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Title
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Pease, Julia M. -- to Carrie, Mar. 1873:
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Creator
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Pease, Julia M
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Description
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VC 1875
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Date
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March 16, 1873
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<p>Vassar. March 16 ,1873, Dearest Cara, Tonight finding no absolute necessity for studying, and feeling too lazy to go down stairs and hunt up the paper containing accounts of inaugural ceremonies, I will employ my time agreeable, if not very profitably (?) writing to you, dear— As usual I am raging at the weather. It always happens that right after I have been unusually wrathy upon the subject, it becomes quite pleasant and I am conscience-smitten.</p> However I shall...
Show more<p>Vassar. March 16 ,1873, Dearest Cara, Tonight finding no absolute necessity for studying, and feeling too lazy to go down stairs and hunt up the paper containing accounts of inaugural ceremonies, I will employ my time agreeable, if not very profitably (?) writing to you, dear— As usual I am raging at the weather. It always happens that right after I have been unusually wrathy upon the subject, it becomes quite pleasant and I am conscience-smitten.</p> However I shall not be so again; I have suffered too much with cold for the last two nights. We pile on all our shawls, in addition to the blankets, have the window down but a trifle, a necessity when six are in one parlor, and yet we lie cramped up all night with aching bones. In the morning, just as we are beginning to grow a little warmer, up we must spring, dress in the cold and go about all day, shivering through the Corridors, shaking at the table, fee. The Chapel seems the only really comfortable place. And yet outdoors today the sun was shining brightly and walking was quite enjoyable. But when a large building once gets cold, there seems no drivingit away again. Sunday. To continue my descourse upon the weather, I can now record a most delightful day. When I awoke this morning I thought I could sunlight not possibly be at Vassar. The bright morning was flooding my room which was fragrant with flowers which had been standing there over night. Andall day I have been reminded of our lovely days In Feb. when the whole grounds are odorous with plum blossoms. The air today does not seem in keeping with the deep cover of snow upon ground. Yesterday Bertha Keffer, a southern girl, and mysef amused ourselves by making a snow man, about a foot high- We labelled him 'Lo! the poor Indian,' I and like little children, enjoyed decking him with green plumes and wands, and sacrilege! we placed a cigar in his mouth. Today I went to enquire after his health, but ah, where he had before smiled upon us, nothing now remains but a heap of soft snow. Can you make a moral for this sad tale? What an amusing time you all must have had when the roof blew off! fit I had beea there I think Papa would not have beea able to say that the gentleman outran all the ladies, for I am not as brave as Texas ought to be. Miss Lough, one of my parlor-mates, and myself are reading aloud "Off the Skelligs," and taking it all in all like it very weU. It has been so harshly criticised that I wan prepared to be disappointed in it, but notagreeably so, as I have been. Really, I have never had such an easy time, in regard to study, as this semester. If It were not for essays, it would all be delightful I was all prepared to give you a good scolding, yesterday when your letter came, and appeased me half as well as a peep at your dear face would have done. Just think, Carrie, I hope to be at home on your next birthday. won't that be fine? Mir lleben sie Drutefi Geben sie meine JLiebe alleren. Lovingly Julie
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Title
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Untitled
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Creator
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1923-2010
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Description
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Painting resembles a long, dark hallway or possibly a black door.
Condition assessment (2014): Good; some paint on the front of the frame and a small tear in the paper backing.
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Date
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n.d.
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Title
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Hiawathas Song
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Date
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1921
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Text
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MUSIC LIBRARY VASSAR COLLEGE poucuxzansvc NEW vopm SONGS S}-IA-WON—DA-SEE (The South Wind), Medium, F (No. 5232) SKARL THE DRUMMER, Iwedium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) WABUN (The East Wind), Medium, F (No. 5255) HIAWATI-IA'S SONG, Medium, Fifi? minor T ADJIDAUIVIO (The Squirrel) Medium, G 5 W73 : I at. or I (No: 5268) *Except Canada and Foreign J. FISCHER 82 BROTHER - NEW YORK 119 WEST FORTIETI-I STREET 3, NEW STREET, BIRMINGHAM, ENGLAND Pxnu-an in nu To...
Show moreMUSIC LIBRARY VASSAR COLLEGE poucuxzansvc NEW vopm SONGS S}-IA-WON—DA-SEE (The South Wind), Medium, F (No. 5232) SKARL THE DRUMMER, Iwedium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) WABUN (The East Wind), Medium, F (No. 5255) HIAWATI-IA'S SONG, Medium, Fifi? minor T ADJIDAUIVIO (The Squirrel) Medium, G 5 W73 : I at. or I (No: 5268) *Except Canada and Foreign J. FISCHER 82 BROTHER - NEW YORK 119 WEST FORTIETI-I STREET 3, NEW STREET, BIRMINGHAM, ENGLAND Pxnu-an in nu To Mrs. Mc Elroy -Johnston « Hiawathefs Song H JAMES A. BLISS Op. 10. No.1. Me dim m H.W LONGFELLOW eg-ro con brio (Juos) In the land of the Da - c0— tahs Minn — e —ha — ha, Laugh—ing a - ter, Lives the ar - row mak- er’S daugh-ter, /.‘,\.—. at tempo Hand- som- est of all the mai -ens, I will bring her to your wig—wam, W‘ #13‘/13 #? 3- 3 Esp/res She shall run up -on your er - rands, Be your Star-light, moon-1ight,fire-light, F Copyright, 1921, by J. A. Bliss Assz.'g1zea./ to J.Fa'.s>c-law (Q Bro. J. F.& B. 5268-5 PRINTED IN U. $.A. Be the sun-light of my peo-ple (L team Tem,;0o 1 Thus it was that Hi — a — wa - tha To the lodge of old No - k0 — mis Brought the moon-light, star—1ight_, fire - light, /:57 . ._. — ,-.\ (L tempo Brought the sun-shine of his peo-ple, Minn - e-ha - ha Laugh-ing Wa - ter, , . J. .F'.& B.:'>268~5 Hand - som-est of (Of) all the maid — ens . _ the land of p smccato hand-some maid - ens. ‘fab. J.F.& B. 5268-5. H .W. LONGFELLOW 8 ..... ........ .. eggiero _ J.F.& B.5268-5 ADJIDAUMO The Squ(irre1 J JAMES A. BLISS Slower .' x7[ea’imn ‘ Then said Hi-a-Wa-tha to him, 3'5 l"""""""‘1 I I d the squirrel, Brave - ly have toiled to help me; And the name which now he gives you; For here—aft-er and for-ev-er Copyright, 1921, by J. A.B1iss Assig/zed to .lF¢1s'(.'/car & Bro. l':'—j'll:—'—""| Boys shall call you Ad — ji - dau - mo, Tail in air the boys shall «:31? you!” And /3‘ 8... the squir - rel, r""'"‘l Ad - ji-dau- mo, ' 3 ' ' ' Frisked and chattered ver - y gay - ly, o ...._..4 atempo '“3“‘I ' 3 | J. F.&B.5268—5 Maesta slower In‘ his fur rit. e breeze of morn-ing a, A Group of AMERICAN SONGS LIST No. 1 . REG, U‘ S. PAT. OFF. HOWARD BARLow . . . . . . .Hush of the World . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5193, 5194)* . . Love issoNew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5192)..... Your Eyes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5195, 5I96)..... GENA BRANSCOMBE . . . . . .In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . . . ELIZABETH H. DAVID. ...Honeysuck1e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5151, 5152) InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155,5156)..... Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5153, 5154) JAMES P. DUNN . . . . . . . . .The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . ..3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) ..... Under the Greenwood Tree . . . . . . . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) . . . .. G_ FERRA1-A , , _ _ _ , _ , , , , _ ,Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) . . . . . CECIL Foggy-rg , , , , , , , _ ,A Masque . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Medium (4532) . . . . . . . . . Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547). . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . . . When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . FAY FosTER , , , , , , _ _ , , _ ,My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . . . Secret Languages . . . . . . . . . . . . . . . . . .. . . . . . . . . . .2 keys 4665, 4666) . . . . . Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) .. . . . When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . . . Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (4454, 4455) J. BERTRAM Fox . . . . . . . .A Ballad . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . High (4737) . . . . . . . . . . . Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5079, 5083) . . . . . Sadness; Tears . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. FRANK H. GREY - - - - . - . -Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys 5160, 5161) . . . .. VICTOR HARRIS . . . . . . . . . .The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) . . . . . A Madrigal . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..3 keys (5092, 5093, 5094) Silver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5098, 5099) . . . . . A. WALTER KRAMER - - - -Eternal May . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . . . ForaDream’s Sake . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (3851, 3852) joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys 24246, 4247) . . . .. « Song Without Words . . . . . . . . . . . . . . . . . . . . . . . . . .High 5020) . . . . . . . . . . . HOWARD D. MCKINNEY. In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys 4863, 4864) . . . .. WILLIAM REDDICK . . . . . . .Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High or Medium (5077) . Travelin' to de Grave . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) . . . . . , GERTRUDE Ross . . . . . . . . .Early Spanish-Californian Folk-Songs (Five).. . . .2 keys (5I20, 5121) . . . . . . Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144 ‘LILY STRICKLAND . . . . . . . .Bay0u Songs (Four) . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) . . . . . A Beggar at Love's Gate; Song Cycle . . . . . . . . . . .2 keys (4440, 4501) . . . . . Today is Fair . . . . . . . . . . . . . . . . . . . ..‘ . . . . . . . . . . . .2 keys (4338, 4339). . . .. DEEMS TAYLOR . . . . . . . . .Captain Stratton's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass (5242) . . . . . . . . . . . Banks 0' Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Medium (5210) . . . . . . . . . Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) . . . . . The Messenger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4732, 4733 The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) .. . .. A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) .. . .. PIETRO A. YON . . . . . . . . .Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4452, 4453) . . . . . Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . 0,...- *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. - NEW YORK 3, NEW STREET, BIRMINGHAM, ENGLAND
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Title
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Rainy Day, The, The Rainy Day
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Date
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1873
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Text
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2. A 5./7a:.7:w...,__ _ >. :::'.-._:' :'5_v' Oliver Bits on -Comp any . I/7/55;: 5275/17/7. x47/7//.'’ , A4/47/74$ /7,95/4 L/U/7/7 [C \/75_';//7../_.=j5jc$ [’J. ‘4_’.£TZj7/'7‘5z7/7 LEAQ7. T mmc uuunv VASSAR COLLEGE /V )/z7/'// 5 /7.17/7547/75 £27; :3 E.“ .1 an ff En. nu. n...“ 5? .._.m We ad .h.—: ;._..m mm. 7.5 1.5 «WoMAN’s BUILDING, o 20 Fifth Avenue New York T0 HRS.‘ OHA E. _§£I1VU2I . THE RAINY DAY. Wt'itteJ1'b_)' H.W LONGFELLOW. V...
Show more2. A 5./7a:.7:w...,__ _ >. :::'.-._:' :'5_v' Oliver Bits on -Comp any . I/7/55;: 5275/17/7. x47/7//.'’ , A4/47/74$ /7,95/4 L/U/7/7 [C \/75_';//7../_.=j5jc$ [’J. ‘4_’.£TZj7/'7‘5z7/7 LEAQ7. T mmc uuunv VASSAR COLLEGE /V )/z7/'// 5 /7.17/7547/75 £27; :3 E.“ .1 an ff En. nu. n...“ 5? .._.m We ad .h.—: ;._..m mm. 7.5 1.5 «WoMAN’s BUILDING, o 20 Fifth Avenue New York T0 HRS.‘ OHA E. _§£I1VU2I . THE RAINY DAY. Wt'itteJ1'b_)' H.W LONGFELLOW. V C()n|1p()sed by ERMINIA RUDERSDOl{FE T Moderato e tranquillo. . VOICE. is cold, and $ PIANOPORTE. dark, and dreary, It rains, and the wind er wea-vy, T119 vine SUE C]jI]gS fo the lnouldzring wall, But at ev’- 1_-‘y gust the d€a{l1eaV'Q_§"fa}_1, } ‘ 22:19 7 ‘’Q'*‘f‘5‘‘°d'’‘W°Tdi'‘gt0 3”‘ Of C0"~€“8ss infhe )'eaI'1373 1))’ G. D. R11<seH&(”():int’hx3oflice <)f1}xe-Li'9>2‘2'*"’za.1<;!‘{‘(;x1«>‘:"~e=~s; at Va/,». - W3 M . ' "3 1910 p000 rall: And the day is (I-ark and } f mime, mnitlne uiml -% er‘ wear r , my flmnghts :-fill cling to flue W} > \} L ; D 5 = I + J I 51 1 / ’ U I l I I E p000 rail: 41 iaampo. I l —. I5 ‘I’ 3" I ' ' '\\__// da_y.s‘ are (I-ark and (Ire-a - vy. I’ I a tempo. 1.1000 rall: 1319 V ‘- sIti]l_®_*_ I sad 11eaPt!%__, and cease the clouds . 3 still 5111' - .\ X ” ‘ poco tillargrznrlo. _ com - 111011 fate of AA‘ AA EXHIBIT FOR N. Y. ROOM OF WOIvIAN’s BUILDING, 1OAL\ED BY [T In - to melt smue must fall, S0111-9. f"r1V>‘a ———-———— 501119 d"‘.Y~"7 501119 Zen - tanJ - (10- (g;,,,.,‘ W‘ must be dark and (lrea }‘ , rum; 1'rlll!?nf: 1917919 c6lla voce. a tempo. , 20 Fifth Avenue, New York, To be returned to Mrs. Theodore Sutro Cheurman on Music and Law. L'.‘!".‘v’ffWD!-"YT EHEE.‘ “led to -------------------------- .. an on Music andMrs. Theodore gut Law ‘CHOICE GEMS SELECTED ERG/"I IGLIVER DITSON COMPANY'S L/;\Ti:‘sT__i.isTs or piiw. MUSIC VOCAL. Wit and Wine. G. 4. 4. to n. Jf. cz.e=z.«..... so AmeAri;:an Beahuties. 0. 3. . I...C. »f~W.u- 40 v _ Tne story of 2111 fLI1(:l‘l!tl(ln"‘ who inmle inorry wit I hi~' W0-step i-ince movement for the ]il.‘ll1). A '.ll:ll’- SOl’1g 0' Gowane. Db» 4-. (l3 T0 Ell» ' flf¢F“7:l77§7/ C()lll'tlBl‘.~!, anil kiiitriitlell lll.-lbS.:l‘\’lllg-ll] in. IL i-la lino, ining piece for players who like light. II1UlL)(liU11sl‘)i(lll0 A pretty soiig, with \\'0l'(lS in :he S(30t(:ll‘ll1:1lL‘('t. Suit- hezirty, rollick‘in_: soii-,5 for baritone. Try it. llllldlc VV1El1‘iill0 $1110 llimce 1‘l1.Vll1l1l. able for a soprano voice‘ ‘in! , i ‘we llllSlEil,{0 not, 21 song - ~ _ 1 5 (w_ M .. . 1 p. , _ that will be much in \"0.‘—,"lle ainoiig,‘ ailiiiirers of good sweetheart! my Song '5 c°m3' B’ 2 ) ) 7' Boston Belles‘ Olumute $11011’ L)" L F l The $>hiIdren’s Hour r l modern vocal (‘0lllll0~Iitl<)llS F’ S" Sm”'M/rs’ : ' TV'w"”'Im" Maiden Dreaming. G- 4- <1 t0 g- - - . . Mtwl/. The odilness of style nianiI'e.~'t in tlllSllL‘\V:~l0l1g,£1.‘! well as the e.\'cellen(tcoi' both poet ‘ ' I.I14l nielo:ly, shouhl place it zit once ainoii;.>; the most ilc rable of recent song pl‘0lli1cll0ll:l. The piano aecompaniineiitis ol'it.sel1‘an attraction. ' ' F. 4. to F. On the Swinging Branches. at E "Won. “On the Swiiigring Branclics,” or the “Soiig oi'th_e ]’»obolink,” i-I one of the latest of Mr. \Vilson’s composi- tions. It is of an unu~iu:illypleasiiigii:itiii'e,tastet‘iiI and grrai-.el*iil, while the nielorlioii~i wziltiz-i'e1 llll makes it specially 2ltl.l':l('lJl\'C as to the popular reqiiircnieiits. Earth’s Fairest Flower. Di». 4. c to F- Orton 127'/uIIe_1/. One of the best mollern songs for mezzo-soprano or baritone. It liasa ;,-'racel'ul nioveniciit in 9-8 tempo, with nielo;ly anil piano acconipanimeiit alike agreeable. Vj]|ane||e_ (Peastiiitfs Song.) El). 5. hi; to g: Dell Arvmrl. “Villanclle,” or the pcasant’s soiig—./’u£ ru. ]m.s'.>‘(‘7' l’lLi'ronrlelle (“I’ve seen the sw;1ilo\\'si»:isshyine”)Ais one of the most acceptable of the modern s<)iig~s. The translation is by lln.l‘I‘_lS()lll\Illl.‘ll'(l. Both Freiirli iiml Englidi version are given. It is recoininenilcd to sopranos. fie Lea!-jeth |V|e_ Duet. Eb. 4. . . . . S. Salter. A hne sacreil duet lor alt’) an l tenor. \’Vc C0llllllCll(l it_ to <:lioii'—sin;,rers. The accompaniment is 1'oreii.her piano or organ. There's a Friend for Little Children, 0. 4- C- to g‘. E. S. Hosnzer. A solo which many who (lC.~'ll'C suitable ])lC('€H to be sung to a Sabbatli g.',‘2tLll0l‘lll}.;‘ will be plciise<l ll’! obtain. The acconipaiiiineiit 1'or either piano or orgaii is inter- esting. The piece can be usccl to £l(l\’.‘l.I’lt£lf_],‘0 by :1 clioir- soloist for special oitcasions. It is a gem for home use as well. ry' . Titania’5 crad|e_ Sopr. or Ten. F. 5. E to/'i..] .eiman.. 'fitania’s crad[e_ Mezzo—Sopr. or Bar. Ebipllgi 7:1 (1 r. The well-known worrls from Sliakespeawii “Mi l.~'uni- mer Night’s I)reain” (“I know a bank whereon the wild thyme blows”) are liei'e melodioiisly anil arti~‘tically set liy Liza Lehman. It is agooil song for an e.\'pei'ienced Vocalist. Published in two llll'f(I‘I'Cl’ll? keys, as above. _ Ely. 4. bl; to El}. Pe/ez-son f iretty poein set to equally attractive and very tune- ul music. 'Tis that] Love The9_ Duet. D. 4. (Lohr) Vzme. A most a-rreealile duet for two Voices of Illeilllllll compass. Try it. Love's Signal, Ab. 4. cto F‘. A. F. Burnett. One of the most enjoyable of recent songs. The worrls are by Freil. E. VVe:itlierl_v, the well-known ICng_;li.~il1 writer, anil the music by l’>lll'll(‘l$t will llllll l.io~':t.<i o1'iiil- niirers ainoiig lovers of the best English songs. The sentiment is very prctty:— _ “Only a wee worn kerchief That lay in mv trembling hands, As I sat by the \Vll]ll0\\' (lI'0f1illll]g!,‘ And looked on the moonlit liinds.” Waitin to welcome her Bo . G. 2. «i to F11. g y J. W. Wlzeelm‘. PODUl£tl'.SOIlg and chorus byapopularauthor. The sentiment is §:_'()O(l, and the song is worth a place in your collection of vocal gems of this kind. At the French Ball. So11g.\vithD2mc0.DF- iipcto F. . . ;ru.hain. “I went to the ba1l,_theimiiglity French ball, Anwl I ilrinccil with a little grisette; She was not over stout, aml not very tall, And so pretty I soon called her ‘pet.’ " Darke Musketeers. llI2ll‘(.‘ll~S()1l"'. F. 3. The 3' to F. V.‘ W. I/V/teller. Another new comic song by the aiithor of “The Col- ored Four Hun=lre(l.” Briglit aiiil catchy. He isn't on the job just now. Eb. if Fllibto F. C 1 C’IlH.(}IL. Humorous song. Just the kind to provoke inerrinient Spanish cradle Soy-|g_ F in. 4. E!) to Di). lioott. One of Mr. Boott’s latest contributions to the li-tot‘ excellent modern soiigs. Both Spaiiish and Eiiglisli ver. sions are given. The song is one of the most noticeable of recent coinpositioiis. It is for a voice of inecliuin compass. al is told. Bb. 4. bl; to W2. A5 aT e that 147. F Smlzls. An excellent song for low voice. eitheralto or baritone, and we commemil it to all who admire gooil verse set to equally good music. sooner or |_ater_ El). 4. bl; to E5. W. F. Surlds. In this song Mr. Sl.l(l(lS has ailinirably set the ver.~'es of Stewart Allen to an original melody, whicli expres~ie~i the sentiment of the poem in a musicianly anil agreeable manner. The accompaniment is for citlier organ or piano. A line song for low voice. The Touch oftha Wand. G. 3. Chansonette. Eb. 3. who E5. . ..... c l The above three soiigs by Frederick S. So n'ner~4 a"e the work of 3. mu-Iii-ian whose music will repay the learnerin the most il.f_flU()2Ll)lL) manner. The piano p2l>'t.~l are no less satislactory anil iniisiciaiily t.h:in the inehnly 1L~l(:l1’ and the general treatment of the themes. Sufier Little Children. D, 4. <~%t~11 R:"’:'<’*'- _ A new sacreil .~l()I)fJ,‘ by Martin R ie lcr; toaclier ol .~ii.i5- 111),’ at the N. E. Coii-acrvatory of Music. He? Last Good By 2. F- 2. 0- to F. D 7'WW8- A song and chorus in the popular vein. Ne\\‘an.l ‘ pleasing. Take up Thy Grog-,s_ E‘). 4. a‘; to F. C’ E. I} I’:-me. A saci'eilsoi1:,r for inezr.o-~Io;ii':iii ) o - l)‘tl'lt.).1l‘ Ex - lent for a choir soloist. Ace.iiii_i.Liiiiiic-iii; s.i;t:Lblelor either piano or orgaii. Forsakey-|_ B.ill:nl. G. 4. ll to F1 . M'i'lIrir.'I. The gooil t i<tc anvl Oxquisit ‘ t eatinent of tha. t‘.i mi: so beaiitil'ully cxpre~i.<el in the vi-.i'+c.~i by Mary (J. l’reston, are <;li:iractei'istii-, of II I. '.-i=on hlillaril. This is his latest .~l()ll_(; and to all <i.i:.,-‘ei's with mezzo-sop 'aiio or tenor V ' ea we say, try this now ballad, Elllll you will not r ‘r , ' The inelorly and the gi':ic.'.1‘iil. llL‘.ll('.2ll§i£ plan» am-.oinpziniinent captivate the hearer at once. Don’t fail to secure this latest song by Millaril. The Boat with My True Love’s Name. F, ‘-’- 0 to I). (,‘oII1n. (7042. A n:'.w song; by Collin Coo. It haa :1 pretty “'1|.‘It'/4' rel’r2iin, anal will [)i'<il):).l)l_\’ be popular as a li'_>;nt, lllL“<)ill- ous “lmrit-soiig,” or a “cats-liy“ song and rei'rain oi’ t’ic college type. Simple, ll:l.lllt_\', anll meloiliou.-.'». Here is a verse, to show the sentiment :— “My true heart is a brave, brave girl; She lives by the wiile, 'i<le sea, Ami when I sail on the r.c«,~.-iii She watclies anil waits for me. I have a boat so trim and neutr- For siiilin-_; she’s won her fame,- Anll I call my boat the ‘ Ilonnie Bell,‘ For that’s my true lo\'e’.~i naine.” “Over the sen, over the sea, My Bonnie Bell goes sailing with me." There’s a Green Hill far Away. E9. 4 E/')l'1) G. J. (7. lVm'7'mi. A sacrerl song for soprano. One of the Very lieu‘. of rccent solos for i-hoirsingers. The familiar verse in a new musical setting. INSTRUMENTAL. Gov. Russell's Grand March. Eb. 4- _ G'I'II(‘€ ,I.’I7‘I]Ill_f/. A captivntiiig March for the piano. A gooil portrait of Gov. Russell ailorns the title page. Stolen |(is5es_ Walt7.. F. B‘;anil G. 4. _ .Io.s'ephin(- (ii-0. Goorl Waltzes are always in ilemanrl. 'l‘h‘is sci is very pretty, and we :1(lVlS(3 all who desire \valtz-iiiiisic for the piano to obtain a copy of it. Beacon Waltzes, ‘,> 4. _ . . . Lruvrence .’\"eeIm. Good lllCl0lllOl1S Walt’/.-inusic for the piano. Try ll‘. Figaro wa[tzgs_ A. I). G. 4. . , . LomI)rzr«Im'r>. Fine W'alt7.e.~i for the piano; not iliilicult, and well worth leariiing, Violanta Po|ka_ G. 3. . . . . . . . J. l{n.ecIil. Spirited, lirigiit, pretty (lance inusic for the piano. Columbia’ Fantasia-l‘olk:i. l<‘ortlie Cornet. Roi/iizson. An - ilmirable solo in G l'or the Iii; cornet. Fine piano accoiiipaniiiieiit. The piece is do licate l to anil play.-«l by John M. Floekton. It is one of Rollinson’s best cor- nct solos The Young Player. Selected Pianoforte Pieces for the Cultivation of a Refined Taste. The >lel:(;<)ll]]1!‘lBO9 the following :- I)i<:.xic l\ll<1M()R\'. . . , . F 7'/mnze. S\VF.I-IT l\Ii«ii.0oi'. . . . . . . F. ‘I’/mnw. A QUAINT 01.1) Sroin’. ’ AL.S'ATIi\N l).\Nci<:. . . . . SLr.i<;i-Y Err‘. (Crarllc Soiig.) A‘). -2. . SHADY NOOK. A. ‘Z. . . . . . I’. Lr/czi/lie INi)i.\N DANCE. . . . . . . I’. LIl<,'()IIlt3. l\Ii«:imIi1i~;N'i‘. A. -. . . . . . P. Lu miirt. JUMPING JACK. G. ‘2. . . . I9" ('/iu.zw,r]/mt, ON TIP'l‘()E. I.)-niajor. F-iiiiiier. E. (I/Lvriwf/n.r/I. FINGER-TIP STUDY. ‘. . . E. K‘/on-.«i,r/nri/. II.\l’P1' GRElC’l‘ING. l). ". . _ . E. (,7/i.rI,i'II_r/i7(I.f. The above ll2lll1()'l pieces tl‘0 alinirably 2lil.I.lllIl.‘(l to tlie use of young players, especially ])llpIl.~l. Dancing on the Levee Schottisch. Q. -3. _ _ E(l£UL)L ( /n'1.s‘lie. Captivatiiig scliottiscli for the piano. Old Hickory. Scliottiscli. C. 3. Pe1'z:_7/.S’«)_i//ii.nm'. A military srliotti-Icli for the piano. ll: l~l not h.-irvl, even if it is old hickory. It is very pretty, and. “c:itcIi_v.” A brilliant moreeziu for piano, by an exr or-«I y 110])» u'_ coinposcr. ll: is not too «li.ii.-ult 1‘.art.ie a\'cr:i;e proliizieiit pupil. ' The world's Fair. Six Ea-‘y Piano Piece-' by IIENRY .\)IB. 1. ‘~l<‘.un C()LU.\IBI.\.” W'u.lt:. G. 2. "ENoi.Isi{ Bi.oNo1<;.” Po//.-u., C. 3. "l‘[‘Al.I.\N (_:lIRL." Yorlc, G. 4 “SUO‘l‘ClI LASSIE." Galnp. (.2 5. “(JIIINZCSE DIAIDEN." il[Il7'i'/I. C. 6. “SPANI-ll[ l§i«:Li.i<:.” S«-mm,» 1,_ _ The :1!) )VU named si\' piano pix:-,e.~i are easy .’lll'l suit- Illlle for _VUll!i_‘.‘;‘ l)i‘gl|llIOI‘.‘l. lllai.-li p.c(-c ll.‘l> the pi'upi’i' “i'ingeriiig” in licatc-'l. The t tlc-pziqe ofcach i= ranti- fully illustrateil bu (il12l."£l(‘tl.‘I‘l~|l2l(‘. lei.-«N of the «ll e"— iit maivlens wl1o<eii:iti ii litv is }_:ivcn in the lit. S.-.n<l lo: fl the “The \Vorl<l’s l<‘air" set of pieces by llcxiry l.:imu Six Easy Pieces. 1 (.‘li.e.»-tor llmmi. . “l§lI.I<?l<]N l\/IAZURKA.” C. 2 . . . . , 2. “F.\li'Nl‘LEI{()\' l\IA1{(ZI[." Eb. . . 3. “illrsric G.\VOT'I‘l£.” . . 4. “.<i;\i\ii«:i: l)iu«:.uis." F. 5. “i\[iNui«:'i‘.” l). 2, . 6. “Sm: \BA:\'I)l<).” F 2. . _ . , _ . ‘A rei_narkahle ple:i.~iii;_§ aiiil wsll w ‘in -.2i ~'et of piano pieces. l<l\'eryboily who lins l.l'lU(l iiliciii -my - so. Silver Chimes, Morceau for piano. l)_;. 4. _ _ _ ‘ I _ V.’ ’I). ll"i/.wiiI.. u3“"'lll'l.'l.I1El)lIl2l1)l’. li'li tiilt in I‘) wile" -._i I t i "ili3’l. .in_«_; l.ii_i‘.a~'ia” style. The correct Ii.i_;e:iiig 14 ;__:iven for the pupil’s use. Societe de Bons Vivants. Piano Piurc. G. 5 . . z'.i'.‘. (.)i-e_of Mr. Sn lrls’s best piano pieces. “Goo-l Feltlo/iv’. ship" Hthe Eiiglisli name for the piece. Enchanted Valley, I\Iorcc:iiil'oi'piano. A5. 4. p _ (i'(LIl«Ihr>1‘. A brilli~.i_nt inorceaii, such as the :L\'ii:':i,gc pi'oIloic.it ainateur will OllJ0_Y. Playful Ron;lo_ For Piiino. G. 2. C’. U7. Greem’. ‘ An exizellciit piece fora pupil. The correct (Gcrinziii) liii,-reriiig is given. Congaree Dance. F. 5 J. F.Gi'(ilcr. The latest piaiiol'orte composition of John Francis _ (lllllUl'. It is in his usual “<::il.cliy” style. «I eranza_ _ (Hope). Melmlie for piano. Alz. 4. Very pleasing. I(](3in_ -Electric P_olka_ For Piano. F. 3. . . ].’oc.a'/cc. Briglit, Jolly, catcliy piano lllllrslll‘. Electric Polka_ Wit/L Toy lust/'imzants. . lfnes/cc. For schools or l(ll1(lCl‘g1l.l’tC11l-‘l, thi~' piece, ii.i'tir the in:iiii_iei' of IIay<ln’s “Toy Syinplioii_\',” has inusic for the ()i-.ai'iii.-i,_ Tin VVhi+tle, Bells, Ti'iaii;.,-‘le, Violoiiitello, l‘)i‘ll|ll, \'ioliii,_ Autoharp, l’op-g;ull, Quail, and (,‘Iapper~, 'Ill..‘ ineloily is pliiveil on the l’ia.no.aiiwltlicl-lnlrli'eii 1ll‘.('.UlIl]l:l.l'ly with the iiistrnmeiits nieiitionexl. This [|l0i'U wzi~' |lCl‘lUl‘nlGLl in :1 Boston I{iii(li:i;;ai'teii \\'ll,ll gool clfect. Les Fleurs_ Value for Piano. F. . Lzulot-£i:. Easy and Pretty. Toreacloyg Walt/. for I’i:iiio. D. 4. A showy waltz oi‘ ine<liuni llilliculry. Colored Four Hundred_ I\Iai'ch for Piano. _ ll». Km;//ll. T. P. 1201/10. The popular song arrangezl as a “two—step.” Sprlng’s Return_ G. 4. . . I3, (7.I(1ez‘1L. Full of Joy_ Waltz. (J. 4. . M abel Gay, G. anil l’»',. 4. , _ . Sy|phide_ Polkzi-inaziirl-;a. U and E; 4. FOR THE MANDOLIN:— Flight of Birds, Polka. (Walilteiifell. Ilfaxc//. A Iiiie polka for two inani_loiins, \VlLll_g‘llllJi1l' or piano :i.ecoinpaninient. FOR THE MANDOLIN WITH GUITAR ACCOMPANIMENT. Llf/7/I (‘mvillgu M'a.7‘ch. (‘Z l\I:iii«lo‘iiis ) I’7-(Ie](n1Il, ’.1/[Til I§i>/Inn's Fair, lVn./1‘.2:<>s. ('2 l\l:lIi(li)lll1S.) l’/-eclmiil. Ullid liowens‘ Fair. l/Valtzes. (solo). . l’/-eclaml FOR VIOLIN AND PIANO:— R‘ -;"s Prn_1/67'. C. 4. . . F. 5. . . -' ‘ .l{.'l irlmmv. . . (' oncltrl. C. 3. KlIl.I'l(’I‘l[6(] G. ‘J. ./lI'cIo(li'e. . 3 . . . . i, A. ‘2. . . . . V01/JIILIIII. above violin pi zis, with piiiiio xii-comp-.iniinciit, are i'.lassic~' whi-eli C\'Cl'_\ lea "lie ', as well as all violiiiists, shoull have. The <,{r2irliii5.; _:ri\'eii above refer.~x to the violin parts only. The piiinoacconipiiniineiitsvuryas to tlilliculty. U7«r/jiier‘. B®$’]?‘®Rl: I9fE’I”‘S©N Philadelphia J. E. DITSON & CO. New York C. H. DITSON & CO. Chicago Boston LYON & HEALY JOHN C. HAYNES & CO.
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Title
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Agreement between Phelps and Barlow, witnessed by Jasper Parrish, n.d.
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Date
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n.d.
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Whereas by Mutual agreement between Oliver L. Phelps of Canandaigua County of Ontario & State of New York and Jonathan Barlow of …County of Hampshire once State of Massachusetts it is agreed that a …..given this day by said .. as his & administration of the Estate of Oliver L. Phelps Esq. late of Canandaigua always shall be .. with Capt. Jasper Parrish of said Canandaigua to him held, or delivered as in hereafter stated It is … the understanding that paid change is to be final and...
Show moreWhereas by Mutual agreement between Oliver L. Phelps of Canandaigua County of Ontario & State of New York and Jonathan Barlow of …County of Hampshire once State of Massachusetts it is agreed that a …..given this day by said .. as his & administration of the Estate of Oliver L. Phelps Esq. late of Canandaigua always shall be .. with Capt. Jasper Parrish of said Canandaigua to him held, or delivered as in hereafter stated It is … the understanding that paid change is to be final and conclusion as to any claim of the Estate of Oliver L. Phelps d… against said Jonathan Barlow but as this this an others .. whom it is thought may be able to pay this proportion of said Bond,it is agree that said Jonathan Barlow shall not have the benefits of said … to .. against the Estate of said Phelps or in favor of the other …, but that in .. he should be found on any of the Bond aforesaid and be able to .. and .. then the said Parish on having proper nation of the same shall be authorized to deliver said … to John Barlow- said Barlow further agrees that before he applies for said d.. he will notify said Phelps of the same, and if in any .. then may be instructed, against him in which he may be liable for cost or damages said phelps will give sufficient indemnity for such liability and it may be .. for said Phelps to make up of the name of said Barlow, then in that .. the .. shall not … to relieve the other .. from this … Signed in presents of Jasper Parrish Oliver L. Phelps J[?] Barlow
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Title
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Barnes, Lucy -- to parents, Mar. 17, 1872:
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Creator
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Barnes-Sellers, Lucy
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Description
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VC 1875
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Date
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March 17, 1872
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Vassar College. March 17. 1872. My dear Parents) Daily hare I look for a letter from you in answer to my inquiries about going home, but have been thus far disappointed, however by this time next week 1 suppose all matters will be settled and X w£U be in great excitement, with the hopes of starting for 3300 the following Wednesday. And when X get there I have some thing to ask you which X could not think of putting on paper for X dont think X can write with nearly so much effect. This last...
Show moreVassar College. March 17. 1872. My dear Parents) Daily hare I look for a letter from you in answer to my inquiries about going home, but have been thus far disappointed, however by this time next week 1 suppose all matters will be settled and X w£U be in great excitement, with the hopes of starting for 3300 the following Wednesday. And when X get there I have some thing to ask you which X could not think of putting on paper for X dont think X can write with nearly so much effect. This last word puts me in mind of an Essay X wrote yesterday and which as been distressing me for the longest while, (vis) What kind of prose composition has the most effect upon man kind fc Why. X took fiction because most read- I dont know how this will coincide with your ideas upon the subject. On Friday evening of this week as we had a lecture from Mr. Parsons - on Michael Angelo, Chapter Beta would not be able to give her long looked for "swell" Opera of "The Doctor of Alcanlaia" (which if youremember we heard at the 7*^ Street Theatre by Mr Ghilehirst and Bishop he) To this Chapter asked the Sophomore if they would be will- ing to have a Candy pull in the Steward's Department the next night instead of their usual sociable so that the wonderful opera might have the Kail This the Sophs- agreed upon and so Zeta flourished never was the Hall so full in fact packed. I sat about in the middle of the room Mar. 17, 1872 - 2 and so tightly packad that I could hardly stir- when Liaxie asked me how X should feel If there should be a fire imagine my comfort. All the Invited guests and not the admitted without theirtickets- All the ; ; J u ; , , i i ' ■ , . , ;'. ' I , ' , 1 ; , profs, every teacher together with the Pres fc lady prin- were present. The principal performers were greatly applauded and were showed with tit } , ',' .' t ' ■ t 1 i flowers from the audience — This Opera- cannot not be compared • ' * i < ; I l ' . ' J " v 1 ■ ' , i I ' with our Drama The Lady of Lyons - being so entirely different Neither could they have been visa versa for Beta has the Singers and Alpha - excels in dramatic tallent.—— Do tell Aunt Pattie for me that X Intended writing to her to day but find it now impossible so that X will have the pleasure of seeing her before my next letter With lov~ to all believe me Aff- Daughter Lucy Lucy (Sellers) Barnes, '75March 17th, 1872 Lucy Sellers Re an Essay on what kind of prose has the greatest effect on mankind
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Brown, Frances Elizabeth. Letters, 1866-1867
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Creator
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Brown, Frances Elizabeth
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Descriptor(s)
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Bielat, Isabel
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Description
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7 letters from Brown to Abigail L. and Caroline E. Slade (both VC Special Students from 1866-1867) at Fall River, Massachusetts. The letters discuss housing, upperclassman recitations, social news, Founder's Day and faculty, including Henry Van Ingen and his wife. Brown details changes to the scheduled prayers, chapel sessions, and Bible studies that were made after the Slades had left Vassar. She mentions to Caroline (March 1867) a male correspondent's complaints against the workers on a pla...
Show more7 letters from Brown to Abigail L. and Caroline E. Slade (both VC Special Students from 1866-1867) at Fall River, Massachusetts. The letters discuss housing, upperclassman recitations, social news, Founder's Day and faculty, including Henry Van Ingen and his wife. Brown details changes to the scheduled prayers, chapel sessions, and Bible studies that were made after the Slades had left Vassar. She mentions to Caroline (March 1867) a male correspondent's complaints against the workers on a plantation near New Orleans, and complains frequently about the strict behavior of the Lady Principal, Hannah Lyman.
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Date
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1866-1867
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Title
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Ryerson, Margary A. — to father, October 3, 1905
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Creator
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Ryerson, Margary A.
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Date
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3 Oct 1905
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Vassar College April. Dear Papa, I have a few minutes before chapel, so I guess I will start a letter. The minister this morning is to be Dr Vance from the Dutch Reform church in Newark, so not that where Aunt Maggie used to go? [Is not?] it funny they are all coming East, where are they going to live and is Harold going to live with them? I went to dinner with his Bailey girl again the other day. She is queer looking, but lots of fun. Monday night I took dinner with Elizabeth Halden. Every...
Show moreVassar College April. Dear Papa, I have a few minutes before chapel, so I guess I will start a letter. The minister this morning is to be Dr Vance from the Dutch Reform church in Newark, so not that where Aunt Maggie used to go? [Is not?] it funny they are all coming East, where are they going to live and is Harold going to live with them? I went to dinner with his Bailey girl again the other day. She is queer looking, but lots of fun. Monday night I took dinner with Elizabeth Halden. Every night before chapel now the girls get together and sing. That night the juniors first sang on the steps of Strong and then when they began to march to chapel, four or Dear Papa, - It is almost time to go to bed, but I guess I will have to write to you. Our lessons have really begun now, that is we have been to all our classes, but we can’t do much work until our books come. Please don’t think I am crazy if I ask for your old Latin dictionary, but all the girls have big ones and I thought Mama could put it in the hamper when she sends it up. They say the old ones are nicer than the new, because they give more idioms. Please tell Mamma to put my old blue bed spread and my blue curtains in the hamper too. I want to put the curtains over the trunk. Then if either you or Mamma will look in my book-case, in the top left-hand shelf, you will find my “Minna von Barnheim”, I think it is by [Lessing?]. It seems that we have got to read it. I think it is daughter here. She comes from somewhere in Pennsylvania and never speaks that everybody does not laugh. Her name is Beatrice Daw. The other evening Marie Kays, Beatrice and myself were hunting up some rooms in the main building. And whenever we would ask where anyone roomed, they would laugh so hard that they could not tell us. Then a senior has come into the room across the hall from me. She has just graduated from a [train crossing course?] and is awfully cute. She is very nice to all the girls, although they are several years younger than she. Marie Kays is awfully nice and every body likes her. Last night, after dinner most of the College girls sang college songs for about an hour and then we studied. Yesterday morning we all had a hygiene lecture and sometime within the next few days we have all got to be examined. We are on the campus all day and just go back for our meals -- [moved from fourth page] We can study between times in the library and that is where I am now. Mamma will be glad to hear that for our second lesson in English we had to write a composition. Our English instructor is quite pretty and does not look a bit sarcastic. The other evening after chapel, Mrs Kendrick got up to address the girls, and had hardly begun before the electric light wire broke and the whole chapel filled with girls was left in pitch darkness. Some had to hold hands so they would [...] get separated and come out that way. It was quite exciting. I was with one of the girls I met in Physics. I think Physics is going to be quite nice. The professor is terribly stupid & slow but there are some awfully nice girls in there and we have two hours experimental work every two weeks. I have just found a note on my door from a senior who used to be at Dana’s, Miss Newell wrote to her about me and she has invited me to a big entertainment. I am going to get dressed and go out rowing [moved from top of first page] with Marie, Jane (the ranch girl) & another girl. So Good Bye - Give my love to Mamma Margery --- Colonel David [Q?] Ryerson 22 Prospect S[treet?] South Ora[nge?] New Jersey
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Title
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Page 37
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Description
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Included in Ross, Caroline (Barnes). Scrapbook, 1901-1905
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Date
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From scrapbook dated c. September 1901 - July 20, 1906
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Title
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Williams, Ellen -- to mother, Jan. 1866:
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Creator
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Williams, Ellen
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Description
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VC Spec 1865-1866
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Date
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January 9, 1866
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Text
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Vassar College Po'keepsle Jan. 9th 1866 Dear Mother. I am so tired I can hardly sit up this evening but I know you will be anxous to hear of my welfare so I will exert myself to write a few words at least. You will of course e'er this imagine we are here all right without further information on my part. We suceeded very well in making all the changes and hardly suffered from the cold at all. The only place where I was really uncomfortable was in crossing the river. We reached...
Show moreVassar College Po'keepsle Jan. 9th 1866 Dear Mother. I am so tired I can hardly sit up this evening but I know you will be anxous to hear of my welfare so I will exert myself to write a few words at least. You will of course e'er this imagine we are here all right without further information on my part. We suceeded very well in making all the changes and hardly suffered from the cold at all. The only place where I was really uncomfortable was in crossing the river. We reached Newburgh about eight o'clock this morning and found the Hudson solide with no means of taking us across. So we had to walk. Mr Bartlett bundled Mollie and I up so we did not feel the cold very much but we were very glad to reach the station at Fishkill. Mr Bartlett rode out to the College with me but did not stay promising to come again soon. The girls seem delighted to see me. Jennie got here this morning and Nellie that evening. We are having a very unfortunate time here at present which I have been almost inclined to think is because I said so much while home about the delightful way in which the building was heated. The very cold weather and direction of the wind has changed all that and our rooms in common with all the rest Is below freezing temerature. The girls are allowed to go wherever they can make themselves comfortable and 1 am now in the library and Emily studying near. They hope to have it arranged in a few days so that we may be more comfortable but as it now is it add still more to the lonesome, homesick feeling which I will this once at least confess to be very strong. Oh Mother I can hardly realise yet that I have left you for so long except by the choking sensation which has been in my throat all day and whichwould show itself through my eyes sometimes. But I am going to try and stand it six months more though I believe if you should say the word I should be strongly tempted to come home at the end of the five weeks, when the half year will close. Many of the girls think of leaving then I believe if possible. But I might better be in bed than writing what I suppose will do me no good and make you feel worse. I have beea studying this after- noon and expect to go in my classes though 1 can't expect my lessons will be very well prepared for X am so tired that I must go to bed now. I hear Anna Dickinson lectured in P— last week so X shall be disappointed in that. Please send that Photo of myself which I promised Mary Cornell as I forgot it and she has asked for it. Please write soon and as much as you can for my letters will be my greatest consolation. Love to Aunt Emily and all enquiring friends and believe Your ever loving daughter EUen Mollie wanted me to send ever so much love to you all when I wrote.
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Page 14
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Included in Janish, Jeanne (Russell) and Lucile (Cross) Russell. Scrapbook, 1887-1938
"Notes - February 8 -- Posters - 'Chavenet Tomorrow!!!!!' -- Programs - VC Trig Ceremonies, 'A Departure from the Parallels of Precedent,' February 25 1892 -- Concert programs - VC Department of Music, 'Students' Concert,' February 10 1893 -- Concert programs - Collingwood Opera House, 'Anton Seidl and His New York Metropolitan Orchestra,' February 4 1893 -- Letters - [from family], March 20 1893 -- Concert p...
Show moreIncluded in Janish, Jeanne (Russell) and Lucile (Cross) Russell. Scrapbook, 1887-1938
"Notes - February 8 -- Posters - 'Chavenet Tomorrow!!!!!' -- Programs - VC Trig Ceremonies, 'A Departure from the Parallels of Precedent,' February 25 1892 -- Concert programs - VC Department of Music, 'Students' Concert,' February 10 1893 -- Concert programs - Collingwood Opera House, 'Anton Seidl and His New York Metropolitan Orchestra,' February 4 1893 -- Letters - [from family], March 20 1893 -- Concert programs - VC Department of Music, 'Recital,' April 14 1893"
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From scrapbook dated June 3, 1887 - March 1, 1938
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Title
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Page 71
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Description
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Included in Janish, Jeanne (Russell) and Lucile (Cross) Russell. Scrapbook, 1887-1938
"Admission tickets - VC Commencement, June 8 1924 -- Notes - 'Carmen' -- Poems - 'Whatsoever things are noble' -- Programs - VC Tree Ceremonies, Class of 1896 reunion, June 9 1924 -- Invitations - VC Tree Ceremonies, Class of 1896, June 8 and June 9 [1924] -- Drawings - Trees"
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From scrapbook dated June 3, 1887 - March 1, 1938
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Title
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Page 201
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Description
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Included in Mansfield, Adelaide (Claflin). Scrapbook, 1893-1897
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From scrapbook dated c. September 1893 - November 27, 1901
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Title
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from W.F. Hansell, 1 Mar 1861
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Creator
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Hansell, W.F.
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Date
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March 11, 1861
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Text
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[Guilad a] Mar 1 1861 Mr. M. Vassar My dear freind[sic] I just write to congratulate you upon the near consummation of your long cherished place for a Female College. I believe the enteprize[sic] to be one greatly needed to supply one of the most pressing demands of the times and that it will meet with the cordial sympathy of good and wise men and what is [seen] valuable, the approbation of God You have chosen to do this work yourself, rather than to leave it in the charge of executives and,...
Show more[Guilad a] Mar 1 1861 Mr. M. Vassar My dear freind[sic] I just write to congratulate you upon the near consummation of your long cherished place for a Female College. I believe the enteprize[sic] to be one greatly needed to supply one of the most pressing demands of the times and that it will meet with the cordial sympathy of good and wise men and what is [seen] valuable, the approbation of God You have chosen to do this work yourself, rather than to leave it in the charge of executives and, I am persuaded it will be vastly better done Yourexample too, will not be without its influence upon others who wish to do good but who accordig[according] to common custom propose to do it when are dead. Like David you have chosen … your own life to serve your generation by the will of God. The generation to come after you will be the better served thereby. I trust that God will spare you to witness the practical & successful operation of the plans you have so generously devised I suppose you have received many suggestions as to the kind of training to be given in the Institution, but I cannot refrain from submitting this to your Consideration, that a depart--ment[department] of instruction in household duties should be established. It is lamentable to think that while custom prescribes a cause of instruction adapted to fit young ladies to perform their [act] gracefully in society, it demands almost nothing to qualify them to preside over the domestic arrangements of the family. I believe that grater[sic] discontent in occasioned in households by the wane of practical knowledge in this aspect than in any other Let us have if need be a little less knwledges[sic] of Latin & Music and a little more of the mode of taking care of a household I bid you God speed my friend in this laudable under-[taking]taking[undertaking] It is a high [brow] to have your name associated in future times with such an enterprise With my kindest regards to Mrs Vassar I remain with great esteem Yrs[yours] etc Wm[William] F. Hansell
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Page 108
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Included in Babbott, Elizabeth (French). Scrapbook, 1910-1912
Manuscripts - "'Happy' French Her Memory Book" [Elizabeth B. French, VC 1914]
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Date
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From scrapbook dated August 12, 1910 - June 22, 1912
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Aaron, Fannie -- to Mother, Father, and Pete, April 21,1921
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Creator
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Aaron, Fannie
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Date
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1921-04-21
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Dear Mother, Father, and Pete: I have the honor to announce an A in my midsemester in Spanish and a flunk on the last ten-minute Monday written in Ec. Most of the "good" members of the class flunked it. That is not to be taken seriously. Millsy seemed much amused when I told him after class I hadn't been able to figure the answer to the question out yet. I went to the Amalgamation Meeting last night. We reduced the nominees for the big offices for next year to two, listened to...
Show moreDear Mother, Father, and Pete: I have the honor to announce an A in my midsemester in Spanish and a flunk on the last ten-minute Monday written in Ec. Most of the "good" members of the class flunked it. That is not to be taken seriously. Millsy seemed much amused when I told him after class I hadn't been able to figure the answer to the question out yet. I went to the Amalgamation Meeting last night. We reduced the nominees for the big offices for next year to two, listened to songs for Alma Maters to replace the awful old one, and discussed the possibility of having our meals served decently. I worked on history for three hours yesterday afternoon. That is the first real work I have been able to accomplish. I am gradually getting caught up with my work. I am eagerly awaiting your Princeton letter, Pete. If you haven't written it yet, please write it. How long does your vacation last? Love, Fannie Hamburger AaronDear Mother; Will you please ask the doctor to give me something effective for my bowels as soon as possible. I have been trying Maltine + Cascara + vaseline, vegetable pills, + what not, ever since I am back, and with no effect. It makes me feel like the dickens and good for nothing all the time. R.S.V.P. as soon as possible. Mother
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Wyman, Anne (Southworth) -- from family, July 22, 1882:
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22 Jul [1882]
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July 22 Dear Anne When you go from Chicago to see [Harry?] I want you to get him some peaches about as many as you think he can eat before they spoil. Do not get those large nice looking ones that never ripen but I think you can pick out some I should think 1.00 ought to buy enough but you can judge I think. Mr. Pulsifer has annother job for you out to Columbus Ohio to teach English branches in some big school 1000. per annum said they wanted his wifes sister but she cant go because dont want...
Show moreJuly 22 Dear Anne When you go from Chicago to see [Harry?] I want you to get him some peaches about as many as you think he can eat before they spoil. Do not get those large nice looking ones that never ripen but I think you can pick out some I should think 1.00 ought to buy enough but you can judge I think. Mr. Pulsifer has annother job for you out to Columbus Ohio to teach English branches in some big school 1000. per annum said they wanted his wifes sister but she cant go because dont want to go so far west & because she is to open a school in Auburndale etc. but they know you could take the place &c. Your father says once a teacher and always a teacher If you wanted a place you could’nt find one to suit & now you dont want one plenty offer. I looked for a postal from you tonight (Wednesday) but did not get any. Shall have one in the morning I am sure. Sent a letter to Mechanicsville and one to Seneca Falls. Took me plenty of postal cards I wont trouble you to write much for you can tell me all when you get home but [crossed out: two or] three ^or four postals a week wont be much trouble to you & every day seems a month till I hear. I went to Canton today & got your silk. Will send some in the letters I [direct?] to Chicago. I imagine you leave Thursday for Seneca Falls. & on Sat shall look for another postal from there. Sat I must close this letter now or you will hardly get it at Jackson. Got your postal [crossed out: from] ^written at Eva’s on Thursday night. Shall look for plenty of postal cards I wont trouble you to write much for you can tell me all when you get home but [crossed out: two or] three ^or four postals a week wont be much trouble to you & every day seems a month till I hear. I went to Canton today & got your silk. Will send some in the letters I [direct?] to Chicago. I imagine you leave Thursday for Seneca Falls. & on Sat shall look for another postal from there. Sat I must close this letter now or you will hardly get it at Jackson. Got your postal [crossed out: from] ^written at Eva’s on Thursday night. Shall look for --- annother tonight. With love Mother Wrote to you care of Lilly White at Senica Falls. Stoughton Mass. Jul 22 Anne C. Southworth 702 Francis St Jackson Mich Care C. R. RussellIf not delivered within 10 days, to be returned to Mary C Southworth Stoughton MassCarrier Jul 24 [5?]AM
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Worthing, Margaret (Fletcher) -- to mother, March 19, 1911:
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Worthing, Margaret (Fletcher)
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17 March 1911
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1911? Friday [...]. Mar. 17th St Patricks Dearest mother; - I just remembered this is St. Patrick’s - The storm Wednesday was not local - we had it too - the cold still asts. The gale of 60 miles an hour ceased with last night’s sundown - Your coat which is very good looking - with underware etc- came yesterday, also Daddy’s apparel which quite pleases him. Grandmother says she hasn’t written you for she expected you home last Sat. night - your [...] alloted time, and has not [known?] since...
Show more1911? Friday [...]. Mar. 17th St Patricks Dearest mother; - I just remembered this is St. Patrick’s - The storm Wednesday was not local - we had it too - the cold still asts. The gale of 60 miles an hour ceased with last night’s sundown - Your coat which is very good looking - with underware etc- came yesterday, also Daddy’s apparel which quite pleases him. Grandmother says she hasn’t written you for she expected you home last Sat. night - your [...] alloted time, and has not [known?] since what your address was. She has been looking daily for your needles for her by express! There is a [...ss?]- supper at the church tonight which as Mrs. Beginty is here, is the most strenuous exercise for me for the day. We had a letter from you yesterday and [m…?] [...e?] this A. M. Grace writes that Isabelle is not any better - I was terribly sorry to hear it - Have just as good a time, just as long [crossed out: a time], as you possibly can! We are getting on famously and hope you will wait till Grace comes. With best love, M’g’t -
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Page 14
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Included in Babbott, Elizabeth (French). Scrapbook, 1912-1913
"Objects - Dried flowers -- Concert programs - VC Choir, 'The Christmas Music,' December 15 1912 -- Letters - to family -- Letters - to father"
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From scrapbook dated August 23, 1912 - July 10, 1913
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Vassar College Main Building ca. 1865
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Slee Bros. (Poughkeepsie, N.Y.)
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Picture of drawing of Main building of Vassar College with paths, lawn, shrubs and people.
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Date
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1865?
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Page 21
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Description
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Included in Janish, Jeanne (Russell) and Lucile (Cross) Russell. Scrapbook, 1887-1938
"Objects - Thread captioned 'Party...for Joss. Freshmen, October 31 [1920] -- Printed materials - 'Vassar College, Schedule of Classes, First Semester,' 1920-1921 -- Forms - 'Choir Notification' [from Professor Harold E. Geer] -- Printed materials - 'Regulations of the Vassar College Choir,' September 26 1920"
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From scrapbook dated June 3, 1887 - March 1, 1938
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Aaron, Fannie -- to Mother, Father, and Pete, December 12,1920
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Creator
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Aaron, Fannie
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Date
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1920-12-12
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Text
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December 12, 1920 Dear Mother, Father, and Pete: It was certainly great to see '20 back for First Hall Reunionr yesterday. Tfey seemed to feel the same way about it. I was very much disappointed in the play. It was Bernard Shaw's "You Never Can Tell". I did not care particularly for the play and I did not think that the acting was very good, either. We had debate practice all Friday evening and all yesterday morning. We have it this afternoon again. I cut chapel this...
Show moreDecember 12, 1920 Dear Mother, Father, and Pete: It was certainly great to see '20 back for First Hall Reunionr yesterday. Tfey seemed to feel the same way about it. I was very much disappointed in the play. It was Bernard Shaw's "You Never Can Tell". I did not care particularly for the play and I did not think that the acting was very good, either. We had debate practice all Friday evening and all yesterday morning. We have it this afternoon again. I cut chapel this morning and spent the morning in bed trying to selep[sic] and rest up a little for tomorrow. It's a great life! I spent the afternoon in the libe yesterday, working on the weeks English. I am strongly tempted to cut lab tomorrow afternoon. Four classes and lab is a little too much to go through and expect to feel fresh that evening. Please preserve the enclosed clipping in alcohol. I want it back. Love, Fannie[ca Dec 1920] Dear Mother, I think it will be a very good idea to get the brief case for Father. I have been wondering what to get, and hadn't thought of anything so far. I like to vary it occasionally, and not get books every year. And I do want to get him something, because he is such a kid about his birthday. Can you attend to it at home? I imagine you can do better than I can here--besides which I am some rushed. R. S. V. P. Did you get Lester's note sent through me?Fannie Hamburger Aaron-------------------------—-------------TREAS. Mother Mother[enc for ca Dec. 1920]
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