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Creator: Notman, William
Date: 187-?

Date: 1920
Text: . K ,_ . /fr» I :~.. ~ ; Mm . 1/‘ [,{_’~ 31.4 /3 *7 ,»4:-"’“ J V, ‘la ‘a 3 ; - i“ V U ‘Jxﬂ ,‘\,»*L/3:/L!:'_/,[:‘,/ Gompozitionsg my Sobn rlltsokrejs MUSSC LIBRARY VVAEAQAIR COLLEGE voucmmzwsse. new vow 34 ( \ \ ) 1)}: VALCIK. Db Gr. 4-5 . . . . . . . . . . . . . . . . . . . . ..50c TOLD IN JUNE. E Gr. 4.. .' . . . . . . . . . . . . . ..50c ROMANCE. D Gr. 4-5 . . . . . . . . . . . . . . . . . . ..50c OUT OF THE WEST. G Gr. 5 . . . . . . . . . . . . . .50c PRELUDE IN G MAJOR.* Gr...
Show more. K ,_ . /fr» I :~.. ~ ; Mm . 1/‘ [,{_’~ 31.4 /3 *7 ,»4:-"’“ J V, ‘la ‘a 3 ; - i“ V U ‘Jxﬂ ,‘\,»*L/3:/L!:'_/,[:‘,/ Gompozitionsg my Sobn rlltsokrejs MUSSC LIBRARY VVAEAQAIR COLLEGE voucmmzwsse. new vow 34 ( \ \ ) 1)}: VALCIK. Db Gr. 4-5 . . . . . . . . . . . . . . . . . . . . ..50c TOLD IN JUNE. E Gr. 4.. .' . . . . . . . . . . . . . ..50c ROMANCE. D Gr. 4-5 . . . . . . . . . . . . . . . . . . ..50c OUT OF THE WEST. G Gr. 5 . . . . . . . . . . . . . .50c PRELUDE IN G MAJOR.* Gr. 6 . . . . . . . . . .75c SCHERZO IN E MINOR.* Gr. 6 . . . . . . . . . . . .90c INTERMEZZO.* A Gr. 6 . . . . . . . . . . . . . . . . . .75c ARABESQUE.* Db Gr. 5 . . . . . . . . . . . . . . . . . .750 FROM A BOHEMIAN VILLAGE. C Gr. 4-5. 50c DANCE OF YE WITCH OF SALEM TOW . ABSENCE. C MINOR Gr. 2-3 VALSE B}; Gr. 3 AN INDIAN DANCE. C MIN AN INDIAN IDYL.* G Gr. ECOSSAISE (Scotch Dance BAGATELLE IN G. Gr. VILLAGE SCENES.* Gr. THE BLACKSMITH. D. GLADYS AT PLAY. D. . . . . . . JUMPING JACK. C. . EVENING. C. (41 <70 RONDO. C. [ 5 THE BELLS. C. \ Gr. - JACK IN THE PULPIT. C . . . . . . . . . . . . . . . . . . IN THE HAY LOFT. Bb . . . . . . . . . . . . . . . . . . . .25c OLD CHIEF MATAATAKWA. A Minor . . . . . . ..25c THE WHITE BUNNY. C . . . . . . . . . . . . . . . . . . . .25c THE FROG POND. C . . . . . . . . . . . . . . . . . . . . . . .25c DANCING DAISY FIELDS. C . . . . . . . . . . . . . . . .30c PETER PETER.* CCr. 30¢ FROM A TAMA POW-WOW?‘ A Minor Gr. 2.....30c KITE FLYlNG.* D Cr. 2 . . . . . . . . . . . . . . . . . . . . . . 30:; Q (E S HRAB AND RUSTUM. C 25c BOHEMIAN FOLK SONGS.‘ Book I . . . . . . .50c (Arranged as easy Piano Duets. Gr. 1-3). Book II . . . . . . . . . . . . . . . . . . . . . . . . . . . ..90c NATURE SKETCHES. FROM THE HILLS. Bb Gr. 3 . . . . . . . . . . . . . . . .30c THE BIRD RONDO. G 3-4 . . . . . . . . . . . . . . . . ..50c PLAYING LADY. C 2 . . . . . . .I . . . . . . . . . . . . . . .30c IN SUMMER. D 2 . . . . . . . . . . . . . . . . . .30c AD BOY. G 3 . . . . . . . . . . . . . . . . . . . . . . .40c A DA THE / A HERZO. Gb 4 . . . . . . . . . . . . . . . . . . . . . . . .50c MI HINC-TON WAS A BOY* . . . . . . . . 1.00 (An Opera for Young People) LOVE ME YET JG SONG M THE FIELDS OF FRANCE ‘ AH—WAH-TAY—SEE (Little ﬁre-ﬂy) WA—YEA MY LITTLE OWLET E/(EAL E ‘ (\ SONGS OM TH] R’S GARDEN . . . . ..75c (V t teen ngs fo Children.) SONG (L I67‘) . . . . . . . . . . . . . . . . . ..40c (C to F) . . . . . . . . . . . . . . ..50c . (IE) to F) . . . . . . . . . . . . . . ..50c I MELODRAMAS (Reading with Music.) MIANTOWONA.* . . . . . . . . . . . . . . . . .75c (Poem by Thomas Bailey Aldrich) THE LEGEND OF WINONA . . . . . . . . . . . . . .75c TRIO IN B MINOR. (For Violin, ’Cello and Piano.) LESSONS IN HARMONY . . . . . . . . . . . . . . ..1.00 LESSONS IN SIGHT READING."‘ . . . . . . ..75c (For the Beginning Piano Student.) LESSONS IN RHYTHM* . . . . . . . . . . . . . . . . . . . . .. 75c 09 ODOWAN PUBLISHING CO. 880 W. 181st St., New York 831 Ave. B, Cedar Rapids, Iowa ‘Rub. by (Jtayton F. Sammy 00., Chicago. To £3111. You’ll Love Me Yet (SONG FROM PIPPA PASSES) REVISED EDITION BROWNING‘ Moderate You’ll love tar— ry your 1ove’spro—tract - ed grow - ing. 6’o;9y7'2'g/at MUZIBZY by Jolm ﬂlokrejs. JOHN MOKREJ S 17000 piu mosso June _ rear’d that — ers you car- 1-y nf poco piu mosso pri1’s sow. — ing.. I plant a heart — f ul some seed at least to strike and yield __ What you‘ll not pluck in deed‘___ Not love but You?! Love £l[e Met 4 Not love but may be like! Not love, not may be like! V P Yotf ll look 1) ll tempo Tab. loves re - mains,A grave’s one vi — o - let: Agrave’s one Y 0247! Love Me Yet 4 vi at but may be, least your look? that pays a thousand/thousand pains, a thou - sand pains. {-25 What’s death? You’ll love me yet!What’s death?You’111ove me yet! >>>> {T {-5 A 2:} me You’ll__. love me You"11 love me yet! Y0u’11 ~ love me, love me yet! ‘*1 4e ?’ [7000 Mt. Yozdllﬁove Me Ye! 4 To my sister Amze Spring Song REVISED EDITION Words by Music by SHAKESPEARE JOHN MOKREJS Alleg'rettAo d ai — When shep — smocks larks Oopyrig/at MUMXY by J0/m Jllolcrejs. - buds tread, light, cuc - koo then smocks..___. ed men; For. thus._ sings AS"!-wing Song 3 Cuc—k0o, cuc —koo, Spring Song 3 A Tfiéule to our Gallant Boys From The Fields Of France Words as Music L argo (very slowly) E _ B 131£OKREJS _ L __ F.‘ Vwy slowly and profoundly Though our hands be part ,- ed by the deep seas blue, Yet have When the storms go rag - ing, be on sea or land, Then have Like the sun’s down - go - ing, mid its glor — ious ‘hue, In the nff hearts one Song whenthere’s fightéin" to do. Though We ne’er see home and you, we to hearts one Song and as mountains We stand_ As the mountains do we stand, with one roll ca1l’s miss - ing our hearts go home to you. "Yet though clod becomesthe clod, and 1‘ du — ty’s call were true; We lived for the Right and we died for you. heart, one hope, one hand, Un- til Right en - throned shall rule the land. time and a — ges nod, There’s no name e’re lost from the roll call of God. T Oopyriglzt 1l[6’1ﬂ’)f by Jo/an Zllolcrejs. VVah—Wah—T1(:£ré:“0sWé7”e;>I./j3{Ij'1:}kir1‘i).7”ﬁ91e Fire Fly. From Longfe11oW’s Hiawatha. Music by Y JOHN MOKREJS . Andante con moto e tranquillo. ,5 Wah—wah - tay -_ see lit -tle fire - fly Lit-tle flit - ting Whitefire in\: sect, Lit—tle dan—cing »\ 2; white-fire crea - ture Lightme with your lit -'tle can — dle, 6’(/pg/7'77g/¢Z‘ J[6’J[XV by Jo/an Zllo/cre,/Ls‘. Ere up- on_. my bed I lay... me e Ere in sleep I .5 close my eye - lids Wah—wah-tay - see litgtle fire - fly, Lightmewith your lit- tle can - dle Ere in sleep I closemy eye - lids. trrmgmlln Tab. $1.3. ”l"’/"*"””'l"WW-W" ~° ‘ F.\J.LAWSON co.N.v To ﬂfary. EWa—yea My Little Owlet. (From Longfe11oW’s Hiawatha.) JOHN MOKREJS . Andante mo derato. \——/ P 00 7; [’ca’_ Ewa-yea my lit— tle that lights the ‘Wig - warn?Wi‘ih his great eyes lights the wig - warn Sz _>.. 15> 00]);/7‘?:l,"/if MUMXIII by Jaime ]l[o/krejs. Ewa - yea my lit -tle owl - et 7.’ . f great eyes lights 8 Z .7 . P Ewa -yea my lit — tle Ema -yea 2 T0 Jllr. EE. Pirkel. GALLIE. REVISED EDITION (SOUTHERN SERENADE.) JOHN MOKREJS. Moderately. is a out ma dar - — - lin’, ob de sum—mer night, is a in ma dear swoon-in’ Wid de- light Copyright MCMXX by Johh Mokrejs Hi -ho ma dar - lin’ H3 -ho ma dear gva ' ' '3 _ . \./ \_/ Wwjz‘ 4/<3: \¥ J/-\/'_\ b gx J./\ : - : __ /‘T Sweet! Sweet! owls ar’ hoo - tin’, Night croons, stars ar’shoo - tin’, Gal- lie lie “ 1*” I s here Gal-lie. Game_ 2 >2: Cello ditto two octaves lower BY JOHN MOKREJS WHE_N WASHINGTON WAS A BOY An opera“ in one act for young people based on the cherry- tree story and bringing in the important characters, including the negro servants, surrounding Washington’s boyhood. Though written for piano accompaniment only, it is strikingly orchestral L. ESSONS "Lessons in Harmony" is a beginner's harmony book. The facts in it can be taught by any teacher after a slight perusal of the book. The exercises are to be played, listened to and written, and, being simple, can easily be understood by pupils of any age. It teaches how to form and play all intervals and all chords. It teaches the nature and use of all chords, thereby laying the foundation for memorizing, improvising and composing. It teaches the perception of Relative and Positive Pitch and has a most excellent presentation of modulation. The book will be sent on approval. (Price $I .00 net.) "Excellent in thought and content, not conventional, and wide in scope."—-A. L. A. Boo/flist. The average student approaches the study of harmony with a hostile mind. Decades of stupid teaching and dry text have brought about this unsympathetic attitude and only through the use of practical works like the one under discussion can the usefulness and pleasure of the subject be fully disclosed. It ‘ is not ﬁlled with rules that contradict, nor is it padded with dry formulae; nor yet is it made wearisome with endless excerpts from composers’ works; it is almost tersely clear in explanations of formations and progressions. LESSONS This book is for the beginning piano student and it teaches how to read without any drudgery. It teaches the treble, high-treble, loiv-treble, bass, high-bass and Iolv-bass lines as units (pictures) with deﬁnite locations on the keyboard. These six pictures combined take in the entire key- board and each one is equally easily learned. LESSONS Teaches your pupils to play naturally in time. It aims to give your pupils a musician's conception of rhythm. Elastic, ﬂexible, proportionate, accurate. This method establishes that rhythm is to be taught—not as a problem in arithmetic——but as an element in music which must be consciously felt as well as scientifically understood. Notes are named according to their sound, their meanings, their rhythmic or counting values. This is the ﬁrst time that the subject of rhythm——including Time, Tempo, Measure, Pulse, Pulse-Rhythms, Rests, Dots, Ties, Syncopation, Irregularities, etc., is gathered into one com- plete, practical teaching method-«scientifically accurate yet artis- tically intuitive. I N I N in effect and the vocal parts are perfectly within the possibilities of young people. Its length is about an hour and a quarter, and by following the directions given, it can be done with but a month's training. H,ARMONY The chapters on modulation should be mastered by every church organist who essays the necessary transition between the hymn and the anthem. No stiff formula: but the best possible manner of approaching each key clearly set forth in a convincing manner that would mean a little more peace in the choir loft i followed honestly. Again modern usage is taken into con- sideration by a fair recognition of the looser key feeling now obtaining where the old relations were so ﬁrmly fixed.-~—~Cedar Rapids (/a.) Sunday Republican. Harmony Considered From a Practical Viewpoint. Too much has the custom in the past been to merely ap- proach the study of harmony as a sort of geometrical structure, with no instinctive association between the two methods of receiv- ing impressions, viz.: the eye and the ear. The manner in which Mr. Mokrejs insists upon ear training as a fundamental of har- monic comprehension indicates a perception of what has heretofore been the weakest point in our system of theoretical musical educa- tion-weak because it has so often been taken for granted. This work is well adapted for study under almost any conditions-— with or without a teacher. Among its commendable qualities are conciseness, directness, simplicity, brevity——so arranged as to lead to the absorption of the subject rather than of a lot of rules which are supposed to govern the subject.—-~MusicaI Monitor & World. IN SIGHT READING It teaches the Relative and Positive Location" of Keys (which is as necessary to a pianist as Relative and Positive Pitch) afid enables one to naturally see the keys in the notes. It establishes that notes should be learned from the keys and tones they represent, and never disassociated from them. Price 75 cents" RHYTHM The exercises are presented in such a logical manner that they immediately clear up every Rhythm Problem from the sim- plest elementary forms to the most advanced complicated forms. The principles taught in the first elementary lessons are so scientiﬁcally true that they work out equally well when applied to all the more involved forms. This blesses the pupil to the extent that nothing ever needs to be unlearned. These “Rhythm Lessons" can be used for all students of music—-vocal as well as instrumental—-including wind, string and percussion instruments. The price is 75 cents"‘ Two INDIAN MELODRAMAS MIANTOWONA AND THE LEGEND OF WINONIA _ That the Indian -is ﬁguring moreandimore in American art is very apparent. Indian legends, Indian life, Indian exploits are fascinating to young and old alike, and rightly so—~“they are ours. Miantowona and the Legend of Winona» one a legend, the other a tradition; one poetical, the other dramatic~—are both beautiful poems to be read with musical accompaniment-—melo- dramas. “Miant_owona""" (the poem by Thomas Bailey Aldrich) is a legend which tells how the first water-lily came to be———from Miantowona's constant love for Wah-Wah whom the Great Spirit had taken to the‘ happy hunting grounds. "The Legend of Winona" deals with an incident at Maiden's Rock on the upper Mississippi. It is based on a poem by James Athearn Jones and shows the inner thoughts of a brave, heroic Indian girl to whom death was but a stepping stone to liberty and her higher ideals. The character and action of the poems are beautifully ex- pressed by Mr. Mokrejs’ music. Both make splendid numbers for home or club programs. Price. each 75 cents.. ’‘‘Published by Clayton F. Suinmy Co., Chicago.
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Date: 1917
Text: 33 E? E. Phi‘;0mc"i HfV!'4".‘..:',.‘..[\’=. .‘,;21'..-xii. Imsah .M.:~: g>:.;::.»:.x‘E«.:~/4 3V'»'L'J;vv.: mm. mia. -' '“i\‘TIE §_.UL\I¢,2‘v‘?‘1,l.(>'»‘u" j NE;.'w" ‘.‘{"-C’3Ex’i':\?'.: ilH1“s.'“L«, EL ].’9H.'£"fr5*..T!‘A‘-3 éir I.,a.}¢. L'u‘;"§€'I.-‘\u;;a}. ¥..“2’€'.'i>{‘*h {iv §M’i..:X5_."§’ music: LIBRARY VASSA-R COLLEGE YE VOICES, THAT AROSE , 1 - Ye...
Show more33 E? E. Phi‘;0mc"i HfV!'4".‘..:',.‘..[\’=. .‘,;21'..-xii. Imsah .M.:~: g>:.;::.»:.x‘E«.:~/4 3V'»'L'J;vv.: mm. mia. -' '“i\‘TIE §_.UL\I¢,2‘v‘?‘1,l.(>'»‘u" j NE;.'w" ‘.‘{"-C’3Ex’i':\?'.: ilH1“s.'“L«, EL ].’9H.'£"fr5*..T!‘A‘-3 éir I.,a.}¢. L'u‘;"§€'I.-‘\u;;a}. ¥..“2’€'.'i>{‘*h {iv §M’i..:X5_."§’ music: LIBRARY VASSA-R COLLEGE YE VOICES, THAT AROSE , 1 - Ye voices, that arose After the evening/s close, And whispered to my restless heart repose! Go,breathe it in the ear > Of all who doubt and fear, And say to them.,'1Be of good cheer! V’ Ye sounds, so low. and calm, That in the groves of balm V Seemed to me like an ange1’s psahn! Henry I/I/Fzdswort/z _L¢mgfell0w (from the French) 5-’! 50"72079 — 3 From Me Franc/1 mngmaz 311% Al») CECIL BURLEIGH HENRY WADSWORTH LONGFELLOW Op. 32, N0 3 Very slowly; with deep feeling (lg 40 orfslower) FT’! VOICE Ye voi — ces, that a Af'—ter the eve — ninge 2 And Whis—perH to my rest— less heart re — pose! z'ncrea.s*e ‘ —e breathe it ' the ear Of; all who doubt and mcrease -=./' And say to them,__ “Be /X 3?: 5“ Copyright NICMXVTI by Oliver Ditson Company International Copyright Secured 1%’ Ye sounds, so low and calm,.__ = n That in the groves of balm __________ Seem’d to me... like an an — ge1’s ,5: : : " r- Seem’d to me like slower K The Musicians Library The masterpieces OF song and piano literature edited by men of authority SONG ’ VOLUMES ' ISSUED Foi-HIEI1 Voice For Low Voice Ediiedby JAMES HUNEKER Edited by WM. FOSTER APTHORP Edited by HENRY T. FINCK Edited by DR. EBENEZER PROUT Edited by DR. EBENEZER PROUT Edited by WM. FOSTER APTHORP Edited by CARL ARMBRUSTER Edited by HENRY T. FINCK Edited by W. J. HENDERSON Edited by JAMES HUNEKER Edited by JAMES HUNEKER Edited by CARL ARMBRUSTER Edited by CARL ARMBRUSTER Edited by ERNEST NEWMAN Edited by HENRY T. FINCK Edited by DR. CHARLES VINCENT Edited by PHILIP HALE BRAHMS, JOHANNES FORTY SONGS FRANZ, ROBERT FIFTY SONGS GRIEG, EDVARD FIFTY SONGS HANDEL, GEO. F. SONGS AND AIRS HANDEL, GEO. F. SONGS AND AIRS JENSEN, ADOLF FORTY SONGS LISZT, FRANZ ' THIRTY SONGS SCHUBERT, FRANZ FIFTY SONGS SCHUMANN, ROBERT FIFTY SONGS STRAUSS, RICHARD FORTY SONGS TCHA'I'i<OvSi<Y, P. I. FORTY SONGS WAGNER. RICHARD LYRICS I WAGNER, RICHARD LYRICS ii S Iii WOLF, HUGO FIFTY SONGS FIFTY MASTERSONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS VOL. I (BEMBERG TO FRANCK) MODERN FRENCH SONGS VOL. II (GEORGES TO WIDOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (All Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS L II Er III SONGS FROM THE OPERAS IV G V For I‘IIgI\ VOICE For Low Voice Fcrr High Voice For Low Voice For High Voi¢¢ For Low Voica £*.'3v‘.-.$v‘5$v’;:'5v‘.-3 For High Voice For Low Voice For I‘II${I'\ Voice: For Low Voice vi? For High Voirc Ior Law Voice For I*'IIs>,I\ Voice I*'Oi Low Voice For Higiiw Vmcz For I,\Iv/ Vuice Fur I‘II;:Ii VC'iiL‘P, Poi Low \/(JILQ For Soprano Fvt‘ Tenn! For Bunion: and Basis For Hi*,Iw \/OICC For Low Voice For I"I_ii.II Voice For Low Voiuc Fi».— F-I.»,_ii Vote: In): Low \/OlC¢ For HIEII Voice For Low VOIC¢ For High Voicc Fix Low Voice Edited by ' PHILIP HALE {:5 I19 v‘.°*vi':i‘r¢;‘v€-5:’£i.‘zv‘.-f5t‘.:?iv7:t‘iv‘:'5>‘.-E Edited by CECIL SHARP Edited by GRANVILLE BANTOCK Emmi by GRANVILLE BANTOCK Ediied by HELEN HOPEKIRK Edited by JULIEN TIERSOT Edited by WM. ARMS FISHER Ediwd by GRANVILLE BANTOCK Edited by RUPERT HUGHES Fdimi by H. E. KREHBIEL Editedby H. E. KREHBIEL For Medium Voice 8 C For Medium Voice & Fcr HICII \/‘nice For Low Voice For High ‘I/mitt: For Low Voice For Medium \/(MCI! For Hiri.Ii Vcicc for L.0V'\ Vmuz For Medium Voice For I‘Ilf.'II Voice For Law Voice For Sopiisno For IVI¢Z7I)<S0Dl&.I'\O '0.’ A to Far Taiior For Baritone nnd Bun f.-Tv§§t‘!:3ﬁv‘$f$v“;3&% v‘:i‘vv‘:3i‘.°.5is‘.*%v‘;.'5v‘.-.§b‘.:.5i’;‘3i‘:.‘vv‘5 ﬂ iﬁﬁﬁf5§.%$€:§E%€:§&5&%&%&%&¥&%ﬁt§.t§ COMPLETE LIST OF’ PIANO VOLUMES FREE ON REQUEST Each vOIume in heavy paper, CIO[I'1 back, $150; in FLIII CIOtI’i,. giit, $2.50. Copies maiIecI post-paid. Other vOIumes in preparation For Free bOOkIet, giving Full particulars and Easy Payriient Plan, send to the pubIisI1erS % OLIVER DITSON COMPANY" BOSTON
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Date: 1917
Text: SONGS BY CECIL BURLEIGH Op. 32 Philornel (VVILLIAM SHAKSPERE) High voice. in E Medium vuict-. in 1)?‘ T he sea hath its pearls (HEINRICH HEINE) Medium voice, in F Low voice, in D1} Ye__y_QiC€:s, that arose (HENRY VVADSVVORTH LONGFELLOVV} High 'VU1C€, in Al" Low vmrc. in E ;.aaunnuum.., I heard the trailing garments of the night (HENRV VVADSWQRTH LoNom7LLovv; High voice, in I) mm. Low x nxr.-u, in B mm. The lightlmuse {H ENRY ‘JVADSVVORTH LONGFELLOW) High voiwse, in E!’ Law vu1cr.....
Show moreSONGS BY CECIL BURLEIGH Op. 32 Philornel (VVILLIAM SHAKSPERE) High voice. in E Medium vuict-. in 1)?‘ T he sea hath its pearls (HEINRICH HEINE) Medium voice, in F Low voice, in D1} Ye__y_QiC€:s, that arose (HENRY VVADSVVORTH LONGFELLOVV} High 'VU1C€, in Al" Low vmrc. in E ;.aaunnuum.., I heard the trailing garments of the night (HENRV VVADSWQRTH LoNom7LLovv; High voice, in I) mm. Low x nxr.-u, in B mm. The lightlmuse {H ENRY ‘JVADSVVORTH LONGFELLOW) High voiwse, in E!’ Law vu1cr.. an (2 BQSTON: OLIVER DITSON COMPANY NEW YORK: CHAS. H. DITSON & CO. CHICAGO; LYON 31, HEALY MUSIC uananv VASSAR COLLEGE YE VOICES, THAT AROSE Ye voices, that arose After the evening’s close, And whispered to my restless heart repose! Go, breathe it in the ear Of all who doubt and fear, And say to them.,“Be of good cheer! ” Ye sounds, so low and calm, That in the groves of balm Seemed to me like an ange1’s psalml Henry Whdsworfh Longfellow ( from the French) 5-150-72079 ~ 3 YE VOICES, THAT AROSE From Me French HENRY WADSWORTH LONGFELLOW VOICE Go, CECIL BURLEIGH ’0« gm‘ [K " ”~’"" 6”) 011.32, No.3 Very slowly 5 with deep feeling (J.= 40, or slower) ft“-I ' that Af_ter the eve _ ning’s voi _ ces, rest- less heart re - pose! And vvhis_ per’d to my increase breathe it ' all_ who doubt and —'—«:f \___/ Copyright MCMXVII by Oliver Ditson Company International Copyright 'S60l1red 5-150-72079 — 3 1919 e sounds, so low and calm, That in the groves of ba1m_____ Seem’d to me____ like an an _ ge1’s 1’ Seem’d to me like Zf’?_——— 5-150-72079 ‘ 3 The Musicians Library The masterpieces OF song and piano literature edited by men OF authority FORTY SONGS FIFTY SONGS FIFTY SONGS SONGS AND AIRS SONGS AND AIRs FORTY SONGS i THIRTY SONGS FIFTY SONGS FIFTY SONGS FORTY SONGS FORTY SONGS LYRICS I LYRICS ii E iii FIFTY SONGS BRAHMS, JOHANNES FRANZ, ROBERT ORIEC, EDVARD HANDEL, CEO. F. HANDEL, GEO. F. JENSEN, ADOLF LISZT, FRANZ SCHUBERT. FRANZ SCHUMANN. ROBERT STRAUSS, RICHARD TCI-IAII<OVSKY, P. I. WAGNER, RICHARD WAGNER, RICHARD WOLF, HUGO FIFTY MASTERSONG5 FIFTY SHAKSPERE SONGS MODERN FRENCH sONOs (BEMBBRG TO FRANCKI MODERN FRENCH SONGS (GEORGES TO WIDOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (AII Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS SONGS FROM THE OPERAS VOL. I VOL. II I, II fr III IVé—V v’.~%n‘.-‘v€:5I’:$&¥i-.%f;3I’v';‘v»‘.:%v‘$ E-.3 v‘.’v€$€5£-5v1‘rv‘:‘5€z%€:%f5ﬁv$€;%v‘.-3v‘;?rf;%f;?v€;% For H igh VDICC For Low Voice For High Voice For Low Voiciz For High Voice For Low Voice For High Votes: For Low Voioc For High VDICR For Low Voice For High Voice For Low Voice For High Voice For Low Vc-we For I"Iiqh Voicc Fm Low Voice For High Voice For Low Voice For High VOICE For Low VOICC For Soprano For Ten For Baritone Bus For High Voice For Low Voice For High VUIEI For Low Voice For H igh Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Medium Voicc For Medium Voics For High Voice For Low Voice For High Voice For Low Voice For Medium Voice For High Voice For Low VOICC For Madium Voice For High Voice For Low VO2C¢ For Sopr o For M2zzci- rano or I For Tenur For Benton: and Bus: SONG ° VOLUMES - ISSUED ¢.2’vv1t'i»‘:3%‘z¥v1?’r‘$v‘:5v‘:5v‘z'3v‘z‘v ﬁ n‘-3$$v1:%5’;%v1‘vv‘:i‘vf;?rv‘$f;%é’a%v‘:?v&%v‘;.%>1.-3%v‘.:‘v Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Ediied by Edited by Edited by Edited by COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST JAMES HUNEKER WM. FOSTER APTHORP HENRY T. FINCK DR. EBENEZER PROUT DR. EBENEZER PROUT WM. FOSTER APTHORP CARL ARMBRUSTER HENRY T. FINCK W. J. HENDERSON JAMES HUNEKER JAMES HUNEKER CARL ARMBRUSTER CARL ARMBRUSTER ERNEST NEWMAN HENRY T. FINCK DR. CHARLES VINCENT PHILIP HALE PHILIP HALE CECIL SHARP GRANVILLE BANTOCK GRANVILLE BANTOCK HELEN HOPEKIRK JULIEN TIERSOT WM. ARMS FISHER GRANVILLE BANTOCK RUPERT HUGHES H. E. KREHBIEL H. E. KREHBIEL Each voiume in heavy paper, Cloth back, $1.50; in Full CIOth_. gilt, $2.50. Copies mailed postrpaid. Other volumes in preparation For Free booklet, giving FuII particulars and Easy Payment Plan, send to the pubiishers =5‘ OLIVER DITSONCOMPANY' BOSTON
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Date: March 30, 2013

Creator: de Worde, Wynkyn
Date: 1499

Creator: Wyman, Anne (Southworth)
Descriptor(s): Bielat, Isabel

Date: 5 Sep [1882]
Text: Sept 5th 1882 Dear Anne I reced your letter of Aug 31st which day was my 46th Birth day. I was born the last day of the summer of 1836 am 20 years and a few months older than Harry. cant you remember now. I wrote to your Aunt S in Chicago and your father forgot to put it in until tonight so I am afraid you wont get it. Cassie has walked up here & back today in her new shoes. J M Gays folks got home from [Ma...ie?] tonight they were on the water all day there was a jag & they could’nt...
Show moreSept 5th 1882 Dear Anne I reced your letter of Aug 31st which day was my 46th Birth day. I was born the last day of the summer of 1836 am 20 years and a few months older than Harry. cant you remember now. I wrote to your Aunt S in Chicago and your father forgot to put it in until tonight so I am afraid you wont get it. Cassie has walked up here & back today in her new shoes. J M Gays folks got home from [Ma...ie?] tonight they were on the water all day there was a jag & they could’nt get out of the river until 5 o clock this morning. I tell them they are a sort-of-a Jonah [crossed out: I think]. I thought you was to leave [...] the 6th but I think you have got none to much time to visit your friends and call on our relations. I suppose you can make your trip to Alexandria after the girls go back to college but think it would be pleasant for you to travel to New York with them. Do you know if Rebecca will go back. It will be a busy time to visit them in Washington wont it - i e if they are as busy as we generally are. I thought [...] would have said something about those girls being married if it was them. I wrote to [...] but he will probably get the letter tomorrow or next day. I shall look for postals every day now for a while. It is’nt quite two months since you started but it seems longer than any term at school and in about 20 days you will be at home. I suppose you hear from the girls dont you? I want to hear from them. Father hasnt been very well and grandmother is not very well, only a summer complaint. Give my love & best wishes to May and the family. With lots of love Mother Canton Sep 6 Mass Mary C. Southworth Stoughton Mass Normal Sep 8 1882 Illinois Bloomington [...] Recd Sep 8 [...]PM
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Date: 25 Sept [1882]
Text: Sept 25 Dear A Just got your letter. I wrote to you directly & [...] [...ven?] in care of S Y - & after I wrote I thought I would write to Mrs Bodkin. We have had rain since last Wed - a dreadful tempest came up there and turned into a storm & by spells for three days the rain fell in sheets. Brittons dam went thru [...ids?] carrying with it part of the mill then Luther [...] Gurdies Henry Britton started down stream when his dam went but got to Cids only to find that gone &...
Show moreSept 25 Dear A Just got your letter. I wrote to you directly & [...] [...ven?] in care of S Y - & after I wrote I thought I would write to Mrs Bodkin. We have had rain since last Wed - a dreadful tempest came up there and turned into a storm & by spells for three days the rain fell in sheets. Brittons dam went thru [...ids?] carrying with it part of the mill then Luther [...] Gurdies Henry Britton started down stream when his dam went but got to Cids only to find that gone & kept on to L & G to find what broke away but got to old Albert just in time to save that one also F & W and Mr B - I have not heard of any damage in Canton. Yesterday (Sunday) every body for miles about visited the scene. Father is about sick with the cold that is very prevalent about. Julia Kelly, [...innia?] [...y?] (Grandpa Phinnys Tim) dont you remember him Clarence Porters wife Earnest Woodard & others have died since the storm. P was disappointed that you was not coming earlier in the week but never mind you will have a long winter at home. Had a letter from Harry today. It seemed old fashioned to get a letter from both of you. We will soon get a chance to talk lots so I will close now With love to your friends From Your [...] Mother Boston Sep 26 10 AM 82 Mass. Anne C. Southworth Hartford Conn Care Miss [...] Warren If not delivered within 10 days, to be returned to Mary C. Southworth Stoughton Mass Stamford Conn. Sep 27 [...]
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Date: 21 Sept [1882]
Text: Dear Anne Wed Eve I have just got your letter [crossed out: but] I think you would not get this if I sent it to Alexandra so I will direct it to [Stemanty?]. We are all well here and are getting anxious to have you at home again. I thought you would be here by the last of the week. I am sorry for your trouble at Washington but suppose all such things will help you in the end I have lots to say to you but as I shall see you so soon I wont write much. With love Mother Boston Stoughton Sep 21...
Show moreDear Anne Wed Eve I have just got your letter [crossed out: but] I think you would not get this if I sent it to Alexandra so I will direct it to [Stemanty?]. We are all well here and are getting anxious to have you at home again. I thought you would be here by the last of the week. I am sorry for your trouble at Washington but suppose all such things will help you in the end I have lots to say to you but as I shall see you so soon I wont write much. With love Mother Boston Stoughton Sep 21 Mass. Anne C. Southworth Care Miss [Stemanty?] Yamakawa New Haven Conn If not delivered within 10 days, to be returned to Mary C. Southworth Stoughton Mass New Haven, Conn. Sep 27 Reach Canton [crossed out: 8.60?] right fifty-five Saturday - of connections miss ten-fifty-five. A.C.S. [...]. [Z?]. [W].
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Date: 25 Nov [1882]
Text: Stoughton Nov 26 Mass. Anne C. Southworth Vassar College Poughkeepsie New If not delivered within 10 days, to be returned to Mary C. Southworth Stoughton Mass Poughkeepsie N. Y. Recd Nov 28Nov. 25 Saturday Dear Anne, I send you a pair of the [homeliest?] mittens you ever saw. Mrs. Brown told me they were very stylish etc. and gave me a book ^of patterns to knit them from I was so disgusted with them that I took no comfort in knitting them. They will keep your hands warm a spell I guess &...
Show moreStoughton Nov 26 Mass. Anne C. Southworth Vassar College Poughkeepsie New If not delivered within 10 days, to be returned to Mary C. Southworth Stoughton Mass Poughkeepsie N. Y. Recd Nov 28Nov. 25 Saturday Dear Anne, I send you a pair of the [homeliest?] mittens you ever saw. Mrs. Brown told me they were very stylish etc. and gave me a book ^of patterns to knit them from I was so disgusted with them that I took no comfort in knitting them. They will keep your hands warm a spell I guess & then I will knit you some others. Mary Kate wants me to knit a pair for her and wants light blue & pink. knit like your old ones which I think are the warmest & the prettiest ones I have seen. I must knit some wristers and annother year I will try to have such things done in the fall early. [Willie N?] and Cady came Wednesday and returned Thursday. I did not see his wife just saw him for a quarter of an hour. He took your fathers waggon to take the trunks down. Two large trunks for about 30 hours. I hope if you ever go on such a trip you wont be so silly. looked like Lizzie’s “this is all the style etc.” Oh well it made a little more business for the Express & such things keep business lively I suppose The Thompsons have gone to join Overton goes in. The Thompsons owed us 52.00 and lied [crossed out: like] awfully about everything. Lots of folks are failing. Gates of Canton has run away & owed lots. [...] 50.50 Byam 400.00 Your Uncle John has been bit rather hard [crossed out: of] several times of late. Gram is so high that we are kept - short - & such things at this time affect us more than they would if so much money was not needed to carry on [crossed out] business. I have done no sewing am afraid I shall have to call on you to keep when you come home but will try to get it done before you come. I am in a hurry & must close. Good bye for now Mother.
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Date: n.d.
Text: 1st I saw Mr. Pulsifer he said he went through Mechanicsville on Friday. I suppose you passed each other on the road. I am better but I went to see Hannah about washing She said she gave a boy 5 cents to come & tell me she could’nt come that day and the “d---- rascal did’nt do it.” She asked me if I was awful mad & would’nt let me go until I had shook hands. I have got my flower garden weeded out and am able to look out for potato bugs but they had a good time for a few days as the...
Show more1st I saw Mr. Pulsifer he said he went through Mechanicsville on Friday. I suppose you passed each other on the road. I am better but I went to see Hannah about washing She said she gave a boy 5 cents to come & tell me she could’nt come that day and the “d---- rascal did’nt do it.” She asked me if I was awful mad & would’nt let me go until I had shook hands. I have got my flower garden weeded out and am able to look out for potato bugs but they had a good time for a few days as the vines testify We went to ride with Charlie in the Buggy Sunday night He was afraid of the children with white jackets. [Rector?] has got your saddle. They have got company who have a horse there. Tom left on Saturday He has’nt gone to work for his job wont be ready for a couple of weeks yet. Father had a row with old Jerry Young Williamson however is getting along very well I think I shall be able to go to meet [crossed out: Aun] Grandmother & her sisters by Friday. I think you had better not take all your thin clothes up where [U?]- is you can leave then at your Aunts [crossed out: and] they get so mussed up in a trunk. Mr Burnham is out again riding arround. I got your postal card Tuesday morning.
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Date: n.d.

Date: n.d.

Date: 15 May [1882]
Text: PARKERS HAIR BALSAM RESTORES THE YOUTHFUL COLOR & BEAUTY TO GRAY HAIR. OVER What everybody wants is a dressing like PARKER'S HAIR BASALM, that is cleanly, effective and agreeable. MAYER, MERKEL & OTTMANN, LITH. N.Y. PARKER'S HAIR BASALM This economical hair dressing is highly esteemed everywhere for its excellence and superior cleanliness. It Never Fails to Restore the Youthful Color to gray hair, is elegantly perfumed and is warranted to remove dan~ druff and prevent...
Show morePARKERS HAIR BALSAM RESTORES THE YOUTHFUL COLOR & BEAUTY TO GRAY HAIR. OVER What everybody wants is a dressing like PARKER'S HAIR BASALM, that is cleanly, effective and agreeable. MAYER, MERKEL & OTTMANN, LITH. N.Y. PARKER'S HAIR BASALM This economical hair dressing is highly esteemed everywhere for its excellence and superior cleanliness. It Never Fails to Restore the Youthful Color to gray hair, is elegantly perfumed and is warranted to remove dan~ druff and prevent falling of the hair 50c. and $1 sizes, at dealers in drugs. PARKER'S GINGER TONIC Made of Ginger, Buchu and many of the best remedies known, this highly invigorating but never intoxicating medicine cures disorders of the bowels, liver, kidneys, nerves & lungs, & is The Best Cough Cure and Strength Restorer Ever Used. If you have Female Complaints, Wakefulness, Rheuma- tism, Dyspepsia or if you have lost your appetite and are low spirited, or are suffering from age, or any disease use Parker’s Ginger Tonic to-day. It will give you new life and vigor. 50c. and $1 sizes at druggists. Large saving buying dollar size. Send for circular to Hiscox & 0., 163 William Street, N. Y. FLORESTON Its rich and lasting fragrance has made this delightful er fume exceedingly popular. There is nothing_like it. In- sist upon having FLORESTON; on every bottle signature of Hiscox & Co., New York. Druggists or dealers in perfumes can supply you. 25 & 5c. LARGE SAVING BUYING 75c. SIZE. [OVER.] COLOGNE SOLD AT The Store Where You Received This Card. Where you will ﬁnd a full stock of Dry Goods, Groceries, Medi- cines, Fancy Articles, General Merchandise, &c. [OVER.] Write to me immediately about your dress. I [saved?] a [dark?] garnet camels hair over dress & velvet underskirt. It will be a little different from what you usually have & I think [crossed out: that] will be warm for a long time yet. & I know from experience that they are durable.Your old dress is in places badly worn but will make up pretty for all that & will be a nice dress for either of us. I wish I had got more than 2 ½ yds of velvet for it. Write immediately Sarah Stern came here last night. Dont know how long she will stay this time Mary May 15 Dear Anne, I shall go to the village tomorrow to take up your things to send by express. Look at every thing when you take them out for you will find sewing silk earring ribbon & lace packed away I shall mail this letter when I send your things & I shall pay the express [...] clear through. Please send me word as from as see [...]. I had six teachers here on Friday night. They were very pleasant people most of them belonged in Canton there were over 400 set down to dinner & I think they must have jumped the boundaries of Norfolk to considerably to have found so many. The only thing I have to find fault with was that they laughed and giggled until one o’clock and as we can hear from the guest chamber so plainly it was rather disagreeable to me who am used to have the house so quiet. One of the young ladies asked me at breakfast time if [crossed out: of] I heard her trying to hush them up but the other girls thought she made more noise trying to hush them than they did. I am going in to see Mrs Richards to see if they are going to Lake Superior this season if so I hope they will go about the time you want to go so you will have company I hope you haven’t taken off from [Hamil?] during this long cold storm. I will send an advertising card I dont think it is a very nice one but you can do as you wish about sending it to Edith. I wont write you many more letters to [...] shall I? You should see your dress Tuesday look at it to see if it is not stained or anything of the kind before the express man goes or let me know when you get it If [crossed out: any] ^it should get stained [crossed out: s on it] the express will have to pay for it 15 Mass. Anne C. Southworth Vassar College Poughkeepsie New York If not delivered within 10 days, to be returned to Mary C. Southworth Stoughton Mass Poughkeepsie Recd May 16 830 AM
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Date: 29 Jul [1882]
Text: Dear Anne When you are out in the woods or fields of Hancock will you gather any fern, grasses or moss such different from ours. I got some when I was out that day. The ferns you can press in a book & bring them home that way. I guess I or your aunts will give you any old book for the purpose. Monday We went to Aunt Almira Jones last evening started after dinner. Grandmother thought she never rode so fast in her life. Etta is married and keeps house in Sharon center. Sarah has got a beau...
Show moreDear Anne When you are out in the woods or fields of Hancock will you gather any fern, grasses or moss such different from ours. I got some when I was out that day. The ferns you can press in a book & bring them home that way. I guess I or your aunts will give you any old book for the purpose. Monday We went to Aunt Almira Jones last evening started after dinner. Grandmother thought she never rode so fast in her life. Etta is married and keeps house in Sharon center. Sarah has got a beau quite a nice looking man about 38 year of age I should judge. I must tell your fathers last [pun?]. tell it to you because it was lost on every body but me & I don’t make a practice of noticing them. Aunt Almira was telling of an old man that died this winter gave each child a house &c “He had lots of money and he died of the pneumonia. Says Father “this new money is too much for the rich old fellows is’nt it.” It was not appreciated July 29 there and I think it is too good to be entirely lost - Thursday. I went to Boston yesterday got some flannil for a dress & a pair of boots for Grandmother R & some things for Grandma S & a [lawn?] dress for Jennie & Olive 6 ¼ cts per yd. Got a camp chair for Cassie & for myself a camp chair & clothes stick. [Willie?] Hodges came home in same train & walked down [crossed out: to the house] with us. [...] wife passed us driving in the Buggy. She smiled & bowed. Willie said that girl cant do a thing not a thing Of course he says folks are’nt to blame for being sick but I should not want to marry a sick girl to start with It’s bad enough to have them get sick as they get older. It amused me to hear him talk & he took a sensible view of it. No news that I think of Haven’t seen the P--. When I hear more from him it will be time for you to write to Miss [...] with lots of postal cards. Love to Aunt S Uncle Frank from MotherCanton Jul Mass Anne C. Southworth 465 W 15 St Chicago Ill Care B. F Ferguson Chicago [...] Jul Carrier
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Date: 29 Jul [1882]
Text: SUPERIOR T§ANSPORTATl0N CO. % ALL agrees @% HEREIN GWEN INCLUDE MEALS BERTI-1_ On Sfeamers unless otherwise noted. ~>>§mTERo0Ms<~« May be secured in advance at the Company's Office upon payment of passage. Children under 12 and over 3 years Ila/f-Fare. STOP-OVER CHECKS Good on any Steamer of this Livne, will be given upon appli- cation to the Clerk on all Forms of Through Excursion Tickets, except to +LAKE MICHIGAN PORTS.<~ .........-............—__».. All inquiries relating...
Show moreSUPERIOR T§ANSPORTATl0N CO. % ALL agrees @% HEREIN GWEN INCLUDE MEALS BERTI-1_ On Sfeamers unless otherwise noted. ~>>§mTERo0Ms<~« May be secured in advance at the Company's Office upon payment of passage. Children under 12 and over 3 years Ila/f-Fare. STOP-OVER CHECKS Good on any Steamer of this Livne, will be given upon appli- cation to the Clerk on all Forms of Through Excursion Tickets, except to +LAKE MICHIGAN PORTS.<~ .........-............—__».. All inquiries relating to Passage, addressed to the Company's Office, 74 MARKET STREET}? CHICAGO. Will receive prompt attention. THE LAKE MICHIGAN AND LAKE TIME TABLE STEAMEIB CITY OF FREMONT GOING NORTH. GOING EAST. Leave Chicago. June 1, 16, 30 ......... ..8 p. July 14, 28 ............. ..8 p. August 11, 25 ......... ..8 p. September 8 .......... p. Leave Milwaukee. June 2, 17 ................ ..a. July 1, 15, 29 ............ .. . August 12, 26 ............ .. . September9 ............ .. . Leave Mackinaw. June 4, 19 ................ ..a. July 3, 17, 31 .............. ..a.. August 14, September 11 .......... ..a. Leave Sault Ste. Marie. June 4. 19 ................ ..p. July 3, 17, August 14, September 11 Leave Marqllette. June 5, 20 ................ ..p. July 4, 18 .................. ..p. August 1, 15, 29 ....... ..p. September 12 .......... ..p. Leave Houghten and Hancock. June 6, 21 ................ .. . July 5, 19 .................. . August 2, 16, . September 13 .......... .. . Leave Ontonagon. June 7, 22 ................ .. . July 6, 20 .................. .. . In August 3, 17, 31 ......... .. . September 14 ............ .. . Leave Bayﬂeld. July 6, 20 .................. ..p. m. p In August 3, Leave Duluth. July 6, 20 .................. ..p. m. August 3, 17 ............. ..p. m. Leave Bayﬁeld. July 6, 20........ August 3, 17 ............. .. . Leave Ontonagon. June 7, 22 ................ .. . July 8, 22 . August 5, 19, . September 14 .......... .. . Leave Hancock and {oug ton. June 8, July 8, 22 .................. ..p. August 5,19..... .m September 1, 15 ........ .. . Leave Marquette. June 9, .. . July 9, . August 6, 20 ............. .. . September 2, 16 ....... .. . Leave Sault Ste. Marie. June 10, 25 ............... ..a.. In. July 10, 24 ................ ..a. In. August 7, 21 ............. ..a. In. September 3, 17 ....... ..a. m. Leave Mackinaw. June 10, 25 ............... ..p. m. July 10, 24 ................ ..p. In. August 7, 21 ............. ..p. In. September 3, 17 ...... ..p. . Leave Milwaukee. June 1.2, 27..... In. July 12, 26 ................ ..a.. In. August 9, 23 .............. ..a In September 5, 19 ....... ..a.: m: Arrive Chicaszo. June 12, 27 ............... ..p. 111. July 12, 26 ................ ..p. m. August 9, 23 ............. ..p. m. September 5, 19.........p. m. SUPERIOR TRANSPORl'ATlON CO. TIME TABLE STEAMEB ’>'ClTY OF DULUTE-1+ GOING NORTH. Leave Chicago. June 6, 20 ............... ..8 p 8 July 5, 18* ............. .. p. In August 1,* 15,* 29.....8 p. September 12 ......... ..8 p. Leave Milwaukee. June 7, 21 ................ .. . July 6, 19 .................. ..a. August 2, 16, 30 ......... ..a.. September 13 ............ .. a.. Leave Mackinaw. June 8. 22 ................ .. . July 7, 20 .................. .. . August 3, 17, . September 14 .......... .. . Leave Sault Ste. Marie. June 9, 23 ................ .. . July 8, 21 ................. .. . August 4, 18 ............. .. . September 1, 15 ....... .. . Leave Marquette- June 10, 24 ............... ..a. In. July 9, 22 .................. ..a,. m. August 5, 19 ............. ..a.. In. September '2, 16 ....... ..a.. 111. Leave Iloughton and ancock. June 11, 111. July 10, 23 ................ ..a. m. August 6, 20 ............ .. a. In. September 3, 17.........a. m. Leave Aslxland. Y August 7, 21 ............. ..a. In. September 4, 18 ....... ..a. m. Leave Bayﬂeld. June 12, 26 ......... .... ..a.. In. July 24. .................... ..a. In. August 7, 21 ............. ..a. In. September 4, 18 ....... ..a. 111. G0! NG EAST. Leave Duluth. June 12, . July 24 ..................... August 7, 21 ............. .. . September 4, Leave Bayﬁeld and Aslnland. June 13, 27 ............... ..a.. In. July 25 .................... .. . August 8, 22 ............. .. . September 5, . Leave Iloug-hton and ancock. June 14, 28 ............ .....a. July 12, 26 ................ ..a.. August 9, 23 ............. ..a. September 6, 20 ....... ..a.. m. Leave Marquette. June 15, 29...... ..p. In. July 13, 27 ................ ..p. In. August 10, 24 ........... ..p. In. September 7, 21 ....... ..p. 111. Leave Sanlt Ste. Marie. June 16, In. July 14, 28. ....... In. August 11, 25 ............ ..a. In. September 8, 22 ....... ..a. 111. Leave Mackinaw. June 16, 30 ............... ..p. In. July 14, 28 ................ ..p. In. August 11, 25 ............ ..p. In. September 8, 22 ....... ..p. m. Leave Milwaukee. June 17 .................. ..p. In. July 1, 15, 29. In. August 12, 26 ............ ..p. In. September 9, 23 ....... ..p. m. Arrive Chicago. June 18 ..................... ..a.. In. July 2, 16, 30 ............. ..a. In. August 13, 27... ......... ..a.. 111-. September 10, 24 ...... ..a. In. On‘ Trips leaving Chicago marked %, Steamer will go via the NORTH SHORE, and will touch Ashland but once, either on the Up or Down Trip. THE LAKE MICHIGAN AND LAKE TIME TABLE STEAMEB ~>JosEPH L. HURD+ GUING NORTH. Leave Chicago. June 9, 23 ............... ..8 p. July 7, 21 ............... ..8 p. August 4, 18 ........... ..8 p. September 1, 15 .... ..8 p. Leave Milwaukee. August 5, 19 ............. ..a: m September 2, . Leave Mackinaw. June 12, 26 ............... ..a.. 111. August 7, 21 ............. ..a: m‘. September 4,18 ....... ..a. 111. Leave Sault Ste. Marie. June’ 12, . . July 10, 24 ........ ...... 111. August 7, 21 ............. m. September 4, 18 ....... m. Leave Marquette. June 13, 27 ............... ..p. In. July 11, 25 ................ ..p. In. August 8, 22 ............. ..p. In. September 5, m. Leave Houghton and Hancock. June 14, 28 ............... ..a. m. July 12, 26 ................ ..a. 111. August 9, 23 ............. ..a. In. September 6, 20 ....... ..a. 111. Leave (Dntonagon. June 15, 29 ............... ..a. m. July 13, 27 ................ ..a. In. August 10, 24 ........... ..a.. In. September 7, 21 ....... ..e. 111. Leave Bayﬁeld. July 13, 27 ................ ..p. 111. August 10, 24 ............ ..p. m. GOING EAST. Leave Duluth. July 13, 27 ................ ..p. In. August 10, In. Leave Bayiield. July 14, 28 ................ ..a. In. August 11, 25 .......... .. a. 111. Leave Ontonagon. June 15, 29 .............. ..a.. m. ' July 15, 29 ................ ..a.. In. August 12, 26 ............ ..a.. m. September 7, 21.........a. 111. Leave lloughton and ~ Iancoek. June 16, 30 ............... ..p. m. July 15, 29 ................ ..p. In. August 12, 26 ............ ..p. In. September 8, 22.........p. 111. Leave Marquette. June 17 ..................... .. . July 1, 16, . August 1:3, 27 ........... .. . September 9, 23 ....... .. . Leave Sault Ste. Marie. August 14, 28 September 10, 2 Leave Mackinaw. June 18 ..................... .. ’. July 2,1731 ............. .. ; August 14, 28 ...... .. . September 10, . Leave Milwaukee. June 20 ..................... ..a. 113. July 4, 19.. . August 2, 16, . 19 August 2, 16, 30 ....... .. . September 12, 26 ...... ..p. In. SUPERIOR TRANSPORTATION CO. TIME TABLE STEAMER »>~_1;3_t:_:_E_.‘EeI_JE.€SE‘;»»<« GONG NORTH. GOING EAST. Leave Chicago. June 13, 27 ........ .. July 11,* 25*..... August 8,”? 22* ....... .. September 5, 19..... Leave Milwaukee. June 14, 28 ............... .. . July 12, 26 ................ .. . August 9, 23 ............ .. . September 6, 20 ....... ..a. Leave Mackinaw. June 15, 29 .............. ..p. July 13, . August 10, 24-..... ..p. September 7, 21 ....... ..p. Leave Sault Ste. Marie. June 16, 30 ............... ..a. July 14, 28 ................ ..a. August 11, 25 ............ ..a. September 8, 22 ....... ..a. Leave Marquette. June 1'! ..................... ..a. July ‘*1, 15, 29 ............ ..a. August 12, 26 ............ ..a. September 9, 23 ....... ..a. Leavelloughton and zmeock. - June 18 .................... .. a. July 2, 16, 30 ............. ..a.. August 13, 27 ............ ..a,. September 10, 24 ..... .. 12.. Leave Aslnland. June 19 ............. .. ..a.. July 3,17, August 14-, 28 ............ ..a. September 11, 25 ...... ..a. Leave Bayﬁeld. June 19 ..................... ..a.. July 3, 17, 31 ............ ..a. August 14-, 28......,._......a.. September 11, 25 ...... ..a. Leave Duluth. June 19 .................... ..p. July 3, 17, 31 ............ ..p. August 14, 28 ............ ..p. September 11, 25 ...... ..p. Leave Bnyﬁeld and Ashland. June 20 ................... ..a. July 4, 18 .................. ..a,. August 1, 15, 29...........a. September 12, 26 ...... ..a. Leave Houghton and ancock. June 21 ..................... ..a. In July 5, 19 .................. ..a. In. August 2, 16, 30 ......... ..a. In. September 13, 27 ...... ..a. m. Leave Marquette. June 22 ..................... ..p. July 6, August 3, 17, 31 ......... ..p. September 14, 28 ...... ..p. 111 Leave Sault Ste. Max-iv. June 23 ..................... ..e. In July 7, 21 ........... In August 4, 18 ............. ..a 1321 September 1, 15, 29.....a. In Leave Mackinaw. June 23 ................... July 7, 21 .................. ..p. August 4-, 18 ............. ..p. In September 1, 15, 29.....p. Leave Milwaukee. June 24 ...................... ..p. July 8, 22 .................. ..p. August 5, 19 .............. ..p. In September 2, 16, 30.....p. Arrive Chicago. June25.......................a.. . July 9, 23 ................ ..a. In. August 6, 20 ............. ..a. 111. Sept. 3, 17 and Oct. 1..a,. In. On Trips leaving Chicago nmrlzed 9*, Steamer will go via the NORTH SHORE, and will touch A.shlancl but once. either on me Up or Down Trip. 16 THE L. M. 8c L. S. TRANSPQRTATION CO. TABLE OF DISTANCES. MILES. Chicago to Milivaukee .... ............ .. Milwaukee to Port Washington .... .. 24 Port Washington to Sheboygan..... ‘27 Sheboygan to Manitowoc ............ .. 25 Manitowoc to MackinaW..... .......... .. 213 Mackinaw to Detour .................... .. 36 Detour to Sault Ste. Marie ............ .. 50 Sault Ste. Marie to Grand Island... 185 Grand Island to Marquette .......... .. 38 Marquette to L’Anse .................. .. 75 L’Anse to Portage Lake . . . . . . . . . .. 24 Portage Lake to Eagle Harbor ...... .. 65 Eagle Harbor to Eagle River ......... .. 10 Eagle River to Ontonagon ............ .. 60 867 Ontonagon to Ashland......,..., ..... .. 75 Ashland to Bayﬁeld .... .. . ............. .. 15 957 Bayﬁeld to Duluth ...................... .. 88 1,045 Duluth to Fort William ............... .. 175 1,220 Ft. William to Pr. Arthur’s Landing 7 1,227 List of Passenger Agents on the Routes. Leopold & Austrian ............................... ..Milwaukee, Wis. J. M. Bostwick .............................. ..Pt. Washington, Wis. Christ Eckhardt .................................... ..Sheboygan, Wis. Truman & Cooper ................................. ..ManitoWoc, Wis. J as. Bennett .......................................... ..MackinaW, Mich. W. Chandler ...................... ...... ..Sault ‘Ste. Marie, Mich. F. B. Spear ........................................... ..Marquette, Mich. John Trelease, Gen’1 Agent, ............. .. ......Hancock, Mich. W. B. Hoar ........................................... ..Houghton, Mich. James Mercer .................................... ..Ontonagon, Mich. O. J. Higgins, Agt. Wis. Cent. R’y, ............ ..Ash1and, Wis. Robert Inglis ............................................. ..Bayﬁe1d, Wis. G. H. Kennedy ................ ..iPrince Arthur’s Landing, Ont. John Flynn .............................................. ..Duluth, Minn. Ticket Agents St. 1?. & Dul. Bfy ............. ..St. Paul, Minn. “ “ “ “ .......... ..StillWater, Minn. “ “ Minn. & St. L. R’y......Minneapolis, Minn. .1‘ ‘V c.. 3‘ ¢ ~ I ’\j _»,..V-V //2 ,»‘ ’ 3‘ , . V X ' V ,.n \ » 4 '\ .| _€ 4* /V‘ ‘ . “" ,1 I *‘ *‘'-‘‘'V. 4- n V» - ;j_v ' ,<, I . :~V’ . ’ .3 .» ».,_, . V .V ‘ ‘ r ‘» J, .- L‘ \ ‘ "' 4, ‘V n...v.. OE \, . V. 2 . , r - ‘ ' ‘ , ;, V 2 ’ . '. 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Date: 22 Jul [1882]
Text: July 22 Dear Anne When you go from Chicago to see [Harry?] I want you to get him some peaches about as many as you think he can eat before they spoil. Do not get those large nice looking ones that never ripen but I think you can pick out some I should think 1.00 ought to buy enough but you can judge I think. Mr. Pulsifer has annother job for you out to Columbus Ohio to teach English branches in some big school 1000. per annum said they wanted his wifes sister but she cant go because dont want...
Show moreJuly 22 Dear Anne When you go from Chicago to see [Harry?] I want you to get him some peaches about as many as you think he can eat before they spoil. Do not get those large nice looking ones that never ripen but I think you can pick out some I should think 1.00 ought to buy enough but you can judge I think. Mr. Pulsifer has annother job for you out to Columbus Ohio to teach English branches in some big school 1000. per annum said they wanted his wifes sister but she cant go because dont want to go so far west & because she is to open a school in Auburndale etc. but they know you could take the place &c. Your father says once a teacher and always a teacher If you wanted a place you could’nt find one to suit & now you dont want one plenty offer. I looked for a postal from you tonight (Wednesday) but did not get any. Shall have one in the morning I am sure. Sent a letter to Mechanicsville and one to Seneca Falls. Took me plenty of postal cards I wont trouble you to write much for you can tell me all when you get home but [crossed out: two or] three ^or four postals a week wont be much trouble to you & every day seems a month till I hear. I went to Canton today & got your silk. Will send some in the letters I [direct?] to Chicago. I imagine you leave Thursday for Seneca Falls. & on Sat shall look for another postal from there. Sat I must close this letter now or you will hardly get it at Jackson. Got your postal [crossed out: from] ^written at Eva’s on Thursday night. Shall look for plenty of postal cards I wont trouble you to write much for you can tell me all when you get home but [crossed out: two or] three ^or four postals a week wont be much trouble to you & every day seems a month till I hear. I went to Canton today & got your silk. Will send some in the letters I [direct?] to Chicago. I imagine you leave Thursday for Seneca Falls. & on Sat shall look for another postal from there. Sat I must close this letter now or you will hardly get it at Jackson. Got your postal [crossed out: from] ^written at Eva’s on Thursday night. Shall look for --- annother tonight. With love Mother Wrote to you care of Lilly White at Senica Falls. Stoughton Mass. Jul 22 Anne C. Southworth 702 Francis St Jackson Mich Care C. R. RussellIf not delivered within 10 days, to be returned to Mary C Southworth Stoughton MassCarrier Jul 24 [5?]AM
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Date: 15 Jul [1882]
Text: [she?] would come here but think she may [crossed out: Your aunt will bring [Bryan?] with her when she comes. I had a letter from Aunt L today. She said she got a neck tie from Malzena she supposes it looks so [...tchey?] She knew well enough where it came from & did it on purpose to hurt my feeling, as she was always hitting [Cassie?] when she was there. If it had been from Malzena she would not have mentioned it to me and I dont think it becomes her to speak just like that about a...
Show more[she?] would come here but think she may [crossed out: Your aunt will bring [Bryan?] with her when she comes. I had a letter from Aunt L today. She said she got a neck tie from Malzena she supposes it looks so [...tchey?] She knew well enough where it came from & did it on purpose to hurt my feeling, as she was always hitting [Cassie?] when she was there. If it had been from Malzena she would not have mentioned it to me and I dont think it becomes her to speak just like that about a present from a poor girl like Malzena. You left your tie at home I will send it in the Sentinel. Dont you think that about the dresses of the ladies awful silly. Lots of them were old dresses you know. This day (Sunday) is dreadfully lonesome it is a dull day & no one has been here. Ella [...] Father is very sick just like his brother [Deming?]. I haven’t seen Etta since you went she dont go to school. I believe I told you that in the other letter. With love [N...h….?] Canton Jul 16 Mass. Miss Anne C. Southworth Care Miss Lily Wh Seneca Falls New York If not delivered within 10 days, to be returned to Mary C. Southworth Stoughton Mass Seneca Falls N. Y.
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Date: 14 Jul [1882]
Text: July 14 6 o’clock Dear A. I have nt been lonesome a bit. John’s wife [crossed out: called] came at 8 o’clock this morning & stayed until about eleven. Her sister is sick & her mother is with her & as she has a green girl she cant leave long. ^ so could we - come before or stay long this time Was disappointed at not seeing you suppose her visit was mostly to you. This afternoon Nattie Draper her mother and Ella McElroys sister [with?] 2 children & little Joe were here all the...
Show moreJuly 14 6 o’clock Dear A. I have nt been lonesome a bit. John’s wife [crossed out: called] came at 8 o’clock this morning & stayed until about eleven. Her sister is sick & her mother is with her & as she has a green girl she cant leave long. ^ so could we - come before or stay long this time Was disappointed at not seeing you suppose her visit was mostly to you. This afternoon Nattie Draper her mother and Ella McElroys sister [with?] 2 children & little Joe were here all the afternoon, just too talk and see you. Your father wonders if they think you are going to stay at home all summer says you ought to have gone two weeks ago for fear. you wont have time to stay with [...arry?]. Sat. Your book came this morning one I will put up in your room one I will send to Aunt [...] one to her Pulsifer and one I will lend, there were 5 came You will leave one with [...arry?] and then there is still another. Old Jerry is arround again. My back is better nights & worse mornings which makes me think it is the bed so I wont make it up again until I have the mattress on. Miss Beaumont asked me if you started for the west yesterday morning & says I am brave to have both my children so far away which makes me feel as tho. I did ‘nt feel badly enough about your going. I do feel lonesome for you and wish the time were here when you were back again but I dont know what I ought to do about it. Keep you at home or sit & cry I suppose if I did not keep so busy always I should have more time to feel bad - as it is I am glad you could go. Of course there is no news yet. Will write to Jackson next -- My love to your schoolmate Mother Anne C. Southworth Care of John Monroe Elbridge Onondaga Co New YorIf not delivered within 10 days, to be returned to Mary C. Southworth Stoughton Mass
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Date: 31 Jan [1882]
Text: Jan. 31 Tuesday Dear Anne I wrote to you last week perhaps Father did not put it in so soon as he ought but I guess you have got it by this time if not please drop me a postal & I’ll try to remember what I wrote. I went into B - on Saturday got your worsted which I will send with this. I got you 2 sun flowers but could get no pansies. You are not at College to make patchwork [on?] that [will?] [rack?]. I have got a lot of silk ^thread but I will not send it for you may not want it. Etta...
Show moreJan. 31 Tuesday Dear Anne I wrote to you last week perhaps Father did not put it in so soon as he ought but I guess you have got it by this time if not please drop me a postal & I’ll try to remember what I wrote. I went into B - on Saturday got your worsted which I will send with this. I got you 2 sun flowers but could get no pansies. You are not at College to make patchwork [on?] that [will?] [rack?]. I have got a lot of silk ^thread but I will not send it for you may not want it. Etta is still here. She is very good when alone with us but when her mother was here Sat & Sun I wanted to have the privilege of spanking her she was so disagreeable. She cried 3 days. once with tooth ache & I had it out & the next morning with the gum ache but she had to go to school the 3.d morning said her stomach ached & I told her she couldn’t get rid of school any way. She did’nt trouble me any more & now she likes to go. I will send the book by this mail. I sent in that last letter a few postage stamps. I willcommence those dark red curtains today. I will read into the first one the foregone conclusion one of Nowels and in the other one of the Waverly’s. I have read aloud to [...] the 10 years in the life of Princess Slam Slam [sp: Salm-Salm] - she was in the war of the rebellion and in the late Mexican war her husband was prisoner with Maxmillian and he was killed in the franco prussian war. It is quite interesting but I dont believe everything she writes. I shall read the Century magizine aloud. We cant find out who sent it. Your Aunt I wrote from Washington she was in court the last day of the “celebrated” trial & had a seat near the prisoner. Please drop me a postal billing me if you [rec.]? This & the other letter & also the book & the bundle. With love Mother The bundle contains medium worsted & sunflowers Mr Luckers eyes are so bad he is almost blind. I can get for you that book of Mark Twains if you have not already got it or one to take its place. Stoughton Jan 31 Mass. Anne C. Southworth Vassar College Poughkeepsie New York If not delivered within 10 days, to be returned to Mary C. Southworth Stoughton Mass Poughkeepsie N. Y. Recd Feb
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Date: 8 Dec [1882]
Text: Dec. 8 Wed Dear Anne, I got your letter last evening & your misselany this morning I am very busy just now at finishing house cleaning I hope to get through tomorrow Mrs Seelie was burried last Sunday. I cant realize it and I am sure we shall miss her very much shall we not? Did you have a card from Brockton. Mr and Mrs Dean Southworth Addie Gifford I was very much surprised altho I knew he was getting a chamber set. [B...y?] a chamber set & live at home style About the new dress. I...
Show moreDec. 8 Wed Dear Anne, I got your letter last evening & your misselany this morning I am very busy just now at finishing house cleaning I hope to get through tomorrow Mrs Seelie was burried last Sunday. I cant realize it and I am sure we shall miss her very much shall we not? Did you have a card from Brockton. Mr and Mrs Dean Southworth Addie Gifford I was very much surprised altho I knew he was getting a chamber set. [B...y?] a chamber set & live at home style About the new dress. I went to Boston to buy for myself a dress to wear for second. a warm one to go below [crossed out: my black[...clo…?] & my] the two dresses I had out there you know. I was intending to get a dark maroon but after I got in I changed my mind. I thought I would let you have the new one & I would use yours i e if you would like to do so. (I expect Sarah Stern to help me & want to do it before she is called to Westboro). I like those maroons trimmed with velvet in plush. I like a velvet under skirt pretty well they are easy to make, & altho they were all the style of last season they are making them very much this. Plush is rather high yet for any but the “utterly utter” being from 2 50 for a very poor quality up to 8 50 for any thing we should want tho 3 50 or 4 00 will buy a very fair quality. I have been fretting some about next week. Sarah will be here & your father will be on jury & I should be obliged to be at the store. Every thing always comes at once. Sara has rented by Spring she will be glad to get back at her own house I think I had a letter from Laura S- she declines my invitation but I think she had better come out here for a few days Dont you? Well I will close now. Oh by the way the train dont stop but there is a train leaves Boston at about 6. A M 6.20 I think which you can take & I will meet you in Canton about 7 AM so you will not be very late home. Have you tickets. I send one if you need two I will send annother next week. I suppose you have money enough to get home havent you I will send this time but next week you will get postals only Mother Boston Dec 8 5 PM Mass. Anne C. Southworth Vassar College Poughkeepsie N York If not delivered within 10 days, to be returned to Mary C. Southworth Stoughton Mass Poughkeepsie Recd Dec 9 130 AM
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Date: 1 Aug [1882]
Text: 1882 Tuesday Aug. (1) Dear Anne I got your postal from C- last night I sent the time table, a few days ago Suppose you have reced it before this. I think [crossed out: you the] ^one boat starts the 5th of any [boat?] if I were in your place I should hasten or delay your time of starting to go with Miss Cushing the main object is this. On those boats you are liable to have a room mate especially at this time of year and it would be much better to have one whom you know is respectable. Did you...
Show more1882 Tuesday Aug. (1) Dear Anne I got your postal from C- last night I sent the time table, a few days ago Suppose you have reced it before this. I think [crossed out: you the] ^one boat starts the 5th of any [boat?] if I were in your place I should hasten or delay your time of starting to go with Miss Cushing the main object is this. On those boats you are liable to have a room mate especially at this time of year and it would be much better to have one whom you know is respectable. Did you have to pay trunk storage? Your [trip?] ticket will be 15 00 ^each way that includes your food & c. You wil have a little cash coming in from [U?] I suppose tho you need not ask for it. He always pays for his instruments & c but he should be [take?] nothing for. You will need very little money up there. You can buy a round ticket for 28 00 but may be you wont want to come home that way & may be they are only good for one particular boat I think however they are good for the season. You will get this about the time you are thinking of starting I suppose. I enjoyed your letter from the falls or rather about the falls immensely. Cassie is going to Boston today to get her shoes &c. Father has gone. Mary Hohn is still at Hull. Every body is well I believe. About your clothes you wont want your lavender muslin your gingham & only one of those old woolen dresses all that [much?] [gear?] in fact you might leave considerable at your aunts I think & they would be iin better shape than in your trunk. Much love Mother #4771. V WW Jain». , ,2“, . if \ K ‘.T ‘ ‘*9 .4" \ \ ’ »::5-., 5. Boston Mass. Aug 1 3 PM 1882 Miss Anne C. Southworth 465 W 15th St Chicago IllChicago Ill. Carrier Aug [8?] 9AM
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Creator: Wyman, Ann (Southworth)

Creator: Peebles, Rose Jeffries, Reed, Amy L.
Date: [After 1932]
Text: LAURA JOHNSON WYLIE 1855 - 1932 Bern, Milton, Pennsylvania, December 1, 1855 A.B., Vassar College, 1877 Pb-QDQ’ Yale, Instructor in English at Vassar, 1895-96 Associate Professor, 1896-97 Professor of English, 1897-l92h Professor Emeritus, l92h Died, Poughkeepsie, New York, April 2, 1932 An expression of what the life of Professor Wylie has meant to us, her colleagues, may perhaps best be approached by reminding ourselves of her own definition of the task of college education as she looked...
Show moreLAURA JOHNSON WYLIE 1855 - 1932 Bern, Milton, Pennsylvania, December 1, 1855 A.B., Vassar College, 1877 Pb-QDQ’ Yale, Instructor in English at Vassar, 1895-96 Associate Professor, 1896-97 Professor of English, 1897-l92h Professor Emeritus, l92h Died, Poughkeepsie, New York, April 2, 1932 An expression of what the life of Professor Wylie has meant to us, her colleagues, may perhaps best be approached by reminding ourselves of her own definition of the task of college education as she looked into the future on the day in June, l92h, when she ceased from active service among us. The continued existence of such a college as Vassar, she said in her farewell speech, would be justified only by its successful establishment as a vital part of the life of the country; not as the educator of a single class, isolated from the community, but as the source, through those whom it directly trains, of inlargement for every ccmmunity into which they 8°- The largeness of such a conception, together with the energy, the high spirit, and the thorough con- sistency with which she lived up to it, was Profes- sor Wylie's great contribution to her college and to the cause of education, throughout her twenty-nine years of teachin as a member of our faculty. And in spite of her failing health in after years, the Pdepth and fertility of her thinkin power" (to use the phrase of one of her colleagues? could still be felt by all who knew her in college or town - felt as a force for better living and more significant social intercourse among all people. Personal free- dom, social responsibility, creative activity - these things she taught steadily wherever she was and how- ever she lived. But first she followed them herself. Miss Wylie came to the college as instructor in the fall of 1895, as a seasoned teacher and with a doc- tor's degree from Yale. She was expected to make changes and she made them; within two years she was LAURA JOHNSON WYLIE (Continued) head of the department and had revolutionized the work, organizing it on what must even today be called a sound, flexible, and progressive plan for the artistic and scholarly study of English, While she showed in the selection of her assistants her power to estimate character and ability, she was, until 1901, almost single-handed in the work of re- construction, the only person officially responsible for the management of the department and the only person in it above the rank of instructor. She car- ried at the same time a heavy teaching schedule and, however large her classes, succeeded in setting an example of the principle she so firmly believed in, of completely individualizhag every student therein. In the conduct both of her classes and of the de- partment, her most remarkable achievement was - as President Macﬂracken has elsewhere said - her power to make almost any group of people, with varying or even hostile opinions, work together for the common good without compromising their integrity or her own. She was always a tireless worker and a courageous fighter for any principle she believed in, but never at the expense of Justice or courtesy to an opponent. Her colleagues paid tribute to her ability by electing her to the most important committees and all movements in the faculty towards a freer curriculum and greater faculty participation in the management of the insti- tution found in her an influential supporter, though always with the proviso that proposed experiments must be fully thought out and results inspected. The students, too, trusted her and felt her personal charm and the breadth of her sympathy to such an ex- tent that few student enterprises of any moment were begun without asking her advice or help. In wholly inadequate recognition of these qualities, the faculty hereby record their deep sorrow at the death of their dear friend, Professor Emeritus Laura Johnson Wylie, and their sense of loss at the passing away of one who was always and most of all a great teacher. Rose Jeffries Peebles Amy L. Reed l. Katharine Warren, "The Retirement of Miss Wylie," Alunae Quarterly, November l92h, IX - 98-99
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Creator: Koeln, Wygand
Date: 1523-1535

Date: April 29, 2013

Date: n.d.
Text: //L ‘( i \ mﬁﬂg 0: m§I”3S / I / X‘ x6$ . 7 ¢../\ > I ..r—-\ I ' }’l// I" /,'’‘//////’/'/_i’ ///‘ /I,"////////II/N /I}:,$‘/// /,/// S/.'.= /x}/// LON/IDON1 (J3-RAMER'.'*W,OOD §?c 09 AND LAM BORVN COCK-& c9 ,;,, .~ /////'\ /2/'/,",///’ n/7 /we 01./Pf//.'/V’/4; /’}tz///’/////I}///.s'. MUSIC LIBRARY VASSAR COLLEGE .~. /- ' . _ /— v_\ / V 2/ Z“\ ’ . \ TPE WRECK _OF THE HESYERUS. II'rz'(tch by H. W;'wLang...
Show more//L ‘( i \ mﬁﬂg 0: m§I”3S / I / X‘ x6$ . 7 ¢../\ > I ..r—-\ I ' }’l// I" /,'’‘//////’/'/_i’ ///‘ /I,"////////II/N /I}:,$‘/// /,/// S/.'.= /x}/// LON/IDON1 (J3-RAMER'.'*W,OOD §?c 09 AND LAM BORVN COCK-& c9 ,;,, .~ /////'\ /2/'/,",///’ n/7 /we 01./Pf//.'/V’/4; /’}tz///’/////I}///.s'. MUSIC LIBRARY VASSAR COLLEGE .~. /- ' . _ /— v_\ / V 2/ Z“\ ’ . \ TPE WRECK _OF THE HESYERUS. II'rz'(tch by H. W;'wLang‘fwllvn1'. Composed by J. L. Half .21. 941.1. E.GR,O. _ 'I‘o‘1o1«:’ .‘:‘:€ ‘It was the schooner Hos__pe_;nIs,'l‘hat 'P,I.u1 .N‘() E 0 R T E. ' ‘V mi’ And the Skipper sai l’d -in sea; Nu.’ lime dat1gh-tér, '1‘: bear him" cmn-pa-_ny. Blue were her eyes, as the V’ V fai -_ry flax, er ‘ e the €_iawn'of‘ "day; And her be white as the Z“"“\\ / T. ,h§1w.,;__thorn buds ‘ in I the month ‘of. . May. Hw~uern-R. _ .. ;-. \ V mohth, Am! I ‘4 K ' . . I . .n .1 P m» .1. ...P _. .s .1. _h .h L? .. ...I. N .\ J I; he stood befgside‘ _the ._he lm I/' Elk ‘i’ ‘pp or did blow 'l‘he~‘s1nu.ke now west, now south. watch?'(l how the Veerillg flaw T hon I Z /)L| If!‘ ‘Br, Had sai|’<[ the ‘Spanish niailr, Old up and spake an Sai-_l a hur___ri_-_.c-ane. |,a,<4t pray thee, ut in_.to 0n-der on, Fox‘? fear night the moon had a 0ld_en ri But‘ to—night no moon we smote a-.._mai11 The ves_--s0l in-F shu‘dder’d and paus’d } E} like a fr‘ight_,e_ad. steed, Down C-cune the storm. and’ - its ‘ strength; Fu'r1ns0. en leap’d her ca__b|é’s > H:-xpvrcu j\ 1‘ F’ I Come-hbiihér! come hither! my ‘Iit_tlVe daughﬂér, And \./ not tremble so; For can ‘weather the r0ugh_est gale, T\h~-at e_ver the wind did blowl fa__ther! hear the church—bell rihg, say what may it be?”“’Tis a A 9,. f0gf' 1 On a I‘0Ck—boImd coast, We,must steer for e open sea’.’ \~_/ ‘H -xpurn-. . {I V y it be?” But the fa_-ther answer’d say what ma va ’ /9/9' col a 12006. -01- W V. Lash’d to the helm, all never a word, A f1'u-zen corse was he. ‘ T stiff and stark,With his pale face‘ to the skies, The l.ah‘_ter_h gleam’d through ‘The falling snow On his fiX’d and glas_sy eyes. H~~.*.\wrI'.~, Then the maid-enA clasp?! Ifelj liahds, and prayyd That saV-ed she might /I J\ I :1 . \ I she thought of HIM, Mhnv stiII’d the wavvs I I I _I I W) V Tempho . r I I r I I II. I V I. v. I But fast through /the m1d..-_n1g [. «r I I -0 -OI-' -0 Tempo. dark and dréar,. I ’ .t 0 whistling sleet and sheetfed g ost, the bark swept on T t e’ reef of “N0rman’.s woe”. . . . . ores}: ‘i ff'”‘I”-“’- I Ho! the breakérs J 5 rattling s}nf_0uds all sheuthd in ice,VVith the nmsts,We11tby t] e board; I H0! 1 e stove and sank-, 3 glass, I ,1» V ssel‘ 0 Llke a L‘\ He>.<V-Prux . ‘ "./:1.N"D.»1.}VTE.~' At day—break.on‘ the; bleak seja~beaC}1, V, A 'fish.erman stood a--- ﬂ3"““-‘ the form "of a maid-_--en fair, Float I L on a drift_--ing mast. The salt sea Was ' fro_'_-_zen V her-breast, The salt tears in her eyes; 1' J + was the *m'<=(*k of Um; Hes_;__pe-_rus, In ‘flim- ﬁr . ,5 ./‘I (I ag io . mi<lm'ght and the snow‘. Oh! Save” US_ all from a death like this, On tlw’ /:\ ./Jdaggio. V 8: of “T\'0rmeu1's , Old Clock on the Stairs (The ' *Shepherd’s Winter Sting (The) ...- . *Night Journey (The) . . . SELECT MADRIGALS, GLEES, SONGS, DUETS, &c. ARRANGED AND EDITED BY THOMAS OLIPI-IANT. Madrigals, &c., by R. L. Pearsall. *1 saw lovely Phillis . . . . . . 4 voices . . *The Hardy Norseman . . . . *Great God of love . . . . ‘ . . *0 who will o’er the downs (in F) . . *0 who will o’er the downs (in C, for male voice ) *Take heed ye shepherd sivains . . ‘ . . *Wh0 shall win my lady fair . . *When Allan-a-—dale went a hunting It was upon a spring-tide day . . Spring returns . . . . *N_vmphs are sporting . . *Why with toil thy life consuming . . ,, . . Separate parts, 3d. per page, are published to those marked * . . . .:=~.J>cns>.;:i;><ma=-.~i>ooi«l> saw»--wwzozototzzzotov--_o. A Selection of Madrigals in Score and Parts. Down in a ﬂow'ry vale (in A & F) 4 voices C.Festa 1 Stay one moment . . 4 ,, T. Oliphant J In going to my lonely bed R. Edwards 1 Come again, sweet love . . J. Dowland 1 Lady, see on every side L. Marenzio Hard by a fountain . . H. Waelrent All ye who music love . . B. Donato Ah me ! where is my true love? F. Anerio My mistress is as fair as ﬁne J. Bennet In the merry spring . . T. Ravenscroft Out, alas! what should I say Anonymous To pitch our toils go we Anonymous When April deck’d . . L. Marenzio Under a willow lying . . O. Vecchi Fair May Queen . . L. Marenzio O sweetly sleep . . M. Pierson T’other morning very early Thibaut Strike it up, neighbour T. Weelkes Songs by J. L. Hatton. Laws of the Sea King (Vikingabalk) . . What is life? . . . . . . Wreck of the Hesperus (The) . . Simon the Cellarer (new edition) . . Dream, baby, dream . . . . Blind Boy (The) . . Blue Bell and the Fly (The) Day and Night . . . . Vogelweid the Minnesinger . . . . Herrick’s Letanie . . . . . . Fair daffodils we weep to see . . . . Autumn reﬂections . . . . Cloris, now thou’rt ﬂed away (Amintor’s Well-a-day) Garland (The) . . . . . . Goldsmith’s daughter (The) . Cxiblkl-Pll3c;q_C>OwCI'li5l‘-§H>Hk|§vl>ll>~>P . . 2 . I . Z I I2 (oi-did!-I-202»?!-‘l\3“'-‘P-"‘ Hope . . . . . . Linden Tree (The) . . . . Maureen. . . . . . Meeting and parting . . . . My days have been so wondrous free Nun and the rose (The) Reaper and the ﬂowers (The) Sailor’s Best (The) . . Seasons of life (The). . Streamlet gently ﬂowing The silver moon (Serenade) ’Tis midnight (To my taper) Twilight. . . . Walter the Woodman Weep no more, thou sorry boy *M'ysterious Serenade (The) *Chapel (The) . . *Window Curtain (The) *Mother and Daughter *Greenwood Concert (The) *Dying Swan (The) . . *Gardener’s Song (The) *King’s Daughter (The) *Repose . . . . *Youth by the Brook (The) . . *Violet (The) . . . . *King Sifrid . . . . *Robber (The) . . . . *Roe (The) n o°-.oou.oo.oo- *Poet’s Grave (The) . . . . . *Mountain Shepherd Boy .. . . it Those marked have German words also, and were originally published under the pseudonyme of CZAPEK. Simon the Cellarer Quadrilles, from Popular Melodies, composed by J. L. Hatton. Arranged by C. Coote l€N>t\'>i\?l\3l\'>N>l~33~3t\DtxZJl\')t~3ZO(\9l\Dl\'JZOl0fQb9Z€>Z€ItOl~3l\9l\9KOl~3l0l0lOlOl\91\3lOZCl°l-'l\5°3lot°N3l*3C°°31\3°3 on o :~‘~ cnoocuooonmo:ooovmammocacao:ocnouoosooouonocncncnoaonoacaommocucacscaoocao o®®®®O®®O°°¢”°~’°‘°°°°°®“ 09°’ °°°’°°‘-75°‘ Om Four-part Songs. 0 peaceful be thy slumber (also in Parts) . . Fair Lady Anne . . (ditto) Nymphs are sporting (ditto) The Urchin’s Dance . . (ditto) The Hunt is up . . (ditto) Summer Eve (in F or A) (ditto) When the smiling May returneth (ditto) Weber . . Joyful at the close of day . . . . De Call . . The mist is rising (Chorus from ‘ Euryanthe ’). . Weber , . Volunteer Chorus, “ Up rouse ye ” . . Weber . , Now the Curfew Bell hath ceased (S.A.T. & B.) Kreutzer Welcome spear and shield . . . . Werner . . Rosy-mantled spring _ . . . . Miiller . . Thro' yon lattice—window . Eisenhofer Let me not hear . . Winter , , Sing and drink, boys Lorenz . . When despairing Cupid Seyfried 8. Mendelssohn 2 Mendelssohn 2 Pearsall . . Hatton . . Hatton . . Hatton . . xoysx \o~/9 N; (4; 5,) yo (\'>ON>n—»--ts'>t\'>t~')R\'J Q mic: on oc:o>c:®c:®O>OOO>?~ J os. Haydn. Ariadne. A Cantata . . . . . . 5 Maiden fair (Liebches Madchen), Comic Serenade (Three voices) .. .. .. .. 2 0 Hymns for Four Voices by G. P. L. Da Palestrina. Five Numbers, or in a Set complete . . . . 6 0 Separate parts, 3d. per page. Songs and Duets by Mendelssohn. Fair Lady Anne . . *'I‘he ﬁrst violet . . . . *Fancy’s dream (The Journey) . . Garland (The) . . . . - *How can I sing (Duet) . . *I stood alone beside the mast (Duet) *Maid of the Ganges (The) . . *Now each creature joys the other *0 peaceful be thy slumber . . *Over the mountain . . . . *Onward still old Time is ﬂying . . , . ""Page’s Song, The (Pagen Lied, or the Savoyard’s Song) . *Slumber and dream (Cradle Song) . . *Suleika and Hatem (Duet) . . . . * Those marked have German words also. - an on o .. ..... . . . . . . . . . - 1020200-|r—|l\')l-‘ZOlOK""N9""l‘3 mcuocamocacaoocaczcao 4 English Songs, &c., by various Composers. Auld Robin Gray (with Introductory Preface) Barbara Allen (Old Ballad) . . Harmonious Blacksmith (The), for voices Lord Gregory (Old Ballad) . . . . O weel may the keel row (Old Ballad with Chorus) . . Sandy and Jenny (Ballad) . . . . Sanderson When ye gang awa, Jamie (Hunting-tower), Copyright editio of T. Oliphant . . . . Leeves. . Handel: Three Duets for Treble Voices, by Weber. Tell me truly, gentle maiden . . Leave me to mourn . . . . Hail to Friendship . . . . no In no no 00 -- Duets for Treble Voices, by F. Abt. *Sunday on the Ocean . . . . *Eventide . . *Rural Happiness . . *The Boatman’s Song *The Woodbird’s Song *Home Sickness . . *The Merry Greenwood Tree *The Early Spring Bird *Not too soon . . _*The Wanderer’s Song . *The Mariners . . . . Two Duets for Treble Voices, by 0'. Keller. "‘Ah! could I teach a nightingale . . . . *Lovely as the beam of morning . . . . o . u v C»Z>l\')?€-‘Z\:2lOlx'JZOt\'J(\'Jl\'>2o ©G>C3O)O)®O>®O)G9® o o u o no on o o o o o o . o o a .0 -n ta 2 ..2 Duets for Treble Voices, by Kucken. *The Swallow’s farewell . . **‘My heart ’s in the Highlands . . . . *How mournfully murmurs . . . . *The Hunter . . . . *The Fisherman . . . . . . *Swiftly o’er the wide Laguna (Barcarole) . . * Those marked have German words also. LONDON: ORAMER, WOOD & 00., and LAMBORN COCK AND 00., 62 and 63 NEW BOND STREE .
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Date: n.d.
Text: B FLAT MINOR T WRITTEN BY Mmwmm The Music Composed J OHN L.HA’I"I‘0 Ema J‘tcz.H¢iZé. \ Londo IL, JOSEPH WILLIAM s. 24, BERN ERS STREET. W. Also Z9)» tics szzme Com,Uos-er.‘ CHANGE or TWENTY YE.ARs.,.:.,..._ Jory rar Bass 77»ice......_1,_. W31- CLOWNSrSONG,...-_...........,...,..,... ,_.. f'orBar'zTtone Voice. Ho: FILL, ME A'rANKARD,....._._,_,,,,..yang f‘orBas.s-Virice, .. % ....... .31» IN’ DAYS OF OLD.‘ /£1/“Bass775ice...I..._.,,..._...3]- SIMON THE C'ELLARER.... Vo...
Show moreB FLAT MINOR T WRITTEN BY Mmwmm The Music Composed J OHN L.HA’I"I‘0 Ema J‘tcz.H¢iZé. \ Londo IL, JOSEPH WILLIAM s. 24, BERN ERS STREET. W. Also Z9)» tics szzme Com,Uos-er.‘ CHANGE or TWENTY YE.ARs.,.:.,..._ Jory rar Bass 77»ice......_1,_. W31- CLOWNSrSONG,...-_...........,...,..,... ,_.. f'orBar'zTtone Voice. Ho: FILL, ME A'rANKARD,....._._,_,,,,..yang f‘orBas.s-Virice, .. % ....... .31» IN’ DAYS OF OLD.‘ /£1/“Bass775ice...I..._.,,..._...3]- SIMON THE C'ELLARER.... Vo‘.zZua.......’H~ MUSIC LIBRARY VASSAR COLLEGE THE WRECK OF THE HESPERUSt J. L. HATTON. It was the schoo _. ner Hes _ pe _ ms, That mf \./ sail’d in the win_try sea; And the Skipper had ta’e11 his 1it_t1e daugh_ter, To the K-2 hear him com- pa - ny. Blue were her eyes, as the fai - ry flax, Her cheeks like the dawn of day; And her ho- som white as the haw. thorn buds, That ope in the month of May. The D’ ' T Skip-per he stood be- side the helm,Wit>h his pipe in his mouth, wa.tch’d how the veer _ ing flaw did blow ﬁx; smoke now west, now sﬁuth. V up and spake gm old sai_l0I°, Had s"ai1’d the Span- ish main, pray thee, put in _ to you. der port, For I fear a hur _ ri _ K % T 4’) nvight moon had a gold - en rmg, But to-night no moon we “freak of Hesperus. Skip-pe1' he blew - whiff from his pipe, And a scorn _ ful laugh 1-au'gh’d Down came the storm, and smote a _ main The sh11d-der’d and p21‘us’d like a fright _ ed steed, Then leap’d her > VG,-eck of Hesner[IS¢ Come hi_the1'! come hi _ ther? lit _ tle daulgh _te1°, And . do not trem - ble - ' can Weather the rough _ est g:-l/e, * e-ve1' the wind did blow! fa_the1'! I hear the ch11rch—bell ring, ‘. what may \_/ fog-— bell on ‘ r0ck—-bound coast, We must steer for the 0 _ pen Vfreck of Hesperus. yr \‘ 4* gleamg ing light, 0 say 8 what may be?”. ‘*1 ' ’- — 1 ne_ver a Word, A fro _ zencorse was 115 stiff and stark, With his e face to the skies, fail- snow On his fix’d and glas _ sy eyes. -dim. ‘ Wreck of __ Hesperus. Dear ﬁn. _t.h'er! I see a ‘L Y >\s.._—/ ad lib. But the fa - >ther ans _wer’d Laslfd to the helm, all The lan-tern gleam’dtb1'oughthe .f.'f' pit) lento. Then. the maid’ _ en clasp’d her hands, and pI'ay’d That sav _ ed she might U §~\__.../ be; And. she thought of HIM, A who still’d th V tempo. But fast thro 11 the mid - dark and drear, Thro’ the Whist ling‘ sleet and sheet _ ed ost, the bark swept on To the reef of “ 0r_Inan’s w0e.’5. f furioso. Wreck of Hesperus. rattling shrouds all slleatlfd in ice, With the masts, V t by Like a ves_sel of glass, she stove and sank, H0! H0! the breakers ralle dim. ' ‘ﬂeck of Hesperus. Andante. At day—b1‘eak Aon the bleak sea—be-ach, A fish_er_man stood at. the form of a maid _ _ en a drift _ ing The salt sea was fro ‘s alt tears in b er eyes; M'1'c:cL' of Hesperus. streaIl1 , hair, like the brown sea weed, On the waves did fall and was the wreck of the Hes_ -pe_ rus5 V In the F mid_nigfl1t and the Oh.’ save us all from a death like this, On ‘the '10. if if 13%; . E Q’ '$' 99 ‘C of Nor - malfs Woe! W1-eck of Hespérus. :5 vvvvvvvvvvv *- 9 nwvvvvvvgvvvvv vvvvvvvsew-vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv--v-v--v--v-vvvvvvv- A! DREAMLE55 RE577 THE CHINEE DOLLY. Words by ADRIAN ROSS. - Music by F. OSMOND CARR. >7 Written by ADRIAN‘ ROSS. V-2 <7 0): dis‘: Price 45. ' Andante. Sam/re legato. A Composed by‘ F. OSMOND CARE. 2. Slow - ly the long day pass-es, SIow- ly the sun - set wanes; . . . Price 45‘ A ndanlz can meta. 1. I'm a dear lit-tle Chi—nee dol -ly, Lov’d by ev-'rydoll and toy~ 19 SW55 ' - dew panes. I x 5- —4?-“Q-—k—-'3-l—"——Q—k-‘Ir-Thi—'P‘——§—k~i‘—4’d—::—*—:——4:I*=— —‘—"-—‘—d*'~‘i-'—d—d3—.'I:"‘:3+-d—3—-3'4"-'—l-—~“""'r:'LT— Dolls thatcantalk.And dollsthatcanwalk,But thebest was a bold tin sol-dier boy! . . . __.____ _.p§___I__._ '_ T _"":._i'_"_l . 3'-El" *‘—'—d—d—'—i-3-5-1‘:I—-1-1-I”!—‘—i—£—-‘--i-=l-I--—*:'r—*"*I— 30 U C,’ \; SIOWIY the 10113 day P355559 Into the cloud-land golden Gsd W1)’ the 511“-593 W333-5; Under the ev'ning star. ' ol on the waving grasses , _ 4 0 J 4 ‘ Red on the window p,mes’_ There was the land I hopd to ﬁnd, _ §.,_,____j _‘._g_j"____¢__,'=___i_g__;’_5_.i_,__g__,____I_,__-;_ Slowly the great bell numbers VVhere care and sorrow were left behind ; . _,g:___:_ g by I 74 I I our after weary hour’ %'3'}e]yond.the}f!laIir]Ie of t_helcrimson West, I &/ In Here where the shadow Slumber‘ . ere,“a° L 6 Ome or ove to rest ' I'm a dear little Chinee dolly, ' But my poor little leaden soldier Under the grey old tow r. VaCI)n werelit now to wander Lov'd by ev’ry doll and toy— fell upon the floor one day, This 15 the song of the tolling bell : L “t. ‘° 1 7“ fairy 5l1°1'€y Dolls that can talk, and dolls that _can walk, His head had.a dent, and his stand was bent, When love is happy, to live is well ; "Ire 15 l‘9t1heTe OT )‘0“d5*'y But the best was a bold tin soldier boy! And his uniform was flak d away‘! When_]ove is ended, [0 sleep is best, ‘We “"1 "°,“~1‘"“ "9 m°"e- For he had a coat of red, red, red, I wept for my boy in vain, VE.1ll'l,’\‘£\ll1,, _ Here is the homeof d;-eam1e55 rest 1 Here must I 1111337 100513’: And a gun and a sword oflead. lead, lead, For he never could stand again, gain, gain, DOW“ “'l‘e“e ‘he 5h‘"*d°“'5 fan- And he looked so grand on his little stand. So I wed instead of my lad of lead That he won the maid of the Flowiry Land 1 A Mandarin with a nodding head I Once in a dream departed Hearing the great bell only Saw I a land more fair, I with my love true-hearted, Dream’d I could wander there ; Out of the city olden, Into the West afar,‘ Out of the twilight call. This is the song of the tolling bell I When love is happy, to live is well ; Vi/hen love is ended to sleep is best, Here is the home of dreamless rest I Once so jolly, dolly. talkee folly, dolly, Used to sing song, dancee with a fan, Now, so solly, dolly, melancnoly dolly, All for my tin, tin sojeman! Once so solly. dolly. rnelanc_ho1y dolly, \Veepee so for sojeman of tin ‘ Now so jolly, dolly, give up fbll'y, dolly, Molly piecee Chinee Mandarin . REFRAIN. . _», 9 Ytmpa fnma. .—9—ie ““‘—L—7V‘T REFRAIN. \\I II I aI J‘ In. Q. ' . . 6 This is the song of the toll - ing bell: When love is hap - py, to live is well; Once so jol- ly, dol- ly, talk- ee fol- ly, dol- ly, Used to sing song, dancee witha fan, ‘in’ .II I 5% :7. Ijl » 5- E— ﬁ_—%—-E-'-.E:|5.—._5.-15:57‘ ' v'vl l a Q . , 1* l I5 I o J ‘I | I I Voices. The Young Heart; and the Old. Words by CLIFTON BINGHAM. THE THREE ANGELS. Price 45. Music by E. WALKER HUNTER. Price 45- Modzrata. Moderato Ii I \ I J I ' I\ Iwir _|\ I I ‘i ‘ R I ii I A I I 4--3.-—.I.gd—.c— 9 3' 0-'3" - - \_/ 1. I wan-der’d in God's sunlight. . A-cross theﬁelds of May, The tears ofSpringwere AZ--11. 1 1. The young heart sang in the sun - light, The old heart read in the shade; . . .¢.. E41 . '6-"959 3-2. :1 “E” ==.‘-$55: ‘I J I I {A “2. 5:3 ._l. . .5. ' AAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAA.A;AAAA.sAAA4AAAAAAAAAAAAAAAAAAAAAAAAA;AAAAAAAAAAAAAAAAAAAAAAAAAAA shin - ing on ev' ry leaf-y spray, A phan-torn crept be - side me, .9. The young heart sang in the sunlight, The old heart read in the shade; Oné: was a sunny brpdw d Inlaiden, ne was a grey o mart . She 1ook’(l from the page to listen, To the song by the young heart sung ; Thought she “there are miles a thousand 'Twixt_ the old heart and the young I” The young heart wept in the twilight, O Thefoldf heart drpamt at her side, ne 0 a ar away over One of a lad who died. She whisper’d of hope and comfort, The story of years was told ; Thought she, “ There is but a footstep ’Twixt the young heart and the old.” And the young heart lost its sorrow, As close to the old it was laid, There in the dusk together The old and the young heart prayed. One lover came home in the spring-time, One has been dead long years ; But the old heart forgot its own grief In healing the young heart’s tears. I wander’d in God's sunlight, Across the ﬁelds of May, The tears of Spring were shining On ev’ry leafy spray, A phantom crept beside me, Its shadow on me cast ; I spoke, “ VVhy dost thou haunt me?” It sigh’d, “ I am the Past !” I sat alone at nightfall Within my silent room, A shadow sat beside me With brow of sombre gloom. O‘er burden’d with its presence, At last aloud I cried: , “ O spirit, speak, who art thou?” “ The Present it replied !” In doubt and sorrow wand’ring, I pass’d into the night, A star-brow’d angel met me, I A form ‘o‘fIwonctl1r;oL1;‘lztght. ' n _t spa to am e u ure . I seeni’d God’s peace to see, And sorrow as a mantle Fell fromithe soul of the ! In Keys to suit all Voices. In Keys to suit all Voices. LONDON; JOSEPH WILLIAMS, 24, BERNERS STREET, W.
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Date: 1895
Text: E T.‘ 3. ucw ma sA us us A v THE CATHEDRAL PARAGRAPH PSALTER CONTAINING THE CANTICLES, PSALMS, AND PROPER PSALMS ARRANGED IN PARAGRAPHS AND POINTED FOR CHANTING A ASCHEME OF APPROPRIATE OHANTS AND BRIEF I " NOTES ON THE PSALTER EDITED BY THE REV. J. TROUTBECK, D.D. (Chaplain in Ordinary to the Queen and Minor Canon of Westminster). PRICE THREE SHILLINGS AND SIXPENCE. The principle of Pointing followed is that of the Cathedral Psalter, with slight modiﬁcations here and there, _ ....
Show moreE T.‘ 3. ucw ma sA us us A v THE CATHEDRAL PARAGRAPH PSALTER CONTAINING THE CANTICLES, PSALMS, AND PROPER PSALMS ARRANGED IN PARAGRAPHS AND POINTED FOR CHANTING A ASCHEME OF APPROPRIATE OHANTS AND BRIEF I " NOTES ON THE PSALTER EDITED BY THE REV. J. TROUTBECK, D.D. (Chaplain in Ordinary to the Queen and Minor Canon of Westminster). PRICE THREE SHILLINGS AND SIXPENCE. The principle of Pointing followed is that of the Cathedral Psalter, with slight modiﬁcations here and there, _ . suggested by experience, in the treatment of individual verses. For the accents which are used in the Cathedral Psalter to indicate the beginning of the bar of duple time, which connects the free recitation with the metrical part of the chant, are substituted super-imposed musical notes, in accordance with the principle set forth in the Preface to the Cathedral Psalter, so as to indicate exactly, in every verse throughout the Psalter, the best method of dividing the bar into the component parts of a semibreve. Other means also have been adopted to ensure clearness and promote facility. Preﬁxed to the new Psalter is a Scheme of Chants and some brief Notes on the History of the Psalter and the‘ Characteristics of each Psalm. THIRD EDITION (REVISED AND GREATLY ENLARGED). Containing 6oO Chants. Price 25. 6d.; Cloth, 33. THE WESTMINSTER ABBEY CHANT BOOK ARRANGED AND EDITED BY THE REV. J. TROUTBECK, D.D. (Chaplain in Ordiiliary to the Queen and Minor Canon of Westminster), ND J. FREDERICK BRIDGE, MUS. DOC. (Organist of Westminster Abbey and‘Gresham_Professor of Music). This Edition has been arranged in connection with the CATHEDRAL PARAGRAPH PsALTER,'prepared by Dr. Troutbeck on the lines of th edral Psalter. ' ‘ ‘ - ny fresh contributions, including Single, Double, and Triple Chantsespecially are set—_—by Dr. J. F. Bridge, J. Foster, Myles B. Foster, Dr. G. M. Garrett, I, John E. West, Dr. G. C. Martin, Sir Herbert Oakeley, Sir John Stamer, ' inted for the first time, by Sir Joseph Barnby, H. Smart, &c. In-x -cm-"' t‘ a~v«»«-s.-.:~a-nu.-w~ I-Wu: E...» NOVELLO’S ORIGINAL OCTAVO EDITION. THE WRECK OF THE HESPERUS POEM BY LONGFELLOW SET TO MUSIC FOR SOPRANO, TENOR, AND BASS SOLI, CHORUS AND ORCHESTRA HERBERT W. WAREING. PRICE ONE SHILLING AND SIXPENCE. LONDON 62 NEW YORK NOVELLO, EWER AND CO. Copyright, 1895, by Novello, Ewer and Co. The right of Public Representation and Performancegis reserved. The purchase of Scores and Parts carries with it the right of Public Performance. If it is desired to use hired or borrowed copies of Scores or Parts, the permission of the Publishers must beﬁrst obtained. THE VVRECK OF THE HESPERUS. L011§f‘*110W- Herbert VV. Wareing. ’ _ J T Mus.D0o.Cantab. Modemto assaz. = 88. p Juice 5 sempre [again 1'19’ ml]. e dim. stringendn 10081 (70j>yr'z'g7zz‘, I895, by N0716Zlo,Eze1er 5: C9 A Modemto ass '. J: 69. ff imat0.J=8s. mf dnlra semp re Iegata sempre tremalan CHORUS. B Allegretto. So rano. It was the schooner was the schooner It was the schooner Bass. It was the schooner Alle etto. J: 108. p— per had ta - ken his Skip— per had ta - ken his skip — per had ta — ken his skip — per had ta — ken his lit — vhf E7 dnlre Hes-perus,That sailed the win — try And the Hes-perus,That sailed the win-try Hes-perus,That sailed the win—try Hes—perus,That sailed the win-try vv daugh—ter, To hear him, to-bear him lit ~ I16 daugh-ter, To bear him lit— tle daugh-ter, To bear to bear him e daugh—ter, To hear him, to bear him skip — per had ta — ken his lit-tle daugh— ter To skip— per had ta — ken his lit- tle daugh— ter T0 skip- per had ta — ken his lit — tle daugh— ter To s p _ per had .- ken his t—tle daugh — ter To him, to hear him Blue were her him, t hear him: . bear him - Blue were her eyes as the him, hear him Blue were her eyes as the fairy flax, cheeks e the dawn of day, eyes as the flax, as the fairy flax, cheeks like the dayvn of day, fai — ry__ ,as the fairy ax, cheeks like e dawn of day, Blue were her V — cheeks like the dawn of day, mb bo— som white as the haw—thorn budsThat ope in the month of bo — som white as the haw—thorn buds That ope in the month of o — som white as the haw—thorn buds That ope in the month of bo - som white as the _thorn buds That ope in e month of in the month of ope in the month of May, Mair, May, May, 7}’ pg’ 76 mll. bo—som white as the hawthorn buds in the month of bo—som white as the ha orn buds \ in the month of bo—som white as the wthorn buds That ope in the month of L’ 55,- - _ 000 mll. bo—som white wthorn buds That 0 e in the month t Pemjao Moderafo. J, 100. — side the helm, Allegretto modemto. J: 100. P dulce X: o ' A 9 Bass Solo. he stood bee was in his mouth, watched how the veer—ing flaw did blow The smoke_________now West,now He watched how the veering flaw did blow, did blow The 3k Fed. Tenors. The skips. — per he stood be- Basses. /._\ smoke now West, now South The skip — per he stood be- . /_\ ¢_z temjwo — side the helm, ' ._____._. was in his mouth, - side the helm, ' ___j__ was in his mouth, watched how the veer-ing flaw did blow watched how the veer-ing flaw did blow The smoke now West He watched how the veer—ing_f1aw did blow, He watched how the veer—ing flaw did blow, / smoke now West,__ nowWest,now South. smoke now West,.f)now est,now South. ‘I 7 H4? The smoke now West,__ nowWest,now nowWest, now did blow The did blow The f_\_ A Z‘ P d Z‘ [1015 /\ 0 7710 67771 0. D 7 _ J B /“T PPl'b Tenor Solo. “ t6"”'4’0 Then a tempo A £1; £1 ‘"4 jvoco mil. up and spake an Old Sail — 0r,__ Had sailed... theSpanish Main,__ ((1 arlamte pray thee put in—to yon—der port For I fear,_ I fear a 8 dalre hur—ri—cane, “Last night the moon had a gold — en ring, And to- TTTE P 110/ CHORUS . Soprano. “ IEast night the moon had a golden ring,And to- 0. - “Last night the moon had a golden ring,Andto- T or. night no moon We see! _._ “Last night the moon had a golden ring,And to— ELSS. “Last night the moon had a golden ring,And to- Am'maz‘0. The skip-per, he blew a The skip—per, he blew The skip -per, he The skip—per, he ~b1ew A-m'mat0. J: 110. "If whiff his pi , whiff from pipe,”_ And whiff from his pipe,_ And whiff from his pipe,__ And scorn-ful laugh 1augh- ed ful laugh 1augh— ed — ful laugh 1augh—ed 12 Q Allegro modemfo. older and 1oud—er blew the wind Colder Colder and 1oud—er blew the wind Colde , =12 /0 modemto G 5’ o1d—er and loud-er blew the Co1d—er and 1oud—er blew the m -e Cold - er, '$0lut0 A gale, a f risolut A gale f.rom ale from The snow fell hissing A gale, a gale from the North — east; The snow fell hissing Northwast, a gale, a gale from e or L — east; The Snow fen N0rth—east, a gale, a gale fromthe North — east; — to e brine; ' break — ers froth’d like in — to the brine; And the break - ers froth’d like - ing; And the break— ers frothd like And the break— ers fr0th’d like SHOW fe11— hiss - ing in - to the brine, And the breakers: froth’r1 like t_ . . yeas And the breakers fr0th’d snow fell__ hiss — ing in ~ to the brine, And the breakers fr0th’d like Yeast And the breakers fr0th’d like F 10081 D wncame est rm, smote -main Down came storm, smote a - main , vessel st0rm,and smote a - main vessel I Down came est0rm,ands te a — main vessel 3 5'15? H stre -‘ e shudd red and paused, a t-ed steed, enleapt her strength; S\1-1/e ddered and paused,1'1kea fright — ed steed, Then leapt her strength; Then leapt her strength; Moderat ca-b1e’s1 ca—b1e’s length. ca—b1e’s1ength, her ca-b1e’s1ength. 021.1, 935 her ca—b1e’s1ength. Bass Solo. ca—b1e’s length. Come Mode/rato V 15 tranquilla ran espn-1'55. hither, come my 1it—t1e daughter, And do not tremble .1 \/ ptra quilln [an espress. can wea—ther the rough — est gale That ev— er the wind did D1 Tampa cmimato. rrz hi — ther, come my lit - tle ﬁx/_\ daughter and do not, do not trem—b1e so; For can weather the //*‘——.xe//--T Piic animato. 0 rano. ewrapped her warm in his e wra her warm in his Wrapped her warm in his S. roughest gale, that ev- the win 1ow.___ He_\‘vrapp_ed herw rm in his Pm ato. =126. sea—man’s c0at_________ A ‘ 3135" the [5 sea-man’s.c0af.________ A - ainst the S sea—man’s coa ._._____.... A - gainst the sting - ing sea—man’s coat___.______ A - g t e sting — ing broken spar And bo broken S And bound her to broken spar,_._._...._______ d bound her to «broken spar,_._______? And bound her to the \.z mast; He cut aropefroma brokenspar Andboundherto the mast.__ 1} 1;}- mast. He cut aropefroma brokenspar Andboundherto the mast.___ h _"_‘_"“.._j-— mast. He cut aropefroma brokenspar Andboundherto the ’mast.___ 4 mast. He cut aropefroma brokenspar Andboundherto the - mast... {W Modemto. J=96. Soprano Solo. 0 fa—ther! Ihear the church-bellsring, 0 say what mayit /—~;-'———t'*-\ Tempo an/imatto. - be?. Bass Solo. ’Tis a ‘ fog—be11 on a roclcboundcoast! And he Temﬁo arzimato. ’ Modemto. 777 fa-thcr! I hear the steered for the 0 - pen sea. ﬁ If Modemto. L96. __ \ f-—\ rev” Tempo am'maz‘0. e- sound of guns, 0 say what may it Some Tempo am'maz‘o. ship in distress, that can- not live ‘In such an an-gry sea! _ fa — ther! see a gleaming light, ham Meno 7710550. Soprano. But the a-ther an—swered nev-eraword, For a Tenor. But the fa-ther an-swered nev-erawordt, For a "£0550. J-_-.96. M 6720 Voices Andante con mato. Lashed to the helm, Lashed to the helm,.__._ Lashed to Lashed to the helm, all Atzda-mfe 0072 moto. =92. say_ e helm, all what may it‘ fr0- zen corpsewas fro - z corpsewas fro - zen corpsewas fro - zen corpsewas all stiff and stiff and stiff and stark, ith his face turned to the ._______ The Ian-tern gleamed thro’ the stark,With his face turned to the es,_ the skies,The Ian - tern gleamed thro’ the — stark, Withhis face turnedto the skies,._the skies,The Ian-tern gleamed thro’the — ‘ stark, With his face turned to the skies,_._______ The Ian - tern gleamed thro’ the Larghetto (:0/z mafo. g1ea.m~ing- snow On his fixed and glass g1eam— ing snow Onhis fixed and glass - gleaml ing show On his fixed and glass gleam - ing snow On his fixed and glass eyes. Larglzetto can m0z‘0 M =96. Larg‘Iu;t1‘0. N /‘x 17 L92. 8 Larglzefto co/z mall/‘0 espressione. S/<_:>\prano So1o.0 And the maiden clasped her hands and prayed That sav - ed she might /3 »/{T be; And she thought of Christ who stilled the waves,Onthe Lake, the Lake Qf ; {"3 r 1' hi Ga — 1i-lee. The maid -en clasped her hands and prayed That sav — ed she might And she thought of Christ who stilledthe waves, ——§-+ ad lib. thought of Christ who stilled the Waves On the Lake_ Ga—1i-1ée,__ onthe mfcolla 5EﬂlpI"E EFEEE. ‘Z/006’ Pd Lake of Ga- 11 — lee. Z’_\ 9?: F'Ed.9§9 Pad. 5% F211. 9% Pad. 95' 10081 AlSleg7’eIft0. rano. And fast through the mid - night dar __ and drear, Throughthe Tenor. And fast through the mid — night dar __ and drear, Throughthe Allegrett0.J. : 60. whist - ling sleet and snow, whist — ling sleet and sel swept Towardsthe reef of the Nor - man’s sel swept Towards the o the or — man’s sel swept Towards the of the Nor - marfs sel swept Towards the of the Nor - man’s be — tween be — tween be — tween soundof etramp—1ing surf, land ;_.’tWas the sound of the trarnp—ling SLTIT, 1and;._ ’twas the sound of the trarnp—1ing surf, — 1and;._ ’twas the sound of the tramp-ling surf, breakerswere right be - neath breakerswere right he — neath breakerswere right e — neath breakerswere right he — heath came from the from the V I0 cks and the hard sea - ro cks and the hard sea - rocks and the hard sea — rocks thehardsea - her bows, She her bows, She drift-ed a drear - y her bows, e drift; ed a drear — her bows,She ‘drift-ed a drear — y xgfrlgggp — ing bil swept her crew oop — ing bil swept her crew c. oop — ing b swept er crew L e whoop - ing bil low swept her crew " Wm cic-1es__ from her gy — C10-19$-— from 1161' deck,from her deck. - c-1es__ from her’ deck,from her deck. She struckwherethewhite and cic.-1es”.’__ ’from her .:__._ She struckwherethe white mf She struckwhere e white and fleec — y waves fleec - y waves, Looked soft__ as card — ed, card — ed wool, ./’———_S fleec - y waves, Looked soft_:.. as card - ed wool, struck where e whi e___ and Looked struck where the ' and Looked struck ere the white_ and Looked Looked '77)‘ But the cm - e1 rocks as card 7 as card _ as card _ er sides, cru — el rocks er sides, Like her Sides, _he'r sides, Like her sides, her sides, Like her sides, her sides, Like horns of horns of an horns of horns of .._______ cru - e1 rocks, dim. cru - e1 rocks, they ru - e1 rocks, they > . _ e1 rocks, they — e1 rocks, they dim ﬁ-\______,,/ uds all sheathedin ice. Withthe Her ratt— ling shrouds all sheathedin ice. Wifhthe Her shrouds all sheathedin ice. went by the went by the went by the FE L'7'£’5L'. stove andsank, Ho! ho! stove and sank, stove and sank, stove and sank, J) sempra [f‘E5l_'. T ves — sel [I’E5L' ves — s e1 [rest was — sel [l’E5[.' —se1 T molio rail. of glass, of glass, of glass, of glass, molto rail. Molto meno mosso. J-:60. D-AY-BREAK ON THE SEA-SHORE. Azzdazztzbzo 0022 molzfo espress. W A7zdam‘z'7z0. J = 112, 9? When this work is performed with pianoforte accompaniment only, it maybe considered ad - visable to omit the part between this sign and that on page 34. ' ‘ -T - 10081 Andante con moto. J : 108. Sastenuto. ,,, Tenor Solo. At day-break on the lone sea—beach, A fish-er-man stood a - ghast to see the form of a maiden Lashed close 0 a drift—ing mast The salt seawas fro—zen /"\ on her breast,The saltjtears in her eyes-, saw her hair, like the brown sea-weed, n e bi1—1ows fall He saw her hair like the brown sea—weed,. On the bil ~ lows fall and__ — Suchwas thewreck of the Hes—per-us, the ' ght and the snow! Christ save us all from a \_,-E death like this, On e or-marfs Woe! y Allegretfo. S rano. Alto. Christ save us all from a death like this On the reef of the Nor—rnan’s Bass. y Allegretto. J = 112. Li’ R____,/ 37 Christ save us all from a death like this On the reef of the or-man’s Woe save all from a death like . ,fromadeath like us__ all fr a death like \, this Christ W save us all ) Christ s e us all from a death 0 thi or the Nor - marfs . Z7 T ¥’/ ;_,./ v_.__..—-—Z this, 0 save us... all,.____ 0 save us from death like $a______,z from a death like this Christ save us all Christ save us all from a death like this On the reef of the Norrnarfs Woe Christ save us, save,___ S€lV6 Woe! Christ save us V us, save,____ save___ us ave ,_ save all, 0:: all,_.__ Christ save us 1' all, Christ Christ Woe! .b all froma death like this Oh the all,,_._ us__. all, r ef of the or — man’s F l’ us all, death like this death like this Christ Christfroma death like this 0 save us reef of the Nor-marfs Woe, save us reef of the Nor-marfs Woe, us all, 0 I'll death like this On the reef f the Nor- man’s Woe, \./ death e this On the reef of theNor-man’s Woe, death like this On the reef of theNor-man’s , O_ save._ death like e reef of Nor - man’s oe, O._ save_ all,_.___..___ Christsave us all from all, Christ save us all, save us all from a Christsave all from death like this, from a all» sempre crest. death like this, death like this, death ethis, O__._ 5Efﬂ[7f‘£’ L755}. E Christ save us all death like__ all, save from a death like__ all, save from a death like___ J Andante C0/'2 m0I.‘0. mf Such was the wreck f Such was thewreck of the Hes - A7zdam‘e 0022 moto. J : 84. per -118‘, "If this, this, all. a death like a death like In the the mid-night mid—night reef reef reef reef Christ save us st s of the of the of ‘ e of the 8 Christsave from a death like alﬁnnra deaﬂ1hkeﬂﬁs0n e reef f the or- On the reef f the Nor-man’s death ﬁke death like death like this SOI1 n the this On‘ LONDWWNOVEUORC9 Engravers Kg Printers NOVELLO’S ORIGINAL OCTAVO EDITIONS ,. I Oratorios, Cantata FRANZ ABT. (Female voices) ... (ditto) (SOL-FA, 0/6) 0 (SOL—FA, 0/6) THE FAYS’ FROLIC SPRINGTIME SUMMER THE GOLDEN CITY THE WISHING STONE THE WATER FAIRIES THE SILVER CLOUD MINSTER BELLS (ditto) B. AGUTTER. MISSA DE SANCTO ALBANO (English) MISSA DE BEATA MARIA VIRGINE, IN (English) (Female voices) THOMAS ANDERTON. YULE TIDE THE NORMAN BARON II WRECK OF THE HESPERUS (SOL-FA,0/4) W. I. ARGENT. MASS, IN B FLAT C P. ARMES. HEZEKIAH ST. JOHN THE EVANGELIST ST.BARNABAS .. no A. D. ARNOTT. YOUNG LOCHINVAR(SoL-FA,0/6) THE BALLAD OF CARMILHAN (SOL-FA, 1/6) E. ASPA. THE GIPSIES ENDYMION up Ibl ASTORGA. STABAT MATER ... BACH. MASS, IN B MINOR MISSA BREVIS, IN A . . THE PASSION (S. MATTHEW) ,, Abridged, as used at St. Paul’s THE PASSION (S. JOHN) CHRISTMAS ORATORIO ... ... MAGNIFICAT GOD GOETH UP VVITH SHOUTING GOD SO LOVED THE WORLD ... GOD'S TIME IS THE BEST (SOL-FA,0/3) .. MY SPIRIT WAS IN HEAVINESS O LIGHT EVERLASTING BIDE WITH US ... ... A STRONGHOLD SURE ... ... BE NOT" AFRAID (SOL-FA,O/4) BLESSING, GLORY, AND WISDOM I WRESTLE AND PRAY (SOL-FA, 0/2) THOU GUIDE OF ISRAEL ESU, PRICELESS TREASURE HEN WILL GOD RECALL MY SPIRIT JESUS, NOW WILL WE PRAISE THEE J. BARNBY. REBEKAH (SOL-FA, 0/9) ... THE LORD IS KING (97th Psalm) LEONARD BARNES. THE BRIDAL DAY J. F. BARNETT. THE ANCIENT MARINER(SOI.-FA, 2/O) ... THE RAISING OF LAZARUS . PARADISE AND THE PERI THE WISHING BELL (Female voices)(SOL-FA, 1/-) BEETHOVEN. TI-IE PRAISE OF MUSIC I RUINS OF ATHENS ENGEDI; OR, DAVID IN THE WILDERNESS MOUNT OF OLIVES MASS, IN C COMMUNION SERVICE, IN C MASS, IN D THE CHORAL SYMPHONY D1TTo, VOCAL PART (SOL-FA,0/6) THE CHORAL FANTASIA (SOL-FA, 0/3) A CALM SEA AND A PROSPEROUS VOYAGE . MEEK, AS THOU LIVEDST 1/9/95- uo no on Inn in an 323$-E°A’ ML’ }§“"°' c:c>c>a>as<nFsm “'°" Paper |lll|lIlB<wds- Clth ll|lI|||<+3t- C a: SS IIIII1I|:III1II%i;°II|% HHHIHIHH1~'£§HI% to IIIIISISSSEB IIIS , SIGURD . . OF s, Odes, Masses, &c. KAREL BENDL. WATER-SPRITE’S REVENGE (Female voices) WILFRED BENDALL. THE LADY OF SHALOTT (Female vv.) (SOL-FA, 1/0) SIR JULIUS BENEDICT. ST. PETER THE LEGEND OF ST. CECILIA (SOL-FA, 1/6) PASSION MUSIC FROM ST. PETER SIR W. STERNDALE BENNETT. THE MAY QUEEN (SOL-FA, 1/0) V .. THE WOMAN OF SAMARIA (scum, 1/0)... INTERNATIONAL EXHIBITION ODE (1862) G. R. BETJEMANN. THE SONG OF THE WESTERN MEN ... W. R. BEXFIELD. ISRAEL RESTORED HUGH BLAIR. on HARVEST-TIDE BLESSED ARE THEY WHO WATCH (ADVENT) JOSIAH BOOTH. THE DAY OF REST (Female voices) (S01.-FA, 1/0) E. .M. BOYCE. THE LAY OF THE BROWN ROSARY YOUNG LOCHINVAR ... .. J. BRADFORD. HARVEST CANTATA THE SONG OF JUBILEE PRAISE THE LORD W. F. BRADSHAW. GASPAR BECERRA . . ‘ . . J. BRAHMS. A SONG OF DESTINY C. BRAUN. s J. C. BRIDGE. DANIEL .. .. .. RUDEL . . J. F. BRIDGE. ROCK "OF AGES (Latin and Eng1ish)(SoI.—FA, 0/4)... MOUNT MORIAH BOADICEA” ... ... ... CALLIRHOE (SOL-FA, 1/6)... NINEVEH .. . THE INCHCAPE ROCK THE LORD’S PRAYER (SOL-FA, 0/6) THE CRADLE OF CHRIST (“Stabat Mater Speciosa”) nu DUDLEY THE LIGHT OF ASIA EDWARD BUNNETT. OUT OF THE DEEP (13oth Psalm) ... W. BYRD. MASS FOR FOUR VOICES (in F minor) CARISSIMI. JEPHTHAH .. . F. D. CARNELL. BUCK. SUPPLICATION GEORGE CARTER. SINFONIA CANTATA (116th Psalm) WILLIAM CARTER. PLACIDA CHERUBINI. REQUIEM MASS, C MINOR (Latin and English) SECOND MASS, IN D MINOR... THIRD MASS (CORONATION) FOURTH MASS IN C an can. on ... nu NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.——Contimu rl. on E. T. CHIPP. OB ... . AOMI ... . ... HAMILTON CLARKE. PEPIN THE PIPPIN (Operetta), both Notations (DITTO, SOL-FA, 0/9) THE MISSING DUKE (Operetta) (SOL-FA, 0/9) THE DAISY CHAIN (Operetta) FREDERICK CORDER. THE BRIDAL OF TRIERMAIN (SOL-FA, 1/0) SIR MICHAEL COSTA. THE DREAM ... . . no H. COWARD. .THE STORY OF BETHANY (SOL-FA, 1/6) F. H. COWEN. ST. OHN’S EVE (SOL-FA,1/6) A S NG OF THANKSGIVING... SLEEPING BEAUTY (SOL-FA,1/6) ... RUTH (SOL-FA, 1/6) SUMMER ON THE RIVER (Female vv.) (SOL-FA,0/9) THE WATER LILY VILLAGE SCENES (Female voices) (SOL-FA, 0/9) CHRISTMAS SCENES (Female voices) (SOL-FA, 0/9) J. MAUDE CRAMENT. I WILL MAGNIFY THEE, O GOD(I45th Psalm)... LITTLE RED RIDING HOOD (Female voices) ... W. CRESER. EUDORA (A dramatic Idyll) W. CROTCH. PALESTINE . W. H. CUMMINGS. THE FAIRY RING ‘N. G. CUSINS. TE DEUM ... GIDEON ... FELICIEN DAVID. THE DESERT (Male voices) P. H. DIEMER. BETHANY ... ... ... ... . M. E. DOORLY. LAZARUS ... ... F. G. DOSSERT. MASS, IN E MINOR COMMUNION SERVICE, IN E MINOR F. DUNKLEY. THE WRECK OF THE HESPERUS ANTONIN DVORAK. ST. LUDMILA DITTO (German and Bohemian Words) THE SI’ECTRE’S BRIDE (SOL-FA, 1/6) DITTO (German and Bohemian Words) STABAT MATER PATRIIOTIC HYMN... ITTO German and Bohemi REQUIEM MASS .(.. an.Y.vord.s.). MASS, IN D COMMUNION SERVICE, IN D A. E. DYER. SALVATOR MUNDI ELECTRA OF SOPHOCLES H. J. EDWARDS. THE ASCENSION . THE EPIPHANY PRAISE TO THE HOLIEST EDWARD ELGAR.m THE BLACK KNIGHT ..‘. . . ROSALIND F. ELLICOTT. ELYSIUM THE BIRTH OF SONG GUSTAV ERNEST. ALL THE YEAR ROUND (Female vv.) (SOL-FA, 0/9) T. FACER. RED RIDING-HOOD’S RECEPTION (Operetta)... DITTO, SOL—FA, 0/9 E. FANING. BUTTERCUPS AND DAISIES (Female voices) 2/6 (DITTO, SOL-FA, 1/0) HENRY FARMER. MASS, IN B FLAT (Latin and English) (SOL-FA, 1/0) 2/0 on J :1 U MYLES B. FOSTER. THE LADY OF THE ISLES /6 THE ANGELS OF THE BELLS (Female voices)... 1/6 (DITTO, SOL-FA, 0/ THE BONNIE FISHWIVES(Female VV.)(SOL-FA,0/9) 2/6 SNOW FAIRIES (Female voices) 1/6 ROBERT FRANZ. PRAISE YE THE LORD (xI7th Psalm) NIELS W. GADE. PSYCHE (SOD-FA, 1/6) SPRING’S MESSAGE (SOL-FA, 0/3) %§{OLb—IKING’S DAUGHTER (SOL-FA, 0/9) THE CRUSADERS ("sloL-I§X, I/0')" III COMALA CHRISTMAS EVE (SOL-FA, 0/4) HENRY GADSBY. LORD OF THE ISLES(SoL—I7A,1/6) ALCESTIS (Male voices) . . . COLUMBUS (Male voices)... . F. W. GALPIN. YE OLDE ENGLYSHE PASTYMES... ... G. GARRETT. HARVEST CANTATA (SOL-FA, 0/6) ... THE SHUNAMMITE THE TWO ADVENTS R. MACHILL GARTH. no EZEKIEL THE WILD HUNTSMAN A. R. GAUL. A SONG OF LIFE (Ode to Music) (SOL-FA, 0/6) }OAN OF ARC (SOL-FA,1/0) PASSION SERVICE . . RUTH (SOL-FA,0/9) ... THE HOLY CITY(SOL-FA,1/0) .. THE TEN VIRGINS (SOL-FA, 1/0) IJSPIIKAAEL IN THE WILDERNESS (SOL-FA,1/0) (DITTO, SOL-FA, 1/0) THE LEGEND OF THE WOOD (Female voices)... (DITTO, SOL-FA, 0/8) FR. GERNSHEIM. SALAMIS. A TRIUMPH SONG (Male voices) E. OUSELEY GILBERT. SANTA CLAUS AND HIS COMRADES (Operetta) F. E. GLADSTONE. PHILIPPI ... GLUCK. ORPHEUS ... ... ... F. K. HATTERSLEY. ROBERT OF SICILY HERMANN GOETZ. BY THE WATERS OF BABYLON (137th Psalm)... NCENIA THE WATER-LILY (Male voices) ... CH. GOUNOD. MORS ET VITA (Latin or English) ITTO, SOL-FA (Latin and English)... RE UIEM MASS, from “ Mors et Vita" TH REDEMPTION (English words) (SOL-FA,2/0)... DITTO (French Words) DITTO (German Words)... MESSE SOLENNELLE (ST. CECILIA)... OUT OF DARKNESS ... COMMUNION SERVICE (Messe Solennelle) TROISIEME MESSE SOLENNELLE DE PROFUNDIS (13oth Psalm) (Latin Words) DI-I-1-o (Out of darkness) THE SEVEN WORDS OF OUR SAVIOUR ON THE CROSS (Filia: Jerusalem) ... ... . DAUGHTERS OF JERUSALEM GALLIA (SOL-FA, 0/4) A. M. GOODHART. EARL HALDAN’S DAUGHTER ARETHUSA .. no on C. H. GRAUN. THE PASSION OF OUR LORD (Der Tod Jesu) .. TE DEUM ... ALAN GRAY. THE WIDOW OF ZAREPHATH ... ARETHUSA .. THE LEGEND OF THE ROCK-BUOY BELL J. O. GRIMM. THE SOUL’S ASPIRATION ... .. G. HALFORD. E. V. HALL. IS IT NOTHING TO YOU P _; o THE PARACLETE 0219 v4 4 IIIIIIIIEIEIIBIIE HANDEL. ALEXANDER'S FEAST AND GALATEA TO, New Edition edited b . Barnb SOL-FA,l 0 ALCESTE ...” SEMELE... THE PASSION THE TRIUMPH OF TIME AND TRUTH... ALEXANDER BALUS .. HERCULES ATI-IALIAI-I ESTHER... SUSANNA ... THEODORA BELSHAZZAR THE MESSIAH, edited by V. NOVel10(SOL-FA, 1/0) ... THE MESSIAH, ditto, Pocket Edition THE MESSIAH, edited by W. T. Best ISRAEL IN EGYPT, edited by Mendelssohn ... ISRAEL IN EGYPT, edited by V. Novello,Pocket Edit. }UDAS MACCABZEUS (S01-FA, 1/0) ... UDAS MACCABAZU S, Pocket Edition . . SAMSON (SOL-FA,1/0) SOLOMON JEPHTHA OSHUA ... EBORAH SAUL CHANDOS TE DEUM DETTINGEN TE DEUM . UTRECHT JUBILATE O COME, LET US SING UNTO THE LORD (5th Chandos Anthem) O PRAISE THE LORD (6th Chandos Anthem) CORONATION AND FUNERAL ANTHEMS Or, Singly:— THE KING SHALL REJOICE . . ZADOK THE PRIEST ... MY HEART IS INDITING... LET THY HAND BE STRENGTHENED THE WAYS OF ZION ODE ON ST. CECILIA’S DAY L’ALLEGRO DIXIT DOMINUS (from Psalm ex.) HAYDN. THE CREATION (SOL-FA, 1/0) ... THE CREATION, Pocket Edition . THE SEASONS Each Season, singly (SPRING, Tonic Sol—fa, 6d.) FIRST MASS, IN B FLAT (Latin) DITTO (Latin and English) SECOND MASS, IN C (Latin) THIRD MASS (IMPERIAL) (Latin and English) ITTO (Latin) SIXTEENTH MASS (Latin) THE PASSION; OR, SEVEN LAST WORDS OF OUR SAVIOUR ON THE CROSS TE DEUM (English and Latin) INSANE ET VAN/E CUR./E (Ditto) BATTISON HAYNES. THE FAIRIES’ ISLE (Female voices)... A SEA DREAM (Female voices) ... H. HEALE. up: no no on on an JUBILEE ODE . .. C. SWINNERTON HEAP. FAIR ROSAMOND (SOL-FA, 2/0) EDWARD HECHT. ERIC THE DANE 0 MAY I JOIN THE CHOIR INVISIBLE GEORGE HENSCHEL. OUT OF DARKNESS (I3oth Psalm) TE DEUM LAUDAMUS, IN C . . STABAT MATER . no HENRY "HILES. FAYRE PASTOREL ... ... THE CRUSADERS FERDINAND HILLER. NALA AND DAMAYANTI A SONG OF VICTORY (SOL-FA, o/9) H. E. HODSON. THE GOLDEN LEGEND HEINRICH HOFMANN. FAIR MELUSINA CINDERELLA SONG OF THE NORNS (Female voices) HUMMEL. FIRST MASS, IN B FLAT COMMUNION SERVICE, ditto SECOND MASS, IN E FLAT COMMUNION SERVICE, ditto THIRD MASS, IN D COMMUNION SERVICE,ditto ALMA VIRGO (Latin and English) QUOD IN ORBE (Ditto) TION "N3 Paper EB Board: 93:0 109- \'§.S. Iaalllll IIl§.'|%‘.|% 5-“ 6 192910 #3 IFN 11% §§§RB3l§%B IE5! I I I I OF ORATO RIOS, &c.——Contz'nued. W. H. HUNT. STABAT MATER H. H. HUSS. AVE MARIA(F'ema1e voices) .. F. ILIFFE. SWEET ECHO . . JOHN WILLIAM JACKSON. ICRIED UNTO GOD w. JACKSON. no THE YEAR ... ... D. JENKINS. DAVID AND SAUL (SOL-FA, 2/0) A. JENSEN. THE FEAST OF ADONIS ... W. JOHNSON. ECCE HOMO . C. WARWICK JORDA BLOW YE THE TRUMPET IN ZION ALFRED KING. THE EPIPHANY ... N. KILBURN. THE SILVER STAR(Female voices) ... THE LORD IS MY SHEPHERD (23I'd Psalm) BY THE WATERS OF BABYLON OLIVER KING. BY THE WATERS OF BABYLON (I37th Psalm)... THE NAIADS (Female voices) ... THE SANDS O’ DEE .. J. KINROSS. SONGS IN A VINEYARD (Female vv.)(SoL-FA,0/6) H. LAHEE. THE SLEEPING BEAUTY (Femalevv.)(SoL-FA, 0/6) LEONARDO LEO. DIxIT DOMINUS H. LESLIE. THE FIRST CHRISTMAS MORN F. LISZT. THE LEGEND OF ST. ELIZABETH THIRTEENTH PSALM .. C. H. LLOYD. ' ALCESTIS .. ANDROMEDA HERO AND LEANDER THE SONG OF BALDER .. THE LONGBEARDS’ SAGA(Male voices) ... THE GLEANERS’ I-IARVEST(Female voices) A SONG OF JUDGMENT ROSSALL SIR OGIE AND THE LADIE ELSIE CLEMENT LOCKNANE. THE ELFIN QUEEN (Female voices) ... W. H. LONGHURST. THE VILLAGE FAIR HAMISH MACCUNN. LAY OF THE LAST MINSTREL(SoL-FA,1/6) LORD ULLIN’S DAUGHTER(SOL-FA, 0/8)... G. A. MACFARREN. SONGS IN A CORNFIELD (Female voices) (DITTO, SOL-FA, 0/9) MAY-DAY (SOL-FA, 0/6) THE SOLDIER’S LEGACY (Operetta) OUTWARD BOUND A. C. MACKENZIE. THE DREAM OF JUBAL .. THE STORY OF SAYID o ... . on s.- ASON .. . .. THE BRIDE (SOL-FA, 0/8)... THE ROSE OF SHARON (SoI.—I=A, 2/0) JUBILEE ODE .. THE COTTER’S SATURDAY N1GHT(SoL—FA,1,«o) THE NEW COVENANT VENI, CREATOR SPIRITUS BETHLEHEM... .. DITTO. Act“II., Seiiarateiy NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.—Com‘:inued. ‘ B. MCEVVEN. THE VISION OF JACOB F. W. MARKULL. ROLAND’S HORN (Male voices) ... F. E. MARSHALL. PRINCE SPRITE (Female voices) J.T.MASSER. HARVEST CANTATA I-IORATIUS (Male voices) DELPHI, A LEGEND OF HELLAS (Male voices) MENDELSSOHN. ELI AH (SOL—FA, 1/0) ELI AH (Pocxer EDITION) ‘IS THE HART PANTS (42nd Psalm) COME, LET US SING (95th Psalm) WHEN ISRAEL OUT OF EGYPT CAME (DITTO, SOL-FA, 0/9) NOT UNTO US, 0 LORD (II5th Psalm) ST. PAUL (SOL-FA, 1/0) ST. PAUL (Pocket Edition) HYMN OF PRAISE (Lobgesang) (SOL-FA, I/O) LORD, HOW LONG VVILT THOU (SoI.—I=A, 0/4) HEAR MY PRAYER (s. solo and chorus) (SOL-FA,0/2) DITTO ITTO LAUDA SION (Praise]ehovah)(SOL-FA, 0/9) ... THE FIRST WALPURGIS NIGHT (SOL-FA, 1/0)... MIDSUMMER NIGHT’S DREAM (Female voices) ATHALIE (S01.-FA, 1/0) . ANTIGONE (Male voices) (SOL-FA, 1/0) MAN IS MORTAL (8 voices) FESTGESANG (Hymns of Praise) ... DITTO (Male voices) . CHRISTUS (SOL-FA, 0/6) THREE MOTETS FOR FEMALE VOICES SON AND STRANGER (Operetta) . LORELEY (SOL-FA, 0/6) CEDIPUS AT COLONOS (Male voices) TO THE SONS OF ART (Ditto) (SOL-FA, 0/3) WDGE ME, 0 GOD (43rd Psalm) (SOL-FA, 0/1%) HY RAGE FIERCELY THE HEATI-IEN MY GOD, WHY, 0 WHY HAST THOU FOR- SAKEN ME (zznd Psalm) SING TO TI-IE LORD (98111 Psalm) SIX ANTHEMS for the Cathedral at Berlin. For 8 voices, arranged in 4 parts ... AVE MARIA (Saviour of Sinners), 8 voices ... ... MEYERBEER. NINETY-FIRST PSALM (Latin) DXTTO (English) A. IVIOFFAT. A CHRISTMAS DREAM (A Cantata for Children)... B.MOLJQUE. ABRAHAM ... .. . MOZART. KING THAMOS FIRST MASS (Latin and English) ... ... .. SEVENTH MASS, IN B FLAT ... COMMUNION SERVICE, IN B FLAT,ditto ... TWELFTH MASS (Latin) DITTO (Latin and English) (SOL-FA, 0/9) REQUIEM MASS DITTO (Latin and English) (SOL-FA, 1/0)... LITANIA DE VENERABILI ALTARIS(ED) LITANIA DE VENERABILI SACRAMENTO (Eb) SPLENDENTE TE DEUS First Motet O GOD, WHEN TI-IOU APPEAREST ditto HAVE MERCY, O LORD Second Motet GLORY, HONOUR, PRAISE Third Motet E. MUNDELLA. VICTORY OF SONG (Female voices) ... DR. JOHN NAYLOR. JEREMIAH JOSEF NESVERA. DE PROFUNDIS . E. A. NUNN. IIASS, IN C REV. SIR FREDK. OUSELEY. [HE MARTYRDOM OF ST. POLYCARP R. P. PAINE. THE LORD REIGNETH (93rd P.~ra1m) PALESTRINA. MISSA ASSUMPTA EST MARIA ... MISSA PAP/E MAR( ILLLI .. MISSA BREVIS .. .. MISSA “O AD-.\IIIRA'BIl.E CO'£\I.‘vII7,l~’.C.IUI\«I” II IIIIIIIIIIIISIESIII II 20945‘ \-E CO 0! \ Q mm» \\_ WOO IIIIIIIIIIIESISEIII H. W. PARKER. THE KOBOLDS . HORA NovIssIMA.'.'.' C. H. H. PARRY. DE PROFUNDIS (I3oth Psalm) ... ODE ON ST. CECILIA‘S DAY( SOL-FA,I/0) BLEST PAIR OF SIRENS (SOL-I«‘A,0/8) THE GLORIES OF OUR BLOOD AND STATE PROMETI-IEUS UNBOUND JUDITH EALLEGRO (SOL-FA, 1/6) THE LOTUS~EATERS (The Choric Song) i<ING sA"iIL DR.]OSEPH PARRY. NEBUCHADNEZZAR .. DITTO, SOL—FA B, PARSONS. THE CRUSADER s T. M. PATTISON. MAY DAY (SOL-FA, 0/6) THE MIRACLES OF CHRIST(SoL-FA,0/9) THE ANCIENT MARINER ... THE LAY OF THE LAST MINSTREL ... A. L. PEACE. ST.JOHN THE BAPTIST .. A. H. D. PRENDERGAST. THE SECOND ADVENT... . PERGOLESI. STABAT MATER (Female voices) (SOL—FA, O/6) CIRO PINSUTI. PHANTOMS—FANTASMI NELL’ OMBRA E. PROUT. DAMON AND PHINTIAS (Male voices) .. THE RED CROSS KNIGHT (SOL-FA,2,0) THE I-IUNDREDTH PSALM FREEDOM HEREWARD QUEEN AIMEE (Female voices) PURCELL. DIDO AND IENEAS TE DEUM AND JUBILATE, IN D .. LADY RAMSAY. THE BLESSED DAMOZEL ].F.H.READ. HAROLD BARTIMEUS . .. CARACTACUS... THE CONSECRATION OF THE BANNER IN THE FOREST (Male voices) PSYCHE THE DEATH OF YOUNG ROMILLY (Male voices) THE SONG OF HANNAH DOUGLAS REDMAN. COR UNAM, VIA UNA j.V.ROBERTS JONAH ... W. S. ROCKSTRO. THE GOOD SHEPHERD . J.L.ROECKEL. THE SILVER PENNY (SOL~FA, 0/9) EDMUND ROGERS. THE FOREST FLOWER (Female voices) ROLAND ROGERS. PRAYER AND PRAISE FLORABEL (Female voices) ROMBERG. THE LAY OF THE BELL (New Edition, translated by the Rev. J. Troutbeck, D.D.) (SOL—FA, O, 3) .. THE TRANSIENT AND THE ETERNAL (DITTO, SOL-FA, 0/I) ROSSINI. STABAT MATER(SoI.-I«‘A,1/0) MOSES IN EGYPT DIVINE LOVE .. ED. SACHS. WATER LILIES C. SAINTON-DOLBY. FLORIMEL (Female voices) on u- CHARLES B. RUTENBER. I0 25%; €§I I I I€2I I I I I I I 22:3. I-lllllll iv §IIII§IIIII IIE? \U'I \ Q9 NOVELLO’S OCTAVO EDITION CAMILLE SAINT-SAENS. ‘THE HEAVENS DECLARE-—CCELI ENARRANT (19th Psalm)... W. H. SANGSTER. ELYSIUM ... . FRANK J. SAWYER. THE STAR IN THE EAST ... ... ... THE SOUL’S FORGIVENESS... . ... H. W. SCHARTAU. CHRISTMAS HOLIDAYS (Female voices) SCHUBERT. MASS, IN A FLAT COMMUNION SERVICE, ditto MASS, IN E FLAT COMMUNION SERVICE,ditto MASS, IN E FLAT COMMUNION SERVICE, ditto .. MASS, IN C COMMUNION SERVICE, ditto MASS, IN G COMMUNION SERVICE, ditto MASS, IN F COMMUNION SERVICE, ditto SONG OF MIRIAM (Scum, 0/6) SCHUMANN. THE MINSTREL’S CURS THE KING'S SON .. MIGNON’S REQUIEM PARADISE AND THE PERI (SOL-FA, 1/8) PILGRIMAGE OF THE ROSE... MANFRED FAUST ADVENT HYMN, “ IN LOWLY GUISE" NEW YEAR'S SONG (SOL-FA, 0/6) H. SCHUTZ. THE PASSION OF OUR LORD BERTRAM LUARD SELBY. CHORUSES AND INCIDENTAL MUSIC TO “HELENA IN TROAS” SUMMER BY THE SEA (Female voices) H. R. SHELLEY. VEXILLA REGIS (The Royal Banners forward go) E. SILAS. MASS, INC COMMUNION SERVICE, IN C JOASH .. IISISSIII R. SLOMAN. SUPPLICATION AND PRAISE HENRY SMART. KING RENE'S DAUGHTER (Female voices) THE BRIDE OF DUNKERRON (scum, 1/6) J. M. SMIETON. KING ARTHUR (SOL-FA, 1/0) ARIADNE (SOL-FA, 0/9) ALICE MARY SMITH. THE RED KING (Men's voices)... THE SONG OF THE LITTLE BALTUNG (ditto) (DITTO, SOL-FA, 0/8) ODE TO THE NORTH-EAST WIND ODE TO THE PASSIONS .. E. M. SMYTH. MASS, IN D A. SOMERVELL. MASS, IN C MINOR POWER OF SOUND (SOL-FA,1/0) CHARLTON T. THE DAY DREAM .. SPEER. SPOHR. MASS (for 5 Solo voices and double choir) ... HYMN TO ST. CECILIA CALVARY FALL OF BABYLON LAST UDGMENT (SOL-FA,1/0) THE CHRISTIAN’S PRAYER GOD, THOU ART GREAT (SOL—I«‘A,0/6) HOW LOVELY ARE THY DWELLINGS FAIR... JEHOVAH, LORD OF HOSTS... JOHN STAINER. THE CRUCIFIXION (SOL-FA, 0/9) ... . . 2/0 ST. MARY MAGDALEN (SOL-FA, 1/0) 2/ DIXIT DOMINUS ... . 2/ 6 THE DAUGHTER OF JAIRUS (SOL-FA,0,9) 1/6 2/0 OF ORATORIOS, &c.~—~—Contz'nued. C. VILLIERS STANFORD. EDEN ... ... THE VOYAGE OF MAELDUNE CARMEN SXECULARE THE REVENGE (SOL-FA. 0/9) GOD IS OUR HOPE(46th Psalm CEDIPUS REX (Male voice ... THE EUMENIDES... ... MASS, IN G MAJOR I ... COMMUNION SERVICE, IN G EAST TO WEST ... THE BATTLE OF THE BALTIC H. W. STEWARDSON. GIDEON ... ... ... J. STORER. THE TOURNAMENT ... MASS OF OUR LADY OF RANSOM E. C. SUCH. NARCISSUS AND ECHO... GOD IS OUR REFUGE (46th Psalm) ARTHUR SULLIVAN. THE GOLDEN LEGEND (SOL-FA,2/0) ODE FOR THE COLONIAL AN EXHIBITION FESTIVAL TE DEUM W. TAYLOR. ST. JOHN THE BAPTIST A. GORING THOMAS. THE SUN-WORSHIPPERS E. H. THORNE. BE MERCIFUL UNTO ME BERTHOLD TOURS. A FESTIVAL ODE THE HOME OF TITANIA (Female voices) ... (DITTO, SOL-FA, 0/6) FERRIS TOZER. KING NEPTUNE'S DAUGHTER (Female voices) (DITTO, SOL-FA, 0/6) » VAN . BREE. ST. CECILIA’S DAY (SOL-FA,0/9) ... CHARLES VINCENT. THE VILLAGE QUEEN(Female voices) (SOL-FA,0/ THE LITTLE MERMAID (Female voices) W. S. VINNING. SONG OF THE PASSION (according to St. John)... S. P. VVADDINGTON. JOHN GILPIN . W. M. WAIT. THE GOOD SAMARITAN ... GOD WITH US ST. ANDREW... 1'2. H’? WALKER. JERUSALEM .. . R. H. WALTHEW. THE PIED PIPER OF HAMELIN ' WEBER. IN CONSTANT ORDER (Hymn) MASS, IN G (Latin and English) MASS, ,IN E FLAT (Ditt IN E FLAT ) COMMUNION SERVICE, JUBILEE CANTATA PRECIOSA THREE SEASONS S. WESLEY. IN EXITU ISRAEL S. S. WESLEY. O LORD, THOU ART MY GOD . E. WEST. SEED—TIME AND HARVEST (SOL-FA,1/O)... . C. LEE WILLIAMS. THE LAST NIGHT AT BETHANY (SOL-FA,1/0) GETHSEMANE A HARVEST SONG OF PRAISE A. E. WILSHIRE. GOD IS OUR HOPE (Psalm 46)... THOMAS WINGHAM. TE DEUM (Latin) .. CHAS. WOOD. ODE TO THE WEST WIND . M. W. YOUNG. THE RETURN OF ISRAEL TO PALESTINE LONDON & NEW YORK: NOVELLO, EWER AND CO. INDIAN ‘ . weal‘-per |lllll||lEBB°"“* p$z"(‘lt:h ||lllilll‘:" © ® GUI- NOVELLO’S VIOLIN & PIANOFORTE ALBUMS. ‘I. Mendelssohn-—Four Marches. Transcribed by B. ToURs. No. I, Wedding March; No. 2, War March of the Priests; No. 3, Cornelius March ; N o. 4, Funeral March .. . Berthold Tours.—~Thirty Melodies (expressly written to be used in connection with the Author's VIOLIN PRIMER) . . . . . . . Mendelssohn.—“ Elijah." Ten Transcription byB.ToURs .. .. .. .. .. . Gounod.—-“Mors et Vita.” Ten Transcrip- tions by B. TOURS . . . . . . Battison Ha.ynes.~Twelve Sketches. . . Siegfried J a.coby.—~Hungarian Dances. (Tran- scribed) .. .. .. .. .. .. . Ippolito Ra.gghianti.——Nine Morceaux de Salon . Oliver King.-—Twelve Pieces . . . . . . . Joachim Ra.ﬁ'.—Six Morceaux de Salon . . . Siegfried Ja.coby.— Six Characteristic Pieces. For Two Violins . . . . . . . . Arcangelo Gore11i.-Twelve Sonatas. In Two Books. Edited by A. DOLMETSCH. Book I. . Arcangelo Corelli.—Twelve Sonatas. In Two Books. Edited by A. DOLMETSCH. Book II. . Siegfried Ja.coby.—Eight National Melodies, (Arranged) . . . . . . . . . . . Gounod.—" Redemption.” Nine Transcrip- tions by B. ToURs . . . . . . . . . Arnold Dolmetsch.——-Twelve Easy Pieces * These Albums may also be had armngedfor Violoncello and Pianoforte. S. 2 2 2 d. 6 6 6 *I6. I7. J. Haakman. Twelve Characteristic Pieces Handel. —— Six Sonatas. The Pianoforte Accompaniment by A. DOLMETSCH . . Arcangelo Gorel1i.—~Six Trios. For Two Violins and Violoncello, or Pianoforte ; or as Quartets, with Violoncello and Piano- forte. Edited and the Pianoforte Accom- paniment by A. DOLMETSCH . . . . .. . Kate Ra.lph.—-Six Pieces . . . . . . . Various Composers.—Fourteen Pieces . . Yarious Composers.—Twelve Pieces .. . Yarious Composers.——Thirteen Pieces . . Rosalind F. Ellicott..~Six Pieces . . . Arthur SulIiva.n.—“ The Golden Legend.” Nine Transcriptions by B. ToURs . . . J. Miiller.—~Forest Pieces (Op. 9) . Ethel M. Boyce.—-Eight Pieces . I. B. Pozna.nski.— Ten Pieces . . . . . . . Ch. de Bériot. Eight Pieces . . . . . . . Henry Purcel1.—Fourteen Pieces. The Piano- forte Accompaniment, Marks of Expression, Bowing, and Fingering by ARNOLD DoL- METSCH .. .. .. .. .. .. H. W. Ernst.——Seven Pieces . . . . . . F. Da.Yid.—-Five Pieces . . . . . . . . H. Yieuxtemps.—Four Pieces . . . . . . F. Schubert.——Six Valses arranged by Smo- FRIED JACOBY . . I8. 30- 31. 32. 33- J. D. Da.vis.——Six Pieces for Violin and Piano- forte (Op. 21) .. .. .. .. .. Edward Germa.n.~—Three Dances from the Music to Shakespeare’s “Henry VIII." Arranged for Violin and Pianoforte by the Composer . . Edward German.—Gipsy Suite (In the Press) H. Grossheim. Six Easy Pieces for Violin and Pianoforte (Op. 24) . . . . . . . . C. Gur1itt.—Six Pieces for Violin. With Piano- forte Accompaniment . . . . . . . . Romance (from the above) . . . . . . H. Herkomer.—Six Easy Pieces for Violin, wit Pianoforte Accompaniment. Illustrated ., S. J a.c0by.—Six Bagatelles for Violin and Pianoforte Oliver King.—Morceaux de Salon, pour Violon et Piano. I2 Pieces Caractéristiques. Op. 91. . W. Ma.cfarren.—First Sonata . . . . . . Second Sonata . . . . ‘E. G. Ma.ckenzie.—Six Pieces for Violin. With Pianoforte Accompaniment. No. I, Gavotte; No. 2, Berceuse ; No. 3, Benedictus; No. 4, Zingaresca; No. 5, Saltarello ; No. 6, Tema con Variazioni . . . . Zingaresca (from the above) . . . . . . ’ Benedictus (from the above) . . . . . . ,, ,, Arranged for Orchestra :— Full Score .. .. .. .. .. Orchestral Parts . . . . . . . . . . Highland Ballad, Op. 47, No. I, for Violin with Pianoforte Accompaniment . . . . . . Two Pieces (Barcarola and Villanella), Op. 47, No. 2, for Violin with Pianoforte Accompani- ment . . . . . . . . . . . . on Net. S. 3 3 d. 6 A. C. Ma.ckenzie.—Pibroch. Suite for Violin Solo. Arrangement for Violin and Pianoforte Orchestral Parts . . . . . . . . Concerto for the Violin. Arrangement for Violin and Pianoforte . . . . . . . . . . Full Score .. .. .. .. .. . Orchestral Parts . . . . . . . . . . Alfred Moffa.t.~Twelve Transcriptions for Two Violins and Pianoforte . . . . . . . . Joseph Ne§Yera..—Ten Pieces for the Violin. With Pianoforte Accompa "iment . . . . C. H. H. Pa.rry.—Twelve New Pieces for th Violin with Pianoforte Accompaniment, in Three Sets (In the Press) Percy Pitt.——Bagatelles for Violin and Pianoforte (Op.I) .. .. .. .. .. I. B. Pozna.nski.—-Ten Sketches for Violin and Pianoforte . . . . . . . . . . J. L. Roeckel.-—Six Pieces for the Violin. With Pianoforte Accompaniment . . . . . . Emile Sa.uret.~E1égie et Rondo for Violin and Pianoforte . . . . . . . . . . Emile Sauret. Trois Morceaux de Salon (Naddia, Ethelia, Mazourka), pour Violon et Piano (Op..49) .. . .. .. .. F. Schubert.—Six Marches Arranged for the Violin and Pianoforte by S. jacoby . . Berthold Tours.—~Suite for Violin and Pianoforte. From Music to Shakespeare‘s “ Hamlet ” Herbert W. lHa.reing.——Six Pieces for the Violin. With Pianoforte Accompaniment :—— I. May Day Festival . . 2 o 4. Pastoral Dance . . 2. At Killee . . 2 o 5. Legende . . . 3. Romance . . I 6 | 6. Saltarello. . so LONDON & NEW YORK: NOVELLO, EWER AND CO. Ila/95 NOVELLO’S VIOLONCELLO & PIANOFORTE ALBUMS. . Mende1ssohn.— Four Marches. Transcribed by B. TOURS. No. 1, Wedding March; No. 2, War March of the Priests; No. 3, Cornelius March; No. 4, Funeral March . .. . . . Berthold T011rS.——Thirty Melodies These Melodies are expressly written to be used in connection with the Author’s Violin Primer. . Mende1ssohn.—“ Elijah.” Ten Transcriptions by B. TOURS . Gounod.——“ Mors et Vita.” Transcriptions by B. TOURS Ten . Battison Haynes.—Twe1ve Sketches 6. Siegfried Jac0by.~Hungaria Dances (Transcribed) S. d. . Arthur Legend.” by B. ToURs . Joachim Raﬁ'.—Six Morceaux de Salon . Arcangelo Core11i.——Six Sonatas. Book 2. Edited by A. DOLMETSCH . Siegfried Jacoby.——Eight Nation Melodies (Arranged) . Gounod. -—- “ Redemption.” Transcriptions by B. ToURs . Arnold D01metSch.—-Twelve Easy Pieces Sullivan. — “ Golden Nine Transcriptions 0-: Nine . Haakman.—Twe1ve Characteristic Pieces . Arnold Dolmetsch.—Ten Pieces Nove11o’s Albums for Pianoforte and Stringed Instruments- No.1.ARNoLDDoLMETscH.—Suite of Four Pieces No. 2. PURcELL.—Suite of Five Pieces. The Pianoforte Accom- paniment, Marks of Expression, Bowing, and Fingering, by Arnold Dolmetsch No. 3. EDWARD GERMAN.—Three Dances from Music to “ Henry VIII.” Francesco Berger.—Cavatina in F, for Violoncello, with Pianoforte Accom- paniment . Rosalind F. E11icott.~A Reverie, for Violoncello and Pianoforte H. Hoffmann. —Russian Romance (from Prairie Pictures), arranged by F. GRUTZMACHER Romance. Op. 48 J. Ho1lman.~Six Morceaux: No. Legende; No. 2. Pizzicati; No. Aubade; No. 4. Andante; No. Petite Valse; No. 6. Tarantelle Or, singly, each J. H01lma11.——Deuxieme Mazurka, pour le Violoncelle avec accompagnement de Piano .. J. Hol1man.—Viei11e Chanson, pour le Violoncelle avec accompagnement de Piano 2 6 l Libotton.—SiX Pieces for the Violon- cello with Pianoforte Accompani- ment :—- No. . Etude Caprice . Reverie . Caprice Hongrois . Nocturne (Chopin) .. . Chant sans Paroles (Tscha'1'- kowsky) 6. Du bist die Ruh’ (Schubert) 0 I Walter. Macfarren.—Sonata in E minor 0 A. C. Mackenzie.—Six Pieces. Op. 37. Arranged (from the original for Violin) by B. KRALL Mende1ssohn.———Romance sans Paroles. Op. I09 .. Sonata in F minor. Sonata in B ﬂat. Sonata in D. Op. 58 Variations Concertantes in D. Op. 17 . Op‘; Op 45 C. Hubert H. Parry.—-Sonata in A Alfred Piatti.—Serenata for 2 Violon- cellos and Pianoforte Rameau.~—Gavotte in D. Arranged as Quintet for Pianoforte and Strings, by B. ToURs Otto Schweiger.——Sonata. Op. 28 C. Villiers Stanford.~—Three Inter- mezzi. Op. 13 LONDON & NEW YORK: NOVELLO, EWER AND CO. NOViELLO’S PIANOFORTE ALBUMS. EDITED BY BERTHOLD TOURS. In Numbers, each One Shilling; or, No. 1.~—Bach. Twenty Pieces from Petits Preludes, A Suites Anglaises. Partita Nos. I to 3, &c. No. 2.—Ba.ch. Twenty Pieces from Suites Anglaises, Suites Francaises. Partita Nos. 4 and 5, &c. No. 3.—-Bach. Twenty Pieces from Petits Preludes, Concertos, Suites Anglaises, &c. Nos. 1, 2, and 3, in One Vol., cloth, 4s. No. 4.—Ha.ndel. Twenty—four Pieces from Suites I to 7, Sonatas, “Harmonious Blacksmith,” &c. No. 5.—Ha.nd el. Twenty-four Pieces from Suites 8 to I2, Gavottes, &c. No. 6.—Ha.ndel. Twenty-four Pieces from Suites I3 to I6, Water Music, &c. Nos. 4, 5, and 6, in One Vol., Cloth, 45. N0. 7.—Marches. Fifteen Pieces, including Mendels- sohn’s “ Hero's March,” Rakoczy's March, Bridal March “ Lohengrin," &c. No. 8.—Ma.rches. Fifteen Pieces, including Meyerbeer’s Coronation March, Cornelius March, Pilgrim’s March, &c. No. 9.—Marches. Fifteen Pieces, including Mendels- sohn’s Wedding March, March “ Tannhauser,” &c. Nos. _7, 8, and 9, in One Vol., cloth, 4s. No. 10.—Gavottes, Minuets, &c. Sixteen Pieces, includ- ing Rameau’s Gavotte, Zimmermann’s Gavotte, Calkin’s Minuet, Silas’s Bourrée, &c. No. 11.—Gavottes, Minuets, &c. Sixteen Pieces, includ- ing Gluck’s Gavotte, W. Macfarren‘s Bourrée, Bach's Bourrée, &c. No. 12.—Gavottes, Minuets, &c. Sixteen Pieces, includ- ing W. Macfarren’s_ 2nd Gavotte, Sir J. Benedict’s Gavotte, Mozart's Minuet, &c. Nos. 10, 11, and 12, in One Vol., cloth, 4s. No. 13.—-Wollenhaupt, J. Ten Pieces, including Marche Hongroise, Scherzo Brilliant, &c. ‘ No. 14.—Wo1lenhaupt, J. Ten Pieces, including “ La Gazelle,” “ Mazeppa Galop,” &c. No. 15.——lllIo1lenhaupt, J. Ten Pieces, including “Les Clochettes,” “ Feu Follet,” &c. Nos. 13, 14, and 15, in One Vol., cloth, 4s. No. 16.-Schweizer, Otto. for four hands). No. 17.—Spindler, Fritz. Eight Scottish Airs (arranged Nine Pieces, including " Mur- muring Rivulet,” The Pilgrims’ Chorus (“Tann— héiuser ”), &c. ’ No. 18.——Spindler, Fritz. Nine Pieces, including “ L’Oisil— lon,” “ Le Carillon," “The Evening Star” (“ Tann- hauser ”), &c. No. 19.——Spindler, Fritz. Ten Pieces, including “ Jeu des Ondes,” Valse Mélodieuse, Spinning Song (“Flying Dutchman”), &c. Nos. 17, 18, and 19, in One Vol., cloth, 4s. No. 20.—Goetz, Hermann. No. 21.—Goetz, Hermann. Four Compositions. No. 22.——-Groetz, Hermann. Six Compositions. Nos. 20, 21, and 22, in One Vol., cloth, 4s. Five Compositions. No. 23.—Rheinberg'er, Josef. Seven Compositions. No. 24.—Rheinberger, Josef. Eleven Compositions. No. 25.—-Rheinberger, Josef. Seven Compositions. Nos. 23, 24, and 25, in One Vol., cloth, 4s. No. 26.—Tonrs,Berthold. Juvenile Album. Eight Char- acteristic Pieces (Duets), 2s. Cloth Volumes, each Four Shillings. Nos. 27 and 28.—-Moscheles, J. “ Domestic Life.” Twelve Characteristic Duets, Two Books, each 25. The Two Books, in One Vol., cloth, 4s. No. 29.—Kjeru1f, Halfdan. Nine Pieces. to 3; Op. I2, Nos. I to 6. No. 30.-—Kjerulf, Halfdan. Ten Pieces. Op. 24, Nos. I L . to 4: Op. 27, Nos. I and 2; Op. 28, Nos. 1 to 4. No. 31.——Kjeruli’, Halfdan. Op. 28, Nos. 5 and6 ; Op. 29; and Twenty Songs arranged for the Pianoforte by the Composer. - Nos. 29, 30, and 31, in One Vol., cloth, 4s. Nos. 32, 33, and 34. The National Dance Music of Scot- land. Arranged for the Pianoforte by Alexander Mackenzie: with additions by his son, Dr. A. C. Mackenzie. Nos. 32,, 33, and 34, in One Vol., cloth, 4s. No. 35.—Mackenzie, Dr. A. G. Eight Pieces. Nos. I to 5; Op. 15, Nos. I to 3. No. 36.—Mackenzie, Dr. A. 0. Nine Pieces. Nos. I to 6; Op. 23, Nos. I to 3. No.37.—Mackenzie, Dr. A. 0. Six Songs. Transcribed for the Pianoforte by Guiseppe Buonamici. Nos. 35, 36, and 37, in One Vol., cloth, 4s. No. 38.——Altschu1, Rudolf. Fifty Hungarian National Songs. No. 41.——Liadoﬂ’, Anatole. Twenty—one Pieces. Op. 2, Nos. I to 14; Op. 3, Nos. I, 3, 4, and 6; Op. 6; Op. I5, Nos. I and 2. No. 42.——Liadoif, Anatole. Seven Pieces. I to 4; Op. 7, Nos. I and 2; Op. II. No. 43.—Liadoﬂ‘, Anatole. Ten Pieces. Op. 8; Op. 9, Nos. I and 2; Op. 10, Nos. I, 2, and3; Op. 13, Nos. I to 4. Nos. 41, 42, and 43, in One Vol., cloth, 4s. No. 44.—Cui, César. Thirteen Pieces. Op. 20, Nos. I to I2; Op. 21, No. 3. No. 45.—-Cui, Cesar. Eleven Pieces. Op. 21, No. 4; Op. 22, Nos. I, 2, and 3; Op. 31, No.2; Op. 39, Nos. I to 6. No. 46.—- Cui, César. Seven Pieces. Op. 22, No. 4; Op. 29, No.1; Op. 30, No.1; Op. 35. Nos. I and 2; Op. 40, Nos. 2 and 4. Nos. 44, 45, and 46, in One Vol., cloth, 4s. No. 47.—Sohubert, Franz. Four Impromptus. Op. 90. No. 48.——Schubert, Franz. Four Impromptus. Op. I42. N0. 49.——Schubert, Franz. Moments Musicals (Op. 94),. and Adagio and Rondo (Op. I45). Nos. 47, 48, and 49, in One Vol., cloth, 4s. No. 50.—Schubert, Franz. Three Sets of Variations, Andante, and Klavierstiick. No. 51.~Schubert, Franz. Adagio, Allegretto, and March in E major, &c. No. 52.—Schubert, Franz. Scherzi. Nos. 50, 51, and 52, in One Vol., cloth, 4s. Op. 4, Nos. 1 Op. I3, Op. 20, Op. 4, Nos. Five Klavierstiicke and Two No. 53.—I'Iofmann, H. “The Trumpeter of Sakkingen ” (Op. 52) and Two Valses Caprices (Op. 2). No. 54.——Hofmann, H. “Italian Love Tale” (Op. 19) and Five other Pieces. . No. 55.—Hofmann, H. Fourteen Pieces. Nos. 53, 54, and 55, in One Vol., cloth, 45. LONDON & NEW YORK: NOVELLO, EWER AND CO. THE CATHEDRAL PRAYER BOOK BEING THE BOOK OF COMMON PRAYER WITH THE MUSIC NECESSARY FOR THE USE OF CHOIRS TOGETHER VVITH THE CANTICLES AND PSALTER POINTED FOR CHANTING EDITED BY SIR JOHN STAINER, M.A., Mus. Doc., OXON. (Professor of Music in the University of Oxford) AND THE REV. WILLIAM RUSSELL, (M.A., MUS. BAc., OXON. (Succentor of St. Paul’s Cathedral). EXTRACT FROM EDITORS’ PREFACE. Ti-IE inconvenience and costliness of the number of separate Books usually requisite for the members of a Choir, in the performance of an ordinary Choral Service, have long pointed to the desirableness of a manual which should, as far as possible, unite under one cover all that is necessary for the choral rendering of, at least, those portions of the Church's Services which are less liable to variation. The Music of the Versicles and Responses-—Festal as well as Ferial—a Psalter and Canticles pointed for chanting, are almost indispensable for the careful and accurate rendering of a Choral Service. And yet, hitherto, it has been scarcely possible to procure these, unless in separate numbers; involving not only much additional expense, but also the disadvantage arising from the continual shifting of books during Service time, which is such a hindrance to a devout participation in Divine Worship. To remedy these evils, and to assist in promoting, as it is hoped, a more careful and reverend performance of the Divine Ofﬁces, the Cathedral Prayer Book has been compiled. The Editors are fully aware that they are not the ﬁrst to make an effort in this direction. But they believe that several circumstances have tended to favour their attempt, and ensure its success, which have been wanting in other instances. . This manual provides not only for the daily Morning and Evening Prayer, and the choral celebration of the Holy Communion, in all its completeness, but also for the whole of the occasional Ofﬁces contained in the Book of Common Prayer. A special feature of it, moreover, is that it includes an Appendix, in which are contained not only Tallis’s Festival Responses and Litany, but a great deal of other additional and miscellaneous matter which it is conjectured will add greatly to its usefulness and value. The Versicles and Responses throughout the Book (exclusive of the Appendix) and the Litany are from the arrangement used in St. Paul’s Cathedral (Stainer and Martin, founded on Goss). They follow Merbecke, although with one or two slight variations which have become traditional in the Cathedral of the Metropolis, and, more recently, in many other Churches. The Music to the Order for the Administration of the Holy Communion follows the Edition of Merbecke given in “A Choir Book of the Oﬂice of Holy Communion” (Stainer), and published some years since. The Order for the Burial of the Dead has also been arranged from Merbecke by the same Editor. The pointing of the Psalms and Canticles is after that known as the Cathedral Psalter, edited by the Rev. S. Flood-Jones, the late Mr. James Turle, Dr. Troutbeck, Sir John Stainer, and Mr. Joseph Barnby, An Edition can also be had in which the Cathedral Psalter Chants to the Canticles and the Psalms are included. EDITIONS. I. Demy 8vo, 628 pp., large type. With Canticles and Psalter pointed for Chanting. ' Cloth, red edges Ditto, ditto. Red basil and red edges Demy 8vo, 600 pp., large type. With Canticles and Psalter pointed, set to appropriate Chants (Cathedral Psalter Chants). Cloth, red edges .. Ditto, ditto. Red basil and red edges 3. Imperial 32mo, 696 pp., Pocket Edition. With Canticles and Psalter pointed for Chanting. Cloth, red edges 2 6 O 0 (Ditto, ditto. Red basil and red edges i . . 5 o The Clergy can be supplied with copies, in quantities of not less than 25, on liberal terms. LONDON & NEW YORK: NOVELLO. EWER AND CO. TO CHORAL SOCIETIES. SHORT CANTATAS RECENTLY PUBLISHED. A. Davidson Arnott.—“ Young Lochin- var.” Ballad for Chorus and Orchestra. Poem by Sir WALTER ScoTT . Ethel M. Boyce.-——“Young Lochinvar. Ballad by Sir WALTER SCOTT. Set to Music for Baritone Solo. Chorus, and Orchestra Edward Elgar.—‘‘ The Black Knight- Cantata for Chorus and Orchestra. The Poem by UHLAND; translated by LONGFELLOW . Alan Gray.—“ The Legend of the Rock- Buoy Bell.” Ballad for Chorus and Orchestra. Words by SUSAN K. PHILLIPS F. Kilvington Hatters1ey.——“ Robert of Sicily.” Cantata for Soli, Chorus, and Orchestra. Poem by LONGFELLOW ' S. d. Oliver King’.—‘‘ The Sands 0’ Dee.’ Ballad for Chorus and Orchestra. Words by CHARLES KINGSLEY \ E Cl. Sachs. — “ Water -I Lilies.” A Fairy Song by'FEL1c1A HEMANS. Deutsche Uebertragung Von L. KLEIN .. Charles Villiers Stanford.—“ East to West.” An Ode by ALGERNON CHARLES SWINBURNE. Set to Music for Chorus and Orchestra S. P. Wadding“;on.——“]ohn Gilpin.” Ballad for Chorus and Orchestra. Words selected from CoWPER’s poem Richard H. Walthew. —— “ The Pied Piper of Hamelin.” By ROBERT BROWNING. Set to Music for Tenor and Bass Soli, Chorus, and Orchestra CANTATAS FOR .d. J. F. Barnett.——“The Wishing Bell." ‘Cantata for Ladies’ Voices and Orchestra. Words by JETTA VOGEL Frederic H. Cowen.—“ Summer on the River.” The Words written by SHAPCOTT WENSLEY Tonic Sol-fa (in the Press). Frederic H. CoWen.~“ Village Scenes.” Words by CLIFTON BINGHAM J. Maude Crament. — “ Little Red Riding-Hood.” The Words by J. FREDERICK ROWBOTHAM 2 2 b FEMALE VOICES. Myles B. Foster.—“ Snow Fairies.” Words by SHAPCOTT WENSLEY Battison Haynes.—“A Sea Dream.” Cantata for Ladies’ Voices with Recitation(Accompanied). Words by SHAPCOTT WENSLEY Sea.” VVrit_ten by SHAPCOTT WENSLEY Berthold Tours.——“The Home of Titania.” Words by SHAPCOTT WENSLEY LONDON & NEW YORK: NOVELLO, EWER AND CO._ . /. _,_,n, . 2.53 B. Luard Se1by.—“ Summer by the}
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Date: 1893
Text: Music LIBRARY VASSAR COLLEGE eoucuxesnsac. NE“! ‘mun INSCRIBED TO AUGUST MANNS, ESQ., AND THE CRYSTAL PALACE CHOIR. THE ﬁﬁimztk Hf the iﬁ25p2r1I5 A BALLAD FOR CHORUS AND ORCHESTRA THE POETRY BY H. W. LON GFELLOW THE MUSIC COMPOSED BY FERDINAND DUNKLEY. PRICE Lwmw ,, 50,. CENTS. LONDON 6 NEW YORK NOVELLO, EWER AND CO. A UTHOR’S PROPERTY. Copyright, 1893, by Ferdinand D1/mleley. Score and Parts may be hired of the Composer, 7, Nightingale Park Crescent, Wandsworth Common, London; and 136, State...
Show moreMusic LIBRARY VASSAR COLLEGE eoucuxesnsac. NE“! ‘mun INSCRIBED TO AUGUST MANNS, ESQ., AND THE CRYSTAL PALACE CHOIR. THE ﬁﬁimztk Hf the iﬁ25p2r1I5 A BALLAD FOR CHORUS AND ORCHESTRA THE POETRY BY H. W. LON GFELLOW THE MUSIC COMPOSED BY FERDINAND DUNKLEY. PRICE Lwmw ,, 50,. CENTS. LONDON 6 NEW YORK NOVELLO, EWER AND CO. A UTHOR’S PROPERTY. Copyright, 1893, by Ferdinand D1/mleley. Score and Parts may be hired of the Composer, 7, Nightingale Park Crescent, Wandsworth Common, London; and 136, State St., Albany, N.Y., U.S.A. INSCRIBED TO AUGUST MANNS, ESQ., AND THE CRYSTAL PALACE CHOIR. THE rank nf the ‘iﬁeaaperuﬁ A BALLAD FOR CHORUS AND ORCHESTRA THE POETRY BY ” H. W. LONGFELLOW THE MUSIC COMPOSED BY FERDINAND DUNKLEY. PRICE ONE SHILLING. ,, 50 CENTS. LONDON 6» NEW YORK NOVELLO, EWER AND CO. A UTHOR’S PROPERTY. Copyright, 1893, by Ferdinand Dunkley. Score and Parts may be hired of the Composer, 7, Nightingale Park Crescent, Wandsworth Common, London; and 136, State St., Albany, N.Y.. U.S.A. THE WRECK OF THE HESPERUS. Allegro con anima. CHORUS. ALTO. _._ _y_ It was the schoon-er Hes — perus, That sailedthe, BASS. ‘i > It was the sch00n—er Hes - perus, That sailed the ‘\ , _V_ ‘Z? 3 o ‘ ‘B’ : n 3*“1<“—l3""-",§*i“* 3 ‘—1"~.—*‘3"“1"-.—i’7£"—eg—::"1'1l Ti ‘ V ‘ . ‘ . | i ‘ 3 ‘ 1 I 3 3 3 . -—~ 0-3-a4_—_—r——j:a——.+ ; 0-: * \/ C \/ \. \/ \_ \. Copyright, 1893, by Ferdinand Dunkley. Fe1:dina.ndADunk1ey—?‘ The Wreck of the Hesperus." ' SUPRANO. And the "K - per had taken his lit-tle daugh mf - I And. the skip — per had taken his lit-tle daugh — 1 And the sk1'\p — per had taken his 1it—t1e daivigh And the skip - per had taken his 1it—t1e daugh To bear him com - 133;‘ ny. L To bear him com - pa- ny. - To bear him com - pa- ny. -h To bear him com — pa- ny. Fcrdinzmcl Dunkley—“ The Wreck of the Hespenlsﬁ’ Un poco path cmimato. Sopmmo. Blue were her eyes as the fai 1 Un poco piic animate. d : 144. r—‘''—‘‘\ f—‘\ K-'’‘-'‘''—‘\ /""*“‘\ K"""""—'\ cheeks bo\‘- sﬁjx white as the - thorn buds, That ope in the month ope — in ~ the month .Ferc1inan<1.Dunk1ey—“ The Wreck of the Hesperus." ‘:37 VI‘ "ﬁr qr <e=e> teed» <$=e <3 - CF 4:4] ii CF‘ I ﬂag) tggsg, 1 55:: \ <3“ Cl‘ ‘CF \ \ l\ |\ g u “ LL | u -' ‘ ' TL. 0 TI «-7- And he watched pipe was in his mouth, _'— Tempo lmo. > new West South. > > blow The smoke, now West South. > He wa the veering ﬂaw blow The smoke now West new South, > South. , Tempo lmo. d : 132. 3\ 3 ‘Ferdinand Dunk1ey—“ The Wreck of the Hesperus." --him ‘ J -3- -6- \ Then upandspakean old sai - lor, Hadsailedthe Span ish main, ‘e ____e-— . _'.. Then up and spake an (SH sai - lor, Had sailed. the Span - main, ' ’ - ' Thenspake ’ sai - lor, Hadsailedthe Span ish main, e‘ — Then up ahd spake sai ~ L lor, Had sailed the Spam —~-3 “I pray thee put in -120 yon-der port, “ Last night the moon had a go\1d—(£ ring, Audto - ' —-—-— ,_ ur - ri—cane. - 3 hur - ri—cane. “ Last night the moon had a golden ring, And to -0- . 8ve ....... Ferdinand Dunkley-—-“ The Wreck of the Ilesperus.” The skip-per he blew a. whiff from his pipe, And a. The skip—per he blew a wl1i pipe, And a > dim. - night no moon we see! ” a whiff from his pipe, And a. > . - night no moon we see !” scorn - ful laugh laughed he. :5 scorn - laugh laughed he. ~ \ scorn - ful laughed he. \ \ -3 scorn - ful laugh laughed he. A gitato. B SOPRANO. ALTO. Cold - er and loud - er blew the wind, A gale from the North - B A gitato. & : 76 (J = 152). ' ,. f Ferdinand Dunk1e'y-—“ The Wreck of the Hesperus." bil - lows frothed like yeast. e h E d M 69 H ..1 I b 8 2|... LU in snow fell hiss - ing _;;__F_ ‘I. "[750 ‘IV 094 Kit? :6 7%? its in and smote . . a- main The ves - sel Down . came the storm, ' 0 0 0 ‘(J . smote . . a—Ina1n its in The was - sel . came the storm, Down .1?”/——x its in and smote. . armain The ves- sel came the storm, 0 1‘ ‘ﬁe 9 5E.t1f§. IF ~s~T.v="—b?';'_'“:”: its in and smote . . a.— main The Ves - sel czune the storm, >- >- I\ I. i:?:+=4~§— ‘H: e§—%—% 0‘ —:‘.;=1—*1 —%{%£§' _l Ferdinand Dunk1ey—“ The Wreck of the Hesperus." 29” strength ; She shudder-ed . . and paused, like a fright —ed slzrength ; She shudder-ed . . and paused, like a fright - ed strength ; She shudder—ed . . and paused, likea fright - ed St1‘e11gth; She shudder—ed . . and paused, likea fright ~ ed /- /- C Allegro. Then leaped her ca. - b1e’s length. leaped her ca - ble’s length. Then leaped her ca - ble’s length. /_Then leaped her ca - ble’s length. /— /_ C Allegro. cl : 120. /‘ r---\ _ TENOR. “Come hith-er, come hith -er ! my lit; — tle (laugh f*'*"T_ /‘-jﬁ r*--—-% . Ferdinand Dunkley——“ The Wreck of the Hesperus." “em ‘ ble 50; I can Weatherthe 5 . , ‘ ' ‘ a rough - est gale That ev er Wind did blow.” He Wrapped her Warm . . ' his sea. - man’s coat, A — gainst the ‘cf ' He wrapped her warm . . " his sea - man’s coat, A - gainst the He wrapped her warm, A‘ - gainst the wrapped ' man"s coat, ;_.____._/ ' Ferdinand Dunk1ey——“ The Wreck of the Hesperus.” blast ; r--—-——-—-‘\ from And bound her to the mast. — And bound her to the mast. — And bound her to the mast. __.(.——:——v-—:'4_ _ L And bound her to the mzmst. 5 Ferdinand Du11kley—“ The Wreck of the Hesperus.” -=___—-T; _ . I I i ‘n. - I = 4 . ,1-3~-e—:~—~e.:;~ V V fa - ther, I hear the c11ureh~17eI s ring, 0 say, . . what may it T‘ I I h I; 0 F v'—‘.~—-.o—.«-—F _ - ‘\l 1. i I ‘ « ._ I - V :“~T—~4.”+%»+'-.+.——;>:~r 1 he steered for the 0 — peg fog - hell on a rock-b0undcoa,st!”—— And he steered for the 0 pm “0 fa-ther, Ihear the ._I_ —;E } } :- Ferdinand Dunk1ey——-“ The Wreck of the Hesperus." sound of guns, 0 say, . . what mayit; be?” TENOR. “Some ship in dis-tress, that }- can - not live In such an an - gry sea?” SOPRANO. “O Fa -ther, I see a gleam - ing light, 0 say, . What may it ;__) ff” Ferdinand Dunkley--—“ The Wreck of the He.sperus.” ' ‘D Lento doloroso. -7- *"r— K -0-’ -0- . But the fa - ther an - swered nev — er a word, But the fa - ther an - swered nev e er a word, D Lento doloroso. J : 56. i ‘y if *6‘ fro - zen corpse . TENOR. I ‘fzn a I E " E“’ =" E l g i 1 g Lashed to the helm, in H I fro - zen corpse stiff and stark, With his face turned to the skies, /‘_"""'\ The Ian - tern .n- 159 ALTO. gleamed through the gleam - ing snow On his ﬁxed and glass - y eyes. Thenthe __ _‘_ : Ferclinand, Dunk1ey—“ The Wreck of the Hcsp:1'us.” snow, maiden clasped h er hands ahcl prayed sav - ed she might be ; Soi>RAN 0. She thought of Christ, who J J’ ~13‘ sr“ -' _ V .1}- _[ f Pia moto. Gal - i-lee. Piio motto. stilled the ‘wave, Lake . . of "I rﬁ and drear, Through And fast through mid - night dark And fast through mid - night dark and drear, Through And fast through mid - night dark and drea1',Tl1rough And fast through the n1i(l;~ night dark _g_ ' } . sheet ghost sheet ghost sheet ghost . 0- ' sheet ghost 3 3 Ferdinand Dunk1ey—-" The Wreck of the Hesperus." whist - ling sleet and Wl1ist- ling sleet and whist - ling sleet and ‘ {.3-_'" and d1'ear,Through the whist - ling sleet and ves — sel swept ’l"wards the ves — sel swept ’].‘’wards the t T’wa1'(ls the ves - sel ves - sel swept 'l"wards the of or - man’s of Nor - man’s of Nor - man’s -9- of N0r-man’s . ev — er the ﬁt - ful gusts be- tween A ALTO. It was the sound of the trampling surf, On the came from the land; f-<:sf rocks and the hard sea. - The break-ers Wereright be - SOPRANO. And a. Who0p- ing bil - low ws, She drift -ed a. - y wreck, > . f Ferdinand Dunk1ey——“ The ‘Wreck ofthe Hesperus.” swept the crew Like i - white and ﬂee - cy Waves White and ﬂee - cy Waves white and ﬂee — White and ﬂee - cy waves Waves K F‘ " Looked soft Looked soft Looked soft Looked soft ‘ah ﬁr 4?" ci-cles from the deck. " E Pia sostenuto. struck struck EPiz‘o sostenuto. J : 84. ' K :2?“ i3 as cord - as cord - as cord - as cord ~ . ,‘_ Ferdixnagd _I)unk1ey,—_-4-“ The Wreck of the Hesperus.” 0 Where the where the . L where the M where the - e1 ‘rocks, they L .herside Lil::e—tl1e horns of an - rocks, they gored her side Like the horns of an an they gored her side Like the horns of an an ::—+——> - el rocks, they gored her side Like the horns Pie} agitato. _ bull. ' Her rat- tling sh/eath’d Her ra,t — tling. . sheath’d Her rat - tling b . . ' sheath’d 111 bull. I Her mt - tling shrouds, . all sheath’d in Pm agitate. d : 112. P060 0: 17060 C768. /T X} } sempre pm With the masts L by the board ; Like a sempre ' With the masts . by the boerd ; With the masts by the board. ; semp7'e_pz'L‘o ' . ' With the masts _ byrthe board ; §.__._.___.._.....—___/ Ferdinand Dunk1ey—“ The Wreck of the Hesperus." ﬁg Ar-—\ ves - sel of glass, she Holho! . . fﬁ vies - sel of glass, she I-Io ! ho ! the breakers A A /\ the breakers -9- ves - sel of glass, she a , _¢_ ves — sel of glass, she H0!l\1/0! . the b\4eake/rs I A roared I roared 2 /\ roared 1 6' d fpocoapo z o l I I 1 F‘ :1: I : Z‘;- V — -o— L Pad. Ferdintmd Dunk1ey——“ The Wreck of the Hesperus." TENOR :' ﬁ~7“/.',.::* *"«57° - ’ : j At day-break, bleak sea - beach, ﬁsh— er-man stood a—ghast, To see the form of a maid- en A fair, Lashed . f . , -1’ .. con molto espress. 170; "5" J 5 .1} _ . _,_ _ froz — en on her breast, e salt tears 1n her eyes; And he saw her Z“. ‘ - J ‘ " g. ""..._“‘—“;‘——*- __? Ferdinand Dunkley——“ The Wreck of the Hesperus.” hair’ the bil - lows /' . Tempo lmo, ma sostenuto. Such the wreck of the Hes Such the wreck of the Hes of the Hes Such was the Wreck mid ~ night IS Such was the wreck of the es mid - G Tempo lmo, ma, sostemito. J : 100. Christ Ferdinand Dunk1ey—" The Wreck of the Hesperus.” fall and _ -1 7"‘ %_ V a death a death like this, a death v like this, /\ of Nor - man’s of Nor - man’s '6' 0 0 . Ferdinargd Dunkley-—-“ The Wreck of the Hesperus.”
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Creator: Worthing, Margaret (Fletcher)
Date: 18 May 1908
Text: [Cranford?] Wed. May 18th 1908? Dear William; - We received your letter Monday in Poughkeepsie before I left and it was afine letter and very cute. Grace could not get the [Motor?] Boys overland but I will.look for it tomorrow in New York. Your fishing episode, rather boating episode down on the flats was very funny. Aunty wrote about it - how your boat and yourself went to the bottom. However I think it fine for you to experiment even if you are not successful at first -and so you caught a...
Show more[Cranford?] Wed. May 18th 1908? Dear William; - We received your letter Monday in Poughkeepsie before I left and it was afine letter and very cute. Grace could not get the [Motor?] Boys overland but I will.look for it tomorrow in New York. Your fishing episode, rather boating episode down on the flats was very funny. Aunty wrote about it - how your boat and yourself went to the bottom. However I think it fine for you to experiment even if you are not successful at first -and so you caught a real live fish that didn't get away! Yesterday was Willie's 15th birthday. Willie is a dear boy. He has a little garden all his own where he planted radishes, lettuce etc. and he guards it carefully lest something happen to it. Larry, Ella's dog, is much cuter than he was last year, when I was here. They play with them all the time, even Cousin Ed, Ella's father, feeds him at the table if he begs or "speaks" for it. All the apple trees in bloom although [...], they are all [thin?] here. The lilacs are out and the snowballs are nearly in bloom - With love, Margaret.
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Creator: Worthing, Margaret (Fletcher)
Date: 17 March 1911
Text: 1911? Friday [...]. Mar. 17th St Patricks Dearest mother; - I just remembered this is St. Patrick’s - The storm Wednesday was not local - we had it too - the cold still asts. The gale of 60 miles an hour ceased with last night’s sundown - Your coat which is very good looking - with underware etc- came yesterday, also Daddy’s apparel which quite pleases him. Grandmother says she hasn’t written you for she expected you home last Sat. night - your [...] alloted time, and has not [known?] since...
Show more1911? Friday [...]. Mar. 17th St Patricks Dearest mother; - I just remembered this is St. Patrick’s - The storm Wednesday was not local - we had it too - the cold still asts. The gale of 60 miles an hour ceased with last night’s sundown - Your coat which is very good looking - with underware etc- came yesterday, also Daddy’s apparel which quite pleases him. Grandmother says she hasn’t written you for she expected you home last Sat. night - your [...] alloted time, and has not [known?] since what your address was. She has been looking daily for your needles for her by express! There is a [...ss?]- supper at the church tonight which as Mrs. Beginty is here, is the most strenuous exercise for me for the day. We had a letter from you yesterday and [m…?] [...e?] this A. M. Grace writes that Isabelle is not any better - I was terribly sorry to hear it - Have just as good a time, just as long [crossed out: a time], as you possibly can! We are getting on famously and hope you will wait till Grace comes. With best love, M’g’t -
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Creator: Worthing, Margaret (Fletcher)
Date: n.d.
Text: 1908? Pokeepsie - Tuesday P.M. Dear parents; - My pen is at Cary’s and Grace is using hers here in art class. Pitcher is lecturing - talking thru his nose - Grace has told all the doings, I believe. This morning, I played tennis with Mabel - Went to History and Chem- with Grace. At the close of Hist - one of the girls fainted She was nervously broken down and tired and had not been to see a doctor. Grace and another girl started for water and the doctor arrived soon - Have seen most of the...
Show more1908? Pokeepsie - Tuesday P.M. Dear parents; - My pen is at Cary’s and Grace is using hers here in art class. Pitcher is lecturing - talking thru his nose - Grace has told all the doings, I believe. This morning, I played tennis with Mabel - Went to History and Chem- with Grace. At the close of Hist - one of the girls fainted She was nervously broken down and tired and had not been to see a doctor. Grace and another girl started for water and the doctor arrived soon - Have seen most of the girls I knew best and they have all been dear - It is so hot, and green here - I did think I might feel sort of queer going to N.Y. in my winter suit and it will be a week later than I planned to go, so we looked here and found a stunning suit - greenish, grayish, blueish do you get the color?! It was a $35.00 suit but they let us have it for $30.00 including repairs because they are having a sale of suits this week - They said it was an advance model - It’s a beauty - I also purchased a petticoat - The place is Greenes. They used to have a shop on Mill St. and made nothing but tailored garment. Now they are on Main St. and sell ready made garments - Your candy and case were lusious, momie - Lovingly, M’g’t -
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Creator: Worthing, Margaret (Fletcher)
Date: n.d.
Text: 1908? En route to N.Y. Monday-. 1.37 P.M. Dear parents!- Dad’s letter, Wm’s and one from Harry arrived this A. M. All were very good. The kids are all teasing me to stay to commencement, but I don’t really believe I will. Sat. P.M. I went to the matinee, “The Witching Hour” with Mab, and a couple of Freshmen. The play was great, [s...e?], the seating also. This writing is somewhat giggly [sp: jiggly?], but I want to mail it at the Grand Central. Then after the play we went to Lucille’s for...
Show more1908? En route to N.Y. Monday-. 1.37 P.M. Dear parents!- Dad’s letter, Wm’s and one from Harry arrived this A. M. All were very good. The kids are all teasing me to stay to commencement, but I don’t really believe I will. Sat. P.M. I went to the matinee, “The Witching Hour” with Mab, and a couple of Freshmen. The play was great, [s...e?], the seating also. This writing is somewhat giggly [sp: jiggly?], but I want to mail it at the Grand Central. Then after the play we went to Lucille’s for ice cream. We were to meet Grace there but missed connections. I went to dinner with one of the freshmen and in the evening was Hall Play. Most everyone thot it not very good. It was “As you like it.” Will tell more ab’t it later. Yesterday Lyman Abbott preached and it ^was lovely of course. Last night Juliet, Grace and I had supper at Cary’s. I slept with Grace in her room. This noon Laxie, Mabel & I had lunch at the inn before my departure - And I will not endeavor to write more now. Lovingly, M’g’t. I could not get “Motor Boys Overland,” tell Wm, but I will endeavor to get it in N.Y.
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Creator: Worthing, Margaret (Fletcher)
Date: 9 May 1907
Text: Sat. A.M. May 9, ‘08- Dear parents; - We purchased some paper when down town yesterday but it has not come yet so I use this. I stayed here last night in G’s room.Mabel McCullum’s room mate has left college and she offered her bed any time. The choral club concert was last night. They did nothing extra, but they haven’t the best voices in college in it. The best voices are in the choir, - it takes too much time to belong to both. The college orchestra did fine tho. Mr. Nichols the soloist was...
Show moreSat. A.M. May 9, ‘08- Dear parents; - We purchased some paper when down town yesterday but it has not come yet so I use this. I stayed here last night in G’s room.Mabel McCullum’s room mate has left college and she offered her bed any time. The choral club concert was last night. They did nothing extra, but they haven’t the best voices in college in it. The best voices are in the choir, - it takes too much time to belong to both. The college orchestra did fine tho. Mr. Nichols the soloist was good at first, but before he got thru the evening, he [flated?] [sp:flatted?], most of the time. The accompanist was great. She has taken Miss Wm’s place, sort of Prof Gow’s assistant, only she doesn’t play the organ. Grace is to play at another student’s recital next Wed. We got a cunning little letter from Esther Polly this A.M. all the nicer because her mother didn't correct it. Grace wants some “[sponduli?]”. Gee, mine’s most gone too, for “what with” (As Mrs. Yale says) my new jumper, [opr?]. gloves, paying G’s April bills etc I am most on my last dollar. Field meet was to be this A.M. at 8.30,but as it rained most all night, it has been postponed until this P.M. at 2. We wanted to take Harry to the guest’s table in Main for dinner, but as the seats were all signed for we will go to the inn. Lots of girls take their men to guest table. No letter from home, but remembered Mom & Wm were going to Valley Farm. We at last remembered to ship off that dickey. There are many visitors for over field day. Aunt L. was here a [crossed out: week] year ^ago. Della asked me last night if I remembered about it. Mr. Harris was along too. Mom. have purchased your desired envelopes etc, Lovingly, M’gt -
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Creator: Worthing, Margaret (Fletcher)
Date: 8 May 1907
Text: Friday P.M. May 8 1907 Dear parents; - Don’t know whether G. has written today or no. She is at Latin and I can’t ask her that question or where her writing paper is, but I think it’s gone. Ella wrote yesterday she could come today. But Minnie wrote today that Ella was not able to come this week. Tonight is Soph tree ceremonies. The Sophs choose a tree, secretly, practice secretly then have their ceremonies some night. They always pretend that the ceremonies ^are to be kept secret, but if no...
Show moreFriday P.M. May 8 1907 Dear parents; - Don’t know whether G. has written today or no. She is at Latin and I can’t ask her that question or where her writing paper is, but I think it’s gone. Ella wrote yesterday she could come today. But Minnie wrote today that Ella was not able to come this week. Tonight is Soph tree ceremonies. The Sophs choose a tree, secretly, practice secretly then have their ceremonies some night. They always pretend that the ceremonies ^are to be kept secret, but if no one attended then the Sophs would like it. Harry is coming tomorrow P.M. Sat., and going on on the sleeper. He wrote that perhaps Fred couldn’t stop as he had got to do some buying - perhaps one more pattern to be added to Ashley’s spring goods!) Tomorrow A.M. is field [meet?] if it doesn’t rain - gee! it poured bucket-fulls all day yesterday and looks threatening now. Mom wanted to know if Fred W. came that ^A.M. We didn’t see him get on. He got on at Potsdam. “Swaine” honored me with her presence here in G’s room last night for one hour’s communing with Ovid! Miss Orvis is informing me concerning [Fr?]. history. She is teaching that course (my course - French I) in college now I think. Anyway she knows it all and if I don’t know it when she gets thru with it, it won’t be her fault. She charges students rates $.75 an hr. I think she is taking some Junior work in college, also. I am not going to take vocal, I don’t believe, - I can’t get a piano to practice on, easily - and I am too busy otherwise. I have had 2 lessons in each Fr. & Lat. since Wed, There is a lady at Cary’s (!) who has been here all the yr. with her daughter who is a freshman, and she expects to stay during all four yrs. They go home only [crossed out] in Summer. They live in Colorado. [Horn?] is their name. So the soprano got the job! Am glad [...] gave Miss [Neff?] a recommend. unasked for. Get rid [crossed out: e] of your boil quick, mom. Suppose you’re at Grandpa’s today - [...o?] Benjamin heiress! Geo. Bourney good looking! He must have changed considerably since I saw him. It’s [crossed out: all) O.K. to send the letters to [...]. Lovingly, M’g’t -
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Creator: Worthing, Margaret (Fletcher)
Date: 7 May [1908]
Text: Friday P.M. May 7th 1908? Dear parents; - I am ordered to write as G. is busy studying for her art [...]. Certainly Pokeepsie is three weeks ahead of St. Law. Co. Grass as green as ^in June and trees way out. I like Juliet better than I expected to. Reached here before five this A.M. but the wait did not seem long till seven. Got here at 7 and woke G. up. [Mr?]. Ellsworth was on train as far as Philadelphia and was real nice. Went in to talk to Miss Robinson whom I knew was on the train and...
Show moreFriday P.M. May 7th 1908? Dear parents; - I am ordered to write as G. is busy studying for her art [...]. Certainly Pokeepsie is three weeks ahead of St. Law. Co. Grass as green as ^in June and trees way out. I like Juliet better than I expected to. Reached here before five this A.M. but the wait did not seem long till seven. Got here at 7 and woke G. up. [Mr?]. Ellsworth was on train as far as Philadelphia and was real nice. Went in to talk to Miss Robinson whom I knew was on the train and found Miss Root, the missionary, with her. Went to all G’s classes with her this morning - English, Chemistry and Ear Training. Clara and Mary come at 5 this P.M. - Tree ceremonies tonight and field day to-morrow. Grace was real dissappointed that Mother did not come. She sort of expected her this A.M. even tho she wrote she was not coming. Mother, don’t work too hard. Hope the vacuum cleaners come while Mrs. McKenty is there. Lovingly, Margaret.
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Creator: Worthing, Margaret (Fletcher)
Date: 5 May 1907
Text: Tues. P.M. May 5- 1907 Dear popie and momie; - “I’m in Latin class now writing with one hand and keeping my eye on Miss S- with the other”!! as says Grace- It’s [crossed out: love] lovely here - so green, the ^leaves are most all out. The trees looked as bare as at home until we struck Albany - Could not get a chain at [crossed out: Alban] Utica as all the Masons in the state were bound for N.Y. G’s car was a little late; I met her at the trolley line, added that line to her letter - I am at...
Show moreTues. P.M. May 5- 1907 Dear popie and momie; - “I’m in Latin class now writing with one hand and keeping my eye on Miss S- with the other”!! as says Grace- It’s [crossed out: love] lovely here - so green, the ^leaves are most all out. The trees looked as bare as at home until we struck Albany - Could not get a chain at [crossed out: Alban] Utica as all the Masons in the state were bound for N.Y. G’s car was a little late; I met her at the trolley line, added that line to her letter - I am at Cary’s, mom - I think it’s not the same Cary’s as you were for it’s not such a bad place - My trunk came this A.M. All O.K. I begin with Swaine tomorrow A.M. I went to see Prof. Bracq this A.M. The woman he recommended, cannot tell me until tonight whether she can have me or no. Have not seen Dr. Griggs abt music. Have seen Allene and Marion [M?]. Drawing rooms for freshmen today. We have a fine room in Main on 2nd floor, I hope. It’s warm enough to wear no wraps - Haven’t over succeeded in neatness in carrying out my purpose. ^of writing in Latin class. Grace is longer used to it, I haven’t learned how yet. Lovingly, M’g’t’ -
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Creator: Worthing, Margaret (Fletcher)
Date: 28 May 1908
Text: 1908 Cranford May 28th 9 A.M. Friday 1908? Dearest parents; - A real nice day after such a horrid one yesterday. New Jersey certainly does have dreadful dreary days. It isn’t any wonder Ella looses here. She doesn’t feel that she has lost nor does she look it. Possibly she won’t loose any more. We are going to Summit this afternoon to see Marion but will return before dinner. Either I am getting used to it or else the family refrain - but anyway their squelching habit has somewhat abated. ...
Show more1908 Cranford May 28th 9 A.M. Friday 1908? Dearest parents; - A real nice day after such a horrid one yesterday. New Jersey certainly does have dreadful dreary days. It isn’t any wonder Ella looses here. She doesn’t feel that she has lost nor does she look it. Possibly she won’t loose any more. We are going to Summit this afternoon to see Marion but will return before dinner. Either I am getting used to it or else the family refrain - but anyway their squelching habit has somewhat abated. (Scratch wood!) [Crossed out] Tell Aunt Louise so, and tell her they sit together down stairs more than ever before. They sure have been nice to me. (Scratch wood!) However Ella doesn’t take her milk and emulsion as well as in Norwood - Minnie keeps at her all the time. I think she knows Minnie will remind her of it, (Ella says so herself), and so doesn’t bother much herself, altho she takes much better care of herself than last year when I was here. Lassie seems to stir up the family, also Frank. They have not been here much, and when Frank is around he is quite still - Lovingly, Margaret - How is grandmother’s cold?
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Creator: Worthing, Margaret (Fletcher)
Date: 27 May 1908
Text: Cranford [11?] Thurs. A.M. May 27th 1908? Dear parents; - A horrid, beastly, drizzly, rainy day, - no Brooklyn, Summit or anything else. Yesterday morning Cousin Ed took Cousin Minnie, Ella, and me on a three and one half hour ride into the country around Cranford - a perfectly georgious [sp:gorgeous?] ride. He tries to stay out all he can while on his vacation, so in the afternoon he and Willie walked 10 miles, but he was done [...] by night. He is aging some. He does not walk as spritly as...
Show moreCranford [11?] Thurs. A.M. May 27th 1908? Dear parents; - A horrid, beastly, drizzly, rainy day, - no Brooklyn, Summit or anything else. Yesterday morning Cousin Ed took Cousin Minnie, Ella, and me on a three and one half hour ride into the country around Cranford - a perfectly georgious [sp:gorgeous?] ride. He tries to stay out all he can while on his vacation, so in the afternoon he and Willie walked 10 miles, but he was done [...] by night. He is aging some. He does not walk as spritly as of yore. Lassie was home for over night. In the P.M. yesterday we went to the card club. I expected to have a dull time, but not so, - I quite enjoyed myself. It was bridge, of course. Grace has sent your Mon. ^letter on to me. I wish the suit were right. They are all lovely to me here. All for now- Margaret.
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Creator: Worthing, Margaret (Fletcher)
Date: 26 May 1908
Text: Tues. P.M. 2.30 May 26, ‘08 Dear parents; - My pen is dry, G. is using hers, I have on my good white dress, as we are going to dinner with Grace Boyce tonight so I use pencil. My! It’s hot hot hot! The Seniors have a boat ride tonight - G. is to play at chapel, I am going to hear her, as I have no lesson - Sunday at dinner with Mabel, we met a girl, a freshman whose father is a Lutheran minister ^in Buffalo and knows Wm Hunton - thru Mr. Hunton this girl knew Rachel - I remember Rachel wrote...
Show moreTues. P.M. 2.30 May 26, ‘08 Dear parents; - My pen is dry, G. is using hers, I have on my good white dress, as we are going to dinner with Grace Boyce tonight so I use pencil. My! It’s hot hot hot! The Seniors have a boat ride tonight - G. is to play at chapel, I am going to hear her, as I have no lesson - Sunday at dinner with Mabel, we met a girl, a freshman whose father is a Lutheran minister ^in Buffalo and knows Wm Hunton - thru Mr. Hunton this girl knew Rachel - I remember Rachel wrote us if we knew her last year, but she wasn’t here. Am in Latin class now! Lovingly, M’g’t -
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Creator: Worthing, Margaret (Fletcher)
Date: 26 May 1908
Text: Cranford - May 26th 8 Wed - A. M. 1908? Dearest parents; - Cousin Ed was over at Brooklyn yesterday and brot me over Mama’s letter written a week ago today. It sure was a clever one. I read it to Ella and it amused her immensely. I had written them but I guess they had not read my letter. Yesterday Ella and I went up to a couple of the girls’ house - Thersa’s and Louise’s We played bridge to practice for the club which is to meet there this P.M. I don’t know whether we will go or not as...
Show moreCranford - May 26th 8 Wed - A. M. 1908? Dearest parents; - Cousin Ed was over at Brooklyn yesterday and brot me over Mama’s letter written a week ago today. It sure was a clever one. I read it to Ella and it amused her immensely. I had written them but I guess they had not read my letter. Yesterday Ella and I went up to a couple of the girls’ house - Thersa’s and Louise’s We played bridge to practice for the club which is to meet there this P.M. I don’t know whether we will go or not as Cousin Ed, Minnie, Ella & Jane going for a drive this A.M. at his suggestion. He is taking part of his vacation now. Last night Helen Sharp, Frank’s former beloved, and a couple of fellows were here. Helen and her three admirers (Frank for the 3rd) almost killed the rest of us, it was so funny. Will tell ab’t it later. I am crazy, daddy, over the idea of you and mother seeing the Pacific Coast this summer. I am so glad Mr. Kinsman inspired you to go! [L...ia’s?] remarks were clever - Larry, the dog, is sick. He, like most dogs, has been indulging in those things which he should not, and consequently has had to have a good no. of baths, causing his present state of illness. Lovingly, Margaret.
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Creator: Worthing, Margaret (Fletcher)
Date: 25 May 1908
Text: May 25, 1908- Monday. Dear parents; - I am at Cary’s writing for dinner (at noon): My pen is dry so I use pencil. Papa’s letter came this A.M. Also the Round Robin. G. wrote Sat. didn’t she? That night the Juniors gave the Seniors a boat ride. The Juniors impersonated (if that’s the word) “The Doll’s House” on the boat and they said it was great. The Sophs and Fresh sang at the lodge as they were leaving, then sang on the library steps and marched to chapel as they did last year. I did not...
Show moreMay 25, 1908- Monday. Dear parents; - I am at Cary’s writing for dinner (at noon): My pen is dry so I use pencil. Papa’s letter came this A.M. Also the Round Robin. G. wrote Sat. didn’t she? That night the Juniors gave the Seniors a boat ride. The Juniors impersonated (if that’s the word) “The Doll’s House” on the boat and they said it was great. The Sophs and Fresh sang at the lodge as they were leaving, then sang on the library steps and marched to chapel as they did last year. I did not see any of the performance as I had a two hour lesson. I didn’t hear Grace play the organ at chapel either. Prof. Gow, and Clara Foss who substitutes for Prof. Gow, went on the ride, so Clara Foss asked G. to play. Papa, she was the girl who took us into the Assembly Hall to the organ the first day - when we were waiting to see Mrs. K. - Then later in the evening the Sophs entertained the Fresh at a Stunt Party ^in the athletic circle. They imitated the faculty, and the Freshmen who have marked characteristics and peculiarities.- They said it was great. Sunday Hugh Black preached - and of course was fine. We both went to dinner with Mabel. Spent the P.M. under the tree, the three of us, and had our supper there. We ordered salad, sandwitches and ginger ale from the [...un?]. My it was hot! Ella writes she won’t like it if I go back ^home without coming to Cranf’d and wants G. to come too of course. We might go between exams and commencem’t, if you think best. Then board for 3 or 3 ½ w’ks at $8.50 per week. Would like to get some furniture for next yr. It’s cheaper now than in the fall. The room has no rug, the girls will sell the rug there now for $7.50. I think we better get it, second hand furniture is as good as new - We can sell it ^(the rug) when we get thru with it. My [Fr.?] lessons are $.75 each and Lat. $1.00. $30 will cover that I’m sure - and to think I might have gotten thru on nothing extra last June. There is [another?] bill, I do not know the exact am’t but perhaps $10. It’s not as much as that tho. Can’t we have some of it this week? Then we want a little for extras - Lovingly, M’g’t -
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Creator: Worthing, Margaret (Fletcher)
Date: 24 May 1909
Text: Cranford, N.J. Mon. May 24th 1909 Dear parents; - Here in Ella’s little “Bug House,” as she calls it. But she is not here, but out driving. Cousin Ed is not working this week. He and Ella came over to Newark to meet me this A.M. as planned, but the cars were delayed for some unknown reason. Effie, Harriet and I waited in [Nutley?] for --- [moved from second page] nearly an hour, the cars are supposed to run every 15 min, then went back to Davis’ and got lunch and started out again and had to...
Show moreCranford, N.J. Mon. May 24th 1909 Dear parents; - Here in Ella’s little “Bug House,” as she calls it. But she is not here, but out driving. Cousin Ed is not working this week. He and Ella came over to Newark to meet me this A.M. as planned, but the cars were delayed for some unknown reason. Effie, Harriet and I waited in [Nutley?] for --- [moved from second page] nearly an hour, the cars are supposed to run every 15 min, then went back to Davis’ and got lunch and started out again and had to wait ½ hour that time. When I reached Newark they had gone, of course, as Lassie told me. She gave me a book to read on the trolley and in fact I have never seen her so agreeable. Helen Sharp had been ‘[phoning?] Ella to go for a drive [crossed out: ing] so she went and Cousin Minnie has been entertaining me. Ellahad been ‘phoning to Newark, [Nutley?] and [Su...t?] to find out if we were lost, quite out doing herself! My letter yesterday was cut short in [Nutley?] by dinner then some friends of theirs came - Young married people - She plays and he sings - The Davises invited them to bring some music so we had quite a recital. Then at 6 Grace and Marion rushed pell-mell for the train and I am wondering if Grace got to Vassar before 10 o’clock or not. We went to church in Nutley in the A.M. and in the evening I went to C.E. and church with Hortense. She is a dear, dear girl and looks so much like Helen and is like her in her actions. Marion is the same as ever. The doctor still has his eye on her but she has been out of school only once this year. The children, Roland and Harriet are lovely. Roland is Will the 2nd but Harriet is a [Clark?]. She was having chicken-pox while we were there but was not very sick. Effie and Will are the same, and quite devoted. Their house that they have just built is adorable. Yesterday Effie appeared in a ^dark pink dress that just matched her cheeks and she looked like a perfect picture from a book. I am working backward. I don’t know whether or not Grace wrote anything on that letter or not ab’t Sat. doings. We went over to the Fiskes in the A.M. for a few minutes. We took a [crossed out: n] 9:30 train in to N.Y. so did not have long. They inquired anxiously for Aunt Louise. Mrs. Fiske’s 18 yrs old nephew has recently died, so she has been in Philadelphia a great deal. Dorothy is laid up with a bad eye, pink-eye something. Billy (Sarah) and Mr. Fiske are the same old stuff. Fri. Saw Ethel [Reek’s] trousseau. She is to be married the first week in June. Her linen is embroidered by McCutcheon and her shoes are from Franks in N.Y. etc. It was a beauty. She is a Bryn Mawr (?) girl and is to marry her ^college chum’s brother from Calif. where they are to live. Sat. A.M. while we were waiting for Marion Clark, we went up to Powers studio on 72nd street. He was bustling around the same as ever and was preparing for a recital at 11.30. He wanted us to stay but we could not as we had other opportunities. Had lunch at Hotel Marbarlough (?) - Mrs. Austin, Clara, Marion, Mary and [Mr?].-[Mrs?]. Then we went to Maude Admams. No, mama, dady is not like the man in “What every woman Knows,” I should hope. That man is unappreciative of everything his wife does. I have a feeling Grace will write ab’t it, so I won’t. I hope you will get this Tues. P.M. but I fear not. All the Davises, Marion [Clark?], Shermans, Fiskes, Mrs. Austin, Clara etc. wished to be remembered. Have since been having a “bully!” time, but feel guilty, for mother is the one that needs the vacation and not me, so am half inclined to believe I will come home soon - what say you - Mary Sherman is the limit - we call her a true [sport?]. She will take us to the theater, three times, to Hotels Astor and Belmont, and settle it all. She said she and Clara were doing the entertaining. You can never pay her back, she always does more for you than you can do for her. Mother’s letter just arrived. Mighty glad to get it as have had none since Wed. One from Aunt [L.?]] Thurs. at [D.C.?]. If I need a waist will get i. The stockings from Altmans are for Aunt L. I do not need a [...igt?] cotton crepe waist now.No, Ella does not plan to go to Syracuse in June. Effie had us ‘[phone?] her to come over to [Nutley?] to Sun. dinner, but her father feared rain and did not want her to go. Tues. A.M. I discovered I could not get this to you by Tues. P.M. so have concluded to add a line. Ella wants mother to go to Syr. with Mrs. Collins for commencement. I wish she could go, then go on to Rochester. Make her do it, dady. I just forwarded father’s letter. Do you really think I had better come home this week. Write me. I am anxious to come home. Grace wants me to stay. Am crazy to find out how mother likes the suit. It’s sent on approval, so she doesn’t need to keep it. It’s a $48 suit reduced to $40. A $25 suit looked too cheap for mother!! She can “bat around” Syracuse in it! Dady, we meant mother ought to publish what she wrote ab’t Laura Edgar in a book. Lovingly, M’g’t. Hope Grandmother’s cold is better -
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Creator: Worthing, Margaret (Fletcher)
Date: 23 May 1908
Text: Nutley, N.J. Sunday noon May 23rd 1908? Dear parents; - So many things doing yesterday we did not get around to write. Grace informs me that you wrote me at Brooklyn. I must write them that I intended to come over and will go this week. They must have thot it strange to get a letter for me from Norwood. I met Mary Sherman at the Grand Central Thurs. night. We went to the Belmont for dinner. It’s a grand hotel, sweller than the Manhattan. That night we saw Eleanor Robson in “The Dawn of...
Show moreNutley, N.J. Sunday noon May 23rd 1908? Dear parents; - So many things doing yesterday we did not get around to write. Grace informs me that you wrote me at Brooklyn. I must write them that I intended to come over and will go this week. They must have thot it strange to get a letter for me from Norwood. I met Mary Sherman at the Grand Central Thurs. night. We went to the Belmont for dinner. It’s a grand hotel, sweller than the Manhattan. That night we saw Eleanor Robson in “The Dawn of Tomorrow.” She is fine, all the acting is, but it doesn’t turn out just right to suit me. We ^went out to Pool Chester for the night. Fri. P.M. we came in to N.Y. and met Grace at 6. Then Mary, Clara [crossed out: Jahers (2)] Jers, G. & I went to the Astor to dinner, a swell dinner - and to “the Man from Home” in the evening. Wm Hodge takes the part of the “Man from Home” and is great. Possibly the play is slightly overdone, but anyway it is considered the second best play in N.Y. this winter. Maude Adams in “What Every Woman Know” - No, Marion says these two are on a par, that “The Man from Home: is as good as “What every Woman Knows.” [in a different hand] Continued later. - Grand Central. Mg’t was interrupted here and bade me finish but as there is no more paper here will have to close - “Man from Home” sure was fine. [...] “What Every Woman Knows,” simply [corking?]. A grand time in Nutley. M. goes back to Cranford to-morrow. Had one suit sent upon approval. We think it swell, if it only fits.
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Creator: Worthing, Margaret (Fletcher)
Date: 22 May 1907
Text: Fri. P.M. May 22 1907 Dear parents; - Rain -- it has been at it for three days. Never saw it rain harder than it did last night. G. slept with me at Cary’s for a [chance?]. ^last night. She is at Latin now, 3.30 - down town tonight with [Lu?] from 7 to 9 - [Lu ...o?]. They read this year one book entirely new to me, and the book I sent home for, which I read 1st semester and parts of two b’ks we had last yr., 2nd semester, - making it rather hard. Hope Wm’s knee will recover soon. Fine ab’t...
Show moreFri. P.M. May 22 1907 Dear parents; - Rain -- it has been at it for three days. Never saw it rain harder than it did last night. G. slept with me at Cary’s for a [chance?]. ^last night. She is at Latin now, 3.30 - down town tonight with [Lu?] from 7 to 9 - [Lu ...o?]. They read this year one book entirely new to me, and the book I sent home for, which I read 1st semester and parts of two b’ks we had last yr., 2nd semester, - making it rather hard. Hope Wm’s knee will recover soon. Fine ab’t Bess Batchelor and finer still about Prof. Powers. Where did you get your hat and shoes, mom? I still think momie writes awfully clever letters. Dear - that $40 has melted away - “what with” $16 for bills, my board ^and also a thousand and one other things it is nearly “[...ant?]”. I don’t know how much we want. You might send a mileage. Must close, Margaret -
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Creator: Worthing, Margaret (Fletcher)
Date: 21 May 1907
Text: Thurs. Noon 1 o clock. May 21st 1907 Dear parents; - Grace is to have lunch with me here at Cary’s today. Mom’s letters came, was beginning to wonder what was doing up there. Yesterday Mr. Buelah, Mabel, G. & self went to the other camp for soda - Mabel treated. Last night Miss [Chittenden?] entertained her pupils after chapel at the Inn. They had ^strawberry ice and lady-fingers. The seniors are having a sale of camera pictures, hockey, basketball, Silver Bay, hall plays, daisy chains...
Show moreThurs. Noon 1 o clock. May 21st 1907 Dear parents; - Grace is to have lunch with me here at Cary’s today. Mom’s letters came, was beginning to wonder what was doing up there. Yesterday Mr. Buelah, Mabel, G. & self went to the other camp for soda - Mabel treated. Last night Miss [Chittenden?] entertained her pupils after chapel at the Inn. They had ^strawberry ice and lady-fingers. The seniors are having a sale of camera pictures, hockey, basketball, Silver Bay, hall plays, daisy chains etc - [crossed out: heaps] lots of cute pictures - Mrs. K. won’t let them have a senior play or auction as they have always done previously. I suppose she thinks it takes too much time. So they have this picture sale to raise money for class day. Senior exams begin today. G. has {Lat. Mon. A.M. {[crossed out: of] week after next the same here {Fr. “ P.M. with [...ee…?] {Ger. Tues. {Math Eng. Thurs. They crunch in together. Rain today and yesterday. Bell has rung, so [tra la?] Most lovingly, M’g’t.
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