Search results

(1 - 50 of 275)

Pages

Title: Children's Hour, The, The Children's Hour
Date: 1937
Text: The C}zz‘[a’re7zG Hour OR Between the dark and the daylight, There comes from each radio tower LONGFELLOW A series of gentle broadcasts DIDNT KNOW That are known as the Children’s Hour. THE HALF OF IT And the girls and the boys are gathered To listen with bated breath To educational programs Of Murder and Sudden Death. By Then the air is athrob with sirens, Berton Bralgy As the ears of the Little Ones Tune in to the soothing echoes Of “gats” and of Tommy—guns. And the eyes of the kids are...
Show moreThe C}zz‘[a’re7zG Hour OR Between the dark and the daylight, There comes from each radio tower LONGFELLOW A series of gentle broadcasts DIDNT KNOW That are known as the Children’s Hour. THE HALF OF IT And the girls and the boys are gathered To listen with bated breath To educational programs Of Murder and Sudden Death. By Then the air is athrob with sirens, Berton Bralgy As the ears of the Little Ones Tune in to the soothing echoes Of “gats” and of Tommy—guns. And the eyes of the kids are popping, As they listen and wait, perplexed By the educational problem Of who will be rubbed out next. Grave Alice and Laughing Allegra And Harry and Dick and Tom R . O1 Hear music of sawed-OE shotguns, eprmte Accompanied by a bomb; from And quiver and shake and shiver Afmerican At the tender and pleasant quirks Of a gang of affable yeggmen Giving some “punk” the Works! Cavalcade And they listen in awesome silence To the talk of some mobster group, As they’re opening up a bank vault With nitroglycerine “soup”; Oh, sweet is the noise of battle To children’s listening ears, As the guns of detectives answer The guns of the racketeers; And these educational programs Will make the youngsters cower, And the night will be ﬁlled with nightmares Induced by the Children’s Hour! © 1937, Pocket Book Pué. Corp., 420 Lexingion Alva, N J‘ .C. (ﬂmeriam Cavalcade, May, ’37)
Show less

Title: Wabun
Date: 1923
Text: MUSIC LIBRARY VASSAR COLLEGE '0'.'P-WE’?-svz. new vonx SONGS sHA-wON-DA-sEE (The South Wind), Medium, F (No. 5252) . SKARL THE DRUMMER, Medium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) - WABUN (The East Wind), Medium, F (No. - I-IIAWATI-IA'S SONG, Medium, F# minor N. as - — — — ADJIDAUMO (The Squirre1)'Medium,G } ( ° 52 ) ‘F J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED IN THE...
Show moreMUSIC LIBRARY VASSAR COLLEGE '0'.'P-WE’?-svz. new vonx SONGS sHA-wON-DA-sEE (The South Wind), Medium, F (No. 5252) . SKARL THE DRUMMER, Medium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) - WABUN (The East Wind), Medium, F (No. - I-IIAWATI-IA'S SONG, Medium, F# minor N. as - — — — ADJIDAUMO (The Squirre1)'Medium,G } ( ° 52 ) ‘F J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED IN THE U. S. A. To Mr. and Mrs. Elbert L. 0’m°pente7~ Wabun (The East Wind) “Hiawatha” LONGFELLOVV JAMES A. BLISS Q I Medmm Op.11,N0.2 Allegro con moto r,__§_._, Voice Young and beau - ti - ful was Wa - bun, A Zeggiero x V7 0 ‘ He it was ~wh0 brought the morn-ing. He it was whose Sil - Ver méfr- rows f Ossia Chased the dark 0’er hill and Val - ley; He it was whose cheekswere painted Copyright, 1923, by .ZF2'scI¢er c6 Bro. British Copyright Secured ‘» J.F.& B. 5253-3 Meclzamfcal and all otlzer ﬁghts reserved ].>;~§ymgd in U¢s_A_ mf cresc. With the bright-est streaks of crim-son, And Whose voice a-Woke the Vi1- 1ag‘e,V } Lg > ¥_______,g f? , (M.M. J:1o4) Called the deer, andcalled the hunt-er, Lone - ly in the sky was Wa-bun 19 staccato Though thebirds sang gai - 1y to him, Though the Wildflowers ef the mead-ow J.F. & B. 5255-3 Filled ‘ the air with 0 - dors for him, Though the for-ests and the riv—ers Slower Sang and shout- ed ' at his com-ing Still hisheart was sad with-in ‘him /}i /"T /"““T 1‘ a - lone in Heaven. iv A Group of AMERICAN SONGS L1sT No. I . HOWARD BARLow . . . . . . . GENA BRANSCOMBE . . . . .. ELIZABETH I-I. DAVID. . .. }AMEs P. DUNN . . . . . . . . . G. FERRATA . . . . . . . . . . . .. CECIL FoRsYTII . . . . . . . . . FAY FosTER . . . . . . . . . . . . J. BERTRAM Fox . . . . . . .. FRANK H. GREY . . . . . . .. VICTOR HARRIs.. . . . . . . .. A. WALTER KRAMER . . . . HOWARD D. MCKINNEY. WILLIAM REDDICK . . . . . .. GERTRUDE Ross . . . . . . . .. LILY STR1<,:I<LAND . . . . . . . . DEEMs TAYLOR . . . . . . . . . PIETRO A. YoN . . . . . . . .. I-lush ofthe World . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5193, 5194)* L0veissoNew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5I92)..... Your Eyes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5195, 5196) In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . .. Honeysuckle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5151, 5152) . . . .. InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155, 5156) Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5153, 5154) The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . . .3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) . . . . . Under the Greenwood Tree . . . . .. . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) .. . . . Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) ..... A Masque . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .]\/ledium (4532) . . . . . . . .. Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547) . . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . .. When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . .. Secret Languages . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4665, 4666) . . . .. Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) . . . .. When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . .. Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4454, 4455) . . . .. A Ballad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. High (4737) . . . . . . . . . . . Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . ... . . . . . . . . . . . .2 keys (5079, 5083) . . . .. Sadness; Tears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5160, 5161) . . . .. The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) ... .. A Madrigal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) ..... Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 keys (5092, 5093, 5094) Silver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5098, 5099) ._.... Eternal May. . . J . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . .. ForaDream’s Sake . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (3851, 3852) Joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4246, 4247) . . . . . Song Without Words . . . . . . . . , . . . . . . . . . . . . . . . . .High (5020) . . . . . . . . . . . In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . ... . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys (4863, 4864) . . . .. Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . ..High or Medium (5077) . Travelin‘ to de Grave. _ . . . _ . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) ... .. Early Spanish Californian Folk Songs (Five).. . . .2 keys (5120, 5121) . . . .. Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144). . . .. Bayou Songs (Four) . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) .. . . . A Beggar at Love's Gate; So Cycle . . . . . . . . . .2 keys (4440, 4501) . . . .. I. I. I. ng Today is Fair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4338. 4339) ~ ° ~ -- Captain Stratton's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass (5242). Banks 0' Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .../\/Iedium (5210). . Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) ... .. The Messenger . . . . . . . . . . . . . . .. . . . . . . . . . . . ..2 keys (4732, 4733) The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) .,... A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . ..... 2 keys (4452, 4453) ..... Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . .s.. *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. FOURTH AVENUE AT E1011 NEW YORK 3, NEW STREET, BIRMINGHAM, ENGLAND TH STREET (ASTOR PLACE)
Show less

Title: Onaway Awake Beloved
Date: 1923
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEK-50:. New "C95!!! Onavvay! Awake, Beloved! Moderato ma con moto LONGFELLOW CUTHBERT HARRIS > >‘>‘ > molto mam V b mp wtempo Z"’——_—_T way"! A- wake, be - 10v — ed! Thou the wild — f1o\x”r; of the o‘L.i?8.42840-6 Copyright 1923 by The Arthu’rP, Schmidt Co, for - est! prai - rie! V Thou with eyes wtempo on - ly look - est at AA ngFwtemw0 .'R.'P8.12840- 6 /%§ Thou the wild — soft —====:::: } L} and fawn —1ike! f kazz. [1...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEK-50:. New "C95!!! Onavvay! Awake, Beloved! Moderato ma con moto LONGFELLOW CUTHBERT HARRIS > >‘>‘ > molto mam V b mp wtempo Z"’——_—_T way"! A- wake, be - 10v — ed! Thou the wild — f1o\x”r; of the o‘L.i?8.42840-6 Copyright 1923 by The Arthu’rP, Schmidt Co, for - est! prai - rie! V Thou with eyes wtempo on - ly look - est at AA ngFwtemw0 .'R.'P8.12840- 6 /%§ Thou the wild — soft —====:::: } L} and fawn —1ike! f kazz. [1 calla voce cresc. ?\ .} bird of the col la voce 2.; As the li - lies of >. feel the dew up — on theml____ dim. e ml]. way! A - wake,_ be - lov - ed! the prai - rie, \\_j mp rad. dim. (3 ml]. Jl.'P8.12840 -6 When they >. a, tempo H way! my heart near me, Olen]-?8.12840 -6 sings molto mil. f.\ to thee, fx \-./ Z‘ mp a, tempo Singswithjoy _when thou._ art As the sigh — ing,SiI1g ‘ mg f en. Conpa {ft bran— ches In epleas - ant Moon of Straw-b’ries___ Does not mf f rail. “:1” f‘ ”\ >>>_\__> the blood ' ll W/ﬁtmnpo co a voce /-$ >>>> allarg. meet thee, to, meet thee, L vﬂ.P$.12840 -6 7 cc tempo springs } wgf at tm/420 o7“e.s'a WT bright- est? 10v - edl ”‘p /f;-_t"=._$ the sun— shine In the Moon when nights -are .>>>> mil. A mp >> ‘ molto rit. f 17; ) Ou—a _ way! A-wake, be - 57; % ﬁg; molto mt ff sf sf > '> > ‘ JLP8. 12840-6 LYRIC FANCIES Q éelettiun of énngs BY AMERICAN COMPOSERS VOLUME I HIGH VOICE MEDIUM VOICE LOW VOICE BEACH, MRS. H. H. A. BRANSCOMBE. GENA BEACH, MRS. H. H. A. cstasy J HN W The Morning Wind BISCSl_lI15rlI::}Vj18H BISCHOF F . 0 - PARK, ED A ROSALIND » N W- The Summer Wind A Membiry The Summer Wind BRANSCOMBE. GENA FOO-1-E ARTHUR - BRANSCOMBE, GENA HATlgl\(;i/II\éT3(l)<rni<I31.g ix!‘/ind ‘“ '5‘°a’d‘° cHA.T1§\ex/i\é°<t “Eg \xv/Vina C . . . , . . All h LANG, MARGARET RUTHVEN A11 }, cHAD\§/ICK, G. W. An lush Love Song cHAD\ii/1cK_ Q. W. The Maiden and the Butterﬂy LYNES, FRANK The Maiden and the Butterﬂy DANlELS, ll\4Al?li‘:)L W. Hark! the Robin's Early Song FOOITE5 ARJTHUR The La yo reams DANIELS MABEL W_ n icar ie FOOTE, ARTHUR Th L’ d H) FOOTE, ARTHUR The Night has a Thousand Eyes BEACI: ISIREOH r:lamAS The Night has a Thousand Eyes HADLEY, HENRY K. She’na Va‘; ‘ ' ' GRANT-SEHAREFER, G. A. M Sh d ‘ A G r LANG): MAREVARET RUTHVEN BARBOUR. FLORENCE NEWELL LANG, ii/1Ai=?cAiRn€i°RUTHvEN LYNESTERANK RISI-TEVRITATNINT: TFRIISEGTLLA LYNES IFTRIALNKC Song Haik! the Robin's Early Song Sail,’ White Dreams Haikl the Robin's Early Song MACDOWELL, EDWARD GRANTSCHAEFER’ G_ A_ MACODIOWELL, EDWARD O L 1 R G cl R I R METCAEE, 30.31: W. cox“R:1;3; Mmzr. 3013:: W. E The Cares of Yesterday P'ezzy E The Cares of Yesterday N IDLINGER, W. H. N IDLINGER, W. H. My Heart and the Rain CI-'OUC'I__l‘LEIGHTERv H~ My Heart and the Rain PARK, EDNA ROSALIND Apnl Blossoms PARK, EDNA ROSALIND A Memory A Memory SALTER, MARY TURNER SALTER, MARY TURNER My Dear My Dear VOLUME II HIGH VOICE MEDIUM VOICE LOW VOICE BEACH, MRS. H. H. A. LANG, MARGARET RUTHVEN BEACH, MRS. H. H. A. Fairy Lullaby Day is Gone Ah, Love, but a dayl BISCHOFF, W. BISCHOFF, W_ BRANSCOMBE. GENA Five Little White Heads Five Little White Heads , A Lovely Maiden Roaming BRANSCOMBE. GENA BRANSCQMBE’ GENA CHADWICK, G. W. CHAl‘g€X"/1ICé:EY(I£Ie€x"/t “P to Thee (s°"°n3de) I Send My Heart up to Thee (Serenade) TV‘l’° 50$‘ Song: J , . . . ove an oy 0 Heart of Mine CLO(L)J?[H‘I1EIfGI{_4l:TER' H’ 0 Heart of Mine FOOTE, ARTHUR FOOTE °;fR;HU‘§° FOOTE, ARTHUR n the Way to Kew I. ‘W . A . I'm Wearing Awa' F RlML, RUDOLF m earmg wa F RIML, RUDOLF At Twilight LYNE5- FRANK At Twilight LANG, MARGARET RUTHVEN R0533 LANG, MARGARET RUTHVEN Day is Gone FRIML. RUPOLF Day is Gone LYNES, FRANK At Twlllght LYNES, FRANK MACTTSSSWX/ELL EDW RD WIAITIR-SRFEPHTGNS Roses EDWARD , A e ose's up MACDOWELL, Merry Maiden Spring CHADWICK_ G, W, Merry Maiden Spring [VIE-TTCl;Atl-«SF. _l(l3HN fvyfh E Thou art so like a Flower METCALF. JOHN PX/'-h E e uns ine o ine yes M] , _ The Sunshine 0 T ine yes NEIDLINGER. W. H. LLB‘/lgc/;AlA—ilIeTar1lt—ils(.xTi{lE:I_aDL1\i/te NEIDLINGER, W. H. Promise - COX RALPH Promise SALTER, MARY TURNER A rmtide SALTER. MARY TURNER The Sweet 0' the Year BE-‘ACE MRS H H A In Saragossa (Serenade) SAWYER, FRANK E. Ah ’L "b t’ !' SAWYER, FRANK E. Spanish Romance ’ ove’ u a ay Spanish Romance WARD.STEPHENS BRANSCOMBE CF-NA WARD-STEPHENS Be Ye in Love with April-tide? only to Thee The Rose's Cup Price, $1.25 Each Volume THE ARTHUR P. SCHMIDT CO. BOSTON: 120 Boylston Street NEW YORK: is West 40th Street
Show less

Title: Sha won da see
Date: 1923
Text: MUSIC uamnv VASSAR cones: Pouci-mun"-sat. new vonx SONGS SHA—WON—DA-SEE (The South Wind), Medium, F (No. SKARL THE DRUMMER, Medium, D minor (No. 52535. S COWBOY SONG, Medium, E minor (No. 5254) — WABUN (The East Wind), Medium, F (No. 5255) - - I-IIAWATI-*IA'S SONG, Medium, Fii minor N. as - — — - ADJIDAUMO (The Squirrel) Medium,G ; ( ° 57' ) W J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED iN THE U. S. A....
Show moreMUSIC uamnv VASSAR cones: Pouci-mun"-sat. new vonx SONGS SHA—WON—DA-SEE (The South Wind), Medium, F (No. SKARL THE DRUMMER, Medium, D minor (No. 52535. S COWBOY SONG, Medium, E minor (No. 5254) — WABUN (The East Wind), Medium, F (No. 5255) - - I-IIAWATI-*IA'S SONG, Medium, Fii minor N. as - — — - ADJIDAUMO (The Squirrel) Medium,G ; ( ° 57' ) W J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED iN THE U. S. A. To Mre. F. H. Snyder Sha-Won—da.-see (The South-Wind) “Hiawatha” LONGFELLOW ' Medium JAMES A.BLISS ‘ Op.11,No.3 Larghetto - Lusingando ________________...— Sha—Won — da - ‘see and la - zy Had his dWe1- ling cantando far to south-Ward In the droW- sy dream - y sun-shine In the nev- er .M.bet Caressant( ,60 2336:’; end - ing sum - mer. F T Copyright, 1.923, 53/ J. Fischer & Bro. British Copyright Secured J'F'& B‘ 5252's A MecIzam'ca_l mad all other riglats reserved Printed in U-S-A Ossia From his pipe the smoke as - cend — ' Filled the skywithhaze and Filled the air with dream - y a tempo soft‘ — ness. Gave a twinkle to J.F.& B. 5252-3 Touched the rugged hills with smooth — ness. sum - /\ mer the me1- an-chol - y a tempo SHOW - . In the drear - y moon of use pedal J. F. & B. 5252-3 slower 0.5-sia Brought the ten-der In-dian I» North - land. A Group of A emu) AMERICAN SONGS LIsT No. 1. REG. U S. PAT. OFF. HOWARD BARLOW . . . . . . .1-Iush of the World . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5193, 5194)* . . . . $0.50 I Love isso New . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5192)..... .50 Your Eyes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5195, 5196) . . . .. .50 GENA BRANscoMBE . . . . . .In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . . . .60 ELIZABETH H_ [)AV1D,_,_Honeysuckle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5151, 5152) ..... .50 InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155, 5156)..... Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5153, 5154). . . .. JAMES P. DUNN . . . . . . . . .The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . . .3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) ..... Under the Greenwood Tree . . . . . . . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) .. . . . G. FERRATA.. . . . . . . . . . . .Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) . . . . . CECIL FORSYTH _ , , , , , , , Masque . . . . . . . . . . . . . . . . _ . . . . . . . . . . . . . . . . . . A/ledium (4537,) . . . . . . . . . Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547). . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . .. When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . FAY FOSTER . . . . . . . . . . . .My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . . . Secret Languages . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4665, 4666) . . . . . Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) . . . .. When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . . . Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4454, 4455) . . . .. J. BERTRAM Fox . . . . . . ..A Ballad.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. High (4737) . . . . . . . . . .. Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5079, 5083) . . . .. Sadness; Tears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. FRANK H. GREY - . . - . . . .Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5160, 5161) VICTOR HARRIS . . . . . . . . . .The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) . . . . . A Madrigal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) . . . .. Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..3 keys (5092, 5093, 5<:94) Silver . . . . . . . . . . . . . . . . . . . . . . . ., . . . . . . . . . . . . . . . .2 keys (5098, 5099) A. WALTER KRAMER . - . -Eternal May... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . .. For a Dream's Sake . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (3851, 3852) ..... joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4246, 4247) . . . .. Song ‘Without Words . . . . . . . . . . . . . . . . . . . . . . . . . .High (5020). . . . . . . . . . . HowARD D. MCKINNEY. In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . ..... 2 keys (4863, 4864). . . .. WILLIAM REDDICK . . . . . . —. Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . .High or Medium (5077) . _ Travelin' to de Grave. . . . . . . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) ..... GERTRUDE Ross . . . . . . . . .Early Spanish Californian Folk Songs (Five).. . . .2 keys (5120, 5121) . . . .. 1. 3 Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144) . . . .. LILY STRICKLAN1) . . . . . . . .Bayou Songs (Four) . . . . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) . . . . . 1. A Beggar at Love's Gate; Song Cycle . . . . . . . . . .2 keys (4440, 4501) . . . . . 1. Today is Fair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4338, 4339) ... .. DEEMs TAYLoR . . . . . . ‘. . .Captain Stratt0n's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass _ (5242). . . . . . . . . Bankso'Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Medium (52I0)......... Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) . . . . . The Messenger . . . . . . . . . . . . . . .. . . . . . . . . . . . ..2 keys (4732, 4733) The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) . .. A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) PIETRO A. YoN . . . . . . . . .Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (4452, 4453) ..... Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. - - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND
Show less

Title: Old Bridge at Florence, The, The Old Bridge at Florence
Date: 1922
Text: MUSIC LIBRARY VASSAR COLLEGE -oucnxezl-sue. NEW vonx THE OLD BRIDGE AT FLORENCE LONGFELLOW MUSIC BY ALBERT MALLIN S ON. Copyright‘ MCMXXH, _ by .J.B.Cramer &C‘3 Lid 5-’ Pmce nett. For aHCoun’r1ries. .‘ , 4/ ' J.B .CRAMER & Co.Lbd. [39, New Bond Street, LONDON,Wl. New Yon/R; ChapPeH*Ha1/ms, Inc, 185, Madison Avenue. 51319 Agent Fm‘ Hulland and L‘uL§h Calnrnes JACQ ELTE. THE HAGUE. Phinfed In England- . THE OLD ‘BRIDGE AT FLORENCE. Taddeo Gaddi built me. I am old, Five centuries...
Show moreMUSIC LIBRARY VASSAR COLLEGE -oucnxezl-sue. NEW vonx THE OLD BRIDGE AT FLORENCE LONGFELLOW MUSIC BY ALBERT MALLIN S ON. Copyright‘ MCMXXH, _ by .J.B.Cramer &C‘3 Lid 5-’ Pmce nett. For aHCoun’r1ries. .‘ , 4/ ' J.B .CRAMER & Co.Lbd. [39, New Bond Street, LONDON,Wl. New Yon/R; ChapPeH*Ha1/ms, Inc, 185, Madison Avenue. 51319 Agent Fm‘ Hulland and L‘uL§h Calnrnes JACQ ELTE. THE HAGUE. Phinfed In England- . THE OLD ‘BRIDGE AT FLORENCE. Taddeo Gaddi built me. I am old, Five centuries old. Iplant my foot of stone Upon the Arno, as St.Michael’s own Was planted on the dragon. Fold by fold Beneath me as it struggles, I behold Its glistening scales. Twice hath it overthrown My kindred and companions. Me alone It moveth not: but is by me controlled. I can remember when the Medici Were driven from Florence; longer still ago The final wars of Ghibelline and Guelf. Florence adorns me with her jewellery; And when I think that Michael Angelo Hath leaned on me, Iglory in myself. Longfellow. The*O1d Bridge at Florence. Sonnet by ’ LONGFELLOW. l:——3—?1 Andante. (J: 42.) Wef Music by ALBERT MALLINSON. Tad - aé _ o Gad-di built me. PIANO Five cen -tu_ries old. _ foot of stone . Up-on the Copyright MCMXXII by J.B.Cramer &,C9 Ltd. ‘ Ar _ no, (J.=B,C 3; 09 12123.) Mi_chael’s own was plant _ - ed on the dragon. cu. -— -— —' ‘'' _ neath me as ‘ it 06! - 6” Zemgo "_-"——.ﬁ ;strugg1es,I be__ hold Its g1is.t’ning scales. % Twice hath it T To_ve1.'.thr0wnAMy 2,...-———j TS - pqco kin-dre(1.andC0m-pan - ions. A ’ It (J.B.C 8: 09 12728.) 17 _tro11ed. .________ I can re _ mern _ -.ber,_ when the Med- i_ci Were drivenfrom F'1o_rence; poco Mt. ,_ .— ._ —- f““"*--1\ _. .- longerstill a _ go % The fi _ na1wars0fGhi_be1-1i-neandGue1f. a tempo 3-2-} \*/ ' (J.B.C.& C? 13128.) mf""“‘“'3 F1o_rence a_dorns me with her jew- ell _’ry; _ /5 think that J _/ 8-"; _____________ -- vzgvumw -10 Hath. leaned on me. glo _ ry Cnorvuz, Pr~?n+er~,34' EAGLE STREET, HoLson~,W_ C . .s.c 3.09 f'2128.’> New and Successful Songs sung by MR. FRANK MULLINGS — AT THE - Cramer Ballad Concerts. My Soul is Set Among the Stars. Words by Edward Lockton. Music by Evelyn Sharpe. Andante. mp 3‘ ..="—=-’~“. H as 5‘ ﬂlfﬁ :.* a . B:4—':——4.—-—4—+-a——-F3-7-.':1s-i-=N-P—r— —’—-I:'——:‘:—_2 = - ~ -4- ' \_/ ' U To-night my soul ....... .. is set among the stars, .... ..These fet-ters fall, and Keys: LOW, MEDIUM, HIGH. A Tent in the Desert. Words by Edward Lockton. Music by Evelyn Sharpe. M isterioso. -——i————1‘*.—I‘=—.4.—— _. —_4———i—‘V__x“ T‘ 4 .! i 1 1 T _. __ ._._____._ ::§;‘_:_d__:‘"__._IL:i:;j;*: :; .;" .. *;‘:d:d:1:j:-::;:t:t:r—9-—’lr*:'*-5“;-*r‘r'—E;_ Huahed arethe bells of our long car-a- van, Be-hind the yel-lowhills the day has ﬂown; Fast sinks the sun up- K¢ys_.: LOW,_ MEDIUM, H IGH. Under Thy ewindow. Words by Harold Boulton. Music by A. Gtoring-Jrhonnas. Allegretto non troppo. poco rits a tempo. poco rit. 3 a tempo. . L 4 #1 1 I r 154; 1 RI H 4 i,:1<*:—“: -_ _ *_ —— '— — ‘—-— --—1—-- ———<I—-- -———l—'-IL-—j‘—i_—'-‘I-—— ;--;~—;-3-—- ~ jj —- ‘*3 —-1* -a—-f Un - der thy win - dow lstand, And my boat in tea - dy at hand. Dear love. be free. Keys: No. 1 in F; No. 2 in Ab. — 0 Words by Harold Boultoa. Music by A. Goring Thomas. Andante. “9- -12 J14 ﬁn. 1 I "‘._".::4= ——-— —_:; -—a~——'” —————— Thewestwindlov'd the wil - low Bet - ter than an ~ y tree; And sped o'erthe o-cean hil - low Keys: No. I in F: No. 2 in A. J. B. BBAMEB & 80., ltd...139, New Bond Street, W. NEW and POPULAR VOCAL ALBUMS. TWELVE LYRICS. BEDTIME LULLABIES. Words by Music by W°'d5 bl’ M“5i° by HAROLD BOULTON. A. GORING THOMAS. EDWARD WARDE GEORGE HAY‘ ‘I. Fairies. 2. Slumberland. "1. ggntentkment (guet)*.‘ ‘Q [l§iver[E)nl-leaagri. 3- Rock-3-bye TOW"- . e 1 mg’s aug ter. . ove u y. ° .. _, . The Heart’s Fancies. ‘9. The Willow. ‘ Pnce ll nett cash’ complete . Time's Garden. ‘to. A Song of Sunshine. . Voices of Swing. ‘1 1. The Countryman's Love Song. HI OW. . Under the m. Sunset (Duet). Price 5/— nett cash, complete. Music by Words by H. ERNEST HUNT. HAROLD CHEVALIER. 1. Song of the Pedlar. 3. London Roses. _ 3. Snowdrops at Kew. ‘4. Welcome to Spring. Price 8/6 nett cash, complete. w d b M ' b HAROLIO; /i30}lJLTON. EDWARl1)slcC}I{RMAN. FOUR DOGS_ “I. All the World awakes to-day. son‘ Cydee ‘ . Th D h L! . xi. My°so'§‘§ a'2°.§l":i.§s:L3'ay North. VVords by VIOLET A. PEARN. Price I/— nett cash, complete. Music 1’? 1- MAYNARD GR0VER° I. Fra’ the Hills near Aberdeen (The Aberdeen Terrier). 2. All the way from Devon (The Sheep-dog). THREE SONGS OF THE HEATHER. 3' H”T“"’"“‘T‘"‘<‘ii:?Pekanese). 4. Patron Dog 0' Briton Words by Music by (The B““d°g)° HAROLD BOULTON. CHARLES BRAUN. P‘i°° 3/‘ “'3” °“‘‘» °°“‘P‘°‘°- ‘I. Heatherbug. S f P ‘f. HEver}" so far away. , *3. inga ongo urpe eat er. _ Price 4/— nett cash, complete. S V Words by MUSIC by S. E. LOCKE. HAROLD JENNER. 1. Preparation. 2. Anticipation. mun songs or Auomrlou, A P... a/i‘..f.".“:‘.I:3‘.‘f".‘.'............ Words by Music by RONALD HUME. EVELYN SHARPE. . A BRANCH OF ARBU']‘Us_ Price 3/B nett cash, complete. Song Cycle for Four Voices. Composed by ALICIA ADELAIDE NEEDHAM. Quartette--Ireland, little Ireland. Tenor Solo (a) Darling Black Head. 1. 2. FIVE SONGS OF A LONELY FARM. 3. m Tipperary. '4. Contralto Solo—_Do you remember, darling 7 A Cycle of Five Songs. sop,a,,., 5010 i eSn°ng- words and Music by *7. Baritone Solo-Give a man a horse he can ride. 8. Quartette-—When he who adore thee. ERN EST CRAMPTON. "9. Tenor Solo-Ther¢;’sFno lagd liar: Irelalnd. d 10. 21 our uc sona on . .12‘ '£:ﬁrI§:]'2gk§:';'£é Morning. .1 x. C°"trak° s°l°{(b)_ And it’s oh_! sweet, and a lullaby, - C . 12. Soprano Solo--All m the morning early. 3. ome into m Garden and Rest. at (3) on th 1-lde_t0 *4. New Mown {lay Hi: Baritone Solo { (b) W at gongo P’ 5' Harvest M°°"' ‘I5. Quartette--St. Patrick was a Gentleman. Price G/— nett cash, complete. Price 6/— next cash, complete. Songs marked with an * are published separately. J. B. CRAMER & CO. Ltd., 139, New Bond Street, London, W.
Show less

Title: Childrens' Hour, The, The Childrens' Hour
Date: 1922
Text: 74 .. 7! V‘ 1 CL. The Childrens’ Hour (1901) 71% V Lﬁngfellow ~ Adag1o sostenuto the dark and the day - light, When the '"T»'“' '7' night is beginning to lower, ‘ in the days oc - cu - MUSIC LIBRARY .u. ,— - That is known as Chil-drens’ Hour pm moto rj3__1 hear in the cham-ber a -bove me the pat — ter of 1it—t1e feet |'_—'—"_""1 3 ' 3 r*—*j;'“‘1 ' 3 I sound of a. door that is o-pened and voi - r"""""...
Show more74 .. 7! V‘ 1 CL. The Childrens’ Hour (1901) 71% V Lﬁngfellow ~ Adag1o sostenuto the dark and the day - light, When the '"T»'“' '7' night is beginning to lower, ‘ in the days oc - cu - MUSIC LIBRARY .u. ,— - That is known as Chil-drens’ Hour pm moto rj3__1 hear in the cham-ber a -bove me the pat — ter of 1it—t1e feet |'_—'—"_""1 3 ' 3 r*—*j;'“‘1 ' 3 I sound of a. door that is o-pened and voi - r"""""3‘-1 ' 3 ' d=Jo stu-dy I see in the lamp- light De - scend-ing the broad hall stair, Grave O A1 - ice and laugh - ing A1 - 1e - gra. _. E - dith with gold - en b . pm aresaemoto I pm mm". C O I K Be - tween the dark and day - light, 1%) a tempo /'3 a pause, is known as Chil - drens’ Hour. ‘ rit. 0.. mmm D09 EC1 R
Show less

Title: Hiawathas Song
Date: 1921
Text: MUSIC LIBRARY VASSAR COLLEGE poucuxzansvc NEW vopm SONGS S}-IA-WON—DA-SEE (The South Wind), Medium, F (No. 5232) SKARL THE DRUMMER, Iwedium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) WABUN (The East Wind), Medium, F (No. 5255) HIAWATI-IA'S SONG, Medium, Fiﬁ? minor T ADJIDAUIVIO (The Squirrel) Medium, G 5 W73 : I at. or I (No: 5268) *Except Canada and Foreign J. FISCHER 82 BROTHER - NEW YORK 119 WEST FORTIETI-I STREET 3, NEW STREET, BIRMINGHAM, ENGLAND Pxnu-an in nu To...
Show moreMUSIC LIBRARY VASSAR COLLEGE poucuxzansvc NEW vopm SONGS S}-IA-WON—DA-SEE (The South Wind), Medium, F (No. 5232) SKARL THE DRUMMER, Iwedium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) WABUN (The East Wind), Medium, F (No. 5255) HIAWATI-IA'S SONG, Medium, Fiﬁ? minor T ADJIDAUIVIO (The Squirrel) Medium, G 5 W73 : I at. or I (No: 5268) *Except Canada and Foreign J. FISCHER 82 BROTHER - NEW YORK 119 WEST FORTIETI-I STREET 3, NEW STREET, BIRMINGHAM, ENGLAND Pxnu-an in nu To Mrs. Mc Elroy -Johnston « Hiawathefs Song H JAMES A. BLISS Op. 10. No.1. Me dim m H.W LONGFELLOW eg-ro con brio (Juos) In the land of the Da - c0— tahs Minn — e —ha — ha, Laugh—ing a - ter, Lives the ar - row mak- er’S daugh-ter, /.‘,\.—. at tempo Hand- som- est of all the mai -ens, I will bring her to your wig—wam, W‘ #13‘/13 #? 3- 3 Esp/res She shall run up -on your er - rands, Be your Star-light, moon-1ight,fire-light, F Copyright, 1921, by J. A. Bliss Assz.'g1zea./ to J.Fa'.s>c-law (Q Bro. J. F.& B. 5268-5 PRINTED IN U. $.A. Be the sun-light of my peo-ple (L team Tem,;0o 1 Thus it was that Hi — a — wa - tha To the lodge of old No - k0 — mis Brought the moon-light, star—1ight_, fire - light, /:57 . ._. — ,-.\ (L tempo Brought the sun-shine of his peo-ple, Minn - e-ha - ha Laugh-ing Wa - ter, , . J. .F'.& B.:'>268~5 Hand - som-est of (Of) all the maid — ens . _ the land of p smccato hand-some maid - ens. ‘fab. J.F.& B. 5268-5. H .W. LONGFELLOW 8 ..... ........ .. eggiero _ J.F.& B.5268-5 ADJIDAUMO The Squ(irre1 J JAMES A. BLISS Slower .' x7[ea’imn ‘ Then said Hi-a-Wa-tha to him, 3'5 l"""""""‘1 I I d the squirrel, Brave - ly have toiled to help me; And the name which now he gives you; For here—aft-er and for-ev-er Copyright, 1921, by J. A.B1iss Assig/zed to .lF¢1s'(.'/car & Bro. l':'—j'll:—'—""| Boys shall call you Ad — ji - dau - mo, Tail in air the boys shall «:31? you!” And /3‘ 8... the squir - rel, r""'"‘l Ad - ji-dau- mo, ' 3 ' ' ' Frisked and chattered ver - y gay - ly, o ...._..4 atempo '“3“‘I ' 3 | J. F.&B.5268—5 Maesta slower In‘ his fur rit. e breeze of morn-ing a, A Group of AMERICAN SONGS LIST No. 1 . REG, U‘ S. PAT. OFF. HOWARD BARLow . . . . . . .Hush of the World . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5193, 5194)* . . Love issoNew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5192)..... Your Eyes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5195, 5I96)..... GENA BRANSCOMBE . . . . . .In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . . . ELIZABETH H. DAVID. ...Honeysuck1e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5151, 5152) InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155,5156)..... Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5153, 5154) JAMES P. DUNN . . . . . . . . .The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . ..3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) ..... Under the Greenwood Tree . . . . . . . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) . . . .. G_ FERRA1-A , , _ _ _ , _ , , , , _ ,Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) . . . . . CECIL Foggy-rg , , , , , , , _ ,A Masque . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Medium (4532) . . . . . . . . . Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547). . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . . . When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . FAY FosTER , , , , , , _ _ , , _ ,My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . . . Secret Languages . . . . . . . . . . . . . . . . . .. . . . . . . . . . .2 keys 4665, 4666) . . . . . Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) .. . . . When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . . . Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (4454, 4455) J. BERTRAM Fox . . . . . . . .A Ballad . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . High (4737) . . . . . . . . . . . Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5079, 5083) . . . . . Sadness; Tears . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. FRANK H. GREY - - - - . - . -Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys 5160, 5161) . . . .. VICTOR HARRIS . . . . . . . . . .The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) . . . . . A Madrigal . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..3 keys (5092, 5093, 5094) Silver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5098, 5099) . . . . . A. WALTER KRAMER - - - -Eternal May . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . . . ForaDream’s Sake . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (3851, 3852) joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys 24246, 4247) . . . .. « Song Without Words . . . . . . . . . . . . . . . . . . . . . . . . . .High 5020) . . . . . . . . . . . HOWARD D. MCKINNEY. In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys 4863, 4864) . . . .. WILLIAM REDDICK . . . . . . .Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High or Medium (5077) . Travelin' to de Grave . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) . . . . . , GERTRUDE Ross . . . . . . . . .Early Spanish-Californian Folk-Songs (Five).. . . .2 keys (5I20, 5121) . . . . . . Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144 ‘LILY STRICKLAND . . . . . . . .Bay0u Songs (Four) . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) . . . . . A Beggar at Love's Gate; Song Cycle . . . . . . . . . . .2 keys (4440, 4501) . . . . . Today is Fair . . . . . . . . . . . . . . . . . . . ..‘ . . . . . . . . . . . .2 keys (4338, 4339). . . .. DEEMS TAYLOR . . . . . . . . .Captain Stratton's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass (5242) . . . . . . . . . . . Banks 0' Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Medium (5210) . . . . . . . . . Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) . . . . . The Messenger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4732, 4733 The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) .. . .. A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) .. . .. PIETRO A. YON . . . . . . . . .Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4452, 4453) . . . . . Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . 0,...- *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. - NEW YORK 3, NEW STREET, BIRMINGHAM, ENGLAND
Show less

Title: Hiawatha Songs:
Description: Songs listed on cover include: "Hiawatha's Song" ; "Adjidaumo, the Squirrel" ; "The Rainbow" ; and Pau-Puk-Keewis Dances"
Date: 1921
Text: MUSiC Lmrmnv VASSAR COLLFC-E POUGHKEEPSIE. NEW YORK JAMES A BLISS No. 1. Hiawathefs Song No. 2. Adjiclaurno, the Squirrel NO. 3. The Rainbow No. -1. Pau—Puk-Keewis Dances 3 $ sm Aqmw SB Smm E3 Sn M1.m 4M A,. .|J ‘ 4 V V )1 ‘ . \\1|X'..Iv.‘4‘w~ﬁ".\‘%‘4V.llIIII’IlI!I”‘:t.l\I||Il«V‘ \““‘.1u.r’..,. , 1 Hwxuillnln. ll.sxl..|3»J\i1‘\“ (L1|I.:|[r.\\ .Au.u ‘\xI lY1.‘.l...s': .W»mn..) :M!|“U..nNL.. 1 /1..F»;xr. To Mrs. Mo Elroy -Johnston a" Hiawathafs Song JAMES A. BLISS ' Op....
Show moreMUSiC Lmrmnv VASSAR COLLFC-E POUGHKEEPSIE. NEW YORK JAMES A BLISS No. 1. Hiawathefs Song No. 2. Adjiclaurno, the Squirrel NO. 3. The Rainbow No. -1. Pau—Puk-Keewis Dances 3 $ sm Aqmw SB Smm E3 Sn M1.m 4M A,. .|J ‘ 4 V V )1 ‘ . \\1|X'..Iv.‘4‘w~ﬁ".\‘%‘4V.llIIII’IlI!I”‘:t.l\I||Il«V‘ \““‘.1u.r’..,. , 1 Hwxuillnln. ll.sxl..|3»J\i1‘\“ (L1|I.:|[r.\\ .Au.u ‘\xI lY1.‘.l...s': .W»mn..) :M!|“U..nNL.. 1 /1..F»;xr. To Mrs. Mo Elroy -Johnston a" Hiawathafs Song JAMES A. BLISS ' Op. 10. No.1. eg-ro con brio (Juos) In the land of the Da - c0- tahs ' Minn — e —ha- ha, Laugh-ing a - ter, Lives the» ar - row mak- er’s daugh-ter, _/\. . . _/.‘.\.% ng _._l /“T on tempo mlt. Hand— som - est of all the maid— ens. as #F\./F #1? 3 3 Espre She shall run up —on your er - rands, Be your star-light, moon—1ight,fire-light, F‘ Copyright 1921 by A. Bliss I will bring her to your wig-Wam, Be the sun - light of my peo — ple ' a, tem Thus it was that Hi - 3. - wa — tha To the lodge of old N0 -k0 —mis Brought the m0on—1ight, star-light, fire - light, t fl Mt a tempo Brought the sun-shine of his peo-ple, Minn - e—ha - ha, Laugh-ing Wa - ter, #1:“. Hia.wa.tha’s S ong-. 3 Hand - som-est of —(°f) all the maid - ens _ the land of ' ' ' V E - ' - . . 19 smccato hand—s0me maid - ens. ‘fen Hiawafthaﬁs Song‘. 3 la“/ax . . “Er thaw Longfellow ! 0 To Kat/zleen Haw-1,‘ Bibb The Squirrel JAMES A. BLISS Slower Op. 10. No. 2. Vivace Then said Hi—a-Wa-tha to him, 8 ---- """"""""""" """"""""""" Zegg2'e7'0_ my lit- tle 'end the squirrel, - a-wa - tha, And the name which now he gives you; . . _ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . _ . . . . . . . . . . . . . . . . . .... n For here aft-er and for—ev—er Copyright 1921 by J. A. Bliss Boys shall call you Ad - ji - dau - mo, Tail in air the boys shall £11 you!” [[1 And the squir-rel, Ad — ji - dau - mo, Maesta rj‘“|3 slower mt, Frisked and chattered ver - y gay — ly, In his fur e breeze of morn-ing .« """ " a » ¢ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...r /'3\ J atempo '-‘F7 ' 3' 8P1ayed as i_n the meadow grasses. it Adjidaumo - 2 8 To Lora Lulsdorff “Hiawatha” Longfellow. JAMES A. BLISS Op. 10. No. 3. Allegro ‘ma grazioso /T At t11e door on sum - mer eve -nings Sat the 1it—t1e Hi - a—Wa — tha; Efﬂftf Mt. Heard the Whis -p’ring of the pine-trees, Heard the lap-ping of the wa — ter, .{’—‘\ Copyright 1921 by J. A. Bliss it tempo , Allegro Sounds of mu-sic, words of won—der; “Minn ﬁﬁf" 3;? M" at tem L“; \_;_j Grazioso said the pine-trees, “Mud - Wa aush - ka!” The Rainbow. 4 said the Wa - ter. ‘ aush - ka!” £7 Andante rubato said the wa - . Saw the Andante /-T a tempo f.'\ rain-bow In the east-ern sky, 1’ Whis -pered T he Rainbow. 4 Rec ita/ndo “What is that, N0—ko - mis?” And the good No- ko -mis an-swered, Andante espressivo the heaV’n of flowers you see there; All the wi1d'f10w’rs of the for— est, V the lil - ies of the i-rie, When on earth they fade and per-ish, TX B105 som in that heav’n The Rainbow. 4 12 To Wm. Goodfellow Pau - Puk- Keewis Dances JAMES A. BLISS Op. 10. No. 4. Allegro con spirito =112) staccato T 0 the sound of flutes and sing - ing, To the sound of drums and voi—ces, f Maesta p Mtstertosov - mt. Rose the hand-some Pau Puk-Kee-Wis And be-gan his mys - tic’ danc-es. bJ h£ First he danced staccato Copyright 1921 by A. Bliss - emn meas - ure Ver - in step and ges - ture, 1 and out a - mdng the pine trees, Through the shad - ows I 3 I 19 the sun - shine, Tread-ing soft - ly like a pan-ther > >_> Then more swiftly and still swift-er, Whirl - ing, spinn (now) Pau Puk- 4 I3‘ in cir— cles. V A Then a long the sand-y mar-gin > > 3\ ’§\ '3"3' Of the lake the Big-Sea-Wa - ter, On he sped with fren—zied ges -tures, /'3\ /‘.s\ /3\ ’3\ V/'‘'\ 7/‘ﬁx t/KT? .——3**|‘_—3' [’““ﬁl3lr—3' Stamp’d up on the sand/id t0ss’d it Wild — ly in the air a-round him; /7 /T # 3 X-73$ 3 '3"3' Till the wind be came a whirl-Wind,Heap-ing all the shores With Sand Dunes Pan Puk. 4 the mer - ‘ ‘.2 19 stapcato 7 - Puk Kee — Wis Danced his beg — gars Dance to please them, sat down laugh Anda/nte se/re/no it tempo Sat and anrfd himself se-ren-1y With his fan of ‘cur-key feathers L.H. leggerio
Show less

Title: You'll Love Me Yet
Date: 1920
Text: . K ,_ . /fr» I :~.. ~ ; Mm . 1/‘ [,{_’~ 31.4 /3 *7 ,»4:-"’“ J V, ‘la ‘a 3 ; - i“ V U ‘Jxﬂ ,‘\,»*L/3:/L!:'_/,[:‘,/ Gompozitionsg my Sobn rlltsokrejs MUSSC LIBRARY VVAEAQAIR COLLEGE voucmmzwsse. new vow 34 ( \ \ ) 1)}: VALCIK. Db Gr. 4-5 . . . . . . . . . . . . . . . . . . . . ..50c TOLD IN JUNE. E Gr. 4.. .' . . . . . . . . . . . . . ..50c ROMANCE. D Gr. 4-5 . . . . . . . . . . . . . . . . . . ..50c OUT OF THE WEST. G Gr. 5 . . . . . . . . . . . . . .50c PRELUDE IN G MAJOR.* Gr...
Show more. K ,_ . /fr» I :~.. ~ ; Mm . 1/‘ [,{_’~ 31.4 /3 *7 ,»4:-"’“ J V, ‘la ‘a 3 ; - i“ V U ‘Jxﬂ ,‘\,»*L/3:/L!:'_/,[:‘,/ Gompozitionsg my Sobn rlltsokrejs MUSSC LIBRARY VVAEAQAIR COLLEGE voucmmzwsse. new vow 34 ( \ \ ) 1)}: VALCIK. Db Gr. 4-5 . . . . . . . . . . . . . . . . . . . . ..50c TOLD IN JUNE. E Gr. 4.. .' . . . . . . . . . . . . . ..50c ROMANCE. D Gr. 4-5 . . . . . . . . . . . . . . . . . . ..50c OUT OF THE WEST. G Gr. 5 . . . . . . . . . . . . . .50c PRELUDE IN G MAJOR.* Gr. 6 . . . . . . . . . .75c SCHERZO IN E MINOR.* Gr. 6 . . . . . . . . . . . .90c INTERMEZZO.* A Gr. 6 . . . . . . . . . . . . . . . . . .75c ARABESQUE.* Db Gr. 5 . . . . . . . . . . . . . . . . . .750 FROM A BOHEMIAN VILLAGE. C Gr. 4-5. 50c DANCE OF YE WITCH OF SALEM TOW . ABSENCE. C MINOR Gr. 2-3 VALSE B}; Gr. 3 AN INDIAN DANCE. C MIN AN INDIAN IDYL.* G Gr. ECOSSAISE (Scotch Dance BAGATELLE IN G. Gr. VILLAGE SCENES.* Gr. THE BLACKSMITH. D. GLADYS AT PLAY. D. . . . . . . JUMPING JACK. C. . EVENING. C. (41 <70 RONDO. C. [ 5 THE BELLS. C. \ Gr. - JACK IN THE PULPIT. C . . . . . . . . . . . . . . . . . . IN THE HAY LOFT. Bb . . . . . . . . . . . . . . . . . . . .25c OLD CHIEF MATAATAKWA. A Minor . . . . . . ..25c THE WHITE BUNNY. C . . . . . . . . . . . . . . . . . . . .25c THE FROG POND. C . . . . . . . . . . . . . . . . . . . . . . .25c DANCING DAISY FIELDS. C . . . . . . . . . . . . . . . .30c PETER PETER.* CCr. 30¢ FROM A TAMA POW-WOW?‘ A Minor Gr. 2.....30c KITE FLYlNG.* D Cr. 2 . . . . . . . . . . . . . . . . . . . . . . 30:; Q (E S HRAB AND RUSTUM. C 25c BOHEMIAN FOLK SONGS.‘ Book I . . . . . . .50c (Arranged as easy Piano Duets. Gr. 1-3). Book II . . . . . . . . . . . . . . . . . . . . . . . . . . . ..90c NATURE SKETCHES. FROM THE HILLS. Bb Gr. 3 . . . . . . . . . . . . . . . .30c THE BIRD RONDO. G 3-4 . . . . . . . . . . . . . . . . ..50c PLAYING LADY. C 2 . . . . . . .I . . . . . . . . . . . . . . .30c IN SUMMER. D 2 . . . . . . . . . . . . . . . . . .30c AD BOY. G 3 . . . . . . . . . . . . . . . . . . . . . . .40c A DA THE / A HERZO. Gb 4 . . . . . . . . . . . . . . . . . . . . . . . .50c MI HINC-TON WAS A BOY* . . . . . . . . 1.00 (An Opera for Young People) LOVE ME YET JG SONG M THE FIELDS OF FRANCE ‘ AH—WAH-TAY—SEE (Little ﬁre-ﬂy) WA—YEA MY LITTLE OWLET E/(EAL E ‘ (\ SONGS OM TH] R’S GARDEN . . . . ..75c (V t teen ngs fo Children.) SONG (L I67‘) . . . . . . . . . . . . . . . . . ..40c (C to F) . . . . . . . . . . . . . . ..50c . (IE) to F) . . . . . . . . . . . . . . ..50c I MELODRAMAS (Reading with Music.) MIANTOWONA.* . . . . . . . . . . . . . . . . .75c (Poem by Thomas Bailey Aldrich) THE LEGEND OF WINONA . . . . . . . . . . . . . .75c TRIO IN B MINOR. (For Violin, ’Cello and Piano.) LESSONS IN HARMONY . . . . . . . . . . . . . . ..1.00 LESSONS IN SIGHT READING."‘ . . . . . . ..75c (For the Beginning Piano Student.) LESSONS IN RHYTHM* . . . . . . . . . . . . . . . . . . . . .. 75c 09 ODOWAN PUBLISHING CO. 880 W. 181st St., New York 831 Ave. B, Cedar Rapids, Iowa ‘Rub. by (Jtayton F. Sammy 00., Chicago. To £3111. You’ll Love Me Yet (SONG FROM PIPPA PASSES) REVISED EDITION BROWNING‘ Moderate You’ll love tar— ry your 1ove’spro—tract - ed grow - ing. 6’o;9y7'2'g/at MUZIBZY by Jolm ﬂlokrejs. JOHN MOKREJ S 17000 piu mosso June _ rear’d that — ers you car- 1-y nf poco piu mosso pri1’s sow. — ing.. I plant a heart — f ul some seed at least to strike and yield __ What you‘ll not pluck in deed‘___ Not love but You?! Love £l[e Met 4 Not love but may be like! Not love, not may be like! V P Yotf ll look 1) ll tempo Tab. loves re - mains,A grave’s one vi — o - let: Agrave’s one Y 0247! Love Me Yet 4 vi at but may be, least your look? that pays a thousand/thousand pains, a thou - sand pains. {-25 What’s death? You’ll love me yet!What’s death?You’111ove me yet! >>>> {T {-5 A 2:} me You’ll__. love me You"11 love me yet! Y0u’11 ~ love me, love me yet! ‘*1 4e ?’ [7000 Mt. Yozdllﬁove Me Ye! 4 To my sister Amze Spring Song REVISED EDITION Words by Music by SHAKESPEARE JOHN MOKREJS Alleg'rettAo d ai — When shep — smocks larks Oopyrig/at MUMXY by J0/m Jllolcrejs. - buds tread, light, cuc - koo then smocks..___. ed men; For. thus._ sings AS"!-wing Song 3 Cuc—k0o, cuc —koo, Spring Song 3 A Tfiéule to our Gallant Boys From The Fields Of France Words as Music L argo (very slowly) E _ B 131£OKREJS _ L __ F.‘ Vwy slowly and profoundly Though our hands be part ,- ed by the deep seas blue, Yet have When the storms go rag - ing, be on sea or land, Then have Like the sun’s down - go - ing, mid its glor — ious ‘hue, In the nff hearts one Song whenthere’s fightéin" to do. Though We ne’er see home and you, we to hearts one Song and as mountains We stand_ As the mountains do we stand, with one roll ca1l’s miss - ing our hearts go home to you. "Yet though clod becomesthe clod, and 1‘ du — ty’s call were true; We lived for the Right and we died for you. heart, one hope, one hand, Un- til Right en - throned shall rule the land. time and a — ges nod, There’s no name e’re lost from the roll call of God. T Oopyriglzt 1l[6’1ﬂ’)f by Jo/an Zllolcrejs. VVah—Wah—T1(:£ré:“0sWé7”e;>I./j3{Ij'1:}kir1‘i).7”ﬁ91e Fire Fly. From Longfe11oW’s Hiawatha. Music by Y JOHN MOKREJS . Andante con moto e tranquillo. ,5 Wah—wah - tay -_ see lit -tle fire - fly Lit-tle flit - ting Whitefire in\: sect, Lit—tle dan—cing »\ 2; white-fire crea - ture Lightme with your lit -'tle can — dle, 6’(/pg/7'77g/¢Z‘ J[6’J[XV by Jo/an Zllo/cre,/Ls‘. Ere up- on_. my bed I lay... me e Ere in sleep I .5 close my eye - lids Wah—wah-tay - see litgtle fire - fly, Lightmewith your lit- tle can - dle Ere in sleep I closemy eye - lids. trrmgmlln Tab. $1.3. ”l"’/"*"””'l"WW-W" ~° ‘ F.\J.LAWSON co.N.v To ﬂfary. EWa—yea My Little Owlet. (From Longfe11oW’s Hiawatha.) JOHN MOKREJS . Andante mo derato. \——/ P 00 7; [’ca’_ Ewa-yea my lit— tle that lights the ‘Wig - warn?Wi‘ih his great eyes lights the wig - warn Sz _>.. 15> 00]);/7‘?:l,"/if MUMXIII by Jaime ]l[o/krejs. Ewa - yea my lit -tle owl - et 7.’ . f great eyes lights 8 Z .7 . P Ewa -yea my lit — tle Ema -yea 2 T0 Jllr. EE. Pirkel. GALLIE. REVISED EDITION (SOUTHERN SERENADE.) JOHN MOKREJS. Moderately. is a out ma dar - — - lin’, ob de sum—mer night, is a in ma dear swoon-in’ Wid de- light Copyright MCMXX by Johh Mokrejs Hi -ho ma dar - lin’ H3 -ho ma dear gva ' ' '3 _ . \./ \_/ Wwjz‘ 4/<3: \¥ J/-\/'_\ b gx J./\ : - : __ /‘T Sweet! Sweet! owls ar’ hoo - tin’, Night croons, stars ar’shoo - tin’, Gal- lie lie “ 1*” I s here Gal-lie. Game_ 2 >2: Cello ditto two octaves lower BY JOHN MOKREJS WHE_N WASHINGTON WAS A BOY An opera“ in one act for young people based on the cherry- tree story and bringing in the important characters, including the negro servants, surrounding Washington’s boyhood. Though written for piano accompaniment only, it is strikingly orchestral L. ESSONS "Lessons in Harmony" is a beginner's harmony book. The facts in it can be taught by any teacher after a slight perusal of the book. The exercises are to be played, listened to and written, and, being simple, can easily be understood by pupils of any age. It teaches how to form and play all intervals and all chords. It teaches the nature and use of all chords, thereby laying the foundation for memorizing, improvising and composing. It teaches the perception of Relative and Positive Pitch and has a most excellent presentation of modulation. The book will be sent on approval. (Price $I .00 net.) "Excellent in thought and content, not conventional, and wide in scope."—-A. L. A. Boo/flist. The average student approaches the study of harmony with a hostile mind. Decades of stupid teaching and dry text have brought about this unsympathetic attitude and only through the use of practical works like the one under discussion can the usefulness and pleasure of the subject be fully disclosed. It ‘ is not ﬁlled with rules that contradict, nor is it padded with dry formulae; nor yet is it made wearisome with endless excerpts from composers’ works; it is almost tersely clear in explanations of formations and progressions. LESSONS This book is for the beginning piano student and it teaches how to read without any drudgery. It teaches the treble, high-treble, loiv-treble, bass, high-bass and Iolv-bass lines as units (pictures) with deﬁnite locations on the keyboard. These six pictures combined take in the entire key- board and each one is equally easily learned. LESSONS Teaches your pupils to play naturally in time. It aims to give your pupils a musician's conception of rhythm. Elastic, ﬂexible, proportionate, accurate. This method establishes that rhythm is to be taught—not as a problem in arithmetic——but as an element in music which must be consciously felt as well as scientifically understood. Notes are named according to their sound, their meanings, their rhythmic or counting values. This is the ﬁrst time that the subject of rhythm——including Time, Tempo, Measure, Pulse, Pulse-Rhythms, Rests, Dots, Ties, Syncopation, Irregularities, etc., is gathered into one com- plete, practical teaching method-«scientifically accurate yet artis- tically intuitive. I N I N in effect and the vocal parts are perfectly within the possibilities of young people. Its length is about an hour and a quarter, and by following the directions given, it can be done with but a month's training. H,ARMONY The chapters on modulation should be mastered by every church organist who essays the necessary transition between the hymn and the anthem. No stiff formula: but the best possible manner of approaching each key clearly set forth in a convincing manner that would mean a little more peace in the choir loft i followed honestly. Again modern usage is taken into con- sideration by a fair recognition of the looser key feeling now obtaining where the old relations were so ﬁrmly fixed.-~—~Cedar Rapids (/a.) Sunday Republican. Harmony Considered From a Practical Viewpoint. Too much has the custom in the past been to merely ap- proach the study of harmony as a sort of geometrical structure, with no instinctive association between the two methods of receiv- ing impressions, viz.: the eye and the ear. The manner in which Mr. Mokrejs insists upon ear training as a fundamental of har- monic comprehension indicates a perception of what has heretofore been the weakest point in our system of theoretical musical educa- tion-weak because it has so often been taken for granted. This work is well adapted for study under almost any conditions-— with or without a teacher. Among its commendable qualities are conciseness, directness, simplicity, brevity——so arranged as to lead to the absorption of the subject rather than of a lot of rules which are supposed to govern the subject.—-~MusicaI Monitor & World. IN SIGHT READING It teaches the Relative and Positive Location" of Keys (which is as necessary to a pianist as Relative and Positive Pitch) afid enables one to naturally see the keys in the notes. It establishes that notes should be learned from the keys and tones they represent, and never disassociated from them. Price 75 cents" RHYTHM The exercises are presented in such a logical manner that they immediately clear up every Rhythm Problem from the sim- plest elementary forms to the most advanced complicated forms. The principles taught in the first elementary lessons are so scientiﬁcally true that they work out equally well when applied to all the more involved forms. This blesses the pupil to the extent that nothing ever needs to be unlearned. These “Rhythm Lessons" can be used for all students of music—-vocal as well as instrumental—-including wind, string and percussion instruments. The price is 75 cents"‘ Two INDIAN MELODRAMAS MIANTOWONA AND THE LEGEND OF WINONIA _ That the Indian -is ﬁguring moreandimore in American art is very apparent. Indian legends, Indian life, Indian exploits are fascinating to young and old alike, and rightly so—~“they are ours. Miantowona and the Legend of Winona» one a legend, the other a tradition; one poetical, the other dramatic~—are both beautiful poems to be read with musical accompaniment-—melo- dramas. “Miant_owona""" (the poem by Thomas Bailey Aldrich) is a legend which tells how the first water-lily came to be———from Miantowona's constant love for Wah-Wah whom the Great Spirit had taken to the‘ happy hunting grounds. "The Legend of Winona" deals with an incident at Maiden's Rock on the upper Mississippi. It is based on a poem by James Athearn Jones and shows the inner thoughts of a brave, heroic Indian girl to whom death was but a stepping stone to liberty and her higher ideals. The character and action of the poems are beautifully ex- pressed by Mr. Mokrejs’ music. Both make splendid numbers for home or club programs. Price. each 75 cents.. ’‘‘Published by Clayton F. Suinmy Co., Chicago.
Show less

Title: Waning, The, The Waning
Date: 1920
Text: Q . ////%/// w, W W////////////////////////W V BY M , M / High Voice am «my ILN RLN ..._f can wan .3 mm o D. {1j__HE WANIN Low Voice A LOVER’S LAMENT Price, each, 60 cents, net In Memory of my Father The Waning Longfe11ow* ’Lento J: 60 can z'7zten32'td > n'2f'r>-— largamente —-i J. It is au—tumm; a tempo calla voce Carl Deis § W.“ 15 *This poem was originally entitled “Autumn” 29502 0 Oopyrzgkt, 1.920, by Sclzirmer Youth T and spring are all ‘ ' that haze grown...
Show moreQ . ////%/// w, W W////////////////////////W V BY M , M / High Voice am «my ILN RLN ..._f can wan .3 mm o D. {1j__HE WANIN Low Voice A LOVER’S LAMENT Price, each, 60 cents, net In Memory of my Father The Waning Longfe11ow* ’Lento J: 60 can z'7zten32'td > n'2f'r>-— largamente —-i J. It is au—tumm; a tempo calla voce Carl Deis § W.“ 15 *This poem was originally entitled “Autumn” 29502 0 Oopyrzgkt, 1.920, by Sclzirmer Youth T and spring are all ‘ ' that haze grown espressivo . "f '22 animato Birds - L96 V are dart- ing thro’ the air, {J-i /T ing with- out poco a 12000 mi; tranquillo ’ -Where is stir—ring ev _\ _ pm trcmquzllo A If Tﬁmpo I0 Save with-in this lone-ly breast. J7’ There is si - lencez The dead leaves Fall and rus-tle , and are still; Beats no flail up-on the sheaves, Comes no mur-mur from the ESPECIALLY PRETTY OLEY SPEAKS THE SECRET 60 cents net High F—Low D Vivace The south wind told the- brook- let, 0 - var the field he_ blew, ? 6‘opyr:'gM,_ (915, by G. Schdrmor ELEA NO R MA RUM ROSES 60 cents net Medium G Andante La - dy,.____ whanj ban hold me ma-ea sproutuing, ‘wmcn,c1aa1n damask manues,aecx the anboura, And then__ be—hold your Goyyrtgu, IP15,» 0. Fchrlwi MANA—ZUccA IF FLOWERS COULD SPEAK 60 cents net High G——Low Eb Moderato, con sentimento If ﬂow’rs could speak, I'd send thee ev’.ry day A fose of red sing 1ove‘s roun.de—1ay; And ev'. ry pel.aIwiLh its per. fume rare Would 6‘wrv':M. met, by 0. 5oIoI'rm...~ 3 East 43d St. ° G. A. 514 SONGS CECIL FORSYTH GARDEN OF SHADOW 60 cents net Medium D I7 Moderato Love heed: no mere the signing of the wind Apgainstthe per-ﬁaot flowers; thy gar-dzxfs close Is grown .5 S Li Oopyrlghf, 1918, by G.ScMrmer EYES OF IRISH BLUE xviedium L b MARGERY A. C0oK 60 cents net Andante mestameme copy:-Igu, 1916’, by G. Scnirnwr COME DOWN TO KEW High G. Med. F. LowD (J.= 100) (In the style of a folk- song) CARL DEIS 60 cents net down 10 Kew In H . lac-Lime. in H . la.c.time, in 11 . lac— time; Go Copy:-u'gAt, 1910, by elliabdraar Published by SCHIRMER ' Ne W
Show less

Title: Psalm of Life
Date: 1920
Text: W O V % some \ I / NZ? US LIBRARY \IAS$AR COLLEGE . K , % To Mns.C. B. /\ mes PSEAXILME LIJIEE ( > BY CREIGHTON ALLEN Published b)/ CIEEIGHTON ALLEN 5:-1r2F_vEPoraT, LA. To Mrs.C.B.Ame§ Psalm Of L1fe - CREIGHTON ALLEN Words from poem by Henry W. Longfellow 1, long and time is fleet-ing And our ' hearts thoughstout and b Likemuf-fled drums are beating funer-all f In the world’s broadfieldofbatrtle thru the biv - ouac of life ‘ Be not like dumb driv-en cat-tle_ be a he -r0 Copyright...
Show moreW O V % some \ I / NZ? US LIBRARY \IAS$AR COLLEGE . K , % To Mns.C. B. /\ mes PSEAXILME LIJIEE ( > BY CREIGHTON ALLEN Published b)/ CIEEIGHTON ALLEN 5:-1r2F_vEPoraT, LA. To Mrs.C.B.Ame§ Psalm Of L1fe - CREIGHTON ALLEN Words from poem by Henry W. Longfellow 1, long and time is fleet-ing And our ' hearts thoughstout and b Likemuf-fled drums are beating funer-all f In the world’s broadfieldofbatrtle thru the biv - ouac of life ‘ Be not like dumb driv-en cat-tle_ be a he -r0 Copyright MCMXX by G1-eightonlA1len in the strife in the strife Psalm Of Life 2 dim Be not like dumb driv-en cat-tle be he - ro in the strife fh Trust no fu -ture how e’er plea-sant f.\ Ah, let the past bur-ry its dead Act in the liv-ing pres - ent a heart with-in And God _, Art is long and time is A fleet-ing
Show less

Title: Song of the Nun of Nidaros
Date: 1920
Text: MUSIC usnAnv VASSAR COLLEGE roucuxu-:Pst£. NEW YORK *¢‘:.‘§X‘3}u1 @€0ng 0/ the qgzm 0/ C/fooicz,/azoz) Poem by HENRY W. LONGFELLOW Low in G minor High in B minor Mtdium in A minor ‘ ‘C . 3 on 0.’ U. > r f Price, sixty cent: :32 _ '.L VQ‘:‘ ¢1.53l“~ XL‘; ‘'4? deneca ocgiezce 68 C975ac/1 8310c/L 375ilwau/tee, Cvvioconoin ‘ \ 03:: 352-: ‘ho: Written for and dedicated to Mme. Frances Aldd Song of the Nun of Nidaros Henry W. Longfellow Seneca Pierce (With great breadth) §‘T pooo a...
Show moreMUSIC usnAnv VASSAR COLLEGE roucuxu-:Pst£. NEW YORK *¢‘:.‘§X‘3}u1 @€0ng 0/ the qgzm 0/ C/fooicz,/azoz) Poem by HENRY W. LONGFELLOW Low in G minor High in B minor Mtdium in A minor ‘ ‘C . 3 on 0.’ U. > r f Price, sixty cent: :32 _ '.L VQ‘:‘ ¢1.53l“~ XL‘; ‘'4? deneca ocgiezce 68 C975ac/1 8310c/L 375ilwau/tee, Cvvioconoin ‘ \ 03:: 352-: ‘ho: Written for and dedicated to Mme. Frances Aldd Song of the Nun of Nidaros Henry W. Longfellow Seneca Pierce (With great breadth) §‘T pooo a poco cresc. e accel. mf can cmima \___;"_2 Dawn is not dis - ‘cant, 00123/right, 1.920, by Seneca Pierce . F0 re ign _ Copyright Secured P is E— ter - nal is E- ter — nal u1.—»—IL..———--*1 L_..——————-'1|_.———~HzI.I2|L.-’——‘ A /*''‘‘‘‘s /»/'''‘‘‘—T L/ His faith shall not fail The Dawn is not dis - tant Nor is the night is still God And His faith shall not fail us /:—--” T r-"T"“‘ faith shall___, not ( non rit.) L1) oresc. molto SECULAR SONGS by SENECA PIERCE Published for High and Low Voice Dadicafcd to Anna Can My Little House KATHARINE ADAMS SENECA pngncg Allegretto "83 W ‘33 No one known SW18 bY ‘ Sung by FRANCES ALDA LOTTA MADDEN CHARLES HACKETT MARCELLA CRAFT JULIA CLAUSSEN CECIL ARDEN And mold - ed ghe key, ‘Q6 W:n- down wide to hold the light, Lit - He door . 00 rlgm N18 by Some» Plano nuhnl Ooyyrlghl Sunni Modiumlnnb ‘ I To our Marker _ The Journey‘ % A Wishing Well Seneca Pierce High in Eb Frank L. Stanton’. from "Songs 42/ the Soil" KATHARXNE ADAMS CA Tenderly (Wﬂh charm) Allegretto A m ‘ “away to walk wnhyommy own Deep in the heart of n fair-y dell.__. Far from the PP can pedal E On - 1y 3 little way,__Then one of us shall weep_ and walk 21-lone Un-til_ know a moss - grown wish-ing weﬂ...— ‘ A prim-rose _ glen,....._.. a tempo g1‘az1‘oso '7. Lime Way" Author's angina! zme. " Reprinlcd by permissxon /Capyrfgll, 1394, o, p. Appleton .9 00.) Copyright, l919,by Senéca_Plo:¢o c M mm 3’ Pk”. ibrszgn Uapyrxg-.':tSec::i~cd ° y’ {on} c¢l?,g‘m gun,‘ 68 Mack Block SENECA PIERCE Milwaukee, Wis.
Show less

Title: Hymn To The Night
Date: 1920
Text: M ‘:9 " UU IIIIIIII RY VASSAR COLLEGE G % ’. Qornposed by Clocugbfon Ellen and Klordfs b Henry Kl. Lor2g1‘3e| lcam K F I. HYl‘1l‘| TO THE NIGHT 2. THE EVEH|%r|G STAR K Publfsﬂed by CPEIGHTON ALLEN I806 Creswel I St. SH REVEPORT, LA. Jjﬁ” To Mrs Mabel? Atkins Vance Words hy , CREIGHTOIJ ALLEN HENRY W. LONGFELLOW Op. 2, No.1 Molto Expressive I heard. the trail—ing gar-mentsof the night I heard the sounds of sor-row and de - light .. Sweep throughher mar- ble halls! ._.____ . I sawher sab...
Show moreM ‘:9 " UU IIIIIIII RY VASSAR COLLEGE G % ’. Qornposed by Clocugbfon Ellen and Klordfs b Henry Kl. Lor2g1‘3e| lcam K F I. HYl‘1l‘| TO THE NIGHT 2. THE EVEH|%r|G STAR K Publfsﬂed by CPEIGHTON ALLEN I806 Creswel I St. SH REVEPORT, LA. Jjﬁ” To Mrs Mabel? Atkins Vance Words hy , CREIGHTOIJ ALLEN HENRY W. LONGFELLOW Op. 2, No.1 Molto Expressive I heard. the trail—ing gar-mentsof the night I heard the sounds of sor-row and de - light .. Sweep throughher mar- ble halls! ._.____ . I sawher sab-le skirts are f1-ing-edwith the _. The. man - i — fold soft chimes, That fill the haunt-ed cham—bers of the From the ce. — les — tia-1 walls! ________.__ I felt her TT pre-sence by its Like some old po — et’s rhymes. ' From._ the cool leis-terns of the /""":"'*S spell of might Stoops o’er , me from a - bove; ._ The I I I calm. mat-., jes —,tic pre—sence mid- night air My spir - it , drank, re - pose; __ _The efoun-tain of , per-pet—ual ' Copyrightl\/ICMXX by Creighton Allen, Sl1reveport,La. of the night As of the one of love. peace flows there From thosedeep cis-tern flows...___ 0 ho—1y night, fromethee I learn to bear What man hes,.borne-be - fore!_ Thou layest thou fin-ger on the lips of care, And they com—plain no ‘ more, T Peace! Peace! 0-rest-es like I breath this prayer! V .De-scendwith broadwinged flight,_.____ The we1—o.ome,the thricedprayedfor, themost fair, The best be ~ loved night! Hymn To The Night 2 _ " 4 To Mr. Harry A1-d CREIGHTON ALLEN HENRYV1S:'.O(IeEI:lI)gFELLOW The EV3ning Star Op-2»No-2 Calmato e s stenutou ’”_‘\J Just a-bove you sand —Ly bar, as the day» grows_fa1'n-terand dim - mer, Lone.-ly and love-iy a. sing — le star lights Tthe_aJ1'r with a dusk-.y glim— met In - to,the o — ceam faint and far fallsthe trail of its gol - den splen - dor, And the; gleam of that sin-gle star is ev—er re - ful-gent,_sToft.a¢nd ten —_de_r Copyright MCMXX by Creighton._Allen, Shreveport, La. Chry - sax-dor I-is-ing out of the sea,show’d thus glo-ri— ous‘ andthus emu] — ous Leav—ing the arms of Cal — lirr-hoe’ fox--ev—er ten - der, soft and F tre—mul—ous . Thus o’er the 0 - cean faintand far t1'ai1—ed the gleam of his fal-chion bright — ly; Is a star, that en - t1-ane’d, I gaze 77 011., night - 1y The Evening Star 2
Show less

Title: Into the Dawn To Be
Date: 1919
Text: music uammv VASSAR COLLEGE rououxzznsoz. New vonx 4x‘ '1 /( xx ‘ \\ /1 . \\ /1 4( \ . Jr \\_ THE WORDS BY LONGFELLOW g-————— —-T I \ VThe Music by T. WILKINSON STEPHENSON PRICE 60 CENTS (new) BOOSEY (<2. N New YORK - TORONTO - LONDON (Eng) 9 EAST I72‘ ST. V RYRIE BLDG..YONGEST. ‘ b 295 REGENT ST..W. ' THIS sous MAY as suns IN PUBLIC WITHOUT FEE LOR‘ LICENSE . THE PUBLIC PERFORMANCE or ANY PARODVIED vaasnow. How:=.v+:n,ns s'rmc'ruv PROHIBITED COPYRIGHT MCMXAIX BY BOOSEVE...
Show moremusic uammv VASSAR COLLEGE rououxzznsoz. New vonx 4x‘ '1 /( xx ‘ \\ /1 . \\ /1 4( \ . Jr \\_ THE WORDS BY LONGFELLOW g-————— —-T I \ VThe Music by T. WILKINSON STEPHENSON PRICE 60 CENTS (new) BOOSEY (<2. N New YORK - TORONTO - LONDON (Eng) 9 EAST I72‘ ST. V RYRIE BLDG..YONGEST. ‘ b 295 REGENT ST..W. ' THIS sous MAY as suns IN PUBLIC WITHOUT FEE LOR‘ LICENSE . THE PUBLIC PERFORMANCE or ANY PARODVIED vaasnow. How:=.v+:n,ns s'rmc'ruv PROHIBITED COPYRIGHT MCMXAIX BY BOOSEVE CO. INTO THE DAWN TO BE. Four by the clock! and yet not day, Only the lamp in the anchored bark But the great World rolls and wheels away, Sends its giimmer across the dark, With its cities on land and its ships at sea, And the heavy breathing of the sea Into the dawn that is to be. Is the only sound that comes to me. Words by h . A Music by LONGFELLOW. y y T. WILKINSON STEPHENSON. Slowly and with expression. Four by the clock! and (The Clock.) yet not. day; But the great world rolls andwheels Copyright MCMXIX byiﬂoosey «.6 0'0. With its ci-ties on land, and its ships - to the dawn that Four by the clock! and yet not day, (The Sea.) an - ehor,d bark ' glim-mer a - cross the dark, And the /,»—""'—-__-——“*~\ ,/”"-————_-_—““- \~./ hea. - vy breath- ing of the sea Is the on — 1y sound that_— /————---—'—“,—‘e f comes___ to me, And the hea - vy breath — ing of /’’”———_—~‘‘*~\\ ' 2210-4 dim e rall. fl» "dim. e rall. clock! f'\ . \/___ 9- \.J -316 0011168 (The Clock.) mll. e dim. mll. e dim. ‘Eb. OTHERRECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS SHIPS THAT PASS IN THE NIGHT. ords by LONGFELLOVV. - , 7 O Fmmmrales of a.Wayside Inn.” ’ MUSIC b_\ T. V\ ILKINSON STEPHENSON. Slowly and’wz'tl2 ' ~ 7 71/' Ships thatpassin the V ht, and ‘ speak eacho er in- ing, On-1 a s nalshown and at ca in the dm darkness; Copyright MCMXIV by,Bo-osey&Co. O Words by Music by ROSE FYLEMAN ARTHUR M. GOODHART. _meno 7730880 _AEA&IfEKY( UEM A&MiA:E&K®EEMI@ fai - ry went a - mar - ket - ing— She bought A gen- tle mouse T0 pow menu mosso‘ lgsep her day she }t_ept its bu_S_:_¥ feet Pit - Vpegtrting to anti ‘fro_,___ _ And then she kiss’5d__i_t_s si1k—en ears, > > -‘ The words appeared in“Pu.nch” Jan. 24918. Copyright MCMXVIII by Boosey & :E1rI1Eii Words by ELIZABETH K.R’EYNOLDS. by Mr_ John Mqgormack EDWIN SCHNEIDER- /\ ’ p Andante misterioso. Green things,moss - es ferns, _ .__._._ Hid in the shadow-y softness of Here" sunshine en - rs not,But still - ness rests like tlream it- New Edltlon Copyright MCMXIX by Boosey & C0. OTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS V ’ No.1'inG To Madame [iza Zelmzmzn N0-2 B5 . SW“ 0E1 \ SE1 M.b '01‘ s )7 11510 y ED_LocKTSoN. \J \ ) ’I‘.WILKINSON STEPHENSON. Slowiy and .,wz't'/2 exprEss2'on crew 0 from my heart, . an op -’ning , flowr In deep tran-qui1-1i- ty,___ Doth rise in- cense of my (7/1936 co a poco S .2‘:-. 10ve,_ _ 0 soul of . in-cense,th<V2> Lin-cense of my love,_ > f ' Co yright. MCMXVI1 by Boosey & Co. TJHJE ILHBJHTSJ‘ F IHQM ‘ Music by _ » ‘ C.LINN SEILEIL 0p.10,No.2.. Inmoderatel slow timeand with feeling.‘ ' z’ . ‘ em‘! — 4 :_“‘—.—}- gm», — lot ow arfrom 0t :11‘, {S A ht ofs ray, tar. . A Setkbirds fl ht’ ’ - en eliahts of home! permission, F1-om“Co ected Poems? Vol. II. _ ‘ 1 Copyright 1913 by The Frederick A. Stokes Co.) C°PY’“ght' MGMXV by B°°S9Y& C0- THE RAINBOW CHILD. _T’I‘E RADCLYFFE - HALL . Music by S. COLERIDGE—TAYL(‘5R. The ‘sun —) shine met the st<;rm—wind the p1a.in,_______v And. she’ wooed him And his kisses .34’ a tempo. > Copyright MCMXI by Boosey & Co. OTHER RECENT SUCCESSFUL SONGS ABY EMINENT COMPOSERS NM SLEEPS @m1Ms@MPEmm zinm, No.4inGl> Words by,'I‘ENNYSON._ Sung by Mr. John M9Cormack. Music by ROGER QUILTER. / with , ' - Nowsleeps crimsonpe novrthe - Nor waves the ress in the pahtce walk Nor nks t e gold fin p 1 4 _ A ' _ §/T‘. . porphyry’ _font- waken thou with me. Nowfoldsthe yin Sweetness Copyright MCMIV by Boasey & Co. - , ., R0) BM summlzgmmwgxggﬁgmi N .2‘ G‘ . L 1 M ~ Words by ALFRED HYATT. Dedlcated to and Sung by Mme.Clara Butt. —Music by ERNEST NEWTON. Andante. Roses bysummer for- Ba - ken, Li—1iesofsunshine be-reft, Summer her fare-well has whis‘ - per’d, J» e. t! \ R L LI I x 1 I - n v. . 1 1 1. 1; I 1 1. ,, 1 v 1 In ,__ 13 41 ‘ ~ , - -' U Nzxght ‘but hermem-o-ry left... . V Weafied heswa.1lowsde- dim e Copyright MGMVI by Boose_y& Co. B5I£IRiIDJ@J1E‘B5IL_JIJEJ ' Words b - 5! Music by » - “-GHRYSTA E1“ J: 88) EDWARD GERMAN; ' Allegro ag2'tatb.( for 831-Ways» Little irdof Blue! Com dbring us crownsof ro-Vses, A11 un-tolich 0 rue: it never, Copyright MCMX by Boosey & Co.
Show less

Title: Songs of Love and Youth:
Description: Songs listed on cover include: "Love! What wilt thou with this heart of mine?" ; "A Birthday" ; and "Hence away! Begone."
Date: 1919
Text: Music LHBRARV VA3$ﬁR CQLLEQE Pouauntzavszt, um YORK MEDIUM VOICE T HIGH VOICE SONGS OF LOVE ANDYOUTH LONGFE LLOW AND CHRISTINA R0 SSETTI The Z‘/XI:1‘sic byO WILLIE B.MANsoN. “LOVE! WHAT WILT THOU WITH THIS HEART or: MINE‘! ‘ A 1=_=m'=2THt:>Av. ‘ HENCE1, AWAY! BEGONE! PR1 CE3/6 NET BOOSEY & C5, 295, REGENT STREET, LONDON.W. 9,EAST 177v STREET. AND 228.YONGE STREET. NEW YORK. TORONTO. ' THESE SONGSOMAY BE SUNG IN PUBL|C WITHOUT FEE OR LICENSE. . THE PUBLIC PERFORMANCE OF ANY...
Show moreMusic LHBRARV VA3$ﬁR CQLLEQE Pouauntzavszt, um YORK MEDIUM VOICE T HIGH VOICE SONGS OF LOVE ANDYOUTH LONGFE LLOW AND CHRISTINA R0 SSETTI The Z‘/XI:1‘sic byO WILLIE B.MANsoN. “LOVE! WHAT WILT THOU WITH THIS HEART or: MINE‘! ‘ A 1=_=m'=2THt:>Av. ‘ HENCE1, AWAY! BEGONE! PR1 CE3/6 NET BOOSEY & C5, 295, REGENT STREET, LONDON.W. 9,EAST 177v STREET. AND 228.YONGE STREET. NEW YORK. TORONTO. ' THESE SONGSOMAY BE SUNG IN PUBL|C WITHOUT FEE OR LICENSE. . THE PUBLIC PERFORMANCE OF ANY PARODIED VERSlONS.HOWEVER.»|S STRICTLY PROHIBITED. ' COP\/R.ICvHT 191.9 BY BOOSEY 8<C<? MEDIUM VOICE HIGH VOICE SONGS OF LOVE ANDYOUTH THE POEMS BY LONGFE LLOW AND CHRISTINA ROSSETTI The MIISIC by WILLIE B.MANsoN. LOVE‘. WHAT WILT THOU WITH THTS HEART OF MINE’! A BIRTHDAY. HENCE,AWAY! BEG-ONE‘. PR1 cE_3/6 N ET BOOSEY & (<2 295, REGENT STREET, LONDON.W. 3.EAST |7"."’.‘ STREET. AND 229.YONGE STREET. NEW YORK. TORONTO. THESE SONGS MAY BE SUNG IN PUBLIC W|THOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION$.HOWEVER.|S STRICTLY PROHIBITED. COPYRPGHT l9|9 BY BOOSEY 8c C? LOVE, WHAT WILT THOU WITH THIS HEART OF MINE? Love, love, what wilt thou with this heart of mine? Nought see I fixed or sure in thee! I do not know thee; nor what deeds are thine: Love, love, What wilt thou with this heart of mine? Nought see I fixed or sure in thee! Shall I be mute, or vows with prayers combine? Ye who are blessed in loving, tell it me: Love, love, what wilt thou with this heart of mine? Nought see I permanent or sure in thee! LONGFELLOW. (Translated from Froissard). I I Love! what wilt thou with this heart of mine? Poetry by Music by LONGFELLOW. WILLIE B. MANSON. Andante. C072 molzfo es ressz'o7ze. /73 Love, love, what wilt thou with this heart of mine‘? 11 sempre legato. \‘T Nought see I- fixed Copyright 1919 by Boosey 6% C9 do not know thee, I do not know f ma dolce Love, love, f sempre legato. Love! what wilt than with this heart of mine. nor What deeds are thlne, ......... .. \—4 nor What deeds wilt thou are thine: with this heart of mine? PP Nought see I fixed Love! what wilt than with this heart of mine. esfress. dim. pray’rs com-bine ? ............... .. ajﬁjﬁassimzato. gccel. Ye who are bless’d in 1ov—ing, tell it me,’ /‘T /'\ calla wow. 1, cantabzle./\ ij” /'3‘\. Ye who are bless’d in lov—ing, tell it 3 ..—. T9. )0 dolce. > ,/35$ Tempo I. Love, love, What wilt thou with this heart of mine? 1’ Tempo I. Love! what wilt thou with this heart of mine. per - ma-nent or sure per — ma—nent, canbile. per- ma — nent or /T calando. —__ T Love! what wilt thou with this heart of mine. A BIRTHDAY. My heart is like a singing bird g Whose nest is in a water’d shoot: My heart is like an apple-tree Whose boughs are bent with thick—set fruit; My heart is like a rainbow shell That paddles in a halcyon sea‘; And all because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it with cloves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver f leur-de-lys; And all because my love is come to me. CHRISTINA ROSSETTI. (By kind permission of Messrs. Macmillan if C?) Birthﬂay. Poetry adapted from . Music by CHRISTINA ROSSETTI. ‘ VVILLIE B. MANSON. Allegro Vivace. sing ~ ii1g........ Copyright 1.91.9 by Boosey & C9 ’ . .2 -.-,..4. «...,..‘\. ; T I 1 1‘ J L‘ if i ‘\ thick - set A Birthday. P a tempo. A Birthday- Hang it with Vair ......... \. and it with doves pome - gran — ates, hundred eyes; ....................... .. A Birthday. pp dolce. Work it in gold and ' leaves and sil - _ ver fleur - my love f a tem]5o. A Birthday. HENCE AWAY! BEGONE“ Hence away, begone, begone, Carking care and melancholy! Think ye thus to govern me All my life long, as ye have done? That shall ye not. I promise ye: Reason shall have the mastery. So hence away, begone, begone, Carking care and. melancholy! If ever ye return this way, With your mournful company, A curse be on ye, and the day That brings ye rnoping back to me! Hence away, begone, I say, Carking care and melancholy! LONGFELLOW. (Translated from The Duke of Orleans). Hence away! Begone. Poetry by Music by . LONGFELLOW. WILLIE B. MANSON. (Translatedfrom The Duke of Orlcavu) Allegro non troppo. Voice. f can brio e sempre 72072 legato. > > f C072 brio. Hence a - Way, {J > Cark - ing care and me —1an-cho—ly! > Copyright 1919 by Boosey :6 C2 mf gov— ern me Think ye thus f All my life long, as ye have done? /T mf That shall ye not, I prom-ise ye: Hence away? Begone. _ Rea — son shall have the f So hence a-way, be — gone, V be-gone, Cark—ing care and me - lan - cho — ly ! Hence away! Begone. pom meno meno. cresc. ev - er ye poco memo meno. H p cresc. - ful With your mourn - .ff> curse be on ye, and the day Hence away! Begone. turn this‘ Way, COII1 That brings ye mo—ping back to me! accel. V ff semjﬁre. - ‘T allargazzdo. ff Tempo I. Hence a — way, Hence away! Begone. b H- 9735' Cark-ing care and me -lan-cho-ly, $ Cark-ing care, be - gone! /3\ colla z/oce. allarg. Hence away! Begone. VOLUMES OF songs BY EMINENT COMPOSERS. .1‘ v H U B E RT BATH . THREE INDIAN SONGS. F0?‘ High 07' Low Voiw " - Price of each Edition. 3s. 6d. net. HELENA M. BLAN D. FOUR SONGS OF FAI RY LAN D. WOWIS by HELEN TAYLOR‘ F0?‘ High or Low Voice. *- Price of each Edition, 43. net. CHAS. WAKEFIELD CADMAN. FOUR AMERICAN INDIAN SONGS Words by NELLE RICHMOND EBEREART. For High or Low Voice. Price of each Edition, .55. net. ERIC COATES. FOU R OLD ENGLISH SONGS. The Poems by SHAKESPEARE- Fcvr High, Medium or Low Voice. Band Parts may be had. S. COLERIDGE-TAYLOR. FIVE FAIRY BALLADS, ywords by KATHLEEN EASMDN. For ‘High _ or Low Voice. Price of each Edition, 5s. 6d. net. Full Score and Band Parts may be had. EDWARD ELGAR. SEA PICTURES, Cycle of Five Songs for Contmlto. The 'V‘vords by Mrs. BROWNING, The HON. RODEN NOEL, and others. sung by Madame CLARA BUTT. (Three EditioI1s——-English, French, and German.) . Price 55. 6d. each net. Full Score and Band Parts may be had. A LIV! A G O ETZ . FOUR SONGS FROM “ THE GARDEN OF KAMA.” by LAURENCE HOPE. For High or Low Voice. Price of each Edition, «is. net. HAMILTON HARTY. THREE TRADITIONAL ULSTER AIRS. MACCATHMHAOIL. For High or Low Voice. ’ . Price of each Edition, 35. 6d. net. HERBERT HUGHES. I IRISH COUNTRY SONGS. (2Vo1s.l FREDERICK KEEL. ELIZABETHAN LOVE SONGS (5966 1- and II») ’ Price of each set, is net, Paper Cover. Words by SE05.-‘IMH 5s. etch, net. Also in Limp Cover, Gilt. Ts net, and Limp French Morocco, Gilt, 105. 6d. net. Two Editions of Set II. for High and Low Voices. LIZA LEH MAN N . F NINE FAVOURITE SOPRANO SONGS. For Medium or High Voice. Price of each Edition, 5s. net. B|RD..SQN(.-‘.3, Words by A.S. For Mezzo-Sqprwno or Sop‘r'a.nr;. Price of each Edition, 4s. 5d. net. TH E LI FE OF A ROSE, 51. group of S_6'IE‘-l1V:ShO.l‘I3 Songs. Words and Music by LIZA LEKMANN. For Medium cw High I/owe. ' * ’ Price of each Edition. 4s. 6d. net " THE DAISY OHAAIN " arid“ MORE DAISIES." S0109 M15 Quaafﬁeﬁs» Words by R L. SIEVENSON, and others. Price 75. each. net» ALIcIA ADELAIDE NEEDHAIIII. TWELVE HUSH SONGS. The words by EUGENE FI1'lLLI,FF/.N(‘.IS A. FAHY, and Others. Price 73.. Paper Cover; 103. 6:1 Cloth Gilt. HERBERT OLIVER. SONGS OF A VIVANDIERI‘-_. Wordshy E. TES('HZEB'£Al_‘EER. For Low, Medium or High Voice Price of each Edition 43 not . ROGER QUILTER. FOUR SONGS mp’ 14') Em High mI>fi3éwoIf70éi§IecL Edition, 49. not I -,1? HQ] vL.vv'» SEVEN EIJZABETHAN LYRICIE-ice 8:931-LCz1lI€(:IihiO)IlL. not. THREE SHAKESPEARE SONGS. For High. Mediu1IL or Low ‘ Voice. Price of each Edition. 3s. 6d. net. Band Ports may be had WILFRID SAN DERSON. A COFINISH HAUL. Five Songs, words by BERNARD Moons. rice 55. 6d. not. NQQTU RN ES, Words by E. TESCHEMACHER. For Low or Mediuvn Voice ’ Price of each Edition, 45. net. Price of each Edition, 43. net. ' ARTHUR SOIVIERVELL. CYCLE OF SONGS PROM 'FENNYSON‘S “ MAUD." Sung by Mr. PLUHKET GREENE. Price 73 net. Voice Port only, price Is. net. "A SH ROPSHIRE LAD," Song-Cycle from “ A Shropshire LII.d,”_ by A. E. Housman. Sung by Mr. PLUNKET GREENE. Price 5s. 6d. net. CHAS. VILLIERS STAN FORD. AN IRISH IDYLL IN SIX MINIATURES. The WGWE by MOD“ 0’N1:1LL. Sung by Mr. PLUNKET GREENE. For High or Low VoI‘ce.; . Price of each Edition, 5s. net. SONGS OF THE SEA. (5.) Poems by HENRY NEWBOLT, set to Music for Baritone Solo and Chorus, ad. lib.’ Sung by Mr. PLUNKE1‘ ,GltEENE. Pﬁce 4s net. Chorus only (T,’l‘.B. or -S.A."I,‘.B.), in Old Notation or Tonic Sol-fa, 15. each. . _Full Score and Band Parts may be had.- SONGS OF ERIN. A collection of Fifty Irish Folk-Songs, arranged with words by ALFRED PERCEVAL GRAVES. Price 105. net. SONGS OF OLD IRELAND, A collection of Fifty Irish Melodies. a.rra.nged with words by ALFRED PEBGEVAL Gmxvics. . Price 7s. 6d., Paper Cover; 103. 66., Cloth Gilt. THE IRISH MELODIES or THOMAS MOORE. The 01=i.r.*im1 ' Airs restored and arranged. Price 105. net. FRED. J. WHISHAW. ‘- RUSSIAN SONGS, by Tscnluxowsnv and others, collected and arranged with English words. by FRED J. Wnxsruw. Three Volumes, price 3s. 6d. each not. CHAS. WILLEBY. * B O W B E L L 3. Five London Silhouettes. Words by DOIIOTHY DICKINSON. Price «is. net. R. VAUGHAN WILLIAMS. SONGS OF TRAVEL, Words by R, L. SmvENsoN. In Two Pen-ts. Price 35. 60.. each not, H . LAN E W I LSO N . FLORA'S HOLIDAY. . Cycle of Old English Melodies. _Solos and Quartets. « Price 55, net. OLD ENGLISH M ELODIES. restorecl and arranged CHARLES WOOD. Price 59. net _ IRISH FOLK-SONGS. Twenty-ﬁve Old Irish Melodies arranged with words by A1.rm~:D PERCEVAL Gums. HAYDN WOO D. THREE SEA SONGS, Words by P. J. I ‘REILLY. Price 38. 6d. net. Band Parts may be had. AMY WOODFORDE-FINDEN. To THE HILLS, Four Eastern Poems by LAURENCE HOPE. . ‘Price 45. not. THE MAGIC CASEMENT, Song Cycle by CHAS. HANSON TOWNE. rice 45. net. THREE LITTLE MEXICAN SONGS. WON’-S by HAROLD SIMPSON. For High or Low Voice. Price of each Edition, 33. 6d, net. Price 55. net. —STARS OF THE— DESERT. FOUR MORE “INDIAN LOV-E LYRICS,” by LAURENCE HOPE. For Low, Medium or High Voice. , , Price of each Edition, 4s. net. A DREAM OF EGYPT, Song Cycle. The words by CHARLES HANSON TOWNE.‘ For High. or Low VoI‘pe. Price Of each Edition, 5s. net. AZI ZA_ Three Oriental Sougs., The words by FREDERICK JOHN FRASER. rice «is. net. THE PAGQIDA OF FI_QwERS_ ABIIII-niasc Story in Song Solos, , Duets, and Chorus. words by Fnnmsmcx JOHN FRASER ' Vocal Score 6s. 6d. net; Chorus only, ls. net. ON JHELUM RIVER. A Kashmiri Love Story. For Soprano and Baritcvne. or Mezzo-Soprcmo and Bass Words by 1_“1_%E‘.D‘E-RICK JOHN ):.‘RAs)'~;ﬂ.. Price of each Edition, 5s 6311.. net, —‘sIx SONGS mom “ON JHELUM RIVER." solo auangemms of the above. For High or Low "Voice. “‘ Price of each Edition, 5s. 6d. not. soon INDIAN LOVE LYRICS. By:-wmmon Ham For High ,-,7 Low V0-icc_ ‘ . Price of each Edition, 45. net. Do, with French words, price 5s. net. A LOVER IN DAMASCUS. Set of Six Songs, the Words by CHARLES HANsO':I Towim. For High or Low Voice. Price of each Edition. 5s. net. FIVE LITTLE JAPANESE SONGS. Words by 0. Hwsou TOWNE. For High or Low Voice. MYRTLES OF DAMASCUS. ‘Set of Five Songs, the Words by CHARLES HANSON ’l‘owNE For High or Low Voice. Price of each Edition, 4s. net. BOOSEY €<»)"’I I.CO., LONDON, NEW YORK AND TORONTO. Price of each Edition, 45. net- 0* New and Standard Piiyanoforte Music. PRICE 2/— EACH NET (rm-cpl, where utlwrwz7se stated). DRAYYING-ROOM PIECES. Pomp and Circumstance, Military Marches ’ No.1inD; No.2inA; No.3inCminor; No.4inG. Prices of each March; Solo, 2/- net; Duet, 2/6:net. Edward Elgar Ah, Willow . . .. .. Arr. by Herbert Fryer False Phillis P Arr. by Herbert Fryer My lovely Celia. . .. - Arr. by Herbert Fryer Phillis has such charming graces .., Arr. by Herbert Fryer Butterﬂies in the Garden of Roses (Ballet Music, “Va.lentine") N. Lambelet Thistledown (Intermezzo) . _ J. Hennessy Sea. Pieces from the Hebrides. Two Books, 3/6 each, net... 6 . . s M. Kennedy-Fraser Piano Lyrics from the Hebrides. Three Books, 3/6 each, net M. Kennedy-Fraser On Jhelum River. Price 4/- net Amy Woodforde-F/mien Four Indian Love Lyrics. Price 3/6 11 Amy Woodforde-Finden A Lover in Damascus. Price 3/6 net Amy Woodforde-Finden Six Short Pieces. Price 2/6 net Eric Goates National Anthems of the Allies. Price 1/- net . Arr. by Arthur Fagge Three Dances, Gavotte, Eastern Dance, and English Dance. Price 2/6 net Cyril Scott Two Pierrot Pieces, Lento and Allegro .. . Cyril Scott 6“ Killed in Action ” (from Symphony in D minor‘). "iirthur Somervell Etude de Concert, Octave Study Felix Swlnstead Concert Ya.lse in E ﬂat l Arnold Bax Yeomanry Patrol ... W. H. Squire “Yankia.na.,” American Suite. Price 2/6 not T. W. Thurban , PIANOFORTE ARRANGEMENTS /OF‘ ORCHESTRAL WORKS. * , Cockaigne (EDWARD EDGAR), Concert Overture. Solo, 6/6 net; Duet, 8/- net Otto Singer Thunder-bird (Suite). Price 4/- net... . . 0. Wakeﬁeld Oadman Three English Dances. Solo, 3/6 net; Duet, 4/- net... Roger Quilter Miniature Suite. Price 3/6 not ' Eric Goates Incidental Music to “ Faust ” (as performed at His Majesty's Theatre). Price 3/6 net... Oolerldge-Tay/or ARRANGEMENTS OF‘ CELEBRATED SONGS. ' I hear you calling me (CHAS. MARSHALL) ' .,. Clarence Lucas Nea-rel‘, my G041. to Thee (Lswxs CAREY) Dixon Dawes The Fairy Pipers « ,, A, Herbert Brewer Arthur Su1liva.n’s Songs, Selection of this Composer’s Popular Songs. Price 2/6 not Arr, by William Henley Stephen Adams’ Songs, Selection of this Composer’s Popular Songs. Price 2/6 not Arr. by William Henley “The'Da.isy~ Chain," and “ More Daisies,” Selection of Favourite Airs from LIZA LEIIMANN’S Celebrated Song Cycles, arranged for Pianoforte. Price 2/6 net . ' Adolf Schmid “Abide with me” A samuel Liddle “Come back to Erin” (CLARIBEL) ..., . ° __ .___ W,/(gym -“ The Flight of Ages” (FREDERICK BEVAN) Ohas. Godfrey, Junr. “The Glea.ner’s Slumber Song” H Richard H, wa/thew “ The Holy City” (smmm ADAMS) . Ones. Godfrey, Junr. “ The Star of Bethlehem” (Srnrumz Amms) Boyton Smith “ The Lost Chord” (ARTHUR SULLIVAN) ,, w, /(uh, DANCE MUSIC. Dorma. Yalse Kenneth Park Queen of the Air Yalse ... Bertram Lestrange Ju—Ja.h Jazz . . Bertram Lestrange Louisana. Yalse W. H. Squire Fleurs clu Printemps Yalse Julian Ktindt Aurora Yalse .. . Julian Kéndt Down the Yale Yalse (on FRANK Mom’s Celebrated Song) ... Ernest Allan Mona. Yalse (on STEPHEN_ ADAMS’ Famous Song) . . ‘ ...J. Llddell Love's Old Sweet Song Yalse (on Monnors Charming Song) .~ . , ...Er-nest Buca/ossi Thine Rlone Waltz, Solo and Due .. Mia Gariuima.'Yelso .. 6. van den Dyck *'. BGGSEY & ($0., ’ 295, REGENT STREET, LONDON, W. 0. East nu: arms:-:'r. new vomt. 229, YONG! omen’, ronouto. -- Josef Meissler
Show less

Title: Rain in Summer
Date: 1918
Text: MUSIC Laannnv VASSAR COLLEGE POUGHKEEPSOE. NEW vonx eoeoooooaebooi Q 1 CECIL BURLEIGH S 2 u 2 It § u 11 g 5 With Pizmo Acco1m):1ninm1t Op. 33 Eh» Glam ﬁxing (VX/ords by John Greenlcaf \X7hitticr) 6:.) Cents Eaiagn émtg (Words by John Keats) 60 Cents GD ﬂiuuntaina nf the Nurth (Words by John Grccnlcaf Wlxittier) 60 Cents Q Q % ?Rain in Bummer ( Words by Henry Wadsworth Longfellow) 60 Cent: k Sang nf the Erunk ( Words by Alfred Tennyson) 60 Cents A §mtunrr’n Night (Words by Rodman Drake) 50...
Show moreMUSIC Laannnv VASSAR COLLEGE POUGHKEEPSOE. NEW vonx eoeoooooaebooi Q 1 CECIL BURLEIGH S 2 u 2 It § u 11 g 5 With Pizmo Acco1m):1ninm1t Op. 33 Eh» Glam ﬁxing (VX/ords by John Greenlcaf \X7hitticr) 6:.) Cents Eaiagn émtg (Words by John Keats) 60 Cents GD ﬂiuuntaina nf the Nurth (Words by John Grccnlcaf Wlxittier) 60 Cents Q Q % ?Rain in Bummer ( Words by Henry Wadsworth Longfellow) 60 Cent: k Sang nf the Erunk ( Words by Alfred Tennyson) 60 Cents A §mtunrr’n Night (Words by Rodman Drake) 50 Cents What ﬂaw lliﬁlr Eirhiv Sag ("Words by Alfred Tennyson) ‘ ﬂu Cant: CARL FISCHER coomsk SQUARE NEW YORK BOSTON -:~ 380-382 Boylston Street 335-339 South Wabash Avenue -2- CHICAGO on 1! ;€3%-:__;"€3 €13 3393390 ﬁooooaooooooooooooooooé Q. . Q... 9 3 Q Q 9 Q 9 Q 3 @ Prices subject to a discount To my wife Atossa Burleigh Low Voice Rain in Summer Words by ' T O 3 N 7 HENRY WADSWORTH LONGFELLOW CECIL BLRLEIGH’ P‘ 3’ 9 Joyously (M. M. 144) VOICE 12z.s*m'fz, even r/lyt/am beau—ti - ful is the rain, how beau-ti -ful is the rain! Copy/right MOMXVIII by 6'a7'1Fz'sc/w7;1Vcw York International Copy/mgll Seczared mcrease — Af—ter the dust and heat, increase ~ ‘fa 77%” r-—-"'1 In the nar-row lane, _.____ How In the broad and fier - y‘ street, beau — clat-ters a—10ng the roofs, in crease — Like the tramp of hoofs! z'ncrea.9e ._.——_—_....._..—._... imrease quic/rly gush—es and strug—g1es out From the throat of the 0 — ver- f low-ing spout!__ A- /—-“""*’ \ mj'Z..————Tincrease quic/ray an 62». . jog/ou.s'ly r_______1 cross the Win—d0W pane S f joyously ‘$3.3. ‘fa. and With a mud—dy tide, feta” more broadly zmvrease ' As at first riv-er down the gut-ter roars The rain,__ the wel-come rain! The wel-come Lil. retard . more éroadly As at fz'r.9t mcrease \_ increase retard 33”?‘/‘Z/W rain. __ the wel - - come rain! [.11. swz_',ft!y mcrease reta Out of the East by WILLIAM LESTER Cycle of Five Songs Published for High or Low Voice, Price $1.25 net the/edxtion for high voice. The introductory measures of the Following thematics taken from 4 accompamment have been om1tte . High in G Low in E -96’/'I2p7'6’ rit A .1; PERSIAN LOVE SONG M derato 3 w ’LSSi0n‘Lt‘). _ . , 0 H). ‘J: can moto , poco fardare pm mosso ,\ pow Wt blown blos-som-land _ d but foryou xts leaves un-close‘. "\ /. 1; - _ mine the pow}, /_ ,1. on eviryrose U068 sempre’ 1%?! . 11. SERENADE IN A GARDEN * i “‘“G “" E Andzmtino con lrmguore 't11etmes,'R>uchn0t slumb - ‘rung eyes 3" You dxt-am ‘Io,the Ve-Iy breeze Ln am—or4)us sighs, __ ("on (‘(2/0/'0 p 46 Ce High in D Low in Btr III. JASMINES OF KAIROVVAN L Andante affettuoso carztalnle <=;_ _ P axe] ‘Apr! so lhayebmughryou - mg thexr - gram ware /' '11 (I It xs June and the jaw-rmnoveud>exsAre cry sew fur a lwr-‘p7 rzf. IV. THE DEATH OF THE NIGHTINGALE T Lento Iusmg-ando um 'n.’<.-.’-.> mg. ec - S13. -1 strain, Iondorcry wLId—t. y(-arm ~ I it Bib’ D1; g m V. IN PARADISE BY ALLAH’S THRONE Allegro moderate 2 Pa - ra. - thee. by A] - Iah’s thmne, 15 -m- fels song rap — ture weaves f Carl Fischer BOSTON NEW YORK CHICAGO
Show less

Title: Village Blacksmith, The:, The Village Blacksmith:
Description
Date: 1918
Text: CUBIC LIIRARY Wwg_ssAn §_ou.:c: THE VILLAGE BLACKSMITH F OR MIXED CHORUS THE POEM ‘BY HENRY WADSWORTH LONGFELLOW THE MUSIC BY W. H. NEIDLINGER Pgbﬂadeiplpia ~ boxaﬁmw 0. 1712 ﬂbegzrguzétrﬁ nu.uu4l“'w “ ’_ T % \\ FTHE —-V-|L:LAGE..BLACKSMIT_ \, or sale by E. A. Whittlesey, ; 28 C11a_peISt., New Haven, Conn. \ 33;’ 3 =_ \:\ The Village Blacksmith FOR MIXED CHORUS THE POEM BY Henry Wadsworth Longfellow THE MUSIC BY W. H. Neidlinger F THEO. PRESSER CO. 60 cents PHILADELPHIA, PA....
Show moreCUBIC LIIRARY Wwg_ssAn §_ou.:c: THE VILLAGE BLACKSMITH F OR MIXED CHORUS THE POEM ‘BY HENRY WADSWORTH LONGFELLOW THE MUSIC BY W. H. NEIDLINGER Pgbﬂadeiplpia ~ boxaﬁmw 0. 1712 ﬂbegzrguzétrﬁ nu.uu4l“'w “ ’_ T % \\ FTHE —-V-|L:LAGE..BLACKSMIT_ \, or sale by E. A. Whittlesey, ; 28 C11a_peISt., New Haven, Conn. \ 33;’ 3 =_ \:\ The Village Blacksmith FOR MIXED CHORUS THE POEM BY Henry Wadsworth Longfellow THE MUSIC BY W. H. Neidlinger F THEO. PRESSER CO. 60 cents PHILADELPHIA, PA. rgiyiladelpbia 0130- . I712 ﬂlyegqunstr. Com/Tight. 1:918; Taro PRESSER . Iiritusb Copynght Secured The Village Blacksmith Poem by //ENRY IVAIJSWORTII Lozvany/,/,oIV Mus” by VV? H. NEIDLINGER Allegretto M. M. cl: 144 M19 /——:;\ SOPRANOH Un — der the spreading" //L1; TENOR Un— der the spreading chest—i1ut—tree, Un- - _ der the BASS Alle grettp / _ chestnut-tree The vil - lage Smithy chestnut-tree The smith-y stands; Un -der the spreading chestnut—tree 4 der thé chestnut—tree Copyright 1918 by Th-eo. Presser Co. -11 British Copyright secured — y st‘a)nds; » Un- der the spreading Un-d er the spreading‘ ch est the smith Un-der the spreadin,9;,spread — ing >chest—nut—tree the smith - der; un~ er espreading chest-nut-tree t e smith 1' chestnut—tree The vil — lage smith — y - stands; the chestnut—tree The smi.th-y stands; Un—der the spreading chest ut—tree t e - der the tree 3 .» Un—der the spreading chest—nut—treel_ Un-Ader the spreading chest-nut vil — _- '— l smith-y eta,nds_ Un—der the sprezid V chest— t Un— der the spreading chest—nut’-tree- Un—der the spreading chest-nut _ vil — smith-y stands- Un-der the spreadin chest—nut FT’ 7I¢lf Z The Smith,a might-y man is he, The smith, a mighty man is he, With Klingl klavngl klingl . k1i_ng! klangl kling! klang!The And th e smith, a mighty man is he, the Smith, a, mighty man is he, a _ muscles of his brawnyarms Are strong, are strongias i— ron bands. ht- man, as strong as i - ron bands. might-y man, as strong as i- ron bands. The smith,a In t-y man is he, The’ smith, a might—y ‘ man s ‘he, With g! kla-niig! kling! klangl kling! klang! kling! klang! The And the smith, a might—y man is he,_ the smith, a mighty man is‘ e, a muscles of hisbrawny arms are strong, I-a:.: strong as i- ron bands. t- man, as strongas i-ron bands. a might—y man, as strongas i—ron bands. —— ..__. :1‘-71:‘:-:"14.zwA C: VVOMEN Larghetto M.M 80 staccato ,, hair p, and black is like tike air is crisp, if TENOR fﬁe ,/”‘ b k Ild‘ long, hair s c p, and black his hair is crisp, and ‘im .b ack long‘, his fae J3 ‘bisl ethe his hair is crisp, and /‘T Z‘ % _/ black (1 long. His brow is wet with hon—est sweat, brow is Wet with hon—est sweat '7 And. -looks the whole world what-e’er he loﬁs t e whole wo ld A. if What — e’er he looks the leworld in the face, For he looks thewholeworld in the face, For he owes not a — ny, a — ny man ‘,4 .16‘ His like the tan; , and, b long, His hair crisp, and black 10 , His \/ is like the tan.’ hair scrisp, and back and long, s hair so sp, 07680. . ' brow is wet with hon-est sweat, what—e’er he brow is Wet with hon—est sweat, . what-e’er he 9 m% /*""“—"‘*\\\ can, And looks the whole world in the owes not a-ny can, And looks thewhole world in the face, For ‘he owes not a—ny f\ ' j_ ‘L A J mollo Mi‘. \ Week ini, week out,'from morn till night,You can ‘hear his bel — lows Week in, week out, from morn tillnight,You can heémr his bel-‘Slows 3° 1:? 3 (Spoken in a loud wIw'sper) (Swish! ._ S Swish! _. Swish!.. Swish!) You can _ (Spoken in a loud u/Msper) (Swish!._ Swish!_ Swish!) You can hear him swing his heav—y sledge, With measured beat and slow. hear him swing-his heaN—y sledge,With m asured beat and slow. (A CONTRALTO VOICE) sex- ton ring—ing- the SOPRANO 1019 T . \../ L AL 0 Ding — dong, ding — dong, ~ ding - dong, TENOR BAR. BASS \__/ Ding -dong, ding — dong, ding — dong, Ding — — dong, ding — M.M.J=96 K, 7'6/e-earsal 071.! (A TENOR VOICE — (:1: vil-lage bell, When the eve-ning sun is ‘F. d . . mg - dong’ (lnnnmmg) I dlng - dong, ding -_ dong, dong! ding — — ‘dong! dong! sex — ton ng - ing the vi] 2? _ rd.’ ding, Whenthe eve--ning sun is ‘ Like a —ton, like (1 ng, ding, dong,djng, dong, ding, dong, ding,dong, 1, ding, CHORHS < : 126 SOPRANOS CONTRALTOS TENORS BASSES — lage bell, d 118, low. vil - lage bell. And chil - dren com - D" home from sch in at he 0 — pen door,‘ They love to see 1: e.flam—ing' fo ,And klang, /K/"""-'—_——"'*T - hear bel - lows roar, _ And catch the burn .-. ing sparks that from the thresh -. ing floor. Hug. kling! They love ks th 1; fl L e ; ‘tﬁlaff, from the thresh-ing chaff, ng! mi‘. dim. I l\ l\ K I\ N H N fl !I 5 V V Chil —~dz-en com - ing home fromschool Look in at ‘ x I I ' I J I‘ L W k kling! 4 .0 I I ‘ Klang! _ kling! .L/““\ A 4" 1.’ Idangz mwor rit. dim. love to catch the sparks that fly like chaff from the threshing floor. klingl kling! ' kling! klang! ‘dang! tmcor Mt. dim. e goes on Sun—~day to‘ the church, And sits a-_mong his boys; He He church _ hears the par—son pray and preach, He hears his daugh-ter’s voice, _ goes crew. Sun—day' te_,.___.. the church, mp to the church. goes ‘Sun-day to__..__..___ the church , to the church. 07‘6.S‘C. J Lo SOPRANO SOLO §0pRAN0 Lord, now let — test Thou Thy CONTR. NOR He M hears his daugh - ter’s voice, BASS 1, 1,2,/#__________\ daugh - ter’s voice, I’ Sing- ing in t m kes h art 8 — ing . It makes his heart re - Sing— ing in ' the vil ~ 11 . Her moth — er’s 10 F MEN It ‘sounds to him like her moth — er’s voice, voice, her moth—er’s' It sounds to him like her ce, _ hgr moth—er’s, moth—er’s Sing- — ing, Sing‘? - ing-, voice. Sing -. ingin Pa:--a.-dise! L- like her mother’s Sings ing, V sing ,- like her mother’s voice. Sing— ing, like her mothe ‘J-’* Sg-g, wccel. Sing - — ing in Pam--a-dise! — in Par - a - dise. Sing - ing, sing - ‘ A - ing, PM-_ ;di e like her motheﬂsvoiceix Par-_a —« dise. needs must think of her once more, How ' the grave she needs mustthink of her once more, How : — t e grave she needs ' think 1’ ~ 3; dim. hard; rough hand he wipes A dim. And with his hard, rough hand he wipes A wipes tear, of his eyes. tear but of his eyes. Tempo I _ Toil - ing, re — joic — ing; sor — row — ing, On - ward through life sor — row — ing, On - ward through life sor _ row — ing‘, On — ward through life On —wa~rd through life, through toil — ing‘, re — joic - ing‘, sor — row— ing, On _ward through life he — ing, sor — row — ing, ~ ward he ‘ Each morning sees some Each _ — ing sees some -1 goes; Each _ ingsees some through life, through life he goes; E h — ing sees some i'L?‘ 1'4 Z.——_—-—$ task be—gun, Each eve-ning sees its task bé—gun, Each eve-ning sees its task be-gun, some task be_gun, V Each morning sees some task —g;un, some 1: be - gun, Each sees some A ﬂa Something at—tempt — ed, something done, done, dope, Some~thing one! Something atétempt-ed, somethingdone, — thing done, Sorhething at—tempt-ed, some_thing done, has e-21trned_’____. some — 11 Something at-tempt—ed, some-thingd ne, h s JFEAAA __;-o':‘ mortmdo earned earned, has earned nig t’s re — pose. .‘ e-. morendo ha” ‘lrned T’ Thanks,thanks to thee, my wor- thy friend,For the 1es—son thou hast 'I‘hanks,thanks to thee, my WOI‘— thy friend, For the 1933-5011 thou hast M.M.J=92 taught! taught ! Thus at. the flaom - inp; forge ' for-— tunes must be Thus at. t e flam ~ ihg forge ' ' f - tunes must be .3 ‘E. f.\ wrought; Thus at the flam-ing forge of life Our for—tunes e wrought. J]. wrought; Thus at the flaim-ing forge of life Our for—tunesmust e wrought. "F 8 8 Maestoso M.M. J: 108 And thus on its sounding 1’ . -klang, kllng, .. klang, Kling, klang, kling, klang, ,k1ang, k1ing,klang, kling',klang,k1ing,kl _ Maestos-0 M. ¢l=108 klingv k1a'n8'a klinga J7 cwcel. burn_ing deed‘ and thought!__.___ Something‘ at—tempt_ed, \§_______Z T kla'ng!——-—-——————k—1ing! S0 eth g -te pt—ed, kling,kl ,k1 , kling, k ang, klang! g, k1anng', /»—*"""""“~\\ rag; molto Mt. some—thing'done, something at—tempt-ed, somet ingdone, somet-h gdone, someth gat-tempt—ed, done, H earned, night’s k ng, klang, kling, klang, s0mething'done,I-las earned a. night’s re- kli klan moremio . M95 _’___ has earned_.__ V igh pose,a nig'ht’s re — pose, nig'ht’s pose, a nig'ht’s re - pose, a more/zedo ._.,_. .c..........._............. . _, _ _ _ , . -—-———---— , ._.._.._.._._.—.......____.__ . ......~__ ........___...._.._.,..:......_......... ...r.._...,..._.—.... .._....-.-..._...;s;.;.i...;._..._..__....s._.._.____....,,__..____..._.- ~ - _ . _; -2 l i '! . it ATTRACTIVE OPERETTAS ~v-—-—-—-—-.——-—~—,._—_..~_.____:._.._...__._._,_......_....._. .. .........__...._....._:_..._._ AND SECULAR CANTATAS Juvenile Operettas MOTHER GOOSE ISLAND A Musical Play for Children By Geo. L. Spaulding Time. 35 minutes Price, 60 cents A bright, up-to-date operetta in two scenes, suitable for boys and girls from 8 to I4 years. Mother Goose characters are introduced, _in addition to modern boy and girl rts. The story is lively, the dia- ogne crisp and the music tuneful. THE MOON QUEEN By L. C. Gottschalk Time, 35 minutes Price, 60 cents A children's cantata to be sung in unison. Text bright and am_u.9ri'ig and music easy and very melodious. May be given without scenery. MILKMAIDS AND FARMERS By Geo. L. Spaulding Time, 30 minutes Price, 50 cents This little musical diversion may be used as part of an evening s enter- tainment, or as a curtain raiser for a larger operetta or play. The music is sim e, but lively and _full of 8° and t e action is not interrupted with dialogue, so likely to embarrass the amateur. The work does not re- quire an elaborate setting or cos- tuinea. A DAY I13 FLOWERDOM peretta By Geo. L. Spaulding Time, 35 minutes Price. 60 “M3 A little work that will prove a source of pleasure to the youthful participants and their friends and even to grown-ups. It is in two scenes, and contains ten musical numbers, all bright. ‘melodious and full of go. The dialogue is clever and amusing, and both it and the music are easily learned. A ROSE DREAM Operetta By Mrs. R. R. Forman Time, 30 minutes Price, 60 cents A fairy operetta, with_ good, spark- ling music, an interesting plot and easy to stage. The Fairy Queen and her fairies, a giant, a dwarf and other fairyland characters are . in- troduced, to the delight of the little folks, who will appreciate every min- ute of the play's action. THE ISLE OF JEWELS Operetta By Geo. L. Spaulding Time, 35 minutes Price, 60 cents The characters personify various popular jewels, an the opportuni- ties for picturesque staging can readily be realized. Both words and music are fully up to the standard set by these popular writers. LOST, A COMET Operetta _ By Geo. L. Spaulding Time, 40 minutes Price, 60 cents This clever little operetta will fur- nish forty minutes of fun, entertain- ment and music for an audience, and is sure to be voted "a hit." The dialogue and verses are bright and witty, and many modern rhythms have been introduced in the musical score. Operettas FROM THE YELLOWSTONE A usic rama By Thurlow Lieurance Time, 45 minutes Price, 75 cents The scene of this sketch is laid in the country surrounding the head- waters of the Yellowstone River and it will prove most effective if given in costume. A mixed quartet and two speaking parts are required for the leadin roles. An excellent num- ber for igh School and College Clubs. MOTHER GOOSE FANTASY By Arthur Nevin Time, 45 minutes Price, $1.00 This is a high-class work for solo soprano and two-part chorus. The leading character, The Dream Maid, happens upon a Mother Goose book which takes her back to her child- hood and she day-dreams the various scenes enacted in the play. PANDORA By C. E. Lemassena Time, 90 minutes Price, $1.00 A brilliant operatic setting. suita- ble for young people, of the old Grecian myth. as retold by Haw- thorne under the title of "The Para- dise of Children." There are five principal characters, a chorus for oys and a chorus for girls. It is in three parts, and the scenery is of a very simple nature. he music is of the most attractive order; it is sin able and easy, yet not at all tri ing. To those seeking a high- class novelty we heartily recommend this delightful operetta. TI-IE PENNANT By Oscar J. Lehrer Words by F. M. Colville Time, 90 minutes Price, $l.20 Pretty tunes, amusing situations, well set-up young men, bright girls in smart frocks, a dance here and there, and a spirit of cclle e “go" is the best description of ‘The Pen- nant." This is a real, practical operetta for a short cast, easily re- hearsed and easily produced. It may be adapted to suit any college local- ity, and is sure to take. A VIRGINIAN ROMANCE By H. Loren Clements Time, I hour Price. $I.00 A short musical comedy in two scenes than can be produced by any school, co ege or amateur group at almost any time. he music is sprightly and catchy and introduces several snatches of familiar wartime and patriotic melodies. It abounds in local color and will prove tre- mendously popular with the average audience. TRIAL BY JURY By Sir Arthur Sullivan Words by W. 5. Gilbert Time. 45 minutes Price, 50 cents This is the most popular of Gilbert and Sullivan's operettas among mu- sical amateurs. The lines are all sung, and, in Gilbertian fashion. are satirically humorous. The music is easily learned. the iece simply staged and amateurs wil ﬁnd it well worthy of production. -club or high-school chorus. Secular Cantatas THE VILLAGE BLACKSMITH By W. H. Neidlinger Poem by H. W. Longfellow Time, I5 minutes Price, 50 cents Longfellow's popular poem has had many musical settings, but we dare- say none quite so appropriate as this descri tive cantata for mixed chorus by r. Neidlinger. It is full of color and striking choral effects, but only of medium difficulty, and can_ be {produced by any choral society 0 moderate ability. TI-IE SINGING LEAVES By Grace Mayhew Words by James Russell Lowell Time. 45 minutes Price, 75 cents A short, bright and easy cantata for baritone, tenor and soprano solos and muted choruses, with piano ac- companiment and violin obbligato; suitable for small singing societies. THE MERMAID By Julian Edwards Words by D. A. Atterbom Time, 90 minutes Price, $l.25 A brilliant cantata with dramatic choruses arid graphically descriptive orchestration written in Mr. Edwards’ best style. SPRING From "The Seasons" By Joseph Haydn Time, 25 minutes Price. 40 cents _The text‘ is most poetic and ad- mirably suited for a spring concert. Has solos. duets and a trio for so- prano, tenor and bafitone. and sev- eral stirring choruses that are among Haydn's most admired inspirations. THE ROSE MAIDEN By Frederick H. Cowen Words adapted by R. E. Francillon Time, 90 minutes Price, 75 cents Any singing society may be proud to _have this standard choral work in its repertoire. lt abounds in pleas- ing solos, duets and tries, and the chorus "parts, including the well- known Bridal horus," are particu- larly attractive and not difﬁcult to sing. THE QUAKER AND THE HIGHWAYMAN Cantata for Women's Voices By H. W. Wareing \‘Vords by Samuel Lover Time. 30 minutes Price. 50 cents A popular novelty for a women's Most of the chorus work is in two parts. but there is occasional three- and four- part writing. THE GOLDEN VALLEY Cantata for Women's Voices By I-I arner Time, 40 minutes Price, $l.00 The story is based on a dramatic legend of the Crusades. and the music is a propriate and of mod- crate difﬁcu ty. THE MERMAID Cantata for Women's Voices By Fannie Snow Knowlton Time. 25 minutes Price, 60 cents A special program number, chiefly in three-part harmonies, with an obbligato for solo soprano. Text from the verses of Tennyson. -TI-IEO. PRESS!-ZR co. Music Publishers and Dealers PHILADELPHIA, PA. ._. .._.__...i_ ,
Show less

Title: Windmill, The, The Windmill
Date: 1918
Text: MUSIC LIBRARY VASSAR COLLEGE '>'.""f‘.Uv---.,-~ - ~- Price SINGING CLASS MUSIC~EDWARD ARNOLDS SERIES EDITED BY % THOMAS P‘. DUNHILL. Pub/zshed by EDWARD ARNOLD, 41&43. Maddox Street, London, W 1. THE WINDM I LL TWO ‘PART S ONG MUSIC BY PERCY C . BUCK WORDS BY LONGFELLOVVI _ Lento comodo. (DO}?i»‘:’£§’)'§l : I :m 'd' .,d' :t cl ct Id‘ :—-.1 |m' :s i- ‘ f declamando Be - hold! a gi-ant am I a - loft here :m |1.,1:f¢r‘rI1 :—.1ld' :m I- f...
Show moreMUSIC LIBRARY VASSAR COLLEGE '>'.""f‘.Uv---.,-~ - ~- Price SINGING CLASS MUSIC~EDWARD ARNOLDS SERIES EDITED BY % THOMAS P‘. DUNHILL. Pub/zshed by EDWARD ARNOLD, 41&43. Maddox Street, London, W 1. THE WINDM I LL TWO ‘PART S ONG MUSIC BY PERCY C . BUCK WORDS BY LONGFELLOVVI _ Lento comodo. (DO}?i»‘:’£§’)'§l : I :m 'd' .,d' :t cl ct Id‘ :—-.1 |m' :s i- ‘ f declamando Be - hold! a gi-ant am I a - loft here :m |1.,1:f¢r‘rI1 :—.1ld' :m I- f declamando 3 Lento comodo. Be - hold! :1 gi-antaml a-loft here > - . (m ‘d’;-—¢d' :t 41 (t Id‘;-«mzl l~~ tm 4m:d' |—-<1 cl it ¢—-at } 3 3 my gran-ite jaws I de-vour the maize, and the wheat, andthe rye, And an |1;—.1:t:r‘r11:—4m:1 L m xm:1 |—<1c1:1¢-«re; 3 3 3 my gran-ite jaws I de.vour the maize, and the wheat, and the rye,And , Copyright, 1918, by Edward Arnold. {lg1'd' :1 them in — to :t. grind {I m Id grind themin — to fields {I 1. (- fields of grain I to the air .,s is to the air i/-\ The Windmill. :t. . The har sec The har - vest ‘_.Z I 1 rit. arms, arms, For I .1. |—. o -9"‘ :f -.m rit. ' .1‘ lm .m :1 21 (1 lm I look downo -ver the faLr_ms_; .1. la .a if cf (f Id 3 I look dO‘WnO-V61‘ the farms; to m] :1 .S. If. If. i—— _ vest that is that to I: of *“___._§_.==.— atempo For I :m .1.‘ a Is .f know it is $ rit. a temﬁo. lm 1’ know it I d is 19 all J I’ r.E.b. zds .s 15000 acce/. _.-..—-_-':.’:;’. And I zds .s 15000 acc . A11dI 36000 aacel. is all \*~......, I I ( G. 4. .''‘d m 5- cm :1 0 umosso hear the sound of flails I X: : ' : dx—cd :f .f id 00 Zyllr’Iﬂ0SSO jaw pm mosso hear the sound of flgils _ f.C. ) :-— .s it - 1' . ' : '5 :-— I :51” 9,1" 5 ﬁoco accel. off from the threshing floors In barns, with their 0 - pen ‘doors, And the {|m cm cm :1 .1 |rg_g§ :f_e_._rg|m .t, :-— .r Id :d It, :-— I :Sr'.,r‘ } 3 ‘ pocoaccel. off from the threshing floors In barns;with their 0 - pen doors, And the 15000 wccel. /-\ g"""1‘§ _j :r'.d'1t' :1.s — wind, thewind in my sails Loud.-erand1oud~er. roars. ﬁr‘ :-— I— :1 Ir‘ :d'.t |r'.d.':t__.,lW :r.rlt :s |1"t. :— l-- ._==__--:r. “-1-'-“"-—"—: > the wind in my sails Loud-erandloud-er roars. > h >/‘''‘\ can fo rza The Windmill. Tem 0 1111.0. P . Id‘ :— .d' It :1 .t } f molto maraato I stand here in my I1 :—..1. or :r .1" } molto maroato I stand. here in my “’’‘1’‘’ Tempo I310. . ‘V/F‘ /’ &__( {|d' 1- I .1 lm' :s l—.s :£l’sall ls :— I :m.m!d' :-—.d'1t place, With my foot on the rock be—1ow, Andwhich-ev — er way it may {I1 :- I :1 .1 la‘ :m |—-.m :m§9;f lm :— I :m.m|1 :—.1nr :r.r} place, With my foot on the rock be-low, Andwhich-ev - er way it may zt c—(t 1m‘ .d' :1 Id :t. i 1. :-— l-— _:-—H ’\ As a brave man meets his foe. :1 <—4re lrL.d':1__._m|d zt. I1,:— 1- :— H -9- .As a brave meets his foe. > > The Windmill.
Show less

Title: Onaway Awake Beloved
Date: 1918
Text: mg: K”, " IN D FLAT. IN G FLAT. «7>5- 3 ////// "nu IIIIIIIINIII IIHIII ONAWAY, AWAKE, BELOVED SONG From the Cantata “ HIAWATHA’S WEDDING-FEAST " The verse written by Longfellow The music composed by S. Coleridge-Taylor. (Op. 30.) IrrmlllllllIII’IIIIIIIIIIIIIIIIIIIIIIIVI VIIIIIIIIIIIIIIIIIIIIIIIIIIIIII!!!IIHIIIIIIIIIIIIINHIIIIIVI/IIIIIHIIIIIIIIIIHIIIIIIIIII-n Plus}: Two SHILLINGS um. IIIIIIIIIIIIII/Irrnnr 1: \\\\\\\\\\\\\\\\\\\\\\\\\\\V \\\\\\\\\\\\\\\\\\\\\\\\\\\\ \ \ LONDON...
Show moremg: K”, " IN D FLAT. IN G FLAT. «7>5- 3 ////// "nu IIIIIIIINIII IIHIII ONAWAY, AWAKE, BELOVED SONG From the Cantata “ HIAWATHA’S WEDDING-FEAST " The verse written by Longfellow The music composed by S. Coleridge-Taylor. (Op. 30.) IrrmlllllllIII’IIIIIIIIIIIIIIIIIIIIIIIVI VIIIIIIIIIIIIIIIIIIIIIIIIIIIIII!!!IIHIIIIIIIIIIIIINHIIIIIVI/IIIIIHIIIIIIIIIIHIIIIIIIIII-n Plus}: Two SHILLINGS um. IIIIIIIIIIIIII/Irrnnr 1: \\\\\\\\\\\\\\\\\\\\\\\\\\\V \\\\\\\\\\\\\\\\\\\\\\\\\\\\ \ \ LONDON, 3\@‘zJeZZ0 €99 Ca, Lia’. MADE IN ENGLAND. ®nawag! Elvoahe, beioveo! And the gentle C/iibiabos Sang in accents sweet and tender, Sang in tones of deep emotion, Songs of love and songs of longing, Loo/lzing still at Hiawatha, Looking at fair Lang/ting Water, Sang he softly, sang in this wise : “ Onaway! Awake, beloved! Thou the wild-ﬂower of the forest! Thou the wild-bird of the prairie ! Thou with eyes so soft and fawn-like! “ If thou only lookest at me, I am happy, I am happy, As the lilies ofthe prairie, When they feel t-he dew upon them! “ Sweet thy breath is as the fragrance Of thewild-ﬂowers in the morning, As their fragrance is at evening, In the Moon when leaves are falling. “ Does not all the blood within me Leap to meet thee, leap to meet thee, As the springs to meet the sunshine, ln the Moon when nights are brightest? “ Onaway! my heart sings to thee, Sings with joy when thou art near me, As the sighing, singing branches In the pleasant Moon of Strawberries! “ When thou art not pleased, beloved, Then my heart is sad and darkened, As the shining river darkens When the clouds drop shadows on itl “ When thou smilest, my beloved, Then my troubled heart is brightened, As in sunshine gleam the ripples ‘That the cold wind makes in rivers. “ Smiles the earth, and smile the waters, Smile the cloudless skies above us, But I lose the way of smiling When thou art no longer near me ! “ I myself, myself! behold me ! Blood of my beating heart, behold me! O awake, awake, beloved! 3 Onaway ! awake,beloved ” LONGFELLOW. ONEWFLY! EWEKE, BELOVED! H.W. Longfellow. ‘ S. Coleridge-Taylor. Andanfe con moto. J = 112. /T pp tranquillo a tempo «[2 On-a - way! A—wa.ke, the Wi1d—f1ow’r of the for 14502 , Copyright, 1.918, by Nawello 3' Com1>omy,Limz'ted. Thou__. the wi1d—bird of the like ! >gT fawn - >/\* 1i1— ies of, Fed’. 5Empre _ rie! prai Thou with eyes so soft and Fed. sempre . If thou on- — .1)’ t look A Fed . sempre a tempo accel. > cresc. am hap-py, As the 1i1-ies, the > atemo : mF Fed. i>/—-\ the.prai-rie, When they feel the dew > a tempo, tmnquillo f''\ —<''_'’. ~_~_—=>. Sweet thy breath is as the /"S KT F}: a te7nff0 _ . Fed. sempre frag- rance Of thewild-f1ow’rs in emorn - ing,__ I-,-1f——-1-_.{‘..___ Sf 13. F51 Fed. ‘L Xx 41} (1. As ._ their fragrance is at eve-ning, In the Moon when leaves are fall - ing... /'\ » ‘ > A m]l'_.=.—:_—-_.-':"___5_f-—___—_—_—,=__—.— d‘ 5E’”P”3 Appassionato > not all the blood with—in f>. Leap to meetthee,1eap to meet thee, As thesprings to meet the sun _ shine,__ > f —¢_1_f_ a tempo the Moon. when nights are bright — est ?____.____ a tempo . /X /T Pad. semp re sings to thee, Sings with joy__ when thou art near me, Fed . sfempre sigh _ ing, sing - In the plea. _ sa.ntMo0nof Ed. sempnz : Staw - ber- ries! Whenthou art not p1eas’d, be - lov — ed, >/\A ("T ‘if Fed. Fed. sempre 1:000 rit. _ accel. is sad and dark- en’d, As the shin - ing {*5 Z-T . 12000 ﬁt. dm. 6 mil. »‘——T — er dark—ensWhent11e c1ou1ds___ drop sha - dows dim. e mil. sempre Pad Con moto. When thou smil - est, my be 1ov- - -ed, A _ ‘/‘T FF Fed. sempre my trou-bled heart is... bright — — shine gleam rip — ples That the cold Wind makes in riv — } mf --§—-—-:’__5f 3:;-:5 Fed. largamente > O Smiles the earth,and smile the VVEL - ters, Smile thec1oud—1ess skies a.-hove us, But mil. (3 dm. lose the way of smil - ing When thou art no long. er near me! /‘S/"*\ mll. e im. ﬁt :.:- e —.:____ T Fed. sempre 17 14502 Fed. sempre M6ﬂ0 Blood of my beatingheart, be- hold me! > A >/\/\ Memo mosso. Fed. Fed. P911- molto rail. tmnquillo r_\ atemfo On-a-way! a—wake, V be- 10v. "1”- 3 d“”- ‘ ‘V molto mll. FE .5Empre /‘T mil - 6;: - tcmdo ’‘ FFF <5f_j=—— Fed. 14502 Fed. P211. PM NOVELLO’S NEW AND POPULAR SONGS. PRICE OF EACH SONG 2s. THOSE MARKED WITH* IS. 6d. EACH. MEZZO-SOPRANO CONTRALTO SONGS. SONGS. KEY COMPASS ‘ Atkins, Ivor. Austin, E. Virgin's lullaby (The) . . G minor D—F Sweet night . . . . . . . Bl) D—D Austin, Ernest. Austin, Frederic. ‘Sweet night - - - - - Bl’ D—D It was a. lover . . . . . D Austin, Frederic Sigh no more, ladies . . . . D It was a lover . . . . . . E Bap}-(by, J_ . . Bainton, Edgar. When the tide comes in . . . . C Song of the Virgin Mother.. . D Brook, Emmeline. Booth, G. V. Two Lyrics: Truth . . . . . Db { A prayer . . . .. Ab F . . . . ' A question . . . . . . BIXc§§g§10ef'Eig£?ett’ H’ M‘ B»? Song of the pilgrims . . . . D minor Brook, Emmeline. C°enens. W- Song of the pilgrims . . . E minor Come ‘mt°_me - - - - - - Coenen W Lovely Spring . . . . .. B)? I ' 1 Beyond .. .. .. .- DD Coleridge—Taylor, S. Come unto Me . . . . F As the moon’s soft splendour . . B How can I tell . . . A Beat, beat drums .. .. D ' C 1 , R. Blood-red ring (A) . . .. .. ‘G minor odliﬁaiiristion (A) .. .. BD ga“°e. “mg --t -- -- D1’ praise me no Draper, C. F. When day is done . . . . Coverley, ‘R. . Elgar’ Edward. Supplication (A) . . . . . AD Angel’s song. . . . . . . . Dvopgik, A, In moonlight. . . . . . . " Inﬂammatus. . . . . . . . D minor Fletcher, Percy E. L ' 1.1 d . s:.;?::.r.::, g§gf10g§geegt<A> .. .. gg Some perfect rose . . . . . lg ' ‘ ' ‘ ' ‘ . Son stem, awakenin River (The) . . . . . . . . G minor g g " " Torch (The .. .. .. . .. F Foster, Myles B. Was it some golden star? . . . . C# minor 0 for a closer walk .. .. . . Fletcher, Percy E. German, Edward. Love in the meadows . . C CaInel’s hump (The) Some perfect rose . . . . . . G’ Haxrty, Hlal’I(1lllt0Il. C Harty, Hamilton. i%‘:C‘1’)SrSalY‘fnaI‘:°‘,71,he ' ' ' ' ' ' D minor Cradle Song . . . . . . . . A minor Hill, Lady Arthur. J°hnS.°n» N081- *I want to be a soldier .. . . ‘gfﬁmtyd ' ' ' ' Eb *M0ther.S song _ _ _ _ _ _ onie, ream ess rest G Take th u th' rose.. . C Johnson, Noel. O 15 Affinity . . . . . . . . Ketelbey. A. W. Uome, ydreamless rest . . . . My h€9«1't 3-dream - - K - - - B17 Take thou this rose. . ' King Wilton Ketelbey, A. W. You’r dear heart . . . . . Eb Hea.rt’s awakening (The) . . » My heart a-dream . . . N‘%);7il7r(;,r1VsOiEE£g1e5t- Eb M0110)’; J- Lg ' ' Love is for ever . . . . Behind the silver of the moon . . Remembrance and Regret _ _ Newton, Ernest. KEY COMPASS Elgar, Edward. Fairy voices . . . . . . . . P%g‘1rt;’SVI:3’11‘Iohn' Love is for ever . . . . . . Remembrance and Regret . . _ Lullaby Pughe—Evans D. P“ghe'E.V3-n5» .1)- Lead, kindly tight . . .. . Lead» kmdly Light Read, W.‘ H. Return unto thy rest Mirage. .. .. . . . . Stewart, Kingston. Should one of us remember . . A minor Where the children sleep . . Smith. H- A1’I101d- Sullivan, Arthur. Come back -- -- -- -- El? Christmas Bells at sea Stewart’ Kingston. Longing for 11011197 . . Soul (A) " " " Thomson, Bothwell. Wareing, H. W. (Old, old song . Jesu, lover of my soul . . . . El? Soft, soft wind Wilson, Lane. Wilson, Lane. Lord is my Shepherd (The) F ' Lord is my Shepherd (The) NOVELLO’S NEW AND POPULAR SONGS. PRICE OF EACH SONG, 2s. THOSE MARKED WITH *, IS. 6d. EACH. BA RITONE SONGS. may compass Austin, Frederic. It was a. lover . . .. . E E—E My Susan was a bonny lass C C—D Brewer, A. H. Big Review (The) . . . . D A—E England, my Englan Bb G—El7 Brook, Emmeline. , Song of the pilgrims . . E minor D#—E Carr, Howard. Song of the Fugitives . . . D minor B—E Coates, Henry. Longing . . . . . . . . D[7—F Coleridge—Tay1or, S. Beat, beat drums . . . . . . C—E Canoe song .. .. .. .. Bf7——El7 Eleanore . . . . . . . ' D—Ef) 0 praise me not . . D——E Sons of the sea . . . ' C—F Coverley, (R. Supphcation (A) .. Draper, C. F. When day is done . . Elgar, Edward. In inoonlight. . Sword song . . . . Fletcher, Percy E. Galloping Dick . . Some perfect rose . . German, Edward. Ca1nel’s hump (The) Rolling down to Rio Graham, Basil. Within your eyes . . Harty, Hamilton. Drover (The) . . . . C minor Strangers grave (The) . G minor Johnson, Noel. Afﬁnity . . Roundel (A) . . . Take thou this rose. . Ketelbey, A. W. Heart's awakening (The) My heart a-dream . King, Wilton. Your dear heart . . . . Molioy, J. L. Behind the silver of the moon Newton, Ernest. Bold Gendarme (The) Zummerzetzhire . . Parry, C. Hubert H. *Love is a bable . . ‘Lover's garland (A) . . Pughe-Evans, D. Lead, kindly Light . . Smith, H. Arnold. Come back . . . . Spurling. C. M. When I saw Chloe’s face . . Thomson, Bothwell. Heliodore . . (Old, old song . Soft, soft wind Wareing, H. W. Gentleman John Wilson, Lane. Lord 15 my Shepherd (The) BASS SONGS. may comrass Arnott, A. D. r Give a rouse . . . . . . . D A-—E Austin, Ernest. Sweet night . . . BD C —D Austin, Frederic. It was a lover . . . . D D——D Brewer, A. H. Big Review (The) . . . . . C C—D Brook, Emmeline. Song of the pilgrims . D minor Two Lyrics 2 Prayer (A) . .. AI? Question (A) . . . F Carr, Howard. Song of the fugitives . . G minor Coates, Henry. Down Chelsea way . . . . C Coleridge-Taylor, S. Eleanore A Coverley, R. Supplication (A) . . . AV Elgar, Edward. In moonlight . . . . . . El) Engelhardt, Cecil. On a Summer’s day. . .. C Fletcher, Percy E. Galloping Dick . . . . . C Puritan Maid . . . . . Bl? Some perfect rose . G German, Edward. Camel’s hump (The) . . D Rolling down to Rio . . . G minor Graham, Basil. VVithin your Eyes . . . . . El) Hatton, J. *Ocean (The) . . . . E Haynes, Battison. Ould plaid shawl (The) Johnson, Noel. Aiiinity . . . . Corne, dreamless rest Roundel (A) .. .. Take thou this rose . . Mackenzie, A. C. Old Grenadier (The) Newton, Ernest. Bold Gendarme (The) Remembrance and regret . Zummerzetzhire Parry, C. Hubert H. Maid of Elsinore (The) Pughe-Evans, D. Lead, kindly Light . . Return unto thy rest Spurling, C. M. When I saw Chloe’s face . . Thomson, Bothwell. Heliodore . . . . Wareing, H. W. Gentleman John . . West, John E. Cheerily 0 ! . . . . Wilson, Lane. Lord is my Shepherd (The)
Show less

Title: Winter
Date: 1917
Text: T. TERTIUS NOBLE Two Songs With Piano Accompaniment CUPID’S ARROW % - WINTER _High in F minor Low in L) minor @ Price, each 60 cents net New.Y0rk : : Boston nusoc L}/*IhAnv VAS$AR CO LL EC‘ To my fmend 1i3cz'7aal(lWerrenrntlz VVinter Words by Longfellow V A T- Tertius Noble Lento, molto sostenuto 1’ The day is end - ing, The night is de- A d 8”“ bassa #’ scend-ing,The marsh is fro-zen, the riv - er dead. >>- >> > /\ } 27049 C Copyright, 1.917, by G. Sclzirmer Piﬁ mosso...
Show moreT. TERTIUS NOBLE Two Songs With Piano Accompaniment CUPID’S ARROW % - WINTER _High in F minor Low in L) minor @ Price, each 60 cents net New.Y0rk : : Boston nusoc L}/*IhAnv VAS$AR CO LL EC‘ To my fmend 1i3cz'7aal(lWerrenrntlz VVinter Words by Longfellow V A T- Tertius Noble Lento, molto sostenuto 1’ The day is end - ing, The night is de- A d 8”“ bassa #’ scend-ing,The marsh is fro-zen, the riv - er dead. >>- >> > /\ } 27049 C Copyright, 1.917, by G. Sclzirmer Piﬁ mosso Through clouds like \/ \_/“/ sostenuto flash - es - dows that it tempo 1’ The snow re-com-menc — es, The bur — 8 "" a tempo 13720 ._ Mark no long- er the road to the plain, Z’—\ ".27" While thro’ the mead - Like fear—ful shad - ows, 3 -=-z:/(¢»;=\::<_'ae>;-ﬁ;;.;a.7'a7«a&7&,§..~'Z:; fe S1ow—1y pass—es a fu-n’ra1 train. > > 1’ The bell is peal - ing And ev—’ry feel - ing With— in sx __ re—spondsto the dis — mal knell; ‘.570 /"*3, Sha.dL- ows are trail - ing,______ My heart is be— wail — ing f % And to11-ingWith- in like a fu-rfral bell, > > n'ra1 bell. FOUR SONGS by JAMES H. ROGERS To Felt’: llughu Sea Fever John Masefield James H. Rogers Spiritoso f I must go down to the seas a-gain, to the lone - ly sea and the sky, :11 I usk in 1 tall shlpand A star to steer_her by, wheelk klcknnd the windk songand the white sails_ shah.-ing, > f Copy;-iglt, llll, by 0. Scbirncr PRICE 60 CENTS NET To Miss Geruldxm’ Farrar The Star . wows. W A fragment from Plato Charles F. Lnnums High. in Db Low ;n B], James H. Rogers -K-5:A* ‘YR: semprv R- - inglhemoth . - er shes, - cqyum. um. by no s.s. meme co. ¢'°m"':M 1'": Mr 0< Selim!" PRICE so cams NE‘! “Loves on the highroad“ F. Dana Burnt! James H Rogers Vivace con anima Voice co,,,r.,u, ma, 3., a. Selina! PRICE so cams NET NEW YORK :-G. SCHIRMER Autumn F. Dana Bum“ James H. Rogers Poco Volcé W Swift-ly, my heart, while {adeslhe sum-me-r rose, qfslulaada Speaklhou or love, ere Youlhand Love growcold! The year hath lurnedher face un - to the ngfslcuhmdo . ‘! PRICE so ceﬁf NET BOSTON : THE BOSTON MUSIC CO. Copyright, IBM, by (I. Sclimtr
Show less

Title: Ye Voices That Arose
Date: 1917
Text: 33 E? E. Phi‘;0mc"i HfV!'4".‘..:',.‘..[\’=. .‘,;21'..-xii. Imsah .M.:~: g>:.;::.»:.x‘E«.:~/4 3V'»'L'J;vv.: mm. mia. -' '“i\‘TIE §_.UL\I¢,2‘v‘?‘1,l.(>'»‘u" j NE;.'w" ‘.‘{"-C’3Ex’i':\?'.: ilH1“s.'“L«, EL ].’9H.'£"fr5*..T!‘A‘-3 éir I.,a.}¢. L'u‘;"§€'I.-‘\u;;a}. ¥..“2’€'.'i>{‘*h {iv §M’i..:X5_."§’ music: LIBRARY VASSA-R COLLEGE YE VOICES, THAT AROSE , 1 - Ye...
Show more33 E? E. Phi‘;0mc"i HfV!'4".‘..:',.‘..[\’=. .‘,;21'..-xii. Imsah .M.:~: g>:.;::.»:.x‘E«.:~/4 3V'»'L'J;vv.: mm. mia. -' '“i\‘TIE §_.UL\I¢,2‘v‘?‘1,l.(>'»‘u" j NE;.'w" ‘.‘{"-C’3Ex’i':\?'.: ilH1“s.'“L«, EL ].’9H.'£"fr5*..T!‘A‘-3 éir I.,a.}¢. L'u‘;"§€'I.-‘\u;;a}. ¥..“2’€'.'i>{‘*h {iv §M’i..:X5_."§’ music: LIBRARY VASSA-R COLLEGE YE VOICES, THAT AROSE , 1 - Ye voices, that arose After the evening/s close, And whispered to my restless heart repose! Go,breathe it in the ear > Of all who doubt and fear, And say to them.,'1Be of good cheer! V’ Ye sounds, so low. and calm, That in the groves of balm V Seemed to me like an ange1’s psahn! Henry I/I/Fzdswort/z _L¢mgfell0w (from the French) 5-’! 50"72079 — 3 From Me Franc/1 mngmaz 311% Al») CECIL BURLEIGH HENRY WADSWORTH LONGFELLOW Op. 32, N0 3 Very slowly; with deep feeling (lg 40 orfslower) FT’! VOICE Ye voi — ces, that a Af'—ter the eve — ninge 2 And Whis—perH to my rest— less heart re — pose! z'ncrea.s*e ‘ —e breathe it ' the ear Of; all who doubt and mcrease -=./' And say to them,__ “Be /X 3?: 5“ Copyright NICMXVTI by Oliver Ditson Company International Copyright Secured 1%’ Ye sounds, so low and calm,.__ = n That in the groves of balm __________ Seem’d to me... like an an — ge1’s ,5: : : " r- Seem’d to me like slower K The Musicians Library The masterpieces OF song and piano literature edited by men of authority SONG ’ VOLUMES ' ISSUED Foi-HIEI1 Voice For Low Voice Ediiedby JAMES HUNEKER Edited by WM. FOSTER APTHORP Edited by HENRY T. FINCK Edited by DR. EBENEZER PROUT Edited by DR. EBENEZER PROUT Edited by WM. FOSTER APTHORP Edited by CARL ARMBRUSTER Edited by HENRY T. FINCK Edited by W. J. HENDERSON Edited by JAMES HUNEKER Edited by JAMES HUNEKER Edited by CARL ARMBRUSTER Edited by CARL ARMBRUSTER Edited by ERNEST NEWMAN Edited by HENRY T. FINCK Edited by DR. CHARLES VINCENT Edited by PHILIP HALE BRAHMS, JOHANNES FORTY SONGS FRANZ, ROBERT FIFTY SONGS GRIEG, EDVARD FIFTY SONGS HANDEL, GEO. F. SONGS AND AIRS HANDEL, GEO. F. SONGS AND AIRS JENSEN, ADOLF FORTY SONGS LISZT, FRANZ ' THIRTY SONGS SCHUBERT, FRANZ FIFTY SONGS SCHUMANN, ROBERT FIFTY SONGS STRAUSS, RICHARD FORTY SONGS TCHA'I'i<OvSi<Y, P. I. FORTY SONGS WAGNER. RICHARD LYRICS I WAGNER, RICHARD LYRICS ii S Iii WOLF, HUGO FIFTY SONGS FIFTY MASTERSONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS VOL. I (BEMBERG TO FRANCK) MODERN FRENCH SONGS VOL. II (GEORGES TO WIDOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (All Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS L II Er III SONGS FROM THE OPERAS IV G V For I‘IIgI\ VOICE For Low Voice Fcrr High Voice For Low Voice For High Voi¢¢ For Low Voica £*.'3v‘.-.$v‘5$v’;:'5v‘.-3 For High Voice For Low Voice For I‘II${I'\ Voice: For Low Voice vi? For High Voirc Ior Law Voice For I*'IIs>,I\ Voice I*'Oi Low Voice For Higiiw Vmcz For I,\Iv/ Vuice Fur I‘II;:Ii VC'iiL‘P, Poi Low \/(JILQ For Soprano Fvt‘ Tenn! For Bunion: and Basis For Hi*,Iw \/OICC For Low Voice For I"I_ii.II Voice For Low Voiuc Fi».— F-I.»,_ii Vote: In): Low \/OlC¢ For HIEII Voice For Low VOIC¢ For High Voicc Fix Low Voice Edited by ' PHILIP HALE {:5 I19 v‘.°*vi':i‘r¢;‘v€-5:’£i.‘zv‘.-f5t‘.:?iv7:t‘iv‘:'5>‘.-E Edited by CECIL SHARP Edited by GRANVILLE BANTOCK Emmi by GRANVILLE BANTOCK Ediied by HELEN HOPEKIRK Edited by JULIEN TIERSOT Edited by WM. ARMS FISHER Ediwd by GRANVILLE BANTOCK Edited by RUPERT HUGHES Fdimi by H. E. KREHBIEL Editedby H. E. KREHBIEL For Medium Voice 8 C For Medium Voice & Fcr HICII \/‘nice For Low Voice For High ‘I/mitt: For Low Voice For Medium \/(MCI! For Hiri.Ii Vcicc for L.0V'\ Vmuz For Medium Voice For I‘Ilf.'II Voice For Law Voice For Sopiisno For IVI¢Z7I)<S0Dl&.I'\O '0.’ A to Far Taiior For Baritone nnd Bun f.-Tv§§t‘!:3ﬁv‘$f$v“;3&% v‘:i‘vv‘:3i‘.°.5is‘.*%v‘;.'5v‘.-.§b‘.:.5i’;‘3i‘:.‘vv‘5 ﬂ iﬁﬁﬁf5§.%$€:§E%€:§&5&%&%&%&¥&%ﬁt§.t§ COMPLETE LIST OF’ PIANO VOLUMES FREE ON REQUEST Each vOIume in heavy paper, CIO[I'1 back, $150; in FLIII CIOtI’i,. giit, $2.50. Copies maiIecI post-paid. Other vOIumes in preparation For Free bOOkIet, giving Full particulars and Easy Payriient Plan, send to the pubIisI1erS % OLIVER DITSON COMPANY" BOSTON
Show less

Title: I Heard the Trialing Garments of the Night
Date: 1917
Text: Muuc Lnnnnv VASSAR COLLEGE pouomtm-sot. um vonu SONGS BY Philomel (WILLIAM SHAKSPERE) High voice, in B Medium voiczz, in D‘- The sea hath its pearis {HEINRICH HEINE) Medium voice. in F Low voice. in D%' Ye Voices, that arose {HENRY WADSWORTH LONGFELLOW) High voice, in A7 Low voice, in E I heard the trailing garments of the night (HI?.NP.Y' WADSWORTH LONGFFLLOW) High wnice. in D mm. Low \’(‘\1<‘f', in B min‘ ‘Itnuun The lighthouse (HENRY WADSWORTH LONGFELLOVV) High voice, in...
Show moreMuuc Lnnnnv VASSAR COLLEGE pouomtm-sot. um vonu SONGS BY Philomel (WILLIAM SHAKSPERE) High voice, in B Medium voiczz, in D‘- The sea hath its pearis {HEINRICH HEINE) Medium voice. in F Low voice. in D%' Ye Voices, that arose {HENRY WADSWORTH LONGFELLOW) High voice, in A7 Low voice, in E I heard the trailing garments of the night (HI?.NP.Y' WADSWORTH LONGFFLLOW) High wnice. in D mm. Low \’(‘\1<‘f', in B min‘ ‘Itnuun The lighthouse (HENRY WADSWORTH LONGFELLOVV) High voice, in E9 Low voice. in C BOSTON: OLIVER DITSON COMPANY NEW YORK: CHAS. H. DITSON & CO. CHICAGO: LYON & HEALY I HEARD THE TRAILING GARMENTS OF THE NIGHT (J) HENRY WADSW-‘ORTH LONGFELLOW '0”g?”“’ K‘/‘W Tranquilly (J : 63) V O I C E the trail — ing gar - ments of increase -e-— f‘ %. Zi Copyright MCMXVII by Oliver Ditson Company International Copyright Secured CECIL BURLEIGH Op. 32, No 4 10 5450-72081-3 saw her sa - ble skirts all fringed with T light, .5‘/zgﬁf/g /'efarzl grarlmzlly (Hm. ',__ fringed with ' __ From the ce _ les _ tial Walls! slag/ally refard gradually . — 9 q{»'\______,,/ Feb im-rea.s-e sf felt her pres - ence, by its” increase ()— ‘U3 5—150—72081 -3 2'02’!/2 breadflz #‘#,/f The calm, ma—jes — tic wit/z bread!/2 > dim. and net. pres —- ence F gradually dim. and rel‘. E 9% :'1~150-72081-8 The Musicians Library The masterpieces OF Song and piano literature edited by men of authority BRAHMS, JOHANNES FRANZ, ROBERT GRIEG, EDVARD HANDEL, GEO. F. HANDEL, GEO. F. JENSEN, ADOLF LISZT, FRANZ FORTY SONGS FIFTY SONGS FIFTY SONGS SONGS AND AIRS SONGS AND AIRS FORTY SONGS THIRTY SONGS For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low VOIC¢ For High Voice For Low Voiu For High Voice For Low Voice For High Voicc SONG ‘VOLUMES ' ISSUED Edited by Edited by Edited by Edited by Edited by Edited by Edited by JAMES HUNEKER WM. FOSTER APTHORP HENRY T. FINCK DR. EBENEZER PROUT DR. EBENEZER PROUT WM. FOSTER APTHORP CARL ARMBRUSTER For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice SCHUBERT, FRANZ SCHUMANN, ROBERT STRAUSS, RICHARD TCHA'I'I<OvSI<Y, P. I. WAGNER, RICHARD WAGNER, RICHARD WOLF, HUGO FIFTY MASTERSONCS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS (BEMBBRG TO FRANCK) MODERN FRENCH SONGS (GEORGES TO WI DOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (All Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS SONGS FROM THE OPERAS FIFTY SONGS FIFTY SONGS FORTY SONGS FORTY SONGS LYRICS I LYRICS II fr III FIFTY SONGS Edited by HENRY T. FINCK W. J. HENDERSON JAMES HUNEKER JAMES HUNEKER CARL ARMBRUSTER CARL ARMBRUSTER ERNEST NEWMAN HENRY T. FINCK DR. CHARLES VINCENT PHILIP HALE Edited by Edited by Edited by Edited by For Soprano For Tenor For BIFIIOHK and Bins For High Voice For Low Voice For High Voice For Low Voice For High Voice I‘or Low VOICC For High Voice For Low Voicc Edited by Edited by Edited by Edited by 3‘a“vn?v¢$f;'5&%¢$€a‘vv‘.-%€“:3f.~%»‘;'5n‘;'5f$fz%f.‘%f;%ﬁ VOL 1 Edited by VOL. II Edited by PHILIP HALE 3 For High VOICI For Low Voice For Medium Voice Edited by CECIL SHARP GRANVILLE BANTOCK GRANVILLE BANTOCK HELEN HOPEKIRK JULIEN TIERSOT WM. ARMS FISHER GRANVILLE BANTOCK RUPERT HUGHES H. E.i<REHBIEL H. E. KREHBIEL For Medium VOICI Edited by For High Voice For Low Voicc For High Voice F or Low Voice Edited by Edited by For Medium Voicz Edited by For High VOICC For Low Voice Edited by For Medium Voice Edited by I52? E3 I532: Edim’ 5)’ For Soprano For Mezzo-Soprano For Alto I. II Erlll IVf7V Edited by For Tenor For BAHIODO and Btu v‘:i‘vv’z'5v1-.5v‘5v..‘-‘vv‘:‘rv‘.i?vv‘.*$>‘;5v“.*.¥ V3 ﬁZ5ﬁif:3v‘a‘vv?:v?:%€;5€;%&¥v‘.‘5v‘.’vf;%vZ;%i1z%v‘:.%fx$»?:§ Edited by COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST Each volume in heavy paper, Cloth back, $l.50; in Full Cloth, gilt, $2.50. Copies mailed post»paid. Other volumes in preparation For Free booklet, giving full particulars and Easy Payment Plan, send to the publishers 4! OLIVER DITSON COMPANY‘ BOSTON <2‘
Show less

Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: 1917
Text: ~69 Roy F]. Kile. Price 60 ceﬁf. Hmos, HAYDEN at ELDREDGEJNC. PUBLISHERS, NEWYORK CITY. uunc unnnv VASSAR COLLEGI The Sea hath its Pearls The sea hath its pearls, The heav’n hath its stars-, But my heart, my heart My heart hath its love. Great are the sea and the heavh; Yet greater is my heart, And fairer then pearls and stars Flashes and beams my love. Thou little , youthful maiden, Come unto my great heart; My heart, and the sea, and the heav’n Are melting away with love! HENRY W....
Show more~69 Roy F]. Kile. Price 60 ceﬁf. Hmos, HAYDEN at ELDREDGEJNC. PUBLISHERS, NEWYORK CITY. uunc unnnv VASSAR COLLEGI The Sea hath its Pearls The sea hath its pearls, The heav’n hath its stars-, But my heart, my heart My heart hath its love. Great are the sea and the heavh; Yet greater is my heart, And fairer then pearls and stars Flashes and beams my love. Thou little , youthful maiden, Come unto my great heart; My heart, and the sea, and the heav’n Are melting away with love! HENRY W. LONGFELLOW Thé Sea hath its Pearls HENRY W. LONGFELLOW trans. from the German of HEINRICH HEINE Andante e quieto The sea hath its pearls, Copyright, 1917, by Hinds, Hayden & Eldredge, Inc. International Copyright Secured LE ROY M. RILE The heav’n hath its L’istesso tempo Great are the sea and the heav’n;_._____ great — er is.. my ‘ /./-\ And fair — er than pearls and stars F1ash- es and beams my molto rail. e dim. con tenerezza Thou 1it—t1e, youth—fu1 maid — en, Come un—to my great calla 12000 and the sea, and the -L accel. ing a —Way with love! #3 cresc. ed accel. T F; NEW SONGS YOU WILL ENJOY SINGING Norah, the Pride of Kildafe, By CH As, BURNHAM_ A 71 Irish xong that isfar above I/ze a'z/erage— esﬁecialbr in its musical setting. 10 Moderato. ,-.~. As charm-ing as Flo -ra, Is beauteous young Norah; The joy ‘of my heart and the Pride of Kil-dare; I ne'er would deceive her, For Z"" /“T‘_""'$ /‘—j"""'j-5 ’-‘I /- :1 Copyright, 1914, by Hume, NOBI.E & ELDREDGE. International Copyright Secured. . - , 7 - A ' 1 (H 52’ fit! 5 a" ' Garden Song, Words by MRS. EDMUND H. SEARS. Music by E. R. KROLGER, Op. 83, No. 1. g t%:‘I’:£’/ll./;‘(:‘ﬂ]:;,‘ﬁt‘;,l:‘é"0’:,“]Z ::.’n-3:): :1,- mf Allegretto vivo. 1 .\ M79 A lil - y in the gar-den Had a St:c1'et with the bee, A se-cret quaint and ten-der That they would not tell to me! .... .. But the /‘\ \ / . _ Copyright, 1914, by Hmns, Noam 6; Ennmmen. International Copyright Secured. A Southern Lullaby. By ROBERT HUNTINGTON TERRY. A omoz’z_'fu[ little so7zg—one you will moor tz'7/e of. Very slow. de hon-ey-suck-les climbin’ roun de do’, ' de mn- sic is a chim-in’ soft and low, An’ de twi-light skies is gleamin’, An’ de Copyright, 1915, by Hmns, NOBLE & ELDREDGE. International Copyright Secured. The Lord My Shepherd Is. By THEO. H. NORTHRUI’. /1 sow/ca’ Solo of comﬁelling z'1z[e7/est for medzom voice. Andante Religioso. The Lord my shepherd is, my ten-der, gracious guide, To past-ures green, He leads me, wa—ters still be- side. I shall not want, _ L___:___g Copyright, 1914, by Hmvs, NOBLE & ELDREIMSE. International Copyright Secured, ’Twixt Daylight and Dark, Words by FLORENCE PITT—HYKE. Music by E. R. KROEGER, Op. 83, No. 3. {‘4$:“?€’Zf:_7[n~::’:‘:"i”£0J(“” “«’1’9m'5‘ 10 _ jmf : I- *h'’. .:'‘I‘. 5 ' wr- -IAH a I- - = ‘ ' :' - _—z”._ It's the hour when the pur-ple shad-ows fall, Long, from the shin - ing I I j I = . l I _.:_ 1. 19 4 0 0 . I \_.JT Copyright. 1914, by HINDS, NOBLE 6:. ELDREDGE. International Copyright; Secured, . I Carried in stock and for sale by music dealers everywhere. Ask your dealer to show you the Hinds, Hayden & Eldredge, Inc... educational catalog. If interested in other I grades of piano music, Songs or Violin and Piano numbers, write for descriptive and thematic catalogs to Hinds. Hayden 8; Eldredge, |nc., Publishers, ll Union Sq. West, New York. I
Show less

Title: Stars of the Summer Night
Date: 1917
Text: HUSIC LIIHANY \l‘S$Aﬁ c I’ C0me,Wander‘ing Sheep10h,C0|'ne! ...... SACRED SONG.. .......... .. Pr: 60¢ F Words by Luis de Gongora yArgote. . Grief and Joy. ................................................................................................. .. Pr. 50¢ c- Words by Frances Stone Mason. . Why? r....(wr-xv CAME THE ROSE.) ...................................................... 7’ Pr. 50¢ G 4. 5. ‘ﬂﬁ 6. 7. Words by Mat“)/[Louise Ritter. Good Night, My Dearest Love .... ..(LOVE‘S...
Show moreHUSIC LIIHANY \l‘S$Aﬁ c I’ C0me,Wander‘ing Sheep10h,C0|'ne! ...... SACRED SONG.. .......... .. Pr: 60¢ F Words by Luis de Gongora yArgote. . Grief and Joy. ................................................................................................. .. Pr. 50¢ c- Words by Frances Stone Mason. . Why? r....(wr-xv CAME THE ROSE.) ...................................................... 7’ Pr. 50¢ G 4. 5. ‘ﬂﬁ 6. 7. Words by Mat“)/[Louise Ritter. Good Night, My Dearest Love .... ..(LOVE‘S SERENADE) .... ..Pr.60¢ Bb Words by Frances Stone Mason. Night. .. _ .. _. Words by Henry W. Longfel low. Little Rose Upon my Heart... . ......... ...... ............................... _.Pr. 50¢ Ev Words by Vlrgnma l.Bidd|e.. Ninnerella. .......... .(SLUMBER SONG; ...................................................... .,Pn50¢ AV Wordsby rancesstone-Mason. Fri)“ ¢ Stars ofthe Summer 1 Ab EDWARD SCHU BE RTH 8: CO., NEW vo'm<, LONDON, n EAST 222 s: 2 smre YARD,CAREY S1’ Stars of the Summer Night! Serenade Words by HENRY W. LONGFELLOW LE ROY M. RILE fI'om“The Spanish Student” ' Allegretto Voice 7/mrcato la melodia my 1" A Stars of the sum-mer /‘X * {'T\ I 3 7n0 . .- W4’. 2 Vt’ :19»/1’ _ \___}/ Far 1n yon a - zure deeps,#__? 2 LA. 2 3°23. ate . ‘fa esc- 6'op_y7'z’ght, 1.917, by Edward Schubert/z (5 6'0. E.S.& Co-4313-4 New York, EDWARD SCHUBERTH & C0,, 11 East 22I1d Street dim. Hide,hide your gold — light! She sleeps! My la - dy sleeps!” €..__2 .421/\ /1 ‘E23. 91% Q23. 9% 3 gf 2%‘ tfvf 2 Moon of the sum-mer night! Far down yon west - ern .3 9%‘ /’4e”' 7% Sink, sink in sil-ver light! ._ She sleeps! My‘ la - dy {-\ TD calla voce i°eb.9!é !3‘S.& C0. 4313-4 Fold, fold thy pin - ions tranquillo s1eeps!My -dy sleeps! 9. E.S.& Co.4313—4 age mp he slee bi Pi1‘1 mosso ed agitate la.-dy 17 Wind of the sum-mer sleeps! S1eeps!_ melo aim marcato Ma Dreams of the summer night! __ Tell her,her 1ov—er keeps Watc __ /#4:: : J- e§é ﬁn . mftardando 2°23. while in slum-ber light She sleeps! y la - dy f2\ 2 2 ‘£23. ﬁe (1 tempo 1.. mmesso dz’ @cb.V-ﬁe eeps! sleeps! ms. a tempo 199 ﬁn E.S.& C0. 4313-4 Select Parlor Songs. Memory’s Dream, by Marie Donavin; Higbvorce, LowVoice,Pr.50"ea.ch. mf Mogeratp. _ K _ “ J‘ 3' J‘: J1 él I. .ll ." 5' I 9 . ' b I — . v .I1 I . _ . ‘ night with its - What. sweet-ervthztn throbs in my breast, 10VeA This K L j I l\ |\ - I - e ‘ . I . - I -. B I" I 5' - I v ' 3 5'’ I 4" -“~ . long-ing to clasp on - y I This ' I . Ah! sweet-er by farywas the hour, love, When naught but we two seemed to Uopyrigr/zt, 4899, by Edward Sclmberth at 00. Song from Pippa Passes, by Natalie Curtis,-Pr.5o6: b - . « V /.1 . K ‘II ,1 I\ I\ I ‘I I1 I ‘ C U rs at the Spring,_.__._._ dim." _ i I ' I F‘ ' ' I F H I’ ' ’~_ I‘ I V . I . I I I ~ V I ' I’! I The hill-side’s dew - pearled, I - " __; ' ~ A God‘s in his heew- n,All’s ' 0032]/rig/zt, 18.9.9, by Edward Scfzubertlt & 6'0. - . P I I Were I a Star by Arthur Nevin Pr. 400. . . . . 7,W|./ eelz;cg my slzgbtly dgzta |'\ ‘— El’ H 4 I. .g S A I I’ it Were 1. 5». star, I’d shine for Ibee 'a-1o‘ e, rose, I’d bloom,I’d bl . Ahd '1 would vi»-br|a.te._ through Ithy pugiz‘/2 g(rs?;‘k”V#nzp pm _ , K _ 04 I\\ I\\ I I I9 -4 ﬁ ﬂ 3 I . - I\I '1’-\ , 5' 2 I 4 n ] I l A A '4 I 1 II II ‘ ‘ "' Q 3 I . I II 7 PI' ' L I! It It ‘I II 17 U {P I I i «'14 I ' I I 1/ tone.’ VVere I -‘a dream, VI wziuld ht- tend thy Isleep; A I II Ir) a I! II II I1 I] ll 5 . V I’ Y . V ‘ At thy a~wak-ing. could I change to love, I’d heart, Were I Copyright, 18.92 by Edward ;S’c}mbe7*tIL& .01). iv thee all I cm no in . .’ 0 I I gndantekcoxjfespregsilone. Ore’ by P Schn ‘40" a‘ffrez‘z‘o - /nI'\ IL [I l“'l\A’l II V ﬂu, ' - I I I IJ na I):- ‘I |\ I I I K I give thee all, I can no_ 1rF)r/ca, Though poor the off-’ring he; My heart and lute are all the store That I can bring to thee: !l_?’87N_]70 / I I molw cresc._[/’ dim. e‘c're.<1:c. E ‘pp! 7 I .=*.v“~.l~.~§Ig"E.«"JEa'r.n_ -we 3 4' lute, whose gen-tle song re - veals The soul of love full well, Ami bet — ter far, a._ heart that feels Much more than lute could tell. 6’01u_1/rig/Lt, 18.98, by Edwdrd.Sc/Lubertlz dc’: 00. l I 1 I I I II I ' I). A‘ I II 11 J II III I II I I J I l F’ H. lI77J~ C I .d- A’ .d- I I’ go I. -1 I — v v 1 I I F K I 1 . K K \ I Maiden yivligh the Lips so rosy, by Marie Donavin, H.500. a 1 . ' ' f } I I ‘ } I I I I - I I 1/ v 5 f -‘ .’. -' .3 . F -‘f -L l A‘ I J A Mvzti-den, wvith the lips so_; - ‘ ' n with the nrut - br\oI'Ir/n hair; L s—ten to my plead-ing, HeztI'~lreII it fg/Lﬂ? . ' > ’ ' [ 3 a . P’ 3 J Li a 3 3-} 5 9 J5 J I J 2 3' I. E. II U V ' 4) I 4 I I J V I 'L I I I I I Mini-rlemwith the eyes sh: sau — cy; M'ali-den,‘with the sinile di‘ - vine; Ah! hut let me tell thee That 11 zIm tru-ly thine; C’op,yr2'g}zz‘, 18.98, by Edward Sc/mberz‘/L c% 00. H I I I I’ 1 I I . I "r 'l 4 I - .. I I7 I P F’ In ‘ 1 I little Voice, by Jessie L.Pease, P1240“. /I . AJ1d3.I1tx€.. I /$_ I Ifr ) I I I 1 4:1”! I l I I I I I- L I - 3 0 ,4 I a V 1' - A II! 4l‘(l I I I I I I =Il| r /'12‘. K I I I I I I I I 1 I Once I heard a. ' lit-tle voice, Mer-ry May; re-joice,”_ Now - I F I I I I I I I I I I C I K ' I I I I I\ I I .' F . I P -‘ ,2 I i’ I ‘ I ‘L I I I V I l_ . it ' was, and ver - y clear, Chas-mg ev-lry thought of pain. . Sum-mer! shall av- er —lIea1~, Such a_voice a. - gain. 0o;0_z/rig/at, 18.98, by Edward Sclmberzfb at 00. I I I I I I C 4 - % A My fair neighbors window-curtain, by Albert Robert, Pr./I06’. it Allegretto. _ . » _ K I ‘ if n 1 I\ IN I I I I} A 1 Li 1') K I I K - I A J I K I I P? Q: I I I I “ J '. l..-_..I‘:-..-.L« » _ 4 - 4.» -‘~ ~ . .4. ,‘n = : I’ V = 5" 4 ,, ﬂhly f:tirAI1Ze]ig'h-bor's wizi - dew - cur - tain Mov-eth ’ ' am‘ cer - tain, In a. mo- ment more ._ pzu _ legro — ’ K I\ I I‘ " I II J 7 l “ — ' o I I I . I I I ' I I Ir’ '17’ I I y ‘y ' ' » Ahlher case-ment o-pens wide - ly, My heart is _ now beat-ing high;_ '/Does, she know, per—haps, that, i - dly, All her ' 001/vg/rigid,18.96§b_g/EdwdrdSc/mb-en‘); «E 00;. If‘ I Werebut a little flower, by P. A.Schnecker, B12500. I dgnte con espressione.rz't.:,_\ 72¢’ 1} f6’72?¥70 _ /, . paw Ha‘. I H D I I I 0 K C I I I‘ I U ' I U A ~ A I\ I 4' I’ I J ' ' w I v I If I were but 8; lit - tle flower, I’d for you.__ The sweet-e per— fume in.,_ m . ar -am n e pow decal. e crlesc. wnpassw Le >[$§ , 3 t _ I I . -. : I ﬁ "H" ‘ HI: I I r I I ’ 7 If ' I (3 u‘ - ‘ad I J vel- vet soft, by sun—light tressed, In daint-Vy clol - 0 s ' ' sin-glre hour Copyright, 1899, by Edward Schubert}; & 6'0. In Dreams, b'Art‘hur Nevin’, H.400. dante af ett-UOSO, I — ‘ \ K g?vg5-0. : T I I J I F I _ - I I\ I\ I\ I-‘ l'.I. -'1' ri. ,v 2 --“—.«”a>->;' 4 II I I Me thought as sleep- ing, I saw my lov’d one ly-ing de:td!_ And when Bit - terwere the tears I I I I I I K I_J_ I I I \| I I0 d- III- T V I e‘ - II was sleep-ing, My love had gone :1.- .- I 3 I I I ' ‘ Me thought as _I Cop]/rig/rt, 18.9.9, by Edward Sc/mbert/z ’& 00. Forﬂwie by all Ilfusic-Dewlem NEW VORKEDWAXRIID S6,:/III_‘II,II-I/|BEnMRI‘1I.£H&‘);@@-4, ll EAST 229' ST. E Piéblis/zers (E ]m}707‘i€7‘.§.
Show less

Title: Allah
Date: 1917
Text: ,__ uusuc uunnv / 8 , vussm COLLEGE L. 5% rououxzcrsut. NEW "°'“‘ \/IIASQ. ‘ ~« I W is S w‘»' 63 (7 L??? 2 ﬂ -"9 ‘.‘,.l O a «D ' ‘ 4. be §« 2 %' SONGS BY ) ($70 0 HERIVIANN VVEIL ALj___Al_-_L_, .50 HIGH VOICE“ IN A MEDIUM VOICE, IN GI? B SOMEWHERE I KNOW .40 HIGH VOICE, IN GI» LOW VOICE, IN Eb Boston: OLIVER DITSON COMPANY New York: CHAS. H. DITSON :7 co. Chicago: LYON 5, HEALY b I D? 0 /4“ .9 .. I °°Z I “ ”-?=_Q. 6%) * .§.-- * ° ‘\ &‘ 9 Z (5 Inga‘ f \ Q ‘ 2,...
Show more,__ uusuc uunnv / 8 , vussm COLLEGE L. 5% rououxzcrsut. NEW "°'“‘ \/IIASQ. ‘ ~« I W is S w‘»' 63 (7 L??? 2 ﬂ -"9 ‘.‘,.l O a «D ' ‘ 4. be §« 2 %' SONGS BY ) ($70 0 HERIVIANN VVEIL ALj___Al_-_L_, .50 HIGH VOICE“ IN A MEDIUM VOICE, IN GI? B SOMEWHERE I KNOW .40 HIGH VOICE, IN GI» LOW VOICE, IN Eb Boston: OLIVER DITSON COMPANY New York: CHAS. H. DITSON :7 co. Chicago: LYON 5, HEALY b I D? 0 /4“ .9 .. I °°Z I “ ”-?=_Q. 6%) * .§.-- * ° ‘\ &‘ 9 Z (5 Inga‘ f \ Q ‘ 2, 0 A d 0 89 i To Julia U1/1}) ALLAH From the German Of V /0rzgim1/ Key. A) Siegfried August Mahlmann by HERMANN WEIL HENRY WADSWORTII LONGFELLOW Broadly . f — lah gives light in dark-ness, lah gives rest ' Cheeks_ that are white with Al - lah paints red Copyright MCMXVH by Oliver Difson Qompany hnternationtil Coﬁyfight Secu ma 5_ M4_.,w,n _3 I0 fIow’rs and the. b1os—so1ns all‘ with - er, I Years van—i:sh with fly — ing °rJ will live on for 7'22‘. . L I7 v in an~guish beat. Glad — 1y to Al — lah’s, 7' ‘t - Q, r- 5- 14471821-8 dwell — ing Yon—der would I {IT .1?" There_._ will the dank — ness . — ish, There will my eyes “T rit. L 5-144-71821-3 §EThe Musicians Library The masterpieces of song and piano literature edited by men of authority SONG ' VOLUMES ' ISSUED For High ‘cc For Low ice Edited by JAMES HUNEKER Edited by WM. FOSTER APTHORP Edited by HENRY T. FINCK Edited by DR. EBENEZER PROUT Edited by DR. EBENEZER PROUT Edited by VVM. FOSTER APTHORP Edited by CARL ARMBRUSTER Edited by HENRY T. FINCK Edited by XAVER SCHARVVENKA Edited by JAMES HUNEKER Edited by JAMES HUNEKER Edited by CARL ARMBRUSTER Edited by CARL ARMBRUSTER Edited by ERNEST NEWMAN Edited by HENRY T. FINCK Edited by DR. CHARLES VINCENT Edited by PHILIP HALE Edited by BRAHMS, JOHANNES FORTY SONGS FRANZ, ROBERT FIFTY SONGS GRIEG, EDVARD FIFTY SONGS HANDEL, GEO. F. SONGS AND AIRS HANDEL, GEO. F. SONGS AND AIRS JENSEN, ADOLF FORTY SONGS LISZT, FRANZ THIRTY SONGS SCHUBERT, FRANZ FIFTY SONGS SCHUMANN, ROBERT FIFTY SONGS STRAUSS, RICHARD FORTY SONGS TCHAIKOVSKY, P. I. FORTY SONGS WAGNER, RICHARD LYRICS I WAGNER, RICHARD LYRICS II gr III WOLF, HUGO FIFTY SONGS FIFTY MASTERSONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS VOL. I (BEMBERG TO FRANCK) MODERN FRENCH SONGS I VOL. II (GEORGES TO WIDOR) ONE HUNDRED FOLKSONGS ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS I, II fr III SONGS FROM THE OPERAS IV ér V For Hi Voice For L Voice v‘z%v‘.~3 For Hi Voice For L Voice vi: For High Voice For Low Voice High Voice Low Voice For Hi Voice For L Voice For Hi Voice For L Voice For High Voice For Low Voice v‘;%v‘z‘«‘%v‘.-3v‘;3v‘;%%.%v‘.~3€.-? For High Voice For Low Voice For High Voice For Low Voice v‘.-'3v‘.~% For Soprano v‘.-3 For Tenor For Baritone and Bass For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Hi Voice For L Voice For High Voice For Low Voice ‘L ‘D ‘S 48 45 48 CL 48 CL 48 45 CL 48 48 CL ‘L >3 )3: by no )3 up 3;: u: by by by by v.-.v at :3 by F°t Medium Voice Edited by GRANVILLE BANTOCK Edited by GRANVILLE BANTOCK Edited by HELEN HOPEKIRK Edited by J ULIEN TIERSOT For High be For Low 'ce ﬂ For High ca For Low 'ce For Medium Voice For Medium Voice Edited by GRANVILLE BANTOCK For High ‘ce For Low 'ce Edited by RUPERT HUGHES Edited by H. E. KREHBIEL Edited by H. E. KREHBIEL For Soprano For Mezz —Soprano For Tenor For Baritone and Bass 5 ¢°.<v‘$v‘:I‘vv‘..-'5i:%>‘.-%v‘;%v‘..°%v‘;%v1.-%&%v‘:3v1.'%v‘;% v‘g‘i¢-.'4v‘.°%v‘.-iv‘.-%v‘;% Each volume in heavy paper, cloth back, $1.50; in Full cloth, pilt, $2.50. Copies mailed postepaid. Other volumes in preparation. For free booklet, giving Full particulars, send to the publishers. =°-‘OLIVER DITSON COMPANY ° BOSTON
Show less

Title: Curfew
Date: 1917
Text: MUSIC LIBRARY ASSA COLLEGE Q5132 iubn Qtburnb Qlinmpanp (Einzinnati ﬁetn Earl: Jlonhnn Qauartets ant Qtijutuses’ for ﬁilixeh ’9ui£e5——§2:uIar Ilr--= --- 3B92554~15¢‘ ‘Wan jliﬂary ilaelen iﬁruinn ||jI+tmnm4.od be Columbia, we hail . . . . . . . . . . . . . . .Donizett Kisses . . . . . . . . . . . . . . . . . . . . . . . . . . Armstrong Mandalay (Baritone solo) . . . . . . . .Damrosch Mighty lak’a rose (Soprano solo) . . . . . .Nevin Sweetest ﬂower . . . . . . . . . . . . . . . . . . ..Hawley...
Show moreMUSIC LIBRARY ASSA COLLEGE Q5132 iubn Qtburnb Qlinmpanp (Einzinnati ﬁetn Earl: Jlonhnn Qauartets ant Qtijutuses’ for ﬁilixeh ’9ui£e5——§2:uIar Ilr--= --- 3B92554~15¢‘ ‘Wan jliﬂary ilaelen iﬁruinn ||jI+tmnm4.od be Columbia, we hail . . . . . . . . . . . . . . .Donizett Kisses . . . . . . . . . . . . . . . . . . . . . . . . . . Armstrong Mandalay (Baritone solo) . . . . . . . .Damrosch Mighty lak’a rose (Soprano solo) . . . . . .Nevin Sweetest ﬂower . . . . . . . . . . . . . . . . . . ..Hawley In May time . . . . . . . . . . . . . . . . . . . . . . . .Speaks When Mabel sings . . . . . . . . . . . . . . . . . .Speaks Lover and his lass . . . . . . . . . . . . . . . . . .Haw1ey Sleeping why now sleeping . . . . . . . . . . Browne Tell me, ye winged . . . . . . . . . . . . . . . .Heinrich Death and Life . . . . . . . . . . . . . . . . . . . . .Browne Venetian serenade . . . . . . . . . . . . . . . . . .Speaks Stars of the summer . . . . . . . . . . . .Woodbury Night has a thousand . . . . . . . . . . . . . .Pontius Night witchery vocal Waltzes . . . . . . . . . .Boex Washington, beloved . . . . . . . . . . . . . . deKoven Lark now heaves . . . . . . . . . . . . . . . . . . . .Parker Time of maying . . . . . . . . . . . . . . . . .Hammond Awake, arise . . . . . . . . . . . . . . . . . . . .Hawthome Over the snow (Unison) . . . . . . . .Hawthorne Snowflakes (Three parts) . . . . . . . .Hawthorne Call of spring . . . . . . . . . . . . . . . . . . . . ..Hawley Mammy’s lullaby . . . . . . . . . . . .Dvorak-Spross Star spangled banner . . . . , . . . . . . . . . . . . .Key Columbia, gem of the ocean . . . . . . . . . .Shaw America . . . . . . . . . . . . . . . . . . . . . . . . . . . .Smith Nymph and Swain . . . . . . . . . . . . . . . . Barrett Sacrifice . . . . . . . . . . . . . . . . . . . . . . . . . . .Walling Sunrise . . . . . . . . . . . . . . . . . . . . . . . . . . . .Taneyef Autumn . . . . . . . . . . . . . . . . . . . . . . Grechaninof Chorus and Dance of the Reapers, Tschaikowsky Spring Chorus . . . . . . . . . . . . . . . . .Saint-Saens Chorus of the Philistines (sextette) Saint-Saens Lindy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Spross The Village Blacksmith . . . . . . o . . . . .Berwald Curfew . . . . . . . . . . . . . . . . . . . . . ..M. H. Brown D In the forest o'er the meadows. .Hammond Longing for summer . . . . . . . . . . . .Hammond i g > Curfew HENRY W. LONGFELLOW MARY HELEN BROWN I Andante sostenuto ptranquillo Sol- em - ly, mourn - ful — ly, Andante sostenuto J::56 Ptra.n uillo . can Pcdale Deal- ing its dole, The Cur - few Bell is be - g‘in~ning' to toll, Copyright, MCMXVII, by The John Church Company International Copyright [7 Cov - er the em-bets, And put out ‘the light; Toil comes with the morn ~ing',And rest with the night. > > mp Dark. grow the win ~ dows And ding___ dong, ding__ dong, ding.____________ dong, ding._. dong, ding__ dong, ding___________,_ dong, . --='—‘=‘_"'_. 3'3‘-—='==-19 quench’d is the fire; Sound fades in- to si-lence, A11 foot— steps re-tire. ding‘.____________ dong',.___ ding‘ dong, ding'.____.__._ dong‘, - dong, voice in the chambers,No pow rall. sound in the hall! Sleep and ob-liv-E - on Reign o—ver all 4"-7':-* jzoco rall. ding» --¢oco rall. ding, oco rall. dong, jzoco rall. Allegretto con brio > > book is com-plet-ed And > > book is com-plet—‘ed. And Allegretto con brio (J-: 76) > /. c1osed,like t e day; > > c1osed,11 e the day; L-> hand that has writ—ten it lays it a - way, 'ng hand that has writ-ten it lays it a-way, dmg poco rit. > L-— dong‘. . >p0co rit. a temﬁov/_zf' dong. The book is complv .And closed like the day; pom rit. >‘ L- dong.!___ >g>0c0 rzt. . dong. /‘T a temﬁo .t. _ . ﬁoco rz P \ 5 book is com-ple» .And closed, like the --1"“ n£l!!l_1!:!g. 5-‘.i.‘ ii book is com-ple-ted,And . a/Iemﬁo . 1, 15000 rzt. _:______ closedlike the day; closedliketheday; ding 19; pow rit. a tcmjw (:- ClOS€;d like [>060 rit. _% “"110 like the day; day {taco rit. closed like }9¢ocoi rit. 17829 - 5 pizi lento cresc. dong And the hand that has Writ - ten it M12 lento cresc. L day ding ding, dong- £12 le to cresc. dong ding‘ ding‘, dong_._.____ pm lento cresc. ding‘ ding, dong. 4:122 lento oresc. , Dim grow its fan-cies;. For -. g‘ot- ten they lie; P -___—_i__, — ding__..__: ding, ding',dong‘ >19--..—_:_-’___ 2.2:. -o 1... ding‘______ dong_;.______ Like 19 -——--:4 1.. --i .2- 17829 - 6 pm mosso — ding _____. 1'12 moss ding ‘ ding 1712-iu mosso coals in 1’ piil mosso : ding ding — ding dong > ding CTIJSC. dong (7'L’S(. ) CTBSC. dong L ding dong dong the ash- es They dark-en and die. dong agitato C7’¢’Sl‘. e acccl. Song sinks in - to si- lence,The crest. e arccl. ding crest. e accel. ding agi tato to si-1ence,The Song sinks. in - cresae accel. ding > lungn K.‘ stgntando dong‘, The lunga stentando’ in: m is told) The unga /3 to - ry stenttmdo d dong The stvntando 1“”é"' 3 f.\ cf is told , The lunga f.\ sto - ry \ lunga A . tiecla ma to win—dows are derlamato win—dows are dvrlamato win—dows are dvclamato win- dows are dark - en’d > dark - en’d > dark - en’d > dark - en’d. - \ 11 meno mosso 7'.’/f The memo mossoj The The men0_ M-0850‘ f 50}: enfasi cresc- X“ can enfasi hearth— stone can enfasi hearth—stone_ ' can enfasz hearth-stone ' can enfasi hearth-stone ' \.« ﬁstentando - Tempo primo Tempo primo ~rit.e dim. ' L- P’ If > 8. -It-Hold two bars with Ped. mm corda I’ Sleep and ob-liv-i — on He tranquillo pp Dark-er and dark-er The black shad-ows fall; ding, molto tranquillo _ 1,}, Dark- er and dark—er The black shad-ows fail; . ding, Vmelto tranquillo. 117829 - Z6 ' dccrvsc. Reign 0 — ver all dur r1’S(.. V ding })dvrrv.s‘(. 9) sleep and ob -liv — i - on d ccresc. ding, rall. (11 fine 0- ver Reig‘n.__._____.. rall. al fine dong, rall.al fine Reign 0 - ver all rall. al fine 1, dong Reign 0 — ver 13 j217_a nissimo ¢0ssibile i. all._..._.___..._ pianissimo possibile —: i=- , all . z 1 mo ossibilc :19 P .311-. . zamsmmo all. j>2'am'ssz'mo possibilc German, French and Italian Song’ Classics HORATIO PARKER Vol. 1. Soprano Vol. 2. Alto Vol. 3. Tenor V01. 4. Bass These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large and ever increasing class of earnest aspirants to true artistry. The songs are presented always with the original text in order that their full ﬂavor and signiﬁcance may be preserved, and because a poem which does not suffer by translation is a thing hardly con- ceivable. ’ Students and teachers as well, should remember that of these noble songs each is an earnest of like treasures which will reward any diligent seeker in the ﬁelds represented by the collections now offered for their use and guidance. The following composers are represented in the collection: Adam Chaminade Hahn Massenet Sarti Bach Delibes Handel Mendelssohn Scarlatti Beethoven Del1’Acqua D’Hardelot Mililotti Schubert Bernberg Dubois Haydn Mozart Schumann Bizet Durante Holmes Paladilhe Strauss Bononcini Faure Jensen Pergolese Thome Brahms Franck Legrenzi Pierne Tosti Caccini Franz Loewe Raﬁ‘ Vidal Caldara Giordani Lotti Ries Wagner Campana Godard Luzzi Rosa Weckerlin Carissimi Gounod Marchault Rubinstein Widor ggvalli Grieg Marcello Saint-Saens Wolf sti Price each volume in heavy paper, $1.50. in cloth. gilt, $2.50 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON
Show less

Title: Hiawathas Friends
Date: 1917
Text: MUSIC LIBRARY VASSAR COLLEGE "°”°”’“~'EPS|E. New vonx -05 a *3 ,. S SONGS Challenge of Thor, The. From “ King Olaf” . Christmas Eve (Chi1dren’s song) Crossing the Bar Eagle, The Gently Swaying . . . Good night, Beloved ‘ . . . . Her Song and his Violin (Violin obbligato) Home they brought him . . . . . . I had a Dove . . . . . . . . . . D I saw thee weep . . . . . . . Indian Lullaby . . . . . . . . . E min. Cs: min. 0 Holy Night (Christmas song) (Violin or ’Cello obbligato) Orpheus...
Show moreMUSIC LIBRARY VASSAR COLLEGE "°”°”’“~'EPS|E. New vonx -05 a *3 ,. S SONGS Challenge of Thor, The. From “ King Olaf” . Christmas Eve (Chi1dren’s song) Crossing the Bar Eagle, The Gently Swaying . . . Good night, Beloved ‘ . . . . Her Song and his Violin (Violin obbligato) Home they brought him . . . . . . I had a Dove . . . . . . . . . . D I saw thee weep . . . . . . . Indian Lullaby . . . . . . . . . E min. Cs: min. 0 Holy Night (Christmas song) (Violin or ’Cello obbligato) Orpheus with his Lute ' Remembrance . . . Sea hath its pearls, The . . . . . . Summer sun is sinking low, The (Violin obbligato) Price‘ .60 .40 .50 .50 .40 .50 .75 .50 .50 .50 .50 .75 .50 .40 .40 .60 .50 Under the Greenwood Tree EIGHT INDIAN SONGS FROM THE “I-IIAWATHA" OF LONGFELLOW (German text by Hermann Simon) Gitche Manito the Mighty (Kits:/22‘ Manito, der Mac/zt’ge) Greeting of Hiawatha (Grass 7/on Iﬁzzwtztha) . . . . When the noiseless night descended (Nat/zts, wmn alley lz'eg‘tz' Sc/zwezlgen) . . . . Chibiabos (Tschibzlzbos) . . . . Death of Chibiabos (Tod der T sclzibiabos) . . Onaway! Awake, Beloved! (0mzwiz’./ wtzc/z auf’, Geliebte./) I-Imi§Ww_‘§1;,hgg.n§ Friends (I{z'awat/uz’s Frezmde) lllll ﬂigarewell Minnehaha (Le5’wo/zZ/ ]Wz‘m1e/zzzlm) Boston: OLIVER DITSON COMPANY New York: CHAS. H. DITSON & CO. Chicago: LYON & HEALY To Mrs. VV. IV. Robinson HIAWATHA’S FRIENDS (HIAWATHAS FREUNDE) HENRY WADSWORTH LONGFELLOW _ - German version by Hermann Simon ((),.,‘gma[ Key) CARL BUS CH Allegro moderate 1’ All the ma _ ny sounds of na _ ‘cure B0f_ rowH Je _ der - dcr_ sang der Schii _ pfung Lieh’ zvon (‘Z-—_h/-\ T9. 1’ . 17 077980- sweet- ness from his sing _ ing; All the hearts of menwere soft _ en'd By the sei _ -ncm Lied’ den Zau, _ her, Al_lcr Men _ sch<mHc'r_ zen schmol - zen Durch die Copyright MCMXVII by Oliver Ditson Company International Copyright Secured 6 -145‘ ’71834- 3 thos of his mu _ '- For he sang of peace der heil_:gen Kliin _ Dewn er sang zvon Frei - _ hcit) KT 1’ Sang of beau _ ty, of love. and Sang vain Schiin _ heit, Lie _ be, X-TZT 19. 1'7 long _ ing; Sang of death, and life un - dy _ ing In the Is _ lands of the Sehn _ sucht, Sang vom Tod; zzom ew_'gen Le _ ben Auf den In - seln derGl1'ick.. 5 -145"71834- 3 In the king .. - dom of P0 _ ne In dem K6 - - nig- reich) Po _ m" of ‘the Here _ af _ des schii-n _’ren Jen _ ﬁx FD % A a tempo 5-145"71834~ 3 The Musicians Library The masterpieces OF song and piano literature edited by men OF authority BRAHMS, JOHANNES FRANZ. ROBERT GRIEG, EDVARD HANDEL, GEO. F. HANDEL, GEO. F. JENSEN, ADOLF LISZT, FRANZ SCHUBERT, FRANZ SCHUMANN, ROBERT STRAUSS, RICHARD TCHA'I‘I<OvsI<Y, P. I. WAGNER, RICHARD WAGNER, RICHARD WOLF, HUGO FIFTY MAsTERsONGs FORTY SONGS FIFTY SONGS FIFTY SONGS SONGS AND AIRS SONGS AND AIRS FORTY SONGS THIRTY SONGS FIFTY SONGS FIFTY SONGS FORTY SONGS FORTY SONGS LYRICS I LYRICS II Er III FIFTY SONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS (BEMBERG TO FRANCK) MODERN FRENCH SONGS (GEORGES TO WIDOR) VOL. I VOL. II ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (All Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS SONGS FROM THE OPERAS I, IIE-x-III IVérV v‘$v‘.-3i°.5v‘z%v‘.t3€:%i:%%3%.%&%$%%.%%§&%£ v‘.-3v‘.~.%v1.-3»‘z‘5v‘..-%v‘:.%>‘;%v‘.-.%»‘;%v‘.°5 #3 >13 For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Soprano For Tenor For Baritone and Bass For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Medium Voice For Medium Voice For High Voice For Low Voice For High Voice For Low Voice For Medium Voice For High Voice For Low Voice For Medium Voice For High Voice For Low Voice For Soprano For Mezzo~S ano For All For Tenor For Baritone and Bass SONG ° VOLUMES ° ISSUED fir‘.-.I‘v$‘;%v‘.-3!‘.-ﬁr‘.-iv‘.-.3v‘;%v‘.-.%v‘..-3 f5 9.-%f£c€;?f.t%€5i%€..-%v1.-3f:.%i:%€:%i.'%i:%fz%f:.%€.:%i% Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST JAMES HUNEKER WM. FOSTER APTHORP HENRY T. FINCK DR. EBENEZER PROUT DR. EBENEZER PROUT WM. FOSTER APTHORP CARL ARMBRUSTER HENRY T. FINCK W. J. HENDERSON JAMES HUNEKER JAMES HUNEKER CARL ARMBRUSTER CARL ARMBRUSTER ERNEST NEWMAN HENRY T. FINCK DR. CHARLES VINCENT PHILIP HALE PHILIP HALE CECIL SHARP GRANVILLE BANTOCK GRANVILLE BANTOCK HELEN HOPEKIRK JULIEN TIERSOT WM. ARMS FISHER GRANVILLE BANTOCK RUPERT HUGHES H. E. KREHBIEL H. E. KREHBIEL Each volume in heavy paper, cloth back, $1.50; in Full cloth, gilt, $2.50. Copies mailed postrpaid. Other volumes in preparation For Free booklet, giving full particulars and Easy Payment Plan, send to the publishers . ::- OLIVER DITSON COMPANY‘ BOSTON
Show less

Title: Stars of the Summer Night
Date: 1917
Text: MARGARET WOODROW WILSON MUSIC LIBRARY 2. 3. LE RGYKBM. ‘ ;@_:._L . Good NightébMy Deanest . Stars oftlle Summer . Little Ros; upon my Hea D / I REL; :26.) /D/3 Oh,C0me!_. SACRED SONG. Words by Luisde Gongora yArgote. Words by Frances Stone Mason.‘ ‘Why?,.......(wHv CAME THE ROSE.) ................................................................ .. Pr: 50¢ C- Wordsby Mary Louise Ritter. \) .'.‘.V/.\‘/\-"/-'.‘.'.,; o 4 o 4 o v o . n ¢ a ~ o . E5) /. r (3 C0me,Wandering Sheep...
Show moreMARGARET WOODROW WILSON MUSIC LIBRARY 2. 3. LE RGYKBM. ‘ ;@_:._L . Good NightébMy Deanest . Stars oftlle Summer . Little Ros; upon my Hea D / I REL; :26.) /D/3 Oh,C0me!_. SACRED SONG. Words by Luisde Gongora yArgote. Words by Frances Stone Mason.‘ ‘Why?,.......(wHv CAME THE ROSE.) ................................................................ .. Pr: 50¢ C- Wordsby Mary Louise Ritter. \) .'.‘.V/.\‘/\-"/-'.‘.'.,; o 4 o 4 o v o . n ¢ a ~ o . E5) /. r (3 C0me,Wandering Sheep! ,. Pr: 60¢ F Grief and Joy- G Love._....( LOVE'S SERENADE) ...... ..Pr: 60¢ Words by Fnances Stone Mason. Night. _ .. Pn 50¢ Words by H envy W. Longfellow. PT... ................ IA; ..... .............................. ..Pn 50¢ Words by \/Ir-‘g|ri\éT.Biddle. (SLUMBER sons.) ................................................. Pr. 50¢ Ninnenel Ia. ......... .. AV Words by Frances Stone Mason. EDWARD SCHUBERTH 8: CO., NEW vom<,. LONDON, n EAST 22~.v 5: 2 STAR YARD,CARf-_Y S1" 4 x x”,= /7‘ /M . 2 /**"" 2”"? '‘Il0sK‘;’LIanAﬁv' / VASSAR COLLEGE Stars of the Summer Night! Serenade Words by HENRY W. LONGFELLOW ' ' . LE ROY VM. RILE frpm “The Spanish Student” . ' Allegretto '- Voice mama to o 7 Plano - la meloziia 1’ Stars of the sum-mer A ' {T 2 molfo dim. 1 . ’ W ‘A 2 M’ WV? Far in you a - zure deeps, 2 2 2 as ism ea ‘ - Uopyrzght, 1917, by Edward Schubert}; .9" 6'0. E.S.& Co.4?_:1V3—4 % New York, EDWARD SCHUBERTH & C0,, 11 East'22I1d Street 711]?/___'X Hide,hide your gold - 1ight!_T She sleeps! My la - dy sleeps!“ L2 yr 2%‘ zfvf Ht]? 9 ~ Moon of the sum-mer Far down yon West- ern ,3 9% Z.___\te72. Wf Sink, sink in sil-ver light!___. She s1eeps!My la - dy Z''_—-_\ A l ' ' calla voce E.S.& C0. 4313-4 Piﬁ mosso ed agitate _p . Wind of the sum-mer Where yonder wood -bine creeps, 7Zf‘ ‘fax Fold, fold thy pin - ions tranquillo S1"ePS!MY1a' ' dy S1691“! . he s1eeps!My la - dy sleeps! .S1eeps!_, 5’ """" ": 9; ' bi - my > E.S.&Qo.4313-4 melodm marcato éﬁﬁb. Dreams of the summer night! __ Tell her,her lov-er keeps Wa/cc 2 * L2 3 are mi A T? 0'i’’’‘- . mftardando ‘while in s1un!1-her light She sleeps! My la - m - . 7 9% $2». . _ a tempo 2;} jw messo dz’ voce eeps! sleeps! 772.3. a tempo "V ‘m €23 E.S.& Co. 4313-4 C % DEAR LAND OF HOME we Aﬁdme Words and Music by GRAHAM VALMORE 9??/-f7 (L __“‘1_._. 1.There is a. land I know, so to 2. There is a land I know, so sweet to in my -hood days, ’twas joy to once a — gain, I hope and long to where - e’er I f . ‘ Copyright, MCMXI,bgv lginild & Co. . ’ ' N and Revise i ion ‘ Copyright, 3216, by Edward Sehubertll. :5 0a_ ' 943 ORCHESTRAL Acc:oMpANm:m* m 29.5‘.
Show less

Title: Ye Voices That Arose
Date: 1917
Text: SONGS BY CECIL BURLEIGH Op. 32 Philornel (VVILLIAM SHAKSPERE) High voice. in E Medium vuict-. in 1)?‘ T he sea hath its pearls (HEINRICH HEINE) Medium voice, in F Low voice, in D1} Ye__y_QiC€:s, that arose (HENRY VVADSVVORTH LONGFELLOVV} High 'VU1C€, in Al" Low vmrc. in E ;.aaunnuum.., I heard the trailing garments of the night (HENRV VVADSWQRTH LoNom7LLovv; High voice, in I) mm. Low x nxr.-u, in B mm. The lightlmuse {H ENRY ‘JVADSVVORTH LONGFELLOW) High voiwse, in E!’ Law vu1cr.....
Show moreSONGS BY CECIL BURLEIGH Op. 32 Philornel (VVILLIAM SHAKSPERE) High voice. in E Medium vuict-. in 1)?‘ T he sea hath its pearls (HEINRICH HEINE) Medium voice, in F Low voice, in D1} Ye__y_QiC€:s, that arose (HENRY VVADSVVORTH LONGFELLOVV} High 'VU1C€, in Al" Low vmrc. in E ;.aaunnuum.., I heard the trailing garments of the night (HENRV VVADSWQRTH LoNom7LLovv; High voice, in I) mm. Low x nxr.-u, in B mm. The lightlmuse {H ENRY ‘JVADSVVORTH LONGFELLOW) High voiwse, in E!’ Law vu1cr.. an (2 BQSTON: OLIVER DITSON COMPANY NEW YORK: CHAS. H. DITSON & CO. CHICAGO; LYON 31, HEALY MUSIC uananv VASSAR COLLEGE YE VOICES, THAT AROSE Ye voices, that arose After the evening’s close, And whispered to my restless heart repose! Go, breathe it in the ear Of all who doubt and fear, And say to them.,“Be of good cheer! ” Ye sounds, so low and calm, That in the groves of balm Seemed to me like an ange1’s psalml Henry Whdsworfh Longfellow ( from the French) 5-150-72079 ~ 3 YE VOICES, THAT AROSE From Me French HENRY WADSWORTH LONGFELLOW VOICE Go, CECIL BURLEIGH ’0« gm‘ [K " ”~’"" 6”) 011.32, No.3 Very slowly 5 with deep feeling (J.= 40, or slower) ft“-I ' that Af_ter the eve _ ning’s voi _ ces, rest- less heart re - pose! And vvhis_ per’d to my increase breathe it ' all_ who doubt and —'—«:f \___/ Copyright MCMXVII by Oliver Ditson Company International Copyright 'S60l1red 5-150-72079 — 3 1919 e sounds, so low and calm, That in the groves of ba1m_____ Seem’d to me____ like an an _ ge1’s 1’ Seem’d to me like Zf’?_——— 5-150-72079 ‘ 3 The Musicians Library The masterpieces OF song and piano literature edited by men OF authority FORTY SONGS FIFTY SONGS FIFTY SONGS SONGS AND AIRS SONGS AND AIRs FORTY SONGS i THIRTY SONGS FIFTY SONGS FIFTY SONGS FORTY SONGS FORTY SONGS LYRICS I LYRICS ii E iii FIFTY SONGS BRAHMS, JOHANNES FRANZ, ROBERT ORIEC, EDVARD HANDEL, CEO. F. HANDEL, GEO. F. JENSEN, ADOLF LISZT, FRANZ SCHUBERT. FRANZ SCHUMANN. ROBERT STRAUSS, RICHARD TCI-IAII<OVSKY, P. I. WAGNER, RICHARD WAGNER, RICHARD WOLF, HUGO FIFTY MASTERSONG5 FIFTY SHAKSPERE SONGS MODERN FRENCH sONOs (BEMBBRG TO FRANCKI MODERN FRENCH SONGS (GEORGES TO WIDOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (AII Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS SONGS FROM THE OPERAS VOL. I VOL. II I, II fr III IVé—V v’.~%n‘.-‘v€:5I’:$&¥i-.%f;3I’v';‘v»‘.:%v‘$ E-.3 v‘.’v€$€5£-5v1‘rv‘:‘5€z%€:%f5ﬁv$€;%v‘.-3v‘;?rf;%f;?v€;% For H igh VDICC For Low Voice For High Voice For Low Voiciz For High Voice For Low Voice For High Votes: For Low Voioc For High VDICR For Low Voice For High Voice For Low Voice For High Voice For Low Vc-we For I"Iiqh Voicc Fm Low Voice For High Voice For Low Voice For High VOICE For Low VOICC For Soprano For Ten For Baritone Bus For High Voice For Low Voice For High VUIEI For Low Voice For H igh Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Medium Voicc For Medium Voics For High Voice For Low Voice For High Voice For Low Voice For Medium Voice For High Voice For Low VOICC For Madium Voice For High Voice For Low VO2C¢ For Sopr o For M2zzci- rano or I For Tenur For Benton: and Bus: SONG ° VOLUMES - ISSUED ¢.2’vv1t'i»‘:3%‘z¥v1?’r‘$v‘:5v‘:5v‘z'3v‘z‘v ﬁ n‘-3$$v1:%5’;%v1‘vv‘:i‘vf;?rv‘$f;%é’a%v‘:?v&%v‘;.%>1.-3%v‘.:‘v Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Ediied by Edited by Edited by Edited by COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST JAMES HUNEKER WM. FOSTER APTHORP HENRY T. FINCK DR. EBENEZER PROUT DR. EBENEZER PROUT WM. FOSTER APTHORP CARL ARMBRUSTER HENRY T. FINCK W. J. HENDERSON JAMES HUNEKER JAMES HUNEKER CARL ARMBRUSTER CARL ARMBRUSTER ERNEST NEWMAN HENRY T. FINCK DR. CHARLES VINCENT PHILIP HALE PHILIP HALE CECIL SHARP GRANVILLE BANTOCK GRANVILLE BANTOCK HELEN HOPEKIRK JULIEN TIERSOT WM. ARMS FISHER GRANVILLE BANTOCK RUPERT HUGHES H. E. KREHBIEL H. E. KREHBIEL Each voiume in heavy paper, Cloth back, $1.50; in Full CIOth_. gilt, $2.50. Copies mailed postrpaid. Other volumes in preparation For Free booklet, giving FuII particulars and Easy Payment Plan, send to the pubiishers =5‘ OLIVER DITSONCOMPANY' BOSTON
Show less

Title: Lighthouse, The, The Lighthouse
Date: 1917
Text: MUSIC LIBRARY VASSAFI cause: FOUGHKEZPSIE. NEW YORK SONGS BY CECIL Op. 32 Philornei . . . (VVILLIAM SHAKSPERE) High voice, in E Medium voice. in D1» The sea hath its pearls (HEINRICH HEINE) Medium voice. in F‘ Low voice. in D9 Ye voices, that arose ¢HENRY WADSWORTH LONGFELLOW) High voice. in A‘) Low voice. in E I heard the ‘trailing garments of the night 4HENRY WADSWORTH LONGFELLOVV) High voice, in D min. Lczw VOICE‘. in B mm. The lighthouse , (HENRY WADSWORTH LONGFELLOW) High voice, in ED»...
Show moreMUSIC LIBRARY VASSAFI cause: FOUGHKEZPSIE. NEW YORK SONGS BY CECIL Op. 32 Philornei . . . (VVILLIAM SHAKSPERE) High voice, in E Medium voice. in D1» The sea hath its pearls (HEINRICH HEINE) Medium voice. in F‘ Low voice. in D9 Ye voices, that arose ¢HENRY WADSWORTH LONGFELLOW) High voice. in A‘) Low voice. in E I heard the ‘trailing garments of the night 4HENRY WADSWORTH LONGFELLOVV) High voice, in D min. Lczw VOICE‘. in B mm. The lighthouse , (HENRY WADSWORTH LONGFELLOW) High voice, in ED» Luw VUMC. In C -nuunun BOSTON: OLIVER DITSON COMPANY NEW YORK: CHAS. H. DITS-ON & CO. CHICAGO: LYON &. HEALY THE LIGHTHOUSE (0rz}g2'naZ K212/) HENRY WADSWORTH LONGFELLOW CECIL BURLEIGH Op.32, N9 5 With breadth and dignity (-3569) rock — y ledge runs far in - to the sea, And ' on its out-er point, some >7 in rolling 7’ T’ w’¥-/T’ morease —-————=-4 miles M a - way, - The Lighthouse lifts its mas — sive //‘T increase ‘iﬁ / ‘fen. Copyright MCMXVII by Oliver Ditaon Company International Copyright Secured 5 ‘$0 72080 4 pi1_1ar of fire by night, of cloud by day. vr L sliglzl/y .s'!(2wer as eve-ning dark A ens, 101 how bright, 3-1453'}:/lg slower \_/dim. and ref. jh 17% mcrea.s'(a . ‘£1117 7/? , _/“aster __éZ.;-1:./:_ Through the deep pur-p1e of the twi — light air,.__ Beams forth the sud — den._ ‘hjzsfer z'7zcre2a.9e .5701" fly \ 5-150-72080 - -'4 with z'ncreasz'ng power and breadth /‘ { __.. ra - di—ance of its light Wiﬂx strange, un-earth_1y splen ._ dor in its wt?/z zizcreamzg power a read!/z > > 1/ \ JV/\ dz'772. .s'lz'g/zI‘Zg/ As at fz'r.9t great_ ships sgi/1 outward and 1-e—turn, Bend_ing and b0w_ing As at first 5450-720 80- 4 inc"/'ea.s‘e o’er the bi1—1ow- y swells, And ev — er joy _ ful, as they see it burn,__ They Z"$\Z"?_a increase ‘Ea. more 3 br0aa’@ e dim 77.? Wave their si - lent We1_comes and fare ~ Wells. more 6roaa’/g/ gradually dim. I/zroughout ”"’1’/ "'l"w".9 retard 5—150~72080— 4 The Musicians Library The masterpieces of song and piano Iiterature edited by men OF authority SONG - VOLUMES - ISSUED For High Voice For Low Voice For High Voice For Low Voice For H igh Voice For Low VOICR Edited by JAMES HUNEKER Edited by WM. FOSTER APTHORP Edited by HENRY T. FINCK Edited by DR‘. EBENEZER PROUT Edited by DR. EBENEZER PROUT Edited by WM. FOSTER APTHORP Edited by CARL ARMBRUSTER Edited by HENRY T. FINCK Edited by W. J. HENDERSON Edited by JAMES HUNEKER Edited by JAMES HUNEKER Edited by CARL ARMBRUSTER Edited by CARL ARMBRUSTER Edited by ERNEST NEWMAN Ediied by HENRY T. FINCK Edited by DR. CHARLES VINCENT Edited by PHILIP HALE BRAHMS, JOHANNES FORTY SONGS FRANZ, ROBERT FIFTY SONGS GRIEG, EDVARD ' FIFTY SONGS HANDEL, GEO. F. SONGS AND AIRS HANDEL, GEO. F. SONGS AND AIRS JENSEN, ADOLF FORTY SONGS LISZT, FRANZ THIRTY SONGS SCHUBERT, FRANZ FIFTY SONGS SCHUMANN, ROBERT FIFTY SONGS STRAUSS, RICHARD FORTY SONGS TCHA'I‘I<OvSi<Y, P. I. FORTY SONGS WAGNER, RICHARD LYRICS I WAGNER, RICHARD LYRICS II E III WOLF, HUGO . FIFTY SONGS FIFTY MASTERSONCS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS VOL. I (BEMBECRG .TO FRANCK) MODERN FRENCH SONGS VOL. II F°'H'“" "°‘°‘ For Low Voice (GEORGES TO VVIDORI ONE HUNDRED ENGLISH FOLKSONGS For Medium Voic- Nations) For Medium Voice ONE HUNDRED SONGS OF ENGLAND " F°'H“‘I‘V°'°° For Low Voice SEVENTY SCOTTISH SONGS F"H'”" V°‘°‘ For Low \/0|C¢ SIXTY FOLKSONGS OF FRANCE - ForMedium Va-ce SIXTY IRISH SONGS ’’°'”'**‘‘ ‘’°‘“‘ For Low Voicz SIXTY PATRIOTIC SONGS OF ALL NATIONS For Med-um voice SONGS BY THIRTY AMERICANS F“ “I55” V°'°" For Low VOICE SONGS FROM THE OPERAS L II Er III roi'i~5’i}1,Sz‘7S’7'sa$'.§’rano or to SONGS FROM THE OPERAS IV 52- V F” T“ For Bunions Bus as as as as by 3,1: Dav Dz! For High Voice For Low Voice For High VOW! For Low Voice For H igh Voice For Low Voicc For High Voice For Low Voice For H igh Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Soprano For Ten For Bariiane Bins For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low VOICC €2vvi:%¢.’v(:3>3:3>‘z?%v‘:‘5f:5i‘:%v1:%f:%f.-%fz%¢z?r¢;%v2.*% For High Voice For Low Voic: Edited by PHILIP HALE Edited by CECIL SHARP Edited by GRANVILLE BANTOCK Edited by GRANVILLE BANTOCK Editedby HELEN HOPEKIRK Edited by JULIEN TIERSOT Edited by WM. ARMS FISHER Edited by GRANVILLE BANTOCK Edited by RUPERT HUGHES Edited by H. E. KREHBIEL Editedby H. E. KREHBIEL -‘.:i‘vv‘.-%v1i‘5v‘:‘5$v‘5n‘:‘iv3$v‘z3v$ V5 v‘°.$v’a‘-E3v1$i%v‘:‘vv‘:‘wi“;%ﬁv‘:%v‘l-?£.'=%v‘x% COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST Each volume in heavy paper, cloth‘ back, $I.50; in FLIII Cioth, gilt, $2.50. Copies mailed postepaid. Other volumes inipreparation For Free booklet, giving full particuiars and Easy Payment Plan, send to the publishers ii OLIVER DITSON COMPANY‘ BOSTON 6:14
Show less

Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: 1915
Text: MUSIC IJUHWY wtssan couzat POUGNU’_%'n1t[_ ﬁg-3, #6,“ THE SEA HfAx1Fﬂr Ms Pmhs >=%ér< gmac 2% WITH Pianoforte Accompaniment COMPOSED BY °RU1)OLPH GANZ. Soprano or Tenor. Mezzo Soprano or Baritone. Price 50 Cents. THUR P. CH DT, I“ BOSTON, LEIPZIG, NEW YORK, I20 Boylston St. 8 West 40th St. Copyr/ghf /.9/5, byArﬂ1ur F? Schm id)‘. lnfernaﬁonal Capyrighfsecured. SONGS FROM CONCERT PIOQFO GRAMMES FAMOUS SINGERS FLOY LITTLE BARTLETT Sung by Miss Mariar . . . . . . . . . . . . . . . . . ...
Show moreMUSIC IJUHWY wtssan couzat POUGNU’_%'n1t[_ ﬁg-3, #6,“ THE SEA HfAx1Fﬂr Ms Pmhs >=%ér< gmac 2% WITH Pianoforte Accompaniment COMPOSED BY °RU1)OLPH GANZ. Soprano or Tenor. Mezzo Soprano or Baritone. Price 50 Cents. THUR P. CH DT, I“ BOSTON, LEIPZIG, NEW YORK, I20 Boylston St. 8 West 40th St. Copyr/ghf /.9/5, byArﬂ1ur F? Schm id)‘. lnfernaﬁonal Capyrighfsecured. SONGS FROM CONCERT PIOQFO GRAMMES FAMOUS SINGERS FLOY LITTLE BARTLETT Sung by Miss Mariar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kitty Cheatham MARION BAUER Only of Thee and Me .......... .- ~.. .; ......... . -‘ Franklin Riker, Marie Morrisey Mrs. H. H. A. BEACH Ah, Love, but a Day! .................................. .. Mme. Schurnann—Heink GENA BRANSCOMBE The Morning Wind‘ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Constance Purdy A Lovely Maiden Roaming .................... .. Edna Dunham, JohnT. Read In Arcady by Moonlight ............................... .. Herbert Witherspoon I send my Heart up to Thee ................. .. Charlotte Lund, Paul Dufault G.W. CHADWICK The Maiden and the Butterfly .............................. .. Geraldine Farrar S. COLERIDGE-TAYLOR Life and Death ............................................... .. John McCormack An Explanation (Her lips were so near) . . . . . . . . . . . . . . . . . . . . . . . .. John MC Cormack MABEL W. DANIELS _ Daybreak . . . . . . . . . . . . . . . _ . . . . . . . . . . . . . . . . . .. Lilla Ormond, Reinald Werrenrath ARTHUR FooTE Ashes of Roses .................................................... .. Julia Culp FRANK LA FoRoE Longing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Mme. Sembrich Love’s Sympathy .................................................... .. Mme. Aida MARGARET RUTHVEN LANo Day is gone .................................................... .. George Hamlin EDWARD A. MAC DOWELL Long ago Sweetheart mine ............................ .. Elizabeth van Endert A maid sings light ..................................... .. Elizabeth van Endert JOHN W METCALF Hark, as the Twilight Pale! .................................... .. Mme. Gadski Love and Springtime ............................................ .. Mme. Gadski WARD-STEPHENS The R0se’s Cup ................................................... .. Mme. Gadski Summer-time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Florence Hinkle Arthur P. Schmidt BOSTON LEIPZIG NEW YORK 120 Boylston St. 11 west 36t_h st_ To JOHN M9’ UORJIIAUK ’1‘he Sea hath its Pearls __-;ir— * LONG FELLOW’ 07"?" ' 1 Aftr‘rU1<* German of IIEINRICII HEINE gym VVith passion /"\ > L . The sea 1ts pearls, sz'ngz'7zg Copyright 1915 by’Arthur P. Schmidt ft}? S_ 10533. 5 International Copyright Secured The hea - - ven hath its But my heart, my heart? _ its love, 'w‘_F"E?’“E?"’ and the hea - - Ven; 0%.? 8.10583 — 5 mollo ems-a Yet great - mo/to oresa do/ce, 19000 sostenuto And fair _ : ii - p subito and beams }. H _ streéto e ems-a JLP. 8. 105S3- 5 lit- tle, youth - - ful maid _ un - to my__. great heart, sostemufo My heart, and the sea, fsosf L i ‘J.:—— f mas. 40533-5 sempre pfzl appa.s‘sz'om1l0 ¢ . Are.____ melt - mg a - way mo/to cresa f are melt- ing love! ussia: (with love, Viva ce marca to b7‘2'Zltmte ~."1.'PS. 10583-5 SCHMIUVS EDUCAT|0HAL SERIES H9 83 E '3 ’,,.‘k mrma FAN/QIES \'/ ; Agelection 3 of.Songs AMERICAN é0l’lPOSER8 VOLUME I. VOLUME 11. High voice 11 Low Voice. High Voice 11 Low Voice. % PRICE $125 EACH ARTHUR RSCHMIDTIJ BOSTON LE I PZ I N YORK 120 Boylston St 11w 36th 81' Copyright 1912 by‘Ar'thur- Rschrnidt. \I V v
Show less

Title: Serenade
Date: 1915
Text: IUSIC LIIRAIY VASSAR C01,: “:7 bps-p_'. CARL FISCHER’S %’.Q\_# Octave Choruses , ‘ ”i+ for Male Voices _ V ‘ Series I MY SVVEETHEART HAS A GARDEN . . . . . . . . . . . . . . . . . . . . . . . . . . . .G. Baldamus FAl{E\VELL, I LOVE BUT THEE ALONE : . . . . . . . . . . . . . . . . . . . . . . . . .H. Schoene SOLDIEIVS FAREWELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Joh. Kinkel RING OUT (E.& G.) . . . . . . . . . . . . . . . . . . . . . . ....
Show moreIUSIC LIIRAIY VASSAR C01,: “:7 bps-p_'. CARL FISCHER’S %’.Q\_# Octave Choruses , ‘ ”i+ for Male Voices _ V ‘ Series I MY SVVEETHEART HAS A GARDEN . . . . . . . . . . . . . . . . . . . . . . . . . . . .G. Baldamus FAl{E\VELL, I LOVE BUT THEE ALONE : . . . . . . . . . . . . . . . . . . . . . . . . .H. Schoene SOLDIEIVS FAREWELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Joh. Kinkel RING OUT (E.& G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Rich. VVo1f STAR SPANGLED BANNER . . . . . . . . . . . . . . . . . . . . . . . . .American National Hymn MY OLD KENT UCKY HOME (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .St. Foster OLD FOLKS AT HOME (E. & G.) _ . . . . . . . . . . . . . . . . . . . . . .-St. Foster OLD BLACK JOE (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .St. Foster HOME, SVVEET HOME (E. & G.) . . . . . . . . . . . . . .A Bishop LULLABY (E. & G.) . . . . . . . . . . Brahms-Zander RECOGNITION OF LAND . . . . . . . . . .Ed. Grieg‘ OLD FLEMISH SONG (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ed. Kremser SHEPIIERD’S SUNDAY SONG (E._ & G.) . . . . . . .C. Krerubzer IIOME GREETINGS .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. Kromer FRATERNITY HYMN . . . . . . . . . . A. Mozart CALM IS THE LAKE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .H. Pfeil FESTIVAL—HYMN (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E. Reyl OH, MOTHER MINE (E. & G.) . . . . . . . . . . . . . . . . . . . . . . .Jac. Mendelsohn BOLD ROBIN HOOD (with Cornet acc.) . . . . . . . . . . . . . . . . . . . . . . . . . . .Ed. Severn HEARTS AND FLOVVERS (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . .Th. M. Tobani PILGRIMS CHORUS FROM “TANNHAUSER” (E. & G.) . . . . . . . .Rich. VVa.gner THE GUARD ON THE RHINE (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . .C Vvilhelm FROM YOUTH’S HAPPY DAY . . . . . . . . . . . . . . . . . . . . . . . . . , . . . . . . . . .Rob. Radecke THREE IN ALL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .'C. Bohm-Zander O THOU CLEAR SHINING HEAVEN . . . . . . . . . . . . . . . . . . . . .Fr. Silcher SOLDIER’S MARCHING SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .A. Methfessel IN M'AY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .A. Jiirgens THE BLUE BELLS OF SCOTLAND . . . .arr. by J. F. Hermann EVENING SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fr. Kuhlau THURINGIAN FOLK-SONG (Ho\v Can I Leave Theo) . . .a.rr. by J. F. Herman ROBIN ADAIR (Irish Melodic) . . . . . . . . . . . . . . . . . . . . . . . . . .arr. by J. F. Herman LONG LONG AGO (Iris11 Folk-Song) . . . . . . . . . . . . . . . . . . . .arr. by J. F. Herman MY HEART’S IN THE HIGHLANDS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Folk—Song' THE LASS O’GO\VRIE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..J. Dilrner SOLDIER’S MORNING SONG . . . . . . . . . . . . . . . . . . . . . . . . . . .arr. by J. F. Herman PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .C. M. v. VVeber, arr. by J. F. Hemnan FAITIIFU’ JOHNIE (Scotch Fo1k—Song) . . . . . . . . . . . . . . . . .arr. by J. F. Herman SPRINGTIME, THOU JOYOUS TIDE . . . . . . . . . . . . . . . . . . . . . . . .P. Eng'el~skirchen AN OLD GERMAN LOVE SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .G. Wohlgecmuth IT IS SUNDAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..S. Breu BY TIIE BROOK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .F. C‘. Lindlnr OLD GLORY . . . . . . . . .. 2‘. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .IIomer N. Bartlett I-IYMN T0 HYGEIA (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..John C. Hemmeter DEAREST FAREVVELL . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . .L11(1wig Hess SOLDIER’S SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ludwig Hess DIXIE’S LAND (Voice parts 25c.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Dan Ermmetti SERENADE: “STARS OF THE SUMMER NIGHT” . . . . . . . .. .Charles H. White BALLYMACLOE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Chas. Scott HUNTIN’ POSSUM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Claude \Va1‘f0rd YOU IS JES’ AS SVVEET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .HzLllett Gilberté THE OLD REFRAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fritz Kreisler TO A SKYLARK (with Bar.Solo) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Louis Victor Saar RONDEAU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...L0uis Victor Saar FAREVVELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lo11is ‘Victor Saar LITTLE SONG FOR TVVO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Louis Victor Saar KISSES KEPT ARE WASTED (with Bar. Solo) . . . . . . . . . . . . .Lo11is Victor Saar AUF \VIEDE.RS_EHN (Chorus and Solo Quartet) . . . . . . . . . . . . .Louis Victor Saar I \VAS A KING IN BABYLON.....................................Oeo1l Forayth ROMANY RYE (Gipsy Gentleman) . . . . . . . . . . . . . . . . . . . . . . . . . .Robert M. Crawford PRAYER OF THANKSGIVING. . . . . . . . . . .. . . . . . . .arr. by E. Kremser MY LAST CRUISE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mayhew L. Lake VAGABOND (Bar. ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ma.yhew L. Lake THERE \VAS A MAN IN OUR TOVVN . . . . . . . .. . . . . . . . . . . . .. ..Mayhew L. Lake CAT AND THE FIDDLE . . . . . . . . . . . . . . . . . . . . . . . . . . .May'hew L. Duke ’TWAS THE POOR OLD MAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mayhew L. Lake THERE'S A HOLE IN THE BOTTOM OF THE SEA . . . . . . . . .M‘ayhew L. Lake PETER, PETER, PUMPKIN EATER . . . . . '. . . . . . . . . . . . . . . . . . .Mayherw L. Lake LITTLE JACK HORNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mayhew L. Lake SIMPLE SIMON . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ma.yhew L. Lake OLD KING COLE .. .. .. .. .. .. . .. ......MayherwL.La.ke CARL FISCHER: ‘Inc. » Cooper Square NEW YORK BOSTON CHICAGO To the“Boston Séinger fest Club ” , Dr. John B LHa.wes 21.“? President N92056 SERENADES. Words -by S Music by LONGFELLOW . CHARLES A, WHITE Moderate gr aziosamente ’ Stars of the sum-mer night, Far ldowpnyonv az - ure deeps, Wind of the sum —-mer night, Where yon-der wood-bine creeps, 7'22‘. molto, Hide, hide your -gol _- den light, She sleeps, .my_l_a‘— _dy isleepsi. Fold’, fold thy pin — ions light, She sleeps, my la 4 dy sleeps. a tempo J>J*‘\ Moon of the sum - mer night, Far downyon West - ern steeps Dreams of the sum — mer night, Tell her her lov - er keeps Mt. 6' dim. espressivo ‘“” —+re~* I I |. ﬂ 4.1] I VI V I '. Sink, sink in sil - ver light, She sleepsa——— my Watchwhile in slum — ber light, ' She s1eeps,__ ‘ f.‘\ sleeps. my sleeps. 1 1 Copyright MCMXV by Cerl Fislcher Boston &New York International Copyright Secured 5101 5102 5103 5104 5105 5106 5107 5108 5109 5110 5111 5112 5113 5114 5115 5116 5117 5118 5119 5120 5121 5122 5123 5124 5125 5126 5127 5128 5129 5130 5131 5132 5133 5134 5135 CHORAL ADAPTATIONS ————AND—— ARRANGEMENTS BY LOUIS VICTOR SAAR MOZART, w. A., U H SCHUBERT, MENDELSSOHN, FEL., PERGOLESE, G. P., WEBER, C. M. von, SCHUMANN, ROB., FRANZ, ROB., JENSEN, AD., RUBINSTEIN, ANT., KREMSER, ED., REINTHALER, C,, OLD WELSH AIR, STRAUSS, RICH., BRAHMS, JOH., RADECKE, ROB., GRIEG, EDV., KROMER, C., RAMEAU, J. PI-1., TAUBERT, W., SACCHINI, A. M. G., WAGNER, RICH., LEROUX, X., TSCHAIKOWSKY, P., WECKERLIN, J. B., (6 H GOUNOD-BACH, MENDELSSOHN, FEL., KREMSER, ED., GRAUN, K. H., OLD FRENCH AIR, (T) BOSTON FOR WOMEN’S VOICES PRICE NET “Hymn to the Sun.” For Soprano Solo, 3 part Chorus and Piano (or Orchestra) “Hear Us, 0 Lord.” (Splendente te, Deus.) For 3 part Chorus and piano (or Orchestra) “Angel’s Chorus from Goethe’s Faust,” a—capella “Miriam’s Song of Triumph.” For Soprano or Tenor Solo, 3 part Chorus and Piano (or Orchestra) “God in Nature.” For 3 part Chorus with Piano .................................. .. “The 23rd Psalm.” “God Is My Shepherd.” For 3 part Chorus with Piano “Hear My Prayer.” Organ (or Piano) “Nina.” For Soprano (or Tenor) Solo, 3 part Chorus and Piano “To-night.” For 3 part Chorus and Piano ....................................................... .. “The Dreaming Lake.” For 4« part Chorus ................................................. .. “To Music.” (In Dreamland.) For 4 part Chorus and Piano .... .. “Murmuring Zephyrs.” For 3 part Chorus and Piano ..................... .. “Dew In Spring.” For 3 part Chorus and Piano .. “Old Flemish Folksong.” For 4« part Chorus .............................................. .. “The Belfry Warden’s' Daughter.” For Soprano Solo, 3 part Chorus and Piano “All Through the Night.” For 3 part Chorus and Piano ..................... .. “Serenade.” (Stiindchen.) For 3 part Chorus and Piano .. “The Little Dustman.” For 3 part Chorus and Piano ...... .. “Lullaby_” For 3 part Chorus and Piano ............................... .. “From Youth’s Happy Days.” For 4« part Chorus “In the Boat.” For 3 part Chorus and Piano .............................................. .. “Home Greetings.” For 3 part Chorus (with Mezzo—Soprano Solo and Piano) “Hymn to Poseidon.” (Solo and Chorus) .......................................................... .. “Cradle—Song” (with Piano or Orchestra) “Chorus of the Druids,” from the Opera “Evelina” (with Piano or Orchestra) “Dreams” (with Piano and Violin Obbligato) .............................................. .. “The Nile” (with Soprano Solo, Violin Obbligato and Piano or Orchestra “A Message.” “Maiden Remember, “from “Bergerettes.” (with Soprano Solo and Piano) “Menuet d’Exaudet,” from “Bergerettes.” For 3 part Chorus (with String Orchestra accompaniment or Piano) ............................ .. Orchestra parts in manuscript. “Ave Maria” (Meditation.) For Children’s and VVom en’s Chorus, Soprano and Alto Solo, Violin Obbligato and Piano or Organ (or String Orchestra and Organ) V “An Old Romance.” For 4« part Chorus ............................................................. .. “Night—Greeting.” For Soprano or Tenor Solo, 3 part Chorus (with Piano) “Let Us Rejoice, All Ye Faithful,” From the Death of Jeans. For 3 part Chorus and Piano (or String Orchestra and Organ) “Cest Mon Ami.” For 3 part Chorus and Piano ....................................... .. For 4« part Chorus Hymn for Soprano Solo, 3 part Chorus and For 3 part Chorus and Piano .............................................. .. For 3 p-art Chorus FISCI-IE, lnc., NEW Y0 COOPER SQUARE Pmwrnn m U. s. A. $ .20 CHICAGO
Show less

Title: Peace-Pipe, The, The Peace-Pipe
Date: 1915
Text: -I::1I- 'I'HE DELICE DIDE ,_. CANTATA J FREDERICK S. CONVERSE Stafué ’ ' §rom- I THE PEACE PIPE By Cyrusﬁnallin C.C.BlRCHARD & COMPANY BosToN IIZII IIEZIII THE PAGE PIPE CANTATA FOR MIXED “VOICES WITH BARITONE SOLO AND ORCHESTRA ‘TEXT FROM LONGFELLOVWS “HIA.VVAT’HA"‘ MUSIC BY FREDERICK S. CONVERSE Time Perforﬂzance Hay Hour (3. C. BIRCHARD 8: COMPANY BOSTON «B W Cop}/rzgﬁf, I915, Zzy C. C. Birr/zard <5‘ Company fnternatzbnal Copyrzg/zt secured This work comprises;...
Show more-I::1I- 'I'HE DELICE DIDE ,_. CANTATA J FREDERICK S. CONVERSE Stafué ’ ' §rom- I THE PEACE PIPE By Cyrusﬁnallin C.C.BlRCHARD & COMPANY BosToN IIZII IIEZIII THE PAGE PIPE CANTATA FOR MIXED “VOICES WITH BARITONE SOLO AND ORCHESTRA ‘TEXT FROM LONGFELLOVWS “HIA.VVAT’HA"‘ MUSIC BY FREDERICK S. CONVERSE Time Perforﬂzance Hay Hour (3. C. BIRCHARD 8: COMPANY BOSTON «B W Cop}/rzgﬁf, I915, Zzy C. C. Birr/zard <5‘ Company fnternatzbnal Copyrzg/zt secured This work comprises; Piano-vocal and orchestral scores. All rzgrlzts.‘ are reserved’. Attention is hereby directed to the. Copyright Law of the United States of America in force July 1, 1909, the pro- visions of which will be strictly enforced against unauthorized users of this work or any part thereof. Note especially that among other things the said law protects the proprietors of this work against the unauthorized copying of any part thereof. C. C. BIRCHARD 8: COMPANY, BOSTON. Publishers and sole proprietors of all rights for all countries. THE PEACE PIPE FROM LONGFELLOW’S “HIAWTATHA ',0n the Mountains of the Prairie, On the great Red Pipe—stone Quarry, Gitche Manito, the mighty, He the Master of Life, descending, On the red crags of the quarry Stood erect, and called the nations, Called the tribes of men together. From his footprints ﬂowed a river, Leaped into the light of morning, O’er the precipice plunging downward Gleamed like Ishkoodah, the comet. And the Spirit, stooping earthward, With his ﬁnger on the meadow Traced a winding pathway for it, Saying to it, “Run in this way I” From the red stone of the quarry With his hand he broke a fragment, Moulded it into a pipe—head, Shaped and fashioned it with ﬁgures; From the margin of the river Took a long reed for a pipe-stem, With its dark green leaves upon it; Filled the pipe with bark of willow, With the bark of the red willow; Breathed upon the neighboring forest, Made its great boughs chafe together, Till in ﬂame they burst and kindled; And erect upon the mountains, Gitche Manito, the mighty, Smoked the Calumet, the Peace-Pipe, As a signal to the nations. And the smoke rose slowly, slowly, Through the tranquil air of morning, First a single line of darkness, Then, a denser, bluer vapour, Then a snow-white cloud unfolding, Like the treetops of the forest, Ever rising, rising, rising, Till it touched the top of heaven, Till it broke against the heaven, And rolled outward all around it. Hiawatha v Fromthe Vale of Tawasentha, From the Valley of Wyoming, From the groves of Tuscaloosa, From the Northern lakes and rivers All the tribes ,beh.eld the signal, Saw the distant smoke ascending, The Pukwana of the Peace-Pipe. And the Prophets of the nations Said; “Behold it, the gPukwan:1 .9 By this signal from afar off, Bending like a wand of willow, Waving like a hand that beckons, Gitche Manito, the mighty, Calls the tribes of men together, Calls the warriors to his council 1-” Down the rivers, o’er the prairies, Came the warriors of the nations, Came the Delewares and Mohawks, Came the Choctaws and Camanches, Came the Shoshonies and Blackfeet, Came the Pawnees and Omahas, Came the Mandans and Dacotahs, Came the Hurons and Ojibways, All the warriors drawn together By the signal of the Peace~Pipe, To the Mountains of the Prairie, To the great Red.~Pipe-stone Quarry. And they stood there on the meadow, With their weapons and their war—gear, Painted like the leaves of Autumn, Painted like the sky of morning, Wildly glaring at each other; In their faces stern deﬁance, In their hearts the feuds of ages, The hereditary hatred, The ancestral thirst of vengeance. Gitche Manito, the mighty, The Crea-tor of the nations, Looked upon them with compassion, With paternal love and pity; Looked upon their wrath and wrangling ‘THE But as quarrels among children, But as feuds and ﬁghts of children} Over them he st,ret(:b.ed his right hand, To subdue their stubborn natures, To allay their thirst and fever, By the shadow of his right hand; Spalre to them with voice majestic As the sound of far—off waters, Falling into deep abysses, Warning, chiding, spake in this wise :-- “O my chiidrenl my poor Children! Listen to the words of wisdom, Listen to the words of warning, From the lips of the Great Spirit, From the Master of Life, who made you! “I have given you lands to hunt in, I have given you streams to ﬁsh in, I have given you bear and bison, I have glven you roe and reindeer, I have given you brant and beaver, Filled the marshes full of wild-fowl, Filled. the rivers full of ﬁshes; Why then are you not contented? Why then will you hunt each other? “I am weary of your quarrels, Weary of your wars of bloodshed, Weary of your prayers for vengeance, Of your wranglings and dissensions; All your strength is in your union, All your danger is in discord ; Therefore be at peace henceforward, And as brothers live together. “I will send a Prophet to you, A Deliverer of the nations, Who shall guide you and shall teach you, Who shall toil and suffer with you. If you listen to his counsels, Yoiu will multiply and prosper; "If his warnings pass unheeded, You ~._will fade away and perishl. Hiawatha PEACE PIPE “Bathe now in the stream before you, Wash the war—paint from your faces, Wash the blood-stains from your ﬁngers, .'t3ury your war--cJ.ubs and your ‘wv:.apx)r2s,, Break the red stone from this quarry, Mould and make it into Peace-Pipes, Take the reeds that grow beside you, Deck them with your brightest feathers, Smoke the calumet together, And as brothers live henceforward I” Then upon the ground the warriors Threw their cloaks and shirts of deer—skin, Threw their weapons and their war—gear, Leaped into the rushing river, Waslied the war-paint from their faces. Clear above them ﬂowed the water, Clear and limpid from the footprints Of the Master of Life descending; Dark below them ﬂowed the water, Soiled and stained with streaks of crimson, As if blood were mingled with it! From the river came the warriors, Cleaned and washed from all their war—paint; On the banks their clubs they buried, Buried all their war—like weapons. Gitche Manito, the mighty, The Great Spirit, the Creator, Smiled upon his helpless children! And in silence all the warriors Broke the red stone of the quarry, Smooth.ed and formed it into Peace—Pipes, Broke the long reeds by the river, Decked them with their brightest feathers, And departed each one homeward, While the Master of Life, ascending, Through the opening of cloud-curtains, Through theiidoorways of the heaven, Vanished from before their faces, In the smoke that rolled around him, The Pukwana of the Peace~Pipe! The Peace - Pipe . CANTA-TA For Mz'xed Chorus, Baritone S010 and On:/zes2‘m. Words from Longfe11ow’s “'HL‘zzwatha” Music by F. S. CONVERSE Largo ed espressivo molto /\ . If M" 0.9}: ress. Copyright MCMXV by-C. C.VBirchard &‘ Co. International Copyright Secured. Made in U'S‘A‘ CHORUS SOPRANOS _ l a tmnpo - f On the mounmtains of the prai -rie, TENORS CI: f great Red P.ipe»s‘tone Quar» ry, Gi - tch‘e Man — i — to, the ALTO f great Red Pipe—st<_>ne Quar - ry, Gi -tche Man -~i - to, the BASS - Largamente /°.?\ /6% Mas-ter of Life) de — seen - f cresc. C’7'€Sb'. /7 He the ‘Mas-ter of Life, de -« seen — CW880. f ? Molto Sa.1'gamente e maestoso 6”» 9 poco wit. a, tempo 72f red crags of the red crags of the quar - fy, quar - ry, a tempo f Stood e - rect, and called the f Stood e — rect,.._______v______ Stood e - rect, and called the Called the tribes of men to - geth _ and called the na -‘Lions, Called the tribes of men to — geth na - tions, P000 No‘. A 53 Allegro mode‘-rato From his foot - prints flowed Allegro m0demtL0 f. Leaped in-to the light of f Gleamed like nf f O’er the prec — i—pice plung - ing down — Ward, Ish- koo—dah, 72_zf And the Spir - 17 /.\ 19 cam‘(Ib1'Ze 7)§f With his fin 72_zf stoop — ing earth—Wa.rd, With his Traced a f f Traced a f Traced Say-ing to "f creso. 7” 07-030. 7 Say~ing to mf crew. i _vvay!” xvayl” Largamente 20 Lar amente Say4ing Say-ing . Moderate Ffom the red stone of the quar -.ry _. J 21 Moderate Mould — ed With his hand he broke a frag = meh't,__ A//_\\ Shaped. and fash-ionedit with. ﬁl it in-to a p1pe - head)..___ Shaped and fash—ioned it with ’ 72_zf “ ~the mar-gin of the riv - _.f_._T.__.. /‘« ﬁg - ures ;___é .fig - ures;___ A the mar-giri of the riv :- 23/._———-—T Took a long _ reed for a pipe’ — Togk a- long ’ 17 Filled Iﬁhe . P 10 t i V 12 With its dark greenleaves up - on it; . - Filledi. thg. Q1’ ‘ P of the . pipe with A bark __ ' With the P —=-;* 1’ . pipe with bark ' ; With the bark of the. P -i‘ 71.1/L. ‘ f“_:__- - 1ow;_ Breathed,__ up -on the neigh-b’ring for - 7” cresc. '—‘--— Breathed___ up - pg the neigh-b’ring' for cresc. f "*'--—~ its great boughs chafe to - geth — >>.> ff ff.———-——— its great boughs chafe to" — geth ..____-- run 33"‘ 3 in flamethéy’ burst ‘and kin~d1ed; in flame they burst and kin - dledg V/\\ (‘X 67'€-5'0. 8877?}??? 5; Molto Largamente the moun-tains,‘ Gi-tche Man - i-to,the might ﬂf the moun-tains, t Gi-tche Man - i—to,the might 26 Molto Largamente 0 /—$ ' : ff dim. Smoked the Smoked the . Sig-nal to the :;ig‘- nal to the 27 t' - u-met, the Pipe, cal - u-met,the Peace — Pipe, S _ poco Wit. .1’? dim. .5’ pm b p\../ :9---': ,\ ' : \__-____'j Aﬂrzcca [V911 F % o L 18 Female Chorus N- SOPRANO_S- .Modcrat0 e grazivo so smoke rose slow-ly, "slow - Copyright,1917, by C.C. Birchard & Company Through the tran -quil line of_ déns - er, 1’ Then a snow-White cloud un - fold - 7)! ’ cresc.‘ .Like the tree-tops of the 777 ‘cresc. 77? C7”(:‘6‘(}. Till it touched the 077280. f ’ ~ cresc. ‘crest molto . Till it broke. a» gainst the heav - f Cress} molto __féresc. oito cresc. molto And rolled outnward. f c1'esc_[ molto f cresco mo 0 P000 phi mosso of VTA — wa - sen - tha,.__ From the val - ley of Wy - o - Frofn the groves of ‘ From the Northern lakes} and riv - Meno mosso e poco_ largamente the. tribes be — held the ' sig - smoke P17 : The Puk- Tranguﬂlo The Puk-wa - na 14’ . wit. A/iaccrz Nﬂlff N9 III Male Chorus: TENORS - . Moderat f /7 And the Prophets of the na-tions. said: “Be-h_o1‘d if, BASSES “Be—ho1d it, be - 49 Dﬂoderato f::—=-— 1'7 ' "(T ~% — V Bythis sig - nal Bend-ing like awand of wil ﬂy" hand /T Way - ing ’like a m / that beck-ons, Calls the tribes Mar}— i 7 to, the might - -11;’ ‘ marcafo Calls the ‘ Poco Largamente Gi‘- -tche of men to geth . - war - riofs to his coun -ci1!’.’_._. trem. /// Atiacca M’ [V Full Chorus 52 Allegro con fuoco ff 1" 6, ./7;. ‘o’ef the riv - ers, L. N9 IV .5 .the prai - ries, ff> Came ‘V the war - riors, L 1.. 53f Game the Del - a—wa.res a'nd_... f ~Came the De_1 - a-wares and _ .Mo-‘hawks, ‘Game the Sho-sho-nies and \ ..u==--"“"""" .______ : A Came the Chock-taws and Ca - Mo-hawks, ’ Came ' the Sho-sho—nies and ...——------'_____?—'_'''‘__‘’‘'‘> Came ’ the Chock-taws and 4 Ca - L >- > .>- ff~\ -Bvlaclk - Vfeet, Came the Man - dams and Da —. I ‘ L 11% Game théPaWnee§ and O - ma ff ,\...:j__:==_. Black - feet, Came the Man 7- dams and Da — .f Came the Pawnees and 0 - ma Came the Hu-rons and O - the H11 - rons ‘and O - jib - ‘Game "the Hu-rons andv O -. the ‘Hu - rons and O - jib V- ’ f crcns-0. All the war — ri —ors drawn to - c7-"(>,._s~(:. the war—ri—ors drawn to - geth — f C’/'(2.S‘l3. All the war — ri—ors drawn to .- CT880. the war- r‘i-ors drawn to - geth - f I m c°m2sc. /K\ f q_.J. "II A If?" the Peaee - Pipe, Peace - Pipe, the Peace - Pipe, * sig - nal of the Pea_ce - Pipe, Peaxce - Pipe, of th Pea"ce - Pipe, /——-\ 3 the Mouri-tains of the Moun-tains of the. great Red _Pipe 7 the gfeat Red Pipe. f And they stood there on >.. And they, stood there on >- With their weap-ons and their With their weap-ons and their Paint - ed like the leaves Paint-"ed like the leaves of Paint-ed like the sky .2’ Paint-ed 1ike’the \'._/ sky... of morn - ing, %‘*~...:_.=..._ 7}! ._.__{_._”___"":. Like the sky of morn - ing, glar - ing at each‘ oth - er; g1ar— ing at eadh oth ~ er; Ease. sempre poco a ' cresc. sem e 110.00 a 11000 In their: fa - ces stern de- fi — ance, he CTBSC, S6ﬂ2]}1”€ [1000 ll }’0€0 their fa - ces A stern de - fi — ance} in their hearts the feuds hearts In their } se-mpre mafcuto >/'—\ thirst thirst ' geance, - geance. > - geance. L Aﬂacca ‘Ni’ 9V Full Chorus Largamente cresc. moltu P1 \. 1' I F‘! III ‘I T‘) \ "‘l A I I Ir :1 1 . 7 A \ U + 5 I L U Gi-.tche Man - i—to,the ' y, 7”- g ' fl I The cre .- cresc. moita F‘! ‘F T : IL. 1/’ "' at hd ‘II ‘E I v V 7 Q \ IL I) \ v ‘EL 1 J ’ ._ .._____.d.. u 4 ‘ xii ‘-—...Z tche_ Man-i.—to, the might — y) \ U Gi .. H! Li! ' an . '| H II 4 I cresc. malto ,1 F“! \I’l [I] ~ ) -7 /A J» Lar amente /":‘\ 60 mf ~ a- tor of the W fff .—..——=»—- .a—tor of the - tions. dim. molto The f’ .. -' r" 5 GT8 ." \ I I 4‘ cresc. molto cresc. ma to 1/ Looked up -~ on themwith com—pas-sion, g, love and 12000 Mt. &___j VVﬁh pa —tenna11oveand pit yy i"..;—"‘_._ poco 7'1,’ 15. love and '/"it. — 71¢’) ~ Lookgd I y,£f>Va tempo ‘_ c7*e.s'o..S‘em]J1'e Looked up — on theh- ‘wraﬁx and wrang - Hug V "if a‘ 139771190 " ’ .sem}n"e poco a $___/ Wrath and wrang - ling and right hand , 4 Wm-. 1 . . L» +1. ‘ ""”"*“"L *”*T%*““t 1 I r I 1 A 1 U - x 3 1 \f T V 1 n - . , ’-\ K T ‘T 41 I I V » 7 5 I E I ‘R them stretjched his fights of chil-dren! he l/_l\- \ dim. -L ‘ I1: — I I §'— T‘. ' . fights of c'hi1-drenlv A L i . V mﬂijjn ’ " I " ' ' ' , _ 1 r ' Y stretched his right hand, I I 1 1 I 0 fights of chi1—drcn! their stub .— born - tures,Tob al — lay-.. their their stub ~ born na - tures,’I‘o __.__.___——~——— —-—~_ ___._ L ___,___‘___ _____ ___ _ (J 9 ft, J crew. = -t*h1ﬁ*—E9— |[‘ I I I I I L r ! 'l 1 I I ’ . thirst and fe — ver, By the shad—ow of_.. his right hand,- By the shad — OW ', right--- hand,- I I I G Molto Largamente Spake to them with voice ma-jes - ff Spako to them with voice ma-jes — J."/' sound of far off wa >- As the sound offar off wa Fall - ing in - to L deep a - byss - es, Warn — ing, chid-ing-, Fall — ing‘ in — to deep at - byss - es, Warn - ing’, chid-ing, Attaccaa.1V.'.’ VI N9 VI ’Bari‘t-one Solo Molto Lafgamente e Maestoso \._.3 »/ O my chi1—“dren! my poor chi1—dren2 Lie »-ten to the words of f\ 7I£f _ f Lis—ten to ‘chewords of warn - in.g,__ . From the lips of the G1'eaf Spir— it, From the Mas - ter of Life, who made youi poco Wit. 68 I have giv’n you lands to hunt in, I have giv’n you express. /______$ T’ streams to fish in, I have giv’nyou bear and bi-son, A ‘L2 /5} 69' I have g‘iv-en you roe and rein—deer, I have giv-en you brant and bea - ver, {T 3 full of fish -es,' /3 ‘F . ‘f. Why then are you not con-tent—ed?.‘ ‘T . /-\Q ____________.~.—._ Why then will you hunt each oth - er ? C’I'e5'C. *8?” 7'3 74]’ 1} of your quar.-rels, Wea nif cresc; semp re wars and b1ood—shed, Wea - ry of... your pray’rs for ven « geance, Z"§‘\ ' b1J"“\ .Of your wrang-lings and dis’-sen — sions; 72 ‘F; 1,4 ”f your strength is ' your ' un - ion, 7 ]"\_./ ...__._._...__———————- -V. All your dan - ger ' in dis - cord; There -fore‘ ~/vv f be atpeacehencefor-ward’ ' And as broth-ers ‘ 1ive._ to-Ageth-er.. /‘\ f V Lar amente ‘ will‘ send a proph _ _et ff- — rer of the na - Who shall guide you and shall teach you Who shall. ) /‘S > WFV I and suf-fer with lis - ten .to his coun sels, ‘ H1111‘ '” ti'P1YLa“d« 75 /—x cresc. sempre poco a pace warn - ings pass /.-—~§‘\ C1‘(.‘SC. 8 ]}7‘8 }?0C0 (1 I700!) ffg ./"""""“‘\ 77 Bathe now in the" stream _ be-=for”e W""”'" mf ; 2 % 'Wash the war ~ paint from___._ iyour fa f Wash the blood — stains KT Bur—yyourwar — clubs and your weap — ons, /~’-f“--\ nff Break the red-stonefrom this quar - Z"‘.-jj - — Pipes,.____ "V Take I the. reeds that grow be — side 3 2 them with your bright -est feath ers live hence -.- Molto Largamente P000 piﬁ mosso, Ina live hence—for — ward! . 81 -S/f3 calla trace maestoso Attacca N9 VII Full Chorus Allegro modereito 82-ff shirts of their ' weap 71_zf Threw their Weap - ons in - to the rush-ing riv --er, f Le‘aped in - to the rush - in - to the rush-ing 4 xriv - er, Washed the . Hg” c7‘e.sc. sempre L_—_____f,/ paint from their . __ ._ .._______. a - ngf cre.s'c.sempre Clear 9. - cresc. sempre war — paint ' their fa - ces. flowed flowed ‘Clear "ff c7'c.s'c. J?’ the foot the — ter of L1'fe_~_____________,_ de - scend: - - ter of Life de — scend - 'ffA —__.—~_—:3 flowed flowed .89 7” cresc. tre m . Soi1ed__ and stained 7” c're.s-c. L__,‘/ "(f 07-980. Soi1ed__ and stained ngf % 7” crew. ‘\_T streaks... streaks... Andante coil moto nf From the riv — er... the war— riors,- Andante con ‘mote mi the riv \2 all thei_r war - paint; Cleaned and washed from the war riors, f. .C1eaned andwaished from all theirwar ~ paint; «¢..;.._:~._—~___ f _._._———~ On the banks their clubs they bur - ied, .1’ From the riv — er came the war— riors, the banks their clubs they bur poco Mt. my twar - _1ikeweap - ons. mt. 7/1 the war 5 riors, crzntabile molto From the wa - ter__ thewar- riors,. 94 /"“'\ /""'—-T ‘ nf J A ied all their war - like weap - ons. _,..._....—— ~-—_._. the banks their clubs théy bur . ied all their Cleaned and washed from _ their war—paint, the banks their _ Z5 . .___f_$_=_*_“_ — tcheMan — i — to, themight -y,.. - likeweap - Bur-Vied all their watr-like weap-ons. clubs they bur - ied, Bxir - ied all their war - like weap- ons. . The Great Spir — it, the might -y,. The Great Spir - it,‘ The cre - a - ‘, up—on his help - less chil--dren! /§\ L -f The ore’? 3. -V é up-on his help « 1esschi1—dren! .........~._——~—-———~'~-————-—-—-~——--- f 67 P000 meno mosso e tranquillo 7/if And in si -lence help - less chil~dren!. wit. his help-less chi1~dren! MR5. Poco mono mosso e tranquillo 97 _S,_ the war — riors Broke the red stone the qua!‘-ry, Smoothed and formed it ' - to Peace-Pipes, Broke the long reeds 7).’ A - P by the riv — er, Decked them with their bright - est feath - ers, 17 :9 Decked them with their bright - est feath-ers, . P each one home - Ward, Tranquillo molto p atempo While the Mas — ter of Life, poco rit. a tem 1,0 each one home-ward, While_ the Mas.— ter of pogo M" 13. 99 Tranquillo molto 2 /’''''‘‘”'‘‘'‘‘‘“~~\\ ._ _/" iwco 1? c»t«“%2°¢’_..———~\.L as-cend—ing", as—cend-ing‘, Through the ope-ning of cloud cur- tahins, Through the doorways of the. Through the ope-ning‘ of cloud cur-tains, Through the doorways of the P ,//‘Ti; # Meno mosso 27 dim. Van-ished frombe-fore their dim. p dim. heaven,‘ Varhished from be-fore their j? dim. Mono mosso /"Via-‘ \_ p dz"m. mm. corda ’\ Largame,n‘te I ,1, ¢: smoke that rolled . a -= round uhixg, The Puk- P P smoke that rolled a - round The Puk — 100 Largamente /17 fig /- °/“T - PP ' ‘p ‘_"_____\_N of the Peace - . I of the? Peace — 3/“T ____..——-- :-===-mv .f%r.a:e;_\"‘“** 9:, ‘ * PP The Puk -wa - na PP The Puk- wa - na P1’ .¢:~_ L2‘ ' 171) mm corda -0-‘ pp Adagio The Peace 103 Adagio Bircbard Cantatas For Mixed Voices ADMIRAL OF THE SEAS. Text by CDRDELIA BRooI<s FENNO; Music by HENRY HADLEY. Splendid for schools. Orch. available. Time, 20 minutes. Piano-vocal score, $1. CHILDE JESUS. Christmas cantata. Text by HAZEL JEAN KIRK; Music by JosEI>H W. CLOKEY. Splendid for schools. Orch. avail- able. P. V. score, $ .60. Time, 25 minutes. ELIJAH. Mendelssohn’s oratorio edited by ALBERT SToEssEL. P. v. score, $1.50. For advanced schools and choral societies. FOR HE IS RISEN. Poem by ROBERT HILLYER; Music by Joseph W. CLOKEY. Easter cantata. For advanced schools and choral societies. Orch. available. Time, 20 minutes. I’. v. score, 3} .75. FOUNTAIN OF YOUTH. Poem by M. JOSEPHINE MDRONEY; Music by E. S. HOSMER. Splendid for schools. Orch. available. P. v. score, $1. GLORIA IN EXCELSIS. A Christmas carol. Poem by J. LILIAN VANDEVERE; Music by JosEI>H WAGNER. Well adapted for schools or choral societies. Orch. available. Time. 15 minutes. P. V. score, $ .35. GOLDEN JOURNEY TO SAMARKAND. From the play by JAMES ELRDY FLECRER; Music by GRANVlI.LE BANTOCK. For choral societies. For unaccompanied singing. Time, 15 minutes. P. v. score, $. .75. HALCYONE. =‘» Text by DAVID STEVENS,‘ Music by LAURENCE POWELL. For choral societies, with orchestra. Time, 15 minutes. P. V. score, $1. I HEAR AMERICA SINGING. Poem by WALT WHI'rMAN; Music by HARVEY B. GAUL. For advanced schools and choral societies. Orch. available. Time, 15 minutes. P. V. score, 35 .60. I WILL PRAISE THEE, O LORD. Text froirr 9th jﬁsalm,‘ Music by FREDERICK S. CoNVERsE. For advanced schools or choral societies. Ac- companiment for organ, piano, 2 trumpets, 3 trombones. Full orchestration available. Time, 15 minutes. P. V. score, $ .50 LAST SUPPER, THE. Text by DE CAs'rELLANI (16th century) ; Music by G. FRANCEsCo MALu>IERo. For choral societies and advanced schools, with orchestra. Time, 20 minutes. P. V. score, $2.50. LAMENT FOR BEOWULF. Text from the Anglo- Suxou ej:ic,- Music by HowARD HANSON. For choral societies and advanced schools, with orchestra. Time. 20 minutes. MAY THE MAIDEN. Choral dance cycle from the ballet music of Gounod’s Faust, para- phrased by HARVEY WORTHINGTON LooMIs. Splendid for schools. Orch. available. Time, 15 minutes. P. V. score, S .35. . MIRTIL IN ARCADIA. Text by LoUIsE AYRES GARNETT,‘ Music by HENRY HADLEY. For cho- ral societies and advanced schools, with orches- tra. Time, 2 hours. P. V. score, $2.50. MYSTIC TRUMPETER, THE. Poem by WALT WHITMAN,‘ Music by H. MAURICE JACQUET. For choral societies, with orchestra. Time, 1/4 hour. P. V. score, $2. NEW LIGHT, THE. Easter cantata. Text by GRANVILLE HICKS,’ Music by STUART B. HDPPIN. Splendid for schools or choirs. Orch. avail- able. Time, 25 minutes. P. v score, $1. OFFRANDES. Poems by VINCENT HUIDOERD and Jose JUAN TAELADA; Music by EDGAR VAREsE. For soprano voice and chamber orchestra. Time, 10 minutes. Full score, $5. OLD JOHNNY APPLESEED. Text by WILL DEEMs; Music by HARVEY B. GAUL. Splendid for schools. Orch. available. Time, 4-0 min- utes. P. v. score, $1. OLD PLANTATION DAYS. Text by FREDERICK H. MARTENE; Music by N. CLIFFORD PAGE. Splendid for schools. Orch. available. Time, 25 minutes. P. V. score, 3? .75. OUT WHERE THE WEST BEGINS. Poem by ARTHUR CHAPMAN,‘ Music by SAMUEL RIcHARDs GAINES. Splendid for schools. Orch. available. Time, 10 minutes. P V. score, S .25. PEACE PIPE, THE. Text from LONCFELLOVV,‘ Music by FREDERICK S. CoNVsRsE. For advanced schools and choral societies. Orch. available. Time, V2 hour. P. v. score, $1. PRINCESS ULALIA. Lyrical fairy tale. Text and music by G. FRANCEsCo MALIPIERO. For chorai societies, with orchestra. Time, % hour. P. v. score, $2. REX GLORIAE. Text and Music by SAMUEL RICHARDS GAINES. Christmas cantata. Splen- did for schools and choirs. Time, 10 minutes. P. V. score and parts for narrator and violin,= $ .50 complete. SATURDA‘Y’S CHILD. Poem from “Color” by COUNTEE CULLEN; Music by EMERSON WHITHORNE. For choral societies, with or- chestra. Time, 20 minutes. P V. score, $2. SCARLET HERON, THE. Text by FREDERICK S. MARTENS; Music by WILLIAM LESTER. For advanced schools and choral societies. Arr. for male voices. P. v. score, $ .75. SPRING RAPTURE. Text by NELL R. EBERHART: Music by HARVEY B. GAUL. Splendid for schools. Orch. available. Time, 20 minutes. P. V. score, $ .75. VILLAGE BLACKSMITH, THE. From the poem by LONGFELLOW,‘ Music by SAMUEL RICHARDS GAINES. Splendid for schools. Orch. avail- able. Time, 20 minutes. P. V. score, $1. VISION, THE. Text by CDRDELIA BRooI:s FENND; Music by SAMUEL RICHARDS GAINES. For ad- vanced schools and choral societies. Orch. available. Time, 1 hour. P. V. score, $1.50. VISION OF SIR LAUNFAL, THE. Text from poem by LowELL; Music by LEO SOWERBY. For advanced schools and choral societies. Orch. available. Time, 1 hour. P. V. score, $1.50. WHEN THE CHRIST CHILD CAME. Christmas cantata. Text by LAURA SPENCER PORTER,‘ Mu- sic by Jossrrr W. CLOKEY. For advanced schools and choral societies. Orch. available. Time, 20 minutes. P. V. score, $ .75. WORD MADE FLESH, THE. Christmas cantata. Text from Scriptures; Music by FRANZ BoRNsCHEIN. For advanced schools and choral societies. Orch. available. Time, 20 minutes. P. V. score, $1. VVRECK OF THE HESPERUS, THE. Text from the poem by LONGFELLOW,‘ Music by CHARLES H. MILLS. Splendid for schools and choral so- cieties. Orch. available. Time, 20 minutes. P. V. score, $ .65. C. C. BIRCHARD &. COMPANY BOSTON 221 Columbus Ave. Address Boston Oﬂice 113 W. 57th St. NEW YORK ALL AT SEA. Operetta in 2 acts. A Gilbert and Sullivan Dream, combining the most famous songs and choruses from the Gil- bert and Sullivan o_peras. 15 principals; unlimited chorus. Time, 2 hours. $2. BELLS OF BEAUJOLAIS. Operetta in 2 acts. Libretto by DAVID STEVENS; Music by LOU1s ADOLPHE COERNE. 18 principals; unlimited chorus. Time, 2 hours. $2. CONTEST OF NATIONS. Operetta in 2. acts. Libretto by FREDERICK H. MAR- 'rENs; Music by N. CLIFFORD PAGE. Time, 1 hour. $1. DRAGON OF WU FOO, THE. Operetta in 2 acts. Libretto by DAVID STEvENs; Music by CHARLES REPPER. 12 prin- $2. DOUBLE-CROSSED. Operetta for boys in 2 acts. Libretto by ROBERT F. ALLEN; Music by W. FRANKE HARLING. 17 prin- cipals; unlimited chorus. Time, 1 hour. $1.50. EMPEROR’S CLOTHES, THE. Operetta in 3 acts. Libretto by FRANCIS G. RICHARDS; Music by JOSEPH W. CLOKEY. 6 prin- cipals; unlimited chorus. Time, 2V2 hours. $2.50. HAPPY JACK. Operetta in 2 Acts. Libretto by SAMUEL BATCHELDER; Music by HENRY HADLEY. 10 principals; unlim- ited chorus. Time, IVZ hours. $2. IN ARCADY. Operetta in 2 acts. Libretto by DAVID STEVENS,‘ Music by ARTHUR BERGH. 14 principals; unlimited chorus. Time, 2 hours. $2. IL FINTO ARLECCI-IINO. (The False Harlequin). Operatic comedy in 2 parts. Libretto in Italian and Englisb by ANNA MALIPIERO and DAVID STEVENS; Music by G. FRANCESCO MALIPIERO. 7 princi- pals; extras and chorus. $3. LOVE’S SACRIFICE. Pastoral opera in 1 act. Libretto by DAVID STEVENs; Music by GEORGE W. CHADWICK. 4 principals; small chorus. $1.50. cipals; unlimited chorus. Time, 2 hours. Birch.-ard Operettas and Operas for Mixed Voices LEGEND OF THE PIPER. Opera in 1 act. Libretto by JOSEPHINE PREsTON PEA- ‘BODY,’ Music by ELEANOR EVEREST FREER. — 10 principals; chorus. Time, 45 minutes. $1.50. MAID AND, THE MIDDY. Operetta, in 2 acts. Libretto by DAVID STEVENs; Music by GEORGE LOWELL TRACY. 10 princi- pals; Iinlimited chorus. Time, 1'/2 hours. $2 PAN IN AMERICA. Operatic pageant in prologue, 3 acts and epilogue. Libretto by ROBERT F. ALLEN; Music by CARL VENTH. 12 principals; chorus. Time, 1% hours. $2. PEGGY AND THE PIRATE. Operetta in 2 acts. Libretto by GEOFFREY- F. MOR- GAN; Music by GEOFFREY O’HARA. 10 principals‘; unlimited chorus. Time, 2 hours. $2. PIED PIPER OF HAMELIN. Opera in 3 acts. From tbe poem by ROBERT BROWN- ING; music by JOSEPH W. CLOKEY; 7 principals; chorus. Time, 2 hours. $2.50. PLAY OF ROBIN AND MARION. Medieval folk comedy opera in 1 act by the TROUVERE ADAM DE LA HALLE. The first known comic opera. 8 principals. Time, 30 minutes. $1.25. _ PENNY BUNS AND ROSES. Operetta in 1 act. Libretto by LEIsA GRAEME WILSON; Music by CHARLES REPPER. 6 princi- pals; chorus. In unison. Time, 1% hours. $1.25. RIDING DOWN THE SKY. Operetta in 2 acts. GEOFFREY F. MORGAN; Music by GEOFFREY O’HARA. 12 principals; un- limited chorus. Time, 2 hours. $2. RIDDLE OF ISIS. Operetta in 1 act. Libret- to by DAVID STEVENs; music by BENDIX WILSON. 10 principals; unlimited chorus. Time, 50 minutes. $1.25. WAY DOWN SOUTH IN DIXIE. Operetta in 1 act. Based upon songs of STEPHEN C. FOSTER, arr. by CARL ENGEL; Libretto by FREDERICK H. MARTENS. Time, ‘/2 hour. $ .75. FAMOUS OPERAS Carefully Edited Cborus Parts for both Stage and Concert Use. Aida . . . . . . . . . . . . . .$ .50 Bells of Corneville. . . . .35 "‘Bohemian Girl . . . . . . .35 Carmen (Piano-Vocal) 1.00 "‘Faust .30 Gondoliers” . . . . . . . .50 Iolanthe Patience Pinafore "' Bichard abridged editions of the piano-vocal score, available for use with these chorus parts. 11 Trovatore . . . . . . . .$ .35 “‘Martha . . . . Mikado . . . . . . . . . . .. .35 Pirates of Penzance . .$ .35 .35 Princess Ida . . . . . . . . .35 .50 Ruddigore . . . . . . . . . . .30 - Sorcerer, The . . . . . . . .30 .35 I Tannhauser (P’no-Vo.) .75 Trial by Jury .15 permitting practical performance by amateurs,‘ C. C. BIRCHARD AND COMPANY 221 Columbus Ave. BOSTON Address Boston Office 113 W. 57th St. NEW YORK M4. 3,.‘ .....§,r».... .....*.,...:. . ..xs¢__..a..‘ .. 3 }n$.«.m . im ,
Show less

Title: Arrow and Song, The, The Arrow and The Song
Date: 1915
Text: nnussc uunnnv VASSAR COLLEGE nouamuzzv-set. new YORK Poem by Henry W. Longfellow Music by William Blailr Price, 60 cents The John Church Company Cincinnati New York Lonclon Deﬂcated to Jlargarel fem? 6’2'Zm0re The Arrow and the Song HENRY W. LONGFELLOW WILLIAM BLAIR Allegro (J = 92) f Presto Copyright MCMXV by The John Church Company International Copyright Poco Andante I’ an ar— row in to the air fell to earth /alga lo .5‘ 2);; 2'16 [I000 agzm/0 not .._____%____.___ For so swift - ...
Show morennussc uunnnv VASSAR COLLEGE nouamuzzv-set. new YORK Poem by Henry W. Longfellow Music by William Blailr Price, 60 cents The John Church Company Cincinnati New York Lonclon Deﬂcated to Jlargarel fem? 6’2'Zm0re The Arrow and the Song HENRY W. LONGFELLOW WILLIAM BLAIR Allegro (J = 92) f Presto Copyright MCMXV by The John Church Company International Copyright Poco Andante I’ an ar— row in to the air fell to earth /alga lo .5‘ 2);; 2'16 [I000 agzm/0 not .._____%____.___ For so swift - > SO sight_. could not f0l—low f\ f_\ Z"/‘may:/,2‘//0 T in its r1Etrr.‘_./_ 17-191-6 ]I,’0c0 Andante I breathed a song in- to the air It fell to earth .9‘. sz'm 2'16 legalo l7491— 6 keen 2> who 17491-6 17000 agzmto For who has vi - sion so :> :> and strong, for has vi -sion so keen 7 and strong, for '7 > > > > has vi-sion so and strong That it can fol-low the > > > mm/T of song? That ' can 722.3. fﬁ fol—low the flig ____ of ./f m e"/'a2zqa2'//0 Andante es pres sivo NV Long, long af— ter-ward in__ an oak, NV espressivo found__ the ar — row, sti11_ un—broke, and the song, the song from be- f.‘ gin — ning to friend. German, French and Italian Song’ Classics EDITED BY HORATIO PARKER Vol. I Soprano Vol. 2 Alto Vol. 3. Tenor Vol. 4. Bass These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large and ever increasing class of earnest aspirants to true artistry. The songs are presented always with the original text in order that their full ﬂavor and signiﬁcance may be preserved, and because a poem which does not suffer by translation is a thing hardly con- ceivable. Students and teachers as well, should remember that of these noble songs each is an earnest of like treasures which will reward any diligent seeker in the ﬁelds represented by the collections now offered for their use and guidance. The following composers are represented in the collection: Adam (lliaminzulo Ilalm l\I{1SS(‘I1(‘L Surti Iiaclr llelilws Ilamlvl l\lemlel.s.s'ul1i1 Hcmlzitti l’wetlm\'mi l)eIl’;\<:q11a Illllzmlelnt Miiilntli Ht-lu1l>erL I'»(‘lIII)t‘,l'g lmlmis Ilaydn .\loz:n'L Sclnnn-tum Iiixut IIlIl‘;lI1L0 Iloluws l'ul;ulillm »\‘tr:ui.-‘H Rmmnt-,ini Fulire Jensen l’ergolese ’l‘lmuw llrulnns Frzuick Legrenzi l’iernu 'l‘osf.i (i:lL.'L'lIlI Fnmz Loewe Rail" Vidal (‘ztlelara (dordani Lotti Rios \\':ignm' (‘um p-.u1zL Uzodard Luzzi Rosa \Vt,‘(‘I{téI'IIIl (Tau-issinii (lounod Marclxault Rubinstein \\'idur Uavztlli Grieg l\Iarcello S:tint«S;u-11s Wolf Ucdli Price each volume in heavy paper, $1.50. in cIoth, gilt, $2.50 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON
Show less

Title: Ships that pass in the Night:
Description
Date: 1914
Text: uusnc unnnnv VASSAR COLLEGE POUGHKEEPSIE, new vonu N?2iNED Ships that pass in the Night 5536 LoNG1=«jE:LLow I The music by T.W1LKINSON STEPHENSON. PRICE BO CENTSINET) BOOSEY 8; @. New YORK - TORONTO - LONDON.(’ENc..) . 9 EAST I711‘ ST. RYRIE BLDG.,YQNGE ST. 295 REGENT ST..W. THI-S SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION , HOWEVERV IS STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoostve. co THREE “HOM” SONGS h1That Should Be In Every Home No...
Show moreuusnc unnnnv VASSAR COLLEGE POUGHKEEPSIE, new vonu N?2iNED Ships that pass in the Night 5536 LoNG1=«jE:LLow I The music by T.W1LKINSON STEPHENSON. PRICE BO CENTSINET) BOOSEY 8; @. New YORK - TORONTO - LONDON.(’ENc..) . 9 EAST I711‘ ST. RYRIE BLDG.,YQNGE ST. 295 REGENT ST..W. THI-S SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION , HOWEVERV IS STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoostve. co THREE “HOM” SONGS h1That Should Be In Every Home No.3 in D3» _ _ ThcI'e_ aland I love, Far,far a-way mhere, Eiverltsvolqg 1s call - mg, _'v,I:en-derand c1ea.1-.‘._.. No.4inE'1a Joy in ‘heart a— wakes,» Heal-ingthatsong so true, » Float o’erthe breeZ_6'f1'0m H0I.I1€—y8W€3t f-\ C3111118‘m3b8°kt~° Y0 ' A Copyright MCMXVI by Boosey&Go. Price 30 cemS,(Ket Gash) MEJILIDY cw Lama: Words by.FRED-G-B0WLES- usic by T. WILKINSON STEPHENSON. h There's a patch of white heather a. - glpw on the C1iff,.And I See througha rain of For we .1iv’d we‘-1.osz:5(A"ij1’ the days 6. - W’ _ - gone,‘-l‘ha¢ have tra.vel1’d. fu11- soon to‘ years__. 0, ’1't’s un-derh ‘stars hi s . ci- ty stand, I hear Wher-.ev- er calla vac? ‘ Copyright MCMXV by Boosey & Co. ‘ No.1i3Dl» _ ﬂedz'cat_ed._to _my'frz'eml Ivor Foster Moderafo n. ‘ sottavace that o1d—fa.shion—edrhouse in that old fashi:5nedstreetDwe11a dear/ljt&tle,o fashioned . .._. , I can See their two fa-ces,'so 12_ , « \:/' f\ ten-der and sweet,And I love ev-,’ry wrin-kle thats . I m2hgf&7 "VIE./JZz¢;,,, f love ev—’1‘y mouse that old house In the Copyright by Boosey & Co. I SHIPS THAT PASS IN THE NIGHT. -\r\/xrs/\/u/~/\/\/\ SHIPS that pass in the night, and speak each other in passing. Only a signal shown ad a distant‘ voice in the darkness; So on the ocean of life we pause and speak one another, Only a look and 2 '-:T:»iv.:e=, then ciarkness again and a silence LONGFELLOW. SHIPS THAT PASS IN THE NIGHT. Words by T Music by 'L0NGFELL0W- T. WILKINSON STEPHENSON From “Tales of a. Wayside Inn.” Slowly and with feeling. /K/———-:‘+—~T f 29 ships; that pass in the speak; each oth-er in pass - ing, _ « “sits »’6’op3/Mg/ct,A{0z1{XIV by Baosey c6 00. sig — nal shown dis -tant voice dark - ness; and speak one ,;_—7.:n>:_=5e».r._a; A. ._ dark - ness Ev: [ (4 i 9% $ VT’ dark - ness OTHER RECENT SUCCESSFUL SONGS . BY EMINENT COMPOSERS T W'o1-ds by—'l‘ENNYSON‘. Mow No.47"nG$ . Sung by Mr. John M§Cormack. Music by ROGER QUILTER with em is. ' ' — Now Sleeps the crimson petal,now the W]: ; Nor wax;es the ss in the palace walk t 8 gold ﬁn 1’ J t.heporph’ry font‘ 'waken thou with me. sweetness f A Copyright, MCMIV by Boosey & Cor No.1 in C‘ T No.2 in D No.3 in E Word’: by V D I J x V A . S S Music by . MARJORIE PLCKTHALL ' — v — » JOSEPHINE Me Gun, Con moto about (84. : I” was a 1it—,t-1e1a.dW'1thfol-ly on“my ]ips,._ Fainwas ‘I’ All the seas no_w across 1’ southe1'n'{=we11, Every dawn I - hear- The l‘it~t1e streams of Du-na run-ning clear, No.1inU ‘No.2 inE|v ' T0 111). _ > I _ No.3 in 1» S S §¥%oW’IV1EN_ THE DEW IS FALLING. Words b3'I;1;N2”1:Il2%;§Q,1;Wt0 empWSsZ,w\}Vr1tten for and by Mom M9 C01-mack, , Music by EDWIN SCHNEIDyI(§h». VVhen the dew is all— I have heard a call- ae - rial sweet voices O’er thelow green hill; And when thenoon is - mg I have heardd. ab‘ .2’ e dam —_;—.__~._ a soslenu to cTy- in‘g VVh6‘r31l_1€} brown burn thr0’the hollows green and still. G And 0 sorrowupon me The gray grief f p» Copyright MCMXV by Boosey& Co. BTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS AS Y(@I@EASSj my /vFRED.E.WEATHERLY. KENNEDY RUSSELL Svnoot/zlg/,sim12lg/andwitlzgreat expression > > > >.:ff a_,f,.gt_ Kne¢1down,knee1down,my dearest, And kissthewaving grass, It is myheart. haswaited To hear-you as you pass; KT19e1d0W11:ifY°11 1'9 ' f ajfret. >—- 1"""‘l— PPV . .. 12 - her, And leave a kiss for me, For all the love of long a-go, For all you used to be! _._._.? Kneel down, you re -_ Copyright MCMXVIII by I y&Co. , - No.2 mm, V . ‘ _ 1\Io.3in F 'No.4inG7 D D ? \ J .. j $ S :§‘**~E;m_n "Music.by E.TI‘i.*‘UIIEMACHER- *1 4 J » . : WILFRID SANDERSON. ‘ 0 rose-,b1oom ev - er in... my lone-13" . O , shine stead-fast with ydurlight di -, vine, Ring on, 0. mm-cato > \/ ten. ' stung, yourmel-o -git of‘ joy, Life crownedxt 1a.st,_.__._. And love, and love is L. ‘ ' " Copyright MCMX by . _ 05:35. , at-, K K SEMEAIH ME; MQM LQMBJABDY’ NO_21'n Eb‘ \V01'ds by EDWARD LOCKTON. Music by HAROLD CRAXTON - —i_ :. Moderate I N0.3inG , Love are youwaitin in Lom-bar -_ dy, Wait-ingfor me o’er the cru— e1 sea, Dear, in this land so far n-der the stars for yoxL__ I" pray!“ Oh! might I passthroughthe night Come with a I’ I ’."vpy)-ight .VfCMXVIH"b‘ynBoos;y_&Co. as"-Under the Stars”.
Show less

Title: Cerfew, The, The Cerfew
Date: 1914
Text: uusuc LIIIAIY VASSAR COLLEGE oouc.HK::I-su-:. new YORK EELE;lEllE'lEIEl[E1E[@lEL§rE]|EI§IEJ['Ex'IEIEJELEJE]|§LElELl “*3 .,.:I mi « FU-i 5- Second Series The Daughter of Mendoza (serenade) . . _ . _ . . . . . . . . . . . . . . .. §I°E*’Z-7j’(§_TS§1}“,_»0rBAR_ 60 That Golden Hour SOP "TEN 30 M EZZO—SOP. or BAR. MEZZO-SOP. BAR. Yesterday ................................................... .. Am 0, MS‘; so SOP. TEN. The Curfew ALTO“; BAR _ . . . . .. 60 Periwinkle Bay . _ . _ ...
Show moreuusuc LIIIAIY VASSAR COLLEGE oouc.HK::I-su-:. new YORK EELE;lEllE'lEIEl[E1E[@lEL§rE]|EI§IEJ['Ex'IEIEJELEJE]|§LElELl “*3 .,.:I mi « FU-i 5- Second Series The Daughter of Mendoza (serenade) . . _ . _ . . . . . . . . . . . . . . .. §I°E*’Z-7j’(§_TS§1}“,_»0rBAR_ 60 That Golden Hour SOP "TEN 30 M EZZO—SOP. or BAR. MEZZO-SOP. BAR. Yesterday ................................................... .. Am 0, MS‘; so SOP. TEN. The Curfew ALTO“; BAR _ . . . . .. 60 Periwinkle Bay . _ . _ _ _ . . _ . _ _ . . . _ . _ . _ _ . . _ . . . _ _ _ _ . . _ _ _ _ _ . . _ . . _ .. MEZZO-SOP. or BAR. so Fulfilment . . . . _ _ _ _ _ . _ . . . . _ _ _ _ . _ . , _ . _ _ _ _ _ _ _ _ . _ _ _ _ _ _ _ _ . . _ . _ _ . . __ {SOP °"”3N- _ _ _ _ _ _ __ 60 ALTO or BAR. @EEE1EEFﬂE|EE151EfﬂE]EFﬂ§lEﬁ1E1EEE|E]@E'|-EEEWEETQEETEEEIEEE [it] EEL%rEILEt@TF3ELwwLEte@[E@JElLmE@EELwElE@J@ELmEEm|E]E@EIELmﬁlE we |EFE7|EIF@J7B1§J1@lE15][EFETL@lE|E|EﬂlEfEElfEF8T|E1|EJE|El ARTHUR P. SCHMIDT. Boston Leipzig NewYork _ 120 Boylston Street. 11 West 36"‘ Street. dis? 3. 10236-10237-5 The Curfew Solemnly, mournfully, Dealing its dole, The Curfew Bell is beginning to tell. Cover the embers, And put out the light; Toil comes with the morning, And rest with the night. The book is completed, And closed, like the day; And the hand that has written it Lays it away. Dim grow its fancies; Forgotten they lie, Like coals in the ashes, They darken and die. Song sinks into silence, The story is told, The windows are darkened, The hearth-stone is cold. 1!. W LOIVGFELLOW To MISS MARIAIVNE KIVEISEL The Cur few H.W. LONGFELLOW G.W. CHADWICK Lento espressivo — S01- emn-1y, mourn- fu1-1y deal- ing its dole The Cur- few {T -o r" is be- gin-ning to toll the em _ bers and 1) crew put out the light_ Toil comeswith morn - ing and rest with the night, The Copyrigght 1914 by Arthur P. Schmidt J‘ P8 102.36_5 International Copyright Secured . ' ' Public Performance Permitted con mzzma book is com - ple - ted and closed, like the day, And the hand that has Writ- ten it__ lays it a - way Dim grow its fan - cies for- f \, got - ten the lie,___ Like coals in the ash - es they dark- en and Song sinks in- to si - 1ence,the sto- ry is told {——\ ,/ JH?$,1o2:z6— 5 |._——-—-""“‘l The M Win-d0ws are dark - ened The hearth stone is cold Dark - er and dark- er the black sha-d0ws fall Sleep and 0, pm 19 e dim. bliv - ion reign 0 - Ver all. 39 osteuuto z—\ S01 - - emn-ly mourn - - fu1-1y deal - - ing its eﬂnl? S. 10236- 5 gin_ ning , er the em - - bers and‘ Z‘ ‘$393 9% - out the light comeswith morn - - ing and /‘\ the night. ﬁn c'ﬂ..'F.' 8. 10236 -5 vocal compositions in G. 0). Clllllllillcll Songs. Op.8 No.1. Rose Guerdon. Al,» (eb-—g) No ‘. Serenade. Eli (e !»~-g) . . No. . Before the Dawn. Db (el>~al>) Op. 11 No. . Request. F (c——f or a). . . . No . Gay little Dandelion. l\“al-‘C-‘IV . Thou art so like a Flower. E (e—gif . . . . . . . . The Danza. F (f—g) Db (d lr—-e) . . . . . . . . . He Loves me. F1? (e#——f'l¥) In Bygone Days. Eb (f~ab) . I know two Eyes. D (a——e) . Sweet wind that blows. Bl) weww P w ( —a) . . . . . . . . . No. 6. Lullaby. F (c—f). . . . Allah. E (c£l—glt), Db (hb—f) . . . . The Lament. Cmin. (c~—g), Amin. (a~e) The Lily. G (d#—g), Eb (b—eb) . . Green grows the Willow. Amin. (g —e) . The Millei"s Daughter. Eb (d—gl2). . . Sorais’ Song. D min. (a——eb) . . . . . . King Death. Ctimin. (gt?-— e) . . . . . The Sea King. Ciniii. (bb—-eb) . . . . Nocturne. Ainiii. ( Song from the Persian. Amin. (e—a) . A Bonny Curl. D (h~—-ft) . . . . . . . The Maiden and the Butterﬂy». .D (cit -—f#) A Warning. F (c—f) Bedouin Love Song. Dinin. (b—a), Bbmiii. (g— b) . . . . . . . . . . Two Folk-Songs. 0 Love and Joy. The Northern Days 0 Love and Joy. G min. (c——f), Amin. (<1 - g) Lyrics from “Told in the Gate”. (Words by Arlo Bates.) Complete. (Edi- tion Schmirlt No. 71a, 1).) High or Low Voice . . . . . . . . . 1 2' Sweetheart, thy lips are touched with ﬂame. C (d—_g), BE: (c—f) . . . Sings the Nightingale to the Rose. El’ (d—g), 0 (11-6) The Rose leans over the Pool. G (d—g), E (b—e) . . . . . . . . Love’s Like a Summer Rose. A (cl#———f'#), G (b——e) As in waves without number. (c——al>), Bb (a——f) Dear Love when in thine arms. (d—a), Db (bl»—f) Was I not Thine. G (d—g), (b E» — el») _ In Mead where Roses Bloom. Cmin. (c—-g), Amin. (a——e) Sister fairest, why art thou sigliing? Cmin. (e l>——aE>), Amiii. (c—-f) . 0 let Night speak of me. Eb (d-—-g), Db (c— f ) I Said to the Wind of the South. B (h——g), Ab (ab-—e) . . . .. Were I a Prince Egyptian. Amin. (d———a), Fmin. (bl»—f) 50 50 50 50 50 50 50 50 Lochinvar. Ballad for Baritone Solo and Orchestra, or Piano . . . . . . . . 125 Songs of Brittany. A Collection of Breton songs. Words by Arlo Bates. (Edi- tion Schmidt No. :20) . . . . . . ii. Loud trumpets blow — Proudly Child Haslin —- How ﬂowers fade — The autumn winds ~« As summer wind —— Love is ﬂeeting — My Sweetheart — How youth with passion plays — The lark that sang — Proudly at morn — The trumpet sounds -— The distatf whirled. er Cycle. The Crocus. G (d—e). . . The Trilliums. F ((1 —~ 8.) . . The Waterlily. Ab (ol>——ab). The Cyclamen. Ab (eb—ai>) The Wild Briar. C (f—g). . The Columbine. F (c-—g) The Fox Glove. F (d——f) . The Cardinal Flower. D min. (f—gtl) . . . . . . . . . . No. .. The Lupine. Bl» (e—f) No.10. The Meadow Rue. Amin. (c—g) No. ll. The Jasmine. Eb (f——ab) . No. 12. The Jacqueminot Rose. Cmin. 9 .°°.“‘.7°S":“.°’!~°!“ (c-—a . . . . . . . . . . 50 Song-Album 15 Selected Songs for Sopr. or Tenor. (Edition Schmidt No. 13) ii. 100 Nocturne —~— Song from the Persian —— He loves me —- Allah — The Danza — In By~ gone Days — Sweet Wind that blows - Lnllaby —— Gay little Dandelion e— Request — Thou art so like a Flower —— The La- ment —— The Lily -— Serenade — Before the Dawn. Song—Alhum. 17 Songs for Alto or Bar. (ldilitwn Sclmtirlt No. 38) . . 11. 100 Bedouin Love Song — Allah ——- He loves me ~— A Bonny Curl —— Tho Maiden and the Butterﬂy — Nocturne ——- The Lament —- ’i‘he Millerls Daughter — 0 Love and Joy- The Northern Days —- Thou art so like a. Flower —— I know two eyes —- In bygone days — Sweet wind that hlows —— Before the Dawn — The Dome -— Song from the Persian. Sacred Songs. When our heads are bowed with woe. Eli (c——g), Di» (bb—f) 0 Mother dear, Jerusalem. A I» (eb-—f or g), F (c—d Let not your heart be troubled. Eb (c——g), C (a—f) . . . . . . . . . . . . . . There is a river. Eb (eb——ab), C (c——f) 50 He maketh wars to cease.‘ Bi» (c—f), G (a——d ., . . . . . . . . . . . . 50 Brightest and Best (Christmas). G (d—fl¥). 40 Oratorios, Cantatas etc. The Viking’s last voyage. Baritone Solo, Male Chorus and Orchestra. . . . . 50 Ecce Jam noctis.( Lo, now Niglit’s Shadows) Male Chorus, Organ and Orchestra . 25 Phonix Expirans. Soli, Mixed Chorus and Orchestra . . . . . . . . . . . . . 75 V Abide with me. Lovely Rosalielle. Ballad for Mixed Chorus and Orchestra . . . . . . . . . . . The Pilgrims. Soli, Mixed Chorus and Or- chestra . . . . . . . . . . . . . . 50 The Lily Nymph. Dramatic Poem. Soli, Mixed Chorus and Orchestra . . . 1 Dedication Ode. Mixed Chorus, Solo and Orchestra . . . . . . . . . . . . . 30 Part-Songs. a) Men’s Voices. Jabberwocky. . . . Margarita . . . . . . . . . . . . . . 10 Reiterlied. Trooper’s Song . . . . . Song of the Viking. .’ . . . . . . . . The Boy and the Owl. (Humorous). . . Serenade “Softly the Moonlight”. . . . Drinking Song . . . . . . . . . . . . When love was young. (Humorous) . . lnconstaiicy . . . . . . . . . . . . . It was a lover . . . . . . . . . . . . b) Women’s Voices. Spring Song . . . . . . . . . . . . . Liillab . . . . . . . . . . . . . . . Mary’s Lullaby . In a China Shop . . . . . . . . . . Miss Nancy’s Gown (Minuet) . . . . It was a lover and his lass (Trio) . . Inconstaiicy . . . . . . . . . . Elﬁn Song . . . . . . . . Church Music. (Mixed Voices.) Praise the Lord (Benedic, Aninia Mea). Blessed be the Lord (Benedictus) . . . 0 Thou that Hearest (Hymn) . . . . . As the Hart pants (Psalm) God who madest Earth and Heaven, (Even- ing Prayer) . . . God to whom we look up blindly. (Prayer) 0 Day of rest. (Trio A. B.) . . . . O cease, my wandering Soul. (Trio A. T. B. or S.) (Trio S. A. T.) . . . . There were Shepherds. (Christmas) . . Brightest and Best. (Christmas). . . . Prayer “Thou who sendest sun and -rain” God be merciful . . . . . . . . . . . Art thou weary? . . . . . . . . . . . Come hither, ye faithful. (Christmas) . Behold the Works of the Lord . . . . While Thee I seek. . . . . . . . . . Saviour, like a Shepherd . . . Awake up my Glory . . . . . . Peace and Light . . . . . . . . . . . Lord of all Power . . . . . . . . . . Jiibilate in Bl) . . . . . . . . . . . . Sentences and Responses . . . . . . . The Beatitudes . . . . . . . . . . . . Thou who art Love Divine . . . . . . Welcome Happy Morn. (Christmas) . . 0 Holy Child of Bethlehem (Alto Solo and Chorus) . . . . . . . . . . . . Shout, Ye High Heavens! (Easter) . . ARTHUR P. SCHMIDT BOSTON 120 Boylston Street. LEIPZIG Lindenstraﬁe No. 16. NEW YORK 11 West 36”‘ Street.
Show less

Title: Hiawatha's Childhood
Date: 1914
Text: 2?: x; , :..: er »» \ f V n M ii‘ Wm‘ H ‘A C‘iiLDi‘i88D H OPERETTA BESSIE M. \X/HITELELY. I: 3' 1. 4 3' 4 "4 3- i . ;. :7 , _” ' _ I V _ \,\__»;¥;W Pantomime: Suggestions for Presentation of Hi_awatha’s Childhood COSTUMING OF INDIANS. . Boys: The usual play—Indians’ costume, sold at furnishing stores, is appro- priate. The “warriors” should have their faces as hideously painted as possible, and should wear a head-dress consisting of a bright colored band, decorated with up...
Show more2?: x; , :..: er »» \ f V n M ii‘ Wm‘ H ‘A C‘iiLDi‘i88D H OPERETTA BESSIE M. \X/HITELELY. I: 3' 1. 4 3' 4 "4 3- i . ;. :7 , _” ' _ I V _ \,\__»;¥;W Pantomime: Suggestions for Presentation of Hi_awatha’s Childhood COSTUMING OF INDIANS. . Boys: The usual play—Indians’ costume, sold at furnishing stores, is appro- priate. The “warriors” should have their faces as hideously painted as possible, and should wear a head-dress consisting of a bright colored band, decorated with up-standing feathers. They should carry bows and arrows, and tomahawks. ’ Girls: Select ankle-length skirt fringed around the bottom. The appro- priate colors to be worn are red, yellow, tan and brown. A bright colored shawl or scarf may be draped around the shoulders. Many strings of bright colored beads should" be worn. The hair should hang loose or in braids, and a band of cloth or of beads may encircle the forehead. Indian War Dance: This should be executed in a circle with much vigorous and stiff-legged jump- ing, accompanied by a ﬂourishing of_ tomahawks. A frequent breaking away from the circle by individuals, who indulge in a skulking movement, may be made. The dance suggested may be extended as long as needed by repetitions of the repeated passage on pp. 1 and 2. General Suggestions in regard to Characteristic Dances: It is considered best not to plan (through these suggestions) any set steps for these dances, as it has proven to work out more satisfactorily if the expression trainers in charge of the action are left free to follow the dictates of their individual imaginations, as excited by the plot and the music of the com- position. Steps, gestures, and general action should seem spontaneous. Dance of Mudjekeewis and Wind Spirits: These enter at the beginning of the music on p. 8. Mudjekeewis, only slightly accompanied by action on the part of the Wind Spirits, may execute a char- acteristic dance to the music, on pp. 8 and 9. Afterwards, to the music on pp. 11 and 12, the Wind Spirits have a more active part. A whirling ﬁgure performed by the individual dancers should be a characteristic of the dance of the Wind Spirits. All movements should be of extreme lightness. The costume for this dance should be of white or very light grey gauze, and long scarfs of the same material should befreely used as in any scarf dance. Phantom Dance: This action should express mystery and unearthliness. The arms must become most expressive, being frequently outstretched, and used in a beckon- ing gesture. The costume for this dance should be a long shroud-like drapery of white, covering head and body and fastened wing-style to the wrists. Fireﬂy Dance: Any dainty two-step form of dance can be used for this dance, for which only the smaller girls should be chosen. The circle, the serpentine ﬁgure, and individual ﬂitting about, always with exceeding lightness of step, are appro- priate. Hiawatha may take an active part in this dance, catching at or coquetting with the ﬁreﬂies. This pantomime may even be extended during his song “Wah—wah—taysee” during the rests in the solo, a repetition being made in the accompaniment during the rested voice-part. The costume for this dance may be of white or red gauze, and each dancer may carry a tiny electric ﬂash-light which is played upon frequently during the dance. During the singing of No. 11, p. 19, an interesting bit of pantomime may be carried on between Nokomis and Hiawatha. No. 16, p. 31, may be sung by a concealed chorus, Hiawatha being left alone in the woods, curiously listening and looking about for various birds and animals, even crawling under bushes, etc., in quest of his “forest friends.” The chorus may then make its appear- ance, with the three lndian maidens, in Nos. 17 and 18, p. 36, during the action of the shooting of the arrow by Hiawatha. At the close of Finale A, he leaves the stage, returningat Finale C. A — .. . _ . BESSIE WHITELEY HIAWATHA’S CHILDHOOD OPERETTA IN ONE ACT FOR UNCHANGED VOICES TEXT BY HENRY WADSWORTH LONGFELLOW MUSIC BY BESSIE M. WHITELEY 3 ﬂwarded tbe Prize by “Tbe National Federation of Music Clubs’ Competition,” closing September I, 1912, in tbe Operetta C/as: (Una/mnged 1/ oices) C. C. BIRCHARD E9’ COMPANY BOSTON Copyrzg/it, 1 914., by C. C. Bircbtzra’ 59° Conxpargv International Copyrig/Ivt yecured ‘CHARACTERS HIAWATHA. (As a young child in Scenes I and II,and as a youth in Scene III.) Represented by a young child and a youth. NQKOMIS. Represented by a girl dressed as an Indian woman. MUDJEKI-:EwIs. (West-Wind.) Represented by a youth. IAGoo. (T/ye Boaster.) Represented by a youth of size or a young man. FIRST INDIAN YOUTH SECOND INDIAN YOUTH Youths. THIRD INDIAN YOUTH FIRST INDIAN MAIDEN SECOND INDIAN MAIDEN Girls. THIRD INDIAN MAIDEN Indian Tout/)5, Warriors, Maidens, Women, U/ind-Spirits, Pbantoms, Fire-;ﬂt'e:,. etc. SCENE I A forest by a lake-, an Indian wigwam in foreground. SCENE II Further in the forest. SCENE III Same as Scene I. ‘T/2e 0 eretta ma be iven with one scene on] . P J’ 45' J’ Performed before the NATIONAL FEDERATION OF MUsIC Cums’ CONVENTION at Chitago, Illirzoir, April 2 5, I91 3 ; wider the direﬁion of M. Teresa Arm itage. The Orchestra P‘ll'(‘S may be obtained from the Publishers. Requirements for Performance: Purchase of at least 6 copies of the piano—voca1 score for the principal characters; where vocal parts only are preferred to the piano-vocal score for chorus use, a sufficient number of copies must be purchased for the participants, with two additional copies of thepianoyocal score; royalty fee of 315.00 where admission is charged. If more than one performance is given, and not on consecutive dates, there is an additional royalty fee for each performance. The names of the author and composer must appear on the program and in all publicity matter before and after performance. Chorut; .Przr£"s available CONTENTS SCENE I . INTRODUCTION: Indian War Dance Entrance of Mudjekeewis . CHORUS: “By the shores of Gitchie Gumee” . RECITATION: A little Indian maiden . SoLo: “Ewa-yea.” Nokomi: . RECITATION: First, Second, and ‘T/zird Indian Youth: . WIND SONG AND PHANTOM DANCE: PVz'nd-Spirzt: and P/zantonxr . Cuoxws: “At the door on summer evenings" SCENE II 8. DANCE 01-‘ THE FIRE-1'-‘LIES. Fire— in . RECITATIONZ An Indian maiden . SoLo: “Wah-wah-taysee." Hiawat/za . CHORUS: “Saw the moon,” etc. . CHORUS: “Then the little Hiawatha" SCENE III . RECITATIONZ F inc! and Second Indian Tout/2.: . ‘Sow: “Go, my son." Iagoo . CHORUS: “All alone walked Hiawatha . Cnoausz “And the birds sang round him . RECITATION: Fzrst, Second, and Third Indian Mazaen: . FINALE: (a) “Then upon one knee." C/zorz/5 (5) “Dead he lay there in the forest.” C/torus (c) “But the heart of Hiawatha.” C/zaru: MOT IVES The music is based on the following motives, derived from' Indian melodies . “GAME SONG" Indians of.Vanc0uver’s Island “LOVE CALL” Omaha"Indians ‘Used in No.1, (last movement) and No.6. .9 I ,5» A characteristic phrase from the original, a“Love Callﬁplayed on the native _/Zzzgeolet. “REST SONG” Omaha Indians Used in No’s 2, '7, 18 b. The melody line as’ in the original, the five measure groups devised by the composer. “LOVE SONG” Omaha Indians Used in No.4. The melody line as in the original, the rhythm devised by the composer. “DANCE SONG” Omaha Indians . i I" I’ W’ I’ ‘ Used in No.10. ‘rm E—l I The germ of the “Dance Song”, in the original of which there is more rhythmic than melodic development. “SONG OF THE SPIRIT” Omaha Indians Used in No.11. Derived melodically fromthe original, but condensed rhythmically. “OLD MAN'S LOVE SONG” Omaha In-dians .2’ Used in No.16. The repetition of the first two measures in the 5I_h below, is an in teresting feature of this melody. The publishers are indebted to Miss Alice C. Fletcher for permission to use the above motives from “Indian Story and Song from North Americav HIAWATHA’S CHILDHOOD Text selected from “Hiawatha” by Music by ‘ .HENRY WADSWORTH LONGFELLOW _ BESSIE M. WHITELEY Scene 1 A forest by a take; a zoigzmi/1 2'72 t/ze foreground , flag? closed. A few men and women seated about on the ground. ‘ Il]tI'OdIlCtiOIlZ Chorus and Dance of Indian Warriors Music oosort 2:/2071 a “Game Song” (f the I7za_’z'a7zs of Vurzcouzre/s z‘sZamz’. Allegro Vivace (Smmgzy mark the czzttar r /‘A . 7 1" 1' //-j*—§$ A (Enter I7m'z'a7z ‘warriors who A _ A A \ A A _A/—--\ A/""‘\_ give yells and dance m'goroz_¢sZy a war o’a7zcc.) Ki - yi—yi-yi, Ki-yi—yi-yi, Ki— i— '! IEi-yi-yi- ' '—yi-yi! A A A arcotiss. » “fab. {$3 The publishers are indebted to Messrs. Houghton, Mifflin Company for permission to incorporate ex- cerpts from T.ongfeHow’s“Hmwat}za3’ Copyright, 1914, by C. C. Birchard 81 Company (C'o7z2‘z’7zuea’ dancirzg of [7za’z'a7z warriors.) £3. axe (T/ze a’a7zc2'7zg gradually subszdes. A‘/..___—— decresc, 3% They are seen to was/z 2‘/zeir /zarzds 2'71 2‘/ze Za/ea, may z‘/zraw away 2‘/zezr arrows, to make peace-pzjﬁes 70/Liv}; they A 916 L/ ‘Sim “fem. axe 9,5 (Enter .3£UDJEKE7EW1SA9(WéSf-W/Z‘ﬂd) by WIjY;0- smoke 2'72 quiet groups.) T mprZ.c2.0S0 [A TE‘) 7710110 accel. , . _ $23. Hiawatha A11egr% KEEWIS raises 2‘/zeflap molto creso. ' : molto decresc. V ' so I 6%. of tile wzgzoam dz’soZosz'7zg N OKOMIS nursirzg the lz'lz‘Ze HIAWATHA.) _ (.412 group for C/zorus.) a Ze m Ch0I'uSZ “By the shores of Gitche Gumee” Soprano 1-H, Alto /lfusic based upon Omaha I7m’z'a7z “Rest Song» ¥ Andante moderate 7’!/' resAer7;e 1‘/zefz.'ve—7%easure r/zyz‘/z7/1A 2‘/zrouglzout.) A fab. 3!: ‘fab. 3:‘: etc. rzttaoco A ‘K At z‘/zis tempo, co7zsz‘der eac/z measure one beat. H 1' awat ha Andante moderato e e ressivb mf Soprano 1-H shores of Git - che Gu 2. By shin- ing Big - Sea -Wa ”€/' Alto 1. By Git - che gvu Big - Sea - . a shin — in wig - warn black an firs with wig - wam firs with , .\ Teheie '1. Daugh - ter 2.Br1ght be - Dau. h - tef of the Moon, 0 - Brig t ._,be - fore it beat the Dau h - ter of the Moon, 0 - Brig t be - fore it beat the Hiawatha Hiawatha ‘fab. T/my gal/zer irzto groups to flu? rig/22‘ amz’ /eff. NOKOMIS comes from file wzgwam, bearing an I7za'z'a71 cradle. black and shin - ing black and shin - ing ibe - hind the clear be - hind the clear gloom — y pine Big - Sea - Wa gloom - y pine Big — Sea — Vfa — bk; dim. 8 /22 trmzquillo "Eb. S/13 places 771 7'2‘ 2‘/ze Zitlle HIAWATHAV N‘? 3. Recitation (Sp0kVe7z by a Zz'z‘z‘Ze» I7za’z'a7z /m1z'a’e7z) “There the wrinkled old Nokomis Nursed the little Hiawatha, Rocked him in his linden cradle, Bedded soft in moss and rushes, Safely bound with reindeer sinews; Stilled his fretful wail by saying, “Hush! the Naked Bear will hear thee!” Lulled him into slumber, singing. N 9 4. S010: “Ewa—Yea" (zvozzoms) M02‘z've for music suggested by an Ullld/la 17zdz'a7z "Low Song” Molto moderato ‘mp 1. E _ wa-yea! My lit - tle owl — et! 2. E - wa-yea! My lit - tle owl — et! /rzolto traizquillo e espressrzzo F p legato E-wa-yea!__ E - wa-yea!._ Who is this, that E - wa—yea!_ E- wa.-yea!__ Hushlthe Nak - ed id 15000 rzz‘. H temﬂo \‘\_____/ ‘Em. >3@ Hiawatha lights the Wig‘-wam? With h1s great eyes Ii hts the wLg—wam? Bear will hear. thee! E - wa-yea! % '- wa—yea! A llt - tle owl - et, . - wa-yea! My ht - tle owl - et, E - wa—yea! My A lit - tle ow1~et! Who is this, that lights the wig-wam? lit - tle owl—et! Hush! the Nak-ed Bear willhear thee! > xfx/F 1' motto rtt. l 1 E- wa-yea! E -w‘a - ‘Em. are V, ./VTOKOMIS at the erzd of the song stoojzs over the cradle of the sZee_zbz'7zg HIAWATHA. All the others re - tire from the stage except three I7za’z‘zm youths who sjmale the foltozvtngr Hiawatha N0 5'). Recitation FIRST INDIAN YOUTII.‘ “Many things Nokomis taught him Of the stars that shine in heaven,‘ Showed him Ishkoo-dah,the comet. Ishkoo-dah, with fiery tresses :” SECOND INDIAN YOUTH: “Showed the Death-Dance of the spirits, Warriors with their plumes and war-clubs, Flaring far away to northward In the frosty nights ofWinter:” THIRD INDIAN YOUTH.‘ “Showed the broad white road in heaven) Pathway of the ghosts, the shadows, Running straight across the heavens, Crowded with the ghosts)the shadows.” Du-rz’7zg 2‘/ze rec1Itatz'07z qf 2‘/Le precea’z'7zg) I/ze stage is darkened. Enter /VIUDJEKEEWIS (West Wine’) and WIND SPIRITS and PHANTOMS. T/ze t/tree Iﬂdidﬂ your/zsi retire 2'71 fright. N9 6. Wind Song and Phantom Dance West Wind motive from Omaha Imiiarz “Love Call.” C .. apricioso .\ m,:)\ K? \m molto accel. e ores . H 1 .1vvzith;, Allegretto WAY!) .\‘/’./R1718‘ ,_ :'_ -__.,. _f I _ V .:.':: “ 4: Q; T . mo/to crest. _f ucce/. molto dim. amzcca Hiawatha Phantom Dance 74/‘ a lgmpo 6’ 71071 [again A A 77_1/' legato 1'!’/2/171/0272.: disperse) / ’\’\\ PP \ Z egg7'erz'ss2'IIz 0 Hiawatha Wind-Song AHGSYO (WIND SPIRITS < >- — 0o___.______j /I Zeggiero molto a’€crz.:sc. Hiawatha L ‘: mo//0 07’ 50. “$323. (l’f1A/1"/‘(M/,8‘ and WIND SPIRITS disagﬁpear as My siage is gradually Jig/zted.) ‘Sim. Qeb. (Mg/zzea slag ».) a [67/Zﬂo /é ajfa (,‘(/‘(z .b~.LA~ (Reenler Indian men, women and you:/zs.) Ky . 1’/H"//./_$/1.1/E.‘ — T/I6’ crowd Z00/as about czzriaus/y. Tlzey pic/e 24¢ afan offeaz‘/zers, an a7z2‘z'que war club, a 7I1(zC£7(I.s'Z7l, a /zeaolwtress etc, rep;-cserz/zvzg surprise by geslure. T/zzly lake rzotice 0f1V0I(0M1S and HIAWATHA by the zevzgzwzzlz, zm/zur/Izea’: a7za’fz'7za/Zy groupfor 1/zefollozwizg c/zorus: Hiawatha . ChOI'1lSZ “At the door on Summer evenings” Unison Chorus Mofme of music from Omaha “Rest Song” as in N? 2 *Andante moderato ’ f\ D mf Zega to J “m. (}’re.s‘er7~e //zc fnw 2/zwauzre r//yl/zm.) 7/; 1. At the door on sum - mer ’nings Sat the 2. Heard the whis— p’ring of the .. trees) Heard the /‘\ /\ I7 mf legato > \-2 - ’ - lit - tle Hi - a - Heard the wh1s -- p rmg lap - ping of__ “Mi - ne — wa f wa!” f\ (\ \ X’ /}0n.sz'a7er eac/z 7/zeasum as a sfrzgle /mm‘ Hiawatha of the pine Heard the lap - ping of t e said the pine “Mud - way - aush - ka!” said ‘ the der; Sounds of mu- sic, words of won der; Sounds of mu- sic, words of won T‘ g) _ 7/10110 rz'z‘. . a poco Ped~ ‘CURTAIN. Hiawatha Scene 2 A wooded scene. Stage senzzldarlg. ./V7'g/zl'scsr1z29. (Hiawat/za_.ana’ oz‘/zers gﬁresenzﬂ) N0 8. Dance of the Fire-flies INTRODUCTION Moderato 5 - ‘ /’/’g8""”"’ acccl e crcesc . (Enzer FIRE —FL[ES' and arrange for Dance.) .'/_\ .11 Zjemj) 0 attacca A DANCE Al1egre_t/t \/ 771}? Zeggz'erz'ss mo Hiawatha 7716710 WZOSSO T/M F]/{E- FL/ES vumis/I 4; 19’ A F H i awat ha N0 9. Recitation ( by (171 I/t/z’z‘a7z .1lm‘den) “Saw the fire-fly, Wah-wah-taysee, Flitting through the dusk of evenihg, With the twinkle of its candle Lighting up the brakes and bushes, And he sang the song of children, Sang thesong No/zomis taught him:” N0 10. S010: “Wah-wah—taysee”(HJAWATHA) (Mo2‘7'z'e for music of “Wu/1-7/ea/1-ta}/see)’xzzggesled by Omaha 17za’2’a'72 ‘i’/Jmzce Sang” ) Moderato (Preserve 2‘/ze culiar rlzytlzm ) mp Zeggie/0 sew/z,22Zz'ce 1, “Wah-wah-tay-see, Wah-wah-tay-see; lit-tle fire-fly, lit-tle fire-fly, 2_“Wah-wah~tay-see, Wah-wah—tay-see, lit-tle fire-fly, lit-tle fire-fly, Wah-wah—tay—see, Wah~wah~tay-see, Lit - tle flit-ting‘ white- fire in- sect, Wah-wah-tay-see, Wah—wah-tay-see, Lit- tle danc-ing‘ white— fire creature ,- Hiawatha Light me with your lit—t1e can—d1e, Light rne with your 1it—t1e can-dle, Light me with your lit-t1e_ can- (He, Light me with your lit-tle can-dle, _ A . 7Il€7Z0 7Il0SSO Ere up-on my. bed I lay me, Ere up—on my bed I lay me, Ere in sleep I close my eye-lids, Ere in sleep I close my eye-iids.' 6710 7110350 A I I1 916 a Zempo , light me! Light me with your.1it—tle can— e. Ah, light me‘. Light me with your lit-tle can-dle. ..:;- c1 lemﬁo } . Wah-wah-tay-see, Wah-wah—tay - Wah-wa.h-‘tay- see, Wah-wah-tay - L _ [mp atfacca L} During the sz'7zgz'7zg by I/Le c/torus £72 [/13 fa/Zozoirzg, A/'0I(0./IIIS and HIAWATHA wander aéaut, the form» er, e72z‘a’e7zz‘Zy }‘>0z'n2‘z'7zg om‘ zzarious natural wonders. . T/ze rejﬁ/ies of A70K0MIS are spoken afier eaclz dz‘m'sz'07z of the 0/zorus sz'7zgz’7zg. Hiawatha 19 N9 . ChOI‘IlS1 “Saw the Moon’? “Saw the Rainbow" ‘(When he heard the owls” (Scmi—Chorus in Unison) AZZer7zz1z‘z‘7zg,wz't}z spoken words M0z‘z'72e for music from Omar/za l7zdz'a7z “Song of the S'pz'rz‘z"’ T ranquillo Saw the moon rise Rip - phng, -rip-p1ing)round—ing" rom__ the wa /3 Saw the flecks and shad ws Hiawatha 15 z’ 24 agzfa Z0 Whispered“What 15 that?” flecks and shad-ows on it, /4;“; W“/“L-x # Right against the moon he threw her; ’Tis her body that you see there?’ Spoken l2y'1V0I(0M1S .- Once a warrior, very angry, Seized his grandmother’ and threw her Up into the sky at midnight; /ramq 112710 the heav - 2. Saw the rain - bow 11° Hiawatha Saw the rain-bow in the eav"n,_ /r;-—\\ Saw the rain-bow in the heaV—en, pm agilala In the East -ern e rain-bow, Whispered 1s g,t\~\~ss d {f_______\ VVhat 1s that,____ No-ko - misli_._ (K; .S'f)(I/(€71 éy NOKOMIS - Tis the heaven of flowers you see there/: When on earth they fade and perish, All the wild-flowers of the forest, Blossom in the heaven above us.” All the lilies of the prairie, JJ 1 .:walha Semi- Chorus Ah! tranqui poco agita to (mz'sterz' 3. When he heard t- ing, laugh — ing Hiawatha £1} a taro U - - ( . VVhat 1s e cr1ed__ 1n ter - ror‘/.What 1s. that?” e said, VVhat 1s__ that ff}. Sjzoken Wards by No/c0mz's 652%’ “That is but -the owl and owlet, I Talking in their native language Talking, scolding at each other .” W T m /' sezzz/We z‘ra7zqm'ZZ0 V L. 19 Semi Chorus //-——%§Oh!.________ 5 ./‘T . -./‘*5 . Hiawatha N9 Chorus. “Then the little Hiawatha” (Full Chorus in three parts) Moderato con s irito 7’!/° Soprano I-II the lit — tle Hi - a —wa-tha all beasts he learned their language, the lit — tle Hi — a - wa-tha Of all beasts he learned their language, Moderato con spirito \_ V T I ' . ‘ V Learned of ev - ’ry bird its lan-guage, Learned their names and all their se-crets, Learnedtheir names and all their se- crets, How the beav - ers built. their lodg-es) 4* —— N K I I I ' |\ | K 1 I . I II I W R I K 4:» d d’ II N l\ v T’ v 4- 47 at at -it .v xx Learned of ev — ’ry bird its Ian-guage, Learned their names and all their se- crets; Learned their names and all their se-crets, How the beav- ‘ers built: their lodg-es, {Lid JA 5 T +5T,g~4 J T V3 #5 LI: ... l .g I Hiawatha f Learned their names‘ and _ all their se—crets,How theybuilt‘ their nests in sum~mer, Where the squir-rels hid their a-Corns, How the rein-deer ran so swiftly, f 2- "9" Learned their names and_ all their se- crets, How they built their nests, VVhere the squir- rels_ hid their a—corns,_How they ran so swift-ly, they hid them-sel_Ves,} ____i so tim _ Talked Where‘ they hid them-S.e1VeS’} 1~2. Talked with themwhen—e’er he met themjii Why so tim - Id) marcato Where they hid them-selves in win-ter , . Why the rab _ bit was so tim_id”}’l-2.Talked with them, with them, Hiawatha them where- e’er he... met them , f Talked them._ when - e’er Ea met them, Talked with \_/ . them, Talked with /—'‘T Called them “Hi wa-tha’s Chick-ens.” Called them “Hi wa — tha’s Broth—ers J’ I’ - tha’s , Called them“Hi - a - 7 }) ‘ ‘has: Called them “Hi - a - sempre can .3 Called them "Hi - a - wa—tha’s Chicken.” Called them“Hi- a - wa—tha’s Brothers.” f “ ) H - . - tha, — - thas) H1 - a - wa -tha! cresc. \ /3 wa-tha’s Chick-ens.” 4: . , 2; . . I wa_tha,sBI_Oth_erS‘”}H1 a - wa - thas, the ht-tle H1- a -\na tha. 53%. w * Hiawatha - 9 Scene (Place. —- As in Scene 1. Upon the stage are Iliazoat/za as ayonth, Nokomis, Iagoo, Indzan men, wom- en, youths, etc. Iagoo is seen makmg arrows.) N0 13. Recitation FIRST INDIAN YOUTH Then Iagoo,the great boaster, He the marvelous story—te11er’ He the traveller and the talker) He the friend of old Nokomis, Made a bow for Hiawatha. SECOND INDIAN YOUTH From a branch of ash he made it, From an oak-bough made the arrows, Tipped with fl-int, and winged with feathers, And the cord he made of deer-skin, I Then he said to Hiawatha N9 14. S0l0:“Go, my sonz”<1Aooo) Motive of music based upon “Game Song” of 2‘heIndz‘ans of V(I7Z(/‘07t7;gI’)S Is/and Allegro e vigoroso Begin music with last [me o]’recz'tatz'on A A f A(Preser71e the r rhythm e A “Go, my son, in - to the for-est, Where the red deer herd to—geth-er, A , ‘Ea. Hlawatha Kill for us ‘a fa-mous roe—buck} K111 for ' A, ~ /'1‘ “Go, my son, in - the for - est, Where the reddeer herd to-g'eth—er, A Go! Kill for us A a-mous roe-buck, Ki f r us a ‘deer with ant-lers! Go, my son, in - to the for - Hi uwatha Where the red deer herd to—geth - er.” IAGOO gz'7*w.s~ in HJAWATHA 271/» (Low and arrows mm’ [5/{I(z’.s‘ /12'/22 (ff; poz'7zz‘z'7zg to t}1e_f0res2‘ 1'71 ﬂze bac/e~ altapca f.\ L_____,, T/1e 02‘/zers watch his a’epar2‘ure,gi7'1'7zg /zz'm.(by 1§a7zlomz‘r/re) rm e7zcoumgz,-‘rr1e7zz‘ far /1219 2/zzr/er!/1/«mg. T /16 semzlclzorz/5, z'7z cu7z2’emj>Zat7'07z sings 2‘//e fa//07m'7zg: NQ) “All alone walked Hiawatha” Semi Chorus in U ison And ante (Quasi rec7'I‘al2‘720) Forth in—to the for—est straightway All a~1one walked legato ' > /(IA-af,.,,, a fcmpo H 2 uwatlm Hi- a-wav-tha) All a. - lone walked Hi - a - §va—tha, > ' Proud-1y,with his bow and ar—rows; Proud-1y)with his ::”\ ”‘\ bow_ and ar - a- lone walked /'\ /57 V __ W.‘ H iawatha N9 16. Chorus: “And the birds sang round him" Full Chorus in Unison wtih Flute and Violin Obbligato Matwe Qf music from “Old Ma7z’s Love Song” of the (/ma/za Irzdzmzs Moderato Quasi rec-Z‘[afl’.z)0 espresszvo ea’ irmzq. Chorus 1. And the 2. Sprangthe 3. d Zra7zquz’ZZ0,co7z azioso, sempre /eg/12'/u An the {F - ————‘-T .7’ ‘ . birds sang round him 0 ’er birds sang squir - rel, Au’ — jz' - dau Ad’ — jz' - rab - bit from his path from his {"‘\ Hiawatha him, Sang the rob - in, the 0 — paw - L‘//M’, mo, Up the oak - tree, close be — side him, way, Leaped a - side, and at a dis ~ tance, 3-6 ----------- --L ---------------------- --, r b \ /—\ Sang the blue - bird, the 0- wais-sa, And the bi;?1s sang In and out a - rnong the bran—ches, Laug‘hed,and said be - Sat e - rect up - on his haunches, Say - ing to the 2-\ Hfawatha him, bir s sang o’er his laugh-ing, close be — side the hunt — er, to the hunt H i awat ha “Do... not shoqt us, “Do____ not shoot me, “Do__ not shoot me, / /, Hiawatha decresc. molto dim . e Hiawatha N9 17. Recitation FIRST» INDIAN MAIDEN: But he heeded not, nor heard them, For his thoughts were with the red deer; On their tracks his eyes were fastened) Leading downward to the river, To the ford across the river, And as one in slumber walked he. SECOND INDIAN MAIDEN: I-Iiddenin the alder-bushes, There he waited till the deer came, Till he saw two antlers lifted, Saw two eyes look from the thicket, Saw two nostrils point to windward, And a deer came down the pathway Flecked with leafy light and shadow. THIRD INDIAN MAIDEN: And his heart within him fluttered, Trembled like the leaves above him, Like the birch-leaf palpitated, As the deer came down the pathway. Fina;l€I(A)“Then upon one knee” (Chorus in Unison) Motiw of music based upon I2za’z'a7z “Game So7zg""(Vanc0u22e.r’s Island) Allegro con vivo (Praserwe //M j)€Cu/1'11)’ r/zy//2///J A /X on one knee u -ris-in Hi - a-wa-tha aimed an ar— row- P 2 . 2 /’’”'x fl Scarce a twig moved with his /A’—\ #A I‘11S tamped with all his hoofs foot up-1ift— ed, ‘ Hiawatha to-gether.‘ List- ened; mo-tion, Scarce a leaf was stirred or J 2"'”—“$ semﬁre 721 -fa rte roe—buck start—ed ) List-ened with one a [em/Jo Leaped as if to meet the ar — row.‘ a tempo cresc. I €23. Ten fa -tal ar - row, Li e a wasp Vit.. buzzed nd 2 qf mall‘;/1 dz‘/22. ‘fa. as \« Finale (B) “Dead he lay there in’ the forest” Semi Chorus in Three Parts Preserve the five measure r/zytlmz ndante moderate e espressivo ‘K Soprano It/II. Alto 7 P ,., >' boprano Hum_ Dead he lay there in Andante moderate‘ Hum. Beat his tim-id heart no C(msz'a’er*eac/z measure as one lzeaz‘ Hxawat a Beat his tim - id heart atta 0 ca decresc Hiawatha Finale “But the heart of Hiawatha” Chorus in Unis on Motzkre for music of (0) and ((2') based ujﬁon “Game Sd7zg” oft/1e 17m’z'a7zs of Va7zc(/zwer’s lslmza’. Enter HIAWATHA bearing the deer, aim’ exultanlly Allegro con sp1r1to » - (Preserve the peculiar rlzyt/mz J. ‘(T ‘Eek. heart of Hi- 21 - wa - tha,___ Throbbed and -ed) shout-ed and ex-‘ A A ult — ed! Throbbed shouted and ex—uIt—ed.' AAS he bore the A A ‘S Amarcato red—deer home - afmrm 3% Hiawath a Finale “Strong-Heart” - Full Chorus in Three Parts Allegro Vivace A Sopranol Soprano II Alto I erve 2‘/ze peculiar r/wt/zm) A _ , Allegro _v1Vace A f marcato a - goo and No - ko-mis Hailed his com-ing with ap - plaus - es. Hailed his com'- ing with ap-plaus - es. Hailed his com-ing with ap - plaus - es. " '‘ A/-————$ From the red- deer’s hide, No - From the Hailed 2— A Hiawatha ko4 mis, Made’ a red- deerh hide, a red-deer’s de, a Made a cloak for ban-quent to his ban-quet to his Vban-quet to his Hiawatha cloak for c1oak‘for Hi - a - - tha, wa - tha, A \ cloak for Hi - a - 2. ‘fa. red-deer’s flesh,No- ko-n1is Made a hon - Mad a ban-quet /.”"""T marca to All e vil-lage came and feast -ed, to his hon-or, ' All e vi1- lage came and feast-ed, T All e guests praised Hi - a ~ wa - tha, All the guests praised‘ '- a—wa—tha, Called him “Strong'~Heart, Scan - ge Called him “StrongHeart, Soan - ge Called him “StrongHeart, Soan- ge Hiawatha him “Strong — eart, '— Called him “Strong - Heart, Called him “Strong - Heart, A /4. A _/j" ma rcatov A decresc. ‘fab. CURTAIN A Vsempre H i aw atha. 221 Columbus Ave. Birchard Operettas, I Cantatas, and Operas For Treble Vozces BLUE BEARD. Operetta in 1 act. Libretto by ' ALICE MONROE FOSTER; Music by FAY FOSTER. May be given in high schools. 4 principals; chorus optional. Time, 1 hour. $1.25. CARMEN. BIzET’S. Opera. Abridged edi- tion for stage or concert performance. For choral societies and high schools. 7 prin- cipals; chorus. Time, 45 minutes. $1. CHILDE JESUS. Christmas cantata. Text by HAZEL JEAN KIRK,‘ Music by JOSEPH W. CLOKEY. May be given in junior high school and above. Time, 25 minutes. . Piano-vocal Score, $ .60. DRAGON OF WU FOO. Operetta in 2 acts. Libretto by DAVID STEVENS; Music by CHARLES REPPER. May be given in high schools. 12 principals; unlimited chorus. Time, 2 hours. $2. FIRST CHRISTMAS, THE. Christmas Can- tata. Text by CORDELIA BROOKS FENNO; Music by LOUIS ADOLPHE COERNE. For _ high schools and choral societies. P. V. score, $ .75. FOUNTAIN OF YOUTH, THE. Cantata. Poem by M. JOSEPHINE MORONEY, Music by E. S. HOSMER. May be given in junior high schools and above. Time, 20 minutes. P. V. Score, $1.00. HANSEL AND GRETEL. An English song- play adopted from Humperdinck’s opera by BERTA ELSMITH. May be given by junior high schools and above. 5 principals; cho- rus. Time, 1%; hours. $1.50. HIAWATHA’S CHILDHOOD. Operetta in 1 act. Text from LONGFELLOW; Music by BESSIE M. WHITELEY. May be given in junior high schools and above. 6 princi- pals; chorus. Time, 30 minutes. $ .75. I HEAR AMERICA SINGING. Cantata. Text by WALT WHITMAN; M u s i c b y HARVEY B. GAUL. For advanced high schools and choral societies. Time, 15 min- utes. P. V. score, $ .60. JOHNNY APPLESEED. Operetta in 1 act. Libretto by DAVID STEVENS; Music by HARVEY WORTHINGTON LOOMIS. May be given in grades above 4th. 8 principals; chorus. Time, 25 minutes. $ .75. LEGEND OF THE DANDELION, THE. Cantata. Text by CLARA LOUISE KESSLER; Music by JOSEPH W. CLOKEY. May be given in high schools. Time, 20 minutes. P. V. score, $ .75. LOVE’S SACRIFICE. Opera. Libretto by DAVID STEVENS; Music by GEORGE W. CHADWICK. For choral societies. 4 prin- cipals; small chorus. Time, 30 minutes- $1. 5 0. BOSTON C. C. BIRCHARD S; COMPANY Address Boston Oﬂice. MAY THE MAIDEN. Choral Dance Cycle from Gounod’s F a u S t , paraphrased by HARVEY V‘!/ORTHINGTON LOOMIS. May be given in high schools. Time, 15 minutes. P. V. score, $ .35. MOTHER GOOSE ARABESQUE. Cantata. Text and music by JESSIE MERRILL TUKEY. May be given in junior high schools and above. Time, 15 minutes. P. V. score, I $ .75. OLD JOHNNY APPLESEED. Cantata. For junior high schools and above. Text by WILL DEEMS; Music by HARVEY B. GAUL. P. v. score, $1.00. OUT WHERE THE WEST BEGINS. Cantata. Text from tbe poem by ARTHUR CHAP- MAN; Music by SAMUEL RICHARDS GAINES. May be given in high schools. Time, 10 minutes. P. V. Score, $ .25. PENNY BUNS AND ROSES. Operetta in one act for unison Singing. Libretto by LEISA G. WILSON; Music by CHARLES REPPER. May be given in grades above 5 th. 4 principals; chorus. Time, 1 hour and 15 minutes. $1.25. RIDDLE OF ISIS. Operetta in one act for unison singing. Libre t to by DAVID STEVENS; Music by BENDIX WILSON. May be given in junior high schools and above. 6 principals; unlimited chorus. Time, 50 minutes. $1.25. ROCOCO ROMANCE, A. Cantata. Text by FREDERICK H. MARTENS; Music by A. WALTER KRAMER. May be given in high schools. Time, 20 minutes. P. V. score, $1. SPRING RAPTURE. Cantata. Text by NELL R. EBERHART; Music by HARVEY B. GAUL. May be given in junior high Schools. Time, 20 minutes. P. V. score, $ .75 . TUBAL CAIN. Cantata. Text by CHARLES MACKAY; Music by HARVEY B. GAUL. May be given in junior high schools and above. Time, 30 minutes. P. V. score, $1.00. YOUTH AND LIFE. Cantata. Text by DAVID STEVENS; Music by PETER BENOIT. May be given in grades above 5th. Time, 25 minutes. P. V. score, $ .65. WAY DOWN SOUTH IN DIXIE. Operetta in one act. Based upon songs by STEPHEN C. FOSTER, arr. by CARL ENGEL. Libret- to by FREDERICK H. MARTENS. May be given in junior high schools. Time, one half hour. $ .75 . 4,, NOTE: Orchestration: are available for all opera: and operettas, and for most of the Cantatas. NEW YORK 113 W. 57th St. 9'. ; 3 i § 4 K € £ 5 é .9 V Z 5 ‘E '.._a 5 2 . E 5 ['1 ‘ , 1 WITH SAILS &OARS ; '.V|«1\\?R\_\\V~i§x—V,\VV--§-V-s-V7VT\_.I:tTV'-1\!\\¥ -L
Show less

Title: Ships that pass in the Night:
Description
Date: 1914
Text: MUSUC LIBHIHY VAS.°..‘!."’ coy} --~E . .,..,. ,_ 3 pa N?2INEb Ships that pass in the Night 9%? _ Sons THE WORDS BY LoNGFfrE1..1.ow ' The CD1; sic by T.W1LKINSON STEPHENSON. PRICE 60 CENTS.(NET) BOOSEY & @- 9 EAST SEVENTEENTH STREET, NEW YORK 295 REGENT STFQEET, LONDON. ENG. . THIS SONG MAY BE SUNG IN PUBLICVWITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE or ANY PARODIED VERSION HOWEVER, Is STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoosav& co. OTHER RECENT SUCCESSFUL SONGS BY...
Show moreMUSUC LIBHIHY VAS.°..‘!."’ coy} --~E . .,..,. ,_ 3 pa N?2INEb Ships that pass in the Night 9%? _ Sons THE WORDS BY LoNGFfrE1..1.ow ' The CD1; sic by T.W1LKINSON STEPHENSON. PRICE 60 CENTS.(NET) BOOSEY & @- 9 EAST SEVENTEENTH STREET, NEW YORK 295 REGENT STFQEET, LONDON. ENG. . THIS SONG MAY BE SUNG IN PUBLICVWITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE or ANY PARODIED VERSION HOWEVER, Is STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoosav& co. OTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS V No.4inGia "' ‘lﬂormack. M -'- b ROGER UILTER. 3 Words byQ.ENNyfs,oN. Sung by John M b um y Q Sluuguvvil/é emp/mszs. , _ A h e. Nor waves ress in the pa.}ace walk Nor ks t e gold Now sleeps the 01'1m50-9 P“"“1’“°W the W ’ » 17 f( [ ‘ _ V wake“ - thou with me, ‘ Nowfo ds the all x-sweetness the porp K1‘)? ’ “‘ f /‘\ Copyright MCMIV byBo/oeey & Cc;-r . Musicb” zvfoaléoe 6.9.9 b Z___,\ O’e1-the white- Hiiild dune__ The wan-.. night moon_ Is /zgf ‘Copyright MCMXXII by Boosey&Co. ___.._ Nmmp No.2in Gk tjsyvﬂ E1919} No.3in Ab No'.4InB‘a deBURGH d’ARCY. _ ” A “ "J " GEORGE P. HULTE N. Music by ) KENNEDY RUSSELL. Andamtzho ‘ ' __ _ v ’ p—-_.—r_.___—-- Close my eyes as you wou1d,ten' — der - y, Mourn not my loss, you 1ov’d me faith— ful - ly. ‘ Then, w n the co1d‘g1'ey Dawn breaks s'i - lent - 1y 7 . " v S1D'~t"t “Hf” ..A.“"’ S9 2- im\_____/ Bocieey a§%§3?‘§ ?a§5§§n17t31I§t$, N.Y. Copyright MCMX ‘by Edwin Ashdown,Ltd. V SHIPS THAT PASS IN THE NIGHT. SHIPS that pass in the night, and speak each other in passing, Only a signal shown andva distant voice in the darkness; So on the ocean of life we pass and speak one another, Only a. look and a. voice, then darkness again and a silence. LONGFELLOW. SHIPS THAT PASS LN NIGHT. Words by V ‘ Music by LONGF-ELLOW % ’ ' ' ‘T; WILKINSON S_TE]1HENS.0N. From “Tales of a -Wayside Inn’.’ A . V M Slowly and with feeling. .1" in the ‘T speak___ each oth- er in pass — ing, 00113/rigkt M0./IIXIV by Boosey «E 00. mi’ /—~—--~*g / ‘\ Sig - nal shown and a. dis - tant voice dark - ness; and speak one an .- .{"’f ’ R look... and a voice, _ then- dark - ness dark — neés a. - gain, OTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS No.1inC No.2inEb_ To DJ). , ’ No.3 in F T j , I V ‘ ‘ » WHEN THE DE W IS FALLING. ~ i WW5 by 1:,Il2Nj,f§2%§§0,%'0,t0 gm,m.sZ.,J0\?\71'itten for and _S<u by Mr. John M9 Cormack. Music by EDWIN SGH_NEIl’h7%=- When the dew is all- I have heaqla ca.]l- ae — rial sweet voices the low green hill; And when the noon is . . . - _ ~ \ - . . y - ing I have hezutda he ' . ' f J'il‘- 6 dim :1... a soslenu to cry- ing Wh r-re thehrown bum slippefyh thrtfthe hollows green and still. “ And 0 the sorrow upon me ,7 A. *7“: _ . — The gray grief up-on me. »' eddm. --{——=.... Copyright MCMXV by B0osey& 00. Music by , R.VAUGHAN VVILLIAMS. Andante can moto A DORSET S01‘ ’ No.2inG EN ‘El '1 . No,a1nA - S S ; i ii‘ I’ : Words ‘ - ____l J ____l ‘V V’ l ' ’ W.BARNES. G 3 . With-in the wood-1a.nds,f1low’ry glad - ed, By the . oak treesimoss-y moot; The shin-lng grass l_>la.des,"ti-m-ber aha - Lded, Now do 7‘ F V .q'uiver un-der foot; And birds do whis - tie o-ver-head, And wa.-tex-'5 hub - blingin its bed‘ Andthere for me, The T’ Copyright -MCMXII by Boosey & Co. B5@lS3' EPMS V _S Musig by I}l§'JLLYI.J_(168£1) largo (SOMBRE moons) rr: - ‘A y.' .i , . A ’ ' . ~ - her ' Mon Bois e -pais re- dou - ble ton om - bre . ne sau - ra.1s ctre as-sez som - bre, Tu no peux trop ca 0 > -’ Sum-b2'e woods, ye glades dark amllone-1:1/,’ Fflﬁefemidﬁight 37007” 9”’97'-9 0” ' 11% 0}” mde 10”” In ‘rear . - - - 1) .Tu . . . .. I an - ra.1s etre as sez som 1 mal-heur- eux a-mour. B013 2 -pa.1s re- dou - ble ton om N: T“ n9 S . ‘ ~ ~ > - I Oh! your u7c-IJound- m’gln‘.Som-bre woods, Ye glades dar/7 and lcme- Z3/; W7t37‘97mdmg7“" 87007” ‘mt"""'g 0" 3/’ ..F?TT.1_F 1“: 1%? Copyright MDCCCXGII by Boosey & Co. ‘I Reinald Werrenrath- AMERICA’S PREMIER BARITONE Says:— DUNA IS WITHOUT DOUBT ONE OF THE -MOST EFFEOTIVE SONGS I HAVE EVER KNOWN. WITHOUT A“CHEAP” LINE IN IT, IT ‘HAS THAT WONDERFUL " APPE.AL- THAT REACHES THE HEART OF EVERY LISTENER. IHEDAYI RECEIVED THAT SONG I SHALL ALWAYS GOUNTA MOST FORTUNATE ONE FOR ME. JOhn MQCOrmaOk, Francis Rogers, CANTOR Joseph Rosenblatt A AND SCORES OF OTHER LEADINGSINGERS ENTHUSE OVER THIS MOST CHARMING SONG OE RECENT YEARS TV The Words by D I | N A _ The Music by RMARJORIE PICKTHALL _ , JOSEPHINE MQGILL I VNo.1inB1» No.2\i.'nC f 'No.3inD1» _n A u .3 «J 4 Q) U Con moto. amount (84 :1)‘ pp rid And the - 1it— tlelstars Of Du-na, Call me home. lit-tle stars of Du: na call me home, The lit-tle stars of Du-na, 1210 a tempo home. ‘ V a tempo Copyright MUMXIV by Booséy «E 00. @938 BOOSGY (9: CO. — The House Of Song Fame NEW YORK & LONDON
Show less

Title: Reaper, The, The Reaper
Date: 1914
Text: v b1T1oNT RLCARL FIscFi”E"fi"g” um OLD SONG FAVORITES ' F (VVITH GERMAN AND ENGLISH VVORDS) SERIES I ABT, FRANZ Gute Nacht du mein herziges Kind (Good Night Little Swcetlieart) High voice in Eb, Low voice in Bl) . . . . . . . . . . . . . . . .. Die Lindenwirtin (The Hostess of tho Linden). 1)'I~C1.lillll1 voice in D. . . . . . . . .. O Jugend wie bist du so schisn (Golden Youth). High voice in El», _ Medium voice in D1), Low ‘voice in B1) . . . . . . . . . . Verlegenheit ...
Show morev b1T1oNT RLCARL FIscFi”E"fi"g” um OLD SONG FAVORITES ' F (VVITH GERMAN AND ENGLISH VVORDS) SERIES I ABT, FRANZ Gute Nacht du mein herziges Kind (Good Night Little Swcetlieart) High voice in Eb, Low voice in Bl) . . . . . . . . . . . . . . . .. Die Lindenwirtin (The Hostess of tho Linden). 1)'I~C1.lillll1 voice in D. . . . . . . . .. O Jugend wie bist du so schisn (Golden Youth). High voice in El», _ Medium voice in D1), Low ‘voice in B1) . . . . . . . . . . Verlegenheit (Embarrassment). High voice in Db, Low voice in Bb. . .. . . . . . . . . . .. VVa.1danda.cht (Anthem in the Woods). High voice in F, Low voice in Db . . . . . . . . . . . Wenn die Schwalben heimwirts zieh'n. Medium voice in Bl» . . . . . . . . . . . . . . . .. ALETTER, W. Ach k6nn1:' ich noch eimnal so lieben (\Vould I Might Love Agaiii). High voice in Eb, Low voice in BOHM, CARL Bitte (lilntreaty). Iligh voice in Ab, Me- dium,-voice in 1‘ Dein (Thine). High voice in Em., Low voice in m. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Deine ‘nlauen Augen (If Thy Blue Eyes). High voice in Db, Medium voice in Bl) Im Grase ta.ut's (The Dew is Falling), High voice in Eb, Low voice in C . . . . . . . . . . . . Mein Gliick (My Joy). High voice in Eb, Medium voice in C . . . . . . . . . . . . . . . Still wie die Nacht ‘(Calm as the Night). High voice in El), Medium voice in 0, Low voice in Bb . . . . . . . . . . . . . . . . . . . Ueber’s Jahr (In a Year). High voice in El); Low voice in Was i hab’ (Three in All). F, Low voice in Eb . . . . . . . . . . . . . . . . . . . Was mir als Kind die Mutter sang (The Song My Mother Sang). High voice in F, Medium voicejn Eb . . . . . . . . . . . . . . . . . . BRANDT, H. Maienzeit und Liebestraum (0 Dawn of Spring, 0 Dream of Love). High voice in D, Medium voice in C, Low voice in Bl) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Vom Rhein der Wein (The Wine from the Rhine). High voice in D, Low voice in Bl . . . . . . . . . . . . . . . . . . . . . . . Méidchens Wunsch (Maiden ’s Wish). voice in A, Low voice in ' GALL, J. Mﬂdchen mit dem roten Miindchen (Maiden with the Lips so Rosy). Medium voice in l-7b.. . . . . . . . . . . . . . . . . . . GOETZE. CARL ‘ O schone Zeit, o sel’ge Zeit! (Those Happy Iluys-. Those Days of Yorel). Medium H voice in Bl) . . . . . . . . . . . . . . . . . . . . . . . .. GUMBERT, I‘. An des Rheines griinen Ufern (Where the Rhine is Swiftly Flowing). Medium voice in D . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sple1mann’s Lied (Minstrel’s -Song). Me« dium voice in Ah . . . . . . . . . . . . . . . . . . . .. 0 but’ euch, liebe Viigelein (Ye M en-_v Birds). High voice in Gb, Low voice in Ell. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . y Zwei Aeuglein braun (Two Eyes of Brown). _ um voice Ill HILDACH, EUGEN Das Kraut; Vergessenheit (Oblivion). High voice _in (‘m., Mwlium voice in 13111., Low voice in Ann. . . . . . . . . . . . . . . . . . . . . . . . .. Mein Liebster ist ein Weber (My Sweet- liiurt is ‘.1 \\'e:1ver). High voice in G, Meiliuni voice in 1", Low'voice in E. . .. Mutter, o sing mich zur Ruh’ (Mother, 0 Sing1\Ii- to Best). High voice in F, Low voice in D . . . . . . . . . . . . . . . . . . . . . . . . . .. Strampelchen (Restless Little Feet). High voice in Bb, Medium voice in Ab, Low voice in Gb HOITMANN, H. L. Das Lied das meine Mutter sang (The Song My Mother Sang). Medium voice in Db HOLLAENDER, V. Unter’m Machandelbaum (Under the J unlper Tree). High voice in Bb, Mcdimn voice in Ab . . . . . . . . . . . . . . . , . . . . . . . . . . . . . . . KJERULI‘, I-I. Sehnsucht (Last Night). High voice in Ab, Medium voice in l‘‘, Low voice in Eb. . . KUECKEN, I‘. Gut’ Nacht, fahr’ wohl (Good-night, Fare- well). High voice in G, Low voice in Eb Die Trine (The Tear). High voice in F, Low voice in Eb . . . . . . . . . . . . . . . . . . . . . . LAC!-INER, I. Stindchen (Serenade). Medium voice in E LIEBE, L. Auf Wiedersehn! (We Meet Above). High voice in C . . . . . . . . . . . . . . . . . . . . . . . . . . . LOEWTE, KARL Niemand ha/c’s geseh’n (No One Ever Knew). High voice in .-\, Low voice in 1" Uhr (Watch). High voice in (1, Medium voice in J", Low voice in I'll» . . . . . . . . .. LUTHER, GUST. In dunkler Nacht (In Night Still Calm). Medium voice in Bl) . . . . . . . . . . . . . . . . .. MATTEI, T. Er kehrt nicht mehr zuriick (He’ll Ne-’er Rcturn—Non torno). Medium voice in Fm. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Es ist nicht wahr! (”l‘is Not 'l‘i'ue——.\'on o ver). High voice in 1", Medium or Low voice in Eb . . _ . . . . . . . . . . . . . . . . . . . . . .. Das Vergissmeinnicht (Forget-l\Ie-Not). Low voice in A . . . . . . . . . . . . . . . . . . . . . . . . . .. MI-JNDELSSOHN, I‘. . Abschied vom Wald (l“zu‘ewell to the i~‘orest). Medium voice in Eb . . . . . . . .. Auf Fliigeln 'des Gesanges (On V\«'iii;_v;s of Song). High voice in Ab. Low voice in J“. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Es ist bestimmt in Gottes Rat (Pzi-[ting and Meeting). Medium voice in.D Friihlingslied (Spring Song). High voice in Bl). Low voice in G!» . . . . . . . . . . . . . . . . . . Ich wollt’ meine Lieb’ ergosse sich (I Wouhl ’l‘hat My Love). 1\Io<.lium voice in 1%.. The Reaper (There is a Reaper Whose Name is Death). English only. High voice in (Jm., Low ygici; in Am . . . . . . . . . . . . . .. music Llaunv VASSAR COLLEGE CARL FISCHER BOSTOH .380 DOYLSTOH 31'. co-ucxaao L-I3-r1Al.zoq am. POUGIIIKEEFSIE. NEW VORK 8_8£§k.‘ NEW YORK) THE REA PE R (Longfellow) __:.()..——j THERE is a reaper whose name is Death, And with his sickle keen He reapeth the bearded grain at a breath, And flowers that grow between. Have a care ye tender flowers, have a care! i “Shall I have naught that is fair,” saith he, “Have naught but the bearded grain? The breath of these flowers, though sweet ’tis to me- I give them all back again. it Have a care ye tender flowers, have a care! My Lord has need of those flowrets gay, The reaper said and smiled. Dear tokens of blooming earth are they, Where He was once a child. Fear ye not, oh chosen flowers, fear ye not. They all shall bloom in fields of light, Transplanted by my care, And angels upon their garments white These sacred blossoms wear. Fear ye not, oh chosen flowers, fear ye not, The mother gave in tears and pain The flowers that she most did love; She knew she should find them all again In the fields of light above-, Happy then ye chosen flowers, happy then! An z'm‘eres2‘z'¢zg and effecz‘z've Song; sz'm;9Zz'cz't2J and seriousness q/‘purpose will make me song /ciglzly impressive and real. The song is not at°aZZ dz_'/"ficult. -QO 16684_I (lopyrig/zt MCMXIV by '(}arZ Fisclzer New York. 16585-1 International Copyright secured. Superior Ed.4671. The Reaper. (Longfellow) 07'z'g2'naZ Keg . Andante con mot . 1. Thereis a Rea - per whose name is Death,and (L .2. Shall I have that is fair§’*saith he, “have Ten. keen, he reap - eth the ’ beard - ed grain at a gra.in?7The breath of these flowers though sweet ’tis to breath, and me __ I as be — tween. a — gain. tween, and flow ers that grow gain, I give them all back iﬁii 10 - der flowers, — flowers , . The sign 7 means “breathe” The Sign 0 means do not breathe” 16685-3 (Top;/7-7',x.z‘Izt 1|//37!]/YJV by Carl Fisc/L(27{, .47.)’. International Copyrlght secured. Low Voice. F. MENDELSSOHN. Edited by Max }1ez'm~1’th. with hit sic -kle naught but the beard-ed ; ‘<_/ n___'z f ow.ers that grow be — give them all back a - T care ye care ye 3. My Lord has need of those flowrets gay, the reap - er said and 4. They all shall bloom in_hfields of light,‘ trans - plant - ed by my 3 L__,z smiled-. Dear to -kens of bloom - ing earth are they where He was once a care, and an-gels up - on their gar - ments white these sa - cred blos - soms IT chi-1d,where He was once wear, these sa — cred blos f 5. The moth — er gave in_.. tears and pain the flow— ers that she most did f. love; she knew she should find them all a - gain, in the fields of light T.‘ bove; in_ the fields of light \ 7 f flow’i's, hap - py then, hap - py then! /\ 1%’ Under the Editorial Supervision MAX HEINRICH T he ‘Tmm/cztiom are by A. MATTULLATH 2/Ax: FRANZ SCHUBERT - — 50 Selected Songs High or Low I-ﬂz/2:7 ,z*1,5a Clo!/2 $2.50 KO B E RT SC HU M AN N — O0 Selecteu’ Songs High or Low /"Lz;‘2a:' $7.50 Clot/l 5251/ ROBICRT SCHUMANN — Poefs Low, op. 45 Papa? /.4 cents IOHANNES BRAHMS - 60 .SeZeczzd Sarzgs High or Low Paper $1.50 _ C101/2 $2.50 CLASSIC SONG ALBUM 50 selected Songs of Old’ am! ./Wademz Masze7's High or Low Paper $1.50 Clot}; $2.50
Show less

Title: It is Not Always May
Date: 1914
Text: it . ______,....___.._.__.._.__._._::....—.—__..r» ;¢;~_. _—«~w—-~~-«—« .. QLCAWEIL CHAMINADE, C. _ L.Amou1- cam-,1f—Cap.tive_ Love. French‘. English. High voice in Eb, LOW VOICE in C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L’.'E:té—-Summer. 'French—_Eng1’Sh- voice in Alvléow voice In L’ AC UA, E , DELVi11ane%e—~I Saw the Swift Swallow Flylng. French—English. High Voice 111 Eb; Low voice in C . . . . . . . . . . . . . . . . . . . . . .. DELBRUECK, ALFR. Un...
Show moreit . ______,....___.._.__.._.__._._::....—.—__..r» ;¢;~_. _—«~w—-~~-«—« .. QLCAWEIL CHAMINADE, C. _ L.Amou1- cam-,1f—Cap.tive_ Love. French‘. English. High voice in Eb, LOW VOICE in C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L’.'E:té—-Summer. 'French—_Eng1’Sh- voice in Alvléow voice In L’ AC UA, E , DELVi11ane%e—~I Saw the Swift Swallow Flylng. French—English. High Voice 111 Eb; Low voice in C . . . . . . . . . . . . . . . . . . . . . .. DELBRUECK, ALFR. Un doux 1ien—Tendet Ties. French——li}ng- lish. High voice in Ab, Low V0100 111 F DELIBES, LEO _ _ Les Filles de Ca.dix—Th.e Maicls 01:: Cadlz. French—English. High voice 111 Fm., Low voice in Dm . . . . . . . . . . . . . . . . . . . . FAURE, J. . Les Rameaux (The Palms). High voice in C, Medium voice in Bb, Low voice in Ab. . FONTENAILLES, H. DE 0bstination—A Resolve. French——Eng1ish. High voice in Db, Low voice in Bb. .,. GODARD, BENJ. Chanson de I‘1orian—F1o1-ian ’s Song. French ——Eng1isl1. High voice in D, Low voice in . . . . . . . . . . , . . . . . . . . . . . . . . . . . . . . . . Dites-Moi——'l.‘e11 Me, Pray. French——Englisl1. High voice in D, Low voice in C . . . . . . . GOUNOD, CHAS. Ave Maria—Meditation with Violin or Cello solo or Organ. Latin—Englisl1—.P‘renc1i —German. High voice in G, Medium Voice in F, Low voice in Eb . . . . . . . . . .. It Is Not Always May. English only. High voice in Ab, Low voice in G1) . . . , . . . . .. Berceuse——Serena( e— mg, mile, Slumber. French—-—English. High voice in G,’ Medium voice in F, Low voice in Eb.. Au Printemps——To Spring—Friihlingslied. French——English——German. High voice voice in Db, Low voice in C . . . . . . . . .. GREGH, LOUIS Parais :31. ta fenétre——Open Thy Lattice. French——English. High voice in G, Low voice in Eb . . . . . . . . . . . . . . . . . . . . . . . .. MASSENET, J. Sou.hait——Fancies. F1'ench———English. voice in D, Low voice in C . . . . . . . . . . .. Vous aimerez d.en1alI1——TO-In0I'I‘0W Ye Will Love. Frenel1—English. High voice in C, Low voice in Bb . . . . . . . . . . . . . . . . . . . WIDOR, CH. M. Nuit d’Etoi1es——Si1ver Starlight. French— English. High Voice in Db, Low voice High in Bb. . nuns Lmunv CARL FISCHER §<‘i8Xs’i§ pogron 390 eovusron $1‘. co-ucntso ma-MALEOQ 3.03 ISC}?ll33__Rl A ED1iTii014i <,€;W NEW YORK ea g....._....,_ ._._.._._H. Price 50c. . u IT IS NOT ALWAYS MAY (Longfellow) THE sun is bright, the air is clear, The darting swallows soar and sing, And from the stately elms I hear The bluebird prophesying Spring. So blue yon winding river flows, It seems an outlet from the sky, Where, waiting till the Westwind blows, The freighted clouds at anchor lie. All things are new; the birds, the leaves, That gild the elm tree’s nodding crest, And e’en the nest beneath the eaves- - There are no birds in last year’s nest! All things rejoice in youth and love, The fullness of their first delight! And learn from the soft heav’ns above The melting tenderness of night. Maiden that hear’st this simple rhyme, ‘Enjoy thy youth, it will not stay; ’ Enjoy the fragrance of thy prime, For Oh, it is not always May. Enjoy the Spring of love} and youth, To some good angel leave the rest, For time will teach thee soon the truth: There are no birds in last year’s nest! ° Tnis is an effective and beaunful song, presenﬁng no greal a’zffz'callz'es.T}ae ae~ eompaniment only appears to be dzffieult; z'n realzﬂ/, Me jiassages lie well .w2'l}zz'n tile /zana’ and are readily conquered witn careful study. T/Be song will z'noa7~z‘abl,z/ create a fine and pleasing z'7np7=essz'0n zf well rendered. i6'710‘l 6'opyrz‘g/at M(71l[.Y!I‘ by Carl ﬁ’2.'.9claer, New York. 16711- I International Copyright secured. Superior Ed. 4641. Low Voice It is not always May. (Longfellow) 07'z'g'.K'ey Aflat major. CH. GOUNOD. Edited by Max I/ez'nrz'c/la. Allegretto con moto. 3 3 17<i:j=—_p es 1) ress . H . The Sign 7 mea:11s“b1'n:;xth<>” ' "7"’/‘Mtg’/7! MOMAJV 5-? 0”” F"""}“”"’ M)‘ The s1'g11 O mezms do notbreaxtho” l.:1.'\v' n:_1t1'nna1 Cm)yri«;}7t« S<‘m1red tmg. swal — lows and and from the state pro —phe — sy pow cresc. out — let — Wind blows, freight - ed clouds an - chor things are the birds , the nod - ding crest,_____ the nest are a tempo All things re - joice J’ And learn from the soft heavhs a — . “¥=ne1t—ing ten -der - ness.__._ Maid - en, 3 . . . . . that hearst th1s s1m—p1e» rhyme,‘ It W111 not the fra — grance and youth , a tempo some good an V gel leave the rest, will teach thee soon There are no last yearis There are no birds in last year’s 1, a tempo Under the Editorial Supervision MAX HEINRICH T/ze <_T7"£l7ZJ/z.ll‘l.07Z.f are ﬂy A. MATTULLATH ~./Aw: FRANZ SCHUBICRT - - 50 Selerzed Scmgs High or Low Paper $1.57} C/at/z ,!{'.’..5ﬂ ROBERT SCHUMAN N — o(/ Se/ecfm’ Songs H i;_§h <11‘ L m’ Pa/757' $7.50 {I/at/I 317.50 ROBERT SCHUMANN - /by/’s Lorre‘, op. 43’ /’(z//M‘ 7w’ oz’/1/3 JOHANNES BRAIIMS - 60 56/£5/Ed Songs High nr Low Pa/arr J!/.51} Clat/1 5.9.50 CLASSIC SONG ALBUM .50 Se/trim’ Sangs of Ola’ /Ina’ ]W0(l'€‘7’7¢ .A/llaslers High or Low Pater £7.50 Clot}: $2.50
Show less

Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: 1913
Text: MUSIC LIBRARY vAssAn COLLEGE Bani-_pnop-s.-_‘. . . . 9. SONGS VERNON SPENCER Thou art so like a ﬂower ( Du bist wie cine Blume) 5 The Sea hath its pearls (Das Meer hat seine Perlen) 5 Out there the dune 5 In the home town (In der Vaterstadt) 6 Summermght (Gefunden) 6 At the cradle (An der Wiege) 6 Night gossip (Nachtgeschwiitz) 4 Consolation ( Trost) 5 Good night (Cute Nacht) 5 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON The sea hath its pearls, The heaven hath its stars But my heart,...
Show moreMUSIC LIBRARY vAssAn COLLEGE Bani-_pnop-s.-_‘. . . . 9. SONGS VERNON SPENCER Thou art so like a ﬂower ( Du bist wie cine Blume) 5 The Sea hath its pearls (Das Meer hat seine Perlen) 5 Out there the dune 5 In the home town (In der Vaterstadt) 6 Summermght (Gefunden) 6 At the cradle (An der Wiege) 6 Night gossip (Nachtgeschwiitz) 4 Consolation ( Trost) 5 Good night (Cute Nacht) 5 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON The sea hath its pearls, The heaven hath its stars But my heart, my heart hath its love. Great is the sea and the heaven Yet greater i_s my heart, And fairer than pearls and stars Flashes and beams my love. Thou little youthful maiden Come unto my great heart; My heart and the sea and the heaven Are melting away with love. Ilenry Wizdsworm Iongfe//ow Das Meer hat seine Perlen, Der Himmel seine Sterne Aber mein Herz hat seine Liebe. Gross is das Meer und der Himmel Doch griisser ist mein Herz, Und schoner als Himmel und Sterne Leuchtet und strahlt meine Liebe. Du kleines junges Méidchen Komm an mein grosses Herz; Mein Herz und das Meer und der Himmel Vergehen vor lauter Liebe. ﬁ’ez'm-2'0/c Heine The Sea. its pearls (Das Meer hat seine Perlen) English Words by LONGFELLOW ’ VERNON SPENCER German words éy HEIZVE ‘ J:56 The sea V hath its pearls, The heav - en hath its Dds ./lleer ﬁaz‘ sez'- ne J’cr- 1672, Der I{z‘m - me! .s'ez'- me 19 legato ___.._jl mezzo voce ma can fervore heart, my he hath its love. Hem /ml 562' - me la‘ - 53. Great is the sea and the Gross 1'32‘ dds Meer mm’ der flargamente ’ ﬂcon vigore h >- Copyright MCMXIII by The John Church Company International Copyright heav - en ' heart, And Ham — me! Herzl Una’ >> fair- er than pearls__ and stars____ Flash - es and beams scﬁbl mar als 1[z'm- me! mm’ Star - ne [euc/E- fee‘ mm’ sfraﬁlt Inez’-rze >>- > > >- foon e.mZz‘azz'o7ze acce/. - tle youth—ful maid - en — 726.5‘ jam — gas jllzia’ - Mm >>>>'>> fcon fem/are Come Komm B‘. rzf emy 78 un - to my great an mam gros — .963 (1 scz'o/to heart and the sea [1672 mm’ dds ./Ileer > 2'72 ca/zamio } L melt - ing ge/V73 en Are. me! Ver - g‘ V 8672261 Mi.
Show less

Title: Give Me of Your Bark O Birch Tree
Date: 1913
Text: MUSIC uamuw VASSAR COLLE’:E PO’, " ’ ‘-"- - -' ‘ﬁt’ R£z72?z)/‘[1 I-Pﬁrrenratﬂ CARL BUSCH THREE SONGS A % FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOM PANIMENT Words from “Hiawatha” by ‘,‘GIVE ME OF YOUR BARK, 0 BIRCI-LTREE!” ”"‘ (,,Gieb mir deine Rinde, Birke“) .60 PAU-PUK-KEEWIS’ BEGGAR’S DANCE (Der Bettlertanz Von Pau-Puk-Kih-Wis) .75. “TAKE YOUR BOW, O HIAVVATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRM ER NEW YORK : 3 EAST 43d ST. - LONDON, W. : 18, BERNERS ST....
Show moreMUSIC uamuw VASSAR COLLE’:E PO’, " ’ ‘-"- - -' ‘ﬁt’ R£z72?z)/‘[1 I-Pﬁrrenratﬂ CARL BUSCH THREE SONGS A % FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOM PANIMENT Words from “Hiawatha” by ‘,‘GIVE ME OF YOUR BARK, 0 BIRCI-LTREE!” ”"‘ (,,Gieb mir deine Rinde, Birke“) .60 PAU-PUK-KEEWIS’ BEGGAR’S DANCE (Der Bettlertanz Von Pau-Puk-Kih-Wis) .75. “TAKE YOUR BOW, O HIAVVATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRM ER NEW YORK : 3 EAST 43d ST. - LONDON, W. : 18, BERNERS ST. BOSTON : THE BOSTON MUSIC CO. LEIPZIG : FRIEDR. HOFMEISTER “Give me of your bark, O Birch-tree!” Give me of your bark, O Birch-tree! Of your yellow-bark, O Birch—treel Growing by the rushing river, Tall and stately in the valley! I a light canoe will build me, Build a swift Cheemaun for sailing, That shall ﬂoat upon the river Like a yellow leaf in Autumn, Like a yellow water-lily. HENRY WADSWORTH LONGFELLOW From “I-Iiawatha" T0 Remald Werrenratlz “Give me of your bark, O Birch-tree!” Gieb mir deine Rinde Birke!“ From“Hiawa.tha,” by Longfellow ” , German vergion by Carl Busch Herman Sxmon A116 0 mo derato Voice 1’ of your bark, O Birch-tree!__ Of your yyel-low bark, O dei—ne Rin — de, Bir— ke!__ Dei — ne ge1—be Rin - de, in Birch- ‘creel- ing by the rush — ing riv' - er, Bir - ke! __ ' du an dem W11 — den Stro - me 46 Oopyrigkt, 1.913, by G. Sclzirmer 24074 C and stately in the Val - ley! __..._..___. a lightw- und stattlich ragst im Tha - 1e! ________. ein leichtes P noe willbuild me, Build a swift Cheemaun for sail — ing, That shall Boot mir bau - en, ein Tschimann,das flink beim Se — geln. Auf dem "f f up-on the riv - er Like a yel-low leaf in Au-tumn, Like a me soll es schwimmen’ Wie ein gel-besB1att im Herb—ste, wie die T '/x ye1- low wa — ter - lil - .____ That shall gel - be Was - ser -11 e _______ Auf dem 1’ float up-on the riv - e_r__. Like a leaf in Au - tumn,_. Stro- me S011 es schwim—men,_ wie ein Blatt im Herb— ste,___ Like a yel-Vlow wa - - ter - lil-y! Wie die ge1—be Was - L — ser - 11- lie. 1 A Beware of the Hawk, my Baby An Indian Lullaby From the opera “Natoma” ;.,.,2. nkedding Victor Herbert Andante Voice ware of the hawk, my - were of the hawk, my 225“: Uopyrsfht. IDII. by 0. Srhirmer Vaquerds Song From the opera “Natoma” Joseph D. Redding Victor Herbert Allegro Voice dares the bron - co looks the mus -tang‘ molto muraato in the eye ? us" 0 Oryyright, 1.911, by G. Sahinnar PRICE 60 CENTS “In my dreams” From the opera "Natoma” Joseph D. Redding . victor Herbs“ Moderato e molto rubato Pa“ 11,1900 amz, {T Volce Gen-tle ma1d—en, tell me, have I p pom: acoel. seen thee in my dreams? I won-derla‘ When 3- hove my pow rif. dim. f >—=-" pil- low from the nightfall star - - ry gleams? I won-derl \, Oopyrigkr, 1.911, by G. Sc/u'rmc‘r Serenade From the opera “Natoma” Joseph D. Reddlng Victor Herbert Moderato Alvarado Voice When the sun - light dles,., V .l_.When the night - wind 'slghs,_ When the dove will come. nry love‘_ 2”“ O 6'0p1/rig’/H '91!» 57/ 0- -5'¢'1“"""9" PRICE 60 CENTS
Show less

Title: Take Your Bow O Hiawatha
Date: 1913
Text: uusnc uammv VASSAR COLLEGE rouauxzzu-sue. NEW vow». To Reina/d Vﬂrrm mté CARL BUSCH THREE SONGS FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOMPANIMENT Words from “Hiawatha” by LONGFELLOW “GIVE ME OF YOUR BARK, O BIRCH—TREE!” (,,Gieb mir deine Rinde, Birke“) PAU-PUK-KEEWIS’ BEGGAR’S DANCE (Der I Bettlertanz Von Pau—Puk-Kih—Wis) .75 “TAKE YOUR BOW, O HIAWATHA” (,.Nimm MU den Bogen, Hiawatha“) .60 G. SCHIRMER NEW YORK : 3 EAST 43d ST. - LONDON, W. : 18, BERNERS ST. BOSTON : THE BOSTON MUSIC CO....
Show moreuusnc uammv VASSAR COLLEGE rouauxzzu-sue. NEW vow». To Reina/d Vﬂrrm mté CARL BUSCH THREE SONGS FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOMPANIMENT Words from “Hiawatha” by LONGFELLOW “GIVE ME OF YOUR BARK, O BIRCH—TREE!” (,,Gieb mir deine Rinde, Birke“) PAU-PUK-KEEWIS’ BEGGAR’S DANCE (Der I Bettlertanz Von Pau—Puk-Kih—Wis) .75 “TAKE YOUR BOW, O HIAWATHA” (,.Nimm MU den Bogen, Hiawatha“) .60 G. SCHIRMER NEW YORK : 3 EAST 43d ST. - LONDON, W. : 18, BERNERS ST. BOSTON : THE BOSTON MUSIC CO. LEIPZIG : FRIEDR. HOFMEISTER “Take your bow, O Hiawatha” Take your bow, O Hiawatha, Take your arrows, jasper-headed, Take your war-club, Pug—ga—wan-gun, And your mittens, Min-je-kah-vvun, And your birch-canoe for sailing, And the oil of Mi—she Nah—ma, So to smear its sides that swiftly You may pass the black pitch-water; Slay this merciless magician, Save the people from the fever That he breathes across the fen-lands, And avenge my father’s murder! HENRY WADSWORTH LONGFELLOW From “Hiawatha" To Ilemald Werrenratlz “Take your bow, O Hiawatha” . - :4 From“Hiawa/aha,” by Longfellow ”N1n1In den Bogen’ Hlawatha German version by A Carl Busch Herman Simon Maestoso Voice Take your bow,._._ ‘take your Nimm den Bo — - gen, nimm den /-\/x V“? Take your Pfei — 1e 240750 V Uopg/riglzt, 1.913, by G. Sckirmer - L} jas per - head — ed,.j__ Take your mit Jas — pis - spit — zen,______. nimm die war - club, Pug - - ga—wau-gun,j__ And your mit-tens,__ Min - je- Keu — 1e, Pa — — ga— ma—g“en,:______ dei—ne Handschuh,._ Min—tschi- /-1 /3172.1. __ —.........__. ..—._._ kah -wun,__ And your birch - ca — noe___:_ for sail - ka— Wan,___ und dein Bir - ken—bo0t zum fah - /‘T And the Nimm das smear its sides Plan - — ken, Maestoso black pitch—wa-ter; Pech—strom glei — tet; of Mi - she Nah—ma, S0 to Vom Mit — scha-Na- me, reib’ die that swift — 1y ‘You dass es ei -9 lig durch {T may pass the den dunk. - len Slay this mer— ci-1ess ma—gi - cian, Save the t6d—te den herz - V10 — sen Zaub’—rer und be- {T 1*? That he das die the fe — ver vom Fie - ber, peoéple from frei’ das Volk And a - venge récli mich an fen - 1ands,, hau- chen;__ >> >‘ ‘ breathes Siimp - - ther’s - ters mur — Miir - ” bf. g ” FOUR SONGS FROM VICTOR I-IERBERT’S GRAND OPERA “NATOMA“ PUBLISHED BY G. SCHIRMER : NEW YORK THE BOSTON MUSIC CO : BOSTON Beware of the Hawk, my Baby An Indian Lullaby . From the opera "Natomaf From the Opera uNat0m3-” Va.quer0’s Song p_R.¢¢m‘ V1016!’ Herbert Joseph D. Redding Andante Allegro victor Herbs“ Voice dates the bran - co wild looks the mus -tang jg molto rnarcato ware of the hawk, Be - ware of the hawk, my 1“ m° eye? (icpyrigm, 1.911, by 0. Schirmar PRICE 60 CENTS dopyrq-M. Mil, by 6 Sr-Mrmpr “In my dreams” From the opera “Natoma” Serenade From the opera “Natoma” D. Reddlng Victor Herbert Joseph D_ Raiding view, Heme” Moderate e molto rubato Pm” 12 pogo aooel, ice Moderate Alvarado Voice f——-—\ Gen—t1e maid-en. tell me, have I when me am _ “gm dies” [1 paoo novel. O seenthee In my dreams? I won-des-I!” When a-hove my _#_when me njg-ht . wind ’s1ghs,___ When the dove is a - sleep_ in the t . Paw 8”‘ : mollo f . 1 - come, my love,_ pil- low from the nightfall star - - ry gleams? I won-derl A‘:
Show less

Title: Serenade
Date: 1913
Text: FOR MEDIUM VOICE AND PIANO SET BY TO l1"()RDS BY H. W. LONGFELLOW BOSTON, MASS. NEW YORK : G. SCI-IIRMER, INC. HUIIC LIIIIRY VASSAR COLLEGE Serenade HENRY W. LONGFELLOW E’a’2’ten,’ 42/ [Iago [lies Vivo e leggiero Voice 001 Pedale Allegro moderate “[7 Stars of the sum - mer b night, Far ﬂ0(/'0 6‘7'6.S'6. deeps, Hide, hide your gold - en 10060 6‘7‘6S6. RM. Cm 3634 001223/rz'g'/z‘zj 191.5’, 53/ 17/9 Boslon Jllusic 00. in your light 1, a I7 fall a fempo s1eeps,__ she...
Show moreFOR MEDIUM VOICE AND PIANO SET BY TO l1"()RDS BY H. W. LONGFELLOW BOSTON, MASS. NEW YORK : G. SCI-IIRMER, INC. HUIIC LIIIIRY VASSAR COLLEGE Serenade HENRY W. LONGFELLOW E’a’2’ten,’ 42/ [Iago [lies Vivo e leggiero Voice 001 Pedale Allegro moderate “[7 Stars of the sum - mer b night, Far ﬂ0(/'0 6‘7'6.S'6. deeps, Hide, hide your gold - en 10060 6‘7‘6S6. RM. Cm 3634 001223/rz'g'/z‘zj 191.5’, 53/ 17/9 Boslon Jllusic 00. in your light 1, a I7 fall a fempo s1eeps,__ she sleeps, my_1a - dy sleeps! ll mézgfempo Stars of the sum - mer night,‘ Far in your a - zure a fempo I7 mollo creso. '/‘pow Zemco deeps,___.__._j__ Hide, hide your gold - en__ [2000 lento molio cresc. f at fempo s1eeps,_ sleeps, my__ la -' dy sleeps! afempo B.M.'C0. 3634 m]; L i of the sum - mer b Moon night 17000 oresc. deeps, Sink, sink in sil - [2000 cresc. ‘/ sleeps, my__ la - dy B. M. C0. 3634 Far down your west - ern-~ ver 1ightI_ a fempo sleeps. Moon of the sum - mer night, Far down your west — ern_ b a fempd molto oreso. fﬂoco lento deeps,____+________ Sink, sink in si1- ver_ 1ight!__ 37000 [(27210 mollo crass. s1eeps,_ sleeps, my__ Ia - dy sleeps! an fempo B.M. C0. 3634 mp Dreams of the sum I118!" b [2000 creso. keeps ﬂ000 07380. sleeps ,- B. M. C0. 36 34 night, Tell her, her lov - er_ Watch, while in ‘slurn - bers light'_ a tempo sleeps, my. la - dy sleeps! a tempo mid) fempo l'I1€I'_ b Dreams of the sum - night, a fempo fpoco lento dim. Watch, While in s1um- bers 12000 Zem‘0 mo! 10 crew. “ma; she s1eeps,m)L la — dy sleeps! rail ("T jmmll. morendo ii - B.M.Co. 3634 Tell her, her lov - €I'__. IJ . Com;lete Copies may be had at any Music Shop, or from the Publishers N, MASS. THE BOSTON MUSIC COMPANY 26 & 23 WEST ST. 0 Kiss Divine Price '50 Absence P 11°" -50 W- Ffaﬂke Harling H. A.Benedict W. Franke Harling i°“at° OP‘ 14’ N9 10 Moderate sempre 01114, N911 Voice ' If on - ly you were here Piano _ eyes to trace your dream-yeyes down look-ing on my face, - ling dew up - all my Soul with S“ ' Per - Withtheirhalfveillhhalfsmillng tenderness, Ofirst andbestanddearesgcanyouguess C’op_2/rig/zz‘, 1912, by The Boston Music 00. 0o1;y9'z;.g/22‘, 1.912) by 1726 Boston Jllusic 00. For all countries For all countries Lovers Answer Price .50 Yvonne Price .40 W“ (1870) W- F1'a“ke Haﬂing Bliss Carman W. Franke Harling Moderate 09'”? N9 8 Movimento grave e sosten 0 Voice thoughts havebeenwithyou the Three things there be in this world, - my be- lov - ed, did you know? vonne; And what do you guess they mean? The stat-ble 1and,and the 1 m BS (calm 1/oce) K3 went flying to you in asong, be—10v-ed, didyou hear? ‘ And the tide that hangs be - tween. Uoguyﬁg/zt, 1.912, By T/‘ze Boston Jiusic 00. For all countries XCH Cojzyﬂg/zz‘,1.9§‘2, by Z’/ze Boston ]l{u.s-2'0 00. or all countries S in the selection of choice Repertory Numbers and Teaching Songs, we suggest referance to The B. M. Co. Thematic lists (Handbooks NQS 3, 5 8: 7;’ Directory N9 2); list of Ethelbert Nevin’s Compositions, and The B.M.CO., Catalog,with latest Supplement.(Any or all of these lists sent gratis upon appli- cation.) ‘‘ /
Show less

Title: Pus Puk Keewis Beggers Dance
Date: 1913
Text: HUSIC LIBRARY VASSAR COLLEGE 90'-'GH‘(EEPS‘E. NEW YORK '11? Reinrz/(Z 717/Errnnrzzl/2 CARL BUSCH THREE SONGS « FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOMPANIMENT Words from “Hiawatha” by LONGFELLOW “GIVE ME OF YOUR. BARK, O BIRCH—TREE!” (,,Gieb mir deine Rinde, Birke“) P§lJ—PUK—KEEWIS’ BEGGAR’S DANCE (Der R" Bettlertanz Von Pau-Puk-Kih-Wis) .75 “TAKE YOUR BOW, O HIAWATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRMER NEW YORK : 3 EAST 43d ST. * LONDON, W. : 18, BERNERS...
Show moreHUSIC LIBRARY VASSAR COLLEGE 90'-'GH‘(EEPS‘E. NEW YORK '11? Reinrz/(Z 717/Errnnrzzl/2 CARL BUSCH THREE SONGS « FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOMPANIMENT Words from “Hiawatha” by LONGFELLOW “GIVE ME OF YOUR. BARK, O BIRCH—TREE!” (,,Gieb mir deine Rinde, Birke“) P§lJ—PUK—KEEWIS’ BEGGAR’S DANCE (Der R" Bettlertanz Von Pau-Puk-Kih-Wis) .75 “TAKE YOUR BOW, O HIAWATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRMER NEW YORK : 3 EAST 43d ST. * LONDON, W. : 18, BERNERS ST. BOSTON : THE BOSTON MUSIC CO. LEIPZIG : FRIEDR. HOFMEISTER Pau-Puk-Keewis’ Beggar’s Dance Barred‘ with streaks of red and yellow, Streaks of blue and bright vermilion, Shone the face of Pau-Puk-Keewis. From his forehead fell his tresses, Smooth, and parted like a Woman’ s, Shining bright with oil, and plaited, Hung with braids of scented grasses, As among the guests assembled, To the sound of ﬂutes and singing, To the sound of drums and voices, Rose the handsome Pau—Puk-Keewis, And began his mystic dances. First he danced a solemn measure, Very slow in step and gesture, In and out among the pine-trees, Through the shadows and the sunshine, Treading softly like a panther, Then more swiftly and still swifter, Whirling, spinning round in circles, Leaping 0’ er the guests assembled, Eddying round and round the Wigwam, Till the leaves went whirling with him, Till the dust and wind together Swept in eddies round about him, Till the wind became a whirlwind, Till the sand was blown and sifted Like great snow-drifts 0’ er the landscape, Heaping all the shores with sand—dunes, Sand-hills of the Nagow Wudjool Thus the merry Pau-Puk-Keewis Danced his Beggar's Dance to please them, And, returning, sat down laughing There among the guests assembled, Sat and fanned himself serenely With his fan of turkey—feathers. HENRY WAD SWORTH LO N GFELLOW From ‘ ‘Hiawatha’ " To Remald Werrenraﬂz Pau-Puk-Keewis’ Beggars Dance Der Bettlertanz VOI1 Pau-Puk-Kih-Wis From“Hiawatha,” by Longfellow German version by Herman Simon Allegretto . . L mg" Carl Busch Voice Barred with Roth und 77;. streaks of red and ye1—1ow,j_ Streaks of blue and bright ver— mil - i0n,__. gelb ge—ma1—te Streifen,_;___ blau - e, pr'e'Lcht’ge Schar-1ach—strei-fe /S /-\ _ . ’ 1* r- Shone _.______ __j______ of Pan - Schmiick - - Puk Kih ‘- 24076 C - G. LSYC}l7/.7'77’L€7' 1’ From his fore — head Sanft fiel Von der /‘\ E1? I’ fell his tress - Smooth, and part- ed like a W0 - ma11’s,‘_ schii — nen Stir — Lok - _ ken-pracht mitW<_ei-ber-schei - tel; L12 ing bright with oil, and plait - ed, Hung with . Von Oel die Flech-ten g1'a'Lnz — ten,_______ rings (lurch- / braids . - of scent - ed grass-es, webt mit duft’ - gen Krliutern. /-3/__X 7{f 1’ As a - mong the guests as - sem-b1ed, 0 the sound of flutes and So bei Sang und F16 - ten~ k1'a'Ln—gen, Trommel — Wir-be1nStimmge- f singing, To the sound of drums and voices, RosethehandsomePau—Puk-Kee—wis, ‘L6-se mitten aus der GEL ste Menge Pau-Puk—Kih-Wis strahlendaufstand Z.-1T‘ { .19" And be-gan his mys-tic danc - und be-gann die Zauber - t:'e'Ln — > > > > > Moderato F dandd a s01- emn measure, Ver - y Erst in fei- er-1i—chemTem—p0, langsam sich be- slow in step and ges- ture, In and out a—mong the pinetrees, Thro’ e we - gend,schritt er in und an - sser-halb der Fich-ten, bald durch /''—T. -[i— shad—ows_ and the sun.—shine, Treading soft - ly like a Schatten,_ balddurch Sonnschein, lei - se W1e___________j ein Pan-ther - T 0 c 0 . - {-3 Alle retto pan- ther, Then more swift - ly and still swift-er, krie-—chend. Schnel-ler sprang er dann und schneller, 4 9 .159 A 17 — ing, spin—ning ' Cir — c1es,_ - belnd sich ' dre — hend, \ mf 9 Leap-ing oer theguests as - sem - bled, sprang weit ii — ber al - le GEL - ste; *1 59 .5 Ed - dying round and round e wig - dreh- te sich' rings um die Hiit - 747" Till the leaves went whirl-ing with him, bis die Bl%§Lt— ter kr2'§u1—se1nd f01g—ten, 'f'. the dust and wind to — geth- er Swept .___. in ed — dies, und Wind im tol - len Wir—be1,?___ im Wir — bel, ‘ . /‘T . - , - V , - . - T ‘r. __ in ed — dies rings um ihn . . {T I’ Till the wind bis der Wind 1’ came‘ a Whirl - wind, Till the sand was blown and Wir - — bel wur — ’de,.___:___. bis Vder Sand Wie Schnee- sturm sift -ed Like great snow-drifts o’er the land - braus-te und die Land-schaft rings Ver — hiill — T 24076 P Till the wind be-came a whirl-wind, ill the sand wasblown and sift—ed, bis der Wind zumWir—be1 wur- de, bis der Sand zum Schneesturmbrauste . /“S /T Z‘\ /‘T ﬂ>>> > Heap-ing all the shoreswith sand— dunes, Sand-hills of the Dii — nen an dem Stran—de héiuf — te * Na — go —Wad—schu, > > > > {T , the mer- ry Pau - Puk - Kee — Wis ______ Danced his Beg-gar’s Dance to Freu-de A1 — ler -te _________j Sei - — nen Bett-ler - tanz der . _ . _ . _ . o /‘$ . . , - -r-. 9 please them,__:__ And,re - turn — ing, Sat (1 V laughing There a—mong the Gauk—1er,________ lief zu - rii und setz—te lachend wie—der sich zur ‘F-. —-€777], guests as — sem — ______ gand Schaar der Géi — ________ féi — che1-te f 772/" P fanned him-se1f se - rene - - 1y With his fan of tur-key — sich freund-lich lli - chelnd, mitA demTruthahn_fe — der — /T ’ ,/'3 Z.‘ ' V. P feafch-ers. fa - Cher. PUBLISHED BY G. SCHIRMER : NEW YORK Beware of the Hawk, my Baby An Indian Lullaby From the opera “Natoma' jouph n. Reading vicm Herbert Andante Voice were of the hawk, my were 0! the hawk, my me“ Copyright. I9". by 6. smmm THE BOSTON MUSIC CO : BOSTON Vaquer0’s Song From the opera “Natoma” Joseph D. Redding Vjctor Herbert Voice dares the bron - co looks the mus -tang maltn mm-cato in the eye ? Oqpyrigltt, [(711, by 0. Saltimmr PRICE 60 CENTS “In my dreams” From the opera “Natoma” -‘°“P“ D‘ R°“‘“"¢ Victor Herbert Moderato e molto rubato Pm” ppoua mm; Z-T Voice Gen-tle maid-en. tell me, have I p pom: acaol. seenthee in my dreams? I won-deriat "*0 When a-hove my poco ten. molt.” pi1- low from the night utar - Serenade From the opera “Natoma” Jowph D. Rcdding ViCt0l' Hefbeﬂ Moderato Alvarado Voice the sun - light dies,._. the night - wind ’sighs,._ When the come, 'my love,_.
Show less

Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: 1912
Text: MUSIC uammv VASSAR COLLEGE "°UGHK££PsI:, new vonn VICTOR KOLAR / or /76 0021/77 1/0)/[6 HATH ITS PEARLS . . . . . . . . . . . . . . . . . . .. .50 ‘VM‘lf‘;}=2";;‘2V"~tl1e German of Heine, translated by Longfellow. BEWARE ...... ................. ............... .. .50 From the German, translated by Longfellow. DO I LOVE. THEE? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .50 Words by /olzn Godfrey Saxe. Medium Voice in E The Sea hath its Pearls. From...
Show moreMUSIC uammv VASSAR COLLEGE "°UGHK££PsI:, new vonn VICTOR KOLAR / or /76 0021/77 1/0)/[6 HATH ITS PEARLS . . . . . . . . . . . . . . . . . . .. .50 ‘VM‘lf‘;}=2";;‘2V"~tl1e German of Heine, translated by Longfellow. BEWARE ...... ................. ............... .. .50 From the German, translated by Longfellow. DO I LOVE. THEE? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .50 Words by /olzn Godfrey Saxe. Medium Voice in E The Sea hath its Pearls. From the German of Ee2‘m'z‘c}¢ 1732719 Translated by H. W. LONGFELLOVV. Music by . VICTOR KOLAR, Op. 18, N9 1. Moderato con espressmne. > > f "f ff” 1’ T’ 1’ T’ %.~ — Sea hath its pearls, The heav - en hath its T’ 7 3°23. ~36 my heart hath its . 0 ‘IT *5 2%. mf am pogo pi?) masso Great. sea and heav - en, 6 9% 0017,:/right MOMXII by Carl l’z'sc}zer, N, Y , Tnfﬁrnaﬁnnal Cepyright secured. Yet great-er is my heart, than pearls and stars /K _ {“':—-1-"*5 flash - es and beams my love.. ap]1a.s's z’o7mz‘0 77£67l0 7720830 rd!‘/rm! / am Thou lit-tle youthful maid-en Come un - to my great heart, and the heav-en me1t—ing a -Way with love, and the and the heav- en are melt - ing a -way with love. ,-\ >> m > A FEW SUGGESTIONS FOR SINGERS TAKEN FROM THE CARL FISCHER CATALOGUE 1/am-mar to my mum. Sleep Song. words by Music by .W d d M . b ALICE MATTULLATH. ARTHUR rayon. A_ 5§'L§',,';‘N G":',fBg"_\ 5,8,, vow, in A; Low Voice ill F‘ After Sunset. Moderate can amore. Anda"t°' Voice. h d ~ ‘ me your an bleep,iny liutle one sleep, * , sha-dows round prom - ise you‘lI true’! Give me your heart gone be - yond Continued Copyright MCMX by Carl Pischar, N.Y. - - continue‘; 0.0- lnternntlnul Copyright secured. 1lWBI>l Capyyiglil. MC:\'.‘i l;y[‘.\r " lliternnliulml Cnpyriy 1.: «.m.. Price, 50c. I Price, 50c. High Edition in A (In Low Edition in F Love,s Answer. Sop. or Ten. Shadows F 1y. J. touis Von der Mehden Jr. Op. 18. words by Mum by Moderate, con moto agitate. FRED. G. BOWLES. LOUIS VICTOR SAAR, Op, 69.1] con fu0co_ - Mnderato, con moto agitate‘ "!f i—[ 7I_fd “Yes, my lips to ~ night have spo - ken ./3 . E 1 molln Heart,_ are you hope-ful, now ‘us y do,“- .b’é’ '4 L7 ﬁoco rail. _ L Words I said they should not speak, And 1 mt paw mil. _ V a tempo _. are you ea ger for the fight? Continued . Copyright MOM X by Carl Fisoliei-,N.Y. Cont L‘ ruued ‘ inzanmuomu Copyright secured. Copyright MCMX by Carl Fischer, N.V. lnternutimiul Copyright secured. Price, 50c. - Price, 50c. ? It gives you the most comprehensive and complete news’ of everything worth 0 e knowing in the vocal line; contains splendid articles on the voice, voice culture, ° etc., and is onlv one of the many interesting departments contained in the “MUSlC_Al- OBSERVER,”_A{nel‘iCa’s_fas|:est growing musical monthly. (II Each issue of this interesting magazine is virtually an education in itself, while the music supplement consisting of piano solo and vocal music, is worth many times the subscription price of $1.00 a year. Single copy mailed for 10¢. Adi Yollrglealilr to {how you current issue of "The Musical 0luerve'r._" a musical monthly magazine whose interesting and educational articles on music and inluicinnx, oget er with Ill valuable mun: supplement will prove a constant source of inspiration and pleasure to every teacher, student and musiclnver in general. SUBSCRIPTION ONE DOLLAR PER YEAR—SINGLE COPY TEN CENTS.
Show less

Title: Beware
Date: 1912
Text: MUSIC uammv VASSAR COLLEGE poucmutzpsaz, new vonx VICTOR KOLAR 772ree Son '5 /or /76 0021/77 I/03/[*6 THE SEA HATH ITS PEARLS . . . . . . . . . . . . . , . . . . .. .50 From the German of Heine, translated by Longfellow. 'BE\x_Qgs,R1g.A .......................................... .. 50 From the German, translated by Longfellow. DO I LOVE. THEE? .................................. .. .50 Words by folm Godfrey Saxe. Medium Voice in C From the German Translated by H. W. LONGFELLOVV. B...
Show moreMUSIC uammv VASSAR COLLEGE poucmutzpsaz, new vonx VICTOR KOLAR 772ree Son '5 /or /76 0021/77 I/03/[*6 THE SEA HATH ITS PEARLS . . . . . . . . . . . . . , . . . . .. .50 From the German of Heine, translated by Longfellow. 'BE\x_Qgs,R1g.A .......................................... .. 50 From the German, translated by Longfellow. DO I LOVE. THEE? .................................. .. .50 Words by folm Godfrey Saxe. Medium Voice in C From the German Translated by H. W. LONGFELLOVV. B eware! Music by Allegretto scherzando. VICTOR KOLAR’ 0918’ N9 2' f Wgp dolce know a maid - en fair to see, ‘ake z/nlczlss. "F" She can both false and C’. U. Copy;-z'g}zt MUMXH by Carl }F'z'sche2; JV. Y. 15093 ‘ 4 International Copyright secured. — mﬂ ing thee! She has two eyes so soft and brown‘,Take dolce e ‘fab. 5%. side — glance and looks down, Be - Ware! ﬂfa I‘e'/‘//170 she has hair of gold-en hue, Take care! Take care! 5 D What she says, it is not tme, pow rallen-ttmdo She is fool — ing thee! She L 12030 rallemf. 15092 -4 m at tempo 12000 ﬂid mosso has a bo— som as white as snow, She knows how much m * - fa tempo 17000 pm mosso best to show, She gives thee a gar - land wov - en fair, 15092 - 4 A FEW SUGGESTIONS FOR SINGERS TAKEN FROM THE CARL FISCHER CATALOGUE 2 High Voice in As Low Voice m 1-‘ - Bediunied to my mum”. After Sunset. Sleep Song. Music by . W (1 ' d M ‘ b AWE Mmvl-WET mm FRY” A. 5216:?“ o“,ii§s§n: Moderate con aniore. Anda"t°' l1 d y . me your 3“ Sleep,my lll~llB one sled-:p,__ 5ha.dow5 round prom-ise ymil] be true! Give me your heart sun has gone he - yond the sea, To T Continued Copyright MCMX by cm Piacher, N. I 40- lnternatloinl Copyright secured. (Bill-I Copyright M(‘M.‘( by rm mm ‘ rm.-rnmouii Copyri; Price’ 50c‘ I Price, 50c. High Edition in A ﬂat. Law Edition in F 7 Love 5 Answer. SW” 1.” Shadows F Iy. J. Louis Von der Mehden Jr. 09.18. ‘ words by Mum by Moderato, can moto agitaio. FRED. G. BOWLES. LOUIS VICTOR SAAR, Op, 69.1] cm, fuocu, Moderate, con iiioto agitate. molto n'!. "f qfa “Yes, my lips to - night have spo - ken ' R Heart1_ are you hope—ful, now 'tis niglii?___._ p dolce . . M’ 152 \‘J pom mil. _ L Wards I said they should not speak, TUL pow rall. . . _. are you ea ger for the fight? -6 Continued Contiri/ued Copyright iicu x by cm Fisohar,N.Y. lnternationnl Copyright sec d. Copyright MGMX by cm Fischer, N.Y. '"° lernntioniil Copyright secured‘ Price, 50¢. Price, 50c. ? It gives you the most comprehensive and complete news of everything worth 0 e knowing in the vocal line; contains splendid articles on the voice, voice culture, ' etc., and is only one of the many interesting departments contained in the “MUSIGAL OBSERVER,” _America’s.fastest growing musical monthly. 1]] Each issue of this interesting magazine is virtually an education in itself, while the music supplement consisting of piano solo and vocal music, is worth many times the subscription price of $1.00 a year. Single copy mailed for 19¢. ‘ All! your deal?’ to allow you current isine of "The Musical 0l)server.‘" a muiical montlily magazine wlioue interesting and educational articles on mmic and mnxicinns, tnget er with its valualile music supplement will prove a constant source of inspiration and pleasure to every teacher, student and rnusiclove in general. SUBSCRIPTION ONE DOLLAR PER YEAR——SlNGLE COPY TEN CENTS.
Show less

Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: 1912
Text: uumcanananv VASSAR COLLEGE Fouauxzu-soc. new vomg 47* C §,\.\§» T—~:)~~— “ / /, ( 0) " ; ‘« \\ / - \ /»)\§ ‘V; I \> /> 1!‘ ‘ . I . F‘ I 5" 3 , < I K \\ //VA /M.}_ ,.% Imk _\\ ._..._..\ ..(,. Spring Song B5 Autumn Song A major“ The Waves , , ,, T__ T, Bamtone in D5 . 75 % *The Sea hath its Pearls High Voice.nGb Lowvoicem r~:-“.5o *AL_soDuaLuss-«ED FOR MALE VOICES NEW YORK SCHROEDER 8c GUNTHER I45 WEST 45*: ST. The Sea Hath Its Pearls Soprano Poem by I Music by LONGFELLOW...
Show moreuumcanananv VASSAR COLLEGE Fouauxzu-soc. new vomg 47* C §,\.\§» T—~:)~~— “ / /, ( 0) " ; ‘« \\ / - \ /»)\§ ‘V; I \> /> 1!‘ ‘ . I . F‘ I 5" 3 , < I K \\ //VA /M.}_ ,.% Imk _\\ ._..._..\ ..(,. Spring Song B5 Autumn Song A major“ The Waves , , ,, T__ T, Bamtone in D5 . 75 % *The Sea hath its Pearls High Voice.nGb Lowvoicem r~:-“.5o *AL_soDuaLuss-«ED FOR MALE VOICES NEW YORK SCHROEDER 8c GUNTHER I45 WEST 45*: ST. The Sea Hath Its Pearls Soprano Poem by I Music by LONGFELLOW ROBERT S. FLAGLER Adagio sostenuto Sea hath its Pearls, the . Heav’n hath its Copyright MCMXXH by Robert S.F1agler are the Sea the Heav — mf Slower _ And fair - er than Pearls and Star mf Slower flash - es and beams my Love. The Sea Hath etc.-3 j? memo mosso Thou lit-tle, youth - ful fh / . meno mosso rzt. _ 19 12000 a 12000 Ht. 5 ‘Rib. maid-en, - to my great Heart; 75 -f>’{"—"\> Heart and e Sea, and the Heav - en are melt-ing a— way with 2, mortmdo - Are melt-ing a-Way with Love. mo remio - The Sea Hath etc.-3 Vocal Compositions HENRY PURMORT EAMES MY BEAUTIFUL DREAMS Time. you have stol — GOOD FAIRY send you a mould-edbit of bright-ness, arms out, head flu 1 morn—ng sky, § 3 VVHEN LILAC BUDS ARE BURSTING When 1 - h burst - ing, _ thirst-ing o NEVER TROUBLE TROUBLE 60¢ There was a. man in old JR. - pan Who nev-er had a care He did—’m knowt g__\ ’”f MOTHER I MISS YOU or I miss you snoe I have been roaming . “F. v/ THE LITTLE RED BARN ' §60¢ Of nois-ﬂy big cit-ies I’m ter-ri-hly til‘-ed I want to get backto the green lit-tle farm, Whei=e ‘ 1’ I IN MY CABIN BY THE SEA \/ my cab-in b the sea. Iwas all - \'-’ Sruming All above Compositions Copyrighted 1921 by Schroeder & Gunther. Published By SCHROEDER & GUNTHER, 145 West 45th St.,New York.
Show less

Title: Rainy Day, The, The Rainy Day
Date: 1912
Text: as @ mg Immmyr AM; 6% 3 '-'x@ .3 F. ﬂ @/2: _ G)/-: )\ mﬁﬂgm WORDS BY LON GFELLO W. 79% NIUSIC BY FELIX SWINSTEAD. O COPYRIGHT Mcmxm I V by J.B.CRAMER 8c C9 u".= : PR I C E 1/6 FOR ALL COUNTRIES. NETT CASH. d_B_ CRAMER & C9 |._TP I39, NEW BOND STREET, L.ONDON,w. NEW YORK: EDWARD SCHUBERTH 3509 FREE PERMISSION IS GRANTED TO SINGTHIS SONG-IN PUBLIC WITH THESE WORDS ONLY. IUSIC LIBRARY VASSAR COLLEGE T0 B.LENG ESQ. The Rainy Day. SONG. Wo.r_ds,by LONGFELLOW. Andante con moto. 4...
Show moreas @ mg Immmyr AM; 6% 3 '-'x@ .3 F. ﬂ @/2: _ G)/-: )\ mﬁﬂgm WORDS BY LON GFELLO W. 79% NIUSIC BY FELIX SWINSTEAD. O COPYRIGHT Mcmxm I V by J.B.CRAMER 8c C9 u".= : PR I C E 1/6 FOR ALL COUNTRIES. NETT CASH. d_B_ CRAMER & C9 |._TP I39, NEW BOND STREET, L.ONDON,w. NEW YORK: EDWARD SCHUBERTH 3509 FREE PERMISSION IS GRANTED TO SINGTHIS SONG-IN PUBLIC WITH THESE WORDS ONLY. IUSIC LIBRARY VASSAR COLLEGE T0 B.LENG ESQ. The Rainy Day. SONG. Wo.r_ds,by LONGFELLOW. Andante con moto. 4 The day It rains and the W (1 The vine still clings to the mould Copyright MCMX1Ilby J. B. Cramer & 0‘? Ltd. Music by F EL1X SWINS TVEAD. {’-’x and dtear - T y; 13.0 & C? 11313: the dead leaves fall, wall 6 d 17m . dark, is dark and 0 [la D006. 0 pm mote.- life . ' cold . and dark and drear 190001; u motoz b J B C 6’: C9 11813. and the wind is 11e_ ver Wear _ Z9000 agitato. My thought still clings to the mould _ ; ’ring past. .3’ the hopes of youth___._.,_fa11 [thick in the f And the days J.B. C & .09 11813. Y molto rallz clouds J.B.C & C911813. life some rain must fall > days must be be dark and collaw 22006. J.B.C & C‘) 11813. cnoml.Prxnter-. 12,HamYax~d. ﬁreaﬁmndmill strut M’. N.°1mc. N?2mD*°. N<_=3,N Eb, This %%Ro‘se. (LIEBSTE ROSE.) Words by 8 ON C“ Music by OLGA FRICKSEN. GEORGE UESTRANGE. Andante. 'Copy'rig-ht MCMXI, by J.B.Crumcr & Co..Ltd. JAB‘C C0.11755_
Show less

Title: Hemlock Tree, The, The Hemlock Tree
Date: 1912
Text: 9 T W0 SONGS /Y\ezzFc:R\79|ce Va} THE HEQHEQCKTREE BEWARE I 1. W oooo BY J HENRY WHDSWURTH IQNGELIQW RAYm9ﬂl5m|:|m.BBﬂLDW|H THE HEMLOCK TREE (From the German) 0 Hemlock tree! 0 hemlock tree! How faithful are thy branches! ‘ Green not aloneein summertime, But in the winter’s frost and rime 0 hemlock tree! 0 hemlock tree! _ How faithful are thy branches. 0 Maiden fair! 0 Maiden fair! How faithlessis thy bosom. To love mein prosperity And leave me in adversity » O Maiden fair! 0 Maiden fair! How...
Show more9 T W0 SONGS /Y\ezzFc:R\79|ce Va} THE HEQHEQCKTREE BEWARE I 1. W oooo BY J HENRY WHDSWURTH IQNGELIQW RAYm9ﬂl5m|:|m.BBﬂLDW|H THE HEMLOCK TREE (From the German) 0 Hemlock tree! 0 hemlock tree! How faithful are thy branches! ‘ Green not aloneein summertime, But in the winter’s frost and rime 0 hemlock tree! 0 hemlock tree! _ How faithful are thy branches. 0 Maiden fair! 0 Maiden fair! How faithlessis thy bosom. To love mein prosperity And leave me in adversity » O Maiden fair! 0 Maiden fair! How faithless is thy bosom. The Nightingale! The Nightingale! Thou tak’st for thine example! So long as summer laughs she sings But in .the autumn spreads her wings The Nightingale! The Nightingale! Thou tak’st for thine example. The Meadow Brook! The meadow brook! is mirror of thy falsehood It flows so long as falls the rain In drought it springs soon dry again The Meadow Brook! The meadow brook! is mirror of thy falsehood. Henry I'VadszeortIz Longfellow THE HEMLOCK TREE Words by a Music by HENRY WADSWORTH LONGFELLOW RAYMOND H. BALDWIN Andante Oh Hem-lock tree! Oh hem—1ock tree! How dear thy branches are to me! Oh Maid-en fair! Oh maid-en fair! Thou’rt dear to me, though faith-less be f Boldly Green not a-lone in sum— mer time, But in the win - ter’s frost and rime, To love me in pros - per ‘— i - ty, And leaveme in ad - ver - si - ty, TL./ Oh tree! hem —1ock treé! How dear ‘ branch - are to me! Oh maiden fair! Oh maid - en fair! . . Thou-’rt dear to me, though faith-less be /‘\ /‘ 3 > Copyright 1912 by .19. W }7effel_,f'2’nger ﬂedicated to MISS" HARZBIETT PEARL BERRY, [as Angeles, Cal. BEWARE! Words by Music by HENRY WADSWORTH LONGFELLOW RAYMOND TH" BALDWIN. Allegretto I know a maid-en fair to (see, take care, take care! . /R _can both false and friend — Iy be, be — ware, _(Zopyrz'gItt 1912 by Heffelfinger trust her not, trust her notj for she is fool - ing thee. 15-, givesithee a gar —.1and en fair,..take care, 993... is a f001’s-cap for wear, be - V be - ware! take care! Be,-Ware, be-Ware! For she is fool - ing ﬁedicated to Ilelvn Jzzslis Stoc/te-7' THE PURPLE IRIS Words by GRACE ROSE ZERBE Music} by LAURA A.ZERBE Quietly ftjf fair re-f1ec—tion lay - ing, In the Wa- ters clear and cool. V 3 3 3 3 3 3 3 3 3 :3 1’? 00];y¢z’,g'/ct x1{CMIX-by R. IV. Ileffeéfinger Short Pieces COMPILED AND FINGERED Wﬂkﬂfﬁﬂi @3A:RiuRi@ﬂ.L_ﬂ I Book I A Price Seventy-five Cents PUBLISHED BY R. W. HEFFELFINGER LOS ANGELES cupgmgntnan-R_w.HeffaIfingen By the same compiler and publishers. First Lessons in Bach BOOK II. Price Seventy-five Gents Specially arranged to follow Bookl and to form a link between that work and the Two Part Inventions.
Show less

Libraries

Today's hours:

Vassar College Digital Library

Search results

Pages

Pages