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Untitled
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Creator
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1923-2010
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Description
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Painting resembles a long, dark hallway or possibly a black door.
Condition assessment (2014): Good; some paint on the front of the frame and a small tear in the paper backing.
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Date
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n.d.
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Title
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Hiawathas Song
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Date
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1921
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Text
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MUSIC LIBRARY VASSAR COLLEGE poucuxzansvc NEW vopm SONGS S}-IA-WON—DA-SEE (The South Wind), Medium, F (No. 5232) SKARL THE DRUMMER, Iwedium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) WABUN (The East Wind), Medium, F (No. 5255) HIAWATI-IA'S SONG, Medium, Fifi? minor T ADJIDAUIVIO (The Squirrel) Medium, G 5 W73 : I at. or I (No: 5268) *Except Canada and Foreign J. FISCHER 82 BROTHER - NEW YORK 119 WEST FORTIETI-I STREET 3, NEW STREET, BIRMINGHAM, ENGLAND Pxnu-an in nu To...
Show moreMUSIC LIBRARY VASSAR COLLEGE poucuxzansvc NEW vopm SONGS S}-IA-WON—DA-SEE (The South Wind), Medium, F (No. 5232) SKARL THE DRUMMER, Iwedium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) WABUN (The East Wind), Medium, F (No. 5255) HIAWATI-IA'S SONG, Medium, Fifi? minor T ADJIDAUIVIO (The Squirrel) Medium, G 5 W73 : I at. or I (No: 5268) *Except Canada and Foreign J. FISCHER 82 BROTHER - NEW YORK 119 WEST FORTIETI-I STREET 3, NEW STREET, BIRMINGHAM, ENGLAND Pxnu-an in nu To Mrs. Mc Elroy -Johnston « Hiawathefs Song H JAMES A. BLISS Op. 10. No.1. Me dim m H.W LONGFELLOW eg-ro con brio (Juos) In the land of the Da - c0— tahs Minn — e —ha — ha, Laugh—ing a - ter, Lives the ar - row mak- er’S daugh-ter, /.‘,\.—. at tempo Hand- som- est of all the mai -ens, I will bring her to your wig—wam, W‘ #13‘/13 #? 3- 3 Esp/res She shall run up -on your er - rands, Be your Star-light, moon-1ight,fire-light, F Copyright, 1921, by J. A. Bliss Assz.'g1zea./ to J.Fa'.s>c-law (Q Bro. J. F.& B. 5268-5 PRINTED IN U. $.A. Be the sun-light of my peo-ple (L team Tem,;0o 1 Thus it was that Hi — a — wa - tha To the lodge of old No - k0 — mis Brought the moon-light, star—1ight_, fire - light, /:57 . ._. — ,-.\ (L tempo Brought the sun-shine of his peo-ple, Minn - e-ha - ha Laugh-ing Wa - ter, , . J. .F'.& B.:'>268~5 Hand - som-est of (Of) all the maid — ens . _ the land of p smccato hand-some maid - ens. ‘fab. J.F.& B. 5268-5. H .W. LONGFELLOW 8 ..... ........ .. eggiero _ J.F.& B.5268-5 ADJIDAUMO The Squ(irre1 J JAMES A. BLISS Slower .' x7[ea’imn ‘ Then said Hi-a-Wa-tha to him, 3'5 l"""""""‘1 I I d the squirrel, Brave - ly have toiled to help me; And the name which now he gives you; For here—aft-er and for-ev-er Copyright, 1921, by J. A.B1iss Assig/zed to .lF¢1s'(.'/car & Bro. l':'—j'll:—'—""| Boys shall call you Ad — ji - dau - mo, Tail in air the boys shall «:31? you!” And /3‘ 8... the squir - rel, r""'"‘l Ad - ji-dau- mo, ' 3 ' ' ' Frisked and chattered ver - y gay - ly, o ...._..4 atempo '“3“‘I ' 3 | J. F.&B.5268—5 Maesta slower In‘ his fur rit. e breeze of morn-ing a, A Group of AMERICAN SONGS LIST No. 1 . REG, U‘ S. PAT. OFF. HOWARD BARLow . . . . . . .Hush of the World . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5193, 5194)* . . Love issoNew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5192)..... Your Eyes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5195, 5I96)..... GENA BRANSCOMBE . . . . . .In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . . . ELIZABETH H. DAVID. ...Honeysuck1e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5151, 5152) InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155,5156)..... Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5153, 5154) JAMES P. DUNN . . . . . . . . .The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . ..3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) ..... Under the Greenwood Tree . . . . . . . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) . . . .. G_ FERRA1-A , , _ _ _ , _ , , , , _ ,Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) . . . . . CECIL Foggy-rg , , , , , , , _ ,A Masque . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Medium (4532) . . . . . . . . . Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547). . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . . . When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . FAY FosTER , , , , , , _ _ , , _ ,My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . . . Secret Languages . . . . . . . . . . . . . . . . . .. . . . . . . . . . .2 keys 4665, 4666) . . . . . Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) .. . . . When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . . . Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (4454, 4455) J. BERTRAM Fox . . . . . . . .A Ballad . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . High (4737) . . . . . . . . . . . Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5079, 5083) . . . . . Sadness; Tears . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. FRANK H. GREY - - - - . - . -Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys 5160, 5161) . . . .. VICTOR HARRIS . . . . . . . . . .The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) . . . . . A Madrigal . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..3 keys (5092, 5093, 5094) Silver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5098, 5099) . . . . . A. WALTER KRAMER - - - -Eternal May . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . . . ForaDream’s Sake . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (3851, 3852) joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys 24246, 4247) . . . .. « Song Without Words . . . . . . . . . . . . . . . . . . . . . . . . . .High 5020) . . . . . . . . . . . HOWARD D. MCKINNEY. In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys 4863, 4864) . . . .. WILLIAM REDDICK . . . . . . .Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High or Medium (5077) . Travelin' to de Grave . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) . . . . . , GERTRUDE Ross . . . . . . . . .Early Spanish-Californian Folk-Songs (Five).. . . .2 keys (5I20, 5121) . . . . . . Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144 ‘LILY STRICKLAND . . . . . . . .Bay0u Songs (Four) . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) . . . . . A Beggar at Love's Gate; Song Cycle . . . . . . . . . . .2 keys (4440, 4501) . . . . . Today is Fair . . . . . . . . . . . . . . . . . . . ..‘ . . . . . . . . . . . .2 keys (4338, 4339). . . .. DEEMS TAYLOR . . . . . . . . .Captain Stratton's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass (5242) . . . . . . . . . . . Banks 0' Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Medium (5210) . . . . . . . . . Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) . . . . . The Messenger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4732, 4733 The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) .. . .. A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) .. . .. PIETRO A. YON . . . . . . . . .Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4452, 4453) . . . . . Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . 0,...- *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. - NEW YORK 3, NEW STREET, BIRMINGHAM, ENGLAND
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Title
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Rainy Day, The, The Rainy Day
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Date
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1873
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Text
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2. A 5./7a:.7:w...,__ _ >. :::'.-._:' :'5_v' Oliver Bits on -Comp any . I/7/55;: 5275/17/7. x47/7//.'’ , A4/47/74$ /7,95/4 L/U/7/7 [C \/75_';//7../_.=j5jc$ [’J. ‘4_’.£TZj7/'7‘5z7/7 LEAQ7. T mmc uuunv VASSAR COLLEGE /V )/z7/'// 5 /7.17/7547/75 £27; :3 E.“ .1 an ff En. nu. n...“ 5? .._.m We ad .h.—: ;._..m mm. 7.5 1.5 «WoMAN’s BUILDING, o 20 Fifth Avenue New York T0 HRS.‘ OHA E. _§£I1VU2I . THE RAINY DAY. Wt'itteJ1'b_)' H.W LONGFELLOW. V...
Show more2. A 5./7a:.7:w...,__ _ >. :::'.-._:' :'5_v' Oliver Bits on -Comp any . I/7/55;: 5275/17/7. x47/7//.'’ , A4/47/74$ /7,95/4 L/U/7/7 [C \/75_';//7../_.=j5jc$ [’J. ‘4_’.£TZj7/'7‘5z7/7 LEAQ7. T mmc uuunv VASSAR COLLEGE /V )/z7/'// 5 /7.17/7547/75 £27; :3 E.“ .1 an ff En. nu. n...“ 5? .._.m We ad .h.—: ;._..m mm. 7.5 1.5 «WoMAN’s BUILDING, o 20 Fifth Avenue New York T0 HRS.‘ OHA E. _§£I1VU2I . THE RAINY DAY. Wt'itteJ1'b_)' H.W LONGFELLOW. V C()n|1p()sed by ERMINIA RUDERSDOl{FE T Moderato e tranquillo. . VOICE. is cold, and $ PIANOPORTE. dark, and dreary, It rains, and the wind er wea-vy, T119 vine SUE C]jI]gS fo the lnouldzring wall, But at ev’- 1_-‘y gust the d€a{l1eaV'Q_§"fa}_1, } ‘ 22:19 7 ‘’Q'*‘f‘5‘‘°d'’‘W°Tdi'‘gt0 3”‘ Of C0"~€“8ss infhe )'eaI'1373 1))’ G. D. R11<seH&(”():int’hx3oflice <)f1}xe-Li'9>2‘2'*"’za.1<;!‘{‘(;x1«>‘:"~e=~s; at Va/,». - W3 M . ' "3 1910 p000 rall: And the day is (I-ark and } f mime, mnitlne uiml -% er‘ wear r , my flmnghts :-fill cling to flue W} > \} L ; D 5 = I + J I 51 1 / ’ U I l I I E p000 rail: 41 iaampo. I l —. I5 ‘I’ 3" I ' ' '\\__// da_y.s‘ are (I-ark and (Ire-a - vy. I’ I a tempo. 1.1000 rall: 1319 V ‘- sIti]l_®_*_ I sad 11eaPt!%__, and cease the clouds . 3 still 5111' - .\ X ” ‘ poco tillargrznrlo. _ com - 111011 fate of AA‘ AA EXHIBIT FOR N. Y. ROOM OF WOIvIAN’s BUILDING, 1OAL\ED BY [T In - to melt smue must fall, S0111-9. f"r1V>‘a ———-———— 501119 d"‘.Y~"7 501119 Zen - tanJ - (10- (g;,,,.,‘ W‘ must be dark and (lrea }‘ , rum; 1'rlll!?nf: 1917919 c6lla voce. a tempo. , 20 Fifth Avenue, New York, To be returned to Mrs. Theodore Sutro Cheurman on Music and Law. L'.‘!".‘v’ffWD!-"YT EHEE.‘ “led to -------------------------- .. an on Music andMrs. Theodore gut Law ‘CHOICE GEMS SELECTED ERG/"I IGLIVER DITSON COMPANY'S L/;\Ti:‘sT__i.isTs or piiw. MUSIC VOCAL. Wit and Wine. G. 4. 4. to n. Jf. cz.e=z.«..... so AmeAri;:an Beahuties. 0. 3. . I...C. »f~W.u- 40 v _ Tne story of 2111 fLI1(:l‘l!tl(ln"‘ who inmle inorry wit I hi~' W0-step i-ince movement for the ]il.‘ll1). A '.ll:ll’- SOl’1g 0' Gowane. Db» 4-. (l3 T0 Ell» ' flf¢F“7:l77§7/ C()lll'tlBl‘.~!, anil kiiitriitlell lll.-lbS.:l‘\’lllg-ll] in. IL i-la lino, ining piece for players who like light. II1UlL)(liU11sl‘)i(lll0 A pretty soiig, with \\'0l'(lS in :he S(30t(:ll‘ll1:1lL‘('t. Suit- hezirty, rollick‘in_: soii-,5 for baritone. Try it. llllldlc VV1El1‘iill0 $1110 llimce 1‘l1.Vll1l1l. able for a soprano voice‘ ‘in! , i ‘we llllSlEil,{0 not, 21 song - ~ _ 1 5 (w_ M .. . 1 p. , _ that will be much in \"0.‘—,"lle ainoiig,‘ ailiiiirers of good sweetheart! my Song '5 c°m3' B’ 2 ) ) 7' Boston Belles‘ Olumute $11011’ L)" L F l The $>hiIdren’s Hour r l modern vocal (‘0lllll0~Iitl<)llS F’ S" Sm”'M/rs’ : ' TV'w"”'Im" Maiden Dreaming. G- 4- <1 t0 g- - - . . Mtwl/. The odilness of style nianiI'e.~'t in tlllSllL‘\V:~l0l1g,£1.‘! well as the e.\'cellen(tcoi' both poet ‘ ' I.I14l nielo:ly, shouhl place it zit once ainoii;.>; the most ilc rable of recent song pl‘0lli1cll0ll:l. The piano aecompaniineiitis ol'it.sel1‘an attraction. ' ' F. 4. to F. On the Swinging Branches. at E "Won. “On the Swiiigring Branclics,” or the “Soiig oi'th_e ]’»obolink,” i-I one of the latest of Mr. \Vilson’s composi- tions. It is of an unu~iu:illypleasiiigii:itiii'e,tastet‘iiI and grrai-.el*iil, while the nielorlioii~i wziltiz-i'e1 llll makes it specially 2ltl.l':l('lJl\'C as to the popular reqiiircnieiits. Earth’s Fairest Flower. Di». 4. c to F- Orton 127'/uIIe_1/. One of the best mollern songs for mezzo-soprano or baritone. It liasa ;,-'racel'ul nioveniciit in 9-8 tempo, with nielo;ly anil piano acconipanimeiit alike agreeable. Vj]|ane||e_ (Peastiiitfs Song.) El). 5. hi; to g: Dell Arvmrl. “Villanclle,” or the pcasant’s soiig—./’u£ ru. ]m.s'.>‘(‘7' l’lLi'ronrlelle (“I’ve seen the sw;1ilo\\'si»:isshyine”)Ais one of the most acceptable of the modern s<)iig~s. The translation is by lln.l‘I‘_lS()lll\Illl.‘ll'(l. Both Freiirli iiml Englidi version are given. It is recoininenilcd to sopranos. fie Lea!-jeth |V|e_ Duet. Eb. 4. . . . . S. Salter. A hne sacreil duet lor alt’) an l tenor. \’Vc C0llllllCll(l it_ to <:lioii'—sin;,rers. The accompaniment is 1'oreii.her piano or organ. There's a Friend for Little Children, 0. 4- C- to g‘. E. S. Hosnzer. A solo which many who (lC.~'ll'C suitable ])lC('€H to be sung to a Sabbatli g.',‘2tLll0l‘lll}.;‘ will be plciise<l ll’! obtain. The acconipaiiiineiit 1'or either piano or orgaii is inter- esting. The piece can be usccl to £l(l\’.‘l.I’lt£lf_],‘0 by :1 clioir- soloist for special oitcasions. It is a gem for home use as well. ry' . Titania’5 crad|e_ Sopr. or Ten. F. 5. E to/'i..] .eiman.. 'fitania’s crad[e_ Mezzo—Sopr. or Bar. Ebipllgi 7:1 (1 r. The well-known worrls from Sliakespeawii “Mi l.~'uni- mer Night’s I)reain” (“I know a bank whereon the wild thyme blows”) are liei'e melodioiisly anil arti~‘tically set liy Liza Lehman. It is agooil song for an e.\'pei'ienced Vocalist. Published in two llll'f(I‘I'Cl’ll? keys, as above. _ Ely. 4. bl; to El}. Pe/ez-son f iretty poein set to equally attractive and very tune- ul music. 'Tis that] Love The9_ Duet. D. 4. (Lohr) Vzme. A most a-rreealile duet for two Voices of Illeilllllll compass. Try it. Love's Signal, Ab. 4. cto F‘. A. F. Burnett. One of the most enjoyable of recent songs. The worrls are by Freil. E. VVe:itlierl_v, the well-known ICng_;li.~il1 writer, anil the music by l’>lll'll(‘l$t will llllll l.io~':t.<i o1'iiil- niirers ainoiig lovers of the best English songs. The sentiment is very prctty:— _ “Only a wee worn kerchief That lay in mv trembling hands, As I sat by the \Vll]ll0\\' (lI'0f1illll]g!,‘ And looked on the moonlit liinds.” Waitin to welcome her Bo . G. 2. «i to F11. g y J. W. Wlzeelm‘. PODUl£tl'.SOIlg and chorus byapopularauthor. The sentiment is §:_'()O(l, and the song is worth a place in your collection of vocal gems of this kind. At the French Ball. So11g.\vithD2mc0.DF- iipcto F. . . ;ru.hain. “I went to the ba1l,_theimiiglity French ball, Anwl I ilrinccil with a little grisette; She was not over stout, aml not very tall, And so pretty I soon called her ‘pet.’ " Darke Musketeers. llI2ll‘(.‘ll~S()1l"'. F. 3. The 3' to F. V.‘ W. I/V/teller. Another new comic song by the aiithor of “The Col- ored Four Hun=lre(l.” Briglit aiiil catchy. He isn't on the job just now. Eb. if Fllibto F. C 1 C’IlH.(}IL. Humorous song. Just the kind to provoke inerrinient Spanish cradle Soy-|g_ F in. 4. E!) to Di). lioott. One of Mr. Boott’s latest contributions to the li-tot‘ excellent modern soiigs. Both Spaiiish and Eiiglisli ver. sions are given. The song is one of the most noticeable of recent coinpositioiis. It is for a voice of inecliuin compass. al is told. Bb. 4. bl; to W2. A5 aT e that 147. F Smlzls. An excellent song for low voice. eitheralto or baritone, and we commemil it to all who admire gooil verse set to equally good music. sooner or |_ater_ El). 4. bl; to E5. W. F. Surlds. In this song Mr. Sl.l(l(lS has ailinirably set the ver.~'es of Stewart Allen to an original melody, whicli expres~ie~i the sentiment of the poem in a musicianly anil agreeable manner. The accompaniment is for citlier organ or piano. A line song for low voice. The Touch oftha Wand. G. 3. Chansonette. Eb. 3. who E5. . ..... c l The above three soiigs by Frederick S. So n'ner~4 a"e the work of 3. mu-Iii-ian whose music will repay the learnerin the most il.f_flU()2Ll)lL) manner. The piano p2l>'t.~l are no less satislactory anil iniisiciaiily t.h:in the inehnly 1L~l(:l1’ and the general treatment of the themes. Sufier Little Children. D, 4. <~%t~11 R:"’:'<’*'- _ A new sacreil .~l()I)fJ,‘ by Martin R ie lcr; toaclier ol .~ii.i5- 111),’ at the N. E. Coii-acrvatory of Music. He? Last Good By 2. F- 2. 0- to F. D 7'WW8- A song and chorus in the popular vein. Ne\\‘an.l ‘ pleasing. Take up Thy Grog-,s_ E‘). 4. a‘; to F. C’ E. I} I’:-me. A saci'eilsoi1:,r for inezr.o-~Io;ii':iii ) o - l)‘tl'lt.).1l‘ Ex - lent for a choir soloist. Ace.iiii_i.Liiiiiic-iii; s.i;t:Lblelor either piano or orgaii. Forsakey-|_ B.ill:nl. G. 4. ll to F1 . M'i'lIrir.'I. The gooil t i<tc anvl Oxquisit ‘ t eatinent of tha. t‘.i mi: so beaiitil'ully cxpre~i.<el in the vi-.i'+c.~i by Mary (J. l’reston, are <;li:iractei'istii-, of II I. '.-i=on hlillaril. This is his latest .~l()ll_(; and to all <i.i:.,-‘ei's with mezzo-sop 'aiio or tenor V ' ea we say, try this now ballad, Elllll you will not r ‘r , ' The inelorly and the gi':ic.'.1‘iil. llL‘.ll('.2ll§i£ plan» am-.oinpziniinent captivate the hearer at once. Don’t fail to secure this latest song by Millaril. The Boat with My True Love’s Name. F, ‘-’- 0 to I). (,‘oII1n. (7042. A n:'.w song; by Collin Coo. It haa :1 pretty “'1|.‘It'/4' rel’r2iin, anal will [)i'<il):).l)l_\’ be popular as a li'_>;nt, lllL“<)ill- ous “lmrit-soiig,” or a “cats-liy“ song and rei'rain oi’ t’ic college type. Simple, ll:l.lllt_\', anll meloiliou.-.'». Here is a verse, to show the sentiment :— “My true heart is a brave, brave girl; She lives by the wiile, 'i<le sea, Ami when I sail on the r.c«,~.-iii She watclies anil waits for me. I have a boat so trim and neutr- For siiilin-_; she’s won her fame,- Anll I call my boat the ‘ Ilonnie Bell,‘ For that’s my true lo\'e’.~i naine.” “Over the sen, over the sea, My Bonnie Bell goes sailing with me." There’s a Green Hill far Away. E9. 4 E/')l'1) G. J. (7. lVm'7'mi. A sacrerl song for soprano. One of the Very lieu‘. of rccent solos for i-hoirsingers. The familiar verse in a new musical setting. INSTRUMENTAL. Gov. Russell's Grand March. Eb. 4- _ G'I'II(‘€ ,I.’I7‘I]Ill_f/. A captivntiiig March for the piano. A gooil portrait of Gov. Russell ailorns the title page. Stolen |(is5es_ Walt7.. F. B‘;anil G. 4. _ .Io.s'ephin(- (ii-0. Goorl Waltzes are always in ilemanrl. 'l‘h‘is sci is very pretty, and we :1(lVlS(3 all who desire \valtz-iiiiisic for the piano to obtain a copy of it. Beacon Waltzes, ‘,> 4. _ . . . Lruvrence .’\"eeIm. Good lllCl0lllOl1S Walt’/.-inusic for the piano. Try ll‘. Figaro wa[tzgs_ A. I). G. 4. . , . LomI)rzr«Im'r>. Fine W'alt7.e.~i for the piano; not iliilicult, and well worth leariiing, Violanta Po|ka_ G. 3. . . . . . . . J. l{n.ecIil. Spirited, lirigiit, pretty (lance inusic for the piano. Columbia’ Fantasia-l‘olk:i. l<‘ortlie Cornet. Roi/iizson. An - ilmirable solo in G l'or the Iii; cornet. Fine piano accoiiipaniiiieiit. The piece is do licate l to anil play.-«l by John M. Floekton. It is one of Rollinson’s best cor- nct solos The Young Player. Selected Pianoforte Pieces for the Cultivation of a Refined Taste. The >lel:(;<)ll]]1!‘lBO9 the following :- I)i<:.xic l\ll<1M()R\'. . . , . F 7'/mnze. S\VF.I-IT l\Ii«ii.0oi'. . . . . . . F. ‘I’/mnw. A QUAINT 01.1) Sroin’. ’ AL.S'ATIi\N l).\Nci<:. . . . . SLr.i<;i-Y Err‘. (Crarllc Soiig.) A‘). -2. . SHADY NOOK. A. ‘Z. . . . . . I’. Lr/czi/lie INi)i.\N DANCE. . . . . . . I’. LIl<,'()IIlt3. l\Ii«:imIi1i~;N'i‘. A. -. . . . . . P. Lu miirt. JUMPING JACK. G. ‘2. . . . I9" ('/iu.zw,r]/mt, ON TIP'l‘()E. I.)-niajor. F-iiiiiier. E. (I/Lvriwf/n.r/I. FINGER-TIP STUDY. ‘. . . E. K‘/on-.«i,r/nri/. II.\l’P1' GRElC’l‘ING. l). ". . _ . E. (,7/i.rI,i'II_r/i7(I.f. The above ll2lll1()'l pieces tl‘0 alinirably 2lil.I.lllIl.‘(l to tlie use of young players, especially ])llpIl.~l. Dancing on the Levee Schottisch. Q. -3. _ _ E(l£UL)L ( /n'1.s‘lie. Captivatiiig scliottiscli for the piano. Old Hickory. Scliottiscli. C. 3. Pe1'z:_7/.S’«)_i//ii.nm'. A military srliotti-Icli for the piano. ll: l~l not h.-irvl, even if it is old hickory. It is very pretty, and. “c:itcIi_v.” A brilliant moreeziu for piano, by an exr or-«I y 110])» u'_ coinposcr. ll: is not too «li.ii.-ult 1‘.art.ie a\'cr:i;e proliizieiit pupil. ' The world's Fair. Six Ea-‘y Piano Piece-' by IIENRY .\)IB. 1. ‘~l<‘.un C()LU.\IBI.\.” W'u.lt:. G. 2. "ENoi.Isi{ Bi.oNo1<;.” Po//.-u., C. 3. "l‘[‘Al.I.\N (_:lIRL." Yorlc, G. 4 “SUO‘l‘ClI LASSIE." Galnp. (.2 5. “(JIIINZCSE DIAIDEN." il[Il7'i'/I. C. 6. “SPANI-ll[ l§i«:Li.i<:.” S«-mm,» 1,_ _ The :1!) )VU named si\' piano pix:-,e.~i are easy .’lll'l suit- Illlle for _VUll!i_‘.‘;‘ l)i‘gl|llIOI‘.‘l. lllai.-li p.c(-c ll.‘l> the pi'upi’i' “i'ingeriiig” in licatc-'l. The t tlc-pziqe ofcach i= ranti- fully illustrateil bu (il12l."£l(‘tl.‘I‘l~|l2l(‘. lei.-«N of the «ll e"— iit maivlens wl1o<eii:iti ii litv is }_:ivcn in the lit. S.-.n<l lo: fl the “The \Vorl<l’s l<‘air" set of pieces by llcxiry l.:imu Six Easy Pieces. 1 (.‘li.e.»-tor llmmi. . “l§lI.I<?l<]N l\/IAZURKA.” C. 2 . . . . , 2. “F.\li'Nl‘LEI{()\' l\IA1{(ZI[." Eb. . . 3. “illrsric G.\VOT'I‘l£.” . . 4. “.<i;\i\ii«:i: l)iu«:.uis." F. 5. “i\[iNui«:'i‘.” l). 2, . 6. “Sm: \BA:\'I)l<).” F 2. . _ . , _ . ‘A rei_narkahle ple:i.~iii;_§ aiiil wsll w ‘in -.2i ~'et of piano pieces. l<l\'eryboily who lins l.l'lU(l iiliciii -my - so. Silver Chimes, Morceau for piano. l)_;. 4. _ _ _ ‘ I _ V.’ ’I). ll"i/.wiiI.. u3“"'lll'l.'l.I1El)lIl2l1)l’. li'li tiilt in I‘) wile" -._i I t i "ili3’l. .in_«_; l.ii_i‘.a~'ia” style. The correct Ii.i_;e:iiig 14 ;__:iven for the pupil’s use. Societe de Bons Vivants. Piano Piurc. G. 5 . . z'.i'.‘. (.)i-e_of Mr. Sn lrls’s best piano pieces. “Goo-l Feltlo/iv’. ship" Hthe Eiiglisli name for the piece. Enchanted Valley, I\Iorcc:iiil'oi'piano. A5. 4. p _ (i'(LIl«Ihr>1‘. A brilli~.i_nt inorceaii, such as the :L\'ii:':i,gc pi'oIloic.it ainateur will OllJ0_Y. Playful Ron;lo_ For Piiino. G. 2. C’. U7. Greem’. ‘ An exizellciit piece fora pupil. The correct (Gcrinziii) liii,-reriiig is given. Congaree Dance. F. 5 J. F.Gi'(ilcr. The latest piaiiol'orte composition of John Francis _ (lllllUl'. It is in his usual “<::il.cliy” style. «I eranza_ _ (Hope). Melmlie for piano. Alz. 4. Very pleasing. I(](3in_ -Electric P_olka_ For Piano. F. 3. . . ].’oc.a'/cc. Briglit, Jolly, catcliy piano lllllrslll‘. Electric Polka_ Wit/L Toy lust/'imzants. . lfnes/cc. For schools or l(ll1(lCl‘g1l.l’tC11l-‘l, thi~' piece, ii.i'tir the in:iiii_iei' of IIay<ln’s “Toy Syinplioii_\',” has inusic for the ()i-.ai'iii.-i,_ Tin VVhi+tle, Bells, Ti'iaii;.,-‘le, Violoiiitello, l‘)i‘ll|ll, \'ioliii,_ Autoharp, l’op-g;ull, Quail, and (,‘Iapper~, 'Ill..‘ ineloily is pliiveil on the l’ia.no.aiiwltlicl-lnlrli'eii 1ll‘.('.UlIl]l:l.l'ly with the iiistrnmeiits nieiitionexl. This [|l0i'U wzi~' |lCl‘lUl‘nlGLl in :1 Boston I{iii(li:i;;ai'teii \\'ll,ll gool clfect. Les Fleurs_ Value for Piano. F. . Lzulot-£i:. Easy and Pretty. Toreacloyg Walt/. for I’i:iiio. D. 4. A showy waltz oi‘ ine<liuni llilliculry. Colored Four Hundred_ I\Iai'ch for Piano. _ ll». Km;//ll. T. P. 1201/10. The popular song arrangezl as a “two—step.” Sprlng’s Return_ G. 4. . . I3, (7.I(1ez‘1L. Full of Joy_ Waltz. (J. 4. . M abel Gay, G. anil l’»',. 4. , _ . Sy|phide_ Polkzi-inaziirl-;a. U and E; 4. FOR THE MANDOLIN:— Flight of Birds, Polka. (Walilteiifell. Ilfaxc//. A Iiiie polka for two inani_loiins, \VlLll_g‘llllJi1l' or piano :i.ecoinpaninient. FOR THE MANDOLIN WITH GUITAR ACCOMPANIMENT. Llf/7/I (‘mvillgu M'a.7‘ch. (‘Z l\I:iii«lo‘iiis ) I’7-(Ie](n1Il, ’.1/[Til I§i>/Inn's Fair, lVn./1‘.2:<>s. ('2 l\l:lIi(li)lll1S.) l’/-eclmiil. Ullid liowens‘ Fair. l/Valtzes. (solo). . l’/-eclaml FOR VIOLIN AND PIANO:— R‘ -;"s Prn_1/67'. C. 4. . . F. 5. . . -' ‘ .l{.'l irlmmv. . . (' oncltrl. C. 3. KlIl.I'l(’I‘l[6(] G. ‘J. ./lI'cIo(li'e. . 3 . . . . i, A. ‘2. . . . . V01/JIILIIII. above violin pi zis, with piiiiio xii-comp-.iniinciit, are i'.lassic~' whi-eli C\'Cl'_\ lea "lie ', as well as all violiiiists, shoull have. The <,{r2irliii5.; _:ri\'eii above refer.~x to the violin parts only. The piiinoacconipiiniineiitsvuryas to tlilliculty. U7«r/jiier‘. B®$’]?‘®Rl: I9fE’I”‘S©N Philadelphia J. E. DITSON & CO. New York C. H. DITSON & CO. Chicago Boston LYON & HEALY JOHN C. HAYNES & CO.
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Agreement between Phelps and Barlow, witnessed by Jasper Parrish, n.d.
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Date
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n.d.
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Text
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Whereas by Mutual agreement between Oliver L. Phelps of Canandaigua County of Ontario & State of New York and Jonathan Barlow of …County of Hampshire once State of Massachusetts it is agreed that a …..given this day by said .. as his & administration of the Estate of Oliver L. Phelps Esq. late of Canandaigua always shall be .. with Capt. Jasper Parrish of said Canandaigua to him held, or delivered as in hereafter stated It is … the understanding that paid change is to be final and...
Show moreWhereas by Mutual agreement between Oliver L. Phelps of Canandaigua County of Ontario & State of New York and Jonathan Barlow of …County of Hampshire once State of Massachusetts it is agreed that a …..given this day by said .. as his & administration of the Estate of Oliver L. Phelps Esq. late of Canandaigua always shall be .. with Capt. Jasper Parrish of said Canandaigua to him held, or delivered as in hereafter stated It is … the understanding that paid change is to be final and conclusion as to any claim of the Estate of Oliver L. Phelps d… against said Jonathan Barlow but as this this an others .. whom it is thought may be able to pay this proportion of said Bond,it is agree that said Jonathan Barlow shall not have the benefits of said … to .. against the Estate of said Phelps or in favor of the other …, but that in .. he should be found on any of the Bond aforesaid and be able to .. and .. then the said Parish on having proper nation of the same shall be authorized to deliver said … to John Barlow- said Barlow further agrees that before he applies for said d.. he will notify said Phelps of the same, and if in any .. then may be instructed, against him in which he may be liable for cost or damages said phelps will give sufficient indemnity for such liability and it may be .. for said Phelps to make up of the name of said Barlow, then in that .. the .. shall not … to relieve the other .. from this … Signed in presents of Jasper Parrish Oliver L. Phelps J[?] Barlow
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Page 37
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Description
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Included in Ross, Caroline (Barnes). Scrapbook, 1901-1905
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Date
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From scrapbook dated c. September 1901 - July 20, 1906
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Title
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Page 14
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Included in Janish, Jeanne (Russell) and Lucile (Cross) Russell. Scrapbook, 1887-1938
"Notes - February 8 -- Posters - 'Chavenet Tomorrow!!!!!' -- Programs - VC Trig Ceremonies, 'A Departure from the Parallels of Precedent,' February 25 1892 -- Concert programs - VC Department of Music, 'Students' Concert,' February 10 1893 -- Concert programs - Collingwood Opera House, 'Anton Seidl and His New York Metropolitan Orchestra,' February 4 1893 -- Letters - [from family], March 20 1893 -- Concert p...
Show moreIncluded in Janish, Jeanne (Russell) and Lucile (Cross) Russell. Scrapbook, 1887-1938
"Notes - February 8 -- Posters - 'Chavenet Tomorrow!!!!!' -- Programs - VC Trig Ceremonies, 'A Departure from the Parallels of Precedent,' February 25 1892 -- Concert programs - VC Department of Music, 'Students' Concert,' February 10 1893 -- Concert programs - Collingwood Opera House, 'Anton Seidl and His New York Metropolitan Orchestra,' February 4 1893 -- Letters - [from family], March 20 1893 -- Concert programs - VC Department of Music, 'Recital,' April 14 1893"
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From scrapbook dated June 3, 1887 - March 1, 1938
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Title
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Page 71
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Description
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Included in Janish, Jeanne (Russell) and Lucile (Cross) Russell. Scrapbook, 1887-1938
"Admission tickets - VC Commencement, June 8 1924 -- Notes - 'Carmen' -- Poems - 'Whatsoever things are noble' -- Programs - VC Tree Ceremonies, Class of 1896 reunion, June 9 1924 -- Invitations - VC Tree Ceremonies, Class of 1896, June 8 and June 9 [1924] -- Drawings - Trees"
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Date
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From scrapbook dated June 3, 1887 - March 1, 1938
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Title
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Page 201
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Description
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Included in Mansfield, Adelaide (Claflin). Scrapbook, 1893-1897
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Date
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From scrapbook dated c. September 1893 - November 27, 1901
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Title
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from W.F. Hansell, 1 Mar 1861
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Creator
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Hansell, W.F.
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Date
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March 11, 1861
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Text
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[Guilad a] Mar 1 1861 Mr. M. Vassar My dear freind[sic] I just write to congratulate you upon the near consummation of your long cherished place for a Female College. I believe the enteprize[sic] to be one greatly needed to supply one of the most pressing demands of the times and that it will meet with the cordial sympathy of good and wise men and what is [seen] valuable, the approbation of God You have chosen to do this work yourself, rather than to leave it in the charge of executives and,...
Show more[Guilad a] Mar 1 1861 Mr. M. Vassar My dear freind[sic] I just write to congratulate you upon the near consummation of your long cherished place for a Female College. I believe the enteprize[sic] to be one greatly needed to supply one of the most pressing demands of the times and that it will meet with the cordial sympathy of good and wise men and what is [seen] valuable, the approbation of God You have chosen to do this work yourself, rather than to leave it in the charge of executives and, I am persuaded it will be vastly better done Yourexample too, will not be without its influence upon others who wish to do good but who accordig[according] to common custom propose to do it when are dead. Like David you have chosen … your own life to serve your generation by the will of God. The generation to come after you will be the better served thereby. I trust that God will spare you to witness the practical & successful operation of the plans you have so generously devised I suppose you have received many suggestions as to the kind of training to be given in the Institution, but I cannot refrain from submitting this to your Consideration, that a depart--ment[department] of instruction in household duties should be established. It is lamentable to think that while custom prescribes a cause of instruction adapted to fit young ladies to perform their [act] gracefully in society, it demands almost nothing to qualify them to preside over the domestic arrangements of the family. I believe that grater[sic] discontent in occasioned in households by the wane of practical knowledge in this aspect than in any other Let us have if need be a little less knwledges[sic] of Latin & Music and a little more of the mode of taking care of a household I bid you God speed my friend in this laudable under-[taking]taking[undertaking] It is a high [brow] to have your name associated in future times with such an enterprise With my kindest regards to Mrs Vassar I remain with great esteem Yrs[yours] etc Wm[William] F. Hansell
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Page 108
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Included in Babbott, Elizabeth (French). Scrapbook, 1910-1912
Manuscripts - "'Happy' French Her Memory Book" [Elizabeth B. French, VC 1914]
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Date
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From scrapbook dated August 12, 1910 - June 22, 1912
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Page 14
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Included in Babbott, Elizabeth (French). Scrapbook, 1912-1913
"Objects - Dried flowers -- Concert programs - VC Choir, 'The Christmas Music,' December 15 1912 -- Letters - to family -- Letters - to father"
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Date
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From scrapbook dated August 23, 1912 - July 10, 1913
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Title
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Vassar College Main Building ca. 1865
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Creator
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Slee Bros. (Poughkeepsie, N.Y.)
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Description
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Picture of drawing of Main building of Vassar College with paths, lawn, shrubs and people.
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Date
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1865?
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Title
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Page 21
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Description
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Included in Janish, Jeanne (Russell) and Lucile (Cross) Russell. Scrapbook, 1887-1938
"Objects - Thread captioned 'Party...for Joss. Freshmen, October 31 [1920] -- Printed materials - 'Vassar College, Schedule of Classes, First Semester,' 1920-1921 -- Forms - 'Choir Notification' [from Professor Harold E. Geer] -- Printed materials - 'Regulations of the Vassar College Choir,' September 26 1920"
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Date
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From scrapbook dated June 3, 1887 - March 1, 1938
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Title
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Mansfield, Adelaide (Claflin). Scrapbook, 1893-1897
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Creator
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Mansfield, Adelaide (Claflin)
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Descriptor(s)
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Ditkoff, Andrea
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Description
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VC 1897
This scrapbook covers Adelaide (Claflin) Mansfield’s years at Vassar, from 1893 through 1897. She provided materials about Vassar traditions such as Thanksgiving, Founder’s Day, the Sophomore Party, the Senior Parlor, Halloween, Trig Ceremonies, Tree Ceremonies, Commencement, Field Day, the Mohonk trip, Junior-Senior Excursions, Class Day, and songs for a variety of occasions. She also described protests over the College’s decision to stop giving Washington’s Birthday as a holiday. Cla...
Show moreVC 1897
This scrapbook covers Adelaide (Claflin) Mansfield’s years at Vassar, from 1893 through 1897. She provided materials about Vassar traditions such as Thanksgiving, Founder’s Day, the Sophomore Party, the Senior Parlor, Halloween, Trig Ceremonies, Tree Ceremonies, Commencement, Field Day, the Mohonk trip, Junior-Senior Excursions, Class Day, and songs for a variety of occasions. She also described protests over the College’s decision to stop giving Washington’s Birthday as a holiday. Claflin pasted photographs of campus into the volume as well. During her time at Vassar, Claflin participated in the Young Women’s Christian Association (saving documents from prayer meetings, receptions, and attending the Convention of the Young Women's Christian Association of the State of New York in 1895) and the VC Teachers’ Club, debated for T. and M., and enjoyed student athletics like basketball and the annual tennis tournament. She also included programs from plays and concerts on and off campus, including by the Philalethean Society, Exoteric Society, and Glee Club. Claflin preserved memories of her social life at Vassar, such as visiting cards, invitations, place cards, poems, valentines and correspondence from friends, and friends’ wedding announcements (the end of the scrapbook lists some engagements, marriages, births, and deaths for her class). She also saved receipts for board and tuition, laundry, and her subscription to the Miscellany. In terms of her academics at Vassar, Claflin kept examinations, notes, and her class schedules. She included some correspondence with librarians, professors (such as Susan B. Franklin, Lucy Maynard Salmon, and Abby Leach), and Lady Principal Kendrick. She transcribed a lecture on rhetoric by Professor Manuel J. Drennan as well. Claflin also depicted Vassar’s political climate during the presidential election of 1896.
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c. September 1893 - November 27, 1901
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Page 18
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Description
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Included in Babbott, Elizabeth (French). Scrapbook, 1910-1912
Invitations - "Juniors bring the Freshmen down" -- Objects - Dried leaves -- Booklets - "Catalogue of the Deep Sea Land Queerium"
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Date
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From scrapbook dated August 12, 1910 - June 22, 1912
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Title
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Page 28
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Description
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Included in Babbott, Elizabeth (French). Scrapbook, 1910-1912
Letters - from mother, October 20 -- Songs - "Xmas Song" -- Objects - Paper with markings
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Date
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From scrapbook dated August 12, 1910 - June 22, 1912
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Title
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Notes - from mother
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Description
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Included in Babbott, Elizabeth (French). Scrapbook, 1911-1912
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Date
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From scrapbook dated c. September 1911 - August 12, 1912
Pages