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Date: n.d.
Text: ﬁlm?» v 39 J V? 5 ‘./‘In. A’ /l7H 'WRlTTEN‘BY H. w. LONQFELLOW Esq. W313 QEUILD e e; COMPOSED av Muss M.ALINDSAY. . Andante con espressione. V©El©E. . . éuene :©EU?B. /9 elocks were shtrik_i“ng the hour;- hind the‘ dark church tower. rushing, A ___ mong “The ,'Bridg‘e”h_v Miss M. LINDSAY. I stood on the hfidgeh vAn.d the" moon rose o’er the mi(1__-- night; /23 ci__ty, Be. '‘the ~ waters . And like the,w00den_\, » ' piefs; ............. .. H.776 J' A C0Pv&apos...
Show moreﬁlm?» v 39 J V? 5 ‘./‘In. A’ /l7H 'WRlTTEN‘BY H. w. LONQFELLOW Esq. W313 QEUILD e e; COMPOSED av Muss M.ALINDSAY. . Andante con espressione. V©El©E. . . éuene :©EU?B. /9 elocks were shtrik_i“ng the hour;- hind the‘ dark church tower. rushing, A ___ mong “The ,'Bridg‘e”h_v Miss M. LINDSAY. I stood on the hfidgeh vAn.d the" moon rose o’er the mi(1__-- night; /23 ci__ty, Be. '‘the ~ waters . And like the,w00den_\, » ' piefs; ............. .. H.776 J' A C0Pv'RIGriT As . the flood of thoughts c-atme o’er' ' ' That filled my eyes ~_ How of‘--- ten oh! how 0f'____ten days that had ‘gone hy, V I had stood on that ‘bridge . ' V,mid___ night And gazed on that Wave and sky! ‘ oh! how U 0t‘___,_te1i, _ t »I hatt wished thatlthe ebb-_-ing* I it “The Bridge"by Mrss M.LI1\'DSAV. Would bear me ‘a_-.way on its bqsom — ()'’er the ..0_;_V____»_A___‘c"ean wi1<1 ,j an<‘1 wide. ; For my heart was hot ‘and .v4 rest ___ less {T _ Abur__-Athen laid’ up____ on me, Seemed greater than I . Vcou/1d. it-has £511------ en: from me, “'T?:" Bri«‘.~.»_'r="}w Wns MT LINDSAY. ..Vbu__ ried ' in _ _ ' And‘ 011n_’-__ly t11e‘s0r__ row of L» 0 - thers V4 thidW$ its I cr0ss the A ' % L, On its bridge Wiﬂx wood--_ en 0: dour _of brine froin the o\-____cean Comés the e___Ver, and tho1Ig1.1t of 0__ther 5» V .Am1 for -.‘.‘ATb+.* .Br1'd:.~.="b_v Miss. M..LINDsAv. ‘. “i As long as the ri«__V-._'ver I flows, 2 L 4] 7 T :::E F .3‘ I7; _./ ' arazi iés br0-i;en re-__f1ec_--tion .-97 :3’? .shaciow$ shall ap___-pear As the lsym __.bol of love And’ its wa__ vering _i_- mage “Tho mag-e”by MISS M.I.m15s_ur. ' - ‘ _ 11.776 ,-——————--—-— Chanson des Paysans Bohémes . . . . . . . . . NEW P1ANorB:oP.TE MUS9lO. 63' By a recent arrangement with this eminent Composer, Robert Cocks and Co. are constituted the sole Publishers of his Pianoforte Nforlrs for_'G-reat Britain and its Dependencies. FAVOURITE soororr MELODIES, Trcmsc7‘1'becl for Pianoforte. 5'. cl. . Bonnie Dundee, My Nanny, O I and My ain kind De-arie . . 3 0 1 Fantasia on Donald, and Duncan Grey . . . . , _ . , John Anderson, my jo, and Thou hast left me ever, Jamie 3 0 The Keel Row Fantasia on Charlie is my darling, and The Campbells are § 3 Tire same, arranged as a Duet for four hands . . . . . . . . . coming Jock o’ Hazeldean . . . . . . . Fantasia on Scots wha hae . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Logic 0’ Buchan . . . . . . . . . . . . . . . . . . . . Roslin Castle, and A Highland lad my love was born . . . . 3 The Blue Bells of Scotland Ye banks and braes . . . . . . . T/ze same, arranged as a Duet for four hands , . . , . _. The same, arranged as a Duet for four hands. . . . . . . . . . 4 VVandering Willie, and My love she’s but a lassie yet . . . . The yellow—haired Laddie . . . . . . . . . . . . . . . . . . .". . . . . . . . . 3 Highland Mary , , , _ , , _ , , , _ , , _ _ _ _ _ , _ _ _ Comin’ thro’ the rye . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Annie Laurie . . . . Auld Lang Syne, and The Highland Laddie . . . . . . . . . . . . 3 ~ FAVOURITE IRISH MELODIES, T ranscr ibecl for Piemoforte. The Meeting of the Waters, and Eveleen’s Bower. . . . . . . . The soldier’s greeting. . . . , . . , , , _ , , . , , , , _ _ _ , , _ , , _ , , , , _ The Minstrel Boy, and Rory O’More . . . . . . . . . . . . . . . . . . 0 The last Rose of summer . . . . . . . . . . . . . . . . . . . . . . . . Flow on thou shining River, and Nora Creina . . . . . . . . . . The same, arranged as a Duet for four hands . . . . . . . . . . _ . Kate Kearney, and Tow, row, row . . . . . . . . . . . . . . . . . . . . The harp that once through Tara’s halls, and Fly not yet. . My lodging is on the cold ground . . The Bard’s Legacy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Go where glory waits thee, and Love’s young dream . . . . . . Oh! leave me to my sorrow . n . o o . . . . . . o . . . . . oooooeo o c=o<:oocoooo.’~‘4 ELEGANT FANTASIAS DRAWING ROOM PIECES. Grand Triumphal March, dedicated to the Three Regi- Il Sostenuto, Etude de Salon . . . . . . . . . . . . . . . . . . . . . . . . . . ments of Guards, beautifully illustrated in colours . . . . Woodland Murmurs—Nocturne Russian Melodies — Schéne Minka, and the Russian Le Réve—Romance Nationa1Hymn....... . . . . MarcheMilitaire... . . . . . «Souvenir d’Espagne El nuevo Jaleo de Jeres . . . . . . . . . . . . Evening Star (Schottische) . . _ . , Cease your Funning, and The Lass of Richmond Hill . . . . Alpine Melody . . . . . . . . . . . . . . , . , , , , _ _ _ , , _ , , L’Absence et le Retour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . _ The same, arranged as a Duet for four hands . . . . The Rose Bud Polka, beautifully illustrated in colours . . . . Pretty Mary Waltz. . . . . . . . . . . . . . , . , . , , . . . . _ , _ , _ , , Nocturne, dedicated to M119‘ Gabriel . . . . . . The Anna Waltz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grande Mazurke guerriére, dedicated to the Empress} L’Hirondelle, Waltz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Eugenie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . La Gondola, Souvenir de Venise—Nocturne . . . . . . . . . . . . . Reverie on The Banks\of Allan water . . . . . . . . . . . . . . . . . . Rondoletto Scherzo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nocturne, dedicated to Mrs. Horace Twiss . . . . . . . . . . . . . . I know that my Redeemer liveth ; sacred song from Forget me not-—Romance . . . . . . . . . . . . . . . . . . R. . . . . . . . . Handel’s Messiah, transcribed for Piano . . . . . . . . . . The Old Hundredth, transcribed for Piano . . . . . . . . . . . . . . VVith Verdure clad (Aria from Haydn’s Creation) The Vesper Hymn, transcribed for Piano transcribed for Piano . . . . . . . . . . . . . . . . . . . . . . . . . . The Surprise, (Andante from Haydn’s Third Symphony) La Donna e mobile, ballad from Verdi’s Rigoletto, tran- transcribedforPiano . . . . . . . . . . . . . . . . . . .. scribedforPiano..................,,.._.,,_._, Fading away (Ballad, by Miss Anne Fricker), transcribe } Bella Figlia dell’ Amore ; quatuor de l’Opera. Rigoletto, . . . . transcribed for Piano . . . . . . . . . . . . . . . . . . l O OOOOO O OGOOO O G) C) 0 OOOOOOOOOOOO O OPERATIC FANTASIAS, On faoorurite Themes , from the following Operas : each 3.9. MozART’s Don Giovanni. ' BnLLrNr’s Sonnambula. FLoTow’s Stradella. —————- Zauberﬂote. RossrN1’s Otello. AUBER’s Fra Diavolo. BI«:LLINI’s Norma. FLoTow’s Martha. WEBER’s Freischiitz. (To be continued.) E]_e1nen*i;a,3(y—-Scales and Exercises, 4s. W. VINCENT WALLACE’,S EDITIONS, OF STANDARD VVORKS, NEWLY REVISED AND FINGERED, vIz.: , Sc11Ui.Hor‘F‘s Carnaval de Venise . . . . . 4 TALExY’s Adrien, Etude . . . . . . . . . . . . . . . . . . . . . . . . . . GalopdiBravura..... .. 4 3 3 0 . . 0 STnE1CH‘s Les Hirondelles, Variations Brillantes . . . . . . . . 0 LEFEBURE-VVELY’s Les Cloches du Monastere, Nocturne. . ———--»-———-—--- Impromptu Polka . . . 0 -———— Minuet from Mozart’s Symphony in E ﬂat . . 3 0 ALSO, BY W . VINCENT WALLACE, ALPHONSE LEDUC, &- J. A. HAMILTON, NEVV AND IMPROVED EDITIONS OF Czerny’s celebrated Etude de la Velocite, for the Piaiioforte. The Twentieth Edition, by W- VINCENT WALLACE—With the addition of Nine New Introductory Exercises and a New Study on Octaves, composed by CARL CZERNY, exclusively for ROBERT Coons and Co.'s Edition— An elegant Nocturne, by ‘W. VINCENT WALLACE—and Notes by J. A. HAMILTON : in Two Books, each 6s. ; or complete in One . . . . . . . . . . . . . . . . 10 6 Czerny’s 101 Elementary Studies for the Pianoforte. The Twenty-ﬁrst Edition. by W. VINCENT WALLACE. with the addition of Twenty New Five-ﬁnger Exercises, and Six New Exercises for the Left-hand alone, composed by CARL CZERNY, expressly for RoBnnT Coons and Co.’s Edition——A choice Pianoforte Piece, by W. VINCENT WALLACE—and Notes by J. A. HAM1LToN: in’ Two Books, each 4s. ; or complete in One . . 8 0 @‘ The valuable additional Exercises, :30. by Carl Czerny and others, as also Hamz'lton’s Eamlunutory Notes, are to be found inno Edition, English or Foreign, of the above two Worlts, except t/iutpublisked by ROBERT Coons and C0,; u-hie/L edition orders should speciﬁcally name. arse, . Newly arranged for Voice and Piano, by VV. VINCENT VVALLACE,'tl1e Scotch Ballad, John Anderson, my j o, beautifully illust. in colours 2 0 LEDUc’s La Chatelaine, Fantaisie 21 la V-alse . . . . . . . . . . . DREYscHocn’s Bluette, Nocturne, Op. 16 . . . . . . . . . . . . . . l0l\'.>t\D1-IRNJ LONDON :
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Date: 1890
Text: MUSIC Lulmmv VASSAR COLLEGE C°0'.'GH-uzensos. new vonx '7 \ {T MLQLLNEUXJ COLLECTION OF’ PART SONG CHORUSES FOR V(0»II©EI SECOND SERIES !!§! !Y!tI:! !T!£<! §.!§i i IE3 i§E'<§iIit1Z'<! HE? ii‘-":<ii§§i 3 922*! iIi§i i IE! iii-":!i!:‘1'.'t!'ii§<iiW-'?ii.IE<|' .0 ,-_._ -.__,_- ____r_:: I . PRICE 0 HOMEWARD WATCH ........................ ..I ................................................ ..H ENRY SMARTVJZ . HUNTER 5...
Show moreMUSIC Lulmmv VASSAR COLLEGE C°0'.'GH-uzensos. new vonx '7 \ {T MLQLLNEUXJ COLLECTION OF’ PART SONG CHORUSES FOR V(0»II©EI SECOND SERIES !!§! !Y!tI:! !T!£<! §.!§i i IE3 i§E'<§iIit1Z'<! HE? ii‘-":<ii§§i 3 922*! iIi§i i IE! iii-":!i!:‘1'.'t!'ii§<iiW-'?ii.IE<|' .0 ,-_._ -.__,_- ____r_:: I . PRICE 0 HOMEWARD WATCH ........................ ..I ................................................ ..H ENRY SMARTVJZ . HUNTER 5' MARCH ............ .; .......................... .................................. ..T.I'IOS.KOSCHAT J5 A FATHERS LULLABY ............. ................ .......................................... ..,..C.M.WISKE .I2 GOOD NIGHT .... ../59/vman&f/7g//k/7Wn_rd5) ......... ............ .. ,M.IB.R-ICHARDS .08 BREAKI BREAKI BREAKI .......................................................... "I. .... ..C.M.WISKE .I5 SPIN, SPIN .......... ._ . - ......... ........ ..HUGO JUNGST 05 THE FOREST MILL ........................................................................... __,.\_/.E.NESSLER .|5 THE COBBLER AND THE CROW //ﬂ//V17/mz/5/' ............ .......... .. GERMAN .05 MERRY MEN ARE WE ................................................................ .. FRANZ CDMMER .05 THE BLOSSOMS CLOSE AT EVE .................................................. FRANZ ABT .08 THE MILL WHEEL ........... , ................................................................... .; ....... ..GE.RMAN AIR .06 THE MARTYRS OF THE ARENA RI LLE .20 FORSAKEN AM I (I575;//'5/7oFZ7./9/*/7/an P1/11/7115) ............................... ..KOS CHAT .08 THE BRIDGE ....... ......................................... .. LINDSAYA/may C.F.$HATTUCK .|O THE MAIDOFTHE MILL ................... .. ADAMS /Imwr C.F.SHATTUCK .|2 THE STORM ............................................................................................................. .. DURRN ER .06 KATHLEEN MAVOURNEEN ........ .. CROUCH ,4/mar C F. SHATTU-CK .| 0 THE WOODLAND ROSE .......................................................................... .. FISCHER .I'2 MYSTERY /]uarl'Et Er ﬂu/ntet .................................. .. WALTER D ECKER .| 2 THE JOLLY OLD CROW .................................................. ..VSLALTER DECKER .|0 CR-OWNED WITH CLUSTERS OF THE VINE ....................... A.’M E LLON .20 NOW"S'ILENCE KEEP .............. .., .............................................. .. WALTER DECKER .I0 EXCELSIOR‘-' .......... , ....................................... ..B.ALFE ‘AH/?. BY C..F.SHAATTUCK .IS :45 aucuo AVE. GED. MOLINEUX IRIDGEFIELD PARK.N..J. I '-—-....---..-....,.,.__‘,,___,,'__’ _ ,___._ ‘.__. . ..._. _....--s./... .-.._...._... .,,_--.!..——.. . .._... ....;. If-:‘I!!§-'1!HE’!“!'§*!!!?1IH"3‘|'W!“WHENIEIHZEIIIEH!§!!!:§I!!2H?E3!?!§?!IEI , ﬁgs Ziﬁrihge. For Male Voices. Arranged by 0. F. SHATTUCK. LINDSAY. P Andante. I Tenor. I Tenor. 1. I stood on the bridge at mid-night, As the clocks were strik-ing the 2. Butmy heart was hot and rest- less, And my life was full of hour, ............. .. And the moon rose o’er the Be - hind care, .............. .. And the laid up Z‘-T dark church - Seemed greater than I could st-rik - ing the hour, V full of care, accel. resoluto. I like the wa. - ters rushing ....... .. A — mong the wood — en now it has fall - en from me, ...... .. It is bur - ied in- I the And like the W3. — ters, the waters1'ush— ing Among the woogi - en But now ’tisfal1 - en, has fallen from me, ’Tis bur - ied in the 1‘ I J like the we-ters, the wa - ters rushing A - mong the wood -- en now it has fallen, has fall - en from me, ”I‘is bur » ied in the __< piers, ................ .. A ﬂood of thought came o’er r me, That ﬁl1’d eeyes sea, ................... .. And only the sorrow of others throws Its sha - (low 0 - V81‘ piers, the wooden piers, ‘2 sea, yes, in the sea, 652-2. Copyright, xnocoxo, by Gino. MOLINEUX. f~ 10 ' ' _ fears; For how oft-en, oh, how oft-en in the dayethat have gone by, ....... .. I had me; But when ev-er I cross the riv - er on its bridge with wooden piers, ..... Like the m . rﬁ stood on that bridge at mid-night, And gazed on that wave and sky,........ How 0 - dour of brine from the o - cean, Comes the thought of 0th - er years,...... While the oft - en, oh, how oft - en, I had wished that its ebb - ing ‘tide ...... .. Might moon with its broken re - ﬂee - tion, And its sha - dows doth ap - pear, .... .. Like an .2 ../.2 ff fz }' dim raﬂ. hear me a-way on its bo - eom,‘ O’er the o - cean wild and em-blem of love from Heav-» en And its wav- ing Im - age fh ’ The Bridge. 652--2.
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Date: n.d.
Text: E/VT. .YT4..‘/ALL. &.TO HIS MAJESTY THE EMPEROR NAPOLEON Ill. u4;.':».;c. !.m,-warn’ '-.-'.¢—.3’5AR COLLEGE PoL=c.Hs<££v-sot. new vonx

Date: n.d.
Text: .\ . H/Iv V. . ‘ CTON R gm LONDON-.ROBERTEDCKS&C‘? NEW BURLINGTON STREEIREGENTSTREETW. -”5 % BY SPEC/AZ AF/"0/I-"/7’ME/V7’ / PM No 50¢!) ms’ 9/5//A/ms‘ 5/I W/us/:91/291//5H.ms 7”/J /’-/Ti}/x‘,/14/4u'/21S'7'>’ Qam/v V/CW/?/A H/S /WVA/4 H/EH/V1:”z3S THE P/?/N55 cw WA L5‘; {/0 CA L 0(/E7‘. 4/ I W " EAsrmv 9MA[4»[,W0()02,/6 _ /D/AN0[7UETEA5Y5MA1.;.W00z9 3/1 §_ ~ W-'1/5/ryﬂgsy 0/773 7/: MAY BE SUNC IN PUBLIC WITHOUT THE PAYMENT OF ANY FEE. U0. I/E/BYEASY ...
Show more.\ . H/Iv V. . ‘ CTON R gm LONDON-.ROBERTEDCKS&C‘? NEW BURLINGTON STREEIREGENTSTREETW. -”5 % BY SPEC/AZ AF/"0/I-"/7’ME/V7’ / PM No 50¢!) ms’ 9/5//A/ms‘ 5/I W/us/:91/291//5H.ms 7”/J /’-/Ti}/x‘,/14/4u'/21S'7'>’ Qam/v V/CW/?/A H/S /WVA/4 H/EH/V1:”z3S THE P/?/N55 cw WA L5‘; {/0 CA L 0(/E7‘. 4/ I W " EAsrmv 9MA[4»[,W0()02,/6 _ /D/AN0[7UETEA5Y5MA1.;.W00z9 3/1 §_ ~ W-'1/5/ryﬂgsy 0/773 7/: MAY BE SUNC IN PUBLIC WITHOUT THE PAYMENT OF ANY FEE. U0. I/E/BYEASY [J/T7'0., 7/= ;, MUSIC‘ usnanv VASSAR COLLEGE POUGHKEEPSIE. NEW YORK
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Date: n.d.
Text: 4 Q5; . W X 55 LONDON; ROBERT DUCKS 8c C‘? NEW BURLIEETUN STREET, REGENT STREETW. EV SPEC/AL APPU//\'/TM , A/Z/J/'6 Pl/A91/J/if/?J_ /W /#71" M175/'/2/?/I/I/ﬂ//0' A//4:/ELSVV Q1/ff/7 V/C75/7///,//./K //. 7//£ P/f//V55 [IF IV/'7/£9, J2/5’/M 7/if EMPE/T0/f /Y/'7/701/E[//Y ///V MUSIC LIBRARY ‘ VASSAR COLLEGE POUGHKEEPSIE. NEW YORK

Date: n.d.
Text: ,&,,7z/ 2/ac. - EA/7, JIA, /-/ALL : ROBERT COCKS 83 00, NEW BURLINGTON STREET, "W. MUSIC uananv VASSAR COLLEGE poucn-mas:-soc. am You

Date: n.d.
Text: * London. ; ‘ /264. W.PAXTON, l9.0XFORD ST¢RE%ET.VW. MUSIC LIBRARY VASSAR COLLEGE poucuxcspsvz. NEW vonx E} R 0 E G ti 0 WRITTEN BY COMPOSED BY H. w. LONCFELLOW Esq. J Miss M. LINDSAX “KEY Eb Alrddante gonzes _s§io end V©u©& stood on the bridge at mid_-_night, As the E'7llé\B‘J® E?©R‘J‘E*.. l:m.m mt-lrlnz .m f°fl:1I clocks were strikixxg the hour; And the moon rose o’er the ei_ty, Be- 1'33‘--rlm:—-..r* ,hind. the dark church tower. . And like the waters rushing A--_mong. the...
Show more* London. ; ‘ /264. W.PAXTON, l9.0XFORD ST¢RE%ET.VW. MUSIC LIBRARY VASSAR COLLEGE poucuxcspsvz. NEW vonx E} R 0 E G ti 0 WRITTEN BY COMPOSED BY H. w. LONCFELLOW Esq. J Miss M. LINDSAX “KEY Eb Alrddante gonzes _s§io end V©u©& stood on the bridge at mid_-_night, As the E'7llé\B‘J® E?©R‘J‘E*.. l:m.m mt-lrlnz .m f°fl:1I clocks were strikixxg the hour; And the moon rose o’er the ei_ty, Be- 1'33‘--rlm:—-..r* ,hind. the dark church tower. . And like the waters rushing A--_mong. the wooden 1264* r 71”‘ Bridge. MISS M‘. LINDSAY.
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Date: n.d.
Text: L')$‘W[3E3§¢M§o COMPCSED BY _ Mrs.'J.\H)RTHINGTON BLISS. ._,'. W. LONGFELLOW. ESQ. {Miss M_ L|NDSAY_) cre . _ _ _ _ _ _ __scen___, _ _ _ _ _ _ __ do. ANDANTINO. di___.mi--- ‘nu . . _ . --en_--_do. .A wjnd _can}e up out of the sea, mists, make room ’ for me;’ And said, “O mists, lnaiu» AL I I-Wssc unnAnv7 T ;~ VASSAR COLLEGE room for me.” It hailed the ships and c_riod“S-ail on mariners, the night. is gone .............. .!- The night is gone, T /3%, night is gone, Sail ...........
Show moreL')$‘W[3E3§¢M§o COMPCSED BY _ Mrs.'J.\H)RTHINGTON BLISS. ._,'. W. LONGFELLOW. ESQ. {Miss M_ L|NDSAY_) cre . _ _ _ _ _ _ __scen___, _ _ _ _ _ _ __ do. ANDANTINO. di___.mi--- ‘nu . . _ . --en_--_do. .A wjnd _can}e up out of the sea, mists, make room ’ for me;’ And said, “O mists, lnaiu» AL I I-Wssc unnAnv7 T ;~ VASSAR COLLEGE room for me.” It hailed the ships and c_riod“S-ail on mariners, the night. is gone .............. .!- The night is gone, T /3%, night is gone, Sail ......... .. on! Ye ma _ _ . _ _-ri_ners, " the night is gone!” ’ And hurrllgd landward far a_-Way, . L__j V ‘ ‘V L f< the Day!” Cry - ing, ‘Awake! the Day!” It touﬁlfd the W0odbird’s folded /FT \ -1‘ D-agbwxc.-aik. Miss M. LINDSAY. a__ _wake and sing....., a_wake and sing, _wake and sing, , a___wake .......................... .7. and sjyg, /r '-.WakeL _ and §jng, a _ wake , and sing, O ................ .. bi_rd, ..wake and .... .. sing!” ’ 3 M ‘ L I N D ﬁﬁf. o’er the» farms, “O chanti ; cleer, Your c1a___. rion blow; day is near, Your c1a-_-_--rion blow; the day is near. ‘Whisper’d to the ‘fields of PI’ ‘down .... .. and hail the coming ‘morn ............ .., Bow ........ .. down, 2/ \/ T 7171' KT/‘T D.._3!.;e?«xk. Mix: NI. LINDSAY, .B0w_............ com- _ _ - - ing morn.” bell'! pro _ T 1' _claim thehour, A- -Wake, __ 0. bell! pro- claim the hour.” If A A A A A -A A/_\ cr0ss’d’ the chmchyardwith a sigh, a’ [T T Lentemente. And said, “Not 1 '€' . I2’, 813 . Y” K ' ‘ON: ROBE H '1‘ W39, V SS 8: Cu. Ne-‘w Bwrlingjtnn St. Publishers to their I\Injostics (.‘1l!£‘t'I1"::(f(Iria &tho Ell7}‘(‘I“Y' N1'I'”'*‘‘‘n 111-
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Date: n.d.
Text: ARRANCEDBYJ.B. / ’} 71. .40 .74 z" ‘ ﬁx ‘ ~' V g , B)’ LQNDON: ROBERT CUCKS & (:9 NEW BURUNUTON ST R,EGE?‘3T 3? W. b By S/aecial Appozérzfnwnt PUB-LXSHERS T0 Hsamosf cmxczbus MAJESTY QUEEN VICTORIA, ms ROYAL HICHNESS TH E Enxmcs; or _wA ﬂltviéfu . .A«.,a.,‘ @z:.©A@u.@u©R.V I Worms av LO’NGFELLO\.N.ﬁ V L©* . Mus ic n Muss LAl_NDSAAY. A JLLEGRO. J v K : E\. K I l\ 1 . 1 _L..L [ .1 3? AL I: ? T 45-; ":“ E‘ JEN“ J 7 _ shades _ of n’ig-Ht were fall _ ing. fast, I As" thro’...
Show moreARRANCEDBYJ.B. / ’} 71. .40 .74 z" ‘ ﬁx ‘ ~' V g , B)’ LQNDON: ROBERT CUCKS & (:9 NEW BURUNUTON ST R,EGE?‘3T 3? W. b By S/aecial Appozérzfnwnt PUB-LXSHERS T0 Hsamosf cmxczbus MAJESTY QUEEN VICTORIA, ms ROYAL HICHNESS TH E Enxmcs; or _wA ﬂltviéfu . .A«.,a.,‘ @z:.©A@u.@u©R.V I Worms av LO’NGFELLO\.N.ﬁ V L©* . Mus ic n Muss LAl_NDSAAY. A JLLEGRO. J v K : E\. K I l\ 1 . 1 _L..L [ .1 3? AL I: ? T 45-; ":“ E‘ JEN“ J 7 _ shades _ of n’ig-Ht were fall _ ing. fast, I As" thro’ an A1_pin‘eA\V’i1_1ag-e ’ travel _ her by the faith_ful5 Bgund: Half 1V>uL;1-ied in the snow was f.) A youth who bore ‘mid snow. d ice Still grasp _ ing. in his of ‘ ' ice b [J with the strange (ie_v_ice with the st‘rang'e (ﬁe _.vice Ex “ eel “ gi "Or ! ‘f ' ~ V(*>¢‘.D)'_ '0'!‘-vhf‘ 5 “,7.” i 1» __His 1-brow was sad‘, his eye be_inea‘th Flash'd like a ﬁlI11Chi0nfr0II1itS zit!‘-“Try_" not the ‘pasS"_ the ’old inan said “Dark 1ow'rsthe tempest o- ver _sheat}i, i And“ li g: a‘ sil_Ver c1a._r1on 'rung‘,i head . The roar _ ' ing terrent is d and ‘wide’; f ac .. éents ‘ of {hat un ; known tongue Inud that T cla,rion. voice ‘ re _ plied EX‘ eel “ si*.°r'! _ f ff fff , ce1-Vsi_0r! Ex_ce1 4_ l1;0?~s] . ('07:, V Fsp1*e.9s.- 1 -H."“0h! stay” the Maid- en said “and «1-(‘est Thy wea , ry head up.‘ on my _ 1° breast.” bstood V .in . his bright " blue éye; B1;’t, , A‘ few: ' still he an_swer’d 1 with ‘ a ‘ sigh EX- cel -1 si_or I ('91; si_0r! aT V. Tthez "pine . , tree’é A wi _Vt}1er”d’ . branch! the’ aw - 'ful a ; va _ ~Ia_n»c}1‘e." was the Pea- sanfs last good — night 1919!” far up the ‘Lheight ‘5Ex_ eel _ si__ or“! ./1'/uiu//lie _ma mm t7'np-pm 7'4/'»There in the twi - light cold and grey, Life- less’ but beau-ti'_fu1 hf: And from ‘ 19 .101 mm .S’}I7‘r1'7.‘0. mice fell like a fall - ing "star Ex __’ eel- Si _or ! 1° ('81- Si_or! . Guglielmo Tell ' Lays of Prince Cha 'J|_'i I u I: 1. . “I . _ VOCAL .A.Zl_\TID PIANOFORE, ALL NIUSIC SUPPLIED AT HALF PRICE. NOTE.-THIS LIST INCLUDES THE LATEST NOVELTIES. THOSE MARKED THUS ' ARE ILLUSTRATED. ABT, FRANZ. Lost in the Wilderness. Sacred..................... Six Songs for Children ...................... ..each 1. What Smiles can do 2. Oh! little Thrush 3. Moomdiine . The hills of light. Sacred................ A rose in heaven. (In G and F) For old love’:-3 sake................. Not a sparrow falleth. Sacred.. Oh! ya Tears. (In C and D) . Kat-I"l«=en Aroon ..................................... .. DARGOMISKEY, 0’er the Neva gliding DIEHL, L, Dear Englzirxl ......................... .. FOSTER, LYNNETTE. Clwllges Come clz, my dream . Her image haunts me yet Only a year ago .................... .. FRICKER, ANNE, Phillis fair . .. Softly at thy window ............................... .. O weary eyes .......... .. 3 0 ] Village Bells 5. Summer days 6. Stnrshine I built 2. bridge of fancies 4 0 ] *The Robin. Illus. H, Aim high 3 0 | Passing Clouds GLI NKA, WI , Parting words ................... .. GATTY, A, 8, Only a passing thought .... .. The open window 3 0 I The Mill Lad’s Love... Sequence to the three little pigs, comic .......... .. *The three little pigs. Cor-nic. ... Oh, doubting heart. (In C, and E ﬂat) . *I really am so sleepy. Com-ic ......... .. Tell him I love him yet ..... .... ........ .. Songs for our little ones. Nos. 1 to 6 Songs for chi-ldren Nos. 1 to 6 .... ...... .. 0 fair dove! O fond dove. Sung by Madame Patsy. No. 1 in F, No. 2 in A ﬂat ............. ..each The lights far out at sea ......................... .. 3 2 4. A little girl one summer day W83 CDNWWWWWW O:>C)O0:0Df.\:C»\3ODO0CO0909rFiFOD€)ai+LO3 co ccaoooooooocooooooooooocoooo ago?‘ VOCAL MUSIC; HATTON, J, L, Castles of Sand .......... .. 3 The cause of England's greatness 3 LINDSAY MISS M. When th 0 I e ship comes 4 . 3 0 The old, sweet story *Too late, too late 4 0 Far away Pulaski"s Banner. Solo and Duet Low at thy feet. Sacred song .. My old mate and me .............. .. Tired. No. 1 in D ﬂat, No. 2 in D. ‘When sparrows build. Home they brought her warrior dead. In E ﬂat and G ...... ... ........................... ..each *Resignation. In B ﬂat and E ﬂat. each Oh! when wilt thou come unto me. (Sacred) IVIOLLOY, JAMES L. The Ride, No. 1 in No. 2 in F. N). 3i-n G each The Brook and the Wave PRATT, G, Little Golden I-lair PINSUTI, CIRO. The Land of Love. No. 1 in E ﬁn‘, No. Zin F each 3 Don't forget me ....... .. 3 0 Bear gently, time 3 What shall I sing to thee 3 0 And so will I 3 In shadowland 3 0 | RIC H A R DS, B . Let the hills resound. Four—purt song ls. nett 8vo edition ........................................ .. Let the hills resound. Song ...................... .. 3 SMART, HENRY. The face at the Window 3 0 I Beils C, A, Come, birdie come .......... .. 3 cc?‘ *Bsst. Sacred song home ...... *The bridge . Bury thy sorrow OOO O00 OO¢OOOOO® GOO WRIGHTON, W. T. *The wishing cap The blessing of Flowers ..............-............... 0 would I were a Fairy Queen .. Only one to bless and cheer me .. The liquid gem. Em-bossed................ She sang among the ﬂowers. Embossed. Shylie Bawn .................. ....... .. . . .. Thy voiceis near. Embossed .......... ..... ..... Her bright smile haunts me still. Embossed......' ABT, F, Arcse in heaven 4 0 Oh 1 ye tears 3 0 The Hills of Light GATTY, A, S, Raindrops patter. 0 that we two were Maying GLOVER, S‘, The silent teachers Sacred 0 The beautiful and true Let us roam ... *The crystal cave 3 0 The music of the birds Fairy Chimes .... Maids of the greenwood ...... ... ...... ... .......... .. The fairy queen (in C and D) .. LINDSAY, The Bridge ........................ Low at thy feet 4 0 Too late, too late Tired .......... .. 4 0 Far away ...... .. A country life SCHUIVIANN, R, When gentle winds Come where the soft twilight falls ......... .. . SMART, H, The twilight hour has come .... .. THOMAS, J. R, Happy be thy dreams .. .. WRIGHTON, W. T. Her bright smile....... Liquid gem 4s. I As one by one our friends depart Thy voice is near ,,s.w»>c.\:v$-iéhi-at Flowers of the garden and ﬂowers of the wildwood .e.;sccw.m:-cnoawsgn NEW UETS. Kathleen Aroon 3 3 i-F-C)3)6hb€Bi<P~IFrF~©0irPI-FvP~<-V03 No. 29. ooooocvcccooooo¢OooCoOO CGOOCOOCOP‘ J, Wild Flowcrs—-Nos. I to l2...each Jewels—— es. 1 to 6 Dewdrops, 25 easy pieces ............. .. Buds of melody, 31 Nos. Easy pieces CALLCOTT, w. H. *The Holy Family. Books 1 to 12 ............each CASPAR, C, A, The Exile. (Schubert) “Asponleaves,"by R. Schumann DELASEURIE, A, *Petit Timbalier Polka *Féte an Chalet Valse. . G.REV||_I__E, M, Golden beams (Wyman) Dancingwaves(Wyman) “Sunbcams ” (1 to 25) ........................each GLOVER, S, *The Zouave’s Retreat March .... .. “The Royal Greek March ......................... .. HARMSTON’ J, W, La Reine du Coeur Heather Roses ........................................ .. KORNATZKI, F. v. La Cavalcade. Morceau clicxvzderesqiie .......... .. Chiming May Bells 3 0 Angelic Whispers ... The Hunter’s Hem 4 KULLAK, T, Prelude ..... . J, Musical Box .. LEMOINE, F. Clenientia (Bagatelle d’Amour) ......... Une Cascade des Fleurs.............. LEE, MAURICE, Fleur de L’ame. Azur. Nocturne senti-mentale . Féte des Bayadéres . L’Electricite. Etude dc salon....................... Evening I}clls............. Accents du Caeur POLIMSKI, A. Hymn of the Old Catholics ......... .... .. Austrian Song PR|DHAM, J, *The sailor's dream Russian Fantasia The Rose. (Fantasia on English Airs)... The Shamrock. Fantasia on Irish Airs .. The Thistle. Fantasia on Scotch Airs............ The humming bird's song (with musical box effects) The Chase. A descriptive Fantasia............... The Soldier’s Return. Descriptive Fantasia The soldier's farewell. Descriptive Fantasia RIVIERE, J. Duke of Edinburgh's Quick March ............... RICHARDS, BRINLEY. When, the ship comes home . . Evening. Melody 3 0 | The Gipsy’s warning The meeting of the waters... A rose in heaven Far away (Miss Lindsay) Low at Thy feet (Miss Lindsay). Tired (Melody by Miss Lindsay) . Warblings at Dawn, and Noon Pianistfs library ...............each 2s. 6d., 35. and Thy voice is near... 3 Warblings at Eve .... .. The liquid geru......- 4 0 Kathleen Mavonrneen Kathleen Aroon .5. 3 0 The wishing cap .... .. I’ll hang my harp... 4 0 Happy be thy dreams ROCKSTRO, W. S. .. -....-.......u .......n......... .. .......o...... ...... .................... nu... . ......... ...... The ﬂower gatherers ... E.':_ho¢_s of Zurich The Vesper Bell 4 0 The Gipsy Countess... Hihoowwoacom n-r-wrduu oovao-I W OF-b§rF€»0:O.70:ODd*l\'H'.\2 I5i§tFihrP~0-'4 rho: >I103iI>rFI#rF0>€)=>#D3IF§OC»3 4 0° 00 ooocoeocamooc O OOOOOOOOCGO OOOOOO O0 OOOOGOOOOOOOO ROCKSTRO, VV. S.-continued. Fantasist on“ Sonnam- Voices from the hill-side 4 0 bula” Border Legends .... .. 4 0 Fantasia on “ Roberto Echoes from the green Isle4 0 il Diavolo” . 4 0 Gems from the Emerald Fantasia on “Figaro" 4 0 is 4 0 Fantasia on “ Norma" 4 0 SMALLWOOD W. Bon:1parte’s Grand March .. Little Buds Far away. Liquid Gem. Her bright smile. What are the wild waves. The Gipsy Countess. F.uII1i;: away. Happy be thy. Chime again. Postman's knock. . Tny voice is near. The Bridge. . Echo of Lucerne. 40 14. Wztrblmgs at eve. 15. The Wishing Cap. 16. Flower Gatlierers. 17. lhcelsinr. 18. Home they brought. 19. () I-‘air Dove. 20. Kathleen Aroon. 21. God bless the Prince Wales. 22. The young Recruit. 23. llark! the Goat Bells. 24. l’ulaski's Banner. , I built a bridge. 25. God bless our Sailor Prince. The Warbling Lute 3 0 Classics at Home ............................ ..each 2 6 . Disdair-iful of Danger. 7. Corelli’s Pastorale, . Haydu‘s Minuet and Trio. 8. Mozart's Minuet. . H»ayun's Quoniam tn. 9. Cheruliini’s Cum Sancto. . Mozarts Voi che sapete. 10. Cleiucnti‘s Allegro. . ,, Dona I'I()I)IS pacem. 11. Mn’/.art's Qui Lnlis, . Gluck‘s che faro. 12. l\luza.rl.'s Quaudo miro. Handel's Grand March in “Scipio” “ Home Tres.su.res" (1 to 25) ............ ..each . Far away ‘ . Thy voice is near . l-‘lower gatherers . The Musical Box ' . Fading away . Her bright smile , Home they brought . Echo of Lucerne . What are the wild waves . Chime again saying? . The Snowdrop The Gipsy Countess . Kathleen Aroon The Bridge . Far on the deep blue sea . Excelsior . Hark! -the Goat Bells . Pulaski‘s Banner , I built a. Bridge . God bless the Prince of . God bless our Sailor Prinoe es _,;_; , Rondo on Canary Quadrilles . Happy be thy dreams . R-ondo on Great Globe Qua- . The Liquid Gem drilles Those marked * are arranged as Piano Duets. .......... ..each 2 6 7. Rest 8. Low at Thy feet 9 Too late bl!-II-I)-4 ""'°I"°.“’9°."'37=.°'§l‘5"’.‘°."' ..... .. 3 0 2 6 Sacred Treasures (Nos. 1 to 12) . Ho every one . Hark! I hear the organ's peal . H-e giveth His beloved . . The wilderness shall blossom 10. David's Prayer. . Tired 11. Thou art not left alone. . The hills of light 12. A rose in heaven. TOURS, BERTHOLD. _ _ ‘ Galop... 4 0 I Wluspenngs of Home 4 0 G. F. Plus vite. WEST, Adagio from Mendelssohn’s Hymn of Praise Extract do. do. 2nd Concerto Reminiscence de Beethoven . In quests. tomba........ For unto us a child is Haydn’s Gipsy Rondo Reminiscences of Mendelssohn’s Scotch Symphony Sundays at Home (1 to 6) ........ ....... ..each Gavottc in A(Gluck) Favourite Waltzes, by Mozart, Nos. 1, 2, and 3, each Lieber Augustin Andante. (From Beethoven's Symphony in C minor) . . Welcome me Home Gloria in Excelsis. from Ha.ydn's Imperial Mass... Ave Maria. (Cherubini) Der lnstige Bauer (Schumann)... Benedictus Requiem. (Mozart) .. Minuetto e Trio. Symphony in D major (Mozart) I waited for the Lord. (Mendelssohn) . Extract from Beethoven’s Choral Fantasia .... .. bbidi: . ......... ......................... .. O3$\7QOU5»h93W¢€03 ANOFORTE MUSIC I WEST, G. F.—contz'nuea'. Extract from Beethoven’s septett ..... ............. Extract from Mendelssohn's lst concerto . Haydn’s Kyrie Eleison, from 2nd Mass Beethoven’s waltzes, in 6 books ...............each WYMAN, A. The Operatic March ROBERT COCKS 8t C0.’S . Jcu des Ondes (Fritz 7. Spindler . . . . . . . . . . .. . Iclylle (C. B. Lysberg) 3 0 8. . Air_ (Composée par le ro1Lnu_is XIII.) . . . . .. 9. G->thard‘s Gavbtte.. . Fantasiamci:uincr(Mozart, 10, Gavotte dedicated to his wife) 4 0 (Ban: . Blumenstﬂck(Scliumann)4 0 11. '. La Campanellu (Jules 12. Eeghard) .......-... 4 To Tempo cli carlatti Gavotie (JSB O . be continued, GLOVER, STEPHEN. The Happy Family Quadrille............. . The Royal Greek March .................. .. M, “ 0 mio Fernando" Lucrezia Borgia LIEBICH, J. Woodland Trillings 0 The Liquid Gem Brighton Quadrilles 0 Her briglit smile Sing me that song again ............... ... ....... .. The Opera Bouquet ............................ .. each 1. Oberon. .5. Sonnambula. 2. Don Giovanni. 6. Norma 3. Lucrezia. Borgia. 7. Die Zauberﬂiite. 4. Masanlello. 8. Guillaume Tell. 12. Zumpa. LUINI, CARL, Les Gariles du Roi MATTIN-I, F. “Sweet Melodies,” 24 easy Duets, each ....... .. RICHARDS, B, Let the hills resound ....... .. SMALLWOOD, W. WEST, G. F. First Stage. 1. Morceau do Robert Is Diable (Meyerbeer)... 2. Ah che assorta. (Venzano) ............. 3. Krieger’s Last March (Gung’l,) .. Second Stage. 4. Agnns Dei, from 12th Mass (Mozart) 5. Gloria in Excelsis (Pergolesi) ........ .. . 6. La Preghiera do Mose (Rossini) ......... 7. Gloria in Excelsis, from 1st Mass (Ha-ydn) 8. Sonata in D major (Mozart) Third Stage. 9. Gloria, from 12th Mass (Mozart) 10. Kyrie, from 12th Mass (Mozart) ..... .. 11. Benedictus, from 12th Mass (Mozart) . 12. Theme do Lucrezia Borgia (Ozerny) 13. The Hallelujah chorus (Handel) ...... .. Fourth StagV—(ovnBrvREs). 14. La Gazza Ladra ‘(Rossini)............... 15. Zampa (Herold)..., ........... 16. Le Cheval de ""Bronze (Auber) 17. Der Freiscbﬁtz (Weber). . 18. Fra Diavolo (Auber) .. 19. Masaniello (Auber) VALENTINE, T. Du-ets for little ﬁngers, Nos. 1 to 12 each -A New EdL't2'o'ro of i‘ The History and Construction of the Organ,” b_ E. J. I10’ /sins and 0 0 0 0 o 0 o 6 0 o 0 0 0 0 o 0 0 0 0 0 E. F. imbciul I . ¢'.*11 I 9. Tancredl. 10. La. Clemenza. 11. La. uazzs. Ladra. 3 Mozart's Miscellaneous Romance ......... . . and Mu tte h) 3 Snrahaiide. (J. S. Bach) 3 and Musette . ach).. .. .. .. .. PIANOFORTE DUETS. 4 1 4 4 III aaaacnmipm Ihbwhrﬁih €")hiP>Fb§ 030-7 3 LIBRARY OF ANCIENT AND MODERN MASTERS 0 0 0 Home Treasures (Nos. 1 to 12) ............. ..each 3 0 Paoennssivn Pmnorronrn Dmrrs ARRANGED & smeuns.-D. 9 960969 O¢r©OO OOOOO GOO
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Date: n.d.
Text: . 9,7/(*5? » 331% §'3.£L‘5W7 i mnrr 2:3M.”73.§I:%inﬂ§ LONDON. ROBE RT COOKS & 0° NEW BUR LINGTON ST. MusiuPub]isheIS1n Heﬂlfosl Gracicus Mgesy Queen‘f1c1gria/_£é to H1; }mperja1Majesty Nap oleon I11 NEW worms BY MISS M. Lanazn THg LQRD w;LL pRo\/mg (Jucﬁm son/(y, ENGLAND. AND EN.LAND‘$ QUEEN 2/6' A PSALM or me Dl/FT WORDS BY LoNc-r:LLow.;( PULASK1 oz/£7 vﬁaos ax 1_o~cFE1_1_ow_j/_ SPEAK czunv 2/9.. , . ., .. ,.3/./ THE mLcmM's R5; fzxcusma wwnns Bv Low LLW Z/6 oust ~on ’r/M ...
Show more. 9,7/(*5? » 331% §'3.£L‘5W7 i mnrr 2:3M.”73.§I:%inﬂ§ LONDON. ROBE RT COOKS & 0° NEW BUR LINGTON ST. MusiuPub]isheIS1n Heﬂlfosl Gracicus Mgesy Queen‘f1c1gria/_£é to H1; }mperja1Majesty Nap oleon I11 NEW worms BY MISS M. Lanazn THg LQRD w;LL pRo\/mg (Jucﬁm son/(y, ENGLAND. AND EN.LAND‘$ QUEEN 2/6' A PSALM or me Dl/FT WORDS BY LoNc-r:LLow.;( PULASK1 oz/£7 vﬁaos ax 1_o~cFE1_1_ow_j/_ SPEAK czunv 2/9.. , . ., .. ,.3/./ THE mLcmM's R5; fzxcusma wwnns Bv Low LLW Z/6 oust ~on ’r/M .3/, [Mr (Tr/1./‘//llil. 2,/(EELM)/V J/JI/A4’/it H/7/.‘r'0'4’.v ’ Finely illustrated in Colours, Price 33. ggnnt njf its iﬂifluranimt $11115 1111 ﬁqtltlglugm, (as) (AT THE CONSECRATION OF PULASKP5 BANNER) Set to Music for Two Voices by Miss M. LINDSAY. Poem by HENRY WADSWORTH LONGFELLOW. WHEN the dying ﬂame of day Through the chancel shot its ray, Far the glimmering tapers shed Faint light on the cowled head; And the censer burning swung, Where, before the altar, hung The blood-red banner, that with prayer Had been consecrated there. And the nuns’ sweet hymn Was heard the While Sung low in the dim, mysterious aisle. “Take thy banner! May it wave Proudly o’er the good’ and brave; When the battle’s distant wail Breaks the Sabbath of our vale, When the clarion’s music thrills To the hearts of these lone hills, When the spear in conflict shakes, And the strong lance shivering breaks. “Take thy banner! and, beneath The battle-cloud’s encircling wreath, Guard it !—-—till our homes are free! Guard it !—-God will prosper thee! In the dark and trying hour, In the breaking forth of power, In the rush of steeds and men, His right. hand will shield thee then. “Take thy banner! But, when night Closes round the ghastly ﬁght, If the vanquished Warrior bow, Spare him !——By our holy ‘vow, By our prayers and many tears, By the mercy that endears, Spare him l—he our love hath shared! Spare him l—as thou would’st be spared! “Take thy banner !——and if e’er Thou should’st press the soldier’s bier, And the muffled drum should beat To the tread of mournful feet, ‘ Then this crimson ﬂag shall be Martial cloak and shroud for thee.” The warrior took that banner proud, And it was his martial cloak and shroud! LONDON: ROBERT COCKS AND CO., NEW BURLINGTON STREET. 33E11IﬁilZ jauhlizherr tn tbv. almttu. NOW Edition, ﬁnely illustrated, Price 25. 6d. in tin, Set to Music by Miss M. LINDSAY. ‘ Poem by HENRY WADSWORTH LONGFELLOWA THE shades of night were falling fast, As through an Alpine village past A youth, who bore, ’mid snow and ice, A banner, with the strange device, Excelsior! His brow was sad; his eye beneath Flashed like a faulchion from its sheath, And like a silver clarion rung The accents of that unknown tongue, _ Excelsior! In happy homes he saw the light Of household ﬁres gleam warm and bright; Above, the spectral glaciers shone, And from his lips escaped a groan, Excelsior! ‘ “Try not the Pass!” the old man said, “Dark lowers the tempest overhead, “The roaring torrent is deep and Wide!” And loud that clarion voice replied, Excelsior! “O stay!” the maiden said, “ and rest Thy weary head upon this breast!” A tear stood in his bright blue eye, But still he answered, with a sigh, Excelsior! “Beware the pine-tree’s withered branch! “Beware the awful avalanche!” This was the peasant’s last good night! A voice replied, far up the height, Excelsior! At break of day, as heavenward The pious monks of Saint Bernard Uttered the oft-repeated prayer, A voice cried through the startled air, Excelsior! A traveller by the faithful hound, Half-buried in the snow was found, Still grasping in his hand of ice That banner, with the strange device Excelsior! There, in the twilight cold and gray, Lifeless, but beautiful, he lay, And from the sky, serene and far, A voice fell, like a falling star, Excelsior! CRITIQUES on Miss Lind.say’s “ Excelsior.” “We don’t know how to account to: the effect of this song. The Gregorian Chant is not more simple- there is no ornament, and the accompaniment is only a gentle, even ﬂow through the chord of the key; and yet—yes, that it is~it translates the sentiments of the words, and makes the heart echo the cry of ‘ Excelsior.’ "——-The Epitomist. “ An exquisite lyric."—Elim Cook. , “This famous poem has been set to music scores of times,’ but never more successfully than in the present instance. Miss Lindsay’s melody is stirring and expressive, and if sung with proper accentuation could not fail of eliciting admiration from the most apathetic vocal admirer. The design in the tit1e—page is most chaste in conception, and ﬁnished in execution.’’— Weekly Times. . LONDON: ROBERT COCKS AND CO., NEW BURLINGTON STREET, Eflurir rnhlitljrrr in thy (mum. @x@Lars.@u©&1a 1 ~‘ -1-®-F Wmws BY LONGFELLOW. Mus2c BY MISS LINDSAY. .-ILLEGRO. {(9} ﬁfi I‘\r‘\ {-4 5: A ; . é 1 ; : 34;. E .3 " .2 .; fa . ; ~ .. £ 3 -6 :2-H ‘}1ades' of night‘ were all _ ing fast,‘ As thro.‘ an; AI.._pine Vii [lag-e i 1i?r-me] _ her by ‘die faith _ ful ,h<,~l1!1d Half Bu réeti‘ in the snow was- He. 3!... x V \ l\ T I J ; 1:'L'.LI 19 JL # I. youth who bore’mid snow ice grasp _ ing _in his of ice with the stranggi de -vice E 1 , ' with the strange de_vice X “ Ce “ 51*“ ' f cnvvvzmur. Fv.~.v.i«-r" MSS undsn /5 ‘/2;/ix /11,.» 19 His brow was sad, his eye be- neath .‘5T..d*“ not ac _ cents loud that ff eel- si_0r! Flas}1‘d like a faulchion from its the pass” the old man said “Dark low’rsthe tempest 0. Ver And ' e a Si1_Y€1' ch. 11 rung‘, The roar _ ing torrent is deep and wide’.’, of that un _ known tongue .. . . v ' V cIa_r10n volce re _ phed Ex‘ eel ‘ SL0‘. ‘ -1 ﬁ,z;ezw;;. . « .- A Cow Es press .- 4~€.” “ Oh! stay” the Maid_ en ‘ '-rest Thy wea _ ry head up.on my stood in his bright blue eye, But m ten .- still he an_swer’d with sigh Ex- cel _ si_or I ce1_ Si _or.! the - pine trees wi _ ther‘d - Va _ lanche.“ This was the Pea_sanfs last good —' ‘night. 191919 far up the heighf “Ex- cel _ si _ or"! 1:yg .4/mlav/f,e mu main, tropfzo. There in the twi — light colﬂ and grey; Life _ less‘ but beau-ti_fu1 he And from se_rene and 19 Jlfai co‘//1, Sp7T1'i~2,‘0 . voice fell like a. faII.‘ing' star Ex _ eel- si _or! 19 eel- si_or! .7: A A V’, < *' *‘ '4 / "- WM7’:\~\~‘.,_M4,.”~,..,.w.._.,...,AW%m..<~.,-~v , . s 0N es An D D UE T s, ‘ Songs of a. liigli inornl Oi‘der.”—~B7it7T.s‘li Bd??7lf’I'. i seem. Home they l)i‘i}llg"lll her W€tl‘l'i0i' Eleéttl. Poetry by Alfred Tennyson, Esq. l).(,‘/. I .., Poet Laureate “ Most touching mid pathetic . . . . . . . .combines beauty with extriiordinary facility of execiitioii.”-Court C'ircula'r, March 13. “The words are beautifully tender and ti'iie—~so tender that you instinctively read them softly and low; and Miss Lindsay, in adziptiiig them to iniisie, has successfully czinglit the spirit of her ziutlior.”—_/ibcrrlraen [Jam/d, Feb. 20. ‘ ’ 0 llﬁ32EEl‘lll (Pl. lllllllliﬂss. The Poetr ' b V Gerald Masse Es . illustmted . .. 1 , a 9 .. . . . “ All who are zicqiiaiiited with Gerald l\T'iESCyYS lie:irt~{'i~lt poetry, will rejoice in this elegant effusion of melody, which ripples sweetly along, side by side with the purling rirulet of the thought—~thought which does equal honour to the hc:irtnn(1he:id of the poet." Air Fair Lilian. The Poetry 1) T ;\li"i'eil Teniiysoii, Es ., D.C.L., Poet Laureate, elcaamlz illustmfed ’ . . . “ A ' . . . . ‘I ' “ There is] sort of f-iiiry xvildiiessl n}i tlliemiiiirl-oily, CXq‘.\iS<1llt“., pendci‘, and original, xlvhlich SCSFES €‘v'(311\]t10ff1‘t‘Sl1€‘f]‘1Tcnnyson’5 frgxgh imaeiiiinws. ' ' ose VVJO iiive {lLIY1l1‘f:( t ie oity tonc—iittcre inc eei, in simple rnusica p irases ut sti 0 ty—o " Excelsior,” and “ Tlcie Tlflilii of the Nuns of Bethlelicni,” will be _s;;ln,(l for once to hear it lighter mid livelier Sl3l‘lll11 froin the same inspired harp." Mlil. Sellﬁlliule. The Poetr b Alfred Tennyson, Es . D.C.L. Poet Laureate .ele amtl illustralcd _ , 9 3 7 “ It might rejoice the heart of the lJ.L11‘(‘.i1tC to listen to this ]110l0(ll()uS echo of his own thrilling and mysterious conception. As on other occasions, so in l\’[:uid_, the l‘i).\:Ol‘ll.O. CO1np()Si'_‘1‘ l]iLS zitiiiiiieil the highest effects without departing from the simplicity which is the real cliziraictei'istic of genius. Miss ]iiiitlsay’s Mziucl may be sung by all who can sing at all." _ Stars Of the Sililllller llélglll. (S®1’€3IiEMli}.) The Poetry by Henry VVadsworth Longfellow, Esq. finely ilc’us2fratcvfl .. .... “ Mziny coinposersplinve. cssziyed to triinslnte into inclody Longt'cllow’s exquisite Serenade, but none with so much success as the lady whose £lLl‘<Lpt1ttl1))l of the S?1I)'1(3 poet’s ‘ Excelsior has cnrzipturcd the public car." The Bridge. The Poetry by ileiiry \Va,(lswortli Longfellow, Esq.,ﬁ.-zcly illustrated .................. ...... .. . “ \Vhnt 3. lyrical coinposition intended to be popular ought to be -it has no unnecessary difﬁculties, and lies within a moderate or their friends, as well as of those who sing for the publir:—of Englaiiil and l‘3Il§=fllilll(l’S Qiieeii. The Poetry by H. P. Lindsay, Esq. . .. . . .. “‘()rigiii:iiing in the stirring events of the times, this song will still continue to ziwiikeii the loyzil and patriotic spirit of Britons." T110 Pllgl‘llIl’S host. The Poetry by the Rev. H. Liiicls:iy.ﬁuelz/ 7‘l[u.sz‘2'm"e0l “ A beautiful :~',11l)j'3Ct, L1‘Ci11;0"l with pathos and effect.” A Psalm of Li'"‘c. The Poetry by Henry \Vzi<l.~n.'oi'tli Longfellow, Esq., clc_«;mzz‘lz/ 27llu.s‘tmted . . “ The music well interprets the deep e211‘l1(3Sl'.ii~’:SS of this celelimitcd lyri.c of the admired Longfellow." ’ ‘ ) . . . '3" Speak gently. llle l oetiy by G. ‘V. Lzingfoid. itsq. 1 '1‘ A c1:}i:ii'iniiig efl"n.<.icpi. full of pathos and be%iuty.”—13 ii Ihuuiuna “ Superior to the worthless l,I‘22Sl1, &c."——Patr2'ot. “ Very simp e, p Czlslll". {'All(l me H(ll-1113 and possesses L ie 1‘zl1‘0 !i1(‘1’lL of iulzipiiiliility to any Voice of oi‘(liii2iry conip:1ss."—-C‘/zurc/L and Sla/e Gn:cI./,e. " ' )nll‘il1)lU Lli1iL.\lI\gL‘,l‘.5 of Very iiioilerzue ?ltl,<llIlli1l'lllS will iinal little’ (lilliciilty in siiigiiig it at iirst sight.”——Aberdeen Jam’. “ Like her Iixeelsioi‘ it ii(1ilrcs.~'i:s itself iiriineilizitcly to the hezirt and zimilzeiis its kiiiiilicst cmotions."———G[as5/azu Senti.-zel. . . » V. , . _ Excelslor. The Poetry by lleiiry VVaclsiVortli l1()llfj"lL'?llO\‘.’, .§sq., zll1zsZ1'(u'(3d __ ""1 he tlieine is tenderly zinrl powc~rl"ully conceived. It is an exqiinite ]yric."———l;‘Ii:rL Coolfs Jam‘. “A gem which, in this musical setlin;_-;, isseeii to more .[l(l\"c\]ll.51gc than before ’V’~»I’<rfrz'rir’. “ Suhlin in its Slnlpllclly."——l)0l'lX7I10tLl/2‘GU/£7‘tl'l(l7L. “ \_Vortliy _ oi the exquisite lines of Loiigtcllmv, ——(./mrc/L mul Mn/:2 _(1zz:ette. “i\1:ilu:s the l1Cd1‘l'. echo the cry of Excelsior."——Epzzfomzst. " Stirring and exprcssive."—- ll’ee/tly Il'i2nes. “ .Bea.utii‘iil in its Very simpli<;iiy."— l;‘,27;;z'rre. “ Chuste mid siniplc.”——B'.='2Tzz's/2. Easnner. .n . € "’ ﬂ :1 - SALRED Sﬁlilﬁiﬁ. Jacob. Etc:-itiitive am? Ah‘. The ‘\Voi‘ils from Scri ture elc anilr 7Ill/ustmteil . 3 . J _ “ There is ii beiiiitifiil solemnity about thispsong not iiiitkiiiiilini‘ to tl.1()SO.Wl1O are acquainted with Miss Lindsay's compositions. llltuls ens)‘-, griqiigltiil, and plcalslllg. Her compositions are tor the quiet fdllllly circ-le~—tlie domestic c0ncert——the hoinc circle.”~Glus_z]ow mm, 1 pri . ...,,Tll0 L(9i'v1l Wlll m'0\'l(l0. ll0§jliL‘_1l:lV(3 Mill rill’. The ‘Kl/Y01'C£ ‘P ' )ture, clegmztly 2'llusz‘rated ..... .. {/1 "l T; T ‘ I I 0 ‘ L~’»‘‘\-H \ _ _. ’ ,“”‘’’’-v/¢i.l3l.ll(}ll. ll-.0i‘lli1llVC {lib { '1 he \Vords from S(‘,1‘ii"x ~ ﬁlltlll Slll3mi€.G‘l‘§3II. ling: - “ \’Vcd1iesdiiy beilorep ,;},,,.,, ,;,.,. 1,;/,1 the Cliristinii Year, by the ltev.Jol'iii Keble........;...\.‘.T”“ . ‘ A .. “Tliese Sacred Songs from sal favoiir." ' ... fly illusﬂatecl ' 7 .1? F ' DUE ES tier Ewe Sapient.) Hymn of the ‘ill(ll‘i‘tVlz1ll l§lHlS, at the Ciiiisecratiiiii of the iiaiiiier of riiliisiii. The Poetry by Henry \Va.dswortli l.,oii;;'fello\V, lisq., 7Illu.s'traz‘ed " \Vell worthy of the author of Excelsior. i\Ielodi'/.ed with power and nxpressioii.'"——C%urc/L and Sizzle Gazette. “ Coupled with music equally simple. adeqiiatc, and impressive."-~—(,'rmrt .l«»umml. “Ti'iiiislutes the sentiments of the poetry, and makes the heart respond to it."-lJm';//min I;‘.icrmu'22cr." “ The spirit of the poetry is very admirably rcii<lci'ed."-Abcrdee7z Journal. “ Possesses the merit of simple bc2iuty.”—1;'mpz'rc. A l’SalIll (bf Life. The Poetry by Henry \Vadswort.li Longfellow, Esq, eleycmtly illustrated Speak gently. The Poetry by G. \V. Langford, Esq. clqqmztly illusz‘ratecl Excelsior. The Poetry by Henry VVadsworth Longfellow, Esq., a.rra.nged for 2 or 3 Voices, illustrated, ANTHEM. Unto Tliee, 0 1.0111, Will I lift 111) my Soiil——i‘salm XXV. 1, 6.——Anthein for Four voices~— I (No. 1. Third Series of Rosniir COCKS AND Cofs Chorister’s Hand-Book) BY THE SAME, Mogcable Diagram to determine the relative hllll0l‘ in all Keys (on a Card) LONDON-'l: ROBERT COCKS AND CO., NEVV BURLINGTON STREET, (W) A B" S}_PEC'I/IL APPOINTMENT ‘ P '“' 9. -‘_%.1 Victria and the Emperor Na ~ -
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Date: n.d.
Text: / r , , ARRAN ,_w B\’ J B 5,/' V, .7 1 B L &" DP/Q/(‘AY7'[D 70 ‘ - ﬂ . I “I I‘ V1’ « mi ¢»%F%§L155~w: 411 ﬁ J5 « LON DON, R*»OB‘ER’l' COCKS & C° NEW B U R LINGTON ST, 1‘¥(}[._§lUHhiH')§‘§lH1aHl1‘J|li?N"‘K\iHV(;71!“WfVl(‘[(}HImg :0 Hrs 1l'11{Jﬁﬂ1|M£»L|<3S 1“m.>v>looI1 H1 NEW WORKS BY MISS NLIINDSAY. 1'11: LORD WH,L PRUVIJM (.>'/1!‘/ft/1 Jr:/s/1;/.. 2,/Kb ENGLAND:/\NU ENULANDS QUEEN .. A PS/HM 0;‘ Lylft,/)1/5 I, wows :3H.0NorELLow...
Show more/ r , , ARRAN ,_w B\’ J B 5,/' V, .7 1 B L &" DP/Q/(‘AY7'[D 70 ‘ - ﬂ . I “I I‘ V1’ « mi ¢»%F%§L155~w: 411 ﬁ J5 « LON DON, R*»OB‘ER’l' COCKS & C° NEW B U R LINGTON ST, 1‘¥(}[._§lUHhiH')§‘§lH1aHl1‘J|li?N"‘K\iHV(;71!“WfVl(‘[(}HImg :0 Hrs 1l'11{Jﬁﬂ1|M£»L|<3S 1“m.>v>looI1 H1 NEW WORKS BY MISS NLIINDSAY. 1'11: LORD WH,L PRUVIJM (.>'/1!‘/ft/1 Jr:/s/1;/.. 2,/Kb ENGLAND:/\NU ENULANDS QUEEN .. A PS/HM 0;‘ Lylft,/)1/5 I, wows :3H.0NorELLow& gg PULASM‘/)1/[7"_\NORDS BY LONGFELLOW. Musac LIIIAI9 azxssme->n@R;. “1 A — >1-®-I4 Wonns av LONGFFELLOW. — ’ - MUSIC av Mlss LINDSAY. ALLEGRO. ‘€©}' 1?! I'.- The 663' V: A shades of night were fall, ing fast, As thro‘ an A1_pine ViLlag'e travel _ ler by the faith‘- fu1\ hound Half busried in the snow was 19 t.A youth who bore ‘mid snow ice Still grasp _ ing in his of ice - Ban _ ner with the strange de _vice Ban _ ner ‘with the strange de -vice Ex ' eel ‘ Si ‘ or ! “I-txmsinrr’ MISS LIND AY. ‘ C0'YF'CHT? 1’ His brow \~*as sad. his eye be _ neath Flaﬂfd like a faulchion froxn its .‘5T..‘1'“Trye not the pass” the old man said “Dark 1ow”rsthe tempest 0- ver And li e ‘a si1_Ver c1a_r1on rung',\ The roar _ ing torrent is deep and wide", ac _ cents ‘ of that un _ known tongue loud that cIa_ri0n1 voice re _ plied Ex‘ eel ‘ SL9]. ! ff eel- si_or! Cow Es/mess .- «H.’/“Oh! stay”the Maid- en ‘said “and, rest Thy wea - ry head up A. tear stood in his_ bright ‘blue eye, m ten .- sti‘Y he an_swer’d M with Sig}: Ex- eel _ si._r;r 3 ce1_ si_0r! the A pine trees wi_ther’dV branch! the aw _tfu1 a _ _ lanche." was the Pea- sanfs Iast good — night 191919 far up the height “Ex- eel _ si _ or"! __‘T:::—=—pp ./1/mlarnte _ma mm troppr). There in the twi — light cold and ‘ grey, Life _ less but beau_ti-ful he 19 Jfa can Spirito. voice fell like a fall _ ing star Ex _ eel- si _or! 19 eel _ si_or! - 16. Mod. graz. srnrnsn eLovERs VOCAL nnsrrs POETRY BY J. E. CARPENTER, MRS. CRAWFORD, R. RYAN, PARK, AND LONGFELLOW. PUBLISHED, EXCLUSIVELY, BY ROBERT COCKS AND.CO.!NEVV BURLINGTON STREET, LONDON- 7 Zlfzzsio Paolis/Iers to Her Most Gmoious Jlfajesty Queen Vieloria, and to His Im_79eI'irIl ]I[a_;'e.9tj/ Napoleon III. Voices of the Day- I 1*‘. 4| I 25. 6d- 3 v I .. I D - G u L ﬁ—-- ,_,__1_:;___ /‘::' ‘“— us in mys - te - ries. _ speak 1. Modemto. .. I v - 9 I ' I L Egl-32 III ‘ I4- J I I - 0 I4! @j-—-—=-=—:I— J ———~ I They to 2. Am. con dolore. The Irish Emigrant’s Duett- #~e—+~—I~I I§I)——I2I—-—I—d Come, let 25. 6d. 4:‘ ' I\I 4 . . I‘ in |=I‘ C 3 I , I take an - 0 - ther us 10 k. _ I _' 3. And. can express. Why do the Swallows change their home? 25. 6d- I I I §%I3b:7::,I?——I'-, I I ii! I} I ‘J Why do tlie swal -lows change their home? In H .9 I D I W,‘ 4. And. ma no: t7‘0PP0- The Slave singing at Midnight 2s. 6d. 4.7‘ .. I I ‘I I Do - vid! 4£L — §§b~e~I.v"~.—ﬁ‘~-I’ - I’ f . "‘ "" '—”‘ I I Loud he a Psalm of Hymn to the Night. ‘I2:_; ' _ , __I _ __I‘\ I"\ (._I1:E:§3i ,;f_h_-_¢I\‘ :2!‘ a 9 U I sang 5, And. can express. 2s. 6d. I - - In I I’ I‘ I) V ‘I r , I1 I heard the trail - ing gar-meiits of t e 5 night. _._._________________ 8. Moderate. To the Woods! to the Woods! n , M \ I ‘I ———s T 0 85. I I‘\ j a . -' _l I to w v Woods I n I RV I “\ I n I I " the woods! Light in the East is glowing. __I/ I , I\ §’[§:Li:;I "’;!_;_ U Light 7. Moderate. 35, _I_1 » I D I n .‘ I I‘ T I’ Q \__,_____I__F_ ___,_i____ in “the east is glow - ing. 8. Moderate. The Lily and the Rose. 7‘! J EeE;I‘;___,;sI,3‘ Tell sis - 25. 6d. 5 ' ; . _ I §‘ ‘ I-——t———§ —» I—I ter, tell to All things are l2autiful- .__._1j. :E—& All things 7, j I me, me. 9. Mod. can graz. 25. 6d. "TY - 2 = . . I I—I—v= P~——F———'———?I are beau - ti - full 10. And. cgespress. 39% )§‘§:B:°_ ' Si - lence ; Silence. 25- 6d- > .‘ I‘ _I v s_i - lence; Where The Rhine Maidens. _, - I I I I A I C 7 ll " vi ~I - In I I I’ , I V‘ I that lone shore. 11. Allle. I/iv. ’I’§It_£1.__;x_j‘< ;8‘"d 9 —.T0 the banks _of 12. Andante. Rest, Pilgrim, rest. id d I,1 ', J >.. I,’ a— Rest, Pil- grim, rest, thou art tired and Wea - ry. 25. 6d. 13. Andante. Whereishall we ﬁnd our Home’! ' _“ __ It C\__ ‘(WI ﬁhbt fl 4 . ha‘ 5' _‘ .__.I1 VI/here shall I_ I_ VVG ﬁnd Where are the Flowers. I T I’ - Is‘ I ‘r 14. Mad. graz. ~e%.... I I W 15. “I D , I 5 I’ I I I 1 here are the ﬂow - ers we gath-er’d at morn - ingP Mod. graz. Beautiful Birds. ‘) ‘I D J Q) I I I 3s. ‘§I‘I D I - I I - Q - 1 I %)z:$—«I—h—'r—I+I,—II.I,I§~I—-——h—5—I-.j~I and‘ balm-breathing ﬂow’rs. 2s. 6d. Beau - ti - ful birds Stars of the Summer Night. . KILV I"' 9'. P‘ 3:: I In I“ _ the sum - mer night! 2s. 6d. £3_.,I‘\__I____ - , 4 §I3?'——3——I l<B— 2. - VJ I\ h I‘ I‘ A I... I u Stars TIC Tlof The Curfew Bell. 5 J‘--:’~~—3I~—-s—~w~s~E—II - 0 g 3‘ _ ‘ E‘ I I G I I g 80 - lemn-ly, mourn-ful - ly, deal - ing its dole. 18. Alletto. ma nontroppo. It is not always May. 25. 6:1. - s—I—;I‘=—.~e~~-1: I’ 5 I I1 5 is bright, the clear. 25. 6d. ~t°. L , T _ .___ emfe@#+wﬁe 1 The air is 19. Andante. SUD. Borne at Midnight o’er the Ocean. I V I the l Bhrne at Inid-night ¢')’er 0 - cean. -4lle.gI'a%- Good Night! Good Night, beloved! 25. 6d. 4 I n I '§§‘I'al—6':I9—]r”B as I V 0 IA 1 I U (1 V I I3 I I r‘ " I4 I II Good night! good night he - lov - ed. I POPULAR BALLABS by the same eminent composer (STEPIIEN GLovr.n).—-Annie, o’ the B ‘K ﬂex \ Irish EIxile’s (The) Return, 2.3.; Kate of Kildarc, 25.; Laugh! laugh! 25. ‘ ~ I x n- 0. III .1.“ /Im\ - ,, - . 13. ‘ I I * n I Andante. The Changes of the Bells. 2s. 6d. 3:1 are, steal - ing. —il Hark! 22, Moderate. /‘I I. J III I) _I I p___________ ﬁk9’I7’6—' :I:—’;I __:I: .u/_ ..__9_._ U \Vha.t is the depth of the migh - ty deep. bells _ The Depths of the Ocean. I“ 85. I1 5.. 1 I ‘ I ' ‘. u—.— b‘y‘—a ——;__I—7—a _._____:____j__ Our beautiful Mountain Home. 23, Allegro. EL555h“'—e ge—~aI fr! I I ;..-_T iw -\ 1 ti K‘ I ‘ I I I__ —:I* I . ,‘ .' i I Our beau - ul rnoun - tain home. 24. “Mod. can espress. 25. 6d. .:£IL)ffIJ. . T . I 1 @l!I—=b:1,"—"%1I:;‘—a'»—-'— ‘.2’ Poor The Lonely Bird. bird, thy mate is 25. Moderate. Ho! every one that thirsteth. » 5—2‘}—-I'::—I . E e ' ' ' I I, ' Ho! 26, Quick and cheerful. I\ - I - I .. I V l eiv’ - ry that The Holiday Duett. I’ II J 011 thirst - eth. 35. 41. Allegro. 42. Maoleratm There's a S/w;eet Wild Rose. §he:Ii§asI;I;,$zI2I::,Is. U . There's Iimswoet wild rose, there's "a sweet wild rose. Peaceful Nights- 43. And. gas. I’) I I I/IIJII 0 I 1 \ ‘— ;_ ___;.____, __< ‘C_:,'__”‘‘ no 2: 5 t‘ Is I + :-._:~.I_a"..;:a: U —— —adw —v—~—- - slum-hers! Peace . £51 nights? 7% fresh . In; 25. 6d. 44. Alltto. nae. Music and her Sister Song. I-I ~ II? ——T — —a~:—a—— —-—o:—F—'~—o— —— %:E:,E:‘,,J5§i:E__.';:* Q " ‘ _ __t_ V "l‘is Mu - sic hath the ma- gic pow’;-, .________________ > 45. Andante. The Midnight-Moon. 2s. 6d. I The mid-night-moon is beau - ti - ful, When ‘ Murmuring Sea’! . IV I I I ,g___j3 SIS - ter. 25. 6d. - B Q I I" I I ' I ,L; I ' I I I. I ' I y goth - er, I.’ *1 II .7 We are go - ing home to - I I A . V ‘\ I I. ' .*‘*n‘I‘ I u E %I I ' Mur - mnr - ing sea! 5 : V beau - ti - 47, Azlemod. Happy Days! . Lis - ten! ’tis the wood - bird’s song. 28. And. relig. Hark! I hear the 0rgan’s peal! 6‘. {IhI~—(—‘—I=--3 L I y Hark I I 25. 6d. 1 1 I a—~—.—I—-~~—- the I in _I___ hear or - gan’s peal! 25. 6d. A ‘I I A I - ' I I-' _p I vAI~k I, ‘ shall be made glad. 29. gzflletto. ma non troppo. The Wilderness shall blossom. ’— —— — —~P—' Zg;ﬁ ‘T -I. L I. .- Q '1 I ‘ I I The wil - der - ness 30, And. con espress. The Parting. §I_*I.:§EI‘£a§:§::E;g““*‘ U when I 31, M’odeI'ato. am far from thee, o - ver the The Nightingale and the Rose. §a—I~—I~I~I L’ - I I , ——3I ‘ C I I L I is n~I"’jI—— ,f*’p:: - - I I I The night - in - gale sing - ing now. 32. Andante. fl _ I\ I J 7,‘\ N‘ ‘ $:b':EI:;I.‘IL';!-* i‘T—;I\ "3 u The Harp and the Willow. 3s. } ::k.:ﬂ.;_ 33:: _I_— I, . ‘The harp and the wil-low! in sad -These how long. 33, Anzdagtte. "Two Captive Maidens. _ L A L, _. ﬂ_--"_ +_p E--——"l—++ U __ Wq\ are 25. 6d. a~'— F=3———r— -3-1:1: ——~———¥— J~—h:E£- ~E—‘”—I-: two cap - tive mai - dens. .__..__.____€___ 34, And. can espress. A Sister’s faithful Love! I I L I _IL. I} I3 0 y _ I T _ _I\__1‘\ ‘_‘_:: @"‘t".Ai—~"”—2‘*5""5.:‘I‘f“*j‘—s'**"‘I*”* 25. 6d. '3 i, " My sis '- ter dear, niy sis - ter dear. ' \ —————i————-——.—.__ 35. Ana.,eon espress. ‘What are the Wild Waves saying’! 23. 6d. J L I " I __ Iz_. _ A _._ .: _ _ __4_.4;-___ @I;t__§§_.§.—4T-;I:‘T_,,i,;I’L_—'l. :_I_::.—.I»_E:I U What are say - ingP T'the- wild waves . ____:_.._f__..:_ 36- Mad. con cs!»-ass. A Voic‘e from the Waves- ,_ . _ 55: ‘V TAXI-Li. § 6 % ;J—I...—. A voice frvom the waves in .4 D- g. .‘ . 37'. Mad. con cspress. Why do you watch. I *—fx:]“‘*':§ E :9: >5-—:i'—-— " ' Hap - py days! 48. Alla. mod. The Gipsy Countess. §iI§%‘2§’§1II=: 2:; '.!:!:!IfE —.—I. I¢——w’ ‘¢—'¢—‘It—L Oh! 49. Alle. Wu. The Wandering Stars. 3s. ___I __I:‘,_.]__. E,L:_'* ;j': we g ?';:.§§§“;—_::g:‘_—_—#_‘?:_g“-*_:': ._.,.t VVe wan - dcr - ing stars, are two come The Stream and the Willow. § .§:(::'V ‘* —_ ::I'::I_—‘ ‘*7’: i g_,:._Iq:$.i_~¢ 1___I:__._IE Sis - ter, if the gift 51. ./Pad. can espress. —. 50 . Illool. g-raz. ,_I__I were ours. , Sing, sweet Sister. 25. 6d. §E”:_"_‘:L‘§:"Ié;: *—:_:E::I;:I§I=“*“‘ Sing, sweet sis - ter,_ — sing to 52. Me. uivace. The Flower Gatherers. K M %§§—:*iI;I§EE:§!§;—”;,I‘€—:§T:_':3:5;— ‘“ U 85.,’ n:,.§__ ::iI£ ______________ 53- Allegro. Tuscan Girls crowning the Sea. I\ . f‘ —I>:——+\—.:I——°: — -;_—" ~ﬁ4H» §§I‘§;gI,—_§,‘:._ I, Come from thy co - ral how’ rs. The Sister’s Birth-day. 25. 6a. 54. And. con espress. Sweet sis - ter! 1 :"—i I m, love, to~ day, toifdaiiﬁ __________________ 56. And. can moto. When shall we Two meet again. “II I ”I I -II —Ad I 4-159 When shall we . -E§z ,_ ,2 . _, L two meet 57. And. can espress. I9” 3 I 1”‘ I: 4 IL‘ I J I ﬁh ea "‘T"’i 4; ._ +h—i~j——a—-—I,—I 51 Why do the ea? 38. Mod. can espress. you watch lone, loiie Voices of the Nig-ht.—“Echo Duett.” 25. 6d. av‘! I TI _‘ :f§:l§:;:Ir:F:j_;_§::j “‘" . ' I I— - When the 7 -_ —J—_ -I-7-€- ———d——— U lone — ly woods are still. 1;’ £11 me where do Fairies dwell. III :I“_. _ ~__ 'EJ*_._s_ _ } ~_*___ " ‘§;e:§!:§:d::E___t:f* _? .__._:,.W___ Tell me 40. Mod. gmz. Tell me where is Beauty found. /I I ‘ I ILLI)‘ I I I I1 I. I I 4- I V__ v w a I1—3—4~a——~—-———~a 39. 'Alle. 1/iv. WIIGXTEO: fai — ries dwell. 25. 6d. :_I:,— -«:4 _-‘:I_£-_ 5:? Tell me where is found. Au. Farewell! remember me! ‘gun I I II I F5 iii:EE:;bJ;:§1;:§§::’,3:E,g—*_*gt:I:d:3:;!; _ ._ I go from the scene (if my child-hood‘shome. 58. Allegro. The Warrior Page. shsgag: leave _ me 25. 6d. ; - _ﬁ Ia I I\ P’ ‘ “' Z S- - tle page. 25. Bd- 3I "I not, my 59. IIIod.gI-an Over the Waves we ﬂoat. §%:eI‘“—?;=~—“——’.;”‘~.. —,~.—If——;e—.-2+. ;':='I—I—I hI2~&—a~4 . I:I«,I— W I = U 0 - ver the waves We ﬂoat, we Ruth and Naomi. gen ﬂoat. 60. And. afett. 25. 6d. .7.e__:¢I }. _.I..= . ,I — — .-»4—-—- *~—.e+I e-—— - . “mg I beau - ty anks 0’ Dec. 2s. 6d; Beautiful Erin, 2s.; Boatmen (The) of the Downs, 2s. 6d.; Maidcn’s Dream (The), 25.‘ Mary Astore. 25.: Mel-Ii s f‘ I ovne ‘ls .- I v II Go forth! my hearth is de - so - late, ‘ ; Cling to those who elin «to you, 2s.- ,,;,, 1,T,\A.,\ ‘)ALA 'n_I .1. ,,L,_», ..I:v. . . I‘. 25. 6d- ' how ean:a poor gip-sy moi-den 1ike_me._ “' 35- : I.—.r:.: Ga - ther - ing ﬂow’rs from the—brgalr of ‘morn-.-E; H , - ! ‘ I::;,:.:I--I‘ i—s—s—-—
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Date: n.d.
Text: N92 run 2 on 3 VOICES PR‘mE 3_ ARRANGED BY.J.B E‘ %gﬁmurv% ( V‘ . . LONDOILROBDERT CQCKS&C9 NEW B-URLlNGTONo‘.,. , MUS“: Pubhshers to Her Moat Gracious Mgjyggtigucen Victoria,,&’to His imperial MaJes§y Napoleon H1, ' NEW WORKS‘ BY wuss M.LlND5AY HOME ynev enouem HER vumuoﬂ DEM: ~ WORDS BY TENNYSONW2 MAUDH w0RD5 BY TENNYSON... _ . _ THERES N0 DEARTH OF KINDNESS WORDS av GERALD MAssE~Y_'/ I s‘rARsoFT SUMMER N{GHT»w0n])3 By mN(;rgLLow,._§/6 as-*;,<;a ( 7 AIRY FAIRY L|L|AN~W0...
Show moreN92 run 2 on 3 VOICES PR‘mE 3_ ARRANGED BY.J.B E‘ %gﬁmurv% ( V‘ . . LONDOILROBDERT CQCKS&C9 NEW B-URLlNGTONo‘.,. , MUS“: Pubhshers to Her Moat Gracious Mgjyggtigucen Victoria,,&’to His imperial MaJes§y Napoleon H1, ' NEW WORKS‘ BY wuss M.LlND5AY HOME ynev enouem HER vumuoﬂ DEM: ~ WORDS BY TENNYSONW2 MAUDH w0RD5 BY TENNYSON... _ . _ THERES N0 DEARTH OF KINDNESS WORDS av GERALD MAssE~Y_'/ I s‘rARsoFT SUMMER N{GHT»w0n])3 By mN(;rgLLow,._§/6 as-*;,<;a ( 7 AIRY FAIRY L|L|AN~W0 D5 BYTENNY6§ObL— ' ‘THE LORD VHLL PROVIDE 5.4 CR1-‘,0 50/1 * . . . A PSALM ow uFE. Dyﬁr ‘ORDS BY L NGFELLOW. THE ammo ~«woaas BY LoN<;reLLow, /5 2-zneuum AND ENGLANUS gUEEN . . . . . ...3 > \’‘'O 9. A munsm I)/1:7’ xnn/-":.4‘p:»'n"u. tax ea he u 03 an Worms av LONGFELLOW. . .Mus:c av Muss LINDSAY. \ JLLEGRO. -T-<>©> 1 Shades 0f.I]lg'l1t were fall __ing' fa.st—, As thro’ an Al_pine ViLlag'e travel _ ler by. ‘the ‘faith--ful h_<.>und \ Half butgried in the snow was 19 ‘VA youth who bore ‘mid snow (1 ice A Still grasp _ ing in; his (1 of L‘ ice That- 1' f with the strang'e deqiiee with the strange de,_ vice EX ‘ eel ‘ Si ‘ or 2 f ciwvdvmvf 19 His brow was‘ sad, his eye be_neath Flasﬁd like a. faulchioll fromits 3'?! “Try not the pass” the old man said “Dark low}-sthe tempest 0. Ver - L !\ . 9. ' I I I\ . I A I IV I 1 ’ A I V ' . And li sil a ver c1a_rion 2 rImg‘,\ The roa} 7 torrent is "deep and wide", L 5/ \l\ -' .|-~ 7. ‘ I ‘ f I 5 - ~1 % *1 i I ..L .1 ..-.4 " I ac _ cents of that Vun .§ loud that cIa_1‘i0n- voice‘ re .. plied’ ~*=f'"“"'*""'fff 414 . . ct-1_s1-or! Ex_ce1 _ ('00:. Is [I ress .- ,}!?:‘‘Oh! . stay” the Maid _ en said “and rést Thy_ wea _ ry head ‘ up" on my 19 lwreast” 4 A tear stood; in L his bright" blue eye, But still he an_swer‘d with l sigh >—A éel . si _ or ! ‘ . f Rall: ,cel‘_si_or! Ex_cel _ _ _ _ _ si_or! i I 7 “Be _ ware h wi e.’ ther‘d branch! I } f 0 rﬁ va _ 1a>nch'e.“’ the Pea_sant’sh last PP!” up. the. height “Ex- cel _ nsi _ or"_! :Jp,o ./1/m/av/H7 ‘mu ///rm Z7‘0]I]V). ~:1:?«Tnere in the ma -[light Md and grey, Life- less but beau-_ti_ful he 3* And frnm ' 19 .’W1 cu’/7. S]Iiz'if0. mice fell like a fall _ ing; star Ex __ eel- si _or! J U I 0 EN umcrnms. U . . .NOTE.—This List is always made up to include the latest Novelties tothe time of Printing‘. PIANOFORTE MUSIC. BERINGER, R. Evening Star. Nocturne Morning Star. Morceau de salon BARTON, H. In Shady Groves (transcribed) Shylie Bawn . ,_. . BELLAK, J. March from I Martiri La Favorite . . Linda di . . Bacchanalian Song . Di Pescatore . Verrano, from Lucia BLUMENTHAL, Jacques. zezezezezew 231;; 2928 Danse des Gnomes . Calme.-toi . CASSIDY,‘ James. Punch’s Galop. Illus. DELASEURIE, A. Polka des Demoiselles. GLOVER, Stephen. TheHappyFamily Quadrille. Il. The Holiday Quadrille. Illus. _ Robinson Crusoe Quadrille. Illus. The Marlborough March Illus. Sandringham March. Illus. . The Royal Greek March. Illus. KREMER, J. La Fileuse. LEDUC, A. Jenny of the Mill LOTT, E. M. The Review March PEARCE, S. A. La claire Fontaine . . . 2 RICHARDS, Brinley. The hardy Norseman 3 Warblings at Dawn . 3 Warblings at Noon . . . 3 Warblings at Eve . _ . . 3 3 3 Illus. Caprice O 03 0': Bid me discourse _ . . I know a Bank .' . . 3 The Bells of Aberdovey .- 2 God bless the Prince. Illus. . 4 Echo of Lucerne. Solo, 23 6d. Duet ROCKSTRO, W. S. « La ci darem Di tanti palpiti Hebe . . . . WALLACE, W. Vincent. The Oarsman’s March . 3 When ye gang awa, Jamie . 3 The Mess Rose. Rondo 3 Oh! Nannie, and He’s o’er the hills 3 Corn Riggs are bonnie . Gentle Spring . Swiss Melody . WEST, G. F. On yonder Rock (Auber) La Carita (Rossini) . The bloom is on the rye , Jerusalem the Golden Minnie, Valse . Come é bello . Marche des Croates . Barcarole from Masaniello . Melody from the Corsican Brother Non pin mesta . . . Krieger’s Lust March Oh! Lady Fair Ah che assorta. . Waltz No. 1, Mozart Fall of Paris . . La Cachucha. . . Morning around us (Mozart) WRIGHT, 'A. A The Harp that once, Fantasia Fancy Fair Polka. Illus. @200 OO®OOO3CO D309 l\‘Dl®l€>Z\‘JZ€>l®l€l®l®Z\‘DZ®l€l€l\°.Ca9U‘-Z\‘> QSWOS CO .~G>O>G>C3®O5C‘bCD®O’J®O>O«C7.‘CC3‘— OOOOCC-O vocAL__riUsIc. ADLINGTON, W. Those happy days ABT, Franz. ~ O vision! bright and glowing Tell me, oh Bird . ~. _ . I watched the Sunlight (1 'ng . Thee only 1 love . . . Kathleen aroon . Oh! ye tears Angels’ Visits . . The Music of the Heart The Angel’s watch Sweet is rest . . Sparkling with gems Lovc’s first dream Fair Star of the night BARTON, H. Nearer to thee. Sacred Song . DEMPSTER, W. R. Come o’er the Mountains Flow down, cold Rivulet The Old M an’s Reverie A Butterﬂy in the City EDWARDES, Miss. The Sailor’s Mother FRICKER, Ann.) Thirty years ago . ' . I built a Bridge of Faneies VVhen Celia sings . . Oh that I had the wings of a dove KUCKEN, F. No friendly Moon Like a Snow-ﬂake The waves were dancing . Golden Days . The Spring—time is come . Blanche . . VVhen loving ones are parted The silent sea is calm LEDUC, A. Jenny of the Mill. I/lus. [A decided successj LINDSAY, Miss M. 0 love my W'illie . . The Song of Love and Death Thou wert the ﬁrst. They shall hunger no more Come unto me. Illustrated Thalassa . . . Echoes . . . Too late. Illmnlnated LOTT, A E. M. Journeying on PERCY, Augusta. Across the Sea RICHARDS, Brinley. God bless the Prince of ‘Vales Cloud of the Summer . The Pilgrim’s Path . . . The VVhite Cross of Denmark . The Vl/Vandering Gipsy Girl WESTBROOK, W. J. Ye Uarincrs of England . WRIGHTON, W. T. The Liquid Gem. Embossed . Her bright Smile. Embossed An Evening Prayer . . In Search ofthe Primrose. Emb. The Music of her Voice ' . Shylie liawn . . . ’Twas thy loved voice . . She sang among the Flowers. Em. l\‘DZ\"Dl®l®l®l$C>$>l®lSl$Z\‘.>C»8€a§ to zezezezezezezeze iewwwwwwce -:'-czczcvcsozcnicncu .l®Z®l®Z\'~Dl\‘>l€>l\‘>l\'-D G:®®®O>O§CO©C3®OO OOOGJOOCO O‘: C‘JO§O>ObC§OJO30> NewMusic forliarmonium LIEBE, Louis Thirteen Voluntaries and other Pieces . . . . . Twenty-ﬁve original Voluntaries WARREN,’ J. C Half Hours at the Harmonium. Popular Themes, arranged for Harmoniunts with one ormore Stops. Bks. 1 to 4, now ready. ea. Airs from Sonnambula . A . Andante from Beethoven’s 5th Grand Symphony . . . The l\[arv’lous VVork (Haydn) Agnus Dei (Mozart) . « 2 . God Save the Queen, and God bless the Prince of VVales . Airs from Guillaume Tell ' Gloria in Excelsis (Mozart) PART SONGS, &c. BURLINGTON G-LEE BOOK. A Collection of Part Songs, by Brinley Richards, Abt, Kiicken, Martin, and other eminent composers, in Nos , each 2d. and 0 OSQSOQIQZGNJ C56: OOOOGME CO I CHORISTER/S HANDBOOK. Edited by Joseph Warren. In 2 Vols. Cloth, each Or, in 103 Nos., each Double Nos. . . GLEES, Hand Book of. Edited by Joseph Warren. In 3 Vols.. demy 4to. Cloth, each Nos. each %d. Double Nos. 4d. HILLS, W. 105 Rounds and Canons, 13 Numbers, each . . . Or, complete, Limp Cloth. (Invaluable to Schools.) , Contents of the above four Works, gratis and post free. RICHARDS, Brinley. Sweet day so cool The Boat Son . . . The White Cross of Denmark The Harp of Wales . . . Separate Vocal Parts to the above, each . . . . God bless the Prince of Wales . STANDARD English Songs. Twenty Numbers, each 01', complete. Boards THEMATIC Vocal Catalogue. (FOUR PH GRATUITOUS EDITION), giving the ﬁrst bars of each song, gratis and posljree. NEW CATALOGUE of pm Songs, Anthems, &c., gratis and post free. THEORY. G. F. WEST. Questions relating to the Theory of Music. New Edition ’. 2 0 CLARKE, J, {Just Published.) Catechism of the Elements of Harmony 2 0 ~i.oM)?oN . R()BE1t'l‘ cocks & oo.. N.cw.i BUn1.1.Ne'i‘oN s'1'.nm»rr (W)
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Date: n.d.
Text: Music LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new You e/«Q1117: of turn1vnnIlun5:a<» Im:Consvrrahnt ‘ ‘A V ’{ 1” 1 ‘I ‘ V’ 4MVucc» v . H.W.|.0NGFE|.LOW ESQ. ~«.~ub , - Miss M . LINDSAY. 4%-—~v " % ozmcmco 10 HERSISIER, 5:5: 3/ , j 50040 6? 0° 25:/’0tm:44;?. §mé@7'm.§»¥”¢f:%0 STREEII £0/V00/V~ W- - ‘ed-’3’2ﬁ‘ §§%&33*~‘U El £33» :,,:‘2NiL‘.>«si‘;9-L WI) ﬁj‘ HYMN or THE MDRAVIAN NUNS or BETHLEHEM. (U.S.) AT THE CONSEQZRATION OF PULASKI’S BANNER. (DUET FOR SOPRANO AND coN'rR...
Show moreMusic LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new You e/«Q1117: of turn1vnnIlun5:a<» Im:Consvrrahnt ‘ ‘A V ’{ 1” 1 ‘I ‘ V’ 4MVucc» v . H.W.|.0NGFE|.LOW ESQ. ~«.~ub , - Miss M . LINDSAY. 4%-—~v " % ozmcmco 10 HERSISIER, 5:5: 3/ , j 50040 6? 0° 25:/’0tm:44;?. §mé@7'm.§»¥”¢f:%0 STREEII £0/V00/V~ W- - ‘ed-’3’2ﬁ‘ §§%&33*~‘U El £33» :,,:‘2NiL‘.>«si‘;9-L WI) ﬁj‘ HYMN or THE MDRAVIAN NUNS or BETHLEHEM. (U.S.) AT THE CONSEQZRATION OF PULASKI’S BANNER. (DUET FOR SOPRANO AND coN'rR’AL'ro.) twoaos BY H.W. LONCFELLOW.EsQ. ‘MUSIC BY MISS M.LlNDSAY. 1VtIaest0s0. I When the dy_i11g flame of '_Throughthe chan_cel shot \ mf Far the glinlnfringtapers shed Faint light on the cowled L \_/ _ he/ad; . And the cen_- _ _ ser burn - ,. ing swung, VVhert*, be _ /3g___j L’) .H>;znu:_of4'J.u7- IVIO:-;«u.i'/n1 Nun“ pm,“ Mi“ BL LIXDSAY (}()PTRI(‘;H_'[‘. the Altar, hang The b1o0d—redbanner,T’he b1o0d—redbam1er,The. b1o0d.—red banner,that with pray’r. . _. . .Hadbeen c0n-se-cra_ted_ there. /9/° _ And the nuns’Asux€et hymn was heard the while, Sung low in the dim, u1yste_rious aisle /°/° HN'”‘ °f1ht' VIo1"aviau NTUHQ ‘ ‘ ‘ ~ - - Duet. 3115:: NI LIVDS -KY G 0 « V - e . ~ ~ & C._550. ?na m®ma’nvmm. thy banner! h it wave, ‘ Pr0ud-ly o’er the thy banner! Pr0IId_1y o’er the good and brave; the bat - - t1e’s dis - _ tant wail, good and brave; the bat _ _ t1e’s dis - - tant wail, Breaks the sab_-bath of our vale, VWhen the cla-_r1'm1’s Breaks the sab-- bath of our vale, When the cla _ _.ri0n’s /"/° H3“'“‘ Of U18 1V1qravim1 Nuns. Duet. Mi.» M. LINDSAY. G "' C? 550. mu_sic thrills To the hearts of mu_sic thrills. To the hearts of ‘the spear in con--flict shakes, And the spear in con__flic-t shakes, And shiv ’_ _ _ _ _ ring ' breaks. breaks . shiv ’_ _ - _ _ ring Hymn 0f UH‘ Moravian Nuns. Duet. Miss- M.‘LINDSAY G s’ C9 550' these lone [hills , these lone hills , the strong lance the strong lance Take thy banner! but, when night, Clo_vses round the Take thy banner! but, when night, Cl0_ses round the ghast _ ly fight, > ‘ the van _ quish’d ‘ war- - rior bow, ghast _ ly fight , ho-_1y VOW, By our pray’rs h0-..tly vow, By our pray’rs and» 0 Tu; H5’Fl1~Il=0f the Moravian Nuns Du:-t Mix .‘ -. - _. 5: M. LINDSAY. (, X, (.3 55 2 , , O. ma _ - -_ny tears , mer - _ - oy that endears , ma _ _ - ny tears , mer- - _ cy endears, V Spare ‘him! / hath s112u"d! Spare him as thou‘ Spare. . hath sl12u"d! Spam‘ him as tlmu wo u1d’st _W(H’[1d’St ‘Hymn ‘of “W Mdraviaxl Vans. Duet Miss M L1V])SAY Take thy banner! and if e’er, Take ,thy banner! and if e’er,' s01_dier’s bier, And the muffled s0Ldier’s bier, A nd the mufflwd T0 the tread of mournful feet, T0 the tread of mournful feget, Ymn of the Moymrraxn Nuns. Dm-1.. N115.» Ms LINDSAY. Thou sh0uld’st press the should’st press the drum should 1) eat , drum sho uld b e at , G 4» C9 550. rt tempo Then.. . . this flag. . . . .~ . . . Then this crimson flag shall be, Then.... this flag‘, . . . . . . Then this crimson flag shall he, / 3Iar_tia1 cloak and shroud for Mar_ti.a1 cloak and shroud for The warrior took that banner proud, And it ’was his mar_tial cloak and ‘S7H”0l’'1! ’' . .9 G 8/'C‘.’550. A "emf Alleyro vivace. SUCCESSE UL NEW SONGS. Words by Music by ALFRED H. I-IYATT. GILBERT LOEWE. TILL DAWN. No. 1 in D ﬂat. No. 2 in E ﬂat. MI: 33:: No. 3 in F. —'——-9- (0ri¢im1KBY) M Compass. ——o——- :—iD— No. 4 in G. —_—:_p: ___Il ‘C- Amlants non troppo. , M 4Q P4; L__ 1| IV I I; I‘ 5 I‘ l\l I I‘ u I l'\l:l l‘ §v_~",,,:.:;:&g_,tu;i;—_a—4 _ _ :;;—_—a:,_L.—.;j- _ A V 7 I , -r w- Light in the tired west lin - gets, Shad-ows soft - ly fall,... Touching with ro- sy ﬁn - gers, Earth, sea, and Light in the tired west lingers, Shadows s tly fall, Touching with rosy ﬁngers Earth, sea, and all. Ends with the falling shadow! Grief: of the day; Soft o’er the dewy meadows ease comes to stay. Compass. Compass. compass, _—_£"‘ ..._'-__. pow mu. ares. M _ I - I I I LI;I%l—‘ _ 4. _ . 7- - ul 0.- All the day's toiling, striving, Tears and regret, Night comes with peace arriving- In sleep forg . So in God’s care I leave you Till dawns the light, . Eenceforth no sorrow grieve you, Dear love, good-night! Copyright, MCMYL, by GOULD & co. AUTUMN GOLD. No. 2 in F ‘_.__ 7}L_ ___J__.__._ Words and Millie by GERALD LANE. No. 8 in G .__._.E Compass. T :33, 1 and E 1:13). .:_‘_T_‘.'3i ' ' ff: ﬂglll E] Z Compass. '6‘ mp Andante mm troppa. Compass. I 1 l\ I K . I I I I‘\r 1% ' is . l\| - ll .1 I I\ l\ min: I\.rI—I-I I-- nrﬁwIwﬁ\.Iy.- §%—P~I—-4—-—i—d——a—J.i‘—.—i—e—.e=+4—44—+~+—P~—-:r—L—-—n—»w—- I1 .9. _ V ' \_/ -J— ' T ‘/ When Au-tumn spreads her path with leaves of gold,... When through the land sweet summertime grow: old....... When Autumn spreads her path with leaves of gold, A world of tears that beat upon life’: shore, VVhen through the land sweet summer-time grow: old, A dream that war, a. dream thlt is no moral What harvest shall we gather, you and I, N ow we, dear heart, have said our last good-bye? A ‘. § IF: F Yet ’inid the silence of the waning year One charmed echo still we seem to hear: " The Sfring comes back, and joy forget: the pain, For Go is good, and Love is not in vain l" Oopyrllht. MGMYL. II! GOULD I C0. The haunting inem’ry of one radian: hour, The ling’ring fragrance of one little ﬂow’r, Music by VALENTINE HEMERY. THE FIRST SPRING DAY. __i_ CLIFTON BINGI-IAM. No. 1 in E ﬂat. Compass . . . l I . 777 DIE J ' _ . 4+0 .1‘ . R . I .1 741 II I I III I _ 51 I V 7 . Hark, there's a new voice call-ing, And a new light in the sky, Rain on th sweet earth falling Bids winter grey good- —, s -1 j r. J_] A. : , L1, Elrl See how the darling rirnrose Looks up from its eizfy how’t, Blue-hells are waking gaily To the kiss of sun and show’rl Boon cuckoo will foretell us The coming of sweet May, For all the world is waking To greet the that spring day! Good-bye to you, grey Winter Too long has been your reign, ‘Tie glnd and good to welcome The step of Spring again. . So come, sweethe . , gree it, For skies are bright above, _ Our hearts, like the world, are waking To life, And light, and love! Hark. there’: a. new voice calling, And II. new light in the sky, Rain on the sweet earth falling Bid: winter grey good-bye. There's 3 song through the green wood A that's blithe and gay [ringing, though the world were singing, ' To greet the first spring day! copyright, MCMYL, by GOULD I 60. Words by HELEN TAYLOR. Music by WILFRID SANDERSON. 1 ___pk ‘;-l:I—_—_ ii‘: A SUMMER GREETING. I No. 1 in A ﬂat. __.?.J3_ Compass. No.3 in B ﬂat. (Original Key) Compass. _A _]:1lleyr:tto oon brio. I K 1‘ k pow rit. -0.: ‘ The sum-mer’s on her way, love, I see her her-a.1ds sweet, The blos-som on the up-pleztrees, The (iii-sies at my The summer’: on her way, love, I see her heralds sweet, The blossom on the apple trees, The daisies at my feet. The birds will sing the whole day long _ The birds are always gay. How can I hear to hear their song, If you are still away? 0 will you not COIIIO back, love, on roses come again, Red roses in the garden, love, Wild roses in the lane. I cannot work, I cannot weep, I know not how to pray, How can I live the summer through, If you are still away? Copyright, MCMYL, by GOULD & CO. The summer’: on her way, love, Good-bye to grief and pain, And welcome sing and love and joy, When you return again. NEW VOCAL DUETS :— “AWAKE,” by H. G. Pélissier,"No. 1, for Sop. and Con. or Sop. and Bar. “AWAKE,” ,, No. 2, for Tenor and Baritone. “FAREWELL T0 SUMMER,” by Noel Johnson, for Sop. and Con. or Sop. and Bar. “FOR ALL ETERNITY,” by Angelo Mascheroni, for Sop. and Con. or Sop. and Bar. “LIFE’S THANKSGIVING,” by Valentine Hemery, for Sop. and Con. or Sop. and Bar. “BIRTHDAY MORN, THE” by Landon Ronald, No. 1. in Dl,, for Mezzo-Sop. and Con. “BIRTHDAY MOON, THE ” No. 2, in Eb, for Sop. and Con. “TILL DAWN,” by Gilbert Loewe, for “Sop. and Con. or Sop. and Bar. STANDARD SONGS Com as 93 Lolivezt sum; BY Key only. All the While Keys D, Eb, F, and G. By Lovell Kiny. Awake l Keys Eb. F, and G. By E. G. Pélissier. Birthday Mom, The Keys 0 and Eb. By Landon Ronald. By Special Request Keys Eb and F. By Angelo Mascheroni. Dreamland Voices Keys Eb, Fand G. By Anyelo Maxclzeroni. Fairest Flower,The Keys Eb, F, and G_ K By Fred W. Sparrow. Fairyland Keys Eb, F and G. By Gerald Lane. Farewellto Summer Keys A, Bb and C & D. By Noel Johnson. F Flower Songs (lllustrated.) By Florence Hours and J. L. Roeclcel N 0. 1. Mignonette ... ,, 2. Poppies ,. 3. Pansies ,, 4. Primroses Crocuses ,, 5. . For all Eternity Keys Bi). 0, D mdEb By Angelo Masclzerom‘. Gift of Peace G, Bb and C. ‘ By 0. H. Foyy. I had a Flower Keys Bb, Db and Eb. By Lawrence Kellie. Irish Slumber Song, Keys Eb, F and G. By Ernest Newton. ass ff? Ifl L-ife’s Thanksgiving Keys D, Eb, F and G. By Valentine 1-Iemery. Night Sea’s Lullaby Keys Eb, F and G.‘ By Valentine Hemery. 0 Fair Dove, 0 Fond Dove . Keys F and Ab. By A. Scott Gatty. Patti Waltz Song Keys Bb and D. By J. N. Patttsan. Prayer for You, A Keys C and Eb. By Fred W. Sparrow. Restful Shadows Keys Eb, F and G. By H. G. Pélissier. Tatters Keys D, Eb, E and F. By Gerald Lane. Thy Voice is near Keys G and A. By W. T. Wrighton. Vales of Arklow Keys Ab, Bb and C. By Leslie Stuart. When Roses Bloom Keys 0 and Eb. By G. H. Pélissier. . Miss Elsie Purvis : .. Mdme.MeredythElliott Miss Ethel Bevans &c. Mr. C. Copland B to Miss Edith Serpell . b E, &c. Mdme. Melba . Mdme. Amy Sherwin Mr. Joseph O’Mara. Mr. Hii-wen Jones &c. Mr. Egbert Roberts Mr. Ad. Fowler &c. Miss Mary Desmond Miss Edith Serpell Miss Lilian Turnbull... &c. Mr. William Green Mr. Herbert Grover Miss Maggie Purvis MissVio1et Ludlow Miss Bertha Salter &c. Miss Emily Foxcroft... Miss Maggie Purvis Miss Minnie Chamber- lain . . &c. Miss Violet Ludlow Miss Perceval Allen Miss Grainger Kerr Mr. Wm. Forington &c. Miss Florence Croft Miss Annie Wilson Miss Lilian Turnbull... Miss Edith Serpell Miss Hettie Hills U:>I>l>UU 888388’ ‘#06666 Miss Jennie Atkinson . &c. Mdme. Adeline Patti P 3 6 Miss Perceval Allen Mlle. Marie Vagnolini Mdme. Sadier Fogg Mr. Barry Lindon site. Mr. Lawrence Kellie... Mr. Robert Radford Miss Maggie Purvis Mdme. Ruth Lamb Mdme. Guilia Ravogli Mdme. Kirkby Lunn.. Mdme. Sobrino Mdme. Emily Squire... Mdme. Marian Mo Kenzie Mdme. Maggie Purvis Mdme. Hortense Paulsen. ‘Miss Mabel Bi-nine Mdme. Marian Mc _ Kenzie Mn. Helen Trust Mdme. Adelina Patti Miss Maggie Stirling... Mr. Chas. Copland Mdme. Sadler Fogg Mr. Ben Johnson 8212. Miss Maggie Purvls Miss Edith Serpell Miss Me? Desmond c. Mdme. Belle Cole Miss Perceval Allen Miss Maggie Purvis ... Miss Florence Bulleid Mr. Bingley Show Mrs. Chas. Copland Miss Edith Serpell . Mlle. Ghita. Corri ..._ GOULD & 00., 25, Poland Street, London, W. A'to1)i_"'
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Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE V POUGHKEEPSIE. NEW YORK ‘ ,, .,....g,..,~..._.., ........ - J,;,g..1...Ur:mgourau.&....11l.m .3’. n ':v ..j.. V; Mrm‘Cowawrahm %%Uftl7z?Bn:mv:'0f V ‘musué av ». 9. Q;-ORDS B Y ~ _, M : H.w.Lom3rmow ESQ. mss M. LINDSAY W DEDICATEDTO HER SISTER. « :35! " ....,-... up-.«--.-....... ‘ON : RGBERT COCKS; Xi C‘? NEW Bumimmzom 3T REET,W. ; ;-.,-«. =.;Q,::arr’-:Hf?;’:~:";? an-*>~_~:’> P‘: A , ., E‘ ;_UL!.l:._ ‘;a,3:g3i_;¢',\y\1;:);~;;v;...
Show moreMUSIC LIBRARY VASSAR COLLEGE V POUGHKEEPSIE. NEW YORK ‘ ,, .,....g,..,~..._.., ........ - J,;,g..1...Ur:mgourau.&....11l.m .3’. n ':v ..j.. V; Mrm‘Cowawrahm %%Uftl7z?Bn:mv:'0f V ‘musué av ». 9. Q;-ORDS B Y ~ _, M : H.w.Lom3rmow ESQ. mss M. LINDSAY W DEDICATEDTO HER SISTER. « :35! " ....,-... up-.«--.-....... ‘ON : RGBERT COCKS; Xi C‘? NEW Bumimmzom 3T REET,W. ; ;-.,-«. =.;Q,::arr’-:Hf?;’:~:";? an-*>~_~:’> P‘: A , ., E‘ ;_UL!.l:._ ‘;a,3:g3i_;¢',\y\1;:);~;;v; qgﬁﬁigﬂ PUBUC WITHOUT THE PRYMENT OF” ANY FEE IVIUSIC COPYING. /S //Ei'/?EB)/_QL\{_E[\/ ’/7//// /I_\' \’/'i'/(/(' n/'////' .7 ((-6 K71‘. ('///2.-W7. A'/'/'. Q. ///1’ A7//I’ 7/Zr/r'.\‘I'/;2:ﬁ;7/E/'/'{'\' n/'//////c///_r/ ///r////(.»1‘/'//;/ /2/' 11////'/' I-«yr/'r’.s' (I/'I'/'/{$7'{(//I/ W/I/'/\'.\' /,s' w'.~'//*r/ I./I ///(' 4-n'/1/’/'n/.'v/1('// ('zy{\'/'/}//// /I//r/I///'\‘u/ﬂy/‘/1/‘lzv/;//,v //.7/A-//W ,w,-// ,-,;,,,;..v m//mm ////» ///'/‘////.v.»'/u// 12/ //1/' .»'///1/rm’///’/‘ RENDER THEMSELVES LIABLE TO HEAVV PENALTIES 0;? DAMAGES. I/X‘/' /’/'r///,~y/u.~'//m// r1/./‘(7/{\’/‘/(///// .v/I//.1/.v /////1 u///1*/'K'r_'\'.v H'////l//// /I/’/‘///I.'~‘,\'//'/I /5 AN 4/NLA WFU1. COPYING. HYMN or THE MURAVIAN NUNS or BETHLEHEM, (U.S.) ATTHE CONSECRATION OF PULASKl’S BANNER. (DUET FOR SOPRANO AND coNTR’ALTo.) wonos av H.W. LONCFELLOW Esq. Music BY MISS M.L.lNDSAY. Maestoso. '\Vhen the dy.ing flame of day... Throughthe chan_cel shot its ~ \ mf Far the g imlnringtapers shed Faint light on the cowled X} head; . And the cen- - - ser burn _ - ing swung, H’ 7 ‘ . . , )_mu of the Moran-an l\un.~'. Duvt. Miss M. LIXDSAL COPYRIGHT _fore the Altar, hung The bl00d—redbanner,The b1o0d—redbanner,The I‘ b100d»red bannelgthat with pray’r. . . . .Hadbeen c0n-se_cra_ted there. /0/0. And the nuns’ swuaet hymn was heard the while, Sung low in the dim, myste_ri0us aisle. «D /‘P WWII of the Moravian Num. Duet. ms» M LIVDSAY 11 298 ‘ I A . 0 , I W13 meme’ mwnrsf. thy banner! thy banner! good and brave; good and brave; Breaks the sub - -bath Breaks the sub -- bath /°/° may it wave , may it wave , When the bat - - t1e’s When the bat _ - tle’s of our vale , of our vale , Hymn of the Moravian Nuns. Duet. Min M. LIVDSAY Pro ud-ly Pr0ud-ly okr the o’er the dis _ _ tant wail, dis _ _ tant wail, When the When the clan _ _ rimfs cla _ _.rion’s mu-sic thrills To the hearts mu_sic thrills. T0 the 11eaI'1S When the spear in con--flict shakes, When the spear in con__fli(-t shakes, shiv ’_ - - - - ring breaks. shiv’.____ ring breaks . Hym“ “f “W. Moravian Nuns. Duet. Miss M. LINDSAY. of of these lone hills , these lone hills, And And the strong lance the strong lance ‘Take thy bann.e1'! but, when night, Take thy banner! but, when night, ghast _ ly fight, ghast .. ly fight , ho _ -1y VOW, ho - - ly vow, Hymn of the Moravian Nun». Duet. lvlfisg M, LIVDSAY C10 -Vses round the Clo_ses round the the van _ quish’d war- - rior bow, Tall: 7 By our prayrs ' our pray’rs and By ma _ _ -ny tears , Spare him! Spare him! wo u1d’st be would ’st 1) e the mer - - - oy the H181‘- - _ cy hath sha1"d3 luve hath s11a1"d! s,par’d! spar’d! H- . . Mnn of the Mm-avum Nuns. Du-01., Miss M.,I.lNDSAY. that endears , that endears, 1“ him Spare Sp-are him {'3 as thou’ as thou Take thy banner! and if e’er, Thou shouId’st press the Take thy banner! and if e’er, Thou should’st press the soLdier’s bier, And the muffled drum should beat. sol_dier’s bier, And the muffle-d drum should beat, T0 the tread of mournful feet, To the tread of mournful feet. Q a tempo Then. . . . this flag . . . . . . . . Then this crimson flag shall be, Then... . this flag . . . . . . . . Then this crimson flag shall be, / l\Iar_tia.l cloak and . shroud Mar_tia1 cloak and shroud for The warrior took that V»: banner proud, And it was his mar_tial cloak and ‘shroud! 1' l.()N1)()\Y,' , H , ' ‘ ‘ ROBERT COCKS 8: (‘yo-New BurIin_21m SI.P11b1is1]rI'> to the Qheeu H.R.H.the Prince of Vale» New Vocal Duets BY FRANCO LEONL 4!‘ Words by MARK AMBIENT. -:9 Vanity Fair.‘ Sopmmo. COPYRIGHT, I894, BY ROBERT COCKS_ 8: Co. A ' . . 3 Van - i - ty Fair! Van - i - ty Fair] to say “Don't go there] Pray keep a-way from Van -i - ty Fair.” To. Van - i - ty Fairl Van - i - ty Fairl — to say “Don’t go there! Pray keep ai—waiy from Van - - ty Fair.” Allegro. . Tittle=Tattle. Allegro. ’ COPYRIGHT, 1894, BY ROBERT Cocxs & Co. Sweet Mis.tI-ess Ann ask’d La - dy Fan to drink a dish of tea And La - dy Fan wrote“Dear-est Ann, de — lighted I shall be’ Allegro. , - PP Andante. ‘ ‘' Ar"? ‘ AT The May=Queen’,s Requiem. COPYRIGHT, 1894, BY ROBERT Cocxs & Co. . dim. '3 Ring soft .V fl. . '3 ye : .’ . . . I nor . deep,. . . . M sweet May Queen cloth soft- ly . V - ' V\-———/ Ali];-§ntSe(_)ft ' ' ' . . . ‘nor deep, . . . ., I sweet May Queen -ly sleep, Haymaldn COPYRIGHT, 1894, BY ROBERT Cocxs 8: Co. The sun is a—slIin - ing!Come,make hayl Give the boysandthe girls all a ho] - i - day Neighbours too a - crossthe way The sun is a-shin - ing!Come,make hayl Givethe boysandthegirlwst all a ho] - i — day Neighbours too a - cross the way Allegro. "ll ' ‘ i . . f Price 4s. each. Special Edition (the four complete) with 1'llu‘st1-ations by CHRIS. IEIAMJIIOND, Five Shillings, net. LONDON: ROBERT COCKS & CO., 6, NEW BURLINGTON STREET, W. Agents for the United States of America. EDWARD SCI-IUBERTH & CO, NEW YORK.
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