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Date: 1783
Text: 1* { I ‘i V ->_,.¢,.:°:;*; ff“? Iv‘ 4'! ‘ ;.,—1;u.I,x _a,........= ,_;... '§ 2 1‘ 1 3 . 2 ‘ rf‘ V’ I" & ' / . fi»/fL¢ut~”f3?”{ J‘ B; W REV. F. HOTMND. SJEPE MANUS DEMENS, STUDIIS IRATA SIBIQUE, MISIT IN ARSUROS CARMINA ‘NOSTRA FOCOS; ATQUE ITA DE MULTIS QUONIAM NON MULTA SUPERSUNT3‘ CUM VENIA, memo, Q_U1sQ4x1s ES, ESTA LEGAS. » OI/ID». E D I N B U R G H: Pﬁntcd for C. ELL 1 OT, PARLxAMENT-SQ:5Azm.' M.DCC.LXXXIII. [Pxmcm QNE SHILLING.] O D E I. From the FRENCH...
Show more1* { I ‘i V ->_,.¢,.:°:;*; ff“? Iv‘ 4'! ‘ ;.,—1;u.I,x _a,........= ,_;... '§ 2 1‘ 1 3 . 2 ‘ rf‘ V’ I" & ' / . fi»/fL¢ut~”f3?”{ J‘ B; W REV. F. HOTMND. SJEPE MANUS DEMENS, STUDIIS IRATA SIBIQUE, MISIT IN ARSUROS CARMINA ‘NOSTRA FOCOS; ATQUE ITA DE MULTIS QUONIAM NON MULTA SUPERSUNT3‘ CUM VENIA, memo, Q_U1sQ4x1s ES, ESTA LEGAS. » OI/ID». E D I N B U R G H: Pﬁntcd for C. ELL 1 OT, PARLxAMENT-SQ:5Azm.' M.DCC.LXXXIII. [Pxmcm QNE SHILLING.] O D E I. From the FRENCH of MONSIEUR FENELON.‘ I. OUNTAINS '*‘, whofe ﬁupendous brows, e Scale high Heav’n with arduous pride; And, cover’d with eternal fnows, Prop the domes where Gods abide: V Here, beneath your oaken gloom, Far above each rolling cloud, Ev’ry ﬂovv’r of vernal bloom I colleél; and hear aloud Dreadful thunders ﬁrike the ground Below my feet, and all around- A thoufand cataraélzs refound. A f Mountains of Auvergne. (2) II. Like to Thracian hills, of old Pi1’d on other mountains high, "Whence the giant, vainly bold, Threaten’d to aﬂail the ﬂiy ; From your many heads fublime, Forming each an ample plain, Other mighty mountains climb 5 VVhofe ambitious tops fuﬁain All the fury of the Ikies, When impetuous winds arife. III. Soon as rofy mom is feen, Gilding with her cheerful ray All thofe Ihaggy mountains green, Tender lambkins rife, and ﬁray, Bleating o’er the pafture-land: Shades, the rivulets along, Waving high with zephyrsibland, Court the fwains and ﬂeecy throng To foft ﬂumbers on the ground, While the Water murmurs round. iii *3 ) IV. But, ah! thofe favage hills and farms, ‘Nhere capricious Nature reigns, Lavifh of romantic charms, How unlike the beauteous plains Where my gentle river flows ; River, vvhofe ﬁnooth furface bright No rude tempeﬁ ever knows ; But mild fun—beams ftill invite, Autumn gone, the vernal air, Winter never howling there. V. Sweet Solitude! whofe peaceful bounds, Sacred to mufings, hear alone The broad cafcade with awful founds Tumbling, foaming, hurrying on: Circled by the azure Pcreams Two umbrageous Iﬂes arife, Fraught with all that Fancy’s dreams Can pourtray to charm the eyes: 0 that my feeble lyre could praife Your beauties in immortal lays! A 2 (4) . VI. Zephyr with his balmy breath Viﬁting our groves again; Yellow harvefts Wave beneath, As he ﬂutters o’er the plain: Hence Ceres, Goddefs of the year, Burﬁs our barns with genial food: Bacchus too, the vintage near, Swells his clu{l:’ring grapes with blood; " Or down the hills with jolly pride, Laughing, pours the purple tide. VII. ‘Where the ﬁelds are feen no more, \Vith their golden produce bright, Mountains rife ; and, azur’d o’er By diftance, feem. to ﬂy the ﬁght: Their fantaﬁic forms and rude Nature’s fportive genius own. By the margin of the ﬂood, As in a faithful mirror fhovvn, The refplendent ﬂ{i€S appear, Painted in the cryﬁal clear. (5) VIII. lVIix°d with vernal beauties, fhine Lavifh Autumn’s grateful boons ; And from the branches of the vine Hang a thoufand gay fefloons. o Enamour’d of the ﬂow’ry meads, That in thofe iﬂes his ftreams adorn, Now the capricious river leads A ﬂeeping train; then, fvviftly borne Along, and with a brawling found The verdant carpets bathes around. IX. Singing to the bagpipe fweet, And loud hautboy, fwains are feen; VVhi1e to meafur’d founds their feet Beat the ﬂow’r-impurpled. green: ’ Birds, with vvarblings void of art, Filling the delightful groves, Baniih care from ev’ry heart: Ye ring—doves, and ye turtle-‘doves, ' True, tender, plaintive! ye alone Within my Woods are heard to moan. < 6 > V X. On a bank of fragrance mild When my carelefs limbs I lay, Soft abﬁraﬁions, vague and wild, Steal me from myfelf away 2 Rapt in tranfports fo divine, Eager I quaff the ne<E‘car’d blifs, While the gazing Gods repine: Ye court—infef’ting ﬂatteries! Ye, like my dreams, fond hopes betray; As falfe, but far lefs fweet than they. XI. Shelter’d from the gloomy ﬁorms, That burll in thunder on the great, Beneath the {hade my foliage forms I ever ﬁnd a fure retreat: There, without the learned line, In fearch of truth I mufe alone; Not with pedantic pride to fhine, But make herfacred rules my own: Then Hiﬁory and;_.Fable, join’d With ancient Wit, imprefs my mind. ( 7 ) XII. Here I the Grecian fage behold, Of an injurious doom the fport; Amid his ihipvvreck calmly bold, And cautious in the peaceful port: Triumphant o’er the ﬁorms, that fhake Inferior fouls, his virtues rife; And, for his cruel country’s fake, The pleafures of the great defpife; Pleafures how mean, compar’d with thofc My cool refrefhing {hade beﬁovvs. XIII. SequePcer’d thus from dread alarms, Ingenious leifure I enjoy; No horrid founds of clalhing arms My ﬁlence and my blifs annoy: My heart, enamour’d of my lyre, No other vain ambition moves, Than to record with rapt’rous ﬁre The bleﬂing it fo dearly loves : Hence Fortune, Favour, treach’rous all? The world to me is but a ball. <8) XIV. Beneath Whatever diﬁant ﬂay, In fearch of fav’rite views, I Ptray, No beauties {trike my gazing eye Like thofe my happy fcenes difplay: Ah E when the fable hand of Death My folitary life {hall clofe, There may I draw my lateﬂ: breath, And there my ﬁlent duft repofe; There Thyrﬁs fprinkle o’er my bier The tribute of a friendly tear !. O D E H. To A DOVE*. a ELANCHOLY pris’ner! late / Tenant of the mountains lone; How I deplore thy haplefs fate, And in thy forrovvs mourn my own‘! Sweet Dove? thy pity-moving tale Sounds more grateful to mine car Than ferenade of nightingale, "The dark Wood”s wakeful chorifter. What ruthlefs hand, poor mourner, fay! "Thy carelefs innocence betray’d; And from thy native, mofs-grown fpray, And cloud-enve1op"d haunts convey’d? B * VVritten in the “Weft Indies, where there is a fpecies of doves that coo in the night. (t ‘O ) Never, 0 never, to return To yon blue romantic grove, To cheer thy widow’d mate forlorn, That calls thee With unvvearied love. Witli her no more the callovv brood To tend, and anxious pleafures ihare; Whofe ceafelefs cry, well underﬁood, Implores each tender paren.t’s care. With her no more the tepid void To trace, on equal pinions borne O’er ftreams, and woods, and valleys Wide, Till Ev’ning Warns you to» return. "With her no more in green retreat To ﬁt, the pale moon riding high, And‘ liften to thy cooing mate, And to thy 1iPt’ning mate reply. Oft has the benighted fwain, (Unobferv’d the ﬂiades among), When wand’ring homevvard from the plaing Paus’d to learn the folemn fongg c : >e And, ﬁx’d in contemplation deep, ‘With folded. arms and ﬁedfaﬁ eyes Has ﬂood; nor felt the moift tears creep; Nor mark’d th’ involuntary ﬁghs, Iﬂhing refponﬁve from his breaﬁ; Wet with the dank, unwholefome devvs; Unmindful of his needed reﬁ, His pmttling babes, and penﬁv-e fpoufea Ill. AN AUTUMNAL ODE. UTUMN, in rofe of ru£l"et dye, Be thou my penﬁve theme! No ﬂeeting cloud dilturbs the ﬂay, No gale the polifh’d ﬁrezun. And, lo, the villas and the farms, How beauteous in decay! Scarce more a fummer-landfcape Cl1a1'1I1.s9 With living verdure gay. Now to the glimm’ring fun the vines Their purple clufters hold; And now the pendant apple lhines With coral and With gold. And rooks diﬁend their clam’rous throats, As thro’ the fky they rove; And the lone redbreaﬁ tunes his notes, Sole warbler of the grove. (13) Say, gentleft of the feather’di kind, " ‘Whoin no rude hand annoys ; Does thy fweet muﬁc ﬁll the wind. \/Vith forrovvs or with joys E Doft thou admire a tarni{h’d thorn, That marks the drooping year? Or chide the dew-befprinkled Morn, And Winter, frowning near? Prophetic, mourn the dreary hours, ‘When to our gazing eyes, As by enchantment, fpires and toW’rs, And wider heav’ns, {hall rife? Ah! when impetuous {torms defcend, And bow the leaﬂefs tree, Beneath my roof there dwells a friend To innocence and thee. There, 'undi{’turb’d, my little gueft Shall peck his ﬁmple food; And, when foft paﬂions warm his breaft, Fly to the tuneful wood. ( I4 3 But, oh! that objecft pains my ﬁght, And tears my very heart! A fvvallovv, tWitt’ring for its ﬂight, Impatient to depart. When laughing Summer cheers the ground With zephyrs in her train, Which of the plumy race is found. More confcant to the plain? But foon. there comes a nipping air, And all the tribe are gone-- juft emblem of the wrongs I bear, Condemrfd. to figh alone. I. ND art thou come, ere Zephyr mild Has wak’d the blackbird’s vernal Pcrain? "‘ Alas! thou com’ﬁ:, my beauteous child, “ Where Poverty her iron reign “ Extends, more bleak and cruel far “ Than winter, or the northern ﬁar: “ Yet ceafe thofe cries, that all my pity move; “ Tho’ cold the hearth, my bofom burns with love. II. “ Soon will the icy brooks renew “ Their liquid fport, and, murm’ring, ﬂow ; “ Pale primrofes and violets blue “ Beneath yon fpangled havvthorns blow; “ And foon, perchance, the mighty Qfleen, “ Who governs this terreﬁrial fcene, "‘ Will bend, propitious, to my plaintive lyre, “ And blefs with patronage thy haplefé. ﬁre.” III. While thus an he-ﬁtating tear Glitter’d with hope and lively thought, The Goddefs with the wheel drew near, And, laughing, gave the boon I fought: O fatal boon. indeed! Farewell The rural comforts, not the cell, The fweets of Liberty, that never cloy ; Bright Hope, domeftic Peace, and friendly Joyl IV. Once more, dread Deity! behold My incenfe on thy altar laid; Not for promotion, fame, or gold, I now invoke thy poW’rful aid: Ah! give me back the honeit frown, The eye, the accent, all my own; My clear, my long-loft liberty reftore; Ahi give me back myfelf; I aﬂa: no 1I1OI‘€a . -. :1 (.5 ‘ "=19 ‘ -“av ‘..‘. .. 1' V" ‘-‘#4:!
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Date: 1843
Text: .1 v’-.~‘“'"" T ‘I ‘fl -J,QAv_\3 fjww)/y I7‘, . « V: v '61-" .,./,/mm, 17,‘ 5Wﬂu.7,,LJ)V:/fl «”/7/‘.171/arr? /(7 ,/,,f _,'.v ‘.r,»m Cami v”/V“ LITH. BF 0. 3: W. ENEHCOTT (IL .1. Got where we vvere 1001?-11. _ , , . . Go 0 all the D out 01", or ATLti- Cu.]0mT(:*T _ 25 uett, 3. EXCG]_Si()1". . Cape AILIL. ., - 2-5 ” 5. ”M9l:hLn:’s Bjllle . S01d1'e1:‘sFu11e1~a] . ' v 50 Q7. V0 3119;: Song” at 89 a . , . 'VuJ_tu]:'e of the A]']’LS....
Show more.1 v’-.~‘“'"" T ‘I ‘fl -J,QAv_\3 fjww)/y I7‘, . « V: v '61-" .,./,/mm, 17,‘ 5Wﬂu.7,,LJ)V:/fl «”/7/‘.171/arr? /(7 ,/,,f _,'.v ‘.r,»m Cami v”/V“ LITH. BF 0. 3: W. ENEHCOTT (IL .1. Got where we vvere 1001?-11. _ , , . . Go 0 all the D out 01", or ATLti- Cu.]0mT(:*T _ 25 uett, 3. EXCG]_Si()1". . Cape AILIL. ., - 2-5 ” 5. ”M9l:hLn:’s Bjllle . S01d1'e1:‘sFu11e1~a] . ' v 50 Q7. V0 3119;: Song” at 89 a . , . 'VuJ_tu]:'e of the A]']’LS. 9. Axes to (‘i1?in a,. O 10.VVc1*e a, cuttixlg. 1],. We are }La,]qLy and ﬂee. ' x‘ 13 Om,‘ Ft1,1:'lt1.e,I*“s He arﬂx. NEW YORK PUBLISHED aw rmrn aunu. Il‘?l,FR/ANKLIN 30,. & FlRTH.l-{ALLEN-‘ONO 239 BROADWAY. MUSIC LIBRARY «Mn --~ Lea: ~ WORDS BY ﬂ£HBY*WgmDHu”ElLOW. .1///M)‘ /,}'//1/I/IJ.'(’// A" ._97//’/{/ ///4' \\W\ G‘r\\Wi‘: G“ E Mk\\.‘4 . 77/z'._v /’m://z /2'/I/'2'.s‘¢’/1/.8‘ ////’ (w///mz/.m/ z/.3‘/II‘/"/I/1'///'/.,9 1'/N/.14,“/Zl-ltd". //._,v .//r»//N“/1:11'U/.?I'0/%ﬂ5'li// /ll;//11'/yllvrz MW?’ 1/: ,///7 ///7/.'/I/'11’/7 /H/1‘////4". 7)/.s*/73/1/1/2‘/1'//g7 ////: /*/'2/4/m’//_r aw//2')/‘/‘S’ 1'7” //'/}3, //I/’ /7//arc’///1////.r /7 low’, I//I/I’ //Iv I/’/‘I/"/II‘/’/4/’/.5‘ 1’:/"431/W/~/'1"/7('./', 2/ /.»/-w.s;w<s- /I'wm/v/ /2/7 //3* 45',/rl/'/1'//K1’ /?/l///. /:'v_/'// in zﬂw/// [Z ///'/(’/r.(' //I.s'/ //.5’ z/Him, mzzl «[7 Ir’/J‘1‘/"1"//"['//I, //71' /1/A/" /I/‘mi////'/I/.9 //I1’ /Ir/g(//"cw /:/"//n'.5‘4»//,/ /'/I/ (7, //[/7/'11’/“ J/7/2/"/’z'._, V ' Mw ‘( cmvx. /}//2,//y/Izﬂ ﬁr» /'/'/‘//7 A-’/////[ /7."/";'//7/1'///1 J}/.,l »Fl RTH HA LL& POND 2.?‘/,/J’/W11/Imp‘, Y‘A.NO TE shadés of night were fall_ing fast, vil_lage pass'§1,A ALTO. ' V __/ shades of vil_ ..lage pass’d, A ENORE. shades of fall- ing fast, Vil--lage pass’d, A BASS. shades of ' fast, Vi]- _lage pass”d, A Enter’d according: to Act of Con gress A .D .l843,by Firth &Hall in the Cler]:s”Ofﬁce of the Diétrict Court of the South’-1 Dist of New York - ’ .349 who bm-e7m,irl snow amhitte banner with the strange de-vi‘ce, Ex- celsior. K3 1 I x who bore hnid sud ice, the strange (10. V (‘ea ct-lsior.: y ‘ s l ‘ who bore ’n1i<[ snow the strange dc- Vice, z-vlsior. 7 who bore ’n1i<l the strange de - vice. Ex _ (-elsior. Q 13*- be - neath Flash?! like a falt-hinn be- neath Flash’d like a falohion he - F‘lash’d like a f‘a.l(‘|1ihn he _ Heath VI-‘lash’d like ,a falchion Excelsior. sheath, A/11:1 like sheath, And like like sheath, And sheath, And like _ (:1-.lsi0r. _ celsior. _ (-elsior. - celsior. Excelsior‘. ' clarion rung,Th‘e sil_ver clarion rung, The .sil_ver .0 arion rung, The clarion rung, The happy llmnes hé homes he’ saw the saw the homes he homes he saw the ace ents » accents accents accents saw the light household ‘ fires, gleam -0- household household household‘ of that IHlkn0\\Tl t<mgue,Ex— f-\ b)‘ tongue, Ex /3 un - kn tongue,‘ Ex- un - known tongue Ex- /3. 2 1 Wu rm and \ I . \ fires, glozml warm and fires, gleam warm and gleam warm and bright; A _ hove the» spectral glaLii(%rs sl1one,And from his lips _/ . . bright; A- _bove the spectral shone, And from his ~ . “ groan, Ex- bright; A- - bove the spectral g1a-liers shone,_ And from his l /-W bright; A- _bbve the spectral glen- ziers shone, And from his _ celsi0rl.7 Try not to T « M old man said, Dark lowersthe tem- pest U ._(*él\~'io1'~ 'I‘ry not to ‘ - old man Dark lowers the ten1_ pest -ce'l~sior‘.' Try not to » old man Dark lowers the tem— pest — cé]'sior’.’ Try not to Dayk lowers the Excelsior. Excelsior. head,The roaring torrent is head, The roaring torrent is head, The roaring torrent is head, The roaring torrent is 5 Oh stay, the maiden said, and rest Thy weary head upon this breast; A tear stood in his briz:;ht. blue eye, ‘ But still he answer-’d with a si;°l1"Exeelsior'f 6 . Beware the pine trees wither’d branch, Beware the awful avalanche.’ This was the peasantslast good night; A voice replied far up the l1ei:.>;ht,r'Ex.(-olsiorl’ deep and wide,lAnd loud that deep and wide, And loud that deep and wide: And loud that deep and wide, And loud that . . . “ l . 3' clarion voice re_pl1ed,Ex-cels1or. _ /3 ' ' “ . 77 voice re plied, Ex celslor. /A clarion _ _ f; ’ 19 voice re- plied, Ex .. celsmr. /3 clarion .4 ,, J is 3‘ clarion voice re- plied, Ex _ celsima /3 7 At break of day as heavenward, The pious monks of St.Bernard Uttei-‘d the oft repeated prayer, A voice (,'.l'i(‘.d thro’ the startled air-‘,LExcel<ioi.:’ at 8 A traveller by the faithful hound, Half buried in the snow was found, Still grasping in his hand of ice That banner with the strange devi<~eEx(~elsior: There in the twilight,cold and gray, Lifeless, but beautiful he lay.’ And from the sky serene and Far. A voice fell like a falling star“Excels«ior.” 349 *,Sun;,r as the 15tVers'~e.
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Date: 1843
Text: .1 v’-.~‘“'"" T ‘I ‘fl -J,QAv_\3 fjww)/y I7‘, . « V: v '61-" .,./,/mm, 17,‘ 5Wﬂu.7,,LJ)V:/fl «”/7/‘.171/arr? /(7 ,/,,f _,'.v ‘.r,»m Cami v”/V“ LITH. BF 0. 3: W. ENEHCOTT (IL .1. Got where we vvere 1001?-11. _ , , . . Go 0 all the D out 01", or ATLti- Cu.]0mT(:*T _ 25 uett, 3. EXCG]_Si()1". . Cape AILIL. ., - 2-5 ” 5. ”M9l:hLn:’s Bjllle . S01d1'e1:‘sFu11e1~a] . ' v 50 Q7. V0 3119;: Song” at 89 a . , . 'VuJ_tu]:'e of the A]']’LS....
Show more.1 v’-.~‘“'"" T ‘I ‘fl -J,QAv_\3 fjww)/y I7‘, . « V: v '61-" .,./,/mm, 17,‘ 5Wﬂu.7,,LJ)V:/fl «”/7/‘.171/arr? /(7 ,/,,f _,'.v ‘.r,»m Cami v”/V“ LITH. BF 0. 3: W. ENEHCOTT (IL .1. Got where we vvere 1001?-11. _ , , . . Go 0 all the D out 01", or ATLti- Cu.]0mT(:*T _ 25 uett, 3. EXCG]_Si()1". . Cape AILIL. ., - 2-5 ” 5. ”M9l:hLn:’s Bjllle . S01d1'e1:‘sFu11e1~a] . ' v 50 Q7. V0 3119;: Song” at 89 a . , . 'VuJ_tu]:'e of the A]']’LS. 9. Axes to (‘i1?in a,. O 10.VVc1*e a, cuttixlg. 1],. We are }La,]qLy and ﬂee. ' x‘ 13 Om,‘ Ft1,1:'lt1.e,I*“s He arﬂx. NEW YORK PUBLISHED aw rmrn aunu. Il‘?l,FR/ANKLIN 30,. & FlRTH.l-{ALLEN-‘ONO 239 BROADWAY. MUSIC LIBRARY «Mn --~ Lea: ~ WORDS BY ﬂ£HBY*WgmDHu”ElLOW. .1///M)‘ /,}'//1/I/IJ.'(’// A" ._97//’/{/ ///4' \\W\ G‘r\\Wi‘: G“ E Mk\\.‘4 . 77/z'._v /’m://z /2'/I/'2'.s‘¢’/1/.8‘ ////’ (w///mz/.m/ z/.3‘/II‘/"/I/1'///'/.,9 1'/N/.14,“/Zl-ltd". //._,v .//r»//N“/1:11'U/.?I'0/%ﬂ5'li// /ll;//11'/yllvrz MW?’ 1/: ,///7 ///7/.'/I/'11’/7 /H/1‘////4". 7)/.s*/73/1/1/2‘/1'//g7 ////: /*/'2/4/m’//_r aw//2')/‘/‘S’ 1'7” //'/}3, //I/’ /7//arc’///1////.r /7 low’, I//I/I’ //Iv I/’/‘I/"/II‘/’/4/’/.5‘ 1’:/"431/W/~/'1"/7('./', 2/ /.»/-w.s;w<s- /I'wm/v/ /2/7 //3* 45',/rl/'/1'//K1’ /?/l///. /:'v_/'// in zﬂw/// [Z ///'/(’/r.(' //I.s'/ //.5’ z/Him, mzzl «[7 Ir’/J‘1‘/"1"//"['//I, //71' /1/A/" /I/‘mi////'/I/.9 //I1’ /Ir/g(//"cw /:/"//n'.5‘4»//,/ /'/I/ (7, //[/7/'11’/“ J/7/2/"/’z'._, V ' Mw ‘( cmvx. /}//2,//y/Izﬂ ﬁr» /'/'/‘//7 A-’/////[ /7."/";'//7/1'///1 J}/.,l »Fl RTH HA LL& POND 2.?‘/,/J’/W11/Imp‘, Y‘A.NO TE shadés of night were fall_ing fast, vil_lage pass'§1,A ALTO. ' V __/ shades of vil_ ..lage pass’d, A ENORE. shades of fall- ing fast, Vil--lage pass’d, A BASS. shades of ' fast, Vi]- _lage pass”d, A Enter’d according: to Act of Con gress A .D .l843,by Firth &Hall in the Cler]:s”Ofﬁce of the Diétrict Court of the South’-1 Dist of New York - ’ .349 who bm-e7m,irl snow amhitte banner with the strange de-vi‘ce, Ex- celsior. K3 1 I x who bore hnid sud ice, the strange (10. V (‘ea ct-lsior.: y ‘ s l ‘ who bore ’n1i<[ snow the strange dc- Vice, z-vlsior. 7 who bore ’n1i<l the strange de - vice. Ex _ (-elsior. Q 13*- be - neath Flash?! like a falt-hinn be- neath Flash’d like a falohion he - F‘lash’d like a f‘a.l(‘|1ihn he _ Heath VI-‘lash’d like ,a falchion Excelsior. sheath, A/11:1 like sheath, And like like sheath, And sheath, And like _ (:1-.lsi0r. _ celsior. _ (-elsior. - celsior. Excelsior‘. ' clarion rung,Th‘e sil_ver clarion rung, The .sil_ver .0 arion rung, The clarion rung, The happy llmnes hé homes he’ saw the saw the homes he homes he saw the ace ents » accents accents accents saw the light household ‘ fires, gleam -0- household household household‘ of that IHlkn0\\Tl t<mgue,Ex— f-\ b)‘ tongue, Ex /3 un - kn tongue,‘ Ex- un - known tongue Ex- /3. 2 1 Wu rm and \ I . \ fires, glozml warm and fires, gleam warm and gleam warm and bright; A _ hove the» spectral glaLii(%rs sl1one,And from his lips _/ . . bright; A- _bove the spectral shone, And from his ~ . “ groan, Ex- bright; A- - bove the spectral g1a-liers shone,_ And from his l /-W bright; A- _bbve the spectral glen- ziers shone, And from his _ celsi0rl.7 Try not to T « M old man said, Dark lowersthe tem- pest U ._(*él\~'io1'~ 'I‘ry not to ‘ - old man Dark lowers the ten1_ pest -ce'l~sior‘.' Try not to » old man Dark lowers the tem— pest — cé]'sior’.’ Try not to Dayk lowers the Excelsior. Excelsior. head,The roaring torrent is head, The roaring torrent is head, The roaring torrent is head, The roaring torrent is 5 Oh stay, the maiden said, and rest Thy weary head upon this breast; A tear stood in his briz:;ht. blue eye, ‘ But still he answer-’d with a si;°l1"Exeelsior'f 6 . Beware the pine trees wither’d branch, Beware the awful avalanche.’ This was the peasantslast good night; A voice replied far up the l1ei:.>;ht,r'Ex.(-olsiorl’ deep and wide,lAnd loud that deep and wide, And loud that deep and wide: And loud that deep and wide, And loud that . . . “ l . 3' clarion voice re_pl1ed,Ex-cels1or. _ /3 ' ' “ . 77 voice re plied, Ex celslor. /A clarion _ _ f; ’ 19 voice re- plied, Ex .. celsmr. /3 clarion .4 ,, J is 3‘ clarion voice re- plied, Ex _ celsima /3 7 At break of day as heavenward, The pious monks of St.Bernard Uttei-‘d the oft repeated prayer, A voice (,'.l'i(‘.d thro’ the startled air-‘,LExcel<ioi.:’ at 8 A traveller by the faithful hound, Half buried in the snow was found, Still grasping in his hand of ice That banner with the strange devi<~eEx(~elsior: There in the twilight,cold and gray, Lifeless, but beautiful he lay.’ And from the sky serene and Far. A voice fell like a falling star“Excels«ior.” 349 *,Sun;,r as the 15tVers'~e.
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Date: 1847
Text: %$SONG% POETRY BY %e1L1zg Qaﬁninntzﬂi %’ungﬁn[[nm, ’ MUSIC BY ”sz§z“::,:,:.za1zn 33,. 33EM.1£’S‘3f33B,. Published by 0. DITSON 85 Co., 277 Washington St. Boston: J.C.ﬂAYNES&Oo. l’hiIad'a;C.W.A.TRUMPLER. Cincinnati: J. CHURGH,Jr. N.York: G. H. DITSON J: 00. Chicago : LYON & HEALY . MUSIC Llalunv VASSAR COLLEGE THE DAY. Poetry by H. W. LONGFELLOW. _ Music by WILLIAM R. DEMPSTER. Andante. ’dark, and drea.-ry; It rains, and the wind T is - - er V/wea-ry; The still clings to the’...
Show more%$SONG% POETRY BY %e1L1zg Qaﬁninntzﬂi %’ungﬁn[[nm, ’ MUSIC BY ”sz§z“::,:,:.za1zn 33,. 33EM.1£’S‘3f33B,. Published by 0. DITSON 85 Co., 277 Washington St. Boston: J.C.ﬂAYNES&Oo. l’hiIad'a;C.W.A.TRUMPLER. Cincinnati: J. CHURGH,Jr. N.York: G. H. DITSON J: 00. Chicago : LYON & HEALY . MUSIC Llalunv VASSAR COLLEGE THE DAY. Poetry by H. W. LONGFELLOW. _ Music by WILLIAM R. DEMPSTER. Andante. ’dark, and drea.-ry; It rains, and the wind T is - - er V/wea-ry; The still clings to the’ mouldering Wall, Entered according to act of can/(nu m the year 1847. by OLIVER D1TSON,in the Clcrk’0 oiicc of the District Court of Man. s dark ery and gust drea the And the day dead is‘ leaves dark Car. espress. And the f.\ fall, day \ and dream - ry . . . . . . . . . . And the day is clrea-ry; It rains, and the wind wea-ry; My thoughts still cling to the mould - ‘ring past, But the youth fall thick in the blast, And the days ' and drea - ry, . . . . . . . . .. are dark and drea - ry, . . . . . . . . .. And the j days are dark and drea - _- - - sad heart! and cease pin-ing; Be -‘ bind the clouds is the still shin-ing; Thy fate is the com - \ mon Some days * must be dark must be dark must be dark and drea. - - - - " '\___J , ,,,.. ivlihrﬁﬁhﬂﬁ Mﬂﬁiﬂﬂ A RNBLIQATIBNS. of Beethoven. BY SHINDLER. Edited by lVl0SCIiELES. In One Tolume. . . Price $2.00. Neatly bourvl in Cloth uniformly with Ditson 8: Co’s popu- lar works of Musical Literature, [“Beethoven’s Let- ters,” “l\iendolsso'nn‘s Letters,” “Life of Mendelssohn,” “Life of Gottschalk,” “History of Music,” See.) Sent post-paid on receipt of price. OLIVER DITSON & CO., Boston. 0. H. DITSON & CO., New York. oneness saw METHOD FOR REED ORGANS Is the most popular of all books used in learning to play on‘ these favorite instruments. Mr. Clarke is :1. line musician and brilliant organistnand, in this work, displays good taste as well as talent in combining good music with Well graded and thorough instruction. Price, $2.50. Sent, post-paid,for theabove price. OLIVER DITSON & CO , Boston 0 H. DITSON & CO., New York. iitiosio hooks worth having! Life of BeethOVen....Sc/iindler and llfoscheles. $2.00 Beethoven’s Letters... .... ......... ..Na/it. 2.00 Life of Mendelssohn . . . . . . . . . . . . ..Lampadius. 1.75 Mendelssohrfs Letters.Lrzdy Wallace.2 vo!s.ea. 1.75 Polko’s Reminiscences (Of Mendelssohn) . . . . .. 1.75 Pclkms Musical Sketches (of the Great Masters) 1.75 Life of Handel . . . . . . . . . . . . . . . . . . . . . . Sc/melt/zrr. 2 O0 “ Rossini. . . . . . . . . . . . . .Edwn.7«Is. 1.75 “ Chopin...... . . . . . . . . . . . . . . . . . . . ..Liszt. 1.50 “ Gottsahfilk . . . . . . . . . . ... . . . . . . . . Ifmsel. 1.50 1‘vl[ozart’s Letters . . . . . . . . . . . . . . . ..Lcdy Wallace. 1.75 Mozart. A Romantic Biography . . . . . . . . . . . . . .1?au. 1.75 Music Explained to the W0rld.......Fetis. 1.25 Ritter’s History of Music..... 1.50 Ehlert’s Letters on Music... . 1 50 History of “Old Hundred” ...... ..I-Iauergal. 1.50 Mason’s Musical Letters... 1.50 Hastings’ Forty Choirs... 1.50 Moore’s Encyclopedia of Music. 6.00 Gardiner’s Music of Nature ............... .. 5.00 The recent encouraging progress in Musical Culture and Musical Taste, is clearly indicated by the great and increas- ing demand for the above works, which are all “well got up.” contain nothing: superﬂuous. omit nothing thatisimpor- taut, and are full of “rearlable,,” interesting matter. Sent, post—paid, for the above prices. OLIVER DITSON & 00., Boston. C. H DITSON & CO., New,York. BAKER’S HARMONY AND THQROUGH BASS. The Full and Complete Treatment of the Preliminary Steps, and the Thorough Analysis of the Principles, render a knowl- edge of Harmony available to all. It is THE BOOK for the Student, whether in Instrumental, Vocal, Orchestral or Band Music. BY B. F. BAKER. Price in Cloth, 342. Sent post—paid to any address on receipt of retail price. OLIVER DITSON 86 CO., Boston. 0. H. DITSON &. CO., New York. New and Popular Songs. MAKE ME A JACKET OF PA.’S OLD COAT. Song andllliorus . . . . . . . . . . . ...E. Clzristie. 40 . MEET ME, ADDIE, BY THE OAK TREE. Song and Chorus. . . . . . . . . . . . . . . . . . . . . . . . .E. C/iriszie. 40 TENDER AND 'I'RUE.. . . . . . . Lyle. 40 GOLDEN STREETS. Song and Chorus. W. Kittredge. 40 All have handsome Lithograph titles. ‘Sent by mail on receipt of the above price. OLIVER DITSON & CO., Boston. 0. H. DITSON & CO., New York. Winneﬂs New Schools FOR THE PIANO FORTE, CABINET ORGAN, MELO- DEON, GUITAR, CORNET, VIOLIN, FIFE, ACCORDEON, GERMAN ACCOR- DEON, CLARIONET, FLUTE,’ FLAGEOLET. Price of each book 75 cents. These little works are great favorites, because they are cheap , are full of easy and lively music, and have enough of instruc- tive matter for the wants of amateurs. Mr. Winner has also compiled a. collection of lively PARTY DANCES. For Violin and Piano, and of DANCE MUSIC. For Flute and Piano. Each 75 cents. Sent, post-paid, for the above price. . O. DITSON & 00., Boston. 0. H. DITSON do CO., New York THE SONG GARDEN. Annual Sole 40,000 Copies. A series of Music Books adapted to Schools of all grades. Each book complete in itself. \ By Dr. LOWELL MASON. The Song Garden. First Book. Ilor beginners, w‘ h a. variety of easy and pleasing songs . . . . . . . . . . . . . . . . .50 cts. The Song Garden. Second Book. In addition to a practical course oflnstruution, it contains a. choice collection ofSchooI Music . . . . . . .... . . . . . . . . . . . . . . . . . . .........8O cts. The Song Garden. T/zinl Book. Besides I). treatise on Vocal Culture with Illustrations, Exercises, Solfeggi, &c., it contains New Music adapted to High Schools, Seminaries, Ecc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $1.00 Sent post-paid on receipt of price. OLIVER DITSON & 00., Boston. CHAS. H. DITSON & CO., New York. Ricliaa"dson’s New Method P021 TE-IE PIANOPORTE. “Deserves our hearty recommendation,” N. Y. Musical Review “Unexceptionable in taste and style.” Dwight’s Journal. “Soundest, clearest, best book for the Piano.” Phil. Eve. Bulletin. ‘-Will su- persede every other of the kind.” Worcester spy. “Possesses merit not claimed by other works.” Cleveland Herald. “Common sense, plain talk, and revity.” Boston Journal. “Presents many new and important ideas.” N. Y. Tablet. No long dry lessons, nor wearisome exercises. but Sprightly Studies throughout, and Charming Melo- dies for practice at every step. It is all that can be desired. Price $3.75. Sent post-paid. OLIVER DITSON & CO., Boston. CHAS. H. DITSON& CO., New ‘York. Eatonfs New Method FOR THE CORNET. A. MOST USEFUL AND ATTRACTIVE INSTRUCTION BOOK! Contains, in Part I, plain, full, and complete directions to the learner! Contains, in Part II, a. ﬁne selection of popular melodies, which may be played with the original Piano accompaniments! Contains-i,iI\ Part III, Trios for Cornet, Baritone and Pinnotorre, Brilliant Themes, Variations, &c. Price in Bazmls, $1.50. Specimens sent. post-paid, on re- ccipt of retail price. OLIVER DITSON 85 CO., Boston. C. H. DITSON & CO., New York. h haunts Letters on Music. TRANSLATED BY Fanny Raymond Ritter. HESE entertaining letters are not ﬁlled with technicalities but are calculated to interest as well as instruct. They have met with 9. large circulation and extended success in Ger- many. _Price, in Cloth, $1.50. Sent postpaid on receipt of retail price. OLIVER DITSON 86 CO., Boston. C. H. DITSON db CO., New York. SYSTEM FOR BEGINNERS In the Art of Playing upon the PIANO-FORTE. BY WILLIAM MASON &' E. S. HOADLEY. A wonderfully well-arranged’ and interesting book. with abundance of Recreations, Illustrative Pictures, Duets for Teacher and Pupil, pleasing Accent Exercises, and many fine Melodies for practice. The directions are very plain and practical; and the line musicians and thorough teachers who compiled the work are worthy of all conﬁdence. Price, $3.00. Mailed, postpaid, on receipt of the above price. OLIVER DITSON & CO., Boston. 0. H. DITSON & CO., New York. Deems’ Solfeggi! For Elementary Singing Classes! These Solfeggi are well ‘arranged Exercises, ranging from very easy to moderately diﬂicult, in the Italian style, and all sweet and melodious. Will be useful In Private Instruction, In Seminaries, In High schools, and In Choir Practice, In Advanced Singing Schools. PRICE, 75 Cents. Sent post-paid for the above price. _ OLIVER DITSON & 00., Boston. 0. E. DITSON dt 00., New York. » 'I‘IiIEl ‘ Pestalozzian Music Teacher By DR. LOWELL MASON, THEODORE SEWARD & JOHN W. DICKINSON. A very clear-headed and practical book, serving as a. manual for teachiu g Music, Geography, Arithmetic and all other school studies on the Analytic or Inductive Metlaod, which is amply illustrated by examples. and made ready for the use of all instructors. Price $2.00. Mailed, post-paid, for the -above price. OLIVER DITSON & CO.,’ Boston. C. H, DITSON & CO., New York. A Method of Modern Violin Playing. B. LISTEMANN. A well Arranged and easily Progressive Method by a Distin- guished performer. Pupil of David, Joachim and Vieuxtemps, he is well qualiﬁed to guide learners from the lowest to the highest places in the art of playing. Most of the lessons are arranged with accompaniments for the teacher, thus giving them the character of pleasing duets. Price, $3.00. Sent post-paid on receipt of retail price. OLIVER DITSON & CO., Baton. CHAS. IE_I. DITSON &. CO., New York. p The Woman of Samaria. .4 SAVORED 0./5lJV'T.ﬂT./4. BY ' W. STERNDALE BENNETT. Persons who examine this Cantata, (which is almost an Or- atorio) will agree with a prominent musical writer, who pro- nounces it “charming, from first to last.” . Has eleven Choruses, and a variety of Solos, Quartets, &c., and is well worthy a place in the repertoire of Musical Socie- ties and Choirs. Price,—Paper, $l;O0; Boards, $1.25 ; Cloth, $1.50. OLIVER DITSON & CO., Boston. C. H. DITSON & CO., New York. History of Music BY Frederic Louis Ritter. A series of Five Lectures each embracing distinct epochs in the history of the Art, the whole forming a. book of intense interest to the musical student. Bound in Cloth uniformly with Ditson 8: 00's popular works of Musical Literature. Price $1.50. Sent postage paid on receipt of retail price. Oliver Ditson & 00., Boston, Chas. E. Diton & 00., New York. .v -vs-,... IN THE FORM OF LECTURES.’ "
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Date: 1851
Text: 39/MM/( W/V. ©< €f?,f&J’«M4/ R EAPER AND THE FLOWERs-___./I414/, HALF./F. 5 RESIGNATION ________________________________ ._JE.60ULD. SEA HATH ITS PEARLS. QT...__._0./7//v5UT/. STARS OFTHE SUMMER NIGHT .... ..F.B007r. STARS OF THE SUMMER NIGHT. ........ .5’. 70035. TRUST HER NOT DT.____.__.____.‘._._/W.W/19/41/‘E. VILLAGE BLAGKSMITH. ............... ..I/I/H. WE/SS. WREGK OF THE HESPERUS........J.z5’L00/(LEV. OPEN WINDOW..__,....,.._E..I____.__.__.......__.€/I77)’. ARROW AND THE SONG ......
Show more39/MM/( W/V. ©< €f?,f&J’«M4/ R EAPER AND THE FLOWERs-___./I414/, HALF./F. 5 RESIGNATION ________________________________ ._JE.60ULD. SEA HATH ITS PEARLS. QT...__._0./7//v5UT/. STARS OFTHE SUMMER NIGHT .... ..F.B007r. STARS OF THE SUMMER NIGHT. ........ .5’. 70035. TRUST HER NOT DT.____.__.____.‘._._/W.W/19/41/‘E. VILLAGE BLAGKSMITH. ............... ..I/I/H. WE/SS. WREGK OF THE HESPERUS........J.z5’L00/(LEV. OPEN WINDOW..__,....,.._E..I____.__.__.......__.€/I77)’. ARROW AND THE SONG ...... ..C.P//V507/. B R I D G CAREW. BRI Z/ND.S’A>’_ DAY IS DONE........I......................,/VV1/Z?/ILFE. DAY IS F. 1000. DEATH OF MINNEHAHA ....... ..0C00/v1/M55 EXCELSIOR. DT...................M.I4/BALFE, ‘PSALM OF 25’/.00/(LEV. .._II3.AV,INY DAY. ...................... ..\/1/./?.ﬂEMPS7'£/I’. GOOD NIGHT! BELOVED ......... ../V/.V\/.15’/MFE B O S TO N. V Published by 0 LIVER D ITS 0 N 8: C 0 .451WaShiI1gt01n. St. 1 NEW YORK. SAVANNAH GA. BALTIMOREMD. CINCINNATI. I SAN FRANCISCO. PH I LA. ‘C.H. DITSON 8: C0. LU DDEN 8: BATES. OTTO SUTRO. GEO.D.NEWHALL8<GO. SHERMAN CLAY 8:00. J. E.DlTSON 8:00. CHICAGO. ST LOUIS, 8‘ H JVHABUFVDRDS sons LVVHABOSTON &N:wYoHv., S - N cnO3w§aamm§I>-I> ulmc uuww T.VA_ ‘L THE DAY. Poetry by H. W. LONG-FELLOW. Music by WILLIAM R. DEMPSTER. Andante. cold, and dark, and drea-ry; It rains, and the wind is The vine still clings to the mouldering wall, But at ﬂoﬁgygj uogumg an y gag; an m me ya P351 by OLIVER DI FSUN in IA: ClcrIr‘r"aﬁu rv Nu Dnlirm Cmwrol Hue dreary . . . . . . . . dark and Car. espress. And the day /5 leaves the dead And the day is dark and drea - ry . . . . . . . . . . drea - - - - ry. And the day is drea-ry; It rains, and the wind wea-ry; My thoughts still cling to the mould - ’ring past, But the youth fall thick in the blast, And the days are dark and. drea - ry, . . . . . . . . .. And the days dark and d1-ea - ry, . . . . . . . . .. And the days are dark and {-T sad heart! and cease re - pin-ing; Be - bind the clouds sun still shin-ing; 'l‘hy fate is the com - 5Q. -__. each life some rain K Some davs must be dark and §,.__§ dark and drea - ry, . . . . . . . . . . ( Some days must be dark and
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Date: 1857
Text: ?ﬁ$W?ﬁﬁWT —=: INDIANAPOLIS ' :- Published byllﬁ FAULUS 3-U9 |.ouisviHeKy. .1.A.M.cLum:yu7mw crmrz yrzmzgc. WM.HALL&SUNﬂ1}?27r, nnusuc uammv VASSAR COLLEGE A: . T +1 V ‘ . The sun '. bright the ' is clear, The dal-_ ting swa1_10ws Y. MUSIC C()MP()SED BY J.K.\TEI’HLER. FA 1'?‘ VTORDS BY H.W.L()NGFELLOW. O 3 N ‘V L. ‘V N 5".’ - ~. -— ~ The elms I hear, the state _ ly soar and Sing, And from 1 7 spring, S0 blue yon winding _ phe _sy_ _1ng blue birds p1-0, _ mi \...
Show more?ﬁ$W?ﬁﬁWT —=: INDIANAPOLIS ' :- Published byllﬁ FAULUS 3-U9 |.ouisviHeKy. .1.A.M.cLum:yu7mw crmrz yrzmzgc. WM.HALL&SUNﬂ1}?27r, nnusuc uammv VASSAR COLLEGE A: . T +1 V ‘ . The sun '. bright the ' is clear, The dal-_ ting swa1_10ws Y. MUSIC C()MP()SED BY J.K.\TEI’HLER. FA 1'?‘ VTORDS BY H.W.L()NGFELLOW. O 3 N ‘V L. ‘V N 5".’ - ~. -— ~ The elms I hear, the state _ ly soar and Sing, And from 1 7 spring, S0 blue yon winding _ phe _sy_ _1ng blue birds p1-0, _ mi \ Entorml nccol-din;-_‘ in Act of‘ (‘nnggr-ess, AJ). 1857. by David P. F‘3u1¢ls,inthe Clerks nf‘f‘ice of‘ the District Court of‘. Ky ‘Z032 ——~ 44. I-iv__er flows, It seems an out _ let from the sky, CF05. wai _ ting till the west wind blows, The freigzhted cloud 1-itard. .an_cho1- All things are new the buds the leaves, That dim. (3 gild the elm t1-ee‘s nod _ ing crest, And He __ _ven the nest he _. - It is not .'1lw::_\'s mny‘. ‘£031’. —4- K: neath the caves, There are no birds in last years things re _ joice in youth and love. The ful _ CF95. first de _ light. And. learn from the soft heavens a_bove, mel _ ting ten _ _ der _ ness of night. (3 ad lib. It is not always may, 20%? — 4«. J-51i11g1311d*»ET1gVF& P-P
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Date: 1860
Text: 7%” n '»“,'_7/‘ La (Nat) ” f PART SONGS‘. N9 200. ' The Poefgy by L@>:N <mE'E1.1L®W% st-:'r‘1'o MUSIC FOR « fﬂa/7.45 Wzé‘/éfzé/20/9/2130%ﬂz’ée.s*z?%Z;{cc0/72/éaizz//zzazzé, BY g3Mr(@»N @.4wm N a jug. ;rza,.z2;~,zz Zzice 6"/zc-:1 LON DON, STANLEY LUCAS, WEBER & C984’, NEW,BOND ST.& 325, OXFORD s'r.w. SOPRANO. ‘ ALTO. TENOR. "3Y?’ lower. BAss. Allegra. M. M. J.:92 { NB. 0‘1°("héstral parts may be ]1_'i'rg3d*.v- . _ J ...
Show more7%” n '»“,'_7/‘ La (Nat) ” f PART SONGS‘. N9 200. ' The Poefgy by L@>:N <mE'E1.1L®W% st-:'r‘1'o MUSIC FOR « fﬂa/7.45 Wzé‘/éfzé/20/9/2130%ﬂz’ée.s*z?%Z;{cc0/72/éaizz//zzazzé, BY g3Mr(@»N @.4wm N a jug. ;rza,.z2;~,zz Zzice 6"/zc-:1 LON DON, STANLEY LUCAS, WEBER & C984’, NEW,BOND ST.& 325, OXFORD s'r.w. SOPRANO. ‘ ALTO. TENOR. "3Y?’ lower. BAss. Allegra. M. M. J.:92 { NB. 0‘1°("héstral parts may be ]1_'i'rg3d*.v- . _ J "5, V MUSIC uInAnﬁ‘r U é VASSAR COLLEGE, _ A wind ....... .. came up out of the out _of the out of the . W. _. o :-13:». r-w+'"P}:= . /¢j.~sW1 E‘fUS!CAL And said, “0 wind .... .. ca:-ne11p out of the sea, .............. .. “CT mf mists, make room for And said, “O Vmists, make room, 0 mists, “O mists, make room, ............. .. make piu mossa. ‘ ~ Vigoroso >- hailed .... .. the ships, and ‘ hailed .... .. the ships, and It; the ships, and f o " . . It ' I iled .... .. the ships, and i- ners, the i _ ners, the i- ners, the i- ners, the 5 (W88. hur _ ried1and_ward‘ far ................. .. a _ way, ............. .. Crying,“aA' x‘ // .- 'hur _ ried1and_ward far ................. .. a _ way ............. .. Crying,M“a. _ d hur _ ed1and_ward'f-ar ......... a And hur _ ried land_ward far .................. .. a .g*____..—»/ awake . ......... .. } all ........ .. your “ Hang all ........ your the for- est “shout! .... .. molto rifard. 6 leaf _ Y . . ' - ners .... .. out!” It to e wo0d— birtfs _ ,I-Pang gll your leaf 37 ban _ nérs out! It totlched the Wood— bitfds ‘ motto ritard. L/Ir‘ .. 5. L. W. 186 . a tempo Awake and 9-’ ‘_ . 4: iI’d,....., .... ....... fold . sald, 0 I 6,.” fold _ ed wing, ........... .... .. and Sing ........ ......... .. /\ a _ _ » A-wake...... and a tempo ‘_ wake, awake and sing,.......... awake and gin wgke ............... .. aw ea (I sing, ....... a sing,~.« ....... ................. ......... ..... awake,a - 53. L. \V. 1860. poco Mt. e sing. ...................... .. ...... _ P060 7-1/'t_ e I Sing. ............. ...5....n'. ........... .. _ poco rit. 9- " si‘ngL.....V ............................ And (for the farms, ....... . oer .... .. — e arms 3“ in r 0 ’ HQ Chanticleer,; ........ .. Your clar _ ion I I 9 And o’ei* the farms, .... .. 0 chém _ ticleer, Your a tempo L. W. 1860.‘ O chantioleer, ion blow; ' ' day is near, the ci1\;a;n'11:/ icleer; —You*1‘ ion blolsi; Your ion blow; i_ on blow, Your ion blow; the ‘ A y is near, the *cm. ail? the day ............... .. is 1'1ear,the day» .......... the day near,the da ............ .. is near, .... .. the 5 . L .- W. 1~b'tS0. pom {meno moaso 707” It whisper’d to the P7’ 2: It whisper’d to the fields of corn, fields of corn, I It whispgiv’/<1 to the fields of corn, 177121.. It whisper’d to the fields of com, dovm, and c0n1_ ing- ’ ‘Ill . com _. iug dim. com _ ing at com_ing V morn’? “A viz} mosso. f It shout _ ed throughthe I be] _ fry tower, “A _ yiil. masso. sh0ut _ ed through the be] _ frytowe-r, sht;ut- ed t}1.1'qu_.;,'h. {he bel _ fry tower, wake, .... ....... .. 0 bell! .......... ‘s. L. w. 1860.7 /7‘ ' . mbzto 7-it. pro _ claim the 9 hour. ..................... .; .... .. ff am. e motto r/it. pro _ c1a1m the our. ........................... .. d L’ m . e" motto Ht. bell........ ............................... ..... ............................ .. > dim. e ’ rit. +'I7‘he small notes‘ to be used for practice only. .5. Lfw. 1860. J;=eo. ::,. _ ‘X . . . <1 crossed the churchyard wlth a slgh, And sald, Not yet! ../1:: crossed the churchyard with a sigh, <41 L. crossed the churchyard with a sigh, .(—_f_'_‘ ::‘j-- crossed the churchyard with a sigh, at - : 60. ."’cc \" he; Not yet! not yet! not CF85. F‘/cc he; Not yet! not l3’I'8.9. yet! not 1ie;“N0t yet! not yet! not (‘7’¢L’8. lie;“Not yet! not yet! not yet! _ accomp. -ii»... “Not yet! not ...{‘_._ .2... “Not yet! not 1 J “Not yet! not Piu lento qui- et not yet! in qui_ et PI’ in q11i_ et. lie, in qui-et P7’ in qui _ et ,_\ Piu ‘lento PP not yet! in M5 yet.!..... yet! .... .. yet! .... .. PI’ lie, in qui_et PP?’ lie, in quiget lie, in qui_et PART” MUSIC FOR CHORAL SINGING. PUBLISHED IN A CHEAP FORM, IN VOCAL SCORE. 1 Barry, C. A. ...O Holy Night ... SSATB 6d 31 Griﬂiths, E. ...Solo_moii's Prayer (an Anthem) SATB 401 | 82 Macfarren,SirG.A.(Joseph No.23)See! Pharoah 13 Beale, W. ...Again the balmy zephyr (Round 32 (xuy. Henry ...I prithee send me back my heart ,, 4d * hath set Joseph Three Voices) SATB 6d. 147 Guzman, N. ...Blow, thou soft West WIDC3... SCTB “ Resurreution)H_vmiis; Late that ...Awake sweet music .. SSATB 4d 62 Hackman, L. Ye Franklyn SATB mom-nful eve was seen By the side of a grove ATFBB 6d 128 Hales. J. ...Syinpathy... ,, 4 _ _ ,( ,, )L1ves again om G101-ions ..How often from the steep SSAATTBB 197 Hatters1ey,F.K.’l‘hey that wait upon the Lord ,. d mg ...How soft the music ATTB (ml 270 1-iause ...It is not always .. ss ,, )0 Christian, cease to weep ...Scenes of Woe ,, 411 134 Heap, C. S. ...Who is Sylvia? ssrn ,,,D0xo]og'y ...I’1l enjoy the present time n 33 Hecht, E. ...At Night SATTB ...Remember not, Lord ...Lo! the pride of thevillageis dead SATTB 6d 34 _ ,, ...H11ul1ng Song ...The Lord sendeth ...Ode to the Memory of Samuel 55 rliggs, M. ...Queen of Fragrance .. ,, ' ‘ ...To Mary in Heaven Webbe .. ATTBB H4 213 H1ller,F. ...A song of Life ,, ‘ ...The Miller's Lassie... ...Oh! by yonder mossy seat .. ATTB 865 261 ...O weep for those .. 285 ,, ...Ye F1ow’ry Banks of Bonny Doon ...The humble tenant SATBB 4d ...Secret love (Stille liebe) SSA 107 Macfarren. W...Daybreak .. ...Th0u herald of the blushi_ng_nioi'i1 SATB Gd ...EXpectatioi1 (Ewartinlg) 17 279 Marzials, T. ...Eventide .. ...When Fanny blooming fair..._ ,, 4d ' ...Where may my__darling_be? (W0 168 Matthay, T. A Fairy’s Serenade . . . ,, ...Sing unto the Lord Canoii4 in 2 ,, 6d magmeiii s_chatzle sein P)... _ .. ., ' 1.58 Moir, F. L. .,,1v[e1~r_v March breeze __ Beethoven. L.v. Calm sea, andaprosperous voyage ,. 11- ...Th0u will: think of me «Du wirst‘ 177 ., ...Reading Abbey .. Benedict, Sir J. The Cherries are R1p¢._(Claudian) SSA 411 an mi denka) ,. 111. Moseley, C. ...Rondel .. Cherries are Ripe SATB 4:01 Who believes it ?(Wer‘.s glaubeii thut),, 112 ., ...Roseate Hues ,, ,, duet ... SA 4:1 .. Cuckoo song (Kukukslied) ,, 111 ,, .. Spring is coming Come to our Fairy ., Gd ...Partiiig song iScheidel1ed) 3 ., .. The First Flight ,, Welcome to our Prince SATB 4d 8 _ ,, ...Play on! (Spieletauf) . Netlierclift, J... , my dear maid 17 ,, H ' ,, ... ATTB 4nd Hine, G. ...Chi_ldren’s Goodiiigh 45 ...Tell me, tell me ... Bennett, G. J....Down in a green and shady bed ss 41d 91 ., ...Fair_ies... . ...’l‘he Ana-ler’s Glee ...Float gently Barcarolle SSA 4d 249 ,, ...O Birds that sing .. . _.,'1‘hou fatal 10ve ,_,See the Children ss 4d 139 Horsley, W. ...Blow light, thou Balniy Air 7 ,, ...Whither away ,. ,, ...They tell me love (Song of Love) SSA 4d 1 ,, ...Sweet is Evenings Oliphant's Ancient Ditties. An Aged Dame Berger, F. ...The Tritons .. sun 6d 101 Jackson, A. H. In the Cornﬁelds 4.8 1 w111n0g, my Beringer, O. ...The Post Horn TTBB 4d 104 ,, Lord Ullin s Daughter 1 My Lady had ,3, Bethune, C. ...E’en brings a’ Hame .. SATB 4d. 266 . ,, ‘ Siren’s Soiig To pitch our tons Bishop, Sir H. No Tocaran Campanas _sCi'i3 4d 155 ,, "l‘was when the seas ., ,, Ye sacred Muses Brahms, J. ...A March Night (Female Voices) 2d 100 Jarvis, S. ...When twilight dews -. -- Pari-att, W. ...Super ﬂumina Babylonis ...A saving health to us is brought 255 Kemp, Stephen 0 lady leave thy silken thread ‘ ' ‘ Peiiiiger, 0. ...Awake, the day is dawn:ng .. (Motett), Op. 29, No. 1 SATBB 6d 251 _ ,, Stars are with the voyager . 4. 96 ,, . mﬁomevvard from the col-“ﬁelds ...Ave Maria, Op. 12 .. ATTB 4d 108 Kjeriilf ...NO1‘Wegl:Ln Bridal Song .. ' ' V H "soon, too soon ,, . ,, , .. SSAA 4d 2 2 ,_, ...Serenade .. . . ,, ...Where the scarlet poppies ...Bai'cai'ole (Female Voices) 2d. 237 Khune, T. ...Volkslieder, Book 1 .. ~ ' 203 Philp, E. ...The Owl in the Ivy Bush ...Blessed are they that go mourning, 238 ,, ,, Book 2 .. 4d 97 Powell, W -R. .. My Ladie's eyes . . O . 45 ,. sun 6d 239 ,, ,, Book 3... 53 P)_‘en(1e];‘gﬁS‘l',_ A 0, Mistress mine ...How long wilt thou forget me SSA 6d. 240 ,, ,, Book43 .. _ .. ,, 51 Prescott, O. L. Our Conversation is in Heaven ...How lovelyis thy dwelling place... SATB 6d 259 Lambert, F. W. Oh. lull _iiie, cha,1‘n1111!! E111’. SSATB (Anthem) ...I€throughthe Olive Yard(Female Voices) 201 117 Lawson, S. ...Away with these self-loving lads SATB 50 ,, ...The righteous live for evermore ...Love Song ) 2d 28 ,, ...L)i1pid’s curse . .. .. ss 6 (Anthem) .. . sun Ad Miller’s Daughte ...The ballad of young John. dd C3 10% OOaL\'>€l!95‘\lIPL3 on an no it 97 97 H 77 ATBB id ., 4d ...Gaudeamus(Motett‘)‘ SATB ” ...Stabat Mater SAATB (()p_g,Eﬂag;)_,_ ...Questionings , .. ...Wilt thouuiikind SATB 89 ,, ...Magniﬁcat (F ﬂat) ...’l‘he Bridegroom 6 ,_, ...The Bride ( ,, Leslie, Hy. ...A Rose of the Garden 90 ,, _ ...Nunc Dimittis ( .. ...’l‘he Meadows at Wildbach( 45 ...Cherry Ripe . 121 Puzey, F. H. ...How amiable are thy dwellings 2 ...The ill/Iountains are Cold(( I ...Go1ge:i Sflumbers .. < 54 Read, J. F. H. Seregiade. The young Mn)’ moo 2 9 ,, The un .. ‘ ...Ur0 en ear is ea,1ni]1g- 12.7 Brouglitoii, J....'1‘he Better Land ' ...Kind Words_ 159 Redhead, A_ _,_1 know a, maiden 157 Bryant, R. ...Pysche ...Lullaby of Life 212 Reeve, P. ...The Vision ... 73 Cheshire, J. ...A Mother's Cradle Hymn ' ...O let ‘me play the Fool 55 Richards. 13, ,,,N0bod_y cares for the 151 Cleather, Nina Harvest ...Red Sun is Sinking 56 Rudall, H. A. ,__Da,y1),_-ea]; 103 Cooke. G. ...'1‘ic, Tic .. .. ,, ,, . . 91 Sangster, W. H.Aiiglican Chan * 153 Copeland ...(‘.arol . : ) ...Song of the Miniiesiiigers 92 ., , ' ._ 22 Coward, J. ...Airy fairy Lilian . ~ ...The Angel s.Visit 287 Santley, C. ...Ave Maria .. 42 ...Peaceful slumb’rii1g .. 2 ...The Rainbow 4 289 ,, ...Christus factus esk... ,, ,, ...We roam and rule the sea 262 Schloesser, A....The dawn of day . ,, . Summer morning . . 7 _ ,, ...Wilt) is the Angel . 157 Schubert, F. ...God in Nature, Op. 133 32 ,, ...The sun is bright Liebe. L. ...Chris1.mas Roses ' 21 ,, ...Spirit of Love 74 Cusins, W. G. ...Masonic Prayers 69 ,, ...Come, cliarni ot night ' ,, ...The Hamlet-, ,, 75 ,. .. Royal Wedding Chorale " ,, 1-Iynin of the Goths... cl 8 ,, ...’l‘he Nightingale I49 Davenport, F...Phillis is my only ...My home of yore Selby, B. L. ...A laughing song 152 ,, ,, ,, ...Pearl of the.Seasons 5 ,, ...Amaryllis 148 ,, ...Sweet day so cool . ...Song 0: Praise . .. 8 ,, ...M_a belle, si ton time 260 Dick, Uotsford Count-y.Guy .. .. ...The Heart s Rest Smart, 11. ...Pipe, red lipp’d autumn, pipe! 119 ,, Tears. idle tears _, , . ...The Soul s repose 1 ,, ...Softly come, thou evening gale 14.2 Distiii, ...Jack Horuer ' 3 _ ,, ...We two ,, ...The Curfew Ben 14,3 ” ,, ; ...... ... ‘ .. Liszt, F. ...Chorus of Reapers ,, Twilight. ,, (Tonic Sol-fa Edition) .. 3 ._ n .» 9y_ ' Soderman, A....Peasant Wedding March ...'l“wilight on the Lake s Lohr, H. ...A Border Raid Spotforth, R. ...L ape e la serpe ...Awa’, Whigs, awa’ .. 2d 2 ,, ...Aii April Shower 3 06 ,, ...Come, Clara, as the lily fair .. ...Duncan Grey ... . ,, ...When the Lord turned again Stanford, C. V. From me to thee glad Serenades ...Rantin’. Rovin’ Robin " (Psalm 126) n ii ...To Chloris ...Scots wha hae Lucas, C. Ah, fading Joy SSATB Stewart, Sir R. P. Night hurrying on ...'1‘heDe'il's awa' .. 29 ...Blessed be the Lord... ._.. sun 9 ,, eligiou ...Ye banks and braes .. Hail to the new-born Spring (Glee) ,, 6 Tait, A. Oh, what is the use of singing of love . ( .. ( 1 . V 52 ,. .. ...Now all the Roses E ...Sigh no more, ladies SSAA 88 P1-out, E_ ,,,M-agniﬁcat, and Nuuc Dimm-,1, ( , Kyrie... . ... 156 ,, ~ _ 185 Duvivier, A. D.Ave Maria . . ...Hosanua ,. 241 Engel, L. ...Our Loves . . ...O "God, the srength of all them . The Brook is purling 3 M 216 ,, ,, (Anthem)... . . Taubert, W. ...Cra.dle Song 200 Faning,Ea.ton Daybreak .. ,, ...O. Lord, open thou my lips 66 ,, ...Cradle Song (Ai'ra.i1god by J. G. 166 ,, ...Liberty... ..: .. ,, ...Sing. 0 Heavens . . . Callcott) 193 ,, ., (Tonic.Sol.fa) .._. ‘ Lutgen, H. J. ...Ave Veru_m .. .. ' Thomas, A. G-. ...Out of the deep (Psalm 130), 98 ,, ...Soiig ot the Vikings (Piaiioforte 51 ,, ...I-Ioly Saviour soprano 010 and Chorus Solo Accompaniment) . Macirone, C. A. Echoes . 95 Tuberville, W...Merrily Ho [26 ,, .. Song of the Vikings v. Piaiioiorte 17 ,, ...Ride a Cock Horse 288 Vicars, G. R. ...Children dear was it yesterday Duet Accompaiiinient) ,, ...The Avon to the Severn... 265 Visetti, A. ...Praise of Song 27 Flotow,F. voii... Serenade (with Clarinet and Harp 70 ., The Soldiei"s Dream 283 Ward, J. E. ...Rove not to the Rhine Accompaniment) . ,, 6d Mendelssohn ...0n.Mu_.sic’s wing ‘ 209 Watson, A. H. My Weather Glass t ...Rose and Lily Bell ss -id 87 ,, ...Parable of the Seasons 253 Weelkes ...Strike it up, Neighbour... ssn or TTB net, 4d - ...Spring-time (Chorus) ssc 601 4 ,, _ ...S1uniber Song ,, 267 ,, ...Alas! 0 Tarry 146 ,, ...Winter ,, Gd Macfarreii, Sir G. A. Blessed are they (St. John 268 ,, ...Ha, ha, ,, ” 256 Foster ...In the Forest . SA iiet Ital the Baptist) ssco 258 Wesley ...0mnia Vanitas SSATB 6d 281 ,, ...Welcome ...Evm_inanuel(Ant1iem_) TB 67 Westlake, F. ...Look all around thee(Spriiig Song) sun 4d 30 Gadsby, H ...Summer winds lie IS the Resurrectioii SOL-FA 179 _ ,. .. 0 Salutaris ... ,. 29 ,. ...The sea is calm .1. . ,, ,, _ .. SATB 109 White, M. V. ...Oh! Nannie .. .. ATTB 4d 28 ,, ...The So1dier’s Song (Male Voices) ...l.ike as a Father (David) . .. so 180 ' ,, ...Prayer _... sun 4d 290 German, J. E...'l‘he Chase . ...(Joseph'No.18) A voice was heard sun 110 _ ,, ...Stars are with the voyager ,, 4d 76 G11], J, ...S2l.V10u1‘, take me for thine own ...( ,, 29) O L)r_d, have mercy u 941 Wilbye, J. Draw on, sweet night ssunn -id 3 _— God save the Queen... ...( ,, 2) O praise our Lord ,, 68 Wolferst2in,E.P.Fair is my love (Male Voices) uvrn 44 3 ,, ...Sin;z, who Sings P rm; 6d 190 Ford, Eriies 99 vi 19 - 25 Gounod, Ch. ...Night andMorning... SA'1‘B2Li 81 ...( ,, 19) Lord of Diadems 13 STANLEY LUCAS, VWEBER 8: CO., 84. NEW BOND STREET, 85 325, OXFORD STREET, W.
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Date: 1860
Text: 7%” n '»“,'_7/‘ La (Nat) ” f PART SONGS‘. N9 200. ' The Poefgy by L@>:N <mE'E1.1L®W% st-:'r‘1'o MUSIC FOR « fﬂa/7.45 Wzé‘/éfzé/20/9/2130%ﬂz’ée.s*z?%Z;{cc0/72/éaizz//zzazzé, BY g3Mr(@»N @.4wm N a jug. ;rza,.z2;~,zz Zzice 6"/zc-:1 LON DON, STANLEY LUCAS, WEBER & C984’, NEW,BOND ST.& 325, OXFORD s'r.w. SOPRANO. ‘ ALTO. TENOR. "3Y?’ lower. BAss. Allegra. M. M. J.:92 { NB. 0‘1°("héstral parts may be ]1_'i'rg3d*.v- . _ J ...
Show more7%” n '»“,'_7/‘ La (Nat) ” f PART SONGS‘. N9 200. ' The Poefgy by L@>:N <mE'E1.1L®W% st-:'r‘1'o MUSIC FOR « fﬂa/7.45 Wzé‘/éfzé/20/9/2130%ﬂz’ée.s*z?%Z;{cc0/72/éaizz//zzazzé, BY g3Mr(@»N @.4wm N a jug. ;rza,.z2;~,zz Zzice 6"/zc-:1 LON DON, STANLEY LUCAS, WEBER & C984’, NEW,BOND ST.& 325, OXFORD s'r.w. SOPRANO. ‘ ALTO. TENOR. "3Y?’ lower. BAss. Allegra. M. M. J.:92 { NB. 0‘1°("héstral parts may be ]1_'i'rg3d*.v- . _ J "5, V MUSIC uInAnﬁ‘r U é VASSAR COLLEGE, _ A wind ....... .. came up out of the out _of the out of the . W. _. o :-13:». r-w+'"P}:= . /¢j.~sW1 E‘fUS!CAL And said, “0 wind .... .. ca:-ne11p out of the sea, .............. .. “CT mf mists, make room for And said, “O Vmists, make room, 0 mists, “O mists, make room, ............. .. make piu mossa. ‘ ~ Vigoroso >- hailed .... .. the ships, and ‘ hailed .... .. the ships, and It; the ships, and f o " . . It ' I iled .... .. the ships, and i- ners, the i _ ners, the i- ners, the i- ners, the 5 (W88. hur _ ried1and_ward‘ far ................. .. a _ way, ............. .. Crying,“aA' x‘ // .- 'hur _ ried1and_ward far ................. .. a _ way ............. .. Crying,M“a. _ d hur _ ed1and_ward'f-ar ......... a And hur _ ried land_ward far .................. .. a .g*____..—»/ awake . ......... .. } all ........ .. your “ Hang all ........ your the for- est “shout! .... .. molto rifard. 6 leaf _ Y . . ' - ners .... .. out!” It to e wo0d— birtfs _ ,I-Pang gll your leaf 37 ban _ nérs out! It totlched the Wood— bitfds ‘ motto ritard. L/Ir‘ .. 5. L. W. 186 . a tempo Awake and 9-’ ‘_ . 4: iI’d,....., .... ....... fold . sald, 0 I 6,.” fold _ ed wing, ........... .... .. and Sing ........ ......... .. /\ a _ _ » A-wake...... and a tempo ‘_ wake, awake and sing,.......... awake and gin wgke ............... .. aw ea (I sing, ....... a sing,~.« ....... ................. ......... ..... awake,a - 53. L. \V. 1860. poco Mt. e sing. ...................... .. ...... _ P060 7-1/'t_ e I Sing. ............. ...5....n'. ........... .. _ poco rit. 9- " si‘ngL.....V ............................ And (for the farms, ....... . oer .... .. — e arms 3“ in r 0 ’ HQ Chanticleer,; ........ .. Your clar _ ion I I 9 And o’ei* the farms, .... .. 0 chém _ ticleer, Your a tempo L. W. 1860.‘ O chantioleer, ion blow; ' ' day is near, the ci1\;a;n'11:/ icleer; —You*1‘ ion blolsi; Your ion blow; i_ on blow, Your ion blow; the ‘ A y is near, the *cm. ail? the day ............... .. is 1'1ear,the day» .......... the day near,the da ............ .. is near, .... .. the 5 . L .- W. 1~b'tS0. pom {meno moaso 707” It whisper’d to the P7’ 2: It whisper’d to the fields of corn, fields of corn, I It whispgiv’/<1 to the fields of corn, 177121.. It whisper’d to the fields of com, dovm, and c0n1_ ing- ’ ‘Ill . com _. iug dim. com _ ing at com_ing V morn’? “A viz} mosso. f It shout _ ed throughthe I be] _ fry tower, “A _ yiil. masso. sh0ut _ ed through the be] _ frytowe-r, sht;ut- ed t}1.1'qu_.;,'h. {he bel _ fry tower, wake, .... ....... .. 0 bell! .......... ‘s. L. w. 1860.7 /7‘ ' . mbzto 7-it. pro _ claim the 9 hour. ..................... .; .... .. ff am. e motto r/it. pro _ c1a1m the our. ........................... .. d L’ m . e" motto Ht. bell........ ............................... ..... ............................ .. > dim. e ’ rit. +'I7‘he small notes‘ to be used for practice only. .5. Lfw. 1860. J;=eo. ::,. _ ‘X . . . <1 crossed the churchyard wlth a slgh, And sald, Not yet! ../1:: crossed the churchyard with a sigh, <41 L. crossed the churchyard with a sigh, .(—_f_'_‘ ::‘j-- crossed the churchyard with a sigh, at - : 60. ."’cc \" he; Not yet! not yet! not CF85. F‘/cc he; Not yet! not l3’I'8.9. yet! not 1ie;“N0t yet! not yet! not (‘7’¢L’8. lie;“Not yet! not yet! not yet! _ accomp. -ii»... “Not yet! not ...{‘_._ .2... “Not yet! not 1 J “Not yet! not Piu lento qui- et not yet! in qui_ et PI’ in q11i_ et. lie, in qui-et P7’ in qui _ et ,_\ Piu ‘lento PP not yet! in M5 yet.!..... yet! .... .. yet! .... .. PI’ lie, in qui_et PP?’ lie, in quiget lie, in qui_et PART” MUSIC FOR CHORAL SINGING. PUBLISHED IN A CHEAP FORM, IN VOCAL SCORE. 1 Barry, C. A. ...O Holy Night ... SSATB 6d 31 Griﬂiths, E. ...Solo_moii's Prayer (an Anthem) SATB 401 | 82 Macfarren,SirG.A.(Joseph No.23)See! Pharoah 13 Beale, W. ...Again the balmy zephyr (Round 32 (xuy. Henry ...I prithee send me back my heart ,, 4d * hath set Joseph Three Voices) SATB 6d. 147 Guzman, N. ...Blow, thou soft West WIDC3... SCTB “ Resurreution)H_vmiis; Late that ...Awake sweet music .. SSATB 4d 62 Hackman, L. Ye Franklyn SATB mom-nful eve was seen By the side of a grove ATFBB 6d 128 Hales. J. ...Syinpathy... ,, 4 _ _ ,( ,, )L1ves again om G101-ions ..How often from the steep SSAATTBB 197 Hatters1ey,F.K.’l‘hey that wait upon the Lord ,. d mg ...How soft the music ATTB (ml 270 1-iause ...It is not always .. ss ,, )0 Christian, cease to weep ...Scenes of Woe ,, 411 134 Heap, C. S. ...Who is Sylvia? ssrn ,,,D0xo]og'y ...I’1l enjoy the present time n 33 Hecht, E. ...At Night SATTB ...Remember not, Lord ...Lo! the pride of thevillageis dead SATTB 6d 34 _ ,, ...H11ul1ng Song ...The Lord sendeth ...Ode to the Memory of Samuel 55 rliggs, M. ...Queen of Fragrance .. ,, ' ‘ ...To Mary in Heaven Webbe .. ATTBB H4 213 H1ller,F. ...A song of Life ,, ‘ ...The Miller's Lassie... ...Oh! by yonder mossy seat .. ATTB 865 261 ...O weep for those .. 285 ,, ...Ye F1ow’ry Banks of Bonny Doon ...The humble tenant SATBB 4d ...Secret love (Stille liebe) SSA 107 Macfarren. W...Daybreak .. ...Th0u herald of the blushi_ng_nioi'i1 SATB Gd ...EXpectatioi1 (Ewartinlg) 17 279 Marzials, T. ...Eventide .. ...When Fanny blooming fair..._ ,, 4d ' ...Where may my__darling_be? (W0 168 Matthay, T. A Fairy’s Serenade . . . ,, ...Sing unto the Lord Canoii4 in 2 ,, 6d magmeiii s_chatzle sein P)... _ .. ., ' 1.58 Moir, F. L. .,,1v[e1~r_v March breeze __ Beethoven. L.v. Calm sea, andaprosperous voyage ,. 11- ...Th0u will: think of me «Du wirst‘ 177 ., ...Reading Abbey .. Benedict, Sir J. The Cherries are R1p¢._(Claudian) SSA 411 an mi denka) ,. 111. Moseley, C. ...Rondel .. Cherries are Ripe SATB 4:01 Who believes it ?(Wer‘.s glaubeii thut),, 112 ., ...Roseate Hues ,, ,, duet ... SA 4:1 .. Cuckoo song (Kukukslied) ,, 111 ,, .. Spring is coming Come to our Fairy ., Gd ...Partiiig song iScheidel1ed) 3 ., .. The First Flight ,, Welcome to our Prince SATB 4d 8 _ ,, ...Play on! (Spieletauf) . Netlierclift, J... , my dear maid 17 ,, H ' ,, ... ATTB 4nd Hine, G. ...Chi_ldren’s Goodiiigh 45 ...Tell me, tell me ... Bennett, G. J....Down in a green and shady bed ss 41d 91 ., ...Fair_ies... . ...’l‘he Ana-ler’s Glee ...Float gently Barcarolle SSA 4d 249 ,, ...O Birds that sing .. . _.,'1‘hou fatal 10ve ,_,See the Children ss 4d 139 Horsley, W. ...Blow light, thou Balniy Air 7 ,, ...Whither away ,. ,, ...They tell me love (Song of Love) SSA 4d 1 ,, ...Sweet is Evenings Oliphant's Ancient Ditties. An Aged Dame Berger, F. ...The Tritons .. sun 6d 101 Jackson, A. H. In the Cornﬁelds 4.8 1 w111n0g, my Beringer, O. ...The Post Horn TTBB 4d 104 ,, Lord Ullin s Daughter 1 My Lady had ,3, Bethune, C. ...E’en brings a’ Hame .. SATB 4d. 266 . ,, ‘ Siren’s Soiig To pitch our tons Bishop, Sir H. No Tocaran Campanas _sCi'i3 4d 155 ,, "l‘was when the seas ., ,, Ye sacred Muses Brahms, J. ...A March Night (Female Voices) 2d 100 Jarvis, S. ...When twilight dews -. -- Pari-att, W. ...Super ﬂumina Babylonis ...A saving health to us is brought 255 Kemp, Stephen 0 lady leave thy silken thread ‘ ' ‘ Peiiiiger, 0. ...Awake, the day is dawn:ng .. (Motett), Op. 29, No. 1 SATBB 6d 251 _ ,, Stars are with the voyager . 4. 96 ,, . mﬁomevvard from the col-“ﬁelds ...Ave Maria, Op. 12 .. ATTB 4d 108 Kjeriilf ...NO1‘Wegl:Ln Bridal Song .. ' ' V H "soon, too soon ,, . ,, , .. SSAA 4d 2 2 ,_, ...Serenade .. . . ,, ...Where the scarlet poppies ...Bai'cai'ole (Female Voices) 2d. 237 Khune, T. ...Volkslieder, Book 1 .. ~ ' 203 Philp, E. ...The Owl in the Ivy Bush ...Blessed are they that go mourning, 238 ,, ,, Book 2 .. 4d 97 Powell, W -R. .. My Ladie's eyes . . O . 45 ,. sun 6d 239 ,, ,, Book 3... 53 P)_‘en(1e];‘gﬁS‘l',_ A 0, Mistress mine ...How long wilt thou forget me SSA 6d. 240 ,, ,, Book43 .. _ .. ,, 51 Prescott, O. L. Our Conversation is in Heaven ...How lovelyis thy dwelling place... SATB 6d 259 Lambert, F. W. Oh. lull _iiie, cha,1‘n1111!! E111’. SSATB (Anthem) ...I€throughthe Olive Yard(Female Voices) 201 117 Lawson, S. ...Away with these self-loving lads SATB 50 ,, ...The righteous live for evermore ...Love Song ) 2d 28 ,, ...L)i1pid’s curse . .. .. ss 6 (Anthem) .. . sun Ad Miller’s Daughte ...The ballad of young John. dd C3 10% OOaL\'>€l!95‘\lIPL3 on an no it 97 97 H 77 ATBB id ., 4d ...Gaudeamus(Motett‘)‘ SATB ” ...Stabat Mater SAATB (()p_g,Eﬂag;)_,_ ...Questionings , .. ...Wilt thouuiikind SATB 89 ,, ...Magniﬁcat (F ﬂat) ...’l‘he Bridegroom 6 ,_, ...The Bride ( ,, Leslie, Hy. ...A Rose of the Garden 90 ,, _ ...Nunc Dimittis ( .. ...’l‘he Meadows at Wildbach( 45 ...Cherry Ripe . 121 Puzey, F. H. ...How amiable are thy dwellings 2 ...The ill/Iountains are Cold(( I ...Go1ge:i Sflumbers .. < 54 Read, J. F. H. Seregiade. The young Mn)’ moo 2 9 ,, The un .. ‘ ...Ur0 en ear is ea,1ni]1g- 12.7 Brouglitoii, J....'1‘he Better Land ' ...Kind Words_ 159 Redhead, A_ _,_1 know a, maiden 157 Bryant, R. ...Pysche ...Lullaby of Life 212 Reeve, P. ...The Vision ... 73 Cheshire, J. ...A Mother's Cradle Hymn ' ...O let ‘me play the Fool 55 Richards. 13, ,,,N0bod_y cares for the 151 Cleather, Nina Harvest ...Red Sun is Sinking 56 Rudall, H. A. ,__Da,y1),_-ea]; 103 Cooke. G. ...'1‘ic, Tic .. .. ,, ,, . . 91 Sangster, W. H.Aiiglican Chan * 153 Copeland ...(‘.arol . : ) ...Song of the Miniiesiiigers 92 ., , ' ._ 22 Coward, J. ...Airy fairy Lilian . ~ ...The Angel s.Visit 287 Santley, C. ...Ave Maria .. 42 ...Peaceful slumb’rii1g .. 2 ...The Rainbow 4 289 ,, ...Christus factus esk... ,, ,, ...We roam and rule the sea 262 Schloesser, A....The dawn of day . ,, . Summer morning . . 7 _ ,, ...Wilt) is the Angel . 157 Schubert, F. ...God in Nature, Op. 133 32 ,, ...The sun is bright Liebe. L. ...Chris1.mas Roses ' 21 ,, ...Spirit of Love 74 Cusins, W. G. ...Masonic Prayers 69 ,, ...Come, cliarni ot night ' ,, ...The Hamlet-, ,, 75 ,. .. Royal Wedding Chorale " ,, 1-Iynin of the Goths... cl 8 ,, ...’l‘he Nightingale I49 Davenport, F...Phillis is my only ...My home of yore Selby, B. L. ...A laughing song 152 ,, ,, ,, ...Pearl of the.Seasons 5 ,, ...Amaryllis 148 ,, ...Sweet day so cool . ...Song 0: Praise . .. 8 ,, ...M_a belle, si ton time 260 Dick, Uotsford Count-y.Guy .. .. ...The Heart s Rest Smart, 11. ...Pipe, red lipp’d autumn, pipe! 119 ,, Tears. idle tears _, , . ...The Soul s repose 1 ,, ...Softly come, thou evening gale 14.2 Distiii, ...Jack Horuer ' 3 _ ,, ...We two ,, ...The Curfew Ben 14,3 ” ,, ; ...... ... ‘ .. Liszt, F. ...Chorus of Reapers ,, Twilight. ,, (Tonic Sol-fa Edition) .. 3 ._ n .» 9y_ ' Soderman, A....Peasant Wedding March ...'l“wilight on the Lake s Lohr, H. ...A Border Raid Spotforth, R. ...L ape e la serpe ...Awa’, Whigs, awa’ .. 2d 2 ,, ...Aii April Shower 3 06 ,, ...Come, Clara, as the lily fair .. ...Duncan Grey ... . ,, ...When the Lord turned again Stanford, C. V. From me to thee glad Serenades ...Rantin’. Rovin’ Robin " (Psalm 126) n ii ...To Chloris ...Scots wha hae Lucas, C. Ah, fading Joy SSATB Stewart, Sir R. P. Night hurrying on ...'1‘heDe'il's awa' .. 29 ...Blessed be the Lord... ._.. sun 9 ,, eligiou ...Ye banks and braes .. Hail to the new-born Spring (Glee) ,, 6 Tait, A. Oh, what is the use of singing of love . ( .. ( 1 . V 52 ,. .. ...Now all the Roses E ...Sigh no more, ladies SSAA 88 P1-out, E_ ,,,M-agniﬁcat, and Nuuc Dimm-,1, ( , Kyrie... . ... 156 ,, ~ _ 185 Duvivier, A. D.Ave Maria . . ...Hosanua ,. 241 Engel, L. ...Our Loves . . ...O "God, the srength of all them . The Brook is purling 3 M 216 ,, ,, (Anthem)... . . Taubert, W. ...Cra.dle Song 200 Faning,Ea.ton Daybreak .. ,, ...O. Lord, open thou my lips 66 ,, ...Cradle Song (Ai'ra.i1god by J. G. 166 ,, ...Liberty... ..: .. ,, ...Sing. 0 Heavens . . . Callcott) 193 ,, ., (Tonic.Sol.fa) .._. ‘ Lutgen, H. J. ...Ave Veru_m .. .. ' Thomas, A. G-. ...Out of the deep (Psalm 130), 98 ,, ...Soiig ot the Vikings (Piaiioforte 51 ,, ...I-Ioly Saviour soprano 010 and Chorus Solo Accompaniment) . Macirone, C. A. Echoes . 95 Tuberville, W...Merrily Ho [26 ,, .. Song of the Vikings v. Piaiioiorte 17 ,, ...Ride a Cock Horse 288 Vicars, G. R. ...Children dear was it yesterday Duet Accompaiiinient) ,, ...The Avon to the Severn... 265 Visetti, A. ...Praise of Song 27 Flotow,F. voii... Serenade (with Clarinet and Harp 70 ., The Soldiei"s Dream 283 Ward, J. E. ...Rove not to the Rhine Accompaniment) . ,, 6d Mendelssohn ...0n.Mu_.sic’s wing ‘ 209 Watson, A. H. My Weather Glass t ...Rose and Lily Bell ss -id 87 ,, ...Parable of the Seasons 253 Weelkes ...Strike it up, Neighbour... ssn or TTB net, 4d - ...Spring-time (Chorus) ssc 601 4 ,, _ ...S1uniber Song ,, 267 ,, ...Alas! 0 Tarry 146 ,, ...Winter ,, Gd Macfarreii, Sir G. A. Blessed are they (St. John 268 ,, ...Ha, ha, ,, ” 256 Foster ...In the Forest . SA iiet Ital the Baptist) ssco 258 Wesley ...0mnia Vanitas SSATB 6d 281 ,, ...Welcome ...Evm_inanuel(Ant1iem_) TB 67 Westlake, F. ...Look all around thee(Spriiig Song) sun 4d 30 Gadsby, H ...Summer winds lie IS the Resurrectioii SOL-FA 179 _ ,. .. 0 Salutaris ... ,. 29 ,. ...The sea is calm .1. . ,, ,, _ .. SATB 109 White, M. V. ...Oh! Nannie .. .. ATTB 4d 28 ,, ...The So1dier’s Song (Male Voices) ...l.ike as a Father (David) . .. so 180 ' ,, ...Prayer _... sun 4d 290 German, J. E...'l‘he Chase . ...(Joseph'No.18) A voice was heard sun 110 _ ,, ...Stars are with the voyager ,, 4d 76 G11], J, ...S2l.V10u1‘, take me for thine own ...( ,, 29) O L)r_d, have mercy u 941 Wilbye, J. Draw on, sweet night ssunn -id 3 _— God save the Queen... ...( ,, 2) O praise our Lord ,, 68 Wolferst2in,E.P.Fair is my love (Male Voices) uvrn 44 3 ,, ...Sin;z, who Sings P rm; 6d 190 Ford, Eriies 99 vi 19 - 25 Gounod, Ch. ...Night andMorning... SA'1‘B2Li 81 ...( ,, 19) Lord of Diadems 13 STANLEY LUCAS, VWEBER 8: CO., 84. NEW BOND STREET, 85 325, OXFORD STREET, W.
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Date: 1864
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/;m:=IM~ , " Copyright 189 '3 by J. E . Per-ring . BEWARE! Words by H.“/. LONGFELLOW. Music lay JAMES ERNEST PERRING. Allegro con spirito ma non troppo presto. 1’ known 1naid- - en fair to see! take careltake care! take czweltakecarel She .f can both false _ and friendly be, Beware, beware, hewgxre, ten: 0. > P hewzu-e,VbeWa1'e, She is fooling thee, she is foolingthee,t1'usthe1' /4'3 tcn1})o.K/ \' not! . . . . oh trust her not! .. . She is fooling thee, she is fooling thee,f1*11sthe1' not! oh trust her not! >>> > > /3 gﬁazioso. Slm has two eyes so soft and [)1'0wn, (-zu'e,t:1kc care, beware, beware!‘ She gives :1 side glziuce and looks down, 1,], rail.- 0ht1'11sthe1' not! 011 beware, hewzu'e,hewa1'e! pp wall.- has two eyes so softand brown, She give_S a side glance amdlooks down, tcnapo. trust he L’ a tempo. a tempo. t rust h e trust herfnot, oh be-w;u-e! trust her not, atem 0. > P fooling thee, she ‘is fooling thee, trust her not, oh trust her not! She is (I tempT‘/ fooling thee, she is fooling thee,t1‘ust her not oh trust her not! >>>:>>f.\ /\ \ '. r.\1’(-\ \ “""V T’—“,;s3?g7 ;.._;“f_ -5 she hag hair 0f"'g0ld-en hue; And what she says it is not true, : «— W 4-~::~.—.=w«.—.)v.~.: -:>.:+-vywwz tempo. she has hair of wall.- gold-en ' And what she says {’— /_\ J‘. Be-w:u-e! beware! beware,‘ beware! For she has hair of a golden hue, 011 trust her not; 011 trust her not! And what shesays it > > > /'\ /"\ is not true, She gives thee a garland fair,‘ 7Tis :1 fools cap f01'theet'0 Z5 Z‘ {T /"\ t * . >cmpo Oh she7s fooling thee, she is fooling thee, Trust her not, 011 trust he /3 she is fooling thee, she is fooling thee,trust her nbt 1, ohtrusthc *3 Perfect Peace. (I heard a Voice.) Sacred Song for Low Voice 221 C, Vvqfds by V I I I ¥ N[1lSiC‘by JOSEPH FLETCHER. e V‘ " W9 DRESSLER. _ Larghetto. heard :1 voice, . Je — sus to me’ speak —ing, u.—mid the prcssund throng, I heard Him ' : “Come ‘wen-ry Copyright 1910 by VVIF1 A.Pond & Co. International Copyrightﬁecured.
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Date: 1865
Text: As sung by MISS CLARA LOUISA KE 1g§,I,~..4\UU(U(. A Pricc,4'0 cts. ‘§2fE{\N0_ NEW Y0 RK GSCHIRMER 35 UNION S0. MEZZ0 SOPRAQ MUSIC LIBRARY VASSAR C0 >¢ ._ BEWARE! W'ard.s- by II. L0l\'GI'ELLOW'. Jlusic by C’. Jll () UL TOJV. 1. I know a fair to see, 2. She has two . soft and brown, care! She can both false and care! She'gires a side glance friend — Ely be, and looks down, 487 ' E1: to red (wen rvling in .4 Ci of C 0 11 g res8A.D. l 8 6 5, by Bee?‘ ¢%SC,d...
Show moreAs sung by MISS CLARA LOUISA KE 1g§,I,~..4\UU(U(. A Pricc,4'0 cts. ‘§2fE{\N0_ NEW Y0 RK GSCHIRMER 35 UNION S0. MEZZ0 SOPRAQ MUSIC LIBRARY VASSAR C0 >¢ ._ BEWARE! W'ard.s- by II. L0l\'GI'ELLOW'. Jlusic by C’. Jll () UL TOJV. 1. I know a fair to see, 2. She has two . soft and brown, care! She can both false and care! She'gires a side glance friend — Ely be, and looks down, 487 ' E1: to red (wen rvling in .4 Ci of C 0 11 g res8A.D. l 8 6 5, by Bee?‘ ¢%SC,d'T me?-, i’n‘the ('I€"rl".v Offic? of lhe_Di.s"t riot Court of the Southern District of New York. . ‘ f th we thee she‘s she’.s' fool — ing fool - ing Tru st ' Trus l thee ________ __ thee, _______ __ She’s fool - ing She‘.s- fool — ing _ /\ She's fool - ing SI: 93‘ fa 0 I -— ing she's fool — ing .s-he's fool 1.'11g of gold .. en And what shé foul — lug thee, .b She's fool — ing thee ........... -- she”s f‘0oV1 - ing She-’s fool — ']'11g f'\ J New Songs and Duets, Selected from the Catalogue of G. Schirmer, New York ALLITSEN, FRANCES, A Song of Thanksgiving (with Organ ad lib.) High, medium or low. — I know a little Rose. '(Ich Weiss ein Riislein roth.) M.-Sop. — Eight Heinrich Heine Songs: A Pine-tree standeth lonely. (Der Fz'c/zienbaum.) Two Sapphires those dear Eyes of thine. (Sttjﬁ/tire sinrl die Augen deizz.) Diamonds hast thou and Pearls. (Du /last Diamante” um! Perlen.) King Duncan's Daughters. (Die Botsc/mft.) Since my Love now loves me not. (Seit die Lieéste war mztferrzt.) Fathoms deep may drift the Snow. (Magda draussenSc/mee sic/1 t/tz?¢‘r1nen,) Oh Death, it is the cold, cold Night. (Der Tod das ist die /:22‘/zle Nae/ti.) Katherine. (lfat/Larine.) Complete in one Volume. net AMBROSE, R. S., One sweetly solemn Thought. Sacred Song. High or low. BARTLETT, HOMER N., Come, see the Place where Jesus lay! Easter Song. High or low. —— 0 Little Town of Bethlehem. Christmas Song. With Piano and Violin obl. High or low. —: Sayonara. M.-Sop. BLACK, JENNIE P., 3 Songs for M.-Sop: No. 1. Storm, the King! “ 2. The Rosary. “ 3. The Violet. BROCKWAY, HOWARD, Op. 22. Two Songs: No. 1. Would thy Faith were mine. Sop. Lend me thy Fillet, Love. M.-Sop. BUCK, DUDLEY, Boots and Saddles. (A Soldier's Farewell.) Ten. (Original) C; Bar. Ab. —— O, Saviour ofthe World. Offer- tory. High or low. Until God's Day. High or (K 2. -13» low BURLEIGH, H. T., Plantation Why Love is King. High or Melodies, Old and New. net CAMPBELL, G., For one sweet Smile. M.—Sop. CASTELLO,GEORGE E., 4 Songs for Sop. (or Ten.): To the West Wind. Cou1d‘st thou but know. Du bist wie eine Blume. sweet as any Flower.) Sehnsucht. (Yearning.) CLAY, FRED, The Sands o’Dee. Sop. (Ah. $0.75 .50 .50 .5o .60 .60 .4o .60 I.00 .50 DE KOVEN, REGINALD, Abide with me. Sacred Song for Alto. Barcarollez “You are the Moon, my Love.” Sop. ? Battle Grey. M.-Sop. Love’s Trinity. Alto. — My Nightingale. Sop. DENZA, L., In Shadowland. High or low. FREY, ADOLF, Over the Way. Sop. GOLDMARK, RUBIN, Op. 5. Four Songs for M.-Sop. (or Ban): No. I. Ode. “ 2. Spring Rains. “ 3. The old, old Song. “ 4. A Love Symphony. GRAY, HAMILTON, The Golden Pathway. High, medium or low. —— Purple Heather. High or low. d’HARDELOT, GUY, In Bracken- time. Sop. HASTINGS, FRANK S . , F air Helen. (Old Scotch.) High or low. —-— For Love of You. High or low. —— Rose dark the solemn Sunset. High or low. HAWORTH, C. E., At Last. High or low. HOMER, SIDNEY, Eight Poems by Tennyson : Break, break, break. M.-Sop. Gm. Sop. Bbm. Crossing the Bar. M.-Sop. Db, Sop. E. Sweet and Low. M.-Sop. Db Sop. E. Thy Voice is heard. M.-Sop. E]; Sop. F. Home they brought her Warrior dead. M.-Sop. Fj;m., Sop. Am. The City Child. M.-Sop. Eb Sop. F. Minnie and Winnie. D, Sop. Eb. Er]13id’s Song. M.-Sop. Bb, Sop. p. M.-Sop. LAER, C. E. van, Crossing the Bar. Sop. LEHMANN, LIZA, Mother Sleep. High or low. MASON, DANIEL GREGORY, I love him. M.-Sop. : Shall I upbraid or praise her? NEIDLINGER, W. H., Life and Death. Bar. F; Bass D. — Thy Face. Baritone. NORMAND—SMITH, GER- TRUDE, Four Songs for M.-Sop. (or Bar.): Auf der Heide. (On the Moor.) Das Hiiterkind. (The Shepherd Child.) Sunnenwendnacht. (S 0 ls t i c e Night.) Der Geworbene. (The Recruit.) $0.60 .50 .60 .60 .5o .60 .5o .60 .40 .5o .60 .50 .5o .60 PRICE, C. E. B., A Few more Years shall roll. —— My Father for another Night of quiet Sleep and Rest. Sacred Song for Bar. (or Bass). RODNEY, PAUL, Clang of the _ Forge. Bar F; Bass Eb. ROGERS, JAMES H., “Moods." Four Songs : No. I. Not from the whole wide World I chose thee. High or low. “ 2. Years have ﬂown since I knew thee ﬁrst. Sop. “ 3. You. High or low. “ 4. Who knows? High or low. SAAR, LOUIS V., Hark, hark, pretty Lark. Sop. With Violin. —— Lilian. Sop. With Violin. SARJEANT, J., Blow, blow, thou lVVinter Wind. High, medium or ow. STAHLSCHMIDT, ARTHUR E., Concita. A Serenade in Seville. Ten. (or Sop.). —— If I were loved. M.-Sop. (or Bar.). STERN, LEO, Soupir. (A Sigh.) Valse lente. High or low. THOMSON, SYDNEY, I heard the Voice of Jesus say. Sacred Song for Alto (or Bar.). TSCHAIKOWSKY, P., Pi1grim’s Song. Bar. (or Bass)E; Alto D. WARREN, SAM’L P., Faithful. M.—Sop. —— Waiting.‘ M.-Sop. WHITE, MAUDE V., How do I love thee. M.-Sop. (or Bar.). WHITING, ARTHUR, Barrack- Room Ballads (by Rudyard Kip- ling). (Da7myDeever. Zllmzda/rzy. Sacred Song for Bar. $0.75 .50 .5o .50 .50 Soldier, Soldier. F/uzzy— Wuzzy. net I.0o “ Floriana.” Poems by Oliver Hereford, from “Overheard in a Garden.” For Solo Voices and Piano. VOCAL DUETS. ALBUM ofsixteen Sacred Duets for various Voices. net Dvoiuix, ANTON, Echoes from Moravia. (Klange aus Méihren.) I3 Two-part Songs for Soprano and Alto. g. e. RUBINSTEIN, A., Eighteen two-, part Songs : g. e. Paper. Cloth. net 1.50 I.O0 net 1.00 1.00 2.00
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Date: 1865
Text: ///. «/2 / / ///’%'////e, V K _,E, of Buffalo, IV. A ;,;.-_:—<-_;vs_>__—_- 4~ EEEENAEE WORDS By LDNGFELLDY/Y MUS 10 BY redH.PEasE. .,-[7/7/M7’ 0/“ " Tvmler &T11w.‘‘ “ Eluw, Built) Hlnw," eunl "Ayoa1"'5 sphlludl .\\\9;44_- ‘~95-Of. , -/rip gf’ * 2 ‘P/; ;.;.«; ("W77 J‘!!:3“£V0B.Ki» 5°ﬂ'3':*§B> \ \ /K_/ 7 ’ \‘— , ‘J 13l{\\.~\1)Y't’1\Y'.\;/' ‘ ':J }X7/71/ml //u,;,/7'2[I,I1;/ 7:7./Zr? /77 /h7,yr/;~*.\'<&apos...
Show more///. «/2 / / ///’%'////e, V K _,E, of Buffalo, IV. A ;,;.-_:—<-_;vs_>__—_- 4~ EEEENAEE WORDS By LDNGFELLDY/Y MUS 10 BY redH.PEasE. .,-[7/7/M7’ 0/“ " Tvmler &T11w.‘‘ “ Eluw, Built) Hlnw," eunl "Ayoa1"'5 sphlludl .\\\9;44_- ‘~95-Of. , -/rip gf’ * 2 ‘P/; ;.;.«; ("W77 J‘!!:3“£V0B.Ki» 5°ﬂ'3':*§B> \ \ /K_/ 7 ’ \‘— , ‘J 13l{\\.~\1)Y't’1\Y'.\;/' ‘ ':J }X7/71/ml //u,;,/7'2[I,I1;/ 7:7./Zr? /77 /h7,yr/;~*.\'<'/ﬂ J5‘!-7 7'? 727- ,'uI".,'I//,/I7//1'/" m //«.w «,7:/7'/rfv ///’~//or :17"//ze /17, #171,‘? cw//7:‘ «// '7//v ,r/rr/7.77:7‘/7 ]//,' \'?2'/1'7,‘ 177/1")’///X’, EDWARD SCHUBERTH & CO.‘ U?'~‘w“-M * '/ ‘'7 r.;?w n(\RK nusoc uannnv VASSAR COLLEGE “STARS or THE SUMMER NIGHT.“ S E R E N A DE . _ ...¢,.}_# From ,L01zgfeIlo'u7'.s‘ “SI’.~lJ'\" I SH STU[)E'.VT." ..=7lu,.\'ic by .»lI.1v‘,R,EI) II. Pz"4]AU§'E. Allegretto. PIANO. dwllllllil’ (‘P - Iu fl L'I‘€«\‘(7o the summer night! ': * de-eps, Hide, 3'20 _ I... —-*' -- -0‘ -:!~ Enio 794! ucc0~r({i11g In A at 0f('o11g:=e.\~.v. A . Ii. J1 86.5‘!/*4:,~ Il'w>:- 11- .‘e.‘v!'a'i:~:nt»1-, in tlw (,'.’er£".s- ¢')ffic:«» nf llu» l)1',.s-lriv-I ('0 u ri If lim Sr; is 12,4» my i.P.v'x I ricv-I rr,’f'3\V. Y‘ ‘ l)g0l—dv_n light! S'i1(j sleeps! my 121 - dy sleeps.’ 3? of the. summer night! western steeps, ful - gi - do mm vol T’ min hen Sink, sink 1]] sﬂ — ver light! She s1eeps!_-_-_ . ' dy sleeps! sem re P .\'Plll}Il‘(’ . P sleeps I PI’ not - lur - 1m (,1! — 1' the sununer night! V\"ht-re yonder Wuocibijme creeps, pu e m’ rm’ fold your pillinns light!She sleeps! -0- Sug —. no Ill’, 51991“ 5 Dreams of the J_. , /1 mic pensie-r (In Im. — cio cresc. summer night! Tell her, her 1ov- e:r keeps VVatch, while in 0 P380. slumhbers ﬁght! She sleeps! . . W ‘ sleeps! 70]) 77’ mo're1u.lo. moreudo . l’I’l' UH Ives , Ii II_(/‘ Gaialogue No. 3 of Voca Music, published by G. Schirmer, New York, SONGS FOR ONE VOICE. N. B.——e. for English; i. for Italian; g, for German; 1’. for French; 1. for Latin; in. for minor; M.-Sop. for Mezzo-Soprano. Abt, Franz Embarrassment. (Verlegen- hi-it.) sép. in D5, Alto in B5, each.... T- The same arranged - on . Db. —— In Love’ 5 Embrace. (Iin Arm der Liehe Sop. F, Alto Db, each . . . . . . . . . . . . —- Irene. (Whether I love thee.) c. g -— It was not thus to be! (Es hat t sollen sein.) Sop. Dy, Alto Bb, each... —— Maiden, arise! (Miidele, guck 'raus.) Serenade. . . . . . . . . . . . . . . . . . . . . . . . . . . . . —- My Tliouglit thou art ever. (Du bist mein Gedanke.) Sop. Ab, Alto Eb, each, Adams, St., Nancy Lee.... —— The Sailor’s Farewell j 1 . . . . . . . . . . Alury, (}., Colinette. Chanson. f. . .. —- ll Sospi‘ . (The Sigh?) 1. e . . . . . . . . . . .. L., Forosetta. ( he Frolicsome.) ‘einpo di Tarantella. ‘ . ,each._....., . . . . . .. ‘ .. (Lass dich lieben.).._ Bach, N. G., ltlkir par le Roi Henry III.: Jlnl pertlu cc e. ' ' Balfe, M. W., ._ _ Heart bowedg ﬂown.” (l;’Al'llll& mi raminenti.) a at, G. e. . i. 0. . Barnb 9 -3., [ii Spi'ingtiine.. T hen the Title comes in Bartlett, H. N., Moonbeam Bassford, W’. K., Beloved . ——- She l'll1ll[_'; the Roses in the Air . . . . . . . . .. Beethoven, L. van., Adelaide. e. g, Sop. Bp, M. -Sop. G, Alto F, each . . . . . . . Benedict, Jul., Variations (le Concert sur le Carnnval dc Venice. i. g . . . . . . . . . -— Rock me to sleep. (Wieg‘ micli in Ruh.) . . f . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bevigiigni, E., La Fioraja. (The Flower Girl.) Canzo e i . . . . . . . . . . . . . . . . .. —— Pour qui ton Coeur? (Who wins thy Heart?) f.e . . . . . . . . . . . . . . . . . . . . . .. Bllunonthal, J., ’I‘he Message. (Mein Grnss.) Sop. F, M.-Sop. D, each 1 My ueen —— My true Love has my Heart. Ballad .. T The Requital. (Vergeltung.) . . . . . .. .. -— When we are Iparte ..,.., . . . . . . . . . . . . .. Blumner, NI... 1V y Heart is like the gloomy Night. (Mcin Herz ist wie die dnnkle 0 2 Boon, F., Coniin 35 Brgga, G. , Les troigs Bouquets dc Marguerite. (Margnei-ite’s three Bouquets.) c. i. 1'. With Accompaniment of Piano and Violin, or Cello, or lute . . . . . . . . . . .. . Brahms, Joh., Alil sweet my Love! (Wie bist du, meine Koni "n. .. ._ . . . . . . —- How free and fresh my Heart. (Wie lroh imd frisch inein Sinn.) . . . . . . . . . . . . . . . . —— Must we then once more be parted ? (Muss es eine Trennung geben ?) . . . . . . . —— Rest thee, my Lady. (Ru e, Buck,NDl1dley, Five Songs for Alto or Bar. o. 1 ’ 5. Storm and —— 5 Songs for Tenor or Sop. No. 1. hou art mine! 2. Shadow Land. 3. I love theel 4. The silent world is sleeping. 5. Creole 1over‘s song. Campana, F., E una Mngia il Canto. (The magic Power of Song.) Ballata... ——- 10 t’ amero. (I’ll love but thee.) Alt e. ——- Morir per te. (For thee.) M.-Sop. i. e., -—Speakto‘me . . . . . . . . . . . . . . . .. — Vivere e godere. Ballata. ——- La Zingarella. (The Gypsy.) or Alto. eac . Chapman, \V1n_., R.Adieul. Chopin, Fr., Anne-moi. (Love In M zurka, arr. by P. Viardot. e. f. g. Sop. (ihoudens, A., La Bergeronnette. (Id be Shepherdess.) e.f. Valse chantée. M.-Sop. 50 Cirlllo, V., I1 Canarino. (The littleCanary.) Scherzo. i. e. So .. ~— Vienii Melodia. . . . . . . . . . Claplsson, L., My Soul to Go , my Heart to thee! (Die Seele Gott, mein Herz fiir dich. . ........... .. Clarlbei, Strangers yet. . —— Take back the Heart. . -— We'd better hide a wee. . . . . . —- Won’t you tell me why, Robin Y . Clay, Fred., She wandered down the mountaii,,Si<le.... . . . . . . -—-_The Shades of Evening close around —— . es or o . . . . . .. . Conradi, A., My Darling. (H n inei I.) Serenade. Sop.C Alto Al),each. Cooper, I-lenry, My Star. (Mein Sterii.).. Wislies. (Sunnsi1cht.) .. ..... Cotven, F. ., At last .. -—— The better Land. . . . -— It was a Dream. Damroseh, Dr. L., Siegfried s Swor Tenor. e. g. Orchestra. Score, net.. Piano Score............................ Son of the Fisher Boy, from Schi1ler’s Tel. e.g. op . . . . . . . . . . . . . . . . . David, Fel., Lalla Beulah: “O mu Mui- tresse.” (O faircstMaiden.) Barcarolle. f. e. Sop. Ab, Alto F, eac . . . . . . . . . . .. Pessauer, J .,The pale Moon’s Silver rays. (Des Mondes Silber riiint.) Alto E.. . : ToSevi1ln. (Nnch Sevilla.) Sop. o Fin., each Dolores, All yesterday I was spi g. . ~— e Brook. Words by Tennyson . . . . .. Donizetti, G., Figzlta del Reggivnevilo .- “Quando il Destino.“ (Ask me not why.) i. f. c . . . . . . . . . . . . . . . . . . . . . . . . .. Esser, 1]., Farewell, beloved Forest green. (Ade, du heher Tannenwald.) . . d Complete Catalogue of all my Publications and of “ Edition Peters” sent on Siissliebclien.) ' .22 Q0 Esser, 11., Love‘s Hope. (Liebes-Hoifnuno.) » My Angel. (Mein Engel.) Sop. Eb, Alto Bf), each Fabiani, Dario, Lasciati amare. ve thee.) Romanza. Tenor . . . . . . . .. Fnure, J., Alleluia d’Amour. (The Alleluia oi Love.) f e . . . . . . .. ‘ . . . . . . . . . . . . .. —— Bonjour, Suzon l (Good Day, Susanne I) —— Far from thee . . . . . . .. ——- Sancta Maria. f. e. . . Federlein, G., Love-lies-bleeding. ncnde _Liel)c.) — on l ‘}3'iit't‘e'r'ii5v,’ stay i. I T" Ferri, N., ll/Ilarianiiia. i. f. e. S A c . . . . . .. . . . . . . . . . . . . . . . . . . . . . . .. 3 ——- The Maiden's Evening Song. (M‘ clien- l ed . 3:2 , ca Fesca Alex. iidclien ove. (Liebesbotschaft.) Sop. Bm., Alto Am., each . . . . . . . . . . . . . . . . . .. : The Wanderer. (Der Wanderer.) Sop. lto A e , , ac . . . . . . . . . . . . . . . . . . . . .. Fischer, C. 11., A Toast to Spring. (Fl-uh- lin rstoaste. Sop. B5, Alto G, eacli.... Franz, 0b., 35 Songs. e. g. Svo, net F iichs, F. 0., Mariners Greeting. fer‘s Gruss.) Sop. Gabriel, V., The Garden Alto E , each . . . . . . . . . . . . . . . . . . . . . .. ~—- Niglitfah at Sea. Alto . . . . . . . . . . . . . . . . . ——- Only! Sop. '.A.it<3'A','e'xlt3i1', The Bee.) f. e. so early I \ aliz . Giorduni, Caro mi i. ‘ . 'Alto, each Gomes, 0., Mia Picirella. (My little Dar- ’ i. e. Sop. E9, l\I.-Sop. C, each. . L., La Bianchina. i. e. Mn (Regard me.) Mclotli —— Vii guarda. a. (The Night is ﬁne.) —— La Notte é bella. EIYCHX‘ . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Gounod, Ch., Au Printemps. (To Spring.) c. f. i. . M.-So . D Alto C, each.... ~— Biondina. (Oh, Face the fairest l) . 0 : Canti. ridi, dormi. (Sing, Smile, Slum- ber.) Serenade. i. 0., or f. e. Sop., M.- Sop. or Alto, each . . . . . . . . . . . . . . . . . . . . . . ——- The same, with Piano and Flute, or Violin or Cello Accompanimeiit, each. . . . . . . —— Faust: “Dall’ avito Suol natal." (Lov- IWlEg Smile of Sister kind.) Cavatina. 1‘ — 0 . . . . .. . . . . . . . . . . . .. —— Ho messo nu _ . (Again, my "entle Lute.) 1. f. e. . . .. . . . . . . . . . . . . . . . —— I-lP"ymne a la Niiit. (Hymn to the Night.) e. i. 1'. Sop. C, Alto 135, each. . . . . . . . . . ——- Maid of Athens. Sop. E9, Alto C, each. —— Noel. (Christmas Song.) 1’. i. c. Sop. E9, M.-Sop. C, Alto Bi), each . . . . . . . . . . . —— The same for op. with Accompaniment of Piano and Vio in . . . . . . . . . . . .. —— Oh l that we two were niaying. e ——- Senza te ! (Without thee.) i. e. .) i.e. . .. .. e V . (The V icy.) i. f.c ..... .. $120, La Camelia. (The Camellia.) .— ‘o . '. . . . . . . . . . . . . . . . . . . . . . . . . . .. —— Il Cielo e te. (Heaven and thee.) M.- Sop. i. e —— La jeune Fille et l’Ois . L the Bird.) f. c. Sop. Eb . . . . . . . . . . . . . . . —— The Lover and the Bird (Trost im Lied.) Alto1nC. e.g.. . . . . . . ., . . . . . . .. Gumbert, F., Ali ! _ ugth ‘tis here. (Der Augenblick ist da.) Polka-Rondo. —— Come, w ere Pleasure is beaming. (Kommt, wo Kerzen strahlen.) 3d Waltz-Rondo. Sop, F, Alto D1), each. —— EIl)I§1ltl(l9. (Abendstille) Sop. F, Alto ,eac1 . . . . . . . . . . . . . . . . . . . . . . . . —— Love's Joy. (Liebesl‘reude.) 4th Waltz Rondo. Sop. D lto Bp, each ...... .. ——- My Song! (Mein Lied.) Sop. D, Alto Gugll ie Tl “ . nan in’s Leben.“) Sop. Ab, Alto 1*‘, eacli.. . 11., K. E., Ilove thee . . . . . . . . . . . . . . . . . . . . .. Halévy, l?'., L’Eclai7‘.' “ Quand de1aNuit." (Call me thine own.) 1‘. e. g . . . . . . . . . . .. Hiindel, F., Lascia ch‘io pianga. (Hei-elct my Tears it. ed Ar’- Rinaldo. . — Rendi'l sereno al Ciglio. (Cast from thy Brow that Sadness.) i. e . . . . . . . . . . . I-Iasse. Ad., (1699-1783.) Ritorneraifra poco. (To a Brook.) i. e. S ‘ Alto, eacli. I-Iatton, John L., Bid me to live. House, dC)arl, Slumber Song. (Schl ie. . . . . . .. .. Verdure clad. Air from Ilenrion, P., SweetLove,arisel (Liebchen, steh aufl) . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Heymann, A., Yes; thou art mine. , du bist mein.) Sop. Db, Alto lip, each. Hill, W., The Maid of the Rhine. (Das Herz am Rhein.) Sop. G, Alto E, each. Hiller, Ferd., Three Songs. Complete. Sop. or Alto, each . . . . . . . . . . . . . . . . . . . . . No. 1. Partinv. (0 du lieber Schzitz.) N0. ‘2. Were fa Bird of Air. (Wenn ich ein Viiglein Wiir‘.) 0. 3. Maitlen’s Song. (Miidchenlied) Hodges, Faustina Hasse-, All in Sun- shine . . . . . . . . . . . . . . . . —— Drifting . . . . . . . . . . .. . ——- Snowyiily of the Valley . . . . Holzel, 61., Evening Prayer. (Naclit«Gebet.) Sop. F, Alto E5), each. . . . . . . . . . . . . . Hullall, John, The Storm . . . . . . . . . . . . . (Let me Hullall, John, Three Fishers eller, 0., Blind Man. (Der Blinde.) . . . . . . Kirchner, ’l‘h., They say ‘tie Love. (Sic sagen, es ware die Liebe.) . . . . . . . . . . . . . . Korbay, F., Forever and Foreve . och Ness . . . . . . . . . . . . . . . . .. ——- Love Song —— Reed Songs. e. g. i. Complete. ——- The same, in separate Numbers: No. 1. There the golden Sun descend- , ing. (Driiben geht die Sonne schei- de . . . . . . . . . . . . .. No. 2. Heaven low‘rs. (Triihe wird's.) No.3. ‘Neath the Twilight's parting Beam. (Sclileich’icli gern’im Abend» schein.) . . . . . . . . . . . . . . . . . . . .. . . . . . . . No. 4. Sunkcnis the Sun. (Sonnennn- I tergaug. . _ . . . . . . . . . . . . . . . . . . . . . . .. , No. 5. On the Lake the Moon reposes. , (Auf dem Teich, de:-1 regungslosen.). --~ Resignation. e I (Lcise . -——- Softly throurli in Spirit rin . zieht (lurch§incin5Geiniith.). . . . . . . . . .. —~— Summer Night’s ong . . . . . . . . . . . . . .. .. ——- Why are the Roses so pale? Sop. G, Alto F, each . . . . . . . . . . . . . . . . . . . . . . . .. Kreutzer, 1 ., Landla<ly‘s little Daughter. (Der Wirtliin Tochterlein.) Kﬁckfxlll, Fr.. Ave Maria. e. g. Sop. E9, I: each —~—- Gently rest. Mother’s Song. merited.) . . . . . . . . . . . . . . . . . . . . . . . . . : Gisela. (Golden Day ﬂed aw . e. . . —— Heaven hath shed a Tear. (Der Himmel hat cine Thrline gewcint.) With Ace. of Piano and Violin, or Clzirionet, or Cello.1 —- Oh, come, Mariel (O konim, Mariel)... 1 The Starlet. (Das Sternlcin.) Sop. D, Alto B9, eac . . . . . . . . . . . . . . . . . . . . . . . . .. ——- The Tear. (Die Tlirane.) Sop. F, Alto E), each . . . . . . . . . . . . . . . . . . . .. . ——- We met by Chalice. (Lauf der Welt.).. . Lachner, Ign., Everywhere thou. (Ueber- all clu.) Sop. or Alto, each . . . . . . . . . . . . ——- Round thy dear Home. (Stnrrcnd vor rost.) Serenade . . . . . . . . . . . . . . . . . . . .. Lassen, E., Ahl ’tis a Dream. (Ieh hatte cinst ein scliones Vaterland.) Alto. . . . Lecocq, Ch., Gz'2-oﬂé-G7:7'a_ﬂa..- Pére adore. ('l‘uru not away.) f. e. Levey, W. C... Esmeralda... Lﬂluillier, E., Maudit Pitlll0. Piano.) f. c. Comic) Liebe, L. My native Vale. (M 0' tliai. ch . . . . . . . . . . . . (Auf Wiedersehen.) op. Alto A, each . . . . . . . . . . . . . . . . .. Lindsay, Miss lYI., Bridge . —- F211‘ away 1 Tired . . . . oo late., . . . . . . . .. . Liszt, Fra1lz., Favorite Sonas : No.1. Mignon‘s Song: zlinowest thou the Land? (Keniist du das Land?) Sop. Fit, Alto E17, each . . . . . . . . . . . .. No. 2. Wanderer‘s Night Song. (Uebcr Allen Gipfeln ist Riih.) . . . . . . . . . . . . . . No. 3. Tliou‘rt like a Flower. (Du bist wie eine Bliime.) Sop. A, Alto Fit, each No. 4. Angel fair, with golden (Angiolin dal biondo Crin.) e Sop. A, Alto F, eacli . . . . . . .. No. 5. The Loreley. was sol1‘s bedeuten.) . . . . . . . . . . . . . . . . N0. 6. I love but thee. (Ich liebe dich.) No. 7. The Violet. (Dns Veilclien.). . . . No.8. A wondrous Thing "tmust be. (Es muss cin Wundcrlnires scin.). . . . No. 9. Comment (lisaient-ils ?.. . . . .. . . . . No. 10. A Fir Tree stood all lonely. (Ein Fichteiibauin steht einsam.) . . . . . . . . . No. 11. Sound softly. my Lay. (Kling leise, mein Licd.) . . . . . . . . . . . . . . . . . . . . No. 12 Oh, thou that from Heaven artl (Der du vom Hiinmel bist.) . . , . _ . . , , _ , No. 13. Once again I fain would meet thee. (Wiedermoclit icli dir begegnen.) No. D Lo\'e‘s bright Joy. (In Lie- be ust. . . . . . . . . . . . . . . . . . . . . . . . . . . .. No.15. Joyful and inournful. (Freud- voll und leidvoll.) Sop. A5, M.-Sop. E,each... . .. . . . . . . . . . . . . .. 0.16. Ki _ of Konigin Thule.).... . Loder, E. J., Thcre’s a Path by the Rive ' . Lotti, A., Pur dicesti. (Parlc encore.) Ar i. f. c. Sop. or Alto, each . . . . . . . . .. .. Lndovici, F.W., Like aWater-Lily lloa ng Luzzi, L., Mia Madre. (My Mother.) e. i.. Macii-gIie,lC. A., Lullaby. Sop. E7, Alto ac 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . (Es war ein , e . Mariani, Ang., Non cainhia mail (Ic can never know.) Stornello. i. e Marston, G. W., Daybreak. M.-Sop. —— Donald. M.»So . . . . . . . . . . . . . . . . . . .. ~—~— From the close shut Vlfindow. Alto. . . . Martini, Plaisir d’Amour. (The Joys of Love.) M.—Sop. f. e . . . . . . . . . . . ._. .. Massenet, J., Serenade to Mignon. 1. t’. e. Tenor or Sop. . . . . . . . . . . . . . . . . . . . . .. lllattei, '1‘., Aino. (I love thee 1) Sop. Ab, Alto I< , each A —— Che Gioja l (What Joy 1) Waltz. e. Sop. Bb, Alto , eac 1.... .- . . . . . . . . . . .. — — Dehl parla. (When thou smilest.) Ro- manza. i. e . . . . . . . . . . . . . . . . . . . . . .. .. ——- Io la. perdei. (Lost now to me.) . . . . . . -— Non so perché. (I know not why.) ' . D M.-Sop. Melodic-Valzer. 1. e. ‘op Nlendelssolin, F., 0 . A 'Fliigeln des Gesanges.) . . . . . . . . . . . ——- Pni-ting and Meeting. (Es is bestimmt.) + Slumber Song. (Bci der Wiege.) . . . . . .. S S ring Song. (Es brechen iin scliallen- cn Reigen.) . . . . . . . . . . . . . .. . . . . . . . . . . .. —— Spring Son . (Der F "hluig naht niit Brausen.) . . . . . . . . . . . . . . . . . . . . . . ——Suleika. . . . . . . . . . lllereadante, ‘., And7"on'zc0: Soave Im- magino. (Evening comes softly.) i. e.. ro 210 25 35 '35 35 35 25 35 40 35 35 35 25 35 Nlercadante, S., La Rose. (The Rose.) _ I_aS'tel1a:"(The'Star.') """" " . " Mercier, 0115., La Chari Romance. f. e.. e. f. g . . . . . . . . .. Venetianischen Gondo- (Go i go! said she.) Sop. E. l’. i. g. e.. lllollenhaner Ed Secret Love. Go- lieime Liel)e.) New Edition . . . . . . , _ . . . Molloy, ET. In, Clochette. Sop. F, Alto D, eac . . . . . . . . . . . . . . . . . . . . . . . . . . . .. —— The Gleaners . . . . . . . —— The little Tin Soldier. ——- The old Cottage Clock.. —— The old Sailor-Wife . . . . . . . . . . . . . . ——- Twilight Fancy; or, Dresden China. ——- White Daisy . . . . . . . . . . . . . . . . . . . . . . . . . . .. Mozart, IV. A., Figaro.‘ “Voi che sapet ria. e. i. f. g. op. Bi), Alto Ab, ea.ch.... lvluzio E.,La Madonna del Pescatore. (The Fishei-inan‘s Madonna.) . . . . . . . . . . . . . . . . Nicolai, W. F. (Pu, Turn not on me those Glances bright. (O sieh mich nicht.).. Osborne. G. 11., Who’s at mywindowt... Paladilhe, E., Souvenir de Rome. [Man- dolinata]. (Moonli ht Serenade.) 1'. i. e. _ Tenoror Sop. G, .- o . ,e ch Patti, Adelillél, Speine arcana. (Secret ope. i. . e . . . . . . . . . . . . . . . . . . . . . . . .. Pfelfer, C. Messenger ofL0ve. (LielJesbote.) Sop. , Alto Db, each . . . . . . . . . . . . . . . . .. Pinsuti, 0., Constant Love. (Je t’aimais.) I(T‘ain-ava allor.) i. f. e . . . . . . . . . . . . . . .. —— The captive Skylark. ——- The Skylark free. —— The Swallow. . . . . . . . ——- Welcome, pretty Primrose . . . . . . . . . . . .. —— What we have loved. we love forever. . . Poniatolvski, Yeoman‘s Wedding Song. . Potter, “I. A., Oh! wilt thou have my Hand, Dear? . . . . . . . . . . . . . . . . . . . . . . . . Randeggcr, A., Peacefully uii er. (Sanft sci (lein Sclilunimer) —— The same,witli Accon 2 Altos, and 2 Cellos. —— What are they to do ? . . . . . . . . . . . . .. Reichardt, AL, J‘aime! Je snis aimél (I ’ love, I am loved l) Romance. 1'. e. . . . . —— Love’s Request. (Liebeshitte) . . . . . . . —— Of thee I think. (Icli denke dein.). eiehardt, G., Image of the Rose. der ose.) Sop. G. Alto E, each . . . . . . . Reinecke, (1., Greeting to the Woods. (Wal<lesgruss.) With Accomp. of Piano and Violin, or Flute, or Cello, each. .. . — Spring Flowers. (Fl‘lll'lllll°5b1llIl16l].) With Accompaniment of Blane and Violin, or Flute, or Cello, each . . . . . . . . —— Songs from the Fairy Cantata "Snow~ drop” (“ Sch-neewitlc/Len“) : 0. he Songs of Birds. (Die Voglein singen.) ‘ . . . . . . . . . . No. 3. Our Meal is ready. (Lied des Zwerges Tom.) M.~Sop No. 6. Snowdrop in the Forest. (Lied des Schneewittchen.) op . . . . . . . . . Rice], Fred., Crowned with Joy and Hope. Vocal Waltz from the Opera Una Follia a Roma. i. f. e. Sop. D, Alto C, each.. Riviére, J ., Gentil Printemps l (Spring, gentle Sprin ’ ’ 'a1lin{éil£b'r'i>izlnd, !) o e . . . . . . . . . . . . . . . Robaudi, V., Aﬁa Stella conﬁdente. (Bright . . 0 Star of Love.) i. e . . . . . . . . . . . . . . Rotoll, A., Speral (Hope then l) i. liubiilrsltiein, A ., Morning Song. ie . . . . . . . . . . . . . . . . . . _ . . . . . . . . . . . . .. —- Thou’rt like unto a Flower. (Du bistwie eine lume.) Sop. F, Alto E), each . .. Rupeg, G., Rappelle-toi. (Oh! think of me.) . e . . . . . . . . . .. —~—— Tout nous dit d’e us Hope.) f. e. .. Scarlatti, AL, (16594 .) Le Violette. (To aViolet.) i. e. Sop. or Alto, each. . . . . Schira, F., Sognai l (I dreamt.) Reverie. . (Erlkoni ). . . . . . . . . . .. .. k l the Lark. (Horch, horch, die Lerch.) . . . . . . . . . . . . . . . . . . . . . . . . . . —— The Question. (Der Nenoierige.) . Schumann, Rob., Vocal Album, contain- ing tliirty of his best Songs. e. g.... ———Thesame,l)ound....... .. — Dedication. (Widmun . ——- Fresh Green. (Erstes érhn.).. . . . . . ——- I neger complain. (Ieh grolle nicht.) e. ——— O sunny Beam. (An den Sonnenschein.) —-——- Silent Love. (Stille Liebe.) . . . . . . . . . . . . . — Spring Greeting. (F1-iihlingsgruss). —— Spring Night. (Fl‘l'.ll]lil1§§§1a0hlZ.) ...... .. ——- Tiiylovely Face. (Dein gesicht.) Sop. or Alto, each —- The two Grenadiers. (Die beiden_Gre- nadiere.) Ten. or Barn, each .......... .. —— A Woodland Dialogue. (Waldesve- spr5ich.)........ . . . —-—- W0man‘s Love an . (Frau e und Leben.) Eight Songs. e. g. Com- plete. Sop . . . . . . . . . . . . . . . . . . . . . . . . . . .1 —- The same, in separate Numbers 2 No. 1. His Iina e. (Seit ich ihn gesehen.) No. 2. He, of al the best. (Er, der herr- lichste von Allen.) . . . . , . . . . . . . . . . . . . . (Ieh kann‘s fassen No. 4. ThouRingu 0nmyFinger. (Du Ring an meinem ‘nger . . . . . . . . . . . . .. No. 5. Bridal Day. (Helft mir, ihr Schwestern.) . . . . . . . . . . o. 6. Tears of Happiness. (Siisser Freund, du blickest mich.) . . . . . . . . . . . No.7. Love‘s Delight. (An meinem Herzen.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . No.8. The Forsaken. (Nun hast du mir den ersten Sohmerz gethan.). . . . . . Application. IMPORTEB. of MUSIC and PUBLISHER, SOLE AGENT for “EDITION PETERS” (LEIPZIG). . . 5 (Morgen- 3 25 35 25 35 50 35 50 35
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Date: 1865
Text: yfzw YGRK. 7ot93R®N3W9\Y- 61% ,9-/w-mg;-LM/zc K/ex-,(:r we 45///i/ﬂl.;”2’rt(é (émcyz/2/» (J. J7//}ro‘:r«. .>'ozz///en vﬂzevt/~iz£ A/Wu/. }’3'I'/1: .25‘:-u2revtarz'or-o£;>zg Q/Jrmfibrzg/rczrr was 2?4.7-_7€5’.>‘ ’ MUSIC LIBRARY VASSAR COLLEGI BEWARE! W7) rds by H. LOI\‘GI'ELLU”". JI1u'I'L' by (". 4 IO (LI/I’()_.f\'. 1. I know a fair to see, 2 . She has I II‘() soft (1 1:41 I; roum , She can both false and She gives a side glance be...
Show moreyfzw YGRK. 7ot93R®N3W9\Y- 61% ,9-/w-mg;-LM/zc K/ex-,(:r we 45///i/ﬂl.;”2’rt(é (émcyz/2/» (J. J7//}ro‘:r«. .>'ozz///en vﬂzevt/~iz£ A/Wu/. }’3'I'/1: .25‘:-u2revtarz'or-o£;>zg Q/Jrmfibrzg/rczrr was 2?4.7-_7€5’.>‘ ’ MUSIC LIBRARY VASSAR COLLEGI BEWARE! W7) rds by H. LOI\‘GI'ELLU”". JI1u'I'L' by (". 4 IO (LI/I’()_.f\'. 1. I know a fair to see, 2 . She has I II‘() soft (1 1:41 I; roum , She can both false and She gives a side glance be, do u'11 , ~19’? E11 It- rmlztt-r-r» nling In A (‘l ufi '0 ng 1-as-3 A.D. 1 8 6 5, by Bee1~¢f=Schi rmer, in "(P ('10 .»=I.".s- ()ffi¢.-P of llw I) is! rit-l ('01: pl - of the So 11 (Item: I)1'.s' l rid of ,\'e>w I '0 rlr. Sht-'s foul - ing She's foo? - ing /\ f the-4» She's fqv-ML - ing SI1.e‘.s foo?! — ing she‘s fool — ing .s'he’.s' fool - ing V thee sht=’s foul - ing she's fool — ing thee ________ -_ llwe._; _____ __ Sh9’s ‘fool — ing thee ............ .- she's fool — ing thee, She‘s fool — mg /\ BEER 82; SCHIRMERS CATALOGUE of VOCAL MUSIC. SONGS. (Those marked with *‘ are with embellished titles.) 5 Abadie, L., Le Vieux braconier, Rom. franc, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Alary, G., Un Secret. Romance Franc, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 25 Abt, F rz., When the swallows homeward ﬂy, (Wenn die Sc/Lwalben, etc.) . . . . . . 0 ye tears. Contralto, or Soprano, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sleep well, sweet angel, (Schlaf wohl, du siisser Engel du) Spprano.,. . . “ “ A t . . . . . . . 0? ——-- II Sogno, (A happy dream.) Valse composée pour Paolina Lucca. Sop., Annie of Tharau. (Aennc/ten non T/Larau.) Popular Song, . . . . . . . . . . . . . . . . . . Arditi, L., I1 Bacio, (the kiss.) Arietta, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ascher, Jos., Alice. Romance. French and English, . . . . . . . . . . . . . . . . . . . . . Auber, D. F. E., Laughing Song from the Opera “ Manon Lescaut,” English and French words (as sung by Carlotta Patti) . . . . . . . . . . . Balfe, M. W., The Sweet Guitar. Boler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tu m’ami ah si! (Then you’ll remember me.) English and Italian,.. ——- Oh! take me to thy heart again. Song, . . . . . . . . . . . . . . . . . . . . . . . . . Bassford, W. K., “’Tis all for thee.” Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. N ever-More. Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bellini, Ah, non crcdea, (Alas ! for thee, time’s power,) in G minor, de l’op. “Son- nambul ” Berre, Ferd., Loin de Toi 1 (Far from thee.) French and English,. . . .. . . . . . Bordese, L., La Course aux Papillons. Rom. Francaise, . . . . . . . . . . . . . . . . . .. Miracle of the Roses. Parlor Operetta, . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Borg, Louis, Dreams of Love. Son . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Braga, G., Santa Lucia. (When the bright moonbeams.) Rondo de Concert,. * * * La Reine Mignon, (Queen of .Joy’s Realms am I,) . . . . . . . . . . . . . . . . . Campana, F., To thee! (a te !) Ital. and Eng.,. . ., . . . . . . . . . . . . . . . . . . . . .. , Glapisson, L., Within this goblet brightly glowing. Brindisi, from the opera “La Promise.” English and French words, . . . . . . . . . . . . Dama, L., L’Amore. Romanza per Mezzo Soprano, . . . . . . . . . . . . . . . . . . . . . . . . Donizetti, In terra solo, (Lonely, I wander,) in B ﬂat, de l’op. “ Dom Sebastian,” All’ afﬂitto. Romanza de l’Opera Roberto d’EvereuX, . . . . . . . . . . . . . . Convien partir. De l‘0pera Figlia del Regimento. Italian, French and English, F Minor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 luce di quest anima, (recit. and cav.,) in B ﬂat, de l’op. “ Linda di Chamounix,” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . O mic Fernando, (recit. and cav.,) in C major, de l’op. “ La Favorita.” Ital. and Eng, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Farmer, H., Little Sunbeam, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ferrari, S. A. de, I F iori g’Aprile, (Spring Flowers.) Mazurka per Canto. Ital. and ng ., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Flotow, M’appari, (Ah! so pure,) in E ﬂat, de l’op. “Marta,” . . . . . . . .: . . . . . . . . Franz, Rob., Fondly he sought me, (Er ist gekommen in Sturin,) . . . . . . . . . . . . Glover, S., Do they think of me at home? Song, . . . . . . . . . . . . . . . . . . . . . . . . Gordigiani, 0 santissima Vergine. (Prayer to the Virgin,) . . . . . . . . . . . . . . . . . . Gounod, Chs., Faust, “ Cera un re di Thule,” (Reigned a King in Thule,) Ital., French, and Engl., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. “ Parlate d’amore, (Lovely ﬂower I pray.) Ital., French and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sing, Smile, Slumber! Serenade. French and Engl., or Ital. and . Eiwlish, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gr-aben.Hoﬁ‘man, The Barightest Angel. (Der Schoenste Engel,) . . . . . . . . . . . Guglielmo, My Angel. (Angelo mio,) Italian and English... . . .. . . . . . I love thee! (T’amo, Guion, Prosper, La Fillette aux Chanson. French, and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gumbert, F., Ye merry birds, (0 bit!’ euch, Ziebe Vo'_qele2'n,) Contralto, . . . . “ “ “ “ “ Soprano, . . . .. Soprano, . . . . . . . . . . . . . . . ___ C0ntralto.. Hail Columbia! National Song. Arranged by S. Jackson, . . . . . . . . . . . . . . . . . . Halevy, F., La Juive. ll va venir. (He will be here.) Ital., Fr. and Engl. Sop., Hall, F., Ever of Thee, . K, E, H., Awake,‘love, awake! Serenade, . . . . . . . . . . . . . . . . . . . . . . . . . . Hering, C. E., The Stars and Stripes. Patriotic Song,. . . . . . . . . . . . . Hodges, F . H_, The Dreary Day. Words by Longfellow, . . . . . . . . . . . . . . . . . . L’A.micizia. (Friendship.) __Duett for Sop. and Mezzo Sop., . . . . . . . . . Farewell to N orth-Maven. Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Rose-Bush Song. For Sop. Do. for Alto, . . . . . . . . . . . . . . . . . . . Cloister Memories of Sacred Song: . . . . . . . . . . . . . . . . . . . . . . . . . . . .. No. 1. Blessed are the poor 'n spirit. Mezzo Sop.,... . . . No. 2. Blessed are they tha mourn. Contralto, . . . . . .. No. 3. Blessed are the meek. Duet, 2 Sop., . . . . . . . . . . . N o. 4. Blessed are they that do hunger and thirst. Con. No. 5. Blessed are the merciful. (I/Vill be continued.) Hoelzel, G., The Forsaken One, (Al,/oenkZage,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Tear, (Die TIm‘ine,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . * The Village Blacksmith’s Bride, (Mein Liebster {st im Dowf der Schmied,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Huss, G. -L, A National Lyric. Words by R. S. Willis, . . . . . . . . . . . . . . . . , . . . Jackson, S., Lights and Shades. Words by Mrs. Norton, . . . . . . . . . . . . . . . . . . . Katey’s Letter. Irish Song, King, W. A., Ave Maria, (English,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kotschoubey, L., Oh ! ten him all, (Oh! dites-lui.) Romance, . . . . . . , . . . . . . . Kuecken, Fr., Jewish Maiden, (Mddchen non Judah,) . . . . . . . . . . . . . . . . . . . . . . Thou soft and balmy evening breeze, (Frii/tlings're7'gen,) . . . . . . . . . . . . Linley, G., The Swiss Girl, ' Lucantoni, G., La Danza d’Amore, (Gay dance of love.) Valse. Mezzo Sopr. (Ital. and English,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Manzocchi, M., La Bella Stella di Trinidad. Baroarolle, (Ital. and Engl.,).. . . . . Mendelssohn, Here under the trees, (Da lieg ich miter den .Bd'umen.) Alto,. . .. Merz, K., The Strangers Love, (Des Fremden Liebe,) Meyerbeer, G., Fisher Maiden. (Guide au bord ta nacelle,). French & English, Mill in the Valley, (In cinem 7Ci,i]Ll677. Granola.) Popular Song, . . . . . . . . . . . . . . . . . Millard, H., With all my heart I love you, (Io ti voglio bene assai,) . . . . . . . . . . .. Millet, E., Diana, (Maidenls Warning.) Valse. (Ital. and Engl.) Mezzo Sopr.,. —: Giannetta. Allegro, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . j— Song of our Country's Daughters, . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. —————- A Sailor’s Song, (0 for a whilf of the salt sea breeze,) . . . . . . . . . . . . . . Muller, A., Ye soft blue eyes, good night. (Ihr blauen augen gute nacht.) Ser- enade, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Little Mendicant. (Das Bettelnde Kind.) u ' rt U —_.._. M uzio, E., Brindisi—Waltz. (English and Italian.) As sung by Mlle. Carlotta Patti and Mme. Strakoseh, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ere life’s declining sun has set, (Di tanto ecceso o’perﬁdi,) Aria in- troduced in the opera “ Bohemian Girl,” Piccoloinini Waltz, _ L’Amour. Clara Louisa Polka. Soprano, . . . . . . . . . . . . . . . . . . . . . . . dfl o. Mezzo Sopr., . . . . . . . . . . . . . . . . . . .. L’Usignuolo. Canzone di Bravura. Soprano. (Composed for and sung by Carlotta Patti,) Le Stelle d’It-alia, (Stars of Italy,) Melodie per Canto, Ital. and Engl., No. 1. Stornello Toscauo. (Toscan Evening Song,)“ La Vedova. (The Widow,) . . . . . . . . “ La Nanna. (Cradle Song,) . . . . . . .. “ I1 Sospiro. (The Sigh,) . . . . . . . . . . . “ . . L’Af’fezi0ne. (Aﬁ‘ection,) . . . . . . . . . “ No. 6. All’anra. (To the Breeze,) . . . . . . . . “ Norton, Hon. Mrs., Juanita. Spanish Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . Perrlng, E., Piccolomini’s Farewell to America, . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Petrella, E., Brindisi (Italian and English) from Opera Jone, . . . . . . . . . . . . . . . . “Abandonata e orfana. (Orphaned, abandoned.) Rom. par Mezzo Sop. de Opera Jone, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Vanne e serba geloso.” (Go, preserve this important.) Duetto par Basso and" Mezzo Sop. Opera Jone, . . . . . . . . . . . . . . . . . . . . . . “ Llamo, l’a1no.” (Love him, love him.) Cavatina par Soprano. Opera Jone, “ Dell’ Ilisso sulle sponde." (0’er the banks of cool Ilissus.) Duetto Sop. and Ten. Opera Jone, , , , . . , “ O Jone, di quest’ amina.” (O Jone, for thy light of love.) Romanza, . Tenor, Preyer, G., Will she com Proch, H., Tyrolese Song, (TyroZe1'Zied,) Reichardt, Alex., Thou art so near and yet so far. (Du bist mir nah und doch sofern.) New edition in the key of E ﬂat. French, Eng- lish and German, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ricci, Alﬁn brillar. (My heart with joy,) B ﬂat, .......................... .. Rivarde, P. A., The Harvest Moon is beaming, (Guide au bord ta nacelle.) § Barcarolle, obillard, V., Dieu, mon enfant, te le rendra. Romance, . . . . . . . . . . . . . . . . . . . Rondinella, P., I! Griubilo. (Valse elégante.) Italian and English, . . . . . . . . . .. Salaman, Ch., I arise from dreams of thee. Serenade, , . . . . . . . . . . . . . . . . . . . . Schubert, Cam., Le Gondolier de Venise. Barcarolle, . . . . . . . . . . . . . . . . . . . . . Schubert, Franz, Last Greeting. (LebewoILl,) . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Maiden’s Lament, (Mddche7L’s Klage,) My Abode, (Aufent/taZt,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shepherd’s Song of Complaint, (Schdfers Klagelied,) . . . . . . . . . . . . . . . —-——— Serenade, (Stands/zen.) Ital., Fr., Engl., . . . . . . . . . . . . . . . . . . . . . . . .. Schumann, R0b., The Lotus Flower, (Die L0tosbZume,) . . . . . . . . . . . . . . . . . . . . .. Oh I thou art like a ﬂower, (Du bis! wie eine Blume,) . . . . . . . . . . . . . . . Silcher, Loreley. Popular Song. Engl. and Germ. words, . . . . . . . . . . . . . . . . . . Speranza, D., The Hour of Prayer. Sacred Song, . . . . . . . . . . . . . . . . . . . . . . . .. A Hymn of Thanksgiving, “ Spohr, L., To Minona. Serenade, Star—Spangled Banner. National Song, (with Chorus ad libit.) Arr. by S. Jackson, Stigelli, G., Isolina. Arietta. Engl. and Ital. words, . . . . . . . . . . . . . . . . . . . . . .. Szemelenyi, E., Medora, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Templar, E., My heart is breaking. Ballad, . . . . . . . . . . . . . . . . . . , . . . . . . . . .. Thevenet, D’Alphonse, Femme du Pecheur, . . . . . . . . . . . . . . . . . . . . . . . . . . .. Thomas, J. R_, In the clear mirror of her eyes. Canzonet, . . . . . . . . . . . . . . . .. * Thunder, H., G., The Sands o’ Dee. Lyric Ballad, . . . . . . . . . . . . . . . . . . . . . . . Torrente, G., Show me thy ways, 0 Lord! Anth. f. Soprano, . . . . . . . . . . . . . . . . Venzano, L_, The Zingarella. Italian and English Verdi, G., La Traviata: “Dite alla giovine,” (Tell me, fair Maiden.) Song,. . . . Un Ballo in Maschera: “E scherzo od e follia,” (It seems a harmless lying.) Aria, Weber, G. M. V., Lullaby, (Wie_qen.Zied,) . . . . . . . . . . My true love is fair, (jllein Schatzerl is [Lil Pain of secret love, (Heimlichcr Diebe P Weldt, H., How fair art thou l (l/Vie sckocn bist du /) . _ . _ . . Wood, Alb. H., A Psalm of Life. Words by Longfellow, Wrighton, W. T., Gentle ray of sunlight. Song, . . . . . . . . . . . . . . . . . . . . . .. . . . VOCAL DUETS. Campana, F., Do you remember? (Te Prammenti?) . . . . . . . . . . . . . . . . . . . . . .. See the pale moon, (Guarda che bianca Luna,) . . . . . . . . . . . . . . . . . . . . . Tell me thou lovest me, (Dimmi che m’ami,) . . . . . . . . . . . . . . . . . . . . . . Hackel, Ant, Two Nightingales, (Die beiden NachtigaZlen,) . . . . . . . . . . . . . . . . . Hodges, Fa ustina Hasse, L’AInicizia, (Friendship) Polka Duet. 2 Sopr., llgluoantoni, G., Il Bacio, (Bright as the bow of promise gleams.) 2 Sopr., . . . . . . illet E. “With cheerful notes.” Sacred Duet, . . . . . . . . . . . . . . . . . . . . . . . . . . 7 l “ Meekly may my soul receive.” Church Duet. Sop. or Mezzo Sop., and Baritone, Mosenthal, J., “I will magnify thee, O God.” Sacred Duet, . . . . . . . . . . . . . . . . Nicolai, Otto, Evening, (Wenn sanft des abends.) Duets Sopr. and Bass, .. . . . . Yradier, Chev. de, Jota de los Toreros, (Song of the Toreador.) Sop. and Alto, TRIOS AND CI-IORUSES. Bellini, Beatrice di Tcnda, “ Angiol di pace,” (Angel of peace.) Sop., Contr. and Tenor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . e,loli ! come,” coro di donne, . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . Bonoldi, Felice donzella, (Oh! happy the Maiden.) 3 Sopranos, . . . . , . . . . . . . . . Costa, M., “Vagnnse ar coleii ﬁche adoro,” (Go to the one whom I adore.) Trio, op . an enor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Donizetti, G., Lucrezia Borgia, “Bella Venezia” and “ Bando bando.” Coro di donn Gemma di Vergi, “ Vieni o b Coro di donne, . . . . . . . . . . . . . . . . “ Do’lce zcl'liro.” Coro di donne, de l’Opera: Favorita, . . . . . . . . . . . Jackson, Scalm ‘I, J:11lDllEEIl)(—) Pee, élfllllllilll, 4 vp,1c_es, in E ﬂat, with Organ‘ Accomp., Ol'lfl. Ill XCC SIS an \ (separate voices). . . » Bcnedietus, Anthem, 4 voices, in King, Wm. A,. Six sacred Quartets, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Millet, E., Ye ﬁelds of Light. Sacr. Trio, Sopr., Ten. and B., . . . . . . . .. , Verdi, G., Giovanna d’Arco. “ Tu sei bella.” Coro di donne, . . . . . . . . . . . . . . . . IMPORTERS OF FOREIGN MUSI.G.
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Date: 1865
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Show more-“.,.,......-...-uv W“ ' ix. 1, . I ' ' - .—-_~«-».......‘ .. IA % % : .3 i. N1;WYaR)c. G. S C H IR M E R ,.701;BjR5':);\3)W;&Y. SUCCESSOR T0 BEER &SCHlRMER. z‘,‘m:/ mf rmrw ﬂ’J,/Iq //» //{'1'///ft‘?/I‘/I///‘(‘.C¢‘//£1/,/9’) kw /r?6'j /2;. / K/rfi. z’,':.’F/7':z '//1 //Er ,//e/%cr///7/"rm//1/‘ /}1./}’rz(/ (//311377’./////l4'*‘/r’ W 0 . .>'/;/zzV/r:m /.7/a7w1c‘. 1/ ' ' 4/r74/M/*/r uusnc uannny -VASSAR COLLEGE ?’1*:lce 40 as ME;7Z{) I'>()F’H/\N() BEWARE! H701-(Is by II. LOJVGFELLOVV. Jllusic by C. JIIOULTOJV. 1. I know a maid — en fair to see, 2. She two eyes ,so soft and brown, She can both false and She gives a '-side giance friend — ly and . looks 487 - Fnie red acco/rd1'1zy to A ct ofCo 11gre.9sA.D; 1 8 6 5 , by Bee?‘ cf-ScIu"rme'r, in the ("Ie’rl".s- Office of tIveD ist rict‘C'our't of the Southern l)1Lst1*ict 0,f_7\'ew Y 01-k. . f s}1e’s fool - ing thee She-.’s fool — ingé she's fotﬂ — ing' thee S'he’.s7§ fool — ing she’s fool - ing‘ .s'he’s fool — ing She's fool — ]'J1g thee ________ _- She".s- fool - ing the? ........ -_ of gold - en A1111 What she thee, S‘he’s fool -~ 1'J1g thee ........... -_ she’s fool — ing thee, She’s fool — " f‘\ Catalogue No. 2 of Vocal Music, published by G. Sohirmer, 70] Broadway, New-York. SONGS. Verdi, G., Luisa l(\iIiller: “ La tomba 6 un letto," (The grave, like gs.rdens,) Melo ie . . . . . . . . . . . . . . . . . . . . . . . . . . Vilanova, IL, Sospiro. Melodia,. —— Ave ltlaria. Sop. or Mezzo-Sop. Warren}, S. P., The sea hath its pearls. WingsofSong.. .. .. . Mother’s Morning Song, . . . . . . . . . . . . . . . . . . . . . . Two Songs: No. 1. Miller’s Daughter, . . . . . . . . . . . . . . No. 2. Love that hath us in the net,. The Fountain. Watson, H. 0 . nllivllti A Happy tears down falliiig,. . . Roving, restless streamlet, _ 0. HI. V., Lullaby, (_Wte (1, ._ .. My true Love is fair, (Mam be/iatzer 25 /mZ>scIL,). — Pain of secret love, (lieiiltlicher Lielze Pein,). . . . xveidt, 11., How fair art thou ! (Wis so/Lon btst du I) . . . . . . . . . . . . . . . . .. Wviebe, EdW., Slumber Song. Engl. and Geiz, . . . . . . . . . . . . . . . . . . .. . . . . Elvood, All). I-[., A Psalm of Life. Words by Longfellow, . . . . . . . . . . . . .. Wriglitoxi. W. T... Gentle ray of sunlight, Song, . . . . . . . . . . . . . . . . . .. Wrobleski. E., Lifeis happy hour. (11 Ballo.) Valse, M. Sop., . . . . . . . . . Yraidier. Chevalier, Lost forever, (Ay Chiquita.) French and English, or Spanish and English, . . . . . . . . . . — Maria clolores. Spanish and English,.. . . .. VOCAL DUETS. (Fliege du Vbglcin.) Duet, . . . . . . . . . . . . . (Surrc, surre Kiiferlein.) Duet, . . . . Sop. and T Latin and Italia Song,. Weber, Abt, Fl'Z., Fly away birdling. —— Music of the Meadow. Arditi, Night in Venice, (Una notte a Venezia.) opraiios, . . . . . . . . . . . . . . . . . . . . . , . . . . . . . . . . . . . . . . . _ , . . . . . . . . Auber, D. F. E., Premier Jour de Bonheur. Nocturne. Sop. and Mez. Sop. French and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . liklangini. 17., Through valley, through forest, (Per Vd.lll,_ per boschi.) Bordese, L., Carnaval dc Venise. (Carnival of Venice.) Sop and Alto, French and English, . . . . . . . . . . . . . . . . . . . Oarnpana, F., “ I live and love thee.” (Io vi _.—— Roma 1 (Rome,) Cont. and Baiz, . Do you remember? (Te Praminenti '2). . See the pale moon, (Guarda che bianca Luna,) . . Tell me thou lovest me, (Dimmi che m‘ami,) . . . . . . . .. ... . . . . . Contralto or Sop. and Ever united, (seinpre insieme.) Sop. and Baritone, . Maria e Kizzio, (Mary and Rizzio.) Sop. d e ., r 2 We’ll go and seek. (Alla capanna andiamo.) Sop. and Sop., or Sop. and Ten., . . . . . . . . . . . . . . . . . . . . . . . —- Come witi. me. (Vieni meco.) Sop. and Mezzo Sop. Carulli. Poor Heart, (Povero cor.) Soprano and Baritone, . . . . . . . . . . . . . . . C111-sclnnann, Welcome be thou light of heaven, (WillIt'0Ir1.me7t do G0tl€8 lstmne.) 2 Sopranos... . .. . .. In the Woods. (1771. Wu/rte.) u t, Sop. , D0 zetti, La Favoiita, “ 0 Days of Youth,” (Ah Leonora l guai o.) and Baritone, The Adieu, (L’Addio.) Soprano and Baritone, . . . . . . . . . . . . Gabussi, La Calabraise. (Fortune teller.) Sop and Mezzo Sop. Italian, English, and French, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gounod, Charles, Romeo e Griulietta. Madrigale, “Angel che adoro,” (Angel beloved.) Duet. Soprano and Tenor, . . . . . . . . . . . . . . . . Grell, A. }3}., Laurel and the Rose. (Larbeer und Ruse.) Sop. and Mezzo Soprano, Graben-Hoffmann,’ Messenger of Spring. and Baritone, Gumbel-t, F., Cheerfulness, (Frohsinn.) Waltz, Duet. 2 Sopranos, I-Iaekel, Ann, Two Nightingaies, (Di 1) ‘den NacILt7;gallen,)... Kiodges, Faustina Hasse, L’Amicizia, (l<‘riendship.) Pol Duet. 2 Sopranos, . . . . . . . . . . . Kiicken, Fri)... fmward bonny boat be ﬂying, (Treibe, treibe, Sc/Lwtein.) ue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (»V‘7"t'i/Lli/z_gs0oten.) Sop. , . —-— On gentle waves. (Die 17" . Duet, . . . . _ . _ . , . __ Lueantoni, G“ 11 Bacio, (Bright as the bow of promise gleams or Tenor and Soprano, . . . . . . . . . . A Night in Venice, (Una notte a Vene . 2 Sopranos, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lovers’ Meeting, (I1 convegno.) Soprano and Tenor or 2 Sopranos,. -—— La Reconcialation. (The Reconciliation.) Duo Sop. and Bar. Italian, French, and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . , . . Mabellini, F., L’Estasi “ Zitto non chiedere.” (’l‘he Ecstasy “ Speak not lov .” Duet, Sop., and Baritone, . _ . . . . , , _ . , . . Malibran, Mme", “ Breathe not that mountain Duetorsolo, . . . . . . . . . . .1 . . . . . . . . . . . . . . . . . . . . Masinl. F., Tshe Land of the Swallows, (La Patric des Hirondelles.) Duet. ‘-4 OPYMIO . Mendelssohn, 17., Two part songs, (new and correct edition,) complete and separate. No. 1. “I would that my love,”. . “ 2. The passage bii-d’s farewell,. 8. Gree ing, . . . . . . . . . . . . . . . 4. Autumn Song,. . . . . . . . . 5. 0, wert thou in the cold blast, 6. May bells and ﬂowers, . , . , . . 7. My bark is bounding, ’ ( des Vaches.) s, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 8. Can I light hearted be, 9. Evening Song, . . . . .. 10. Zuleika and lziassan 11. Sabbath moi'n,.. . . . 12. The harvest field, . . . . . . 13. Song from“ltuy Bla ” .. . , , . lvlillard. I-L, Vieni al ml: qsenl (Come to my heart I) Duet. and Tenor or ' copranos . . . . . .. Mﬂlet, En Awake up rgy glory, (Quae te Ch . orano. uet......... . . . . L’Aveu. h(The vow !) ‘”Du§t, Tenor, and Sop. French and English,. “ With c eerful notes. acred Duet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Meekgy may my goﬁl rfceive.” Chiirch Duet. Soprano or Mezzo oprano an an on Adored foreveir, (Beatam te dicent.) 2 Sopranos, . . , . . , . , _ ——- Grlencove. “Duet for Soprano and Mezzo Sop., or Tenor and Soprano, Mosentlial, J., I will magnify thee, 0 (:rod.” Sacred Duet, . . , . . , , . , . , Nicolai,M0ltto, Evenindg, (8/Vem7., sanﬂ ales Abends.) Duets, Sop. and Bass, at tsubyecte , ( rmai sommesco.) Sop. and Bai-., or Sop. and I] . Offenbach, J._; La Périchple, L’ warrior once said. ’ Duet, Ten. an Palloni, G., L’Oi‘{a.1convenuta.3._(The appointed -h . , Duet, 2 Sop., or sop. am "en. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . _ .. -— Una Sera in Mare.‘ (An Evening at Sea.) Duet, 2 Sop., or Sop. and Ten. Ricci. Now waits the Gondoletta, (I ront e la uondoletta.) Duet or Chorus. Soprano séfriétirb‘ }£xi:i' iwiéiié TwoSop., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Rinck, 0115., Sabliath Eve. 12 devotional songs for 2 voices, Book 1 and eaci... _ , , , , , _ , _ , _. schimon, A., The céi. . L’Eco.) , Sop ., so,,_ and T6,,” S. ll}. S., Felice, amore, (Tell me then, dearest.) Duet, Sop. and Mezzo Sop., Yradier, Cllgghde. Jota de los Toreros, (Song of the Toreador.) Sop. an 0, . . . . . . . . . . . . . . . , COMPLETE CATALOGUE OF IMPORTER OF FOREIGN MUSIC, 5 50 50 «+0 TRIOS, QUARTETS, AND CI-IORUSES. (SECULAR MUSIC.) Bellini, Beatrice di Tenda, “Angiol dl pace,” (Angel of Peace.) Sop., Cont. and Tenor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . —— “ Come, oh! come,” (Coro di donne,) . . . Bonoldi, Felice donzella, (Oh! happy the Maiden.) 8 Soprano Oampana, 17., Row us swiftly, (Voga, voga.) 8 female voices, . , . . . . . . . . 1 — When I am gone from thee, (Quando ﬁa gen-ere,) Trio, 2 Sop., and Ten. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . My mother‘. (Mia madre.) Trio. 3 female voices,. . . .. Clapisson, L., Les Grlaneuses. (The Reapers.) Solo and Trio, or Chorus. Three female voices, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Costa, IVL, “ Vanne a colei che adore,” (Go to the one whom I adore.) Trio, 2 Sop. an enor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Curse-hman. The Violet, (Das Veilc/Len.) Trio, 3 female voices, . . . . . .. Donizetti, G., Lucrezia Borgia, “Bella Venezia,” and “ Bando, Bando Coro (li donne, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A Geinma di Vergi, “ Vieni n Bella.” Coro di donne, . . “ Dolce zeﬁfiro.” Coro di donne, de l’0pera I<‘avorit-a, . . . . . . . . . . . . . Garcia. lVIIne., Se mia prestassi i vanni, (Spirit of Light and Beauty.) Trio, 3 female voices, Gordigiani. 0 come to the Sea, (Vieni al mar.) Trio, Sop., Ten., and B.,. Nigri, G... La Luna, (By Moonlight.) Trio, 3 fem. voices, or Sop., Ten. and B., Rittel', F. L., Practical Method for female chorus classes, Part] and 2, each . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . n Scllumaxin, R01», Gipsey Life. (Zigeuner-Lebzm.) voices, score, . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 voices, parts separate, each,. . .. .. Sibel-, Ferd., Summer. (“ 1m Sommer zremt die Biiume 971271.”) Trio, Sop., Alto, and enor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. G., Giovanna d’Arco. “ Tu sei belia." Coro di dcnne, . . . . . . . .. . Chorus for mixed Verdi, FOR FEMALE VOICES. F. L., and Funny Raymond-Bitter, Collections of Trios and Choruses for female voices, is adapted and arranged, with English words. . 1. “Sleep, sleep, noble Child.” Chorus. Blanche de Provence. Cheriibini, 2. “ To Earth May Win<ls are of the Rose. (Schumann,).. . The Merry Month of May. . (A L Maiden’s Spring Song. Trio, (F. Grumbert, . “ Hark ! ’tis the Indian Drum ” Round. (Bis iop,) . . . .. “ When the Wind blows.” Trio. (Fanny R, l{itter,) .. .. “The World lies hushed in Slumber.” Trio. (It. llol,). The Spanish Tambourine-Girl. Chorus. (Scliumann,). . " Hear our Morning Pr ' ” Solo and Chorus. La Ves tie, (Spontiui,).... . . . . . .. .. . . . . . .. . . " Morn‘s Gates aga . . ( ptmann, “Sprites of Air.” Fairy Chorus. Oberon. (Webei',) . Down in the Dewy Dell. Tfio. (Henry Smart,) . . . . . . . Thou wilt notleaveme,(Ah, nonlasciarmi.) Trio. (Leonlr d,) “ Calm is the glassy." Chorus. ldomenoo. (Nlozai'l.,). . .. . The Chime of Silvery Sabbath Bells. Trio. Abt,) . . . Nightfall and Darkness, (Alta 6 la Notte, oscura) (Grordigi-ani,) . . . . . . . . . Rittor, Chorus. Pilgi nnge _-m_._.»_n._i_ °‘$'-7':F*.°°’~"’!“.° 5°.°°:*‘?’$1‘£".°° 'i~.-it", ) Ti . Campana.)... . “Deck we the Pathway.” Solo and Chorus. Paradise and the Perl. (Schumann . . . . . . . . . . . . . . . . . . . . . “ Let us all to the Fields).” Trio. (Ferrari,) “ ow bending before you.” Trio. Ma (Ciinarosa,) . . . . . . . . . . . . . The Stars. Trio. (Leon 3. “Homeward in Joy.” >-1,.”-A .°.°°I"‘ . . Trio. ) '. The thirtysecond Psalm. Chorus. . . “Give Praise to God.” Trio. (Hauptmann,) . . . . . . . . . . . . . . “ With Thee is Mercy.” (0 Salutaris ) Trio (l’zinsei'on,)., . The Water Elves. Chorus. (F. L. Ritter,).. . . .. .. .. . . “The Duchess Diana.” Chorus, (F. L. Bitter, . “Whirl and Twirl.” Solo and Chorus. Flying Dutchman, (R. W;igner,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Moonlit Rocks. Quartet. (A. Lee,) , . Spi'ing’s Delights. Quartet. (Mueller . “ He hath holpen,” (Magniliciit) Trio. (Bach,). . . “ Oh ! share the Treasure.” Solo and Chorus. Obero . Weber,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SACRED SONGS FOR ONE VOICE. Bach, J 011. Seb.. My heart ever faithful. (Main gldubig Herz ) Sop. or Mezzo Sop, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Banclr, Carl, Three sacred Solos or Quartets. See Quartets, . . . . . . . . . . . . Benedict, J”, He giveth his beloved sleep, . , . . . . . . . . . , . , . . . . . . . . _ . . . , , , , Campana. F., From the depths. (Dal profondo dell ’oblio.) Preghlera, Contr. or l‘5arit,, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . (Prayer to the Virgin,). . . . . . . . . . . . Beatitudes, . . . . . . . . . . . . ezzo Sop., . . _ (Schletterer, . . . . .. (Franz Schubert,). Gomliginiu. O santissima Vergine. Hodges Faustina H Cloister Memories. ————- .1 o. 1. Blessed are the poor in Spirit. No. 2. Blessed are they that mourn. Contralto . No. 8. Blessed are the meek. Duet, two Sop.,. . . No. 4. Blessed are they that do hunger and thirst. Con No. 5. Blessed are the merciful. So . . . . . . . . . . . . . . . . . . . .. . D 7 Jackson, Salnuel, “Teach me 0 Lord.” Soprano solo with Quart.,.... King, Wm. A.’ Ave Maria. Latin and Engl.,, . Lord, (1118. W., Vesper hymn, . . . . . . . . . . . .. Llizzi L. Ave Maria. Ital. and Engl. . . . . . . . . . . .. . ., . . 5 lvlercadante, S.’ Salve Maria. Ital. and Engl. Sop. or Mezzo Sop.,.... lYIilla1'd, I-I.’ Ave Maria. Latin and Engl.,. . . . . . . . . . . . . . . . . . . . . . . . . Procll, I-I., Ave Maria stella. Soprano, (Latin and Eng1,,) . , . . _ , , , , . , , , Rossini, G.’ Messe Solennelle. “Domine.” Tenor,.. —— do. Cruciﬁxus.” do. “ O Salutarls.” do. “ Agnus Dei.” Contralto, . speranza, 1)., The hour of i>rayei~. Mezzo Sop.,.... A A hymn of thanksgiving. Mezzo Sop.,. . . . , . .. , _ , . . , , Stradella, 0 Lord have mercy. (Pieta Signore.) C minor (Sop.,). . . . . . .. . Sprano in G, . . . . . . . . , . . . . . .. Mezzo Sop. in F ‘Vilanova, R.’ Ave Maria. Soprano, Latiu,. , . . , Wood, Alfred H., A psalm of life. Words by Longfellow. Torrente, G., Show me thy ways 0 Lord! -—— do. Sop., . . . DUETS, TRIOS, AND QUARTETS. (SACRED MUSIC.) Banck, Carl, Three Sacred Quartets, (or Sop. Solos.) No. 1. Dawn, . . . . . . . No. 2. The Morning Star, No. 8. The Cloudless,.. . Do., do., do., Complete in one, . . . . . . . 1 Dudley, Episcopal Church Music for Quartet or Chorus Choir: Morning Service, Op. 25, No. 1. Venite, . . . . . . . . . . . . . . . . . . . “ 2. Te Deum, . “ 3. l3enedictus,. . “ 4. Jubilate Deo, Evening Service, Op. 81, No. 1. Gloria in Excelsis U Buck, “ 3 Deus misereatui~,. :: 4. Cantatc Domino, Ch ' t P E t A ii Ben?)d1c2'i)mm"' i-is our assover as er 1] iem, p. , . . . . . . . . . . . . There were Shepherds. Christmas Anthem i I-Iark i What mean those holy voices, Hymn’, Op’ 32*‘ ‘ ' ' ‘ ' ' ‘ ' " Darkly rose the guilty morning, Lenten Anthem, . . . . . . .. _ . . . . . . . . . Special Hymns (in Anthem form) for Quart, or Chor. Choir. No. 1. The s ‘ain upraise Alleluia! . . . . . . . . . . . . . . . . . . . . . . . . . .. 1 u . 5 H-ar'kl a thrilling voice is sounding (Aclvent,) } ' . l Saviour source of ev ry blessing, Hail to the Lord s anoiiited, (h1>ipliany,) H Day of wrath ! _(l)l'eS Irae,)V . . . . , . . . Christ the Lord is risen. (ha _er,). . “ O holy, holy, holy Lord. (Trinity So I ( y, M 7 % ‘l\3I1'e:Lrd.é)lf itli<,;{worlCé inﬂmercy l)|'(lli€ll, E_ A y :11 l oo s up o ice, ' “ 8. Come yc disconsolate, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Cliristopher, lVla1'i0n, Deus misereatur, Anthem, 4 voices, . . . . . . . .. . 1 Hodges, Fallstillia }I., “I heard a voice from Heaven.” Quartet .. Blessed are the meek. Duet Sop.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Jackson, S., “Peace troubled soul." (llyinn 130, 11 3.) Solo Duet Trio, and Quart From Lysberg,,, . . . . . ,, Gloria in Exce Chant, 4 voices, p Benedictus. Anthem, 4 voi ~ .5, in E ﬂat, with Organ Accomp.. . . Inspirer and llearer of Pra Ilymn 158, for Soprano and TI Solo with Duet and Quartet .. .. Lord foiiever at Thy Side. Sop.’ and on b It as .°°$1‘:‘‘.°° ‘*7 Melody y t, . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . As pants the wearled Hart for cooling Springs ! (Select. 37.) Sop. and Ten. Solo, \vith Duet and Quartet, from Robert Franz. . . . . . . . .. Teach me, O Lord. Sop. Solo with Quart, ad libit., adapted and arr. from Mendelssolmls “ O quam S1l'olVlS,". . . .. . . . . . . . . . . . . . . . . . .. Saviour, Source of every Blessing. (liymn 18.) AYI‘. for Sop. and Ten. Duet, with Alto and Bass Solo. From Franz Abt, . . . . . . . . . I will Arise, (Sonic-nr:e,) from “Agnus Dei," by Liimotte. 4 voices,.. Jesus, Saviour of my Soul. (llymn 143.) Air. for Sop. and Ten. Solo, with Quart, from Franz Abt , Thanksgiving Anthem. “ Great God ! we come with grateful Hearts." Voice‘ Jubilate Deo. Anthem, 4 voices, in E ﬂat, with Organ Accomp., , . , . “ The Lord my pasture shall prepare.” (Hymn 9,) Sop., Solo and Sop., and Ten., Duet with Quart., from GuglieIino,. . . Gloria. in Excelsis. Chant in D. 4 voices,.. . Gloria in Excelsis, in C. 4 voices, . .. Jubilale Deo in F. 4 voices,. . . . Jubilate Deo in D, 4 voices, . . .. . . .. “Sun of my Soul.” (Hymn 268 L. M.) Qua cieiit Melody,. -". Gloria Pati-is, No . ' d. from an an- “ 3 in F “ 4 iii Bi) 6 Gloria tibis. 4 voices, _ _ _ Deus misereatur in E Flat. 4 voices, . . . . . . . . . . . . . . , , , . ._ ,, “ Lord with glowing heart.” (Hymn 150.) Sop. or Ten. Solo with Quai~t,, from Mendelssohn, . . . . . . . . , . . . . . . . . . . . . . . . . . . . . . . . . . . . “Saviour breathe an evening blessing.” Opening piece, arr’d, from Mendelssohn for Sop. Solo and Quartz, . . . . . . . . . . . . . . . . . . . . . . . . . “ Hark a thrilling voice is sounding.” (Advent hymn 218,) arr’d for Sop. and Ten , Solo with Quart, from l\loz:irt, . . . . . . . . . . . . . . . . . . “Jesus Christ is risen to-day.”‘ (Easter hymn, 283,) a ’d for Sop. and Ten., Solo with Quart., from Mozart, . . . . . . . . . . . . Grand Te Deum in A. 4 voices,. . Benedictus, in F. 4 voices, . . . . Kotzschmar. I-L. Te Deum in . . . . . . . .. . :— “O Lord, 0 Lord.” Quartet. Mixed voices, ———« Deus Misereatur. do. do. . Rejoice in the Lord. Anthem. do. King, Wm. A.. Six sacred Quartets,..... . . . . . . . . . . Millet, E... Ye Fields of Light. Sacr. Trio, Sop., C011. and B., _ . , . , , . . _ _ _ ——— Awake up my lory. (Quae te Christe) Sop. and Mezz Sop., Duet, With cheerful notes. Duet, _ M , , _ _ —— Meekly may my soul receive. Sop. or Mezzo Sop., and B itone, . . Adored forever. (Beat-am te dicent.) 2 Sop., . . . . . . . . . . . , . . . . . . . . . . Mosenthal, J., "I will magnify thee, 0 Lord.” Duet, Sop. and Ten., or 2 Sop. —— do transposed for Mezzo, Sopr., and Alto, in F, Eve, l2 devotional songs for 2 voices. Book 1 and Rivarde, P. A., “ Softly now the light of day.” Solo and Quarte , , . Rossini, G.’ Messe Solennelle. “Gratias.’j Trio, Con., Ten., and Bass, _——_— do. “Qui tolhs.” Duo Sop. and Con.,. , Paine, John K.. MasslnD.for4voices,........ . . . . 500‘ Walters, W. H. “0 how amiable.” Quartet. Anthem " Out of the l)eep.” Anthem for Sop. and Ten., wlthifull Choir,. .. 1 00. , , ORGAN. Buck, Dudley, Jr., G-r. Sonata in E ﬂ-it, . . . . .. . . . . . . -——- 18 Studies in Pedal phrasing. Bks. 1 and 2, each,.. Concert V3.l'l'v\tl-‘-I15 on “ Star-spangled Banner,”.. . . “ Andante” from BeethoVen’s Sonata. Op. 28,. . Triumpha1March,..... .. .. Impromptu Pastorale Rondo Oaprice,. .. . . . . . . . . . . . Overture " Gruillau ll,” (Rossini,). . “ “Stradella,” (Flotow,).... 4 Transcriptions from Schumannls “ Pictures from the Jackson, Samuel, 12 Voluntaries. Vols. 1 and 2, each,.... . . . . . . .. .. 1 25 Bridal March, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . lVIendelssol1n9s Wedding Marchharr. by S. Jackson, . .. . . 1’riest’s March, from “ Athalie,” arr. by do., Wagner, Rich., March and Chorus from “ Ta.nnhausei°,” arr. by do.,... ALL MY PUBLICATIONS SENT ON APPLICATION. AND PUBLISHER. so ‘ 35 35 _ 00 00 35 25‘ 50 " 75 35
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Date: 1867
Text: BEAUTIFUL SEHENAﬂlE\< W/.0 / {x i \’ \\) —\ /\ R/v ‘ _n_\ \/ \\ - _ \\\\.«‘\_.~' . 7 /v" 4/ ‘ \ \ »_.~\ N‘ \—\_ \\ \>.‘/ \\w ¥ — J‘ ////'////V.’,'r yr \ =i ‘ MUSIC 003300350 A00 0 0I0A1/E0 TO THE PUET pi / JFEU ﬁg? €I>'—— Published by J.»/NM“ DLUHE Nashville Tenn. UP. FAULUS 8.09 Louis:/iHe Hy. uusrc uamnnv VASSAR COLLEGE STARS 013‘. '1‘HE SUMMER NIGHT." Words by Henry W. Longiéllow. ‘ Music Composed by H. Webe‘1-. f _‘ Ped ' \ ‘X-Peck 3T.’lY....
Show moreBEAUTIFUL SEHENAﬂlE\< W/.0 / {x i \’ \\) —\ /\ R/v ‘ _n_\ \/ \\ - _ \\\\.«‘\_.~' . 7 /v" 4/ ‘ \ \ »_.~\ N‘ \—\_ \\ \>.‘/ \\w ¥ — J‘ ////'////V.’,'r yr \ =i ‘ MUSIC 003300350 A00 0 0I0A1/E0 TO THE PUET pi / JFEU ﬁg? €I>'—— Published by J.»/NM“ DLUHE Nashville Tenn. UP. FAULUS 8.09 Louis:/iHe Hy. uusrc uamnnv VASSAR COLLEGE STARS 013‘. '1‘HE SUMMER NIGHT." Words by Henry W. Longiéllow. ‘ Music Composed by H. Webe‘1-. f _‘ Ped ' \ ‘X-Peck 3T.’lY. Wimls of the slnnmer lxiglxtl Xﬂxere yon_de1- woodbinev 1-“.tV Stars of the sununer night! in you azure. scmp Ped_ Creeps, Fold, ram thy pinirnnslight! ‘She Sleeps! (loops, - ' . Hide, hide your gul<1(m;li;__;ht‘. She sleeps! . > * Ped. ‘ 2;: Pea. 4, Perl. ‘ ’ lV.11u~r0Ll:acc(;ruli1n.¢: to Act nf(‘on«,’;r-C-ss, A.T), ]8(i7.by J. A. M‘? Clux-e,in the Clerks office ofthe District Court of .Tenn. 4 , . . sleeps! &c. All (0. sleeps! 43." V. Druznus of‘ the s1'.n|_m«-1* Nzvhtl Tvll ht,-r hm‘ lnv_n~r kervs - V I ) _) 2'.‘d.V. M()011 of the S1nmn,t.:1‘ nigh ‘ F31" down you western st , . , - Petl. Stars <»f'\lw5I1v1|IIw:- n'x;ht. —— 4. slumhers light .Sink,- Sink in sil _\'é1' light! She sleeps! 8Va_ Allegretto. . sleeps‘. nif sleeps . ate-mpn. Stars ofthe S11I!)1ll(?I"Y1ighf,
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Date: 1873
Text: 2. A 5./7a:.7:w...,__ _ >. :::'.-._:' :'5_v' Oliver Bits on -Comp any . I/7/55;: 5275/17/7. x47/7//.'’ , A4/47/74$ /7,95/4 L/U/7/7 [C \/75_';//7../_.=j5jc$ [’J. ‘4_’.£TZj7/'7‘5z7/7 LEAQ7. T mmc uuunv VASSAR COLLEGE /V )/z7/'// 5 /7.17/7547/75 £27; :3 E.“ .1 an ff En. nu. n...“ 5? .._.m We ad .h.—: ;._..m mm. 7.5 1.5 «WoMAN’s BUILDING, o 20 Fifth Avenue New York T0 HRS.‘ OHA E. _§£I1VU2I . THE RAINY DAY. Wt'itteJ1'b_)' H.W LONGFELLOW. V...
Show more2. A 5./7a:.7:w...,__ _ >. :::'.-._:' :'5_v' Oliver Bits on -Comp any . I/7/55;: 5275/17/7. x47/7//.'’ , A4/47/74$ /7,95/4 L/U/7/7 [C \/75_';//7../_.=j5jc$ [’J. ‘4_’.£TZj7/'7‘5z7/7 LEAQ7. T mmc uuunv VASSAR COLLEGE /V )/z7/'// 5 /7.17/7547/75 £27; :3 E.“ .1 an ff En. nu. n...“ 5? .._.m We ad .h.—: ;._..m mm. 7.5 1.5 «WoMAN’s BUILDING, o 20 Fifth Avenue New York T0 HRS.‘ OHA E. _§£I1VU2I . THE RAINY DAY. Wt'itteJ1'b_)' H.W LONGFELLOW. V C()n|1p()sed by ERMINIA RUDERSDOl{FE T Moderato e tranquillo. . VOICE. is cold, and $ PIANOPORTE. dark, and dreary, It rains, and the wind er wea-vy, T119 vine SUE C]jI]gS fo the lnouldzring wall, But at ev’- 1_-‘y gust the d€a{l1eaV'Q_§"fa}_1, } ‘ 22:19 7 ‘’Q'*‘f‘5‘‘°d'’‘W°Tdi'‘gt0 3”‘ Of C0"~€“8ss infhe )'eaI'1373 1))’ G. D. R11<seH&(”():int’hx3oﬂice <)f1}xe-Li'9>2‘2'*"’za.1<;!‘{‘(;x1«>‘:"~e=~s; at Va/,». - W3 M . ' "3 1910 p000 rall: And the day is (I-ark and } f mime, mnitlne uiml -% er‘ wear r , my ﬂmnghts :-ﬁll cling to ﬂue W} > \} L ; D 5 = I + J I 51 1 / ’ U I l I I E p000 rail: 41 iaampo. I l —. I5 ‘I’ 3" I ' ' '\\__// da_y.s‘ are (I-ark and (Ire-a - vy. I’ I a tempo. 1.1000 rall: 1319 V ‘- sIti]l_®_*_ I sad 11eaPt!%__, and cease the clouds . 3 still 5111' - .\ X ” ‘ poco tillargrznrlo. _ com - 111011 fate of AA‘ AA EXHIBIT FOR N. Y. ROOM OF WOIvIAN’s BUILDING, 1OAL\ED BY [T In - to melt smue must fall, S0111-9. f"r1V>‘a ———-———— 501119 d"‘.Y~"7 501119 Zen - tanJ - (10- (g;,,,.,‘ W‘ must be dark and (lrea }‘ , rum; 1'rlll!?nf: 1917919 c6lla voce. a tempo. , 20 Fifth Avenue, New York, To be returned to Mrs. Theodore Sutro Cheurman on Music and Law. L'.‘!".‘v’ffWD!-"YT EHEE.‘ “led to -------------------------- .. an on Music andMrs. Theodore gut Law ‘CHOICE GEMS SELECTED ERG/"I IGLIVER DITSON COMPANY'S L/;\Ti:‘sT__i.isTs or piiw. MUSIC VOCAL. Wit and Wine. G. 4. 4. to n. Jf. cz.e=z.«..... so AmeAri;:an Beahuties. 0. 3. . I...C. »f~W.u- 40 v _ Tne story of 2111 fLI1(:l‘l!tl(ln"‘ who inmle inorry wit I hi~' W0-step i-ince movement for the ]il.‘ll1). A '.ll:ll’- SOl’1g 0' Gowane. Db» 4-. (l3 T0 Ell» ' ﬂf¢F“7:l77§7/ C()lll'tlBl‘.~!, anil kiiitriitlell lll.-lbS.:l‘\’lllg-ll] in. IL i-la lino, ining piece for players who like light. II1UlL)(liU11sl‘)i(lll0 A pretty soiig, with \\'0l'(lS in :he S(30t(:ll‘ll1:1lL‘('t. Suit- hezirty, rollick‘in_: soii-,5 for baritone. Try it. llllldlc VV1El1‘iill0 $1110 llimce 1‘l1.Vll1l1l. able for a soprano voice‘ ‘in! , i ‘we llllSlEil,{0 not, 21 song - ~ _ 1 5 (w_ M .. . 1 p. , _ that will be much in \"0.‘—,"lle ainoiig,‘ ailiiiirers of good sweetheart! my Song '5 c°m3' B’ 2 ) ) 7' Boston Belles‘ Olumute $11011’ L)" L F l The $>hiIdren’s Hour r l modern vocal (‘0lllll0~Iitl<)llS F’ S" Sm”'M/rs’ : ' TV'w"”'Im" Maiden Dreaming. G- 4- <1 t0 g- - - . . Mtwl/. The odilness of style nianiI'e.~'t in tlllSllL‘\V:~l0l1g,£1.‘! well as the e.\'cellen(tcoi' both poet ‘ ' I.I14l nielo:ly, shouhl place it zit once ainoii;.>; the most ilc rable of recent song pl‘0lli1cll0ll:l. The piano aecompaniineiitis ol'it.sel1‘an attraction. ' ' F. 4. to F. On the Swinging Branches. at E "Won. “On the Swiiigring Branclics,” or the “Soiig oi'th_e ]’»obolink,” i-I one of the latest of Mr. \Vilson’s composi- tions. It is of an unu~iu:illypleasiiigii:itiii'e,tastet‘iiI and grrai-.el*iil, while the nielorlioii~i wziltiz-i'e1 llll makes it specially 2ltl.l':l('lJl\'C as to the popular reqiiircnieiits. Earth’s Fairest Flower. Di». 4. c to F- Orton 127'/uIIe_1/. One of the best mollern songs for mezzo-soprano or baritone. It liasa ;,-'racel'ul nioveniciit in 9-8 tempo, with nielo;ly anil piano acconipanimeiit alike agreeable. Vj]|ane||e_ (Peastiiitfs Song.) El). 5. hi; to g: Dell Arvmrl. “Villanclle,” or the pcasant’s soiig—./’u£ ru. ]m.s'.>‘(‘7' l’lLi'ronrlelle (“I’ve seen the sw;1ilo\\'si»:isshyine”)Ais one of the most acceptable of the modern s<)iig~s. The translation is by lln.l‘I‘_lS()lll\Illl.‘ll'(l. Both Freiirli iiml Englidi version are given. It is recoininenilcd to sopranos. ﬁe Lea!-jeth |V|e_ Duet. Eb. 4. . . . . S. Salter. A hne sacreil duet lor alt’) an l tenor. \’Vc C0llllllCll(l it_ to <:lioii'—sin;,rers. The accompaniment is 1'oreii.her piano or organ. There's a Friend for Little Children, 0. 4- C- to g‘. E. S. Hosnzer. A solo which many who (lC.~'ll'C suitable ])lC('€H to be sung to a Sabbatli g.',‘2tLll0l‘lll}.;‘ will be plciise<l ll’! obtain. The acconipaiiiineiit 1'or either piano or orgaii is inter- esting. The piece can be usccl to £l(l\’.‘l.I’lt£lf_],‘0 by :1 clioir- soloist for special oitcasions. It is a gem for home use as well. ry' . Titania’5 crad|e_ Sopr. or Ten. F. 5. E to/'i..] .eiman.. 'fitania’s crad[e_ Mezzo—Sopr. or Bar. Ebipllgi 7:1 (1 r. The well-known worrls from Sliakespeawii “Mi l.~'uni- mer Night’s I)reain” (“I know a bank whereon the wild thyme blows”) are liei'e melodioiisly anil arti~‘tically set liy Liza Lehman. It is agooil song for an e.\'pei'ienced Vocalist. Published in two llll'f(I‘I'Cl’ll? keys, as above. _ Ely. 4. bl; to El}. Pe/ez-son f iretty poein set to equally attractive and very tune- ul music. 'Tis that] Love The9_ Duet. D. 4. (Lohr) Vzme. A most a-rreealile duet for two Voices of Illeilllllll compass. Try it. Love's Signal, Ab. 4. cto F‘. A. F. Burnett. One of the most enjoyable of recent songs. The worrls are by Freil. E. VVe:itlierl_v, the well-known ICng_;li.~il1 writer, anil the music by l’>lll'll(‘l$t will llllll l.io~':t.<i o1'iiil- niirers ainoiig lovers of the best English songs. The sentiment is very prctty:— _ “Only a wee worn kerchief That lay in mv trembling hands, As I sat by the \Vll]ll0\\' (lI'0f1illll]g!,‘ And looked on the moonlit liinds.” Waitin to welcome her Bo . G. 2. «i to F11. g y J. W. Wlzeelm‘. PODUl£tl'.SOIlg and chorus byapopularauthor. The sentiment is §:_'()O(l, and the song is worth a place in your collection of vocal gems of this kind. At the French Ball. So11g.\vithD2mc0.DF- iipcto F. . . ;ru.hain. “I went to the ba1l,_theimiiglity French ball, Anwl I ilrinccil with a little grisette; She was not over stout, aml not very tall, And so pretty I soon called her ‘pet.’ " Darke Musketeers. llI2ll‘(.‘ll~S()1l"'. F. 3. The 3' to F. V.‘ W. I/V/teller. Another new comic song by the aiithor of “The Col- ored Four Hun=lre(l.” Briglit aiiil catchy. He isn't on the job just now. Eb. if Fllibto F. C 1 C’IlH.(}IL. Humorous song. Just the kind to provoke inerrinient Spanish cradle Soy-|g_ F in. 4. E!) to Di). lioott. One of Mr. Boott’s latest contributions to the li-tot‘ excellent modern soiigs. Both Spaiiish and Eiiglisli ver. sions are given. The song is one of the most noticeable of recent coinpositioiis. It is for a voice of inecliuin compass. al is told. Bb. 4. bl; to W2. A5 aT e that 147. F Smlzls. An excellent song for low voice. eitheralto or baritone, and we commemil it to all who admire gooil verse set to equally good music. sooner or |_ater_ El). 4. bl; to E5. W. F. Surlds. In this song Mr. Sl.l(l(lS has ailinirably set the ver.~'es of Stewart Allen to an original melody, whicli expres~ie~i the sentiment of the poem in a musicianly anil agreeable manner. The accompaniment is for citlier organ or piano. A line song for low voice. The Touch oftha Wand. G. 3. Chansonette. Eb. 3. who E5. . ..... c l The above three soiigs by Frederick S. So n'ner~4 a"e the work of 3. mu-Iii-ian whose music will repay the learnerin the most il.f_flU()2Ll)lL) manner. The piano p2l>'t.~l are no less satislactory anil iniisiciaiily t.h:in the inehnly 1L~l(:l1’ and the general treatment of the themes. Suﬁer Little Children. D, 4. <~%t~11 R:"’:'<’*'- _ A new sacreil .~l()I)fJ,‘ by Martin R ie lcr; toaclier ol .~ii.i5- 111),’ at the N. E. Coii-acrvatory of Music. He? Last Good By 2. F- 2. 0- to F. D 7'WW8- A song and chorus in the popular vein. Ne\\‘an.l ‘ pleasing. Take up Thy Grog-,s_ E‘). 4. a‘; to F. C’ E. I} I’:-me. A saci'eilsoi1:,r for inezr.o-~Io;ii':iii ) o - l)‘tl'lt.).1l‘ Ex - lent for a choir soloist. Ace.iiii_i.Liiiiiic-iii; s.i;t:Lblelor either piano or orgaii. Forsakey-|_ B.ill:nl. G. 4. ll to F1 . M'i'lIrir.'I. The gooil t i<tc anvl Oxquisit ‘ t eatinent of tha. t‘.i mi: so beaiitil'ully cxpre~i.<el in the vi-.i'+c.~i by Mary (J. l’reston, are <;li:iractei'istii-, of II I. '.-i=on hlillaril. This is his latest .~l()ll_(; and to all <i.i:.,-‘ei's with mezzo-sop 'aiio or tenor V ' ea we say, try this now ballad, Elllll you will not r ‘r , ' The inelorly and the gi':ic.'.1‘iil. llL‘.ll('.2ll§i£ plan» am-.oinpziniinent captivate the hearer at once. Don’t fail to secure this latest song by Millaril. The Boat with My True Love’s Name. F, ‘-’- 0 to I). (,‘oII1n. (7042. A n:'.w song; by Collin Coo. It haa :1 pretty “'1|.‘It'/4' rel’r2iin, anal will [)i'<il):).l)l_\’ be popular as a li'_>;nt, lllL“<)ill- ous “lmrit-soiig,” or a “cats-liy“ song and rei'rain oi’ t’ic college type. Simple, ll:l.lllt_\', anll meloiliou.-.'». Here is a verse, to show the sentiment :— “My true heart is a brave, brave girl; She lives by the wiile, 'i<le sea, Ami when I sail on the r.c«,~.-iii She watclies anil waits for me. I have a boat so trim and neutr- For siiilin-_; she’s won her fame,- Anll I call my boat the ‘ Ilonnie Bell,‘ For that’s my true lo\'e’.~i naine.” “Over the sen, over the sea, My Bonnie Bell goes sailing with me." There’s a Green Hill far Away. E9. 4 E/')l'1) G. J. (7. lVm'7'mi. A sacrerl song for soprano. One of the Very lieu‘. of rccent solos for i-hoirsingers. The familiar verse in a new musical setting. INSTRUMENTAL. Gov. Russell's Grand March. Eb. 4- _ G'I'II(‘€ ,I.’I7‘I]Ill_f/. A captivntiiig March for the piano. A gooil portrait of Gov. Russell ailorns the title page. Stolen |(is5es_ Walt7.. F. B‘;anil G. 4. _ .Io.s'ephin(- (ii-0. Goorl Waltzes are always in ilemanrl. 'l‘h‘is sci is very pretty, and we :1(lVlS(3 all who desire \valtz-iiiiisic for the piano to obtain a copy of it. Beacon Waltzes, ‘,> 4. _ . . . Lruvrence .’\"eeIm. Good lllCl0lllOl1S Walt’/.-inusic for the piano. Try ll‘. Figaro wa[tzgs_ A. I). G. 4. . , . LomI)rzr«Im'r>. Fine W'alt7.e.~i for the piano; not iliilicult, and well worth leariiing, Violanta Po|ka_ G. 3. . . . . . . . J. l{n.ecIil. Spirited, lirigiit, pretty (lance inusic for the piano. Columbia’ Fantasia-l‘olk:i. l<‘ortlie Cornet. Roi/iizson. An - ilmirable solo in G l'or the Iii; cornet. Fine piano accoiiipaniiiieiit. The piece is do licate l to anil play.-«l by John M. Floekton. It is one of Rollinson’s best cor- nct solos The Young Player. Selected Pianoforte Pieces for the Cultivation of a Reﬁned Taste. The >lel:(;<)ll]]1!‘lBO9 the following :- I)i<:.xic l\ll<1M()R\'. . . , . F 7'/mnze. S\VF.I-IT l\Ii«ii.0oi'. . . . . . . F. ‘I’/mnw. A QUAINT 01.1) Sroin’. ’ AL.S'ATIi\N l).\Nci<:. . . . . SLr.i<;i-Y Err‘. (Crarllc Soiig.) A‘). -2. . SHADY NOOK. A. ‘Z. . . . . . I’. Lr/czi/lie INi)i.\N DANCE. . . . . . . I’. LIl<,'()IIlt3. l\Ii«:imIi1i~;N'i‘. A. -. . . . . . P. Lu miirt. JUMPING JACK. G. ‘2. . . . I9" ('/iu.zw,r]/mt, ON TIP'l‘()E. I.)-niajor. F-iiiiiier. E. (I/Lvriwf/n.r/I. FINGER-TIP STUDY. ‘. . . E. K‘/on-.«i,r/nri/. II.\l’P1' GRElC’l‘ING. l). ". . _ . E. (,7/i.rI,i'II_r/i7(I.f. The above ll2lll1()'l pieces tl‘0 alinirably 2lil.I.lllIl.‘(l to tlie use of young players, especially ])llpIl.~l. Dancing on the Levee Schottisch. Q. -3. _ _ E(l£UL)L ( /n'1.s‘lie. Captivatiiig scliottiscli for the piano. Old Hickory. Scliottiscli. C. 3. Pe1'z:_7/.S’«)_i//ii.nm'. A military srliotti-Icli for the piano. ll: l~l not h.-irvl, even if it is old hickory. It is very pretty, and. “c:itcIi_v.” A brilliant moreeziu for piano, by an exr or-«I y 110])» u'_ coinposcr. ll: is not too «li.ii.-ult 1‘.art.ie a\'cr:i;e proliizieiit pupil. ' The world's Fair. Six Ea-‘y Piano Piece-' by IIENRY .\)IB. 1. ‘~l<‘.un C()LU.\IBI.\.” W'u.lt:. G. 2. "ENoi.Isi{ Bi.oNo1<;.” Po//.-u., C. 3. "l‘[‘Al.I.\N (_:lIRL." Yorlc, G. 4 “SUO‘l‘ClI LASSIE." Galnp. (.2 5. “(JIIINZCSE DIAIDEN." il[Il7'i'/I. C. 6. “SPANI-ll[ l§i«:Li.i<:.” S«-mm,» 1,_ _ The :1!) )VU named si\' piano pix:-,e.~i are easy .’lll'l suit- Illlle for _VUll!i_‘.‘;‘ l)i‘gl|llIOI‘.‘l. lllai.-li p.c(-c ll.‘l> the pi'upi’i' “i'ingeriiig” in licatc-'l. The t tlc-pziqe ofcach i= ranti- fully illustrateil bu (il12l."£l(‘tl.‘I‘l~|l2l(‘. lei.-«N of the «ll e"— iit maivlens wl1o<eii:iti ii litv is }_:ivcn in the lit. S.-.n<l lo: fl the “The \Vorl<l’s l<‘air" set of pieces by llcxiry l.:imu Six Easy Pieces. 1 (.‘li.e.»-tor llmmi. . “l§lI.I<?l<]N l\/IAZURKA.” C. 2 . . . . , 2. “F.\li'Nl‘LEI{()\' l\IA1{(ZI[." Eb. . . 3. “illrsric G.\VOT'I‘l£.” . . 4. “.<i;\i\ii«:i: l)iu«:.uis." F. 5. “i\[iNui«:'i‘.” l). 2, . 6. “Sm: \BA:\'I)l<).” F 2. . _ . , _ . ‘A rei_narkahle ple:i.~iii;_§ aiiil wsll w ‘in -.2i ~'et of piano pieces. l<l\'eryboily who lins l.l'lU(l iiliciii -my - so. Silver Chimes, Morceau for piano. l)_;. 4. _ _ _ ‘ I _ V.’ ’I). ll"i/.wiiI.. u3“"'lll'l.'l.I1El)lIl2l1)l’. li'li tiilt in I‘) wile" -._i I t i "ili3’l. .in_«_; l.ii_i‘.a~'ia” style. The correct Ii.i_;e:iiig 14 ;__:iven for the pupil’s use. Societe de Bons Vivants. Piano Piurc. G. 5 . . z'.i'.‘. (.)i-e_of Mr. Sn lrls’s best piano pieces. “Goo-l Feltlo/iv’. ship" Hthe Eiiglisli name for the piece. Enchanted Valley, I\Iorcc:iiil'oi'piano. A5. 4. p _ (i'(LIl«Ihr>1‘. A brilli~.i_nt inorceaii, such as the :L\'ii:':i,gc pi'oIloic.it ainateur will OllJ0_Y. Playful Ron;lo_ For Piiino. G. 2. C’. U7. Greem’. ‘ An exizellciit piece fora pupil. The correct (Gcrinziii) liii,-reriiig is given. Congaree Dance. F. 5 J. F.Gi'(ilcr. The latest piaiiol'orte composition of John Francis _ (lllllUl'. It is in his usual “<::il.cliy” style. «I eranza_ _ (Hope). Melmlie for piano. Alz. 4. Very pleasing. I(](3in_ -Electric P_olka_ For Piano. F. 3. . . ].’oc.a'/cc. Briglit, Jolly, catcliy piano lllllrslll‘. Electric Polka_ Wit/L Toy lust/'imzants. . lfnes/cc. For schools or l(ll1(lCl‘g1l.l’tC11l-‘l, thi~' piece, ii.i'tir the in:iiii_iei' of IIay<ln’s “Toy Syinplioii_\',” has inusic for the ()i-.ai'iii.-i,_ Tin VVhi+tle, Bells, Ti'iaii;.,-‘le, Violoiiitello, l‘)i‘ll|ll, \'ioliii,_ Autoharp, l’op-g;ull, Quail, and (,‘Iapper~, 'Ill..‘ ineloily is pliiveil on the l’ia.no.aiiwltlicl-lnlrli'eii 1ll‘.('.UlIl]l:l.l'ly with the iiistrnmeiits nieiitionexl. This [|l0i'U wzi~' |lCl‘lUl‘nlGLl in :1 Boston I{iii(li:i;;ai'teii \\'ll,ll gool clfect. Les Fleurs_ Value for Piano. F. . Lzulot-£i:. Easy and Pretty. Toreacloyg Walt/. for I’i:iiio. D. 4. A showy waltz oi‘ ine<liuni llilliculry. Colored Four Hundred_ I\Iai'ch for Piano. _ ll». Km;//ll. T. P. 1201/10. The popular song arrangezl as a “two—step.” Sprlng’s Return_ G. 4. . . I3, (7.I(1ez‘1L. Full of Joy_ Waltz. (J. 4. . M abel Gay, G. anil l’»',. 4. , _ . Sy|phide_ Polkzi-inaziirl-;a. U and E; 4. FOR THE MANDOLIN:— Flight of Birds, Polka. (Walilteiifell. Ilfaxc//. A Iiiie polka for two inani_loiins, \VlLll_g‘llllJi1l' or piano :i.ecoinpaninient. FOR THE MANDOLIN WITH GUITAR ACCOMPANIMENT. Llf/7/I (‘mvillgu M'a.7‘ch. (‘Z l\I:iii«lo‘iiis ) I’7-(Ie](n1Il, ’.1/[Til I§i>/Inn's Fair, lVn./1‘.2:<>s. ('2 l\l:lIi(li)lll1S.) l’/-eclmiil. Ullid liowens‘ Fair. l/Valtzes. (solo). . l’/-eclaml FOR VIOLIN AND PIANO:— R‘ -;"s Prn_1/67'. C. 4. . . F. 5. . . -' ‘ .l{.'l irlmmv. . . (' oncltrl. C. 3. KlIl.I'l(’I‘l[6(] G. ‘J. ./lI'cIo(li'e. . 3 . . . . i, A. ‘2. . . . . V01/JIILIIII. above violin pi zis, with piiiiio xii-comp-.iniinciit, are i'.lassic~' whi-eli C\'Cl'_\ lea "lie ', as well as all violiiiists, shoull have. The <,{r2irliii5.; _:ri\'eii above refer.~x to the violin parts only. The piiinoacconipiiniineiitsvuryas to tlilliculty. U7«r/jiier‘. B®$’]?‘®Rl: I9fE’I”‘S©N Philadelphia J. E. DITSON & CO. New York C. H. DITSON & CO. Chicago Boston LYON & HEALY JOHN C. HAYNES & CO.
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Date: 1877
Text: To Mrs.M.K.Cal Ian. .EZ?ii_/_'rZZ/‘/7.21/TI,’ /,____j . LON/I3}‘1%iLL oww N EW-YORK= Published by S.T.GORDUN&SON.l3 Easf I4*bs+_ A NEAR FIFTH AVE. Uupy.r*}qh”r IB77 by 5.T.Eurdan&San- V ‘ Iwsac uurmav SEAR COL 7 ‘THE RA INY BAELAD. Words by Music by HJVLONGFELLOWL ALONZO STONES] Andantyj and drea — ry; It and drea — ry; It rains, and the rains, and the C0pyrig_'h(,1877 ,by S. T.Gordon& Son. f vine clings to the maul — der—1:ng wall, But at thoughts cling to the maul —...
Show moreTo Mrs.M.K.Cal Ian. .EZ?ii_/_'rZZ/‘/7.21/TI,’ /,____j . LON/I3}‘1%iLL oww N EW-YORK= Published by S.T.GORDUN&SON.l3 Easf I4*bs+_ A NEAR FIFTH AVE. Uupy.r*}qh”r IB77 by 5.T.Eurdan&San- V ‘ Iwsac uurmav SEAR COL 7 ‘THE RA INY BAELAD. Words by Music by HJVLONGFELLOWL ALONZO STONES] Andantyj and drea — ry; It and drea — ry; It rains, and the rains, and the C0pyrig_'h(,1877 ,by S. T.Gordon& Son. f vine clings to the maul — der—1:ng wall, But at thoughts cling to the maul — der——1ng past, But the ev — — ry gust the dead 7 leaves fall. hope’s of youth fall thick in the blast. day And the days Andante ooh moto. drea —ry! tl-rea -\.-ry I \/ sad and curse re - pine-z'_ng; Be — kind the ‘ f Agitato. clouds is the T still shin—ing,- Thy fate is the com — man ' Agitato. In — to each life some Ir must fall. Tranquille. Some days must be dark and dreu 6' 542 :3
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Date: 1878
Text: .\..\m \ .. , , , ,. K % xx \ . .§\\\\\\\\\\\\\§~\\\\\\% \\\\\\\\\\\. \\\\\\\\\\\\\§\\»%\\§ \ »\ v:A§§W. Du £zL£R, ). I I ll ’KANE mm ; \ § . .. S. ®\\§\\\§V\\\§ IIIIIIH ( . 4 -‘ \. \\\\\\\\\\\\\§\\\\\\\\\\\\\\\\\\\\§ 1| NEVV‘ YORK- THOMAS O PUBLISHER mm’ BOOKS 130 Nassau Street. . II I1}-ﬂll II} [11 IUSIC LIIRAIV \IA$AFl COLLEGE § ./ . § n / , \ \. § L .1 L . \ W 0/ / “TWILIGHT.” Words. by LONGFELLOW. ‘Music by GEO. W. MORGAN. ra ritaad. 1. The twi - light is sad and cloud - - - y, The Wind...
Show more.\..\m \ .. , , , ,. K % xx \ . .§\\\\\\\\\\\\\§~\\\\\\% \\\\\\\\\\\. \\\\\\\\\\\\\§\\»%\\§ \ »\ v:A§§W. Du £zL£R, ). I I ll ’KANE mm ; \ § . .. S. ®\\§\\\§V\\\§ IIIIIIH ( . 4 -‘ \. \\\\\\\\\\\\\§\\\\\\\\\\\\\\\\\\\\§ 1| NEVV‘ YORK- THOMAS O PUBLISHER mm’ BOOKS 130 Nassau Street. . II I1}-ﬂll II} [11 IUSIC LIIRAIV \IA$AFl COLLEGE § ./ . § n / , \ \. § L .1 L . \ W 0/ / “TWILIGHT.” Words. by LONGFELLOW. ‘Music by GEO. W. MORGAN. ra ritaad. 1. The twi - light is sad and cloud - - - y, The Wind blows wild and 2. Close, close it is pressed to the win - - - I As if those child - ish 3. What tale do the roar - - ing 0 - And the night. wind bleak and }— --1 And like the wings of the sea - - birds Flash the white cap of the Were look - ing in - to the dark - - ness To see some form a As they beat at the era - - zy case - - ment Tell to that lit - tle P L I I ' Words published by the kind permission of Messrs. TIOKNOR sic FIELDS, Boston. Entered according to Act q/Oonpnu, in the yaar 1818. 39 NORJIIAN L. HUNBO, in the «me: afthe Librarian 0}’ Gongrcu at Washington, D.0. \_ sea, But in the ﬁsh - er-man’s cot - tage There shines a rud - di - er - rise, Anda. W0 - man's wav - - ing sha — dow ls pass - ing to, . . . . .. and child? And why dothe roar - - ing 0 - ceau And the night wind, wild,.... and light And a lit - - the face at the win - - dow, out.. in - the fro.. Now ris - - ing to.... the ceil — — ing, Now bow-ing and bend - ing bleak, As they beat at the heart of the mo - - ther, Drive the co - - lor from her mrxtard. ,5 u1\omgm.v—a. THE NEW YORK EAMEEY @@@EY BARE. CIRCULATION 300,000! A Song and Chorus, in regular sheet music form, given away to every reader of the New York Family Story Paper every Week. SONGS GIVEN AWAY WITH THE FOLLOWING NUMBERS: " His Grave Kept Green,” by Geo. W. Morgan, - . with No. 244. “ The Belle of Sha.ndon,” Irish Song, - . “ “ 247. “ Tapping at the Garden Gate,” - - - . “ 248. “ George Washington,” by Horatio (1 King, - -, - 249. “ The Garden of Roses," . . . . . 260. “ The Two Orphans,” dedicated to Kate Oulnxton, - - 251. " Nancy Lee,” by Stephen Adams, - - . - 252. “ A Letter in the Candle,” - - - - - - 263. “ When the Moon Beams Brightly (Yet the Hill,” “ Won’t You Tell Me Why, Robin 1’ " - - - S2=2:2=: 254. 255. ALL THE ABOVE NUMBERS OF NEW _ YORK FAMILY STORYAPAPER can be obtained at any news stand, also the eorrespomllngvsongs. No change tor mu. Each song‘ is carefully arranged for the voice and nlano. and worth at least 85 00 each. Inform your lrlends. NORMAN L. MUNRO, Publisher, 74 Beekman Stxeet, N. Y. _ . .. . _ .. .. . .. . g. . .. .. _.. ..
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Date: 1879
Text: (&ampuJw]ﬁM' V z///I-A Ju/zy W17/L‘r//m/z.s'zzr::.:4a ,-15 741/ A\ﬁ:%@:s>‘%1@iﬁ@W%?i?a@f%i@iA@ .~:\ 5 \\ ‘.~\; 9 R ‘ : ;\ \‘ /« Z..__1\_/// A _ M ﬁx i\jf\_\ W71’/V’/A)" /7,17 , / ELL MUSIC BY BOSTON. OLIVER D|TSON&C‘?45|WASH|NGTON ST CHI CH G5 . LYEN 5: HEALY. ‘ 1\'«'.'.’DRK,.C,H.DIT5D1\T5¢ED. PHIL-‘.*J'E DIT5DN5<DU. Z7Eirz71'I, .5.Fra/701555. 5aIvE5Imz_ 5. J.W}71'm5y&Z7z7_ Slzerman-ﬂyds «X 00. TZ7’0_;7gc7z7V’u7rJ. Copyright 1879...
Show more(&ampuJw]ﬁM' V z///I-A Ju/zy W17/L‘r//m/z.s'zzr::.:4a ,-15 741/ A\ﬁ:%@:s>‘%1@iﬁ@W%?i?a@f%i@iA@ .~:\ 5 \\ ‘.~\; 9 R ‘ : ;\ \‘ /« Z..__1\_/// A _ M ﬁx i\jf\_\ W71’/V’/A)" /7,17 , / ELL MUSIC BY BOSTON. OLIVER D|TSON&C‘?45|WASH|NGTON ST CHI CH G5 . LYEN 5: HEALY. ‘ 1\'«'.'.’DRK,.C,H.DIT5D1\T5¢ED. PHIL-‘.*J'E DIT5DN5<DU. Z7Eirz71'I, .5.Fra/701555. 5aIvE5Imz_ 5. J.W}71'm5y&Z7z7_ Slzerman-ﬂyds «X 00. TZ7’0_;7gc7z7V’u7rJ. Copyright 1879 by O.Ditson&Co. \/Q9 ‘ , \ ', K \\n I &/ \/ \: \\ \ 77/ /_I L/" W / . §ERENADE“TO BE NEAR THEEZ’ Good uighggoodnight, be-10v - ed! I come, to watch o’er thee- 7 } night,g00d night, be - Iov— - ed! I come, to Watch o’er thee; ........... .. nig'h.t,good night, he _ lov- _ ed! I come, to Watch 0’er thee; »# *§ C0j>yI‘ig'ht 1879 by 0. Ditson «S: (‘o. can espress. ;_,/ night,g00d night be- 10v - _ ed! I come to Watch 0’er thee; ..... .. I To be near thee, To be near thee, To be near thee, b. Pi?) mosso. Z"\ stars of morn - mg, L L L > crim _ son > L son fl0w’1-s . rimrd. stars of morn _ ing, Thy crim _ Pill lento. night he. lov _ _ _L ed! I count the > L > While I count the 12000 /-z't(Ira.’. Q. _ Tempo pr-£1710 Good night, good night,be - lov _ - ed! I come to watch 0’er thee; A Tempo primo night, good night, he _ 10v- _ ed! I come to Watch 0’er thee. .... .. (3 m are/ado
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Date: 1880
Text: ::-‘*e: \\{\§._\\.\\ --\,-~.. ~. . ‘ ‘ 5 ‘_,_s.. -~.s‘,‘\~..\y\\\\ 3‘: \\\\:-\“=:‘ \‘\“=x - ~ s\\ss\\\. \\“~.‘.\ \\\‘\\ ;,:. -. Prin; MUSiC 4._;aa.a.s-w VASSAR COLLEGE POUGHKEEPSIE. NEW vonx Prize Composition, Cincinnati Festival of 1880. RESPEOTFULL Y DEDIUA TED TO THE Po ET. SBENESFH[lMLUNBFELlﬂW’5GULIIENLEIEEN. Symphonic Cantata‘ FOR Solos, Chorus and 07°C/ieszimifc, BY’ DUDLEY BUCK. CINCINNATI, Published by JOHN CHURCH & oo., 66 West Fourth so Copy ight, 1880, by John Church & Co....
Show more::-‘*e: \\{\§._\\.\\ --\,-~.. ~. . ‘ ‘ 5 ‘_,_s.. -~.s‘,‘\~..\y\\\\ 3‘: \\\\:-\“=:‘ \‘\“=x - ~ s\\ss\\\. \\“~.‘.\ \\\‘\\ ;,:. -. Prin; MUSiC 4._;aa.a.s-w VASSAR COLLEGE POUGHKEEPSIE. NEW vonx Prize Composition, Cincinnati Festival of 1880. RESPEOTFULL Y DEDIUA TED TO THE Po ET. SBENESFH[lMLUNBFELlﬂW’5GULIIENLEIEEN. Symphonic Cantata‘ FOR Solos, Chorus and 07°C/ieszimifc, BY’ DUDLEY BUCK. CINCINNATI, Published by JOHN CHURCH & oo., 66 West Fourth so Copy ight, 1880, by John Church & Co. CONTENTS. ‘ SCENE. PAGE 1.——-PROLOGUE, .................................... ..“Hasten, 0 ye Spirits!” and Chorus,..., ......... .. 7 II.-—-RECIT. AND AIR, (Tenor,) ......... .... ..“I can not sleep,” ........................................ .. 21 _ III.—-DUO AND ENSEMBLE, ................... ..(Bass, Tenor, and Chorus,) ............................. .. 27 IV.-—-UNACCOMPANIED QUARTET, ....... ..“ O gladsome light,” ..................................... .. 41 V.—SOPRANO SOLO, ............................. ..“ My Redeemer and my Lord/’....,.,.,.,.,................ 45 T VI.—FOR ORCHESTRA ONLY, ................ ..“ The Pilgrimage to Salerno,” ......................... .. 50 , VII.———DRINKING SONG, .......... .; ............... ..(Bass, and Male Ch0rus,) ......................... VIII.—FOR ORCHESTRA ONLY, ............... ..“The Revel, and appearance of the Abbot,” .... .. 64 IX.——SOPRANO SOLO WITH CHORUS, .... ..“The_night is calm and cloudless,” .................. .. 68 X.—FOR ORCHESTRA ONLY, ................ ..Barear0le, ..................................................... .. 72 XI.—CHORUS OF SAILORS, .................... At Sea,” .................................................... .. 75 XII.-—-DIALOGUE, ..................................... ..(Prince Henry, Elsie, Lucifer, and Cl10rus,)...,... 84 XIII.~—DUET, SOPRANO AND TENOR, ....... ..‘f Behold the llill-‘tops all aglowl 9]. XIV:-EPILOGUE AND FINALE, .............. ..“ O beauty of holiness!” ................................ .. 96 CHARACTERS REPRESENTED. ELSIE ................................................................................... ..Soprano. PRINCE_HENRY OF HOHENECK ................................................ .. Tenor. LUCIFER ._. ....................................................... . .‘. ................ ..Rm'zone. CHORUS OF SPIRITS, THE BELLS, ATTENDANTS, ETC. N. B.—The orchestral parts to this work may be obtairied in manuscript from the pubttshers. Of the piano- score, numbers 2, 4, 5, 7, 9, 11, and 13, may be had SEPARATELY, together with the three orchestral num- bers arranged for pianqforte, four hands. Copyright, 1880. by J elm Church & Co. SCENES FROM LONGFELLOEFS “GOLDEN LEGEND.” The Selection of Words by permission of the Poet and his Publishers. VOICES. Onward! onward! With the night-wind, Over ﬁeld and farm and forest, Lonely homestead, darksome hamlet, Bhghting all we breathe upon! SOEN E I. (PROLOGUE) The .9})tre of Strasburg Cathedral. Night and storm. LUCIFER, with the Powers of the air, trying to pull down the Cross. LUCIFER. Hasten! hasten! 0 ye spirits! From its station drag the ponderous Cross of iron, that to mock us Is uplifted high in air! VOICES. (Female Chorus.) 0, We can not! For around it All the Saints and Guardian Angels Throng in legions to protect it; They defeat us every-where! THE BELLS. (Male Chorus.) Laudo Deum verum! Plebem voco! Congrego clerum! LUCIFER. Lower! lower! Hover downward! Seize the loud vociferous bells, and (llasliing, clanging, to the pavement Hurl them from their windy tower! VOICES... All thy thunders Here are harmless! For these bells have been anointed, And baptized with holy water! They defy our utmost power. THE BELLS. Defunctos ploro !‘ Pestem fugo! Festa decoro! LUCIFER. Aim your lightnings At the oaken, Massive, iron-studded portals! Sack the house of God, and scatter Wide the ashes of the dead! VOICES. 0, we can not! The Apostles And the Martyrs, wrapped in mantles, Stand as wardens at the entrance, Stand as sentinels o’erhead! THE BELLS. Excito lentos! Dissipo Ventos! Paco cruentos! LUCIFER. Baffled! baﬁled! Ineﬂicient, Craven spirits! leave this labor Unto Time, the great Destroyer! Come away, ere night is gone! [They sweep away. Organ and Gre- gorian Chant] CHOIR. Nocte surgentes Vigilemus omnes. -—-o-o}o{oo——-— SCEIN E II. Castle of Vautsberg on the Rhine. A chamber in a tower. PRINCE HENRY alone, ill and restless. .Mz'dn73ght. PRINCE HENRY. I can not sleep! my fervid brain Calls up the vanished Past again, And throws its misty splendors deep Into the pallid realms of sleep! A breath from that far-distant shore Comes freshening ever more and more, And wafts o’er intervening seas Sweet odors from the Hesperides! (‘ome back, ye friendships long departed! That like o’erﬂowing streamlets started, And now are dwindled, one by one, To stony channels in the sun ! Come back, ye friends whose lives are ended, Come back, with all that light attended, Which seemed to darken and decay When ye arose and Went away! They come, the shapes of joy and woe, The airy crowds of long ago, The dreams and fancies known of yore, That have been, and shall be no more. Best! rest! 0, give me rest and peace! The thought of life that ne'er shall cease Has something in it like despair, A weight I am too weak to bear! Sweeter the undisturbed and deep Tranquillity of endless sleep! ———<>o>o<o<>——— SCENE III- A ﬂash of lightning, out of which LUCIFER ap pears, in the garb of a traveling Hzgsician. LUCIFER. All hail, Prince Henry! PRINCE HENRY [startz'ng]. Who is it speaks? Who and what are you ? LUCIFER. One who seeks A moment’s audience with the Prince. PRINCE HENRY. VVhen came you in? SCENES FR OM L ON GFELL OW ’ S “ G’ OLDEN LE 0 END.” LUCIFER. I , A moment since. I found your study door unlocked, And thought you answered when I knocked PRINCE HENRY. What may your wish or purpose be? LUCIFER. The storm, that against your casem ent drives, In the little village below waylaid me, And there I heard, with a secret delight, Of your maladies physical and mental; And I hastened hither, tho’ late in the night, To p_roffer my aid! . . . . . . ‘What is your illness? PRINCE HENRY. It has no name. A smoldering, dull, perpetual ﬂame, As in a kiln, burns in my veins. Even the doctors of Sa.lern Send 1ne back word they can discern No cure for a malady like this, Save one which in its nature is Impossible, and can not be! LUCIFER. What is their remedy? PRINCE HENRY. You shall see; Writ in this scroll is the mystery. LUCIEER [reading]. The only remedy that remains. Is the blood that ﬂows from a maiden’s veins, Who of her own free will shall die, - And give her life the price of yours!” The prescription you may well put by. Meantime permit me to recommend My wonderful Catholicon ! Behold it here! this little ﬂask Contains the wonderful quintessence, The perfect flower and efﬂorescence, Of all the knowledge man can ask! PRINCE HENRY. VVill one draught suffice? _ LUCIFER. If not, you can drink more. PRINCE HENRY. Into this crystal goblet pour So much as safely I may drink. INvIsIRLE CHoRUs or‘ ANGELS. Woe! Woe! eternal woe! , Not only the whispered prayer Of love, But. the imprecations of hate, Reverberate For ever and ever through the air Above! 4 I This fearful curse Shakes the great universe! LUCIFER [disappearing]. Drink! drink! And thy soul shall sink Down into the dark abyss, Into the inﬁnite abyss. " PRINCE HENRY [clrinking]. It is like a draught of ﬁre! Through every vein I feel again The fever of youth, the _soft desire, Ojoy! Ojoy! Ifeel ' ” "’ The band of steel uplifted: My weary breast At length ﬁnds rest. CHoRUs. Touch the goblet no more! It will make thy heart sore To its very core! Beware! O, beware! Sickness, sorrow, and care, All are there! I With ﬁendish laughter, Hereafter, This false physician Will mock thee in thy perdition. PRINCE HENRY. Golden visions wave and hover, Golden vapors, waters streaming! I am like a happy lover Who illumines life with dreaming. Brave physician! Rare physician! Well hast thou fulﬁlled thy mission. CHORUS. Alas! alas! ‘ Like a vapor the golden vision Shall fade and pass, - And thou wilt ﬁnd in thy heart again Only the blight of pain, And bitter, bitter contrition! —-——oo@o-o——— SCENE IV- ELSIE comes in with a lamp ; MAX and BERTIIA follow her; and z‘./Leg all .sz'ng the E'vem“ng Ibcng on the lighting of the lamps. ' ( Quartet, unaccompanied. ) O gladsome light Of the Father Immortal, And of the celestial C Sacred and blessed Jesus, our Savior! Now to the sunset Again hast thou brought us; And, seeing the evening Twilight, we bless thee, Praise thee, adore thee! Father omnipotent! Son, the Life-giver! Spirit, the Comforter! Worthy at all times _ Of worship and wonder! ————o-o',;o.’_oo———- SCENE V- ELsIE’s chamber. Mghit. ELSIE prayin-g. My Redeemer and my Lord, I beseech thee, I entreat thee, Guide Inc in each act and word, That hereafter I may meet thee, Watching, waiting, hoping, ‘yearning, With my lamp ‘well trimmed and burning! Interceding, With these bleeding Wounds upon thy hands and side. For all who have lived and erred Thou hast suﬁ"ered, thou. hast died, Scourged, and mocked, and cruciﬁed, And in the grave hast thou been buried! SCENES FROZII LONGFELLOW’S “GOLDEN LEGEND." If my feeble prayer can reach the O my Savior, I beseech thee, Even as thou hast died for me, More sincerely Let me follow where thou leadest, Let me, bleeding as thou bleedest. Die, if dying I may give Life to one who asks to live, And more nearly, Dying thus, resemble thee! ._—oo§:0<oo——-- SCENE VI- The Pilgrimage to Salerno. (For Orchestra only.) Onward and onward the highway runs to the distant city, impatiently bearing Tidings of human joy and disaster, of love and of hate, of doing and daring. PRINCE HENRY. I-Iark! What sounds are those whose accents holy Fill the Warm noon with music sad and sweet ? ELSIE. It is a band of pilgrims, moving slowly On their long journey with uncovered feet. PILGRIMS. Urbs coelestis, urbs beata, Supra petram colloc-at-a, Urbs in portu satis tuto, De longinquo te saluto! SCENE VII. The Convent of Iiirschau in the Black Forest. The Refectory. Gaudiolum of monks at mid- night. LUCIFER disguised as a frtar. FRIAR PAUL sings. (Drinking Song and Chorus.) Ave! color vini clari, Dulcis potus, non amari, Tua nos inebriari Digneris potential 0! quam placens in colore! O! quam fragrans in odore! O! quam sapidum in ore! Dulce linguae vinculum! Felix venter quem intrabis! Felix guttur quod rigabis! Felix os quod tu lavabis! Et beata labia! CHORUS or MoNKs. Funde vinum, funde! Tanquam sint ﬂuminis undae, Nec quaeras unde, Sed fundas semper abunde! [TRANSLATXON (yon 1-ms wonx) BY EDMUND C. STEDMA1\'.] (Drinking Song and Chorus.) Hail! thou vintage clear and ruddy 1 Sweet of taste, and ﬁne of body, Thro’ thine aid we soon shall study How to make us glorious! O! thy color erubescent! O! thy fragrance evanescent! 0! within the mouth, how pleasant! Thou the tongue’s praetorius! Blest the stomach where thou wendest! Blest the throat which thou distendest! Blest the mouth which thou befriendest, And the lips victorious! CHORUS OF MONKS. Pour the wine, then, pour it! Let the wave bear all before it! There ’s none to score it, So pour it in plenty, pour it! —?oO:=®:,'C>o—._ SCENE VIII- The Revel, and appearance of the Abbot. (For Orchestra only.) What means this revel and carouse? Is this a tavern and drinking-house? Are you Christian monks, or heathen devils, To pollute‘ this eovent with your revels? ——————o-o',>©:,'0<>—- SCENE IX- At Genoa. Night. ELSIE coming from her chamber upon the terrace. The night is calm and cloudless, And still as still can be, And the stars come forth to listen To the music of the sea. 'l‘hcy gather, and gather, and gather, Until they crowd the sky, And listen, in breathless silence, To the solemn litany. It begins in rocky caverns, As a voice that chants alone To the pedals of the organ In monotonous undertone; And anon from shelving beaches, And shallow sands beyond, ’ In snow-white robes uprising, The ghostly choirs respond, Christe eleison! -——-—<>o,':0'{O0-——- SCENE X. (Barcarolle-——for Orchestra only.) The ﬁsherman, who lies aﬂoat, With shadowy sail, in yonder boat, Is singing softly to the Night! A single step, and all is o’er; A plunge, a bubble, and no more; And thou, dear Elsie, wilt be free From martyrdom and agony. ———oo)o<oo—-— SCENE XI. At sea. CHORUS OF SAILORS. -The wind upon our quarter lies, And on before the freshening gale, . That ﬁlls the snow-white lateen sail, Swiftly our light felucca ﬂies. . v Around, the billows burst and foam; , They lift her o’er the sunken rock, 8' SCENES’ FR OM L ON GFELL OW ’S “ G OLDEIV LEGEND.” They beat her sides with many a shock, ELSIE [wtth2‘n]. glrllgytggigeuggﬁ ﬁllféraﬂvevlgytlléregceggﬁ, Farewell, dear Prince! farewell! ‘I 7 ' Ha! that is the ﬁrst dash of the rain, Unba” the 010°“ With a sprinkle of spray above the rails, . Just enourrh to moisten our sails, It - t 1 t 3 And niakei them ready for the strain. IS 00 a e Now keep her head toward the south, ' It Shall not be t00 late! And there is no danger of bank or breaker. Burst the door 0139113 Rush in! With the breeze behind us, on we go; , Not too much, good Saint Antonio! ——°°?©<°°‘*— SCENE XIII- The Return. Castle of Vautsberg on the Rhine. PRINCE HENRY and ELSIE on the terrace at SCENE XII. . em,-,,g_ The College of Salerno. LUCIFER dz'sgu2'sed as PRINCE HENRY AND ELSE‘ a friar. Enter PRINCE HENRY, ELSIE, and Behold! the hill-tops all aglow their attendants. With purple and with amethyst; While the whole valley deep below PRINCE HENRY. Is ﬁlled, and seems to overﬂow, \ With a fast-rising tide of mist. LUCIFER. ——«>o:©=:o<>—- Can you direct us to Friar Angelo? PRINCE HENRY. LUCIFER. _ _ _ The evening air grows damp and chill; He stands before you. _v Let us go in_ - ELSIE. PRINCE HENRY. Ah! not so soon. I am Prince Henry of Hoheneck and this . S d ﬁ - v I < The maiden that I spake of in my letters. sieve’ 31513;, ,0;l§I.' thlg éistggnmﬁﬁif BOTH. It is a very grave and solemn business! / It glimmers on the forest tips Does she of her own free will consent to this? And through the dewy foliage drips / I 1'ttl ' ‘ l=tc f 1'<_‘i t , PRINCE HENRY- Arilnd mealele‘s_u’theel_i)eai']tei]ii, love with night. Against all prayers, entreaties, protestations, In hfeys dehghtw In ‘leath’? dismay» uh - . . In storm and sunshine night and day 5 e. W111 not be persuaded In health and sickness: in decay, , LUCIFER [to ELSIE} Here and hereafter, I am thine! Have you thought Well of it? , _..o;@;oo\. ELSIE SCENE XIV- I come not here To argue, but to die. Your business is not To question, but to kill me. I am ready, . y . . . impatient to be gone. . . . . . _ . I must fulﬁl my pu1.pOSe_ 8fpSOeVl‘fé§‘(.):)%eIt£,fl.c}%/)11el{$lSeSéSOf lowlinessl [To her attendants.] I Whose very gentleness and weakness Weep not, my friends! rather rejoice with me. Are like the yielding’ but irresistible air! I shall not feel the pain, but shall be gone, In Char-&Cte1’S Of gold, And you will have another friend in heaven. That never Shall gI‘0W Old, The deed divine PRINCE HENRY. Shall burn and shine . . Th ° h 11 th . Believe not what she says, for she is mad, “yiltcflugoftaeﬁ-,,1§e:§rceeS! And comes not here to die, but to be healed. O God! ytis thy indulgence E _ That ﬁlls the world with the bliss Lem’ . Of a good deed like this. Alas! Prinee Henry! Lo! over the mountain steeps ° ac mess in e i g Come with me; this way, As a storm-cloud 1urid_with lightning; [ELsIE goes in with LUCIFER, who thrusts And a cry Of 1am‘:’“t‘}t‘°“* PRINCE H/ENRY back and closes the Repeated and agam lepeated’ d0O,._] , peep and loud, _ _ Eiwells and rolls away in the distance. , PRINCE HENRY. _ It is Lucifer, the son of mystery. Gone! and the light of all my life gone with her. 0 beauty of holiness, _ [TO the attendamm] _ eS(E%Ef;-ef((l)l'§’i£3‘ﬂ"1rlll(:1eSS, of lowliiiess! Why did you let this horrible deed be done? Shall burn and shine \Vhy did you not lay hold on her, and keep her Through all the ages. From self-destruction? Angelo! murderer! ‘ runs. (EPILOGUE AND FINALE.) 0 beauty of holiness, ./ "e. Eli‘ p‘ -, SCENES FROM THE GOLDEN LEGEND. SCENE I’.--PROLOGUE. T/w spire of Strasburg Cathedral. Mght and storm. I/Lccifer, with the powers of the air, trying to _ pull down the cross. Allegro con Fuoco ed Agitato. -3- \ » .__._—»—$-/ Corni. jg .. P//1/V0, .5: 1" Viola. ceuo. P » ’ —? $ W Timp. ;: 13 Bassi. ,'..g- ' C01-ni. "‘ ff , kl Trombe. 1 Trom boni. Tuba" f Molto arcato. ff 1- a. 4-- ° 3-9- I Poco Cries. do. 'l‘empo,I. 2% '6- '9' Fl. Ob. Clar. Fag. LUCIFER. olto Energlco. Hast - en! hast - en! Hast-‘en, oh, ye_ spir - its! 0b_ J/4-—_— ”J From its’ sta. - tion drag that to mock . b is up-lift-ed, ' up-lift - ed high .3 SOPR. I ¢ II. Sf J‘ Sf }' Chorus of Spiriis. ‘ Oh, we can not! For around it ALIO & /T- sf the saints guar - dian an-gels Throng in le-gionsto pro- sf They de - feat us, de - feat >- >— >- ff TENORS. “ The Bells.” Mlzle CYIZOTMS. BAssEs. >’ g/Ew gr-1.. Con - gre-go cle . downward! clang - ing, sf T Hurl Low - er! ff’ the loud, . . Clash-ing, )- Seize vocif’rous bells, Tromboni. sf >—>—>— Sempre Forte. 0 0 to the pave - ment hurl them! }-p SOP. I «I: II. Chorus of Spirits. AI/l‘0 I & II. them from their windy tower! >==~—- are lmrm—less! For these bells have been a.-noint 1 ed, And V baptized with .5. +- Celli. Fag. - Iy wa - ter! They de-fy ut.- most p0w’r! >— >~ >- Dlm. 1: Hit. 12 1 A”"\ 2 __"_‘ JD w‘‘‘’‘1 '‘ l. ‘ . l\""‘%~""“'l."ll+'l€‘l«”"‘ , V_ K‘ A TEKOB I & II. Poco Moderato. “ The Bells.” De — func - tos plo - ro BASS I & II. > nl_f . . P n Poco Mode T Pod. * f >'l‘exnpo lmo. _[ f_>- Tempo lmo. LUCIFER. ff pg _A _ "“"‘°°- . Aim your lightnings at E, - A---P ~:‘.§~“§»-1'} ‘T ; Pooo rail. Z'*\ O- A tempo lmo. oak-en, mas-sive, i - ron-stud-ded por - talsl Sack the house of God . . ‘ff Colla Voee. > ’ '\ Molto ritard. . .the ashes of the dead! and scatter wide . /§ A tempo. Motto rit. _\ PP SOP. I & II.f Chorus of Sp1”tS' O We cannot! we can not! AI/1'0 I dz II. > >- }- Mar- tyrs, wrapped in man-tles, Stand as war—ders,§ Stand as war - ders at the )- . Stand as sen ti-nels 0’er “ The Bells.” BNO}! I & f.x- ci-to Dis-si-po BASS 1 a 11. __.,;’ mf LUCIFER. baf - ﬂed! In - ef-f1-cient,C-r’a-ven spil‘-its! _ F1. Ob. Ciar. Poco a poco 1-! leave this 12. - bor Un - to Time, 0 —— Man-cato. 3* Allegro lmo. De - stray - er! Come a — way! come a -‘ way, 333: . - j’ mf Cor. Tromboni. Fag. iu——: Senna I-It. night is gone ! . > P Ciar. _..%-': Fag. 1 2 1 Chorus of Spirits. On - ward! on - ward Wit-h . . the night - wind! 0 Vet ﬁeld mf }- farm . . and for - est, ly home-stead, dark some ham - let, 4* 1y homestead, dark - . some hamlet, 'Bli,<,rlat-ing all . .we breathe up-on.’ Then on - ward,on-ward, With . .thenight-wind, >- > > ' -1- -0- ver field and farm . .and for - est, Lone - ly h0me— stead, 3 P I y homestead, some ham - let, Bllght-ing all we breathe up-on! Blight-ing >' some ham-let, Blight.-ing all breathe up-on! Blight-ing we breathe -r -0- Soprano and Alto in unison. . sf (They 37055? away) On - ward! on — ward! ** .35. %*+ -L___:__ .._,.. W9- s0PR!lN0. ndante poeo Maest-oso. T —: l\oc - te sur - gen _-< R“"""“° within the Chthedml. Organ Gregorian C'h(mt..) TENIDR. —< >- Noc — te Rallent-. Andante pooo Mat-stoma. with voices, ad lib.) Vi - gi -le - mus Vi - gi -le - mus Strings. Fag. Str. Pizz. /.?:...__$ . ,——. -F- -+- ff Ped.; Pea.;" Ped.; Ped. ‘Pea. Vi - gi-1e—mus om - nes! - gi—le-mus om - nes! - gi - le - mus om - ,...-.-._-_¢\_M_.__.,_.__.__..f.f..\- ___ A‘ A__A AA - Vi - gi-le - In US! vi — gi-le - {nus P ~..-<=._._.<...r < I A _ «cc.-"2-c—"..4 . “N 4%. vi—gi-le - mus! vi-gi-le-mus '§ )1: 3 ﬁ Corni. bi * Organ meet from this point. 7 *# SCENE 11. Castle of Vautsberg on the Rhine. Chamber in a ‘tower. Prince Henry alone, ill and restless. ]lI.’d~ night. Andante espressivg. '\ . Cor, >- mfceli-3 « A A A CF08. ed accei. } > >>> Poco agitamo. >.>->- PRINCE HENRY. m anon‘ conanima. —/5 I can not sleep! my fer-vid brain . . Calls up the vanished Z‘ 7’ . Collavoce. | /——\ Moderate in Tc-.mpo.__=:-——-" P 1 Past again, And throws its mis - - ty, misty splendors deep Into the pa1—1id realms, the , . Tem 0. . . . 0&1/o * The recitative portioxis of this work must be taken as nearly in strict time as possible. pal - lid realms of sleep!‘ A breath . . .u_'p_.I § 0 0 n 0 . '?" .,_. F1. Ob. Clar. ,..\ 3 J/‘_J_ Str. ‘X‘Ped. . from that far t shore Comes fresh’ - ' R Sempre piano. .>.-. 5 Ped.-r more and more, And wafts . . . 0’er in—ter - ven-ing seas § -¢f_0f;»92- 2 Z . +—+—- 635? Sweet sweet 0 - dors from the - ning ev - er Hes—per — i- CI-es. ye friendships long de - part - - That like 0’er-ﬂow / ‘ . ‘\ ~ _ streamlets start - ed, And now\are dwin - chan - nels in Come back! ye friends, whose lives are f; — ed, Come back, with all thatlight at-texld - ed, VVl1ich seemed to darken {Ze--$ ’ mf ‘ }— de - Cay, When ye 3 - rose and went a - way! \ >— -\ *\ M,» . ‘}r'~.,£ , f_,,..«£»-ML‘ Poeo An I mato. &—_—_.2 Fl. 0 b. Clnr. Poco A n i mato. Zjx ff ‘ ‘ >'=- they come!_ the shapes . . of joy and woe, sempre piano. Celli. Fag. ‘ V Cor. Ped. “:53 air - y crowds of long a-go, The dreams and fan-cies known of yore, That 3 _V:_[4~I~a~.r~I~ao~I~’> wvv-oAovvv~aoo&wa&~o¢.-rorvv Ay l~I\'~ f have 7 been, Sva ¢-~¢-» Ht,-b—71 '9? F Rest ! Tempo lmo. and peace! Recitante. Molto a con pans! no. The thought of life Pot-0 ran. _shall cease Has something in am too weak to bear! A weight I it like des - pair, Lento. Clar. Fag. Cor. . Sweet - er the un -dis-turbed ‘ﬁr’ Tempo lmo. e; and deep tranquil - i-ty. . . . un - disturbed and deep Tran- (—\ quil - i - ty — — less sleep ! 0 give me rest! SCENE III. ‘(A ﬂash qf lightning, out qf which Lucifer appears, in the garb qf a traveling Physician.) A negro con fuoco. Sva.» . . > _ . LUCIF ER. PRINCE HENRY, (starting) 215 Prince Hen - ry! VVho is it speaks? Who and what i LUCIFER. who seeks a mo-ment’s and-ience with the PRINCE LU Prince. VVhen came you in? A mo-ment since. I found your stud-y door un- locked, And thought you an - swered when I knocked. mf .4 PRINCE HENNRY. «¥;F.-—.‘.-—"F,-H- TZCDJ V / If g\[ ‘- 1." Vvhat may your wish or I ' ' - - 5 H L ‘ . F i ’ 4 : = : ‘ ! .0 : = 7 E _‘L'&v“1*%'—3—"-‘f—":L"-‘:1-L-.5-t""ﬂ g V {'1 I \- 0 E I Cres- ‘-4- -L a—o ,— \‘ . b _ . . q 7 " . 7 . ' .1 ‘I - 12% 7 . 4. I 0 PL I l I ‘I —-e: A LUCIFER. .\ The storm, that a-gainst your case—ment. drives, In the village below way- ‘ -\ laid me. And there I heard, with a. secret de—Iight, Of your maI- a.-dies phy- si—ca1 and L“ - tal; And 1 has-tened hith - er, tho’ late . . . in the night, PRINCE HENRY. prof - fer my aid. What is your ill - ness? Ob. Clar. 2‘./x Andante esp:-essivo. (Tenn del No. 2.) no name. A smoul - d’ring, perpet-ual .. Ped. sempre. As in a. kiln, in my veins. \ . - /._....:_.\ sempre piano. T E - ven the doc—tors of Sa - lern Send me back word they can discern No cure—— J\ _ 0 0 i 9 N for *3, mal - a- dy like this, L LUCIFER. PRINCE H. one which in its na-ture is Im-pos - si-ble, and can-not be! VVhat is their rem-e - dy? You shall Sf LUCIFER, (read/ing.) . _3 - yVrit in this scroll is the mys - te- ry. “The on - ly rem-e - dy which re-mains of herown free will shall die, And give her life as the price of yours!” The pre - scrip - tion you may well put ores. f . o . Mean -while per-mit me to re - com-mend My won?-der-ful Ca- -'O- . V P Pizz. * 8Ve§..o~o~r.rv\I~.ov~avv\o~ tho- li-con! Be-hold it here! Be-hold ' this lit—tle ﬂask Con-tztins the _.____..§ Won-der-ful quint-essence, The per—fe,ct ﬂower of ef- ﬂo -rescence, Of all . . . . the linowledge ’_IO’_ }. no '0 f— 0 O /— M-7‘ 1’ INCE HE RY. LUCIFER. can ask! Will one draught sufnﬁce? If not, you can drink 8I’aaAn Fl. Clar. Lucxmm. SOPR. V ALTO. of angels hovering in the air PRIN HENRY. In - to this crys - tal gob - so much as Z-.—.._.._.....$ let pour V LUCIFER. > Drink ! shall sink Down . in”- to the dark 31- byss, the l f Con fuoco. ’Tis|ike a draught of ﬁre! byss! (Chorus remain seated throughout this number.) 11 al w'0e ! P Tromboni. safe- 1y I may drink I and thy in - ﬁn-ite a- —+- "' Pizz. Th ro’ ev - ’ry . I whis - per’d pray’r, the whisper’d pray’r whis - per’d pray’r, the whisper’d pray’r whis- per’d pray’r, the whisper’d pray’r 0 joy 1 Re - ver - be-rate, re — ver Re - ver - be-rate, re — ver ..Re - ver - be~rate, re - ver feel a — gain . The fe - ver of youth, the soft de - sire: the im- pre-ca — tions - ‘U’ of love, the im - pre-ca. - tions the im - pre-ca. - tions feel the band of steel up - lift. be - rate he - rate L. fear - ful curse- —e f x fear - ful curse- _._p/ fear - ful curse- e f My wea—ry breast at last ﬁnds rest! thro’ the air thro’ the air thro’ the air Shakes the great 7’ Shakes the great I’ Shakes the great I’ :———— ni - verse ! ni — verse ! ni - verse! :>>— 70 (With ecstacy-.) en visions wave ’ hov - er, LUCIFER. Drink! drink! and thy soul’ shall sink mf Semi-Chore’-‘ ——————j .. Sormmos and Amos. (Altos oni y.) VVith ﬁend ish laugh - tel‘, -797’ Sopmuro. Touch the Touch e Touch the PP mf /-x Ped.¥ * som-pro. Er . 3 * This Semi-Chorus to consist of eight to sixteen voices, weakly proportioned to general chorus, and equally divided in Sopranos and A os. Down, down in —to dark a—byss, e in -ﬁ-nite a—byss! Here - af - ter, This false phy-si cian, this false phy- more! Touch the gob - let ——+« Z‘ more! Touchthegob - let Touchthegob - let stream - ing, . . am likea hap soul shallsink, y soul shall sink! In — to the in — — nite n- W I 1*" 5 u'T,'E' thee thyper-di - tion, in thy per- more ! more ! :3 In -lu '- mines. life byss thy soul shall sink! in - to the in - ﬂ - nite, It will make thy heart will make thy heart will make thy heart dreaming! phy - si — eianl . /"""\ dark abyss! Drink! drink! and thy soul di - tion! phy - si - cian! O beware ! 0 . beware ! O beware l T V 4: 4- in — to the V M in thy per- phy- . shall sinlgthysoul shallsinkin-to the f“ V . phy- O beware ! O ‘beware! 0 beware l si - clan! Wellhast thou . . . . ful—ﬁlledthy mis dark a.—byss! si - lcianl ' ell hast thou Sick-ness,sor - row and care, - All, 0 Sf . §:._.._Z S1ck—ness, S01‘ - row and care, All, . . . . Sick—ness,sor - row and care, All, Thy soul shall sink in~to the dark a- Sop. therell 4 A - las! Like a. Va. - por the gold hen vi - sion Shall &__J a there! . . . A - las! . . . Like a va. - por the gold en vi - sion Shall ' Dim. there! A - las! A - las! The gold -en vi — sion Shall }--/‘.$ T e a va - porthe en visions wave Drink! dripk ! and thy soul shall sink! Drink 1 drink! *2 \./ - — h,ﬁendishlaugh - ter ere - af - ter, This false phy «si - cian, fade and . And thou shalt fade and pass! And thou shalt ﬁnd ‘fade and pass! "And thou shalt 2% -P- -5- My wea - ry breast ‘ at last ﬁnds shall sink in - to the dark 3. - byss, in - to the heart a-gain - ly theblight heart ly t.h'ehlight heart a-gain ly the blight thee, a.-byss,the in - will mock bit - ter, and bit - ter 3; J”; bit - ter, and bit - tel‘ bit - — - ter con-tri bit - ter, bit - ter, and bit /- ter I and >- con - tri joy! . . . . . byss ! per - di con - tri con — tri K . con - tri SCENE IV. QUARTET VVITHOUT ACCOMPANIMENT. Ekie comes in with a lamp; Max and Bertha, follow her, and they all sing the “Evening Song" on the lighting Q)‘ the lamps. Con Mot-o. SOPRANO. (E1sie.) ALTO. (Bertha.) TENOR. (Max.) BASS. (G0 ttlieb.) (Ton M an). Intro- ductlon. Tromboni. gladsome light! glad - some light! >‘ O gladsome light! {Th - some light,O gladsome light gladsome light I glad - some light,O gladsome, gladsome light l > 3 ‘fr?’ gladshme light of the Father, 3-’:- gladsome light of the Father, of the \ of the Fa — N Fa-ther Im - mor - ta], And of the ce — les - tiail, Sa-cred and bless—ed Je — sus, ——<>:’ —-<>. Fa — ther Tm - mnr - tal, And of the Ce’ - les - tial, Sa - cred and b1ess~ed Je - sus, >-’ ‘ Tranquillo. bless — ed Je - sus, Our Sav ior! Tn", u,",,_ Now ‘Now . . to the sun-set, the bless - ed J0 — sus, Our .sun—set a.-gain hast thou broughtus, a. - gain . M . . . hast thou brought 7? '5' a - gain hast thou brought us, a. - gain hast thou brought f >_/\. >4. Thou ' to the sun - set hast brought mf /_._.._.\ to the sun-set a.-gain . . . hast thoubrought 1’ - ning twi-light, we bless thee, see - ing the eve - ning see - ing the eve _- ning twi—light, we [bless thee, see — ing the eve - ning twl - hght, we bless thee, Praxse . . thee! twi —light, we bless thee, Praise . . .' ' thee! he mr Fa - ther om —’ni - po-tent! Son, the Life-giv - er! Spir - it, the Com -fort-er! mr Fa. - ther om - ni - po-tent!.Son, the Life-giv - er! Spir - it, the Com- fort‘-er! - thy of wor-ship and won-der! Wor - thy at all ff Wor - thy at all times of wor - ship and won-der! Wor - thy at all /\ ,— 9 won —der, At all, 1..-._ ___p.__- times of wor - ship and won 0 glad-some times of wor - ship and won derl O gladsome light! times of wor >— - ship and won 0 lad-some ff light! 0 gladsomelight! 0 glad-some light! -<ff O gladsome light, gladsome light! 0 glad - some light I Xi -< ff Dim. P >- _ O gladsome light, gladsome light, Og1a.dsome,gladsome light, gladsome light ! 4:5 SCENE V. Elsie’S C’/Lamber. Night.‘ Elsie praying. A ndante espressivo. E-LSIE. My Re- A My Re - deem mf I be - seech thee, _¢< _{ Guide me in each act and word, Thathere-af that here- /“ ‘T ‘T .._c-’‘‘ Watch - in g, /T I may meet thee; UVII ox } hop-ing, yearn - ing,With4my lamp well-trimm’d, we11—trimm’d and ' -+—+- 7' §'O"0r 1 ‘W colla voce. : 0 [In poco piu moto. In-ter-ced - - M ing with these‘ bleed — ing wounds; these K {Tn poco pin mono. Fag.Vio1a. / \. P / \ / \. 2:‘. ,T=> ‘ )- bleed - ing wounds up-on thy hands and side, For all 7 who have lived and D. Bass. Fag. } err -A - ed Thou liast suf - fer’d, thou hast died, thou hast {Tune ‘ f> Paco suf - fer’d, thou hast dieil. . Scourged, Vand mocked, and Aceel. ‘e (.__‘ /,..+__ -F .s..,.u..~,-N, Poco fall. :5) ii’ 7 ‘ Molto ritard. >_. the grave hiast thou been btir - ieii! Molto ritard. IIIOZZII V000 . Tempo lmo. TI - ior, If my fee- ble prayer can reach thee, Oh, my Sav Tempo lmo. a a"r16;_ a el tranquillo. I _' /‘ “\ II I hﬁempr HJ HIT ‘\ /-‘ ‘ll. PI’ j 11 .. ll :3 .u I 1 I I 4 V a‘ nu ‘IN C‘ .' b___a’ 9%.’ sempre Pea I n for I be - seech E - ven as thou hast died 5 thee, more sin - cere - ly, .. 197’ T . More sin - cere low where thou let me fol bleeding as thou bleed‘ - est, if dy-ing I -may Die, me, Let to one who asks to live, Andmore near~ _\ re - sem - ble thee! more near - ly, ' more near ~ 2*‘ - ing ¢hus,re-sem - ble thee, - ble thee- 50 SCENE VI. The Pilgrimage to Salerno. (FOR ORCHESTRA ONLY.) “Onward and onward the highway runs to the distant city, impatiently bearing Tidings of human joy and disaster, of love and of hate, of doing and daring. Hark! what sounds are those, whose accents holy Fill the warm noon with music sad and sweet? PRINCE HENRY. { 4 ELSIE {It is a band of pilgrims, moving slowly, ‘ On their long journey with uncovered feet. Urbs cwlestis, urbs beam, Supra petram collocatai, mbs in porto satis tuto, De lorngtinguo te salute.’ ” PILGRIMS. ‘Tempo di Marcia. Poco mode:-ato. PIA/V0. spy, Ob. Ula r. Fag. mf “ Urbs cw - les - t/is, urbs Str. pizz. mf (Wind.) Ores. sempre. . O Trumpets. Tromboni. >- Poco pin Mosso. Corni. Clar. Ob. Trombe. Corni. f %celcl-;ra_n,«1l‘nB 4‘ rom 0111. u a. Tfomboni, in-uendo. P Poeo All t-gro. Cor. Fag. Celli. Espressivo. -—r- D.Bass. y CIDII Sven. Tempo (lmo) dl Marcia._$ (Wind ins't's.u' Tromboni. Poeo ores. Poeo All fr Celli. Viola. Fag. F1. Ob. Clar. Tempo lmo. 4 H9- Pot-0 Allegro. Tempo lmo. , Fag. Celli. A 1 I K1 l"'-~ HI“- :‘%&; ﬁ:*J.37;=*‘ , wa . d‘r|. ’ ‘ ' q ‘H Espressivcnp 44.-H ' A 7, . *: a7 ,**d I-‘I M. M 0 M M m m T Cor. Fag. (Wind.) > > Allegro Molto. 59 SCENE VIL (DRINKING SONG.) The Refectory. Convent qf Hirschau in the Black Forest. Gaudiolum qf monks at midnight. I/et— ezfer disguised as 'a friar. Friar Paul sings. Allegro con Fuoco. W 0 '9'. FRYAR PAUL?‘ f k‘ 3-‘ -9-. Con abandon. ' . . _ A - ve co - lor vi - ni cla - r1, Dul - c1s po-tus non . . a.-ma, - r1, THail,. . thou vintage, clear and rud V) dy, Sweet of taste and ﬁne . . of bod - y, Z_ Tu a nos ‘in - e - bri-a. - ri, Dig I ne-ris T111-0’ . . thine aid we L . . . shall stud - to make _ Y } g+Cres. Th 0 "to *This part may bevsung’ by the singer of the role of " Lucifer." 1 English translation (for this work) by’Emwxw C. STEDMAN. . A W , P V H E TENCIRS. Uhorus of Monks. un - de vi - num, fun - de! fun—de! Tunquam sint ﬂuminis Pour the wine, then, pour it I pour it ! Let the wave bear all be- /T N BASSES. ff> ‘ -¢54|- -9- J5 ten — ti~ a. Fun - de, funde vinum, un - ! glo - rious. Pour the wine, 0 pour 1t! pour it! ' \ . '5 un - dse, Nec quse - ras, nec quaeras un - fore it! There’s none here, none here to score it >. >_ >- >. >.. >- ec qua: - ras, nec quaeras ;I‘here’s none here, none here to per a - bun — dc! - ty, pour" it! un - de, score 1t, fun - das, sed n - das sern pour it in plen-ty, in plen \ N /____ $4‘ ,., FRIAR PAUL‘ (With exaggerated portamento.) /-'1 . quam pla - cens . thy col - or slmlll. « O! . . quam frag - rans O . . thy fra - grance h-:—-:1:-j-¢.$ poco run. >- > . quam sa. - pi-dum in o - .. . ce lin - quae with-in the mouth how pleas the tongue’s prae- >- > > Chorus 0fMOI1kS. - - de,vi - nnm, fun - de! the wine, ‘then, pour it! .-£-J J de, fun - de vi - num, fun - de! fun - del thewine, Opour it, pour it! pour it! \ "'\ "\ Tan - quam sint ﬂu - mi - nis un - due, Nee‘ quae - ras, nec quae-ran Let the wave bear all be - fore 1t! There’s none here, none here to >. >. nec quae - ras, nec quae-ras un - de, fun - das, There’s none here, none here to score it! Pour it in >- >- >- >- . . ' ' I Sed fun - das, sem — - - S0 pourit in plen - - - per a-bun - de! - ty, pour it! FRIAR PAUL. N T Fe - lix ven - tor Blest the stom - ach quem in - tra. - bis! - lix gut ~ tut‘ quod - - ri - ga - bis! where thou wend - est! the throat which thou . . . . dis - tend - est! _ /_j____. L- /A Fe - - liox os - - quod tu - - la-Va. - bis, Et . . . be—a - ta, be- Blest the mouth . . . which thou . .i . be-friend-est, And . . the lips, . . . the a - ta, be-a - ta la lips, . . . the lips Vic - to Chorus of Monks. > Fun - - evi - uum, fun - de! fun - del Tan-quam tﬂu - min -is un- dae, Nec Pour the wine, then pour i pour it! Let the wave bear all . . be - fore it! There’s 2- > '-«"4 -0- Nec quae - ras, nec quae-ras un — de, it! There’s none here, none here to score in! quae -ras, Nee quaeras un - de, none here, Nonehere to score it, pour it! Sem - - per a.-bun-de‘! Sem - per a. - burn-de! Pour i 0 pour it! C U 6-3: _ SC EN E VI 1 1. The Revel, and appearance Q)" the Abbot. (FOR ORCHESTRA ONLY.) “ What means this revel and carouse‘? Is this a tavern and drinking house? Are you Christian monks. or heathen devils, To pollute this convent with your revels?” ff? Allegro Bacchanale. Con Molto Brio. COI'Ili. >- Viola. Clar. >- 2* >- > mp / ‘\'I‘r0mboni. 3*’ mf > ffﬂolmo mareato. F1. Ob. Ciar. Mareato. rm ' _ ' _ Cel1i.Fag. ff Paco stringendo. Cor. Fag. ‘Vcelli. recitando poco rall. moon v-all. j’ Temlio. P 1'" . Trombe. >2--5 Tromboni, Viola. Clar. 11 t d . ra en an 0 ]__—-§ Adng_io_ Tromboni. ea SCENE IX. At Genoa. A terrace overlooking the sea. Elsie co1ningfl‘om her chamber. Andante moderato. / , o '_ c K /——§ P/A/V0. ’ P Vla. Vcell. .7 _g'_ ‘ ‘ The night is calm and cloudless, — — still as still can be, And the stars come forth to lis-ten, To the Inn - sic of the . f f‘ 7t -9* f-/---\ sea. They gaLh—er, and gath - er. and gath — solvr. Alto. “‘;<- h 553 Chri - ste Ten or. PP!’ Chri - ste Bzue. PPP *.Cl1orus remain seated throughout this number. they Crowd the And lis—ten in breath-less si-lence, ~0- i- son, Chri-ste e - Ie i - }— i-son,Chri - stee-,le - - i- /:- (Organ.) It be-gins rock—y cav - erns, As a voice that chants a - - - Chri-‘Ste e - Organ ped. sustains. To the ped — 9.13 of the or - gan, In mo- no -tonous un - der- sempre piano. And a-non from shelving beach ~es, And shal low sands be- Chris - te, __< snow — white robes up - ris-ing, The ghost ly choirs re- Vcello. Fag. ff Chris - tel Chris - Le e - le ~ i—son, y - ri-e, e - 1e - 1-son, e - le f y - ri-e, e - le - i-son,e - Cros. ‘C f i-son, e - le Christe! Christe e- 1’ Chris - te.I Chris-tie ! Chris - te e - __< Chris - te I Chris - te I Chris - te e - I. '72 SCENE X. Barcarolle. (won ORCHESTRA ONLY.) The ﬁsherman, who lies aﬂoat, With shadowy sail, in yonder boat Is singing softly to the Night! is 7% ~>=,« as ale are A single step, and all ia‘o’er; And thou, dear Elsie, wilt be free From martyrdom and agony. Allegro Mode:-ato e Tranquillo. -—=:.<}‘-—-<’<}- ? sves ad lib. “‘ Two (moderately slow) beats to the measure. Tromboni. Corni. 3 -—+- /\ (Strings. )# '/..—_..__§ 9-1} N-< > F1.C1ar. ob." n. «av Strings unis. Ei- Wlf 4-O- (jor, 1«‘-.1g_ Canto sempre man-cato. 8\'a ~v~¢¢-v~m~v -0- 1‘, n passi one. 2 Poco rall. ./ _.___....__....._\ SCENE XI. At Sea. (CHORUS OF‘ SAILORS.) Allegro con Spirlto. Trombe. Tromboni. P/A/V0. TENOR I. The wind 'rENon II. > up-on BASS I. The Wind 1; A ss II. >- up-on our quar - ter lies, our quar - ter lies, be - ore the fresh’ning e, And on, be- on, and on, . . and on be-fore t.heI're.sh’ninggale, And on, . . and on be- and on be - fore the fres'h’ningg2Lle, And on, fore the fresh’ning gale, . . > - fore the fresh’ninggale, That fore the fresh’ning gale, . . . be - fore thefresh’ningga1e, That > :’ _Z——j——:_ be - fore the That ﬁlls our ' 3 H5 our snow - white lat-een sail, swift - ly ﬁlls ouranow-white lat een sail, Swift-ly, swift - ly ' white l_at~een sgil, ly our light fe ‘ca ﬂies; our light fe — luc - swift ly our light fe ca ﬂies, our light ﬂies, our light ie e bil - lows burst and round ‘— the billows burst and foam, } . >- A - round the billows burst and }— lift her - thesunk - en rock, They beat her sides, They beat her >- >- . They 1-ift. her o’er the sunkenrock, They beat her sides, they beat her ,..__...$ ' > Ped. sempre. sides, they beat her ‘sides with ma -- my a. shock, sides, they beat her sides with ma. 4 ny a shock, shock! shock! '79 * —< f And then, up-on their ﬂowing dome, They poise her, they > >- _ f And then, up—on their ﬂowing dome, They poise her, they _< ise her, poise her, ie like a. weath-er-cock. Now all read-y, eaweath-er-cock. Now all is read-y, good Saint An - to blow! . . . . . . . . . good Saint An - to Hal that is the that is the min first dash, the ﬁrst dash of the rain! Witll a sprin - kle of spray, > } >’ >- mp ﬁrst dash, the first dash of the rain! With :1 sprin - kle of spray, spray a-hove the rail, spmy a-bove Lhe rail, And make And make them make them read - - y /-— 3 y for the ét1'ain1. y for the strain. the strain. .< Just e - nough, > Just, e - nough, >‘ them read - y read — for the to mois - ten our sails, . to Innis - ten our sails, . . . . K ‘ And the strain, and make them read — _v for the strain, and make them strain, . . . and make them how she leaps w en the blasts 0’er—take her, And V >- >— > > how she leaps when the blasts 0’er—t:xke her, And >~ >- F 82 _.._..K.___ speeds 3 zi-way With a bone in herxuomh. speeds a.-way with a bone in her mouth. Now keep hex-head t0- - 3 . mf Now keep her head to - ward. A’ Now keep herhead to - ward the South, m f Now keep her head to - ward, to - ward the South, j — ward the South, toward the South, Now keep her head to -ward the South, South, her head toward e South, there is no dan—ger of bank or of breaker,’ there is I : VVith the there is no dan-ger of bank or of breaker, there is With the _i-'——‘ Col. Sven. ff breeze, the breeze be—hind us, On we go, we go! Not too ff breeze, the breeze be-hind us, No: 100 >- much too much not too much ) , 1 I >- too much, not too much, . good Saint An - to - - good Saint An - to - 84. % SCEN E XII. [The ‘College qf Salerno. Lucifer disguised as a Friar. Enter Prince Henry, IEls1'e,:rand—£heir attendants. A n «Ian ta. nu derato. Dolente. "PRINCE HENRY. LUCIFER. A,,,,_ ,,,,,,,,,,.,,t,,. Can you di-rect. us to Fri - ar . He stands be - fore you, Z.‘ 3 Ana. moderalo. fl’ /" PRINCE HENRY. Deciso. 'I am Prince Herky, of H011-en-eck, am} this the (B1339-) P (Ires. 5. LUCIFER. maid-en that Ispakeof in my letters. It is aver—y grave and S01 - emn >- (Str.-) Sf Pizz.l PRINCE HENRY. business. Does she, ofher own free will consent to this? Against all px-avr’s, en- /? ‘ senuore piano. . . -4- -r LUCIFER (to Elsie.) >- >>. treaties, protest-a-tions, She will not be persuad-ed. Have you thought well ofit? ELSIE. >- Al come not here to A F1. Ob. Clar. 1) (>00 nlarcato. —-’—~*"n"""sf ar- gue, but to die. busi-ness not to question, but to kill / so 1'. PP!’ —< >- .l‘»0- . 0 (Chorus seated.)A pr0-test- A-gainst all p1-ay’rs, >_- ies, Ten or. (Chorus seated.) pp]? A-gainst all pray’rs, — ies, W pro—test— Bass. Chorus of Attendants. am read y, im-pa-tient to be gone. must ful- - ‘d’ Ga -tions, She will not be per - suad a-t-ions, She will not be per - suad :e ( To her attendants.) my pur - pose! Tromboni. Tuba. not, my friends! rather rejoice, rejoice with me; PP . '* . . Against all pray’rs, en - treat - les, pro-test-a - tlons, PP _ ‘Against all pray’rs, en - treat - ies, pro - test- a. - tions, PP .—\ I .-< shall not feel the pain, against all p1'ay’rs against all pray’rs Ball. in heaven. 3 3 friend, an-oth-er fbiend mad,aml comesnot here to die, but to be healed, but shall be gone, And you willl1avean—0Lh—er V 2 ‘she will not be per - suaded. she will not be per -, suaded. PRINCE HENRY. Con Passi 0 ne. Believe not what she says, for she is but to be healed! LUCIFER. > Prince Hen — ry! this way! 1>Im'm«‘, HFNRY. Am, ante-. _‘ Dolente. _ _ (zone! gone! _ and thehght of all my l1f'e. A"da"te. I {tuj - 7 C V . /.\ },_ on somma passione 3 . gone w?th her! Why (lid you let this l1o1'—ri-ble Allegro Assai. < ‘#1’ 'd' 'd' Agitato. I >- deed bedrme? VVh_v did you not lay h01d on her, and keep her from self— e-struc - tion? Mur - der-er! ( Chorus nse will), this mews-'u,a‘e.') 89 ELSIE ‘ (from ,within._) Fare - well, . . farewell, earPrin(:e,fare— F . I I V ‘derer I P RIN HENRY. f farewell! ' the doori. . } Mnr - der-er! Fjj. N____._. _..‘Y"._;L_J-‘.2 ___.__.___. F-;___ j . ' 9‘ 6 ‘ l ' Mur - der—er! ' Un- 1 . LUCIFER. the door! the dgor, Un the door! PRINCE HENRY. Poeo rail. 0 Tempo. shall not be late! It shall not, be gendo. too late I shall . not be too late! a. [boon strin- t shall not be too It shall not be too poco a poco strin- ocoa ocost i - D >_D rn Burst the door 0 - pen! ff too late ! f pen l Burst, the door 0 - Burst the door ff ' rush in ! 91 SCENE XIII. The Return. Castle qf Vautsberg on the Rhine. Prince Henry and E lsie on the terrace. Evening. Allegro non troppo. .ﬁ. ' Q? 0 PIA/V0. mf Trombe. ELSIE. Animato. nim %..—____——... EE :3?- K - ple and with arm - e - thyst; . . . . While . . . the whole val - ley *2 eep be— low . . Is ﬁlled, . . . and seems to ov - er-ﬂow . . \Vith . . a fast ris - ing Is ﬁlled, . . . and seems to ov- er—ﬂow With a fast ?_ P01-0 cres. tide of mist, A '. - ingtide, a ris - - ingtide, a tide ris - - ingtide,a. ris - - ingtide, a ris - - ingtidepé a tide / PRINCE HENRY. The evening _air grows damp, grows damp and chill, Let us go in, . . . let us go in. T /‘ 0 ‘K 0 .ﬁ O ELSIE. i not so soon, seeyon-der ﬁre, see yon-der ﬁre! It is the moon " - ing, slow ris ‘Paco a poco creé. ing o’er the East It glim - mers o’er the /R glim — mers o’er theifor-est tips, And thro’ the dew-y f0 - liage drips, fox: - est tips, And ithro’ . . . .the déw—y fo-liage drips In lit- tle riiv -1.1—1ets of ,._——-—.S/_&,4——S/__\ ./ I . ’ In lit - tle, lit - tle riv - u-lets of light, And makes the heart light, lit.- tle riv — u-lets of light, And makes the heart A J night! ~g:. ff- In life’s ff de - light, in (1e:l.til’S dis - may, night‘ and day, . . In health, and sick-ness, 4-§ in de - bay, . and here-af - am thine, and here-af - ter, I’ i 6 . _ and sun — shine, e i J Here, and hex-eaf - ter, j >?- am thine, yes, f . e ‘T 95 :>=— am thine ! am thine I In death’s dis-may, mf -<";" In life’s de — light, Here and here- » >>> Hefe and here- ca-es.““~"-< sf 2 ‘ Mo] Animate. sew SCENE XIV. Epilogue and Finale. SOPRANO. Andante, lnolto maesloso. Andante, molto maestoso. ff Man-cato. - 1i—ness, Of self - for - get - ful-nesis, E!’ - - li-ness, Of self - - for-get—fu1ness, P - ness, Of self - for - get - ful-ness, of ,f‘,/‘ ./‘f‘ K“ /" low - liness! of meek - ness, Whose ver - ygentleness and low - linessl of meek - 11ess,Wl1ose gen - - tleness and P Whose ver - y gentleness and _ mess Arelike the yield ~ but ir - re-sist - i- ble air! _.—/ . weak - ness Are like the yield ' " ir re~sisL — i — ble (_. H l D’ B I“ I, - 1 Q n L l V J L beau - ty of 110 — liness! O pow’r meek - ness! beau -ty of ho -' liness! O ‘pow’r —=< 8veS l9wv¢vo (Org. Ped. sustains.) ‘ﬁe x « a~ ha 98 g 1:?’ Allegrqilnon troppo. 111 char - ac—ters of mf In char - ac-ters of gold, gold Allegro non troppo. deed, the eed di - vine deed, the di - vine That nev - er shall grow old, That nev - er shall grow old, Shall bu rn, shall burn and shine Sh-all burn, shall burn and shine Thro’ all, thro’all the Thro’ all, thro’ all the ges ! Thro’ char - ac -ters of ges ! char - ac -ters of all Th at That — ges! nev - es shall grow - ges! er shall nev - grow 8V (9go-Iv~o~r~’~o~Iv~ovv-ov- I ges! _l.._.__ The deed, the deed di — vine Shzlll burn, slmll burn and - ges! —<."“» d The deed, e deed di - vine, . . . Shall burn, shall burn and ff Shallshinethro’ all . . . ' a - ges VVitl1 soft - ful - gence! shine thro’ -———j/’d’_’____ f ‘T Shall shine thro’ all . . . a - ges VVi1,hsoft ef - ful — gencelO . "'15 _____>—_ f Shine 0 God I 1 O O 5___ - gence That ﬁlls tl1e\vorl«,l with thebliss, the bliss of 3. good rlul — - gence That ﬁlls tlmworld with t‘l1ebli:=.s,‘ the bliss of a good dul - - gence That ﬁlls . . . . . . the world withthebliss of 21 good . _\ . . T mm 1‘) 0 . ‘“‘— ;j|%j.J::3Sa,:_"”“— ii“'0“#’-“UV? T3!‘ - len - - tando. ' I I 4 I --1 I .‘ I ~4 r”l‘”E”‘l v»}<T-~+-H ' -3- -U- is v (}§’4~&v~l~r A n¢l:unt<- IEl.'l0§I0§I¥. OV - or the mount - air) Stoops, T s z‘- A ntlant nines! 050. >>-f gi-gan-tic shad — ow sweeps, >- . }- }— storm-cloud lu - Ijid with light-ning, >- I and a-gain re - peat—ed, }- peat - peat - ed and a-gain re - peat-e.d, >- mp >_ > A black-ness, inwardly brig11t’ning, IT 3 of la - men - ta - {ion of la. - men- ta - tion Re- Sv e§«--.m¢~vqv\~vv Deep, Deep, deep and loud, mf Deep, deep and’ loud, eep and loud, K Swells and rolls f Swells f Swells and A rolls 2” »--—\ Swells the dis - tance. dis — tance. the dis - tance. Lu - ci—fer! /5’- beau - ty of ho - 1i—ness,.. of K. /T») beau - ty of ho - Ii-ness,.. of L’ istesso Tempo. self - for - get - ful-ness, of li-ness! for - get - fu1—ness, low li - ness! self - for - get - ful-ness, of low - /- /- /* /* of meek -ness 1 of meek-ness ! the deed di - vine the deed di - vine . .2. '1' ff Alk-gro A.-isai. The deed, the deed di- ff The deed, the deed di- ff Ailegrro Assai. 45' vi‘ , 5.’ fl ‘ ‘ ‘ V I . if, ‘ ‘ W ‘ 8 shall burn and . . shall burn and Z"?-'_-'-T . ‘ shine, shall bum shine thro’ >- >- > sen: ]) 1'13 shine, shall burn shine thro’ _\ ﬁﬂlpl‘€ 9,, .. u._‘_x.M.._,.....),.w...,.w.;.u.1m@, . THE LEADING MUSICAL worms. For Singing Schools and Conventions. THE EMPIRE OF SONG,. . . . .. . . . . . By Geo. F. Root. OUR SONG WORLD, . . . . . . . . . . . . . By Root & Case. V THE REALM OF SONG, . . . By Geo. F. Root. CASE'S CHORUS COLLECTION, . . . . . . . . By C. C. Case. - PALI/IER’S CONCERT OHORUSES, . . . . . . . By 1:1. R. Palmer. TEMPLE OF SONG, (Shaped Notes,) . . . . . .60 By A. J. Showalter. THE SONG HERALD, . . . . . . . . . . . . .75 - By H. R. Palmer. THE CROWN OF SONG, - . - - - - - - - - - .50 By M. L. McPl1a.il. For Day Schools and Institutes. THE REPERTOIRE, . . . . . . . . . . . . .$l.0O By Geo. F. Root. INTERNATIONAL DAY SCHOOL SINGER, . . . .50 By Nlurray & Pontius. 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Date: 1881
Text: ‘ Lfﬁﬁgny *VA$AH cc.su_£<;£ POUGHKEEp5¢‘§-kggw yo,“ 3; JD) 1334;] Z: 7 CANTATA by EEMMW/H|ﬂJ New-York,G.Sch_irmer. R n f‘ n V'\ K‘ 0 "V f‘ '1 : NlI'))), V UJDJ + 34) W; 3); 3 1) /1 I . )33D)_)))JJ_;_¢iW 74 Edition Schirmer en K‘ 1;) 44% _ 9%, _ » ré\:§Y§a“9\\.\§'»\ <3) /7 jly I K) Dramaﬁc Cantata «mam a 7 1/r 3 . % §@f1@ ‘W0 1“ (15 1) y g/V HENRY W. LONGFELLOW \\ (usedbyspecialpeI’n1issionQI"tl1eI’oet) \ / {f3 Inusic by \_‘ \\ ’ 3 '' rm Ew%Yé>...
Show more‘ Lfﬁﬁgny *VA$AH cc.su_£<;£ POUGHKEEp5¢‘§-kggw yo,“ 3; JD) 1334;] Z: 7 CANTATA by EEMMW/H|ﬂJ New-York,G.Sch_irmer. R n f‘ n V'\ K‘ 0 "V f‘ '1 : NlI'))), V UJDJ + 34) W; 3); 3 1) /1 I . )33D)_)))JJ_;_¢iW 74 Edition Schirmer en K‘ 1;) 44% _ 9%, _ » ré\:§Y§a“9\\.\§'»\ <3) /7 jly I K) Dramaﬁc Cantata «mam a 7 1/r 3 . % §@f1@ ‘W0 1“ (15 1) y g/V HENRY W. LONGFELLOW \\ (usedbyspecialpeI’n1issionQI"tl1eI’oet) \ / {f3 Inusic by \_‘ \\ ’ 3 '' rm Ew%Yé> IR n<,, G. S C H I RM E R 35 Uniron Square. C7()[)VVI"/,:»(//I,/‘» 5'; 5?"/27} 7116/ ' /c§’(.‘>’I , \ _ » V7-7":-7:‘, L“ F \ d 7 J /’ lu55 L;V /4 .4 :7)‘ . x_ ut,nn5fnu,, . '7") , I _ / V] ( , / r T «/15/1/K/2 :2l?iA7/ /.37/I — 4, -— ~ . ,.._;.,._, . .,. _vA......o....—max:r.;;a—_:4 THE SKELETON IN ARl:l()lt. [The following ballad was suggested to me while riding on the sea—shore at Newport. A year or two previous a skeleton had been dug up at Fall River, clad in broken and corroded armor; and the idea occurred to me of connecting it with the Round Tower at Newport, generally known hitherto as the Old \Vind—l\/lill, though now claimed by the Danes as a \Vork of their early ancestors. = H. \V. Longfellow] I. Chorus = Tenors and Basses. “Speak! Speak! thou fearful guest! Who, with thy hollow breast Still in rude armor drest, Comest to dannt me? \Vrapt not in Eastern balms, But with thy ﬂeshless palms Stretched, as if asking alins, Why dost thou haunt me?” II. Chorus. Then, from those cavernous eyes Pale ﬂashes seemed to rise, As when the Northern skies Gleam in December; And, like the water’s ﬁow Under December’s snow, Canie a dull Voice of woe From the heart’s Chamber. III. Air for Baritone. “I was a Viking old! My deeds, though manifold, No Skald in song has told, No Saga taught thee! Take heed, that in thy verse Thou dost the tale rehearse, Else dread a dead man’s curse! For this I sought thee. “Far in the Northern land, By the wild Baltic’s strand, I, with my childish hand, Tamed the ger-falcon; And, with my skates fast-bound, Skimmed the half-frozen Sound, That the poor whimpering hound Trenibled to walk on. “Oft to his frozen lair Tracked I the grisly bear, ‘xVhile from my path the hare Fled like a shadow; Oft through the forest dark Followed the were-wolf’s bark, Until the soaring lark Sang from the meadow. IV. Chorus : Tenors and Basses. “But when I older grew, Joining a corsair’s crew, ()’er the dark sea I ﬂew ‘With the marauders, \Vild was the life we led; Many the souls that sped, Many the hearts that bled, By our stern orders. ' “Many a Wassail bout ‘Were the long Wllltel“ out; Often our midnight shout Set the cocks crowing. As we the Berserk’s tale Measured i11 cups of ale, Draining t11e oaken pail, Filled to o’erﬂowing. V. Air for Soprano. “Once as I told in glee Tales of the stormy sea, Soft eyes did gaze on me, Burning yet tender; And as the white stars shine On the dark Norway pine, On that dark heart of mine Fell their soft splendor.” “I wooed the blue-eyed maid, Yielding yet half afraid, And in the forest’s shade Our Vows were plighted. Under its loosened Vest Fluttered her little breast, Like birds within their nest By the hawk frighted. VI. March and Chorus. “Bright in her father’s hall, Shields gleamed upon the wall, Loud sang the minstrels all. Chaunting his glory; W’ hen of old Hildebrand I asked his daughter’s hand, Mute did the minstrels stand To hear my story. “VVhile the brown ale he quaffed, Loud then the champion laughed, And as the wind-gusts waft The sea-foam brightly, So the loud laugh of scorn, Out of those lips unshorn, From the deep drinking-horn Blew the foam lightly. VII. Air for Baritone. “She was a Prince’s child, I but a Viking wild, And though she blushed and smiled, I was discarded! Should not the dove so white Follow the sea-mew’s ﬂight, \Vhy did they leave that night Her nest unguarded? VIII. Chorus. “Scarce had I put to sea, Bearing the maid with me, - Fairest of all was she Among the Norsemen! ‘.Vhen on the white sea-strand, VVaVing his armed hand, Saw we old Hildebrand \Vith twenty horsemen. “Then launched they to the blast, Bent like a reed each mast, Yet we were gaining fast, W’hen the wind failed us; And with a sudden ﬂaw Came round the dusty skaw, So that our foe we saw Laugh as he hailed us. “And as to catch the gale Round veered the ﬂapping sail, Death! was the helmsman’s hail, Death without quarter! Mid-ships with iron keel Struck we her ribs of steel, Down her black hulk did reel Through the black water! “As with his wings aslant, Sails the ﬁerce oormorant, Seeking some rocky haunt, VVith his prey laden, So toward the open main, Beaten to sea again, Through the wild hurricane, Bore I the maiden. “Three weeks we westward l)o1'e, And when the storm was o'er, Cloud-like we saw the shore Stretching to leeward; There for my lady’s bower Built I the lofty tower, W'hich to this Very hour Stands looking seaward. IX, ' In the vast forest here, Air for Tenor, Clad in my warlike gear, “There lived we many years; Fen I “P011 my Spear: Time dried the maide11’s tears; i 0 death was grateful! She had for ‘ot her fears; She W3: a mother_ “Thus, seamed with many scars, Death closed her mild blue eyes, B‘“'5t.i“g these Prise“ here: Under that lower she lies; ; UP to its native Stars Ne’er shall the sun arise :. My 50111 ascended? on Such an Other! ’ There from the ﬂowing bowl Deep drinks the warrior’s soul, f Skoal! to the Northlandl Skoal!*)” Soprano s0|() and (_‘,horus_ Thus the tale ended. “Still grew my bosom then, i Still as a stagnant fen! i_ "‘) in SCEL11dl11fLViEL this is the custo1nzu'y salu- Hatetnl to me were men, tntion when drinking health. The sunlight liatefull A " H_ ‘W, L, \‘ 3 2 . / "“-‘*~ \. "/1 ’:K\ ._ /am” /mr£ﬁ av/mm / \‘._"'/_. ~\,4"‘ m ~-\ , ¥,/ \j 0VERTURE.* 4 Scored for 2 Flutes 2 Oboes 2 Glarinetts in B 2 Bassoons 4 "Horns 2 Trumpets 3 Trombones, Bass Tuba 7 7 7 7 7 7 2 Strings, Harps and. Drums. Adagio, ma non troppo. Geo. E. Whiting. V1. as. c . ' Pianoforte . 00 07"‘6S0. 2 1’ Copyright 1881 by G. Schirmer. am 0 a .W. V 0 1 HO 8 H A # . 12//co (I ]}(J6’0 rzﬂzra’. _ ' Allegro Vivace- >>>>‘> (x'I'(:’.5'L'. 12 Allegretto. Se/up repp . molto ‘tam’. » T 1ve»a.ci:m;~;:s. % L argo . Ob. VL Pianoforte . (Strings con sordino.) CHORUS . Tenor. . Bass . V solo coco . Speak !' Speak! than feur-i'ul guest Oh. Who, with thy hall low breast still 111'- mar" err/.90. , - - _ Speak! fea1~__ ful guest! Whi), )1-IOW bl'€21St > ..//' drest , Wrapt in East- ern A.-r Wrapt not in East- em a . u o stretchefhas ifask-ing ahlms-, om-est 0 daunt me! balms, /‘\ com-est to daunt um! why /72> why 15 _ com — est dannt me! com-est to dmmf Inc! -wrapt not East- em /1‘ ' balms, wrapt not in East-em . . . > ‘ 9 \ 0 But with thy flcsh-less palms } P dost thou haunt me ? dost thou haunt me? N92. Chorus. Allegro Vivace, Soprano . Alto . Tenor. Bass‘. Allegro Yivooe. o Pizuloforte. fl sh - es seemed to rise, from those cavernous eyes seemed to rise, from those cavernous eyes xleam in ‘De—ce As when the North - em eam in De-cem—ber: eam De-oem— r: /\ As when the North — ern skies Gleam in De—cem-ber: Cor‘ ‘V. J]‘ utti. North North North North flash — es —:i:. flash — as —..__j__ ' flash — es (? skies , skies, s1iies,.___ skies,___ from fI'(£lllll)S() cavernous eyes ._._ f1'0n1thosecavernous eyes ’\‘\\ see d scemd _.._ to _ seeln (1 As when the skies __ gleam, .________.______ De-Gem gleam, _____ _ _ _ in De-cen1 As when the skies... ~=-;'.f'__"§:f' : skies pa 19 flash-es seem’d the Northern skies Then fromthose cavernous eyes Gleam, Gleam De- cem - ber; Gleam, Gleam De-cem — ber; Gleam, Gleam De-c«>m - ber; Gleam, ,' ' De— cem— her; 8 . - - - . - . . - . - . . . . . . . . . . . . . . . . . . . . . . . . . - . . . . . . — . . .... . - . . . - . - - - - . . . . . . . . . . . . . . . . - . ..:_ .19" — der De — - - der De _ - cem came a voice ' Forth came Garllt‘ came snow, Game a voice the hca'rt’s cham - snow, De - — CCU] - Canw forth a Czuno forth 21 snow, Came a snow, Game :1 Oh. voice voice vnicv of woe, of woe, of woe, of woe, m the hearth chan1—ber. From the hea1't7s am- her. From the heart’s In - her. From the heart’s cham- her. Then, Then , Gleam , Gleam , Gleam, G loam, /re/11. from those cavernous eyes ﬁ'omth0se cavernous eyes GI ezun seemed to rise, when the Northern skies seemed to rise, As the Northern skies ~27‘ (//'6’S(«' . - in De-cem — her, in De-cem - her, De-cem - in De-cen1—ber,b Frmn eyes Then __ Fromthosecavernous eyes __ > Then, __ T hen,__ Fromthose cavernous eyes '\ '\ sec,-m’d __ to < seem’d North A skies _. As when the gleam, De — cem in De -ccm gleam, As when the skies___ flush (BS --—-'11 flush CS .. - 7 orth 0211114: 21 volce of woe , hearts mvth came a voice ofwoe the hearts the hearts t 0 hcart’s came a dull _.__ Voice 0f'W0e, came a 4111] came a voice i came a dull voice of woe,___ voice __ came a voice voice .____.. came voice voice came a dull .___ voice 0 the h the heart’s heart f L‘7”(,’8(/‘ . _ 111 From From From t 9 heart the heart’s the heart’s - e hca1't’s chum _ chznn chnnl cham N 9 3. Air for Baritone. Moderato . _ 4 >. C1. Pianoforte. fB“‘*SS- '28 czzm‘zz&z'/9. My deeds, though man—i—f0ld, no Skald in has told, {T ‘ taught thee!. ' f tztught theel. Recit . 2122.7/z 0722')/zzztioiz Take heed, take heed, that in thy verse thou dust the /5 tale re-hearse; Or dread 21 dead man’s mu-s<:!__ Trom . /(:12 PP (I tempo 2-9 ¢'a7zt¢I& 2'/(2 . T My deeds, fhuugh n1an- i-fold, no Skald in song has told,.___ KT ’-\ taught thee! Bit For this I Recit. //0’ /5'5 . sought thee, For this I sought, sought > V: Allegro. Allegro. /T 3'0 Andante con moto. % ‘ w/2 e..«-/mm-. Andante con moto. F" I‘, Bu] '— fic’s strand, by the wild Tmnod the VTT’ Ta11wd ﬂw ,§.:er _ fa] And, with my skates fast bound, Skimmcd the/__ half - fr-oz - en Sound, ' . whim - pering hound {f_——_—-T - . , _ . if T1-om - bled to on, That the poor whim - poring; hound / \dd _ T T P T1-em — bled to walk on, Tren1— Bled to 613/]! I ? . T3. to his froz — Tracked I the gris _ lybear, while from my path the J J‘ Fled like a. shad — ow, fledlike a_ shad — 0w._ Oftthrougll the fUI'—€3Sfd‘dI‘k g--T F0ll0vv’d the wermv01f’s hark, the PP (:1. Cﬁlo. Sun;.'; frmnfhu mend — ow, un « til the lurk _.____- sung‘ frmn tho nluad — ow, ,.,,‘_sL:ct/:zI_zv,?2_7_'§_.:s:c‘.r;_z;*.o_'.-. ...................................................... .. Fl. (,’7”(/’.S‘(y‘ ., 82111:; from the mead — ow. f Un —til the Soar - ing lark ___.____. sang from sang, szu1_‘.: from the mo/'e7m’o _ ,v0(2/1 (1 000 mead — ow, sang from the._ mend - , sang frmn the nlead - — /('0 (I (/67) OW’ . (I Z6‘/12_///2 /. ‘ >- N911. Chorus for male voices. Vivace . (alla Breve.) Tenors . Basses. Vivace. (alla Breve.) Pianofortc. /'BmS§_ f / 0 ~ GI‘ gI‘€VV, - / {*3 But when I 0Id—e1‘ grew, l'ﬁ'1> 0 d—er grew, o But when I 01d—e1‘ //"'—T > C<>r__ ir’s crew. VC0r—sai1*’s crew. 0131' the dark x - ‘ 1% "ii With ma — rau. J./’ 'ith the ma - rau zz [(2//1/20 (I fe/22;)/2 a fem/20 with the ma - ran.-de1*s, with the ma - ra11—dcrs, cz fa//zpr) Brass. .51. With the With the Brass. (3 the 1113 ma T1111 - ma — rz:u1—dv1‘s, era, sf mu - ders . (I(’(«'!.’/. ran - ders . the sea with the ma — rau - ders, sea with the ma; — ver the sea with the ma- Ada i0. Ten.I. 010. hearts_ hearts hearts_ hearts-_ that that that that bled, bled, bled, bled, s0uls__ that s0uls_._ that souls_ that stern stern souls . hearts souls souls ‘ hearts hearts T ' stem /."‘\ Wll(l,__ the life, the_ ' — <lers._ Wild " . , lifc.._ dcrs Wild ‘ - (lets. (lets. Wild f''\ we led, ~ , souls that that spa-d,.___ L _V , hcarts_ that that sped, _ . ltcarts that that sped, , carts _ that that sped, ' hearts._ that Wild,wild was the life, life wé ed, life led, ‘ stern ' the life led, Wild the that that that hearts._ that hearts._ that that that that 1’ Str. ’pizz. ny a was - sail bout, f . Ma — ny a was- sail bout, a was-sai] If Ma — — ny a Wassail bout, Wore the long Win-fer out; /1, vVin-ter out; Set the cooks crow- — ing, ff . Oft - - en our midnight shout Set the cocks croW- - ing, > iii . Set the cooks f Wore the Ma- ny.__ a was_sail bout, Win — ter out, oft _ en our Uft - en our a tempo the cooks crow - ing, Set the cooks crow -ing. the cocks crow ~ ing, Set the cooks crow - ing. .5 Meas-u1'ed in cups of ale, Meas - ured, meas— urcd in cups of Ber-sek’s tale Meats- ured i11 cups of ale, Meas — urcd, meas — ured Meus —u1'ed in cups of ale, M0as— - ured, we the Bcr—sek’s tale Meas— urcd in cups of i meas — ured the oak _ en pail, Drain - ing the FiI1’d to 0’er - flow - ing. to our — flow _ - -ing. we the Ber — sekzstale we the Ber- sek’s tale Meas - ured, meas - ured in cups of Meas - - ured, oak - en pail ,, Film to o’er — flow — ing, Drain — - ing the oak - en pale, Drain—ing the oak — en pail. Drain — - ing the oak - en pale, I Drain-ing the oak ~ on pail, fill’d..___ ow - ing, A to «fer — to o‘er _ - flow 7? Fill’d to o'er - fow - ing, J- — ow - ing, Filld to (for — ow - Film to o’er — flow - ing, N95. Scene and Air for Soprano. Scored for Fls.,Cor. Inglese, Cls.in A, Fgs., 2 H113. in E, Harps and Strings. m Soprano, Pianoforte. 011c¢: as I told. in glee, once as I told ‘in glee 213/" Wind. tales of the storm—y sea, tales of the sea,_ Gor. inglese. 'Sh__ PP _ Soft eyes, soft eyes did gaze on me, Burn- ing yet ten—der, Burndng yet "ten - der, Soft eyes did gaze on me, Burn - ing yet ten - _ Allegro Vivace, ma. 11011 Presto. B1‘. Allegro v1vace, ma. 110111 Presto. c . And as the white stars shine- dark Nor - way as the white stars shine,__ the dark A that dark heart of mine, On___ /that dark heart of mine, felL_ their soft splen - their soft splen _ L 31' - oresc . On that heart of mine, on that heart of... mine fell, fell their soft splen-do1-. Largo . P . . Cor inglese. Allegro Vivace. 1<w$ (Yen Largo . _ f\ VLL ‘*4’; ?, Coringlese. M" T’ can se////1/a'uz’Za. wnoed, I__ wooed the blue - eyed maid, Yield—ingyet Coxningl. half a—fruid, Yield—ingyet half a—fraid, I__. wmmd the._ maid,;_..__ Cor ingl. F1 Yiel — ing yet half :1 — fraid, C0r.In_;‘. 6//II (’A//I‘t’.S'.S' . Aml ' the for — est’s slmde vows were pli;:ht— - for- 9553 slnttle Our pliglnt — ed, And in the f0r—est’s sln-adv, Poco allimato. Uu — der its l0os—em-d Paco a11in1ato. Car. 17;; reuo as (2 n. lit - tle breast, _ If >{1 their__ nest By the > /. terd , flut - terd her Tempo I. I wooed, I wooed the blue - eyed maid, Yield-iug yet Cory’;-_§ Tempo I. /“ /K’ /‘\ LILJ half a-fraid, . yield-ing yet half, yet half -.1 — 1-‘? ff‘ yet half ii — fraid, 21- fraid, yet half a — fra1id,_ _ 2'4//. — /2 /(’/II////. ._____ yield-ing yet half -.1 - fralid. Fls. N‘! 6. March and Chorus. Scored for Piccolo, Fls, Obs, C13 in BE, Fgs, 4 Hns in G 5‘ C, 2 Trumpets in D, 3 Trombones, B.'I‘uba,Timpani,Tri— angle, Military Drum, Bass Drum and Strings. Allegro brillante. Pianoforte. - Brass. '5. ‘ ,7 I‘/‘l5I"1s's' 0b.Fl.Cl. ' u {T _ 05.11.01. - Brurlvt !» Bright‘. Brigllt ' her fan _ tlier’:~' hull, B"i:‘%"”! Briglit! Briglit ’ her fa — tllet-‘ea hull , B gm! Bright! Bright ' at — t|xer’.< hall , Bnfiglitl Briglnt! Bright ' fa—ther°s hall, Shi ids gleamed, shields glezuned Shields glealned, reliields gle med Shields gleamed, shields gleamed Shields gleauned , shields gleamed J‘ A‘ /'_Ji\ Loud sang the ' — strels,san,9: the u1iu—strels all, Chaunt — ing‘ his glo Chaunt — ing; his ,2-lo Loud Loud Loud (-haunt - iug his A (elmuut — ing his streIs,sauig the min—str<+ls stl'eiS,S‘¢ill,\:‘ the min—s rels strels, sang min—stre!s strels.,saug' the miu—st_rels Chzluut Chaunt Chauut Chaunt ing, ch-aunt — iug his in;-.{, 4;-haunt - ing‘ his in , chauut- ing, (-hauut—iug his U. Loud 5111],: the Loud sung the in — — strelsall,Clmunt—inghis gl0— Loud sung the 0 Loud ' min~stre]s Loud sung, loud saung min~s rels strels all, loud 2~;au1g,l<>ud sauna‘ the miu—strvls strels all, loud sang, loud sung min—strels A chauut ' chaunt — iug his " ry:» when . Chauut ° L-haunt-iug his ' ry: when ghaunt ° cl:-.1u|1t—i|1g his ' ry: when Ch ut iug,chauut-ng his _V ry:when ff \/ brand as ed tleiugh ter’s hand, gi.<ked___ her emd,_ brand asked daugfh ter’s hand, asked__ her amd,_ hrziml a ked duu;:'h ter’s hand, asked... her . ud __ >> brand asketi ¢|nu,g'h — ter’s hand, -.1shed_ her hand,__ Z/""\A L A A as ed his duu;3,'li—ter’.~.< |mud,_________ Mute in—strels,Mute did the asked his (lnugh—ter’s hand Mute the min—streis, Mute did the us ed his <la1i1,2'!i—tei"s' hauId,____.___. Mute the iu—strels, ute did the /* asketl his d;iu,t:h—ter’s hand, Mute the min—strels, Mute did the o--¢-4o~¢4v9s~so\~ stand , hear, he-.11‘- and , hear, hear stand, hear, hear stand , hear, J _-5 Wheii of uld Hil _ de-hraiiid asked his d;iu,2‘li—tei"s haiiid,__ Mute did the miii—sti'i~.-ls of 0 d Hil — de—bi'aiiid sked his daiu,L'li—tei"s llilll(l , did the miii—sti'els Wlieii of old Hll-(lt‘—l)r'illl(l asked his diiu;:'li-ter’s- haiiid, did the niiii—strels Wlieii of Old llil — de— lH'il|l(l asked his d;iu,2'li—ter’s h:iiid , ' the miii—strels ' ’ W /‘S o 0 stand lieair, to heair st-and heair, to stand hear, to rstaiiid hear, to _' 3 '_ . While = 1 While the browii - quaiffed, Loud then cliiiiii pioii laiuglied, While * . quaiffed, tlieii (rliam — pioii liiughed, While the l)I‘()Wll ‘ quiiffed, theii chum pioii lauglied, hrowii quail'fed, tlieii Cllillll pitiii li1ll;{llP(l,\VllllP mf While the brown - . , qu-affed,The (-ham lauglued, While ‘ quuffed , The chum laughed , While the brown quatffed, The lai.g'lwd, the brown - qunffed, The (sham lauglwd, f mp Aml as the wind —g‘u.\‘ts . - f‘nam_ hri,9,ht — — ly, wind —,2'usts waft The — f'<)auh bright — ~ ly, /7! wind —g'usts waft brigllt — — ly, Am] wind - gusts , briglut — - y, And as wiud—,g'usts bri,<_z|:t—ly. wind — gusts waft .: 2 bri;_:jl1t—ly. wind — gusts ‘ T bI‘ig|lt-I)’. wind- gusts waft . 2 foam hrigl1t—Iy. the loud laugh of scorn, the loud ugh of n, loud laugh of scorn, of sc01'n,the laugh Out of those those ' _ 1m-shorn , tho se lips 1m_sho1'n , thosv lips un-sho1'n , lips un-shorn,those un - - - shorn, the .8_ d1‘ nle _ ing - horn __ foam __ light - drink - ing _ horn __ the fozun __ light _ drinl~:- ing - ho _ the foam _ ght - drink — ing — horn _. - .137, light. - 1}’, light. - ly, li ht- — IV 783 .9 Fg‘. CB. ff Bright! Bright! fa.ther’s Bright! Bright in her fa.the1"s Bright! Bright! Bright! Bright! Bright in her fa—ther’s J:7‘7>> Shields gleamed, shields gleamed the wall, Shields gleamed, shields gl e wall, Shields gleamed, shields gleamed the wall, elds leamed , shields f-E Chaunt - L f Loud sang the — — strels,sangthe min-st1'els all, __ Chaunt - ing his - ing his glo- — chaunt - ing his glo- - — J 7 strels , sang n1in-st1'els all, strels, sang the min-st1'e1s strels, sang the min-st1'els all, strels, sang the min-strels all, Chaunt - ing, nt — ing,chaunt - - ing,chaun i } I Chaunt - ing,chaunt - ing Sf her fa - ther’s hall, her her min_strels all, loud loud min—strels all, loud fa — ther’s fa — ther’s fa - the1“'s - ther’s sang,l0ud sang sang oud sang sang,loud ' sang,loud sang fa - the1"s her her her min-strels min- strels min- strels min-st1-els fa _ ther’s fa - ther’s _ the-1“’s in her fa - ther’s Bright in hall, Loud sang the hall , hall, Loud sang the hall, 0 unt _ Gllaunt - ff "Chaunt - c If‘ Tutti. ~ Loud mi n-st1'els Loud min_strels all Loud min—strels all, Gl1a“m- ‘mg I‘ ' ' ',- Loud sang c min-st1'cls all, Ghaunt Chaunt Chaunt min - strels é min - strels min - strels min - strels Chaunt Chaunt Ohaunt «$3 J/Z:;€f*/II. strels strels strels strels N‘? 7. Air for Baritone . (:1. Allegro VlVaC€. Pianoforte. 1’ Fl Allegro moderate . semp 7“e‘52m, Andante con mom. 8 . , Allegro moderate. Prin- _ cc’s child, I Allegro moderate. Vi - kingwild,And though she blushed and snlilcd, I was dis - card - ed! .P1*in - - ce’s child, And /T blushed,_ she blushed Presto,ma non troppo. Recit.(Langsamer.) Presto . ed’. Should not the dove so white Presto, ma non troppo. Recit. ‘ ' /L‘ . Presto. /'> . . Presto .3 Should not the Presto. seanlevfsflight, (love so white, Fol _low the p_¢#~___—*:'_f:—==- {:- though _ she Recit. Fol - low the Hecit . sea -mew’s flight, did they leave that night nest unguard - ed? Why did theyleave that night her nest umguarded, her nest, her Allegro maderato . she was a Prin- _ - _ce’s child, I a Vi- kingwild, And Allegro moderate . /_,___.._————dx b1ushed_ and smiled- 1 was dis - card - ed! so white fol - low the sea-n1(wv’sflight,A0 Z’ Piﬁ animate. why did they leave - nest un — guard - - ed? /T . Piﬁ animate. V ' f slaw. Leave . her - guard. 65? leave her nest un - - guard _ 8 ed, her nest un - guard-ed,un- guard- Z_\ 2-\ la 8 };,:=..-/4“ semzz? \\ v N 9 8. (’7%h0ru§}i' \_.. Ailegfeﬁo, molto moderato, A‘ S6p1‘a110. A1“). Tenor. Bass. ~ Allegretto, molto moderate. — Pianoforte .. f "cf Séarcé had I put.__ to sea, Fair — est of all {X mong'_._. the Norse — — men! sea, Bear — in the maid Scarce had I put... to sea, if? ELELETELLTJ Bear — iug the maid with Alto Ch0.. Scarce had me, Bear - hug the maid with 0 0 . 5537551"? «Saw we Fair- est of all was ahe __. ll|<)II,¢: the Norse — — nwn, A~.«mon,tr the Norse» — Fair—est of all was blitz‘ 7 When on the white sezvstrand, WilV—i||t’: MS “Tm - Pd Wav—iu;: his arm — ed lmud, on the white sea — strand on the white sea —.~'trzu1d, Wav — ing his arm — ed lmml, l"“"dv Saw 9 old Hil — — tle-braud,_.____ With old Hil - — (Iv — hralld,‘-?+— With _' lmrsv } Aw. .—- »—-——«-sv —4—c.—;~ 4—————.. .v r When on te white sea — strand, "‘”"5‘* When on the whte When ’on the white a—str-and, /”—""“'*‘$\ When on the white Wav — ing his arm — hand, Saw we old Hi} - strand, b Saw we old Hil — — de— brand, Wav - ing his arm — ed hand, Saw strand, _ Saw ' old Hil— — de~In-and brand With twen — ty horse — men.» With twen — ty horse - Hi] — de—brand with twen—t_V horse — en— — tyhrse — Allegro Vivace. launched» they to launched they to Allegro Vivace. V1. we wvrv gain — ing fast, we were gain - ing When t wind mien the wind failed -27" And with a sud—dnn f. And with a d— en (JLF . ____________r. _} And with a sud—den flaw Came round the skaw, Came round the dus — y skaw, And with a sud—den flaw Came round the skaw,__ e round the dus — skaw, Fl.Vl. - So that our foe we saw Lau,s:'h as he hailed that So that our foe we saw Laugln as he hailed as he Imiled us , Laugh as he lmiled us, Picc. 6)‘ Fl. T[‘0m.> } }}> (tatcll Round veered the catch the ml veered the ath ! Death ! flap - ing sail, ath! Death! Death! Death! /7' > > flap - ing sail, Death! Death! 22/ //'0 /0 lwlms hail, th ! quar helms hail, Death! quar helms hail, ath! quar helms hail, Death! ships ships ships with with with with black black black black I» POI] keel, mu keel , mu keel , Stituck Struok Strut-k her of steel , her 9 steel , her ribs of steel, her ribs of steel , Th rough ,_ Througrh ,_ Th ruugli ,_ r0ugh,_ Down , ____ ,4 1 Down , __ [)0 o Trom. .T . _ 4 - - Au 4,;=.—...rr.=- \ through the black through the black through the black ‘ t rough t|wbl_21 As with his Wing's ns—sl'.1_nt Sails the f_ierce (:0 - m0—runt, Seek—iug some rock— haunt As with his wings u.<—sinut Sails the fierce co — m0—ramt, -ing some rm.-k—v haunt 5731 T ti-‘T1 Cor. So toward the 0 — pen main, Beat - en With his prey la— — den, So towunl the 0 — pen main, Be-at — en to sea a1—gailI, With his prey in- ‘X é_1‘gl_J_'-‘bi’? Th ugh the wild hur— ri—cz1ne mai—deu. rough the wild hur— ri—c-.u1e mai—deu. Through tlw wild hur—ri-cane mai—deu. Through the wild hur— ri—(-zine mai—deu. Molto moderato. (Tempo I.) Allegro Vivice. Vl / Ob . (:1. kg;-. T9m129..I_- ....................................................... .. FL8 ' 2 (‘(5110 1%‘ U. B. L P TIll‘t'P weeks we \wst—w:mJ bore, (Zl.F<». (fell h— And when the storm was Clr)ud—lik+- we saw tlw slmre 1.. Th ree weeks we west —walrd bore , St“/’tC"“i">‘%' t" 3”‘ ' ‘ “"<”'d9 Threeweeks we west—ward And when the storm was o'er, Cloud-like we saw t e shore And when ‘the storm was 0’er, d-like we saw eshore There r my 121- dy’s Stretch — iug to — — \vur.(J; Tlwre T0!‘ my I“ ‘ ‘W5 Stretch — in tn 1) r/0/or: loft — y tower,_____ Which to this we - ry ilt _ loft — y tower,.___.._._ Which to t is w — ry In — (ly’s bow Built I t e loft — y tower, :1 — y’s ow .‘ uit the lot — tower, \ Stands iook—ing sea — ward, There for my Ja1—dy’s how - Stand look-ing sea — ere for my la—dy’s bow — ,_ Which to this we —ry hour Stands look—ing seu—ward, There for my h1—d_v’s ,t Which to this ve —ry hour Stan s look-ing sea—w-ard, There for my a—d_v’.s e loft—y tower,_______ Which to this ve-ry hour stands look—in,s: I the to —y tower, Which tot is we-ry our_..___ stands Iook—ing Built I te loft-y tower, Which to this ve— ry our stiuids .’ ' Built I the loft-y tower, to this ve—ry hour stands Z o — ward; There for la-dy’s bower sea — Ward; There for la — dy’s bower ""’k’i"§ 5“'-‘—“"c""'§ ere for ' la-dy’s bower milk-i|1¢f5€i1*“' I'll; There for * la—dy’s bower _\ /4. V . . 4/‘/1’/1%.; J) .4 _ Built e loft — y tower, i(‘rl! Built I the loft — y tower, it-h p A. the loft — y tower, Which the loft — y tower, VLpi'/.z. . 4.51 Stauds__ look— hug‘ St“ H5-— look — ing- Stauds___ look— iug Stands ./,...~-w._.r_L_e‘ "J N9 9. Romance. p}9_Str. (}7’£?.S‘0. - Tempo I. (3 There lived we ma — ny,___ ' fim0—.dl'i1’d («"1" b’S(/. .sf maxi — den’s tea:-s,_. She had f01'—g_;0t, ‘ - got her'fea1's, F1. K . \. Oh. (I L f 1 6'0)? €810) ’8'S'S . shv had f'01'”'0f herfu:1rs- Shewasa moth — er. H 3 _ C0 ['- There 1iv(>d\\'4e ma - ma — ny____ years;_. Time, V1. nmi — dc-n’.< tears; She had for-got, for - got her fears, ' . . .- .’. 0» 0 o 0 u v had_ forgot herfears; She was a moth was *3. moth - 113/“ had forgot her Poco a11imat0,c0n tranquillité. wasa moth - — 91-. av: /aw‘/If ﬁ\ , ‘Ya. Sm‘/0 I70 , ‘G\ /U Death closed her mild blue. that t0wer,____.___ - der attower she D oath closed her mild blue 07680. un - dur thattowor N691’ Shall Str. .\’«*’or shall rom-sustain. Tempo prime. 3 There lived we ma — ny, ne’er silch an — ofh - _e1-!. 7"////. f\ Time» drivd tho mai — d(*n’9, fhe I ‘/7 WI‘ . - don’s to-ars;._.. She had fnr—got,_ for — gﬁt her-fears, ' Woo(‘I./~75. Z__$ //zfzron e.,s*,17/*e.9.s'. ,\ ,\ had for-got her foau-s, shv was a moth — or, she was a moth — Death closed hormild blue eyes, (J/’P«S’U. - dcrthnttmve1- . , Nv’or shallthe sun, Ne’e1-shallH1e //I'6’S//'. - f — rise On such an - oth — {\ shnllthe sun - N<-‘er shallfhe. sun, Ne’erShall_the (/'7’(?.$‘£?. aria/2:971 N910. Solo and Chorus. Allegro con moto. 171’ FV‘—\ _/.VVind sustain. ./“/"Futti. ’I‘rom..,.B.'I‘. Andante maestoso. S010, Soprano. grexv my boqsom then, Still , ores (I ten);/0 stagnant fen! ful to me were me-n,The ca lempo ./.VVin . Allegro con moto. hate — full. Presto, ma non troppo. like gear, like ge2u*,.__ hY my 593"’: Fell I up - on F911 on my spear, V //I grate - was grate — grate - the for — est 6’/’€6'(/3 — Ii e gear Clad ; my S1)€aI', my spc-ar, Fell L Fell - on my spear, death was grate- _ _ 4:1 If-””__.‘\ ful, 0 death 0 death 0 death 0 death («‘7'(/’S('. _ M“h?'%‘hi Allegro con moto. If Allegro appassionato. . S010. Thus,___ sea1n’d_ with ma _ ny Burst — ing, burs1-in;;these Allegro appass10nato. Thus, wiih Burst - ing these pris — on 417‘ - to? its na-tive sfars My ‘ V soul“ s—cend_ed*,' Chg, Thus,__ seam’d_ ‘ Burst — ing, burst‘ — ing these Bass. ’ Burst — ingeg, hnrsf _ in;:; those Sopr. C110. My __ soul ,_ my Alto. Cho. My <_ soul, a. my pris _ on bars. pr-is - on bars. — soul as - cen _ _ . soul as — Str.T11tti. .17" Uistesso tempo. S .So1o. ¢\ Thus, seam’d with ma_ny scars, se-.am’d with soars, Uistesso tempo. seam’d with scars, 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..: ' rom. I .. f these pris— on_ bars, Burst _ in;: these. Burst _ ing these’ 1-i nhars, Up to its na - five stars, stars, soul, my soul“ as— (tend - «end- ed, my soul as _ _ed,my soul as _ _ed. ed . _ Tll0I‘t‘ll'0lI1l xflowing,‘ b0wlDeep drinkstho wzumim-’s sonl,f ! warrior-’s s0ul,__ - _ Therefmnlfhe flowing lDeep drinksfhv war-rior’s soul, the wzu-1-inr’s soul, Ten. ' f There fromf bowl Deep drinks the soul, Shoal‘. to the ‘N01-fh—land! Skoall‘ Bass. - V There from the bowl Deep drinks the Soul, Shoal! t {he North, Slio-all to 1 N0rth—la'ml‘! There from the f l0w_ing howl Deep drinks the Therefronn howlheep dﬁllks the Bass. . Shoal! There from the bowl Deep Tutti_. ’ ' f mare warrim-’s s0ul,the warrinﬂs suul,._Therefr0mthe b Dc-epdrinksthe soul,- ,—\‘ /—\ wart-i0r’s s0u1,the warri0r’s,t war_ri0r’s soul, ’]"herefr0m bowlDeep ‘ drinks the , o drinks the wan-i0r’s soul, the War_ri0r’s soul, T herefmm the bowl drinks the Shoal! to the N0rth~land! Shoal‘. war _ ri0r’s soul, Shoal! to the N0rth_land‘. Shoal! Shoal! to the N0rth—land! Skoal! Tutti. > f no Sopr. T1101-0 frmn f 1- flow ~ in" how] Dov) drinks ﬂw war _ ri0r’s soul 1 H 1 There from the bowl Deep drinks fho__ war _ 1-ior’s soul, the There from f ehuwl Deep drinks the soul, Deep Fl OW There frmn fhe owl J?” war_ri0r’s sou , Th<-re frmnﬂw how] _ Deep drinksfhe soul , SL<m]!1<> the Nm-fh—l2md‘. / war— —rior’s soul, Thm'ef1*m11thehuwlI)eep drinks the war—rim-’s soul, nks’ the war—.ri0r’s soul, . Thereﬁ'm1n‘hvbuwIDevp drinks drinks he waI'-1'i0r’s . Skmll! ‘wt 0 Nm'1h— — land! 2 ..—__.. . Skual! to the North. land! Shoal‘. ‘I Norfhlmld!-— Shoal! the North —b _ land! Shoal‘. 0 t ‘V m*tl1l2u1d'. 8- ////.~'.s'0. ..... ................ .5 seam’d_ with ma _ j s(é2u‘s,__.. Burst - ing, hu1*sf—ing these ,i. soul, my soul *. .. _ , Thus, with J. 1. J- - ny sum-.s‘,_ Bursf _ ing these pl-is - nu — tive stars My 6'7 '68!/. L’istess0 tempo. soul - — (send _ L’istess0 tempo. ('7‘t’SC‘. - Piﬁ Allegro. A There from t flow-ing howl Deep drinks the War—I'.i0r’s soul, the war- rior’s soul, There from the t'l0w_ing howl Deep drinks the war—rinr’s soul, the war—rior’s soul, There from the t‘l0w_ing; howl Deep drinks the wax-—rior’s war — ri0r’s soul, There from the t'low-ing bowl Deep drinks the war_rinr’s war — rim-’s soul, Piﬁ Aﬂegro. ' /".73 I . _ 4 ff sempre st/I60. L There from the howl There from the bowl S There from 9 how] There from the ff Shoal! Shoal! to Shoal! Shoal! to Shoal! Shoal! to Shoal! Shoal! Deep drinks the soul, Deep drinks the soul, Deep drinks the soul, a Deep drinks soul; North - land! North — land! /'\ North — land! North— land! Shoal! to the Northland! Shoal! to theNorthland! Shoal! to the Northland! Shoal! to the Northland! Shoal! to the Northland! Shoal! "to the Northland! cresc. Shoal! to the Northland! Shoal! to the Northland! 8 .................................................................. .! .... . /T North _ - land! North — North - - land! 114 Presto Largo. 10. There» drinks the war.ri0r Shoal! to 1 There from the flowing There from There from the flowing Jf . There from the f lowing Presto_. ‘ff Sko-al!.___ drinks the war - - rim-’s soul, Shoal !_ > > > > bowl, I Drinks the war.ri0r’s soul,the wa1~.rior’s soul,to Nm-thland! Shoal! >- >>- howl Drinksvthe war.rior’s soul the wal-_rior’s soul, at 0 and! Sknal‘. ) I ) >>>> >>>-> howl, Drinksthe war_ri0r’s s0ul,the war_ri0r’s s0ul,t0 theN0rthlaud! Skoall >>>> l)_u >>>_ ~ 59. Drinks the war-.1-ior’s s0ul,the war-_ri0r’ss0ul,t0 thoN0r-thland! Shoal! fhe Nm'fh—land! the N01-th_land! >>> the N0rth.1and! >>> the N0rth_land! A///I Sire/fa. «Sf £.rl$.ii1«. 1., . !IH. . .lL.. vtii. .« .: ..J.»..t.x r:....u....nn«..».nrIr....b..:.n . . rxm1s4,.r:..
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Date: 1881
Text: MUSIC LIBRARY VASSAR COLLEGE Poucumttosrc, «cw vonx \\ . To my fr'1erﬁl A.E . S UMN E R.M.D. / Broofo Z}/V7z.17/.1.’ / '2?- '76. Poem from Longfellgw‘ "Saga ofKingU|af." MALE CHORUS AND BARITUNB AND THNUB SOI.0S Accomp”t.m°Pi $16 Ohiigato Reed Or*gan.and Strin _Uu'mtet%adlib. ~ ‘ K BY ‘ Voice Pa Ms. T /VB. Z/zeflrzzzylhrlx//“&r]4"’4zzd Z F’/227/2'/z liala Welly I//idfﬂiz//K/&6lS.S)77Zﬂ]’5€' oélzzm ed 177 1, 115.‘ of Z7wZ’zz&ZL'.r/...
Show moreMUSIC LIBRARY VASSAR COLLEGE Poucumttosrc, «cw vonx \\ . To my fr'1erﬁl A.E . S UMN E R.M.D. / Broofo Z}/V7z.17/.1.’ / '2?- '76. Poem from Longfellgw‘ "Saga ofKingU|af." MALE CHORUS AND BARITUNB AND THNUB SOI.0S Accomp”t.m°Pi $16 Ohiigato Reed Or*gan.and Strin _Uu'mtet%adlib. ~ ‘ K BY ‘ Voice Pa Ms. T /VB. Z/zeflrzzzylhrlx//“&r]4"’4zzd Z F’/227/2'/z liala Welly I//idfﬂiz//K/&6lS.S)77Zﬂ]’5€' oélzzm ed 177 1, 115.‘ of Z7wZ’zz&ZL'.r//oe/7 . ‘ \ ,/ /SNEW YORK~.Z.\ L~/ fc;.‘.scHIRM_+:®7\/ ‘/3 5 Unions qu m:'c.\J’ _ _ (Iupyriq]\t1B81b' (‘ ‘>'c11irmer, » \ /E Ex\ //c:_EN7/‘<: LR /d ‘:N£E\ /E ‘:\H/<:‘ V r. &_...-J /1 0 J\: ,-/[ya éyi/w mzzzej/zzzim/~"THE N U N 0 F N I-D'“A R 048"/2"////1/ale) 6/zmar /ma!‘ fve/M/" JWO. \‘e>iC4/2 .. ~ \\ 3 I KING OLAFQS CHRISTMAS. ti/"/‘rm IA}//(///(l‘//I)/I‘:\‘ ",.\L»/(i',/ /ll" /:i].Y(:' //LIP. t. .\l llrontheim, ()lat' the l{in_;' Heard the hells of Yule-tide rin;,", As he sat in his hanquet—hall, lll'll|l\'iH§:‘ the nut-hrown ale, With his hearded l3erserl\'s hale ' And tall. 'l'hree (lays his Ynle—tide t'ea’sts He held with Bishops and Priests, And his horn, tilled up to the brim; lint the ale was never too stronf.',', .\'or the S:1;:a-iii:u1’s tale too long‘, For him. (Yer his drinking" horn the .\lf.',‘H ll-e made oi‘ the eross divine, .\s he dranl\',:md muttered his prayers; But the llerserlxs evermore i ' ;\l:_1de the sign} «it the llamnier ot' 'l‘hor, (Iver theirs. The ;_~'leams ol' the |'ii'i‘li;:lit danee lipon helmet and hanherl; and lanee, And l:ui;:l1 in the eyes of tlie l{iIi_;;'; And he eries to llalt'red the Seald, tiray—hearded,v~'rinl\led, and bald, "Hiii;;!” "Silt: me sonir divine, VVith a sword in ever)‘ line, And this shall he thy re\\-'ard."' And l1e loosened the helt at his waist, And in t'ront ol‘ the sin;:er plaeed llis sword. .;. .;. ,2‘. Then the Seald tool; his harp and szinq‘, And loud tln'ong‘l1 the music rang‘ The sound of that shining’ word; And the ll:ll‘])—Stl'lltf_’,‘S a elan;:'or made, As it" they were struel; with the Made (if a sword. # «:1: : 0 And the Berserks round about Broke forth into a shout That made the rafters rin;,": They smote with their t'ists on the hoard, And .sl1o11ted,“lmn;.:' live the Sword, And the King!” But the King,‘ said,“0 my son, I miss the bi-i;:l1t word in one tit" thy measures and thy rliynies.” And llalfred the Seald replied, “in another ’twas multiplied Three times. Then l{in;: (Hat raised the hilt (lt' iron,eross—sliape(l and gilt, And said, “Do not ret'use_; (‘onnt well the gain and the loss, 'l‘hor’s hannner, or Christ’s eross: Choose!” And Hall'red the Seald said,“'l‘his In the name of the Lord I l\'iss,. VVho on it was erueil‘ie<ll” And :1 shout went round the board, "In the name of Christ the Lord, Who died!” Then over the waste of snows The noomlay sun uprose, 'l'hrou;;'li the driving" mists revealed; Like the lil'tin;:' ot' the Host, I3)’ ineense—elouds almost Coneealed. (la the .-hinin;.;' wall :1 Vast; And sliadow_V cross was east From the hill of the lifted sword; .\nd in l’o:unin;:; cups of ale_ U The Iierserks drank_“Was-haell To the Lord!” 1]. W. I,0NGri:Li.0\\'. Km; ULAF’S CHRISTMAS. Um,» /LII//_//,/2'//.12/M ~ M021 0/‘ I.'1_\'/; /2/,, //«r ) _ !)l'l)Ll‘I\' l3‘H'iLH5:..S6. Allc;_;-ro, pow \'1\':m‘.(J: 126. K -' Hvcd ()r,L',':111. AAllegr0,poco vivace.(J=120.) ,~ > \ Piano. 7 ;;_1/‘ 1} la (¢(1m}mm*[[(I. In-1'lluntrV'. ‘Rm. mm: LII. ‘fab. ;\llt‘;:'r<> lH()(l1'l‘.'|l(>.( , “::i’% ,j<)"' A_;,_$__" V. 7' T l)1'un1—h<'im. U — I:«l' lrhr l\inj_*' -2 ? ,9’ p I , ,,,f'ﬂ:.,,_f ‘"2’ Drum! mu. 0 - Mr (undo./\ /\Allegro Pratq. (J .7 92.) . ) 'Hu- 11<,qu<.n1 111<,*11o}1()1111( u1!1at1Qx1s 111 1111» pun mum not be ton l11m';zI'ly Inierprc-t«-d. 'l‘hoy an-, sunply clvslgrxlml to nuclu-ntv ihv :Ippmx11na1c, hm ¢-.\' ~ trcxncly fwv and e1a.s11<: T4-mpo (1'0.s'11‘t*d by the author. - - (mg /‘/2;/;/I'/"///// /88] /1// /1'. S?’/I/DI’)!/I’]’. (7///1. '-. .. A a.) l’<m<> pii1vivz1co.(J:1m.) () h.-|:u-d-4-rl A »_ " '. lw:n'4l— ml Ht‘l'.\:—t‘1‘kH i- ‘ >- mu, halo l’if1\'i\':1('0..(J= 120.) “US Il(,'\‘ - U1‘ 3‘ ,3: BASS I.II. 1’il‘1\'i\‘:m'.(J= «I 20.) Pin‘: vivace.(J : 120.) \\:v.s- lH'V-1'!’ 100 m‘11'r»11g‘. .;- S.'1— ;_;':uu:ufs , nu\'— or too .s‘1l‘n1l{.',‘, ml .w'I}I,1/I-re. TENOJE I. TENOH II. BASS I. BASS II. — Vt-1' his drink 11;: horn. drinking," hnrll. 0]" f1’/'/mv/ . 1114- o'I'm,~ Hu- (']'0.\‘,\'. /f‘///m/ . Bilartl. 0 B /\/T-;\ his — — V(‘]‘ <lrinl\'in::' lwrn.1 hix 11kin;:'lmrn.I 1|n- si}_"n 'lll«'l(I(‘, is drink — vcr :1’ lmrn W" his <H'ink—inj4'lmrn..._,_ >iu'n W m.'ul:- lllllxlv Pin‘: Lvnlo. (J = I00.) M hr Ju- ;l' 1:1’ W rlrzlmk ngul Inﬁll dm 1: k . H11‘ 7 nlim-ViI1:7.(;,4_; he} llI‘11l:;i‘;1(]”iJi:»7 ' Piil Lento. (J =100.) 1! 1'1: 11 k , d1':I11kf ml 1nu1—1:-1-‘rI— his p1'::_\")'.s, -1<>)"d his mut- It-M, 1nu1—1«-1"«l. and drzunk, _ and mu! — tvﬁl, pr:ay’rs; 111-111 — 14-1-‘cl, p1'ay"1'.-; 1n'.'I_v1-‘s and mu! — I4,-My. and mm — 1<-1'11. anal mu! - 1'<l ]n':1_V'1's;. mu! — 1<-r'<I. mul — 1<-1"d, and mu1- H-I'll his przI_v’1's; {\ V ‘ /11W’/. _ vv— ]'—IlIHl‘1'.\I1Mt‘ 1 ,<i;,"n 01' ﬁlm Hum or ml‘ 'I'hm', of T1101". > , I I [T (3 M‘-e1‘—1nru':~ Mzulvt sign: of 1hr Huxmnvr of Tlmr, 111:‘ ’ ']{:un — 0f'l‘}101',u_v4‘r > , / H<'1'm’)'ks vv-e1'~n1m'v .\'I:ul<,- sign: of 1114- "1l]mIl1‘]'()f T1101‘, the sign) .ut'll1vH:u11 nl"l‘hm',0—ve1' [T > l¥<*1'wx'I(s vv—¢>1'—1nm'<2 Made ' :Illlll1I‘l‘ M’ T1101‘, ﬂw sigll nflhv ll:11I1x11v1‘nfThm;0-vol" II('('(’/. //‘T ncrfﬂ a cc/zl . 10 AHeg‘1'0 \'i\*ac(‘.(J=l20{j A > flu-11's, ihcirs, 1l1.ci1'.s' , 1l1vi1-s. 1 0g.:'1'0 \'i\':1ro llogro viva '1‘I«:Nm1 11. mss 1. BA " I10] - 0 - V91‘ 1l1«.‘i1's, g L *1--'—"’7W7 J L F L __ -2’ -ex /4:» V V \ _/Z /Z .3’ I /' /' Qmrtwl . _ .(J:120.) ¢ > D M_1'n0 All(*g:;1'n. (J: I’”’'” 7'” ' 1'11-1-11;.»-1.1 <l:1m*1- "(Y prim) 1'0] 1 . Mano A111: _0. (J 2112.) . 11-bvrk and 1111100, Reed Organ tacet.’ :'lvzuns l§.\.\'H I. ;:ln':In1.\ IMHH IX 01' Ihv fiI'¢‘—“,',"]I1 d:mw* ..r 1111- >fz’{CTiz:A1.1 .mm-.- ,3, l:\u;_'h. iuu;:‘l1 l§uIIj.:'l1. luug'l|. l:1u;_:‘l1. /\ 2628 ’l'ln 1' tlln-King’: lw ;:J«-zuus. ﬂu- ul' ihv K_i11;:: 'l'h<- nf IE Wiﬂillgr Tlw . and l:uIj_:'l1 l:u1_;'l1.:u1<l Izlllglx hl “W 1-_\'cs, in 1114' v_\‘v.~. 4*y:*s 4'(\'<.‘S v_\'vs _<_-‘lv.'11ns ‘:1:-zunns gin-211115 g‘l«*::111.x'. luv] - mm and m'w.w- hvl—x11vt Hm C'l’f.j'(’. and (.‘7'(?.S‘£‘ . ' fire ~ Ji_;'l11 ' llw fin: - li;:'h1 ;:l«-:nn.s‘ of 1114- King" King‘: uJwrk :u1<i Jzznm-. hzcn—|Jcx'k and lunm-. (In 1111: «in mm dz: now And A ml l'i1'<* — lijxln (l:lll('(*.I)]l Anrl And lﬁimuj; King‘: ' lu- 'nml lnllgzh > }:ll1;.’.'l1 . ._._ l2Iu:.:'||. zmrl he-Lmvl and !,'l’f,’.\’(" OH and Jnu_-_"h u ;,;'h Izum-,. in 1110 11m AIM hm-1 zuullnnuln-1'k and lzum,-, 2'/aw-. In-hm*1 and lmuln-rk:1n<l l:m('<', _ r'rrzv('. In-I-luv! and on Andante. vrivs 10 .'Il— ml 1 (‘l‘i('.\' 1- 1'1’:-II 1 H:I]—I'rt'¢l llw (‘l'i1'.s' Ila]-1'n:(l tho- (‘l'il’N ndante. V lzum-.011 }:om'o, And .I' Scnld . .‘s’r:Il¢l .v (}1'n_v Sm ltl, Stflllfl , 12 ¢ ‘ , .. A1le}.’;1'o poco maest0s0.(L100.) 7’lf(l7’(/. ‘|)l’1ll'(ll-.‘d_.Wl‘iIlk(‘d, and bald, I “S:"3"'” A1leg,'1'o poco maesto.so.(J : 100) Organ. .y/- ’ / All maest0s0.( A00.) 23 1 J ‘ V /-’—“"T "ifi [mm 7-it? l3.\l{I'l‘()NI'} SOLO. 24$ Sing: .sm1j." I’ Tmg1]Io_. -mp # S\‘\'()l'(l )'///I/'(/. “H3 - ‘ _ .' (‘ml lhv hvh :11 his calla vow,-. Tam]/0 /7////'/2/. f1'm1to1‘1 .~'i11g'<_*1' V placer! his (I tam 0. nu/la mm’. 1’ ; ﬂ I I _| l .s‘:llI"', ‘ I11 _ smnjma > /W'/»>/'II//- > thrn’ ilw siv 11111;: ~ . lhv sound 01' [T "/\ calla W101! . .9 \ l‘I'(3.S'(/'. I '1 'l ‘.S'( ' r/M/z//22/z/11/0. harp - strings clangor made, ilgf molly dim. ilu-yw<'n-, .s'1ru(-k with hJ:1<l«- 01".‘: ,s'wm'«l, ' >'\’V0l‘d3 m//r/ 17 ('/‘raw. V P11} Vivace. (J: 120 .) E TEN.I. ,l.[,\, H And the B01‘-‘.‘s'v1'ks round :1~h0u1 ' Broke forth in-1'0 :1 slmut ’l‘lm1 Imarlv tlw 1'.'If'1-01'.» BASS I. ‘ And tlw Iivr-.s‘c1'ks1'(>11n¢l 11-bout - Broke forth in- to :4 .~‘hnut'l'l1a1’ mudv 1114* mrmx-57 BASS II. ' Pit‘: viv:1cc.(J:120.) Piﬁ vivace.(J : 120.) Eh Hirlm para mi]. All t11aest L100. * Kin}_r'sni:l. " . , HKWV W; ' _' 1114-an-survs All ma 1’ TEN. SOLO And (I ‘I'll! (IS 0 . P1111. .s‘mn}n'(‘ //pro /1///. IAMRITONE SOLO. — 1' 1‘:1i.\(*(l the [mm 7-2.’ . — 11111, l‘1'0.s',s‘ s}1:1pod gilt, A111! said, ’’Do 1101 —1'11s<>,,- (‘(111111 _ 1111-g'z1i11 2111111111‘ 1141111 -111121‘, ' <11‘ (,‘l11~is'1"s TENUR A1111 1'11-vi Srulcl /'.v///'/am‘/'2'/), VV \./ I/rm ~ .s'/VII)»-0 ])]I x.z ‘ > shout wont mum! 1.ln- bozml, .\'h<)I11 vwnt rnuml the l)n:u’d, the name ('rm'i - H:-<1, )2]! In 1h<,-nznnc of tho‘ Allegm) Vivace . the nzunv of the m'u—('i — fimll And an .s]1()lIlW(’n1 round thv lm.-ml, Alleg,‘1'0 Vi\':lC1‘ . Allegro vivaoe. L AH‘)mode1'ato (-<nne1ILa.J=:J2. /7‘/. ///(I//(1 I’ I//I//, _ who r/1.2/1/W” ” ’/"”" of (‘llm-1 who div<l.‘~' é 121' Chl’i:~‘t. M’ ''"'W P '/W‘ A11‘? model-atu come i1£“,J=92. ]’ Wt‘ "mu" ” m‘ All‘? modem 0 l”_“‘J= 92. nf .9mnpre PW]. ‘fa. #&_.? I ‘ /—-5 "0011" ll)’ noun — clay - (lay xlriv - iny; n1i.<1.x' ' walctl, .» iliv rlriv n}_" n1i.\‘1s' walvrl, Lilw I110 1'rv>¢', 'J'h1'n‘1hz3 nlriv - in;,"1nis1.~ '- \<-aim], - 11“. nmm - 412:)’ M11] up raw 'J'l11*<f111i.s1.< ‘ \'vuINl., . Likv the ' "UM, " ' — ('t‘ll.\'«‘ - vlomls ‘ nmsl Hm, ' ('4-nsv — ("lauds 111051 H-nlml . ‘ /‘\ /T — ' nmxt ('4-ulwl. I»- ('v1m- _ [']()lll[S 1/ /11] . ('(':l](‘4l. ‘ umxl _ . > 4"‘II1l'4|. 1//pi. ,, "_(IV_ V Hum‘. mngj l'('1llt‘1l. 1///II ' "m_g1 A max] ('¢'.'l1N] . Hm — (‘4':Ilml . 2628 Fnnn thv hilt. ‘fab. " m0t0.(J=11fi) svmrd . Andin liuun — — iIl;.:'(?1l[)S -? Pifx moto. (J 2116) Piix moté0.(J =u6) .-a§*nn- lift - - ml ml RM‘ L .w1']\’s dm11k"\\'::.s' «l1'.'mk"Wus I’/rm .6‘/I‘/'//y/'/It/0. 11:: 01 11214-1! To the Lord !" — Inn-J! l2>-- . Lorcl! \V:xsl1zu*]! > \\2m- 1*]! /l(’(} .3’//'2'//_(/. ('0 .5-tringmzrlo ,- T Lord !" Loni!" haul! gas hm-J! .- - . Wzls-11:10]! Y hurl! Wat hzwl! “Gus hzu-J! f-—— \_ //“T Hwy :lruul\' 1.0111! Lm-«I! \\':I.~'—l1:u‘l! hzu-H ‘V New Songs and Duets, Selected from the Catalogue of Sc/iirmer, New York G. ALLITSEN, FRANCES, A Song of Thanksgiving (with Organ ad lib.) High, medium or low. — I know a little Rose. (Ich weiss ein Rﬁslein roth.) M.-Sop. —— Eight Heinrich Heine Songs: A Pine-tree standeth lonely. (Der 1*‘z'cIzz‘e7zI2azmz.) Two Sapphires those dear Eyes of thine. (Sap/zire sind die Augen deiiz.) Diamonds hast thou and Pearls. (Du /mst .Dz'amm2ten zmd Perlen.) King Duncan's Daughters. (Die Botsc/raft.) Since my Love now loves me not. (Seit die Lielzsie war emfernt.) Fathoms deep may drift the Snow. (Magda d1'au.s.s'e7zSc/mee sic/1 t/:z‘ir71ze7z.) Oh Death, it is the cold, cold Night. (Der Tod das ist die kit/zle Nac/it.) Katherine. (I(atluzrz'nc.) Complete in one Volume. AMBROSE, R. S., One sweetly solemn Thought. Sacred Song. High or low. BARTLETT, HOMER N., Come, see the Place where Jesus layl Easter Song. High or low. — 0 Little Town of Bethlehem. Christmas Song. With Piano and Violin obl. High or low. :— Sayonara. M.-Sop. BLACK, JENNIE P., 3 Songs for M.—Sop: No. 1. Storm, the King! “ 2. The Rosary. “ 3. The Violet. BROCKWAY, HOWARD, Op. 22. Two Songs: No. 1. Would thy Faith were mine. Sop. Lend me thy Fillet, Love. M.-Sop. BUCK, DUDLEY, Boots and Saddles. (A Soldier's Farewell.) Ten. (Original) C; Bar. Ab. — O, Saviour ofthe World. Offer- tory. High or low. — Until God’s Day. low. — Why Love is King. High or low. net (6 2' High or BURLEIGH, H. T., Plantation Melodies, Old and New. CAMPBELL, G., For one sweet Smile. M.-Sop. CASTELLO,GEORGE E., 4 Songs for Sop. (or Ten.): To the West Wind. Could’st thou but know. Du b-ist wie eine Blume. sweet as any Flower.) Sehnsucht. (Yearning.) CLAY, FRED, The Sands o’Dee. Sop. (Ah. 150-75 .50 .50 .50 .50 .60 .60 .40 .60 net 1.00 .50 DE KOVEN, REGINALD, Abide with me. Sacred Song for Alto. Barcarolle: “You are the Moon, my Love.” Sop. Battle Grey. M.-Sop. —— Love’s Trinity. Alto. —— My Nightingale. Sop. DENZA, L., In Shadowland. High or low. FREY, ADOLF, Over the Way. Sop. GOLDMARK, RUBIN, Op. 5. Four Songs for M.-Sop. (or Bar.): No. I. Ode. “ 2. Spring Rains. “ 3. The old, old Song. “- 4. A Love Symphony. GRAY, HAMILTON, The Golden Pathway. High, medium or low. —— Purple Heather. High or low. d’HARDELOT, GUY, In Bracken- time. Sop. HASTINGS, FRANK S., Fair Helen. (Old Scotch.) High or low. — For Love of You. High or low. —— Rose dark the solemn Sunset. High or low. pl-IAWORTH, C. 13., At Last. High or low. HOMER, SIDNEY, Eight Poems by Tennyson: Break, break, break. Gm. Sop. Bbm. Crossing the Bar. Sop. E. Sweet and Low. M.-Sop. Db Sop. E. Thy Voice is heard. M.-Sop. Eb Sop. F. Home they brought her Warrior dead. M.-Sop. Fj$m., Sop. H1. M.-Sop. M.-Sop. Db, The City Child. M.-Sop. Eb Sop. F. - Minnie and Winnie. D, Sop. Eb. Enid’s Song. M.-Sop. Bb, Sop. Db. LAER, C. E. van, Crossing the Bar. Sop. LEHMANN, LIZA, Mother Sleep. High or low. MASON, DANIEL GREGORY, I love him. M.-Sop. -— Shall I upbraid or praise her P NEIDLINGER, W. H., Life and Death. Bar. F; Bass D. —— Thy Face. Baritone. NORMAND-SMITH, GER- TRUDE, Four Songs for M.-Sop. (or Bar.): Auf der Heide. (On the Moor.) Das Hiiterkind. (The Shepherd Child.) Sunnenwendnacht. ( S o l s t i c e Night.) Der Geworbene. (The Recruit.) M.-Sop. $0.60 .50 .60 .60 .50 .60 .50 .60 .40 .50 .60 .5o .60 PRICE, C. E. B., A Few more Years shall roll. — My Father for another Night of quiet Sleep and Rest. Sacred Song for Bar. (or Bass). RODNEY, PAUL, Clang of the Forge. BarF; Bass Eb. ROGERS, JAMES H., “Moods.” Four Songs: No. I. Not from the whole wide World I chose thee. High or low. “ 2. Years have ﬂown since I knew thee ﬁrst. Sop. “ 3. You. High or low. “ 4. Who knows E‘ High or low. SAAR, LOUIS V., Hark, hark, pretty Lark. Sop. With Violin. —— Lilian. Sop. With Violin. SARJEANT, _I., Blow, blow, thou lVVinter Wind. High, medium or ow. STAHLSCHMIDT, ARTHUR E., Concita. A Serenade in Seville. Ten. (or Sop.). — It I were loved. M.-Sop. (or Bar.). STERN, LEO, Soupir. (A Sigh.) Valselente. High or low. THOMSON, SYDNEY, I heard the Voice of Jesus say. Sacred Song for Alto (or Bar.). TSCHAIKOWSKY, P., Pilgrim’s Song. Bar. (or Bass) E; Alto D. WARREN, SAM’L P., Faithful. M.-Sop. —— Waiting. M.-Sop. WHITE, MAUDE V., How do I love thee. M.-Sop. (or Bar.). WHITING, ARTHUR, Barrack- Room Ballads (by Rudyard Kip- ling). (Damn/1)eever. Mandalay. Sacred Song for Bar. $0.75 .60 .50 .50 .50 Soldier, Soldier. Fuzz)/— I/Vztzzy. net 1.00 “ Floriana.” Poems by Oliver Hereford, from “Overheard in a Garden.” For Solo Voices and Piano. VOCAL DUETS. ALBUM ofsixteen Sacred Duets for various Voices. DVORAK, ANTON, Echoes from Moravia. (Klange aus Mahren.) I3 Two-part Songs for Soprano and Alto. g. e. RUBINSTEIN, A., Eighteen two- part Songs : g. e. Paper. Cloth. net 1.50 net I.00 net I .oo I.00 2.00
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Date: 1882
Text: For saleby all Music Dealers . 2"_D EDITION.‘ : ll ,, * hkLdIiII1I,I,,VI<’,/E53; H’ // T POETRY BY 3 I . I I J I I o . v sleeps‘. sleepsI /“S2 / Philadelphia Musical Academy. l8|7Spmice ST. 7//5 W/Jﬂ//5 mi #5547 ﬂy /7/J/’/77‘/I55/'0’,/7 /.7/L:/I/[‘7i:'_7"W,_’7‘ //zw_/,7/zm/7, /W77’///7? /17, /7///i//‘5/7/3/"5 M117/zg;/‘Z7//zzm ﬂ/J/77/7/E/5 it/0/"A/5, Cnpyr1g|'iTlE|H2IJy Ii/livan Fielder. MUSIC LIBRARY VASSAR COLLEGE SPANISH SERENADE’. Poetry by H . W....
Show moreFor saleby all Music Dealers . 2"_D EDITION.‘ : ll ,, * hkLdIiII1I,I,,VI<’,/E53; H’ // T POETRY BY 3 I . I I J I I o . v sleeps‘. sleepsI /“S2 / Philadelphia Musical Academy. l8|7Spmice ST. 7//5 W/Jﬂ//5 mi #5547 ﬂy /7/J/’/77‘/I55/'0’,/7 /.7/L:/I/[‘7i:'_7"W,_’7‘ //zw_/,7/zm/7, /W77’///7? /17, /7///i//‘5/7/3/"5 M117/zg;/‘Z7//zzm ﬂ/J/77/7/E/5 it/0/"A/5, Cnpyr1g|'iTlE|H2IJy Ii/livan Fielder. MUSIC LIBRARY VASSAR COLLEGE SPANISH SERENADE’. Poetry by H . W. LONGFELLOW . Andautiuo . VOICE . 4 > hide your gold - en > light! she sleeps! my la C-’)F'YPI{-3?-4.T 12:32 BY M.vnn Gelder. Music by MARTINUS van GELDER . dy //;\\ Sleeps! the j Sllﬂl - H181‘ “la - dy sleeps! poco rit. dim. j pm am/rnato <l> -I’) sum - mer night! ‘ the west - ern steeps, sleeps! my Spanish Serenade . \2 Wind of the sum - mer night! When can anima 1 wood - bine creeps, Fold, fold thy pin - ions light! She sleepslniy Spanish Su1'mwcJL2. la - dy sleeps! - dy SleepS_1t sleeps! r1. Spanish Serenade . her, her 10 - ver keeps watch! ‘\ I 1} I .-C- 1. H10 .'~;mn -- rner night! While slum - hers PO00 C7'(?SC.. while in light! she > dy sleeps! 8‘ ‘ hmorendo 8' _I I I
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Date: 1882
Text: I e ‘a ﬁillgzge glaaksmitg» “W R i H _]‘~|‘!’ Ax W ‘ «M ‘ I x} I; 3 A I / ‘H Ii ’ w . 5 ‘ ) Tilt VILLAGE BLACKSMITH, “ Under a spreading chestnut tree The village Smithy stands. The smith, a mighty man is he. With large and sinewy lxanilsz And the muscles of his brawny arms Are strong as iron hanzls. "-——-Lo-n,gfellow. In the northern oountygof Y()1‘kShi1‘e. England, dwelt the Grardner fa1nily—my fatlier, Obid Grard- ner, being the head of the family. He was a- blaoksmith, and Worked...
Show moreI e ‘a ﬁillgzge glaaksmitg» “W R i H _]‘~|‘!’ Ax W ‘ «M ‘ I x} I; 3 A I / ‘H Ii ’ w . 5 ‘ ) Tilt VILLAGE BLACKSMITH, “ Under a spreading chestnut tree The village Smithy stands. The smith, a mighty man is he. With large and sinewy lxanilsz And the muscles of his brawny arms Are strong as iron hanzls. "-——-Lo-n,gfellow. In the northern oountygof Y()1‘kShi1‘e. England, dwelt the Grardner fa1nily—my fatlier, Obid Grard- ner, being the head of the family. He was a- blaoksmith, and Worked from morning till night in the little shop at the corner of the road. “ .i-‘hid the children coming homefrom school Look in at the open door: They love to see the flaming forge‘ ’ And hear the bellows roar, And catch the burning sparks that ﬂy I J]. ke chaff from a thrashing-ﬂoor. It was here, in this little shop. that our neigh- bors had their horses shod. and here where the country farmers had their broken wagons mended. Father Gardner, as he was familiarly called” in
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Date: 1883
Text: *7 \\ 7 \_k \’\ (J R E! 5 NEW . @ 5 \q RDS %/V/\\; rlttgfellniv % HAWILW ‘J 9.__1 __l‘._._l 49 ' :=: .~ 5 .. A NEW.YORK, % L ’ WM.A.P0ND&Co.25 UNION SQ. -- CCCCCC 0, ‘ 1\/M13 .\z\/my THE ARROW AND THE 1 +$%%b J VV01'ds by I{.W.LONGFELLOW. ‘Allegretto. row in — I I know‘ to earth I‘ know not Where, Copyright. I883 bY W!A.POND&0‘.' to the -air‘, ..... __ -36- a tempo. not where: .... __ For so /N (level. 6 ores. dim. svsiftly it flew, so swift-ly it ﬂew, .... .. the sight...
Show more*7 \\ 7 \_k \’\ (J R E! 5 NEW . @ 5 \q RDS %/V/\\; rlttgfellniv % HAWILW ‘J 9.__1 __l‘._._l 49 ' :=: .~ 5 .. A NEW.YORK, % L ’ WM.A.P0ND&Co.25 UNION SQ. -- CCCCCC 0, ‘ 1\/M13 .\z\/my THE ARROW AND THE 1 +$%%b J VV01'ds by I{.W.LONGFELLOW. ‘Allegretto. row in — I I know‘ to earth I‘ know not Where, Copyright. I883 bY W!A.POND&0‘.' to the -air‘, ..... __ -36- a tempo. not where: .... __ For so /N (level. 6 ores. dim. svsiftly it flew, so swift-ly it ﬂew, .... .. the sight Could not follow it in ......... -_ its .17’ accel. e ores. n\ a tempo. flight. b1'eatl1.ed a song in—t0 the air, .... .. It /5. a tempo. f.\ a tempo. Whefe, I know not Where. For A fell to earth I know not ‘dim. mg 7 a tempo. 0 _accel. e cres. k'«_'_,.-j ' who Has sight so keen and so ‘tr acbel. e ores. the ' cm. strong , .... ._ a tempo. pp sostenuto. : Long, long af- terward, I found the ares. I fmuul the Tlmt . if accel. e ores. Still ......... '0 11Ii— broke; A1111 the song, _______ __ from be-gi1mjng to , ' /5 A A -accel. e ores. end, _____ _. I fdlmd » a — gain __________ ._ in the heart of a f1‘iei1(1;_____ And the A A ‘ A . A A AA Nﬂefa‘ . A. sAo11g, ____ __& from be-ginning to em1,____-_‘ ..... __ I ‘found a.—«“g:iin ..... ._ - in ’ ' I A A V of ............... __ a ﬁ'ie1ul . A A A . JP-. 6m° 10302 ' A Hounslowl Engﬁa N ‘
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Date: 1884
Text: MUSIC mommy Is. new you“ ETHELBERT N EVIN “®uuiJ=3]2igI)t, ®nni1=3]%igI)t, iﬁeluhehl” SERENADE FOR A SOLO VOICE. WITH PIANO ACCOMPANIMENT Poem by LONGFELLOW 3 High in B __1yI_edium in G 60 Cents net ‘ NEW YORK : G. SCHIRMER E BOSTON : THE BOSTON MUSIC CO. 7 . Serenade (Good-night! good-night,be1ov‘ed!) A E. W. NEVIN Moderate ed espressivo Z; VOICE G00d—night! good - night, be- sempre 1) to_____ watch 0’er thee.‘ \__/ ~\.__.i (25. To be. near... thee,___ to dol. is peace for me. A Good-night’!...
Show moreMUSIC mommy Is. new you“ ETHELBERT N EVIN “®uuiJ=3]2igI)t, ®nni1=3]%igI)t, iﬁeluhehl” SERENADE FOR A SOLO VOICE. WITH PIANO ACCOMPANIMENT Poem by LONGFELLOW 3 High in B __1yI_edium in G 60 Cents net ‘ NEW YORK : G. SCHIRMER E BOSTON : THE BOSTON MUSIC CO. 7 . Serenade (Good-night! good-night,be1ov‘ed!) A E. W. NEVIN Moderate ed espressivo Z; VOICE G00d—night! good - night, be- sempre 1) to_____ watch 0’er thee.‘ \__/ ~\.__.i (25. To be. near... thee,___ to dol. is peace for me. A Good-night’! good F . r r 1,. 0'opyr2'g'lzt,1884, by G.ScIzz'rme ' Uopg/right Renewed,1912, by Mrs. Etlzelbert Nevin Wmhﬂl okr thee, near is peace (}ood xﬂghl. rI"""‘ 771- a tempo . Vi: L7» ' L Thme eyes stars of morn sfaco. 6 se7}2}2r}a p senza 1201!/I/e — crim _ son flow . gars, Good night! Good__. night, sempw p e staco. $_——/ 10v’- ed, ‘While I count the Wear — y hours. are___ stars .01” morn are_._ crim_ son 0 ."I. 1'. C ers. Good night! Good... night, be-10v — ed, While... I X‘ '12 rit‘. count the Wea — ry hours. /'$ 171! Good night .‘ Four New Sacred Songs I A Prayer 0 Master, let me walk with Thee Robert Southey 1' B°'"‘“” F” Rev. Washington Gladden, D.D. may speag. Religioso Andante sostenuto Voice Plano or Organ h ‘ _ H H as 0 Mas-tar, let me Walk with Thea In low- ry paths at Lord! W 0 at mer.c1- u as we col male 5 Tell me Thy sa - cret. Loni! who art met - cl - ful as well as ,,”,!KM_ 1,”, ,1, a _m,,,M, cogyrcg/u, 19174 by 0. Schrmer Repent Ye Come, Ye Blessed ‘ Matthew xxv: ll-I! mmmr m. 1.2,7,s, 11,): John Prlndle scou Maestoso ' ) Voice John Prlndls Scot! Maestoso Recit Voice Themthenshall King say un-to thfe\m up-on HIS Yr 1’ thosedays, camejohmthe Bap-tlsnpreach-lng in the wll - der-ness of Ju- Come, ye bless-ed "If of my Fa-ther. in - her - it. the king-dom pre - pared_ for yov 0!I4171U'gM, 1312. by 0. Scbjrmnr Coyyrigllg, lM7"bg G.££h'.rnur 3 East 43d St. V G. SCHIRMER New York T 282
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Date: 1884
Text: MUSIC uenmv VASSAR COLLEGE POUGHKEEPSIE. new vonx C62» C9/Z717/.3 C97Z”,<>)(zz;gc2 (.2). O7zw£11 / @J?(?Z8/lyLZ/Cl//C/ (O(/j00c{—/11Lq/zl/ CC/ ‘)00a/,—/zzgq/2/ />8/m>c?a/./) (36% W o£3L'7Il,‘L7]Z;‘!!L7'((7>) 53/ Ef/Z/8[[)8/ZK7 C77,a<>zh*> €50/o*az,n0 in {>7}/3;/=;0#@J?<>/>. in (Q) C-3 2" mg’) /" , \7 CC C766“) ﬂax/1,, (<7)?(f/l7"‘(I’I2.é’I" (Z[T>1V11V'o/I > @f¢]m1uP ' Serenade. Good night, good night, beloved...
Show moreMUSIC uenmv VASSAR COLLEGE POUGHKEEPSIE. new vonx C62» C9/Z717/.3 C97Z”,<>)(zz;gc2 (.2). O7zw£11 / @J?(?Z8/lyLZ/Cl//C/ (O(/j00c{—/11Lq/zl/ CC/ ‘)00a/,—/zzgq/2/ />8/m>c?a/./) (36% W o£3L'7Il,‘L7]Z;‘!!L7'((7>) 53/ Ef/Z/8[[)8/ZK7 C77,a<>zh*> €50/o*az,n0 in {>7}/3;/=;0#@J?<>/>. in (Q) C-3 2" mg’) /" , \7 CC C766“) ﬂax/1,, (<7)?(f/l7"‘(I’I2.é’I" (Z[T>1V11V'o/I > @f¢]m1uP ' Serenade. Good night, good night, beloved, I come to watch o’er thee, To be near thee, to be near thee Alone is peace for me. Thine eyes are stars of morning, Thy lips are crimson flowers: Good night, good night, beloved, VVhi1e I count the weary hours. E If/. Longfellow. SERENADE. (Good night! good night beloved!) ETHELBERT NEVIN. . Gd'*ht -d._'-ht - Moderato con espressmne . 00 mg 300 mg be swnpre 1’ To be near thee, __ / dolce . lone is peace Good night g00d__ Cojiyrigllt 1884 by G’. Sc/Iz'rmer. cresc. dim . watch 0’er thee, is peace for Good night. Thine eyes __ stars of morn senza pedale. crim — s0n- ﬂow '. Good night! Good__ night be — lov - ed, While count the Wear - y are_.._ stars of morn ing, Thy crim—s0n Good night! night he - lov — ed, While.__. I Good night. New Songs and Duets, Selected from the Catalogue G. SCHIRMER, New York 1 ALLITSEN, FRANCES, Like a Garden after Rain. Alto (or Bar.) in F, Sop. (or Ten.) in Ab ——— The Sovereignty of God. Sa- cred Song. Low BARTLETT, HOMER N., Sayon- ara. Alto (or Bass) —— When Dorcas passes by. High or low ’ BAUGHAN, CHARLES E., Two Birds. Sop. (or Ten.) BENNETT, HOWARD, Absence. Medium —— Slumber Song. Medium BOHLMANN, THEO. 17., Five Songs for Alto (or Bar.) : Dass sie die Perle tragt. (S//c w/zo Z/1e Pea1’Zco7ztm'71x) Durch jedes Erdenleben zieht. (T/170’ every morlnl /.1:/Q2 7(7l- tn/(Z) Ich fragte: Wie haben die Lieder all’. (1 4]/zvsﬁoz/.'d .- For all My tS'o7z,g'.x*, () /.ur,(’) Lied eines Schmiedes. (Swrgr qftz S/mi‘//) Mit einem Christgeschenk. (IV1'I‘/1 (Z C/II’/.YI‘7)1I(S (1///) BOHR, FRANCIS, Thy Will be done. Sop. (or Ten.) Db, M.-Sop. (or Bar.) C BULLARD, FREDERIC FIELD, From “ The Holy Infant.” A Sa- cred Cantata: O little Town of Bethlehem. Sop. Eb, M.-Sop. C, Cont. Ab When from the East the Wise Men came. M.-Sop. F, Bass D Jesus! Name of wondrous Love. Bar. F, M.-Sop. Ab, Cont. D The Prince of Peace. Sop. Bb, M.-Sop. G BURLEIGH, H. T., Thy Heart. M.-Sop. (or Bar.) — Two Plantation Songs for Me- dium Voice: You'll git dar in de Mornin’ Ring, my Bawnjer, ring CARTER, ERNEST, Thou lov’st me not. Medium CHADWICK, G. W., Hark! hark, my Soul. Sacred Song with Organ Acc. High or low —— Six Songs for M.-Sop. (or Bar.) (Euthanasia. The Aureole. Ad- vers i ty. The Wishing—stream. The Honeysuckle. The St'..nger- man) net ———- Three Songs for M.-Sop. (or Bar.): In my Beloved’s Eyes The Brink of Night Thou art to me COOMBS, C. W., The Gondolier. Ten. Db, Bar. Bb —— When the Birds go North again. Sop. (or Ten.) F, M.-Sop. (or Bar.) Eb DENZA, L., A Rose. High or low FREDIN, ALINE, Good Night. ' M.-Sop. (or Bar.) GETTY, ALICE, I have sought him thirty years. Medium $0-75 .60 .60 .50 -75 .60 .50 .25 .40 .40 .40 .60 '9 .60 '60 —Dorothy McGuinness. Medium .60 .40 .25 .40 I .50 .75 L00 .25 .60 .60 .60 .50 .50 .50 HOMER, SIDNEY, Four Songs. High or low: Baby's Outing Daybreak The Last Leaf The poor Man's Song — Three Songs. High or low: A Lake and a Fairy Boat Autumn It was the Time of Roses — Three Songs. High or low: A Woman's last Word My Star Prospice HUSS, HENRY HOLDEN, Home they brought her Warrior dead. Alto (or Bar.) IDLE, FRANK, Nearer, my God, to Thee. Sacred Song. Sop. (or Ten.) F, M.-Sop. (or Bar.) Eb MACK, ALBERT A., Three Songs for Medium Voice: One Summer Night (The Night- ingale) The Samisen The Hermit Thrush MADDEN, CLAUDE, Two Songs for M.-Sop. (or Bar.): A Lullaby When Love is done —— Meister Oluf. Ballade for Bar. MANCINELLI, LUIGI, Four Songs : Le Ondine (T/I!’ Zl[rr7)za1'r{.r) Arrullos. Cradle Song Berceuse. Bylow, Baby all Rosy Talisman MARKS, J. C., The Forsaken Maid. Medium MIERSCH, PAUL TH., Op. 28, M e e rt ra 11 m . (A Sea I)ream.) With Piano and Violin Obl. T Op. 29. Three Songs for Sop. (or Ten.): No. I. Marguerite “ 2. In some sad Hour “ 3. When Daylight breaks NEIDLINGER, W. H., Beloved. A Serenade. High or medium. With Acc. of Mandolin (or Violin) and Piano —— The Mercy-seat. Sacred Song for Low Voice, adapted to the Music of G. Verdi —0 Jesus, Thou art Standing. Sacred Song, adapted to the Mu- sic of Ch. Gounod. High or low —— The Rose in the Garden. High or low — They shall hunger no more. Sacred Song with Organ Acc. High or low NEVIN, ARTHUR, Auf Wieder— sehn. Sop. (or Ten.) Ab, M.-Sop. (or Bar.), F RAND, JOSEPHINE, Love’s Pass- ing. Low ROGERS, JAMES H., Two Songs for Medium Voice: La. Chanson de ma Mie. Song of my Dearest) Julia's Garden ( The .60 ~75 ’ .60 .60 .40 .50 3 .60 -75 -75 .60 -75 60 .60 -75 ~75 .50 .60 -75 .50 .60 .50 .40 .50 .50 SHELLEY, HARRY ROWE, The Name of our God. (Psalm of David LXXVI.) Sacred Song for Low Voice SPICKER, MAX, Why art thou cast down, 0 my Soul? Sacred Song. Sop. (or Ten.) Bbm., M.- gop. (or Bar.) Gm., Alto (or Bass) m. STEBBINS, G. WARING, When Love is Gone. Sop. (or Ten.) STERN, LEO, Coquette. Song. Sop. C Waltz . — A Little Thief. Sop. (or Ten.) F, M.-Sop. (or Bar.) Eb STRASENBURGH, EMILIE PUGHE, Sleepy-town. A Lul- laby. Medium WETZLER, H. H., Op. 3. Four Scottish Ballads for Baritone: No. I. Bannockburn “ 2. Killiekrankie “ 3. When I sleep I dream “ 4. Thejoyful Widower The same complete in I Volume WHITING, ARTHUR, Four Sa- cred Songs with Organ Acc. : Sweet Day. Sop. Still, still with Thee. Contralto God of the earnest Heart. Ten. When Winds are raging. Bass —— Musical Settings of the Rub.=’1i- yét (Fitzgerald's Version). Bar. net WILLEBY, CHARLES, I mind the Day. Sop. (or Ten.) Bb, M.- Sop. (or Bar.) A, Alto (or Bass) G Three Songs for Medium Voice: De ma Prison. (F7071; my P;'z'.r0n) En Avril. (In Aﬁril) L‘Heure Exquise. WOODMAN, R. HUNTINGTON, Three Sacred Songs for Low Voice with Organ Acc. : In Thee, O Lord Blessed is he Out of the Deep ?Flower Songs for Medium Voice: A Morning-glory Song The Pine: A slight Mistake The Forget-me-not The Seed’s Song ZERLETT, J. B., Two Songs for M.-Sop. (or Bar.): Op. 46. Dort auf dem Weg. (T/zere on tile Way) Op. 49. Rosetta’s Lied. setta’s Sang) (Ro- VOCAL DUETS WHITING, ARTHUR, Three Vocal Duets. Sop. and Ten., M.- Sop. and Bar. Complete Fair and Fair. (Peele) Love is Life’s End. (Spencer) Oh, there’s a. Heart for Every One. (Swain) : My Delight and thy Delight. Sop. and Ten. (T/ze flour) _ .60 -75 .40 -75 .50 .60 .50 .60 .40 .25 .40 .40 .60 .40 L00
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Date: 1884
Text: MUSIC UBRARY VASSAR COLLEGE POUGNW:'.'.-5*E. NEW vomt ””’*-rr £33 ETHELBERT NEVIN “®uniJ=3RigI)t, @uuiJ=3B1'gI)t, Jﬁeluheh!” SERENADE FOR A SOLO VOICE VVITH PIANO ACCOMPANIMENT Poem by LONGFELLOW 3 High in B Medium in G 60 Cents net NEW YORK : G. SCHIRMER BOSTON : THE BOSTON MUSIC CO. Serenade (Good-night! good-night, beloved I) ETHEVLBERT LNEVIN VOICE ' Moderate can Good-night! good — night,be—‘ sempre 1’ r. watch 0’er thee . To be near A thee, ___. /" dolce. lone is...
Show moreMUSIC UBRARY VASSAR COLLEGE POUGNW:'.'.-5*E. NEW vomt ””’*-rr £33 ETHELBERT NEVIN “®uniJ=3RigI)t, @uuiJ=3B1'gI)t, Jﬁeluheh!” SERENADE FOR A SOLO VOICE VVITH PIANO ACCOMPANIMENT Poem by LONGFELLOW 3 High in B Medium in G 60 Cents net NEW YORK : G. SCHIRMER BOSTON : THE BOSTON MUSIC CO. Serenade (Good-night! good-night, beloved I) ETHEVLBERT LNEVIN VOICE ' Moderate can Good-night! good — night,be—‘ sempre 1’ r. watch 0’er thee . To be near A thee, ___. /" dolce. lone is ~ peace . for me." Good- night! good - ﬁ0c"'0 ril. (70[7_y7'1'g/It, 1884’, by G. S('II7'rme7' Copyright Renewed, 1.912, by Mrs. Etlzelbert Nevin watch o’er thee, _ To. be near for Good night. Thine eyes ' stars of morn 52‘ e sernpre 1; Sﬂilkid peddle. crim — son flow ' Good night! G00d._ count the wear - a1'e__. stars of morn U Good night! Good... night he — lov - ed, While_. I ' rit. count ’the wea - ry hours. Good A night. At taper-time Evening b If ﬂowers could speak Leaves Morning Mother dear Priere d’arnour Speak to rnel TWO little stars What is a kiss? by SONGS Two Little Stars Modem“) Mana Zuccn Op [1 (mm the gold-an num.her. Came to earth upon a s : Sfayed there 1 . dream (n — ly s|um.ber. And he . wll - dered by the mom - 1 lng light. qpyngs-, m7. 4, a .sm.+.,.u Price, 60 cemfx, mt Speak to me! Sprich zu mir‘! Engmn and German word: by Ben Ahheimev Moderate con espreasionc Voice Speak Sp:-ich That my sweet voxca . Dass del nu Sum me zu so clean’ pen klingz Each word from pure hps Jed‘ Wort Von del-nen Lip To Capyright. 1317, by 0 Sclhrmer may reach my ear mlr drlngl Price, 60 -cents, mi Mann zum Op )!.No - » E“g'“"‘ "°"‘°“ by r. Th. Baker Allegro ‘'0 m’ Voice 11: mix” lell me (rue,w1:at is sag‘ mlr ‘null, was oes lhro’ em 3 chosunge if you do not know yourself, wenn du das nichv fiih- len kannsgzu What is a Kiss? Was ist ein K_uss? (Krusu) n kfss? is! ein Kuss, Du aapyirght, M7, by a.'sm'mu- _0_THER WORKS net Song C0//ectiorz A child’s day in boards song FM Duet Tendres aveux _75 (Soprano and baritonz) Pzkmo S0/0 Fugato humoresque .75 (On the theme of Dixie) Scene de ballet .50 Valse brillante .75 M“. luoon op. 1e,No.1 Price, 60 centy, net 3 East 43d Street T 274 Thematic list of new mug: rent on request, New York
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Date: 1885
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKE-EPSIE, NH’! '/52¢: ""“\ Worzis‘ ézjgiz /71‘. if fa/gy/1’?//02% / \ ,J, // 0\ \/\ / ":‘_ 4 /W7" » \ I ;sv , 1/ -/ l /‘ J} K‘\_(/2 2 “~\_*//// §’z/5/Mm §/5/WK/7/za/2 JXRTHUR P. §cHJ~4ID'I‘. THE WIND -MILL. Words by LONGFELLOVV. GUSTAVUS TUCKERMAN. Con spi1‘itg. VOICE.‘ vivane my tow _ ‘- er, With ﬂy gran. , ite jaws The maize, the wheat, and the ‘ APS&m493=6 Copyright 1885 byAR'rHUR ESCHMIDT 8: Co. grind theni, and...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKE-EPSIE, NH’! '/52¢: ""“\ Worzis‘ ézjgiz /71‘. if fa/gy/1’?//02% / \ ,J, // 0\ \/\ / ":‘_ 4 /W7" » \ I ;sv , 1/ -/ l /‘ J} K‘\_(/2 2 “~\_*//// §’z/5/Mm §/5/WK/7/za/2 JXRTHUR P. §cHJ~4ID'I‘. THE WIND -MILL. Words by LONGFELLOVV. GUSTAVUS TUCKERMAN. Con spi1‘itg. VOICE.‘ vivane my tow _ ‘- er, With ﬂy gran. , ite jaws The maize, the wheat, and the ‘ APS&m493=6 Copyright 1885 byAR'rHUR ESCHMIDT 8: Co. grind theni, and grind them, look down 0v- er the farms, be, har _ vesst that is to fling a _ loft mine arms , -\PSS:C0.~’293 = 6 and grind thorn in p Lie 9 rif. (sol/11 voce > In the fields of grainl The har vest that is fling a - loft _ to flour to mine arms , . know it is all for me, know it is all for me, patio ritard .__._.————«~ u [em 1’ heau‘ llle sound of flails, Far off from the threshing floors, J l)aI‘ns "with their op- en doors, Andthe wind ' _ my sails, in my sails, — Louder aml loud- er 1'o.ars, APSAM‘/0.493=6 Loud _ er and loud _ er roars. dim 9 Tit. tempo ecaresc. standhere, h in my place, With my foot on the rock be _ low. And which er way it my blow, meet it face to brave 1I1anmeets his : Wres _ ﬁle and pace ' ‘ I 0 0 calla voce 1/risolufo. Ll'S&Cn.493=6 strive, V mas- ter the mil _ ler stands, For _he knows who makes makes him lord of lands. Church-go _ ing bells XPSXM‘/0.493=G Their low, mel_0_di0us din. cross ,n_1y arms on (10091 . peace with _ And all is rd al fine. decrese. poco a co alfine APs&Co.493=6 Bruno Oscar Klein. 09. I7. Ingeborg’s Lament. Concert Aria. English version by F. W. Bancroft. l Mez. Sop. Cmin. 'c—a) Op. 42. Five Songs for Baritone or Contralto: No. 1. The Moon shines through the Forest Green. E (b—f$l) . . . No. 2. Trooper’s Morning Song. Emin. eb—-f . . . . . . . . . . . No. 3. The Siaeet May Night with Dusky Pall. G (c$——e) No. 4. At Twilight. F (c——e) . . . . No. 5. Serenade (When at Evening). Fmin. (c—eb) . . . . . . . . . Margaret Ruthven Lang. Eros. G (d-g) . . Oh what comes over the Sea? Amin. (e——t') My Lad Jacqueminot. Bb (f—g) . Ojala. Ft (ft-—ﬂ$) . . . . . . . Nameless Pain. G (e——g) . . . . Ghosts. Ab (f-—f) . . . . . . In the Twilight. E (g——e) . . . . Song of the rival Maid. D (f#—g) . Meg Merriles. Gm-in. (d—g) . . . In a Garden. (d——f) . . . . . . . Deserted. E (e-—f#) . . . . . . . A Spring Song. Emin (e~—fil). . . Op. 6. Three Songs for low voice. Chinese Song. Emin. ct--e) . . . A Bedtime Song. E ( ——d8). . . . Lament. D (d—d). . . . . . . . Op. 7. Three Songs of the Night. Night. B (d3l—g). . . . . . . . . Slumber Song. G (dll—-f) . . . . . The Harbor of Dreams. E (d#—f#) . . Three Songs of the East. Oriental Serenade. Medium voice. e e e e e e e e e 1 c n o e o u 0 e o I e e 0 e e u e o e Emin.(c-—-fill. . . . . . . .. Christmas .Lullaby. Medium voice. Fmin. (d—e) A Poet gazes on the Moon. Low voice. Cmin. (c-eb) . . . . . . . . . . Four Songs. Heliotrope. High voice. F (eb—g). Spinning Song. High voice. D(d——f#) The Sky-Ship. Medium voice. Ab (db- f) Betrayed. High voice. A min. (e—a) 1!. Elliot Lath. l.ove’s Courier. —— D ct-—e - Moorish Love Song. T) min. (a-—e) . . . . —— Emin. (b—f). Fmin. (c—g) . . .. . . W. P. P. Long-fellow. O that we two were Maying (Violin obligato). (e——g . . The Mermaiden. Cmin. (c—f). . . 'l‘he Swallow Song. Eb (bb-——f). . E. A. I'«’ia.c Dovell. Op. 34 No. 1. Menie. Dmin. .d——f) . . . No. 2. My Jean. A (e.—e) . . . . Op. 40. Six Love Songs. E..ition Schmidt * No. 19 . . . . . . . . . . . . net. M. R. Macfarlane. Sway to and fro’. F (f or g#—d) . . . . Tellherso. G(d#—g). . . . . . . . . E. P. Header. Sweetheart sigh no more. E (b—f£‘») The Robin. G (d-—g) Soft and gently through m_v soul. E (dl1—-ft) Geo. B. Nevin. The Boatswain Bold. Bar. or Bass. D (a—d) Homer A. Norris. Uradle Song (Rock-a-bye Babie). Ab (c—c) Once indroyal Da.vid’s City. Christmas. Db b——b . . . . . . . . . . . . . ( e Supplication (Oh Father, Thou dost hear us). Bb (e——f) C John Knowles Paine. Op. 40 No. 1. A girddupon a rosy bough. b — . . . . . . . No. 2. A farewell. G (d—e). . . J. 0. D. Parker. lelections from the Oratorio of St. John. lo. 1. Eye hath not seen. Contralto. F gL—d) . . . . . . . . . . . . lo.) ethnic mighty Sop. C(c-—b) u tab ~ eh (J L“’.‘:* E. W. Parker. Slumber Song. Ab (eb-—eb) . . Wedding Song. Bb g—eb) . . Goldilocks. E (d#— . . . _ Op. 14 No. 1. Love’s hase. A (e—g# . . No. 2. Night Piece to Julia. Eb( -g) No. 3. Orsames’ Song. D (d--e). . There is a land of pure delight. Sacred. Gb (c—eb) . . . . . . Rest. Sacred. Gb (db-—fb) . . . I‘. A. Porter. Op. 8. True Love. Db (eb-—gb) . . 0 Memory. G (d—e) . . Love’s Touch. Bbmin. (f-—gb) . . . In May. Db (f——gb) . . . . . . . . Earth in heavenly rest. F g-—f) . The Answered Prayer. G ( —e). . “Seven times four. G (g—-g) . . . . . . . Slumber and rest thee. Sop. Violion obli- gato. D (b—-e) . . . . . . . . . . Martin Roeder. Shall we roam, my Love. C (d-g) . . Unspoken. D (e—f# . . . . . . . . . To the Night. Bb (d-—eb). . . . . . Love’s Strivings. Gb (db—eb) . . . . . My spirit is of pensive mood. Eb (c—f or g) Op. 59. Four Songs. No.1. Dost thou know? Eb (e—f) No.2. Warning. Eb (eb——f or g) . No. 3. Confession. C (cl$—-f or g) . No.4. Cupid’s Song. F (f—f). . . Mrs. Emily 3. Roelofson. Christmas Lullaby. Cmin. (c—eb) . . . . Op. 15 No.1. The Sands 0’ Dee. Cmin. (g—eb) . . . . . . . . . . No. . Sea Shell. E (e—a) . . . No. . As through the land. Fmin. c—- . . . . . . . . . . No. . I leaned out of the Window. Amin. ( No. . From the close shut Window. C min. (c-—f) No. . Carpe Diem. Eb (eb—eb) . No. . 0 heart, my heart. G (d—g) A. Rotoli. Eveningdltest. Sacred. Sop. or Ten. in G ( —g) . . . . . . . . . . . . . . — Mez. Sop. or Bar. in F (c—f) . . . . —- Cont or Bass. D (a—d) . . . . . . . Our King. Sacred. Sop. or Ten. F‘ (f—g) . —- Mez. Sop. or Bar. D (d—e). . . . . — Cont. or Bass. C (c——d) I‘. Rudolphsen. Break, break. F (f—-g). . . . . . . Chas. Salaman. Of thee I fondly dream. Db (c—gb) Jan Saxe. Look down. Bb (d—-g) . . . . . . . Bird’s Love. F (d—f) . . . . . . . At the window. Eb (e$i—-g) . . . . L. L. Soalfe. Beyond all lights. A (e—f#). . . . . . . Exultation. Db (eb-—ab). . . . . . . . . Sidney Seymour. . Only a Song. C (ﬂl or b-e). . . My Love is gone. Dmin.(f——g) . '. At my feet. Eb (ab or c—eb). . -. Her King. F (c—g) . . . , . . Over the Mountains. D (d-—g - u u o o e e a u e o e Wilson G. Smith. . Shadow Song. A (b—a) . . . O Beauteous Maiden, Whither? G (d—a) Op. 22 No. . My Bonny Lass,'Marie. Ab eb-—g . . . . . . . . . . No. . Cradle Song. C (d—f) . . . Templeton Strong. Op. 38. Three Songs. No. 1. %hall I smile or guileful glance. (e——d No.2. Come, Ah come, my life’: do- light. Eb (eb- No. 3. Philon (While t at the Sun) E (dt-—-f) . . . . . . . Op. 10 No. No. Arthur W. '.l.'ha.yer. Clover Blossoms. Sop. or Ten. Db (db-4 b (¥b—d or f) . . . Supplication. Sop. or en. E (e-—gI) . —- Alto or Bar. Bb (bb—-d) . . . My Love. Sop. or Ten. . —AltoorBar. ).... . The Helmsman. Alto or Bar. Cmin. (g-——d) The red, red rose. Alto or Baritone. Bb bb—— . . . . . . . . . » Break,(break, break. Db (g—-eb). . . Somebody. Mez. Sop. Amin. (e——f) . Pictures in the sky. F (c—- . . . The Winds are hushed. Db (db— ab) . I know not where. Sop. Eb (d—g) . — Alto. Bb (a-—d) . The quiet moon upon —-g . . . . . . . . Only a Song. Db (db—-ab). . . . The Milkmaid. Bb (f-—f) . . . . My.Swete Swetyng. Eb (bb—eb) . Beware. A (ct-—d) . . . . . . . Go, hold white Roses. E (e—a) . Good Night. Db (eb~—ab) . . . Chas. E. Tlnney. Art thou Weary. F (c— Bird of the Wilderness. g) . . By the Sea. Contr, or Bar. Eb (bb—-eb) . The Keeper of the Keys. Bass. C (c—c). Peace I leave with you. Sacred. A (e—gb) Rock of ages. Sop. Fmin. (c——f) . . . . — Cont. Dmin. (a—d) . . . . . . . . . Vain Quest. Cont. or Bar. E (b—c8—-e) . The time I’ve lost in wooing. Eb (bb—eb) . Gustavus Tuokerman. O! that we two were maying. C (dﬁ--g) . The Windmill. Bass. Bbmin. (f--eb). . . Vinoenzo Vennini. The Floweret (Il Flore). G (cl?-—f8 or g) . Malinconia. Eb eb——f) 0! were Iblesse (S’io fossi un Angelo). Eb (l.~b—eb) Thee will I love. ([0 t’amero). Ab (eb—f) Oscar Wail. Op. 10 No. 1. In Autumn Herbstfriihling) Gmin. (d—-g . . . . . . . No.2. Spring Song (Friihlingslied). G ——b The same with Violin obligate . . . . . . Op. 11 No. 1. When the day is done(Abend- lied). G (d--f). . . . . . . No.2. Devotion (Die helle Sonue svheiut). A (e——g) . . . . No.3. Farewell (Abschied). Amin. (en Ase) No. 4. Autumn Blossoms (Die Nach- knospen). Bb (f—-a). . . . No. 5. .-\\'e hlaria C (e—g) . . . Arthur Weld. When the sere leaves fall. F (c—c) . . . Floweret barn in the Hedge row shade. Bb (d— ) . By the Bronk’s side. ' . . . . Attraction. C (e—a . . All things to-day. ( f) . . . . . Six Songs to Words by Rennell Rodd: No. I. To—. Eb (bb—eb). . . . . . Lyric. D (e-—c) . . . . . . The Daisy. G (d—g) . . . . The Sea Swallows. D (d—-eb) . Vain Dreams. Eb (eb——f). . . Love’s Reproach. E min. (e-e) Mary E. Wood. Heart's ease. F . ‘A Wild Rose Gb (e—gb). . . . A Souvenir. Cmin. (c—eb) . . . Blossoms. D (d——-ft) . coo Courtship. G (c—d) . . How many times do I love. Eb (eb——eb) . MargeryDa.w.A My Own. E (e--g) . . . What would you bu ? Ab (g-—eb) . . . . That sweet day in une. Eb (f——g) . . . The turn of the Tide. D (a—-(I). . . $%§i‘:°~%-"3-‘:3’ 2883382
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Date: 1886
Text: MUSIC Lnammv VASSAR COLLEGE poucuxazvsnz. uzw vonu N‘? I. N92. N93. N94. N95. N96. N97. THE QUIET MOON UPON THE CLOUDS... 40.Cts. ONLY A ,, THE ,, MY SWETE SWETYNG ............................ ..25 ,, BEWARE ............................................. .I%,....25 ,, GO, HOLD WHITE ROSES ....................... .. 25 ., GOOD NIGHT ................................................. ..4O ,, J!) BOSTON: ARTHUR PSCHMIDT & C‘? 13 and 15 West Street. % Copy//ig/it /o°d’c2"/4//ﬁzz/’ﬂ Sc&...
Show moreMUSIC Lnammv VASSAR COLLEGE poucuxazvsnz. uzw vonu N‘? I. N92. N93. N94. N95. N96. N97. THE QUIET MOON UPON THE CLOUDS... 40.Cts. ONLY A ,, THE ,, MY SWETE SWETYNG ............................ ..25 ,, BEWARE ............................................. .I%,....25 ,, GO, HOLD WHITE ROSES ....................... .. 25 ., GOOD NIGHT ................................................. ..4O ,, J!) BOSTON: ARTHUR PSCHMIDT & C‘? 13 and 15 West Street. % Copy//ig/it /o°d’c2"/4//ﬁzz/’ﬂ Sc&272z‘([z‘ 45 C’? BEWARE! Trans. from the German by Music by H.W LONGFELLOW. , ARTHUR W. THAYER. Allegretto Vivace. > 1. know a maid-en 2. She__ has two eyes, so I 3. And_ she has hair of a 4. She gives thee a gar-land Pg.‘ L 1 [ill I MA A 0 H’ C I 7 V -‘I P care! She-o__gives a side — glzulce cure! And_What she says, it care! It_._ is a foo1’s cap for- {T I a‘ care! She__can both false and Copyright 1886 Arthur P. Schmidt Jr C0. A3 5.é,.C0_95-7 ' friend—1y be,_ Trust _her and looks down, Trust her is not true, Trust her thee to wear, Trust her f0olV— ing . ' fool - ing fool- ing . fool — ing fool — lug . fool — ing fool - ing . . i ' ‘ fool — ing -4:4 I . . o Be.— — ware! Be — — Ware! Be — — ware! Be — — Ware! :1 I87/{[10 AP S.‘5rCo.967 CATALOGUE OF NEW MUSIC- PUBLISHED BY ARTHUR P. SCHMIDT &CQ.13 and 15 West St. BOSTON. ‘Iv Vocal. Songs. A. .., E. I. Serenade . . . . . Mulevnkl, ‘I’. Love’s Simile . . . -—- Faded Roses. . . . . . . . . Adams, 6. R. The Bedouin Song (Bass) Apmdoc, W. I thought you loved me. —- Only a ‘Face at the Window (Con- tralto or Barit.) . . . . . . . B...;|l.W. Maysong . . . . . . Bach, l. 8. If thou thy heart butowest (Willst du dein Herz mir schenlren) Boon, F. In the Cathedral . . . . -—- Cradle Song . . . . . . . — Flowers of our Spring . . . . . —~ The Sunset Light. Barcarole . Bracken, F. l. Margery . . . . —— The Letter . . . . . . Brown, I). B. 3 Sacred Songs. No. 1. Ohthatthouhadst hearkened No.2. What are these which are arrayed. . . . . . . . . . No. 3. Therefore the Redeemed of theLord . . . . ._. . . Brown, l. L. Clear and Cool . . . . lllmlwlclx, G. W. The Miller’s Daughter — Op. 8. Three Love Songs. No. 1. Rose Guerdon. . No.2. Serenade . , . . . No. 3. Before the Daw . — Three little Songs. No.1. Request . . . . . No.2. Gay little Dandelion . . . No. 3. Thou art so like a Flower . Clrlllo, V. The murmuring Wind . -—- Oh than who drylst the mourners tears............ — Ah why my Love (Soprano or Tenor)........... Eevrlu, Ilrry. The old Abbey Bell. Song for Bass . . . . . . . . — Lullaby. Song for Soprano . — Despair. Song for Tenor Dans, Arlll. Six Sacred Songs. No. 1. Inspirer and 1-Iearer of Prayer (Contralto or Bass) . . . . . No. 2. My Shepherd will supply my Need (Sopr. or Ten. . . . . . 0.3. There is an Eye that never sleeps (Sopr. or Ten. . . . . No.4. In heavenly Love abiding (Sopr. or Ten.) . . . . . . . No.5. Come said Jesus (Sopr. or Ten.)........... No. 6. Now and afterward (Sopr. or Ten.z...... Dru, Ilene III. At Last . —AtRest — Ave Maria (Tenor or Soprano) — Beside the Summer ea (Mezzo Soprano or Contralto) . . . . . -— Bird was singing clear one day. Ballad........... —— It was a Knight of Aragon (Bari- tone or Bass . 0 heart my heart . . . . . . O Salutaris (Contralto) . . . . . Salve Regina No.2 (Mezzo Soprano) Up to her Chamber Window . . Whether the World go up or down Three Songs. No. 1. The Blackbird sings in the Hazslbush . . . . . . . . . No. 2. Where go you pretty Maggie No. 3. Somebody watches and waits foryou..,........ —— Edenland. Duet for Soprano and Tenor........... Dvorllt, A. Language of the Flowers . Emery, 3. A. Op. 19. Good Night. Alto Song......... — Op. 28. 2 Soprano Songs. evening Twilight — 0p.24. No. 2. Naebody . —— 011.36. Skating Song . . -—- Op. 22. Home Songs. No. 1. Where are the Eyes of the lovely one . . . . . . . . . No. 2. Sleep, Baby, sleep . . . . No. 3. Nae shoon to hide her ting tees —- Op.30. Two Alto Songs. No. 1. 0 Love, my Willie . . No.2. Little bud Dandelion . . . -— Op. 31. Spray leaps high on the jut- ting Crag for Soprano. C min. -— The same for Contralto. A min. . Feueudcn, W. II. My gentle Mary (Tenor or Soprano) . . . . . . . . Fools, Arthur. Go, lovely Bose . . . - W'hen Icicles hang by the Wall. LowVoice Ford, C. II. _No love for naught — Tit for Tat (Tenor) . . . Frank, J. W. Wait thou still. Edited by Gr.l'-Ienschel. . . . . . . . . Grndvlell, A. Ave Maria for Sopr. or Ten. llssclll, W. F. 5 Songs. No. 1. Unto Death . . . No. 2. Kyrie Eleison . . . No. 3. A Grreyport Legend No.4. The Bells of Lynn . . No.5. Under the Guns (Bass) learnt, Rlcllrd. Binding Sheaves Iuscllel, Guam. Come away, come away, Death. (The Clown’s Song from Shakespeare’: Twelfth Night) . — My Sweetheart . . . - To my Turtle Dove. Folks Song V — Bird in you Forest — Consolation ' ' ' — Spanish Serenade. For Sopr. or Ten. — The same f. Contralto or Barit. in D —— Three Songs from Kingsley’s Water- babies. No.1. The Brook sings: Clear and coo . . . . . . . . . . . No. 2. When all the World is young, La . . . . . . . . . . . No. 3. I once had a sweet little Doll, Dears........... lenses, 8. L Phantom Isle . . . . ﬂood, lhlen F. Four Songs. No. 1. Shepherdess No.8. A Disappointment No. 3. The Convert . . No.4. The Violet . . . . . . . flows. 1. ll. 4 Sacred Songs f. Contralto or Bass. No. 1. In heavenly Love abiding . No.2. He is thy Lord . . . . . No. 3. His Love is merlasting . No. 4. Glory to Thee. Evening Hymn — Four Songs with Violin or Violon- cello obligate. Op. 8. No. 1. A Day in the Woods . No.2. A Night in the Woods No. 3. The Cricket . . . . No.4. Summer Song . . . . . . hello, 8. ll. Art thou weary, art thou languid. Oﬁertory . . . . . . . — Jennle’s Wooin’. A Scotch Ballad — The Moorish Love Song . . —The Sunbeam . . . . . . . . Johns, clayton. Farewell oh dream of m e . . . . . . . . . . . . Kennedy, Welter. Whether my heart be gladorno......... Knox, J. B. Absence. Romanna. . . —— Bugle Song with Cornet ad lib. -—- The merry Lark was up and singing Kolcllll, 1'. Dance on the Green . . . —Forsaken . . . . . . . . . . —- Heart Sorrow — Peasants Love . . . . . . . . Lsmn, E. Songs. Adapted and edited by L. C. Elsan. . 1. I wander ’mid the Flowers (Soprano) . . . . . .1bis. The same (Contralto). . .2. It was a Dream (Contralto). .2bis. The same (Soprano) . , . .3. My Heart is like the sable Night (Contralto) . . . . 4. Whither ohBird so fast P (So- prano)........ . 5. With thy blueEyes(Contralto) .5bis. The same (Soprano) . .6. Past! (Contralto) . . . No No No No No No.3bis. The same (Soprano) . . No No No No No. 7. At Night (Mezzo Soprano) . No.8. Moonlight (Mezzo Soprano) No.9. Farewell (Mezzo Soprano) . No.10. Serenade (Soprano) . . . Lnvm, W. J. D. My love will return to me . . . . . . . . . . . Lulle, Ernest. Year after year. Love ong . . . . . . . . . . . . Lulle, Herbert. Dear heart good night. Ballad for Soprano or Tenor . . — Left Alone. Ballad for Cuntralto or Baritone . . . . . . . . . — Oh Rest thee my Babe. Lullaby for Contralto . . . . . . . . Loewe. lllrl. Henry the Fowler. Sung by Georg Henschel . . . . . Lucchul, R. A. To Thee (A Te) . . . Hinton, B. W. The Beat of my Lover (Contralto or Mezzo Soprano) . . — Cavaliers Song . . . . . — Days are long (Contralto) — Don’t Forget . . . . . — Douglas my Douglas — Oh heart of my heart —- Lonely . . . . . . — Milkmaidls Song . . . . . . . — Morning Star (Romanza for Tenor or Soprano . . . . . . . . . — The old clock on the stairs . — Promise . . . . . . . . . . -—- Waiting by the Hedges (Tenor or Soprano) . — My God and .Fa.ther.‘Saer.ed-Song. —. 30 —. 25 rllcndoluolnn. Ah ifl were s bee (Spring Son . . layer. As thy wavlring footsteps . llapravnik, E. Cossack Cradle Song . llslnn, Beppo. Cradle Hymn ofthe Virgin (Latin and Engl.) . . . . . lorrls, lloncr A. Cradle Song . Plies, 1. K. Op. 40. Four Songs. No. 1. A Bird upon 5 rosy Bough No.2. A Farewell. . . . . . . No. 3. Beneath the starry Arch . ,. No.4. Music when soft Voices die Parker, l. W. Slumber Song . . . . — Wedding Song . . . . . . . . — Goldilocks . . . . . . . . . lluleclzl. lllgs v. The Sea hath its Pearls Illtier, G. P. In Maytime . . . . . . Rogers, Clare K. Six Songs 1‘. Sopr. or . She never told her Love . The Clover Blossoms . . . The Yearls at the Spring . At Break of Day . . . . The Rose and the Lily . Nothing. . . . . . . . Six Songs. .AMatch. . . . . . Confession . . . . . . Mona (Mezzo Soprano) .Rhapsody . . . . . . . . What does the little one see down there (Mezzo Soprano) .Sprin......... Enlly 9. Op. l5. New Songs. 1. The Sands O’Dee . . . . .Seashell. . . . . . . As through the Land . . . I leaned out of the Window . . From the close shut Window No.6. Carpe Diem. . . . . . No.7. 0 Heart my Heart . — Christmas Lullaby . . . . . . Snlslnan, Charles. Of thee I fondly drezun Stalls, L. L. Beyond all lights . . —— Exultation. . . . . . . . Scinsluluann, Louis. Op. 23. No.1. Upon the vast wide Ocean (Die helle Sonne leuchtet) . No. 2. Spring Song (Grruss) . . . No. 3. The Fisher Lad (Der Fischer- knabe).......... No.4. The Tear (Die Thrfine) . Skelly, .l. P. Our loved ones far away. Song and Chorus . . . . . . . Snllll, Wilson 9. A. Op. 10. Two Songs for Sopr. or Tenor. No. 1. Shadow Song . . . . . . No. 2. O beauteous Maiden, whither? Sirscllausr, lltrlnann. The Sa.ilor’s Return (Baritone or Contralto) . . . . strong, Amalie, Dietrich. Here under the Linden........... llllllnn, Illa. Last Adieu . . . . . Vsnnlnl, Vlncenro. The ﬂoweret (I1 ﬁore) — Malinconia. Romanza . . . . . — S’io fossi un Angelo (Oh were I blest above) Mezzo Soprano or Baritone — Thee will I love (Jo t'amero) . — In our boat . — Our own —- Reconciliation —-SpringSong......... WIII, Oscar. Autumn Blossoms (Nach~ ria . . . . . . . . . -—- Devotion (Die helle Sonne scheint) — Farewell (Abschied) . . . . . . -—- When the day is done (Abendlied) Wilson, .I. ll. How it came about . — Lullaby (Sleep, sleep) . . . . . Wlsler, ll. Arabian Love Song for Barit. or Contralto . . . . . . . . Wooll, B. E. Courtship (Contralto). — Margery Daw. Ballad. . . . . —- The Turn of the Tide (Contralto) — That sweet Day in June . . . . -—- How many atime do I love thee dear Studies. Florlmo, F. 14Vocal Studies. Arranged by Chas. B. Haydn . . . . nett lone, Fr. E. 1.’) Exercises for Medium oice . . . . . . . . . . . Four Part Songs. 41) Male Voices. AM, F. Happiness in wait (with Sopr. Solo............ Atlenlwier, 8. Springs Warning . Brown, 0. B. Bugle Song . Blmlwlck. Margarita . —— Reiterlied . . . Ts;-~>:enss.§.———~ llltlyllclt. The Vickings last Voyage C —.50l - (Male Chorus, Baritone Solo and —. 35 m. so —. 50 _l _| _l J _| .3 _: .1 ,1 .1 J .1 Orchester) Piano Score — Song of the Viking . , Ultla, l. W. The Reamer . . . llanaclicl, B. To my Turtle Dove Kmlm. Cruel Cuckoo . . . . — The Lovers . . . . . . . Iimuer. E. Two Starlets . . . . . Pulse, 1. K. Oedipus Tyrannus of So- phocles (Male Chorus and Orchester) Piano Score . . . . . . . . . -—- Op. 37. Phoebus, arise (Ten. Solo, Male Chorus and Orch.) . . . . Vlllxn, II. V. . nett The Jolly Musician 6) Female Voices. Brown, 0. B. 0 Lord be merciful (Motet) — Winter Song . . . . . . . . liharlwlck, G. W. Op.9. Spring Song . Down, 8. I. Jubilate Deo . . . . Emery, 3. A. The night has a thousand yes . . . . . . . . . . . . lletion. Ballade of the Weaver . lllller, F. Cradle Song . . . . — Evening in the Vale . -—- Morning Song . . . — My Polly Wog (Trio) . llollmnn, G. The Nightingale . Movie, I. II. The Lark now leaves . Isrcelln. J ehovahls Power and Majesty ( rio) . . . . . . . . Holley. Song of the Triton lllnne, R. In Autumn . . . om. Sparrows Twitter . . . . . Peurtt, ll. Thou art so like a ﬂower. — Day«bree.k. . . . . . . . . . Phillpp, G. Greeting . . . -— Little blue eyed Flower Rittsr, G. P. In Maytime . . . sﬁdennann. A Wedding March . St. Saint. Ave Verum . . . . Snack, 6. F. Birdls Message . . . . Tauiel, 1. Sunshine follows the Rain . — Little blue eyed ﬂower . . c) Mixed Voices. Brown, D. 3. Two sacred Tries f. Sopr., Ten. and Bass. No. 1. I will lay me down . . . No. 2. The Lord will comfort Zion —— Op. 8. 2 Anthems f. Church Service. No. 1. Whose dwelleth in the secret Place . . . . . . . . . No.2. Unto thee, 0 Lord . . . Capen, I3. L. 0 Wedding Guest. Hymn from the Ancient Mariner . . . Glnstlwlclr, G. W. Op.6. Three Anthems for Church Service. No. 1. Praise the Lord (Benedic, amma men . . . . . . . No.2. Blessed be the Lord (Bene- di us . . . . . . . , . No. 3. 0 thou that hearest (Hymn) Glrlllo, Vlncsnzo. 0 salutaris hostia Dans, liessliaw. As when the weary trav- eller gains . . . . . . . . . Dunlum, II. I. Hymn Music. Bbooks es. — Oh tell me thou life and delight ofmysoul......... Fenullosa. Under the greenwood tree Ford. Charles II. Te deum laudamus inBﬂa.t.......... -—- Christmas Carol (Soprano Solo, Chorus with Organ Zlbbulupﬂllllllﬁﬂt) llascall, W. F. Guide me o thou great Jehovah llolnlann, ll. Salve Regina . lioml, Helen. The Robin . . . . liuwe, 1. ll. Blessing, Honor, Glory . Knox, l. 0. Sleep! Holy Babel Christ- mas Carol . . . . . . . . . — Blessed be the Man that provideth —— Give Aims of thy Goods . . . . - Be merciful after thy Power -— 0 pray for the Peace of Jerusalem. Anthem for Barit. Solo and Chorus. -—- Te Deum Lnudamus in C . . . ~—— Benedictus in C . . . — Hymns and Responses . . lanigan, R. W. Asperges me . . . . Merston,G.W. Venite exultenius (0 come letus sing) . . . . . . . . . — How beautiful on the Mountain —— I will arise and go to my Father llllver, Ben. E. A shout of mighty triumph. Christmas Carol . . . Pslne, J. |(. The Realm oi‘Fancy. Chorus, Soli and Orchestra . . . . . . — Op. 38. The Nativity . . . . . . Tlayer, Eugene. Immanuel (Bass Solo and Chorus) . . . '. . . . . . — Sweet Day of Rest (Tenor Solo and Chorus)........... tllmsn, lug. Waken Christian Children. A Carol for Christmas . . . . . Whitney, 3. 3. Deus Misereatur (E ﬂat) Wlllls, Richard Siam. Christmas Carol
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Date: 1887
Text: '78 L36 Al ,% No.| IN. D FLAT V’! % some Wonos BY H.W.LONGFELLOW Mus}uc BY C.VV.CHADW|CK COPYRIGHT PRICE 2/- NET. ELKI N &Co.L-ro.8&|0 BEAKST. REGENT ST. LONDON. BOSTONZARTHURP SCHMIDT COPYRIGHT NDCCCLXXXVII BYARTHUR RSCHMIDT LC? ALLAH. Allah gives light in darkness, Allah gives rest in pain, Cheeks that are white with weeping, Allah paints red again. The flowers and the blossoms wither, Years Vanish with flying feet, But my heart will live on for ever, That here in sadness beat....
Show more'78 L36 Al ,% No.| IN. D FLAT V’! % some Wonos BY H.W.LONGFELLOW Mus}uc BY C.VV.CHADW|CK COPYRIGHT PRICE 2/- NET. ELKI N &Co.L-ro.8&|0 BEAKST. REGENT ST. LONDON. BOSTONZARTHURP SCHMIDT COPYRIGHT NDCCCLXXXVII BYARTHUR RSCHMIDT LC? ALLAH. Allah gives light in darkness, Allah gives rest in pain, Cheeks that are white with weeping, Allah paints red again. The flowers and the blossoms wither, Years Vanish with flying feet, But my heart will live on for ever, That here in sadness beat. Gladly to Allah’s dwelling, Yonder would I take flight, There will the darkness Vanish, There will my eyes have light. II. U’. L ONG FELLO IV E. 83' C9 178 179 Words by Music by H.W. LONGFELLOVV. G. W. CHADWICK. Serioso. V/"OICE. A1 — lah gives light dark- ness, A1 — lah gives rest in Cheeks that are white with >weep - ing, A1 - 1a.h paints red__ at — gain. Theflowersand the b1os- soms /gj Copyright MDCCCLXXXVH by Arthur P, Schmidt & C? E. 8; 00179 van-ish with fly - ing (‘S NZWZ . But my heart will live on for That here in sad-ness $.89 C9179 - 1y to Allahs dwell - ' — derwould Itake 7% . will the darkness van rzz‘. ,—\ will my eyes have light. 15.8: 09179 VRIL SCOTT. on New Songs. Op. 24 Op. 36 No. 1 Op. 36 No. 2 1. Voices of Vision. 2. Willows G (D to and B flat E flat (B flat to E flat) and F F (C to D) and G F (C to E) and A flat D (B to E) and E D (D to D) and E D (B to F) and F Two Poems A Valediction Sorrow My Captain Op. 38 A Gift of Silence . Op. 43 No. 1 Don't Come in Sir, Please! Op. 43 No. 2 The White Knight Op. 43 No. 3 A Reﬂection Op. 43 No. 4 Price each 2/- net. if?/% 4 New Pianoforte Scherzo Solitude Vesperale Chimes Impromptu Lotus Land Columbine Op Op Op Op “ That MR. CYRIL SCOTT is a musician of very great attainment already there can be no doubt, nor can there be any fear that he will soon rise to greater heights than at present perhaps even he has dreamed of. . . . . MR. CYRIL SCOTT is a composer who is already forcing his way to the front.”——The Times. “ MR. CYRIL SCOTT is a talented and enthusiastic musician of the most modern school, fully equipped with the knowledge necessary to the well-being of a first-rate com- poser, and without doubt his works will have to be reckoned with in the near future.”——Musical Times. ' “ MR. CYRIL SCOTT’S music is fresh and pleasing, and the writing shows no sign of effort."~—Daily Telegraph. “ MR. CYRIL SCOTT is a very clever young com- poser.”———Daz'ly News. “ MR. CYRIL SCOTT is a composer who has most assuredly travelled far along the pathway that leads to the laurel wreath.”——Pall Mall Gazette. “ MR. CYRIL SCOTT was last night enthusiastically hailed as a future star.”—Daily Express. “ MR. CYRIL SCOTT has already succeded in making us look forward with keen interest to the future develop- ment of his powers."—Lz"verpool Daily Post. Op. 25 40 No. 1 40 No. 2 40 No. .41 47 No. 1 . 47 No. Music. “ MR. CYRIL SCOTT evidently has a ﬂow of graceful melody, and he knows how to treat it.”—Mcmchester Courier. “ MR. CYRIL SCOTT is regarded by many connois- seurs as a coming man."——Yorkshire Post. “ MR. CYRIL SCOTT has leapt suddenly on to our musical platform and presented quite a new phase of English music, which the educated public has hailed with delight.”—— Musical Standard. “MR. CYRIL SCOTT a young English composer, whose works have lately been a good deal talked of."—— _Westminster Gazette. “ The name of MR. CYRIL SCOTT ought to become well«known among the names of English composers.”——- Bir711inglzam Gazette. “ The name of MR. CYRIL SCOTT has begun to find its way into London concert programmes, and the sooner it becomes more familiar the better."——The World. ‘ “My Captain’," words by VValt Whitman,is a big song, immensely strong and absolutely convincing. MR. SCOTT has a perfect grip over his subject, and never slips for a moment from his straight line. As a piece of music, as a big song, full of vigour and fire, ‘My Captain’ is superb.”—The Rapid Review. ELKIN & co’., Ltd.,i Music Tublishers, 8 &t 10 BEAK STREET, REGENT STREET, LONDON, W. AND OF ALL MUSIC SELLERS IN THE UNITED KINGDOM AND THE COLONIES. vv ’,’, .. Compositions by E 83 5% 33 ea Edward MacDowell. @‘7@V@.“7/£:i‘°’m@"m@V@V@i‘7@V@%"&V&‘7@"QAVQVQVQVQVQVQVQ‘A‘"®V:2§’ﬂZ3i"®Vm 7@’°QV@V@.""@V®“7@7&V@“7@;V@QVQVQVQVQVQVQVQVQVQVQVQVAVQVQVQVQV SONGS. _ Twelve Studies, Op. 39. , Book 1. Hunting Song, Allzi ’l‘alr;ilrit.e|laJ, TWO Old Songs, OD‘ 9 Roiiizmce, Aralieske, In the l“l'.II‘t¢SL, N0v1v D9S‘3“3‘3d * , Dance of tho Gnonios . . . . . , ‘ , ; Db and l*.b,. N0. 3. Slumbﬁf 300% Book 2. ldyl, Shadow Dance, Intermo/mi, Two Songs, Op. 34 Melody, Sohorzino, I-Iungarian . . . No.1. 1Vlenie- - - - « - « - - - « Detached Pieces, from Op. No. 2. My Jean. . . . . . . . . . « Ni, Hunting 3”,“ Six Love Songs, Op. 40 . . _ . . . . .' No. Allii Taranm-ll.:i No. . Sweet Blue-Eyed Maid No. Romance . No. . Siveetlieart tell Me No. Arabeske . No. . Thy Beaming Eyes No In the Forest . . No. . For Sweet Love‘s Saki: No Dance of the Glmrnes No. O Lovely Rose No. liiyl. . . No. . I ask but this No Shadow Damon Thy Beaming Eyes (separately, D. No. 9. 1llll(>‘FlllPZZO . E17, F and G) . . , . No.10. Melody . Two Songs, from Op '40 E3 isicliemino. No.1 0 Lovely Rose ““8"“”‘“1 - - No. 2. Sweetheart. tell Me ' ' Woodland Sketch;/s, Up. 51 . . . . To a. Wild‘ R. 5‘. ll o’tleWi‘ , Ata, Four Songs’ Op’ 56' V . V ‘ _ Old Try;5t,irigOl’l‘:'i.ce,,lln Allll.llll’ll'l,b}€'l‘OITl all H'l~3j1 “T 14"“ V“1"‘* - - "‘“'h lnriiaii lmdgri, To at, Wriner llily, From No.1. Long ago. Sweetheart. Mine Uimle Remus-, A llesertod Fﬂ.l”II‘I, By .'I No. 2 The Swan bent. low to tho Lily ‘Mon.duw Brook, Told at Suiisob. No.3. A Maid sings light Sea Pieces, Op 55. . . .‘ . . . . No.4. As tlieGloamingSha.dows«sleep. T0 the 539% FTUHI 3 VV*"”d‘«““"E§ J°9h0I‘{1. . . » ‘ , . l A D 16:30. Sla.i‘light.,Si\ng. l*'rrim l.l‘lCl)(‘[!lill.\‘, A Maid sings light (separately. D 6!. P). Nlmmusy In Mid Oman Three S°“g57 09* 58 ' ‘ ' S ' ‘ Third Sonata, (Norse) Op. 57 . N0‘ C""St.’a’“ey Fourth Sonata, (Keltin) op 59 N“ =~ S“““3e , y _ Fireside Tales, Op, 61 . . . . . . . . N0. 3. MWTY Malden Spring All Old Love Story, oi‘ Hr.» Rn.liluit., From Merry Maiden Springmeparzillely D&F'i = a Gr‘.l.‘|'llilll Forest. Oi’ HIl.l.‘llll.’llltl‘(‘r‘.\“ A Three Songs’ Op’ 60. ‘ _ ‘ A ; Haunted House. By bln«llllClt)l'll'lg lumber». N,,_1_ Tyrant Love New England ldyls, O;».82 _ ._ . . N” 3 T" the Gmde“ R"‘i liidiuri ldy/l. In an Old '\Vhll,G Piiie, Frorn l'iiril:m l)a_ys, Froin zi Log Cabin. The s-._..., Joy of Aiitiimn. PIANOFORTE SOLOS. PIANOFORTE DUET- Etude de Concert in F sharp on 36 . ‘S! Suite (A””’”gem‘ 0"‘ 42 ' Les Orientales. ——W Three pieces for Piano, Up. 37. No.1. ClELl1' de Lune . . . . . I“ Suite, for Full ll['(‘ll(’Sl.l'8., Op. 42 No. 2. Dans le llzmizic . . . . . , ‘ Or.-liostral Score . . . . . . . 8 No 3. llzinsa Andalousi-. . . . Ur(:licstra.l Parts . . . . . . . . . 24 AV@f“?" .7‘ T‘ S” 9“ F‘ 95 P3 E‘ 4; l:o'.\“;p—-i—-I "L‘2KfLr—*CC'-‘LL .. . .. . “:’”’*~@*Wé-@FV:AfV*-V%3f-*-V?AW;A?*f~? “7?*=@%>?%@@?A@#V4?%Ve?éVe?4?§??4VA@4V V . .“.,. .,;,‘ .,. London: ELKI N &- Co. Ltd., 8& I0 Beak Street, Regenfstreet, W. And of all Musicsellers in the United Kingdom and the Colonies. AWA@§@A@@A@é@A@A@A@AWAWAWAQWAE V _ __ _;_____________._.___._H_.______A__.- ___.. .. _ ~ @AA@AWAWA@AWAWA@A@A@A@AWWQWWEAWAWAWAWQAWAQWAWAWAWAWAWAWAWAWAW > W‘ 0 V 4 4 we ‘6" '3 '“6‘*4"'*% I 4 4 4 4 4 4 4 4 4 4 4 . 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 0' 4 v. v. 2 -v. *2 +. ‘C a .' *3 +. *1‘ -6 o’ .2 6 <2 6“ ~». 0' 1 <2" *2 ->1 4 4 O O O O 4 ‘. ‘T 6’ ‘. a 45 *5 4: 4 ‘. d". *. 4. 4 *L if 4 ->' J 4 4 4 4 4. 2 ". O‘ J 1*". 4 *1 -5 4 4 4 4 4 4 4 1' ELKIN & Co’s Songs? by Popular Composers. ———<—~$————— Words and Music by ROBERT EDEN. Mo derato. polco mll. .11 fmf: I I 4' " I 1 I ‘ 1 A ' I I I u a 1 1 I I I I l I I l I I: ‘J F ‘J I I 4 I . I .1 I l 4:41 .I 11. I I T - v ,1 . v . I Irv V 11- _I I u I 11 V? Come, let us sing a song of glad_ness,Let us call the whole year May; C0me,let us ban_ish time and sIId.m:ss,Let us live but for to day! Copyright MCMIII by Elkiu & 0‘! Ltd. In two keys C (B to F) and EL. Words by ERNEST DOWSON. SORROW-~ Music by CYRIL Very slowly with simple pathos. . 11 l ml’ . . H II) 51 L l\ K I I L I I7 - ' K K - k l N CA I\ I I I I l\ I) I I\ l I F V II J I A A A I I I I J I’ I I I I A ‘I I T " V " I H C V I I I’! =I C V I It Ex _ cued _ing sor _ row Con . sum- eth my sad heart! Be_cause to - mor _ row Copyright MCMIV by Elkin & C? Ltd. In two keys 111- (BI to Eb) and F. MORNING DREAMS. Words by F. E. WEATHERLY. Music by L. DENzA_ 1! lg I L I IIII/In ‘F1 1 II 1 I I . 111.11 11 In In 11 1 I I L V .11 AJ v A I A I J. v I vL v I v 5 5 v r v‘ . . I I -' ' .- I’ I’ I I I Under the white cliffs gleam . ing, Down by the roll _ ing sea, Watch_ing the ships and dream _ ' Thats where long to Copyright MGMV by Elkin & 09 In two key El» (Bl: to E5) and F. THE MESSAGE OF HOPE. Words by E. TESCHEMACHER. Music by G. AITKEN. Slovfyly and very marked. . . I I Lift up your eyes though griefszmdsorrows meet thee, Lift up your hearts thoughdarkc-.n’Il be the way, E2Irth’s11ightshu.ll pzIss__ Copyright MCMIII by Elkin & 0‘? Ltd. I11 three keys D (B to D) F and G. With Organ or HII.rmuI1iun1 ad lib. REMEMBRANCE. Words by NELLIE FIELDING. Music by ETHEL BARNS. 1! I1 L ' _1 lkd Irv I1 I .4. C V’ I ' 7 All lovely things remind me love ' ' : 'l‘heprimr<Ise grow. ing by the qI1i_e:t " . Thegoldmn gorse up _ on the Ilis_t.'I11t hill. Gopyright MCMIII by Elkin & C‘? LL11. III two keys F (U to E) and Al». ‘ I _ _ WHEN I GAZE ON A ROSE. .. . . Words by I«..TEsc11I«.-MACHLR. Music by 11. TROTERIL. Andante moderate. _ # I III [ I i\ l A f -2 A I I 1\ I R I.I_u I1 - I | 11 F I 1 L . I - n 11 - VII/I J P I I An I I I I‘ R do AEI l 4' Pl I -x v V 1 /1 V I I g '1" W V V 1 4‘. I J l A‘ F U] n 11 J V 51 V 11 4} J l 4“ -J V V 4 W When I gaze on ‘ rose, I see HI lit _ tle ' . Dim_pled chin, 1zIugh-iI1g \‘y(‘S, in-s0me grace. .When my Copyright MCMIII by Elkin. & C‘! U11. II1 three keys ELI“ (C to 1*‘) and Ala. Words by GUNBY HADATH. A Music by J. M._CAPEL. Con molto animato -S 6,650 f\ /2_f__.T K‘ S ‘T A ..- / L I I . I A x x I I L 1 n: 1 I 1 ‘ritzy’:/Tn. I‘ I NJI K r I lIl-- I I I 1\'1 HI I i :41 I 1\ I III I L. I ' I O , i V — .n r v T, V 7 7 . v.” - ‘I T L./ \/ Come,who’llIlri\'eII. bar_I,r:Iin -I ' sell... Pri_thee 2111‘ ye‘d have it will ye treat it well? Bid the cri. er cry it, Copyright MGMIV by Elkin & cu» Ltd. In two keys 0 (C to E) and El». SHONE THE SUN YESTERDAY? Words by R.H.ELKIN. Music by REGINALD SOMERVILLE. 175/’ T] C A Sm-11:.-the sun yes_tor_Ilay Were the skies blue‘? Sang a thrush on the spray ht‘iL.Vy with II 7 1 l\ K A A 1 A I ll ll l\ R - ‘ A - I - F 1 A .1 II II 11 1' n I v v 1/ u 7 V 7 3 Copyright MCMIII ll_\’ I-::1ImI & L29 1111. In two keys El: (D II) F) and 1‘. Price 2/- net each. London: ELKIN & C9 Ltfi 8 &1O Beak Street, Regent Street. W’. Adwmsemem M13. And of all Musicsellers in the United Kingdom and the Colonies.
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Date: 1887
Text: iX- y~livnr Ditsnn-Dn..Bastnn« SONGS BY_ Il1elDertNev1n. BED TIME Sons. HighVoice in Ab. CRADLE Sons. HighVoice in Ab. MediumVoice Sn F. I Once HAD A Swan LITTLE DoLL,DcARs. High Voice V in Al). MediumVoice in F. MILKMAID3 Sous. HighVoice in G. MediumVoice in E. STARS OLIHLSUMMER NIGHT. HighVoice in E. Low Voice in C. “.5? WHEN ALLTHE Womo Is Youms, LAD. Medium Voice in A. Low Voice in G. pmce 509 EACH. HIGH VOICE IN ONEVOLUME, at 1.25. MEDIUM VOICE IN ONE VOLUME, $ I.Z5. LowVoicein E b....
Show moreiX- y~livnr Ditsnn-Dn..Bastnn« SONGS BY_ Il1elDertNev1n. BED TIME Sons. HighVoice in Ab. CRADLE Sons. HighVoice in Ab. MediumVoice Sn F. I Once HAD A Swan LITTLE DoLL,DcARs. High Voice V in Al). MediumVoice in F. MILKMAID3 Sous. HighVoice in G. MediumVoice in E. STARS OLIHLSUMMER NIGHT. HighVoice in E. Low Voice in C. “.5? WHEN ALLTHE Womo Is Youms, LAD. Medium Voice in A. Low Voice in G. pmce 509 EACH. HIGH VOICE IN ONEVOLUME, at 1.25. MEDIUM VOICE IN ONE VOLUME, $ I.Z5. LowVoicein E b. MediumVoice in F. OLIVER Drrson COMPANY. BOSTON. IUIIC uuww VAQAR OOLLEGE STARS OF THE SUMMER NIGHT (0r2'g7'71al1K’ey,/V) HENRY W. LONGFELLOW ETHELBERT NEVIN Moderato. zure steep, Copyright. MDCCCLXXXVII7 by 0. Ditson & C0. 4.107-647/*5 _ 3 la — dy sleeps, {<_\ Dreams sum — mer night, 4-l07~6/£745-3 her her lov — er keeps Watch while in slum — berslight She sleeps, my la — dy s1eeps,_ Xx -«rim? VFFFE” Mir §_e-— __...e.————- Ia — dy sleeps, 4*107~647/;5 -3 SONGS- BY AMERICAN COMPOSERS Johns, Clayton do Jordan, Jules Kleln, Bruno Oscar do do Lang, Margaret Ruthven do La Villa, Paolo Levett, D. M. Manney, Charles Fonteyn do Marshall, John P. Marston, (i. W. do Marzo, Edouardo do Nevin, Ethelbert do do do Osgood, Geo. L. do do Paine, John K. do Pasmore, Henry Blckiord Penfield, Smith N. Roeder, Martin do do Rogers, James H. do Sawyer, Frank E. do do Schnecker, P. A. do Smith, (ierrit Smith, Wilson G. Wood, Mary Knight Woodman, R Huntington do The Sun Kissed the Clover. Sleep, Baby, Sleep. High voice in D. Medium voice in B High voice in G. Medium voice in E A Song of the Norseman. . . . . . . . Medium voice in B Golden-tressed Adelaide. Op. 65, No. 5. . High voice in El» Low voice in C Nae Shoon to Hide Her Tiny Taes. Op. 65, No. 3. To the Wood-lark. Op. 65, No. I. . I Knew the Flowers Had Dreamed of You. On an April Apple-bough. My Little Girl. . Only 8. Song. . . . . . . My True Love hath My Heart. Op. I, No. 5. Orpheus with His Lute. Op. 3, No. 5. 0 Mighty One. (0MaItre 4': 1014!.) Across the Far Blue Hills, Marie. Tender and True. An Easter Song. Mariquita. (Bo/era.) Bed-time Song. Cradle Song. . . . . . I Once Had a Sweet, Little Doll. Mill<maid’s Song. . . . . . Down the Shadowed Lane She Goes. My Little Woman. . . . Wake Not, But Hear Me, Love. Early Springtime. Op. 29, No. 3. Matin Song. Op. 29, No. I. . . The Summer Wind. (Der Zephyr.) 0 Lay Thine Hand in Mine, Dear. Night Thought. (Traumbi/d.) Spanish Serenade. . . The Chalice of the Lily. April Weather. Bid Me to Live. In Springtime. Nightingales. . . . . Shine On Oh, Stars. (1\‘amanza.) A Kiss in the Rain. Love's Philosophy. Boat Song. Kiss Me, Sweetheart. Thy Name. . . Lend Me Thy Lance. Old Winter Comes. High voice in Air. Low voice in F High voice in G. Low voice in E High voice in Ab High voice in Eb High voice in F , Medium voice in F . Medium voice in GI? . Medium voice in Db . Medium voice in E17 Medium voice in C . Medium voice in El? . . . Medium voice in F High voice in A. Low voice in F High voice in Al>- Medium voice in F High voice in Al» Medium voice in F High voice in Al). Medium voice in F High voice in G. Medium voice in E High voice in G. Med. voice in F. Low voice in D High voice in E. . High voice in El» Bass voice in A High voice in Al7- Medium voice in F High voice in C1? minor High voice in Ab High voice in Al? Bass voice in G . Medium voice in F High voice in Ab High voice in G High voice in Al) Medium voice in C High voice in G7 . . . High voice in F High voice in F. Medium voice in D . . . . High voice in D High voice in Eb- Medium voice in G . . . . Medium voice in Eb High voice in Eb- Medium voice in C . Medium voice in D17 High voice in F Low voice in G minor High voice in E. THE ABOVE IS BUT A PARTIAL LIST OF SONGS BY THE COMPOSERS NAMED. BOSTON OLIVER DITSON COMPANY New York C. H. DITSON 8: CO. Chicago LYON & H EALY. Philadelphia J. E. DITSON 8: CO.
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Date: 1887
Text: \3\e5pectfu\\y Dedicated to \ \ w’ (‘)7 N,» 3”} /ix , (/ \ “ . \\_Z\\ \ ////' vw \\ / / \ E , , /H \ MUSIC BY)‘ \ ;/ @, Muﬂljigm ——:§“:vPrice 4o¢d“” — \. F NEW YORK. ‘Q N _ ' J’ ’ /47M//~///i/yy //Wa7//5[//Z/z7£f///Vtffﬂ “VA A. ' COLLEGE Emsvwxxu S©|HJU‘BE|RiTHJ &Jc;:co.J /J % A J $3UJN|ON)‘I:3jQUAR|iZ. ) Respectfully dedicated TO MES THEO A. HAVEMEYER. <>§§<> THE ARROW AND THE SONG. .. WM E1). MULLIGAN. Andantino. ar —I'0W in — to the air, It fell to the...
Show more\3\e5pectfu\\y Dedicated to \ \ w’ (‘)7 N,» 3”} /ix , (/ \ “ . \\_Z\\ \ ////' vw \\ / / \ E , , /H \ MUSIC BY)‘ \ ;/ @, Muﬂljigm ——:§“:vPrice 4o¢d“” — \. F NEW YORK. ‘Q N _ ' J’ ’ /47M//~///i/yy //Wa7//5[//Z/z7£f///Vtffﬂ “VA A. ' COLLEGE Emsvwxxu S©|HJU‘BE|RiTHJ &Jc;:co.J /J % A J $3UJN|ON)‘I:3jQUAR|iZ. ) Respectfully dedicated TO MES THEO A. HAVEMEYER. <>§§<> THE ARROW AND THE SONG. .. WM E1). MULLIGAN. Andantino. ar —I'0W in — to the air, It fell to the earth I r. M7. /3 knew not Where, S0 sWift~ Jy_ it_ flew, S0 swift— 1y_ it_ flew The ‘ /5 3. E, S,& C9169:-2 Clxjﬁyright [887 by Ea"wardS(/zu/1crl/z (42 CC’ sight could not £01- low N ' its flight. ‘-if ' A» ‘ ;€.{‘.f:A:fA f'.\ breathiéd a song in - to the air, It fell to earth I knew not W11ere,E_)r /3 Who has sight so keen and str0ngT11at It can fol — 10w_the_ flight of song, For. E.S.& C9169»-2 Who has sight so keen ‘V s1:rong,That it__ can fol — low the flight of song‘. Lento. Lo11g,1ong afterwards in A an oak I found, The ar — row still un — broke; 17 piil animato. and the S011g 1°'1‘0H1 be - glnnlng » Ullii ——__-_-_.. The song from be - gmn111g'to A an \ S. & C‘) loo»; I found, I found in the heart of a friend; found, I found in the heart a friend; found in the heart of friend. E. S.& C0 169R
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Date: 1887
Text: We ONG To the Rev. J. W. .HAGEMAN, Franklyn A-716. P)’L’\s‘b. Church, Brooklyn. N. Y. THE SLAVES DREAM. (Poetry by H.W. LONGFELLOW.) JOHANNES BRAUNSCHIEDL. Lento non troppo. ﬁg mollo legato. side the un-gath - er’d rice his sic-k1e L‘apyrig‘ht 1887 by G. Sclzirmer. His breast was bare, his A-gain, his na - tive 0021 Béflr. mat — ted hair mist and shadow0fs1oep,He 4 Maestoso. through the land - ger owed; eneI'g'ic0. palm - trees on the plain Once more a king he L 4/’; I'll”....
Show moreWe ONG To the Rev. J. W. .HAGEMAN, Franklyn A-716. P)’L’\s‘b. Church, Brooklyn. N. Y. THE SLAVES DREAM. (Poetry by H.W. LONGFELLOW.) JOHANNES BRAUNSCHIEDL. Lento non troppo. ﬁg mollo legato. side the un-gath - er’d rice his sic-k1e L‘apyrig‘ht 1887 by G. Sclzirmer. His breast was bare, his A-gain, his na - tive 0021 Béflr. mat — ted hair mist and shadow0fs1oep,He 4 Maestoso. through the land - ger owed; eneI'g'ic0. palm - trees on the plain Once more a king he L 4/’; I'll”. strode; And heard the tink- ling car - a — vans Descend the mountain — ,\\ can moto . road . 1) mo/to legato. 3 dark-eyed queen A- mong her chil - dren stand; They clasped his neck, they Ma pooopiit lenfo. the hand! A kissed cheeks, They held’ him by [/71 12000 piit burst from the sleep - e1’s 1idsAnd fell in—to molto rit. P0c0~pi1‘1 mogso -And then at fu—rious speed he rode A - ¢L/y/ ¢ long the Ni- bank; ' ' bri - d1e-reins gold - en chains, And, mar-tia1 Clank, leap he could - hard of A /egg’. e p 12000 .s-taco. fol — lowed their flight, plainswhere the tam - a-rind ,—\ ,«\ Till he saw the roofs Caf - fre huts, And the \L___’J NH [I000 07'!‘/‘S0 . to _view. f.—_=: 3;. J: 71111. e sost. Andante poco lento. memo mosso. A VTTT he heard the hy - ae — scream, %@'@'E=¥ % St/’I77})I’8 ' - er—horse as he crushed the reeds /T 1’ / / side . some — s*___________/,2 Maestoso. And I ' passed, rm paw wit. zzf I/32 animafo. F‘. , ff. Through dream. So.s-tmmto, (2 can espress. 11.11 [SCH 17.11. '8" 7Il()lf() esp:-ess. \-———-—/-em L______j Maestoso. ests, with their i - ad tongues, of the des - gm mlwso . _ ed in his sleep and /’ their tem - pest _ Vu-ous glee. Lento, e molto espr. d not feel the driv - er’s whi Nor the burn — ing heat of _ J4/om riim . For death had il — lu - mined the Land ' ‘ SIeep,_And his life- less A wormout that the bro - ken A £7’ thrown a - way! ﬂ /argwinmzfe. 1,-g',m/‘a]g_ —# 6 ”‘ 7:} semyzre Iiohm, C., In Switzerland. MUSIC FOR THE PIANO, PUBLISHED BY G. SCHIRMER, 35 UNION SQUARE, NEW YORK. ietto, rev. and ﬂu . and and solo ad lib. y A. R. Parsons . . . . . . . . . . . . . . . . . . . . . . . Bach, J. S., Air. from Sultein D, transcr. V l A. R. Parsons . . . . . . . . . . . . . . . . c Bach, E., Solleg arr. for "3". --—- Prelude, Cm. Bachmnnn, G. es (Eingered) . . . . . . . . . . . . . . . Op. 31, No. 3. Marcia isnta " . éltingered.) . . . . . . . . . .. n"ﬁ".'."“1'i'L§‘ 0”‘ 551"“ ‘?.'ii“'Z=,ii""' III‘ e . . p. . ar c.... —-- L’A,urore. Etude mélodiquc . . . . . . . Beethoven, L. v. Minuet from Sonata Op 49, No. (Fingeved.) . . . . . . .. -—— Adieu to the Piano. (Abschlcd an das Klavicr.) (Fingcred) . . . . . . . . . . . . . Bendel Frnn9., Op. 101. L’AFBiCAlN_E. antaisie’ do Cone. -—— Id 1 d’Amour. -—— 3 Improvisations. (Finfered): No. 1. Siegmund’s ove Song. from “ VVALKURE.” (R. Wagner.) No. 2. By silent Health in Win- tertide, from “MEl8‘l'ER8lNGER." git. Wagner.) . . . . . . . . . . . . . . o. 8. Waltheﬂs Prize Sou , in “ Mnls'rnns1Nosn.” _(R. sgner.) Bennett, W. St_., Rondo placevolc, E. . . Bernard, P., Vcnltc adorernus. Christ- mas (Fin cred.) . . . . . . . . . .. Blliema, R., p. 48. wittering or the H Birds. Divertissement. (Flu .)... Boely, Dansc villageoise. (Fingewre ( 'or er Sennhiilie.) ldyi Iloscovitz F., Chant du Matin. Idylle. ——- Les relots. (Sleigh-bells.) Galop (Fmgered. . . . . . . . . ., . . . . . .. . s¢§§3?£o.§"3“ir?lt§m,3 R. Wagner. (Fin}.:ared.) . ronsart, H. v., Field Flowers. (Flag) Inch, 13., Rondo-Caprice, arr. by W. . a as y . . Cni, Csssur Berceuae, Eb. (Pl Delahuye, 3. L., Coiombine. ﬁngered by A. R. Parsons . . . . . . . .. Dclihes, L., Bullet Srnvuz No. 1. Pin zlc i ---— Do. Durand (Fingere ) —-—- Dance of thelii-tlo Girls. (Flugered. -——- Good Nhzht. (Fingered) Gluck, C. W., Gavotte A, arr. by J. Brahms. (1<"ingere.) . . . . . . . . . . . .. Op. 16. he Gavotte, B. ed. . . . . . . . . . . . . . . . . . . . . . .. . . lre)Vaise brill., Ab. (Fing.) ——- Op. 56. me Vslse, lib . 71. 3mcValse(Valse Sérénade), (gingered) 17 ~—- Le Cavalier fantastique. arcarolle, Goldner, W., Op. 47, No. 1. F. inure-red ) —— Op. -l7, No. 2. ng.) -—— ). 47, No. 3. Polonaise, D‘). ('Fingel'ed .) . . . . . . . . . . . . . . . . . . . . . .. -—— Gavotie mignonne (without Oc- tavcs), Am . . . . . . . . . . . . . . . . . . . . . .. —- Gavotte-Canzonette, C . . . . . . . . . . . . . Gregh, L., Les Bergers-Watteuu. Air dc Danse Louis XV. (Fim:ered.). . —— Les Phalenes. Caprice. (Flam). . . —— The Shcpherd’s Pipe. Pnstoralc. . . . Grieg, Edv., Op. 12. Lyric Pieces. (LyrischcStiicke.) Fingcred . . . . .. ——-.2 Norwegian Melodies. No. 1. Wounds of the Heart. No. 2. Spring. Transsr. b E. Neupert.. Kaberlner, E.,O . orwégian Peas- ant ance. Saltarellc Op. 59, No. 5. Prelude, Em. (Fing.) -—— Op. 59, No. 8. Magic Bells. (Fing.) —-—— A legro-Scherzanclo. Fragment. . .. Heller, St., Op. 67. On Wings of Song, lily Me ldelssohn. ( mger .) . . . . . . . . . . . . . . . . . . . . . .. Op. 82. “ Flowers, Fruits and Thorns ": No. 9. Allegretto, E. (Fingered.).. No. 11. Andante con moto, Gib. (Flngered. -— L Avalanche, Am. -——-Bluette No. 2, G. —— Brooklet, G. (Fingered). .. ——- Coqnetterie, Ciim. (Fingered. .. Hill, J., Op. 98. Adagio, G. (Fingered) Hiller, F., Op. 97 Zur Guitarre. Im- promptu. (Finezered) . . . . . . .. . ——- Courante, G’. (Fin cred.) . . . . . . . . .. Hofmann, 11., Op. 11, o. 2. Maytime. (Inn. Mai.) Fingcred . . . . . . . . . . . .. -—— Barcarollc, G. Arr. by R 'l.‘hai1on.. -—~ Eleqie, Ab. Arr. by it. Thallon. . . . Hollaender V., C nzonetla, G. (Ping) Hopekirk, 11., Gavotte, Bm . . . . . . . . . . .. Huss, H. EL, Ballade, F .. Hyllested, A., Valse sentimentale . . . . .. Jadassohn, S., Op. 25, No.3. Vaise,Db. Jaell, A.,Op. 14. La Danse des Fees. Rh lsodie. (Fingered) . . . . . . . . . . Jelfery J. A., Op. 17. Marche joyeuse, Improvisata. I -~— Op. 20. Danse féeri ne . . . . . . . . . . . Jensen, A., O . 17, No. 0. Im Wlrths- haus. (R1 the Tavern.) Finger-ed.. -—— Minuet F, from “ Lieder Tiinze Op. 33-1, (Finger-ed) -——- Serenade, E. (Fingered.).... . Joncieres,V. , Sévénade hongroisc. g.) Kautz, J., Op. 15; Tarantella . . . . . . . . .. Kelley, E. S., Royal Gaelic March (In- trod. to the Banquet Scene) from the “.1/lusic to Mac-bel:h.”.... . .. . , und ,, . . 35 7'5 65 (Fingered.)... 1 25 Morceau brill. 1 00 ‘T 5 1'5 76 ‘I5 35 00 75 95 25 25 60 75 50 60 35 65 60 60 60 50 25 25 60 Ketlerer, E. Op. 285. Corriuu. Bal- let do O elibcs. Valse brill. (Flnlr.)80 75 Kjerulf, IL, Wlegeulled. (Cradle Song.) 25 Klein, B. 0., Op. 19.‘ Scenes de Ballet. Com lets . . . . . . . . . . . . . . . . . . . . . . .. 1 25 . Allegro modsrato, Am. . . . . 2. Allegretto grszioso, Eb. . Vivace non tanto, Dm. . . . Dreams. 5 Lyric Pieces: . Lento non tauto,G 2. Allegro maestoso, I11 .... .. . Tempo dl Valser lento, F. . . . Intermezzo seberzando, G.. 5 nndante more A No. Ii 75 50 60 50 05 65 50 . Suite in G. Co'mpleto..... 2 50 . Prelude. . Theme with Var. . Minuet . . . . . . . . . . . . . . . Elegy . . . . . .. .. . Gnvotte . . . . . . . . . . . . . . . . . .. 2 Morccaux : . . Le Secret d’Amonr. (Dia- logue. . . . . . . . . . . . . . . . . . . . . . . . .. No. 2. Valse-Impromptu . . . . . . . .. —--— Op. 35. 3 Mmtceaux : o. 1. Danse oricntale, F . . . . . . . . . . “ 2. Me’lodie—Etudc-, G . . . . . . . . .. “ 15. Dause bohémienne, Cln.... Klein E.,l.a GIOCONDA. Rant.-Potp.... --—- mm. —-—— 'l‘h«ine Eyes so blue, by E. Lassen. Transcnption . . . . . . . . . . . . . . . . . . . . . Kontskli, A. de, Op. 288. Souvenir dc snsr, uno -—— Op. 817. Steluaaa. (The Star.) . .. . -——- Op. 818. La Sultana. Valse br ll . . . . Op. 321'. 2nd Gavotte. Am. (flllﬁé). Op. 328. An Bord dc 1’OeeZ-an. verle . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kownlski Roses do Bolléme. Valae __ . ngered.) . . . . . . . . . . . . . . . . . 14 La Gazelle. im- promptu . . .. . . . . . . . . . . . . . . . . . . . .. Kuuqk, 631., O1). 22. La Gazelle. (Fin- -—— oE.062'aud 81. Kinderleben: , (scenes in Childhood.) Flngered. 2 Books, eacl —— The same in 'l..... ..- ............ separate Numbers. each -—— Pastor-sic, G. (Fin:zered.). . . . . .. Laoonhe. I», Deuces Pensées. (Sweet Thouizhls. Flngercd . . . . . . . . . . . . . Lambert, A., also-Impromptu . . . . . . .. Lane, (1., Op. 89. Blumenlied. (Flower Sol .) Fingercd ............. .. . -—— Op» 1 4. 5 Sonatlnns. (Flng.): No X. ' No. 2. G; No. 3. F; No. 4. C; o. . G; each . . . . . . . . . . . . . . . . . . . -—— Op. 184. “ Am stlllen Ht-id,” from Mlis-rnnsmona. Fanlaisie. (Fing.) --— Oil. 143. Slegmund’s Love Song, rom Wsnxunn. Fantaisie. (Fiug.) -—-- Op. 144. Serenade. (Gounod) Pant. -— Op. 940. n the Alpine Hui. (Al- penbiltte.) A Swiss ldyi . . . . . . . . . . -— Op. 200. Fabanera, from “ (Lumen ” lust. Transcr. ( nz. . . . . . . . . . -—— Cheertulness. (Frohsinn. . . . . . . . —-——- Evening Chimes. (Abend1iiuten.). . . -——- The little Wanderer. (FllIEel'6d.).. -— New Sprln . (Neuer Friihling.). . . . ——“Ohappv a .” (O schonn Zell.) Songwny C, one. Transcr . . . . . .. ——-- The anderer's Return. (Helm- kehr.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . —- 3'I‘ranscriptlons from “ Tuuu1’A‘U- sun,” Wagner. (Fingered.); No. 1. Pilgrim’s Choms . . . . . . . .. No. 2. O thou sublime sweet Even. o. 3. Lnngey, 0., Op. 37. Mandollna. lean Serenade . . . . . . . . . . . . . . . . . . . .. Lichner IL, Op. 79. FleuretFleurette. ( in cred.) Nos. 1 and 2, each on. (Abendlied) Fingered. ishes. (Herzenswilnsche.). Liszt, Frz., Der Asru. (The Asra.) A. Rubinstein. 'l‘runser. (Fingered.). ——-~Avo Maria. Schubert. Transcr. (Fingered) . . . . . . . . . . . . . . . . . . . . . . . —-—Du bist die Ruh’. (‘My sweet Re- pose.) Schubcrt. rauscr. (Fin- gered.) . . . . . . . . . . . . . . . . . . . . . . . . . .. —-—~—Fws'r. (G-ounod.) Valse. 1 1 Fantulsie-Potpourri . . . . . . . 1 ( ...... ..1oo 15 £0 75 75 00 00 00 75 75 50 75 ‘I5 195 1 cred Ed . . . . . . . . . . . . . . . . . . . . . . . . .. 1 50 -— éiodie-Polonaise, ,from “Glancs de Woroninee.” ( ingered.). —~“O thou sublime sweet Evening Star,” from Tsimnlusnn R. Wag- ner. Transcr. (Fingered). -— Valse-Impromptu, Ab. (Fingered.). —- Vaise oubliée. (Finger-ed.) . . . . . . . . . -—--- Venezia e Napoli. No. 1, Gondollera. Instructive Edition by A. R. Pin‘- sons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -——Widmnug. (Dedication) R. Schu- mann. Transcr. (Fingered.).. . . . Liischhorll. A., 6 Easy Sonatinas (ﬁn . Op. 1'73, No. 1, e ; No.2, G, eacgn Op. 179, N0. 1, F; No._2, D . each . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Op. 180, No. 1,C;No. 2, Am., each, ——- Soldier‘s Song. (Fingered.) ...... . . LOW, J., March and Chorus from Wag» ner's “ Tannniiusnn. " (Fingered.) Mason, W.. Op. 21. S wing Flower. Im- promptu. New Ed . . . . . . . . . . . . .. -——- Of}. .23. 2 Humoresques do Bal: 0. 1. Polka-Caprice. (Eing.).... “ 2. Mazurka-Caprice, (Fing.£‘... -——Op. 24. Reverie poétique. ( in- gered Ed.) . . . . . . . . . . . . . . . . . . . . . . . . Mantel‘, IL, Charge of the Uluns. Ca- ):-ice militairc . . . . . . . . . . . . . . . . . . .. -—— alse élégrante . . . . . . . . . . . . . . . . . . . . Merkel, (2., Op. 25. In the lovclyMont'h of Ma y. (lmlwundersehdnen Monat Mair) Reverie . . . . . . . .. . Moor, Emam, Sciwrznso,B1r) .. Moscheles, 1. Op. 85. L:tGuil.. . do in-iii. (i«*ingel-ed.) .............. .. Mosskowski, M., Op. 7. No.2. Moment musical, . (Fingered.).......t0 -—— Op. 15, No. 5- Valse, Db. (Fingered.) ——- Op. 17, No. 2; Minuet, G. (Fiugn). . 2. Scherzlno. F. (I-‘ing.) ——-Op. 23, o. 1. Danse russe, Am. Arr. and ting. by A. R. Parsons. . . No.1. In Tempo di Mi- nuetto, E. Finzered.) . . . . . . . . . . .. ———— Op. 82, No. 2. tude, D. (Fingered.) , No. 3. Valsc do Concert, E. (Flngered.) . . . . . . . . . . . . . . . . . . . . . .. 1 Neu rt Edrn., Op. 57.2 Fantaslestiicke: Po 13,0. 1. Spring’s Approach . . . . . . . .. “ 2. Vulse-Caprice . . . . . . . . . . . . .. Nielnann, R., Murmuring Zephyrs, by Ad. Jensen. Transcr. (Fing.).. .. Paeher, J. A., La Danse dos Patincurs. (The Skaters’ Dance.) Fingered.. —-—- Le Ruisseau. The Brooklet.) Etude dc Salon. ( ingered.) . . . . . . . . . . .. Platt, Ch. E., Op. 1. 8 Pieces: No. 1. cradle Song, D1) . . . . . . . . . .. “ 2. Valso poétique, An . . . . . . . .. “ 3. Moment musical, G.. .. Prox, C., Sonatina, G . . . . . . . . . . . . . . . . . .. Ilaﬂ‘, J., O . 55, No. 12. Abends. (At Even nz.) Nocturne. (Finlrered.).. Valse-Etude, A5. 889- 8 same -oFPi:6c 3 ...................... .. 1 oo Op. 0%, ~ No. 1. Lolmnonls, Wing- Fantulsle b ‘ll . . . . .. 1 , No. 3. Tsnxniiusnu, Wag- ner. Fantalsic brill . . . . . . . . . .. .. -—— Op. 72. Suite, Em. Cornplete.. . .. 1 ——- T re same singly: No. 1. Prelude. . . No. 2. Mennci... 35 No. 4. R0- mance. . . No. 8. ’l‘occata.. 35 No. 5. Fugue ——- Op. 111. No. 1. Bolero, . (Flog) —-—-O . 111, No. 2. Valse- rice, C Flnfered.) -——- Op. 1 8. Valse favorite, Db. g'lug.). —-——Op. 121. Illustrations do ‘Anu- onun: No. 1. Bereeuse do Selica . . . . . . . . . “ 2. Septuor ﬁnal du Ilmc Acte. “ 3. La Graude Scene du Man- cenlllier . . . . . . . . . . . . . .. “ 4. Les . Romance nes . . . . . . . . . . . . . . . . .. —— Op. 180. 2 Etudes mélodiqncs. (Fin rod): . , ; No.2, A, eaell . 204, o. 8. Rigaudou. Reiueclre, C., Op. 39. La Chasso. (Jagu- stiick.) Improrisatn. (Fingercd). —» Op. 157, No. 3. Rigodou, D. (Ping) -——- Cilvatinc, C (easy, ling.) . . . . . . . . . . .. Rubinstein, Anl., Op. 10, No. 22. Kalnennoi Osl.l'0W. Porlruit, F8. -—— Op. 14. Le Ball. (Flngered): No. 2. Polonaise, El; “ 4. Vulse do Uoncort,Ai).. _. . “ 9. Gulop dc Concert, B . . . . . .. ~——0p.69, No.2. Nocturne, G. (Fin .) -———Op. 75, No. 2. Aubade. (Morn ng Scrcnadc.) (Fingered)... . . . . . .. Saint-Sac‘-Ens, C., Gavotte, du Beptuor. ranscr. par Dayas . . . . . . . . . . . . . . . . Soharwenka, Ph.,0p. 18, No.2. Mo- ment mu.-ical, Ab . . . . . . . . . . ..\.. ——-- Oﬁ. 41. 5 Charact. Pieces. (Flng.): o. 1. Albumlcuf, Fm . . . . . . . . . . .. “ 2. Mazurka, (1 . . . . .. “ 3. Notturno, Gm..... “ 4. Caprh-cietto, Din . “ 5. Melody, B Seharwenka, X., Op. 3, No. 1. Polish Dance, E3111. ('F“1Ilgered.)...' .... .. ——- Op. 43, No. l. inuct, C. (Flng.) ——- Op. 50, No. 2. Phantasiestiick, Gm. (Fingered.) . . . . . . . . . Schumann, Roi». Op. 2. Paplllons. ( ﬁngered.) . . . . . . . . . . . . . . . . . . . . . .. ~——— Abendmusik. (_'l‘wiilght Music.) (Flam-.red.) . . . . . . . . . . . . . . . . . . . . . .. —— rst Loss and Rustic Song. . . . . . . ..\........ gel-ed.) . . . . . . . . . . . . . ._ . . . . . . . . . . . . . ——- Knight Ru recht. (Flngcred.)..... —— Melody an Humming Song. (Fin- gered.) . —— O lovely Ma . (Fingcred) . . . . . . . . . -—— Scherzo, Eb, from Faschings- schwank. (Fingers . . . . . . . . . . . . . —-Soldiers’ March and A little Piece. (Fingercd? . . . . . . . . _ . . . . . . . . . . . . . . . ——Song of tie Rea ers and Harvest; Son . (Finger-e .) . . . . . . . . . . . . . .. --— Wild orseluau and Rustic Song. (Fingered.) . . . . . . . . . . . . . . . . . . . . . Schytte, I.., At Evening, G. (Fing.). .. seiss, 1., Op. 8, No. 1. Sonatina, D. (F ngered.) . . . . . . . . . . . . . . . . . . . . . .. —-- p. 9, o. . Intermezzo. (Flug.) —— Op. 9, No. 2. Even Song? (Fiuf). Sherwood, W. 11., Op. . so te. (Fingered): No. 1. Prelude, A... . . . . . . . . . . . .. “ 2. Idylle, A.. . . . . 5. Novclette . . . . . . . . . . .. .. ——0p. 6. 2Mazurkas. (F'ing.), eaeh.... No. 1, Cm. No-. , Arn. ——-Op..7. Scherzo, E. (Flngz). . . . . . .. —— Op. 8. Romanza appassionats, G. . . . ———— Op. 9. Scherzo-Caprice. (Fl Smith, Seymour, Dorothy. Old Dame. (Fiugered) . Smith, Wilson 61., 2 Dance-Caprices: o. 1. Impromptu alla Mazurka. . . . “ 2. L’Amour. Valse sentiment. Splndler F., Op. 36. Sehlumm’re siiss. (Slumber sweetly.) Serenade. . ——- Oﬁ. 43. 6 Tone Pictures. each. . . . . o. 1. Alpine Rose. No. 2. For- §(.‘«lrI11(‘r-not. No. 3. Bouquet of iolots. No. 4. Blooming Mead- ow. No. 5. Lily. No. (i. Fading F wet. lr.). . . . 1 English 5: U1 83.‘ 838‘? 3'88? §i%88 V Spindler,MF.:”(:‘li“4W1—io.H.2 ~'o thou sublime sweet Evening Star," from TANNIIXUSIR, Wagner. Transer. (Fhuzered) . . . . . . . . . . . . . . . . .. . . ~— Op. 349. Hedge Roses. (Hccken- roschen.) 3 Tone-Pictures, each. . . ———Field Flowers. 13 Easy Pieces, 2 Books. each . . . . . . . . . . . . . . , . . . .. ————- May Flowers. Maiblurnenﬁl Waltz. 35 Sternherg, C. Op. Dense anclulousc. 1 00 —-‘-Op.25. ’)’:llse-Reﬁt-Ilse . . . . . . . . . . .. 75 ——- Op. 26. Hnmorcsque . . . . . . . . . . . . .. ——-— Danse phrygienne, d’aprés Saint- Saiins . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Straltoseh, M., Confession of a young Girl. 'Idyl. (Firliigered. . . . . . . . . .. strelezlri, A., O 8. Conee . Comiete . . . . . . . .. . c; No. , ,6 ;No, ' N0. 4, II‘unl,75(:; No. ~—-— Arabes no, G isions. (’l‘raumeswirren.) Etude . . . . . . . . . . . . . . . . . . . . . . . . . . .. ——-~ 4 Polish Dances: No. 1, G ; N No. 4, Gm., —-——-Valse—Arubt-sque (dhlprés Waldlen- tel). Morceau de Concern. . . . . . . Tedesco, L, Op. 45, o. 3. Loreley. ’l‘ruuscr. (Flngered.)...' . . . . . Tedesco, W., In the Mill. Impromptu. Thalberg, 8., Op. . “Home! Sweet Home! ’ Air anglais with Var. New, lingered Ed 1 50 ——- The same. Simpliﬁed Ed. . . . . . 1 M) Thullon, 11., Gavotte cnianlinc, 95 Thomas, A. G-ivotie from M1osos,arr. by Bazille. (Flngered) Theme, F‘., Op. 26. Scaramouv.-llc. Scene do Ballet. (Fiugered) . . . . . . . . . . .. ——- Op. 43. Tarantella, Am. (Flnlrered.) -—— Op. 51. Budinage. (Plaxfnlness). -—- Arlequin et Cololnbine. lr do Bal- let. (Fingercd) . . . . . . . . . . . . . . . . ~—-—— Simple Aveu. (Simple Confession.) Romance sans Paroles. (Flng.). . . Tours, IL, An Bord d’un Ruisseau. (By the Brookside.) Finn:-rod . . . . Tscllo.ikow(slt_y, 1’. Op. 39, No. 8. Valse, . ||:Z'l‘l’L . . . . . . . . . . . . . . . . . . Vogrich, Max ~.--Sluccato-On rice, Wieuiawski, ., Knyawiak. Polish National Dance, arr. and ﬁngered. . 50 Gavotte liongroise . . . . . . 60 Wollenhaupt, H.A., Op. 22. 5 Mor- ‘ Wagner A’ eeaux carsct. en Forms d’Etudes 9‘-‘ingerad ._: each . . . . . . . . . . . . . . .. o. 1. AM; No. 2. F3m.: No. 8. Am.; No. 4. E; R0. 5. Em. STUDIES AND METHODS. (ronnlax irnmzurnve.) Bel-tint, 11., 50 Selected Studies, pro- gressively arranged and with Anno- tations by G. Buonamici. Ed. by J. H. Cornell. Complete.....uet, 3 -~--- The same in 4 Parts, each . . . .; .... . . 1 Chrisander, Nils, 323 Tl'('iInl('I1 Studies, as n preparatory Method for the Tsusio-Enuucn Daily Studies. Transl. by A. R. Parsons . . . . . . . . .. 2 ‘J0 Czerny Ch... Op. 139. 100 Short Studies hi rogressivc Order. New revised ans ﬁngered Ed. with modern Phrasing. 5Books, each . . . . . . .. . 1 00 —— Op. 740. Fiugerfertigkcit. (Finger Dexterity.) 50 Studies in brilliant Style. With Annotations by A. R. Parsons. BookI..... . . . . . . . . 150 Diirlng C. H.,O'n. 8 25Easyand ro . Studios. 3 Books, each . . . . l 00 Exercises in Scales. (‘herds and Ar- pegeios. com-u.sn in‘ run Amun- ICAN Common or Musxclans . .nel, Haherhier, E. 44 Daily Studies. Ed by A. 00 50 200 R. ursons. Book 1, $1.25; Book 2 l 50 -—— Preludes in all Major and Minor Keys. Ed. by A. R. Parsons . . . . .. 75 Kiihler, In, Op. 157. 12 Easy Studies. (Introductory to 0p. 50.) . . . . . . . . . . 1 Kulluk Ad., The Art of the Touch. A {Vork for the Use of advanced Players, and a Guide for Teaciiing. Translated by Mrs. J. P. Morgan. net, 2 'l‘h., Materials for elemcnniﬁ, Kullak 1' Translated by A. nstruction. Parson : Book I. Finger-Exercises in the Compass of a Fifth . . . . . . . . . . . . .. l 25 Book Ii. Exercises and Pieces. . .. 2 00 Book III. Little 4~hand t’iL'(;es in the most usual Minor Modes. (Supplement; to Book II.)...... . 1 50 Lecouppey, F., Op. 20 L’A,n;il'ié. 25 tudes rogressives dc Met-auisrne et de Legéreté. Revised Ed . . . . .. 2 50 Low, J., (l)r. 281. New. melodious and * bril . Octave Studies. Edited by J. H. Cornell . . . . . . . . . . . . . . . . . . 1 50 Neupert, E., 77 Exercises for practising the various Hand Movements and Modes of Touch . . . . . . . . . . . . . . . . .. 1 50 Parsons, A. 11., Modern Method of Scales : Part I. Preparatory Exercises. .. .. 35 Schmitt, Hans, Op. 15'. 55 Preludes and Exercises. Edited byA. R. Parsons. 2 Books, each . . . . . . . . . . . . . . . . . . . . 1 00 E. D., First Instruction Book. thorough Course for Teachers and Pupils. ‘Edited by J. H. Cor- nail. '2 Pm-ts, each . . . . . . . . . . .net, 1 50
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Date: 1888
Text: .-/Usac LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW YORK Mr.Theodor3eMarziaIs. WORDS BY . 55 “K ILQNAGIEELVL MUSlC BY /i\ ,i W PRICE BUGENTS. ram... . Y C|NC|NNAT|.0., ‘ THE NEWHALL &EVANS MUSIC. C0., Gupgrigmlﬂﬂﬂ byThE Newnall Mvans Musmﬁu. Q69 BRIDQ1? Song Words by LONGFELLOW. ' I ‘ Music by ANTON STRELEZKI. Grave e con sentimenfo. ‘ mf /-8 o a V sempre con Pedule . — stood on the bridge at midnight, Asthe (‘locks were striking the hour, And the main; 1: rest,-. moon rose 0’e1'...
Show more.-/Usac LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW YORK Mr.Theodor3eMarziaIs. WORDS BY . 55 “K ILQNAGIEELVL MUSlC BY /i\ ,i W PRICE BUGENTS. ram... . Y C|NC|NNAT|.0., ‘ THE NEWHALL &EVANS MUSIC. C0., Gupgrigmlﬂﬂﬂ byThE Newnall Mvans Musmﬁu. Q69 BRIDQ1? Song Words by LONGFELLOW. ' I ‘ Music by ANTON STRELEZKI. Grave e con sentimenfo. ‘ mf /-8 o a V sempre con Pedule . — stood on the bridge at midnight, Asthe (‘locks were striking the hour, And the main; 1: rest,-. moon rose 0’e1' the cit-y, Be - hind the d.'u~k chm-ch f0w’1'. (/8 t en. Copyright 1888 by The NewhalIi& Evans Music Co. J‘ - (lct:r¢r.s'c. - mung‘ the long black rail ter.~;z, The wav’r - ing sh:ulows lay; .. And, the x J‘ .s'o.s-tenuln. e.S‘])I'8.S'.S‘ . current that czune ﬁ'dlllﬂlC ocean, See1n’d to lift and hear them .1 - way. r.\ V [llllfll tt_qiIm‘o. In As sweeping,eddying thro’ them, Rose the be-la,-ted tide, pm-0 agitate. /‘ espre.s*s. . slrezun-ing in - tn the moon -light The see - weed i'I0at - ed wide; # T * e.-’ rem. col (1 vnce; 1,-on p(t,.s'.s'(',0ue. like those w.'1-tors 1-ush-ing, A - mong the wooden piers, V ten. rallen tamlo. __:—Jj" tlecresc. 7"""t"’2‘- flood 0fth01Ig|1ts('a111e _0’e1- 1111: That f'ill’1l my eyes with tezu-s. dale dolciss. # mp dm:7'e;ec. PP col/a voce. ra//en ‘fez. 111]) a tempo pm,-0 ,el. How oft-en! oh, how oft-en, In the U t(€7I1]I() }I0(‘0 (I(,‘(.'€I. 17Ipscm}n-e («mu/0. pr) on rail. days that hm] gone by, I had stood on that I11-itlgeat. mid-night, And pm,-0 rail. a tenzpo. / pre coal. 6 (2:-e.s*_ r-cu g':|z’d onllml wave and sky; Ilow 011-011! oh, how 0f'l-on, Ihml (1. tempo. #-is-\. .2? I) .§‘€l)l[H‘8 (I00 6’ ores "if dim irmendo. wislﬂl that the elrh-ing tide Would hear me .1-way on its ho-som, 0’e1*the "}j"’9" I; diminuendo. # ' ﬂu 72¢.-st” pact) rail _ I "S ' 0-t-c.'m wild and wide, Wen-llnc 0 - cenu wild and wide. For my pm-0 ra/I _ en _ tan - do. ' mp p in mo.s-so . hem-t was [ml and 1-est-less, _ And my life was full of €10 can molt!) espress. L I'll//elltﬂlli/0. ___..— Andthe I;u1'- den laid up - on Seem’1l gm-eat-m-Iluunl could marcalu. £38‘])I'€.S‘S‘. ff rallentrm (lo, a tempo primo . a tempo prinm. P Jim. 6 all. V tramp: illo e (I0/CL’. (lo!/(-iss. {J ‘ P pm.-(1 Wtll. rt tempo. it has fall-en from me, It lies_ Inn--ied in . ) . . 1/ e (in/(re. I poi-0 I'll//. It (£’m;m. on-ly the sorrow‘ of others Throws its shad-ow 0 - ver me; think how mzm-y thousands c1u'e- en-cum-|)e1-’d men, ‘rail « , _ tan. PP ml) hem--ing his hu1'- den of v s01-- 1-ows, Have ('1-0ss’d the bridge since ten. ten ten. then.“ rail. (3 nun-endo. do/L-is-.9. P “ temlm, can Sm-dini. can Petlale. I62?/§_—6 Sta/ndard—~C'iassicai and Popular Mus'ic—For Study and Heoreation. .FOR BEGINNERS. I-I. Lichner-.—The most instructive writer of music for beginners on the Piano. Alpine Violet. Op. 95, No. 1, . . . In The Meadow. “ “ “ 2, Happy Hours. “ “ Spring Verdure. “ “ May Rapture. “ “ Beautiful Dreams, “ The Pink. 111, Polonaise. 135, Polka. ,“ Waltz. Galop. Tyrolienne. Mazurka. Coronation, . Spring Life, . Julius Becht. B0bolink’s Bail, S.<:l1ott., . . Wild Hyacinth Waltz, . . . Cypress Pollgu, _ . . Golden Chime l\Iaz., . . . Dot and Dash Gallop, . . Chas. Kinkel.— Aunt Mollie’s Waltz, . . Four in Hand Gallop, . . Flowret, Schott., . Willie’s Polka, . . . Mother’s Rondo. . . Louis Mew er.~ Mountaineers’ March, . Young Villagers’ March, Violet Blossom Waltz, . . Tyrolienne, . . . . . . . Wymond.— Walz —. Remember Deeds of Kindness, Baker—Lena’s Favorite Waltz,. . . . Baker—Life’s Happy Hours, Waltz, . Geo. Nelson.~ Claretteéfiondo, . . . Etelka—Valse Brill, . Eugenia—Rondo, . My Bird—Valse, . . . . My Fav0rite—Valse, . . C. Schuman.— _ Morgen. (Morning) - Abend. (Evening.) - Frieling. (Sp1'i11g.) — ~ — Sebentust. (Joyous.) - - “ Spinuradchew. (Spinning Wheel.) Tarantella. - - - - “ Bernhard Wollzra Zigeunertanz.(GipsyDance.). . . .——Rondo... Die Kleine Miillerin, (Miller’s Little Girl.) John 0111:.- Die Miihle Sylphide, . . . . . Village Festival,. . Rondoletto............ In the Beautiful Month of May, . Robert Goldbeck.—— Idyl——Nocturne,. . . . . . . Harmonious Blacksmith, . . Chant de Berceau, . . . CHOICE AND Annabel, Polka, . . . Andy Baum, Schott., Antoinette, Gavotte,. . . Austrian Song, . . ~ . Baladine, . . . . . . Beaconsﬁeld Polka, . . . Blue Bells of Scotland, British Patrol, . . . . Calm Night, . . . . . . Changeless Waltz, . Carlotta Waltz, . Chanson ﬁancee, . Chant sans Paroles, . . Clifton Waltz,. . . . . . . . . . . . Crown March Celeste, . . . . . . Faded Leaves, . . . . . . . . .Lomge. 50 Fairy Galop, . . . . . . . . . . . . . W3/mend. 40 Flower of Gold, Schott., . . . . . . . . . . . . . 40 Flowersong, . . . . . . . . . . . . . .Lomge. 50 Flowers of St. Petersburg, . . . . . . Resc/1.. ’ Forsaken and Forgotten, . Jimgmom. Funeral March, . . . . . . . .Sofge. Gavotte, . . .St.;6'aens. “ Stephanie, . . . Czibulka. Hail Storm, . . . . . . .Lessi9ig. Heather ROSG, . . . . . , Lmzge, Hemweh, . . . . . . . . . . . . . .ﬂmgm.an. Impromptu. 0p.142, N0. 2. . . . Schulw/r't, Invitation to the Dance, . . . Weber. Fontaine, . , Last (‘hance, Galop . Leontine. Schott., . Lovers’ Dream, March Calisthenique, March of Troubadours, . Mary to Savior’s Tomb, . . May Breezes, . . Minuet,.. National March,. . . Nein, . . . . . Newport Waltv. . .r35 . 35 . . 35 . . 40 . . 40 . . 40 . 30 . . 30 . . 30 . 30 30 . 30 30 . . 30 . 30 esrysrsssry .35 .35 ..35 .35 .35 '30 ..3o .30 .35 . 50 . 40 . -30 40 40 50 50 75 . . .Jen8m:,, . .Loe.sclzm-ii. . Jensen. . .Spalu'. . Merkcl. (The Mill.). . . . . . . . . .. 50 . .Homdel.. . .Kctte7'ei‘. PLEASING. . . . Sclzonaclce . . ..Pinguel‘i/. . . Griggs. 40 . . Packer. 50 . 75 . 40 . 60 . 50 . 50 . . . 40 . . Millocker. 75 . . Egghard. 40 . Tchaclcowski. 30 . . W3/moml. 50 . . Vilbre. 50 40 40 50 35 50 35 60 35 30 40 50 40 35 35 40 30 40 75 60 30 35 35 40 . . Bohm. . . . .Blake. . .Amemle. . . . Bristow. . . . “ . .Roubie*r. . . .Rees. . . . . . . .La.71.ge. . , . . . .Booche'rim'. . . . . . . Wymond. . . . . .Nemba.c}z. . Walker. iniinntt & EVANS CHOICE AND PLEASING. —Contlnued. Nocturne. Op. 37, No. 1. . . . . Chopin. One Heart, Two Eyes, trans., . . .Pontius. Passing Clouds, . . . . . . . . . .I:'/mlcel. Pass Me Not, trans., . . . . . .Docme. Persian Patrol, . . . . . . . . . .Giese. Rescue the Perishing, . . .Docmc. Rondeauiavori, . . .IIwmmel. Rondoin D, . . . . . . .ﬂIozm“t. Spinning Wheel, . . . .iS'c/imoll. Steele Waltzes, . . . . .Riclzeg/. Sweedish VVcdding March, . , .Sodermom. Sweet Messenger of Love, . . ..Lcssing. Titania, . . . . . . . .Wely. Turkish Patrol, . . . Whispering Pines, . . . Zither Sounds, . Twilight Fancies, Tournhamer March, EveningStar, . . . . . . . . . . Cricket on the Hearth, Waltz, . . . . . . . . . .. VerdictMarch,. . . . . . . . . . . . . .Blake. BRILLIANT AND SHOWY. Vivandier March, . . . . . . . .SC}L0’I’LaC/Le’/‘. 50 Marche Homoresque, . . . ._B’r‘cmdei.s. 70 June Idylle,. . . . . . .SchoiLacIce1'. 50 Meg Merriles,. . . “ VValdten fel’s Visions 0 Il Corricolo, . . . . . Chasse Infern-ale,. . . . . . . . . When You and I Were Young, . . Beautiful May Waltzes, . . . . Corn Flower VValtzes, . . . . . . Norwegian Wedding March, . . Nunsicora,. . . . . . . . . Fidelia, . Loreley, . . Harpe Eolienne, Gailte dc Coeur, . . . . Charge of the Huzzars, . Gipsy Rondo, . . . 40 50 50 25 50 25 60 40 40 75 35 60 60 35 50 40 50 75 75 40 40 . Zlficlzaelis. . ,Less2‘ng. . J/zmgmom. .......Bruce. . . Wagnei‘La.ngc. H H 75 50 65 50 75 60 40 60 75 75 75 65 50 Beautiful Women, . . . ..........DeG'rau. . Kolling. . Lessing. . Slrauss. . . Coote. . . . Grieg. . . Ivlcwtigzni. . Lebierre. . Seeling, . Sid. SirLith_ H . .»S’p2‘ndle7'. . . . . . .HcLyrlen. PIANO STUDIES. Op.91,Book1, .. ... .. Op. 70, “ 1, Op. 299, Book 1, Op. 299, “ 2, (‘zerny. Op. 849, “ 1,. . Diabclli. Op. 149, Book 1, . . . . Duvernoy. Op. 120, Book 1, . . Eschmann. Op 22, Book], . Eschmann. Op. 25, . . . . Gurlett. Op. 85, Book 1, . lleller. Op. 46, Book 1, . Heller. Op. 47, “ 1, . Heller. Op.47, “ 2, . . . . . . . . . . Kayser. Op. 20, Book 1 (Violin) . . . Kohler. . 50, Book 1, . Kohler. .50, “ 2, . Kohler. . 151, . Kohler. . 157, . Kohler. p. 190, . Loeschhorn. Op. , Loeschhorn. Op. 2, . Loeschhorn. Op. 3, . Loc:.-chhorn. Op. “ 1 . . Loeschhorn. Op. 2, . . lioeschhorn. Op, 3 Loeschhorn. Op. 67, 1, . . . . . . . . . . Scales and chords in all major and minor keys . . Schmidt. Op.l6,... BRILLIANT CONCERT Chauson Alpina, . . . . . . . . . Ask Me Not Why, . . . Asperation, . . . . The Belle, . Carnival of Venic . . . Dear Little Cottage, . . . Fatal Love—alto or bar., . . . . . In the Silence of the Heart, 8. . . The Mendieant, ms. . . . . Thou Hast Betrayed Me, .9. . . My Heart I Give Thee, s . . . Venzano Waltz, 3 . . . Drinking Song, 8. . . Smile Vilaltz Song,.s. . . . . . . . Here Within in Her Chamber, . . CONCERT BALLADS, SONGS, Almost,ms............. Always True, 8 . . Baby’s Dimple, a. . Bells of St. Ethelored Anbade,s. . . . .. Better Land, 5 . Bills . . Bird of Love. s . . . . Birds of Song. Waltz. ms, . . Bird That Came in Spring, 8. . Brool<,m.s- . . . . . . . . . .. Cavilier, bar. . . . All Hands Ahoy, bar Anchored in the Bay, Consider the Lilies, s . County Guy, 8. . Davy Jones, bar . . . . . . . Does He Love Me, bird song, Berens. Berens, Czerny. Czerny. .331 ..1 I—‘l-‘I-‘I-'|)—‘>-I)-‘i-‘>—‘ SONGS. . Jamioita. . Donfzetti. - Jaimotti. . Berignani. . Benedict. . Petrella. . . Dmzizetti. . Ivlercadrmte. . Peatti. . Gorno. . .Pinsuti. . Venzcmo. . . Verdi. . . La. Villa. . Thomas. ETC. . . Oowen. . . Temple. . . Fairlamb. . Barnby. . C'01('€’I’L. . . C’ouw1.. . ('2 ouch. . L(’7TlJIl(’7l.S‘. Iiowuwl. . Bcnmlict. . Dolores. . . . .I(ithe. . .Sclm7m(-ker. . Opertc. Topliﬁ‘. ‘ . Sullivan. . 11101103/. . Gflclzrist. 8... CONCERT BALLADS, SONGS, Etc.—Cont’d. Drifting, s . _. ._ Clarabel. Duschinka, s. . . . . . . . . .Pin.9uti. EyesSoBlue,_............. .. “ Finette,.s . . . . . . . . .Mo/zoy. Free Lance am I, bar. . . . . . .(.lxmpana. Good By, God Speed Thee, ms. . . . _ (J’,,Cmmell. Haunting Eyes,s . . . . . . . -. . . .Operti. HomeSoBlest,s .. ... .........Abt. Hope that Breathes of Spring, ms . . IGreet Thee, Love, .9 . . . . . . . I’maF0rester Free, bwr . . . . Jeanie with Nut-Brown Hair, 3 . It’sWeTwo,s . .. ..... Kerry Dance,s . . . . . Little Mountain Lad, s . London Bridge, . . . LostVoice,s . . . . l\1endicant,sorbar . . . . My Childhood’s Home, . Now Was I Wrong‘? . . Remembrances, . . . . . One and Two,sort . . . WhatShallIDo, . .. .. . . One Heart, Two Eyes, . . . . Where the Birds Sing, .9 . . Say NotAdieu,s . . . . Song of The Ball,s . . . . This Is My Dream, ms. . . . . . . . Golden Love, ms . . . . SACRED SONGS, SOLOI. AtTheCross,.. Consider the Lilies, . . . . . . Faith,.. Home So Blest, . . . Mother’s Gift,'ms . Palms,’/ns... .. Some Sweet Day. Solo and Duet. . WhyNeed1Fear, . . . . . . Verdure-Clad, . . . . . . . . . Deem Not They Are Blest, . . . Nothing But Leaves, . . . . LYONS’ ECLFCTIC CABINET ORGANIST. Works Selected from the Great Masters. Popular Selections. Condensed Instructions. Carefully Arranged by Richard Lyon. Price . ~ . . S 2 50 Samp1ebymail,......... .. 125 . Peivring. . Scliubert. . . Molloy. . Roeckel. . . Molloy. . G'i'Zchm‘st. . ..P1'atti. . .Pew'mg. .EngeZ. . . Parry. . . Jenkins. . . . . .Bischo17'- . . . . . Pontius. .Stewart. . . . . erti. . . . . . .Bi.schoﬁ°. . Willmgs. H Izyon. .. .. Campbell: . . . . Abt. . .Doome. . .Fam~e. . . Doane. Gicmetti. Select Music Books for Classes, Schools, Societies, Quartette, Etc. Song Clarion. Edited by Gijfe. A great favorite with Teachers. 50 cents each, $5 00 doz. per Ex. Song Victor, for Primary Schools. Contains Half Secular and Sacred. Also Vocal Instructions. 350, $3 60 per doz. by Express. Little Songs for Little Singer. By W. T. Gigfe. The Most Charming Rote Songs for the Little Ones Yet Issued. 250. each, $2 40 per doz. by Express. A TRIO OF FINE ANTHEM BOOKS. VVestern Anthem Book. Compiled by Gizfe. A Prince Favorite. Examine it Be fore Making Your Choice Elsewhere. $1 00 each, $69 00 per doz. by Ex. Standard Royal Anthem Book. By Clam H. Scott. Selected from the Best Sources. Popular and Choice. Choir Gems from the Great Masters. By Gif/‘"e Solos, Duos, etc. Organ Accompanyments All 1 hrough. $1 00 each, 359 00 per doz. by EX. ——A sample Copy of either of above, with a View to introduction, mailed on receipt of 75c for each. operettas, Musical Sketches for Schools, Exhibitions, Concerts, Etc. Fair Fatima, or Blue Beard, . . . . Bristow. S. P. C. A. O,peretta for 5 or 6 or N “ L bretto, . . . . Musical Surprise for 5 or 6, . Little Shaking Quakers, . Tn1os,QnARTE1u1$,ETc. Au Revoir. Trio Ladies’ Voices. . . . Sclzonaclcer. Adieu. “ “ “ . . . . u Viva. Q’tte. or Cho., Male or Female. . . . Bristow. Xfictol-y_ H H u at it Those Evening Bells. Quartette. . . Let the Merry Sleigh Bells Ring, . . Bounding O’e1 Rippling Foam. Male. . All Among the Barley. Mixed. . . . Sweet and Low. Mixed. . . ]’eaccf\1l Slumbering. Mixed. Good Night Beloved. Mixed. . . . Sea Hath Its Pearls, . . . . . . . . . . . . Past Twelve O’Clock. Trio. S. T. B, . . Maeder. CATECHISMS, PRIMERS, ETC. Common Sense Catechism. By Julia Nichols. A Short, Practical Book by 2 Sue- '&a. "‘11iaaa¢ . Bristow. Gordon. . {)mLm'rzg/zmn. . C7‘w)Ld(L(l. . Sterling. . Bamzby. . C’owwrd. . Pensuti. £5 MEUSEG ©@., Gineinnsti cessful Teacher . . . . . . . . . . . . Music Made Easy. A Useful and Modern Work on Elements of Music, Chords, 1-larmony, etc., by R. Challoner . . . . . . . . . . . First Twenty Hours in Music. The very first Lessons for Beginners on Piano or Organ. Most Simple and Practical
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Date: 1888
Text: IUIIC LIIIIAIY VASSAR COLLEGE POW‘-H'~'I:.'.PsI:. Mzw vomt '§‘=~.,I»; ’ — <§'..-7—~7,";:~«*«§-v1~*~—.;--—..a-~.~_ V -— —o._ -—"'~-; ..:-—,...~—<..;’v.—* worry»:-v _:—.—'(.e*'.-,§-go-7-.--4—__— ,'~‘—'~»'-?..’._:.-v *3: “ 0 STARS SO PURE . . . . MEDIUM VOICE . DEATHLESS DREAMS . . . MEDIUM VOICE . GOOD ‘NIGHT AND SWEET REPOSE MED. VC. . HURRAH! FOR THE MAN WHO DIES LOW VC. . IS MY NAME SPOKEN IN HEAVEN? MED. VOICE . REST. . ...
Show moreIUIIC LIIIIAIY VASSAR COLLEGE POW‘-H'~'I:.'.PsI:. Mzw vomt '§‘=~.,I»; ’ — <§'..-7—~7,";:~«*«§-v1~*~—.;--—..a-~.~_ V -— —o._ -—"'~-; ..:-—,...~—<..;’v.—* worry»:-v _:—.—'(.e*'.-,§-go-7-.--4—__— ,'~‘—'~»'-?..’._:.-v *3: “ 0 STARS SO PURE . . . . MEDIUM VOICE . DEATHLESS DREAMS . . . MEDIUM VOICE . GOOD ‘NIGHT AND SWEET REPOSE MED. VC. . HURRAH! FOR THE MAN WHO DIES LOW VC. . IS MY NAME SPOKEN IN HEAVEN? MED. VOICE . REST. . . . . . . . . . LOWVOICE. WHEN LOVE WAKES UP FROM SLEEP MED.VC. . AND THE STATELY SHIPS GO ON LOW VOICE . BECAUSE. . . . . . . . . HIGH VOICE . SONG OF YESTERDAY . . . MEDIUM VOICE . MY OWN MY DEAR ONE . . MEDIUM VOICE . PRAY DON’T TELL . . . . MEDIUM VOICE. MARGERY (Echo Song) . . . MEDIUM VOICE . GOOD NIGHT, SWEET DREAMS. HIGH VOICE . GOOD NIGHT, SWEET DREAMS MEDIUM VOICE . GOOD NIGHT, SWEET, DREAMS. LOW VOICE . HE TOLD ME SO . . . . . . HIGH VOICE HE TOLD ME SO . . . . . . LOW VOICE BOBOLINK . . . . . . . . HIGH VOICE I HEARD THE VOICE OF JESUS SAY SOPRANO OR TENOR THE SEA HATH ITS PEARLS _ ‘A _ .:~.. _. <~‘ , . _-.:t~_<— ._.,—;‘.5:.._ ~ ' 4. ‘* 4; - ;‘~;.:~‘.‘<—- 7F’l'gI|adeI[:-l?'Ia “]?IEobom‘}7re/a:wr@. I712 CZl2e5tIgul5Irt “M4004 THE SEA HATH ITS PEARLS IV0m’s by Heme l’ngl1's/2. 1/e'rs1‘0n by long/‘ellow Music by BISCHOFF Andante _ I’ The sea can espress. ' {,_..—8—————:—h at tempt} ’ _ poco mil. \ hath its [7000 ml]. Copyright 1888 by The John Church Co. Copyright renewed 1915 by Elsie Bond Bischoff - 5 heav’n hath its stars, But my heart, {@200 mil. a tempo heart hath its love! a iempo poco mil. f Great are the sea and the heav- _ en, great — er is fair - er than pearls or 9" >po6o ml]. can espress. F1ash_es and beams my lit - tle youth‘- ful maid — un—t0 my great My heart, and the sea, and the heav — 11000 mi]. 10000 56”“ ﬁ 1n?;—1_t' _ ing a _ way for love! The hath its [7000 lento 1919 -9.05t6’7W'/'0 (l77Z07'0.S'0 ea pear1s,_.. The its stars, 14004-5 My heart sempre c7'es(:. heav’n sempre oresc. , can assione cresc. molto ﬂ‘ 17 stars, But my heart, _ my morenrlo RECENT SONGS §°,.-.‘.:?3° HEAR MY CRY, 0 GOD Pm-ywcents . 4 . H SMER Andante PSAl‘IsA]5° P“b1l»\‘hed for Low VUIFPE. S 0 Leadrne to the rock- that is high - er than 1, Lead me to the Who rd Price, 40 Cents ADDISON F. ANDREWS 1 0. A'1votI'u'o.v if short or tong My ear1h- - ly jounney be; I A - Allegretto c s ' ‘to Price 50 Cents olgﬂgf; ILE THURLOW LIEURANCE Thank 3 way to see sun-shine when clouds fill the sky; ‘H3 to ‘smile, just smile; A way find glad-nest when sad-nest is nigh, 33.3%?‘ ~GOOD NIGHT DEAR Priw.50CenIa Andante mode)-Mo ,,,,,,.,,.,..a,w;\x1'-:1-‘I1-:Ln suim Dear low. good- May sweet . est dreams THEO. PRESSER CO. PHILADELPHIA. PA.
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Date: 1888
Text: X ;~/ NEWHAVENC’? V E Q NEW-YURIK. L2 _,,// " 25 UNIEIN SQUARE. ‘/ L‘; CHTC/AGO. CHICAGO MUSIC C0148-ISOWABASH AVE. t77;;y7"z;,,77zZ]¢?6/45’ Z!/VW7"/L./Z}'ﬂ7Z(Z&'/70. STARS OF Frmxi the“spanish smd.ent”by H.W. LONGFELLOW. Andantino am abile. po co a 12000 semprc legato, F Cantabile. of the \ I . a chaque mesure. espress. > Hide , hide sum — mer night! ....... _. your gold — en light! THE ‘SUM MEB NIGHT . SERENADE. Music by FRANK N. SHEPPERD. pie) lento. Amlante...
Show moreX ;~/ NEWHAVENC’? V E Q NEW-YURIK. L2 _,,// " 25 UNIEIN SQUARE. ‘/ L‘; CHTC/AGO. CHICAGO MUSIC C0148-ISOWABASH AVE. t77;;y7"z;,,77zZ]¢?6/45’ Z!/VW7"/L./Z}'ﬂ7Z(Z&'/70. STARS OF Frmxi the“spanish smd.ent”by H.W. LONGFELLOW. Andantino am abile. po co a 12000 semprc legato, F Cantabile. of the \ I . a chaque mesure. espress. > Hide , hide sum — mer night! ....... _. your gold — en light! THE ‘SUM MEB NIGHT . SERENADE. Music by FRANK N. SHEPPERD. pie) lento. Amlante (-011 mom. 3 ____ __ Far in you a — zure deeps, pill moto. inf 9]’/-\ Hide, hide your gold - en light! She Copyright 12488 by wL*A.Pc-ND&c~? 7”], COM 68]}1‘€S8. espress. —[ sum- mer night !._ sil — Yer light! .\‘]cep.~‘! m (mo 71: 0 lo. Sink , sink in Far down you west—e1'11 steeps, sil - V01‘ 1ight!She sleeps! ........ .. My la — tly sleeps! /W -3% CON. 88 P888 Wilul of the sum- mer night! .... .. \Vhe1'e y0n—deI' Wood-bine creeps, Fold, fold thy piu— ions light‘. She ........... .. m.s. es press. F1’ [7 thy’ pin — ions light! ‘S323. poor) (1 . \ sleeps! ........... .. calla voce. tenero. }. meno moto. D1’9-"WIS 9 125? ' $7’ . ‘m 9* ‘>323- the slunlner 11 ht! senza P911. .1’ ‘ rit. keeps p 7 pp rat. drezuns‘ " .3 . . . . . . _ . _ _ _ . . _ . . . . _ _ . . . .. 0 piit moto. Tell her, tell VVatch! .... While in} e sleeps! _____________________________ ._ 9 he her 9% Lento esp. She Tempo prime. PI’ Dreams of / Tempo primo. sum — mer night! her, her — e1‘ keeps \Va’tch! _________________________________________ __ pom) rit. slum - hers light K5 gj sleeps 1 My *2 calla voce. mol to dim. H0unsl0wN.Y.
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Date: 1890
Text: MUSIC Lulmmv VASSAR COLLEGE C°0'.'GH-uzensos. new vonx '7 \ {T MLQLLNEUXJ COLLECTION OF’ PART SONG CHORUSES FOR V(0»II©EI SECOND SERIES !!§! !Y!tI:! !T!£<! §.!§i i IE3 i§E'<§iIit1Z'<! HE? ii‘-":<ii§§i 3 922*! iIi§i i IE! iii-":!i!:‘1'.'t!'ii§<iiW-'?ii.IE<|' .0 ,-_._ -.__,_- ____r_:: I . PRICE 0 HOMEWARD WATCH ........................ ..I ................................................ ..H ENRY SMARTVJZ . HUNTER 5...
Show moreMUSIC Lulmmv VASSAR COLLEGE C°0'.'GH-uzensos. new vonx '7 \ {T MLQLLNEUXJ COLLECTION OF’ PART SONG CHORUSES FOR V(0»II©EI SECOND SERIES !!§! !Y!tI:! !T!£<! §.!§i i IE3 i§E'<§iIit1Z'<! HE? ii‘-":<ii§§i 3 922*! iIi§i i IE! iii-":!i!:‘1'.'t!'ii§<iiW-'?ii.IE<|' .0 ,-_._ -.__,_- ____r_:: I . PRICE 0 HOMEWARD WATCH ........................ ..I ................................................ ..H ENRY SMARTVJZ . HUNTER 5' MARCH ............ .; .......................... .................................. ..T.I'IOS.KOSCHAT J5 A FATHERS LULLABY ............. ................ .......................................... ..,..C.M.WISKE .I2 GOOD NIGHT .... ../59/vman&f/7g//k/7Wn_rd5) ......... ............ .. ,M.IB.R-ICHARDS .08 BREAKI BREAKI BREAKI .......................................................... "I. .... ..C.M.WISKE .I5 SPIN, SPIN .......... ._ . - ......... ........ ..HUGO JUNGST 05 THE FOREST MILL ........................................................................... __,.\_/.E.NESSLER .|5 THE COBBLER AND THE CROW //ﬂ//V17/mz/5/' ............ .......... .. GERMAN .05 MERRY MEN ARE WE ................................................................ .. FRANZ CDMMER .05 THE BLOSSOMS CLOSE AT EVE .................................................. FRANZ ABT .08 THE MILL WHEEL ........... , ................................................................... .; ....... ..GE.RMAN AIR .06 THE MARTYRS OF THE ARENA RI LLE .20 FORSAKEN AM I (I575;//'5/7oFZ7./9/*/7/an P1/11/7115) ............................... ..KOS CHAT .08 THE BRIDGE ....... ......................................... .. LINDSAYA/may C.F.$HATTUCK .|O THE MAIDOFTHE MILL ................... .. ADAMS /Imwr C.F.SHATTUCK .|2 THE STORM ............................................................................................................. .. DURRN ER .06 KATHLEEN MAVOURNEEN ........ .. CROUCH ,4/mar C F. SHATTU-CK .| 0 THE WOODLAND ROSE .......................................................................... .. FISCHER .I'2 MYSTERY /]uarl'Et Er ﬂu/ntet .................................. .. WALTER D ECKER .| 2 THE JOLLY OLD CROW .................................................. ..VSLALTER DECKER .|0 CR-OWNED WITH CLUSTERS OF THE VINE ....................... A.’M E LLON .20 NOW"S'ILENCE KEEP .............. .., .............................................. .. WALTER DECKER .I0 EXCELSIOR‘-' .......... , ....................................... ..B.ALFE ‘AH/?. BY C..F.SHAATTUCK .IS :45 aucuo AVE. GED. MOLINEUX IRIDGEFIELD PARK.N..J. I '-—-....---..-....,.,.__‘,,___,,'__’ _ ,___._ ‘.__. . ..._. _....--s./... .-.._...._... .,,_--.!..——.. . .._... ....;. If-:‘I!!§-'1!HE’!“!'§*!!!?1IH"3‘|'W!“WHENIEIHZEIIIEH!§!!!:§I!!2H?E3!?!§?!IEI , ﬁgs Ziﬁrihge. For Male Voices. Arranged by 0. F. SHATTUCK. LINDSAY. P Andante. I Tenor. I Tenor. 1. I stood on the bridge at mid-night, As the clocks were strik-ing the 2. Butmy heart was hot and rest- less, And my life was full of hour, ............. .. And the moon rose o’er the Be - hind care, .............. .. And the laid up Z‘-T dark church - Seemed greater than I could st-rik - ing the hour, V full of care, accel. resoluto. I like the wa. - ters rushing ....... .. A — mong the wood — en now it has fall - en from me, ...... .. It is bur - ied in- I the And like the W3. — ters, the waters1'ush— ing Among the woogi - en But now ’tisfal1 - en, has fallen from me, ’Tis bur - ied in the 1‘ I J like the we-ters, the wa - ters rushing A - mong the wood -- en now it has fallen, has fall - en from me, ”I‘is bur » ied in the __< piers, ................ .. A ﬂood of thought came o’er r me, That ﬁl1’d eeyes sea, ................... .. And only the sorrow of others throws Its sha - (low 0 - V81‘ piers, the wooden piers, ‘2 sea, yes, in the sea, 652-2. Copyright, xnocoxo, by Gino. MOLINEUX. f~ 10 ' ' _ fears; For how oft-en, oh, how oft-en in the dayethat have gone by, ....... .. I had me; But when ev-er I cross the riv - er on its bridge with wooden piers, ..... Like the m . rﬁ stood on that bridge at mid-night, And gazed on that wave and sky,........ How 0 - dour of brine from the o - cean, Comes the thought of 0th - er years,...... While the oft - en, oh, how oft - en, I had wished that its ebb - ing ‘tide ...... .. Might moon with its broken re - ﬂee - tion, And its sha - dows doth ap - pear, .... .. Like an .2 ../.2 ff fz }' dim raﬂ. hear me a-way on its bo - eom,‘ O’er the o - cean wild and em-blem of love from Heav-» en And its wav- ing Im - age fh ’ The Bridge. 652--2.
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Date: 1890
Text: berm RUUQUHO vo_n ZL1rJV(UTﬂ€Tl. 7% % 1 MM °\/\6rb,s by e ryx/V2:b§wortb fqngfellow, l_SWg‘E_r:g_g_9W Pr. 40 cts. LI5\lto ......... ._ Pr. 40 cts. NEw—Y0RK, BERLIN, EDWARD SCHUBERTH &c9 ED. BOTE& G.BocK 23 Union Square. Kgl. Hof—Musikhandlung. [by/yr/‘git 7690 by Edward /Styx/den‘/7 4? (P Lnh An§r.v,C g.f\6der, Leipzig, MUSIC LI IRARY "ix. _, .2 1 Der Pfeil und das Lied. The arrow and the song‘, (Lougf<~I10w.) Allegro . A Mary Wurm . Einst schoss ich ei _ nen Pfeil weit 1 8...
Show moreberm RUUQUHO vo_n ZL1rJV(UTﬂ€Tl. 7% % 1 MM °\/\6rb,s by e ryx/V2:b§wortb fqngfellow, l_SWg‘E_r:g_g_9W Pr. 40 cts. LI5\lto ......... ._ Pr. 40 cts. NEw—Y0RK, BERLIN, EDWARD SCHUBERTH &c9 ED. BOTE& G.BocK 23 Union Square. Kgl. Hof—Musikhandlung. [by/yr/‘git 7690 by Edward /Styx/den‘/7 4? (P Lnh An§r.v,C g.f\6der, Leipzig, MUSIC LI IRARY "ix. _, .2 1 Der Pfeil und das Lied. The arrow and the song‘, (Lougf<~I10w.) Allegro . A Mary Wurm . Einst schoss ich ei _ nen Pfeil weit 1 8/202‘ an arm-Iv 2'/2. — to 1/26 /‘T Erd’ fiel er an fer—nem Ort, Ist sein Flug doch so schnell fell to earth I /mew not where, For so 8102]’! - [y if f/ew,_ Eigenthum dc’ Ve"1"5‘“' W’ 3119 Lﬁndeh St1'chundDruck derRdder’schen 0§ficinmLe1pzig Ed. Bote 80 G. Rock in Berlin. Edited by H- W- NiC11011~ 13439 Copyright 1890 by Edward Schuberth 80 C? N. Y. leicht,"_.: dass kein Au _ '- ge as Ziel er — reicht. Sig‘/It ____.._ could not fol — low it in 278 flzlg/zl. sang ein ed im rei-en a1d,_.._____.___._.__ 1e’s kl-ang,-.1ch, ch V61‘-g'{LSS breaz‘/zed a song 2'72 - lo‘ 2‘/ze air, ______________ It fell to earl/1 I /mew not a1d._____ Wie kommt ein Lied‘? W0 fliegt es hin? Nicht anh ihm av/zere. For w/20 /gas siglzt so /wen a21d8tr0ng,T/mt 2'2.‘ can L, ¢ fol — - gen er h ’ - ste Sinn! fol - /ow I/Le flig/zt of song. 13/L39 P Doch hab’ end—I1ch ch beid’ Long, long (If— l'6l'— wards 2'1; Pfeil au —- be ef found the (Ir - row still 0T680- 13439 treu /zeart
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Date: 1890
Text: L f I .//*7”, 4‘ //,°§ . ////W ‘. // W17/"019 A7 y MUSIC BY ungml CINCINNATI: PUBLISHED BY THE JOHN CHURCH C0.74WEsT FOURTH ST. I/I/2':_pa, /Var J17/'/r, RU[lT& SUNS MUSIC CI]. THE JUHN CHURCH El]. Zﬂﬂ Wiézs/$g4V:/I1/:. /.57[:.s'f /62‘! 52? Gift of Ere. Mabel 3. Glaagqn ' and MARY WILLARD GLEASOBI W:i.T".I’E from the Library pf FE:-E!DTJRICI<I GRANT GLEASON SWEET REMEMBRANCE. Words by Longfellow. Andante. P/“ ~/“\ii.L - der Copyright, 1890,by The John...
Show moreL f I .//*7”, 4‘ //,°§ . ////W ‘. // W17/"019 A7 y MUSIC BY ungml CINCINNATI: PUBLISHED BY THE JOHN CHURCH C0.74WEsT FOURTH ST. I/I/2':_pa, /Var J17/'/r, RU[lT& SUNS MUSIC CI]. THE JUHN CHURCH El]. Zﬂﬂ Wiézs/$g4V:/I1/:. /.57[:.s'f /62‘! 52? Gift of Ere. Mabel 3. Glaagqn ' and MARY WILLARD GLEASOBI W:i.T".I’E from the Library pf FE:-E!DTJRICI<I GRANT GLEASON SWEET REMEMBRANCE. Words by Longfellow. Andante. P/“ ~/“\ii.L - der Copyright, 1890,by The John Church Co. Music by ].W.Bischoff. A _4._/b§1_T::A fra- grance that SL1!‘ -‘ 7363 -4 -T mar - tyr’d fl0W7rs breathe lit - brance. once con - soled our Tranquillo. br ance . Now the hour of Now the hour of dar — ling»
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Date: 1890
Text: 5: ‘ - .f. I ' C .0’ '7 4'“ "' n .~'=.1-.2?‘-1.1,” '34; ' .‘-: I C%lNclNNATl.- ‘ % V % L PUBLISHED BYTHE JOHN CHURCH C0.74 WEST Founm 37.; ‘ Q ~ , ' [/r/2.'a;a, ‘ /Venrliz-/r, 4 RUDT& SUNS MU II: DD. V , ‘ ' ‘HIE JUHN CHURCH CU. Zﬂﬂ /51:15.7:/9 lvem/2'. /.7575?/519.5‘)! _ 1 x«:..YI.u1.J.(./. A W‘ '/,4 ¢ / 4! / . 7/ ‘\:.\\V§\\.'§\\\\\\\§\\\‘.R\\\§\\§‘\&\\V I11; . tu1§1%!l|l1\1xua..... .I' ‘‘.-_~..,_.);' -‘....
Show more5: ‘ - .f. I ' C .0’ '7 4'“ "' n .~'=.1-.2?‘-1.1,” '34; ' .‘-: I C%lNclNNATl.- ‘ % V % L PUBLISHED BYTHE JOHN CHURCH C0.74 WEST Founm 37.; ‘ Q ~ , ' [/r/2.'a;a, ‘ /Venrliz-/r, 4 RUDT& SUNS MU II: DD. V , ‘ ' ‘HIE JUHN CHURCH CU. Zﬂﬂ /51:15.7:/9 lvem/2'. /.7575?/519.5‘)! _ 1 x«:..YI.u1.J.(./. A W‘ '/,4 ¢ / 4! / . 7/ ‘\:.\\V§\\.'§\\\\\\\§\\\‘.R\\\§\\§‘\&\\V I11; . tu1§1%!l|l1\1xua..... .I' ‘‘.-_~..,_.);' -‘..§-'4’-.1 ~ 5- any 3¢'3~ -} ‘.7 ‘:,' ~ "4- -3‘-31'-‘ . QR ‘-. . g§:._": "‘ . 9. 4.18: 44 ' . i'‘-.. \ nu um. ;v, V. 6 . cmcmn/m; PUBLISHED avTru-: JOHN CHURCH C0.74 WEsTFou:=m1 Sr. I/I/hiya, /Yaw I17/-A; Rnunsuus MUSIC cu. THE JDHN nuuacn ca. ZII /KMJM lye/rut. , /ifasf/5316.9: .CON.TENTS.L AFTERWARDS. ............................................................................................ ..1IIullen'. ..... ._69 AN 01.1) GARDEN. ......................................................................................... ..TempIe.-.-..102 A SERENADE ......................... .; ................ ................................................... ..I..0oM. ..... "24 .CHING- A-RING_A .RING. ............................................................................ ..lIo_llog/.._..-112 COME TO~_ME._ ..... ........... .; ..... ...................................................................... ..ﬂemr1t ...... -42 DEAR HEART. ................. ........... .... .} ......................................................... .Lz!Iazfez. DEAR EOVE. ................... ....................................... ...... .............................. "Klein ...... .-59 . GOLDENLMOON ................................................................................................. Llvdﬂ .... -135‘ HIGH TIDE. .................................................................. ............................... ..0armt'll. .... -.36’ V I ARISE FROM DREAMS OF THEE ........................... _; .......................... .,Salamrm; .... -.3o IN OLD MADRID. .... ._. .................................................................................. .,Trolerr. .... --96‘ IT CAME WITH THE MERRY MAY, LOVE. .................................................. .. Tosli .... -108 IT WAS A DREAM ......................................................................................... A13/ar/. ...... _. 8 . IT WAS NOT THUS TO BE ............................................................ .......... ._Ma.9.s'ler ______ "78 MY .LADY’S BOWER. .................................................................................... ..Tem]1le ...... -.12 . POL LY AND I .......................................................................................... .. If/it/rejfz'eld ...... ..74 QUEEN OF EARTH.. ............... .... ......................................................... ..Pa'1/gm‘! .... ".128 SING TO ME. .................................. .; .................................. ......................... .. 1)e7mz‘ ..... --6’4_ STAR OF MY ‘HEART .................................................................................... ..])en:/I ..... -140 TELL HER I LOVE HER so ..... ..................................... ...................... ..de Faye ...... -34 TELL ME,0 GENTLE MAIDEN. .............. ______________ ________________ _; ............ ..6’oomo/I. .... -18 THE GOLDEN GATE. .................................................................................. 1//mm .... .423 THIZY AI..{L;LOVE }ACK ................................................................................ ._A(1am.s'........88 THE LIFE A. BOAT. ....................................................................................... ._Ea'w/zrzls ...... .52 THE SWIEETEST SINGER. .......................................................................... ,_}?oPc/re/N._,,___I18 THE SEA HATH ITS PEARLS. ................................................................. .,Brg/.9072 ...... "49 Copyright,1890,b’y;Thé John Church Co. Song Mosaics. For Tenor. Dear Heart, L W'ords by G.Clifton Bingharn. Music by Tito Mattei. /7 mf So long the day, so dark the way,---- Dear heart, be—fore you It seems to me it can-not be This world is -Still the same, ‘For /r’-ﬂ,“-"._\ then I stood as in some wood, And vain — Jly sought for r V 10 -can egpreeq. ten. av-ea.. b V ’_ _. . . I" Q But new day daﬁvnson sun-lit 1awns,.-.. And life isglad and {T /§ P/\ 0 leave me not, 0 leave me not, Dear 4:} ZZg V . kg : P000 '17» pin mono. T‘ heart, dear heart3.-.‘- I did not dream that we should y /_\ P/“T love but thee, 0 love thou me, And leave3 and leave me O . . ﬂoral/E. .accel. e cw-es. / /" » r;\-*4’- Dear heart dear heart! leave me not,Dear heart! P With you a — way, the brightest Dear heart, goes by in vain; I dare not dream what life would \__j_z I" If you ne’er came - garnl Dark ways be — fore would hark -en 'The sun would set in vain re —gret.-._ 4——$ 11 '1: mono. 0 leave me not, pace rd.‘ 1“ morn—ir1g brought nof 0 leave me not! thee! can graria , p/"‘\ Dear piu mono, heart, dear‘ heart L3ffEEEEE¥:::::::—-—__~‘§“‘\\ T r/~——\ . dare not dream ‘that 0193.. % love but thee, O~ love thou me, >/1 poco ran . ﬂ leave me Dear heart, /I-*""—"*"e >>>>ﬁ ml-l . heart! ........ -- leave me not,..-. I I Mii./-xﬂ V_/f decico. fa me not,’ Dear heart! ‘ f.\ pp col canto. It was a. Dream. ESWAR EIN TRAUM. Adagio con espressione. Fa - ther—land was mine, sch); - neg Va - ter—laml, staté— -1y oak _ trenes ‘to.w’r - -ed high, V Ea’ - chew -bzmm. wuchs dort .90 -ltoclt 1 z nod - — ding vio‘-lets smiled 1/21‘! - — cﬁe-um}:/c-ten mnfl was a dream. war ein Tr/mm. when to far - off for-eigxrlandsl came,‘ A m.aid-en stood of ma -gic als it-/I mm in’: fer- Me Au/.1-I/m.(l ham, Ila war ein 1!Iiz'd-clam nm -])(?7.‘- grace. With bright and gold-en hair .s'c/zb’7n. . I/nd blond van Ha/tr 11¢ .9eh’n dream , Traum. Who kissed me then and spoke in Da: /mm — te mic/c auf denim]; and Mo — ther tongue, L One scarce can ‘tell how sweet aprac/c auf deulsc/z., mzm glrmlzt 6-S kamn, wie gm’ ores f That word_______ “I love (Ia: If/brl._____ icﬁ lie — V /-‘T if war ein dim. e riten. ’ I”, /" - ' dream. Trrmm, was 3* ‘ My Lady's Bower. SOPRANO. OR TENOR. Words by Frederick E.Weather1y. Music by Hope Temple. Moderate conxmoto. A . __ Thro’ the moat _ ed Grﬁnge,at twi _1ight,‘ My love _ and I Wt; ‘ F {$0 /*° /_ Weints By 611113 - y roo'ms and lone- y stair‘s,v In lov _ er’s swket con- ’ /'\ /‘5 I /—~\ \_.Z V _tent, And round the old . and bro _ken case- ment We watch’d the ros ;es A But theplacewe1ov’d the best of all Was call’d “my La -dy’s f mialerioco. And wiﬁl beat _ _ ing hearts we en ter’d, And_Ls’tood and whisper’d low, I’ sweet and lovely la - dy b who the #4. cqflly. moon shone‘ in the dus — ty grazioxoi . ‘2 Where her +1it_t1e feet had wan —der’d In the court- 1y days of yore.And it touch’d the fad - ed at _ ras And a -gain we seem’d. to‘ see ;A//"’-"'_‘\ lovely la - dy sit _ ting there, Her ‘lov- er rall. molfo. saw him kiss her fair white hand And oh! ‘F we heard him say, K5 _ tempo /tgifalo. 3 love thee, love, for_ev _ er, Tho’ the /-3’ years may pass a -wayl /?s’\ / WI/1. [low It 11000. \ love thee ‘Tho’ the years may pass. a_-way!.. I "1 shall shall Tempo I. tlolciu. But then 0 ’twas but a dream It was not they who sat there hi the A -crempoco a poco ml]. 1 2 ‘Ya. ‘YE. rail. inolfo. _ Tempo I, A V A ‘Ya. ‘Ya. Sil - _ver on-lightgleam1 Ah! no ’twas we, we tw”o to -geth-er,Wh‘o had vsf found our gold-en hour, La _ dy’S mil al. f me. “With- in my La _ x‘ :7 bOW’l’; A alempo, And- told the old, old sto _ ry With- E. E. And told the old, old sto _ zmav corda. Tell Me, O Gentle Maiden. (OU VOULEZ VOUS ALLER .) BARCAROLLE. _ English ‘words by“Winthrop’., _ Ch. Gounod. I’ Tell me, O gen.-tI’e maid -en,Whered0you chooseto go? White sails 0:’. tea la jcuzne be! -le,A 0:2 vou-lc1.vous al- Ier? La voile . Bel - la mia gio - vi -net - ta Do-vei ti Juoi re _ car? Lie - vee _.o- C be/aring s on-ward,Gaily the breezes blow; ........................................ Gai§ ou-vre son at’ -1: Laibralae va .9ouf_fler' ................................ ............. ._ La - la mia barchet - ta Cal moepropizio il mar _______________________________________ .§ ...... .- Cal- Copyright, 1889, by The John Church C‘! ' - ly the breezes blow.---. brzlse va .muf-f1er. moe propizio il mar__.__-__ > All is brightnessand beauty, ’Tis thy’ loverzs sweet du_- ty, Swift - Iy to ‘ L’a—v¢'_' tomes! :15’ - voi _ re, Le pa- v1'7-londe mot" - re, Le ..... .. gou,ver- Sul _ la pro-ra ho la spe- me, In van con-tro lei fre - me . Iel . . . flutto TTT guide thy > way; . . O,er the murmuring wat - ers, Fairest of al1earth,s nail d’or fin, . . . Jhi pour lest une o - rm‘: - ge, Pour vo1'_le une aile cri - stal - lin-. . ‘ Per sae-vor-ra una me _ la le ser-veo di daughters , Sweet as roses in May. ................................................................. .. 7 - . I . . dan - ge , Pour mousse un.s'c.ra.p/ha . ............................................................... .. , _ % , Ve _‘ la L’a _ la dun Che..ru - bin , ........................................................ ...... .. Tell me, O gen-tle maiden,Wheredo you chooseto go? White sails Dz’ _ lea, la jeu.ne bel- le, 0:’; vou-le:_vou_.9 al - lér? La voile Bel _ la A mia gio_vi- net - ta O—ve-ti voui re - car? Lie vee bearing us on-ward,Gai-ly the breezes blow, _, ______________________________________________ _. Gai, tou-vre son at" - le, La brz'-ge mt :ouf-fIer, _______________________________________________ .- La ‘ la mia bar_chet -ta Calmo e propizio il mar, __________________________________ _'_ _________ _ ly the breez_es blow. bri- ae va .9ouf-fIer. - mo e propizio il _ ma‘-r. “ > To the land of the spi . ces? Where all nature en — tic - es? Speaklshiallwe, Est- ce dam in B1: - z‘:'_- qua, Sur la mer Pa-n'-f:' - que, Dane 11' _le 1 Sull on-de fug-gi - ti - ve V Del Bos.fo-r<°) alle ri - ve Dim _ mi,vuoi 1‘ P shall we I On the bosom of ocean, ‘ Lulled by its gentle ‘ de l ja 9 Oeﬁéien dans la Nor-wé-ge, 0ue2'l-Iz'er la fleur de tau - pro _ Op- pur sui f1u_tia vo - lo Vuoi di Golconda i1 Floatwe eV_ef_ a .way,' ________________________________________________________________ .. 01': la _fleurd:4n-g0 -/ca? ............................................................... ._ Fur- ti _va sa-.lu - tar? Tell me, O gentle maid-en,Where do you chooseto go? White sails .02’ - fes, . la jeu_ne be] - Is, 014 vou,le1_vous al - Ier? La voile la mia gio-vi _ net- ta 0 _ ve_ ti vuoi ra - car? Lie - vee bearing us on-ward¥Gai1y thebreezes blow, ............................................ .. ou-vre son at"- Ie, La bri- ae pa :ouf_ fler, la mia banchet -ta Cal-moe propizio il mar, ................................................ .. Cal‘- - ly t» e breezes blow. ‘br1'..9e1 wt :ouf_fler.___- - imo e propizio il mar. ‘ > Seid the beautiful maid - en, "Let us go to that Aiden, Where we shall 1lIe.ne:-mo1',dz'! la be! - Ie, V .4 la rs’- ve ft’ - dé - le on ‘Port La gi0-va-ne ri _ spo _ se': ‘ ~ Me_na-mi fra Ie r‘o - se La do-ve 7”’ I“ love, love fdr aye; To its bright golden por _ tals, To the land of im. at" - me (on. _/our:,_._. v0eI-Ie rt‘ _ ve,ma cﬁe - re, 0!: are la conmzif sa _ ma _0 _ gnor.,---- Ignot ao gi0-vin-cel Q- la, E que__sta piaggia - m0r - t; us, Let us up and a _ way! ........................................................... gue - re, Au p'a-y: ale: a, -nooun. ............................................................ .. bel - la . ‘Nel do-mi .nio da - mor. ........................................................... .. Tell me, O gentle maid-en,Wheredo you cheese to go? _ D2’ - te:, la jeu me be! - la, ou v0u,lel.vou.9 al - Ier? Bel - la mia gio -vi - net- ta, Do-v_e - ti .vuoi re - car? sails bearing us 0n-ward, Gai_ly the breez-es blow, ________________________ __ voile ou_vre son at’ - le, La bri - se M I .¢ouf_f/er. .... ................. .. vee A la mia bra_chet- ta, Cal_m0e pr0-pi_ri0 il mar. ........................ .. -0- ly, yes gai _ _ _ ly blow. 6m‘- se va .......................... .. :ouf-fler. moepropi - - _ zioil‘ mar. }{§ 24 ' A Serenade. German Poem by FRIEDRICH IIJLM. Englishetranslationby GERARD F. C OBB . SOPRJZVO or TENOB. _ ' GERARD FOCOBBC Andante c‘antabi1e.<J : 100 Pc(I.ad lib . night! All ha1— - 1ow’d Nacht! Schliesst euch zu 0 - - pen bright When frisch - - er — wacht, ‘ Wenn 1’ gold - - clouds is beam A - I - _ ing; Good enightg sich die Wolken sau — - men; Ihr blau _ P1" blue, good night! All V hal - , .low,’d b.e,_. ,yo.urg gu - - - te Nacht! Schliesst euch zu hol - ~ den 9 0 0 0 0 Good night, Ihr - blau - — con for‘: f «night! All hal - - - low’d. be ............... .. __ your---- dream -Nacht! Schliesst euch ...... .. _> zu hol — - - Tréieu _ .5-empre calla vocc. ing! men! ccmtabile . love! As V fast the ..Nacht_! Wenn Ster - - ne lips ‘ I gu - -,te When first Sc_h1ie.sst j a fast . i_ si - Tent sleep schliesst auch euch hol - Vrose her beau — ty sich am Him - mel bove, S 0 .P.r,acht . S_o. P05 '. Schwei - M’ ,I love, V In - te Nacht ! P1" Schliesst re denx good pen _ pOS - Schwei- ' . night, gun- pos Schwei good te ‘ 27 - ing, Ye - gen. .“‘=====::::§5h iorta. night, In. Nacht! >ScAhliesst' cantabile dear!L What eye‘ could note the day - light’s N-'acht, ~Wer wiir _- - de A Ta — ges - glam; ver - - ing, Were thy bright beau - - ty — sen, Wenn hell noch dei - - ne “€313 What eye ..... -- could note the day -lightjs pal - Wacht, Wer wifr - — de Ta - - ges — glgnz ver — mis - .1/'\ V L ' t_h_Y ub.r.i_gh,t - —, ,- n.efs_se _veile -_ -in,'g., lent vim W.ei_,- . - .- chen Kis -, sen, ,D.r_u_m, c ntabile. 2 I.’e(l. — ness veil - ing, Good — - chen VKis - sen ‘Du 0071 Orlll. O -9 ad lib. LT ‘ e.s-;2ré.s.9z'vo. - .thy brightness veil - » Good. - chen Kis - (Du; calla vane. rit. » ‘ ‘night , good night.!_ gu — - te _Nacht.. A io. ran . calla vocc. I Arise from Dreams of Thee. SERENADE. ‘ .w0,.(1Sby s]1e,]1éy. ‘ g V Music. by Charles Salalnan. Andante con 1110110 Espressione. J —_- I16. PP1’ Pcd. _ O a- rise fi-om d1-emus of thee, In the fix-51 sweet sleep of -/7'7. .Z.".$. ./.—.*. PPP Both Peds . When the winds ’B¢}m Peds __>/‘T stm-5, Amt the Stars are bu_rn—ing bright, A from drealns of Zﬁj gm of t11ee,0fthee, And a spir— it, b a spirit, km from dreams thee,0f thee, I a -rise {T5 gm _' Z—:§ {T 0.: 0 /.\ Pod. v E. ' : }—-— PP who_ knows how! Hath led ‘in my feet. Hath led me.) ( ‘ o n /5’x a» Soff Pea. m chamber window, sweet, 4 Hath led me to /thy chamber window, Sweet‘. j ' .4-—‘:""'m-_ o 0 0 O 0 u o - O .f-\ . Z:\. . } ' ? } . WPP n11‘$Ie'r1'uso . spirit hath led me A Sweetg A SP1-ﬁt ' hﬁthled I118 ‘*0 . I _,._._._._ 1 - V } ‘ ' 0 a ‘ a ’ ‘ ‘ ’ ' ' ' ’ ch‘; 3%’ i-- wandﬁring m'1'stl.1e}3 faint ..... -- Olrthe da1*k,the si-lent stream, The Champak odors fail,____..__ The PPed P _ a tempo. ——-.—-;: ti ’ SW99‘ thoughtﬁ‘ in . ‘ 7 ‘ The night-in—ga1e’s complaint; ..... -- {T ‘L/\. As I__;_-- Inustonthine, As > I .... -- must on thine,Be10v - ed as thou art, Beloved as -thou agw 33$ r~ ;*ita1.'d. ~ Pad. ‘ * 177: 77 Tempd primo. gen - ﬁe’ —dews of sleep I, b a—las‘. xiaust weep, 'I‘hou,kn0w’st not, 'I‘h0u,kn.0w’st not 1% /-—\ My cheek, my cheek is cold and 3's/‘an, ___.__i can passione. . >r>\> heart, my heart beats, loud andbfast, Oh! press it, Ol1!press_i{ / - \ V /‘.$ ZTS V/‘.5 ‘ to thine own, 01' ‘riirzrd . L 3 L 3 L press it to thine mm, 01' o a spirit hath led me ‘ to it \'n'll break ‘§ Both Pedx. f.‘ it will b1'eak.,O1' it will break at last‘. ‘ FA ri mrd . hathled. ‘me ll to High Tide. Words by G. Clifton 'B‘in‘gham. 7 L Music bY Arthl” Camau Andante con moto. dream when the tide comes in; A Out of the wdrld with its ritard. cl‘amo1_'s and cares,‘ Far from its strife. and collzz voce- Shad - Qws creep o’er the Where ' 3 \ 3w¥——-—/ nmzle. and _r2'lzzrd. Lento. A dream that has drift.- colla war. at an — chor ships ‘"‘ _the past ed by. 4+ ‘Sta. 1... Pin m 0:30- In‘ _ to the mom - ing 7" Pin mo: 0. sailed at break ,of day, . Back from the fishing, their .9z'mz'Ie. ‘ déy’s _1a—bordone, The boats cqme meno.m0uo. Monarchs of storm _and L ' Come plough - ing the\calm_ grey nf memo mono. oyLe9'zl0.A by one V Hand brought home V To the Ha - ven where would be..- . Moderato, 6:2: ,Lenfo.~\.::=._ _ — bor where storms f‘1\ . Lento. know. .................. ..Sor - row_ and wreck and M . 3 ‘ + ~ Andante‘ , and 't ides 3 .4ndzmtz'7z0. b I _ 9 ’”f / ‘ . , by,‘ _ in that Ha .- veh -fair, And zlndrmlino. )9 calla voce. Come to Me. Soprano or Tenor. Words by.W.Boosey. M11510 by L- D9111?!- Andante sostenuto. /5 avfa. P ,Neath the Si] _ — ver si—lence of the /5 m0‘0I1, ............. ..When the winds are sigh-ing in ro — sy bossom buds of June. ............... ..Cl0se their dew — y pet-als in- to col c/mlo. at: ‘Ea. ‘Sim. * When the weary eerth is hushed and sleep—ing, ........ -_ And the - Mia. Mia. cm ,£:0ld—en stars their watch are keep - ing, Come to me, Mv [9007 (vmto my dar - ling heart,» Lay your trem—b1ing hands in eyes di - vine .... __ Love, that life nor death shall part! Lay your ht'rem—b1ing hands in mine; in your eyes di - Vine that life nor death.--. shall ('0! canto. Andante mosso. )0 -Love as boundless as the - cean seal Love that shall be proof a —gainst all 2-3 Love that shall be a life. Vto you and me! fa ammando. Fill-ing both our souls with trust sub—1ime; Till your heart shall beat on mine, re ~ /"T P animando. b — ply - mg ' joy un~end—ing1 nev— .r dy ~ ing! Come‘ .to )3 vol mm/lo. Tempo I. m I?!’ Come to trem-bling hands in mine; ' in your eyes di- vine ..... -- Love, that life nor death shall part! Come trem - - bling r/it. that life nor death, ............................ .. tat life nor > > } '00 Nmfo. > > > col czmfo. > > > } 3l%>72t. > r,\ nor death may }M 3/Int. The Sea Hath its Pearls. Heiﬂe— L°ngf€110W- ~ R. Ernest Bryson. Con moto moderate. L132. V 30 heart . hath its A Great are the sea and e heaven, / great _‘er /Zr“““‘**~\ {And fair. - er than pearls and [ff if Flash_es and beams my can. pasuone. ‘‘ a tempo. j——jéf\ Wlit- - tle youth-vfulh f ' A/———':”“x ‘mil. .9 dim. go almpo. ' cresc.rz'tenufo am poco a Iempo- maid - - én Come un_to my great heart, My héart and the sea and the reemrilenuto un poco a fempo. 2*??? crew . con anima. heaven .......... .- are melt - ing a-way, are melt - ing a.-way, My T E-‘re c anim '. marcaio . f dim, heart and the sea and the heaven are melt - ing a _ wey ......... ..... -. with # mﬂ \ are melt-ing a 7 way with m . rall. _rp - - Pa tempo. The Life J. EDWARDS’. A119. Vivace . } } A—.lmi!la1m0htheboat! Come, dash ____________ _tu the deep! ..... __ A C<)py1'ig}1t l88J,by J.Ch111'oh 6c"C0 . L? ship ____ __ rurshes 011------_--_ to the rocks wild and steep! All torn are the it sails and the helm ____ __f1-omthe bands;-__ 0 l1ast— en! The Life— boat to } 1-es '— cue -the hand.s‘.___ A hoi _____ __ Ialmchthe boat! (Tome, dash ______ __ to the Li deep, ..... __ A ship ____ __ rushes on __________ _-to_theT rocks wild and Sheep; {*3 All torn are the sails ____ -; and the helm.____ fmlnthe bauds,,-___ 0, 11.181 — en! the } hrall.V- — — — Life—b0:n ‘tn 1':-s _ one the hands. L rall.— «,3 — dim. rall. — — — ~ ‘ ’ A110. A ud.-mt.e. WV cresc.——————-———— The Boat has set out}. _________ __ IL--- leaps for.-- the life, .--_- cresc. — ac-cell . Q Agitato . The Vessel has struck.’ A cry drowns the strife; , The ship is > ' flees the brave;.__._ It phnlgvsl it f()lllld(‘I‘:w‘! The its Andante con esp}-essione . Our (—}mL, blesstlléboat! Thé men g to the Inést, Th‘e rigg-ing, the ya1'dS,tl10ugl1 in tel‘ — 1-01', hold fast; A hope of tl1ei1'1"escue is fill — ' ~ Aingeacll breast, And death‘*cI'oucl1es read — y be -hind each waVe’s crest. s /3 Allegro agitate. O! hurry the boat! What dread perils 10111.‘! A wave seelnsa mountain, } ff ¢ Allegro. cresc. _____» . L? mo — — nwmaulmur! How boldly it rideson the bi] A — ff L34 long, Now tleatlfs dis—ap§p0int— —.ed and ,hope“ ..... -- becomes strong. ______ -_ tempo . ; A119. Moan’ It 1'eacl1—es UleWI'f‘.(5k‘. I ev’—1'yn1au Now safe in the Iife~h0at,th0ugh P . wear — y and wan. Hu1'rah!It 1'etu1*11sf1*01n its life Saving feat, While ;- “ ” " ff laugh — ing to scorn the wild wih(ls,waves,aI1dsleet. The boat has returned, 1' rall- en — ~ te1*s1l1ecreek!_ Let mar —j — cy now hast — —eu to sun - c01'7the Maestoso. weak; Thanks giv - — ingand praiseshall as - (tend nu - to Thee ) 3 3 9 3_ 3 u - 3 " ASH‘.-V ~ V611 of life,‘ and the Lord of the sea. ________________ __ G 3 . 3 3 3 3 . 3 _ 3 3 3 /3 0 Dear Love. SOPRANO or TENOR. Words written by H.W.Ingram. Music composed by Henry Klein. Andante molto. ff ‘9@- Mia. A ndanfe. lov’d and ,priz’d thou art, rail. pass my days, How rest - léss can lmseione. havé no- hope in lov — ing thee, A can-not am‘ pa.9.s-ionc. (I lempo (vmm/)z'le thy ‘ déepeyes still fol - Iowme, Bright as the hour 3 3 8 8 8 *m. accel. do. nbt hdlahre M L. to think of thee, Thy § ,.s°lo_u'€r. face still ha_unts-..; my sleep; Em - bly ask that love like mine ..... ..: May pray for thee and weep!.;..-... ::?+_...———.T‘:.:-——> $532». ma. 5: 4,? rz't. : 'V - love like‘ ‘mine. ’May pray‘ ‘for thee I 'aﬁd ‘weep! . kind-ly word did’st thou give me, . si-lent and a - lone, \ dear, Ifeel in lov-ing thee Theworld is _all mine own. (zccel. name I still may breathe to Heav’n, Thy face .is -on my heart; . 5!.’ (local; ‘______,..__—-—-—- L ‘ a’ tempo ' o.zmt(tIn'le let’ ' ‘me now . . r.e-mem 4 brance claim, Th‘o113‘gh.doom5d from thee If fempo one thought . to _ me, slower kind. word I im - plore; Thought reft of hope of winning thee ...... -- I’l1 It lemma calla D008 It tempo . > . > love thee ev — er- more ..... -- Though reft of hope L of win - ning thee, I’II ‘ . 3 5 10V6 or - - er and ev - er - morek A {sing to Me. Words by Fred.E.Weather1y. b . Music by L,Denza,V Andante sostenuto. )9 lranguillo. , Whenjthe leggiero. that usedto 1? go: ................... .. While 11 col canto. watch ............. ..'..your ten - der eyes ................... .. In the ‘moon ‘gleam, ............... Sing t e col canto. V dream, Sing---" col canto . old .................. ..'.sweet memo - mes, col canto. O sing to you, sing ................... .. All. the f’*_: L; -_ ‘fears; ............. .. f0Y days i0 be --------------- -_~ ----- -- From my heart """"""" " take look _______________ __ m_-to your_ eyes, ........... ..... .. Thenl col canto. §——————-—-u-——-—-'Z All the bit. - - - ter mem-o - b ‘col .cam‘o. find _ it in ' Pol-ly?s hairy; — _. And her_ eyes had some‘— thing in t She round"by the dai - ry farm; yTo ” talk of the house lid furn — ish, And the nev- er knew how to say; And I look’d at my sweet lit - tle Pol~1y Till she ring 13 have to give, And the love that we’d bear for each other - So look’d my heart 21- way; Till she l’ook’d my heart a — way,‘ long as we both should live, So long as We both~,should -live, Tempo 1.9. Pol-ly and It were T sweet — hearts, As all the neigh —bors . linow; ‘ Pol—ly and I-.-- were sweethearts Twenty years a -' go. Slowly. v Pol—ly grew wan and wea- ry_The ros-es paled on er Religioso. 3 1 pray’d to our ‘ Fa-ther in Hea.v’n nd our Fa — ther kept me brave;Yes, Slowly. I M". That’s what I want with the cow-slips To lay them on VPol - ly’s‘grave; 10]0 S\lowly and sadly . lay them on Pol - ly’s grave.V Pel—ly and I "were sweet-hearts, As all the neigh-bors know;._;.--_ Pol-ly and I were sweet-hearts, fran. Twen- ty years a - — go. .......... .. f . mu. . R a temgo e accel. It Was Not Thus To Be. HAT N_jI_CH.T SOLLEN‘ sE1N,) DE-=3 TROMPLETER VON LSAKKINCEN. ‘(SCHEFFELJ ‘ English Words by“winthr-op‘) " . A Nessler. Andante con moto. -How stroangeis life! its min - gled Joy and ‘Ba: in im Le — hen /Eiiss - HM em —ge- /——T\ sor - — row, Where with e ros—es thorns do al -ways grow; ’ is smiles to- -r2'cﬁ— - let, d/my bei den II’o-.9(?ngle2'c/c a’2'e Dor—nen .3tM’n, um! was due /41 day’ and bit-ter tears to - mor - row,’Tis part-ing now, and I must from thee IN‘ V - omevﬂerz./zucIe,seﬁnt mm’ die}: ~ tel sum Sc lug-se /comm/t a’/1.9 Von-em — rm — der- /‘g 7 M {" ‘fa. Cop.yr"igh_t,.1889,by The John Chufch Co, Oh dear- est heart! thine eyes - on me‘ beam - - ingw in theif In (lei-hen Au — gen /lab’ ic-A ez’n.s-t‘ ge — le - - sen, es bl’z't5-tee‘ , espam-2'vo. depths a world of bliss I see, God bless thee love, ,my joy was on - ly‘ al’rz'n mm Lieb‘ um! G.l1'ic/c em Scleein: Be - /tiit7d27c/1. Gait.’ es wéir" zu .9ele2)'?l 59‘ (‘T {T seem — ing,_ od bless thee love‘ it was not thus 0 be ............ -- d bless thee -we — sen, ﬁe - lciit’ die}: Golf.’ es Mt m'c/Lt .e0l—len .9ez'n.--—------- Be - MZt’Adz_'cﬁ /‘N lovew my J'0}’lW35 0n“ Y Seem. ' i11g,G0d bless thee love, .it was not thus to be. Gott es wiir’ :34 schﬁnge — we - sen, ée—Iav?Zt’dz'cla Golf! es Mt m'c-let eol — len eein. My way was filled with grief, and hate and Laid, Nee'af1¢7tdIIass,a14cﬁ tel /1116’ sie em —A sad _ —ness, '1 was a wan-d’rer .on life’s st0rm—y sea; Yet th0t’s’ of , ~ez'n sturm-ge — ]2ri«'f—ter, mii — (fer Iﬁm -ders-mann. Icla triim/¢t’von —pf-am - Jen peace, and quill; et — nessaand glad — ness,Came 0 my heart, ‘ e ink—ing love, of , Frie — den (1/t7m7‘un.d .9t2’l - Zen Stun - den, (la hi/7/27' - le mic}: der I/kg zu a’z'r /lin- W th - in thirle arms, thy smile up — on me gleam - — ing, I fond-ly In (lei - wen A’r — men wollt’ 1'0}: gun: ge - ne - — sen, sum ﬁrm-/re ‘ 7 /’‘‘‘“*$ A .‘J. b . ./an-xo — e.9ptm.9¢'vo‘.*,'. hoped to rest, dear 1oV‘e,with ‘thee; od b ssh eev love, y joy was . n — ly dir main jun — ges Le -ben wei/e’n: Bee —.1h’it’ dial) Ga.-ti.’ es wiir’ 1m .s’cﬁb°n‘ge- e-‘—?"——’-—\ ing, od bless thee love, it as n tthus o be. ___________ __ God bless thee sen, ée - lciit’ dick Gall! e ﬁat male! .901". Zen gem..- ....... -- Be — /ciit’ dick ?\ . n o. /' , I g. ~ ._b e love, my Joy was on — y seem — ing7G0d’ bless thee love, it was not thus to Gall! es wt'z'r’ su .90/5°o'n ge — we — sen, ée — lzviit’ (lie/z Go!!! 6.9 ﬁat m',c}2t sol —len he a a o (5 , T ‘ he cl uds ‘la’- Die Wbl —/(€72 rises . The mourn-ful , V ind is sigh-ing, The rain-d ops flie/Pu, der lVz'nd sausf durcﬁ die Bliiﬂler, A em Re - gen - "f up - on my dark - ’ning . Fit emblems - er zieﬁl durcle lI’ald um! , zum Absched- all of hopes that now seem fly — - ing, The gath’ring gloom up - on a hap — py '-neﬁ — men jzzst alas rec};-to If/kt — - tengravu wie der Hz'm.—mel ate/cl vor mir die bl/"F .3u;- ‘IQ. -I-‘Y3-, Ifﬁ coming days shall be with for— tur_1e beam — - ing, r for-tune , D0clc,wemi .e.9 sick tum Gu-ten o - der Eb’ - - eenhdu ecltlzm/ce T ‘e.9}1anV:z'vo. frowns, I shall be ‘true 0, kthee, ’ ’ God bess thee love, my joy was: n - Iy Illaid, in Treu —en — den/r’ ic/L dam: Be — A532" dick Gotf.’ ea wiir’ zu schin ge- /‘''§ {— . \_/ Seem - ing, od bless thee love, it s n tthus 0 he. ........... .- 0d bless thee -we — - sen, be - Mil’ dick Golf! (3 ﬁat me/it sol-len sein. ........ .- Be - ﬁif’ die}: 1 love, my joy was on— y seem - ing,God bless thee love,‘ it was not thus to- Goltl es— wiir’ in so/Eiin ge — we — - sen, be-}n'£t’dz'cIt Gott! ex V/eat niclzt sol — len . 9 o (\o A V ,——-T T Tell Her I Love Her S0. A .Words.by F,E.Weaytherly._M,A. _ b Music by P.de Faye, Andxan‘ti‘r1o con moto. (J.:72.) /_ ”ﬁf Jen man-a/o iléauo l._ Gleam, 2.Greet, sil -» ver stream, Sea — ward gai_,_.__ Iy___ swell _ _-_ soft - 1y my swget, By thy span-gled margin roam - _ _ _ _/ J whisp — ‘ring low, un - der_ themoonL,____ To “your banks my sto-ry tell _ - _ ing. ............... .. In the ten- der love—tide gloam- - - ing. ............... .. 1'!’ >- L,H. luu'ng7z’nr/o _ pppooo piu lenlo Far, far o’er sand—y bar, /5 35 /\ /.\ Greet, greet, soft-ly sweet, P1700114 0008 as reu. fem 17 :3“ pa ores Lies Amy lit-tle 0ne’s dwelling. Tell her thatll am comiing. Flow’ mer""i;1Y’m‘e"“'i ‘ 1)" ,.\ T9:-=7 rmpocrea. L. i . . f \' dim. e rz'l. flow .Tel1herI love her so, ,—.. _ dm. 6 ml. ply: in lfvo > Say, poco marcalo > when she’s a -way, ...... -. ’ ‘dark_,---- ,,——-- T?» <——_: Z} 1‘ ,.:>‘; c-res. ores . an 2'»: amlo: 2' Bright and \fa‘ir-_--___ w hen' she ‘if.’ j #- f /—\>>L near, For ’tis she. ............... __ is the sun- shine on _ 87 ﬁﬁgoco pm lenia /‘\ Greet, greet, -”\ col/a vac: __;_?_,a le1Ig}2o.cres. soft§ly my’ sweet, Shé is my lo_ve,mine on-ly, Flov‘v,___j__ _ flow,-_;-_-_ a tempo. 07-es. } T}; o f ad IM. KN me.r-ri-1y,mer—ri—1y. flow, .... -- Tellherl love herso, ________ __ I love her _/./A ,J,_/‘_/ ‘X; collar voce They All Love Jack. TENOR. SONG; Words by F. E.‘.,,W_catherly. _ Music by Stephen Adams.--. with Spirit. When the . f\ ship is trim and read-y, And the jol-_ ly days are done; When the \ / last goodbyes are whisper’d, And Jack a_board is gone; lass -es fall a »- weeping, they watch his Ves _ sel’s track; the lands-men noth __ ing af - ter Jack, the lands -r’nén 10v - n‘oth - ing af _ ter Jack. . . For his /3 a lempo . heart is like the sea, must lone - ly ‘be 1ove’s the best of all . . ]ack’s the King of L all. . Ev -er V 0 - pen-,brave, and free; comes back . Till his a ship That can a —man be _ fall, . ad lib, For they all calla voce. > And the But goes, their hearts go loft that "lit _ tle o’er the sea he with him , 77 che- rub, Where he E,en his ship he calls her “she!” Up Sure a maid-en she must The mer-maid‘s,down be_ low, Would give ir crys -tal king -V doms For the love of Jack, I triow; give their crys -tal king-dom's For the love of Jack, I trow; -A For his f a tempo. heart is like the sea, Ev_ier 0 _ pen,brave,and free‘, And. the girls must lone _ly be. . . . Till his ship comes back; But if loves the best of all. . . . That can a man be - fall, . king of all,. For they all Z-5 calla voce. When he’s hm sai1,d the world all o-ver, And a _ gain . he steps a - shore; There are scores of lass -es waifying A To.. love him; all the lose his gold - _en guingeeas, V But a wife héll nev_er lack-, wed themall they’d take him, For they all love Jack! If he’g wed them all they’d take "him, For they all, they all love jack! . . .‘ For his r.\ /"5 ’- \ calla voce, heart "is like the sea, EV-e.r _o.» - ’pen,brave,_gnd free; ‘ And the girls must lone - ly be. . ,. . Till his ship comes loves the best or rall . - That can a. man be _fall',_ . J deliberato . ack’s the King of all,.. For the 'all love ack! Y /K f\ calla voce. 96 In Old Madrid. Words by Clifton Bingham. Tempo di Bolero. H_TROTERE_ , A . ' > Long years a - go, in old Mad-rid, 'Where soft-ly sighs of love the light gui- > > A A A Two sparkling eyes_ a lat—tice hid) Two eyes as > > f\. There, on the case-ment ledge,whe.n day was o’er, >> > > 1ight- ly laid; A. face 1o0k’d out as from the riv - er shore, There > } } } ‘ e a tempo. stole a ten - der ser— e - nade! .......... -; Rang the lover’s hap-py song. coll/z vocr. , it It tempo. Light and low from shore to shore, But ah! the riv—er ﬂowjd a - long tween them ev - er - more. _______________________________________________________________ __ A A A ’ A A A A A A A L 10- A AA A e rrwll. _ con tenerezla Come, my love, the stars are shin-ing,‘ Time s f,l‘y- ing, Love is iigh — ing, A . 5.-.- ﬂ~.— r thee a heart is pin - ing, Here a—10 e I wait for thee! > _ A a lempo. Far, far a - veil those sweeteyeslhid; And all the ,—\ > But still, be — tween the — tice wide,’ lat > white hand Opes the VOWS dusk > that and love had sighld were /\ night ’tis said, } the faint sweet ech - 0 j ser - e -nade H Floats weird — 1y 0 er the } calla voce. } of > t.Her "Still she lists her lov-er’s song, Still ‘he sings up-on the shore, Thoxlgh ' f/_______________ astreamthan all more strong Be—tweer1 them ev — er - more! ............... A A A A A A"_ can temrezz/t. Come, my love, the stars are "shin-ingﬁ A Time s £Iy—ing, Love s sigh-ing, Come, for thee a heart A o E O . . 0 . > . . . Here a - lone, I A a temp 0. 1--.. wait for thee; ?—§T wait for thee, ' or thee, love, for A A A V V calla voce. An Old Garden. SO PRANO OR TENOR. Wortis by Helen M.Bur.nside. % Hope Temple. Moderato . ' old % gar _ den V gay 4 lfqun - tain ' the cen - tre, «With its gleam - ing L mar _ble There were A 1’ wind. ing walks where, ros'.es grew, And )0 . mu. fash-ion’d from the hedge of I ca1l’d my La -dy’s gar-den, and Tempo . f m 10 . rm wont to walk witH _ in it, ’ I re —mem-ber best /3 mcolla voce. *Ta. rm1'malo . In her pet. ticoat sat — in, fl little fzuler. f the Mmaid - en I /fair "and of and her gai _ tall Who was _ ly fIower’d j‘ J} 0 And the .per _ _ fume and the pow - der 4 lzllle clower. hair ‘f s'un-ny.’ brown! re — mem _ ber, I re- mem —ber ’tisea- f/\ life - — timesince we met, ‘ But her sweet face pure and« f fI\ — ly in my, mem _ '_"ry lin-gers yet! see her waIk‘1-ing, with her state - 1y‘ grace s guard ‘- ed 1’ {*‘m. of pearl and gold! *‘}3za. f gates 61" pearl" A calla voce. that, swéet gar - den, .with the lil _ ies fair and who wa1_k’d 1_'z'I. calla vocem “Ea. very slow . 108 It Game with the Merry May, Love. Words by Whyte Melville. - Music by Paolo Tosti. p legato armonioso. l.,It calms with the 111:-1' _ 1-y May, love, It 2.T\NaSapla11t with on deep _ or root, love, ’[‘hanthe N/v bloomed with the sum _me1‘ p1'ime,........... In ‘a dy - - ing yeaxgs e- blight _ iug east _ en: tree, ............. For it grew in my heart, and the my, love, It ‘bright -en’d the fad .. - ing fruit, love, Was e bit _ _ tel-laud bane- -ful to /la‘ thought it would last for a life, love, But‘i't went with the win‘ - _ tel-’s.' poi - son is yet _in my’ brain, love, The ‘thorn in my breast. for you col canto. 3 . ' Twas on - _ p tempo. nev_er can bloom an -y v111_01‘e, love, For theplough hath pass’d 0 _ ver the a empo. 7 h And the fur - row hath left ' score, love, In the Sp( 7 JFL: a tempo; _ rite _ _ . a tempo. 1 p1ace.whe1'etheffl0w_ers are not ................ .. ‘T15 gone like a tale tfheawtis PET rit. col canto. a tempo- > >' told, love, L Like a dream it hath fleeted, A1th0u'gh’twas fit. col cantq . O11- ..ly a year ’ 7 . > Twas on .. — Ly a'yea1' a - - go, love, col‘canto. K affret. .. Z \ /‘ col canto. 1; gig ., $5 Ching-a-ring-a-ring. SOPRANO AOR TENOR. WordSb;v F. E.TWeatherly. ' Music byJ.L.Molloy. ’TwasV a lit — tle maid. of But he couldn’t tell her how he loved her,‘ Just be-cause the language it was —-Mean _ while the Man - dear - ins they wooed her, Poor, Jack dis_ - con .— so — late, was he, if I’d on—1y been :.but a _no~ble Mandarin, O Ching-a.-ring,- a_—.r.ing, you‘ '3’, __,z;\:;. ;: .a.~:,:.‘- .—, 1 w'——~— — pret — ty lit — tle thing, Per - haps_ you wouldhave mar — rjed me!” So this, gay and .gal — hint sai — Ior mm//m/lo. .B0Ught~him-Self a yel — low gown, Bought him_self a pair of golds. en- lentamlo dolce. slip.—.pexs, - And. a lorﬁt and.IoVe - Vl'y pig. tail to hang bd<»)_wn.‘ to that lit _- tle Chi-nee maid_en, Grave ly he sank up- on his “Q .I’m. a. Man__ da7— rin, with a pa].-ace in Pe—kin, O /3 . C_hing- a-ring,- a -rir_rg,you’ pret—ty lit -tle thing, 0 say that you will mar - ry me.” ’ f\ poco [pin lenfo. Stated that lit — tle maid of . Won—d’ring.wha_t he meant to kissed her hand. gent — ly, And. flung dis.- guise and all Shone bath her brighf eyes like . gave Her lit _ tie hand and she made him u”n—deVr-stand, That the lentamlo e ores. rich — est Man, _ da_ ;— xrjn, mivez. n0th~ing to a brave young’ Tar. The Sweetest Singer. S 0 N G. * ' Music by‘J.L;ROECKEL. Andantiuo. ‘ /-T ’;I'f.A> > $311 6 Largamento. ‘ A \ n ()0 n In rglzezzu. 9 . ~ . . -Crowud wlth ro - ses, clad Jn sun-shme Comes 9 .And the mu - sic 1-are he Iunk<- eth Eve-ry heal-tmay un - der—stand, Bull. llolr-e. u tempo. Sweet, so Sweet the sounds he dI~aw.-oth From his harp of ma - ny strings, fr: ‘Old and yduug and lit - llv chi!-(lr49n Pause to hear. tlfe song he sings, .g £ Pause to hear the song he sings. Ammpo. > (7(1I1tun(I0. l'.'.s’7 7‘¢?.s's1'1! . ‘i . ay the old, s“t1'ain re- - P A tmnpu. youth, long . Say A the chi! - dl'¢-,n,“Such glad 1nu- - sic "B1-ight-er makes thy-" Dnlr-i.s'.n‘m0. \ And {he nmi - den and her "A , . (70 In parre. temp" eyes their Se- - (ms-.1 ’ Whis - pe1'“Sweet should bv_ his ‘sing- —ing, Love, he sings of Vflwe a - 10119, Love, he of time a -10:19’? gﬁ 2 J’ Gran (lent en re. _ So, for - - ev — -,o_1-, A tempo. Bright —’uiug pla - — (:95 dark and d1-em‘, «S”"“‘~ grvao Through the world the - - - - - - diam sing- - ;or Lungu. all . . . . . . . who choose Collrt Parte. ’I' :2 mp 0 . 1‘) Rich and poor, or high 01; low - Jy, Ev-’ry .heart:‘his voim-. hczm nmve, Tenzpo. ’ Laryrunent. Pin ugituro. All may learn the song he sing- eth For the sing-¢-,1’-,5 'II«‘lllH*. - - - - /__——?“\ / E Q Pin ilgifttfo. J_ "H .L_ La rgum (:1 . Calla ptlrfe. Alley/‘:2 1110110. > > .> The Golden Gate. OR ANG.ELS AWAIT.‘ Words by Edward Oxenford . Music by Jn'o.E. Webster. >T>‘\ ‘ 5 1. As o’e'r life,s path _'way hour by hdilr, We tread by fates de- 2. The sweets of life to ma - ’ny fall, And bring thlemearth- ly gj ‘ , _ _ cree_; Our hearts all feel ' a guid _ - ing powr , That. joys, While sor _ - row 0 - _ thers holds in thrall, And Copyi'ight,18s0,by The John Church Co. eyes can nev_ - er ' Yet pas - dawn — ing bliss, de - _ stroy, ..... -. But for on - ward press, As roll slow- ly _yond the sight,, A en lies in Vscarce ly heed in thoughtlessness The end ‘ that lies there un-chan-ging day and night,The end that lies 0 . I‘ . - co] canto- a Iempo. Ear-_ ly and late, An;ge1s a -»wait,‘ a Iempo . gold - en gate, Ear _ ly and ‘J . Keep - ing guard at the gold‘ - en 'rz‘t.coI canto . \'__/-2 our ways Keep - ingvguard at A the be - strewn with flow’rs Or V they dark and should thro’ all h liv - - ing hours Look V colt -. stant- ly to who fain, would guide our feet, _ ring steps, re. g1ad-lylgreet The end’ .‘t'\ha';li_l‘ie_sN be _ - fore ..... -. Ear-1y and late, V will no] can! . Angels a -wait, Keep_in‘g g?'uard'at the gold1-_e-n gate!‘ Ear_ly and:_l{atc, f 1 Angels a - wait, V Keep - ing guard at the gold - en gate! Keep - ing 'gua_rd, t the, fvr1'l.¢oI canto.v‘ A I‘. 128 Queen of the Earth. Words ‘by H,L.D’Arcy ]axone- Andan't_e,,moderat.o. T ra .« 4 5 A //—‘r Music by..C,iro Pinsuti., /5 cres. -1 ‘ } I’ I 1 V - 0 T \ I \ I ' D I I I It I I’ I I I g ‘r 1 I I .' 0 I ‘ 0 g > , life her vig — ile keep - —ing; VVhose wings are sp.read,o’er each cra - dle A LL I \ Y T bed,Where thehopes of earth Lie’ sleep - ing. /———$ d1 1" 0-‘ “"7"""'f The He-roes . at van-quish a - mid the strife, And write their names on the scroll of life; _____ -_Have fought for the fade -less’ ) laurels of fame, To lay their crowns on her sa - - cred name, } > > 7 7 7 7 . W aéjempo. . p0c0d'im,i V> m"o lie. Tolaytheir crown ______ __ On her sa— cred name! _______ _____________ ________ __ ‘ _ e/res. e mu. molto. ‘f 1Ko.lt0_mae.s-Ato.90. Wide as the world ' mr_ie.9f_o.9o'._ 2; '°' is. ,her scep_tr_e', f. She has‘ fash — " I '0 rec . a 12000 - poco queen ......... .- of the earth ......... ._ Dshe reign throne ..... _ As queen ...... -. of_the earth _____ . , reign - - eth a - lone! dolor wcon e.9pre.9.s'. ?Midcscenes of shade ........ .- and he - row: She weaves'thro’eachenight,..-- “ - ~ of light,.... That,’ IT . leads to a bright 1 to - mor She launches each ‘life on the sea of Timer.-. And guides each ‘ , «h the far off clime; Her pin - ions of ‘love ‘ > > poco dim . spread in each sail,.--- Till she casts the an - chor with-in .... -- the } > , ' > T1 s ecasts e _h-chor " 8 §fHollo Mam-to.;o. as the wor_ld is her - 'Mae.9i_osb°.. } her Sceptre, her As_ allargamlo. animtmdo - auai . 2'5 3 queen .... __ of the earth she reign - - eth a - lone,..-- As queen---- of [the - >allrzrg. 3 /3‘ >> mgfimando 11.9.9’/tz . . 0 0 ' ' ‘ ' ° /x molto rite“ , earth. ..... .. s e reign - - eth — lone! >/_$ col casnte. m a tempo}, >)>} ‘ "rv-——«—--— ..._..¢._<.,§gu‘ ’ ~\ Golden Moon. soNc. Words by SCOTT. Music by C.IVAN. f_ . L '. mfatcmpo. Gold - en moon! a path - way mak — ing Thro’ the ‘waves that lands di - videﬁ f ly to..__ her Lead me home the stars for-sak - ing,Guide me safe - 136_ i . . ' _ - mfa tempo. V" Love - ly light when night ap - pear — ing, Steals 3. — cross the sap — phire sea, f""‘_"__—“'—‘m /"""“-‘—‘—T / Q ‘ /—-——----——T f Say to her my home Iim near—ing, Bid her dream and think of me. _______________ .. p Tempo 19. Tell her my. gold - - Tempo I9 1" . Tho’ ‘W50 are part - - ed‘ Love Wm f Tell her my gold - E: If Tho’ wc_ are part - ed, soon Love will . re - store ............. .. ,»..\ . . . . . . . . . , . . . .- f ~ B ff]. mf at tempo . mf Sil - aim ver star!that guards the o — cean,Lampthat lights the mid - night /——--:j.:. f de - vo — tion,T’wards the heart that waits for :.Z""-‘he Guard my‘ path with ‘ thy It tempo. Faith — ful star! when {Th 1; tom 0. she is sleep-ing.,Fold—ed arms a —cross her breast, /? Z——-—-T-T /-""'—'_-T v \ me ..... -- dim. id ‘her : list - en while Iin weep iI_1g3 For my home and prom-is7d rest. ............... .. ﬂgh Z"——————ﬁ ]9Temp_o I9. Tellher my sil .- Ver star! Howl a — Tern 019 I’ / Near tho-’ I roam, or far, Safe-ly re- store ............... .. C768 . f Tell her my sil - ver star! Howl a— dore .............. f o E; 1 f\/—-————$ Near tho’ I roam or far, Safe-ly re- store ............... .. ff Star of My Heart. SOPRANOf Words by G. Enderssohn. Andant f ’there’s a‘ pearl there’s a leaf b eon the green n_1yr.—_tle - met that‘ [ rz'l.%‘fg ‘ that thrills _____ ._— .......... __ _in the nigTht—in,—Tga1e’s ........... _. ('01 mm /0.» from the the.---'.-- -blrook - l'et_ in ....... -- mel —L and stili long '— if "these V ’ should de-. mféresc. ' will I wor — ship; ‘Thou um.9z'ln'le ('01 cm//0.,,, of my heart! is‘ and--_- great — neSs---- ' IS mem ~ ry ..... _. ' " Friend — ship frbm the blast; Dear face to...._ re’/. 00/ 0/mio. ; — L , voice_t0 sing, Hope to spring, . y and still " if l these should del— part, ........ -. will I wor — ship, wor — ship, thou star ' heart, viiuiairsaiacs 3 y ‘ ls) l SONG l‘JlOSA§*”’S FOR BARITONE OW. ‘~“';t~.SS. Boiind in Boards. 5.‘-. ai.00. CONTENTS. Cliangeless 5 . . . . . . . . . . . . . . . . i . . . . . .’J‘r<)te2':> Dear ‘In,-ve .. .. , . .Kl<‘-lie «Dream isieinor, ’ . . . . ..li_en1ia)x ~Hunter’s Return . . . . . . . . . . , . . . . . . . . . .Parker '71 ‘7 " '-” . . . . . . . . . . . . . . . . . . , . . . . ..Ha_ a.1:<l ,J”ael;'s Yarn . . . . . .‘ . . . . . . . . . . . . . . . . . . . . . .1--Jnl Laughing . . . . . . . . . . . . . . . . . . . . . . . . . . .Tr-alierne ‘LoVe’s Amulet . . . . . . . . . . . . . . . . . . . . . .Web_ster ' My Shadow . . . . . . . . . . . . . . . . . . . . . . . . .Pinsuti Norman’s Tower .....L0l1r Out on the Deep . . ._ . . . . . . . . . . . . . . . ..Moir Hill is the Night. . .‘ . . . . . . . . . . . . . . ..t;‘chilol’sky ~j‘m ‘Ivory Gate . . . . . . . . . . . . . . . . . . . . . . ....Dick '1_‘he—Moss Trooper . . . . . . . . . . . . . . . . . . . . . . .Diehl ‘Vile Reefer’s Song . . . . . . . . . . . . . . . . . .M-almene The liaco . . . . . . . . . . . . . . . . . . . . . . . . . . . .‘v.“.v' ‘yster The Poor Mariner ‘?‘i‘,=e Sailoﬁs Story . . . . . . . ; . . . . . . . . . . . . The Valley . . . . . . . . . . . . . . . . . . . . . . . . . 7‘;'-;22n-t mnod 1 The Vagabond. . ., . V . . . . . . . . . . . . . . . . .Molloy The Vikings. .. . . . . . . . . . . . . . . . .. ....Adarns This is my Dream . . . . . . I . . . . . . . . Wellings ’Tis All That I Can Say . . . .. . . . . ..Te:nple To—morrow Will be Friday.. . . . . . .. ..Mo;ioy ‘ True Hearts . . . . . . . . . . . . . . . . . ..../xclatrns Two Bells..............*..;,..‘.......Wa‘w"' PIANO MOSAICS. A =‘ol.ieetion of "Piano Music of )IU(jer:.L3 Dilﬁtsuiay. Bound in Fﬂzoards. Price. $1.00. ~f.1ONTEl"-.‘T?'3'. \i7f?i‘:ese Sen atle . . . . . . . . . . .1 . . . . . . . . Flieggzé: ’£i der i\.‘pii:n.=Li_ii.e . . . . . ..l{ollii1g ,l~TU':lka la. '- Viungen 15‘:x."= we . . . . . . . . . . .l’a‘=.'sz,rgei‘ Hleen Zslzivourneeiz. 4‘ . . . . . . . ..(‘uhe La Gazelle Tollzsi . . . . . . . . . . . . . . .Wolleiiliaupt Les I’. live of NL-Av "{m'l-1.. . . . . . . . . . . . . . .Satter Le Revel} di; ?i~2i)te1i1 es . . . . . . . . . . . . . . .Smith De Secrw . . . . . . .. \'".x‘ai1t.i».:r 'i.<as: iayipgies. 4 .. . . . . . ..Bachmam'-. 'Loin.(lu in} . . . . . . . . . . . . . . . . . . . . . . . . Aiillet fvm: i . . . . . . . . . . . , . . . . . . . .9i\7i'ai . . . . . . . . . . . . . . . . , . ..Delibes . . . . . . . . . . . . . . .Br1nl<_ma1m V "‘2or}:»:ri >, South . . , . . . . r . ‘ r . . .Spindler . » noel <>l<.l Times . . . . . .Bacl1znann In . . . . . . . , . . . . . . . . . . . ..Lange =t Love . . . . . . . . . . . ..Eilenberg V Le . . . . . . . . . . . . . . . . . . . . . .«.Lange "rl Song. . . . . . . . . , , . . . . . . Lange ‘Lisp .................Jungman SONG M0 AlCS. ‘z’-"(BR I-‘ALTO 05%’ !‘a“3E‘.."..'E.'f.! SOPRANO. Imund in Iﬁoamhs. 1."rico\,&1‘»l.0¢). CONTEN “ill [I .Afte1~W>'-rds Golden Sorrow . . . . . . . . . . . . . . . . .VVatson A rzgns l\/Iaerlnnahrl . . . . . . . . . . . . . . . . . . . .Rovcl<e1 By the Abbe lloor , . . . . . . . . . . . . . . . . . ..Tours Ils:1,ddy ... . . . . . . . . . . . . ...... . . . . . . . ..Behrend Good Nigrhl, Robin . . . . . . . . . . . . . . . . .Roec-kel .‘;:'lome, l)eari.e_. I-l,on_»e . . . . . . . . . . . . . . . . Molloy In the Cliinney ()<>»2'ne1~. . .. . . . . . . . . . . ..CoweI1 ’-’_m';e’s Joy. . ‘ . . .. . . . . . .G11mbert My 1-'"i'iend . .. . . . . . . . . . . .... . . . . . . . “Be-ln'en«,l Only a Rose . . . . . . . . . . . . . . . . . ..Wellings Girl y the Sound of a Voice . . . . . . . . . . . .Watson Relics ... . . , . . . . . . . . . . . . . . . . . . . . . . . . ....Loge The Beach Iiiairlen . , . . . . . . . . . . . . . . . . . La Villa .. . . . . . . . . . . . . . . . . De llara . . . ; . . . . . . . . . . . .Tours / . r . , . . . , ,\—Veh:<ter 'l‘T..s "Ivory (‘rd .......l>vek ' iflie of 3' . . . . . . . . .‘ . . , . . .l\/lam’/.ials 7 ..it'e . . . . . . . . . . . . . . , . . . . . . ..Roecl<el Modern Juvenile filassscs, ' -VOL. 2. ‘T A Collection oi Easy Piano .‘.lnsi0.k Bound in Boards. Price, $1.00. Allegretto Selma-xa.11do. A . . . . . . . A . . . . . A .. Allegro Vivace . . . . . . . . . . . . . . . . . . ‘ Avn b‘prin;__--l>i'i1n1ieis . . . . . . . . . . . . . , . . . . . . .. 1\II10i‘.;‘ the Gypsiea . . . .. . . . . . . . . . . .,v. ' Ati\Iight.......' . . . . . . . . . . . . . . , . . . . ..v. Barcarolle . . .r . . . . . . . . . . . . . . . . . . . . . . . . . .Behr Capriccietto . . . . . . . . . . . . . . . . . . . . .Scliz1rwenka Children's Party. . . . .r . . . . . . . . . . . . . . . .,]«’_.-«hler Evening Song . . . . . . . . . . . . . . . . . . . . . . . . . iehr Fairy Land . . . .. . . . . . . . . . . ..‘ . . . . .. First Violet . . . . . . . . . . , . . Fiir Elise . . . . . . ... . . . . . . . . . . ........Boethove1i Happy Childhood . . . . . . . . . . . . . . . . . . . . . .W-Jlﬁ Huntsman ’s Sport . . . . . . . . . . . . . . , . . . . . .lleller In high Spirits . . . . . . . . . . ..... . . . . . . .v. Wilm In the Forest . . . . . . . . . . . . . . . . . . . . . . . ; . .H.ille1' Intermezzo . . . . . . . . . . . . . . . . . . . . . . . . ..v. Wilm Jolly Huntsman . . . . . . . , . . . .‘ . . . . . . . . . .Merkel Longing for Home . . . . . . . . . .. . . . . . . . . . . ,Hiller Madrigal ..... . . . . . . . . . . . . . . . . . . . . . . . .De Paz Merry Wives of Windsor . . . . . . . .Burgm1ill+'.; Modesty . . . . . . . . , . . . . , . . . . . . . . . . . . . . .Liehner On Wings of Music . . . . . . . . . . . . . . . , . .Liei:ner Over the Ice . . . . . . . . . . . . . . . . . . . . . . . . . ..Hiller Playfulness . . . . . . . . . . . . . . . . . . . . . . . . . .v. V‘/‘iin Polonaise . . . . . . . . . . . . . . . . . . . .Kn-.;l«'_emneistei* Ridin;»;;Song............. . . . . . . . . . . , ..l\/Terkel R mdino . . . . . . . . . . . . . ..‘ . . . . . . . . . . . . . . . .1"-Iiller lmstic Dance . . . . . . . . . . . . . . . . . . . . . . . .v. Wilm Sarabande . . . . . . . . . . . . . . . . . . . . . . . . . ..De Paz Shepherds Song .., . . . . . . . . . .. ’‘ .....Behr Slumber Sweetly» . . . . . . . . . . . . . . . . . . . . .Lichner .‘;i<)\\7 Bells .. ........Lichner by lphirle . . . . . . . . . . . . . . . . . . .Loes<:hhorn The Bird in the Tree , . . . . . . . . . . . . . A . . . . .Fink 'f‘]:<'= ,i1ap{+i . . . . . . . . . . . . . . . . . . . . . .Bu.r-orntiller The <'j?“.1ntry Inn . . . . . .. . . . . . . . i . .Lan;;e ' . . . . . . . . . . T . . . . . . . . . . . . . . . . .Gm'litt (‘orps . . . . . . . . . . . . . . . . . . . .Lichner e 3 pinning Room . K . . . . . . . . . . . . . . . . . .}’:ehr The Village Musicians . . . . . . . . . . ..v. Wilm Think of Me. . . . . . . .. . . . . . . ( . . . . . . . . . . ..i:’-ehr Vaise Caprice . . . . . . . . . . . . . . . . . . . . . .Reinhold Verlassen . . . . . . . . Cooper VVith Sword and Helmet . . . . . . . . . . . . . . .Fink Zigeunertanz. . . . . . . . . . .. . . . . . . . . . . . . ...Wolﬂ' ' THE ROYAL PIANO FOLIO. Bound in Paper. Price, 63% Cents. Alpine Horn. . . . . . . . . . . . . . . . . .Pro(:h-Shirmer Among the Gypsies . . . . . . . . . . . . . . .N. v. VVilm Au Revoir . .. . . . . . . . . . . . ..Lichner (‘/hacone............. . . . . . . . . . . . . . . ..Durand Chinese Serenade. . . .Fliege Die kleine Miillerin . . . . .1-‘airy Polka . . . . . . . . . . . . . . . . . . .......Spindle1= Flora’s Polonaise. . . . ., . . . . . . . . . . . . ..>‘pindler Flore-lla Waltz . . . . . . . . . . . . . . . . . . . . . . .Spindler Floweret (Forget Me Not) . . . . . . . . . i . . ..Giese Fragrant,V'iolet » . . . . . . . . . . . . . . . . . . . . .5‘pIndler Gavotte . . . . . . . . . . . . . . . . . . . . . . . . . . ‘ ‘l Gavotte . . . . . . . . . . . . . . . . . . . . . . . . 1 ' Gretchen at the Spinning Wheel. . A . . Heart’s WlHll(’S . . , , . . . . . . Ihr Bild (Her Image) . . . . . . . . . . . . . . ..; . In] soh<'in.en Mai . . . . . . . . . . . . . . . . . E‘ - In High Spirits . . . . . . . . . . . . . . . . . I nterniezzo . . . . . . . . I/Aiialaise, . . . . . . . . . . . . . . . . . . . j . . . . . . . .5»: _ Le (/‘repuscule . . . . . . . . . . . . . . . . . . . . . . .,Tnon .2; T.r:ve’s Embrace . . . . . . . . . . . . . . . . . . . i . ..Boln;; Melodie . . . . . . . . . . . . . . . . . . . .. . liixbinstein Mit dern Reifen (I-loop Roi ' Myosotis Waltzes . . . . . . . . . . . . , . . . . . .Lowthian O Sonnenschein . . . . . . . . . . . . . . , . . . . liichner Pizzicato . . .' . . . i . . . . . . . . . . . . . . . . . .Deli‘oes Rayon clu Soleil . . . . . . . , '5‘ Rondino No. L . . . . . . .. .lionc'lino No. . Spinnerlied . ., . Staccato Fm l’ Swerlish Tl'na":,pe1" “ . . . . . . . . . .Soderman . . . . . . . . , . . . . .Revnold . . Sclxzxrwveiika» (ISSUED ii In ?UBLlSHEB8G§FlHISWORK. ! i; l l r SONG ‘ lV|OSi5\|CflS, T’ FOR SOPRANO. ‘ Bound in Boards. Price, $1.00. ‘I’ Afterwards .. . . ; . . . . . . . .— . . . . . . . . . . . . .1‘:-'lullen ' A Night in'Spring, . . . . . . . . . . . .._ . . . . , ..l3ohm :"‘ 3 Sings the Ni;gl1tin;fale . . r . . . . . .f“ A 3; wake, 0 My llezzrt. . . . . . . . . . . . . . . . . ..Seidl l . ’ ' ’ Lem-re-me .. . . . ... Follow Hail)’ . . . . . . . . . . . . . . . . . . . . 1 Pinsuti Golden .-*l"ar1’-.s T1-st . . . . . . . . . . . . . . . . . . Archer High Tim’: . . . . , . . . . . . . . . . . . . . . . . ~ . wijarnall Home, i'}v.a Ht’-m<'» . . . . . . . . . . . . . T . .l\r‘.[olloj}' 1’ll Follow "lneo , . . . . , . . . . . . . . . . . . . . . . Faro La-fidie . . . . . . i . . . . . . . . . . . . . . . . . . . . . . . Pi La I/iingarella . . . . . . . . , , , . _ . . . . .. Caniipa Unly a Rose . . , . . . . . . . . . . . . . , . . . . . .Welli Paradise..., . . . . . . . . . . . . . . . . . i . . . . . The Angel Came . . . . . . . . , . . . . . . . . . ..Coa\,—.i The Beating of My C‘\’.’ll Heart The Birthday . . . . . . . . . . . . i . . . . . . . . . . .Chopin The Daisy . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ai'_<liti The Garden of Sleep . . . . . . . . . . . . . . ..de Lam, The Sea of Life . . i . . . . , . . . . . . . . . . .i‘vIr.;ir The Swallow . .— . . . . . . ..... . . . Pinsuti. Unless . . . . . . . . . . . . . . . . . . . . . . .. . .- . . .Canm-gziolo ‘Venetian Song . . . . . . . . . . . . . . . . . . '. . . . . . . .Tosti Winter Song . . . . . . . . . . . . . . . . . . . . . ..heinmn<l Woma-n’s Way. . . . . . . . .,_ . . . . . . . . . .Roe~::kel SONG MWOSAICSL FOR TENOR. _ Bound in Boartis. P1-ice.,.8,%l.0(}. , , Afterwards . . . . . . . . . . . . . . . . . . , . . L . 4 . . .Mullen< An Old Garden . . . . . . . . . . . .’ . . . . . . . . , .'.Eemple A Serenade . . . . . . . i . . . . . . . . . . . . . . . . . .,.Cohb Ching-avRing—a-Rin . . . . . . . . . . . . . . . . . . .Molloy Come to Me Dear Heart . . . . . . . . . . . . , Dear Love . . . . . . . , . . . . . . . . . . . . . . . . . . . . .Klein Golden Moon . . . . . . . . . . . .. . . . . . . . . HighTide......... . . . . . I Arise from Dreams of Thee In Old Madrid,..................i....Trotere It Game with the Merry May, Love . . .’ .Tosti It was a Dream . . ; ; . . . . . . . . . . . . . . . . . . .Mart It was not thus to be . . . . . . . . . . . . . . . . .Nessl‘er My Lady’s Bower . . . . . . . . . . . . . .. ...,Te1nple Polly and . . . . ..‘......Wal<e.‘iel<i Queen of the Earth . . . . . . . . . . . . . . . . . .Pinsuti_ Sing to Me . . . . . . . . . . . . . . . . . Star of My Heart . . . . . . . . . . . . . . . . . .Den7'\. Tell Her I Love Her So . . . . . . . . ; . . . . .De F 1. Tell Me, O Gentle lVIai«len . . . . . . . .Gon‘no<.l The Golden Gate . . . . . . . . . . . . . . . . . ..We‘oster They All Love Jae . . . . . . . . . . . , . . . . . . . Azlanis The Life Boat. . . . . .. The Sweetest Singer . . . . . . . . . . , , . ..i{oeckel The Sea Hatli its Pearls . . . . . . . . . . . . . . .Bryson MODERN CLASSICS; VOL. 2. v A Collection of Piano Mnsio of Moderate Diﬂiculty. Bound in Boards. Price, $1.00. CONTENTS. ~ Anrlenken . . . . . . . . . . . . . . . . . . . . . . . Jadassohn Columbine . . . . . . . . . . . . . . . . . . . . . . . .De1aha.ye Daiiee of Gnomes». . . . . . . . . . . . . . ..Seeling ‘ ‘ ll€!‘,'«7al1bv:!1" . . . . . . . . . . . . . . . . . . . . . . .Brassin "‘l:lingeliml ........n..........;....Seeling (7l2i.vo‘éte , . . . . . . . . . . . . . . . . . . ; . .\ . . . . . . .Godarrl Gazelle. . . . . . I . . . . . . . . . . . . . . V . . . . . . . Kriiger La (‘i!U!l<:x}‘i.'«!. .. . . .“ . . . . . . . . . . . . . . . . . . . .i’.(‘I)d(-El "‘ * . . . . . . . . . . , . . . . . . . . . . . . . . . . . . .Se::eling p .. . . . . . . . . . . . A . t’a<lerevvsl:i' _- . r . . . . . . . . . .Bor:<::herini Polonai.~'«e. . . . . . . . . . . , . . i . . . . . Jloszkowski Polka ale: la; (Sour . . . . . . . . . . . . . . ; . . . . .Bendel _l"o;r2p<>nett;». . . . . . . . . . . .Durand i<,:>nc.:1» Favor: . . . . . , . . . . . . . 1 . . . . . . , .Hnmmel iv--:=nd Maxiirlca . . . . . . . . . . . . . . . . . . . ‘Godard- md Valse. 4 . . . . . . . . . . . . . . . . . , . . . . .Goda.rcl ~ade Hongroise. . . 4 . . . . . . . . . . .Neustedt lie - ... . . . . . .Th(.me K . . . . . . . . . . . . . . ..‘ . . . , . . . .He1mu.=*d “(rise fmproinptu . . . . “ . 2 Univ . . . . . . . . . . . . . .9,;,=.'igi1:111i ,. . . _ .Maefa1ren ' . . . . . . . . . . . . . . . . . . . . .Denza,__ _ . . . . i . . . . . . . [Ed wards- ....Raﬁ"~ ,. W:ill.zer . . . . . . .f......l\/Ioszkow‘ski,«
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Date: 1892
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/;m:=IM~ , " Copyright 189 '3 by J. E . Per-ring . BEWARE! Words by H.“/. LONGFELLOW. Music lay JAMES ERNEST PERRING. Allegro con spirito ma non troppo presto. 1’ known 1naid- - en fair to see! take careltake care! take czweltakecarel She .f can both false _ and friendly be, Beware, beware, hewgxre, ten: 0. > P hewzu-e,VbeWa1'e, She is fooling thee, she is foolingthee,t1'usthe1' /4'3 tcn1})o.K/ \' not! . . . . oh trust her not! .. . She is fooling thee, she is fooling thee,f1*11sthe1' not! oh trust her not! >>> > > /3 gﬁazioso. Slm has two eyes so soft and [)1'0wn, (-zu'e,t:1kc care, beware, beware!‘ She gives :1 side glziuce and looks down, 1,], rail.- 0ht1'11sthe1' not! 011 beware, hewzu'e,hewa1'e! pp wall.- has two eyes so softand brown, She give_S a side glance amdlooks down, tcnapo. trust he L’ a tempo. a tempo. t rust h e trust herfnot, oh be-w;u-e! trust her not, atem 0. > P fooling thee, she ‘is fooling thee, trust her not, oh trust her not! She is (I tempT‘/ fooling thee, she is fooling thee,t1‘ust her not oh trust her not! >>>:>>f.\ /\ \ '. r.\1’(-\ \ “""V T’—“,;s3?g7 ;.._;“f_ -5 she hag hair 0f"'g0ld-en hue; And what she says it is not true, : «— W 4-~::~.—.=w«.—.)v.~.: -:>.:+-vywwz tempo. she has hair of wall.- gold-en ' And what she says {’— /_\ J‘. Be-w:u-e! beware! beware,‘ beware! For she has hair of a golden hue, 011 trust her not; 011 trust her not! And what shesays it > > > /'\ /"\ is not true, She gives thee a garland fair,‘ 7Tis :1 fools cap f01'theet'0 Z5 Z‘ {T /"\ t * . >cmpo Oh she7s fooling thee, she is fooling thee, Trust her not, 011 trust he /3 she is fooling thee, she is fooling thee,trust her nbt 1, ohtrusthc *3 Perfect Peace. (I heard a Voice.) Sacred Song for Low Voice 221 C, Vvqfds by V I I I ¥ N[1lSiC‘by JOSEPH FLETCHER. e V‘ " W9 DRESSLER. _ Larghetto. heard :1 voice, . Je — sus to me’ speak —ing, u.—mid the prcssund throng, I heard Him ' : “Come ‘wen-ry Copyright 1910 by VVIF1 A.Pond & Co. International Copyrightﬁecured.
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Date: 1892
Text: uwsac uananv VASSAR COLLEGE ’0UGHKEE%: 1%. THE CODA ~ SUPPLEMENTARY MUSIC FOR-PUBLIC SCHOOLS Normal or High. Graded as follows: Lower and Upper Primary, Lower, Interrn., and Upper Grammar, High and Normal School. GINN & COMPANY. < PUBLISHERS, BOSTON, NEW YORK. <3: CHICAGO. Words by H. W. LONGFELLOW. Andante cantabile. ALTO II or TENOR. GOOD-NIGHT, GOOD—NIGHT, BELOVED! PART SONG. From CIRO PINSUTI. Arr. by GEO. F. WILSON. CTGS‘. mm SOPRANO. g_____j/ Good-night, good-night, be — 10v -...
Show moreuwsac uananv VASSAR COLLEGE ’0UGHKEE%: 1%. THE CODA ~ SUPPLEMENTARY MUSIC FOR-PUBLIC SCHOOLS Normal or High. Graded as follows: Lower and Upper Primary, Lower, Interrn., and Upper Grammar, High and Normal School. GINN & COMPANY. < PUBLISHERS, BOSTON, NEW YORK. <3: CHICAGO. Words by H. W. LONGFELLOW. Andante cantabile. ALTO II or TENOR. GOOD-NIGHT, GOOD—NIGHT, BELOVED! PART SONG. From CIRO PINSUTI. Arr. by GEO. F. WILSON. CTGS‘. mm SOPRANO. g_____j/ Good-night, good-night, be — 10v - ed! I come to watch o’er ALTO I. cres. T Good-night, good-night, be — lov - ed! I come to Watch o’er C7'€8. 11*‘ §_______Z good-night, be - .2’ 10V ed 1 to Good-night, - I come BASS. cres. /____.___...\ Andante cantabile. 7979 C0 PYR|GHT,1892, BV GINN do 00. iNDERSON dz WENTWORTH, BOSTON, MASS, ‘ Watch o’er L THE CODA: SUPPLEMENTARY MUSIC. }- good - night, good - night, } good - night, good- night, j»- good - night, good - night, n Omit 3d time and go to C01) sf> un poco Mt I come to Watch o’er thee! come to Watch o’er thee! 70 sf > un poco Tit. ‘# fd' ‘i- to Watch o’er thee! come to Watch o’er thee! sf > un poco rit. \_Z ' . g to Watch o’er thee! come to watch o’er thee! sf >/\ 20000 Omit 3d time and go to CODA. 7070 un poco mt. No. 175.] THE CODA: SUPPLEMENTARY MUSIC. 1st time. — -- —- - - f risoluto. f To be near - lone is peace for f risoluto. thee, to - lone is peace for cres. thee, a - lone is peace for 1st time. f ‘lute. 17" to be near thee, to be near thee, a - lone is rf 1?” peace for thee, to be near thee, a - lone is peace for rf f to be near thee, a - lone is peace for if f THE CODA: SUPPLEMENTARY MUSIC. n_ u. > 10 7'0L_ll. me! Good - night, he -lov - ed! I come to Watch o’er 79 > 79 >— 79 fall‘ me! Good - night, be -10v - ed! I come to Watch o'er :>- 79 > 70 : 79 Tall- \_/ - \_' me! Good - night, be - 10%! I come *0 Watch o’er thee! _-‘e7/-"" 79 ' good-night, good-night, ._ _. _ - 201 time. - dolce con grazta. a, tempo. . Kj_ZZ_j___i____,J . . . . Thme eyes are stars of morn - 1ng, Thy llps are crlm - son ﬂ0w’rs, on tempo. > > > \_ \, Thine eyes are stars of morn-ing, Thy lips are crim— son ﬂ0W’rs. 0t tempo. > > > ’ K? Thine eyes are stars of morn-ing, Thy lips are 0 -son ﬂoW’rs. are crim - son ﬂ0W’rs. } I can grazta. THE CODA! SUPPLEMENTARY MUSIC. thy ps arec mson ow’rs, Good-night,be - thy ps arec n oW’rs, Good-night,be - Thylips are crimson ﬂoW’rs, Good-night, tj./ eyes are stars of morn—ing, Thy lips are crimson ﬂoW’rs, ._ ._ ._. _. _ ... ._ _. While I count the molto ritenuto. } } } } Wea-ry hours. >>i- While I count the molto 7-itenuto. } } } } 10v-ed! wea - ry Wea.-ry hours. j]. V While I count the Wea-ry hours. umolto ritenuto. >. > > > lov-ed! > >- 1- While I count the Wea - ry while I count the } 2 } >- molto mtenuto. Wea.-ry hours, THE CODA: SUPPLEMENTARY MUSIC. CODA. p cmimato apoco apoco. I come to watch o’er thee, I come, I come, omimato a poco apoco. to Watch o’er thee, I - come, I come, ainimato a 10000 a poco. ‘J V to watch 0’er thee, come,. . . I come, . . . am)/zaz‘o a pace cz pom. to Watch 0’ er thee, cmimato a 10000 apoco. ej/*4 2”‘! _J_ %” to Watch to watch ‘<‘ come to watch, to watch 79 79 to Watch No. 175.] THE CODA: SUPPLEMENTARY MUSIC. come to watch, to watch o’er thee, Good-night, . . J > 0’er thee, } L_ I come to Watch o’er thee, i} > 70 L» } z\ J :> Tall e dim. good - night, . . good - night! . . > rall e dim. > nyofo \« *6‘ g/ good-night, good-night, good - night! . . > Tall e dim. > > npjo . ‘Rx g00d—night, good-mght, good - night! . . /‘T /"_‘\ %, good-night,. . . . good-night! . . . . . . . mll a dim. > THE CODA: SUPPLEMENTARY MUSIC. [No. 175. EVENING SONG. Words by Rev. J. A. THOMPSON, D.D. G, F. W1Lso1§:, ,Lento. Sop. I & II. I/9}“ - . I 41,?! {V J . n I I . pi” 9.1 —d— 1. Slow-1y all wround us gath- er, Shadows of the e — ven—tide,Home We 2. Bright with dewdrops was the morning, Gold-en fair the ear - 1y light, Earth and 3. Therefore tho’ the shad—oWs dark-en, Trudging wea—ri - 1y 3. -long, Yet We ALTO. m :&‘i/if: . 17' I j L L L ' 1 ‘ I ‘ ' A -I T T \ ‘glib-+7‘ EL K’ ii I I Q ‘: § 1 3 I 1% ?"?i _,_ _,- Let our hearts with thee a - bide, We are sea, and sky at - dorn - ing, With its splen -dor pure and bright, Birds their knowtheir ear will hea1'k—en, While We sing our e - ven song, Slow-ly - 1 V’ ' come to thee, O Fath- er. I I 1| 1| """‘1t1 4; . strife,. . Thouwllt Weak, and worn, and Wea. - ry, Chafed by toil, and care, and bow’rs, Incense mat - in songs were sing — ing, In the fra-grant leaf — y e — ven-tide, . . Home We all a-round us gath- er Shadows of the mf<\{: j 15‘ I Irri L V i I W 4 N i ' , 1 1 \'/ :9?’ 1 -* , ‘v I 7 I love and life. vest — ed ﬂoW’rs. a — bide. /'.\ us We1- come cheer - y, To thy home of breath-ing, 0 - dors bring -ing, Were the glo - ry come to thee, O Fath - er, Let ourhearts with thee V t\ —9.—bn5g ~?-1+?
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Date: 1892
Text: D J / \ ‘ X 1:: FRED LFICEOWEN. EYES So WISTFUL ......................................... .35 ‘MEz.SoP. IN F. TH E SEA HATH ITS PEARLS ....................... .60 SOP. ORTENJN Cf"\.IN.&/"\Au. MY LADY SLEEPS (SERENADE) ............. .50 Tl-:NoR IN F STAY Ar HOME ......................................................... .40 /"\:z.SoP.oRTz=_NomN E. LOVEM/HATWllITHoU WITH THIS HEART.....5o Sop. oRTz-:N.I N BbM|N. THE LIG-HTOF STARS. ............................................ ...
Show moreD J / \ ‘ X 1:: FRED LFICEOWEN. EYES So WISTFUL ......................................... .35 ‘MEz.SoP. IN F. TH E SEA HATH ITS PEARLS ....................... .60 SOP. ORTENJN Cf"\.IN.&/"\Au. MY LADY SLEEPS (SERENADE) ............. .50 Tl-:NoR IN F STAY Ar HOME ......................................................... .40 /"\:z.SoP.oRTz=_NomN E. LOVEM/HATWllITHoU WITH THIS HEART.....5o Sop. oRTz-:N.I N BbM|N. THE LIG-HTOF STARS. ............................................ .‘ 60 CONTRALTO m C. has NOTALWAYS MAY ....................................... .50 f 8uNoowN ___________________________________________________________________ A 35 SoP.onTEN.|N Ab. /"\:-:z.SoI>.oRTaN.mA" ONAwAY~AwAKE BELoVED..( from Hiawatha) 75 TENOR IN EM1N.&MAa. \ ‘Q 13:‘ B O STD N . Euuyriglﬁt T"fDECCXC|l OLIVER D-IT’ ON c”bMPANY. N.YnrI-1. Ghicaqn. Philﬂ E n STU n. ' £7.13? .U/rs:/7 A A75. £947/7 6. ./YE:/4. L/'0‘/7\/'7 5.1751//755 4 £75. .1’. Eﬂ//50/7 A ['51. MUSIC uarmnv VASSAR COLLEGE ONAWAY_ AWAKE BELOVED! from“Hiawatha’.’ TENORH1 E MINOR and MAJOR. . H. COWEN. P000 allegretto. non legato I’ . o 0 Time sole right of publication in the United States is held by the publishers. Longfellow Songs Cowen. Copyrigiht MDCCCXCII by Oliver Ditson Company. 36—_55611-10 I’ Thou the wild f1oW’r of e prai _ rie! thou on ‘_ 1y lock .. est at me, 36~55611-10 *«s:a. en they feel ................ .. [the dew up _ 011 /"‘—>—-—1T {Q}; not all the blood with._-in ngf se mpre agitato As the spring to . e sun _ shine 36-55611-10 iii -f In the moon when nig*htsT are b1'ight_est, On ‘-36 3 6:556ll,-.10 art not pleased, 36-55611-10. 7 {‘_-~--:_\ dmk _ ens, , the clouds ____________________ H sha. thou smil _ est, my be_10v _ ed, Then y troub _ led . is bright-en’d As sun - shine 36-55611-10 poo-o Mt. cold _______________________ __ Wind makes e cloud _ less f smil ._{ ing ~316- 3 6-55611-10‘ blood With- in me mf As e spring , e sun» shine, In the, moon when. nights are bright__est? 36-55 611-,10 mj’ sempre agitato As the springs 36-55611-10 In the moon when nights are bright-est? 36-55611-J0 Ghoice Songs for lowvoicest INFINITE TENDERNESS. 'l'.H.Howe. Price35 cts. Andante . Oh love- - ly, star _ _ lit sum- - mer night; Thy" tran- - quil beau - - ty charm- - ing' sight; Copyright MDCCCLXXXIX by Oliver Ditsun Compuny. BLOSSOM TIME. K;0.Heyer.Priee 35cts. Allegretto. C L) ‘.2 What ﬁipes the mer _ery rob- in To you _ _ der g*1isten§ing- blue? ................. .. What sings thebrookof sil -ver ....... ..... Copyriélnt j(DCC UXCI by Oliver Ditsun Company. FOB. MORE. R.Coverley. Price mots. Andante. \.» 'VVhen other hands are clasp’d in thine And oth- er eyes shall smile on thee, ‘When oth-er hearts shallseek shrine Z-'*'§ 4._:.j?_ {_._::_—§ Copyright MDCCCXCI by 01 iver Ditsun Company. CONSTANCY. C. F.Webber. Price 35 cts. H M olto sostenuto. It ' sorne _ thingsweet when the world goes ill, To‘ know you are faith- ful and love me still; W r= 1* Copyright MDCCCXCI 11)’ Oliver Ditlon Company, V LOVE’S EVER AT LOVE’s SIDE. J.T.Draper. Price socts. Moderate. Love,yousarein the hills, And I am by the sea,;l But ah, I knowmy loved one thrills With touch of love and me! ...... .. .’ ;. copy.-ignn MDCCCXC toy Oliver nnsm Company. Mailed to any address post—paid on receipt of marked price. Boston,01ivex-Ditson Company.
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Date: 1892
Text: MUSIC LIBRARY VASSAR COLLEGE D'\!'f:|-1'2.-—_-:. - -'. Elymumwsg <§ONGS , 1) FRED ST.7‘;X..ﬁY£;HoME ...................................................... .. .40 EYES So WISTFUL ................................................. .35 /V\EZ.S‘oP.ORTEN0R|N E. /"\EZ.SOP. INF. LovEwnATwnITHoU’w|TH THIS HEAF([_....5o TH E 3 EA HATH ITS PEARLS. ........................ ..6o SOP.0RTEN.IN BbMlN. SoP.oRTaN.m CM-IN.&MAu. THE LIGHT or STARS ....................................
Show moreMUSIC LIBRARY VASSAR COLLEGE D'\!'f:|-1'2.-—_-:. - -'. Elymumwsg <§ONGS , 1) FRED ST.7‘;X..ﬁY£;HoME ...................................................... .. .40 EYES So WISTFUL ................................................. .35 /V\EZ.S‘oP.ORTEN0R|N E. /"\EZ.SOP. INF. LovEwnATwnITHoU’w|TH THIS HEAF([_....5o TH E 3 EA HATH ITS PEARLS. ........................ ..6o SOP.0RTEN.IN BbMlN. SoP.oRTaN.m CM-IN.&MAu. THE LIGHT or STARS .............................................. __6o ' My LADY SLEEPS (SERENADE .......... .50 CoNTRALTo |N C. Tanon IN F ITIS NOTALWAYS MAY ...................................... _.5o_. ' SUNIDOWN ..................................................................... _, :35 SoP.onTEN.m Ab. /"\Ez.SoP.oaT:-:N.m A” ONAWAY~ AWAKE BELovED.___(frnm HiawathEL)__75 TENOR nu EMm.8.MA.J. BSTOﬁN. Cum./ri h1MDCEIEXCHEtu; OLIVER DIT ON C0 M PANY. Nynrk. Chicago. Busfnn. 1‘-"'hiI.5 £7.12 17/rs:/7A. £75. [ya/7&1YEa/4/. J5’/9/7 17../‘fez,//7.I.=5 4170. ../?E.17/X50/7 A Ea. STAY AT HOME. MEZZO SOPRANO or TENOR. Words by _ Composed by LONGFELLOW. FREDERIC H. COWEN._ Molto sostenuto. 1. Stay stay at home 1 my 2. Wea _ ry and home — sick and resg; Home keep _ ing‘ heaits dis _ tréss’d The} wan _ der east, Longfel1ow’s Songs. Cowen. Copyright,MDCCCXCII by_0liver Ditson Company. 36.255594-,,4, The exclusive_right.of.pub1ication in,the United Statesjs held by the publishers. hap - pi _ est,— For those that wan - der Wan.-d‘er west, And are baff _ led and beat _ en mi know not Where Are \ f trou _ ble and full of care; To blown a. bout By the Winds of the-.wi1 _ de1"_ ness of doubt, T0 at home is best. 36-55594‘-4 stay at home, that flut _ ter their Wings pf’; A hawk is hoviring in 36-$5594-— 4 r 1,, HWH. S. S 6 M S 6 .0 t l mu <é%THEMA;I;1IG LISTEE I'9eI9eI.AR SONGS, I3ALLAes, ETC‘-.. PUBLISHED BY OLIVER DITSON & CO., BOSTON, MASS. I WISH THE WINDS WOULD BLOW, LADDIE. Price 40 cts. Words by W. G. WILSON. BALLAD. Music by ESTABROOKE. 9 3. 3 er I \ ' I .397 .I A1 u I I I I L J I I ,| I II I I I l " C I I I ning, blow soft, of eve - 0 gen '_u’ \ﬂ'ONDER_ Price 40 cts. By RICHARD STAHL. "“’9"7“jT*"I‘—K‘ I\ . I‘ I I\ ’~‘4‘I‘l E@§E** d— :“"‘—_i:'*‘— __:|;E .. 8— ~ 2 .1‘ If he should steal a. THE LITTLE MAJOR. SONG VIIords and Music by J. P. SKELLY. " “ :‘\I, ﬁt; I‘ L; .‘ {\,ﬁI‘\I I“ I“p- I“I‘I'I t@§ L‘ud’*’-—_ _i‘_"’*_—;:i:IE‘;‘:I:'—§",E'—|t| Tho’ I’m not in fact a. soldier, In my heart I’m not to blame. LIIT'.['LE SVVEETI-IEART, I MUST LEAVE Ygyc; 300“ SONG. Music by E. HANSEN. ‘ Ix YIYYI I‘ I 0' - (#1 i CIT I] I ‘"L 1‘ ‘ '! must leave SONG AND DANCE. lit . tle 1£I's}.. Price 30cts. 545 l tle da.r - ling, I LIZZIE WAS SAE BONNIE. Aﬁords by GEO. MACDONALD. V011: Price 35cts. Music bvH. HARRIS. A . . V EV I I‘ I I I\ n A I I“ L -I . I I ‘I 1 - I A I\ I IVI .- I - v I - V V *-IﬁI:5 8 ." “.3” ” = 9 a L When An- drew frae Strath-bo - gie gaed, The lift was I'VE SPENT MY LAST DIME. Pric-e40cts. Words by R. W. RosE. MOTTO SONG. Music by RICHARD STAHL. I K I FYI! C) I ' J I I‘ I I _e ) I ' I 7 A II 4 -v I I A $4 -?—I~a'—" ‘II F ‘,.I' _ ‘U I’m oId- er ‘Ind wis -er then When, years a - go, ISE A GOIN' IN DE MORNIN'. SONG AND CHORUS. Words by GRO. R. JAcI<soN. ALL I‘ N‘ _ R K - § 7T“I*:P"’I:a - .5‘ 3 - 1‘ I‘ _ —u—6g.z_4-I7——5 .1 4' = . U 7 7 011, more. ISE GWINE TO TRABBLE HOME AGAIN. Price 40 cts. SONG AND CHORUS. [Words by Gino. R. JACKSON. BALLAD. Price 40 cts. Music by CHARLIE REA. R I‘ I bring to me de ole ban-jo once Music by CHARLIE REA. K L ' IN K :IZ_|z Is l_J' I\ . . I\ I IV . D “'~d——'~“—b .I‘ Nliﬂd." @I’_‘Q‘_f LI:__-._;,':‘L;I‘_;_;Is;__Is,_‘_"§,_i:,___.._I L-__‘I:J.___U__g__ lse gwine to trabble hoine again to whar de birds am singin’, I LONG FOR A VOICE SO SWEET AND LOW P ‘ '30 I.. Words by P. E.‘ NoYEs. SONG. Music by H. P. use” II. 8 . has II. M 7:‘ I‘ I‘ I . T“_*.‘:I7§ __q__I_v c a a 0 o Ir a g I; I long for a. voice so sweet and low, that I PHI‘ MEET YOU AGAIN, LITTLE DARLING. Price 40 Ms. SONG AND CHORUS. Words by ARTHUR. FRENCH. R Music by H. WILLIAMS. L I I A I‘ _ :@+e—3~_~—..I'“—H—5—-*—g—awg%-I—4 ———~»-~——4*— ———————~v-. T7‘ __ J I Y‘: I _.__" . C dar-ling, I am We are part ed a.-while, 1i£—tle I'LL WHISPER TAE MYSEL' P»-lcwoow Poem by R. S. LAKIN. BALLAD. Music by J. L. GILBERT. ‘f V I 7 '7; :4 IV. I ' " ll 0 Rob - in, lad - die, if I lo’ed you, ‘Lo GOOD-BYE, MY LITTLE LADY. Prioe30oll THE BOATS ARE PUSHING FROM THE SHORE. ' Music by J. C. M. R I K F‘ I‘ I I’ ‘ J J ' I I 5 V ' I The boats are pushing from the shore, HAPPY BIRDS. Poem by AUG. STEELE. L\Il OJ I I J I 5 12. ~ dy. 0 L ) ‘ I /I I H- Price 40 oil. By Enw. HOLST. L\ I P - II P~F-~—p+t~—r-{I r I V r I I I2‘ L‘ I3 L Iv " Happy birds, sing to me, That I I‘too may happy be. . WHEN THE MISTS HAVE CLEARED AWAY. P1‘io'36cts. Moulerafo. ' _ E _a . By ARTHUR H‘ N‘Sk;_ Lw. When the mists Iftve rol1‘d in splendor Fmm the beauty of the hills, WALTZ SONG. _£L L. E?$I§I>Kb-3.3—r—F-I9—%+~F—I-.-~>.%—r—E~E- ' ‘+ ;_I4___LI II L4 Ll ‘I. D II L THE OLD~F‘ASHIONED HOMESTEAD. Pm:ce350tl- I I.‘ 9- .“ I. E I- I V I I‘ u I I; A u . A - 0 , st'ill do re-mem-ber the old-fash-ioned homestead SLOWLY TI-IE DAYS NOW PASS AVVAY. 1»-4.-.»..Im 5:3. Words by A. BARNETTE. Music by LAUNCF. KNIGHT. . I\ n L I‘ |\' I\' I I K I .4‘ I I " "' J r\ Y I I I I D n ‘I . g 9‘ I 4:‘ J I I I’ _‘ H ‘ E w v I g V up 3 Slow - ly the days now pass a. - way. . . . THE LITTLE OLD LOG CABIN ON THE HILL. 1-we loots. SONG AND CHORUS. Words by ARTHUR W. FRENCH. +1‘ l\ I\ I‘ A E I= 4 I‘ I 1 v-I:‘—-—- E*:~-“.'.“..I‘ II I, .133 .=— _:=._.~.—_H ’Tw'as mau—y years a - go, I left the sun—ny south tor0aIn MOTHER'S MEMORY. SONG AND CHORUS. Words and Music by E. GREENE. Arranged by J. 1}‘ §IKELI.Y. I. ‘ 8. An I { I~?@EI3,:4‘:I:I:F:_P_——F—.- -5-: I I 0 _:I L; F V I now sleeps ’neaII.:v.the clay. L\I/ MOLLIE, THE PRIDE OF KILLARNEY. u SONG AND CHORUS. MUSIC by E. CHRISTIE. Music by H. HERSEY. ls‘ l R ‘RV Price 30 on. R‘ I ' FE’ :I 4-'5-I‘-—I~? ..._ F ' 0 FJ My dear loving moth-er Prue 30 am- Xlords by CARLIETON. I (3 . A . I I L - is - L 31 - I) . 3‘ ‘h“I\I‘.VI:n\-‘I6-ED I5‘,--p«,§ _ :.*s—_j—;-—§~~.IT—o~J—~;- ~o——H_.~—.» -17;-—a—I.~I:+:I» Why did I leave you, my darling? Why did I leave you to roam? THE MILLER’S DAUGHTER. Poem by TENNYSON. SONG. Music by J. R. THOMAS. J_ n .‘ L I‘\ Ix ”“ I- - I9 . .. L ‘H — _ V ; - ~—F— .” —— —~I'—' #—o~—» 1]; :4._i_‘#E:_.._::’:':‘;:t..:.__;, ,_,_LE‘::I:f_‘Z: fI7:I;;l— I It is the mi1ler’s da.11,<Ihte1‘ and she is grown so deanso dear Price 3041!.
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Date: 1892
Text: - Q6 1 ,. L ,9, , m ..ﬂw.nw..+.M.wTlﬂn , .\ V; ,.r . /\ .\ .r ' W. ‘N law 3%. AV 4 . gﬁgmmga km. _ W“ EDITION SopI’anoand Tenor’. EDITION Cont:/alto and Baritone. / § E5/I ]QLI@F3EI§I§2VI/. K; 0 M PO 8 ED BY 9} F R E D E R K . Copyfight I892, _ B)/METZLER &C‘..’.,U”,:; I Lo~DoN- L 0 N D 0 N. METZLER &C‘?, L'“-’. , Great Ma\1’Ibo1/ouagh IStreet,yv. Pr/i Ce 2/6 MET CONTENTS. Page . “Stay at Home” ....................................................................................
Show more- Q6 1 ,. L ,9, , m ..ﬂw.nw..+.M.wTlﬂn , .\ V; ,.r . /\ .\ .r ' W. ‘N law 3%. AV 4 . gﬁgmmga km. _ W“ EDITION SopI’anoand Tenor’. EDITION Cont:/alto and Baritone. / § E5/I ]QLI@F3EI§I§2VI/. K; 0 M PO 8 ED BY 9} F R E D E R K . Copyfight I892, _ B)/METZLER &C‘..’.,U”,:; I Lo~DoN- L 0 N D 0 N. METZLER &C‘?, L'“-’. , Great Ma\1’Ibo1/ouagh IStreet,yv. Pr/i Ce 2/6 MET CONTENTS. Page . “Stay at Home” ............................................................................................ .. 2. . “Love, What wilt thou with this heart of mine?” ....... ................ .. 8. . “The light of Stars” ................................................................................. .. 14. . “It is not always May” ........................................................................... .. 20. . “Eyes so tristfL.1” ................................................. ..................................... .. 27. f “The sea hath its pearls” ...................................................................... ..30. . “My lady s1eeps”(semWze) ................................................................... .. 36. . “Sundown” ....................................................................................................... .. 42. . “Onaway, awake, beloved!” (from Hiawatha) ......... .; ............................ .. 45. *STAY AT HOME. A Words by Composed by LONGFELLOVV. FREDERIC H. COWEN. Molto sostenuto. Stay, stay at home, Home - keep_ing hearts Copyright 1892 by Metzler & C9,London. Oliver‘ Ditson & C9j,.B‘oston for U_.s%,A,._, $€< (By permission of Messrs George Rou{1’edfg',e‘&‘ So,ns1.:);= hap_pi _ est, For those that wan - der they know not where Are full of trou - ble and full of care; To {""$\ / express. stay _ ry and home - sick dis_tressed, They war1_ der east, they wan _der west, And are bea _ ._ten and bknvn der_ ness espres-.s'. may stay at home, and rest; saf _ est flut _ _ ter their wings is hov’ring mo!/0 express. stay TLOVE, WHAT WILT THOU WITH THIS HEARTOF MINE? VVritten by Composed by LONGFELLOVV. FREDERIC H. COVVEN. Andante sostenuto. VOICE. . .— _ I? esjwesswo zl iema semp re p can tr‘ fezza Love, .................. .. T This Song is also published in the Key of Bi) minor. (By permission of Messrs Routledge & Sons.) Copyright 1892 by Metzler & C9 London. Oliver Ditson & CQ Boston U. S. A. what wilt thou with this heart of mine? ...................................... .. 1:000 cresc. F‘ . What deeds are thine : ............. .. with this heart of 27 espress. love, ................................................. .. what wilt thou F. molto espress. I fixed espress. 1' mm 3 3 3 dim. e poco «it. *5. 5 19000 mll. what wilt with this heart calla voce p espress. il tema with prayers com .. bhle? esp ress. love , ................................................. .. What Wilt thou /""——T ‘Yen. molto esjzress. Nought per _ ma _ nent poco rit. love, ................................................ .. What wilt thou colla voce with this heart, this heart .................... ......................... .. fz'he'_ 14 THE LIGHT 0F STARS. Written by Composed by LONGFELLOW.‘ FREDERIC H. COWEN. Lento con moto. P tmnguillo, The night is come, but too soon;And tranguzila. sink - ing Si- lent - ly, _' 1ent-1y, the lit _ tle Drops down be_hind the Copyright 1892 by M=e7tz1’lre:r-& ‘-C'o.,5Ig:1"n?l-o'h«. ‘Oliver Uitson & Co, Boston, U.S.A. no light ‘ in A earth or heaV’n, But the cold And the first watch of night is giv’r1 pp trajzguzlla. L ear _ nest thoughts with - in me rise, When VI be- hold Sus - pend _ ed in the eVe_ning skies, mf shield of that ' 0 star of strengthll see thee stand And smile’ up_on my pain; Thou beck_on_est with thy mailed hand A mf am Strong a- The star of the un _‘ ‘LEJ’V13U7V—§-“'1-311' — _ queredwill, He ' _ “r ' breast, Se _ 3 rmrmrrwrwrm so _ lute, and still, And Calm, and self- poss _ m;N:;IrL;m'L,m*m4;r~:;r /3 Se- rene, and re-so_1ute,and stil1,__ And Calm, and too, who- so _ e’er thou art , read - est J Vhopes de _ part, Be grarzdzbso. Oh! fear not in a world like grandioso. thxs brief shalt know e (-3 long, sublime A how sublime A ff m suf - fer and A 1}” § ? 20 “IT IS NOT ALWAYS MAv’.’ VVritten by Composed by . LONGFELLOW. FREDERIC H. COVVEN. Molto Vivace. mp Zeggiero %. L dart _ing swal_10Ws SO\.':l/I‘ and sirig, ......... .. And from the state - ly elms hear ......... .. The blue —bird pro _ phe _ sy This Song is also published in the Keys of G.& AL. Copyright, 1892, by Metzler & C9 London. O1iv_er Ditson & C9 Boston for U. S.A. ( F) 12000 07650. ‘ seems an out _ let from the sky, _ iug till the P000 C7650. wind blows, ................ .. The freight _ ed clouds at an - mf lie ............................... .. All things are new; .......... .. the buds, the leaves, ..... .. “,That 6 6 the _ V611 V611 the the elm nest nest There tree’s nod _ he _ neath poco rit. be _ neath the col la ?.'0C6. ding the crest, eaves , .......................................... .. A11d M.784i§? (F) mp leggicro youth and love .............. .. The L/ ful _ness of their first (16 - light! ...... .. A11d learn from the soft hea_V’ns a - _ b0Ve..; ....... .. The melt _ ing ten - der- ness that read§t this sim _ ple rhyme, ............... .. T / _ joy thy youth, it Will not 9%? M. 7841. (F) poco cresc. _ joy ................ .. the f'ra_grauce of poco cresc. ‘Sch. \ pom rit. --————“——\—=- a tempo some good an _ gel leave the calla voce rest, truth, .......................... .. for time will teach thy prime, ..... .. For oh! it is not al_ Ways and Youth, ...... .. To \_/ time will teach thee soon the a te mpo thee soon the truth, ......................................... .. f calla voce. a temjm M.7841. (F) 2 J‘ —~ . .. J year s nest, t};_em ye ars’ *£vEs so TRISTFUL. N9 2. Written by ' - LVONGFELLOW. Composed by Poco lento ma non troppo. Eyes so trist _ ful, eyes so trist - ful, \./3 Heart so full of Care and ‘cum _ ber, ‘ I was lapped in rest and V F p0_co M2‘. a ¢g7;,pg_ slum _ bet, Ye have inade____ me wake_fu1\,' wistn - fol! collzz zvoce V 9/ Cop ri M1892 b Metzler & Co, London. Oliver Ditson (E Co,Boston. U.S.A. y g Y §"F(By permission of Messrs. Routledge & Sons .) FREDERIC H._COWEN. In this life of la _ bour Who shall com _ fort my‘ dis - tress I’ Quer - u_1ous my soul and friend- less In its row shuns ca _ am. #-\‘/E }; a tempo. Ye have made ye have made , Quer _ u _ lous of you, \/3 pp a tempo . _ trayed 30 THE SEA¢HATH ITS PEARLS. Written by Composed by LONGFELLOW. FREDERIC H. COVVEN. Molto Vivace ed Agitato. mjmzlam ante mf hath its pearls, ........................... .. The m.i;D”‘ K.__/ heaven hath its stars, But my heart, ...... .. : ‘" '7 This Song is a;i.::0 ;3'e.1bSi5.hed in the Keys of A dc C. té: M.7841. (G) Copyright, 1892, by Metzler & C‘? London. Oliver Ditson dz C‘? Boston. U. S.A. The heaven : — 2: " ﬁg 6&5 Lg M.7841. (G) - er than pearls, - er than f ul maid _ M.78-11. (G) heaven J. semp re agitato My heart, M.7841. (G) scmp re and the sea , C763 and the heaven, the sea, and the heaven senaa ml]. sempre f A _ ing, melt- ing A A A senza rail. A (G) LADY SLEEPS SERENADE Written by Composed by LONGFELLOW. EREDERIC H. COWEN. Andante con moto, ma non troppo. P Z€gdt0_ Stars of the P | A N 0_ S - sezzzpre e /eggiero. sum_m<=_:r night:_ of the sum_mer night! ale sempre ‘Sim 17000 cresc. a_zure deeps,__________ ' J mdeyour 17000 07-esc. Copyright 1892 by Metzler & C9, London. fjliver Ditson & C9 Boston, U.S..A. . espressz?/0. gold _ en li ht! She sleeps! M Sleeps, ____?_ sleeps! 91% M.7841. (D) of e summer In ht, 916 sempre ‘Sim summer night Where y0n_der w0od—bine pinions 1' ht! " sleeps! mf espress-z'zxo. la _ dy sleeps, Dreams of the summer night: V‘ (0) rgf espress. V Dreams of the sum-mer night! A Tell her, . her, 12000 cresc. keeps Watch! . while ' slumbers 9Ié‘532b c.s*pressz'1/0. in slum rs 1i p000 7-21‘.- slumbers __________ My la _ col/22 woe. V (D) a tar/zoo 9!’: paco rit. she poco rit‘. *suN3owu. Written by Composed by LONGFELLOW. V FREDERIC H.COWEN. Molto tranquillo e religioso. pp tmngzdllo. The sum _ mer sun is sink _ ing low, P On _ ly the tree— tops re\cf”.. den and glow: On _ ly the wea _ther_c'ock the spire Of the r1eigh_bOur_ing church is a flame f fire; {'———-‘T &_j T C'7‘€S0. I’ p poco rit. /A All is in sha-dow be - low, All is in sha_dow be _ low. A 6- Copyright 1892 by Metzler & Co, London. Oliver Ditson & Co,Boston.U.S.A. (By permission of Messrs.Rout1edge &'Sons) beau - ti _fu1, aw _ fhl sum _ met '- day, What hast thou giv- en, what " 7/gfa tempo. ta’. ken a'-way! Life and death, and love and hate, ' Homes made hap _ py or F ht mf 9 poco rit. de _ so-1ate, Hearts made sad ' Hearts m\a3e sad or calla 1/ace. d Oh the road a of life mile — stone more! In the f/\ of life one leaf turned Like a red seal is the On the good and the ev _ i1 men have‘ done, .7’ Naught can fo_day I Naught can to_day 619- rall. - can to A_ da collar ' 1/ace. 45 “oNAwAv, AWAKE, BELOVED!” from “HIAWATHA7 Written by V Composed by LONGFELLOWK ‘ FREDERKZHLCOWHDL Allegretto VOICE. PIANO. non legato I’ Thou the Wild- flower of the for _ est! This Song is also published in the Keys of C, D & E. Copyright, 1892, by Memer & co London. Oliver Ditson & 0.’ Boston. U. S.A. M. 7841. (B) Thou the wild - bird of — L2 fawn - like! ................ .. am hap _ py, When they feel ............... .. the prai _ rie! am hap _ py, the dew up with m‘/* /‘K /"\ If 011 eyes SO soft thou on _ ly look _ est at me, the li lies of the prai _ rie, M.7841. and (B) It Does not all the blood Within me Leap to meet thee, leap to meet thee, sem ire tato As the springs to meet the sun _shine, I11 the moon when nights are brightest? agitate non legato I’ ' M:7841. (B) art not pleased, be_lov _ ed ................ .. Then my heart is sad and darkened, As the shin - ing ri _ver darkens, When the clouds ........ .. drop sha - dows on When thou smil _ est, my be_10V _ ed, Then my trou _b1ed heart is brightened, M.7841. (B) poco rit. As in sun- shine gleam the rip _ ples That the cold ................ .. wind makes in calla voce Smiles the earth, and smile the wa _ ters, Smile the cloud_less skies a_boVe us, But I lose the way of smi _ ling When thou art ................ .. no long _ er near M.7841. (B) agi ta to Does not all the blood With_in me Leap to meet thee, leap to meet thee, mf As the springs to meet the sun _ shine, In the moon when nights are brightest! the blood with_in Leap to meet thee, 51 semp re ato leap to meet thee, As the springs to meet the sun_shine, In the moon when nights are brightest? -3% M.7841. (B) ENGLISH VERSION OF CARMEN: Qbpera IN FOUR ACTS. MUSIOBY HENRYBPEHSEE. aromas mm. ENGLISH VOCAL SCORE COMPLETE, WITH PORTRAIT OF THE COMPOSER, PRICE SIX SllILLIllGS NET. HANDSOMELY BOUND IN CLOTH, GILT, PRICE 83. 6d. NET. SEPARATE SONGS AND ARRANGEMENTS. Song of me Toréador (Sire, your Toast), No. 1, in F, Baryton .. .. . Song of the Toreador (Sire, your Toast), No. 2, in G, Tenor .. .. ,, _ , Song of the Toreador (S35, your Toast), No. 3, in E, Bass or Baryton (with Simpliﬁed Accompaniment) . . . . . . . . . . . . . . . . . Love the Vagrant (llabanerag, No. 1, in D, Mezzo-Soprano or Baryton Love the Vagrant (Habanera , No. 2, in E, Soprano or Tenor . . . 1 said naught should frighten me here (.\Iicaela’s Song . . . Close by the ramparts of Seville (Seguedille) . . . . Carmen Fantaisie Brillante pour Piano .. . ..J. Lxrmcn. Solo, 45., Duet Carmen Fantaisie Brillante . . . .. . . . . W. Klnm Carmen Fantaisie Brillante .. .. .. Amvnnn Ln: Bun Carmen Fantaisie Brillante .. .. .. .. R. ms: Vrmmo Carmen Petite Fantaisie .. .. .. .. . .Cnoxsnz Carmen Petite Fantaisie facile . . . . . . . . . . Monror Carmen Fantﬁiﬂie 0 0 o 0 o e g o . o O’KR1'.LY Carmen Fantaieie de Concert .. .. .. .. par Srmmr Smrm Carmen Fantaisie-Transcription . . . . par F. Fnmmuon. Solo, 4s., Duet Carmen Cavatine Transcrite . . . . . . . . par R. on VILBAO Grand March from Carmen ,, . . . . Arranged by J. M. Cowman, net Duet, 25. 6d. net; Small Orchestra, 1s. 4d. net; Full Orchestra, 25. net. The Toreador March . . . . . . . . . . Arranged by Mrcmmr. WATSON The Toreador March. Duet . . . . . . . . . . . . Ditto Toréadofs Song . . . . . . . . . . . . . . (1 by B. Rxonanns Carmen “Bouquet do Melodies.” Two Books, each 45. Duets, each ,. R in: Vnmnc Carmen Galop .. .. .. .. .. .. .. .. _.J.M.Cow.uu: Carmen Lancers .. . . . . .. . . .. . . 0. Gonranr. Solo, 4s., Duet Carmen Valse. Solo and Duet . . .. .. . . . . . . Srnmss, each Carmen Qnadrille. Solo and Duet . . . . . . . . . . Anna, each Carmen Quadrille .. .. .. .. .. .. .. .. ..S'rnAvss Carmencita Polka. Solo . . . . . . . . . . . . . . Dnnaxsam 00 o Carmen Fantaisie Brillante, pour Violon et Piano . . . . . . par Irvmii HUBAY Carmen F antaisie de Concert, pour Violon, avec Aooompagnement de Piano Samsam Carmen Fantasia, for Violin and Piano . . . . . .Arranged by Han! Funvmn Carmen Fantaisie pour Violin et Piano .. .. .. . . par An. Human Carmen Fantaisie pom Flute et Piano .. .. .. par HERMAN 1!: Warm: Carmen‘ Fantaisie pour Cornet et Piano .. .. .. par Human rr Cnonomn Carmen for Violin Solo. In two parts .. .. .. . . .. each net Carmen for Cornet ,, ,, ,, .. .. .. .. .. each net Carmen for Flute ,, ,, ,, .. .. .. .. .. each net Pianoforte Score .. .. .. (is. net. Bound in cloth, gilt, 8s. 6d. net. Ditto 2. Four Mains .. 209. net. Score, with Italian and German Words, 1329. net. ,, ,, ,, 15:. 0d. net. Score. with French Words . . 126. not. ,, ,, ,, 169. 0d. net, The Orchestral Parts of the Dance Music may be had. METZLER & C0., Limited, 42, Great Marlborough St., London, OOOOOOOOO OOOOOO COCO OOOOOOOOOOQ OOOOO O05 5. 4 4 4 4 4 4 4 5 5 4 8 3 4 4 5 5 4 2 2 8 4 6 4 5 4 4 4 3 8 3 5 5 5 5 2 2 2 ‘~_.«‘\‘-‘\\\-L- <\<<\~.«~.\.-.~;_\\._\..\«.\-..;\\_.\_\ ..»::\~.\\V-‘L
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Date: 1893
Text: MUSIC LIBFIAEY _ VASSAR COLLEGE '°“C'""9""“"-"I. ."'!TW vonx F2 1 ‘L ? . “\ /F J emc Redda||,BrookIyn,N.Y. Smuncnnmm:InnmunIunjnnnmltnnmH.H(® \« ﬂacksmliﬂm _\ /J F 2;“ HWLONGFELLOW ZBari’rone orfﬁass Solo —--—+€PsBY@.—~—— W7 BU@K 79». 65 C5. ARTHUR R. SCHMIDT. Bosfon. Lenpgug. NewYor‘r<. féiﬁnu/57m5r. ]i5]7If'7;/7A1/gzm/5. “ 7 v-L-E7|Il|\E1IlllIllE1II|||lllEJ|IIHHDIHI'4 l ‘ 7:1IHDlnnur:nm!:I::mH|uI:1un HIIDIIIIIIlEIl||lIHCIllHlI|E...
Show moreMUSIC LIBFIAEY _ VASSAR COLLEGE '°“C'""9""“"-"I. ."'!TW vonx F2 1 ‘L ? . “\ /F J emc Redda||,BrookIyn,N.Y. Smuncnnmm:InnmunIunjnnnmltnnmH.H(® \« ﬂacksmliﬂm _\ /J F 2;“ HWLONGFELLOW ZBari’rone orfﬁass Solo —--—+€PsBY@.—~—— W7 BU@K 79». 65 C5. ARTHUR R. SCHMIDT. Bosfon. Lenpgug. NewYor‘r<. féiﬁnu/57m5r. ]i5]7If'7;/7A1/gzm/5. “ 7 v-L-E7|Il|\E1IlllIllE1II|||lllEJ|IIHHDIHI'4 l ‘ 7:1IHDlnnur:nm!:I::mH|uI:1un HIIDIIIIIIlEIl||lIHCIllHlI|E}lll|K To Mr. F’r6der2'o Reddall, Brooklyn N. Y. THE VILLAGE BLACKSMITH. P b M N M b ' H.W. L0(1)\?é‘rnFE}}rLLOW. DUDLEY} B%ICK. With spirit and vigor. _._-_/-\ ___-_ mf >~ Un—der aspreading chestnut tree The village Smithy stands. > The smith- a mighty /T man is he. large and sin - ew—y hands: And the muscles of his brawny arms _ > f >>> strong; as i-ron bands. His hair is crisp, and black, and long, His > 7. 7 CTESO . A.P.‘S. 3185-7 A Copyright 4893,by. Arthur P.Schmidt. His brow poco ritard. looksthewhole worldinthe face, For he owes not any 601.711 00 Week .in,week out, from morn till nig‘ht,You can hear > poéo m'arca'to. ' rail. s}. hear him swing his heav_y sledge,With measured beat and slow; /‘all . dimefn. - A.P.S. 3185-7 is wet, with honest sweat, He earns what e’er ‘ he can. his bellows blow, You can ssempre can 9%. tranqemlo. sex - ton ringuingthe vi1—lage bell, When the eve - ning poco marcato. Tenderlg/. Q K3 And the childremcominghome from school, L001; in at the open K", 101’ asaf 52»? .h @a]9 Resume tize quicker time. # They love to see the flam — ing f0rge,And hear the bellows # > > 7'6 0 I71”? .5-em re uoco. f ‘ \\ , . . _ 5:? And catchthe burning sparks which fly Like chaff 8 A.P.S. 3185-7 _ (The same Tempo, not too slaw];/.) th1“3Sh‘m8' ﬂ001'- --—-— (T/as (Jleoral Melody well accented, but not tooloudly.) /3 — —— '_ Pry agn- wit/tout’ Pad. W» (Instm-t time.) He goes on Sun-day to the chuI',c[h,_?And sits among his boys: if pm. 9* wit/aout Ped. He hears the par — son pray preach, He hears his daugh-ter’s voice #_ Singing inthe village choir, And it makes his heart re — joice. ' _ "E"L"E."'=T A.P.S. 3185-J7 It_ sounds to him like her mother’s voice- La) Slower,.a.nd.9oftl3/. , /ﬁx , mo Singing in Par — a-dise! in ‘L ’\ X . ﬁx Pia? Modt.0 M pp calla voce. needs must think of her once more, grave she Tempo [730 I’ And with his hard,rough hand hewipesA tear > # A.P.S. 3185-'7 eyes. (/lolmtra. Onward thr u’ life he /3 /\ sor '- row-ing, Each eve-ning; sees it close: earned a night’s re - pose. A.P.$. 3185-7 Toil — ing, re—joi — cing, g'O€’/S; Something attempt ed, some Jzhing done, Has morning sees some task he- f Thanks,thankstothee,e my wor - thyfriend,For the lesson thou hast taught, 8 J. ‘ crew. >Br0adZ,?/> Thu-s on the f1a—ming forge of life Our f0r.tunes must be Wrought: Thus on the sounding > mil. calla voce. > > > > £1‘ >> an—vi1 shaped___..___.__ Eachburning deed each.burning deed Z?‘ thought, molto vivace. ‘Ea; A.P. S. 3185-7 N. Good Bye. Ab (eb——f) . . . . Love’s Messengers. Bb (f-—g) . Darthula. Db (db—al>) W. Apmadoc. I thought you loved me. F (c—f) . . . . Days gone by. Bass. Dmin. (d-—a) . . . Only a face at the window. Sop. or Tenor G (d——e). Alto or Bass Db (ab~—bb). - E. K. Bailey. , Fleeting Days. Waltz Song. Sop‘.Ab(d—-a‘b) -— Alto F (d-—g) Love where art thou? — Alto Bb (c—-—eb) — Mez. Sop. C (d—e). — . . . . . . . . Guard me through the night. Sop. or Ten. F (d—f). Cont. or Bar. D (b—d) . . Humbly before Thy throne. Sop. or Ten. Bb (d—g). Cont.orBar. G(b—e) . . Throw wide the Portals. Christmas. Sop. or Ten. F (e—-f) . . . . . . . . -—- Cont. or Bar. D (cll——d). . . . . . My Love and l. Mez. Sop. A (c#—c) . For thee I wait. Sop. C (d-—g) . . — Cont. G (b—e) . . . . . . . . . Mrs. H. II. A. Beach. Ariette. Gb (cit-fit) Twilight. Eb min. With Violets. G ( The Four Brothers. Jeune Fille et Jeune Fleur. Cll min. (cl!-—f) When far from her. Gmin. (c—g . . . . My Luve is like ared, red rose. Bb (bb——f) Dark is the Night. Emin. (e——-b) . . . . The Western Wind. G (f#—-a). . . . . . The Blackbird. D (e—g) . . . . . . . . Empress of Night. G (fll-—g) Graduale (Thou Glory of Jerusalem). G (e——bb) Wand’ring Clouds, sail through the air. Aria A min. (git (low) or c—g or bb). , . Song Album. Containing thirteen selected songs. Edition Schmidt No.23. . n. W. L. Blumenschein. Come unto me. Sacred. Eb (lib-—d) . . . Op. 40. A Mother’s Lullaby. F (f—f) . . Op. 96. The Violets. Concert Waltz Song. Ab J. Hyatt Brewer. Supplication. Sacred. D (c#—e). F (e—g) . 0. 3. Brown. 0 that thou liadst hearkened. Bb (d—f) . Therefore the redeemed of the Lord. Eb (e—e) What are these that are arrayed. Cont. or Bar. Bb (a—d) " --Sop.orTen. Db ( f) . . , . . . All’s well. Mez. Sop. Db (eb—db) . . . . J. 3. Campbell. Op. 32 No. 1. The two Roses. Ab (gli-ab) No 2. I heard three maidens sing. F (c—f or ab) 3. Dream on, my heart. nade. Eb (eb-—g) . . . 1. , my heart. (db—ab) .2. 3. .4. The Fishermen. Bass. bb—eb . . . . . . . . . Awake, Beloved! Serenade. F (c—-e) . . . . . . . . May Song. Bb (eb-——f) . . . Theo. chandon. A Home Song. Mez. Sop. or Cent. 0 (a—d) An old Love Song. Mez. Sop. G (d-d) Mrs. G. I-‘. Ghiokering. In the night she told a story. D (d——-ft) . J. 3. Cornell. Before the Spring. Eb (d——eb). . . . . . With the Spring. C (d—e) . . . . . When we are old and gray, Love. D (d-fl?) Mary Bradford Grownlnshield. Thy h§.rtfsha)ll know me. Alto or Baritone. There is a landﬁniinae eye hath‘ seen. . Sop: or Ten. in G (d-—g) . . . . . . . . — Cont. or Bar. in Eb (bb—eb) . . . . . The Star of Bethlehem Db (c—eb) . . . Via Crucis. Ab o-—f) . .o- . - - o .oo- Benj. Gutter. Christ Arisen. Sop. or Ten. G (d-—g) . . — Alto or Bar. D (a—d . From the cross uplifted high. F (f--f) . . Just as I am. E (e—f# or gt). . . . _. . ‘ Henshaw Dana. Ave Maria. E (b-a) . . . . . . . . . . Beside the Summer Sea. Emin. (b--f) . . A bird was singing clear one day. F (c-f) It was a knight of Aragon. Cmin (g—-e) . O Salutaris. Eb (bb——f) Salve Regina No. 2. F (bb-—g) . . . . . Up to her chamber window. F (c—a) . . Whether the world go up or down. Ab (c~ab) At rest. Flhnin. (gt--d) At last. Amin. (g-——g) 0 heart, my heart. F (d—g It was with doubt and trembling. Bbmin. f—ab) . . . . . . . . . . . . . . The Bl(ackbird sings in the Hazelbush. D (e——f# or a) Where go you, pretty Maggie? F (cli--g). Somebody watches and waits for you. Ab (c—f or ab) . G. 1'. Dennée. My Love’s Jewels. Sop. or Ten. F (f——a or bb) — Cont. or Bar. Db (a-f) So fair and pure. Sop. or Ten. D (d-—g) . — Cont. or Bar. Bb (bb—eb). . . . . . Frank G. Dessert. Serenade (Good Night). E (e-—g'll) . Consolation. G (e—g) Phillis, the Fair. D( f) . . . . . I Seek a Fair Flow’ret. G (g—g) . The Country Lassie. G (e—g). . . S. 0. Downs. A group of songs of the 17th century. Phyllis. Medium voice My true love hath my Heart. Medium voice . . . . . . . . . . . . . The spring is coming o’er the mead. Medium voice . . . . . . . . . Steph. A. Emery. Op. 19. Good Night. F (a—d) . . . . . Op. 22 No.1. Where are the eye of the lovely one? C (c——f). . No. 2. Sleep Baby, sleep. Eb (eb—eb) No.3 Nae shoon to hide her tiny toes. G (d’—g) Op. 24 No.2. Naebody. F (f——f) . . .. . Op. 28 No. 1. Lullaby. Eb (eb—eb) . . . No. 2. When eveningtwilight closely falls. F (e-f or a) . . . Op. 30 No. 1. 0 Love, my Willie. Eb (d—eb) No. 2. Little Bud Dandelion. F (c or f——eb or f) Op. 31. The spray leaps high on the jutting crag. Sop. Cmin. (c~—f) . . . . . . — Alto. Amin. (a—d) . . . . . . . . . Op. 33 No. 1. Pomegranate Blossom. G (g--a) -~ F (f—g . . . . . . . . No. 2. Burst, ye Apple buds! Bmin. , (ft -33) _ ’ Op. 36. Skating Song. Baritone. Bl» (bb—d) Op. 39. Seven times three. Eb (eb—c). Violin Obligato . . . . . . . . . . . Alex S. Gibson. Oh my Luve’s like the red, red rose. G (e———g) Love Song (I will not reason). Eb (d—f) . ‘W. ‘W. Gilchrist. Flow down, cold Rivulet. F (f—-f). . _. . Once there was a little Voice. F (a "f) . Love’s Beginning. G (d-—g . . . . . . . Lost. Cilmin. (git [low]—fll) . . . Quiet. Fmin. (c—f) A Love Song. F (e—i) . The Voice of the Sea. ' . (d-—g). . . The dear Long Ago. Gmin. (a [low] —g) . Waves of the far away Ocean. Gmin. (g—a.) Golden Rod. A (a—f) . . Autumn Song. F (a-—f). . . . . . . . . Irene Hale. Mystery. D(e-g). . . . . . . . . . . Maisie. Db (eb——gb) . . . . , . . . , . . . We'll go no more a’roving. Eb (<1-—-f) . . E. W. Hanloom. Lullaby. Contralto with Violin obligate and Male Quartett ad lib. H (gt [low] -118) A Song Secret. G (e—g) . . . . . . . . Go, Rose, and in her golden hair. Bb (d—() W. I‘. Easoall. Op. 15 No. 1. Unto Death. Eb (eb—ab or bi»; No. 2. KyrieEleison. Dmin.(d—fora No.3. A G-reyport Legend. Emin. b-c . . . . . . , . . No. 4. The Bells of Lynn. G. (d——g) Op. 16. Under the Guns. C (g or low c—d) Benj. Henry A Ditty, Eb (eb——f) V A Widow Bird sat mourning. Gmin. (fl$——f) The Sea hath its Pearls. D (e—fil) . . . Georg Eensehel. The Brook sings. D (d—fi¥) . . . . When all the world is young. G (d-- g) I once had a sweet little doll. F (d—g)— Come away, Death. Dmin. (ct-—d). . . Spanish Serenade. Cont. or Bar. D —— Sop. or Tenor. F (e—-a) . The Sunny Beam (Sonnenblicke). Soprano. A (e——g). Alto. “F (c—e)_ . . . . There was an ancient king. Emin. (a—f#) My -Sweetheart. G (d—e) . . . . . . . . To my Turtle Dove. Eb (d-—f) . . . . . Bird in you Forest. E (git-—g3) . . . . . Consolation. Eb (f—f) Helen Hood. Shcpherdess. A Disappointment. The Convert. E (e—e) . . . . . . . . . The Violet. Flimin. (cii—f#) . . . . . . . Message of the Rose. A (dil—e). . . . . Daisy Time. D (fit-—a) A Quandary. Bb (d-—f) . . . . . . . . . A Summer Song. A gii—g) . . . . . . . A Cornish Lullaby. b(db——eb . . . . . Expectation. Sop. Bl» (d—g). Cont. G(b—e) A Slumber Song. Cont. G (a—e) . . . . Jan. E. Rowe. In Heavenly Love abiding. Db (bb-—-eb) . . He is thy Lord. Cmiu. (c—-eb) . . . . . His love is everlasting. Bb 3bb——d). . . . Glory to Thee. Dmin. (a———- ) . . . . . . 0p.8 No.1. A Day in the Woods. E (dll—gt). Violin or Cello obligate. No. 2. A Night in the Woods. F (c—-a). Violin & Violoncello ad lib. No.3. The Cricket. G (e——g). Violin and Violoncello obligate . . . . . No. 4. Summer Song. (c—-0 Violin and Violoncello ad lib. II. 1!. Russ. They that sowintears. Alto or Bar. C(a-—e) The Ballade of the Song of the Syrens. Sop. or Ten. Ab (eb—f) . . . . . . . . The Jess’mine Bush. F (e-——g). . . . . . Just like a lovely Flower. Bb (f—-f) . . . Spring. 0 (c—-a) . . . . . . . . . . . . Stephen E. Jeoko. Art thou weary, art thou languid? Eb (d—g) Jennie’s Wooin’. F (o—-f or a) The Moorish Love Song. Dmin. (Cll——f) . The Sunbeam. F (c—f) Jules Jordan. Nydiafs Love Song. Eb (bb [low] —f) . . . Sigh on, sad heart. Db (ab or f [low] —db) Drink to me only with thine eyes. D (e——a) If on the Meads. B (dll—gil) ‘A Life Lesson. Sop. Ab (eb—f) . . . . . —— Alto. F (c-d) 'l‘he Bedouin’s Prayer. Sop. or Ten. G (deg) — Mez. Sop. or Bar. F (c—- -— Alto or Bass. Eb (bb—-eb) . . . . . . Japanese Lullaby. Mez Sop. orTen. F(b—e) -—- Alto or Bass. D (g#——c#) Sleep, Beloved. Ten. F c—g). Bar. D(a—e) Attraction. E (b-e) An Old Song. D (c#—c#) . . . Triumphant Love. F (b-—f) . Walter Kennedy. Whether my heart be glad or no. Db (ob--Ii). V
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Date: 1893
Text: MUSIC LIIRARY VASSAR COLLEGE poucuxrm-sac, new vonu or _.._————..., \ ‘,1//’_* _ " ’ uu4’\ . —-:-5' 2 1%” SONGS. At the Gate. Low voice in D . . Before the Throne of Glory. Medium voice in E . Comforting Christ, The. Medium voice in Db Eternal City, The. Medium voice in Eb Hills of God, The. High Voice in C, Medium voice in A 0 ysonyof the Carpenter. Medium voice in Rejoice, Jerusalem, and Sing. High voice in G. Med. voice in 5) High oic it B Song of Eternity’ The’ 11 Mediuxim...
Show moreMUSIC LIIRARY VASSAR COLLEGE poucuxrm-sac, new vonu or _.._————..., \ ‘,1//’_* _ " ’ uu4’\ . —-:-5' 2 1%” SONGS. At the Gate. Low voice in D . . Before the Throne of Glory. Medium voice in E . Comforting Christ, The. Medium voice in Db Eternal City, The. Medium voice in Eb Hills of God, The. High Voice in C, Medium voice in A 0 ysonyof the Carpenter. Medium voice in Rejoice, Jerusalem, and Sing. High voice in G. Med. voice in 5) High oic it B Song of Eternity’ The’ 11 Mediuxim viicle in C Strength of the Hills, The {ﬁfdigujgijjiifeff F , Duns. I Eventide. Soprano or Tenor, and Baritone in F . Hark, Hark, My Soul. Soprano or Tenor, and Baritone in F My Faith Looks Up to Thee. Mezzo-Sop. and Baritone in G do. Soprano and Tenor in Bb Twilight. Alto and Baritone in A do. Soprano and Tenor in Db . . . , Vesper Hour, The. Mezzo-Sop. or Alto and Bass or Baritone SECULAR SONGS. If Thou Wert True as Thou art Fair. Medium voice in G Let Me Forget. High voice in C Minster Song, The. High voice in C min., Med. Voice in G min. Night Has a Thousand Eyes, The. High voice in G . Phantom Horseman, The. Bass voice in F . Villmagsw-"Bii|"éi(smith, The. Bass voice in D ' Song of the Armorer. Bass voice in C Sweetest Flower, The. Low voice in F Within the Roses Bloom. Medium voice in F‘ Dulrrs. Now the Silver Moon. Soprano and Baritone in A5 . Ring On, Sweet Bells. Tenor and Baritone in Bb . . Star of Love on Evening’s Brow Hath smiled, The. Soprano and Baritone in B17 . . . . . Thou Art Mine. Soprano and Baritone in W :'_:-—. ‘-—:——. ‘none: uaoooa vooou commm '.;,.—-———- -7 0 o 0 a . ‘t 1 Boston Oliver Ditson Company ¢w‘Yoi-la C. .Ditaon&Ce. *,s_ I Cbica§o gbilacltlpbia Lyon & Bcaly. '1. . Ditson & Co. I .. . . . . .... . . . -~. The Village Blacksmith. BASS or BARITONE in Db. b Poem by . - i H .W. LONGFEI.L0‘\\‘. GEO, B. NEV1N_ Moderate, e maestoso. ,,Zf-Marzialc. n_der the spread_ing: vchest_nut tree, The vil _ lage sInith_y stands * a tempo ores. —'——-—:r"__:: /5 ” r2‘t.;‘:.:— smith, a might_y man is he, With large an p0w’r_fu1 hands, And the Copyright MDCCCXCIII by Oliver Ditson (‘:>1n;m11}'. Copyrigrht se-(‘urea in Englamd. 54-56544-7 mus_c1es of his hen mama to hair is crisp, and brawn _y black and long, face is like the tan, earns what e’er he can, 3.I‘II1S Are His strong as face is like a tempo His And brow is wet with‘ con am'ma locks the whole World i _ ron hon _ est sweat, in His bands, He the face, For he 54-56544-7 owes not an _ y man. tempo Poéo animato . Week ‘ in, week out from morn ’ti11 night, You can his bel _ lows blow You can. heal‘ him :;\vi11;g- his 6671 Ill 7171!» Moderate. * hea. _ vy sledge, With meas _ urd hbeatﬂ 5-1-5 65-14~7 sex _ ton ring'_ing' the V11 - Iago bell, When the W’. hing‘ Sun is > > ' > L> > And ch'11_dren com- home from school Look‘ in at the > . i a tempo Look in at the o _ pen door. They love to see a ftempo f1am_ing forge, And hear the be1_ lows And catch the burn_ing 54755544-7 sparks that fly, Like chaff frmn a thresh_ing' floor. ’.\ col canto goes on Sun-day the church and sits a_m0ng' his Moderate,’ Religioso. ‘ boys; can moio hears the He hears .3’ par _ son pray and preach, his daugh _ ter’s 3 6’ 54-5654+? it makes his heart sounds to him ~1ike her m01h_er§ voice a tempo con ,g'7m1a’e esp/’ess+z'0/2e Singzing in Far. 3. _ dise! He needs must think of her once more, How UT ,, con dolce mam'em. in theigrave she lies; with his hard, rough hand he wipes A I’ tear out of _ward thro’ life f task be _ g'un, Each f\ Marziale. a tempo oi1_ing‘, re_j0ic_ mg", 501' _ r0w_ing" m0rn_ing sees some Declamando. ev’_ ning sees its close S0me—th'mg at_tempt _ ed, MY. _ - g7*ana’z' 050 mf s0me—t.hing done, Has earn’d a nighfs re _ pose. :3-I-r')ﬁf>4~l~7 SACRED DUETS FIRST SERIES. Abt, Franz Easter Hymn (Osterfeier). Soprano and Alto do. Over the Stars there is Rest. Soprano and Alto Gounod, Charles Forever with the Lord. Soprano and Alto do. Glory to Thee, My God. »’ Soprano and Alto do. The Peace of God. Soprano and Alto Gﬁtze, Carl Jesus, Thou Joy of Loving Hearts. Soprano, and Baritone or Alto Gfandval’ Madame de Guide Me, 0 Thou Great Jehovah. (Arr. by Wm. A. Potter.) Soprano and Baritone Grant, John B. My Shepherd is the Lord of All. Soprano and Bass G1-ay, Hamilton A Dream of Paradise. (Arrarzged éy IJez'nrz'c}z Kie/i/.) Soprano and Alto Hosmer, E, S, Art Thou Weary? Soprano and Tenor do. Be Glad, O Ye Righteous. Tenor and Bass Lachner, Franz ' My Faith Looks up to Thee. Soprano and Alto Lassen, Eduard. Jesus, Lover of My Soul. Soprano and Alto do. Saviour, Breathe an Evening Blessing. Soprano and Alto Leslie, Herbert The Invisible Land. . Soprano and Alto Manney, Charles Fonteygf My Soul Waiteth for the Lord. Soprano and Tenor Mendelssohn, Felix I Waited for the Lord (Ich harrette des Herrn). Soprano and Mezzo-Soprano do. Now We Are Ambassadors. From “ St. Paul." Tenor and Bass do. The Sabbath Morn (Sonntagsmorgen). Two Sopranos do. Thy Will be Done. Op. 63, No. 5. (Arranged éy Louis R. Dress/tr.) Alto and Baritone Nicolai, Otto Tarry with Me. Soprano and Tenor Rotoli, Augusto There is Rest. Soprano or Tenor, and Alto Rubinstein, Anton 0 Let Him Whose Sorrow. Op. 48, No. 5. (Adapted ﬂy U. C. Bzzrmzp.) Soprano, and Baritone or Alto Sa,int_Sa,'e'ns, Camille In Dreams I’ve Heard (Ave Maria). English and Latin Words. Two Sopranos Schnecker, P. A. How Sweet the Name of Jesus Sounds. Alto and Tenor Smart, Henry As Pants the Hart. Soprano and Alto do. Lord is my Shepherd, The. Soprano and Alto do. Love Divine, all Love Excelling. Mezzo-Soprano and Baritone do. . There was Joy in Heaven. Soprano and Contralto Smith, Alice Mary Peace to this Dwelling. Soprano and Tenor Stainer, Sir John Love Divine, all Love Excelling. From “ Daughter of Jairus.” Soprano and Tenor Walden, William Sun of My Soul, Thou Saviour Dear. Alto and Tenor BOSTON OLIVER DITSON COMPANY New York Chicago Philadelphia C. H. DITSON 8: CO. LYON 8: HEALY E. DITSON 8: CO.
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Date: 1893
Text: :H|1.H(l2 ) J \/ I %a@ks;mj1ﬂ‘m ——~Qf—Po em by @»———— E“ T} ’ L ” Baritone orIBass8oIo —————»@ABY.J<)~——-— I@JI@K; ................ w_s’“@.z»___. ,A£{rHUR P. SCIIJWIDT. BOSTON, l_E|pz‘G NEW YORK, I20 Boylston St. - || west 36th St by ' -tZzurf'.7mm1m_ [:7 m7:u1:canmnummncummuuu L \ 4. 4, I.|l||II|Il(|/null-1 n||nIu\ émmm ¢ F GHAND E" . 505'“ ‘-'''“''V 22: UVlNGﬂY“-G: §$f:s.:c;g|'<(i33; N. v. ¥ﬂ$SAR COLLEGE To Mr. Frederic Reddall,...
Show more:H|1.H(l2 ) J \/ I %a@ks;mj1ﬂ‘m ——~Qf—Po em by @»———— E“ T} ’ L ” Baritone orIBass8oIo —————»@ABY.J<)~——-— I@JI@K; ................ w_s’“@.z»___. ,A£{rHUR P. SCIIJWIDT. BOSTON, l_E|pz‘G NEW YORK, I20 Boylston St. - || west 36th St by ' -tZzurf'.7mm1m_ [:7 m7:u1:canmnummncummuuu L \ 4. 4, I.|l||II|Il(|/null-1 n||nIu\ émmm ¢ F GHAND E" . 505'“ ‘-'''“''V 22: UVlNGﬂY“-G: §$f:s.:c;g|'<(i33; N. v. ¥ﬂ$SAR COLLEGE To Mr. Frederic Reddall, Brooklyn N. Y. THE VILLAGE BLACKSMITH. P b i Mus’ b" L0(i\IeérnF}§LLOW. DUDLESECBQICK. With spirit and Vigor. — —. L /\ ; . mf > Un-der aspreading chestnut tree The village smithy > The smith_ a mighty man is he, With large and sin — eW—y hands: And the muscles of his brawny arms- > f >>> strong as i—ron bands. His hair is crisp, and black, and long, His face . is like the > 7 7 07‘886‘ . A.P.S. 3185-7 Copyright 1893,by. Arthur P.Schmidt. International Copyright Secured... His brow iswet, with honest sweat, Heiearnswhat e’er poco ritard. looksthewhole worldinthe face, For he owes not any mah. mftempg. Week .in,week out, from morntill nigl1t,You can hear his bellows blow, You can \_ » 2 no/‘:0 m'arca'to. ' hear him swing his heav-y s1edg'e,With measured beat and slow; iazz. dimm. _ sempre con ‘IR. A.P.S. 3l85-7 franqmllo. sex - ton ring-ing the vil —lag‘e bell, When the eve — ning poco marcato. Teizderly. And the childremcoming; home from school, 7 Look in at the open PP \'/1' 7 ea? ea? ' ea? Resume ﬂee quicker time. door; They love to see the flam — ing forge,And hear the bellows # > > / « 017110 .5-em re Temp 2’ >>> > > > >> %. - . .* And oatchthe burning sparks which fly Like chaff fr oma . ' 8--. -------------------------------- —-, ‘Ea A.P.S. 3185-7 _ (Tile same Tempo, not too slowly/.) th1'9Sh'mt‘5' ﬂ00I'- ———j ‘ (Tim Choral J[eI0rlg/ well aocrmt6d,bbut not tooloudlg/.) U VLF wit/zout Pad. mf CIn‘.9'tr2'ct tz'm6~.) Z-3 7 He goes on Sun-day to the church,___ And sits among his boys: , mf_ , Ef ‘ 12' 11;:/2‘. 9* witlz out Pad. He hears the par — son pray and‘ preach, He hears his daugh-teI"s voice WU mf eeen.‘-“A/Féae Singing inthevillage choir. And it makes his heart re - joice. ' vqaw A.P.S. 3185-7 It sounds to him _ like her mother’s voice _ Slower andsofﬂg/. 7 hsinging in Far — a-disc! in 2'h'\ ‘ /\ 1010 calla voce. needs mhst think of her once more, How grave she Tempo 17220 f And with his hard,r0ugh hand heWipesA > .mf # A.P. S . 3185-7 T011 — mg‘; re-joi — cing, «-‘<~.Q¢r.’~$r:&Ha'~é.'.‘§'-;:r;5'dw~v.‘-{.71.-: .:. .A., . sor - r0w—ing, Onwardthrdlife "he goes; Each -morning sees sometask be- /a /-\ Each eve-ning sees it clozez Something attempt-ed, some —thing done, Has earned a night’s re 4 pose. A.P.S. 3185--7 : .A».\<'«-:’é.>:e—k*s.'9'~;:/:—g:~~«a-.-4;.a ;, ._... . .r A ‘ f Th'zu1ks,thankstothee, my wor - thyfriend,For the lesson thou hast taught, 8 f cresc. > B’.°‘“"'»’ > Thus on the f1a—ming forge of life Our for-tunessmust be Wrought: Thﬁs onthe sounding “ ‘.1-’__ mil. calla vase. marcato. ' _ > >_ > > b} > > an.vi1 shapédQ__;;_ -Eacbh burning deed each burning deed thought . ff’ molto vimce. €21. A.P. S. 3185-7 The Summer Wind.. E E E E THE SHooGY- Snoo.” "“"""""‘ wh" .7 lull: by 'I'AL1II‘l.IAnlIn. . J.W. axscnon \WIrm"wP PM-‘W0 Pm Ammoss’. Andante con ON,‘ voxcn‘. Soft . ly the sum-mar- do he think- ing las-sie, of the .old days now; For Liltea lick . le '1 }' ohl your hair is tang- led gold a - bove your 1. rish brow; Copyright no: by Arthur E Schmidt. hue: P»:/onum Fenmlled. ' . (‘ 530-811. Wad: [run the ¢‘M;- look by %./‘d/’ J5 gf‘ hrwiuiu 0] In-I01 8.51;” and CL A.P.8. guoa (hpynghl moo by ARTHUR P SCHMIDT Public Pbrfonn Pornimd. hlnnh luv! INVICTUS I arise from dreams of thee % % E n i BRUNO HUHN Plmcv Bvssuz SHELLEY Complete Copy, 60 cents wnuunnxsrhnzmv J. W. BISCHOFF Andante rise_. from dreams of f bcnaarcnta Out of theniglnl that cov.ersme, Black as (he pit from pole to pole, first... sweet sleep thank what-ev.er god: may be Whentlie winds arebreath-ing low I71 8”.‘ launch mo I1_ mm nu-an hterallnu-I owyvlnhn annual “NH EEIIIK Pllllﬁ Complete Copy, 50' Cents. mm mmmnm‘
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Date: 1893
Text: Music LIBRARY VASSAR COLLEGE eoucuxesnsac. NE“! ‘mun INSCRIBED TO AUGUST MANNS, ESQ., AND THE CRYSTAL PALACE CHOIR. THE ﬁﬁimztk Hf the iﬁ25p2r1I5 A BALLAD FOR CHORUS AND ORCHESTRA THE POETRY BY H. W. LON GFELLOW THE MUSIC COMPOSED BY FERDINAND DUNKLEY. PRICE Lwmw ,, 50,. CENTS. LONDON 6 NEW YORK NOVELLO, EWER AND CO. A UTHOR’S PROPERTY. Copyright, 1893, by Ferdinand D1/mleley. Score and Parts may be hired of the Composer, 7, Nightingale Park Crescent, Wandsworth Common, London; and 136, State...
Show moreMusic LIBRARY VASSAR COLLEGE eoucuxesnsac. NE“! ‘mun INSCRIBED TO AUGUST MANNS, ESQ., AND THE CRYSTAL PALACE CHOIR. THE ﬁﬁimztk Hf the iﬁ25p2r1I5 A BALLAD FOR CHORUS AND ORCHESTRA THE POETRY BY H. W. LON GFELLOW THE MUSIC COMPOSED BY FERDINAND DUNKLEY. PRICE Lwmw ,, 50,. CENTS. LONDON 6 NEW YORK NOVELLO, EWER AND CO. A UTHOR’S PROPERTY. Copyright, 1893, by Ferdinand D1/mleley. Score and Parts may be hired of the Composer, 7, Nightingale Park Crescent, Wandsworth Common, London; and 136, State St., Albany, N.Y., U.S.A. INSCRIBED TO AUGUST MANNS, ESQ., AND THE CRYSTAL PALACE CHOIR. THE rank nf the ‘iﬁeaaperuﬁ A BALLAD FOR CHORUS AND ORCHESTRA THE POETRY BY ” H. W. LONGFELLOW THE MUSIC COMPOSED BY FERDINAND DUNKLEY. PRICE ONE SHILLING. ,, 50 CENTS. LONDON 6» NEW YORK NOVELLO, EWER AND CO. A UTHOR’S PROPERTY. Copyright, 1893, by Ferdinand Dunkley. Score and Parts may be hired of the Composer, 7, Nightingale Park Crescent, Wandsworth Common, London; and 136, State St., Albany, N.Y.. U.S.A. THE WRECK OF THE HESPERUS. Allegro con anima. CHORUS. ALTO. _._ _y_ It was the schoon-er Hes — perus, That sailedthe, BASS. ‘i > It was the sch00n—er Hes - perus, That sailed the ‘\ , _V_ ‘Z? 3 o ‘ ‘B’ : n 3*“1<“—l3""-",§*i“* 3 ‘—1"~.—*‘3"“1"-.—i’7£"—eg—::"1'1l Ti ‘ V ‘ . ‘ . | i ‘ 3 ‘ 1 I 3 3 3 . -—~ 0-3-a4_—_—r——j:a——.+ ; 0-: * \/ C \/ \. \/ \_ \. Copyright, 1893, by Ferdinand Dunkley. Fe1:dina.ndADunk1ey—?‘ The Wreck of the Hesperus." ' SUPRANO. And the "K - per had taken his lit-tle daugh mf - I And. the skip — per had taken his lit-tle daugh — 1 And the sk1'\p — per had taken his 1it—t1e daivigh And the skip - per had taken his 1it—t1e daugh To bear him com - 133;‘ ny. L To bear him com - pa- ny. - To bear him com - pa- ny. -h To bear him com — pa- ny. Fcrdinzmcl Dunkley—“ The Wreck of the Hespenlsﬁ’ Un poco path cmimato. Sopmmo. Blue were her eyes as the fai 1 Un poco piic animate. d : 144. r—‘''—‘‘\ f—‘\ K-'’‘-'‘''—‘\ /""*“‘\ K"""""—'\ cheeks bo\‘- sﬁjx white as the - thorn buds, That ope in the month ope — in ~ the month .Ferc1inan<1.Dunk1ey—“ The Wreck of the Hesperus." ‘:37 VI‘ "ﬁr qr <e=e> teed» <$=e <3 - CF 4:4] ii CF‘ I ﬂag) tggsg, 1 55:: \ <3“ Cl‘ ‘CF \ \ l\ |\ g u “ LL | u -' ‘ ' TL. 0 TI «-7- And he watched pipe was in his mouth, _'— Tempo lmo. > new West South. > > blow The smoke, now West South. > He wa the veering ﬂaw blow The smoke now West new South, > South. , Tempo lmo. d : 132. 3\ 3 ‘Ferdinand Dunk1ey—“ The Wreck of the Hesperus." --him ‘ J -3- -6- \ Then upandspakean old sai - lor, Hadsailedthe Span ish main, ‘e ____e-— . _'.. Then up and spake an (SH sai - lor, Had sailed. the Span - main, ' ’ - ' Thenspake ’ sai - lor, Hadsailedthe Span ish main, e‘ — Then up ahd spake sai ~ L lor, Had sailed the Spam —~-3 “I pray thee put in -120 yon-der port, “ Last night the moon had a go\1d—(£ ring, Audto - ' —-—-— ,_ ur - ri—cane. - 3 hur - ri—cane. “ Last night the moon had a golden ring, And to -0- . 8ve ....... Ferdinand Dunkley-—-“ The Wreck of the Ilesperus.” The skip-per he blew a. whiff from his pipe, And a. The skip—per he blew a wl1i pipe, And a > dim. - night no moon we see! ” a whiff from his pipe, And a. > . - night no moon we see !” scorn - ful laugh laughed he. :5 scorn - laugh laughed he. ~ \ scorn - ful laughed he. \ \ -3 scorn - ful laugh laughed he. A gitato. B SOPRANO. ALTO. Cold - er and loud - er blew the wind, A gale from the North - B A gitato. & : 76 (J = 152). ' ,. f Ferdinand Dunk1e'y-—“ The Wreck of the Hesperus." bil - lows frothed like yeast. e h E d M 69 H ..1 I b 8 2|... LU in snow fell hiss - ing _;;__F_ ‘I. "[750 ‘IV 094 Kit? :6 7%? its in and smote . . a- main The ves - sel Down . came the storm, ' 0 0 0 ‘(J . smote . . a—Ina1n its in The was - sel . came the storm, Down .1?”/——x its in and smote. . armain The ves- sel came the storm, 0 1‘ ‘ﬁe 9 5E.t1f§. IF ~s~T.v="—b?';'_'“:”: its in and smote . . a.— main The Ves - sel czune the storm, >- >- I\ I. i:?:+=4~§— ‘H: e§—%—% 0‘ —:‘.;=1—*1 —%{%£§' _l Ferdinand Dunk1ey—“ The Wreck of the Hesperus." 29” strength ; She shudder-ed . . and paused, like a fright —ed slzrength ; She shudder-ed . . and paused, like a fright - ed strength ; She shudder—ed . . and paused, likea fright - ed St1‘e11gth; She shudder—ed . . and paused, likea fright ~ ed /- /- C Allegro. Then leaped her ca. - b1e’s length. leaped her ca - ble’s length. Then leaped her ca - ble’s length. /_Then leaped her ca - ble’s length. /— /_ C Allegro. cl : 120. /‘ r---\ _ TENOR. “Come hith-er, come hith -er ! my lit; — tle (laugh f*'*"T_ /‘-jﬁ r*--—-% . Ferdinand Dunkley——“ The Wreck of the Hesperus." “em ‘ ble 50; I can Weatherthe 5 . , ‘ ' ‘ a rough - est gale That ev er Wind did blow.” He Wrapped her Warm . . ' his sea. - man’s coat, A — gainst the ‘cf ' He wrapped her warm . . " his sea - man’s coat, A - gainst the He wrapped her warm, A‘ - gainst the wrapped ' man"s coat, ;_.____._/ ' Ferdinand Dunk1ey——“ The Wreck of the Hesperus.” blast ; r--—-——-—-‘\ from And bound her to the mast. — And bound her to the mast. — And bound her to the mast. __.(.——:——v-—:'4_ _ L And bound her to the mzmst. 5 Ferdinand Du11kley—“ The Wreck of the Hesperus.” -=___—-T; _ . I I i ‘n. - I = 4 . ,1-3~-e—:~—~e.:;~ V V fa - ther, I hear the c11ureh~17eI s ring, 0 say, . . what may it T‘ I I h I; 0 F v'—‘.~—-.o—.«-—F _ - ‘\l 1. i I ‘ « ._ I - V :“~T—~4.”+%»+'-.+.——;>:~r 1 he steered for the 0 — peg fog - hell on a rock-b0undcoa,st!”—— And he steered for the 0 pm “0 fa-ther, Ihear the ._I_ —;E } } :- Ferdinand Dunk1ey——-“ The Wreck of the Hesperus." sound of guns, 0 say, . . what mayit; be?” TENOR. “Some ship in dis-tress, that }- can - not live In such an an - gry sea?” SOPRANO. “O Fa -ther, I see a gleam - ing light, 0 say, . What may it ;__) ff” Ferdinand Dunkley--—“ The Wreck of the He.sperus.” ' ‘D Lento doloroso. -7- *"r— K -0-’ -0- . But the fa - ther an - swered nev — er a word, But the fa - ther an - swered nev e er a word, D Lento doloroso. J : 56. i ‘y if *6‘ fro - zen corpse . TENOR. I ‘fzn a I E " E“’ =" E l g i 1 g Lashed to the helm, in H I fro - zen corpse stiff and stark, With his face turned to the skies, /‘_"""'\ The Ian - tern .n- 159 ALTO. gleamed through the gleam - ing snow On his ﬁxed and glass - y eyes. Thenthe __ _‘_ : Ferclinand, Dunk1ey—“ The Wreck of the Hcsp:1'us.” snow, maiden clasped h er hands ahcl prayed sav - ed she might be ; Soi>RAN 0. She thought of Christ, who J J’ ~13‘ sr“ -' _ V .1}- _[ f Pia moto. Gal - i-lee. Piio motto. stilled the ‘wave, Lake . . of "I rﬁ and drear, Through And fast through mid - night dark And fast through mid - night dark and drear, Through And fast through mid - night dark and drea1',Tl1rough And fast through the n1i(l;~ night dark _g_ ' } . sheet ghost sheet ghost sheet ghost . 0- ' sheet ghost 3 3 Ferdinand Dunk1ey—-" The Wreck of the Hesperus." whist - ling sleet and Wl1ist- ling sleet and whist - ling sleet and ‘ {.3-_'" and d1'ear,Through the whist - ling sleet and ves — sel swept ’l"wards the ves — sel swept ’].‘’wards the t T’wa1'(ls the ves - sel ves - sel swept 'l"wards the of or - man’s of Nor - man’s of Nor - man’s -9- of N0r-man’s . ev — er the ﬁt - ful gusts be- tween A ALTO. It was the sound of the trampling surf, On the came from the land; f-<:sf rocks and the hard sea. - The break-ers Wereright be - SOPRANO. And a. Who0p- ing bil - low ws, She drift -ed a. - y wreck, > . f Ferdinand Dunk1ey——“ The ‘Wreck ofthe Hesperus.” swept the crew Like i - white and ﬂee - cy Waves White and ﬂee - cy Waves white and ﬂee — White and ﬂee - cy waves Waves K F‘ " Looked soft Looked soft Looked soft Looked soft ‘ah ﬁr 4?" ci-cles from the deck. " E Pia sostenuto. struck struck EPiz‘o sostenuto. J : 84. ' K :2?“ i3 as cord - as cord - as cord - as cord ~ . ,‘_ Ferdixnagd _I)unk1ey,—_-4-“ The Wreck of the Hesperus.” 0 Where the where the . L where the M where the - e1 ‘rocks, they L .herside Lil::e—tl1e horns of an - rocks, they gored her side Like the horns of an an they gored her side Like the horns of an an ::—+——> - el rocks, they gored her side Like the horns Pie} agitato. _ bull. ' Her rat- tling sh/eath’d Her ra,t — tling. . sheath’d Her rat - tling b . . ' sheath’d 111 bull. I Her mt - tling shrouds, . all sheath’d in Pm agitate. d : 112. P060 0: 17060 C768. /T X} } sempre pm With the masts L by the board ; Like a sempre ' With the masts . by the boerd ; With the masts by the board. ; semp7'e_pz'L‘o ' . ' With the masts _ byrthe board ; §.__._.___.._.....—___/ Ferdinand Dunk1ey—“ The Wreck of the Hesperus." ﬁg Ar-—\ ves - sel of glass, she Holho! . . fﬁ vies - sel of glass, she I-Io ! ho ! the breakers A A /\ the breakers -9- ves - sel of glass, she a , _¢_ ves — sel of glass, she H0!l\1/0! . the b\4eake/rs I A roared I roared 2 /\ roared 1 6' d fpocoapo z o l I I 1 F‘ :1: I : Z‘;- V — -o— L Pad. Ferdintmd Dunk1ey——“ The Wreck of the Hesperus." TENOR :' ﬁ~7“/.',.::* *"«57° - ’ : j At day-break, bleak sea - beach, ﬁsh— er-man stood a—ghast, To see the form of a maid- en A fair, Lashed . f . , -1’ .. con molto espress. 170; "5" J 5 .1} _ . _,_ _ froz — en on her breast, e salt tears 1n her eyes; And he saw her Z“. ‘ - J ‘ " g. ""..._“‘—“;‘——*- __? Ferdinand Dunkley——“ The Wreck of the Hesperus.” hair’ the bil - lows /' . Tempo lmo, ma sostenuto. Such the wreck of the Hes Such the wreck of the Hes of the Hes Such was the Wreck mid ~ night IS Such was the wreck of the es mid - G Tempo lmo, ma, sostemito. J : 100. Christ Ferdinand Dunk1ey—" The Wreck of the Hesperus.” fall and _ -1 7"‘ %_ V a death a death like this, a death v like this, /\ of Nor - man’s of Nor - man’s '6' 0 0 . Ferdinargd Dunkley-—-“ The Wreck of the Hesperus.”
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Date: 1895
Text: MUSIC uamnv VASSAR COLLEGE Poucnuzs.-sue. new vonu Sung b2 Muss CLARA BUTT. LII ME \ ,/4: THE WORDS BY LONGFELLOW Wgemusic I02 FREDERIC H.C0wEN. :._m_, ‘ * - I .3‘ K ' ' ,3 57“-1,’; 335V 5%‘ 2/‘ I "'I‘G1‘~‘5vI:1‘§4’RMONIUM ACCOMPANIMENT (AD LIB.) pmcg eryuer B O O s EY & C9. 295. REGENT «3T‘I3DIE1ET. l.oND0N.W, 9, EAST SEVENTEENTH STREET, NEW YORK. THIS SONG MAY BE. SUNG IN PUBLIC WITHOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANYPARODIED VERSlON,HOWEVER,IS STRICTLY...
Show moreMUSIC uamnv VASSAR COLLEGE Poucnuzs.-sue. new vonu Sung b2 Muss CLARA BUTT. LII ME \ ,/4: THE WORDS BY LONGFELLOW Wgemusic I02 FREDERIC H.C0wEN. :._m_, ‘ * - I .3‘ K ' ' ,3 57“-1,’; 335V 5%‘ 2/‘ I "'I‘G1‘~‘5vI:1‘§4’RMONIUM ACCOMPANIMENT (AD LIB.) pmcg eryuer B O O s EY & C9. 295. REGENT «3T‘I3DIE1ET. l.oND0N.W, 9, EAST SEVENTEENTH STREET, NEW YORK. THIS SONG MAY BE. SUNG IN PUBLIC WITHOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANYPARODIED VERSlON,HOWEVER,IS STRICTLY PROHIBITED. Cogbyr/‘g/7/_‘, /895, £34 Boosey 3: C‘? A PSALM OF LIFE. Words by . Music by LONGFELLOW. ‘ FREDERIC H. COWEN. Not too slow. 1? Tell me not, in’ m0urn_fu1num_bers, "Life is but an emp _ ty dre2Lm!”For thesoul is dead t11ats1uIri-bers, f And thingsare not what they seem. Life is real! Life is ea,r-11est! And the grave {"""‘S Copyright 1895 by Boosey‘8< C‘? I, . not its goal; “Dust thou art, to .dust re.turn_ est’,’ Was not spoken of the soul. KIN 19 Not enzjoyment and not s0r_row, Is our des_ tined end or Way; But to act, that each to mor- row Find us far- ther thzm to day.. Art is 1ong,‘and Time is f1eet-ing, And our hearts, tho’ stout and brave, A Psalm of life (H. L2s'_o:) 1) 12060 stemfomdo Still, like muffled drums,are beat- ing Fun _ er- a1 mar- ches to the grave. 01‘ 14’ colla voce ture, how _ e’er pleas _ ant! the dead bu - ry its dead! . . . . . in the liv- ing Pres _ ent! o’er_ head! _ A Psalm of life. in the liv _ ing Pres _ ent! Heart with _ in, and God o’er A A A A A A A A A A A A A f can make our . . . sub. lime, us Foot - prints on the sands of time; . ‘fab. The Psalm of life. cresc. 12000 Foot - pn'nts,that per- haps an - 0 _ ther, ‘ ing o’er I 1ife’s so - lemn 3 3 . 3 3 "2/' A for _ Iorn ' and ship - wreck’d bro - ‘cheer. 3 ‘ .9 3 3 pooo rite dim. T See - ing, sha11 take heart a - gain. poco mil. a tempb With a heart The Psalm of life. V ._ <H~128°3 Still a _ chiev _ ing, ' . . pur - su - ing, be up and do _ ing‘, f manato aheart for ' . . la _b0ur, pa/go mi‘. /5 A 1a_b0ur and to Wait. (’*'Th1's chord to be played when A Psalm of life. the low notes are sung.) BOOSEY 8: C0.’S New and Standard Songs and Ballads. The Compass of the first PRICE TYYO sx-IILLINGS EACH NET. Key only is given: from this the Compass of the other Keys can be readily found. STEPHEN ADAMS Rosiss, AV, By. C, DP .. il.‘rIonA, D,Et’,F,G .. -- NIIIVANA, BD, 0, D_, ED .. Trix: Hom CITY, AI), BI), C, D 1\[oNA, C,D,EI7,E,F.. .. STAN or BE-rIII.EIIEII, E17,-F,Gr,AI7 TIIEI ALL LOVE JACK, D, E . F. . THE MIDsIIII>IIITE. BI7, C, D . . NANCY Lime, 0, D, E17 .. FRANCES ALLITSEN ‘1‘IIEIuI:’s A LAND,‘ D, E7, F, G. . BHIIAXK, DI-IINEII LIGHT. Duet, ED and F . . Lon» Is In LIGHT, 137,0, EI7 . . A Sum: or '1‘HANI(soIvINa, 0, ED, F, G . . AUGUSTUS BARRATT My SHIPS,C,D .. .. .. ROBERT BATTEN APRIL Mom, 33?, C, D . . . . PEACE AND REST, A9, By, C, Db A. H. BEHREND THE GIFT, C, ED, F .. DAIm':, F, G, AD . FREDK. BEVAN FLIGHT or Auius, G, A17, Bl‘, G J. BLUMENTHAL SUNSHINE AND RAIN, F, G. A .. A. HERBERT BREWER 'i.'IIE FAIRY PIPEIIS, F,G,A,B7,C . .. .G. FERIIY, Anny, D. E0, F, G . . FAIRIES IIAVE NEVER A PENNV.C,E[7 C. WAKEFIELD OADMAN Fuonz VVIGWAII AND '['EI=EI«: (5/-) . . AT DA\vNINo, E, Cr7..AD, A .2 I HEARA 'I‘mwsII AT EVE, E,‘7,F,AI7 Farm THE LAND or THE SICPBLUE WATEII, G7, G, BV LEWIS CAREY V BNEAK, B111-IAK, mu«:AI(! F, G, B? Goo Is our REFUGE, D, F .. NIEABEB, MY Goo, '1‘O '.l‘IIEII, A57 .. ERIC COATES A DINJH.-ill COUIITSHIP, BI). C, D STomr.cnAcIIEII Joim, D, E!) .. Form OLD ENoLI>.'II SONGS (4/-) . . S. COLER I DGE-TAYLOR Bio LADY MooN, D9, Ep, F FIVE FAIRY BALLAI>s (5/6) . . F. H. COWEN Boicmsn BALLAD, A, B, D .. THE SwALLows, I", G, A , . . Pnomsn oE'LIIrE, C, D, ED, F . . Tm: BIE'l"l‘En LAND, AP, A, C . . C. ALISON-CROMPTON AUTIIIIN, C,'Dy, E7, .. MALCOLM DAVIDSON. RAIN on THE D0\\‘N, D . . .. A LAM-r AND A FAIRY BOAT, E . . TEE BARGAIN, D . . . . . E. T. DAVIES. THE SCARECEO\V, G, A . . J. AIRLIE DIX THE TRUMYE'l‘ER, F, G, A, G. . FRANCIS DOREL GARDEN or YOUR HEAR'F, F. A17. Bl? WI-IEN MY Sums, F, G, A17, BI) E DWA R D E LG-A R IN THE DAWN. 0, E0, E _ . LANDOF Home & GLORY, BI7, C, D THE PIPES or PAN, G, A,B .. WHERE CORALS LII:,(No. 1) D & B min., dz (No. 2) F dc D m'm.l IN HAVEN, C, ED .. SABIIATII MORNING AT SEA, BI), C A. SCOTT GATTY RoTIIEsAI' BAY .. .. .. PLANTATION SoNos, Vols. 1, 2, 3 dz 4 (Six Songs ineech), 3I- ea. EDWARD GERMAN Groiuous DEVON, C, D, F .. Lona, THE PEDLAR, C, D, Ez7,F A. M. GOODHART A FAIR‘: WENT A-MARKETING, F, G, DOUGLAS GRANT As WE Go Home TOGETIIEII, ] El? F. G.‘ I I OLD BARTY ., LITTLE FRENCH BABY, D Du to FD to a» Iago-é'5’o0f3P> 3 8g5’8’€>'g; U UUUEgMn—;U AtoEI) At.oC£ B0 toF B7 to B0 B9 to Eb 'B‘vtoC (HOD BQIOD AtoD B9 to C 1) to E G 1:01) HI'gh&I0\V B to D _ B0 to E|7 DI7 to DD AD to E9 Ato ED CI:oF B0 to D ‘A to D I [.ow.,uIed. I and high 1 Al) to El) Low as High CtoE CtoF AI:oO ADCOEI7 At.oE BI) toD .CImE{ Compass oil 153 '3 Sun: by‘ Mr. John Harrison Mr. Ivor Foster Mr.John lllc Cormack Mr. Edward Lloyd Mr. Edward Lloyd Illr. Edward Lloyd All Baritones All Baritones All Baritone: Mdme. Clara Butt Mdme. Clara Butt rt Mr. K. Rumfurd Mame. Clara Butt llldme. Clara Butt Mdme. Clara Butt Miss Evan. Florence: Mame. Clara Butt Con trultos Contraltos All voices .-"llama. Ada Crossley Mame. Clara But: Miss Flora ‘Voodman Mame. Clara Bull Mr. Frank Jlullings .'Ilr..foh-n Me Cormack .111: John Jlccormaclr Mr.Joh1t J1cC’o: mack Mame. Clara Butt llllss Pltyllas Lett Illdme. Ada Crossley Mr. Harry Dearth ‘Mr. H«:,rr_I/ Dearth Miss Carrie Tubb (I? Miss Flora IV.>odmrm Miss Phyllis Lett Mr. Ivor Foster Miss E-uavn. Florencr Illdme. Clara Butt llldwe. Clara Burt Miss Carrie Trzbb, Mr. Gervasc Elmo.» (U Miss A .I)¢'snI-mti Mr, Herbert Heyner Miss Flora .'l’uo¢l.-.Iun Miss I1[z’_r_zaIL1v'-Aster Mr. Ivor Foxter Rlr. Topliss Green All Voices Mr. John Caates Mdmo. Clara Butt Mr. Ivor Foster Mdme. Clara Butt Mame. Clara Butt Mame. Clara Butt I Mr. Ivor Foster Mdrne. Ada Crossley Baritone Solos with Chorus Mdme. Clara Butt Mr. Harry Dearth Mr. Harry Dearth LC‘ A. E. GRIMSHAW TIIE SONGS MY MOTHER BANG, D, F BATTISON HAVNES On To PHILADELPHIA, C, D K. HERON-MAXWELL. KEEP oN HoI’IN’, C,E;’, F MICHAEL HEAD THE SEA GIPSY, C and E (minor, SHIPS or ARCADY, Bp . . BARBARA HOPE. A LITTLE CooN’s PRAYER, G. AV. BI? DOROTHY HOWELL. Two Fuoos, A .. HERBERT HUGHES I KNOW III LovE, E9, F .. IIIIsI-I COUNTRY SONGS, 2 Vols. (G/~ each) LIZA LEHMANN IFIDUILTAVVORIID FOE I'ot!,C,E;7,FI 'l‘IIE Cocxoo, C, D .. . .l LAURA G. LEMON MY AIN FOLK. D7, E9, F, G FRANCO LEON! LEAVES & THE WIND, C. E7, F, G S. LIDDLE ABIDK WITH Inc, C, I)9,EI7,E, F A FAIIEWELL, G, A7. B,’’, C, D? How LovEr.\' Aim Tm‘ D\vELLINos, I C, Dr, EM A. LIDGEY. CIIEEIIT PIIILosoI>IIEn. F, G, All D. MACMURROUCIH MAcusIILA, F, A9, B0 .. . J. MARGETSON Tomxn’ LAL, C, D, E,” . . CHARLES MARSHALL I SING I\G, E.p,F, G} JOHN w. METCALF I ABSENT. E{7,F.G.A.‘ BI? FRANK L MOIR ONLY ONCE. Mona, Ll. ..7. . L. MOLLOY , , Tm; CANNIVAL, B0. 0. D37, ED I.o\'E’s oI.D S\'v'EI)’I' Semi, ED.F. G G O'CONNOR MORRIS ALLELUIA, D, E? F, .. ALICIA A. NFEDHAM HUSHFJZ‘-. B7. C, D .. .. FAIIII"s LU'IIL‘.B1', ED, F, G, Ab IVOR NOVELLO LITTLE DA.\IozF.L. D, EI7, F, G. . HERBERT OLIVER SONGS or A VIvANI>II1:II'.«.- (4/-) { F,G C. PINSUTI Tziic LAST WATCH. D, F, G . . PRINCE PONIATOWSKI }<'EoIIAN’e WEDDING, G. A, B? ROGER QUILTER FAIR Hoosm or Joy", Av.B:7,DI7 To DAI.~:IE.~, Bl), D7 . ., I LovE’s PHILOSOPHY, C, D, F . . THREE SIIAIIESTEANE SONGS. 3 I To JULIA (Six Lyrics) (5/6) SEVEN ELIZABETI-IAN Lvmcs (5/6) SONGE or Soimow (3/ Nowsmmrs THE Cnnisox FETAL, D, E0, F, G7 ..j JUNE, D. F KENNEDY RUSSELL Home IN THE FENCE, F, G, AV, As YQU use BY, B0, 0. D, EV .. Fon EVERY DAY, C, D, ED, F .. J. SARJEANT WAToImANI WHAT 014' Tim NIGHT? Duet, Tenor It Baritone, F :54: G BLow, IaI.ow, B, C, D .. WILFRID SANDERSON DREAM or PLYMOUTH HOE, D. EI7. F HANLEQUIN, A, B, 0 mi. . .. BE STILL, BLACIIDIIID, BI), C, D HoIIELANI> HILLS, C, DEAN LITTI.E TowN, F, G .- ,Ap:I Mr Top liss Green Compass 01 K 15$ ev. A to E GtmD CtoD CIsoE BD to El’ DtoE Cto B9 to Eb CI:oC CtoF I .. A? to D1‘) GtoC GtoE Dt-oD CtoF AtoD CtoEp AtoD DREAAI THAT I HEAR YoI'IBI7'to ED 1 HEAR ‘IOU CALLINI. G, A7. B7, C‘ D to E l1I1"~J0’17hV0C07'mHvl< Tun Pm... amw, D. Er. F, G? Ate D1: Inlisx ."hyiii- Lew WHENSH.kDi)‘\'S oATIIER.B9,G,D,EI B3‘ to E3‘ I317*-/"’mM6C0I'?""1Ck BV E00 G C C to to to DDWN THE VALE. C, ."‘,’*. E.‘.l“,G1 A to 0 B0 to 111,‘: At.oE Low and high voines D_to E C to D lllr. Santley C to E9 ‘ C to F AtoE Low, med. and hugii Low 6: high‘ Mr. G21'1'(lS¢ Elw/:5 Ditto. 1 Mr. Gerrase Elwe: Ditto: B to D B to D Miss Astra Demzand D to F BDIOD CtoD F1; toD AtoE At-0E G E F ‘ Mdme. Clara Butt , Sung by Hill Sopranos and I Contraltos Mr. Plilnket Greene All Voices Mr. A. Jordan Fllisa Astra Desmond I Miss Megan Foster Miss Margaret Cooper Mdme. Clara Butt Illiu Louine Dale Miss Louiae Dale Md-me. Clara Butt Mdme. Clara Butt Mr.Jahn .-Ilccormack Misc Carrie Tabb Mr. Harry Dearth I‘>1r.John II[c(.‘o:7aac/c Mr. Harry Dearlh Mr. Herbert Cave I ;M.—. J. MI:(‘arnw.ck ; .117‘. I!‘-'-I‘ FonI.¢.r All Voi- ex- All TI’)!-)'I'8 Mr. II,-or Foster Mame. Clara Butt Miss Phyllis Let! Jldrne. I_,‘I«vr/1, Burt Miss Louie-.' Pale Min Evan. Florence M-lax Carrie Tabb Mr. Edward Lloyd Mr. Arthur Jordan I 1I1r.Frartk II!1Illz‘ng.: I Mr. Arthur Jordan I lI1'r.FranIcMull1'.n_qs IM1‘. Arthur Jordan I Mr. John Coats: Illliss Phyllia Lett jMdmc. A. Grantley land Mr. P. Greene Miss Megan Foster Mr. Herbert Cave Miss Phyllis Lett Mr. Ben Davies It M1-.RoI:ert Itmt/"on! Mr. Robert Radford ‘Mr. Ivor Foster , Mr. Horace Stevens Miss Carrie Tabb Mr. Ivor Foster wnrmn snnnznson (C¢mld.) TIIE STAIIS HAVE Ems, } G, AD, Bl? 0 AN ANCIENT MARINEI1, BU, C . . WEDDING IN JUNE, F, G . C no F DON'T HURRY, D, E7, F .. B to Ft EASTER FLowIms__, A9, B0, DD . . B9 to Eb BREAK 0’ DAY, B9, 0, D ' . . C to F THE GLoIu' OF THE SEA, BI7, C,D F to E9 ONE MORNING vmmz EARLY, ’ F, G} B17 to E17 151; Rev C to E F to D CAPTAIN MAC, C, D .. .. G to E FRIEND 0’ MINE, F,G, A0, B), C By go 0 HILLE or DONEGAL, A, BI7, C. . A (,0 E UP mom SOMERSET, 37, C, D. A9 to C SPRING'S AWAKENING, _ _ B W F, o,An.A, B7] W0- Szm-MATES o’ MINE, F, G, A .. G 3,0 D BEYOND THE DAWN, B|7,C, Dp,E VALLEII or LAUGHTER, E17,F,G MY DEAR soI7L, A9, BI7. C UNTIL, D7,E[7.,F.G .. .. DRAKE GOES WEST, C, D, F . . THE VOYACERS, Duet, E57, F, G A CoNNIsII HAUL (5 songs) 5/6 . . COMPANY SERGEANT-MAJOR, 1 BI7,C. D I NIGHTINGALE or JUNE, D, E7, E DEVONSEIRE CREAM AND CIDER 0. D. ED} VVITEEII THE GREAT SIIII>s mm: } AI7, A, 130 THE LITTLE BROWN Own, C,D,E:! BREVILLE SMITH. RIDING THROUGH THE NIGIIT, D ARTHUR SOWIERVELL Sums from Tennyson’: “Maud "(7/-) W H. SQUIRE TIIE Din-:A.\I CAN ‘l'.‘, F, G, AD, B‘ W1!EN YOL com. ..mIIs, D,l‘2? F, G A W D IN AN OLD FASHIONED '.I.‘owN, A t D C, T). 157, F, G} , ° THE WATc_II:IA>:, C. D. I?" __ G to D IT 1 MIuuT Com; TC ‘ ‘ ' I C t C F. G, A.~,1>»:,c»' ° SEImE.\N'r or Tm-: LI.\'I‘., F, G, A A I40 C‘ MO1‘N IAIN L0\'L‘JI8. B9, C, E?,'l5‘ B9 50 J) Ixryuu wizmsIIEIuc,B;?,C,D:',R?.F Bl’ W U My PRAYHII. C, D, .l’.{‘, F. (1, A to C C. V. STANFORD DIIAIII~'.'s Dnum, O and D minor . Sorvos UF'I'!1E SEA ('4/-) . . . .. FAT':<I}~‘.R O’FI.I'NN. A7,BI7,C . .' All I0 E? T. W. STEPHENSON SEIYS THAT PAS> I.\ THE NILJ-I1‘ I Do, Eh I " B[7toEp GLOD BL‘ toD CIDG G to D Al) to Rt‘ B to E AtoE Cto D BL‘ toD D7 to D7 DEEP IN MY HEART, F, All’. By . ., C 30 D 139, F, G D to E‘: ARTHUR SULLIVAN oaT Cuoim, EI7,F, G,Ap. MY DEAREST HEART, F, G, A0, LET ME DIIEAII AGAIN, C, D, HOPE TEMPLE l I I I I I I1-‘ I CAN LIVE A 1,13, to Ev )3 to F E E THOUO11'I'S«.I£ TEAIKS, C,D0,El7, IN swEET I1IcI-TI~:MIIEII, .13. E7. G. V? C o E C12 to E My LAI>I’rs Bowme, AD to D AN oI.D GAEDEN, B to E E7, F, G, AD, B JQAN TREVALSA My TREASURE, F, G, A H. THOTERE MY OLD SIIAIIO, BI7, C, ED . . TI-In DEATIILEEE Ammz, A, 1317, DI FRED E w:ArH:nLv(m‘r-by)I DANNY BM‘, 0, D,EI7, A to}? MAUDE v. wan: , KINo CIIANI.Es. F,G .. ..I To MARI, F, G;A1), BI? ..1 R. V. WILLIAMS LINDEN LEA, F, G, A .. HAVDN WOOD BIRD or Low; DIVINE, AtoD Bl? RID Abel) CtoC CboD. CIIUD THE SEA ROAD, By, C, D .. A. WOODFORDE-FINDEN Foua INDIAN LovELvnIcs(4/-) } ON JIIELUM RIVER 6 SoNas FROM “JnE1.Im B0 !‘.oD Ditto. Ditto. Ditto. Ditto. (5/6; I ”(5[6) 5 LITTLE JAI=ANEsE SoNos(4/-) . .‘ A LOVER IN DALIAacos (5[-) . . TEE PAooDA or FLow1ms (7/6) . . O ELowEx or ALL THE womm, C t F c, DD, F} ° ‘ KAEIIIIIEI SoNo, B0, C, D . . TILLIWAIIE, EI7,F .. CIIDEV Compass of En, F, G. AI7l' 39 °° El’ Sung by I 1'17‘. Ivor Foster llllr. Harry Dearth I Jlliss Flora Il’uozl:nau, Miss Flora Woodman I|1r. Ivor Foster Miss Currie Tabb Miss Phyllis Lett Miss Flora Woodman Jllr. Harry Dearth Mr. Norman IVilliarns I/Iliss Lucy Nuttall 1 Miss Phyllis Lelt Mr. It-or Foster Illlirs Felice Lynn «I? lﬂlis.-I I". IVoo¢lmmI Mr,Normanlﬁlliamn Jliss Lucy Nutmll Illiss Carrie Tuba Mdme. Clara Ball‘ All Voices Mr. Ivor Foster Baritoms Ill)‘. Harry ,Dea.rtlz I Miss Carrie T‘lll}l/ E Jlr. Ivor Foster I Dliss P/W222. Lea l Miss 1"lm'a II'o0IlmaI: 1.7911‘. 7lm'1'y Dearth . I 1 Mr 1’lunI:r.' Greene llllas Lily Fatrney llliss l.ucg/ Nutzull Mr. [nor Faster Mr.NormanII’illiams Mr Ivar Foster" III)‘. Harry Dearth )I1r.Jo.’m ill.-(7armar.i: llliss Lily I ir-nay ‘Mama. 1: Run 1.0 Miss 1»n,.,!z.'..- 1,.~.-. All Barilorzcs Illr. l-’lurIkL't Greene Mr. .'~‘antIr,y llldme. Clara Bull Ellis: Lucy NIIII/Ill If" Bliss Pin/llir L»:-‘ Miss I’/ryllis I.z'tt .i' :‘|Iz'sv Lucy N-utr..n-’.i II1i.~s Lmgl Nutlalz’ , Illdme. Clara Butt Soprano: Mr. Ben Davies CO1ll7‘{ll(0.l, Mezzos (lontraltas, Mezzos Crmtralros, Ilfezzus lllllme. Clara. But! Mr. Charles Knowles All Itaiitnlnrs Miss Lucy Nuttall Mr. I’l:ml:ct Greene Mr. Ben Davie: Mr. John Coates Mus Felice Lyne Mr. Harry Dearth ' Low and thigh voices Bl) to D Mr. Ivar Fosler BOOSEY & C0,, 295, Regent Street, London, Music Publishers & Band Instrument Manufacturers. ,' Cllhe above Songs may be sung in public without fee or license. The public performance of any parodied versions, however. Is strictly prohibited.
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