-ver thee; I am content if the shadow fall o’er me, If rain-bow of prom-ise shine clear -er for thee; V In I am eontent,tho’ the thorns bearound me, If on - ly the ro - ses be show-er’d on thee. I am content,tho’t/he cas-ket be empty, If _on - ly the jew - e1 have fall - en on thee. ﬁr I am content, tho’ the northwind be cruel, If sweet southern breezes be comforting thee; I am content with the des - o-late valley, If on - ly the songbirds are sing-ing to thee; ‘ ———a—4 ———3 — ' jig" *: -if mf am content to a - bide in the darkness,If on - ly the starlight shine brighter for thee. am content to drink drops of enjoy - ment,If on - ly the fountain fall freely for thee. Tempo lo. I am content to be dwelling 1n shadow,If only the sunlight may sweep over thee ; I am content,tho’ the thorns be around me,If on - ly the toss - es be shower’d on thee. ea I LOVE MY LOVE. Words by CH. MACKAY. Music by CIRO PINSUTIi Allegretto moderate. Moderate. 1. What is the meaning of the song. TE 2. What is the meaning of thy thought, 0 3. 0 happy Words! at beauty’s feet, We ' rings so clear and Thou night-in - gale a - mid the copse, Thou - maid -en fair and i There is such pleas-ure in thine eyes, Such sting them ere our And when the ear - ly sum-mer pass, And 77 A 1, ores.-— ‘ - p e leggfero. T; I) 3 3 . I 0 U . . :__ f»R9——,-—*—do———.P F , . . . 3,12 1 L4 L1 L1 L1 ! U. . S . - :1 v 51 U '1 r "’ "“" . r I ' _ :7 1 [I g o/1 T‘ lark a — hove the cloud? Thou lark a - bove the cloud? What says thy song, thou mu - sic on thytongue; Such mu - sic on thy tongue; There is such glo - ry care comes on with time, And care comes on with time. Still be it ours, in -1!-“"‘_“—.,-«£3 —-———! _ : i T ::3:d '~—a' - ! poco ores?‘ T ‘ -—%L_ ___'__’__I’_,_ ._ 0 I: . ‘ * I i L ' f‘“‘ V . 1 ' .‘; Ir‘. . L I‘ 4. . 01 F I I "R T : _C 9 . ‘ I ' j ‘ I ' . :1 E . _ y . , K ‘ _ _ .;___. _ joy-ous thrush, Up in the wal-nut tree? VVhat says thy song, thou joyous thrush, Up on thy face, What can the meaning be? There is such glo " ry on thy face, What Care’s despite. To join in cho-rus free, Still be it ours, in Care’s despite, To 1""'- 1"""‘ -n—'a' 5 .r_'__0' sf 1 7 I -1 N I 1 ; 7 '_ ‘_ __ ‘_ I __]_ _ _,..i- —“a_S~5_——~ F‘ 0 un pcoo. rf _ ‘ , ~ : J 5 ' % #1 — -.;—,a—p—,0— . __,___ _ -'—+*. 9-4-. 9—‘j: I ! i g . 1 J ' * - .—--——-—‘ ——-—"=»— U=‘ I 0 , 1 I riten. in the Wal -nut tree? What says thy song? What says thy song can the meaning be? ' O maid-en fair! 0 maid ‘ BU fail‘ 3 join in cho -rus free, The hap-py Words! The hap - P)’ W01‘dS! -0 CW3‘ "““:-—--—:;’:f pt'mt'land0 la voce. .94 .9- /"“-x __t:;.._.:£; *" " 7.8 Allegretto moderato.. love my love, I ——+ -—+- -“- _‘_ U f“ “" - y 3 _ ._ my love, because I know my love loves me,” I love my love, I love my love, be- . _ I 1st 42 2d. r9‘rf2“‘“a.v""'! g .3 r l@,*,‘ 1 :5 . : 9 L .9 ‘Q’ ———-—— ' . . “ .' '.1 é D 5:.-#3 '7 7 L‘ e cause I know my love loves me.” BRIDE BELLS. Words by FRED. E. WEATHERBY. B. A. Music by JOSEPH L. ROECKEL Allegretto. m f marcato. -12- El - sie roams by lane and lea, Her heart beats low and sad, Her th0’ts are far a- year by seas,A year by lands, A year Since then has died. And E1- sie at the way at seu,VVith her bon -‘nie sai -lor With her bon-nie sai - lor lad.“ But a1- tat stands, Her sai - lot at her Her sai - lor at her side, While 3 l I e.= - J 1.‘ l {I 0 0 0 n V E I . T: I 4 I ' ‘ 0 - I i"“""“.P ,' 1 Klzizg, Zmzg, Zing, She seems to heather bride bells ring, Klivzg, Zamg, Zing, Kling, Zomg, Zing, Their bon-nie bride bells gai- ly ring, Kling, Zcmg, Zing, . 1 -_ _' I l -9 7 v _I_ . _l l 4 '3 I V . She seems to hear her brideebells ring, her K7z'ng, Zomg, ' . . . Their bon -nie bride bells gai- ly ring, their f-\ .___‘Q_, 0 L: I My una corda. _t7'e cordon: ' ';_-___ u I . 2:5t55‘:;-—fw a . ,_._ bride bells A ring! pin lento. night her lov ’ good ship rode The W“ piu lento. .__....._.._.......__...=.._..;.. ._ ...4 ._ stream - ing he >=— ‘.4’- esyyressivo. molio rit- thought of her thought of her molto rd calla parte. T::=__ dim‘ —tempo~Zmo. - 1;, ;:'____ mh VVhi1e Kling, lung, ling, He seem’d to hear his home bells ring ! Ming lamg, dim. A _ _ _ — 2* ﬁ_\ /-—--\\ _?_. ‘ I 1. 1 - 1 I ) . {I 4 ‘J | ¥ .. 9 0 a ,1‘. ,' « d__!- — ling, I(72'12_q, lung, L ling, {- ._’_. _{2_ _-/_’:-S I p-_ - . . ' —! E§E£ﬁI§E§l§333%4i3§:1:t:?:r3:?l" ‘ 1"? e : L A% = ‘ ; ——-————-—g-4 :g_ I i M) 2./ma corda. ,2-T ~ Z—&.\ Z-T §§!_2:§;:1;n;:1:p::1:n::1‘_‘p”“ ﬁf.” :d:L::i § LOOKING BACK. V A Music by ARTHUR s. SULLIVAN. Words by LOUISA GRAY. A voice so Wondrous sweet and 1. —‘I- heard a voice long years a - go, That gen-tle _voice was hush’d for 2. But ere our sum - mer pass’d a - Way, _ ~~_~'c''5§3E_;3 ‘ un - bid-den rose From the depths of 1ove’s re - pose, .......... .. trembling tears well the angels lov’d her too,... Watclfd my love’s last smile, and knew, How ‘ k L 3 L «" p " . 5‘ 1 L L‘ ‘l— “" ' I‘ I‘ ' I n n ' _ .....__.i____' (J 5 I V V ____l "_-. !____€__.;J_....' ._ L_._? ______ ;___._¥__...;‘._—...«. ;J ' I '-‘L .E:Q”:d ‘-‘”‘““‘—-“d::: It And made the darkest day seernrbright, gathered all the love of years, And ﬂoat - ed thro’ my dreams at night. si - lent but with blind-ing tears, I i ' E :5 >41 4- : -3- 4- 4- R 3‘ 5 Z u 1 1 1 ::*”=;°=”"”: 5--~ »_ Q ‘T; 7=-a-__g.—‘:w's~l \ I . rall. -i2:5-_::,N__-_:,N'-"?‘<-*;*<*‘:j*_‘_“;*:‘<‘" j" , "‘<—‘.N“":‘—‘,"<—;-’*:_:**§::-*_ _,§”‘—,.l::: 'ﬁ:5 %E:i2::d:d:g;':_:iI‘*"~*,I:a:" ‘ ‘ ‘ .i§F!_J_#F__:_d__;__-j_ ___' §:t}: And nestling there, forgot to rove. Where all I lov’d s1ept_'white and cold. 83 Whisper’d to my heart,“My love,” laid it with my dream of old, , EZ?'5._ .12 I I 4: A l_ : .._.__, ::__i "1*‘1' ¥-3-: * I _,___: __;_._1_ , . , ' W? 1% %i ?93 3; 19 —.-:m - “-j:E'_‘”:];_:_",;_f_'Zé:&:'_',!___"é:"_'-J2 ‘ !:;—,'*i‘.’*,;; F E —5——o——o-—o——-u»—s—_I——-- 9 v—a—o——p—9— H9 —— -b —-k-—:~~-~r—--r- a 2 =. : ‘r_ - \ ': —i ? . a——i:3—e — ——;— ‘‘ _‘,_ _ .. .. or 7. :::d.';’.d::d.‘:I.:!f:d:1. 7 :1. J54‘ O L v Un poco piu lento e con m0Zz‘0 tenemzza. - =‘w R _ 5:1 __; 5 "“:N* 5?§”3"'»"T‘ a‘ -rﬁ - “ * -9 »'~ ;~—— —r—~——~— ~ ~¢;a—~-—.~— ,,a I :7 O my love I 1ov’d her so, My love that 10v’d me years a - go, 1 n x I ‘I :_ ‘I ——l——-£-——-1’~—-—l———-1——-I- ‘»)}——/1‘——~f—-—+'~—i—%—~1 _;5:d’d" “d‘d ""”?"'§”';"”?"5”"?“ Peal. my love I loved her so, My tres largement. ,3 __q_ - love. . . . . ... . . that 1ov’d me years a - go. >>>f.\ . a- colla voce. LITTLE MAID OF JARCADEE. , words by W. s. GILBERT. . Music by ARTHUR s. SULLIVAN. vzlllegretto moderate. Little maid of Ar - ca - Sat on Cousiri knee, . . . Thoughtin face and form ‘and limb, No - bo-dy could e - qual ' . was rich, and she was fair, Truth,theymade a :4 ..v= mf a tempo. preti-ty pair, Hap-py lit- tle maiden, she! Happy maid of V Ar - ca - dee! mf a tempo, Happy little maiden, she, Happy maid of Ar-ca-dee! Happy maid of Ar - ca-dee! § colla voce. Moments sped as moments will, Rap-id - 1_y e-nough; mi-til I O _ 0 - ter, say, a month or Rob-in did as Rob - ms . Flckle as the month of Jilted her and ra/n" a - way! Wretched lit-tle maiden, she! Doleful maid of A1'e}idee I 86 30 rall. e dim. T Do1efu1m:1idof' Ar - ca — dee! To her lit-tle homeshe crept, There she sat her down and wept, __p /'—''''''''—'S /3 -3. I wall. 6 dim. ‘ riten. a tempo. Maid-en viiept as I maidens will, Grew so thin and A pale and ill, Till an - oth-er came to woo, riten. L - at tempo. ,5 f am'mat'o. Then again the roses grew; Happy lit-tle maiden, she! , Happy maid of Ar - ca- dee! A , .1 _‘_ voce. f a tempo. ‘V rall. Happy liti-tle maiden, she 1 Happy maid of Arcadee 2 Happy maid ofA1~ca-ﬂee! /5 tr:- ev- f calla voce. BIRDIE SING. ‘words by ZEILA. V Music by WILHELM GANZ. Allegro viva. P I :g. :g: :g: :{L l l 1 ~ . I ''”‘r-—‘.-—‘‘!“—‘.— ".—"i" —o ~-—a:—a‘——a'—-——i——-o'———a'—- i I » 0' A‘ M :dT—_;L—9 “*1 ' .;. I 1 2 L V 1/ i i ' 1. Sing, birdie sing, thy song Be of this earth so 2. Sing, , birdie si11g, where the moun-tains glow, With blushes to meet day’s l ‘j-'_- 444.3- 4.4;‘ —i— 4 4-0-11”: 393:3-[:§3§3§_:_3§o!_3i '2) le_rjgz'e‘7? stacc. -0- -ﬂ—!.1— £41.1- _ ::"p:§:§ﬁ:_':p:J::b:ft*§:i:b:b:3: 7-1-<*—*r--1-'=. i _% 2 i ' ‘~«_ = AV: ' E bright, so... bright; Sing bir-die, sing ..... .. thy notes vpro 1- 1ong,........ Tili king, day’s king. Sing bir - die, sing Where the Wa - ters \ﬂow,.;...... And ' dim. poco rall. , -a'-, - :1- day glides in - to night, Till day glides in .- to night. murm’rin g praises ring, And murm’rin g praises ring. i L a temps. L- ... _ d... poco will. _‘_,_ >acce - -‘ _ :._\ die thy lays in sweet 7 ture’s praisé,..., Sing, bir-die _< i‘“'d_'._ §—? qt $-Z \__,, /-9% birdie sing, sing, bir - die sing, ............................. .. bir - die. ﬁi 1-itard. a tempo. fﬁjns § ‘J . sing, sing ......... .. sing, ...... .. sing .................. ..bir - die sing, sing, .......... .. sing, .......... .. sing ..... .. a tempo. - . f‘/-s ............. .. bir-die sing, sing, ......... .. sing, ......... .. sing, .................... ..birdie sing, /\ . f--- poco meno mosso. . ‘T2 a . - o Smg ‘ b1r-d1e smg, t111 ’e1me’s no poco meno mosso. :9" ‘J little life ends; Thou nev - er canst give to no. -’ tu1‘e’s store, Meet praise for the gifts, for the gifts in sweet 'd'"‘d_'._ \—j”U"&.Z birdie sing, she - ture’s sing bir - die, praise,.... Sing, bir-die [gag —-\ I __ ____' _' I A ,: i__;‘____'1S_fC..i__L___,__'r.__[:_..____1_ 1*“ 1""-.9-9-Pia!“ 1‘“;“‘**“"“"’-‘ ““‘“““'$‘f sing,........ sing.... bir ;:*>—» .—< sing, ............................. .. bir - die ritard. -4‘. _~—-——- 5 V a tempo.f é: -* n . sing, sing, .... ......... .. a tempo. Z——$ sing, .......................... .. bir -die sing, sing, .......... .. sing, .......... .. sing,........ .................................... .. birdie sifig. -9‘ _ .,_. THE KERRY. DANCE. Words and Music by J. L. MOLLOY. Vivace. _‘ _'_ #_ ‘O, the days of the Ker - ry danc- ing, 0, the ring of the pi - per’s tune! 0, for one of those hours of glad - ness, Gone, a - las! like our youth, too soon; '0 '1' '0' ‘C When the boys be - gan T to gath - er ‘ \ sum - mer night, the Ker - ry - per’: tun - lng, Made us long with wild de - light; ’q'd' to think of it, to dream of it, ﬁlls my heart ‘with tears! O, the days of the - ry danc - ‘ing, 0, the ring of the pi - per’s tune! for one I of those ﬁt hours of glad - ness, Gone, a‘- las! like our youth, too soon! The Kerry dance. 6. .;._’___ Was there e - ver a sweet - er col - leen in the dance than proud - er lad than The. - dy, as he bold - ly took the ﬂoor! and lass - es, to _ your pla. - ces, up-~ the mid-dle and down a-gain.” Ah! the mer - ry . heart-ed iaugh- ter ring - ing thro’ the hap - py glen! O, to think of it, 0, to dream of it, The Kerry dance. 6. "- my heart with tears! O, the days of the Ker - ry danc - ing, 0, the ring of the pi - per’s tune! V0, for one of those hours of glad - ness, Gone, a - lasl like our youth, too soon! m gt ' / , 1*: Pia‘; lento. Time goes on,. . . . and the hap - py years are dead, And one by one the mer - ry hearts are ’ ﬂed;.... Si - lent now is the wild and lone-1y glen, Where the bright glad laugh will T ne’er a - gain, On - ly dreaming of days A gone by, ﬁlls my heaft with tears. m Lento sempre. Lov - ing‘ voi - ces of old com -pan - ions, Steal - ing out of the past once more, And the sound of the dear old Soft and sweet ' days of yore. 7° poco accell. When the boys be - gan to gath - er ' the glen of sum - mer night, sempre cres. And the Ker - ry pi - per’s tun - ing, Made us long with wild de - light; ur- O, to think of it, 0, to dream of it, ﬁlls my heart’ with tears !_ O, the days of the pm lento al ﬁne. Ker - ry danc - ing, 0, the ring of the pi - per’s tune! O, for one of those ﬁr“ hours of glad - ness, Gone, a - las.! like our youth, The Kerry dance.’ '6. THE BELLS OF ABERDOVEY. i 4' » “WELSH MELODY.” Accomp. by BRINLEY RICHARDS. Eng. words by WALTER MAYNARD. Jloderatoxl’ ——a - ten to the chime; I lis - clear ; M the peace - ful ev’n - ' ' . ‘ the hills, their voi - ces 1. In used to 2. VVhen at mom I rall. a tempo. One, two, three, four, A - ber - do - vey, One, two, three, four, the dul - cet, ring - ing rhyme, Of the bells of A - ber - do - vey, To They would then my young heart cheer,Those sweet bells of tempo. 9 _ Q 9 "l .‘ QT .-‘ 5 l‘ 3*‘ I ' « i " U‘ s F -' ‘ ' 9 .‘;.‘[' 2 -' .= 5 J V I- a E -.1 L’ -.1 ', ''_. _-' oi - ' - I Ilarkl they ring! Ah ! long-lost thoughts to me they bring,Those sweet bells of A - ber - do - vey, they did sound, And then the e - choes would re-sound, To the bells of A - ber: do- vey, If-K N ﬁ\ _ » = if T * : : l : a ‘;"""'7 .3 ' , 4L__4 6:-—a——a’——\—-T -» g:: A : . , I ‘_1 ' _ ' ,." 1. _' ‘ .. u ; 0 T ﬁrst heard them years a - ‘e ~ less and light-heart - ed, ’ their mu - sic seem’d to ' loud mirth and p1eas- ure, thought not of‘ com - ing woe, bright days de - part - ed, I sang right mer - ri - ly, ' me - 10 - dious mea - sure, a tempo. ‘J Now those hours are past and gone,“When the strife of life is ‘done, Peace is foundin Heav’n a-lone,” Say the - ber - do . vey. SING, SMILE, SLEEP! Poetry byAVIC.TOR HUGO. Music by CH. GOUNOD. Arranged by S. BEHRENS. —J—‘ iii’: .0. p ?>ed.;;¢ Ped. 3». Ped.:§: Ped. "‘ 0 '0‘ L2 1. When thy voice ’neath the moon's bright beams I do hear, .......... .V 2. The smile on thy lips gives love’s gleam, to thine eye, .......... .. 3. ' As calm ‘ in mine arms thou dost re‘ - pose, ...... .. S6’ A , -; L 1 L L . = F . = ; . . .= 2 :1’ 5‘ "* € J 5 A '3 _j___* W .‘ . . — —-—-ﬂ-—-I H .d '.1 " dézo-——‘ ml _ J ’Tis my sou1’s ......... .. deepest tho’t that in me - lo - dy, mel - o - dy ﬂows, ...................... .. Prom-ise of ............. .. bliss and truth in both age ‘ and youth, .................. Oft mur - - mur’d in dreams my name ...... .. I do hear ................... my -0-‘; Joy smiles as in youth, fad - ed hope, fad- ed hope a - gain grows, ........ .. And my melt - ing heart pre - pares for the sky, ..... ...... .. On thy beauties I gaze, press thy lips, thy lips of rose, .............. .. -0- then sing, then sing my A then smile, oh smile ‘my oh sleep, oh sleep my $ love, my love, sing till the stars ap - pear, then sing, ...................... .. love, my love, oh smile thy smile of “truth, then smile, .............. .. . . love, oh . sleep, oh sleep, sleep with - out fear, oh sleep ................ .. .. dim. p :5 i I ‘ ' . "4..- -__ , ,1 ! ,1 ‘ 7 , ‘:1.‘_ “'’’F;‘“ ''‘‘‘‘‘'I..‘‘‘ ‘1‘‘‘‘ ¢’ love, my love ’till the stars ep - pear. My love oh smile thy smile of truth, My love oh sleep, oh sleep my love, L- . '__g__ '._+_ V14; _ __.q_; 5' _U_;__,‘ 9 ‘ :=~——a:;. -' 2 . ' 4 -a-\-/ -a— . 'G“““‘.*""‘Pf‘9“1+—"“"<$:; ; e : rx tjaimu. s ,'\ 17 \! ﬁigg ; '7 . '1 —" I ' _L. _.‘_ V .1 I4 I / / GL1. _ '“'r—""%‘+‘, -0- ‘ love ’till stars love thy smile 1 last time. I2 sleepj _ ’ 1':1':'J.:}r :::.E d“’o““U'“‘ _l _ ,*__J,_4: 15:. a-[ _:d: i.__. -_ a'—a'-a'~—¢-¢.—v—~5—3 3. !_ __. q:i a Music by J. FAURE. r-1 f'7"1 r-ﬁ-*1 r"a*—‘a_U‘ai"" |_ '—l . __ ._.1._—.[____ ._l__._ _;-f soms :1.._.;_‘_;___!_. -0-. ‘ O l_:] — '—-‘I-1 -—1——:~.——«‘—1 ii _a_ __n_ Te -~———s—~:—-— blos by 'D_ _7 ‘ ~«—a .. J 4 I I “““'—‘:";—‘T‘“ _I'_ T- D 3333: ‘ J e - a‘—-.- . freedom from de l I d 3- 22 gi_::_J_g 25:: :;"""""-5*‘. '*“"rI3 2 ___,1 _d_ _‘__ I ..:T.___a d:d:d:i£ 3 J2- 1 j_ green palms and L and peo - ple 0h blest i:1B“f“"“F S E H c N A Re A, B I M L A P 3 a—a———a——':E3:~55' .-=:£——.L—.§—.— M _ _ ..’- ‘ "‘ __¢__n'__ .‘ __g._, the Way, goes forth, re - joice, 3 this day . D- 3:31"? ‘L l all word and strewn -9 _._ __'S_,__ I —-——9—-—9—;9——.—D——_D—— :r:: i 0- -'- if Andante maestoso. 3 ,_ :': ‘ tpEep;2 L 12: -b 'o—_—————|ﬂ—:———-F __ﬁl ﬁg ______E..__ Translated and adapted by THEODORE T. BARKER. lz E) :§:g§3 $3 g A : ‘n g R Q . ‘. 1‘ g’ , .-‘ _. ' I L ," 1 I :Q___ _ _ V to Wlpe our sus comes, doth give to Je - man - i - ty bound - less love, the Christ of 9” 1:: -9- I Tall. the throng in dark - and hope now those faith to wel ness ﬁnd to thee a come him re - stored for - ev and sing ry voice re — sound ” with pre - pare ; the er .0" light, more, {' -9- .. de - C1dl‘0, ai)-_(]an.d0. 2- -n- 4- 4!- tion, 1' Ho: praised . be Lthe Lord! slarg/anclo. (35 /'3‘ 0 O V Bless I*I1m, who cometh to bung us sal — vu - 3 :9— -1- 3 rgando. 1 1st (9 2d. last am». I _\ A NAZARETH. Words by HENRY F. CHORLEY. M0de2'ato quasi Andante. Though poor be the ber, dome here, Lord of Heat - - Music by CHARLES GOUNOD. come and a - dore; Hath to mot - tals giv — - . E; If 0 I _ L f) {I Life ’ - more, . . , 1 I ] I :::jl:“‘j’*—¢I-“ I -j—j:§—3—-1:j:3 : I g‘_____._:___a_.... - A A ' w 1:: Life for e - ver - more. . —+ 7“ 7121‘ V ‘d’ Shep - herds, who fold - your ﬂocks be - side what was _° °\_/ by an - —ge1 voxces near: . . . He who will guide you. Thro’ paths liv — ing wa - ters clear. . . . Though poor be the Kcham - ber, come here, come and a - —{ E» -5- collar, voce. ' Lo! the Lord of Hea - ven Hath to mor-tals /V--—-\ ,/_:%a-1__,_%f—'_3'g’:%E: V61‘ - more. Life for e - . . . ‘r ‘F’ __ V _d_ Kings from a far -land, draw near and ,be- bold Him, Led $17 beam whose Warn - mg bade ye come, . . . Your crowns cast T 17,. roy-al en - fold . Your King 17.19 M9 E; :5: earth frombright-er home. . . . Though poor be the cham - ber, come here, come and a -_ /K‘ . . " .2-/—-:1 . colla voce. -d_ 1; Z-——$ ppa tempo. -9- -9- “'* -2. ‘ /1 Lo! the Lord of Hea - ven Hath to mor'- tals giv ,_ E; Life for - ver - more. - dars pro - claim . . k——?—d_ dmgs bear a — far, ’. . Be - hold, _p_—- — — — cen - aic Ped. :5: Ped. pf: 'Ped' th’E—ter - - nal morn - ing Star, _ , AAAAA AAAAAA TM! ‘_‘.‘.. ‘AAAAAA _._;_5_4'_.{___._ J. :52: ‘unit’ U'u'u'dv" Though poor be the charm come here, come and a. - dore; . . . . ,5: _¢:_ p :1_ _ to H101‘ - tals giv ores. 1'2’! : knr Life for e - ver-more, Life for e - vermore, . . Life for e - ver-more. ' I 6* _. -33-? PL -0. cres. wit. 7; 1 % swr-:£'1' spmrr. HEAR MY PRAYER! original Key Ab. ‘ L wm. vmcsm WALLACE. ANDANTE ES ESS. No. 27. LURLINE. /.\ Lnrgumente. Oh! Thou to Whom this heart ne’e1' yet Turn’din an -guish or re - gret, Q 07; tu oh tu cm’ mai fi - 7207‘ D0 - Zen - iei pr/ie - ghi vol -31’ . —*:d_:'_::st."‘_‘:;;'_:..‘ ,2 4'. 2 ‘C’ gu- mst for - crive the fu — ture s)aI'e' Sweet S ir -113, hear In ra ’r! 1 . :2. > .. . . . . ’ , . . . - nae _/al - Zn, /‘al - Z; vmcz, Gran, bpz - n — to 2m - mor- tad, O L_ —— —— r::—:=—o J :T 4 L I .— @154 ML -*“'~”“:"~~v:*= F%,-W:ms g—. _ ‘ C J _ _L_ -6- 4 n V -—— - ¢~--~a—*—: :‘“T ”‘”“'"— —,“_*‘ : ‘ - w - §“+ﬁﬁ WW ﬂ W.[| ;:ﬂ %; ‘ '0‘ 9 4 j E: —+ -0- ~0- \3_____ on leave me not a-1one in grief, Send this blight - ed heart re - lief! , Send this non deh non m’abba'n ~ do - mu‘, - - - dc - gna-ti al mi - 0 007‘. La #'d' 3 1 ‘J 2 -0- Entaered. according to Act of Congress, AJ). 1860, by WK. HALL J: SON; in the Clerk's Office of the U. S. Dist. Court for the Southern Dist. of New York. blight - ed heart re - lief! . . . . . . .. Make thou my life thy fu - ture care, pa - cc M’ - slo - rar . . . . . . .. La vi - taa te con-sa-ere - m, --r '0 Con espress. Spi - it, hear my pray’1'! . make . . .. my life tl1y fu - ture care, Sweet - scol — ta {Z qnio prc - gar, ta . . . . .. con - sac - cre - V0, a te, A - —-o.——: -0 . Spir - it, hear my pray’r! Hez_Lr, ohlhear my prayer! Ah! hear . . - scol - tar, il mio pre - gar. St 7177110 Z076 ' prayer I - gar I 114 L 4: Largamente. K Thou to w11om my thougllts are known, Calm, oh! calm these tremb - ling tu, che scru - ti 2'5 mio pen - sier I miei ti - mar di - 2 6' Ah! turn a - way the Wor1d’sc01d fﬁown, my efall — in Dal man - do men - -< — zfi - - - 2507‘ - con - du cia Dolciss. tears! Oh! leave me not a-lone in grief, Send this blight - ed heart re -- ?)67‘ D671, ! 72/on dc}; non m’aZ>ban - do - 7zar_, E de - gna- ti al mio Send this blight — ed heart La pa - - ce M’ - thou my life thy fu - ture care, Spir - It, hear my pray‘r! vi - taa te con- sa-cm - ro, V scol - tail mio pre - gar, on espros< make . . .. my life thy fu - ture care, Sweet Spir - it, hear my pray’r! te. , . . .. a to con — sa -- ore - 7'0, A — scol - ta ilmio pre -gm, prayer. '0‘ ohlhearmy prayer! . . . . . . . . . . . . myprayer! ilmio pre -gar, ..... . . . . .. pre-gar! ESMERALDA. V Wr.itten by ANDREW HALLIDAY, Esq. Composed by W. C. LEVEY. Tempo dz’ Bolero. _:f2 _ 1. Where is the lit. - tle Gip-sy’s home? Un — der the spreading greenwood t-reie, Wher- 2. 0 leave her like the bird to sing, To sing on ev’ -ry tree and bow’r, Oh - e i ver she may roam, Where - e’er that tree may be. leave her like the bee, To ﬂit from ﬂow’r to ‘ﬂow’r. Roaming the wide world 0’er, p dolce. //"""‘\\ :ﬂ_,' ores. - ‘ . . .} ;:_ 5 ‘R’ . ~r E . ;‘ 4‘ 0 ,4-——-+—=———-—-a—~«s——l ?_:d‘- ¢_§,'___i:i ' r’ | I l l I "_,L ' d- home a.-n‘1c;ng the She ﬁnds “ 1: %:F %s— +:% C768 . 867774)??? GT8-S‘. shore a-moncr the free, Ah! 2 _ a la ‘ Gi - ta - ye: 0 _9~ '9' 1_ 9 j r b_____. [——=7~—;-—j-————-L _——‘¢ «-1- _»<I 1?” sZ£“.?;‘€€a a no - .m Z da, Es - me -lral - da, += I1 7 ’a.—a7—a:——4-a _’_.a:--:. a‘a—a_J—“r ‘ Jj —a— -0- -9- _.Jx_ ’ 13:22:: : —"‘ ..a—.a- . LE’:_f : I . 1 ——-———~~.9———:————— 1 I . —o—o——o;a- Ea- :2§E‘Zi-.¢—_.a_ I —'1 -aéaaaagg 39- . _F_ _#___9 -——r———i=—E—— ‘ F‘ 15 : I..-3 _¥)_I. Es ;-:*~<;-1*a1- da, Zin - ga - ra.. 119 grazioso dolce. 4 1 1 1_ x A 1 1 1 x_ gli :: lb! l*F~ we '¥¢#g:::§ ::a . —-.-:~-v-—a——au:--P4'-——-au—v--- 0-0-~ \_./ : '4 — - ;,— - \;' T ' \—2' is like the bird, A °‘ that sings in tree and b0w’r, The _. -7«__;1-f*"_ag‘_":'i::1__S"’.E‘_:‘?‘* _.*.l. :Q’v_ _ar:1.E_d; _ 9‘ -0 -L ‘ e I : 1 . ‘rd l l ¢—»| V 1 like the bee, The bee that ﬂits from ﬂow’r to 1 j __Z_____r a-19.9-*——.v——a—-~*v‘ I __ ________ _.__.-_____._ ‘ 7 ~ .I 2 = . _A_; _ __ .___g__ '_ __ __1 %L%yTa4ﬁ* loves the sun and sky, . - - She _.9._ §= : P———p I -- . j H 51 l ~:;:m#~ n—w " -1- Q. "— _d'_ -91' ' / — -9- -P _ -.v~-r-.-- -: 1-- ’ ‘F .L‘-BL’? I :l:-:-l:—-%:1—~sl—- P i . Ped 4! W 1_ rall. -6-.-—-1 1;-—ﬁ,.\_-—:1—‘j.\ J ;= . g ﬁ9—-at-v—a-1: ,0-—a:1;-3 1-30 j;,/ I " ‘: v l 1/ _ ' 11 l V 7 K . groves of sun -ny Spain, The plains of La Belle France, La Belle France. .,/»<ﬁ:3I,T].§::l"."_‘15_gT" . . . ""f1ITE]§1l3;i:lTgi1::____j::§“i7Z " ' ' ' ' _;_:1._ ‘-1 ' 4 d__; : iv 1 ~ ‘ *9‘ "T jjﬁd‘ ‘U’ leggiero. I_‘_)___ I’)-—r:-’f-*-41"? _ yr "1 - -.. leggiero. La Voi- la, Gi - ta - na, -9- {\ Zin - ga - ra. 111- "' Oui, Voi-la, La Zin- ga - ga, L -_ _ - :t: Ah _ . . . Ah - - Voi-la, fwile-m /"'—""S r:\> > > f‘ m 13.1; _ . . . Voila, La Zin - ga- rs. . gfﬁ THE BALLAD SINGER. (WAKING AT EARLY DAY.) LINLEY. }-— __L ' V .. —F—.e~—F——r 9 —.v—*——9-*—-~ [ I | I I I 1 _z ,—»-L——g::t——t——;- I V ”t::j§::"!:::‘:'a‘:*§"i 1 f : : I~—— — —jv--—i~ -—'—j “--—-"‘ ‘ . ~ . I -T EEEJ 5 a 6 g j"a:g:Ee . a . h_ 3 , 3 Gai-ly I take my way, Trillingsome ancient lay, 1. VVaking at ear-ly day,. .... .. Health is a boonI share; Lit-tle I dream of care,’ 2. Humble tho’ be my fare, "1*'“1*:t-:33‘ —-—a-—~.—¢—a~a—~ I ‘ ‘r—“r'——!V I " .' 7 W u__¢-u_’““4::;~3I"1“"”'*‘”“" £“ — --,L—— E — -1- : ! ' 5 §@’_:-_:_p__fZ_°.i:a_-;_**a = . \_ -- As I stroll a - Iong, Youthful hearts I cheer, None my steps mo - lest, Age delights to hear, As thro’ life I go, If fatigued, op - pressed, 1 l ‘I 7” 101i 3v:__ ‘£497’ 1‘, L:7':"?*:: * ' “ __a'_/_a;__g_I_g:_ a -_‘—.9—="%@#3——_3_3- «-0--——¢ 1;»;-.r'_~_a:_-—_g:‘ av 0 d d a Z :l::,C E Gay and grave draw near,.... While I sing ’Neath some tree I rest ........ ..And there for-get "E ;n«:——:»;—J riors to a--1- ] I 4 5 rall — ‘—'—'—‘_ -—":”E?Ej1 .:w.j_. ._ __(_ _l_____‘¥__:4E_____J___l ' 1 2% " -:3 _g=m2::s ; ' ‘ ‘ W‘ ‘U’ T ‘ *6‘ "a‘ > Z _ I -.17 1: 42-?-$2-“ 9 '__.-.________9_-__._ ,~——'3—v¢—-'~ Trﬂhng some an - clent lay, ., T-‘n"".'T"""‘“‘“u {"7 -lg_ §,_‘_____E__b 'a_3__7__._. '1- tian w:1r' - tempo. ___ .l._ I chance VVaking at ear-Iy Waking at ear-ly L--———————|—.__———: /.\———p;-—\ T” .' I1 {,,_-_/_' ‘F . M . T7‘: - ring life............ , ::"‘ L Where Chris VVhe1‘e e’e1' o—p— é~a—~'————9——;e— ‘ F .‘ 2; ‘a‘ -d 1:3! #—a-—g —.—a—a—a—a—a¥— [3 1 I strand, me, Z‘-"IT {T 53 ::::f,_ .755- ? I . __fa - tant to a—i—g~§—a-——¢— i l I £_..!_!,_¢_ 9 J dijrﬁ . —— ——— .—Q. ~ =v—w-:——=r4%*3'%# , _ _L_-_d :—=r— I | EN . ++ _ m::zaa o - waif...» 911-2. , cat. I: show I I 7 a a——a—-a~—-9-4- 3—————¢ ___%_ way,............ 21- ...v'< a:;:9' -g~ F on dis - ' DGSS F“ d d_ __ -;_.E _: .E3: 5--- W. i . A_.-Q#._..- T i — ' . %_““"“‘““ :@@;1z;ga~.~—a+«a~-—a—;~»»~—1— -tle dames........ - ways ﬁnd......... .. 73'? _ —¥ A! law . ,~§_r '_"1—‘_‘:J E 0 I’ve been..... . some kind - "7 W . I .’ d Q-Hr gen - al - 43:92:,-’S:?'—‘"“ 57%, _ __ ; ::5—a——g—9—a' - -———aT——a—a|——a—a---—— d*E3 E Gai- 1y I take my L i‘ qf===«.-=!,+— ; ﬁﬁg » : 1 I $33-T5 Pj_‘.j__ To I %"':"_"*+—’7 "1""E—"‘7"I _%‘7‘=_f;‘::j_g;__ it-—-~ 6 __;_ ad I x «J! ‘V ?;b b . dz iand L‘ lead, gl)__.¥__1j___. :‘J2::E-‘“**”‘> 5:12.. 5- d 1% 5%; £3: *5 a 3 E 1:3 - L. _——J' \L hear, ___2;__,‘: r—————:—1 T“; 1_i_;___%___g_. 3-3:‘ 9 1 *1 1 ~+-$;v+ - “““"*“""d_‘:i’:_:d"" Ti cheer, Age delights to _I._ __ 7 -33- piu mosso. __4___d ﬁgs” —.- n -—a—-on -a'- -v- % -0- jig} 5 _ _J‘_# : ——a————a——a———-— _.- j 6'. I- 1:“! 0 a song, q£J Youthful hearts ‘ I j__ 3- 0'- 1 I -__ _____:.=,_ -3- sing my :3 - 1 I \ , _,'__I__ While I 1’-0’--1‘:-35 I I -92’ 0 ﬁi :Lrg;:-* d=:;i: 1a.... .. _1._____ ‘7 S .__.d; _v_ 1'- g__ L_4_ by; -9’- 31:1; % 2‘: 91 .; ! 5 . di7:2: -—Ta—a——a———-ai- ‘Fr ‘ :E:_'_ 4 "5’: 7”‘ ‘Ir ___.___3_._L__ As I st1'o11a- long, '3‘ Gay and grave draw near,.... la la la la la la _:EE§ ¥Ei: "E _.s TENDER Andante con moto. f> /St7'i7zge72d0. :7- A fettuoso . stole from its nest in my gold - en hair, AND TRUE, ADIEUI GASTON LYLE. A 1_<n0t of rib - con moto. placed on my hand ' And Whis - pered soft as be it there, T‘ Affettuoso. ahnondwas bending with blos-soms White, roses still b1us11ed'\m1t11e dew; brought my sol - dier home to me, And my knot of rib - bon blue, con espressioize. 6 vi - 0 - let smiled in the glow - ing light, A‘f1’(/1 life was hap-py and hope seem’d bright; cru - el Wound onkhis brow was hid By the ﬂag draped over the cof - ﬁn lid; 31 -6-3'9-" > “"‘:“U'@‘0"‘ ' 23:3; .s:7i.-4 Appassionato. ‘”‘;ﬂ33ir ._,¢__ _L -9- .,a_ 5'5. . : :::g:g:;;ga-~~~’7 .L :3 I - ‘ ._P.. + ‘?“P:%E~2o-.L c__---a:.y,$___Lv g_. Q 2% -3“, ,_‘ >. :5 I Dim. E-3,- 'S':’%"—27—- "::ﬁ7:_: K. I: _.g.. _Q;§:§:§_ :2. -E _.@i E-:4 ' F“ is? [T _ -______.____ _.___.._L. __ *e - E _ f Strangendo, ._ ———aj — ._ __a_’.‘\_ :[:: : ._ﬁ_-' .. J2 9----34,; HINV and true, and true, 5% F__ - der 2-«E3 he a- ‘ F" I I :.’7;:‘£;‘*’ ' Ten - §§§:f H 123: '. ,:f2 2: £7: BEAUTIFUL Bmn, sum ON. T. H. HOWE. I 1. Beautiful bird, in the morning sing, Messenger dear, . . 2. Beautiful bird, in the Window sing, Melo- - dies rare, . . 3. Welcome the morn - ing smile on the hill, Sing 0 - pen the eyes, . . . the sunlight to bring, . bright herald of spring, . . . then slumbering still, . ,/““ h-— z%[} e there are sor - rowing hearts to cheer, Little bird ren Beautiful bird,\.”. . . thymission is clear . . . . . . . And when the aha. - Happy the heart, . . . and happy the home. . . . . . . . Sing a good night to the lit-tle ones all . . . . . . . . . . 2 /2% - der for summers to come, down of evening fall, ?'\ Fly While the morning dew sil - vets thy Wing, right with the lus - tre of ear - 1y spring. Sing at the parting to soft - en the pain, ~ Sing till the greeting brings joy a - gain, Sing to the ma. - ri - next out on the sea, Sing of the home he is longing to see. Singing wherever the dark shadows fall, One lit-tle song Will dis - pel them all. . . . . Ev - er keep ﬂying near sorrow and pain, Sing back the smile to the sad eyes a - gain. . . . Sing When loved ones vanish, and bright hopes decay; Sing in the wil - low’ shade so ten - der - ly- . . Sing on, . . . . Beau-ti - ful, beau‘- ti—fu1 bird, 8va,N~,,,_, ff i 3 Beautiful‘ bird, ’ smg sing on. ; ; 4 ; ’ooa4-v~ooo~ov-oo~ovoo.A'v~v~aoooooooo~’v~aaq~o~¢oaooo¢oaavoq~a 2' r;\, /r\. 3:: 8vao~ o%~oaxoxo~o~~oo~%oaX%o~oo%o¢+wAa ’ 1 (ﬁg. Vgva. -5- _ _. /§ 0 - ~ F2 ><— A F: Ii‘ K 2 """§ 3.i .. 5 5 _ AULD ROBIN GRAY. RE OITA TI VE. .__j. When the sheep are in the fauld, And a.’ the kye at And all the Weary warld qsleep is gone ; The waes 0' my _.'_ heart fallin showers frae my ee, While my‘ gude man sleeps sound by me. ___.__.< YoungJa-mielo’ed me weel, and sought me for his bride; But sav - ing a crown, he had My fa-ther could na work, my mith-ercould na spin; I toiled day and night, but their naething else be - side. To make the crown 8- pound, my Ja- mie gaed to sea, And the bread I could na Win; Auld Rob maintained them baith, and wi’ tears in his e’e, Said, crown and the pound,they were baithv for me. He hadna been a - wa’ “Jennie, for their sakes will you mar - ry me ?” My heart it said nae, week, but on - ly twa, When my mith- er she fell sick, and the cow was stow’n a-Wa’; My _ looked for Ja-mie back; .But hard . . blew the Winds, and his ship . . was a wrack ; His father b1‘3k' his arm, . my Ja-mie at the sea, And auld Rob - in Gray came ad ship it was a Wraek! why did-na Jen- nie die? And wherefore was I spared to cry 7 -court - ing me. “ Wae is me!” 3 My father argued sair; my mither didna speak, But she looked in my face "till my heart was like to break I They gied him my hand, but my heart was in the sea; And so auld Robin Gray he was gudeman to me. I hadna been his wife a Week but only four, When, mournfu’ as I sat on the stane at the door, I saw my J amie’s ghaist, I couldna think it he, Till he said, “I’m come hame, my love, to marry thee I'_' 4 , O, sair, sair did We greet, and mickle did we say, Ae kiss We took——na mair—I bade him gang awa.’ I Wish that I were dead; but I’m 113. like to dee, And why do I live to say, “ Wae is me ?” I gang like a ghaist, and I carena to spin, I darena think of Jamie, for that Would be a. sin; But I will do my best a gudewife aye to be, For auld Robin Gray he is to me. LONDON BRIDGE. Words by F. E. WEATHERLY. § Music by J. L. MOLLOY. ‘ Moderato. Proud and low - 1y, beg} gar and lord, O — ver the bridge they go; Dain - ty, paint - ed, powdered and gay, Ro11- eth my la - dy by; and vel — vet, fet - terand sword, Pov — er-ty, pomp and /W08; and tat - ters, 1 o - ver the way, Un - derthe o — pen I sky; Laughing, weep - ing, hur - ry-ing ev - er, Hour by hour they crowd along, Flowers and dreams from coun - try meadows, Dust and din through oi - ty skies; &.« . While be-low the might-y riv - er Sings them all’ V a mock - ing song. A Old men creeping with their shadows, Chil — dren with their sun - ny eyes. /5 0 O . . Hur -ry along, sorrow and song, All is van — i? ty ’neath the sun; Velvet and rags, _ London :Bridge. 4. 1sT.,_\ the World wags,Un —til the 1'iV- erno more shall run, Un - til the river no more shall more shall I V 0 I Storm and sun - shme, peace and stmfe, O - Ver the budge O 0 Float -._mg on .1n the. tlde of hfe, Whlther no man shall know. London Bridge. 4.. ‘ 137 \Vho W111 s 111188 them there to - mor - row? Walfs, that dmft to the shade or sun! &# 0 Gone a -way with their songs and sor - row; On-ly the riv - er still ﬂows on. r:\ 2917 Hur —ry along, sorrow and song, All is Van - i— ty ’neath the sun; Velvet and rags, the river no more shall run. Tail. f.-\ K.‘ vI..ondon “YOU AND|H' In the sweet summer time, In that sweet summer time, 7I"ord.s' and Musz'c by 6’£.7.<lZ?IZ’E£ 1. We sat 2. ’Tis years by the riv-er, you and sincé We part-ed, you and g_'Z_.?/ long a - go m long a — go smooth - ly the wa-ter glided by, Making mu-sic in its tran - quil smile as I pass the riV- er by, And I gaze in - to the shadow depths be- We threw two leaf-lets, you and I, I look on the grass and bending reeds, riv- er, as it wan - der’d on, And one Was rent and left to lis - ten to sooth - ing ‘ song, V And I en - vy the calm and hap-py And the other ﬂoated forward all a - lone, Of the riv-er as it sings and ﬂows a - long, oh! we were sadden’d, you and I, For We felt that our youth’s gold-en oh! how its song brings back to me, The shade of our youth’s gold -en g,___ I Might fade, and our lives be sever’d soon, In the days ere We part-ed, you and I, two leaves Were parted ° the stream . . . . . two leaves Were parted the stream . . . . . THE DAY IS DONE. Words by LONGFELLOW. Jloderato molto. is done and the dark - \—..—/ £J' from the wings of night; feath -er is E f». .2 gle in his ﬂight, From an Ea - gle Music by M. W. BALFE. IIBSS waft - ed downward From an see the lights of the Gleam through the rain and the -;9- 42. 4'2. .é- A 42- it. A ' 4'2- -é- *am'mcr,ncZo un poco. poco riten. mist, ’ And a feel - ing of sad - ness comes 0’er’ me, That my cannot re - _e_ _ ‘="—:}—- ﬁQ_ col canto. Andante. sist; » feel - ing of sad - ness and longing, I72? '6' #15‘ slower. L smorz. And re - sembles sor-row on - ly As the mist re — sem - - - >— ? '3-===:::s =-L M9 mas - ters, sim - ple and heart - elt lay ; ban - ishfhéthoughts of day. ot from the bards s/ub—1ime, 9 Come read to me some Not from the grand old ._.dI9_ dis - tant foot - steps - chi) through the cor - - Lri - dots of time. For like accelemn do. strains of mar - - tial mu - sic, Their migh - - - ty thoughts Li'fe’s end - - less ‘ en - deuv - or, for ‘ '1‘ 0 - night Tempo 1 mo. ' Read from some hum- b er poet, Whose songs Tempo 1 mo. L}; his heart, from his heart; As showers from the clouds of E telig from the eye -tlids start, Or tears from the eye - lids Who thro’ long days of 1: bor, And nights de-void of -F- anivnando un poco. Still heard in his soul the mu - sic _ Of won-derful mel - ~ 0- 0 I 0 0 0 0 o 0 . o o o n 0 . g g ﬁg. 13060 7728720 7720880. dies. Such songs have pow - er» to qui - et .The rest — less pulse of >'>-}- . 6 staccato. Solemnly and slow. . Ll And come like the ben_ - e - die - tlon, That fol. _- lows af. - - - - ter . . A "0' 2 my calla parte. ?_ cres- _d_ . riten. preyer. Then read from the treasm-’d volume, I I The 130 - em of y choice; And V 2 rilen. lend to the rhyme of the po - et, night shall be ﬁll’d with ritcn. fold their tents like the Arabs, Adagio assai. And as si - - lent - The beau - ty And the cares that t And as Y , riten. pooo animato. of thy voice. And in- fest the day, si - ‘1ent- 1y, m si - lently, m f.\(Imita.ting the voice.) A perdetndosi. —p“~~———/ 147 the 0 PAIR novm o FOND nova: Words by JEAN INGELOW. Allegro moderato. ? blink - iing bright, And the'o1d b1'1g’s sails - furled: this great hill, Feed - ing his sheep for aye: love this night, _At the oth-er all Was still, My love .was gone a. - - way, sail’d so for - est fast-— The sun shot T up from the bourne; creek, And the dove mourn’d on a - pace, side of the world’’—} Music by ALFRED SCOTT GATTY. 1. Me - thought the stars 2. My true love fares p ("L tempo I said “I will sail I 1o0k’d in his hut, I stepp’d a. - board, vv\e' I Went to gaze in the But a dove that perch'd up - No ﬂame did ﬂash, nor poco lento con molto espress. on the mast, Did mourn, and mourn, and mourn. 0 fair dove! O fond dove! And fair blue reek, Rose up to shew me his place. 0 last love! 0 ﬁrst m love ! My dim. e Tall. jaoco lento. \_ dove with the white, white breast! Let me a - lone, the dream is my own, And my love with the true, true heart! To think I have come to this your home, And ‘ rall. heart is full ' 0 rest. yet We are a. - part. mf love he stood at my right hand, His eyes Weregrave and sweet; Me-thought he said In =15O mf r dim. agitazo. this fair land, ’ O is it thus we meet! Ah, maid, most dear, I am not here, dim. e rail. 0 dwelling more by sea. or shore, But on -ly in thy ‘have no place, no part— ‘ f.\ C mf a dim. e Tall. poco lento con molto espress. fair dove! fond dove! ’ \night rose 0 - ver the bourne, poco lento. dim. e rall. L —6— as we sa11’d fast, Dld. mourn, and mourn, and mourn. .............. .. m dove on the mast, biz. erall. */ —,?_ CONSIDER THE LILIES. Andante. I Is not the life more than meat, and the b0 - dy than raiment? 79‘ ‘ax /'6’ _ 3 hold ! L the fowls Peel?‘ :3: Ped- 115-5\.__/5‘ ‘§\>—.<> nei - ther do they reap nor ga — - - ther in-to barns; your Heavenly Father - - - eth them’. - er the lil - ies of the ﬁeld, how I they grow, they toil not, " A Pad. 3;; . semplir,-emente. nei - ther do they spin; . . . they toil ‘not, nei - then‘ do they spin, . . . . say un - to you that e - ven Solomon in all his not ar - rayed like one . . . . these. . . . Con -sid - - er the lil-ies how 'they grow, . . .. lil -ies‘ how they grow, . . . . . they toil hot, they toil they epin, nei - - ther do Sol- omon Con - sid - 81‘ the was not at - rayed, not ar - rayed on-cocoon:-coon-uanooooooooooucoo-IO00IO¢ll0'° 822a. not ar - rayed h, a~o~.ao~a-4-o~’~o ow-o~o~.roo~to like one of these, loco. A one of these.......... 8va. tr o~’oo~O~oo~o~o~l~p~ooo~oo~o~o¢oo ﬁr . S01-omon in all his glo - - was not arrayed, was not arrayed, . ‘jg was not arrayed hke one . . . . . . . of these,. . . . rzx these, like ‘- of these. calcmclo. \ THE MIDSHIPMITE. Words by E. WEATHERLY. V Music by STEPHEN ADAMS. CON SPIRITU- _._ _ ’Twas in ﬁf - ty-ﬁve, on a win- ter’s night, Ghee: ri -1y, my lads, yo ho! We 1aunch’d the cut - ter an’ shoved her out, Chee - ri --Iy, my lads, yo ho! “Pm done for new ; good - bye!” says he, “Stead - i - 1y, my lads, yo ho! ./ "" -0- got the Roosh-and lines sight, When up comes a lit - t1e.... Mid — p- mite, lub - bers might ha’ heard shout, As the mid -dy cried, “Now, my lads, puta-bout!” make for the boat), never mind me!” ‘‘We’ll take ’ee.... back, sir, or die,” says We, :'.‘.’.“‘;.‘ Chee- ri -ly, my lads, yo ho! o’ll go la-shore to - night,” says be, ‘‘An' Ghee- ri -ly, my lads, yo ho! We made for the guns, an’ we ra.mm’d them tight, But the So we hoist-ed him in in, a. ter - rible plight, An’ we Ghee - ri - ly, my lads, yo ho! i ? me?” “Why, bless come a- longl"says we, down drops the poor lit - tle Mid - ship- mite, sav’d the poor lit - tle Mid - ship-mite, spike their guns a. - long wi’ ’ee, sir, mus - ket shots came left and right, An’ pu11’d, ev’ry man with all his might, An’ my lads, yo my lads, yo my lads, yo Ghee - ri - ly, Ghee - ri - ly, Chee - ri - ly, him’ The Midshinmitea-3. An’ a strong, strong pull, An’ a. strong, strong pull, An’ a strong, strong pull, Gai - 1y, boys, make ~ her go!... . . . . . . to - night lasl lime . V Mid - ship - mite, Sing-ing chee-ri-ly, Last time , The Midshipmite.--3. N ANCY LEE. Words by "FRED. E. WEATHERLY, M.A. Music by STEPHEN ADAMS. With S}n'n't. 1'. Of all ...... .. the wives as e’er you know, .............. .. Yeo 2. The har - bor’s past, the breez-es blow, .............. Yeo 3. The bo’ - _ s’n pipes the watch be -low, .......... Yeo J :4 " C 4 .' e ‘i-—« _/* yeo ho! There’s none like Nancy Lee I trpw, .................. .. L Yeo yeo ho! ’Tis long ere we come back I know, .................... Yeo yeo Lo! .. Then here’s .-a health a -fore _we ‘go, ......................... .. “Yeo ho! .. lads, ho! ....... .. yeo _ ho I See there she stands an’ waves her hands, up he lads, ho ! ....... .. yeo ho! But true an’ bright from morn till night, In ho! lads, ho! ....... .. yeo ho! A _long, long life to my sweet wife, 0 ‘ on .......... .L the quzry, An’ ev’ -- ry day when I’m ‘a - way, She’llwatcl1;... for home .... .. Will be, An’ all so neat, an’ snug, an’ sweet, for Jack .... .. at mates .... .. at sea; An’ keep our bones from De. - vy Jones, wher-e’er ....... .. we An’ whis - per low, when tem-pests blow, for {Tack .... .. at sea, An’ Nan - cy’s face V to bless the place, an’ we] - - come me, An’ may you meet a mate /as sweet as Nan - - cy Lee, rad. 4 . ho!.... lads, ho! ff) he! The sai - lor’swife,thesa.ilor’s star shall be, Yeo cross the sea, .... .. The sai .- 1or’s wife,thesailor’s star.... shu] /.15 e be,Tl1e sai1or’.s wife, his star shall be .......... .. m 4 mH§3/‘5 /--—\‘ etar shall be .......... .. ‘A 3-:> *= -z >' ff colla voce. /o\ /o\ WELCOME, PRETTY PRIMROSE. >_ CIRO PINSUTI. JLLEGRETTO Mom E V > ﬁ-°*__Lr- -5 2: ...¢*[ 3 U; 72 em; e_y O p Memo mono. Welcome, pret — ty prim - rose [2 Memo mosso. fa ﬂoW'r That comes when sunshine comes, When rainbows arch the sil - ver sh.oVy’r Of '7)’ Zegy. . &/ ‘-2 ev’ - ry cloud that roams; ev’ - ry cloud that roam_s. _ > 163 o “,2 ,* _ \y see thy prom - lse bloom, That tells of spr1ng’s new day; And 1n my thoughts :1- roam O’er sun - ny haunts a. - way I _ VVelco. l >. VVelco I J:-5 ' 7? /.71lZe_qre2‘io moderalo . — [1 eiegmzle. 9.. ﬂ9w’r! VVeIcome, pret - ty prim- rose ﬂow’r, y coming >- Zeyy. so/aerfzoso .' f) To wake a - gam the sprmgtlme hour, With sun — shme m dreams! >- >- Weicome, Prett ' Primrose. 5. I) sgczccato con yrczzicz. "Welcome, pretty, pretty, pretty, r‘ O I O .9taccato_co7z yrazia . pretty primrose ﬂoW’r, With sun- ' ' its dreams! /5 ‘-/. a tempo. M2‘. col canto ’‘ . . .7}{e7zo mosso. Gaz - ing on thee, ear - ly ﬂow’r, I seem to hear the spring, That calls the sunshine ev -’ry ﬂ 17 .7}{e7zo mosso. .p. .e{y. Welcome. Pretty Primrose. 5. U6 ..._..-: mzpoco rail.“ £11/s the bird to And tag the bird to tr .I~I~1-~l\t~’.t~rxt¢\J~I~.I~t\t- T“ sosteyz zaio . _\ dream, my dream rf glad springlife, :1 sweet springlife 'l‘hat’sve - ry dear to 092 pow strz'72_qe72do. >— >- VVe1coIpe !' VVelc0n}e ! VVelc0n.1e I p.1-imrqse ﬂo.w’r I , -3- -3- -P- ; 0 -*1 O 0 -1-‘ 0 4-. 0 O 0 0 +'- 0 O A II -"W334 "am Unpoco slrzngendo Wel.come,.Pretty Primrose. 5.. 166 Allegretto moa’erato.>_ \Velc0me, pret -t p1'im- 1'0s0ﬂow’r, To me thy com - ing seems To wake a - gain the I; Zeyg. so/zérzosb . Q1 \ . sprlng - txme hour, VV1th sun - shme 111 Its dreams. > T \-V ‘:9 > )1 slaccato can grazia. \Velcome, pret - ty, pret - ty, pfet - ty, /\ I O I [9 slacc. e _Zeg_q. -9- I ores. — f pretty primrose ﬂow’r, With sun - ‘ ' ' dreams! >‘ . jjj-J ET rat. (:0! came Welcome, Pretty Primrose. 5. “WHO’S AT MY WINDOW?” Writ.ten by H. B. FARNIE. Composed by G. A. OSBORNE. Allegretto. Voice. at my Window? I . . break of day, L Min - strel or 10V - er, ‘Say, . . V’ . oh, say‘? Sweet through my dreaming Com - eth a strain, Who is the‘ sing -_er?A Dream I in A 7 I m f Lively. Oh ! ’tis the sky-lark Soar - ing on high, Bear-ing a, mes - sage From Trill on! trill on! O bird of I-o~¢o~o~oo~O~to~oOo~¢~tvv tr "”‘ a- Thy ca - 1'01 gay, Fore -te the day, oo~o~o~t~¢~l~o~oo~o~oo~¢¢#~O~&»o«&a¢O~0o~O~Oo~¢~oo¢O r~lwo~éO:o~O~O~o~.o~o~ooo ﬁr When tr -s m f Andante. ho’s doth fail ? . {—'-"—'-'?-5 -3. day my win- dow, riten. art e minstrel, Sweet nightin- ..a. _I:_ sweet night—in - gale. Some - thing of sad - ness Lurks . . . _ '._.f'\ “§/-K _ sting . . . . Night on thee a - las! Its V shade will pro - long! Trill ’é‘§ “ /—\ on! Trill on! Tho’ the day is game, Thy song is light Un - to the‘ night. ﬁr . a2= Allegretto. Wh0’s at my Win- dow in-Strel or Sweet through my dreaming Com - eth a strain, Who is the sing- er? Dream I in 7 1) Anime. Laela la la . . . . la la. la. la. . . . . a’Tis thesky-1arkM0unting0nhigh, “]3{jIjI_.]L.4As.]F2;I>J'IE1‘S(1” M. W. BA LFE. Moderate _ WU (.1 9—a .-" ré i I :_'.s¢ V 4 I I _ I F‘ v u I) (J 5*?“ 5' - rald isles and wind-ing bays, - nis-fal - 1en’s ruined shrine, T May suggest a passing sigh. place else » can charm the eye With such bright and va - ried tints, - sic there for e - cho dwells, Makes each sound a. a hat - mo - ny, Killar - ney’s lakes and fells, L V. J‘ .7 Ex « ‘ ' 4- s + —a— »a— 3 «afar»-* — ....a_. 0___. K ' ' .1 . , M M I _J 3 - ry ev - - er fond - ly strays. sne’er de - cline, Such G0d’s won - ders ﬂoat — ing by. - - dure broi - ders or besprints, ’Ti1l it faints in ex - - ta—cy. Lx Moun — tain paths and Woodland dells, Mem’ But man’s faith can Ev’ - - ry rock that you pass by, Ver Ma - - ny voiced the cho - rus swells, Boun - teous na - ture loves all lands, Beau - ty wan - ders Cas - - tle Lough and Gle - na Bay, Moun - - tains Tore and Vir - - gin there the green grass grows, E7.’ - ry morn springs With the charm-ful tints be - low, Seems . the hoav’n a - cres. ff pi)‘- ' rall. fx 3 J r .3 P i e’ :5 a 9 J ‘P’ ‘ 7 E E 3 it 3 k '— *- ev’ - ry where, Foot - prlnts leaves on ma - ny strands, But her home 1s Ea - gle’s nest, Still at Mu - cross you must pray, Though the monks are na - tal day, Bright hued ber - ries daft‘ the snows, Smil - - ing win - ter’s bove to vie, All rich col - ors that we know, Tinge the cloud wreaths A N L 0' l 01 g I H _Q_jr , xl _] x! .17 ~! \! VDVFFQI \‘"II""'§ my a tempo. I 1 s i ' I V A '~—-* ‘ 3' , i 1 2 ‘ 5 ' ’ ' 7"’ v .' : ' 7 sure - ly there! An gels fold their wings and rest, V thatE - den now at rest. An gels won - der not that man There would fain pro - frown a - way. An gels oft - en paus - ing there, Doubt if E - den in that sky. Wings of An - gels so might shine, Glarnc - ing back soft ~13}; a tempo. ; L’ 3‘ £1 E‘ 04 ___gi I N , n ‘ ‘ : 1 401 'I4 I r I. ~ -"9': I ' ' ‘ l d__ .1’- of the west, long’ 1ife’s span, were more fair, light di - vine, ty’s home Kil ty’s home Kil ty’s home Kil ty’s home Kil Words by .1. .1. LONSDALE. Music by VIRGINIA GABRIEL. Andante‘. ‘ '$ 1.1 ER 0 - pened the leaves of a book last night, The dust on its cov - er more I was watching her deep fringed eyes, Bent o ,' ver the Tas - so dusk and brown, As I. held it to-ward I the wan - ing light, A. on her knee, And the fair . face blushing with sweet \ sur - prise At the . ml‘. 2‘ I ' I I U 4' W . _d_ ’ ered fell rus - tliﬁg; down; ’Twas - the Wraith of a .si0n- ate ' that broke from me! Oh - by! my dar - ling, the ’“ - . . . J V5 I I ‘~ l \ I I I I I 3 . I ! l J = U = -1- 39- -a'- _ AR 1' i P 3' 1 l .2 wood - land Weed, Which a dear dead hand in the days small white hand, vWhich gathered the hare - bell was nev - er accel . .3 .r. Q j _ I ______ ______ __ _____ ____. __- U .' : _;' l_.l9P ' 1 L1 2! a -V ,2 ‘placed twixt the pa - ges she loved to read, At the time when my vows of - ded and passed to the far off land, And I dreamt by the ﬂick’r - ing 5 I l 1' . 17‘* .- V": "i'U"U' 'l"i'i‘ 'i‘i"U" 'i'U'U"‘ . ._._'.__j.__..p L I I l I I I U l%alla7'gan<Jl_o. ‘ love were mem - o - ries sweet but as sad as sweet, Swift. ﬂame a gath - ered the ﬂower and I closed the leaves, And -3-q. -5-_—_'—-— ——:;n -— — ﬁg‘ H‘*‘ﬁd:d:d:§g:§:§:" "’ I ' . ' ' ‘ -1 :::::;g:_4.,h_ __ + ._ , 4 -24; --- -a--a--0‘0‘0':a .: 5' . _ _.._a‘ -— _ _ allargalnclo. ’ “‘-/ \— ’ ‘ '.f\':LJ : : . L Q ,——+-——-——-—«‘-—:———--———-——— L. --*"—i4-—-qr A ﬂooded mine eyes with re - gret - - ful tears, When the dry dim hare - bell folded my hands ‘ in si - - lent prayer, That the reap ~ er death as he _.- -'2) V .2 K» skimm’d past my feet, Re - call - 'ing an hour the seeks his sheaves, Might hast - en the hour of our piu lento. "'-—'—.'-—"/ . meet - mg there, of our meet - mg 178 SPEAK TO ME! ‘Written by H. B. FARNIE. Music by FABI0 CAMPRNL Sostenuto assai. h con eqpress . ‘ ﬂ “0am5abz'le espress e molto accentato. 1. Why turn a - way, When I draw near? Why cold to-day? Once I was dear! 2. One i - dle day Thou didst de-plore Some cast a-way On de - sert shore; rall. _< Then, thy heart stirr’d, And ﬂush’d thy brow, Never a. Word Welcomes me now. ’Twas but a tale By po - et feigned, Yet thou didst pale, Si-lent and pained, rall col canto. jg: . ‘.1? a tempo. Ndvv hand lies List-less in mine, Once its re-plies Spake love di- And thou didst moan; Sad, sad to be Ut- ter - ly lone By the bleak . -ﬂ- ‘ vine! .......... .. Co (1 \as if we Nev - er had met, Can it then be‘ sea! .......... .. My life is drear, I cast a - way, Give me the. tear % —={_\’rall. _ a tempo. a tempo; Hearts can for - get’! Ah!_ ......... .. Speak, to me, speak, ; Be my heart Thou shedd’st that day! » col canto. ,5 col canto. . ejc/L’? con g7'azia. Or will it break, For one poor word! No vow to bind, con grazia. I 7~all.,_\ .' No pledgel seek, On-ly be kind, Speak, to me, speak! . speak! >- ———.’< .a_ . -63‘? rall. canto. THE CLANG or THE WOODEN SHOONQV Words and Music by > J. L. MOLLOY. “ G .Mz'nor. 1: Oh! the clang of the Wood-en shoon, .S'cherzando. ~ A V 2. “Now my lads, with a mer - ry will, >— . Oh! the dance and the mer-ry tune, Hap -py sound of a by-gone day, It rings in my heart for aye,. . When the Up with batch and the baskets ﬁll, Winsome las-siesa.-bove ve stand. ﬁeadv with eager hand, Then the boats came in,.... With the -sail-ore all a. - glow, And the moon shone down on the sails came down,. . And all was taut and clear, And a wild, glad dance. . lit tide be Oh! the clang of the wood - en shoon, the wood - en Oh! the rush of the _ L trip - ping feet, (-." -+- the dance and the mer - ry tune ; . Hap - py sound of ‘ a. by - gone day, _ It the light - some hearts that beat; Wild and sweet the mer - ry tune and the 1- ' -3- < 1- ' «.1 ' -+— +- 7.3! Verse. . ' L. .. #2 1n my heart for aye . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. of the Wood - en; Y 2d Verse. 2. sheen . . . . . . . . . . . . . . . . . . . . . . . . . . . ..e m Piu lento. ~ . Lg _ 3. But they are a wen. ry whlle, ah me,.... home nomore from sea. The sea looks black, The waves have all a moan, And I left to sit; and dream a - lone, To sitand dream 3. - lone . . . . .. °poco ores. - calla voce. ' ’ Tempo lmo. Still I see them en the pier, All the kid-ly fa - ces near, Hear the wild and I7i7l7>L The Clan; of the Wooden Shoon. mer - ry tune, And the clung of the lywooden shoon, When the boats came in . . . . with the sail - ors all glow, And the moon shone ‘ down on the rippling tide be - low . . . . . . Ohlthe clang of the ‘Wooden shoou, 11! the dance and the merry tune; Happy sound ofa -F -P- < 4.1 4'" ( poco rall. A a tempo. \ by¢g0ne day, It rings in my heart for aye . .. . . . . . . . . . . . 4. , /o\ calla voce. ﬂ\ 18%? ‘THE BLUE ALSATIANMOUNTAINS.” 1 Words by CLARIBEL. « Music by STEPHEN ADAMS. .7)l0 m%’.~12‘0. 8yaJ~I~r.z~l~lsI~o~.J -F. f"""‘\ +_. By the blue Al -sa - tian moun - tains Dwelt a mai - den young and fair, By the blue A1- ea - tian moun - tains Came a stran - get in the spring, Like the care - less ﬂow - ing foun - tains Were the rip - ples of her hair; And he lin - gere’d by the foun - tains, Just to hear the mai - den sing; “ The Blue Aluthn VVere the rip - ples of her hair; An -gel - mild, her eyes so Just to hear the maid - en sing; Just to Whis - per in ’ the /‘-"5 :j— ning An - gel bright, her hap - py smile, When be - neath light W'ords the sweet - est she had known, Just to charm _ m f foun - tains spin- - ning, You could hear her song the ' Lwhile. . . . . . way the I hours, . . . . . . Till her heart was all his own . . . . .. . . . "\ f T “ The Blue Alsatian Mountains. " 6. L 1' a 9 J . . I T ' I l I Such songs will pass - Way, . . . . . . . . Tho’ the Such dreams must pass -Way, . . . . . . . But the Al - sa - tian mou_n- tains Seem to Watch and wait 9.1 A1 - sa - tian moun- taiils Seem to Watch and wait al h ‘V5. calla race. "The Blue Alsatian Mountains. " 8. By V the blue Al - sa - tian moun - tains, Ma - ny spring - times bloom’d and pass’d 5+3 And the mai - den by the foun, - tains, Saw she lost her hopes at mf Mono mono. She lost her hopes at last. And she with - er’d like “The Blue Alsatian Itonmu. " O. That is wait‘ -—',, the rain,........... She_wil1 nev - A -9- , the j stran * ger VVhere the foun - tains fall, a. - gain. . . . . . . . . . The years have pass’d - _ But the blue Al - sa. - tian moun tains Ev - er watch and be "‘1' “ The Blue Alsatian Mountains. " 6. wait al - way 4‘ have pass’d 3 years £32 tains Seem to watch collar race. a - way, . . . . . . . . ... But the blue 27-“ ‘ and wait al — way! “ The Blue Alsatian Mountains. ” 6. A A1 -sa tian moun - -N 190* s as A I LOVE MY LOVE IN THE MORNING. FOUR - PART SIOING. Words by GERALD GRIFFIN. Music by GEORGE B. ALLEN. 1. I love my love in the morning, For she like mom is fair, is fair, Hep blushing cheek, Its , ‘_ 2. I love my love in the morning, I love my love at noon, at noon, For she is bright as a T ‘ i’ it; _ 3. I love my love in the morning, I love my love at even, at even,Her smi1e’s soft play is I) leggiero . INA-wr«:"‘=-‘t;=i,==':i-=v* -'=.a-i~s %—ﬁ’d:d::a!—*‘l“"*-'3:"j——d—-9:4 I f E’ *-- —_ 5!: v71 r‘ v ’ ’ crim-son streak, Its clouds, her gold-en Her glance, its beams so soft and kind, Her L L ‘V '\ j I " : ‘ - 9’ i___ 3:- l__' ;;_.l __ ‘i... 1 _ -1 1 ‘ : I _____i i d __1“‘ J -6- .g.. _ G I of light, Yet mild as Autumn’s nE; Her beau-ty is 2 5:: 7*-3 ; :~ a 455 _d 3' 9'2? g . J T‘ 42 _:a'::d__‘*a5‘“ like the ray That light the Western heaven; I loV’d herwhen the sun was high, Q at - n - V —»_~ A - .2 v l 4" " I --9---9—-9'---- '———9----9—-0-——~'-i ;_,, 5 ; ; E a-7-:--’-F‘---r * 1 —d,__j,_ :, I W I: _ J‘/—\ 5" j . . I lTE:;i ﬁ:'**“'§ I _. _....__ ._ ._ ‘ L- _ _..l_, I - '- ~E; ‘% 7 ‘ ~ 3 1-~—+—:-——! -9-. -0- I ' " V ;—J—— 0'5"‘; 2 .-. 3 I 'K i ,—— . , o———o——a _ ‘r- [_ 01 V . r‘ ~ ""2 ' ‘'‘‘P‘*P—‘"‘’r‘‘* ! ‘ 5 . L I L4 E ‘I 7 ' ad lib. pin tears, its dew - y show’rs,And her voice, the ten-der Whisp’ring wind, That stirs the ear - ly 1. _ 5 I ‘ . . 5 i _“— w:_,$,:,_g_;_::a«—a ‘-4- ’ A A ‘ a_§g__.__#,=: : o——a;- _' »- faith my fost’ring‘ shade. ‘ —ﬁ*— *—‘—‘:*""j jg: - ___ _ A—--r-— ﬁii f'—f P , F x- 3 . ‘ ;»n:r‘—:inn:::.s a I ‘ L V ‘ 7 4 e H._: ' ___- L J [ 7 ' . 7 1ov’d her when he rose, Yes, But best *of all when evening’s sigh was murm’ring ~—a_——.‘——':31~—¢a——- ' 9-. —r g—r~——F:::.... _ , I i -4 - 5 . ’ L I poeo piu lento. — ~fm bow’rs. Oh! love my love in the morn-ing, she like mom is f/H /5 rall. _ _ _ __ __ _ fade. Oh! love my love in the morn - ing, I love my love at noon. fm rn {" close. Oh! I love my love in the morn-ing, I love my love at a tempo. ‘ rall. _ f’ 3-“ ”"‘ a tempo; THE “ BRIGHT BEYONDK’. _.'-I the rest re~ﬂec-tion brings fond mem’ries gently weave ._d - to hear the bird that who thro’ night’s sorrow grieve, .______je;._ .1- to listen for the gels hov-er far and T. H. HOWE. \ . 1'!" “Ii” » sad... and wea. T- ry, hope bright - Iy beam - ing When my heart is Brings the heart V From my soul the she. - Breaks the dawn (lows drear - y, morn - ing gleam - ing, fﬁ > When the sweet bells ring back the “ Old - en O’er the green graves whisper they, “ not here, not tones with mem’ries full and fond I sun - dered ev’-ry earthly bond, -4 396333?‘ s_; From my soul the sha - dows But the beau - ty bright and an /3 ‘ii I‘ hear re-echoed in the “ Bright Beyond,” Then voi - ces softly seem to There’s hope ; re - u-nion in the “ Bright Beyond,”F'a.l1 o’er the grave the shadowa ’ _t‘_‘_‘“.:_"'_'g."" 1,. .6- 193 the rest re - ﬂection Ap - pears from over the si-1ent '’ “y"jy'B::' *3,‘ _U- -3‘ ‘U- -7‘ —U. ._‘_. ~../ When the heart To re - 8va the Spring FAR AWAY. Words from _ _ Music DY SUMMER SONGS OF COUNTRY LIFE. Miss M. LINDSAY. 1. Where is 2. Some have Modgrato, 3. There are /" . 5: ' ‘DC. 4!- mf now i the mer - ry par - ty, I re - mem - her long a - go; Laughing gone to lands far dis - tant, And with stran-gers made their home, Some up- still some few re - main - ing, Who re - mind us of the past, But they ,4? J- 0 ' _.p- rotind the Christmas ﬁre,.,..... Brighten’d by its rud - dy on the world of — wa - ters, All their lives are forced to change as all things change here, Noth-ing in this world can ,4-\ 353 I ‘ -6- -0- /—""""\ -0- . - , * Or ‘ in sum ‘- mer’s balm- y eve--»n1ngs, In the field L up - on the "Some are gone from us for ev - er, Long -er here they might not Years roll on, and ’ pass for e- ev - er, What is com - ing, who can They have all dis-pers’d and wan - der’d Far 3. - They have reach’d a fair - er re - gion Far 3. - Ere this clos - es, ’ ma - ny may be Far 3. - T jig . . T They have all. dis . pers’d and wan - der’d Far a - wa , ...... .. far a - They have reach’d a fair - er re - gion Far 8. ' Way, ...... .. far a - Ere this do - ses, ma. -ny may be Far a - Way, ...... .. far a - 1 1st 4% 2d time. last time. . 172/‘? . h : xo 1:“: ; V J \ 0 #_: (2 -I 0 BY THE BLUE SEA. Words by FREDERICK ENOCH. Music by HENRY SMART. Andante. I 1* e "‘ stood where the summer tide, ﬂow - ing, Homeward the bark gai - ly thought of brave sails homeward Wing - ing, _Tide waves of mem’ - ry n "‘ bore ............... .. But I saw the same 0 - cean was throw - ing bore .................. .. To the heart While its wa-ters were ﬂing - ing To - kens of wreck on While a. voice mid the tide’s song of To. - kens of wreck to And I felt, as o'er mem’ - ry __. - - ‘ - ‘- W’ 9" -3-; ::«-:--?F I 0 I 0 O n 9 0 I 0 1 A t:—4.——~1 . l l , ;—- _. l Le‘. a‘ a i—- J 5 4 =3 \' -91 - _ , , "’ ' ' -01. ;a'- glad - ness, Slghed thro 1ts sweet - ness to _ And 1t near - er Hopes freight with joy came ‘to me, Still the poco ritard. ﬁ1l’d all my heart mg‘ sad - ness, T the blue. . wreck’d and the bro - ken were dear er, the blue . . . . By the bF.‘.’.’ >- {T z-s __ _._1'- .‘- U collar, voce. - OH HOW DELIGHTFUL. Words by A. SKETCHLEY. Music by J- I-- M0I-I—0Y- t WALTZ SONG. » Tepzpo dz’ Valse. ‘ ‘< LIL :2: 1. Oh! how de -light - ful, Oh! how en- tranc 2. Oft twhen dark sha - (lows are o’er us creep gr .2 L From this drear thral - dom soon to be free, With wild - est joy, then, And check the throb - bing of youth - ful hearts, Hope like a _ sun - beam -my heart ' ing, Dancing so gai - ly watch near V ing, Breaks thro’ the gloom and From morn till No long - er im - pris - .. on’d here, i we droop and pine, night shall Pass’d we our drea - ry In No joys to cheer When clouds are dark - and fear i; way, gloom . lives . . . a - i All . was , noth - ing bright, Soft - ly and hope’s cheering ray. m drea -, - ry, bright - Aly, ‘.2 drear thraldom drear thraldom ing, From/this ing. From this en - tranc - en - tranc - how how now, yes, no oft us, est, Now, how Yes how to de- days . . hours . . light, doth shine, de- light ful, do - light - ful, be ‘ be free, free, 820. VVith wild~est joy, — then, my heart is g.’o— —--.5- V now with glee. 1) leggiero. _ my heart is with glee. heart is danc — ing danc - ing, Dane-Eng /3 so gai - with glee. 13' Words by LONGFELLOW. stood on the Bridge at midnight, Behind the dark church tow’r. wav’ring shadows . lay; -:J:“ti' -d_ I THE BRIDGE Music by LADY CAREW. As the clocks were striking the the long black r-aff-'ters, ‘;==-- And the current that came from the ocean, Seem’d to lift and bear them a - way. .__...- ..‘- 201 And the moon rose o’er the As sweeping, eddying through them, moon - light The sea-weed ﬂoat—ed wide ; T,“ mong the wooden Rose the be-lat-ed t1de, And streaming in-to the Andlike those waters rt-ghing, [I of thoughts came / That ﬁ1l’d my eyes with tears, ' 203 How oft - en ! 0 how oft - en t In the days that had gone by, I had stood on that bridge at _,£"‘ Eh \. legal; mid - night, And gaz’d on that wave and sky, - How oft - en! 0 how oft en, I had wish’d that the ebbing tide, -Would beat me away on its bosom, O’er the o - cean wild and wide. Agitato. For my heart was hot and restless, And my life was full of care; And H18 bur - den laid up — on me Seem’d greater thanl could bear; But now it has fallen IT It lies buried ' the sea; And on - Iy the sor - row of others, Throws a shadow 0 - - And I think how ma~ny thddsands he 7 care - encumber’d men, Each hearing his burden of sorrows,Have cross’d the bridge since then. For ev-er and for /\ passions, shadows shall As long as the river ﬂows, As long as the heart has a—a— —r as life The moon and its broken reﬂection. woes, L And its rall. _ appear, As the symbol of love in Heaven, And its wav’ - ring im - age ORGAN. CHRISTMAS ‘ SONG. With accompaniment for Reed Organ. English Words by J. S. DWIGHT, Esq. Music by ADOLPHE ADAM. Andante Maestoso. O h - ly— night! the stars are brightly shin . Led R’ the light of Faith serene-ly beam 1. - ing; It is the u - ly he taught us to love - ing, \Vith glowing onean - oth - er;Hislaw is Andante maesioso. I | J I of the dear SAvIo1m’s birth! world in sin and er - ror by his era - dle we stand: light of a star sweetly and his gos - pel is Peace; break, for the slave is our J I ‘I I I I I I i J I I I I I I I I I I I I I I I I _d_I_,£ I G {~1- -ar -a-_,_ -0- -0- L L i I I I I i—""l*'i-*'l’:‘l-"'4 I y 1 7/7 =9. -g. _.ji .0.’ . and felt its W'()?t‘h, - rient land, broth 7 er, And in his name, ‘all oppres - sion shall cease, A 1:11 rill The King Sweet hymns of of J soul pi - ning, ’Till he appeared, gleam - ing, Here came the wise men from theO - ____4_ 0 Fall.... He.... CHRIST new and glorious morn ! born to be our friend; weary world rejoic - es, For yon-der breaks a In all tri - als grateful Chorus raise we; Let all with - in us thus in low ly manger, our praise his Ho-ly name! is the of knows our need, hope the Kings lay joy in on your knees. . to LORD!-can .. hear. . . . an-gel ces! 0 night. . . . di - vinel. . - - . . . . . . night when Cunisr was weak - ness no ' ger! }_3e-hold.. . . . . your KING! . . . . . . . Be - fore him LOWLY then ev-er! ev -er V we! I-Ins pow’r. . . . and glo - ' ev - ermore % :‘_d 0/ night . . . . . . . di — vine. . . . 0 night, night di - vine. Be - hold. . . . . . . your KING! your KING! be - fore him bend. - His pow'r. .. . . . . . and glo - ry, ev - er -more proclaim ! a.Tempo. a tempo. V * 8va.oo~ro¢ooo~oeo~oaa~oo¢~oo¢~o4~ao~oooo~ooa~ooo~oooo~oo~ooo¢o owooaootora 4 av ro~c~oo~ooo~I~o~z —- -1.... :ﬁ -‘-"'— .'r._._____...___ THE MAIDEN’S ROSE. I ‘ Or, so THE STORY eons. T - Words by Dr. J. F. WALLER. . , Music by .1. L, HATTON. Allegro. /:94 ,I_ ~\ 0 —x— f brillcmte. 1. ’Twas once up -'on a— sum - mer 2. The il - 1er’s son stood by the sf p e legg. riten. sto - ry goes. Franklin's daughter chanc’d to ‘ stray VVhere the mi1l—streao1 sto - ry goes. He stopp’d the wheel, and ere it sank, Caught up the maid - en’s calla 22003. .2211 I _d. a tempo. And ‘ as the rus - tic bridge she cross’d, “Is this thy ﬂow’r, sweet heart?” he cried, S0 ad lib. 4.‘ Tempo piu animate. "‘ 't““'*f*—-“N-~ . 3 t‘\ 1 ﬁ ' —.l - :" ,= — T . 3‘ ‘- 1; Ha‘ .I_- «-1 = r;-- 'g— ~*—” 2 J. _.g_. - » .._ _ a rose. '1 he stream ran fast, the I] ' r V I V _ O - vor the mil she stooped, and lost From out her breast The tnniden b1ush’d, the maid -eu sigh’d, “ Oh! give me’ back my rose,” “ Two ﬂow’rs” he said, “so ,:\ gjj W _,’!qI__..H‘q)-1r ‘4 l_a’_l:'_,:i__L_l_4. d . :0‘ L_" 9 4.-." T '5‘ - '19 e Zeggiero. ' ‘ d‘ calla voce. "3 N R . In / M I x ," ' U I 3: _ strealn ran the sto - ry goes. sweet and the sto - ry goes. . I J . V bore a - long The care-less ma1den’s rose, The care-less mald -en’s rose, '1he care-1ess % ad lib. shame to part, breast should bear Thy - self and _ this red &_ calla voce. ad lib. self V and this red rose.” » ‘ . h ’V*$/"11—z1t hlore the youth and f a tempo. That summer eve, who knows? But he kept the ﬂow’rl and fa Won the maid, Set the sto - ry goes. > _ <- 5: W sf colla voce. 21f2 it Words by F. E. WEATHERLY. ONG ‘ (3:66-> AA AA f2'3:J. 1. Who rides yonder proud and gay, Spurning the dust on the KT1g’sTHighwa.y? Lord of thousand -x‘ -¢"9"ﬂ" ﬁowvﬁ - dam N do. Aa temp“ the beggar must stand aside; 'ﬂ"'¢' ff‘ 3'- /5 >' /\ on the King’s Highway, /5 >- /\ Scatter the dust j- G0 thy wfy, let me go mine, I But room THE KING’S HIGHWAY. —_ Music by J. L. MOLLOY. /\/\ /5/5 i‘ rit. fﬁfﬁ 'I' 333+ to beg, and -or i‘ ,3 ritarcl. tH§° be‘§;/- gar, room, r.-s f-'\ -G 1"’ a - cres Wide, While '9'. #1‘ V -'1' o i‘ 0 I say! M _t -+ *0 FN thou d'f‘1:e.,‘ | -1- 1‘- can spirito. ~0- pfea’. Fair and free, Night and day, /\ A /\ r.\_ Fair and free, Night and day, Fair and free is the King’s Highway, and free is the King's Highway! _;. ‘T L 3; red. Hug thyself in wealth of state, Emp - ty purse has a. caE- less gait; Thou must Watch thy chest ‘ and bags, -'9’ 3 3‘ 3 I 3’ 3 V3’ ‘ ._ -a--t «-1- $~o+ + } um KING'S manw.n. 4. None would steal the beggar’s rags. Wine for thee, for me .a crust, King and beggari they both V d§t,‘And to dust Fair and free, Night and (lay, p;ed. V Fair and free is the King’s m What has the beggar will be borne one (lay, ' and low on the King's Highway. >— ﬂ\ f.\ /3 - Fair and free is the King’s Highway, Fair and free, /\ I Night and day, /\ m Dain - tyV maid of high degree, tenderly. with thee? Thy life morn, And mm xIxe’a Kmnwnr. 4. poco ritard. What has the beggar to thee to say? Gen - tle word hast thou or me? Tears are in m qvw 1*» _ 1,. "-39- way» -¢ V . :§: 7°ed. heart for thee; Ah! that thou shouldst fade one day, E’en as I ‘on the great High-Way! 3 . Fair and free, Night and day, Fair and free is the Kings Highway, Fair and free, Night ax! day, . -49- >> cres.3E1 Kin-_:’s .. .. . 5‘ ad lib. A hlrld 5'9} is the King’s, the King’s High- Way '! . . . . . . . . . . . . . . . . ‘MN ‘ fﬁ I" . /5 1" )3 . 35 1'’w’- * 7"“"*2Ded. 8ra "uni nae‘: ‘manwu L 216 THERE’s NOTHING LIKE A FRESH’NING BREEZE. For Bass or Alto Voice. ALBERTO RANDEGGER._ .__._ ____,c:; ___._°_;_ - I _ ' 9~"——i—+r _. . _g:ar-_ «%~«¢ﬁ:¢:f%%%;;t:tE ...a _.[_.j_ _. )- Ld- ; __]___ I. __ _ 34- 3- 1‘ L. " ‘< cres. 2K. 777: " _ ﬂ__.___ ______ EH .1 :__:1_- __/ __'_/$94-- I \ KL __ (W68. --E > i >_________¥ > . 0 " ‘—‘*i\'" ;::‘—,T:ﬁ F‘ ::1::j5:. :: : f_?,_g___4_“':;.:;:*"q::;]:"irj?_,::,; ?j—"“—'— jt“ C I’ ~‘ ----3.-.—1——1~ y 7*“—'——¢" '** . "‘T'—;'—d‘ ”?'"'?‘.T““”'C7 F A ship that cuts the dashing waves,And j.._‘_ 1 x “"“”=""‘" ’._/ -* -oz 4- Give me a fresh’ning breeze,myboys, A white andswelling sail, foaming waves a — round us dash! The an - gry storm loud roars, ’Tis mu - sic to the sail - or’s car, And _-____.____._ E __. ._ __ -__ _.-. 5___ _.1_.—_. ._.. L A ’Z3.';""."'_'_—__“T‘:i"q -« ’.:3:;‘§¢j~Ej;;i$ ' - t '~4— * * i -0' _ 2 i4-a:-_—_ I; :7 ;‘f— 5 a _g 8f> I ’/—~ 2-‘ ' ‘ .-__,' p * ’e_=::‘“;.'*~*'r['——3“i9‘°‘-—'”*p. 4:5: I _ __ .9_'-:E—-V-‘v‘-’I.*;:~ - E E E E3-£9-—a—%--I lifii L_v_;t_‘ _t_v_,:_- ,-t_;;: I 0 T __< marcato. .._.i._' :_;_._:j ‘:1 ._U—: '7 '7 1 5 R _ J’ » -- —--i—- .— ————-d~ —» —-—-i—- —-—:—— ——a——-— — - ——z——— —, — ':.:—v""'“I.'”‘*‘i’.—.*- .::i’”?‘”‘?”?*‘?"“ ~<*l“71-2-7+%7‘— weath -.ers ev’ - ry gale, What life is like a sea - man’s life, So free, so hold, so brave. of migh -ty pow’r,The el - e-ments his slaves, - ‘ high his cour- age soars: He feels a king -n‘ L + —-—-—~————~‘1— f-— :1. :7 ? T" ‘ %*3'5—’7—~-T--]¥~-¥*;1_" _::,\i;1S;3':§:j§::::4*'—d:;*:ﬁ;:::._ ‘ “ K-.L.7‘]‘§§:*““_gf?n‘_.;:“‘ ‘ _ :gr‘::l:“".g_\/*i” o“"'f‘ . _ _ _ : >"’ slacc e_73za7'cato.- ...i.: ?c2'es._ “H-**:‘i!:;F.:r-I: » ‘FF; F:€;§;::iﬁB:F:F_H 1 =2 I :2 I I I ! Ii,-L 'b_/LL-.- L#——.———/ b.—;‘o—~- V = T "1 I ‘ ——-—-D——l-‘— . . -9-— — — r——~ < -——u—— a E v *5 V #5 I ‘ V .3‘ , V . > E __ _=_.__ . &:-1 -:rr- ,E_.,‘: .____'J_ v 4 V X _ . ..._ 1-4. —]- -i_ - hur- rah!.... -.;__i_E__¢- grave,... . Hur - rah! . hur - rah!..-- home the o - eean’s ivide expanse, A‘ co - ral ‘bed his trus- ty ship at A his command, Steers on thro’ storm and waves,. . .Hur - rah! . . . . , KN _ ' - ‘if - >_ qres. assai. rall. col canto. ‘ ' . °j 4!. ’ '.. . . _ﬂ_ ) r . :1- _.4__I ’ "0'?’ "'*—"—%*‘*‘:_‘ &z . _‘_ 0 bur - riah, then, for a seaman’s fife, F.or o - cean, ship and wind There’s nothing like a f1-esh’ningbreeze,To C7'8S. ’ 1st time. with energy. a tempo. stacc. "‘ u ’ 0 _-“I; _k_._____}-_'___l’_ V I -0- afrettmzdo 32320 alﬁne. rah!-ooqooo o o u - out o o a c o o u o o n o I¢IvoIlOOoocIollloolﬂsooltoloolitooat n o n o o 0 _D.. .0. boson a 0 82310 al ﬁne. ‘ 218 66 . Words by LIONEL H. LEWIN. L ARTHUR s. SULLIVAN.‘ Andante espressivo. K . |‘ M / 1. I lin - ger round the 2. For ev - _,_ g_‘_ -',_ ,._ L g g E‘ _J '_ " .‘ u __ F .- .- . \ ~- * , . . J . ..‘ 4‘ 1 I ,_. . 1;‘ 1. !_;_g§__ WE 9 5 0' B— U 9"‘ ""j"—"" ‘ ve - ry spot Where years a. - go we met, And won - der when you quite forgot, if you quite for - thoughts in-cline, And back my mem’ry slips, I feel warm ﬁngers lock’d in mine, see those quiv’ring 2'e\Ll5‘I~;—~7s“ +«a‘~’Ij‘—2z——t-=--;~--»tE-4 . l l , -7 W 2 = : ~ : ‘ : " ~ §:‘—-§:_:“—_::tg_:§:- ‘—-:..t:¢.‘:..+s;—.~;L~’——_.;:.;e.i;- i— ——-ﬁ—¢I*:¢.=_;;-- —'—_:—-igi-g;—e1-J . ~.~——~ 1*<~«———-L I ‘ 1 _ ‘ j___ "‘ _l__,___':U:g__:J'5: 0 a R “ 5 ‘ I J i ‘N . M. . i.=":. ,-_,__; =; -' g - ~ .7 1 U 1 i1 . ' U . . -0- get,. . . . . . . . And ten - cler yearnmgs rise a-new, For love that used to be, If you could know thntl was lips . . . . . .Whose mur—murs came like music through, When mine had set them free, That all the world was nought to . ,7. I _ *3 .;.i '’ Z, .s 4-; it t i i L -—a——t=—=:s: :t .. _'-.- -4‘ t H——:_-_- -.**“n * 2; --:_-_a_-<__ ‘<- -3:‘§:j§ﬁ:0- :" ::::9: :2 E3‘ #3; :;f’ :5 ' .__’ . , I 1 j- Con tenerezza. * 7-», _1\.."L‘——N.— _-ﬁg- n.__._§i._l.___.__ _._j._ _____‘ ____A {*1 _”jl\" ?:-=<5*»‘’“ \ '*7~*=r 5 7" 1: ..L _a' rd i 1*-5.’-#3-"E5-3-r*’-‘*~E—~.I9-1 .0 ° .\;Ll._.__._._._.___£__i._1__,___'._l_' .1 L’ E g _L 1 :_1 VJ { true, ‘And I that you were free. Ah! . . . . . . . . . . . . . . . . . Love . . . . once a - gain; you, Who on-ly want-ed me. Ah! .............. - Love once 9. - gain; I . (I z 1 : i gl--—J—J _,:;’;*:;*:;i"’.'7‘;‘i:d"3”£‘_y_‘ '9 6‘W'9—“ ? ‘r i T 67 219 7 : ’‘‘» 5‘ . ' ._ . _ . , _ :':U——'—'+___-—’—'.I:'_g - ””'&".'§”'a__7::: V -5 " a J» Wak - ing, Shall it wake in -..___ ..__1,‘j -4 ____p:pqq _ _—1_nq___umnq_ “ L % :::w::::a::~% ¥a?A3Eﬁ1‘%Fa“4 i7a- :3 - ‘ _ _ I ‘ 4 -a—-a4;a—;a—1_—o—'a—I 4;,;1,.4- a,:1;,‘_._: iii‘ 1 ’B‘U‘ '57!‘ Ta ‘d T '6' ‘i/" i I ’$.‘o If con passione. Love . . . . oncea. - gain, V me oncea - gain,. . . O ‘L ' "‘ 4- -0- . -9- -0- -9- -9- P d. .z_r_;;-, Shall . . . it Wake ?shall it wake in vain? - 2'? —\ /* m conforza. \« - - ing, Shallit wake in vain? shall It Wakem vain? can form. Ped_/.———-—_.\ $17“ Ska”. 'I VVEARY VVITH ROWING. Words by W. W. STORY. Music by F. BO0T'_l'. Allegretto. 7“ 1. I am wea - ry with row -uifé, with roy ing, Let me drift. a. - 2. The stream in its ﬂow-ing, its ﬂow - ing, Shall bear us a - long with the - row - iug, with down to the .. row - ing, with down and love and to I can strug - A piacere. > > - '- In these arms which are *" rit. dim. _ a tempo. —..___—2:_"__h. —‘_ stronger, are strong - er Than all of this earth, Let me die, Let me die. I7 _M01'end0. ROSE OF THE ALPS. Arranged and adapted to English Words ’ By GEORGE LINLEY. Allegretto. - :13; ¢ e W A 1- ’Mong the beauteous ﬂoW’rs I live, Hap- py as young heart 2. When the day - light fades a - way, Pleas’d I turn my steps -1: V -0- -0- There’s not a boon the World could give, Like the charm of rov - ing free: Yet with the ﬁrst blush of the day, Here with my ﬂocks a - gain I roam; __‘,__._~ Ah: - .1 vain - ly, lov- ers en - treat Vo?-/ fond and faith—ful to prove; Ah! . . . gai - ly, then I am sing- As . .A . i - dly wand’ring a. -long. and mks of love. A.h 2. my A1 - pine. song. Ah! . _ 1__J_,9 9- —o9——+ .6. -‘- _ -e- ~0- marcato zl basso. e——i .1 .. . F o _._x_.. -— ._ U _.,_ 1,- dolce. Far fxom the sorrows Ev’ - ry wild note of . j_. : F 5 ‘"1’ . U’ I to rove, €‘!:i::!: i 31--=1'—4—n —~;———-a——.__... ;:€;Ed d I =;——-*—--22- -!——3— 9:1! ai.——i 2:3?’ giajfir am more blest here con-tent~ed E - cho re - peating, the mountains a - mono, U- _ _ _ — _ _ _ M M _H _% _, I 3'“ / ﬁ:4_1 % +5 THE VAGABOND. Words by CHAS. LAMB KENNEY. Music by JAMES L. MOLLOY. Vivace. 1} - less, ra.g- ged and tann’d, Un-der . changeful’ land, Who so con-tent-ed . Ne’er . . need I quake, lest for- tune prove un - kind, . . ’ . . . my heart break, that vows have oeasedtd ‘N 32512. "av - * a tempo. Would I call by friendship’s name. . . Z9. .6. a tempo. _ __ :j_—‘::—_._ E’en thi - ther whence I came. . ra.g- ged and tann’d, Un-der changeful sky, ; free in the laﬁd, Who so con-tent- ed‘ as ‘I? /o\ 3: B-ann’d by saint-li - est cant, Scorning hy - poc - ri - sy’s wage, 4% By way-Ward fan — cy Con spirito. _Who the sparrows still hath fed, ‘ . _. . . let me” die, be the World’s base thrall, . . ._ . . ‘ To- mor - row ne’er’ ‘re . Home - less, V ragogedand tann’d,' Un-def the change-ful free in the 1and,LWho so con-tent-ed m Once, . . .- Vten- der love \ Wat¥:h’d Her An - gé1’s my guide. When heaV’na » Asks my last bfea.-th, A ‘ % -’ ' gel love ‘ Smile on the Va-ga.-bond’s death. When . . heav’na - bove . . . my last breath, ——-——~ Smile on the Va-gab0nd’s death, Smile on the Va - gs.-bond’s death. . L I L L 1 A }\ I‘ i‘ ! K‘ ' : . . I . 4. =' -1 ~.¢;a—-——~a T | "‘ ’ 1 I ' . ‘—"“ Home - less, rag-ged and tann’d, Un—der the cl_mnge-ful _\ .—j_j_..___._- r 3 = : 1*‘ —.*- j -,- (‘'5 free in the land, Who so con—tent-ed as ‘Z . fh _. __,*__ __,. J 1‘ A rh--F IT WAS A DREAM- Stop!-ahno. Music byhFRED. H. COWEN. Words by R. E. FRANCILLON. ANDANTE. VOICE. 1. heard brooklet 2. I saw the wand’ring st-reamlet -ti‘ -rvvv" t I7 sing, Among the pop-lar trees, . . . . .. I heard the Wi1-1oWswhis- per- ﬂow Down to the cold grey sea, . . . . I saw the bending Wil - lows 'a“i'1"'d' -r #3; ;+ , , aw-z'r i‘-ti" iii’ '- - ing Un-to the evening breeze, un- to the eve - ning breeze, ‘bow, In Welcome o-ver me, In Welcome 0 - ver me, looked on’ the old, old . ' my dar - 1ing's 11s - tend to breeze _ and M ' ,., T‘ 1ing’s voice 1 agitdto. face, . . . . . . . . . . . A - gain we wan der’d by th t . . . . - ' heard; . . . . .. . . We kiss’d be - neath the moun’s sofeta; :eI:1?1I?].,. . . . .. .. Vée 3:: a tempo. espress. - der’d by the the moon’s soft a tempo. dream; . . . . . . . . A-gain I looked on Elie old, old dream; . . . . . . . . A~ gain I he - ten’d to breeze and, 21. 3 \\\’\’‘\’T\”\ 33e.3_e.3 ;i'° 0 C7'C3o _‘. my dar - 1ing’s face . . . . . .. . . . . . . . . . . . . . . - 1ing’s voice I heard, . . . . . . . . . . . . ff‘? fir .; It wait a Dream. % we wan - der’d by the stream, It was a. be - neath the moon’s soft; beam; Itvwas a 7st. rit. ,3 tempo. dream, it was a. dream. m —-—--_-—-—..’’..\'J dream, 1t was /A 3 . ' It wasa Dream. & “THE TAR’S FAREWELL.” Words by RC. BURNAND MUSIC by STEPHEN ADAMS. MODERATO UON ENERGIA. Z“"""S ._‘;:g_'£_h_ :’ :1“ - __f_ -9--93" vi —¢ 2 .2 1. When forced to bid farewell to Loo,Pu11a-Way, my boys, pull a,- Way, I did not know What; I should d0,Pu11 a- 2. But then if false should prove my fair,Pu1laway, my boys, pull 21- way, I’d burn this 1it;- tle lock of hair,Pu11 a- pull a - Way, I left; her Weeping on thequay, She said she would be true to me, As we pull a - way, If ‘she be false’ and I be free, I’ll ’ sail a. - gain to the Southern sea, I , _¢'. . rall. ~. ‘ «A sail’d 3. - Way to the Southern sea; Pull EL - way,m_v boys,pull a. - Way, »Pull 9. - Way,pull away, pull a - Where there are plenty as good as she, Pull a - wa_V.my b0ys,pull a - Way, Pull a - way, pull away,‘ pull a - can tabile. For the Wind must blow,and the ship must go, And lov - ing souls must part, But the ship will tack, and the Tar come back To the con spz'rz'to. ﬁrst love of his heart, For the wind must blow, and the ship must 7go, And —- V 7“. _‘-r The 'I‘ar’s Farewell. 3. 235 lov - Zing souls must part, But the ship will tz1ck,a.nd the Tar come back To ‘the #11‘ ! 7st. ad lib. To the ﬁrst love of his heart.;.... . .. 13>- '0" 2d. ad lib. The Tin-’s Farewell. 3. 236 l A TWILIGHT FANCY, OI‘ DRESDEN CHINA. A Words by F. E. WEATHERLY. ' Music by J. L. MOLLOY. Andante con moto. . $ 1. In the twi- 'ght has Iplay,And as I dream in the ﬂickering gleam,He 5&1’? fan-cles come and go, And dreamland falls on the old oak mm the ﬁrelight’s ﬁ glow ; takes her Wee sweet hand, And too and fro in a measure slow, They tread :1 so - ra - band; A 7” Side by side In the cor - ner Wide,Stand a lit - tle lass and lad, And thro’ the gloom of my Still they dance and still they pla. ,’Till the mu - sic gives a sigh, As danc-in aye, they PP lone -ly room Come their two lit-tle fa- ces glad. Side by side in the cor - nerwide, I fade :).-way And ind the sha.-dows die. Dim-ness falls on the old oak walIs,And razz. 237 watch their ev’ - ry look, She peeps at him ’neath her hat’s white brim,As he leans on h1s lit - tle lone - li - ness on me, When they are gone, my song, is done,’And the mu - sic hushed must “'1 a tempo. crook. Hour by hour Watchthemtherc,But they take no heed of me, '1‘ y be; Oh, how I loved to Watch them there,Tho’theytook no heed of me,’ They W811: 3 pp a z‘cmpo. make my dark room bright andfair, The lit - tle He and She, on - ly Dres-den Chi - na fair, The lit - tle He and JAMIE! Words and Music by J. L. MOLLOY. ad lib» L . ‘ ,5 a tempo. 1. Ja - m1e! Ja - mie! Ja - m1e! Ja- me! do youhear me 2. Ja - niie! J9. — mie! Ah! if he were no - vet, call-ing in the gleaming, Calling to you, lad - die, to come home; Long and lone I’m Watching,and my heart is ne-ver more to hear n1e, Ne-ver to come back to me a - gain. Sure I’in on -ly dreaming, and I know he’s ,3‘ ‘ ad wond’ring Why up-on the hill so late. you roam, Ja-mie! Ja-mie! Are you ne - fer com- ing ‘com-ing, All the same the tears will ﬂow like rain. Ja-mie! Ja-mie! Ah! the fear is on me, .lU r {j V 239 A‘ ritard. of rall. % To the little heart that's waiting Sad at home. .Ta../- mie! j7a/- mie! And my heart is ach - ing with dull pain; Ja - mie! Ja - mie! Jamie!Do you hear me calling in e gloam-ing, Call-ing to you, lad - die, calling H mie! Jamie! Do you hear me calling in the gloam-in Call-ing to you, lad + die, to come home. It tempo. an - swer, A{¢)youe{y. . l g ; s -V [H - I‘ H '1 | I n 1 I . I J U And it says he’s com-ing, com - ing down the hill - side, Well I know his voice, my A ' ‘ V Now hear him sing - ing to the cat-tle blithe - ly, And the lit - tle sheep-bells tink-lin glad, 3% a-nmiel Ja-mie! Ahlthe joy is on me, and my heart is go - ing just like mad,‘ 3 \ . _ Ja - mie! ' Ja - mie! Welcome to you, lad - die, ta /5 -q- ''d' THE LOST CHORD. . % 3“ Words by ADELAIDE A. PROCTOR. % T Music by ARTHUR SULLIVAN. .71JV‘.’Z.21.7V'2Z' /21092139120. ere‘: . . . . . . . . . . . . . . . . . . . . . .. | f -0- Seat -ed oneday at the or - gan, I was wea - ry, and ill And my ﬁn - gers wander’d O - ver the noi - sy keys; know not what I Vwbas .1Z)lay - ing, what I was dreaming then. M But struck one chord of mu - sic, Like the pew rail. >-——— ores. ................................. ......... .. f dim- soflnd of a _’ great A -T men, Like the sound of T ﬂood - ed the crim '- son twilight, Like the close of an An - ge1’s Psalm, + T j me Lost chord. 5.; dm......Z..5 .... .. Lay on my -fe - ver’d ' rit, With a. touch of in - ﬁ-nite J -C- "F qui -et - ed sor - row, ' o - ver- com - ing strife; I -0- seem’d the hat - mo - nious From our dis-cor - dant life, I 7; tra7zgzkz'lZo. . -9- tra'2zgm'ZZo sempre. link’d all per-plex - ed mean- ings, _ . V per ~ fect peace, The Lost Chad. 5.. 244 poco apocopiu animate. f a,9'2'l§0. -9- it were 10th to cease ; trem — bleda - Way in -to si - lence, M __1_e 4- ﬂed. ‘Z2. sought, but I seek vain - Iy, That one lost chord di - vine, 1 came from the soul of the -9- f gran cZz'o.9o . be that Death’s bright An - gel, Will '5' "5' ritard. ff 719 Ted. The Lost Chord. 5. 7' 4 T h ' 245 speak in thatchord ’ a - gain; It may be that on -V ly in Heav’n, shall sempre f f 5}: feat 55‘: fed. §>§<:f’ea". :>§<: -it may be that death’s bright An - gel; will +- 3: 9 ? ff rimra’. con gran /‘orza. speak in that chord a - ﬁn, It may be that on - ly in Heav’n, I i shall f ritartl. race con _qramS/‘orza. hear that grand raiiwzlmz do . The Loat Ohbrd. 6. LET ME DREAM AGAIN. Words by B. C. STEPHENSON. ’ Music by ARTHUR SULLIVAN. A K MEZZO SOPBANO. .71/V?$.21JV2Z’ £’Si°ﬂESSIVO. . ‘L. 1%. The sun — is set- ting and the hour is late, Once more The clock is strik- ing in the bel - fry tower, And warns be-side the wick ‘ The bells are ringing out the ev- elf ﬂeet — - ' But nei - ther heeds the time \.., \., ' V ing day, The chil - dren singing on their home- Ward way, ward glides, For time‘ may pass a - Way, but love a-bides. whisp’ring words of sweet in - tent, half kiss - es on my fe - - vered brow, ~ We must mzpoco pz'uZem‘o. 17 )2 ' 1 V doubting, whis - per a consent. - Is this a. dream? part, . ah! Why should it be now? Is this a dremn? 81 not wake me, me dream a- wak - ing would be pain, Oh, do a. dream? then Wak - ing would be pain, 9: ‘ 9, appasszbnaio ad lib . c forza. /5 not wake do not "wake me, let .me dream a - gain. H A WARRIOR Bow. Words by EDWIN THOMAS. Music by STEPHEN ADAMS. CON SPIRITO. 1. In days of old, when Knights were bold, And Barons ' their sway, 2% So this brave knight, in at - mor bright, Went gaily to the stray, warrior bold, with spurs of gold, Sang Iner - ri - ly his lay,". . .. sang mer - ri‘ - ly his lay,- fought the fight, but ere the night, His soul had passed a - way,. . . . His soul had pass’d a. - way, love is young plighted ring heart so true, brave - ly cried, love hath gold - en with hair, 8016» and fair, My he Wore Was crushed and wet eyes so blue, and ere he died, be none with her com - pare. So kept the vow I swore. So What care I, What care 1, Though death be nigh, Though death he nigh, -0-. -8-. x calla voce. f /-N . live for love, fought for love, T die. So what care I, Though death be nigh, I’ll live for love, or die. J A warrior bald.-8. ﬁg 2D. death be I’ve fought for love, % piu lento. molto. rallentandoe dim. A >’ >">‘>’. love, for love .... . . for love I die. A a tempo. f>‘ }" colla voce. ‘ m ﬂed. A warrior bold.-3. I’ve fought for love . . . . . . . . I’ve fought for EMBARRASSMENT. 1 A VERLEGENHEIT. _AI..TO SONG. ' FRANZ ABT, Andantino. con leggierezza. D 5”“ 5% 0 u : F‘ W i" [f | I 7 : j I_é“t I - 7: _‘ J“ —“““‘."‘j“""‘ " “ _l“‘ —"i 1”" d.-_, L I A i 3 I I i I .__i ._..‘. Jq;4)__'T.__ i tell thee some-thingI am yearn - ing, Yet to speak it, know not moch - te dir wzohl et was sa. - gen und ' doch selbst so recht nicht, thee with joy would I be sing - ing, A which in my heart is‘ moch te dir so ger - ne I sin - gen ein ' das tief in’s Herz dir write a let- ter to thee, tell - ing, — and hid-den are my mfich - te dir ein Brief-lein schrei ben ' mein Herz dir schiit — ten ‘a1 __. -——~j,T- i ; .1 1 s _g_“z_lcg;_._-___g:g: 3: pi? \-/ _,,_,,. ;:\ 0 no in = ' .- -1 .--7--—-.--—.--3--I 1-’ Hr‘ .v—.v——.v . I V H A '[ 4' ‘ V 70 I . 2‘ 5 1‘ “* 1-“: s L 3‘ I I :1: ﬁ____*' Yetvvould’st thou still the clue belearning, I on - ly could as answer tell : I und wiir - dest. du datum mich fra - gen, wiisst’ ich wohl sel-ber-nichts als das: But still my lips are only bringing, One soul - felt, tender, pleading Word: _ Doch will mix‘ eines nur ge - lin - gen, das stets in mei-ner See -le klingt: But from my breast,with passion swelling, One sim - ple word will on - ly rise : al - lein auch das muss nnter- blei - ben, _denn stets bring ich nur das her - aus : F1 I 41': _ 7 L J I) i__ ‘ i 1 _ I ' :1 Li " ;ﬁ.¢+o*=~+;r-——-J~%v—-;— -a—r——. , '-:aT—~—=z--‘Eta; is; i I 3 ﬂ 01: l ' ‘”" ' ' 2 _ »_,__. -_ -_:__ -_ 17¢ — , , g 4 --93’-~<=9"-~¥~~*¥---v‘5-~4--av-3 y gﬁ-%-v.::*-—.::-.:._~:.. “ - - ’ I oco rzt. -_ - . - {Is -<.: —~=< M) P " !' 9 1"? I i; 2 p-bu:--‘ 9:;-b-2-.-,—-°.r-: 5 =., 3' .= 9 .= , W1 «P. : |___x t__ V "L-LEV I A--hd -4+9-—p—-4-My-P-+—i-%——r4——-5—r—r- i 5 :?5—L—‘..:——-' ‘:5. I I ' I molto espressivo. _/ \ love thee dar - ling, faith - ful-ly, Love thee, A A and on - ly thee,...J ...... .. lie - be dich herz - in - nig-lich, nur dich 31 - lein, nur dich, . . . . . . . . . / 1- ‘ -g— I I L I . I ! " E '.‘q: E? M7 1/ _._ L. ‘“l‘ g I I U. ' ___'U.l 17 love thee dar - ling, faith ~ ful - ly, Love thee, ..... ..' ......... .. - be ‘dich herz - in - nig - lich, uur dich . . . . . . . . . i .9 I‘ I Iii j thee I dich I Tempo 1. . 254 R 0 M A N C E V ‘ Words by W. Gurnsey. Andante con espressione. ’ 4- t /:\ +- the for - est, slept gen - tly! . rays tinge And T all things And all Ah! Al “ALICE WHERE ART THOU.” Music by J. Aecher. seems glad to - night, - ice, Where art thou? -+ ‘C’ , _\. - mg by me, Cool - mg my fevered by lake - let, I’ve sought thee on the Z?‘ V, stream flows as ev - er, Yet Al - ice, where art thou? One 1n the pleasant wildwood, year back When winds blew cold and chill; I've sought thee in -4- '9' e - ven, And thou wort by my si e; for - est, I’m look - ing heav’nward now; thou by my e, look - ing heav’nward now ALICE, wanna ART 'moUP 3. lofe me, One year past starshine. I’ve sought thee Vow - ing to love Oh! . . . . . . .. there a. - mid this e - ven, And thou Wert by my side: in for - est, I’m look - ing heav’nward now; be - tide. me, Al - ice, what - e’er might thou. the sta1'shine, A1 - ice, I know art /5 1 ALICE, wxmnn ART wow? 3. . ﬂan.u..»§..._rEn,nna.3u.!. n. ,. .H::.Td.a ﬂ-..u.aa..t.£1aq.n:;..u.. , artwo‘ ‘ u,«I..rw/49.‘ /daarranrlrl/m.~».uuv»¢rﬂniintrﬂfur »..».ﬁﬁ.....a»r«mﬁm,.n ixlnln-.. lulu v _ ‘ . x..!.|\4,A.?. Anllnnt. . 5:.-In linnululpls mo‘ mu..m.ﬂW-.5 vIu..1I:.£:a.ﬂ.u:2..un. . ﬁ»...,»..mn,£.ﬁ. 55.. ‘4v‘._., . I‘ . » 5 ,5ﬂ.55.=.,p1.. :1 m
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Date: 1907
Text: THE FOUR WINDS Words by Longfeilow \ '4 \'4~t.‘¢“{‘ .. ¢ “ ~ 3/ " E! ' . /V 1‘ \‘ i‘ 7 M ‘ \ ) ,' ‘ ,,. Y W,‘ V V] V ‘ .‘f ‘ : I"- \ ‘WA ‘ ‘H j Ir,’ > /, /’ ,5 ‘ ; 1 . . ‘ ‘,_>/~ 5 ‘M, - I V U * W L :3 |[\ [_ 1 7 L 3%? I ‘E. H! 3,. "\ “ » "‘I M \,\;'§ “l';i.' " H“ ‘-‘i IV‘ ‘ , . W n‘. H: «W A ~«‘w', .,«. 5 3'», ’ 2 ‘ ‘\"|_'§ r 1" s , 1‘ -v‘ ‘ I :_:\ . .1, ‘ ;-J*.4 w“! ‘ 3 a‘ Q, - x’ ‘ Y The Music...
Show moreTHE FOUR WINDS Words by Longfeilow \ '4 \'4~t.‘¢“{‘ .. ¢ “ ~ 3/ " E! ' . /V 1‘ \‘ i‘ 7 M ‘ \ ) ,' ‘ ,,. Y W,‘ V V] V ‘ .‘f ‘ : I"- \ ‘WA ‘ ‘H j Ir,’ > /, /’ ,5 ‘ ; 1 . . ‘ ‘,_>/~ 5 ‘M, - I V U * W L :3 |[\ [_ 1 7 L 3%? I ‘E. H! 3,. "\ “ » "‘I M \,\;'§ “l';i.' " H“ ‘-‘i IV‘ ‘ , . W n‘. H: «W A ~«‘w', .,«. 5 3'», ’ 2 ‘ ‘\"|_'§ r 1" s , 1‘ -v‘ ‘ I :_:\ . .1, ‘ ;-J*.4 w“! ‘ 3 a‘ Q, - x’ ‘ Y The Music éomposed by CARL BUSCH ? I , ,- us» ; AA‘: * ff: A THE H. W. GRAY COMPANY Sole Agents for % NOVELLO & CO. LIMITED New York The Four Winds (“DIE VIER I//INDE”) FROM THE SONG OF HIAWATHA S}*ZT'"J1”O MUSIC FOR S()PRA;\T() ;\_\”D TENOR SULI, CHORUS, AND ()RCHliSTR:’\ BY CARL BUSCH Tm: C}JLCR]\/IAN TRANsLA'r1oN BY HERMANN S1MnN 1’.-1/’/LL/Q“, $1.25 —- ]f().4/\’])S. S/",5O — C'L'UL/L/~[, 82.00 :\‘F.'\\' YORK ‘ THE H. \V. GRAY COMPANY .<m,1v: _\¢:1‘;\"rs 1-‘on N()V1*‘.LLO & C0,, LTD. Copyright. 1007, by THE H. W. GRAY C0. TH]? F0 UR IVHVZJS The work is written for two solo Voices, Soprano and Tenor, orchestrated for Strings, 2 Fltites, 2 Obocs-, 2 Clarinets, 2 Baissoons, 4 Horns, 2 Trumpets, 3 Trom- bones, T1.1i)21,, Tympani, Cymbals, Bass Drum, and Harp. - ‘-4-4 T he text is used with the sanction of Messrs. Houghton, Mifﬁin 84: Co., the authoriyed publishers of T..0ngfellow’s works. THE FOUR VVINDS INDEX INTRODUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . i . . . . . . . CH()RL_¥S —- Honor be to Mudjekeewis . . . e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 'J‘s«:NoR So1,0— Hark you, Bear I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHORUS — Then again he raised his war-club 'l‘i«:N<>1< SoI.o— Young and beautiful was Wabnn . . . . . . _ . . . . . . . . . . . . . . . . . . . . . r . 4 . Cimkiis —~ Every morning gazing earthward . . 4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . S(.>l’RAN() ANT) TENOR SOLO AND CHORUS ~— For they both were solitary . _ . . . . . . CHORUS — But the ﬁerce Kabibonokka . . . . . . . L . . . . . . . . . . . 4 . . . . . . . . . . . . . . . . . . . . . . TENOR S()L()—— There among the reeds and rushes . . . . . . . . . . . . . . . . 4 . . . . . . . . . . . . . (THORUS — And at night Kabibonokka . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A 92 S<wRANo SOLO-— Shawondasee, fat and lazy . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4_ . . . . r . . 127 'l‘i«:.\1oR SOL0— Once as he was gazing northward . . . . . . . .‘ . . . . . . . . . . . . . . . . . . . . . . . 131 S<)l’R.»\N() ANT) 'l‘i«:N0R Sou) AND CH()RUS— Till one morning . . . . . . . . . . 4 . . . . . .. 135 THE FOUR WINDS (« DIE VIER ll/']NDE”) CHORUS. ‘llonor be to Mudjekeewisl” Cried the warriors, cried the old men, \\7 hen he came in triumph homeward With the sacred belt of Wampum, From the regions of the North—Wind From the kingdom of VVabasso, From the land of the VVhite Rabbit. He had stolen the Belt of W'ampum From the neck of Mishe—Mol<wa, From the Great Bear of the mountains, From the terror of the nations, As he lay asleep and combrous On the summit of the mountains, Like the rock with mosses on it, Spotted brown and gray with niosses. Silently he stole upon him, Till the red nails of the monster Almost touched him, almost scared him, Till the hot breath of his nostrils W armed the hands of Mudjekeewis, ;\s he drew the Belt of \7\/ampum Over the round ears, that heard not, Over the small eyes, that saw not, Over the long nose and nostrils, The black muﬂle of the nostrils, Out of which the heavy breathing \\’armed the hands of Mudjekeewis. 'J‘hen he swung aloft his war—club, Shouted loud and long his war—cr_v, Smote the mighty Mishe~Mokwa In the middle of the forehead, Rigrlit between the eyes he smote him. “Ehr’ und Preis dem Mudschikihwis!” Riefen Krieger, riefen Greise, Als er triumphirend heimkam Mit des Wampum heil’gem Giirtel Aus des Nordens Regionen, Aus dem Konigreich Wabosso, Aus dem Land’ der weissen Kaninchen-. Wampum’s Giirtel er sich raubte Von dem Nacken Mitscha-Miakwe’s Von dem grossen Bar der Berge, Von dem Schrecken der Nationen, Als er schlafend lag und traumend Auf der Berge hochster Spitse \Vie ein Fels mit Moos bewachsen, Braun und grau vom Moos’ umsponnen. Schweigend stahl er zu ihm hin sich, Bis (les Monstrums rothe Niigel lhn beriihrten, ihn erschreckten, Bis der Niistern heisser Odem Mudschikihwis’ Hande warmte. Schnell schlug er den Wampumgiirtel Um des Scheusals runde Ohren, Die nicht horten, um die kleinen Augen, die nicht sehen konnten, Um die lange Nas’ und Niisterir Deren schwerer Obem gliihend Mudschikihwis’ Hande streifte. Hoch schwang er die Kriegeskeule, Laut und lang sein Krieg’schrei tonte, Mitten auf die Stirne schlug er Dann den starken Mitscha-Mal<we, :\/Iitten zwischen beide Augen. Tl~lE F0 UR W] N l.)S With the heavy blow bewildered, Rose the Great Bear of the mountains; But his knees beneath him trembled, And he whimpered like a woman, As he reeled and staggered forward, As he sat upon his haunehes; And the mighty Mudjekeewis, Standing fearlessly before him, T aunted him in loud derision Spake (lisdainfully in this wise: % TENOR SOLO. ‘Hark you, Bear! you are a coward, ;\nd no Brave, as you pretended; lilse you would not cry and whimper Like a miserable woman! Bear! you know our tribes are hostile, Long have been at war together; Now you ﬁnd that we are strongest, You go sneaking in the forest, You go hiding in the mountains! Had you conquered me in battle Not a groan would I have uttered, But you, Bear! sit here and whimper, And disgrace your tribe by crying, Like a wretched Shangodaya, Like a cowardly old woman!” CHORUS. Then again he raised his war—club, Smote again the Mishe-l\Iok\va In the middle of his lorehead, Broke his skull, as ice is broken, VVhen one goes to ﬁsh in Winter. Thus was slain the Mishe~Mok\\'a, He the Great Bear of the mountains, He the terror of the nations. “Honor be to Mudjekeewis!” With a shout exclaimed the people, “Honor be to Mudjekeewisl Henceforth he shall be the West—Wind And hereafter‘ and forever Shall he hold supreme dominion Over all the winds of heaven. Call him no more Mudjekeewis, Call him Kabeyem, the lV'est-\Vin(ll” VVi'1thend durch cles Schlages Schwere Sprang empor der grosse Bergbiir, Doch die Kniee ihm erbebten, W'ie ein Weib er wimniernd klagte, Als er taumelnd vorw'2irts schwankte. ‘ Sich aul seine Schenkel setste. Und der starke Mudschikihwis Vor ihm dastand ohne Bnnggen, Hohntei ihn mit lautem Spotte, Sprach \'er'2iehtliCh also zu ihm: “Hore, Bar! Du bist ein Feigling, Nicht so muthig wie Du prahltest Nimmer wtirdest Du sonst schreien, \Vimmern wie ein elend \Veibsbild. Bar‘; Feind waren uns're Stiimme, Lange waren wir in Fehde. _letzt siehst Du (lass wir die starksten. Und gehst sehleichend durch die Wiilder, Birgst dich feig in Felsengrijnde. Wenn Du mich im Kampf’ bezwungen, Nimmer hortest Du mich seufzen: Doch Du, Bar! hier wimmernd sitsest Schandest Deinen Stamm durch Klagen, \\'ie ein lump’ger Schagodeje, l\7ie ein leiges, altes \Veib.” l’)ai1n hob er die Kriegeskeule Schlug noeh ein Mal WitsClia—Mal<\\'e (}’rade mitten aul (lie Stirne, Brach den Schadel, \\'ie man’s liis bricht \\"enn man fischen will im Winter. So kam um der l\'lll.\'Cl121-‘_\l2tl{WL*, Jener grosse Bar der l$e1‘ge, lir der Nzitioneii Schrecken. 3 “Ehr’ und Preis dem .\ludschil<ihwisl" Jauchzten laut des Volkes Schaaren, E111" und Preis dem Mudschikihwisl Soll der Westwind sein VOH heut’ an, Und fortan fur evv’_qe Zeiten Soll als Herrseher er gebieten Ueber alle Himmelswinrle; Nennt ihn nicht mehr Mudschikihwis, .\lennt ihn Kabeyun, den \\"estwind. THE Thus was Mudjekeewis chosen Father of the Winds of Heaven. For himself he kept the West—Wind, Gave the others to his children, Unto Waban gave the East—Wind, Gave the South to Shawondasee, .—\nd the North—Wind, wild and cruel, To the ﬁerce Kabibonokka. TENOR SoLo. Young and beautiful was Wabun; lle it was who brought the morning, He it was whose silver arrows Chased the dark o’er hill and valley; He it was whose cheeks were painted With the brightest streaks of crimson, And whose voice awoke the village, Called the deer, and called the hunter. lxmely in the sky was Wabun; Though the birds sang gayly to him, Though the wild—ﬂowers of the meadow Filled the air with odors for him, Though the forests and the rivers Sang and shouted at his coming, Still his heart was sad within him, For he was alone in heaven. But one morning, gazing earthward, \Vhile the village still was sleeping, .-\nd the fog lay on the river, Like a ghost, that goes at sunrise, lle beheld a maiden walking All alone upon a meadow Gathering water—ﬂags and rushes By a river in the meadow. CHORUS WITH SOPRANO SoLo. Every morning, gazing earthward, Still the first thing, he beheld there \\’as her blue eyes looking at him, Two blue lakes among the rushes. And he loved the lovely maiden, \\"ho thus waited for his coming: F0 UR \/VlNl)S So erkor man Mudschikihwis Zu der Himmelswinde Vater: ﬁr behielt fur sich den Westwind, Gab die ander’n seinen Sohnen. Waban ward des Ostwin(.l’s Herrscher, Scliawamlassi Herr des S'Lidwind’s, Fur den Nor(l\\'in<l, wild und grausam Wurde es Kabibonocka ) ]ung und wunderschon war Waban, Braehte als Geschenk den Morgen; Seine Silberpfeile jagten Ueber Berg und Thal das Dunkel. Angehaucht war seine Wange i\/Ilt des schonsten Purpurs Schimmer, Und sein Hauch das Dorf erweckte, Rief das Reh’ und rief den Jager. Einsam zog am Himmel Waban; —— Ob ihm Lust die Vogel sangen, ‘ Ob der Wiese wilde Blumen Ihm die .Luft mit Diiften wtirzten, Ob sein Nah’n auch alle Wéilder Alle Strome froh begriissten, - Traurig schlug sein Herz im Busen, Einsam zog er ja am Himmel. Friih einst schaute er zur Erde, Als noch schlummernd lag das Dorfchen, Nebel noch den F luss, wie Geister V or der Sonne ﬂiehend, deckten. Da sah wandeln er durch Wiesen Ganz allein ein schones Madchen, Binsen pﬂiickte sie und Lilien An des Wiesenstromes Rande. Jeden Morgen sah er erdwarts, Und das Erste was er schautc, “Var der blauen Augen VVinl<en, Zwisehen Ried zwei blaue,Seeen; Gliihend liebte er das Madchen, Das so einsam seiner harrte, 'l‘I~l Ii I)1n«:'r. For the both were solitary She on earth and he in heaven. And he Wooe(l her with ca1‘t5sst*s, Wooed her with his smile of sunshine, With his ﬂattering words he wooed her, With his sighing and his singing, Gentlest whispers in the branches, Softest music, sweetest odors, Till he drew her to his bosom Folded in his robes of crimson, Till into a star he changed her (Chorus) Trembling still upon his bosom; _DUET AND CHORUS. And forever in the heavens They are seen together walking Wabun and the Wabun-Annung, W abun and the Star of Morning. CHORUS. But the ﬁerce Kabibonokka Had his dwelling among icebergs in the everlasting snow—drifts, In the kingdom of VVabass0, In the land of the White Rabbit. lle it was whose hand in Autumn Painted all the trees with scarlet, Stained the leaves with red and yellow; He it was who sent the snow—ﬂakes, Sitting, hissing through the forest, Froze the ponds, the lakes, the rivers, Drove the loon and sea—gull southward, Drove the Cormorant and curlew To their nests of sedge and sea—tang For the realms of Shawondasee. Once the ﬁerce Kabibonokka Issued from his lodge of snow—drifts, From his home among the icebergs, And his hair with snow besprinkled, Streamed behind him like a river, As he howled and hurried southward, Over frozen lakes and moorlands. F0 U R W} N 1) S Waren Beide doch verlassen, Sie auf Etden, er im Himmel. Und er warb um sie mit Kosen, Warb mit seinem sonn’gen Lacheln, Warb um sie mit Schmeichelworten, Warb mit seinem Sang’ und Seufzen, .\Iit der Zweige leisen Wispern, Sanften Klangen, siissen Hauchen, Bis sie lag an seinem l"Ier'/Jen, Eingehiillt im Purpurmantel, Bis sie war zum Stern verwandelt Bebend leis auf seinen Busen. Immer siehst du sie zusammen An dem Morgenhimmel wallen, Waban und die Waban—Anang, Ostwind und den Morgenstern. Doch Kabibonocka hauste Grimmig zwischen Eisgebirgen, In den ew’gen Schneegeﬁlden, In dem Konigreich’ Wabosso, In dem Land’ der weissen Kaninchen. Seine Hand im Herbst’ die Baume Ringsum scharlachroth bemalte, Fétrbte roth und gelb die Bléitter, ,Schiittelte des Schneees Flocken Stiebend, rauschend durch die Walder, Liess der Weiher Wasser frieren, Strome, See’n liess er erstarren, Lummen, Moven trieb er sﬁdwarts, Trieb Seeraben und die Reiher In ihr Nest Von Ried und Seetang In den Reichen Shawandassi’s. Einstmals stieg Kabibonocka Nieder Von der heim’schen Sclmccl.rift, Von der Heimat zwischen Gletschern, Und sein Haar, mit Schnee’ besprenkclt, VVie ein Strom vom Haupt’ ihm wallte, Wie ein dunk’ler Strom im VVintcr, Als er heulend stidwarts jagte Ueber eis’ge See’n und Steppen. THE FOUR WINDS TENOR SOLO. There among the reeds and rushes Found he Shingebis, the diver, Trailing strings of ﬁsh behind him, O’er the frozen lens and moorlands, Though his tribe had long departed To the land of Shawondasee. Cried the ﬁerce Kal)il)on0kka, “Who is this that dares to brave me? Dares to stay in my dominions, When the W awa has departed, When the wild goose has gone southward, I will go into his Wigwam, 1 will put his smouldering ﬁre out!” C HORUS. And at night Kabibonokka To the lodge came wild and wailing, Heaped the snow in drifts about it, Shouted down into the smol<e—ﬁue, Shook the lodge—poles in his fury, Flappetl the curtain of the door—way. Shingebis, the diver, feared not, Shingebis, the diver, cared not; Four great logs had he for ﬁrewood, One for each month of the winter, And for food the ﬁshes served him. By his l)lazing ﬁre he sat there Warm and merry, eating, laughing, Singing, “O Kabibonokka, You are but my fellow-mortal!” Then Kabibonokka entered, And though Shingebis, the diver, Felt his presence by the coldness, Felt his ice breath upon him, Still he did not cease his singing, Still he did not leave his laughing, Only turned the log a little, Only made the ﬁre burn brighter, Made the sparks ﬂy up the smol<e—ﬂue. From Kabibonokl<a’s forehead, From his snow—besprinkled tresses, Drops of sweat fell fast and heavy. Dort traf zwischen Schilf und Binsen Schinschibis er an, den Taucher, Viele Fische nach sich schleppend Ueber eis’ge Stimpi’ und Moore; Er durchstreifte noch das Marschland, W ahrend langst schon die Genossen Fort zum Lande Shawandassi’s. Wuthend schrie Kabibonocka: “Wer wagt hier mir frech zu trotsen? Wagt in meinem Reich’ zu bleiben, Wenn die VVewe sich entfernte, VVenn die VVildgans siiclwiirts eilte, Wenn die Reiher die Schu-schu—gas, Langst hinweg nach Siiden zogen? Will in seinen Wigwam kommen, O \Vehen aus sein dampfend Fetter.” Und es kam Kabibonocka Wild und heulend Nachts zur Hiitte, Haufte um sie Schneegestober, Briillte nieder in den Rauchfang, Schiittelte voll Wuth die Pfosten, Klatschte mit der T htire V orhang; Schinschil)is war nicht erschrocken, Sorglos sah ihm zu der Taucher, Hatte ja vier macht’ge Blocke Um den Winter durch zu feuern, Finer kam auf jeden Monat, Fische auch genug zum Essen, Sass an seinem hellen Fetter, Warm und lustig, ass und lachte Singend, “O Kabibonocka, Bist Wie ich ein Kind des Todes!” Eintrat nun Kabibonocka; Und ob auch der Taucher ﬁihlte An der Kalte, dass er nahe, Seinen eis’gen Odem fiihlte, Horte er doch nicht auf zu lachen, Schiirte nur das Holz ein wenig, Liess das Feuer heller ﬂammen, Liess zur lisse spri,'1h’n die Funken. Von Kabibonoel<a’s Stirne, Von den schneebesprengten Locken Rollten schwere Schweissestropfen, THE Making dints upon the ashes, As along the eaves of lodges, As from drooping boughs of hemlock, Drips the melting snow in spring~time Making hollows in the snow—drifts. Till at last he rose defeated, Could not bear the heat and laughter, Could not bear the merry singing, [But rushed headlong through the d0or—way, Stamped upon the crusted snow—drifts, Stamped upon the lakes and rivers, Made the snow upon them harder, Made the ice upon them thicker, Challenged Shingebis, the diver, To come forth and wrestle with him, To come forth andiwrestle naked On the frozen lens and moorland. Forth went Shingebis, the diver, Wrestled all night with the North-Wind, Wrestled naked on the moorlands With the ﬁerce Kabibonokka, Till his panting breath grew fainter, Till his frozen grasp grew feebler, Till he reeled and staggered backward, And retreated, bafﬂed, beaten, To the kingdom of Wabasso, T o the land of the White Rabbit, Hearing still the gusty laughter, * Hearing Shingebis, the diver, Singing, “O Kabibonokka, You are but my fellow—mortal!” SOPRANO SoLo. Shawondasee, fat and lazy, Had his dwelling, far to southward, In the drowsy, dreamy sunshine, In the never-ending Summer, He it was who sent the wood—birds, Sent the robin, the Opechee, Sent the bluebird, the Owaissa, Sent the Shawshaw, sent the swallow, Sent the wild—goose, Wawa, northward, Sent the melons and tobacco And the grapes in purple clusters. FOUR WIN l)S Gruben Locher in die Asche, Gleichwie von der Hiittchen Rinnc, Wie von schwanken Tannenzweigen Schnee im Friihjahr tropft zerschmolzen, In die Schneeweh’n Furchcn grabend. Endlich sprang er auf, bezwungen, Nicht mehr konnte er ertragen Diese Glut und dies Gelachter, Diese frohlichen Gesange; Jahlings durch die Thijr’ er stiirzte, Stampfte die beeiste Schneeﬂur, Stampfte alle See’n und Strome, Hartete die schnee’ge Kruste, VVOb den eis’gen Mantel starker, Rief zu Schinschibis dem Taucher: “Komm’ heraus und ring’ Dich mit mir, Komm’ und ringe nackend mit mir, Auf dem eis’gen Sumpf’ und Moorland.” Schinschibis, der Taucher, folgte, Rang allnachtlich mit dem Nordwind’ Rang sich nackend auf dem Moorland’ Mit Kabibonocka’s Wiithen, Bis dess Odem zitternd bebte, Schwacher ward sein eis’ger Handgriff, Bis er taumelnd riickwarts wankte, Sich besiegt, getatischt zurtickzog In das Konigreich Wabosso, Zu dem Lande der weissen Kaninchcn, Horend noch das Geisterlachen, Horend Schinschibis, den Tauchcr, Wie er sang: “Kabibonocka! Bist wie ich ein Kind des Todes!” Shawandassi, feist und trage VVohnte weit im fernen Stidcn, In der traum’risch-triiben Sonne, In dem enblos langen Sommer. Er des Waldes Vogel sandte, Sandt’ Opitschis, die Rothkehlchen, Sandt’ Owessis, die Blaumeisen, Sandte Schaschas auch, die Schwalben, Sandt’ die Wildgans, Wcwe, nordwiirts, Sandte Tabak und Melonen, Trauben voll von Purpurbeeren. TH E From his pipe the smoke ascending Filled the sky with haze and vapor, Filled the air with dreamy softness, Gave a twinkle to the water, Touched the rugged hills with smootlmess, Brought the tender Indian Summer To the melancholy N0rth—land In the dreary Moon of Snow-shoes. Listless, careless Shawondaseel In his life he had one shadow, In his heart one sorrow had he. 'I‘1«:NoR SOLO. Once, as he was gazing northward, Far away upon a prairie He beheld a maiden standing, Saw a tall and slender maiden All alone upon a prairie; Brightest green were all her garments, And her hair was like the sunshine. Day by day he gazed upon her, Day by day he sighed with passion, Day by day his heart within him Grew more hot with love and longing For the maid with yellow tresses. But he was too fat and lazy _To bestir himself and woo her; Yes, too indolent and easy To pursue her and pursuade her, So he only gazed upon her, Only sat and sighed with passion For the maiden of the prairie. DUET. Till one morning, looking northward He beheld her yellow tresses Changed and covered o’er with whiteness, Covered as with whitest snow—ﬂakes. “Ah! my brother from the North—land, From the kingdom of Wabasso, From the land of the VVhite Rabbit! You have stolen the maiden from me, You have laid your hand upon her, You have wooed and won my maiden, With your stories of the North-land!” FOUR WINDS Seiner Pfeife Rauch erfiillte Rings die Luft mit Dunst und Nebel Und mit siissem Traum’ den Aether; Liess das Wasser funkelnd blinken, Goss auf wilde Hiigel Anmuth, Hauchte den Indianersommer Auf das melanchol’sche Nordland, In dem Schreckensmond’ der Schneeschuh’. Sorglos~fauler Shawandassil Nur ein Schatten traf sein Leben, Nur ein Gram zerriss das Herz ihm. liinst als er nach Norden blickte Weithin iiber die Prarieen, Sah er bort ein Madchen stehen, Schlank war’s Madchen, hochgewachsen, Stand auf der Prairie ganz einsam, Prachtvoll griin sah’n ihre Kleider, Und ihr Haar wie Sonnensehimmer. Taglich sah er nach dem Madchen, Taglich seufzte er voll Sehnsucht, Taglich gliihender entbrannte Ihm das Herz in seinem Busen Voller Liebe, voll Verlangen Nach der Maid mit gold’nen Locken; Doch er war zu feist, zu trage Sich zu regen, sie zu freien; Zu bequem selbst und zu herzlos, Ihr zu schmeicheln, sie zu werben. Immer schaute er sie an nur, Sass und seufzte voller Sehnsucht Nach dem Madchen der Prairieen. Eines Morgens, nordwarts schauend, Sah er ihre gold’nen Locken Ganz verwandelt, weiss geworden, Wie bedeckt mit schnee’gen Flocken. “Weh! mein Bruder aus dem Norden, Aus dem Konigreich Wabcsso, Aus dem Land’ der weissen Kaninchen! Hast mein Madchen mir gestohlen, Hast an ihr dich frech vergriffen, Hast gefreit sie und gewonnen Durch die schonen Nordlandsmahrchen.” THE FOUR WINDS CHORUS. Thus the wretched Shawondasee Breathed into the air his sorrow; And the South—Wind o’er the prairie Wandered warm with sighs of passion, With the sighs of Shawondasee, Till the air seemedfull of snow—ﬂakes, Full of thistle-down the prairie, And the maid with hair like sunshine Vanished from his sight forever. SOPRANO SOLO, TENOR SoLo AND CHORUS. Nevermore did Shawondasee See the maid with yellow tresses! Poor deluded Shawondasee! ’Twas no woman that you gazed at, ’Twas no maiden that you sighed for, ’Twas the prairie dandelion That through all the dreamy summer You had gazed at with such longing, You had sighed for with such passion And had puffed away forever, Blown into the air with sighing, Ah! deluded Shawondaseel Thus the Four Winds were divided, Thus the sons of Mudjekeewis Had their stations in the heavens, At the corners of the heavens, For himself the West-Wind only Kept the mighty Mudjekeewis. So der arme Shawandassi In die Luft der Kummer hauchte. Ueber die Prairic’n der Siidwind VVehte heiss Von Glutenseufzern, Von den Seufzern Shawandassi’s, Bis die Luft schien voll Schneeilockchen, Die Prairie voll Distelstaubchen, Und die Maid mit Sonnenscheinhaaren Seinem Blick’ entschwand fiir immer. Nie sah Shawandassi wieder Diese Maid mit gold’nen Lockenl O, betrog’ner Shawandassil Ach, kein Weib war’s, das Du ansah’st, Keine Maid, um die Du seufztest, ' ’s war der Lowenzahn der Wiiste, Den Du einen ganzen Sommer Traumerfiillt so sehnend ansah’st, Den Dein Seufzen gliihend suchte. Wehtest ihn hinweg fur immer, Bliest ihn seufzend in die Liifte, Du betrog’ner Shawandassi! So sich die vier Winde theilten, S0 die Sohne Mudschikihwis Ihren Plats im Himmel nahmen In verschied’nen Himmelswinkeln; Nur den Westwind fiir sich selber Nahm der macht’ge Mudschikihwis. THE FOUR VVINDS A CANTATA for sou, CHORUS and ORCHESTRA The éécond scene from “HIAWATHA” by « _ HENRY WADSWORTH LONGFELLOW CARL BUSCH Moderato L ‘ ' - Violinli f V’C'elZo (E Viola .’\ % 2 Wbod Wmd .? p Copyright,MCMVII,by '-I“heH.W. Gray Co. (T/zwzderstorm Wbod T/Wnd B Allegro moderate 1,; Ag TEFTF T FTFA o maiestoso f “H0n_~ or ' be to Mud-je — kee-Wis!” Cried Athe “Eh?” und Prezb dam Mudsch2' — kih -‘wis.”’ Ric - ﬁn Allegro maestoso War: riors, Krie — gm; Cried the old men, rze‘— ﬁm G7'ez—se, Wbodwhd home —Ward the sa - cred belt -of heim - kam des PVizm -pmnfs hail" - gem home—Ward the sa — cred heim — ka/m ales I/Vam — jmm’s ' tri —umph - phirend in tri — umph tri - umph um —ph1're7zd heim - kam, f WaIn—pum, Wam- pum, From the kingdom of Wa- Giin tel , Giir - tel, Aus dem Kéh ig — Veich ward, From the regions of the North - Wmd, Warn—pum, ka/m, A-us des Nonderzs Re - gi - 0 - ‘nan, Whm-jaumv,‘ has ~ so,Fromfhe land of "bus — s0,Ausolem La7wl____ Wa1n-pum, From the land Wam -pum, Aus dam.» Land’ Waxn-pum, From the: land. of Winn-pum, ‘Aus dam Land. the der wezls‘ 1 sen the Kat - I(_'a,_ the: White‘ der‘ weis - sen f He had Wa/m - pwr:/s If“- Rabbit . nz'7wlzen.. Rab b it . ninchen . Rabbit. ninchen . sto-len the belt‘ of Wampum, Giir — tel er sick raubta the neck of ' he —. Mo,» kwa, dam Nack - en schw ~Ma—kwe% the Great Bear the mountains, dam gross ‘— an der Barge, the ter — ror dam Schreck — en he " lay :1 er schla - fend ha}/\b;~. the moan - tains, star Spit - ze» -"‘*?-—-—-—_._ ~ m-1t’ Spit - 26,. . the mdun - tamsg; star Sgiz‘ — ze moss — es on ' it, Moss be -wach —. sen, moss — es on if, Moss be -wach -sen, - es on .T be - =wac}z,~ — Sgaotted, B:rm.m Spotted gmu Sp otted gmu Spotted grau mosses . um ~ sponnen. ._ moss — es. ‘ sj>o7m_en.{ - - Si - lent -ly he Sclvwei »- ‘gend stahl er Si - lent —=ly he 'l stole upworrr Sc/ixwei '—> gend. staid? zu. kin. Si - lent - ly he Schwei - gendstahl er? 1;. Si - lent — ly he stole up-on S_e:Zvw:325 - gemi stahl er zuihm hin Allegfretto stole up-on him, Till the red nails of the zu ihm hin sick, Bis ales Monstnnns rot}; - e L P P stole up—o;1 him, Till the red nails of the men - ster zu ihm hin sick, pBz‘s ales Monstmms roth- e Nd‘ — gel ("S most t’-ouch’d him,‘ al-most scared him, » .' ' , {he hot breath be —- riikr - ten, iim er -schreckr ten, _der Nelstem Tmhae hot T Bisder 0 .- 7 most touchii him, al-most scared him, Till , the hot‘ 7 be- riZhr— ten, iim er-schreck -ten, Bis deer Niistern Till Bis of his nos .- triis, Mud he1's—se7' 0 - dam, Mud warmed hands Mud-schi-kzh - wzls bréath Warmed the hands of Mud-je - kee - Wis, he2's—ser 0 - dem- Mud - schi- kik - wis H¢'i7z- de warm- ta. — breath of his nos - stern heis- ser 0 - /\ - — . L K 1 "1\! I’ 11 1/ k r A's he drew belt‘ of Wa_Lm — pum, O’.er the round ears,the Sclmellsdzluger T/Vavn-j>umg'i¢r ~ tel Um des Sclzeu - sals | l\ 1 I ,»| A U ? I I V drewe: the Sc/mall scizlug er den. ix‘ 5’ 1 1 As he drew ' ‘the belt of ‘Warn - pum, Sc/mall so/zlug er den VI/Zzm-11> umgzlr — tel j.. J \ \ 1" _V I V £1 I I I he drew O’er the round ears, the sch2'~k2’h- wis Hiin-de wiivm -ta. Sclm'ell.sc/zluge7'___?_ den _/ eyes, the eyes that saw not, ears that heard , O’er the small um die Idem - en ru7z—de Oh - V Dz'em'c/22,‘ hfir _ te91,__ Wam _ pum small eyes, G_i¢'r - tel A Scheu - sals ears that heard Oer Sc h — Die 0 - ver tel Um des Scheu _ sals black Au - , black muffle, of the 72/2'0/at h()'rte7L um die O’er the long 11ose,the nose. and nos — tri1s,The black muffle‘ of the Um die klem - en, die l21em— em. Au - genf, Die m'c/2t hE)'n‘e'7z, um die ver long gemjﬁ ./E——X\ Nii — muffle, Out of which the heavy breath gen die lam ge Nay’ uyzd N22 breath - se heav - y Daren schwe - re?‘ 0 - alem the hands ‘of schz7- kih - wis E \ E Allegro maestoso Then he swung at - loft his [I ch so/mm“/zg 67 die Krie -gas- kee - Wis. Then he a - loft - ten. Hock so/twang die Krie - ges- kee - Wis. Then he swung a — loft his >strez_'f - te. Hock schwomg er die Kris - ges- Allegro maestoso E War-Vclub, Shout - ed and‘ —long his War-cry, k_eu—le, Laut und . sein I{7‘Ibg’sSch7'ez' té'n-te, Wan club, Shout ~ ed and long his war—cr}r, keu~ le, Laut and’ sein Krz'eg’sschrez' t6’n-‘te; Smoie the mighty Mis —» he -— mf » *.Mz't - ten auf die Stir - 1 me . > Smote ‘the mighty Mis- - he - Mokwa________ the migh Mt ~ ten auf die Stir _- not schlzgrer den star — W. > Smote the mighty - he -- Mok-wa, Mis —he J1/[it - ten auf die ne scizlug er Damn den Mok-wa in the fore — head, Right be- tween- 5c/‘zylug 67’ Damn den star — ken, scizlug den star - ty M'1s— he — Mok - Inhthe — ken. Mit-so/za— Male - Auf die Smote the Mit - ten z”+—-\ Wa, the mighty Mi S I - he - M0k— wa 11[z’t—5cha-Makwe, the mid — dle of the schlug er Damn den ken, star — ken Jllitscha — , \____,__/ Right e - 'P(%I1 ___._ the eyes, Right be — tween __ JV[1't ~ - ten auf die Smu me of schlug - Right M it Me 1: - hwa sclzllazgr 67’ /’’—~‘\ — fl} heatd, Right ‘ be -- tween we .Mz‘t - ten zwz‘ - __.___ the eyes i smote him __ schlug er zwi -schen eyes, be - tween the Jlﬁt — ten mm‘ - so/zen die of the fore - head, Right - tweeni the ken Mt-schai —./Ifak - we) Mzt — £262’ - der /\ ’ /\ ,\ tsmote him. Right be - tween the eyes he A/u— gen. - thend durch ales Schla — ges eyes. Right be - tween, — tween the Au— gen. W'2'i ‘ thend durch Schla - ges . smote him. Right be - Au -gen. Durch —des Right. be — tween, be - tween. the iW1Z - thend durch ales Schla - gas \ . /\ {{—1\ smote him. With the heaV-y blow ' Schwere Sj>'ra/ng em-for der gross eyes. With the heav—y blow, the heainy blow... Schwere S em -P01’ der Berg - biir, Sprung em — pm; eyes. With - y, wit}; the heav—y Schwereo S der Boar, dergrosse e es . - Cg S chwere _ r_ ‘\_ wild — e red, Bmgbbir) __ be—wi1d-ered With _ der Bergbéir, Sjmmg blow" ‘ VVi‘(h . Bbiv; Spmng blow the heavy blow, g7’0ss—e Begbizb; Sprung the h8aV - y - be - wild — ered em ' P07’ (8 Bag —- biir, the heav em - 1507 the great Bear, great Bear of the mbun - tains;- em — for der gross-e Berg - biig Bear, - great Bear of the" moun — tains; em — "der gmss-e Berg - béir, > 0 of ‘ the met: ~ tains; die Ifmee ihm er. 'Bear, 7’ g . .. ole . . Bar, Z'—\ A But his; knees D0!-J.h‘.d2.'&' Ifniee But hisknees be — neath Bach. die whimpered W???) whimpered Weib Whimp ere d W/Téib Km'ee kne es, ihm kne~es,. X51136‘ beneath him trem — bled, ihm er - beb - ten, h1m_ txemv- bled, 2'/am er — beb — ten, — WO1’I1a_1'l , klagfe, woman, klagte, staggered for — waxvd, vorwiiﬁs ‘ sclz/wank - te, rec-led, sic/1 reeled, sicli haunches; setz- 2&9. haunche.s: sets - te. sat up— on his auf set" - ne Schenkel /\ Mud - je‘ - Mud ' schi - Mud - je - kee'-Wis, Mud - schi - kih.~.zv119 kee~- kih 2 /‘/7 fear - less _ -fore stand, oh 7w de-ri — sion tam Spot - te, de - ri — mic‘ Spot - sion, I/‘6; pake Spmc/L Spake S1>mch_.______;___ Spake Spmch S pake Spra/ch dis — dain —' ful-ly L ‘Z167’ A- iicht - lick ‘veriic/u‘lz'ch dis — dain - -ly war - aﬁht - lich Spake’ . Spmc/L dis— ' -1y Spake Spmcfz, G Moderato }}> h? \_,i’§ g LJ 6' TEN OR SOLO Hark you, Bear‘. you are a coward, And no Brave, as you pre- Ht')'—/re) Béir.’ Dubist em Fezgrlzbzg, lVz'c/Lt so mu — thig wzé Du f‘ Li? Else youwould not cry and whimper Like a mis-e - ra-b1e Nim - mar wiirdest Du sonst sch7’ez'en, I/Vim - mam wie em elend r - r f Woman! - Bear‘. _.. you know our tribes are W'iebsbz'ld. ' Biir.’ Feind wa - ren u7zs’— re "9". hostile, Long have been at ‘ -war to - geth—er; St Lam - ge wa -7672 . wir in Fehde. ‘bl’ Now you find that we are strongest You go hiding‘ in the mountains! Jetzt siehst Dumlass wir die stiirksten Und gehst schleiohendclurchdie Wdlder Had you conqueredime in bat-ﬂe Not a groan would I have Bzvgstdzdzfezgr in Fel- sen — gn2'72de. Werzn Du mic/2 I'm 55». ¥Z/ uttered; A But you, Bear! zwmzgen, ]Vz‘m/mar Iziir - “s and whim-per, And dis - grace your tribe by mic/z seuf- zen; Dock Du, Béirl /zier wim — memd A _ 77! crying Like a Wref — ched Shau-g0 ; day- a, Likea coward—1y old sitzest, Schiindest Del’ — 7zenStamm dzm‘}zI17agen,W?e em fezlges — tes F 34 H CHORUS A11 omaestoso Then a—gain he raised his Damz hob er die Kn‘ - ges ~ Tuttz Then a-gain he raised his Damzhob er die Kris war— club his war - ges - ken -le, Damz.ﬁoZ2 Allegro maestoso Then ‘ a—gain he raised his warc1ub,Smote a - gain the Damz blob’ er die Kris ges - keu - Ze, Schlugnoch em Mal War-c1ub raised his war - I club, Smote the migh keu - la Erie - ges — keu - - - fy, le, Sclzlug ﬂ0Ch em Mal club a - 1§ain_ he raised his club, his war — club. Smote '67’ die rie-gas‘-kue ~ le,‘ ugnoch gin _______ Mal Then again he raised his Damzkob 87 die Krie ges- /TX. — Mis — he~Mok.'vw1- In the mid-dle of his fﬁre — M2't—sc}ta-Mak- we - Ggra - ale m1't—z‘e/n auf die Stir - &___ji. L2. ty Mis - ~ Mok . wa, migh—ty Mis - he - ‘ —' ' ' so/za * Illa./e - we Schlug720ch.Mz't-sc7za- Mis — ‘he ,- Mok — I9 the mid—d1e - soha ' Male - Gm -de mz'tz‘c7z 2 . In G’m fore - head, ‘ Stir - ma, broken E is bﬁcht, head 7 Stime, head, S tirne, “Yin .. fer. VVz‘n - tar. bro - ken. E15) brie/zt, bro — ken. E is brie/2 2‘, skull as Sclzéi - del é gag :/'—X ‘T he ' Mo}: - Wa Mis J1’/I‘ VVAS ham am 1111! ' so/2a - .+’l1’«7/1' slain, um Mia‘ - scha— Mak the Great Bear ner gm - 556 Great Bear gm - sse é ter4 - Schreck - ter - ror Schrecken, ter — ror Sckrec/zen, X 25"}? Na - tions, Sc/zreck -672, Na— tions, Sc/Lreckmz, N a- tions, Sckrec mountain-s. Barge. glf. mountains. _Be7ge. the Bear - nergro — SS6 Great Bear gro - $58 the Great Bear 116?’ gm - sse With a Iauclzz - ten Mud - je - keevwis!” Mud — sclzi - kzh,-.zv2's! Mud - je - kee-Wis!” Mad ' schi - ‘ZZZ;-wis.’ // claimed the peo-ple, be Vol - lees Sc}zaa7'6n, ‘mad Preis f “I-Ion— or be )4 and Preis f f\ ,4 LMud - je ' kee —wis'.” he shall Mud - schz‘ - 122'}: - ‘wis.’ West — rwmd Mud - je - keé-Wis!” Mud — 50122‘ - kih -wis.’ here - af - ter fort - an 0763 fur preme Efdo ‘mi - nion bie - ten p feme ten he hold als [15 W Overallthewinds of heav- en. - zvmde; 0 HI 0 ~ veral1_t.he Ue - bar al-Ze no more kee — wis, nicht mehr kz'h;- wis, no more ' kee- - W'iS,. nicht melw‘ k2'h- wis, > > -9» no more ' kée -Wis, nicht melzr k2’/; - "wig no more je — kee -Wis, nicht mehr so/Li - kl’/L-'zm's, -9- -6- Wis, 7102's, Call 1W,=7mt him iim West Ka - bey -1111 the Wfest K27, - bay - ma) den .27’ Call Nemzt -9- Call him ilm West Ka — bey—1in —— the I/Iész‘ Ka - begv - zm, den 44 J Molto moderate - L kee - Wis sen Zllud - 50/21’ — wis — Mud—je ~ kee — wis Ziluaisc/LI’ - Ieﬂz. .. bzeufs — Mud - je - J Jllzad-so/L2? Molto moderato g$_~’/ Ather of the Winds der Him - mels ‘ win ther of the \V1nds of Heav- en. Va tar: der Hz'mmels-‘win — de — he kept the mels - win . dc, — For he Er behielt‘ ﬁir he ﬁzfr Gave the o - thers Gab die an - der’Iz. him - self the West — Wmds be - hielt den Wést - wmd, the West - Wind; the» S0ut1m~Wmd den Wiest - w1'7zd , mm" ~> Wind; W?nd, chil - dren; Sb7L - nan. Gave thee — the1*)s Gab die an - darn Sha-Won—das — ee, _And the North Wind to the fierce -bi‘—bo— Hen’ des Siid-°w2'nd’s, Fiir den JVo1d-w2"/‘wl, Wzmie es I£Zz—b1-b0- East- Wind, , the South— d to }Ie7"r'- sober, wana dds - s2’ ~ Gave - Herr .._____ — . theWinds of mels wm- de das e — _ee, the-r Siid winds, ' mels "sV1nd. Thus WasMud-je - kee — Wis cho—sen Siid - winds, So er- kor man Mud -sohi — kih-w2's .___. T . was Mud — je - kee - kor man Mud-sch1' - lei}; The Winds __ Der P21 — 45: The Willds __. Der ~ Heaven W1 - te7; PAS TORALE _ NOR SOLO 72 Young and beau-ti -ful Wa - bun; Jung und mun-der.schb'n war Wa - ban \ I‘-Fe‘ whee .B’I:ac}12~te* - si€l€ - var‘ are mwsr pfez?‘ -la — ten Qu m He it was WI710»s:e' An - ge-lit-mc}if war streaks. of cri'm- so~n,, Rim-pzzrs Schzbnmev; 3%: whose 66?‘ - Hé: it? was $627‘ -v we Sil - Oéaes-2 brought the: mor‘- ning; scﬂenk: 2l_1or..gen,‘ 10* \ Tlzaﬁ Clxasedﬁ thee d’ark. dér and val - Iey; D72: -- bar’ S13’ .. the bright -. est (:‘1?1eeks: wrex-'e= pajilt: - ed " ties‘ schbn —ste7z .932‘ —— my Way» -* “ w@.z—ke= the vil - lage, llmgf week - te, Who.s§,» vorfeei a ‘ Und’ se-in Hawk, alas‘ Called the deer, and called the hun- ter. Rief das Rah’ und riqf den fci — gar. Alolfogro moderato e Solo Violin him, V the VVUCI f1ow?rs the meadows sangen, do’? We - se 2 - de Bzumen with 0 ~ dors for him, Though the ma‘ D-22f - ten umrzten, 06 sem V for - ests ri—vers_.____.__ Sang and Shout — Nahn auc/z W’Zz?de7; Al - Ze S576 ~ - ed at ' his com-ing. Still his heart ‘Was - ﬁoh be — griissfen/. Trau - rig scklug sein T V ~ sad with - in‘ him, Herz im Busen, ‘P k_____z I72dz'an'Flageolez‘ Moderato TENO SOLO But ' one F7’/iih einst - ward, ‘While the - Als noch Vil—1age still was sleep - svhlwnmemdlag das Db'7f _ I lay on the den that oes at sun 7 1 ‘star or de?’ , Son. - ne flie/L - end, /1 J, a tmnpo All a - 10ne.. up- Gomz al ~ [em ._.___ em wa—ter flags and rushes ___.___ ri - ver pflﬁckte sfe mzd L2'lz'e¢z, W76 — Indian F Zageol.-at CHORUS gaz- ing earth - wagd, gaz—ing earth — ward, sah er erd - wizrts, sah er erd — wiirts, .L_____”Z gaz- _ sah - gazing earth wagd, sah er erd - warts, EV -‘rv mor . ning, Je - (1972 .1107 — gen, maxi: Gazing SOPRANO SO10 mf- l_L___/ Or ' ._.._....__.. Mar - gen mor -. g M07 - gen. «:27 4. 5 8 “ W ards, ____ ._..._._ 'a' rt 5 V /37’. i11g.\ “*----—'-""/ be er first Er- thing he Ste was held sc}2a.:.z - , - L‘ VVOMAN S CHORUS be‘ 67’ h 0 was ___._......_..._ ‘ SOLO ,,lf 1. he re 61 h eld I schau ~ L __.———--—-———- Still the Und das ‘Was her Wm‘ der 10 0 king at - gen W772 her blue W227 der _‘__‘_‘____ \ . Two blue lakes a - n1m1g thv Z w 1" — so}: 572. RIM! zwei Na’ we 49¢‘ And he ~I‘.u'sﬂa v- es. ‘ Gliiheizd - en; he loved the maid :G ‘ "' f(,Z'—““$ maid - Md'd - lone - ly chm, 03015 "T - em - clam, maid — en Mdd - chm, loved the lie?) - te he "loved the he e Gl1Z' — bend ['1 lone — ly ‘ er das lone -1y maid, the Z2" - lieb - /K V221’ --7812. P’ SOPRANO SOID both were B62" - de X‘ lone - For they - las — I/Va -'/‘en ' T ENOR SOLO both were lone some, Bei - dc doc}: las - sen, __ ’—’——-—— 12 were ‘ - some, Bei - » var - las - sen, __ 4‘ -4; M Allegro Moderate heaven . H immel . And he wooed her with car-ess-es, Allegro Moderato Und er war/rb um $219 mil Ifosen, %LM2oF ? F Wooed herwifhhis smile of. sun - Warb mil‘ se2'nen_so7m’gen Liich — Kﬁ \V1th his faltt’ - ring words he wooed hm; Wizrb um .9229 mit Sc/Lgmez’ - clzel-‘zoo?’ - ten, With his sigh-ing and sing — Wavﬁ mz‘tse2'¢zemSq7zg wzd Seuf - in the bIH1'IGF17.~€S€ lei - sen" W'is: —15ern;. Gent -» 1estWh1's‘-—pers.) M it der Zwei -gt?’ Sweet - est 0. -« d'ors,_; Till he drew s~2'£s -~ sen. Haudiw-2,, Scmf - Klan - Soft - est mu - sic, ‘ A Till he drew her Scmf ten Klein gen, Bis sie lag an mf he dréwher to‘ his bo - som, robes of crimson sic’ lag an sci — nem He7‘z- en, Em — ge-lziillz‘, to his bo-som, old - ed in his of crimson, sei - nem Herzen, Em - ge - hiillt im. ’ Till in - to he changﬂ her, B11? sic war verwandelt Till in-to a star, hechangﬂhex; B219 sie warzum Stem, verwandelt in - to a star he changa T her, sze -war zum Stern wer - wan - delt, 1:} in—to a star a star he chang’d her, s1'evwarz'um_Stem, zum Stem wen-._-man e,_- delt, in - to a star he chang’d her, size war zumStern. var-wan -ddt, P " *$- in - to a star he chang,d her, sz'e war zumStem var ~ wan - deli‘, 66 W” Trem — bling still up - - His ho - som'. Be - bend leis auf ’ - mam Bu — sen. Till he drew her Be - bend leis‘ auf sti1I,Trem - bling still up — on B8 — bend leis az/f sei drew her to hi s 362‘ - nem ‘g_______,g -9- .o_ a star he changed ______:_ her, to‘ a star war zum Stern 7267’ - wan — delt B229 zum Stem in — to star, a star sie war Stem, zum Stem uT\/“ in the Im-mm' siehst‘ du sie zu- And for — ev- er And for— ev-er in the Im — mersfe/zst du sic zu - to —gether zu-Sam-mevz, In - W'abam) bun, ban, ) T/Wxban . Wa VVa And f0r.eV - er They are seen Immer 5219/zst du, siehst du sie- ) ban und die W2; Wabun,Wabun, Wabun - Annung, Wabu11, Wabun, W71bam,Wabmz) W'abam - Amzng They are in Sielzst sie zu- heavens, heavens, Wabun — Annung, Wiabun, Wabun, Wabcm, Wizban, heavens, heavens, An dam AI07gre7z — sammen, Immer, fzimmel wallen, i 1 €- seen sfe/zsr I 1 I I heavens, heavens, They to .geth-er sammen, Immer sierhst ' zusa-mmen + i J I 1 I for - ev- er Wabun — Annung And me?’ siehst du W'aIwm - Ammg Im mi’ in heav zu -sam Wabun - Annung, Wabun and the Wabun-Annung, Wabunand the VVabun-Annung, Wfzban -Anavng Waban und die Waban—A7wmg Wabammi die Waban-Anang and thestar of An dam Morgen - "seen to—gveth-er M07’. gevzhimmel to-geth - erv - genlzzm - mel 32¢- the to —geth - er nung, nang, t0-ge'ih- er men Wabun - Anxiung, I/Vdbanwzdd1'e WZL - ban-Anang Whban, . Witbam -Anmzg Waban -Ammg rung, seen sielzst du sie mng mmg, Wizban - AIza7zgr, to-geth-er, seen the Wa - bun-An und die I/Va -ba72.—A Immer sielzst du sie zu - Sam Wabun ~ Annung, They Wabum - Annung, \Vabum — Annung, _Waba7z. - Ammg; and They are seen’ - ban, Wa - of morning, morning, mor of mor die Wh — ban-A zu-Sam the star of the star and and and Wabun and the Star bun and the Star of mor - ban unddénMo7ge7z - stem. Wa-bun and the Wa - — bun-An- nung, They are seen to — Wa- bcm und die Wa - ' ban -Anmzg, Im.mer szblzst du, f' 19 They are seen Im - mar sielzst Wa— bun and the Wa - bun- An - nung, They are Wa - ban mad die Wa ‘- ban - A — mmg, Im - me/r ‘ A and for - f du, sie/zst {Z- "‘ ‘ “ 7 W I -6‘- Star ' I of IROT - - Stern and den A107 - gen - stem. 0- /"‘\ -3-‘ ff gvether, seen to -getﬁen in the He-av - s2'ehs‘t dxu sic zu -samrnen, “sic zu - Sam - ‘ .. ff ‘gleth - ex: siehst du J)” seen to — geth - er inthe Heav - siehst du sie 2'24’ 1 Sam - ev - er for - ev —— er in the Heav - du - on - ‘men sie zu-sam .9. ff They are seen in the Heav - siehst dru sic zu Sam - h CHORUS > >- But the ﬁerce K3,‘ bi‘ ho-nok-ka, But the fierce Ka- Doch K'a~ bi - bo-'/Lock-a_}zaus-re, ‘ Bach Kb - 62‘ - bo- >-> >.>~$ f But Ka— bi — bo~nok — ka, _ But the Doch Ka - ' K b0—7z0ck—a haus— ta) Dosh Ka ' The I ﬁerce Ka- bi~ bo—nok- ka, Dock IQ: ‘ bi - box/zock-a lzaus-te, bi—~ho-nok-ka A his dwelling among ice - bergs, In the 4.10ckaIza.us—te Grﬁnmingzvwzkchen E13-gs — b - ‘gen, In den Had his dwelling among‘ E1's-ge- fierce Ka- -130-nok-ka bi - be-mocha Imus-ﬁe > er - last - mg. snow -drifts, gen Sclmee - ge ﬁ'l - den, icebergs, In the snowdrifts, birgen, Sc -ge — fil - den, Had his dwelling among ice Grimmig z<wz'schen E13-ge - 2'7’ Had his dwelling In the ev G-'r1'mm1'g zwzlschen Eis - ge - bir 7}. 1971.’-\ J.- — dam of K6’ — nzfg—reza-1;‘ snpw - _A. ._.__. gt‘: ' fig: ,-‘ snow’ -V drifts, the ev — er — int - ing snow — ew’- gen, den ew’- gen Sclmee-ge — ﬁl - dam, ' snow — drifts, In ﬂ1e- king ~ dam of Wa - baéx bir - gen, In dam K6 — mgr-7'e2'c}z.’ Wa -bay - king — dom of Wa — bas so, In the land __.___ K6’ - mg-reich’ Wa-bos - so, In dam Land __ - so, Wa - - Wa — r -domof 'Wa-bas“- so, Wa- snow - drifts, — mg—re2'ch’ Wit - bos - so, Wa- fil - den, , The land In dem Land 1“; FT Rabbit. ________ He it was whose hand ninchen. - ma Hand im Herbst’ — au - tumn Herbst ’ basso. bosso. Rabbit. ___ ninchen. Paint - ed all . the __ The Biiu - me Rings - um - lack __ . whose hand in au - tumn, S62‘ — 728 Hand im He__z_5%__ ’ whose hand die Biiu — T___;__._. hand stained the gelb ___.______ die _ He it ~ hand stained‘ me Fiirb - te . gelb die . He it was whose hand stained the scluzr - Zach - 70 If}; be - mal: - ta, Fiirb if j} a >{_——§$ He Féirb leaves, -leaves with _____._ é yel - low, He it Bléit -' tar) 7'02‘/‘L mzd _.____.__ Bléit - tar) Schiit -2561 — leaves, leaves with yel - low, sent the Bliit - ter, roth zmd Bléit - tar) Sc/2/fit — tel- . leaves ________‘ yel - low, roth 2;... zmd _________ ' A Bliit - tm; > : was, L He it was who gelb, Schilt-tel-te des snow- ﬂakes; siﬂ — mg; Flaék. — en, Stie - snow-ﬂakes sift" - -- - ~ fhro.-” the for ta .. die Floclzé - '.._. it was who sent the snow‘- Sclmeze-es I-‘Each - en, - tel! -. tar ales thro’ the for - est d/wrch die Wiil der hiss — ing muschencl ing sift die . W61‘! sift - ing thro’ the rauscheml durch die through dun-h em; d'u7'clt:. die“ Wc'zZ;' ‘A sift ~ ing hiss — ing- Stie -»be1w£, rausélwnri’, Froze the Liess der Froze the L fess der Froze pond, S175 - me Seem the Ziess Fmze the \F'ro~ze: the riavers, Dmve the Ioon W'ws~ - ser _ Stra -- me}, Sednv Hess er er - star fi “' ‘v’erS,.. the §ea:..-' frie —' fen; Lama s met:-,_,J1{c'>’ . - -, ve1'.s;, Drove 10911,, » star- rm. Lam. - M6‘ - pond Froze the ri‘ - H591‘ - he?’ .- - . - south - ward, M Drove» the , cor -mo-rant M6’ - wen trieb er siid - zviinfs, sea - g-uﬂ and the loan south -ward-, Drove the cur - trieb er siid - wiirts, trieb er 312:1 - wiirts, Trieb See - m -_ sea- south-ward,-., T _ - mo-rant and the trieb er siid — wiirts ' - ban wwl die Drove mom and sea - south Lam - Lzcm -« man 1 6‘ - van J/,7‘ /“7\ the cur - new 1 See - ra - Z2672 and the Cormorant their die Ref - her ihr lew To theirnests of In ihr ‘ Nest won Drove the cur - lew Trieb die Rel‘ - her sea - tang In the realms Sha — {van - da — see. See — tang In den Rei Sha - wan - das -si’s. - . _ » V ’ sea - tang In the Sha -‘wan - da - see. See - tang In den Sha - wan - das- si’s. ‘A { sea - tang In the ____ realms of See — tang In den - Ref - chen J. Once the fierce Einst - mals stieg Once the fierce Einst-mals stieg bi-bo-n0k- ka, Once the ﬁerce Ka.._ - bi - bo-nok —ka bi-b0-nocka , E inst - mals stieg Ka - bi - bo - nocka bi-bo-nok-ka, Once . the fierce Ka - bo-n0k—ka bi.bo.m¢.~ka, ' E_z'nst-mals stieg Ka - 62- be -nocka - ‘ - . A - - ued éisrie-sued from _.__._______ (1113 sSr(1:ow-dr1fts,, N2? Sder won m »-‘van From j ' Is - sued from his of snow of snow Nie - dew’ van der snow drifts, From his home‘ a — mong the icebergs, Solmee ' trzft Vim der Her’ - -mat mvis -c/zen Geltschem) of snow, 10%.; of snow, ‘ From Von From Von ﬁzf From'his home a - mong the icebergs, Von der Hei - mat zwisfhen Geltsohem, /..-.\ /I21 And ., his hair, with snow be - sprinkled, Streamed be-hind him Uml sein Haar, mit Sclmce’ be - 31%-nkelt , W'1‘e em Strom mm hair _IIaa1; hair, - sprink ' led Ham; mit Sclmae’ be - sj>renk— alt, And his hair, with ‘snow be- sprinkled, Streamed L‘52d sein Ham; mit Sclmee’ be -sprenkelt, I/Vie _ f-—— j{,.\—"‘“"“" é/TA like a ri ver, a black -and Haupt ihm wall ta, em dunk’ - ler hind him Like a Win - fry Strum 710m Hzzqat ihm. -wall - te 1/We 7 Strom im I Streamed be-hind him Like _.__.-.. a and ' try W36 ein,.-Strom mom Hcmpt ihm -wallte, im hiild him streamed be» hind J Strom vom Haupt ihm wall -_ howled and hurried heu - lend siidwdvts howled andrhurried lwu - lend sﬁdwiirts 0 —Ver fro — U6-bar eis’ ~ ti TENOR SOLO Thefe among the reeds rush ~ es Found he Dart tmfzwiscken Sc/zilf Bin - sen Sc}u'nsc}u'- 2?"?:' _p Wbod Wind ?. strings___ of fish be- hind him, O’er the fro zen fens and Fisch — e nach sick schleppend Ue - bar 6229’ geSz'c'm4£fum_t , mooz; - lands, Ling’ringsti11 among the moor -lands, Tho’ his Moo - /re; Er durchstrezfte nook das Marschlavzds, Wc‘a‘lm97zd t_ribe__._ had long de - part - ed To the land of ShaWon~da. - Zdngst sclwn die Ge — nos — sen Font zum Lan-deSk_a*io¢m-da - dares ___;__ to brave free}; __.._ zu tro — Wemz H}: ﬁerce Ka -- solznfe .Ka - “'Who is ’’%r wag: stay in my do- me2‘n-emRez'c/‘L’ zu die In/' 'de-part - ed, When the wild goose ent —fe7'n - te, We7m die W'1'ld - guns Ir-?\ he - ran, the Shuh - shuh—ga.h_, Long a - go de - Rex’/267; _____ die Schu — so/Lu —gds, Léingst him-weg mach Iwillgo in — ' to his VVig— warn, I/Vill in I/Wg mam kom - men , his smold’ — ring seize damjsv - fend CHORUS And L ‘ night ka/m ./“X and hen .- Wild Nachts in - to the smoke deer in den Ranch in drifts a — bout sie Schvzeege - sic)‘ in driftsa - bout sie Sclmeege - std’ in drifts sie Sclmee fu - ry, Pfosten, u-ry,L P@€z.t..\ Flapped Klatsch the door - way. er - schrock - en , the door L - way, er - schrock ~ en, Shin - ge — Sclvm - schi - J. Shin - ge — Schin - schi ﬁg” di - nicht .47_.’1T{Z’ cared. schmck not; cared t;. schrock. - 672*,-. laughing‘, _.___. ~ {lac};-te, la crhing, __._;__ lalisjn-ta, ._____ ing! - Qk- bo - nocka.’ 1.h _ ° 31% - 1521;? nokka! __. nockal _..__% laugh’ ~ ing, lus - fig) Maestoso Then ~ bi - bo — nok— ka entered, And fho’ Shin- ge- Em - twat ; mm X11 - bi - bo - ‘nocka, Und ob auch der Shin - ge~ auch der bi - bo - nok- ‘ entered,________ Shin -ge - _.______ . auch der Then Ka - }(a- 62' - bo - nocka, Ein - trdt mm Maestoso bis, the di - ver, Taucher .-te — '- bis,the di_- ver, ' pres - ence by the cold - mess, Thacher _)‘2‘4I}z;l‘-,te K71‘! - te)_' dass er ma - he, .bis,_the. di_ — ver, , Tauclzere. ﬁilzl - te . ‘ ' ';__ the di - ver, "pres - ence by the cold -ness, Ifiil - te, dass er na - he __. clwr ﬁihl - te , ‘Fe-lthis i - cy breath up ' on Semen eis’ - gen 0 ' dam V .i -., cy breath up -. on Seinenw eis’ -T gen 0 . ' dem ) did not cease ' sing- ing, did not 1 did not —e2‘ ,dad}¢zz’cht mg’ . Zach ,7 en, - JYo'.'r-_-tec dosh- vgzbhte... cease, .did not cease his sing '- auﬁ , ,, .Hb'r - te er dock..- m'cht cease, A di<L_not_ ,. didﬁ .1101‘. mg‘, , H6? - te dock ‘nicht : _ -«cease, Still he did not cease‘ his emf, H6? - te dock nicht azgf zu at/‘/-5 A mf . Still he did ‘ not cease, . H6? - te doch rnzcht om , T Did hot Hé'7'- te P leave his - er dock ing aluf,’ cease, Wﬁ sin - ing, lac - en, leave his laughing er doche m'c}zt _ am‘, _.______ leave ,his. laughing, _____ T er dock ., m'c7zt auﬁ dide not doc/L, mblzt leave his auf zu leave, did not er dock nicht I-\!$ leave his mg’ zu lau gh - n iclzt On Schiir - ti On . v Sclizlr On — ly Schiir - te lauvhin , lacz - (3%, in g‘ auf,’ Still he leave , H 57' - ta auf, leave, auf, { ¥/ turned _mcr turned nur fire burn brigh - ter, ﬁel ler flarm - nzgn.) brigh - ter, fqam - men, brigh . m up s1m2'h’n . tip . sprvil/n sparks Fun - snow « be Sdmee - be ka.’s fore — head , afs Stir - 726’ {X P sweat e11 Drops of ‘so/zwe - 71;- Roll - ten Dropé Roll heav t1’0j5f fast and Sch‘wez'ss - es - 21 ° long the van sclvwan -ken droop ' ing schwan - ken eaves , gen , hem - look 9 zwei, - gem, in spring. - time, Making hollows in the zer - schmol — zem ! _ In die Sch7zeewa’z’7z Fur —-c}Le?z time, Making hollows in the tropft , In die Sc/meewek’7z. R11‘ — Chen spring— time, ‘ﬂaking hollows in the troj>ft, lfn d\z‘eSdmee-zvek’n Fur - clzen __ in spring, Making hollows in the _. j avhr trofft, In die Sclmeeweh’n Fur - clzen 110 3 Allegro Vivace drifts . bend. ‘ drifts . bend. Allegro Vivace nu” last sprang de - feat - ed, be - zwun —g‘e7z, de - feat - ed, be - zwun -gen, head long du:ra1i die Stamp’d up ~ on the Stampf -te die sis’ - ge; mf Stamp’d up - on the Sta7Iq‘f- te die eis’ ~ ge) snow - drifts, Sclmee -ﬂur, snow -. dﬁfts, Schnee - on scimee’ on A solmee’ them hard - er, g8 Kms - ta, them d - er, ge Krus ~ ta, J hallenged Rief zu thick - er, ' stiir - km; 3?’ - ge- is, Schin-scl;1'-b2's, dam lenged zu :__ dam {T le nged 2“/=<2> T’ To come forth ”K0mm’ her ~ aus To come forth ”I{0mm’ her — aus bet. 0 ti wrestle with ' _____.____ ,To come forth and wrestle 'ring’d-ich mit ' _.._______ Iﬁ)mm' mzd 7'1'7z ' ge rnacke/nd wre stle with ' forth and wrestle rzE§’di(;h mit ‘ rm - * ge nackend A . the froz — en dem eis’ -- gen naked , mit mz'7;____ T .-v’ Molto viirace went Shin — bis, LWres - ﬂed schi - bis Forth Soiin ge- fol - gte, Rang Molto Vivace /3‘ with the North night - lie}; mit dem Nord ndbht With the J!-1'22‘ dc-m Wrestled R on Rang sic/L aaf dem Wrestled na-ked on the Rang sick nackenda dam wrestled \ all night, » Rang sick nackend, 4’ wrestled all night, Rang sick . nackend, wrestled Rang sick wrestled naked , Rang“ siclz, nackend, faint - er, ‘Till his be!) - te, Schwacher Till his pant - ing ,, his Bis class 0 - dam Scicwadwr #3 froz - en grasp greev fee. - bler, ward sein eis’ - ger Hand griff, Till he reeled and stag — gered Bis er taumelml rizbk - wiirts froz - en grasp grew fee - bler, ward sein eis’ - gar’ Hand Till he reeled angi stab - ‘gered Bis er taumelnd 7/iick - wéirts J /5!‘ T back - ward, wank -rte, beat ~ tiiuscht ' beat - ‘ tiiuscht 7 And :«1:e. Sich .3222 And me .~ﬁS‘.1"ch {be en, ‘en, king- {iom . of , Ifo - m'g- 7’BI.C}L_, WW Wa has of the '7 White T_Ra.b_-bit,‘ Hear- ing‘ still the - dc der Iﬁt ' ninch - en Ho"-, rend nook das } V? r"\~_—/r r\———/r f"\—/ f laugh — ter, Zach _V 37:, f Hear-ing Shin - gt‘. — bis, the xii - ver, H0"-rend Sc/Lin -schz‘ - bis} den Tau -chm; j fel - low - mar - — .ta11”.: To - des!’L.__. Wéod Wind Molto moderate SOPRANO SOLO M oderato Sha - Sha -, fat féist ’3‘\ see, si, 10 $J_W0od W?7wl drow - sy, dream triium - risclz .- tru Y He it was W11Q3S~ent the woodbirds, Sent jthe robin, the O - Er des Wa-l“- ol-633: Vc'2'-ge(l szmd —te, Scmdt 0-;bz'tschis,d1'e pe‘ - chée,__ Sent. __ the; blues--bijr<ii,;tI1e: 04 ~ wais. -. sag,‘ Sent the I.€.at/ﬁ;,- kg/zlclwzz)/3 Sand-t*.’;._ 0: - ‘wras.-»s-2lsv,,_ dz‘-9 BZaume2i.9e.n», Sandie Shawshavscsent the swallow, Sent the wild - goose, Wa-Wa, northxmrd, Sent the Scrhaschas, die SvIm7ac’bem,Sandt’d1'e- I/Vild-gams, We -we, nordzviivts Scmdte ,»-N \f_/T F\-/T melons’ and to - bac co, And the grapes Tabak zmd Me - Z0 mm, Tmuben vol! /T/‘ V'...=__: W. }§111.L'—pf~1:€‘ q17u@.: - From 'v¢~7w - beer - 5%. K J Seiner piipe the smokeas - cend—-ing7Fﬂ1er1‘.the‘ sky hazeand va - por,Fi1led the Ifﬁ< - ﬂ/'Rauc/L er -f2£lZ' - te.R‘z’ngs.- dz}? Dzmst’/mzd M3 - bel Und mit 4. air with dreamy soft~ness,Gave.i ' twinkle to the Wei siiss - em-Tnmmdo.m. Ae'- the7;Lz'ess cﬂms Wasser blin - T \ A. L F ter, Touclfdthe rug - gedhillswith‘ smoothness, ten - der Indian ken, Goss emf wit An- den. In - d2'- a--ner. 0 . 0 /M T“? sum — mer To the mel ~ an—cho-ly north n e drea — rymoo11)of Sam - mer Auf das - éohe .NordZcmd,In dam Sclmzck - ensmond clear’ 11 i V” Snow - s oes. List — less, care Sclmee-schu/L’. Sag - los - fau ~ *%~ da -see! In his life he had one sha- dow, In his heart das-s2'e./1Vurei7z Schatten sein Le- N7 em ”\ # “TA \/ __ one sorrow had he. _. zer - 77295 das Herz . *'\ ﬂ Moderate ‘E O I L 12000 rit. TENOR SOLO _.=_»«:;“ P Once, once as he was gaz - ing northward, Far O a.way up-on a. Einst als er mzch Nor — den bZz'ck- te W792? - hm z‘£—ber die Pmz'- { OJ prai - rie,_.____ . He _._ beheld a maj ~ den standing, M" _ 68??) Sah - er don‘ em — c/zen site/2- en, </"’-"'r /*— \L____/7 Saw a tall and slen — der mai- den \ A11 a-lone up -on the Schlcmk warfs Miidclwn, hodz - ge -waciz-sen, Stand mg’ derPmz’72'e gavzg / ,, :=_.<—7'V 7'?“ mf prai- rie; Bright ~ est greenwere em - sum, ' Pmcht zzollgﬁin sah’n f-\ §\ all her garments ih -_ re Kleider was like the sun — shine, wie Somzen — sclzim - mar. #3‘? Day by Thgrlich upon her, Day by day hesigffdwith dam Mdfdchen, Tiﬁglzbh sevgfz - te er *2/loll, pas — sion,Day by day his heart with - in him Grewmore hot. with love and Se/msuchz‘, Tizgrlich g‘lz'¢'—hcm-der ant - bramzte Iinﬁgas Hem in seinem I» long‘: ing For the maid with yellow tress — e's. Bu - sen Valle?’ Lie — bcyvoll Ver — lcmg - en. /5 F/ ..‘*_‘:_j-— But he was too fat and 1a— zy To be- Dock er war» zu feist, zu trci-ge Sick zu stir himself and Woo h-er; Yes,too in — do-lentand ea- sy To pur- re - ge7z,s1'e zu frez‘-e7zV. Zw be —quemseZbst2¢2zdzu herz-Z05) 17w’ zu sue her andpensuade her. So he on — 1ygaz’d up — on her, On-Iy schmezb/wlyz) sis zu war - ban. Immer sclzasu - te er sie an mm Sass/zmd , / sat and sig~h’d with pas —sion,For ‘the maid ~ sezfz - te vol - ler Se/msuc/Lt IVac/L dam ﬂldtl - d ' den of the prai - rie. - chem der Pmi -72' - een. SOPRANO s'oLo““*- lTi.11 one morn-ing, 1ook_ - ing north — ward, E2 ‘ 7268 M07 ' gens, 7z»ord' - -wc'L'n‘s scizau - end, TENOR SOLO look - ing, look — ing northward, Inoml - zodrts, 7z.o~rdzm'z'rz‘s sclzauend, , V , ’ He be-held her yellow tresses, ChaI1gd,cha1"1gd,and cov—ered Sah er z'h— re g0ld’7zen Locke7z____ Ganz var - zoandelz‘, . : T ‘ , , y I 1 TE/T } 5 Yr with whiteness, Covered withwhitest snow. ﬂakes, withwhitest ge-:*w0r— den, W'z'e __ Jbedecﬁi mit Flock - en ) mit sc}mee’gen Aﬂo R Ab ' IA 1} ' 71 I 1/ U I | ' I (J - I 1 P l l\ I 1 :1 1} I - r I I I I CoVer’do’erm'tl1whiteness, Co — ver’d as with snow ~ ﬂakes, whitest ,weiss_. ge:wor- den, W76 bedeckt mit Flock - en, sclmeefgen ._ L...-J-——J bro - therf Bmdr 87! My brotherfromthe North - f\__z From the king - dom Aus dam Kb‘ -' mg-7e2'c/L land , .Mez'nBmde7‘aus dam [Var - den, From the land of the White ' Rab A-usdem Land der weiss-en Ka - nin You have stolenthe maid ~ Hastme2'nMdblcIwn mir ; Yozu have laid your hand East tan ozihrdzoh _/?m¢:%lz You have wooed and won my maiden , Hast ge -fre2't sic and gewonnen sto - ries of the Soho‘-nan N0rdlands~ . /TE ....._.,-__ ries , VV'1th your new, Duroh die North - land! miihr - c/Len. North. __ 'md'h7’— cizen. f. CHORUS ( Thus the wretched Shawondausee S0 der ar — me Shawa2zd»[z'ssz' f. o the wretched Sha S0 der atrme Sha f Thus thewretched Shawondasee S0 dc?’ ar - me Shawandizhsi f Th_us the wretch— ed S0 der ar ~ me Mae stoso f w at Al Breath—edir1—to the his sorrow; In die Lzgctt den I{um7ne7’ lzauchfe, \, daseeBreath€dhis sor — row; - diissi Kummer hatzzch ~ te, Breatlyedin -to the air his sorrow; In dz'eLzzft den K'umme’r hazzc/2z‘e, p Wanderedvarmwith as - sion, Wivh '~ ta heisz won lu - tenseufzerni) )9 —-s _ And the Southwind o’er the prai -rie Us - bar die Pm - rz'e"n dc?’/" SzZdwz?nd With P ~ Z5‘ > sighs of passion Praz‘ - ?’z'e’¢z. der Sz°[d‘ze:z'nd And the Southwind o’er the pred - rie, prai — rie Ma - berdie Prai— 72'e’n der S/zfd - ‘wind, Siid - ‘wind; With thesighs of Sha—w0n-da - see, Sha won — da V072. denseufzern Sizai-wan,-daS—si_’s Sfza — wan - das ‘Van WE/L sighs 01’ Glu — ten, R pas — sion, seuf — zeﬁz , x_Z , sighs pas —sion, Till the air seemd full of Snowﬂakes, Vweh heiss, B is dz'eLz{f2f Schmz. '2)oZZ Schineqflﬁoken ) the sighs of Sha - won sighs Of den Se ufzehz S/za - wan — Seuf - Z6771 Prairie 0_f Snowflakes , Sbkneoﬁbbken, { hair like. su'nb-shine I hair like sun- shine Gm.-_ ten, sat-zern hair. like sun ‘ shine Sonnenschezhhaaren _________________.————-———————-—-- Vanished ,Vamshed , the vol! prai : tie the prai-rie, D1" - stall —st£iubchen, down , heiss, full wall 0 f thisﬂedown see, s2"s, ./\/1. f Vanished, " S ‘ T671 ished, den VVan - ‘” Van Sei - ished, nem Sc/mee_‘ﬂé'cke7z, Und And Und the maid die Mazd And the maid die Ma id And U7/zd die the Maid, die Z? Shed from his sight for- Seizzem ent9dLzm7zdﬁ2'7 ished 267% for Ska — ished , emf - Van - ished for- schzvandfzir ished from his or- uem Blick entSd2zvandﬁ2'7 SOPRANO SOLO ___j____. TENOR SOLO V ' W - And the maid ' from Seinem Blick entsclbwavnrﬁ “ ‘ fair for - ev - er. __ schwa7zdfm'«1.m - mer.__.. sight, [for ev - er. 2m - -mer. Never more did Shawon —d a - see' See thernaidwith ye11}ow 1Vie sah Shaze2andéissz’ wig d .97 D1'esemaz‘d-mitgold new K \\\_____W,_ Ne - MaI'd, )0 Ne P . Never more Diese Jlfaid, .____$ did see the maid deluded Shawo11— dasee! mit gold’nen Locken.’ betr0g’m=r Shawan-dassi.’ see the maid g'0.7d’7zenL0cke7z.’ tress — es! Poor Won—da—see! It Lock - en. 0 zvan—dadss2'! Ach won - da-see! It wan - dassi. Ash maid,themaidwith ye1— low tress — es.with yel — low tresses! It 1llaz'd-7n7'tg0Id"7ze7z) gold? mm Lock - en! Ach kem I/Veib war 63, E3 more, _ Ne _ Ver It Jlfaid, Alia‘ Locken.’ Es It was: no» Womanthatyougazli. at"I‘was the» Keine'Maid'ksimeMa1dwnd1bDu_seujé:t}ast§zmrdm' - gra~z’d: at, It gtaz7'da an - was nowoman that you; gazli at, day kez‘nWe'2"bwar es an a sahst) no W0 - man that you g-az'd gaid at, It VVeib war as alas Du cm ’swar._ der in - ‘to the Dem Seuf-zen It Wasthedandi—Ii ' on der Lifwevwalmder W22,‘ ~ ste, was the dam . zvarder Lb‘ - T’ M. It was no maid- enthat you- Ach kein W273 war esdas Du m)” the prai - rié’twas dan — wen -zalm, bwar der L6 - was the prai—rie dan- de-1i - on Thatthro’ all the L'o'.*wen-zahn der W12‘-ste,De9z Du e2’-men gm -zen ‘ ing-, the air, Ah de- lu — ded - wan -das -S2’! W'ehtest ilm hm - You had sig-h’d for with such passion,with such . ) ez-nen gan—zen Som - mgr se/mend cmsahst, /T ”’T at, You_ had sigh’d ste Devi Dem Seuf Blown Bliest — sion And had puffed a — way for - test 1'/m hm - weg f72'r im - mar) £$‘vi 148 Y Mqlto lento e grandiose 4 . Thus t11eFourWmds were di ~ vi»-ded; Thus the sons of Mud—je- S0 sich die vier W'z'n~de thez‘Zte7z., So die Sb‘/L - we Mudschi- ___._.——- — Thus theFourWmds Were di — Vi-ded; Thus the sons of Mud-je- So sick d1'e"uz'er W'z'n-dc thezltevz, S0 die S67; - 7zeMudschi- f Molto lento e grandiose Yvf— keewis. Had their station in the heavens, At the crners. of. the he-atvens-I kz’hwz‘s Ihr- an Platz im Himmai mtahmen _ In var-sc:h:z‘ed7” Himmels-wzz”nleeln; L keewis Had their station in the heavens, At the corners of the heavens; kihwzk Ihr- enPlatz 2'm H immel nahmen In 'ver— so/zieofnen Hz'mmels-wzhkeln; the West - zvzbzd f22'r the West - W1nd - wind fzlr sich the So siclz. die‘ C.F.W.SchHmper Music Press , Boston , Mass . THE HWGRAY ( ) COFIPANY
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Date: n.d.
Text: J// / A: m'//. /. . w //. H W /M 1 «I / /H N «U4 W D R E W L 0 ./,4; m /4 MUSIC LI§RARY . 7 / ‘VASSAR COLLEGE _//:94»/I POUGHKECPSIE. new vomx J7/////.) FOOTSTEPS OF ANGELS. by W.R. DEMPSTER. Music Poetry by H. w. LONGFELLOW. Q. 3 ‘=1 P C 2 <1 \_4/ ho - ly, calm de- of the nigllf Vﬁxketlxe 1):-tfer soul that slumbered,Tna voices rm: fax Pres: Slxadmrs Ere the evening lamps are lighted, An(l,Iike phantoms grim and tall, mx. '9 C res: ? V f1‘01n the fit - ful fire-light Dance up —...
Show moreJ// / A: m'//. /. . w //. H W /M 1 «I / /H N «U4 W D R E W L 0 ./,4; m /4 MUSIC LI§RARY . 7 / ‘VASSAR COLLEGE _//:94»/I POUGHKECPSIE. new vomx J7/////.) FOOTSTEPS OF ANGELS. by W.R. DEMPSTER. Music Poetry by H. w. LONGFELLOW. Q. 3 ‘=1 P C 2 <1 \_4/ ho - ly, calm de- of the nigllf Vﬁxketlxe 1):-tfer soul that slumbered,Tna voices rm: fax Pres: Slxadmrs Ere the evening lamps are lighted, An(l,Iike phantoms grim and tall, mx. '9 C res: ? V f1‘01n the fit - ful fire-light Dance up — on the par- lour wall, Shadows from the fit - ful f'i1"e - light Danceupnntheparlour wall, Then theforms of the de - parted Enfm‘ \./ at the 0 ~ pen door; The ‘De - l<)V*§({ the true hearte(!,Cmnetn vis .it me once ff? n,~ 1 J )‘ Strife, He the y0u11;__f-a11(l str0ng,vvhn cherished f T V? ﬁF\./ By the \ road-side and perished, ’.\ By ‘the mad-sidv fell and L per - ished, Crcs: Noble ‘l<mgin;_§;s for the Wkary with the march of Ra”: Ad /27): Weary wifh the march of They, thehr)iyo11es and weakly, VVh0 the Cross Hf s11ft'eri11g bore, Folded their pale hands so Ineekly, Spake with us on earth 110 more. And wirh them the Being Beauteons, “V110 unto my youth was given, More than all t!1in,g.<: else to I1>ve111ef And is now a saint in heaven. And with slow and 110iseless f()(/)fSf6‘r}) C01nes that 1nesse11ge1' divine, Takes the vacam: Chair beside me, Lays her gentle hand in mine. And she sits and gazes at me Wvithrtlmse (Rel) and tender eyes, Like the stars, so still and saint-like Looking downward from the skies. FIFTH VERSE. o Uftereecl 110t,ye,-1 cmnpre - hended, Is the spiriﬁs V0i(‘e-less "prayer, Soft re- M’ as ,, bukes in blessings ende(l,Breall1in;=f {'r<m1 their lips of air, ." 1" E * lonely, All my fears are laid a - side, If ‘I but re - 1119111-beer 021- ly Such as these have lived and died! If I but re-Inember on - - ly Sursh as tlmse lmave lived and died! (),1lmu;;l1 oft «llépressed and’
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Date: n.d.
Text: a /7 /.A/;t/ /,’,>/,/ 5 ///r/ MUSIC LIBRARY / VASSAR COLLEGE POUGHKEEPSBI. new vonn ”§@iE§m§§ M mﬁgw“ .f‘f4/Y/1/A/PD do /9’ 1574/ //V/‘P WPxJTTEN BY COMPOSED Y K L®EJ@EEjLL@W., HE] E 3Yl7ﬁ/E’ SAME AU]:/E/01?. 4% COMPOSER, ’ €3€1‘f1ﬁiU1’,_ am, m~z2m>/ 61;: Btittgs Eb: RainpDap ,_ 0,0 12,3... ’Wtgttl)rr /30//Lg 0fZ/w%VaZe7°z1{/;¢qﬂo5/ G1): Baalm of I:ife~12;>z),?.,.....T Gosh Night /Jmzmza /D?/6, AN! m /—/A11 /“v - ]a,A,P,F1:LEL V/BDNTD FOOTSTEPS or ANGELS. Companion to the admired...
Show morea /7 /.A/;t/ /,’,>/,/ 5 ///r/ MUSIC LIBRARY / VASSAR COLLEGE POUGHKEEPSBI. new vonn ”§@iE§m§§ M mﬁgw“ .f‘f4/Y/1/A/PD do /9’ 1574/ //V/‘P WPxJTTEN BY COMPOSED Y K L®EJ@EEjLL@W., HE] E 3Yl7ﬁ/E’ SAME AU]:/E/01?. 4% COMPOSER, ’ €3€1‘f1ﬁiU1’,_ am, m~z2m>/ 61;: Btittgs Eb: RainpDap ,_ 0,0 12,3... ’Wtgttl)rr /30//Lg 0fZ/w%VaZe7°z1{/;¢qﬂo5/ G1): Baalm of I:ife~12;>z),?.,.....T Gosh Night /Jmzmza /D?/6, AN! m /—/A11 /“v - ]a,A,P,F1:LEL V/BDNTD FOOTSTEPS or ANGELS. Companion to the admired Ballad “EVANGE LINE.” <@C>» W/;'itten by H.W.LONGFELLOW. Composed by Jomv BLOCKLEY. Md t. /“T C768. M/“/5 /“/“/“ dim e rall. f\ ‘When the hours of':.DayWé1re num___ _ber’d,‘ And the voi__ces of the I p¢A_A\/\/\ /e/ Night Wake the better soul, . that slum_‘...’__be1-"d, To a /\/*—/ ,/ /\L/ C7'(,’.§‘ . By. the same Author 8:. Composer .' L___‘.2'/ “Excelsior!” (Song or Duett.) s The Rainy Day. (Song or Dnett.) The “Enter Nymphs. (Whither?) E The Bridge . ho- _ - _1y, calm déiglight , ’Ere the _eve - ..ning lamps are /32 /\y lighted ,- And like phantoms ghim and fit- _ _f'u1 fire - light Dance up _. on the par__ Ilour /\ espressivo . Then the forms of the de.._parte‘d * /J dozc\e‘“// ‘_ / , Fcn1,s1..‘,« of Anzriss . Jﬂhn Blockley. the 0 __ pen door; The be. _ loved, the true hearu-d, Come to visit more, The be; ..loved, the true hearted, Come to visit me once more. \/ ‘-2 \’Z calla vow. dim. e rall. Footsteps of Angels . J/ohn Blockley. molto Espressivo. With a slow and noiseless foot, .. _step, Comes that mes _ sen _ ger . -di_ ..vine, Takes the vacant chaig; be- side A me, Lays her / /\. /K /\ /x// gen _ _ -tle hand in. ‘mine . i ' And she sits and ga _ _ zes PX _/K. 2 With those deep and ten.._der eyes, Like the Footsteps of Angeli» John B1°cUey_ so still [and saint like, Lo oking downwa rd /\ espr€sS1'v0A—. skies . Utter’d not, yet com _ _ _ pre _. hended, /9 dolcc. sipirit’s Voice _ _ _ less prayer, , Soft re_bukes in b essings Breathing from her lips morendo. _bukes blessings ende , Breathing from her lips 0 air. calla voce. ' e k—// Londou,Published by John Blo.':kIuy,‘_2 Park Road, Havcrstock Hill. Soft re_ $3®N@é$ ®lU[E1WI'SI@®{IW.P®SE@ B33? $®U}’I]N Bﬂ.@@WHE Qzxmzlmm: some 2/6 DUETT 3/- Potmv. LoII<;rIau.ow__ ,,,..MUS|C,J.BL0CKLE\4. ‘2'azoc;rz5r.'9 sxc-as/on //v c. 1,} ,/z éegwli/245 09272. /2.0.1’/‘J12/z xx'o/'//z// 0/Z0/{Q/(3//01//.3“ ,00e1M,#'/552$ Ar /Lara xv/zzz’€/‘m’ g’/2227 Z, "7715 Vt/?3£ or r//5 A/,4/om" "mg mp /Imvis ,mo/rcss," "ms M0/VI(.'$‘ or 3.’ sznrunm P34 _g.§.I9,'.'o£1f-2'7;/z[.ze.a/20. (27/rz//zalzk «Ii e/7%:/2275 mm! /7 I.-.— *’ i/2;?/2 eqmlr Me zm/Mr./21/J I/or4:.r 0/"Mal: 5’/>1/z/)o.rz:r:" ‘mar R mug Bag, som; _2/- DUETT 2/~ POETRY, ILONGFELLOW ,,,, ..M USIC . J .B LO CK LEY. 1&5 z'2zzfn1.z2’.iz/:¢‘4)r£'y .5-y/15;)/I/my z/cw:/z,‘m’z'0& 0/‘ (L /?zu,'/zl.;I/)/.{.;r 1.; 0947/ 1:44/‘zzwkrr/§.r/z2:; ml/Z quiz? /6’! /wzm//y i/2. én:/[ad W/2&2"/Ly. " Ebt 1L%rtfrq'e, PRICE 2/- M POETRY, LONGFELLOW ..... I.MusIc,.I .3 LOCKLEY. :4////izz’JA I/Le /zzurwrozw ,0o/ya/az/-pocmw 0/' iﬁia‘ Izotéoir Wﬂ 19/2.014’ 0//M/w1*eyaz2z'/zy In an: 5/alzkaogy Z/zzzr/7//E .9/I/005725 is ca Jo//1 .rz‘i/7'2‘/W 00//L/yoxzlizz/.//. " jffnniﬁfrp/5 nffkngelg, P R I c E 2/ ~ ~ POETRY. LoNGFELI.ow .... “MUSIC, .1. BLOCK LEY. [De/%(I,v.r' I/Le I/MM /)z)m/1‘z'/?z/ 0/Z0/2.9/éf/lot/«:i /)0— we 0/‘radio/w. Wé 6',/Z/Z ca/2/Q2/e/zVt{y /‘ow//zme/id Mm éﬂe /ML/7?/v9/‘/J/id‘ cm’/m7 2;; 21- 0/? VA /1 G cu/I/£3’ 5‘/ﬁe paya 1;? 6//we///3.;'ﬂIzez2’ Wzl/2 a ./Vzitirz , -/$5! ,00/Ia‘/Z1/My/‘ téz'.>v./a/yd/t//yzi/€*eoz’/./Dzzezf. " rﬂfbe DUETT 2‘/~ PGETRY. I_oIIe.,s£LLow .... ..M u,sI=c. J: . BLO_CK.LEY. 3\ ﬁazsatlm sf 1% some. 2/- DUETT, 2/- POETRY, LONGFEl.LOW,_ ..MUSlC.J. BLOCKLEY. Zoucrtzzawlr PSALM or ura, w :0 éeaumﬁol em- —/Ivwially t/Le last two v&r.re.9,t/tat me cw/3120;‘ /"wzIx~tq1mZz'/zg I/I//’i1’L.]t is very ef/“éolzbe as aa’zwtt." V (151103 P R I c E 2;? POETRY, LONGFELLOW, , “MUSIC, 0. BLOCKLEY. 2 sale ENA 05 IN F. a ‘Q/zwe/Jul and e/G/"(Jaime com/2o.v2ti07z¢ If/ﬁzz /mrmozub ooméi/zatio/z.r 0/L zfiw /-g;mm‘m..~ of 8:000 NIGHT a:Lov£a,"am /zafipi/y 0071'!)/7‘l.l)3(l{. We alaubﬁ /wt M/at t/ulr 44/////ée%?()//1'!" an /2/I/2wbr,Uééoe %; éévzzcervﬁ " @@[I)t’ﬂ9£1”. P RI c E 2/ PGET RY, LONGFE LLOW U SIC. J . BLOCK LEY. ‘some or THE mrzn NYMPII.S‘."Z/771$!‘ fang zza -—- ~/mi/m/’.r 1/,3 forcibly 0/‘0/Le of Kioatﬁei early czrznpoxinom, I25 é.r qu/aizw a5 alega/at" a%tzrr,a nfﬂw ﬁuntmtrﬂtgbt ' ' P RIC E 2/— '_ P0 ETRV. ILONGFELLOW - .... "M USlC.J.J.BLOCKL£Y. //z/ Me J'anmzm!& éaﬁom z¢._::[o2zyﬂ9JZo1r.i- éeaw ti/3;! U&I‘J'6J‘ zme Well dzlrphyed. 1% .r,w'IzZ of I/w poabfy 5.1‘ ¢m,’27z1'/2’zé{y rezzde/“ed.” UB2 ilbzaptr 8:153 jﬂomrw, s o N 0 2/« POETRY, LONGFELLOW .... ..MU SIC, J . BLOCKLEY. EM §5iImt ﬂank, sour, z/- D.U.ETT 2/~_ POETRY, LoIIcr£LLow...’....Mus_Ic. .1 .BLOCKLEY.
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Date: n.d.
Text: N92 run 2 on 3 VOICES PR‘mE 3_ ARRANGED BY.J.B E‘ %gﬁmurv% ( V‘ . . LONDOILROBDERT CQCKS&C9 NEW B-URLlNGTONo‘.,. , MUS“: Pubhshers to Her Moat Gracious Mgjyggtigucen Victoria,,&’to His imperial MaJes§y Napoleon H1, ' NEW WORKS‘ BY wuss M.LlND5AY HOME ynev enouem HER vumuoﬂ DEM: ~ WORDS BY TENNYSONW2 MAUDH w0RD5 BY TENNYSON... _ . _ THERES N0 DEARTH OF KINDNESS WORDS av GERALD MAssE~Y_'/ I s‘rARsoFT SUMMER N{GHT»w0n])3 By mN(;rgLLow,._§/6 as-*;,<;a ( 7 AIRY FAIRY L|L|AN~W0...
Show moreN92 run 2 on 3 VOICES PR‘mE 3_ ARRANGED BY.J.B E‘ %gﬁmurv% ( V‘ . . LONDOILROBDERT CQCKS&C9 NEW B-URLlNGTONo‘.,. , MUS“: Pubhshers to Her Moat Gracious Mgjyggtigucen Victoria,,&’to His imperial MaJes§y Napoleon H1, ' NEW WORKS‘ BY wuss M.LlND5AY HOME ynev enouem HER vumuoﬂ DEM: ~ WORDS BY TENNYSONW2 MAUDH w0RD5 BY TENNYSON... _ . _ THERES N0 DEARTH OF KINDNESS WORDS av GERALD MAssE~Y_'/ I s‘rARsoFT SUMMER N{GHT»w0n])3 By mN(;rgLLow,._§/6 as-*;,<;a ( 7 AIRY FAIRY L|L|AN~W0 D5 BYTENNY6§ObL— ' ‘THE LORD VHLL PROVIDE 5.4 CR1-‘,0 50/1 * . . . A PSALM ow uFE. Dyﬁr ‘ORDS BY L NGFELLOW. THE ammo ~«woaas BY LoN<;reLLow, /5 2-zneuum AND ENGLANUS gUEEN . . . . . ...3 > \’‘'O 9. A munsm I)/1:7’ xnn/-":.4‘p:»'n"u. tax ea he u 03 an Worms av LONGFELLOW. . .Mus:c av Muss LINDSAY. \ JLLEGRO. -T-<>©> 1 Shades 0f.I]lg'l1t were fall __ing' fa.st—, As thro’ an Al_pine ViLlag'e travel _ ler by. ‘the ‘faith--ful h_<.>und \ Half butgried in the snow was 19 ‘VA youth who bore ‘mid snow (1 ice A Still grasp _ ing in; his (1 of L‘ ice That- 1' f with the strang'e deqiiee with the strange de,_ vice EX ‘ eel ‘ Si ‘ or 2 f ciwvdvmvf 19 His brow was‘ sad, his eye be_neath Flasﬁd like a. faulchioll fromits 3'?! “Try not the pass” the old man said “Dark low}-sthe tempest 0. Ver - L !\ . 9. ' I I I\ . I A I IV I 1 ’ A I V ' . And li sil a ver c1a_rion 2 rImg‘,\ The roa} 7 torrent is "deep and wide", L 5/ \l\ -' .|-~ 7. ‘ I ‘ f I 5 - ~1 % *1 i I ..L .1 ..-.4 " I ac _ cents of that Vun .§ loud that cIa_1‘i0n- voice‘ re .. plied’ ~*=f'"“"'*""'fff 414 . . ct-1_s1-or! Ex_ce1 _ ('00:. Is [I ress .- ,}!?:‘‘Oh! . stay” the Maid _ en said “and rést Thy_ wea _ ry head ‘ up" on my 19 lwreast” 4 A tear stood; in L his bright" blue eye, But still he an_swer‘d with l sigh >—A éel . si _ or ! ‘ . f Rall: ,cel‘_si_or! Ex_cel _ _ _ _ _ si_or! i I 7 “Be _ ware h wi e.’ ther‘d branch! I } f 0 rﬁ va _ 1a>nch'e.“’ the Pea_sant’sh last PP!” up. the. height “Ex- cel _ nsi _ or"_! :Jp,o ./1/m/av/H7 ‘mu ///rm Z7‘0]I]V). ~:1:?«Tnere in the ma -[light Md and grey, Life- less but beau-_ti_ful he 3* And frnm ' 19 .’W1 cu’/7. S]Iiz'if0. mice fell like a fall _ ing; star Ex __ eel- si _or! J U I 0 EN umcrnms. U . . .NOTE.—This List is always made up to include the latest Novelties tothe time of Printing‘. PIANOFORTE MUSIC. BERINGER, R. Evening Star. Nocturne Morning Star. Morceau de salon BARTON, H. In Shady Groves (transcribed) Shylie Bawn . ,_. . BELLAK, J. March from I Martiri La Favorite . . Linda di . . Bacchanalian Song . Di Pescatore . Verrano, from Lucia BLUMENTHAL, Jacques. zezezezezew 231;; 2928 Danse des Gnomes . Calme.-toi . CASSIDY,‘ James. Punch’s Galop. Illus. DELASEURIE, A. Polka des Demoiselles. GLOVER, Stephen. TheHappyFamily Quadrille. Il. The Holiday Quadrille. Illus. _ Robinson Crusoe Quadrille. Illus. The Marlborough March Illus. Sandringham March. Illus. . The Royal Greek March. Illus. KREMER, J. La Fileuse. LEDUC, A. Jenny of the Mill LOTT, E. M. The Review March PEARCE, S. A. La claire Fontaine . . . 2 RICHARDS, Brinley. The hardy Norseman 3 Warblings at Dawn . 3 Warblings at Noon . . . 3 Warblings at Eve . _ . . 3 3 3 Illus. Caprice O 03 0': Bid me discourse _ . . I know a Bank .' . . 3 The Bells of Aberdovey .- 2 God bless the Prince. Illus. . 4 Echo of Lucerne. Solo, 23 6d. Duet ROCKSTRO, W. S. « La ci darem Di tanti palpiti Hebe . . . . WALLACE, W. Vincent. The Oarsman’s March . 3 When ye gang awa, Jamie . 3 The Mess Rose. Rondo 3 Oh! Nannie, and He’s o’er the hills 3 Corn Riggs are bonnie . Gentle Spring . Swiss Melody . WEST, G. F. On yonder Rock (Auber) La Carita (Rossini) . The bloom is on the rye , Jerusalem the Golden Minnie, Valse . Come é bello . Marche des Croates . Barcarole from Masaniello . Melody from the Corsican Brother Non pin mesta . . . Krieger’s Lust March Oh! Lady Fair Ah che assorta. . Waltz No. 1, Mozart Fall of Paris . . La Cachucha. . . Morning around us (Mozart) WRIGHT, 'A. A The Harp that once, Fantasia Fancy Fair Polka. Illus. @200 OO®OOO3CO D309 l\‘Dl®l€>Z\‘JZ€>l®l€l®l®Z\‘DZ®l€l€l\°.Ca9U‘-Z\‘> QSWOS CO .~G>O>G>C3®O5C‘bCD®O’J®O>O«C7.‘CC3‘— OOOOCC-O vocAL__riUsIc. ADLINGTON, W. Those happy days ABT, Franz. ~ O vision! bright and glowing Tell me, oh Bird . ~. _ . I watched the Sunlight (1 'ng . Thee only 1 love . . . Kathleen aroon . Oh! ye tears Angels’ Visits . . The Music of the Heart The Angel’s watch Sweet is rest . . Sparkling with gems Lovc’s first dream Fair Star of the night BARTON, H. Nearer to thee. Sacred Song . DEMPSTER, W. R. Come o’er the Mountains Flow down, cold Rivulet The Old M an’s Reverie A Butterﬂy in the City EDWARDES, Miss. The Sailor’s Mother FRICKER, Ann.) Thirty years ago . ' . I built a Bridge of Faneies VVhen Celia sings . . Oh that I had the wings of a dove KUCKEN, F. No friendly Moon Like a Snow-ﬂake The waves were dancing . Golden Days . The Spring—time is come . Blanche . . VVhen loving ones are parted The silent sea is calm LEDUC, A. Jenny of the Mill. I/lus. [A decided successj LINDSAY, Miss M. 0 love my W'illie . . The Song of Love and Death Thou wert the ﬁrst. They shall hunger no more Come unto me. Illustrated Thalassa . . . Echoes . . . Too late. Illmnlnated LOTT, A E. M. Journeying on PERCY, Augusta. Across the Sea RICHARDS, Brinley. God bless the Prince of ‘Vales Cloud of the Summer . The Pilgrim’s Path . . . The VVhite Cross of Denmark . The Vl/Vandering Gipsy Girl WESTBROOK, W. J. Ye Uarincrs of England . WRIGHTON, W. T. The Liquid Gem. Embossed . Her bright Smile. Embossed An Evening Prayer . . In Search ofthe Primrose. Emb. The Music of her Voice ' . Shylie liawn . . . ’Twas thy loved voice . . She sang among the Flowers. Em. l\‘DZ\"Dl®l®l®l$C>$>l®lSl$Z\‘.>C»8€a§ to zezezezezezezeze iewwwwwwce -:'-czczcvcsozcnicncu .l®Z®l®Z\'~Dl\‘>l€>l\‘>l\'-D G:®®®O>O§CO©C3®OO OOOGJOOCO O‘: C‘JO§O>ObC§OJO30> NewMusic forliarmonium LIEBE, Louis Thirteen Voluntaries and other Pieces . . . . . Twenty-ﬁve original Voluntaries WARREN,’ J. C Half Hours at the Harmonium. Popular Themes, arranged for Harmoniunts with one ormore Stops. Bks. 1 to 4, now ready. ea. Airs from Sonnambula . A . Andante from Beethoven’s 5th Grand Symphony . . . The l\[arv’lous VVork (Haydn) Agnus Dei (Mozart) . « 2 . God Save the Queen, and God bless the Prince of VVales . Airs from Guillaume Tell ' Gloria in Excelsis (Mozart) PART SONGS, &c. BURLINGTON G-LEE BOOK. A Collection of Part Songs, by Brinley Richards, Abt, Kiicken, Martin, and other eminent composers, in Nos , each 2d. and 0 OSQSOQIQZGNJ C56: OOOOGME CO I CHORISTER/S HANDBOOK. Edited by Joseph Warren. In 2 Vols. Cloth, each Or, in 103 Nos., each Double Nos. . . GLEES, Hand Book of. Edited by Joseph Warren. In 3 Vols.. demy 4to. Cloth, each Nos. each %d. Double Nos. 4d. HILLS, W. 105 Rounds and Canons, 13 Numbers, each . . . Or, complete, Limp Cloth. (Invaluable to Schools.) , Contents of the above four Works, gratis and post free. RICHARDS, Brinley. Sweet day so cool The Boat Son . . . The White Cross of Denmark The Harp of Wales . . . Separate Vocal Parts to the above, each . . . . God bless the Prince of Wales . STANDARD English Songs. Twenty Numbers, each 01', complete. Boards THEMATIC Vocal Catalogue. (FOUR PH GRATUITOUS EDITION), giving the ﬁrst bars of each song, gratis and posljree. NEW CATALOGUE of pm Songs, Anthems, &c., gratis and post free. THEORY. G. F. WEST. Questions relating to the Theory of Music. New Edition ’. 2 0 CLARKE, J, {Just Published.) Catechism of the Elements of Harmony 2 0 ~i.oM)?oN . R()BE1t'l‘ cocks & oo.. N.cw.i BUn1.1.Ne'i‘oN s'1'.nm»rr (W)
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Text: A.fA/BY, on [L 1/7 . v 374/v/v»m0d.>z2/X///\/I /M/J WRITTEN BY CDMPOSED BY ENJFEELW/.) QJHM ILIEJKLEY/A f X C! 15/05’, 45 /4 I/6704A gz/£77 rm 50/_°/M/V0 & 7-E/Vﬂpl’ 50/W2/V0 & co/vr/mm, M smw/vo 4/v0 5455, PH. 3 V, A. m Ma 77/; ca/v5£cm NM 0; /11/My/r/qr 6’/I/V/VE/? as/mu/v 0/ 7/201” M0/7/27 I’/A/V /Vl//V5 orggr/an/(M, man 033/ j’ 5 0/V 0» 5 ‘\D(/E77, v.) . LONDON; CRAMTR BEALE5cC‘.’201,REGENT STREET. E; / x: “EXCELSIO:§ :._ The shades of night were falling fast, As through an...
Show moreA.fA/BY, on [L 1/7 . v 374/v/v»m0d.>z2/X///\/I /M/J WRITTEN BY CDMPOSED BY ENJFEELW/.) QJHM ILIEJKLEY/A f X C! 15/05’, 45 /4 I/6704A gz/£77 rm 50/_°/M/V0 & 7-E/Vﬂpl’ 50/W2/V0 & co/vr/mm, M smw/vo 4/v0 5455, PH. 3 V, A. m Ma 77/; ca/v5£cm NM 0; /11/My/r/qr 6’/I/V/VE/? as/mu/v 0/ 7/201” M0/7/27 I’/A/V /Vl//V5 orggr/an/(M, man 033/ j’ 5 0/V 0» 5 ‘\D(/E77, v.) . LONDON; CRAMTR BEALE5cC‘.’201,REGENT STREET. E; / x: “EXCELSIO:§ :._ The shades of night were falling fast, As through an Alpine village pass’d A youth, who bore, ’mid snow and ice, A. banner with the strange device, The. Consecration of Pvxlaskiia Ba'nner,a:id Hymn of the Moravian Nuns of Bethlehem. (llla1s1.v'ated.) Song or Duett. Pr: 3/,. “EXcels’ior'l” His brow was sad: his eye beneath Flaslfid like a faulchion from its sheath; And like a silver clarion rung The accents of that unknown tongue, e “Excelsior l” In happy homes he saw the light Of household fires gleam warm and bright: Above, the spectral glaciers shone, And from his lips escaped a groan, i “Excelsior l” “Try not the pass l” the old man said: “Dark lowers the tempest overhead, “The roaring torrent is deep and wide l” And loud that clarion voice replied, “Excelsior l” “O! stay? the maiden said,“and rest "“*Thy weary head upon this l)reastl” A tear_ stood in his bright blue eye, But still he answer’d,w‘ith a sigh, “Excelsior l” “Beware the piv1k‘.—t1"tilJ{‘-3 withered branch! “Beware the awful avalanche l” This was the peasants last “Good Night :” A voice replied,far up the height, “Excelsior 1“ At break of day, as heavenward The pious monks of Saint Bernard Utter’d the oft—repeated prayer, A voice cried through the startled air, “Excelsior l” A traveller, by the faithful hound; Halt‘-buried in the snow was found; ‘Still grasping in his hand of ice That banner with the strange device‘; V “Excelsior 1” There, in the twilight cold and grey, Lifeless, but beautiful, he lay ; And froin the sky, serene and far, <' ‘ v _ 1 ‘(Speak ggxjilyis’ Companion to "Hearts and l-lomes” Song or Duett by John Blocltlcy . 2% I T ***“ExcELsIoRz” V——-@®>-—— Cémposed by JOHN BLOCKLEY. , I1/'r1'Vtten by H.VV.iLO\IGFELLOW. .x_1Jv1)AJv'cr12vo. T /5 /9 The shades of night were fall _'ing fast, As through an A1_pine /9/9 ' h ‘‘I Q? Village passﬂ A youth who bore, ’mi.d snow and ice, *7 banner with the strange deVi.ce,“Ex _ _ CEL_ _ _s1 _ on '..” * calla race. ﬂy!‘ ‘\-—/ #6 ate * Excelsi0r_. Hzglzverx Exam-1si,9r! John B7ock':-,-y. brow sad: his eye beneath F1ash’d like a faulchion /9/9 %V%' cres-____ccn_____do. from its sheath; And like" 5'11 _-_._Ver C/1Z1.___'I’i0Il rung The accents of tongue , “Ex _ _ CEL- _ - _ s1 _ _ -011!” mf A. dim: e mu. By thesame Composer,‘ Excelsior‘. \ “Evange]ine”(founded on L0n'gf‘el10w’S. Poem P1‘ 2/... 2 ‘> ***“ExcELsIoRz” V:-<®>-—— Cémposed by JOHN BLOCKLEY. , I1/'rz'Vtten by H.W.lowGF1«:LL0w. .x_1Jv1)AJv'cr12vo. T /5 /9 . \ nuﬁ The shades of night were fall _'ing fast, As through an A1_pine /9/9 ' h “I Q? Village passﬂ A youth who bore, ’mid snow and ice, *3 banner with the strange deVice,“Ex _ _ CEL_ _ _s1 _ OR '..” * calla race. nyf‘ ‘\—/ ék * . * Exce1.<;i0r_. Eliglzerx Ffxn-1si,,or! John B7ock’:.,—y. its accents Excelsior‘. beneath Flash 11 like a faulchion ~17” sheath ; And like“ a sil __ __ _ver c121 __ _ rion rung The f. of tongue, “EX_-cEL____s1___0R'.” mf A. dim: e rall. By the same Composer,‘ “Evange1ine”(founded on L0ngfelIow’s Poem .) Pr 2/_ Con tenerezza . In hfa}-Jpy homes. he saw the light Of household‘ gleam warm and bright: AboVe,the ._spe_ct1-a] ‘glaciers dolente. And from his ‘. lips escaped a groan, “Ex__ -_cm.__A_-sj’.__oR!?" Exce’I"i"r"\ - “Exce]Si,0r!y’ ‘Va Duett bi’ ‘.P1'.‘c5l/ - John B1r)n;(1€Y Pqrldrzte. ‘$9 4“Try not the pass the old man said: “Dark 1ow’rs the tempest "f '\;/' emer ico. . . , /{gt motto, ores .... .-cen .... -.do /\ o _ _: _ '_ _ verhead , The réax-_ ..ing‘ torrent is deaf) and wide?’ And o.cv.-.-o-o. "-'._""L_‘_)"". J adlzlb. 5‘ loud that cla - ., rion voice replied, “Ex _ _ CEL _ _ _SI _ _OR '.” A mfL "sf «0! “Eliza Cqo_K’s” Ballads. V ‘ mu." - . _' , _ Excelsior! _ “Love ‘on. ‘ Star of my hoyle 3’ “W1nter.Tree ,” “WiTt thott_he_m1_n_e3’ &c. Pm?‘/_ mach. John Blockley _ »Exc¢1si0r! The admired Songs and Duetts,"‘Ycsterdayf3L‘{To—mox-xrowf and “To-day?’ Ca)_ztabi[e -P molto F.$prcss1'v0. stay,” the maiden said, “and rest Thy wea‘___I'y head up- / C7'(3S_.., ‘.2 _on this breast!” A tear stood ' his bright blue eye, But rall:edz'm. /5 f_\ still he answer’d , -with _a sigh,“Ex _ CEL ._ _ s1_ OR 3” /A A v ' ‘ , /‘j g . 9/ A/E-:./\\ .— /9/9 *\"’/’ "If? ,\f. Sf _ware the pine—tree’s with/er’d branch! Beware the aW_fu1 a._vaIanche*’.’’ . By the same mpofser John B1ockIey( Do./cc e pom piu lento . This was the peasant’s last“Good Night§’A voice rep1ied,far up the height ,“EX_ /9/9 (’7wr'g1'co.r-\ Larghetto e Ré>lfgz'oso. _CEL_-_S'I__-OR!” At break of day, as /9/7 . \_/ . heavenward The pi;ous,n1onks of Saint Bernard L Utter’d the oft—re_ V /5 - /3 dd libf;-\\ /3 _peat._ed. prayer, A Voice cried thro’ the startled aiF:‘EX~CP3L_Sl_OR 1”/\ J? 7”{]v ’ ‘ "f mf_ralZ. . ‘ ~ .\°.=" By the same Composer. , “The last Song‘ of Sapphoi’ Poetry by NIT’ Hemans. (Illustrated in Colors Pr-.2//f6-‘_J l‘)xc€<:i.>r. _Jchx;- Bloc‘-<1‘ey. *3; Pa rlante. trav’_-ler, by the faith -_ ful hound, Half e — buried /9/9 was found, Still g1~asp_ing in his hand of ice That nif banner with the strange device,“Ex__cEL _ s1 _ OR !” *i‘** The Al‘i)ine or S? Bernard’s Dogs, so celebrated for the services they render to mankind, are trained by the worthy monks of the Hospice of Mount Si Bernard, for rescuing the unfortunate tra_ veller amid the glaciers and snow-drifts of the mountains . They are sent out in pairs, one with a warm cloak fastened to his back, the other with a basket tied round his neck, containing some cordial and bread . If they find a traveller who has sunk in the snow, they will lie down beside him, until by their warmth they restore heat and energy, and thus frequently save, his life . __ If he re- covers sufficiently to he able to walk,-Athey conduct him to the convent and by loud harking give warning oflztheir return; if the traveller he insensihle, they hasten for‘ sucéonr and guide the ..monks to the spot . ‘By the same Composer- The Honb_1_e M5 Norton’s Ballads . -“I remember thy voice: “Friend of our early days’."‘My Childhoods home?’ Pr 2/.. ea: John Blockley Lento. 'fI"here, ln the twilight cold and grey, Life___1ess,but ;be=au_ti__ Qf - ‘ef ‘Q? A _ and Jul, he lay; And from the sky, se___rene and far, A tenuto . libitum. voice fell, like a fall _ ing‘ star, “Ex- _ _ CEL _ _ _s1_ _ ~01: 1” “Ex, f'\ calla voce . ./Vlorendo . pa cc ‘ [99 _ _cEL-__._s1___oR. EX-__cEL____s1__0R. Morendor /yo xv/% /9/9/9 M, KSJ Excelsim-. London, Published lxy.J1\hn_ B"l0ck1ey,N° Pa-rk Rc>ad,Haverstock Hill . ;“I“lE\W & @UETIT$3_I@@MP®SE@ vﬂ@AUH*lN _______.______.___....._._.._______.._________._._. ('fm2l24tIn' souo 2/6 DUETT 3/: POETRV. LONGFELLO ,MUSlC.J . B LOCKLEY. Iézoc/rz£r.'9 zxcszs/on //v c, ,/Jr 55 /252/m/2//M (2/2/72, /Io:/Z/"mg, m2/~//¢// 0/Z0//5//k//mV.} paw/‘72/. mm; Ar /25/2: /za/zz/12/zn’ 4%/1///22, "n/.5 I’£ﬂ.S'£ arr//5 A/,4/om." “rm: om /Im/3 Ana/r£.ss§' "ms norm’: or S.’ unm/70$ HM V£ﬂ,"c£3]Z7£(Z//a air 52’/'////2/14’/I/2 at-7 a/”/émizzg am//Z 9'/M22 :2/‘/mix‘ J/Ex’ /M//z/z/may W///%:.r /2/I//1f.r 6})/7///are/.’ '@'bI* 13 mag 13 atg, sons 2/» D u 5712/- , POETHY, LONGFELLOW ,,,, ..MUSlC.J.BLOCKLEY. '//"M Z/u‘I“(2a’/w/0/3.! .5}///L/7&0/y zZa.5'0iz,'0I/‘zine 0/” at A3czZ/z5//)zz_(/ z.r ace/y M/,;/zwﬁ;/7/'.r£1'//', and yaw’/& (L I20z2(3//g/ /'/a éa//Zlad W/ZZZILLQ. " ‘CW5: ﬂértfrgt. PRICE 2/- Foamv. LONG!-'ELLOW,,_,_.,MU SIC , J .3 Lo CK LE Y. I’//rzizﬂré J/Le /L/mm/"aim pop la/a,/'/Jowmv of //ulr ///4/My/: /M éyww o/zm/M l‘€¢l(&'7”l/./{Q max» ([015) aoy Z/M/z"r/IE aw/00:22‘ Ar 4 J‘0!&/ ‘(Viz-/7”!-/y 00//1/2o.ré//‘Z0/z»." glﬁwfzstrpzz nffhtgtlﬁ, . P n I c E 2 / — -.__._._..___,____ POETRY, LONGFELLOW .... ..MUSlC.oJ. BLOCKLEY. /?’/ﬁn:/I.r Ma //tom ézlawlz/Z5! 0/‘Z0/zy./é/lo mi“ /20. r’//w /,‘/ -('4/in/z.r, /ifwn/z oo/&/i'a2/2£(1/ rmrz///1//M/ml /Z M //2/2 /2,/1.//ze/mam cm’/22¢/v/11° 0/‘E VA #6 £4/A/5," my title pa;/za Ar e/2z&e~//Zyéwi mm 4 //[gm I’/24! /)0/'/77,7.z7t 42/" 2‘//zzi.rI'/2/_‘/)5/[_ylya'/‘tea?’/}/air" Ebr Gjtuttlarxn, oua-r1 2/» I If POETRY LONGFELLOW .... ..uIusIc..I.aI.ocIc_I.av.i 3 cousecmmou or PULASKIS BANNER,& HYMN of THE MORAVIAN NUNS, J'a)1gori9Itat£///lHw£razt:ol/3/ 3!’ 210 'PI=u:vI:Ni M.I's‘uKI:s.oI=Ioaas‘ SHOULD SPECIFY av"BLOc‘KLEY." ‘Q A Iamm Ilf arm. j . SONG, 2/- DUETTAZI POETRY. LONGFElLOW,.,,MUSIC.J. B LOCKLE-Y. -ZUIIGFELLOW3‘ PSALM or Z/FE, ;s 50 /25341411/zkl aw ,u.ecz}2Z.{y #13 last [W0 ﬂé‘/1.1‘/,’vJ‘,l/2611.4" ma wax/z/1(M m..rzlI'tqz1,()ézI2zg Z/mm/. [Z is D£:'/y cr//“£m’I.'oe 41: ’ ‘“”“”""" Ognah ﬂight. P R I c E 2/» POETRY. LONGFELLOW, MU SIC, u. B_LocKLEv Z sznsmos IN I, /2» ta/'(&(;&/kl and a/7&5/aw; aompa.r1/liar:/; Z/M /M/‘mo/z/A arwzéizz/1.12/>/_z.r on t/to mpatztm/Ly 0/ 0000 NIGHT asLor£o"r1re ﬁappily oaiwzséla (ml, we doubt /wt‘ tﬁzw [/1133 will beam/w an ,2Mpu//m’-/2/Léoe (la {' /wart. " r-rr-I I ' ’ wlbab er; P RIC E 2/- POET RY, LONGFELLOW .... ,.M U SIC. IJ JBLOCKIEY. .'s'oIvo or THE wnrm NYMPHSTQ7,/77;/,'.I‘ J‘z.w,_a/ /-.9 A ~/ILZ./Z0/IJ‘ aw f‘})/~r;Zé4// 0/0/74? 0/" /20:9//z.r:& aarly (307/L/70¢!‘/ll(77L.S', 13/ 115' //H a//It J5 eelcg ti//I/Z." '?3l‘.éIiI'/&¥1Iff1)L’§f11l1'1ll1’1‘_,*'9,'I‘gI)I, A PRICE 2/— ” F0 ETR Y, LON GFELLO w ~... ..M U SJC,J.J.BLOC KLEY. //L Ma J5/vnacz/3 ée/"one wt [0/Ly//:<‘//of/’.,3‘ ézmz Z;/ZZZ po_/;ra.r zz/1/3 We/I a’¢.'r/2&1/gal. /7/,& J‘/21'/'/Z 0/‘ J/M poetzy 1?-.r /m’mz'zzzé{z/ 1'6/21513/Z’/X. " ‘Eb: way at &tbI:3?1nInrrz«*, so N e 2/. POETRY, LONG-FELLOW I...,,MU SIC, J‘. BLOCKLEY. E59 I§iirn’t LWIIIIB, sons ‘2/- DUETT 2/. POETRY. LONGFELLOW..,., _.MUS|C. J .BLOCKLE‘Y. ELEV. ‘
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Date: n.d.
Text: MUSIC UBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW V0" N‘.’l.\NC. FOR SOPRANO & CONTRALTO. FOR TENOR 34 BAR’lTONE_ TH E POETRY BY L CEELFEI LL11? . The Music Composed z3< Dedicated to TH E RIGHT HONBJ-E I/réejyz//“/L0/Wé;s*Z7/2/J/“(:8//1/2(Z, ;_?._._,..._;4 BY , M.W.BALFE. 1/Z)/‘Z56 /265 e L011do:11, BOOSEY ac C9 295. REGENT STREETW. MAV BE SUNS IN PUBUC WITHOUT FEE OR LICENSE. E§KCl3E§Is§iE®Ro DUET. WORDS BY MUSIC BY LONGFELLOW. M.w. BALFE. MOLTO HODERATO . SOPRAN O . Tﬂuashadesof...
Show moreMUSIC UBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW V0" N‘.’l.\NC. FOR SOPRANO & CONTRALTO. FOR TENOR 34 BAR’lTONE_ TH E POETRY BY L CEELFEI LL11? . The Music Composed z3< Dedicated to TH E RIGHT HONBJ-E I/réejyz//“/L0/Wé;s*Z7/2/J/“(:8//1/2(Z, ;_?._._,..._;4 BY , M.W.BALFE. 1/Z)/‘Z56 /265 e L011do:11, BOOSEY ac C9 295. REGENT STREETW. MAV BE SUNS IN PUBUC WITHOUT FEE OR LICENSE. E§KCl3E§Is§iE®Ro DUET. WORDS BY MUSIC BY LONGFELLOW. M.w. BALFE. MOLTO HODERATO . SOPRAN O . Tﬂuashadesof CONTRALTO. Mmxrn MODERATO. L______j L2 dim: sfttcc. night» were falling fast, As thm’ an Al-pine village pass’d, A y«)Ixth,w'h<)b<)re’mid snuwandvice A ban _ ner,with the st1'a11g‘e device , Ex-cel - si - _ 01‘! Ex_cel - si - _ or’. Hishruwwas sad, his eye be > > > » > Ex-cel - si _ -01"! Ex-cel _ si - -01“! neath, Flash,d like a faulchionfrom its sheath, And like a silver ‘ i\ marcafo, Excelsior. Duet, .f' clarion rung‘, The ac - cents of that unknown tongue, EX-C€l-Sl]' - or! Ex- eel- si - or! EX-Cel - si _ or! I4Jx_cel_ si - or! In happy homeshe sawlhe light Of household fires,g‘lea1nva1‘n1 and bright , Above the spectral glaciers shone,A11d from hislipsescap’d a groan , > Excelsior . Duet . pass,” the old man said, Dark luv/rs the tem - - pest 0 - ver The roar-ing tor- rent is deep and wide, And luudth-at Li} EX(‘e1!siuI‘ . Dutat , ff 71' ten . /\ /§ 44 _ _ l<}x-L-el- s1 _ or!" Ex- cel - - .51 - "Z‘ . . . u —, . . cla- - rmnvolce re-pl1ed, Itx-cel_~sJ - or!” Ex- eel - _ s1 _ *1‘ col canto _ /K 0 stay, 0 stay,’ the maiden said, “And rest thy wea ryhead up un thisbreast,” A tearstuod in hisbright blue ‘eye, But Excelsior . Duet . .1’ still. . he answer’d with a sigh, “Ex_cel-si _ 01‘! Ex-cel - si - cc _ ‘ _ }x-cel-s1 - or! J<.x_cel - s1 _ Ki “ - g . 0]‘ I ” Bew-.u‘01he plno tree’sw1thor’d branch, Be _ ware the awful a _va - lanche.” Thiswas the peasantlslast g‘<md night , A voice replied far Excel sior . Duet . PP!’ €(— , Ex- -cel _ - s1 _ Up the height, ‘ Ex _ _(;el _ __ Si _ } .S'(?II1pI“H piuni .s‘ Sim 0 . (G , _ Ex - ('91 - s1 - - or!” Excelsior. Duet , ad lib. At b1‘eakofday,as heaVen_ward,The ad lib. At break uf'du_\',as heaven.wa1‘d,The pi -ousmonks0f San Bernard Utter’d anoftrepeated pray} , /3* L, pi - ousmonksof San Be1'na1‘d Utter’d an oft repeated pray} , A voice cried thrd the Excel 510 1* . Duet . ,f‘ ff’ A vuice Cried thm’ the startled ail‘, “Ex.Cel-si - or’. startled air A voice cried thro’ the startled air, “Ex.cel-si - 01‘! § Ex-cel _ si - or!” A tr\aTve1ler,hythe faithful huund,Ha1f Ex-cel- si - or!” A LE./v,eller,bythe failhf'ulhound,Half bu - ried in the suuwwasfound,Sti1l grasping inhishand of ice. . . £2 \; bu _ ried in the snuwWasf0und,Still graspingin hishand of ice.. . That Excelsior . Dlwt . That ban - her with the strange device, &.___J K} ban - ner with the strange device, That ban - ner with the strange device, .f'f' “Ex-eel - si -01". Ex - eel - - si - 01'!” F\ I‘ . . Ex- eel _ s1 _ or! Ex- eel- _ s1 _ or!” There, twi - - light and grey, V - less but twi - - light cold and grey, _ less but Excelsiur. Duet . frum the A voice A vni (:8 EXH‘}siuI’. Duet . Ex - eel- si- - or! Ex- _ eel - Excelsior . Duet . Ex. (-91. si- -01‘! Ex- cel _ si- -01‘! E\'L‘.t'1SiUI‘. I)ue.»t . BOOSEY & CO.’S New and Standard Songs and Ballads. PRICE Two SHILLINGS Encl-I NET. The Compass of the ﬂrst Key only is given: from this the Compass of the other Keys can be readily found. STEPHEN ADAMS IDLE WORDS, C, Db and Eb... THE YOUNG ROYALIST, Bb, C, and D .. THE MAID OF E and F , HER MAJESTY, D, Eb, F and G KIT, D, Eb and F THE LIGHT OF THE WORLD, Eb, F, G, & Ab New Edn- FIONA, C, D, E0 and F BRAVO JACK! F, G, & A . WILT THOU BE MINE? Em} FandG THE FORGE AND THE BELL, ,F,G& Ab Eb and F . BY THE WATERS, E? To THE FRONT, D, E9 and F THE VALLEY BY THE SEA, C, Db, ED and F . ADIEU, MARIE, Eb, F, G & Ab THE HOLY CITY, Ab, B7, C } and Db . Also with German words, in B7 AMS, C,} WHAT AM I, LOVE, WITHOUT 3) 'I'HEE?G& B? ,.. BY THE FOUNTAIN, E7, F & G THIS WORK-A»DAY WORL }‘ Ab and Bb MONA, C, Eb, E and II‘ THE STAR OF BETHLEHEM, Eb, F, G and AD... , THEY ALL LOVE JACK, D, Eb and F 1 THE GARONNE, Eb, F, G & Ab THE MAID OF THE MILL,} Eb,F,GandA THE OWL, Bb, C and Eb _ .. THE ROMANY LASS, Ab,Bb&C THE LITTLE HERO, Eb, C & D CHILDREN OF THE CITY, D 8; F GOOD COMPANY, E7, F, G & A THE MIDSHIPMI’1‘E,B7,C & D NANCY LEE, C, D and Eb THE TAR’S FAREWELL, D & Eb THE BLUEALSATIAN MOUN—} TAINS, D, E17 and F ;. HAMILTON AIDE REMEMBER OR FORGET, D & F FRANCES ALLITSEN LIKEASTHEHARTDEsIRETH,C THE LORD IS MY LIGHT, Bb, C and E? . . WHEN WE TW) PARTED THERES A L.‘ND, Eb & F A SONG OF THANKSGIVING, Eb, F and G LOVE} MALABAR, D, THE ISLAND OF DRE D, Eb and F .. AN OLD ENGLISH” SONG, A, C and Eb A. H. BEHREND Ist key. G to E }AtOEb DIOE AtOD AIOD CtOEb CtoE AIOD Bb to Eb Bbto Eb BbtOEb Ato D Gto C BbtoEb Cto Eb CtoE D tc E Bb to Eb jAb to Eb lCt0E ‘.BbtoEb } A to D Ebto Eb D to Eb . AtoD to Eb THE SII.VER CORD, D,E? & F B to CROSSING THE BAR, 1), E & F THE GIFT, C, BI) and F DADDY, F and Ab FREDK. BEVAN THE EVERLASTING DAY, Eb, F, G and A ...x. THE FLIGHT‘ OF AGES, G } Ab, BC’ and C .. J. BLUMENTHAL SUNSHINE AND RAIN, F, G & A FREDERIC CLAY SHE WANDERED DOWN,C & Eb GIPSY JOHN, D and E . FELIX CORBETT BLOSSOMS, Eb and F IN THE TIME OF ROSES, D D and Eb .. B,U'1"I'ER1‘LIES, G and Ab F. H. COWEN WHEN THE WORLD Is FAIR, F, G and Ab THE VOICE OF THE FATHER, Eb, E, F and G . THE SWALLOWS, F, G and A... LOVE LIES ASLEEP IN THE ROSE, C, D and Eb A PSALM OF LIFE. C and E9 THE PROMISE OF LIFE, C, D, Eb and F IN THE CHIMNEY-CORNER, C, Eb and F } M I }ByIoDb BU tOD AtoD CtOG . AtoD .EbtOF BbtOF .DtoE CtoF }BbtOD CtOF CtOE CtoE AtoC BtoD Compass of Sung by 11421;‘: Clara Butt M r. Andrew Blade Mr. Andrew Black Mr. Edward Lloyd Mr. Edward Lloyd Mr. /Ilaybrie/E Mr. Douglas Powell Min Clara Ball Mr. Edward Lloyd /11 r. Zblayoric/c lbldme. Belle Cole 1117’. Edward Lloyd Illr. Edward Lloyd M r. Edward Lloyd [11 r. M ayorie/it /Vldme. Alice Gomez Mdzne. Belle Cole Mr. Edward Lloyd Mr. Edward Lloyd M r. M aylzric/E Mr. Edward Lloyd Air. Edward Lloyd lllr. M ayorick Mr. Edward Lloyd Mr. lllayoriek V Illdme. Patey Jlr. A/r. , ll/Ir. M a ybrie/e Mr. Santley Mr. Edward Lloyd Edward Lloyd M a yorick Mz'sx Ada C rossley Mz':T Clara Butt I1/liss Clara Bat! /I/fiss Clara Ball Mr. Herberl T /zorndike Miss Clara Bate‘ .1/dnze. A nt. Slerling O ‘ IWdme.Ant. Slerling D .142}: Damian Jldme. Belle Cole I’!ldme.Ant. Sterling Mrs. Mary Davies Mr. San!/‘ey /l4’i:5 E1/an. Florenee /lfiss Clara Ball M is: E'zIan.Florenee Mr. Edward Lloyd M is: Clara Ba/t lllis: E van. F lorenoe Mix: E 7/an.F lorenee Mz'sT Clara Bait /lldme. Belle Cole <39-'/lﬁs: Clara Bull ‘Mdme. A m’. Slerling F. H. COWEN THE REAPER AND THE FLOWERS. Eb, F and G } THE BETTER LAND, A and C SPINNING, D and Eb IT WAS A DREAM. C and L. DENZA CALL ME BACK, A, Bb and C LOUIS DIEHL GOING TO MARKET, C, D & Eb A. SCOTT GATTY WINTER, D, E and F THEGALLANTSOFENGLAND, A and BI) .. APART, Eb ROTHESAY BAY, Eb . PLANTATION SONGS,Vo1s.I,2 8; 3 (Six Songs in each), 2/~each EDWARD GERMAN WHO’LL BUY MY LAVENDER, C, I) and E . . IN THE MERRY MAY-TIME,‘ Gand Ab G. PERCY HADDOC THE SOUL’S AWAKENING, E and G .. .. BATTISON HAYNES OFF TO PHILADELPHIA, C & D G. HENSCHE SPRING, F and G AMY E. HORROCKS THE BIRD AND THE ROSE, Eb and F V THE NIGHTINGALE, C and E9 DORILLA (La SupCrbetta), Eb WHEN TWO THAT LOVE ARE} PARTED, D? and D HEAR ME! YE WINDS AND1 WAVES, G .. ...} WHEN LOVE IS KIND, F & Ab LIZA LE H M AN N YOU AND I(Cradle Song),Bb,} CandD THE CASTILIAN MAID, C and E (minor) .. LAURA G. LEMON. I ENVY THE BIRD THAT SINGS, C and E0 . NOBODY KNOWS, D and F S. LIDDLE ABIDE WITH ME, Db and E HOME SONG, Db, Eb and F... HERM ANN LOH R. WHEN THOU ART NEAR ME, C, D and E F. N. LOHR MARGARITA, 13?, C and Eb... A. C. MACKENZIE A DEAR WIFIE, Eb and G THEO. MARZIALS GO, PRETTY ROSE (Duet), F} G I and G THE RIVER OFYEARS,Eb F& ASK NOTHING MORE, D, Eb and F , NEVER To KNOW, F, G ,& Ab LEAVING YET LOVING, Eb & F THE MILLERAND THE MAID, D, Eb, and F A SUMMER SHOWER, Eb ‘and F TWICKENHAM FERRY, Eb & F THREE SAILOR BOYS, Ab & Eb CONSTANCE MAUD A LIFE LESSON, I37 and C FRAN K L. MOIR DOWN THE VALE, C, Eb and F THE SONGS THE CHILDREN SING, D, ED and F .. GOLDEN HARVEST, D, E 8; F A LARK‘S FLIGHT, D, F and G CHILDREN ASLEEP. D and F... ONLY ONCE MORE, Eb, F 8.: G J. L. MOLLOY. GOLDEN BELLS, Eb, F and C THE CARNIVAL, C, Db and Eb HOME.DEARIE,HOME.D,Eb & F LIGHTHOUSE KEEPER, C and D THE LADS IN RED, Eb and F THE THREE BEGGARS.C,D & E OUR LAST WALTZ, Bb, C & D Compass of Is: key. Bb to Eb BtoE CIOF BIOD BtoE BtoE AtOD CtoEb CIOF "I DtoEb CtoE C#t0E B IOF. G to D E[)toFj,t I3btoEb Ato E UtoF Abtolib GIOEV CtoD I) toF GIOE7 BIOE DIOE A0 to F Ab to E7 CtOD CtoEb BbtOD Bb to Eb B to D C to F C to E0 B to D D to Eb Bb to'E0 Eb to Eb .. Bbto Eb AIOC BtoD AIOD EIOF BIOD CIOEE7 BbtoEb AIOED .BtOE AtOD CtOD CtoD Bb IO Eb I Sung by M dme. A nt. Sterling I14/dme. A nt. Sterling M dme. Shernngton Mdme. M arie Roze lk/z'.r.v A. Larkeom llddme. A lice Gomez Signor Foli ll/fiss E van. F l orenee /lliss E2/an.Florenee Jldlle. Nz'1:z'z‘a Air. Plun/Eet Greene /V/i.rT E2/an.Florenee M is E van. F lorenee ‘.I[z':5 Clara Butt .’LIi.I‘5 Liza Lelmzann , M is: Louise Dale ‘$111.55 Liza Le/znzann 1 Alix: Clara Bull Airs. Helen Tran‘ .1/ixx Clara Bull /blisx Ada Crowley J! r. Ffrang. Dailies .11 r. Edward Lloyd Mdme. A 722‘. Slerling .1! rs. Jlary Da7/iex €94 Illdlle. Treoelli .11 in Eleanor Ree: I1/Ir. Iiarringz‘. Foole Miss Damian Mr. Bizrrzngt. Foole Mrx. diary Dad/ies Mrs. 111 ary Davies ﬂlrx. I1/ary Dad/ies Mr. Sana‘./ey . Jfdme. A nl. Slerling 11/dme.A nl. Slerling xlldme. Valler ia Jlame. A at. Sterling lldisx Clara [full /Vdme. Treoelli AI r. Charles C /2/l/e y .Wdme.A nt. Sterling ,.Wr. Barrin,grz‘. Foole '11/r. Bzzvrzngt. Foote ,3! r. /.)’arringt. Fooie J. L. MOLLOY LOVE’S OLD SWEET SONG, Eb, F and G TOMORROW WILL BE FRI- DAY, Eb and F . THE BOATSwAIN’s STORY, .. C, D and Eb . THE KERRY DANCE, Eb and F LONDON BRIDGE, D and E DARBY AND JOAN. F, G and A ALICIA A, NEEDHAM. HUSHEEN, B17, C and D WHOCARRIESTHEGUN? F&G THE DONOVANS. Ab and B9 THE QUEEN OF CONNEMARA, C ERN EST N EWTON AILSA MINE, C, D and F C. PINSUTI THE LAST WATCH, D, F and G Prince PONIATOWSKI YEOMAN’s WEDDING SONG, G, A and BI? . } SAINTON-DOLBY,Mme OUT ON THE ROCKS, Db & Eb J. SARJ EANT. BLOW, BLOW, THOU WINTER WIND, B, C, and D } A. SOMERVELL EVENING SHADOWS, D and E ARTHUR SULLIVAN THE LOST CHORD, Eb, F, G, Ab and A .. MY DEAREST HEART, Ab & Bb ST. AGNES’ EVE, C and E LET ME DREAM AGAIN, C, D and Eb SLEEP, MY LOVE, Db and F ONCE AGAIN, D and F GOLDEN DAYS, D LOOKING BACK, D and F WILL HE COME? D, Eb and F C. V. STANFORD THE CALICO DRESS, F and Ab MY LOvE’S AN ARBUTUS, F, G, A? and BV FATHER O’FLYNN, Ab, Bb & C LEO. STERN OH FORADAY OFSPRING,C&Eb HOPE TEMPLE THE SCENT OF THE MIGNON-~ ETTE, C, D, E9 and F . ALL MY WORLD, D, Eb and F SLEEP, MY BELOVED. F, G & Ab RORY DARLIN’, E9 and F MEMORIES, F and A7... THOUGHTS AND TEARS, C,} DD, E9 and F IN SWEET SEPTEMBER, D,Eb}_ and F .. _ A MOTHER’S LOVE, Eb, F & G MY LADY’S BOWER, Eb, F & G FOND HEART, FAREWELL, C, Db and Eb . AN OLD GARDEN, G,"Ab WERE WE LOVERS THEN? Eb, F and G WHEN WE MEET, F, G & A A. GORING THOMAS THE BLAcKSMITH’S HAMMER, E7 and F .. WINDS IN THE TREES, C,Eb&F H. TROTERE THE DEATHLESS ARMY, A} HEW . and B? R. H. WALT APRIL AND I, C, Eb and F ELDORADO, C and D . GLEANER’S SLUMBE ED and F . F. E. WEATHERLY BEE AND THE SONG, G & Bb FRED. J. ‘WHISHAW. VAINKA’S SONG, F and G MAUDE V. WHITE LOVE ME, SWEET, WITH) ALL THOU ART, D, F & G I H. LANE WILSON. ARRA.\'CE'.D BY COME, LET’S PE MERRY, lib R SONG, i_ Compass of Is: key. AIOC BbtoEb GtOD CtoF AIOD CtoC BbtoD BbtOD AP to F GtOE . CtoD DtoE CtOD Abcobiq F1,*.toD DtOE Bbto Eb c to Ab .. AtoF BtoE AbtoDb AbtoEb AtoD BtOD Ct F ..::,..!I .. Bbto Eb CIOE CtOD C#t0E BbIoEb AbtoD EIOF BtoE }Bb to Eb CtOD B2 to Eb G to D AIOD AtoE E?tOC ,!BvtoEb BIOE .BbtOF C#tOD WHEN DULI. CARE, F and G . A SAILOR LOVED A I.ASS. Eb...', C to Eb‘ I BL7tO Eb Ato D Sung by Mdnze.Anl. Slerling Mr. Barringl. Foofe Mr. Santley Mdme. Sherringlon Mr. Mayorzo/5 /I/ldme. A m‘. Sierling lllzks Clara Bull Air. Fran/I'lin Clz'7/e Air. Plunket Greene Signor Foli Mr. _/ark Rooerlxon Air. Edward Lloyd Mr. Santley Mz':s Ada Croxsley Szgnor Foli ./Ilzlrs Ada C rossley Aldme. A nt. Sterling 11/rs. Oxgood Mzlrs Clara Butt M dme. Nilsson Zlldme. Paley zldr. Sims 1I’ee1/ex Mdme. Paley ./Ildme. Paley and ﬂldme. Treoelli /Wdme. Paley Mz'ss Evan.Florenee /W7’. Plan/eel Greene Mr. Santley and Szggnor Foli M13: Clara Butt Mdme. Belle Cole Mr. Herﬁerl Grover .M r. Ben Davies Miss 111. E lliotz‘ Mr. Ben Davies /L1 dme. C. Samaell Md7;ze.A nl. Sterling /Wdme. Belle Cole Mr. San/ley ./Wis: Eleanor Rees /Ilr. Barringz‘. Foote /lldlle. T reoelli Mr. W. fl. Burgon ﬂfdme. Ber. frfoore Mr. Fran/Elin Clive (Wis: Ada C romley (Mrs. Mary Davie: Illdnze. A liee Gomez Mdiize. A lioe Gomez *,* The above Songs xnay be sung in public without fee or license. The public performance of any parodied versions. however, is strictly prohibited. , BDOSEY 85 C0., 295, Regent St., London, Music Publishers & Band Instrument Manufacturers.
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Date: n.d.
Text: ~ws~«wvT«?:*=bsi= .» ' ‘ 4 L’/jb'J‘( V’ W: 17¢/1/I/V/‘/VI’ a pm,’ WHI'I"I‘EN BY IIUMPOSICI) BY ,I'J 4w/ /%g4§/vnmwg um B%lLlI‘ﬁ»K\ JW2 BY THE SAME AUTHORS ///z _r5/?/"[A/ //mus‘ J/I////J/’[/i’:/J /I/J14/0? /1¢/Z8./-7/1" 2/ 7///o‘ /5 22/5 #1455‘ 574/vo 32/2: 41/ 57‘f_-[,17//zzz/.)‘7/(1/L‘/V /3»? gm /fH7[L’._S‘/Z//3’ 4.5’ A man. oz/Hr Hm owxu/vzia /‘E/van worww r9; M/mm /D ,()/9.0‘!/P/?A/W & 345:; ~ .2/' _,'..L:1.N‘fDo N, 5 M M E R aij§$.%éV:;g —...
Show more~ws~«wvT«?:*=bsi= .» ' ‘ 4 L’/jb'J‘( V’ W: 17¢/1/I/V/‘/VI’ a pm,’ WHI'I"I‘EN BY IIUMPOSICI) BY ,I'J 4w/ /%g4§/vnmwg um B%lLlI‘ﬁ»K\ JW2 BY THE SAME AUTHORS ///z _r5/?/"[A/ //mus‘ J/I////J/’[/i’:/J /I/J14/0? /1¢/Z8./-7/1" 2/ 7///o‘ /5 22/5 #1455‘ 574/vo 32/2: 41/ 57‘f_-[,17//zzz/.)‘7/(1/L‘/V /3»? gm /fH7[L’._S‘/Z//3’ 4.5’ A man. oz/Hr Hm owxu/vzia /‘E/van worww r9; M/mm /D ,()/9.0‘!/P/?A/W & 345:; ~ .2/' _,'..L:1.N‘fDo N, 5 M M E R aij§$.%éV:;g — rm‘ ‘ '2‘ 521' x:’ C ' ‘ 1' -/lg ZJCI ‘ SSBH puz oixmdog xo '_‘‘‘01[B.(1.(.l0 *9 #9 '\ E €>‘« C I‘ £3-A T ,..l. C "1 ‘T. \- W {D 53 9 #1 (V (‘F P’? '3‘ § (/1 C. "U "1 3 ..a C 93 .1 $3- E _.—a C ‘Y, x. U7 C '1'» -1 § $33 5 $14 (T ‘i;j_.;-F " i i~;::_i< I ~—« ,/ \\_. \‘:~l,.\ C E L s 1 0 R’-’. _.r .~ The shades of night were falling fizist, As through an Alpine village p;iss’d A youth , who bore, ’mid snow and ice , A banner with the strange device, “Excelsior!” His brow was sad: his eye lgneneath Flashid like 8- faulchion from its slnzath; And like a silver clarion rung The accents of that unknown tongue, “lCxcvlsim‘ l.” In happy homes he saw‘ the light Of household fires gleam warm and bright: Above, the spectral glaciers shone, And from his lips escaped a groan , “Excelsior !” “Try not the pass'.” the old man said: “Dark lowers the tempest overhead, “The roaring torrent is deep and wide!” Aml loud that clarion voice replied, “Excelsiorl.” "0! stay: the maiden said,“and rest “Thy weary head upon this hreastl” A tear stood in his hright blue eye, But still he answer’d,wit.h a sigh, “Excelsior!” “Beware the pine-tree)s withered branch‘. “Beware the awful avalanche l” This was the peasant’s last“Good Night:” A voice replied,far up the height, “Excelsior!” At break of day, as heavenward The ‘pious monks of Saint Bernard iUtter’d the oft-repeated prayer, A voice cried through the startled air,‘ ' ' ‘‘lC\(-«-lsi(>rl.’’ A traveller, by the faithful ‘hound, Half-buried in the snow was found, Still grasping in his hand of ice That hanner —with the strange device , ' V “ Jxcblsior l” There, in the twilight cold‘ and grey, Lifeless, but heautiful, he lay; .And from the Sky, serene and ,f'a'r, A voice» fell, like a falling star, ~»\ ,/ “rf%a::Eﬁié*< “Excelsior l” / \ W “\ \ lg \ , . \ /' ,’, % . / / 3; ‘‘ExcELs|oR!’’ — DU ETT. -{(9}- (r0,,,p0m1 1,). JOHN B;,ocxx.EY. A W/Wtten by H.W. I-..vONG.F¢ELLOV‘V. A.v1).4.vT1.vo A f.\ at '_ /9/9 The shades of night were falling fast, As through an A1._pine village pass"d A The shades of night were falling tlust, As through an ALpine iﬂlztge pass’({ A /9/9”: Q‘ Q‘ youth who bore, ’mi,d snow and ice_,A banner with the strange device, adlib. youth Who bore, inid snow and ice,A banner with the strange. device, “EX- calla vase. l‘42U‘«~]s1or! Duett. Ex_ce1s1or_ Hzghur. John ,B1bCk1£y- -p,(.)1.C(3.) 27-id VOICE f/..\\ f\ . —— . _ CE.L_ _ SI __ OR 1” A His brow was " - ' ' eye ’oe_ neath /’/9 F1a.sh’d like a faulchion its ‘ sheath, And like . a si1.., _ _ver cla _ _ _ _- _rion hung accents of that unknown tongue, “EX__ 3 h_ ' ‘A dim.-erall. -?f L.» > _ . By the same Composer- The a_dm1red Songs mud Duetts . ‘Excelsior! Due1t_ “_Yéstérday’_’, “Tov-mor3'oW’_’ ‘and ‘A“,To—day.” John Blqcklcy . Con te~'n(?rezza. In hap_py homes homes L In hap _ py flires gleam warm ‘and bright: gleam warm and hright: t And from his lips shone, And from his lips shone , __cEL-___ s1__oR‘.” E X celsfoyr. . Duett‘ Of household he saw the light light Of household he saw the gig Above, the spec _ - tral glaciers Above, the spec__”t:ral glaciers escaped a groan , escaped 21 groan , dolente. John Blocklcy. Pdflantl 2'31 Vo~I(iE. “Try not the pass!” the old man said: “Dark 1owl'"s the tem_.pest Energico . 0 _ _ _ _ _ _ver_head, The roar- _ lug torrent cla __ ‘rion I voice replied, “EX __ CEL _ __SI_ _OR!’-’ J 18’ VOICE. By the same Compnser. Excelsior! ' Duett . “ Summer? 33 31 V0011 Dﬁ‘etY’- P13 2/,'g ' Jo} n Blockley Cantabile e molto Espressivo. stay,” the mai _ den said, ' “and rest Thy wea_ - -1“; head up. .011 this breast!” A tear stood in .his bright blue /eye, V rall: 6’ dim. f.\ (2':flV¢‘;ice)r;\\ he answe'r’d, wiih ' sigh, “EX _ _ CEL _ _ _SI._ _OR!” ,\ ares. ‘&——i ’ L"! Sf ./flgitato. V010 Q “Be __ ware ~ the pine — tree’s wither’d V F3 1:) branch ! Be _ ware ‘V the aw. _ ; _;f'u1 a _ . _ _ _ _V_Va1‘4ll]O1'\€ . "Excelsior! Duett. ; V ' ‘ ‘ John Blockley. Dolce e paco pin lento. the t e up the height , “Ex- _ _cEL_ _ _s1_ .oR!” e Religioso . break of Saint Ber- _n'ard Saint Ber: _nard i W {Th Excelsior! Duétt . pea._sant’s last “Good Night” A voice replied, far pea_sant’s last “Good Night” A V()‘lCe replied, far CV88 . Lurgizctto F/.\\ energ-{co . At J . f /9/9 hea _ _ ven - ward The pi- _ous monks of hea _ _ ven — ward The pi- -0us monks of Ut __ ter’d the oft — "re __ peat -5 ed prayer, A Ut __ teril the oft - re _-pe:if-_ed prayer; ‘ET John B1ock1e-y- ‘V221 l8z'ce-)//€ ‘ » lit V"1CE- — voice cried thro’ the startled air, “EX_.,CEL__S1_0R!” rrgf i nzf mf mu. .;\:i:§(— Pa rla nte. trav’__‘_ller, by the faith___f'ul hound, Half — buried /9/9 snow was found, Still grasp__ing. in his hand of ice "9" (21111 I/éice.) Q‘ banner with the strange device, “EX __ CEL _ SI _ OR!” * . ** The Alpine or S? Bernard’s Dogs, so celebrated for the services they render to mankind,. are trained by the worthy monks of the Hospice of Mount '5'} Bernard, for ‘rescuing the unfortu- mate traveller amid the glaciers and snow-drifts of the mountains . They are sent out in‘pa'irs,oner with a warm cloak fastened to his back, the other with a basket tied round his neck, containing some cordial and bread . If they ﬁnd a traveller who has sunk in the snow, they will lie down beside him, until by their warmth they restore heat and energy‘, and thus frequently save his life ..__ If he re- covers sufficiently to be able to walk‘, they conduct him to the _convent and by loud barking give warning of their return; if the traveller be insensible, they hasten for succour and guide the monks to the spot . l‘lxcelsio~.i'l-. Duett. . .. ‘John Blockley, Lento ,- There, in the twi__1ight cold and grey, I Lif'e_ _less, but’ beau ._ ti..- There, in 1 the twi_1ight cold and grey, L_ife._..1ess, but b*'eau‘_ﬁ _ /9 he ' lay 5 And from the sky , se- _ - rene and far he lay; And from the sky 3~ se-_ ..rene 1 and far, _\__‘J tenuto . lib itum . voice fell, like a fall _ ing star! “EX _ _ _CEL_ _ -SI __ OR!” Call“ vow‘ like a fall _ ing star, ./‘Io rcndo. f_\ , O -cEL ___ s1__-0R!” ‘“EX:\___(;.E;t.-_';.__SI __ OR!” ..CEL__._._ s1___6R!5’ “EX___cx-:L_____s1 4-012!” /9/9 W T (I . . 0 Ekc’é1>s_i‘or! Duett . . Lnu«!n'1}*,'Pr.whIi<hx-61 by John B]v:ck1ey,a.N-92 Park R005: H3“*?T."3t°€‘k H311-.
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Date: n.d.
Text: ARRANCEDBYJ.B. / ’} 71. .40 .74 z" ‘ ﬁx ‘ ~' V g , B)’ LQNDON: ROBERT CUCKS & (:9 NEW BURUNUTON ST R,EGE?‘3T 3? W. b By S/aecial Appozérzfnwnt PUB-LXSHERS T0 Hsamosf cmxczbus MAJESTY QUEEN VICTORIA, ms ROYAL HICHNESS TH E Enxmcs; or _wA ﬂltviéfu . .A«.,a.,‘ @z:.©A@u.@u©R.V I Worms av LO’NGFELLO\.N.ﬁ V L©* . Mus ic n Muss LAl_NDSAAY. A JLLEGRO. J v K : E\. K I l\ 1 . 1 _L..L [ .1 3? AL I: ? T 45-; ":“ E‘ JEN“ J 7 _ shades _ of n’ig-Ht were fall _ ing. fast, I As" thro’...
Show moreARRANCEDBYJ.B. / ’} 71. .40 .74 z" ‘ ﬁx ‘ ~' V g , B)’ LQNDON: ROBERT CUCKS & (:9 NEW BURUNUTON ST R,EGE?‘3T 3? W. b By S/aecial Appozérzfnwnt PUB-LXSHERS T0 Hsamosf cmxczbus MAJESTY QUEEN VICTORIA, ms ROYAL HICHNESS TH E Enxmcs; or _wA ﬂltviéfu . .A«.,a.,‘ @z:.©A@u.@u©R.V I Worms av LO’NGFELLO\.N.ﬁ V L©* . Mus ic n Muss LAl_NDSAAY. A JLLEGRO. J v K : E\. K I l\ 1 . 1 _L..L [ .1 3? AL I: ? T 45-; ":“ E‘ JEN“ J 7 _ shades _ of n’ig-Ht were fall _ ing. fast, I As" thro’ an A1_pin‘eA\V’i1_1ag-e ’ travel _ her by the faith_ful5 Bgund: Half 1V>uL;1-ied in the snow was f.) A youth who bore ‘mid snow. d ice Still grasp _ ing. in his of ‘ ' ice b [J with the strange (ie_v_ice with the st‘rang'e (ﬁe _.vice Ex “ eel “ gi "Or ! ‘f ' ~ V(*>¢‘.D)'_ '0'!‘-vhf‘ 5 “,7.” i 1» __His 1-brow was sad‘, his eye be_inea‘th Flash'd like a ﬁlI11Chi0nfr0II1itS zit!‘-“Try_" not the ‘pasS"_ the ’old inan said “Dark 1ow'rsthe tempest o- ver _sheat}i, i And“ li g: a‘ sil_Ver c1a._r1on 'rung‘,i head . The roar _ ' ing terrent is d and ‘wide’; f ac .. éents ‘ of {hat un ; known tongue Inud that T cla,rion. voice ‘ re _ plied EX‘ eel “ si*.°r'! _ f ff fff , ce1-Vsi_0r! Ex_ce1 4_ l1;0?~s] . ('07:, V Fsp1*e.9s.- 1 -H."“0h! stay” the Maid- en said “and «1-(‘est Thy wea , ry head up.‘ on my _ 1° breast.” bstood V .in . his bright " blue éye; B1;’t, , A‘ few: ' still he an_swer’d 1 with ‘ a ‘ sigh EX- cel -1 si_or I ('91; si_0r! aT V. Tthez "pine . , tree’é A wi _Vt}1er”d’ . branch! the’ aw - 'ful a ; va _ ~Ia_n»c}1‘e." was the Pea- sanfs last good — night 1919!” far up the ‘Lheight ‘5Ex_ eel _ si__ or“! ./1'/uiu//lie _ma mm t7'np-pm 7'4/'»There in the twi - light cold and grey, Life- less’ but beau-ti'_fu1 hf: And from ‘ 19 .101 mm .S’}I7‘r1'7.‘0. mice fell like a fall - ing "star Ex __’ eel- Si _or ! 1° ('81- Si_or! . Guglielmo Tell ' Lays of Prince Cha 'J|_'i I u I: 1. . “I . _ VOCAL .A.Zl_\TID PIANOFORE, ALL NIUSIC SUPPLIED AT HALF PRICE. NOTE.-THIS LIST INCLUDES THE LATEST NOVELTIES. THOSE MARKED THUS ' ARE ILLUSTRATED. ABT, FRANZ. Lost in the Wilderness. Sacred..................... Six Songs for Children ...................... ..each 1. What Smiles can do 2. Oh! little Thrush 3. Moomdiine . The hills of light. Sacred................ A rose in heaven. (In G and F) For old love’:-3 sake................. Not a sparrow falleth. Sacred.. Oh! ya Tears. (In C and D) . Kat-I"l«=en Aroon ..................................... .. DARGOMISKEY, 0’er the Neva gliding DIEHL, L, Dear Englzirxl ......................... .. FOSTER, LYNNETTE. Clwllges Come clz, my dream . Her image haunts me yet Only a year ago .................... .. FRICKER, ANNE, Phillis fair . .. Softly at thy window ............................... .. O weary eyes .......... .. 3 0 ] Village Bells 5. Summer days 6. Stnrshine I built 2. bridge of fancies 4 0 ] *The Robin. Illus. H, Aim high 3 0 | Passing Clouds GLI NKA, WI , Parting words ................... .. GATTY, A, 8, Only a passing thought .... .. The open window 3 0 I The Mill Lad’s Love... Sequence to the three little pigs, comic .......... .. *The three little pigs. Cor-nic. ... Oh, doubting heart. (In C, and E ﬂat) . *I really am so sleepy. Com-ic ......... .. Tell him I love him yet ..... .... ........ .. Songs for our little ones. Nos. 1 to 6 Songs for chi-ldren Nos. 1 to 6 .... ...... .. 0 fair dove! O fond dove. Sung by Madame Patsy. No. 1 in F, No. 2 in A ﬂat ............. ..each The lights far out at sea ......................... .. 3 2 4. A little girl one summer day W83 CDNWWWWWW O:>C)O0:0Df.\:C»\3ODO0CO0909rFiFOD€)ai+LO3 co ccaoooooooocooooooooooocoooo ago?‘ VOCAL MUSIC; HATTON, J, L, Castles of Sand .......... .. 3 The cause of England's greatness 3 LINDSAY MISS M. When th 0 I e ship comes 4 . 3 0 The old, sweet story *Too late, too late 4 0 Far away Pulaski"s Banner. Solo and Duet Low at thy feet. Sacred song .. My old mate and me .............. .. Tired. No. 1 in D ﬂat, No. 2 in D. ‘When sparrows build. Home they brought her warrior dead. In E ﬂat and G ...... ... ........................... ..each *Resignation. In B ﬂat and E ﬂat. each Oh! when wilt thou come unto me. (Sacred) IVIOLLOY, JAMES L. The Ride, No. 1 in No. 2 in F. N). 3i-n G each The Brook and the Wave PRATT, G, Little Golden I-lair PINSUTI, CIRO. The Land of Love. No. 1 in E ﬁn‘, No. Zin F each 3 Don't forget me ....... .. 3 0 Bear gently, time 3 What shall I sing to thee 3 0 And so will I 3 In shadowland 3 0 | RIC H A R DS, B . Let the hills resound. Four—purt song ls. nett 8vo edition ........................................ .. Let the hills resound. Song ...................... .. 3 SMART, HENRY. The face at the Window 3 0 I Beils C, A, Come, birdie come .......... .. 3 cc?‘ *Bsst. Sacred song home ...... *The bridge . Bury thy sorrow OOO O00 OO¢OOOOO® GOO WRIGHTON, W. T. *The wishing cap The blessing of Flowers ..............-............... 0 would I were a Fairy Queen .. Only one to bless and cheer me .. The liquid gem. Em-bossed................ She sang among the ﬂowers. Embossed. Shylie Bawn .................. ....... .. . . .. Thy voiceis near. Embossed .......... ..... ..... Her bright smile haunts me still. Embossed......' ABT, F, Arcse in heaven 4 0 Oh 1 ye tears 3 0 The Hills of Light GATTY, A, S, Raindrops patter. 0 that we two were Maying GLOVER, S‘, The silent teachers Sacred 0 The beautiful and true Let us roam ... *The crystal cave 3 0 The music of the birds Fairy Chimes .... Maids of the greenwood ...... ... ...... ... .......... .. The fairy queen (in C and D) .. LINDSAY, The Bridge ........................ Low at thy feet 4 0 Too late, too late Tired .......... .. 4 0 Far away ...... .. A country life SCHUIVIANN, R, When gentle winds Come where the soft twilight falls ......... .. . SMART, H, The twilight hour has come .... .. THOMAS, J. R, Happy be thy dreams .. .. WRIGHTON, W. T. Her bright smile....... Liquid gem 4s. I As one by one our friends depart Thy voice is near ,,s.w»>c.\:v$-iéhi-at Flowers of the garden and ﬂowers of the wildwood .e.;sccw.m:-cnoawsgn NEW UETS. Kathleen Aroon 3 3 i-F-C)3)6hb€Bi<P~IFrF~©0irPI-FvP~<-V03 No. 29. ooooocvcccooooo¢OooCoOO CGOOCOOCOP‘ J, Wild Flowcrs—-Nos. I to l2...each Jewels—— es. 1 to 6 Dewdrops, 25 easy pieces ............. .. Buds of melody, 31 Nos. Easy pieces CALLCOTT, w. H. *The Holy Family. Books 1 to 12 ............each CASPAR, C, A, The Exile. (Schubert) “Asponleaves,"by R. Schumann DELASEURIE, A, *Petit Timbalier Polka *Féte an Chalet Valse. . G.REV||_I__E, M, Golden beams (Wyman) Dancingwaves(Wyman) “Sunbcams ” (1 to 25) ........................each GLOVER, S, *The Zouave’s Retreat March .... .. “The Royal Greek March ......................... .. HARMSTON’ J, W, La Reine du Coeur Heather Roses ........................................ .. KORNATZKI, F. v. La Cavalcade. Morceau clicxvzderesqiie .......... .. Chiming May Bells 3 0 Angelic Whispers ... The Hunter’s Hem 4 KULLAK, T, Prelude ..... . J, Musical Box .. LEMOINE, F. Clenientia (Bagatelle d’Amour) ......... Une Cascade des Fleurs.............. LEE, MAURICE, Fleur de L’ame. Azur. Nocturne senti-mentale . Féte des Bayadéres . L’Electricite. Etude dc salon....................... Evening I}clls............. Accents du Caeur POLIMSKI, A. Hymn of the Old Catholics ......... .... .. Austrian Song PR|DHAM, J, *The sailor's dream Russian Fantasia The Rose. (Fantasia on English Airs)... The Shamrock. Fantasia on Irish Airs .. The Thistle. Fantasia on Scotch Airs............ The humming bird's song (with musical box effects) The Chase. A descriptive Fantasia............... The Soldier’s Return. Descriptive Fantasia The soldier's farewell. Descriptive Fantasia RIVIERE, J. Duke of Edinburgh's Quick March ............... RICHARDS, BRINLEY. When, the ship comes home . . Evening. Melody 3 0 | The Gipsy’s warning The meeting of the waters... A rose in heaven Far away (Miss Lindsay) Low at Thy feet (Miss Lindsay). Tired (Melody by Miss Lindsay) . Warblings at Dawn, and Noon Pianistfs library ...............each 2s. 6d., 35. and Thy voice is near... 3 Warblings at Eve .... .. The liquid geru......- 4 0 Kathleen Mavonrneen Kathleen Aroon .5. 3 0 The wishing cap .... .. I’ll hang my harp... 4 0 Happy be thy dreams ROCKSTRO, W. S. .. -....-.......u .......n......... .. .......o...... ...... .................... nu... . ......... ...... The ﬂower gatherers ... E.':_ho¢_s of Zurich The Vesper Bell 4 0 The Gipsy Countess... Hihoowwoacom n-r-wrduu oovao-I W OF-b§rF€»0:O.70:ODd*l\'H'.\2 I5i§tFihrP~0-'4 rho: >I103iI>rFI#rF0>€)=>#D3IF§OC»3 4 0° 00 ooocoeocamooc O OOOOOOOOCGO OOOOOO O0 OOOOGOOOOOOOO ROCKSTRO, VV. S.-continued. Fantasist on“ Sonnam- Voices from the hill-side 4 0 bula” Border Legends .... .. 4 0 Fantasia on “ Roberto Echoes from the green Isle4 0 il Diavolo” . 4 0 Gems from the Emerald Fantasia on “Figaro" 4 0 is 4 0 Fantasia on “ Norma" 4 0 SMALLWOOD W. Bon:1parte’s Grand March .. Little Buds Far away. Liquid Gem. Her bright smile. What are the wild waves. The Gipsy Countess. F.uII1i;: away. Happy be thy. Chime again. Postman's knock. . Tny voice is near. The Bridge. . Echo of Lucerne. 40 14. Wztrblmgs at eve. 15. The Wishing Cap. 16. Flower Gatlierers. 17. lhcelsinr. 18. Home they brought. 19. () I-‘air Dove. 20. Kathleen Aroon. 21. God bless the Prince Wales. 22. The young Recruit. 23. llark! the Goat Bells. 24. l’ulaski's Banner. , I built a bridge. 25. God bless our Sailor Prince. The Warbling Lute 3 0 Classics at Home ............................ ..each 2 6 . Disdair-iful of Danger. 7. Corelli’s Pastorale, . Haydu‘s Minuet and Trio. 8. Mozart's Minuet. . H»ayun's Quoniam tn. 9. Cheruliini’s Cum Sancto. . Mozarts Voi che sapete. 10. Cleiucnti‘s Allegro. . ,, Dona I'I()I)IS pacem. 11. Mn’/.art's Qui Lnlis, . Gluck‘s che faro. 12. l\luza.rl.'s Quaudo miro. Handel's Grand March in “Scipio” “ Home Tres.su.res" (1 to 25) ............ ..each . Far away ‘ . Thy voice is near . l-‘lower gatherers . The Musical Box ' . Fading away . Her bright smile , Home they brought . Echo of Lucerne . What are the wild waves . Chime again saying? . The Snowdrop The Gipsy Countess . Kathleen Aroon The Bridge . Far on the deep blue sea . Excelsior . Hark! -the Goat Bells . Pulaski‘s Banner , I built a. Bridge . God bless the Prince of . God bless our Sailor Prinoe es _,;_; , Rondo on Canary Quadrilles . Happy be thy dreams . R-ondo on Great Globe Qua- . The Liquid Gem drilles Those marked * are arranged as Piano Duets. .......... ..each 2 6 7. Rest 8. Low at Thy feet 9 Too late bl!-II-I)-4 ""'°I"°.“’9°."'37=.°'§l‘5"’.‘°."' ..... .. 3 0 2 6 Sacred Treasures (Nos. 1 to 12) . Ho every one . Hark! I hear the organ's peal . H-e giveth His beloved . . The wilderness shall blossom 10. David's Prayer. . Tired 11. Thou art not left alone. . The hills of light 12. A rose in heaven. TOURS, BERTHOLD. _ _ ‘ Galop... 4 0 I Wluspenngs of Home 4 0 G. F. Plus vite. WEST, Adagio from Mendelssohn’s Hymn of Praise Extract do. do. 2nd Concerto Reminiscence de Beethoven . In quests. tomba........ For unto us a child is Haydn’s Gipsy Rondo Reminiscences of Mendelssohn’s Scotch Symphony Sundays at Home (1 to 6) ........ ....... ..each Gavottc in A(Gluck) Favourite Waltzes, by Mozart, Nos. 1, 2, and 3, each Lieber Augustin Andante. (From Beethoven's Symphony in C minor) . . Welcome me Home Gloria in Excelsis. from Ha.ydn's Imperial Mass... Ave Maria. (Cherubini) Der lnstige Bauer (Schumann)... Benedictus Requiem. (Mozart) .. Minuetto e Trio. Symphony in D major (Mozart) I waited for the Lord. (Mendelssohn) . Extract from Beethoven’s Choral Fantasia .... .. bbidi: . ......... ......................... .. O3$\7QOU5»h93W¢€03 ANOFORTE MUSIC I WEST, G. F.—contz'nuea'. Extract from Beethoven’s septett ..... ............. Extract from Mendelssohn's lst concerto . Haydn’s Kyrie Eleison, from 2nd Mass Beethoven’s waltzes, in 6 books ...............each WYMAN, A. The Operatic March ROBERT COCKS 8t C0.’S . Jcu des Ondes (Fritz 7. Spindler . . . . . . . . . . .. . Iclylle (C. B. Lysberg) 3 0 8. . Air_ (Composée par le ro1Lnu_is XIII.) . . . . .. 9. G->thard‘s Gavbtte.. . Fantasiamci:uincr(Mozart, 10, Gavotte dedicated to his wife) 4 0 (Ban: . Blumenstﬂck(Scliumann)4 0 11. '. La Campanellu (Jules 12. Eeghard) .......-... 4 To Tempo cli carlatti Gavotie (JSB O . be continued, GLOVER, STEPHEN. The Happy Family Quadrille............. . The Royal Greek March .................. .. M, “ 0 mio Fernando" Lucrezia Borgia LIEBICH, J. Woodland Trillings 0 The Liquid Gem Brighton Quadrilles 0 Her briglit smile Sing me that song again ............... ... ....... .. The Opera Bouquet ............................ .. each 1. Oberon. .5. Sonnambula. 2. Don Giovanni. 6. Norma 3. Lucrezia. Borgia. 7. Die Zauberﬂiite. 4. Masanlello. 8. Guillaume Tell. 12. Zumpa. LUINI, CARL, Les Gariles du Roi MATTIN-I, F. “Sweet Melodies,” 24 easy Duets, each ....... .. RICHARDS, B, Let the hills resound ....... .. SMALLWOOD, W. WEST, G. F. First Stage. 1. Morceau do Robert Is Diable (Meyerbeer)... 2. Ah che assorta. (Venzano) ............. 3. Krieger’s Last March (Gung’l,) .. Second Stage. 4. Agnns Dei, from 12th Mass (Mozart) 5. Gloria in Excelsis (Pergolesi) ........ .. . 6. La Preghiera do Mose (Rossini) ......... 7. Gloria in Excelsis, from 1st Mass (Ha-ydn) 8. Sonata in D major (Mozart) Third Stage. 9. Gloria, from 12th Mass (Mozart) 10. Kyrie, from 12th Mass (Mozart) ..... .. 11. Benedictus, from 12th Mass (Mozart) . 12. Theme do Lucrezia Borgia (Ozerny) 13. The Hallelujah chorus (Handel) ...... .. Fourth StagV—(ovnBrvREs). 14. La Gazza Ladra ‘(Rossini)............... 15. Zampa (Herold)..., ........... 16. Le Cheval de ""Bronze (Auber) 17. Der Freiscbﬁtz (Weber). . 18. Fra Diavolo (Auber) .. 19. Masaniello (Auber) VALENTINE, T. Du-ets for little ﬁngers, Nos. 1 to 12 each -A New EdL't2'o'ro of i‘ The History and Construction of the Organ,” b_ E. J. I10’ /sins and 0 0 0 0 o 0 o 6 0 o 0 0 0 0 o 0 0 0 0 0 E. F. imbciul I . ¢'.*11 I 9. Tancredl. 10. La. Clemenza. 11. La. uazzs. Ladra. 3 Mozart's Miscellaneous Romance ......... . . and Mu tte h) 3 Snrahaiide. (J. S. Bach) 3 and Musette . ach).. .. .. .. .. PIANOFORTE DUETS. 4 1 4 4 III aaaacnmipm Ihbwhrﬁih €")hiP>Fb§ 030-7 3 LIBRARY OF ANCIENT AND MODERN MASTERS 0 0 0 Home Treasures (Nos. 1 to 12) ............. ..each 3 0 Paoennssivn Pmnorronrn Dmrrs ARRANGED & smeuns.-D. 9 960969 O¢r©OO OOOOO GOO
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Date: n.d.
Text: / r , , ARRAN ,_w B\’ J B 5,/' V, .7 1 B L &" DP/Q/(‘AY7'[D 70 ‘ - ﬂ . I “I I‘ V1’ « mi ¢»%F%§L155~w: 411 ﬁ J5 « LON DON, R*»OB‘ER’l' COCKS & C° NEW B U R LINGTON ST, 1‘¥(}[._§lUHhiH')§‘§lH1aHl1‘J|li?N"‘K\iHV(;71!“WfVl(‘[(}HImg :0 Hrs 1l'11{Jﬁﬂ1|M£»L|<3S 1“m.>v>looI1 H1 NEW WORKS BY MISS NLIINDSAY. 1'11: LORD WH,L PRUVIJM (.>'/1!‘/ft/1 Jr:/s/1;/.. 2,/Kb ENGLAND:/\NU ENULANDS QUEEN .. A PS/HM 0;‘ Lylft,/)1/5 I, wows :3H.0NorELLow...
Show more/ r , , ARRAN ,_w B\’ J B 5,/' V, .7 1 B L &" DP/Q/(‘AY7'[D 70 ‘ - ﬂ . I “I I‘ V1’ « mi ¢»%F%§L155~w: 411 ﬁ J5 « LON DON, R*»OB‘ER’l' COCKS & C° NEW B U R LINGTON ST, 1‘¥(}[._§lUHhiH')§‘§lH1aHl1‘J|li?N"‘K\iHV(;71!“WfVl(‘[(}HImg :0 Hrs 1l'11{Jﬁﬂ1|M£»L|<3S 1“m.>v>looI1 H1 NEW WORKS BY MISS NLIINDSAY. 1'11: LORD WH,L PRUVIJM (.>'/1!‘/ft/1 Jr:/s/1;/.. 2,/Kb ENGLAND:/\NU ENULANDS QUEEN .. A PS/HM 0;‘ Lylft,/)1/5 I, wows :3H.0NorELLow& gg PULASM‘/)1/[7"_\NORDS BY LONGFELLOW. Musac LIIIAI9 azxssme->n@R;. “1 A — >1-®-I4 Wonns av LONGFFELLOW. — ’ - MUSIC av Mlss LINDSAY. ALLEGRO. ‘€©}' 1?! I'.- The 663' V: A shades of night were fall, ing fast, As thro‘ an A1_pine ViLlag'e travel _ ler by the faith‘- fu1\ hound Half busried in the snow was 19 t.A youth who bore ‘mid snow ice Still grasp _ ing in his of ice - Ban _ ner with the strange de _vice Ban _ ner ‘with the strange de -vice Ex ' eel ‘ Si ‘ or ! “I-txmsinrr’ MISS LIND AY. ‘ C0'YF'CHT? 1’ His brow \~*as sad. his eye be _ neath Flaﬂfd like a faulchion froxn its .‘5T..‘1'“Trye not the pass” the old man said “Dark 1ow”rsthe tempest 0- ver And li e ‘a si1_Ver c1a_r1on rung',\ The roar _ ing torrent is deep and wide", ac _ cents ‘ of that un _ known tongue loud that cIa_ri0n1 voice re _ plied Ex‘ eel ‘ SL9]. ! ff eel- si_or! Cow Es/mess .- «H.’/“Oh! stay”the Maid- en ‘said “and, rest Thy wea - ry head up A. tear stood in his_ bright ‘blue eye, m ten .- sti‘Y he an_swer’d M with Sig}: Ex- eel _ si._r;r 3 ce1_ si_0r! the A pine trees wi_ther’dV branch! the aw _tfu1 a _ _ lanche." was the Pea- sanfs Iast good — night 191919 far up the height “Ex- eel _ si _ or"! __‘T:::—=—pp ./1/mlarnte _ma mm troppr). There in the twi — light cold and ‘ grey, Life _ less but beau_ti-ful he 19 Jfa can Spirito. voice fell like a fall _ ing star Ex _ eel- si _or! 19 eel _ si_or! - 16. Mod. graz. srnrnsn eLovERs VOCAL nnsrrs POETRY BY J. E. CARPENTER, MRS. CRAWFORD, R. RYAN, PARK, AND LONGFELLOW. PUBLISHED, EXCLUSIVELY, BY ROBERT COCKS AND.CO.!NEVV BURLINGTON STREET, LONDON- 7 Zlfzzsio Paolis/Iers to Her Most Gmoious Jlfajesty Queen Vieloria, and to His Im_79eI'irIl ]I[a_;'e.9tj/ Napoleon III. Voices of the Day- I 1*‘. 4| I 25. 6d- 3 v I .. I D - G u L ﬁ—-- ,_,__1_:;___ /‘::' ‘“— us in mys - te - ries. _ speak 1. Modemto. .. I v - 9 I ' I L Egl-32 III ‘ I4- J I I - 0 I4! @j-—-—=-=—:I— J ———~ I They to 2. Am. con dolore. The Irish Emigrant’s Duett- #~e—+~—I~I I§I)——I2I—-—I—d Come, let 25. 6d. 4:‘ ' I\I 4 . . I‘ in |=I‘ C 3 I , I take an - 0 - ther us 10 k. _ I _' 3. And. can express. Why do the Swallows change their home? 25. 6d- I I I §%I3b:7::,I?——I'-, I I ii! I} I ‘J Why do tlie swal -lows change their home? In H .9 I D I W,‘ 4. And. ma no: t7‘0PP0- The Slave singing at Midnight 2s. 6d. 4.7‘ .. I I ‘I I Do - vid! 4£L — §§b~e~I.v"~.—ﬁ‘~-I’ - I’ f . "‘ "" '—”‘ I I Loud he a Psalm of Hymn to the Night. ‘I2:_; ' _ , __I _ __I‘\ I"\ (._I1:E:§3i ,;f_h_-_¢I\‘ :2!‘ a 9 U I sang 5, And. can express. 2s. 6d. I - - In I I’ I‘ I) V ‘I r , I1 I heard the trail - ing gar-meiits of t e 5 night. _._._________________ 8. Moderate. To the Woods! to the Woods! n , M \ I ‘I ———s T 0 85. I I‘\ j a . -' _l I to w v Woods I n I RV I “\ I n I I " the woods! Light in the East is glowing. __I/ I , I\ §’[§:Li:;I "’;!_;_ U Light 7. Moderate. 35, _I_1 » I D I n .‘ I I‘ T I’ Q \__,_____I__F_ ___,_i____ in “the east is glow - ing. 8. Moderate. The Lily and the Rose. 7‘! J EeE;I‘;___,;sI,3‘ Tell sis - 25. 6d. 5 ' ; . _ I §‘ ‘ I-——t———§ —» I—I ter, tell to All things are l2autiful- .__._1j. :E—& All things 7, j I me, me. 9. Mod. can graz. 25. 6d. "TY - 2 = . . I I—I—v= P~——F———'———?I are beau - ti - full 10. And. cgespress. 39% )§‘§:B:°_ ' Si - lence ; Silence. 25- 6d- > .‘ I‘ _I v s_i - lence; Where The Rhine Maidens. _, - I I I I A I C 7 ll " vi ~I - In I I I’ , I V‘ I that lone shore. 11. Allle. I/iv. ’I’§It_£1.__;x_j‘< ;8‘"d 9 —.T0 the banks _of 12. Andante. Rest, Pilgrim, rest. id d I,1 ', J >.. I,’ a— Rest, Pil- grim, rest, thou art tired and Wea - ry. 25. 6d. 13. Andante. Whereishall we ﬁnd our Home’! ' _“ __ It C\__ ‘(WI ﬁhbt fl 4 . ha‘ 5' _‘ .__.I1 VI/here shall I_ I_ VVG ﬁnd Where are the Flowers. I T I’ - Is‘ I ‘r 14. Mad. graz. ~e%.... I I W 15. “I D , I 5 I’ I I I 1 here are the ﬂow - ers we gath-er’d at morn - ingP Mod. graz. Beautiful Birds. ‘) ‘I D J Q) I I I 3s. ‘§I‘I D I - I I - Q - 1 I %)z:$—«I—h—'r—I+I,—II.I,I§~I—-——h—5—I-.j~I and‘ balm-breathing ﬂow’rs. 2s. 6d. Beau - ti - ful birds Stars of the Summer Night. . KILV I"' 9'. P‘ 3:: I In I“ _ the sum - mer night! 2s. 6d. £3_.,I‘\__I____ - , 4 §I3?'——3——I l<B— 2. - VJ I\ h I‘ I‘ A I... I u Stars TIC Tlof The Curfew Bell. 5 J‘--:’~~—3I~—-s—~w~s~E—II - 0 g 3‘ _ ‘ E‘ I I G I I g 80 - lemn-ly, mourn-ful - ly, deal - ing its dole. 18. Alletto. ma nontroppo. It is not always May. 25. 6:1. - s—I—;I‘=—.~e~~-1: I’ 5 I I1 5 is bright, the clear. 25. 6d. ~t°. L , T _ .___ emfe@#+wﬁe 1 The air is 19. Andante. SUD. Borne at Midnight o’er the Ocean. I V I the l Bhrne at Inid-night ¢')’er 0 - cean. -4lle.gI'a%- Good Night! Good Night, beloved! 25. 6d. 4 I n I '§§‘I'al—6':I9—]r”B as I V 0 IA 1 I U (1 V I I3 I I r‘ " I4 I II Good night! good night he - lov - ed. I POPULAR BALLABS by the same eminent composer (STEPIIEN GLovr.n).—-Annie, o’ the B ‘K ﬂex \ Irish EIxile’s (The) Return, 2.3.; Kate of Kildarc, 25.; Laugh! laugh! 25. ‘ ~ I x n- 0. III .1.“ /Im\ - ,, - . 13. ‘ I I * n I Andante. The Changes of the Bells. 2s. 6d. 3:1 are, steal - ing. —il Hark! 22, Moderate. /‘I I. J III I) _I I p___________ ﬁk9’I7’6—' :I:—’;I __:I: .u/_ ..__9_._ U \Vha.t is the depth of the migh - ty deep. bells _ The Depths of the Ocean. I“ 85. I1 5.. 1 I ‘ I ' ‘. u—.— b‘y‘—a ——;__I—7—a _._____:____j__ Our beautiful Mountain Home. 23, Allegro. EL555h“'—e ge—~aI fr! I I ;..-_T iw -\ 1 ti K‘ I ‘ I I I__ —:I* I . ,‘ .' i I Our beau - ul rnoun - tain home. 24. “Mod. can espress. 25. 6d. .:£IL)ffIJ. . T . I 1 @l!I—=b:1,"—"%1I:;‘—a'»—-'— ‘.2’ Poor The Lonely Bird. bird, thy mate is 25. Moderate. Ho! every one that thirsteth. » 5—2‘}—-I'::—I . E e ' ' ' I I, ' Ho! 26, Quick and cheerful. I\ - I - I .. I V l eiv’ - ry that The Holiday Duett. I’ II J 011 thirst - eth. 35. 41. Allegro. 42. Maoleratm There's a S/w;eet Wild Rose. §he:Ii§asI;I;,$zI2I::,Is. U . There's Iimswoet wild rose, there's "a sweet wild rose. Peaceful Nights- 43. And. gas. I’) I I I/IIJII 0 I 1 \ ‘— ;_ ___;.____, __< ‘C_:,'__”‘‘ no 2: 5 t‘ Is I + :-._:~.I_a"..;:a: U —— —adw —v—~—- - slum-hers! Peace . £51 nights? 7% fresh . In; 25. 6d. 44. Alltto. nae. Music and her Sister Song. I-I ~ II? ——T — —a~:—a—— —-—o:—F—'~—o— —— %:E:,E:‘,,J5§i:E__.';:* Q " ‘ _ __t_ V "l‘is Mu - sic hath the ma- gic pow’;-, .________________ > 45. Andante. The Midnight-Moon. 2s. 6d. I The mid-night-moon is beau - ti - ful, When ‘ Murmuring Sea’! . IV I I I ,g___j3 SIS - ter. 25. 6d. - B Q I I" I I ' I ,L; I ' I I I. I ' I y goth - er, I.’ *1 II .7 We are go - ing home to - I I A . V ‘\ I I. ' .*‘*n‘I‘ I u E %I I ' Mur - mnr - ing sea! 5 : V beau - ti - 47, Azlemod. Happy Days! . Lis - ten! ’tis the wood - bird’s song. 28. And. relig. Hark! I hear the 0rgan’s peal! 6‘. {IhI~—(—‘—I=--3 L I y Hark I I 25. 6d. 1 1 I a—~—.—I—-~~—- the I in _I___ hear or - gan’s peal! 25. 6d. A ‘I I A I - ' I I-' _p I vAI~k I, ‘ shall be made glad. 29. gzflletto. ma non troppo. The Wilderness shall blossom. ’— —— — —~P—' Zg;ﬁ ‘T -I. L I. .- Q '1 I ‘ I I The wil - der - ness 30, And. con espress. The Parting. §I_*I.:§EI‘£a§:§::E;g““*‘ U when I 31, M’odeI'ato. am far from thee, o - ver the The Nightingale and the Rose. §a—I~—I~I~I L’ - I I , ——3I ‘ C I I L I is n~I"’jI—— ,f*’p:: - - I I I The night - in - gale sing - ing now. 32. Andante. fl _ I\ I J 7,‘\ N‘ ‘ $:b':EI:;I.‘IL';!-* i‘T—;I\ "3 u The Harp and the Willow. 3s. } ::k.:ﬂ.;_ 33:: _I_— I, . ‘The harp and the wil-low! in sad -These how long. 33, Anzdagtte. "Two Captive Maidens. _ L A L, _. ﬂ_--"_ +_p E--——"l—++ U __ Wq\ are 25. 6d. a~'— F=3———r— -3-1:1: ——~———¥— J~—h:E£- ~E—‘”—I-: two cap - tive mai - dens. .__..__.____€___ 34, And. can espress. A Sister’s faithful Love! I I L I _IL. I} I3 0 y _ I T _ _I\__1‘\ ‘_‘_:: @"‘t".Ai—~"”—2‘*5""5.:‘I‘f“*j‘—s'**"‘I*”* 25. 6d. '3 i, " My sis '- ter dear, niy sis - ter dear. ' \ —————i————-——.—.__ 35. Ana.,eon espress. ‘What are the Wild Waves saying’! 23. 6d. J L I " I __ Iz_. _ A _._ .: _ _ __4_.4;-___ @I;t__§§_.§.—4T-;I:‘T_,,i,;I’L_—'l. :_I_::.—.I»_E:I U What are say - ingP T'the- wild waves . ____:_.._f__..:_ 36- Mad. con cs!»-ass. A Voic‘e from the Waves- ,_ . _ 55: ‘V TAXI-Li. § 6 % ;J—I...—. A voice frvom the waves in .4 D- g. .‘ . 37'. Mad. con cspress. Why do you watch. I *—fx:]“‘*':§ E :9: >5-—:i'—-— " ' Hap - py days! 48. Alla. mod. The Gipsy Countess. §iI§%‘2§’§1II=: 2:; '.!:!:!IfE —.—I. I¢——w’ ‘¢—'¢—‘It—L Oh! 49. Alle. Wu. The Wandering Stars. 3s. ___I __I:‘,_.]__. E,L:_'* ;j': we g ?';:.§§§“;—_::g:‘_—_—#_‘?:_g“-*_:': ._.,.t VVe wan - dcr - ing stars, are two come The Stream and the Willow. § .§:(::'V ‘* —_ ::I'::I_—‘ ‘*7’: i g_,:._Iq:$.i_~¢ 1___I:__._IE Sis - ter, if the gift 51. ./Pad. can espress. —. 50 . Illool. g-raz. ,_I__I were ours. , Sing, sweet Sister. 25. 6d. §E”:_"_‘:L‘§:"Ié;: *—:_:E::I;:I§I=“*“‘ Sing, sweet sis - ter,_ — sing to 52. Me. uivace. The Flower Gatherers. K M %§§—:*iI;I§EE:§!§;—”;,I‘€—:§T:_':3:5;— ‘“ U 85.,’ n:,.§__ ::iI£ ______________ 53- Allegro. Tuscan Girls crowning the Sea. I\ . f‘ —I>:——+\—.:I——°: — -;_—" ~ﬁ4H» §§I‘§;gI,—_§,‘:._ I, Come from thy co - ral how’ rs. The Sister’s Birth-day. 25. 6a. 54. And. con espress. Sweet sis - ter! 1 :"—i I m, love, to~ day, toifdaiiﬁ __________________ 56. And. can moto. When shall we Two meet again. “II I ”I I -II —Ad I 4-159 When shall we . -E§z ,_ ,2 . _, L two meet 57. And. can espress. I9” 3 I 1”‘ I: 4 IL‘ I J I ﬁh ea "‘T"’i 4; ._ +h—i~j——a—-—I,—I 51 Why do the ea? 38. Mod. can espress. you watch lone, loiie Voices of the Nig-ht.—“Echo Duett.” 25. 6d. av‘! I TI _‘ :f§:l§:;:Ir:F:j_;_§::j “‘" . ' I I— - When the 7 -_ —J—_ -I-7-€- ———d——— U lone — ly woods are still. 1;’ £11 me where do Fairies dwell. III :I“_. _ ~__ 'EJ*_._s_ _ } ~_*___ " ‘§;e:§!:§:d::E___t:f* _? .__._:,.W___ Tell me 40. Mod. gmz. Tell me where is Beauty found. /I I ‘ I ILLI)‘ I I I I1 I. I I 4- I V__ v w a I1—3—4~a——~—-———~a 39. 'Alle. 1/iv. WIIGXTEO: fai — ries dwell. 25. 6d. :_I:,— -«:4 _-‘:I_£-_ 5:? Tell me where is found. Au. Farewell! remember me! ‘gun I I II I F5 iii:EE:;bJ;:§1;:§§::’,3:E,g—*_*gt:I:d:3:;!; _ ._ I go from the scene (if my child-hood‘shome. 58. Allegro. The Warrior Page. shsgag: leave _ me 25. 6d. ; - _ﬁ Ia I I\ P’ ‘ “' Z S- - tle page. 25. Bd- 3I "I not, my 59. IIIod.gI-an Over the Waves we ﬂoat. §%:eI‘“—?;=~—“——’.;”‘~.. —,~.—If——;e—.-2+. ;':='I—I—I hI2~&—a~4 . I:I«,I— W I = U 0 - ver the waves We ﬂoat, we Ruth and Naomi. gen ﬂoat. 60. And. afett. 25. 6d. .7.e__:¢I }. _.I..= . ,I — — .-»4—-—- *~—.e+I e-—— - . “mg I beau - ty anks 0’ Dec. 2s. 6d; Beautiful Erin, 2s.; Boatmen (The) of the Downs, 2s. 6d.; Maidcn’s Dream (The), 25.‘ Mary Astore. 25.: Mel-Ii s f‘ I ovne ‘ls .- I v II Go forth! my hearth is de - so - late, ‘ ; Cling to those who elin «to you, 2s.- ,,;,, 1,T,\A.,\ ‘)ALA 'n_I .1. ,,L,_», ..I:v. . . I‘. 25. 6d- ' how ean:a poor gip-sy moi-den 1ike_me._ “' 35- : I.—.r:.: Ga - ther - ing ﬂow’rs from the—brgalr of ‘morn-.-E; H , - ! ‘ I::;,:.:I--I‘ i—s—s—-—
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Date: n.d.
Text: g/K55/L%\§\ , /’/:3/. «W A B La 0 M m 0 .0 M m /_ A m w Lu 0 M on W .0 M R. M H x U M m 0 cu H M c U ; w~»m. 5/rcas/zm AS 4 my 0//[US It/~ ll ' / \\“- XCELSIO R”. "_\ * \ \ ’ \ " V9 ‘ h ’ The shades of night were falling; fast, ‘N As through an Alpine village pass’d ’i ' A youth, who bore, ’mid snow and ice, A banner with the strange device‘, “Excelsior 1” His brow was sad: his eye beneath Flash’d like a faulchionv from its sheath; And like a Silver clarion rung The...
Show moreg/K55/L%\§\ , /’/:3/. «W A B La 0 M m 0 .0 M m /_ A m w Lu 0 M on W .0 M R. M H x U M m 0 cu H M c U ; w~»m. 5/rcas/zm AS 4 my 0//[US It/~ ll ' / \\“- XCELSIO R”. "_\ * \ \ ’ \ " V9 ‘ h ’ The shades of night were falling; fast, ‘N As through an Alpine village pass’d ’i ' A youth, who bore, ’mid snow and ice, A banner with the strange device‘, “Excelsior 1” His brow was sad: his eye beneath Flash’d like a faulchionv from its sheath; And like a Silver clarion rung The accents of that Im known tongue, “Excelsior '.” In happy homes he saw the light Of household fires gleam warm and bright: Above, the spectral glaciers shone, And from his lips escaped a groan , “ JXCQTSTC “Try not the pass l.” the old man said: “Dark lowers the tempest overhead, "The roaring torrent is deep and wide 1” And loud that clarion voice replied , “Excelsior!” “O! stay§’the maiden said,“an{l rest “Thy weary head upon this hrea.st!’»’ A tear stood inihis bright hlue eye, But still. he answer’id.,with a sigh, “Excelsior E” “Beware the pine-tre is withered branch‘. “Beware the awful avalanche !” This was the peasant’s last “Good Night” A voice replied,f'ar up the height, “Excelsior!” At break of day, as heavenward The pious monks of Saint Bernard Utterjd the oft-repeated ‘prayer, A voice cried through the startled air, “Excelsior 1” A traveller, by the faithful hound; Half—buried in the snow was found, Still grasping in his hand_of ice That banner with the strange device, “Excelsior 1” There, in the twilight cold and grey, Lifeless , but beautiful, he lay ; And from the sky, serene and far, \ Ages: fell, like a falling star, ‘ , “Excelsior!” /— e — ‘\;=.\ "" /“ ‘ ’\ \ ‘Ee...g- 1/ , T /,7”§§ \..\T::'% /v . 1 ’ "J 2 L ***“EXCELSILC»JR!” — Compcfsedfby JOHN BLOCKLEY. ‘ F1/'7';'tten by H.W. LONGFELLOW. A ./4.2v1).A.7v°T1.vo . g’‘‘‘\ /5 /921 nﬁj/9/9 /9/9 “I village pass~’d A youth who bore, ’mid snow and ice, ‘T r_\ /5 banner with the strange deVice,“EX _ _ CEL_» _ _s1 _’0R 1” calla race. mf \—/ ,/“x 31* I . . ‘ ,.7m.1wn_3 —EXceIs1r11~__ .Hzgher, John Blockley . brow was sad: his. eye béneath F1ash’d' like a faulchioné /9/9 sil _ _ ver cla _. _ rion rung ‘ The 9 accents of that unknown tongue , “Ex _ _ CEL_ _ _ _ s1 _ _ _OR 1’ mf ‘L2’ /\ Jim: 6 rall. , By the sanie Composer, V i . ' Jul. H‘; ,k‘-. - Excelsior‘. ‘Evange1.1ne”(ofounded on Longfellowis Po«em.)Pr 2/- ‘ °“ “’7 Cbn tenerezza. In happy homes he saw the light Of household gleam Warm and bright: % Above,t»he Sp€.CfI'E1I' glaciers dolenfc . fromohis lips escaped a groan, “Ex__ _-€E'E-._.__si ___oR!” V ‘if’ V, E*<‘e1‘s*iN'7r ' “Excelsior!” as a Duett by J.J.B1ock1eY Pf John B1 ckie _ . . I .- I 0, -7 Parlant-e. '99 “'I‘ry not the pass. the old man said: “Dark 1ow’rs the tempest mf...‘... ...... ;2.......... . ,' ' :."/ molto ores .... -_cen__,-;_do /\ /\ enerkgrico. A 0 _ _‘ _ _ _ verhead, The roar. _ing torrent is deep and wide 1” And 9" ad lib. 4‘ c1a__rion voice replied, “ Ex_-cEL___s1__oR 1” mf /’ /9/9‘ \‘_,/ Exwhior! 7’ I Johxi Blockley - Cantabile Z». molto Espresswo. sta_y;'” the maiden said, “and rest Thy Wea____ry head up- _on this breast!” A tear stood in his bright blue eye,» But \;_// \_// \\./ \_/ \_.»/ LJ rall:e dim. /3 still he ansWer’d , with a sigh,“EX - CEL __ s1 _ 011!” _ware the pine\—tree’s wither’d branch! Beware the aw._fu1 ah__Valanche!” ' V V V'\ Ex°v'e:1Smr‘ ‘ John Jockley. Dulce e poco piu lento , This was the peasant’s 1ast“Good Night3’A voice fep1ied,far up the height ,“Ex‘_ /9/9 G €n0rg1'C0-0 Larghetto 6 Relfgioso. At break of day, as _CEL_ _ _s1__' _0R !” /9/9 /9 QT %F\L \./ heavenward The pi;0U:<Vn.1o11ks of Saint Bernard Uttel-’d the 0ft—1'e_ V ,5‘ rs ad lib.’/-\\ m _peat_éd prayer, A Voice cried thro’ the startled air,“Ex_cEL_s1_oR!”A 0 A "if {J mf ’ mf rall John Block1‘r‘y . Excelsior‘ *“l; Pa rlante. 0 traV’__ler, by the faith__ful hound, Half — bilriedl ill /9/9 snow was found, Still grasp_ing in his hand of ice That mf banner with the strange (leVice,“Ex_ _CEL _ SI _ 012!” I/._..\ 1;, *3; The Alpine or Sl Bernardis‘ Dogs, so celebratetl for the services they render to mankind, are trained by the worthy nionkgs of the Hospice of Mount Si Bernard, for rescuing the unfortunate tra_ veller amid the glaciers and snow-driftsyof the mountains . They are sent out in pairs, one with a warm cloak fastened to his back, the other with a basket tied round his neck, containing some cordial and bread . If they find a traveller who has sunk in the snow, they will lie down beside him, until by their warmth they restore heat and energy, and thus frequently save his life . .. If he re- covers sufficiently to be able to walk,they conduct him to the convent and by loud barking give warning of their return; if the traveller be insensible, they hasten for succour and guide the monks to the spot .- ‘ Excelsior !. John Blockley. There, in the twilight cold and grey, Life____1ess,but beau_tj_ /, ‘Y QT 4 And from the sky, se___rene and far, tcnuto . lz'bitym . véice fell,‘ fall _ ing star, “Ex _ _ _ CEL - _ .81.. .OR '3’ ‘A A A calla voce. .. Worcndo . F5. 5 39 '9) _CEL _ _ _ .. S1- - -03! “Ex _ - - CEL -. - _ _ SI _ - OR . vtnqmllﬁd/U?_ /9/9 /W’ U /2/9 &_~__’(. Q - , ’4 r . Excelsior‘. London, Published fluihn Blockley, (:1gt1cester Street, Rt-guns la It ?§;7m%E1%g?Em Maggi A . /V;/'~ / .“1TllTFﬂ.[Eg- ' L':"'U'J*&Si|' LLu“V\lLEo N’. :1‘ v Tl-|f;;l1‘l5j*§~%%ifl“(i£_I3M_$WA.EL9W_._‘_.__. _ "o SWALLOw,SWAL§.,'JW 2§6 = . 21‘; 2 .TH E M(;TH‘ER.'S SONGIO H LD " swan AND Low...'.f._.. . 2 ,- 3 THE MEMORY OF THE PAST........ .........."TEARS,|DLE TEARS..T'E..,_T.,... 01/57 2?6 ' - ..so~o 1216 4 ma um. . 216 * .0057, 2I6 THE LAST APPEAL .. .. . . Agx MORE_."_ ........................... ...SONG ZIG THE WARRIORVVS RETURN . .. A . “ HOME THEY BRou<;HT._........._..... ...souo 226 pun... 216 T H E P A R EN T AS T H ROU ‘LAN (4 voucas ) ‘ 2 1 J.J.BLOCKLEY JAY) /ﬁe (x227/zadztéaizr, “MUSIC 0 N TH E W I N D " tﬂaapiw/zzrzaiz 0/' TEN NYSON'5 admzr/1//émz "T//E pass” or r/rs AMY. ‘; /7/.‘Zlﬂ ./WW A’d‘z'iZ'a/2 BLOCK LEY “ EXCELS I OR,"/betry LONGF-ELLOW. sozo Du£r.,3/ - " EVA N GEL! N E1‘/fézm/Zea’ an /.om;.=sL4ow.'s £76/£ﬁIz2ZrJl' fawn ./17*.
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Date: n.d.
Text: New EDITION wm+T0NIc SOL-FA. ¢Vr, //ix‘ 7. de Oamillis. .1 I _..~.m4__. , \ T Ex:c:ELs>>M@ ¢ k THE POETRY BY J LeI2,gf7eHeW, The Music Composed and Dedicated to THE RIGHT HoNB.'—.E The Earl OF Westmoreland, ‘V. ﬁe U55/i2aw¢'@”3. London, W. PAxToN.95,NEw OXFORD 3TREET.W.C. Aerovms Musxc DE1PT.. V 7. de Oamillisa EXCELSIOR. Duet. Words by LONGFELLOVV Music by M. VV. BALFE. _ ‘ 13t'V0ice. Mohomoderata , Keylt F1ai.II : .m :m .m I In :——.I :5 .l I V0 ICE S. The shades of...
Show moreNew EDITION wm+T0NIc SOL-FA. ¢Vr, //ix‘ 7. de Oamillis. .1 I _..~.m4__. , \ T Ex:c:ELs>>M@ ¢ k THE POETRY BY J LeI2,gf7eHeW, The Music Composed and Dedicated to THE RIGHT HoNB.'—.E The Earl OF Westmoreland, ‘V. ﬁe U55/i2aw¢'@”3. London, W. PAxToN.95,NEw OXFORD 3TREET.W.C. Aerovms Musxc DE1PT.. V 7. de Oamillisa EXCELSIOR. Duet. Words by LONGFELLOVV Music by M. VV. BALFE. _ ‘ 13t'V0ice. Mohomoderata , Keylt F1ai.II : .m :m .m I In :——.I :5 .l I V0 ICE S. The shades of night were fa]]_ing‘ I :— :1n If .,m :f .,m :1 .,m Im : : . zba . fast, As thro’ an Al _pine vi]-]age VpaIss’d A youth, who bore ’mid snow and ice 5 I C. Both voices. W voice. IId' :—.t. :r'.d I t .,l :s: I s :5 :s I l:—:—Il :s : .‘ : .s :S . . 44- . H . ~, - . ban _ nerwlth the st range de..V1ce, Ex. (:61 _ s1 _ or!” Ex - eel _ s1 _ .. 7 H18 brow was I#\__/ I Ilsm : .1 ;se.l I d':- tn: I f.,m :f .,m :1 .,mIl zs : .s:fe.s :t .1 I 1 .s :' :InI sad eye be_neu-Lh, Flash}! like a faIch-ion from its sheath, And like an sil_ver cl-a1-_ion rung, The 7 inarcatof C. Both V'0]‘(7(-ES. S . m :—.s :f .r Im.,r zd : I“ :s .s cents of that unknown tongue, “Ex _ eel _ si homes Id .s ::m gla_ciers shone, \ / Excelsior. 1203*‘ he saw the light Of .111 Ir ~—— .s zfe .d' It .,l :s f1-o\1n{... his lips es _ cap’d a-g'roan, And .d' I d‘ “ Try not the pass,” The household fires gleam Warm and bright, Above the spectral II t :d' :r' m':-:d' I m':—:r' I eel _ si _ s:—:f _ or!”“Ex _ I se:—:l I “Ex_cel_si I »s :1 :t 46 ‘ 37 “_ . Ex_cel-s1 _ or! Ex _ eel - s1 _ .d' :d' .d' I Dark low’:-s the roar _ ing tor- rent is deep and II m':m'I:m' m':—:f' I _m : Mien. _ K “Ex_cel_s1 - or!” ‘Ex _ eel Ild : .d' :d' .d' I d' :—~.t :r' .d' I s : - Im:m:1n I m:—:f I s :——. Wide. ‘And loud that cla I. rion voice re -.plied, “Ex_cel_si - or!”“Ex - cel _ ff I col canto. I Eb1S.tVoice. T :I tats :s .s I s :—.m :r .d Id :— zm I1 .,s :1 .,s :1 .,mI s .fe :f :. “0 stay, 0 stay,”the maiden said, “And rest wea._ry head up-on this breast,” ' 17 \_/ \__/ . Bth ° I .f:m .f :r .t I d .;s :m: .mIm :—.s :t .r I in .,r :d : Ims°:sv?§°°I1:-:-| l :s Atearstoodinhisbrightblueeye, But still’ he ans_Wer’dwith esigh, »Ex_cel-si _ or1”“Ex_ce1 _ si - 2".dVoice. :.m:m.mIm :-—.r:d.t I1 ' : Is ” . _ or! Beware the pine ..... .. tree’s wither’d branch, Be _ ware the aW_ful Ia - va_1a.‘nche,’ :d .r Im .,f :s This was the pea_sant’s last. good night, I A voice re _plied far up the height, \Exc‘e1sior. 1208?? . DI? 15?‘ Voice. IIst : t :t Ilm :—.s:f .1 I 1.,s :s .d'Id':~.t :1 .s Is .f :r: II‘L1I1Lf:l.S zf .sIf:m: Z37 break of day, as hea.venwa,1-d, The pi _ ousmonks of San Bernard Utter’d an oft re_peat_ed pray’r {Id :-—.m:r .f I f..,m:m .m I ‘m:—-.s :f .m Im .r :s,: I t,;d\¢1- :f .m :r .t, I r :d K2 I break of day, as heayenward, The ‘* pi _ ousmonks of San Bernard Utter’d' an oft ré_peat_ed pray’r A Excelsior. 1203* ° .,tr'Ir :—-—.r' :r' .r'I r .,s :s : : :. I 1:-:-I1 :s :s I A voice criedth‘r’o the startled air, “Ex_ceI_si _ or!” “Ex_cel _ si _ Ilms :-.s :s .s I s .s :s : .sI :—-.s :s .s I s.,s:s: Is :s :s I 1:—:—Il :s zsg voice cried thrb the startled air A voice criedthrbthe startled air, “Ex _cel_si _ or!” “Ex_cel _ si _; .mIm:-.s:f .1 I l.,s ts . .d'I d' :—.t :1 .sI s .1’ :r: .l’I A tra_ve1.ler,_«by the faithful hound, Half bu - ried in the snowwas found, Still .d|d :—-.m:.r .f I f.,m:m : .mI In :—.s:f.mIm .r :t,: .1‘? \_/ A tra;ve1_Ier,by the faith_fu1 hound, Half bu _ ried in the snowwas III .,s :1 .s’* :f asp_ing in his hand of ft‘ .,m :f .m :1’ _’.t, grasp-ing in his hand of ‘ . ban _ the strange de _'vice, {It : . . I . . | m‘ ;m :m' . - nor with strange de- -“Ex - cel - si _ Ilm :—-— .m :m .m I m .,m :m I In :m. :m = ban - ner with the _ strange de_vice, “Ex _ eel - si _ f ‘Eyggelsiorl 12087“ _ E‘ d,B oth voices._ _ or!” in the twi light :s .s I s :m :d' It _ less but beau - ti _ ul ....... .. he the . }4;;u:e1s\(:x'. 1208?‘ Excelsior. 1208).’? V Va de
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Date: n.d.
Text: . 9,7/(*5? » 331% §'3.£L‘5W7 i mnrr 2:3M.”73.§I:%inﬂ§ LONDON. ROBE RT COOKS & 0° NEW BUR LINGTON ST. MusiuPub]isheIS1n Heﬂlfosl Gracicus Mgesy Queen‘f1c1gria/_£é to H1; }mperja1Majesty Nap oleon I11 NEW worms BY MISS M. Lanazn THg LQRD w;LL pRo\/mg (Jucﬁm son/(y, ENGLAND. AND EN.LAND‘$ QUEEN 2/6' A PSALM or me Dl/FT WORDS BY LoNc-r:LLow.;( PULASK1 oz/£7 vﬁaos ax 1_o~cFE1_1_ow_j/_ SPEAK czunv 2/9.. , . ., .. ,.3/./ THE mLcmM's R5; fzxcusma wwnns Bv Low LLW Z/6 oust ~on ’r/M ...
Show more. 9,7/(*5? » 331% §'3.£L‘5W7 i mnrr 2:3M.”73.§I:%inﬂ§ LONDON. ROBE RT COOKS & 0° NEW BUR LINGTON ST. MusiuPub]isheIS1n Heﬂlfosl Gracicus Mgesy Queen‘f1c1gria/_£é to H1; }mperja1Majesty Nap oleon I11 NEW worms BY MISS M. Lanazn THg LQRD w;LL pRo\/mg (Jucﬁm son/(y, ENGLAND. AND EN.LAND‘$ QUEEN 2/6' A PSALM or me Dl/FT WORDS BY LoNc-r:LLow.;( PULASK1 oz/£7 vﬁaos ax 1_o~cFE1_1_ow_j/_ SPEAK czunv 2/9.. , . ., .. ,.3/./ THE mLcmM's R5; fzxcusma wwnns Bv Low LLW Z/6 oust ~on ’r/M .3/, [Mr (Tr/1./‘//llil. 2,/(EELM)/V J/JI/A4’/it H/7/.‘r'0'4’.v ’ Finely illustrated in Colours, Price 33. ggnnt njf its iﬂifluranimt $11115 1111 ﬁqtltlglugm, (as) (AT THE CONSECRATION OF PULASKP5 BANNER) Set to Music for Two Voices by Miss M. LINDSAY. Poem by HENRY WADSWORTH LONGFELLOW. WHEN the dying ﬂame of day Through the chancel shot its ray, Far the glimmering tapers shed Faint light on the cowled head; And the censer burning swung, Where, before the altar, hung The blood-red banner, that with prayer Had been consecrated there. And the nuns’ sweet hymn Was heard the While Sung low in the dim, mysterious aisle. “Take thy banner! May it wave Proudly o’er the good’ and brave; When the battle’s distant wail Breaks the Sabbath of our vale, When the clarion’s music thrills To the hearts of these lone hills, When the spear in conflict shakes, And the strong lance shivering breaks. “Take thy banner! and, beneath The battle-cloud’s encircling wreath, Guard it !—-—till our homes are free! Guard it !—-God will prosper thee! In the dark and trying hour, In the breaking forth of power, In the rush of steeds and men, His right. hand will shield thee then. “Take thy banner! But, when night Closes round the ghastly ﬁght, If the vanquished Warrior bow, Spare him !——By our holy ‘vow, By our prayers and many tears, By the mercy that endears, Spare him l—he our love hath shared! Spare him l—as thou would’st be spared! “Take thy banner !——and if e’er Thou should’st press the soldier’s bier, And the muffled drum should beat To the tread of mournful feet, ‘ Then this crimson ﬂag shall be Martial cloak and shroud for thee.” The warrior took that banner proud, And it was his martial cloak and shroud! LONDON: ROBERT COCKS AND CO., NEW BURLINGTON STREET. 33E11IﬁilZ jauhlizherr tn tbv. almttu. NOW Edition, ﬁnely illustrated, Price 25. 6d. in tin, Set to Music by Miss M. LINDSAY. ‘ Poem by HENRY WADSWORTH LONGFELLOWA THE shades of night were falling fast, As through an Alpine village past A youth, who bore, ’mid snow and ice, A banner, with the strange device, Excelsior! His brow was sad; his eye beneath Flashed like a faulchion from its sheath, And like a silver clarion rung The accents of that unknown tongue, _ Excelsior! In happy homes he saw the light Of household ﬁres gleam warm and bright; Above, the spectral glaciers shone, And from his lips escaped a groan, Excelsior! ‘ “Try not the Pass!” the old man said, “Dark lowers the tempest overhead, “The roaring torrent is deep and Wide!” And loud that clarion voice replied, Excelsior! “O stay!” the maiden said, “ and rest Thy weary head upon this breast!” A tear stood in his bright blue eye, But still he answered, with a sigh, Excelsior! “Beware the pine-tree’s withered branch! “Beware the awful avalanche!” This was the peasant’s last good night! A voice replied, far up the height, Excelsior! At break of day, as heavenward The pious monks of Saint Bernard Uttered the oft-repeated prayer, A voice cried through the startled air, Excelsior! A traveller by the faithful hound, Half-buried in the snow was found, Still grasping in his hand of ice That banner, with the strange device Excelsior! There, in the twilight cold and gray, Lifeless, but beautiful, he lay, And from the sky, serene and far, A voice fell, like a falling star, Excelsior! CRITIQUES on Miss Lind.say’s “ Excelsior.” “We don’t know how to account to: the effect of this song. The Gregorian Chant is not more simple- there is no ornament, and the accompaniment is only a gentle, even ﬂow through the chord of the key; and yet—yes, that it is~it translates the sentiments of the words, and makes the heart echo the cry of ‘ Excelsior.’ "——-The Epitomist. “ An exquisite lyric."—Elim Cook. , “This famous poem has been set to music scores of times,’ but never more successfully than in the present instance. Miss Lindsay’s melody is stirring and expressive, and if sung with proper accentuation could not fail of eliciting admiration from the most apathetic vocal admirer. The design in the tit1e—page is most chaste in conception, and ﬁnished in execution.’’— Weekly Times. . LONDON: ROBERT COCKS AND CO., NEW BURLINGTON STREET, Eflurir rnhlitljrrr in thy (mum. @x@Lars.@u©&1a 1 ~‘ -1-®-F Wmws BY LONGFELLOW. Mus2c BY MISS LINDSAY. .-ILLEGRO. {(9} ﬁfi I‘\r‘\ {-4 5: A ; . é 1 ; : 34;. E .3 " .2 .; fa . ; ~ .. £ 3 -6 :2-H ‘}1ades' of night‘ were all _ ing fast,‘ As thro.‘ an; AI.._pine Vii [lag-e i 1i?r-me] _ her by ‘die faith _ ful ,h<,~l1!1d Half Bu réeti‘ in the snow was- He. 3!... x V \ l\ T I J ; 1:'L'.LI 19 JL # I. youth who bore’mid snow ice grasp _ ing _in his of ice with the stranggi de -vice E 1 , ' with the strange de_vice X “ Ce “ 51*“ ' f cnvvvzmur. Fv.~.v.i«-r" MSS undsn /5 ‘/2;/ix /11,.» 19 His brow was sad, his eye be- neath .‘5T..d*“ not ac _ cents loud that ff eel- si_0r! Flas}1‘d like a faulchion from its the pass” the old man said “Dark low’rsthe tempest 0. Ver And ' e a Si1_Y€1' ch. 11 rung‘, The roar _ ing torrent is deep and wide’.’, of that un _ known tongue .. . . v ' V cIa_r10n volce re _ phed Ex‘ eel ‘ SL0‘. ‘ -1 ﬁ,z;ezw;;. . « .- A Cow Es press .- 4~€.” “ Oh! stay” the Maid_ en ‘ '-rest Thy wea _ ry head up.on my stood in his bright blue eye, But m ten .- still he an_swer’d with sigh Ex- cel _ si_or I ce1_ Si _or.! the - pine trees wi _ ther‘d - Va _ lanche.“ This was the Pea_sanfs last good —' ‘night. 191919 far up the heighf “Ex- cel _ si _ or"! 1:yg .4/mlav/f,e mu main, tropfzo. There in the twi — light colﬂ and grey; Life _ less‘ but beau-ti_fu1 he And from se_rene and 19 Jlfai co‘//1, Sp7T1'i~2,‘0 . voice fell like a. faII.‘ing' star Ex _ eel- si _or! 19 eel- si_or! .7: A A V’, < *' *‘ '4 / "- WM7’:\~\~‘.,_M4,.”~,..,.w.._.,...,AW%m..<~.,-~v , . s 0N es An D D UE T s, ‘ Songs of a. liigli inornl Oi‘der.”—~B7it7T.s‘li Bd??7lf’I'. i seem. Home they l)i‘i}llg"lll her W€tl‘l'i0i' Eleéttl. Poetry by Alfred Tennyson, Esq. l).(,‘/. I .., Poet Laureate “ Most touching mid pathetic . . . . . . . .combines beauty with extriiordinary facility of execiitioii.”-Court C'ircula'r, March 13. “The words are beautifully tender and ti'iie—~so tender that you instinctively read them softly and low; and Miss Lindsay, in adziptiiig them to iniisie, has successfully czinglit the spirit of her ziutlior.”—_/ibcrrlraen [Jam/d, Feb. 20. ‘ ’ 0 llﬁ32EEl‘lll (Pl. lllllllliﬂss. The Poetr ' b V Gerald Masse Es . illustmted . .. 1 , a 9 .. . . . “ All who are zicqiiaiiited with Gerald l\T'iESCyYS lie:irt~{'i~lt poetry, will rejoice in this elegant effusion of melody, which ripples sweetly along, side by side with the purling rirulet of the thought—~thought which does equal honour to the hc:irtnn(1he:id of the poet." Air Fair Lilian. The Poetry 1) T ;\li"i'eil Teniiysoii, Es ., D.C.L., Poet Laureate, elcaamlz illustmfed ’ . . . “ A ' . . . . ‘I ' “ There is] sort of f-iiiry xvildiiessl n}i tlliemiiiirl-oily, CXq‘.\iS<1llt“., pendci‘, and original, xlvhlich SCSFES €‘v'(311\]t10ff1‘t‘Sl1€‘f]‘1Tcnnyson’5 frgxgh imaeiiiinws. ' ' ose VVJO iiive {lLIY1l1‘f:( t ie oity tonc—iittcre inc eei, in simple rnusica p irases ut sti 0 ty—o " Excelsior,” and “ Tlcie Tlflilii of the Nuns of Bethlelicni,” will be _s;;ln,(l for once to hear it lighter mid livelier Sl3l‘lll11 froin the same inspired harp." Mlil. Sellﬁlliule. The Poetr b Alfred Tennyson, Es . D.C.L. Poet Laureate .ele amtl illustralcd _ , 9 3 7 “ It might rejoice the heart of the lJ.L11‘(‘.i1tC to listen to this ]110l0(ll()uS echo of his own thrilling and mysterious conception. As on other occasions, so in l\’[:uid_, the l‘i).\:Ol‘ll.O. CO1np()Si'_‘1‘ l]iLS zitiiiiiieil the highest effects without departing from the simplicity which is the real cliziraictei'istic of genius. Miss ]iiiitlsay’s Mziucl may be sung by all who can sing at all." _ Stars Of the Sililllller llélglll. (S®1’€3IiEMli}.) The Poetry by Henry VVadsworth Longfellow, Esq. finely ilc’us2fratcvfl .. .... “ Mziny coinposersplinve. cssziyed to triinslnte into inclody Longt'cllow’s exquisite Serenade, but none with so much success as the lady whose £lLl‘<Lpt1ttl1))l of the S?1I)'1(3 poet’s ‘ Excelsior has cnrzipturcd the public car." The Bridge. The Poetry by ileiiry \Va,(lswortli Longfellow, Esq.,ﬁ.-zcly illustrated .................. ...... .. . “ \Vhnt 3. lyrical coinposition intended to be popular ought to be -it has no unnecessary difﬁculties, and lies within a moderate or their friends, as well as of those who sing for the publir:—of Englaiiil and l‘3Il§=fllilll(l’S Qiieeii. The Poetry by H. P. Lindsay, Esq. . .. . . .. “‘()rigiii:iiing in the stirring events of the times, this song will still continue to ziwiikeii the loyzil and patriotic spirit of Britons." T110 Pllgl‘llIl’S host. The Poetry by the Rev. H. Liiicls:iy.ﬁuelz/ 7‘l[u.sz‘2'm"e0l “ A beautiful :~',11l)j'3Ct, L1‘Ci11;0"l with pathos and effect.” A Psalm of Li'"‘c. The Poetry by Henry \Vzi<l.~n.'oi'tli Longfellow, Esq., clc_«;mzz‘lz/ 27llu.s‘tmted . . “ The music well interprets the deep e211‘l1(3Sl'.ii~’:SS of this celelimitcd lyri.c of the admired Longfellow." ’ ‘ ) . . . '3" Speak gently. llle l oetiy by G. ‘V. Lzingfoid. itsq. 1 '1‘ A c1:}i:ii'iniiig efl"n.<.icpi. full of pathos and be%iuty.”—13 ii Ihuuiuna “ Superior to the worthless l,I‘22Sl1, &c."——Patr2'ot. “ Very simp e, p Czlslll". {'All(l me H(ll-1113 and possesses L ie 1‘zl1‘0 !i1(‘1’lL of iulzipiiiliility to any Voice of oi‘(liii2iry conip:1ss."—-C‘/zurc/L and Sla/e Gn:cI./,e. " ' )nll‘il1)lU Lli1iL.\lI\gL‘,l‘.5 of Very iiioilerzue ?ltl,<llIlli1l'lllS will iinal little’ (lilliciilty in siiigiiig it at iirst sight.”——Aberdeen Jam’. “ Like her Iixeelsioi‘ it ii(1ilrcs.~'i:s itself iiriineilizitcly to the hezirt and zimilzeiis its kiiiiilicst cmotions."———G[as5/azu Senti.-zel. . . » V. , . _ Excelslor. The Poetry by lleiiry VVaclsiVortli l1()llfj"lL'?llO\‘.’, .§sq., zll1zsZ1'(u'(3d __ ""1 he tlieine is tenderly zinrl powc~rl"ully conceived. It is an exqiinite ]yric."———l;‘Ii:rL Coolfs Jam‘. “A gem which, in this musical setlin;_-;, isseeii to more .[l(l\"c\]ll.51gc than before ’V’~»I’<rfrz'rir’. “ Suhlin in its Slnlpllclly."——l)0l'lX7I10tLl/2‘GU/£7‘tl'l(l7L. “ \_Vortliy _ oi the exquisite lines of Loiigtcllmv, ——(./mrc/L mul Mn/:2 _(1zz:ette. “i\1:ilu:s the l1Cd1‘l'. echo the cry of Excelsior."——Epzzfomzst. " Stirring and exprcssive."—- ll’ee/tly Il'i2nes. “ .Bea.utii‘iil in its Very simpli<;iiy."— l;‘,27;;z'rre. “ Chuste mid siniplc.”——B'.='2Tzz's/2. Easnner. .n . € "’ ﬂ :1 - SALRED Sﬁlilﬁiﬁ. Jacob. Etc:-itiitive am? Ah‘. The ‘\Voi‘ils from Scri ture elc anilr 7Ill/ustmteil . 3 . J _ “ There is ii beiiiitifiil solemnity about thispsong not iiiitkiiiiilini‘ to tl.1()SO.Wl1O are acquainted with Miss Lindsay's compositions. llltuls ens)‘-, griqiigltiil, and plcalslllg. Her compositions are tor the quiet fdllllly circ-le~—tlie domestic c0ncert——the hoinc circle.”~Glus_z]ow mm, 1 pri . ...,,Tll0 L(9i'v1l Wlll m'0\'l(l0. ll0§jliL‘_1l:lV(3 Mill rill’. The ‘Kl/Y01'C£ ‘P ' )ture, clegmztly 2'llusz‘rated ..... .. {/1 "l T; T ‘ I I 0 ‘ L~’»‘‘\-H \ _ _. ’ ,“”‘’’’-v/¢i.l3l.ll(}ll. ll-.0i‘lli1llVC {lib { '1 he \Vords from S(‘,1‘ii"x ~ ﬁlltlll Slll3mi€.G‘l‘§3II. ling: - “ \’Vcd1iesdiiy beilorep ,;},,,.,, ,;,.,. 1,;/,1 the Cliristinii Year, by the ltev.Jol'iii Keble........;...\.‘.T”“ . ‘ A .. “Tliese Sacred Songs from sal favoiir." ' ... fly illusﬂatecl ' 7 .1? F ' DUE ES tier Ewe Sapient.) Hymn of the ‘ill(ll‘i‘tVlz1ll l§lHlS, at the Ciiiisecratiiiii of the iiaiiiier of riiliisiii. The Poetry by Henry \Va.dswortli l.,oii;;'fello\V, lisq., 7Illu.s'traz‘ed " \Vell worthy of the author of Excelsior. i\Ielodi'/.ed with power and nxpressioii.'"——C%urc/L and Sizzle Gazette. “ Coupled with music equally simple. adeqiiatc, and impressive."-~—(,'rmrt .l«»umml. “Ti'iiiislutes the sentiments of the poetry, and makes the heart respond to it."-lJm';//min I;‘.icrmu'22cr." “ The spirit of the poetry is very admirably rcii<lci'ed."-Abcrdee7z Journal. “ Possesses the merit of simple bc2iuty.”—1;'mpz'rc. A l’SalIll (bf Life. The Poetry by Henry \Vadswort.li Longfellow, Esq, eleycmtly illustrated Speak gently. The Poetry by G. \V. Langford, Esq. clqqmztly illusz‘ratecl Excelsior. The Poetry by Henry VVadsworth Longfellow, Esq., a.rra.nged for 2 or 3 Voices, illustrated, ANTHEM. Unto Tliee, 0 1.0111, Will I lift 111) my Soiil——i‘salm XXV. 1, 6.——Anthein for Four voices~— I (No. 1. Third Series of Rosniir COCKS AND Cofs Chorister’s Hand-Book) BY THE SAME, Mogcable Diagram to determine the relative hllll0l‘ in all Keys (on a Card) LONDON-'l: ROBERT COCKS AND CO., NEVV BURLINGTON STREET, (W) A B" S}_PEC'I/IL APPOINTMENT ‘ P '“' 9. -‘_%.1 Victria and the Emperor Na ~ -
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Date: n.d.
Text: un .,_,. C-JV H/‘.7-ma c ,-K/<~\//J’ \ ZR‘) § “‘\\ \ -* \ \\ . \ y‘: L~\\ \—\x' xx :\ \ > \‘ \ aw as‘? PUBLCSHED BY OLIVER UITSON EC‘? 277,WA5H}NGTON ST c.C.CLAPP8« cr.» .1, E,GOULD. FlRTH,POND ac? JOHN CHURCH .15 JOHN OHAYNESSC9 ' P 1' 3- J/2»;/]7J7-/1: C1307; . 30.510 am». I EXGELSIUH. Words by LONGFELLOW. Written by MI SS LINDSAX. Allegro. 1st.Verse. The, 6th. “ A ” / shades of night were fall -- ing fast As throughan4A1pineVi11age travel - - ler by “(he faifh- ful...
Show moreun .,_,. C-JV H/‘.7-ma c ,-K/<~\//J’ \ ZR‘) § “‘\\ \ -* \ \\ . \ y‘: L~\\ \—\x' xx :\ \ > \‘ \ aw as‘? PUBLCSHED BY OLIVER UITSON EC‘? 277,WA5H}NGTON ST c.C.CLAPP8« cr.» .1, E,GOULD. FlRTH,POND ac? JOHN CHURCH .15 JOHN OHAYNESSC9 ' P 1' 3- J/2»;/]7J7-/1: C1307; . 30.510 am». I EXGELSIUH. Words by LONGFELLOW. Written by MI SS LINDSAX. Allegro. 1st.Verse. The, 6th. “ A ” / shades of night were fall -- ing fast As throughan4A1pineVi11age travel - - ler by “(he faifh- ful hound Half buried in the snowvvas passed, A youth who bore mid snow and ice found, Still grasp-- ng in hishan of ice with the strange - - cel- si-01'! with the stra.1'1ge - - cel - si-0 ! 2._Hi s b row 3.‘-‘-Try not sheath, head, cents that 30-- loud -ce1- si-01'! VV-?t S the Flash’d like a fau1ch7'mn'fr<>n1its “Dark10wr’sthete111pestoven A be - - neath said, eye old man. And like a silver clarion. rung, The. roar - - -i1'1g_t0rrentisdeep and Wide,» Ex- cel - si-or! Ex- cel- si-or! of that un - - known tongue, clarion voice re-plied, Con cspress. 4._“Oh! stay,” the maid -- en said, “and resit Thy Wea - - ry head up-on my .breasf;’> ~ ‘ tear stood ' his bright blue b eye, _Bnt he ‘ answered with sigh, Ex - cel - si - or! - 081- si-or! 5.—“B.e - - Ware t1'ee’s ‘withered . branch! aw -- ful av -- a - - - lanche.” the ,p_e.as-a_\,‘.g,£t’S M __ 4 _ night . ’e -10- ! PPP 11-e - plied far up the height, Ex -- eel - - si -- or! Andante ma 11ont‘r0pp0.L 7.—The1'e in the twi - light cold and ‘ grey, Life-less, but beautiful he And from the sky P mg 0011 spirito. voice fell like a f'all- ing star, EX-’ce1- si-H01‘! PP -ce1-- si-01'! -----si--01'!
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Date: n.d.
Text: MUSIC LIBRARY \lAS5a°aR COL‘-‘G5 “(!E3€(!B(!EiE§3(l]>?11.” ' THE POETRY BY H. W. LONGFELLOW. THE MUSIC BY J. TILLEARD. AN DAN TINO. { ° 4 The shades of night were fall - ing fast, As through an Al - pine vil - lage pass’d AA IT A Ad lib. youth, who bore, ’mid snow and ice, A ban - ner, with the Strange de-vice—‘Ex- f\ _/ His brow was sad: his eye be-neath Flash’d like a fal -chion from its sheath; And {S sil - ver cla. - rion rung The ac-cents of that un - known tongue——‘Ex- .. A cel ...
Show moreMUSIC LIBRARY \lAS5a°aR COL‘-‘G5 “(!E3€(!B(!EiE§3(l]>?11.” ' THE POETRY BY H. W. LONGFELLOW. THE MUSIC BY J. TILLEARD. AN DAN TINO. { ° 4 The shades of night were fall - ing fast, As through an Al - pine vil - lage pass’d AA IT A Ad lib. youth, who bore, ’mid snow and ice, A ban - ner, with the Strange de-vice—‘Ex- f\ _/ His brow was sad: his eye be-neath Flash’d like a fal -chion from its sheath; And {S sil - ver cla. - rion rung The ac-cents of that un - known tongue——‘Ex- .. A cel - - - si-or!’ r'\ ' ./ In hap - py homes he saw the light Of house-hold ﬁres gleam warm and bright; A- /5 -_.,,-,,«.—¢.,_~..v _—;\«..«y ,_..~,=—~ ,(»— ~,£___,f_—,.-¢.- «, n Ad lib. .5.» _.<¢*«.s>-;< hove the spec - tral gla - ciers shone, And from his lips es - cap’d agroan—-‘Ex- A 4. ‘ Try not 5. 6. ver head, The this breast!’ A - Va-lanchel’ old man said : ‘Dark l0w’rs the tem - pest 0 - said, ‘ and rest Thy wea. ~ ry head up - on wi -ther’d branch! Be - ware the aw - ful a - the pass,’ the the maid - en ‘ 0 stay,’ the pine-tree’ s ‘ Be -ware KN re-p1ied—Q ‘Ex- a sio'h—— ‘Ex- the height—‘ Ex- KN loud that cla - rion voice still he an - swer’d with voice re — plied, far up deep and wide!’ And bright blue eye, But last good night: A torrent is roar - ing tear stood in his This was the pea - sant’s ce1- - - si-or!’ KN ../ 7. At break of day, as hea - ven-ward The pi - ous monks of Saint Ber-nard, 8. A trav’ - ler, by the faith - ful hound, Half bu - ried in the snow, was found, Still 9. There, in the twi - light cold and gray, E Life - less, but beau- ti - ful, he lay; And ZS A Ad lib. Utter’d the oft - re - peat - ed pray’r, A voice cried, through the star - tled air—‘Ex- §rrasp- ing in his hand of ice That ban - ner, with the strange de —vice—‘Ex~ rom the sky se - rene and far A voice fell, like a fall - ing star———‘Ex- . . A DAVIDSON’S MUSICAL TREASURY Contains above 2000 Pieces, all printed on the same size and style as this Quadrille, comprising a large Collection of the most popular Songs, Duets, Glees, Quadrilles, Waltzes, Polkas, Country-Dances, Schottisches, Marches, Pianoforte Pieces, &c., &c. Full Catalogues of the whole will be sent, Gratis and Post Free, on application to ‘ the Publisher. ' DAVIDSONi’S OPERATIC GEMS. Consisting of the Melodies of Popular Operas, arranged as Pianoforte Pieces, in Shilling Parts, each containing 16 or more pages, and each embellished with a Portrait ofthe Composer, or some celebrated Operatic Singer. The Series cornprises—— Pu:-r. 1. Don Giovanni—2. Les Huguenots——3. I1 Barbiere di Siviglia—4. Gustavus—5. Norrna—6. La Cenerento1a—7. Der Freyschutz-8. I1Prodigo, or Azael the Prodigal—_-9. Il Flauto Magico—10. L’E1isire d’Amore—11. Fra Diavolo-12. Lucia di La.mmermoor—13. La. Gazza Ladra—14. Le Propliete—15. Masanicllo—- 16. La Figlia del Reggiment 0-17. La Sonnambula—18. L’Eto1'\le du Nord. ’ - DAVIDSON’S VOCAL GEMS OF FOREIGN OPERAS. With the Original Words, and the most approved English Versions. All the principal and most popular pieces in each Opera, with Pianoforte Accompaniments, may be ' had in One Shilling Book; or in a few instances, in double Books, Two Shillings each. The Series comprises- Book 1. Le Propheter—2-3. DerFreyschutz—4,. Fra Diavolo—-5—6. Fidelio—7. Masaniello——8-9. DonJuan——10. Nino-11-12. Haydee——-13. LaFiglia del Reggirnento—- 14. Norma-15--16. Robert le Diable-17. Serniramide——18. Strade1la—19. I1 Prodigo, or Azael the Prodigal—20. The Magic Flute——21. Gustavus—22-3. La Son- nambula, the only Edition containing the world-renowned Words of the late Mr. Beazley, the exclusive Copyrights of the Pub1isher—24-5'. L’Etoile du Nord, with the English Words by Mr. Reynoldson, now being sung nightly at Drury-Lane Theatre, also the sole Property of the Publisher.
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