Search results

(1 - 4 of 4)

Date: n.d.
Text: V X ( ‘T: ‘x W. 3'‘ . , \ /‘ ‘l ‘L . \- ‘ I ; ~ . V 9} xv ' v‘>.. I/vf. Sr/4, HALL L0ND02~§: ROBERT COCKS & ()0, N ‘W BURLINGTON STR;EE'.l‘, 'W TTUJQ BRUDGEO WRITTEN BY compossoav H.W.LONGFELLOW Esq. Mass M.LlNDSAY. Andante con espressione. 1‘ 9 I "3 3. stood on the bridge mid____ night, Z-«X ‘?"'olh‘]@ ‘5*‘k°)B1?E. clocks were stfiking the hour: And the moon Ijose o’e1"the ci’._ty, Be- hind the ‘dark church to§ver. I And like the Waters rushing ...
Show moreV X ( ‘T: ‘x W. 3'‘ . , \ /‘ ‘l ‘L . \- ‘ I ; ~ . V 9} xv ' v‘>.. I/vf. Sr/4, HALL L0ND02~§: ROBERT COCKS & ()0, N ‘W BURLINGTON STR;EE'.l‘, 'W TTUJQ BRUDGEO WRITTEN BY compossoav H.W.LONGFELLOW Esq. Mass M.LlNDSAY. Andante con espressione. 1‘ 9 I "3 3. stood on the bridge mid____ night, Z-«X ‘?"'olh‘]@ ‘5*‘k°)B1?E. clocks were stfiking the hour: And the moon Ijose o’e1"the ci’._ty, Be- hind the ‘dark church to§ver. I And like the Waters rushing , A--_mung the wooden ‘‘'x . ,, . \ I V I I V Ihe Bruigp b\' Mtss M. LINns,w. H 77,6 COPW(R”rGl{f,I7. f'I<md of thoughts ﬁame o'er. That filled my eyes How of--- ten, ' ohlhow of__--ten, days that had gone by, _ I had stood on that -bridge mid--»-vnight,. And gazed on that wave and sky! had Wished that the .ebb_--ing hear me a--_w-av on its bosom wide . For my 11¢ art /’ rest); less, And my f“‘\ bur ___ then laid. up--__ on me, Seemed greater than I COIIM But now it has f’all-_--- en bu _ _ ried 0 _ thers throws its _e _ vet‘ I cross the thuugbt of V 0_.th_er _‘ film F?y,,;.l.. h.» Myqq In [1-‘.nQ“- -0 _ duur of brine from the ’o____-cean on---_ Iy the S01‘- row of Lg ’ sha-__-- (low o_-A_____ver with wood __ en ﬂb bridge Comes the And for e___ver, and ‘iong as the heart has pas ....... _; sions, long as life 3171: The moon and its Vbro_ken re__,f]ec___tion shadows Shall aP——-—P931' sym-.b0l of love Heaven . And its wa_, Vefing i--mage “'Y‘Pvu .:','~ ,7" v. 'l?w.{mv‘hw .7vrT_Qg M‘ 7yT\.‘nQA‘_, S W M. Linnea ( ll: ‘O . Mfg. J. Vilorthington Bliss.) /\/\/\/\/\/\/\/\ /\/\/\/\/\ /\ /\/\/\/\/\/\/\/ ». SECULAR SONGS. “ Songs of a high moral order.”—Britislt Banner. 0 love my ‘Willie.—Song. from the “ Supper at the Mill." By Jean Ingelow. Music by Miss Lindsay.(Mrs. J. VV. Bliss). “Charming from its very simplicity and perfect adaptation of worclsand music."——Vide Glasgow Citizen, . . . . . . . . . . . . . . . . . Excelsior. ‘Words by Longfellow. Illustrated “ The theme is tenderly and powerfully conceived. .It is an ex- quisite lyric."——Elt'za Coo/(.9 Journal. “ A gem which, in‘ this musical setting, is seen to more advantage than before."——Pat7'i0t. “ SubFime in its simplicity."-—Poi'tsmoutA Guardian. “ VVorthy of the exquisite lines of Longfellow.”—U/um‘/z and State Gazelle. “ Makes the heart echo the cry of Excelsior.”—-ﬁyzitomist. “ Stirring and expressive."——-Weelclg Times. “ Beautiful in its very simplicity.”——Empire. “ Chaste and simplc.”———B. Banner. England and England's Queen——Song. Words by‘ \V. P. Lindsay, Esq. 2nd Edition. . . . . . . . . . . . . . . . . . . . . . . . . . . .. “This Song will still continue to awaken the loyal and patriotic Spirit of Britons." " Airy, Fairy Lilian. VVords by Tennyson. I llus. “ There is a sort of fairy wildness in the melody, exquisite, tender, and original, which seems even to freshen Tennyson's fresh imaginings. Those who have admired the lofty tone——uttered indeed in simple musical phrases, but still lofty-——of “ Excelsior," and “The Hymn of the Nuns of Bethlehem," will be glad to hear a lighter and livelier strain from the same inspired harp. Speak Gently. VVords by G.'VVashington Lang- ford, Esq. Dedicated to Miss Dolby . . . . . . . . . . . . . . . . . . . . . . . . . . “ A charming effusion, f_ull of pathos and beauty."—BrilisIt Bamun‘. “ Superior to the worthless trash, &c.” — Patriot. “ Very simple, pleasing, and melodious, and possesses the rare merit of adaptability to any voice of ordinary coinpass."——(,‘/Lure}; and State Gazette. “ So simple that singers of very moderate attain- ments will find little diﬂiculty in singing it at ﬂrst sight."- Aberdeen JOZl7’7l'll. “ Like her Excelsior, it addresses itself immediately to the heart, and awakens its kindliest emotions.»- Glasgow Sentinel. There’s no dearth of kindness. VVords by Gerald Massey, Esq. Illuminated Title . . . . . . . . . . . . . . . . . . . . . . . . . . “ All who are acquainted with Gerald Massey‘s heart-felt poetry, will rejoice in this elegant effusion of melod_v, which ripplrs sweetly along, ‘side by side with the pulling rivulet of the thought—thought which does equal honour to the heart and head of the poet.” Stars of the Summer Night——'Serenade. VVords by Longfellow. Illustrated . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “Many composers have essayed to translate into melody Long- fellow's exquisite Serenade, but none with so much success as the lady whose adaptation of the same poet’s ‘Excelsior’ has enraptured the public car." _ Home they brought .. her Vlarrior dead———Son “lords by Teiinyson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Most touching and pathet.ic‘....combines beauty with extraor- dinary facility of execution.”——Cuurt (.'-in-utzu-. “ The words are beautifully tender and true——so tender that you instinctively read tlgein softly and low; and Miss Lindsay, in adapting them to inili" has successfully caught the spirit of her author.”— _ Abei'deli5 lierald, Feb. 20th. The Bridge. “ Words by Longfellow. Beautifully Illustrated . . . . . . L . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . " \Vhat a lyrical composition intended to be popular ought to be——- it has no unnecessary diﬂicultics, and lies within a moderate range—being thus avai_ ‘ble for all who sing to amuse them- selves or their friend "‘ “well as of those who sing for the public—of whose attention, by the way, this composition is well worthy.” ,, Daybreak. VVords by Longfellow " Goes sweetly and prettily;§v.'* Brig/zton Herald. *2. ,l\laud——S-erenade. Word ”by Tennyson. Illustrated “ It might rejoice the heart of the laureate to listen to this melo- dious echo of his own thrilling and mysterious conception. As on other occasions, so in Maud, the favorite composer has attained the highest effects without departing from the simpli- city which is the real characteristic of genius. Miss Lindsay's and may be sungpby all who can sing at all.” Clara Vere de Vere —— Song. VVOrds by Tennyson . . . . . . . . . . . . . . . . . . . . . I “ In every respect worthy of her pen."——B¢iglzton ‘Herald. " Alfred Tennyson cannot fail to be satisﬁed with the lady’s appreciation of and the-spirit with which she has illustrated both ‘ Too late, 0' b. Lady too late,’ and ‘ Lady Clara Vere de Vere.’ ”—Stamfoi'd ll1e7‘cm‘y. ' The Old Clock on the Stairs." “lords by Longfellow A Psalm of Life. VVords by Longfellow. Illus. The l3rook——Song. \\'ords by Tennyson “ Tennyson’s charmingly descriptive verses are most appropriately \\'0(l(l£'(l to inusic of the most pleasing kind." —— (liuil S-':-)'vic'e (:‘rr'.“~vltc. “ Beautiful niusic, so prcttily 2l(l2lp[€(l to the language I ofthe .<ong.”- (.'ozr.rt (.’i'rlvz./an "Why sit"st then by that ruined hall. Song. ‘Words by Sir W'ztlter Scott . . . . . . . . . . . . . . . . .. .. . . . . . . “It sustains the reputation of the fine lyric, ‘Excelsior.’ "- Sm/,iirlei~s’s News Letter. “ A beautiful air, in excellent keeping with the subjcct."—B7-ig/zton Exaininer. LONDON :_,__lftOE1jt",_ , ' massage...- CI 6 6 I I I T I l SECULAR SONGrS——c0m‘imiea La _, Toilette de Constance. ‘Verde by Casimir Delavigne. Illziminated title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Thalassa——A Yachting Song. VVords by Edwin Arnold, Esq. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ There is a cheerful yet soothing sweetness in the melody delight- fully sustained."—Glasgow Sentinel. “ At once simple, pictur- esque, and bcautiful."——Press. The Song of Love and Death—-Song. Words by Tennyson.... . . . . . “ Very gracefully designed and pleasing.”——Keene’s Bat/i Journal. The Mariners Song. “lords from “ Home Lyrics.” I llustratcd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . In this song Miss M. Lindsay has shown a greater command over the technical resources of her art than in any of her previous compositions.”—— The Press. ‘ Echoes. Words by Miss Procter “ Remarkably happy in the general style of the air, but specially in the adaptation of the echo."——Scattz‘sli Press. The Arrow and the Song. VVords by Longfellow “ The melody chaste and ﬂowing . . ‘ so pretty.’ "—Clieltenliam Gas. SAGRED SONGS. Thou O Lord. VVords from Scripture........... ,;. Resignation. Words from II. Samuel xii, V. 22 & 23. 1:'legantlg/ illzmzinated title . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . The Pilgrim’s Rest. W'ords by Rev. H. Lindsay. Elegantly illuminated title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jacob. Words from Gen. xlii, v. 36, 37, 38. Elegantly illuminatetl title . . . . . . . . . . . . . . . . .v.I. . . . . . . . . . “ There isra beautiful solemnity about this song not unfamiliar to those who are acquainted with Miss Lindsay’s compositions. It is easy, graceful, and pleasing. Her compositions are for the quiet family circle——the domestic concert—-the‘ home cirple."— Gl‘(ts§0w Times. Christian Submission. ‘Words by the Rev. John Keble Elegantly illnmin./zted title . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Lord will provide. VVOrds from Gen. Xxii, v. 7, 8. Elegantly illimii1iatadtitle._. . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Border Lands V\'ords from “ The Dove on the Cross.” Elegantly illuminated title . . . . . . , . . . . . . . _ . . . . . . . . . . ",Thcse Sacred Songs, from their originality, sweetness, and extreme patﬁllos, are winning universal favour.” Too late, too late. \vVords by Tennyson. Elegmztly illuminntczl title “ A very sweet Air, and well befits the words of the sacred song.” -——Lsed.s* Intelligence)‘. “ Mouriiful and touchingly pathetic. . . . presents some very beautiful touches of mclody.”—Briglitrm Examiner. “ Treated in her own felicitous and characteristic style, full of calm dignity and devotional fecling.”———Gi’asyow _Seuti7tcl. ‘ _ Peace be still———-Sacred Song. \Vords from Matt. viii, v. 23—26, Mark iv, v. 38, Psalm cvii, v. 30 . . . . .. “ Admirably descriptive, stirring, and expressive.”-Olieltenhcmi Iizette. n--.....-.c.. . . . . . . . . . .-..a .noooo.... .. Come unto me——Sacred Song. VVords by VV. H. Bellamy,__Esq. Illustrated . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Well do her notes represent the pathos and earnestness of the invitation,"-—(,'hu;c/1/1i<m’s Guide. Thou wert the first of all I kne\v——Sacred Song. \Vords by Rev. T. \Vhyti—hcad .. .. . . . . . . . . . . . . . . . . . . . . . . .. . . . . “ So pretty that it is sure to become allL1'0rlte."—Le1?rls Iiitcllzfgeiicer. They shall hunger no more. V\'ords from Rev. vii, v.13—17 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Solemn and expressive a very welcome addition to our Sunday evening xuusic.;"—-Coiurt C‘l?“(.’Ztl(7-)'. ' DUETS (for Two Soprani.) A Psalm of Life. VVords by Longfellow. Illzts. Excelsior Duet or Trio). VVords by Longfellow... Speak gently. VVords by G. VV. Langford,‘ Esq.... llymn of the l\Ioravian Nuns at the Consecration. of the Banner of iﬁilltlllﬁlil. Words by Longfellow . . . . . . . . . . . . . . HYMN or run Mormvrliw NUNs.—“ VVell worthy of the author of“ ‘ Excelsior.’ Melodizcd with power and expression."——~Cliurn}i and State Gazette. “ Coupled with music equally simple, adequate, and imprcssive."——(7ourt .lo-urnal. “!:Trzmslates the sentiments ofrhc poetry, and makes the heart respond to«it."— Ilri;//titan .’:‘ram.1'n::9'. “ The spirit of the poetry is very a(.lmiral)ly 1'endere(l."—-Abcrrlecn ./'otmiat. “ Possesses the merit of simple bcauty.”———Enzpii'e. ANrni~:M—Unto Thee, O Lord, will I lift up my soul——'Psaln1 xxv. 1-6. 4 voiccs.———(No. 1. Third Series of Roinncr Cocxs AND Co.’s Clioristcr's Hand-Book) .. . . . . luv--1 0 . 3 1) ~ T__r1 K7 _Q4rI\.1:x,TJ-.1: \ '1r.\
Show less

Date: n.d.
Text: +2 .. V ea mm. . £9 €ﬁ3g§)fE§>’" ‘ ‘, .- Q” \ ' I (S 1. ‘ £'l’_\r/a .1/I V y - . . ‘ /(7)/\, K‘ . » V BUSS) LONDON; ROBERT COCKSvxC‘? NEW BURLINGTON STT‘ PUBLISHERS TO HER MOST GRACIDUS MAJ ESTY QUEEN VICTORIA ‘Jun; Emumaéo WRITTEN BY GOMPOSED BY H.W.LONG!-‘ELLOWESEAQ. Miss _M.LINDS'AY. .And_ante con espressiohe. stood on the bridge , ‘ mid_--- night, As the _Z-—-.,_‘ ffx 3'” V} 3 R? clocks mew striking zhe h0ur;' And the m<A)0ni rose 0’er'the ci'...
Show more+2 .. V ea mm. . £9 €ﬁ3g§)fE§>’" ‘ ‘, .- Q” \ ' I (S 1. ‘ £'l’_\r/a .1/I V y - . . ‘ /(7)/\, K‘ . » V BUSS) LONDON; ROBERT COCKSvxC‘? NEW BURLINGTON STT‘ PUBLISHERS TO HER MOST GRACIDUS MAJ ESTY QUEEN VICTORIA ‘Jun; Emumaéo WRITTEN BY GOMPOSED BY H.W.LONG!-‘ELLOWESEAQ. Miss _M.LINDS'AY. .And_ante con espressiohe. stood on the bridge , ‘ mid_--- night, As the _Z-—-.,_‘ ffx 3'” V} 3 R? clocks mew striking zhe h0ur;' And the m<A)0ni rose 0’er'the ci'.-ty, Be-’ t hind thedark church t0wer._ . And like the Waters rushing ‘ A_-_moﬁg ‘ the wooden “The :Br'J'd;{.ﬂ’ bx‘ MISS M. LINDSAY. ("ﬂow/'I~‘z!m«m‘. flood of _thoughts came ’ . , That filled my eyes - of--- ten, ‘oh! ‘how 0f__-_ten, days that_ had V I had stood on that bridge .miIL_._ night, gazed on that wave and skylj I had Wished that the _ebb__-ing 1' “Tbe'B?idz'é’bV Mrss M; Lr'1~:DsAv; Would bear me*a--.way on its [bosom wide. For my heart was hot 3 rest'___ less, And my ' ,. was full ’ of of-—\ ' bur then laid 111).... on me, Seemed greater than I But ‘now it has fall-__-- en from me, “-The..Brid2'e”}w Twfgg M LINDSAY’ .. ........_..._—‘ -» bit .4. ried ‘in _ ’ Aild ' On____]'y the sol‘. row "1 0 _ thers M throws its _ . b Tet, When- _é_ver_ I cross the ' On its bridge with §~'00d__€n .0f_ bi°i’ne from the 0_____cean Comes the Of 0 .._th€‘I' I And for e___1/er, and “T7?” 3rirV'r~”hv Mmsz 7W.1.r*~:n§A# As lung * as the ri___- ver long as the heart “has pas :,-----__ sions, The 7 ‘As long flows, as life ITS ‘(U353 1 ’w~*"%::: a%""¥;i '4 =5*’*’3*%’ 5 § shac;l0ws' shall ap pear Heaven And its wa _ _ vering MW" “VMm="1~v'VI.=s M, I.TVn<:AV. As<the sym___b0l of love _i_- mage MISS M. LINDSAY’S (MRS- J‘. WQRTHINGTON BLISS) aaeasas sesiest» “Songs of a high moral order."—British Banner. COMPASS. VOICE. Excelsior. Words by Longfellow C to E 10I10t€S S. Or T. “The theme is tenderly and powerfully conceived. It is an exquisite lyric."-—-Eliza Cooke's Jour. A gem which, in this musical setting, is seen to more advantage than before.”—Patriot. “ Sublime in its simplicity.”—-Portsmouth Guardian. “Worthy of the exquisite lines of Longfellow."-—C'hurch and State Gazette. “ Makes the heart echo the cry of Excelsior”—Epitomist. “ Stirring and expressive." _Weg]¢1_1, Times. “Beautiful in its very simp1'icity."—Em_m‘re. “ Chaste and simple."—~Bn'tish Banner. England and England’s Queen——Song. Words by W. P. Lindsay, Esq. 2nd Ed. D to El? “ This Song will still continue to awaken the loyal and patriotic Spirit of Britons.” Airy, Fairy Lilian. Illustrated. Words by A. Tennyson Esq. ... Bb to F . “There is a sort of fairy wildness in the melody, exquisite, tender, and original, which seems even to freshen Tennyson's fresh imaginings. Those who have admired the lofty tone—uttei'ed indeed in simple musical phrases, but still lofty—-of “ Excelsior," and “The Hymn of the Nuns of Bethlehem," will be glad for once to hear a lighter and livelier strain from the same inspired harp." Speak Gently. VVords by G. VVashingtoii Langford, Esq. Dedicated to Miss Dolby Eb to Eb “A charming effusion, full of pathos and beauty/'—Briti.sh Banner. “Superior to the worthless trash, &c.”—Patriot. “Very simple, pleasing, and melodious, and possesses the rare merit of adaptability to any voice of ordinary compass.”—C‘hurch and State Gazette. “ So simple that singers of very moderate attainments will ﬁnd little difficulty in singing it at first sigl1t.”—Al)erdeen Journal. “ Like her Excelsior, it addresses itself immediately to the heart and awakens its kiiidliest emotions.—Glasgow Sentinel. There’s no dearth of kindness. Illuminated Title. VVords by Gerald Massey, Esq. C to E " All who are acquainted with Gerald Massey's heart-felt poetry, will rejoice in this elegant effusion of melody, which ripples sweetly along, side by side with the purling rivulet of the thought—thought , which does equal honour to the heart and head of the poet.” Stars of the Summer Night—Serenade. Illustrated. Words by Longfellow D to E “ Many composers have essayed to translate into melody Longfellow’s exquisite Serenade, but none with so much success as the lady whose adaptation of the same poet's ‘. Excelsior’ has enraptured the public car.” Home they brought her Warrior dead——Song. Words by Alfred Tennyson B to Eb “ Most touching and pathetic . . . . combines beauty with extraordinary facility of execution."-——Court Ciro. " “The words are beautifully tender and true——so tender that you instinctively read them softly and low: and Miss Lindsay, in adapting them to music, has successfully caught the spirit of her author.” —-Aberdeen Herald, Feb. 20. ’ The Bridge, Beautifully illustrated. VVords by Longfellow B l7 to El? “ What a lyrical composition intended to be popular ought to be—-it has no unnecessary difficulties, and lies within a moderate range——being thus available for all who sing to amuse themselves or their friends, as well as of those who sing for the public—of whose attention, by the way, this composition is well worthy." La Toilette de Constance. Words by Casimir Delavigne. Illuminated title , A to Eb Daybreak. VVords by Longfellow C to Eb Maud—Serenade. Words by Tennyson. Illuminated title .. Bb to F “It might rejoice the heart of the laureate to listen to this melodious echo of his own thrilling and mysterious conception. As on other occasions, so in Maud, the favorite composer has attained the highest effects without departing from the simplicity which is the real characteristic of genius. Miss Lindsay's Maud may be sung by all who can sing at all.” V Lady (”lara Vere de Vere—-Song. VVords by Tennyson A B to D “In every respect worthy of her pen.”—-Brighton Herald. 35 “ Alfred Tennyson cannot fail to be satisﬁed with the lady's appreciation of and the spirit with which she has illustrated both ‘ Too late, too late’ and ‘ Lady Clara Vere de Vere.’ "—Stamfm~d Zllercury. The Old Clock on the Stairs. Words by Longfellow .. .. DU to E A Psalm of Life. Words by Longfellow. Illustrated . 13b. to F SACRED SONGS. Resignation. Elegantly illuminated title. VVo1'ds from H. Samuel xii, v. 22 & 23 Bb to D The Pilgrims Rest. Elegantly illuminated title.- Words by Rev. H. Lindsay B to Eb Jacob. Elegantly illuminated title. Words from Gen. xlii., v. 36, 37, 38 Db to Db “ There is a beautiful solemnity about this song not unfamiliar to those who are acquainted with Miss Lindsay's compositions. It is easy, graceful, and pleasing. Her compositions are for the quiet family circle-—the domestic concert—the home circle.”——Glasgow Times, April 11. Christian Submission. Elegantly illuminated title. Words by the Rev John Keble Bb. to D}, “These Songs, we hesitate not to say, will meet with a. cordial welcome. The melodies are within the l reach of voices of limited c0mpass.—Glasgr)w Christian News. The Lord will provide. Elegantly illuminated title. Words from Gen. xxii., V. 7, 8 B19 to E1; The Border Lands. Elegantly illum. title. Words from “ The Dove on the Cross” l) to D “These Sacred Songs from their originality, sweetness, and extreme pathos, are winning universal favour.” Too late, Too late. Elegantly illuminated title. Words by Tennyson Bl? to Eb “Avery sweet Air, and well beﬁts the words of the sacred song.”—Leed.v Intelligencer. “Mournful and touchingly pathetic . . . . . . presents soiue very beautiful touches of melody.—Brighton Examirter. “ Treated in her own felicitous and characteristic style, full of calm dignity and devotional feeling.- Glasgow Sentinel. (for Two Soprani). .. A Psalm of Life. Words by Longfellow. Illus. 3s.——Excelsior, 3s.—Speak gently, 3s. Hymn of the Moravian Nuns at the Consecration of the Banner of Pulaski, 3s. HYMN or TI-{E l\IoRAviAi~: NUNs.—-“VVell worthy of the author of Excelsior. Melodized with power and expression."——-Cliurch and State Gazette. “ Coupled with music equally simple, adequate, and impressive."—Courl Journal. “ Translates the sentiments of the poetry, and makes the heart respond to it.”——Bri_qhton Eztarniner." “ The spirit of the poetry is very admirably rendered."-—Aberdeen Jour. “ Possesses the merit of simple beauty.”—Empire. A.\:THEM.—Unto Thee, O Lord, will I lift up my soul——Psalm xxv. l—-6. (4 voices) —(No. 1. Third Series of Rossar Cocxs AND Co.’s Chorister’s Hand-Book)—2d.
Show less

Date: n.d.
Text: ' / ( COPY/F/GH T.) TNIE L3ﬁ[lE)@@o WRITTEN BY H. W. LONCFELLOW Esq. COMPOSED’BY Miss M. LINDSAY. Andante con espressione. W©ﬂ©B. stood clocks were striking the hour; -hind. the dark. church tower. rushing The B1'1<!_ge. Miss M. LIINDSAY. on the bridge at mid___night,V ‘As the '/'\ Andthe moon rose o’er the ci_ty, Be- And like the waters the ’ wooden CQPYR I (;n.1-‘L; flood.‘ of thoughts came '0’er . * That filled my eyes wim How‘ of_-_ten, oh! how of---tén, days...
Show more' / ( COPY/F/GH T.) TNIE L3ﬁ[lE)@@o WRITTEN BY H. W. LONCFELLOW Esq. COMPOSED’BY Miss M. LINDSAY. Andante con espressione. W©ﬂ©B. stood clocks were striking the hour; -hind. the dark. church tower. rushing The B1'1<!_ge. Miss M. LIINDSAY. on the bridge at mid___night,V ‘As the '/'\ Andthe moon rose o’er the ci_ty, Be- And like the waters the ’ wooden CQPYR I (;n.1-‘L; flood.‘ of thoughts came '0’er . * That filled my eyes wim How‘ of_-_ten, oh! how of---tén, days that had gonxeh by; I had [stood on that bridge A Aatl h‘IbllidA_- night. And - gazed on that wave « and sky! °f~~h.—t.911s 011! how of-_-ten, ' ‘:I had Wished ‘that the ebb--.- ing "gm Bridge. MISS M. LINDSAY. tide Would hear me awway on its“ bosom o . _ _ _ _.--cean wild and wide. For my heart was hot and rest_-_less, And my -life. was full of care; And the /“T bur 4 - _ then laid up _ - - on me , Seemed greater than I . could But now it has faI1--_--en from me, The Bridge. MISS M.’LIN'DSAY.~ u__ried in [L ' - , 7 And 0n______1y the sor._ row of o;thers Throws its sha_____dowo _ . _ _ __ver me. Ipfcross the ri___ver, On its bridge with wood____en Like the o___d0ur of brine from the 0___cean Comes the “10.IIght of 0 _ ther And for e _ ver, and long as’ the iri -;--ver long as the heart has pas , _ _ . _-—_sibns, As long as life has The moon and its bro__ken re>--flec-.tion L And its shadows shall ap.._-_=_pear As the sym_%bo1 of ldve And its w'a-__Vering image . f 11,776.. LONDON.‘ ROBERT {BOOKS &jC<:.New BI1E1iIx,gtoxx St.Pu_blishe1":. to the Quéex1,_H.R;_H.31-h.e P1-ixme ofwales 3:: the Emperor Napoleon 111.. MISS LlNSAY’S SAQRED AND SEGULAR SQN , PUBLISHED, EXCLUSIVELY, BY ROBERT COCKS 6: CO, NEW BURLINGTON STREET, W., Ilfasic P255/zkkers to Her M'z7j'e.rt_1/ Queen Vz'cz‘o:/z'a, His Royal Hz};/zizzxs z‘/ze P757256 of Wales, and the Emperozr Ntzgﬁoleoiz III. ’ 0 S A C R E D ' 0 Best. 3/» The Border Lands. 3/- Thou, O Lord God. _9_s Andaule _9_§ A/2:13.507; z-syn-xx. J ‘ A 3 4' j‘“‘l K i\ I @ == <1 .. .. I ,~ .' . I j . — ~ I é‘ﬁ__{2_ .-....* ,~ :* I . 2 is 2':~—I' ye§~.*—-1—»m.~=—--r-~ --+.-1»--w—:~I.-F U — ’ . 3 U ' :J\/ ('3 - 3 ‘I I :4 -, ] Q . Q g I . ' It was Thy will. my Fa - ther, That Fa - ther, in - to Thy lov - ing hands My Thou, O Lord God, art the thing that I long for A Morning Prayer. 3/- . Come unto Me. I/lu.r. 3/- Peace, be Still. II/us. 3/- TA I7»-«Am]{mte.‘I I — I I I J J‘! L I —l[/1 '7 I I\ "T“’1 L J K ’\ AI; I 9 I71-If’ I’i I 5 . .3 1 . A S?’ "=' ' .' 7 I I”? " i‘ ‘ I ' E7 7 "5 @i"~i"‘*“=‘:=;*-~-»‘~‘~~« ‘ «-4 -~ in :‘ 2" 4. = I ~.&e*9v-.&s:'*-.'-;*.- *‘“"“”.C““+—E*.-."""‘ ~:-I:--- Cause me to hear Thy luv - - ing- kind-ness. Come un - to me, Oh! come all ye that tra.—vaiI. U Lord, save us! ( Lord, save us! we per -ish. ‘ An Evening Prayer. 3I— They shall Hunger no more. 3/- Absalom. 3/- “ Aiziirzzzte. I _ _H ' A Am1'm;tg_ ,5: ‘I ‘J‘ l J ‘ " ‘l ’l '1 l J J "1: .17..’Egggj:I-a3fijil:a:L7:§:I:;l:;,‘:;E1 @‘g'~b;lZ’_&‘_';.;ll:ﬁl:‘j:I_T,Z’j‘l_T£l‘_'E‘IiIﬁiC:iZ£4:£:Z‘j‘£‘Zl:£3I Hr ' - -d- -dv of * ' ' \' , -v In - to Thy ha\n’ds, I com-mciicl my spi - rit. ‘I These are they, these are they which U 0 my 5&7, 0 F my son, Ab_53_.1o;p__ Thou vvert the first of all I knew. 3/- A H i Christian Submission. 3/- Tired. No.1inDb. No. zin D, each 4/- A I‘ _ Iztzm :. ‘A H " I I\ ‘V ___ éhhe . J‘ I .'. J J, ; 0 - ;—.J §,:«:“;',.'_‘_..‘T.j._a:;.J'4.. J j~;“§_I ;_J__d..§g. .€¢)§»‘1s“.e ,' :.;j_ fl .1. 2 _I 3“; 3 .~ :- I Thou Wert the first of all 1 knew. To ‘0 Lord, my God, do TIiouThy1l’$-Iy will. “Tir~e<-1," ah! yes, so tlr - ed,dear, The day has been Too late, too late, ye cannot enter now. 4/- Jacob. ‘ 3/- Give us Thy rest. 3/- ll . mfg’. Ami. La;/,gr. > _A __ - I — —*j - V D I N K I\l I‘ I‘ I 33%’ <' 5 3. .:= J * : I .: .I‘ ;= 1 Li 5: = .' iL9]- -v‘ i-“A ; J I .' ' " -' I §§:;J.-=-~:.s=-~eI-T--=-:-i-:—E~r—--iitr Late, late, so late, and dark the night and chill! Me have ye be ~ r\e:‘a7_-:—‘ - - ed, be - TIN? da)/'S10“g mil is 0‘V€1‘1‘|0\'/I And11IgI1tdK‘0PSCl0\Vnll€|; Pall: I Resignation. 4/- A [Z The Pilgrinfs Rest. ' 3/- 9h, when wilt Thou coins to me. 3/- A L (1137 wti/0. > W L 7; :10. am As). ~_ zzdtuzfe. s . kl -' ~ I ..l = *1 * FT‘. li;"—e—E—:—4~—l_) I I 4 l I " ‘ * 45. ;f’"L‘+_2':_2L .f_ :5‘: * “I J .3 I I‘ I‘ bit 0 ' 0 6' I l -I \-" ‘I A 0 J bit ..I I d I I7 - 0 .I ..I J $9 4 W 0 I I d > \_,» - :- -‘ VVho can tell, Who can tell, whether Oh, wlii-tlier is the old man gone, With Come to me, Lord, when first I wake. The Lord will provide. 3/- A Psalm of Life. 3/— Low at Thy feet. 3/- A miazzte. "I9'l77- l‘ L ' \ E‘ I ‘I I9 I‘; J . J 4 ‘ . 0 I. — ——}—a ~* -4 ‘ * -‘ -=1 " :o:: ::"'_: :l—P—P—“*‘—~‘“‘—I " ' l l I ‘ ‘ -- ~—I.'; “gt. §t:i2,..‘_:_;'..I.*=~?,-.—.I ~i§e“..‘~.‘l-:‘.l|~.",=l My Fa - tlicr! my Fa - thcr! be - hold I Tell me not, in mourn-ful num-bers, Life is but an I have so slight -ed Thee, yet for Thy grace, S E C I l L A R. H The Open Window. 3/- Thalassa. (A Yachting Song.) 3/- England and England’s Queen. 3/- 0 , 1 Amino. qmzxiallto. rm; s/)z’r;io. _ I 1’ *a_§ , E _ J I J I __ I ; ‘f ‘rs I I I\’:""\ J R I 9 '7 ‘ J I ‘I9 F _ I §" ’("'_-"' —‘T:"!"l’—""';l'_‘_:—:"l ‘ :' =l—:''‘Jl ﬂlvliu .I I I .1 . .“ ‘ . 0 E .4 E gm‘/{ I ' “ : I [94 ‘J I _ . C The old house by the lin -dens ‘ Stood Who cares on the l:‘.l‘.d to stay. ~ Eng - land, Eng - land and Eng — land‘s Queen. The Bridge. I/lus. 4/- The Mariner’s Song. Illus. 3/- La Toilette du Constance. I9 U I 1 I I’) I7 ‘J wk A I‘ V I 4: $32 g I Am A: D}. x E 9] -I 9- Jtj ﬁlﬂﬁ) A N‘ ' I E ﬁn vs I p. j Zﬁﬁl (,1 I P F’ P } L P HF I w w ' - \— H» l 0 H54 9 J \I.' ~ I I “-“ “‘ "-" :':-I .3‘. _ U . ‘J V _ I --‘SQ I . I' stood on the bridge at mid -night, As 3.’; Star of morn - ing, beam - iug bright, Et je vais au ‘ bal ' ce soir. Horne they brought her Warrior dead. 4/- Echoes_ ' -4/- Why sitt’st thou by that Rulhed Hall ‘.7 3/‘- A (1 tr. " - ' “ 1'! 1' ‘ t . V - —A I H dug \ I! AM \ I I I *9‘s'£‘A”({ﬂ”|te' A I I ‘ Ill‘ 3 it I 0‘ ['70 9| I I I Q9” . _, A A G‘ s_t.__y ,_.._.! §_II_e-(;——;, ——— ‘—;1——I\~—I\——4—,;~J/4—o—+—,I_—;,.-—§ “ (‘ A‘ I ‘ ' *' " A“ I 3. .. . ‘J i * (7 I Q h ‘J v Home they brought her war - rior dead. s;i11 the an . ac] stars are . mg, WIIY Sltiist tho“ by ‘hat “I ‘ In‘d ha“? Excelsior. 11114:. 3/- The Arrovv and the Song. 3/-- “A Danish Maid f0P~1’1’19-” I”'’‘- 3/‘ A n .. I I! r . N ; - I I n I _ 3 I : . B I A ,; ,- ~ I .z::,_m_. ~ I_.._._.:__..~ .f:._.;_; .:L: L Ii-fire-» E J . .9 I * i A The shades of night were {all - ing fast. U I shot an gr . row in _ /'0 the air, She may be ' fail‘ (lie sang). Speak gently. 31- There’s no deami of Kindness. Jim. 3/-, Alice» (A Lament-) 3/- “ AZlz‘a.Jgmz. . g A,,,g,,,,;g, Amz'rznz'e . 71" hli. 1- - IT‘ I a ' F’ i I" .9 . 5 _INI{' I I ' I " _. ‘ ‘ I I ' ' J i-31:3 I I Ix. N n I u IiIn\I7'I\ 14.: I did . g 5. A "7""' ' ' ' " I‘ I * "‘ I 77I\"A . I I - 1 I :)\I I ...I l» 19) I I I ..I I {QB 5-L d—-—] " 9 A, I ’ .9 :1‘ Ur -q: -2. 1 as . . _ .-u I 0} I: _a _ Speak gen- tly, it is bet-ter far to rule by love than U Thugs no dean}, of kind . negs. "ii weep be _ side the well’ §:_ mic. Maud. A Serenade. Illux. 3/— Stars of the Summer Night. (Serenade) Far Away. So1omza'DI.'.e!. 4/- __9_', _AZZz‘a. A E ‘ I ‘ film. 1/— . Moderata. I n I I A In ﬁg orn _ * - ' "T|":‘; I I L \ r. -J"—‘ ease; . ...':~.L—~:%:r~_._a._...«:=_—a>:e_~ r . .. I - .‘~ —I :‘_._;t .,:ﬁ:I ﬁts--E-F?‘ ~ :5 - *’; :3 i."‘ 2 = ~ if.” U — 3011 W ! I V I l I —I'— as i V *7 .— ,, V Come in - to the gar - den,>M:Iud, For the Stars of the summcrnight, F;-,;~ in yon alum de5p5_ Where is now the mer-ry par-ty, I re -Incixherlong a -go. C S/Lady Clara Vere de Ve1..e_ .3/_ Daybreak. 3/_ The Snovvlies vvhite. (An old Wi e’s Song). on Izrra. r‘ /.0, . - [7:93] ‘ L l I I I J‘ I N I J 9 bk 1 ,—-——\: I _A:‘;1[I¢¢V£I.‘i'L". . P ‘ J 3/ .3; U ~ 6; -= -I H-::- - “w I ~— ($95.74: fl 5’ 3* 5» 3 ; 3:, 7 §+3.‘»Z—;I=&~.J——."‘ -*=' ,,;_;,.:l .1 .“ ~ La - dy Cla. -7 m Vere dc Vere, Of me A v.{ind came up out of the 55;, The snow lies white '.=.nd the moon gives light. . . . - I ' ’ . V - A kAW'§£]W?. Aiuiy Fairy Lilian. ' 1.1:“. '3/. The old clock on the Stalps. 3/_ A/WmHn:7Vhen' Sparroyysfuild. ‘ 13/ 37 II n n .. A L , ' .4 /ﬁlLaI="II "J .. 5 9 9. 5 E A ‘-5 la’: '~-#333 if,lér_;':]J>’ (3 an P Q‘ g 0" g‘ :1 F 6 H g n i \ I « I““’ I E: J ..I ‘J . I - . 34; g , I j ‘J 0' I av ‘An - 1-,». £31 —ry L1.11. an, Flitqjng-, fzi - ry ‘J S0me_wl:t back {mm the :1 _ ‘We Sgech When spn:--rows build, and the leaves break forth. The da r ‘us last Good 'v‘~' ' I 7’ --ﬁght hath 3/3u:d3-/_ I do confess thou’rt smooth and fair. 1/1111’. 3/- ’ , . I ——~ _ 9 ,. . '3 .—»“ -l—~a‘—l—*.‘.~ .' . <2 i .' * .' T? J I I 3 fl § T" “T . - _ 2 I“ 135‘ 800d ' “ISM hath said. ‘J I do con-fess tliou'rt smooth aihd fair And I I 1 All, all around is still. 3/- The Brook 3I_ ., .5 " . ‘~ I .' 3,5ri-#7? Vii \ IV 1 . ' ‘ ' ' ._~_-,- ’b'_'?"‘§",__.§ __A____. __ __ ' A 3 v .. - I - , I I - ‘ ." £.._Aj -Iz:1'I——3§t:av,__E‘;_hEl-._:___:'::T:.::‘:‘_:_ ‘ ll . 4 ' :2: 2 . - U . v "*9" u I a a mum is s I, l\ i ture seems sleeping. With ma - ny a curve, my banks I fret, L 0 love my Willie! 3/- The Song of Love and Death. 3/- ' l I? In "9"‘— , 1 - 4. I n l a - I- T _ N l I I , ‘J ‘I ‘ i ‘ I T I‘-i—'—o—£—- ?);.).‘.Lil_.Q_T¢_;1_i,_4 .,_:_ g‘; f’ ' Ir I U‘ I " % Lil‘ » . . . l he ' ‘ v ~ . . ° ‘V3 0‘ '39- EH1 0 g0“d! Sang he to Sweet is true love, though g;v‘n in vain, In vain. ‘J L T , 1-1 ... .!'V. A__ O..- , W, A , _ X I
Show less

Date: n.d.
Text: 7%-*7 ———t;—~»;\-_——,,.;-» ;‘._'-—%:',.§ L/., /;g<J] LONDON:ROBERT COCKS 8: C9 NEW BURLINGTON STREET, REGENT STREET,W. ay SPEC/AL AP/>0/NTME/V7‘, /W./.S'/C PUBL/5//E/ES‘ 70 HEA’ M06‘ 7 6%?/4C/01/6' M/1.1557’ V Q//EE/V I//C70/\’/ﬂ,H./?.H. 7/if P/F//\/CE OF WALES}/H/. M. THE [MPE/P0/? /V/WOZEU/V, ///, TNIIE E3RU@Eo WRITTEN BY H. W. LONGFELLOW ESQ. composes av Miss M. LINDSAY;-— Andante con espressione. W@ﬂ©L%. stood @Llé\WJL°)~ [i‘©Ril‘E?.. clocks were} striking the...
Show more7%-*7 ———t;—~»;\-_——,,.;-» ;‘._'-—%:',.§ L/., /;g<J] LONDON:ROBERT COCKS 8: C9 NEW BURLINGTON STREET, REGENT STREET,W. ay SPEC/AL AP/>0/NTME/V7‘, /W./.S'/C PUBL/5//E/ES‘ 70 HEA’ M06‘ 7 6%?/4C/01/6' M/1.1557’ V Q//EE/V I//C70/\’/ﬂ,H./?.H. 7/if P/F//\/CE OF WALES}/H/. M. THE [MPE/P0/? /V/WOZEU/V, ///, TNIIE E3RU@Eo WRITTEN BY H. W. LONGFELLOW ESQ. composes av Miss M. LINDSAY;-— Andante con espressione. W@ﬂ©L%. stood @Llé\WJL°)~ [i‘©Ril‘E?.. clocks were} striking the hour; -hind‘ the dark church tower. rushing ‘The Bridge. mss M. LINDSAY. on the bridge at As the ﬂmi¢_i-_.Anight~, ./‘\ And the moon rose o’er the ci _ ty, And like the waters the weaéen @0£’Y’Ri MI, E: 'I:’"~ flood of thoughts came 0’e1' That filled my eyes xﬁth How of___ten, oh! how 0f___ten, days thathad gone by, I had stood on that bridge mid__ night. And gazed on that wave » and sky! Of”-*ten9 011! 110W 0f-h_ten, ‘V I had wished that the ebb__._ing - Th“ Bridge» MISS M. LINDSAY. Would hear me a-way on its bosom 0 _ _ . _ . __’cean Wild and wide. For my heart was hot and rest-__1ess,, And my life. was full of care; And the /“T bur _ _ _ then laid up _ _ _ on me , Seemed greater than I . could But now it has a1l.----en from me, The Bridge. MISS M. LINDSAY. §;!‘(l;,,.I_‘it3d in * - - V7 L And on_A,_-ly the S01‘- row of oithers Throws its“ sha_____d0w0 _ _ _ . __ver me. e_ver I cross the ri - -_ ver, On] its bridge with w<jVod_ - _,en Like the 0___d0IIr of brine from the 0___cean Comes the Ulﬂttgilt of o-ther And for e_.ver, and Th Bridge, Mm M. LINDSAY.‘ long as the-ri-__-ver bflows, long a§ the heart has . pas ‘ . . _ . -_sions, VAS long ~ as life The moon and its br0__ken re-_f1ec-.ti0n w And its shadows shall ap_ _ _ _—.pe-ar As the sym - bol of ' love Heaven And its wa-_-veriLng» image 11,776 . ’ I,0'.ND=ON-" ROBERT COCKS &‘ Co.Nev‘ Bnrlmgtoll St.P11bl1'bhe1‘sj to the Queeu,H.R.H.the Prince (>fWa.Iea & the E;n[.erm' »Va]'u-lam: LU seam cocksvgo G038 LIST OF REGEN _A_L .A.Il_\TID PIANOFOR ALL MUSIC SUPPLIED AT HALF PRICE. NOTE.—THIS LIST INCLUDES THE LATEST NOVELTIES. THOSE MARKED THUS * ARE ILLUSTRATED. VOCAL MUSIC. 'AB~T, FRANZ. A rose in hvaven 8 0 I For old loVe’s sake... We met and nest‘ have parted Not a sparrow falleth. Sacred..... Our blessings on the daisies Oh.’ ye Tears. (In C and D) Kathleen Aroon .. Appendix to Hami . FRIGKER, ANNE. Mme eyes are to the Consolation Lord. Sacred... 3 0 I built a Regret............... 3 0 fancies I stood beneath the *The Robin. chestnut trccs GATTY, A. s. Friend Sorrow... 3 0 The Mill Lad‘s Love... L'ng,lvng ago... 3 0 Some future day Sequence to the three li;tle pigs, comic.... . For in the mountain pass *The three little pigs. Comic. ‘A sneezing song. Comic. Illus. *Gent. per Cent. Comic. Illus. .. *1 really am so sleepy. Comic ()h,dtubting heart. No. 1 in C, No. 2 in E ﬂat, each Tell him I love him yet Songs for our little ones 1. Robin, robin. l cnpazuscneaosaai" o ooooooo‘? bridge of OO "ri'1'.'.'.' Noacnmmwwcumcooo . s. a, I am weary. 2. A Child's Fancy. 5. High and Low. 3. A New Year's Carol. 6. Naughty Torn. Songs for children Nos. 1 to 6 .each 1. Rain drops patter. 4. Going to school. 2. Child's good-night. 5. Burial of the linuet. 3. The snow man. 6. Above the spire. 0 fair dove I 0 fond dove. Sung by Madame Patey The lights far out at sea ............................ .. H A V ERGA L’ F_ R _ Thou kuowest. Sacred HAVERGAL, w. H. From Glesnla-.id’s icy mountains. Sacred BELLAK, J. Wild Flowers——Nes. 1 to 12 .JeweIs—l\’os 1 to 6 Dewdrops, 25 easy pieces Birds of melody, 31 Nos. Easy pieces ...... ....e-uch GECOOOOOOOOO HATTON’ ‘J, L, Castles of Sand The cause of England's greatness lfa. man does his duty he needn't despair. HAY’ W, 8, Driven from home Write me a letter from home LINDSAY, MISS WI. *T001a *Rest. Sacred song 3 0 Alone. *The bridge......... Pulaskils Baa . . *In this I hope—-(In hoc spero). Sacred. Illus. Low at thy feet. Sacred song .. Home they brought her warrior dead and .ea.c ‘The snow lion white. P etry by Miss Ingelow ... ‘When sparrows build. Illus. ........................ Tired. No. 1 in Dﬂat, No, 2 in D. ch Oh I when wilt then come unto me. (Sacred) .... .. *Re«ignation. In B flat and E ﬂat............ each Give us Thy rest. (Sacred) RICH ARDS, BRINLEY. My F=1t11er'8 Bible " The pootly of his song is very pathetic, and the melody equal to anything Mr, Richard: has ever written." RUBENSTEIN’ A, Merry our hearts should be SCHUMANN, R, When gentle winds Come when the soft twilight falls SCONCIA, G, Watching ........................ SMART, I-ENRY. The face at the Window 3 0 I Bells ............ WRIGHTON, W, T, *The wishing cap When the soft south wind There is lrfe in the old dog yet Only one to bless and cheer me .............. .. The waking of the Flowers, No 1 in C, No. 2 in E ﬁat 0202 WWWDFQ Speak well of the absent. Embossed ANOFORTE MU RICHARDS, BRlNLEY.—cont2'71ued. Far away (Miss Lindsay) ....... .. Low at Thy feet (Miss Lindsay) The Morgan March......... .. The new Walsh Fantasia, introducing “ The 93090009 O»3CQIF€JDHi%€D3H~ ¢I3Q\?nJiIF~t'.\7I#U3O\'IC.\?5.\709 00030666 OOOCOOOOOOQ WRIGHTON, W. T.——contirmed. The Song of the Bee. Embossed .................. Bright star of eve arise. Embossed .. Mom in the Meadows. Embossed *Norah, sweet Norah. (In D and F) . In the downhill of life. Embossed.................. Her bright smie haunts me still. Embossed...... She sang among the ﬂowers. Embossed. The liquid gem. Embossed.... Thy voiceis near. Embossed .. -no...-nu. mpwwwwwww? JEPUBLIGATIONS, No. 29. 099099900? NEW VOCAL DUETS. ABT, F_ Kathleen Aroon Ohl ye tears 3 0 | Fairy Chimes GATTY, A. S. Raindrops patter O that we two were Maying GLOVER, s. Let us roam ... 4 0 The beautiful and true *The crystal cave 3 0 The music of the birds Maids of the greenwood The fairy queen (in C and D) ............... each LINDSAY_ The Bridge Low at thy feet 4 0 Too late, too late ...... Tired 0 Far away MENDELSSOHN, A country life SMART, H. The twilight hour has come . Come where the soft twilight falls . THOMAS, J_ R, Happy be thy dreams - WRIGHTON, w. T. Her bright smile 4 0 | Liquid gem............ As one by one our friends depart . O. ' WEST, G. F.——c¢mtinued. Old English melodies. No. 2—containing Black eyed Susan and The Girl I left behind me...... Welcome me Home 3 0 La Marsoillaise . On mighty pens ... 3 0 Freischutz 4 0‘ 3 0 3 0’ 3 0 4 0 4 0. 4 0' 40 40 4 0 4‘0 30 Morgan March" and “Come to Battle " . Tired (Melody by Miss Lindsay) ...... .. Warblings at Dawn, and Noon ach Pisnist’s library ...............sacl1 2s. 6d., 3s. and Ditto No. 22 (Melody by Rubinstein) .. . Tho Carmarthen March ............ Thy voice is near... 3 Warblings at ve...... The liquid gem...... Kathleen Mavonrneen Kathleen Aroon The wishing cap I’ll hang my harp... Happy Ir thy dreams ROCKSTRO, W. S. The Vesper Bell 4 0 Moonrit Waters ...... 4 0 Di tanti Palpiti . ... Rode's celebrated Air in G ............. .. Gavotta and Rondo. (From J. S. Bach’s Sixth Violin Sonata) . Jessie, the Flower of Dun ane ' . (From J. S. B-uch’s 4th Sonata for Violoncello) *i<1choos of the Rhine ...4 0 Echoes of Mont Bfanc. Echoes from the High- Fantasia...... lands . .. Echoes of Zurich. Echoes from the green isle4 0 Kelvin Grove . ... Voices from the hillside 4 0 The ﬂower guthcrers... 0 Rule Britannia...... 4 O Stabat Mater Dolerolah WRIGHT, A. Oh! rest thee, babe. Fantasia The Morning Prayer. (A song without words)... “ Die Zauberﬂote,” Fantasia on airs from . . Hey, the bonnie breast knots ........ My highland home. (Sir H. Bishop).. Fantasia on “ The Miller of the Dee ” ............ WYIVIAN, A. Silvery Waves ... 4 0 I Pictures of thought... 4 0 DUETS. CALLCOTT, W. H. ‘The Holy Family. Books, I0. 11, and 12 ...each This valuable work is now completed in 12 Books. CASPAR, C. A. The Exile. (Schubert) 3 0 Rosamunda. (Schubert) 4 0 DELASEURIE, A. *l’etit Tlinbaliur Polka. Illustrated *Fi5te an Chalet Valse. Illustrated GREVILLE, NI. On the Blue Danube Waltzes. (Facilitated edition, without an octave).........,.... Golden beams (Wymau)....... l')ancing waves (Wymau) ,_ “Sunbeams,” each Fading Away 1 . Thy voice in near Home, sweet home . The Wishing Cap Gipsy Countess . Tire Faraway , Annie 0' the banks 0‘ Dee Bonnie Dundee . The Gipsy's Warning The Flower Gatherers . As you like it llappy be thy Dreams . The March of the Men of In search of the Primrose liarlech . 0, Fair Dove . The Fairy Queen ' . Call me pet names . The Crystal Cave 2» . Spring Blossoms Polka . La Violette March “ Aspen leaves,” by R. Schumann vliri-‘-ﬁr?-Obit CVFFIFCI3 ooo$c o oeec 00000030909 006 ..............u 1_._. PIANOFORTE GLOVER, STEPHEN. The Happy Family Qusdrille. The Royal Greek March......... LIEBICH, J. Woodland Trillings 4 9 Her bright smile 3 0 Brighton Quadrilles 4 0 Sing me that song again 3 0 The Liquid Gem 8 0 The Opera Bouquol»..«o.m.«m................ each 1. Oberon. Die Zauberﬂots. 2. Don Giovanni. 8. Guillaume Tell. 3. Lucrezia Borgia. 9. Tsneredi. 4. Masaniello. 10. La Oiemenzu. 5. Sonnsmbula. 11. La. Gssza Ladra. onus. 12. Zampa. LUINI, CARL. Les Gardes du Roi MATTINI, F. “Sweet Melodies,” 24 easy Duets, each ......... RICHARDS, B. The CarmarthenMarch . WEST, G. F. Pnoorusssrvis Pmnrronrs Dom-s AIi.RA.FGED AND xrnvonmsn. First Stage. Morcean-do Robert le Diable (Meyerboer)... Ah che assorta (Venzano) .. Krieger’s Lust March (Gung’l) Second Stage. Agnus Dei, from 12th Mass (Mozart) ...... Gloria in Excelsis (Pergolesi) . La Preghiera do Mose (Rossini) Gloria in Excelsis, from 1st Mass (Haydn) Sonata in D major (Mozart) Third Stags. Gloria, from 12th Mass (Mozart) Kyrie, from 12th Mass (Mozart) . Benedictns, from 12th Mass (Mozart) . . Theme do Lucrezia Borgia (Czerny) .. The Hallelujah chorus (Handel) Fourth Stage—(ovnnrun.r:s)o Ls Gazza Ladra Zampa (Herold)............. . Le Cheval de Bronze (Auber) . Der Freischutz (Weber).... Fra Diavolo (Auber) ........................... 19. ' “ (Auber) Teacher and pupil (Home, sweet home) Cherry Ripe Bonnie Dundee Mendelssphifs overture, " Midsummer Night's ream’ ................................. CO 40 8 0 l-“ar on the deep blue sea She sang among the ﬂowers . You need us. come court- ing 0’ me 12. Ruyﬁll Greek March KORNATZKI, F. _ Chiniing May Bells 3 0 Angelic Whispers ... 8 0 The Hunter’s Horn 4 0 _ LEE, MAURICE. Fleur de L’ame. Op. 24 Azur. Nocturne sentimenlale . . L'l§lectricitc. Etude de salon ......... Au bold do Ia Fontame. Romance Etuie LEMGINE, F,‘ Une Cascade des Fleurs.... LIEBICH’ J, Musical box LUINI, c. *Too late (Lindsay) 3 0 0 fair dove 3 0 MATTINI, F. Most useful Teaching Pieces, each The In Cha.rrning Polka Eon Soir Schottirche 95°P°.":"."‘t‘*WE°.“ Gems from the Emerald Border legends... .. isle..................... La ci darem..... ..... The Gipsy Countess... 4 0 Mountain echoes Brooklet whispers... 4 WEST, G, F, Gavotte in A {Gluclr)............ 3 0 Lovely Peace 3 0 | The Thorn 4 Gavotte frorn l3ach’s Sth Sonata 3 Mermaid’s Stag, from Oberon (for the left hand only) 4 Favourite Waltzes, by Mozart, Nos. 1, 2, and 3, each 3 Lieber Augustin. (Celebrated Bavarian air) .... .. 3 Andante. (From Becthoven’s Symphony in C minor) 3 But Thou didst not leave (“ Messiah”) .......... .. 3 When the rosy morn. (From Shield's opera of “ Rosina ” . March from Handells Occasional Oratorio ...... Favourite Waltzes of Labitzky, Lanner, and Strauss. Nos. 1 and 2, each .................... ... ........ .. “ But the Lord is mindful,” and “Sleepers awake " 3 Gloria in Excelsis, from Hsydn’s Imperial Mass 3 Ave Maria. (Cherubini) ......... 3 Der lustige Bauer (Schumann). 3 Marcia Eroica. Extract from Mendelssohn’s 1st rondo 3 Bsnedictus Requiem. (Mozart) 3 I waited for the Lord. Hymn of (Mendelssohn) .... . 3 Beethovens Lohensglilck 4 March in Fidelio .. 4 3 3 3 3 3 3 4 4 >- >4 n- Far away (Lindsay)... ‘Resignation (Lindsay) on _ The Wacfu‘ heart The last time I came o'er the muir 0,BUlliWell Bank, thou bluoniest fair! The l\IatcI|Ir'ss schlittischo ‘Z’ Gold:-n leaf (Melody) Wild Waves March The Striking l‘o:ka The St. eannict For the sakeof gold she left me Sunday Echoes. 12 easy pieces ............. ..each Sweet Melodies. 24 easy pieces, as duets .... ..each 1 0 OESTEN, MAX. Ma Touiterelle. Melodie. Op 18 ............... PRIDHAM, J, *The saiIor’s dream . The Chase. A descriptive Fantasia... . The Soldier’s Return. Descriptive Fn.ntasia...... The soldier’s farewell. Descriptive Fantasia RICHARDS, BRINLEY. Evening. Melody 3 0 The Minstrels Song 3 Gigrue (Handel) 3 o LIE-toile du Soir 3 VALENTINE, T. Excelsior (Miss Lindsay) ......................... Duets for little ﬁngers, Nos. 1 to 12 ... 1 0 A New Ltuuon of " The History and Construction of the Organ,” by E. J. [lop/o2'ns and E. F. Rimbault, 780 pp. Just Published, price £1 lls. 6d. “ The only authority upon this subject published in this country.” LONDON: ROBERT COCKS & CO., NEW BURLINGTON STREET, W., Music Publishers (by special appointment) to Her Majesty the ’3,ueen.. H.R.H. the Prince of Wales, and the Evsperor Napoleon III. ‘ 11. 12. 13. Prais Iﬁﬁlﬂsﬁh 00600 14. 15. 16. 17. 18. 7' Extract from Beathoven’s septet Beothoverfs waltzes, in 6 books Hayd.n's Kyrie Eleison, from 2nd Mass Extract from Mendelssohn's 1st concerto Mendelssohrfs Maid of the Ganges (Auf Flﬁgeln) Extract from Haydn's symphony, letter V......... Scottish Melodies :- 1. Scots wlis has and Bonnie Dundee O: oeoanbaaazcnoznbcz Q @OOOO¢OOO 2. Logic 0’ Buchan and Wha wudna. fecht for Charlie 3. Auld Lang Sync and We're a’ noddin’ 4 4. Comin’ thro’ the rye and The Campbells are comin’ 4 OOO©OO ODOOOOOOO O0 OOOOO CO OOOOOOOO O OOOOOOG @OO 0 0 Songs without words. No. 1—La ci darem 0 Songs without words, No. 2 (Placido e il mar) 3
Show less

Libraries

Today's hours:

Vassar College Digital Library

Search results