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Date: 1920
Text: . K ,_ . /fr» I :~.. ~ ; Mm . 1/‘ [,{_’~ 31.4 /3 *7 ,»4:-"’“ J V, ‘la ‘a 3 ; - i“ V U ‘Jxﬂ ,‘\,»*L/3:/L!:'_/,[:‘,/ Gompozitionsg my Sobn rlltsokrejs MUSSC LIBRARY VVAEAQAIR COLLEGE voucmmzwsse. new vow 34 ( \ \ ) 1)}: VALCIK. Db Gr. 4-5 . . . . . . . . . . . . . . . . . . . . ..50c TOLD IN JUNE. E Gr. 4.. .' . . . . . . . . . . . . . ..50c ROMANCE. D Gr. 4-5 . . . . . . . . . . . . . . . . . . ..50c OUT OF THE WEST. G Gr. 5 . . . . . . . . . . . . . .50c PRELUDE IN G MAJOR.* Gr...
Show more. K ,_ . /fr» I :~.. ~ ; Mm . 1/‘ [,{_’~ 31.4 /3 *7 ,»4:-"’“ J V, ‘la ‘a 3 ; - i“ V U ‘Jxﬂ ,‘\,»*L/3:/L!:'_/,[:‘,/ Gompozitionsg my Sobn rlltsokrejs MUSSC LIBRARY VVAEAQAIR COLLEGE voucmmzwsse. new vow 34 ( \ \ ) 1)}: VALCIK. Db Gr. 4-5 . . . . . . . . . . . . . . . . . . . . ..50c TOLD IN JUNE. E Gr. 4.. .' . . . . . . . . . . . . . ..50c ROMANCE. D Gr. 4-5 . . . . . . . . . . . . . . . . . . ..50c OUT OF THE WEST. G Gr. 5 . . . . . . . . . . . . . .50c PRELUDE IN G MAJOR.* Gr. 6 . . . . . . . . . .75c SCHERZO IN E MINOR.* Gr. 6 . . . . . . . . . . . .90c INTERMEZZO.* A Gr. 6 . . . . . . . . . . . . . . . . . .75c ARABESQUE.* Db Gr. 5 . . . . . . . . . . . . . . . . . .750 FROM A BOHEMIAN VILLAGE. C Gr. 4-5. 50c DANCE OF YE WITCH OF SALEM TOW . ABSENCE. C MINOR Gr. 2-3 VALSE B}; Gr. 3 AN INDIAN DANCE. C MIN AN INDIAN IDYL.* G Gr. ECOSSAISE (Scotch Dance BAGATELLE IN G. Gr. VILLAGE SCENES.* Gr. THE BLACKSMITH. D. GLADYS AT PLAY. D. . . . . . . JUMPING JACK. C. . EVENING. C. (41 <70 RONDO. C. [ 5 THE BELLS. C. \ Gr. - JACK IN THE PULPIT. C . . . . . . . . . . . . . . . . . . IN THE HAY LOFT. Bb . . . . . . . . . . . . . . . . . . . .25c OLD CHIEF MATAATAKWA. A Minor . . . . . . ..25c THE WHITE BUNNY. C . . . . . . . . . . . . . . . . . . . .25c THE FROG POND. C . . . . . . . . . . . . . . . . . . . . . . .25c DANCING DAISY FIELDS. C . . . . . . . . . . . . . . . .30c PETER PETER.* CCr. 30¢ FROM A TAMA POW-WOW?‘ A Minor Gr. 2.....30c KITE FLYlNG.* D Cr. 2 . . . . . . . . . . . . . . . . . . . . . . 30:; Q (E S HRAB AND RUSTUM. C 25c BOHEMIAN FOLK SONGS.‘ Book I . . . . . . .50c (Arranged as easy Piano Duets. Gr. 1-3). Book II . . . . . . . . . . . . . . . . . . . . . . . . . . . ..90c NATURE SKETCHES. FROM THE HILLS. Bb Gr. 3 . . . . . . . . . . . . . . . .30c THE BIRD RONDO. G 3-4 . . . . . . . . . . . . . . . . ..50c PLAYING LADY. C 2 . . . . . . .I . . . . . . . . . . . . . . .30c IN SUMMER. D 2 . . . . . . . . . . . . . . . . . .30c AD BOY. G 3 . . . . . . . . . . . . . . . . . . . . . . .40c A DA THE / A HERZO. Gb 4 . . . . . . . . . . . . . . . . . . . . . . . .50c MI HINC-TON WAS A BOY* . . . . . . . . 1.00 (An Opera for Young People) LOVE ME YET JG SONG M THE FIELDS OF FRANCE ‘ AH—WAH-TAY—SEE (Little ﬁre-ﬂy) WA—YEA MY LITTLE OWLET E/(EAL E ‘ (\ SONGS OM TH] R’S GARDEN . . . . ..75c (V t teen ngs fo Children.) SONG (L I67‘) . . . . . . . . . . . . . . . . . ..40c (C to F) . . . . . . . . . . . . . . ..50c . (IE) to F) . . . . . . . . . . . . . . ..50c I MELODRAMAS (Reading with Music.) MIANTOWONA.* . . . . . . . . . . . . . . . . .75c (Poem by Thomas Bailey Aldrich) THE LEGEND OF WINONA . . . . . . . . . . . . . .75c TRIO IN B MINOR. (For Violin, ’Cello and Piano.) LESSONS IN HARMONY . . . . . . . . . . . . . . ..1.00 LESSONS IN SIGHT READING."‘ . . . . . . ..75c (For the Beginning Piano Student.) LESSONS IN RHYTHM* . . . . . . . . . . . . . . . . . . . . .. 75c 09 ODOWAN PUBLISHING CO. 880 W. 181st St., New York 831 Ave. B, Cedar Rapids, Iowa ‘Rub. by (Jtayton F. Sammy 00., Chicago. To £3111. You’ll Love Me Yet (SONG FROM PIPPA PASSES) REVISED EDITION BROWNING‘ Moderate You’ll love tar— ry your 1ove’spro—tract - ed grow - ing. 6’o;9y7'2'g/at MUZIBZY by Jolm ﬂlokrejs. JOHN MOKREJ S 17000 piu mosso June _ rear’d that — ers you car- 1-y nf poco piu mosso pri1’s sow. — ing.. I plant a heart — f ul some seed at least to strike and yield __ What you‘ll not pluck in deed‘___ Not love but You?! Love £l[e Met 4 Not love but may be like! Not love, not may be like! V P Yotf ll look 1) ll tempo Tab. loves re - mains,A grave’s one vi — o - let: Agrave’s one Y 0247! Love Me Yet 4 vi at but may be, least your look? that pays a thousand/thousand pains, a thou - sand pains. {-25 What’s death? You’ll love me yet!What’s death?You’111ove me yet! >>>> {T {-5 A 2:} me You’ll__. love me You"11 love me yet! Y0u’11 ~ love me, love me yet! ‘*1 4e ?’ [7000 Mt. Yozdllﬁove Me Ye! 4 To my sister Amze Spring Song REVISED EDITION Words by Music by SHAKESPEARE JOHN MOKREJS Alleg'rettAo d ai — When shep — smocks larks Oopyrig/at MUMXY by J0/m Jllolcrejs. - buds tread, light, cuc - koo then smocks..___. ed men; For. thus._ sings AS"!-wing Song 3 Cuc—k0o, cuc —koo, Spring Song 3 A Tfiéule to our Gallant Boys From The Fields Of France Words as Music L argo (very slowly) E _ B 131£OKREJS _ L __ F.‘ Vwy slowly and profoundly Though our hands be part ,- ed by the deep seas blue, Yet have When the storms go rag - ing, be on sea or land, Then have Like the sun’s down - go - ing, mid its glor — ious ‘hue, In the nff hearts one Song whenthere’s fightéin" to do. Though We ne’er see home and you, we to hearts one Song and as mountains We stand_ As the mountains do we stand, with one roll ca1l’s miss - ing our hearts go home to you. "Yet though clod becomesthe clod, and 1‘ du — ty’s call were true; We lived for the Right and we died for you. heart, one hope, one hand, Un- til Right en - throned shall rule the land. time and a — ges nod, There’s no name e’re lost from the roll call of God. T Oopyriglzt 1l[6’1ﬂ’)f by Jo/an Zllolcrejs. VVah—Wah—T1(:£ré:“0sWé7”e;>I./j3{Ij'1:}kir1‘i).7”ﬁ91e Fire Fly. From Longfe11oW’s Hiawatha. Music by Y JOHN MOKREJS . Andante con moto e tranquillo. ,5 Wah—wah - tay -_ see lit -tle fire - fly Lit-tle flit - ting Whitefire in\: sect, Lit—tle dan—cing »\ 2; white-fire crea - ture Lightme with your lit -'tle can — dle, 6’(/pg/7'77g/¢Z‘ J[6’J[XV by Jo/an Zllo/cre,/Ls‘. Ere up- on_. my bed I lay... me e Ere in sleep I .5 close my eye - lids Wah—wah-tay - see litgtle fire - fly, Lightmewith your lit- tle can - dle Ere in sleep I closemy eye - lids. trrmgmlln Tab. $1.3. ”l"’/"*"””'l"WW-W" ~° ‘ F.\J.LAWSON co.N.v To ﬂfary. EWa—yea My Little Owlet. (From Longfe11oW’s Hiawatha.) JOHN MOKREJS . Andante mo derato. \——/ P 00 7; [’ca’_ Ewa-yea my lit— tle that lights the ‘Wig - warn?Wi‘ih his great eyes lights the wig - warn Sz _>.. 15> 00]);/7‘?:l,"/if MUMXIII by Jaime ]l[o/krejs. Ewa - yea my lit -tle owl - et 7.’ . f great eyes lights 8 Z .7 . P Ewa -yea my lit — tle Ema -yea 2 T0 Jllr. EE. Pirkel. GALLIE. REVISED EDITION (SOUTHERN SERENADE.) JOHN MOKREJS. Moderately. is a out ma dar - — - lin’, ob de sum—mer night, is a in ma dear swoon-in’ Wid de- light Copyright MCMXX by Johh Mokrejs Hi -ho ma dar - lin’ H3 -ho ma dear gva ' ' '3 _ . \./ \_/ Wwjz‘ 4/<3: \¥ J/-\/'_\ b gx J./\ : - : __ /‘T Sweet! Sweet! owls ar’ hoo - tin’, Night croons, stars ar’shoo - tin’, Gal- lie lie “ 1*” I s here Gal-lie. Game_ 2 >2: Cello ditto two octaves lower BY JOHN MOKREJS WHE_N WASHINGTON WAS A BOY An opera“ in one act for young people based on the cherry- tree story and bringing in the important characters, including the negro servants, surrounding Washington’s boyhood. Though written for piano accompaniment only, it is strikingly orchestral L. ESSONS "Lessons in Harmony" is a beginner's harmony book. The facts in it can be taught by any teacher after a slight perusal of the book. The exercises are to be played, listened to and written, and, being simple, can easily be understood by pupils of any age. It teaches how to form and play all intervals and all chords. It teaches the nature and use of all chords, thereby laying the foundation for memorizing, improvising and composing. It teaches the perception of Relative and Positive Pitch and has a most excellent presentation of modulation. The book will be sent on approval. (Price $I .00 net.) "Excellent in thought and content, not conventional, and wide in scope."—-A. L. A. Boo/flist. The average student approaches the study of harmony with a hostile mind. Decades of stupid teaching and dry text have brought about this unsympathetic attitude and only through the use of practical works like the one under discussion can the usefulness and pleasure of the subject be fully disclosed. It ‘ is not ﬁlled with rules that contradict, nor is it padded with dry formulae; nor yet is it made wearisome with endless excerpts from composers’ works; it is almost tersely clear in explanations of formations and progressions. LESSONS This book is for the beginning piano student and it teaches how to read without any drudgery. It teaches the treble, high-treble, loiv-treble, bass, high-bass and Iolv-bass lines as units (pictures) with deﬁnite locations on the keyboard. These six pictures combined take in the entire key- board and each one is equally easily learned. LESSONS Teaches your pupils to play naturally in time. It aims to give your pupils a musician's conception of rhythm. Elastic, ﬂexible, proportionate, accurate. This method establishes that rhythm is to be taught—not as a problem in arithmetic——but as an element in music which must be consciously felt as well as scientifically understood. Notes are named according to their sound, their meanings, their rhythmic or counting values. This is the ﬁrst time that the subject of rhythm——including Time, Tempo, Measure, Pulse, Pulse-Rhythms, Rests, Dots, Ties, Syncopation, Irregularities, etc., is gathered into one com- plete, practical teaching method-«scientifically accurate yet artis- tically intuitive. I N I N in effect and the vocal parts are perfectly within the possibilities of young people. Its length is about an hour and a quarter, and by following the directions given, it can be done with but a month's training. H,ARMONY The chapters on modulation should be mastered by every church organist who essays the necessary transition between the hymn and the anthem. No stiff formula: but the best possible manner of approaching each key clearly set forth in a convincing manner that would mean a little more peace in the choir loft i followed honestly. Again modern usage is taken into con- sideration by a fair recognition of the looser key feeling now obtaining where the old relations were so ﬁrmly fixed.-~—~Cedar Rapids (/a.) Sunday Republican. Harmony Considered From a Practical Viewpoint. Too much has the custom in the past been to merely ap- proach the study of harmony as a sort of geometrical structure, with no instinctive association between the two methods of receiv- ing impressions, viz.: the eye and the ear. The manner in which Mr. Mokrejs insists upon ear training as a fundamental of har- monic comprehension indicates a perception of what has heretofore been the weakest point in our system of theoretical musical educa- tion-weak because it has so often been taken for granted. This work is well adapted for study under almost any conditions-— with or without a teacher. Among its commendable qualities are conciseness, directness, simplicity, brevity——so arranged as to lead to the absorption of the subject rather than of a lot of rules which are supposed to govern the subject.—-~MusicaI Monitor & World. IN SIGHT READING It teaches the Relative and Positive Location" of Keys (which is as necessary to a pianist as Relative and Positive Pitch) afid enables one to naturally see the keys in the notes. It establishes that notes should be learned from the keys and tones they represent, and never disassociated from them. Price 75 cents" RHYTHM The exercises are presented in such a logical manner that they immediately clear up every Rhythm Problem from the sim- plest elementary forms to the most advanced complicated forms. The principles taught in the first elementary lessons are so scientiﬁcally true that they work out equally well when applied to all the more involved forms. This blesses the pupil to the extent that nothing ever needs to be unlearned. These “Rhythm Lessons" can be used for all students of music—-vocal as well as instrumental—-including wind, string and percussion instruments. The price is 75 cents"‘ Two INDIAN MELODRAMAS MIANTOWONA AND THE LEGEND OF WINONIA _ That the Indian -is ﬁguring moreandimore in American art is very apparent. Indian legends, Indian life, Indian exploits are fascinating to young and old alike, and rightly so—~“they are ours. Miantowona and the Legend of Winona» one a legend, the other a tradition; one poetical, the other dramatic~—are both beautiful poems to be read with musical accompaniment-—melo- dramas. “Miant_owona""" (the poem by Thomas Bailey Aldrich) is a legend which tells how the first water-lily came to be———from Miantowona's constant love for Wah-Wah whom the Great Spirit had taken to the‘ happy hunting grounds. "The Legend of Winona" deals with an incident at Maiden's Rock on the upper Mississippi. It is based on a poem by James Athearn Jones and shows the inner thoughts of a brave, heroic Indian girl to whom death was but a stepping stone to liberty and her higher ideals. The character and action of the poems are beautifully ex- pressed by Mr. Mokrejs’ music. Both make splendid numbers for home or club programs. Price. each 75 cents.. ’‘‘Published by Clayton F. Suinmy Co., Chicago.
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Date: 1917
Text: 33 E? E. Phi‘;0mc"i HfV!'4".‘..:',.‘..[\’=. .‘,;21'..-xii. Imsah .M.:~: g>:.;::.»:.x‘E«.:~/4 3V'»'L'J;vv.: mm. mia. -' '“i\‘TIE §_.UL\I¢,2‘v‘?‘1,l.(>'»‘u" j NE;.'w" ‘.‘{"-C’3Ex’i':\?'.: ilH1“s.'“L«, EL ].’9H.'£"fr5*..T!‘A‘-3 éir I.,a.}¢. L'u‘;"§€'I.-‘\u;;a}. ¥..“2’€'.'i>{‘*h {iv §M’i..:X5_."§’ music: LIBRARY VASSA-R COLLEGE YE VOICES, THAT AROSE , 1 - Ye...
Show more33 E? E. Phi‘;0mc"i HfV!'4".‘..:',.‘..[\’=. .‘,;21'..-xii. Imsah .M.:~: g>:.;::.»:.x‘E«.:~/4 3V'»'L'J;vv.: mm. mia. -' '“i\‘TIE §_.UL\I¢,2‘v‘?‘1,l.(>'»‘u" j NE;.'w" ‘.‘{"-C’3Ex’i':\?'.: ilH1“s.'“L«, EL ].’9H.'£"fr5*..T!‘A‘-3 éir I.,a.}¢. L'u‘;"§€'I.-‘\u;;a}. ¥..“2’€'.'i>{‘*h {iv §M’i..:X5_."§’ music: LIBRARY VASSA-R COLLEGE YE VOICES, THAT AROSE , 1 - Ye voices, that arose After the evening/s close, And whispered to my restless heart repose! Go,breathe it in the ear > Of all who doubt and fear, And say to them.,'1Be of good cheer! V’ Ye sounds, so low. and calm, That in the groves of balm V Seemed to me like an ange1’s psahn! Henry I/I/Fzdswort/z _L¢mgfell0w (from the French) 5-’! 50"72079 — 3 From Me Franc/1 mngmaz 311% Al») CECIL BURLEIGH HENRY WADSWORTH LONGFELLOW Op. 32, N0 3 Very slowly; with deep feeling (lg 40 orfslower) FT’! VOICE Ye voi — ces, that a Af'—ter the eve — ninge 2 And Whis—perH to my rest— less heart re — pose! z'ncrea.s*e ‘ —e breathe it ' the ear Of; all who doubt and mcrease -=./' And say to them,__ “Be /X 3?: 5“ Copyright NICMXVTI by Oliver Ditson Company International Copyright Secured 1%’ Ye sounds, so low and calm,.__ = n That in the groves of balm __________ Seem’d to me... like an an — ge1’s ,5: : : " r- Seem’d to me like slower K The Musicians Library The masterpieces OF song and piano literature edited by men of authority SONG ’ VOLUMES ' ISSUED Foi-HIEI1 Voice For Low Voice Ediiedby JAMES HUNEKER Edited by WM. FOSTER APTHORP Edited by HENRY T. FINCK Edited by DR. EBENEZER PROUT Edited by DR. EBENEZER PROUT Edited by WM. FOSTER APTHORP Edited by CARL ARMBRUSTER Edited by HENRY T. FINCK Edited by W. J. HENDERSON Edited by JAMES HUNEKER Edited by JAMES HUNEKER Edited by CARL ARMBRUSTER Edited by CARL ARMBRUSTER Edited by ERNEST NEWMAN Edited by HENRY T. FINCK Edited by DR. CHARLES VINCENT Edited by PHILIP HALE BRAHMS, JOHANNES FORTY SONGS FRANZ, ROBERT FIFTY SONGS GRIEG, EDVARD FIFTY SONGS HANDEL, GEO. F. SONGS AND AIRS HANDEL, GEO. F. SONGS AND AIRS JENSEN, ADOLF FORTY SONGS LISZT, FRANZ ' THIRTY SONGS SCHUBERT, FRANZ FIFTY SONGS SCHUMANN, ROBERT FIFTY SONGS STRAUSS, RICHARD FORTY SONGS TCHA'I'i<OvSi<Y, P. I. FORTY SONGS WAGNER. RICHARD LYRICS I WAGNER, RICHARD LYRICS ii S Iii WOLF, HUGO FIFTY SONGS FIFTY MASTERSONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS VOL. I (BEMBERG TO FRANCK) MODERN FRENCH SONGS VOL. II (GEORGES TO WIDOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (All Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS L II Er III SONGS FROM THE OPERAS IV G V For I‘IIgI\ VOICE For Low Voice Fcrr High Voice For Low Voice For High Voi¢¢ For Low Voica £*.'3v‘.-.$v‘5$v’;:'5v‘.-3 For High Voice For Low Voice For I‘II${I'\ Voice: For Low Voice vi? For High Voirc Ior Law Voice For I*'IIs>,I\ Voice I*'Oi Low Voice For Higiiw Vmcz For I,\Iv/ Vuice Fur I‘II;:Ii VC'iiL‘P, Poi Low \/(JILQ For Soprano Fvt‘ Tenn! For Bunion: and Basis For Hi*,Iw \/OICC For Low Voice For I"I_ii.II Voice For Low Voiuc Fi».— F-I.»,_ii Vote: In): Low \/OlC¢ For HIEII Voice For Low VOIC¢ For High Voicc Fix Low Voice Edited by ' PHILIP HALE {:5 I19 v‘.°*vi':i‘r¢;‘v€-5:’£i.‘zv‘.-f5t‘.:?iv7:t‘iv‘:'5>‘.-E Edited by CECIL SHARP Edited by GRANVILLE BANTOCK Emmi by GRANVILLE BANTOCK Ediied by HELEN HOPEKIRK Edited by JULIEN TIERSOT Edited by WM. ARMS FISHER Ediwd by GRANVILLE BANTOCK Edited by RUPERT HUGHES Fdimi by H. E. KREHBIEL Editedby H. E. KREHBIEL For Medium Voice 8 C For Medium Voice & Fcr HICII \/‘nice For Low Voice For High ‘I/mitt: For Low Voice For Medium \/(MCI! For Hiri.Ii Vcicc for L.0V'\ Vmuz For Medium Voice For I‘Ilf.'II Voice For Law Voice For Sopiisno For IVI¢Z7I)<S0Dl&.I'\O '0.’ A to Far Taiior For Baritone nnd Bun f.-Tv§§t‘!:3ﬁv‘$f$v“;3&% v‘:i‘vv‘:3i‘.°.5is‘.*%v‘;.'5v‘.-.§b‘.:.5i’;‘3i‘:.‘vv‘5 ﬂ iﬁﬁﬁf5§.%$€:§E%€:§&5&%&%&%&¥&%ﬁt§.t§ COMPLETE LIST OF’ PIANO VOLUMES FREE ON REQUEST Each vOIume in heavy paper, CIO[I'1 back, $150; in FLIII CIOtI’i,. giit, $2.50. Copies maiIecI post-paid. Other vOIumes in preparation For Free bOOkIet, giving Full particulars and Easy Payriient Plan, send to the pubIisI1erS % OLIVER DITSON COMPANY" BOSTON
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Date: 1917
Text: SONGS BY CECIL BURLEIGH Op. 32 Philornel (VVILLIAM SHAKSPERE) High voice. in E Medium vuict-. in 1)?‘ T he sea hath its pearls (HEINRICH HEINE) Medium voice, in F Low voice, in D1} Ye__y_QiC€:s, that arose (HENRY VVADSVVORTH LONGFELLOVV} High 'VU1C€, in Al" Low vmrc. in E ;.aaunnuum.., I heard the trailing garments of the night (HENRV VVADSWQRTH LoNom7LLovv; High voice, in I) mm. Low x nxr.-u, in B mm. The lightlmuse {H ENRY ‘JVADSVVORTH LONGFELLOW) High voiwse, in E!’ Law vu1cr.....
Show moreSONGS BY CECIL BURLEIGH Op. 32 Philornel (VVILLIAM SHAKSPERE) High voice. in E Medium vuict-. in 1)?‘ T he sea hath its pearls (HEINRICH HEINE) Medium voice, in F Low voice, in D1} Ye__y_QiC€:s, that arose (HENRY VVADSVVORTH LONGFELLOVV} High 'VU1C€, in Al" Low vmrc. in E ;.aaunnuum.., I heard the trailing garments of the night (HENRV VVADSWQRTH LoNom7LLovv; High voice, in I) mm. Low x nxr.-u, in B mm. The lightlmuse {H ENRY ‘JVADSVVORTH LONGFELLOW) High voiwse, in E!’ Law vu1cr.. an (2 BQSTON: OLIVER DITSON COMPANY NEW YORK: CHAS. H. DITSON & CO. CHICAGO; LYON 31, HEALY MUSIC uananv VASSAR COLLEGE YE VOICES, THAT AROSE Ye voices, that arose After the evening’s close, And whispered to my restless heart repose! Go, breathe it in the ear Of all who doubt and fear, And say to them.,“Be of good cheer! ” Ye sounds, so low and calm, That in the groves of balm Seemed to me like an ange1’s psalml Henry Whdsworfh Longfellow ( from the French) 5-150-72079 ~ 3 YE VOICES, THAT AROSE From Me French HENRY WADSWORTH LONGFELLOW VOICE Go, CECIL BURLEIGH ’0« gm‘ [K " ”~’"" 6”) 011.32, No.3 Very slowly 5 with deep feeling (J.= 40, or slower) ft“-I ' that Af_ter the eve _ ning’s voi _ ces, rest- less heart re - pose! And vvhis_ per’d to my increase breathe it ' all_ who doubt and —'—«:f \___/ Copyright MCMXVII by Oliver Ditson Company International Copyright 'S60l1red 5-150-72079 — 3 1919 e sounds, so low and calm, That in the groves of ba1m_____ Seem’d to me____ like an an _ ge1’s 1’ Seem’d to me like Zf’?_——— 5-150-72079 ‘ 3 The Musicians Library The masterpieces OF song and piano literature edited by men OF authority FORTY SONGS FIFTY SONGS FIFTY SONGS SONGS AND AIRS SONGS AND AIRs FORTY SONGS i THIRTY SONGS FIFTY SONGS FIFTY SONGS FORTY SONGS FORTY SONGS LYRICS I LYRICS ii E iii FIFTY SONGS BRAHMS, JOHANNES FRANZ, ROBERT ORIEC, EDVARD HANDEL, CEO. F. HANDEL, GEO. F. JENSEN, ADOLF LISZT, FRANZ SCHUBERT. FRANZ SCHUMANN. ROBERT STRAUSS, RICHARD TCI-IAII<OVSKY, P. I. WAGNER, RICHARD WAGNER, RICHARD WOLF, HUGO FIFTY MASTERSONG5 FIFTY SHAKSPERE SONGS MODERN FRENCH sONOs (BEMBBRG TO FRANCKI MODERN FRENCH SONGS (GEORGES TO WIDOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (AII Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS SONGS FROM THE OPERAS VOL. I VOL. II I, II fr III IVé—V v’.~%n‘.-‘v€:5I’:$&¥i-.%f;3I’v';‘v»‘.:%v‘$ E-.3 v‘.’v€$€5£-5v1‘rv‘:‘5€z%€:%f5ﬁv$€;%v‘.-3v‘;?rf;%f;?v€;% For H igh VDICC For Low Voice For High Voice For Low Voiciz For High Voice For Low Voice For High Votes: For Low Voioc For High VDICR For Low Voice For High Voice For Low Voice For High Voice For Low Vc-we For I"Iiqh Voicc Fm Low Voice For High Voice For Low Voice For High VOICE For Low VOICC For Soprano For Ten For Baritone Bus For High Voice For Low Voice For High VUIEI For Low Voice For H igh Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Medium Voicc For Medium Voics For High Voice For Low Voice For High Voice For Low Voice For Medium Voice For High Voice For Low VOICC For Madium Voice For High Voice For Low VO2C¢ For Sopr o For M2zzci- rano or I For Tenur For Benton: and Bus: SONG ° VOLUMES - ISSUED ¢.2’vv1t'i»‘:3%‘z¥v1?’r‘$v‘:5v‘:5v‘z'3v‘z‘v ﬁ n‘-3$$v1:%5’;%v1‘vv‘:i‘vf;?rv‘$f;%é’a%v‘:?v&%v‘;.%>1.-3%v‘.:‘v Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Ediied by Edited by Edited by Edited by COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST JAMES HUNEKER WM. FOSTER APTHORP HENRY T. FINCK DR. EBENEZER PROUT DR. EBENEZER PROUT WM. FOSTER APTHORP CARL ARMBRUSTER HENRY T. FINCK W. J. HENDERSON JAMES HUNEKER JAMES HUNEKER CARL ARMBRUSTER CARL ARMBRUSTER ERNEST NEWMAN HENRY T. FINCK DR. CHARLES VINCENT PHILIP HALE PHILIP HALE CECIL SHARP GRANVILLE BANTOCK GRANVILLE BANTOCK HELEN HOPEKIRK JULIEN TIERSOT WM. ARMS FISHER GRANVILLE BANTOCK RUPERT HUGHES H. E. KREHBIEL H. E. KREHBIEL Each voiume in heavy paper, Cloth back, $1.50; in Full CIOth_. gilt, $2.50. Copies mailed postrpaid. Other volumes in preparation For Free booklet, giving FuII particulars and Easy Payment Plan, send to the pubiishers =5‘ OLIVER DITSONCOMPANY' BOSTON
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Date: n.d.
Text: //L ‘( i \ mﬁﬂg 0: m§I”3S / I / X‘ x6$ . 7 ¢../\ > I ..r—-\ I ' }’l// I" /,'’‘//////’/'/_i’ ///‘ /I,"////////II/N /I}:,$‘/// /,/// S/.'.= /x}/// LON/IDON1 (J3-RAMER'.'*W,OOD §?c 09 AND LAM BORVN COCK-& c9 ,;,, .~ /////'\ /2/'/,",///’ n/7 /we 01./Pf//.'/V’/4; /’}tz///’/////I}///.s'. MUSIC LIBRARY VASSAR COLLEGE .~. /- ' . _ /— v_\ / V 2/ Z“\ ’ . \ TPE WRECK _OF THE HESYERUS. II'rz'(tch by H. W;'wLang...
Show more//L ‘( i \ mﬁﬂg 0: m§I”3S / I / X‘ x6$ . 7 ¢../\ > I ..r—-\ I ' }’l// I" /,'’‘//////’/'/_i’ ///‘ /I,"////////II/N /I}:,$‘/// /,/// S/.'.= /x}/// LON/IDON1 (J3-RAMER'.'*W,OOD §?c 09 AND LAM BORVN COCK-& c9 ,;,, .~ /////'\ /2/'/,",///’ n/7 /we 01./Pf//.'/V’/4; /’}tz///’/////I}///.s'. MUSIC LIBRARY VASSAR COLLEGE .~. /- ' . _ /— v_\ / V 2/ Z“\ ’ . \ TPE WRECK _OF THE HESYERUS. II'rz'(tch by H. W;'wLang‘fwllvn1'. Composed by J. L. Half .21. 941.1. E.GR,O. _ 'I‘o‘1o1«:’ .‘:‘:€ ‘It was the schooner Hos__pe_;nIs,'l‘hat 'P,I.u1 .N‘() E 0 R T E. ' ‘V mi’ And the Skipper sai l’d -in sea; Nu.’ lime dat1gh-tér, '1‘: bear him" cmn-pa-_ny. Blue were her eyes, as the V’ V fai -_ry flax, er ‘ e the €_iawn'of‘ "day; And her be white as the Z“"“\\ / T. ,h§1w.,;__thorn buds ‘ in I the month ‘of. . May. Hw~uern-R. _ .. ;-. \ V mohth, Am! I ‘4 K ' . . I . .n .1 P m» .1. ...P _. .s .1. _h .h L? .. ...I. N .\ J I; he stood befgside‘ _the ._he lm I/' Elk ‘i’ ‘pp or did blow 'l‘he~‘s1nu.ke now west, now south. watch?'(l how the Veerillg flaw T hon I Z /)L| If!‘ ‘Br, Had sai|’<[ the ‘Spanish niailr, Old up and spake an Sai-_l a hur___ri_-_.c-ane. |,a,<4t pray thee, ut in_.to 0n-der on, Fox‘? fear night the moon had a 0ld_en ri But‘ to—night no moon we smote a-.._mai11 The ves_--s0l in-F shu‘dder’d and paus’d } E} like a fr‘ight_,e_ad. steed, Down C-cune the storm. and’ - its ‘ strength; Fu'r1ns0. en leap’d her ca__b|é’s > H:-xpvrcu j\ 1‘ F’ I Come-hbiihér! come hither! my ‘Iit_tlVe daughﬂér, And \./ not tremble so; For can ‘weather the r0ugh_est gale, T\h~-at e_ver the wind did blowl fa__ther! hear the church—bell rihg, say what may it be?”“’Tis a A 9,. f0gf' 1 On a I‘0Ck—boImd coast, We,must steer for e open sea’.’ \~_/ ‘H -xpurn-. . {I V y it be?” But the fa_-ther answer’d say what ma va ’ /9/9' col a 12006. -01- W V. Lash’d to the helm, all never a word, A f1'u-zen corse was he. ‘ T stiff and stark,With his pale face‘ to the skies, The l.ah‘_ter_h gleam’d through ‘The falling snow On his fiX’d and glas_sy eyes. H~~.*.\wrI'.~, Then the maid-enA clasp?! Ifelj liahds, and prayyd That saV-ed she might /I J\ I :1 . \ I she thought of HIM, Mhnv stiII’d the wavvs I I I _I I W) V Tempho . r I I r I I II. I V I. v. I But fast through /the m1d..-_n1g [. «r I I -0 -OI-' -0 Tempo. dark and dréar,. I ’ .t 0 whistling sleet and sheetfed g ost, the bark swept on T t e’ reef of “N0rman’.s woe”. . . . . ores}: ‘i ff'”‘I”-“’- I Ho! the breakérs J 5 rattling s}nf_0uds all sheuthd in ice,VVith the nmsts,We11tby t] e board; I H0! 1 e stove and sank-, 3 glass, I ,1» V ssel‘ 0 Llke a L‘\ He>.<V-Prux . ‘ "./:1.N"D.»1.}VTE.~' At day—break.on‘ the; bleak seja~beaC}1, V, A 'fish.erman stood a--- ﬂ3"““-‘ the form "of a maid-_--en fair, Float I L on a drift_--ing mast. The salt sea Was ' fro_'_-_zen V her-breast, The salt tears in her eyes; 1' J + was the *m'<=(*k of Um; Hes_;__pe-_rus, In ‘flim- ﬁr . ,5 ./‘I (I ag io . mi<lm'ght and the snow‘. Oh! Save” US_ all from a death like this, On tlw’ /:\ ./Jdaggio. V 8: of “T\'0rmeu1's , Old Clock on the Stairs (The ' *Shepherd’s Winter Sting (The) ...- . *Night Journey (The) . . . SELECT MADRIGALS, GLEES, SONGS, DUETS, &c. ARRANGED AND EDITED BY THOMAS OLIPI-IANT. Madrigals, &c., by R. L. Pearsall. *1 saw lovely Phillis . . . . . . 4 voices . . *The Hardy Norseman . . . . *Great God of love . . . . ‘ . . *0 who will o’er the downs (in F) . . *0 who will o’er the downs (in C, for male voice ) *Take heed ye shepherd sivains . . ‘ . . *Wh0 shall win my lady fair . . *When Allan-a-—dale went a hunting It was upon a spring-tide day . . Spring returns . . . . *N_vmphs are sporting . . *Why with toil thy life consuming . . ,, . . Separate parts, 3d. per page, are published to those marked * . . . .:=~.J>cns>.;:i;><ma=-.~i>ooi«l> saw»--wwzozototzzzotov--_o. A Selection of Madrigals in Score and Parts. Down in a ﬂow'ry vale (in A & F) 4 voices C.Festa 1 Stay one moment . . 4 ,, T. Oliphant J In going to my lonely bed R. Edwards 1 Come again, sweet love . . J. Dowland 1 Lady, see on every side L. Marenzio Hard by a fountain . . H. Waelrent All ye who music love . . B. Donato Ah me ! where is my true love? F. Anerio My mistress is as fair as ﬁne J. Bennet In the merry spring . . T. Ravenscroft Out, alas! what should I say Anonymous To pitch our toils go we Anonymous When April deck’d . . L. Marenzio Under a willow lying . . O. Vecchi Fair May Queen . . L. Marenzio O sweetly sleep . . M. Pierson T’other morning very early Thibaut Strike it up, neighbour T. Weelkes Songs by J. L. Hatton. Laws of the Sea King (Vikingabalk) . . What is life? . . . . . . Wreck of the Hesperus (The) . . Simon the Cellarer (new edition) . . Dream, baby, dream . . . . Blind Boy (The) . . Blue Bell and the Fly (The) Day and Night . . . . Vogelweid the Minnesinger . . . . Herrick’s Letanie . . . . . . Fair daffodils we weep to see . . . . Autumn reﬂections . . . . Cloris, now thou’rt ﬂed away (Amintor’s Well-a-day) Garland (The) . . . . . . Goldsmith’s daughter (The) . Cxiblkl-Pll3c;q_C>OwCI'li5l‘-§H>Hk|§vl>ll>~>P . . 2 . I . Z I I2 (oi-did!-I-202»?!-‘l\3“'-‘P-"‘ Hope . . . . . . Linden Tree (The) . . . . Maureen. . . . . . Meeting and parting . . . . My days have been so wondrous free Nun and the rose (The) Reaper and the ﬂowers (The) Sailor’s Best (The) . . Seasons of life (The). . Streamlet gently ﬂowing The silver moon (Serenade) ’Tis midnight (To my taper) Twilight. . . . Walter the Woodman Weep no more, thou sorry boy *M'ysterious Serenade (The) *Chapel (The) . . *Window Curtain (The) *Mother and Daughter *Greenwood Concert (The) *Dying Swan (The) . . *Gardener’s Song (The) *King’s Daughter (The) *Repose . . . . *Youth by the Brook (The) . . *Violet (The) . . . . *King Sifrid . . . . *Robber (The) . . . . *Roe (The) n o°-.oou.oo.oo- *Poet’s Grave (The) . . . . . *Mountain Shepherd Boy .. . . it Those marked have German words also, and were originally published under the pseudonyme of CZAPEK. Simon the Cellarer Quadrilles, from Popular Melodies, composed by J. L. Hatton. Arranged by C. Coote l€N>t\'>i\?l\3l\'>N>l~33~3t\DtxZJl\')t~3ZO(\9l\Dl\'JZOl0fQb9Z€>Z€ItOl~3l\9l\9KOl~3l0l0lOlOl\91\3lOZCl°l-'l\5°3lot°N3l*3C°°31\3°3 on o :~‘~ cnoocuooonmo:ooovmammocacao:ocnouoosooouonocncncnoaonoacaommocucacscaoocao o®®®®O®®O°°¢”°~’°‘°°°°°®“ 09°’ °°°’°°‘-75°‘ Om Four-part Songs. 0 peaceful be thy slumber (also in Parts) . . Fair Lady Anne . . (ditto) Nymphs are sporting (ditto) The Urchin’s Dance . . (ditto) The Hunt is up . . (ditto) Summer Eve (in F or A) (ditto) When the smiling May returneth (ditto) Weber . . Joyful at the close of day . . . . De Call . . The mist is rising (Chorus from ‘ Euryanthe ’). . Weber , . Volunteer Chorus, “ Up rouse ye ” . . Weber . , Now the Curfew Bell hath ceased (S.A.T. & B.) Kreutzer Welcome spear and shield . . . . Werner . . Rosy-mantled spring _ . . . . Miiller . . Thro' yon lattice—window . Eisenhofer Let me not hear . . Winter , , Sing and drink, boys Lorenz . . When despairing Cupid Seyfried 8. Mendelssohn 2 Mendelssohn 2 Pearsall . . Hatton . . Hatton . . Hatton . . xoysx \o~/9 N; (4; 5,) yo (\'>ON>n—»--ts'>t\'>t~')R\'J Q mic: on oc:o>c:®c:®O>OOO>?~ J os. Haydn. Ariadne. A Cantata . . . . . . 5 Maiden fair (Liebches Madchen), Comic Serenade (Three voices) .. .. .. .. 2 0 Hymns for Four Voices by G. P. L. Da Palestrina. Five Numbers, or in a Set complete . . . . 6 0 Separate parts, 3d. per page. Songs and Duets by Mendelssohn. Fair Lady Anne . . *'I‘he ﬁrst violet . . . . *Fancy’s dream (The Journey) . . Garland (The) . . . . - *How can I sing (Duet) . . *I stood alone beside the mast (Duet) *Maid of the Ganges (The) . . *Now each creature joys the other *0 peaceful be thy slumber . . *Over the mountain . . . . *Onward still old Time is ﬂying . . , . ""Page’s Song, The (Pagen Lied, or the Savoyard’s Song) . *Slumber and dream (Cradle Song) . . *Suleika and Hatem (Duet) . . . . * Those marked have German words also. - an on o .. ..... . . . . . . . . . - 1020200-|r—|l\')l-‘ZOlOK""N9""l‘3 mcuocamocacaoocaczcao 4 English Songs, &c., by various Composers. Auld Robin Gray (with Introductory Preface) Barbara Allen (Old Ballad) . . Harmonious Blacksmith (The), for voices Lord Gregory (Old Ballad) . . . . O weel may the keel row (Old Ballad with Chorus) . . Sandy and Jenny (Ballad) . . . . Sanderson When ye gang awa, Jamie (Hunting-tower), Copyright editio of T. Oliphant . . . . Leeves. . Handel: Three Duets for Treble Voices, by Weber. Tell me truly, gentle maiden . . Leave me to mourn . . . . Hail to Friendship . . . . no In no no 00 -- Duets for Treble Voices, by F. Abt. *Sunday on the Ocean . . . . *Eventide . . *Rural Happiness . . *The Boatman’s Song *The Woodbird’s Song *Home Sickness . . *The Merry Greenwood Tree *The Early Spring Bird *Not too soon . . _*The Wanderer’s Song . *The Mariners . . . . Two Duets for Treble Voices, by 0'. Keller. "‘Ah! could I teach a nightingale . . . . *Lovely as the beam of morning . . . . o . u v C»Z>l\')?€-‘Z\:2lOlx'JZOt\'J(\'Jl\'>2o ©G>C3O)O)®O>®O)G9® o o u o no on o o o o o o . o o a .0 -n ta 2 ..2 Duets for Treble Voices, by Kucken. *The Swallow’s farewell . . **‘My heart ’s in the Highlands . . . . *How mournfully murmurs . . . . *The Hunter . . . . *The Fisherman . . . . . . *Swiftly o’er the wide Laguna (Barcarole) . . * Those marked have German words also. LONDON: ORAMER, WOOD & 00., and LAMBORN COCK AND 00., 62 and 63 NEW BOND STREE .
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Date: n.d.
Text: B FLAT MINOR T WRITTEN BY Mmwmm The Music Composed J OHN L.HA’I"I‘0 Ema J‘tcz.H¢iZé. \ Londo IL, JOSEPH WILLIAM s. 24, BERN ERS STREET. W. Also Z9)» tics szzme Com,Uos-er.‘ CHANGE or TWENTY YE.ARs.,.:.,..._ Jory rar Bass 77»ice......_1,_. W31- CLOWNSrSONG,...-_...........,...,..,... ,_.. f'orBar'zTtone Voice. Ho: FILL, ME A'rANKARD,....._._,_,,,,..yang f‘orBas.s-Virice, .. % ....... .31» IN’ DAYS OF OLD.‘ /£1/“Bass775ice...I..._.,,..._...3]- SIMON THE C'ELLARER.... Vo...
Show moreB FLAT MINOR T WRITTEN BY Mmwmm The Music Composed J OHN L.HA’I"I‘0 Ema J‘tcz.H¢iZé. \ Londo IL, JOSEPH WILLIAM s. 24, BERN ERS STREET. W. Also Z9)» tics szzme Com,Uos-er.‘ CHANGE or TWENTY YE.ARs.,.:.,..._ Jory rar Bass 77»ice......_1,_. W31- CLOWNSrSONG,...-_...........,...,..,... ,_.. f'orBar'zTtone Voice. Ho: FILL, ME A'rANKARD,....._._,_,,,,..yang f‘orBas.s-Virice, .. % ....... .31» IN’ DAYS OF OLD.‘ /£1/“Bass775ice...I..._.,,..._...3]- SIMON THE C'ELLARER.... Vo‘.zZua.......’H~ MUSIC LIBRARY VASSAR COLLEGE THE WRECK OF THE HESPERUSt J. L. HATTON. It was the schoo _. ner Hes _ pe _ ms, That mf \./ sail’d in the win_try sea; And the Skipper had ta’e11 his 1it_t1e daugh_ter, To the K-2 hear him com- pa - ny. Blue were her eyes, as the fai - ry flax, Her cheeks like the dawn of day; And her ho- som white as the haw. thorn buds, That ope in the month of May. The D’ ' T Skip-per he stood be- side the helm,Wit>h his pipe in his mouth, wa.tch’d how the veer _ ing flaw did blow ﬁx; smoke now west, now sﬁuth. V up and spake gm old sai_l0I°, Had s"ai1’d the Span- ish main, pray thee, put in _ to you. der port, For I fear a hur _ ri _ K % T 4’) nvight moon had a gold - en rmg, But to-night no moon we “freak of Hesperus. Skip-pe1' he blew - whiff from his pipe, And a scorn _ ful laugh 1-au'gh’d Down came the storm, and smote a _ main The sh11d-der’d and p21‘us’d like a fright _ ed steed, Then leap’d her > VG,-eck of Hesner[IS¢ Come hi_the1'! come hi _ ther? lit _ tle daulgh _te1°, And . do not trem - ble - ' can Weather the rough _ est g:-l/e, * e-ve1' the wind did blow! fa_the1'! I hear the ch11rch—bell ring, ‘. what may \_/ fog-— bell on ‘ r0ck—-bound coast, We must steer for the 0 _ pen Vfreck of Hesperus. yr \‘ 4* gleamg ing light, 0 say 8 what may be?”. ‘*1 ' ’- — 1 ne_ver a Word, A fro _ zencorse was 115 stiff and stark, With his e face to the skies, fail- snow On his fix’d and glas _ sy eyes. -dim. ‘ Wreck of __ Hesperus. Dear ﬁn. _t.h'er! I see a ‘L Y >\s.._—/ ad lib. But the fa - >ther ans _wer’d Laslfd to the helm, all The lan-tern gleam’dtb1'oughthe .f.'f' pit) lento. Then. the maid’ _ en clasp’d her hands, and pI'ay’d That sav _ ed she might U §~\__.../ be; And. she thought of HIM, A who still’d th V tempo. But fast thro 11 the mid - dark and drear, Thro’ the Whist ling‘ sleet and sheet _ ed ost, the bark swept on To the reef of “ 0r_Inan’s w0e.’5. f furioso. Wreck of Hesperus. rattling shrouds all slleatlfd in ice, With the masts, V t by Like a ves_sel of glass, she stove and sank, H0! H0! the breakers ralle dim. ' ‘ﬂeck of Hesperus. Andante. At day—b1‘eak Aon the bleak sea—be-ach, A fish_er_man stood at. the form of a maid _ _ en a drift _ ing The salt sea was fro ‘s alt tears in b er eyes; M'1'c:cL' of Hesperus. streaIl1 , hair, like the brown sea weed, On the waves did fall and was the wreck of the Hes_ -pe_ rus5 V In the F mid_nigfl1t and the Oh.’ save us all from a death like this, On ‘the '10. if if 13%; . E Q’ '$' 99 ‘C of Nor - malfs Woe! W1-eck of Hespérus. :5 vvvvvvvvvvv *- 9 nwvvvvvvgvvvvv vvvvvvvsew-vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv--v-v--v--v-vvvvvvv- A! DREAMLE55 RE577 THE CHINEE DOLLY. Words by ADRIAN ROSS. - Music by F. OSMOND CARR. >7 Written by ADRIAN‘ ROSS. V-2 <7 0): dis‘: Price 45. ' Andante. Sam/re legato. A Composed by‘ F. OSMOND CARE. 2. Slow - ly the long day pass-es, SIow- ly the sun - set wanes; . . . Price 45‘ A ndanlz can meta. 1. I'm a dear lit-tle Chi—nee dol -ly, Lov’d by ev-'rydoll and toy~ 19 SW55 ' - dew panes. I x 5- —4?-“Q-—k—-'3-l—"——Q—k-‘Ir-Thi—'P‘——§—k~i‘—4’d—::—*—:——4:I*=— —‘—"-—‘—d*'~‘i-'—d—d3—.'I:"‘:3+-d—3—-3'4"-'—l-—~“""'r:'LT— Dolls thatcantalk.And dollsthatcanwalk,But thebest was a bold tin sol-dier boy! . . . __.____ _.p§___I__._ '_ T _"":._i'_"_l . 3'-El" *‘—'—d—d—'—i-3-5-1‘:I—-1-1-I”!—‘—i—£—-‘--i-=l-I--—*:'r—*"*I— 30 U C,’ \; SIOWIY the 10113 day P355559 Into the cloud-land golden Gsd W1)’ the 511“-593 W333-5; Under the ev'ning star. ' ol on the waving grasses , _ 4 0 J 4 ‘ Red on the window p,mes’_ There was the land I hopd to ﬁnd, _ §.,_,____j _‘._g_j"____¢__,'=___i_g__;’_5_.i_,__g__,____I_,__-;_ Slowly the great bell numbers VVhere care and sorrow were left behind ; . _,g:___:_ g by I 74 I I our after weary hour’ %'3'}e]yond.the}f!laIir]Ie of t_helcrimson West, I &/ In Here where the shadow Slumber‘ . ere,“a° L 6 Ome or ove to rest ' I'm a dear little Chinee dolly, ' But my poor little leaden soldier Under the grey old tow r. VaCI)n werelit now to wander Lov'd by ev’ry doll and toy— fell upon the floor one day, This 15 the song of the tolling bell : L “t. ‘° 1 7“ fairy 5l1°1'€y Dolls that can talk, and dolls that _can walk, His head had.a dent, and his stand was bent, When love is happy, to live is well ; "Ire 15 l‘9t1heTe OT )‘0“d5*'y But the best was a bold tin soldier boy! And his uniform was flak d away‘! When_]ove is ended, [0 sleep is best, ‘We “"1 "°,“~1‘"“ "9 m°"e- For he had a coat of red, red, red, I wept for my boy in vain, VE.1ll'l,’\‘£\ll1,, _ Here is the homeof d;-eam1e55 rest 1 Here must I 1111337 100513’: And a gun and a sword oflead. lead, lead, For he never could stand again, gain, gain, DOW“ “'l‘e“e ‘he 5h‘"*d°“'5 fan- And he looked so grand on his little stand. So I wed instead of my lad of lead That he won the maid of the Flowiry Land 1 A Mandarin with a nodding head I Once in a dream departed Hearing the great bell only Saw I a land more fair, I with my love true-hearted, Dream’d I could wander there ; Out of the city olden, Into the West afar,‘ Out of the twilight call. This is the song of the tolling bell I When love is happy, to live is well ; Vi/hen love is ended to sleep is best, Here is the home of dreamless rest I Once so jolly, dolly. talkee folly, dolly, Used to sing song, dancee with a fan, Now, so solly, dolly, melancnoly dolly, All for my tin, tin sojeman! Once so solly. dolly. rnelanc_ho1y dolly, \Veepee so for sojeman of tin ‘ Now so jolly, dolly, give up fbll'y, dolly, Molly piecee Chinee Mandarin . REFRAIN. . _», 9 Ytmpa fnma. .—9—ie ““‘—L—7V‘T REFRAIN. \\I II I aI J‘ In. Q. ' . . 6 This is the song of the toll - ing bell: When love is hap - py, to live is well; Once so jol- ly, dol- ly, talk- ee fol- ly, dol- ly, Used to sing song, dancee witha fan, ‘in’ .II I 5% :7. Ijl » 5- E— ﬁ_—%—-E-'-.E:|5.—._5.-15:57‘ ' v'vl l a Q . , 1* l I5 I o J ‘I | I I Voices. The Young Heart; and the Old. Words by CLIFTON BINGHAM. THE THREE ANGELS. Price 45. Music by E. WALKER HUNTER. Price 45- Modzrata. Moderato Ii I \ I J I ' I\ Iwir _|\ I I ‘i ‘ R I ii I A I I 4--3.-—.I.gd—.c— 9 3' 0-'3" - - \_/ 1. I wan-der’d in God's sunlight. . A-cross theﬁelds of May, The tears ofSpringwere AZ--11. 1 1. The young heart sang in the sun - light, The old heart read in the shade; . . .¢.. E41 . '6-"959 3-2. :1 “E” ==.‘-$55: ‘I J I I {A “2. 5:3 ._l. . .5. ' AAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAA.A;AAAA.sAAA4AAAAAAAAAAAAAAAAAAAAAAAAA;AAAAAAAAAAAAAAAAAAAAAAAAAAA shin - ing on ev' ry leaf-y spray, A phan-torn crept be - side me, .9. The young heart sang in the sunlight, The old heart read in the shade; Oné: was a sunny brpdw d Inlaiden, ne was a grey o mart . She 1ook’(l from the page to listen, To the song by the young heart sung ; Thought she “there are miles a thousand 'Twixt_ the old heart and the young I” The young heart wept in the twilight, O Thefoldf heart drpamt at her side, ne 0 a ar away over One of a lad who died. She whisper’d of hope and comfort, The story of years was told ; Thought she, “ There is but a footstep ’Twixt the young heart and the old.” And the young heart lost its sorrow, As close to the old it was laid, There in the dusk together The old and the young heart prayed. One lover came home in the spring-time, One has been dead long years ; But the old heart forgot its own grief In healing the young heart’s tears. I wander’d in God's sunlight, Across the ﬁelds of May, The tears of Spring were shining On ev’ry leafy spray, A phantom crept beside me, Its shadow on me cast ; I spoke, “ VVhy dost thou haunt me?” It sigh’d, “ I am the Past !” I sat alone at nightfall Within my silent room, A shadow sat beside me With brow of sombre gloom. O‘er burden’d with its presence, At last aloud I cried: , “ O spirit, speak, who art thou?” “ The Present it replied !” In doubt and sorrow wand’ring, I pass’d into the night, A star-brow’d angel met me, I A form ‘o‘fIwonctl1r;oL1;‘lztght. ' n _t spa to am e u ure . I seeni’d God’s peace to see, And sorrow as a mantle Fell fromithe soul of the ! In Keys to suit all Voices. In Keys to suit all Voices. LONDON; JOSEPH WILLIAMS, 24, BERNERS STREET, W.
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Date: 1895
Text: E T.‘ 3. ucw ma sA us us A v THE CATHEDRAL PARAGRAPH PSALTER CONTAINING THE CANTICLES, PSALMS, AND PROPER PSALMS ARRANGED IN PARAGRAPHS AND POINTED FOR CHANTING A ASCHEME OF APPROPRIATE OHANTS AND BRIEF I " NOTES ON THE PSALTER EDITED BY THE REV. J. TROUTBECK, D.D. (Chaplain in Ordinary to the Queen and Minor Canon of Westminster). PRICE THREE SHILLINGS AND SIXPENCE. The principle of Pointing followed is that of the Cathedral Psalter, with slight modiﬁcations here and there, _ ....
Show moreE T.‘ 3. ucw ma sA us us A v THE CATHEDRAL PARAGRAPH PSALTER CONTAINING THE CANTICLES, PSALMS, AND PROPER PSALMS ARRANGED IN PARAGRAPHS AND POINTED FOR CHANTING A ASCHEME OF APPROPRIATE OHANTS AND BRIEF I " NOTES ON THE PSALTER EDITED BY THE REV. J. TROUTBECK, D.D. (Chaplain in Ordinary to the Queen and Minor Canon of Westminster). PRICE THREE SHILLINGS AND SIXPENCE. The principle of Pointing followed is that of the Cathedral Psalter, with slight modiﬁcations here and there, _ . suggested by experience, in the treatment of individual verses. For the accents which are used in the Cathedral Psalter to indicate the beginning of the bar of duple time, which connects the free recitation with the metrical part of the chant, are substituted super-imposed musical notes, in accordance with the principle set forth in the Preface to the Cathedral Psalter, so as to indicate exactly, in every verse throughout the Psalter, the best method of dividing the bar into the component parts of a semibreve. Other means also have been adopted to ensure clearness and promote facility. Preﬁxed to the new Psalter is a Scheme of Chants and some brief Notes on the History of the Psalter and the‘ Characteristics of each Psalm. THIRD EDITION (REVISED AND GREATLY ENLARGED). Containing 6oO Chants. Price 25. 6d.; Cloth, 33. THE WESTMINSTER ABBEY CHANT BOOK ARRANGED AND EDITED BY THE REV. J. TROUTBECK, D.D. (Chaplain in Ordiiliary to the Queen and Minor Canon of Westminster), ND J. FREDERICK BRIDGE, MUS. DOC. (Organist of Westminster Abbey and‘Gresham_Professor of Music). This Edition has been arranged in connection with the CATHEDRAL PARAGRAPH PsALTER,'prepared by Dr. Troutbeck on the lines of th edral Psalter. ' ‘ ‘ - ny fresh contributions, including Single, Double, and Triple Chantsespecially are set—_—by Dr. J. F. Bridge, J. Foster, Myles B. Foster, Dr. G. M. Garrett, I, John E. West, Dr. G. C. Martin, Sir Herbert Oakeley, Sir John Stamer, ' inted for the first time, by Sir Joseph Barnby, H. Smart, &c. In-x -cm-"' t‘ a~v«»«-s.-.:~a-nu.-w~ I-Wu: E...» NOVELLO’S ORIGINAL OCTAVO EDITION. THE WRECK OF THE HESPERUS POEM BY LONGFELLOW SET TO MUSIC FOR SOPRANO, TENOR, AND BASS SOLI, CHORUS AND ORCHESTRA HERBERT W. WAREING. PRICE ONE SHILLING AND SIXPENCE. LONDON 62 NEW YORK NOVELLO, EWER AND CO. Copyright, 1895, by Novello, Ewer and Co. The right of Public Representation and Performancegis reserved. The purchase of Scores and Parts carries with it the right of Public Performance. If it is desired to use hired or borrowed copies of Scores or Parts, the permission of the Publishers must beﬁrst obtained. THE VVRECK OF THE HESPERUS. L011§f‘*110W- Herbert VV. Wareing. ’ _ J T Mus.D0o.Cantab. Modemto assaz. = 88. p Juice 5 sempre [again 1'19’ ml]. e dim. stringendn 10081 (70j>yr'z'g7zz‘, I895, by N0716Zlo,Eze1er 5: C9 A Modemto ass '. J: 69. ff imat0.J=8s. mf dnlra semp re Iegata sempre tremalan CHORUS. B Allegretto. So rano. It was the schooner was the schooner It was the schooner Bass. It was the schooner Alle etto. J: 108. p— per had ta - ken his Skip— per had ta - ken his skip — per had ta — ken his skip — per had ta — ken his lit — vhf E7 dnlre Hes-perus,That sailed the win — try And the Hes-perus,That sailed the win-try Hes-perus,That sailed the win—try Hes—perus,That sailed the win-try vv daugh—ter, To hear him, to-bear him lit ~ I16 daugh-ter, To bear him lit— tle daugh-ter, To bear to bear him e daugh—ter, To hear him, to bear him skip — per had ta — ken his lit-tle daugh— ter To skip— per had ta — ken his lit- tle daugh— ter T0 skip- per had ta — ken his lit — tle daugh— ter To s p _ per had .- ken his t—tle daugh — ter To him, to hear him Blue were her him, t hear him: . bear him - Blue were her eyes as the him, hear him Blue were her eyes as the fairy flax, cheeks e the dawn of day, eyes as the flax, as the fairy flax, cheeks like the dayvn of day, fai — ry__ ,as the fairy ax, cheeks like e dawn of day, Blue were her V — cheeks like the dawn of day, mb bo— som white as the haw—thorn budsThat ope in the month of bo — som white as the haw—thorn buds That ope in the month of o — som white as the haw—thorn buds That ope in the month of bo - som white as the _thorn buds That ope in e month of in the month of ope in the month of May, Mair, May, May, 7}’ pg’ 76 mll. bo—som white as the hawthorn buds in the month of bo—som white as the ha orn buds \ in the month of bo—som white as the wthorn buds That ope in the month of L’ 55,- - _ 000 mll. bo—som white wthorn buds That 0 e in the month t Pemjao Moderafo. J, 100. — side the helm, Allegretto modemto. J: 100. P dulce X: o ' A 9 Bass Solo. he stood bee was in his mouth, watched how the veer—ing flaw did blow The smoke_________now West,now He watched how the veering flaw did blow, did blow The 3k Fed. Tenors. The skips. — per he stood be- Basses. /._\ smoke now West, now South The skip — per he stood be- . /_\ ¢_z temjwo — side the helm, ' ._____._. was in his mouth, - side the helm, ' ___j__ was in his mouth, watched how the veer-ing flaw did blow watched how the veer-ing flaw did blow The smoke now West He watched how the veer—ing_f1aw did blow, He watched how the veer—ing flaw did blow, / smoke now West,__ nowWest,now South. smoke now West,.f)now est,now South. ‘I 7 H4? The smoke now West,__ nowWest,now nowWest, now did blow The did blow The f_\_ A Z‘ P d Z‘ [1015 /\ 0 7710 67771 0. D 7 _ J B /“T PPl'b Tenor Solo. “ t6"”'4’0 Then a tempo A £1; £1 ‘"4 jvoco mil. up and spake an Old Sail — 0r,__ Had sailed... theSpanish Main,__ ((1 arlamte pray thee put in—to yon—der port For I fear,_ I fear a 8 dalre hur—ri—cane, “Last night the moon had a gold — en ring, And to- TTTE P 110/ CHORUS . Soprano. “ IEast night the moon had a golden ring,And to- 0. - “Last night the moon had a golden ring,Andto- T or. night no moon We see! _._ “Last night the moon had a golden ring,And to— ELSS. “Last night the moon had a golden ring,And to- Am'maz‘0. The skip-per, he blew a The skip—per, he blew The skip -per, he The skip—per, he ~b1ew A-m'mat0. J: 110. "If whiff his pi , whiff from pipe,”_ And whiff from his pipe,_ And whiff from his pipe,__ And scorn-ful laugh 1augh- ed ful laugh 1augh— ed — ful laugh 1augh—ed 12 Q Allegro modemfo. older and 1oud—er blew the wind Colder Colder and 1oud—er blew the wind Colde , =12 /0 modemto G 5’ o1d—er and loud-er blew the Co1d—er and 1oud—er blew the m -e Cold - er, '$0lut0 A gale, a f risolut A gale f.rom ale from The snow fell hissing A gale, a gale from the North — east; The snow fell hissing Northwast, a gale, a gale from e or L — east; The Snow fen N0rth—east, a gale, a gale fromthe North — east; — to e brine; ' break — ers froth’d like in — to the brine; And the break - ers froth’d like - ing; And the break— ers frothd like And the break— ers fr0th’d like SHOW fe11— hiss - ing in - to the brine, And the breakers: froth’r1 like t_ . . yeas And the breakers fr0th’d snow fell__ hiss — ing in ~ to the brine, And the breakers fr0th’d like Yeast And the breakers fr0th’d like F 10081 D wncame est rm, smote -main Down came storm, smote a - main , vessel st0rm,and smote a - main vessel I Down came est0rm,ands te a — main vessel 3 5'15? H stre -‘ e shudd red and paused, a t-ed steed, enleapt her strength; S\1-1/e ddered and paused,1'1kea fright — ed steed, Then leapt her strength; Then leapt her strength; Moderat ca-b1e’s1 ca—b1e’s length. ca—b1e’s1ength, her ca-b1e’s1ength. 021.1, 935 her ca—b1e’s1ength. Bass Solo. ca—b1e’s length. Come Mode/rato V 15 tranquilla ran espn-1'55. hither, come my 1it—t1e daughter, And do not tremble .1 \/ ptra quilln [an espress. can wea—ther the rough — est gale That ev— er the wind did D1 Tampa cmimato. rrz hi — ther, come my lit - tle ﬁx/_\ daughter and do not, do not trem—b1e so; For can weather the //*‘——.xe//--T Piic animato. 0 rano. ewrapped her warm in his e wra her warm in his Wrapped her warm in his S. roughest gale, that ev- the win 1ow.___ He_\‘vrapp_ed herw rm in his Pm ato. =126. sea—man’s c0at_________ A ‘ 3135" the [5 sea-man’s.c0af.________ A - ainst the S sea—man’s coa ._._____.... A - gainst the sting - ing sea—man’s coat___.______ A - g t e sting — ing broken spar And bo broken S And bound her to broken spar,_._._...._______ d bound her to «broken spar,_._______? And bound her to the \.z mast; He cut aropefroma brokenspar Andboundherto the mast.__ 1} 1;}- mast. He cut aropefroma brokenspar Andboundherto the mast.___ h _"_‘_"“.._j-— mast. He cut aropefroma brokenspar Andboundherto the ’mast.___ 4 mast. He cut aropefroma brokenspar Andboundherto the - mast... {W Modemto. J=96. Soprano Solo. 0 fa—ther! Ihear the church-bellsring, 0 say what mayit /—~;-'———t'*-\ Tempo an/imatto. - be?. Bass Solo. ’Tis a ‘ fog—be11 on a roclcboundcoast! And he Temﬁo arzimato. ’ Modemto. 777 fa-thcr! I hear the steered for the 0 - pen sea. ﬁ If Modemto. L96. __ \ f-—\ rev” Tempo am'maz‘0. e- sound of guns, 0 say what may it Some Tempo am'maz‘o. ship in distress, that can- not live ‘In such an an-gry sea! _ fa — ther! see a gleaming light, ham Meno 7710550. Soprano. But the a-ther an—swered nev-eraword, For a Tenor. But the fa-ther an-swered nev-erawordt, For a "£0550. J-_-.96. M 6720 Voices Andante con mato. Lashed to the helm, Lashed to the helm,.__._ Lashed to Lashed to the helm, all Atzda-mfe 0072 moto. =92. say_ e helm, all what may it‘ fr0- zen corpsewas fro - z corpsewas fro - zen corpsewas fro - zen corpsewas all stiff and stiff and stiff and stark, ith his face turned to the ._______ The Ian-tern gleamed thro’ the stark,With his face turned to the es,_ the skies,The Ian - tern gleamed thro’ the — stark, Withhis face turnedto the skies,._the skies,The Ian-tern gleamed thro’the — ‘ stark, With his face turned to the skies,_._______ The Ian - tern gleamed thro’ the Larghetto (:0/z mafo. g1ea.m~ing- snow On his fixed and glass g1eam— ing snow Onhis fixed and glass - gleaml ing show On his fixed and glass gleam - ing snow On his fixed and glass eyes. Larglzetto can m0z‘0 M =96. Larg‘Iu;t1‘0. N /‘x 17 L92. 8 Larglzefto co/z mall/‘0 espressione. S/<_:>\prano So1o.0 And the maiden clasped her hands and prayed That sav - ed she might /3 »/{T be; And she thought of Christ who stilled the waves,Onthe Lake, the Lake Qf ; {"3 r 1' hi Ga — 1i-lee. The maid -en clasped her hands and prayed That sav — ed she might And she thought of Christ who stilledthe waves, ——§-+ ad lib. thought of Christ who stilled the Waves On the Lake_ Ga—1i-1ée,__ onthe mfcolla 5EﬂlpI"E EFEEE. ‘Z/006’ Pd Lake of Ga- 11 — lee. Z’_\ 9?: F'Ed.9§9 Pad. 5% F211. 9% Pad. 95' 10081 AlSleg7’eIft0. rano. And fast through the mid - night dar __ and drear, Throughthe Tenor. And fast through the mid — night dar __ and drear, Throughthe Allegrett0.J. : 60. whist - ling sleet and snow, whist — ling sleet and sel swept Towardsthe reef of the Nor - man’s sel swept Towards the o the or — man’s sel swept Towards the of the Nor - marfs sel swept Towards the of the Nor - man’s be — tween be — tween be — tween soundof etramp—1ing surf, land ;_.’tWas the sound of the trarnp—ling SLTIT, 1and;._ ’twas the sound of the trarnp—1ing surf, — 1and;._ ’twas the sound of the tramp-ling surf, breakerswere right be - neath breakerswere right he — neath breakerswere right e — neath breakerswere right he — heath came from the from the V I0 cks and the hard sea - ro cks and the hard sea - rocks and the hard sea — rocks thehardsea - her bows, She her bows, She drift-ed a drear - y her bows, e drift; ed a drear — her bows,She ‘drift-ed a drear — y xgfrlgggp — ing bil swept her crew oop — ing bil swept her crew c. oop — ing b swept er crew L e whoop - ing bil low swept her crew " Wm cic-1es__ from her gy — C10-19$-— from 1161' deck,from her deck. - c-1es__ from her’ deck,from her deck. She struckwherethewhite and cic.-1es”.’__ ’from her .:__._ She struckwherethe white mf She struckwhere e white and fleec — y waves fleec - y waves, Looked soft__ as card — ed, card — ed wool, ./’———_S fleec - y waves, Looked soft_:.. as card - ed wool, struck where e whi e___ and Looked struck where the ' and Looked struck ere the white_ and Looked Looked '77)‘ But the cm - e1 rocks as card 7 as card _ as card _ er sides, cru — el rocks er sides, Like her Sides, _he'r sides, Like her sides, her sides, Like her sides, her sides, Like horns of horns of an horns of horns of .._______ cru - e1 rocks, dim. cru - e1 rocks, they ru - e1 rocks, they > . _ e1 rocks, they — e1 rocks, they dim ﬁ-\______,,/ uds all sheathedin ice. Withthe Her ratt— ling shrouds all sheathedin ice. Wifhthe Her shrouds all sheathedin ice. went by the went by the went by the FE L'7'£’5L'. stove andsank, Ho! ho! stove and sank, stove and sank, stove and sank, J) sempra [f‘E5l_'. T ves — sel [I’E5L' ves — s e1 [rest was — sel [l’E5[.' —se1 T molio rail. of glass, of glass, of glass, of glass, molto rail. Molto meno mosso. J-:60. D-AY-BREAK ON THE SEA-SHORE. Azzdazztzbzo 0022 molzfo espress. W A7zdam‘z'7z0. J = 112, 9? When this work is performed with pianoforte accompaniment only, it maybe considered ad - visable to omit the part between this sign and that on page 34. ' ‘ -T - 10081 Andante con moto. J : 108. Sastenuto. ,,, Tenor Solo. At day-break on the lone sea—beach, A fish-er-man stood a - ghast to see the form of a maiden Lashed close 0 a drift—ing mast The salt seawas fro—zen /"\ on her breast,The saltjtears in her eyes-, saw her hair, like the brown sea-weed, n e bi1—1ows fall He saw her hair like the brown sea—weed,. On the bil ~ lows fall and__ — Suchwas thewreck of the Hes—per-us, the ' ght and the snow! Christ save us all from a \_,-E death like this, On e or-marfs Woe! y Allegretfo. S rano. Alto. Christ save us all from a death like this On the reef of the Nor—rnan’s Bass. y Allegretto. J = 112. Li’ R____,/ 37 Christ save us all from a death like this On the reef of the or-man’s Woe save all from a death like . ,fromadeath like us__ all fr a death like \, this Christ W save us all ) Christ s e us all from a death 0 thi or the Nor - marfs . Z7 T ¥’/ ;_,./ v_.__..—-—Z this, 0 save us... all,.____ 0 save us from death like $a______,z from a death like this Christ save us all Christ save us all from a death like this On the reef of the Norrnarfs Woe Christ save us, save,___ S€lV6 Woe! Christ save us V us, save,____ save___ us ave ,_ save all, 0:: all,_.__ Christ save us 1' all, Christ Christ Woe! .b all froma death like this Oh the all,,_._ us__. all, r ef of the or — man’s F l’ us all, death like this death like this Christ Christfroma death like this 0 save us reef of the Nor-marfs Woe, save us reef of the Nor-marfs Woe, us all, 0 I'll death like this On the reef f the Nor- man’s Woe, \./ death e this On the reef of theNor-man’s Woe, death like this On the reef of theNor-man’s , O_ save._ death like e reef of Nor - man’s oe, O._ save_ all,_.___..___ Christsave us all from all, Christ save us all, save us all from a Christsave all from death like this, from a all» sempre crest. death like this, death like this, death ethis, O__._ 5Efﬂ[7f‘£’ L755}. E Christ save us all death like__ all, save from a death like__ all, save from a death like___ J Andante C0/'2 m0I.‘0. mf Such was the wreck f Such was thewreck of the Hes - A7zdam‘e 0022 moto. J : 84. per -118‘, "If this, this, all. a death like a death like In the the mid-night mid—night reef reef reef reef Christ save us st s of the of the of ‘ e of the 8 Christsave from a death like alﬁnnra deaﬂ1hkeﬂﬁs0n e reef f the or- On the reef f the Nor-man’s death ﬁke death like death like this SOI1 n the this On‘ LONDWWNOVEUORC9 Engravers Kg Printers NOVELLO’S ORIGINAL OCTAVO EDITIONS ,. I Oratorios, Cantata FRANZ ABT. (Female voices) ... (ditto) (SOL-FA, 0/6) 0 (SOL—FA, 0/6) THE FAYS’ FROLIC SPRINGTIME SUMMER THE GOLDEN CITY THE WISHING STONE THE WATER FAIRIES THE SILVER CLOUD MINSTER BELLS (ditto) B. AGUTTER. MISSA DE SANCTO ALBANO (English) MISSA DE BEATA MARIA VIRGINE, IN (English) (Female voices) THOMAS ANDERTON. YULE TIDE THE NORMAN BARON II WRECK OF THE HESPERUS (SOL-FA,0/4) W. I. ARGENT. MASS, IN B FLAT C P. ARMES. HEZEKIAH ST. JOHN THE EVANGELIST ST.BARNABAS .. no A. D. ARNOTT. YOUNG LOCHINVAR(SoL-FA,0/6) THE BALLAD OF CARMILHAN (SOL-FA, 1/6) E. ASPA. THE GIPSIES ENDYMION up Ibl ASTORGA. STABAT MATER ... BACH. MASS, IN B MINOR MISSA BREVIS, IN A . . THE PASSION (S. MATTHEW) ,, Abridged, as used at St. Paul’s THE PASSION (S. JOHN) CHRISTMAS ORATORIO ... ... MAGNIFICAT GOD GOETH UP VVITH SHOUTING GOD SO LOVED THE WORLD ... GOD'S TIME IS THE BEST (SOL-FA,0/3) .. MY SPIRIT WAS IN HEAVINESS O LIGHT EVERLASTING BIDE WITH US ... ... A STRONGHOLD SURE ... ... BE NOT" AFRAID (SOL-FA,O/4) BLESSING, GLORY, AND WISDOM I WRESTLE AND PRAY (SOL-FA, 0/2) THOU GUIDE OF ISRAEL ESU, PRICELESS TREASURE HEN WILL GOD RECALL MY SPIRIT JESUS, NOW WILL WE PRAISE THEE J. BARNBY. REBEKAH (SOL-FA, 0/9) ... THE LORD IS KING (97th Psalm) LEONARD BARNES. THE BRIDAL DAY J. F. BARNETT. THE ANCIENT MARINER(SOI.-FA, 2/O) ... THE RAISING OF LAZARUS . PARADISE AND THE PERI THE WISHING BELL (Female voices)(SOL-FA, 1/-) BEETHOVEN. TI-IE PRAISE OF MUSIC I RUINS OF ATHENS ENGEDI; OR, DAVID IN THE WILDERNESS MOUNT OF OLIVES MASS, IN C COMMUNION SERVICE, IN C MASS, IN D THE CHORAL SYMPHONY D1TTo, VOCAL PART (SOL-FA,0/6) THE CHORAL FANTASIA (SOL-FA, 0/3) A CALM SEA AND A PROSPEROUS VOYAGE . MEEK, AS THOU LIVEDST 1/9/95- uo no on Inn in an 323$-E°A’ ML’ }§“"°' c:c>c>a>as<nFsm “'°" Paper |lll|lIlB<wds- Clth ll|lI|||<+3t- C a: SS IIIII1I|:III1II%i;°II|% HHHIHIHH1~'£§HI% to IIIIISISSSEB IIIS , SIGURD . . OF s, Odes, Masses, &c. KAREL BENDL. WATER-SPRITE’S REVENGE (Female voices) WILFRED BENDALL. THE LADY OF SHALOTT (Female vv.) (SOL-FA, 1/0) SIR JULIUS BENEDICT. ST. PETER THE LEGEND OF ST. CECILIA (SOL-FA, 1/6) PASSION MUSIC FROM ST. PETER SIR W. STERNDALE BENNETT. THE MAY QUEEN (SOL-FA, 1/0) V .. THE WOMAN OF SAMARIA (scum, 1/0)... INTERNATIONAL EXHIBITION ODE (1862) G. R. BETJEMANN. THE SONG OF THE WESTERN MEN ... W. R. BEXFIELD. ISRAEL RESTORED HUGH BLAIR. on HARVEST-TIDE BLESSED ARE THEY WHO WATCH (ADVENT) JOSIAH BOOTH. THE DAY OF REST (Female voices) (S01.-FA, 1/0) E. .M. BOYCE. THE LAY OF THE BROWN ROSARY YOUNG LOCHINVAR ... .. J. BRADFORD. HARVEST CANTATA THE SONG OF JUBILEE PRAISE THE LORD W. F. BRADSHAW. GASPAR BECERRA . . ‘ . . J. BRAHMS. A SONG OF DESTINY C. BRAUN. s J. C. BRIDGE. DANIEL .. .. .. RUDEL . . J. F. BRIDGE. ROCK "OF AGES (Latin and Eng1ish)(SoI.—FA, 0/4)... MOUNT MORIAH BOADICEA” ... ... ... CALLIRHOE (SOL-FA, 1/6)... NINEVEH .. . THE INCHCAPE ROCK THE LORD’S PRAYER (SOL-FA, 0/6) THE CRADLE OF CHRIST (“Stabat Mater Speciosa”) nu DUDLEY THE LIGHT OF ASIA EDWARD BUNNETT. OUT OF THE DEEP (13oth Psalm) ... W. BYRD. MASS FOR FOUR VOICES (in F minor) CARISSIMI. JEPHTHAH .. . F. D. CARNELL. BUCK. SUPPLICATION GEORGE CARTER. SINFONIA CANTATA (116th Psalm) WILLIAM CARTER. PLACIDA CHERUBINI. REQUIEM MASS, C MINOR (Latin and English) SECOND MASS, IN D MINOR... THIRD MASS (CORONATION) FOURTH MASS IN C an can. on ... nu NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.——Contimu rl. on E. T. CHIPP. OB ... . AOMI ... . ... HAMILTON CLARKE. PEPIN THE PIPPIN (Operetta), both Notations (DITTO, SOL-FA, 0/9) THE MISSING DUKE (Operetta) (SOL-FA, 0/9) THE DAISY CHAIN (Operetta) FREDERICK CORDER. THE BRIDAL OF TRIERMAIN (SOL-FA, 1/0) SIR MICHAEL COSTA. THE DREAM ... . . no H. COWARD. .THE STORY OF BETHANY (SOL-FA, 1/6) F. H. COWEN. ST. OHN’S EVE (SOL-FA,1/6) A S NG OF THANKSGIVING... SLEEPING BEAUTY (SOL-FA,1/6) ... RUTH (SOL-FA, 1/6) SUMMER ON THE RIVER (Female vv.) (SOL-FA,0/9) THE WATER LILY VILLAGE SCENES (Female voices) (SOL-FA, 0/9) CHRISTMAS SCENES (Female voices) (SOL-FA, 0/9) J. MAUDE CRAMENT. I WILL MAGNIFY THEE, O GOD(I45th Psalm)... LITTLE RED RIDING HOOD (Female voices) ... W. CRESER. EUDORA (A dramatic Idyll) W. CROTCH. PALESTINE . W. H. CUMMINGS. THE FAIRY RING ‘N. G. CUSINS. TE DEUM ... GIDEON ... FELICIEN DAVID. THE DESERT (Male voices) P. H. DIEMER. BETHANY ... ... ... ... . M. E. DOORLY. LAZARUS ... ... F. G. DOSSERT. MASS, IN E MINOR COMMUNION SERVICE, IN E MINOR F. DUNKLEY. THE WRECK OF THE HESPERUS ANTONIN DVORAK. ST. LUDMILA DITTO (German and Bohemian Words) THE SI’ECTRE’S BRIDE (SOL-FA, 1/6) DITTO (German and Bohemian Words) STABAT MATER PATRIIOTIC HYMN... ITTO German and Bohemi REQUIEM MASS .(.. an.Y.vord.s.). MASS, IN D COMMUNION SERVICE, IN D A. E. DYER. SALVATOR MUNDI ELECTRA OF SOPHOCLES H. J. EDWARDS. THE ASCENSION . THE EPIPHANY PRAISE TO THE HOLIEST EDWARD ELGAR.m THE BLACK KNIGHT ..‘. . . ROSALIND F. ELLICOTT. ELYSIUM THE BIRTH OF SONG GUSTAV ERNEST. ALL THE YEAR ROUND (Female vv.) (SOL-FA, 0/9) T. FACER. RED RIDING-HOOD’S RECEPTION (Operetta)... DITTO, SOL—FA, 0/9 E. FANING. BUTTERCUPS AND DAISIES (Female voices) 2/6 (DITTO, SOL-FA, 1/0) HENRY FARMER. MASS, IN B FLAT (Latin and English) (SOL-FA, 1/0) 2/0 on J :1 U MYLES B. FOSTER. THE LADY OF THE ISLES /6 THE ANGELS OF THE BELLS (Female voices)... 1/6 (DITTO, SOL-FA, 0/ THE BONNIE FISHWIVES(Female VV.)(SOL-FA,0/9) 2/6 SNOW FAIRIES (Female voices) 1/6 ROBERT FRANZ. PRAISE YE THE LORD (xI7th Psalm) NIELS W. GADE. PSYCHE (SOD-FA, 1/6) SPRING’S MESSAGE (SOL-FA, 0/3) %§{OLb—IKING’S DAUGHTER (SOL-FA, 0/9) THE CRUSADERS ("sloL-I§X, I/0')" III COMALA CHRISTMAS EVE (SOL-FA, 0/4) HENRY GADSBY. LORD OF THE ISLES(SoL—I7A,1/6) ALCESTIS (Male voices) . . . COLUMBUS (Male voices)... . F. W. GALPIN. YE OLDE ENGLYSHE PASTYMES... ... G. GARRETT. HARVEST CANTATA (SOL-FA, 0/6) ... THE SHUNAMMITE THE TWO ADVENTS R. MACHILL GARTH. no EZEKIEL THE WILD HUNTSMAN A. R. GAUL. A SONG OF LIFE (Ode to Music) (SOL-FA, 0/6) }OAN OF ARC (SOL-FA,1/0) PASSION SERVICE . . RUTH (SOL-FA,0/9) ... THE HOLY CITY(SOL-FA,1/0) .. THE TEN VIRGINS (SOL-FA, 1/0) IJSPIIKAAEL IN THE WILDERNESS (SOL-FA,1/0) (DITTO, SOL-FA, 1/0) THE LEGEND OF THE WOOD (Female voices)... (DITTO, SOL-FA, 0/8) FR. GERNSHEIM. SALAMIS. A TRIUMPH SONG (Male voices) E. OUSELEY GILBERT. SANTA CLAUS AND HIS COMRADES (Operetta) F. E. GLADSTONE. PHILIPPI ... GLUCK. ORPHEUS ... ... ... F. K. HATTERSLEY. ROBERT OF SICILY HERMANN GOETZ. BY THE WATERS OF BABYLON (137th Psalm)... NCENIA THE WATER-LILY (Male voices) ... CH. GOUNOD. MORS ET VITA (Latin or English) ITTO, SOL-FA (Latin and English)... RE UIEM MASS, from “ Mors et Vita" TH REDEMPTION (English words) (SOL-FA,2/0)... DITTO (French Words) DITTO (German Words)... MESSE SOLENNELLE (ST. CECILIA)... OUT OF DARKNESS ... COMMUNION SERVICE (Messe Solennelle) TROISIEME MESSE SOLENNELLE DE PROFUNDIS (13oth Psalm) (Latin Words) DI-I-1-o (Out of darkness) THE SEVEN WORDS OF OUR SAVIOUR ON THE CROSS (Filia: Jerusalem) ... ... . DAUGHTERS OF JERUSALEM GALLIA (SOL-FA, 0/4) A. M. GOODHART. EARL HALDAN’S DAUGHTER ARETHUSA .. no on C. H. GRAUN. THE PASSION OF OUR LORD (Der Tod Jesu) .. TE DEUM ... ALAN GRAY. THE WIDOW OF ZAREPHATH ... ARETHUSA .. THE LEGEND OF THE ROCK-BUOY BELL J. O. GRIMM. THE SOUL’S ASPIRATION ... .. G. HALFORD. E. V. HALL. IS IT NOTHING TO YOU P _; o THE PARACLETE 0219 v4 4 IIIIIIIIEIEIIBIIE HANDEL. ALEXANDER'S FEAST AND GALATEA TO, New Edition edited b . Barnb SOL-FA,l 0 ALCESTE ...” SEMELE... THE PASSION THE TRIUMPH OF TIME AND TRUTH... ALEXANDER BALUS .. HERCULES ATI-IALIAI-I ESTHER... SUSANNA ... THEODORA BELSHAZZAR THE MESSIAH, edited by V. NOVel10(SOL-FA, 1/0) ... THE MESSIAH, ditto, Pocket Edition THE MESSIAH, edited by W. T. Best ISRAEL IN EGYPT, edited by Mendelssohn ... ISRAEL IN EGYPT, edited by V. Novello,Pocket Edit. }UDAS MACCABZEUS (S01-FA, 1/0) ... UDAS MACCABAZU S, Pocket Edition . . SAMSON (SOL-FA,1/0) SOLOMON JEPHTHA OSHUA ... EBORAH SAUL CHANDOS TE DEUM DETTINGEN TE DEUM . UTRECHT JUBILATE O COME, LET US SING UNTO THE LORD (5th Chandos Anthem) O PRAISE THE LORD (6th Chandos Anthem) CORONATION AND FUNERAL ANTHEMS Or, Singly:— THE KING SHALL REJOICE . . ZADOK THE PRIEST ... MY HEART IS INDITING... LET THY HAND BE STRENGTHENED THE WAYS OF ZION ODE ON ST. CECILIA’S DAY L’ALLEGRO DIXIT DOMINUS (from Psalm ex.) HAYDN. THE CREATION (SOL-FA, 1/0) ... THE CREATION, Pocket Edition . THE SEASONS Each Season, singly (SPRING, Tonic Sol—fa, 6d.) FIRST MASS, IN B FLAT (Latin) DITTO (Latin and English) SECOND MASS, IN C (Latin) THIRD MASS (IMPERIAL) (Latin and English) ITTO (Latin) SIXTEENTH MASS (Latin) THE PASSION; OR, SEVEN LAST WORDS OF OUR SAVIOUR ON THE CROSS TE DEUM (English and Latin) INSANE ET VAN/E CUR./E (Ditto) BATTISON HAYNES. THE FAIRIES’ ISLE (Female voices)... A SEA DREAM (Female voices) ... H. HEALE. up: no no on on an JUBILEE ODE . .. C. SWINNERTON HEAP. FAIR ROSAMOND (SOL-FA, 2/0) EDWARD HECHT. ERIC THE DANE 0 MAY I JOIN THE CHOIR INVISIBLE GEORGE HENSCHEL. OUT OF DARKNESS (I3oth Psalm) TE DEUM LAUDAMUS, IN C . . STABAT MATER . no HENRY "HILES. FAYRE PASTOREL ... ... THE CRUSADERS FERDINAND HILLER. NALA AND DAMAYANTI A SONG OF VICTORY (SOL-FA, o/9) H. E. HODSON. THE GOLDEN LEGEND HEINRICH HOFMANN. FAIR MELUSINA CINDERELLA SONG OF THE NORNS (Female voices) HUMMEL. FIRST MASS, IN B FLAT COMMUNION SERVICE, ditto SECOND MASS, IN E FLAT COMMUNION SERVICE, ditto THIRD MASS, IN D COMMUNION SERVICE,ditto ALMA VIRGO (Latin and English) QUOD IN ORBE (Ditto) TION "N3 Paper EB Board: 93:0 109- \'§.S. Iaalllll IIl§.'|%‘.|% 5-“ 6 192910 #3 IFN 11% §§§RB3l§%B IE5! I I I I OF ORATO RIOS, &c.——Contz'nued. W. H. HUNT. STABAT MATER H. H. HUSS. AVE MARIA(F'ema1e voices) .. F. ILIFFE. SWEET ECHO . . JOHN WILLIAM JACKSON. ICRIED UNTO GOD w. JACKSON. no THE YEAR ... ... D. JENKINS. DAVID AND SAUL (SOL-FA, 2/0) A. JENSEN. THE FEAST OF ADONIS ... W. JOHNSON. ECCE HOMO . C. WARWICK JORDA BLOW YE THE TRUMPET IN ZION ALFRED KING. THE EPIPHANY ... N. KILBURN. THE SILVER STAR(Female voices) ... THE LORD IS MY SHEPHERD (23I'd Psalm) BY THE WATERS OF BABYLON OLIVER KING. BY THE WATERS OF BABYLON (I37th Psalm)... THE NAIADS (Female voices) ... THE SANDS O’ DEE .. J. KINROSS. SONGS IN A VINEYARD (Female vv.)(SoL-FA,0/6) H. LAHEE. THE SLEEPING BEAUTY (Femalevv.)(SoL-FA, 0/6) LEONARDO LEO. DIxIT DOMINUS H. LESLIE. THE FIRST CHRISTMAS MORN F. LISZT. THE LEGEND OF ST. ELIZABETH THIRTEENTH PSALM .. C. H. LLOYD. ' ALCESTIS .. ANDROMEDA HERO AND LEANDER THE SONG OF BALDER .. THE LONGBEARDS’ SAGA(Male voices) ... THE GLEANERS’ I-IARVEST(Female voices) A SONG OF JUDGMENT ROSSALL SIR OGIE AND THE LADIE ELSIE CLEMENT LOCKNANE. THE ELFIN QUEEN (Female voices) ... W. H. LONGHURST. THE VILLAGE FAIR HAMISH MACCUNN. LAY OF THE LAST MINSTREL(SoL-FA,1/6) LORD ULLIN’S DAUGHTER(SOL-FA, 0/8)... G. A. MACFARREN. SONGS IN A CORNFIELD (Female voices) (DITTO, SOL-FA, 0/9) MAY-DAY (SOL-FA, 0/6) THE SOLDIER’S LEGACY (Operetta) OUTWARD BOUND A. C. MACKENZIE. THE DREAM OF JUBAL .. THE STORY OF SAYID o ... . on s.- ASON .. . .. THE BRIDE (SOL-FA, 0/8)... THE ROSE OF SHARON (SoI.—I=A, 2/0) JUBILEE ODE .. THE COTTER’S SATURDAY N1GHT(SoL—FA,1,«o) THE NEW COVENANT VENI, CREATOR SPIRITUS BETHLEHEM... .. DITTO. Act“II., Seiiarateiy NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.—Com‘:inued. ‘ B. MCEVVEN. THE VISION OF JACOB F. W. MARKULL. ROLAND’S HORN (Male voices) ... F. E. MARSHALL. PRINCE SPRITE (Female voices) J.T.MASSER. HARVEST CANTATA I-IORATIUS (Male voices) DELPHI, A LEGEND OF HELLAS (Male voices) MENDELSSOHN. ELI AH (SOL—FA, 1/0) ELI AH (Pocxer EDITION) ‘IS THE HART PANTS (42nd Psalm) COME, LET US SING (95th Psalm) WHEN ISRAEL OUT OF EGYPT CAME (DITTO, SOL-FA, 0/9) NOT UNTO US, 0 LORD (II5th Psalm) ST. PAUL (SOL-FA, 1/0) ST. PAUL (Pocket Edition) HYMN OF PRAISE (Lobgesang) (SOL-FA, I/O) LORD, HOW LONG VVILT THOU (SoI.—I=A, 0/4) HEAR MY PRAYER (s. solo and chorus) (SOL-FA,0/2) DITTO ITTO LAUDA SION (Praise]ehovah)(SOL-FA, 0/9) ... THE FIRST WALPURGIS NIGHT (SOL-FA, 1/0)... MIDSUMMER NIGHT’S DREAM (Female voices) ATHALIE (S01.-FA, 1/0) . ANTIGONE (Male voices) (SOL-FA, 1/0) MAN IS MORTAL (8 voices) FESTGESANG (Hymns of Praise) ... DITTO (Male voices) . CHRISTUS (SOL-FA, 0/6) THREE MOTETS FOR FEMALE VOICES SON AND STRANGER (Operetta) . LORELEY (SOL-FA, 0/6) CEDIPUS AT COLONOS (Male voices) TO THE SONS OF ART (Ditto) (SOL-FA, 0/3) WDGE ME, 0 GOD (43rd Psalm) (SOL-FA, 0/1%) HY RAGE FIERCELY THE HEATI-IEN MY GOD, WHY, 0 WHY HAST THOU FOR- SAKEN ME (zznd Psalm) SING TO TI-IE LORD (98111 Psalm) SIX ANTHEMS for the Cathedral at Berlin. For 8 voices, arranged in 4 parts ... AVE MARIA (Saviour of Sinners), 8 voices ... ... MEYERBEER. NINETY-FIRST PSALM (Latin) DXTTO (English) A. IVIOFFAT. A CHRISTMAS DREAM (A Cantata for Children)... B.MOLJQUE. ABRAHAM ... .. . MOZART. KING THAMOS FIRST MASS (Latin and English) ... ... .. SEVENTH MASS, IN B FLAT ... COMMUNION SERVICE, IN B FLAT,ditto ... TWELFTH MASS (Latin) DITTO (Latin and English) (SOL-FA, 0/9) REQUIEM MASS DITTO (Latin and English) (SOL-FA, 1/0)... LITANIA DE VENERABILI ALTARIS(ED) LITANIA DE VENERABILI SACRAMENTO (Eb) SPLENDENTE TE DEUS First Motet O GOD, WHEN TI-IOU APPEAREST ditto HAVE MERCY, O LORD Second Motet GLORY, HONOUR, PRAISE Third Motet E. MUNDELLA. VICTORY OF SONG (Female voices) ... DR. JOHN NAYLOR. JEREMIAH JOSEF NESVERA. DE PROFUNDIS . E. A. NUNN. IIASS, IN C REV. SIR FREDK. OUSELEY. [HE MARTYRDOM OF ST. POLYCARP R. P. PAINE. THE LORD REIGNETH (93rd P.~ra1m) PALESTRINA. MISSA ASSUMPTA EST MARIA ... MISSA PAP/E MAR( ILLLI .. MISSA BREVIS .. .. MISSA “O AD-.\IIIRA'BIl.E CO'£\I.‘vII7,l~’.C.IUI\«I” II IIIIIIIIIIIISIESIII II 20945‘ \-E CO 0! \ Q mm» \\_ WOO IIIIIIIIIIIESISEIII H. W. PARKER. THE KOBOLDS . HORA NovIssIMA.'.'.' C. H. H. PARRY. DE PROFUNDIS (I3oth Psalm) ... ODE ON ST. CECILIA‘S DAY( SOL-FA,I/0) BLEST PAIR OF SIRENS (SOL-I«‘A,0/8) THE GLORIES OF OUR BLOOD AND STATE PROMETI-IEUS UNBOUND JUDITH EALLEGRO (SOL-FA, 1/6) THE LOTUS~EATERS (The Choric Song) i<ING sA"iIL DR.]OSEPH PARRY. NEBUCHADNEZZAR .. DITTO, SOL—FA B, PARSONS. THE CRUSADER s T. M. PATTISON. MAY DAY (SOL-FA, 0/6) THE MIRACLES OF CHRIST(SoL-FA,0/9) THE ANCIENT MARINER ... THE LAY OF THE LAST MINSTREL ... A. L. PEACE. ST.JOHN THE BAPTIST .. A. H. D. PRENDERGAST. THE SECOND ADVENT... . PERGOLESI. STABAT MATER (Female voices) (SOL—FA, O/6) CIRO PINSUTI. PHANTOMS—FANTASMI NELL’ OMBRA E. PROUT. DAMON AND PHINTIAS (Male voices) .. THE RED CROSS KNIGHT (SOL-FA,2,0) THE I-IUNDREDTH PSALM FREEDOM HEREWARD QUEEN AIMEE (Female voices) PURCELL. DIDO AND IENEAS TE DEUM AND JUBILATE, IN D .. LADY RAMSAY. THE BLESSED DAMOZEL ].F.H.READ. HAROLD BARTIMEUS . .. CARACTACUS... THE CONSECRATION OF THE BANNER IN THE FOREST (Male voices) PSYCHE THE DEATH OF YOUNG ROMILLY (Male voices) THE SONG OF HANNAH DOUGLAS REDMAN. COR UNAM, VIA UNA j.V.ROBERTS JONAH ... W. S. ROCKSTRO. THE GOOD SHEPHERD . J.L.ROECKEL. THE SILVER PENNY (SOL~FA, 0/9) EDMUND ROGERS. THE FOREST FLOWER (Female voices) ROLAND ROGERS. PRAYER AND PRAISE FLORABEL (Female voices) ROMBERG. THE LAY OF THE BELL (New Edition, translated by the Rev. J. Troutbeck, D.D.) (SOL—FA, O, 3) .. THE TRANSIENT AND THE ETERNAL (DITTO, SOL-FA, 0/I) ROSSINI. STABAT MATER(SoI.-I«‘A,1/0) MOSES IN EGYPT DIVINE LOVE .. ED. SACHS. WATER LILIES C. SAINTON-DOLBY. FLORIMEL (Female voices) on u- CHARLES B. RUTENBER. I0 25%; €§I I I I€2I I I I I I I 22:3. I-lllllll iv §IIII§IIIII IIE? \U'I \ Q9 NOVELLO’S OCTAVO EDITION CAMILLE SAINT-SAENS. ‘THE HEAVENS DECLARE-—CCELI ENARRANT (19th Psalm)... W. H. SANGSTER. ELYSIUM ... . FRANK J. SAWYER. THE STAR IN THE EAST ... ... ... THE SOUL’S FORGIVENESS... . ... H. W. SCHARTAU. CHRISTMAS HOLIDAYS (Female voices) SCHUBERT. MASS, IN A FLAT COMMUNION SERVICE, ditto MASS, IN E FLAT COMMUNION SERVICE,ditto MASS, IN E FLAT COMMUNION SERVICE, ditto .. MASS, IN C COMMUNION SERVICE, ditto MASS, IN G COMMUNION SERVICE, ditto MASS, IN F COMMUNION SERVICE, ditto SONG OF MIRIAM (Scum, 0/6) SCHUMANN. THE MINSTREL’S CURS THE KING'S SON .. MIGNON’S REQUIEM PARADISE AND THE PERI (SOL-FA, 1/8) PILGRIMAGE OF THE ROSE... MANFRED FAUST ADVENT HYMN, “ IN LOWLY GUISE" NEW YEAR'S SONG (SOL-FA, 0/6) H. SCHUTZ. THE PASSION OF OUR LORD BERTRAM LUARD SELBY. CHORUSES AND INCIDENTAL MUSIC TO “HELENA IN TROAS” SUMMER BY THE SEA (Female voices) H. R. SHELLEY. VEXILLA REGIS (The Royal Banners forward go) E. SILAS. MASS, INC COMMUNION SERVICE, IN C JOASH .. IISISSIII R. SLOMAN. SUPPLICATION AND PRAISE HENRY SMART. KING RENE'S DAUGHTER (Female voices) THE BRIDE OF DUNKERRON (scum, 1/6) J. M. SMIETON. KING ARTHUR (SOL-FA, 1/0) ARIADNE (SOL-FA, 0/9) ALICE MARY SMITH. THE RED KING (Men's voices)... THE SONG OF THE LITTLE BALTUNG (ditto) (DITTO, SOL-FA, 0/8) ODE TO THE NORTH-EAST WIND ODE TO THE PASSIONS .. E. M. SMYTH. MASS, IN D A. SOMERVELL. MASS, IN C MINOR POWER OF SOUND (SOL-FA,1/0) CHARLTON T. THE DAY DREAM .. SPEER. SPOHR. MASS (for 5 Solo voices and double choir) ... HYMN TO ST. CECILIA CALVARY FALL OF BABYLON LAST UDGMENT (SOL-FA,1/0) THE CHRISTIAN’S PRAYER GOD, THOU ART GREAT (SOL—I«‘A,0/6) HOW LOVELY ARE THY DWELLINGS FAIR... JEHOVAH, LORD OF HOSTS... JOHN STAINER. THE CRUCIFIXION (SOL-FA, 0/9) ... . . 2/0 ST. MARY MAGDALEN (SOL-FA, 1/0) 2/ DIXIT DOMINUS ... . 2/ 6 THE DAUGHTER OF JAIRUS (SOL-FA,0,9) 1/6 2/0 OF ORATORIOS, &c.~—~—Contz'nued. C. VILLIERS STANFORD. EDEN ... ... THE VOYAGE OF MAELDUNE CARMEN SXECULARE THE REVENGE (SOL-FA. 0/9) GOD IS OUR HOPE(46th Psalm CEDIPUS REX (Male voice ... THE EUMENIDES... ... MASS, IN G MAJOR I ... COMMUNION SERVICE, IN G EAST TO WEST ... THE BATTLE OF THE BALTIC H. W. STEWARDSON. GIDEON ... ... ... J. STORER. THE TOURNAMENT ... MASS OF OUR LADY OF RANSOM E. C. SUCH. NARCISSUS AND ECHO... GOD IS OUR REFUGE (46th Psalm) ARTHUR SULLIVAN. THE GOLDEN LEGEND (SOL-FA,2/0) ODE FOR THE COLONIAL AN EXHIBITION FESTIVAL TE DEUM W. TAYLOR. ST. JOHN THE BAPTIST A. GORING THOMAS. THE SUN-WORSHIPPERS E. H. THORNE. BE MERCIFUL UNTO ME BERTHOLD TOURS. A FESTIVAL ODE THE HOME OF TITANIA (Female voices) ... (DITTO, SOL-FA, 0/6) FERRIS TOZER. KING NEPTUNE'S DAUGHTER (Female voices) (DITTO, SOL-FA, 0/6) » VAN . BREE. ST. CECILIA’S DAY (SOL-FA,0/9) ... CHARLES VINCENT. THE VILLAGE QUEEN(Female voices) (SOL-FA,0/ THE LITTLE MERMAID (Female voices) W. S. VINNING. SONG OF THE PASSION (according to St. John)... S. P. VVADDINGTON. JOHN GILPIN . W. M. WAIT. THE GOOD SAMARITAN ... GOD WITH US ST. ANDREW... 1'2. H’? WALKER. JERUSALEM .. . R. H. WALTHEW. THE PIED PIPER OF HAMELIN ' WEBER. IN CONSTANT ORDER (Hymn) MASS, IN G (Latin and English) MASS, ,IN E FLAT (Ditt IN E FLAT ) COMMUNION SERVICE, JUBILEE CANTATA PRECIOSA THREE SEASONS S. WESLEY. IN EXITU ISRAEL S. S. WESLEY. O LORD, THOU ART MY GOD . E. WEST. SEED—TIME AND HARVEST (SOL-FA,1/O)... . C. LEE WILLIAMS. THE LAST NIGHT AT BETHANY (SOL-FA,1/0) GETHSEMANE A HARVEST SONG OF PRAISE A. E. WILSHIRE. GOD IS OUR HOPE (Psalm 46)... THOMAS WINGHAM. TE DEUM (Latin) .. CHAS. WOOD. ODE TO THE WEST WIND . M. W. YOUNG. THE RETURN OF ISRAEL TO PALESTINE LONDON & NEW YORK: NOVELLO, EWER AND CO. INDIAN ‘ . weal‘-per |lllll||lEBB°"“* p$z"(‘lt:h ||lllilll‘:" © ® GUI- NOVELLO’S VIOLIN & PIANOFORTE ALBUMS. ‘I. Mendelssohn-—Four Marches. Transcribed by B. ToURs. No. I, Wedding March; No. 2, War March of the Priests; No. 3, Cornelius March ; N o. 4, Funeral March .. . Berthold Tours.—~Thirty Melodies (expressly written to be used in connection with the Author's VIOLIN PRIMER) . . . . . . . Mendelssohn.—“ Elijah." Ten Transcription byB.ToURs .. .. .. .. .. . Gounod.—-“Mors et Vita.” Ten Transcrip- tions by B. TOURS . . . . . . Battison Ha.ynes.~Twelve Sketches. . . Siegfried J a.coby.—~Hungarian Dances. (Tran- scribed) .. .. .. .. .. .. . Ippolito Ra.gghianti.——Nine Morceaux de Salon . Oliver King.-—Twelve Pieces . . . . . . . Joachim Ra.ﬁ'.—Six Morceaux de Salon . . . Siegfried Ja.coby.— Six Characteristic Pieces. For Two Violins . . . . . . . . Arcangelo Gore11i.-Twelve Sonatas. In Two Books. Edited by A. DOLMETSCH. Book I. . Arcangelo Corelli.—Twelve Sonatas. In Two Books. Edited by A. DOLMETSCH. Book II. . Siegfried Ja.coby.—Eight National Melodies, (Arranged) . . . . . . . . . . . Gounod.—" Redemption.” Nine Transcrip- tions by B. ToURs . . . . . . . . . Arnold Dolmetsch.——-Twelve Easy Pieces * These Albums may also be had armngedfor Violoncello and Pianoforte. S. 2 2 2 d. 6 6 6 *I6. I7. J. Haakman. Twelve Characteristic Pieces Handel. —— Six Sonatas. The Pianoforte Accompaniment by A. DOLMETSCH . . Arcangelo Gorel1i.—~Six Trios. For Two Violins and Violoncello, or Pianoforte ; or as Quartets, with Violoncello and Piano- forte. Edited and the Pianoforte Accom- paniment by A. DOLMETSCH . . . . .. . Kate Ra.lph.—-Six Pieces . . . . . . . Various Composers.—Fourteen Pieces . . Yarious Composers.—Twelve Pieces .. . Yarious Composers.——Thirteen Pieces . . Rosalind F. Ellicott..~Six Pieces . . . Arthur SulIiva.n.—“ The Golden Legend.” Nine Transcriptions by B. ToURs . . . J. Miiller.—~Forest Pieces (Op. 9) . Ethel M. Boyce.—-Eight Pieces . I. B. Pozna.nski.— Ten Pieces . . . . . . . Ch. de Bériot. Eight Pieces . . . . . . . Henry Purcel1.—Fourteen Pieces. The Piano- forte Accompaniment, Marks of Expression, Bowing, and Fingering by ARNOLD DoL- METSCH .. .. .. .. .. .. H. W. Ernst.——Seven Pieces . . . . . . F. Da.Yid.—-Five Pieces . . . . . . . . H. Yieuxtemps.—Four Pieces . . . . . . F. Schubert.——Six Valses arranged by Smo- FRIED JACOBY . . I8. 30- 31. 32. 33- J. D. Da.vis.——Six Pieces for Violin and Piano- forte (Op. 21) .. .. .. .. .. Edward Germa.n.~—Three Dances from the Music to Shakespeare’s “Henry VIII." Arranged for Violin and Pianoforte by the Composer . . Edward German.—Gipsy Suite (In the Press) H. Grossheim. Six Easy Pieces for Violin and Pianoforte (Op. 24) . . . . . . . . C. Gur1itt.—Six Pieces for Violin. With Piano- forte Accompaniment . . . . . . . . Romance (from the above) . . . . . . H. Herkomer.—Six Easy Pieces for Violin, wit Pianoforte Accompaniment. Illustrated ., S. J a.c0by.—Six Bagatelles for Violin and Pianoforte Oliver King.—Morceaux de Salon, pour Violon et Piano. I2 Pieces Caractéristiques. Op. 91. . W. Ma.cfarren.—First Sonata . . . . . . Second Sonata . . . . ‘E. G. Ma.ckenzie.—Six Pieces for Violin. With Pianoforte Accompaniment. No. I, Gavotte; No. 2, Berceuse ; No. 3, Benedictus; No. 4, Zingaresca; No. 5, Saltarello ; No. 6, Tema con Variazioni . . . . Zingaresca (from the above) . . . . . . ’ Benedictus (from the above) . . . . . . ,, ,, Arranged for Orchestra :— Full Score .. .. .. .. .. Orchestral Parts . . . . . . . . . . Highland Ballad, Op. 47, No. I, for Violin with Pianoforte Accompaniment . . . . . . Two Pieces (Barcarola and Villanella), Op. 47, No. 2, for Violin with Pianoforte Accompani- ment . . . . . . . . . . . . on Net. S. 3 3 d. 6 A. C. Ma.ckenzie.—Pibroch. Suite for Violin Solo. Arrangement for Violin and Pianoforte Orchestral Parts . . . . . . . . Concerto for the Violin. Arrangement for Violin and Pianoforte . . . . . . . . . . Full Score .. .. .. .. .. . Orchestral Parts . . . . . . . . . . Alfred Moffa.t.~Twelve Transcriptions for Two Violins and Pianoforte . . . . . . . . Joseph Ne§Yera..—Ten Pieces for the Violin. With Pianoforte Accompa "iment . . . . C. H. H. Pa.rry.—Twelve New Pieces for th Violin with Pianoforte Accompaniment, in Three Sets (In the Press) Percy Pitt.——Bagatelles for Violin and Pianoforte (Op.I) .. .. .. .. .. I. B. Pozna.nski.—-Ten Sketches for Violin and Pianoforte . . . . . . . . . . J. L. Roeckel.-—Six Pieces for the Violin. With Pianoforte Accompaniment . . . . . . Emile Sa.uret.~E1égie et Rondo for Violin and Pianoforte . . . . . . . . . . Emile Sauret. Trois Morceaux de Salon (Naddia, Ethelia, Mazourka), pour Violon et Piano (Op..49) .. . .. .. .. F. Schubert.—Six Marches Arranged for the Violin and Pianoforte by S. jacoby . . Berthold Tours.—~Suite for Violin and Pianoforte. From Music to Shakespeare‘s “ Hamlet ” Herbert W. lHa.reing.——Six Pieces for the Violin. With Pianoforte Accompaniment :—— I. May Day Festival . . 2 o 4. Pastoral Dance . . 2. At Killee . . 2 o 5. Legende . . . 3. Romance . . I 6 | 6. Saltarello. . so LONDON & NEW YORK: NOVELLO, EWER AND CO. Ila/95 NOVELLO’S VIOLONCELLO & PIANOFORTE ALBUMS. . Mende1ssohn.— Four Marches. Transcribed by B. TOURS. No. 1, Wedding March; No. 2, War March of the Priests; No. 3, Cornelius March; No. 4, Funeral March . .. . . . Berthold T011rS.——Thirty Melodies These Melodies are expressly written to be used in connection with the Author’s Violin Primer. . Mende1ssohn.—“ Elijah.” Ten Transcriptions by B. TOURS . Gounod.——“ Mors et Vita.” Transcriptions by B. TOURS Ten . Battison Haynes.—Twe1ve Sketches 6. Siegfried Jac0by.~Hungaria Dances (Transcribed) S. d. . Arthur Legend.” by B. ToURs . Joachim Raﬁ'.—Six Morceaux de Salon . Arcangelo Core11i.——Six Sonatas. Book 2. Edited by A. DOLMETSCH . Siegfried Jacoby.——Eight Nation Melodies (Arranged) . Gounod. -—- “ Redemption.” Transcriptions by B. ToURs . Arnold D01metSch.—-Twelve Easy Pieces Sullivan. — “ Golden Nine Transcriptions 0-: Nine . Haakman.—Twe1ve Characteristic Pieces . Arnold Dolmetsch.—Ten Pieces Nove11o’s Albums for Pianoforte and Stringed Instruments- No.1.ARNoLDDoLMETscH.—Suite of Four Pieces No. 2. PURcELL.—Suite of Five Pieces. The Pianoforte Accom- paniment, Marks of Expression, Bowing, and Fingering, by Arnold Dolmetsch No. 3. EDWARD GERMAN.—Three Dances from Music to “ Henry VIII.” Francesco Berger.—Cavatina in F, for Violoncello, with Pianoforte Accom- paniment . Rosalind F. E11icott.~A Reverie, for Violoncello and Pianoforte H. Hoffmann. —Russian Romance (from Prairie Pictures), arranged by F. GRUTZMACHER Romance. Op. 48 J. Ho1lman.~Six Morceaux: No. Legende; No. 2. Pizzicati; No. Aubade; No. 4. Andante; No. Petite Valse; No. 6. Tarantelle Or, singly, each J. H01lma11.——Deuxieme Mazurka, pour le Violoncelle avec accompagnement de Piano .. J. Hol1man.—Viei11e Chanson, pour le Violoncelle avec accompagnement de Piano 2 6 l Libotton.—SiX Pieces for the Violon- cello with Pianoforte Accompani- ment :—- No. . Etude Caprice . Reverie . Caprice Hongrois . Nocturne (Chopin) .. . Chant sans Paroles (Tscha'1'- kowsky) 6. Du bist die Ruh’ (Schubert) 0 I Walter. Macfarren.—Sonata in E minor 0 A. C. Mackenzie.—Six Pieces. Op. 37. Arranged (from the original for Violin) by B. KRALL Mende1ssohn.———Romance sans Paroles. Op. I09 .. Sonata in F minor. Sonata in B ﬂat. Sonata in D. Op. 58 Variations Concertantes in D. Op. 17 . Op‘; Op 45 C. Hubert H. Parry.—-Sonata in A Alfred Piatti.—Serenata for 2 Violon- cellos and Pianoforte Rameau.~—Gavotte in D. Arranged as Quintet for Pianoforte and Strings, by B. ToURs Otto Schweiger.——Sonata. Op. 28 C. Villiers Stanford.~—Three Inter- mezzi. Op. 13 LONDON & NEW YORK: NOVELLO, EWER AND CO. NOViELLO’S PIANOFORTE ALBUMS. EDITED BY BERTHOLD TOURS. In Numbers, each One Shilling; or, No. 1.~—Bach. Twenty Pieces from Petits Preludes, A Suites Anglaises. Partita Nos. I to 3, &c. No. 2.—Ba.ch. Twenty Pieces from Suites Anglaises, Suites Francaises. Partita Nos. 4 and 5, &c. No. 3.—-Bach. Twenty Pieces from Petits Preludes, Concertos, Suites Anglaises, &c. Nos. 1, 2, and 3, in One Vol., cloth, 4s. No. 4.—Ha.ndel. Twenty—four Pieces from Suites I to 7, Sonatas, “Harmonious Blacksmith,” &c. No. 5.—Ha.nd el. Twenty-four Pieces from Suites 8 to I2, Gavottes, &c. No. 6.—Ha.ndel. Twenty-four Pieces from Suites I3 to I6, Water Music, &c. Nos. 4, 5, and 6, in One Vol., Cloth, 45. N0. 7.—Marches. Fifteen Pieces, including Mendels- sohn’s “ Hero's March,” Rakoczy's March, Bridal March “ Lohengrin," &c. No. 8.—Ma.rches. Fifteen Pieces, including Meyerbeer’s Coronation March, Cornelius March, Pilgrim’s March, &c. No. 9.—Marches. Fifteen Pieces, including Mendels- sohn’s Wedding March, March “ Tannhauser,” &c. Nos. _7, 8, and 9, in One Vol., cloth, 4s. No. 10.—Gavottes, Minuets, &c. Sixteen Pieces, includ- ing Rameau’s Gavotte, Zimmermann’s Gavotte, Calkin’s Minuet, Silas’s Bourrée, &c. No. 11.—Gavottes, Minuets, &c. Sixteen Pieces, includ- ing Gluck’s Gavotte, W. Macfarren‘s Bourrée, Bach's Bourrée, &c. No. 12.—Gavottes, Minuets, &c. Sixteen Pieces, includ- ing W. Macfarren’s_ 2nd Gavotte, Sir J. Benedict’s Gavotte, Mozart's Minuet, &c. Nos. 10, 11, and 12, in One Vol., cloth, 4s. No. 13.—-Wollenhaupt, J. Ten Pieces, including Marche Hongroise, Scherzo Brilliant, &c. ‘ No. 14.—Wo1lenhaupt, J. Ten Pieces, including “ La Gazelle,” “ Mazeppa Galop,” &c. No. 15.——lllIo1lenhaupt, J. Ten Pieces, including “Les Clochettes,” “ Feu Follet,” &c. Nos. 13, 14, and 15, in One Vol., cloth, 4s. No. 16.-Schweizer, Otto. for four hands). No. 17.—Spindler, Fritz. Eight Scottish Airs (arranged Nine Pieces, including " Mur- muring Rivulet,” The Pilgrims’ Chorus (“Tann— héiuser ”), &c. ’ No. 18.——Spindler, Fritz. Nine Pieces, including “ L’Oisil— lon,” “ Le Carillon," “The Evening Star” (“ Tann- hauser ”), &c. No. 19.——Spindler, Fritz. Ten Pieces, including “ Jeu des Ondes,” Valse Mélodieuse, Spinning Song (“Flying Dutchman”), &c. Nos. 17, 18, and 19, in One Vol., cloth, 4s. No. 20.—Goetz, Hermann. No. 21.—Goetz, Hermann. Four Compositions. No. 22.——-Groetz, Hermann. Six Compositions. Nos. 20, 21, and 22, in One Vol., cloth, 4s. Five Compositions. No. 23.—Rheinberg'er, Josef. Seven Compositions. No. 24.—Rheinberger, Josef. Eleven Compositions. No. 25.—-Rheinberger, Josef. Seven Compositions. Nos. 23, 24, and 25, in One Vol., cloth, 4s. No. 26.—Tonrs,Berthold. Juvenile Album. Eight Char- acteristic Pieces (Duets), 2s. Cloth Volumes, each Four Shillings. Nos. 27 and 28.—-Moscheles, J. “ Domestic Life.” Twelve Characteristic Duets, Two Books, each 25. The Two Books, in One Vol., cloth, 4s. No. 29.—Kjeru1f, Halfdan. Nine Pieces. to 3; Op. I2, Nos. I to 6. No. 30.-—Kjerulf, Halfdan. Ten Pieces. Op. 24, Nos. I L . to 4: Op. 27, Nos. I and 2; Op. 28, Nos. 1 to 4. No. 31.——Kjeruli’, Halfdan. Op. 28, Nos. 5 and6 ; Op. 29; and Twenty Songs arranged for the Pianoforte by the Composer. - Nos. 29, 30, and 31, in One Vol., cloth, 4s. Nos. 32, 33, and 34. The National Dance Music of Scot- land. Arranged for the Pianoforte by Alexander Mackenzie: with additions by his son, Dr. A. C. Mackenzie. Nos. 32,, 33, and 34, in One Vol., cloth, 4s. No. 35.—Mackenzie, Dr. A. G. Eight Pieces. Nos. I to 5; Op. 15, Nos. I to 3. No. 36.—Mackenzie, Dr. A. 0. Nine Pieces. Nos. I to 6; Op. 23, Nos. I to 3. No.37.—Mackenzie, Dr. A. 0. Six Songs. Transcribed for the Pianoforte by Guiseppe Buonamici. Nos. 35, 36, and 37, in One Vol., cloth, 4s. No. 38.——Altschu1, Rudolf. Fifty Hungarian National Songs. No. 41.——Liadoﬂ’, Anatole. Twenty—one Pieces. Op. 2, Nos. I to 14; Op. 3, Nos. I, 3, 4, and 6; Op. 6; Op. I5, Nos. I and 2. No. 42.——Liadoif, Anatole. Seven Pieces. I to 4; Op. 7, Nos. I and 2; Op. II. No. 43.—Liadoﬂ‘, Anatole. Ten Pieces. Op. 8; Op. 9, Nos. I and 2; Op. 10, Nos. I, 2, and3; Op. 13, Nos. I to 4. Nos. 41, 42, and 43, in One Vol., cloth, 4s. No. 44.—Cui, César. Thirteen Pieces. Op. 20, Nos. I to I2; Op. 21, No. 3. No. 45.—-Cui, Cesar. Eleven Pieces. Op. 21, No. 4; Op. 22, Nos. I, 2, and 3; Op. 31, No.2; Op. 39, Nos. I to 6. No. 46.—- Cui, César. Seven Pieces. Op. 22, No. 4; Op. 29, No.1; Op. 30, No.1; Op. 35. Nos. I and 2; Op. 40, Nos. 2 and 4. Nos. 44, 45, and 46, in One Vol., cloth, 4s. No. 47.—Sohubert, Franz. Four Impromptus. Op. 90. No. 48.——Schubert, Franz. Four Impromptus. Op. I42. N0. 49.——Schubert, Franz. Moments Musicals (Op. 94),. and Adagio and Rondo (Op. I45). Nos. 47, 48, and 49, in One Vol., cloth, 4s. No. 50.—Schubert, Franz. Three Sets of Variations, Andante, and Klavierstiick. No. 51.~Schubert, Franz. Adagio, Allegretto, and March in E major, &c. No. 52.—Schubert, Franz. Scherzi. Nos. 50, 51, and 52, in One Vol., cloth, 4s. Op. 4, Nos. 1 Op. I3, Op. 20, Op. 4, Nos. Five Klavierstiicke and Two No. 53.—I'Iofmann, H. “The Trumpeter of Sakkingen ” (Op. 52) and Two Valses Caprices (Op. 2). No. 54.——Hofmann, H. “Italian Love Tale” (Op. 19) and Five other Pieces. . No. 55.—Hofmann, H. Fourteen Pieces. Nos. 53, 54, and 55, in One Vol., cloth, 45. LONDON & NEW YORK: NOVELLO, EWER AND CO. THE CATHEDRAL PRAYER BOOK BEING THE BOOK OF COMMON PRAYER WITH THE MUSIC NECESSARY FOR THE USE OF CHOIRS TOGETHER VVITH THE CANTICLES AND PSALTER POINTED FOR CHANTING EDITED BY SIR JOHN STAINER, M.A., Mus. Doc., OXON. (Professor of Music in the University of Oxford) AND THE REV. WILLIAM RUSSELL, (M.A., MUS. BAc., OXON. (Succentor of St. Paul’s Cathedral). EXTRACT FROM EDITORS’ PREFACE. Ti-IE inconvenience and costliness of the number of separate Books usually requisite for the members of a Choir, in the performance of an ordinary Choral Service, have long pointed to the desirableness of a manual which should, as far as possible, unite under one cover all that is necessary for the choral rendering of, at least, those portions of the Church's Services which are less liable to variation. The Music of the Versicles and Responses-—Festal as well as Ferial—a Psalter and Canticles pointed for chanting, are almost indispensable for the careful and accurate rendering of a Choral Service. And yet, hitherto, it has been scarcely possible to procure these, unless in separate numbers; involving not only much additional expense, but also the disadvantage arising from the continual shifting of books during Service time, which is such a hindrance to a devout participation in Divine Worship. To remedy these evils, and to assist in promoting, as it is hoped, a more careful and reverend performance of the Divine Ofﬁces, the Cathedral Prayer Book has been compiled. The Editors are fully aware that they are not the ﬁrst to make an effort in this direction. But they believe that several circumstances have tended to favour their attempt, and ensure its success, which have been wanting in other instances. . This manual provides not only for the daily Morning and Evening Prayer, and the choral celebration of the Holy Communion, in all its completeness, but also for the whole of the occasional Ofﬁces contained in the Book of Common Prayer. A special feature of it, moreover, is that it includes an Appendix, in which are contained not only Tallis’s Festival Responses and Litany, but a great deal of other additional and miscellaneous matter which it is conjectured will add greatly to its usefulness and value. The Versicles and Responses throughout the Book (exclusive of the Appendix) and the Litany are from the arrangement used in St. Paul’s Cathedral (Stainer and Martin, founded on Goss). They follow Merbecke, although with one or two slight variations which have become traditional in the Cathedral of the Metropolis, and, more recently, in many other Churches. The Music to the Order for the Administration of the Holy Communion follows the Edition of Merbecke given in “A Choir Book of the Oﬂice of Holy Communion” (Stainer), and published some years since. The Order for the Burial of the Dead has also been arranged from Merbecke by the same Editor. The pointing of the Psalms and Canticles is after that known as the Cathedral Psalter, edited by the Rev. S. Flood-Jones, the late Mr. James Turle, Dr. Troutbeck, Sir John Stainer, and Mr. Joseph Barnby, An Edition can also be had in which the Cathedral Psalter Chants to the Canticles and the Psalms are included. EDITIONS. I. Demy 8vo, 628 pp., large type. With Canticles and Psalter pointed for Chanting. ' Cloth, red edges Ditto, ditto. Red basil and red edges Demy 8vo, 600 pp., large type. With Canticles and Psalter pointed, set to appropriate Chants (Cathedral Psalter Chants). Cloth, red edges .. Ditto, ditto. Red basil and red edges 3. Imperial 32mo, 696 pp., Pocket Edition. With Canticles and Psalter pointed for Chanting. Cloth, red edges 2 6 O 0 (Ditto, ditto. Red basil and red edges i . . 5 o The Clergy can be supplied with copies, in quantities of not less than 25, on liberal terms. LONDON & NEW YORK: NOVELLO. EWER AND CO. TO CHORAL SOCIETIES. SHORT CANTATAS RECENTLY PUBLISHED. A. Davidson Arnott.—“ Young Lochin- var.” Ballad for Chorus and Orchestra. Poem by Sir WALTER ScoTT . Ethel M. Boyce.-——“Young Lochinvar. Ballad by Sir WALTER SCOTT. Set to Music for Baritone Solo. Chorus, and Orchestra Edward Elgar.—‘‘ The Black Knight- Cantata for Chorus and Orchestra. The Poem by UHLAND; translated by LONGFELLOW . Alan Gray.—“ The Legend of the Rock- Buoy Bell.” Ballad for Chorus and Orchestra. Words by SUSAN K. PHILLIPS F. Kilvington Hatters1ey.——“ Robert of Sicily.” Cantata for Soli, Chorus, and Orchestra. Poem by LONGFELLOW ' S. d. Oliver King’.—‘‘ The Sands 0’ Dee.’ Ballad for Chorus and Orchestra. Words by CHARLES KINGSLEY \ E Cl. Sachs. — “ Water -I Lilies.” A Fairy Song by'FEL1c1A HEMANS. Deutsche Uebertragung Von L. KLEIN .. Charles Villiers Stanford.—“ East to West.” An Ode by ALGERNON CHARLES SWINBURNE. Set to Music for Chorus and Orchestra S. P. Wadding“;on.——“]ohn Gilpin.” Ballad for Chorus and Orchestra. Words selected from CoWPER’s poem Richard H. Walthew. —— “ The Pied Piper of Hamelin.” By ROBERT BROWNING. Set to Music for Tenor and Bass Soli, Chorus, and Orchestra CANTATAS FOR .d. J. F. Barnett.——“The Wishing Bell." ‘Cantata for Ladies’ Voices and Orchestra. Words by JETTA VOGEL Frederic H. Cowen.—“ Summer on the River.” The Words written by SHAPCOTT WENSLEY Tonic Sol-fa (in the Press). Frederic H. CoWen.~“ Village Scenes.” Words by CLIFTON BINGHAM J. Maude Crament. — “ Little Red Riding-Hood.” The Words by J. FREDERICK ROWBOTHAM 2 2 b FEMALE VOICES. Myles B. Foster.—“ Snow Fairies.” Words by SHAPCOTT WENSLEY Battison Haynes.—“A Sea Dream.” Cantata for Ladies’ Voices with Recitation(Accompanied). Words by SHAPCOTT WENSLEY Sea.” VVrit_ten by SHAPCOTT WENSLEY Berthold Tours.——“The Home of Titania.” Words by SHAPCOTT WENSLEY LONDON & NEW YORK: NOVELLO, EWER AND CO._ . /. _,_,n, . 2.53 B. Luard Se1by.—“ Summer by the}
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Date: 1893
Text: Music LIBRARY VASSAR COLLEGE eoucuxesnsac. NE“! ‘mun INSCRIBED TO AUGUST MANNS, ESQ., AND THE CRYSTAL PALACE CHOIR. THE ﬁﬁimztk Hf the iﬁ25p2r1I5 A BALLAD FOR CHORUS AND ORCHESTRA THE POETRY BY H. W. LON GFELLOW THE MUSIC COMPOSED BY FERDINAND DUNKLEY. PRICE Lwmw ,, 50,. CENTS. LONDON 6 NEW YORK NOVELLO, EWER AND CO. A UTHOR’S PROPERTY. Copyright, 1893, by Ferdinand D1/mleley. Score and Parts may be hired of the Composer, 7, Nightingale Park Crescent, Wandsworth Common, London; and 136, State...
Show moreMusic LIBRARY VASSAR COLLEGE eoucuxesnsac. NE“! ‘mun INSCRIBED TO AUGUST MANNS, ESQ., AND THE CRYSTAL PALACE CHOIR. THE ﬁﬁimztk Hf the iﬁ25p2r1I5 A BALLAD FOR CHORUS AND ORCHESTRA THE POETRY BY H. W. LON GFELLOW THE MUSIC COMPOSED BY FERDINAND DUNKLEY. PRICE Lwmw ,, 50,. CENTS. LONDON 6 NEW YORK NOVELLO, EWER AND CO. A UTHOR’S PROPERTY. Copyright, 1893, by Ferdinand D1/mleley. Score and Parts may be hired of the Composer, 7, Nightingale Park Crescent, Wandsworth Common, London; and 136, State St., Albany, N.Y., U.S.A. INSCRIBED TO AUGUST MANNS, ESQ., AND THE CRYSTAL PALACE CHOIR. THE rank nf the ‘iﬁeaaperuﬁ A BALLAD FOR CHORUS AND ORCHESTRA THE POETRY BY ” H. W. LONGFELLOW THE MUSIC COMPOSED BY FERDINAND DUNKLEY. PRICE ONE SHILLING. ,, 50 CENTS. LONDON 6» NEW YORK NOVELLO, EWER AND CO. A UTHOR’S PROPERTY. Copyright, 1893, by Ferdinand Dunkley. Score and Parts may be hired of the Composer, 7, Nightingale Park Crescent, Wandsworth Common, London; and 136, State St., Albany, N.Y.. U.S.A. THE WRECK OF THE HESPERUS. Allegro con anima. CHORUS. ALTO. _._ _y_ It was the schoon-er Hes — perus, That sailedthe, BASS. ‘i > It was the sch00n—er Hes - perus, That sailed the ‘\ , _V_ ‘Z? 3 o ‘ ‘B’ : n 3*“1<“—l3""-",§*i“* 3 ‘—1"~.—*‘3"“1"-.—i’7£"—eg—::"1'1l Ti ‘ V ‘ . ‘ . | i ‘ 3 ‘ 1 I 3 3 3 . -—~ 0-3-a4_—_—r——j:a——.+ ; 0-: * \/ C \/ \. \/ \_ \. Copyright, 1893, by Ferdinand Dunkley. Fe1:dina.ndADunk1ey—?‘ The Wreck of the Hesperus." ' SUPRANO. And the "K - per had taken his lit-tle daugh mf - I And. the skip — per had taken his lit-tle daugh — 1 And the sk1'\p — per had taken his 1it—t1e daivigh And the skip - per had taken his 1it—t1e daugh To bear him com - 133;‘ ny. L To bear him com - pa- ny. - To bear him com - pa- ny. -h To bear him com — pa- ny. Fcrdinzmcl Dunkley—“ The Wreck of the Hespenlsﬁ’ Un poco path cmimato. Sopmmo. Blue were her eyes as the fai 1 Un poco piic animate. d : 144. r—‘''—‘‘\ f—‘\ K-'’‘-'‘''—‘\ /""*“‘\ K"""""—'\ cheeks bo\‘- sﬁjx white as the - thorn buds, That ope in the month ope — in ~ the month .Ferc1inan<1.Dunk1ey—“ The Wreck of the Hesperus." ‘:37 VI‘ "ﬁr qr <e=e> teed» <$=e <3 - CF 4:4] ii CF‘ I ﬂag) tggsg, 1 55:: \ <3“ Cl‘ ‘CF \ \ l\ |\ g u “ LL | u -' ‘ ' TL. 0 TI «-7- And he watched pipe was in his mouth, _'— Tempo lmo. > new West South. > > blow The smoke, now West South. > He wa the veering ﬂaw blow The smoke now West new South, > South. , Tempo lmo. d : 132. 3\ 3 ‘Ferdinand Dunk1ey—“ The Wreck of the Hesperus." --him ‘ J -3- -6- \ Then upandspakean old sai - lor, Hadsailedthe Span ish main, ‘e ____e-— . _'.. Then up and spake an (SH sai - lor, Had sailed. the Span - main, ' ’ - ' Thenspake ’ sai - lor, Hadsailedthe Span ish main, e‘ — Then up ahd spake sai ~ L lor, Had sailed the Spam —~-3 “I pray thee put in -120 yon-der port, “ Last night the moon had a go\1d—(£ ring, Audto - ' —-—-— ,_ ur - ri—cane. - 3 hur - ri—cane. “ Last night the moon had a golden ring, And to -0- . 8ve ....... Ferdinand Dunkley-—-“ The Wreck of the Ilesperus.” The skip-per he blew a. whiff from his pipe, And a. The skip—per he blew a wl1i pipe, And a > dim. - night no moon we see! ” a whiff from his pipe, And a. > . - night no moon we see !” scorn - ful laugh laughed he. :5 scorn - laugh laughed he. ~ \ scorn - ful laughed he. \ \ -3 scorn - ful laugh laughed he. A gitato. B SOPRANO. ALTO. Cold - er and loud - er blew the wind, A gale from the North - B A gitato. & : 76 (J = 152). ' ,. f Ferdinand Dunk1e'y-—“ The Wreck of the Hesperus." bil - lows frothed like yeast. e h E d M 69 H ..1 I b 8 2|... LU in snow fell hiss - ing _;;__F_ ‘I. "[750 ‘IV 094 Kit? :6 7%? its in and smote . . a- main The ves - sel Down . came the storm, ' 0 0 0 ‘(J . smote . . a—Ina1n its in The was - sel . came the storm, Down .1?”/——x its in and smote. . armain The ves- sel came the storm, 0 1‘ ‘ﬁe 9 5E.t1f§. IF ~s~T.v="—b?';'_'“:”: its in and smote . . a.— main The Ves - sel czune the storm, >- >- I\ I. i:?:+=4~§— ‘H: e§—%—% 0‘ —:‘.;=1—*1 —%{%£§' _l Ferdinand Dunk1ey—“ The Wreck of the Hesperus." 29” strength ; She shudder-ed . . and paused, like a fright —ed slzrength ; She shudder-ed . . and paused, like a fright - ed strength ; She shudder—ed . . and paused, likea fright - ed St1‘e11gth; She shudder—ed . . and paused, likea fright ~ ed /- /- C Allegro. Then leaped her ca. - b1e’s length. leaped her ca - ble’s length. Then leaped her ca - ble’s length. /_Then leaped her ca - ble’s length. /— /_ C Allegro. cl : 120. /‘ r---\ _ TENOR. “Come hith-er, come hith -er ! my lit; — tle (laugh f*'*"T_ /‘-jﬁ r*--—-% . Ferdinand Dunkley——“ The Wreck of the Hesperus." “em ‘ ble 50; I can Weatherthe 5 . , ‘ ' ‘ a rough - est gale That ev er Wind did blow.” He Wrapped her Warm . . ' his sea. - man’s coat, A — gainst the ‘cf ' He wrapped her warm . . " his sea - man’s coat, A - gainst the He wrapped her warm, A‘ - gainst the wrapped ' man"s coat, ;_.____._/ ' Ferdinand Dunk1ey——“ The Wreck of the Hesperus.” blast ; r--—-——-—-‘\ from And bound her to the mast. — And bound her to the mast. — And bound her to the mast. __.(.——:——v-—:'4_ _ L And bound her to the mzmst. 5 Ferdinand Du11kley—“ The Wreck of the Hesperus.” -=___—-T; _ . I I i ‘n. - I = 4 . ,1-3~-e—:~—~e.:;~ V V fa - ther, I hear the c11ureh~17eI s ring, 0 say, . . what may it T‘ I I h I; 0 F v'—‘.~—-.o—.«-—F _ - ‘\l 1. i I ‘ « ._ I - V :“~T—~4.”+%»+'-.+.——;>:~r 1 he steered for the 0 — peg fog - hell on a rock-b0undcoa,st!”—— And he steered for the 0 pm “0 fa-ther, Ihear the ._I_ —;E } } :- Ferdinand Dunk1ey——-“ The Wreck of the Hesperus." sound of guns, 0 say, . . what mayit; be?” TENOR. “Some ship in dis-tress, that }- can - not live In such an an - gry sea?” SOPRANO. “O Fa -ther, I see a gleam - ing light, 0 say, . What may it ;__) ff” Ferdinand Dunkley--—“ The Wreck of the He.sperus.” ' ‘D Lento doloroso. -7- *"r— K -0-’ -0- . But the fa - ther an - swered nev — er a word, But the fa - ther an - swered nev e er a word, D Lento doloroso. J : 56. i ‘y if *6‘ fro - zen corpse . TENOR. I ‘fzn a I E " E“’ =" E l g i 1 g Lashed to the helm, in H I fro - zen corpse stiff and stark, With his face turned to the skies, /‘_"""'\ The Ian - tern .n- 159 ALTO. gleamed through the gleam - ing snow On his ﬁxed and glass - y eyes. Thenthe __ _‘_ : Ferclinand, Dunk1ey—“ The Wreck of the Hcsp:1'us.” snow, maiden clasped h er hands ahcl prayed sav - ed she might be ; Soi>RAN 0. She thought of Christ, who J J’ ~13‘ sr“ -' _ V .1}- _[ f Pia moto. Gal - i-lee. Piio motto. stilled the ‘wave, Lake . . of "I rﬁ and drear, Through And fast through mid - night dark And fast through mid - night dark and drear, Through And fast through mid - night dark and drea1',Tl1rough And fast through the n1i(l;~ night dark _g_ ' } . sheet ghost sheet ghost sheet ghost . 0- ' sheet ghost 3 3 Ferdinand Dunk1ey—-" The Wreck of the Hesperus." whist - ling sleet and Wl1ist- ling sleet and whist - ling sleet and ‘ {.3-_'" and d1'ear,Through the whist - ling sleet and ves — sel swept ’l"wards the ves — sel swept ’].‘’wards the t T’wa1'(ls the ves - sel ves - sel swept 'l"wards the of or - man’s of Nor - man’s of Nor - man’s -9- of N0r-man’s . ev — er the ﬁt - ful gusts be- tween A ALTO. It was the sound of the trampling surf, On the came from the land; f-<:sf rocks and the hard sea. - The break-ers Wereright be - SOPRANO. And a. Who0p- ing bil - low ws, She drift -ed a. - y wreck, > . f Ferdinand Dunk1ey——“ The ‘Wreck ofthe Hesperus.” swept the crew Like i - white and ﬂee - cy Waves White and ﬂee - cy Waves white and ﬂee — White and ﬂee - cy waves Waves K F‘ " Looked soft Looked soft Looked soft Looked soft ‘ah ﬁr 4?" ci-cles from the deck. " E Pia sostenuto. struck struck EPiz‘o sostenuto. J : 84. ' K :2?“ i3 as cord - as cord - as cord - as cord ~ . ,‘_ Ferdixnagd _I)unk1ey,—_-4-“ The Wreck of the Hesperus.” 0 Where the where the . L where the M where the - e1 ‘rocks, they L .herside Lil::e—tl1e horns of an - rocks, they gored her side Like the horns of an an they gored her side Like the horns of an an ::—+——> - el rocks, they gored her side Like the horns Pie} agitato. _ bull. ' Her rat- tling sh/eath’d Her ra,t — tling. . sheath’d Her rat - tling b . . ' sheath’d 111 bull. I Her mt - tling shrouds, . all sheath’d in Pm agitate. d : 112. P060 0: 17060 C768. /T X} } sempre pm With the masts L by the board ; Like a sempre ' With the masts . by the boerd ; With the masts by the board. ; semp7'e_pz'L‘o ' . ' With the masts _ byrthe board ; §.__._.___.._.....—___/ Ferdinand Dunk1ey—“ The Wreck of the Hesperus." ﬁg Ar-—\ ves - sel of glass, she Holho! . . fﬁ vies - sel of glass, she I-Io ! ho ! the breakers A A /\ the breakers -9- ves - sel of glass, she a , _¢_ ves — sel of glass, she H0!l\1/0! . the b\4eake/rs I A roared I roared 2 /\ roared 1 6' d fpocoapo z o l I I 1 F‘ :1: I : Z‘;- V — -o— L Pad. Ferdintmd Dunk1ey——“ The Wreck of the Hesperus." TENOR :' ﬁ~7“/.',.::* *"«57° - ’ : j At day-break, bleak sea - beach, ﬁsh— er-man stood a—ghast, To see the form of a maid- en A fair, Lashed . f . , -1’ .. con molto espress. 170; "5" J 5 .1} _ . _,_ _ froz — en on her breast, e salt tears 1n her eyes; And he saw her Z“. ‘ - J ‘ " g. ""..._“‘—“;‘——*- __? Ferdinand Dunkley——“ The Wreck of the Hesperus.” hair’ the bil - lows /' . Tempo lmo, ma sostenuto. Such the wreck of the Hes Such the wreck of the Hes of the Hes Such was the Wreck mid ~ night IS Such was the wreck of the es mid - G Tempo lmo, ma, sostemito. J : 100. Christ Ferdinand Dunk1ey—" The Wreck of the Hesperus.” fall and _ -1 7"‘ %_ V a death a death like this, a death v like this, /\ of Nor - man’s of Nor - man’s '6' 0 0 . Ferdinargd Dunkley-—-“ The Wreck of the Hesperus.”
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Date: 1917
Text: T. TERTIUS NOBLE Two Songs With Piano Accompaniment CUPID’S ARROW % - WINTER _High in F minor Low in L) minor @ Price, each 60 cents net New.Y0rk : : Boston nusoc L}/*IhAnv VAS$AR CO LL EC‘ To my fmend 1i3cz'7aal(lWerrenrntlz VVinter Words by Longfellow V A T- Tertius Noble Lento, molto sostenuto 1’ The day is end - ing, The night is de- A d 8”“ bassa #’ scend-ing,The marsh is fro-zen, the riv - er dead. >>- >> > /\ } 27049 C Copyright, 1.917, by G. Sclzirmer Piﬁ mosso...
Show moreT. TERTIUS NOBLE Two Songs With Piano Accompaniment CUPID’S ARROW % - WINTER _High in F minor Low in L) minor @ Price, each 60 cents net New.Y0rk : : Boston nusoc L}/*IhAnv VAS$AR CO LL EC‘ To my fmend 1i3cz'7aal(lWerrenrntlz VVinter Words by Longfellow V A T- Tertius Noble Lento, molto sostenuto 1’ The day is end - ing, The night is de- A d 8”“ bassa #’ scend-ing,The marsh is fro-zen, the riv - er dead. >>- >> > /\ } 27049 C Copyright, 1.917, by G. Sclzirmer Piﬁ mosso Through clouds like \/ \_/“/ sostenuto flash - es - dows that it tempo 1’ The snow re-com-menc — es, The bur — 8 "" a tempo 13720 ._ Mark no long- er the road to the plain, Z’—\ ".27" While thro’ the mead - Like fear—ful shad - ows, 3 -=-z:/(¢»;=\::<_'ae>;-ﬁ;;.;a.7'a7«a&7&,§..~'Z:; fe S1ow—1y pass—es a fu-n’ra1 train. > > 1’ The bell is peal - ing And ev—’ry feel - ing With— in sx __ re—spondsto the dis — mal knell; ‘.570 /"*3, Sha.dL- ows are trail - ing,______ My heart is be— wail — ing f % And to11-ingWith- in like a fu-rfral bell, > > n'ra1 bell. FOUR SONGS by JAMES H. ROGERS To Felt’: llughu Sea Fever John Masefield James H. Rogers Spiritoso f I must go down to the seas a-gain, to the lone - ly sea and the sky, :11 I usk in 1 tall shlpand A star to steer_her by, wheelk klcknnd the windk songand the white sails_ shah.-ing, > f Copy;-iglt, llll, by 0. Scbirncr PRICE 60 CENTS NET To Miss Geruldxm’ Farrar The Star . wows. W A fragment from Plato Charles F. Lnnums High. in Db Low ;n B], James H. Rogers -K-5:A* ‘YR: semprv R- - inglhemoth . - er shes, - cqyum. um. by no s.s. meme co. ¢'°m"':M 1'": Mr 0< Selim!" PRICE so cams NE‘! “Loves on the highroad“ F. Dana Burnt! James H Rogers Vivace con anima Voice co,,,r.,u, ma, 3., a. Selina! PRICE so cams NET NEW YORK :-G. SCHIRMER Autumn F. Dana Bum“ James H. Rogers Poco Volcé W Swift-ly, my heart, while {adeslhe sum-me-r rose, qfslulaada Speaklhou or love, ere Youlhand Love growcold! The year hath lurnedher face un - to the ngfslcuhmdo . ‘! PRICE so ceﬁf NET BOSTON : THE BOSTON MUSIC CO. Copyright, IBM, by (I. Sclimtr
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Date: 1885
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKE-EPSIE, NH’! '/52¢: ""“\ Worzis‘ ézjgiz /71‘. if fa/gy/1’?//02% / \ ,J, // 0\ \/\ / ":‘_ 4 /W7" » \ I ;sv , 1/ -/ l /‘ J} K‘\_(/2 2 “~\_*//// §’z/5/Mm §/5/WK/7/za/2 JXRTHUR P. §cHJ~4ID'I‘. THE WIND -MILL. Words by LONGFELLOVV. GUSTAVUS TUCKERMAN. Con spi1‘itg. VOICE.‘ vivane my tow _ ‘- er, With ﬂy gran. , ite jaws The maize, the wheat, and the ‘ APS&m493=6 Copyright 1885 byAR'rHUR ESCHMIDT 8: Co. grind theni, and...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKE-EPSIE, NH’! '/52¢: ""“\ Worzis‘ ézjgiz /71‘. if fa/gy/1’?//02% / \ ,J, // 0\ \/\ / ":‘_ 4 /W7" » \ I ;sv , 1/ -/ l /‘ J} K‘\_(/2 2 “~\_*//// §’z/5/Mm §/5/WK/7/za/2 JXRTHUR P. §cHJ~4ID'I‘. THE WIND -MILL. Words by LONGFELLOVV. GUSTAVUS TUCKERMAN. Con spi1‘itg. VOICE.‘ vivane my tow _ ‘- er, With ﬂy gran. , ite jaws The maize, the wheat, and the ‘ APS&m493=6 Copyright 1885 byAR'rHUR ESCHMIDT 8: Co. grind theni, and grind them, look down 0v- er the farms, be, har _ vesst that is to fling a _ loft mine arms , -\PSS:C0.~’293 = 6 and grind thorn in p Lie 9 rif. (sol/11 voce > In the fields of grainl The har vest that is fling a - loft _ to flour to mine arms , . know it is all for me, know it is all for me, patio ritard .__._.————«~ u [em 1’ heau‘ llle sound of flails, Far off from the threshing floors, J l)aI‘ns "with their op- en doors, Andthe wind ' _ my sails, in my sails, — Louder aml loud- er 1'o.ars, APSAM‘/0.493=6 Loud _ er and loud _ er roars. dim 9 Tit. tempo ecaresc. standhere, h in my place, With my foot on the rock be _ low. And which er way it my blow, meet it face to brave 1I1anmeets his : Wres _ ﬁle and pace ' ‘ I 0 0 calla voce 1/risolufo. Ll'S&Cn.493=6 strive, V mas- ter the mil _ ler stands, For _he knows who makes makes him lord of lands. Church-go _ ing bells XPSXM‘/0.493=G Their low, mel_0_di0us din. cross ,n_1y arms on (10091 . peace with _ And all is rd al fine. decrese. poco a co alfine APs&Co.493=6 Bruno Oscar Klein. 09. I7. Ingeborg’s Lament. Concert Aria. English version by F. W. Bancroft. l Mez. Sop. Cmin. 'c—a) Op. 42. Five Songs for Baritone or Contralto: No. 1. The Moon shines through the Forest Green. E (b—f$l) . . . No. 2. Trooper’s Morning Song. Emin. eb—-f . . . . . . . . . . . No. 3. The Siaeet May Night with Dusky Pall. G (c$——e) No. 4. At Twilight. F (c——e) . . . . No. 5. Serenade (When at Evening). Fmin. (c—eb) . . . . . . . . . Margaret Ruthven Lang. Eros. G (d-g) . . Oh what comes over the Sea? Amin. (e——t') My Lad Jacqueminot. Bb (f—g) . Ojala. Ft (ft-—ﬂ$) . . . . . . . Nameless Pain. G (e——g) . . . . Ghosts. Ab (f-—f) . . . . . . In the Twilight. E (g——e) . . . . Song of the rival Maid. D (f#—g) . Meg Merriles. Gm-in. (d—g) . . . In a Garden. (d——f) . . . . . . . Deserted. E (e-—f#) . . . . . . . A Spring Song. Emin (e~—fil). . . Op. 6. Three Songs for low voice. Chinese Song. Emin. ct--e) . . . A Bedtime Song. E ( ——d8). . . . Lament. D (d—d). . . . . . . . Op. 7. Three Songs of the Night. Night. B (d3l—g). . . . . . . . . Slumber Song. G (dll—-f) . . . . . The Harbor of Dreams. E (d#—f#) . . Three Songs of the East. Oriental Serenade. Medium voice. e e e e e e e e e 1 c n o e o u 0 e o I e e 0 e e u e o e Emin.(c-—-fill. . . . . . . .. Christmas .Lullaby. Medium voice. Fmin. (d—e) A Poet gazes on the Moon. Low voice. Cmin. (c-eb) . . . . . . . . . . Four Songs. Heliotrope. High voice. F (eb—g). Spinning Song. High voice. D(d——f#) The Sky-Ship. Medium voice. Ab (db- f) Betrayed. High voice. A min. (e—a) 1!. Elliot Lath. l.ove’s Courier. —— D ct-—e - Moorish Love Song. T) min. (a-—e) . . . . —— Emin. (b—f). Fmin. (c—g) . . .. . . W. P. P. Long-fellow. O that we two were Maying (Violin obligato). (e——g . . The Mermaiden. Cmin. (c—f). . . 'l‘he Swallow Song. Eb (bb-——f). . E. A. I'«’ia.c Dovell. Op. 34 No. 1. Menie. Dmin. .d——f) . . . No. 2. My Jean. A (e.—e) . . . . Op. 40. Six Love Songs. E..ition Schmidt * No. 19 . . . . . . . . . . . . net. M. R. Macfarlane. Sway to and fro’. F (f or g#—d) . . . . Tellherso. G(d#—g). . . . . . . . . E. P. Header. Sweetheart sigh no more. E (b—f£‘») The Robin. G (d-—g) Soft and gently through m_v soul. E (dl1—-ft) Geo. B. Nevin. The Boatswain Bold. Bar. or Bass. D (a—d) Homer A. Norris. Uradle Song (Rock-a-bye Babie). Ab (c—c) Once indroyal Da.vid’s City. Christmas. Db b——b . . . . . . . . . . . . . ( e Supplication (Oh Father, Thou dost hear us). Bb (e——f) C John Knowles Paine. Op. 40 No. 1. A girddupon a rosy bough. b — . . . . . . . No. 2. A farewell. G (d—e). . . J. 0. D. Parker. lelections from the Oratorio of St. John. lo. 1. Eye hath not seen. Contralto. F gL—d) . . . . . . . . . . . . lo.) ethnic mighty Sop. C(c-—b) u tab ~ eh (J L“’.‘:* E. W. Parker. Slumber Song. Ab (eb-—eb) . . Wedding Song. Bb g—eb) . . Goldilocks. E (d#— . . . _ Op. 14 No. 1. Love’s hase. A (e—g# . . No. 2. Night Piece to Julia. Eb( -g) No. 3. Orsames’ Song. D (d--e). . There is a land of pure delight. Sacred. Gb (c—eb) . . . . . . Rest. Sacred. Gb (db-—fb) . . . I‘. A. Porter. Op. 8. True Love. Db (eb-—gb) . . 0 Memory. G (d—e) . . Love’s Touch. Bbmin. (f-—gb) . . . In May. Db (f——gb) . . . . . . . . Earth in heavenly rest. F g-—f) . The Answered Prayer. G ( —e). . “Seven times four. G (g—-g) . . . . . . . Slumber and rest thee. Sop. Violion obli- gato. D (b—-e) . . . . . . . . . . Martin Roeder. Shall we roam, my Love. C (d-g) . . Unspoken. D (e—f# . . . . . . . . . To the Night. Bb (d-—eb). . . . . . Love’s Strivings. Gb (db—eb) . . . . . My spirit is of pensive mood. Eb (c—f or g) Op. 59. Four Songs. No.1. Dost thou know? Eb (e—f) No.2. Warning. Eb (eb——f or g) . No. 3. Confession. C (cl$—-f or g) . No.4. Cupid’s Song. F (f—f). . . Mrs. Emily 3. Roelofson. Christmas Lullaby. Cmin. (c—eb) . . . . Op. 15 No.1. The Sands 0’ Dee. Cmin. (g—eb) . . . . . . . . . . No. . Sea Shell. E (e—a) . . . No. . As through the land. Fmin. c—- . . . . . . . . . . No. . I leaned out of the Window. Amin. ( No. . From the close shut Window. C min. (c-—f) No. . Carpe Diem. Eb (eb—eb) . No. . 0 heart, my heart. G (d—g) A. Rotoli. Eveningdltest. Sacred. Sop. or Ten. in G ( —g) . . . . . . . . . . . . . . — Mez. Sop. or Bar. in F (c—f) . . . . —- Cont or Bass. D (a—d) . . . . . . . Our King. Sacred. Sop. or Ten. F‘ (f—g) . —- Mez. Sop. or Bar. D (d—e). . . . . — Cont. or Bass. C (c——d) I‘. Rudolphsen. Break, break. F (f—-g). . . . . . . Chas. Salaman. Of thee I fondly dream. Db (c—gb) Jan Saxe. Look down. Bb (d—-g) . . . . . . . Bird’s Love. F (d—f) . . . . . . . At the window. Eb (e$i—-g) . . . . L. L. Soalfe. Beyond all lights. A (e—f#). . . . . . . Exultation. Db (eb-—ab). . . . . . . . . Sidney Seymour. . Only a Song. C (ﬂl or b-e). . . My Love is gone. Dmin.(f——g) . '. At my feet. Eb (ab or c—eb). . -. Her King. F (c—g) . . . , . . Over the Mountains. D (d-—g - u u o o e e a u e o e Wilson G. Smith. . Shadow Song. A (b—a) . . . O Beauteous Maiden, Whither? G (d—a) Op. 22 No. . My Bonny Lass,'Marie. Ab eb-—g . . . . . . . . . . No. . Cradle Song. C (d—f) . . . Templeton Strong. Op. 38. Three Songs. No. 1. %hall I smile or guileful glance. (e——d No.2. Come, Ah come, my life’: do- light. Eb (eb- No. 3. Philon (While t at the Sun) E (dt-—-f) . . . . . . . Op. 10 No. No. Arthur W. '.l.'ha.yer. Clover Blossoms. Sop. or Ten. Db (db-4 b (¥b—d or f) . . . Supplication. Sop. or en. E (e-—gI) . —- Alto or Bar. Bb (bb—-d) . . . My Love. Sop. or Ten. . —AltoorBar. ).... . The Helmsman. Alto or Bar. Cmin. (g-——d) The red, red rose. Alto or Baritone. Bb bb—— . . . . . . . . . » Break,(break, break. Db (g—-eb). . . Somebody. Mez. Sop. Amin. (e——f) . Pictures in the sky. F (c—- . . . The Winds are hushed. Db (db— ab) . I know not where. Sop. Eb (d—g) . — Alto. Bb (a-—d) . The quiet moon upon —-g . . . . . . . . Only a Song. Db (db—-ab). . . . The Milkmaid. Bb (f-—f) . . . . My.Swete Swetyng. Eb (bb—eb) . Beware. A (ct-—d) . . . . . . . Go, hold white Roses. E (e—a) . Good Night. Db (eb~—ab) . . . Chas. E. Tlnney. Art thou Weary. F (c— Bird of the Wilderness. g) . . By the Sea. Contr, or Bar. Eb (bb—-eb) . The Keeper of the Keys. Bass. C (c—c). Peace I leave with you. Sacred. A (e—gb) Rock of ages. Sop. Fmin. (c——f) . . . . — Cont. Dmin. (a—d) . . . . . . . . . Vain Quest. Cont. or Bar. E (b—c8—-e) . The time I’ve lost in wooing. Eb (bb—eb) . Gustavus Tuokerman. O! that we two were maying. C (dﬁ--g) . The Windmill. Bass. Bbmin. (f--eb). . . Vinoenzo Vennini. The Floweret (Il Flore). G (cl?-—f8 or g) . Malinconia. Eb eb——f) 0! were Iblesse (S’io fossi un Angelo). Eb (l.~b—eb) Thee will I love. ([0 t’amero). Ab (eb—f) Oscar Wail. Op. 10 No. 1. In Autumn Herbstfriihling) Gmin. (d—-g . . . . . . . No.2. Spring Song (Friihlingslied). G ——b The same with Violin obligate . . . . . . Op. 11 No. 1. When the day is done(Abend- lied). G (d--f). . . . . . . No.2. Devotion (Die helle Sonue svheiut). A (e——g) . . . . No.3. Farewell (Abschied). Amin. (en Ase) No. 4. Autumn Blossoms (Die Nach- knospen). Bb (f—-a). . . . No. 5. .-\\'e hlaria C (e—g) . . . Arthur Weld. When the sere leaves fall. F (c—c) . . . Floweret barn in the Hedge row shade. Bb (d— ) . By the Bronk’s side. ' . . . . Attraction. C (e—a . . All things to-day. ( f) . . . . . Six Songs to Words by Rennell Rodd: No. I. To—. Eb (bb—eb). . . . . . Lyric. D (e-—c) . . . . . . The Daisy. G (d—g) . . . . The Sea Swallows. D (d—-eb) . Vain Dreams. Eb (eb——f). . . Love’s Reproach. E min. (e-e) Mary E. Wood. Heart's ease. F . ‘A Wild Rose Gb (e—gb). . . . A Souvenir. Cmin. (c—eb) . . . Blossoms. D (d——-ft) . coo Courtship. G (c—d) . . How many times do I love. Eb (eb——eb) . MargeryDa.w.A My Own. E (e--g) . . . What would you bu ? Ab (g-—eb) . . . . That sweet day in une. Eb (f——g) . . . The turn of the Tide. D (a—-(I). . . $%§i‘:°~%-"3-‘:3’ 2883382
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Date: 1918
Text: MUSIC LIBRARY VASSAR COLLEGE '>'.""f‘.Uv---.,-~ - ~- Price SINGING CLASS MUSIC~EDWARD ARNOLDS SERIES EDITED BY % THOMAS P‘. DUNHILL. Pub/zshed by EDWARD ARNOLD, 41&43. Maddox Street, London, W 1. THE WINDM I LL TWO ‘PART S ONG MUSIC BY PERCY C . BUCK WORDS BY LONGFELLOVVI _ Lento comodo. (DO}?i»‘:’£§’)'§l : I :m 'd' .,d' :t cl ct Id‘ :—-.1 |m' :s i- ‘ f declamando Be - hold! a gi-ant am I a - loft here :m |1.,1:f¢r‘rI1 :—.1ld' :m I- f...
Show moreMUSIC LIBRARY VASSAR COLLEGE '>'.""f‘.Uv---.,-~ - ~- Price SINGING CLASS MUSIC~EDWARD ARNOLDS SERIES EDITED BY % THOMAS P‘. DUNHILL. Pub/zshed by EDWARD ARNOLD, 41&43. Maddox Street, London, W 1. THE WINDM I LL TWO ‘PART S ONG MUSIC BY PERCY C . BUCK WORDS BY LONGFELLOVVI _ Lento comodo. (DO}?i»‘:’£§’)'§l : I :m 'd' .,d' :t cl ct Id‘ :—-.1 |m' :s i- ‘ f declamando Be - hold! a gi-ant am I a - loft here :m |1.,1:f¢r‘rI1 :—.1ld' :m I- f declamando 3 Lento comodo. Be - hold! :1 gi-antaml a-loft here > - . (m ‘d’;-—¢d' :t 41 (t Id‘;-«mzl l~~ tm 4m:d' |—-<1 cl it ¢—-at } 3 3 my gran-ite jaws I de-vour the maize, and the wheat, andthe rye, And an |1;—.1:t:r‘r11:—4m:1 L m xm:1 |—<1c1:1¢-«re; 3 3 3 my gran-ite jaws I de.vour the maize, and the wheat, and the rye,And , Copyright, 1918, by Edward Arnold. {lg1'd' :1 them in — to :t. grind {I m Id grind themin — to fields {I 1. (- fields of grain I to the air .,s is to the air i/-\ The Windmill. :t. . The har sec The har - vest ‘_.Z I 1 rit. arms, arms, For I .1. |—. o -9"‘ :f -.m rit. ' .1‘ lm .m :1 21 (1 lm I look downo -ver the faLr_ms_; .1. la .a if cf (f Id 3 I look dO‘WnO-V61‘ the farms; to m] :1 .S. If. If. i—— _ vest that is that to I: of *“___._§_.==.— atempo For I :m .1.‘ a Is .f know it is $ rit. a temﬁo. lm 1’ know it I d is 19 all J I’ r.E.b. zds .s 15000 acce/. _.-..—-_-':.’:;’. And I zds .s 15000 acc . A11dI 36000 aacel. is all \*~......, I I ( G. 4. .''‘d m 5- cm :1 0 umosso hear the sound of flails I X: : ' : dx—cd :f .f id 00 Zyllr’Iﬂ0SSO jaw pm mosso hear the sound of flgils _ f.C. ) :-— .s it - 1' . ' : '5 :-— I :51” 9,1" 5 ﬁoco accel. off from the threshing floors In barns, with their 0 - pen ‘doors, And the {|m cm cm :1 .1 |rg_g§ :f_e_._rg|m .t, :-— .r Id :d It, :-— I :Sr'.,r‘ } 3 ‘ pocoaccel. off from the threshing floors In barns;with their 0 - pen doors, And the 15000 wccel. /-\ g"""1‘§ _j :r'.d'1t' :1.s — wind, thewind in my sails Loud.-erand1oud~er. roars. ﬁr‘ :-— I— :1 Ir‘ :d'.t |r'.d.':t__.,lW :r.rlt :s |1"t. :— l-- ._==__--:r. “-1-'-“"-—"—: > the wind in my sails Loud-erandloud-er roars. > h >/‘''‘\ can fo rza The Windmill. Tem 0 1111.0. P . Id‘ :— .d' It :1 .t } f molto maraato I stand here in my I1 :—..1. or :r .1" } molto maroato I stand. here in my “’’‘1’‘’ Tempo I310. . ‘V/F‘ /’ &__( {|d' 1- I .1 lm' :s l—.s :£l’sall ls :— I :m.m!d' :-—.d'1t place, With my foot on the rock be—1ow, Andwhich-ev — er way it may {I1 :- I :1 .1 la‘ :m |—-.m :m§9;f lm :— I :m.m|1 :—.1nr :r.r} place, With my foot on the rock be-low, Andwhich-ev - er way it may zt c—(t 1m‘ .d' :1 Id :t. i 1. :-— l-— _:-—H ’\ As a brave man meets his foe. :1 <—4re lrL.d':1__._m|d zt. I1,:— 1- :— H -9- .As a brave meets his foe. > > The Windmill.
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Date: 1897
Text: UUSIC LIUHRRY \I".Q¢‘-."" "“' v ‘-9: SUNG BY ME WATKIN MILLS. N92 IN CMINOR %i N‘?! INB MINOR \V/ / -—'>> \<*‘ THEWINDMILL . 44 A K‘) , U A K, x A mm M G? J | 'z- ' ln;mM um mu '1‘ L. ‘ ‘ , ‘D \., * J 2 /1‘ /J \- \ / r ‘d ‘§\*» 5 u T 1) L’) 9 N K) WORDS BY %@NG13@ELL@w MUSIC BY -PRICE 4:/; CHAPPELL 8cC<? LTP 50.NEw BOND STREET, LONDON,W. AGE NTS:_N EW YORK; BOOSEY 8cC.° Eup_yr-ighf MDCCCXCVH. b_y E'.happr-_-||XcE‘.‘ MAY BE SUNG...
Show moreUUSIC LIUHRRY \I".Q¢‘-."" "“' v ‘-9: SUNG BY ME WATKIN MILLS. N92 IN CMINOR %i N‘?! INB MINOR \V/ / -—'>> \<*‘ THEWINDMILL . 44 A K‘) , U A K, x A mm M G? J | 'z- ' ln;mM um mu '1‘ L. ‘ ‘ , ‘D \., * J 2 /1‘ /J \- \ / r ‘d ‘§\*» 5 u T 1) L’) 9 N K) WORDS BY %@NG13@ELL@w MUSIC BY -PRICE 4:/; CHAPPELL 8cC<? LTP 50.NEw BOND STREET, LONDON,W. AGE NTS:_N EW YORK; BOOSEY 8cC.° Eup_yr-ighf MDCCCXCVH. b_y E'.happr-_-||XcE‘.‘ MAY BE SUNG WITHOUT FEE. ORVLICENSE. fmlf .- 7 ’ To C. T. Johnson. The Windmill. Song. Words by Music by LONGFELLOW. HERBERT H. NELSON. Vivace . Be- COPYRIGHT, MDCCCXCVII, BY C‘-HAFPELL & C‘? -101“: here in my t0w’r, With my gra.nite jaws I de - Vour 2 -maizeyandthewheat, and the rye,And grind them in - to flour. > O f > >77?" " lento. [Sift lento. look down ov - er the farms; In the fields of grainl ..... .. The har.vest that is to be, fling to the air my arms, For Iknow it is all for Far off, fromthethresh- ing floors doors, with their sails, ........... .. the wind, the wind,in my sails ..................... .. <1 :>—~$f# cresc: 20376. ' me. I hear the sound of In barns, Withtheir 0 - pen rioso. And the wind, the wind, in my .19" Loud .. er and 10ud-er roars. ‘ f Tempo Primo. stand, I stand here in my place, here in my place! mf VWith my foot on the rock be - low, And which-e - ver way it may meet it .... .. face to face,As a brave man meets hxs foe. V 10 15112 lento. And while We Wrestle and strive , My mas —ter, the mil — ler, stands And feeds me with his hands, and feeds me For he knows who makes him thrive,Wh0 makes him I jqa a temfo. On Sun—days I take my rest; e” ]m a tem}$0. Church go-ing bells be - gin Their low me-lo—di0us din, ....... .. their me - di m .- - lo - dious din; cross my arms on my breast,Andall is peace with- - in, and all is peace with - in. /5 risvegliato. f Tempo Primo. Be — hold! be —~ hold! A > '/17’ Tempo Primo. A - loft here in my t0w’r, f gra—nite jaws I de — vour, With my gra - nite jaws I — vour f'\ maize,andthe wheatandthe rye,Andgrindthem’ in - to f10l;.I‘. Be - hold! be- G C\ F5 gi — ant V am I! r:-«, O of 20376.
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Date: n.d.
Text: e>v 3 *MW,ITHEN9 ﬂ“W§%;iE;gJR? 0NG or In: wnsa NYMPI-IS.) F ~‘@r?9 C5552 191;: rg -seletteh from C \& /Q 4 W "\ L. g (JV 9 ﬂHWPERﬁ@MU (€325 I § “~ /ii?‘ ¢ » 9 2 ’ 4 é // , _ I F‘ .. / ,-~ ‘ ‘ ( r y9 /3 q ~/‘ /» - “ ‘ ‘ UN v:> ‘ \\,, H \> 3 k N Wnumngzh lag A ‘i , @@%N”@&@@%iE ﬁg Me .$‘(I/I26 Izztﬁors, .«\ am mmﬂ ’ ? EXCELSIOR . .. (2)3710 t7f’/7lé¢’«£&’/ . .. 4/ FOOTS TEPS OF ANGELS/wit/L/Jarlmit /,-/{any/.131/ow,..3/-v 1: ‘ CONSECRATION OF PULASKYSABANNER . ,4/:...
Show moree>v 3 *MW,ITHEN9 ﬂ“W§%;iE;gJR? 0NG or In: wnsa NYMPI-IS.) F ~‘@r?9 C5552 191;: rg -seletteh from C \& /Q 4 W "\ L. g (JV 9 ﬂHWPERﬁ@MU (€325 I § “~ /ii?‘ ¢ » 9 2 ’ 4 é // , _ I F‘ .. / ,-~ ‘ ‘ ( r y9 /3 q ~/‘ /» - “ ‘ ‘ UN v:> ‘ \\,, H \> 3 k N Wnumngzh lag A ‘i , @@%N”@&@@%iE ﬁg Me .$‘(I/I26 Izztﬁors, .«\ am mmﬂ ’ ? EXCELSIOR . .. (2)3710 t7f’/7lé¢’«£&’/ . .. 4/ FOOTS TEPS OF ANGELS/wit/L/Jarlmit /,-/{any/.131/ow,..3/-v 1: ‘ CONSECRATION OF PULASKYSABANNER . ,4/: GOOD NIGHT ./fen:/Iaa’£, .. nu: nmnv om //su-/W-2 Vaim, ..3/= THE. PSALM or LIFE. //or-1.;;’2 1r?1iae".s'/.- .. . THE BRIDGE . 4= I ma snuzm LAND .. //arzfumy ... STARS OF THE SUMMER NIGHT .. ...3 . /T ., Ent. .§'toL.Eal[. JOHN BLOCKLEY, 3,ARGYLL. ST, REGENT Saw; ~. 1 Ztffa Alusac uanmv VASSAR COLLEGE "WHITHER7 (soNG<n'rHE WATER.NYMPHsJ “I11_the twilight of a sItm.m’er’s evening, the Baron and Fleming walked forth along the borders of the stream. As they heard it, rushing and gushing among the stones and tangled roots, and the great wheel turning in the current, with its never ceasingplash, it brought to their mind that exquisite simple song of Goethe,the Youth, and the Mill- br-ook. It was for the moment a nymph, which sang to them in the Voice of the waters. ‘Can you not, even now, hear this brooklet telling you how it is on its way to the Millwhere at idaybreak the miller’s daughter opens her window, and comes down to bathe. her face in the stream’/’ 9 Written by Composed by H.W}LONGFELLOW. JOHN BLOCKLEY. ./VIODER.x1T(). L >/-\ mf //’“\\ //”“\\. ///_‘\\ ///~\\ I he-ard abrnok_let gushing Fromits rocky fuun_tain near; /9 €/ \___,/ ‘/ ; *2 \_Q/ \_Z ‘Z Duwn to the val _ley rushing, So fresh and w0n_d’r0us clear Crcs. know not what came (fer me Nor who ‘the coun _se1 gave 1 must has_ten down _ ward, All with my pi] _ grim stave. \/ J. Blockley. molto espressivo 6 pin lento. Downwardand e _ ver fa'r_ther, And e_ver the brook be- side, . And can anima. 7 . e_ver- fresher mur - mu1~d,_And ever clearer the txde, mf‘/~/ -/‘/ dim e rail. 9 . .e_Ver fresher mur _ murd, And e_ver clearer the t1de. {T , calla voce. dim e rall. \.:/ W'hit-her. ‘ -1~Bl0C“*’:~{~ Is this the Way I was going‘? W}1ither,O bruqklet say! Thou hast with thy soft mur _ mu'r,s Murmu'r’dmy senses‘ a _ way. Whatdo I say of a mur _ mur? That can no mur_mur be .Tisthe Wa _terNymphs that are sing _ ing‘ Their roundelays un_der me. Let them \_ W]‘i-“‘9“- J.Blockley. molto espressivo e pin lento. sing my friend let them mur _ mur, And wan-der merri _1y mf con anima. wheelsof a mill are go _ i_ing In ev’_'ry brook_let clear, Inf dim e rall. wheelsof a mill are go _ ev’_ rybrooklet clear. fﬁ calla voce dim e rall. Vfhither, Puhlislxeil by Jairhrz Bi*}4flzl!_'Y 5% e$z*:.)'v'll
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Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighiy (KitschiManito, der Machfge) . . . . Med. Greeting of Hiawatha (Gruss Von Hia- watha) . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei~ gen) Chibiabos (Tschibiabos) . Death of’ Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawéil wach auf", Geliebtel) Med. OLIVER DITSON COMPANY. Boston New York Chicago ' Philadelphia...
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighiy (KitschiManito, der Machfge) . . . . Med. Greeting of Hiawatha (Gruss Von Hia- watha) . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei~ gen) Chibiabos (Tschibiabos) . Death of’ Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawéil wach auf", Geliebtel) Med. OLIVER DITSON COMPANY. Boston New York Chicago ' Philadelphia C. H. DITSON 8: CO. LYON 8: HEALY J. E. DITSON 8: CO. To Am’!!! Rio Pxxrclm. 39d from the WHEN THE NOISELESS NIGHT DESCENDED vsl “mm” (NACHTS, WENN ALLES LIEGT IN SCHWEIGEN) HENRY WADSWORTH LONGFELLOW E E German translnlzbn by Hermann Simon CARI. BFSCH Allegro Moderate, When the noise — less night de — scend -ed Broad Nachts,wenn Al — les liegt im Schwei—gen_, Nachts, Copyright MCMVII by Oliver Ditson Company International Copyifight Secured — dark o’er field and for_est, When the mourn—ful Wa _ wo— nais — sa, AI — les liegt im Dun-kel, W"em1 des Schlum—mers Geist, Ni — bo — win, Sor-roW—ing sang a _ mong hem—10cks,» Zu _ schlies al — le Wig — Thii — ran, J-/‘T KT J-’\ [/9 Spit — it of Sleep, Win,.._. Shut the doors of Nie — mami dich 1'en,._____ S0, (lass Me _ mand A 543-86898 ~4 all the Wig — wams, From her bed rose Laugh- ing VVa—ter, dich kann sz: _ /zen} Heb’ dich schzvci — geml 22011 dam La _ gar, 3 [9 Laid a—side her gar—ments Wh01-1y, And with dark - Le — ge ab die Klei — dc?’ a.l — le, Geh} um ness clothed and guard — die be_sii - ten Fel — :4; 4;; 444 5—33~66898-4 shamed and un — af _ fright—ed, Walked se - Cure — 1y round the corn_fie1ds, Drew the Gran — ze al - ler Ae - char, Nur be — deckt mi! dei — nen Lo _ cken, Und in sa — cred, mag- ic cit- cle Of her foot-prints round the corn — Ra — ben -nacht ge— klei-def Das mach! frucht—bar die Ge — fil - 5-33-663‘.-)8-4 THE MUSICIANS LIBRARY An ideal series of‘ independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postapaid, and in paper with cloth back, price, $1.50, postrpaid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in ﬂexible cloth, are handy in size, and range in price from 50 cents to $1.25. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chiefly technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but-how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputaa tion. Each number contains at least 24 pages of music. Sample copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Date: 1904
Text: MUSIC uanmv VASSAR COLLEGE "0'-"-‘-NW’?!-s-t. Ntw van N91.i~ E % ORIGINAL. . THE POEM BY” ﬂI.L_/@1:2>gf@1E1@ﬂe THE Mus 1c BY WA EL NJEEDLIJNGEBL Price 50 cents. THE WILLIAM MAXWELL MUSIC C‘? 8 EAST SIXTEENTH STREET, NEW YORK. To Mr. H. 7? Burlezgr/z, The Weary Hours. Poem by . Music by H.W LONGFELLOW. W. H. NEIDLINGER. Larghetto. (tempo rubalojz, i Voice. Good nighﬂgood night! Good ni ht! be - T3/?$/‘D é.b cm are ‘Ben. 9% ::::::::====-—_. i::EEE;::;;EE;:::: 10v - ed! I come ...
Show moreMUSIC uanmv VASSAR COLLEGE "0'-"-‘-NW’?!-s-t. Ntw van N91.i~ E % ORIGINAL. . THE POEM BY” ﬂI.L_/@1:2>gf@1E1@ﬂe THE Mus 1c BY WA EL NJEEDLIJNGEBL Price 50 cents. THE WILLIAM MAXWELL MUSIC C‘? 8 EAST SIXTEENTH STREET, NEW YORK. To Mr. H. 7? Burlezgr/z, The Weary Hours. Poem by . Music by H.W LONGFELLOW. W. H. NEIDLINGER. Larghetto. (tempo rubalojz, i Voice. Good nighﬂgood night! Good ni ht! be - T3/?$/‘D é.b cm are ‘Ben. 9% ::::::::====-—_. i::EEE;::;;EE;:::: 10v - ed! I come //”j;E“\\§ A >——b~?)‘:‘5 C7’€.S‘6‘. accel. /rye To be near thee to be near thee, A ~ lone is /\ calla zroce. crew twee; L11} Copyright MCMIV by The William Maxwell Music Co. International (Jopyrzght secured. 659-3 . mpa tempo Thine eyes______. - are /5“ .,_ 19 molto rt’? ”"“"‘ ’ﬁ— cresc accel, morn — - Thy lips . .____ are /"T3 {T [T cresc accel. mf ores c_ flowers! /1\i» 7.5 calla woe. the Wear - y hours. K5 /any $4. ﬂﬂefx} moreizdo Tab. 959 54.5136’: C? uTu.szENo.u:w voP.'.'. NEW SONGS xg V3 ./and BALLADS By Successful Composers ALLING, WILLIS H. "THOU AND 1'' Keys G and B A “THE SOUL’S DESIRE" Tenor or Soprano AVERY, STANLEY R. "SONG OF JENNY" Keys D and F "I LOVE THEE STILL" Mezzo-Soprano . "QUARREL" -- -- BARTLETT. HOMER N. "ELAINE" Keys C and E . . "LIFE IS A SONNET" Eb Soprano or Tenor BURLEIGH, HARRY T. “]EAN" Keys B ﬂat, D flat and E ﬂat "MAMMY’S LI’L' BABY“ Keys D and F . (Lullaby) (Sung by Mme. Schumman Heink) "LOVE'S GARDEN” Soprano or Tenor "HEIGI-I-HO! ” Keys B ﬂat and D ﬂat . "FOLK SONG” Keys BI) and G ("I love my Jean”) “LOVE‘S PLEADING” Mezzo Soprano "JUST MY LOVE AND 1'’ Keys D and F “ON E DAY” Mezzo Soprano or Baritone CHAFFIN, LUCIEN G." "SO DEAR" Keys Eb and G "GOOD NIGHT” Contralto EDWARDS, JULIAN "MY TRUE LOVE HATH MY HEART" Keys G and B flat "THE ROSE AND THE LARK” Contralto Above two songs sung by Mme. Schumman Heink GRANT, E. M. "WERE WE IN LOVE” Keys B ﬂat and D "SEVILLA” Waltz Song Sung by Mme. Calve KLEIN, MANUEL "FORGET ME NOT” Mezzo Soprano "THE FRIAR AND THE KING” Bass Song LITTLE. ALFRED E. "TI-IE MESSAGE” Soprano . . "THE LAND 0' THE LEAL” Mezzo MARZO, EDUARDO "A DREAM OF HEAVEN” Keys E ﬂat. F and A ﬂat NEIDLINGER, W. H. "SAVIOUR BREATHE AN EVENING BLESSING" Keys E ﬂat and G "THE RED ROSE TREE" Soprano . . . “LOVE'S DESPAIR" with violin or mandolin obligate "SWEETHEART” “ " “ “ “ Keys B ﬂat and D PURDY. M:-.CRACKAN "A LITTLE SERENADE" Keys D and F REMICK, BERTHA “COME INTO THE GARDEN LOVE” Keys F and B ﬂat "YESTERDAY AND TO-DAY” Soprano . SHELLEY, HARRY ROWE "KING OF KINGS” Keys C. D ﬂat and D “THE DAWN OF HOPE” D ﬂat. Eb ﬂat G “O DAY OF REST AND GLADNESS” B ﬂat & D ﬂat "THE ANGELS SONG” E ﬂat. F and A ﬂat SMITH, H. WAKEFIELD "TI-IE LILY AND THE BLUEBELL" Keys D and F "THE I-IUMMING BIRD AND THE FLOWER" Mezzo Soprano THE WILLIAM MAXWELL. Music COMPANY NEW YORK
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Date: 1920
Text: Q . ////%/// w, W W////////////////////////W V BY M , M / High Voice am «my ILN RLN ..._f can wan .3 mm o D. {1j__HE WANIN Low Voice A LOVER’S LAMENT Price, each, 60 cents, net In Memory of my Father The Waning Longfe11ow* ’Lento J: 60 can z'7zten32'td > n'2f'r>-— largamente —-i J. It is au—tumm; a tempo calla voce Carl Deis § W.“ 15 *This poem was originally entitled “Autumn” 29502 0 Oopyrzgkt, 1.920, by Sclzirmer Youth T and spring are all ‘ ' that haze grown...
Show moreQ . ////%/// w, W W////////////////////////W V BY M , M / High Voice am «my ILN RLN ..._f can wan .3 mm o D. {1j__HE WANIN Low Voice A LOVER’S LAMENT Price, each, 60 cents, net In Memory of my Father The Waning Longfe11ow* ’Lento J: 60 can z'7zten32'td > n'2f'r>-— largamente —-i J. It is au—tumm; a tempo calla voce Carl Deis § W.“ 15 *This poem was originally entitled “Autumn” 29502 0 Oopyrzgkt, 1.920, by Sclzirmer Youth T and spring are all ‘ ' that haze grown espressivo . "f '22 animato Birds - L96 V are dart- ing thro’ the air, {J-i /T ing with- out poco a 12000 mi; tranquillo ’ -Where is stir—ring ev _\ _ pm trcmquzllo A If Tﬁmpo I0 Save with-in this lone-ly breast. J7’ There is si - lencez The dead leaves Fall and rus-tle , and are still; Beats no flail up-on the sheaves, Comes no mur-mur from the ESPECIALLY PRETTY OLEY SPEAKS THE SECRET 60 cents net High F—Low D Vivace The south wind told the- brook- let, 0 - var the field he_ blew, ? 6‘opyr:'gM,_ (915, by G. Schdrmor ELEA NO R MA RUM ROSES 60 cents net Medium G Andante La - dy,.____ whanj ban hold me ma-ea sproutuing, ‘wmcn,c1aa1n damask manues,aecx the anboura, And then__ be—hold your Goyyrtgu, IP15,» 0. Fchrlwi MANA—ZUccA IF FLOWERS COULD SPEAK 60 cents net High G——Low Eb Moderato, con sentimento If ﬂow’rs could speak, I'd send thee ev’.ry day A fose of red sing 1ove‘s roun.de—1ay; And ev'. ry pel.aIwiLh its per. fume rare Would 6‘wrv':M. met, by 0. 5oIoI'rm...~ 3 East 43d St. ° G. A. 514 SONGS CECIL FORSYTH GARDEN OF SHADOW 60 cents net Medium D I7 Moderato Love heed: no mere the signing of the wind Apgainstthe per-ﬁaot flowers; thy gar-dzxfs close Is grown .5 S Li Oopyrlghf, 1918, by G.ScMrmer EYES OF IRISH BLUE xviedium L b MARGERY A. C0oK 60 cents net Andante mestameme copy:-Igu, 1916’, by G. Scnirnwr COME DOWN TO KEW High G. Med. F. LowD (J.= 100) (In the style of a folk- song) CARL DEIS 60 cents net down 10 Kew In H . lac-Lime. in H . la.c.time, in 11 . lac— time; Go Copy:-u'gAt, 1910, by elliabdraar Published by SCHIRMER ' Ne W
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Date: 1923
Text: MUSIC LIBRARY VASSAR COLLEGE '0'.'P-WE’?-svz. new vonx SONGS sHA-wON-DA-sEE (The South Wind), Medium, F (No. 5252) . SKARL THE DRUMMER, Medium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) - WABUN (The East Wind), Medium, F (No. - I-IIAWATI-IA'S SONG, Medium, F# minor N. as - — — — ADJIDAUMO (The Squirre1)'Medium,G } ( ° 52 ) ‘F J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED IN THE...
Show moreMUSIC LIBRARY VASSAR COLLEGE '0'.'P-WE’?-svz. new vonx SONGS sHA-wON-DA-sEE (The South Wind), Medium, F (No. 5252) . SKARL THE DRUMMER, Medium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) - WABUN (The East Wind), Medium, F (No. - I-IIAWATI-IA'S SONG, Medium, F# minor N. as - — — — ADJIDAUMO (The Squirre1)'Medium,G } ( ° 52 ) ‘F J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED IN THE U. S. A. To Mr. and Mrs. Elbert L. 0’m°pente7~ Wabun (The East Wind) “Hiawatha” LONGFELLOVV JAMES A. BLISS Q I Medmm Op.11,N0.2 Allegro con moto r,__§_._, Voice Young and beau - ti - ful was Wa - bun, A Zeggiero x V7 0 ‘ He it was ~wh0 brought the morn-ing. He it was whose Sil - Ver méfr- rows f Ossia Chased the dark 0’er hill and Val - ley; He it was whose cheekswere painted Copyright, 1923, by .ZF2'scI¢er c6 Bro. British Copyright Secured ‘» J.F.& B. 5253-3 Meclzamfcal and all otlzer ﬁghts reserved ].>;~§ymgd in U¢s_A_ mf cresc. With the bright-est streaks of crim-son, And Whose voice a-Woke the Vi1- 1ag‘e,V } Lg > ¥_______,g f? , (M.M. J:1o4) Called the deer, andcalled the hunt-er, Lone - ly in the sky was Wa-bun 19 staccato Though thebirds sang gai - 1y to him, Though the Wildflowers ef the mead-ow J.F. & B. 5255-3 Filled ‘ the air with 0 - dors for him, Though the for-ests and the riv—ers Slower Sang and shout- ed ' at his com-ing Still hisheart was sad with-in ‘him /}i /"T /"““T 1‘ a - lone in Heaven. iv A Group of AMERICAN SONGS L1sT No. I . HOWARD BARLow . . . . . . . GENA BRANSCOMBE . . . . .. ELIZABETH I-I. DAVID. . .. }AMEs P. DUNN . . . . . . . . . G. FERRATA . . . . . . . . . . . .. CECIL FoRsYTII . . . . . . . . . FAY FosTER . . . . . . . . . . . . J. BERTRAM Fox . . . . . . .. FRANK H. GREY . . . . . . .. VICTOR HARRIs.. . . . . . . .. A. WALTER KRAMER . . . . HOWARD D. MCKINNEY. WILLIAM REDDICK . . . . . .. GERTRUDE Ross . . . . . . . .. LILY STR1<,:I<LAND . . . . . . . . DEEMs TAYLOR . . . . . . . . . PIETRO A. YoN . . . . . . . .. I-lush ofthe World . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5193, 5194)* L0veissoNew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5I92)..... Your Eyes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5195, 5196) In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . .. Honeysuckle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5151, 5152) . . . .. InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155, 5156) Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5153, 5154) The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . . .3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) . . . . . Under the Greenwood Tree . . . . .. . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) .. . . . Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) ..... A Masque . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .]\/ledium (4532) . . . . . . . .. Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547) . . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . .. When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . .. Secret Languages . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4665, 4666) . . . .. Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) . . . .. When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . .. Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4454, 4455) . . . .. A Ballad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. High (4737) . . . . . . . . . . . Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . ... . . . . . . . . . . . .2 keys (5079, 5083) . . . .. Sadness; Tears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5160, 5161) . . . .. The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) ... .. A Madrigal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) ..... Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 keys (5092, 5093, 5094) Silver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5098, 5099) ._.... Eternal May. . . J . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . .. ForaDream’s Sake . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (3851, 3852) Joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4246, 4247) . . . . . Song Without Words . . . . . . . . , . . . . . . . . . . . . . . . . .High (5020) . . . . . . . . . . . In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . ... . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys (4863, 4864) . . . .. Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . ..High or Medium (5077) . Travelin‘ to de Grave. _ . . . _ . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) ... .. Early Spanish Californian Folk Songs (Five).. . . .2 keys (5120, 5121) . . . .. Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144). . . .. Bayou Songs (Four) . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) .. . . . A Beggar at Love's Gate; So Cycle . . . . . . . . . .2 keys (4440, 4501) . . . .. I. I. I. ng Today is Fair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4338. 4339) ~ ° ~ -- Captain Stratton's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass (5242). Banks 0' Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .../\/Iedium (5210). . Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) ... .. The Messenger . . . . . . . . . . . . . . .. . . . . . . . . . . . ..2 keys (4732, 4733) The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) .,... A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . ..... 2 keys (4452, 4453) ..... Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . .s.. *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. FOURTH AVENUE AT E1011 NEW YORK 3, NEW STREET, BIRMINGHAM, ENGLAND TH STREET (ASTOR PLACE)
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Date: n.d.
Text: . , _, ) ‘//' . ‘/:/:/.eS’la./ﬂz//. ‘ ’ Wm ,,/"/(V. ...,\") L/ K / k,/. \\ / W: {T/_\ ‘<_, “_ /"\..\_/,4’/___T7\ /,.;_\ /fw/j,/“\_/f f ‘_ _ f /7:" ‘//’ ’ \\ ' // /. In / /D ///‘—\\ j = / A \ iy / /'\ /—-~—\ — :1//_/V //r~—~\T_ ﬂﬁmggfellrrm 8 T‘ 1\_//k / "” "‘\ ,/ K\»\ \_j\_ ,, ~ \\/V, 4 ﬁ @@1:A \\ ‘V / I . \/ * j:\ x /“A ~9/,{\ ‘ / .\’VV’,/‘—\Z// , HI,” ”"‘ _ _ Z716 Z’;/operfy of’ Z710 .‘ (7/l,'z?/Larzz‘ £37.” / ¢ @,7\v+72> «@ N,...
Show more. , _, ) ‘//' . ‘/:/:/.eS’la./ﬂz//. ‘ ’ Wm ,,/"/(V. ...,\") L/ K / k,/. \\ / W: {T/_\ ‘<_, “_ /"\..\_/,4’/___T7\ /,.;_\ /fw/j,/“\_/f f ‘_ _ f /7:" ‘//’ ’ \\ ' // /. In / /D ///‘—\\ j = / A \ iy / /'\ /—-~—\ — :1//_/V //r~—~\T_ ﬂﬁmggfellrrm 8 T‘ 1\_//k / "” "‘\ ,/ K\»\ \_j\_ ,, ~ \\/V, 4 ﬁ @@1:A \\ ‘V / I . \/ * j:\ x /“A ~9/,{\ ‘ / .\’VV’,/‘—\Z// , HI,” ”"‘ _ _ Z716 Z’;/operfy of’ Z710 .‘ (7/l,'z?/Larzz‘ £37.” / ¢ @,7\v+72> «@ N, ADDISON & HOLLI ER , 2| 0, REGENT STR E ET. W71?/"6 Ina; 5;’ //ad all M 9 OI./PH/lNT§ ﬁtbZzl"zza'z2273:s*. MUSIC Lrammv VASSAR COLLEGE VOGEMILWEID’ THE I1‘m~J.s by HA.WI iongfellow. 1 »ALLEGRETT0C 0- -g‘e1Weid’ the L Min‘__ne_7sin ; ger ,7 é‘ legato.. ""'Laid his howdy‘ ‘in ‘v-()ﬂ‘*‘]\\t-'i(1.H16= MfIi¥Il'<i1|‘_"‘F‘ ‘ _c1oi.=fter, MINNESINGER, T Music by J:L.Hattnﬁ. _ left this world of' Un__dernéath yon Ab _bey ‘_1()'W’rs. Theyshr-> eed jyirds, =at4-.1V1Q91\Xtide' on his -‘plAaLce~f restub;-"Z " L /z-\ .T “ or (said '1A1"e) from these sweet min _stre1s I have learnii the art of song‘: /5 Let me now _' re____pay thellessons. They Kavetaught so well and l(r)‘I{g:° Thus-/1;11e,.1)ard of love V ‘__part--ed: And, his tombthe ‘birds were feasted - _ \:'ex*‘ < towgr {X11 df dim: ‘r 1*‘ 1 V is ' ‘ R ok I ..V ' 3’ ' V i’ W ' . .— lr.--I V; ' " ~ . V 111 fbui wea._..ﬁ.:ue‘r and. "In ' Ian‘, Da1_-_ly to the » ‘ 1 - _..‘-.__.../.,. ' . \ N A V ‘V v \:y' ‘ -,1‘ (V .1: *7 I - I I noontlde ban_‘qu§t Flccka Eh -pc«__e~ts f i g:::p—'_. in - ’V hea -'-vy bran/ch-es’ / O---ver_;.sha_-dow<i all V piace, On pavement‘, o c s u . ./3. I II I’ J5- I I V _ y , s(;ptlp__tured face,’/' if .1 I. I r $ ' A [V A the cross~barsﬁ-.-o‘f each window, O‘t’1/1116;"’1iﬁ.;:.Vte1 . of each ..,»dub'r,' They re-i_Ii‘e.w’d the __v_tIV1ne_-_-f'u1 WarV_._A V» A. “V ,.the’~/A bard had i ‘ ‘fought. be....fore. ; V Praising‘ theirﬂkind be --ne _fac_-tor “ aI._ter ‘ VOH er» Vo-gé1_weid’.” ‘ ,_A..\ V g.n.»a.1“ vs M .. Till lratilj-lllength the V - ’_ - _m1_I;r’<i;i~,“why it ' /J. it changid to lloavtés l1ence_fo1*_ward. I ‘ ou’1I~«.. fads/f-.-ing --_th(+1??__~V._hood/.” Then _ in iwvavin. with‘ mr ’ cries dis __cord ant, Clam’ __ -rous L round V the - thic ‘ spire, "V T -9- Z—\ Sc1;gm1'd the ’fea_ rid Mi.1i_n¢, isinwgers For the children of ~ _— I - -..--. Ruthless time "has left no tra__ Of the cloisters Af'u,n’_-ral stones ‘ A‘ L A’ Afnc_1 tra-_di__tion on--.1y, tells us ere _re_pos’el the ’ po_--et’s bonésl Buﬁ a__roundltl1e Lvast ca_:_the_‘l_dra‘l,V _ y’sweet <e-_c os mul._ti.....pi , ‘Still Birds re--.peat /_ 1é,_._gend,V _fLl1e na1V1’1ebof' l‘Vo---geI.-.wéid’.” SELECT MADRIGALS, GLEES, SONGS, DUETS, &c. ARRANGED AND EDITED BY TE-{Ol‘v'.i.’AS OLEPI-IANT. Madrigals, &c., by R. L. Pearsall. Four-part Songs. 8. O peaceful be thy slumber . . . Mendeisgoim <2 Fair Lady Anne. . . . . . . Mendelssohn 2 Nymphs are sporting ‘ . . . , Pearsall . . Joyful at the close of day . . . . De Call . . The Urchiii’s_ Diince . . (also in Parts) Hatton ‘“‘[ saw lovely Phillis . . . . . . 4 voices .. ""Tho Hardy Norseman . . *Great God of love . . . . *0 who will o’er the downs (in F) . . *0 who will o'er the downs (in C, for male voices) "’*1‘alte heed ye shepherd swains . . . . °l"Who shall win my lady fair . . . ‘*When Allan-a-dale went a hunting . . It was upon a spring-tide day . . Spring returns . . o n l ‘ _ . . . 2 The Hunt is up i .. (lingo) Hatton __ 2 Summer Eve (in B or A) (ditto) . . Hatton .. 2 When the smiling May returneili (ditto) , , Weber , , 1 The mist is rising (Chorus from ‘ Euryanthe ’). . Vlileber . . 2 0 2 Q 2 -on to Volunteer Chorus, “ Up rouse ye ” .. Weber _ , Nymphs are sporting . . Now the Curfew Bell hath ceased (S.A.T. & B.) Kreutzer 9-(‘Why with toil thy life consuming . . ,, . . Welcome spear and shield . . . . Werner . . Separate parts, 3d. per page, are published to those marked * Rosy-maiilled spring , , _ _ Mﬁ_][er_ __ } A Selection of liiiadrigals in Score and Parts. “miiiw I Z :: Down in a Ilow’ry vale (in A& F) 4 voices C. Festa ) Stay one moment .' T. Oliphant In going to my lonely bed R. Edwards Come again, sweet love . . J. Dowland Lady, see on every side L. Marenzio Hard by a fountain . . H. Waelrent All ye who music love . . B. Donato Ah me l where is my true love? F. Anerio My mistress is as fair as ﬁne J. Bennet In the merry spring . T. Ravenscroft ‘ Out, alas! what should I say Anonymous To pitch our toils go we Anonymous When April deck’d . . L. Marenzio Under a willow lying . . O. Vecchi Fair May Queen . . L. Marenzio O sweetly sleep - . . M. Pierson T’other morning very early Tlllbzlut Strike it up, neighbour T. VVeelkcs How merrily we live ,, M, Este .i>'.J>oia>.isit>o~.a:a>ooi§ ts'>t\'>i—z~:>tx‘JzOl:>l\'>I~Dl\'>v-‘t-‘go ocmcoooococaasn Sing and drink, boys . . . , Lorenz When despairing Cupid . . Seyfried 2 o <3 o o o@o~,c.c..c:mc:coo?~ Haydifs Trios. Maiden fair (Liebches Miidchen), Comic Serenade Plioelie's only fault . . Love and folly , Youth, manhood, and age . . _ , The power of beauty . . Hymns for Four Voices by G. P. L. Da Palestrina. 0 be joyful . . . . 0 I will give thanks . . L. . O Miserere mei . . . 6 Why do the heathen . . 6 By the waters of Babylon In Thee, 0 Lord } 0 or c.cci:»!>ii>il>o.mc;1c;.,.i;t!>-ii\..i>.iJ>-.i:>ti;..s.>i> ,_,l\r),_is_ip_.»—'lO2ob—41_\3t—-—:—-v—-ZC;i—I—i—|u-- caoaraaaoomocvoacuocnacao. Separate parts, 3d. per page. Songs by J. L. Hatton. "What is life ? . . Wreck of the Hesperus (The) . . Simon the Cell-arer (new edition) . . Dream, baby, dream . . Blind Boy (The) . . Blue Bell and the Fly (The) Day and Night . Vogelweid the Minnesinger Herrick's Letanie . . Fair daffodils we weep to see . . Autumn reﬂections . . . . . Cloris, now thou’rt ﬂed away (Amintor’s Well-u—day) Garland (The) . . . . Goldsmith’s daughter (The) Hope . . . . . . Linden Tree (The) . . . . Maureen. . . . . . Meeting and parting . . . . My days have been so wondrous free Nun and the rose (The) . . Old Clock on the Stairs (The) . . Reaper and the ﬂowers (The) . . Sailor’s Rest (The) . . . . Seasons of life (The). . . . Streamlet gently ﬂowing . . The silver moon (Serenade) . . _’Tis midnight (To my taper) . . Twilight. . . . . _ . . Walter the Woodman . . Weep no more‘, thou sorry boy . , ”*Mysterious Serenade (The) *Chapel (The) . . *Window Curtain (The) *Mother and Daughter *Greenwood Concert (The) ‘*Dying Swan (The) . . *Gardener’s Song (The) *‘King’s Daughter (The) *Ptepose . . . . °*Youth by. the Brook (The) *Violet (The) . . ’«*King Sifrid . . *Robber (The) . . ‘rice (The) . . . *Shepherd’s Winter Song (The) . *Poet’s Grave (The) . . . . =.t<i_:/i[‘0lim3m Shcphrfxid Boy ' ' *The Fisherman . . . . . . L lg It Gurney ( )6) . ' ' ' - ' ' ""S "ltl ’ tl 'd Lacuna (l3-art-arole) 9* Those marked have German words also, and were originally ‘ ‘ll 3' " er )0 V“ 6 '0 ’ ' ' published under. the pseudonyine of‘CzAPEK. ‘VF Those marked have German words also. Songs, &c., by Mendelssohn. Fair Lady Anne .. . . ‘ . . Ditto Arranged for four voices . . *The first violet . . . . . ‘7“Fancy’s dream (The Journey) . . Garland (The) . . . *How can I sing (Duet) .. *I stood alone beside the mast (Duet) . , ‘l~*Mai«l of the Ganges (The) . . . . *‘Now each creature joys the other . . *0 peaceful be thy slumber . . .. Ditto ditto Arranged for four voices *Over the mountain . . . . . . . *Oiiward still old Tine is ﬂying . . — . . . ’X‘Pa_ige°s Song, The (Pagen Lied, or the Savoyaru"s Song) . . *Slii:iilier and diram (Cradle Song) , . *Suleika and I‘I‘«tl€‘I]] (Duet) . . . . *Those marked have German words also. no lOZOZO—'i—IlOl\'JI--ZCrlO2O>'-‘ZOF-'lOZO ©C©62r®©©®©OOO>®®O© In English Songs, 850., by various Composers. Auld Robin Gray (with Introductory Preface) Leeves. . Barbara Allen (Old Ballaol) . . . . . . Bid me to live (words from Herrick’s Hesperides Oliphant Harmonious Blacksmith ( lihe), for voices Handel. . Lord Gregory (Old Ballad) . . . . . . O weel may the keel row (Old Ballad with Chorus) . . Sandy and Jenny (Ballad) . . . . Sanderson When ye gang awn,Jamie (Hunting-tower), Copyright edition of T. Olipliant . . . . . . . Three (Duets for Treble Voices, by Weber. Tell me truly, gentle maiden . . . . . . 2 Leave me to mourn . . . . . . 2 Hail to Friendship . ,, . . . . . . 2 ‘Two Duets for Treble Voices, by 0. Keller. *‘Al‘i! could I teach a nightingale . . . . . . 2 *Lovely as the beam of morning . . . . 2 -o.an. Duets for Treble Voices, by Kucken. ’l’~‘ lilic S\vallow’s farewell . . . . *My hcart’s in the Highlands . . . . ”'FEIow mournfully murmurs . . . . it llhe Hunter . . . . . . .I.Il' lo'o°o"' .... . .o........ l°‘°i~91\'>t~9t~'>NR0t~'>N>towwzowmwwwtotozozosozotxatototxozozotobazozozozxzwi-wwwwwtozoww oooooomcraoooooaooooocoooooooooooooooooocaoooooocaom Simon the Cellarer Q,uadrilles, from Popular Melodies, composed by J. L.‘Hatton. Arranged by C. Coote . . . .' '13). I 4;‘ _
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Date: 1902
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'.‘.'.'::o '30 Z‘; - - g o’.‘~ - . win" 0 9.-.«v’..°,’.‘.';9 ‘.0.- I THE MINNESINGER "-:_.-...---913:“--"-s: .-:-. .. - '. . . . _ ‘_ ,~'--¢‘.i>a-u_. . ‘ ._< a ‘Div-.-as '-'.*-I.“'oo,¢,‘An‘ ‘I n\’. C '§'.'-n- '0 01¢’ ’. 0;! '4 .,‘:"n_'_“l_D",‘\. .a'i‘5QlIf_,_‘...'. 0:!-03:91..‘ ..a I at UNISON SONGS-—GRADE 1. (Very Easy). EDITED BY W. G. MCNAUGHT. NOVELLO’S SCHOOL SONGS. A SPECIALTY OF NovELLo’s SCHOOL SONGS is that they are issued in Books, each book containing songs of ‘about the same class and degree of difficulty. Most of the songs are obtainable separately. Specially selected numbers can be stitched in a cover to order on favourable terms. all the songs are graded, will be sent post-free on. application. Published in two forms. the B column the A Edition only is published :— The Classiﬁed School Catalogue, in which A, Voice Parts in Staﬁ’ and Tonic Sol-fa Notation, with Pizmoforie Accomjmniment, 8v0 size; B, Voice Parts only in Tonic Sol-fa Notation. Where no prices are given in BOOK 1. S_IX EASY SONGS . Getting up . The Lark . Lazy Sheep . The Snowdrop . . The Autumn Daisy ’ . A Riddle A. Moffat BOOK 2. SIX EASY SONGS . The Little Fish . . The Spring Nosegay . The Old Beggar Man . The Three Little Ants . The Child’s Evening Prayer . The Meadow .. .. A. Moffat BOOK 13. SIX SACRED SONGS . Ye Gentle Flowers . . 0 Jesus, who didst suffer . I love the Flowers so beautiful . God of Mercy, we beseech Thee . Jesus so Merciful V The Gladsome Spring is coming A. Moffat BOOK 14. SIX SACRED SONGS . 0 Children, live in Jesus Christ (Easter Hymn) . Gentle Jesus (Evening Hymn) . O Heavenly Father The Little Birds .. . Forward, Christian Children Carol, Christian Children BOOK 21. NINE UNISON SONGS FOR JUNIORS . Rippling Waters W. W. Pearson . The Snail . H. Elliot Button . The Butterﬂy Chase S. C. Cooke . Swinging . Over’ the Meadows The Wanderer’s Song . Ladybird . My Home . Evening Star Scott Gatty C. A. Miacirone T. Ii/Iurby BOOK 23. TWELVE SACRED SONGS . Listening Angels J. Stainer . Morning Hymn . Hour by Hour . The Beautiful . The Crown is waiting . The Cross of Life . . We will praise Thee . Sabbath Bells . The good Shepherd . The Haven of Glory . The Golden Shore . Evensong A. Moffat _ l-H—H—‘)—H—‘)4l-H-I-‘I-1 A ti. 6 I»-t hw- Woo role‘ l—‘|-—-*)—‘)—-‘V-‘l—‘F-‘F-U-‘l—‘l—‘|—‘ J-A \.\,./\.\,.z--V-—a\.5/_z~—-V..«\—-V./“.‘ B d BOO K 25. TEN UNISON SONGS . Summer Evening Cath. van Rennes . Little Brother ' . The Old Beggar . Little Things... . Cock-a-doodle-do . Patience .. . Summer Showers . A Song for Boys .. . The Sunshine of the . Cradle Song BOOK 58. , TEN UNISON SONGS FOR JUVENILES . The Conceited Fly . The Wasp at the Pic-nic '. Merrily glides our boat . Trip along . The Dew-drop . Fairy Joys_ . Stay, pretty Swallow . Well-a-day ‘ . Were I a Fairy . A Charm , BOOK 83. SONGS FOR THE LITTLE ONES. Twenty-five Songs... By W. W. Pearson BOOK 84. THE JUVENILE SONGSTER. Thirty—three Songs, in one, two, and three parts. Composed and arranged by Lowell Mason BOOK 101. UNISON SONGS FOR CHILDREN. From “The School Music Review” The Jolly Tester (No. 40) J. W. Elliott Jack and Jill (No. 44) ,, The old man clothed in leather (No. 45) ,, The Soft-shell Crab (No. 50). Actions ad. lib. J. W. Chadwick A Child’s Evensong (No. 63) J. Stainer I had a Little Doggy (N0. 68) J. W. Elliott The Coming of Spring (No. 69) Schumann The ’Logical Gardens (No. 70) G. F. Cobb The Child and the Star (No. 66) J. W. Elliott BOO K 147 . TEN UNISON SONGS. From “The School Music Review " Hush-a-bye (No. 81) C. Egerton Lowe The Song of the Grass (No. 82)... Pearson Winter Song (No. 93) . W. W. Pearson Swinging (No. 101) .. A. Medley Christmas Eve (No. 103) A. Moffat The Brook (No. 104) J. VV. Chadwick The First Brigade (Marching Song) (No. 106) P. E. Fletcher Heart A. Scott Gatty Thomas”Murby Arthur Richards A. sciitt Gatty Thomas Murby Seymour Smith Macdonald Bridge K. Boundy Twinkle, twinkle (No. 107) . Daddy Longlegs’ warning (No. 117) The little shadow (No. 122) .. 652. Diamonds‘ R. H. Macdonald 653. The Fairy Book ' ,, , 654. A wet sheet and a ﬂowing sea C. A. Macirone * Staff only. 3'-‘F—‘F-‘F-JI""i—‘V“)"‘)—‘P—‘ mo- °°:“‘“l> ® )—Ir-4gu>—H-—4r—u—4r-H-4!-‘ MP Np-let-M-* * P—‘ T B d. 3 LONDON: NOVELLO AND COMPANY. Lmmap. NOVELLO’S SCHOOL MUSIC... EDITED BY W. G. MCNAUGHT. COMPOSED EXPRESSLY FOR THE‘ WESTMORLAND FESTI"VA"L.. 1903’. VOGELWEID, THE MINNESINGER A POEM BY LONGFELLOWA SET TO MUSIC FOR CHILDREN’S VOICES‘ BY GEORGE RATHBONE. PRICE ONE SHILLING. Tonic Sol-fa Edition, price Sixpence. LONDON: NOVELLO AND COMPANY, LIMITED. NEW YORK: THE H. VV. GRAY CO., SOLE AGENTS FOR THE U.S.Am Copyright, 1902, by Novella and Company, Limited. The right of Public Regﬁresentation and Pe;y"ormcmce is reserved. \‘:=.‘ —‘ .. . _.... .. 4( .. . . ;.___ ~_..,.g—;~,,__”,F‘ 3*-‘~ I r_ I 5 . , , . 5‘: .1 h I ‘ V f TO ALL THE CHILDREN WHO SING THE SE STAVE S. G. R. VOGELWEID, THE MINNESINGER. Walther Von der Vogelweid, or Bird-Meadow, was one of the principal Minnesingers of the thirteenth century. He triumphed over Heinrich Von Ofterdingen in that poetic contest at Wartburg Castle, known in literary history as the War of Wartburg. That the War of Wartburg was in all probability mythical, matters not to us to—day. A great movement in the cultivation of song was initiated in its name, and the musical contests which have since become a feature of educational musical life in this country are a modern reproduction of the spirit of Walther and his songs. CONTENTS. . Introduction . Vogelweid, the Minnesinger . Thus the bard of love departed . Day by day, o’er tower and turret . There they sang their merry carols . Day by day, o’er tower and turret . Till at length the portly abbot . Then 1n vain o’er tower and turret 0. Time has long effaced the inscriptions . But around the vast cathedral WALTER VON DER VOGELWEID. VOGELWEID, the Minnesinger, When he left this world of ours, Laid his body in the cloister, Under Wiirtzburg’s minster towers. And he gave the monks his treasures, Gave them all with this behest: They should feed the birds at noontide Daily on his Place of rest; Saying, “ From these wandering minstrels I have learned the art of song; Let me now repay the lessons They have taught so well and long.” Thus the bard of love departed; And, fulﬁlling his desire, On his tomb the birds were feasted By the children of the choir. Day by day, o'er tower and turret, In foul weather and in fair, Day by day, in vaster numbers, Flocked the poets of the air. On the tree whose heavy branches Overshadowed all the place, On the pavement, on the tombstone, On the poet’s sculptured face. On the cross-bars of each window, On the lintel of each door, They renewed the War of Wartburg, Which the bard had fought before. There they sang their merry carols, Sang their lauds on every side: And the name their voices uttered Was the name of Vogelweid. Till at length the portly abbot Murmured, “Why this Waste of food? Be it changed to loaves henceforward For our fasting brotherhood.” Then in vain o’er tower and turret, From the walls and woodland nests, When the minster bells rang noontide, Gathered the unwelcome guests. Then in vain, with cries discordant, Glamorous round the Gothic spire, Screamed the feathered Minnesingers For the children of the choir. Time has long eﬂaced the inscriptions On the c1oister’s funeral, stones, And tradition only tells us Where repose the poet’s bones. * [Saintly face or rain-Worn letters None may tell which stone to kiss; Choose the fairest for the master, Let the sweetest words be his.] But around the vast cathedral, By sweet echoes multiplied, Still the birds repeat the legend, And the name of Vogelweid. ‘ A Stanza has been inserted here for the purposes of the musical structure. ‘VOGELWEID, THE MINNESINGER. No. 1. INTRODUCTION. G G RA. no . LONGFELLOW. EOR ,_E —__TH_NF > > > Maes&oso._,1_ 79oc0>accel. «:1: >. r- g‘f'_E£: as: poco accel. - > Copyright, 1902, by Novella and Company, Limited. 3337. Andante gmzioso. /_ poco rit. poco rit. G. Ra.thbone—Vage1weid. the Minnesinger. f a tempo. poco rit. -9- —o- G Rat-hbone—Voge1weid. the Minnesiuger. 4 “ VOGELWEID, THE MINNE SINGER. . 1‘ I ‘ Q - A 3'" 14 j .‘ J the Minnesing - er, When he -leftthisworld ef :— .d “r .m :d Is. l_2nd SOPRANO. 1 M ‘ ‘ 1; U‘ ' 0' 31 V0-gel-Weid,the Minnesing - er, Whenheleftthisworld of ours, In] S] :1|.S| .f] in, In. “S; .S[ :‘d .5] :fe1-fe|lS[ bod - y in the clois - ter, Un-der Wi'1rtzburg’s min - ster towers. 4 ' . Hf :r :d .t. r :d :d .d :d' Ir‘ :s ”‘“m '- _ > > > > Laidhis bod—y in the clois - ter, U11-der Wiirtzburg’s ' - towers. Hf. .s. :1. .f. :1. .se. 1:. :1. :1. .1. “Serra :m : Hmse. :- gave the monks his treasures, Gave them all with this {lr .1.:d :t. 1. :s. :m .m r .1. :d > -0- gave the monks his treasures, Gave them all with this be - hest : They should feed the birds atnoontide {ufg .f; 2!’). :1‘. ['9' :37; :d .t| 1| .1] 3S] 3S; IN. :— :S| .S| S1 .11 :t3.|.S| :1; .1334} \T' G. Ra.thbone--Vogelweid, the Minnesinger poco rit. On his place of rest; : s..1.:d :r d ::.:— poco rit. Dai - ly on his place of I HI‘ id :t|.].|lS| :—{:sl rest ; :f. poco 1-it. 0. tempo. these Wand’ring min-s—t:els I have learn’d the art of song ; Let me now re - pay the . :m.m m :—.1:m.r} :— .s :m .r d :s. :1,.t, d .r :m :d lm “F1'0n1 these \vzLnd’ring min - strels I have lear11’dthe art of song; Let; me n :— .s :m .r d :s, :1..t. d .r :m :d m :m.m} -9--a— -0- les - sons Tlleyhavetaughtsowelland long.” Say-ing, “From these_wand’ringmin-strels I have {Id :1. :d .r m .r :d :m s :s..s. m :—.s :m .r d :s. :1..t.} > > _’.. _'_ re - pay the les - sons They l1ave_t2u1gl1t'so Welland long.” Saying,“ From thesewand’ring Hm :— .1 :m .r [d :1. :d .r m .r :d :m s :—- :s..s. m ‘ :— .s :m .rl G. Ra.tbbone~—Voge1weld, the Minneainger. Let me now re— pay the les — sons They have :m .m . :f .m m :r :d .d > lea.m’d the art { Id .r :n Let me now re-pay the min - strels Ihave 1earn’d the art {Id :s. :1. .t. d .r :m . :1. .1. 1 : .s :f .m taught so well Vogelweid, the LBD {la .m :s “ds'..1.:a :— .d H ..'_ They have taught so Well Hm : :s. .s. d .m :s Vogelweid, the :1'I‘1;.S.31. .S| Min-ne-sing - er, When he left this world of ours, Laid his bod — y Hr .m :d Is. :1. .t.“d .r :m :r r : :r.m If :r Min-ne-sing - er, When he left thisworldof ours. Laid his bod-y in the {|f. .f. :m. In. “s. .s. :d .s. zfe. .fe. s. f. .s. :1. .f. :1. .se.} G 1\a.thbone—-—Voge1Weid, the Minnesimzer. towers. 4.BD. II‘‘'“ =- Un-der Wiirtz-burg’s min - ster D.4. :d .d Ht-s :d' Ir‘ :s > > > > clois - ter, {|r > towers. Wi‘Lrtz—bu1‘g’s min - ster |l"‘Se' Un-der :m If :f :1| .1] 5°|l‘1 hest : S I be - Gave them all with this zt. trea. - sures, :m .m r .1. :d {l1| :5] > be :3; Gavethem all with this :d .t. 1. .1. :s. trea - sures, { I re. :m. > And he gave the monks his :m .m [r .1. :d :t. _'_ And he gavethemonks his :s. .s. |f. .f. :m. :1‘. poco rit. They should feed the birds at noontide :5] .S| S1 .11 3133.] .S| :11 $34} \ J FD-.5‘ ""61s min.- G. Rathbone—Voge1weid. the Minnesin-ger. “ THUS THE BARD OF LOVE DEPARTED.” Largo. Quasi marche fumébre. f 0 2nd SOPRANOS. Thus. the bard of love de - part — ed; And, ful - ﬁl - ling his de ~ Lab is D. Doh is F. {I : I1. :— .t. Id :t. Ir :d 't. :1. :1..t. d :1. :m :— .d} K_—..""'—“__——————':—T - sire, On his tomb the birds were feast -ed By the chil- dren of the C t f.F {|1.r'.:— Id’ :~.t|1 :s In :r lf :m :1m.}nm :r If :r 1st SOPRANOS. Thus: the bard 1| :‘ .t[ \_T—._..._:.:/ Ped. G. Ra.thbon¢.~—Vogelweid the Minnesinger. They were : I :1- d .d } - __ F111 -ﬁl- ling his ' his tomb the birds were H .d :d .d It. ' :- .ta. ‘rd :s If ’ :n feast - ed By the chil - dren of the choir. Ha‘ :—,|t :1.1!s :m In :r ed By the chil - dren of the choir. :d.r|m :d II. :t. d .9- l G B.a.t.hbone—Voge}weid, the Minnesinger “DAY BY DAY, O’ER TOWER AND TURRET.” f""_'\ Maestoso. > > > o’er tower and In fo111 weather and in [d :m :d .d Ir .m :d .m } I I I 1 2nd SOPRANO.> Day‘ ' vast - er num-bers, f.D. ‘Id d :m ls .s :- .___...___..\ J 1 G. Ra.thbone-—Voge1Weid, the Minnesingex -'. _‘_ On the tree tops, :t'«n. .r-1. In :-n the tree whose Flock-ed the poets of the air. .d It. :'1. :d .d Ir .n :d .m s J4 A U. l‘ \ l\'ll ' ._ l‘ l ‘ l L U 0- -0- where the branch - es O-verslmdowed all the place, :d‘.t| It] .l3| :11 .t| I . - \ . l ’l I ‘ T‘ \ l 14*‘. — l ' 1 11$ v . vl I ﬁa- .1‘ .“ 1“ l\ r“ ﬂ. '1} ' .x (J | Q: : =- ‘Q1; - O - vershadowed all the place, :— .r Ir .1‘ :d .r In the tomb - stone, the po-et’s sculptured the pave - ment, :— .d' It :1 :d .r Ir .1‘ :d .r } on the tomb - stone, On the po-et’s sculptured On the pave - ment, id .t| It] .13; :1] .t| } :tIm.m |m' :m' :"“s..s. [S :s i\ —'_. -01- G. l{2Lthb0ne—V0gelWeid, the Minnesingeln On the cross-bars . . of each window, On the lintel of each Doh is A. :d .d Ir :m — :d .m ls.s :—— :d (1 Ir .m :d .m } ten. On the cross - bars . . of each window, On the :d.d|r :m l—:d.n s.s:— I :d.d} -.‘- 1 ' -J._ They re - newed . . the War of Wart; - burg, Which the l— :d .d 1 :— .s :f .,s 1 :f I :m .r ). 1in-te1 of each door, They re - newed . . the War of Wart - burg, Which the {Ir .m :d .m Is :(1 .d If :— .d :1. .,d f :1. I :1. .1. } .oL G. Ba.tahbone-Vogelweid, the Minnesinger. had fought be —— l— :d ls :— Is > > bard had be - {[5, :1, :— |.—.:— It. 2 > tr 4”‘ 2'41 mossc. _p. P - r- G R.athbone-—Voge1weid. the Minnesinger. 14 “THERE THEY SANG THEIR MERRY CAROLS.” M d tightly. o erato. mf> > Doh is E. There they sang . . their met-ry : |s .s :1 :— .1; :d' .t } smootl Z . 7"f> L g > > There they sang their H : - : : : lm :m In an M oderato. /\ sempre staccato. Sang their lauds on :n .s 1 :s car—o1s, Sang their lauds on In .r.:d .s. d :m /T /7 There they sang . . theirmer-ry car - ols, . . Sang theirlauds on {ls .s :1 l— .t :d' .t 1 :s l— :r .n |f :s There they sang their mer - ry car-01s,Sa,ngtheirlauds on {lf :f If :f lf :f If .1‘ :t. .d r :m /\ _ /K‘ _ /\ _ /\ _ /\ -0- G. Rathbone—Voge1weid, the Minnesinger. 15 ,._.—.._ ‘ |‘l : I K I I I " ' 1 3 ‘ s I .1 r 1 L . *“"7=j;—“*F . . . 1r. 1 uv V1] 1 L r V V ‘ There they sang . . their mer—ry car - ols, Sang their ls .s :1 |— .t :d' .1; [1 -:‘s :m .s } I . 7“ they sang their - car-01s,Sa.ng their in IN in IN .r :d .s.} /\ /'\ xx \__y _ Therethey sang . . then" mer-ry : : IS; .S; :1| I‘ .t[ .t| } ,——:—-———'——-————§ . . . /1 /3 ' ~5- tit; Sang theirlauds on :m .m ls zf Sang t»heir1a11ds on ev - :s, .s. t. :1, Is. /\ /\ 129. —x— G. Rabhbone-—Voge1weid, the Minnesinger a.1a la. la la la la la. 4.E. {I :('eI)l .s. :1..t. d .r :m .f ls : . I- -.'--O- Fa. la. la la la la la la I .s..:1..t, d .r :m .f ls :— j. /.. > —f2’i_ la. la la. la. la la 13. I .s. :1..t. Id .r :n .f |s la la la, fa la la 1:). la, |—~ :m.rlm : . I .r :m.£e fe :s I /. >/-'\ /--\ lala 121.13. 1a.1a.Ia. . . . . la . . . lalala, 3.G. {I :(”“')| .s.:1..t.ld.r :m.f|s :— —.r |— :f |— :m_£|P1 la. la la la la la la la. 13., :r I. .s. :1..1z. d .rim .f|s : /. > G Rathbono-Vogelweid. the Minnesinger. 17 k . l\ I -1 \? I I I - F I _ 1 C I I‘ fa. la la la la la la, la I .r :f.1|s :1 .s|1 :t Id‘ fa la la la la la. la la la la. la la la H : I .Se»t.:d .r m .f:s I1 :f m :f .m If :r m f'‘“:’\ /—"\ EH #- > > /"T _ /T smoothly. > > There they sang their met car-o1s,Sangtheir1auds fA “in. :n In :m m In .r :d .s. d lightly. L; {- There they sang . . their nrer-ry car Sang their lauds {Ids} .S. :11 I‘ at] ‘d .t| 1| : :91] .5] 1| . gjx ' _'_ ' o o c There they sang their - car-o1s,Sa,ng their f :f If :f If .r :t. .d } K_./ There they sang . . their mer-ry car - Sang their S] .SI :1] K‘ .1}; .t[ 1| - 21‘: J7‘); } Z'\ G. Bathbon<.»Voge1weid, the Minnesinger lands on they sang their {lr ~ :m In :m There they sang . . their mer- ry S| .51 :1] ‘ .t| Id .t| car- ols, Sangtheir lauds IN .1‘ Id .S| d _o.. . Sang the1r lauds znl .s. [1, sang their mer - ry car-oIs,Szmgtheir lauds IN’ :m' IN‘ :m' IN' .1" :d' .d' It 1 I x J 1. ‘ Y I T] 0 O y ‘I Sang their lauds H Ratahbone —Voge1weid, the Mi11nr3singer. Fa la la la. la la. la. 4.A. l(r°).s. :1. .t. d .r :m .f ls Fa la la la la. la la la I .s. :1. .t. d .r :m .f Is la la. la la la la la la la .r :m .fe fe G. 11a’chbone— Vogelweid, the Minnesingeri la la la la la la .t d'.r':m'.f'l§ la la. la, :m'.r'lW Zightlg/. > There they sang . . their mer-ry E 1: ll ”e'.s :1 l— .t :d'.t } smoothly. > > There they sang their H hm :m In zm /'\ /\ "' Ped. G Rathbone--Vogelweid. the Minnesinqer. Sang their lauds on :m .s 1 car-o1s,Sang their lauds In .r :d .s. ld /\ simili. Therethey sang . . their mer-ry car - 01s, Sangtheirlauds on Ms .s :1 l— .t :d' .t 1 :s :r .m f :s side; They sang their car-01s,Sang theirlauds {f :f If :f . If .r :t. .d r /"\ /T /\ There they sang . .their mer-ry car - ols, Sang their s .s :1 l— .t :d' .t 1 :s :m .s } side; They sang fheir car-o1s,Sa11gt11eir :m In :m [m .r :d .s. } /T /"\ _i_ G. RaA:hbone—Vogelweid. the Minnesinger And the name .their voi-ces :1 .1 r' :— l— .d':t 1 1 > And the name . their voi -ces :f .f Ife :— l— .fe zfe .fe } ut-tered Was the name of {d'.s:— I :m.f s '— I1 u weid. :— d‘ :- ut-tered Was the name {|s.s:——l :d.r m \ A zitacca. G. Rathbone-—Voge1weid. the Minnesinszel ‘*3?-7 23 “DAY BY DAY. O’ER TOWER AND TURRET.” M aestoso. In foul weather and in :d .d Ir .m :d .m} Day by day, o'er tower and tur— ret, Doh is A. {Id :— .d [r : d :m is .s :— {|‘ > Maestoso. J?” num-burs, -0- -9- On the tree :*Im. .m. In Fl0ck’d the po-ets of the air. :d .d Ir .m :d .m s > > > -3. j- V _ V G. Rathbone--Vngelweid, the Minnesmgen. where the branch - es 0 - ver-shadowed all the place, 4.F. :ma‘]S|.S|IS :S :d .t| It] .t[ :1. .13] d y branch - es ~ ver-shadowed allthe place, :— .mlr zd :~ .r Ir .r :d .r m :- > the po-et’s scu1ptur’d the pave - ments, on the tomb On 4.A'p-. — .d' It :1 d'm . : :— .r Ir .r :d .r I, On the pave - ment, on the tomb - On the po-et’sscu1ptur’d zt-m.m In‘ :m' :"‘='=*s..s.ls : :d .t. It, .t. :1. .t. } Pedxro“ G. Ra.t.hbone— Vogelweid the Minnesinger On the cross — bars . . of each window, On the lin-tel of each Doh is A. ° dlr :m — :d.mls.s:—— l :d.d|r.m:d.m} ten. On the cross - bars. . of each window, :d.d|r :m |—- :d.mls.s:—,| :d.d} They re - newed . theWarof Wart-burg, Which the bard :— |—~— :d.d 1 :— |—.s zf .,s|1 :f I :m.r s :- > § lin-te1ofeachdoor,Theyre - newed . .theWarof Wart;-burg, Whichthe bard had HI‘ .I‘1 id .I‘1 IS :d .d :'—' I‘ .d :].| qdlf :1; I 211.1; S; 31' fought be - fore. {ls :—- Is :——|d :——| . . . be - fore. {|~:—|t. :—|d :—l : | : > J- .L> -0- -4- I G Bathbone—Vogelweid. the Minnesinger. 26 “ TILL AT LENGTH THE PORTLY ABBOT.” Adagio religioso. DokisC. {I = I = I Adagio 9'eZigz'oso. mf I -5- 0 -9- length the port- ly { |d :— .d Id —a— -0- -0- -0- ab-bot Mur-mured, zd |d.d: Id zdl toloaves hence - for- ward :— .d Ir :m s :s changed {Id A llegro agitato. -'_ V G. Ra.thbone'-—Voge1Weid, the Minnesinger Ped. 2nd Somulvos. -6-‘ of food? Be it .z— |—— :d.d} “Why this Waste Id zd [ma :— I—- ma Id :3‘ ”d‘ For our fast-ing brotherhood.” :s .s la zla |la.,t.:t. 27 “ THEN IN VAIN O’ER TOWER AND TURRET.” I ﬁ.:>confuoco>. > > > > > > Then in vain 0’er tower and tin - ret, From the walls and |1 =- .1 It :d' |r' :t ld'.t :1 ,:1.1lt :11" confuoco. Wood - land { Ir‘ zt When the min - ster bells rang noon-tide, Gathered the |m].| :‘ .1| It; II‘ It. |d—."t_L:1] :1|.1| ltg .J_ _ ‘_ :4- - : 1 - = 1*: I c 11 . , 1 . P*W I1 L’ 1 . ﬂ 1?! F L Then in vain, with cries dis—c01'd—ant, Clam-’rousr0undthe Goth- ic spire. :(‘):d' :—.d'lt :ta '1 :121 Is 2s Id‘ :-.d'|t :ta ‘1 zla ls 1 m' I ﬁgg; L1 1. 1 r. 1*. no . 111 I1 1 {I \1\1 I 1 1 7?L 1 ﬂ g D 1‘L‘I 4 T 1 1 1 A G I _,_. _,_ J ' 0 '\OJ_ _,_4_ 0 V 0 we1— come guests. Then in vein, with cries dis — cordant, C1an1’1'ous roundthe G0th- 10 {Ir :1;. Ids :——‘d :—.dlr :m :r [13:11 | :d.d|r :m G. Rathbone-—Voge1Weid. the Minnesinger _/‘ff: _mol£o rull. _ H. ‘ ' E-P—-}—J: ’/"r t - - 1 ' ' ' =7 1. E ' 4- Scream’d the feather’d Min - ne - singers For the children of the Ehoir, Scream’d the feather’d '0 G.. -C- {|’“'1 :-.1|se :s lfe zf |m.m:—— '1 :~.1:se :s lfe :f |"‘t :— If‘ :—.f'|m' :1 } fff> molto rall. 1‘; ~-., A . - 4 {=- L, e . I‘; . I . , I 1 1;. =.‘_= - ;f 10 If 1 ‘ ! Scream’d thefeather’d Min-ne - singers Forthe children of the choir, Screa1n’dthefeather’d -{lm1|:‘.].||t-1 :d '1‘ :tl IM|:1[ I :1|.].|!t| Ir :1}; ‘as :‘ ll" 2-.1"ld' :d' 1. ‘lam Qg'Q_ _,__—l:‘:I: :1- I- -5- Meno mosso. sostenu/to. -\,——/_:: Min - ne- sing-ers Forthe chil - dren of the choir. Hr‘ :r' Ir‘ :d' I : I :1.t d‘ :—|1 :—|1 : Ise :——II :—|— Jlleno mosso. sostenuto. __i_: ___e— - ne- sing -ers Forthe chil - :1 lse :1 | ° :f.f|m :—|m :—lm : M eno mosso. P sostennto. G. Ra.thbone—Voge1we.id, the Minnesmger. “TIME HAS LONG EFFAGED THE INSCRIPTIONS." Andante religioso e sostenuta. 1, - I K 2'“-——-a I l I’ I Time Doh is F. ' P1 . I l. I ll- 1 Time I : d Andcmte mligioso e sostenuto. 1 1“\ | 2 :— .d Id .d :d .d,d|r . . . - . 1 N 1\ I\ﬁ\ Y , . . ‘ 1 I 1 v e g 44:. I‘ R Fhittrf ‘ i L has long effaced the in_— scrip - tions :— .n In .n :m .n,mlm IN has long effaced the in- scrip - tions stones, (1 ten. neral tn fu Id stones, |d W31‘ Where re - pose :r .d 1;. us - et’s Where re - pose it. .1; S] p0 IS; .:fe| .S| G. Ru.Lhbone—Voge1weid, the Minnesinget. C And ‘era - di —tion on — 1y (1 .d Id .d :d .d — And bra - (11 —tion on - ly 1: -11 I1: -1: 31: -1| * (Saint ly face or rain-worn let - ters None may tell which {Ir L:— .r Ir .r :r .r f :f :f .f |d :d :j_— * (Saint - Iy face or rain-Worn let - ters None may tell which “ta. :" .ta4 ltaa .taq :ta| .ta. |l| :1] 11' .1] 134 3121. o 0 Choose the fair-est for the mas - ter, Let the :1. .1. It. .13. :d .d s :f :f .f } Z.i- Choose the fair-est for the mas - ter, Let the :11 .11 I134 .1a.|:S| .S| 1] 31' 3d .d I. PP—-e Time has long ef-faced thein - m :— .m In .m :m .m,m} Time has long ef-faced the in - d :— .dld -d :d .d,d} * A Stanza has been inserted here for the purposes of the musical structure. vi}. Rathbonc——Voge1Weid, the Minnesmger. - scrip - tions On the clois - ter’s neral stones, {In :m :m .n s :f :r Id 2:" . - scrip - tions On the clois ~ neral stones, {lr :r :d .d n :t. ld :—— =-} -in pppr'————':-'---‘é h I —C---O- And tra - di-tion on - ly tells Where re -pose :d .d Id .d :d .d m :r .d |t. _ -0- And tra - di-tion on -ly tells Where re-pose :1. .1. I1. .1. :1. .1. d :t. .1. s. ly face or rain-Worn let - ters .r Ir .r 21‘ .r f :f —— ly face or rain-Worn let - ters .‘ .1334 “$34 .1734] 31334 .ta. 1' 5].; n>a G. Rathbone-— V< gelweid, the Minnesinger. None may :f.f} None may :1. .1. } which Choose the fair --est for the :d :].| .11 It; .1}; 1d .d } . -'_ Choose the fair -est for the :1; .1. I134 .1a1:S| .SI 1. Let the sweet - est words be his.) :f .f m :f Ir :— .d ld ten. Let the ‘sweet - . W()\I‘(F':". be his.) :d .d d : Id .d |d :— — :-—— } PW’ -;“‘‘j——“ _g_ {| ‘ Pia mosso. f> Gr. Ra.thbone-~V0ge1weid, the Miunesinger. 38 No. 10. “BUT AROUND THE VAST CATHEDRAL.” M oderato. N obilmente. Doh is A But a- round thevast ca . I ' I :s..s.|d :—.dlr zn } {lzl :. :| M oderato. V A 29060 rit. (Bell.)j ff Bysweet ech-oes m11l - ' Still the :s..s. d .d :— Ir :m .n } the vast ca. - the - dx'a.1-, By sweetech-oes ~- .n Ir :d s. :s. :s. .s. In .n :- re-peat the le - gend, Andthe name of V0 - In :—.mlr :d n :m :d.d|m :r lm Stillthe birds re-peat The name of V0 - gel - weid. {|d : :1..1.d. :—.d|t. :1. ld :d Id :d t. :— T. .'_ G. Rethbone—Voge1weid, the Minnesinger. the monks his trea - sures, Gave them all with this :— .f' In‘ :r' r' :d' :d' .n' s‘ :— .s' If‘ allargando. gave the monks his trea - sures, Gave them all With this .— .1 Is :f If :m :m .s ta :— .ta|1 pia mosso. kolto mt‘ Theyshould feed the birds at noon - tide EI:)ai - ly on his place of .4. {ll :— l—— :1 .1 r' :— .r'ld' :t r' :d' Its zfe “s .1 :d' :r H .. molto 'r't. " pm mosso. _i:__"— hest : They should feed the birds at noon - tide Dai - on his place of {If :— l—- :f.ff :‘—-.f In :se t :1 Isem ”m.m:n :f pm mosso. So a-round the vast ca - the - dral, Bysweet echoes mul - ti - :s..s.]d :— .d Ir :n s :s :s..s.|d .d:— Ir :m } A A A ‘ So st - round the vast cs. - the - dral, By sweet- : :s..s.m :—.m Ir :d Is. :s. :s..s._} grandiose. ‘L V G. Rathbone—Vogelwei%‘, the Minnesinger re -peat the le - gend, And the :f .,sl :f :n .r } Stillthe birds {Is 2d .d ll I- .s And the Still the birds re-peat the le - gend, 31' .11 } 1d ogdlf .d :1] .,d f :].| ech-oes Hm .m :- the name of V0 :1. Id :d molto 2-it. sf a tempo. > > > > _g_ G. R:\thboue—Voge1weid, the Minnesingez‘. THE END. ‘UNISON SONGS—GrRADE 111. (Suitable for Higher Divisions). NO)/ELLO’S SCHOOL SONGS. IHHTED BY uA<1 MCNAUGHT. A SPECIALTY or NovELLo’s SCHOOL SONGS is that they are issued in Books, each book containing songs of about the same class and degree of difﬁculty. Most of the songs are obtainable separately. Specially selected numbers can be stitched in a cover to order on favourable terms. all the songs are graded, will be sent post-free on application. Published in two forms. Accompaniment, 8110 size; The Classiﬁed School Catalogue, in which A, Voice Parts in Staﬁ" and Tonic Sol-fa Notation, with Pimzoforte B, Voice Parts only in Tonic Sol-fa Notation. Where no prices are given in the B column the A Edition only is published :— BOOK 32. SIX CLASSICAL SONGS . The Fisherman Schubert . May Song Mendelssohn . Forget me not .. W. S. Bennett . Rose softly blooming . Spohr . The first Violet .. Mendelssohn . Come, ever-smiling Liberty Handel BOOK 37. SIX CLASSICAL SONGS . May—dew W. S. Bennett . Verdant Meadows (Verdi P1/ati) Handel . 0 Sunny Beam .. Schumann . Slumber Song Mendelssohn . Say ye who borrow (Voi che szzpete) Mozart . Who is Sylvia? Schubert BOOK 57. SIX CLASSICAL SONGS . Hear Thou my weeping (Laschia ch’io pirmga) Handel . My Mother Bids me bind my Hair Haydn . To Chloe in sickness W. Sterndale Bennett . Come, happy Spring (Caro mio ben) Giordani Mendelssohn Haydn . Autumn Song . The Mermaid’s Song BooK7L SIX CLASSICAL SONGS FOR LOW VOICES . The Wandering Miller . Crusaders ., . Welcome to Spring Mendelssohn . Sun of the Sleepless ,, . Evening Song . Contentment... BOOK 72. FIVE UNISON SONGS FOR JUNIORS Words, from “A Child’s Garden of Verses,” by R. L. Stevenson. The Music by Schubert 11 Mozart R. Houston Macdonald . 381.‘ The Moon 382. Where go the Boats... 383. My bed is a Boat .’ 384. Pirate Story 385. The Lamplighter BooK1oa S UNISON SONGS FOR CHILDREN From “The School Music Review” Children at Play (No. 35) Mozart Land to the Leeward (No.40) C. H. H. Parry A Beautiful Scheme of Taxation (No. 44) A. Somervell B. Foster A. R. Gaul H. Smart Eaton Faning A. Randegger The Star’S Watch (No. 52) Song of the Brook (No. 53) A Song of Peace (N0. 73) Boat Song (No. 54) At Night (No. 62) ﬁn Nlv-‘ D-4 “°..-’T—“-"”“*‘w:~ °° -‘F’ (Z) I-4 p—4 i—a >--I >—n »—A 63 »—4 +—4 »—I 1-4 »—I >-4 t»:l>—L¢{—-t¢1- lx’/i‘-ix’/l-L\’)lr‘ tol-‘ Ni-{sir BOO K 1 O9. NINE CLASSICAL SONGS From “The School Music Review” The Cottage (No. 29) Schumann Creation’s Hymn (No. 32) Beethoven Greeting (No. 32) . . Mendelssohn} A Song of May (N0 71) . Beethoven O for the Wings ofa Dove (No. 49) Mendelssohn Hark ! hark! the Lark (No. 34) Schubert Fairest Isle (No. 51) Purcell Hey, Baloo E (No. 54) . Schumann Alone (No. 73) .. Mendelssohn BOOK 110. SIX_ UNISON SONGS . Daisy Nurses... .. W. Hately . The old brown House ,, . Up and Down . Woodland Melodies . Cradle Song . Why do Summer Roses fade BOOK 119. SIX UNISON SONGS . Soft star of the West . Sweet day so cool . For Hearth and Home . Rock-a-bye . .. . . A Rose Song . There were four Lilies A. Medley G. Barker Pinsuti Brinley Richards C. Pinsuti C. H. H. Parry Horatio Parker Battison Haynes BOOK 125. SIX CLASSICAL SONGS . Whither .. Schubert . Come, gladsome Spring Handel ’ . The Lotus Flower R. Schumann . Thou’rt like unto a Flower . Ave Maria . Know’st thou the land BOOK 140. SIX CLASSICAL SONGS FOR LOW MEDIUM VOICES . The Two Grenadiers R. Schumann . 0 Star of Eve (T annhauser) Wagner . The Free Mind .. R. Schumann . Litany Schubert . On wings of Song Mendelssohn . The Garland (By Celia's Arbour) ,, BOOK 141. SIX CLASSICAL SONGS . Trust in Spring Schubert 739. Thou art Repose .. 740. Where’er you Walk 741. Fishers’ Song 742. I love thee 743. Gentle Zephyr BOOK 81. PUBLIC SCHOOL (BOYS’) SONGS. 450. Playyhard for the School F. C. Woods 451. A Football Song Summer Suns 453. Football Song 454. A Fives»Song 455. Hammock Song * Staff only. Schubert Beethoven Handel Schubert Beethoven Sterndale Bennett C. A. Engelhardt B. G. T horne F. C. Woods B. G. Thorne A d. .91 LONDON: NOVELLO AND COMPANY, LIMITED. I—' F—‘ >-‘ NJ N) N3 w t»:l:—Lel—Lol«- . B d. ‘-v.-4 NOVELLO’S SCHOOL SONGS. EDITED BY W. G. MCNAUGHT. A SPECIALTY or NovELLo’s SCHOOL SONGS is that they are issued in Books, each book containing songs of about the same class and degree of difficulty. Most of the songs are obtainable separately. Specially selected numbers can be stitched in a cover to order on favourable terms. all the songs are graded, will be sent post—free on application. Published in two forms. Accompaniment, 8210 size ; the B column the A Edition only is published :— The Classiﬁed School Catalogue, in which A. Voice Parts in Staﬂ and Tonic Sol-fa Notation, with Pianoforte B_ Voice Parts only in Tonic Sol-fa Notation. Where no price: are given in BOOK 16. SIX UNACCOMPANIED TRIOS . Sounds of evening Franz Abt . A Winter Song Ferris Tozer . Stars H. Elliot Button . A Canadian Boat Song A. H. Ashworth . The Fairy Barque A. Moffat To Blossoms . G. A. Macfarren BOOK 17. FIVE UNACCOMPANIED TRIOS . G0, Child, in Life’s fair morning W. Roston Bourke . Come sleep, 0 sleep . Ah! surely Melody . The Violet . ... . Be good, my Child BOOK 27. EIGHT UNACCOMPANIED TRIOS From Vol. I. of “The School Music Review” The Delight of Spring (No. I) Abt The Postillion Evening ) (No.2) L. Mason Sabbath Stillness F. Abt St. George for England i (NO' 4) iMacfarren John Gilpin (No. 5) Macfarren A Marching Song (No. 10) Abt The little Valley (No. 9) From the German BOOK 35. SIX UNACCOMPANIED TRIOS . Violets .. H. Elliot Button -. Summer Longings H. A. Donald . Let us to the Woods away Henry Knight . Wake up, my merry Masters all A. Moffat . The Gnomes . Hunting Song WVV. H. Stuart BOOK 59. TEN UNACCOMPANIED TRIOS . To Daffodils H. Elliot Button . The Singers ,, . The Waking Sun Alfred Moffat . Now pray we for our country E. Flower . L’Angelus (Evening Praise) R. L. Ruelens . 0 World, how fair thou dost seem F. Abt . A Song of Evening A. H. Ashworth . In the twilight Abt . The Blossoms Percy Jackman . Laughing Song ,, BOOK 60. SIX ACCOMPANIED TRIOS . Sweet October Seymour Smith . Happy Times ,, . When do Flow’rets Abt . Oh! the ﬂowery month of June Jackson . A Cradle Song Gilbert A. Alcock . Sunset... Franz Abt God be our Guide (s.s.A.) . Evening Peace (S.S.A.) . Blessed are the pure (S.S.A. Morning Hymn (S.S.A.A.) . Vital Spark of heavenly (s.s.A.) Harwood * Staff only. Franz Abt >—- l—| >—4 )—I I-4 )—t [Cl-£\'.I'-L\‘.Iv-‘ tel-4 C: 51' b Iv—H—u—I[0*\4+—-I-u—t{\'>n—-A m L.:|- rel-‘ NP‘ ‘ Ni’-‘l\’—l'-‘ BOOK 84. THE JUVENILE SONGSTER Thirty-Three Songs, in one, two, and three parts (Unaccompanied). Composed and arranged by Lowell Mason BOOK 64. POPULAR GLEES AND PART-SONGS (UNACCOMPANIED) 320. Blow, blow, thou Winter Wind Stevens 321. Soldiers, brave and gallant be (s.s.c.c.) Gastoldi 322. O hush thee, my Babie (arranged for S.S.A. by J. Stainer) Arthur Sullivan 323. The Angel of the Rain R. Rogers 324. Ye Spotted Snakes R. J. S. Stevens 325. All among the Barley E. Stirling 326. Jack Frost (arranged by Leslie) Hatton ACCOMPANIED TRIOS. 341. Our Heroes (March, S.S.A.) H. Clarke 460. The Death of Nelson. Solo, with ad lib. three-part chorus J. Braham 463. Glory and Love (Soldiers’ Chorus from “ Faust ”) (original words) Gounod 246. Ye shall dwell in the land (Harvest . Anthem). Arranged for s.s.c. J. Stainer 419. Within Thy sacred fane. Solo and Three- part Chorus ...]osiah Booth 420. Two Hymn tunes J. Stainer 421. Two Hymns for Children: “ Children, send a song of praise” (C. H. Lloyd) and ‘ Happy children we have been’ Sullivan 422. In the sight of the unwise F. A.G.Ouseley BOOK 99. SIX UNACCOMPANIED TRIOS 566. Now the Golden Morn J. Stainer 567. The Song of the Lark H. Hiles 568. Why do ye weep (To Primroses) ,, 569. The undertone of the Bells Roland Rogers 570. A Dance Song Abt 571. A Shepherd's Lullaby T. D. Edwards BOO K 1 O7. NINE UNACCOMPANIED TRIOS. From the “School Music Review” Sweet day, so cool (No. 25) G. A. Macfarren The Hunter’s farewell (No. 28) Mendelssohn God save the King (No. 32)‘ The Songs our Fathers loved (No. 36) Which is the properest day (No. 38) Dr. Arne Sweet and Low (No. 46) J. Barnby Erin, the Tear and the Smile (No. 39) The Lark’s Song (Four-part) (No. 51) Mendelssohn The Rhine Raft Song(No. 48) C. Pinsuti BOOK 108. EIGHT UNACCOMPANIED TRIOS. From “The School Music Review” Evening (No. 71) Abt 0 who will o’er the Downs (No. 52) Pearsall How merrily we live (No. 57) Este Patter, patter (April Showers) (No. 59) Hatton Vesper Hymn (No. 77) Beethoven In April time (No. 70) C. Pinsuti Annie of Tharaw (No. 76) Hail to the Chief (No. 72) * Staff only. R..”Bishop A d. B -1. oh v-4r'-u—u-—Ar—- 0-: 9-: >9!-‘ LONDON: NOVELLO AND COMPANY, LIMITED."
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Date: 1882
Text: I e ‘a ﬁillgzge glaaksmitg» “W R i H _]‘~|‘!’ Ax W ‘ «M ‘ I x} I; 3 A I / ‘H Ii ’ w . 5 ‘ ) Tilt VILLAGE BLACKSMITH, “ Under a spreading chestnut tree The village Smithy stands. The smith, a mighty man is he. With large and sinewy lxanilsz And the muscles of his brawny arms Are strong as iron hanzls. "-——-Lo-n,gfellow. In the northern oountygof Y()1‘kShi1‘e. England, dwelt the Grardner fa1nily—my fatlier, Obid Grard- ner, being the head of the family. He was a- blaoksmith, and Worked...
Show moreI e ‘a ﬁillgzge glaaksmitg» “W R i H _]‘~|‘!’ Ax W ‘ «M ‘ I x} I; 3 A I / ‘H Ii ’ w . 5 ‘ ) Tilt VILLAGE BLACKSMITH, “ Under a spreading chestnut tree The village Smithy stands. The smith, a mighty man is he. With large and sinewy lxanilsz And the muscles of his brawny arms Are strong as iron hanzls. "-——-Lo-n,gfellow. In the northern oountygof Y()1‘kShi1‘e. England, dwelt the Grardner fa1nily—my fatlier, Obid Grard- ner, being the head of the family. He was a- blaoksmith, and Worked from morning till night in the little shop at the corner of the road. “ .i-‘hid the children coming homefrom school Look in at the open door: They love to see the flaming forge‘ ’ And hear the bellows roar, And catch the burning sparks that ﬂy I J]. ke chaff from a thrashing-ﬂoor. It was here, in this little shop. that our neigh- bors had their horses shod. and here where the country farmers had their broken wagons mended. Father Gardner, as he was familiarly called” in
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Date: n.d.
Text: am // ‘g /,// J \ / ‘\ .// V T v_ T T \ 1i;€j;é&; by J; % W 1“ . jé’, <Z)J\V'(67'4/2'*77j',4"(,_£a///,”) L’/V183’ AS 07)Z\V(§2'..SS' in M12 AW/(I/A$S'»)’//"",.4I/4 /Z’? (0 7//@ 517 /[:7 71 Y, WW COMPOSERS JULES NORMANN EJ.WESTROP WEBER JULES NORMANN 6978<8, EXCELSIOR 7:588:19, PSALM OF LIFE 75()&5!, FOOTSTEPS OF ANGELS 7958<8, THE SLAVE'S DREAM 94-8&9, THE VILLAGE BLACKSMITH CARL REINHARDT 9558<6, GOOD NIGHT!...
Show moream // ‘g /,// J \ / ‘\ .// V T v_ T T \ 1i;€j;é&; by J; % W 1“ . jé’, <Z)J\V'(67'4/2'*77j',4"(,_£a///,”) L’/V183’ AS 07)Z\V(§2'..SS' in M12 AW/(I/A$S'»)’//"",.4I/4 /Z’? (0 7//@ 517 /[:7 71 Y, WW COMPOSERS JULES NORMANN EJ.WESTROP WEBER JULES NORMANN 6978<8, EXCELSIOR 7:588:19, PSALM OF LIFE 75()&5!, FOOTSTEPS OF ANGELS 7958<8, THE SLAVE'S DREAM 94-8&9, THE VILLAGE BLACKSMITH CARL REINHARDT 9558<6, GOOD NIGHT! BELOVED \ D° 964&5. THE GREENTREES WHISPERED LOW8<M|LD D° WW 859&60, THEOLD CLOCK ON THE STA|RS 895&6, THE REAPER AND THE FLOWERS 904&5, STARS OF THE SUMMER NIGHT 950&5l,BEWARE’. BEWARE! 3528<3, THE RAINY DAY 96680, THE DAY IS DONE COMPO5[ﬂ& R.sT6PEL CARL REENHARDT FRANZ KULLAK DD CARL REINHARDT DO LL L0) N [D '0 EN: MUSICAL BOUQUET OFF!CE,I92,H|GH HOLBORN; :9. J.ALLEN, 20,WARWICK LANE.PAT‘ERNOSTER R‘O_W. 7 Mlluuc uinnnv vnssm coLu:(-.5 THE VILLAGE BLACKSMITH. Poetry by H .W. LONGFELLOW. Composed by CARL REIN]§{ARDT.. ‘ A A A " .MODER.4TO. I Un _der a spreading ches-nut trees The vil _..lagi,e Smithy The smith a niigh t_y ~m-an is he,VVith_ ilargeiand si-newy hands; And the muscles of his brawny arms Are strong as 1 _iron _ba_pds. '.H_i‘s hair is crisp, and black, and long, His face is like the tan; His brow is ‘wet with o Chairllrﬁ Mackapﬁ SW35 IN ma Muﬁiral Bnuqmt; JOHN BROwN,0.R vva A GUINEA 1 CAN SPEND,jV‘f‘d’£a’z§’c6,» ENGLAND, DEAR ENGLA'ND,J44é‘é’c7,< HAwIHpg-in AND THE. |vv,_/¢¢a>&y,- DR.EAMlNG, mu DREAM\NG‘.]4Jﬂ&.5j,- HAL AND ms r.ax.aNos,14i2&-.3,.1Ha may nAm=,},!5«¢A2~.;
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Date: n.d.
Text: Iwstc LLLL ARV VASSAR COLLEGE "°'»'GHKEEPsvE. Nu-.' ‘max NEW EDITION OF ,mE11v1MoRTAL SONG TH E Erica ‘ F V Eomdon,4 ﬂ C. SHEARD & C9, l92,H:GH HoLBoRN,W.C. The Village Blacksmith. Pozrnv av LONCFELLOW. MUSIC av W. H.WEIS$. Allegro Moderato. f 71¢‘ Un - der a spreading chest - nut tree The vil — lage smithy stands; T579 mf j \ smith a migh—ty man is he,With ‘large and sin — ewy hands; _/ muscles of his braw ~= ny arms are strong as i - ron bands. .nf hair is crisp, and...
Show moreIwstc LLLL ARV VASSAR COLLEGE "°'»'GHKEEPsvE. Nu-.' ‘max NEW EDITION OF ,mE11v1MoRTAL SONG TH E Erica ‘ F V Eomdon,4 ﬂ C. SHEARD & C9, l92,H:GH HoLBoRN,W.C. The Village Blacksmith. Pozrnv av LONCFELLOW. MUSIC av W. H.WEIS$. Allegro Moderato. f 71¢‘ Un - der a spreading chest - nut tree The vil — lage smithy stands; T579 mf j \ smith a migh—ty man is he,With ‘large and sin — ewy hands; _/ muscles of his braw ~= ny arms are strong as i - ron bands. .nf hair is crisp, and black and long, His face“ is like the tan; Kt V f{“\ brow is Wet with V ho — nest sweat, He earns what—e’er he looks the whole World in the face For he owes not a-ny The Village ' Blacksmith. in, week out, from mom till night, You can hear his bellows blow; You can > nf hear him swing hea — vy sledge; With sex - ton ring-ing the vil -. lags bell Whenthe sun is low. teizzgo. > chil— dren coming home from schoolv Look in at the o - pen door; They The Village Blacksmith . love to see the flam- ing forge And hear the bel-lows roar And catch the burning v_zf>>> "*-'_..=--—~ spa1:ks that fl Like chaff from a threshing floor. He gvoeé on Sunday to the Church and sits among his He hears the par—son pray and p1'eaChHe A hears his daughter’s voice ‘F The Village Blacksmith. Sing-Aing in the vi1—1age _,_ohoir,-..And_it makes his heart re - joice: “xx 10 sounds# to him like her mother’s voice Sing - ing in Pa - ra- dise!.,__ (needs- must think of her once more How in the grave she 1ies:_e_ with his- hard, rough hand he wipes VA tear out of his eyes. _/ / P roolla 2:04-e. The Village Blacksmith. f a lempo. Toil — ing, re -joic-ing,- sor- row-ing, On -Ward throughljfe he morn — ing sees some task be-gun, each eve—ning sees close; Something at - te3mpt—~ed, some-thing done, Has earned. a nighfsﬂ re - pose. The Village Blacksmith .
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Date: 1893
Text: MUSIC LIBFIAEY _ VASSAR COLLEGE '°“C'""9""“"-"I. ."'!TW vonx F2 1 ‘L ? . “\ /F J emc Redda||,BrookIyn,N.Y. Smuncnnmm:InnmunIunjnnnmltnnmH.H(® \« ﬂacksmliﬂm _\ /J F 2;“ HWLONGFELLOW ZBari’rone orfﬁass Solo —--—+€PsBY@.—~—— W7 BU@K 79». 65 C5. ARTHUR R. SCHMIDT. Bosfon. Lenpgug. NewYor‘r<. féiﬁnu/57m5r. ]i5]7If'7;/7A1/gzm/5. “ 7 v-L-E7|Il|\E1IlllIllE1II|||lllEJ|IIHHDIHI'4 l ‘ 7:1IHDlnnur:nm!:I::mH|uI:1un HIIDIIIIIIlEIl||lIHCIllHlI|E...
Show moreMUSIC LIBFIAEY _ VASSAR COLLEGE '°“C'""9""“"-"I. ."'!TW vonx F2 1 ‘L ? . “\ /F J emc Redda||,BrookIyn,N.Y. Smuncnnmm:InnmunIunjnnnmltnnmH.H(® \« ﬂacksmliﬂm _\ /J F 2;“ HWLONGFELLOW ZBari’rone orfﬁass Solo —--—+€PsBY@.—~—— W7 BU@K 79». 65 C5. ARTHUR R. SCHMIDT. Bosfon. Lenpgug. NewYor‘r<. féiﬁnu/57m5r. ]i5]7If'7;/7A1/gzm/5. “ 7 v-L-E7|Il|\E1IlllIllE1II|||lllEJ|IIHHDIHI'4 l ‘ 7:1IHDlnnur:nm!:I::mH|uI:1un HIIDIIIIIIlEIl||lIHCIllHlI|E}lll|K To Mr. F’r6der2'o Reddall, Brooklyn N. Y. THE VILLAGE BLACKSMITH. P b M N M b ' H.W. L0(1)\?é‘rnFE}}rLLOW. DUDLEY} B%ICK. With spirit and vigor. _._-_/-\ ___-_ mf >~ Un—der aspreading chestnut tree The village Smithy stands. > The smith- a mighty /T man is he. large and sin - ew—y hands: And the muscles of his brawny arms _ > f >>> strong; as i-ron bands. His hair is crisp, and black, and long, His > 7. 7 CTESO . A.P.‘S. 3185-7 A Copyright 4893,by. Arthur P.Schmidt. His brow poco ritard. looksthewhole worldinthe face, For he owes not any 601.711 00 Week .in,week out, from morn till nig‘ht,You can hear > poéo m'arca'to. ' rail. s}. hear him swing his heav_y sledge,With measured beat and slow; /‘all . dimefn. - A.P.S. 3185-7 is wet, with honest sweat, He earns what e’er ‘ he can. his bellows blow, You can ssempre can 9%. tranqemlo. sex - ton ringuingthe vi1—lage bell, When the eve - ning poco marcato. Tenderlg/. Q K3 And the childremcominghome from school, L001; in at the open K", 101’ asaf 52»? .h @a]9 Resume tize quicker time. # They love to see the flam — ing f0rge,And hear the bellows # > > 7'6 0 I71”? .5-em re uoco. f ‘ \\ , . . _ 5:? And catchthe burning sparks which fly Like chaff 8 A.P.S. 3185-7 _ (The same Tempo, not too slaw];/.) th1“3Sh‘m8' ﬂ001'- --—-— (T/as (Jleoral Melody well accented, but not tooloudly.) /3 — —— '_ Pry agn- wit/tout’ Pad. W» (Instm-t time.) He goes on Sun-day to the chuI',c[h,_?And sits among his boys: if pm. 9* wit/aout Ped. He hears the par — son pray preach, He hears his daugh-ter’s voice #_ Singing inthe village choir, And it makes his heart re — joice. ' _ "E"L"E."'=T A.P.S. 3185-J7 It_ sounds to him like her mother’s voice- La) Slower,.a.nd.9oftl3/. , /ﬁx , mo Singing in Par — a-dise! in ‘L ’\ X . ﬁx Pia? Modt.0 M pp calla voce. needs must think of her once more, grave she Tempo [730 I’ And with his hard,rough hand hewipesA tear > # A.P.S. 3185-'7 eyes. (/lolmtra. Onward thr u’ life he /3 /\ sor '- row-ing, Each eve-ning; sees it close: earned a night’s re - pose. A.P.$. 3185-7 Toil — ing, re—joi — cing, g'O€’/S; Something attempt ed, some Jzhing done, Has morning sees some task he- f Thanks,thankstothee,e my wor - thyfriend,For the lesson thou hast taught, 8 J. ‘ crew. >Br0adZ,?/> Thu-s on the f1a—ming forge of life Our f0r.tunes must be Wrought: Thus on the sounding > mil. calla voce. > > > > £1‘ >> an—vi1 shaped___..___.__ Eachburning deed each.burning deed Z?‘ thought, molto vivace. ‘Ea; A.P. S. 3185-7 N. Good Bye. Ab (eb——f) . . . . Love’s Messengers. Bb (f-—g) . Darthula. Db (db—al>) W. Apmadoc. I thought you loved me. F (c—f) . . . . Days gone by. Bass. Dmin. (d-—a) . . . Only a face at the window. Sop. or Tenor G (d——e). Alto or Bass Db (ab~—bb). - E. K. Bailey. , Fleeting Days. Waltz Song. Sop‘.Ab(d—-a‘b) -— Alto F (d-—g) Love where art thou? — Alto Bb (c—-—eb) — Mez. Sop. C (d—e). — . . . . . . . . Guard me through the night. Sop. or Ten. F (d—f). Cont. or Bar. D (b—d) . . Humbly before Thy throne. Sop. or Ten. Bb (d—g). Cont.orBar. G(b—e) . . Throw wide the Portals. Christmas. Sop. or Ten. F (e—-f) . . . . . . . . -—- Cont. or Bar. D (cll——d). . . . . . My Love and l. Mez. Sop. A (c#—c) . For thee I wait. Sop. C (d-—g) . . — Cont. G (b—e) . . . . . . . . . Mrs. H. II. A. Beach. Ariette. Gb (cit-fit) Twilight. Eb min. With Violets. G ( The Four Brothers. Jeune Fille et Jeune Fleur. Cll min. (cl!-—f) When far from her. Gmin. (c—g . . . . My Luve is like ared, red rose. Bb (bb——f) Dark is the Night. Emin. (e——-b) . . . . The Western Wind. G (f#—-a). . . . . . The Blackbird. D (e—g) . . . . . . . . Empress of Night. G (fll-—g) Graduale (Thou Glory of Jerusalem). G (e——bb) Wand’ring Clouds, sail through the air. Aria A min. (git (low) or c—g or bb). , . Song Album. Containing thirteen selected songs. Edition Schmidt No.23. . n. W. L. Blumenschein. Come unto me. Sacred. Eb (lib-—d) . . . Op. 40. A Mother’s Lullaby. F (f—f) . . Op. 96. The Violets. Concert Waltz Song. Ab J. Hyatt Brewer. Supplication. Sacred. D (c#—e). F (e—g) . 0. 3. Brown. 0 that thou liadst hearkened. Bb (d—f) . Therefore the redeemed of the Lord. Eb (e—e) What are these that are arrayed. Cont. or Bar. Bb (a—d) " --Sop.orTen. Db ( f) . . , . . . All’s well. Mez. Sop. Db (eb—db) . . . . J. 3. Campbell. Op. 32 No. 1. The two Roses. Ab (gli-ab) No 2. I heard three maidens sing. F (c—f or ab) 3. Dream on, my heart. nade. Eb (eb-—g) . . . 1. , my heart. (db—ab) .2. 3. .4. The Fishermen. Bass. bb—eb . . . . . . . . . Awake, Beloved! Serenade. F (c—-e) . . . . . . . . May Song. Bb (eb-——f) . . . Theo. chandon. A Home Song. Mez. Sop. or Cent. 0 (a—d) An old Love Song. Mez. Sop. G (d-d) Mrs. G. I-‘. Ghiokering. In the night she told a story. D (d——-ft) . J. 3. Cornell. Before the Spring. Eb (d——eb). . . . . . With the Spring. C (d—e) . . . . . When we are old and gray, Love. D (d-fl?) Mary Bradford Grownlnshield. Thy h§.rtfsha)ll know me. Alto or Baritone. There is a landﬁniinae eye hath‘ seen. . Sop: or Ten. in G (d-—g) . . . . . . . . — Cont. or Bar. in Eb (bb—eb) . . . . . The Star of Bethlehem Db (c—eb) . . . Via Crucis. Ab o-—f) . .o- . - - o .oo- Benj. Gutter. Christ Arisen. Sop. or Ten. G (d-—g) . . — Alto or Bar. D (a—d . From the cross uplifted high. F (f--f) . . Just as I am. E (e—f# or gt). . . . _. . ‘ Henshaw Dana. Ave Maria. E (b-a) . . . . . . . . . . Beside the Summer Sea. Emin. (b--f) . . A bird was singing clear one day. F (c-f) It was a knight of Aragon. Cmin (g—-e) . O Salutaris. Eb (bb——f) Salve Regina No. 2. F (bb-—g) . . . . . Up to her chamber window. F (c—a) . . Whether the world go up or down. Ab (c~ab) At rest. Flhnin. (gt--d) At last. Amin. (g-——g) 0 heart, my heart. F (d—g It was with doubt and trembling. Bbmin. f—ab) . . . . . . . . . . . . . . The Bl(ackbird sings in the Hazelbush. D (e——f# or a) Where go you, pretty Maggie? F (cli--g). Somebody watches and waits for you. Ab (c—f or ab) . G. 1'. Dennée. My Love’s Jewels. Sop. or Ten. F (f——a or bb) — Cont. or Bar. Db (a-f) So fair and pure. Sop. or Ten. D (d-—g) . — Cont. or Bar. Bb (bb—eb). . . . . . Frank G. Dessert. Serenade (Good Night). E (e-—g'll) . Consolation. G (e—g) Phillis, the Fair. D( f) . . . . . I Seek a Fair Flow’ret. G (g—g) . The Country Lassie. G (e—g). . . S. 0. Downs. A group of songs of the 17th century. Phyllis. Medium voice My true love hath my Heart. Medium voice . . . . . . . . . . . . . The spring is coming o’er the mead. Medium voice . . . . . . . . . Steph. A. Emery. Op. 19. Good Night. F (a—d) . . . . . Op. 22 No.1. Where are the eye of the lovely one? C (c——f). . No. 2. Sleep Baby, sleep. Eb (eb—eb) No.3 Nae shoon to hide her tiny toes. G (d’—g) Op. 24 No.2. Naebody. F (f——f) . . .. . Op. 28 No. 1. Lullaby. Eb (eb—eb) . . . No. 2. When eveningtwilight closely falls. F (e-f or a) . . . Op. 30 No. 1. 0 Love, my Willie. Eb (d—eb) No. 2. Little Bud Dandelion. F (c or f——eb or f) Op. 31. The spray leaps high on the jutting crag. Sop. Cmin. (c~—f) . . . . . . — Alto. Amin. (a—d) . . . . . . . . . Op. 33 No. 1. Pomegranate Blossom. G (g--a) -~ F (f—g . . . . . . . . No. 2. Burst, ye Apple buds! Bmin. , (ft -33) _ ’ Op. 36. Skating Song. Baritone. Bl» (bb—d) Op. 39. Seven times three. Eb (eb—c). Violin Obligato . . . . . . . . . . . Alex S. Gibson. Oh my Luve’s like the red, red rose. G (e———g) Love Song (I will not reason). Eb (d—f) . ‘W. ‘W. Gilchrist. Flow down, cold Rivulet. F (f—-f). . _. . Once there was a little Voice. F (a "f) . Love’s Beginning. G (d-—g . . . . . . . Lost. Cilmin. (git [low]—fll) . . . Quiet. Fmin. (c—f) A Love Song. F (e—i) . The Voice of the Sea. ' . (d-—g). . . The dear Long Ago. Gmin. (a [low] —g) . Waves of the far away Ocean. Gmin. (g—a.) Golden Rod. A (a—f) . . Autumn Song. F (a-—f). . . . . . . . . Irene Hale. Mystery. D(e-g). . . . . . . . . . . Maisie. Db (eb——gb) . . . . , . . . , . . . We'll go no more a’roving. Eb (<1-—-f) . . E. W. Hanloom. Lullaby. Contralto with Violin obligate and Male Quartett ad lib. H (gt [low] -118) A Song Secret. G (e—g) . . . . . . . . Go, Rose, and in her golden hair. Bb (d—() W. I‘. Easoall. Op. 15 No. 1. Unto Death. Eb (eb—ab or bi»; No. 2. KyrieEleison. Dmin.(d—fora No.3. A G-reyport Legend. Emin. b-c . . . . . . , . . No. 4. The Bells of Lynn. G. (d——g) Op. 16. Under the Guns. C (g or low c—d) Benj. Henry A Ditty, Eb (eb——f) V A Widow Bird sat mourning. Gmin. (fl$——f) The Sea hath its Pearls. D (e—fil) . . . Georg Eensehel. The Brook sings. D (d—fi¥) . . . . When all the world is young. G (d-- g) I once had a sweet little doll. F (d—g)— Come away, Death. Dmin. (ct-—d). . . Spanish Serenade. Cont. or Bar. D —— Sop. or Tenor. F (e—-a) . The Sunny Beam (Sonnenblicke). Soprano. A (e——g). Alto. “F (c—e)_ . . . . There was an ancient king. Emin. (a—f#) My -Sweetheart. G (d—e) . . . . . . . . To my Turtle Dove. Eb (d-—f) . . . . . Bird in you Forest. E (git-—g3) . . . . . Consolation. Eb (f—f) Helen Hood. Shcpherdess. A Disappointment. The Convert. E (e—e) . . . . . . . . . The Violet. Flimin. (cii—f#) . . . . . . . Message of the Rose. A (dil—e). . . . . Daisy Time. D (fit-—a) A Quandary. Bb (d-—f) . . . . . . . . . A Summer Song. A gii—g) . . . . . . . A Cornish Lullaby. b(db——eb . . . . . Expectation. Sop. Bl» (d—g). Cont. G(b—e) A Slumber Song. Cont. G (a—e) . . . . Jan. E. Rowe. In Heavenly Love abiding. Db (bb-—-eb) . . He is thy Lord. Cmiu. (c—-eb) . . . . . His love is everlasting. Bb 3bb——d). . . . Glory to Thee. Dmin. (a———- ) . . . . . . 0p.8 No.1. A Day in the Woods. E (dll—gt). Violin or Cello obligate. No. 2. A Night in the Woods. F (c—-a). Violin & Violoncello ad lib. No.3. The Cricket. G (e——g). Violin and Violoncello obligate . . . . . No. 4. Summer Song. (c—-0 Violin and Violoncello ad lib. II. 1!. Russ. They that sowintears. Alto or Bar. C(a-—e) The Ballade of the Song of the Syrens. Sop. or Ten. Ab (eb—f) . . . . . . . . The Jess’mine Bush. F (e-——g). . . . . . Just like a lovely Flower. Bb (f—-f) . . . Spring. 0 (c—-a) . . . . . . . . . . . . Stephen E. Jeoko. Art thou weary, art thou languid? Eb (d—g) Jennie’s Wooin’. F (o—-f or a) The Moorish Love Song. Dmin. (Cll——f) . The Sunbeam. F (c—f) Jules Jordan. Nydiafs Love Song. Eb (bb [low] —f) . . . Sigh on, sad heart. Db (ab or f [low] —db) Drink to me only with thine eyes. D (e——a) If on the Meads. B (dll—gil) ‘A Life Lesson. Sop. Ab (eb—f) . . . . . —— Alto. F (c-d) 'l‘he Bedouin’s Prayer. Sop. or Ten. G (deg) — Mez. Sop. or Bar. F (c—- -— Alto or Bass. Eb (bb—-eb) . . . . . . Japanese Lullaby. Mez Sop. orTen. F(b—e) -—- Alto or Bass. D (g#——c#) Sleep, Beloved. Ten. F c—g). Bar. D(a—e) Attraction. E (b-e) An Old Song. D (c#—c#) . . . Triumphant Love. F (b-—f) . Walter Kennedy. Whether my heart be glad or no. Db (ob--Ii). V
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Date: 1918
Text: CUBIC LIIRARY Wwg_ssAn §_ou.:c: THE VILLAGE BLACKSMITH F OR MIXED CHORUS THE POEM ‘BY HENRY WADSWORTH LONGFELLOW THE MUSIC BY W. H. NEIDLINGER Pgbﬂadeiplpia ~ boxaﬁmw 0. 1712 ﬂbegzrguzétrﬁ nu.uu4l“'w “ ’_ T % \\ FTHE —-V-|L:LAGE..BLACKSMIT_ \, or sale by E. A. Whittlesey, ; 28 C11a_peISt., New Haven, Conn. \ 33;’ 3 =_ \:\ The Village Blacksmith FOR MIXED CHORUS THE POEM BY Henry Wadsworth Longfellow THE MUSIC BY W. H. Neidlinger F THEO. PRESSER CO. 60 cents PHILADELPHIA, PA....
Show moreCUBIC LIIRARY Wwg_ssAn §_ou.:c: THE VILLAGE BLACKSMITH F OR MIXED CHORUS THE POEM ‘BY HENRY WADSWORTH LONGFELLOW THE MUSIC BY W. H. NEIDLINGER Pgbﬂadeiplpia ~ boxaﬁmw 0. 1712 ﬂbegzrguzétrﬁ nu.uu4l“'w “ ’_ T % \\ FTHE —-V-|L:LAGE..BLACKSMIT_ \, or sale by E. A. Whittlesey, ; 28 C11a_peISt., New Haven, Conn. \ 33;’ 3 =_ \:\ The Village Blacksmith FOR MIXED CHORUS THE POEM BY Henry Wadsworth Longfellow THE MUSIC BY W. H. Neidlinger F THEO. PRESSER CO. 60 cents PHILADELPHIA, PA. rgiyiladelpbia 0130- . I712 ﬂlyegqunstr. Com/Tight. 1:918; Taro PRESSER . Iiritusb Copynght Secured The Village Blacksmith Poem by //ENRY IVAIJSWORTII Lozvany/,/,oIV Mus” by VV? H. NEIDLINGER Allegretto M. M. cl: 144 M19 /——:;\ SOPRANOH Un — der the spreading" //L1; TENOR Un— der the spreading chest—i1ut—tree, Un- - _ der the BASS Alle grettp / _ chestnut-tree The vil - lage Smithy chestnut-tree The smith-y stands; Un -der the spreading chestnut—tree 4 der thé chestnut—tree Copyright 1918 by Th-eo. Presser Co. -11 British Copyright secured — y st‘a)nds; » Un- der the spreading Un-d er the spreading‘ ch est the smith Un-der the spreadin,9;,spread — ing >chest—nut—tree the smith - der; un~ er espreading chest-nut-tree t e smith 1' chestnut—tree The vil — lage smith — y - stands; the chestnut—tree The smi.th-y stands; Un—der the spreading chest ut—tree t e - der the tree 3 .» Un—der the spreading chest—nut—treel_ Un-Ader the spreading chest-nut vil — _- '— l smith-y eta,nds_ Un—der the sprezid V chest— t Un— der the spreading chest—nut’-tree- Un—der the spreading chest-nut _ vil — smith-y stands- Un-der the spreadin chest—nut FT’ 7I¢lf Z The Smith,a might-y man is he, The smith, a mighty man is he, With Klingl klavngl klingl . k1i_ng! klangl kling! klang!The And th e smith, a mighty man is he, the Smith, a, mighty man is he, a _ muscles of his brawnyarms Are strong, are strongias i— ron bands. ht- man, as strong as i - ron bands. might-y man, as strong as i- ron bands. The smith,a In t-y man is he, The’ smith, a might—y ‘ man s ‘he, With g! kla-niig! kling! klangl kling! klang! kling! klang! The And the smith, a might—y man is he,_ the smith, a mighty man is‘ e, a muscles of hisbrawny arms are strong, I-a:.: strong as i- ron bands. t- man, as strongas i-ron bands. a might—y man, as strongas i—ron bands. —— ..__. :1‘-71:‘:-:"14.zwA C: VVOMEN Larghetto M.M 80 staccato ,, hair p, and black is like tike air is crisp, if TENOR fﬁe ,/”‘ b k Ild‘ long, hair s c p, and black his hair is crisp, and ‘im .b ack long‘, his fae J3 ‘bisl ethe his hair is crisp, and /‘T Z‘ % _/ black (1 long. His brow is wet with hon—est sweat, brow is Wet with hon—est sweat '7 And. -looks the whole world what-e’er he loﬁs t e whole wo ld A. if What — e’er he looks the leworld in the face, For he looks thewholeworld in the face, For he owes not a — ny, a — ny man ‘,4 .16‘ His like the tan; , and, b long, His hair crisp, and black 10 , His \/ is like the tan.’ hair scrisp, and back and long, s hair so sp, 07680. . ' brow is wet with hon-est sweat, what—e’er he brow is Wet with hon—est sweat, . what-e’er he 9 m% /*""“—"‘*\\\ can, And looks the whole world in the owes not a-ny can, And looks thewhole world in the face, For ‘he owes not a—ny f\ ' j_ ‘L A J mollo Mi‘. \ Week ini, week out,'from morn till night,You can ‘hear his bel — lows Week in, week out, from morn tillnight,You can heémr his bel-‘Slows 3° 1:? 3 (Spoken in a loud wIw'sper) (Swish! ._ S Swish! _. Swish!.. Swish!) You can _ (Spoken in a loud u/Msper) (Swish!._ Swish!_ Swish!) You can hear him swing his heav—y sledge, With measured beat and slow. hear him swing-his heaN—y sledge,With m asured beat and slow. (A CONTRALTO VOICE) sex- ton ring—ing- the SOPRANO 1019 T . \../ L AL 0 Ding — dong, ding — dong, ~ ding - dong, TENOR BAR. BASS \__/ Ding -dong, ding — dong, ding — dong, Ding — — dong, ding — M.M.J=96 K, 7'6/e-earsal 071.! (A TENOR VOICE — (:1: vil-lage bell, When the eve-ning sun is ‘F. d . . mg - dong’ (lnnnmmg) I dlng - dong, ding -_ dong, dong! ding — — ‘dong! dong! sex — ton ng - ing the vi] 2? _ rd.’ ding, Whenthe eve--ning sun is ‘ Like a —ton, like (1 ng, ding, dong,djng, dong, ding, dong, ding,dong, 1, ding, CHORHS < : 126 SOPRANOS CONTRALTOS TENORS BASSES — lage bell, d 118, low. vil - lage bell. And chil - dren com - D" home from sch in at he 0 — pen door,‘ They love to see 1: e.flam—ing' fo ,And klang, /K/"""-'—_——"'*T - hear bel - lows roar, _ And catch the burn .-. ing sparks that from the thresh -. ing floor. Hug. kling! They love ks th 1; fl L e ; ‘tﬁlaff, from the thresh-ing chaff, ng! mi‘. dim. I l\ l\ K I\ N H N fl !I 5 V V Chil —~dz-en com - ing home fromschool Look in at ‘ x I I ' I J I‘ L W k kling! 4 .0 I I ‘ Klang! _ kling! .L/““\ A 4" 1.’ Idangz mwor rit. dim. love to catch the sparks that fly like chaff from the threshing floor. klingl kling! ' kling! klang! ‘dang! tmcor Mt. dim. e goes on Sun—~day to‘ the church, And sits a-_mong his boys; He He church _ hears the par—son pray and preach, He hears his daugh-ter’s voice, _ goes crew. Sun—day' te_,.___.. the church, mp to the church. goes ‘Sun-day to__..__..___ the church , to the church. 07‘6.S‘C. J Lo SOPRANO SOLO §0pRAN0 Lord, now let — test Thou Thy CONTR. NOR He M hears his daugh - ter’s voice, BASS 1, 1,2,/#__________\ daugh - ter’s voice, I’ Sing- ing in t m kes h art 8 — ing . It makes his heart re - Sing— ing in ' the vil ~ 11 . Her moth — er’s 10 F MEN It ‘sounds to him like her moth — er’s voice, voice, her moth—er’s' It sounds to him like her ce, _ hgr moth—er’s, moth—er’s Sing- — ing, Sing‘? - ing-, voice. Sing -. ingin Pa:--a.-dise! L- like her mother’s Sings ing, V sing ,- like her mother’s voice. Sing— ing, like her mothe ‘J-’* Sg-g, wccel. Sing - — ing in Pam--a-dise! — in Par - a - dise. Sing - ing, sing - ‘ A - ing, PM-_ ;di e like her motheﬂsvoiceix Par-_a —« dise. needs must think of her once more, How ' the grave she needs mustthink of her once more, How : — t e grave she needs ' think 1’ ~ 3; dim. hard; rough hand he wipes A dim. And with his hard, rough hand he wipes A wipes tear, of his eyes. tear but of his eyes. Tempo I _ Toil - ing, re — joic — ing; sor — row — ing, On - ward through life sor — row — ing, On - ward through life sor _ row — ing‘, On — ward through life On —wa~rd through life, through toil — ing‘, re — joic - ing‘, sor — row— ing, On _ward through life he — ing, sor — row — ing, ~ ward he ‘ Each morning sees some Each _ — ing sees some -1 goes; Each _ ingsees some through life, through life he goes; E h — ing sees some i'L?‘ 1'4 Z.——_—-—$ task be—gun, Each eve-ning sees its task bé—gun, Each eve-ning sees its task be-gun, some task be_gun, V Each morning sees some task —g;un, some 1: be - gun, Each sees some A ﬂa Something at—tempt — ed, something done, done, dope, Some~thing one! Something atétempt-ed, somethingdone, — thing done, Sorhething at—tempt-ed, some_thing done, has e-21trned_’____. some — 11 Something at-tempt—ed, some-thingd ne, h s JFEAAA __;-o':‘ mortmdo earned earned, has earned nig t’s re — pose. .‘ e-. morendo ha” ‘lrned T’ Thanks,thanks to thee, my wor- thy friend,For the 1es—son thou hast 'I‘hanks,thanks to thee, my WOI‘— thy friend, For the 1933-5011 thou hast M.M.J=92 taught! taught ! Thus at. the flaom - inp; forge ' for-— tunes must be Thus at. t e flam ~ ihg forge ' ' f - tunes must be .3 ‘E. f.\ wrought; Thus at the flam-ing forge of life Our for—tunes e wrought. J]. wrought; Thus at the flaim-ing forge of life Our for—tunesmust e wrought. "F 8 8 Maestoso M.M. J: 108 And thus on its sounding 1’ . -klang, kllng, .. klang, Kling, klang, kling, klang, ,k1ang, k1ing,klang, kling',klang,k1ing,kl _ Maestos-0 M. ¢l=108 klingv k1a'n8'a klinga J7 cwcel. burn_ing deed‘ and thought!__.___ Something‘ at—tempt_ed, \§_______Z T kla'ng!——-—-——————k—1ing! S0 eth g -te pt—ed, kling,kl ,k1 , kling, k ang, klang! g, k1anng', /»—*"""""“~\\ rag; molto Mt. some—thing'done, something at—tempt-ed, somet ingdone, somet-h gdone, someth gat-tempt—ed, done, H earned, night’s k ng, klang, kling, klang, s0mething'done,I-las earned a. night’s re- kli klan moremio . M95 _’___ has earned_.__ V igh pose,a nig'ht’s re — pose, nig'ht’s pose, a nig'ht’s re - pose, a more/zedo ._.,_. .c..........._............. . _, _ _ _ , . -—-———---— , ._.._.._.._._.—.......____.__ . ......~__ ........___...._.._.,..:......_......... ...r.._...,..._.—.... .._....-.-..._...;s;.;.i...;._..._..__....s._.._.____....,,__..____..._.- ~ - _ . _; -2 l i '! . it ATTRACTIVE OPERETTAS ~v-—-—-—-—-.——-—~—,._—_..~_.____:._.._...__._._,_......_....._. .. .........__...._....._:_..._._ AND SECULAR CANTATAS Juvenile Operettas MOTHER GOOSE ISLAND A Musical Play for Children By Geo. L. Spaulding Time. 35 minutes Price, 60 cents A bright, up-to-date operetta in two scenes, suitable for boys and girls from 8 to I4 years. Mother Goose characters are introduced, _in addition to modern boy and girl rts. The story is lively, the dia- ogne crisp and the music tuneful. THE MOON QUEEN By L. C. Gottschalk Time, 35 minutes Price, 60 cents A children's cantata to be sung in unison. Text bright and am_u.9ri'ig and music easy and very melodious. May be given without scenery. MILKMAIDS AND FARMERS By Geo. L. Spaulding Time, 30 minutes Price, 50 cents This little musical diversion may be used as part of an evening s enter- tainment, or as a curtain raiser for a larger operetta or play. The music is sim e, but lively and _full of 8° and t e action is not interrupted with dialogue, so likely to embarrass the amateur. The work does not re- quire an elaborate setting or cos- tuinea. A DAY I13 FLOWERDOM peretta By Geo. L. Spaulding Time, 35 minutes Price. 60 “M3 A little work that will prove a source of pleasure to the youthful participants and their friends and even to grown-ups. It is in two scenes, and contains ten musical numbers, all bright. ‘melodious and full of go. The dialogue is clever and amusing, and both it and the music are easily learned. A ROSE DREAM Operetta By Mrs. R. R. Forman Time, 30 minutes Price, 60 cents A fairy operetta, with_ good, spark- ling music, an interesting plot and easy to stage. The Fairy Queen and her fairies, a giant, a dwarf and other fairyland characters are . in- troduced, to the delight of the little folks, who will appreciate every min- ute of the play's action. THE ISLE OF JEWELS Operetta By Geo. L. Spaulding Time, 35 minutes Price, 60 cents The characters personify various popular jewels, an the opportuni- ties for picturesque staging can readily be realized. Both words and music are fully up to the standard set by these popular writers. LOST, A COMET Operetta _ By Geo. L. Spaulding Time, 40 minutes Price, 60 cents This clever little operetta will fur- nish forty minutes of fun, entertain- ment and music for an audience, and is sure to be voted "a hit." The dialogue and verses are bright and witty, and many modern rhythms have been introduced in the musical score. Operettas FROM THE YELLOWSTONE A usic rama By Thurlow Lieurance Time, 45 minutes Price, 75 cents The scene of this sketch is laid in the country surrounding the head- waters of the Yellowstone River and it will prove most effective if given in costume. A mixed quartet and two speaking parts are required for the leadin roles. An excellent num- ber for igh School and College Clubs. MOTHER GOOSE FANTASY By Arthur Nevin Time, 45 minutes Price, $1.00 This is a high-class work for solo soprano and two-part chorus. The leading character, The Dream Maid, happens upon a Mother Goose book which takes her back to her child- hood and she day-dreams the various scenes enacted in the play. PANDORA By C. E. Lemassena Time, 90 minutes Price, $1.00 A brilliant operatic setting. suita- ble for young people, of the old Grecian myth. as retold by Haw- thorne under the title of "The Para- dise of Children." There are five principal characters, a chorus for oys and a chorus for girls. It is in three parts, and the scenery is of a very simple nature. he music is of the most attractive order; it is sin able and easy, yet not at all tri ing. To those seeking a high- class novelty we heartily recommend this delightful operetta. TI-IE PENNANT By Oscar J. Lehrer Words by F. M. Colville Time, 90 minutes Price, $l.20 Pretty tunes, amusing situations, well set-up young men, bright girls in smart frocks, a dance here and there, and a spirit of cclle e “go" is the best description of ‘The Pen- nant." This is a real, practical operetta for a short cast, easily re- hearsed and easily produced. It may be adapted to suit any college local- ity, and is sure to take. A VIRGINIAN ROMANCE By H. Loren Clements Time, I hour Price. $I.00 A short musical comedy in two scenes than can be produced by any school, co ege or amateur group at almost any time. he music is sprightly and catchy and introduces several snatches of familiar wartime and patriotic melodies. It abounds in local color and will prove tre- mendously popular with the average audience. TRIAL BY JURY By Sir Arthur Sullivan Words by W. 5. Gilbert Time. 45 minutes Price, 50 cents This is the most popular of Gilbert and Sullivan's operettas among mu- sical amateurs. The lines are all sung, and, in Gilbertian fashion. are satirically humorous. The music is easily learned. the iece simply staged and amateurs wil ﬁnd it well worthy of production. -club or high-school chorus. Secular Cantatas THE VILLAGE BLACKSMITH By W. H. Neidlinger Poem by H. W. Longfellow Time, I5 minutes Price, 50 cents Longfellow's popular poem has had many musical settings, but we dare- say none quite so appropriate as this descri tive cantata for mixed chorus by r. Neidlinger. It is full of color and striking choral effects, but only of medium difficulty, and can_ be {produced by any choral society 0 moderate ability. TI-IE SINGING LEAVES By Grace Mayhew Words by James Russell Lowell Time. 45 minutes Price, 75 cents A short, bright and easy cantata for baritone, tenor and soprano solos and muted choruses, with piano ac- companiment and violin obbligato; suitable for small singing societies. THE MERMAID By Julian Edwards Words by D. A. Atterbom Time, 90 minutes Price, $l.25 A brilliant cantata with dramatic choruses arid graphically descriptive orchestration written in Mr. Edwards’ best style. SPRING From "The Seasons" By Joseph Haydn Time, 25 minutes Price. 40 cents _The text‘ is most poetic and ad- mirably suited for a spring concert. Has solos. duets and a trio for so- prano, tenor and bafitone. and sev- eral stirring choruses that are among Haydn's most admired inspirations. THE ROSE MAIDEN By Frederick H. Cowen Words adapted by R. E. Francillon Time, 90 minutes Price, 75 cents Any singing society may be proud to _have this standard choral work in its repertoire. lt abounds in pleas- ing solos, duets and tries, and the chorus "parts, including the well- known Bridal horus," are particu- larly attractive and not difﬁcult to sing. THE QUAKER AND THE HIGHWAYMAN Cantata for Women's Voices By H. W. Wareing \‘Vords by Samuel Lover Time. 30 minutes Price. 50 cents A popular novelty for a women's Most of the chorus work is in two parts. but there is occasional three- and four- part writing. THE GOLDEN VALLEY Cantata for Women's Voices By I-I arner Time, 40 minutes Price, $l.00 The story is based on a dramatic legend of the Crusades. and the music is a propriate and of mod- crate difﬁcu ty. THE MERMAID Cantata for Women's Voices By Fannie Snow Knowlton Time. 25 minutes Price, 60 cents A special program number, chiefly in three-part harmonies, with an obbligato for solo soprano. Text from the verses of Tennyson. -TI-IEO. PRESS!-ZR co. Music Publishers and Dealers PHILADELPHIA, PA. ._. .._.__...i_ ,
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Date: 1893
Text: :H|1.H(l2 ) J \/ I %a@ks;mj1ﬂ‘m ——~Qf—Po em by @»———— E“ T} ’ L ” Baritone orIBass8oIo —————»@ABY.J<)~——-— I@JI@K; ................ w_s’“@.z»___. ,A£{rHUR P. SCIIJWIDT. BOSTON, l_E|pz‘G NEW YORK, I20 Boylston St. - || west 36th St by ' -tZzurf'.7mm1m_ [:7 m7:u1:canmnummncummuuu L \ 4. 4, I.|l||II|Il(|/null-1 n||nIu\ émmm ¢ F GHAND E" . 505'“ ‘-'''“''V 22: UVlNGﬂY“-G: §$f:s.:c;g|'<(i33; N. v. ¥ﬂ$SAR COLLEGE To Mr. Frederic Reddall,...
Show more:H|1.H(l2 ) J \/ I %a@ks;mj1ﬂ‘m ——~Qf—Po em by @»———— E“ T} ’ L ” Baritone orIBass8oIo —————»@ABY.J<)~——-— I@JI@K; ................ w_s’“@.z»___. ,A£{rHUR P. SCIIJWIDT. BOSTON, l_E|pz‘G NEW YORK, I20 Boylston St. - || west 36th St by ' -tZzurf'.7mm1m_ [:7 m7:u1:canmnummncummuuu L \ 4. 4, I.|l||II|Il(|/null-1 n||nIu\ émmm ¢ F GHAND E" . 505'“ ‘-'''“''V 22: UVlNGﬂY“-G: §$f:s.:c;g|'<(i33; N. v. ¥ﬂ$SAR COLLEGE To Mr. Frederic Reddall, Brooklyn N. Y. THE VILLAGE BLACKSMITH. P b i Mus’ b" L0(i\IeérnF}§LLOW. DUDLESECBQICK. With spirit and Vigor. — —. L /\ ; . mf > Un-der aspreading chestnut tree The village smithy > The smith_ a mighty man is he, With large and sin — eW—y hands: And the muscles of his brawny arms- > f >>> strong as i—ron bands. His hair is crisp, and black, and long, His face . is like the > 7 7 07‘886‘ . A.P.S. 3185-7 Copyright 1893,by. Arthur P.Schmidt. International Copyright Secured... His brow iswet, with honest sweat, Heiearnswhat e’er poco ritard. looksthewhole worldinthe face, For he owes not any mah. mftempg. Week .in,week out, from morntill nigl1t,You can hear his bellows blow, You can \_ » 2 no/‘:0 m'arca'to. ' hear him swing his heav-y s1edg'e,With measured beat and slow; iazz. dimm. _ sempre con ‘IR. A.P.S. 3l85-7 franqmllo. sex - ton ring-ing the vil —lag‘e bell, When the eve — ning poco marcato. Teizderly. And the childremcoming; home from school, 7 Look in at the open PP \'/1' 7 ea? ea? ' ea? Resume ﬂee quicker time. door; They love to see the flam — ing forge,And hear the bellows # > > / « 017110 .5-em re Temp 2’ >>> > > > >> %. - . .* And oatchthe burning sparks which fly Like chaff fr oma . ' 8--. -------------------------------- —-, ‘Ea A.P.S. 3185-7 _ (Tile same Tempo, not too slowly/.) th1'9Sh'mt‘5' ﬂ00I'- ———j ‘ (Tim Choral J[eI0rlg/ well aocrmt6d,bbut not tooloudlg/.) U VLF wit/zout Pad. mf CIn‘.9'tr2'ct tz'm6~.) Z-3 7 He goes on Sun-day to the church,___ And sits among his boys: , mf_ , Ef ‘ 12' 11;:/2‘. 9* witlz out Pad. He hears the par — son pray and‘ preach, He hears his daugh-teI"s voice WU mf eeen.‘-“A/Féae Singing inthevillage choir. And it makes his heart re - joice. ' vqaw A.P.S. 3185-7 It sounds to him _ like her mother’s voice _ Slower andsofﬂg/. 7 hsinging in Far — a-disc! in 2'h'\ ‘ /\ 1010 calla voce. needs mhst think of her once more, How grave she Tempo 17220 f And with his hard,r0ugh hand heWipesA > .mf # A.P. S . 3185-7 T011 — mg‘; re-joi — cing, «-‘<~.Q¢r.’~$r:&Ha'~é.'.‘§'-;:r;5'dw~v.‘-{.71.-: .:. .A., . sor - r0w—ing, Onwardthrdlife "he goes; Each -morning sees sometask be- /a /-\ Each eve-ning sees it clozez Something attempt-ed, some —thing done, Has earned a night’s re 4 pose. A.P.S. 3185--7 : .A».\<'«-:’é.>:e—k*s.'9'~;:/:—g:~~«a-.-4;.a ;, ._... . .r A ‘ f Th'zu1ks,thankstothee, my wor - thyfriend,For the lesson thou hast taught, 8 f cresc. > B’.°‘“"'»’ > Thus on the f1a—ming forge of life Our for-tunessmust be Wrought: Thﬁs onthe sounding “ ‘.1-’__ mil. calla vase. marcato. ' _ > >_ > > b} > > an.vi1 shapédQ__;;_ -Eacbh burning deed each burning deed thought . ff’ molto vimce. €21. A.P. S. 3185-7 The Summer Wind.. E E E E THE SHooGY- Snoo.” "“"""""‘ wh" .7 lull: by 'I'AL1II‘l.IAnlIn. . J.W. axscnon \WIrm"wP PM-‘W0 Pm Ammoss’. Andante con ON,‘ voxcn‘. Soft . ly the sum-mar- do he think- ing las-sie, of the .old days now; For Liltea lick . le '1 }' ohl your hair is tang- led gold a - bove your 1. rish brow; Copyright no: by Arthur E Schmidt. hue: P»:/onum Fenmlled. ' . (‘ 530-811. Wad: [run the ¢‘M;- look by %./‘d/’ J5 gf‘ hrwiuiu 0] In-I01 8.51;” and CL A.P.8. guoa (hpynghl moo by ARTHUR P SCHMIDT Public Pbrfonn Pornimd. hlnnh luv! INVICTUS I arise from dreams of thee % % E n i BRUNO HUHN Plmcv Bvssuz SHELLEY Complete Copy, 60 cents wnuunnxsrhnzmv J. W. BISCHOFF Andante rise_. from dreams of f bcnaarcnta Out of theniglnl that cov.ersme, Black as (he pit from pole to pole, first... sweet sleep thank what-ev.er god: may be Whentlie winds arebreath-ing low I71 8”.‘ launch mo I1_ mm nu-an hterallnu-I owyvlnhn annual “NH EEIIIK Pllllﬁ Complete Copy, 50' Cents. mm mmmnm‘
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Date: 1893
Text: MUSIC LIIRARY VASSAR COLLEGE poucuxrm-sac, new vonu or _.._————..., \ ‘,1//’_* _ " ’ uu4’\ . —-:-5' 2 1%” SONGS. At the Gate. Low voice in D . . Before the Throne of Glory. Medium voice in E . Comforting Christ, The. Medium voice in Db Eternal City, The. Medium voice in Eb Hills of God, The. High Voice in C, Medium voice in A 0 ysonyof the Carpenter. Medium voice in Rejoice, Jerusalem, and Sing. High voice in G. Med. voice in 5) High oic it B Song of Eternity’ The’ 11 Mediuxim...
Show moreMUSIC LIIRARY VASSAR COLLEGE poucuxrm-sac, new vonu or _.._————..., \ ‘,1//’_* _ " ’ uu4’\ . —-:-5' 2 1%” SONGS. At the Gate. Low voice in D . . Before the Throne of Glory. Medium voice in E . Comforting Christ, The. Medium voice in Db Eternal City, The. Medium voice in Eb Hills of God, The. High Voice in C, Medium voice in A 0 ysonyof the Carpenter. Medium voice in Rejoice, Jerusalem, and Sing. High voice in G. Med. voice in 5) High oic it B Song of Eternity’ The’ 11 Mediuxim viicle in C Strength of the Hills, The {ﬁfdigujgijjiifeff F , Duns. I Eventide. Soprano or Tenor, and Baritone in F . Hark, Hark, My Soul. Soprano or Tenor, and Baritone in F My Faith Looks Up to Thee. Mezzo-Sop. and Baritone in G do. Soprano and Tenor in Bb Twilight. Alto and Baritone in A do. Soprano and Tenor in Db . . . , Vesper Hour, The. Mezzo-Sop. or Alto and Bass or Baritone SECULAR SONGS. If Thou Wert True as Thou art Fair. Medium voice in G Let Me Forget. High voice in C Minster Song, The. High voice in C min., Med. Voice in G min. Night Has a Thousand Eyes, The. High voice in G . Phantom Horseman, The. Bass voice in F . Villmagsw-"Bii|"éi(smith, The. Bass voice in D ' Song of the Armorer. Bass voice in C Sweetest Flower, The. Low voice in F Within the Roses Bloom. Medium voice in F‘ Dulrrs. Now the Silver Moon. Soprano and Baritone in A5 . Ring On, Sweet Bells. Tenor and Baritone in Bb . . Star of Love on Evening’s Brow Hath smiled, The. Soprano and Baritone in B17 . . . . . Thou Art Mine. Soprano and Baritone in W :'_:-—. ‘-—:——. ‘none: uaoooa vooou commm '.;,.—-———- -7 0 o 0 a . ‘t 1 Boston Oliver Ditson Company ¢w‘Yoi-la C. .Ditaon&Ce. *,s_ I Cbica§o gbilacltlpbia Lyon & Bcaly. '1. . Ditson & Co. I .. . . . . .... . . . -~. The Village Blacksmith. BASS or BARITONE in Db. b Poem by . - i H .W. LONGFEI.L0‘\\‘. GEO, B. NEV1N_ Moderate, e maestoso. ,,Zf-Marzialc. n_der the spread_ing: vchest_nut tree, The vil _ lage sInith_y stands * a tempo ores. —'——-—:r"__:: /5 ” r2‘t.;‘:.:— smith, a might_y man is he, With large an p0w’r_fu1 hands, And the Copyright MDCCCXCIII by Oliver Ditson (‘:>1n;m11}'. Copyrigrht se-(‘urea in Englamd. 54-56544-7 mus_c1es of his hen mama to hair is crisp, and brawn _y black and long, face is like the tan, earns what e’er he can, 3.I‘II1S Are His strong as face is like a tempo His And brow is wet with‘ con am'ma locks the whole World i _ ron hon _ est sweat, in His bands, He the face, For he 54-56544-7 owes not an _ y man. tempo Poéo animato . Week ‘ in, week out from morn ’ti11 night, You can his bel _ lows blow You can. heal‘ him :;\vi11;g- his 6671 Ill 7171!» Moderate. * hea. _ vy sledge, With meas _ urd hbeatﬂ 5-1-5 65-14~7 sex _ ton ring'_ing' the V11 - Iago bell, When the W’. hing‘ Sun is > > ' > L> > And ch'11_dren com- home from school Look‘ in at the > . i a tempo Look in at the o _ pen door. They love to see a ftempo f1am_ing forge, And hear the be1_ lows And catch the burn_ing 54755544-7 sparks that fly, Like chaff frmn a thresh_ing' floor. ’.\ col canto goes on Sun-day the church and sits a_m0ng' his Moderate,’ Religioso. ‘ boys; can moio hears the He hears .3’ par _ son pray and preach, his daugh _ ter’s 3 6’ 54-5654+? it makes his heart sounds to him ~1ike her m01h_er§ voice a tempo con ,g'7m1a’e esp/’ess+z'0/2e Singzing in Far. 3. _ dise! He needs must think of her once more, How UT ,, con dolce mam'em. in theigrave she lies; with his hard, rough hand he wipes A I’ tear out of _ward thro’ life f task be _ g'un, Each f\ Marziale. a tempo oi1_ing‘, re_j0ic_ mg", 501' _ r0w_ing" m0rn_ing sees some Declamando. ev’_ ning sees its close S0me—th'mg at_tempt _ ed, MY. _ - g7*ana’z' 050 mf s0me—t.hing done, Has earn’d a nighfs re _ pose. :3-I-r')ﬁf>4~l~7 SACRED DUETS FIRST SERIES. Abt, Franz Easter Hymn (Osterfeier). Soprano and Alto do. Over the Stars there is Rest. Soprano and Alto Gounod, Charles Forever with the Lord. Soprano and Alto do. Glory to Thee, My God. »’ Soprano and Alto do. The Peace of God. Soprano and Alto Gﬁtze, Carl Jesus, Thou Joy of Loving Hearts. Soprano, and Baritone or Alto Gfandval’ Madame de Guide Me, 0 Thou Great Jehovah. (Arr. by Wm. A. Potter.) Soprano and Baritone Grant, John B. My Shepherd is the Lord of All. Soprano and Bass G1-ay, Hamilton A Dream of Paradise. (Arrarzged éy IJez'nrz'c}z Kie/i/.) Soprano and Alto Hosmer, E, S, Art Thou Weary? Soprano and Tenor do. Be Glad, O Ye Righteous. Tenor and Bass Lachner, Franz ' My Faith Looks up to Thee. Soprano and Alto Lassen, Eduard. Jesus, Lover of My Soul. Soprano and Alto do. Saviour, Breathe an Evening Blessing. Soprano and Alto Leslie, Herbert The Invisible Land. . Soprano and Alto Manney, Charles Fonteygf My Soul Waiteth for the Lord. Soprano and Tenor Mendelssohn, Felix I Waited for the Lord (Ich harrette des Herrn). Soprano and Mezzo-Soprano do. Now We Are Ambassadors. From “ St. Paul." Tenor and Bass do. The Sabbath Morn (Sonntagsmorgen). Two Sopranos do. Thy Will be Done. Op. 63, No. 5. (Arranged éy Louis R. Dress/tr.) Alto and Baritone Nicolai, Otto Tarry with Me. Soprano and Tenor Rotoli, Augusto There is Rest. Soprano or Tenor, and Alto Rubinstein, Anton 0 Let Him Whose Sorrow. Op. 48, No. 5. (Adapted ﬂy U. C. Bzzrmzp.) Soprano, and Baritone or Alto Sa,int_Sa,'e'ns, Camille In Dreams I’ve Heard (Ave Maria). English and Latin Words. Two Sopranos Schnecker, P. A. How Sweet the Name of Jesus Sounds. Alto and Tenor Smart, Henry As Pants the Hart. Soprano and Alto do. Lord is my Shepherd, The. Soprano and Alto do. Love Divine, all Love Excelling. Mezzo-Soprano and Baritone do. . There was Joy in Heaven. Soprano and Contralto Smith, Alice Mary Peace to this Dwelling. Soprano and Tenor Stainer, Sir John Love Divine, all Love Excelling. From “ Daughter of Jairus.” Soprano and Tenor Walden, William Sun of My Soul, Thou Saviour Dear. Alto and Tenor BOSTON OLIVER DITSON COMPANY New York Chicago Philadelphia C. H. DITSON 8: CO. LYON 8: HEALY E. DITSON 8: CO.
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Date: 1905
Text: MUSIC LIBRARY VASSAR COLLEGE POUGMKEEPSIE. new vonx J/.\.7 ..................... .. CENTURY EDITION 9 ................ .. 1.. ------------- ~ SERIES III. . J/4:dI‘14~/n . .1/gzlimn . .1/edium G llig/z -, I,'M¢zd1'u m . A fzaz, /P/er/1'14/;¢ . D_flat,l.om A ﬁI_/'lurt,1lled1‘mn . . .Bflwt,Med1‘mn . GOOCI . . .Ef/(tt,1|!¢ra7zju/n . Time and . YA flm‘.,.1/ed!‘/tin . The Gipsy’S Warning‘. . .C’,.1/mzmu. . Sweet Spirit, Hear my Prayer . . When I Saw Sweet Nellie Home . E iveet...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGMKEEPSIE. new vonx J/.\.7 ..................... .. CENTURY EDITION 9 ................ .. 1.. ------------- ~ SERIES III. . J/4:dI‘14~/n . .1/gzlimn . .1/edium G llig/z -, I,'M¢zd1'u m . A fzaz, /P/er/1'14/;¢ . D_flat,l.om A ﬁI_/'lurt,1lled1‘mn . . .Bflwt,Med1‘mn . GOOCI . . .Ef/(tt,1|!¢ra7zju/n . Time and . YA flm‘.,.1/ed!‘/tin . The Gipsy’S Warning‘. . .C’,.1/mzmu. . Sweet Spirit, Hear my Prayer . . When I Saw Sweet Nellie Home . E iveet Genevieve . . . . . . . When You and I were young, Maggie Lullaby (Vocal) . . . . . . . . . The Harp that once thro’ Tara’s Hal] . In the Gleaming. . . The Village Blacksmith . Rose Marie, (Rock Of Ages) Lookfiiig Buck . ° Once Again. . . . . Carmena, Spanish Waltz Song Spring Song. Stella . . Little Boy Blue The Throstle Rosary. . . Good Night. . . . . Sad,SWeet End of Day . Unless. . . . NEW YOIQK 2116 )1 delssolm . I/bu Swppc. . Ifing. . ]lI‘."GZo'/mu./z I("z'n;:‘. Bruzun . [(ez7.s'er. 50 40 50 . 75 51) 50 y DU Cmvzcciolo. . K'z'21g.‘ Rodney/. . Corzra’. .- . I’,/hill!/()6. . Flwfc/167'. But/e7_-fzfeld. . 0011/1 rd. Moore. .‘ H (l rrison . ‘ We iss. M01103/. . S11 Ila"/ml/1. . Sulliua/4.. ‘ La/re. Centuru (:T£)li(.1:S;i=C; ’l°lLb1'i]S1?l:irI?g: Cbmrpaenu H7/8 BROADWAY and 17 WEST 28‘): STREET AN EXCEEDINGLY ATTRACTIVE MUSICAL SETTING of Robert Cameron Rogers famous lyric A ROSARY, . _ wordsby Mus1c by ROBERT CAMERON ROGERS. . ' ROBERT A. KiNG. Composer of “Beyond the Gates of Parz;(Ii§e”‘ ' “Sweet Home of the Angels’? , _ . ‘.‘Golden Land of Peace” etc. » Andante religioso. ’ The hours I spent‘ with thee, dear heart Are as_ a string ‘of pearls ‘to me; count them 0 - ver- ev—’ry one a-paJt, -My Aros - asrx My. Copyright 1905 by Century Music Pub. 00. 134W. 37th St.N.Y. International Copyright Secured. Get :a copy from your dealer THE FINALE IS VERY EFFECTIVE. The Village Blacksmith. Be/vised (ma! Ea’1'ted Ed'z'tz'0'/2. éVVords by H.W. LONGFELLOVV. Music by W. H. WEISS. ro moderate. Under 1; spreading chest—nut tree The Vil— lage Smithy stands; The smith amighty man is He, With /L \_/ large and sine—wy hands; And the les (if brawn—yarms are strong as i- ron His hair is crisp, and black and long, His face is like the tan; Copyright MCMIX by Century Music Publishing Co. brow is Wet with hon-est sweat, He earns What—e’er he can, And looks the Whole World V in the face, For he owes not a_ny FA Week in,Week out, from morn till night, ou can hear his be1—1ows f.\ 7 * \2 __ ' ' I blow; You can hear him swing his heaV- y sledge, With measured beat and slow, Like a sex—ton ring.ing the vi1-1agebe11, When the evening sun is low. Ahd chi1—dren, coming a tempo > > smcca/(2 home from school, Look in at the o _ pen door; They love to see the f1am_ ing forge, And hear the bel-lows roar, And catch the burn—ing sparks that fly Like chaff from a threshing goes on Sun-day to the church, and sits a—mong his boys; hears a par- son pray and preach, He hears his daughters voice Singing in the Vi1_1age choir, And it makes his heart re _ joice: It sounds to him like her mothers Voice, Singing in Par - a_dise! He needs must think of her once more, How in the grave she And with his hard, rough hand he wipes tear‘ out of his eyes. calla voce Toil — ing, re—joic - ing, sor- row-ing, On— ward thro’ life he goes; morn .— ing sees some task be-gun, Each eVe_ning sees it close; Some- thing at- temp- ted, some- thing done, Has earned a nighfs re‘- pose. m . A Very Beautiful and Patlmtic Song, Full of Pretty Harnlonies and Sweet Melodies. VV0rds by Music by BELLE STEWART. A1 O D ' DAVE FITZGIBBON. Andante Patetico. ’/,__._x "If NJ « p T u \ \ A — lone the shz1do\\'sg'z1t11—cr fast, Days dy.mgsplcndorssw1it—1_y flcc. through the mists thzttvcil the but ~ icd past, T hv by.g011cycarsComeback ‘cu ycexrsw]1c11 1Iopc.wit11kin(11y bv;1m.__.__ A. — cross my way so bright‘ ly shone, ‘ ~.$_2. Copyr1;:ht‘hy Century Music Pub. Co., 17V\'. 28 St .. N.Y. Imcruutiollzll C0p_Vri_Q'ht5('(.‘uI'Cd(l11d Rcservml. Complete copies canbuhzxdofanydealer in "CENTURY EDITION sheet music, or direct from the publisher, CENTURY IVTUSIC PUB. C0,, 17W. 28 St.NeWY)rk. PRACTICAL HINTS AND HELPS ' FOR’ PERFECTI()N IN SINGING I’-V Mine. I.|ll.“-A C/\l‘|’IANl .. Price, l).'\'I5 D0l.I.AR-I"lF'I'S In xmxmnzl |\«~v:uxmn',', lh<- tux(‘1HU\'I in-‘u‘|uLur.~ nml .\|IHi"nl~ (:1 liuropc and .\m<'1ic:\
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Date: n.d.
Text: PHOTO N9 4-. ARRANGED A8 A11 Acfion S I19 forschools ‘ BY I**1EBENFJ‘1ALJEP§NE L/O1'Ld.O I2: J .CURWEN &SoNs LTF’ 24 BERNERS STREET,W. Cz7p//"/‘£7/72: /908, /7)/J. Cu/we/7 c? 347/75 if//, Price One Shilling. uusuc LIBRARY \/ASSAH COLLEGE THE VILLAGE BLACKSMITH. LONGFELLOW W. H_ W-EISS_ Allegro moderate. VOICE. - KeyC. s :d'.d' It :d' } Flrst.symphOny'.Ph°t°1'- _ ' 1.(i)Un-deraspreading f mf ﬁr‘ :—.d'|t :1 Is :—.1ls.m:- ' °- :rL1"|s :...
Show morePHOTO N9 4-. ARRANGED A8 A11 Acfion S I19 forschools ‘ BY I**1EBENFJ‘1ALJEP§NE L/O1'Ld.O I2: J .CURWEN &SoNs LTF’ 24 BERNERS STREET,W. Cz7p//"/‘£7/72: /908, /7)/J. Cu/we/7 c? 347/75 if//, Price One Shilling. uusuc LIBRARY \/ASSAH COLLEGE THE VILLAGE BLACKSMITH. LONGFELLOW W. H_ W-EISS_ Allegro moderate. VOICE. - KeyC. s :d'.d' It :d' } Flrst.symphOny'.Ph°t°1'- _ ' 1.(i)Un-deraspreading f mf ﬁr‘ :—.d'|t :1 Is :—.1ls.m:- ' °- :rL1"|s :.d’lt :d' Ir‘ :— d'1t 2s $ chest- nuttree The vil — lagesmithy T he(2)srnith amigh—ty man is he,(3)With C’. “I :d' lm zfe ls :— l zsr .m l .f :- is :—. lim :—.r Id :''‘I If” :— .1 It :d' f large and sin - ewy hands; (_4)Andthe muscles of his brawn — yarrns are (5)strong as i - ron =<_1_'._!" |m' :1: Id‘. :1 I Se :—m Ir-1 :1_ﬁ I d‘ :1 M‘ :d' lt :— I- (6) His hair is crisp,and black andlong,(7)His face is like the tan; rgzjl. {'6} :-.d' It :(1' Ir‘ :s Is zse l 1 :r ls : I I :~ it 2- ' d‘ 1"-d‘ '1" 1V'\' 3 brow is wet with hon—est sweet,(9)He earns whate’er he can,(10)And looks thewholeworld Photo 2. {Fm :—.m lm :1 .1 is :d' Ir‘ .m':— |d' :— \- in theface(u)Forhe owes not a—ny ‘Second sympho,-,y_ Photo 3_ > }}} zm H1 :d' It :m' |d' :— .1; 11 :1. .t ld' :d' lr'.1:— 2 2.(12)Week in,(13)week out,(14)from morn ti11(15)night,(16)Youcanhear his bellows 0 z} 7-all. e dim. A.t. m. 1. {It ;- r— ;m'.r'ld' :1 lse :m lm :1 It :1.t ld' : I :r lms. :— 1- :s..s.: blow; (17)Youcanhear him swinghis hea—vy sledge; With mea-suredbeatand slow, (18)Likea Z> mil. 6 dim. s.d.f.C. a tem {Id zd Ir .r:—.r I m :—.r Id :s. .5.‘ m. :m. ls. zd lawn :— I :s ls :s ls.s:— } sex—ton ringing the vil — 1agebe11,(19)Whenthe eve—ning sun is low. (20) And chi1—dren coming 0’ mm 1" stacc. mll. {ld' :d' It :—.t Ir‘ :a'.,a'nn :1; It : u :s |s :d.' It :d' |r- :—.s ls :se 3 homefromschool Look in at theo —pen door; (21)They love to see the flam - ingforge,And {I1 :r is :a I1 :— It :— Id‘ :—.d' Ir‘ :m' |m :—.m|m :1 Is :d.'.,d'|r' :m' hear the be1—1ows roar, (22)And catch theburn-ing sparks thatfly, Like chaff from athreshing f> ”" I Third symphony. Photo 4. {la :11 Inn :11 ‘s :—.r 1: :11 .t.|1. ;— .1. Id =1, im : 1- :"‘S (23)goes on Sun-day to theChurch, and sits a—mor1g his boys; (24) He Elm:-.m1s:sV1;11s:_.sl1;—.11t:tld';-1:ls.s:s.sIm:mlr:—1c1:c1§ hears thepar-son prayar1dpreac1'1,(25)He hears his daughters voice (26)Singinginthevi1-lage choir,(27)And it Old hundredth Psalm. {I1 :1 is :m I r :— 1- :5m |m :—.mlm :m.m l f .f:— If : lr :r.r|s :—.f§ makeshis heart fe — joice: (28)It sounds tohirn likeher mother’s Voice Sing-ing in Pa - ra- \/ 17000 mll. a, iempo zm Ir :r lm :—.r ld :—.d 11. :1. It. :_ .1. If :—.f lm ;— 1- :m § (29) He needsmustthink of her oncemore(30)HoW in thegrave she1'1es3 (31) And mil. atem \/ _/ Photo 5. i “S :s Is :— .m ' S :f lm :r 1 d :- .d [In with his hard, roughhand he Wipes A tear out of rail. Photo 6. ﬁlm‘ zt .,t|d' :1 I Se :—.m lm :- '6.‘ :1 .,1|m' :d' It :— l— :t 111' :—.d' It :d' % 4.(32)Toi1—ing,rejoic-ing;(33)sor — row—ing, (34)On-wardthrdlife he goes; (35)Each morn 4 ingsees some f I 9 {Ir :-.s ls :se I1 :r ls zd I1 :— It :t .,tld'.d':— Ir‘ zrn In :— 5- :1 task be—gin, each(36)eve—nir1gsees it close (37)Some{hingat—tempted,(38)Some~thing done, (39) Has 1' molto Ma‘. “S :6.‘ Im' :-.,r‘|d' :— |— : I earnd a mghﬂs re—pose.. Fourth symphony_ Curwcn’s Action Songs for School Concerts. Full Song Size. Infants’ and Junior Schools; “ A " was an Archer C. H. Lewis Babes in the Wood A. J. Foxwell Bessie’s Secret A. Watson Boy and the Girl, The C. H. Lewis Castles on the Sand Percy Jackman Chlnaman, The A. L. Cowley Chinese Lantern A. L. Cowley Chinese Umbrella,.The C. H. Lewis Cruise in the Big Brown Boat Watson Country scenes and characters Foxwell Dollies’ Dancing Lesson, The A. Watson Dolly's Outing O. Ling and C. D’Ace Dunces, The C. H. Lewis Eight Little Mothers Effie I. Canning Flowery Garlands Foxwell and Lewis Girls versus Boys Hawkins and Lewis Good Night Song and March E. E. Mann Horsemen, The C. H. Lewis House that Jack built, The Japanese Doll Feast . Kindergarten Way, The P. Jackrnan Little Cooks R. H. McCartney Little Helpers R. H. McCartney Little Housemaids Hoare and Lewis Little Tommy Atkins A. Watson Lord Mayor’s Show, The T. P. Cowling Merrily round the May-pole W. L. Frost Merry Little Maids and Boys Cowley Mischievous Child, The Geo. Merritt My Dolly's House F. W. Farrington Nelly’s Dolly A. Watson New Baby, The ' J. Frise Our merry See-saw C. H. Lewis our pretty Christmas Tree Parkinson & Lewis Riding in the Tram Foxwell and Lewis Robins and Wrens A. L. Cowley Santa Claus’ Call J. Frise Signals C. H. Lewis Song oi Welcome, A J. Layland Spring Story, A H. A. Donald Twinkle, twlnkle,,little star F. A. Mann When babies go to school A. Watson When Granny comes home A. Watson When tired with our lessons Roddie Boys and Girls. A-hunting we will go At our Bazaar Beautiful Rainbow Birdies’ Concert Black and White , Clementine Ward British Flag of Freedom, The Roddie British Flag, The Percy Jackman Burlesque Band, The G. F. Root Camping Party, The A. J. Foxwell Children’s Hospital B. M. Ramsey Chinese Fair, A Hoare and Lewis Chrysanthemum Land Gillington & Lewis Craity Old Spider, The A. Watson Crosses Three W. H. Smith Dolls Edith E. Marin Family Coach, The C. H. Lewis Four-and-twenty Blackbirds J. Thom Funeral March of Cock Robin Labbett Gallant Liie-boat Crew T. Facer Gifts of the Season Foxwell and Lewis Gipsy Dance and Lullaby Frank Sharp Git under de ’brella Edmonds and West Grotesque Mandarins J. B. Tomlinson Home-made Concert, A P. Jackman House that Jack built, The Foxwell Inehriated Geese, The - A. Watson hi Hot Hindustan C. H. Lewis Inquest on Cock Robin Foxwell & Lewis In the Market‘ J. Frise Joan and Darby May Byron and Lewis Lawn Tennis Players C. H. Lewis Llie-boat, The Percy Jackman Like this J. Frise Little Farm in Ohio, A A. Watson Little Gipsies A. Watson Little Haymakers Tom Pierce Cowling Little Hunters Beynon Ashcroft Marionettes, The - F. W. Farrington Merry Singers Tom Pierce Cowling Monkey on a Stick - aPercy E. Fletcher Motor Car, The Thos. Facet Mousetraps! who'll buy! A- Watson Musical Picnic E. Ouseley Gilbert My Bike Annie R. Forder on for the Holidays (2s.) v ~ Fitz-Gerald and Elliott Lath Off to Blackpool Augustus Lanhanu 0 merry it is at close or day Lewis Arr. F. Knapton . Frise Clementine Ward A. L. Cowley LONDON : ONE SHILLING EACH. Voice-part in Both Notations. Ample‘Directions for Actions. Pianoiorte Accompaniments. Apparatus for some of these Action Songs may be had and Costumes hired from the ‘Publishers. Our Band- Our School Treat Pigtail and the Fan Playmates Waltz Plume Song, A Poor Cock Robin Rainbow, The Red, White, and Blue Gillington and Lewis Santa Claus’ Call J. Frise Santa Klaus J. Frise Percy , J ackrnan F. W. F arrington Ernest Bucalossi Kirby and Woolley Edith E. Mann W. S. Roddie Clementine Ward School Bells are ringing M. Johnston Showman on Tour, The J. Frise Singing Competition A. J. Foxwell Song oi the Union Jack M. C. Gillington Star-land J. W. Kirby and W. Woolley Swinging (No actions) W. Lane Frost Teachers oi Britain John Brind That’: just what I expected J. Frise Thcre’s an isle ‘mid the silver sea Cooper This World of Ours C H. Lewis Three Flags John Graham Toy Band, The W. Willoughby Toy Shop, The T. Sydney Smith Tribute of Flowers (8vo size, 2d.) Fletcher United Kingdom (Sol-fa, id.) Cowley Waves, beautiiul waves T. Facer Waxwork Show, The C. H. Lewis What game's best for playing it Coward When love is young J. Frise Where are you going to ? C. H. Lewis White sails A. L. Cowley Wynken and Blynken R. de Koven Ye Ocean Wave (2s.) H. Elliott Lath You Mus’n’t A. Watson Boys. Anglers, The C. H. Lewis Auctioneer, The J. Frise Birds and the Boys Herbert A. Dyer Bold MountaineersFinnemore & Jackman Boys’ Brigade A. King and G. G. Turriﬁ Boys in Khaki, The Percy E. Fletcher Boys will be boys C. H. Lewis British Army Boys J. Frise British Isles, The A. L. Cowley British Workmen Munday & Valenza Busy Blacksmiths, The D. McKenzie Busy Little Carpenters A. Watson Butcher Boys, The A. L. Cowley Buttons J. Frise Cheap Jack Frank Booth Chinee Boy, The C. H. Lewis Chinese Boy’s Ambition Ward & Healey Chinese March C. T. West Coon and the Tune, The J. Frise Cricketer’s Song, The A. L. Cowley Crossing Sweeper, The J. Frise Crossin’ Sweeper Joe A. Watson Doctors Three J. Frise Dancing Bears, The T. H. J. Eling Dentist’s Den, The C. H. Lewis Dwarfs, The C. H. Lewis Farmer’s Boy, The C. H. Lewis Fire Brigade, The Foxwell and Lewis Fire Brigade, The- Stallybrass Fly Catchers, The C. H. Lewis Football A. L. Cowley From behind the Speaker's chair J. Frise German Band Action Song Roddie Good Umbrella, A Foxwell and Lewis Gymnastic Vocal March Seymour Dicker Hats F. Hoare and C. H. Lewis Hi-ching-ting-a-ling John Brind Home Coming, The C. H. Lewis I’m the Butcher Smith and Lewis Invaluable Cane Gillington & Jackman Jerry Blinkum’s Baby A. Watson John and Co. IVL Ashcroft Johnny Schmoker G. F. Root Jolly Cabmen, The V Edward J. Labbett Jolly Eskimo, The C. H. Lewis Jolly Jack Tar, The C. H. Lewis Jolly Little Cobblers A. Watson Jolly Old Cobbler Tom Pierce Cowling Jovial Auctioneer, The A. Watson Kazoo Band ~ P. Jackman Kilkenny Cats (with Meow Cho.) Watson Lads’ Brigade, The E. E. Vinnicombe Little Crossing-Sweepers B. M. Ramsey Little Fishers F. W. Farrington Little Gardeners E. C. Winchester Little Ricksha Boy, A Farrah & Lewis Little Sailors Tom Pierce Cowling Little soldiers D. Mackenzie Local Volunteers, The J. Frise Merry Drummers Percy Jackman ‘Dorothy Sly Merry Plcughman, The Merry sandwich Boys Merry Shoeblack, The Merry Old Soldiers 01! to Klondyke Old Soldiers On Parade Onward March Our Hats Our Model Parliament Our Model Policemen Paddy Blake Pedlar. The c. H. Lewis Phizzy-ol-oi-ol-o-gee H. R. Coombs Poet would a-ilshlng go, A A. Watson Poor Pierrot Gillington and Jackman Red Indians, The Gillington and Lewis Sailors, Soldiers, and Tradesmen , enkins and Lewis Sneezing Song, A Alfred Scott Gatty Soldier Boy, The (2s.) A. Scott Gatty Song oi the Blue Jackets J. O. Murdoch Song oi the Sailors David Mackenzie Sons oi the Sea Foxwell and Lewis stilts, The C. H. Lewis Sweeps, The C. H. Lewis Tailor’s Song, The T. H. J. Eling Tall Top-Hat, The Percy Jackman Ten Little Chinamen Edmonds and West Ten Little Choir Boys Dawson & Fletcher Three merry dentists C. E. Le Richeux Tinker's Song, The A. L. Cowley Tin Whistle Band, The Taylor & Lewis Tramps, The Percy Jackman Tramp, The J. Frise Tetbury Mop M. Ashcroft Triangle Song C. H. Lewis Trooping the Colours Arr. J. S. Curwen Union Jack, The T. Crampton Up with the Flag A. L. Cowley Urchins We V J. Frise Village Minstrels are we C. H. Lewis Wagoner’s Chorus C. H. Lewis We are Jolly Blacksmiths C. H. Lewis Who’s got do little nigger’s shoe ? Watson Woes of Three Dufiers E. N. Lewis Wonderful Hat, The C. H. Lewis Yawning Song T. W. Partridge Young Punchinello A. Watson Young Troubadour, The A. Watson Girls. Ambulance Maids Fow1er~Tutt & Lewis Beautiful Rainbow Clementine Ward Beneath the golden orange grove Lewis Busy Little Housemaids A. Watson Butterﬂy, The W. Woolley Caller Herrin’ Arr. Annie Irvin Cloud and Sunshine Elizabeth Tate Contrary Mary Herbert Lloyd Could we but rule J. Frise Dame Daisy’s “At Home” E. E. Mann Domestic Troubles A. Watson A. Watson C. H. Lewis C. H. Lewis C. H. Lewis Farrington C. H. Lewis C. H. Lewis J. Frise Gillington and Lewis T. Mee Pattison J. Frise Longhurst and Lewis William Barkla J. Frise J. Frise A. Watson Family Linen Fan Telegraph Fisher Girls, The Flowers, beautiiul ﬂowers Parkinson & Lewis Flowers’ Festival Edith E. Marin Gay little Geishas we J. B. Tomlinson Gay little girls irom Japan N. O’Rei1ly Gleaners, The A. L. Cowley Grace Darling Arr. Helen Faulkner Grandmother's Dream F. L. Bristow Grandmothers Old J. Frise Granny’s Patchwork Quilt C. Ward Grecian Girls C. H. Lewis Handerchlei Song Kate Fowler Tutt Happy little Japs Frank H. Gelling Hoop Song, The J. Tomlinson Corbin Housework C. Hutchins Lewis Hurrah for the songs we sing J. Frise Japanese Fan, The A. L. Cowley Japanese Tea House Foxwell and Lewis Jolly Factory Lasses J. Frise J oily Little Geishas Gillington and Lewis Latest Thing in Dolls, The W. S. Roddie Little Laundresses Tom. Pierce Cowling Little Maids oi Long Ago C. H. Lewis Little Playmates R. H. McCartney Little Turkee Turks Frank L. Bristow Little Washerwomen C. Flavell Hayward Looking Glass, The A. J. Foxwell Love in a Boat J. Frise Maids oi Seville, The C. H. Lewis For full description, see School Catalogue, gratis and post free. J. CURWEN 8i SONS Ltd., 24 BERNERS STREET, W. t Merry English maid, A Merry Little Milkmaids Milkmaids, The Miss Milligan’s Girls Miss Muﬂett Miss Prim Mistress Mary My Dream My Sweetheart Not quite the same Old Age Mary Arnold and P. Jackrna Our little serving maids Tutt and Lew Our Night Out Pinaiore Song and Dance Pit-pat W Poppies Posies Queen Anne Fan Song Raise the Tambourine on high Pattiso " Screen Song W. Woolle l. Smart P.T., The song or Slumber, A Song of the Little Jap, The Stocking Menders (8vo, 2d.) Sweeping-brush Brigade Tales of Childhood Tee.-party, The Three Modest Quakeresses Washing Day We are dainty, dancing ialries We'll tell you your iortunes Mackenz‘ Welsh Girls ‘ C. H. Lew When I was a girl, you know J. Fri Flore Cooper and Le C. H. Lewi . Dances and Musical Drills. When I was a girl, you know Ball Tossing Bogies . . British Empire Drill Windley & Stuar Butterﬂy Song and Dance C. War Children’s Dance Miss E. Hughe Clogity hop-te-toe Alphea Parr Click, click ! ‘ Concert Flag Drill Dance oi the Vampires, The Elves and Bells Fair Arcadee Fairy Bells ringing at dawn Fan Drill Lois Bates and A. Pearso -‘ Fan Philosophy K. Melville Fletche Fay and Flower E. Maso-[ Flower Bells, The A. L. Cowle if Four Young Quakeresses C. F. Haywa ' Gymnastic Vocal March Seymour Dicke I-Iazelrigge Flag Drill Windley & Stuar Heads and Heels C. H. Lewi Hindeo Maidens '* Turner, Longhurst, and Lewi Japanese Parasol Winthro. Jolly Tar’s Sword Drill Kazoo Band King's Navee, The Lads in Blue ' Little Consta Little Grena March of the Kazoos March of the Pipers Maypole Dance Merry Maidens We Merry Morris Dancers Musical Flag Drill Night in a Dormitory, A Turner, Longhurst, and Law 0 ! iancy i just iancy l i A. Watso Onward March Turner, Longhurst, Lew _ Our Gay Balloons Parkinson & Jackma.‘ Peasant Dance Wakeling Dr k‘ Pink-a-Pong Turner, Longhurst, Lew '1“ Pole Drill and Bar Bell Drill Hughes Ribbon Drill C. M. Kenned Ribbons and Tassels ‘ ’ Scari Drill C. H skipping Rope Drill Jennings and S Skipping Song and Dance J. F Smiling Geisha, The . so Shy Spanish Drill March Tambourine March and Dr Trip, Trip, Tripping Wand Drill Wheel Drill (2s.) When Good Old Dames Braine and Lew ‘, DIRECTIONS. T? FOR CONCERT.-—Eight Boys and Four Girls. DRESS.—BOYs (blacksmiths): dark blue trousers, white shirt (bare chest and sleeves rolled up); ” tan ” aprons; box of tools ; hammer; horse shoe; pincers and ﬁle. SCHOOLGIRLS: White frocks; red caps; skipping ropes tied round waist, and school bags (tan) slung over backs. EMZ1/y.—During First Symphony four boys from each side of stage walk on, whistling tune, and take places as in Diagram T, placing boxes on ﬂoor. Girls run on. %é‘° §° °§§v GIRLS. :37 DIAGRAM I. Last bar of Symphony, boys, except two front ones, form semicircle as Photo I (under a spreading chestnut tree). I. Girls point to boys. Two front boys imitate striking on anvil, one boy holding horse shoe with pincers, whilst the other strikes shoe with a hammer, which must be _ swung as a sledge hammer (Photo I). Con- PHOTO _ tinue this action to the word “stands,” when boys step back to places (Diag. I). 2. Hold hips ﬁrm. Girls point to boys at word “ mighty.” 3. Hold up hands and twirl ﬁngers. 4. Stretch out arms sideways, bringing closed hands to neck vigorously (showing muscles). 5. Raise right knee and break imaginary iron bar across it. 6. Point to hair. 7. Point to face then show aprons. Girls show bags. 8. With right thumb wipe forehead twice from left to right to worc ;‘ sweat,” throwing same off thumb to ﬂoor. 9. Shake pockets with hands in. IO. Throw arms out to front. II. “Partners” grasp each other’s right hand, and make “clicking” sound with thumb and second ﬁnger of left hand. PHOTO II. Photo II. Second Symphony. As Photo III. In time to music, boys strike as Action I. I2. Move right hand from right to left. I3. Move left hand from left to right. I4. Half right turn, shade eyes with hands, and look upwards. I5. Palms together, and rest head on hands. I6. Imitate blowing “smithy” bellows. Girls, with hand behind ear, listening to same. I7. Action I. Photo III. Girls listen during this action to worc “ slow.” ' I8. Imitate ringing church bell. 19. As I4. 20. Boys, with ﬁle in right hand, and resting horse shoe on right knee, imitate “ ﬁlin ,” whilst irls Mm to followin PHOTO 111' positifns (Diag. II)gand “peep in smithy.”g Village Blac/eszizit/2. DIRECTIONS, continued. GIRL 2r. Girls clap hands, whilst all boys, , _. _. \ /y >\‘::v except two rear ones, imitate striking «>§§v BOYS »§§~ (Photo III). Two rear boys blow bellows. Boys continue this action in time to music, // °§§~’ BOYS "§§» GIRL ' to end of verse. /1‘ u :3’ -"v < / / 1 1 K ,//7 GIRL3‘~;(. 22. Girls imitate “catching the sparks,” throwing same to the ﬂoor briskly, as though DIAGRAM IL ﬁngers were burnt. $3 GIRLS «gs. Boys ass, Third Symphony: Boys as Photo IV (on front page), shoeing, and imitate putting nails in horse’s shoe. Girls walk back to their places reading books, which they take out of their bags. 23. Point to right. 24. Kneel as in prayer. 25. Still kneeling, placing hand behind right ear (listening). 26. Rise slowly, and point to right. 27. Hands over heart. 28. Right hand behind ear (listening), points upwards with left hand (Paradise). 29. Clasp hands and shake heads (medi- tating). 30. Point to ﬂoor. PHOTO V. 31. At word “hard,” right hand boys show left hand, left hand boys show right hand, and half turning “ wipe eye.” Each girl walks mournfully with head bent to places as Diag. II, placing her hands on boys’ shoulders (Photo V). Position for remainder of song as Diag. II. 32. Wave hands above heads. 33. Photo VI. 34. Move right hand briskly to right. 35. Boys take up and show tool boxes, girls hold bags to front. 36. Place boxes on ﬂoor. 37. Strike right knee briskly with right hand. * ~ - 4 38. Arms stretched forward. PHOTO VI. 39. As 15_ Exit.—During Fourth Symphony, girls throw skipping ropes round each couple of boys, and to music (“Harmonious Blacksmith ” preferred) trot off stage as horses. Village l;’lack51m'L‘h.
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Text: A \~ « \_n 1 L7‘»;‘ “HJ1E,'\W'Q £3.99’ 1/ -;§E::\ \\ \ _-\_/J“/ /“‘~~. / “:;// ,@U,@}ﬁ@&%hmg§g:i% ‘“’/73Ef><\\ _._2<“\// ‘\ / TH:awusm;©@mP©$E@ /F’/at .S’z22.E/2.7]. \__~; * Published by HUTCHING-S 8: ROMER, LONDON. WHERE MAY BE HADALL MP FRANK ROMERS COMPOSITIONS. uusac uammv VASSAR CO1..LEGE KJ / TWO LOCKS OF HAIR. W'ou'd~ by M(Isi(- by H.W.LONGFELLOW. FRANK ROMER. } ANDAJVTE. Jr PIANO- FORTE. Fiﬁ -'4 youth, light-he;u'tcd zmd content, I \~"...
Show moreA \~ « \_n 1 L7‘»;‘ “HJ1E,'\W'Q £3.99’ 1/ -;§E::\ \\ \ _-\_/J“/ /“‘~~. / “:;// ,@U,@}ﬁ@&%hmg§g:i% ‘“’/73Ef><\\ _._2<“\// ‘\ / TH:awusm;©@mP©$E@ /F’/at .S’z22.E/2.7]. \__~; * Published by HUTCHING-S 8: ROMER, LONDON. WHERE MAY BE HADALL MP FRANK ROMERS COMPOSITIONS. uusac uammv VASSAR CO1..LEGE KJ / TWO LOCKS OF HAIR. W'ou'd~ by M(Isi(- by H.W.LONGFELLOW. FRANK ROMER. } ANDAJVTE. Jr PIANO- FORTE. Fiﬁ -'4 youth, light-he;u'tcd zmd content, I \~"u1L_de1' thro” the world; A _«_ __ I‘ab—1ike, is pitc.l1’d my tent , And $t1':‘1-ight a-g:1i11 is fu1'1’d. /\ /\ {m.:-R.323.} 2 rin/r,-P P r:r1rzt(1/n‘//P oft I dream, that once a wife, Close MP/9 1oc1:’c1; And in the met mllm. bles - scd child , mck°d. calla voce U dre-un1 ~ 3.. -w;1y! {H & n.32s.} Too long, too long did my heart was of life , re _ main! nun auima . V . long, that both by 11ig'11t‘zu1d day It e-..ver comes It ' e ..’\'e1' cmncs a _ _ - gain. PP But now’ the dream is mo/~ ~\ (Yer , I bathe mine eyes and wau__-_dc1' itlno’ the world once more, .A youth so 11411: ‘ and /\ /\ dolce e Cantabile. Two locks, and they are w0nd’1'ous fair... F!” vi _ sion mild: The brown is from mllen. mo -‘the1"s hziir, The blondc is from the colla 17006 I {H&R..328.} that look of gold , Pale g1'0w.~:~ can am’ ma. evening red, And when the dam; lock I be _ hold , > dim. Wish that I were dead, I wish that I were A 0 dead . PP {:23} V London; Prmfed by Huﬁchinés & Romer, af: theirWho¥esaleWarekou5e,l0 &||,LiEEieMaﬂborough Eiﬁe \ it Q I SONGS REUE/VTLY PUBLISHED BY A TGHES R® ‘\ >‘ commas. Ah! yes, 'tis true - - - E], to E], - An Angel in the ﬂame (in C 8: Eb) F to F A twilight dream - - - C to F - A message from my lady fair - F to F — A Merry Christmas and a Happy New Year - - - D to F3 - F. R. Haw-gal At noontids - - - C to D LadyArtImrHz'll A dream - - - D to El, - -C. Ludsrr A Summer.-’s day - - E to F - -0. Pinauli A merry little maiden - D to G - J{L. Roecésl A year ago - - - C to F - J. Blumenthal Biondella - - E to B], Sue-Int Champion Boa’sn's mate - A to E - - 0. Barn‘ Babe and the sunbeam - - G to E - C’. Obertlmr Blue bird «- - ~ - D to E - - 0. True Borrowed Kiss (in G and B5) - D to F - - R. Yorke Bachelor's complaint - - E to F — A. 0. Bartram Come to the ﬁelds - - B to F - _ A L. Ardili Catarina - - - D to E - ‘J. Barnett Ciphering lesson — - D to E - - H. Fare Conscript, The - - B to F - P. Mazzoni Come back, sweet birdie - C to E - G. Moroni Childrens triumph - - C to F F. R. Haoeryal Dear ones at home - - D to E - - 0. Barri. D.aisy's Song - e - C to F -C’. A. Macirone Doubt no more - B], to E1, - E. Pieraccini Dreams - - - F to F -0. A. Maoirons Dew drop and the rose -D to F or Go - Mazzoni Desert spring - - Db to F - - E- Land Embers of the past - C to F - - F. Ab! Erin, my country - D to E - J. 13.7/’}Lomas Forget Thee - D to F - E. Campobello For ever - C to F - Earl Dunmors Floating on air 0 to F - V. Gabriel Forget-me-nots F to G - - R. Hour From the garden ‘ E to F - .4. M. Smith Gentle dew - - B to E[, Rev. W.H.Havsr_qal Golden harps - - Eb to Eb - F. R. Havsrgal Happy as a wild bird (inB[,&C.) EtoE[,orG- 0. Pimuti Heaven helps those who help themselves - - - B to E ~ Happier than a King - - C to E], - Home of the weary hearted o E to E - He that scattered Israel - o C to D — I am the good shepherd - D to El, - J.F.Bm-net! in dreamleud e - B to F - - E. Bathe in the gleaming - f D to D -Lady/1rthurHill 1 have gone aetragz « o D to F - J.F.Barnett Kitty Muldoeu n - B to E - - -7- Skeqf Lighted home w w - A to E - -1. ds Lara Lang}? Ema]-t a y - o - 90 F ' V. Gabriel Love that loves me true. The - C to F Lgving allalong - e - B to E -' F. R. Haosrgal Listening in darkness, speaking in light -- - - - to F - Tito Mattei - H. Fast V. Gabriel I. Gibsom - H. Fare - L. Badia F. Campana J.F.Barnett M. Winter - R. F. Harvey- Géﬁﬂﬂ Wahﬁtbﬁ 16503-5‘! 8 IﬁUKs#s&9' ooeoooeeoecoe oauoeooocecocococeeoeeecoeooocoooeo coco.‘- courses. C to F A to D CtoE DtoE|, »CtoE CtoE BtoE BtoE[, BtoE BtoF Lord is my shepherd, The Lost bark - - - J. F. Bennett 0. Laden V. Gabriel - C’. Krebs F. Bosoooifz R. F. Harvey -C’. Pimuﬁ J. L. Rosclwl J. F. Duggan B. Palmer D to F J. L. Bosclcsl C to F Eletto Grant E to G - Pants! 0 to F J. L. Roesksl B to D - V. Gabriel B[, to F - V. Gabriel D to E - V. Gabriel B to F - J. L. ‘Hutton D to E - F. R. Haosrgal D to G -C’. J. Jllaelumzia D to E - ll’. 0. Levy D to E - R. F. Harvey D to D - - R. Aspa C to F - Tito Mattel D to F - - F. Pam’ Bi, to D - -_ F. Romsr C to D - F. R. Haosrgal C1,‘. to E o V. Gabriel C to F - F. R. Havergal F to E]; -A.E.Armstrong B to E - - W‘. Gan: C to F Ladydrthurﬂill D to G -C’. J. Mackmzis E to G - E. Pieraaeini Bweet Summer is ﬂeeting C to F - J'.L. Roecl.-cl Storm of sorrow - - - E to F or G - J. L. Rosolul Some other day - - - D to F - - 0. Barn‘ Sooner or later - - - C to E - - E .46: Tidings o'er the ea - - B to F - G. F. Home Twilight voices - - - C to D - F. R. Have:-gal Thou winsoma wife 0' mine - D toF or G - 0. Obertlaar The two “ Ay’s " - - - G to G - E. C. Pun-ell Through Summer seas - - E to F or A- J. R. Roeckel Thy spirit is near (in C at Eb) - D to E], - - H. Smart Up with the sail - A o - D to G - C'J.1}{aclsn:c's Wedding bells '- - C to F - — A. Loder Worthy the Lamb - - C to E - F. R. Haoergal We two are one - - C to F - - 0. Barn’ Wedding Jewels - »o D to F -' L. Bordéss Wishes - - — - -D to D - J. Grunhill When red leaves fall - D to G - 0. F’. Hanan Waves - - - - e C# to F - G. Mona: What will the Summer bring - D to F - M’. Wipmy My darling’s dream . My rustic dwelling - - Month of roses - - My fair one - - - My sweetheart, aged three Mary Hamilton - - Maureen - - . My love - - - Maiden’s winter song «- No love can equal thine - Neﬁ - - - - 0 blue, blue swallow . Only a heart - - Only a sprig of heather - Our Willie - - - 0, mighty, mysterious In Only for Thee - - Oh! roaming wind - O merry Zingarella . One face - . . Past recall - - - Pretty prisoner - Parted - - Promised land - Precious blood of Jesus Rhineland Minstrel Resting - - 8ailor's farewell s‘ Sing on, sweet bird ~ Secret, The - - Bomething sad - Bspphires and Pearls ceases»-E-hr-can eaaneseoeees esaaseaeseeuueeee eses --«nausea «cu--ce.u.c-Am mm rue-am.»-hues may 9°O9©@@9O OOQOQQ Q90¢9@OO€OO OOCOO OOOQO¢OOOOO OGOOOOOOO@O.& HUTCHINGS & ROMER, SEPTEMBER. 1879. I0 & II, Little Marlborough St.,London.W.
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Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEpsgE' NEW v.““ -/ I‘ \\ I \ K (/Z\ /X‘ \ ) _\ /4 J 5‘ I 3* , THE PAST AND’PRESENT...2/. iN‘_’2T, THE SILENT LAND..._......4.2/. , THE CASTLE BY THE SEA12‘./. .v 4, FOOTSTEPS or ANGEL$....2/. , FLOWERS ........................................... 1.2/. 6, TWO LOOKS or HAlR~ .......... E2/. , THE . 8, SPRING‘ TIME ....................... .. 2/. . THE FROZEN WRE"CK.....,........ . I0, oua LIVES ARE RlVERS...2/. . A PSALMOF L|FE_.._.... r. I2, GH|LD...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEpsgE' NEW v.““ -/ I‘ \\ I \ K (/Z\ /X‘ \ ) _\ /4 J 5‘ I 3* , THE PAST AND’PRESENT...2/. iN‘_’2T, THE SILENT LAND..._......4.2/. , THE CASTLE BY THE SEA12‘./. .v 4, FOOTSTEPS or ANGEL$....2/. , FLOWERS ........................................... 1.2/. 6, TWO LOOKS or HAlR~ .......... E2/. , THE . 8, SPRING‘ TIME ....................... .. 2/. . THE FROZEN WRE"CK.....,........ . I0, oua LIVES ARE RlVERS...2/. . A PSALMOF L|FE_.._.... r. I2, GH|LD.REN ................................... .42/. , RES|GNA'T‘l0N..__...._.... . I4, SILENT RIVER .................. I. 2/- ’, MY LOST YOU'TH.._....... , I6, DAYBREAK_'___.__......._..... THE TWO ANGELS........._....T._..2/6. I8, HYMN TO THE NIGHT... __.2/5- ,THE GOLDEN MlLESTONE...2/6. 20, /" '5)” . / E /‘ _\ \ ‘K €€‘ 0}} E, [1 1 6% 7 W““"/$3 \__/ zS"1z(;.5‘//1, /2.’dZZ. U.®R|£l)©W, LEADER 3: COCK, 63, NEW aoun STREET CORNER or BROOKESTREET. Tl“W© . éUﬂ@@{‘..© c. >l‘©|l‘ i‘ POETRY BY H.w. LONGFELLOW. _ MUSIC BY F.’RoMER. ./ILLEGRETTOV I cow ESPRESSIOJVE. L Two Angels, one of Life and one of Death, Passed o’er our e \ PP village as the m0rn.--ing “broke ; The dawnwas on their fa..--- ces, and be-- ‘ ,_\ .. _ The ‘sombre hoﬁsesvhearsed with pltrmes of ‘smoke. -T T: ‘S T Ores V /S /1 7._._..._____.._____ _ at.ti-tude' and as__pect%$~..'erebtl1e same, A__1ike their fea-.1:1Ires and theirrobes ' ’ Brit 1»one was . T crownedwith é----mafanth, as with flame, And one with ‘ /T. /‘T ,,{_-“~ ’_,’'‘'T /T\ KT M Ma)? ;. , Then said I, with deep fear and doubt op__press_ed, * “Beat not -sov L: ‘if... loud my heart, lest thou be-.tray The place where thy be--l0Ved are TT e con espressione. Where thy be_.loved at 7‘rest! in Where thy b¢-_‘ - [loved are he who wore the crown of 4 . a,s..--ph0dc1s, Descend--i.11g, ‘at my door b¢.-gan to knock, soul ‘sank within me, As in ‘Wells the watérs sink an earth.--.quakesV shock. I M The door I opened to my Heavenly gUest,And listened, for thought heard Godfq V/9/9 And, knowing‘ whatsoe’er. He sent was best, Dared neither to la. /°w\“‘—"“’//e --ment nor to re...joi(7e Then with Va smile, that filled the house with ._,-G— H ff 4: " ‘ :‘:£— ‘ / And e’re I answered,passing out of ADAGIO. V L ' Cantabile. ~ On his ce -les-tial embassy he - sped. , ’Twas at‘ thy PF’ door’ 0 fI_-je‘nd!‘_ and not at mine, _ M The Angel with the a__maranthine z—\ /5 \ 7L wreath, M Pa.IIs_.ing, de__scend..ed, aildwithvoice di--V'ine, Wl1is.pered. a X‘'‘\ / \ word L that had a sound like death. _ Then fell Ihfp/-011 the house a sndde Z.._\ 11 fﬁ a o A shadowhon those features pale and thin; _A11d softly, V, fromthathushhénddarkened ‘room, ’T§wvo _An- Vls is-- sued,where but /——§ (-~\ o o o n A é. /“PP All is of Rallentando TEMPO PRI.Mo .- God! ‘ . if He but waxe his hand, / The mists co1-- -_1ect, the rain falls thick - and loud, ” Till witha. V sfnile of light on sea and land, .L0!He looks down fromthe e-part..-.ing Tjfﬂ /-—’-\ r—- ,/" /——\ ,/ /~\Z\/x » Z—\ {x :_:_ Angels of Life 7 and Death a.--.like_ A are ithout His ieave » they pass no threshold ‘ 0’er; Who then, would Z‘$z—~\‘Z‘\Z"“\ //AT/'_\Z‘TZT Cres "“”"" ‘W f wish or dare , believing ‘ t Against His me=sse1<:gers to shut the /—-\ Cres _ \ e con espressione. * _ .. _ _ __ _ ,,.,‘,hz[‘5,,,nh» _______ __ door ‘.3 M ' ’ Against His messengers to shutfhe door‘? Against His ' d 4".’ m - - - e - - . _ 'raN«>n“ ______ -- morendo messengers to shut the door ......................... ................ ..?‘ T -- tan-—--' -------- .— ' ' _ d\, o H.439 TEMPO PR1.Mo .» God! I . if He V but waxe his hand, ’ The mists c0l-_ -_lect, the rain falls thick ' and loud, V I Till with a . V smile of light on sea and land, .Lo!He looks down fromthe e.part.__-ing T ’_T T /'\/“/"‘K\/‘/’‘/\/\ /\ Angels of Life . and Death a..--likeM A are ' ithout His H.439 ieave _ they pass no threshold st oger; Who then, would Z"‘"\r§.tZ"‘{—‘\ //TZTZTZT S -' ‘1!—h( ' f wish or dare , believing M t Against His: Ii1€SSfB3{zg€TS to shut the e con espressirolze. A _ . _ , ._ .: .,»,,gg;,,;AM________ ' Against His messengers to shut the door Against His ¢im_- ek- moreudo messengers to shut the door ......................... ................ '\ Dim. A PPP ._ tan ____________ ._ . d‘ M H . 439 ‘LIST OF NEW SONGS. A LOVING HEART . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .LanrI . . . . . . . . . . . . . . . . . . THERE SAT UPON A LINDEN TREE . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . SING, PRETTY STREAMLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G’. B. Allen . . . . . . . . . . . . OUR EARLY DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . DEAR OLD ENGLAND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ZW7‘s. Gilb/art d Beckett . . . . SONG OF FORTUNE . . . . . . . . . . . . . . . . . . . . . . .IDYLI.S OF THE KING. .Jo,7m Barnett . . . . . . . . . . .. VIVIEN’S SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI'rT0 . . . . . . . .J0/m Barnett . . . . . . . . . . . . LOVE AND DEATH .................. . . . . . . . ..D1TTo ...... ..Jolm Barnett.’ . . . . . . . . . .. WITH THE CAROL IN THE TREE . . . . . . . . . . . .MAY QUEEN . . . . . . IV. S. Bennett . . . . . . . . . . > O MEADOW CLAD IN EARLY GREEN (in D 8: F) . .DITTo . . . . . . ..W'. S’. Bennett . . . . . . . . . . ’TIS JOLLY TO HUNT . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI'I"r0 . . . . . . . . W. S. Bennett . . . . . . . . . . STILL LET ME SING TO THEE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ste7‘l'cl . . . . . . . . . . . . . . . . LOVE AND FEAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jllfss Smith . . . . . . . . . . . . BLOW, BUGLE, BLOVV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lo7-(Z Charles T /Lynne . MY FRIENDLY HARP! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .F1'ank Rome?‘ THE ORPHAN’S PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MI'ss Dolby SLEEPEST THOU? WAKEST THOU? MAIDEN MINE . . . . . . . . . . IV. V. IValtace . . . . . . . . . . SWEET ROSEBUD OF GLENARRA . . . . . . . . . . . . . . . . . . . . . . . . . . . .L{nlc_z/ . . . . . . . . . . . . . . . . . . AS I SAT BENEATH A WILLOVV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fran7s Romcr . . . . . . . . . . . . THE JOY OF FRIENDSHIP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Br:et/zozwn . . . . . . . . . . . . . . SOLITUDE.........I . . . . . . . . . ... WHEN BRIGHTEST HOPES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . II. Con(/ran . . . . . . . . . . . . I TRUSTED TO A FAITHFUL HEART . . . . . . . . . . . . . . . . . . . . . . . . ..A. III. IV}/alt . . . . . . . . . . . . ’MID THE WILD-WOOD’S LEAFY BRANCHES . . . . . . . . . . . . . . . . . .1I[end(:lss0/In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Rnsa Lyne.............. THE SPIRITS SONG (transposed edition in D minor) . . . . . . . . , . . . . . . .}Iay.rl/2. . . . . . . . . . . . . . . . . WHEN DAY IS BRIGHT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Ha!ton . . . . . . . . . . . . . . .. AWAY TO THE FAIRIES’ WELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Lm2d . .' . . . . . . . . . . . . . . .. WEEP NO MORE! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jllfss S'nzz'r7L WE WERE PLAYMATES IN CHILDHOOD. JVILLIAM AND SUSAN. . Tully . . . . . . . . . . . . . . . . .. THE BOATMEN’S SONG (and Chorus ad. lib.) . . . . . . . .DITTo . . . . . . . . Tully . . . . . . . . . . . . . . . . . . I LOVE MY LOVE IN THE MORNING . . . . . . . . . . . . . . . . . . . . . . . . ..G. B. Allen . . . . . . . . . . .. THE YOUNG MOSS ROSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jo/‘an Barnelt . . . . . . . . . . .. THE ANGEL OF PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ﬂI. W. B«_Z/(3 . . . . . . . . . . .. ZEPHYRS OF THE GOLDEN MORNING . . . . . . . . . . . . . . . . . . . . . . . ._4bt . . . . . . . . . . . . . . . . . . .. ' A BEAM OF SUNSHINE . . . . . . . . . . . . . . . . . . . . . . . . . , . . . . . . . . . . . . . ..W. V. Wallace . . . . . . . . .. POOR LITTLE BIRD, THY SWEET NOTES HAVE BEEN RINGING M2's. Wzzm .......... .. I MURMUR NOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bcne(12'ct . . . . . . . . . . . . . . . . LONE STAR...... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..W. V. Wallace . . . . . . . . .. DAWN GENTLE FLOWER . ................................... . . W. S. Bennett ........ .. COME NINA, COME! ......... .... . .. .................... ..G'iugIim' .............. .. KATIE’S LETTER (in E & G) ......... ...................... “Lady pufm-A ........ .. THREE FISHERS (THE) ...... ............................ ..Lahee ................ .. 1 BEHELD A FLOWER BLOOMING ........ ................ ..H. Snmrt ............ .. OLD HOUSE BY THE "LINDENS STOOD ....... . . . . . . . . . . . ..Jmnes Bennett THOUGHTS OF THEE MERRILY, MERRILY OVER THE SEA .. ...................... V. Wallace .... COME INTO THE GARDEN, MAUD ...................... ......Jozm Barnett ...... .' . .. THERE IS A NAME I NEVER BREATHE ...................... W. Balfe. . . .. ..... .. I KNOW WHO! SING, MAIDEN, SING .... ........ . . . . . . . . . . . . . . . . . . . . . . . . ..FranzKe1,'zer..... . . . . . ,. .. . . . . . . . . . . . . . . . . . . . . . . . ......Mrs.Groom . . . . . . . . .. . 2 2 2 2 2 2 2 2 2 0390303COG9®C3OC3O5OOOO¢IOG©O¢2C2’aOOOOOIOOOG5CGIOOOCDOOOOOOOOOW LEADER AND COCK, 63, NEW BoND STREET, CORNER or BROOK STREET.
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Date: n.d.
Text: /O -0 \ ‘(V3 7' /A % ///“\Q , /”\\ ‘\ , . \‘Q /i:\. \ . [V _( . g 33/ ‘ VRL A ,. Zmg 36 amw 7 . K / /%v \ % / , ., » \ \ \ k‘-/// /«~ \,\ I ,// \ ‘_//’/—\ K ,/ K Lg /M L‘ < / V (>l;¢/ ' Xvj (C / x) . _',4 ,._., \ / J “\—— ’//’ , ‘}1’§~'¢§»[ (ea ‘=7 ” “‘\. 5/z/..r/y./1/.».«7. . __._____._-_..__\. ‘ gﬁ ./ " LON DON, LEADER 8: COCK, 63, NEW BOND STREET; /‘.I// my n/ ‘/27 "m/. - -W w r '/ MUSIC LIBRARY VASSAR COLLEGE”; Jiﬁiis 31%: mi &1Hfi1”5 Q?...
Show more/O -0 \ ‘(V3 7' /A % ///“\Q , /”\\ ‘\ , . \‘Q /i:\. \ . [V _( . g 33/ ‘ VRL A ,. Zmg 36 amw 7 . K / /%v \ % / , ., » \ \ \ k‘-/// /«~ \,\ I ,// \ ‘_//’/—\ K ,/ K Lg /M L‘ < / V (>l;¢/ ' Xvj (C / x) . _',4 ,._., \ / J “\—— ’//’ , ‘}1’§~'¢§»[ (ea ‘=7 ” “‘\. 5/z/..r/y./1/.».«7. . __._____._-_..__\. ‘ gﬁ ./ " LON DON, LEADER 8: COCK, 63, NEW BOND STREET; /‘.I// my n/ ‘/27 "m/. - -W w r '/ MUSIC LIBRARY VASSAR COLLEGE”; Jiﬁiis 31%: mi &1Hfi1”5 Q?/Iltlltzll rxnh It/114;, _ﬁ'I}[lL% ‘T'\$27@ ./.‘HR.l@E2lLE‘3o woreos BY LONGFELLOW. MUSIC sv CIRO PINSUTI. /3 legato. _ ;/ /A V 3§ f:£“ Lento Rgligioso. con doloezsza. Andante. K) Two An_gels, one of Life, and V ‘ Death, Pass’d0’er't]1e »~.~::: {T4 village as the m0rn---ing broke; The dawn ............. .. was on their fu----ces, and be/-___neath .......... .. The s0m_bre hmI--_ses, _neath The snmbre\ I1 ‘ j '_ head_ed with plumes of smoke. col canto. L & G_2197'. Their at_,--__ti__tude and as _ _ _pect were A __ like their fea_tures, Ores. of ivhite; And one was cr0wn’dwit.h a_---_ maranth, as with -k ~ And one with a_sp n_dels, like flakes of light— ....... .. a tempo. thri" Ce .... -_l€~ _-_ stial I saw them pause L & (L2197. i .. ,_ . <‘-**>~v!'».<a/. .. >I""¢"1~‘;‘»~*—»'~L.,§‘/ an Then said I, ‘with deep fear and‘ doubt can espress. my heart, lest “Beat not so loud _ .“Beatn0t so loud my heart, lest thou .be--_tray — where" thy I1e___l0V_-- éd, where thy be--- l0V.-__éd a;f> Lento Re oso. 1&5? '1 [JP e con dolcezzm. L & O ._ 2197. than be____ are Andante mosso ‘assai. And he who wore the crown of a ..... -- sphodels, De-- - _._.__. L -scending at my 001‘, be_g'u1i"t() knock; And my soul M sunk With__ ais in wells The Wa ...... --ters sink, 7 an earth -_‘__ quakés shock. A I re_c0gnis’d the name __ _ less 3 3 Ores. The terror, and the tre_m0r, and the pain .v ........ .. M That oft be- T3 \\_.’./ L & 0-9197. ‘< , V 1 5 . . «‘ kl , f I “ 5. Q ﬁg 22% ’W7&‘ £a«;#%-. .m..., .r«—»--o«—w.». ,..‘.....,.r -.,. A ,. \ « . —~.. _ fg1;e\. .............. .. had fi11’d and haunted me, And now re _tIIrn’d ‘ Vﬂ'ththreef0lds_t1'e11gt|1 a _ _gain. And now re _ turxfd wuth three/fo (1 Strength a- gain. //‘X col canto. RECIT: a piacere. The door I 0 _pened_ to my heaV’n_ly And listexfd, for I thought I heard G0d’s voice; AI1d,kI10wing whatsderhe sentwas 0. . ' Dar’d nei-ther to Ia,-_-ment L & C_.2197._ /9 con dolcezza. Lento Religioso \ Then with _ a smile L that f'i11’d the house with ' rm '1 - . J e legato. light, ’ " y er_rand is not Death, vbu‘t Life,” he ‘ And ’ere I 3%//::§°r answer’d, passing out of’ slght, Onhis ce_le-stia1 embassy he Andante mosso. ’Twas at thy door, I O f‘riend,and not at \_\,\ \_ an_gel _with the a- - ma-1'an:th1ne wreath, _scend___et1; 1“ and,with voice di_--vine Whispefd a word tvthatvhad :1 Then fell 1Ip_0n the ‘Z i _ riten. molfo. I_,ento_ house a sudden g100It1‘— A\ shadow on those features fair and thin; ¢ \./ con dolcezza. from that huslfd and dar_-_ken’d room, Two An_gels /‘S A11d,s0f't _ _ -13’, " *1 /3 e legato. . issuednvhere but one went in. issued,where but one went in. Two An--gels \ *.s»,>., : w‘,-E25 L & 0-219}. « ::’::ﬁ:~»:4?~:;';‘:v,-;§;;:‘ Andante. I no !\ l7a I I I I r ‘I I 1 x 1 I 1 I 4 1 r O‘ 0 O 0 0 All is God! V. " He but wzue His I 41' II I can espress. _lect,the rains fall thick and loud; ‘ Ti1l,with a smile of light on sea and land, Till,with a smile of lights on sea. and land He looks - ____..—-——-_-;_"__"" riten; l)‘.;l?:..{..... He looksback from the de_part_____ing cloud. col can to. a tempo . An_gels’of Life and Death a_1ike are His; Without His "‘/ r V..,__.....g_._‘ P.‘ _i__,.‘, I the_y pass no ‘threshold __.__;g H % _ 1 5‘ A-g'ainstHis. messengers to shut ‘d7.n~e, belieV.i11g' this, Ores. 't 0’er Who then lwoiﬂd wish or dare, . ,‘.Y" ~ Q,» ‘ Piu mos so. the drmr? 'Wh0 ihe1m'0U1dwish, 4’ ’l1e‘~..’liMyi1xg’
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Date: 1878
Text: .\..\m \ .. , , , ,. K % xx \ . .§\\\\\\\\\\\\\§~\\\\\\% \\\\\\\\\\\. \\\\\\\\\\\\\§\\»%\\§ \ »\ v:A§§W. Du £zL£R, ). I I ll ’KANE mm ; \ § . .. S. ®\\§\\\§V\\\§ IIIIIIH ( . 4 -‘ \. \\\\\\\\\\\\\§\\\\\\\\\\\\\\\\\\\\§ 1| NEVV‘ YORK- THOMAS O PUBLISHER mm’ BOOKS 130 Nassau Street. . II I1}-ﬂll II} [11 IUSIC LIIRAIV \IA$AFl COLLEGE § ./ . § n / , \ \. § L .1 L . \ W 0/ / “TWILIGHT.” Words. by LONGFELLOW. ‘Music by GEO. W. MORGAN. ra ritaad. 1. The twi - light is sad and cloud - - - y, The Wind...
Show more.\..\m \ .. , , , ,. K % xx \ . .§\\\\\\\\\\\\\§~\\\\\\% \\\\\\\\\\\. \\\\\\\\\\\\\§\\»%\\§ \ »\ v:A§§W. Du £zL£R, ). I I ll ’KANE mm ; \ § . .. S. ®\\§\\\§V\\\§ IIIIIIH ( . 4 -‘ \. \\\\\\\\\\\\\§\\\\\\\\\\\\\\\\\\\\§ 1| NEVV‘ YORK- THOMAS O PUBLISHER mm’ BOOKS 130 Nassau Street. . II I1}-ﬂll II} [11 IUSIC LIIRAIV \IA$AFl COLLEGE § ./ . § n / , \ \. § L .1 L . \ W 0/ / “TWILIGHT.” Words. by LONGFELLOW. ‘Music by GEO. W. MORGAN. ra ritaad. 1. The twi - light is sad and cloud - - - y, The Wind blows wild and 2. Close, close it is pressed to the win - - - I As if those child - ish 3. What tale do the roar - - ing 0 - And the night. wind bleak and }— --1 And like the wings of the sea - - birds Flash the white cap of the Were look - ing in - to the dark - - ness To see some form a As they beat at the era - - zy case - - ment Tell to that lit - tle P L I I ' Words published by the kind permission of Messrs. TIOKNOR sic FIELDS, Boston. Entered according to Act q/Oonpnu, in the yaar 1818. 39 NORJIIAN L. HUNBO, in the «me: afthe Librarian 0}’ Gongrcu at Washington, D.0. \_ sea, But in the ﬁsh - er-man’s cot - tage There shines a rud - di - er - rise, Anda. W0 - man's wav - - ing sha — dow ls pass - ing to, . . . . .. and child? And why dothe roar - - ing 0 - ceau And the night wind, wild,.... and light And a lit - - the face at the win - - dow, out.. in - the fro.. Now ris - - ing to.... the ceil — — ing, Now bow-ing and bend - ing bleak, As they beat at the heart of the mo - - ther, Drive the co - - lor from her mrxtard. ,5 u1\omgm.v—a. THE NEW YORK EAMEEY @@@EY BARE. CIRCULATION 300,000! A Song and Chorus, in regular sheet music form, given away to every reader of the New York Family Story Paper every Week. SONGS GIVEN AWAY WITH THE FOLLOWING NUMBERS: " His Grave Kept Green,” by Geo. W. Morgan, - . with No. 244. “ The Belle of Sha.ndon,” Irish Song, - . “ “ 247. “ Tapping at the Garden Gate,” - - - . “ 248. “ George Washington,” by Horatio (1 King, - -, - 249. “ The Garden of Roses," . . . . . 260. “ The Two Orphans,” dedicated to Kate Oulnxton, - - 251. " Nancy Lee,” by Stephen Adams, - - . - 252. “ A Letter in the Candle,” - - - - - - 263. “ When the Moon Beams Brightly (Yet the Hill,” “ Won’t You Tell Me Why, Robin 1’ " - - - S2=2:2=: 254. 255. ALL THE ABOVE NUMBERS OF NEW _ YORK FAMILY STORYAPAPER can be obtained at any news stand, also the eorrespomllngvsongs. No change tor mu. Each song‘ is carefully arranged for the voice and nlano. and worth at least 85 00 each. Inform your lrlends. NORMAN L. MUNRO, Publisher, 74 Beekman Stxeet, N. Y. _ . .. . _ .. .. . .. . g. . .. .. _.. ..
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Date: 1904
Text: -~ v.. .33’ Z‘;‘‘>; ' _4,.n.». >v 3- F‘ »V /4, RV » ix M -r-. .z-./~ s,, K ' ,,,.u.; T my Dnnﬁﬁc-a BABY TERENCE [ His Book] TNELVESMALISUNES FDR SMALL PEUPLE l9N DQH SCHQTT & C2 MAYEHCE B.sQH<.>n'ss<2'HNE PARIS EDITIQNS SCHQTT BRUXELLES scrmr FRERES COPYRIGHT PRWTEDIN GERMANY. Hl|[|f\ HDElﬂ°|°DE NEEDHHM. TWELVE SMALL SONGS FOR SMALL PEOPLE. TWELVE SMALL SONGS FOR SMALL PEOPLE ALICIA A1)E'LA°1'DE NEEDHAM ’ ‘ — V v v A‘: ‘ l I A V’ < -scHo...
Show more-~ v.. .33’ Z‘;‘‘>; ' _4,.n.». >v 3- F‘ »V /4, RV » ix M -r-. .z-./~ s,, K ' ,,,.u.; T my Dnnﬁﬁc-a BABY TERENCE [ His Book] TNELVESMALISUNES FDR SMALL PEUPLE l9N DQH SCHQTT & C2 MAYEHCE B.sQH<.>n'ss<2'HNE PARIS EDITIQNS SCHQTT BRUXELLES scrmr FRERES COPYRIGHT PRWTEDIN GERMANY. Hl|[|f\ HDElﬂ°|°DE NEEDHHM. TWELVE SMALL SONGS FOR SMALL PEOPLE. TWELVE SMALL SONGS FOR SMALL PEOPLE ALICIA A1)E'LA°1'DE NEEDHAM ’ ‘ — V v v A‘: ‘ l I A V’ < -scHo'r1"s sbnfzgl‘ . V ,1” J: K.- { ; .‘./' LONDON, SCHOTi’ 8: C0-' 187 8: 159 Regent Street. Printed in Germany. Copyright 1904 by B. Schott’s Sifhne, Mayence. TO MY DARLING LITTLE SON 213%“ ~:.%3§. NOEL TERENCE NEEDHAM (AGED 3) CONTENTS. Mr. Turnip’s Complaint . A Wee Little Star . The New Little Shoes A Sad Tale Seven Times One Six Little Foxes The Trains at 6 and 8 The Bicycle Bird A Naughty Little Girl A Little Brown Rabbit [n Disgrace At Nighte Time MR. TURNlP’S COMPLAINT. Mr. Turnip sat sighing, And this was his moan: ”Those tiresome young rabbits Won’t leave me alone. They nibble and nibble On this side and that,- They think I’ve no feeling Because I’m so fat“. So sighed the poor turnip, With tears in his eyes- "Oh, would that those rabbits Were made into pies!“ MR TURNIP’S COMPLAINT. Words Anon. Muslc by Alicia Adelaide Needham. Allegretto . ter Turnip sat sig ,And this was his moan:“Those tire- some young rab - bits W0n’t leave me a-1one,- They > \¢ y f can z'ndz'g1mzz'one nib-hle and nib-ble On this side and that,- They think I’ve no feel-ing Be- >/‘*5 mf Stich u.D1-uok von B. Schott’s Siihne in Mainz. 27539, 1, cbpg/right 1904 by B. Sclaottis S6lme_ _ corzt. 7”? “ “'7” 0 774?’ cause 1m 0 fat- They think I’ve no feel-ing be - cause Im so fat?’ IT 000 Mt. /———ﬂ—s\ mp m 000 meno mosso. So sighed the poor turn-ip,With #— mp calla voce a temp Q tears in his eyes._“Oh! would that those rabbits Were made m V f 27539.1. A WEE LITTLE STAR* A wee little star lived up in the sky, Ever so high, up, ever so high; V And the way it kept blinking, You couldn’t help thinking, Up there in the sky, it wanted to cry; Up ever so high, up, ever so high. But this same little star, who lived up in the sky. Ever so high, up, ever so high, Was just playing “bo-peep”, With a boy half asleep VVho thought he could spy a hole in the sky, Up ever so high, up ever so high. * By kind permission of Messrs. Novello & Co., Limited. A WEE LITTLBSTAR. Words by Berthold Tours. _ _ M}1S_§C by A11c1a Adeleude Needham. Andante eon grazla . m wee lit-tle star ved up in the sky, E -ver so high, up, T e -ver so high; And the Way it kept blinking, You could-n’t help think- ing, It L; P P Stich u.Druck von B.Schott’s Siihne in Mainz. 2753-9_ 2 _ Uopyrigkt 1.904 by B. Sclzottis Siilme. Want-ed to cry, Up there in the sky, mpa tempo But this same lit-tle star, who lived up in the sky, Up e - ver so high, ..%\ e - ver so high, Was just play-ing“Bo peep”with a boy half asleep, G \ _ thought he could spy a hole in the sky, Up e—ver so, e-ver so ﬁéf. f _ mp molto ritard. 27539. 2. same lit-tle star lived up in sky mfpoco accel a tempo E-ver so, e-ver so high, e-ver so . > wee lit-tle star that lived up 27539. 2. THE NEW LITTLE SHOES. You would know by the way she goes creaking about, Peering down from all possible views At the two little feet thrust complacently out, That Polly has on her new shoes. They are neat, they are gay, they are buttoned up high! They are lined in a brilliant blue tint; They are bright as the stars twinkling up in the sky, Or a penny just out of the mint. But it isn’t for that she’s so happy and proud, That she's almost unable to speak; It’s because they give out such a charmingly loud, Such a perfectly beautiful squeak. EMMA A. OPPER. X THE NEW LITTLE SHOES. Music by W d b E A. 0 . . . , .. of 3 3/ mm“ “W A11c1aAde1a1de Needham. Allegro Vivace. mf You would know by the way she goes creaking a - bout, Peering down from all pos-Si - ble views Stich u.Druok Von B.Sch0tt’s Sﬁhne in Mainz. 27539, 3 _ Copyright [.9 04 by B. S0/iz0ﬂ’~$‘ L5't'J'/me. two lit-tle feet thrust com — p1a.- cent-ly out, That P01-ly has on her new Meno moss m They are neat, they are gay, they are Mano mosso. /3 mf f'\ a tempo. but-toned up high! Theya.re lined in a bril-liant blue tint; They are leggiero a tempo. poco rz't. bright as the stars twinkling up in e sky, pen-ny just out of the /T atem 0 mf vivace A 27539.3. mf But it is.. for that she’s so hap—py and proud,That she’s __———-—"*""" ral- - .f- len- ' a1-most un- at-ble to It’s'be — cause they give out such a f-' Zen - tiff,’ n -mf . ha tempo charm-ing- ly loud, Such per-fect - ly beau-ti - ful squeak! - mf‘- do atempo 27539.3. A SAD TALE. __.iT..9*.._H.__. He was a rat, and she was a rat, And down in one hole they did dwell, And both were as black as a witch’s cat, And they loved one another well. He had a tail, and she had a tail, Both long and curling and ﬁne; And each said, ”Yours is the finest tail In the world, excepting mine“. He smelt the cheese, and she smelt the cheese, And they both pronounced it good; And both remarked, it would greatly add To the charms of their daily food. So he ventured out, and she ventured out, And I saw them go with pain; But What befell them I never ‘can tell, For they never came back again. A SAD TALE. Words Anon. Music by Alicia Adélaide Needham. Andantino . PIANO. mf semplice mf He wasa, rat, and she was a rat, And down in one hole they did And both were as black as a witch’s cat, And they A - Stich u. Druck von B.Sehott’s Siihne in Mainz. 27539. 4 . copyright 1904 I’-7 B‘ Sclmttrs ‘%7me' 000 rz't. ‘‘ 537"?" loved one an-0 - ther Well. He ’had a tail, And T rzz‘. D she had a tail, Both long and curl-ing and fine; {T rail. - — each said.,“Y0ur’s is she fin - est tail In the world, ex - cept - ing {"-'-(1-———.$ rall. if ben marcato 27539. 4. He smelt the cheese, and she smelt the cheese,Andthey sotto voce both pro—nounced it And both remarked, it would 27539.4. —_::_:,_ er! poco ritard. great-1y add 0 the charms of t eir dai - ly food. poco rz ar . > E‘-lx mp a tempo he ventured out, and she ventured out, And I saw them go with $ mp a/h;¢&_\' rall. But what he — fell them I ne—ver can tell, For they /” cf rail. ben marcato ne-Ver came back 3, — gain. fa’ fem 0. F : SEVEN TIMES ONE. There’s no dew left on the daisies and clover, There’s no rain left in heaven: I’ve said my “seven times” over and over, Seven times one are seven. I am old! so old, —— I can write a letter! My birthday lessons are done; The lambs play always, they know not better, They’re only one times one. 0 moon! in the night, I have seen you sailing And shining so round and low; You were bright! all bright! but your light is failing You are nothing now but a bow. You moon, have you done something wrong in heaven That God has hidden your face? I hope if you have, you will soon be forgiven, And shine again in your place. 0 velvet bee, you’re a dusty fellow, You've powdered your legs with gold! 0 brave marsh marybuds, rich and yellow, Give me your money to hold! 0 Columbine, open your folded wrapper, Where two twin turtle-doves dwell! O cuckoo-pint, toll me the purple clapper, That hangs in your clear green bell. And show me your nest with the young ones in it; I shall not steal them’ away; I am old, so old! you may trust me, linnet, I’m seven times one to day! JEAN INGELOW. SEVEN TIMES ONE. Words by Jean Ingelow. I10 Stich u. Druck Von B.Seh0tt’s Siihne in Mainz. Allegretto con dignita . dew left on the /\ There’s no leggiero con grazia rain left in heav-en: {--'—“"*\ mp \-\_§_______-we L/ 27539.5. Music by Alicia Adélaide Needham. daisies and clo-ver,There’s said my “Se-ven times” mf /”"_-'-_'-‘T/-\ 00));/Mgkt 1.904 by B. Sclwtfs i5’()'/me. 0 - ver and O _ write a let - ter! My Se -ven times. one se-ven! old! so o1d,_I can rallf;-:—— mp birth-day les-sons are done; ‘I rall.:_:-,,_~—=. mp 27539.5. a tempo Tall. ’:_:>-- lambs play always, they know no bet-ter, They’re on - 1y one times /"—‘~F/"“‘;,\/"-\\ O moon! in the night, I have rail. . Zi. seen you sail-ing And s - ing so round and low; You were f'.\ g_____/ __»_:i Q a tempo bright! all bright! but your light is fail-ing, You are noth-ing now but a a tempo 1 e ‘era Mezzo mosso You moon, have you done some-thing wrong in heaven That mp. 6>3e$‘\~— _.e__’’’_: “‘_:;> God has hidden your hope if you have, you will molto ritard. _____ ‘:—. soon e or..giv— en, And shine a- gain your place. " molta rit EI m . Tem 1.‘ Vivace. vel - vet bee, you’re a /\- dus — ty fel-1oW,You’ve powderedyour legs with gold! 8 brave marsh ma—ry-buds, r oh and yel — low, Give me your mo-ney to €____________2 J rall. 00- lumbine, op-en your fold — ed wrapper,VVhere two twin tur - tle- doves mf :o mp a tempo. dwell! Cu-ckoo-pint toll me the pur- ple c1ap—per,That 8 ritard. L. hangs in your clear green bell. 8 I 27539. 5. WE: show me your nest with the young ones in it; I shall not steal them a.- mf 0 old! you may trust me, lin-net, I’m my joyfully tempo se — ven times one 27539.5. SIX LITTLE FOXES.* Six little foxes were tempted to roam, Heigh—ho, heigh-ho! They had six little brushes, but never a comb, I-Ieigh—ho, heigh-ho! And their grandmother told them, with tears in her eyes, “You’re old for your age, but you’re small for your size, And out of this hole you’ll not go if you’re wise," Heigh-ho, heigh-ho! But the six little foxes cried, “Grandmother Dear!” Heigh—ho, heigh-ho! “We may not be strong, but there’s nothing to fear!” Heigh-ho, heigh-ho! “And more of the world, we’re determined to see, Than a hole in the ground at the foot of a tree; And we’re cunning, as cunning, as cunning can be!” Heigh-ho, heigh-ho ! “If you meet the Red Huntsman, be not too bold,” Heigh—ho, heigh-ho! “For the hounds ate your Daddy«you’ve often been told,” Heigh-ho, heigh-ho! “And if they catch sight of you, run as you may, You’ll not find it easy, my dears, as I say, To leave them behind, as you gallop away.” Heigh-ho, heigh-ho! - The six brothers laughed at their old granny’s fears, Heigh—ho, heigh-ho! They all scampered off, in spite of her tears Heigh-ho, heigh-ho! She watched and she waited all day by the door, And begged Mr. Weasel to go and explore; But they never, no never, came home any more, Heigh-ho, heigh—ho ! From “LITTLE FOLKS.” ' * By kind permission of Messrs. Cassell & Company, Limited. SIX LITTLE FOXES. From “Little Folks.” Music by Alicia Adélaide Needham. Allegro Vivace non troppo. Six lit- tle fox - es were tempt - ed to roam, They had six lit-tle brushes, but Stich u.D1-uck von B.Schott’s Sﬁhne in Mainz. g7539_ 6_ 6’opym'g}zt 1904 by B. Sclwttlv So"lme. 35 12000 7'z'tard. a tempo - ver a. comb, Heigh — ho, Heigh — 110! And their 7 Eff " poco ritard. L r _.___h_._—§— L’) Grandmother told them,with tears in her eyes,“You’re old for your age,But you’re Z" a temgo : —;_—.—.—,— L f small for your size, And out of this ho1e,yo1f11 not go if you’re wise,” {""-----jh a tempo Heigh - ho, Heigh- ho! f vivace. But the ' lit-tle fox-es cried, “Grand - mo-ther Dear!” 27539.6. m poco ritard. may not be strong,but there’s nothing to fear!” Heigh - ho, m poco rztard. \_j mp a temp0___,___,€_.—_——_--__ “And more of thewol-1d,we’1-ede - termined to see,Than a __=_________,._____————___ ral - hole in theground at the foot of a tree;Andwe’re cunning, as cunning, as - ta” ' ' do a tempo \/ cunm'11gcan__- be!”__. Heigh - ho, Heigh - hq!V {'~———_—T you meet the Red Huntsman, be not too bold? mp Heigh — ho! “For the hounds ate your Dad-dy you’Ve of-ten been p(0fc.0 ritard. e > r atempo if they catehsight of you, run as you may, You’ll not find it e'as— y, my f mu. \/ clears, as I say, To leave them be—hind, as you gal-lop an - way,” {T {T .-_—{’___ fvivace 27539. 6. fmolto ritard. six brothers laughed at their old grannfs fears, Heigh - ho, Heigh- ,fmolz‘o ritard. - mfa tempo ho! They all scampered off, in spite of her tears, poco ritard. Heigh - ho, Heigh - ho! She Watchedand she wait-ed all } poco ritard. \__/ day by the door, And begged Mr. Weas-el to go and exp1ore5But they > flmw ".55 ___—‘___,.. molto ritard. A > "=1:-I: ne-ver, no, ne-ver, came home any more, Heigh - ho, Heigh .. ho! fpoco rit. % ‘L. 27539. 6. THE TRAINS AT 6 AND 8. _:. The ﬁrst train starts at 6 p. m., For the land where the poppies grow; The mother dear is the engineer, And the passengers laugh and crow. The palace-car is the mother’s arms; The whistle, a low, sweet strain; Then the passengers wink and blink and nod And fall asleep in the train. At 8 p. m. the next train starts, For the sleepy land afar; The summons clear falls on the ear, ”All aboard for the sleeping car!“ So I ask of Him, who children took On His knee in kindness great, ”Take charge I pray of the trains each day, That leave at 6 and 8 “ E. R. LOUDEN. THE TRAINS AT 6 AND 8- Words by ER. Louden. MuS__iC by Alicia Adélalde Needham. Allegretto semplice . VOICE . train starts at For the land where the pop - pies Stich u. Druck Von B.Schott’s Siihne in Mainz. 27 53 9_ '7_ 0019.1/7“Z'gkt 1904 53/ 3- 30710317»? 55/1709- M0 - ther dear is the en- gin - eer, And the pas-sen-gers laugh and mp so/wrzando g/. mp dolce rall. pa,-lace - car is the Mother’s arms; The whist-le, a 1ew,sweet 27539.7. strain, Then the pas - sen - gers wink and a tempo fall a - sleep in the train. ¥__./ mfa tempo \._./ At... mfa tempo \_/ the next train star.ts,For the sleep— y.___ land a. le mp The sum-mons clear falls on the ear, “All a- {{_—_“'${é'-""""‘\ mil _ board for the sleep- ing car!” mp so/wrzando {T ask of Him who child-ren took, On His poco rit. i Implorcmdo knee in kind - ness great, “Take charge I pray of the mp poco rit. X 0 trains each day, That leave at 6 /"”"""T\“‘\\ 27539.7. TH E BICYCLE BIRD?‘ The bicycle bird is a wonderful fowl That is found where the roads are good; With scarcely a sound it careers o’er the ground, And oil is its principal food. It utters a sad and peculiar cry Which sounds like “Punk—punka! Punkture!” And sobs fill its throat, when it raises this note, As those who have heard it feel sure. It’s fond of a hill, but it likes to go down, And not up, for itsgtyred from its birth. With one ﬂashing eye it flits rapidly by, When darkness is over the earth. It rests against railings, but ne’er goes to roost, In trees that would shelter it, which Shows singular taste, but it sometimes, in haste, Will seek its repose in a ditch. The bicycle bird makes an excellent pet When tame, it has scarcely its match; But ’tis, I must add, for a girl or a lad, A troublesome creature to catch! FELIX LEIGH. *By kind permission of Messrs. Cassell 8: Company, Limited. THE BICYCLE BIRD. Words by Felix Leigh. Music by Andante con grazia. bi - cy— cle bird is a won—der-ful fow1,That is found where the roads are good; With scarcely a sound it Stich u.Druckvon B.Schott’s Sﬁhne in Mainz. 37539_ 8 . . Copyright 1904 by B. Schottic So”lme. Alicia Adélaide Needham. reers o’er the ground, And oil is its prin—ci - pal food! mm It ut-ters a. sad and pe- cu- li - ar cry, Which sounds like “Punk-punk-a.! Punk - ture!” poc0 {*5 sobs fill its thr0at,when it raises this note, As thosewho have heard it feel /3 {T a tempo J” a tempo It7s fond of a hill, but it likes to go down, And not up, for its tyred from its birth.____ With one flashing eye it flits ra,-pid.-1y by, When dark-ness is 0-ver the earth. 27539.8. P It rests against rail-ings, but ne’er goes to roost, In trees that would Shel-ter it, which Shows mf ‘ 17000 mall. a tempo sin—gu-lar taste, but it some-times inhaste,Wi11 seek its repose in a { 10000 rall. 27539.8. Paco mezzo mosso. The bi - cy - cle bird makes an ex - cel-lent pet._When mf calla 12000 /-——__T 27539.8. a tempo tame, it has scarcely its match; But ’tis, I must add, for a rail. f girl or a lad, A trou-b1e—some creature to catch! K2 27539.8. A NAUGHTY LITTLE GIRL. There was a little girl, and she had a little curl Right down the middle of her forehead; And when she was good, she was very, very good, But when she was bad, she was horrid. One day she was upstairs, when her parents, unawares, In the kitchen were occupied with meals, And she stood upon her head in her little truckle-bed, And she then began hurraying with her heels! Her mother heard the noise, and thought it was the boys A-playing at a combat in the attic; But when she climbed the stairs, and caught her unawares. She took and she did scold her most emphatic! There was a little girl, and she had a little curl, Right down the middle of her forehead; And when she was good, she was very, very good, But when she was bad, she was horrid! LONG FE LLOW. A NAUGHTY LITTLE GIRL. Words by Longfellow. . Music by Alicia Adélaide Needham. Allegro. 9 ’ mf rail, a tempo was a lit-tle girl, And she had a lit-t1ecur1,Right down in the middle of her )- > And when she was good, she was ve - ry, ve— ry good, But /5 F Stich u. Druck Von B.Sehott’s Siihne in Mainz. 27 5 3 9. 9. 6’010:m'g/at 1904 by 13- S0/wtfs Sﬁiwm a tempo when she was bad, she was hor-rid! One day she was upstairs,when her parents, un-a-wares, In the ex kiteh.-en were oc-cu-pied with meals, And she stood up-on. her head, in her 27539.9. I7” little truck1e- bed, And she then began hurray—ing with her heels! meno 7710880. motherheardthenoise,a,n<1 thought it was the boys A - playing at a combat in the p calla voce P000 rall. a tempo ral - at- tic; But when she climbed the stairs, and caught her 1111 - a — wares She {woo rail 0 56771170 2 took and she did scold her most em- pha—tic! A”’/’g7'0- whip a tempo 712 mil. lit - tle lit - tle curl,» Right > a tempo in the middle of her fore-head; And when she was good, she was > mfa tempo ve-ry, ve-ry good, But when she was bad, she was hor-rid! #\____,_,,/ 27539.9. A LITTLE BROWN RABBIT. ‘*9 A little brown rabbit sat under a tree, With a little brown headache, to boot, Since not for his little brown life could he see Why he couldn't get up it on foot. ”There’s a little red animal, very like me, (But with very inferior ears), Who hops to that tree-top as quick as can be!“ And he squeezed out two little brown tears. But the small wicked squirrel peeped down from his branch, (Dropping nut-shells beneath him like hail), And winked at his friends, as he said, "But by chance, You’ve forgotten, friend Rabbit, my tail?“ And a little brown heap gave a little brown jump, And uplifted a little brown wail, As it mournfully looked at its little brown stump, ”\7Vhy of course, I’d forgotten his tail!“ EVELYN GLOVER. * By kind permission of Messrs Cassell & Company, Limited, A LITTLE BROWN RABBIT. Words by Evelyn Woven Alicia A1:2J1SeLi'1°(:ieb1{I7eedham. Andante. lit - tle brown rab-bit sat mf un — der a tree, With a lit -tle brown head—ache, to boot, Stich u.D1-uck von B.Schott’s Stihne in Mainz. 27539. 10. Copyright 1904 53/ 13- 50/005” S070”?- not for his lit-tle brown life could he seeWhy he could-n’t get up it on 07880. “There’s a. lit-tle red a — ni- mal, ve.. ry like me, But with tempo 27539.10. a tempo ve- ry in - fe - ri — or ears,) Who hops to that tree - top as quick as can be!”A;nd he squeezed out two lit-tle brown tears. fI\ 27539.10. down from his branch. (Dropping nut—she11s beneath him like hai1,) winked at his friend.s,a.s he said,“But by chan-ce,You’Ve forgotten,friendRabbit,my c 27539.10. mf And a lit - tle brown heap gave lit-tle brown jump, And up- mfa tempo lift-ed a lit-tle brown wail, , ° mourn-ful-1y looked at Q m lit-tle brown stump§‘Why of com‘- se I7d forgotten his tail!” > mf 27539.10. IN DISGRACE I didn’t mean no harm, Not at all! I only held my hand For the ball, But somehow it hit his head; Then his noseit went and bled; And as if I’d killed him dead, He did bawl. Nursey said I was a horrid Little wretch, And Aunt Jane said the police She would fetch; And cook who's always glad Of a chance to make me mad, Said "Indeed she niver had Seen setch!“ - No, I never, never will Be good! —- I’ll go and be a babe In the wood! I'll run away to sea, And a pirate I will be! Then they’ll never call me, Rough and rude. How hungry I am getting, - Let me see! I wonder what they're going to have For tea! Of course there will be jam, And that lovely potted ham, How unfortunate I am! Dear me! Oh! it’s growing very dark In here, And the shadow in that corner Looks, so queer! Won't they bring me any light? Must I stay in here all night? I shall surely die of fright, Oh! dear! Mother, Darling! will you never, Come back? .I am sorry that I hit him Such a crack. Hark! —— Yes ’tis her voice I hear, Now good bye to every fear, For she’s calling me her clear Little jack! IN DISGRACE. Words Anon. Music by Alicia Adelaide Needham. Alla Marcia. Pat/zezficallg but not slow. did-n’t mean no harm, Not at all_ on-1y held my hand For the ball, But some—how it hit his head;Thenhi.s nose it went and bled, And as mf \_J\, Stich u. Druck von B.Schott’s Siihne in Mainz. 27539. 11. Uopmght 1904 by 19- Sohotti? Mime- ‘if I’d ki11edhimdead,He did bawll Nursey said. I was a hor-rid Lit-tle W1-etch, 1' L1’ -[ ben marcato \ mf <-;'f__ Aunt Jane saidthe po-lice Shewould fetch; And cook who’s always glad Of a f 4___’___2 27539.11. ]_ mp con dz'gm'ta chance to make me mad, Said.“In- deed she niv-. er had Seen setch!” mp con dz'gm'z‘a e_}______—__________j 6-en marca to ben marcato S (with de iance.) No, ' ne-ver, ne-ver will Be J good! mf 27539.11. go and be a babe‘ In the W0od!_ 1711 run a-way to sea,And an “*3 ' Z’{-——-_-_“$ /T mf pi-rate I will be! Thenthey’l1 ne—ver call me, Rough anti rude. Z'‘''_—_—_—‘‘\ (more subdued) How hung..ry I am get-ting,Let me 27539.11. Won-der what they’re going to have For tea! con dolore a temlgo mp 000 Tall. course therewillbe jam,And that lovely potted ham,How un - f0r—tu—nate I am! Dear Z”-——'*T mp sotto voce ben marcazfo 27539.11. Paco meno mosso (tim idly. Oh! its growing very (1311-k,In here, 7”? Paco meno mosso shadow in that corner Looks so queer! Won’t theybring me an-y 1ight?MustI /T J 19000 accel. 00" f.\ . lib. stay in here all night? I shall sure-ly die of fright, Oh! dear! Mother, F3 -—-—:::: /*"'j""‘S 77000 ($008 27539.11. a tempo passione. Imploramlo. -<:: F5 Dar1ing,Wi11you never,Wi11you never Come back?I am sorry that I hit him Such a. f'.\ a tem 0 calla vgce Allegro crack.Hark!__ Yes ’tis her voice I hear, Now good bye to every fear, For she’s m. .? KLJ con molto fenerezza M” a tempo calling me her dear_____ Little Jack! Z’——-—\ ,-l[_[________________, fprecz'pz'toso 27539.11. AT NIGHTE TIME. When thou hast spent the lingering day In pleasure and delighte, Or after toyle and wearie waye Dost seek thy rest at nighte. Unto thy prayers or pleasures past, Adde this one labor yet; Ere sleep close up thyne eie too fast, Doo not thy God forget. About the year 1500. AT NIGHTE TIME. Words mb0um5M' Alicia AC1;/<['311l:i%c€et1)\3I,eedham. Andante con tenerezza. Religioso. mfcon dignita /3 m a tempo When thou hast spent the 1ing’ring day_.______ In pleasure and de - f'.\ ("T f af- ter toyle and wea-rie waye Stich u.D1-uck Von B.Schott’s Siihne in Mainz. 27539_ 12, 6'0py/right 1.904 by B. Sclwttis‘ S0’/me. Un - to thy prayers or pleasures > >>.> _ 07930- Adde this one la - bor ,yet: sleep close up thyne eie too fast, D00 not thy God for- get. if fa — 27539.12. X "7‘u'$~ ‘ gm.» - . -7..
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Text: £7 Cﬁobhawa ;»Afh, ' 9, .- N‘ .. .9 I}; »\ __./—_..‘;\\ /x::f:7‘\#\\ /_ 7 _/ \\\ X \J .....\ \ A &«:AR<\zO.\ N» w A’ A /A \ m ﬂ ’ %?7f**“* / ~_V,,,,.~-_ ._ I ;gg§,Wj;;:::::\\\\\ _ , 3»/I {{{{ 0 7 RT11 S16 ylutv ) \ \_ ‘*'~L,z“'‘ ’/ _ yr \\.\_ L ,. /// \\ L-—r-J / . A 1' \!/ \£——-'4’ I W \I/ \I/ \I/ \1/ W W \|/ \I/ \1/ \Y/ \!/ \I/ /l\ ,l\ 1/Ix /|\ 4 ,i\ /;\/|\/]\ /1\ /]\ /[\ /‘l\ + \/A\\ /A / ”//,.«/ / 1 \\ / El/ﬁ;$?a.,§a7Z. ]’7°ice 3 L 0 11 do n, ‘ . ASHDOWN ...
Show more£7 Cﬁobhawa ;»Afh, ' 9, .- N‘ .. .9 I}; »\ __./—_..‘;\\ /x::f:7‘\#\\ /_ 7 _/ \\\ X \J .....\ \ A &«:AR<\zO.\ N» w A’ A /A \ m ﬂ ’ %?7f**“* / ~_V,,,,.~-_ ._ I ;gg§,Wj;;:::::\\\\\ _ , 3»/I {{{{ 0 7 RT11 S16 ylutv ) \ \_ ‘*'~L,z“'‘ ’/ _ yr \\.\_ L ,. /// \\ L-—r-J / . A 1' \!/ \£——-'4’ I W \I/ \I/ \I/ \1/ W W \|/ \I/ \1/ \Y/ \!/ \I/ /l\ ,l\ 1/Ix /|\ 4 ,i\ /;\/|\/]\ /1\ /]\ /[\ /‘l\ + \/A\\ /A / ”//,.«/ / 1 \\ / El/ﬁ;$?a.,§a7Z. ]’7°ice 3 L 0 11 do n, ‘ . ASHDOWN & PARRY, HANOVER SQUARE- MUSIC ‘LIBRARY » x. . - V _ VASSAR COLLEGE ﬂ ,- , , ../r’ A-_., -V "zy ﬁg’. r.,~ﬂ/ y ‘ - "u 1 ' '1», "N . g /. % ?R@§? WEQ m0?u SONG. WORDS BY LONCFELLOW. MUSIC BY BOYTON SMITH. MODERA To. know a mai».._de11 fair to see, Take care, oh,‘ take care. can both false and frie11d_1y be, Be-ware, oh, be_'ware. )2 {A8cP. N‘? 5526) her not she’s fool ing thee, She can both false and friendly be /9/-7 .staccdt0. _her not she’s foo1.-.ing‘ thee, She’ fool _____________ __ing thee, p 000 7718710 7710880 . She has two eyes so soft andbr0wn,Take care, be__.ware :4 1‘ 3 . \/ ‘\.. $_,/ L2 ~ V /3 P000 menu M3830. ‘/ . ¥/ clam. BOYTON SMITH, Trust hm‘ not, { A &p_ N? 5535) CON 88p ’l‘€b'.5'. gives a side-glance and looksdown, Be-Ware, oh, take care. ritenuto. _ 50-S't€)ll1t(). dunl) 1({()_ Trust her not she’s fool ....ingthee, ‘She can both false, and friendly be Trust her not she’s _f001...i11g thee, Shefs fool .............. _.ing thee. f> BOYTON ‘SMITH, 'I‘ru<:*. her rwf (A 35 p_ N9 5523', {she has hair of a go1-den hue, Take care, beware,take care. \«_*/\“.\§/\E_ \/K \_/ dol. ’ sostenuta . What she says, it is n0ttrue,Oh trust her not, take care. L6) 0 ~ ban sostenu 0. ‘ calla vuce. A- Trust her not she’s fool.....ing‘thee She can both false, and friendly be Trust her-_ not she’s fo0l_-.ing thee, she-’s fool ______________ --ing thee. Trust her nrf, . ‘ N? V ' e Mien: be/n sostenuto. gives . thee a gar.-- land wo ven fair,_ Take care a fool’s-ca.p for thee to wear, be.-. Lw‘itenuto. _ _ _ _ _ _ sempre. .- ed accel: Take care , Trust her not she’s . L_/ mtenuto. _ _ _ _ _ BOYTON SMITH, Trust he)-‘not. ‘ ‘ 4 A & P_ N9 5526; fool ..... -- ing thee, f> Trust her not ff strn BOYTON SMITH, Trust her not. 0 1‘ ere pm} a pm. She can both false and friend .... ..1y be she’s fool ing thee-, She’: fool ....................... -- ing‘ cgfz her not. . . . . she’s fool .... .-ing she’s fool ............. .. ing thee 3 -6- > "6 "5 (5526) J & w" P'£'AnMAN" L:ru6s,?3,cAs1Ls S1'.EA$1‘. JSHDOWN 8cPARRY. LONDON. . ‘ ‘ krklu. h 1, . ix zbrzx £,...t., 2. £2 _ .1», A irEmK!.I..._m..u5..§.n, . . . .. _ ...r»..
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Text: I !§§‘I .' '1 Words by \ .}_,ONGFELLOW, O ' ff ‘ \ ‘ Q"IIlW"""" ,,.. ';3I!!!'!FWW|W“1‘\“ " ' L m ‘.. uiﬂr H“: ’ ‘ r 4 NEW vom< BROOKS & DE_N'I‘ON, 57o suxn-1 AVE.- 39%! 51'. LON DON. FRANCIS, DAY 8: HUNTER I42 Charing Cross ROad,(Oxf'or-d $t.End.) ﬁ'es])ect_/Sully dedicated in Jlhxdnd ZlIrs.Edwa'rd ldutevrbac/z,1Vew York. TRUST HER NOT. ENCORE SONG. Music by Signor G.Tag1iapietra. Words by H.W...
Show moreI !§§‘I .' '1 Words by \ .}_,ONGFELLOW, O ' ff ‘ \ ‘ Q"IIlW"""" ,,.. ';3I!!!'!FWW|W“1‘\“ " ' L m ‘.. uiﬂr H“: ’ ‘ r 4 NEW vom< BROOKS & DE_N'I‘ON, 57o suxn-1 AVE.- 39%! 51'. LON DON. FRANCIS, DAY 8: HUNTER I42 Charing Cross ROad,(Oxf'or-d $t.End.) ﬁ'es])ect_/Sully dedicated in Jlhxdnd ZlIrs.Edwa'rd ldutevrbac/z,1Vew York. TRUST HER NOT. ENCORE SONG. Music by Signor G.Tag1iapietra. Words by H.W.L011gfe110W Allegro A little slower. I know 21 She has two And she has She gives a see, She can both brown, Care ! She gives a — hue, care! And what _ she fair, care! It’s a foolé care! Copyright MCM by E.J.l)enton. English Copyright secured Brooks & Dent0n,670 Sixth Ave.,New York. Slower. false and friend - 1y be, side I glance and looks down , says it is not true , cap for thee to wear, .a tempo K-1-? — ware! ......... -_ Trust her not, Trust her not, She is fooling thee, .... .. She’s fooling K /' Slower. ‘thee? -------------------------- -- 511678 f001-ing thee; .......................... -- Oh, trust her Trust her not .3 Trust her /_._ not, not , j — ware! __________________________ -_ She’s She is fool — ing f00l—i11g thee; ’ } thee ; 2”"-1---T {T % Be —ware! Ah , Trust Be- her F I.st.:2d.& 3d.Ver.se.s. not, Ah trust her She’s \. fool — ing ‘ Last time only. ‘Ah ' 7 not, trust her calla woe Trust her n0t.3 She’s fool .. ing thee! / STANDARD SONGS Bf STANDARD AUTHORS I Tllillli (If T1106 /nF_ Compass D _,F_ Pm-M 50¢ (When M0r11ingSpI‘ings.I 7: Moderate. I I K I I I\-I.I I I III - II: I. I KII ,. I\I ‘ K I II \ 'k~H—1”F%— *4-%*$*%*F#:F “I-r—""I‘—I-I—I’H I V I I ‘I’ T g’ C’ I I!’ '7 ’ I “"’ I .’ V I Y I § IV 4- I young‘.-. bird lifts her VVords by Geo. D. Prentice. Music by Signor G.Tag1iapietra. L I ”"‘ I I _ 1 think of thee ____ when. Iuo1-IIiIIg springs.-. l4'I-om sleep,with plu - — mage I)a’tIlI(I. AIJI dew, I And like a /I II I . L I I I I I L ’ I I I I L I L I LI, . I 9. I‘, M 4 ~.\ .~.__5_-II L I, I“; II I 3 +I++ l\Vj_ .I__e“; *I %' 1‘ ,_ , -'—-—O———I——L—-'—-——J-—'—-#——ﬁ—H —‘—IL'—-I-t9——A~4-§"—«O—-—'--I—6—~d—A— _ 0 (or I ' A. / I r , ?-’ I . . 9 . I . vI1I1gs...... ()1 gladness on .... .. the wel—kIn lIlIIe;__, And wheII,:It noon,___ the breath of love,.. ._0er Ilowraud stream _._ Is Walulrlug E"9”5I‘C°PYI'I9I'II Secured (‘upyI'ight MDCCCXCVII II_V' [lemon 2:‘ Seixas. I K I I I. Had I But Kuovm. In/p_ C0I)’paSs C_E. Sung by Emma Eznnes -Story. Moderate. I L I K 4 I I I I H I A ' I\ I _ v T I I long years I I 1 A '1: ’ I H I . IIe’er,nIy sweet,could 1 English Copyright secured so, ........ .. Not for the wealth of stars that (‘op31<iglItMDCC CX CV by Brooks It llenton (1). stud the PI-rsian S01 g,‘ . InAb.Compass 0-,/lb. P/r.50¢ Sung by Mme. Tavary. J01‘, e_ Moderate. Poem byF‘I.‘ank Dempster S‘hern1an. ByJosephine Homans. I) I T’ I ‘K I II I 1 II I I II A I .« . — I I I I I o I I H C ’ T ves, Who slII{z—est to ‘ ~ The par afo. . 1 ~ - - I I L\ I ' I’) I tI .. . I I II If gm-Ilen’s I‘ra- g1-auee where it Englishcopyright secured Who taught thy featherIi, slen- der throat This straIIg‘e,de—lI(-ious,liII1 — pld note‘? (‘op_yrigl1t MDCC CX CVII by l)eIItoII an Seixas. Why do I Love Thee ? .[n.EI4.C'0mpass E14. 6'. Pr.-50¢‘ qung by M1. Juli“: gteger P Moderato con moto. I ' - P 1 I I VVo‘I‘ds by Jas.C. Harvey. 4.; Music by Robert Heiser. .= 5 - - - II ’I’I I I I\ I\ g I’ III PII C’. I I I I I I I I I love thee‘) Ask tlIe flow’I- L ,, I - 1 - - I r I r. I- I I I I l I I I I’ I the light ofthe II101-I1—iIIg su1I,AII hj — That nods hy the W00d—Iillll'I s loves I I - I I] A . I I II I Ir 4 I ' 4' I./ Y ' H ' I ' E-I I-lo — ver I" ah’ ’ 5 . ‘I I . I 1: ' I I’ J ‘I I I kiss— es each gold— en heanl‘? Ask of the blush _ IIIIZ bloom, III the day, (‘opyright MDCCCXCVII by I’I.A.K9ISt‘I'. of the dawn — mg Matirigztl . Sung by Mme.TaVm.y_ Poem by Arthur Fietcham. In F. Compass AC‘-F. Pr.50€ _ By Josephine Homans. mf d0h.e_ Moilerato. \ L I I L I\ KI B I\ I J ' 41 II II II I v v .. .I ., 5 Gruw—iIIg so fair iII some gar — den fx ' ‘.71’ I II I I 4/ sweet- heart. _..___ 17e1)vI'11¢Q11‘n I " I I ‘L K I L I\ I II II UH J IX I II In J I V / I)’, I v Your g‘old— en heart you’d lay bare (‘opyrittht MDCCCX CVII hy llenton &SeIxas. Il.I I I\llI I I I I I woo you so soft—l_y, so ten-der-— ly, to me, Enghsh Copyright §ecured Aloha! In,C'. C'0mpassD_.E.P1'.50¢ Sung by Sig11or G.Tag1iapietra. Andgnlte espress. I\ Words by Lieut.Wm.E.P. French,U.S.A. Music by Margar et 'I‘ownsend. . I I I I K I\ II I I\\ A I ‘II 7 'LA/ I 7 vv, Ha — wai - ian L I K I A I v Ill the sweet la1I— guage, I I L I I I I\ L I A ' I\ I I I ‘I I V I \ I C I - I ' I J I Q ’ I . A ta — tion of dear frie1Ids,aI1d their a — dieu; English copyright secured ‘Joy of meet-Inst, grief of part-lug, Lov— ex-’s mes—sage ‘from Copyl-ight MDCC CX CV III hy nenton an Seixas. BROOKS 8: DENTON CO. 670 Sixth Ave.(39th.St.I N.Y. FRANCIS, DAY 8c HUNTER, 142 Charing Cross Road, London. And at all Music Stores. Ad.No.3.
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Date: n.d.
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Show moreT 0 Franli D. F0 on SPm'ILgﬁe1d.Mz.Lss. //J / @?‘*=\ / L K «»stI.'.'l"” K \\ \./ , , ‘J __..» I;"'"") ,_ ’/ ﬂE'''""."I ‘ Q .’\ ,.,r AllII“lmﬁllmmmmlllliliiln.mlllln. "ml ' " In ,,,,,,,,,,, M ' / W‘ L [ » ’) II T 6 --u n "|I"."uu' v ~ . / RI" 3, wt!!! 1...» i , / ‘II|| -' %<~. Q g. — - ‘ ( (( »..__ Arm"J'1|u|l‘ ) ’ , . \. \J ‘ M. V Pr. 35¢ NEW-YO RI(_; 6 g S CHIRME R. 35 UNION SQUARE. Co'p‘yr1g11t1878 by G.Schn'meI‘. MUSIC uammv VASAR COLLEGE TO STAY AT HOME IS BEST. Words by I40l\'GFELL()VV.>l‘ - ]IIusI'c by El)!/[H RI) II. PHELPS. Andante quasi alSleg’1-etto. fan 11 f0, amen tn. 1. Stay, stay at heart and H0me—keep — ing hearts are For those that -+ 7 - * From the “Atlant1'(,- M0nth]y_" by permission. L\TEP.EDACL'OF’.|'.‘lN(3TOA{:T«>l'( muL:nEss.m Tm'\'LAr< M753 By C; scmmvl F. R, w K’)-H OH Am 04' Tlxr ‘_vL;w.x'm:: or v-:»m:+/cswa A‘: v\.\>wm:T-u,\ wander they know not where, Are full of trouble, and full of /1 fmnpa. Stay, stay at home, my heart and ’1°est,_ Stay, stay at home, my heart and To stay at home is best, is beét, stay,to stay at home is 9% '1' «*3 x 3 ml mafo. \_;_J 7 Home, _______ __ 2. “ea - ly and home — sick and dis - t1-ess’d, They wan —V der east, they 3. Then stay at home, my heart, and rest, The bird is sa — fest west, are baffled and beaten and blown a - bout, By the nest, - . 0’e1- ‘ all that flutter their wings and f ly, A--___ at vsinds of the W1] — de1°- ness of doubt. Stay, stay at home, my hawk is hov —’1-ing in the sky. Stay,“ stay . at home, my and rest, Stay, stay at home, my heart and rest, Stay, stay at home, my heart at home is To stay, to stay at home at home is A To stay, to stay at home calmato. _ L, Home, ........... -- Home, ........... _- vol I (I 120175’, ,u Catalogue o. 4 of Instrumental Music. published by _G. Schirmer, New York, PIANO SOLO. I-Kditi, #4., L’Ingénue. Morceau a 19. Ga- vo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. —-- Le Tortorelle. (The Dove.) Vulse can- tabile. arr . . . . . . . . . . . . . . . ..: . . . . . . . . . .. Bach, J. S., Loure from 3d Suite for Cello. (Fin ered.).....: . . . . . . . . . . . . . . . . . . . . .. Bachmann, Au RBVG 311 009111 n ered . . . . . . . . . Golwbaerts, L., Op. 113. Fre-Zschutz. Fant. Wollerihaupt, 11., Fleurs de brrllante ........... . . . . . . . . . . . . . .350 50 Morceau (is Salon. ' ._.. Op. 114. La Joyeuse. Poll:a...,... ——— Op. 116. Semiramide. Fant. brrllante... ~——- Op. 117. Oberon. Fant. br1llante....... --— Op. 118. Parfum de Roses. Valse do salon . . . . . . . . . . . . . . . . . . . . . ——-— Op. 119. Douce Illusion. Valse br1ll.;.. ——- Op. 120. L’Enehonteresse. Mazurka. éleg. Goldbeck, R. 16 Compositions dedicated to Franz iszt: .._ Tempo di Menuetto. (Fingered) seﬂhmeﬂt-9 r - Iiannlfelder, Fr.,Op. . Kinderscenen. No. 1. Dreams of Childhood. (Souve- (Scenes of Childhood.) 8 Pieces (with- I» nce_),_ , _ out Oetaves), each . . . . . . . . . ..... .. 5 No 2 H1311; S . 1. Sandmiinnchen klopft. (Sand- man nooks.) No. 2. Der Storch ist gekommen. (Tho Stork has come.) , No. 3. Alte Rume. (_0ld Ruin.) N0. 4. Weinlese. (Vinta e. oungO1ﬁ- 8 N0. 5.) Der junge Olﬁcier. oer. No. 6. Dies ieldose. (Music Box.) ) - . Z _ . ' M No. 7. Schei ends Sonne. (Setting . . ' . ur . . . _ » 1m"Cu_ . . ' . H No‘-15$ Gmssmamws Erzﬁhhmg (Gnmd_ ' —~. Rove de J euuesse. (Dream of Youth.) m E C {glorceau dc Salon . . . . . . . . . . . . . . . . . . . .. _ 1 hp] g. 50 “$51 sit, Po, Vdlse (18 18. scene (19 331.1“ -we .. osaique sur La Bo Benoit Ian, Va se du Diame . C an otte 60 _ Drame: “Charlotte Corday.”.... . 1}0}L€')7l.i(l7%)Gi6l.)...2...é , d '15 I E Ogrcl V h H b , . . -"- " . . r . E . V - A — Em “W9 Cs des 017- 33- 3113,53 V“1’.3°- 15k ‘,3 70 cgerlte E‘o;1plcte..E1 es G3}: ‘1\,I€Ll'::'l(l,et3:)Snl(E1i‘O€Xll!(flll:.auX am wux B-'-°"5"‘“=,') I _ OP‘ 1:711 hC19‘V1e‘5t“° 9' i The same in .‘5Cp:ll'£1Le Nun —~ Marchc des Jucobius . 81 1e°9§-Nf)L:l°°é:e1f’i'LSci-0- ‘ - N6 N0. 1. Prelude. .. .. . . . . . . . . . . . . ? 1'.1n1'clicliollandaise .. 2 (Ia-p-rice“; 1.3“ P 0 3» Imerinezzd No. 2. E ‘ . (For Independence Gobbaerts, lira, Op.57 ¢ vay p... t t 3 ' , ’ oftne Fingers.) . . . . . . . . . . . . . . . .. — Op./16. Oeiitillcsse. Polka .... .. . . . . .. Boot ‘kIgnT§“1é:‘€_‘i’<::cig- Cm No No. 3. Prelude et Fugue. Fm . . . -—- Op. 82. Les Coursiers. Galop brlllant . 6 Inteﬁnczzz) »A 11:10 7 :Intem>leZz0~ No. 4. F;‘tu(lc dc Rlrytme. Gouriogl, (‘.]_:‘., Dodehnette. (Lullaby.) v C; . 3 7 No. 5. Prelude et I<u_gi1e. Piece facile . . . . . . . . . . . . . . . . . . . . . . . . . ﬁirﬁsgliiﬂg‘-LN°b8I; 1‘$p11I%‘?O]§€ln_‘ne No.r(::. Ln Forme dc Valse. Jacks?-11, San/1., A toute Vapeur. (High ﬂhopillgicdﬁplct-6 Piano Works; ﬁngered by sc~—halO£,. .>(;.k;\Ieii1}i£t et -7 l ressure.) Galop de Concert, aria. . ..1 50 §_).ll{lind\vor(tlh.b 1\’eXw4to Eéiigon, ca1re~ i<2ecl§s.aoomp" Koellzgvgﬁ} ggm glrzk Polka brlllante, .- V ~ , ‘ . ‘ ‘ ‘ . . 1. s . . . . . . . . . . .. al:1dyn1r<)er‘::1SL(:alearl}y: prizﬂtelcl tliinagivﬁgegi '1}? G Mmilm ”e1mmt°Numbe1B ’ P~ 5? Gmlld G310}? brlllanfi MT» by son’s Folio Edition. With Portrait, ° "‘“‘°“° '''''' " Sam‘1Jé‘~ckS0n 1 2 Biography, etc. (3 Vols, each.. 00 The same Edition in 11 Volumes : ﬁallades. Complete Elmles and Preludes. Complete III|1)1‘011nptl1SélI1d Frmtesias. .:1azur (as. omp e e.. . . Nocturnes. Complete. Polonaises. Complete iondes and Schlertzos. e e Nebelung, F.,Op.4. Schneeglockuhen. Im- promptu brill . . . . . . . . . . . . . . . . . . .. . .350 L Op. 5. Leuchtkugeln. Gavotte . . . . . . . .. Oesten, ’l‘l1., Op. 56. Gondelli 11. New Edi- tion. (Fingerecl) . . . . . . . . . . . . . . . . . . . .. Paradies, P. D., Toccata, A. (Fingered.). 25 Peralbo, E., Petit Scherzo. ‘(Fin%lered.).... 35 ———W Fragment from Rublnsteirﬂs 4t Trio . . . . 25 Raﬁ, 3., Op. 132. Marche brillante, C . . . . .1 00 Richter, E. F., Gondellied . _ Paradis. (Flngered.) . . . . . . . $0 50 STUDIES FOR PIANO SOLO. Duvernoy J. 3., Op. 276.,Eeole ré ara- toire de la Vélocité. 20 Etudes wit out Oetaves) . . . . . . . . . . . . . . . . . . . . . . . . 25 --— Op. 240. Ecole moderne pour Piano‘: 2me Partie. Exercises journaliers. (Daily Studies.)_ . . . . . . . . . . . . . . . . . . . . . .. Op. 255. 12 Etudes mélodiques dc Rhytme.. Kirelriner, ’l‘l1., Op. 38. 12 Etudes 4 Books, 02 ch 1 Kﬁhler, Louis, Op. 289. 30 brilliant Studies on English, Scotch, Irish, and Welsh Melodies. Book 1., $1.50: Book ., $1.40; Book 111., $1.50; Book IV ..1 65 Lecollpprey, 15., Op. _ réfztce it la Ve- locité do Czerny. 15 Etudes dc Mécan~ isme. Complete . . . . . . . . . . . . . . . . .. 2 ——- The same in 2 Books, each . . . . . . . . .. PIANO DUETS. (Four Hands.) Bohr, Fi‘., Posti1loud‘Amour. Gale élé I-::vé—_Kiug,1vrme., Improm tn ....... [I 75 Roecssel, J. 1... Air du Dauphin. Aneienne 75 (Fingeretl) . . ,‘ . __ Dause de la Cour . . . . . . . .. Rubinstein, A., Op. 44, . nee in Eb. (Fingered) . . . . . . . . . . . . . . . . .. ———- Op. 50. ;Barcarolle No. 3, Gm. (Fin- gere .) —— Op. 75. No.8. Nocturne. (Fingered.).. Rurnmel, Jos.. Les Joyeuses. 6 easy Dances. (Fingerecl): Valse,C... .............. .. {I'.a‘r‘i‘a'n é'e . . iar y . . . . . . . . . . . . . . . . . . . . . .. 50 . . Song of Rest. (Chant du Re- pos.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Pettts llloreezmw. JlIorceau.7o de Salon. . 12, Manitou. Idylle . . . . . . . . . . . . .. . 13. White and red _Rose. . . . . 14. Beyond. (Elegie.).. . . . 15. Tenerczzn . . . . . . . . . . . . . . . . . .. . Finale. N . 16. Minerva. Grande Polonaiseidel 25 Saint in Form of a Concert Capri __. Dream of the Lily. Morceau de Salon. . —-—- Melodie et Canon . . . . . .. . . . . . . (1, C.- Marche Pontiﬁcale. Grieg, Ed” Album Leaf. (Fingered.). —— Allegretto in C. (l-l‘ingere§1.).. ﬂalrse, (3., Op. 102. Staccato-Etud Concert __ The Cricket by L. DE MEYER, arrangedl e . . . . . . . .. No.2. Scherzo.... ..= . No. 3. Humoreske Ludo °V.5,:”1’_:"’1‘);i1§)I)' 36' 11:10. 4. Imprornptu. " ”' ' ' o c> gme petite 5 Marehe fun Uingered.) . . . . . . . . . . . . . . . . . . . . . . . . . . .. ., Op. 15. Friihlingslied. (Spring n . lauser. . . . . .. v. ....... ..... ..' ...... ..‘1oo Gallop (lu Diziblc . . . . . . Souvenir (in Camp. 1' . No. 6. Un,qarisch . . . . . . . . . . . . . .. . .. G Smith, Sydney‘, Op. 148. 2me Etude do a ) 50 Concert. 8 *‘ Lie"°5“ed' . F.‘ (i)};ill{'r{i?te.fSV.¢ ‘ Pas re- Una on-83 ible g Ch.Bovy- Op. 146. Stryienue. "" l,’G., Op. 127. Vvolclbilder. (Forest Scenes.) 5 charac. Pieces. Cornp1ete..2 00 Z The same, in separate Numbers : No.1. Ja_ dzug. (Hunting lliatch.)... 60 V nldesrausc..en. (Woodland 40 Whispers. . . . . . . . . . . . . . .. .. .3 dilsterer Schlucht. No . In nlal ollow No.4. Waldidyll. (Woodlaudl Einsi_cdler’s Abendlied. Klauscr . . . . . . . . . . . . . . . . . . . . . . . . . . . . Herzogzenluerg, H. v., Op. 45. 5 Pieces: No. 1. Notturno, A.. . . . . . . . . . . . MK: 0:0! I’ . Com etc . . . . . . . . . . . .. .. _ _ miscellaneous Compositions. . 2. CaP1‘10C10a B111- erceuse, Barearolle, etc.) . . . . . . . . ..1 » 3- B=l1'C31‘0119a 13- - ' 01% Concerts and Concert P166632 Comp.. .2 50 N ~ - ‘ I - ~ 50 Op, 16}. Gavotteu ' ‘ " ai33.':’3.‘;.$£‘f.F;?E‘&2.E‘§1“§§&%i..E.’3°"‘“" Wm" smr......°.‘..'., o.,ontno1i'cig‘1iE§. '(n..»t.)::: S3-1erm==mn» A-a S\ved1shVVeddingMmh lurk Hscoisorr, YAfVghanen-Zug. Ga1op.. Iiofmanu, IL, l’o«;n1e du Souvenir. Ré- Swgdiéh \Veddi%%_ March. N0_ 2. ' de L my vcrle. (FlilgO1‘Cd.) ................... .. S . 93- -~ . , .n 0. - pizuiler Fr. ellens 1ei. (B.lpp1ll10‘ I-Ioﬂ‘m.szS1C._ 13.1; I‘liou,,hts of Horne in the Wmsyesi) Ffngel‘e%g)y Pgﬂuser ' . . . I . nu Jadass<L)I.1n’, S1 Plirnb by Sn'a'“§“’ ‘F°,,h" Op‘ Nﬁdscebnder‘ A. R. Parsons . . . . . . . . . . . . . . . . . . . . . . . . . . b J anon, C. de, Fzlrcyyell. Romanza . . . . . .. Jensen, A ., Hocheitzsmusik. (Wedding Music.) Arranged by_E. Lassen. Comp.2 50 —— The same in seporrte Numbers: _ No. 1. Festzug. (Festival Procession). No. 2. Broutgcsalig. (Bridal Song;.).... No.3. Reigen. (Round Dance). . No. . otturno . . . . . . . . . . . . . . . . .. ...1 Jungnrann. A., Op. 303. In der Schm de. (In the Forge). . or No. 5 mit‘s Eveninp ong. Miclnaelis, TIL, The Turkish Reveille Raﬁ‘, J., Mnrche brillzinte, C. . . . . . .. Scharwenka, ., 41 ses. Complete. . — The same in sepai an..- ztrche l1ollandaise_.... a 05;: . . . . . . . . . .. Op. 98. Impatience. Rondo-Galop de Gumhert. Trans Marche pe Simpliﬂ d. ' y. Valse brillante Cooper. IV... Op. 26. The Bells of Sevilla... -— Op. 27. eautiful Dream . . . . . . . . . . . . . . . —~ Op. 28. An el’s Watch . ——-- Op. 29. He eves me.... Delalraye, L. L. Colombine. ﬁngered b A. Parsons. . .. . . . . . . . . .. F L’ dieu du Savoyard. Morceau cr . . . . . . . . . . . . . .. 3 . _ . _ ‘senile, de Joh. . _G Owe”: __ 59 < 3 No.4. lioléro ....... .. . ...... 8a —— 0p.43. Album. 6Pieces. Complete..400 —— The same in separate Numbers: 0. M t enue ' etto . . . . . . . . . . . . de Genre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . —— ~ The blue Bells of Scotland. Transcr. . .. —-. NellaBu.rca. (Dans In Barque.) Gondo- here. . . . . . . . . . . . . . . . . . . . Parin R0 :3. (A ————- Woodltuid Dreams. Id) Dupont, A., 0p.16, No. 3. La Dansc aux Tanibourins. Reminiscence pastorale. -—-—- Op. 50, No 11 Souvenir. Mélodie. . 1. -— Op._ 50, No. 2. Lespetits Soldats. Marehe ' 75 nnlitaire. . . . . . . . . . . . . . . . . . . . . . . . . . . . . --— Op. 52. Graziosa. Vztlse. . . . . . . . . . . .. Egglmrd, J., Op. 227. Perles roulantes. lin Pearls.) ]\1o1ceaubrillanl:.. .. Elhnenireic 1, A 1b., Op. 14. Musieal11lus- Ketteu, 11., Op. 60. Sérénade espagnole... Ketterer. ,E., Op. 285. _se ‘illante sur Coppelia. Ballet de Delihes . . . . . . ... .. . er, ’I‘l1.. Op. 32. Sad Refrains. 10 Pieces. Book 1., $1.75. 00k 11 ..1 —-— Op. 33. “ Ideale." Book I. 2 Piec . — Op. 35. Musiczil Toys. 14 easy Piece ..2 —— Op. 36. “Phantasien am Clavier.“ Books, each Book I. Asong. Burleske. Nottumo. Book II. A. Story. Sorrow. Waltz. —— Op. 87. 4Elegies. Com e —- The same in separate Numbers, eacl . . .. 0. 1, Fm. No. F. 0. 3, Am. Op. 143. Les Echos. V Op. 146. Soirées (1’HiVcr. No. 1. Vnlse. C . kn No. . Op. 141. Op. 148. Follctte. 3 Esquisscs musicales: No. 1. Op. 149. Les Sorrentines. No: 6. Strealbbog, L., — O . S7. Ungai-iscl1..... . Op. 77. Z(t¢7/zpa. Fant. . . . . La Fille du Itegimmt. Fant. Ronclo—Galop de 0 . . —— ‘ very easy Du s : Op. 1135. Un Jour (le Fete. Marehe. . .. Op. 166. Sons l‘Ombragc. MéIod1e Le prelnicr Dal. Op. 167. V ~ . Suppé, F. de, Marche du Diable . . . . . . .. rantelle. o. . . Danse des ses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. La Clochette du Chateau . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Op. 152. Carnot do Bal. Album 1879.) . 6 Danses élégantes. Complete . . . . . . . . .1 -—- The same in separate Number ' No. trations. (ichoracterlstic Pieces. Comp. .1 — Tlfwe same, in separate Numbers : lo. 1. ‘ No. . K"ll' -' Ch . Op. 217. Polka brill..... —0.—‘Ol{§'.”2l8. (?1:1i(l‘(‘;‘rulo1) brillant, G..._... .1.’ . 348. Die schone Melusrne. Jensen, A_ -- _ helmj . ' PIANO AND FLUTE. Resell, Joh., Secret Love. Gavotte...... 50 )' . 11 Suppé, F. von, 6_favoritc Overtures. (Poet Gade, N. ‘V.’ Im Walde‘ P; -01’ Féfoaz Na. 2:113?-A, $1 ;§‘g. 3, A..1 _ _ }‘>;)a11l::—L‘gaz11rka. . and Peasant, etc.) . . . . . . . . . . . . . .. i1ie- . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Lee .. L. . two 0 e ouls . . . . . .. ' *' ' ‘ ' ‘ ‘ " ' . Glese, Tl%.;e0p. 270. Bliim1einVerg1ssn1ein- lLa1ige,’i;‘x., liorteusia. Valse b ' . P3121312 d L . ‘ . FOR nicht. (Forget-me-not.) avotte . . . . .. 5 Edition. (Fingcrecl.) . . . . . . . . . . . . . . , . .. M08 ‘hm 6 Fim7Z{)m"“”"' ' MONIUM (Cablnet Organ). Goblrxaerts, L., 0p.{-16. Chantde la Bergére. Leybach, J., Op. 103. Omwzen, do Bizet. LM°Pie_”'utX am ﬂux’ on g smves . —. OSpt.59.fAllu Stella coniidente. (Bright Fantaisie’bri’llante ....... .. Of1;’breeS‘g‘£i‘;°iSes_Sei,-.511;-it ' Jackson Sam (QEMHOR T'nE OMAN A (l<aal‘tr?bgii)(lI1C...). . {fl} £3 R1%.Veﬂ' Maﬂche Elilitaa. - C_oll’ection o’f 93 Voluntaries and melo- Up.74_ Uup1.iCC_N0Cmrne. _ 21 191150- ( W3 111.: 11‘ -) dlous lllovelnerits, selected ‘and ar- gp. '79. LC gaScMe1]eS> P01k&_Ma_ ~_;l-I - - - - _ ranged for (,hurch Use.‘ Boards, uet..2 00 7.urk9.(le Salon . . . . . . . . . . . . G a” M‘. “pr”? Lefebu.re-\‘VelY- L3 Sa‘“t" . C1‘a1"’ne' ' ' ' ' ' ' ’ ' ' " R0113? 913 N033 P011“ - (Vade Mecum (le l’Organ1ste.) En- L95 Ui1'°“9“e5~ - trées et Sorties, Versets, Preludes, S97”i7’llm’3d€- Pet“ 5i°- Elevations et Commnnious, Oﬂertoires, L65 Plaiﬁilﬁ (111 100119 Age. 6 Marches, etc. For Organ or Harmo- ‘ Svo, 2 Books, each, net ....... ..2 00 On 3 Stavcs: I k 1 G. O .115. Sonata,No.4,F.. ...150 1'3 3p?116.‘ 1% Choral Studies .1 15 Shelley, EH. IL, Spring Song and Scherz . 50 S arks, F. B. Scherzo . . . . . . . . . . . . .... .. olekrnar, vim, Op. 357. 12 Adogios. 2 Books, each . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..1 40 The Orgarrisvs Repel-to_ire. Works of faVO&‘lI.§ Au.tho:isi Regsedlgndsre is- , tere y u ey ue , . . vnbac R, de oar , , . Warren and others: q’uet de Méfodies. Suite 1, 2, euch..... N ._ . ’ uwar1:e,nx)&11egrett0 eras 85 —»— O1) 145. ltcllets ixitimes. 2 Pieces. (N0. ‘VilS0lla m’BV‘."1‘1’i‘ t°:“' (Across C°‘“1‘ ' ‘ ' ' ' ‘ ‘ ' ‘ ‘ ' ' ‘ ' " 1, Dremiiing of Chopin. No. 2, Even- ‘"73 391’ “ mu ' ' ‘ ' ' * ' ' ' ‘ ‘ ' ' ‘ ing Echoes.) ................ .. 60 ~-‘ D§;‘IfiC§I“‘m“’e- (Sweet M“’m‘“5‘) gfggfgi;;1;:i_1j‘f>S,P,$g‘;?,,;f,,,1;,§é.;,..,,. —— Reverie du Soir. (Evening Reverie)... Michel, J., Op. 26. Conﬁdence. Duetto.. Wollerihaupt I-L, Op. 22 _No. 1. Morceau __. op, 28, Les Ranieurs. Barearolle. . . en Forme d’Etude. (FingereL‘l.).... . . . __ op_ 29. Capﬁce-]\[az11rka.., —— Op. 54. The Song of the Sirens. Gr. — Op. 30. Ismttilizt. Tyrolier . . Vztlse hrillzmte. (Fingered)... 1 —— Op. 31. Le Muletier. Impromp -—-— Op. 60. The Stanspangle —-——- Op. 82. Remember. Grancle Va Paraphrase bi-il1ante.. . . . cpa‘ .. . Op. 352 La Galante. Valse de So F —— . Frellrns, C., Fannie Polka Kuhlnsi, an-., Op. 52. 3 Sonatas (ﬁnge p. ‘ iq as No. 28. L‘Alsaeienne Fantu1r.«ie—Valse. No. 21. Zampa. Divertimento . . . . . .. Llchner, 11., Op. 4. 3 Sonatrnas. (Fin- gerc (1), each . _ No. 1, ii . o. 2, in No. 3, in G Liszt, E.<‘r:1nz, Blljlaideng Y’)/151:1. 1:03;; by Cuorm. rngere y . . arsons.. Ludoa/icz,8GI:, «Ii11.tt B(i>lé~éo.....£ . . . . . . .. 35 wees, p _ —A— p. . :1 ‘oc e_e11 ouven. ' , _ Pu, , N 3 .(),_A. z-. __ ‘..1/Elt. S.tB_ No.1\_Talse No.2,o.a, 0., ’lI‘)1'a§i9scr.‘ﬁ . . . . . . . 5 0)‘/)al:e3mig1io§ri1eP..lne ...(.“ee mar) SC11<;§l’«15ChZ,¥‘I°- ‘£7 P01k€l-Mﬂzufkai --—-~ 0 .£(l1. Bel Rose. Valse élé ante..... 75 — Op. 63. Souviens-to . Rem °.- 1 uadrme --- Op. J2. Les Sylphes. Mztzur (1). do So- us. nu. . ST. Pepita. Polka de Salon . . . . 5 —- Op. 64. Réve do Bonheur. (Happy Dream.) Reverie mélodique . . . . . . . . .. — Op: 65. Souvenir du Canada. Dense ——- La Marchc du Dieble . . . . . . . . —— Stella d’Amore. V n . . . . . . . . . . . . . . . . . . , , . . -——- Op. 93. U11 Souiire. Polka. alses " Allegretto grazioso, arr. Op. 94. Marguerite. ——~— Op. 95. Devinette. Polka 1... Op. 96. Toccata, . 97. Berceuse, Ab . . . . . . . . . . . ‘J8. Pluic d’Etoiles. Caprice. . . . . 99. Luciezia Borgia. Font. brill... . 100. Norma. Fantaisie brillante... . 101. Les Fées. Caprice de Genre... -—-u Op. 103. Pensée fugitive. ~«--— Op._104. Motse. Transcription sur la riere ................ .. . 60 . . Galop p. le. Polk =--- Op. 108. ' Réveri . —— Op. 109. A e. -—— Op. 110. Sérénade . . . . . . . . . . . . . . . . . . . . . . «--- 0p.111.Pumamz. Fast. bl'illa.nte..... Lully, J. B., Gzlvotte, Dm . . . . . . . . . . “‘ Gavotte modeme ' L 'sber'»' Ola. Bovy- Op. 144. Grande S hﬁirhe tri.on1phale.., . . . . . . . . . . . . . . . . . ..1 00 35 r, ale from 2d Organ (S. P. VVztrren.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0.4. Batiste, 13., Op. 36. No. 1, Oliertolre, in F. (S. P. Warren. . . No.5. —— Op. 36. No. 2, Offertolre, 60 ..........u....u..no . lzeleontinued. Complete Catalogue of all my Publications and of “Edition Peters” sent on Application. .IMPORTER of MUSIC and PUBLISHER, SOLE AGENT ,f0r “EDITION PETERS” (LEIPZFG), . AQJGBINER & CO. (LONDON). ‘
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Date: 1898
Text: MUSIC Lnamuw VASSAR COLLEGE P°UGH\(,l'_'ao,g- , R <;a)"THv REMEMERANCEHN D. (a)“THY REMEMBRANCEWN E”. /.N.?2 R \ R ER Copy r l O by1@berr’(°ock;.&Q9 I Price 414/ [a] “THY REMEMBRANCEIMS by Longreniow. I [b] “T0 PLEASE MYBONNIE BELLE”[A \/lLL,Al\IELl_n wows by SamueI Minfurn Peck. MVS IC BY F. EGAMBOGI. LONDON ; ROBERT-COCKS-&-C‘? NEW-BURLINGTON STREET‘ W. MUSIC PUBLISHERS TO H.M.THE QUEEN 8: H.R.H.THE PRINCE OF wALEs, NEW-YORK:EDWARD'SCHUBERTH -&C‘?. LEI...
Show moreMUSIC Lnamuw VASSAR COLLEGE P°UGH\(,l'_'ao,g- , R <;a)"THv REMEMERANCEHN D. (a)“THY REMEMBRANCEWN E”. /.N.?2 R \ R ER Copy r l O by1@berr’(°ock;.&Q9 I Price 414/ [a] “THY REMEMBRANCEIMS by Longreniow. I [b] “T0 PLEASE MYBONNIE BELLE”[A \/lLL,Al\IELl_n wows by SamueI Minfurn Peck. MVS IC BY F. EGAMBOGI. LONDON ; ROBERT-COCKS-&-C‘? NEW-BURLINGTON STREET‘ W. MUSIC PUBLISHERS TO H.M.THE QUEEN 8: H.R.H.THE PRINCE OF wALEs, NEW-YORK:EDWARD'SCHUBERTH -&C‘?. LEI PZIG: BREITKOPF-&-HI-‘IRTEL. PERMISSION FOR PUBLIC PERFORMANCE WITH THESE WORDS ONLY IS GRANTED. __‘_ ,, Or: I aI U _, ;.. 1Ib;“To PLEASE MY BONNIE BELLE IN D. I 3 ” ke’5’](b) To PLEASE MY BONNIE BELLE m .I\/IUSIC COPYING. /V07"/CE /S HEREBY G/VEN 172111‘ by virfz/r» of /710 .5 c\’~ 0' Y'z'(°. (1/1/2.415. A'e(.*. ,1). 17m .w/1* //121‘/vxr/11.;-1\’r* /i‘bnI'(;/of'/111/Z"/kzg 7/Ia/II/.s'r'/-ip/' or of/107' ('11/1112;‘ m"z'0/{V712//Ii" war/c.v I3‘ vrns-fa? in r/21> 4'IVlI(’7'U/':\'i((‘/I (‘U]{\’/’I:(//II’ ll/1!/((Ii_V U//ll’/' p«>I-.s-0/1.v //1//K‘!/lg .s-I/r'/2 ro/21.0.9 11'!‘//[(711/’ f/11’ /Jr’/-/711:».-,5‘/n/7 (7/'1//7(’ .c-r11}/ ow/zz’/' RENDER THEMSELVES LIABLE TO HEAVY PENALTIES OR DAMAGES. I///’ /77(//.s71rr.s'i/7b// 0/Con/gm’/'1_}//I 1' .371/7,1/.s' 1'///0 0(/zz7‘/r1_'v.s- nx7]/mufpr/7/zi.v.s-/2711 /5 AN UNLAWFUL COPY/N6. TWO SONGS. (a) “Thy Remembrance.” (b)“To please my Bonnie Belle.” To Mrs. PAGDEN. (XTHY REMEMBRANGET’ Words by Music by LONGFELLOW F E. GAMBOGI. Larghetto espressivo. ' ores: m0Zz‘0. fra _ grance that sur _ vives, “rhen mar _ tyrjd flowers breathe out Tempo [0 (full Words reprinted by kind permission of Messrs.Houghton,Mift’Iin&Co., Bo.<ton,U.S.A. the pubhshfers of Longf'e11ow’s works. N? l in D. COPYRIGHT 1\_/IDCC/CXCVHIby ROBERT Cocxs & C°. P brance; once con _ soled our pain, But, ne _ Ver, ne _ Ver 47/" 7"z'z‘.- calla voce. “Thy remembrance” (D) 20,729‘ Now the hour of rest, of rest has to thee, mf ajfrcz‘z‘.- 1) lento. dim.- Tam 1/120 [.0 “Thy remembrance” (D) Dedicated to Mrs.I-IELEN TRUST. V m“TO PLEASE MY BONNIE BELLE.” A VILLANELLE. Words by Music by SAMUEL MINTURN PECK. ' F. EGAMBOGI. Allegretto grazioso. mf Words Copyrighted in 1875 by F.B.Patterson. Copyrighted 1886 by Messrs White,Stokes & Allen. COPYRIGHT MDCCCXCVIJI by ROBERT COCKS & C? N‘?linD. Win _ some eyes of _/oyously. _.i‘___L._ g—T— Ah calla U006. } V swe11!__ Haste, “To please my Bonnie Belle.” (D) 20,729. in mea_sure true, just to please my Bon_nie Belle. 3? calla 11006. F. f a tempo. J . Have a care to it well Tr'ip-pmg like } } } f a tempo. $3 $3 a: tempo. Come from where the Pix _ ies dwell Dance with “To please my Bonnie Belle.” (Dl ¥_/ san_ dals dipped in dew, Just to please my Bon_nie, Bon_nie ?‘ .._. 3" F. 1116720. In her ear, the ‘ peer_1ess /110720. pas _ sion sue, "F". “To please my Bonnie Belle.” (D) Andantino. W111 she calla ’0C6. 916 I’ Just to please my Bon_nie Be11e,___ ‘ “To please myBonni;3 Belle? {LII ‘ _;'og/ouslg/. calla voce. sempre [1 “To please my Bonnie Belle?’ (D) em) and Popular Sggngs a» e» e l‘RE%DERlCH. COWEN. Nn.IlnC. A, Noznnl). No.gi..§v nuarm "9 f 1‘:- THE MISSION OF A ROSE. ' ‘ ' Non trappa lento. * Cornmlrr. On - ly arose -bud, kissed by the dew, Out in a gar- den fair it grew; Loved by the sunshine,wooed by the wind, Yet to be out in the world it piued, A ORUMPLED ROSELEAF. A ndantina semplice. COPYIIGHT, I896, av Roanr Cocxs & Co. What’: the mat-ter, my dea - rie, Tears in your pret - ty Where is the crumpled rose .- leaf— Show me where it lies l__ r r ﬁ % # CHILDREN’S DREAMS. Maderato can meta. Oorviuolrr. Whenthe dusk steals 0 - ver the ci - ty, And the children fall a - sleep. Whenthe mo - thers watch in the si - lence Andguard dertheirslumber keep; Thereis i l - i ‘ COPYRIGHT, 1896, av Roanr Cock: 8: Co. Can mota ma non tropfo. “We are so wea - ry,” say the chil—dren, Af -tertheir mer - ry play? When from the land of Sha - - d0WS St°3l'¢th The 9'03‘? °‘ I T’ T’\ THE SILENT CHIMES. Andante moderate. Corvnuont, 1892, av Roanr COCK! 8; Co. Last night, o'er the moon - lit mea-dows, I could hear the old, old chimes, ’ a mu - sic faint and ten - dcr That spoke of by-gone All the above, price 45. each. LONDON: ROBERT COCKS & CO.. 6, NEW BURLINGTON STREET. W. I-‘Blunt: iﬂubltehn-9 to am. the (aunt: ants 9.13.9. the tlrixyee of males. AGENTS FOR THE UNITED STATES OF AMERICA. EDWARD SCHUBEBTH & (0., NEW YORK. LEIPZIG: EREITKOPF 5. HKRTEL
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Date: n.d.
Text: 1.! » musmov ..,.e ,. ﬁn! VA . .,..I.3’1§a.xAy. V 1 ..._. .m % m \ f§‘’////u//,4~,‘, \\““F I}////} 1 THE THREE KINGS By HENRY WADSWORTH LONGFELLOW I HREE KINGS came riding from faraway : Melcbior and Gaspar and Baltasar ; Tbree Wise Men out of tbe East were tbey, And tbey traveled by nigbt and tbey slept by day, For tbeir guide was a beautiful, wonderful star. Tbe star was so beautiful, large and clear, Tbat all tbe otber stars of tbe sky Became a wbite mist in tbe atmosﬁbere, And by tbis...
Show more1.! » musmov ..,.e ,. ﬁn! VA . .,..I.3’1§a.xAy. V 1 ..._. .m % m \ f§‘’////u//,4~,‘, \\““F I}////} 1 THE THREE KINGS By HENRY WADSWORTH LONGFELLOW I HREE KINGS came riding from faraway : Melcbior and Gaspar and Baltasar ; Tbree Wise Men out of tbe East were tbey, And tbey traveled by nigbt and tbey slept by day, For tbeir guide was a beautiful, wonderful star. Tbe star was so beautiful, large and clear, Tbat all tbe otber stars of tbe sky Became a wbite mist in tbe atmosﬁbere, And by tbis tbey knew tbat tbe coming was near Of tbe Prince foretold in tbe projzbeey. Tbree caskets tbey bore on tloeir saddle-bows, Tbree caskets of gold witlo golden keys; Tbeir robes were of crimson silk witb rows Of bells and pomegranates and furbelows, Tbeir turbans like blossoming almond trees. 3 # And so the Three King: rode into the Weft, Through the duxh of night, over hill and dell, And sometimes they nodded with heard on hreaft, And sometimes talhed, as they paused to reﬁt, With the people they met at some wayside well. “ Of the child that is horn, ”5aid Baltasar, “Good people, I pray you, tell us’ the new; For we in the Eaﬁ‘ have seen his star, And have ridden fail‘ and have ridden far, To find and worship the King of the Jew. ” And the people answered, “You ash in vain ; We hnow of no hing hut Herod the Great.’ ” They thought the Wise Men were men inyane, And they {purred their horyes aeroxx the plain, Lihe rider: in haste, and who cannot wait. And when they came to Jeruxalern, Herod the Great, who had heard this thing, 4- ii? Sent for the Wise Men and qneftioned them; And said, “Go down nnto Bethlehem, V And hring nze tidings of this new hing. ” So they rode ezwezy ; and the steer stood still, The only one in the gray of nzorn ; Yes, it stopped, and stood still of its own ﬂee will, Right ooer Bethlehem on the hill, The city ofDez1/id, where Chris? wds horn. And the Three Kings rode through the gate etnd the gnetrd, Through the silent street, till their horses tnrned And neighed ds they entered the greezt inn-ydrd; But the windows were closed, and the doors were hezrred, And only 4 light in the stdhle hnrned. And erddled there in the scented hety, In the ezir rnetde sweet hy the hreezth of hine, 5 The little child in the manger lay, The child that wonld he hing one day Of a hingdom not hnman hat dioine. His mother, Mary of Nazareth, Sat watching heside his place of reft’, Watching the eoen ﬂow of his hreath, For the joy of life and the terror of death Were mingled together in her hreaﬂ‘. They laid their oﬂerings at /92 feet .' The gold was their trihnte to a King, The franhincense, with its odor sweet, W/as for the Prieft‘, the Paraclete, The myrrh for the hody’s hnrying. And the mother wondered and howed her head, And sat a: still as a statue of stone ; Her heart was tronhled yet comforted, 6 {‘} Remembering what the Angel had said Of an endless reign and ofDa1/ia"5 throne. Then the Kings rode oat of the city gate, With a clatter of hooﬁ in proaa’ array ; Bat they went not hath to Heroa’ the Great, For they hnew his’ malice ana’ﬁ2area’ hi: hate, Ana’ retarnea’ to their homes hy another way. 0 9©© @9990 936 FOUR HUNDRED COPIES OF THIS BOOK PRINTED FOR HIS FRIENDS BY WILLIAM EDWIN RUDGE NEWYORK- CHRISTMAS MCMXXII . . .. , J, 1 I . . . .w :,. . .v.n.. a-.1): 1.41 ‘ . I ~ ) r 7 . » . bu. : 2.114 \ 1 ll. . : 2 I 1 . u... v I ll: -1 t 1. V r . V . 1 . . x .1. . I la . .. . . , :5, . .: «v 9. . . K . (.14 . .. . . . ., .1. . . . ., , . 4 st. . \ I . .. . . . ..pur»4..ﬂ:..... , I'7 xwuai.-rs». .1 C A: _.«.a.nI.V nu.V&\.n.v1..|mc $45.“. v. . ¢\ . \. 9 -5! E1 ,4‘ 7' 1 pg‘ -
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Date: 1904
Text: Breitkopf & Héirte|’s Bihliothek of Vocal. Scores ‘ ./ Ar** 7 -\ .\ , \ u \ \ wry :° Y/7‘ % ’ I . "4, '- by Longfellow :——-+>x«—-———~ Vocal Score ONE SHILLING AND SIXPENCE - I 54GtMa1'lbor0ughStreet 4_ 15- ’ «(T "V, ‘ V -4. LONDON. w ‘ _ A A .!A,J_, «' .- '” , Q I c., ‘4 " ‘ / ﬁriﬁ ‘ i .2? ' 3 A‘ * Dedlcaled re The Mlulerldgs-Taylor Musical Bucls1y,weehleglee um. e lmvnl nllnha LoNGFbﬁLLow music as four-part Songs ( .3. HT 13.] wllh accomponlmenl...
Show moreBreitkopf & Héirte|’s Bihliothek of Vocal. Scores ‘ ./ Ar** 7 -\ .\ , \ u \ \ wry :° Y/7‘ % ’ I . "4, '- by Longfellow :——-+>x«—-———~ Vocal Score ONE SHILLING AND SIXPENCE - I 54GtMa1'lbor0ughStreet 4_ 15- ’ «(T "V, ‘ V -4. LONDON. w ‘ _ A A .!A,J_, «' .- '” , Q I c., ‘4 " ‘ / ﬁriﬁ ‘ i .2? ' 3 A‘ * Dedlcaled re The Mlulerldgs-Taylor Musical Bucls1y,weehleglee um. e lmvnl nllnha LoNGFbﬁLLow music as four-part Songs ( .3. HT 13.] wllh accomponlmenl of Urcheslra or Planoforle by % S.e(C/®I,lﬂlR§IllDlEﬂe-ﬂ”[lll\Xllol@Bi ODS/-le 1. Beside The ungalhered rice he lay. Copyrighl for all Counlries e. She dwells by greal Kenhawae side. inol.U.S.ﬂ. 5. Loud hesanglhe Psalmofbavid. Vocal Scorel/6 nel. LONDON W BREITHD PF & l'I'F\°FlTEL 5ll,Grea’r Marlborough Slreel. also :11 Leipzig. Brussels. New York. Full Score and OrchesfralParfs may be oblalned on hire byarrangemenl wlfh lhe Publishers. Righfs of Performance reserved. Three Ch0ra1- Ballads. ‘/-‘>44 ' - 0649-0 .___...:. . s‘v\’~)x/‘o ' 1.“Beside the ungathered rice he lay?’ (Longfellow) Moderate. S. Coleridge-Taylor, Op. 54-. N9 1. Appas./.91b\7zaf0.> Pianoforte. §f -gf Be- side th’ungather’d rice he lay, His’ sic_k1e in his Hisbreastwasbare,his ther’d rice helay, His e m__.his > d __ i th’ungather’d rice he lay,His sic_k1e in__. his hand,__ > > > A Printed by Breitkopf & H'a7rte1, London. I . . Copyright 1904, by Bx-eitkopf&}{ii.rt~e1. mat_ted hair Was bur-i in the sand. ' breastwas his matted hair His breastwas bare, his m>at.ted hair BF A_gain, in the mist -gain, in_._ the mist __wasbur.ied the sand._____ A _ gain, the mist - — ed in‘ the sand. A - B shadow___. He saw__ his Na.tive land. m shad - ow s1 __ e saw___ his Land his sleep_ He saw _________._. his He saw__ his Land, his >7? SJ‘ a tempo \-/ thro’ e 1and-scape of his The lord - N The 1ord-1y Ni - ger e lord - Be _ neath pa1rn.treeS on the p ain_.__ Once he strode; And heard the tinkling car.a_Vans Des- more aking he strode;__ Andheard e car _ a_vans Des- aking he strode; the tinkling car _ a._vans he strode; M Andheard the car _ a_vans Des- KT . PO00 cend the mountain road, the moun __ - tain cend the moun _ tain road, Des - cend the mountain Des-cend the road, _ tain the road, Descendthe moun - _ tain > \ poco rit. He sawoncernore his dark- queen A- mongherchil - dren sawoncemore his dark _ _ ey’d queen ’M her chil _ _ dren 07680. 17000 (1 $7000 - They c1asp’dhis neck, theykiss’d his cheeks They held him by the stand, Theyc1asp’dhis neck __ Theyheld him by the 1asp’d_. neck,_._ They ' d__ his cheeks;[‘heyhe1d his hand! They c1asp’d his neck, theykiss’d his eeks, They hand! They c1asp’d________ his neck, kiss’d his cheeks,______ hand ey c1asp’d_________ his neck, kiss’d__:__._. h1S cheeks, They c1asp’d his neck, c1asp’d his neck, they .1" ill tran uillo by the heldhim by e _.___ > burst heldhim by the d! A tear, > a tear > burst fromthe cheeks, They held him by the hand!A tear T F P)’ poco rall. L‘ 65. pifi tranquillo in - tothe sand from the s1eep-er's lids, And fell sleep - lids, And fell from the sleep lids, And fell > KT f 3 t8IIlp0 g/A llegro furioso. A >> G /5 f And then furious pace he rodeA- long fur _ - ious pace he And then at fur-ious pace he rode A- long the N'1_ger’s bank, A/..——-—-TL long, - long, rode a - long then at... fur - _ ious pace he rode a _ bank, e Ni-ger’s then at fur-ious pace he rode A - long e Niger’s long the Ni _ - At at fur.ious the Ni _ _ gers bank, - e-reinswere gol_den chains ger’s bank, rode a_long, ' reins were gol - den fur - _ ious pace he rode a_long, ' rgns were gol - den pace he rode A- long e i_ger’s bank, > His reins I A gol - den xix Z5 _._ Andwith a mar- tial r‘lank,> At each leap hecould Chains,AndWith a. mar - tial Clank, With a mar - ti _ Clank, e could chains, Andwith a mar _ tial > Clank, He Could eel_ at each /\ chains, with a ‘mar _ tial Clank, with a mar - tial__ A A Clank, Z .1" his scab- of steel his scab.bard ’ of steel > At his sCab_bard of steel each leap he could feel > > he could feel, At each leap hecouldfeel K At each leap he couldfeel his scab-bard > leap he could feel, At each eap he could eel his > Q5 > scab_bard of steel, At each leap he couldfeel / his scab_bard > > scab-bard of steel, At each 1eap_ he could feel, hecould feel... his_. Smit-ing bmit_ing Smit _ - ing > scab - bard Smit_ing Be- fore h1m,1ike a b1ood.redf1ag;I'heb >/.-———$ him, like ood _ red flag, the right b1ood-red f1ag;I'he bright f1amin_goes flew, Be - fore him, like Be - fore ,like a b1ood-red f1ag,The A/———--——$ {'1-——-?"*§ flam - in _ goes f1ew,______ be - fore him flew, From blood '- f1ag,the brightflamin _ > - goes flew, ew, rom bright oes flew, Be - fore him, like ag, From Be-fore him,like a b1ood-redflagﬁlhebrightflamingoes ew, From > \ > > f N morn till night he morn till Nll /‘Z?-———T grew, ew,Till he grew grew,Ti1l he f till night till night he > > -13 f0l-1ow’dtheir flight, O’er plainswherethe tamarind he follow’d eir O’er plainswhere the — flight, er plainswhere e tamarind fo11ovv’c1 their > > > their > night fgll f1ight,O ' plainswherethe tamarind Till he ____.___ the roofs of - fre saw the_. aw e ro>ofs of Caf-fre Till he the_ roofs of Caf - fre saw the_ roofs, aw e roofs of Caf-fre the? roofs, saw e roofs, ill he _ the roofs of Caf_fre huts, >. > the roofs of Calf- fre huts, Till he the roofs of Caffre huts, Andthe o_cean the huts, dthe o_cean the roofs of fre hgts, Andthe o_cean > >> > saw__ e__ roofs,sawtheroofsofCaffre huts, And O_cean At night he heard the largamente The 1i_on roar, And e - And the hy _ heard th __ /'\ heard the __ ‘ _____._._ And the hy - roar, He... heard the... >2-\ e - na scream, Crush’dthe 9-T13 Scream» Andthe ‘ _er-horse,__ as he crush’d the__. _ e - na scream, > roar, .___.__ And the riv.er_ horse,_. the _. > > éf reeds, Be-side some hidden side_____ some hidden reeds,>Be-side some hidden __ crush’d the ral1.p0c0 a pace _ _ ' pm lento rall. largamente _: : L... > _ __ like a g10r-iou roll drums, Thro’ the tri umph, like a g ' roll drums, -Thro’ the tr>i umph, the like a lor_ious roll ,_____ Thro’ the - umph, the like a. glor - ious roll ,_____ Thro’ the tri _ - umph, the > /--‘-3: largamente =;—-_A/—--—-\ rall. tri-umph ' And it ass’d like a glor_ious tr>i-umph ' And it pass’d,it__ pass’dl1ke a glor_ious tri-umph ' And , t_ pass’d1ike a g1or_ious > > tri _ umph ' And it pass’d like a gl0r_ious {ii /"\ 97" \ A tempo lgrgamente ._.-____.-é_.':‘__ Thro’ e tri umph, Thro’ the tri umph, Thro’ the tri umph, > Thro’ the tri umph, _ 65.1a,r-gamente L tempo (Allegro furioso) atehnpo (Allegro 1lI'10S0 Shout- ed of 1ib_er- ty; Shout_ed of 1ib-er_ ty; The Shout- ed of 1ib_er _ ty; The \ > of the Desertcried a _ - of the Desertcried and shout-ed of S The for.ests,with their myriad tongues, of lib _ er.ty; And the sh _ ed of lib _ er_ty; for _ ests And the s1;%ut_ed of lib _ er_ty; or- ests shout.ed of lib _ er_ty; . loud, ith a voice so wild_ and shout _ ed of lib- er- ty, > > 1ib_er_ ty, Wild... and > > shout _ ed of ## lib _ er _ ty, T ‘;~’:/f> That he start ' smiled, > A wild and free,That ' and smiled, , free, That he ' s1 and smiled, —-f _ >> > > ’> Sowild and free,That he start ' sleep, and smiled, # T smiled, smiled At eir tem _ pes-tuous 5>mi1ed>-- ‘ed the ______. tern _ smi1ed,_ . smil .._.._> At their tem _ pes-tuous smi1ed,.____._ ' At their term - pes_tuous rit. e dim. a tempo He did not feel thedriveré whip, Nor thebuxningheat of daiy, e 'dnot eel the e ‘d not eel the .9 \ mP d not feel driV_er’swhip,Nor e burn_ing eat... of driv_er’sWhip, or e burn_ing heat_ of > > drive "p, fee __ ee1___ out lay,__ lay, > lay, > Nor the burning heat of ForDeath the heat of For Dea the burningheat of or eath ined, 11 _ orDeathhad1.1 - lum - - 11 I;/’__/’:,_ the Land ___..___ f Andhis hfe _ less y eep, ined the Land ___of Sleep,_ Andhis life_1ess ined the Land_.____.__of Sleep, And ’ life-1ess bo _ ined the Land f leep, Andhislifeless bo _ dy . > > Oco fall. POCO HIEIIO IIIOSSO /J} fetter, that the soul Had fetter, like a Worn _ out fetter, that the soul Had —-<___—f_Z > etter, like a wgrn out etter, that the soul____ Had > ' . fetter, like a worn _ out fetter, that e soul > H),- PO00 mH'L.65. poco meno mosso _ ken and thrown bro - ken and "thrown... a _ - /lgro - ken and ken._____._.___ bro_ken and - ken had b k bro_ken and ken and thrown bro - ken and ken and thrown bro- ken an rall. thrown ______had thrown a thrown ?.___ had thrown a thrown _______. had thrown a thrown a 2.“She dwells by great Kenh'aWa’s side.” (Longfellow) S. Coleridge -Taylor, Op.54. N92. Andantillo (ma con moto). A > 10000 rall. Soli or Semi Chorus. Sop. atem 0 Alt. Tenor. Shedwells bygreat Ken-ha _ wa’s side, In val - leys green._and Bass. F And all her hope and all her _. Are in the vil _ lage school, are in e vil - lage mp B a tempo She dwells by great Ken_ha - wa’s side, In — She dwells great KEY - side, In_ school by greatKen - ha - wa’s side, a > _ She dwells by great‘ Ken-ha - was side ad ad B at9mP0 L. 65. val - leys ._____ her hope and — val _ leys .__ and C001 > hope._ and val - leys green and cool _.._..___ all her val _ leys green and cool,_._____ __.__.__.__ her Are in the vi}. lage school vi1_ lage school vil - lage 0ol> > > the vil-1age schoohallherpride is the fan rall. ,_ are in the vil - lage schoo. vil. - 1 poco accel. /T‘ > poco >accel. soul, ' the trans-par-ent ' robes the__ Her soul, like the ' __._..:Thatrobesthe hills Her soul like the ' __.__Thatrobes hills D " Her soul,_ like the trans_par_ent‘ air That robes the Thoughnot of earth, en - c1r - c es there All witharms of Though no of earth en _ cir - c with Though not of earth, en - cir_c es & with bove,__..__ Though not of earth,en _ cir- cles there All things with arms of mil’ mp And thus walks among her And thus__ walks a - ong her girls And thus she walks > a _ mong her thus __ girls th praise girls With praise mild_ re _ bukes; walks With d_ re _ walks, 1th aise .____.___ and mild re - _.__ among her girls With praise and mild re _ thus s e Walks amongher girls, With praise_ andmild re - th praise Z\ bukes; bukes- ukes; > mild re - bukes; /‘K F L Molto meno mo sso. he She reads at Molto meno mosso. fI'_“'W"““~“‘“~““““~ . f ev - en_tide r came... to iave; €I1-tie Of she reads Of _ en - tide mp G To cast_ the cast To to save; Cap - tive chains__ a _ To save, to G lib - er - ate_._ the slave chains And 11b_er_ate the slave, the slave b - er-ate > >> 1ib_er_ate the slave, {.1 side And W.‘ ﬂ And And And H cap _ tive dim. and lib _ er-ate and lib _ > and lib _ er-a.te oft.__._ the bless ed %— oft the blessed oft the b1ess.ed side chains time _ fore _ - time fore _ time fore _ en sill shall be free, And tells When all men shall be free; tel1sWhen all men free- tellsWhen all men free; Z”f If as sil _ ver bells, eir fall- ing chains_shall C’l'(5S(}. music-al sil _ be , Their chains shall mus1c_al as bells, Their fall - ing chainsshall And bellsffheir chains shall f m, axtempo (Prime). their fall_in chains all their chains shall fall _ ing chains shall shall I fall _ ing chains ﬁgfl > > atemgp (Primo). L. 3. si_cal And my (1 fo1_1ow_ing her ed Lord,In And fo1_loW.ing her ed L0rd,In And fo1-low ' her . ed my . dfol _ de _ cent pov _ er makes her de-cent pov- er Shemakes her her life one de _cent pov _ er She makes her one sweet de - cent pov- er She her sweet K re_cordAnd deed of__ char- i _ ty. cord of char_i _ ty. re_c0rdAnd deed of char- i _ ty. re - cord___ of char_i - ty. K For she was rich For she was ric To break gave up all mf in her in her Of and ve up and gave up She was She was hall hall, wait-ed those who those who 31 > /« all gave up all___ .;1l_ she gave all.__ up and gave up_ all_.__ all she Rich ahd gave up_ Of those who Of those who her in > >>> wait - ed in her > > > wait-ed in her dim. e lands _______._ who of thosewho la bo __ who la - bour’d ‘ lands __._______._ those who la - la ' _:.___ those who la bour’d mf rall. M a tempo 1abour’d in her lémds. la - bo_ur’d in her 1anEIs.___________ _ bour’d in her Ian >/T cresc. > > > , a tempo mp-‘ Longsince .yond the South-ern Sea,T heir outbound sails have Longsincebe- Sea,Their sails have Longsince be _ ‘ e Sea, Their ' ___j_ have ce be - yond the South_ern Sea,Their outbound sails have ._.While e, m deep hu mi - '_ ty, Now earns er dai_ly bread. j __ VVhi1e she,in deep hu m1_1i - ty, Now her read. __ While she, now earns_._ herbread Now earns..____a her bread, __ While she,in deep hu mi - li _ ty, Now earns her ‘ dai - ly bread. A It is their pray’rs,whichc1othe -—._/_: >z—-——-—\ >,./—-—--—--—-$ __ It is their pray’rs,.__.._.__whichnever cease WithSuCh‘ grace ’I;h_eir ing is the light of theirpray’rs That clotheherwithsuch grace .___ mf is their pray’rs It is their ray’rs It is their pray’rs, which 1ightThat shines tip _ on her face. _.________ wgf __whichne_ver ____.__... That c10the__._¥ herwithsuch grace which ne _ ver cease That c othe her with such That clothe _____ herwithsuch grace- Her pray’rsThat clothe her with such grace; Their dim.e rit. > _ Their blessing ' the light of peace, That shinesup - on her A _._ Their b1ess_ing ' the light of peace,the light That shines up- Their bless-ing ' the _ light of peace,the light That shines up -' b1ess_ing ' light That shines up _ on her -\ ‘I dim.e rit. face,_ __ that shines up on her face, that shines that shines up - on her _ (in her face,that shines that shines u _ on her / face,__._ that shines up A mo rundo 3.“Loud he Sang the Psalm of David.” (Longfellow) Allegro furioso. Allegro furioso. >> > >/'\ i. e Psalm of Dav _ id! Psalm of Dav _ id! Copyright of Breitkopf & Hi-rtel, Londonw 54 Great Ma-rlbourgh Street. S. Coleridge Taylor, Op.54. N9 3. Rights of performance reserved. A/' Loud hesang the _. the Psalm Of Dav _ id! Loud hesang __. the Psalm of Dav _ id! > > He, 21 Ne _ gro,and— en - > He, 21 Ne - gro,and en _ > he sang id. > he sang the Psa1m___. > > >> rae1’s Vic - t;o_ry, _ éd, Ne- gro,anden _ ‘ , ‘ _ rae1’s Vic _ /‘ > Z’\ ) Ne- gro,and en _ slav - of Is _ > > ff’ ' _ on,b.ri t and free. ‘ _ on, free. __ ’ _Von, t and ' _ on,brightand free. > > ' ' =3 > Psalm ._ the Psalm of. the Psalm of Dav - the Psahn of Dav - > d he sang of Dav _ id! Loud he sang e Psalm__ of _ id! Loud hesang Loud he sang the >> lie, a Ne- gro,and en _s1aV ed, He, 21 Ne _ gro,and - ed, __ of Dav _ ’ M He, Ne_gro,and en _ - ed, {T ‘ > ' /‘ Psa1m___ of Dav _ ' . I He, 3. Ne- gro,and en _s1av - ed, > > > . > > - rae1’s Vic _ Sang ‘Of ‘ _ rael’s Vic - to_ry, Sang V > _ rae1’s Vic _ to-ry, _ V Sang > > M of Is _ ‘ _ rael’s vie- to-ry, Sang > > > > Zi _ on, t and free. Zi _ on,bri d free. Zi _ on t and 1j{ee. 0 Zi _ on,brightand free. > ’ > > P0 meno inosso, ma con moto. that hour, when night is calm_est, Poco men , ma con moto. co rit. he of the HebreWPsa1m_ist, Sang he of the He _ brew _ ist, poco rit. so sweet and cl __ That could notchoose bu Sang in a voice so sweet._ andclear ThatI could not choose G , Sang in a voice so - that I co d., not choose but hear, Sang in a voice so js— hear, could not choose._ but hear,_________ a voice so In a voice so /—-x P1’ oco rall. sweet and clear That I could not choose —-=:_:'_': clear That I could not clkfose, 1 could not choose but and clear That I could notchoosc, I could not choose but — sweet and clear That I could choose but poco rall. > Tempo I. of Dav- id! of av _ id! ____of /".3 Loud hesang e > Loud hesang the Psalm____. of >>> O _ éd, V Ne- gro,and en _ /\ _ ed, Ne_gro,and en - slav - éd, > > >>> Is of d he sang H Loud he sang a Ne _ gro,and a Ne - gro,a§d er rael’s Vic _ to- , rae1’s Vic _ to- ry, Zi _ on,bright and free. _ tO_ry, _ On, and’ Zi - on,bright and Vic _ to_ry, Zi _ on,brightand free. > K Poco meno mosso (tranquillo). Andthevoice Poco meno mosso( quillo). rit. : — of his vo_tion Fi11’d mysoul thstrange e-mo on, ’d my ulwithstrange e- poco rlt. L. 65. a te111p For its tones byturnswere gla ,_ For..__ its tones._ tums___were glad, Swee .2 ‘WCGL a tempo > f> Sweetly solemn, wil Swee y 501 - emn, wild - ly sad. sol _ _ emn,wi1d - _ 1y._ sad, So1_emnand wil _ ly sad. 0’I'€S(3. oco rit. For its tonesby turnswere glad, Sweet- sol - emn, _ ly > its tones turnswere glad, its toneswere sweet_1y so -ernn, d _1y /'\ __...—___j.___—'_ /3 For its Ltonesby turns were glad, its tonesWeresweet_ sol- emn,wi1d- ly /5 For its tones by were g1ad,Were sol _ emn, Wild _ y poco rit. a tempo C’I'6S0 . Sang ___________ > of Christ, the > of Christ, the L0 > cresc. of Christ, the Lord > 3 3 V N atempo ul and Si _ 111 and i _ las, ul and ul and N m./' a tempo Christ, sang of Christthe Lord a -, > > > > Lord sang of Christ theL0rd a _ ris - en ris _ > f , in_theirprison, in_.their Si - las, > Si _ las > > ) And an And an earthquakes And an earthquake Broke their dungeon gates at > arm of ght Broke their - geon gates, broke eir dungeon gatesat > > > > > arm of might Broke their dun - geon gates, broketheir dungeon gatesat . > > > > >3 >3 >3 3 ; : > >> > > \..Zg2 OAZ >>>> Ias! A what _ho_ly _ V - Brings the _ slave this ad e- But,a_1asl_.___3 what gel Brings e slave this But,a - las! what ho - ly an_gel Brings the slave this ad e m. Onight. But,a _ las! what gelBrings the slave this glad e _ gel? Andwhat earth - quages _ _ of might__ _ gel? And What earthquakes arm of might Breaks his gates, What gel? And what earthquakes arm of might his gates, 5 > > ‘ van _ gel?What earthquakes arm of might ._ Breaks his gates, what > > mf Breaks his dun _ geon gates at —> earthquakeBreaks his dun _ geon Breaks their dun _ geon gates at > > earthqua1<:eBreaks his d=un-geon gates at A he sang the he sgg >e he sang the '0°0 rit; P >> > > > a. tempo > he sang the lm he sang ePsa1m ud___ e sang thePsa1m /*_'$ Loud___ he sang thePsalm > > > > > sang __ the Psalm of V Lou _ sang __ the of Dav > > Lou .._ he sang __ thePsaIm of Dav Loud __ he sang __ thePsa1m of Dav >> > he sang Loud he sang the Psa1m__ id! Lgxd he sang the P _ of Loud he sang the Psa1m__ of > > > > Ne _ groand en _ slaved, Ne _ groagd en _ slaved, He_ a Ne-groand en - s1 He a- Ne-groand en - slav > > > Is rac1’s Vic _ to-ry, Zi-on bright and .free_ Vic _ tory, he Is rae1’s Vic - to-ry, Zi_on bright and .free. > > \./ \/ A David,of Dav.id,of Dav > . sang thePsa1mof sang thePsa1m of Dav > > > sang the Psalm Dav f Dav dof Dav- ,of e Sam the Psa he sang the > sang... the Psa1m_ of he sang the Psalm largamente > egro, d en-s1aved’ egro,and en _ slaved Negro,and en _ slaved Negro, and en - slaved tempo U agcel. pgco d en _ s1aved__ Loud he sangthePsa1m of and en _ Sm Lo>ud he ‘ thePs§1rn of and en - slaved__ Loud thePsalm of A’ ' ~ d en _ slaved_ Loud he sangthePsa1m of _ >_ >’ b > >U> 17 > >c1'esc. >moZta> > t accel. poco a -a empo > > A . M > >/.'7.'f"/-'—""“~\ thePsa1mof Dav - ' . thePsalmof > > > s>angthe Psalm of Dgv - id! gngthe > of sang e Pga £1” Dav - id! sang Pgalm of thePsa1mof Dav - id! thePsa.lmof > > > > V cmsc. > accel. > > > -
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Date: 1881
Text: ‘ Lfﬁﬁgny *VA$AH cc.su_£<;£ POUGHKEEp5¢‘§-kggw yo,“ 3; JD) 1334;] Z: 7 CANTATA by EEMMW/H|ﬂJ New-York,G.Sch_irmer. R n f‘ n V'\ K‘ 0 "V f‘ '1 : NlI'))), V UJDJ + 34) W; 3); 3 1) /1 I . )33D)_)))JJ_;_¢iW 74 Edition Schirmer en K‘ 1;) 44% _ 9%, _ » ré\:§Y§a“9\\.\§'»\ <3) /7 jly I K) Dramaﬁc Cantata «mam a 7 1/r 3 . % §@f1@ ‘W0 1“ (15 1) y g/V HENRY W. LONGFELLOW \\ (usedbyspecialpeI’n1issionQI"tl1eI’oet) \ / {f3 Inusic by \_‘ \\ ’ 3 '' rm Ew%Yé>...
Show more‘ Lfﬁﬁgny *VA$AH cc.su_£<;£ POUGHKEEp5¢‘§-kggw yo,“ 3; JD) 1334;] Z: 7 CANTATA by EEMMW/H|ﬂJ New-York,G.Sch_irmer. R n f‘ n V'\ K‘ 0 "V f‘ '1 : NlI'))), V UJDJ + 34) W; 3); 3 1) /1 I . )33D)_)))JJ_;_¢iW 74 Edition Schirmer en K‘ 1;) 44% _ 9%, _ » ré\:§Y§a“9\\.\§'»\ <3) /7 jly I K) Dramaﬁc Cantata «mam a 7 1/r 3 . % §@f1@ ‘W0 1“ (15 1) y g/V HENRY W. LONGFELLOW \\ (usedbyspecialpeI’n1issionQI"tl1eI’oet) \ / {f3 Inusic by \_‘ \\ ’ 3 '' rm Ew%Yé> IR n<,, G. S C H I RM E R 35 Uniron Square. C7()[)VVI"/,:»(//I,/‘» 5'; 5?"/27} 7116/ ' /c§’(.‘>’I , \ _ » V7-7":-7:‘, L“ F \ d 7 J /’ lu55 L;V /4 .4 :7)‘ . x_ ut,nn5fnu,, . '7") , I _ / V] ( , / r T «/15/1/K/2 :2l?iA7/ /.37/I — 4, -— ~ . ,.._;.,._, . .,. _vA......o....—max:r.;;a—_:4 THE SKELETON IN ARl:l()lt. [The following ballad was suggested to me while riding on the sea—shore at Newport. A year or two previous a skeleton had been dug up at Fall River, clad in broken and corroded armor; and the idea occurred to me of connecting it with the Round Tower at Newport, generally known hitherto as the Old \Vind—l\/lill, though now claimed by the Danes as a \Vork of their early ancestors. = H. \V. Longfellow] I. Chorus = Tenors and Basses. “Speak! Speak! thou fearful guest! Who, with thy hollow breast Still in rude armor drest, Comest to dannt me? \Vrapt not in Eastern balms, But with thy ﬂeshless palms Stretched, as if asking alins, Why dost thou haunt me?” II. Chorus. Then, from those cavernous eyes Pale ﬂashes seemed to rise, As when the Northern skies Gleam in December; And, like the water’s ﬁow Under December’s snow, Canie a dull Voice of woe From the heart’s Chamber. III. Air for Baritone. “I was a Viking old! My deeds, though manifold, No Skald in song has told, No Saga taught thee! Take heed, that in thy verse Thou dost the tale rehearse, Else dread a dead man’s curse! For this I sought thee. “Far in the Northern land, By the wild Baltic’s strand, I, with my childish hand, Tamed the ger-falcon; And, with my skates fast-bound, Skimmed the half-frozen Sound, That the poor whimpering hound Trenibled to walk on. “Oft to his frozen lair Tracked I the grisly bear, ‘xVhile from my path the hare Fled like a shadow; Oft through the forest dark Followed the were-wolf’s bark, Until the soaring lark Sang from the meadow. IV. Chorus : Tenors and Basses. “But when I older grew, Joining a corsair’s crew, ()’er the dark sea I ﬂew ‘With the marauders, \Vild was the life we led; Many the souls that sped, Many the hearts that bled, By our stern orders. ' “Many a Wassail bout ‘Were the long Wllltel“ out; Often our midnight shout Set the cocks crowing. As we the Berserk’s tale Measured i11 cups of ale, Draining t11e oaken pail, Filled to o’erﬂowing. V. Air for Soprano. “Once as I told in glee Tales of the stormy sea, Soft eyes did gaze on me, Burning yet tender; And as the white stars shine On the dark Norway pine, On that dark heart of mine Fell their soft splendor.” “I wooed the blue-eyed maid, Yielding yet half afraid, And in the forest’s shade Our Vows were plighted. Under its loosened Vest Fluttered her little breast, Like birds within their nest By the hawk frighted. VI. March and Chorus. “Bright in her father’s hall, Shields gleamed upon the wall, Loud sang the minstrels all. Chaunting his glory; W’ hen of old Hildebrand I asked his daughter’s hand, Mute did the minstrels stand To hear my story. “VVhile the brown ale he quaffed, Loud then the champion laughed, And as the wind-gusts waft The sea-foam brightly, So the loud laugh of scorn, Out of those lips unshorn, From the deep drinking-horn Blew the foam lightly. VII. Air for Baritone. “She was a Prince’s child, I but a Viking wild, And though she blushed and smiled, I was discarded! Should not the dove so white Follow the sea-mew’s ﬂight, \Vhy did they leave that night Her nest unguarded? VIII. Chorus. “Scarce had I put to sea, Bearing the maid with me, - Fairest of all was she Among the Norsemen! ‘.Vhen on the white sea-strand, VVaVing his armed hand, Saw we old Hildebrand \Vith twenty horsemen. “Then launched they to the blast, Bent like a reed each mast, Yet we were gaining fast, W’hen the wind failed us; And with a sudden ﬂaw Came round the dusty skaw, So that our foe we saw Laugh as he hailed us. “And as to catch the gale Round veered the ﬂapping sail, Death! was the helmsman’s hail, Death without quarter! Mid-ships with iron keel Struck we her ribs of steel, Down her black hulk did reel Through the black water! “As with his wings aslant, Sails the ﬁerce oormorant, Seeking some rocky haunt, VVith his prey laden, So toward the open main, Beaten to sea again, Through the wild hurricane, Bore I the maiden. “Three weeks we westward l)o1'e, And when the storm was o'er, Cloud-like we saw the shore Stretching to leeward; There for my lady’s bower Built I the lofty tower, W'hich to this Very hour Stands looking seaward. IX, ' In the vast forest here, Air for Tenor, Clad in my warlike gear, “There lived we many years; Fen I “P011 my Spear: Time dried the maide11’s tears; i 0 death was grateful! She had for ‘ot her fears; She W3: a mother_ “Thus, seamed with many scars, Death closed her mild blue eyes, B‘“'5t.i“g these Prise“ here: Under that lower she lies; ; UP to its native Stars Ne’er shall the sun arise :. My 50111 ascended? on Such an Other! ’ There from the ﬂowing bowl Deep drinks the warrior’s soul, f Skoal! to the Northlandl Skoal!*)” Soprano s0|() and (_‘,horus_ Thus the tale ended. “Still grew my bosom then, i Still as a stagnant fen! i_ "‘) in SCEL11dl11fLViEL this is the custo1nzu'y salu- Hatetnl to me were men, tntion when drinking health. The sunlight liatefull A " H_ ‘W, L, \‘ 3 2 . / "“-‘*~ \. "/1 ’:K\ ._ /am” /mr£ﬁ av/mm / \‘._"'/_. ~\,4"‘ m ~-\ , ¥,/ \j 0VERTURE.* 4 Scored for 2 Flutes 2 Oboes 2 Glarinetts in B 2 Bassoons 4 "Horns 2 Trumpets 3 Trombones, Bass Tuba 7 7 7 7 7 7 2 Strings, Harps and. Drums. Adagio, ma non troppo. Geo. E. Whiting. V1. as. c . ' Pianoforte . 00 07"‘6S0. 2 1’ Copyright 1881 by G. Schirmer. am 0 a .W. V 0 1 HO 8 H A # . 12//co (I ]}(J6’0 rzﬂzra’. _ ' Allegro Vivace- >>>>‘> (x'I'(:’.5'L'. 12 Allegretto. Se/up repp . molto ‘tam’. » T 1ve»a.ci:m;~;:s. % L argo . Ob. VL Pianoforte . (Strings con sordino.) CHORUS . Tenor. . Bass . V solo coco . Speak !' Speak! than feur-i'ul guest Oh. Who, with thy hall low breast still 111'- mar" err/.90. , - - _ Speak! fea1~__ ful guest! Whi), )1-IOW bl'€21St > ..//' drest , Wrapt in East- ern A.-r Wrapt not in East- em a . u o stretchefhas ifask-ing ahlms-, om-est 0 daunt me! balms, /‘\ com-est to daunt um! why /72> why 15 _ com — est dannt me! com-est to dmmf Inc! -wrapt not East- em /1‘ ' balms, wrapt not in East-em . . . > ‘ 9 \ 0 But with thy flcsh-less palms } P dost thou haunt me ? dost thou haunt me? N92. Chorus. Allegro Vivace, Soprano . Alto . Tenor. Bass‘. Allegro Yivooe. o Pizuloforte. fl sh - es seemed to rise, from those cavernous eyes seemed to rise, from those cavernous eyes xleam in ‘De—ce As when the North - em eam in De-cem—ber: eam De-oem— r: /\ As when the North — ern skies Gleam in De—cem-ber: Cor‘ ‘V. J]‘ utti. North North North North flash — es —:i:. flash — as —..__j__ ' flash — es (? skies , skies, s1iies,.___ skies,___ from fI'(£lllll)S() cavernous eyes ._._ f1'0n1thosecavernous eyes ’\‘\\ see d scemd _.._ to _ seeln (1 As when the skies __ gleam, .________.______ De-Gem gleam, _____ _ _ _ in De-cen1 As when the skies... ~=-;'.f'__"§:f' : skies pa 19 flash-es seem’d the Northern skies Then fromthose cavernous eyes Gleam, Gleam De- cem - ber; Gleam, Gleam De-cem — ber; Gleam, Gleam De-c«>m - ber; Gleam, ,' ' De— cem— her; 8 . - - - . - . . - . - . . . . . . . . . . . . . . . . . . . . . . . . . - . . . . . . — . . .... . - . . . - . - - - - . . . . . . . . . . . . . . . . - . ..:_ .19" — der De — - - der De _ - cem came a voice ' Forth came Garllt‘ came snow, Game a voice the hca'rt’s cham - snow, De - — CCU] - Canw forth a Czuno forth 21 snow, Came a snow, Game :1 Oh. voice voice vnicv of woe, of woe, of woe, of woe, m the hearth chan1—ber. From the hea1't7s am- her. From the heart’s In - her. From the heart’s cham- her. Then, Then , Gleam , Gleam , Gleam, G loam, /re/11. from those cavernous eyes ﬁ'omth0se cavernous eyes GI ezun seemed to rise, when the Northern skies seemed to rise, As the Northern skies ~27‘ (//'6’S(«' . - in De-cem — her, in De-cem - her, De-cem - in De-cen1—ber,b Frmn eyes Then __ Fromthosecavernous eyes __ > Then, __ T hen,__ Fromthose cavernous eyes '\ '\ sec,-m’d __ to < seem’d North A skies _. As when the gleam, De — cem in De -ccm gleam, As when the skies___ flush (BS --—-'11 flush CS .. - 7 orth 0211114: 21 volce of woe , hearts mvth came a voice ofwoe the hearts the hearts t 0 hcart’s came a dull _.__ Voice 0f'W0e, came a 4111] came a voice i came a dull voice of woe,___ voice __ came a voice voice .____.. came voice voice came a dull .___ voice 0 the h the heart’s heart f L‘7”(,’8(/‘ . _ 111 From From From t 9 heart the heart’s the heart’s - e hca1't’s chum _ chznn chnnl cham N 9 3. Air for Baritone. Moderato . _ 4 >. C1. Pianoforte. fB“‘*SS- '28 czzm‘zz&z'/9. My deeds, though man—i—f0ld, no Skald in has told, {T ‘ taught thee!. ' f tztught theel. Recit . 2122.7/z 0722')/zzztioiz Take heed, take heed, that in thy verse thou dust the /5 tale re-hearse; Or dread 21 dead man’s mu-s<:!__ Trom . /(:12 PP (I tempo 2-9 ¢'a7zt¢I& 2'/(2 . T My deeds, fhuugh n1an- i-fold, no Skald in song has told,.___ KT ’-\ taught thee! Bit For this I Recit. //0’ /5'5 . sought thee, For this I sought, sought > V: Allegro. Allegro. /T 3'0 Andante con moto. % ‘ w/2 e..«-/mm-. Andante con moto. F" I‘, Bu] '— fic’s strand, by the wild Tmnod the VTT’ Ta11wd ﬂw ,§.:er _ fa] And, with my skates fast bound, Skimmcd the/__ half - fr-oz - en Sound, ' . whim - pering hound {f_——_—-T - . , _ . if T1-om - bled to on, That the poor whim - poring; hound / \dd _ T T P T1-em — bled to walk on, Tren1— Bled to 613/]! I ? . T3. to his froz — Tracked I the gris _ lybear, while from my path the J J‘ Fled like a. shad — ow, fledlike a_ shad — 0w._ Oftthrougll the fUI'—€3Sfd‘dI‘k g--T F0ll0vv’d the wermv01f’s hark, the PP (:1. Cﬁlo. Sun;.'; frmnfhu mend — ow, un « til the lurk _.____- sung‘ frmn tho nluad — ow, ,.,,‘_sL:ct/:zI_zv,?2_7_'§_.:s:c‘.r;_z;*.o_'.-. ...................................................... .. Fl. (,’7”(/’.S‘(y‘ ., 82111:; from the mead — ow. f Un —til the Soar - ing lark ___.____. sang from sang, szu1_‘.: from the mo/'e7m’o _ ,v0(2/1 (1 000 mead — ow, sang from the._ mend - , sang frmn the nlead - — /('0 (I (/67) OW’ . (I Z6‘/12_///2 /. ‘ >- N911. Chorus for male voices. Vivace . (alla Breve.) Tenors . Basses. Vivace. (alla Breve.) Pianofortc. /'BmS§_ f / 0 ~ GI‘ gI‘€VV, - / {*3 But when I 0Id—e1‘ grew, l'ﬁ'1> 0 d—er grew, o But when I 01d—e1‘ //"'—T > C<>r__ ir’s crew. VC0r—sai1*’s crew. 0131' the dark x - ‘ 1% "ii With ma — rau. J./’ 'ith the ma - rau zz [(2//1/20 (I fe/22;)/2 a fem/20 with the ma - ran.-de1*s, with the ma - ra11—dcrs, cz fa//zpr) Brass. .51. With the With the Brass. (3 the 1113 ma T1111 - ma — rz:u1—dv1‘s, era, sf mu - ders . (I(’(«'!.’/. ran - ders . the sea with the ma — rau - ders, sea with the ma; — ver the sea with the ma- Ada i0. Ten.I. 010. hearts_ hearts hearts_ hearts-_ that that that that bled, bled, bled, bled, s0uls__ that s0uls_._ that souls_ that stern stern souls . hearts souls souls ‘ hearts hearts T ' stem /."‘\ Wll(l,__ the life, the_ ' — <lers._ Wild " . , lifc.._ dcrs Wild ‘ - (lets. (lets. Wild f''\ we led, ~ , souls that that spa-d,.___ L _V , hcarts_ that that sped, _ . ltcarts that that sped, , carts _ that that sped, ' hearts._ that Wild,wild was the life, life wé ed, life led, ‘ stern ' the life led, Wild the that that that hearts._ that hearts._ that that that that 1’ Str. ’pizz. ny a was - sail bout, f . Ma — ny a was- sail bout, a was-sai] If Ma — — ny a Wassail bout, Wore the long Win-fer out; /1, vVin-ter out; Set the cooks crow- — ing, ff . Oft - - en our midnight shout Set the cocks croW- - ing, > iii . Set the cooks f Wore the Ma- ny.__ a was_sail bout, Win — ter out, oft _ en our Uft - en our a tempo the cooks crow - ing, Set the cooks crow -ing. the cocks crow ~ ing, Set the cooks crow - ing. .5 Meas-u1'ed in cups of ale, Meas - ured, meas— urcd in cups of Ber-sek’s tale Meats- ured i11 cups of ale, Meas — urcd, meas — ured Meus —u1'ed in cups of ale, M0as— - ured, we the Bcr—sek’s tale Meas— urcd in cups of i meas — ured the oak _ en pail, Drain - ing the FiI1’d to 0’er - flow - ing. to our — flow _ - -ing. we the Ber — sekzstale we the Ber- sek’s tale Meas - ured, meas - ured in cups of Meas - - ured, oak - en pail ,, Film to o’er — flow — ing, Drain — - ing the oak - en pale, Drain—ing the oak — en pail. Drain — - ing the oak - en pale, I Drain-ing the oak ~ on pail, fill’d..___ ow - ing, A to «fer — to o‘er _ - flow 7? Fill’d to o'er - fow - ing, J- — ow - ing, Filld to (for — ow - Film to o’er — flow - ing, N95. Scene and Air for Soprano. Scored for Fls.,Cor. Inglese, Cls.in A, Fgs., 2 H113. in E, Harps and Strings. m Soprano, Pianoforte. 011c¢: as I told. in glee, once as I told ‘in glee 213/" Wind. tales of the storm—y sea, tales of the sea,_ Gor. inglese. 'Sh__ PP _ Soft eyes, soft eyes did gaze on me, Burn- ing yet ten—der, Burndng yet "ten - der, Soft eyes did gaze on me, Burn - ing yet ten - _ Allegro Vivace, ma. 11011 Presto. B1‘. Allegro v1vace, ma. 110111 Presto. c . And as the white stars shine- dark Nor - way as the white stars shine,__ the dark A that dark heart of mine, On___ /that dark heart of mine, felL_ their soft splen - their soft splen _ L 31' - oresc . On that heart of mine, on that heart of... mine fell, fell their soft splen-do1-. Largo . P . . Cor inglese. Allegro Vivace. 1<w$ (Yen Largo . _ f\ VLL ‘*4’; ?, Coringlese. M" T’ can se////1/a'uz’Za. wnoed, I__ wooed the blue - eyed maid, Yield—ingyet Coxningl. half a—fruid, Yield—ingyet half a—fraid, I__. wmmd the._ maid,;_..__ Cor ingl. F1 Yiel — ing yet half :1 — fraid, C0r.In_;‘. 6//II (’A//I‘t’.S'.S' . Aml ' the for — est’s slmde vows were pli;:ht— - for- 9553 slnttle Our pliglnt — ed, And in the f0r—est’s sln-adv, Poco allimato. Uu — der its l0os—em-d Paco a11in1ato. Car. 17;; reuo as (2 n. lit - tle breast, _ If >{1 their__ nest By the > /. terd , flut - terd her Tempo I. I wooed, I wooed the blue - eyed maid, Yield-iug yet Cory’;-_§ Tempo I. /“ /K’ /‘\ LILJ half a-fraid, . yield-ing yet half, yet half -.1 — 1-‘? ff‘ yet half ii — fraid, 21- fraid, yet half a — fra1id,_ _ 2'4//. — /2 /(’/II////. ._____ yield-ing yet half -.1 - fralid. Fls. N‘! 6. March and Chorus. Scored for Piccolo, Fls, Obs, C13 in BE, Fgs, 4 Hns in G 5‘ C, 2 Trumpets in D, 3 Trombones, B.'I‘uba,Timpani,Tri— angle, Military Drum, Bass Drum and Strings. Allegro brillante. Pianoforte. - Brass. '5. ‘ ,7 I‘/‘l5I"1s's' 0b.Fl.Cl. ' u {T _ 05.11.01. - Brurlvt !» Bright‘. Brigllt ' her fan _ tlier’:~' hull, B"i:‘%"”! Briglit! Briglit ’ her fa — tllet-‘ea hull , B gm! Bright! Bright ' at — t|xer’.< hall , Bnfiglitl Briglnt! Bright ' fa—ther°s hall, Shi ids gleamed, shields glezuned Shields glealned, reliields gle med Shields gleamed, shields gleamed Shields gleauned , shields gleamed J‘ A‘ /'_Ji\ Loud sang the ' — strels,san,9: the u1iu—strels all, Chaunt — ing‘ his glo Chaunt — ing; his ,2-lo Loud Loud Loud (-haunt - iug his A (elmuut — ing his streIs,sauig the min—str<+ls stl'eiS,S‘¢ill,\:‘ the min—s rels strels, sang min—stre!s strels.,saug' the miu—st_rels Chzluut Chaunt Chauut Chaunt ing, ch-aunt — iug his in;-.{, 4;-haunt - ing‘ his in , chauut- ing, (-hauut—iug his U. Loud 5111],: the Loud sung the in — — strelsall,Clmunt—inghis gl0— Loud sung the 0 Loud ' min~stre]s Loud sung, loud saung min~s rels strels all, loud 2~;au1g,l<>ud sauna‘ the miu—strvls strels all, loud sang, loud sung min—strels A chauut ' chaunt — iug his " ry:» when . Chauut ° L-haunt-iug his ' ry: when ghaunt ° cl:-.1u|1t—i|1g his ' ry: when Ch ut iug,chauut-ng his _V ry:when ff \/ brand as ed tleiugh ter’s hand, gi.<ked___ her emd,_ brand asked daugfh ter’s hand, asked__ her amd,_ hrziml a ked duu;:'h ter’s hand, asked... her . ud __ >> brand asketi ¢|nu,g'h — ter’s hand, -.1shed_ her hand,__ Z/""\A L A A as ed his duu;3,'li—ter’.~.< |mud,_________ Mute in—strels,Mute did the asked his (lnugh—ter’s hand Mute the min—streis, Mute did the us ed his <la1i1,2'!i—tei"s' hauId,____.___. Mute the iu—strels, ute did the /* asketl his d;iu,t:h—ter’s hand, Mute the min—strels, Mute did the o--¢-4o~¢4v9s~so\~ stand , hear, he-.11‘- and , hear, hear stand, hear, hear stand , hear, J _-5 Wheii of uld Hil _ de-hraiiid asked his d;iu,2‘li—tei"s haiiid,__ Mute did the miii—sti'i~.-ls of 0 d Hil — de—bi'aiiid sked his daiu,L'li—tei"s llilll(l , did the miii—sti'els Wlieii of old Hll-(lt‘—l)r'illl(l asked his diiu;:'li-ter’s- haiiid, did the niiii—strels Wlieii of Old llil — de— lH'il|l(l asked his d;iu,2'li—ter’s h:iiid , ' the miii—strels ' ’ W /‘S o 0 stand lieair, to heair st-and heair, to stand hear, to rstaiiid hear, to _' 3 '_ . While = 1 While the browii - quaiffed, Loud then cliiiiii pioii laiuglied, While * . quaiffed, tlieii (rliam — pioii liiughed, While the l)I‘()Wll ‘ quiiffed, theii chum pioii lauglied, hrowii quail'fed, tlieii Cllillll pitiii li1ll;{llP(l,\VllllP mf While the brown - . , qu-affed,The (-ham lauglued, While ‘ quuffed , The chum laughed , While the brown quatffed, The lai.g'lwd, the brown - qunffed, The (sham lauglwd, f mp Aml as the wind —g‘u.\‘ts . - f‘nam_ hri,9,ht — — ly, wind —,2'usts waft The — f'<)auh bright — ~ ly, /7! wind —g'usts waft brigllt — — ly, Am] wind - gusts , briglut — - y, And as wiud—,g'usts bri,<_z|:t—ly. wind — gusts waft .: 2 bri;_:jl1t—ly. wind — gusts ‘ T bI‘ig|lt-I)’. wind- gusts waft . 2 foam hrigl1t—Iy. the loud laugh of scorn, the loud ugh of n, loud laugh of scorn, of sc01'n,the laugh Out of those those ' _ 1m-shorn , tho se lips 1m_sho1'n , thosv lips un-sho1'n , lips un-shorn,those un - - - shorn, the .8_ d1‘ nle _ ing - horn __ foam __ light - drink - ing _ horn __ the fozun __ light _ drinl~:- ing - ho _ the foam _ ght - drink — ing — horn _. - .137, light. - 1}’, light. - ly, li ht- — IV 783 .9 Fg‘. CB. ff Bright! Bright! fa.ther’s Bright! Bright in her fa.the1"s Bright! Bright! Bright! Bright! Bright in her fa—ther’s J:7‘7>> Shields gleamed, shields gleamed the wall, Shields gleamed, shields gl e wall, Shields gleamed, shields gleamed the wall, elds leamed , shields f-E Chaunt - L f Loud sang the — — strels,sangthe min-st1'els all, __ Chaunt - ing his - ing his glo- — chaunt - ing his glo- - — J 7 strels , sang n1in-st1'els all, strels, sang the min-st1'e1s strels, sang the min-st1'els all, strels, sang the min-strels all, Chaunt - ing, nt — ing,chaunt - - ing,chaun i } I Chaunt - ing,chaunt - ing Sf her fa - ther’s hall, her her min_strels all, loud loud min—strels all, loud fa — ther’s fa — ther’s fa - the1“'s - ther’s sang,l0ud sang sang oud sang sang,loud ' sang,loud sang fa - the1"s her her her min-strels min- strels min- strels min-st1-els fa _ ther’s fa - ther’s _ the-1“’s in her fa - ther’s Bright in hall, Loud sang the hall , hall, Loud sang the hall, 0 unt _ Gllaunt - ff "Chaunt - c If‘ Tutti. ~ Loud mi n-st1'els Loud min_strels all Loud min—strels all, Gl1a“m- ‘mg I‘ ' ' ',- Loud sang c min-st1'cls all, Ghaunt Chaunt Chaunt min - strels é min - strels min - strels min - strels Chaunt Chaunt Ohaunt «$3 J/Z:;€f*/II. strels strels strels strels N‘? 7. Air for Baritone . (:1. Allegro VlVaC€. Pianoforte. 1’ Fl Allegro moderate . semp 7“e‘52m, Andante con mom. 8 . , Allegro moderate. Prin- _ cc’s child, I Allegro moderate. Vi - kingwild,And though she blushed and snlilcd, I was dis - card - ed! .P1*in - - ce’s child, And /T blushed,_ she blushed Presto,ma non troppo. Recit.(Langsamer.) Presto . ed’. Should not the dove so white Presto, ma non troppo. Recit. ‘ ' /L‘ . Presto. /'> . . Presto .3 Should not the Presto. seanlevfsflight, (love so white, Fol _low the p_¢#~___—*:'_f:—==- {:- though _ she Recit. Fol - low the Hecit . sea -mew’s flight, did they leave that night nest unguard - ed? Why did theyleave that night her nest umguarded, her nest, her Allegro maderato . she was a Prin- _ - _ce’s child, I a Vi- kingwild, And Allegro moderate . /_,___.._————dx b1ushed_ and smiled- 1 was dis - card - ed! so white fol - low the sea-n1(wv’sflight,A0 Z’ Piﬁ animate. why did they leave - nest un — guard - - ed? /T . Piﬁ animate. V ' f slaw. Leave . her - guard. 65? leave her nest un - - guard _ 8 ed, her nest un - guard-ed,un- guard- Z_\ 2-\ la 8 };,:=..-/4“ semzz? \\ v N 9 8. (’7%h0ru§}i' \_.. Ailegfeﬁo, molto moderato, A‘ S6p1‘a110. A1“). Tenor. Bass. ~ Allegretto, molto moderate. — Pianoforte .. f "cf Séarcé had I put.__ to sea, Fair — est of all {X mong'_._. the Norse — — men! sea, Bear — in the maid Scarce had I put... to sea, if? ELELETELLTJ Bear — iug the maid with Alto Ch0.. Scarce had me, Bear - hug the maid with 0 0 . 5537551"? «Saw we Fair- est of all was ahe __. ll|<)II,¢: the Norse — — nwn, A~.«mon,tr the Norse» — Fair—est of all was blitz‘ 7 When on the white sezvstrand, WilV—i||t’: MS “Tm - Pd Wav—iu;: his arm — ed lmud, on the white sea — strand on the white sea —.~'trzu1d, Wav — ing his arm — ed lmml, l"“"dv Saw 9 old Hil — — tle-braud,_.____ With old Hil - — (Iv — hralld,‘-?+— With _' lmrsv } Aw. .—- »—-——«-sv —4—c.—;~ 4—————.. .v r When on te white sea — strand, "‘”"5‘* When on the whte When ’on the white a—str-and, /”—""“'*‘$\ When on the white Wav — ing his arm — hand, Saw we old Hi} - strand, b Saw we old Hil — — de— brand, Wav - ing his arm — ed hand, Saw strand, _ Saw ' old Hil— — de~In-and brand With twen — ty horse — men.» With twen — ty horse - Hi] — de—brand with twen—t_V horse — en— — tyhrse — Allegro Vivace. launched» they to launched they to Allegro Vivace. V1. we wvrv gain — ing fast, we were gain - ing When t wind mien the wind failed -27" And with a sud—dnn f. And with a d— en (JLF . ____________r. _} And with a sud—den flaw Came round the skaw, Came round the dus — y skaw, And with a sud—den flaw Came round the skaw,__ e round the dus — skaw, Fl.Vl. - So that our foe we saw Lau,s:'h as he hailed that So that our foe we saw Laugln as he hailed as he Imiled us , Laugh as he lmiled us, Picc. 6)‘ Fl. T[‘0m.> } }}> (tatcll Round veered the catch the ml veered the ath ! Death ! flap - ing sail, ath! Death! Death! Death! /7' > > flap - ing sail, Death! Death! 22/ //'0 /0 lwlms hail, th ! quar helms hail, Death! quar helms hail, ath! quar helms hail, Death! ships ships ships with with with with black black black black I» POI] keel, mu keel , mu keel , Stituck Struok Strut-k her of steel , her 9 steel , her ribs of steel, her ribs of steel , Th rough ,_ Througrh ,_ Th ruugli ,_ r0ugh,_ Down , ____ ,4 1 Down , __ [)0 o Trom. .T . _ 4 - - Au 4,;=.—...rr.=- \ through the black through the black through the black ‘ t rough t|wbl_21 As with his Wing's ns—sl'.1_nt Sails the f_ierce (:0 - m0—runt, Seek—iug some rock— haunt As with his wings u.<—sinut Sails the fierce co — m0—ramt, -ing some rm.-k—v haunt 5731 T ti-‘T1 Cor. So toward the 0 — pen main, Beat - en With his prey la— — den, So towunl the 0 — pen main, Be-at — en to sea a1—gailI, With his prey in- ‘X é_1‘gl_J_'-‘bi’? Th ugh the wild hur— ri—cz1ne mai—deu. rough the wild hur— ri—c-.u1e mai—deu. Through tlw wild hur—ri-cane mai—deu. Through the wild hur— ri—(-zine mai—deu. Molto moderato. (Tempo I.) Allegro Vivice. Vl / Ob . (:1. kg;-. T9m129..I_- ....................................................... .. FL8 ' 2 (‘(5110 1%‘ U. B. L P TIll‘t'P weeks we \wst—w:mJ bore, (Zl.F<». (fell h— And when the storm was Clr)ud—lik+- we saw tlw slmre 1.. Th ree weeks we west —walrd bore , St“/’tC"“i">‘%' t" 3”‘ ' ‘ “"<”'d9 Threeweeks we west—ward And when the storm was o'er, Cloud-like we saw t e shore And when ‘the storm was 0’er, d-like we saw eshore There r my 121- dy’s Stretch — iug to — — \vur.(J; Tlwre T0!‘ my I“ ‘ ‘W5 Stretch — in tn 1) r/0/or: loft — y tower,_____ Which to this we - ry ilt _ loft — y tower,.___.._._ Which to t is w — ry In — (ly’s bow Built I t e loft — y tower, :1 — y’s ow .‘ uit the lot — tower, \ Stands iook—ing sea — ward, There for my Ja1—dy’s how - Stand look-ing sea — ere for my la—dy’s bow — ,_ Which to this we —ry hour Stands look—ing seu—ward, There for my h1—d_v’s ,t Which to this ve —ry hour Stan s look-ing sea—w-ard, There for my a—d_v’.s e loft—y tower,_______ Which to this ve-ry hour stands look—in,s: I the to —y tower, Which tot is we-ry our_..___ stands Iook—ing Built I te loft-y tower, Which to this ve— ry our stiuids .’ ' Built I the loft-y tower, to this ve—ry hour stands Z o — ward; There for la-dy’s bower sea — Ward; There for la — dy’s bower ""’k’i"§ 5“'-‘—“"c""'§ ere for ' la-dy’s bower milk-i|1¢f5€i1*“' I'll; There for * la—dy’s bower _\ /4. V . . 4/‘/1’/1%.; J) .4 _ Built e loft — y tower, i(‘rl! Built I the loft — y tower, it-h p A. the loft — y tower, Which the loft — y tower, VLpi'/.z. . 4.51 Stauds__ look— hug‘ St“ H5-— look — ing- Stauds___ look— iug Stands ./,...~-w._.r_L_e‘ "J N9 9. Romance. p}9_Str. (}7’£?.S‘0. - Tempo I. (3 There lived we ma — ny,___ ' fim0—.dl'i1’d («"1" b’S(/. .sf maxi — den’s tea:-s,_. She had f01'—g_;0t, ‘ - got her'fea1's, F1. K . \. Oh. (I L f 1 6'0)? €810) ’8'S'S . shv had f'01'”'0f herfu:1rs- Shewasa moth — er. H 3 _ C0 ['- There 1iv(>d\\'4e ma - ma — ny____ years;_. Time, V1. nmi — dc-n’.< tears; She had for-got, for - got her fears, ' . . .- .’. 0» 0 o 0 u v had_ forgot herfears; She was a moth was *3. moth - 113/“ had forgot her Poco a11imat0,c0n tranquillité. wasa moth - — 91-. av: /aw‘/If ﬁ\ , ‘Ya. Sm‘/0 I70 , ‘G\ /U Death closed her mild blue. that t0wer,____.___ - der attower she D oath closed her mild blue 07680. un - dur thattowor N691’ Shall Str. .\’«*’or shall rom-sustain. Tempo prime. 3 There lived we ma — ny, ne’er silch an — ofh - _e1-!. 7"////. f\ Time» drivd tho mai — d(*n’9, fhe I ‘/7 WI‘ . - don’s to-ars;._.. She had fnr—got,_ for — gﬁt her-fears, ' Woo(‘I./~75. Z__$ //zfzron e.,s*,17/*e.9.s'. ,\ ,\ had for-got her foau-s, shv was a moth — or, she was a moth — Death closed hormild blue eyes, (J/’P«S’U. - dcrthnttmve1- . , Nv’or shallthe sun, Ne’e1-shallH1e //I'6’S//'. - f — rise On such an - oth — {\ shnllthe sun - N<-‘er shallfhe. sun, Ne’erShall_the (/'7’(?.$‘£?. aria/2:971 N910. Solo and Chorus. Allegro con moto. 171’ FV‘—\ _/.VVind sustain. ./“/"Futti. ’I‘rom..,.B.'I‘. Andante maestoso. S010, Soprano. grexv my boqsom then, Still , ores (I ten);/0 stagnant fen! ful to me were me-n,The ca lempo ./.VVin . Allegro con moto. hate — full. Presto, ma non troppo. like gear, like ge2u*,.__ hY my 593"’: Fell I up - on F911 on my spear, V //I grate - was grate — grate - the for — est 6’/’€6'(/3 — Ii e gear Clad ; my S1)€aI', my spc-ar, Fell L Fell - on my spear, death was grate- _ _ 4:1 If-””__.‘\ ful, 0 death 0 death 0 death 0 death («‘7'(/’S('. _ M“h?'%‘hi Allegro con moto. If Allegro appassionato. . S010. Thus,___ sea1n’d_ with ma _ ny Burst — ing, burs1-in;;these Allegro appass10nato. Thus, wiih Burst - ing these pris — on 417‘ - to? its na-tive sfars My ‘ V soul“ s—cend_ed*,' Chg, Thus,__ seam’d_ ‘ Burst — ing, burst‘ — ing these Bass. ’ Burst — ingeg, hnrsf _ in;:; those Sopr. C110. My __ soul ,_ my Alto. Cho. My <_ soul, a. my pris _ on bars. pr-is - on bars. — soul as - cen _ _ . soul as — Str.T11tti. .17" Uistesso tempo. S .So1o. ¢\ Thus, seam’d with ma_ny scars, se-.am’d with soars, Uistesso tempo. seam’d with scars, 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..: ' rom. I .. f these pris— on_ bars, Burst _ in;: these. Burst _ ing these’ 1-i nhars, Up to its na - five stars, stars, soul, my soul“ as— (tend - «end- ed, my soul as _ _ed,my soul as _ _ed. ed . _ Tll0I‘t‘ll'0lI1l xflowing,‘ b0wlDeep drinkstho wzumim-’s sonl,f ! warrior-’s s0ul,__ - _ Therefmnlfhe flowing lDeep drinksfhv war-rior’s soul, the wzu-1-inr’s soul, Ten. ' f There fromf bowl Deep drinks the soul, Shoal‘. to the ‘N01-fh—land! Skoall‘ Bass. - V There from the bowl Deep drinks the Soul, Shoal! t {he North, Slio-all to 1 N0rth—la'ml‘! There from the f l0w_ing howl Deep drinks the Therefronn howlheep dﬁllks the Bass. . Shoal! There from the bowl Deep Tutti_. ’ ' f mare warrim-’s s0ul,the warrinﬂs suul,._Therefr0mthe b Dc-epdrinksthe soul,- ,—\‘ /—\ wart-i0r’s s0u1,the warri0r’s,t war_ri0r’s soul, ’]"herefr0m bowlDeep ‘ drinks the , o drinks the wan-i0r’s soul, the War_ri0r’s soul, T herefmm the bowl drinks the Shoal! to the N0rth~land! Shoal‘. war _ ri0r’s soul, Shoal! to the N0rth_land‘. Shoal! Shoal! to the N0rth—land! Skoal! Tutti. > f no Sopr. T1101-0 frmn f 1- flow ~ in" how] Dov) drinks ﬂw war _ ri0r’s soul 1 H 1 There from the bowl Deep drinks fho__ war _ 1-ior’s soul, the There from f ehuwl Deep drinks the soul, Deep Fl OW There frmn fhe owl J?” war_ri0r’s sou , Th<-re frmnﬂw how] _ Deep drinksfhe soul , SL<m]!1<> the Nm-fh—l2md‘. / war— —rior’s soul, Thm'ef1*m11thehuwlI)eep drinks the war—rim-’s soul, nks’ the war—.ri0r’s soul, . Thereﬁ'm1n‘hvbuwIDevp drinks drinks he waI'-1'i0r’s . Skmll! ‘wt 0 Nm'1h— — land! 2 ..—__.. . Skual! to the North. land! Shoal‘. ‘I Norfhlmld!-— Shoal! the North —b _ land! Shoal‘. 0 t ‘V m*tl1l2u1d'. 8- ////.~'.s'0. ..... ................ .5 seam’d_ with ma _ j s(é2u‘s,__.. Burst - ing, hu1*sf—ing these ,i. soul, my soul *. .. _ , Thus, with J. 1. J- - ny sum-.s‘,_ Bursf _ ing these pl-is - nu — tive stars My 6'7 '68!/. L’istess0 tempo. soul - — (send _ L’istess0 tempo. ('7‘t’SC‘. - Piﬁ Allegro. A There from t flow-ing howl Deep drinks the War—I'.i0r’s soul, the war- rior’s soul, There from the t'l0w_ing howl Deep drinks the war—rinr’s soul, the war—rior’s soul, There from the t‘l0w_ing; howl Deep drinks the wax-—rior’s war — ri0r’s soul, There from the t'low-ing bowl Deep drinks the war_rinr’s war — rim-’s soul, Piﬁ Aﬂegro. ' /".73 I . _ 4 ff sempre st/I60. L There from the howl There from the bowl S There from 9 how] There from the ff Shoal! Shoal! to Shoal! Shoal! to Shoal! Shoal! to Shoal! Shoal! Deep drinks the soul, Deep drinks the soul, Deep drinks the soul, a Deep drinks soul; North - land! North — land! /'\ North — land! North— land! Shoal! to the Northland! Shoal! to theNorthland! Shoal! to the Northland! Shoal! to the Northland! Shoal! to the Northland! Shoal! "to the Northland! cresc. Shoal! to the Northland! Shoal! to the Northland! 8 .................................................................. .! .... . /T North _ - land! North — North - - land! 114 Presto Largo. 10. There» drinks the war.ri0r Shoal! to 1 There from the flowing There from There from the flowing Jf . There from the f lowing Presto_. ‘ff Sko-al!.___ drinks the war - - rim-’s soul, Shoal !_ > > > > bowl, I Drinks the war.ri0r’s soul,the wa1~.rior’s soul,to Nm-thland! Shoal! >- >>- howl Drinksvthe war.rior’s soul the wal-_rior’s soul, at 0 and! Sknal‘. ) I ) >>>> >>>-> howl, Drinksthe war_ri0r’s s0ul,the war_ri0r’s s0ul,t0 theN0rthlaud! Skoall >>>> l)_u >>>_ ~ 59. Drinks the war-.1-ior’s s0ul,the war-_ri0r’ss0ul,t0 thoN0r-thland! Shoal! fhe Nm'fh—land! the N01-th_land! >>> the N0rth.1and! >>> the N0rth_land! A///I Sire/fa. «Sf £.rl$.ii1«. 1., . !IH. . .lL.. vtii. .« .: ..J.»..t.x r:....u....nn«..».nrIr....b..:.n . . rxm1s4,.r:..
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Date: 1913
Text: uusnc uammv VASSAR COLLEGE rouauxzzu-sue. NEW vow». To Reina/d Vﬂrrm mté CARL BUSCH THREE SONGS FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOMPANIMENT Words from “Hiawatha” by LONGFELLOW “GIVE ME OF YOUR BARK, O BIRCH—TREE!” (,,Gieb mir deine Rinde, Birke“) PAU-PUK-KEEWIS’ BEGGAR’S DANCE (Der I Bettlertanz Von Pau—Puk-Kih—Wis) .75 “TAKE YOUR BOW, O HIAWATHA” (,.Nimm MU den Bogen, Hiawatha“) .60 G. SCHIRMER NEW YORK : 3 EAST 43d ST. - LONDON, W. : 18, BERNERS ST. BOSTON : THE BOSTON MUSIC CO....
Show moreuusnc uammv VASSAR COLLEGE rouauxzzu-sue. NEW vow». To Reina/d Vﬂrrm mté CARL BUSCH THREE SONGS FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOMPANIMENT Words from “Hiawatha” by LONGFELLOW “GIVE ME OF YOUR BARK, O BIRCH—TREE!” (,,Gieb mir deine Rinde, Birke“) PAU-PUK-KEEWIS’ BEGGAR’S DANCE (Der I Bettlertanz Von Pau—Puk-Kih—Wis) .75 “TAKE YOUR BOW, O HIAWATHA” (,.Nimm MU den Bogen, Hiawatha“) .60 G. SCHIRMER NEW YORK : 3 EAST 43d ST. - LONDON, W. : 18, BERNERS ST. BOSTON : THE BOSTON MUSIC CO. LEIPZIG : FRIEDR. HOFMEISTER “Take your bow, O Hiawatha” Take your bow, O Hiawatha, Take your arrows, jasper-headed, Take your war-club, Pug—ga—wan-gun, And your mittens, Min-je-kah-vvun, And your birch-canoe for sailing, And the oil of Mi—she Nah—ma, So to smear its sides that swiftly You may pass the black pitch-water; Slay this merciless magician, Save the people from the fever That he breathes across the fen-lands, And avenge my father’s murder! HENRY WADSWORTH LONGFELLOW From “Hiawatha" To Ilemald Werrenratlz “Take your bow, O Hiawatha” . - :4 From“Hiawa/aha,” by Longfellow ”N1n1In den Bogen’ Hlawatha German version by A Carl Busch Herman Simon Maestoso Voice Take your bow,._._ ‘take your Nimm den Bo — - gen, nimm den /-\/x V“? Take your Pfei — 1e 240750 V Uopg/riglzt, 1.913, by G. Sckirmer - L} jas per - head — ed,.j__ Take your mit Jas — pis - spit — zen,______. nimm die war - club, Pug - - ga—wau-gun,j__ And your mit-tens,__ Min - je- Keu — 1e, Pa — — ga— ma—g“en,:______ dei—ne Handschuh,._ Min—tschi- /-1 /3172.1. __ —.........__. ..—._._ kah -wun,__ And your birch - ca — noe___:_ for sail - ka— Wan,___ und dein Bir - ken—bo0t zum fah - /‘T And the Nimm das smear its sides Plan - — ken, Maestoso black pitch—wa-ter; Pech—strom glei — tet; of Mi - she Nah—ma, S0 to Vom Mit — scha-Na- me, reib’ die that swift — 1y ‘You dass es ei -9 lig durch {T may pass the den dunk. - len Slay this mer— ci-1ess ma—gi - cian, Save the t6d—te den herz - V10 — sen Zaub’—rer und be- {T 1*? That he das die the fe — ver vom Fie - ber, peoéple from frei’ das Volk And a - venge récli mich an fen - 1ands,, hau- chen;__ >> >‘ ‘ breathes Siimp - - ther’s - ters mur — Miir - ” bf. g ” FOUR SONGS FROM VICTOR I-IERBERT’S GRAND OPERA “NATOMA“ PUBLISHED BY G. SCHIRMER : NEW YORK THE BOSTON MUSIC CO : BOSTON Beware of the Hawk, my Baby An Indian Lullaby . From the opera "Natomaf From the Opera uNat0m3-” Va.quer0’s Song p_R.¢¢m‘ V1016!’ Herbert Joseph D. Redding Andante Allegro victor Herbs“ Voice dates the bran - co wild looks the mus -tang jg molto rnarcato ware of the hawk, Be - ware of the hawk, my 1“ m° eye? (icpyrigm, 1.911, by 0. Schirmar PRICE 60 CENTS dopyrq-M. Mil, by 6 Sr-Mrmpr “In my dreams” From the opera “Natoma” Serenade From the opera “Natoma” D. Reddlng Victor Herbert Joseph D_ Raiding view, Heme” Moderate e molto rubato Pm” 12 pogo aooel, ice Moderate Alvarado Voice f——-—\ Gen—t1e maid-en. tell me, have I when me am _ “gm dies” [1 paoo novel. O seenthee In my dreams? I won-des-I!” When a-hove my _#_when me njg-ht . wind ’s1ghs,___ When the dove is a - sleep_ in the t . Paw 8”‘ : mollo f . 1 - come, my love,_ pil- low from the nightfall star - - ry gleams? I won-derl A‘:
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Date: 1890
Text: L f I .//*7”, 4‘ //,°§ . ////W ‘. // W17/"019 A7 y MUSIC BY ungml CINCINNATI: PUBLISHED BY THE JOHN CHURCH C0.74WEsT FOURTH ST. I/I/2':_pa, /Var J17/'/r, RU[lT& SUNS MUSIC CI]. THE JUHN CHURCH El]. Zﬂﬂ Wiézs/$g4V:/I1/:. /.57[:.s'f /62‘! 52? Gift of Ere. Mabel 3. Glaagqn ' and MARY WILLARD GLEASOBI W:i.T".I’E from the Library pf FE:-E!DTJRICI<I GRANT GLEASON SWEET REMEMBRANCE. Words by Longfellow. Andante. P/“ ~/“\ii.L - der Copyright, 1890,by The John...
Show moreL f I .//*7”, 4‘ //,°§ . ////W ‘. // W17/"019 A7 y MUSIC BY ungml CINCINNATI: PUBLISHED BY THE JOHN CHURCH C0.74WEsT FOURTH ST. I/I/2':_pa, /Var J17/'/r, RU[lT& SUNS MUSIC CI]. THE JUHN CHURCH El]. Zﬂﬂ Wiézs/$g4V:/I1/:. /.57[:.s'f /62‘! 52? Gift of Ere. Mabel 3. Glaagqn ' and MARY WILLARD GLEASOBI W:i.T".I’E from the Library pf FE:-E!DTJRICI<I GRANT GLEASON SWEET REMEMBRANCE. Words by Longfellow. Andante. P/“ ~/“\ii.L - der Copyright, 1890,by The John Church Co. Music by ].W.Bischoff. A _4._/b§1_T::A fra- grance that SL1!‘ -‘ 7363 -4 -T mar - tyr’d fl0W7rs breathe lit - brance. once con - soled our Tranquillo. br ance . Now the hour of Now the hour of dar — ling»
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Date: 1892
Text: MUSIC LIBRARY VASSAR COLLEGE D'\!'f:|-1'2.-—_-:. - -'. Elymumwsg <§ONGS , 1) FRED ST.7‘;X..ﬁY£;HoME ...................................................... .. .40 EYES So WISTFUL ................................................. .35 /V\EZ.S‘oP.ORTEN0R|N E. /"\EZ.SOP. INF. LovEwnATwnITHoU’w|TH THIS HEAF([_....5o TH E 3 EA HATH ITS PEARLS. ........................ ..6o SOP.0RTEN.IN BbMlN. SoP.oRTaN.m CM-IN.&MAu. THE LIGHT or STARS ....................................
Show moreMUSIC LIBRARY VASSAR COLLEGE D'\!'f:|-1'2.-—_-:. - -'. Elymumwsg <§ONGS , 1) FRED ST.7‘;X..ﬁY£;HoME ...................................................... .. .40 EYES So WISTFUL ................................................. .35 /V\EZ.S‘oP.ORTEN0R|N E. /"\EZ.SOP. INF. LovEwnATwnITHoU’w|TH THIS HEAF([_....5o TH E 3 EA HATH ITS PEARLS. ........................ ..6o SOP.0RTEN.IN BbMlN. SoP.oRTaN.m CM-IN.&MAu. THE LIGHT or STARS .............................................. __6o ' My LADY SLEEPS (SERENADE .......... .50 CoNTRALTo |N C. Tanon IN F ITIS NOTALWAYS MAY ...................................... _.5o_. ' SUNIDOWN ..................................................................... _, :35 SoP.onTEN.m Ab. /"\Ez.SoP.oaT:-:N.m A” ONAWAY~ AWAKE BELovED.___(frnm HiawathEL)__75 TENOR nu EMm.8.MA.J. BSTOﬁN. Cum./ri h1MDCEIEXCHEtu; OLIVER DIT ON C0 M PANY. Nynrk. Chicago. Busfnn. 1‘-"'hiI.5 £7.12 17/rs:/7A. £75. [ya/7&1YEa/4/. J5’/9/7 17../‘fez,//7.I.=5 4170. ../?E.17/X50/7 A Ea. STAY AT HOME. MEZZO SOPRANO or TENOR. Words by _ Composed by LONGFELLOW. FREDERIC H. COWEN._ Molto sostenuto. 1. Stay stay at home 1 my 2. Wea _ ry and home — sick and resg; Home keep _ ing‘ heaits dis _ tréss’d The} wan _ der east, Longfel1ow’s Songs. Cowen. Copyright,MDCCCXCII by_0liver Ditson Company. 36.255594-,,4, The exclusive_right.of.pub1ication in,the United Statesjs held by the publishers. hap - pi _ est,— For those that wan - der Wan.-d‘er west, And are baff _ led and beat _ en mi know not Where Are \ f trou _ ble and full of care; To blown a. bout By the Winds of the-.wi1 _ de1"_ ness of doubt, T0 at home is best. 36-55594‘-4 stay at home, that flut _ ter their Wings pf’; A hawk is hoviring in 36-$5594-— 4 r 1,, HWH. S. S 6 M S 6 .0 t l mu <é%THEMA;I;1IG LISTEE I'9eI9eI.AR SONGS, I3ALLAes, ETC‘-.. PUBLISHED BY OLIVER DITSON & CO., BOSTON, MASS. I WISH THE WINDS WOULD BLOW, LADDIE. Price 40 cts. Words by W. G. WILSON. BALLAD. Music by ESTABROOKE. 9 3. 3 er I \ ' I .397 .I A1 u I I I I L J I I ,| I II I I I l " C I I I ning, blow soft, of eve - 0 gen '_u’ \ﬂ'ONDER_ Price 40 cts. By RICHARD STAHL. "“’9"7“jT*"I‘—K‘ I\ . I‘ I I\ ’~‘4‘I‘l E@§E** d— :“"‘—_i:'*‘— __:|;E .. 8— ~ 2 .1‘ If he should steal a. THE LITTLE MAJOR. SONG VIIords and Music by J. P. SKELLY. " “ :‘\I, ﬁt; I‘ L; .‘ {\,ﬁI‘\I I“ I“p- I“I‘I'I t@§ L‘ud’*’-—_ _i‘_"’*_—;:i:IE‘;‘:I:'—§",E'—|t| Tho’ I’m not in fact a. soldier, In my heart I’m not to blame. LIIT'.['LE SVVEETI-IEART, I MUST LEAVE Ygyc; 300“ SONG. Music by E. HANSEN. ‘ Ix YIYYI I‘ I 0' - (#1 i CIT I] I ‘"L 1‘ ‘ '! must leave SONG AND DANCE. lit . tle 1£I's}.. Price 30cts. 545 l tle da.r - ling, I LIZZIE WAS SAE BONNIE. Aﬁords by GEO. MACDONALD. V011: Price 35cts. Music bvH. HARRIS. A . . V EV I I‘ I I I\ n A I I“ L -I . I I ‘I 1 - I A I\ I IVI .- I - v I - V V *-IﬁI:5 8 ." “.3” ” = 9 a L When An- drew frae Strath-bo - gie gaed, The lift was I'VE SPENT MY LAST DIME. Pric-e40cts. Words by R. W. RosE. MOTTO SONG. Music by RICHARD STAHL. I K I FYI! C) I ' J I I‘ I I _e ) I ' I 7 A II 4 -v I I A $4 -?—I~a'—" ‘II F ‘,.I' _ ‘U I’m oId- er ‘Ind wis -er then When, years a - go, ISE A GOIN' IN DE MORNIN'. SONG AND CHORUS. Words by GRO. R. JAcI<soN. ALL I‘ N‘ _ R K - § 7T“I*:P"’I:a - .5‘ 3 - 1‘ I‘ _ —u—6g.z_4-I7——5 .1 4' = . U 7 7 011, more. ISE GWINE TO TRABBLE HOME AGAIN. Price 40 cts. SONG AND CHORUS. [Words by Gino. R. JACKSON. BALLAD. Price 40 cts. Music by CHARLIE REA. R I‘ I bring to me de ole ban-jo once Music by CHARLIE REA. K L ' IN K :IZ_|z Is l_J' I\ . . I\ I IV . D “'~d——'~“—b .I‘ Nliﬂd." @I’_‘Q‘_f LI:__-._;,':‘L;I‘_;_;Is;__Is,_‘_"§,_i:,___.._I L-__‘I:J.___U__g__ lse gwine to trabble hoine again to whar de birds am singin’, I LONG FOR A VOICE SO SWEET AND LOW P ‘ '30 I.. Words by P. E.‘ NoYEs. SONG. Music by H. P. use” II. 8 . has II. M 7:‘ I‘ I‘ I . T“_*.‘:I7§ __q__I_v c a a 0 o Ir a g I; I long for a. voice so sweet and low, that I PHI‘ MEET YOU AGAIN, LITTLE DARLING. Price 40 Ms. SONG AND CHORUS. Words by ARTHUR. FRENCH. R Music by H. WILLIAMS. L I I A I‘ _ :@+e—3~_~—..I'“—H—5—-*—g—awg%-I—4 ———~»-~——4*— ———————~v-. T7‘ __ J I Y‘: I _.__" . C dar-ling, I am We are part ed a.-while, 1i£—tle I'LL WHISPER TAE MYSEL' P»-lcwoow Poem by R. S. LAKIN. BALLAD. Music by J. L. GILBERT. ‘f V I 7 '7; :4 IV. I ' " ll 0 Rob - in, lad - die, if I lo’ed you, ‘Lo GOOD-BYE, MY LITTLE LADY. Prioe30oll THE BOATS ARE PUSHING FROM THE SHORE. ' Music by J. C. M. R I K F‘ I‘ I I’ ‘ J J ' I I 5 V ' I The boats are pushing from the shore, HAPPY BIRDS. Poem by AUG. STEELE. L\Il OJ I I J I 5 12. ~ dy. 0 L ) ‘ I /I I H- Price 40 oil. By Enw. HOLST. L\ I P - II P~F-~—p+t~—r-{I r I V r I I I2‘ L‘ I3 L Iv " Happy birds, sing to me, That I I‘too may happy be. . WHEN THE MISTS HAVE CLEARED AWAY. P1‘io'36cts. Moulerafo. ' _ E _a . By ARTHUR H‘ N‘Sk;_ Lw. When the mists Iftve rol1‘d in splendor Fmm the beauty of the hills, WALTZ SONG. _£L L. E?$I§I>Kb-3.3—r—F-I9—%+~F—I-.-~>.%—r—E~E- ' ‘+ ;_I4___LI II L4 Ll ‘I. D II L THE OLD~F‘ASHIONED HOMESTEAD. Pm:ce350tl- I I.‘ 9- .“ I. E I- I V I I‘ u I I; A u . A - 0 , st'ill do re-mem-ber the old-fash-ioned homestead SLOWLY TI-IE DAYS NOW PASS AVVAY. 1»-4.-.»..Im 5:3. Words by A. BARNETTE. Music by LAUNCF. KNIGHT. . I\ n L I‘ |\' I\' I I K I .4‘ I I " "' J r\ Y I I I I D n ‘I . g 9‘ I 4:‘ J I I I’ _‘ H ‘ E w v I g V up 3 Slow - ly the days now pass a. - way. . . . THE LITTLE OLD LOG CABIN ON THE HILL. 1-we loots. SONG AND CHORUS. Words by ARTHUR W. FRENCH. +1‘ l\ I\ I‘ A E I= 4 I‘ I 1 v-I:‘—-—- E*:~-“.'.“..I‘ II I, .133 .=— _:=._.~.—_H ’Tw'as mau—y years a - go, I left the sun—ny south tor0aIn MOTHER'S MEMORY. SONG AND CHORUS. Words and Music by E. GREENE. Arranged by J. 1}‘ §IKELI.Y. I. ‘ 8. An I { I~?@EI3,:4‘:I:I:F:_P_——F—.- -5-: I I 0 _:I L; F V I now sleeps ’neaII.:v.the clay. L\I/ MOLLIE, THE PRIDE OF KILLARNEY. u SONG AND CHORUS. MUSIC by E. CHRISTIE. Music by H. HERSEY. ls‘ l R ‘RV Price 30 on. R‘ I ' FE’ :I 4-'5-I‘-—I~? ..._ F ' 0 FJ My dear loving moth-er Prue 30 am- Xlords by CARLIETON. I (3 . A . I I L - is - L 31 - I) . 3‘ ‘h“I\I‘.VI:n\-‘I6-ED I5‘,--p«,§ _ :.*s—_j—;-—§~~.IT—o~J—~;- ~o——H_.~—.» -17;-—a—I.~I:+:I» Why did I leave you, my darling? Why did I leave you to roam? THE MILLER’S DAUGHTER. Poem by TENNYSON. SONG. Music by J. R. THOMAS. J_ n .‘ L I‘\ Ix ”“ I- - I9 . .. L ‘H — _ V ; - ~—F— .” —— —~I'—' #—o~—» 1]; :4._i_‘#E:_.._::’:':‘;:t..:.__;, ,_,_LE‘::I:f_‘Z: fI7:I;;l— I It is the mi1ler’s da.11,<Ihte1‘ and she is grown so deanso dear Price 3041!.
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Date: 1917
Text: HUSIC LIIHANY \l‘S$Aﬁ c I’ C0me,Wander‘ing Sheep10h,C0|'ne! ...... SACRED SONG.. .......... .. Pr: 60¢ F Words by Luis de Gongora yArgote. . Grief and Joy. ................................................................................................. .. Pr. 50¢ c- Words by Frances Stone Mason. . Why? r....(wr-xv CAME THE ROSE.) ...................................................... 7’ Pr. 50¢ G 4. 5. ‘ﬂﬁ 6. 7. Words by Mat“)/[Louise Ritter. Good Night, My Dearest Love .... ..(LOVE‘S...
Show moreHUSIC LIIHANY \l‘S$Aﬁ c I’ C0me,Wander‘ing Sheep10h,C0|'ne! ...... SACRED SONG.. .......... .. Pr: 60¢ F Words by Luis de Gongora yArgote. . Grief and Joy. ................................................................................................. .. Pr. 50¢ c- Words by Frances Stone Mason. . Why? r....(wr-xv CAME THE ROSE.) ...................................................... 7’ Pr. 50¢ G 4. 5. ‘ﬂﬁ 6. 7. Words by Mat“)/[Louise Ritter. Good Night, My Dearest Love .... ..(LOVE‘S SERENADE) .... ..Pr.60¢ Bb Words by Frances Stone Mason. Night. .. _ .. _. Words by Henry W. Longfel low. Little Rose Upon my Heart... . ......... ...... ............................... _.Pr. 50¢ Ev Words by Vlrgnma l.Bidd|e.. Ninnerella. .......... .(SLUMBER SONG; ...................................................... .,Pn50¢ AV Wordsby rancesstone-Mason. Fri)“ ¢ Stars ofthe Summer 1 Ab EDWARD SCHU BE RTH 8: CO., NEW vo'm<, LONDON, n EAST 222 s: 2 smre YARD,CAREY S1’ Stars of the Summer Night! Serenade Words by HENRY W. LONGFELLOW LE ROY M. RILE fI'om“The Spanish Student” ' Allegretto Voice 7/mrcato la melodia my 1" A Stars of the sum-mer /‘X * {'T\ I 3 7n0 . .- W4’. 2 Vt’ :19»/1’ _ \___}/ Far 1n yon a - zure deeps,#__? 2 LA. 2 3°23. ate . ‘fa esc- 6'op_y7'z’ght, 1.917, by Edward Schubert/z (5 6'0. E.S.& Co-4313-4 New York, EDWARD SCHUBERTH & C0,, 11 East 22I1d Street dim. Hide,hide your gold — light! She sleeps! My la - dy sleeps!” €..__2 .421/\ /1 ‘E23. 91% Q23. 9% 3 gf 2%‘ tfvf 2 Moon of the sum-mer night! Far down yon west - ern .3 9%‘ /’4e”' 7% Sink, sink in sil-ver light! ._ She sleeps! My‘ la - dy {-\ TD calla voce i°eb.9!é !3‘S.& C0. 4313-4 Fold, fold thy pin - ions tranquillo s1eeps!My -dy sleeps! 9. E.S.& Co.4313—4 age mp he slee bi Pi1‘1 mosso ed agitate la.-dy 17 Wind of the sum-mer sleeps! S1eeps!_ melo aim marcato Ma Dreams of the summer night! __ Tell her,her 1ov—er keeps Watc __ /#4:: : J- e§é ﬁn . mftardando 2°23. while in slum-ber light She sleeps! y la - dy f2\ 2 2 ‘£23. ﬁe (1 tempo 1.. mmesso dz’ @cb.V-ﬁe eeps! sleeps! ms. a tempo 199 ﬁn E.S.& C0. 4313-4 Select Parlor Songs. Memory’s Dream, by Marie Donavin; Higbvorce, LowVoice,Pr.50"ea.ch. mf Mogeratp. _ K _ “ J‘ 3' J‘: J1 él I. .ll ." 5' I 9 . ' b I — . v .I1 I . _ . ‘ night with its - What. sweet-ervthztn throbs in my breast, 10VeA This K L j I l\ |\ - I - e ‘ . I . - I -. B I" I 5' - I v ' 3 5'’ I 4" -“~ . long-ing to clasp on - y I This ' I . Ah! sweet-er by farywas the hour, love, When naught but we two seemed to Uopyrigr/zt, 4899, by Edward Sclmberth at 00. Song from Pippa Passes, by Natalie Curtis,-Pr.5o6: b - . « V /.1 . K ‘II ,1 I\ I\ I ‘I I1 I ‘ C U rs at the Spring,_.__._._ dim." _ i I ' I F‘ ' ' I F H I’ ' ’~_ I‘ I V . I . I I I ~ V I ' I’! I The hill-side’s dew - pearled, I - " __; ' ~ A God‘s in his heew- n,All’s ' 0032]/rig/zt, 18.9.9, by Edward Scfzubertlt & 6'0. - . P I I Were I a Star by Arthur Nevin Pr. 400. . . . . 7,W|./ eelz;cg my slzgbtly dgzta |'\ ‘— El’ H 4 I. .g S A I I’ it Were 1. 5». star, I’d shine for Ibee 'a-1o‘ e, rose, I’d bloom,I’d bl . Ahd '1 would vi»-br|a.te._ through Ithy pugiz‘/2 g(rs?;‘k”V#nzp pm _ , K _ 04 I\\ I\\ I I I9 -4 ﬁ ﬂ 3 I . - I\I '1’-\ , 5' 2 I 4 n ] I l A A '4 I 1 II II ‘ ‘ "' Q 3 I . I II 7 PI' ' L I! It It ‘I II 17 U {P I I i «'14 I ' I I 1/ tone.’ VVere I -‘a dream, VI wziuld ht- tend thy Isleep; A I II Ir) a I! II II I1 I] ll 5 . V I’ Y . V ‘ At thy a~wak-ing. could I change to love, I’d heart, Were I Copyright, 18.92 by Edward ;S’c}mbe7*tIL& .01). iv thee all I cm no in . .’ 0 I I gndantekcoxjfespregsilone. Ore’ by P Schn ‘40" a‘ffrez‘z‘o - /nI'\ IL [I l“'l\A’l II V ﬂu, ' - I I I IJ na I):- ‘I |\ I I I K I give thee all, I can no_ 1rF)r/ca, Though poor the off-’ring he; My heart and lute are all the store That I can bring to thee: !l_?’87N_]70 / I I molw cresc._[/’ dim. e‘c're.<1:c. E ‘pp! 7 I .=*.v“~.l~.~§Ig"E.«"JEa'r.n_ -we 3 4' lute, whose gen-tle song re - veals The soul of love full well, Ami bet — ter far, a._ heart that feels Much more than lute could tell. 6’01u_1/rig/Lt, 18.98, by Edwdrd.Sc/Lubertlz dc’: 00. l I 1 I I I II I ' I). A‘ I II 11 J II III I II I I J I l F’ H. lI77J~ C I .d- A’ .d- I I’ go I. -1 I — v v 1 I I F K I 1 . K K \ I Maiden yivligh the Lips so rosy, by Marie Donavin, H.500. a 1 . ' ' f } I I ‘ } I I I I - I I 1/ v 5 f -‘ .’. -' .3 . F -‘f -L l A‘ I J A Mvzti-den, wvith the lips so_; - ‘ ' n with the nrut - br\oI'Ir/n hair; L s—ten to my plead-ing, HeztI'~lreII it fg/Lﬂ? . ' > ’ ' [ 3 a . P’ 3 J Li a 3 3-} 5 9 J5 J I J 2 3' I. E. II U V ' 4) I 4 I I J V I 'L I I I I I Mini-rlemwith the eyes sh: sau — cy; M'ali-den,‘with the sinile di‘ - vine; Ah! hut let me tell thee That 11 zIm tru-ly thine; C’op,yr2'g}zz‘, 18.98, by Edward Sc/mberz‘/L c% 00. H I I I I’ 1 I I . I "r 'l 4 I - .. I I7 I P F’ In ‘ 1 I little Voice, by Jessie L.Pease, P1240“. /I . AJ1d3.I1tx€.. I /$_ I Ifr ) I I I 1 4:1”! I l I I I I I- L I - 3 0 ,4 I a V 1' - A II! 4l‘(l I I I I I I =Il| r /'12‘. K I I I I I I I I 1 I Once I heard a. ' lit-tle voice, Mer-ry May; re-joice,”_ Now - I F I I I I I I I I I I C I K ' I I I I I\ I I .' F . I P -‘ ,2 I i’ I ‘ I ‘L I I I V I l_ . it ' was, and ver - y clear, Chas-mg ev-lry thought of pain. . Sum-mer! shall av- er —lIea1~, Such a_voice a. - gain. 0o;0_z/rig/at, 18.98, by Edward Sclmberzfb at 00. I I I I I I C 4 - % A My fair neighbors window-curtain, by Albert Robert, Pr./I06’. it Allegretto. _ . » _ K I ‘ if n 1 I\ IN I I I I} A 1 Li 1') K I I K - I A J I K I I P? Q: I I I I “ J '. l..-_..I‘:-..-.L« » _ 4 - 4.» -‘~ ~ . .4. ,‘n = : I’ V = 5" 4 ,, ﬂhly f:tirAI1Ze]ig'h-bor's wizi - dew - cur - tain Mov-eth ’ ' am‘ cer - tain, In a. mo- ment more ._ pzu _ legro — ’ K I\ I I‘ " I II J 7 l “ — ' o I I I . I I I ' I I Ir’ '17’ I I y ‘y ' ' » Ahlher case-ment o-pens wide - ly, My heart is _ now beat-ing high;_ '/Does, she know, per—haps, that, i - dly, All her ' 001/vg/rigid,18.96§b_g/EdwdrdSc/mb-en‘); «E 00;. If‘ I Werebut a little flower, by P. A.Schnecker, B12500. I dgnte con espressione.rz't.:,_\ 72¢’ 1} f6’72?¥70 _ /, . paw Ha‘. I H D I I I 0 K C I I I‘ I U ' I U A ~ A I\ I 4' I’ I J ' ' w I v I If I were but 8; lit - tle flower, I’d for you.__ The sweet-e per— fume in.,_ m . ar -am n e pow decal. e crlesc. wnpassw Le >[$§ , 3 t _ I I . -. : I ﬁ "H" ‘ HI: I I r I I ’ 7 If ' I (3 u‘ - ‘ad I J vel- vet soft, by sun—light tressed, In daint-Vy clol - 0 s ' ' sin-glre hour Copyright, 1899, by Edward Schubert}; & 6'0. In Dreams, b'Art‘hur Nevin’, H.400. dante af ett-UOSO, I — ‘ \ K g?vg5-0. : T I I J I F I _ - I I\ I\ I\ I-‘ l'.I. -'1' ri. ,v 2 --“—.«”a>->;' 4 II I I Me thought as sleep- ing, I saw my lov’d one ly-ing de:td!_ And when Bit - terwere the tears I I I I I I K I_J_ I I I \| I I0 d- III- T V I e‘ - II was sleep-ing, My love had gone :1.- .- I 3 I I I ' ‘ Me thought as _I Cop]/rig/rt, 18.9.9, by Edward Sc/mbert/z ’& 00. Forﬂwie by all Ilfusic-Dewlem NEW VORKEDWAXRIID S6,:/III_‘II,II-I/|BEnMRI‘1I.£H&‘);@@-4, ll EAST 229' ST. E Piéblis/zers (E ]m}707‘i€7‘.§.
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Date: 1888
Text: X ;~/ NEWHAVENC’? V E Q NEW-YURIK. L2 _,,// " 25 UNIEIN SQUARE. ‘/ L‘; CHTC/AGO. CHICAGO MUSIC C0148-ISOWABASH AVE. t77;;y7"z;,,77zZ]¢?6/45’ Z!/VW7"/L./Z}'ﬂ7Z(Z&'/70. STARS OF Frmxi the“spanish smd.ent”by H.W. LONGFELLOW. Andantino am abile. po co a 12000 semprc legato, F Cantabile. of the \ I . a chaque mesure. espress. > Hide , hide sum — mer night! ....... _. your gold — en light! THE ‘SUM MEB NIGHT . SERENADE. Music by FRANK N. SHEPPERD. pie) lento. Amlante...
Show moreX ;~/ NEWHAVENC’? V E Q NEW-YURIK. L2 _,,// " 25 UNIEIN SQUARE. ‘/ L‘; CHTC/AGO. CHICAGO MUSIC C0148-ISOWABASH AVE. t77;;y7"z;,,77zZ]¢?6/45’ Z!/VW7"/L./Z}'ﬂ7Z(Z&'/70. STARS OF Frmxi the“spanish smd.ent”by H.W. LONGFELLOW. Andantino am abile. po co a 12000 semprc legato, F Cantabile. of the \ I . a chaque mesure. espress. > Hide , hide sum — mer night! ....... _. your gold — en light! THE ‘SUM MEB NIGHT . SERENADE. Music by FRANK N. SHEPPERD. pie) lento. Amlante (-011 mom. 3 ____ __ Far in you a — zure deeps, pill moto. inf 9]’/-\ Hide, hide your gold - en light! She Copyright 12488 by wL*A.Pc-ND&c~? 7”], COM 68]}1‘€S8. espress. —[ sum- mer night !._ sil — Yer light! .\‘]cep.~‘! m (mo 71: 0 lo. Sink , sink in Far down you west—e1'11 steeps, sil - V01‘ 1ight!She sleeps! ........ .. My la — tly sleeps! /W -3% CON. 88 P888 Wilul of the sum- mer night! .... .. \Vhe1'e y0n—deI' Wood-bine creeps, Fold, fold thy piu— ions light‘. She ........... .. m.s. es press. F1’ [7 thy’ pin — ions light! ‘S323. poor) (1 . \ sleeps! ........... .. calla voce. tenero. }. meno moto. D1’9-"WIS 9 125? ' $7’ . ‘m 9* ‘>323- the slunlner 11 ht! senza P911. .1’ ‘ rit. keeps p 7 pp rat. drezuns‘ " .3 . . . . . . _ . _ _ _ . . _ . . . . _ _ . . . .. 0 piit moto. Tell her, tell VVatch! .... While in} e sleeps! _____________________________ ._ 9 he her 9% Lento esp. She Tempo prime. PI’ Dreams of / Tempo primo. sum — mer night! her, her — e1‘ keeps \Va’tch! _________________________________________ __ pom) rit. slum - hers light K5 gj sleeps 1 My *2 calla voce. mol to dim. H0unsl0wN.Y.
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Date: 1887
Text: iX- y~livnr Ditsnn-Dn..Bastnn« SONGS BY_ Il1elDertNev1n. BED TIME Sons. HighVoice in Ab. CRADLE Sons. HighVoice in Ab. MediumVoice Sn F. I Once HAD A Swan LITTLE DoLL,DcARs. High Voice V in Al). MediumVoice in F. MILKMAID3 Sous. HighVoice in G. MediumVoice in E. STARS OLIHLSUMMER NIGHT. HighVoice in E. Low Voice in C. “.5? WHEN ALLTHE Womo Is Youms, LAD. Medium Voice in A. Low Voice in G. pmce 509 EACH. HIGH VOICE IN ONEVOLUME, at 1.25. MEDIUM VOICE IN ONE VOLUME, $ I.Z5. LowVoicein E b....
Show moreiX- y~livnr Ditsnn-Dn..Bastnn« SONGS BY_ Il1elDertNev1n. BED TIME Sons. HighVoice in Ab. CRADLE Sons. HighVoice in Ab. MediumVoice Sn F. I Once HAD A Swan LITTLE DoLL,DcARs. High Voice V in Al). MediumVoice in F. MILKMAID3 Sous. HighVoice in G. MediumVoice in E. STARS OLIHLSUMMER NIGHT. HighVoice in E. Low Voice in C. “.5? WHEN ALLTHE Womo Is Youms, LAD. Medium Voice in A. Low Voice in G. pmce 509 EACH. HIGH VOICE IN ONEVOLUME, at 1.25. MEDIUM VOICE IN ONE VOLUME, $ I.Z5. LowVoicein E b. MediumVoice in F. OLIVER Drrson COMPANY. BOSTON. IUIIC uuww VAQAR OOLLEGE STARS OF THE SUMMER NIGHT (0r2'g7'71al1K’ey,/V) HENRY W. LONGFELLOW ETHELBERT NEVIN Moderato. zure steep, Copyright. MDCCCLXXXVII7 by 0. Ditson & C0. 4.107-647/*5 _ 3 la — dy sleeps, {<_\ Dreams sum — mer night, 4-l07~6/£745-3 her her lov — er keeps Watch while in slum — berslight She sleeps, my la — dy s1eeps,_ Xx -«rim? VFFFE” Mir §_e-— __...e.————- Ia — dy sleeps, 4*107~647/;5 -3 SONGS- BY AMERICAN COMPOSERS Johns, Clayton do Jordan, Jules Kleln, Bruno Oscar do do Lang, Margaret Ruthven do La Villa, Paolo Levett, D. M. Manney, Charles Fonteyn do Marshall, John P. Marston, (i. W. do Marzo, Edouardo do Nevin, Ethelbert do do do Osgood, Geo. L. do do Paine, John K. do Pasmore, Henry Blckiord Penfield, Smith N. Roeder, Martin do do Rogers, James H. do Sawyer, Frank E. do do Schnecker, P. A. do Smith, (ierrit Smith, Wilson G. Wood, Mary Knight Woodman, R Huntington do The Sun Kissed the Clover. Sleep, Baby, Sleep. High voice in D. Medium voice in B High voice in G. Medium voice in E A Song of the Norseman. . . . . . . . Medium voice in B Golden-tressed Adelaide. Op. 65, No. 5. . High voice in El» Low voice in C Nae Shoon to Hide Her Tiny Taes. Op. 65, No. 3. To the Wood-lark. Op. 65, No. I. . I Knew the Flowers Had Dreamed of You. On an April Apple-bough. My Little Girl. . Only 8. Song. . . . . . . My True Love hath My Heart. Op. I, No. 5. Orpheus with His Lute. Op. 3, No. 5. 0 Mighty One. (0MaItre 4': 1014!.) Across the Far Blue Hills, Marie. Tender and True. An Easter Song. Mariquita. (Bo/era.) Bed-time Song. Cradle Song. . . . . . I Once Had a Sweet, Little Doll. Mill<maid’s Song. . . . . . Down the Shadowed Lane She Goes. My Little Woman. . . . Wake Not, But Hear Me, Love. Early Springtime. Op. 29, No. 3. Matin Song. Op. 29, No. I. . . The Summer Wind. (Der Zephyr.) 0 Lay Thine Hand in Mine, Dear. Night Thought. (Traumbi/d.) Spanish Serenade. . . The Chalice of the Lily. April Weather. Bid Me to Live. In Springtime. Nightingales. . . . . Shine On Oh, Stars. (1\‘amanza.) A Kiss in the Rain. Love's Philosophy. Boat Song. Kiss Me, Sweetheart. Thy Name. . . Lend Me Thy Lance. Old Winter Comes. High voice in Air. Low voice in F High voice in G. Low voice in E High voice in Ab High voice in Eb High voice in F , Medium voice in F . Medium voice in GI? . Medium voice in Db . Medium voice in E17 Medium voice in C . Medium voice in El? . . . Medium voice in F High voice in A. Low voice in F High voice in Al>- Medium voice in F High voice in Al» Medium voice in F High voice in Al). Medium voice in F High voice in G. Medium voice in E High voice in G. Med. voice in F. Low voice in D High voice in E. . High voice in El» Bass voice in A High voice in Al7- Medium voice in F High voice in C1? minor High voice in Ab High voice in Al? Bass voice in G . Medium voice in F High voice in Ab High voice in G High voice in Al) Medium voice in C High voice in G7 . . . High voice in F High voice in F. Medium voice in D . . . . High voice in D High voice in Eb- Medium voice in G . . . . Medium voice in Eb High voice in Eb- Medium voice in C . Medium voice in D17 High voice in F Low voice in G minor High voice in E. THE ABOVE IS BUT A PARTIAL LIST OF SONGS BY THE COMPOSERS NAMED. BOSTON OLIVER DITSON COMPANY New York C. H. DITSON 8: CO. Chicago LYON & H EALY. Philadelphia J. E. DITSON 8: CO.
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Date: 1917
Text: MARGARET WOODROW WILSON MUSIC LIBRARY 2. 3. LE RGYKBM. ‘ ;@_:._L . Good NightébMy Deanest . Stars oftlle Summer . Little Ros; upon my Hea D / I REL; :26.) /D/3 Oh,C0me!_. SACRED SONG. Words by Luisde Gongora yArgote. Words by Frances Stone Mason.‘ ‘Why?,.......(wHv CAME THE ROSE.) ................................................................ .. Pr: 50¢ C- Wordsby Mary Louise Ritter. \) .'.‘.V/.\‘/\-"/-'.‘.'.,; o 4 o 4 o v o . n ¢ a ~ o . E5) /. r (3 C0me,Wandering Sheep...
Show moreMARGARET WOODROW WILSON MUSIC LIBRARY 2. 3. LE RGYKBM. ‘ ;@_:._L . Good NightébMy Deanest . Stars oftlle Summer . Little Ros; upon my Hea D / I REL; :26.) /D/3 Oh,C0me!_. SACRED SONG. Words by Luisde Gongora yArgote. Words by Frances Stone Mason.‘ ‘Why?,.......(wHv CAME THE ROSE.) ................................................................ .. Pr: 50¢ C- Wordsby Mary Louise Ritter. \) .'.‘.V/.\‘/\-"/-'.‘.'.,; o 4 o 4 o v o . n ¢ a ~ o . E5) /. r (3 C0me,Wandering Sheep! ,. Pr: 60¢ F Grief and Joy- G Love._....( LOVE'S SERENADE) ...... ..Pr: 60¢ Words by Fnances Stone Mason. Night. _ .. Pn 50¢ Words by H envy W. Longfellow. PT... ................ IA; ..... .............................. ..Pn 50¢ Words by \/Ir-‘g|ri\éT.Biddle. (SLUMBER sons.) ................................................. Pr. 50¢ Ninnenel Ia. ......... .. AV Words by Frances Stone Mason. EDWARD SCHUBERTH 8: CO., NEW vom<,. LONDON, n EAST 22~.v 5: 2 STAR YARD,CARf-_Y S1" 4 x x”,= /7‘ /M . 2 /**"" 2”"? '‘Il0sK‘;’LIanAﬁv' / VASSAR COLLEGE Stars of the Summer Night! Serenade Words by HENRY W. LONGFELLOW ' ' . LE ROY VM. RILE frpm “The Spanish Student” . ' Allegretto '- Voice mama to o 7 Plano - la meloziia 1’ Stars of the sum-mer A ' {T 2 molfo dim. 1 . ’ W ‘A 2 M’ WV? Far in you a - zure deeps, 2 2 2 as ism ea ‘ - Uopyrzght, 1917, by Edward Schubert}; .9" 6'0. E.S.& Co.4?_:1V3—4 % New York, EDWARD SCHUBERTH & C0,, 11 East'22I1d Street 711]?/___'X Hide,hide your gold - 1ight!_T She sleeps! My la - dy sleeps!“ L2 yr 2%‘ zfvf Ht]? 9 ~ Moon of the sum-mer Far down yon West- ern ,3 9% Z.___\te72. Wf Sink, sink in sil-ver light!___. She s1eeps!My la - dy Z''_—-_\ A l ' ' calla voce E.S.& C0. 4313-4 Piﬁ mosso ed agitate _p . Wind of the sum-mer Where yonder wood -bine creeps, 7Zf‘ ‘fax Fold, fold thy pin - ions tranquillo S1"ePS!MY1a' ' dy S1691“! . he s1eeps!My la - dy sleeps! .S1eeps!_, 5’ """" ": 9; ' bi - my > E.S.&Qo.4313-4 melodm marcato éﬁﬁb. Dreams of the summer night! __ Tell her,her lov-er keeps Wa/cc 2 * L2 3 are mi A T? 0'i’’’‘- . mftardando ‘while in s1un!1-her light She sleeps! My la - m - . 7 9% $2». . _ a tempo 2;} jw messo dz’ voce eeps! sleeps! 772.3. a tempo "V ‘m €23 E.S.& Co. 4313-4 C % DEAR LAND OF HOME we Aﬁdme Words and Music by GRAHAM VALMORE 9??/-f7 (L __“‘1_._. 1.There is a. land I know, so to 2. There is a land I know, so sweet to in my -hood days, ’twas joy to once a — gain, I hope and long to where - e’er I f . ‘ Copyright, MCMXI,bgv lginild & Co. . ’ ' N and Revise i ion ‘ Copyright, 3216, by Edward Sehubertll. :5 0a_ ' 943 ORCHESTRAL Acc:oMpANm:m* m 29.5‘.
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Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE woe-nu-rm--v=.vz_ new vonx A AT‘ Fl RST SI (3 HT. ﬁnprann and Tamar .._ HARMO NY.__.N_._ .._. .. . Mezzu ﬁuprann urTenur1'nED..._._ __ H U NT! N G S 0 N . Emprann nrTenurin E . I A RIS E FRO M D REA MS OFTH EE.EaI'1mnB in E Minnr .. . I N TH E W0 0 ... - __ Mezzo Snprann nrBaritum=.1'nE.... ._ __ _ M I LLERS (TH E) DAU Mezzo Eupranu urBaritnnE1'11A..... . _ N 0 RTH ER N ( A) R0 MANC E . ..[]n11tra1tn1n fl" Minur... .. . SEA SONG. ....
Show moreMUSIC LIBRARY VASSAR COLLEGE woe-nu-rm--v=.vz_ new vonx A AT‘ Fl RST SI (3 HT. ﬁnprann and Tamar .._ HARMO NY.__.N_._ .._. .. . Mezzu ﬁuprann urTenur1'nED..._._ __ H U NT! N G S 0 N . Emprann nrTenurin E . I A RIS E FRO M D REA MS OFTH EE.EaI'1mnB in E Minnr .. . I N TH E W0 0 ... - __ Mezzo Snprann nrBaritum=.1'nE.... ._ __ _ M I LLERS (TH E) DAU Mezzo Eupranu urBaritnnE1'11A..... . _ N 0 RTH ER N ( A) R0 MANC E . ..[]n11tra1tn1n fl" Minur... .. . SEA SONG. . BaritnneﬁrBa551n|3 . _ S H A FT (A) O F S0 N Mezzn Eupranu nrTenur 1nE." . SI N 5 SOFT MY H .. Mezzn Soprano IRA _ ._ _. STA RS 0 FTH E S U M H ER N IG HT._.... . . _ ...TE11n1‘ 1n ST! LL BAR RED TH Y DO 0 RS ... .. Mezzo ﬁuprann nrTenurin B1"ﬁI1n1" .. SU M M ER (TH E) WIN D... . ._ Mezzo Snprarm nrBarituneinA_P_. . TH R0 U G H TH E N | GHT............ 7- ..C,m1u'a1m nrﬂass 1'nEM1'nn11 ______ H WELC 0 M E T0 SF’R| N G .. ....,_..._...Mezzu Enprann nrTEnar1nB P... >1 ’ . B [J STD N. "9”“""’-‘*“”""""‘WA D hver D its on Comp any. Illﬁmzr. 0315.4 GU. _ Easrazr. 171111‘ A L711’. Z717'5nm{,Z,"z7. IYON&ﬁEALY JUIIIV £'.1z41av£5 J.-5'0. J. E .17Irsmv Lia. To III. S. STARS OF THE SUMMER NIGHT. Tenor in B17 SERENADE. Revised Edition. Words by LON GFELLOW. ’ 7 Music by H.B. PASMORE. Moderaiu. 45 Song A1bum,Pasmore. Copyright mo hyoliver mtson Co. az - wood - Sum — mer Sum — mer Sum - mer in you (you — dc-V1‘ you Fa 1‘ ......... .. Where .... __ Far ......... .. night , night , night , In u.1'e decps , ......... Hide , bine creeps, ________ __ Fold, az _ _ ure the S _________ .. Hide, 1' sleeps, ________ ______ -_ _y la — sleeps, ...... -_; _______ __ my sleeps, _________ ,7 _____ _. my fx/lb‘ on light! .... .. She iunslight! .... .. She en light! .... .. She sleeps ! sleeps ! sleeps ! I lst.&-2d.times. f.#.L‘1iﬂ" Moon D reams sil - \'e1' slum — hers of the of the ui ght , night , um — mer Sum - mer f steeps, _____ __-_ ______ __; ____ Sink, keeps ___________________________ __ Watch light 2-.. She light , She sleeps, .... _. my la — dy sleeps, .... .. my la - dy Far ________ -_ down your Tell _________ __ her her vifv ’EF“E} sleeps ! _________________________________ __ sleeps ! . _______________________________ __ Deligh’gj_1g_!__ Songs. THE DREAM. W. E. Haesche. Priceéo cents. I dreiiedx lived beside the talk-inc sea, And griinwhxmbirds were ne‘:§h-box -ly ,1/Jr’/’ 1? Copyright, 1889. by Ouvu DITIOI Courur. SHADOW. Geo. L. Osgood. Price 60 cents. an-"mu ,m,.,.m-M_ con molto expressions. a pace ores. sempre \ -¢-:_: =.. §-::—-——/ 1. What lack the val - leys and moun - tains, That once were greenand guy? What lack the - - bling toun - tainsf mf 1813, by ouvn 3 Go. THE LITTLE PURITAN MAIDEE. J. C. Macy. Price 35 cents. Quau recitatwo. 1. The story's oft re-lat-_ed Of 3 lit-tle Pu- ri-tanmaid, Who of all the so-her blue -laws Was not the least a-ft-aid. Shehad awinsome lower, 2. Now ev-’ry vﬂ-lage mzuden Was by eld-ers kept In sight Not al-low’d beyond the garden wall AI-tar can-dle ught.Fox darkness hoded e-vll, Copyright, I39, by Ouvn DI-not Coxrnr. THE HEART IS YOUNG. Dudley Buck. Price 50 cents. Oh! met-ry goes the time when the heart is young There ’s nought high to climb when the heart Copyright, loan. by ouvtn Dino: & Co. SHALL I WED THEE ? W. E. Haesche. Price 35 cents. - ny bank, The cow - slip loves copyright. mm, by ouvu coxnxr. Any 0! the above Songs mailed for price named. Catalogues of new Sheet Music and Music Books mailed V free on application.
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Date: 1865
Text: ///. «/2 / / ///’%'////e, V K _,E, of Buffalo, IV. A ;,;.-_:—<-_;vs_>__—_- 4~ EEEENAEE WORDS By LDNGFELLDY/Y MUS 10 BY redH.PEasE. .,-[7/7/M7’ 0/“ " Tvmler &T11w.‘‘ “ Eluw, Built) Hlnw," eunl "Ayoa1"'5 sphlludl .\\\9;44_- ‘~95-Of. , -/rip gf’ * 2 ‘P/; ;.;.«; ("W77 J‘!!:3“£V0B.Ki» 5°ﬂ'3':*§B> \ \ /K_/ 7 ’ \‘— , ‘J 13l{\\.~\1)Y't’1\Y'.\;/' ‘ ':J }X7/71/ml //u,;,/7'2[I,I1;/ 7:7./Zr? /77 /h7,yr/;~*.\'<&apos...
Show more///. «/2 / / ///’%'////e, V K _,E, of Buffalo, IV. A ;,;.-_:—<-_;vs_>__—_- 4~ EEEENAEE WORDS By LDNGFELLDY/Y MUS 10 BY redH.PEasE. .,-[7/7/M7’ 0/“ " Tvmler &T11w.‘‘ “ Eluw, Built) Hlnw," eunl "Ayoa1"'5 sphlludl .\\\9;44_- ‘~95-Of. , -/rip gf’ * 2 ‘P/; ;.;.«; ("W77 J‘!!:3“£V0B.Ki» 5°ﬂ'3':*§B> \ \ /K_/ 7 ’ \‘— , ‘J 13l{\\.~\1)Y't’1\Y'.\;/' ‘ ':J }X7/71/ml //u,;,/7'2[I,I1;/ 7:7./Zr? /77 /h7,yr/;~*.\'<'/ﬂ J5‘!-7 7'? 727- ,'uI".,'I//,/I7//1'/" m //«.w «,7:/7'/rfv ///’~//or :17"//ze /17, #171,‘? cw//7:‘ «// '7//v ,r/rr/7.77:7‘/7 ]//,' \'?2'/1'7,‘ 177/1")’///X’, EDWARD SCHUBERTH & CO.‘ U?'~‘w“-M * '/ ‘'7 r.;?w n(\RK nusoc uannnv VASSAR COLLEGE “STARS or THE SUMMER NIGHT.“ S E R E N A DE . _ ...¢,.}_# From ,L01zgfeIlo'u7'.s‘ “SI’.~lJ'\" I SH STU[)E'.VT." ..=7lu,.\'ic by .»lI.1v‘,R,EI) II. Pz"4]AU§'E. Allegretto. PIANO. dwllllllil’ (‘P - Iu fl L'I‘€«\‘(7o the summer night! ': * de-eps, Hide, 3'20 _ I... —-*' -- -0‘ -:!~ Enio 794! ucc0~r({i11g In A at 0f('o11g:=e.\~.v. A . Ii. J1 86.5‘!/*4:,~ Il'w>:- 11- .‘e.‘v!'a'i:~:nt»1-, in tlw (,'.’er£".s- ¢')ffic:«» nf llu» l)1',.s-lriv-I ('0 u ri If lim Sr; is 12,4» my i.P.v'x I ricv-I rr,’f'3\V. Y‘ ‘ l)g0l—dv_n light! S'i1(j sleeps! my 121 - dy sleeps.’ 3? of the. summer night! western steeps, ful - gi - do mm vol T’ min hen Sink, sink 1]] sﬂ — ver light! She s1eeps!_-_-_ . ' dy sleeps! sem re P .\'Plll}Il‘(’ . P sleeps I PI’ not - lur - 1m (,1! — 1' the sununer night! V\"ht-re yonder Wuocibijme creeps, pu e m’ rm’ fold your pillinns light!She sleeps! -0- Sug —. no Ill’, 51991“ 5 Dreams of the J_. , /1 mic pensie-r (In Im. — cio cresc. summer night! Tell her, her 1ov- e:r keeps VVatch, while in 0 P380. slumhbers ﬁght! She sleeps! . . W ‘ sleeps! 70]) 77’ mo're1u.lo. moreudo . l’I’l' UH Ives , Ii II_(/‘ Gaialogue No. 3 of Voca Music, published by G. Schirmer, New York, SONGS FOR ONE VOICE. N. B.——e. for English; i. for Italian; g, for German; 1’. for French; 1. for Latin; in. for minor; M.-Sop. for Mezzo-Soprano. Abt, Franz Embarrassment. (Verlegen- hi-it.) sép. in D5, Alto in B5, each.... T- The same arranged - on . Db. —— In Love’ 5 Embrace. (Iin Arm der Liehe Sop. F, Alto Db, each . . . . . . . . . . . . —- Irene. (Whether I love thee.) c. g -— It was not thus to be! (Es hat t sollen sein.) Sop. Dy, Alto Bb, each... —— Maiden, arise! (Miidele, guck 'raus.) Serenade. . . . . . . . . . . . . . . . . . . . . . . . . . . . . —- My Tliouglit thou art ever. (Du bist mein Gedanke.) Sop. Ab, Alto Eb, each, Adams, St., Nancy Lee.... —— The Sailor’s Farewell j 1 . . . . . . . . . . Alury, (}., Colinette. Chanson. f. . .. —- ll Sospi‘ . (The Sigh?) 1. e . . . . . . . . . . .. L., Forosetta. ( he Frolicsome.) ‘einpo di Tarantella. ‘ . ,each._....., . . . . . .. ‘ .. (Lass dich lieben.).._ Bach, N. G., ltlkir par le Roi Henry III.: Jlnl pertlu cc e. ' ' Balfe, M. W., ._ _ Heart bowedg ﬂown.” (l;’Al'llll& mi raminenti.) a at, G. e. . i. 0. . Barnb 9 -3., [ii Spi'ingtiine.. T hen the Title comes in Bartlett, H. N., Moonbeam Bassford, W’. K., Beloved . ——- She l'll1ll[_'; the Roses in the Air . . . . . . . . .. Beethoven, L. van., Adelaide. e. g, Sop. Bp, M. -Sop. G, Alto F, each . . . . . . . Benedict, Jul., Variations (le Concert sur le Carnnval dc Venice. i. g . . . . . . . . . -— Rock me to sleep. (Wieg‘ micli in Ruh.) . . f . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bevigiigni, E., La Fioraja. (The Flower Girl.) Canzo e i . . . . . . . . . . . . . . . . .. —— Pour qui ton Coeur? (Who wins thy Heart?) f.e . . . . . . . . . . . . . . . . . . . . . .. Bllunonthal, J., ’I‘he Message. (Mein Grnss.) Sop. F, M.-Sop. D, each 1 My ueen —— My true Love has my Heart. Ballad .. T The Requital. (Vergeltung.) . . . . . .. .. -— When we are Iparte ..,.., . . . . . . . . . . . . .. Blumner, NI... 1V y Heart is like the gloomy Night. (Mcin Herz ist wie die dnnkle 0 2 Boon, F., Coniin 35 Brgga, G. , Les troigs Bouquets dc Marguerite. (Margnei-ite’s three Bouquets.) c. i. 1'. With Accompaniment of Piano and Violin, or Cello, or lute . . . . . . . . . . .. . Brahms, Joh., Alil sweet my Love! (Wie bist du, meine Koni "n. .. ._ . . . . . . —- How free and fresh my Heart. (Wie lroh imd frisch inein Sinn.) . . . . . . . . . . . . . . . . —— Must we then once more be parted ? (Muss es eine Trennung geben ?) . . . . . . . —— Rest thee, my Lady. (Ru e, Buck,NDl1dley, Five Songs for Alto or Bar. o. 1 ’ 5. Storm and —— 5 Songs for Tenor or Sop. No. 1. hou art mine! 2. Shadow Land. 3. I love theel 4. The silent world is sleeping. 5. Creole 1over‘s song. Campana, F., E una Mngia il Canto. (The magic Power of Song.) Ballata... ——- 10 t’ amero. (I’ll love but thee.) Alt e. ——- Morir per te. (For thee.) M.-Sop. i. e., -—Speakto‘me . . . . . . . . . . . . . . . .. — Vivere e godere. Ballata. ——- La Zingarella. (The Gypsy.) or Alto. eac . Chapman, \V1n_., R.Adieul. Chopin, Fr., Anne-moi. (Love In M zurka, arr. by P. Viardot. e. f. g. Sop. (ihoudens, A., La Bergeronnette. (Id be Shepherdess.) e.f. Valse chantée. M.-Sop. 50 Cirlllo, V., I1 Canarino. (The littleCanary.) Scherzo. i. e. So .. ~— Vienii Melodia. . . . . . . . . . Claplsson, L., My Soul to Go , my Heart to thee! (Die Seele Gott, mein Herz fiir dich. . ........... .. Clarlbei, Strangers yet. . —— Take back the Heart. . -— We'd better hide a wee. . . . . . —- Won’t you tell me why, Robin Y . Clay, Fred., She wandered down the mountaii,,Si<le.... . . . . . . -—-_The Shades of Evening close around —— . es or o . . . . . .. . Conradi, A., My Darling. (H n inei I.) Serenade. Sop.C Alto Al),each. Cooper, I-lenry, My Star. (Mein Sterii.).. Wislies. (Sunnsi1cht.) .. ..... Cotven, F. ., At last .. -—— The better Land. . . . -— It was a Dream. Damroseh, Dr. L., Siegfried s Swor Tenor. e. g. Orchestra. Score, net.. Piano Score............................ Son of the Fisher Boy, from Schi1ler’s Tel. e.g. op . . . . . . . . . . . . . . . . . David, Fel., Lalla Beulah: “O mu Mui- tresse.” (O faircstMaiden.) Barcarolle. f. e. Sop. Ab, Alto F, eac . . . . . . . . . . .. Pessauer, J .,The pale Moon’s Silver rays. (Des Mondes Silber riiint.) Alto E.. . : ToSevi1ln. (Nnch Sevilla.) Sop. o Fin., each Dolores, All yesterday I was spi g. . ~— e Brook. Words by Tennyson . . . . .. Donizetti, G., Figzlta del Reggivnevilo .- “Quando il Destino.“ (Ask me not why.) i. f. c . . . . . . . . . . . . . . . . . . . . . . . . .. Esser, 1]., Farewell, beloved Forest green. (Ade, du heher Tannenwald.) . . d Complete Catalogue of all my Publications and of “ Edition Peters” sent on Siissliebclien.) ' .22 Q0 Esser, 11., Love‘s Hope. (Liebes-Hoifnuno.) » My Angel. (Mein Engel.) Sop. Eb, Alto Bf), each Fabiani, Dario, Lasciati amare. ve thee.) Romanza. Tenor . . . . . . . .. Fnure, J., Alleluia d’Amour. (The Alleluia oi Love.) f e . . . . . . .. ‘ . . . . . . . . . . . . .. —— Bonjour, Suzon l (Good Day, Susanne I) —— Far from thee . . . . . . .. ——- Sancta Maria. f. e. . . Federlein, G., Love-lies-bleeding. ncnde _Liel)c.) — on l ‘}3'iit't‘e'r'ii5v,’ stay i. I T" Ferri, N., ll/Ilarianiiia. i. f. e. S A c . . . . . .. . . . . . . . . . . . . . . . . . . . . . . .. 3 ——- The Maiden's Evening Song. (M‘ clien- l ed . 3:2 , ca Fesca Alex. iidclien ove. (Liebesbotschaft.) Sop. Bm., Alto Am., each . . . . . . . . . . . . . . . . . .. : The Wanderer. (Der Wanderer.) Sop. lto A e , , ac . . . . . . . . . . . . . . . . . . . . .. Fischer, C. 11., A Toast to Spring. (Fl-uh- lin rstoaste. Sop. B5, Alto G, eacli.... Franz, 0b., 35 Songs. e. g. Svo, net F iichs, F. 0., Mariners Greeting. fer‘s Gruss.) Sop. Gabriel, V., The Garden Alto E , each . . . . . . . . . . . . . . . . . . . . . .. ~—- Niglitfah at Sea. Alto . . . . . . . . . . . . . . . . . ——- Only! Sop. '.A.it<3'A','e'xlt3i1', The Bee.) f. e. so early I \ aliz . Giorduni, Caro mi i. ‘ . 'Alto, each Gomes, 0., Mia Picirella. (My little Dar- ’ i. e. Sop. E9, l\I.-Sop. C, each. . L., La Bianchina. i. e. Mn (Regard me.) Mclotli —— Vii guarda. a. (The Night is ﬁne.) —— La Notte é bella. EIYCHX‘ . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Gounod, Ch., Au Printemps. (To Spring.) c. f. i. . M.-So . D Alto C, each.... ~— Biondina. (Oh, Face the fairest l) . 0 : Canti. ridi, dormi. (Sing, Smile, Slum- ber.) Serenade. i. 0., or f. e. Sop., M.- Sop. or Alto, each . . . . . . . . . . . . . . . . . . . . . . ——- The same, with Piano and Flute, or Violin or Cello Accompanimeiit, each. . . . . . . —— Faust: “Dall’ avito Suol natal." (Lov- IWlEg Smile of Sister kind.) Cavatina. 1‘ — 0 . . . . .. . . . . . . . . . . . .. —— Ho messo nu _ . (Again, my "entle Lute.) 1. f. e. . . .. . . . . . . . . . . . . . . . —— I-lP"ymne a la Niiit. (Hymn to the Night.) e. i. 1'. Sop. C, Alto 135, each. . . . . . . . . . ——- Maid of Athens. Sop. E9, Alto C, each. —— Noel. (Christmas Song.) 1’. i. c. Sop. E9, M.-Sop. C, Alto Bi), each . . . . . . . . . . . —— The same for op. with Accompaniment of Piano and Vio in . . . . . . . . . . . .. —— Oh l that we two were niaying. e ——- Senza te ! (Without thee.) i. e. .) i.e. . .. .. e V . (The V icy.) i. f.c ..... .. $120, La Camelia. (The Camellia.) .— ‘o . '. . . . . . . . . . . . . . . . . . . . . . . . . . .. —— Il Cielo e te. (Heaven and thee.) M.- Sop. i. e —— La jeune Fille et l’Ois . L the Bird.) f. c. Sop. Eb . . . . . . . . . . . . . . . —— The Lover and the Bird (Trost im Lied.) Alto1nC. e.g.. . . . . . . ., . . . . . . .. Gumbert, F., Ali ! _ ugth ‘tis here. (Der Augenblick ist da.) Polka-Rondo. —— Come, w ere Pleasure is beaming. (Kommt, wo Kerzen strahlen.) 3d Waltz-Rondo. Sop, F, Alto D1), each. —— EIl)I§1ltl(l9. (Abendstille) Sop. F, Alto ,eac1 . . . . . . . . . . . . . . . . . . . . . . . . —— Love's Joy. (Liebesl‘reude.) 4th Waltz Rondo. Sop. D lto Bp, each ...... .. ——- My Song! (Mein Lied.) Sop. D, Alto Gugll ie Tl “ . nan in’s Leben.“) Sop. Ab, Alto 1*‘, eacli.. . 11., K. E., Ilove thee . . . . . . . . . . . . . . . . . . . . .. Halévy, l?'., L’Eclai7‘.' “ Quand de1aNuit." (Call me thine own.) 1‘. e. g . . . . . . . . . . .. Hiindel, F., Lascia ch‘io pianga. (Hei-elct my Tears it. ed Ar’- Rinaldo. . — Rendi'l sereno al Ciglio. (Cast from thy Brow that Sadness.) i. e . . . . . . . . . . . I-Iasse. Ad., (1699-1783.) Ritorneraifra poco. (To a Brook.) i. e. S ‘ Alto, eacli. I-Iatton, John L., Bid me to live. House, dC)arl, Slumber Song. (Schl ie. . . . . . .. .. Verdure clad. Air from Ilenrion, P., SweetLove,arisel (Liebchen, steh aufl) . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Heymann, A., Yes; thou art mine. , du bist mein.) Sop. Db, Alto lip, each. Hill, W., The Maid of the Rhine. (Das Herz am Rhein.) Sop. G, Alto E, each. Hiller, Ferd., Three Songs. Complete. Sop. or Alto, each . . . . . . . . . . . . . . . . . . . . . No. 1. Partinv. (0 du lieber Schzitz.) N0. ‘2. Were fa Bird of Air. (Wenn ich ein Viiglein Wiir‘.) 0. 3. Maitlen’s Song. (Miidchenlied) Hodges, Faustina Hasse-, All in Sun- shine . . . . . . . . . . . . . . . . —— Drifting . . . . . . . . . . .. . ——- Snowyiily of the Valley . . . . Holzel, 61., Evening Prayer. (Naclit«Gebet.) Sop. F, Alto E5), each. . . . . . . . . . . . . . Hullall, John, The Storm . . . . . . . . . . . . . (Let me Hullall, John, Three Fishers eller, 0., Blind Man. (Der Blinde.) . . . . . . Kirchner, ’l‘h., They say ‘tie Love. (Sic sagen, es ware die Liebe.) . . . . . . . . . . . . . . Korbay, F., Forever and Foreve . och Ness . . . . . . . . . . . . . . . . .. ——- Love Song —— Reed Songs. e. g. i. Complete. ——- The same, in separate Numbers: No. 1. There the golden Sun descend- , ing. (Driiben geht die Sonne schei- de . . . . . . . . . . . . .. No. 2. Heaven low‘rs. (Triihe wird's.) No.3. ‘Neath the Twilight's parting Beam. (Sclileich’icli gern’im Abend» schein.) . . . . . . . . . . . . . . . . . . . .. . . . . . . . No. 4. Sunkcnis the Sun. (Sonnennn- I tergaug. . _ . . . . . . . . . . . . . . . . . . . . . . .. , No. 5. On the Lake the Moon reposes. , (Auf dem Teich, de:-1 regungslosen.). --~ Resignation. e I (Lcise . -——- Softly throurli in Spirit rin . zieht (lurch§incin5Geiniith.). . . . . . . . . .. —~— Summer Night’s ong . . . . . . . . . . . . . .. .. ——- Why are the Roses so pale? Sop. G, Alto F, each . . . . . . . . . . . . . . . . . . . . . . . .. Kreutzer, 1 ., Landla<ly‘s little Daughter. (Der Wirtliin Tochterlein.) Kﬁckfxlll, Fr.. Ave Maria. e. g. Sop. E9, I: each —~—- Gently rest. Mother’s Song. merited.) . . . . . . . . . . . . . . . . . . . . . . . . . : Gisela. (Golden Day ﬂed aw . e. . . —— Heaven hath shed a Tear. (Der Himmel hat cine Thrline gewcint.) With Ace. of Piano and Violin, or Clzirionet, or Cello.1 —- Oh, come, Mariel (O konim, Mariel)... 1 The Starlet. (Das Sternlcin.) Sop. D, Alto B9, eac . . . . . . . . . . . . . . . . . . . . . . . . .. ——- The Tear. (Die Tlirane.) Sop. F, Alto E), each . . . . . . . . . . . . . . . . . . . .. . ——- We met by Chalice. (Lauf der Welt.).. . Lachner, Ign., Everywhere thou. (Ueber- all clu.) Sop. or Alto, each . . . . . . . . . . . . ——- Round thy dear Home. (Stnrrcnd vor rost.) Serenade . . . . . . . . . . . . . . . . . . . .. Lassen, E., Ahl ’tis a Dream. (Ieh hatte cinst ein scliones Vaterland.) Alto. . . . Lecocq, Ch., Gz'2-oﬂé-G7:7'a_ﬂa..- Pére adore. ('l‘uru not away.) f. e. Levey, W. C... Esmeralda... Lﬂluillier, E., Maudit Pitlll0. Piano.) f. c. Comic) Liebe, L. My native Vale. (M 0' tliai. ch . . . . . . . . . . . . (Auf Wiedersehen.) op. Alto A, each . . . . . . . . . . . . . . . . .. Lindsay, Miss lYI., Bridge . —- F211‘ away 1 Tired . . . . oo late., . . . . . . . .. . Liszt, Fra1lz., Favorite Sonas : No.1. Mignon‘s Song: zlinowest thou the Land? (Keniist du das Land?) Sop. Fit, Alto E17, each . . . . . . . . . . . .. No. 2. Wanderer‘s Night Song. (Uebcr Allen Gipfeln ist Riih.) . . . . . . . . . . . . . . No. 3. Tliou‘rt like a Flower. (Du bist wie eine Bliime.) Sop. A, Alto Fit, each No. 4. Angel fair, with golden (Angiolin dal biondo Crin.) e Sop. A, Alto F, eacli . . . . . . .. No. 5. The Loreley. was sol1‘s bedeuten.) . . . . . . . . . . . . . . . . N0. 6. I love but thee. (Ich liebe dich.) No. 7. The Violet. (Dns Veilclien.). . . . No.8. A wondrous Thing "tmust be. (Es muss cin Wundcrlnires scin.). . . . No. 9. Comment (lisaient-ils ?.. . . . .. . . . . No. 10. A Fir Tree stood all lonely. (Ein Fichteiibauin steht einsam.) . . . . . . . . . No. 11. Sound softly. my Lay. (Kling leise, mein Licd.) . . . . . . . . . . . . . . . . . . . . No. 12 Oh, thou that from Heaven artl (Der du vom Hiinmel bist.) . . , . _ . . , , _ , No. 13. Once again I fain would meet thee. (Wiedermoclit icli dir begegnen.) No. D Lo\'e‘s bright Joy. (In Lie- be ust. . . . . . . . . . . . . . . . . . . . . . . . . . . .. No.15. Joyful and inournful. (Freud- voll und leidvoll.) Sop. A5, M.-Sop. E,each... . .. . . . . . . . . . . . . .. 0.16. Ki _ of Konigin Thule.).... . Loder, E. J., Thcre’s a Path by the Rive ' . Lotti, A., Pur dicesti. (Parlc encore.) Ar i. f. c. Sop. or Alto, each . . . . . . . . .. .. Lndovici, F.W., Like aWater-Lily lloa ng Luzzi, L., Mia Madre. (My Mother.) e. i.. Macii-gIie,lC. A., Lullaby. Sop. E7, Alto ac 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . (Es war ein , e . Mariani, Ang., Non cainhia mail (Ic can never know.) Stornello. i. e Marston, G. W., Daybreak. M.-Sop. —— Donald. M.»So . . . . . . . . . . . . . . . . . . .. ~—~— From the close shut Vlfindow. Alto. . . . Martini, Plaisir d’Amour. (The Joys of Love.) M.—Sop. f. e . . . . . . . . . . . ._. .. Massenet, J., Serenade to Mignon. 1. t’. e. Tenor or Sop. . . . . . . . . . . . . . . . . . . . . .. lllattei, '1‘., Aino. (I love thee 1) Sop. Ab, Alto I< , each A —— Che Gioja l (What Joy 1) Waltz. e. Sop. Bb, Alto , eac 1.... .- . . . . . . . . . . .. — — Dehl parla. (When thou smilest.) Ro- manza. i. e . . . . . . . . . . . . . . . . . . . . . .. .. ——- Io la. perdei. (Lost now to me.) . . . . . . -— Non so perché. (I know not why.) ' . D M.-Sop. Melodic-Valzer. 1. e. ‘op Nlendelssolin, F., 0 . A 'Fliigeln des Gesanges.) . . . . . . . . . . . ——- Pni-ting and Meeting. (Es is bestimmt.) + Slumber Song. (Bci der Wiege.) . . . . . .. S S ring Song. (Es brechen iin scliallen- cn Reigen.) . . . . . . . . . . . . . .. . . . . . . . . . . .. —— Spring Son . (Der F "hluig naht niit Brausen.) . . . . . . . . . . . . . . . . . . . . . . ——Suleika. . . . . . . . . . lllereadante, ‘., And7"on'zc0: Soave Im- magino. (Evening comes softly.) i. e.. ro 210 25 35 '35 35 35 25 35 40 35 35 35 25 35 Nlercadante, S., La Rose. (The Rose.) _ I_aS'tel1a:"(The'Star.') """" " . " Mercier, 0115., La Chari Romance. f. e.. e. f. g . . . . . . . . .. Venetianischen Gondo- (Go i go! said she.) Sop. E. l’. i. g. e.. lllollenhaner Ed Secret Love. Go- lieime Liel)e.) New Edition . . . . . . , _ . . . Molloy, ET. In, Clochette. Sop. F, Alto D, eac . . . . . . . . . . . . . . . . . . . . . . . . . . . .. —— The Gleaners . . . . . . . —— The little Tin Soldier. ——- The old Cottage Clock.. —— The old Sailor-Wife . . . . . . . . . . . . . . ——- Twilight Fancy; or, Dresden China. ——- White Daisy . . . . . . . . . . . . . . . . . . . . . . . . . . .. Mozart, IV. A., Figaro.‘ “Voi che sapet ria. e. i. f. g. op. Bi), Alto Ab, ea.ch.... lvluzio E.,La Madonna del Pescatore. (The Fishei-inan‘s Madonna.) . . . . . . . . . . . . . . . . Nicolai, W. F. (Pu, Turn not on me those Glances bright. (O sieh mich nicht.).. Osborne. G. 11., Who’s at mywindowt... Paladilhe, E., Souvenir de Rome. [Man- dolinata]. (Moonli ht Serenade.) 1'. i. e. _ Tenoror Sop. G, .- o . ,e ch Patti, Adelillél, Speine arcana. (Secret ope. i. . e . . . . . . . . . . . . . . . . . . . . . . . .. Pfelfer, C. Messenger ofL0ve. (LielJesbote.) Sop. , Alto Db, each . . . . . . . . . . . . . . . . .. Pinsuti, 0., Constant Love. (Je t’aimais.) I(T‘ain-ava allor.) i. f. e . . . . . . . . . . . . . . .. —— The captive Skylark. ——- The Skylark free. —— The Swallow. . . . . . . . ——- Welcome, pretty Primrose . . . . . . . . . . . .. —— What we have loved. we love forever. . . Poniatolvski, Yeoman‘s Wedding Song. . Potter, “I. A., Oh! wilt thou have my Hand, Dear? . . . . . . . . . . . . . . . . . . . . . . . . Randeggcr, A., Peacefully uii er. (Sanft sci (lein Sclilunimer) —— The same,witli Accon 2 Altos, and 2 Cellos. —— What are they to do ? . . . . . . . . . . . . .. Reichardt, AL, J‘aime! Je snis aimél (I ’ love, I am loved l) Romance. 1'. e. . . . . —— Love’s Request. (Liebeshitte) . . . . . . . —— Of thee I think. (Icli denke dein.). eiehardt, G., Image of the Rose. der ose.) Sop. G. Alto E, each . . . . . . . Reinecke, (1., Greeting to the Woods. (Wal<lesgruss.) With Accomp. of Piano and Violin, or Flute, or Cello, each. .. . — Spring Flowers. (Fl‘lll'lllll°5b1llIl16l].) With Accompaniment of Blane and Violin, or Flute, or Cello, each . . . . . . . . —— Songs from the Fairy Cantata "Snow~ drop” (“ Sch-neewitlc/Len“) : 0. he Songs of Birds. (Die Voglein singen.) ‘ . . . . . . . . . . No. 3. Our Meal is ready. (Lied des Zwerges Tom.) M.~Sop No. 6. Snowdrop in the Forest. (Lied des Schneewittchen.) op . . . . . . . . . Rice], Fred., Crowned with Joy and Hope. Vocal Waltz from the Opera Una Follia a Roma. i. f. e. Sop. D, Alto C, each.. Riviére, J ., Gentil Printemps l (Spring, gentle Sprin ’ ’ 'a1lin{éil£b'r'i>izlnd, !) o e . . . . . . . . . . . . . . . Robaudi, V., Aﬁa Stella conﬁdente. (Bright . . 0 Star of Love.) i. e . . . . . . . . . . . . . . Rotoll, A., Speral (Hope then l) i. liubiilrsltiein, A ., Morning Song. ie . . . . . . . . . . . . . . . . . . _ . . . . . . . . . . . . .. —- Thou’rt like unto a Flower. (Du bistwie eine lume.) Sop. F, Alto E), each . .. Rupeg, G., Rappelle-toi. (Oh! think of me.) . e . . . . . . . . . .. —~—— Tout nous dit d’e us Hope.) f. e. .. Scarlatti, AL, (16594 .) Le Violette. (To aViolet.) i. e. Sop. or Alto, each. . . . . Schira, F., Sognai l (I dreamt.) Reverie. . (Erlkoni ). . . . . . . . . . .. .. k l the Lark. (Horch, horch, die Lerch.) . . . . . . . . . . . . . . . . . . . . . . . . . . —— The Question. (Der Nenoierige.) . Schumann, Rob., Vocal Album, contain- ing tliirty of his best Songs. e. g.... ———Thesame,l)ound....... .. — Dedication. (Widmun . ——- Fresh Green. (Erstes érhn.).. . . . . . ——- I neger complain. (Ieh grolle nicht.) e. ——— O sunny Beam. (An den Sonnenschein.) —-——- Silent Love. (Stille Liebe.) . . . . . . . . . . . . . — Spring Greeting. (F1-iihlingsgruss). —— Spring Night. (Fl‘l'.ll]lil1§§§1a0hlZ.) ...... .. ——- Tiiylovely Face. (Dein gesicht.) Sop. or Alto, each —- The two Grenadiers. (Die beiden_Gre- nadiere.) Ten. or Barn, each .......... .. —— A Woodland Dialogue. (Waldesve- spr5ich.)........ . . . —-—- W0man‘s Love an . (Frau e und Leben.) Eight Songs. e. g. Com- plete. Sop . . . . . . . . . . . . . . . . . . . . . . . . . . .1 —- The same, in separate Numbers 2 No. 1. His Iina e. (Seit ich ihn gesehen.) No. 2. He, of al the best. (Er, der herr- lichste von Allen.) . . . . , . . . . . . . . . . . . . . (Ieh kann‘s fassen No. 4. ThouRingu 0nmyFinger. (Du Ring an meinem ‘nger . . . . . . . . . . . . .. No. 5. Bridal Day. (Helft mir, ihr Schwestern.) . . . . . . . . . . o. 6. Tears of Happiness. (Siisser Freund, du blickest mich.) . . . . . . . . . . . No.7. Love‘s Delight. (An meinem Herzen.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . No.8. The Forsaken. (Nun hast du mir den ersten Sohmerz gethan.). . . . . . Application. IMPORTEB. of MUSIC and PUBLISHER, SOLE AGENT for “EDITION PETERS” (LEIPZIG). . . 5 (Morgen- 3 25 35 25 35 50 35 50 35
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Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE PoUGHK£EPs:E. new YORK . [F4 - R .\ ‘V \_, 3 J EA‘ THE LA‘/ST SONG T \ 7/ \ / ""_’f" ADA]? TE D»TO T / *\ /L/if /Z/17/ /5//[ﬂ 1. THE ANEELE. T /mm/5 2. THE rm. I///Z7./.‘Z.s’..r/*, 3. Mnnmsn SERENADE, TT mm. ‘ rnamme w1nuN:.A:N.;7/,r/;p//z 5. ADIELI 1u5[ﬂTLAND../.’//z/f/‘ﬂ/i¢7z///f , 6. IL auamizn. //2//gm 1. un vmnm run. T ﬂz/z’ /am;//I I 5. T T /‘7ﬂ/Z7/3/’ﬂﬂ/Q7, EANDRE 3([H.11(‘n4TL:m.~a-..ui st: ’ FG_B_E[_[3NSvigjﬁliti/D>EP_1]T. //77///2/////2...
Show moreMUSIC LIBRARY VASSAR COLLEGE PoUGHK£EPs:E. new YORK . [F4 - R .\ ‘V \_, 3 J EA‘ THE LA‘/ST SONG T \ 7/ \ / ""_’f" ADA]? TE D»TO T / *\ /L/if /Z/17/ /5//[ﬂ 1. THE ANEELE. T /mm/5 2. THE rm. I///Z7./.‘Z.s’..r/*, 3. Mnnmsn SERENADE, TT mm. ‘ rnamme w1nuN:.A:N.;7/,r/;p//z 5. ADIELI 1u5[ﬂTLAND../.’//z/f/‘ﬂ/i¢7z///f , 6. IL auamizn. //2//gm 1. un vmnm run. T ﬂz/z’ /am;//I I 5. T T /‘7ﬂ/Z7/3/’ﬂﬂ/Q7, EANDRE 3([H.11(‘n4TL:m.~a-..ui st: ’ FG_B_E[_[3NSvigjﬁliti/D>EP_1]T. //77///2/////2'//////fW£i[/57/WI ..«"/T/'1'" /[///fc§’.f:.71/ /'/3'7///1/'7//,7//T .i///;///I/T /1//57/[/34-.v"ﬂI57,>%¢{ /1-’}’r7/I51?/5’ﬂ /, FOOTSTEPS OF ANGELS. \\'<.)1'd,< by L(T}NG}<‘}‘ILl;0‘W.* Music by CARL MARIA 4\-'.?\HCBTl*IR. $6 By [dud pe['I.L1i.\‘sion of . .\/lessrs: Trit-knor &C,0.. Amlumv G1-aiioso. .,VVheu the PIANO FORTE." " con es n- r’ f V‘ yare numbe (1, And the voices of the night, Waketl19\ bet ..--_t91' soul that _slun1be1"d - hn_l} <-al111du__,lia:l1t;_ Ere-_t 9 n-;-_/ e~V.‘______nin<.'; lzunp.» are lia;l1t-___ed, S11Hd(‘<)V\> Angl like phan_____tumsu1'imand tall, , p.at'lante. 3 temp“ the fit_['ul ﬁre _ _.li:ht Dzmce up_<m the palflour. wall; Then the ma e,~‘pressim1e. .fon.11s nf th:(le pa1’t._,--ed‘ Enter at the .o-pe11 dour, [\ rita rd: > 10 ________ __\ed the true hom‘t_cs.|. (folno tn \i-__.<n m-;- 0ll(.‘L‘ inure. I Fm‘-!x1v-3-.~' vi" \n<."r1~‘. G.A.l1€0. He the * " I and st1'om_: who _+_ TA_.___M-___._.,. (’-he-____1'i.~sh’d Noble lm_:uJ'u=_-s for i“-:’1e ;~,‘n’}i‘e, Brthv !'<’-2:('i_;~;Mt* fellalui ‘Wea--1'} ssith the E1»-1-=‘x»>;»< ~ GU‘. mo. ‘Z ones, and \\ea1s__1_y, V\h<_>tl1e vms.~+ of ,.auffi'jug bore, pa1'1zm1,e . d,'L'1'rL_- their, pale hands so .lll€'9}<Jy, spake with on earth no more. .1 espressioue. théul .Who cm .to my the B9:_ing Beaufe u us, life was giv’ 11 Mfitalx : thiuﬁs elsu to low F(m1~tr'}I.! (rf ;\(x'_-‘4.‘!.<, G.A{-180. Folded a tempo. And with more than he-av’n Foot _ ._step, .. side Fm-txl-'p°‘ of‘ A&‘A“='>‘)]SI (lxI:s>i l'r'f‘il:1li\'(). un p(;('() pin l;tI‘j.',<v. With a sin w and noiseless > > J 101,) 'l'akeStlw vm-ant «mm be- ()o1ne.a‘ that 111e,~‘.sse11ge1' di___\ine,A Lays her g-en__t1e hand in’ mine. -4- -r 4' G.A.180. and g:1_z«,-s at me \\'ilhlliu.se deep tc1i_(lt+:‘ pawlzuite. Like the stars, so still and saint _ __ like, liunkim; a tempo \ duwu__i__i_.~ V\'dl"(l the skies. Ut_-1e1"‘d uni, -he1id _ __- ed 15 the Sp'1'_ i'it§ V'0i(:eless pi'ay’1', b'00ts1ups of Angels. G.A.180. in l>le.~‘.~E1r_‘s 1-nd---_u<l Breatl1iu_s: fruln Pin lmrgo. 0, thnusglx oft... . . . . dt-p1'ess’d and lone ......I_;, my fears are laid ,a--_ side, re _ member on _------- ly Suvh as tlwse hme 1iv’d and died. null?
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