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Title: Beware
Date: 1886
Text: MUSIC Lnammv VASSAR COLLEGE poucuxazvsnz. uzw vonu N‘? I. N92. N93. N94. N95. N96. N97. THE QUIET MOON UPON THE CLOUDS... 40.Cts. ONLY A ,, THE ,, MY SWETE SWETYNG ............................ ..25 ,, BEWARE ............................................. .I%,....25 ,, GO, HOLD WHITE ROSES ....................... .. 25 ., GOOD NIGHT ................................................. ..4O ,, J!) BOSTON: ARTHUR PSCHMIDT & C‘? 13 and 15 West Street. % Copy//ig/it /o°d’c2"/4//ﬁzz/’ﬂ Sc&...
Show moreMUSIC Lnammv VASSAR COLLEGE poucuxazvsnz. uzw vonu N‘? I. N92. N93. N94. N95. N96. N97. THE QUIET MOON UPON THE CLOUDS... 40.Cts. ONLY A ,, THE ,, MY SWETE SWETYNG ............................ ..25 ,, BEWARE ............................................. .I%,....25 ,, GO, HOLD WHITE ROSES ....................... .. 25 ., GOOD NIGHT ................................................. ..4O ,, J!) BOSTON: ARTHUR PSCHMIDT & C‘? 13 and 15 West Street. % Copy//ig/it /o°d’c2"/4//ﬁzz/’ﬂ Sc&272z‘([z‘ 45 C’? BEWARE! Trans. from the German by Music by H.W LONGFELLOW. , ARTHUR W. THAYER. Allegretto Vivace. > 1. know a maid-en 2. She__ has two eyes, so I 3. And_ she has hair of a 4. She gives thee a gar-land Pg.‘ L 1 [ill I MA A 0 H’ C I 7 V -‘I P care! She-o__gives a side — glzulce cure! And_What she says, it care! It_._ is a foo1’s cap for- {T I a‘ care! She__can both false and Copyright 1886 Arthur P. Schmidt Jr C0. A3 5.é,.C0_95-7 ' friend—1y be,_ Trust _her and looks down, Trust her is not true, Trust her thee to wear, Trust her f0olV— ing . ' fool - ing fool- ing . fool — ing fool — lug . fool — ing fool - ing . . i ' ‘ fool — ing -4:4 I . . o Be.— — ware! Be — — Ware! Be — — ware! Be — — Ware! :1 I87/{[10 AP S.‘5rCo.967 CATALOGUE OF NEW MUSIC- PUBLISHED BY ARTHUR P. SCHMIDT &CQ.13 and 15 West St. BOSTON. ‘Iv Vocal. Songs. A. .., E. I. Serenade . . . . . Mulevnkl, ‘I’. Love’s Simile . . . -—- Faded Roses. . . . . . . . . Adams, 6. R. The Bedouin Song (Bass) Apmdoc, W. I thought you loved me. —- Only a ‘Face at the Window (Con- tralto or Barit.) . . . . . . . B...;|l.W. Maysong . . . . . . Bach, l. 8. If thou thy heart butowest (Willst du dein Herz mir schenlren) Boon, F. In the Cathedral . . . . -—- Cradle Song . . . . . . . — Flowers of our Spring . . . . . —~ The Sunset Light. Barcarole . Bracken, F. l. Margery . . . . —— The Letter . . . . . . Brown, I). B. 3 Sacred Songs. No. 1. Ohthatthouhadst hearkened No.2. What are these which are arrayed. . . . . . . . . . No. 3. Therefore the Redeemed of theLord . . . . ._. . . Brown, l. L. Clear and Cool . . . . lllmlwlclx, G. W. The Miller’s Daughter — Op. 8. Three Love Songs. No. 1. Rose Guerdon. . No.2. Serenade . , . . . No. 3. Before the Daw . — Three little Songs. No.1. Request . . . . . No.2. Gay little Dandelion . . . No. 3. Thou art so like a Flower . Clrlllo, V. The murmuring Wind . -—- Oh than who drylst the mourners tears............ — Ah why my Love (Soprano or Tenor)........... Eevrlu, Ilrry. The old Abbey Bell. Song for Bass . . . . . . . . — Lullaby. Song for Soprano . — Despair. Song for Tenor Dans, Arlll. Six Sacred Songs. No. 1. Inspirer and 1-Iearer of Prayer (Contralto or Bass) . . . . . No. 2. My Shepherd will supply my Need (Sopr. or Ten. . . . . . 0.3. There is an Eye that never sleeps (Sopr. or Ten. . . . . No.4. In heavenly Love abiding (Sopr. or Ten.) . . . . . . . No.5. Come said Jesus (Sopr. or Ten.)........... No. 6. Now and afterward (Sopr. or Ten.z...... Dru, Ilene III. At Last . —AtRest — Ave Maria (Tenor or Soprano) — Beside the Summer ea (Mezzo Soprano or Contralto) . . . . . -— Bird was singing clear one day. Ballad........... —— It was a Knight of Aragon (Bari- tone or Bass . 0 heart my heart . . . . . . O Salutaris (Contralto) . . . . . Salve Regina No.2 (Mezzo Soprano) Up to her Chamber Window . . Whether the World go up or down Three Songs. No. 1. The Blackbird sings in the Hazslbush . . . . . . . . . No. 2. Where go you pretty Maggie No. 3. Somebody watches and waits foryou..,........ —— Edenland. Duet for Soprano and Tenor........... Dvorllt, A. Language of the Flowers . Emery, 3. A. Op. 19. Good Night. Alto Song......... — Op. 28. 2 Soprano Songs. evening Twilight — 0p.24. No. 2. Naebody . —— 011.36. Skating Song . . -—- Op. 22. Home Songs. No. 1. Where are the Eyes of the lovely one . . . . . . . . . No. 2. Sleep, Baby, sleep . . . . No. 3. Nae shoon to hide her ting tees —- Op.30. Two Alto Songs. No. 1. 0 Love, my Willie . . No.2. Little bud Dandelion . . . -— Op. 31. Spray leaps high on the jut- ting Crag for Soprano. C min. -— The same for Contralto. A min. . Feueudcn, W. II. My gentle Mary (Tenor or Soprano) . . . . . . . . Fools, Arthur. Go, lovely Bose . . . - W'hen Icicles hang by the Wall. LowVoice Ford, C. II. _No love for naught — Tit for Tat (Tenor) . . . Frank, J. W. Wait thou still. Edited by Gr.l'-Ienschel. . . . . . . . . Grndvlell, A. Ave Maria for Sopr. or Ten. llssclll, W. F. 5 Songs. No. 1. Unto Death . . . No. 2. Kyrie Eleison . . . No. 3. A Grreyport Legend No.4. The Bells of Lynn . . No.5. Under the Guns (Bass) learnt, Rlcllrd. Binding Sheaves Iuscllel, Guam. Come away, come away, Death. (The Clown’s Song from Shakespeare’: Twelfth Night) . — My Sweetheart . . . - To my Turtle Dove. Folks Song V — Bird in you Forest — Consolation ' ' ' — Spanish Serenade. For Sopr. or Ten. — The same f. Contralto or Barit. in D —— Three Songs from Kingsley’s Water- babies. No.1. The Brook sings: Clear and coo . . . . . . . . . . . No. 2. When all the World is young, La . . . . . . . . . . . No. 3. I once had a sweet little Doll, Dears........... lenses, 8. L Phantom Isle . . . . ﬂood, lhlen F. Four Songs. No. 1. Shepherdess No.8. A Disappointment No. 3. The Convert . . No.4. The Violet . . . . . . . flows. 1. ll. 4 Sacred Songs f. Contralto or Bass. No. 1. In heavenly Love abiding . No.2. He is thy Lord . . . . . No. 3. His Love is merlasting . No. 4. Glory to Thee. Evening Hymn — Four Songs with Violin or Violon- cello obligate. Op. 8. No. 1. A Day in the Woods . No.2. A Night in the Woods No. 3. The Cricket . . . . No.4. Summer Song . . . . . . hello, 8. ll. Art thou weary, art thou languid. Oﬁertory . . . . . . . — Jennle’s Wooin’. A Scotch Ballad — The Moorish Love Song . . —The Sunbeam . . . . . . . . Johns, clayton. Farewell oh dream of m e . . . . . . . . . . . . Kennedy, Welter. Whether my heart be gladorno......... Knox, J. B. Absence. Romanna. . . —— Bugle Song with Cornet ad lib. -—- The merry Lark was up and singing Kolcllll, 1'. Dance on the Green . . . —Forsaken . . . . . . . . . . —- Heart Sorrow — Peasants Love . . . . . . . . Lsmn, E. Songs. Adapted and edited by L. C. Elsan. . 1. I wander ’mid the Flowers (Soprano) . . . . . .1bis. The same (Contralto). . .2. It was a Dream (Contralto). .2bis. The same (Soprano) . , . .3. My Heart is like the sable Night (Contralto) . . . . 4. Whither ohBird so fast P (So- prano)........ . 5. With thy blueEyes(Contralto) .5bis. The same (Soprano) . .6. Past! (Contralto) . . . No No No No No No.3bis. The same (Soprano) . . No No No No No. 7. At Night (Mezzo Soprano) . No.8. Moonlight (Mezzo Soprano) No.9. Farewell (Mezzo Soprano) . No.10. Serenade (Soprano) . . . Lnvm, W. J. D. My love will return to me . . . . . . . . . . . Lulle, Ernest. Year after year. Love ong . . . . . . . . . . . . Lulle, Herbert. Dear heart good night. Ballad for Soprano or Tenor . . — Left Alone. Ballad for Cuntralto or Baritone . . . . . . . . . — Oh Rest thee my Babe. Lullaby for Contralto . . . . . . . . Loewe. lllrl. Henry the Fowler. Sung by Georg Henschel . . . . . Lucchul, R. A. To Thee (A Te) . . . Hinton, B. W. The Beat of my Lover (Contralto or Mezzo Soprano) . . — Cavaliers Song . . . . . — Days are long (Contralto) — Don’t Forget . . . . . — Douglas my Douglas — Oh heart of my heart —- Lonely . . . . . . — Milkmaidls Song . . . . . . . — Morning Star (Romanza for Tenor or Soprano . . . . . . . . . — The old clock on the stairs . — Promise . . . . . . . . . . -—- Waiting by the Hedges (Tenor or Soprano) . — My God and .Fa.ther.‘Saer.ed-Song. —. 30 —. 25 rllcndoluolnn. Ah ifl were s bee (Spring Son . . layer. As thy wavlring footsteps . llapravnik, E. Cossack Cradle Song . llslnn, Beppo. Cradle Hymn ofthe Virgin (Latin and Engl.) . . . . . lorrls, lloncr A. Cradle Song . Plies, 1. K. Op. 40. Four Songs. No. 1. A Bird upon 5 rosy Bough No.2. A Farewell. . . . . . . No. 3. Beneath the starry Arch . ,. No.4. Music when soft Voices die Parker, l. W. Slumber Song . . . . — Wedding Song . . . . . . . . — Goldilocks . . . . . . . . . lluleclzl. lllgs v. The Sea hath its Pearls Illtier, G. P. In Maytime . . . . . . Rogers, Clare K. Six Songs 1‘. Sopr. or . She never told her Love . The Clover Blossoms . . . The Yearls at the Spring . At Break of Day . . . . The Rose and the Lily . Nothing. . . . . . . . Six Songs. .AMatch. . . . . . Confession . . . . . . Mona (Mezzo Soprano) .Rhapsody . . . . . . . . What does the little one see down there (Mezzo Soprano) .Sprin......... Enlly 9. Op. l5. New Songs. 1. The Sands O’Dee . . . . .Seashell. . . . . . . As through the Land . . . I leaned out of the Window . . From the close shut Window No.6. Carpe Diem. . . . . . No.7. 0 Heart my Heart . — Christmas Lullaby . . . . . . Snlslnan, Charles. Of thee I fondly drezun Stalls, L. L. Beyond all lights . . —— Exultation. . . . . . . . Scinsluluann, Louis. Op. 23. No.1. Upon the vast wide Ocean (Die helle Sonne leuchtet) . No. 2. Spring Song (Grruss) . . . No. 3. The Fisher Lad (Der Fischer- knabe).......... No.4. The Tear (Die Thrfine) . Skelly, .l. P. Our loved ones far away. Song and Chorus . . . . . . . Snllll, Wilson 9. A. Op. 10. Two Songs for Sopr. or Tenor. No. 1. Shadow Song . . . . . . No. 2. O beauteous Maiden, whither? Sirscllausr, lltrlnann. The Sa.ilor’s Return (Baritone or Contralto) . . . . strong, Amalie, Dietrich. Here under the Linden........... llllllnn, Illa. Last Adieu . . . . . Vsnnlnl, Vlncenro. The ﬂoweret (I1 ﬁore) — Malinconia. Romanza . . . . . — S’io fossi un Angelo (Oh were I blest above) Mezzo Soprano or Baritone — Thee will I love (Jo t'amero) . — In our boat . — Our own —- Reconciliation —-SpringSong......... WIII, Oscar. Autumn Blossoms (Nach~ ria . . . . . . . . . -—- Devotion (Die helle Sonne scheint) — Farewell (Abschied) . . . . . . -—- When the day is done (Abendlied) Wilson, .I. ll. How it came about . — Lullaby (Sleep, sleep) . . . . . Wlsler, ll. Arabian Love Song for Barit. or Contralto . . . . . . . . Wooll, B. E. Courtship (Contralto). — Margery Daw. Ballad. . . . . —- The Turn of the Tide (Contralto) — That sweet Day in June . . . . -—- How many atime do I love thee dear Studies. Florlmo, F. 14Vocal Studies. Arranged by Chas. B. Haydn . . . . nett lone, Fr. E. 1.’) Exercises for Medium oice . . . . . . . . . . . Four Part Songs. 41) Male Voices. AM, F. Happiness in wait (with Sopr. Solo............ Atlenlwier, 8. Springs Warning . Brown, 0. B. Bugle Song . Blmlwlck. Margarita . —— Reiterlied . . . Ts;-~>:enss.§.———~ llltlyllclt. The Vickings last Voyage C —.50l - (Male Chorus, Baritone Solo and —. 35 m. so —. 50 _l _| _l J _| .3 _: .1 ,1 .1 J .1 Orchester) Piano Score — Song of the Viking . , Ultla, l. W. The Reamer . . . llanaclicl, B. To my Turtle Dove Kmlm. Cruel Cuckoo . . . . — The Lovers . . . . . . . Iimuer. E. Two Starlets . . . . . Pulse, 1. K. Oedipus Tyrannus of So- phocles (Male Chorus and Orchester) Piano Score . . . . . . . . . -—- Op. 37. Phoebus, arise (Ten. Solo, Male Chorus and Orch.) . . . . Vlllxn, II. V. . nett The Jolly Musician 6) Female Voices. Brown, 0. B. 0 Lord be merciful (Motet) — Winter Song . . . . . . . . liharlwlck, G. W. Op.9. Spring Song . Down, 8. I. Jubilate Deo . . . . Emery, 3. A. The night has a thousand yes . . . . . . . . . . . . lletion. Ballade of the Weaver . lllller, F. Cradle Song . . . . — Evening in the Vale . -—- Morning Song . . . — My Polly Wog (Trio) . llollmnn, G. The Nightingale . Movie, I. II. The Lark now leaves . Isrcelln. J ehovahls Power and Majesty ( rio) . . . . . . . . Holley. Song of the Triton lllnne, R. In Autumn . . . om. Sparrows Twitter . . . . . Peurtt, ll. Thou art so like a ﬂower. — Day«bree.k. . . . . . . . . . Phillpp, G. Greeting . . . -— Little blue eyed Flower Rittsr, G. P. In Maytime . . . sﬁdennann. A Wedding March . St. Saint. Ave Verum . . . . Snack, 6. F. Birdls Message . . . . Tauiel, 1. Sunshine follows the Rain . — Little blue eyed ﬂower . . c) Mixed Voices. Brown, D. 3. Two sacred Tries f. Sopr., Ten. and Bass. No. 1. I will lay me down . . . No. 2. The Lord will comfort Zion —— Op. 8. 2 Anthems f. Church Service. No. 1. Whose dwelleth in the secret Place . . . . . . . . . No.2. Unto thee, 0 Lord . . . Capen, I3. L. 0 Wedding Guest. Hymn from the Ancient Mariner . . . Glnstlwlclr, G. W. Op.6. Three Anthems for Church Service. No. 1. Praise the Lord (Benedic, amma men . . . . . . . No.2. Blessed be the Lord (Bene- di us . . . . . . . , . No. 3. 0 thou that hearest (Hymn) Glrlllo, Vlncsnzo. 0 salutaris hostia Dans, liessliaw. As when the weary trav- eller gains . . . . . . . . . Dunlum, II. I. Hymn Music. Bbooks es. — Oh tell me thou life and delight ofmysoul......... Fenullosa. Under the greenwood tree Ford. Charles II. Te deum laudamus inBﬂa.t.......... -—- Christmas Carol (Soprano Solo, Chorus with Organ Zlbbulupﬂllllllﬁﬂt) llascall, W. F. Guide me o thou great Jehovah llolnlann, ll. Salve Regina . lioml, Helen. The Robin . . . . liuwe, 1. ll. Blessing, Honor, Glory . Knox, l. 0. Sleep! Holy Babel Christ- mas Carol . . . . . . . . . — Blessed be the Man that provideth —— Give Aims of thy Goods . . . . - Be merciful after thy Power -— 0 pray for the Peace of Jerusalem. Anthem for Barit. Solo and Chorus. -—- Te Deum Lnudamus in C . . . ~—— Benedictus in C . . . — Hymns and Responses . . lanigan, R. W. Asperges me . . . . Merston,G.W. Venite exultenius (0 come letus sing) . . . . . . . . . — How beautiful on the Mountain —— I will arise and go to my Father llllver, Ben. E. A shout of mighty triumph. Christmas Carol . . . Pslne, J. |(. The Realm oi‘Fancy. Chorus, Soli and Orchestra . . . . . . — Op. 38. The Nativity . . . . . . Tlayer, Eugene. Immanuel (Bass Solo and Chorus) . . . '. . . . . . — Sweet Day of Rest (Tenor Solo and Chorus)........... tllmsn, lug. Waken Christian Children. A Carol for Christmas . . . . . Whitney, 3. 3. Deus Misereatur (E ﬂat) Wlllls, Richard Siam. Christmas Carol
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Title: Ships that pass in the Night:
Description
Date: 1914
Text: uusnc unnnnv VASSAR COLLEGE POUGHKEEPSIE, new vonu N?2iNED Ships that pass in the Night 5536 LoNG1=«jE:LLow I The music by T.W1LKINSON STEPHENSON. PRICE BO CENTSINET) BOOSEY 8; @. New YORK - TORONTO - LONDON.(’ENc..) . 9 EAST I711‘ ST. RYRIE BLDG.,YQNGE ST. 295 REGENT ST..W. THI-S SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION , HOWEVERV IS STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoostve. co THREE “HOM” SONGS h1That Should Be In Every Home No...
Show moreuusnc unnnnv VASSAR COLLEGE POUGHKEEPSIE, new vonu N?2iNED Ships that pass in the Night 5536 LoNG1=«jE:LLow I The music by T.W1LKINSON STEPHENSON. PRICE BO CENTSINET) BOOSEY 8; @. New YORK - TORONTO - LONDON.(’ENc..) . 9 EAST I711‘ ST. RYRIE BLDG.,YQNGE ST. 295 REGENT ST..W. THI-S SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION , HOWEVERV IS STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoostve. co THREE “HOM” SONGS h1That Should Be In Every Home No.3 in D3» _ _ ThcI'e_ aland I love, Far,far a-way mhere, Eiverltsvolqg 1s call - mg, _'v,I:en-derand c1ea.1-.‘._.. No.4inE'1a Joy in ‘heart a— wakes,» Heal-ingthatsong so true, » Float o’erthe breeZ_6'f1'0m H0I.I1€—y8W€3t f-\ C3111118‘m3b8°kt~° Y0 ' A Copyright MCMXVI by Boosey&Go. Price 30 cemS,(Ket Gash) MEJILIDY cw Lama: Words by.FRED-G-B0WLES- usic by T. WILKINSON STEPHENSON. h There's a patch of white heather a. - glpw on the C1iff,.And I See througha rain of For we .1iv’d we‘-1.osz:5(A"ij1’ the days 6. - W’ _ - gone,‘-l‘ha¢ have tra.vel1’d. fu11- soon to‘ years__. 0, ’1't’s un-derh ‘stars hi s . ci- ty stand, I hear Wher-.ev- er calla vac? ‘ Copyright MCMXV by Boosey & Co. ‘ No.1i3Dl» _ ﬂedz'cat_ed._to _my'frz'eml Ivor Foster Moderafo n. ‘ sottavace that o1d—fa.shion—edrhouse in that old fashi:5nedstreetDwe11a dear/ljt&tle,o fashioned . .._. , I can See their two fa-ces,'so 12_ , « \:/' f\ ten-der and sweet,And I love ev-,’ry wrin-kle thats . I m2hgf&7 "VIE./JZz¢;,,, f love ev—’1‘y mouse that old house In the Copyright by Boosey & Co. I SHIPS THAT PASS IN THE NIGHT. -\r\/xrs/\/u/~/\/\/\ SHIPS that pass in the night, and speak each other in passing. Only a signal shown ad a distant‘ voice in the darkness; So on the ocean of life we pause and speak one another, Only a look and 2 '-:T:»iv.:e=, then ciarkness again and a silence LONGFELLOW. SHIPS THAT PASS IN THE NIGHT. Words by T Music by 'L0NGFELL0W- T. WILKINSON STEPHENSON From “Tales of a. Wayside Inn.” Slowly and with feeling. /K/———-:‘+—~T f 29 ships; that pass in the speak; each oth-er in pass - ing, _ « “sits »’6’op3/Mg/ct,A{0z1{XIV by Baosey c6 00. sig — nal shown dis -tant voice dark - ness; and speak one ,;_—7.:n>:_=5e».r._a; A. ._ dark - ness Ev: [ (4 i 9% $ VT’ dark - ness OTHER RECENT SUCCESSFUL SONGS . BY EMINENT COMPOSERS T W'o1-ds by—'l‘ENNYSON‘. Mow No.47"nG$ . Sung by Mr. John M§Cormack. Music by ROGER QUILTER with em is. ' ' — Now Sleeps the crimson petal,now the W]: ; Nor wax;es the ss in the palace walk t 8 gold ﬁn 1’ J t.heporph’ry font‘ 'waken thou with me. sweetness f A Copyright, MCMIV by Boosey & Cor No.1 in C‘ T No.2 in D No.3 in E Word’: by V D I J x V A . S S Music by . MARJORIE PLCKTHALL ' — v — » JOSEPHINE Me Gun, Con moto about (84. : I” was a 1it—,t-1e1a.dW'1thfol-ly on“my ]ips,._ Fainwas ‘I’ All the seas no_w across 1’ southe1'n'{=we11, Every dawn I - hear- The l‘it~t1e streams of Du-na run-ning clear, No.1inU ‘No.2 inE|v ' T0 111). _ > I _ No.3 in 1» S S §¥%oW’IV1EN_ THE DEW IS FALLING. Words b3'I;1;N2”1:Il2%;§Q,1;Wt0 empWSsZ,w\}Vr1tten for and by Mom M9 C01-mack, , Music by EDWIN SCHNEIDyI(§h». VVhen the dew is all— I have heard a call- ae - rial sweet voices O’er thelow green hill; And when thenoon is - mg I have heardd. ab‘ .2’ e dam —_;—.__~._ a soslenu to cTy- in‘g VVh6‘r31l_1€} brown burn thr0’the hollows green and still. G And 0 sorrowupon me The gray grief f p» Copyright MCMXV by Boosey& Co. BTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS AS Y(@I@EASSj my /vFRED.E.WEATHERLY. KENNEDY RUSSELL Svnoot/zlg/,sim12lg/andwitlzgreat expression > > > >.:ff a_,f,.gt_ Kne¢1down,knee1down,my dearest, And kissthewaving grass, It is myheart. haswaited To hear-you as you pass; KT19e1d0W11:ifY°11 1'9 ' f ajfret. >—- 1"""‘l— PPV . .. 12 - her, And leave a kiss for me, For all the love of long a-go, For all you used to be! _._._.? Kneel down, you re -_ Copyright MCMXVIII by I y&Co. , - No.2 mm, V . ‘ _ 1\Io.3in F 'No.4inG7 D D ? \ J .. j $ S :§‘**~E;m_n "Music.by E.TI‘i.*‘UIIEMACHER- *1 4 J » . : WILFRID SANDERSON. ‘ 0 rose-,b1oom ev - er in... my lone-13" . O , shine stead-fast with ydurlight di -, vine, Ring on, 0. mm-cato > \/ ten. ' stung, yourmel-o -git of‘ joy, Life crownedxt 1a.st,_.__._. And love, and love is L. ‘ ' " Copyright MCMX by . _ 05:35. , at-, K K SEMEAIH ME; MQM LQMBJABDY’ NO_21'n Eb‘ \V01'ds by EDWARD LOCKTON. Music by HAROLD CRAXTON - —i_ :. Moderate I N0.3inG , Love are youwaitin in Lom-bar -_ dy, Wait-ingfor me o’er the cru— e1 sea, Dear, in this land so far n-der the stars for yoxL__ I" pray!“ Oh! might I passthroughthe night Come with a I’ I ’."vpy)-ight .VfCMXVIH"b‘ynBoos;y_&Co. as"-Under the Stars”.
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Title: Resignation
Date: n.d.
Text: /V, K‘) 0 CK, ]10weve1' Warez; K + 0.316 (1€ELd T V9 ' N’ . n‘ e]1uw~ » { *~ V3 X5 O,hX(}_s\d .5059} \ , ( - , ~ um: V31.‘-C ~ C Q56‘ [\5mL\1“° ‘, “"“'T C11/2,‘, _\ g%@w*v T‘ N 7 ”\/"—,“\ Wumns wmrrf ((((K((( ‘ ,_, an WI \N\*° D\ALLY n ? 990 “SH TH "/3 P£RM:ssmN.‘° \9\% “W750 \ \\\ \ V 6"/Ilrn 1 (HI B 0 STU N . /’///7//If//1’///_I,I’ 0 LIVE R D ITS UN ﬂff//(Zr/2//_/9'/‘////fl.‘ / /.//!r'/7'r/ /Iqﬂ/‘r///{y //my 1//page/ur./«:7: //r/>_w//r ...
Show more/V, K‘) 0 CK, ]10weve1' Warez; K + 0.316 (1€ELd T V9 ' N’ . n‘ e]1uw~ » { *~ V3 X5 O,hX(}_s\d .5059} \ , ( - , ~ um: V31.‘-C ~ C Q56‘ [\5mL\1“° ‘, “"“'T C11/2,‘, _\ g%@w*v T‘ N 7 ”\/"—,“\ Wumns wmrrf ((((K((( ‘ ,_, an WI \N\*° D\ALLY n ? 990 “SH TH "/3 P£RM:ssmN.‘° \9\% “W750 \ \\\ \ V 6"/Ilrn 1 (HI B 0 STU N . /’///7//If//1’///_I,I’ 0 LIVE R D ITS UN ﬂff//(Zr/2//_/9'/‘////fl.‘ / /.//!r'/7'r/ /Iqﬂ/‘r///{y //my 1//page/ur./«:7: //r/>_w//r /4547 /_II- .1£.L‘m/(I in ma r/rrltr 47/ﬁr! r2/’ /7/r /Jzlr/712:!‘ rz"1/rtr)7‘."I//mar‘. ~\ ”) L ‘ ~ , ‘ L V [LL \ \ ._.;_C_, /’ / \- \‘ ‘, "‘ V, L RESIGNATION. Poetry by H. LONGFELLOW. Music by J. E.» GOULD. With tender Expression. 1st.Verse.—-—The1'e flock, how- these severe af-flic-tions Not from the ground a - rise; . . . . . everwatch’dand tended, But one dead lamb V’ . . . There. > \ of - - ten - - times ce ,- les -= tial loenu eadic -‘tions As - sume this dark dis .- fire - side how-so-e’er defended, But has one > , but dimly through the mists and vapors; .A- .cl1ai1'!. . . . ' is full of farewells to the dying, And L___’/ these earth-ly dalups, . . . . What seem to Hit: Tempo.- .m0ur11 ings for the dead; . . . . _The heart of Ra - chael Temllo. L? dim fu- ne'- real tapers May be Heaven’s dis - - tant lamps. for her children lcrying, Will not be com - fort - ed! 3 She. is not dead—the child of our affection- But gone unto that school, Where she no longer needs our poor protection,- And Christ himself doth rule. In that great cloister’s ‘stillness and seclusion, By guardian angels led, Safe from temptation, safe from sin’s pollution, She lives, whom we call dead. 5 Not as a child shall we again behold her; For when with rapture wild In our embraces we again enfold her, She will not be a child; But a fair maiden in her Father’s mansion, Clothed with celestial grace; And beautiful, with all the souls expansion, Shall we behold her face. 4 . Day after day we think what she is doing In those bright realms of air; Year after year her tender steps pursuing, .. Behold her grown more fair. Thus we do walk with her, and keep unbroken The bond which nature gives, Thinking that our remembrance,though unspoken, May reach her where she lives. - 6 And though, at times, impetuous with emotion, And anguish long suppressed, The swellingheartheaves moaning like the ocean, ' That cannot be at rest, We will be patient, and assuage the feeling VVe cannot wholly stay; By silence sanctifying, not concealing, The grief that must have way. * There is no death !. what seems so is transition; This life of mortal breath ls but a suburb of the life elysian, VVhose portal we call death! This is omitted in the song, there being an irregular number of verses. i9*’:5..?S.4$ uanmv VASSAR COLLEGE POUGHKEEP'5t€. mtw voam
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Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: n.d.
Text: 3//_”/Z/f ﬁn/t . J34» .3415 . LON D O N: SINCLAIR «:90 09 4-0, GT MARL§OROUGH STREET. W. A750, 773' Z7Le Janie: /foznpziye/~. IONCE HAD A SWEET LITTLE DoLL,_3/4 TELL ME,THE SUMMER S'rARs,._8/=* - THE NIGHT us wn.o ~.-L_s/ 0 WHY I-{ARK WITH PLEASURE, 3/— = osornv SLEEP MY BONNIE amnn, 3/9 one L!TTLE YEAR AG-O 3/= THE MIDNIGHT WIND. _____.___a; :1’ WAS THE TIME OF ROSES,WazZﬂz«cL3>/= I STRIKE THE CHORDS. 3/= THE MOON :5 UP IN SPLENDOUR,—__]).? 3/; THE some on= -ma mven, MUSIC...
Show more3//_”/Z/f ﬁn/t . J34» .3415 . LON D O N: SINCLAIR «:90 09 4-0, GT MARL§OROUGH STREET. W. A750, 773' Z7Le Janie: /foznpziye/~. IONCE HAD A SWEET LITTLE DoLL,_3/4 TELL ME,THE SUMMER S'rARs,._8/=* - THE NIGHT us wn.o ~.-L_s/ 0 WHY I-{ARK WITH PLEASURE, 3/— = osornv SLEEP MY BONNIE amnn, 3/9 one L!TTLE YEAR AG-O 3/= THE MIDNIGHT WIND. _____.___a; :1’ WAS THE TIME OF ROSES,WazZﬂz«cL3>/= I STRIKE THE CHORDS. 3/= THE MOON :5 UP IN SPLENDOUR,—__]).? 3/; THE some on= -ma mven, MUSIC LIBRARY VASSAR COLLEGE THE sen HATH ITS PEARLS. 'rnAus:.A1:a rnom THE GERIAI or HEllE,BY ‘ music In LONGFELLOW. ELIZABETH PHILP. Allegretto ma non troppo. sea hath its pearls, The heavh hath its stars, But my my. heart,‘ 2 my heart. hath its hath its pearls, h » its a‘ita1‘d: But ‘my heart, ‘my heart, my heart hath its love. *1 ritard: "lm sea hath its pearl's . Passilanate. Great are the sea and the heav’n, Yet greater. is my heart; And \; fairerthanpearlsand stars . . . . . Flashes and beamsmy love f Great arethe sea and the heavh; ' Yet greater And fair- er thanpearls and stars_ . . . . . . . . .. The sea hath its pearls, Ran: :__‘___.._.._=____,__ T pgrraxioso. F]zrs3rkx‘esL rand beams /my ‘love.. I .T'¥h‘0’~Ii »listLt1eyouthifu3. { ' f L Ran. ' (1/ts‘/Iizp n V maid . en Come unto my great ~.hea‘I't, V My%heart,;a’mii.’the..sea,Vaamdfthe Tghwin =51 itﬁle gyoiufhﬁul .~hea.v-tin, 1119 a.Way with love. Co-me un.to :n3y great 3 The sea hﬁthits gpeaiths. ritarci: heart, and the sea, and the heavh melt . ing a. way with (7 /\ \ ritard .- c u n z'1'z't0 . sea hath its pearls, The heavh hath its stars, But heart’ hath its , in col a voce. The sea hath its pearls. SINCLAIR & ooxs NEW & POPULAR SONGS. 641 I Heard a Spirit Sing. tremendous applause every evening b Mr. JOHN RAW- LINSON of the Christy’s Minstrels, St. .lames’s Hall. The most beautiful song yet sung by this popular singer . 3 God Bless the Friends we Love, by 0- BLAMPHIN. The latest and prettiest song by the composer of “O would I were a bird,” &c. Illustrated with life—like portrait . . . . . . . . . I Will Stand by my Friend. Composed by GEORGE BICKNELL, and sung by Mr. GREEN for upwards of 200 nights. A capital song and immensely popular . Do as You’d like to be done by. THEODORE GORDON- Sung with great success by Miss CONSTANCE . . A bold, Lend a. Helping Hand. 0- F- SCH!-EYEE striking song, which is everywhere an immense favourite Give me the Man of Honest Heart. M. HOBSON. Sung with great applause by ERNEST FOX . . . Good-bye, Nelly Dear. J. G. MATTHEWS. Sung with immense applause by the Christy’s Minstrels. This ballad. is creating an immense furore . . The Song of the Cable. THEODORE Gonnon. Sung with tremendous success by Miss CONSTANCE . Dedicated to the Atlantic Telegraph Company. Fond ]_V,[emo1-y’s Beam, by CLAUDE STANLEY. most successful tenor song this season . . . F111 the Goblet Again, by ISIDORE DE SOLLA, words by The LORD BYRON. Sung with great success by Mr. GREEN Alone, I'm Alwa s Alone. Ismomc on SOLLA. A beautiful balla for a baritone . . . . . Love is Endless. J on»: OLD. Sung with enthusiastic A applause by Madame LOUISA VINNING . . . . ' My Native Vale. JOHN OLD. . - - - - The Artizans of England. 0. H. R. MARRIOTT- Sung with great applause by Mr. ERNEST Fox . Faces I See in my Dreams. J. E. MALLANDAINE A beautiful subject set to an exquisitely lovely melody . 3 ]V,[a,ry Mavourneen, J. OSWALD KEITH. A new and charming Irish Ballad . . . 3 W. F. TAYLOR. Sung with s. d. O 0 0 3 ELIZABETH PI-IILPS’ SONGS. s. The Song of the River (Clear and 0001) ' - - 3 I Once had a Sweet Little Doll. . . . 3 0 Why I*I1aI)rk with Pleasure (French and English W01‘ 3 . . . . . . . . 0 Softly Sleep, my Bonnie Bairn - . . The Midnight Wind . . . . . . I Strike the Chords . . . The Sea hath its Pearls Tell Me, the Summer Stars The Night is Wild . One Little Year ago . . . . It was the Time of Roses. Vocal Duet The Moon is up in Splendour. Do. - - . “ Her music is always intelligent, melodious, d unforced. She selects her poetry with taste, and interprets it with respect.‘ ——V17 Ie the Morning Post. BESSIE L’EVESQ.UE‘S SONGS. 0’er the Blue Ocean Gleaming (The Sai1or’s Wife) 3 Where the Sun Shines Brightest (The Birds Song) How Beautiful is Sunshine, a Serenade . . A Sylvan Song . . . 0000036060?-000030903 The Three Stars. BERNARD Ossorms. ﬂowing Melody for Baritone . . . . Hope, Hope, the Pleasure laden. ROBERT Bmnmenn. Sung with great success by Miss MINA POOLE . . The Rivulet. H. W. GODFREY. An exceedingly beautiful Melody . . . . Cushlamachree. D. WILLIAMS. Irish melody . . . . . . Hope’s Fairy Dream. J. E. NEWELL. Easy and] very pleasing . . . . . . . . 3 The Rose and the Zephyr. 0. F. ScHLErEn. sung with enthusiastic success by Miss FANNY HALDANE . 3 Speak Gently. J. C. HATTON. A song in an easy compass, very suitable for teaching . . . . A pleasing, . A ‘Very. charming NEW COMIC SONGS. Old J a,ke Johnson. J ESSE WILLIAMS. _ Sunguliny Mr. MOORE, the great Comedian of the Chmsty’s nstrels, now performing at St. J ames’s Hall . . . . Laugh, Cough, and Sneeze. Written and adapted to the celebrated Laughing Chorus in Or‘FENBACH’s Opera, “ Orphée aux Enfers,” by GEORGE H. FRENCH . Turn In and Turn Out; or, The Lawyer's Scufﬂe NEW Marriott’s Come Away Waltz. Founded upon W. F. TAYLoa’s celebrated Melody sung by RAWLINSON, “ I heard a Spirit sing.” . . . . . Marriott’s La Vilda Waltz. Performed with great success by the Composer’s unrivalled band. The most charming Waltz of the season . . . . Marriott's New Derby Galop. Played by every Band in the Country. The greatest hit of the season . Marriott’s Tramp, Tramp Galop, introducing “When Johnny comes marching home,” “ Tramp, Tramp, the Boys are marching,” &c. Comically Illustrated . . 4 Ma.rriott’s W_inter’s Night Quadrille upon Popu- lar Melodies. Splendidly Illustrated . . . . 4 0 0 3,1 The Lady in Want of a Beau. success by Miss CLARA VERNON . . . . Sweet Rosa, Jane. HARRY LIs'roN’s great Song . 3 Who’s for Sandymount? Sung by DAVIES, the Dublin Boy, with immense applause . . . . Och! Johnny, I hardly knew ye. Sung by HARRY LISTON, the Star Comique. This song is the greatest and most successful of all this popular vocalist’s repertoire 3 Sung with great DANCE MUSIC. Marriott’s New American Quadrille. Founded upon the most beautiful of the Christys’ Melodies . The Blarney Quadrilles. P. MULHOLLAND. Intro- ducing 16 of the loveliest Old Irish Melodies 4 The Morning Star Polka. W. HEMINGWAY . 3 The Delight of the Ball Galop. F. WHITTAKER . 3 The Imperial Dagmar Waltz. M. Tnomrsou . 4 The Bold Dragoon Gralop. D’ALEmzEm~. Beauti- tifully Illustrated . . . . . . . The Swan of Pesaro Quadrilles. Dmsuuns SAUNDERS. Founded upon RossINI’s best Melodies The Murmurs of the Severn Waltz. W. F. TAYLOR. 3 CHEAP PUBLICATIONS. The Messiah, complete for Pianoforte, without words 1 6 The Creation, do. do. ' Fifty Songs for Young People, arranged and 1 6 partly composed by C. H. PURD AY. A beautiful present 2 0 This charming little work is a selection of the best Melodies of Beethoven, ‘ Mendelssohn, Haydn, etc., adapted to Words especially suited for Schools, etc. Twenty-ﬁve Popular Sacred Melodies for the Harmonium, selected and arranged by J. A. WADE, from Oratorios and Works by Handel, Haydn, Mendels- sohn, Rossini, etc. An invaluable collection to every Harrnonium player . . . . . Twenty Popular Secular Melodies for the Har- monium, selected and arranged by J. A. WADE, inclu- ding, “ I will Stand by my Friend,” “ VVhen Johnny comes marching Home," “ Tramp, Tramp, the Boys are Marching,” etc., etc. Arranged in an easy manner with the Stops marked, to be used ad libitum . . 77 A T MARLBOROUGH STREET. oooooooooo oo‘.<‘~
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Title: Cerfew, The, The Cerfew
Date: 1914
Text: uusuc LIIIAIY VASSAR COLLEGE oouc.HK::I-su-:. new YORK EELE;lEllE'lEIEl[E1E[@lEL§rE]|EI§IEJ['Ex'IEIEJELEJE]|§LElELl “*3 .,.:I mi « FU-i 5- Second Series The Daughter of Mendoza (serenade) . . _ . _ . . . . . . . . . . . . . . .. §I°E*’Z-7j’(§_TS§1}“,_»0rBAR_ 60 That Golden Hour SOP "TEN 30 M EZZO—SOP. or BAR. MEZZO-SOP. BAR. Yesterday ................................................... .. Am 0, MS‘; so SOP. TEN. The Curfew ALTO“; BAR _ . . . . .. 60 Periwinkle Bay . _ . _ ...
Show moreuusuc LIIIAIY VASSAR COLLEGE oouc.HK::I-su-:. new YORK EELE;lEllE'lEIEl[E1E[@lEL§rE]|EI§IEJ['Ex'IEIEJELEJE]|§LElELl “*3 .,.:I mi « FU-i 5- Second Series The Daughter of Mendoza (serenade) . . _ . _ . . . . . . . . . . . . . . .. §I°E*’Z-7j’(§_TS§1}“,_»0rBAR_ 60 That Golden Hour SOP "TEN 30 M EZZO—SOP. or BAR. MEZZO-SOP. BAR. Yesterday ................................................... .. Am 0, MS‘; so SOP. TEN. The Curfew ALTO“; BAR _ . . . . .. 60 Periwinkle Bay . _ . _ _ _ . . _ . _ _ . . . _ . _ . _ _ . . _ . . . _ _ _ _ . . _ _ _ _ _ . . _ . . _ .. MEZZO-SOP. or BAR. so Fulfilment . . . . _ _ _ _ _ . _ . . . . _ _ _ _ . _ . , _ . _ _ _ _ _ _ _ _ . _ _ _ _ _ _ _ _ . . _ . _ _ . . __ {SOP °"”3N- _ _ _ _ _ _ __ 60 ALTO or BAR. @EEE1EEFﬂE|EE151EfﬂE]EFﬂ§lEﬁ1E1EEE|E]@E'|-EEEWEETQEETEEEIEEE [it] EEL%rEILEt@TF3ELwwLEte@[E@JElLmE@EELwElE@J@ELmEEm|E]E@EIELmﬁlE we |EFE7|EIF@J7B1§J1@lE15][EFETL@lE|E|EﬂlEfEElfEF8T|E1|EJE|El ARTHUR P. SCHMIDT. Boston Leipzig NewYork _ 120 Boylston Street. 11 West 36"‘ Street. dis? 3. 10236-10237-5 The Curfew Solemnly, mournfully, Dealing its dole, The Curfew Bell is beginning to tell. Cover the embers, And put out the light; Toil comes with the morning, And rest with the night. The book is completed, And closed, like the day; And the hand that has written it Lays it away. Dim grow its fancies; Forgotten they lie, Like coals in the ashes, They darken and die. Song sinks into silence, The story is told, The windows are darkened, The hearth-stone is cold. 1!. W LOIVGFELLOW To MISS MARIAIVNE KIVEISEL The Cur few H.W. LONGFELLOW G.W. CHADWICK Lento espressivo — S01- emn-1y, mourn- fu1-1y deal- ing its dole The Cur- few {T -o r" is be- gin-ning to toll the em _ bers and 1) crew put out the light_ Toil comeswith morn - ing and rest with the night, The Copyrigght 1914 by Arthur P. Schmidt J‘ P8 102.36_5 International Copyright Secured . ' ' Public Performance Permitted con mzzma book is com - ple - ted and closed, like the day, And the hand that has Writ- ten it__ lays it a - way Dim grow its fan - cies for- f \, got - ten the lie,___ Like coals in the ash - es they dark- en and Song sinks in- to si - 1ence,the sto- ry is told {——\ ,/ JH?$,1o2:z6— 5 |._——-—-""“‘l The M Win-d0ws are dark - ened The hearth stone is cold Dark - er and dark- er the black sha-d0ws fall Sleep and 0, pm 19 e dim. bliv - ion reign 0 - Ver all. 39 osteuuto z—\ S01 - - emn-ly mourn - - fu1-1y deal - - ing its eﬂnl? S. 10236- 5 gin_ ning , er the em - - bers and‘ Z‘ ‘$393 9% - out the light comeswith morn - - ing and /‘\ the night. ﬁn c'ﬂ..'F.' 8. 10236 -5 vocal compositions in G. 0). Clllllllillcll Songs. Op.8 No.1. Rose Guerdon. Al,» (eb-—g) No ‘. Serenade. Eli (e !»~-g) . . No. . Before the Dawn. Db (el>~al>) Op. 11 No. . Request. F (c——f or a). . . . No . Gay little Dandelion. l\“al-‘C-‘IV . Thou art so like a Flower. E (e—gif . . . . . . . . The Danza. F (f—g) Db (d lr—-e) . . . . . . . . . He Loves me. F1? (e#——f'l¥) In Bygone Days. Eb (f~ab) . I know two Eyes. D (a——e) . Sweet wind that blows. Bl) weww P w ( —a) . . . . . . . . . No. 6. Lullaby. F (c—f). . . . Allah. E (c£l—glt), Db (hb—f) . . . . The Lament. Cmin. (c~—g), Amin. (a~e) The Lily. G (d#—g), Eb (b—eb) . . Green grows the Willow. Amin. (g —e) . The Millei"s Daughter. Eb (d—gl2). . . Sorais’ Song. D min. (a——eb) . . . . . . King Death. Ctimin. (gt?-— e) . . . . . The Sea King. Ciniii. (bb—-eb) . . . . Nocturne. Ainiii. ( Song from the Persian. Amin. (e—a) . A Bonny Curl. D (h~—-ft) . . . . . . . The Maiden and the Butterﬂy». .D (cit -—f#) A Warning. F (c—f) Bedouin Love Song. Dinin. (b—a), Bbmiii. (g— b) . . . . . . . . . . Two Folk-Songs. 0 Love and Joy. The Northern Days 0 Love and Joy. G min. (c——f), Amin. (<1 - g) Lyrics from “Told in the Gate”. (Words by Arlo Bates.) Complete. (Edi- tion Schmirlt No. 71a, 1).) High or Low Voice . . . . . . . . . 1 2' Sweetheart, thy lips are touched with ﬂame. C (d—_g), BE: (c—f) . . . Sings the Nightingale to the Rose. El’ (d—g), 0 (11-6) The Rose leans over the Pool. G (d—g), E (b—e) . . . . . . . . Love’s Like a Summer Rose. A (cl#———f'#), G (b——e) As in waves without number. (c——al>), Bb (a——f) Dear Love when in thine arms. (d—a), Db (bl»—f) Was I not Thine. G (d—g), (b E» — el») _ In Mead where Roses Bloom. Cmin. (c—-g), Amin. (a——e) Sister fairest, why art thou sigliing? Cmin. (e l>——aE>), Amiii. (c—-f) . 0 let Night speak of me. Eb (d-—-g), Db (c— f ) I Said to the Wind of the South. B (h——g), Ab (ab-—e) . . . .. Were I a Prince Egyptian. Amin. (d———a), Fmin. (bl»—f) 50 50 50 50 50 50 50 50 Lochinvar. Ballad for Baritone Solo and Orchestra, or Piano . . . . . . . . 125 Songs of Brittany. A Collection of Breton songs. Words by Arlo Bates. (Edi- tion Schmidt No. :20) . . . . . . ii. Loud trumpets blow — Proudly Child Haslin —- How ﬂowers fade — The autumn winds ~« As summer wind —— Love is ﬂeeting — My Sweetheart — How youth with passion plays — The lark that sang — Proudly at morn — The trumpet sounds -— The distatf whirled. er Cycle. The Crocus. G (d—e). . . The Trilliums. F ((1 —~ 8.) . . The Waterlily. Ab (ol>——ab). The Cyclamen. Ab (eb—ai>) The Wild Briar. C (f—g). . The Columbine. F (c-—g) The Fox Glove. F (d——f) . The Cardinal Flower. D min. (f—gtl) . . . . . . . . . . No. .. The Lupine. Bl» (e—f) No.10. The Meadow Rue. Amin. (c—g) No. ll. The Jasmine. Eb (f——ab) . No. 12. The Jacqueminot Rose. Cmin. 9 .°°.“‘.7°S":“.°’!~°!“ (c-—a . . . . . . . . . . 50 Song-Album 15 Selected Songs for Sopr. or Tenor. (Edition Schmidt No. 13) ii. 100 Nocturne —~— Song from the Persian —— He loves me —- Allah — The Danza — In By~ gone Days — Sweet Wind that blows - Lnllaby —— Gay little Dandelion e— Request — Thou art so like a Flower —— The La- ment —— The Lily -— Serenade — Before the Dawn. Song—Alhum. 17 Songs for Alto or Bar. (ldilitwn Sclmtirlt No. 38) . . 11. 100 Bedouin Love Song — Allah ——- He loves me ~— A Bonny Curl —— Tho Maiden and the Butterﬂy — Nocturne ——- The Lament —- ’i‘he Millerls Daughter — 0 Love and Joy- The Northern Days —- Thou art so like a. Flower —— I know two eyes —- In bygone days — Sweet wind that hlows —— Before the Dawn — The Dome -— Song from the Persian. Sacred Songs. When our heads are bowed with woe. Eli (c——g), Di» (bb—f) 0 Mother dear, Jerusalem. A I» (eb-—f or g), F (c—d Let not your heart be troubled. Eb (c——g), C (a—f) . . . . . . . . . . . . . . There is a river. Eb (eb——ab), C (c——f) 50 He maketh wars to cease.‘ Bi» (c—f), G (a——d ., . . . . . . . . . . . . 50 Brightest and Best (Christmas). G (d—fl¥). 40 Oratorios, Cantatas etc. The Viking’s last voyage. Baritone Solo, Male Chorus and Orchestra. . . . . 50 Ecce Jam noctis.( Lo, now Niglit’s Shadows) Male Chorus, Organ and Orchestra . 25 Phonix Expirans. Soli, Mixed Chorus and Orchestra . . . . . . . . . . . . . 75 V Abide with me. Lovely Rosalielle. Ballad for Mixed Chorus and Orchestra . . . . . . . . . . . The Pilgrims. Soli, Mixed Chorus and Or- chestra . . . . . . . . . . . . . . 50 The Lily Nymph. Dramatic Poem. Soli, Mixed Chorus and Orchestra . . . 1 Dedication Ode. Mixed Chorus, Solo and Orchestra . . . . . . . . . . . . . 30 Part-Songs. a) Men’s Voices. Jabberwocky. . . . Margarita . . . . . . . . . . . . . . 10 Reiterlied. Trooper’s Song . . . . . Song of the Viking. .’ . . . . . . . . The Boy and the Owl. (Humorous). . . Serenade “Softly the Moonlight”. . . . Drinking Song . . . . . . . . . . . . When love was young. (Humorous) . . lnconstaiicy . . . . . . . . . . . . . It was a lover . . . . . . . . . . . . b) Women’s Voices. Spring Song . . . . . . . . . . . . . Liillab . . . . . . . . . . . . . . . Mary’s Lullaby . In a China Shop . . . . . . . . . . Miss Nancy’s Gown (Minuet) . . . . It was a lover and his lass (Trio) . . Inconstaiicy . . . . . . . . . . Elﬁn Song . . . . . . . . Church Music. (Mixed Voices.) Praise the Lord (Benedic, Aninia Mea). Blessed be the Lord (Benedictus) . . . 0 Thou that Hearest (Hymn) . . . . . As the Hart pants (Psalm) God who madest Earth and Heaven, (Even- ing Prayer) . . . God to whom we look up blindly. (Prayer) 0 Day of rest. (Trio A. B.) . . . . O cease, my wandering Soul. (Trio A. T. B. or S.) (Trio S. A. T.) . . . . There were Shepherds. (Christmas) . . Brightest and Best. (Christmas). . . . Prayer “Thou who sendest sun and -rain” God be merciful . . . . . . . . . . . Art thou weary? . . . . . . . . . . . Come hither, ye faithful. (Christmas) . Behold the Works of the Lord . . . . While Thee I seek. . . . . . . . . . Saviour, like a Shepherd . . . Awake up my Glory . . . . . . Peace and Light . . . . . . . . . . . Lord of all Power . . . . . . . . . . Jiibilate in Bl) . . . . . . . . . . . . Sentences and Responses . . . . . . . The Beatitudes . . . . . . . . . . . . Thou who art Love Divine . . . . . . Welcome Happy Morn. (Christmas) . . 0 Holy Child of Bethlehem (Alto Solo and Chorus) . . . . . . . . . . . . Shout, Ye High Heavens! (Easter) . . ARTHUR P. SCHMIDT BOSTON 120 Boylston Street. LEIPZIG Lindenstraﬁe No. 16. NEW YORK 11 West 36”‘ Street.
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Title: Old House by the Lindens, The, The Old House by the Lindens
Date: n.d.
Text: THE BLB HOUSE BY THE UNDENS, OR THE 6i“£N wmn8w~.: ,4.1/IFY, //7// (VIEW or LUNCH-:LL0w's RESIDENCE.) COMPOSED BY om HOUSE‘ BY THE LINDENS 1’ OR “THE OPEN wnxmow.” 7/ 6 /(, W;-7'm»n by H.W. LONGFELLOW. % Composed by JOHN BLOCKLEY. {, J .M 0 D E .5: A 0 .°-<._ é Dim. e rail. (2 A. 15,986) The old house by 4 the 1in..‘..dens, Stood siA___lent >in l*;'.s'pw.~;.s'1'vo . the gran/el1’d I/path _ _way , light and shadow ' ’ . - nursery win. _dow }?.'.s...
Show moreTHE BLB HOUSE BY THE UNDENS, OR THE 6i“£N wmn8w~.: ,4.1/IFY, //7// (VIEW or LUNCH-:LL0w's RESIDENCE.) COMPOSED BY om HOUSE‘ BY THE LINDENS 1’ OR “THE OPEN wnxmow.” 7/ 6 /(, W;-7'm»n by H.W. LONGFELLOW. % Composed by JOHN BLOCKLEY. {, J .M 0 D E .5: A 0 .°-<._ é Dim. e rail. (2 A. 15,986) The old house by 4 the 1in..‘..dens, Stood siA___lent >in l*;'.s'pw.~;.s'1'vo . the gran/el1’d I/path _ _way , light and shadow ' ’ . - nursery win. _dow }?.'.s'pr-4/:.-.s-z'vo . Children : were no Ion _ _ _ _ get‘ " 'r'i..\ HM "1"‘~I' by ¢‘.u- I,im+..-“.4. ‘ (E A- 15,986) . J.na.. Blockh-‘y. Tempo. e lznrge New__ fonnd_',_ _ _1and h(um.= — og , the door; 6 '1ook’d for his little Espre.s'sz'ro . ,. play“ _ V-#4 _ __n1ates, ‘Who would re _ _ turn _\\_/ dolce. D-im. e rall. 1<ml<’d for his little .p12Iy _ _mates, Who would f€_turn no more ‘“'/ calla vacu. The -31.01 Huuw by 1(h«- Lindens . _ A o 1 ‘ John Bl.0ck1ey . They wa1k’d not under thé 1inL_dens, ' playgd not /3 Espmxm-z'1:o. But shadow, and silence and sad_ne:~;s hanging“ ‘ ' .. The birds sang in \‘____’/ Cres.\\___/ branches , L Vﬁith saw-et a __ mi- _ liar tone; # h'.x'pressivo . I ' V I , Calando . \~ni,._ces of _the children Will be heard in dreams The Cid Hmlsu by the Lindens, _ . ‘ ( E A.‘ - - .in‘k;n Blockley Témpo . +And the boy that ~wa'|k’d be_side~ me, not T ‘N’ y 0 user .' n1ine,a§\3 pw.~.s’«| his warm,’ so-ft “\~——-/dozce JO ff I')1'm. :1 rail. 0 . . ——,/V _ . cioser 1n mme, ' clo _ _ _. ser, I pref-;.~;,d his wam1, soft hand! /9 calla vow. . . €11!House-hvﬂioLindelu,-4, ,‘ E A ,].7,.<)8(_;:) H ‘ LONDON_ Eowm Asnnoww . A LIST OF POPULAR SONGS. GEORGE B. ALLEN. _ _ . _ Words by ’Twas long long since in the springtime L. ARDITI. Let me love thee Beauty, sleep. An English version of “ L’Ardita” ... ... H. B. Fzzrnie ODOARDO BARRI. Love ﬁnds the way F. E. Weal/Lerlgl When leaves are green SIR JULIUS BENEDICT. The Lord brings back his own. Sacred Song The bird that came in spring .. JACQUES BLUMENTHAL. Remember me The days are past Come to thy lattice. . Barry Cornwall Serenade .. . MRS. ROBERT CARTWRIGHT. Break, break ... Tennyson B OLIVER CRAMER. Fisherman, answer me W. A. C. CRUICKSHANK. The three ﬁshers... Rev. C. I('z'ngs[ey LOUIS DIEHL. Gathered lilies Little lassie Seeking . The knight’s adieu J. VV. ELLIOTT. The song of Hybrias the Cretan VIRGINIA GABRIEL. A smile, a word . . .. Only ... ... ... ... The ring Tender and true One passed by Change upon change At her wheel. Spinning song A farewell... Echo Ariel (A spirit came to me) ... . Little blossom . . WILHELM GANZ. A. ..Malz‘}ii'.;on E. Brotzlning... VV. Storey F. A. Kemole C/zrz‘:z‘z'ncz 1i’o.vsettz' Forget me not ... When we went a gleaning I seek for thee in every ﬂower The murrnuring sea Sing, birdie, sing... A damsel fair was singing Camelia and rose My mother’s song Since yesterday The nightingale’s trill 1.r."Jy. F53... P. D. GUGLIELMO. The lover and the star The lover and the bird J. L. HATTON. Blossoms The “Blue Peter” Song should breathe of scents and ﬂowers Dream, baby, dream The blind boy Memory King Christmas Bnnry Cornwall‘. Barry Cornwall Colley Ciooer ... C. S. HARTOG. Only a year . . PAUL HENRION. Captivity. (Que je voudrais avoir). 4=4>4=-1:-i>-1:->4:-z>.:> -I-‘-In-a>.;=-.1:-4:-4>4>4>4>-1> 4 oooooooooo 00000000000 0 ’ Nobody’s nigh to hear E. L. HIME. Angels listen when she speaks... Something to love me Words by J. W. HOBBS. When Delia sings. Canzonet... W. C. LEVEY. Baby mine. Cradle song . Maritana, gay gitana PROFESSOR MACFARREN. _‘7ean Ingelow GIACINTO MARRAS. Edenland Oh ! were I blest above G. MEYERBEER. Noble ‘signors, I salute ye ! English version of“ Nnbil donna” 2 (Huguenots) Page’s song (ditto) No, no, no JAMES L. MOLLOY. Twice my love hath smiled on me . T ennyxon V ... JOHN OWEN (Owain Alaw Pencerdd.) Shy Robin. Welsh Song ... ... ... CIRO PINSUTI. Bedouin love song - Fairer than thee Fly forth, 0 gentle dove I heard a voice_ . Music of the heart ... ’Twas on a market day GEORGE POWIS. I'll be all smiles to—night .. ALBERTO RAN DEGGE R. Joyous life. An English version of the popular canzone “ Ben e ridicolo” ALEXANDER REICHARDT. Remembrance CHARLES SALAMAN. Oh ! if thou wert my own love Cradle song I arise from dreams of thee Wool/Large-J; Be-nnett Shelley LADY JOHN SCOTT. Douglas, Douglas, tender and true E. SILAS. Rest ! where shall we rest? HENRY SMART. The sailor-boy’s mother ... ... Come again, spring I dream of thee at morn Barry Cornwall Rose of May BOYTON SMITH. Only a rose .. There sits a bird on yonder tree Merry bird ! Merry bird ... ARTHUR S. SULLIVAN. Sigh no more, ladies . Sweet day so cool The moon in silent brightness Little maid of Arcadee Guinevere 0 fair dove ! O fond dove What does little birdie say? County Guy The sailor’s grave I Ing.oldso_ym 3/32;. Inglelow T ennyson ... Sir Waller Scott -P-b-Ck-8-h-¥=-P-l>-> BERTHOLD TOURS. The angel at the window W. T. WRIGHTON. not no -u The Wagoner LONDON: VEDWIN ASHDOWN, HANOVER SQUARE. OOOOOOOOO
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Title: Spanish Serenade
Date: 1882
Text: For saleby all Music Dealers . 2"_D EDITION.‘ : ll ,, * hkLdIiII1I,I,,VI<’,/E53; H’ // T POETRY BY 3 I . I I J I I o . v sleeps‘. sleepsI /“S2 / Philadelphia Musical Academy. l8|7Spmice ST. 7//5 W/Jﬂ//5 mi #5547 ﬂy /7/J/’/77‘/I55/'0’,/7 /.7/L:/I/[‘7i:'_7"W,_’7‘ //zw_/,7/zm/7, /W77’///7? /17, /7///i//‘5/7/3/"5 M117/zg;/‘Z7//zzm ﬂ/J/77/7/E/5 it/0/"A/5, Cnpyr1g|'iTlE|H2IJy Ii/livan Fielder. MUSIC LIBRARY VASSAR COLLEGE SPANISH SERENADE’. Poetry by H . W....
Show moreFor saleby all Music Dealers . 2"_D EDITION.‘ : ll ,, * hkLdIiII1I,I,,VI<’,/E53; H’ // T POETRY BY 3 I . I I J I I o . v sleeps‘. sleepsI /“S2 / Philadelphia Musical Academy. l8|7Spmice ST. 7//5 W/Jﬂ//5 mi #5547 ﬂy /7/J/’/77‘/I55/'0’,/7 /.7/L:/I/[‘7i:'_7"W,_’7‘ //zw_/,7/zm/7, /W77’///7? /17, /7///i//‘5/7/3/"5 M117/zg;/‘Z7//zzm ﬂ/J/77/7/E/5 it/0/"A/5, Cnpyr1g|'iTlE|H2IJy Ii/livan Fielder. MUSIC LIBRARY VASSAR COLLEGE SPANISH SERENADE’. Poetry by H . W. LONGFELLOW . Andautiuo . VOICE . 4 > hide your gold - en > light! she sleeps! my la C-’)F'YPI{-3?-4.T 12:32 BY M.vnn Gelder. Music by MARTINUS van GELDER . dy //;\\ Sleeps! the j Sllﬂl - H181‘ “la - dy sleeps! poco rit. dim. j pm am/rnato <l> -I’) sum - mer night! ‘ the west - ern steeps, sleeps! my Spanish Serenade . \2 Wind of the sum - mer night! When can anima 1 wood - bine creeps, Fold, fold thy pin - ions light! She sleepslniy Spanish Su1'mwcJL2. la - dy sleeps! - dy SleepS_1t sleeps! r1. Spanish Serenade . her, her 10 - ver keeps watch! ‘\ I 1} I .-C- 1. H10 .'~;mn -- rner night! While slum - hers PO00 C7'(?SC.. while in light! she > dy sleeps! 8‘ ‘ hmorendo 8' _I I I
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Title: Hiawatha's Childhood
Date: 1914
Text: 2?: x; , :..: er »» \ f V n M ii‘ Wm‘ H ‘A C‘iiLDi‘i88D H OPERETTA BESSIE M. \X/HITELELY. I: 3' 1. 4 3' 4 "4 3- i . ;. :7 , _” ' _ I V _ \,\__»;¥;W Pantomime: Suggestions for Presentation of Hi_awatha’s Childhood COSTUMING OF INDIANS. . Boys: The usual play—Indians’ costume, sold at furnishing stores, is appro- priate. The “warriors” should have their faces as hideously painted as possible, and should wear a head-dress consisting of a bright colored band, decorated with up...
Show more2?: x; , :..: er »» \ f V n M ii‘ Wm‘ H ‘A C‘iiLDi‘i88D H OPERETTA BESSIE M. \X/HITELELY. I: 3' 1. 4 3' 4 "4 3- i . ;. :7 , _” ' _ I V _ \,\__»;¥;W Pantomime: Suggestions for Presentation of Hi_awatha’s Childhood COSTUMING OF INDIANS. . Boys: The usual play—Indians’ costume, sold at furnishing stores, is appro- priate. The “warriors” should have their faces as hideously painted as possible, and should wear a head-dress consisting of a bright colored band, decorated with up-standing feathers. They should carry bows and arrows, and tomahawks. ’ Girls: Select ankle-length skirt fringed around the bottom. The appro- priate colors to be worn are red, yellow, tan and brown. A bright colored shawl or scarf may be draped around the shoulders. Many strings of bright colored beads should" be worn. The hair should hang loose or in braids, and a band of cloth or of beads may encircle the forehead. Indian War Dance: This should be executed in a circle with much vigorous and stiff-legged jump- ing, accompanied by a ﬂourishing of_ tomahawks. A frequent breaking away from the circle by individuals, who indulge in a skulking movement, may be made. The dance suggested may be extended as long as needed by repetitions of the repeated passage on pp. 1 and 2. General Suggestions in regard to Characteristic Dances: It is considered best not to plan (through these suggestions) any set steps for these dances, as it has proven to work out more satisfactorily if the expression trainers in charge of the action are left free to follow the dictates of their individual imaginations, as excited by the plot and the music of the com- position. Steps, gestures, and general action should seem spontaneous. Dance of Mudjekeewis and Wind Spirits: These enter at the beginning of the music on p. 8. Mudjekeewis, only slightly accompanied by action on the part of the Wind Spirits, may execute a char- acteristic dance to the music, on pp. 8 and 9. Afterwards, to the music on pp. 11 and 12, the Wind Spirits have a more active part. A whirling ﬁgure performed by the individual dancers should be a characteristic of the dance of the Wind Spirits. All movements should be of extreme lightness. The costume for this dance should be of white or very light grey gauze, and long scarfs of the same material should befreely used as in any scarf dance. Phantom Dance: This action should express mystery and unearthliness. The arms must become most expressive, being frequently outstretched, and used in a beckon- ing gesture. The costume for this dance should be a long shroud-like drapery of white, covering head and body and fastened wing-style to the wrists. Fireﬂy Dance: Any dainty two-step form of dance can be used for this dance, for which only the smaller girls should be chosen. The circle, the serpentine ﬁgure, and individual ﬂitting about, always with exceeding lightness of step, are appro- priate. Hiawatha may take an active part in this dance, catching at or coquetting with the ﬁreﬂies. This pantomime may even be extended during his song “Wah—wah—taysee” during the rests in the solo, a repetition being made in the accompaniment during the rested voice-part. The costume for this dance may be of white or red gauze, and each dancer may carry a tiny electric ﬂash-light which is played upon frequently during the dance. During the singing of No. 11, p. 19, an interesting bit of pantomime may be carried on between Nokomis and Hiawatha. No. 16, p. 31, may be sung by a concealed chorus, Hiawatha being left alone in the woods, curiously listening and looking about for various birds and animals, even crawling under bushes, etc., in quest of his “forest friends.” The chorus may then make its appear- ance, with the three lndian maidens, in Nos. 17 and 18, p. 36, during the action of the shooting of the arrow by Hiawatha. At the close of Finale A, he leaves the stage, returningat Finale C. A — .. . _ . BESSIE WHITELEY HIAWATHA’S CHILDHOOD OPERETTA IN ONE ACT FOR UNCHANGED VOICES TEXT BY HENRY WADSWORTH LONGFELLOW MUSIC BY BESSIE M. WHITELEY 3 ﬂwarded tbe Prize by “Tbe National Federation of Music Clubs’ Competition,” closing September I, 1912, in tbe Operetta C/as: (Una/mnged 1/ oices) C. C. BIRCHARD E9’ COMPANY BOSTON Copyrzg/it, 1 914., by C. C. Bircbtzra’ 59° Conxpargv International Copyrig/Ivt yecured ‘CHARACTERS HIAWATHA. (As a young child in Scenes I and II,and as a youth in Scene III.) Represented by a young child and a youth. NQKOMIS. Represented by a girl dressed as an Indian woman. MUDJEKI-:EwIs. (West-Wind.) Represented by a youth. IAGoo. (T/ye Boaster.) Represented by a youth of size or a young man. FIRST INDIAN YOUTH SECOND INDIAN YOUTH Youths. THIRD INDIAN YOUTH FIRST INDIAN MAIDEN SECOND INDIAN MAIDEN Girls. THIRD INDIAN MAIDEN Indian Tout/)5, Warriors, Maidens, Women, U/ind-Spirits, Pbantoms, Fire-;ﬂt'e:,. etc. SCENE I A forest by a lake-, an Indian wigwam in foreground. SCENE II Further in the forest. SCENE III Same as Scene I. ‘T/2e 0 eretta ma be iven with one scene on] . P J’ 45' J’ Performed before the NATIONAL FEDERATION OF MUsIC Cums’ CONVENTION at Chitago, Illirzoir, April 2 5, I91 3 ; wider the direﬁion of M. Teresa Arm itage. The Orchestra P‘ll'(‘S may be obtained from the Publishers. Requirements for Performance: Purchase of at least 6 copies of the piano—voca1 score for the principal characters; where vocal parts only are preferred to the piano-vocal score for chorus use, a sufficient number of copies must be purchased for the participants, with two additional copies of thepianoyocal score; royalty fee of 315.00 where admission is charged. If more than one performance is given, and not on consecutive dates, there is an additional royalty fee for each performance. The names of the author and composer must appear on the program and in all publicity matter before and after performance. Chorut; .Przr£"s available CONTENTS SCENE I . INTRODUCTION: Indian War Dance Entrance of Mudjekeewis . CHORUS: “By the shores of Gitchie Gumee” . RECITATION: A little Indian maiden . SoLo: “Ewa-yea.” Nokomi: . RECITATION: First, Second, and ‘T/zird Indian Youth: . WIND SONG AND PHANTOM DANCE: PVz'nd-Spirzt: and P/zantonxr . Cuoxws: “At the door on summer evenings" SCENE II 8. DANCE 01-‘ THE FIRE-1'-‘LIES. Fire— in . RECITATIONZ An Indian maiden . SoLo: “Wah-wah-taysee." Hiawat/za . CHORUS: “Saw the moon,” etc. . CHORUS: “Then the little Hiawatha" SCENE III . RECITATIONZ F inc! and Second Indian Tout/2.: . ‘Sow: “Go, my son." Iagoo . CHORUS: “All alone walked Hiawatha . Cnoausz “And the birds sang round him . RECITATION: Fzrst, Second, and Third Indian Mazaen: . FINALE: (a) “Then upon one knee." C/zorz/5 (5) “Dead he lay there in the forest.” C/torus (c) “But the heart of Hiawatha.” C/zaru: MOT IVES The music is based on the following motives, derived from' Indian melodies . “GAME SONG" Indians of.Vanc0uver’s Island “LOVE CALL” Omaha"Indians ‘Used in No.1, (last movement) and No.6. .9 I ,5» A characteristic phrase from the original, a“Love Callﬁplayed on the native _/Zzzgeolet. “REST SONG” Omaha Indians Used in No’s 2, '7, 18 b. The melody line as’ in the original, the five measure groups devised by the composer. “LOVE SONG” Omaha Indians Used in No.4. The melody line as in the original, the rhythm devised by the composer. “DANCE SONG” Omaha Indians . i I" I’ W’ I’ ‘ Used in No.10. ‘rm E—l I The germ of the “Dance Song”, in the original of which there is more rhythmic than melodic development. “SONG OF THE SPIRIT” Omaha Indians Used in No.11. Derived melodically fromthe original, but condensed rhythmically. “OLD MAN'S LOVE SONG” Omaha In-dians .2’ Used in No.16. The repetition of the first two measures in the 5I_h below, is an in teresting feature of this melody. The publishers are indebted to Miss Alice C. Fletcher for permission to use the above motives from “Indian Story and Song from North Americav HIAWATHA’S CHILDHOOD Text selected from “Hiawatha” by Music by ‘ .HENRY WADSWORTH LONGFELLOW _ BESSIE M. WHITELEY Scene 1 A forest by a take; a zoigzmi/1 2'72 t/ze foreground , flag? closed. A few men and women seated about on the ground. ‘ Il]tI'OdIlCtiOIlZ Chorus and Dance of Indian Warriors Music oosort 2:/2071 a “Game Song” (f the I7za_’z'a7zs of Vurzcouzre/s z‘sZamz’. Allegro Vivace (Smmgzy mark the czzttar r /‘A . 7 1" 1' //-j*—§$ A (Enter I7m'z'a7z ‘warriors who A _ A A \ A A _A/—--\ A/""‘\_ give yells and dance m'goroz_¢sZy a war o’a7zcc.) Ki - yi—yi-yi, Ki-yi—yi-yi, Ki— i— '! IEi-yi-yi- ' '—yi-yi! A A A arcotiss. » “fab. {$3 The publishers are indebted to Messrs. Houghton, Mifflin Company for permission to incorporate ex- cerpts from T.ongfeHow’s“Hmwat}za3’ Copyright, 1914, by C. C. Birchard 81 Company (C'o7z2‘z’7zuea’ dancirzg of [7za’z'a7z warriors.) £3. axe (T/ze a’a7zc2'7zg gradually subszdes. A‘/..___—— decresc, 3% They are seen to was/z 2‘/zeir /zarzds 2'71 2‘/ze Za/ea, may z‘/zraw away 2‘/zezr arrows, to make peace-pzjﬁes 70/Liv}; they A 916 L/ ‘Sim “fem. axe 9,5 (Enter .3£UDJEKE7EW1SA9(WéSf-W/Z‘ﬂd) by WIjY;0- smoke 2'72 quiet groups.) T mprZ.c2.0S0 [A TE‘) 7710110 accel. , . _ $23. Hiawatha A11egr% KEEWIS raises 2‘/zeflap molto creso. ' : molto decresc. V ' so I 6%. of tile wzgzoam dz’soZosz'7zg N OKOMIS nursirzg the lz'lz‘Ze HIAWATHA.) _ (.412 group for C/zorus.) a Ze m Ch0I'uSZ “By the shores of Gitche Gumee” Soprano 1-H, Alto /lfusic based upon Omaha I7m’z'a7z “Rest Song» ¥ Andante moderate 7’!/' resAer7;e 1‘/zefz.'ve—7%easure r/zyz‘/z7/1A 2‘/zrouglzout.) A fab. 3!: ‘fab. 3:‘: etc. rzttaoco A ‘K At z‘/zis tempo, co7zsz‘der eac/z measure one beat. H 1' awat ha Andante moderato e e ressivb mf Soprano 1-H shores of Git - che Gu 2. By shin- ing Big - Sea -Wa ”€/' Alto 1. By Git - che gvu Big - Sea - . a shin — in wig - warn black an firs with wig - wam firs with , .\ Teheie '1. Daugh - ter 2.Br1ght be - Dau. h - tef of the Moon, 0 - Brig t ._,be - fore it beat the Dau h - ter of the Moon, 0 - Brig t be - fore it beat the Hiawatha Hiawatha ‘fab. T/my gal/zer irzto groups to flu? rig/22‘ amz’ /eff. NOKOMIS comes from file wzgwam, bearing an I7za'z'a71 cradle. black and shin - ing black and shin - ing ibe - hind the clear be - hind the clear gloom — y pine Big - Sea - Wa gloom - y pine Big — Sea — Vfa — bk; dim. 8 /22 trmzquillo "Eb. S/13 places 771 7'2‘ 2‘/ze Zitlle HIAWATHAV N‘? 3. Recitation (Sp0kVe7z by a Zz'z‘z‘Ze» I7za’z'a7z /m1z'a’e7z) “There the wrinkled old Nokomis Nursed the little Hiawatha, Rocked him in his linden cradle, Bedded soft in moss and rushes, Safely bound with reindeer sinews; Stilled his fretful wail by saying, “Hush! the Naked Bear will hear thee!” Lulled him into slumber, singing. N 9 4. S010: “Ewa—Yea" (zvozzoms) M02‘z've for music suggested by an Ullld/la 17zdz'a7z "Low Song” Molto moderato ‘mp 1. E _ wa-yea! My lit - tle owl — et! 2. E - wa-yea! My lit - tle owl — et! /rzolto traizquillo e espressrzzo F p legato E-wa-yea!__ E - wa-yea!._ Who is this, that E - wa—yea!_ E- wa.-yea!__ Hushlthe Nak - ed id 15000 rzz‘. H temﬂo \‘\_____/ ‘Em. >3@ Hiawatha lights the Wig‘-wam? With h1s great eyes Ii hts the wLg—wam? Bear will hear. thee! E - wa-yea! % '- wa—yea! A llt - tle owl - et, . - wa-yea! My ht - tle owl - et, E - wa—yea! My A lit - tle ow1~et! Who is this, that lights the wig-wam? lit - tle owl—et! Hush! the Nak-ed Bear willhear thee! > xfx/F 1' motto rtt. l 1 E- wa-yea! E -w‘a - ‘Em. are V, ./VTOKOMIS at the erzd of the song stoojzs over the cradle of the sZee_zbz'7zg HIAWATHA. All the others re - tire from the stage except three I7za’z‘zm youths who sjmale the foltozvtngr Hiawatha N0 5'). Recitation FIRST INDIAN YOUTII.‘ “Many things Nokomis taught him Of the stars that shine in heaven,‘ Showed him Ishkoo-dah,the comet. Ishkoo-dah, with fiery tresses :” SECOND INDIAN YOUTH: “Showed the Death-Dance of the spirits, Warriors with their plumes and war-clubs, Flaring far away to northward In the frosty nights ofWinter:” THIRD INDIAN YOUTH.‘ “Showed the broad white road in heaven) Pathway of the ghosts, the shadows, Running straight across the heavens, Crowded with the ghosts)the shadows.” Du-rz’7zg 2‘/ze rec1Itatz'07z qf 2‘/Le precea’z'7zg) I/ze stage is darkened. Enter /VIUDJEKEEWIS (West Wine’) and WIND SPIRITS and PHANTOMS. T/ze t/tree Iﬂdidﬂ your/zsi retire 2'71 fright. N9 6. Wind Song and Phantom Dance West Wind motive from Omaha Imiiarz “Love Call.” C .. apricioso .\ m,:)\ K? \m molto accel. e ores . H 1 .1vvzith;, Allegretto WAY!) .\‘/’./R1718‘ ,_ :'_ -__.,. _f I _ V .:.':: “ 4: Q; T . mo/to crest. _f ucce/. molto dim. amzcca Hiawatha Phantom Dance 74/‘ a lgmpo 6’ 71071 [again A A 77_1/' legato 1'!’/2/171/0272.: disperse) / ’\’\\ PP \ Z egg7'erz'ss2'IIz 0 Hiawatha Wind-Song AHGSYO (WIND SPIRITS < >- — 0o___.______j /I Zeggiero molto a’€crz.:sc. Hiawatha L ‘: mo//0 07’ 50. “$323. (l’f1A/1"/‘(M/,8‘ and WIND SPIRITS disagﬁpear as My siage is gradually Jig/zted.) ‘Sim. Qeb. (Mg/zzea slag ».) a [67/Zﬂo /é ajfa (,‘(/‘(z .b~.LA~ (Reenler Indian men, women and you:/zs.) Ky . 1’/H"//./_$/1.1/E.‘ — T/I6’ crowd Z00/as about czzriaus/y. Tlzey pic/e 24¢ afan offeaz‘/zers, an a7z2‘z'que war club, a 7I1(zC£7(I.s'Z7l, a /zeaolwtress etc, rep;-cserz/zvzg surprise by geslure. T/zzly lake rzotice 0f1V0I(0M1S and HIAWATHA by the zevzgzwzzlz, zm/zur/Izea’: a7za’fz'7za/Zy groupfor 1/zefollozwizg c/zorus: Hiawatha . ChOI'1lSZ “At the door on Summer evenings” Unison Chorus Mofme of music from Omaha “Rest Song” as in N? 2 *Andante moderato ’ f\ D mf Zega to J “m. (}’re.s‘er7~e //zc fnw 2/zwauzre r//yl/zm.) 7/; 1. At the door on sum - mer ’nings Sat the 2. Heard the whis— p’ring of the .. trees) Heard the /‘\ /\ I7 mf legato > \-2 - ’ - lit - tle Hi - a - Heard the wh1s -- p rmg lap - ping of__ “Mi - ne — wa f wa!” f\ (\ \ X’ /}0n.sz'a7er eac/z 7/zeasum as a sfrzgle /mm‘ Hiawatha of the pine Heard the lap - ping of t e said the pine “Mud - way - aush - ka!” said ‘ the der; Sounds of mu- sic, words of won der; Sounds of mu- sic, words of won T‘ g) _ 7/10110 rz'z‘. . a poco Ped~ ‘CURTAIN. Hiawatha Scene 2 A wooded scene. Stage senzzldarlg. ./V7'g/zl'scsr1z29. (Hiawat/za_.ana’ oz‘/zers gﬁresenzﬂ) N0 8. Dance of the Fire-flies INTRODUCTION Moderato 5 - ‘ /’/’g8""”"’ acccl e crcesc . (Enzer FIRE —FL[ES' and arrange for Dance.) .'/_\ .11 Zjemj) 0 attacca A DANCE Al1egre_t/t \/ 771}? Zeggz'erz'ss mo Hiawatha 7716710 WZOSSO T/M F]/{E- FL/ES vumis/I 4; 19’ A F H i awat ha N0 9. Recitation ( by (171 I/t/z’z‘a7z .1lm‘den) “Saw the fire-fly, Wah-wah-taysee, Flitting through the dusk of evenihg, With the twinkle of its candle Lighting up the brakes and bushes, And he sang the song of children, Sang thesong No/zomis taught him:” N0 10. S010: “Wah-wah—taysee”(HJAWATHA) (Mo2‘7'z'e for music of “Wu/1-7/ea/1-ta}/see)’xzzggesled by Omaha 17za’2’a'72 ‘i’/Jmzce Sang” ) Moderato (Preserve 2‘/ze culiar rlzytlzm ) mp Zeggie/0 sew/z,22Zz'ce 1, “Wah-wah-tay-see, Wah-wah-tay-see; lit-tle fire-fly, lit-tle fire-fly, 2_“Wah-wah~tay-see, Wah-wah—tay-see, lit-tle fire-fly, lit-tle fire-fly, Wah-wah—tay—see, Wah~wah~tay-see, Lit - tle flit-ting‘ white- fire in- sect, Wah-wah-tay-see, Wah—wah-tay-see, Lit- tle danc-ing‘ white— fire creature ,- Hiawatha Light me with your lit—t1e can—d1e, Light rne with your 1it—t1e can-dle, Light me with your lit-t1e_ can- (He, Light me with your lit-tle can-dle, _ A . 7Il€7Z0 7Il0SSO Ere up-on my. bed I lay me, Ere up—on my bed I lay me, Ere in sleep I close my eye-lids, Ere in sleep I close my eye-iids.' 6710 7110350 A I I1 916 a Zempo , light me! Light me with your.1it—tle can— e. Ah, light me‘. Light me with your lit-tle can-dle. ..:;- c1 lemﬁo } . Wah-wah-tay-see, Wah-wah—tay - Wah-wa.h-‘tay- see, Wah-wah-tay - L _ [mp atfacca L} During the sz'7zgz'7zg by I/Le c/torus £72 [/13 fa/Zozoirzg, A/'0I(0./IIIS and HIAWATHA wander aéaut, the form» er, e72z‘a’e7zz‘Zy }‘>0z'n2‘z'7zg om‘ zzarious natural wonders. . T/ze rejﬁ/ies of A70K0MIS are spoken afier eaclz dz‘m'sz'07z of the 0/zorus sz'7zgz’7zg. Hiawatha 19 N9 . ChOI‘IlS1 “Saw the Moon’? “Saw the Rainbow" ‘(When he heard the owls” (Scmi—Chorus in Unison) AZZer7zz1z‘z‘7zg,wz't}z spoken words M0z‘z'72e for music from Omar/za l7zdz'a7z “Song of the S'pz'rz‘z"’ T ranquillo Saw the moon rise Rip - phng, -rip-p1ing)round—ing" rom__ the wa /3 Saw the flecks and shad ws Hiawatha 15 z’ 24 agzfa Z0 Whispered“What 15 that?” flecks and shad-ows on it, /4;“; W“/“L-x # Right against the moon he threw her; ’Tis her body that you see there?’ Spoken l2y'1V0I(0M1S .- Once a warrior, very angry, Seized his grandmother’ and threw her Up into the sky at midnight; /ramq 112710 the heav - 2. Saw the rain - bow 11° Hiawatha Saw the rain-bow in the eav"n,_ /r;-—\\ Saw the rain-bow in the heaV—en, pm agilala In the East -ern e rain-bow, Whispered 1s g,t\~\~ss d {f_______\ VVhat 1s that,____ No-ko - misli_._ (K; .S'f)(I/(€71 éy NOKOMIS - Tis the heaven of flowers you see there/: When on earth they fade and perish, All the wild-flowers of the forest, Blossom in the heaven above us.” All the lilies of the prairie, JJ 1 .:walha Semi- Chorus Ah! tranqui poco agita to (mz'sterz' 3. When he heard t- ing, laugh — ing Hiawatha £1} a taro U - - ( . VVhat 1s e cr1ed__ 1n ter - ror‘/.What 1s. that?” e said, VVhat 1s__ that ff}. Sjzoken Wards by No/c0mz's 652%’ “That is but -the owl and owlet, I Talking in their native language Talking, scolding at each other .” W T m /' sezzz/We z‘ra7zqm'ZZ0 V L. 19 Semi Chorus //-——%§Oh!.________ 5 ./‘T . -./‘*5 . Hiawatha N9 Chorus. “Then the little Hiawatha” (Full Chorus in three parts) Moderato con s irito 7’!/° Soprano I-II the lit — tle Hi - a —wa-tha all beasts he learned their language, the lit — tle Hi — a - wa-tha Of all beasts he learned their language, Moderato con spirito \_ V T I ' . ‘ V Learned of ev - ’ry bird its lan-guage, Learned their names and all their se-crets, Learnedtheir names and all their se- crets, How the beav - ers built. their lodg-es) 4* —— N K I I I ' |\ | K 1 I . I II I W R I K 4:» d d’ II N l\ v T’ v 4- 47 at at -it .v xx Learned of ev — ’ry bird its Ian-guage, Learned their names and all their se- crets; Learned their names and all their se-crets, How the beav- ‘ers built: their lodg-es, {Lid JA 5 T +5T,g~4 J T V3 #5 LI: ... l .g I Hiawatha f Learned their names‘ and _ all their se—crets,How theybuilt‘ their nests in sum~mer, Where the squir-rels hid their a-Corns, How the rein-deer ran so swiftly, f 2- "9" Learned their names and_ all their se- crets, How they built their nests, VVhere the squir- rels_ hid their a—corns,_How they ran so swift-ly, they hid them-sel_Ves,} ____i so tim _ Talked Where‘ they hid them-S.e1VeS’} 1~2. Talked with themwhen—e’er he met themjii Why so tim - Id) marcato Where they hid them-selves in win-ter , . Why the rab _ bit was so tim_id”}’l-2.Talked with them, with them, Hiawatha them where- e’er he... met them , f Talked them._ when - e’er Ea met them, Talked with \_/ . them, Talked with /—'‘T Called them “Hi wa-tha’s Chick-ens.” Called them “Hi wa — tha’s Broth—ers J’ I’ - tha’s , Called them“Hi - a - 7 }) ‘ ‘has: Called them “Hi - a - sempre can .3 Called them "Hi - a - wa—tha’s Chicken.” Called them“Hi- a - wa—tha’s Brothers.” f “ ) H - . - tha, — - thas) H1 - a - wa -tha! cresc. \ /3 wa-tha’s Chick-ens.” 4: . , 2; . . I wa_tha,sBI_Oth_erS‘”}H1 a - wa - thas, the ht-tle H1- a -\na tha. 53%. w * Hiawatha - 9 Scene (Place. —- As in Scene 1. Upon the stage are Iliazoat/za as ayonth, Nokomis, Iagoo, Indzan men, wom- en, youths, etc. Iagoo is seen makmg arrows.) N0 13. Recitation FIRST INDIAN YOUTH Then Iagoo,the great boaster, He the marvelous story—te11er’ He the traveller and the talker) He the friend of old Nokomis, Made a bow for Hiawatha. SECOND INDIAN YOUTH From a branch of ash he made it, From an oak-bough made the arrows, Tipped with fl-int, and winged with feathers, And the cord he made of deer-skin, I Then he said to Hiawatha N9 14. S0l0:“Go, my sonz”<1Aooo) Motive of music based upon “Game Song” of 2‘heIndz‘ans of V(I7Z(/‘07t7;gI’)S Is/and Allegro e vigoroso Begin music with last [me o]’recz'tatz'on A A f A(Preser71e the r rhythm e A “Go, my son, in - to the for-est, Where the red deer herd to—geth-er, A , ‘Ea. Hlawatha Kill for us ‘a fa-mous roe—buck} K111 for ' A, ~ /'1‘ “Go, my son, in - the for - est, Where the reddeer herd to-g'eth—er, A Go! Kill for us A a-mous roe-buck, Ki f r us a ‘deer with ant-lers! Go, my son, in - to the for - Hi uwatha Where the red deer herd to—geth - er.” IAGOO gz'7*w.s~ in HJAWATHA 271/» (Low and arrows mm’ [5/{I(z’.s‘ /12'/22 (ff; poz'7zz‘z'7zg to t}1e_f0res2‘ 1'71 ﬂze bac/e~ altapca f.\ L_____,, T/1e 02‘/zers watch his a’epar2‘ure,gi7'1'7zg /zz'm.(by 1§a7zlomz‘r/re) rm e7zcoumgz,-‘rr1e7zz‘ far /1219 2/zzr/er!/1/«mg. T /16 semzlclzorz/5, z'7z cu7z2’emj>Zat7'07z sings 2‘//e fa//07m'7zg: NQ) “All alone walked Hiawatha” Semi Chorus in U ison And ante (Quasi rec7'I‘al2‘720) Forth in—to the for—est straightway All a~1one walked legato ' > /(IA-af,.,,, a fcmpo H 2 uwatlm Hi- a-wav-tha) All a. - lone walked Hi - a - §va—tha, > ' Proud-1y,with his bow and ar—rows; Proud-1y)with his ::”\ ”‘\ bow_ and ar - a- lone walked /'\ /57 V __ W.‘ H iawatha N9 16. Chorus: “And the birds sang round him" Full Chorus in Unison wtih Flute and Violin Obbligato Matwe Qf music from “Old Ma7z’s Love Song” of the (/ma/za Irzdzmzs Moderato Quasi rec-Z‘[afl’.z)0 espresszvo ea’ irmzq. Chorus 1. And the 2. Sprangthe 3. d Zra7zquz’ZZ0,co7z azioso, sempre /eg/12'/u An the {F - ————‘-T .7’ ‘ . birds sang round him 0 ’er birds sang squir - rel, Au’ — jz' - dau Ad’ — jz' - rab - bit from his path from his {"‘\ Hiawatha him, Sang the rob - in, the 0 — paw - L‘//M’, mo, Up the oak - tree, close be — side him, way, Leaped a - side, and at a dis ~ tance, 3-6 ----------- --L ---------------------- --, r b \ /—\ Sang the blue - bird, the 0- wais-sa, And the bi;?1s sang In and out a - rnong the bran—ches, Laug‘hed,and said be - Sat e - rect up - on his haunches, Say - ing to the 2-\ Hfawatha him, bir s sang o’er his laugh-ing, close be — side the hunt — er, to the hunt H i awat ha “Do... not shoqt us, “Do____ not shoot me, “Do__ not shoot me, / /, Hiawatha decresc. molto dim . e Hiawatha N9 17. Recitation FIRST» INDIAN MAIDEN: But he heeded not, nor heard them, For his thoughts were with the red deer; On their tracks his eyes were fastened) Leading downward to the river, To the ford across the river, And as one in slumber walked he. SECOND INDIAN MAIDEN: I-Iiddenin the alder-bushes, There he waited till the deer came, Till he saw two antlers lifted, Saw two eyes look from the thicket, Saw two nostrils point to windward, And a deer came down the pathway Flecked with leafy light and shadow. THIRD INDIAN MAIDEN: And his heart within him fluttered, Trembled like the leaves above him, Like the birch-leaf palpitated, As the deer came down the pathway. Fina;l€I(A)“Then upon one knee” (Chorus in Unison) Motiw of music based upon I2za’z'a7z “Game So7zg""(Vanc0u22e.r’s Island) Allegro con vivo (Praserwe //M j)€Cu/1'11)’ r/zy//2///J A /X on one knee u -ris-in Hi - a-wa-tha aimed an ar— row- P 2 . 2 /’’”'x fl Scarce a twig moved with his /A’—\ #A I‘11S tamped with all his hoofs foot up-1ift— ed, ‘ Hiawatha to-gether.‘ List- ened; mo-tion, Scarce a leaf was stirred or J 2"'”—“$ semﬁre 721 -fa rte roe—buck start—ed ) List-ened with one a [em/Jo Leaped as if to meet the ar — row.‘ a tempo cresc. I €23. Ten fa -tal ar - row, Li e a wasp Vit.. buzzed nd 2 qf mall‘;/1 dz‘/22. ‘fa. as \« Finale (B) “Dead he lay there in’ the forest” Semi Chorus in Three Parts Preserve the five measure r/zytlmz ndante moderate e espressivo ‘K Soprano It/II. Alto 7 P ,., >' boprano Hum_ Dead he lay there in Andante moderate‘ Hum. Beat his tim-id heart no C(msz'a’er*eac/z measure as one lzeaz‘ Hxawat a Beat his tim - id heart atta 0 ca decresc Hiawatha Finale “But the heart of Hiawatha” Chorus in Unis on Motzkre for music of (0) and ((2') based ujﬁon “Game Sd7zg” oft/1e 17m’z'a7zs of Va7zc(/zwer’s lslmza’. Enter HIAWATHA bearing the deer, aim’ exultanlly Allegro con sp1r1to » - (Preserve the peculiar rlzyt/mz J. ‘(T ‘Eek. heart of Hi- 21 - wa - tha,___ Throbbed and -ed) shout-ed and ex-‘ A A ult — ed! Throbbed shouted and ex—uIt—ed.' AAS he bore the A A ‘S Amarcato red—deer home - afmrm 3% Hiawath a Finale “Strong-Heart” - Full Chorus in Three Parts Allegro Vivace A Sopranol Soprano II Alto I erve 2‘/ze peculiar r/wt/zm) A _ , Allegro _v1Vace A f marcato a - goo and No - ko-mis Hailed his com-ing with ap - plaus - es. Hailed his com'- ing with ap-plaus - es. Hailed his com-ing with ap - plaus - es. " '‘ A/-————$ From the red- deer’s hide, No - From the Hailed 2— A Hiawatha ko4 mis, Made’ a red- deerh hide, a red-deer’s de, a Made a cloak for ban-quent to his ban-quet to his Vban-quet to his Hiawatha cloak for c1oak‘for Hi - a - - tha, wa - tha, A \ cloak for Hi - a - 2. ‘fa. red-deer’s flesh,No- ko-n1is Made a hon - Mad a ban-quet /.”"""T marca to All e vil-lage came and feast -ed, to his hon-or, ' All e vi1- lage came and feast-ed, T All e guests praised Hi - a ~ wa - tha, All the guests praised‘ '- a—wa—tha, Called him “Strong'~Heart, Scan - ge Called him “StrongHeart, Soan - ge Called him “StrongHeart, Soan- ge Hiawatha him “Strong — eart, '— Called him “Strong - Heart, Called him “Strong - Heart, A /4. A _/j" ma rcatov A decresc. ‘fab. CURTAIN A Vsempre H i aw atha. 221 Columbus Ave. Birchard Operettas, I Cantatas, and Operas For Treble Vozces BLUE BEARD. Operetta in 1 act. Libretto by ' ALICE MONROE FOSTER; Music by FAY FOSTER. May be given in high schools. 4 principals; chorus optional. Time, 1 hour. $1.25. CARMEN. BIzET’S. Opera. Abridged edi- tion for stage or concert performance. For choral societies and high schools. 7 prin- cipals; chorus. Time, 45 minutes. $1. CHILDE JESUS. Christmas cantata. Text by HAZEL JEAN KIRK,‘ Music by JOSEPH W. CLOKEY. May be given in junior high school and above. Time, 25 minutes. . Piano-vocal Score, $ .60. DRAGON OF WU FOO. Operetta in 2 acts. Libretto by DAVID STEVENS; Music by CHARLES REPPER. May be given in high schools. 12 principals; unlimited chorus. Time, 2 hours. $2. FIRST CHRISTMAS, THE. Christmas Can- tata. Text by CORDELIA BROOKS FENNO; Music by LOUIS ADOLPHE COERNE. For _ high schools and choral societies. P. V. score, $ .75. FOUNTAIN OF YOUTH, THE. Cantata. Poem by M. JOSEPHINE MORONEY, Music by E. S. HOSMER. May be given in junior high schools and above. Time, 20 minutes. P. V. Score, $1.00. HANSEL AND GRETEL. An English song- play adopted from Humperdinck’s opera by BERTA ELSMITH. May be given by junior high schools and above. 5 principals; cho- rus. Time, 1%; hours. $1.50. HIAWATHA’S CHILDHOOD. Operetta in 1 act. Text from LONGFELLOW; Music by BESSIE M. WHITELEY. May be given in junior high schools and above. 6 princi- pals; chorus. Time, 30 minutes. $ .75. I HEAR AMERICA SINGING. Cantata. Text by WALT WHITMAN; M u s i c b y HARVEY B. GAUL. For advanced high schools and choral societies. Time, 15 min- utes. P. V. score, $ .60. JOHNNY APPLESEED. Operetta in 1 act. Libretto by DAVID STEVENS; Music by HARVEY WORTHINGTON LOOMIS. May be given in grades above 4th. 8 principals; chorus. Time, 25 minutes. $ .75. LEGEND OF THE DANDELION, THE. Cantata. Text by CLARA LOUISE KESSLER; Music by JOSEPH W. CLOKEY. May be given in high schools. Time, 20 minutes. P. V. score, $ .75. LOVE’S SACRIFICE. Opera. Libretto by DAVID STEVENS; Music by GEORGE W. CHADWICK. For choral societies. 4 prin- cipals; small chorus. Time, 30 minutes- $1. 5 0. BOSTON C. C. BIRCHARD S; COMPANY Address Boston Oﬂice. MAY THE MAIDEN. Choral Dance Cycle from Gounod’s F a u S t , paraphrased by HARVEY V‘!/ORTHINGTON LOOMIS. May be given in high schools. Time, 15 minutes. P. V. score, $ .35. MOTHER GOOSE ARABESQUE. Cantata. Text and music by JESSIE MERRILL TUKEY. May be given in junior high schools and above. Time, 15 minutes. P. V. score, I $ .75. OLD JOHNNY APPLESEED. Cantata. For junior high schools and above. Text by WILL DEEMS; Music by HARVEY B. GAUL. P. v. score, $1.00. OUT WHERE THE WEST BEGINS. Cantata. Text from tbe poem by ARTHUR CHAP- MAN; Music by SAMUEL RICHARDS GAINES. May be given in high schools. Time, 10 minutes. P. V. Score, $ .25. PENNY BUNS AND ROSES. Operetta in one act for unison Singing. Libretto by LEISA G. WILSON; Music by CHARLES REPPER. May be given in grades above 5 th. 4 principals; chorus. Time, 1 hour and 15 minutes. $1.25. RIDDLE OF ISIS. Operetta in one act for unison singing. Libre t to by DAVID STEVENS; Music by BENDIX WILSON. May be given in junior high schools and above. 6 principals; unlimited chorus. Time, 50 minutes. $1.25. ROCOCO ROMANCE, A. Cantata. Text by FREDERICK H. MARTENS; Music by A. WALTER KRAMER. May be given in high schools. Time, 20 minutes. P. V. score, $1. SPRING RAPTURE. Cantata. Text by NELL R. EBERHART; Music by HARVEY B. GAUL. May be given in junior high Schools. Time, 20 minutes. P. V. score, $ .75 . TUBAL CAIN. Cantata. Text by CHARLES MACKAY; Music by HARVEY B. GAUL. May be given in junior high schools and above. Time, 30 minutes. P. V. score, $1.00. YOUTH AND LIFE. Cantata. Text by DAVID STEVENS; Music by PETER BENOIT. May be given in grades above 5th. Time, 25 minutes. P. V. score, $ .65. WAY DOWN SOUTH IN DIXIE. Operetta in one act. Based upon songs by STEPHEN C. FOSTER, arr. by CARL ENGEL. Libret- to by FREDERICK H. MARTENS. May be given in junior high schools. Time, one half hour. $ .75 . 4,, NOTE: Orchestration: are available for all opera: and operettas, and for most of the Cantatas. NEW YORK 113 W. 57th St. 9'. ; 3 i § 4 K € £ 5 é .9 V Z 5 ‘E '.._a 5 2 . E 5 ['1 ‘ , 1 WITH SAILS &OARS ; '.V|«1\\?R\_\\V~i§x—V,\VV--§-V-s-V7VT\_.I:tTV'-1\!\\¥ -L
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Title: Lighthouse, The, The Lighthouse
Date: 1904
Text: MUSIC Llsmlnv VASSAFI COLLEGE POUGHKEU-sac. New vonu SUNG BY M‘? WATKIN MILLS. IELILEHLLJJSE Q i3€3—n WV Q» («IR A‘ / J I} \ a /4 S)@_}@@ >)N9 FOR BAss OR BARITONE. ' ;n(( )))« ﬁn \ xx: 0) ' MUSIC BY Jr alv ’ xiv V J! J’ "' ,‘\ Alt ilk V Lit Ill ilk . 1|‘ II‘ ‘I’ COPYRIGHT PRICE 2/=NET IN I. J; U.S.A. MC MVI. LONDON, LJOSEPH WILLIAMS, Limited, BZGREAT PORTLAND STREET, W. /YEW >/0/we EDWARD SCHUBERTH & CE? £.J.vF. H.Me)/Er] The lighthouse. The lighthouse lifts its...
Show moreMUSIC Llsmlnv VASSAFI COLLEGE POUGHKEU-sac. New vonu SUNG BY M‘? WATKIN MILLS. IELILEHLLJJSE Q i3€3—n WV Q» («IR A‘ / J I} \ a /4 S)@_}@@ >)N9 FOR BAss OR BARITONE. ' ;n(( )))« ﬁn \ xx: 0) ' MUSIC BY Jr alv ’ xiv V J! J’ "' ,‘\ Alt ilk V Lit Ill ilk . 1|‘ II‘ ‘I’ COPYRIGHT PRICE 2/=NET IN I. J; U.S.A. MC MVI. LONDON, LJOSEPH WILLIAMS, Limited, BZGREAT PORTLAND STREET, W. /YEW >/0/we EDWARD SCHUBERTH & CE? £.J.vF. H.Me)/Er] The lighthouse. The lighthouse lifts its massive masonry, A pillar of fire by night, of cloud by day. And as the evening darkens, 10! how bright, Through the deep purple of the twilight air, Beams forth the sudden radiance of its light With strange, unearthly splendour in its glare. And the great ships sail outward and return, Bending and bowing o’er the billowy swells, And ever joyful, as they see it burn, They Wave their silent Welcomes and farewells. “Sail on! sail on, ye stately ships! And With your floating bridge the ocean span; Be mine to guard this light from all eclipse, Be yours to bring man nearer unto man.” L ONGFELL 0 W J.W.14461. THE LIGHTHOUSE. Words by Music by LONGFELLOW. HERBERT H. NELSON. Allegro mo derato. The 1ight_house lifts its mass-ive ma_s0n-ry, A pi1_1ar of fire by EV of cloud by day, The light- house lifts its mass - ive ma _ son-ry, A p11_1ar of f1re by n1ght,_.____ of cloud Cojtyright MCMVI by Joseph Williams Ltd. in (7. 3.11. J. W. 14461. P272 lento. And as the ev’n_ing dark _ ens, . how Through the deep accel. e cresc. forth the sud _ den ra - _ dianoe } faccel. e 01/esc. Tempo primo. strange,un_ earth _1y splen _ dour f Andante. And. the J. W’. ‘.4461. p Andante. great ships sail out _ ing and bow _ _ing o’er the bil _ lowy swells, _ ful, as they see /“ wave their si_1e11t comes, their Wel _ comes and fare _ Wells, {T ' as Gm. ll d . ~ ’a argan 0 .:._:==_— K3 molto rall e dim. /TN . F' _ Wave their si _ lent 'We1 _ - c0mes,'the1r W€l_c0mes and farpe 9% J.W’.14461. Allegm vm aestoso. > . ritard . 33- 9i9‘§éb. And with your float - ing bridge IT . J. W. 14461. from all e - clipse, from all e _ Clipse, near_er un _ to man!” /5 a tem ff marcafo fl bassa. >39 > 53%. J. W. 144.61. *°53a>. U 5%‘ Erurn2_ Pr-inten lZ.Harn Yard, G’. Windmill 5tr*eet,W. FOUR SONGS FOR BARITONE OR BASS. The !Du‘bchman’s Jug. (Copyright in l7.S.A.) Words by FRED. E.WEA'I‘HI1‘.RLY. Music by LIONEL ELLIOTT. VOICE, littlejng And he said tohisjug one day, _._"The 1 world is dry and so am I,’__ Just as Lmanmight say; “So give me a dra.ught,my jol_1y little Give me a draught,” said lie, "And (Keys to suit all voices.) Drake’s Drum. (Copyright in Izs.A.) Words by HENRY NEWBOLT moderate. Music by FLORIAN PASCAL. VOICE. Now Drake,he was 3 Devon man, ’an ruled the De_von seas. (Cap_ten art tha' s1eepin’there be _ low?) Ro_vin”tho’his deathfell, he went wfheart at ease, An’ dreaIn_in url the time 0’ Plymouth Hoe. Swift flies the Arrow. Arabian War song. (Copyright in L'..S'.A.) English words by EUGENE OUDIN. Music by V01 CE. Swift flies the at- _ row, and with wild La. flé‘. Me 31]’. - fle at sur la and the fait tie spear fiercely lar _ gas en _ \/ While from the shield Des bou _ chi _ ers -_/_ CH. GOUNOD. The Lighthouse. (cnpymg-ht in II.s,A.) VVords by LONGFELLOW. All moderate. Music by HERBERT H. WLSON. VOICE. The light~house lifts its massive ma_son_ry,A pi1_1aroffireby night, / of cloud by day. The light-house litts its massive ma _ son-)-y,A pil - lar of fire by Price 2/— net each. London: List 1873 Joseph Williams Ltcl., 82, Great Portland S’cree‘b,'W.
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Title: Into the Dawn To Be
Date: 1919
Text: music uammv VASSAR COLLEGE rououxzznsoz. New vonx 4x‘ '1 /( xx ‘ \\ /1 . \\ /1 4( \ . Jr \\_ THE WORDS BY LONGFELLOW g-————— —-T I \ VThe Music by T. WILKINSON STEPHENSON PRICE 60 CENTS (new) BOOSEY (<2. N New YORK - TORONTO - LONDON (Eng) 9 EAST I72‘ ST. V RYRIE BLDG..YONGEST. ‘ b 295 REGENT ST..W. ' THIS sous MAY as suns IN PUBLIC WITHOUT FEE LOR‘ LICENSE . THE PUBLIC PERFORMANCE or ANY PARODVIED vaasnow. How:=.v+:n,ns s'rmc'ruv PROHIBITED COPYRIGHT MCMXAIX BY BOOSEVE...
Show moremusic uammv VASSAR COLLEGE rououxzznsoz. New vonx 4x‘ '1 /( xx ‘ \\ /1 . \\ /1 4( \ . Jr \\_ THE WORDS BY LONGFELLOW g-————— —-T I \ VThe Music by T. WILKINSON STEPHENSON PRICE 60 CENTS (new) BOOSEY (<2. N New YORK - TORONTO - LONDON (Eng) 9 EAST I72‘ ST. V RYRIE BLDG..YONGEST. ‘ b 295 REGENT ST..W. ' THIS sous MAY as suns IN PUBLIC WITHOUT FEE LOR‘ LICENSE . THE PUBLIC PERFORMANCE or ANY PARODVIED vaasnow. How:=.v+:n,ns s'rmc'ruv PROHIBITED COPYRIGHT MCMXAIX BY BOOSEVE CO. INTO THE DAWN TO BE. Four by the clock! and yet not day, Only the lamp in the anchored bark But the great World rolls and wheels away, Sends its giimmer across the dark, With its cities on land and its ships at sea, And the heavy breathing of the sea Into the dawn that is to be. Is the only sound that comes to me. Words by h . A Music by LONGFELLOW. y y T. WILKINSON STEPHENSON. Slowly and with expression. Four by the clock! and (The Clock.) yet not. day; But the great world rolls andwheels Copyright MCMXIX byiﬂoosey «.6 0'0. With its ci-ties on land, and its ships - to the dawn that Four by the clock! and yet not day, (The Sea.) an - ehor,d bark ' glim-mer a - cross the dark, And the /,»—""'—-__-——“*~\ ,/”"-————_-_—““- \~./ hea. - vy breath- ing of the sea Is the on — 1y sound that_— /————---—'—“,—‘e f comes___ to me, And the hea - vy breath — ing of /’’”———_—~‘‘*~\\ ' 2210-4 dim e rall. fl» "dim. e rall. clock! f'\ . \/___ 9- \.J -316 0011168 (The Clock.) mll. e dim. mll. e dim. ‘Eb. OTHERRECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS SHIPS THAT PASS IN THE NIGHT. ords by LONGFELLOVV. - , 7 O Fmmmrales of a.Wayside Inn.” ’ MUSIC b_\ T. V\ ILKINSON STEPHENSON. Slowly and’wz'tl2 ' ~ 7 71/' Ships thatpassin the V ht, and ‘ speak eacho er in- ing, On-1 a s nalshown and at ca in the dm darkness; Copyright MCMXIV by,Bo-osey&Co. O Words by Music by ROSE FYLEMAN ARTHUR M. GOODHART. _meno 7730880 _AEA&IfEKY( UEM A&MiA:E&K®EEMI@ fai - ry went a - mar - ket - ing— She bought A gen- tle mouse T0 pow menu mosso‘ lgsep her day she }t_ept its bu_S_:_¥ feet Pit - Vpegtrting to anti ‘fro_,___ _ And then she kiss’5d__i_t_s si1k—en ears, > > -‘ The words appeared in“Pu.nch” Jan. 24918. Copyright MCMXVIII by Boosey & :E1rI1Eii Words by ELIZABETH K.R’EYNOLDS. by Mr_ John Mqgormack EDWIN SCHNEIDER- /\ ’ p Andante misterioso. Green things,moss - es ferns, _ .__._._ Hid in the shadow-y softness of Here" sunshine en - rs not,But still - ness rests like tlream it- New Edltlon Copyright MCMXIX by Boosey & C0. OTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS V ’ No.1'inG To Madame [iza Zelmzmzn N0-2 B5 . SW“ 0E1 \ SE1 M.b '01‘ s )7 11510 y ED_LocKTSoN. \J \ ) ’I‘.WILKINSON STEPHENSON. Slowiy and .,wz't'/2 exprEss2'on crew 0 from my heart, . an op -’ning , flowr In deep tran-qui1-1i- ty,___ Doth rise in- cense of my (7/1936 co a poco S .2‘:-. 10ve,_ _ 0 soul of . in-cense,th<V2> Lin-cense of my love,_ > f ' Co yright. MCMXVI1 by Boosey & Co. TJHJE ILHBJHTSJ‘ F IHQM ‘ Music by _ » ‘ C.LINN SEILEIL 0p.10,No.2.. Inmoderatel slow timeand with feeling.‘ ' z’ . ‘ em‘! — 4 :_“‘—.—}- gm», — lot ow arfrom 0t :11‘, {S A ht ofs ray, tar. . A Setkbirds fl ht’ ’ - en eliahts of home! permission, F1-om“Co ected Poems? Vol. II. _ ‘ 1 Copyright 1913 by The Frederick A. Stokes Co.) C°PY’“ght' MGMXV by B°°S9Y& C0- THE RAINBOW CHILD. _T’I‘E RADCLYFFE - HALL . Music by S. COLERIDGE—TAYL(‘5R. The ‘sun —) shine met the st<;rm—wind the p1a.in,_______v And. she’ wooed him And his kisses .34’ a tempo. > Copyright MCMXI by Boosey & Co. OTHER RECENT SUCCESSFUL SONGS ABY EMINENT COMPOSERS NM SLEEPS @m1Ms@MPEmm zinm, No.4inGl> Words by,'I‘ENNYSON._ Sung by Mr. John M9Cormack. Music by ROGER QUILTER. / with , ' - Nowsleeps crimsonpe novrthe - Nor waves the ress in the pahtce walk Nor nks t e gold fin p 1 4 _ A ' _ §/T‘. . porphyry’ _font- waken thou with me. Nowfoldsthe yin Sweetness Copyright MCMIV by Boasey & Co. - , ., R0) BM summlzgmmwgxggﬁgmi N .2‘ G‘ . L 1 M ~ Words by ALFRED HYATT. Dedlcated to and Sung by Mme.Clara Butt. —Music by ERNEST NEWTON. Andante. Roses bysummer for- Ba - ken, Li—1iesofsunshine be-reft, Summer her fare-well has whis‘ - per’d, J» e. t! \ R L LI I x 1 I - n v. . 1 1 1. 1; I 1 1. ,, 1 v 1 In ,__ 13 41 ‘ ~ , - -' U Nzxght ‘but hermem-o-ry left... . V Weafied heswa.1lowsde- dim e Copyright MGMVI by Boose_y& Co. B5I£IRiIDJ@J1E‘B5IL_JIJEJ ' Words b - 5! Music by » - “-GHRYSTA E1“ J: 88) EDWARD GERMAN; ' Allegro ag2'tatb.( for 831-Ways» Little irdof Blue! Com dbring us crownsof ro-Vses, A11 un-tolich 0 rue: it never, Copyright MCMX by Boosey & Co.
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Title: Wabun
Date: 1923
Text: MUSIC LIBRARY VASSAR COLLEGE '0'.'P-WE’?-svz. new vonx SONGS sHA-wON-DA-sEE (The South Wind), Medium, F (No. 5252) . SKARL THE DRUMMER, Medium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) - WABUN (The East Wind), Medium, F (No. - I-IIAWATI-IA'S SONG, Medium, F# minor N. as - — — — ADJIDAUMO (The Squirre1)'Medium,G } ( ° 52 ) ‘F J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED IN THE...
Show moreMUSIC LIBRARY VASSAR COLLEGE '0'.'P-WE’?-svz. new vonx SONGS sHA-wON-DA-sEE (The South Wind), Medium, F (No. 5252) . SKARL THE DRUMMER, Medium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) - WABUN (The East Wind), Medium, F (No. - I-IIAWATI-IA'S SONG, Medium, F# minor N. as - — — — ADJIDAUMO (The Squirre1)'Medium,G } ( ° 52 ) ‘F J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED IN THE U. S. A. To Mr. and Mrs. Elbert L. 0’m°pente7~ Wabun (The East Wind) “Hiawatha” LONGFELLOVV JAMES A. BLISS Q I Medmm Op.11,N0.2 Allegro con moto r,__§_._, Voice Young and beau - ti - ful was Wa - bun, A Zeggiero x V7 0 ‘ He it was ~wh0 brought the morn-ing. He it was whose Sil - Ver méfr- rows f Ossia Chased the dark 0’er hill and Val - ley; He it was whose cheekswere painted Copyright, 1923, by .ZF2'scI¢er c6 Bro. British Copyright Secured ‘» J.F.& B. 5253-3 Meclzamfcal and all otlzer ﬁghts reserved ].>;~§ymgd in U¢s_A_ mf cresc. With the bright-est streaks of crim-son, And Whose voice a-Woke the Vi1- 1ag‘e,V } Lg > ¥_______,g f? , (M.M. J:1o4) Called the deer, andcalled the hunt-er, Lone - ly in the sky was Wa-bun 19 staccato Though thebirds sang gai - 1y to him, Though the Wildflowers ef the mead-ow J.F. & B. 5255-3 Filled ‘ the air with 0 - dors for him, Though the for-ests and the riv—ers Slower Sang and shout- ed ' at his com-ing Still hisheart was sad with-in ‘him /}i /"T /"““T 1‘ a - lone in Heaven. iv A Group of AMERICAN SONGS L1sT No. I . HOWARD BARLow . . . . . . . GENA BRANSCOMBE . . . . .. ELIZABETH I-I. DAVID. . .. }AMEs P. DUNN . . . . . . . . . G. FERRATA . . . . . . . . . . . .. CECIL FoRsYTII . . . . . . . . . FAY FosTER . . . . . . . . . . . . J. BERTRAM Fox . . . . . . .. FRANK H. GREY . . . . . . .. VICTOR HARRIs.. . . . . . . .. A. WALTER KRAMER . . . . HOWARD D. MCKINNEY. WILLIAM REDDICK . . . . . .. GERTRUDE Ross . . . . . . . .. LILY STR1<,:I<LAND . . . . . . . . DEEMs TAYLOR . . . . . . . . . PIETRO A. YoN . . . . . . . .. I-lush ofthe World . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5193, 5194)* L0veissoNew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5I92)..... Your Eyes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5195, 5196) In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . .. Honeysuckle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5151, 5152) . . . .. InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155, 5156) Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5153, 5154) The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . . .3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) . . . . . Under the Greenwood Tree . . . . .. . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) .. . . . Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) ..... A Masque . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .]\/ledium (4532) . . . . . . . .. Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547) . . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . .. When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . .. Secret Languages . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4665, 4666) . . . .. Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) . . . .. When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . .. Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4454, 4455) . . . .. A Ballad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. High (4737) . . . . . . . . . . . Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . ... . . . . . . . . . . . .2 keys (5079, 5083) . . . .. Sadness; Tears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5160, 5161) . . . .. The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) ... .. A Madrigal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) ..... Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 keys (5092, 5093, 5094) Silver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5098, 5099) ._.... Eternal May. . . J . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . .. ForaDream’s Sake . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (3851, 3852) Joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4246, 4247) . . . . . Song Without Words . . . . . . . . , . . . . . . . . . . . . . . . . .High (5020) . . . . . . . . . . . In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . ... . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys (4863, 4864) . . . .. Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . ..High or Medium (5077) . Travelin‘ to de Grave. _ . . . _ . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) ... .. Early Spanish Californian Folk Songs (Five).. . . .2 keys (5120, 5121) . . . .. Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144). . . .. Bayou Songs (Four) . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) .. . . . A Beggar at Love's Gate; So Cycle . . . . . . . . . .2 keys (4440, 4501) . . . .. I. I. I. ng Today is Fair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4338. 4339) ~ ° ~ -- Captain Stratton's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass (5242). Banks 0' Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .../\/Iedium (5210). . Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) ... .. The Messenger . . . . . . . . . . . . . . .. . . . . . . . . . . . ..2 keys (4732, 4733) The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) .,... A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . ..... 2 keys (4452, 4453) ..... Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . .s.. *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. FOURTH AVENUE AT E1011 NEW YORK 3, NEW STREET, BIRMINGHAM, ENGLAND TH STREET (ASTOR PLACE)
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Title: Old House by the Lindens, The, The Old House by the Lindens
Date: n.d.
Text: J/77 A///A/70 4; 17/XIW, /MP VIEW or LONCFELLDWS RESIDENCE.) i COMPOSED BY €§ ( \@@@§I§ w, B D N W MN E DI 8 _.r_ H T WRITTEN BY 'N VV [ L§<E€§ ‘§&\ . S. N EL 9 N U E... H Tl Y ‘B E 5 U nu H 9 IL nu ..r_ H T /LL/I5)’, ///H EN/7'...)"/734.1-M721, L\n.v..u¢nAL]\»wuuaH§L.. 41. K on F: ¥\w.vUime» s l‘\'H\l\ .1 W. JFR .V 77?. VJ .\¢ E42 exwvi A5 7L.;w.wVu!M.. JEIJ. :1 «R «J J._.\.; .54 » iﬂuvt. .....ﬁM)\W.n14».4J!-Jyn x w as ;1 ._ E .. Fx‘wl«.xIA.%\.’.w‘‘‘lv‘u\HJ\.W‘xI...
Show moreJ/77 A///A/70 4; 17/XIW, /MP VIEW or LONCFELLDWS RESIDENCE.) i COMPOSED BY €§ ( \@@@§I§ w, B D N W MN E DI 8 _.r_ H T WRITTEN BY 'N VV [ L§<E€§ ‘§&\ . S. N EL 9 N U E... H Tl Y ‘B E 5 U nu H 9 IL nu ..r_ H T /LL/I5)’, ///H EN/7'...)"/734.1-M721, L\n.v..u¢nAL]\»wuuaH§L.. 41. K on F: ¥\w.vUime» s l‘\'H\l\ .1 W. JFR .V 77?. VJ .\¢ E42 exwvi A5 7L.;w.wVu!M.. JEIJ. :1 «R «J J._.\.; .54 » iﬂuvt. .....ﬁM)\W.n14».4J!-Jyn x w as ;1 ._ E .. Fx‘wl«.xIA.%\.’.w‘‘‘lv‘u\HJ\.W‘xI‘xV~ VxﬁY’|x .lX\&..knkHhn1nV.1\..u..r.i rxAh.U.va xf‘ ).,.;, te)..u.!.ﬂ..,.qA., ....(,c..\ E 1»: ..w 1 “THE OLD HOUSE BY THE1L|NDENS’.’ OR “THE _OPEN wmnow.” Wi~itten by H.W. LONGFELLOW. Composed by JOHN BLOCKLEY.» ~.MoDERAr1'o . The old house by the H11 _ _ dens , Stood si _ _ _ lent in the Esprcssivo. the graveI1’d path _ _way , The J u light and shadow 4 playd nursery Win--d0W ’ ‘. But the Esprcs-s1'vo . . Calando, __ _ cesv M of h the _children, They were no lon .. _ _ _ ger Te mpo. there . e lar ‘e New- .. fo(md_ _ _ _land house — 0 g: "f standing the door; e ‘look)d for his little Espressivo . p1ay_ _ _ _ _mates, Who woulél re ; _ turn Lg’ dotce. Dim. e rall . look’d for his little play _ _ mates,VVh0 would F€_tu1*n no more . \‘f// L2 "’/V /3 ‘-9 calla vocu . The Old House by the Lindens . ~:John Blbckley. under the lin_dens, They p1a..y’d not They wa1k’d not /3 V Espressivo. But shadow, and silence and sad_ness birds SEUISC’; branches , ' With sweet M a __ mi _ _ liar But # Expressive . Calanda . voi__ces of the children Will be heard in dreams /‘7\ _/"g___g The Old House by the Linden: . the El... John‘ Blockley Tempo. And e boy that w2{1k’d be_sirle "f not ‘ — y c user in mine, ah! préss’d his ‘warm, soft hand‘. Dim. e rail. closer In mlne, ’ clo _ _ _ ser, I press’ h1s warm, soft hand! \ /9 " calla vocc. The Old House by the Liridenr, Londgn, Published, by Juhn Blcckley, 2 Park Road,H;:v::u*stock.Hi11 . I «I ®L@-ML. : RNTETTW?‘ W 51' TWA”/WD comPo'SER or"'LuvE NoTj' "HEARTS A HDMES; 'EvANcELINE;‘ "ExcELsIoRi‘a«.. PDEIRY av QESSIEIS DREAMTSTONV DF RELTET or LNCNNDWTGRACE CAMPBELL MESSENGER swALLowIo swA..IgwITENNYS0N. aka I IvIAuD~ L * , _ D° _ zie THE BR-00K. I ' Do 2!- ]coNIE INTO THE GARDEN MALID I D° ’ as MEMORY or THE PAST I'm.‘s mu mm D° aés MUSIC ON THE wIND moumn T0 wuss) D° zle coNc..usIoN_os ouuu or me am) MOTHERS sous BREAK.BR£AK Ipomm or TENNYSDN/I D° THE wARRIoR's RETURN . 0° zie G0 NoT HAPPY DAY I . .D° 21- ELIIN ECHOES. Rmw am BLOW) D° RING OUT WILD BELLS. D° A BLESSING oN THINE EYES H0N“E‘M“.5N0RT0N FRIEND or OUR EARLY DAYS 7 D° IREYIEMBER THY VOICE D°_, WE HAVE BEEN FRIENDS TOGETHERD° THE ABSENT oNE D°‘ MV cHILDHooD's HOMEIPGRTRIIITOFMVNORTONTDO THY NAME,THYTRI:AsuRED NAME THE HAPPY BRIDE 'C.YOUNCx._, (HAPPY Is THE BRIDE THE sun SHINES GMT HOPE IS THE LIGHT OF EVERY HEART GRACE STIRLING 2]‘ FAVORITE SONGS av THE RIVER & STAR ANGELINA 2» ART THou LOST To ME D° ABSENCE ‘Do TELL~TALES. S.LOVER STIR THE FIRE(pom-,avc.muun‘IJOLLY HASTE THELBOATMAN \~’1NllLOP 5L7NG)KUC-K EN . :swEET 1 LOW) . Do 3L" POETRV BY HIGHLAND REscuEI...c..,m AI‘ Lucknow) CARPENTER ale FLOATING AwAY.... . . ‘ D° zt~ MY DEAR OLD HDNIE . . D° z{~ rL'owE'Rs or HDME 7 D9... ate GENTLE woRDs I 21. T FOOTSTEPS or ANGELS -7 LONGFELLOW is IwITH PaRTRA|T) . ARRow 8< THE SoNG..__.... . D°. 2}- A GREEN TREES WHIST5ERED.... D° \ .!- PASSING AwAY. was HEMANS" 2|- THE BRIDES FAREWELL . D9. 2|‘ HoNIEs or ENGLAND. ‘V ,D° 2|~ THE BETTER LAND _ D° BIRTHDAY GlFT_:.. . C.TREVEt.YAN ALL‘s FOR THE BEST MARTIN TUPPER SPEAK GENTLY, LANGFORD AI3sENT‘rRIE‘NDS SHEA... .. RosE,RosE,.oI>EN THY LEAVES SwIss GIRLS DREAM___ BARTHOLOMEW SUMMER... D9 VESTERDAY(coMr.ANIoN To"To DAY" AND To Mmunow) MOTHER WHO HATH A CHILD AT SEA E .COOK ROSE OF THE ALHAMBRA’ VARTOUS COMPOSERS. E.J.LODER BULWER THE SABBATH MORN SN|lLE& KIND WORD OF GREETING D° NY FATHERS BIRTHDAY... . *' D° TIMETHAT BRINGS HINHONE AGAIN MACFARREN THE FALSE GoNDoLIER c.GLovER BIRD OF THE WILDWOOD GOLDBERG _ l_A "3! 1 } ‘ ‘H. 4 “E; Q“ i ‘ ‘ _ J)! ‘V _U___A __“_W " ll/it ‘Y :2 V )_V_ L; ‘Aw -,- ,, A4; ,,1.:A;.2~.“/; L .~ -: ;Uz..«'« ? A./_ V .‘t::~ T E ~".J‘*5“"»"'«,-=-=-v-s4_>.~:I.-_ :a.«ﬁ».<-—::sv~«~—E:e~::-,-: _~;«=r> . ~ I “ﬁ‘*¢".""'"‘:.~—»~‘~?-:-e-*=»:--.~w..-A:-<.'~ ., :E..A¢,:=:P;t-~.. p..r—».«.- ;:r«.«s-a~«4u‘~«=»e-»-.€.,~;,...:_ «-«-‘«~»a«.‘-:‘%‘>~.-.133-vv. « S -A2» as x
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Title: Serenade To Be Near Thee
Date: 1879
Text: (&ampuJw]ﬁM' V z///I-A Ju/zy W17/L‘r//m/z.s'zzr::.:4a ,-15 741/ A\ﬁ:%@:s>‘%1@iﬁ@W%?i?a@f%i@iA@ .~:\ 5 \\ ‘.~\; 9 R ‘ : ;\ \‘ /« Z..__1\_/// A _ M ﬁx i\jf\_\ W71’/V’/A)" /7,17 , / ELL MUSIC BY BOSTON. OLIVER D|TSON&C‘?45|WASH|NGTON ST CHI CH G5 . LYEN 5: HEALY. ‘ 1\'«'.'.’DRK,.C,H.DIT5D1\T5¢ED. PHIL-‘.*J'E DIT5DN5<DU. Z7Eirz71'I, .5.Fra/701555. 5aIvE5Imz_ 5. J.W}71'm5y&Z7z7_ Slzerman-ﬂyds «X 00. TZ7’0_;7gc7z7V’u7rJ. Copyright 1879...
Show more(&ampuJw]ﬁM' V z///I-A Ju/zy W17/L‘r//m/z.s'zzr::.:4a ,-15 741/ A\ﬁ:%@:s>‘%1@iﬁ@W%?i?a@f%i@iA@ .~:\ 5 \\ ‘.~\; 9 R ‘ : ;\ \‘ /« Z..__1\_/// A _ M ﬁx i\jf\_\ W71’/V’/A)" /7,17 , / ELL MUSIC BY BOSTON. OLIVER D|TSON&C‘?45|WASH|NGTON ST CHI CH G5 . LYEN 5: HEALY. ‘ 1\'«'.'.’DRK,.C,H.DIT5D1\T5¢ED. PHIL-‘.*J'E DIT5DN5<DU. Z7Eirz71'I, .5.Fra/701555. 5aIvE5Imz_ 5. J.W}71'm5y&Z7z7_ Slzerman-ﬂyds «X 00. TZ7’0_;7gc7z7V’u7rJ. Copyright 1879 by O.Ditson&Co. \/Q9 ‘ , \ ', K \\n I &/ \/ \: \\ \ 77/ /_I L/" W / . §ERENADE“TO BE NEAR THEEZ’ Good uighggoodnight, be-10v - ed! I come, to watch o’er thee- 7 } night,g00d night, be - Iov— - ed! I come, to Watch o’er thee; ........... .. nig'h.t,good night, he _ lov- _ ed! I come, to Watch 0’er thee; »# *§ C0j>yI‘ig'ht 1879 by 0. Ditson «S: (‘o. can espress. ;_,/ night,g00d night be- 10v - _ ed! I come to Watch 0’er thee; ..... .. I To be near thee, To be near thee, To be near thee, b. Pi?) mosso. Z"\ stars of morn - mg, L L L > crim _ son > L son fl0w’1-s . rimrd. stars of morn _ ing, Thy crim _ Pill lento. night he. lov _ _ _L ed! I count the > L > While I count the 12000 /-z't(Ira.’. Q. _ Tempo pr-£1710 Good night, good night,be - lov _ - ed! I come to watch 0’er thee; A Tempo primo night, good night, he _ 10v- _ ed! I come to Watch 0’er thee. .... .. (3 m are/ado
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Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: 1915
Text: MUSIC IJUHWY wtssan couzat POUGNU’_%'n1t[_ ﬁg-3, #6,“ THE SEA HfAx1Fﬂr Ms Pmhs >=%ér< gmac 2% WITH Pianoforte Accompaniment COMPOSED BY °RU1)OLPH GANZ. Soprano or Tenor. Mezzo Soprano or Baritone. Price 50 Cents. THUR P. CH DT, I“ BOSTON, LEIPZIG, NEW YORK, I20 Boylston St. 8 West 40th St. Copyr/ghf /.9/5, byArﬂ1ur F? Schm id)‘. lnfernaﬁonal Capyrighfsecured. SONGS FROM CONCERT PIOQFO GRAMMES FAMOUS SINGERS FLOY LITTLE BARTLETT Sung by Miss Mariar . . . . . . . . . . . . . . . . . ...
Show moreMUSIC IJUHWY wtssan couzat POUGNU’_%'n1t[_ ﬁg-3, #6,“ THE SEA HfAx1Fﬂr Ms Pmhs >=%ér< gmac 2% WITH Pianoforte Accompaniment COMPOSED BY °RU1)OLPH GANZ. Soprano or Tenor. Mezzo Soprano or Baritone. Price 50 Cents. THUR P. CH DT, I“ BOSTON, LEIPZIG, NEW YORK, I20 Boylston St. 8 West 40th St. Copyr/ghf /.9/5, byArﬂ1ur F? Schm id)‘. lnfernaﬁonal Capyrighfsecured. SONGS FROM CONCERT PIOQFO GRAMMES FAMOUS SINGERS FLOY LITTLE BARTLETT Sung by Miss Mariar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kitty Cheatham MARION BAUER Only of Thee and Me .......... .- ~.. .; ......... . -‘ Franklin Riker, Marie Morrisey Mrs. H. H. A. BEACH Ah, Love, but a Day! .................................. .. Mme. Schurnann—Heink GENA BRANSCOMBE The Morning Wind‘ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Constance Purdy A Lovely Maiden Roaming .................... .. Edna Dunham, JohnT. Read In Arcady by Moonlight ............................... .. Herbert Witherspoon I send my Heart up to Thee ................. .. Charlotte Lund, Paul Dufault G.W. CHADWICK The Maiden and the Butterfly .............................. .. Geraldine Farrar S. COLERIDGE-TAYLOR Life and Death ............................................... .. John McCormack An Explanation (Her lips were so near) . . . . . . . . . . . . . . . . . . . . . . . .. John MC Cormack MABEL W. DANIELS _ Daybreak . . . . . . . . . . . . . . . _ . . . . . . . . . . . . . . . . . .. Lilla Ormond, Reinald Werrenrath ARTHUR FooTE Ashes of Roses .................................................... .. Julia Culp FRANK LA FoRoE Longing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Mme. Sembrich Love’s Sympathy .................................................... .. Mme. Aida MARGARET RUTHVEN LANo Day is gone .................................................... .. George Hamlin EDWARD A. MAC DOWELL Long ago Sweetheart mine ............................ .. Elizabeth van Endert A maid sings light ..................................... .. Elizabeth van Endert JOHN W METCALF Hark, as the Twilight Pale! .................................... .. Mme. Gadski Love and Springtime ............................................ .. Mme. Gadski WARD-STEPHENS The R0se’s Cup ................................................... .. Mme. Gadski Summer-time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Florence Hinkle Arthur P. Schmidt BOSTON LEIPZIG NEW YORK 120 Boylston St. 11 west 36t_h st_ To JOHN M9’ UORJIIAUK ’1‘he Sea hath its Pearls __-;ir— * LONG FELLOW’ 07"?" ' 1 Aftr‘rU1<* German of IIEINRICII HEINE gym VVith passion /"\ > L . The sea 1ts pearls, sz'ngz'7zg Copyright 1915 by’Arthur P. Schmidt ft}? S_ 10533. 5 International Copyright Secured The hea - - ven hath its But my heart, my heart? _ its love, 'w‘_F"E?’“E?"’ and the hea - - Ven; 0%.? 8.10583 — 5 mollo ems-a Yet great - mo/to oresa do/ce, 19000 sostenuto And fair _ : ii - p subito and beams }. H _ streéto e ems-a JLP. 8. 105S3- 5 lit- tle, youth - - ful maid _ un - to my__. great heart, sostemufo My heart, and the sea, fsosf L i ‘J.:—— f mas. 40533-5 sempre pfzl appa.s‘sz'om1l0 ¢ . Are.____ melt - mg a - way mo/to cresa f are melt- ing love! ussia: (with love, Viva ce marca to b7‘2'Zltmte ~."1.'PS. 10583-5 SCHMIUVS EDUCAT|0HAL SERIES H9 83 E '3 ’,,.‘k mrma FAN/QIES \'/ ; Agelection 3 of.Songs AMERICAN é0l’lPOSER8 VOLUME I. VOLUME 11. High voice 11 Low Voice. High Voice 11 Low Voice. % PRICE $125 EACH ARTHUR RSCHMIDTIJ BOSTON LE I PZ I N YORK 120 Boylston St 11w 36th 81' Copyright 1912 by‘Ar'thur- Rschrnidt. \I V v
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Title: Stars of the Summer Night
Date: 1917
Text: HUSIC LIIHANY \l‘S$Aﬁ c I’ C0me,Wander‘ing Sheep10h,C0|'ne! ...... SACRED SONG.. .......... .. Pr: 60¢ F Words by Luis de Gongora yArgote. . Grief and Joy. ................................................................................................. .. Pr. 50¢ c- Words by Frances Stone Mason. . Why? r....(wr-xv CAME THE ROSE.) ...................................................... 7’ Pr. 50¢ G 4. 5. ‘ﬂﬁ 6. 7. Words by Mat“)/[Louise Ritter. Good Night, My Dearest Love .... ..(LOVE‘S...
Show moreHUSIC LIIHANY \l‘S$Aﬁ c I’ C0me,Wander‘ing Sheep10h,C0|'ne! ...... SACRED SONG.. .......... .. Pr: 60¢ F Words by Luis de Gongora yArgote. . Grief and Joy. ................................................................................................. .. Pr. 50¢ c- Words by Frances Stone Mason. . Why? r....(wr-xv CAME THE ROSE.) ...................................................... 7’ Pr. 50¢ G 4. 5. ‘ﬂﬁ 6. 7. Words by Mat“)/[Louise Ritter. Good Night, My Dearest Love .... ..(LOVE‘S SERENADE) .... ..Pr.60¢ Bb Words by Frances Stone Mason. Night. .. _ .. _. Words by Henry W. Longfel low. Little Rose Upon my Heart... . ......... ...... ............................... _.Pr. 50¢ Ev Words by Vlrgnma l.Bidd|e.. Ninnerella. .......... .(SLUMBER SONG; ...................................................... .,Pn50¢ AV Wordsby rancesstone-Mason. Fri)“ ¢ Stars ofthe Summer 1 Ab EDWARD SCHU BE RTH 8: CO., NEW vo'm<, LONDON, n EAST 222 s: 2 smre YARD,CAREY S1’ Stars of the Summer Night! Serenade Words by HENRY W. LONGFELLOW LE ROY M. RILE fI'om“The Spanish Student” ' Allegretto Voice 7/mrcato la melodia my 1" A Stars of the sum-mer /‘X * {'T\ I 3 7n0 . .- W4’. 2 Vt’ :19»/1’ _ \___}/ Far 1n yon a - zure deeps,#__? 2 LA. 2 3°23. ate . ‘fa esc- 6'op_y7'z’ght, 1.917, by Edward Schubert/z (5 6'0. E.S.& Co-4313-4 New York, EDWARD SCHUBERTH & C0,, 11 East 22I1d Street dim. Hide,hide your gold — light! She sleeps! My la - dy sleeps!” €..__2 .421/\ /1 ‘E23. 91% Q23. 9% 3 gf 2%‘ tfvf 2 Moon of the sum-mer night! Far down yon west - ern .3 9%‘ /’4e”' 7% Sink, sink in sil-ver light! ._ She sleeps! My‘ la - dy {-\ TD calla voce i°eb.9!é !3‘S.& C0. 4313-4 Fold, fold thy pin - ions tranquillo s1eeps!My -dy sleeps! 9. E.S.& Co.4313—4 age mp he slee bi Pi1‘1 mosso ed agitate la.-dy 17 Wind of the sum-mer sleeps! S1eeps!_ melo aim marcato Ma Dreams of the summer night! __ Tell her,her 1ov—er keeps Watc __ /#4:: : J- e§é ﬁn . mftardando 2°23. while in slum-ber light She sleeps! y la - dy f2\ 2 2 ‘£23. ﬁe (1 tempo 1.. mmesso dz’ @cb.V-ﬁe eeps! sleeps! ms. a tempo 199 ﬁn E.S.& C0. 4313-4 Select Parlor Songs. Memory’s Dream, by Marie Donavin; Higbvorce, LowVoice,Pr.50"ea.ch. mf Mogeratp. _ K _ “ J‘ 3' J‘: J1 él I. .ll ." 5' I 9 . ' b I — . v .I1 I . _ . ‘ night with its - What. sweet-ervthztn throbs in my breast, 10VeA This K L j I l\ |\ - I - e ‘ . I . - I -. B I" I 5' - I v ' 3 5'’ I 4" -“~ . long-ing to clasp on - y I This ' I . Ah! sweet-er by farywas the hour, love, When naught but we two seemed to Uopyrigr/zt, 4899, by Edward Sclmberth at 00. Song from Pippa Passes, by Natalie Curtis,-Pr.5o6: b - . « V /.1 . K ‘II ,1 I\ I\ I ‘I I1 I ‘ C U rs at the Spring,_.__._._ dim." _ i I ' I F‘ ' ' I F H I’ ' ’~_ I‘ I V . I . I I I ~ V I ' I’! I The hill-side’s dew - pearled, I - " __; ' ~ A God‘s in his heew- n,All’s ' 0032]/rig/zt, 18.9.9, by Edward Scfzubertlt & 6'0. - . P I I Were I a Star by Arthur Nevin Pr. 400. . . . . 7,W|./ eelz;cg my slzgbtly dgzta |'\ ‘— El’ H 4 I. .g S A I I’ it Were 1. 5». star, I’d shine for Ibee 'a-1o‘ e, rose, I’d bloom,I’d bl . Ahd '1 would vi»-br|a.te._ through Ithy pugiz‘/2 g(rs?;‘k”V#nzp pm _ , K _ 04 I\\ I\\ I I I9 -4 ﬁ ﬂ 3 I . - I\I '1’-\ , 5' 2 I 4 n ] I l A A '4 I 1 II II ‘ ‘ "' Q 3 I . I II 7 PI' ' L I! It It ‘I II 17 U {P I I i «'14 I ' I I 1/ tone.’ VVere I -‘a dream, VI wziuld ht- tend thy Isleep; A I II Ir) a I! II II I1 I] ll 5 . V I’ Y . V ‘ At thy a~wak-ing. could I change to love, I’d heart, Were I Copyright, 18.92 by Edward ;S’c}mbe7*tIL& .01). iv thee all I cm no in . .’ 0 I I gndantekcoxjfespregsilone. Ore’ by P Schn ‘40" a‘ffrez‘z‘o - /nI'\ IL [I l“'l\A’l II V ﬂu, ' - I I I IJ na I):- ‘I |\ I I I K I give thee all, I can no_ 1rF)r/ca, Though poor the off-’ring he; My heart and lute are all the store That I can bring to thee: !l_?’87N_]70 / I I molw cresc._[/’ dim. e‘c're.<1:c. E ‘pp! 7 I .=*.v“~.l~.~§Ig"E.«"JEa'r.n_ -we 3 4' lute, whose gen-tle song re - veals The soul of love full well, Ami bet — ter far, a._ heart that feels Much more than lute could tell. 6’01u_1/rig/Lt, 18.98, by Edwdrd.Sc/Lubertlz dc’: 00. l I 1 I I I II I ' I). A‘ I II 11 J II III I II I I J I l F’ H. lI77J~ C I .d- A’ .d- I I’ go I. -1 I — v v 1 I I F K I 1 . K K \ I Maiden yivligh the Lips so rosy, by Marie Donavin, H.500. a 1 . ' ' f } I I ‘ } I I I I - I I 1/ v 5 f -‘ .’. -' .3 . F -‘f -L l A‘ I J A Mvzti-den, wvith the lips so_; - ‘ ' n with the nrut - br\oI'Ir/n hair; L s—ten to my plead-ing, HeztI'~lreII it fg/Lﬂ? . ' > ’ ' [ 3 a . P’ 3 J Li a 3 3-} 5 9 J5 J I J 2 3' I. E. II U V ' 4) I 4 I I J V I 'L I I I I I Mini-rlemwith the eyes sh: sau — cy; M'ali-den,‘with the sinile di‘ - vine; Ah! hut let me tell thee That 11 zIm tru-ly thine; C’op,yr2'g}zz‘, 18.98, by Edward Sc/mberz‘/L c% 00. H I I I I’ 1 I I . I "r 'l 4 I - .. I I7 I P F’ In ‘ 1 I little Voice, by Jessie L.Pease, P1240“. /I . AJ1d3.I1tx€.. I /$_ I Ifr ) I I I 1 4:1”! I l I I I I I- L I - 3 0 ,4 I a V 1' - A II! 4l‘(l I I I I I I =Il| r /'12‘. K I I I I I I I I 1 I Once I heard a. ' lit-tle voice, Mer-ry May; re-joice,”_ Now - I F I I I I I I I I I I C I K ' I I I I I\ I I .' F . I P -‘ ,2 I i’ I ‘ I ‘L I I I V I l_ . it ' was, and ver - y clear, Chas-mg ev-lry thought of pain. . Sum-mer! shall av- er —lIea1~, Such a_voice a. - gain. 0o;0_z/rig/at, 18.98, by Edward Sclmberzfb at 00. I I I I I I C 4 - % A My fair neighbors window-curtain, by Albert Robert, Pr./I06’. it Allegretto. _ . » _ K I ‘ if n 1 I\ IN I I I I} A 1 Li 1') K I I K - I A J I K I I P? Q: I I I I “ J '. l..-_..I‘:-..-.L« » _ 4 - 4.» -‘~ ~ . .4. ,‘n = : I’ V = 5" 4 ,, ﬂhly f:tirAI1Ze]ig'h-bor's wizi - dew - cur - tain Mov-eth ’ ' am‘ cer - tain, In a. mo- ment more ._ pzu _ legro — ’ K I\ I I‘ " I II J 7 l “ — ' o I I I . I I I ' I I Ir’ '17’ I I y ‘y ' ' » Ahlher case-ment o-pens wide - ly, My heart is _ now beat-ing high;_ '/Does, she know, per—haps, that, i - dly, All her ' 001/vg/rigid,18.96§b_g/EdwdrdSc/mb-en‘); «E 00;. If‘ I Werebut a little flower, by P. A.Schnecker, B12500. I dgnte con espressione.rz't.:,_\ 72¢’ 1} f6’72?¥70 _ /, . paw Ha‘. I H D I I I 0 K C I I I‘ I U ' I U A ~ A I\ I 4' I’ I J ' ' w I v I If I were but 8; lit - tle flower, I’d for you.__ The sweet-e per— fume in.,_ m . ar -am n e pow decal. e crlesc. wnpassw Le >[$§ , 3 t _ I I . -. : I ﬁ "H" ‘ HI: I I r I I ’ 7 If ' I (3 u‘ - ‘ad I J vel- vet soft, by sun—light tressed, In daint-Vy clol - 0 s ' ' sin-glre hour Copyright, 1899, by Edward Schubert}; & 6'0. In Dreams, b'Art‘hur Nevin’, H.400. dante af ett-UOSO, I — ‘ \ K g?vg5-0. : T I I J I F I _ - I I\ I\ I\ I-‘ l'.I. -'1' ri. ,v 2 --“—.«”a>->;' 4 II I I Me thought as sleep- ing, I saw my lov’d one ly-ing de:td!_ And when Bit - terwere the tears I I I I I I K I_J_ I I I \| I I0 d- III- T V I e‘ - II was sleep-ing, My love had gone :1.- .- I 3 I I I ' ‘ Me thought as _I Cop]/rig/rt, 18.9.9, by Edward Sc/mbert/z ’& 00. Forﬂwie by all Ilfusic-Dewlem NEW VORKEDWAXRIID S6,:/III_‘II,II-I/|BEnMRI‘1I.£H&‘);@@-4, ll EAST 229' ST. E Piéblis/zers (E ]m}707‘i€7‘.§.
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Title: Village Blacksmith, The:, The Village Blacksmith:
Description
Date: 1893
Text: MUSIC LIBFIAEY _ VASSAR COLLEGE '°“C'""9""“"-"I. ."'!TW vonx F2 1 ‘L ? . “\ /F J emc Redda||,BrookIyn,N.Y. Smuncnnmm:InnmunIunjnnnmltnnmH.H(® \« ﬂacksmliﬂm _\ /J F 2;“ HWLONGFELLOW ZBari’rone orfﬁass Solo —--—+€PsBY@.—~—— W7 BU@K 79». 65 C5. ARTHUR R. SCHMIDT. Bosfon. Lenpgug. NewYor‘r<. féiﬁnu/57m5r. ]i5]7If'7;/7A1/gzm/5. “ 7 v-L-E7|Il|\E1IlllIllE1II|||lllEJ|IIHHDIHI'4 l ‘ 7:1IHDlnnur:nm!:I::mH|uI:1un HIIDIIIIIIlEIl||lIHCIllHlI|E...
Show moreMUSIC LIBFIAEY _ VASSAR COLLEGE '°“C'""9""“"-"I. ."'!TW vonx F2 1 ‘L ? . “\ /F J emc Redda||,BrookIyn,N.Y. Smuncnnmm:InnmunIunjnnnmltnnmH.H(® \« ﬂacksmliﬂm _\ /J F 2;“ HWLONGFELLOW ZBari’rone orfﬁass Solo —--—+€PsBY@.—~—— W7 BU@K 79». 65 C5. ARTHUR R. SCHMIDT. Bosfon. Lenpgug. NewYor‘r<. féiﬁnu/57m5r. ]i5]7If'7;/7A1/gzm/5. “ 7 v-L-E7|Il|\E1IlllIllE1II|||lllEJ|IIHHDIHI'4 l ‘ 7:1IHDlnnur:nm!:I::mH|uI:1un HIIDIIIIIIlEIl||lIHCIllHlI|E}lll|K To Mr. F’r6der2'o Reddall, Brooklyn N. Y. THE VILLAGE BLACKSMITH. P b M N M b ' H.W. L0(1)\?é‘rnFE}}rLLOW. DUDLEY} B%ICK. With spirit and vigor. _._-_/-\ ___-_ mf >~ Un—der aspreading chestnut tree The village Smithy stands. > The smith- a mighty /T man is he. large and sin - ew—y hands: And the muscles of his brawny arms _ > f >>> strong; as i-ron bands. His hair is crisp, and black, and long, His > 7. 7 CTESO . A.P.‘S. 3185-7 A Copyright 4893,by. Arthur P.Schmidt. His brow poco ritard. looksthewhole worldinthe face, For he owes not any 601.711 00 Week .in,week out, from morn till nig‘ht,You can hear > poéo m'arca'to. ' rail. s}. hear him swing his heav_y sledge,With measured beat and slow; /‘all . dimefn. - A.P.S. 3185-7 is wet, with honest sweat, He earns what e’er ‘ he can. his bellows blow, You can ssempre can 9%. tranqemlo. sex - ton ringuingthe vi1—lage bell, When the eve - ning poco marcato. Tenderlg/. Q K3 And the childremcominghome from school, L001; in at the open K", 101’ asaf 52»? .h @a]9 Resume tize quicker time. # They love to see the flam — ing f0rge,And hear the bellows # > > 7'6 0 I71”? .5-em re uoco. f ‘ \\ , . . _ 5:? And catchthe burning sparks which fly Like chaff 8 A.P.S. 3185-7 _ (The same Tempo, not too slaw];/.) th1“3Sh‘m8' ﬂ001'- --—-— (T/as (Jleoral Melody well accented, but not tooloudly.) /3 — —— '_ Pry agn- wit/tout’ Pad. W» (Instm-t time.) He goes on Sun-day to the chuI',c[h,_?And sits among his boys: if pm. 9* wit/aout Ped. He hears the par — son pray preach, He hears his daugh-ter’s voice #_ Singing inthe village choir, And it makes his heart re — joice. ' _ "E"L"E."'=T A.P.S. 3185-J7 It_ sounds to him like her mother’s voice- La) Slower,.a.nd.9oftl3/. , /ﬁx , mo Singing in Par — a-dise! in ‘L ’\ X . ﬁx Pia? Modt.0 M pp calla voce. needs must think of her once more, grave she Tempo [730 I’ And with his hard,rough hand hewipesA tear > # A.P.S. 3185-'7 eyes. (/lolmtra. Onward thr u’ life he /3 /\ sor '- row-ing, Each eve-ning; sees it close: earned a night’s re - pose. A.P.$. 3185-7 Toil — ing, re—joi — cing, g'O€’/S; Something attempt ed, some Jzhing done, Has morning sees some task he- f Thanks,thankstothee,e my wor - thyfriend,For the lesson thou hast taught, 8 J. ‘ crew. >Br0adZ,?/> Thu-s on the f1a—ming forge of life Our f0r.tunes must be Wrought: Thus on the sounding > mil. calla voce. > > > > £1‘ >> an—vi1 shaped___..___.__ Eachburning deed each.burning deed Z?‘ thought, molto vivace. ‘Ea; A.P. S. 3185-7 N. Good Bye. Ab (eb——f) . . . . Love’s Messengers. Bb (f-—g) . Darthula. Db (db—al>) W. Apmadoc. I thought you loved me. F (c—f) . . . . Days gone by. Bass. Dmin. (d-—a) . . . Only a face at the window. Sop. or Tenor G (d——e). Alto or Bass Db (ab~—bb). - E. K. Bailey. , Fleeting Days. Waltz Song. Sop‘.Ab(d—-a‘b) -— Alto F (d-—g) Love where art thou? — Alto Bb (c—-—eb) — Mez. Sop. C (d—e). — . . . . . . . . Guard me through the night. Sop. or Ten. F (d—f). Cont. or Bar. D (b—d) . . Humbly before Thy throne. Sop. or Ten. Bb (d—g). Cont.orBar. G(b—e) . . Throw wide the Portals. Christmas. Sop. or Ten. F (e—-f) . . . . . . . . -—- Cont. or Bar. D (cll——d). . . . . . My Love and l. Mez. Sop. A (c#—c) . For thee I wait. Sop. C (d-—g) . . — Cont. G (b—e) . . . . . . . . . Mrs. H. II. A. Beach. Ariette. Gb (cit-fit) Twilight. Eb min. With Violets. G ( The Four Brothers. Jeune Fille et Jeune Fleur. Cll min. (cl!-—f) When far from her. Gmin. (c—g . . . . My Luve is like ared, red rose. Bb (bb——f) Dark is the Night. Emin. (e——-b) . . . . The Western Wind. G (f#—-a). . . . . . The Blackbird. D (e—g) . . . . . . . . Empress of Night. G (fll-—g) Graduale (Thou Glory of Jerusalem). G (e——bb) Wand’ring Clouds, sail through the air. Aria A min. (git (low) or c—g or bb). , . Song Album. Containing thirteen selected songs. Edition Schmidt No.23. . n. W. L. Blumenschein. Come unto me. Sacred. Eb (lib-—d) . . . Op. 40. A Mother’s Lullaby. F (f—f) . . Op. 96. The Violets. Concert Waltz Song. Ab J. Hyatt Brewer. Supplication. Sacred. D (c#—e). F (e—g) . 0. 3. Brown. 0 that thou liadst hearkened. Bb (d—f) . Therefore the redeemed of the Lord. Eb (e—e) What are these that are arrayed. Cont. or Bar. Bb (a—d) " --Sop.orTen. Db ( f) . . , . . . All’s well. Mez. Sop. Db (eb—db) . . . . J. 3. Campbell. Op. 32 No. 1. The two Roses. Ab (gli-ab) No 2. I heard three maidens sing. F (c—f or ab) 3. Dream on, my heart. nade. Eb (eb-—g) . . . 1. , my heart. (db—ab) .2. 3. .4. The Fishermen. Bass. bb—eb . . . . . . . . . Awake, Beloved! Serenade. F (c—-e) . . . . . . . . May Song. Bb (eb-——f) . . . Theo. chandon. A Home Song. Mez. Sop. or Cent. 0 (a—d) An old Love Song. Mez. Sop. G (d-d) Mrs. G. I-‘. Ghiokering. In the night she told a story. D (d——-ft) . J. 3. Cornell. Before the Spring. Eb (d——eb). . . . . . With the Spring. C (d—e) . . . . . When we are old and gray, Love. D (d-fl?) Mary Bradford Grownlnshield. Thy h§.rtfsha)ll know me. Alto or Baritone. There is a landﬁniinae eye hath‘ seen. . Sop: or Ten. in G (d-—g) . . . . . . . . — Cont. or Bar. in Eb (bb—eb) . . . . . The Star of Bethlehem Db (c—eb) . . . Via Crucis. Ab o-—f) . .o- . - - o .oo- Benj. Gutter. Christ Arisen. Sop. or Ten. G (d-—g) . . — Alto or Bar. D (a—d . From the cross uplifted high. F (f--f) . . Just as I am. E (e—f# or gt). . . . _. . ‘ Henshaw Dana. Ave Maria. E (b-a) . . . . . . . . . . Beside the Summer Sea. Emin. (b--f) . . A bird was singing clear one day. F (c-f) It was a knight of Aragon. Cmin (g—-e) . O Salutaris. Eb (bb——f) Salve Regina No. 2. F (bb-—g) . . . . . Up to her chamber window. F (c—a) . . Whether the world go up or down. Ab (c~ab) At rest. Flhnin. (gt--d) At last. Amin. (g-——g) 0 heart, my heart. F (d—g It was with doubt and trembling. Bbmin. f—ab) . . . . . . . . . . . . . . The Bl(ackbird sings in the Hazelbush. D (e——f# or a) Where go you, pretty Maggie? F (cli--g). Somebody watches and waits for you. Ab (c—f or ab) . G. 1'. Dennée. My Love’s Jewels. Sop. or Ten. F (f——a or bb) — Cont. or Bar. Db (a-f) So fair and pure. Sop. or Ten. D (d-—g) . — Cont. or Bar. Bb (bb—eb). . . . . . Frank G. Dessert. Serenade (Good Night). E (e-—g'll) . Consolation. G (e—g) Phillis, the Fair. D( f) . . . . . I Seek a Fair Flow’ret. G (g—g) . The Country Lassie. G (e—g). . . S. 0. Downs. A group of songs of the 17th century. Phyllis. Medium voice My true love hath my Heart. Medium voice . . . . . . . . . . . . . The spring is coming o’er the mead. Medium voice . . . . . . . . . Steph. A. Emery. Op. 19. Good Night. F (a—d) . . . . . Op. 22 No.1. Where are the eye of the lovely one? C (c——f). . No. 2. Sleep Baby, sleep. Eb (eb—eb) No.3 Nae shoon to hide her tiny toes. G (d’—g) Op. 24 No.2. Naebody. F (f——f) . . .. . Op. 28 No. 1. Lullaby. Eb (eb—eb) . . . No. 2. When eveningtwilight closely falls. F (e-f or a) . . . Op. 30 No. 1. 0 Love, my Willie. Eb (d—eb) No. 2. Little Bud Dandelion. F (c or f——eb or f) Op. 31. The spray leaps high on the jutting crag. Sop. Cmin. (c~—f) . . . . . . — Alto. Amin. (a—d) . . . . . . . . . Op. 33 No. 1. Pomegranate Blossom. G (g--a) -~ F (f—g . . . . . . . . No. 2. Burst, ye Apple buds! Bmin. , (ft -33) _ ’ Op. 36. Skating Song. Baritone. Bl» (bb—d) Op. 39. Seven times three. Eb (eb—c). Violin Obligato . . . . . . . . . . . Alex S. Gibson. Oh my Luve’s like the red, red rose. G (e———g) Love Song (I will not reason). Eb (d—f) . ‘W. ‘W. Gilchrist. Flow down, cold Rivulet. F (f—-f). . _. . Once there was a little Voice. F (a "f) . Love’s Beginning. G (d-—g . . . . . . . Lost. Cilmin. (git [low]—fll) . . . Quiet. Fmin. (c—f) A Love Song. F (e—i) . The Voice of the Sea. ' . (d-—g). . . The dear Long Ago. Gmin. (a [low] —g) . Waves of the far away Ocean. Gmin. (g—a.) Golden Rod. A (a—f) . . Autumn Song. F (a-—f). . . . . . . . . Irene Hale. Mystery. D(e-g). . . . . . . . . . . Maisie. Db (eb——gb) . . . . , . . . , . . . We'll go no more a’roving. Eb (<1-—-f) . . E. W. Hanloom. Lullaby. Contralto with Violin obligate and Male Quartett ad lib. H (gt [low] -118) A Song Secret. G (e—g) . . . . . . . . Go, Rose, and in her golden hair. Bb (d—() W. I‘. Easoall. Op. 15 No. 1. Unto Death. Eb (eb—ab or bi»; No. 2. KyrieEleison. Dmin.(d—fora No.3. A G-reyport Legend. Emin. b-c . . . . . . , . . No. 4. The Bells of Lynn. G. (d——g) Op. 16. Under the Guns. C (g or low c—d) Benj. Henry A Ditty, Eb (eb——f) V A Widow Bird sat mourning. Gmin. (fl$——f) The Sea hath its Pearls. D (e—fil) . . . Georg Eensehel. The Brook sings. D (d—fi¥) . . . . When all the world is young. G (d-- g) I once had a sweet little doll. F (d—g)— Come away, Death. Dmin. (ct-—d). . . Spanish Serenade. Cont. or Bar. D —— Sop. or Tenor. F (e—-a) . The Sunny Beam (Sonnenblicke). Soprano. A (e——g). Alto. “F (c—e)_ . . . . There was an ancient king. Emin. (a—f#) My -Sweetheart. G (d—e) . . . . . . . . To my Turtle Dove. Eb (d-—f) . . . . . Bird in you Forest. E (git-—g3) . . . . . Consolation. Eb (f—f) Helen Hood. Shcpherdess. A Disappointment. The Convert. E (e—e) . . . . . . . . . The Violet. Flimin. (cii—f#) . . . . . . . Message of the Rose. A (dil—e). . . . . Daisy Time. D (fit-—a) A Quandary. Bb (d-—f) . . . . . . . . . A Summer Song. A gii—g) . . . . . . . A Cornish Lullaby. b(db——eb . . . . . Expectation. Sop. Bl» (d—g). Cont. G(b—e) A Slumber Song. Cont. G (a—e) . . . . Jan. E. Rowe. In Heavenly Love abiding. Db (bb-—-eb) . . He is thy Lord. Cmiu. (c—-eb) . . . . . His love is everlasting. Bb 3bb——d). . . . Glory to Thee. Dmin. (a———- ) . . . . . . 0p.8 No.1. A Day in the Woods. E (dll—gt). Violin or Cello obligate. No. 2. A Night in the Woods. F (c—-a). Violin & Violoncello ad lib. No.3. The Cricket. G (e——g). Violin and Violoncello obligate . . . . . No. 4. Summer Song. (c—-0 Violin and Violoncello ad lib. II. 1!. Russ. They that sowintears. Alto or Bar. C(a-—e) The Ballade of the Song of the Syrens. Sop. or Ten. Ab (eb—f) . . . . . . . . The Jess’mine Bush. F (e-——g). . . . . . Just like a lovely Flower. Bb (f—-f) . . . Spring. 0 (c—-a) . . . . . . . . . . . . Stephen E. Jeoko. Art thou weary, art thou languid? Eb (d—g) Jennie’s Wooin’. F (o—-f or a) The Moorish Love Song. Dmin. (Cll——f) . The Sunbeam. F (c—f) Jules Jordan. Nydiafs Love Song. Eb (bb [low] —f) . . . Sigh on, sad heart. Db (ab or f [low] —db) Drink to me only with thine eyes. D (e——a) If on the Meads. B (dll—gil) ‘A Life Lesson. Sop. Ab (eb—f) . . . . . —— Alto. F (c-d) 'l‘he Bedouin’s Prayer. Sop. or Ten. G (deg) — Mez. Sop. or Bar. F (c—- -— Alto or Bass. Eb (bb—-eb) . . . . . . Japanese Lullaby. Mez Sop. orTen. F(b—e) -—- Alto or Bass. D (g#——c#) Sleep, Beloved. Ten. F c—g). Bar. D(a—e) Attraction. E (b-e) An Old Song. D (c#—c#) . . . Triumphant Love. F (b-—f) . Walter Kennedy. Whether my heart be glad or no. Db (ob--Ii). V
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Title: Footsteps of Angels
Date: n.d.
Text: a /7 /.A/;t/ /,’,>/,/ 5 ///r/ MUSIC LIBRARY / VASSAR COLLEGE POUGHKEEPSBI. new vonn ”§@iE§m§§ M mﬁgw“ .f‘f4/Y/1/A/PD do /9’ 1574/ //V/‘P WPxJTTEN BY COMPOSED Y K L®EJ@EEjLL@W., HE] E 3Yl7ﬁ/E’ SAME AU]:/E/01?. 4% COMPOSER, ’ €3€1‘f1ﬁiU1’,_ am, m~z2m>/ 61;: Btittgs Eb: RainpDap ,_ 0,0 12,3... ’Wtgttl)rr /30//Lg 0fZ/w%VaZe7°z1{/;¢qﬂo5/ G1): Baalm of I:ife~12;>z),?.,.....T Gosh Night /Jmzmza /D?/6, AN! m /—/A11 /“v - ]a,A,P,F1:LEL V/BDNTD FOOTSTEPS or ANGELS. Companion to the admired...
Show morea /7 /.A/;t/ /,’,>/,/ 5 ///r/ MUSIC LIBRARY / VASSAR COLLEGE POUGHKEEPSBI. new vonn ”§@iE§m§§ M mﬁgw“ .f‘f4/Y/1/A/PD do /9’ 1574/ //V/‘P WPxJTTEN BY COMPOSED Y K L®EJ@EEjLL@W., HE] E 3Yl7ﬁ/E’ SAME AU]:/E/01?. 4% COMPOSER, ’ €3€1‘f1ﬁiU1’,_ am, m~z2m>/ 61;: Btittgs Eb: RainpDap ,_ 0,0 12,3... ’Wtgttl)rr /30//Lg 0fZ/w%VaZe7°z1{/;¢qﬂo5/ G1): Baalm of I:ife~12;>z),?.,.....T Gosh Night /Jmzmza /D?/6, AN! m /—/A11 /“v - ]a,A,P,F1:LEL V/BDNTD FOOTSTEPS or ANGELS. Companion to the admired Ballad “EVANGE LINE.” <@C>» W/;'itten by H.W.LONGFELLOW. Composed by Jomv BLOCKLEY. Md t. /“T C768. M/“/5 /“/“/“ dim e rall. f\ ‘When the hours of':.DayWé1re num___ _ber’d,‘ And the voi__ces of the I p¢A_A\/\/\ /e/ Night Wake the better soul, . that slum_‘...’__be1-"d, To a /\/*—/ ,/ /\L/ C7'(,’.§‘ . By. the same Author 8:. Composer .' L___‘.2'/ “Excelsior!” (Song or Duett.) s The Rainy Day. (Song or Dnett.) The “Enter Nymphs. (Whither?) E The Bridge . ho- _ - _1y, calm déiglight , ’Ere the _eve - ..ning lamps are /32 /\y lighted ,- And like phantoms ghim and fit- _ _f'u1 fire - light Dance up _. on the par__ Ilour /\ espressivo . Then the forms of the de.._parte‘d * /J dozc\e‘“// ‘_ / , Fcn1,s1..‘,« of Anzriss . Jﬂhn Blockley. the 0 __ pen door; The be. _ loved, the true hearu-d, Come to visit more, The be; ..loved, the true hearted, Come to visit me once more. \/ ‘-2 \’Z calla vow. dim. e rall. Footsteps of Angels . J/ohn Blockley. molto Espressivo. With a slow and noiseless foot, .. _step, Comes that mes _ sen _ ger . -di_ ..vine, Takes the vacant chaig; be- side A me, Lays her / /\. /K /\ /x// gen _ _ -tle hand in. ‘mine . i ' And she sits and ga _ _ zes PX _/K. 2 With those deep and ten.._der eyes, Like the Footsteps of Angeli» John B1°cUey_ so still [and saint like, Lo oking downwa rd /\ espr€sS1'v0A—. skies . Utter’d not, yet com _ _ _ pre _. hended, /9 dolcc. sipirit’s Voice _ _ _ less prayer, , Soft re_bukes in b essings Breathing from her lips morendo. _bukes blessings ende , Breathing from her lips 0 air. calla voce. ' e k—// Londou,Published by John Blo.':kIuy,‘_2 Park Road, Havcrstock Hill. Soft re_ $3®N@é$ ®lU[E1WI'SI@®{IW.P®SE@ B33? $®U}’I]N Bﬂ.@@WHE Qzxmzlmm: some 2/6 DUETT 3/- Potmv. LoII<;rIau.ow__ ,,,..MUS|C,J.BL0CKLE\4. ‘2'azoc;rz5r.'9 sxc-as/on //v c. 1,} ,/z éegwli/245 09272. /2.0.1’/‘J12/z xx'o/'//z// 0/Z0/{Q/(3//01//.3“ ,00e1M,#'/552$ Ar /Lara xv/zzz’€/‘m’ g’/2227 Z, "7715 Vt/?3£ or r//5 A/,4/om" "mg mp /Imvis ,mo/rcss," "ms M0/VI(.'$‘ or 3.’ sznrunm P34 _g.§.I9,'.'o£1f-2'7;/z[.ze.a/20. (27/rz//zalzk «Ii e/7%:/2275 mm! /7 I.-.— *’ i/2;?/2 eqmlr Me zm/Mr./21/J I/or4:.r 0/"Mal: 5’/>1/z/)o.rz:r:" ‘mar R mug Bag, som; _2/- DUETT 2/~ POETRY, ILONGFELLOW ,,,, ..M USIC . J .B LO CK LEY. 1&5 z'2zzfn1.z2’.iz/:¢‘4)r£'y .5-y/15;)/I/my z/cw:/z,‘m’z'0& 0/‘ (L /?zu,'/zl.;I/)/.{.;r 1.; 0947/ 1:44/‘zzwkrr/§.r/z2:; ml/Z quiz? /6’! /wzm//y i/2. én:/[ad W/2&2"/Ly. " Ebt 1L%rtfrq'e, PRICE 2/- M POETRY, LONGFELLOW ..... I.MusIc,.I .3 LOCKLEY. :4////izz’JA I/Le /zzurwrozw ,0o/ya/az/-pocmw 0/' iﬁia‘ Izotéoir Wﬂ 19/2.014’ 0//M/w1*eyaz2z'/zy In an: 5/alzkaogy Z/zzzr/7//E .9/I/005725 is ca Jo//1 .rz‘i/7'2‘/W 00//L/yoxzlizz/.//. " jffnniﬁfrp/5 nffkngelg, P R I c E 2/ ~ ~ POETRY. LoNGFELI.ow .... “MUSIC, .1. BLOCK LEY. [De/%(I,v.r' I/Le I/MM /)z)m/1‘z'/?z/ 0/Z0/2.9/éf/lot/«:i /)0— we 0/‘radio/w. Wé 6',/Z/Z ca/2/Q2/e/zVt{y /‘ow//zme/id Mm éﬂe /ML/7?/v9/‘/J/id‘ cm’/m7 2;; 21- 0/? VA /1 G cu/I/£3’ 5‘/ﬁe paya 1;? 6//we///3.;'ﬂIzez2’ Wzl/2 a ./Vzitirz , -/$5! ,00/Ia‘/Z1/My/‘ téz'.>v./a/yd/t//yzi/€*eoz’/./Dzzezf. " rﬂfbe DUETT 2‘/~ PGETRY. I_oIIe.,s£LLow .... ..M u,sI=c. J: . BLO_CK.LEY. 3\ ﬁazsatlm sf 1% some. 2/- DUETT, 2/- POETRY, LONGFEl.LOW,_ ..MUSlC.J. BLOCKLEY. Zoucrtzzawlr PSALM or ura, w :0 éeaumﬁol em- —/Ivwially t/Le last two v&r.re.9,t/tat me cw/3120;‘ /"wzIx~tq1mZz'/zg I/I//’i1’L.]t is very ef/“éolzbe as aa’zwtt." V (151103 P R I c E 2;? POETRY, LONGFELLOW, , “MUSIC, 0. BLOCKLEY. 2 sale ENA 05 IN F. a ‘Q/zwe/Jul and e/G/"(Jaime com/2o.v2ti07z¢ If/ﬁzz /mrmozub ooméi/zatio/z.r 0/L zfiw /-g;mm‘m..~ of 8:000 NIGHT a:Lov£a,"am /zafipi/y 0071'!)/7‘l.l)3(l{. We alaubﬁ /wt M/at t/ulr 44/////ée%?()//1'!" an /2/I/2wbr,Uééoe %; éévzzcervﬁ " @@[I)t’ﬂ9£1”. P RI c E 2/ PGET RY, LONGFE LLOW U SIC. J . BLOCK LEY. ‘some or THE mrzn NYMPII.S‘."Z/771$!‘ fang zza -—- ~/mi/m/’.r 1/,3 forcibly 0/‘0/Le of Kioatﬁei early czrznpoxinom, I25 é.r qu/aizw a5 alega/at" a%tzrr,a nfﬂw ﬁuntmtrﬂtgbt ' ' P RIC E 2/— '_ P0 ETRV. ILONGFELLOW - .... "M USlC.J.J.BLOCKL£Y. //z/ Me J'anmzm!& éaﬁom z¢._::[o2zyﬂ9JZo1r.i- éeaw ti/3;! U&I‘J'6J‘ zme Well dzlrphyed. 1% .r,w'IzZ of I/w poabfy 5.1‘ ¢m,’27z1'/2’zé{y rezzde/“ed.” UB2 ilbzaptr 8:153 jﬂomrw, s o N 0 2/« POETRY, LONGFELLOW .... ..MU SIC, J . BLOCKLEY. EM §5iImt ﬂank, sour, z/- D.U.ETT 2/~_ POETRY, LoIIcr£LLow...’....Mus_Ic. .1 .BLOCKLEY.
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Title: Rainy Day, The, The Rainy Day
Date: 1901
Text: HUNG LIBRARY The Rainy Day. (Low Voice.) LONGFELLOW. JACQUES BLUMENTHAL. Andante. _ .\_/ ' K \2 day 1s cold, and dark and dreary, It rains and thewind is nev-er wea. - ry, The (‘IT cresa ‘ f 7'22 still clings to the mould - Tingwall, But at eve - ’x-ygust the Ceplyrighl MCMI byThe John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MCMI, by The John Church Company in the Department of Agriculture. 13536-5 dead day leaves...
Show moreHUNG LIBRARY The Rainy Day. (Low Voice.) LONGFELLOW. JACQUES BLUMENTHAL. Andante. _ .\_/ ' K \2 day 1s cold, and dark and dreary, It rains and thewind is nev-er wea. - ry, The (‘IT cresa ‘ f 7'22 still clings to the mould - Tingwall, But at eve - ’x-ygust the Ceplyrighl MCMI byThe John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MCMI, by The John Church Company in the Department of Agriculture. 13536-5 dead day leaves fall, \_/ is and drear — y,, It dark ? /’ /V . zuzgﬁn P .92/z‘0rza/u/0. the dead leaves full And the f.\ Butaét ev - ’1'y gust \_/ \./ \‘/ . , \_/ and drear — y, The day_ 1s durk_ auddrea1'- 7? pm Va (0. 0 My life is cold, and rains__. andthewind is new — er___wea - ry, My f rm thoughts stillcling to the mould - Ting past, Butt 0 hopes ofyouth ful1_ thick in the blast, Butthe hopes of youth fall thick in theblast, Andthe ff awe/. days are dark 53 y, And the days, the days __ are ff acne]. \ , L,‘ cmztzzézle. and drear - m/zgz/7' 0 6’ 17 13536-5 Tempo commode. still, sad heart, and cease_ re-pin - ing,Be — hin0L__ thecloudsy is the 2719 / crew. molto. still shin — ing,'Thy fate is the com - mon fate of all, 8'6/I!/7I'6’ crest: f _ to each life some rain must fall, Some- daysmust "be dark :51/ddro.a.r- \ L’? 6'7'9S0. . f co//a woe. a tempo. «/zgf smzare. Be still, ' heart 0/’!/’.S'(}. . the clouds ‘J 623 w-ma ea’ mrcel. shin — ing, Be-hind the clouds, Li} L (;7'e.s'0. ed (local. sun still shin 13536-5 (38380 .j_ the sun 1'6-
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Title: Arrow and the Song, The, The Arrow and the Song
Date: n.d.
Text: \ _/ I _ I :\ ’ JV / » \ \ X \‘ _< g " ’ ~ I _g‘ \ \ ‘ \\ B / < \ ,7 \/ \\\:TI;;/ AN1D> , »«L//“* ‘” ,/f:;E;:§;;:> xx Q. Z V‘ '"'\ //\ \',/ / // \ S/§€@ﬁyE jlﬂinmihirg $ Ky 1*”/~? L \ \\r’x”3‘\~%i /) V’ /‘/-4, A , % C/* H, 7 . A C§é%;:%%Z;a?é%%7a§%,n%%:§;%?&%%/ /F‘ { % x ﬂ \ a $32 A Ea“ [am %if ma \ .\ . \ /‘ft’ //"\ a\/ .3*"’ > ,x ; w—3 M4 » A¢\7[ R ;%L°L.9M%£&Q9&/x 2- \ / //‘7T*\gE“// .. * . /’/)“((‘6 Z/70' ‘\ / J “*?T.¢)A,5...
Show more\ _/ I _ I :\ ’ JV / » \ \ X \‘ _< g " ’ ~ I _g‘ \ \ ‘ \\ B / < \ ,7 \/ \\\:TI;;/ AN1D> , »«L//“* ‘” ,/f:;E;:§;;:> xx Q. Z V‘ '"'\ //\ \',/ / // \ S/§€@ﬁyE jlﬂinmihirg $ Ky 1*”/~? L \ \\r’x”3‘\~%i /) V’ /‘/-4, A , % C/* H, 7 . A C§é%;:%%Z;a?é%%7a§%,n%%:§;%?&%%/ /F‘ { % x ﬂ \ a $32 A Ea“ [am %if ma \ .\ . \ /‘ft’ //"\ a\/ .3*"’ > ,x ; w—3 M4 » A¢\7[ R ;%L°L.9M%£&Q9&/x 2- \ / //‘7T*\gE“// .. * . /’/)“((‘6 Z/70' ‘\ / J “*?T.¢)A,5“{ . y ‘ 11 ‘ 0 i}‘i) @> l©N®®Nq BOOSEY & SONS. 28. H0'LLES STREETOXFORD STQ v MUSIC LIBRARY -ix - - o THE ARROW AND THE SONG. THE POETRY xv THE Mcsxc BY l.()N(-‘FELLOW- M. W. BALI-"I<I. ./U01. T0 M0Dr:R.4 TU. I'()ICI4.'. PIA .‘\'(). §.______J in _ to the air ............ .. It fell to eurtvh I shot an Arrow kxmw not wllere, For sqswiftb- ly it flew, ii??? /9/9 s«i“§,~'l1t Could‘ not ful_|uMr |Ht_; The sig'l1t could not in its flight. I breatlxcd a Song in __ to the air ‘ . . . . It fell. to earth I know not Wlxcrc, > / >Fm‘ who has sight . . . . . . . . . . .. so keen and strong‘, That 1t can fol _ low thv Hi_;;‘ht of a. snug‘ ' Furwhu has sigllt ‘ keen; and so .st\'nnn;_r 4 . . . . . .. That it Cull ful - , -. _ 1'owtlw1'li;_;-lxt [of :1 song‘? Long, long af'terwurd . . . . . . .. in an oak . . . . . . . . . . . . .. I found tlw Ar- r«.,v\J PP still lmbroke; And the Song; f'ru1n he _ giin11ing'* to end ‘I found ii_g'ai11 the heart of friend . And the Song fmnlbe- 3 _ gi111\i||g to end . . . . . .. I f(_)und a_g‘ain in the heart ‘of :1 friend . q-0* ««- L, ’<3:., :7; 2%s~.;,,»'~. :$ ~u,=a:ss.;\e;~:x>:a‘&e=er 3:4, found u_g‘uin , — found u_g'uin , — I ﬁmnd a_g;'aIiII in the heart .............. .. aﬁ friend! Tempo l”.’° /J/J/.) SONGS AND BALLADS BY " OLARIBEL.” S COME BACK TO ERIN. Composed expressly fvr Madame ' - MY BRILLIANT, AND I . . . . . LEMMENS-SHERRINGTON . . . . . NORAH’S TREASURE. Sung by Madame SAINTON-DOLBY . I CANNOT SING THE OLD SONGS. Sung by Madame MARION’S SONG. Third Edition . . . SAINTON-DOLBY . . . THE LIFEBOAT (for Baritone). Words by Lord STRATFORD DE REDCLIFFE . . . . . Is- o °=+r—o:9n ooo” THE OLD HOUSE ON THE HILL DO YOU REMEMBER? . . GOLDEN DAYS . . . . BLIND ALICE . . . . . DREAMLAND. Sung by Madame PAREPA . . FIVE O’CLOCK IN THE MORNING. Tenth Edition I REMEMBER IT. Sung by Miss PooLE . . . JANET’S BRIDAL. Sung by Madame PAREPA. Tenth Ediiion , »JANE’I"S CHOICE. Sung by Madame SAINTON-DOLBY. THE BROOK . . . . . Twentieth Edition . . . . . . THE TWO NESTS. Illustrated . . LITTLE BIRD, LITTLE BIRD ON THE GREEN TREE; THE SAILOR BOY . . . Or, “Loyal je serai, durant ma, vie.” . . THE OLD PINK THORN. Illustrated . LOWLAND MARY . . . . . . THROUGH THE JESSAMINE . . . . MAGGIE’S SECRET. Sung by Madame SAINTON-DOLBY. WONT YOU TELL ME WHY, ROBIN? E,-97”], Ed[;j0n__ Tenth Edition . ’ . . . . . 4 “ YOU AND I.” Sung by SIMS REEvEs. Sixth Edition MILLY’S FAITH . . ‘ 3 PIANOFORTE ARRANGENIEONTS OF CLARIBEL’S SONGS. . JANET'S CHOICE. By BRINLEY RICHARDS . . _ CLARIBEL GALOR By E_ AUD1BEm._ I11ust,ated . JANET’S CHOICE. By DUMAS . . . . 2 0 _ CLARIBEL POLKA B E A . “JANE’I"S CHOICE” WALTZES. OD Cmmsmxs Songs. MAGGIES SECRET’ B’; K'UH:D“3ERT ' 4 0 ' ' Illustrated. By MUSGRAVE . . . . ' . CLARIBEL VALSE. On CLARIBEL'S Songs, by Cums ‘ MAGGIE“ SECRET BY DUMA5 - - - ' Com. Illustrated , , , _ _ 4 . TAKE BACK THE HEART. By J. A. WADE . . . CLARIBEL QUADRILLE. On Cmmsmxs Popular Songs . FIVE 0’CLOCK IN THE MORNING. By J. A. WADE and Ba11adB- Illustrated 4 . I CANNOT SING THE OLD SONGS. By J. A. WADE . TAKE BACK THE HEART . . . — THE BELLS’ WHISPER . . . PRIEZ POUR ELLE . . . . SUSAN ‘S STORY - . . SPRING-TIME. Companion to “ Dreamland.” THE BLUE RIBBON. Illustrated THE BROKEN SIXPENCE. Dlustrat 0093 IF ¢0D30°C.OC)DOD<‘.DC)Ov# O OOOOOOOOO otooontooun u no It .- O003036OC)0€.)O<D3A‘a3C)9f)909¢A?C)303OO OOOOOOOOOOOOOCO SIX GEMS OF OLARIBEL, EASILY ARRANGED FOR THE PIANOFORTE. Price ls. each. ' 1. MAGGIE’S SECRET. 4. WON’T YOU TELL ME WI-IY, ROBIN? 2. JANET'S CHOICE. ‘ 5. YOU AND I. s. FIVE O’CLOCK IN THE MORNING. 6. TAKE BACK THE HEART. SONGS BY VIRGINIA GABRIEL. THE LADY OF KIENAST TOWER. Romance. Poetry by WEE}? NO MORE. Sung by Madame SAINTON-DOLBY J. R. PLANCHE, Esq. ; composed expressly for and sung by THE SKIPPER AND HIS BOY. Sung by Madame SAINTON Madame SAINTON-DOLBY . . . . . DOLBY. Tenth Edition . . . . NIGHTFALL AT SEA. Reverie . . . . RISE, MY SOUL. Sacred Song. Sung by Mr. WILBYE COOPER DREAM, BABY, DREAM. Sung by Miss BANKS . . THE LIGHT IN THE WINDOW. Sung by Madame SAINToN- OH! MAY’ST THOU DREAM OF ME. Serenade for Two DOLBY. Fifth Edition . . . . Voices . . . . . . I DO NOT ASK TO PRESS THAT CHEEK . IPIANOFORTE ARRANGEMENTS OF MISS GABRIEL’S SONGS. NIGHTFALL AT SEA. Reverie . . . . 3 0 H THE SKIPPER AND HIS BOY. Arranged by B. RICHARDS. NEW SONGS BY “DOLORES.” “ CUSHA.” Poetry by JEAN INGELOW . . . 3 N THE FOOLISH SHEPHERD, a Ditty. Words by HAMILTON UNCHANGED. Song. Words by W. C. Bmmm, Esq. . 3 0 AIDE, Esq. . . . . . . NEW AND POPULAR OHRISTYS MINSTRELS’ SONGS. THE CUCKOO’S NOTES. Composed by C. BLAMPHIN. Sung IN THE MOONLIGHT LONG AGO. Composed by J. R. by Mr. J. W. RAWLINSON with great Success. Illustrated . THOMAS. . . . . . . SWEET EVELINA. Sung by G. W. MOORE . . . ANNIE LISLE . . . WIIEN JOHNNY COMES MARCIIING HOIWE AGAIN . DEAR LIOTHER, I»LL COME HOME AGAIN . COIHPOSGCI J. R. IFHOMAS Composed F. WHY AM I SO HAPPY? Composed by F. WIDDOWES WIDDOWES . . . . _ _ _ BLOWING I WEEPING SAD AND LONELY ' ' ' MARYLAND, MY MARYLAND _ . _ SOFTLY FALLS THE MOONLIGHT. . . IT IS MY COUNTRY’S CALL . . THE BONNIE BLUE FLAG - - 3 O l\Dt\9l\9l\‘.'>l\'>C«O€.D<'.O0D QQOOOSOOOO N 0 W R E A D Y, In Three Volumes, Price 45. each, handsomely bound in extra cloth, lettered and gilt edges; or in One Elegant Volume, Price 12s. OI-IRISTY’S MINSTTRELS’ SONG BOOK, CONTAINING 180 OF THE MOST POPULAR MELODIES. FORMING THE BEST AND MOST COMPLETE COLLECTION OF THESE POPULAR SONGS PUBLISHED BOOSEY AND 00., HOLLES STREET, LONDON, W.
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Title: Song Mosaics:
Description
Date: 1890
Text: 5: ‘ - .f. I ' C .0’ '7 4'“ "' n .~'=.1-.2?‘-1.1,” '34; ' .‘-: I C%lNclNNATl.- ‘ % V % L PUBLISHED BYTHE JOHN CHURCH C0.74 WEST Founm 37.; ‘ Q ~ , ' [/r/2.'a;a, ‘ /Venrliz-/r, 4 RUDT& SUNS MU II: DD. V , ‘ ' ‘HIE JUHN CHURCH CU. Zﬂﬂ /51:15.7:/9 lvem/2'. /.7575?/519.5‘)! _ 1 x«:..YI.u1.J.(./. A W‘ '/,4 ¢ / 4! / . 7/ ‘\:.\\V§\\.'§\\\\\\\§\\\‘.R\\\§\\§‘\&\\V I11; . tu1§1%!l|l1\1xua..... .I' ‘‘.-_~..,_.);' -‘....
Show more5: ‘ - .f. I ' C .0’ '7 4'“ "' n .~'=.1-.2?‘-1.1,” '34; ' .‘-: I C%lNclNNATl.- ‘ % V % L PUBLISHED BYTHE JOHN CHURCH C0.74 WEST Founm 37.; ‘ Q ~ , ' [/r/2.'a;a, ‘ /Venrliz-/r, 4 RUDT& SUNS MU II: DD. V , ‘ ' ‘HIE JUHN CHURCH CU. Zﬂﬂ /51:15.7:/9 lvem/2'. /.7575?/519.5‘)! _ 1 x«:..YI.u1.J.(./. A W‘ '/,4 ¢ / 4! / . 7/ ‘\:.\\V§\\.'§\\\\\\\§\\\‘.R\\\§\\§‘\&\\V I11; . tu1§1%!l|l1\1xua..... .I' ‘‘.-_~..,_.);' -‘..§-'4’-.1 ~ 5- any 3¢'3~ -} ‘.7 ‘:,' ~ "4- -3‘-31'-‘ . QR ‘-. . g§:._": "‘ . 9. 4.18: 44 ' . i'‘-.. \ nu um. ;v, V. 6 . cmcmn/m; PUBLISHED avTru-: JOHN CHURCH C0.74 WEsTFou:=m1 Sr. I/I/hiya, /Yaw I17/-A; Rnunsuus MUSIC cu. THE JDHN nuuacn ca. ZII /KMJM lye/rut. , /ifasf/5316.9: .CON.TENTS.L AFTERWARDS. ............................................................................................ ..1IIullen'. ..... ._69 AN 01.1) GARDEN. ......................................................................................... ..TempIe.-.-..102 A SERENADE ......................... .; ................ ................................................... ..I..0oM. ..... "24 .CHING- A-RING_A .RING. ............................................................................ ..lIo_llog/.._..-112 COME TO~_ME._ ..... ........... .; ..... ...................................................................... ..ﬂemr1t ...... -42 DEAR HEART. ................. ........... .... .} ......................................................... .Lz!Iazfez. DEAR EOVE. ................... ....................................... ...... .............................. "Klein ...... .-59 . GOLDENLMOON ................................................................................................. Llvdﬂ .... -135‘ HIGH TIDE. .................................................................. ............................... ..0armt'll. .... -.36’ V I ARISE FROM DREAMS OF THEE ........................... _; .......................... .,Salamrm; .... -.3o IN OLD MADRID. .... ._. .................................................................................. .,Trolerr. .... --96‘ IT CAME WITH THE MERRY MAY, LOVE. .................................................. .. Tosli .... -108 IT WAS A DREAM ......................................................................................... A13/ar/. ...... _. 8 . IT WAS NOT THUS TO BE ............................................................ .......... ._Ma.9.s'ler ______ "78 MY .LADY’S BOWER. .................................................................................... ..Tem]1le ...... -.12 . POL LY AND I .......................................................................................... .. If/it/rejfz'eld ...... ..74 QUEEN OF EARTH.. ............... .... ......................................................... ..Pa'1/gm‘! .... ".128 SING TO ME. .................................. .; .................................. ......................... .. 1)e7mz‘ ..... --6’4_ STAR OF MY ‘HEART .................................................................................... ..])en:/I ..... -140 TELL HER I LOVE HER so ..... ..................................... ...................... ..de Faye ...... -34 TELL ME,0 GENTLE MAIDEN. .............. ______________ ________________ _; ............ ..6’oomo/I. .... -18 THE GOLDEN GATE. .................................................................................. 1//mm .... .423 THIZY AI..{L;LOVE }ACK ................................................................................ ._A(1am.s'........88 THE LIFE A. BOAT. ....................................................................................... ._Ea'w/zrzls ...... .52 THE SWIEETEST SINGER. .......................................................................... ,_}?oPc/re/N._,,___I18 THE SEA HATH ITS PEARLS. ................................................................. .,Brg/.9072 ...... "49 Copyright,1890,b’y;Thé John Church Co. Song Mosaics. For Tenor. Dear Heart, L W'ords by G.Clifton Bingharn. Music by Tito Mattei. /7 mf So long the day, so dark the way,---- Dear heart, be—fore you It seems to me it can-not be This world is -Still the same, ‘For /r’-ﬂ,“-"._\ then I stood as in some wood, And vain — Jly sought for r V 10 -can egpreeq. ten. av-ea.. b V ’_ _. . . I" Q But new day daﬁvnson sun-lit 1awns,.-.. And life isglad and {T /§ P/\ 0 leave me not, 0 leave me not, Dear 4:} ZZg V . kg : P000 '17» pin mono. T‘ heart, dear heart3.-.‘- I did not dream that we should y /_\ P/“T love but thee, 0 love thou me, And leave3 and leave me O . . ﬂoral/E. .accel. e cw-es. / /" » r;\-*4’- Dear heart dear heart! leave me not,Dear heart! P With you a — way, the brightest Dear heart, goes by in vain; I dare not dream what life would \__j_z I" If you ne’er came - garnl Dark ways be — fore would hark -en 'The sun would set in vain re —gret.-._ 4——$ 11 '1: mono. 0 leave me not, pace rd.‘ 1“ morn—ir1g brought nof 0 leave me not! thee! can graria , p/"‘\ Dear piu mono, heart, dear‘ heart L3ffEEEEE¥:::::::—-—__~‘§“‘\\ T r/~——\ . dare not dream ‘that 0193.. % love but thee, O~ love thou me, >/1 poco ran . ﬂ leave me Dear heart, /I-*""—"*"e >>>>ﬁ ml-l . heart! ........ -- leave me not,..-. I I Mii./-xﬂ V_/f decico. fa me not,’ Dear heart! ‘ f.\ pp col canto. It was a. Dream. ESWAR EIN TRAUM. Adagio con espressione. Fa - ther—land was mine, sch); - neg Va - ter—laml, staté— -1y oak _ trenes ‘to.w’r - -ed high, V Ea’ - chew -bzmm. wuchs dort .90 -ltoclt 1 z nod - — ding vio‘-lets smiled 1/21‘! - — cﬁe-um}:/c-ten mnfl was a dream. war ein Tr/mm. when to far - off for-eigxrlandsl came,‘ A m.aid-en stood of ma -gic als it-/I mm in’: fer- Me Au/.1-I/m.(l ham, Ila war ein 1!Iiz'd-clam nm -])(?7.‘- grace. With bright and gold-en hair .s'c/zb’7n. . I/nd blond van Ha/tr 11¢ .9eh’n dream , Traum. Who kissed me then and spoke in Da: /mm — te mic/c auf denim]; and Mo — ther tongue, L One scarce can ‘tell how sweet aprac/c auf deulsc/z., mzm glrmlzt 6-S kamn, wie gm’ ores f That word_______ “I love (Ia: If/brl._____ icﬁ lie — V /-‘T if war ein dim. e riten. ’ I”, /" - ' dream. Trrmm, was 3* ‘ My Lady's Bower. SOPRANO. OR TENOR. Words by Frederick E.Weather1y. Music by Hope Temple. Moderate conxmoto. A . __ Thro’ the moat _ ed Grﬁnge,at twi _1ight,‘ My love _ and I Wt; ‘ F {$0 /*° /_ Weints By 611113 - y roo'ms and lone- y stair‘s,v In lov _ er’s swket con- ’ /'\ /‘5 I /—~\ \_.Z V _tent, And round the old . and bro _ken case- ment We watch’d the ros ;es A But theplacewe1ov’d the best of all Was call’d “my La -dy’s f mialerioco. And wiﬁl beat _ _ ing hearts we en ter’d, And_Ls’tood and whisper’d low, I’ sweet and lovely la - dy b who the #4. cqflly. moon shone‘ in the dus — ty grazioxoi . ‘2 Where her +1it_t1e feet had wan —der’d In the court- 1y days of yore.And it touch’d the fad - ed at _ ras And a -gain we seem’d. to‘ see ;A//"’-"'_‘\ lovely la - dy sit _ ting there, Her ‘lov- er rall. molfo. saw him kiss her fair white hand And oh! ‘F we heard him say, K5 _ tempo /tgifalo. 3 love thee, love, for_ev _ er, Tho’ the /-3’ years may pass a -wayl /?s’\ / WI/1. [low It 11000. \ love thee ‘Tho’ the years may pass. a_-way!.. I "1 shall shall Tempo I. tlolciu. But then 0 ’twas but a dream It was not they who sat there hi the A -crempoco a poco ml]. 1 2 ‘Ya. ‘YE. rail. inolfo. _ Tempo I, A V A ‘Ya. ‘Ya. Sil - _ver on-lightgleam1 Ah! no ’twas we, we tw”o to -geth-er,Wh‘o had vsf found our gold-en hour, La _ dy’S mil al. f me. “With- in my La _ x‘ :7 bOW’l’; A alempo, And- told the old, old sto _ ry With- E. E. And told the old, old sto _ zmav corda. Tell Me, O Gentle Maiden. (OU VOULEZ VOUS ALLER .) BARCAROLLE. _ English ‘words by“Winthrop’., _ Ch. Gounod. I’ Tell me, O gen.-tI’e maid -en,Whered0you chooseto go? White sails 0:’. tea la jcuzne be! -le,A 0:2 vou-lc1.vous al- Ier? La voile . Bel - la mia gio - vi -net - ta Do-vei ti Juoi re _ car? Lie - vee _.o- C be/aring s on-ward,Gaily the breezes blow; ........................................ Gai§ ou-vre son at’ -1: Laibralae va .9ouf_fler' ................................ ............. ._ La - la mia barchet - ta Cal moepropizio il mar _______________________________________ .§ ...... .- Cal- Copyright, 1889, by The John Church C‘! ' - ly the breezes blow.---. brzlse va .muf-f1er. moe propizio il mar__.__-__ > All is brightnessand beauty, ’Tis thy’ loverzs sweet du_- ty, Swift - Iy to ‘ L’a—v¢'_' tomes! :15’ - voi _ re, Le pa- v1'7-londe mot" - re, Le ..... .. gou,ver- Sul _ la pro-ra ho la spe- me, In van con-tro lei fre - me . Iel . . . flutto TTT guide thy > way; . . O,er the murmuring wat - ers, Fairest of al1earth,s nail d’or fin, . . . Jhi pour lest une o - rm‘: - ge, Pour vo1'_le une aile cri - stal - lin-. . ‘ Per sae-vor-ra una me _ la le ser-veo di daughters , Sweet as roses in May. ................................................................. .. 7 - . I . . dan - ge , Pour mousse un.s'c.ra.p/ha . ............................................................... .. , _ % , Ve _‘ la L’a _ la dun Che..ru - bin , ........................................................ ...... .. Tell me, O gen-tle maiden,Wheredo you chooseto go? White sails Dz’ _ lea, la jeu.ne bel- le, 0:’; vou-le:_vou_.9 al - lér? La voile Bel _ la A mia gio_vi- net - ta O—ve-ti voui re - car? Lie vee bearing us on-ward,Gai-ly the breezes blow, _, ______________________________________________ _. Gai, tou-vre son at" - le, La brz'-ge mt :ouf-fIer, _______________________________________________ .- La ‘ la mia bar_chet -ta Calmo e propizio il mar, __________________________________ _'_ _________ _ ly the breez_es blow. bri- ae va .9ouf-fIer. - mo e propizio il _ ma‘-r. “ > To the land of the spi . ces? Where all nature en — tic - es? Speaklshiallwe, Est- ce dam in B1: - z‘:'_- qua, Sur la mer Pa-n'-f:' - que, Dane 11' _le 1 Sull on-de fug-gi - ti - ve V Del Bos.fo-r<°) alle ri - ve Dim _ mi,vuoi 1‘ P shall we I On the bosom of ocean, ‘ Lulled by its gentle ‘ de l ja 9 Oeﬁéien dans la Nor-wé-ge, 0ue2'l-Iz'er la fleur de tau - pro _ Op- pur sui f1u_tia vo - lo Vuoi di Golconda i1 Floatwe eV_ef_ a .way,' ________________________________________________________________ .. 01': la _fleurd:4n-g0 -/ca? ............................................................... ._ Fur- ti _va sa-.lu - tar? Tell me, O gentle maid-en,Where do you chooseto go? White sails .02’ - fes, . la jeu_ne be] - Is, 014 vou,le1_vous al - Ier? La voile la mia gio-vi _ net- ta 0 _ ve_ ti vuoi ra - car? Lie - vee bearing us on-ward¥Gai1y thebreezes blow, ............................................ .. ou-vre son at"- Ie, La bri- ae pa :ouf_ fler, la mia banchet -ta Cal-moe propizio il mar, ................................................ .. Cal‘- - ly t» e breezes blow. ‘br1'..9e1 wt :ouf_fler.___- - imo e propizio il mar. ‘ > Seid the beautiful maid - en, "Let us go to that Aiden, Where we shall 1lIe.ne:-mo1',dz'! la be! - Ie, V .4 la rs’- ve ft’ - dé - le on ‘Port La gi0-va-ne ri _ spo _ se': ‘ ~ Me_na-mi fra Ie r‘o - se La do-ve 7”’ I“ love, love fdr aye; To its bright golden por _ tals, To the land of im. at" - me (on. _/our:,_._. v0eI-Ie rt‘ _ ve,ma cﬁe - re, 0!: are la conmzif sa _ ma _0 _ gnor.,---- Ignot ao gi0-vin-cel Q- la, E que__sta piaggia - m0r - t; us, Let us up and a _ way! ........................................................... gue - re, Au p'a-y: ale: a, -nooun. ............................................................ .. bel - la . ‘Nel do-mi .nio da - mor. ........................................................... .. Tell me, O gentle maid-en,Wheredo you cheese to go? _ D2’ - te:, la jeu me be! - la, ou v0u,lel.vou.9 al - Ier? Bel - la mia gio -vi - net- ta, Do-v_e - ti .vuoi re - car? sails bearing us 0n-ward, Gai_ly the breez-es blow, ________________________ __ voile ou_vre son at’ - le, La bri - se M I .¢ouf_f/er. .... ................. .. vee A la mia bra_chet- ta, Cal_m0e pr0-pi_ri0 il mar. ........................ .. -0- ly, yes gai _ _ _ ly blow. 6m‘- se va .......................... .. :ouf-fler. moepropi - - _ zioil‘ mar. }{§ 24 ' A Serenade. German Poem by FRIEDRICH IIJLM. Englishetranslationby GERARD F. C OBB . SOPRJZVO or TENOB. _ ' GERARD FOCOBBC Andante c‘antabi1e.<J : 100 Pc(I.ad lib . night! All ha1— - 1ow’d Nacht! Schliesst euch zu 0 - - pen bright When frisch - - er — wacht, ‘ Wenn 1’ gold - - clouds is beam A - I - _ ing; Good enightg sich die Wolken sau — - men; Ihr blau _ P1" blue, good night! All V hal - , .low,’d b.e,_. ,yo.urg gu - - - te Nacht! Schliesst euch zu hol - ~ den 9 0 0 0 0 Good night, Ihr - blau - — con for‘: f «night! All hal - - - low’d. be ............... .. __ your---- dream -Nacht! Schliesst euch ...... .. _> zu hol — - - Tréieu _ .5-empre calla vocc. ing! men! ccmtabile . love! As V fast the ..Nacht_! Wenn Ster - - ne lips ‘ I gu - -,te When first Sc_h1ie.sst j a fast . i_ si - Tent sleep schliesst auch euch hol - Vrose her beau — ty sich am Him - mel bove, S 0 .P.r,acht . S_o. P05 '. Schwei - M’ ,I love, V In - te Nacht ! P1" Schliesst re denx good pen _ pOS - Schwei- ' . night, gun- pos Schwei good te ‘ 27 - ing, Ye - gen. .“‘=====::::§5h iorta. night, In. Nacht! >ScAhliesst' cantabile dear!L What eye‘ could note the day - light’s N-'acht, ~Wer wiir _- - de A Ta — ges - glam; ver - - ing, Were thy bright beau - - ty — sen, Wenn hell noch dei - - ne “€313 What eye ..... -- could note the day -lightjs pal - Wacht, Wer wifr - — de Ta - - ges — glgnz ver — mis - .1/'\ V L ' t_h_Y ub.r.i_gh,t - —, ,- n.efs_se _veile -_ -in,'g., lent vim W.ei_,- . - .- chen Kis -, sen, ,D.r_u_m, c ntabile. 2 I.’e(l. — ness veil - ing, Good — - chen VKis - sen ‘Du 0071 Orlll. O -9 ad lib. LT ‘ e.s-;2ré.s.9z'vo. - .thy brightness veil - » Good. - chen Kis - (Du; calla vane. rit. » ‘ ‘night , good night.!_ gu — - te _Nacht.. A io. ran . calla vocc. I Arise from Dreams of Thee. SERENADE. ‘ .w0,.(1Sby s]1e,]1éy. ‘ g V Music. by Charles Salalnan. Andante con 1110110 Espressione. J —_- I16. PP1’ Pcd. _ O a- rise fi-om d1-emus of thee, In the fix-51 sweet sleep of -/7'7. .Z.".$. ./.—.*. PPP Both Peds . When the winds ’B¢}m Peds __>/‘T stm-5, Amt the Stars are bu_rn—ing bright, A from drealns of Zﬁj gm of t11ee,0fthee, And a spir— it, b a spirit, km from dreams thee,0f thee, I a -rise {T5 gm _' Z—:§ {T 0.: 0 /.\ Pod. v E. ' : }—-— PP who_ knows how! Hath led ‘in my feet. Hath led me.) ( ‘ o n /5’x a» Soff Pea. m chamber window, sweet, 4 Hath led me to /thy chamber window, Sweet‘. j ' .4-—‘:""'m-_ o 0 0 O 0 u o - O .f-\ . Z:\. . } ' ? } . WPP n11‘$Ie'r1'uso . spirit hath led me A Sweetg A SP1-ﬁt ' hﬁthled I118 ‘*0 . I _,._._._._ 1 - V } ‘ ' 0 a ‘ a ’ ‘ ‘ ’ ' ' ' ’ ch‘; 3%’ i-- wandﬁring m'1'stl.1e}3 faint ..... -- Olrthe da1*k,the si-lent stream, The Champak odors fail,____..__ The PPed P _ a tempo. ——-.—-;: ti ’ SW99‘ thoughtﬁ‘ in . ‘ 7 ‘ The night-in—ga1e’s complaint; ..... -- {T ‘L/\. As I__;_-- Inustonthine, As > I .... -- must on thine,Be10v - ed as thou art, Beloved as -thou agw 33$ r~ ;*ita1.'d. ~ Pad. ‘ * 177: 77 Tempd primo. gen - ﬁe’ —dews of sleep I, b a—las‘. xiaust weep, 'I‘hou,kn0w’st not, 'I‘h0u,kn.0w’st not 1% /-—\ My cheek, my cheek is cold and 3's/‘an, ___.__i can passione. . >r>\> heart, my heart beats, loud andbfast, Oh! press it, Ol1!press_i{ / - \ V /‘.$ ZTS V/‘.5 ‘ to thine own, 01' ‘riirzrd . L 3 L 3 L press it to thine mm, 01' o a spirit hath led me ‘ to it \'n'll break ‘§ Both Pedx. f.‘ it will b1'eak.,O1' it will break at last‘. ‘ FA ri mrd . hathled. ‘me ll to High Tide. Words by G. Clifton 'B‘in‘gham. 7 L Music bY Arthl” Camau Andante con moto. dream when the tide comes in; A Out of the wdrld with its ritard. cl‘amo1_'s and cares,‘ Far from its strife. and collzz voce- Shad - Qws creep o’er the Where ' 3 \ 3w¥——-—/ nmzle. and _r2'lzzrd. Lento. A dream that has drift.- colla war. at an — chor ships ‘"‘ _the past ed by. 4+ ‘Sta. 1... Pin m 0:30- In‘ _ to the mom - ing 7" Pin mo: 0. sailed at break ,of day, . Back from the fishing, their .9z'mz'Ie. ‘ déy’s _1a—bordone, The boats cqme meno.m0uo. Monarchs of storm _and L ' Come plough - ing the\calm_ grey nf memo mono. oyLe9'zl0.A by one V Hand brought home V To the Ha - ven where would be..- . Moderato, 6:2: ,Lenfo.~\.::=._ _ — bor where storms f‘1\ . Lento. know. .................. ..Sor - row_ and wreck and M . 3 ‘ + ~ Andante‘ , and 't ides 3 .4ndzmtz'7z0. b I _ 9 ’”f / ‘ . , by,‘ _ in that Ha .- veh -fair, And zlndrmlino. )9 calla voce. Come to Me. Soprano or Tenor. Words by.W.Boosey. M11510 by L- D9111?!- Andante sostenuto. /5 avfa. P ,Neath the Si] _ — ver si—lence of the /5 m0‘0I1, ............. ..When the winds are sigh-ing in ro — sy bossom buds of June. ............... ..Cl0se their dew — y pet-als in- to col c/mlo. at: ‘Ea. ‘Sim. * When the weary eerth is hushed and sleep—ing, ........ -_ And the - Mia. Mia. cm ,£:0ld—en stars their watch are keep - ing, Come to me, Mv [9007 (vmto my dar - ling heart,» Lay your trem—b1ing hands in eyes di - vine .... __ Love, that life nor death shall part! Lay your ht'rem—b1ing hands in mine; in your eyes di - Vine that life nor death.--. shall ('0! canto. Andante mosso. )0 -Love as boundless as the - cean seal Love that shall be proof a —gainst all 2-3 Love that shall be a life. Vto you and me! fa ammando. Fill-ing both our souls with trust sub—1ime; Till your heart shall beat on mine, re ~ /"T P animando. b — ply - mg ' joy un~end—ing1 nev— .r dy ~ ing! Come‘ .to )3 vol mm/lo. Tempo I. m I?!’ Come to trem-bling hands in mine; ' in your eyes di- vine ..... -- Love, that life nor death shall part! Come trem - - bling r/it. that life nor death, ............................ .. tat life nor > > } '00 Nmfo. > > > col czmfo. > > > } 3l%>72t. > r,\ nor death may }M 3/Int. The Sea Hath its Pearls. Heiﬂe— L°ngf€110W- ~ R. Ernest Bryson. Con moto moderate. L132. V 30 heart . hath its A Great are the sea and e heaven, / great _‘er /Zr“““‘**~\ {And fair. - er than pearls and [ff if Flash_es and beams my can. pasuone. ‘‘ a tempo. j——jéf\ Wlit- - tle youth-vfulh f ' A/———':”“x ‘mil. .9 dim. go almpo. ' cresc.rz'tenufo am poco a Iempo- maid - - én Come un_to my great heart, My héart and the sea and the reemrilenuto un poco a fempo. 2*??? crew . con anima. heaven .......... .- are melt - ing a-way, are melt - ing a.-way, My T E-‘re c anim '. marcaio . f dim, heart and the sea and the heaven are melt - ing a _ wey ......... ..... -. with # mﬂ \ are melt-ing a 7 way with m . rall. _rp - - Pa tempo. The Life J. EDWARDS’. A119. Vivace . } } A—.lmi!la1m0htheboat! Come, dash ____________ _tu the deep! ..... __ A C<)py1'ig}1t l88J,by J.Ch111'oh 6c"C0 . L? ship ____ __ rurshes 011------_--_ to the rocks wild and steep! All torn are the it sails and the helm ____ __f1-omthe bands;-__ 0 l1ast— en! The Life— boat to } 1-es '— cue -the hand.s‘.___ A hoi _____ __ Ialmchthe boat! (Tome, dash ______ __ to the Li deep, ..... __ A ship ____ __ rushes on __________ _-to_theT rocks wild and Sheep; {*3 All torn are the sails ____ -; and the helm.____ fmlnthe bauds,,-___ 0, 11.181 — en! the } hrall.V- — — — Life—b0:n ‘tn 1':-s _ one the hands. L rall.— «,3 — dim. rall. — — — ~ ‘ ’ A110. A ud.-mt.e. WV cresc.——————-———— The Boat has set out}. _________ __ IL--- leaps for.-- the life, .--_- cresc. — ac-cell . Q Agitato . The Vessel has struck.’ A cry drowns the strife; , The ship is > ' flees the brave;.__._ It phnlgvsl it f()lllld(‘I‘:w‘! The its Andante con esp}-essione . Our (—}mL, blesstlléboat! Thé men g to the Inést, Th‘e rigg-ing, the ya1'dS,tl10ugl1 in tel‘ — 1-01', hold fast; A hope of tl1ei1'1"escue is fill — ' ~ Aingeacll breast, And death‘*cI'oucl1es read — y be -hind each waVe’s crest. s /3 Allegro agitate. O! hurry the boat! What dread perils 10111.‘! A wave seelnsa mountain, } ff ¢ Allegro. cresc. _____» . L? mo — — nwmaulmur! How boldly it rideson the bi] A — ff L34 long, Now tleatlfs dis—ap§p0int— —.ed and ,hope“ ..... -- becomes strong. ______ -_ tempo . ; A119. Moan’ It 1'eacl1—es UleWI'f‘.(5k‘. I ev’—1'yn1au Now safe in the Iife~h0at,th0ugh P . wear — y and wan. Hu1'rah!It 1'etu1*11sf1*01n its life Saving feat, While ;- “ ” " ff laugh — ing to scorn the wild wih(ls,waves,aI1dsleet. The boat has returned, 1' rall- en — ~ te1*s1l1ecreek!_ Let mar —j — cy now hast — —eu to sun - c01'7the Maestoso. weak; Thanks giv - — ingand praiseshall as - (tend nu - to Thee ) 3 3 9 3_ 3 u - 3 " ASH‘.-V ~ V611 of life,‘ and the Lord of the sea. ________________ __ G 3 . 3 3 3 3 . 3 _ 3 3 3 /3 0 Dear Love. SOPRANO or TENOR. Words written by H.W.Ingram. Music composed by Henry Klein. Andante molto. ff ‘9@- Mia. A ndanfe. lov’d and ,priz’d thou art, rail. pass my days, How rest - léss can lmseione. havé no- hope in lov — ing thee, A can-not am‘ pa.9.s-ionc. (I lempo (vmm/)z'le thy ‘ déepeyes still fol - Iowme, Bright as the hour 3 3 8 8 8 *m. accel. do. nbt hdlahre M L. to think of thee, Thy § ,.s°lo_u'€r. face still ha_unts-..; my sleep; Em - bly ask that love like mine ..... ..: May pray for thee and weep!.;..-... ::?+_...———.T‘:.:-——> $532». ma. 5: 4,? rz't. : 'V - love like‘ ‘mine. ’May pray‘ ‘for thee I 'aﬁd ‘weep! . kind-ly word did’st thou give me, . si-lent and a - lone, \ dear, Ifeel in lov-ing thee Theworld is _all mine own. (zccel. name I still may breathe to Heav’n, Thy face .is -on my heart; . 5!.’ (local; ‘______,..__—-—-—- L ‘ a’ tempo ' o.zmt(tIn'le let’ ' ‘me now . . r.e-mem 4 brance claim, Th‘o113‘gh.doom5d from thee If fempo one thought . to _ me, slower kind. word I im - plore; Thought reft of hope of winning thee ...... -- I’l1 It lemma calla D008 It tempo . > . > love thee ev — er- more ..... -- Though reft of hope L of win - ning thee, I’II ‘ . 3 5 10V6 or - - er and ev - er - morek A {sing to Me. Words by Fred.E.Weather1y. b . Music by L,Denza,V Andante sostenuto. )9 lranguillo. , Whenjthe leggiero. that usedto 1? go: ................... .. While 11 col canto. watch ............. ..'..your ten - der eyes ................... .. In the ‘moon ‘gleam, ............... Sing t e col canto. V dream, Sing---" col canto . old .................. ..'.sweet memo - mes, col canto. O sing to you, sing ................... .. All. the f’*_: L; -_ ‘fears; ............. .. f0Y days i0 be --------------- -_~ ----- -- From my heart """"""" " take look _______________ __ m_-to your_ eyes, ........... ..... .. Thenl col canto. §——————-—-u-——-—-'Z All the bit. - - - ter mem-o - b ‘col .cam‘o. find _ it in ' Pol-ly?s hairy; — _. And her_ eyes had some‘— thing in t She round"by the dai - ry farm; yTo ” talk of the house lid furn — ish, And the nev- er knew how to say; And I look’d at my sweet lit - tle Pol~1y Till she ring 13 have to give, And the love that we’d bear for each other - So look’d my heart 21- way; Till she l’ook’d my heart a — way,‘ long as we both should live, So long as We both~,should -live, Tempo 1.9. Pol-ly and It were T sweet — hearts, As all the neigh —bors . linow; ‘ Pol—ly and I-.-- were sweethearts Twenty years a -' go. Slowly. v Pol—ly grew wan and wea- ry_The ros-es paled on er Religioso. 3 1 pray’d to our ‘ Fa-ther in Hea.v’n nd our Fa — ther kept me brave;Yes, Slowly. I M". That’s what I want with the cow-slips To lay them on VPol - ly’s‘grave; 10]0 S\lowly and sadly . lay them on Pol - ly’s grave.V Pel—ly and I "were sweet-hearts, As all the neigh-bors know;._;.--_ Pol-ly and I were sweet-hearts, fran. Twen- ty years a - — go. .......... .. f . mu. . R a temgo e accel. It Was Not Thus To Be. HAT N_jI_CH.T SOLLEN‘ sE1N,) DE-=3 TROMPLETER VON LSAKKINCEN. ‘(SCHEFFELJ ‘ English Words by“winthr-op‘) " . A Nessler. Andante con moto. -How stroangeis life! its min - gled Joy and ‘Ba: in im Le — hen /Eiiss - HM em —ge- /——T\ sor - — row, Where with e ros—es thorns do al -ways grow; ’ is smiles to- -r2'cﬁ— - let, d/my bei den II’o-.9(?ngle2'c/c a’2'e Dor—nen .3tM’n, um! was due /41 day’ and bit-ter tears to - mor - row,’Tis part-ing now, and I must from thee IN‘ V - omevﬂerz./zucIe,seﬁnt mm’ die}: ~ tel sum Sc lug-se /comm/t a’/1.9 Von-em — rm — der- /‘g 7 M {" ‘fa. Cop.yr"igh_t,.1889,by The John Chufch Co, Oh dear- est heart! thine eyes - on me‘ beam - - ingw in theif In (lei-hen Au — gen /lab’ ic-A ez’n.s-t‘ ge — le - - sen, es bl’z't5-tee‘ , espam-2'vo. depths a world of bliss I see, God bless thee love, ,my joy was on - ly‘ al’rz'n mm Lieb‘ um! G.l1'ic/c em Scleein: Be - /tiit7d27c/1. Gait.’ es wéir" zu .9ele2)'?l 59‘ (‘T {T seem — ing,_ od bless thee love‘ it was not thus 0 be ............ -- d bless thee -we — sen, ﬁe - lciit’ die}: Golf.’ es Mt m'c/Lt .e0l—len .9ez'n.--—------- Be - MZt’Adz_'cﬁ /‘N lovew my J'0}’lW35 0n“ Y Seem. ' i11g,G0d bless thee love, .it was not thus to be. Gott es wiir’ :34 schﬁnge — we - sen, ée—Iav?Zt’dz'cla Golf! es Mt m'c-let eol — len eein. My way was filled with grief, and hate and Laid, Nee'af1¢7tdIIass,a14cﬁ tel /1116’ sie em —A sad _ —ness, '1 was a wan-d’rer .on life’s st0rm—y sea; Yet th0t’s’ of , ~ez'n sturm-ge — ]2ri«'f—ter, mii — (fer Iﬁm -ders-mann. Icla triim/¢t’von —pf-am - Jen peace, and quill; et — nessaand glad — ness,Came 0 my heart, ‘ e ink—ing love, of , Frie — den (1/t7m7‘un.d .9t2’l - Zen Stun - den, (la hi/7/27' - le mic}: der I/kg zu a’z'r /lin- W th - in thirle arms, thy smile up — on me gleam - — ing, I fond-ly In (lei - wen A’r — men wollt’ 1'0}: gun: ge - ne - — sen, sum ﬁrm-/re ‘ 7 /’‘‘‘“*$ A .‘J. b . ./an-xo — e.9ptm.9¢'vo‘.*,'. hoped to rest, dear 1oV‘e,with ‘thee; od b ssh eev love, y joy was . n — ly dir main jun — ges Le -ben wei/e’n: Bee —.1h’it’ dial) Ga.-ti.’ es wiir’ 1m .s’cﬁb°n‘ge- e-‘—?"——’-—\ ing, od bless thee love, it as n tthus o be. ___________ __ God bless thee sen, ée - lciit’ dick Gall! e ﬁat male! .901". Zen gem..- ....... -- Be — /ciit’ dick ?\ . n o. /' , I g. ~ ._b e love, my Joy was on — y seem — ing7G0d’ bless thee love, it was not thus to Gall! es wt'z'r’ su .90/5°o'n ge — we — sen, ée — lzviit’ (lie/z Go!!! 6.9 ﬁat m',c}2t sol —len he a a o (5 , T ‘ he cl uds ‘la’- Die Wbl —/(€72 rises . The mourn-ful , V ind is sigh-ing, The rain-d ops flie/Pu, der lVz'nd sausf durcﬁ die Bliiﬂler, A em Re - gen - "f up - on my dark - ’ning . Fit emblems - er zieﬁl durcle lI’ald um! , zum Absched- all of hopes that now seem fly — - ing, The gath’ring gloom up - on a hap — py '-neﬁ — men jzzst alas rec};-to If/kt — - tengravu wie der Hz'm.—mel ate/cl vor mir die bl/"F .3u;- ‘IQ. -I-‘Y3-, Ifﬁ coming days shall be with for— tur_1e beam — - ing, r for-tune , D0clc,wemi .e.9 sick tum Gu-ten o - der Eb’ - - eenhdu ecltlzm/ce T ‘e.9}1anV:z'vo. frowns, I shall be ‘true 0, kthee, ’ ’ God bess thee love, my joy was: n - Iy Illaid, in Treu —en — den/r’ ic/L dam: Be — A532" dick Gotf.’ ea wiir’ zu schin ge- /‘''§ {— . \_/ Seem - ing, od bless thee love, it s n tthus 0 he. ........... .- 0d bless thee -we — - sen, be - Mil’ dick Golf! (3 ﬁat me/it sol-len sein. ........ .- Be - ﬁif’ die}: 1 love, my joy was on— y seem - ing,God bless thee love,‘ it was not thus to- Goltl es— wiir’ in so/Eiin ge — we — - sen, be-}n'£t’dz'cIt Gott! ex V/eat niclzt sol — len . 9 o (\o A V ,——-T T Tell Her I Love Her S0. A .Words.by F,E.Weaytherly._M,A. _ b Music by P.de Faye, Andxan‘ti‘r1o con moto. (J.:72.) /_ ”ﬁf Jen man-a/o iléauo l._ Gleam, 2.Greet, sil -» ver stream, Sea — ward gai_,_.__ Iy___ swell _ _-_ soft - 1y my swget, By thy span-gled margin roam - _ _ _ _/ J whisp — ‘ring low, un - der_ themoonL,____ To “your banks my sto-ry tell _ - _ ing. ............... .. In the ten- der love—tide gloam- - - ing. ............... .. 1'!’ >- L,H. luu'ng7z’nr/o _ pppooo piu lenlo Far, far o’er sand—y bar, /5 35 /\ /.\ Greet, greet, soft-ly sweet, P1700114 0008 as reu. fem 17 :3“ pa ores Lies Amy lit-tle 0ne’s dwelling. Tell her thatll am comiing. Flow’ mer""i;1Y’m‘e"“'i ‘ 1)" ,.\ T9:-=7 rmpocrea. L. i . . f \' dim. e rz'l. flow .Tel1herI love her so, ,—.. _ dm. 6 ml. ply: in lfvo > Say, poco marcalo > when she’s a -way, ...... -. ’ ‘dark_,---- ,,——-- T?» <——_: Z} 1‘ ,.:>‘; c-res. ores . an 2'»: amlo: 2' Bright and \fa‘ir-_--___ w hen' she ‘if.’ j #- f /—\>>L near, For ’tis she. ............... __ is the sun- shine on _ 87 ﬁﬁgoco pm lenia /‘\ Greet, greet, -”\ col/a vac: __;_?_,a le1Ig}2o.cres. soft§ly my’ sweet, Shé is my lo_ve,mine on-ly, Flov‘v,___j__ _ flow,-_;-_-_ a tempo. 07-es. } T}; o f ad IM. KN me.r-ri-1y,mer—ri—1y. flow, .... -- Tellherl love herso, ________ __ I love her _/./A ,J,_/‘_/ ‘X; collar voce They All Love Jack. TENOR. SONG; Words by F. E.‘.,,W_catherly. _ Music by Stephen Adams.--. with Spirit. When the . f\ ship is trim and read-y, And the jol-_ ly days are done; When the \ / last goodbyes are whisper’d, And Jack a_board is gone; lass -es fall a »- weeping, they watch his Ves _ sel’s track; the lands-men noth __ ing af - ter Jack, the lands -r’nén 10v - n‘oth - ing af _ ter Jack. . . For his /3 a lempo . heart is like the sea, must lone - ly ‘be 1ove’s the best of all . . ]ack’s the King of L all. . Ev -er V 0 - pen-,brave, and free; comes back . Till his a ship That can a —man be _ fall, . ad lib, For they all calla voce. > And the But goes, their hearts go loft that "lit _ tle o’er the sea he with him , 77 che- rub, Where he E,en his ship he calls her “she!” Up Sure a maid-en she must The mer-maid‘s,down be_ low, Would give ir crys -tal king -V doms For the love of Jack, I triow; give their crys -tal king-dom's For the love of Jack, I trow; -A For his f a tempo. heart is like the sea, Ev_ier 0 _ pen,brave,and free‘, And. the girls must lone _ly be. . . . Till his ship comes back; But if loves the best of all. . . . That can a man be - fall, . king of all,. For they all Z-5 calla voce. When he’s hm sai1,d the world all o-ver, And a _ gain . he steps a - shore; There are scores of lass -es waifying A To.. love him; all the lose his gold - _en guingeeas, V But a wife héll nev_er lack-, wed themall they’d take him, For they all love Jack! If he’g wed them all they’d take "him, For they all, they all love jack! . . .‘ For his r.\ /"5 ’- \ calla voce, heart "is like the sea, EV-e.r _o.» - ’pen,brave,_gnd free; ‘ And the girls must lone - ly be. . ,. . Till his ship comes loves the best or rall . - That can a. man be _fall',_ . J deliberato . ack’s the King of all,.. For the 'all love ack! Y /K f\ calla voce. 96 In Old Madrid. Words by Clifton Bingham. Tempo di Bolero. H_TROTERE_ , A . ' > Long years a - go, in old Mad-rid, 'Where soft-ly sighs of love the light gui- > > A A A Two sparkling eyes_ a lat—tice hid) Two eyes as > > f\. There, on the case-ment ledge,whe.n day was o’er, >> > > 1ight- ly laid; A. face 1o0k’d out as from the riv - er shore, There > } } } ‘ e a tempo. stole a ten - der ser— e - nade! .......... -; Rang the lover’s hap-py song. coll/z vocr. , it It tempo. Light and low from shore to shore, But ah! the riv—er ﬂowjd a - long tween them ev - er - more. _______________________________________________________________ __ A A A ’ A A A A A A A L 10- A AA A e rrwll. _ con tenerezla Come, my love, the stars are shin-ing,‘ Time s f,l‘y- ing, Love is iigh — ing, A . 5.-.- ﬂ~.— r thee a heart is pin - ing, Here a—10 e I wait for thee! > _ A a lempo. Far, far a - veil those sweeteyeslhid; And all the ,—\ > But still, be — tween the — tice wide,’ lat > white hand Opes the VOWS dusk > that and love had sighld were /\ night ’tis said, } the faint sweet ech - 0 j ser - e -nade H Floats weird — 1y 0 er the } calla voce. } of > t.Her "Still she lists her lov-er’s song, Still ‘he sings up-on the shore, Thoxlgh ' f/_______________ astreamthan all more strong Be—tweer1 them ev — er - more! ............... A A A A A A"_ can temrezz/t. Come, my love, the stars are "shin-ingﬁ A Time s £Iy—ing, Love s sigh-ing, Come, for thee a heart A o E O . . 0 . > . . . Here a - lone, I A a temp 0. 1--.. wait for thee; ?—§T wait for thee, ' or thee, love, for A A A V V calla voce. An Old Garden. SO PRANO OR TENOR. Wortis by Helen M.Bur.nside. % Hope Temple. Moderato . ' old % gar _ den V gay 4 lfqun - tain ' the cen - tre, «With its gleam - ing L mar _ble There were A 1’ wind. ing walks where, ros'.es grew, And )0 . mu. fash-ion’d from the hedge of I ca1l’d my La -dy’s gar-den, and Tempo . f m 10 . rm wont to walk witH _ in it, ’ I re —mem-ber best /3 mcolla voce. *Ta. rm1'malo . In her pet. ticoat sat — in, fl little fzuler. f the Mmaid - en I /fair "and of and her gai _ tall Who was _ ly fIower’d j‘ J} 0 And the .per _ _ fume and the pow - der 4 lzllle clower. hair ‘f s'un-ny.’ brown! re — mem _ ber, I re- mem —ber ’tisea- f/\ life - — timesince we met, ‘ But her sweet face pure and« f fI\ — ly in my, mem _ '_"ry lin-gers yet! see her waIk‘1-ing, with her state - 1y‘ grace s guard ‘- ed 1’ {*‘m. of pearl and gold! *‘}3za. f gates 61" pearl" A calla voce. that, swéet gar - den, .with the lil _ ies fair and who wa1_k’d 1_'z'I. calla vocem “Ea. very slow . 108 It Game with the Merry May, Love. Words by Whyte Melville. - Music by Paolo Tosti. p legato armonioso. l.,It calms with the 111:-1' _ 1-y May, love, It 2.T\NaSapla11t with on deep _ or root, love, ’[‘hanthe N/v bloomed with the sum _me1‘ p1'ime,........... In ‘a dy - - ing yeaxgs e- blight _ iug east _ en: tree, ............. For it grew in my heart, and the my, love, It ‘bright -en’d the fad .. - ing fruit, love, Was e bit _ _ tel-laud bane- -ful to /la‘ thought it would last for a life, love, But‘i't went with the win‘ - _ tel-’s.' poi - son is yet _in my’ brain, love, The ‘thorn in my breast. for you col canto. 3 . ' Twas on - _ p tempo. nev_er can bloom an -y v111_01‘e, love, For theplough hath pass’d 0 _ ver the a empo. 7 h And the fur - row hath left ' score, love, In the Sp( 7 JFL: a tempo; _ rite _ _ . a tempo. 1 p1ace.whe1'etheffl0w_ers are not ................ .. ‘T15 gone like a tale tfheawtis PET rit. col canto. a tempo- > >' told, love, L Like a dream it hath fleeted, A1th0u'gh’twas fit. col cantq . O11- ..ly a year ’ 7 . > Twas on .. — Ly a'yea1' a - - go, love, col‘canto. K affret. .. Z \ /‘ col canto. 1; gig ., $5 Ching-a-ring-a-ring. SOPRANO AOR TENOR. WordSb;v F. E.TWeatherly. ' Music byJ.L.Molloy. ’TwasV a lit — tle maid. of But he couldn’t tell her how he loved her,‘ Just be-cause the language it was —-Mean _ while the Man - dear - ins they wooed her, Poor, Jack dis_ - con .— so — late, was he, if I’d on—1y been :.but a _no~ble Mandarin, O Ching-a.-ring,- a_—.r.ing, you‘ '3’, __,z;\:;. ;: .a.~:,:.‘- .—, 1 w'——~— — pret — ty lit — tle thing, Per - haps_ you wouldhave mar — rjed me!” So this, gay and .gal — hint sai — Ior mm//m/lo. .B0Ught~him-Self a yel — low gown, Bought him_self a pair of golds. en- lentamlo dolce. slip.—.pexs, - And. a lorﬁt and.IoVe - Vl'y pig. tail to hang bd<»)_wn.‘ to that lit _- tle Chi-nee maid_en, Grave ly he sank up- on his “Q .I’m. a. Man__ da7— rin, with a pa].-ace in Pe—kin, O /3 . C_hing- a-ring,- a -rir_rg,you’ pret—ty lit -tle thing, 0 say that you will mar - ry me.” ’ f\ poco [pin lenfo. Stated that lit — tle maid of . Won—d’ring.wha_t he meant to kissed her hand. gent — ly, And. flung dis.- guise and all Shone bath her brighf eyes like . gave Her lit _ tie hand and she made him u”n—deVr-stand, That the lentamlo e ores. rich — est Man, _ da_ ;— xrjn, mivez. n0th~ing to a brave young’ Tar. The Sweetest Singer. S 0 N G. * ' Music by‘J.L;ROECKEL. Andantiuo. ‘ /-T ’;I'f.A> > $311 6 Largamento. ‘ A \ n ()0 n In rglzezzu. 9 . ~ . . -Crowud wlth ro - ses, clad Jn sun-shme Comes 9 .And the mu - sic 1-are he Iunk<- eth Eve-ry heal-tmay un - der—stand, Bull. llolr-e. u tempo. Sweet, so Sweet the sounds he dI~aw.-oth From his harp of ma - ny strings, fr: ‘Old and yduug and lit - llv chi!-(lr49n Pause to hear. tlfe song he sings, .g £ Pause to hear the song he sings. Ammpo. > (7(1I1tun(I0. l'.'.s’7 7‘¢?.s's1'1! . ‘i . ay the old, s“t1'ain re- - P A tmnpu. youth, long . Say A the chi! - dl'¢-,n,“Such glad 1nu- - sic "B1-ight-er makes thy-" Dnlr-i.s'.n‘m0. \ And {he nmi - den and her "A , . (70 In parre. temp" eyes their Se- - (ms-.1 ’ Whis - pe1'“Sweet should bv_ his ‘sing- —ing, Love, he sings of Vflwe a - 10119, Love, he of time a -10:19’? gﬁ 2 J’ Gran (lent en re. _ So, for - - ev — -,o_1-, A tempo. Bright —’uiug pla - — (:95 dark and d1-em‘, «S”"“‘~ grvao Through the world the - - - - - - diam sing- - ;or Lungu. all . . . . . . . who choose Collrt Parte. ’I' :2 mp 0 . 1‘) Rich and poor, or high 01; low - Jy, Ev-’ry .heart:‘his voim-. hczm nmve, Tenzpo. ’ Laryrunent. Pin ugituro. All may learn the song he sing- eth For the sing-¢-,1’-,5 'II«‘lllH*. - - - - /__——?“\ / E Q Pin ilgifttfo. J_ "H .L_ La rgum (:1 . Calla ptlrfe. Alley/‘:2 1110110. > > .> The Golden Gate. OR ANG.ELS AWAIT.‘ Words by Edward Oxenford . Music by Jn'o.E. Webster. >T>‘\ ‘ 5 1. As o’e'r life,s path _'way hour by hdilr, We tread by fates de- 2. The sweets of life to ma - ’ny fall, And bring thlemearth- ly gj ‘ , _ _ cree_; Our hearts all feel ' a guid _ - ing powr , That. joys, While sor _ - row 0 - _ thers holds in thrall, And Copyi'ight,18s0,by The John Church Co. eyes can nev_ - er ' Yet pas - dawn — ing bliss, de - _ stroy, ..... -. But for on - ward press, As roll slow- ly _yond the sight,, A en lies in Vscarce ly heed in thoughtlessness The end ‘ that lies there un-chan-ging day and night,The end that lies 0 . I‘ . - co] canto- a Iempo. Ear-_ ly and late, An;ge1s a -»wait,‘ a Iempo . gold - en gate, Ear _ ly and ‘J . Keep - ing guard at the gold‘ - en 'rz‘t.coI canto . \'__/-2 our ways Keep - ingvguard at A the be - strewn with flow’rs Or V they dark and should thro’ all h liv - - ing hours Look V colt -. stant- ly to who fain, would guide our feet, _ ring steps, re. g1ad-lylgreet The end’ .‘t'\ha';li_l‘ie_sN be _ - fore ..... -. Ear-1y and late, V will no] can! . Angels a -wait, Keep_in‘g g?'uard'at the gold1-_e-n gate!‘ Ear_ly and:_l{atc, f 1 Angels a - wait, V Keep - ing guard at the gold - en gate! Keep - ing 'gua_rd, t the, fvr1'l.¢oI canto.v‘ A I‘. 128 Queen of the Earth. Words ‘by H,L.D’Arcy ]axone- Andan't_e,,moderat.o. T ra .« 4 5 A //—‘r Music by..C,iro Pinsuti., /5 cres. -1 ‘ } I’ I 1 V - 0 T \ I \ I ' D I I I It I I’ I I I g ‘r 1 I I .' 0 I ‘ 0 g > , life her vig — ile keep - —ing; VVhose wings are sp.read,o’er each cra - dle A LL I \ Y T bed,Where thehopes of earth Lie’ sleep - ing. /———$ d1 1" 0-‘ “"7"""'f The He-roes . at van-quish a - mid the strife, And write their names on the scroll of life; _____ -_Have fought for the fade -less’ ) laurels of fame, To lay their crowns on her sa - - cred name, } > > 7 7 7 7 . W aéjempo. . p0c0d'im,i V> m"o lie. Tolaytheir crown ______ __ On her sa— cred name! _______ _____________ ________ __ ‘ _ e/res. e mu. molto. ‘f 1Ko.lt0_mae.s-Ato.90. Wide as the world ' mr_ie.9f_o.9o'._ 2; '°' is. ,her scep_tr_e', f. She has‘ fash — " I '0 rec . a 12000 - poco queen ......... .- of the earth ......... ._ Dshe reign throne ..... _ As queen ...... -. of_the earth _____ . , reign - - eth a - lone! dolor wcon e.9pre.9.s'. ?Midcscenes of shade ........ .- and he - row: She weaves'thro’eachenight,..-- “ - ~ of light,.... That,’ IT . leads to a bright 1 to - mor She launches each ‘life on the sea of Timer.-. And guides each ‘ , «h the far off clime; Her pin - ions of ‘love ‘ > > poco dim . spread in each sail,.--- Till she casts the an - chor with-in .... -- the } > , ' > T1 s ecasts e _h-chor " 8 §fHollo Mam-to.;o. as the wor_ld is her - 'Mae.9i_osb°.. } her Sceptre, her As_ allargamlo. animtmdo - auai . 2'5 3 queen .... __ of the earth she reign - - eth a - lone,..-- As queen---- of [the - >allrzrg. 3 /3‘ >> mgfimando 11.9.9’/tz . . 0 0 ' ' ‘ ' ° /x molto rite“ , earth. ..... .. s e reign - - eth — lone! >/_$ col casnte. m a tempo}, >)>} ‘ "rv-——«—--— ..._..¢._<.,§gu‘ ’ ~\ Golden Moon. soNc. Words by SCOTT. Music by C.IVAN. f_ . L '. mfatcmpo. Gold - en moon! a path - way mak — ing Thro’ the ‘waves that lands di - videﬁ f ly to..__ her Lead me home the stars for-sak - ing,Guide me safe - 136_ i . . ' _ - mfa tempo. V" Love - ly light when night ap - pear — ing, Steals 3. — cross the sap — phire sea, f""‘_"__—“'—‘m /"""“-‘—‘—T / Q ‘ /—-——----——T f Say to her my home Iim near—ing, Bid her dream and think of me. _______________ .. p Tempo 19. Tell her my. gold - - Tempo I9 1" . Tho’ ‘W50 are part - - ed‘ Love Wm f Tell her my gold - E: If Tho’ wc_ are part - ed, soon Love will . re - store ............. .. ,»..\ . . . . . . . . . , . . . .- f ~ B ff]. mf at tempo . mf Sil - aim ver star!that guards the o — cean,Lampthat lights the mid - night /——--:j.:. f de - vo — tion,T’wards the heart that waits for :.Z""-‘he Guard my‘ path with ‘ thy It tempo. Faith — ful star! when {Th 1; tom 0. she is sleep-ing.,Fold—ed arms a —cross her breast, /? Z——-—-T-T /-""'—'_-T v \ me ..... -- dim. id ‘her : list - en while Iin weep iI_1g3 For my home and prom-is7d rest. ............... .. ﬂgh Z"——————ﬁ ]9Temp_o I9. Tellher my sil .- Ver star! Howl a — Tern 019 I’ / Near tho-’ I roam, or far, Safe-ly re- store ............... .. C768 . f Tell her my sil - ver star! Howl a— dore .............. f o E; 1 f\/—-————$ Near tho’ I roam or far, Safe-ly re- store ............... .. ff Star of My Heart. SOPRANOf Words by G. Enderssohn. Andant f ’there’s a‘ pearl there’s a leaf b eon the green n_1yr.—_tle - met that‘ [ rz'l.%‘fg ‘ that thrills _____ ._— .......... __ _in the nigTht—in,—Tga1e’s ........... _. ('01 mm /0.» from the the.---'.-- -blrook - l'et_ in ....... -- mel —L and stili long '— if "these V ’ should de-. mféresc. ' will I wor — ship; ‘Thou um.9z'ln'le ('01 cm//0.,,, of my heart! is‘ and--_- great — neSs---- ' IS mem ~ ry ..... _. ' " Friend — ship frbm the blast; Dear face to...._ re’/. 00/ 0/mio. ; — L , voice_t0 sing, Hope to spring, . y and still " if l these should del— part, ........ -. will I wor — ship, wor — ship, thou star ' heart, viiuiairsaiacs 3 y ‘ ls) l SONG l‘JlOSA§*”’S FOR BARITONE OW. ‘~“';t~.SS. Boiind in Boards. 5.‘-. ai.00. CONTENTS. Cliangeless 5 . . . . . . . . . . . . . . . . i . . . . . .’J‘r<)te2':> Dear ‘In,-ve .. .. , . .Kl<‘-lie «Dream isieinor, ’ . . . . ..li_en1ia)x ~Hunter’s Return . . . . . . . . . . , . . . . . . . . . .Parker '71 ‘7 " '-” . . . . . . . . . . . . . . . . . . , . . . . ..Ha_ a.1:<l ,J”ael;'s Yarn . . . . . .‘ . . . . . . . . . . . . . . . . . . . . . .1--Jnl Laughing . . . . . . . . . . . . . . . . . . . . . . . . . . .Tr-alierne ‘LoVe’s Amulet . . . . . . . . . . . . . . . . . . . . . .Web_ster ' My Shadow . . . . . . . . . . . . . . . . . . . . . . . . .Pinsuti Norman’s Tower .....L0l1r Out on the Deep . . ._ . . . . . . . . . . . . . . . ..Moir Hill is the Night. . .‘ . . . . . . . . . . . . . . ..t;‘chilol’sky ~j‘m ‘Ivory Gate . . . . . . . . . . . . . . . . . . . . . . ....Dick '1_‘he—Moss Trooper . . . . . . . . . . . . . . . . . . . . . . .Diehl ‘Vile Reefer’s Song . . . . . . . . . . . . . . . . . .M-almene The liaco . . . . . . . . . . . . . . . . . . . . . . . . . . . .‘v.“.v' ‘yster The Poor Mariner ‘?‘i‘,=e Sailoﬁs Story . . . . . . . ; . . . . . . . . . . . . The Valley . . . . . . . . . . . . . . . . . . . . . . . . . 7‘;'-;22n-t mnod 1 The Vagabond. . ., . V . . . . . . . . . . . . . . . . .Molloy The Vikings. .. . . . . . . . . . . . . . . . .. ....Adarns This is my Dream . . . . . . I . . . . . . . . Wellings ’Tis All That I Can Say . . . .. . . . . ..Te:nple To—morrow Will be Friday.. . . . . . .. ..Mo;ioy ‘ True Hearts . . . . . . . . . . . . . . . . . ..../xclatrns Two Bells..............*..;,..‘.......Wa‘w"' PIANO MOSAICS. A =‘ol.ieetion of "Piano Music of )IU(jer:.L3 Dilﬁtsuiay. Bound in Fﬂzoards. Price. $1.00. ~f.1ONTEl"-.‘T?'3'. \i7f?i‘:ese Sen atle . . . . . . . . . . .1 . . . . . . . . Flieggzé: ’£i der i\.‘pii:n.=Li_ii.e . . . . . ..l{ollii1g ,l~TU':lka la. '- Viungen 15‘:x."= we . . . . . . . . . . .l’a‘=.'sz,rgei‘ Hleen Zslzivourneeiz. 4‘ . . . . . . . ..(‘uhe La Gazelle Tollzsi . . . . . . . . . . . . . . .Wolleiiliaupt Les I’. live of NL-Av "{m'l-1.. . . . . . . . . . . . . . .Satter Le Revel} di; ?i~2i)te1i1 es . . . . . . . . . . . . . . .Smith De Secrw . . . . . . .. \'".x‘ai1t.i».:r 'i.<as: iayipgies. 4 .. . . . . . ..Bachmam'-. 'Loin.(lu in} . . . . . . . . . . . . . . . . . . . . . . . . Aiillet fvm: i . . . . . . . . . . . , . . . . . . . .9i\7i'ai . . . . . . . . . . . . . . . . , . ..Delibes . . . . . . . . . . . . . . .Br1nl<_ma1m V "‘2or}:»:ri >, South . . , . . . . r . ‘ r . . .Spindler . » noel <>l<.l Times . . . . . .Bacl1znann In . . . . . . . , . . . . . . . . . . . ..Lange =t Love . . . . . . . . . . . ..Eilenberg V Le . . . . . . . . . . . . . . . . . . . . . .«.Lange "rl Song. . . . . . . . . , , . . . . . . Lange ‘Lisp .................Jungman SONG M0 AlCS. ‘z’-"(BR I-‘ALTO 05%’ !‘a“3E‘.."..'E.'f.! SOPRANO. Imund in Iﬁoamhs. 1."rico\,&1‘»l.0¢). CONTEN “ill [I .Afte1~W>'-rds Golden Sorrow . . . . . . . . . . . . . . . . .VVatson A rzgns l\/Iaerlnnahrl . . . . . . . . . . . . . . . . . . . .Rovcl<e1 By the Abbe lloor , . . . . . . . . . . . . . . . . . ..Tours Ils:1,ddy ... . . . . . . . . . . . . ...... . . . . . . . ..Behrend Good Nigrhl, Robin . . . . . . . . . . . . . . . . .Roec-kel .‘;:'lome, l)eari.e_. I-l,on_»e . . . . . . . . . . . . . . . . Molloy In the Cliinney ()<>»2'ne1~. . .. . . . . . . . . . . ..CoweI1 ’-’_m';e’s Joy. . ‘ . . .. . . . . . .G11mbert My 1-'"i'iend . .. . . . . . . . . . . .... . . . . . . . “Be-ln'en«,l Only a Rose . . . . . . . . . . . . . . . . . ..Wellings Girl y the Sound of a Voice . . . . . . . . . . . .Watson Relics ... . . , . . . . . . . . . . . . . . . . . . . . . . . . ....Loge The Beach Iiiairlen . , . . . . . . . . . . . . . . . . . La Villa .. . . . . . . . . . . . . . . . . De llara . . . ; . . . . . . . . . . . .Tours / . r . , . . . , ,\—Veh:<ter 'l‘T..s "Ivory (‘rd .......l>vek ' iflie of 3' . . . . . . . . .‘ . . , . . .l\/lam’/.ials 7 ..it'e . . . . . . . . . . . . . . , . . . . . . ..Roecl<el Modern Juvenile filassscs, ' -VOL. 2. ‘T A Collection oi Easy Piano .‘.lnsi0.k Bound in Boards. Price, $1.00. Allegretto Selma-xa.11do. A . . . . . . . A . . . . . A .. Allegro Vivace . . . . . . . . . . . . . . . . . . ‘ Avn b‘prin;__--l>i'i1n1ieis . . . . . . . . . . . . . , . . . . . . .. 1\II10i‘.;‘ the Gypsiea . . . .. . . . . . . . . . . .,v. ' Ati\Iight.......' . . . . . . . . . . . . . . , . . . . ..v. Barcarolle . . .r . . . . . . . . . . . . . . . . . . . . . . . . . .Behr Capriccietto . . . . . . . . . . . . . . . . . . . . .Scliz1rwenka Children's Party. . . . .r . . . . . . . . . . . . . . . .,]«’_.-«hler Evening Song . . . . . . . . . . . . . . . . . . . . . . . . . iehr Fairy Land . . . .. . . . . . . . . . . ..‘ . . . . .. First Violet . . . . . . . . . . , . . Fiir Elise . . . . . . ... . . . . . . . . . . ........Boethove1i Happy Childhood . . . . . . . . . . . . . . . . . . . . . .W-Jlﬁ Huntsman ’s Sport . . . . . . . . . . . . . . , . . . . . .lleller In high Spirits . . . . . . . . . . ..... . . . . . . .v. Wilm In the Forest . . . . . . . . . . . . . . . . . . . . . . . ; . .H.ille1' Intermezzo . . . . . . . . . . . . . . . . . . . . . . . . ..v. Wilm Jolly Huntsman . . . . . . . , . . . .‘ . . . . . . . . . .Merkel Longing for Home . . . . . . . . . .. . . . . . . . . . . ,Hiller Madrigal ..... . . . . . . . . . . . . . . . . . . . . . . . .De Paz Merry Wives of Windsor . . . . . . . .Burgm1ill+'.; Modesty . . . . . . . . , . . . . , . . . . . . . . . . . . . . .Liehner On Wings of Music . . . . . . . . . . . . . . . , . .Liei:ner Over the Ice . . . . . . . . . . . . . . . . . . . . . . . . . ..Hiller Playfulness . . . . . . . . . . . . . . . . . . . . . . . . . .v. V‘/‘iin Polonaise . . . . . . . . . . . . . . . . . . . .Kn-.;l«'_emneistei* Ridin;»;;Song............. . . . . . . . . . . , ..l\/Terkel R mdino . . . . . . . . . . . . . ..‘ . . . . . . . . . . . . . . . .1"-Iiller lmstic Dance . . . . . . . . . . . . . . . . . . . . . . . .v. Wilm Sarabande . . . . . . . . . . . . . . . . . . . . . . . . . ..De Paz Shepherds Song .., . . . . . . . . . .. ’‘ .....Behr Slumber Sweetly» . . . . . . . . . . . . . . . . . . . . .Lichner .‘;i<)\\7 Bells .. ........Lichner by lphirle . . . . . . . . . . . . . . . . . . .Loes<:hhorn The Bird in the Tree , . . . . . . . . . . . . . A . . . . .Fink 'f‘]:<'= ,i1ap{+i . . . . . . . . . . . . . . . . . . . . . .Bu.r-orntiller The <'j?“.1ntry Inn . . . . . .. . . . . . . . i . .Lan;;e ' . . . . . . . . . . T . . . . . . . . . . . . . . . . .Gm'litt (‘orps . . . . . . . . . . . . . . . . . . . .Lichner e 3 pinning Room . K . . . . . . . . . . . . . . . . . .}’:ehr The Village Musicians . . . . . . . . . . ..v. Wilm Think of Me. . . . . . . .. . . . . . . ( . . . . . . . . . . ..i:’-ehr Vaise Caprice . . . . . . . . . . . . . . . . . . . . . .Reinhold Verlassen . . . . . . . . Cooper VVith Sword and Helmet . . . . . . . . . . . . . . .Fink Zigeunertanz. . . . . . . . . . .. . . . . . . . . . . . . ...Wolﬂ' ' THE ROYAL PIANO FOLIO. Bound in Paper. Price, 63% Cents. Alpine Horn. . . . . . . . . . . . . . . . . .Pro(:h-Shirmer Among the Gypsies . . . . . . . . . . . . . . .N. v. VVilm Au Revoir . .. . . . . . . . . . . . ..Lichner (‘/hacone............. . . . . . . . . . . . . . . ..Durand Chinese Serenade. . . .Fliege Die kleine Miillerin . . . . .1-‘airy Polka . . . . . . . . . . . . . . . . . . .......Spindle1= Flora’s Polonaise. . . . ., . . . . . . . . . . . . ..>‘pindler Flore-lla Waltz . . . . . . . . . . . . . . . . . . . . . . .Spindler Floweret (Forget Me Not) . . . . . . . . . i . . ..Giese Fragrant,V'iolet » . . . . . . . . . . . . . . . . . . . . .5‘pIndler Gavotte . . . . . . . . . . . . . . . . . . . . . . . . . . ‘ ‘l Gavotte . . . . . . . . . . . . . . . . . . . . . . . . 1 ' Gretchen at the Spinning Wheel. . A . . Heart’s WlHll(’S . . , , . . . . . . Ihr Bild (Her Image) . . . . . . . . . . . . . . ..; . In] soh<'in.en Mai . . . . . . . . . . . . . . . . . E‘ - In High Spirits . . . . . . . . . . . . . . . . . I nterniezzo . . . . . . . . I/Aiialaise, . . . . . . . . . . . . . . . . . . . j . . . . . . . .5»: _ Le (/‘repuscule . . . . . . . . . . . . . . . . . . . . . . .,Tnon .2; T.r:ve’s Embrace . . . . . . . . . . . . . . . . . . . i . ..Boln;; Melodie . . . . . . . . . . . . . . . . . . . .. . liixbinstein Mit dern Reifen (I-loop Roi ' Myosotis Waltzes . . . . . . . . . . . . , . . . . . .Lowthian O Sonnenschein . . . . . . . . . . . . . . , . . . . liichner Pizzicato . . .' . . . i . . . . . . . . . . . . . . . . . .Deli‘oes Rayon clu Soleil . . . . . . . , '5‘ Rondino No. L . . . . . . .. .lionc'lino No. . Spinnerlied . ., . Staccato Fm l’ Swerlish Tl'na":,pe1" “ . . . . . . . . . .Soderman . . . . . . . . , . . . . .Revnold . . Sclxzxrwveiika» (ISSUED ii In ?UBLlSHEB8G§FlHISWORK. ! i; l l r SONG ‘ lV|OSi5\|CflS, T’ FOR SOPRANO. ‘ Bound in Boards. Price, $1.00. ‘I’ Afterwards .. . . ; . . . . . . . .— . . . . . . . . . . . . .1‘:-'lullen ' A Night in'Spring, . . . . . . . . . . . .._ . . . . , ..l3ohm :"‘ 3 Sings the Ni;gl1tin;fale . . r . . . . . .f“ A 3; wake, 0 My llezzrt. . . . . . . . . . . . . . . . . ..Seidl l . ’ ' ’ Lem-re-me .. . . . ... Follow Hail)’ . . . . . . . . . . . . . . . . . . . . 1 Pinsuti Golden .-*l"ar1’-.s T1-st . . . . . . . . . . . . . . . . . . Archer High Tim’: . . . . , . . . . . . . . . . . . . . . . . ~ . wijarnall Home, i'}v.a Ht’-m<'» . . . . . . . . . . . . . T . .l\r‘.[olloj}' 1’ll Follow "lneo , . . . . , . . . . . . . . . . . . . . . . Faro La-fidie . . . . . . i . . . . . . . . . . . . . . . . . . . . . . . Pi La I/iingarella . . . . . . . . , , , . _ . . . . .. Caniipa Unly a Rose . . , . . . . . . . . . . . . . , . . . . . .Welli Paradise..., . . . . . . . . . . . . . . . . . i . . . . . The Angel Came . . . . . . . . , . . . . . . . . . ..Coa\,—.i The Beating of My C‘\’.’ll Heart The Birthday . . . . . . . . . . . . i . . . . . . . . . . .Chopin The Daisy . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ai'_<liti The Garden of Sleep . . . . . . . . . . . . . . ..de Lam, The Sea of Life . . i . . . . , . . . . . . . . . . .i‘vIr.;ir The Swallow . .— . . . . . . ..... . . . Pinsuti. Unless . . . . . . . . . . . . . . . . . . . . . . .. . .- . . .Canm-gziolo ‘Venetian Song . . . . . . . . . . . . . . . . . . '. . . . . . . .Tosti Winter Song . . . . . . . . . . . . . . . . . . . . . ..heinmn<l Woma-n’s Way. . . . . . . . .,_ . . . . . . . . . .Roe~::kel SONG MWOSAICSL FOR TENOR. _ Bound in Boartis. P1-ice.,.8,%l.0(}. , , Afterwards . . . . . . . . . . . . . . . . . . , . . L . 4 . . .Mullen< An Old Garden . . . . . . . . . . . .’ . . . . . . . . , .'.Eemple A Serenade . . . . . . . i . . . . . . . . . . . . . . . . . .,.Cohb Ching-avRing—a-Rin . . . . . . . . . . . . . . . . . . .Molloy Come to Me Dear Heart . . . . . . . . . . . . , Dear Love . . . . . . . , . . . . . . . . . . . . . . . . . . . . .Klein Golden Moon . . . . . . . . . . . .. . . . . . . . . HighTide......... . . . . . I Arise from Dreams of Thee In Old Madrid,..................i....Trotere It Game with the Merry May, Love . . .’ .Tosti It was a Dream . . ; ; . . . . . . . . . . . . . . . . . . .Mart It was not thus to be . . . . . . . . . . . . . . . . .Nessl‘er My Lady’s Bower . . . . . . . . . . . . . .. ...,Te1nple Polly and . . . . ..‘......Wal<e.‘iel<i Queen of the Earth . . . . . . . . . . . . . . . . . .Pinsuti_ Sing to Me . . . . . . . . . . . . . . . . . Star of My Heart . . . . . . . . . . . . . . . . . .Den7'\. Tell Her I Love Her So . . . . . . . . ; . . . . .De F 1. Tell Me, O Gentle lVIai«len . . . . . . . .Gon‘no<.l The Golden Gate . . . . . . . . . . . . . . . . . ..We‘oster They All Love Jae . . . . . . . . . . . , . . . . . . . Azlanis The Life Boat. . . . . .. The Sweetest Singer . . . . . . . . . . , , . ..i{oeckel The Sea Hatli its Pearls . . . . . . . . . . . . . . .Bryson MODERN CLASSICS; VOL. 2. v A Collection of Piano Mnsio of Moderate Diﬂiculty. Bound in Boards. Price, $1.00. CONTENTS. ~ Anrlenken . . . . . . . . . . . . . . . . . . . . . . . Jadassohn Columbine . . . . . . . . . . . . . . . . . . . . . . . .De1aha.ye Daiiee of Gnomes». . . . . . . . . . . . . . ..Seeling ‘ ‘ ll€!‘,'«7al1bv:!1" . . . . . . . . . . . . . . . . . . . . . . .Brassin "‘l:lingeliml ........n..........;....Seeling (7l2i.vo‘éte , . . . . . . . . . . . . . . . . . . ; . .\ . . . . . . .Godarrl Gazelle. . . . . . I . . . . . . . . . . . . . . V . . . . . . . Kriiger La (‘i!U!l<:x}‘i.'«!. .. . . .“ . . . . . . . . . . . . . . . . . . . .i’.(‘I)d(-El "‘ * . . . . . . . . . . , . . . . . . . . . . . . . . . . . . .Se::eling p .. . . . . . . . . . . . A . t’a<lerevvsl:i' _- . r . . . . . . . . . .Bor:<::herini Polonai.~'«e. . . . . . . . . . . , . . i . . . . . Jloszkowski Polka ale: la; (Sour . . . . . . . . . . . . . . ; . . . . .Bendel _l"o;r2p<>nett;». . . . . . . . . . . .Durand i<,:>nc.:1» Favor: . . . . . , . . . . . . . 1 . . . . . . , .Hnmmel iv--:=nd Maxiirlca . . . . . . . . . . . . . . . . . . . ‘Godard- md Valse. 4 . . . . . . . . . . . . . . . . . , . . . . .Goda.rcl ~ade Hongroise. . . 4 . . . . . . . . . . .Neustedt lie - ... . . . . . .Th(.me K . . . . . . . . . . . . . . ..‘ . . . , . . . .He1mu.=*d “(rise fmproinptu . . . . “ . 2 Univ . . . . . . . . . . . . . .9,;,=.'igi1:111i ,. . . _ .Maefa1ren ' . . . . . . . . . . . . . . . . . . . . .Denza,__ _ . . . . i . . . . . . . [Ed wards- ....Raﬁ"~ ,. W:ill.zer . . . . . . .f......l\/Ioszkow‘ski,«
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Title: Give Me of Your Bark O Birch Tree
Date: 1913
Text: MUSIC uamuw VASSAR COLLE’:E PO’, " ’ ‘-"- - -' ‘ﬁt’ R£z72?z)/‘[1 I-Pﬁrrenratﬂ CARL BUSCH THREE SONGS A % FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOM PANIMENT Words from “Hiawatha” by ‘,‘GIVE ME OF YOUR BARK, 0 BIRCI-LTREE!” ”"‘ (,,Gieb mir deine Rinde, Birke“) .60 PAU-PUK-KEEWIS’ BEGGAR’S DANCE (Der Bettlertanz Von Pau-Puk-Kih-Wis) .75. “TAKE YOUR BOW, O HIAVVATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRM ER NEW YORK : 3 EAST 43d ST. - LONDON, W. : 18, BERNERS ST....
Show moreMUSIC uamuw VASSAR COLLE’:E PO’, " ’ ‘-"- - -' ‘ﬁt’ R£z72?z)/‘[1 I-Pﬁrrenratﬂ CARL BUSCH THREE SONGS A % FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOM PANIMENT Words from “Hiawatha” by ‘,‘GIVE ME OF YOUR BARK, 0 BIRCI-LTREE!” ”"‘ (,,Gieb mir deine Rinde, Birke“) .60 PAU-PUK-KEEWIS’ BEGGAR’S DANCE (Der Bettlertanz Von Pau-Puk-Kih-Wis) .75. “TAKE YOUR BOW, O HIAVVATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRM ER NEW YORK : 3 EAST 43d ST. - LONDON, W. : 18, BERNERS ST. BOSTON : THE BOSTON MUSIC CO. LEIPZIG : FRIEDR. HOFMEISTER “Give me of your bark, O Birch-tree!” Give me of your bark, O Birch-tree! Of your yellow-bark, O Birch—treel Growing by the rushing river, Tall and stately in the valley! I a light canoe will build me, Build a swift Cheemaun for sailing, That shall ﬂoat upon the river Like a yellow leaf in Autumn, Like a yellow water-lily. HENRY WADSWORTH LONGFELLOW From “I-Iiawatha" T0 Remald Werrenratlz “Give me of your bark, O Birch-tree!” Gieb mir deine Rinde Birke!“ From“Hiawa.tha,” by Longfellow ” , German vergion by Carl Busch Herman Sxmon A116 0 mo derato Voice 1’ of your bark, O Birch-tree!__ Of your yyel-low bark, O dei—ne Rin — de, Bir— ke!__ Dei — ne ge1—be Rin - de, in Birch- ‘creel- ing by the rush — ing riv' - er, Bir - ke! __ ' du an dem W11 — den Stro - me 46 Oopyrigkt, 1.913, by G. Sclzirmer 24074 C and stately in the Val - ley! __..._..___. a lightw- und stattlich ragst im Tha - 1e! ________. ein leichtes P noe willbuild me, Build a swift Cheemaun for sail — ing, That shall Boot mir bau - en, ein Tschimann,das flink beim Se — geln. Auf dem "f f up-on the riv - er Like a yel-low leaf in Au-tumn, Like a me soll es schwimmen’ Wie ein gel-besB1att im Herb—ste, wie die T '/x ye1- low wa — ter - lil - .____ That shall gel - be Was - ser -11 e _______ Auf dem 1’ float up-on the riv - e_r__. Like a leaf in Au - tumn,_. Stro- me S011 es schwim—men,_ wie ein Blatt im Herb— ste,___ Like a yel-Vlow wa - - ter - lil-y! Wie die ge1—be Was - L — ser - 11- lie. 1 A Beware of the Hawk, my Baby An Indian Lullaby From the opera “Natoma” ;.,.,2. nkedding Victor Herbert Andante Voice ware of the hawk, my - were of the hawk, my 225“: Uopyrsfht. IDII. by 0. Srhirmer Vaquerds Song From the opera “Natoma” Joseph D. Redding Victor Herbert Allegro Voice dares the bron - co looks the mus -tang‘ molto muraato in the eye ? us" 0 Oryyright, 1.911, by G. Sahinnar PRICE 60 CENTS “In my dreams” From the opera "Natoma” Joseph D. Redding . victor Herbs“ Moderato e molto rubato Pa“ 11,1900 amz, {T Volce Gen-tle ma1d—en, tell me, have I p pom: acoel. seen thee in my dreams? I won-derla‘ When 3- hove my pow rif. dim. f >—=-" pil- low from the nightfall star - - ry gleams? I won-derl \, Oopyrigkr, 1.911, by G. Sc/u'rmc‘r Serenade From the opera “Natoma” Joseph D. Reddlng Victor Herbert Moderato Alvarado Voice When the sun - light dles,., V .l_.When the night - wind 'slghs,_ When the dove will come. nry love‘_ 2”“ O 6'0p1/rig’/H '91!» 57/ 0- -5'¢'1“"""9" PRICE 60 CENTS
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Title: Hiawatha's Wooing
Date: 1904
Text: MU"~i»‘3 Lianr-Hay vksssrua -tr;.e,~,,r_r_;E :‘$""IV' u_.-Cr,-V EDITION JCHMIDT, No. 95 Hiawat/7a’s Wooing (A MELODRAMA) WITH MUJIC FOR THE PIANOFO-RTE ... BY... ROJJETTER G. COLE 0?. 20 / \ / .5’ ‘V ' I \\s\\'''. “‘*I._ \ . " ' , __ . ~ - V.‘ V '/Z’ /O % (A Melodrama) . . p ‘ P /, /L - 11% 4’ “ ode/2/fﬂoiny oI73f ows ” 309g of Hiawatha tbvc’ Pia?) ofgrte ﬂy /T 1®SSETTER G. cou: $$I.oe,p. op. 20 AI{l‘HU1{P. SCHMIDT BOSTON, LEIPZICI, NEW...
Show moreMU"~i»‘3 Lianr-Hay vksssrua -tr;.e,~,,r_r_;E :‘$""IV' u_.-Cr,-V EDITION JCHMIDT, No. 95 Hiawat/7a’s Wooing (A MELODRAMA) WITH MUJIC FOR THE PIANOFO-RTE ... BY... ROJJETTER G. COLE 0?. 20 / \ / .5’ ‘V ' I \\s\\'''. “‘*I._ \ . " ' , __ . ~ - V.‘ V '/Z’ /O % (A Melodrama) . . p ‘ P /, /L - 11% 4’ “ ode/2/fﬂoiny oI73f ows ” 309g of Hiawatha tbvc’ Pia?) ofgrte ﬂy /T 1®SSETTER G. cou: $$I.oe,p. op. 20 AI{l‘HU1{P. SCHMIDT BOSTON, LEIPZICI, NEW YORK) no Bo)/[51:07 St. 156 Fijtb Ave Copyright 1903 by Arthur P Scbrpidt A.P. S. 6348 Note. In order to bringpout a more complete unity in the interpretation of the musical and poetic thought, it is essential, when the poem is recited, that at certain moments the strong pulses of the music and poetry should be synchronous; The bar—line 'has been used to indicate this, as at the beginning of the poem and elsewhere. At other places, as on page 8, measures 1, 3, 4 and 5, the beginning oﬁeach verse should coincide with the part of the musical measure over which the first word ap_ pears, the rhythmical delivery of the verse being free, following the reader’s interpretation. Where no bar—lines_are used, it is not essential that the measure—forms of the music and poetry should co- incide, except in their general movement. The rhetorical pauses will necessarily be some- What longer than when the poem is read Without ac- companiment, the music acting as interpreter when the reader is silent. To ESTELLE 111. 6' /ARK. HiaWa.tha’s Wooing. From “The Song of Hiawatha” (Canto X) HE'JV1:’Y WADSWORTII L01m1«iEL1,01V ’ ROSSETTER G, COLE‘ Op. 20. Allegretto. (J :92) ])(J(’0 (’I‘¢',’S(? . A.P.S. 6348-25 Copyright 1904 byArthur P. S0l1m1'dt. poco rit. Adagio-(-1:66 A.P.S. 6348-25 :2}-— poco ml. 1’ “As unto the I bow the cord is, N Eng‘ So unto the I rs’? ,:'%,cA ' \! ‘w . ‘ ﬁr ‘ ‘.1 ~ - , L‘ man is woman, Though she o|_ bends him, she obeys him, Though she] _/K‘: i A.P.S. 6348-25 draws him, yet she follows, pow (‘7'6’.S‘(‘. +2 aocel. Thus the youthful Hiawatha Said within himself and pondered, > T’ plexed by various feelings, I Listless, >. ‘F. still of Minnehaha, land of the Dacotahs. AP. 6:—348— 25 I Useless each without the other!” ﬁr Much per_I longing, I hoping, fearing, Dreaming :> V:> 1’ Of the I lovely Laughing Water, ~36- “VVed a maiden of your people,” 7 Warning said the old Nokomis; “Go not I eastward, go not westward For a | voila vace K? >- stranger, whom we know not! Like a I fire upon the hearth-st0ne Is a I /“S ‘[ pf b ./-\, neigborjs homely daughter, Like the I starlight or the moonlight Is the I /-\ {'7 ijgyw T handsomest of strangers!” Thus diS_l <77?/‘> pace agitato suading spoke Nokomis, And my I Hiawatha answered Only this: Andante. (Jns) a tempo A.P. S. 6348-25 “Dear old Nokomis, Very pleasant is the firelight, T T:-;’;.__."' ‘‘‘*___,e-— 170"" But I like the starlight better, Better doI like the moonlight!” 1’ poco me 0 . P P as: ‘fab. >§< ‘Jim. >15: ‘Ea Gravely then said old Nokomis: here an idle maiden, Bring not here a useless woman, Hands unskillful, feet unwilling; Bring a wife with nimble fingers, Heart and hand that A.P.S. 6348-25 move together, Feet that run on Willing errands!” poco meno am. % daughter, Minnehaha, Laughing Water, Handsomest of all the women. Iwill bring ‘fa. .35. Ta. 5%? 4&3 3: her to our Wigwam, She shall I run upon your errands, starlight, moonlight, firelight, Be the I sunlight of my peop1e!‘’’ /’ ’\ .ig,,'z_g<,.“‘ A.P.S. 6348- 25 ‘ Still dis- I suading said Nokomisz ,2‘ _ “Bring not to my poco Allegro }, . loidge astranger Fromthe land ofthe Dacotahs! Very I fierce are the I)a(:ot'ahs, f3 " pom acvel. ‘Often is there War between us, There are feuds yet unf0_r— I > - 0 gotten, \V0unds that I ache and stillmayl _/_\ /._.__\ R #’*‘~i- 3. )1. :7 dim. e Mt. poco a [moo > Laughing an:<wered Hiawatha: 6348-25 11 “For that reason, if no other, Would 1 Wed the fair Dacotah, Quasi Allegretto. (J=92) 1 — That our tribes might be u— I nited, That old feuds might be for_| gotten, And old Wounds be healed forever!’>” poco meno ~§ > > Thus de-I parted Hiawatha To the land of the Dacotahs, To the land of handsome I Women; Striding over moor andI ALP S. 6348-25 meadow, Through interminable forests, Through uninterrupted silence. > > > > pow 7-it. > > ' With his | > I: omit if necessary ,,f tempo girth. % ’ . _ 3%; moccasins of magic, At each stride a I mile he measured; Yet the > > > ' ‘Eb. 9% > way seemed long before him, And his heart outran his footsteps; And he I journeyed without resting, Till he heard the cataract’s laughter, Heard the I [L A.P. S. 6348-25 Falls of Minnehaha Calling to him through the silence. . -/T 7'11. 9 dim. _ “Pleasant isthe sound!” + “Pleasant is the voice that calls me!” On thel piu lento he murmured, /N a fey-mp0 E 5:23. 3* Tab. °"" outskirts of the forest, ’Twixt the shadow and the sunshine, Herds of pow creso. fallow deer were feeding, But they saw not Hiawatha,- /3 hf \U bow he whispered, “Fail not!” To his I arrow whispered, “Swerve not!” Allegro (J: 116) L17‘ L17- g_/\_/\_/ 1') calla vozge a tempo A.P.S.6348—25 errand, To the red heart of the roebuckg Sent it. singing on its R. “W as gm. Threw the deer across his shoulder, And sped forward without pausing. Maestoso. (J=92)' >. > >. 17 - : H pow acéel. JV At the doorway of his Wigwam Sat the ancient Arrow-rnaker, In the land of the Dacotahs, Making arrow"-heads of jasper, Arrow-heads of chalcedony. At his side, in all her beauty, Sat the lovely Minnehaha, Sat his Dreamily. (J: 56) A.P. S. 6348-25 15 daughter, Laughing Water, Plaiting mats of flags and rushes; Of the | ‘Site. . H 3* ‘Sire. 9‘ past the old man’s thoughts were, And the I maiden’s of the future. ti? 8 He was thinking, as he sat there, Of the days when with such arrowsﬂehadl PP /‘\ struck the deer and bison, On the Muskoday, the meadow, ‘Shot "the con moto (Jzioo) Wild goose, flying southward, On the wing, the Glamorous A.P. S. 6348-25 How they came to buy his a_ri' /x f\ . . arrows . Ah, > > Adagio. ff earth as they were! . ~36 tongues for Weapons! b A.P. S. 6348-25 T Thinking of the great war- parties, 2 = $1 2' \* <1; ows, Could not fight without his| /\ f\ /\ ,\ u . - , }.p (‘7‘€S(?. no more such I noble Warriors Could be found on I Now the men were all like Women, Only used their poco piu moto W. % mp 17 She was thinking of a hunter, From another tribe and country,. ppf7’;'Wp0 4____j___ i . U — [Young and tall and very handsome, W110 one morning, in the Spring _time, Came to buy her father’s arrows, Sat and rested in the Wigwam, A > > > => Lingered long about the doorway, Looking back as he (1 arted. She had I d b . 4 22 gm. * 53%. >%<‘£m. heard her father praise him, Praise his courage and his wisdom; ‘Ea. * 6533- >%< ‘fizz ‘ﬂab. 6% AP. S. 6348-2.5 Would he come again for arrows To the Falls of Minnehaha? b ‘ /—\ \, rm Dreamily. A/i~i: — j pp a tempo izém On the mat her hands lay idle, And her eyes were very; dreamy. [— Tzb. -gg \-/ 9113* Through their thoughts they heard a footstep, Heard a rustling in the Allegro molto. (J:;32) If .. . branches, And with glowing cheek and forehead, With the shoulders, A.P. S. 6348-25 Suddenly from out the woodlands Hiawatha stood before them. Maestoso. ff Straight the ancient Arrow-maker I >§< ‘sun. =%< Looked up gravely from his labor, Laid aside the unfinished arrow, Li? L_/ Bade him enter at the doorway, Saying, as he rose to meet him; V “Hiawatha,you are welcome!” At thel feet of Laughing Water Hiawatha Presto.( -:76 laid his Aburden, Threwthe red deer from - shoulders; Andthe maiden looked up at him, [ repeat 2]’ necessary I Looked up from her that of rushes, Said with gentle look and accent, ‘Sta. 1' ° as “You are welcome, Hiawatha!" Very I spacious was the Wigwam, Lento." (JJ-) 5-1’: Allegro. ‘(J.= 66) 2; slow arpeg. ‘S222. deerskin dressed and whitened, .> ’T 77‘zf > A.P. S. 6348-25 the Gods of the Dacotahs Drawn " and painted Curtains, And so tall the doorway, > /*3 mf Hiawatha stooped to enter, touched his 1 eagle-feathers As he entered at the doorway. paco rit. Then uprose the Laughing Water, From the ground fair Minnehaha, Laid aside Adagio. (Jzes) A.P.S. 6348-25 22’ her mat unfinished, Brought forth food and set before them,Water brought them from the brooklet, Gave them food in earthern vessels, Gave them I drink in bowls of bass —wood, | L; Listened while the guest was speaking, Listenedwhileherl . 000 ?rz't. -5. J father answered, But not I once her lips she opened, T‘ Not a single word she uttered. Yes, as in a dream she I A.P.\S.6348~25 23 listened To the words of Hiawatha, As he talked of old Nokomis, Vvho had nursed him in his childhood, As he mf:.j“-—— D > /R told of his companions, Chibiabos, the musician, And the very strong man, Kwasind, F dim. J >' d > And of happiness and plenty In the land of the Ojibways, In the . J- . xi‘: "”" pleasant land and peaceful. “After many years of Warfare, Many years of I > strife and bloodshed, There is I peace between the Ojibways And the tribeof’theDaCotahs’.’ #. A..P.S. 63-18v 25 Thus continued Hiawatha, And then added,speaking slowly, “That this peace may ‘last forever, 1’ hands be clasped more closely, And our hearts be more u — Give me as. my Wife this maiden, poco accel. e 0072 ferzvnre Minnehaha, Laughing Water,“ Loveliest of A.15.S.634s—25 25 Dacotah Women!” And the ancieni | dim. e r2't. U V’ T ArroW—maker Paused a moment ere he I answered, 1) a tempo Smoked a little While in silence, Looked at Hiawatha proudly, Fondly looked at Laughing Water, And made answer very I gravely: ‘ “Yes, if Minnehaha I Wishes;Letyourheart speak, {T A.P. S. 6348-25 26 Minnehaha! ” 2 ‘Sim. lovely Laughing\Vater Seemed more lovely, as she stood there, Neither willing nor reluctant, As she Went to Hiawatha, Softly took the seat beside him, While she said, and blushed to say it, {I/7-—_—“T 2 ‘£210. 3;; yga. follow you, my husband!” “Rah. A.P. S. 6348-25 This was Hiawathzfs wooing! Thus it was he W011 the daughter Allegretto. \-Z. (”l'6’S(‘. p000 a nun [ega fr‘; Of the ancient .«‘;r:r0w—maker, In the land of the Dacotahsl Xﬁ _ A.P. S. 6348-25
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Title: Village Blacksmith, The:, The Village Blacksmith:
Description
Date: 1918
Text: CUBIC LIIRARY Wwg_ssAn §_ou.:c: THE VILLAGE BLACKSMITH F OR MIXED CHORUS THE POEM ‘BY HENRY WADSWORTH LONGFELLOW THE MUSIC BY W. H. NEIDLINGER Pgbﬂadeiplpia ~ boxaﬁmw 0. 1712 ﬂbegzrguzétrﬁ nu.uu4l“'w “ ’_ T % \\ FTHE —-V-|L:LAGE..BLACKSMIT_ \, or sale by E. A. Whittlesey, ; 28 C11a_peISt., New Haven, Conn. \ 33;’ 3 =_ \:\ The Village Blacksmith FOR MIXED CHORUS THE POEM BY Henry Wadsworth Longfellow THE MUSIC BY W. H. Neidlinger F THEO. PRESSER CO. 60 cents PHILADELPHIA, PA....
Show moreCUBIC LIIRARY Wwg_ssAn §_ou.:c: THE VILLAGE BLACKSMITH F OR MIXED CHORUS THE POEM ‘BY HENRY WADSWORTH LONGFELLOW THE MUSIC BY W. H. NEIDLINGER Pgbﬂadeiplpia ~ boxaﬁmw 0. 1712 ﬂbegzrguzétrﬁ nu.uu4l“'w “ ’_ T % \\ FTHE —-V-|L:LAGE..BLACKSMIT_ \, or sale by E. A. Whittlesey, ; 28 C11a_peISt., New Haven, Conn. \ 33;’ 3 =_ \:\ The Village Blacksmith FOR MIXED CHORUS THE POEM BY Henry Wadsworth Longfellow THE MUSIC BY W. H. Neidlinger F THEO. PRESSER CO. 60 cents PHILADELPHIA, PA. rgiyiladelpbia 0130- . I712 ﬂlyegqunstr. Com/Tight. 1:918; Taro PRESSER . Iiritusb Copynght Secured The Village Blacksmith Poem by //ENRY IVAIJSWORTII Lozvany/,/,oIV Mus” by VV? H. NEIDLINGER Allegretto M. M. cl: 144 M19 /——:;\ SOPRANOH Un — der the spreading" //L1; TENOR Un— der the spreading chest—i1ut—tree, Un- - _ der the BASS Alle grettp / _ chestnut-tree The vil - lage Smithy chestnut-tree The smith-y stands; Un -der the spreading chestnut—tree 4 der thé chestnut—tree Copyright 1918 by Th-eo. Presser Co. -11 British Copyright secured — y st‘a)nds; » Un- der the spreading Un-d er the spreading‘ ch est the smith Un-der the spreadin,9;,spread — ing >chest—nut—tree the smith - der; un~ er espreading chest-nut-tree t e smith 1' chestnut—tree The vil — lage smith — y - stands; the chestnut—tree The smi.th-y stands; Un—der the spreading chest ut—tree t e - der the tree 3 .» Un—der the spreading chest—nut—treel_ Un-Ader the spreading chest-nut vil — _- '— l smith-y eta,nds_ Un—der the sprezid V chest— t Un— der the spreading chest—nut’-tree- Un—der the spreading chest-nut _ vil — smith-y stands- Un-der the spreadin chest—nut FT’ 7I¢lf Z The Smith,a might-y man is he, The smith, a mighty man is he, With Klingl klavngl klingl . k1i_ng! klangl kling! klang!The And th e smith, a mighty man is he, the Smith, a, mighty man is he, a _ muscles of his brawnyarms Are strong, are strongias i— ron bands. ht- man, as strong as i - ron bands. might-y man, as strong as i- ron bands. The smith,a In t-y man is he, The’ smith, a might—y ‘ man s ‘he, With g! kla-niig! kling! klangl kling! klang! kling! klang! The And the smith, a might—y man is he,_ the smith, a mighty man is‘ e, a muscles of hisbrawny arms are strong, I-a:.: strong as i- ron bands. t- man, as strongas i-ron bands. a might—y man, as strongas i—ron bands. —— ..__. :1‘-71:‘:-:"14.zwA C: VVOMEN Larghetto M.M 80 staccato ,, hair p, and black is like tike air is crisp, if TENOR fﬁe ,/”‘ b k Ild‘ long, hair s c p, and black his hair is crisp, and ‘im .b ack long‘, his fae J3 ‘bisl ethe his hair is crisp, and /‘T Z‘ % _/ black (1 long. His brow is wet with hon—est sweat, brow is Wet with hon—est sweat '7 And. -looks the whole world what-e’er he loﬁs t e whole wo ld A. if What — e’er he looks the leworld in the face, For he looks thewholeworld in the face, For he owes not a — ny, a — ny man ‘,4 .16‘ His like the tan; , and, b long, His hair crisp, and black 10 , His \/ is like the tan.’ hair scrisp, and back and long, s hair so sp, 07680. . ' brow is wet with hon-est sweat, what—e’er he brow is Wet with hon—est sweat, . what-e’er he 9 m% /*""“—"‘*\\\ can, And looks the whole world in the owes not a-ny can, And looks thewhole world in the face, For ‘he owes not a—ny f\ ' j_ ‘L A J mollo Mi‘. \ Week ini, week out,'from morn till night,You can ‘hear his bel — lows Week in, week out, from morn tillnight,You can heémr his bel-‘Slows 3° 1:? 3 (Spoken in a loud wIw'sper) (Swish! ._ S Swish! _. Swish!.. Swish!) You can _ (Spoken in a loud u/Msper) (Swish!._ Swish!_ Swish!) You can hear him swing his heav—y sledge, With measured beat and slow. hear him swing-his heaN—y sledge,With m asured beat and slow. (A CONTRALTO VOICE) sex- ton ring—ing- the SOPRANO 1019 T . \../ L AL 0 Ding — dong, ding — dong, ~ ding - dong, TENOR BAR. BASS \__/ Ding -dong, ding — dong, ding — dong, Ding — — dong, ding — M.M.J=96 K, 7'6/e-earsal 071.! (A TENOR VOICE — (:1: vil-lage bell, When the eve-ning sun is ‘F. d . . mg - dong’ (lnnnmmg) I dlng - dong, ding -_ dong, dong! ding — — ‘dong! dong! sex — ton ng - ing the vi] 2? _ rd.’ ding, Whenthe eve--ning sun is ‘ Like a —ton, like (1 ng, ding, dong,djng, dong, ding, dong, ding,dong, 1, ding, CHORHS < : 126 SOPRANOS CONTRALTOS TENORS BASSES — lage bell, d 118, low. vil - lage bell. And chil - dren com - D" home from sch in at he 0 — pen door,‘ They love to see 1: e.flam—ing' fo ,And klang, /K/"""-'—_——"'*T - hear bel - lows roar, _ And catch the burn .-. ing sparks that from the thresh -. ing floor. Hug. kling! They love ks th 1; fl L e ; ‘tﬁlaff, from the thresh-ing chaff, ng! mi‘. dim. I l\ l\ K I\ N H N fl !I 5 V V Chil —~dz-en com - ing home fromschool Look in at ‘ x I I ' I J I‘ L W k kling! 4 .0 I I ‘ Klang! _ kling! .L/““\ A 4" 1.’ Idangz mwor rit. dim. love to catch the sparks that fly like chaff from the threshing floor. klingl kling! ' kling! klang! ‘dang! tmcor Mt. dim. e goes on Sun—~day to‘ the church, And sits a-_mong his boys; He He church _ hears the par—son pray and preach, He hears his daugh-ter’s voice, _ goes crew. Sun—day' te_,.___.. the church, mp to the church. goes ‘Sun-day to__..__..___ the church , to the church. 07‘6.S‘C. J Lo SOPRANO SOLO §0pRAN0 Lord, now let — test Thou Thy CONTR. NOR He M hears his daugh - ter’s voice, BASS 1, 1,2,/#__________\ daugh - ter’s voice, I’ Sing- ing in t m kes h art 8 — ing . It makes his heart re - Sing— ing in ' the vil ~ 11 . Her moth — er’s 10 F MEN It ‘sounds to him like her moth — er’s voice, voice, her moth—er’s' It sounds to him like her ce, _ hgr moth—er’s, moth—er’s Sing- — ing, Sing‘? - ing-, voice. Sing -. ingin Pa:--a.-dise! L- like her mother’s Sings ing, V sing ,- like her mother’s voice. Sing— ing, like her mothe ‘J-’* Sg-g, wccel. Sing - — ing in Pam--a-dise! — in Par - a - dise. Sing - ing, sing - ‘ A - ing, PM-_ ;di e like her motheﬂsvoiceix Par-_a —« dise. needs must think of her once more, How ' the grave she needs mustthink of her once more, How : — t e grave she needs ' think 1’ ~ 3; dim. hard; rough hand he wipes A dim. And with his hard, rough hand he wipes A wipes tear, of his eyes. tear but of his eyes. Tempo I _ Toil - ing, re — joic — ing; sor — row — ing, On - ward through life sor — row — ing, On - ward through life sor _ row — ing‘, On — ward through life On —wa~rd through life, through toil — ing‘, re — joic - ing‘, sor — row— ing, On _ward through life he — ing, sor — row — ing, ~ ward he ‘ Each morning sees some Each _ — ing sees some -1 goes; Each _ ingsees some through life, through life he goes; E h — ing sees some i'L?‘ 1'4 Z.——_—-—$ task be—gun, Each eve-ning sees its task bé—gun, Each eve-ning sees its task be-gun, some task be_gun, V Each morning sees some task —g;un, some 1: be - gun, Each sees some A ﬂa Something at—tempt — ed, something done, done, dope, Some~thing one! Something atétempt-ed, somethingdone, — thing done, Sorhething at—tempt-ed, some_thing done, has e-21trned_’____. some — 11 Something at-tempt—ed, some-thingd ne, h s JFEAAA __;-o':‘ mortmdo earned earned, has earned nig t’s re — pose. .‘ e-. morendo ha” ‘lrned T’ Thanks,thanks to thee, my wor- thy friend,For the 1es—son thou hast 'I‘hanks,thanks to thee, my WOI‘— thy friend, For the 1933-5011 thou hast M.M.J=92 taught! taught ! Thus at. the flaom - inp; forge ' for-— tunes must be Thus at. t e flam ~ ihg forge ' ' f - tunes must be .3 ‘E. f.\ wrought; Thus at the flam-ing forge of life Our for—tunes e wrought. J]. wrought; Thus at the flaim-ing forge of life Our for—tunesmust e wrought. "F 8 8 Maestoso M.M. J: 108 And thus on its sounding 1’ . -klang, kllng, .. klang, Kling, klang, kling, klang, ,k1ang, k1ing,klang, kling',klang,k1ing,kl _ Maestos-0 M. ¢l=108 klingv k1a'n8'a klinga J7 cwcel. burn_ing deed‘ and thought!__.___ Something‘ at—tempt_ed, \§_______Z T kla'ng!——-—-——————k—1ing! S0 eth g -te pt—ed, kling,kl ,k1 , kling, k ang, klang! g, k1anng', /»—*"""""“~\\ rag; molto Mt. some—thing'done, something at—tempt-ed, somet ingdone, somet-h gdone, someth gat-tempt—ed, done, H earned, night’s k ng, klang, kling, klang, s0mething'done,I-las earned a. night’s re- kli klan moremio . M95 _’___ has earned_.__ V igh pose,a nig'ht’s re — pose, nig'ht’s pose, a nig'ht’s re - pose, a more/zedo ._.,_. .c..........._............. . _, _ _ _ , . -—-———---— , ._.._.._.._._.—.......____.__ . ......~__ ........___...._.._.,..:......_......... ...r.._...,..._.—.... .._....-.-..._...;s;.;.i...;._..._..__....s._.._.____....,,__..____..._.- ~ - _ . _; -2 l i '! . it ATTRACTIVE OPERETTAS ~v-—-—-—-—-.——-—~—,._—_..~_.____:._.._...__._._,_......_....._. .. .........__...._....._:_..._._ AND SECULAR CANTATAS Juvenile Operettas MOTHER GOOSE ISLAND A Musical Play for Children By Geo. L. Spaulding Time. 35 minutes Price, 60 cents A bright, up-to-date operetta in two scenes, suitable for boys and girls from 8 to I4 years. Mother Goose characters are introduced, _in addition to modern boy and girl rts. The story is lively, the dia- ogne crisp and the music tuneful. THE MOON QUEEN By L. C. Gottschalk Time, 35 minutes Price, 60 cents A children's cantata to be sung in unison. Text bright and am_u.9ri'ig and music easy and very melodious. May be given without scenery. MILKMAIDS AND FARMERS By Geo. L. Spaulding Time, 30 minutes Price, 50 cents This little musical diversion may be used as part of an evening s enter- tainment, or as a curtain raiser for a larger operetta or play. The music is sim e, but lively and _full of 8° and t e action is not interrupted with dialogue, so likely to embarrass the amateur. The work does not re- quire an elaborate setting or cos- tuinea. A DAY I13 FLOWERDOM peretta By Geo. L. Spaulding Time, 35 minutes Price. 60 “M3 A little work that will prove a source of pleasure to the youthful participants and their friends and even to grown-ups. It is in two scenes, and contains ten musical numbers, all bright. ‘melodious and full of go. The dialogue is clever and amusing, and both it and the music are easily learned. A ROSE DREAM Operetta By Mrs. R. R. Forman Time, 30 minutes Price, 60 cents A fairy operetta, with_ good, spark- ling music, an interesting plot and easy to stage. The Fairy Queen and her fairies, a giant, a dwarf and other fairyland characters are . in- troduced, to the delight of the little folks, who will appreciate every min- ute of the play's action. THE ISLE OF JEWELS Operetta By Geo. L. Spaulding Time, 35 minutes Price, 60 cents The characters personify various popular jewels, an the opportuni- ties for picturesque staging can readily be realized. Both words and music are fully up to the standard set by these popular writers. LOST, A COMET Operetta _ By Geo. L. Spaulding Time, 40 minutes Price, 60 cents This clever little operetta will fur- nish forty minutes of fun, entertain- ment and music for an audience, and is sure to be voted "a hit." The dialogue and verses are bright and witty, and many modern rhythms have been introduced in the musical score. Operettas FROM THE YELLOWSTONE A usic rama By Thurlow Lieurance Time, 45 minutes Price, 75 cents The scene of this sketch is laid in the country surrounding the head- waters of the Yellowstone River and it will prove most effective if given in costume. A mixed quartet and two speaking parts are required for the leadin roles. An excellent num- ber for igh School and College Clubs. MOTHER GOOSE FANTASY By Arthur Nevin Time, 45 minutes Price, $1.00 This is a high-class work for solo soprano and two-part chorus. The leading character, The Dream Maid, happens upon a Mother Goose book which takes her back to her child- hood and she day-dreams the various scenes enacted in the play. PANDORA By C. E. Lemassena Time, 90 minutes Price, $1.00 A brilliant operatic setting. suita- ble for young people, of the old Grecian myth. as retold by Haw- thorne under the title of "The Para- dise of Children." There are five principal characters, a chorus for oys and a chorus for girls. It is in three parts, and the scenery is of a very simple nature. he music is of the most attractive order; it is sin able and easy, yet not at all tri ing. To those seeking a high- class novelty we heartily recommend this delightful operetta. TI-IE PENNANT By Oscar J. Lehrer Words by F. M. Colville Time, 90 minutes Price, $l.20 Pretty tunes, amusing situations, well set-up young men, bright girls in smart frocks, a dance here and there, and a spirit of cclle e “go" is the best description of ‘The Pen- nant." This is a real, practical operetta for a short cast, easily re- hearsed and easily produced. It may be adapted to suit any college local- ity, and is sure to take. A VIRGINIAN ROMANCE By H. Loren Clements Time, I hour Price. $I.00 A short musical comedy in two scenes than can be produced by any school, co ege or amateur group at almost any time. he music is sprightly and catchy and introduces several snatches of familiar wartime and patriotic melodies. It abounds in local color and will prove tre- mendously popular with the average audience. TRIAL BY JURY By Sir Arthur Sullivan Words by W. 5. Gilbert Time. 45 minutes Price, 50 cents This is the most popular of Gilbert and Sullivan's operettas among mu- sical amateurs. The lines are all sung, and, in Gilbertian fashion. are satirically humorous. The music is easily learned. the iece simply staged and amateurs wil ﬁnd it well worthy of production. -club or high-school chorus. Secular Cantatas THE VILLAGE BLACKSMITH By W. H. Neidlinger Poem by H. W. Longfellow Time, I5 minutes Price, 50 cents Longfellow's popular poem has had many musical settings, but we dare- say none quite so appropriate as this descri tive cantata for mixed chorus by r. Neidlinger. It is full of color and striking choral effects, but only of medium difficulty, and can_ be {produced by any choral society 0 moderate ability. TI-IE SINGING LEAVES By Grace Mayhew Words by James Russell Lowell Time. 45 minutes Price, 75 cents A short, bright and easy cantata for baritone, tenor and soprano solos and muted choruses, with piano ac- companiment and violin obbligato; suitable for small singing societies. THE MERMAID By Julian Edwards Words by D. A. Atterbom Time, 90 minutes Price, $l.25 A brilliant cantata with dramatic choruses arid graphically descriptive orchestration written in Mr. Edwards’ best style. SPRING From "The Seasons" By Joseph Haydn Time, 25 minutes Price. 40 cents _The text‘ is most poetic and ad- mirably suited for a spring concert. Has solos. duets and a trio for so- prano, tenor and bafitone. and sev- eral stirring choruses that are among Haydn's most admired inspirations. THE ROSE MAIDEN By Frederick H. Cowen Words adapted by R. E. Francillon Time, 90 minutes Price, 75 cents Any singing society may be proud to _have this standard choral work in its repertoire. lt abounds in pleas- ing solos, duets and tries, and the chorus "parts, including the well- known Bridal horus," are particu- larly attractive and not difﬁcult to sing. THE QUAKER AND THE HIGHWAYMAN Cantata for Women's Voices By H. W. Wareing \‘Vords by Samuel Lover Time. 30 minutes Price. 50 cents A popular novelty for a women's Most of the chorus work is in two parts. but there is occasional three- and four- part writing. THE GOLDEN VALLEY Cantata for Women's Voices By I-I arner Time, 40 minutes Price, $l.00 The story is based on a dramatic legend of the Crusades. and the music is a propriate and of mod- crate difﬁcu ty. THE MERMAID Cantata for Women's Voices By Fannie Snow Knowlton Time. 25 minutes Price, 60 cents A special program number, chiefly in three-part harmonies, with an obbligato for solo soprano. Text from the verses of Tennyson. -TI-IEO. PRESS!-ZR co. Music Publishers and Dealers PHILADELPHIA, PA. ._. .._.__...i_ ,
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Title: Reaper and Flowers, The, The Reaper and The Flowers
Date: n.d.
Text: IIUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE, ugw yopx EAPEHANIHHEHIIWERS $@1a@ Words by LONGFELLOW E°7lT9usic bi OLORES. 50 Copyright. ——>‘fT\'<‘> PI"iC€ London: E.DoNAaowsK1, 26, Castle Stheet,Benners SI:neel:,W. THE REAPER V AND‘ THE FLOWERS. THE POETRY BY LONGFELLOW. THE MUSIC BY DOLORES. There is a reaper, whose name 'i.~Dc-ath. And, with his sic _k]e keen, _ The Reaym-9 nnl the flowtpg. reaps the beard _ed grain in a breath,AndAthe f]ov;’1"sthat-growbejween; ...
Show moreIIUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE, ugw yopx EAPEHANIHHEHIIWERS $@1a@ Words by LONGFELLOW E°7lT9usic bi OLORES. 50 Copyright. ——>‘fT\'<‘> PI"iC€ London: E.DoNAaowsK1, 26, Castle Stheet,Benners SI:neel:,W. THE REAPER V AND‘ THE FLOWERS. THE POETRY BY LONGFELLOW. THE MUSIC BY DOLORES. There is a reaper, whose name 'i.~Dc-ath. And, with his sic _k]e keen, _ The Reaym-9 nnl the flowtpg. reaps the beard _ed grain in a breath,AndAthe f]ov;’1"sthat-growbejween; “Shall I , Z I havenaught that is fair.>”said he; Have naught hutthebeared grain? Tho’ the . . 8‘._,______ breath of these l0W’rs is sweet to me, I will them all k a _ _gain. Th0’the breath of theseflnw’rsis sweet to me,Iw1'l] givethem all back a_gain. /3—~ » Culla voce The RPEPCT and the fhvxvv-1-S . He gaz‘d-at the flowers wlth tearful eyes, He Idss’d their drobping leaves; It was HMFY ‘ for theL0rd of Pa- _ _.1'a_dise, He bound them in his sheaves: Lord hath need of those flow- rets gay," The reaper said, and sinifd 7‘ "Dear The Rowen‘ ram} 11% flower;-. tokens of the earth are they,Wh€-re ewas ‘ a child. Dear tokens of the 71* earth arethe-y,Where he was once a child. /* They shall all bloom in fields of ]ight,Trans-p]an..ted by my care, \sa1'nts,upon their ganmentswhite, These sa_cred b]0s_soms wear-. Andthe Tb A R n‘yw1_ 1‘~ ‘ 1‘-w«r~.<-. mo- _ther gave in tears and pain, The flov/rsshemost did love; She knew she would them all a_g‘ain.Inthe wlds of light a_ _b0\'e. Fnewshe would fi them all a- , In the fields of light a- .b0~.'e./ Th‘.- R«:~xmr an-‘ fhnr Huwnx. NEW AND POPULAR SONGS. SHEPHERD MUSIC. 0 to B‘. Music by GEORGE F.V|NGENT. 7]- Words by CLAXSUN BELLAMY. Alle re A ,s_hepherd {E _A.r_ca‘dian.mead,His oat- pipeiis play- , LORDS AND LADIES. Q to EI9_ Music by wmdsby GEORGE FVINCENT CLAXSON BELLAMY. State Brightly gleam a thousand ta_pers,Onthe brown oak pane1l’d BLOW on THOU GENTLE BREEZE. D to p_ Music by FREDERIC SCARSBROOK. M Words by VIVIAN GRAHNME . Andante. Blow Thy breath so soft and sweet on thou gentle breeze, SPRINC HAS COME WITH SUNSHINE BRIGHT. Words by F to G . Music by VIVIAN GRAHAME. FREDERIC SCARSBRUOK. All retto Giojoso. > Spring has come with sun shine bright, F‘ra_grant 0 _ dours marcato. I STOOD ON THEBRIDICE. B to E . Music by FREDERIC SCARSBRUOK. -M; Words by LU NC FELLOW . Andante I stood on bridge at n1idnigI1t,Asthe clockswere striking the STAR THAT SHINEST IN THE TWILICHh;[T._ b Words by D I’° 9“ FREDERICHSSEIEIRKBRUOK. VIVIAN CRAHAME. Allegretto con Espressione. ‘ ‘St-ar that shi.nest in the twilight, At the ending of the day, yzgf V THE LILY BELL. B.S.‘IIA?fI\‘dTSGBNERY. C3” F‘ Allegro ma 11011 Music by FRANZ AB,T , I fainwould be _1y bc11_ _ _ . _ N COLDEN CFIAI N . C to E. Musicb‘ Words by’ V y H. A. MU'SCfAT. ROBERT I3/U«'E'ER, Moder to. With a slow, sad step I wander’d_ On a fair and sunuyrnorn V THE SONG OF THE NICHTINCALE. Words by C to F_ Music by w.S.PASSMORE ESQ. .M.LARDELL|. An 0 . < Hark! what en_chant; ing mu _ _ sic Wakes up the startled night \ ‘ . . \ THE CH|LD’S PRAYER. Wordsby permission fromthe D to D. DETROIT FREE PRESS. An ante. Musicby WILLIAM BETTRIDCE. She lmeltwitli her sweet hands fold- ed,Her fair lit_tle head bowed THE WO0D—B|RD’S SONG. D to F. Musicby Words by BENNETT GILBERT. FRANCES CHAMBRE STEEL. Alleg Heardl thy sweet Ear- ly pret_ty ma _ vis, DREAMINC OF HOME. ID to D. Music by Words by W.F.TAYLIJR. WALTER EGEIRTDN. Allegretto uasi Andante. Far far a _ way. . . . I sit and dream a- lone, LO‘1”1»dO1"1:E.l:)ON15XJOVVSI/(I,
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Title: Legend of the Crossbill
Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE 5 5121757 by Mrs‘. flora E. Eam/. **1 —wx\-§L L % \ \./ .x pqpxj A '*"‘7“‘ m‘T‘7"D'V"" T ‘ . U’ ‘ < - "J .\ JB I A "ii » ‘”]mm]_J]} f—_-'#_v Wm qnairmytllﬂnmﬁrﬁgg, J %E%¥niWJJnJ1w1Jnn1 jm]1]11H1]r;m1mn4‘d \ ﬁg) ‘Jimhj IIUW AWM ' “A ‘/7‘ 131% ZVb‘.r'i5 5 J A__ * ‘x K «Xx ‘\ \ /, ’ ‘ ‘ ‘,~’ // ‘,2 / \\ xx, .7 BOSTON EILIVEH DITSEIN &ED.45l WAEHINETUN ET N.Y'UHTC.C.H.DITE EN E EU. - PHIL-4} J.E.UITE...
Show moreMUSIC LIBRARY VASSAR COLLEGE 5 5121757 by Mrs‘. flora E. Eam/. **1 —wx\-§L L % \ \./ .x pqpxj A '*"‘7“‘ m‘T‘7"D'V"" T ‘ . U’ ‘ < - "J .\ JB I A "ii » ‘”]mm]_J]} f—_-'#_v Wm qnairmytllﬂnmﬁrﬁgg, J %E%¥niWJJnJ1w1Jnn1 jm]1]11H1]r;m1mn4‘d \ ﬁg) ‘Jimhj IIUW AWM ' “A ‘/7‘ 131% ZVb‘.r'i5 5 J A__ * ‘x K «Xx ‘\ \ /, ’ ‘ ‘ ‘,~’ // ‘,2 / \\ xx, .7 BOSTON EILIVEH DITSEIN &ED.45l WAEHINETUN ET N.Y'UHTC.C.H.DITE EN E EU. - PHIL-4} J.E.UITE UN 3. EH. 5215' 5 J5. FE 26:=.r5. .521: 525; 4? WJZIL-E11. ['1'I111. Z7L7Z7J7ujrE1* :1‘-']VeW]za]]. .5512 K737251500 Mcﬂunyé W].=25Ez':E 5'17. E7z1'zra_qz7 Lyn]: If }[5';zZ]/7 N" ‘ F / ‘vs -7 ~ 4'“; r m;I?s‘a7/ 11:75/7/,‘/I//7,,‘ may Jr;///'-Imp I1; ;.~7.7r"z7J/7;.ae'7; /7' , ;1;",’1‘/7,417/5'17///55ﬂV 5 J.7,1;:.~" /» //7 /M V. ._ gr /, _ I-/~ _7,1u/7 zr/‘[1//7., THE LEGEWD OI“'l.‘—HE GROSSBILL. Wbrds by LONGFELLOIV. Music by LE CHE VAVLIER LEMM1u‘I\‘s‘. ‘ Andante sostenuto. T9. On the Cross the dying San _ vinur II(*aV,l]V‘V&ll'd CI'(3.S‘(f . V His eyelids calm, F«w1s,but se:u‘(~,e _ Iy f(‘(‘l!§',}l tram .. bling in Hi.fs' pi¢‘I'(',t*d< zuldbleeding palm. . ' th6*wur1dfm' _ sa _ 1{en,Sm~sIIc- dim . ‘~_/ how wlth zc-ulnus cure At the ruth_less nail of -V-. Wilt‘ bird is striving there AT the ruthless nail of- fall. A little bird - is sf1'ivingfheI'e,' A littlubird is striving stI'iv_ ing $4 TA cresc, ﬂ T calla 1-oce,EJ;\>P A thore . atcnnpo . ET’ 3 doth nut cease , :1 tempo . [ts lmlsw, :1 temp 0 . A91 tutu . ('i’(".‘.'(.‘ , .s‘t:'i11g:*;z4i'u ., S’mine‘d withbhmd Agitatn . :L:.iL::' and never tir- _ ing “Titl]itSl)(‘£|k (,‘l'(’.§'(} . \_J ' F1-on1thecrnss ’twnu1d frve the-Suvim-, Its C1-4-:ntm"sSm1 re- Cr:-_ 21 _ _ _ tn1"s‘S<m re _ 1«:Is+~', Its Cw- 21 _ _ _ _tn1"sS«m re-_ calla vuce . And the {2 S41- - - vior speaksin mildness Blt-st be thou of all the good ...... .. B:-:11‘ as tok _ _ - en of this mo- 111¢-rgt,M:1|'ks of blood and holy rand: And that is callad the Crnssbill; Cnwwtl all withhhmdsn 1-lean‘. f. gl'¢>\'és of pine-‘ it sing- eth Sungslike legends strange to hear . gl'0VVt*S of pine it sing , , _b ell] Songs like lvgvnds strung», like logmds strange, ET it singq-ll) sangs,l1'ks- legends sfrungv to hm!‘ > atempo . . \ / calla voce. Eff?!’ colla voce . ‘ff’ ribra to . . , 9 T . like legends strange ......................... .. T mnrendo . f P)’ f‘ CHOICE GEMS SELECTED FROM MAILED POST-PAID FOR PUBLISHED PRICE. OLIVER DITSON C033 LATEST LISTS OF NEW MUSIC. MAILED POST-PAlD FOR PUBLISHED PRICE. Messrs. OLIVER DITSON C0M!‘AI‘.'Y log to announce the following very atti-active ltluslt-. or §lOC2EXI_..4<+ “ Signal Bells at Sea." Song and (‘/mrm. (E flat, 3d grade, C to D) WILI. S. llAYl£S A good song for a voice of medium compass. Not difficult. Lith. Title. “ Old Home down on the Farm." Song and C/zorux. (B ﬂat, 3d grade, D to T) . One of the ever-popular “ home songs," with a pleasing solo and good chorus. l.ltl'I. Title. " The Banner ofthe Sea." Song. (G. 3d grade, C sharp to I’) . . H. G. GANs§ A prize song, words by Homer Green, one of the best patriotic naval songs. Lith. Title. “ My Little Sweetheart." Szmgﬁor Conlrzz//o or Bari/one. (F. 4th grade, C to D) ll. M. VAN LENNEP A pleasing song with an clTective accompaniment. Suitable for concert encore. " So «~10 I love Thee." Songfor Jllezzo-Soprano or T('110r'. D. 4th grade, D to E) II. M. VAN Ll-ZNNEI’ A well written song, good style, with brilliant accompaniment “ ".l.‘is all that! can Say.” Song. (F. 4th grade, E to F) . l{0Bl'R'l COYICRLY An appropriate setting of a very tender love-poem. “ Until We Meet.” Song. (F. 4th grade, C to F) ., . . . AI\"l‘Ol\' Si'Rr:Lc7.I;I A pleasing song by a popular composer. Tasteful accompaniment. “ Dream. Baby. Dream.” Song/or Can/ral/v. (E ﬂat, 4th grade, B to Ii) ANTON STRI-:I.I~:zKI A delightful “ cradle song " with a pretty melody ai.d tasteful accompaniment. “ By-gone Dreams.” Songfor Soprano 07‘ Tenor. (F. 4th grade, D to G) ANTON STRELEZKX ‘ One of the best of modern song—gems. Smoothly ﬂowing melody and good accompaniment. “Nevermore.” Song and Uzorm. (A. 3d grade, D to E) . 'lIIus. P. I. MAGOUN One of Mr. Magoun’s latest. “ Ring On, Sweet Bells." Due/for T mar amt’ Baritone. (B ﬁat, 4th grade) . A very effective duet, well worthy of a trial by good tenors and baritones. “Then and Now.” Song. (E ﬁat, 4th grade, D to (1) . . . GEORGE H. llAYl.'S Good words, appropriate and pretty melody, and tasteful accompaniment. “The Old Grave Digger.” Bar: Song‘. (E ﬂat, 4th grade, C to C) A. G. Hr.NI>r:RsoN A capital song for a bassvoice of good compass. VVA: recommend it to concert singers. “ Somewhere.” Songfor Illezzo-Soyﬁrano or Iiari/(me. (C. 4th grade, C to E) . . A good song for low voices, tasteful accompaniment. " Oh, Tell Me Why.” Song. 4th grade, E to C) .1 . For a voice that can reach C above the treble staff, this song will be satisfactory. “ Aristocratio Dandies.” Song and Dome. (B ﬁat, 3d grade, C to E) S. DUNCAN I3AKi«1i< One of the latest of its kind. lt has all the elements of minstrel popularity. “ Vlhen the Clovers were a-Blooming.” Ba/lml. ((3. 3d grade,*Eto G) KENYON JONIss A pretty song, suitable for either parlor or concert; light and pleasing. "My Henrt’s True I=Iome." Song. (B Pat, 3d grade, D to G) JOIIN FRANCIS CILDER One of Mr. Gilder's latest vocal compositions, and well worth a trial by lovers of good songs. “ Bed-time Song.” (F. 4th grade, C to E) . . . . ETIiILLBr:Ie".' N111/IN “ Sway to and fro in the twilight grey, this is the ferry for shadow-town; lt always sails at the end o{clay,_1ust as the darkness is closing down- Rcst, little head, on my shoulder, 50." A pretty melody, to exquisite verses. Handsome Picture Title. “Up Comes McGinty.” S077g'£Z17([.D(I77[¢’. (E ﬁat, 3d grade, B to E) HARRY J. DAI.I.0U A popular and rapidly selling comic song. Ballou’s latest. “Hush, Little One.” Lullaby. (F/ﬂat, 4th grade, E to E) , FRANK I-I. BRACKEIT A pretty and appropriate setting of a poem, by [Eugene Field. Suitable for mezzo~soprano. “ My Neighbor.” Sang. Fran:/L amz’1:'ng'lz':/z ‘wan/r. (C. 5th grade, C to F) . . Goiiiiw:-'7.-IoMAs /l/la V0z':z';ze, or “ My Neighbor." will please all who love artistic songs of the modern “ classic" style. “ Little Annie Rooney.” Song and (7w7'u.r. (E flat, 3d grade, E to E) J. C. MAYSEDER A rather sweet little song, of the popular style; a really pretty waltz melody. “ I-aanguitl flower.” Songﬁor Il/szzo-Soﬁrzmo or Barilone. (C. 4th grade, D to E) . GIUSEITE DEL PLTENTE One of Signor Del Puente's latest compositions, with Italian and English words. Tasteful and pretty. “ Speak Low Unto My Love.” Songfor (lnitrnllo or 1x‘m'z'zone. (E. 4th grade, B to E) . . Louis LOMBARD A song that will please all singers with voices of medium compass. Artistic and tasteful. “Friar of Orders Gray.” (C. 4th grade, A to D) . SHinI.1) One of the very best semi-humorous songs for male voice of medium compass. New edition. Quaint Picture Title. (2. Du-ms G130. B. NEVIN . FRED. K. lllI.l. “In 01.1 Madrid.” Song. (G ‘minor, 4:}. grade, D to F) . . . In the “ bolero " style, with a tinge of the Spanish romantic love song. Effective throughout “ E’en the Gay Birds Stop to Listen.” Wa/tz Song. V 4th grade, D to F) . A pretty and showy waltz song, in the popular style. " The Sailor‘s Dance.” Song. (F. 3d grade, C to F) . . . J. L. Mt>I.I.oi( A song in Molloy’s well-known style—catchy and tuneful. Good for Baritone voice. “Radiant Heart." Szmgfor Sop. or 7'.mor. (A ﬁat, 5th grade, E to A) Oiio LANGI-zv An elifective song, with tasteful accompaniment. Good singers will welcome it. "Thy Blue Eyes.” Song. German andEng/7':/z worr/r. D ﬂat, 4th grade, E to A) . . C. ROIIM A sweet and winning melody, with good words and ﬁne accompaniment. Excellent for soprano or tenor. It is classed among the best modern German songs. “Oh, Let Me Sh-are Thine Evening Prayer.” Song. Gem/an mm’ £713‘/2'5/z 7."nr(r’.t. (E ﬂat, 4th grade, G to B) . . C. BOHM Sweet and tender; at good song for soprano or tenor voice. "Cradle Song.” (E ﬂat, 4th grade, C to E ﬂat) . . . . , M, I—I;\I~sir,R A setting of the well-known violin solo; the first and only Edition of this melody with words‘. It makes a beautiful, simple, and pleasing song. Handsome Lithographic Title. "Still as the Night.” German am! Eng/ix/'2 words. (D ﬂat, 4th grade. C to G) C. BOHM An excellent song. One of the best of modern Cermaii compositions. Suitablc for soprano or tenor. "Don't Forget Dar’s a. Weddin’ To-Night.” Song and Olorm‘. (D. 3d grade, D to D) . ll. TR01 can El)L'Al{l) ll0LS'l‘ H. J. BALLOU A characteristic minstrel “ end " song. “A. River Dream.” Sonar or So . or Tenor. F. th rade, D to G , .5 4 3 One of this popular author's best vocal compositions. Artistic and tasteful throughout. "Dream of Mine.” Songfor /V/ezzo-Soprano or Brzrilone. C. 4th grade, C to F) . l‘. LA VILLA. A good song, both as to words and melody, and enhanced by a tasteful and well-written accompaniment. “Pretty Girl Milking Her Cow.” (A flat, 3d grade, C to F ) A captivating favorite. New edition, with a beautiful Picture Title. “Mﬂkmaitl’s Song.” _(G. 3d grade, B to G) . . C. HIENSHAW DANA Tennysonps pretty verses In an appropriate setting. A good “ encore ” song for soprano. Handsome Litho- graphic Title Page. “Come Unto I-Iim.” Sac7'alSo7zg. (E flat, 3d grade, D to G) . . L. O. EMERSON A sweet and appropriate setting of the lines beginning, “ Come unto Him and He will give you rest." Ex- cellent for soprano or mezzo—soprano. GORING-T1-IoMAs . . u . C. H. DITSON & CO., 867 BROADWAY, New YORK. “Creole Love Song." for So/Wano or Tenor. (I). 4th grade, B to A) EDGAR B. Sm‘ H A spirited and effective song, somewhat in the “ bolero " style, with a rythmic and showy accom "‘lll‘tCn". Recommended to lover s of good songs. “ Fair Starry Eyes." .S‘ongfor Soprano or Tenor. (G ﬁat, 4th grade, D to (J) ful Very showy and clTectivi:: well written and taste . l~IIic:AR 13. S.\Ii'I'II -91- INSTRUIKENTHL-to “Chant tin. Soir." (E1/cnzﬁrg ."o77g.) (D. 5th grade) A pretty melody, varied, and affording ample display for either hand. “Danse Pompeuse.” (C. 5th grade) . . . /\R'I'HUR W. l\lAR<:iiAN'r A pleasiiig example of the old style of dance music, partaking somewhat of the gavotte movement. A good piece for the pupil. “Meditation.” (A ﬁat. 5th grade) . . . . . . FRANK H. l’iRA(Tl<l-"l'I‘ A slow movement, affording ample facilities for the practice ofoctaves, chords, and scale passages in trip- lets. Well written and miisicianly in style. “ Cha.tauqna's Rocking Ripples.” Ca-uolte. (G. 5th grade) . In the popular gavotte style. “Nocturne.” (E flat, 5 grade) . . . . . . . ll. MOREY A pretty noctiime, with passages requiring “ crossing” of hands. “The Battle 'Won.” I/l/arr/'12 7 rizmzgﬁ/m/e. (C. 4th grade) A spirited and effective march. Lithograph Title. “ Berceuse.” 015.57. (D ﬂat, 6th grade) . . . . . . F. (‘norm As performed by the famous boy pianist, Otto Hegrier. A Portrait of the child adorns the Title Page. “ Fairy Quickstep.” (C. 2d grade) . . . . . . . MACK Abright and enlivening little quicltstep. Fingered. Litliog - ph Title. “ Governor B1-ackett’s March." (F. 3d grade) . . . J. THOMAS BALI)wIN As performed by Baldwin's Boston Cadet Band. Portrait of Gov. lirackett on Titlt: Page. “Elks Quatlrilles.” (V. K. 4th grade) . . THEO. BENDIX A good set of quadrilles. “The Old Soldier.” (C. 3d grade) . . . Ou. of an admirable set of easy pieces, ﬁngered for pupils’ use. " Spring Flower Mazurka.” (C. Ist grade) . . . . A little gem for little players. Fiiigered for pupils’ use. Pretty Lithograph Title. “Happy Thoughts Polka.” (G. Isl. grade) . . JUl.I<‘.S l::.AssINI l~Z;:..\‘i'0N JONES l:‘.I)uAI<n HoI.s'r MAX FRITZE. . E. MACK l“. MAFK A Sp’i“lg:lll1V;, pleasing little polka, that will please young players. ‘Correctly ﬁngered.'Attractive, lllustraied It e age. __ “The Ball.” (Le Bal.) H7121/z. Op. ‘:0. (F. 3d grade) A very pretty, sprightly, and melodious waltz, by a well-known composer. “ Kittie’s Waltz.” (G. 1st grade) . . . . . . . . E. MACK A graceful, sweet, and simple little waltz, that every child will like to play. Fingered for teaching. Attrac- tive Picture Title. “ Graceful Schottischef (C. 2d grade) . . . . . . . One of the most pleasing of very easy pieces. Fingered for the learner. Lithograph Title. “Old Sentinel March.” (B ﬂat, 3d grade) . R. M. STULTS A spirited and enlivening march. Lithograph Title. “ Cotton Field Dance.” (F. 5th grade) . . . Peciiliarly characteristic and catchy. Beautiful Colored Title Page. “ Merriment.” False. (C. 3d grade) . . . A charming, easy waltz, suitable for pupils’ use, “Ricordanza." ./\*'o:tu7‘71e ll/e/orﬁqz/e. (F. §th gxradc) . . . G. LUDOW: E. MACK . . . . Joint FRANCIS GILDER G. BACHMANN _ . . . H. B. PIITNAM A pretty melody, with “ variations,” aﬁording opportunity for practice in execution. The melody lies al- ternately in treble and bass clefs. “Claudian Waltzes.” (V. K. 4th grade) . Ari attractive set of Waltzes. “Bertha Mazurka.” (C. 5th grade) . . . Brilliant and showy. “The Psha’s Favorite Schottische." (B Fat, 4th grade) . . HARRY L. HARTS “ Schottische" movements are quite fashionable at present, and this pretty one will he sure to please. “Chiming Bells Sehottische.” (19. 3d grade) . . T. H. RoI.I.INsoN One of the prettiest of its kind, by a popular composer. " On the Village Green Schottisclze.” (G. 3d grade) . . . T. H. RoLL1Nso;I A pretty and well accented movement in this popular daiice style, “Centennial Jubilee.” Cram//liar:/'2. (C. 4th grade) . . , A. L. SAMSON A bold and majestic march movement. Plenty of chords and octaves. “Nearer, My God, to Thee." 7' room-2'/2/z'o';z. (A flat, 5th grade) . . M. ELMER Transcription of the \vell—knowu hymn tune. “Little Star.” ]’o//so /\’ez/07:/rt. (F. Ist grade) . . . , , _ One of this author's prettiest little picccs, “ ﬁngered " for pupils’ use. Very pretty Picture Title “ Old Folks at Home.’ I'm'7'o/four. (E ﬂat, 4th grade) Brilliant variation of the ever popular air. Not difficult. “The Ball.” /1’//Ze ]7(Im'ef0r /"our I/zr/zdx. (F. 3d grade) . A pretty piece for two young players. Try It. “Mill in the Forest.” /ojr//e, (‘/>.52. (G. 4th grade) . . R. EILENBERG Lively, showy, melodious, and pleasing. Just the piece for a young pupil. “The Passing of the Guard.” (‘/>. 7: . (D. 4th grade) . . R. EILENBERG Characteristic march, made popular by bands and orclicstras. Very pleasing. “Al Fresco." (G. 4th grade) . . . . . . One of the latest a-nd best compositions for piano. Spirited and elodious. “Benton do Rose.” /I/nrmm o/e Sn/on. (A ﬂat, 5th grade) . VICTOR DELACOUR A composition that will surely please all players. It is artistic and miisicianly. “Santiago.” Va/re Es/zagwo/e. (G and E. 4th grade) . . . . . A. CORBIN A very popular waltz: the movement is characteristically Spanish, and immensely pleasing. Played by orchestras everywhere. Try this piano arrangement. “Father Victory.” (Pore lo Vin‘o7're.) /l/an‘/2. (C. 4th grade) LEOPOLD KESSLER One of the late popular successes; performed by GilmoI‘e's band. This pianoforte arrangement of it is ex- cllent. HARRY L. llARTS . J. H. NIOREY E. MACK J. ALBERT SNow BI<IG<;s BRADSHAW L. ZAVERTAL “ Sweet Sixteen.” (C. 2d grade) . . . . . . Another gem from the choice’ “ Musical Portrait" Set of easy pieces, ﬁngered “ Fairy Wedding March.” (G. 2d grade) . . . . . A favorite teaching piece, and the admiration of little learners. Handsome Title Page. “ Pet Redowa.” (G. 2d grade) . . . . . . MACK Sure to please little players. Has correct ﬁngering. Picture Title. “ Sounds at Day-dawn.” Id}//o. (F. 5th grade) . . A showy and entertaining composition, by a popular author. Lith. Title. “ Sunrise Schottische.” (D. 3d grade) . . . . MAX FRITZE E. MACK W. F. SUDDS N. SII«:I>l.r~: OLIVER DITSON COMPANY, BOSTON. A favorite schottische. New edition, with handsome Lithograph Title'Page. J. E. DITSON & C‘()., 1228 CHESTNUT S-r., PHILA. LYON & HEALY, CHICAGO. \
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Title: Daybreak
Date: 1860
Text: 7%” n '»“,'_7/‘ La (Nat) ” f PART SONGS‘. N9 200. ' The Poefgy by L@>:N <mE'E1.1L®W% st-:'r‘1'o MUSIC FOR « fﬂa/7.45 Wzé‘/éfzé/20/9/2130%ﬂz’ée.s*z?%Z;{cc0/72/éaizz//zzazzé, BY g3Mr(@»N @.4wm N a jug. ;rza,.z2;~,zz Zzice 6"/zc-:1 LON DON, STANLEY LUCAS, WEBER & C984’, NEW,BOND ST.& 325, OXFORD s'r.w. SOPRANO. ‘ ALTO. TENOR. "3Y?’ lower. BAss. Allegra. M. M. J.:92 { NB. 0‘1°("héstral parts may be ]1_'i'rg3d*.v- . _ J ...
Show more7%” n '»“,'_7/‘ La (Nat) ” f PART SONGS‘. N9 200. ' The Poefgy by L@>:N <mE'E1.1L®W% st-:'r‘1'o MUSIC FOR « fﬂa/7.45 Wzé‘/éfzé/20/9/2130%ﬂz’ée.s*z?%Z;{cc0/72/éaizz//zzazzé, BY g3Mr(@»N @.4wm N a jug. ;rza,.z2;~,zz Zzice 6"/zc-:1 LON DON, STANLEY LUCAS, WEBER & C984’, NEW,BOND ST.& 325, OXFORD s'r.w. SOPRANO. ‘ ALTO. TENOR. "3Y?’ lower. BAss. Allegra. M. M. J.:92 { NB. 0‘1°("héstral parts may be ]1_'i'rg3d*.v- . _ J "5, V MUSIC uInAnﬁ‘r U é VASSAR COLLEGE, _ A wind ....... .. came up out of the out _of the out of the . W. _. o :-13:». r-w+'"P}:= . /¢j.~sW1 E‘fUS!CAL And said, “0 wind .... .. ca:-ne11p out of the sea, .............. .. “CT mf mists, make room for And said, “O Vmists, make room, 0 mists, “O mists, make room, ............. .. make piu mossa. ‘ ~ Vigoroso >- hailed .... .. the ships, and ‘ hailed .... .. the ships, and It; the ships, and f o " . . It ' I iled .... .. the ships, and i- ners, the i _ ners, the i- ners, the i- ners, the 5 (W88. hur _ ried1and_ward‘ far ................. .. a _ way, ............. .. Crying,“aA' x‘ // .- 'hur _ ried1and_ward far ................. .. a _ way ............. .. Crying,M“a. _ d hur _ ed1and_ward'f-ar ......... a And hur _ ried land_ward far .................. .. a .g*____..—»/ awake . ......... .. } all ........ .. your “ Hang all ........ your the for- est “shout! .... .. molto rifard. 6 leaf _ Y . . ' - ners .... .. out!” It to e wo0d— birtfs _ ,I-Pang gll your leaf 37 ban _ nérs out! It totlched the Wood— bitfds ‘ motto ritard. L/Ir‘ .. 5. L. W. 186 . a tempo Awake and 9-’ ‘_ . 4: iI’d,....., .... ....... fold . sald, 0 I 6,.” fold _ ed wing, ........... .... .. and Sing ........ ......... .. /\ a _ _ » A-wake...... and a tempo ‘_ wake, awake and sing,.......... awake and gin wgke ............... .. aw ea (I sing, ....... a sing,~.« ....... ................. ......... ..... awake,a - 53. L. \V. 1860. poco Mt. e sing. ...................... .. ...... _ P060 7-1/'t_ e I Sing. ............. ...5....n'. ........... .. _ poco rit. 9- " si‘ngL.....V ............................ And (for the farms, ....... . oer .... .. — e arms 3“ in r 0 ’ HQ Chanticleer,; ........ .. Your clar _ ion I I 9 And o’ei* the farms, .... .. 0 chém _ ticleer, Your a tempo L. W. 1860.‘ O chantioleer, ion blow; ' ' day is near, the ci1\;a;n'11:/ icleer; —You*1‘ ion blolsi; Your ion blow; i_ on blow, Your ion blow; the ‘ A y is near, the *cm. ail? the day ............... .. is 1'1ear,the day» .......... the day near,the da ............ .. is near, .... .. the 5 . L .- W. 1~b'tS0. pom {meno moaso 707” It whisper’d to the P7’ 2: It whisper’d to the fields of corn, fields of corn, I It whispgiv’/<1 to the fields of corn, 177121.. It whisper’d to the fields of com, dovm, and c0n1_ ing- ’ ‘Ill . com _. iug dim. com _ ing at com_ing V morn’? “A viz} mosso. f It shout _ ed throughthe I be] _ fry tower, “A _ yiil. masso. sh0ut _ ed through the be] _ frytowe-r, sht;ut- ed t}1.1'qu_.;,'h. {he bel _ fry tower, wake, .... ....... .. 0 bell! .......... ‘s. L. w. 1860.7 /7‘ ' . mbzto 7-it. pro _ claim the 9 hour. ..................... .; .... .. ff am. e motto r/it. pro _ c1a1m the our. ........................... .. d L’ m . e" motto Ht. bell........ ............................... ..... ............................ .. > dim. e ’ rit. +'I7‘he small notes‘ to be used for practice only. .5. Lfw. 1860. J;=eo. ::,. _ ‘X . . . <1 crossed the churchyard wlth a slgh, And sald, Not yet! ../1:: crossed the churchyard with a sigh, <41 L. crossed the churchyard with a sigh, .(—_f_'_‘ ::‘j-- crossed the churchyard with a sigh, at - : 60. ."’cc \" he; Not yet! not yet! not CF85. F‘/cc he; Not yet! not l3’I'8.9. yet! not 1ie;“N0t yet! not yet! not (‘7’¢L’8. lie;“Not yet! not yet! not yet! _ accomp. -ii»... “Not yet! not ...{‘_._ .2... “Not yet! not 1 J “Not yet! not Piu lento qui- et not yet! in qui_ et PI’ in q11i_ et. lie, in qui-et P7’ in qui _ et ,_\ Piu ‘lento PP not yet! in M5 yet.!..... yet! .... .. yet! .... .. PI’ lie, in qui_et PP?’ lie, in quiget lie, in qui_et PART” MUSIC FOR CHORAL SINGING. PUBLISHED IN A CHEAP FORM, IN VOCAL SCORE. 1 Barry, C. A. ...O Holy Night ... SSATB 6d 31 Griﬂiths, E. ...Solo_moii's Prayer (an Anthem) SATB 401 | 82 Macfarren,SirG.A.(Joseph No.23)See! Pharoah 13 Beale, W. ...Again the balmy zephyr (Round 32 (xuy. Henry ...I prithee send me back my heart ,, 4d * hath set Joseph Three Voices) SATB 6d. 147 Guzman, N. ...Blow, thou soft West WIDC3... SCTB “ Resurreution)H_vmiis; Late that ...Awake sweet music .. SSATB 4d 62 Hackman, L. Ye Franklyn SATB mom-nful eve was seen By the side of a grove ATFBB 6d 128 Hales. J. ...Syinpathy... ,, 4 _ _ ,( ,, )L1ves again om G101-ions ..How often from the steep SSAATTBB 197 Hatters1ey,F.K.’l‘hey that wait upon the Lord ,. d mg ...How soft the music ATTB (ml 270 1-iause ...It is not always .. ss ,, )0 Christian, cease to weep ...Scenes of Woe ,, 411 134 Heap, C. S. ...Who is Sylvia? ssrn ,,,D0xo]og'y ...I’1l enjoy the present time n 33 Hecht, E. ...At Night SATTB ...Remember not, Lord ...Lo! the pride of thevillageis dead SATTB 6d 34 _ ,, ...H11ul1ng Song ...The Lord sendeth ...Ode to the Memory of Samuel 55 rliggs, M. ...Queen of Fragrance .. ,, ' ‘ ...To Mary in Heaven Webbe .. ATTBB H4 213 H1ller,F. ...A song of Life ,, ‘ ...The Miller's Lassie... ...Oh! by yonder mossy seat .. ATTB 865 261 ...O weep for those .. 285 ,, ...Ye F1ow’ry Banks of Bonny Doon ...The humble tenant SATBB 4d ...Secret love (Stille liebe) SSA 107 Macfarren. W...Daybreak .. ...Th0u herald of the blushi_ng_nioi'i1 SATB Gd ...EXpectatioi1 (Ewartinlg) 17 279 Marzials, T. ...Eventide .. ...When Fanny blooming fair..._ ,, 4d ' ...Where may my__darling_be? (W0 168 Matthay, T. A Fairy’s Serenade . . . ,, ...Sing unto the Lord Canoii4 in 2 ,, 6d magmeiii s_chatzle sein P)... _ .. ., ' 1.58 Moir, F. L. .,,1v[e1~r_v March breeze __ Beethoven. L.v. Calm sea, andaprosperous voyage ,. 11- ...Th0u will: think of me «Du wirst‘ 177 ., ...Reading Abbey .. Benedict, Sir J. The Cherries are R1p¢._(Claudian) SSA 411 an mi denka) ,. 111. Moseley, C. ...Rondel .. Cherries are Ripe SATB 4:01 Who believes it ?(Wer‘.s glaubeii thut),, 112 ., ...Roseate Hues ,, ,, duet ... SA 4:1 .. Cuckoo song (Kukukslied) ,, 111 ,, .. Spring is coming Come to our Fairy ., Gd ...Partiiig song iScheidel1ed) 3 ., .. The First Flight ,, Welcome to our Prince SATB 4d 8 _ ,, ...Play on! (Spieletauf) . Netlierclift, J... , my dear maid 17 ,, H ' ,, ... ATTB 4nd Hine, G. ...Chi_ldren’s Goodiiigh 45 ...Tell me, tell me ... Bennett, G. J....Down in a green and shady bed ss 41d 91 ., ...Fair_ies... . ...’l‘he Ana-ler’s Glee ...Float gently Barcarolle SSA 4d 249 ,, ...O Birds that sing .. . _.,'1‘hou fatal 10ve ,_,See the Children ss 4d 139 Horsley, W. ...Blow light, thou Balniy Air 7 ,, ...Whither away ,. ,, ...They tell me love (Song of Love) SSA 4d 1 ,, ...Sweet is Evenings Oliphant's Ancient Ditties. An Aged Dame Berger, F. ...The Tritons .. sun 6d 101 Jackson, A. H. In the Cornﬁelds 4.8 1 w111n0g, my Beringer, O. ...The Post Horn TTBB 4d 104 ,, Lord Ullin s Daughter 1 My Lady had ,3, Bethune, C. ...E’en brings a’ Hame .. SATB 4d. 266 . ,, ‘ Siren’s Soiig To pitch our tons Bishop, Sir H. No Tocaran Campanas _sCi'i3 4d 155 ,, "l‘was when the seas ., ,, Ye sacred Muses Brahms, J. ...A March Night (Female Voices) 2d 100 Jarvis, S. ...When twilight dews -. -- Pari-att, W. ...Super ﬂumina Babylonis ...A saving health to us is brought 255 Kemp, Stephen 0 lady leave thy silken thread ‘ ' ‘ Peiiiiger, 0. ...Awake, the day is dawn:ng .. (Motett), Op. 29, No. 1 SATBB 6d 251 _ ,, Stars are with the voyager . 4. 96 ,, . mﬁomevvard from the col-“ﬁelds ...Ave Maria, Op. 12 .. ATTB 4d 108 Kjeriilf ...NO1‘Wegl:Ln Bridal Song .. ' ' V H "soon, too soon ,, . ,, , .. SSAA 4d 2 2 ,_, ...Serenade .. . . ,, ...Where the scarlet poppies ...Bai'cai'ole (Female Voices) 2d. 237 Khune, T. ...Volkslieder, Book 1 .. ~ ' 203 Philp, E. ...The Owl in the Ivy Bush ...Blessed are they that go mourning, 238 ,, ,, Book 2 .. 4d 97 Powell, W -R. .. My Ladie's eyes . . O . 45 ,. sun 6d 239 ,, ,, Book 3... 53 P)_‘en(1e];‘gﬁS‘l',_ A 0, Mistress mine ...How long wilt thou forget me SSA 6d. 240 ,, ,, Book43 .. _ .. ,, 51 Prescott, O. L. Our Conversation is in Heaven ...How lovelyis thy dwelling place... SATB 6d 259 Lambert, F. W. Oh. lull _iiie, cha,1‘n1111!! E111’. SSATB (Anthem) ...I€throughthe Olive Yard(Female Voices) 201 117 Lawson, S. ...Away with these self-loving lads SATB 50 ,, ...The righteous live for evermore ...Love Song ) 2d 28 ,, ...L)i1pid’s curse . .. .. ss 6 (Anthem) .. . sun Ad Miller’s Daughte ...The ballad of young John. dd C3 10% OOaL\'>€l!95‘\lIPL3 on an no it 97 97 H 77 ATBB id ., 4d ...Gaudeamus(Motett‘)‘ SATB ” ...Stabat Mater SAATB (()p_g,Eﬂag;)_,_ ...Questionings , .. ...Wilt thouuiikind SATB 89 ,, ...Magniﬁcat (F ﬂat) ...’l‘he Bridegroom 6 ,_, ...The Bride ( ,, Leslie, Hy. ...A Rose of the Garden 90 ,, _ ...Nunc Dimittis ( .. ...’l‘he Meadows at Wildbach( 45 ...Cherry Ripe . 121 Puzey, F. H. ...How amiable are thy dwellings 2 ...The ill/Iountains are Cold(( I ...Go1ge:i Sflumbers .. < 54 Read, J. F. H. Seregiade. The young Mn)’ moo 2 9 ,, The un .. ‘ ...Ur0 en ear is ea,1ni]1g- 12.7 Brouglitoii, J....'1‘he Better Land ' ...Kind Words_ 159 Redhead, A_ _,_1 know a, maiden 157 Bryant, R. ...Pysche ...Lullaby of Life 212 Reeve, P. ...The Vision ... 73 Cheshire, J. ...A Mother's Cradle Hymn ' ...O let ‘me play the Fool 55 Richards. 13, ,,,N0bod_y cares for the 151 Cleather, Nina Harvest ...Red Sun is Sinking 56 Rudall, H. A. ,__Da,y1),_-ea]; 103 Cooke. G. ...'1‘ic, Tic .. .. ,, ,, . . 91 Sangster, W. H.Aiiglican Chan * 153 Copeland ...(‘.arol . : ) ...Song of the Miniiesiiigers 92 ., , ' ._ 22 Coward, J. ...Airy fairy Lilian . ~ ...The Angel s.Visit 287 Santley, C. ...Ave Maria .. 42 ...Peaceful slumb’rii1g .. 2 ...The Rainbow 4 289 ,, ...Christus factus esk... ,, ,, ...We roam and rule the sea 262 Schloesser, A....The dawn of day . ,, . Summer morning . . 7 _ ,, ...Wilt) is the Angel . 157 Schubert, F. ...God in Nature, Op. 133 32 ,, ...The sun is bright Liebe. L. ...Chris1.mas Roses ' 21 ,, ...Spirit of Love 74 Cusins, W. G. ...Masonic Prayers 69 ,, ...Come, cliarni ot night ' ,, ...The Hamlet-, ,, 75 ,. .. Royal Wedding Chorale " ,, 1-Iynin of the Goths... cl 8 ,, ...’l‘he Nightingale I49 Davenport, F...Phillis is my only ...My home of yore Selby, B. L. ...A laughing song 152 ,, ,, ,, ...Pearl of the.Seasons 5 ,, ...Amaryllis 148 ,, ...Sweet day so cool . ...Song 0: Praise . .. 8 ,, ...M_a belle, si ton time 260 Dick, Uotsford Count-y.Guy .. .. ...The Heart s Rest Smart, 11. ...Pipe, red lipp’d autumn, pipe! 119 ,, Tears. idle tears _, , . ...The Soul s repose 1 ,, ...Softly come, thou evening gale 14.2 Distiii, ...Jack Horuer ' 3 _ ,, ...We two ,, ...The Curfew Ben 14,3 ” ,, ; ...... ... ‘ .. Liszt, F. ...Chorus of Reapers ,, Twilight. ,, (Tonic Sol-fa Edition) .. 3 ._ n .» 9y_ ' Soderman, A....Peasant Wedding March ...'l“wilight on the Lake s Lohr, H. ...A Border Raid Spotforth, R. ...L ape e la serpe ...Awa’, Whigs, awa’ .. 2d 2 ,, ...Aii April Shower 3 06 ,, ...Come, Clara, as the lily fair .. ...Duncan Grey ... . ,, ...When the Lord turned again Stanford, C. V. From me to thee glad Serenades ...Rantin’. Rovin’ Robin " (Psalm 126) n ii ...To Chloris ...Scots wha hae Lucas, C. Ah, fading Joy SSATB Stewart, Sir R. P. Night hurrying on ...'1‘heDe'il's awa' .. 29 ...Blessed be the Lord... ._.. sun 9 ,, eligiou ...Ye banks and braes .. Hail to the new-born Spring (Glee) ,, 6 Tait, A. Oh, what is the use of singing of love . ( .. ( 1 . V 52 ,. .. ...Now all the Roses E ...Sigh no more, ladies SSAA 88 P1-out, E_ ,,,M-agniﬁcat, and Nuuc Dimm-,1, ( , Kyrie... . ... 156 ,, ~ _ 185 Duvivier, A. D.Ave Maria . . ...Hosanua ,. 241 Engel, L. ...Our Loves . . ...O "God, the srength of all them . The Brook is purling 3 M 216 ,, ,, (Anthem)... . . Taubert, W. ...Cra.dle Song 200 Faning,Ea.ton Daybreak .. ,, ...O. Lord, open thou my lips 66 ,, ...Cradle Song (Ai'ra.i1god by J. G. 166 ,, ...Liberty... ..: .. ,, ...Sing. 0 Heavens . . . Callcott) 193 ,, ., (Tonic.Sol.fa) .._. ‘ Lutgen, H. J. ...Ave Veru_m .. .. ' Thomas, A. G-. ...Out of the deep (Psalm 130), 98 ,, ...Soiig ot the Vikings (Piaiioforte 51 ,, ...I-Ioly Saviour soprano 010 and Chorus Solo Accompaniment) . Macirone, C. A. Echoes . 95 Tuberville, W...Merrily Ho [26 ,, .. Song of the Vikings v. Piaiioiorte 17 ,, ...Ride a Cock Horse 288 Vicars, G. R. ...Children dear was it yesterday Duet Accompaiiinient) ,, ...The Avon to the Severn... 265 Visetti, A. ...Praise of Song 27 Flotow,F. voii... Serenade (with Clarinet and Harp 70 ., The Soldiei"s Dream 283 Ward, J. E. ...Rove not to the Rhine Accompaniment) . ,, 6d Mendelssohn ...0n.Mu_.sic’s wing ‘ 209 Watson, A. H. My Weather Glass t ...Rose and Lily Bell ss -id 87 ,, ...Parable of the Seasons 253 Weelkes ...Strike it up, Neighbour... ssn or TTB net, 4d - ...Spring-time (Chorus) ssc 601 4 ,, _ ...S1uniber Song ,, 267 ,, ...Alas! 0 Tarry 146 ,, ...Winter ,, Gd Macfarreii, Sir G. A. Blessed are they (St. John 268 ,, ...Ha, ha, ,, ” 256 Foster ...In the Forest . SA iiet Ital the Baptist) ssco 258 Wesley ...0mnia Vanitas SSATB 6d 281 ,, ...Welcome ...Evm_inanuel(Ant1iem_) TB 67 Westlake, F. ...Look all around thee(Spriiig Song) sun 4d 30 Gadsby, H ...Summer winds lie IS the Resurrectioii SOL-FA 179 _ ,. .. 0 Salutaris ... ,. 29 ,. ...The sea is calm .1. . ,, ,, _ .. SATB 109 White, M. V. ...Oh! Nannie .. .. ATTB 4d 28 ,, ...The So1dier’s Song (Male Voices) ...l.ike as a Father (David) . .. so 180 ' ,, ...Prayer _... sun 4d 290 German, J. E...'l‘he Chase . ...(Joseph'No.18) A voice was heard sun 110 _ ,, ...Stars are with the voyager ,, 4d 76 G11], J, ...S2l.V10u1‘, take me for thine own ...( ,, 29) O L)r_d, have mercy u 941 Wilbye, J. Draw on, sweet night ssunn -id 3 _— God save the Queen... ...( ,, 2) O praise our Lord ,, 68 Wolferst2in,E.P.Fair is my love (Male Voices) uvrn 44 3 ,, ...Sin;z, who Sings P rm; 6d 190 Ford, Eriies 99 vi 19 - 25 Gounod, Ch. ...Night andMorning... SA'1‘B2Li 81 ...( ,, 19) Lord of Diadems 13 STANLEY LUCAS, VWEBER 8: CO., 84. NEW BOND STREET, 85 325, OXFORD STREET, W.
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Title: Songs of the Ojibways:
Description
Date: 1902
Text: E Ebwyg @1170 fgﬂttgﬁ OLD SHOES & PARTING (WITH INDIAN AND ENGLISH woaos.) Translated fbomthe Musicai Indian. Play (‘gr ‘ igtawafba" AND HARMONIZED EREDERECEE K B5u1R<E©1NL ——-2)) Price 50¢ ((<--— NEW YORK THE WILLIAM MAXWELL MUSIC Co., 8 EAST I6“'."'ST MUSIC LIBRARY VASSAR CO.'_LZ~f‘ E Old Shoes. Songs of the Ojibways. ]’ransZatz'0n and acc0m;mm'ment by Frederick R. Burton. Muj —je muk -e -sin au — yaw —‘ yon, muj —je mukesin an- yaw - yon, muj-je...
Show moreE Ebwyg @1170 fgﬂttgﬁ OLD SHOES & PARTING (WITH INDIAN AND ENGLISH woaos.) Translated fbomthe Musicai Indian. Play (‘gr ‘ igtawafba" AND HARMONIZED EREDERECEE K B5u1R<E©1NL ——-2)) Price 50¢ ((<--— NEW YORK THE WILLIAM MAXWELL MUSIC Co., 8 EAST I6“'."'ST MUSIC LIBRARY VASSAR CO.'_LZ~f‘ E Old Shoes. Songs of the Ojibways. ]’ransZatz'0n and acc0m;mm'ment by Frederick R. Burton. Muj —je muk -e -sin au — yaw —‘ yon, muj —je mukesin an- yaw - yon, muj-je mukesin au — yaw -yon, muj -je mukesin au yaw - yon. VT)’ Worn out shoes I am a Wear — ing, worn out shoes I am a wear _ing, Worn out shoes I am a Wear- ing, worn out shoesI am a Wear—ing. 1' 1' T T 3 Copyright 190% Hiawatha Drama Co. International Cop;/riglyzt. Parting Song. 7’7'cmslatz'0n and accampam'7/zwzt by Frederick R. Burton. mf Um -bay - ge-way — dohl, -bay - ge-way - dohl, che - way - be -dah — bum, um - bay — ge—way - dohl. V T 7 Let us go home, ’tis near the break 0 the_ day, we should be seen, what would the people say! 1' 1’ 4 Copyright. 1902 by Hiawatha Drama Co. International 6'0171/7"'é'k‘- HIAWATHA: A DRAMATIC CANTATA FOR MIXED CHORUS, SOLI AND ORCHESTRA, BY FREDERICK R. BURTON. This work, designed for Concert use, requires a little more than two hours for performance. Vocal Score, piano accompaniment, - $1.50 Onaway, Awake, Beloved, - - - .50 Air for Tenor or Soprano, from “ Hiawatha." HIAWATHA. the Musical Indian Play: SELECTIONS OF ABORIGINAL OJIBWAY MELODIES HARMONIZED AND THE WORDS TRANSLATED BY FREDERICK R. BURTON. My Bark Canoe, - - - A Song of Absence and Longing, The Lake Sheen, - Old Shoes } Parting Song, ﬂiawatha’s Death Song, - My Bark Canoe, (octavo, mixed voices.) - A Song of Absence and Longing, (oct. mixed voices, J0 WILLIAM MAXWELL MUSIC COMPANY. 8 East Sixteenth Street. New York.
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Title: Dreams of the Summer Night
Date: 1908
Text: MU5!C UBRAHY VASSAR COLLEGE I-ouc.m«a:I-sue. NEW V0“ SONGS‘ C. B. HAWLEY Hearfs Desire Dreams of the Summer Night High Voice 5 Low Voice THE JOHN CHURCH COMPANY ' Cincinnati New York Chicago Leipsic London [[7375 V01.“ Low. Vbice (original Key) Dreams of the Summer Night LONGFELLOW T C. B. HAWLEY Allegretto nw Stars_._ of the Sum - mer Far___ in yon az - ure deep, Hide, hide your go1d- en Copyright MCMVIII by The John Church Company 15929- 4 International Copyright the Sum — mer Far__...
Show moreMU5!C UBRAHY VASSAR COLLEGE I-ouc.m«a:I-sue. NEW V0“ SONGS‘ C. B. HAWLEY Hearfs Desire Dreams of the Summer Night High Voice 5 Low Voice THE JOHN CHURCH COMPANY ' Cincinnati New York Chicago Leipsic London [[7375 V01.“ Low. Vbice (original Key) Dreams of the Summer Night LONGFELLOW T C. B. HAWLEY Allegretto nw Stars_._ of the Sum - mer Far___ in yon az - ure deep, Hide, hide your go1d- en Copyright MCMVIII by The John Church Company 15929- 4 International Copyright the Sum — mer Far__ down your west - ern steeps, Sink, sink in gold-en 15929-4 Dreams of the Sum -mer night, _______ Tell__ her, her lov-er keeps in slum'—ber’s light s1eeps,_ my la - dy She V
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Title: Psalm of Life, A, A Psalm of Life
Date: 1895
Text: MUSIC uamnv VASSAR COLLEGE Poucnuzs.-sue. new vonu Sung b2 Muss CLARA BUTT. LII ME \ ,/4: THE WORDS BY LONGFELLOW Wgemusic I02 FREDERIC H.C0wEN. :._m_, ‘ * - I .3‘ K ' ' ,3 57“-1,’; 335V 5%‘ 2/‘ I "'I‘G1‘~‘5vI:1‘§4’RMONIUM ACCOMPANIMENT (AD LIB.) pmcg eryuer B O O s EY & C9. 295. REGENT «3T‘I3DIE1ET. l.oND0N.W, 9, EAST SEVENTEENTH STREET, NEW YORK. THIS SONG MAY BE. SUNG IN PUBLIC WITHOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANYPARODIED VERSlON,HOWEVER,IS STRICTLY...
Show moreMUSIC uamnv VASSAR COLLEGE Poucnuzs.-sue. new vonu Sung b2 Muss CLARA BUTT. LII ME \ ,/4: THE WORDS BY LONGFELLOW Wgemusic I02 FREDERIC H.C0wEN. :._m_, ‘ * - I .3‘ K ' ' ,3 57“-1,’; 335V 5%‘ 2/‘ I "'I‘G1‘~‘5vI:1‘§4’RMONIUM ACCOMPANIMENT (AD LIB.) pmcg eryuer B O O s EY & C9. 295. REGENT «3T‘I3DIE1ET. l.oND0N.W, 9, EAST SEVENTEENTH STREET, NEW YORK. THIS SONG MAY BE. SUNG IN PUBLIC WITHOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANYPARODIED VERSlON,HOWEVER,IS STRICTLY PROHIBITED. Cogbyr/‘g/7/_‘, /895, £34 Boosey 3: C‘? A PSALM OF LIFE. Words by . Music by LONGFELLOW. ‘ FREDERIC H. COWEN. Not too slow. 1? Tell me not, in’ m0urn_fu1num_bers, "Life is but an emp _ ty dre2Lm!”For thesoul is dead t11ats1uIri-bers, f And thingsare not what they seem. Life is real! Life is ea,r-11est! And the grave {"""‘S Copyright 1895 by Boosey‘8< C‘? I, . not its goal; “Dust thou art, to .dust re.turn_ est’,’ Was not spoken of the soul. KIN 19 Not enzjoyment and not s0r_row, Is our des_ tined end or Way; But to act, that each to mor- row Find us far- ther thzm to day.. Art is 1ong,‘and Time is f1eet-ing, And our hearts, tho’ stout and brave, A Psalm of life (H. L2s'_o:) 1) 12060 stemfomdo Still, like muffled drums,are beat- ing Fun _ er- a1 mar- ches to the grave. 01‘ 14’ colla voce ture, how _ e’er pleas _ ant! the dead bu - ry its dead! . . . . . in the liv- ing Pres _ ent! o’er_ head! _ A Psalm of life. in the liv _ ing Pres _ ent! Heart with _ in, and God o’er A A A A A A A A A A A A A f can make our . . . sub. lime, us Foot - prints on the sands of time; . ‘fab. The Psalm of life. cresc. 12000 Foot - pn'nts,that per- haps an - 0 _ ther, ‘ ing o’er I 1ife’s so - lemn 3 3 . 3 3 "2/' A for _ Iorn ' and ship - wreck’d bro - ‘cheer. 3 ‘ .9 3 3 pooo rite dim. T See - ing, sha11 take heart a - gain. poco mil. a tempb With a heart The Psalm of life. V ._ <H~128°3 Still a _ chiev _ ing, ' . . pur - su - ing, be up and do _ ing‘, f manato aheart for ' . . la _b0ur, pa/go mi‘. /5 A 1a_b0ur and to Wait. (’*'Th1's chord to be played when A Psalm of life. the low notes are sung.) BOOSEY 8: C0.’S New and Standard Songs and Ballads. The Compass of the first PRICE TYYO sx-IILLINGS EACH NET. Key only is given: from this the Compass of the other Keys can be readily found. STEPHEN ADAMS Rosiss, AV, By. C, DP .. il.‘rIonA, D,Et’,F,G .. -- NIIIVANA, BD, 0, D_, ED .. Trix: Hom CITY, AI), BI), C, D 1\[oNA, C,D,EI7,E,F.. .. STAN or BE-rIII.EIIEII, E17,-F,Gr,AI7 TIIEI ALL LOVE JACK, D, E . F. . THE MIDsIIII>IIITE. BI7, C, D . . NANCY Lime, 0, D, E17 .. FRANCES ALLITSEN ‘1‘IIEIuI:’s A LAND,‘ D, E7, F, G. . BHIIAXK, DI-IINEII LIGHT. Duet, ED and F . . Lon» Is In LIGHT, 137,0, EI7 . . A Sum: or '1‘HANI(soIvINa, 0, ED, F, G . . AUGUSTUS BARRATT My SHIPS,C,D .. .. .. ROBERT BATTEN APRIL Mom, 33?, C, D . . . . PEACE AND REST, A9, By, C, Db A. H. BEHREND THE GIFT, C, ED, F .. DAIm':, F, G, AD . FREDK. BEVAN FLIGHT or Auius, G, A17, Bl‘, G J. BLUMENTHAL SUNSHINE AND RAIN, F, G. A .. A. HERBERT BREWER 'i.'IIE FAIRY PIPEIIS, F,G,A,B7,C . .. .G. FERIIY, Anny, D. E0, F, G . . FAIRIES IIAVE NEVER A PENNV.C,E[7 C. WAKEFIELD OADMAN Fuonz VVIGWAII AND '['EI=EI«: (5/-) . . AT DA\vNINo, E, Cr7..AD, A .2 I HEARA 'I‘mwsII AT EVE, E,‘7,F,AI7 Farm THE LAND or THE SICPBLUE WATEII, G7, G, BV LEWIS CAREY V BNEAK, B111-IAK, mu«:AI(! F, G, B? Goo Is our REFUGE, D, F .. NIEABEB, MY Goo, '1‘O '.l‘IIEII, A57 .. ERIC COATES A DINJH.-ill COUIITSHIP, BI). C, D STomr.cnAcIIEII Joim, D, E!) .. Form OLD ENoLI>.'II SONGS (4/-) . . S. COLER I DGE-TAYLOR Bio LADY MooN, D9, Ep, F FIVE FAIRY BALLAI>s (5/6) . . F. H. COWEN Boicmsn BALLAD, A, B, D .. THE SwALLows, I", G, A , . . Pnomsn oE'LIIrE, C, D, ED, F . . Tm: BIE'l"l‘En LAND, AP, A, C . . C. ALISON-CROMPTON AUTIIIIN, C,'Dy, E7, .. MALCOLM DAVIDSON. RAIN on THE D0\\‘N, D . . .. A LAM-r AND A FAIRY BOAT, E . . TEE BARGAIN, D . . . . . E. T. DAVIES. THE SCARECEO\V, G, A . . J. AIRLIE DIX THE TRUMYE'l‘ER, F, G, A, G. . FRANCIS DOREL GARDEN or YOUR HEAR'F, F. A17. Bl? WI-IEN MY Sums, F, G, A17, BI) E DWA R D E LG-A R IN THE DAWN. 0, E0, E _ . LANDOF Home & GLORY, BI7, C, D THE PIPES or PAN, G, A,B .. WHERE CORALS LII:,(No. 1) D & B min., dz (No. 2) F dc D m'm.l IN HAVEN, C, ED .. SABIIATII MORNING AT SEA, BI), C A. SCOTT GATTY RoTIIEsAI' BAY .. .. .. PLANTATION SoNos, Vols. 1, 2, 3 dz 4 (Six Songs ineech), 3I- ea. EDWARD GERMAN Groiuous DEVON, C, D, F .. Lona, THE PEDLAR, C, D, Ez7,F A. M. GOODHART A FAIR‘: WENT A-MARKETING, F, G, DOUGLAS GRANT As WE Go Home TOGETIIEII, ] El? F. G.‘ I I OLD BARTY ., LITTLE FRENCH BABY, D Du to FD to a» Iago-é'5’o0f3P> 3 8g5’8’€>'g; U UUUEgMn—;U AtoEI) At.oC£ B0 toF B7 to B0 B9 to Eb 'B‘vtoC (HOD BQIOD AtoD B9 to C 1) to E G 1:01) HI'gh&I0\V B to D _ B0 to E|7 DI7 to DD AD to E9 Ato ED CI:oF B0 to D ‘A to D I [.ow.,uIed. I and high 1 Al) to El) Low as High CtoE CtoF AI:oO ADCOEI7 At.oE BI) toD .CImE{ Compass oil 153 '3 Sun: by‘ Mr. John Harrison Mr. Ivor Foster Mr.John lllc Cormack Mr. Edward Lloyd Mr. Edward Lloyd Illr. Edward Lloyd All Baritones All Baritones All Baritone: Mdme. Clara Butt Mdme. Clara Butt rt Mr. K. Rumfurd Mame. Clara Butt llldme. Clara Butt Mdme. Clara Butt Miss Evan. Florence: Mame. Clara Butt Con trultos Contraltos All voices .-"llama. Ada Crossley Mame. Clara But: Miss Flora ‘Voodman Mame. Clara Bull Mr. Frank Jlullings .'Ilr..foh-n Me Cormack .111: John Jlccormaclr Mr.Joh1t J1cC’o: mack Mame. Clara Butt llllss Pltyllas Lett Illdme. Ada Crossley Mr. Harry Dearth ‘Mr. H«:,rr_I/ Dearth Miss Carrie Tubb (I? Miss Flora IV.>odmrm Miss Phyllis Lett Mr. Ivor Foster Miss E-uavn. Florencr Illdme. Clara Butt llldwe. Clara Burt Miss Carrie Trzbb, Mr. Gervasc Elmo.» (U Miss A .I)¢'snI-mti Mr, Herbert Heyner Miss Flora .'l’uo¢l.-.Iun Miss I1[z’_r_zaIL1v'-Aster Mr. Ivor Foxter Rlr. Topliss Green All Voices Mr. John Caates Mdmo. Clara Butt Mr. Ivor Foster Mdme. Clara Butt Mame. Clara Butt Mame. Clara Butt I Mr. Ivor Foster Mdrne. Ada Crossley Baritone Solos with Chorus Mdme. Clara Butt Mr. Harry Dearth Mr. Harry Dearth LC‘ A. E. GRIMSHAW TIIE SONGS MY MOTHER BANG, D, F BATTISON HAVNES On To PHILADELPHIA, C, D K. HERON-MAXWELL. KEEP oN HoI’IN’, C,E;’, F MICHAEL HEAD THE SEA GIPSY, C and E (minor, SHIPS or ARCADY, Bp . . BARBARA HOPE. A LITTLE CooN’s PRAYER, G. AV. BI? DOROTHY HOWELL. Two Fuoos, A .. HERBERT HUGHES I KNOW III LovE, E9, F .. IIIIsI-I COUNTRY SONGS, 2 Vols. (G/~ each) LIZA LEHMANN IFIDUILTAVVORIID FOE I'ot!,C,E;7,FI 'l‘IIE Cocxoo, C, D .. . .l LAURA G. LEMON MY AIN FOLK. D7, E9, F, G FRANCO LEON! LEAVES & THE WIND, C. E7, F, G S. LIDDLE ABIDK WITH Inc, C, I)9,EI7,E, F A FAIIEWELL, G, A7. B,’’, C, D? How LovEr.\' Aim Tm‘ D\vELLINos, I C, Dr, EM A. LIDGEY. CIIEEIIT PIIILosoI>IIEn. F, G, All D. MACMURROUCIH MAcusIILA, F, A9, B0 .. . J. MARGETSON Tomxn’ LAL, C, D, E,” . . CHARLES MARSHALL I SING I\G, E.p,F, G} JOHN w. METCALF I ABSENT. E{7,F.G.A.‘ BI? FRANK L MOIR ONLY ONCE. Mona, Ll. ..7. . L. MOLLOY , , Tm; CANNIVAL, B0. 0. D37, ED I.o\'E’s oI.D S\'v'EI)’I' Semi, ED.F. G G O'CONNOR MORRIS ALLELUIA, D, E? F, .. ALICIA A. NFEDHAM HUSHFJZ‘-. B7. C, D .. .. FAIIII"s LU'IIL‘.B1', ED, F, G, Ab IVOR NOVELLO LITTLE DA.\IozF.L. D, EI7, F, G. . HERBERT OLIVER SONGS or A VIvANI>II1:II'.«.- (4/-) { F,G C. PINSUTI Tziic LAST WATCH. D, F, G . . PRINCE PONIATOWSKI }<'EoIIAN’e WEDDING, G. A, B? ROGER QUILTER FAIR Hoosm or Joy", Av.B:7,DI7 To DAI.~:IE.~, Bl), D7 . ., I LovE’s PHILOSOPHY, C, D, F . . THREE SIIAIIESTEANE SONGS. 3 I To JULIA (Six Lyrics) (5/6) SEVEN ELIZABETI-IAN Lvmcs (5/6) SONGE or Soimow (3/ Nowsmmrs THE Cnnisox FETAL, D, E0, F, G7 ..j JUNE, D. F KENNEDY RUSSELL Home IN THE FENCE, F, G, AV, As YQU use BY, B0, 0. D, EV .. Fon EVERY DAY, C, D, ED, F .. J. SARJEANT WAToImANI WHAT 014' Tim NIGHT? Duet, Tenor It Baritone, F :54: G BLow, IaI.ow, B, C, D .. WILFRID SANDERSON DREAM or PLYMOUTH HOE, D. EI7. F HANLEQUIN, A, B, 0 mi. . .. BE STILL, BLACIIDIIID, BI), C, D HoIIELANI> HILLS, C, DEAN LITTI.E TowN, F, G .- ,Ap:I Mr Top liss Green Compass 01 K 15$ ev. A to E GtmD CtoD CIsoE BD to El’ DtoE Cto B9 to Eb CI:oC CtoF I .. A? to D1‘) GtoC GtoE Dt-oD CtoF AtoD CtoEp AtoD DREAAI THAT I HEAR YoI'IBI7'to ED 1 HEAR ‘IOU CALLINI. G, A7. B7, C‘ D to E l1I1"~J0’17hV0C07'mHvl< Tun Pm... amw, D. Er. F, G? Ate D1: Inlisx ."hyiii- Lew WHENSH.kDi)‘\'S oATIIER.B9,G,D,EI B3‘ to E3‘ I317*-/"’mM6C0I'?""1Ck BV E00 G C C to to to DDWN THE VALE. C, ."‘,’*. E.‘.l“,G1 A to 0 B0 to 111,‘: At.oE Low and high voines D_to E C to D lllr. Santley C to E9 ‘ C to F AtoE Low, med. and hugii Low 6: high‘ Mr. G21'1'(lS¢ Elw/:5 Ditto. 1 Mr. Gerrase Elwe: Ditto: B to D B to D Miss Astra Demzand D to F BDIOD CtoD F1; toD AtoE At-0E G E F ‘ Mdme. Clara Butt , Sung by Hill Sopranos and I Contraltos Mr. Plilnket Greene All Voices Mr. A. Jordan Fllisa Astra Desmond I Miss Megan Foster Miss Margaret Cooper Mdme. Clara Butt Illiu Louine Dale Miss Louiae Dale Md-me. Clara Butt Mdme. Clara Butt Mr.Jahn .-Ilccormack Misc Carrie Tabb Mr. Harry Dearth I‘>1r.John II[c(.‘o:7aac/c Mr. Harry Dearlh Mr. Herbert Cave I ;M.—. J. MI:(‘arnw.ck ; .117‘. I!‘-'-I‘ FonI.¢.r All Voi- ex- All TI’)!-)'I'8 Mr. II,-or Foster Mame. Clara Butt Miss Phyllis Let! Jldrne. I_,‘I«vr/1, Burt Miss Louie-.' Pale Min Evan. Florence M-lax Carrie Tabb Mr. Edward Lloyd Mr. Arthur Jordan I 1I1r.Frartk II!1Illz‘ng.: I Mr. Arthur Jordan I lI1'r.FranIcMull1'.n_qs IM1‘. Arthur Jordan I Mr. John Coats: Illliss Phyllia Lett jMdmc. A. Grantley land Mr. P. Greene Miss Megan Foster Mr. Herbert Cave Miss Phyllis Lett Mr. Ben Davies It M1-.RoI:ert Itmt/"on! Mr. Robert Radford ‘Mr. Ivor Foster , Mr. Horace Stevens Miss Carrie Tabb Mr. Ivor Foster wnrmn snnnznson (C¢mld.) TIIE STAIIS HAVE Ems, } G, AD, Bl? 0 AN ANCIENT MARINEI1, BU, C . . WEDDING IN JUNE, F, G . C no F DON'T HURRY, D, E7, F .. B to Ft EASTER FLowIms__, A9, B0, DD . . B9 to Eb BREAK 0’ DAY, B9, 0, D ' . . C to F THE GLoIu' OF THE SEA, BI7, C,D F to E9 ONE MORNING vmmz EARLY, ’ F, G} B17 to E17 151; Rev C to E F to D CAPTAIN MAC, C, D .. .. G to E FRIEND 0’ MINE, F,G, A0, B), C By go 0 HILLE or DONEGAL, A, BI7, C. . A (,0 E UP mom SOMERSET, 37, C, D. A9 to C SPRING'S AWAKENING, _ _ B W F, o,An.A, B7] W0- Szm-MATES o’ MINE, F, G, A .. G 3,0 D BEYOND THE DAWN, B|7,C, Dp,E VALLEII or LAUGHTER, E17,F,G MY DEAR soI7L, A9, BI7. C UNTIL, D7,E[7.,F.G .. .. DRAKE GOES WEST, C, D, F . . THE VOYACERS, Duet, E57, F, G A CoNNIsII HAUL (5 songs) 5/6 . . COMPANY SERGEANT-MAJOR, 1 BI7,C. D I NIGHTINGALE or JUNE, D, E7, E DEVONSEIRE CREAM AND CIDER 0. D. ED} VVITEEII THE GREAT SIIII>s mm: } AI7, A, 130 THE LITTLE BROWN Own, C,D,E:! BREVILLE SMITH. RIDING THROUGH THE NIGIIT, D ARTHUR SOWIERVELL Sums from Tennyson’: “Maud "(7/-) W H. SQUIRE TIIE Din-:A.\I CAN ‘l'.‘, F, G, AD, B‘ W1!EN YOL com. ..mIIs, D,l‘2? F, G A W D IN AN OLD FASHIONED '.I.‘owN, A t D C, T). 157, F, G} , ° THE WATc_II:IA>:, C. D. I?" __ G to D IT 1 MIuuT Com; TC ‘ ‘ ' I C t C F. G, A.~,1>»:,c»' ° SEImE.\N'r or Tm-: LI.\'I‘., F, G, A A I40 C‘ MO1‘N IAIN L0\'L‘JI8. B9, C, E?,'l5‘ B9 50 J) Ixryuu wizmsIIEIuc,B;?,C,D:',R?.F Bl’ W U My PRAYHII. C, D, .l’.{‘, F. (1, A to C C. V. STANFORD DIIAIII~'.'s Dnum, O and D minor . Sorvos UF'I'!1E SEA ('4/-) . . . .. FAT':<I}~‘.R O’FI.I'NN. A7,BI7,C . .' All I0 E? T. W. STEPHENSON SEIYS THAT PAS> I.\ THE NILJ-I1‘ I Do, Eh I " B[7toEp GLOD BL‘ toD CIDG G to D Al) to Rt‘ B to E AtoE Cto D BL‘ toD D7 to D7 DEEP IN MY HEART, F, All’. By . ., C 30 D 139, F, G D to E‘: ARTHUR SULLIVAN oaT Cuoim, EI7,F, G,Ap. MY DEAREST HEART, F, G, A0, LET ME DIIEAII AGAIN, C, D, HOPE TEMPLE l I I I I I I1-‘ I CAN LIVE A 1,13, to Ev )3 to F E E THOUO11'I'S«.I£ TEAIKS, C,D0,El7, IN swEET I1IcI-TI~:MIIEII, .13. E7. G. V? C o E C12 to E My LAI>I’rs Bowme, AD to D AN oI.D GAEDEN, B to E E7, F, G, AD, B JQAN TREVALSA My TREASURE, F, G, A H. THOTERE MY OLD SIIAIIO, BI7, C, ED . . TI-In DEATIILEEE Ammz, A, 1317, DI FRED E w:ArH:nLv(m‘r-by)I DANNY BM‘, 0, D,EI7, A to}? MAUDE v. wan: , KINo CIIANI.Es. F,G .. ..I To MARI, F, G;A1), BI? ..1 R. V. WILLIAMS LINDEN LEA, F, G, A .. HAVDN WOOD BIRD or Low; DIVINE, AtoD Bl? RID Abel) CtoC CboD. CIIUD THE SEA ROAD, By, C, D .. A. WOODFORDE-FINDEN Foua INDIAN LovELvnIcs(4/-) } ON JIIELUM RIVER 6 SoNas FROM “JnE1.Im B0 !‘.oD Ditto. Ditto. Ditto. Ditto. (5/6; I ”(5[6) 5 LITTLE JAI=ANEsE SoNos(4/-) . .‘ A LOVER IN DALIAacos (5[-) . . TEE PAooDA or FLow1ms (7/6) . . O ELowEx or ALL THE womm, C t F c, DD, F} ° ‘ KAEIIIIIEI SoNo, B0, C, D . . TILLIWAIIE, EI7,F .. CIIDEV Compass of En, F, G. AI7l' 39 °° El’ Sung by I 1'17‘. Ivor Foster llllr. Harry Dearth I Jlliss Flora Il’uozl:nau, Miss Flora Woodman I|1r. Ivor Foster Miss Currie Tabb Miss Phyllis Lett Miss Flora Woodman Jllr. Harry Dearth Mr. Norman IVilliarns I/Iliss Lucy Nuttall 1 Miss Phyllis Lelt Mr. It-or Foster Illlirs Felice Lynn «I? lﬂlis.-I I". IVoo¢lmmI Mr,Normanlﬁlliamn Jliss Lucy Nutmll Illiss Carrie Tuba Mdme. Clara Ball‘ All Voices Mr. Ivor Foster Baritoms Ill)‘. Harry ,Dea.rtlz I Miss Carrie T‘lll}l/ E Jlr. Ivor Foster I Dliss P/W222. Lea l Miss 1"lm'a II'o0IlmaI: 1.7911‘. 7lm'1'y Dearth . I 1 Mr 1’lunI:r.' Greene llllas Lily Fatrney llliss l.ucg/ Nutzull Mr. [nor Faster Mr.NormanII’illiams Mr Ivar Foster" III)‘. Harry Dearth )I1r.Jo.’m ill.-(7armar.i: llliss Lily I ir-nay ‘Mama. 1: Run 1.0 Miss 1»n,.,!z.'..- 1,.~.-. All Barilorzcs Illr. l-’lurIkL't Greene Mr. .'~‘antIr,y llldme. Clara Bull Ellis: Lucy NIIII/Ill If" Bliss Pin/llir L»:-‘ Miss I’/ryllis I.z'tt .i' :‘|Iz'sv Lucy N-utr..n-’.i II1i.~s Lmgl Nutlalz’ , Illdme. Clara Butt Soprano: Mr. Ben Davies CO1ll7‘{ll(0.l, Mezzos (lontraltas, Mezzos Crmtralros, Ilfezzus lllllme. Clara. But! Mr. Charles Knowles All Itaiitnlnrs Miss Lucy Nuttall Mr. I’l:ml:ct Greene Mr. Ben Davie: Mr. John Coates Mus Felice Lyne Mr. Harry Dearth ' Low and thigh voices Bl) to D Mr. Ivar Fosler BOOSEY & C0,, 295, Regent Street, London, Music Publishers & Band Instrument Manufacturers. ,' Cllhe above Songs may be sung in public without fee or license. The public performance of any parodied versions, however. Is strictly prohibited.
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Title: King Robert of Sicily
Date: 1906
Text: . u,._-.1,“ ' H 1 J ‘ »' . “.g‘L_ ' W _,W ;-_:pnnx->..~..\!m2r_'.v.31rlV\A~-:- » ~ : ....,,..,,;.;...1:1~*"* *-"’ R OSSE TTER G. COLE OP. 22 king ikuhzrt of éitily For Recz'ta2‘z'o72” and Pimzoforte ‘ (or Pzkmoforte wit!) Organ) or Orcbeytm 3?? Poem from Longfellow’: “ Tale: qfa Way:1'de Inn” $$$$$3$? New York : G. Scbirmer R OSSE TTER G. COLE QR22 33$???$$33$??3$3$$$$$$?3$$$$$33$3-’€$$$$€33$$$$$ Sking 3Rnhtrt of éttily For Recz'tatz°07z...
Show more. u,._-.1,“ ' H 1 J ‘ »' . “.g‘L_ ' W _,W ;-_:pnnx->..~..\!m2r_'.v.31rlV\A~-:- » ~ : ....,,..,,;.;...1:1~*"* *-"’ R OSSE TTER G. COLE OP. 22 king ikuhzrt of éitily For Recz'ta2‘z'o72” and Pimzoforte ‘ (or Pzkmoforte wit!) Organ) or Orcbeytm 3?? Poem from Longfellow’: “ Tale: qfa Way:1'de Inn” $$$$$3$? New York : G. Scbirmer R OSSE TTER G. COLE QR22 33$???$$33$??3$3$$$$$$?3$$$$$33$3-’€$$$$€33$$$$$ Sking 3Rnhtrt of éttily For Recz'tatz°07z and Pzkmofarte (or Pzkmoforte wit!) Organ) or Orcbeytm 3?? Poemfrom Longﬂ//ow’: “ ‘Ta/ex ofa Wayszﬂe Inn” $$$$33$$$€$$3?$$$$?$$$$$$3$$$$$$$3¢33$$$$$$”-3?? % New rm .- G. Scéirmer PREFATORY NOTE In order t/zat t/ze unity cf t/ze musical and poetic t/zoug/zt may ée more per- fefily éroug/It out in t/2e interpretation, it is necessary t/zat certain mo- ments in t/ze muic and t/ze poetic text s/zould exactly coincide. W /zere t/zis is essential, t/ze éar—line ( | ) /zas aeen used to indicate it, as on page 8 mea- sure 9, page 9 measures 4. and I2, and elsew/zere. ‘T/ze oeginning and end ofeac/2 stanza, or smaller t/zoug/zt—group, are indicated éy t/ze position of t/ze words over t/zeir respective musical measures; t/zis s/zould oe oéserved, and wit/z due reyQ‘rence to t/ze indicated tempo of t/ze music. PI/it/zin 2‘/Iese larger groupings, /zowever, muc/z freedom of r/zetorical utterance is possiole wit/zout disturoing t/ze unity. T/ze r/zetorical pauses, at times, will necessarily ée somew/zat longer t/zan rw/zen t/ze poem is read -éy itself, t/ze music acting as interpreter rw/zen t/ze reader is silent. I W /zen not/z organ and piano are availaéle, t/ze ejreétiveness oft/ze music can ée greatly en/zanced oy playing some parts (as indicated in t/ze score) on t/ze organ. In a few places t/ze organ can éejudiciously used, wit/2 t/ze piano, to add orc/zestral coloring. R. G. C. KING ROBERT OF SICILY OBERT of Sicily, brother of Pope Urbane And Valrnond, Emperor of Allemaine, Apparelled in magniﬁcent attire, With retinue of many a knight and squire, On St. John’s eve, at Vespers, proudly sat And heard the priests chant the Magniﬁcat. And as he listened, o'er and o’er again Repeated, like a burden or refrain, He caught the words, “Deposuit potentes De sede, et exaltavit humiles.” And slowly lifting up his kingly head, He to a learned clerk beside him said, “What mean these words?” The clerk made answer meet, “He has put down the mighty from their seat, And has exalted them of low degree.” Thereat King Robert muttered scornfully, “’Tis well that such seditious words are sung Only by priests and in the Latin tongue; For unto priests and people be it known, There is no power can push me from my throne!” And leaning back, he yawned and fell asleep, Lulled by the chant monotonous and deep. When he awoke, it was already night; The church was empty, and there was no light, Save where the lamps, that glimmered few and faint, Lighted a little space before some saint. He started from his seat and gazed around, But saw no living thing and heard no sound. He groped towards the door, but it was locked; He cried aloud, and listened, and then knocked, And uttered awful threatenings and complaints, And imprecations upon men and saints. The sounds reechoed from the roof and walls As if dead priests were laughing in their stalls. At length the sexton, hearing from without The tumult of the knocking and the shout, And thinking thieves were in the house of prayer, Came with his lantern, asking, “Who is there?” Half choked with rage, King Robert ﬁercely said, q“Open: ’tis I, the King! Art thou afraid?” 18902. l: V ] The frightened sexton, muttering, with a curse, “This is some drunken Vagabond, or worse 1” Turned the great key and ﬂung the portal wide; A man rushed by him at a single stride, Haggard, half—naked, without hat or cloak, Who neither turned, nor looked at him, nor spoke, But leaped into the blackness of the night, And vanished like a spectre from his sight. Robert of Sicily, brother of Pope Urbane And Valmond, Emperor of Allemaine, Despoiled of his magniﬁcent attire, Bareheaded, breathless, and besprent with mire, With sense of wrong and outrage desperate, Strode on and thundered at the palace gate; Rushed through the courtyard, thrusting in his rage To right and left each seneschal and page, And hurried up the broad and sounding stair, His white face ghastly in the torches’ glare. From hall to hall he passed with breathless speed; Voices and cries he heard, but did not heed, Until at last he reached the banquet—roorn, Blazing with light, and breathing with perfume. There on the dais sat another king, Wearing his robes, his crown, his signet-ring, King Robert's selfin features, form and height, But all transﬁgured with angelic light! It was an Angel; and his presence there With a divine eﬂfulgence ﬁlled the air, An exaltation, piercing the disguise, Though none the hidden Angel recognize. A moment speechless, motionless, amazed, The throneless monarch on the Angel gazed, Who met his look of anger and surprise With the divine compassion of his eyes; Then said, “Who art thou? and why com’st thou here?” To which King Robert answered, with a sneer, “I am the King, and come to claim my own From an impostor, who usurps my throne!” And suddenly, at these audacious words, Up sprang the angry guests, and drew their swords; The Angel answered, with unruﬂled brow, “Nay, not the King, but the King’s Jester, thou 18902 |: Vi J Henceforth shalt wear the bells and scalloped cape, And for thy counsellor shalt lead an ape; Thou shalt obey my servants when they call, And wait upon my henchmen in the hall!” Deaf to King Robert’s threats and cries and prayers, They thrust him from the hall and down the stairs; A group of tittering pages ran before, And as they opened wide the folding—door, His heart failed, for he heard, with strange alarms, The boisterous laughter of the men—at-arms, And all the Vaulted chamber roar and ring With the mock plaudits of “ Long live the King!” Next morning, waking with the day’s ﬁrst beam, He said within himself, “It was a dream!” But the straw rustled as he turned his head, There were the cap and bells beside his bed, Around him rose the bare, discolored walls, Close by, the steeds were champing in their stalls, And in the corner, a revolting shape, Shivering and chattering sat the wretched ape. It was no dream; the world he loved so much Had turned to dust and ashes at his touch! Days came and went; and now returned again To Sicily the old Saturnian reign; Under the Angels governance benign The happy island danced with corn and wine, And deep within the mountain’s burning breast Enceladus, the giant, was at rest. Meanwhile King Robert yielded to his fate, Sullen and silent and disconsolate. Dressed in the motley garb thatjesters wear, With look bewildered and a vacant stare, Close shaven above the ears, as monks are shorn, By courtiers mocked, by pages laughed to scorn, His only friend, the ape, his only food What others left,——he still was unsubdued. And when the Angel met him on his way, And half in earnest, halfin jest, would say, Sternly, though tenderly, that he might feel The velvet scabbard held a sword of steel, “Art thou the King?" the passion of his woe A [8902 l: :l Burst from him in resistless overﬂow, And, lifting high his forehead, he would ﬂing in The haughty answer back, “I am, I am the King. Almost three years were ended; when there came Ambassadors of great repute and name From Valmond, Emperor ofAllemaine, Unto King Robert, saying that Pope Urbane By letter summoned them forthwith to come On Holy Thursday to his city of Rome. The Angel with great joy received his guests, And gave them presents of embroidered vests, And velvet mantles with rich ermine lined, And rings and jewels of the rarest kind. Then he departed with them o’er the sea Into the lovely land of Italy, Whose loveliness was more resplendent made By the mere passing of that Cavalcade, With plumes, and cloaks, and housings, and the stir Ofjewelled bridle and of golden spur. And 10! among the menials, in mock state, Upon a piebald steed, with shambling gait, His cloak of foxtails ﬂapping in the wind, The solemn ape demurely perched behind, King Robert rode, making huge merriment In all the country towns through which they went. The Pope received them with great pomp and blare Of bannered trumpets, on St. Peter's square, Giving his benediction and embrace, Fervent, and full of apostolic grace. While with congratulations and with prayers He entertained the Angel unawares, Robert, the Jester, bursting through the crowd, Into their presence rushed, and cried aloud, “I am the King! Look, and behold in me Robert, your brother, King of Sicily! This man, who wears my semblance to your eyes, Is an impostor in a king’s disguise. Do you not know me? does no voice within Answer my cry, and say we are akin?" The Pope in silence, but with troubled mien, Gazed at the Angel’s countenance serene; 1390,, I [ viii -I The Emperor, laughing, said, “It is strange sport To keep a madman for thy Fool at court!” And the poor, baﬂled Jester in disgrace Was hustled back among the populace. In solemn state the Holy Week went by, And Easter Sunday gleamed upon the sky; The presence of the Angel, with its light, Before the sun rose, made the city bright, And with new fervor filled the hearts of men, Who felt that Christ indeed had risen again. Even the Jester, on his bed of straw, With haggard eyes the unwonted splendor saw; He felt within a power unfelt before, And, kneeling humbly on his chamber—ﬂoor, He heard the rushing garments of the Lord Sweep through the silent air, ascending heavenward. And now the Visit ending, and once more Valmond returning to the Danube’s shore, Homeward the Angel journeyed, and again The land was made resplendent with his train, Flashing along the towns of Italy Unto Salerno,and from thence by sea. And when once more within Pa1ermo’s wall, And, seated on the throne in his great hall, He heard the Angelus from convent towers, As if the better world conversed with ours, He beckoned to King Robert to draw nigher, And with a gesture, bade the rest retire; And when they were alone, the Angel said, “Art thou the King?” Then, bowing down his head, King Robert crossed both hands upon his breast, And meekly answered him: “Thou knowest best! My sins as scarlet are; let me go hence, And in some cloister’s school of penitence, Across those stones, that pave the way to heaven, Walk barefoot, till my guilty soul be shriven!" The Angel smiled, and from his radiant face A holy light illumined all the place, And through the open window, loud and clear, They heard the monks chant in the chapel near, Above the stir and tumult of the street: “ He has put down the mighty from their seat, 18902 [ ix ] And has exalted them of low degree!” And through the chant a second melody Rose like the throbbing of a single string: “I am an Angel,-and thou art the King!” King Robert, who was standing near the throne, Lifted his eyes, and lol he was alone! But all apparelled as in days of old, With ermined mantleiand with cloth of gold; And when his courtiers came, they found him there, Kneeling upon the ﬂoor, absorbed in silent prayer. LON GFELLOW To Mr. David Bispham King Robert of Sicily From “Tales of a. Wayside Inn” Henry Wadsworth Longfellow Rossetter G, Cole, Op, 22 Largo (J : 50) 7?? — " Organ continues from here to foot of page 7. Orchestral parts are to be hantof the Publishers. 13902 c Copyright, 1.906‘, by G. Schirmer Robert of Sicily, brother of Pope Urbane And Valmond, Emperor of Allemaine, j Apparelled in magnificent attire, With retinue of many a knight and squire, On St.John’s eve, at Vespers, proudly sat And heard the priests chant the Magnificat. And as he listened, der and o’er again Repeated, Z’;-T - - 31 Q pooo mi‘. 5/\ :2 poor) Mt. “De - po - su—it po - ten-tes de se —de, et ex - like a burden or refrain He caught the words, calla coco And slowly lifting up his kingly 1' head, He to a learned clerk beside him said, “What mean these Words?” The clerk made answermeet, T" ‘l9 L; J “ The rhythmical notation of this chant (Tone VI) as here given is not to be followed literally, for of course the freedom of the chant does not admit of reduction to exact measure-forms. It is merely approximate — a suggestive guide to those who may not be familiar with the chant in its pure form. Should it be desired to read the words of the chant, rather than to 1s$(g)‘2them, the accompanist will omit the five measures following the chord marked f.\, holding this chord until the sixth measure. “He has down the mighty from their seat, And has exalted them of low degree.” 1' Thereat King Robert muttered scornfully,“’Tis Well that such seditious words are sung Only by priests andilntthe a in 1' &/ . tongue; For unto priests and people be it known, There is no power can push me from my 1' throne!” And leaning back,he yawned and fell asleep, Lulled by the chant monotonous and deep. When he awoke, it was already night; The church was empty, and there was no light, Save where the lamps, that glimmered few and faint, Lighted a little space before some saint. He_ started from his seat and gazed around, But saw no living thing and heard no sound. He groped toward the door, but it was locked; He cried aloud, and listened, and than knocked, Poco itato (L34) (Piano) 237 7 And uttered awful threatenings and complaints, And imprecations upon men and saints. 5 5 2 4 2 3 4 3 12 34951‘ 3:54 sounds reéchoed from the roof and Walls As if dead priests were laughing in their] stalls. At length the _Jr , sexton, hearing from without The tumult of the knocking and the "shout, And thinking /T m____/ thieves were in the house of ra , Came th his lantern, aski , “Who is there?” 9 Half choked with rage, King Robert fiercely said, “Open: ’ s I, the King! Art thou a—§ > Z\.> >>{-\.>_5 5 > , The frightened sexton, muttering, with a curse, “This is some drunken vagabond, or worse!” (J : 96) Turned the great key and flung the portal Wide; A man rushed by him at a single stride, Haggard, kjfj — _ half-naked, Without hat or cloak, Who neither turned, nor looked at him, nor spoke, But I ‘ggzb leaped into the blackness of the night, And vanished like a spectre from his Robert of Sicily, brother of Pope Urbane And Valmond,Emperor of Allemaine, Moderate (J : 80) . ref #1 Despoiled of his magnificent attire, Bareheaded, breathless, and besprent with pooo accel. ‘e mi \Vith sense of wrong and outrage desperate, Strode on and thundered at the palace gate; Rushed thro’ the courtyard, thrusting in his rage To right and left each seneschal and page, And hurried up the broad and sounding stair, His white face - > > J ghastly in the torches’ glare. From hall to hall he passed With breathless ' L§peed; Voices and cricg he heard,but did not heed, he reached the banquet- room, I Blazing /X /\ . V _ 2 Pea’. breathing with perfume. 2 Peal. *) The following ten measures (to +) can be effectively taken on the Organ (Swell), with soft 8-foot tone. 18902 There on the dais sat another king, Wearing his robes, his crown, his signet—ring, King R0bert’s Andante (J: 63) ~ e 5* MT self in features,form and height,But all transfigured with angelic light! It was an z"—\ ’ X A Angel; and his presence there With a divine effulgence filled the air, An exaltation, piercing the dis- /" 0:’ L Iguise, zrrf ? T Tho’ none the hidden Angel recognize. A moment speechless, motionless, amazed,The (+) throneless monarch on the Angel gazed, Who met his look of anger and surprise With the divine com- passion of his eyes; Then said, “Who art thou? and why com’st thou /5 To which King Robert answered,with a sneer, “I, I am the King, Allegro con fuoco (J: 432) f U and come to claim my own From an impostor,who usurps my throne!” And suddenly, at these auda- gous L2 3 words, Up sprang the angry guests, and drew their swords; > 3 .5.-ff molfo 7-it The Angel answ_ered,with unruffled brow, “Nay, not the King, but the King’s Jester, Andante (J : 72 14 thou Henceforth shalt wear the bells and scalloped cape, And for thy counsellor shalt lead an ape; Tholil It |§ a a_:_______..? obey my servants when they call, And wait upon my henchmen in the Deaf to King Allegro moderato(J=1os) P000 ma 1' I‘ f Robert’s threats and cries and prayers, They thrust him from the hall down the stairs;A group of animato (J : 120) tittering pages ran before, And as they opened Wide the folding-door, His heart /T X \ A — failed, for he heard, with strange alarms, The boisterous laughter of the men—at- . ' _ 3 ./ f arms, And all the vaulted chamber roar and ring With the mock plaudits of 3 3 . ' ff >>> >>> “ _ _ ” Next lmorning, waking with the day’s L°ng _ We the K1113! a little slower J :96 :b' first beam He said within himself, “It was a Idream!” But the straw rustled ashe / turned his head,There Were the cap and bells b his bed, Around him rose the bare, discolored Walls, Close by, the steeds were champing in their And in the corner, slower still (Hes) 7”!’ revolting shape, Shivering and chattering wretched ape. 12000 accel. 1/0000 rit. It was the World he loved so much Had turned Allegro agitato ( J = 160) to dust and ashes touch! Days came and went; Andante illo :72 and now returned again To Sicily the old Saturnian reign; Under the Angel’s governance benign The UH happy island danced With" corn and Wine, And deep Within the mountain’s burning 17 breast Enceladus, the was at rest. Meanwhile King Robert yielded to his fate, "37 Efﬁlf Sullen and silent and disconsolate. Dressed in the motley garb that jesters Wear, VVith U ’ 0re.s'c. 6 Mt. loo bewildered and a Vacant stare, Close shaven above the ears, as monks are shorn, By courtiers mocked, Allegro (£104) mfv by pages laughed to scorn, His only friend, the ape, his only food What 1 2 others left, he still was unsubdued. And when the Angel met him on his 1 . f way, And half in earnest, half in jest, would might feel The velvet Scabbard ti held a sword Burst agitate (J :42o) King?”the passion of his woe All from him f3 lifting high his forehead, > > > say, Sternly, tho tenderly, that he mf “A. rt Ad of steel, thou the resistless overflow, he would fling The haughty answer back, In strict tempo Almost three years were ended; when there came Ambassadors of great repute and name From Valmond, Emperor of Allemaine, Unto King Robert, saying that Pope Urbane By letter summoned them forthwith to come On Holy Thursday to his city of Rome. The Angel with great joy received his guests, And gave them presents of embroidered vests, And velvet mantles with rich ermine lined, And rings and jewels of the rarest kind. Then he departed with them o’er the sea Into the lovely land of Italy, Whose loveliness was more resplendent made By the mere passing of that cavalcade, With plumes, and cloaks, and housings, and the stir Of jewelled bridle and of golden spur. And 10! among the menials, in mock state, Upon a piebald steed, with shambling gait, His cloak of foxtails flapping in the Wind, The solemn ape demurely perched behind, King Robert rode, making huge merriment In all the country towns through which they went. The Pope received them with great pomp and blare Of bannered trumpets, on St. Peter’s square, Allegro con moto (Jule) mp non legato Giving his benediction and embrace, Fervent, and full of apostolic grace. 1' T with congratulations and With prayers He entertained the Robert, the Jester, V bursting through the crowd, Into their presence rushed, and cried aloud, “I am the King! Look and /‘\ mf behold in me our brother, King of Sicily! This man,who wears my semblance to your eyes,- 1/0000 mt. Is an impostor in a kings disguise. Do you not know me? d > Largo (J:5o) - 12 does no voice Within Answer my cry, and 21 The Pope in silence, but with troubled mien, Gazed at the Ange1’s countenance serene;The Emper0r,laughing, 4 53771170 ' Allegretto (J:96) 3’-” “It is strange sport To keep a madman for thy Fool at court!” And the poor, baffled Jester . ' disgrace hustled back arm the In solemn state the Holy Week went by, And Easter Sunday gleamed upon the sky; The Adagio _ P. presence of the Angel, with its light, the sun rose made the city ._;.£= §'_._,/ And with‘ new fervor filled the hearts of men Who felt that V 1’ Christ indeed had ‘risen again. the Jester, on his bed of F straw, With haggard eyes the unwonted lendor s He felt within a power un- 7 F felt before, And,,kneeling humbly on his chamber - floor, He heard the 23 rushing garments of the Lord Sweep through the silent air, ascending heavenward. 3 4 6’ 1 2 And now the visit ending, and once more Valmond returning to the Danube’s shore,HomeWardthe Maestoso (J = 34) _ .. —_- T T .- . , .-. u my Angel journeyed, and again The land Was made resplendent with his train, Flashing along the towns of Italy Unto Salerno, and from thence by sea. V And When once more Within Palermols Wall, And seated on the throne in his great hall, He heard the Z5 . 0 Slower (Organ) 1’ (as if in the distance) Angelus from convent towers, As if the better world conversed with ours, He beckoned to King Robert to draw nigher, And with a gesture,ba;e/the rest retire, And when they were alone, the Angel said, “Art thou the l King?” Then, f3 (Piano) bowing down his head, King Robert crossed both hands upon his breast And answered him: Ad io (J = 60) “Thou knowest best! My sins as scarlet are, let me go hence, And in some 25 cl0ister’s school of penitence, Across those stones, that pave the way to heaven, Walk bare - foot, till my guilty soul be shriven!” %____é_Z The Angel smiled, and from his radiant face A holy light illumined all the T I_,____,...:-__ place, And throu the n Window, loud and clear, They heard the monks chant in the chapel near, Above the stir and tumult of the street: “‘ “He has put down the might..y from their seat,.,_ And has ex- alt — ed calla voce & #_____’/’// And thro’ the chant a second melody them of low__ de — gree!” {T Z‘''\ mi’/2 iRose like the throbbing of a single string: 2% and thou art the King!”»_ K.mg_R0be who was standing near the v* To be freely intoned, though preserving the general measure outlines as indicated. If this and the following (“I am an Angel”, etc.) are spoken, not sung, the measures marked A and B respectively may be omitted, if necessary. 18902 - 2'7 throne, Lifted his eyes, and lo! he was alone! But all apparelled as in days of /\ ll 1’ \~————/ 1' T old, With ermined mantle and with cloth of gold; And when his courtiers came, _ they found him there, Kneeling upon the floor, absorbed in silent prayer. ::_.'-=>— 1; sotto vooe
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Title: Rainy Day, The, The Rainy Day
Date: n.d.
Text: I: \? @R.9. E \u 6FE%.:\IE‘@\,\r\ovf)Q/ —\r *~r'\.v-‘K/"\.l-—“\I'/‘\.r~ COPYRIGHTED I884 BY W. F38 HAW. SONGS. FCELEBRATED ALWAYS . . . . Lexlie 30 I WONDER WHY , , , Gm-,,,,u; STAR SPANGLED BANNER . ALWAYS ALONE . . Henriette 30 JAGK’S MESSAGE . . . jade SWEETHEART . . . . Ba[fe ALWAYS TRUE . . . Parker 30 KJLLARNEY , _ , _ Bag, THE BROKEN PITCHER . . Pontet ARROW AND THE SONG . ~. KINGDOM BLEST _ _’ _ Dz}; THE. IVORY GATE . . . Dz’:/E AS THE SUN GOES DOWN KISS ME TO SLEEP,...
Show moreI: \? @R.9. E \u 6FE%.:\IE‘@\,\r\ovf)Q/ —\r *~r'\.v-‘K/"\.l-—“\I'/‘\.r~ COPYRIGHTED I884 BY W. F38 HAW. SONGS. FCELEBRATED ALWAYS . . . . Lexlie 30 I WONDER WHY , , , Gm-,,,,u; STAR SPANGLED BANNER . ALWAYS ALONE . . Henriette 30 JAGK’S MESSAGE . . . jade SWEETHEART . . . . Ba[fe ALWAYS TRUE . . . Parker 30 KJLLARNEY , _ , _ Bag, THE BROKEN PITCHER . . Pontet ARROW AND THE SONG . ~. KINGDOM BLEST _ _’ _ Dz}; THE. IVORY GATE . . . Dz’:/E AS THE SUN GOES DOWN KISS ME TO SLEEP, MOTHER 1;-m,,g,',¢ THE LAST MILESTONE . . Pmztez‘ AT NOONT]])E . . . . 30 LIGHTHOUSE _ , _ Cram]; TBERESAPATH BYTHERIVER Loder 40 AUTUMN . . . Kz_r1g Hall 30 LOVE LIVES FOR AYE _ S‘-[lira THREE FISHERS . . . . Cruz}/Esltank 35 . . . MAN _ _ _ _Ru_H-£1] . ﬁrmfr . MAN 0’ WAR/S MAN . Giéxanc - " - - - » $771.0” IRD AND LUTE MERRY MAY _ _ _ L5,],-ev ’TIS HARD TO GIVE THE HAND, CHALLENGE (THE) . NAMES UPON THE SNOW Gaodwe E’1‘0- - - R. . . G/om C(EUR DE LION . ‘ MENELLA1 HOW I LOVE YOU 3,,,g,-,, TIT FOR TAT . . . . Pzmtet CRADLE SONG . . * OH; OHIOE NOT My HEART W,,;g;,;,,,, TOGETHER . . zllora DOUBTING LOVE . OH; HUSH THEE’ My BABY Hofman TWO BY TWO . . Fern‘ FACE IN THE CROWD ~ ONE GENTLE VOIOE , _ Bongm VANITY . . . . [fall I§l¥SRl;.‘Y MAID (THE) . Smart LADY _ Be;,,.,,m: ( ) . ~ . M02? RAD - Mm ..;BAINY 11)4;LO,YWM-«-z» . Reiclzardt - - Kmlght I MEAN TO WAIT FOR JACK . Dick g1ggIE““ ‘ , _ Rey . . Smith I'M WEARING AWA’, JEAN . Bislzop sM[LEg AND TEARS _ . W,.,g_;,,o,, WOODMAN (THE). . . S/rattan INSUFFICIENCY . . Stamer SOMETHING, TO LOVE ME , H,-,,,e YES, . . . . . Wakeﬁeld IN THE DAWNING . Halstram SONG OF HYBEIAETHEORETAN Egg,-0;; YOU OUGHT TO KNOW BETTER Solomon D303 ©© gﬁgﬁéﬁggéég nusnc uaunv VASSAR COLLEGE N7! 3.3 II; 'l”_R-fa ~. THE DAY IS 001.1) AND DARK AND DHEARY. Woxns ‘BY LONG FELLOW. M11310 BY CARL I{1<lICH-\]'H)’1‘, PIANO. 0 stacc. . o . . dark and drea.-ry-7 rams, and the wmd ‘ ne - ver Wea-ry; vine still clings to the m0uld’ring wall, But at ev’—1'y gust; -the {- n dead leaves fail, And the any is dark and is dark and . mm )0. coliu Voce. 1 life_ is cold and dark and drea-ry; It 1'ai11s,aud the wind is still, sad heart! And cease re — pi -ning, I10-hind the cloud is the » . * nev — er we-.1-ry; My thoughts still cling to the mould’ring Past, But the sun still bshfvning-7 Thy fate is’ the C0111-n10n _ lot» of all, In - » hopes of youth fall ‘thick 11 the blast, And the days are dark and -to each - life some rain must fall, Some days must be dark and — — ry And the days are dark -. _ -— ry, S0111e days must be dahk /'\ colla voce. 7' at tempt) -—-—----—- I ,_v‘v.v .. _::‘__..- ___ v.r.v. ,: xv '4 E vunv. é7l~PA'A NAT 0NAL SCHOOL F08 THE PANO-FORTE. -m-saa»:BY W. F. 'SUDDS.I§§ses~ for those who are compelled to become lowing points: 1 . detail. average works. base, subjects all-important, Methods. church organist, when necessary; this, WHAT NEW ENGLAND SAYS: Tnos. P. I. MAGOUN Bath,’ Me. The “National ﬁchool ’ is From what I knew of our wor department “Anthem ems ” I had reason to 2.. 1°“ ““‘° ‘“.’.‘i’.‘§.‘§.“.i’.‘.§."°f’i=i.i‘.i’é’..’1.“.‘.’.1.?§‘.’.2°.*. one are mor . features and such masterly treatment of the whole subject, that I can only say—It is Just what we teachers, and our pupils, need. No insgruction book hthat I am aeiqugiiamd w}iltl‘i; em races so mac or so ceary e nesw a they do embrace. l hope it may meet the suc- cess it merits. JULIUS fnrcmanne (Boston Conser- vatory of Music), Boston, ass. ﬁnd “ National School” a useful and well-planned work, well adapted for its purpose and a. welcome addition to the many excellent methods that have been published here and in Europe. I wish you all success. The Pilot, Boston, Mass. An exhaustive and valuable book. S. Susan, New Haven, Conn. Our teachers consider “National School” the best of all piano schools published in the United States. 0. H. KIKBALL Manchester, N. II. The publishers do not claim eno h for “ National School ” It meets a deman never so thoroughly supplied before. F. A. Fownn New Haven, Conn. I consider hat “National School” has no rival among American publications. A. S. BBLDING. Fitehburg, Mass. : I can confidently recommend “National School" to all who wish for an instruction boo; complete in all the details of piano-forte pla ng. ‘ DR. LOUIS MAA8, Boston or a careful survey of School,’’_ I am very glad». 5 I think it one of the; , that description I; ,‘._ _been brought under my noticegqiv t is simple, compre- hensiveand y,_ exhaustive-containing everythingthat can be sou lit for in any- thing of, its kind. I_ s be lid to recommend and use it as far as it is in mypower. .9) ‘ VWEAT THE MIDDLE STATES SAY: Albany (N. Y.) Marni E.-rprus. Destined to have a arge sale. MORGAN at Hsirsoan, Middletown, N Y. ' Our teachers are well pleased with “Na- tional School." Phila. (Pa.) Chronicle-Herald. An admirable and exhaustive work. htly named. in another Mass. in etional t It is desi ed,» not only for those who desire to become professional pianists, but a so for those who aim to become accomplished amateurs, while self-taught players, it will be found the . most valuable and ever published. ' We would callattention brieﬂy to the fol- It teaches the ﬁrst principles of music, partly by. means of musical writing lessons,‘ to be ﬁlled out by the pupil, affording a much clearer and easier way of overcoming ﬁrst diﬂiculties than other works of the kind contain. 2. The exercises are more carefully graded, introducing the pupil to but one new feature at a time, while in each case the necessa , explanations, which are usually left for the teacher to give orally, are, as far a possible, written in 3. The art of ﬁngering, touch, accent, etc., is more fully treated than in 4. It contains full and conflete instructions in Harmony and Thorough- an yet scarcely hinted at in other Piano-forte 5. It instructs the-student in the principles of vocal accompaniment, including playing from a_ vocal score, thereby preparing him to be an eﬁicien — too, is peculiar to the work. V Hdrricbur (Pa.) Independent. Conta as more than double the amount of musical information found in any other book of the kind. G30. I-‘. Btsnor, Philadel hia, Pa. I ﬁnd “National Sc col" an excellent work. As a book for teachers of the piano- forte, I can strongly recommend it. Hnimv Rosanna, Easton, Pa. I have been very partial to Richardson s justly po ular method, but he ed some time to see a me od more complete u some respects _and with clearer e lanations to scholars of many usali detai s. I ﬁnd that “National Sehoo ” has a I the merits of Richardson's, with the {ollcwin additional ones, viz.: Entertain— ing and ins ructive duets; remarks upon the proper use of the edals; clears lanation of he various embel ishments; lates studies of modern masters, Heller, Kohler, Liszt, and others; the exercises upon accent and remarks u on vocal accom animent - the excellent mu- sical and biograp ical dictionary, and, by no means the least important, the ﬁne treatise on harmony with its numerous examples. Jss N. Bncx, Philadelphia Pa. . The “ National School ” has been examined at length. Itgives me leasure to endorse its completeness and the c eamess wherewith all the rudimentary points have been therein set forth, as well as the judgmept displayed in the retention of the va us udies etc. I ve nothing but praise furthermore, for the writing lessons the several dictionaries, and the sh but satisfying treatise on harmony. A. H. E-rrrnena, Allentown, Pa. “ National School ” is a very thorough and minute work. It certainly contains everything that can be desired by teacher or pupil. ADAII GIIBBL, Philadelphia Pa. In eve way I ﬁnd ‘ National School ” the most pract cal work for that king or instru- ments—thb piano—that has ever been brought notice, and I feel that I can so conﬁ- and without p sumption, that t is not onl a thorough instruc r, but also an encyclo- .ae la, which I can recommend most heartily o the profession. A. H. Ross.'wio,.Philadelphia, Pa. ' I have thoroughly examined " National School,” and have no hesitation in ronouncing it one of the best and most thorou instructors . I have seen. Mr. Sudds embod es many new and originalideas in his work, which cannot fail to prove of greatvalue. I Inc. B. Swaimv, Chester a P . '_Ithink “ National School " a grand success in every way. . Jno. P. Douonimrv, Chester, P . . “ National School " is certai ly the best piano instructor ever published in this count . G. W. Suns-irmau, Akron N. Y. consider “ National §chool " worth double that of any piano school I have ever seen. and proper performance of eac . pronunciation of names and musical The following are selected thorn ‘hundreds of ‘testimonials fully endorsing the . W. GILCHRIST, Philadelphia, Pa. “National School’ is a most excel- lent and progressive work for the piano student, and I am pleased to have the opportunity of expressing my approval 0 its many good points. Mssusﬁaﬂlvl. {WsAall.iN'E?;Y§ahllB.d0l hiia,bl;'a. kji a one 00 an in ra e'wor having the different ggsdes of stud well sys: temat sod and suﬂlcient yvaried, wi out being too voluminous. Louis BEBGII, New-York. , I have carefully examined “National School,” and ﬁnd it a ve thorough work, superior to any method publ shed. Aims Bans Fosn, Biaiisville Pa. “National School” is an admirable It will give me pleasure to recommend it DUDLEY BUCK, Brooklyn, N. Y.‘ I have examined “National School ” and am lad to say that I think you have compile a good work. covering all essen- tial points of piano-playing, and which, roperly ma _ use good plafyers. trust that you will be rewarded or the labor and pains you have evidently taken. Music and Drama, New York. “National school” will prove an exceed- ingly useiul work, containing, as it does, a vast amount of information in a condoned form; and most of the studies and pieces are such as will rove useful to thzftudent in forming the han and acquiring “ ucli." work. was-r rm: sournsaiv‘ snrss BAY: Wu. H. Snun, Wheel W. Va. I consider "National hool" the best and most comprehensive I have ever had for sale. Wheeli (W. Va. Re‘g(uer. ' Av uabloboo of nstruction and referen . S. 8. Don»! Washington, D. C. I think “’National School " 9. vs complete work. It contains all the great re u sites ofan instructor-—thorcughness, pro ess on-, compre- hensiveness in a word comp eteneu; leaving the pupil with nothing to be desired. WHAT THE WESTERN STATES SAY: ‘ J. B. Osxsaox Indianapolis’, Ind. I think "National Sc ool ‘ suppliesalong- felt want. All teachers pronounce i am class. Sacramento Cal.) Doll‘ Record Union. This boo is all the is claimed for it. ‘ Chicago (lll.) Intevwocecn. A valuable book of instruction and reference. SEE FULL LIST OF TESTIMONIALS. » ancient and modern musicians and compose .. 6. It is the only piano school which treats, at any length, on the proper use of the so-called, and much-abused, “load pedal.” the work is of priceless value to the young student. 7., We ﬁnd among its contents, the subject of musical form, phrasing, etc., made plain and interesting to the pupil. 8. ~—Aside from more than -the usual amount of so-called technical matter, there is interspersed a. valuable repertoire of piano music, selected from the works of Schubert, Mendelssohn, Mozart, Bach, Beethoven, Rubinstein, Morzkowski and others, with Explanatory notes concerning the peculiarities On this subject alone, 9. And last but not least, is included a dictionary of music, with proper terms, with biographies of prominent . . That the “National School” opens to the student the shortest and best possible road to proﬁciency, is beyond a. doubt, ‘especially when we consider the well-known ability and recognized talent of the editor, as evinced in former works. And after a glance at the foregoi , that this book contains nwro tha/n (toggle the information found in any other work of the kind. it is almost supei-ﬁuous to say amount of m above claims : R. A. Kmzin, Knoxville, Ill. I am hi hi pleased with’ “National School.” I t in ‘ it one of the most com late works on piano teehnics that I have use . I shall adopt it with my pupils. B. J. Vorrrannu. Cleveland, 0. Your “National School " I ﬁnd to be a Vmost excellent work. It has so many advan— tages over everyniethod of the kind, that it cannot fail to take the lead. A. L. BANCROPI‘ as 00., San Francisco, Oal. “ National School" is a ﬁne work. I. G. Looms, La Crosse Wis. “ National School ” is certainly a very ﬁne xork, and pronounced so by all who have seen Hannunr sac Lapeer, Mich. _ e use of ‘ National School ” should be mter-national, for it has more features of merit than any other similar work. Its illustrations and explanations are a great assistance to the teacher and its nianyeother good things are all appreciated. I! is 2 best. Mas. M. W. Krnsnv, Plymouth, Ind. I have examined your “ National school," and pronounce it an excellent work. G. W. WARREN Evansville, Ind. " National §chool ” is, thout doubt, one of the most common-sense instructors. I wish you the success the merits ofthe book deserve. WILL L. Tnoirreoiv, the popular song writer, EastiLiverpool, Ohio. ry much pleased with “National I am ve ‘ Schoo .” It shows careful work of a thorough musician. I believe it will become a standard. J. I-I. Lnsain, Fa ette Ohio “ National Sc ool ’' is the best book of its > class I have ever examined-best for beginners, best for intermediate host for advanced pu ils. It is an instruction k, an enc clopasd a, a history and biography combine in one. It has no superior and is the work of a masterly musician. Our pianist, Mrs. Perry, agrees with me. o. J. WHITNEY Do it, Mich. Sudds’ “Piano ethod” is the best work of the kind we ever saw and it will certainly become popular. CANADA'S VERDICT. Gun. MARTINB, Toronto, Ontario. I can truly say that I see much to admire in our “ atioual School.” I think it the be school of its klndy and it will certainly have a ve large sale amongst the more rom— gitgia teac ers in Canada and the nited B. ' London _(0nt. Catholic Record. It will be ound the most valuable aid ever published. PRICE,.HANDSOMELY BOUND IN HALF CLOTH, $3.25. vat v.v.v.v.v w. I». xv.-.-.~.t.-I.‘ mcoumunu nus n£si—THE KING UF VPIMIU |N8TBUlIT0|lS_—£Nnons£nnv mess mo PROFESSION. VAVAI. - AVAVA .. _——.- -- 2 : ——¢
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Title: Songs of the Hutchinson Family, The, The Songs of the Hutchinson Family
Date: 1843
Text: .1 v’-.~‘“'"" T ‘I ‘fl -J,QAv_\3 fjww)/y I7‘, . « V: v '61-" .,./,/mm, 17,‘ 5Wﬂu.7,,LJ)V:/fl «”/7/‘.171/arr? /(7 ,/,,f _,'.v ‘.r,»m Cami v”/V“ LITH. BF 0. 3: W. ENEHCOTT (IL .1. Got where we vvere 1001?-11. _ , , . . Go 0 all the D out 01", or ATLti- Cu.]0mT(:*T _ 25 uett, 3. EXCG]_Si()1". . Cape AILIL. ., - 2-5 ” 5. ”M9l:hLn:’s Bjllle . S01d1'e1:‘sFu11e1~a] . ' v 50 Q7. V0 3119;: Song” at 89 a . , . 'VuJ_tu]:'e of the A]']’LS....
Show more.1 v’-.~‘“'"" T ‘I ‘fl -J,QAv_\3 fjww)/y I7‘, . « V: v '61-" .,./,/mm, 17,‘ 5Wﬂu.7,,LJ)V:/fl «”/7/‘.171/arr? /(7 ,/,,f _,'.v ‘.r,»m Cami v”/V“ LITH. BF 0. 3: W. ENEHCOTT (IL .1. Got where we vvere 1001?-11. _ , , . . Go 0 all the D out 01", or ATLti- Cu.]0mT(:*T _ 25 uett, 3. EXCG]_Si()1". . Cape AILIL. ., - 2-5 ” 5. ”M9l:hLn:’s Bjllle . S01d1'e1:‘sFu11e1~a] . ' v 50 Q7. V0 3119;: Song” at 89 a . , . 'VuJ_tu]:'e of the A]']’LS. 9. Axes to (‘i1?in a,. O 10.VVc1*e a, cuttixlg. 1],. We are }La,]qLy and ﬂee. ' x‘ 13 Om,‘ Ft1,1:'lt1.e,I*“s He arﬂx. NEW YORK PUBLISHED aw rmrn aunu. Il‘?l,FR/ANKLIN 30,. & FlRTH.l-{ALLEN-‘ONO 239 BROADWAY. MUSIC LIBRARY «Mn --~ Lea: ~ WORDS BY ﬂ£HBY*WgmDHu”ElLOW. .1///M)‘ /,}'//1/I/IJ.'(’// A" ._97//’/{/ ///4' \\W\ G‘r\\Wi‘: G“ E Mk\\.‘4 . 77/z'._v /’m://z /2'/I/'2'.s‘¢’/1/.8‘ ////’ (w///mz/.m/ z/.3‘/II‘/"/I/1'///'/.,9 1'/N/.14,“/Zl-ltd". //._,v .//r»//N“/1:11'U/.?I'0/%ﬂ5'li// /ll;//11'/yllvrz MW?’ 1/: ,///7 ///7/.'/I/'11’/7 /H/1‘////4". 7)/.s*/73/1/1/2‘/1'//g7 ////: /*/'2/4/m’//_r aw//2')/‘/‘S’ 1'7” //'/}3, //I/’ /7//arc’///1////.r /7 low’, I//I/I’ //Iv I/’/‘I/"/II‘/’/4/’/.5‘ 1’:/"431/W/~/'1"/7('./', 2/ /.»/-w.s;w<s- /I'wm/v/ /2/7 //3* 45',/rl/'/1'//K1’ /?/l///. /:'v_/'// in zﬂw/// [Z ///'/(’/r.(' //I.s'/ //.5’ z/Him, mzzl «[7 Ir’/J‘1‘/"1"//"['//I, //71' /1/A/" /I/‘mi////'/I/.9 //I1’ /Ir/g(//"cw /:/"//n'.5‘4»//,/ /'/I/ (7, //[/7/'11’/“ J/7/2/"/’z'._, V ' Mw ‘( cmvx. /}//2,//y/Izﬂ ﬁr» /'/'/‘//7 A-’/////[ /7."/";'//7/1'///1 J}/.,l »Fl RTH HA LL& POND 2.?‘/,/J’/W11/Imp‘, Y‘A.NO TE shadés of night were fall_ing fast, vil_lage pass'§1,A ALTO. ' V __/ shades of vil_ ..lage pass’d, A ENORE. shades of fall- ing fast, Vil--lage pass’d, A BASS. shades of ' fast, Vi]- _lage pass”d, A Enter’d according: to Act of Con gress A .D .l843,by Firth &Hall in the Cler]:s”Ofﬁce of the Diétrict Court of the South’-1 Dist of New York - ’ .349 who bm-e7m,irl snow amhitte banner with the strange de-vi‘ce, Ex- celsior. K3 1 I x who bore hnid sud ice, the strange (10. V (‘ea ct-lsior.: y ‘ s l ‘ who bore ’n1i<[ snow the strange dc- Vice, z-vlsior. 7 who bore ’n1i<l the strange de - vice. Ex _ (-elsior. Q 13*- be - neath Flash?! like a falt-hinn be- neath Flash’d like a falohion he - F‘lash’d like a f‘a.l(‘|1ihn he _ Heath VI-‘lash’d like ,a falchion Excelsior. sheath, A/11:1 like sheath, And like like sheath, And sheath, And like _ (:1-.lsi0r. _ celsior. _ (-elsior. - celsior. Excelsior‘. ' clarion rung,Th‘e sil_ver clarion rung, The .sil_ver .0 arion rung, The clarion rung, The happy llmnes hé homes he’ saw the saw the homes he homes he saw the ace ents » accents accents accents saw the light household ‘ fires, gleam -0- household household household‘ of that IHlkn0\\Tl t<mgue,Ex— f-\ b)‘ tongue, Ex /3 un - kn tongue,‘ Ex- un - known tongue Ex- /3. 2 1 Wu rm and \ I . \ fires, glozml warm and fires, gleam warm and gleam warm and bright; A _ hove the» spectral glaLii(%rs sl1one,And from his lips _/ . . bright; A- _bove the spectral shone, And from his ~ . “ groan, Ex- bright; A- - bove the spectral g1a-liers shone,_ And from his l /-W bright; A- _bbve the spectral glen- ziers shone, And from his _ celsi0rl.7 Try not to T « M old man said, Dark lowersthe tem- pest U ._(*él\~'io1'~ 'I‘ry not to ‘ - old man Dark lowers the ten1_ pest -ce'l~sior‘.' Try not to » old man Dark lowers the tem— pest — cé]'sior’.’ Try not to Dayk lowers the Excelsior. Excelsior. head,The roaring torrent is head, The roaring torrent is head, The roaring torrent is head, The roaring torrent is 5 Oh stay, the maiden said, and rest Thy weary head upon this breast; A tear stood in his briz:;ht. blue eye, ‘ But still he answer-’d with a si;°l1"Exeelsior'f 6 . Beware the pine trees wither’d branch, Beware the awful avalanche.’ This was the peasantslast good night; A voice replied far up the l1ei:.>;ht,r'Ex.(-olsiorl’ deep and wide,lAnd loud that deep and wide, And loud that deep and wide: And loud that deep and wide, And loud that . . . “ l . 3' clarion voice re_pl1ed,Ex-cels1or. _ /3 ' ' “ . 77 voice re plied, Ex celslor. /A clarion _ _ f; ’ 19 voice re- plied, Ex .. celsmr. /3 clarion .4 ,, J is 3‘ clarion voice re- plied, Ex _ celsima /3 7 At break of day as heavenward, The pious monks of St.Bernard Uttei-‘d the oft repeated prayer, A voice (,'.l'i(‘.d thro’ the startled air-‘,LExcel<ioi.:’ at 8 A traveller by the faithful hound, Half buried in the snow was found, Still grasping in his hand of ice That banner with the strange devi<~eEx(~elsior: There in the twilight,cold and gray, Lifeless, but beautiful he lay.’ And from the sky serene and Far. A voice fell like a falling star“Excels«ior.” 349 *,Sun;,r as the 15tVers'~e.
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Title: Excelsior:
Description
Date: n.d.
Text: New EDITION wm+T0NIc SOL-FA. ¢Vr, //ix‘ 7. de Oamillis. .1 I _..~.m4__. , \ T Ex:c:ELs>>M@ ¢ k THE POETRY BY J LeI2,gf7eHeW, The Music Composed and Dedicated to THE RIGHT HoNB.'—.E The Earl OF Westmoreland, ‘V. ﬁe U55/i2aw¢'@”3. London, W. PAxToN.95,NEw OXFORD 3TREET.W.C. Aerovms Musxc DE1PT.. V 7. de Oamillisa EXCELSIOR. Duet. Words by LONGFELLOVV Music by M. VV. BALFE. _ ‘ 13t'V0ice. Mohomoderata , Keylt F1ai.II : .m :m .m I In :——.I :5 .l I V0 ICE S. The shades of...
Show moreNew EDITION wm+T0NIc SOL-FA. ¢Vr, //ix‘ 7. de Oamillis. .1 I _..~.m4__. , \ T Ex:c:ELs>>M@ ¢ k THE POETRY BY J LeI2,gf7eHeW, The Music Composed and Dedicated to THE RIGHT HoNB.'—.E The Earl OF Westmoreland, ‘V. ﬁe U55/i2aw¢'@”3. London, W. PAxToN.95,NEw OXFORD 3TREET.W.C. Aerovms Musxc DE1PT.. V 7. de Oamillisa EXCELSIOR. Duet. Words by LONGFELLOVV Music by M. VV. BALFE. _ ‘ 13t'V0ice. Mohomoderata , Keylt F1ai.II : .m :m .m I In :——.I :5 .l I V0 ICE S. The shades of night were fa]]_ing‘ I :— :1n If .,m :f .,m :1 .,m Im : : . zba . fast, As thro’ an Al _pine vi]-]age VpaIss’d A youth, who bore ’mid snow and ice 5 I C. Both voices. W voice. IId' :—.t. :r'.d I t .,l :s: I s :5 :s I l:—:—Il :s : .‘ : .s :S . . 44- . H . ~, - . ban _ nerwlth the st range de..V1ce, Ex. (:61 _ s1 _ or!” Ex - eel _ s1 _ .. 7 H18 brow was I#\__/ I Ilsm : .1 ;se.l I d':- tn: I f.,m :f .,m :1 .,mIl zs : .s:fe.s :t .1 I 1 .s :' :InI sad eye be_neu-Lh, Flash}! like a faIch-ion from its sheath, And like an sil_ver cl-a1-_ion rung, The 7 inarcatof C. Both V'0]‘(7(-ES. S . m :—.s :f .r Im.,r zd : I“ :s .s cents of that unknown tongue, “Ex _ eel _ si homes Id .s ::m gla_ciers shone, \ / Excelsior. 1203*‘ he saw the light Of .111 Ir ~—— .s zfe .d' It .,l :s f1-o\1n{... his lips es _ cap’d a-g'roan, And .d' I d‘ “ Try not the pass,” The household fires gleam Warm and bright, Above the spectral II t :d' :r' m':-:d' I m':—:r' I eel _ si _ s:—:f _ or!”“Ex _ I se:—:l I “Ex_cel_si I »s :1 :t 46 ‘ 37 “_ . Ex_cel-s1 _ or! Ex _ eel - s1 _ .d' :d' .d' I Dark low’:-s the roar _ ing tor- rent is deep and II m':m'I:m' m':—:f' I _m : Mien. _ K “Ex_cel_s1 - or!” ‘Ex _ eel Ild : .d' :d' .d' I d' :—~.t :r' .d' I s : - Im:m:1n I m:—:f I s :——. Wide. ‘And loud that cla I. rion voice re -.plied, “Ex_cel_si - or!”“Ex - cel _ ff I col canto. I Eb1S.tVoice. T :I tats :s .s I s :—.m :r .d Id :— zm I1 .,s :1 .,s :1 .,mI s .fe :f :. “0 stay, 0 stay,”the maiden said, “And rest wea._ry head up-on this breast,” ' 17 \_/ \__/ . Bth ° I .f:m .f :r .t I d .;s :m: .mIm :—.s :t .r I in .,r :d : Ims°:sv?§°°I1:-:-| l :s Atearstoodinhisbrightblueeye, But still’ he ans_Wer’dwith esigh, »Ex_cel-si _ or1”“Ex_ce1 _ si - 2".dVoice. :.m:m.mIm :-—.r:d.t I1 ' : Is ” . _ or! Beware the pine ..... .. tree’s wither’d branch, Be _ ware the aW_ful Ia - va_1a.‘nche,’ :d .r Im .,f :s This was the pea_sant’s last. good night, I A voice re _plied far up the height, \Exc‘e1sior. 1208?? . DI? 15?‘ Voice. IIst : t :t Ilm :—.s:f .1 I 1.,s :s .d'Id':~.t :1 .s Is .f :r: II‘L1I1Lf:l.S zf .sIf:m: Z37 break of day, as hea.venwa,1-d, The pi _ ousmonks of San Bernard Utter’d an oft re_peat_ed pray’r {Id :-—.m:r .f I f..,m:m .m I ‘m:—-.s :f .m Im .r :s,: I t,;d\¢1- :f .m :r .t, I r :d K2 I break of day, as heayenward, The ‘* pi _ ousmonks of San Bernard Utter’d' an oft ré_peat_ed pray’r A Excelsior. 1203* ° .,tr'Ir :—-—.r' :r' .r'I r .,s :s : : :. I 1:-:-I1 :s :s I A voice criedth‘r’o the startled air, “Ex_ceI_si _ or!” “Ex_cel _ si _ Ilms :-.s :s .s I s .s :s : .sI :—-.s :s .s I s.,s:s: Is :s :s I 1:—:—Il :s zsg voice cried thrb the startled air A voice criedthrbthe startled air, “Ex _cel_si _ or!” “Ex_cel _ si _; .mIm:-.s:f .1 I l.,s ts . .d'I d' :—.t :1 .sI s .1’ :r: .l’I A tra_ve1.ler,_«by the faithful hound, Half bu - ried in the snowwas found, Still .d|d :—-.m:.r .f I f.,m:m : .mI In :—.s:f.mIm .r :t,: .1‘? \_/ A tra;ve1_Ier,by the faith_fu1 hound, Half bu _ ried in the snowwas III .,s :1 .s’* :f asp_ing in his hand of ft‘ .,m :f .m :1’ _’.t, grasp-ing in his hand of ‘ . ban _ the strange de _'vice, {It : . . I . . | m‘ ;m :m' . - nor with strange de- -“Ex - cel - si _ Ilm :—-— .m :m .m I m .,m :m I In :m. :m = ban - ner with the _ strange de_vice, “Ex _ eel - si _ f ‘Eyggelsiorl 12087“ _ E‘ d,B oth voices._ _ or!” in the twi light :s .s I s :m :d' It _ less but beau - ti _ ul ....... .. he the . }4;;u:e1s\(:x'. 1208?‘ Excelsior. 1208).’? V Va de
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Title: Excelsior
Date: n.d.
Text: ~ws~«wvT«?:*=bsi= .» ' ‘ 4 L’/jb'J‘( V’ W: 17¢/1/I/V/‘/VI’ a pm,’ WHI'I"I‘EN BY IIUMPOSICI) BY ,I'J 4w/ /%g4§/vnmwg um B%lLlI‘ﬁ»K\ JW2 BY THE SAME AUTHORS ///z _r5/?/"[A/ //mus‘ J/I////J/’[/i’:/J /I/J14/0? /1¢/Z8./-7/1" 2/ 7///o‘ /5 22/5 #1455‘ 574/vo 32/2: 41/ 57‘f_-[,17//zzz/.)‘7/(1/L‘/V /3»? gm /fH7[L’._S‘/Z//3’ 4.5’ A man. oz/Hr Hm owxu/vzia /‘E/van worww r9; M/mm /D ,()/9.0‘!/P/?A/W & 345:; ~ .2/' _,'..L:1.N‘fDo N, 5 M M E R aij§$.%éV:;g —...
Show more~ws~«wvT«?:*=bsi= .» ' ‘ 4 L’/jb'J‘( V’ W: 17¢/1/I/V/‘/VI’ a pm,’ WHI'I"I‘EN BY IIUMPOSICI) BY ,I'J 4w/ /%g4§/vnmwg um B%lLlI‘ﬁ»K\ JW2 BY THE SAME AUTHORS ///z _r5/?/"[A/ //mus‘ J/I////J/’[/i’:/J /I/J14/0? /1¢/Z8./-7/1" 2/ 7///o‘ /5 22/5 #1455‘ 574/vo 32/2: 41/ 57‘f_-[,17//zzz/.)‘7/(1/L‘/V /3»? gm /fH7[L’._S‘/Z//3’ 4.5’ A man. oz/Hr Hm owxu/vzia /‘E/van worww r9; M/mm /D ,()/9.0‘!/P/?A/W & 345:; ~ .2/' _,'..L:1.N‘fDo N, 5 M M E R aij§$.%éV:;g — rm‘ ‘ '2‘ 521' x:’ C ' ‘ 1' -/lg ZJCI ‘ SSBH puz oixmdog xo '_‘‘‘01[B.(1.(.l0 *9 #9 '\ E €>‘« C I‘ £3-A T ,..l. C "1 ‘T. \- W {D 53 9 #1 (V (‘F P’? '3‘ § (/1 C. "U "1 3 ..a C 93 .1 $3- E _.—a C ‘Y, x. U7 C '1'» -1 § $33 5 $14 (T ‘i;j_.;-F " i i~;::_i< I ~—« ,/ \\_. \‘:~l,.\ C E L s 1 0 R’-’. _.r .~ The shades of night were falling fizist, As through an Alpine village p;iss’d A youth , who bore, ’mid snow and ice , A banner with the strange device, “Excelsior!” His brow was sad: his eye lgneneath Flashid like 8- faulchion from its slnzath; And like a silver clarion rung The accents of that unknown tongue, “lCxcvlsim‘ l.” In happy homes he saw‘ the light Of household fires gleam warm and bright: Above, the spectral glaciers shone, And from his lips escaped a groan , “Excelsior !” “Try not the pass'.” the old man said: “Dark lowers the tempest overhead, “The roaring torrent is deep and wide!” Aml loud that clarion voice replied, “Excelsiorl.” "0! stay: the maiden said,“and rest “Thy weary head upon this hreastl” A tear stood in his hright blue eye, But still he answer’d,wit.h a sigh, “Excelsior!” “Beware the pine-tree)s withered branch‘. “Beware the awful avalanche l” This was the peasant’s last“Good Night:” A voice replied,far up the height, “Excelsior!” At break of day, as heavenward The ‘pious monks of Saint Bernard iUtter’d the oft-repeated prayer, A voice cried through the startled air,‘ ' ' ‘‘lC\(-«-lsi(>rl.’’ A traveller, by the faithful ‘hound, Half-buried in the snow was found, Still grasping in his hand of ice That hanner —with the strange device , ' V “ Jxcblsior l” There, in the twilight cold‘ and grey, Lifeless, but heautiful, he lay; .And from the Sky, serene and ,f'a'r, A voice» fell, like a falling star, ~»\ ,/ “rf%a::Eﬁié*< “Excelsior l” / \ W “\ \ lg \ , . \ /' ,’, % . / / 3; ‘‘ExcELs|oR!’’ — DU ETT. -{(9}- (r0,,,p0m1 1,). JOHN B;,ocxx.EY. A W/Wtten by H.W. I-..vONG.F¢ELLOV‘V. A.v1).4.vT1.vo A f.\ at '_ /9/9 The shades of night were falling fast, As through an A1._pine village pass"d A The shades of night were falling tlust, As through an ALpine iﬂlztge pass’({ A /9/9”: Q‘ Q‘ youth who bore, ’mi,d snow and ice_,A banner with the strange device, adlib. youth Who bore, inid snow and ice,A banner with the strange. device, “EX- calla vase. l‘42U‘«~]s1or! Duett. Ex_ce1s1or_ Hzghur. John ,B1bCk1£y- -p,(.)1.C(3.) 27-id VOICE f/..\\ f\ . —— . _ CE.L_ _ SI __ OR 1” A His brow was " - ' ' eye ’oe_ neath /’/9 F1a.sh’d like a faulchion its ‘ sheath, And like . a si1.., _ _ver cla _ _ _ _- _rion hung accents of that unknown tongue, “EX__ 3 h_ ' ‘A dim.-erall. -?f L.» > _ . By the same Composer- The a_dm1red Songs mud Duetts . ‘Excelsior! Due1t_ “_Yéstérday’_’, “Tov-mor3'oW’_’ ‘and ‘A“,To—day.” John Blqcklcy . Con te~'n(?rezza. In hap_py homes homes L In hap _ py flires gleam warm ‘and bright: gleam warm and hright: t And from his lips shone, And from his lips shone , __cEL-___ s1__oR‘.” E X celsfoyr. . Duett‘ Of household he saw the light light Of household he saw the gig Above, the spec _ - tral glaciers Above, the spec__”t:ral glaciers escaped a groan , escaped 21 groan , dolente. John Blocklcy. Pdflantl 2'31 Vo~I(iE. “Try not the pass!” the old man said: “Dark 1owl'"s the tem_.pest Energico . 0 _ _ _ _ _ _ver_head, The roar- _ lug torrent cla __ ‘rion I voice replied, “EX __ CEL _ __SI_ _OR!’-’ J 18’ VOICE. By the same Compnser. Excelsior! ' Duett . “ Summer? 33 31 V0011 Dﬁ‘etY’- P13 2/,'g ' Jo} n Blockley Cantabile e molto Espressivo. stay,” the mai _ den said, ' “and rest Thy wea_ - -1“; head up. .011 this breast!” A tear stood in .his bright blue /eye, V rall: 6’ dim. f.\ (2':flV¢‘;ice)r;\\ he answe'r’d, wiih ' sigh, “EX _ _ CEL _ _ _SI._ _OR!” ,\ ares. ‘&——i ’ L"! Sf ./flgitato. V010 Q “Be __ ware ~ the pine — tree’s wither’d V F3 1:) branch ! Be _ ware ‘V the aw. _ ; _;f'u1 a _ . _ _ _ _V_Va1‘4ll]O1'\€ . "Excelsior! Duett. ; V ' ‘ ‘ John Blockley. Dolce e paco pin lento. the t e up the height , “Ex- _ _cEL_ _ _s1_ .oR!” e Religioso . break of Saint Ber- _n'ard Saint Ber: _nard i W {Th Excelsior! Duétt . pea._sant’s last “Good Night” A voice replied, far pea_sant’s last “Good Night” A V()‘lCe replied, far CV88 . Lurgizctto F/.\\ energ-{co . At J . f /9/9 hea _ _ ven - ward The pi- _ous monks of hea _ _ ven — ward The pi- -0us monks of Ut __ ter’d the oft — "re __ peat -5 ed prayer, A Ut __ teril the oft - re _-pe:if-_ed prayer; ‘ET John B1ock1e-y- ‘V221 l8z'ce-)//€ ‘ » lit V"1CE- — voice cried thro’ the startled air, “EX_.,CEL__S1_0R!” rrgf i nzf mf mu. .;\:i:§(— Pa rla nte. trav’__‘_ller, by the faith___f'ul hound, Half — buried /9/9 snow was found, Still grasp__ing. in his hand of ice "9" (21111 I/éice.) Q‘ banner with the strange device, “EX __ CEL _ SI _ OR!” * . ** The Alpine or S? Bernard’s Dogs, so celebrated for the services they render to mankind,. are trained by the worthy monks of the Hospice of Mount '5'} Bernard, for ‘rescuing the unfortu- mate traveller amid the glaciers and snow-drifts of the mountains . They are sent out in‘pa'irs,oner with a warm cloak fastened to his back, the other with a basket tied round his neck, containing some cordial and bread . If they ﬁnd a traveller who has sunk in the snow, they will lie down beside him, until by their warmth they restore heat and energy‘, and thus frequently save his life ..__ If he re- covers sufficiently to be able to walk‘, they conduct him to the _convent and by loud barking give warning of their return; if the traveller be insensible, they hasten for succour and guide the monks to the spot . l‘lxcelsio~.i'l-. Duett. . .. ‘John Blockley, Lento ,- There, in the twi__1ight cold and grey, I Lif'e_ _less, but’ beau ._ ti..- There, in 1 the twi_1ight cold and grey, L_ife._..1ess, but b*'eau‘_ﬁ _ /9 he ' lay 5 And from the sky , se- _ - rene and far he lay; And from the sky 3~ se-_ ..rene 1 and far, _\__‘J tenuto . lib itum . voice fell, like a fall _ ing star! “EX _ _ _CEL_ _ -SI __ OR!” Call“ vow‘ like a fall _ ing star, ./‘Io rcndo. f_\ , O -cEL ___ s1__-0R!” ‘“EX:\___(;.E;t.-_';.__SI __ OR!” ..CEL__._._ s1___6R!5’ “EX___cx-:L_____s1 4-012!” /9/9 W T (I . . 0 Ekc’é1>s_i‘or! Duett . . Lnu«!n'1}*,'Pr.whIi<hx-61 by John B]v:ck1ey,a.N-92 Park R005: H3“*?T."3t°€‘k H311-.
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Title: Paul Revere's Ride
Date: 1898
Text: Music LIBRARY VASSAF? cc L :5: noucmrscw.-us new Yomq To _ 'THE APOLLO CLUB, BOSTON, MASS. Paul Revere’: Ride a 1 —-“ My country, ’2‘z's of thee I sing ”— Cantata for Men’s Voices with Tenor and Baritone Solos and Or- chestral Accompaniment. Poem by H. W. LONGFELLOW T/56 /I/uric éy DUDLET BUCIC R Vocal Score, 75c. Full Orchestral Score, $5.00 net Full Orchestral Parts, $5.00 net NEW YORK G. SCHIRMER Copyright, 1898, by G. Schirmer 1’U/JLIS//E/J BY G. SC}/1/x’/I/ER. A LIST OF WHJRKS...
Show moreMusic LIBRARY VASSAF? cc L :5: noucmrscw.-us new Yomq To _ 'THE APOLLO CLUB, BOSTON, MASS. Paul Revere’: Ride a 1 —-“ My country, ’2‘z's of thee I sing ”— Cantata for Men’s Voices with Tenor and Baritone Solos and Or- chestral Accompaniment. Poem by H. W. LONGFELLOW T/56 /I/uric éy DUDLET BUCIC R Vocal Score, 75c. Full Orchestral Score, $5.00 net Full Orchestral Parts, $5.00 net NEW YORK G. SCHIRMER Copyright, 1898, by G. Schirmer 1’U/JLIS//E/J BY G. SC}/1/x’/I/ER. A LIST OF WHJRKS FOR MEN'S VOICES B Y DUDLEY BUCK A .— W it}; A cm/zzpz‘. . “ The Nun of Nidaros.” Cantata, with Tenor Solo. (Accompt. for Piano ob- ligato and Reed Organ. Additional parts for Flute and String Quintet may be had from the publishers in MS.) . “King O1af‘s Christmas." Cantata, with Baritone and Tenor Solos. (Ac- compt. as above.) . “ Chorus of Spirits and Hours,” from P. B. Shelleyls “Prometheus Unbound," with Tenor Solo. (Accompt. as above. Full Score published.) . “ 'I:he Voyage of Columbus." Cantata, 111 Seven Night-Scenes. (Full Orch. Score, Orch. Parts, Vocal and Piano Score. English and German.) “Bugle Song,” from 'l'ennyson’s “Prin- cess,” “The Splendor Falls.” (Ac- compt. as in No. 1, with two Comets obligato behind the Scenes.) “ Paul Revere’s Ride." Cantata, with Baritone and Tenor Solos. (Accompt. for Piano obligate, Flute, two Clarion- ets, two Horns, and String Quintet. Also, in defaultof Horns, an adaptation for two Cornets. Full Score, ()rch. Parts. Vocal and Piano Score.) In Vocal Combat" (Piz1noAccompt.). on the themes, “Then Youlll Remem- ber Me,” and “Rocked in the Cradle of the Deep.” Z?.— Wil/mu! Acca//zpl. . On the Sea. . Twilight. . The Signal Rcsounds. . In Memoriam. , . The Spring is come, Huzza! HARMONISATIONS. . Robin Adair. . Annie Laurie. . Blue Bells of Scotland. . Ever of Thee. . When the Corn is Waving. . Home, Sweet Home. PAUL REVERE’S RIDE CANTATA For Men’s Voices POEM BY H. W. LONGFELLOW MUSIC BY DUDLEY BUCK Listen, my children, and you shall hear Of the midnight ride of Paul Revere, On the eighteenth of April, in “Seventy- ﬁve ;” Not a single man is now alive Who remembers that famous day and year. He said to his friend, “If the British march By land or by sea from the town to-night, Hang a lantern aloft in the belfry arch Of the North Church tower as a signal light,—— One, if by land, and two, if by sea; And I on the opposite shore will be, Ready to ride and spread the alarm Through every Middlesex village and farm, For the country—folk to be up and to arm.” Then he said, “Good night!” and with muﬂled oar Silently rowed to the Charlestown shore, Just as the moon rose over the bay, VVhere swinging wide at her moorings lay The “Somerset,” British man-of-war; A huge black hulk, that was magniﬁed By its own reﬂection in the tide. Meanwhile, his friend, through alley and street, Wanders and watches with eager ears, Till in the silence around him he hears The sound of arms, and the tramp of feet, And the measured tread of the grenadiers, Marching down to their boats on the shore. Then he climbed the tower of the Old North Church, To the belfry—chamber overhead: Then paused to listen and look down A moment on the roofs of the town, And the moonlight ﬂowing over all. Beneath, in the churchyard, lay the dead, In their night-encampment on the hill, W'rapped in silence so deep and still That he could hear, like a sentinel’s tread, The watchful night-wind, as it went Creeping along from tent to tent, And seeming to whisper, “ All is well 1” But suddenly all his thoughts are bent On a shadowy something far away, VVhere the river widens to meet the bay,— A line of black that bends and ﬂoats On the rising tide, like a bridge of boats. Meanwhile, impatient to mount and ride, On the opposite shore walked Paul Revere, And gazed at the landscape far and near. And 10! as he looks, on the belfry’s height A glimmer, and then a gleam of light! He springs to the saddle, the bridle he turns, But lingers and gazes, till full on his sight A second lamp in the belfry burns! A hurry of hoofs in a village street, A shape in the moonlight, a bulk in the dark, And beneath, from the pebbles, in passing, a spark Struck out by a steed ﬂying fearless and ﬂeet; That was all! And yet, through the gloom and the light, The fate of a nation was riding that night; And the spark struck out by that steed, in his ﬂight, Kindled the land into ﬂame with its heat. It was twelve by the village clock When he crossed the bridge into Medford town, And felt the damp of the river fog, That rises after the sun goes down. It was one by the village clock, \ /’hen he galloped into Lexington. And the meeting-house windows, blank and bare, Gaze at him with a spectral glare, As if they already stood aghast At the bloody work they would look upon. It was two by the village clock, When he came to the bridge in Concord town, And felt the breath of the morning breeze Blowing over the meadows brown : And one was safe, and asleep in his bed, \Vho at the bridge would be ﬁrst to fall, W'ho that day would be lying dead, Pierced by a British musket-ball. You know the rest! And so through the night rode Paul Revere; And so through the night rang his cry of alarm ' A cry of" deﬁance and not of fear, And a word that shall echo for evermore! For, borne on the night-wind of the past, Through all our history, to the last, The people will waken and listen to hear The midnight message of Paul Revere. To the APOLLO CLUB: I)’()SI‘0I1. IWu.\‘.s‘. Paul tReVere’s Ride. - pm In by (“Nly (-.m1ntr,\‘, ‘fix of’ thee I s1'11g‘."‘ M .0 by 9 us1, DUDLEY BUCK. H. VV. LONGFELLOVV. Animate, ma Maestoso.(J = 88) L9.) sempre mgzrcato Moderate, recihmte. BARITONE SOLO. —=;—;: tempo (‘*-ui"$. f3 and you shall hear._._.___ Of the mid-night List — en, my children, f.\ * N. B. The aceompt. is for Piano obligate, Flute, two Clarionets, two Horns, and String -- Quintet. These parts and full score may be had from the publishers. Also, in default of the Horns, an adap - tation for two Cornets. /14099 Cnpyrzgrlzf, /8.98, by G. Sclzirnzer. On the eighteenth of A- pril, in “Seven—ty—fiVe:” Not a sin—g1e is now a - 1ive__. \Vho re- Tempo di Marcia. A TENOR I & 11. 7. 75"” 7"]. BASS I 8: 11. mem—bers that fam ous day and year.- Tempo di Marcia.(J : 92) to his friend, A he Brit— ish__ march by land or b sea from the (7'I’f.’S(T. _ —> _ 7 _ /'\ a to his friend, “If the Brit- ish__ march by land or by sea from the ff . . 710 to night,Ho1d 21 Ian — tern a—1oft the f -arCh,Of the > . -. ’ 7 to nig}1t,H6ld a lan —ter11' — fry-arch,Of the O. f NorthChurch er 5 sig _ nallightz 1\'0rthChurcht0wer as a Sig — 1a11iEht: if by 1 and , and two ,_ f I__onthe op - posite shorewill be, Read - yté) risc .3‘ . the op — posite shore will be, Read - y to r1se /.\ 3 /’—‘\ J gjtl 11099 ff.> _> spre ad the a—1arr." Thro’ ev - ry Middle-sex > . — larm Thro* ev _ ry Midd1e—seX vil-lage For the c0un0—try folk to be Sf ‘f "P000 Ada '0 tr NOR H Then he S aidf‘G0od— BASS I. S 3' an 0 m0 150- P000 Ada i0 tran ui110.( =63) - El,‘ > ‘ V’O€110. ‘ ed oar, with muf — - fled oar, Si—lent-léy 7 ZT ” and wxth muf — ed oar, i—1ent—1y e said, -night! and withmuf — fled oar, Then he said, “Good-night!’l___. i~len y rowed to the Charlestovm shore,__ 0 Charlestown sh ,_ 4 ::?..>_.—- 7 . to the Charlestown shore,__ --““-———:'L'.::_~'_-—_=.. Si-lentl y rowed to the Charlestown shore,__ BASS I. C to the Char1es—toWn shore._ BASS II. shore . C TENOR I. TENOR H_ as the moon rose as the moon rose .5’ as the moon rose 0 — Ver the bay, rose e moon rose the bay, __.__..______ the the bay, Where swing ing wide er moorings lay, The the bay, Where swing ing Wide er moorings lay, The - > ver the bay, VVhere swing ing wide ' er moorings lay, The > . . 9 1’ Where ' ing Wide her moorings ay, The “Som — er.set;’ - er—set’,’ “bon1— er.set’,’ ritish of — war. “Som— —set’,’ “ m—er—sét’,’ ri sh of _ war. “Som — er—set;’ “Som — er_set’,’ British of - war. Piil moto. A uge black 111 blackhulk, a huge black hulk huge black hulk,___:_. uge___________ black hulk H'l0t0. : 80) /3x 72‘//‘ L2 7 dim. huge black hulk, that was In - fied, By its ulk, ni - fied, B ‘_ ofvn r_e that was mag - By__._.__ its own hulk, that was ni — fied, 10, Term 0 di Marcia. flection ‘ tide. flection flection ec 1011 own re—flec-t1on 11 e tid Tempo di Marcia.(_J:92‘,> I) 67630. 8 D Tenor Solo. - 772 . - Mean—vvhi1e,his iend,thr'o’ a1—1ey and street Wan - ders andwatch—es with 3 ea-g~ er earé, Till in the si - lence a -round him e hears he sound of arms,.__________.. and he tramp Corni. f M12115 re p Tenor So1o.P BASS 1_ 11_ A March — ing, marching And the me:-.15 -ured tread of e gren—a - diers, Ma Ch—i11gdo\vnto their down to e_§hore,March—ing'down to the shore. .___.._._ b0 3 on the shore. ‘TENORS Chorus. BASSES climbed the tower of the Then he climbed e tower of >>E e be1- frv - cham-ber 0 e be} — fry - cham~ber /\ h TENOR II. — Then Then paused then look down a moment, on the roofs of then look down a moment, on e roofs of 0 ma mnmcmn@H____ Old North Church,_________ Ver — head: .273 TENOR I. to sten, to listen, the toWn._ Tenor Solo.- _ Moderate. (J:72..) ~, /,7 And the moon - light flow — /"\ /"\ TENORS 3“ BASSES - (*9 P. Adagio molto. (J_=s3.) neath, e churchyard la the _.._..__:_.______ In their neath, in the ch.u-rhchyerd lay the p .dolem‘e night-en campment on the hill;_ night — en campment on hil1;__ C1ar.Vio1a. fp W7 (it) The proper effect of this passage depends upon the 'conduct0r’s securing a true balance of Vocal parts in the pp low chords. They must sound sap?/[okra], but not “'7/M/dd?/3’ TENOR 1. se 6’ Wrapp’d VVrap ' si— lence ‘Wrapp’d ' si - lence rapp’d ' si— lence } 3 P§«h___,/ Piﬁ moto. he could hear, ‘ tine1’s tread, The — he cou1dhear,cou1d hear, iike a sen inel’s tread, The 4;“: e could hear, could hear, like a sen tine1’s tread, The he could hear, could hear, _.:________ like a sen_ti-ne1’s tread, a Piﬁ moto. J: 73. without Ped. watch - ~ ful night Watch — — fu1_ watc — — f 111 __ night sen- ti-ne1’s tread, the night - T ' creep — ing /“\ /‘R: Creep..ing a - long._ from —-_._—'i Creep ing from Creep—ing a - long from i—.4__i_T.' — ing a — long 1’ crest. seem- ing _ seem- ing whis - per And seem—ing whis - per /5 F A119 Vivace. well!” ell!” well!” well!” Fvzlxllegro Vivace. = 130. ' ' n. /3 . 2 1 Tenor Solo. _13 [0 Tempo di Marcia.(J:92.) .8..._ But sud n1y_ all s > >I07Ig. thoughts are bent ow _ y something far «zf ' L 10 ¥—_-"/J ILL- ga g If]. F? Ff I17 1 I Y I M .L . Where he riv _ er BASS I. II. unison. P A 14 TENOR I. II. 19 M0 derato. rec2'tam‘e _;whi1e, impatient . __ Tempo di Marcia. > shore Walked Paul sempre 19 like T 0 mount and ride, And 3. Baritone Solo. /\ gazed on the landscape Chorus. BASS 1.1]. 271’ But most - ly he watch’d with dim. , eager search The bel _ fry-tower of the old North Ch Baritone Solo. And lo! /gas he looks, 0% the be1- fry height 0 Moderate. +<) /—~\ @000 MI]. > >> :> glimmer, and then a gleam of light!_-_____ #3 calla ‘U008 Vivace. springs to the saddle, 3, bridle he turns, f ,> 3 > ' ' *<) The Baritone Soloist must not "shout” this note. The “light” was probably a tallovweandle. 14099 16 M/9d\erat0. f Vivice. b O A ‘V pogo Ht. ling. ers, and gaz - es, tihll full‘ on his sight A second lamp in the be1-fry 8 """"""""""""""""""""" K5 .1" ~52" .g/’ Moderate. /"T burns! - Allegro con fu0c0.(J:‘102.) Z('5.’\ A hurry of hoofs ' village street,‘ A 10 /_,r\ A hurry ofhoofs ' village street,__ mpﬁ“ Ki“ /3“ /.s>’\ /3“ 5‘ Tenor I auses. shape_ themoon1ight,a bulk in the dark;_ > _ > a bulk in the d;irk;_ /5 TENOR 11. And be- neath,__from the pebbles, in passing, And be— neath,_ from les, in passing, TENOR I. by a steed Struck out _> .> I Struck out by :1 steed /\ That was all! That was all! 3 a 3 spark __ spark __ That was That was 0’ e gloom and t e light > : thro’ e gloom * and the light, 1121 - tion was rid _ ing that night:___ fate of a ma- tion was rid — ing that night:__ And the spark struck out by that said in hlS flight __ And the k struck out by that steed in 1118 flight, . . > IX 5 jzoco cmsc. — rcia. Tempo di twe1ve___ by the village sf Kind — led the Kind — led the U11 poco piil moto.(J:M6) (Clock strikes.) VI 3 -5‘ _d eello,Vio1a. 1opBaSSi_ Baritone Solo. Sill when he cross’d the bridge iin-to poco sc. Med — ford town, TENORS. Chorus. BASSES. And Piix moderate. the the } . damp of felt the damp of the Pifl m0derat0.- riv — er— fog, 77) riv _ er— fog, Allegro moderato. Baritone Solo. It was one by the vil-lage — C o r clock when he ga1—1oped ' LeX—ing—t0n . F1. & Clar. VJ Chorus. BASS I. II. M’. e meeting-house win — dows, /‘\ \/ /\ VV1"Ihout- Pod. . &' Basso. 723]’ _ and bare__ Gaze him With a spec-tralglare, Chorus. TENOR II. BASS 1.11. (TENOR I. IWLIISBS.) b /'3 TEN.II.&B. 1. WJ B' H stood dz’-In . blood y work t ey would look up— on. > . dim -;_--_-—-___§_= At the blood y work 1 ey “'0 1d look up — on. Baritone Solo. by the Village came to thebridge in Con - cord town: 10 -—~-‘—-—_:_.__‘’ -ngf dim. (}h0ruS_ morn-ingbreeze, b1ow- ing 0 -_ ver 7 un. And felt thebrgaath of emormingbreeze, bow— mg 0 - ver the «tr Tenor Solo. molta Mtard. 1)-/’”‘T Moderato. (J = 78.) > safe, and a — sleep bridge would ly — ingdead, VVho that day Pierc’d ____. P57? mofo. 5 You know the Pa’ 12 moto. know e rest! L know the rest! Ch’-orus. ‘hm’ > sem re c/resc. 7 mght thro’the night __ thro’ the semjwe can ‘fz/000 night rang his C - larm-,___ night rang his cry a — 1arm;_ a word thatshall fi - ance, and a word thatshall /\/\'_\ 8 1-4099 mwrcato past, Thro’ wind the past, Thro’ .96/npre marcata the last; will wa - ken, and /‘\\ > >. wi 11 W21 _ ken, Vivace. V9 I‘€‘ . A__ _,__é. {T V8 re . — _,__-,_.._,ﬂ.__ Vivace. Jr‘/‘ 8141 bassa .................... J x, m V C WLWVM. . . f e . ‘ «N M; 4 wﬁmk. ..MM..w5KRn..uﬁm.uvvn ,, ORATORIOS AND CANTATAS PUBLISHED BY G. SCHIRMER, NEW You (FOR MIXED VOICES, UNLESS OTHERWISE MENTIONED) / ANDERTON, TH., The Wreck of the Hesperus, . BACH, j. S., A Stronghold Sure, . . . . -—-—- All they from Saba shall come, . . . . BARNBY, _IOS., Rebekah, . . . . BARTLETT, H. N., Autumn Violets. (Women’s Voices.) . . . . . . . . . -—- The last Chieftain. (Men’s Voices.) . . BECKER, _IUL., The Gypsies, . . . . BENDALL, W., The Lady of Shalott. (Women’s Voices.) . . . . . . BERLIOZ, H., Childhood of Christ, . . . -——- The Damnation of Faust, . . . ———— Scenes from “ Fall of Troy," . ~—- The Flight into Egypt, . . ——- Re uiem, . . . —— Te eurn, . . . . . BRAHMS,_j0I-1., Song of Fate, . BRUCH, MAX, Arminiu . ——- Fair Ellen, . . . . . . —--— Odysseus, . . . . . . . BRUCKNER, A., Te Deum laudamus, . . BUCK, D., Centennial Meditation of Columbia, ———- Christ the Victor, . . . . . . ———- The Coming of the King, . —-—-— Hymn to Music, . . . . . —-—~ The Story of the Cross, . . . . —~-— The Triumph of David, . . . . . —— Chorus of Spirits and Hours. (Men's Voices.) —-——- King Olaf's Christmas. (Men’s Voices.) . ———- The Nun of Nidaros. (Men‘s Voices.) . . -—- ’I‘he Voyage of Columbus. (Men’s Voices.) COOMBS, C. W., Hymn of Peace, . —— The Vision of St. John, . . COWEN, F. H., Saint Ursula, . . DAMROSCH, DR. L., Sulamith, . DVORAK, A., The American Flag, . GADE, N. W., Christmas Eve, . . . —-—- Holy Night, . . . . . . GAUL, A. R., The Holy City, . . . —— Ruth, . . . . . . . . GERNSHEIM, FR., Salamis. (Men’s Voices.) GILC!-IRIST., W. W., Prayer and Praise, . -—-‘ 46th Psalm, . . . . . . . —— The Rose, . . . . —— The Uplifted Gates, . . . . . . . -—— The Sea Fairies. (Women’s Voices.) . . . —— An Ode to the Sun. (Men's Voices.) . . . ~--—-- The Legend of the Bended Bow. (Men's Voices.) GOODRICH, J. W., Ave Maria,. . . . GOUNOD, CI-1., Gallia, . . . . —-— The Redemption, . . . . GREGER, C., Spring and Love, . GRIEG., E., Scenes from “ Trygvasson,” . HANDEL, G. F., Messiah, . . —— Utrecht Jubilate, . . . . . HARRISS, CI-I. A. E., Daniel before the King, . HAYDN.]OS.,vTheCreation, . . . . . -—--The Seasons, . . . HEUBERGER, 12., Art thou glad, then think of me. (Men’s Voices.) . . . . . . . . I-IILLER, F., Easter Morning. (Men's Voices.) . HOFMANN, F. H., The Pilot, . . . . . I-IOFMANN, HElNR., A Romance of Love, . . -—- Song of the Norns. (Women’s Voices.) . HUMMEL, FERD., Columbus, . . . . —~—- The Queen of the Sea. (Women's Voices.) JACKSON, A. H., Lord Ullin’s Daughter, JENSEN, AD., The Feast of Adonis, . . JORDAN, JULES, A Night Service, . KRUG-WALDSEE, J., King Rother, -‘ . LACHNER, V., The 100th Psalm, . . LISZT, F., The Bells of Strassburg, . . MACFARREN, G. A., May Day, . MASSENET, J., Eve, . . ———- Narcissus, . . MELAMET, D., Columbus. (Men’s Voices.) MENDELSSOI-IN, F., Athalie, . . . . o n o o o u a S §E?'x’ 8‘&$%88§83‘:B’«o?‘ 53358 8 ’&8‘&."E3‘~$§’r 2% S 838% 2 8%’ 8? ~———— Elljah, . o . - -—- Loreley. . . . . . . . .-——- St. Paul, . . . . . . . . ~——— As the Hart pants. Psalm 42, . . . ———- Come, let us sing. Psalm 95, . . . . . -——- When Israel out of Egypt came. Psalm 114, . -——— Hear my Prayer, . . . . ——~ Hymn of Praise (Lobgesang). . . . —— Lauda Sion, . . . . MERCADANTE, S., The Seven Last Words, . . MOI-IR, I-1., ’1‘o the Genius of Music. (Men’s Voices.) MOSENTHAL, _]OS., Thanatopsis. (Men’s Voices.) OWST., W. G., Communion Service in A, . . PARKER, H. W., The Ballad of a Knight and his Daughter, . . . . . . . . . ——- Dreamkin and his Love, . . . . . . ———- Idhe Holy hild, . . . o o u o .8S828%383‘538i%§§8?§88$E$’u8S§§88¥ . .\o n ylle. (Goethe) . . .' . . . RAFF, 1., A Song of Freedom. (Men's Voices.) . REED, C. 1-1., The Birth of the Opal. (Women’s Voices.) . . . . . . . . . REINECKE, C., Evening Hymn: “ O’er all is quiet reigning,” . . . . . . . . . RI-IEINBERGER, jOS., Clarice of Eberstein, . ————— Harold, . . . . . . . . -—- King Eric, . . . . . . . . —— The Mermaid, . . . . . . . —— Morning Dew, . . . . . . . ———- The Daughter of Jairus. (Women's Voices.) ROSSINI, G., Stabat Mater, . . . . RUBINSTEIN, A., The Tower of Babel, . . SAINT-SAENS, C., Christmas Oratorio, . . . ——-- The Deluge, . . . . . SC HUBERT, F., Miriam‘s Song of Triumph, . . SCHUMANN, R., Scenes from “Faust,” . . . ~— The Pilgrimage of the Rose, . . SCI-IUTZ, 1-1., The Seven Words of our dear Re- deemer and Saviour, . . . . . . SHELLEY, H. R., The Inheritance Divine, . . SMART, H., The Fishermaidens. (Women’s Voices.) -—- King René’s Daughter. (Women’s Voices.) . STAINER, 101-1., The Cruciﬁxion, . . . —~—- The Daughter of Jairus, . . . . , VERDI, G., Requiem, . . . . . VOGRICH, MAX, The Captivity, . . . —— The Diver, . . . . . . . . --— The young King and the Shepherdess, . . WEBER, C. M. van, Life's Happiness, . . WHITING, GEO. E., The Tale of the Viking, . ).A D-it-5 I-1|-'- 388 o n u o IOIOIO 5-‘ 5-‘ # S8 3388 8§ <*3"x‘c’§§ 8‘$:% 88? 88888%8§z8 88 8 put £3333-‘S§88§88% S8S83’c§S8§2¥E€E>'«’8§ 8% 5323888
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Title: Rainy Day, The:, The Rainy Day:
Description
Date: n.d.
Text: \ 1, W " \ /‘ ~-,,.,« /; Ijm/_:~‘[{% T , ‘ //3Lpléurg'¥I3ah:1l1t«L£[g' jﬁhngﬁellaw; (1/3%! ,\L ]MElJ]$%l£ 117$ " VMmU'¢//?};M\ K K‘ _/ \‘ //. E. // Kg .51’ 1.7;»: wet/V: {x 7 Q, ‘ BOSTON: ] 2129213‘/zzzi ‘/(V/’ OLIVER D lTS0N1[i/7123‘/if/5/;//Z7/Z/2)?‘ Jﬁmzz-a“Z m,w7z'/z'/:,_4/ rug/:7 u/’£irn_z//wzvj/22/ '//{H Z//ii/r’/J/2*/‘var; '7'/L I/3,1’, [Zer7:.5- 0/WM :7/'1’/M (7/Jyr/2 , Jurr u ’ " 7 vv nuscc unnanv, VASSAR COLL’-{GE THE RAINY...
Show more\ 1, W " \ /‘ ~-,,.,« /; Ijm/_:~‘[{% T , ‘ //3Lpléurg'¥I3ah:1l1t«L£[g' jﬁhngﬁellaw; (1/3%! ,\L ]MElJ]$%l£ 117$ " VMmU'¢//?};M\ K K‘ _/ \‘ //. E. // Kg .51’ 1.7;»: wet/V: {x 7 Q, ‘ BOSTON: ] 2129213‘/zzzi ‘/(V/’ OLIVER D lTS0N1[i/7123‘/if/5/;//Z7/Z/2)?‘ Jﬁmzz-a“Z m,w7z'/z'/:,_4/ rug/:7 u/’£irn_z//wzvj/22/ '//{H Z//ii/r’/J/2*/‘var; '7'/L I/3,1’, [Zer7:.5- 0/WM :7/'1’/M (7/Jyr/2 , Jurr u ’ " 7 vv nuscc unnanv, VASSAR COLL’-{GE THE RAINY DAY. Poetry by H.W.LONGFELLOW. Music by WILLIAM R.DEMPSTER. Cres: The day is Cold, and dark, and dreary; It rains,/ and the wind is ,g...——.__\ J weary; The vine still clings to the mouldering wall, Con espress: - - ery gust lthe dead leaves fall, And the day fﬁ P1’ /.\ PP dreary. . . . And the day is dark and dreary. . . . And Hm (lay dark and drea - is cold, and dark, and dreary; It rains, and the wind Weary; My tlmuglxts still cling to the n10ulde1‘ing past, But the lmpes of youth fall flxick in the blast, And the (lays are dark and P1’ <lr<~ary. . . . . AmHl1e><,luys are,-_ dark and dreary. . . . . And the days are dark and drea - - ry. still, sad heart! and cease re - pi11in;_r; Be - hind the clouds is the sun jstill shining; Thy fate is the com - mon fate pr:\ 1) to each life some rain must fall, Some days must be dark ﬂ\ PP /.\ PP Some days must be dark and dreary. . . . Some days must be dark and (lrea - - ry.
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Title: Day is Done, The, The Day is Done
Date: 1910
Text: MUSIC LIBRARY VASSAR COLLEGE Poucuuccvsvc. NEW vonx Il'I In-I » u I In The Day is Done. (Prize Madevigal 1.910) Carl Busch The Chafer and the Flower. W. H.Veit Oft in the Stilly Night. (Arr. by D. A.0l/ig;p7,'7zge'r) Old Irisﬂ Morfa Rhuddlan' (Ar/7'. by D. P7'Of/u:’)'ue) Old Welsh Airs . Nos Calan. Turn Ye to Me. (Arr. by l?o.s'.s'c2‘lt.'r7' (r'.0ole) 111 Pride Of M83’ (P73-55* —Ma077'5gll1 1-911) Will G.Mzxcfa.rlane I Know a...
Show moreMUSIC LIBRARY VASSAR COLLEGE Poucuuccvsvc. NEW vonx Il'I In-I » u I In The Day is Done. (Prize Madevigal 1.910) Carl Busch The Chafer and the Flower. W. H.Veit Oft in the Stilly Night. (Arr. by D. A.0l/ig;p7,'7zge'r) Old Irisﬂ Morfa Rhuddlan' (Ar/7'. by D. P7'Of/u:’)'ue) Old Welsh Airs . Nos Calan. Turn Ye to Me. (Arr. by l?o.s'.s'c2‘lt.'r7' (r'.0ole) 111 Pride Of M83’ (P73-55* —Ma077'5gll1 1-911) Will G.Mzxcfa.rlane I Know a Maidon. (Pr/Ize J[aa'ra'g‘al 1.912} Louis Victor Saar The Time 0’Day R-osésetter G. Cole Ye Si11gersﬂA1l (l’m',ze Jlladﬁgr/Z 1.913) _ _ Louis Victor Saar 'ou1d God I were the tender Apple Blossom Arr. by Rossetter G. Cole Nymph and Swain (Prize Madrigal 1.914) Wi11.C. Macfarlane 0 Lady Leave Thy Silken Thread (Prize Madrigal 1.915) G. W. Chadwick New Love (Heme) Mendelssohn-Weidig A Spring Ditty. (Pr/-ize ]l[ad7'27g:_(__z_l 1.916) Harvey B. Gaul A May Caro1,(Pm’ze Zllaah-2'gal 1.917) Will C. Macfarlane The Four Winds A Daniel Protheroe GAMBLE HINGED MUSIC 00. The Day is Done H. W. LONGFELLOW Moderato CARL BUS C H 2 Soprano Alto Tenor Bass Moderaio and’ the darkness falls The day a tempo Z“ nf " — T’\——/V This Composition won the W. W. Kimball Co. prize offered by the Chicago Madrigal Club in 1910. U051);/relght, 1.910, by Gamble Hinged Jllusic 6’o.,0ln'ca0'n. International 0010;:/rig-Int secured. r/:.;—.-_-s“_-any-u‘ -éh-it gg‘ :9 I J; J; ii J: at‘ I: 4?’: --5::-':..-«-. ‘>.._'—-:;.~<--: to-I-A“-"...;<i|-’: -aura.-.‘*_?>‘*--V.‘ Tu‘ ¢u;' §—~s ~‘ugo—u' -.'-—‘-‘ :3 I 31 Ji ii .3; ii I: _...“W9:...'~:.‘--r_.1'_~<.-.5‘-I-v-. 4;. 41!!»-4‘- 4.T";L:“!'l». ~&_—&_cov,-,-. ~ ..Q.v..vzr.:-1.‘-% - 3. , =,v'*>‘..-'._;-,—«Z‘ . Wings of"m'ght;, .._,_.. T..T===_— wings of m'ght,____ As a feather is — L} flight. The Day is Done-19‘ 2 I fea.therV is waft - ed down - ward From an — feather is waft- ed down, waft - ed down-ward eh i- As afeather is waft - ed I From JJ/J Allegretto — I see the _ lights of the village gleam I :__§'‘__.—‘—-—— 1 see the lights of thevillage gleam V mf Allegretto - \__—:_——-:.‘_j ‘ throughtherain, And a feel- ing of sad M - ‘L . ——i::f”_._ J» v ~*— -1.-:w;4.x “c, . .;-~. 5 :. T‘ . ‘\1-«: throughthe rain, And a feel — ’ "'..=:~;.<.*.;.*‘.'r:::,..._"-E.,3.:-:.....‘...-.==.<...¢ T..__«_-_-:....-;.--~.+-- ~ - - throughthe rain and the mist, — v‘ ~ ~,-av-22:: ‘ ,:., ,‘_ throughthe rain and the mist, ..,.,___.;‘__‘._.M‘._,A__. ._“,,4.;_~._.../-_;_V;,...;‘_:5;.‘,.......¢\_;,.—~;; "_.«..__.,_,.\_",,.._‘_,rw»....,.,-..4._.-:s—.‘,......\V.«na-:H_ . _, ,. comes o’er _ That my soul can not re- .._u___.!’'_...’'.'_‘_ I7 molto M t. .1 T‘- _.————{‘*‘ sad-ness comes o’er . L3.;_ ._ :::‘\‘;,+—:, 3,'_’;.;._ . 29 molto Mt. of sad That my soul can L; _ P molto mt. V {- ’I‘h.e Day is Do_ne- 19 - 3 Moderato A feeling of long-ing not a-kin to pain, ar:.r‘;:\."’«, .. .. I . , Modera to :1‘: 343 -—w feeling of Moderato ‘.._..;_..~.<«,+- :—-.;;;;—. :v of sad-ness, not a kin r»»Y:_:. Moderato That is not a—kin to pain, Moderato 17 And re - sem-bles sorrow - " re - sem — bles rain, j.__j"j-’—{—_ P > L2 And re - sem-bles sor-row ' re — sem—b1es the rain. ;..s.....,..vu-.._;, 4_ ﬁn . Kr/'> ,.~_.a—.:.~.-V-_ And re - sembles sorrow as the mist re - sem - bles ,ra1'n..__ ‘..w.\._,......_:...».;.__‘..«,~= — ::*££2!=!-5:‘. :1:-. .:;;s 1.; ..- \ ,_.—ﬁ»_._4,.— _.,.. . re — sem-bles rain. b .---- -*:r=*.».:2:=::.,..==;;:E!-_.... 4 A-....-—::_.u .. A . ,..~..‘ ,...\,,..._, , :\‘v»~u)" ..~‘. ».:=ZfZ_'~;,__.~ The Day is Done--19 ~ 4 * M - ;_._....?.___.;.;_. '~'.a._:.«'I3'«‘-J32.-.e;, read to me S 01116 _ read to me The Day is Done -19" 5 some Sim-ple and heartfelt 1ay,That shall 4% % § 5 ..1 E !. E Q Aﬂ i k E \_2 heart - V poem Sim-ple and *:;—=: L"TL'«§"t?7Je’T-'21?-«"'*i.__‘1f:'h ?;_~A' ‘—-- 2.3:-aaz=v1éu='=I.~.-.an~._-——v_«n\.rr.V . ”*$’F5'“:‘ % % s :1 E t I e E E [6 i ,...t. .-ea » soothe this rest-less feel - ing And The Day is Done-19- 6 f Not from the — Come, read to — lay, Allegro Allegro Allegro grand Allegro and ban —ish ' the thoughts of day. me some Sim - ple some simple heart mf Not from the _ Not from the _________._. 4—:___.___j Not from the 3' er-\~.-..,‘ ‘ -.. «-4. _. ¢ ﬂ .. ., ‘ ... ._ . ,-._.._.,,-..v..,.n—,»¢__-, V.-.7-. ..~..::~'~:- — — 4 sub - lime, , “r*‘—f;~v< — ..j,1C7‘::Q,§n‘I«E';"“L?-=."1:';:.L:v. ‘.--...,,ov-v~ -.aw-.$ ‘.«.._4."A.1'..u-—.. ""'-" sub - lime, 4 5 ~31 sub - limb, ' /\/"""""'h Whose distant mf “ h L 1'7" For like 17’ Through the cor ~ ri Through the cor - ri For like Through the cor - ri The Day is Done-19 -7 . f ‘ strains, sug- gest 1it'e’s strains ' A sug - gest life’s tho hts f 11% mar-tia1 mu‘: — sic, their might-y thoughts __ mar-tial mu - sic, their might-y thoughts Z" ,/ / and en — deav— or; and en - deav— or; sug - gest Iife’s end - iess toil; life's end - less toil; e11d- less toil; _ The Day is Done—19— 8 I long to rest. long. Len ta 27 ....—=;'’; (5 1. night ! L672’/:0 —- _ _ mg I long to rest. /3 Whose songs gushed from his I9 Whose - The Day is Done -19 -9 Read froffhe heart 2’ songs As ‘- . show - ers Moderdto ‘hum- Moderato Moderate Moderato Moderato songs gushed from » < i! :4 9 8 2* 3 W kn S 5 go i n 3 :4 I 1 I N . s Q i 3 *-2 at ~:.'._z..- A/.6-~— ;‘.';:e«....._-——-.z.__*-- his 22 "4-.""z=-_*.n...*'---.4: again 74:: :5-‘,..-2 .——.“”“" .53..‘ :5 —-._c.—:»:.an-p - '_ .';:-g: ~‘ 11 3 5 9 3 J 8 ll] 3: St E St‘ .1? V! ,%l_ .|‘.‘ I“.‘‘ _N‘ X: 3 N: g. ‘-3 J? LIA ....__.-——::...__--- razeiezé --.__1‘>4=:-_'z..."«-'~__._*'- agn lute 2:: j‘,:—: -"§. his heart, gushed from. from the clouds _ clouds Or tears from - ' his heart as show - ex-s_ from the L} Allegretto P Who, through long days of Allegretto Who la h—. bor, And Allegretto through long days of _A l legretto Allegretto The Day Done - 19 - 10 lids start . nights .11ights,andnights de - void — m'ghts,a.nd nights de - void 1" . Heard in his I’ Still heard the P _ The Day Done- 19 - 11 Moderato Maderato Moderato Moderato Moderate mel— o - dies won — der- ful heard the heard the he heard the . have pow’r to Such songs have pow’r ' The Day is Done- 19-12 quiet the rest - less pulse, quiet the pulse , quiet the pulse L the pulse of care, ___....__ And -come like the _ . ' ‘/3‘ like the ben— e - dic—tion that fol - lows, /3% g/ ' \_’/ like____ the ben-e - die - tion aft \ / 3 \ ' hen - e - dic -tion that fol - lows aft — er prayer, p———=_—-;-‘-"‘_§ > -Ami like the hen - e — dic - tion that The Day is Done- 1943 lows aft — prayer. prayer. ___________ Then read from the treas-ured fol -- lows -aft - - er prayer. J-—— fol‘ - lows aft - er prayer. read from the ﬂvol-ume the poem Then read from the vol-ume, _ '1 I ji- .i;? e 1e 1: 3: J; '}f 3. 1 3; A 3; ii 11 1 2 1 fr 1% L I The Day is Done A-19~14 of of the ' poet the beau-ty 4 and lend the beau - ty the beau - ty night shall be ﬁlled And the with mu sic, . And the night shall be filled with mu: - thy voice . 4.11.. : And the shall be ﬁlled ’ — shall be filled And the with The Day is Done—- 19 -15 x-‘,‘,'»—-"““"‘—"‘°"*‘/*-1?-..,=.=-¢_.;»«.§,ao.:«—v-.-_;-;a:--~¢n£: H‘, _.:,._¢-«=~\.,_,., _ ‘ j “ . ‘x . .~ , .,..,.._.__i~ ..‘..,e. ,. ....;.i...4;+ \:.., cares that in-fest day, Shall fold their tents , cares that in— fest _i shall be filled sic, And the cares shall fold their tents -like the ;I in‘: ':xL Hg’: 1.‘ w'',‘ ;? I 2 ,. - lent-ly, and as ._..«V\‘, ‘X ‘~\....~.._ _.,‘ ‘.__-— ._ ;=,_= , -an-5 _ day, shall fold their tents ~ _ ~ _«_<...»,,—...;5,_ The Day is Done - 19 -16 to P Malta mad _ . steal a -way, si - lent - 1y Malta mad’.0, ».s=:.:T_ /‘\ way AITX as si- lent — 1y 1, Malta madéo. :.—.;',,___"‘;_-—.~<7..—,‘_,__.~. 2..., u-_._. 3...‘, en...» way. Malta mad’.‘’. /3?’ And as si—1ent -1y steal a-Way, as si-lent-ly -Malta madl‘.0. _ steal a - way, The Day} is Done - 19 - 1'7 L4; 1; J; 1? 1* at 3% «l: t 1' i S 3 I J ,5 I 5 ( I i: 1 f ff I g V V!|' 1‘ E a. - way, .._ a - way. L3. . __é_——--- . _=f: ....————---'—" . day A vs done and the dark - 11essL falls from the F“ ‘F F ‘ a - way, ___—__._. _:._.T is ‘—...¢,éu--way-:u....=n._-.o.—.,.,... ,-n K _ , - ‘;~2\ 4- and the - ness falls from I; A ;? 1!; £ .6 k f TE --.-.~--- - ness falls the wings '7é:e-fie-9-jana-'9£»3-4%-_aI9i2'nvwn‘axiC.&‘."——n—‘.aa£"«——; _ “flu-,‘..—A~'f-cg-. The Day is Done - 19-18 PP FL _%.___3 The Day is Done - 19-19
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Title: Excelsior
Date: n.d.
Text: MUSIC LIBRARY \lAS5a°aR COL‘-‘G5 “(!E3€(!B(!EiE§3(l]>?11.” ' THE POETRY BY H. W. LONGFELLOW. THE MUSIC BY J. TILLEARD. AN DAN TINO. { ° 4 The shades of night were fall - ing fast, As through an Al - pine vil - lage pass’d AA IT A Ad lib. youth, who bore, ’mid snow and ice, A ban - ner, with the Strange de-vice—‘Ex- f\ _/ His brow was sad: his eye be-neath Flash’d like a fal -chion from its sheath; And {S sil - ver cla. - rion rung The ac-cents of that un - known tongue——‘Ex- .. A cel ...
Show moreMUSIC LIBRARY \lAS5a°aR COL‘-‘G5 “(!E3€(!B(!EiE§3(l]>?11.” ' THE POETRY BY H. W. LONGFELLOW. THE MUSIC BY J. TILLEARD. AN DAN TINO. { ° 4 The shades of night were fall - ing fast, As through an Al - pine vil - lage pass’d AA IT A Ad lib. youth, who bore, ’mid snow and ice, A ban - ner, with the Strange de-vice—‘Ex- f\ _/ His brow was sad: his eye be-neath Flash’d like a fal -chion from its sheath; And {S sil - ver cla. - rion rung The ac-cents of that un - known tongue——‘Ex- .. A cel - - - si-or!’ r'\ ' ./ In hap - py homes he saw the light Of house-hold ﬁres gleam warm and bright; A- /5 -_.,,-,,«.—¢.,_~..v _—;\«..«y ,_..~,=—~ ,(»— ~,£___,f_—,.-¢.- «, n Ad lib. .5.» _.<¢*«.s>-;< hove the spec - tral gla - ciers shone, And from his lips es - cap’d agroan—-‘Ex- A 4. ‘ Try not 5. 6. ver head, The this breast!’ A - Va-lanchel’ old man said : ‘Dark l0w’rs the tem - pest 0 - said, ‘ and rest Thy wea. ~ ry head up - on wi -ther’d branch! Be - ware the aw - ful a - the pass,’ the the maid - en ‘ 0 stay,’ the pine-tree’ s ‘ Be -ware KN re-p1ied—Q ‘Ex- a sio'h—— ‘Ex- the height—‘ Ex- KN loud that cla - rion voice still he an - swer’d with voice re — plied, far up deep and wide!’ And bright blue eye, But last good night: A torrent is roar - ing tear stood in his This was the pea - sant’s ce1- - - si-or!’ KN ../ 7. At break of day, as hea - ven-ward The pi - ous monks of Saint Ber-nard, 8. A trav’ - ler, by the faith - ful hound, Half bu - ried in the snow, was found, Still 9. There, in the twi - light cold and gray, E Life - less, but beau- ti - ful, he lay; And ZS A Ad lib. Utter’d the oft - re - peat - ed pray’r, A voice cried, through the star - tled air—‘Ex- §rrasp- ing in his hand of ice That ban - ner, with the strange de —vice—‘Ex~ rom the sky se - rene and far A voice fell, like a fall - ing star———‘Ex- . . A DAVIDSON’S MUSICAL TREASURY Contains above 2000 Pieces, all printed on the same size and style as this Quadrille, comprising a large Collection of the most popular Songs, Duets, Glees, Quadrilles, Waltzes, Polkas, Country-Dances, Schottisches, Marches, Pianoforte Pieces, &c., &c. Full Catalogues of the whole will be sent, Gratis and Post Free, on application to ‘ the Publisher. ' DAVIDSONi’S OPERATIC GEMS. Consisting of the Melodies of Popular Operas, arranged as Pianoforte Pieces, in Shilling Parts, each containing 16 or more pages, and each embellished with a Portrait ofthe Composer, or some celebrated Operatic Singer. The Series cornprises—— Pu:-r. 1. Don Giovanni—2. Les Huguenots——3. I1 Barbiere di Siviglia—4. Gustavus—5. Norrna—6. La Cenerento1a—7. Der Freyschutz-8. I1Prodigo, or Azael the Prodigal—_-9. Il Flauto Magico—10. L’E1isire d’Amore—11. Fra Diavolo-12. Lucia di La.mmermoor—13. La. Gazza Ladra—14. Le Propliete—15. Masanicllo—- 16. La Figlia del Reggiment 0-17. La Sonnambula—18. L’Eto1'\le du Nord. ’ - DAVIDSON’S VOCAL GEMS OF FOREIGN OPERAS. With the Original Words, and the most approved English Versions. All the principal and most popular pieces in each Opera, with Pianoforte Accompaniments, may be ' had in One Shilling Book; or in a few instances, in double Books, Two Shillings each. The Series comprises- Book 1. Le Propheter—2-3. DerFreyschutz—4,. Fra Diavolo—-5—6. Fidelio—7. Masaniello——8-9. DonJuan——10. Nino-11-12. Haydee——-13. LaFiglia del Reggirnento—- 14. Norma-15--16. Robert le Diable-17. Serniramide——18. Strade1la—19. I1 Prodigo, or Azael the Prodigal—20. The Magic Flute——21. Gustavus—22-3. La Son- nambula, the only Edition containing the world-renowned Words of the late Mr. Beazley, the exclusive Copyrights of the Pub1isher—24-5'. L’Etoile du Nord, with the English Words by Mr. Reynoldson, now being sung nightly at Drury-Lane Theatre, also the sole Property of the Publisher.
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Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: 1888
Text: IUIIC LIIIIAIY VASSAR COLLEGE POW‘-H'~'I:.'.PsI:. Mzw vomt '§‘=~.,I»; ’ — <§'..-7—~7,";:~«*«§-v1~*~—.;--—..a-~.~_ V -— —o._ -—"'~-; ..:-—,...~—<..;’v.—* worry»:-v _:—.—'(.e*'.-,§-go-7-.--4—__— ,'~‘—'~»'-?..’._:.-v *3: “ 0 STARS SO PURE . . . . MEDIUM VOICE . DEATHLESS DREAMS . . . MEDIUM VOICE . GOOD ‘NIGHT AND SWEET REPOSE MED. VC. . HURRAH! FOR THE MAN WHO DIES LOW VC. . IS MY NAME SPOKEN IN HEAVEN? MED. VOICE . REST. . ...
Show moreIUIIC LIIIIAIY VASSAR COLLEGE POW‘-H'~'I:.'.PsI:. Mzw vomt '§‘=~.,I»; ’ — <§'..-7—~7,";:~«*«§-v1~*~—.;--—..a-~.~_ V -— —o._ -—"'~-; ..:-—,...~—<..;’v.—* worry»:-v _:—.—'(.e*'.-,§-go-7-.--4—__— ,'~‘—'~»'-?..’._:.-v *3: “ 0 STARS SO PURE . . . . MEDIUM VOICE . DEATHLESS DREAMS . . . MEDIUM VOICE . GOOD ‘NIGHT AND SWEET REPOSE MED. VC. . HURRAH! FOR THE MAN WHO DIES LOW VC. . IS MY NAME SPOKEN IN HEAVEN? MED. VOICE . REST. . . . . . . . . . LOWVOICE. WHEN LOVE WAKES UP FROM SLEEP MED.VC. . AND THE STATELY SHIPS GO ON LOW VOICE . BECAUSE. . . . . . . . . HIGH VOICE . SONG OF YESTERDAY . . . MEDIUM VOICE . MY OWN MY DEAR ONE . . MEDIUM VOICE . PRAY DON’T TELL . . . . MEDIUM VOICE. MARGERY (Echo Song) . . . MEDIUM VOICE . GOOD NIGHT, SWEET DREAMS. HIGH VOICE . GOOD NIGHT, SWEET DREAMS MEDIUM VOICE . GOOD NIGHT, SWEET, DREAMS. LOW VOICE . HE TOLD ME SO . . . . . . HIGH VOICE HE TOLD ME SO . . . . . . LOW VOICE BOBOLINK . . . . . . . . HIGH VOICE I HEARD THE VOICE OF JESUS SAY SOPRANO OR TENOR THE SEA HATH ITS PEARLS _ ‘A _ .:~.. _. <~‘ , . _-.:t~_<— ._.,—;‘.5:.._ ~ ' 4. ‘* 4; - ;‘~;.:~‘.‘<—- 7F’l'gI|adeI[:-l?'Ia “]?IEobom‘}7re/a:wr@. I712 CZl2e5tIgul5Irt “M4004 THE SEA HATH ITS PEARLS IV0m’s by Heme l’ngl1's/2. 1/e'rs1‘0n by long/‘ellow Music by BISCHOFF Andante _ I’ The sea can espress. ' {,_..—8—————:—h at tempt} ’ _ poco mil. \ hath its [7000 ml]. Copyright 1888 by The John Church Co. Copyright renewed 1915 by Elsie Bond Bischoff - 5 heav’n hath its stars, But my heart, {@200 mil. a tempo heart hath its love! a iempo poco mil. f Great are the sea and the heav- _ en, great — er is fair - er than pearls or 9" >po6o ml]. can espress. F1ash_es and beams my lit - tle youth‘- ful maid — un—t0 my great My heart, and the sea, and the heav — 11000 mi]. 10000 56”“ ﬁ 1n?;—1_t' _ ing a _ way for love! The hath its [7000 lento 1919 -9.05t6’7W'/'0 (l77Z07'0.S'0 ea pear1s,_.. The its stars, 14004-5 My heart sempre c7'es(:. heav’n sempre oresc. , can assione cresc. molto ﬂ‘ 17 stars, But my heart, _ my morenrlo RECENT SONGS §°,.-.‘.:?3° HEAR MY CRY, 0 GOD Pm-ywcents . 4 . H SMER Andante PSAl‘IsA]5° P“b1l»\‘hed for Low VUIFPE. S 0 Leadrne to the rock- that is high - er than 1, Lead me to the Who rd Price, 40 Cents ADDISON F. ANDREWS 1 0. A'1votI'u'o.v if short or tong My ear1h- - ly jounney be; I A - Allegretto c s ' ‘to Price 50 Cents olgﬂgf; ILE THURLOW LIEURANCE Thank 3 way to see sun-shine when clouds fill the sky; ‘H3 to ‘smile, just smile; A way find glad-nest when sad-nest is nigh, 33.3%?‘ ~GOOD NIGHT DEAR Priw.50CenIa Andante mode)-Mo ,,,,,,.,,.,..a,w;\x1'-:1-‘I1-:Ln suim Dear low. good- May sweet . est dreams THEO. PRESSER CO. PHILADELPHIA. PA.
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Title: Endymion
Date: 1899
Text: MUSIC UBRARY VASSAR COLLEGE uouGHI(EEPsI:, uzw YORK I/0‘ CA L x/(E5/VA ( Solo ) The Poem by LongFc1 low. V 5: “ % . Music by for//>ra/zoxn C‘ for/Vlezzo faﬁ/29120 in M 2 rrawwem [ll/I lfll/Y4/V/V. != "£7 g ’{i "if : --=~.4—_»:~ TH E JOHN CHURCH COMPANY. CINCINNATI . NEWYORK. LON D ON . — 4. ~. A.=::.~.-7.‘=“:< ( 2/6 NET.) 2 FOR 5' 01713../I 4V0. (0r1'g1Tnal key.) Endymion. Orchestral score and parts may be had of the Publishers. LONGFELLOW. LIZA LEHMANN. Unpoco lento...
Show moreMUSIC UBRARY VASSAR COLLEGE uouGHI(EEPsI:, uzw YORK I/0‘ CA L x/(E5/VA ( Solo ) The Poem by LongFc1 low. V 5: “ % . Music by for//>ra/zoxn C‘ for/Vlezzo faﬁ/29120 in M 2 rrawwem [ll/I lfll/Y4/V/V. != "£7 g ’{i "if : --=~.4—_»:~ TH E JOHN CHURCH COMPANY. CINCINNATI . NEWYORK. LON D ON . — 4. ~. A.=::.~.-7.‘=“:< ( 2/6 NET.) 2 FOR 5' 01713../I 4V0. (0r1'g1Tnal key.) Endymion. Orchestral score and parts may be had of the Publishers. LONGFELLOW. LIZA LEHMANN. Unpoco lento, tranquillo assai.(J : 66.) 3 J_ p z‘m72qm'[lo. ‘ The ris—ing moon____________ has hid the stars, Her lev-el rays like gold-en __.———-/ L___________/9 V 5 \.r \L Copyright MDCCCXCIX by The John Church Company. International Copyright. Entered according to act of the Parliamentvof Canada in the year MDCCCXCIX by The John Church Company in the Department of Agriculture. “ALL RIGHTS RESERVED’) “Including Public, Performance For Profit!’ Made in the U.S.A. on the landscape green ppa lei)///0. With shadows brown be — tween, And si1—ver - white 147 hf _. the riv-er gleams, As if Di — a — na, in her dreams, Up— on the mead-ows as A;/0170 cresc. a te-m/Jo. On such a - quil night as this, ///'12 crew. She woke End-ymion with a ' When slee ing in the _‘ \_/ m cresc. _R /1/we]. 6 (17111. P/""‘T‘\ 1'17 lem//0. grove, He dreamed .... ..__._ not of her love doing. e ([1721. ,; «,,0c¢._ pp a (em /17}? m0.s'.s'0.(J : 80.) > > WW0, Like Dian’s kiss un-ask’d un- 7 /mi mosso. 13163-14 Love gives '1t—se:1f, but is not bought, ‘I? ()7'c.s‘t:'. VOiC€ n0r__ SOuT1d,_______,__ be—tra,ys_____ Its deep h<ctv7~~\_ _____ __ ./-‘G‘ '\ /« A11da1nte,ritcn11t0,unpoco maestoso. m ma ( : 69.) It can amplezza. comes, the beau-ti — f_ul, the free; The crown of all hu-man-i _ wgf //en .s'0.s'temzz‘0. lence, and a - lone, seek the e —1ect — ed lifts the boughswhose shadows L‘: 1'1’ ob-livi - on, the s0u1’s A sleep, And } ml]. 6 a'olc2'.s=.s°z'//10. kis — ses the C105 - ‘ who slum — ber-ing pp ml]. e (1 tempo e mall. c7'e.s'(:. Oh, wea - ry hearts, Oh,slumb’ring eyes, a tempo e molt. cresc. f - ing souls whose des — ti-nies Are fraught W1t,h fear‘ and (‘T sem,m'e;21’z7cre.s'c.ea' allzwgarzdo ‘shall be loved pix? @390 (J : 69.) 77l0«S'-3'0. one is so ac—cursed by No one so ut - ter-ly > >- des - 0-late V But some heart, V thoughun-known, mollo mil. mice/. e c'7'e.s*c. . 1. 7 Re - sponds (meal. 6 cre.s'c. Tempo I.(J : 69.) (lo/cc. 4 sponds 6 8 . The accompaniment on the smaller staff can be used if preferred, but the chords should be well “spread” to obtain the same effect as in the upper version. 13153-14 L 2; 8 1R15R—1A touched strings (3021 tenerezza. dolce, I-0000 mil. 2) rz fey/2,220 dolce, poco mil. > . P; a tempo Ion g ? jgdolce pqtdolce Where P 8 in cresc. 7; Where? 8 $9159.15 hast ou stayed ('0//a ’d'0(76. calla @006. \/8 /_\_.sfre to. .+< (3 K) H II W’\"’ﬂ '\$JJ 9) long? .s'zi‘7'«2*./«J0. cl tam 0 as.s'ax1‘tm7z mllo. mZZ.sem re dim. PI’ 7’ assai tranquillo. 7311- 5 3 7711)?’ 3 0' 17'1- 8 1.'—?1K.‘2—1‘ The Most Famous Groupings of Distin- guished Song Collections Ever Published An ﬂuthenticated Record Disclose: a Sale of Two Hundred and Fifty Thousand Copies——250,000 Each Individual Volume discriminately edited for an especial purpose and for a particular voice. FﬂMOUJ JONGJ‘. Edited by H. E. Krehbiel. Four volumes. One each for J‘oprano—.ﬂlto——'Touor—8au. The best songs of Bach, Beethoven, Becker, Bohm, Brahms, Chopin, Dvorak, Fesca Frans, Godard, Gounod, Grieg, Haydn, Hoffmann, Holmes, Jensen, Liszt, Loewe, Massenet, Mendels- sohn, Mozart, Pergolesi, Purcell, Raff. Rubinstein, Saint-Saens, Schubert, Schumann, Scarlatti, Binding, Spohr, Sullivan, Taubert, Tschaikowsky, Thomas, Tosti, Wagner, Weber, and others, sre represented, together with the favorite folk-songs of the various nations. OPERJ9 J'0NGJ'. Four volumes. One each for J'oprano—.ﬂlto—Tenor—Bass. These four books comprise classiﬁed groups of the best known arias, scenas, canzonettas etc. from the standard operas. The numbers contained in each volume have been selec wit the idea of furnishing each of the four voices with a versatility of material and for all practical purposes the songs are set down in their original keys. SONG CLﬂJ‘J‘ICJ‘. Edited by Horatio Parker. Four Uolumes. One each for J‘oprano——.I}lto-7'enor—8ass. These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large an ever increasing class of earnest as irants to true artistry. The songs are presented always with the original text in order that t eir full ﬂavor and signiﬁcance may be preserved, and because a poem which does not suffer by translation is a thing hardly conceivable. ' GEMJ‘ OF ﬂNTLQUITY'. Edited by Dr. Otto Neitzel. One Uolume. This anthology of song, collected and edited by one of the greatest scholars of music of modern times, pr- sents a work of unusual interest to voice teachers, singers and music students generally; in contrast to the ephemeral character of the average anthology. The amount of material used and the carefulness of the research indicated by the selections, mark this volume as one of essential value to all who are really interested in the “Art of Song." JIHCRED J‘ONGJ'. Edited by (I). J. Henderson. Four Uolumes. One each for J‘oprano—.lIlto—'Tenor—Bass. The group of songs contained in this set is the greatest contribution yet made to collective sacred songs, and cannot fail to make a very powerful appeal to the interests of all sin ers. , Mr. Henderson has here collected the very best of sacred song literature produce during s period covering two hundred years—from Bach to Cowen. OR.ﬂ'I"ORIO JONGI. ‘ Standard Oratorio Songs in their original keys, with the accompanying Recitatives. Four Uolumes.- One each for J‘ oprano—-.ﬂlto—'1'enor-—Bass. The series isa grand ensemble of the best Oratorio Songs of the greatest masters from Johann Sebastian Bach to Sir Arthur Sullivan. ‘ The contents of these admirable volumes is so widely recognized as the highest type of pure music, that further description is unnecessary and praise superﬂuous. JJCRED DUETJ‘. Edited by william Jhakespeare. Two Uolumes. One for two high voices. One for one high and one low voice. Recognizing the demand for collated material for two-part singing in the service of the Church, the editor of these volumes, mindful of the fact that the eﬂiciency of good music is not caused by its novelty, has here com piled standard duets from many sources and from all A eras of music. The volume for two high voices is suitable for two sopranos, two tenors ‘or soprano and tenor; the volume for one hi h and one low voice is practicable for soprano and alto, for tenor and alto or for soprano an baritone. Bach Doluaso Beautifully Printed and Bound in "Heavy Paper. PR1 CE, 31.50..
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Title: Good Night, Good Night, Beloved:
Description
Date: 1901
Text: MUSIC LIBRARY VASSAR COLLEGE J: 4 llllllljlIlllllllllllllIllllllllllllllll}lillllllIHIEEIlillllllillit % ' llllllllllliliiliﬂilllilliﬂllilllllill .‘ 3_°..= 95 IIIIIIIIIlllilﬁMMIIIIIIIIIIIIIIIIInmm...... T.....mnuIllllllllllllllllllmll uunmuununumm 7?? 3 gr" ._ CC§~,k;> 1/.;g§:7 NO. (Formerly L. &' B., No. 196') Good-Night, Good-Night, Beloved! Four-Part Chorus For Men’s Voices By E. J. Fitzhugh Price, 12 cents I £3 t A ' V . .'-|:,"'| "&apos...
Show moreMUSIC LIBRARY VASSAR COLLEGE J: 4 llllllljlIlllllllllllllIllllllllllllllll}lillllllIHIEEIlillllllillit % ' llllllllllliliiliﬂilllilliﬂllilllllill .‘ 3_°..= 95 IIIIIIIIIlllilﬁMMIIIIIIIIIIIIIIIIInmm...... T.....mnuIllllllllllllllllllmll uunmuununumm 7?? 3 gr" ._ CC§~,k;> 1/.;g§:7 NO. (Formerly L. &' B., No. 196') Good-Night, Good-Night, Beloved! Four-Part Chorus For Men’s Voices By E. J. Fitzhugh Price, 12 cents I £3 t A ' V . .'-|:,"'| "'[gu7 ', '/ Good-night, good-night beloved! MALE VOICES PART-SONG Lento "P E.J.FITZHUGH :;'=’ good—night, be are stars of - lov _ ed! I morn-ing, Thy -:7 67880. I ::>-. ‘ . r I . kl h: It; 51' pk 1* V ' V I I V r V '[ I. V come to watch wo’er thee! Good—night good-night be - 1ov—ed! f1ow’rs,Thine eyes lips are crim — son ‘b ‘=——-_:_: I . are stars of morning, 11’: l‘<"—’—" a 0 J1 I I II I] 1 I I I I - It 135 dim poco rail. come to watch o’er thee. To be near thee, to be near thee, A - lips are crim - son f1ow’rs.To be dim pow near thee, to be near thee, I cztempo dz 1’ m. Copyright, 1905, by Harold Flammer, I720. dz'm.poco rail. P —i_._ :3’ lone is peace for me, a - lone is peace for count the weary hours, I count the weary P‘-;’_C :‘—_;- night good-night be _ lov-ed! I come to Watch o’er thee! good- A ‘<: j{ 4. ‘/T’ \IJ night good—night be — lov - ed! 1 come to watch €li7n. te¢«("'_p'p fall. Coda. (after last verse) _T——=- 17’ Good — night, 1) _..-==— PP {T A CHOICE SELECTION OF TWO-PART CHORUSES For Treble Voices Selected from the Harold Flammer Catalogue 87001 87002 87003 87004 87005 87006 87007 87008 87009 87010 87011 87012 87013 87014 87015 87016 87017 87018 87019 87020 87021 MILLER, Boats of Mine . . . . . . . . . . . . . , . . . . . . . . . . . . .15 TREHARNE, Mother, My Dear . . . . . . . . . . . . . . . . . . . . .15 VPROCTOR, Drowsily Come the Sheep . . . . . . . . . . . . . . . .15 EKNfTELLE,Spﬁng . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...15 RUBINSTEIN, Voices of the Woods (Melody in .12 TOSTI, A Venetian Song . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 CZIBULKA, Morn Rise . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 MILDENBERG, Springtime (Eng. & Ger.) . . . . . . . . . . . .15 MILDENBERG, On the Lagoon . . . . . . . . . . . . . . . . . . . . .12 SCHUBERT, Hark, Hark, the Lark . . . . . . . . . . . . . . . . . .12 MOSZKOWSKI, Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . .15 BRAHMS, Lullaby . . . . . . . . . . . . . . . . . . . . . .~ . . . . . . . . . . .10 ROECKEL, A Bird in Hand . . . . . . . . . . . . . . . . . . . . . . . . .15 MILDENBERG, The Woodland . . . . . . . . . . . . . . . . . . . . .16 MARCHANT, Fishing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 SCHUMANN, Gypsy Life . . . . . . . . . . . . . . . . . . . . . . . . . . .16 BROWN ELL, Four-Leaf Clover . . . . . . . . . . . . . . . . . . . . .15 NEAPOLITAN SONG, Santa Lucia (Eng. & Ital.). . . . .12 FORSHAW, Who Will Come to the Sea? . . . . . . . . . . . . . .15 REICHARDT, When the Roses Bloom . . . . . . . . . . . . . . .12 DRIGO, Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
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Title: Minnehaha or Laughing Water Polka:
Description
Date: n.d.
Text: To Aﬁeiff J‘? 1- LR \ 7&1: .., _-5.5-' X COMPOSED BY V,/ a W .0 a O P B 3 4 5 N 0 S & IL L A H M M L L W VI I0 d 8 h .6 M U P N. Y5. W E N W m E D n _... 5 W m w M M u E .m M. B. W E. .m H 0 5 k I um. I E ...m .m . !v1r/-rd srwrdmgv 111 Am‘ 0/ Eangrrss m1he Yaar /8:56 by Wm.Ha!/ Mun MUSIC Lssmmv VASEAQ C(.‘tL*. Z ‘M l'NNEHAI:lAZ’ OI‘ \ . W A T ‘7 ﬂbcﬁ yﬁc’ #1? P 0947 ........... . x............ FRANCIS H. BROWN. POL KA. B1-illaute. V Q),1I§r':n" r.:,v_-0/'z(w...
Show moreTo Aﬁeiff J‘? 1- LR \ 7&1: .., _-5.5-' X COMPOSED BY V,/ a W .0 a O P B 3 4 5 N 0 S & IL L A H M M L L W VI I0 d 8 h .6 M U P N. Y5. W E N W m E D n _... 5 W m w M M u E .m M. B. W E. .m H 0 5 k I um. I E ...m .m . !v1r/-rd srwrdmgv 111 Am‘ 0/ Eangrrss m1he Yaar /8:56 by Wm.Ha!/ Mun MUSIC Lssmmv VASEAQ C(.‘tL*. Z ‘M l'NNEHAI:lAZ’ OI‘ \ . W A T ‘7 ﬂbcﬁ yﬁc’ #1? P 0947 ........... . x............ FRANCIS H. BROWN. POL KA. B1-illaute. V Q),1I§r':n" r.:,v_-0/'z(w': ,2 to /([3/I}(,1,l;,11.~,;;,]_ .jS[_( };y F‘"!V[,HALL it SUN} 1.; L’(—.C1cu.’.: U;.1r,c L1lh<.].i;tl‘itlC(,’I.AlOI {LL Su;ll.1.u.1 11.1: in (J (M. )u1'.. . ‘7 0. a .m. 3 up
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Title: Snow Flakes
Date: 1895
Text: \\\’ :3 §k \ \ $ \\‘\\%’ / 3: !\ ' \\ \ . K \\s\ ' ‘ LEIPZIG, anuxsuas - BREITKOPF & H-A.RTEL— LONDON, NEW vonx. IC LIIRAIV Sn0W- Flakes. ADELINE TRAIN. Moderato. 77217 When—e’er a "snow-=f1ake leaves the It turns, and \:JV “Good — bye, dear C Copyright, 1:495, by P. L. Jung. _ _ M-PaSS°‘V=En%‘r-N%Y~ cloud, dear cloud, so cool and Then light -1y 17}? 2m [1000 wood. trav — els on its : ‘ But, when a an [2000 (M061. flake finds ‘ “Good - day,” it Thou art 1-’. L.J. 333 19 a...
Show more\\\’ :3 §k \ \ $ \\‘\\%’ / 3: !\ ' \\ \ . K \\s\ ' ‘ LEIPZIG, anuxsuas - BREITKOPF & H-A.RTEL— LONDON, NEW vonx. IC LIIRAIV Sn0W- Flakes. ADELINE TRAIN. Moderato. 77217 When—e’er a "snow-=f1ake leaves the It turns, and \:JV “Good — bye, dear C Copyright, 1:495, by P. L. Jung. _ _ M-PaSS°‘V=En%‘r-N%Y~ cloud, dear cloud, so cool and Then light -1y 17}? 2m [1000 wood. trav — els on its : ‘ But, when a an [2000 (M061. flake finds ‘ “Good - day,” it Thou art 1-’. L.J. 333 19 a iempr). }_ p m z‘em];o. 7,90 (l fem 0. \ But when a snow—f1ake,brave and meek, Lights on 1) (5 fem]/0. cheek, _ It stafts:...__._. ‘ :>- :> P.L.J.333 111’ Ada 10' Andante. and it melts .Longfe11ow.) FR
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Title: Beware:
Description
Date: 1864
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/;m:=IM~ , " Copyright 189 '3 by J. E . Per-ring . BEWARE! Words by H.“/. LONGFELLOW. Music lay JAMES ERNEST PERRING. Allegro con spirito ma non troppo presto. 1’ known 1naid- - en fair to see! take careltake care! take czweltakecarel She .f can both false _ and friendly be, Beware, beware, hewgxre, ten: 0. > P hewzu-e,VbeWa1'e, She is fooling thee, she is foolingthee,t1'usthe1' /4'3 tcn1})o.K/ \' not! . . . . oh trust her not! .. . She is fooling thee, she is fooling thee,f1*11sthe1' not! oh trust her not! >>> > > /3 gﬁazioso. Slm has two eyes so soft and [)1'0wn, (-zu'e,t:1kc care, beware, beware!‘ She gives :1 side glziuce and looks down, 1,], rail.- 0ht1'11sthe1' not! 011 beware, hewzu'e,hewa1'e! pp wall.- has two eyes so softand brown, She give_S a side glance amdlooks down, tcnapo. trust he L’ a tempo. a tempo. t rust h e trust herfnot, oh be-w;u-e! trust her not, atem 0. > P fooling thee, she ‘is fooling thee, trust her not, oh trust her not! She is (I tempT‘/ fooling thee, she is fooling thee,t1‘ust her not oh trust her not! >>>:>>f.\ /\ \ '. r.\1’(-\ \ “""V T’—“,;s3?g7 ;.._;“f_ -5 she hag hair 0f"'g0ld-en hue; And what she says it is not true, : «— W 4-~::~.—.=w«.—.)v.~.: -:>.:+-vywwz tempo. she has hair of wall.- gold-en ' And what she says {’— /_\ J‘. Be-w:u-e! beware! beware,‘ beware! For she has hair of a golden hue, 011 trust her not; 011 trust her not! And what shesays it > > > /'\ /"\ is not true, She gives thee a garland fair,‘ 7Tis :1 fools cap f01'theet'0 Z5 Z‘ {T /"\ t * . >cmpo Oh she7s fooling thee, she is fooling thee, Trust her not, 011 trust he /3 she is fooling thee, she is fooling thee,trust her nbt 1, ohtrusthc *3 Perfect Peace. (I heard a Voice.) Sacred Song for Low Voice 221 C, Vvqfds by V I I I ¥ N[1lSiC‘by JOSEPH FLETCHER. e V‘ " W9 DRESSLER. _ Larghetto. heard :1 voice, . Je — sus to me’ speak —ing, u.—mid the prcssund throng, I heard Him ' : “Come ‘wen-ry Copyright 1910 by VVIF1 A.Pond & Co. International Copyrightﬁecured.
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Title: Odes
Date: 1783
Text: 1* { I ‘i V ->_,.¢,.:°:;*; ff“? Iv‘ 4'! ‘ ;.,—1;u.I,x _a,........= ,_;... '§ 2 1‘ 1 3 . 2 ‘ rf‘ V’ I" & ' / . fi»/fL¢ut~”f3?”{ J‘ B; W REV. F. HOTMND. SJEPE MANUS DEMENS, STUDIIS IRATA SIBIQUE, MISIT IN ARSUROS CARMINA ‘NOSTRA FOCOS; ATQUE ITA DE MULTIS QUONIAM NON MULTA SUPERSUNT3‘ CUM VENIA, memo, Q_U1sQ4x1s ES, ESTA LEGAS. » OI/ID». E D I N B U R G H: Pﬁntcd for C. ELL 1 OT, PARLxAMENT-SQ:5Azm.' M.DCC.LXXXIII. [Pxmcm QNE SHILLING.] O D E I. From the FRENCH...
Show more1* { I ‘i V ->_,.¢,.:°:;*; ff“? Iv‘ 4'! ‘ ;.,—1;u.I,x _a,........= ,_;... '§ 2 1‘ 1 3 . 2 ‘ rf‘ V’ I" & ' / . fi»/fL¢ut~”f3?”{ J‘ B; W REV. F. HOTMND. SJEPE MANUS DEMENS, STUDIIS IRATA SIBIQUE, MISIT IN ARSUROS CARMINA ‘NOSTRA FOCOS; ATQUE ITA DE MULTIS QUONIAM NON MULTA SUPERSUNT3‘ CUM VENIA, memo, Q_U1sQ4x1s ES, ESTA LEGAS. » OI/ID». E D I N B U R G H: Pﬁntcd for C. ELL 1 OT, PARLxAMENT-SQ:5Azm.' M.DCC.LXXXIII. [Pxmcm QNE SHILLING.] O D E I. From the FRENCH of MONSIEUR FENELON.‘ I. OUNTAINS '*‘, whofe ﬁupendous brows, e Scale high Heav’n with arduous pride; And, cover’d with eternal fnows, Prop the domes where Gods abide: V Here, beneath your oaken gloom, Far above each rolling cloud, Ev’ry ﬂovv’r of vernal bloom I colleél; and hear aloud Dreadful thunders ﬁrike the ground Below my feet, and all around- A thoufand cataraélzs refound. A f Mountains of Auvergne. (2) II. Like to Thracian hills, of old Pi1’d on other mountains high, "Whence the giant, vainly bold, Threaten’d to aﬂail the ﬂiy ; From your many heads fublime, Forming each an ample plain, Other mighty mountains climb 5 VVhofe ambitious tops fuﬁain All the fury of the Ikies, When impetuous winds arife. III. Soon as rofy mom is feen, Gilding with her cheerful ray All thofe Ihaggy mountains green, Tender lambkins rife, and ﬁray, Bleating o’er the pafture-land: Shades, the rivulets along, Waving high with zephyrsibland, Court the fwains and ﬂeecy throng To foft ﬂumbers on the ground, While the Water murmurs round. iii *3 ) IV. But, ah! thofe favage hills and farms, ‘Nhere capricious Nature reigns, Lavifh of romantic charms, How unlike the beauteous plains Where my gentle river flows ; River, vvhofe ﬁnooth furface bright No rude tempeﬁ ever knows ; But mild fun—beams ftill invite, Autumn gone, the vernal air, Winter never howling there. V. Sweet Solitude! whofe peaceful bounds, Sacred to mufings, hear alone The broad cafcade with awful founds Tumbling, foaming, hurrying on: Circled by the azure Pcreams Two umbrageous Iﬂes arife, Fraught with all that Fancy’s dreams Can pourtray to charm the eyes: 0 that my feeble lyre could praife Your beauties in immortal lays! A 2 (4) . VI. Zephyr with his balmy breath Viﬁting our groves again; Yellow harvefts Wave beneath, As he ﬂutters o’er the plain: Hence Ceres, Goddefs of the year, Burﬁs our barns with genial food: Bacchus too, the vintage near, Swells his clu{l:’ring grapes with blood; " Or down the hills with jolly pride, Laughing, pours the purple tide. VII. ‘Where the ﬁelds are feen no more, \Vith their golden produce bright, Mountains rife ; and, azur’d o’er By diftance, feem. to ﬂy the ﬁght: Their fantaﬁic forms and rude Nature’s fportive genius own. By the margin of the ﬂood, As in a faithful mirror fhovvn, The refplendent ﬂ{i€S appear, Painted in the cryﬁal clear. (5) VIII. lVIix°d with vernal beauties, fhine Lavifh Autumn’s grateful boons ; And from the branches of the vine Hang a thoufand gay fefloons. o Enamour’d of the ﬂow’ry meads, That in thofe iﬂes his ftreams adorn, Now the capricious river leads A ﬂeeping train; then, fvviftly borne Along, and with a brawling found The verdant carpets bathes around. IX. Singing to the bagpipe fweet, And loud hautboy, fwains are feen; VVhi1e to meafur’d founds their feet Beat the ﬂow’r-impurpled. green: ’ Birds, with vvarblings void of art, Filling the delightful groves, Baniih care from ev’ry heart: Ye ring—doves, and ye turtle-‘doves, ' True, tender, plaintive! ye alone Within my Woods are heard to moan. < 6 > V X. On a bank of fragrance mild When my carelefs limbs I lay, Soft abﬁraﬁions, vague and wild, Steal me from myfelf away 2 Rapt in tranfports fo divine, Eager I quaff the ne<E‘car’d blifs, While the gazing Gods repine: Ye court—infef’ting ﬂatteries! Ye, like my dreams, fond hopes betray; As falfe, but far lefs fweet than they. XI. Shelter’d from the gloomy ﬁorms, That burll in thunder on the great, Beneath the {hade my foliage forms I ever ﬁnd a fure retreat: There, without the learned line, In fearch of truth I mufe alone; Not with pedantic pride to fhine, But make herfacred rules my own: Then Hiﬁory and;_.Fable, join’d With ancient Wit, imprefs my mind. ( 7 ) XII. Here I the Grecian fage behold, Of an injurious doom the fport; Amid his ihipvvreck calmly bold, And cautious in the peaceful port: Triumphant o’er the ﬁorms, that fhake Inferior fouls, his virtues rife; And, for his cruel country’s fake, The pleafures of the great defpife; Pleafures how mean, compar’d with thofc My cool refrefhing {hade beﬁovvs. XIII. SequePcer’d thus from dread alarms, Ingenious leifure I enjoy; No horrid founds of clalhing arms My ﬁlence and my blifs annoy: My heart, enamour’d of my lyre, No other vain ambition moves, Than to record with rapt’rous ﬁre The bleﬂing it fo dearly loves : Hence Fortune, Favour, treach’rous all? The world to me is but a ball. <8) XIV. Beneath Whatever diﬁant ﬂay, In fearch of fav’rite views, I Ptray, No beauties {trike my gazing eye Like thofe my happy fcenes difplay: Ah E when the fable hand of Death My folitary life {hall clofe, There may I draw my lateﬂ: breath, And there my ﬁlent duft repofe; There Thyrﬁs fprinkle o’er my bier The tribute of a friendly tear !. O D E H. To A DOVE*. a ELANCHOLY pris’ner! late / Tenant of the mountains lone; How I deplore thy haplefs fate, And in thy forrovvs mourn my own‘! Sweet Dove? thy pity-moving tale Sounds more grateful to mine car Than ferenade of nightingale, "The dark Wood”s wakeful chorifter. What ruthlefs hand, poor mourner, fay! "Thy carelefs innocence betray’d; And from thy native, mofs-grown fpray, And cloud-enve1op"d haunts convey’d? B * VVritten in the “Weft Indies, where there is a fpecies of doves that coo in the night. (t ‘O ) Never, 0 never, to return To yon blue romantic grove, To cheer thy widow’d mate forlorn, That calls thee With unvvearied love. Witli her no more the callovv brood To tend, and anxious pleafures ihare; Whofe ceafelefs cry, well underﬁood, Implores each tender paren.t’s care. With her no more the tepid void To trace, on equal pinions borne O’er ftreams, and woods, and valleys Wide, Till Ev’ning Warns you to» return. "With her no more in green retreat To ﬁt, the pale moon riding high, And‘ liften to thy cooing mate, And to thy 1iPt’ning mate reply. Oft has the benighted fwain, (Unobferv’d the ﬂiades among), When wand’ring homevvard from the plaing Paus’d to learn the folemn fongg c : >e And, ﬁx’d in contemplation deep, ‘With folded. arms and ﬁedfaﬁ eyes Has ﬂood; nor felt the moift tears creep; Nor mark’d th’ involuntary ﬁghs, Iﬂhing refponﬁve from his breaﬁ; Wet with the dank, unwholefome devvs; Unmindful of his needed reﬁ, His pmttling babes, and penﬁv-e fpoufea Ill. AN AUTUMNAL ODE. UTUMN, in rofe of ru£l"et dye, Be thou my penﬁve theme! No ﬂeeting cloud dilturbs the ﬂay, No gale the polifh’d ﬁrezun. And, lo, the villas and the farms, How beauteous in decay! Scarce more a fummer-landfcape Cl1a1'1I1.s9 With living verdure gay. Now to the glimm’ring fun the vines Their purple clufters hold; And now the pendant apple lhines With coral and With gold. And rooks diﬁend their clam’rous throats, As thro’ the fky they rove; And the lone redbreaﬁ tunes his notes, Sole warbler of the grove. (13) Say, gentleft of the feather’di kind, " ‘Whoin no rude hand annoys ; Does thy fweet muﬁc ﬁll the wind. \/Vith forrovvs or with joys E Doft thou admire a tarni{h’d thorn, That marks the drooping year? Or chide the dew-befprinkled Morn, And Winter, frowning near? Prophetic, mourn the dreary hours, ‘When to our gazing eyes, As by enchantment, fpires and toW’rs, And wider heav’ns, {hall rife? Ah! when impetuous {torms defcend, And bow the leaﬂefs tree, Beneath my roof there dwells a friend To innocence and thee. There, 'undi{’turb’d, my little gueft Shall peck his ﬁmple food; And, when foft paﬂions warm his breaft, Fly to the tuneful wood. ( I4 3 But, oh! that objecft pains my ﬁght, And tears my very heart! A fvvallovv, tWitt’ring for its ﬂight, Impatient to depart. When laughing Summer cheers the ground With zephyrs in her train, Which of the plumy race is found. More confcant to the plain? But foon. there comes a nipping air, And all the tribe are gone-- juft emblem of the wrongs I bear, Condemrfd. to figh alone. I. ND art thou come, ere Zephyr mild Has wak’d the blackbird’s vernal Pcrain? "‘ Alas! thou com’ﬁ:, my beauteous child, “ Where Poverty her iron reign “ Extends, more bleak and cruel far “ Than winter, or the northern ﬁar: “ Yet ceafe thofe cries, that all my pity move; “ Tho’ cold the hearth, my bofom burns with love. II. “ Soon will the icy brooks renew “ Their liquid fport, and, murm’ring, ﬂow ; “ Pale primrofes and violets blue “ Beneath yon fpangled havvthorns blow; “ And foon, perchance, the mighty Qfleen, “ Who governs this terreﬁrial fcene, "‘ Will bend, propitious, to my plaintive lyre, “ And blefs with patronage thy haplefé. ﬁre.” III. While thus an he-ﬁtating tear Glitter’d with hope and lively thought, The Goddefs with the wheel drew near, And, laughing, gave the boon I fought: O fatal boon. indeed! Farewell The rural comforts, not the cell, The fweets of Liberty, that never cloy ; Bright Hope, domeftic Peace, and friendly Joyl IV. Once more, dread Deity! behold My incenfe on thy altar laid; Not for promotion, fame, or gold, I now invoke thy poW’rful aid: Ah! give me back the honeit frown, The eye, the accent, all my own; My clear, my long-loft liberty reftore; Ahi give me back myfelf; I aﬂa: no 1I1OI‘€a . -. :1 (.5 ‘ "=19 ‘ -“av ‘..‘. .. 1' V" ‘-‘#4:!
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Title: Daybreak
Date: n.d.
Text: ,x ‘ ' ~ ’/L/\ J‘ I’ ' '""'’‘”x , ~ PTIV 9 SCR‘ 5 SON /\ wimJ Qa.11}c1;p \’)1ILOrﬂ_"!,Ef Sea, It shouted Tllrough the belfry tower, And se-_:1d (A)1:m:<ts,make 1*oomf0rmeT' ’Awal<:e, 0 Fall? proclaim the hour 1' it hmifd the ships Sccmed Sail. on". It crossedfrht‘: ch'uI'Cl1—yaI(1w11.T|I a sigh, Mus": Hag}/ﬂay/A!/I Le L11-:1Ll1L€‘,1S,ﬂ1€ Iughtls gone. And. bald Notyet. 1L1 quiet he. ‘Pr O ,, _ ‘ I VASSAR jK||, I3Dl"ll...
Show more,x ‘ ' ~ ’/L/\ J‘ I’ ' '""'’‘”x , ~ PTIV 9 SCR‘ 5 SON /\ wimJ Qa.11}c1;p \’)1ILOrﬂ_"!,Ef Sea, It shouted Tllrough the belfry tower, And se-_:1d (A)1:m:<ts,make 1*oomf0rmeT' ’Awal<:e, 0 Fall? proclaim the hour 1' it hmifd the ships Sccmed Sail. on". It crossedfrht‘: ch'uI'Cl1—yaI(1w11.T|I a sigh, Mus": Hag}/ﬂay/A!/I Le L11-:1Ll1L€‘,1S,ﬂ1€ Iughtls gone. And. bald Notyet. 1L1 quiet he. ‘Pr O ,, _ ‘ I VASSAR jK||, I3Dl"ll 1. C‘ DAYBREAK . Writtexn by Composed by H.W. LONGFELLOW. JOHN BLOCKLEY. A WIND came up out of the sea, And said,“O mists, make room for me 3’ It hailed the ships, and cried “Sail on, } Ye mariners, the night is gone .” And hurried landward far away, Crying, “Awake! it is the day .” It said unto the 1"orest,“Shout! Hang all your leafy banners out 1” It touch"d the wood—-bird’s folded wing, And said, “O bird, awake and sing .” And o’er the farms,‘‘() Chanticleer, Your clarion blow; the day is near.” It whisper’d to the fields of corn, “Bow down, and hail the coming morn.” It shouted through the belfry tower, “Awake, 0 bell! proclaim the hour.” It crossed the churchyard with a sigh, And said,“Not yet‘. in quiet lie.” DAYBREAK. DESCRIPLTIVE sonc. Poetry by H.W-LONGFELLOW. Music by JOHN BLOCKLEY. came up out of the Sea, “ O mists, make hai1’d the ships, and cried,“Sai1’ on, sail on, Ye ma_ri_ners,the night is accellerando . Ye ma _. ri _ ners , the night is /9 Davbréak - . , John Blockley. hurriged land _ _ ward far a- _way, Crying, “A- _.wake , a_ _wa ke , it /3 \_,Z .\——/cre.s'..-é - ’‘\—i _\J the day. A _l_wake,, a _ wake, a __ wake, la _ wake, it ‘ /\ <_./ V ltggziaro. /__\ poco piu mosso . said unto the forest,"Shout, Hang all your 1eaf'..y banners out!” It mf...' . mf Daybreak . John Blockley o touch’d the w0od—bird’s f'01d__ed wing, And said, “O bird .5 PX»: {h {—‘Z’*‘ wake, a .. _ wake and /""\ leggiero ' mo [to rall. . hj ‘-1 FED. Tempo . _ 0 _ver the farms, “O Chan __ti _ oleer, Your _ cla _ ri _ on blow’, the energico. day is’ near. Your c1a..ri..on blow; . . . . . . . . John B10 ckley . cla _ ri _ on blow; . . . . . . . Your (:13 _ ri _ on blow; the day is near.” A ‘ A poao ﬂllegretto. fa It whis _. perjd to the dolce /9 {\ fields of corn, “Bow down, and hail the cmning my” down, and hail the con1_ing morn.” It rail. 6 dim. W‘ ‘F Daybreak - John Blocklcy . '7 rfsolttto . agitate . shggted through ‘ the be] _ _ _ _ fry ff FED‘ 1 ante . ft/3 A s.../ _ wake, 0 bell ! pro _ .. claim \._J ffV . Vf ¢ poco Adagio e con dolore. crossed the churchyard with a sigh, And said, “Not yet!‘ legati . /9/7 r_\mo__ren_ _ do . 4 in _ qui..-_et lie.” qui..__et He.” And said, “ Not‘ yet! ‘ FN /9/9 °.§’olcl.§" ‘ /J/2 N22 London. Published by Jbhu Blockley, 2 Park Road, Haverstock Hill . Daybreak . @@ﬂN POETRY BY .JEssIE's DREAMIsmAv as am or ...cmwIcRAcE cAMPEELL2|e MESSENGER SWALL'0W(o swmowITENNYSOM_ Hale *7 D9 ___________ ._2le E21 T H E BROO , , D9, coNIE INTO THE GARDEN IIIAuD D9,. are MEMORY OF THE PAS'[.QuI:ARs IDLE TEARS) . .,2‘G IYAMUSIC ON THE W|II|D}(I ruoucrn T0 I-Ass) D‘.’....,, ,,_,,,2’G V CONCLUSION OF Olllill OF HIE IA ‘/MOT.H£R'$ SONG ...... ..{sv/EU I Low) ........... ..D.‘.’ ........ _. 21- I BREAK. BRVEAK....(F0RTRAlT o‘r TF.)§NYSON).__..D?.........L... 216 THE wARRIoR’s RETURN ......................... __D‘? ____________ ..zjs co, NOT IIAI>I>v“DAv 21» ELEIN EcHoEs _____ ..I...oy.—....,u.Iow, ..... >* De. zls RING our 'w_ILD BELLS... ................ ...... ..D,‘?,,_. ,__2{e A I-:sLEssINc§ oN IHINE EYES...H0N‘E‘M“.5N0RT0M_,26 rRIEND'A’oI-' OUR EARLY DAYS ............. ..D9 _________ ..E..z|»' I RENEMDER THY volcE"_"""' ._,__..,.D‘! ............. ..2.!~ wE II-AvE,I3EEN FRIENDS‘I;0GETHER.DP_.._.... ,2}- D_‘.’.._. THE AasENT ...2|- MY CH|LDHOOdS H0ME(mtIImorII§IIon!oII)D9...»......‘.3lG mv NAME,THY IREAsuRED NAME ....... .: ............... ..2{— TH E HAPPY‘ BR I Dr.../.... .v'ouNc} .......... “zl- (HAPPY I: THE smut IIIE sun sluuts on) HOPE ISTHE LIGHT DEEVERV IIE,ARI.,.._.§RAcE $TlR|.lIlG:2|' ' EAVDRIIE ?":_‘s‘Oﬂ{‘:S av THE R IVE R 3. STA R.....\_ ..... .._..~....A»N G ELI N A._ _..._.2]- ART TIIQII LOST TO ME. ................ .f,..,__.D_9 ____________ ....2|.. Ass:-Ncs. .................. ................... ....... ..I_3..9...1....§.,. .2{~ ATELLA-TALES __________ .; _______________________ ..s . LovE R........ .216‘ 5 TI R T H E FIR EV (vognzv a‘i«"‘cARruIm') J O LLY ............ HA$TE.THEE.BOATMAN(smmsoua)KUCKEN ...... '1 2|- , / @@Ma @@M[P I Lg @S[7Ti L@%§\ELLIEW«» comI>osER or "LovE N01," "IIEARrs 8: I-IoMEs,"f‘EvvANoELINE1'"ExcELsIoRi'&c, ». THE BETTER LAND...._ @% POETRY BV HIGHLAND RESCUE<mcnmn AT LUOKMOW) CARPENTER zls FLOATING AwAv. ...................................... _.D9_,,, 21. MY DEAR oLD ,__.._D_° _____ 2;. FLOWERS or HOME ....... ________________ -92 ...... ._ 213 GENTLE WORDS’ .......................... _____________ ., _ 92;. FOOTSTEPS or (cl\lfT1“GPEE)lR.TS!?A.G.)...LOlIIVGFELLOW 216 ARRow &THE SONG .................... A1; .... '. GREEN TREES WHISPERED ............ .;....D9 21- PASSING AWAY ..................... E.EM=.= l1EMANS.. 2|- THE BRIDE‘s rAREwELL ........... .... ____ V4 2!- HOMES or ENGLAND ............................. _.D_9 ,,,,,, ._ 2|- D9,.. . .. . .2I—' BIRTH DAY GlFJ'....., 77 . c.TREvELvANW2]s ALL‘s FOR THE BEST _______ _./I _._MARTlN TUPPER 2}» SPEAK GENTLY ______________ _,' ........ _.LANGFORD __________ ___E21e ABSENT FRIENDS ...................... _.sHEA ..................... "2“. ROSE.ROSE.0PEN THY LEAvEs.....— ............................. ., 2|- swIss c.IRL's DREAM ................ ..BARIIIoLoIIIEwE 2.]- SUMMER; ..................................................... .D.B ........... Azi- YESTERDAY (conmvyou to "To DAL". ..... R0 W N E ............ AND to MoRnow5 AIoIIIER wIIo HATH A cIIILo AT sEA_E ..co.oN.._....._. ________ .216 , ‘ROSE or THE ALHAMBRA .......... ..Bu‘LwER ......... _.;;.';,2Jv VARIOUS COMPOSERS. > THE SABBATH NIDRN .................. ..E.J.LDoI:R ........ ..:.é\- ,sIIIIIE& KIND WORD ori‘cREEIINc. ..é[~ MY rA1IIER's BIRIrIIDAv...§ ................... “D9. ........ I 2'!’ Y IIIIEIIIAI BRINGS HIM IIoIIIE Ac.AIII,MAcrARRENE__.. nIE~rALsE c.oN‘DoLIER ______ ....... ..\C.GL0VER.E N BIRD or THE wILDwooD ________ _.GOLDBERG.__
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Title: Scenes from the Saga of King Olaf
Date: 1896
Text: .5 Q. 9 MU§$IC uannnv VASSAR «ZOLLEGE Y, m We N3 E, E R, H” 6: Q.“ F- ; .:i FULL ORCHESTRAL SCORES PUBLISHED BY NOVELLO AND COMPANY, LIMITED. E. AUSTIN. ,5 s. d. DVORAK (Contimtedj. ,5 s. d. VICAR OF BRAY, THE. Variations for String Orchestra SPECTRE’S BRIDE. Op. 69. Cantata. (English,Bohemian, 0 6 0 and German words) ST. LUDMILA. Op. 71. Oratorio. (English, Bohemian, and ' BACH. German words)... SONATA in E ﬂat. (No. I of the Organ Sonatas) NOW ALL GIVES WAY TOGETHER(fr°m Dltto) Op. 35...
Show more.5 Q. 9 MU§$IC uannnv VASSAR «ZOLLEGE Y, m We N3 E, E R, H” 6: Q.“ F- ; .:i FULL ORCHESTRAL SCORES PUBLISHED BY NOVELLO AND COMPANY, LIMITED. E. AUSTIN. ,5 s. d. DVORAK (Contimtedj. ,5 s. d. VICAR OF BRAY, THE. Variations for String Orchestra SPECTRE’S BRIDE. Op. 69. Cantata. (English,Bohemian, 0 6 0 and German words) ST. LUDMILA. Op. 71. Oratorio. (English, Bohemian, and ' BACH. German words)... SONATA in E ﬂat. (No. I of the Organ Sonatas) NOW ALL GIVES WAY TOGETHER(fr°m Dltto) Op. 35 STABAT MATER. Op. 58 GRANVILLE BANTOCK. SYMPHONY No. 4, in G major.mOp. Eié '.'.'. OLD ENGLISH SUITE SAPPHIC POEM (for Violoncello Solo and Orchestra) ED“/vA_RD ELGAR' WITCH OF ATLAS, THE. (After Shelley) (Tone-Poem APOSTLES. 0p- 49- (Oratorio)... No.5) BANNER OF ST- GEORGE 0P» 33- (Ballad) BLACK KNIGHT. Op. 25. (Cantata) J'_ BARNBY’ CAI\gI‘;g1_t]{31’1§()eP‘(‘)II_r.11Xt§g:‘.S(CI)ilItl)1/IOonlight), arr. from the Concert- LORD Is KING. THE. <PsALM 97> CARACTAC'US. Op. 35 (Cantata). ‘.11 11'. III CHANSON DE MATIN. Op. 15, No.2, for Orchestra J- FRANCIS BARNETT CHANSON DE NUIT. Op. :5, NO. r, for Orchestra ANCIENT MARINER, THE. Cantata. (English and CONCERTO for Violin and Orchestra. Op. 61 German words)... Ditto Miniature Full Score .. CONTRASTS (The Gavotte, I7oo and IgOo)- Op. I0, No.3 JULIUS BENE1)1cT_ CORONATION MARCH (1911). Op. 65 _ ST_ PETER (Oratorio) DREAISI )OB GERONTIUS. Op. 38. (English and German LEGEND OF ST. CECILIA (Cantata) .. EL}§"g‘Y5fOr St-pi-ﬁgs "Op 53" f_-_- -_" G J BENNETT FLY, ‘SINGING BIRD. Op. 26, No. 2 (for Ladies’ Voices ' ‘ ' or or Mixed Voices) EVENTIDE MELODY (from Suite in D minor) .. FROISSART. Op- 19- Concert—Overture GOD SAVE THE KING (arranged) W_ STERNDALE BENNETT_ GR.I:%tI:‘I§II]:£XrE:1&lI\\T/IIgrClflIARl\/IID. Op.42. Incidental Music and MAY QUEEN. THE- (Cantata)... IMPERIAL MARCHI op."3‘z If .'.'.' f.'.' INTERMEZZO (Dorabella) (from Op. 35). Small HUGH BLAIR. Orchestra _ ADORAMUS, TE_ Prelude _ ‘ H IN THE SOUTH (Alassio). Op. 50. Concert-Overture HHQ1 Q00 O on» OOONOOU-TO mo mooooacnoo OO OXOSO O0 O30 O30 " ~ INTRODUCTION AND ALLEGRO for Strings (Quartet A. H. BREWER I xrN“é‘%8iZ‘.“"5‘;?;..?8..:t%.;.) ::: ::: ::: AGE AND YOUTH. Two pieces for Orchestra IMIEZHUTREE ONP-29- (O1’3t0Yi0) . p. 10 0.1 _... F- CLIFFE .IIB£5sI.1°I.<3ﬁ:IIsII9;LIA.-....r ~--. SYMPHONY in C minor . 2 Ge,.,.,.ius) ( mm BALLADE from Ditto ~ ROMANCE (Bassoon and Orchestra). Op. 62 . SANCTUS FORTIS (Transposed to A ﬂat) (Dream of 00000 00 S. COLERIDG-E-TAYLOR. Gerontius)... BALLADE in A minor. Op. 33 SCENES from THE SAGA °f KING OLAF' OP’ 3° FOUR CHARACTERISTIC WALTZES. Op. 22... SERENADE MAURESQUE 09- 1,0» N.°- 2-~ . . FOURdNOVEIi.LETTEN, Op. 52(for Strings, Tambourin SN({,V0\’i-ces())p. 26. No. I (for Ladles Voices or for Mixed T ' H. h ... ... ... . SCEa1‘\11ESrf:.':;I11,1g'%\)HE SONG OF HIAWATHA. Op. Soeafu SPANISH SERENADE (Stars of the Summer Night) HIAWATHA’S WEDDING-FEAST (from the above) 0I’- 23 DEATH OF MINNEHAHA, THE ( ,, ,, ) SYMEHONY 1.”.A “at 0P-55 HAvS H 1’ Ditto Miniature Full SCOTS ... ONAWAY, AWAKE, BELOVED , SYMEHONY Nos 2: 1“ E “at 0P- 53 ' ” Ditto Miniature Score ) ) ’ ... HIAWATHASVISION '7 g TRIUMPHAL MARCI-I(Caractacus) §P¥1I,}}:% 3;§DOfg“§§PAN~- " VARIATIONS on AN ORIGINAL THEME. 03. 36 III DITTO. Miniature Full Score . WAND OF YOUTH. O . A. ( t 't) MICHAEL C0STA- WAND OF YOUTH. o§. is. (zirsd ::it:) DREAM, THE. (A Serenata) .. GOD SAVE THE KING (arranged) O00)-(H)-IUJO OD L»-FLIISUILALUN \I\I O’\OOOOOOO\ 0\O\ 0 00¢ 17 HHU|U‘C\\I‘\ILAlUi U1 UIUJUJ LAG UILANUIS :U~) U30‘) N\IU‘ HUJ \IU\UlNNNUJU3 :U\U\ 0000001 C100 H. G-ADSBY. F. H. COWEN. FOREST OF ARDEN, THE. Orchestral Scene BUTTERFLY’S BALL OVERTURE CORONATION MARCH (for Orchestr FOUR ENGLISH DANCES OHN GILPIN (Cantata) EVERIE (for Orchestra)... RUTH (Oratorio) SLEEPING BEAUTY (Cantata) .. WALTZ from Ditto... ORCHESTRAL INTERLUDE from Ditto SUITE OF OLD ENGLISH DANCES, A. (Second Set) MINUET D’AMOUR (from the above) SYMPHONY, No.4 (THE WELSH)... . .. SYMPHONY in F, No.5... TWO PIECES for Small Orchestra, (1. CHILDHOOD; II. GIRLHOOD) . H. BALFOUR GARDINER. OVERTURE TO A COMEDY EDWARD GERMAN. AS YOU LIKE IT. Masque(Three Dances CORONATION MARCH (Henry VIII.) GIPSY SUITE (Four Characteristic Dances) MUCH ADO ABOUT NOTHING. Bourée and Gigue RICHARD III. OVERTURE ROMEO AND JULIET. Pavane DITTO. Prelude... .. THREE DANCES from Henry VIII. " VALSE GRACIEUSE (From Suite in D minor) H. VVALFORD WELSH RHAPSODY. THE SEASONS EVERYMAN. Op. 17 (Cantata)... RHAPSODY ON MARCH THEMES SOLEMN MELODY (for Organ and Strings) SOLEMN MELODY (Full Orchestra)... 0 CH GOUNOD NOOHOONUOOHOOO 0') X\)k:U~)U'|lJ|U'|XQUJ O OOOXOOOOOOIOOIOCD OOOOOOOOOO H H U1\I\IUiUJ\l\IOU3\! OOXOIOOICIOXCIOXGI J. D. DAVIS. BY BA}3YLON’S WAVE... SONG OF EVENING. Op. 42. (For String Orchestra)... {(,,UA'%EC}f{‘§f‘5mC“[‘§‘i’$,£§*R‘(}‘(‘}}°m T";3e'Ré5emp;;on) _‘_'_' ANTONIN DVO1~éAK_ MESSE SOLENNELLE(Ste. Cecile) A T I T CHYMN A O _ _ MESSE SOLENNELLE TROISIEME (de Paques) PA RG0 I d , . p.30. (English, Bohemian,and MORS ET VITA (SacredTnIogy) RE erman wor s)... REDEMPTION (Sacred Trilogy) QUIEM MASS. Op. 89... ... REQUIEM (Part 1., Mors ct Vita) NU2UJNU~lOOO IQUUU~)OO\.lUJUI OOOOOQQO FULL ORCHESTRAL SCORES.—Conti14.ued. HAN-DEL. £ 5. d. MOZART- ACIS AND GALATEA (English and German words) with TWELFTH MASS . Mozart's Accompaniments . ISRAEL INEGYPT. Editedlby Mendelssohn _ . E. MUNDELLA. %‘r‘r“éSr‘l‘.§;'s,“s'i‘.’r‘r—?' Préﬁllefr‘$3‘%‘.“in‘:?.‘r’?°°°““?i“”“?T1‘S ::: VICTORY OF SONG <Fema1<= V°ices> THE MESSIAH,with Mozart’s Accompaniments. Cloth, F A G OUSELEY gilt edge I ' ' ' ' S MARTYRDOM OF ST. POLYCARP (Oratorio) H. W. PARKER. HORA NOVISSIMA (English and Latin words) ORGAN CONCERTO HAYDN. CREATION, THE. Cloth, gilt edges G. HENSCHEL. HAMLET, THE MUSIC TO C. H. H. PARRY. STA-BAT MATER 0P- 53 BLEST PAIR OF SIRENS (Cantata) .. JOB (Oratorio) ARTHUR HERVEY, OVERTURE TO AN UNWRITTEN TRAGEDY QUINTET in E flat (Strings only) TWO TONE-PICTURES (1- ON THE HEIGHTS; 11. ON SUITE IN F (Lady Radnor's Suite)(String Orchestra) THE MARCH) SYMPHONIC VARIATIONS YOUTH. Concert-Overture SYMPHONY in F, No. 3 (The Cambridge) ... SYMPHONY in C (The English) THE PIED PIPER OF HAMELIN HHOOOOIOO OOOOlOO)OC7‘ JOSEPH I-IOLBROOKE. BYRON (for Orchestra and Chorus) PERCY PITT, §;1;?};(§° AND THE SEAMAN AIR DE BALLET (for String Orchestra) " BALLADE (for Violin and Orchestra). Op. 17 CORONATION MARCH. Op. 21 ADOLF ORIENTAL RHAPSODY. Op. 323 SERENADE (Small Orchestra). Op. 33,; FEAST OF ADONIS, THE. (Cantata) (English and German words) E_ PROUT. SYMPHONY No. 3, in F. Op. 22 OLIVER KING. AMONG THE PINES. Op. 36. Concert-Overture W’ H‘ REED‘ NIGHT A SYmPh0nY in F- 0P- 22 SUITE VENITIENNE (for Orchestra) H_ LAHEE C. SAINT-SAENS. HEAVENS DECLARE, THE. (Latin and English words) E. M. SMYTH. C. HARFORD LLOYD. ANACREONTIC ODE (Song) HERO AND LEANDER (Cantata) ODELETTE ,, RING OUT, WILD BELLS (Trio for Female Voices) HAMISH IVIACCUNN. PRELUDE To ACT"l'l. (“On :h’e"C1ifls"ofCo£}§wall"‘*'), irorri LAND OF THE MOUNTAIN AND THE FLOOD, THE. “The Wre°A'“S”“‘ Concert-Overture . SPOHR. CALVARY (English and German words) G- A- MACFARREN. GOD, THOU ART GREAT (English and German words) MAY_DAY. (cantata) THE LAST JUDGMENT (English and German words) , , , The Overture ST. JOHN THE BAPTIST 3 ,: ,: The Second Overture A. C. MACKENZIE. C. V. STANFORD. BALLET MUSIC and RUSTIC MARCH (COLOMBA) IRISH SYMPHONY 1“ F mmon 013- 28 BENEDICTUS. From Six Pieces for Violin. Op. 37 REVENGE. _0p. 24 (Ballad) BRIDE. Op. 25. (Cantata) SUITE for Vlolln Solo and Orchestra CONCERTO FOR THE VIOLIN. Op. 32 SYMPHONY No. 4. m,F major. 012.31 INTERMEZZO (from Jason) .. TE DEUM (from Servicem B ﬂat) JASON. Op. 26. (Cantata)... .:. JUBILATE and BENEDICTUS. Ditto .-_- LA BELLE DAME SANS MERCL Op, 29_ ganad for MAGNIFICAT AND NUNC DIMITTIS. Dltto_ Orchestra ... ... ... ... ... Ditto LA SAVANNAH (Air de Ballet). Op. 72 PRELUDE to COLOMBA. Op. 28 RHAPSODIE ECOSSAISE. Op. 21 . ROSE OF SHARON. Op. 30. (Oratorio) SECOND SCOTCH RHAPSODY (“BURNS”). Op. 24 STORY OF SAYID. Op. 34. (Cantata) .. SUITE for Violin Solo with Orchestra. Op. 68. TWELFTH NIGHT. Op. 40. Overture H NOHHOO N\]I-I)-(VJIO OC\OOOO\ COCO)-(Ht-Iv-I O\Ul-h-FSHHO oooooooo S. STOJOWSKI. SPRING TIME (Cantata) A. SULLIVAN. GOLDEN LEGEND (Cantata) IN MEMORIAM. Overture . OVERTURE DI BALLO J_ B. MCEVVE-N_ grin ‘E (l1)‘he Irish) (in the Press). " ‘CS 1V3 ... ... ... can STRING QUARTETT in A minor TE DEUM (Thanksgiving after Victory) TEMPEST, THE. Music to THREE DANCES from Ditto . TSCHAIKOWSKY. MARCHE SOLENNELLE ... MARCHE MILITAIRE (Military Band) PIANOFORTE CONCERTO No. 3, in El). Op. 75 R. WAGNER. TANNHAUSER. “PRELUDE" TO ACT III. Tann- h'z'1user’s Pilgrimage (Original Version) ... OHNOUJOOOO H D-4 Xooloulwul-l>O\\! OOO§OOOOOO\ MENDELSSOHN. ATHALIE. Op. 74 ,, The Overture... ,, Priests’ March ELIJAH. Op. 70. (English and German worcs) HEAR MY PRAYER ,, ,, HYMN OF PRAISE, A. Op. 52 ,, ,, The Symphony SCHERZO in G minor (from the Octet, Op. 30) . ST. PAUL. Op. 36. (English and German words) "‘OOHO>-«OOH 4‘-Lnxzu-«ox-(>10-F.»-c Oooxoooooo LONDON: NOVELLO AND COMPANY, LIMITED. NOVELI.O’S ORIGINAL OCTAVO EDITION. COMPOSISI) FOR THE NORTH STAFFORDSHIRE MUSICAL FESTIVAL, OCTOBER, 1896. SCENES FROM THE SAGA OF KING OLAF BY H. W. LONGFELLOW AND H. A. ACWORTH, C.I.E. SET TO MUSIC FOR SOPRANO, TENOR, AND BASS SOLI, CHORUS, AND ORCHESTRA BY EDWARD ELGAR. (OP. 30.) PRICE THREE SHILLINGS. Paper boards, 35. 6d.; cloth, gilt, 5s. Tonic Sol-fa Edition (Choruses only), IS. 6d. Vocal Parts, IS. 6d. each. W": 3 _ 2 5 Q} LONDON: NOVELLO AND COMPANY, LIMITED. NEW YORK: THE H. W. GRAY CO., SOLE AGENTS FOR THE U.S.A. Copyright, 1896, by Novella, Ewer and Co. The right of Public Representation and Performance is reserved. LONDON Z NOVELLO AND COMPANY, LIMITED, PRINTERS. KING OLAF. INTRODUCTION. . soL1 AND CHORUS. There is a wondrous book Of Legends in the old Norse tongue, Of the dead kings of Norroway,—— Legends that once were told or sung In many a smoky ﬁreside nook Of Iceland, in the ancient day, By wandering Saga-man or Scald ; Heimskringla is the Volume called; And he who looks may ﬁnd therein The story that we now begin. No. 1.—REGIT. (Bass). Summon now the God of Thunder, H im who ﬁves the hem/ns asunder, Sivzg the words of mighty Thor Clmélmzgivzg the world to war. CHALLENGE OF THOR. N o. 2.——CHORU S. I am the God Thor, I am the War God, ' I am the Thunderer I Here in my Northland, My fastness and fortress, Reign I for ever I Here amid icebergs Rule I the nations ; This is my hammer, Miolner the mighty ; Giants and sorcerers Cannot withstand it! There are the gauntlets Wherewith I wield it, And hurl it afar off; This is my girdle ; Whenever I brace it, Strength is redoubled I The light thou beholdest Stream through the heavens, In ﬂashes of crimson, Is but my red beard Blown by the night-wind, Affrighting the nations! Jove is my brother ; Mine eyes are the lightning, The wheels of my chariot "Roll in the thunder, The blows of my hammer Ring in the earthquake 1 Force rules the World still, Has ruled it, shall rule it; M eekness is weakness, Strength is triumphant, Over the whole earth Still is it Thor’s-Day. Thou art a God too, O Galilean! And thus single-handed Unto the combat, Gauntlet or Gospel, Here I defy thee I (Lon_qfellow.) KING OLAF’ S RETURN No. 3.—SOLO (Tenor). And King Olaf heard the cry, Saw the red light in the sky, Laid his hand upon his sword, As he leaned upon the railing, And his ship went sailing, sailing N orthward into Drontheim ﬁord. There he stood as one who dreamed ; And the red light glanced and gleamed On the armour that he wore ; And he shouted, as the rifted Streamers o’er him shook and shifted, “ I accept thy challenge, Thor! ” To avenge his father slain, And reconquer realm and reign. Game the youthful Olaf home, Through the midnight sailing. sailing, Listening to the wild wind’s wailing, And the dashing of the foam. To his thoughts the sacred name Of his mother Astrid came, And the tale she oft had told Of her ﬂight by secret passes Through the mountains and morass To the home of Hakon old. KING OLAF. Then strange memories crowded back Of Queen Grunhild’s wrath and wrack, And a hurried ﬂight by sea ; Of grim Vikings, and their rapture In the sea-ﬁght, and the capture, And the life of slavery. Then his cruisings o‘er the seas, Westward to the Hebrides, And to Scilly’s rocky shore ; And the her1nit’s cavern dismal, Christ’s great name and rites baptismal, In the ocean’s rush and roar. Norway never yet had seen One so beautiful of mien, One so royal in attire, When in arms completely furnished, Harness gold-inlaid and burnished, Mantle like a ﬂame of ﬁre. X X X X * Thus came Olaf to his own, When upon the night-wind blown Passed that cry along the shore ; And he answered, while the rifted Streamers o’er him shock and shifted, “ I accept thy challenge, Thor I ” (Longfellow) N0. 4.—-—RECIT. (Bass). Tell how Olaf bore the Cross T 0 the folk at N'lcla7*os, Norland, Iceland, lands and seas Winning to the God of peace. THE CONVERSION. N0. 5.—SCENE (Tenor and Bass Salt‘ and Chorus). Chorus. King Olaf’ s prows at Nidaros F111-rowed the golden shore, His axemen and his bowmen Lay round the shrine of Thor. Round the stately fane at Meerin King Olaf’s housecarles lay, And watch’d the men of Drontheim Gather at break of day. Mail-clad they came, and sworded, Corslet and buckler ring As they throng behind the Ironbeard Who leads them to the King. The shipmen grave of Iceland Retir’d to give them room, Their ringed mail was rusted And gray with salt sea—spume. All halted, all were silent, When, shiv’ring through the blue, Smiting the walls of Asgard, King Olaf's bugle blew. OLAF (Tenor). Behold me, my people, and answer and say If the gods of your fathers ye worship to-day 1 Or bend ye your will to the word of your King. To the waters of Christ and the Cross that I bring ? IRONBEARD (Bass). By my beard called of iron, O King, thou shalt know In the name of thy people, I answer thee, “ No." Shall thy cross and thy waters purge out the gods’ ban, Who feed on the ﬂesh and the life-blood of man ‘P . OLAF. Shall Thor and shall Odin be high gods agen ‘? Then give to their altars their guerdon of men. But shall blood of base losels and felons restore The glow to the altars of Odin and Thor ‘.9 Nay, a ‘sacriﬁce rich to their shrines will I yield, My fairest in bower and best under shield. My mightiest dies there, by sun and by moon, Ironbeard, and my fairest, his daughter Gudrun. IRONBEARD. Not the fair or the mighty, Gudrun or her Slru, Shall pass by thy mandate, 0 King, through the ﬁre. See above in the sun gleams the image of gold, Of Thor with the battle-maul gripp’d in his hold ; If he seeks for a hero, his hest thou shalt do, Call the best of thine axemen and offer thereto. OLAF. O hearken, my people, behold me once more, And may Christ lift my axe ’gainst the har'mer of Thor. Chorus. As leap the lights of winter Athwart the northern sky. Against the golden image Flash’d Olaf’s axe on high. KING OLAF . As falls at berg in springtime, Far shiver‘d on the ﬂoe, The golden shards of godhead Crash’d on the ground below. Fierce Ironbeard sprang forward; A housecarle drew his bow, And o’er the shattered image Its champion lay low. IRONBEARD. All-Father, I come ! true to honour and troth, To the faith of my fathers, and Odin the Goth. 0 wide should the doors of Valhalla unroll For a hero who gives for it body and soul. King Olaf the Norseman ! perchance it shall be, That thy Peace-God may rule o’er the Nor- lander free ; But with axe in his hand, and with sword upon thigh, And his face to his slayer doth Ironbeard die. Chorus. Then o’er the blood-stained Horg-stone The Cross of Christ was seen, The holy priests were praying, The singers sang between. King Olaf’s axe was lower’d, His bright blue eyes were dim, As swung the golden censer, As swelled the solemn hymn. The men of Drontheim trembled, They marvell'd and they knelt; Their helpless God was broken, The power of Christ was felt. OLAF. 0 brothers of Iceland, behold them, they kneel ! Of my Lord and His conquest, come, be you the seal. Pass the gods of the Gothland; your serfdom shall cease, For the sacriﬁce bloody I oﬁfer you peace : The peace of the Christian; 0, join in the prayer That swells to the Lord of the earth and the air. Chorus. Receive us, King; we kneel to Him Who felled by thee the War-god grim ; Water bring, our brows to lave, On our shields the Cross engrave ; Blood and battle let them cease, Knit us to the God of peace. OLAF (with Chorus). Lord, receive them! King divine, Breathe a blessing ; they are Thine. (Acworth.) N0. 6.——RECIT. (Bass). Now the child of Ironbeard dead, Fair G’-udrim, doth Olaf wed, Hoping thus, his wergild paying, To redeem him from the slaying. GUDRUN. N0. 7.——SCENE (Soprano and Tenor Sol; and Uho rus). Soprano. On King Olaf ’s bridal night Shines the moon with tender light, And across the chamber streams Its tide of dreams. At the fatal midnight hour, When all evil things have power, In the glimmer of the moon Stands Gudrun. Close against her heaving breast, Something in her hand is pressed ; Like an icicle, its sheen Is cold and keen. On the cairn are ﬁxed her eyes Where her murdered father lies, And a voice remote and drear She seems to hear. Chorus. What a bridal night is this 7 Cold will be the dagger’s kiss; Laden with the chill of death Is its breath. Like the drifting snow she sweeps To the couch where Olaf sleeps; Suddenly he wakes and stirs, His eyes meet hers. KING OLA H‘. OLAF (Tenor). “ What is that,” [King Olaf said] , “ Gleams so bright above thy head ? Wherefore standest thou so white In pale moonlight ? ” GUDRUN (Soprano). “ "Pis the bodkin that I wear When at night I bind my hair; It Woke me falling on the ﬂoor ; 'Tis nothing more.” OLAF. Forests have ears, and ﬁelds have eyes; Often treachery lurking lies Underneath the fairest hair I Gudrun, beware ! ” Chorus. Ere the earliest peep of morn Blew King Olaf’s bugle-horn ; And for ever sundered ride Bridegroom and bride ! (L0ngfellow.) No. 8.—-RE CIT. (Bass). How the lVraith of Odin old Song and tale and Saga told, Coming as unbidden guest To the hall, to Olaf ’s feast; Sing ye now, and with the strain Ancient memories wake again. THE WRAITH OF ODIN. No. 9.——CHORUS (BALLAD). The guests were loud, the ale was strong, King Olaf feasted late and long ; The hoary Sealds together sang ; O’erhead the smoky rafters rang. (Dead rides Sir Morten of Fogelsang.) The door swung wide, With creak and din ; A blast of cold night—air came in, And on the threshold shivering stood A one-eyed guest. with cloak and hood. (Dead rides Sir Morten of Fogelsang.) The King exclaimed, “ O graybeard pale! Come warm thee with this cup of ale.” The foaming draught the old man quaffed, The noisy guests looked on and laughed. (Dead rides Sir Morten of Fogelsang.) Then spake the King : “ Be not afraid; Sit here by me." The guest obeyed, And, seated at the table, told Tales of the sea, and Sagas old. (Dead rides Sir Morten of F ogelsang.) As one who from a volume reads, V He spake of heroes and their deeds, Of lands and cities he had seen, And stormy gulfs that tossed between. (Dead rides Sir Morten of Fogelsang.) Then from his lips in music rolled The Havamal of Odin old, With sounds mysterious as the roar Of billows on a distant shore. -)t- * * * * I! Then slept the King, and When. he woke The guest was gone, the morning broke. (Dead rides Sir Morten of Fogelsang.) They found the doors securely barred, They found the watch-dog in the yard, There was no foot-print in the grass, And none had seen the stranger pass. (Dead rides Sir Morten of Fogelsang.) King Olaf crossed himself and said: " I know that Odin the Great is dead; Sure is the triumph of our Faith, The one-eyed stranger was his Wraith!" (Dead rides Sir Morten of Fogelsang.) (L0n_qfellow.) N0. 10.———RE CIT- (Bass). Sisters, sing us now the song How since Olaf came a-wooing, Sigrid wrought for his undoing, Of the insult and the wrong. SIGRID. No. 11.—SCENE (Soprano and Tenor Soli and Chorus of Maidens). Chorus. Sigrid sits in her high abode, The haughty Queen of Svithiod, And to the West looks she For Norroway’s King, whose suit is told By the ring from Lade’s temple old, Which lies upon her knee. Lady, lady, lances gleam On the farther side of the border stream; Lady, the horses ford the ﬂood, They cross the meadow, and pass the Wood. KING OLA?’ . You may hear the iron hoof-stroke beat On the ringing stones of the village street; Rank on rank come spearmen tall, But the crest of Olaf is o’er them all, And the peace strings bind his sword; See he alights, he mounts the stair, The Norroway King with the golden hair, Queen Sigrid, greet thy lord. OLAF (Tenor). Sigrid, hail 1 with royal hand Knit to thee NorroWay’s King and land, And the ring of Ladé upon thy knee We will change to a cross for thee and me. SIGRID (Soprano) . Olaf, hail! my hand is thine, But the gods of old I will not resign ; Bow thou to thy Cross for woe or weal, But where I have knelt, I still must kneel. OLAF. Queen of Svithiod ! hearken well, Thy gods are mute on ﬁord and fell, Nor ever shall their voice again Be heard where Christ hath ris’n to reign. SIGRID. I hear them speak ! from pole to pole The Norland gods their thunder roll ; For Norland folk their sword—the rod For slaves who own the Southland god. OLAF. I will give my body and soul to ﬂame Ere I take to my heart a heathen dame ; Thou hast not beauty, thou hast not youth, Shall I buy thy land at the cost of truth ? Chorus. King Olaf rises; sisters, say Why does he thrust the Queen away, Why dash his glove on the oaken ﬂoor, And turn and stride towards the door? The gods protect the wrong’d and weak ! The glove has struck Queen Sigrid’s cheek, See the ﬂash of her haughty eye, See her stately form drawn high! Haste thee, O haste, King Olaf, ﬂy. SIGRID. Thou art gone! nay, spur not through the gate ; ' I am one that can watch and wait ; By yonder glove on the oaken ﬂoor, By my father’s head and the soul of Thor. By the hand she offered, Sigrid saith, That Sigrid yet shall be Olaf ‘s death. (Aeworthﬁ N0. 12.—-RECIT. (Bass). Hark I she flies from Wendla-nd forth, Slighted Thyri, to the N orth : There, as Olaf’s wedded dame, Will she set the North aﬂame I THYBI. No. 13.——CHORUS (BALLAD). A little bird in the air Is singing of Thyri the fair, The sister of Svend the Dane; And the song of the garrulous bird In the streets of the town is heard And repeated again and again. (Hoist up your sails of silk, And ﬂee away from each other.) To King Burislaf, it is said, Was the beautiful Thyri wed, And a sorrowful bride went she : And after a week and a day, She has ﬂed away and away, From his town by the stormy sea. (Hoist up your sails of silk, And ﬂee away from each other.) They say, that through heat and througi cold, Through weald, they say, and through Wold. By day and by night, they say, She has ﬂed : and the gossips report She has come to King Olaf ’s court, And the town is all in dismay. (Hoist up your sails of silk, And ﬂee away from each other.) It is whispered King Olaf has seen, Has talked with the beautiful Queen; And they wonder how it will end; For surely, if here she remain, It is war with King Svend the Dane, And King Burislaf the Vendl (Hoist up your sails of silk, And ﬂee away from each other.) 0, greatest wonder of all 1 It is published in hamlet and hall. It roars like a ﬂame that is fanned The King—yes, Olaf the King-— KING OLAF. Has Wedded her with his ring, Borg, And Thyri is Queen in the land! . . . (Hoist up your sails of silk, Comes. the SP“_ng ,un,°h‘“nm3» And ﬂee away from each other. sunshme on 11.13 P13110113’ (L°"9fe“°'”-> A1i$hiii§Vi§i‘l1é?Zi’5;Si,’3,if- b ‘ 9 So the olden romise No. 14.—DUET (Soprano and Tenor). Passed from loiid to lady, Warm with words of loving, THYRL Lifts the heart from thrall. (Aeworth.} The gray land breaks to lively green, Bespangled all with ﬂowers ; The throstles sing to greet the spring Through lengthening sunlit hours. N°° 15°“‘CHORAL RECIT- After Queen Gun/iitd’s death, 80 the old Saga saith, Plighted King Svend his faith, To Sigrid the Haughtg. But what care I for ﬂowers on award, Or bursting buds on tree ? My lands 1'estor’d from Wendland’s lord Were better cheer to me. Still on her seornfutgface, A landless, dowerless bride am I, Blushing with deep disgrace, The bride of NOI'1'0Wa.y’s King, Bore she the crimson trace What boots me, while I sit and sigh, Of Olaf ’s gauntlet. The coming of the spring ? , 0ft to King Svend she spake, “ F or thine own honour’s sake Shalt thou swift vengeance ta/ca On the rite coward ! " OLAF. Thyri, my beloved, Hither come I bearing And to avenge his bride, Angelic“ upliwtedv Soothing her wounded pride, Sweet and fair as thou. QM. the wate7‘s wide Earliest boon of springtime, King Olaf sought he. Sign of snow departing, In their welcome fragrance, Bathe thy snowy brow. (Longfellow) THE DEATH OF OLAF. Tm" No. 16.—CHOB.US. SW:e:;g:t:f§iKO;%%1§ugeO 1 meseems’ King Olaf’s dragons take the sea, The piping south-wind drives them fast. The dltﬁgris that haunts Queen Thy“ 3 The shields dip deep upon the lee, Her down’, Over Sea“ The white sails strain on every mast. - . Leaping from Wave to Wave they round Wide spread they from the Wendland shore, V And rich with fruit and ﬂower’ The cape that bars the stormy sound, And where the ocean opens wide The lands I weep for evermore, _ - - O I give me back my dower. They see far stretched on either side The Danish ships and Svithiod’s ride; High on his deck King Olaf stands, 0LAF- The war-axe grasp’d in both his hands. With helm of gold and jerkin red, F031‘ 11013» doubt 1105» Weep 110*: And fair curls blowing round his head, A5 3 Queen triumphant, First of his ﬂeet, he leads the van T0W3TdS the huPPLY Sunlight And seeks the battle, man to man. Lift thy radiant eyes ; To the strife of favours, But seaward, landward, cape and bay For thy love I gird me, Cast forth their foes on Norroway ; And the lands of Thyri Ten thousand shaven oar-blades sweep Shall I win for prize. The bosom of the troubled deep 1 KING As crash the prows, ring bill and shield, And arm meets arm that will not yield ; Still where the foemen thickest throng King Olaf’s galley sweeps along, And still her lofty sides to scale Ply the ﬁerce foemen car and sail, And pour their heroes bright in mail, Woe, woe for N orroway ! O’erwhelmed, her stout sea-dragons ﬂy, Or, scatter’d, powerless, scarcely try To join once more the fray : Yet still, like sunbeam through a cloud, Glimmers the helm of Olaf proud, Faint and more faint to see : Around it close the dark’ning spears, It sinks, it sparkles, disappears, King Olaf, woe to thee ! Thy latest ﬁght is fought in vain, No more the axe of Olaf slain, No more the glittering crest, Shall victory pluck from ruin’s verge, Or to the chase his spearmen urge ; Above him rolls the sullen surge, That stormy heart has rest. (Acw0rth.) EPILOGUE. SOLI AND CHORUS. Bass Recit. In the convent of Dronthcim Knelt Astrid, the Abbess, At midnight, adoring. She heard in the silence The voice of one speaking Without in the darkness, Now louder, now nearer, Now lost in the distance. Soli and Chorus. " It is accepted, The angry deﬁance, The challenge of battle ! It is accepted, But not with the weapons Of war that thou wieldest I “ Cross against corslet, Love against hatred, Peace-cry for war-cry I Patience is powerful ; He that o’ercometh Hath power o'er the nations! Chorus (nnaccompanied). “ As torrents in summer, Half—dried in their channels. Suddenly rise, though the Sky is still cloudless, For rain has been falling Far off at their fountains ; “ So hearts that are fainting Grow full to o’erﬂowing, And they that behold it Marvel, and know not That God at their fountains Far off has been raining l Soli and Chorus. " Stronger than steel Is the sword of the Spirit ; Swifter than arrows The light of the truth is, Greater than anger Is love, and subdueth! “ The dawn is not distant, Nor is the night starless , Love is eternal! God is still God, and His faith shall not fail us ; Christ is eternal ! ” A strain of music ends the tale, A low, monotonous, funeral wail, That with its cadence, wild and sweet, Makes the long Saga more complete. (Long_fellow.} These words are Copyright under English and Colonial Statutes, and must not be printed without the permission of the Publishers. No'rE.—In the following Scenes it is intended that the performers should be looked upon as a gathering of skalds (bards); all, in turn, take part in the narration of the Saga and occasionally, at the more dramatic points, personify for the moment some important character. ’ The names of persons and places should be pronounced generally as in German. E. E. SYNOPSIS. INTRODUCTION. THE bards name and describe the book in which is written the story they are about to relate. One of their number, who is evidently recognised to be the chief hard or master of the ceremonies, calls upon the members of the company to constitute themselves as representing Thor, the God of thunder, and to repeat his challenge. THE CHALLENGE OF THOR. The Whole assembly, in response to its chief, is here supposed to represent Thor, who arrogates to himself supremacy in the world, and hurling out deﬁance to the Christian religion, issues a challenge to Christ its prototype. KING OLAF’S RETURN. Another of the bards comes forward and relates how the fugitive Olaf hears and accepts the challenge, and after recounting the youthful Olafs wanderings and adventures previous to that time, tells of his return home to Norway as King, and of his resolve to establish Christianity in the kingdom. Their chief here directs the Skalds to tell how Olaf accomplished his mission. THE CONVERSION. In this scene, the minstrels describe the gathering of Olaf"s subjects at the temple of their deity; headed by Ironbeard, they meet the king and his bodyguard of axemen and bowmen. King Olaf, in the person of the tenor bard, offers the religion of Christ to the people, and Ironbeard——which character is for the nonce assumed by the chief bard—in the name of the people refuses it; whereupon the king, goaded to the act by the deﬁant words and attitude of Ironbeard, takes up his war-axe and shatters the image of Thor. In attempting to avert the destruction of the idol, Ironbeard is mortally wounded, but, deﬁant to the last, the grim old Warrior declares himself staunch to the faith of his fathers. With dying breath he commends his soul to Odin (the chief god of the Norse religion), and claiming entrance into VValhalla, the eternal paradise of heroes slain in battle, expires. The people are so much impressed by the manifestation of Thor’s impotence and the death of his champion, that they elect to embrace the new faith, the peace of which, and its completed sacriﬁce, the king offers them as an alternative to the ever-recurring sacriﬁces of blood demanded by the tenets of their religion. Meekly surrendering themselves to the newly- revealed power, in solemn unity they bow before their king, who, with thrilling intensity, invokes upon his kneeling subjects the blessing of the King divine. The master bard himself tells how, as a blo0d—atonement, Olaf weds Gudrun, the daughter of Ironbeard. GUDRUN. The company of Skalds describes how Gudrun, intent on avenging her father's death, steals, on the bridal night, with dagger in hand, to where Olaf sleeps; but Olaf wakes and thwarts her design, and ere the dawn of morn rids himself of the treacherous bride. The chief minstrel now commands his men to sing of the coming, as an unbidden guest to 0laf’s feast, of the spirit of Odin. THE WRAITH OF ODIN. In the words of a stirring ballad, the assembled bards sing of the strange guest who enter- tained the company far into the night with his wonderful stories. How the king slept, but woke to ﬁnd the guest gone; how Olaf, ﬁnding no trace of the departure of the stranger, pronounced him to have been the spirit of Odin, and interpreted the visitation to signify the downfall of Odin the Great, and the effectual triumph of the Christian faith. The chief bard invites the maidens of the company to sing the story of the wooing of Queen Sigrid by King Olaf, of the insult she snjfered at his hands, and of her vow to accomplish his death. SIGRID. The minstrel maids sing of the Queen of Svithiod awaiting the coming of King Olaf, with the ring, taken by Olaf from Ladé’s temple, on her knee.—The two characters are again represented by bards. SYNOPSIS (continued). Olaf arrives, greets the queen, and olfers her himself, his land, and his religion. Sigrid returns the greeting, but will only consent to become his, on condition he swears his love, as Odin once swore it, on the ring. He refuses the condition, and Sigrid, not heeding his appeal, expresses her contempt of “the Southland God,” and protests her constancy to the “ Norland Gods," At this King Olaf’s anger rises, and he strikes her cheek with his gauntlet. King Olaf is warned to ﬂy, and the scene closes with the queen vowing vengeance on the retreating ﬁgure. A Attention is commanded by the principal bard for the recital of the story of Thyri-—t/Le alighted choice of the Wendland King—-and her flight to the North. TIIYRI. In a charming ballad, the minstrels sing of Thyri, the sister of Svend, the Danish king, ﬂeeing away from King Burislaf of Weiidland, to whom she had been betrothed for the short space of eight days. She comes to King Olaf’s court, and Olaf eventually marries her. After the ballad, two singers advance to represent King Olaf and the beautiful Thyri, his wife. Thyri laments the loss of her lands, which King Burislaf has possession of, and deplores her dowerless condition. Olaf, fresh from the delights of a fair morning in early spring, comes before her with a love offering of Angelicas, but with such thoughts rankling in her mind, the sweet smelling herb holds no charm for Thyri. Her mood leads her to taunt Olaf into consenting to rescue her domains from King Burislaf, upon which, having effected her purpose, she once more smiles on her lord. The bards join in reciting how Queen Sigrid becomes the bride of King Svend, the Dane- a union which portends evil for King Olaf—~and relate how she cajoles the Danish king into setting forth to wreak vengeance on Olaf. THE DEATH OF OLAF. Full chorus of Skalds, in which are described the putting out to sea of Olafs warships to meet those of the Danes, and the contact of the opposing forces. Vividly pourtrayed are the deadly combat and the defeat of Olaf, who, ever foremost in the fray, is surrounded and outnumbered, and so perishes in the ﬂood. EPILOGUE. The bard-chief ﬁnally pictures Astrid, the mother of Olaf, in the convent of Drontheim, kneeling at midnight, and listening to the voice of one speaking in the darkness without. The voice which Astrid heard, purports to be that of Saint John taking up the challenge in response to the entreaty of the departed spirit of Olaf. The saga-men, echoing the words of the saint, signify the ultimate acceptance of the challenge of Thor, and the continuance of Olaf’s mission, but this time, in the true Christian spirit of love, and by the power of the Great Spirit Divine, which comes “ not as a vulture, but as a dove.” A. S. BURROWS. The Becitatives serve to prompt the narration of the Story; so, to emphasise their function and signiﬁcance, the portions representing them in the above synopsis are printed in Italics. (From a Concert Programme ofihe Shezﬁeld Musical Union.) CONTENTS. .... .-—€€C€j—-—-- INTRODUCTION. SOLI AND CHoRUs——-“ There is a Wondrous book” . RECITATIVE (Bass)—“ Summon now the God of Thunder ” THE CHALLENGE OF THOR. . CHoRUs——“ I am the God Thor ” . . KING OLAF’S RETURN. . SOLO (Te7zo7')—“ And King Olaf heard the cry" . RECIT. (Bas3)—“ Tell how Olaf bore the cross ” THE CONVERSION. 5. S0LI (Tenor and Bass) AND CHoRUs——“ King Olaf’s prows at Nidaros ” . Rnoir. (Bas3)~—“ Now the child of Ironbeard dead ” GUDRUN. . SoLI (Soprano and Tenor) AND CHoRUs—“ On King Olaf’s bridal night ” . RECIT. (b’ass)——-“ How the Wraith of Odin old” THE WRAITH OF ODIN. . CHORUS (Ba1lad)—“ The guests were loud ” . REc1rr.—“ Sisters, sing ye now the Song ” SIGRID. . SOLI (Soprcmo and T enor) AND CHoRUs——“ Sigrid sits in her high abode " . RECIT. (Bass)—“ Hark 1 she ﬂies from Wendland forth ” THYRI. . CHORUS (Ballad)—“ A little bird in the air” . DUET (Soprano and Te1z07*)—-“ The gray land breaks to lively green . CHORAL RECIT.--~“ After Queen Gunhild’s death " ... THE DEATH OF OLAF. . CHoRUs—“ King Olaf’s dragons take the sea ” EPILOGUE. SoLI AND CHoRUs~—“ In the Convent of Drontheim ” SCENES FROM THE SAGA OF KING OLAF. INTRODUCTION. SoL1 AND CtiORUS.—-“ THERE IS A WONDROUS BOOK.” ‘4nd EDWARD ELGAR, Op. 30. /— >'—*\ /‘T /"T 1 2- P000 0733-: } con Ped.‘5' Oaonua SOPRANO. w' ook L\egends wondrous book Of ‘ in the old wondrous book in the old . . ‘ wondrous book Of in the old kings of Nor - T0 - way,— . kings of Nor - ro - way,— . Of P7’ ' Copyright, 1896, by Novella, F/wer and 00. - 8247. 2 B BASS Sow. P vzzglto espress. .1: 4! p—p—Q :,‘ I 3* I ' § ‘v’ T ? V L .. I 1‘ E‘ ' L I I ' _¢ 1 1 # Legends that once were told or sung, espress. Legends that on\de were dim. kings of Nor - r0 - Way,— *5 kings of Nor - r0 - way,—— /TE} \ SOPRA N0 SoLo. espress. Legends that once were told or sung, ” - d’ring Sa - ga—man or TENOR SOLO. > — Legends that once were told or sung, By wan - d’ring Sa - ga-man or CTCS. In ma—ny a sm0—ky ﬁre-side nook Of Ice-1and,in the an—cient La told or sung . . Ice - land, gends that once were Skald Skald, >9} day, Le - gends that once were told or sung By wa.nd’ring Sa cres. ..—.e—— dim. that once were told or gends that once were told or sung By Wand’ring Sa [7 Legends that were - gends that once were sung ga - man C poco allargomdo. h. he who looks may find therein poco allargando. he who looks may ﬁnd therein that We poco allargando. : C’7‘€8. he who looks may ﬁnd therein The sto — ry that We x Heims - kring — la Heims - kring - la Ileims - kring - la Sva .................................................... c3res. molto. dim. 3:’ I K I mm I ;‘g I~’l“’!\1 1 "° { _ 7 [Ir - thevo - lume called, dim. 4. . Ki *'r. ; 1- '\a 0- 90 J qiig is thev01umecalled,And he wholooks may ﬁnd therein ‘ :1- dzm. _{ the V0 — lume called, , wholooks may ﬁnd there - in J- the vo - lume called, He who looks sto — ry that now be - gin. L '- — — 7"‘-___T.—> 3: ' -: nE—§__.___._____/'‘5_ sto - ry that we now be_gin now be - gin. . . ’ 7'l,t. f_'\ now be - gin. - *’ Ti‘-o-— r.\ ,2 ﬁnd there-in The now be - gin. f.\ _Q.. 5 REOITATIVE (BAss).~—“ SUMMON NOW THE GOD OF THUNDER.” Allegro con fuoco. Allegro confuoco. 5;- — - A SKALD (B.-xss). K'\ K.\ Sum - man now the God /3 who rives ~ , E1ga.r.—King 01a.f.—Nove11o’s Edition. B 6 Poco meno mosso. hea-vens a -sun - der, Poco memo mosso. fl’ ﬁr-\ adlib. Chal — leng - ing the v xv. A /zfacca Na. 9 7 THE CHALLENGE OF THOR. CHORUS.-—“ I AM THE GOD THOR.” Moderate. SOPRANO. ()' am the God Thor, God Thor, God Thor, God Thor, Moderate. J = 104. PP my North- land, My fast- ness and fort - ress, —u__”: my N 0rth- land, My fast - ness'¢:___2_xnd fort - ress, __.. my North- land, My fast- ness and fort - ress, _. -1 . my N0rth— land, My fast - ness and fort - rggs, - u o o ' o ' I C’opg/7~z'ght, 1896, by Kvovello, Ewer cmd Co. ores. molto. Reign 1 c1-es. mo Zto. Reign I cres. molto. Reign I cres. molto. Reign I cres. molto. f risoluto. } BASS. Here a-mld 1?“ rgsoluto. , Here B 3 [sf -‘. >}>>>} >}>->>} ice - bergs } na. - tions, the If uj ﬂ is..my ham -mer, Mi- Sopnmo. cer-ers _,_ cer-ers the mighty ; might - y; ﬂ" - stand 13 I L. gaunt - ‘T These are my \ Wherewith I /\ These are my gaunt - ts. Wherewith I //:“T.\ Can - not Can - not with - With - and hurl gir - dle, When—ev — er > >- . ' 1 g1r- dle, When - ev - er «-3: re - doub - led, strength, strengthis 6 . \_ _ brace 1'0: - | - strength 15 . 3 gir - dle, When-ev—er I brace it, Strength is re - doub — led, strength, strength is ' > Z r‘ —o— -9- 3 This is - ' - dle, strength, strength is }' 3. d0ub—led, When bd0ub—led, When doub-led, When doub-led, Wheré E light thou light thou brace it ! brace it 1 brace it ! A be- hold - est Stream through be — hold - est Stream thro1;g.h ﬂashes Is but my red beard Blown by thenight-wind, Af-tright-ing my red beard Blown by the night-wind, Af-fright:-ing the na 0768. Is but my red beard Blown by thenight-wind, Af -fright-ing Sues sempre. L na - tions ! tions ! can form. 17° > > my bro — ther, >> Jove is my bro - ther; Mine eyes are the light- ning; > >> }}} j} }}>:- 13 can form.ﬂ° > > The wheels of my ohar - iot wheels of my char - iot ' the thun }} my bro —ther ; Mine eyes are the light bro-ther; Mine eyes are the lightning; 8va.....- ........................................... .\ b , The blows "f> the shun - The blows Blows of wheels of my char - iot Roll in the thun - der; Blows of my G ham — mer allargando. N -0- €- H Molto maestoso. Force . . rules the .wo/rld still, Has ruled it, shall rikle it: Force . .rulestl1e world still, Has ruled it, shall rule it; Meek - Force . .rules the world still, Has ruled it, shall rule it, ﬂux L x A »\ Force . . rules the World still, Has ruled it, shall rule it ; Meek - ness is H M maestoso. A A /\ . ‘,_. Sves sempre. Meek - ness is weak-ness, Strength is tri - umph - ant, O — ver the /\ >- /\"—$ W% - Strength is tri— ph - ant, 0 - ver the /\ > > Strength’ - umph - ant, ver tﬁe whole A’-\ > > Strength is tI‘i‘11[/I\]ph - ant, V ver the whole whole earth > vs hole earth A L Still is it ThQr’s - Day, } Still is it Th0r’s - Day, ores. poco a poco. L.._.._/ And thus £541 - gle-hand - ed . . . . . Un - to the C’I'€8. pOCO (1 P060. &_._j/ And thus sin ~ gle-hand - ed . . . . .. Un - to the ores. poco a poco. \'____:/ \______.__/ And thus sin - gle-hand - ed . . . . . Un - to the ores. poco a poco. And thus sin - gle-hand — ed . ..:d ares. poco a povo. 1 Sf } com - bat, Gaunt com - bat, Gaunt com - ba t, Gaunt com ~ bat, Gaunt Thus \ E f pesante. gle - hand - ed gle - hand-ed Un - to the gle - hand- ed gle - h-and - ed All 2‘ 07. Z?/\ a/‘gm O/\ bat, Gaunt-let /\ /\ bat, Gaunt- let .27:/\A bat, Gaunt- let: .77’/\ /\ bat, Gaunt;— let or A llargando. V T . Pad. 3 , Also published in Nove11o’s Tonic Sol-fa. Series, No. 971, price 8247 _ 18 KING OLAF’S RETURN. SOLO (TENoR).——“ AND KING OLAF HEARD THE CRY." Allegro. REOIT. r.\_ AndKing 0 - laf heardthe cry, . . light Allegro. /5 ' . . ' PP a tempo. dim. e Laid his hand on his sword, As he leaned up-on the rai1~ing, And his meno mosso. A h. . _ . . s 1p/_ went sa.1'l__$k mg, Jzgasaul meno mosao. L'- sai1- North- north - Ward in—to Dront—heim ﬁord. E; tranquillo. There he stood as one who tranquillo. espTesS' 3 [3 Allegro. J=112. and \ And the gleamed red light glanced A . . _,_ wore; And he shout - ed, . . Sva ................................ > > > = 1 he \ mour that . ' 5 5 allargcmdo. —i_ shook . Stream - ers 0’er him ”\ PP molto ores. 172. o. dreamed ; shouted, and As the shift-ed, 329°‘ ac-cept thy chal Allegro. sf colla pamte. Sf Allegro molto. AZ'legro molto. J = 138. /\ A _ -‘if his . . fa-ther slain, And re - con - que'r\ realm and reign, 3 _,_'Z‘' -1. - ' :m¢;,=— Came . . the youth - ful O -glaf home, And the dash a poco piu tmmquillo. the poco on poco pm G Tranquillo. I Tranquillo. d = 112. /—"—:j—T {"—:?'_—‘T _p- I To thoughts tITe' T-ﬁr-—j—_-% Pad. =l< Ped. =l= Ped. E1;zar.—King 0laf.—Nove1lo’s Edition. alt ed. 0 * 22 - i 3’ 0 . , , =‘ t 1 .. sa. - cred name Of his 1110- ther As-‘arid came, . . And the E ‘Tl’ I j she oft told . . Of her se — cret pass -2 u I poco mt. es Thro’the mountains and mo—ra.ss - es, To . . . the home of H9. ~ kon I M. PP calla parte. VT sempre P old. cc tempo. dolcissimo. con Ped. J Pin mosso. Quasi parlando. strange mem — crowd - ed back of Queen Gun- Pz'2‘a mosso. wmck And a hur - ried ch stringenolo. Of grim Vi-kings, Pia mosso. and their rap - ture In the sea. — ﬁght, . . the cap - ‘sure, And the a tempo. J = 112. his . . cruis ~ing’s o’er the r‘—‘‘‘‘''—‘'’\ to the He - des, And to Sci1- 1y’s rock- y shore ; And the estward /.___ Ped. cies. allargomdc dis - 1113.1, Christ’s Great name and rites bap - tis - mal. In the K. :’%‘—_-\/—~:—-'f\rj-:——'_:—\ her -mit’s cav- em /___._.._ MA f cean’s rush and roar. Nor —wa.y nev - er yet; Allegro. J - : 96. colla parte. . had seen ~/ 0 stringendo molto. Har-ness gold . . in - ‘} } ,\. \ \ m, h S -1 m F1 m X I.. 8 LIJ e 1 m. n 0 C S .m 1 a n -1 When PP agitate. f strmgendo molto. of . . and burnished, } - bo a‘b.-‘fir Thus came - tle like a ﬂame, ares. molto. 26 Tempo lmo. laf to his own, . . . When up - on the night - \wind Tempo lmo. J = 112. allargando. /_.___ _ Passed t . . the shore ; And \ \ PP X allargamdo. : . molto. sWer’d,Whi1e rift - ed Streamers 0’er him shookand shift — ed, ‘ ' ' ' ' ‘ ' ' ' ' ‘ ’ ‘ ‘ "‘ '—.S '‘*s § ffz ;—.____, stringevzdo molto. R _d'_ d REGIT. 3 5‘ wag shift — ed, . . . “ I ac-cept thy chal Sva. sf calla. parte. 27 Rmcrr. (BAss).——“ TELL HOW OLAF BORE THE CROSS." Allegro moderato. 811a I -1- f :::———— 6- I I \___2 A SKALD. Tell Nor - allargandob I .9 . .. : 1 : 1. H E , . . . , F4 I’ Win-ning to peace. J: 92 tm; colla pcmte. > a tempo. piil lento. P ’ dim. THE CONVERSION. SOLI (TENOR AND BASS) AND CHORUS.-—“ KING OLAF’S PROWS AT N IDARO 8.” Allegro moderate. SOPRANO. dolce e legato. King 0 - dolce e legato. King 0 - alolce e legato. King 0 - dolce e legato. King 0 Allegro moderato. > -27- TI semgore motto legato. Fur - 1'oW’d the Fur - roW’d the Fur - row’d the Fur - row’d the round the of / ‘T _ J §—j-—<— state - ly fane . . . . at Mae -rin, King ly . . . . at Mae - rin, King the . . . . at V, - rin, King . _,_ state - ly . . . . at Mae —rin, King r"‘*‘% r—':"-‘T O - 1af’s house carles lay, n» 0 - 1af’s house carles lay, 1 O - la.f’s house carles lay, i O - 1af’s house caries la B —.'. Watch’d the men of Drontheim —o— -0- Drontheim _a.. .0. the men of watch’d the men of theim Watch’d Drontheim /\ /-——— C Poco pie). mosso. W’/\ Clad mail C Paco pm mosso. in J-=92. 73}? qumsi alla marcia. -C- -0- Ga. - ther G_‘ra-ther Ga—ther ther _,'- _,_ at break of at break of at break of at break of they Oo1's- let and buck - ler ed, cors— let and buck - ler ring, cors- let and buck — ler ring, Cors- let; and buck - ler ring, cors-let and buck - ler 2/’/ .4-" they . . came, Cors-let and buck - c0rs- let and buck - ler ring, throng . . - . . I - r0n—beard. sword - ed, As they throng throng be - hind throng be as they throng leads them, leads them to beard, . . Wholeadsthem toK.—’. > leads .> >tl1><e111 T-jﬁ T \ Corslet and buck—1er ring, . . . . - I -ron-beard ‘ > >— > -ron—bezLrd _‘_ - 1'on—beard t>0 the King, leads them to the King, - I - F011-beard ‘J T'‘_———___’—‘\ leads them to the King, . . . I-ron-beard > - _ them to the King, . . . I-ronvbeard —aL } K111;-55 . the {'7 the them } them } let and buck- ler ring. King’, . . King, . . to the King, . I - ron- bean-I I - ron-beard K Oors-let and buck - ler ring. leads them to leads I - ron - beard . . leads them to I\ Re - tired . . .3 them room, Their them room, Their them room, Their them room, f. \—. and gray - sea - spume. _ \_ and gray sea - spume. _ \_ and gray Wlth . . sea — spume. and gray with salt . . X///,__._ All halt-ed. All halt-ed, All halt-ed, A -0- -0- -0- L t - ing the Walls of Smit - ing the walls of blew, King FA J = 126. lv all were all were As O - gard, were When, When, When, King 0 King 0 — King 0 - laf’s b11—gle blew. '3‘ shiv’1'ing shiv’ring shiv’ring laf’s bu - gle - la.f’s bu - gle - laf’s bu -gle T- thro’ the , thro’ the accel. e cres. accel. e ores. blue, accel. e cres. thro’ the blue, King 0-]af’s bu -gle accel. e cres. »-27° J7" Onu. REOIT. (TENOR.) /\ Be - hold me, my Rmorr. > 3 answer and say, answer and say, d ‘:3 112,. _% sf thers ye Wor /3 I If the /'3 I V of your fa. /3 v /3 :": P ma, con fuoco. w of your fa. thers ' /3 /3 P /3 ifthe Gods . . . ye- W01‘ /3 to the Word /3 Or bend /3 vi /3 v /_3 ' yeyour wills . . . / 3 v ' I 1‘ I espress. To the ters of Christ I V ship to - /31 1' t -~ sup/3 '0 calla parte. /‘ 3 I a tempo. that I bring, . the Wa - - ters of; ?j'— calla. parte. ‘ ‘ ‘ ,—3 U T ' ,——3 a.'temp0. /—~' ' C YOSS /_‘ An - swer and say. V > > >colZa partQL_3M_ atempo. Sf. $o— 1/ Sf IRONBEARD. R3011‘. (BASS.) By my beard ca1l‘d of I - ron, 0 King ! shalt thou /"""—""'—'T allarqavzdo. /T In the name . . of thy peo - ple, Z""S } calla parte. ores. Elgar —King OIaf.—~Nove1]o’s Edition. D purge out ,—-————«ﬁ co tempo. ' T- A liegro. an - swer thee, l\' 0 1 CHORUS. Tmvoa. -_t'._':. V N0l.. B . .7§".:é. Nol.. A -0-‘ -v—' Allegro. J = 120. JFIJ‘ QJ 1 .. -;—‘i:. ae7:177<oaj f Shall thy cross . . and thy wa - al/m~_qanrlo. 5 3G» the Gods’ ban, L and thy - '\ Shall thy cross . . ters purge out tlle "T } Shall thy cross . . and thy - ters the I purge out , . -0- -0-‘ ° ‘xv F ‘i ‘If Who feed on the ﬂesh and the life- blood of >-> Gods’ ban, } Gods, ban’ allargando. v v /"' ’"— -.3 a tempo. -H--. ' 1 I feed on the ﬂesh and the life-blood OLIAF. RECIT. Shall Thor and shall 0 - din be high Gods a - gen? atempo. cl iempo. J —_- 126. give to their yea, Thor and O yea, Thor and V /\ ’ emcor pm mos-.90. a1- tars their guer-don of men! give to their _ give to their ai aazcor pa/‘z, mo.s.s'o. J:13s. - u A L’£stesso tempo. 1 4L 4.14 their guer - their guer I /\ shall blood fel - ons - tars of I /,- > ;. .,I-g- ' r“1~1' ~ xP subito. of base and 10s - men ! L’z'.stesso tempo. I els con entusiasmc. mf Nay a. - - criﬁce rich to shrine will I CHORUS. Tnxon. est in bow Ped. sempre. there fl? > _The best under shield, ' might — i—est The best under shield, ‘ might - i~est 2?. I - ron --beard, - 1772' there! - ron - beard! v T there! I - ron - beard! . . I 1. 2?” his daugh - ter, I - ron-beard, and the fair - est, the fair - est, his daugh - ter, e I - ron-beard, and the fair - est, the fair - est, his daugh - ter,3 G11 > 3 3 IRONBEABD. Pia mosso. or the might - y, - drun ! . Pm mosso. d = 152. or her sire. >- A llargando. rit. soatenuto. } > > > am’ a tempo. J : 133. pass by thy man - date. 0 King, thro’ the A” d ﬁ3‘e- . . . . >-\ >\ argan o. - - - - . E‘? - ‘ 1--4f_ J_é1';_*_- ta. sostenuto. _: N See a - bove K K . . o o . . . . I I _,_d_,_1.'t'.1;:j:f‘f ’ A ' ' ' ' ' cres. multo. fff the image of gold, 8175 stringendo. ,._\ Thor . . bat - tle-maul stringendo. P subito. 45 Cuozws. TENORS. sj, sf, sf, Thor: . with the bat - tle-maul gripp’d ‘in his hold. Bassns. 8./.' sf’ Sf’ Thor . . with the bat - tle-maul gripp‘d in his hold. pesante. IR01\'BEARD.alla,7"ga7LCZO. 3 > If he seeks for a tempo. ffz ] allargcmdo. > fp "5 > > a tempo. hest thou shalt do, Call the best .. thine axe-men, there — > calla pane. - a tempo' Clnist ores. molto. Allngro con fuoco, ff » Q doppio 7nom'7nen.fo. axe, . . ’g:Linst the hammer . Thor! CHORUS. As leap the lights of A Zlegro con fuoco, Q doppio movimento. OI: 138. f_ Bf A—tl1\va1't the north - ern sky, As leap the lights ter, the lights of Win ter, .y. 8247. 47 fz age Flasifd /5 age F1ash’d O - 1af’s axe F1ash’d, . . ﬂash’dg- 1af’s axe -9- ,_ F1ash’dO - 1af’s axe ' T Xi } }- } }- J7’ strepitoso. in spring — time, Far in spring time, in spring - time, Fa -42- 9- god } shards of god - head - head > of god - head the ground fz Crash’d Crash’d the ground fz Crash’d Fierce ron—beard sprang for _;:. OH I‘ be - low, ground - low, ground Fierce on-beard sprang for -2 ward, Fierce ron-beard sprang cres. Fierce ward, fz ward, A house . . his bow, . ron-heard sprang for A house O’er the shat-ter’d im - age, o’er the shat-ter’d im - age } o’er the shat-ter’d im - age, o’er the shat-ter’d im - age Its 0’er the shat-ter’d im - age, 0 er the shat-ter’d im — age T > o’er the shat—ter’d im - age, o’er the shat-ter’d im - age Its IRONBEARD. 1VIoderato. P All poco allowgumdo. P molto espress. bsf F a. - ther, Jlloderato. J —_- O] of precedz'n_r/ movement. hon — our and PP the 79]} cres. molto. the faith of Lento. J1 : 5 my and of fa.- thers, movement. molto cantabile. mf Goth. :T Oh,Widesho111d the doors . . 2:3 2 P molto espress. 3 —‘_ a he - r0 who gives, x /*4- /”“ " :5 3 PP and soul, King 0 - lzlf, -p~ #,_ ‘ /§ . V -- J 3 r£t.,.._..\ Norseman! per - clmnce it may be, Tllan thy Peace —God shall rule T /T Z /T /“"‘\ _£_ co3lla parte. 5 I - poco am'mato. ad lzb. ,4- free ; But with axe in his o’er the Nor land - er J Tempo lm0' = 112' poco animato. — _. _ rit. e dim. ammato. r_.___ th sword up - on thigh, . And his face f—$ ritedim. __,_: sfp %m.m'at0 I - ron — beard V L’z'stesso tempo. o’er the blood-stain’d Horgstone, The cross of Christ was > o’er the blood-stai11’d Horgstone, The cross gf Christ was >1: con Ped. poco rit. dim. The ho - ly priests were pray ~ ing, The sing — ers poco rit. dim. The ho - ly priests were pray - ing, The sing — ers PP poco rit. dim. The sing - ers sang /-——j: poco rib. Lento. : :3 0- 1af’s axe was low- er’d, _ — King 0 - 1af’s axe was low - er’d, — tween. , . W Lema , Kmg O -1af’s axe Was1ow- er’d, f T. _: .: Segue arpeggimzdo. Ped. F F * _ /‘T":\/-\ As swung . . the gold - en cen ' yei "" 7?‘ His brightblue eyes Were dim, . . . 3 swelled . '. e e His bright blue eyes were dim, _e— b tbue .V_v:;°e m . . . swelled /T f Slva, Bassa. Ped. - sex-,AssWe11edthe so - They mar-ve1l’d as they lemn The men of ])rontheim ble\d, They mar—ve11’d as they The men of Drontheim trembled, They mar - vel1’d, {T E1ga.r.—King O1af.—Nove11o's Edition. sostemzto. molto ores. knelt, Their help- less God sostemuio. molto ores. knelt, Their help - less God marvell’d as they knelt, {T molto cres. The pow’r, the poW'r of Christ was f \ N7?/\ /-1 ‘ > ::/— , V ’ f bro - ke11,The Wr, . the IE” 0 A/—..-—$ _: bro - ken,The 1/)\ow’r, the p0W’r of Christ was bro-thers of _'_ -0. ' . the pow’r of Christ was -i :> Ea» the poW’r of Christ was C the pow’ of Christ was : 74* l. the pow’r of Christ was \/ :9 X Allegretto. d0lce° Ice-land ! be -hold . Allr3.]7'etr/‘0. J = 76. >_ _ 3 dolczsszmo. 1 . them, they knee], 1;; I 3? 1 lS;__, Pad. >l< 3 Of my Lord and his con - quest come be you the seal, Pass . . the Gods the Goth - land; your serf-dom shall cease ; For the ri - ﬁce bloody, I of - fer you {xx /jsghé‘ nafegi of the Chris .5 I ores. e allargando. (5 ﬂ‘ Y a tempo. join . . in prayer . .That swells . . to the Lord the earth and the CHORU ceive us, ceive us, I ores. e allargando. <:;I?” W2»-ter bring our brows to _i’ Wa — ter bring L bring our brows to 2?e>_-\> bring our brows to /\ /\ -9. -4- Lord, re - ceive them! King . . shields the - grave. legato. { Blood and bat - tle, let them, let them Lord, re ~ ceive them !King (11 - vine, King di - vine, Breathea. - ' breathe . . a $ them cease, bat - tle, them cease, {re {T CV68 3/br_#d‘_3\ /-———-x 3/bJ_3\ 3/bgx 3 ‘I 3 3 3 1 :1: P3. AA Come 1ma_. peace, Come lma. 0' = 92. AA Allargando al ﬁne. brows, . . our brows to cres. molto. our shields the cross, the cross . . en—grave, Sf Blood and bat-tle, let them cease, . . Knit us to the God of T Allargando alfine. «Um- ho. cres. motto. «V —1'3_1ood . . tle, let . . them cease, let them cease, . lave, . and bat- tle, let . . them cease, let them cease, . Blood and bat-tle, let them cease, . .. them cease, let them cease, . ' f\ *3 Blood and bat—tle, let them cease, . . let them cease, . 8120; xii, the God dim. e TM. the God i 3%: dim. e rit. peace. the God peace. dim._e ' God «V —— \_'/ . m. K? ‘ ’ .)«-' Sra [>rL.s=su. ..... ..—.-/ S.«-H. 60 RECIT. (BASS).-—“NOW THE CHILD OF IRONBEARD DEAD.” Andantino. Andomtino. f I \/ 77 espress. \-/ A SKALD. R3011‘. ad lib. Now the child of I-ron-beard dead, Fair a. tempo. 6! ° = 69. mollo es Jress. mf . -7 Hop - ing thus his wer-gild pay - ing, To redeemhim from the. —-\ .-3 _ \ \ f sonore a tempo. J - = 60. PP .Attacca. 1V0. 7 61 GUDRUN. No. 7. SOLI (SOPRANO AND TENOR) AND CHoRUs.—“ ON KING OLAF’S BRIDAL NIGHT. _ _ § x‘ V i r.\ Adamo, J . _ 1l—§J % isr I . -J‘ ‘T . N ‘—-. . *"“ ': I »2~ : — gs . n 60 '0 $0 El 61‘ -Q- ._ L 1: J1 |‘l_g1 1': T 1- poco rit. :_> V SOPRANO SOLO. tranquillo. On King 0 lafs . . bri - dal night /:\B , ; 2 Q Shines the moon with ten- der light, . . 3 And a - the chamber I: n - ~ ..... . . § _g_. _d_. _d__ poco rit. /j—'j""':"?-—"'T - streams, h"? PP}? espress. ‘LT /45 Pia mosso. fa - Piu‘ mosso. J - = 84. con 8222'. Tempo lmo. dim. pow - er, In the Tempo lmo. J - : 53_ Z/":\ vil things have 5 When all ' - poco pizz mosso. > D L_j_____/ Stands . Close . . glim-mer of the moon G11 - drun. .’ \ Z1’_—"_-TT gy poco pill mosso. PP . calla parte. in.-/— pressed ; . . /—?:_—j—-T } heav - ing breast, Something in her hand is tal midnight against her 2.5 Like an {'5 i - ci- cle, its sheen Is cold . . and keen. Onthe F N r :- cairn are fixed her eyes Where her mur — der’d accel. a tempo. lento. ;______.__Q And a voice re- mote and a tempo. lento. seems . CHORUS. J - :58. F SOPRANO. ALTO. TENOR. A Cold . . the dag-ger’s kisls; fﬁ What a -dal night . . Cold will the dag- ger’s kiss; BASS. PP /" /— .1 > :==-*- What a bri - dal is this! . . the dag- ger’s _.kiss ; . . t - =58. : § ./\ G La. - den with chill of death, Is its breath. /\ La~den with the chill of ' Is2its b{e'a};h. /\ I La - den with the chill of j death Is its breath. G‘ - den with the chill of death strmqmdo ——-1-—— —i w’ E’ V Like the drift - ing snowshe n -‘_ ' - mg snow she sweeps P]? a tempo. ‘1 Whe re O-laf 2 2 sleeps ; couch where O—1af sleeps ; sleeps ; A [leg/r0. Sud-den—ly he Wakes and stirs, His .> Sudden-ly he wakes and stirs, His } Sud-den- Iy he wakes and stirs, eyes . > Sud-den-]y he wakes and stirs, His A /lzqrjro. eyes Sva ............................................................ “ ?‘ﬁfTZ_5/‘'$ PP uasi in tem 0. cres. /:\ Qn p L ——-—~— 9———_-—— V % \‘ s \‘ &ka‘——#—-'—-’-I+z%+' e«—v~9=4+—“‘ ‘ “f ' ‘ " E ‘ }'n . ‘i . 1e1‘s. Whatls that, . . what 1s that,. , r.\ \- L I ®5w—a——- ~ ll/I Il‘t 1 [TA ||“t —-e——— that Gleams so bri;;'ht,so brightabove {hy head ; hers. x , _ 1 I _ ,3 I Allegro. Quasi in tempo. _.T \ .. Gumurv \‘.0P1:ANo. Pzulento L (k /-)\ ores. e accel. /_f,- _,_ ‘ Wherefore standestthouso White In ’ pale . . mo0n—light'? Pia lento. ; 3 . /\ cres. e accel. J A llrzgro. X‘‘\ , the bod— kin that I Wear When .. at night, when at All, . 3120. €970 0 3 ' . h A_I/itato. night I bind my hair; /'3'?’ P agitate. ( . _ .32 g‘___.1____3‘___|_§;,a___'3'__..,a_“ r‘<5‘5“—? -L—r r F'—:T°'*J*79" 1 .‘ .|\ I I I . n , ‘ 3247. 3?“ For—ests have ears, and ﬁelds have eyes; N -3 3 ' ' _, 3 3 c Q - V n the bod - k111,'t1s no - ‘clung more; It woke T ten treach - er - y lurk - ing lies Un-der - neath ('—:'-T 3 the ﬂoor, it woke me . .fa11-ing on the L 15¢?/I572 gendo e cred. thing “cis .5-t7-£n_r/(»m.l0 e‘ cres. drun, be - Ware ! - ten trench -er - y \M’_$ 1 «i f “J” —{.-s/P strmgendo. - thing more, - thing more, the fair - - est V lurk - ing lies U11 - der — neath T ——= u7?’-‘K? ’tis no - thing more! cres. molto. sf con Ped. Allegro molto. Ere the ear- li-est: peep of morn > Ere the ear- li-est peep of morn } Ere the ear- li-est peep of morn >‘ Ere the ear- Ii-est peep of morn Alﬂfo molto. J - = 108. -‘ /—3—\ O a tempo. piia lento. 0 - lafs bu - gle c horn; 7135.] King 0 - laf’s bu — gle -O horn; J - : 58. P CL tempo. piiz lento. - -0- ' ~P— . E1gar.—King O1aI.—-Nove11o’s Edition. \_,/ bride ! . . u - dered ride Bridegroom and -6- . 1 sun - dered ride _,Brideg1'oom and rit. Bridegroom and PP}? rit. .Bridegr0o1n and I71 1.1. REo1r. (BAss).——“H0W THE WRAITH OF ODIN OLD.” Allegro molto. A SKALD. How the A llegro molto. /.-o- 2 ye now /"'—‘-"'-‘é L: Wrai’ol1 .\ r————.———~ A REOIT. Coming as unbid-den 1118111 - senza rall. dim. 2 o 0 Sva. Bassa. 72 THE WRAITH OF ODIN. CIIIORUS (BALLAD).—“ THE GUESTS WERE LOUD.”* Alléro. 4 : 125 , T ‘TE No. 9 T f marcato. V co/n Ped. guests were loud, the ale was The guests were loud, the ale f\. .a. SOPRANO. The hoar y Skalds ther sang; ther sang ; feast-ed lge and long; feast-e_d late and long; O’er— - O’er - head the smok - y raft - ers rang. __Z __2 g__?__?__/ heaa . . the smok — - - - y Laft; €18 rang. . . . mf.mamm,cato_ (Dead rides Sir M01'- ten of ma marcato. (Dead rides Sir Mor - ten of F0-gel-sang.) . ¥-_T_,__ The door swung The door swung con Pecl. blast the thresh the thresh \ ‘T with rides Sir Mor - ten of and F0- ge1—sa,ng.; T King exclaimed, “O gray-beard pale! . . . with this cup — — The rr exclaimed, “O gmy—beard pale! . . . Warm thee this cup r———:‘\ O T King eXc1aiIne<1,“O gray-beard pale! . . . Come Warm thee ' this cup -- A The King exc1a.in1ed,“O g1'ay—bezLrd ; . . . Warm thee with this cup E . ale.” The foam ' \ dmught the old T"j'-"""—'-"T 3?” guests looked on and laughed. 2 4; y guests looked on . . and Iaughe . . . . (Dead rides Sir Mor - ten of F0 ' gel ' sang’) ' ' ma marcato. (Dead rides Sir Mor - ten of '6‘ -'- L; Then spake the King: . . . “Be not a. - fraid; _/ And, seat - ed at the ta. - ble, had seen, had seen, had seen, had seen, 1 He spake e spake He spake e spake V their deeds, Of their deeds, Of their deeds, Qf s_/ their deeds, Of 1 storm storm I y gulfs . . that V A blwrganclo. 7 .4, A Ped.“d‘- I J =104. molto sostenuco. Then from his lips in mu-sic rolled j?“/\ molto tossed between. Then from his lips in ]?e,\ moltosostenuto. Then from his lips in mu- sic rolled ZTA molzfo sostenuto. tossed between. J = 1m. 1 Then from his lips in - ' rolled . . 2'5 \__:___/ ‘Z?’ molto grandioso. va - 11131 of 0 -din old, With sounds a -1 rolled - va - mal of 0 - din old, 1st BASS. /-—*--'-\ c;: A’ ‘ '. . . . Va - mal of 2nd BASS. - te - ri—ous as the roar . . . >-> . Withsounds mys-te-rious as the roar Of bil - lows i3 dim. . With sounds . bil - lows > > > > 3 > r---\ —o—' -1-‘ -0- —.— f -9- . Withsoundsmys-te-rious as the roar Of bil - _i—;- dim. ;_?:___..2 With sounds . . a tempo. shore, on a dis-taut /:1?-5 on a. (.'3s—tant /——————-T on a. dis-tant shore, Sounds . 1st & 2nd BASS. fff (Dead rides Sir Mor - ten of F0 — gel - sang, . = 128. 3 _Q_ 3 K Svu a t€77L7)0. Dead rides Sh‘ Mor - ten of F0 - gel - sang.) T molto cres. mys - te Z - ri - ous, mys P molto ores. - ri - ous, mys molto c7‘es.> > >> Eftzl - bil - lows sounds mys - te - ri-ous as the sounds mys — te - ri-ous as the /v—\ shore. _a. a. dis - tant shore. sh:n'e. 3. dis — taut > } ,3 m l w ﬂ em e T C N Tempo lmo. and when he woke The guest was gone, V morn - ing woke The guest was gone, morn - ing V and when he woke The guest was gone, morn - ing and when he woke The guest was gone, morn - ing N Tempo lmo. ‘ - They found t11e broke. 1 They found the They found the They found the se - cure - 1y _ . . . . They found the se - cure - ly . . . . They found the se - cure - ly . . . . They found the se - cure — ly . . . They found the watch- dog Watch- dog watch- dog watch- dog foot - print; foot - print foot - print foot - print in the And And none There was no There was no There was no There was no V molto ores. L; strang — er \____,; and none . . . the L the strang - er molto V stmng - er molto_c7‘es. and none strang I (Dead rides Sir Mor - ten of F0 — gel - sang.) F crossed him crossed him crossed him crossed him molto cres. E *1‘ .0. Ped. 3“ >I< Ped. E]gar.—King O1af.—Nove1lo's Edition. Great ;_2 Great Great - umph - umph - umph - umph strang - strang - strung - st1'a11g - T Wraith, wraith, wraith (Dead rides - F0 — gel — sang. (Dead rides Sir Mor F0-gel-sang, . . ' ' (Dead rides Sir Mor F0-gel- . . rides Sir Mor - ff¢__. (Dead rides Sir Mor F0-g'el—s-ang, . . rides Sir M01‘ - U 812a. ................ 90' -:=- -ar ‘at fo’: —,r F0 - gel - sang.) . . . F 0 - gel - sang. F0 - gel - sang. ares. 7710160. 8247. Also published in Novel1o’s Tonic Sol-fa Series, No. 1356, price 2d. 88 REc1:r.——“SISTERS, SING YE NOVV THE SONG.” Allegro. g__..__j2 1 con Ped. A. SKALD. L ad lib.m a tempo. Sis-ters, sing ye now the song r:\ 7,}, co/la parte. 0 - laf came . . woo - ing, wrought; sm nit and the Wrong. F‘ ‘1 V‘ ‘1 Attacca No. 11. 89 SIGRID. S0L1(So1>RANo AND TENOR) AND CHORUS.-—“ SIGRID SITS IN HER No. 11. HIGH ABODE.” Allegro. J - = 88. < > can Ped. CHORUS (MAIDENS). Ist SOPRANO. 2nd Sopmmo. CONTRALTO. The haught-y Queen of Si - grid sits in her high a - bode, > } her high a - bode, The haught - - y Queen of b‘vi - —" —'— _’__/ \_ Si - grid sits in her high a - bode, . The haught - y Queen of . Svi - thi - A //‘A-—‘\ Svi - thi-od, To the west . . looks she, . . . . . and to thewestlgoks dim. '\_/ the west looks she, . . . and to the west . . looks ['5 dim. ' -0- | ' -0- the west,. . the Westlooksshe, . . ' west, .. thewestlooks \ /— whose suit For N0rroWay’s king, . (_,._ For N01'1‘owzLy'sking, . . . ‘ " I Whose 79 dolcc. espress. \ /\ _a_ by the rh1gWhich1ies up-on her knee. . . Which lies up-on her knee. -i L- I _" . suit is told By the ring from La - e’s tem /—:\ /\ ‘ ‘5 if . -¢\ -g. " //x —-—-—J—'3 -1 -0- ' up- on stream ; stream ; stream ; /:4- y / her knee. . On the dy, Ian - ces gleam . further side of the bor — der e L . On the fu1'—ther side of the bor — der - dy, Ian - ces gleam . 1‘ - L2. L2 dy, Ian-ces gleam . . On the ' L, further side of the bor - der . They cross the meadow and pass the ses ford the ﬂood, __,_,_. “"32; . They cross the meadowand pass the see ford the ﬂood, 1 The hor - - \ meadow and pass the. ‘\ . They cross The hor - ses ford the ﬂood, ' ﬂ ._d— . wood. D807L07‘€. 1.- 1- You may -0- -0- 'i‘ ‘T ‘J’ ' hear the i-ronh0of—str0ke be:t/.. _‘_ ou may On the ring-ingstones of the vil-lage Rank on rank Rank on rank _ 01] rank - stroke —a- 4- -0- -0- —a« You may hear the i - ron hoof-stroke beat, tall, . But the . _:——{" come spear-men crest of come spear-men tall, . But the crest of LJ tall, 5- . But the crest come spear—n1en V /—'’—‘‘S V beat ; the i- ron hoof ; 0 - Iaf is 0 - ver them i O - laf is 0 — ver them — of O - Iaf is 0 — verthem the crest . . the c1'est.. ' ver them ___ but the crest . . - ' ver them And tl1epeace-strings bind his And the peace — strings bmi’ . The N0r- ro-Way king, . . with the gold ~ en Si - grid greet thy lord. -e‘ j .2 lights and mounts . . the . . Si - grid greet, mf cres; Si - grid, hail! . . Si - grid, hail 1 . . with {‘f_—-\{_—\ 1 P]? grazioso molto. . .\—/ roy - alhand Kmt to thee, Nor - r0Way’sk1ng . . and land, 3 3? ‘ x 7f marcato. change to a. ~ 3 it con Ped. cross. . for thee.. and me. is thine, But the Gods /% X hand . . Pi Bow thonto thy cross for kneel. heark - en well, The Gods %/ J" ‘P’ 79 ~l V SIGRID. mf O - lzif, hail! $1 or weal, . . But where I\'./. have knelt, . . r‘\ 0 ‘ 1 3 I OLAF. Pm ammato. Queen of Svi — thi-od ! Piio omimazio. my L . and fell, . are mute, aremute on ﬁord N01‘ 96 es. accel. "‘i: espress. 67 o J I J I 1 - j ‘i ~f“’I 4‘ - LL ’ ‘ ‘ ..._ _ _-___‘- 4-_~.,_i_i_,:__- - _,._-__.._h . —#—i5——f=4f:f;j-~—-—, § : .r*L?*L », h .' E 3;§:. . . '. , '7 . i I ' ' g $ - er shall. . their voice.. a—gain . . Be heard, . .where Christ . . has ,“_,l:I'-glia 'I%.a!"?+IJr '——o:o#1:‘a'-;a;a—a—o:—;E .T\ I A KT .F'——-(“--'—-.*—*1—F-i—%——.‘—1'-$9-4-.-'—:t£—‘+ Iy: 1,: w! !L’''} ‘L ¢:'L I hear them speak! from pole .. to pole. . The Pill am'77m.£0 '- ; ' ‘ . iIT§;::’;‘;'§';E r-_ ‘go o ,0 - T 3, -‘IT ngz) Nor - landG0dstheirthunde1 CHORUS. 1st- & 2nd Sommnos. Their - der roll 1 1st & 2nd CONTRALTOS. ;,/ er roll 1 stringendo. } I K Allegro confuoco. J = 138.>33 Nor - Allegro confuoco. , v 172 P ban marcato. 7'f The rod tr own . the Southland God! >7/”> CHORUS. For Norland folk the sword, The rod > —> For Norland folk the sword,The rod the South- land -i the South— land £7‘ -» NV; . Mi will give my bodyandsoul to J7?/2 stringendo. T‘ >> /—:——\ .5-tringendo. ﬂame! Ere I take to my heart . ' V O I V - v 17” stm'7zge7z.do. heathen dame. Thou hast not beau - thou hast not youth, Shall I buy dl'?. f.‘L.".’_x . x . M land . . . at the cost of Lrutli. Sva" ,~. > >>> -/:\ L" I ' Ct tempo. (rem. Calla ﬂame. ﬁe con /icoco. _’_ E- 1st & 2nd SOPRANOS. Kin" lst; & 2nd CONTRALTOS. D sis - ters,°sa.y, Why doeshe thrust . . the queen a - Way, - ters, say, Why does he thrust . . thequeen a. - way, 2*‘ I J "T I con fuoco. Why dash his glove on the oak - en ﬂoor, > > -0- -0- -0-‘ Why dash his glove on the oak - en ﬂoor, 1st Sopmuvo. e stride . . to-Wards the 2nd SOPRANO. T‘: ,_.\ stride . . to-Wards the T‘) w stride . , to-Wards the /~ A wronged glove __m_/' The glove struck The glove /-‘T. , ' has struck Queen. Si - grid’s grid’s cheek, Haste thee, haste,oh haste, King 0 -laf, Haste thee, haste,oh haste, King 0 -laf, \_/ _ 1 Haste thee, has'te, oh haste, Kmg O-Iaf, > V :3: V SIGRI D. poco on poco memo mosso. Quasz Recit. Thou art gone 1 nay, spur not thro’ the gate ; am one that can watch and f ])0CO 61/ P060 7710880. poco rit. Wait, can Watch and wait ; /'——-T1?-_T—'-jj J = 108. P sostenuto. on the oak W L312 Elgar.-—King O1-a.f.—N0ve1lo’s Edition. head By . . the hand she * f""':'\ £15. ‘ f , Pad. ,——--—————\confuoco. "z: \ qf sostenuto. cres. molto. . the hand she of fered, Si - - grid T a tempo. J = 138. death I colla parle. N0. 12. RECIT. (Bass).-—“HARK! SHE FLIES FROM WENDLAND FORTH.” Allegretto. V0102. Allegretto. J ° = 76. f _ -0. .... PIANO. rg PP cres. _ 9L_i..'§/ {\ mollo sm'ngen_do. A REOIT. ad lib Halk! sheﬂies fr0mWend1andforth, Slight; - ed Thy - ri to the North. . /I\ B a tempo. There, as () - 1af’s wed-ded dame PP a tempo. ares. molto. the North 105 THYRI. CHORUS (BALLAD).———“ A LITTLE BIRD IN THE AIR.’ Allegro. 0: ' =72. SOPRANO. A Is sing-ing of Thy-ri the {: Is sing-ing of Thy --ri the ter of Svend the Dﬁne; The sis ‘C- Uopyrighl, 1905, by Novella and Company, Limited. 8247. - And the song of the gar - ru— Ious bird \__..:._; And the song of the gar-ru-lous bird . . . .0- : sonore. of the town is heard, . . . And re - peat _.i; > dolce. of the town is heard, . . . And re - peat - gain and a — gain. J - gain and a - gain. TENOR. P/\ . Hoist your sails _a_ _ from each 0 - ther, 3 i . it ‘Q =3 5 E 5 3: f 2 ‘:3 -2 each \_/ molto cres. C52?“ . And ﬂee, . from each And ﬂee, . . . from each > > Hoist up your ' And ﬂee a - Way from each . > > oist up your ' And ﬂee a - Way from each > C>, . z-———T sostenuto. beau - ti —fu1 Thy - ri row-ful bride went she; e has ﬂed a - Way and a - way, From his town by the storm your sails your sails from each up your sails . sails of silk, > I Hoist up your sails of silk, > >- And ﬂee a. - Way from each 0 And ﬂee a - way from each 0 T G + They say They say They say They say _.j_ sempre Sm. p‘- that thro’ heat, that thro’ heat, thro’ cold, and thro’ cold, _ _'_ thro’ W (1, t'h'{o’ x?z"§1'<'1, and thro’ Wold, By day and by and thro’ She has ﬂed, she has has ﬂed ; re - port has come gcs - sips, they re - port She has re - port: She has come gos - sips, they re - port She has j night, . .they say, And the gos-sips ﬂed ; And the gos—sips King 0 - laf, come to King to King 0 - laf, come to King /-‘-‘j’-—'~'-:——j—_—T /\ 0 O - {T she has come to King - laf, she has come to King 0 O - 1af’s court, . And the town 1af’s court, . And the town {-T She has come to King 0 - la.f’s court, And the She has come to And the gos-sips kre - port, . She has come to all in dis - may, The gos-sips re - port, . PP subito. dolcissimo. _Q_ Shehas come to King 0 - 1af's court. your sails Come lma. whispered King 0 - laf has whispered King 0 - laf has seen, 0 - ther. .....jm,sonore. F . And they won . And they won sure- ly, if /‘K sonore. I1-as talked with the beau - ti- ful Has talked with the beau - ti- ful won - how it will end; won - der how ts will end‘, , . '7 cres. f re - main, ores. L.....___J here she re - main, . . . It is Queen ; Queen ; King War with King war with King Svend the‘ Dane, Svend the Dane, . war th King Svend Dane, J4-> > War with King Svend war with King Svend the M . And they won King Bu — ris - laf the King Bu - ris - laf the Dane, war with King Svgnd f For sure - ly, For sure-ly, ' re — main, 3 - with King Svend the Dane,AndKing Svend the Da.ne,AndKing with King Sve\nd the Dane, AndKing BI1\1 - war, . . it is war, the Vend! Bu - ris - 1_af the end! Bu - ris - l_af! published 0, great - est won — der of all! It is 2 E1ga.r.—King Olaf.-Nove11o’s Edition. I ham - let pub-Iished 0, great; - est, great - est risoluto. It of an! risoluto. sf/\ It roars O A f marcato. a ﬂame, like a. ﬂame, //——:‘$ fanned, a. ﬂame that is fanned, ﬂame, it roars like a ﬂame that fanned, /‘—:"T ﬂame . . that is fanned, > fanned, it N}. 17” strepitoso. :13 _'_ L the King-— the King- King- lst SOPRANO. f:'—Z"‘-"\ ring, . . 2nd SOPRANO. /"'j"\ And Thy And Thy your sails 8/ A {T 1st & 2nd SOPRANO. qf Hoist your sails of your sails of 122 DUET (SOPRANO AND TENoR).—-“ THE GRAY LAND BREAKS TO LIVELY GREEN.” Allegro. THYRI. [sf ? Allegro. The gray land breaks to live - ly green Be - _ .._ /—jj}:'——:T thros — tles sing to greet, K"‘:—"'jj-j'?"T L/ ’ len th - ‘minor sun - lit hours . . thro’ lenvth - ’ninrr sun - lit: g D 3 D O /‘-1-'——-."'———j—T -'. ’ Allargando. '1 a tempo. The gray land breaks to live — ly green Be - spang 1 FCOZZCI UOC8. f a tempo. with ﬂ0w‘x's. But What care . \___g &.1.....2 What care I for ﬂ0W’r on sward, Or burst - mg bud . on tree! . . . ' ' ’;""__“:T -1‘ _"J_‘A . My lands restored from Wend-1a.nd’s lord Were bet- ter cheer to me, f——'—'j'—'T . /'—'1'e"'-* /'-—"'T F .3!‘ _ -.I‘/*/\ “J. Ped. >1: Pad. ‘Jr Perl. * But What care I for ﬂoW’r on sward, Or bﬁst-ing bud /\ "X >r-i'—'ﬁ _’- 1.” .1 - /_ A I‘ E collwrgando. a tempo. A land-1ess,d0Wer1ess e am I, The X—‘ \./ -33 753 }_ _}"‘. ___ a tempo. V calla parte. mf of Nor-r0-Wa King, dim. molto. . L and sigh, f_'—__:\ f cres. r————-\ /-5 what boots . . . . . . The com f"":'j""""\ colla parte. Spring '5 . -O-/\ f a tempo. 73 ores. (3 string. Pb; OLAF. Modemto. —T ﬂdolcissimo. ‘< }' Thyri, my be-Iov ; ed, Hithercomel bear - ing, An - ge-Ii-cas up-root J11 oderato. dl : 56, ’ — ‘ poco rit. Sweet and fair as thou, sweet and fair . . as thou} /\ = 72. I molto espress. - calla parte. a tempo. PP L u'. _ / I ’~____:_—__'—__\ T g¥I—E“£—_“:’.’£’_°—i’§ 1 > . __ O Earliestboon of Spring \ ﬁﬂmn * %~% u 3/5 a tempo. J = 56. _‘ %§_;;_j; ‘v 19000 rit. Bathethysnowybrow, bathethy snow - y brow. J:72 colla. parte. THYBI. dolce. Sweet are thyW0rds,but oh! me-seemsA sweet.-Ger gift ; . would b}. . 3 /\ /-'\ 3 CL tempo. J ' 3 80. _ _ Z} wm\———/' The . . that hauntsQueenTl1y - ri’s dreams, :S . Wide spread they from the endland T"-"'_'\ And rich withfruit and ﬂower, /—:'j?—‘T ' J agitate. land I weep for ev - er - more, 0 ! give /I_11\e back my (low — er, . . 0! give . T IT 241$ r \ K\ ﬂ —.1— — ' -a'- /N /\ cres. e stringcndo. . . me back } /\ /\ phant, z sun-1ig_ht Lift thy ra diam; eyes, . . To the strife . . of. . fav-ours, dolcissimo. For thy love, .. . . . I gird me, And the lands of T'—:"‘-"""—:\ /_"'j__-—j':\ fj-j--\ \/ 27" Thy - ri . . Shall I win for Lift, lift; thy 1'3. - dizmt eyes ; T ‘ :2?“ allwrgando. ' . ' dim. pi-it tranquillo. _‘__ Tranquillo. THYBL N 7’ C.—__{_— fear no_ doubtnot, Weep not, Queen tri-um phant, To the hap (3788. And the lands of Thy - ri Shall For thy love I gird F or my love, 0 gird thee, - light I lift once more mine eyes; — _____e__—-— K*'’——'‘‘?':—’\ P 2 2 cres. 2 For thy love I gird me,. . 2 ores. molto e string. K—_-T And . . my my (low - ry, Win a. cres. molto e string. Thy - ri Shall I ores. molto e string. 0 Pa} moss-0. 0 ‘J o 5 a prize. Comes the ring un - chzun - mg, j— (T.- ‘ -Z . . pme' Comes the Spring un - chain - , Pia mosso. ’ \ ‘ 3-1‘ . _, _ . __._ _ P sostenuto. chain - ,.\ sostenuto. Sun— shine on . . his pin - ions, C7’€8. ‘ ‘ Sun— shine on . . his pin - ions, chain T '__'_u . all the World, the world im -pri - son’d In the Ice—King’s --_I J‘-\ —— ‘-’ . all the World, the World im - pri - s0n’d In the Ice-King’s -0- _ _ _ ' r-'——‘—'—“-\ gr": ‘:"\ . . _’_ ' gold - en gold - en Passed from lord Passed. from lord . . Q/-—————-—\ ¢ Sves ad lib. r-""'-‘x Warm with words . Warm with words T Lifts the Lifts the /'\ /\ poco a poco tranquillo. ‘ i\ R Lento. 4 = 108. thrall. _. thrall. with Words \_._./ Warm . love, . . . As the /T Z--_'jj‘:$ Sa Spring un - chain a tempo. un- chain - chain - ing, a tempo. d - Z 80. _ S _ ﬁg allamgando. lento. ad lib. So . . the gold -en, - en ‘ﬁe allargamlo. -mise, Lifts lento. ad lib. So . . the gold - en, - en - mise, Lifts . Z’-‘ "T V . sf -ﬁg allargcmdo. thrall. . . . } Spring, . . the Spring, . the Spring, . . Z‘ - Ped. - L 5571- /3 the heart, heart xi ten. hearts, the heart from /3 CHORAL REc1T.—“ AFTER QUEEN GrUNHILD’S DEATH.” Allegro moderate. 807l07‘€. o Gun ’s death, . 7:‘ Gun-hild’s death, f __67‘6S. t-ed King Svendhis fai . . Si - grid. . the Haugh- ty; -L ' _ ores. 2 /E /"‘:"\ t-ed King Svendhis faith . . To Si - grid . . the Haugh - ty; 2% {T Sop RANO. on her scorn-ful . . . Blush - ing with deep dis- > > -0.11‘ her sc0rn—fu1 -E - ingwi deep dis- B sf ‘hp '0-' ‘-3-. , E1gar.—King C:1af.—Nove1lo’s Edition. K gaunt - let ; gaunt - let ; /'\ Shalt thou swift ven - geance take -o- Shalt thou swift ven - geance take Bore she the crim — trace Of 0 - 1af’s o \ Bore she the crim trace Of 0 - 1af’s ff‘? -0- -0- -0- -0- Oft to King Svend she spoke, “ For thine own hon — our’s CT68. 4- -0- 4- -0- “For thine own hon - ou1’s >f/‘X Oft to King Svend she spake, - -6- -0- ' the vile co - ward 1” ores. e A .,_ _,_ . the vile co - ward!” /in CA > Crxorws. '1‘ ENOR. And to - venge his bride, ' wound - edpride, BASS. _ _ sf _ And to a - venge his bride, Sooth - ing Wound — ed pride, ] V A CHORUS. SOPRANO. L__j_____/ ver the W3. - ters, the Wzm - ters wide, - wa - ters, the W3 - ters wide, . 2 0 - ver the O - ver the O - ver the ~:-;;." wa-ters wide . . King 0 — sf Wa-ters wide . . King 0 -[ SJ!‘ wa-ters Wide . . King" 0 sf_'_. Wa—ters wide . . King KT \ sought he. sought he. sought he. sought he. 137 THE DEATH OF OLAF. CHORUS.——“KING OLAF’S DRAGONS TAKE THE SEA.” Allegro. >. . . . . . , A ttacca. SOPRANO. - 1af’s dra. - gons take the sea, . . . pi - ping south laf’sd1‘a. - gonstake the sea, . . . The pi - ping south - / 8/ drives them, drives them fast, sf L. drives them, drives them fast, A_\ shields dip deep shields dip deep shields dip deep The White sf The white . . strain -?fr\ The white . . strain on ev - A the lee, the lee, they round T ing from wave . . to Wave . . they round . . Z—-T T {T I/——§ } } } } {T Z’-5 /“:—\ {T > > > ;._____/ that bars storm - /"1"-\ cape . . that bars T Zjﬁ Sopmmo. Leap ' from Wave . they round . . ALTO. — Leap ' from wave . they round . . Lea ' from wave . the roun . . Y Leap ' from wave . they round . . _o_ X that . the storm that bais . . the storm .-.4.s;.4...%?aazu..§.4.asa;a...v;s«..¢.m~.,M,.w.-..;\,,_..: .. , _ .,..s... :4.» W. v.;~ -' ~ that bars . . . sound, that bars . sound, f'‘\ 1_ _ O - 1af’s dragons take the sea, . . T11e pi - ping south-wind _ 1 0 - laf’s dragons take the sea, . . The pi - ping south—wind ._ -: O -12if’s dragons take the sea, . . The pi - ping south-wind _ T /"R . . O - 1af’s dragons take the sea, . The pi - ping south-w_ind z-5 — - " — ’ -> - > - simile. 8247. drives f\ drives drives } «sf them, drives K; them, drives them, drives them, drives } -3 -3 from wave from Wave from wave them fast, them fast, them fast, them fast, W&Ve they they they they round . round _ that bars that bars that bars that bars the storm > the storm the storm the storm -6. ' Where 0 — pens wide, ___7._——. -LA 0 - pens wide, - o - pens wide, 0 - pens wide, far stretclfd on far st1'etch’d on far stretch’d on far stretclfd on ei-ther side _i ei— ther side ff ei— ther side - ei— ther side ish ships ish ships ish ships ish ships \_ \_._.__—_—.j————-/ D Vivace. D Vivace. J - = 120. T .——S X?‘ High on hisdeck KingO - - la.f stands, High on his deck King 0 stands, High on his deck . O - - la. 17“ -1. \. f stands, 4 I High on his deck King 0 — laf stands, helm, . . with helm . . of gold and hands, helm,. . withhelm . curlsblowing a - round . round curlsblowing a - wing a - ronnd . With war helm . red, helm . ﬂeet, he leads ﬂeet, he leads of gold . of gold . the van the van /\ . And‘ >>3f And seeks the > > And seeks the > > > And seeks the bat; forth their war , cape thou-sand Nor - ro-Way ; - blades sweep, Sweep thou-sand oar - blades. and shield, ii bill and 9 bill and shielgl, where the foe where the foe Where where foe meets arm meets arm meets arm meets arm est throng, King est throng, King est throng, est throng, King prows, -0- -v- the prows, the prows, the prows, Sm’ marcato. : /"""'—'—‘% not yield; that will not yiel ; L that will not yield; [ will not yield ; 3 A la.f’s gal - ley . 1af’s gal - ley _ - laf’s gal - ley -0- 3 3 O —laf’s gal —ley sweeps . . 3 148 G Pia mosso. sweeps ‘ long, long, sweeps long, - long, -\ f G Pm mosso. still herloft ﬁerce foe - men Ply theﬂerce foe - men &--—-—-—--\ V pour their he - roe-s bright, . . _ their he-roes bright in sail, King And pour their he - roes bright, . . tl1e1r st;-ingendo. .L-i . mall. - . . Ply the ﬁerce, llerce '0'‘ L.___/ -1af’s gal - ley sweeps . - long, she sweeps a - long. he - roes bright in mail. still her loft - y, sides to {L ly the ﬁerce foe - men car and sail. -9- H fl’ 01‘ ‘ T0 -Willy, -_{:’ Woe, . . for Nor - ro -way, E1ga1.—King O1a.f.—Nove11o’s Edition. L ro - Way: \ woe . . for N 01' dz'm.> roway : for Nor-roway : ores. molta. whe1m’d, sf WheIm’d, whe1m’d, sf Whe1m’d, Whe1n1’d, Whelm’d wheIm’d her /'—'—-'5 dra - gons, dra - gons, her stout sea - dra - gons } stout sea. - dra - gons } ﬂy, sea - dra-gons ,__.___..5 ﬂy, scattered_pow’r - less, scarce try To j scat scattered power - scarce - try To join once more the like sun - beam like sun - beam once more the fray : Lered, / T less, ttered pow’r - less, > >2 14-?- scarce - thro’ a. cloud, —i;:’ thro’ a cloud, ' r\ -.. e helm Glimmers the—;1elm T it 12 A- round it the dark - ’ and more faint to _ A-round it the dark - ’ning r"—'——""—“‘—'—T 1‘ F I V . ap - pears, slain, more the glib - t’ring dim. the chase the spear - men urge. vic - t’ry from ru — in’s _J_. n _o_ -5- him rolls the .'_ him rolls the —o— 4- —o— him rolls the him rolls the ’ ‘ dim. molto. /‘x 5 That ﬁg»-‘ storm heart; —— -§_ heart sempre PP espress. T T 7‘ V V A ttacca Epilogue. 15$) EPILOGUE. SOLI AND CHORUS.-—“ IN THE OONVENT OF DRONTHEIM." Allegro. FIANO. Pp 1 = 108. :1: Pad. BASS. B13011‘. In the con- vent of Dron-theim, Knelt As — trid, / P calla parte. She heard in 1:115 si—1ence The voice of one With ~ out ' dark - ness, 8va -- Now loud - er, now near - er, ———%-"" colla parte. Pia lento. the dis - tance. . . Pin lento. Andante. C SOLO. SOPRANO. U SOLO. TENOR. “ It Sono. BASS. cc It ' ' Andante. d L 84, C PP But not with the PP - But not with the D Cross agzunst cors-let, Wea-pons _ Of war that thou wield—est! Cross 2Lg'ai11st cots-let, .9.‘ weapons Of war that thouwield-est! K-‘jijh . Love against ha - tred, eace - cry for r- cry !_ . . > ‘ dzm. Love against ha -tred, Peice - cry for war - cry! O . Peace - cry for war — cry I E TU'1"I‘I (SOL1 AND CHORUS). « PRANQ a - tience - ticnce TENOR. _c2'es. tience ores. tience ores. Hath - tions ! _'_ O SOLO. SOPRANO. , . S0L0_ T_EN0R_ Oer the na. - mom 7 _ ' ' SOLO. BASS oer the na txons. O’er the na - tions! f: 3 F F 0' = 76. CHORUS. . . . ‘-2 As tor - rents in sum - iner, Half dried in their chan — nels, . . . . . L tor - rents in sum — mer, Hal: dried 11] their clian - nels, . . to1‘- rents in sum —mer, Half dried in their Chan - nels, . . tor - rents ° Half dried in their clvan - nelsi . Voices only. Sudden-ly sudden—ly rise, tho’ e Sky is still cloud—less, the 3 "—“—‘*‘—- T 1777/. 3 Sudden-ly rise, sudden-ly rise, tho’ the Sky is still cloud-less, the , is still 3 — d.,jm_ E’ — y rise, tho’ the Sky . . . is still cloud - less, the 3 dim. Sudde1i—l; rise, sudden-ly rise, tho’ Sky is still cloud—1ess, the is still 3 “ I 3 -4‘ _5Jr———ﬁ..‘_ cloud - less, . . . has been 211- —-_-:1 n \__,_::_______:/ cloud - less, , , has been ;;.:- cloud - less, . . . . . . . has been ‘_‘‘*—§_— {- cloud - less, G P-== a..>~ * The notes within brackets are intended tor practice only. 8247. fall - ing, fall - ing $_ fall - ing, 1'ain.. - ing, For T. So hearts that are faint- _tempo. S0 hearts hearts that are they thgat be- hold y that be- hold it Mar - 3 /‘—"—__?"—'_T V they that be - hold they tllgt be -hold it I z——'w I -9- -0- has been fall - has been fall - that are faint- ing that are faint- ing t- ing 16} espress. Far ing ing rain has been fall - ing A ¥.+ >‘ PP _i ten. e w full to o’er-ﬂow-ing, L : _._._.. Grow full to "1 ten.__ o’er -ﬂow - ing, Grow full to : ten. o’er -ﬂow - ing, G w full to o’er-ﬂow-ing, dim. vel, and know dim. vel, and know dim. it, Mar - and know I.‘ at their foun - *0‘ at their foun at their foun - poco mt. H tains ; p0co_rz t. _ - tains ; poc0_ their foun - poco, ' tains ; . \/ poco mt. //"\ And they that behold it, 3_— ‘ ' — And they that behold it, 3 __._cres. And they tbehold it, 3 ores. And they that behold it, 3 and know not _ and know not _______ and know not That we and know not, 165 mf lzm. That; God, . that God at their fountains, their foun - tains ‘i i‘ dl’/‘IL. L________; That God, . . . that God at their foun-tains, Far ' . . has been ' cres. r--——-—-& dim. that God . . . . at their foun—tains, Far ' . . has been. /-———-—\ |\ cres.| _&_. mf -1- ess. e . esp: \ __,,. off has been min - ‘ ,,_t..—- off has been rain POCO Tit. e. __ rain - ing, . . .. .. off has been rain - _r2't. -E” oﬂ has been rain — poco rit. ‘ /7 801.0. Sommuo. J Piio mosso. legato.- Strong-er than steel Is the sword of the Spi — rit; Swift er, swift— er than Pia‘; mosso. : 88, .._$ MO‘ Ped. Elgar —King O1af.——Nove1lo's Edition. M love, is love ,._\ K - du - eth, L0._TENOR. mf Strong - er than L0._BASS. 61‘ an — ger Is Is e light and sub - du - eth, ' - xQtl'O1]g than an /,____ love, -i the sword [- a,Z[argando. /'-‘.15 of the truth is; Great - er than an - ger Is calla parte. Ped. tempo . * Ped. dim. dolce. er than an — ger Is love and at tempo. er than steel Is the sword . of the Spi - rit; 1 Is the sword of the Spi - rit; . Great - er than Strong‘-er than /‘*“T - ger, great - er C768. great cres. of the Spi - rit, er, than n\ 1 .\ .r—ﬁ , »a-—a— -0- - - -0- great - er ’ \ . f; sub - L love, is love, and sub - du love, is love, and sub (in - ger is love, and sub - du CHORUS. [_> The dawn Z}- The dawn is $_ 2 The dawn is not Lr Fa‘ / 1.1- i f>ctninziaﬁo. o|?1'."l0. star - less ; Love is e—ter - nal 3 God 37’ star - less ; star - less ; night night night night and His and His and His and His shall not W faith slmll not shall not shall not dis-‘cant, Love dis-ta.nt, Love . . dis Sam. 80 God is and His faith shall not fail us, Sow. TENOR. < _._:_: God is and His faith shall not fail us, SOLO. Bnss. 7? i God, and His faith shall and His faith shall Love . . - tant, Nor the night is the night . . star - less, God, and ' fai/'t}_l . . .shall not - GE is still . God, . . and His faith shall . . shall not - C7‘€S. fail us; ’ . . - ' the night, the night high .-—’_____‘T allarganrlo. God is still God, . /--—\ a.lla7'ga72do. God is still God, star - less, nor is the night . the night . . star — less, God, His fai zl star - less, nor ,_.____ﬁ l /) mol/0 arcs. fail us ; not fail us ; -9- shall fail us ; shall fail us ; Christ is fail us ; Christ is fail us; Christ is N-Mrial 1 not fail us; Christ is e ’ N > \ m f cres. Christ . . rit. . -5 colle vocz. cres. ,—\ Andante (Tempo lmo). ter — nal ; strain of mu- sic ends the tale, A . strain of mu- sic ends the tale, A strain of mu- sic ends the tale, A .___‘______ strain of mu- sic ends the tale, A Andante T can Ped. - to—nous, fu - to-nous,fu - ner - al 3 to-nous,fu - ner - al 3 to-nous, fu - ner - al Makes } \That with its ca - dence, Wild and / con Ped. more com — plate. more com - plete. )- Makes the Sa - ga more com - NoVELLO's MUSIC PRIMERS AND EDUCATIONAL SERIES. EDITED BY SIR JOHN STAINER AND DR. C. I-IUBERT H. PARRY. NOW READY, PRICE TWO SHILLINGS, THE PIANOFORTE ERNST PAUER PRINCIPAL PROFESSOR OF THE PIANOFORTE AT THE NATIONAL TRAINING SCHOOL FOR MUSIC. CONTENTS. facroclaclory Remarés — — . .7%e Posz'z‘z'o7e of Me Performer . Tao Posz'z‘z°o7e of Me Hand — . T/ce Toac/c - - — . Teckmcal Execalzoa ~ — . 07¢ Praclzsmg — ~ - ~- . Feelmg; Expression - ¥- - . 7‘/ze clzjferem‘ Szgas of Eocpressz'o7z— . Graces aml Marcaers, as emﬂloyea’ m ola’er Clavecm Maszc — — — — - 9. Tee necessary Co7eclz'z‘z'o7es for a gooa’ Performance (0. Tee orclmary Faalls m a Per/‘ormame — - . 07¢ Reaclmg az‘ Szgkz‘ - - — -- - Z2. Exercises ; Slaclzes — — - — - I3. Tao Order 2% zoazc/c Z/ze Sorzacas of our Classical Maslers slcoala’ oe scaclzecl - 14. C lasszﬂcalzoa of Comﬁosers ,- Meir Slyles aml Scéools - — - - — - 15. Coaclaclmg Remarés - - — — - r.4¢ﬂemlz'oc.—7%e Pzarcoforie and its Predecessors - Vocaoalary of Tecarczcal Terms and Eocpresszozes comeeclea’ wz'z% Me Pzaaoforle — — - Caroaologzcal Taole of Composers. LONDON : NOVELLO AND COMPANY, LIMITED. NEW YORK: THE H. W. GRAY CO., SOLE AGENTS FOR THE U.S.A. NOVELLO’S ORIGINAL OCTAVO EDITION. THE CHORUSES OF THE ORATORlOS,CANTATAS,&c IN VOCAL SCORE, Especially for the use of Choral Societies. 8. BACH’S PASSION (ST. MATTHEW) BEETHOVEN’S MOUNT OF OLIVES ,, CHORAL SYMPHONY BENNETT’S MAY QUEEN FARMER’S CHRIST AND HIS SOLDIERS--- GAU|_’S RUTH .. GRAUN’S PASSION (DER TOD JESU) HANDEL’S MESSIAH - ,, JUDAS MACCABEUS ,, L’ALLEGRO ,, SAMSON ,, HERCULES ,, SOLOMON HAYDN’S CREATION ,, SEASONS ,, PASSION MACFARREN’S MAY DAY MENDELSSOHN’S ELIJAH ,, ST. PAUL--- ,, HYMN OF PRAISE ROSSINI’S STABAT MATER SPOHR’S LAST JUDGMENT WEBER’S PRECIOSA O3G'>O5C>OO50>OOCI)O3OCDOmmOOOOOO3OF‘* (TO BE CONTINUED.) All the above works may be had in paper boards, price 6d. each extra. LONDON: NOVELLO AND COMPANY, LIMITED. NEW YORK: THE H. W. GRAY CO., SOLE AGENTS FOR "rm; U.S.A NOVELLO’S ORIGINAL OOTAVO EDITIONS OF Oratorios, Cantatas, Odes, Masses, &C. FRANZ ABT. (Female voices) (SOL-FA, 0/6) (ditto) (SOL-FA, 0/6) (SOL-FA, 0/6) (SOL-FA, 0/6) (SOL-FA, 0/6) (ditto) (SOL-FA, 0/6) (ditto) (SOL—FA, 0/6) (ditto) (SOL-FA, 0/6) J. H. ADAMS. DAY IN SUMMER (Children's Voices) (SOL-FA,0/G) KING CONOR (SOL-FA,1/0) THOMAS ADAMS. CROSS OF CHRIST (SOL-FA,0/6) GOLDEN HARVEST (SOL~FA, 0/8) HOLY CHILD (Christmas) (SOL-FA, 0/6) NATIVITY, THE (Christmas) (SOL-FA 0,’8) RAINBOW OF PEACE (Harvest) B. AGUTTER. MISSA DE BEATA MARIA VIRGINE, IN C (English) (Female voice MISSA DE SANCTO ALBANO (English) A. H. ALLEN. NEWFOUNDLAND (Ode) THOMAS ANDERTON. NORMAN BARON WRECK OF THE IIESPERUS (SOL-FA,0/4) YULE TIDE .. FAYS’ FROLIC GOLDEN CITY MINSTER BELLS SILVER CLOUD SPRINGTIME SUMMER VVATER FAIRIES \VISHING STONE (ditto) (ditto) (ditto) J. H. ANGER. SONG OF THANKSGIVING VV. I. ARGENT. MASS, IN B FLAT (St. Benedict) . P. ARMES. HEZEKIAH ST. BARNABAS ST. JOHN THE EVANGELIST .. A. D. ARNOTT. BALLAD OF CARBIILHAN (SOL-FA 1/6) YOUNG LOCI-IINVAR (SOL-FA, 0/6) E. ASPA. ENDYMION (with Recitation) GIPSIES ASTORGA. STABAT MATER IVOR ATKINS. BACH: I VVRESTLE AND PRAY (Motet) (S01.-FA, 0/2) . BACH. HYMN OF FAITH J. BE NOT AFRAID (New Edition) .. BIDE WITH US (SOL-FA, 6) .. BLESSING, GLORY, AND WISDOM CHRIST LAY IN DEATH’S DARK PRISON CHRISTMAS ORATORIO DI'r'ro, (PARTS I & 2) (SOL-FA,0/6) DITTO (PARTS 3 &4) DITTO (PARTS 5 & 6) CO.\IIi, JESU, COME (Motet) COME, REDEEMER OF OUR RACE FROM DEPTHS OF WOE ICALL ON THEE GIVE THE HUNGRY MAN THY BREAD GOD GOETH UP WITH SHOUTING . GOD SO LOVED THE VVORLD GOD’S TIME IS THE BEST (SOL-FA,0/6) HOW BRIGHTLY SHINES (Choruses, SOL-FA, 0/6) IF THOU BUT SUFFEREST GOD ’I‘O GUIDE JESU, PRICELESS TREASURE (SOL-I~A.0/6) JESUS, NOW WILL WE PRAISE THEE JESUS SLEEPS, WHAT HOPE REMAINETH... LET SONGS OF REJOICING .. I.ORD IS A SUN AND SHIELD, THE LORD IS MY SHEPHERD, TI-IE LORD, REBUKE ME NOT .. I\-IAGNIFICAT, IN D MASS, IN B MINOR (Choruses only, SOL-FA, 2/0) MISSA BREVIS, IN A II/.I"x’ SPIRIT \VAS IN I-IEAVINESS (SOL-FA,0/8) NOW SHALL THE GRACE (SOL—FA,0/6) O LIGHT EVERLASTING (SoL—FA, 0/6) O PRAISE THE LORD FOR ALL HIS MERCIES Most ofthese Cantatas, «$0., can be sztpplied in Roan, yomzdetl comers, red under gilt edges,price 33. in extess of mu marked 177506 0f the paper 602187‘ erlzﬁon. I2-_1'II. go Paper 3| IlI|IIIIB°-rd- IIIII IIIII IIIIISIIIIIIIIIIIIIIIIIIIISIIII IIIIISIIIIIIIIIIIIIIIIIIIISIIII an moth BI IIIIIIIIGﬂ=- Paper Band I . J. S. BACH (contmued). O TEACH ME, LORD, MY DAYS TO NUMBER PASSION (ST. JOHN) PASSION (ST. IVIATTHEW) DITTO (ditto) (Abridged, as used at St. Paul's) DITTO itto) CI-IORUSES (SOL-FA, 1/0) PRAISE OUR GOD WHO REIGNS IN HEAVEN PRAISE THOU THE LORD, JERUSALEM SAGES OF SHEBA, THE SING YE TO THE LORD (Motet) (SOL—FA,1/0) SLEEPERS, WAKE (SOL~FA,0/6) SPIRIT ALSO HELPETH US, THE (Motet) STRIKE, THOU HOUR SO LONG EXPECTED STRONGHOLD SURE (CI-IORUSES ONLY. SOL—FA,0/6) TIIERE IS NOUGHT OF SOUNDNESS THOU GUIDE OF ISRAEL . WAILING, CRYING, MOURNING WA-’I‘CH YE, PRAY YE WHEN WILL GOD RECALL MY SPIRIT GRANVILLE BANTOCK. THE FIRE—VVORSHIPPERS J. BARNBY. KING ALL GLORIOUS (soon, 0/1;) LORD IS KING (97:11 PsaIm)(SoL-FA,1/0) REBEKAH (SOL—FA, o/9) LEONARD BARNES. 1|III!II|I SSSI IIIIIIIIIIIII BRIDAL DAY .. J. F. BARNETT. ANCIENT MARII‘IER(SOI.—F.?, 2/0) PARADISE AND THE PER .. WISHING BELL (Female voices) (SOL—FA, 1/0) MARMADUKE BARTON. MASS IN A MAJOR (For Advent and Lent)... ARNOLD BAX. FATHERLAND . . . BEETHOVEN. CALM SEA AND A PROSPEROUS VOYAGE CHORAL FANTASIA (SOL-FA, 0/3) .. CHORAL SYMPHONY ... VOCAL PORTION (SOL-FA,0/G) ... COMMUNION SERVICE, IN C ... ENGEDI; OR, DAVID IN THE WILDERNESS MASS, IN C MASS, IN D MOUNT OF OLIVES (CHORUSES, SOL-FA, 0/6) Dxrro CI-IORUSES ONLY PRAISE OF MUSIC RUINS OF ATHENS (SOL—FA,0/6) A. H. BEI-IREND. SINGERS FROM THE SEA (Female Voices) (DITTO, SOL—FA, 0/9) THROUGH THE YEAR (Female Voices) (DITTO, SOL-FA, 0,9) WILFRED BENDALL. LADY OF SHALOTT (Female voices) (DITTO, SOL-FA,‘0/3) LEGEND OF BREGENZ (Femalevoxces) (D1110, SOL-FA, 0/8) . SONG DANCES. Vocal Suite. (Female Voices) (DITTO, SOL-FA, 0/6) ’KAREL BENDL. WATER-SPRITE'S REVENGE (Female voices) SIR JULIUS BENEDICT. LEGEND OF ST. CECILIA(SoI.-FA, 1/6) PASSION MUSIC (from S1‘. PETER) ST. PETER DITTO GEORGE J. BEN NETT. EASTER HYMN SIR W. S'I‘ERNDALE BENNETT. INTERNATIONAL EXHIBITION ODE (1862) MAY QUEEN (SOL-FA, U 6) DITTO CHORUSES ONLY WOMAN OF SAMARIA(bOL—l’A, J/9: 176 1/2 1/6 1/0 1/0 . O/8 . I/0 III‘53’nT€“ NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.—-—Continued. HECTOR BERLIOZ. CHILDHOOD OF CHRIST (DITTO, CI-IORUSES AND WoRDs OF SoLos ONLY, SOL-FA, 0/8) FAUST .. (DITTO, CHORUSES AND WORDS OF SoLos ONLY, SOL-FA, 1/0) TE DEUM LAUDAMUS (Latin) (SOL—FA,1[6) G. R. BETJEMANN. SONG OF THE WESTERN MEN HUGH BLAIR. BLESSED ARE THEY WHO WATCH (Aovnm) HARVEST-TIDE SONG 0F DEBORAH AND BARAK TRAFALGAR (SOL-FA, 0/8) JOSIAH BOOTH. DAY OF REST (Female voices) (SOL-FA, 0/9) " RUTLAND BOUGHTON. INVINCIBLE ARMADA MIDNIGHT SKELETON IN ARMOUR KATE BOUNDY. RIVAL FLOWERS (Operetta, Chi1dreu’svoices) (DxTTo, SOL-FA, 0/6) E. M. BOYCE. LAY OF THE BROWN ROSARY 1/ SANDS OF CORRIEMIE (Female voices)(SoL—FA, 0/6) 1/ YOUNG LOCHINVAR J. BRAHMS. no REQUIEM (SOL-FA, 1/0) SONG OF DESTINY C. BRAUN. COUNTRY MOUSE AND THE TOWN MOUSE (Chi1dren’s voices) (SOL-FA, 0/4) QUEEN MAB AND THE KOBOLDS (Operetta, Children's voices) (SOL-FA, 0/9) SIGURD SNOW QUEEN (Operetta, Children's voices) (DIT’1‘0,SOL-FA, 0/6) A. HERBERT BREWER. EMMAUS (SOL-1'<’A,0/9) HOLY INNOCENTS O PRAISE THE LORD O SING UNTO THE LORD (98th Psalm) SIR PATRICK SPENS (SOL-FA, 0/8) SONG OF EDEN SUMMER SPORTS J. C. BRIDGE. DANIEL .. RESURGAM IRUDEL J. F. BRIDGE. BALLAD OF THE CLAMPHERDOWN DITTO, SOL—FA, 0/8) BOADICEA CALLIRHOE (SOL-FA, 1/6) CRADLE OF CHRIST (“Stabat Mater Speciosa”)... FLAG OF ENGLAND (SOL-FA,0/9) FORGING THE ANCHOR (SOL-FA,1/0) FROGS AND THE OX(Chi1dren’s voices)(SoL-FA,0/6) HYMN TO THE CREATOR INCHCAPE ROCK (SOL—FA,0/6)... LOBSTER’S GARDEN PAR’I‘ (Children's voices) (DITTO, SOL—FA, 0/4) LORD'S PRAYER (SOL-FA, 0/6) MOUNT MORIAH NINEVEH ROCK OF AGES (Latin and EngIISh)(SOL~FA, 0/4)... SONG OF THE ENGLISH (SoL—FA, 0/6) .. SPIDER AND THE FLY (Children's voices) (DITTO, SOL-FA, 0/6) EDWARD BROOME. HYMN OF TRUST DUDLEY BUCK. LIGHT OF ASIA EDWARD BUNNETT. OUT OF THE DEEP (I3oth Psalm) T. A. BURTON. CAPTAIN REECE (Boys’ voices) (SOL-FA, 0/6) MARTINET (Boys' voices) (SOL-FA, 0/6)... TRAGEDY OF COCK ROBIN (Short Action Piece) (Chi1dren’s voices) (Sox.-FA, 0/3) YARN OF THE NANCY BELL (Boys’ voices) (DITTO, SOL-FA, 0/6) W. BYRD. MASS FOR FOUR VOICES CARISSIMI. JEPI-ITHAH ... IIISII lIII|I|°é°I Inﬁll II|l|II§I III IIIIIII A. voN AHN CARSE. LAY OF THE BROWN ROSARY WILLIAM CARTER. PLACIDA (CHORUSES 0NLY,1/0) CHERUBINI. FIRST RE UIEM MASS, C MINOR(Lat. and Eng.) SECOND ASS, IN D MINOR... THIRD MASS. IN A (CORONATION) FOURTH MASS, IN C E. T. CHIPP. NAOMI . . . HAMILTON CLARKE. DAISY CHAIN (Operetta,Chi1dren'svoices)(SoL»FA,0/9) DRUMS AND VOICES (ditto) (SOL-FA,0/9) HORNPIPE HARRY (ditto) (SOL—FA,0/9) MISSING DUKE (ditto) (SoL—FA,0/9) PEPIN THE PIPPIN (ditto) (SOL-FA,0/9) FREDERIC CLIFFE. NORTH-EAST WIND (scum, o/9) . GERARD F. COBB. MY SOUL TRULY WAITETH .. SONG OF TRAFALGAR (Men's voices) S. COLERIDGE—TAYLOR. A TALE OF OLD JAPAN... .. ATONEMENT... BLIND GIRL OF CASTEL-CUILLE (SOL-FA, 1/0) BON-BON SUITE (S01.-FA. 1/0) DEATH OF MINNEHAHA (SOL—FA,1/0) ENDYMION‘S DREAM (S01-FA, 0/9) HIAWATHA’S WEDDING-FEAST (SoL-FA,1/0) (DITTO, German words) HIAWATHA’S DEPARTURE (SOL-FA, 1/0) MEG BLANE (SOL-FA,0/9) SCENES FROM THE SONG OF HIAWATHA (DITTo, SOL-FA, 2/0) FREDERICK CORDER. BRIDAL OF TRIERMAIN(SoL—FA,1/0) .. SIR MICHAEL COSTA. DREAM . .. I-I. COWARD. GARETH AND LINET (SoL~FA, Choruses only, 1/0) STORY OF BETHANY (SOL-FA, 1/6) F. H. COWEN. CHRISTMAS SCENES (Female voices) (SOL-FA, 0/9) CORONATION ODE DAUGHTER OF THE SEA (Fema.1evv.)(SoL-FA,1/0) HE GIVETH HIS BELOVED SLEEP (SOL-FA, 0/6) JOHN GILPIN (SOL-FA, 1/O) ODE TO THE PASSIONS (SOL-FA,1/0) ROSE OF LIFE (Female voices) (SOL~PA,0/9) RUTH (SOL-FA, I/8) SLEEPING BEAUTY (SOL—FA,1/6) SONG OF THANKSGIVING .. ST.M}OHN’S EVE (SOL—FA,1/6) SU MER ON THE RIVER (Female vv.) (son-“,0/9) THORGRIM (Opera) VILLAGE SCENES (Female voices) (SOL-FA, 0/9) WATER LILY J. w. COWIE. VIA CRUCIS(SoL-FA,1/0) A. L. COWLEY. HARVEST COVENANT (SOL-FA, 1/0)... . J. MAUDE CRAMENT. I WILL MAGNIFY THEE, 0 GOD(145th Psalm)... LITTLE RED RIDING-HOOD (Female voices) ... W. CROTCH. PALESTINE W. H. CUMMINGS. FAIRY RING W. G. CUSINS. TE DEUM, IN B FLAT FELICIEN DAVID. DESERT (Male voices) (SOL-FA, 0/8) . W. T. DAVID. BLIND MAN OF JUDAH (SOL-FA,1/0) H. WALFORD DAVIES. 2 EVERYMAN (founded upon the old MoraIity play) I (SOL-FA,2/0) " I HERVE RIEL... I HUMPTY—DUMPTY (for Children) (SOL—FA, O/9) LIFT UP YOUR HEARTS (Sacred Symphony‘) ‘NOBLE NUMBERS... ODE ON TIME TEMPLE THREE JOVIAL HUNTSMEN (Folio) 10 x Q I I W :1 %‘|IrI:uI%§I 90 020903 IIEIIBIBBIIIIIII 20 \ Q 053 \ O U’! IBIIIII I I am: -6- one: IBEIBIBBI I I I I II ISIIIII NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.~—-Continued. F. G. DOSSERT. COMMUNION SERVICE, IN E MINOR 2/0 T. F. DUNHILL. FROLICSOME HOURS(Children’s VOiC6S)(SOL—FA,0/6) 1/6 TUBAL CAIN (SOL-FA, 0/6) 1/0 ANTONIN DVORAK, AT THE FOOT OF THE CROSS (Stabat Mater) 2/6 , (SOL-FA, 1/6) COMMUNION SERVICE, IN 1/6 MASS, IN D 1/6 PATRIOTIC HYMN... 6 DITTO (German and Bohemian Words) REQUIEM MASS SPECTRE’S BRIDE (SOL-FA, 1/6) DITTO (German and Bohemian Words) ST. LUDMILA DITTO (German and Bohemian Words) STABAT MATER (Latin only) (SOL-FA, 1/6) A. E. DYER. ELECTRA OF SOPHOCLES (Male voices) SALVATOR MUNDI JOHN B. DYf<"Es.m LORD IS MY SHEPHERD THESE ARE THEY (SOL-FA,0/2) H. J. EDWARDS. ASCENSION ... ... ... EPIPHANY ... PRAISE TO THE HOLIEST RISEN LORD... ... EDWARD ELGAR. APOSTLES . . 5/0 6/0 (DrTTo, Choruses and Words of Solos only, SOL-FA, 2/6) (DITTO, German Words, 8 Mark) BANNER OF ST.GEORGE(SoL-EA,1/0) 1/e . 2/o _ 3/6 4/0 3/8 4/0 BLACK KNIGHT (SOL-FA, 1/0) CARACTACUS (S01.-FA,Choruses only, 1/6) DREAM OF GERONTIUS (DrTTo, SOL-FA, Choruses only, 1/6) (DITTO, French Words, Prix fr. 7.50 net) (DITTO, German Words, 6 Mark) GO, SONG OF MINE (Chorus, Six-part) (SOL-M, 0/3) 0/6 KINGDOM 0 (DITTO, German Words, 5 Mark) KING OLAF (SOL-FA, Choruses only, 1/6) 8/0 LIGHT OF LIFE (Lux Christi) (SOL-FA, 1/0) 2/6 TE DEUM AND BENEDICTUS ROSALIND F. ELLICOTT. BIRTH OF SONG . ELYSIUM 1/6 1/o GUSTAV ERNEST. ALL THE YEAR ROUND (Female vv.) (S01.-PA, 0/9) 1/6 HARRY EVANS. VICTORY OF ST. GARMON (seem, o/9) 1/6 A. J. EYRE. COMMUNION SERVICE IN E FLAT 1/0 T. FACER. MERRY CHRISTMAS (Children's voices)(SoL-PA,0/6) 1/0 RED RIDING-HOOD'S RECEPTION (Operetta, Children's voices) (SOL-FA 0/9) 2/6 SONS OF THE EMPIRE(Children's voiccs)(SoL-I-‘A,0/G) 1/6 E. FANING. BUTTERCUPS AND DAISIES (Female voices) 1/6 (DITTO, SOL-FA, 0/9) HENRY FARMER. MASS, IN B FLAT (Latin and English) (SOL-1rA,1/0) 2/0 PERCY E. FLETCHER. ENCHANTED ISLAND (Operetta, Children’: voices) 2/0 DITTO, SOL-FA, 9) OLD YEAR'S VISION (Operetta, Children's voices) 1/6 DITTO, (SOL-FA, 0/6) TOY REVIEW(Operetta,Chi1dren'svoicea)(SoL-11,0/I) 1/I WALRUS AND THE CARPENTER (Children's voices) (SOL-FA,0/4) .. J. C. FORRESTER. KALENDAR (Children’s voices) (SOL-FA, 0/9) MYLES B. FOSTER. ANGELS OF THE BELLS (Female voices) ... 1/3 (D1TTo, SOL-FA, 0/8) BONNIE FISHWIVES (Female vv.) (S_oL-FA,0/9) ... 1/6 COMING OF THE KING (Female VOICCS) 1/8 (DITTO, SOL-FA,0/8) MERRY GAMES FOR CHILDREN (An Action Cantata for Children) . 0/8 SNOW FAIRIES (Female VOlceS)(SOL-FA, 0/6) 1/6 1/0 (DITTO, Choruses and Words of Solos only, SOL-FA, 2/6) ROBERT FRANZ. PRAISE YE THE LORD (I17th Psalm) A. M. ERIEDLANDER. MUSIC RETURN"'To "z‘1oN" NIELS VV. GADE. CHRISTMAS EVE (Sox.-FA, 0,4) COMALA . CRUSADERS (SOL-FA, 1/0) ERL-KING’S DAUGHTER(SOL—FA, 0/9) PSYCHE (SOL—FA, 1/6) SPRING’S MESSAGE (so:.-m, o/3) ZION HENRY GADSBY. ALCESTIS (Male voices) COLUMBUS (Male voices)... LORD OF THE ISLES(SoL-FA,1/6) F. W. GALPIN. YE OLDE ENGLYSHE PASTYMES (Children's voices) ... .. G. GARRETT. HARVEST cANTA’TA (S01.-FA, 0/6) SHUNAMMITE TWO ADVENTS A. R. GAUL. AROUND THE WINTER FIRE (Female voices) (DITTO, SOL-FA,0/9) ELFIN HILL (Female voices) HARE AND THE TORTOISE (Children’s voices) (DITTO, SOL-FA, 0/6) HOLY CITY(SOL-FA,1/0) ISRAEL IN THE WILDERNESS (SOL-FA,1/0) JOAN OF ARC (SOL-FA,1/0) .. LEGEND OF THE WOOD (Children's voices) (DrTTo, SOL-FA, 0/8) PASSION SERVICE PRINCE OF PEACE (SOL-FA,1/0) RUTH (SOL-EA,0/9) (CHoRUsEs ONLY, 1/0) SONG OF LIFE (S01.-FA, 0/6) TEN VIRGINS (SOL-FA,1/0) TOILERS OF THE DEEP (Female voices) UNA (SOL-FA, 1/0) FR. GERNSHEIM. SALAMIS. A TRIUMPH SONG (Male voices) E. OUSELEY GILBERT. SANTA CLAUS AND HIS COMRADES (Operetta, 2 Chi1dren’svoices) (SOL-FA, 0/8) .. F. E. GLADSTONE. PHILIPPI GLUCK. ORPHEUS (CHORBSES ONLY, SOL-FA,1/0) D1TTo (ACT II. ONLY) .. DITTO (ACT II. CHO-RUsEs ONLY, SOL-FA, 0/9) PERCY GODFREY. SONG OF THE AMAL .. HERMANN GOETZ. BY THE WATERS OF BABYLON(I37th Psalm)... NGENIA WATER-LILY (Male voices) (SOL-FA, 0/9) A. M. GOODHART. ARETHUSA EARL HALDAN‘S DAUGHTER FOUNDER'S DAY SIR ANDREW BARTON... SPANISH ARMADA CH. GOUNOD. COMMUNION SERVICE(Messe Solennelle) ... DITTO (Troisiéme Messe Solcnnelle) DAUGHTERS OF JERUSALEM (Latin, 1/0) ..., DE PROFUNDIS (English or Latin V)/ords) ... FAUST (S¢lection)(SoL—FA, 0/9) GALLIA (SOL-FA, 0/4) MESSE SOLENNELLE (ST. CECILIA)... MESSE SOLENNELLE (Troisieme) MORS ET VITA (Latin or English Words) .. DITTO DxTTo Parts II. and . Dxrro Parts II. and III. (English Words) DITTO REQUIEM MASS O COME NEAR TO THE CROSS (Stabat Mater) OUT OF DARKNESS REDEMPTION (English Words) (SOL-FA,1/0) Dx'r'ro (French Words) D1T'ro (German Words) D1TTo Part I. D1TTo Parts II. and III. ul. . 2 (SOL-1u)(Lati&iﬁndEnglish \/Vords) 4Hl§|I'\§lll§i§IIl|l§ Illll zI::§1I1HI§I§II1H%’ lllll NOVELLO’S OCTAVO EDITION OF ORATORIOS, &C.—-Colltllﬂlteli. C. H. GRAUN. PASSION OF OUR LORD (CHORUSES 1/0) TE DEUM .. ALAN GRAY. ARETHUSA LEGEND OF ROCK:-BUOY BELL SONG OF REDEMPTION .. wmow OF ZAREPHATH j.O.GRIMML SOUL’S ASPIRATION . G. HALFORD. no PARACLETE E. V. HALL. IS IT NOTHING TO YOU (SOL-FA,0/3) W. A. HALL. PRESENTATION IN THE TEMPLE HANDEL. ACIS AND GALATEA DITTO, New Edition, edited by J. Barnby (SOL-FA, 0/9) ALCESTE ALEXANDER BALUS ALEXANDER’S FEAS ATHALIAH ... BELSHAZZAR CHANDOS TE DEUM CORONATION AND FUNERAL ANTI-IEMS Or, s1ngly:— LET THY HAND BE STRENGTHENED MY HEART IS INDITING... THE KING SHALL REJOICE (SOL—FA, 0/3) TI-IE WAYS OF ZION ZADOK THE PRIEST (SOL-FA, 0/15) DEBORAH DETTINGEN TE DEUM DIXIT DOMINUS (from Psalm cx. ESTHER... HERCULES (CHORUSES ONLY, 1/0) ISRAEL IN EGYPT, edited by Mendelssohn ISRAEL IN EGYPT,edited by V. Novel1o,Pocket Edit. (DITTO, SOL-FA, 1/0) EPHTHA OSHUA (CI-IORUSES ONLY), (SOL—FA 0/8) UDAS MACCAB}EUS(SoL-FA,1/0) UDAS MACCAB/-EU S, Pocket Edition I)ITTo (CHORUSES ONLY) DITTO . New Edition. Edited by John E. West KING SHALL REJOICE (Four Part), (SOL—FA 0/3) L'ALLEGRO (CI-IORUSES ONLY, 1/0) MESSIAH, edited by V. NOVeIIO(SOL-FA, 1/0) MESSIAH, edited by V. Novello, Pocket Edition MESSIAH, edited by E. Prout (SOL-FA,1/0) MESSIAI-I, edited by W. T. Best (SOL-FA, I/0) DITTO (CI-IORUSES ONLY) NISI DOMINUS O COME, LET US SING (5th Chandos Anthem) . ODE ON ST. CECILIA’S DAY O PRAISE THE LORD (6th Chandos) (SOL-FA, O/4) 0-PRAISE THE LORD, YE ANGELS (Folio) PASSION .. .. , DITTO (Abridged Edition) SAMSON (SOL—FA,1/0) .. DITTO (CI-IORUSES ONLY) SAUL (CI-IORUSES ONLY, 1/0) SOLOMON (CI-IORUSES ONLY, 1/6)... SUSANNA on -THEODORA TRIUMPH oF"TIME"ANi5' TR"U'THfff UT_RECI-IT JUBILATE ALFRED HARBOROUGH. CROSSING THE BAR SYDNEY HARDCASTLE. SING A SONG OF SIXPENCE(Operetta for Children) T. M. HARDY. RIP VAN VVINKLE (Operetta for Children) (DITTO, SOL-FA, 0/6) C. A. E. HARRISS CROWNING OF THE KING .'.. PAN (A Choric Idyl) . SANDS OF DEE JULIUS HARRISON. HARVEST CANTATA (SOL-FA, 0/8) CHARLES HART-DAVIS. COURT CARD (Operetta for Children) (SOL-FA,0/3) BASIL HARWOOD. AS_ /BY THE STREAMS OF BABYLON INCLINA, DOMINE (86th Psalm) . JESUSI THY BOUNDLESS LOVE TO ME J. W. G. HATHAWAY. HOW SWEET THE MOONLIGHT SLEEPS {ACK HORNER'S RIDE (for Children) (SOL-FA, 0/8) EGENI) OF BREGENZ... I-Al‘-VOOCA7 !-'l0 l9 EEEEIEEIIIII I§§§E§I§§ Ulﬂilﬂﬂﬂiilljﬁ 0% U! {W ,5; IO DP Issassslelsllalllsﬁsgel F. K. HATTERSLEY. HOW THEY BROUGHT THE GOOD NEWS FROM GHENT To AIX KING ROBERT OF SICILY HAYDN. CREATION (SOL-FA, I/0) .. ) CREATION, Pocket Edition DITTO (CI-IORUSES ONLY) .. ,?INsAN/E ET VANZE CURXE (Latin o'£'Eng'1'i'sh) If I MASS, IN B FLAT, No. 1 (Latin) DITTO (Latin and English) MASS, IN C, No. 2 (Latin) MASS, IN D, No. 3 (IMPERIAL) (Latin and English) DITTO (Latin) MASS, IN B FLAT, No.16 (Latin) PASSION; OR, SEVEN LAST WORDS SEASONS (complete)... Each Season, singly (SPRING, Tonic Sol-fa, 6d.) DITTO (CHORUSES ONLY) TE DEUM (English and Latin) BATTISON HAYNES. FAIRIES' ISLE (Female voices)... SEA DREAM (Female voices) (SOL-FA, 0/6) SEA FAIRIES (Female voices) (SOL-FA, 0/6) C. SWINNERTON HEAP. FAIR ROSAMOND (SOL-FA, 2/0) (CHORUSES 1/6) EDWARD HECI-IT. ERIC THE DANE 0 MAY I JOIN THE CHOIR INVISIBLE GEORG HENSCI-IEL. OUT OF DARKNESS (I3oth Psalm) STABAT MATER TE DEUM LAUDAMUS, IN C H. M. HIGGS. ERL KING HENRY HILES. CRUSADERS GOD IS OUR REFUGE FERDINAND HILLER. ALL THEY THAT TRUST IN THEE NALA AND DAMAYANTI SONG OF VICTORY (SOL-FA, 0/9) H. E. HODSON. GOLDEN LEGEND HEINRICH HOFMANN. CHAM PAGNERLIED (Male voices) CINDERELLA MELUSINA SONG OF THE NORNS (Female voices) SIDNEY R. HOGG. NORMAN BARON JOSEPH HOLBROOKE. BYRON (Poem) C. HOLLAND. AFTER THE SKIRMISI-I... T. S. HOLLAND. KING GOLDEMAR (Operetta, Children’s voices) DITTO, SoL—FA. 0/9) PASTORAL MEDLEY (Children's voices) (SOL-PA, 0/9) GUSTAV VON HOLST. IDEA (Operetta for Children) (SOL-FA, 0/6) KING ESTMERE (Ballad)... HUMMEL. ALMA VIRGO (Latin and English) COMMUNION SERVICE, IN B FLAT DITTO, IN E FLAT DITTO, IN D MASS, IN B FLAT, No. I MASS, IN E FLAT, No.2 MASS, IN D, No. 3 QUOD IN ORBE (Latin and English) W. H. HUNT. STABAT MATER . G. F. HUNTLEY. PUSS-IN-BOOTS (Opei-ettafor Children) (SOL-FA, 0/9) VICTORIA (SOL-FA, 1/0) H. H. HUSS. AVE MARIA(Female voices) F. ILIFFE. no SWEET ECHO .. . . . JOHN W. IVIMEY. WITCH OF THE WOOD (Operetta for Children)... (DITTO, SOL-FA, 0/9) WKJACKSON. NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.——C0mfinued. G. JACOBI. ' , G. A. MACFARREN; BABES IN THE WOOD (Operetta for Children) 2/o AJAX<G'eek P‘*‘Y)(M“‘° "°i°eS) (DITTO, SOL~FA, 0/_9) TSHE IXAOKSE (Choruses only. SOL-FA, 1/0) CINDERELLA (Operetta for ChI1dren) (scum, 1/0) 2/0 ‘Ding °L“’(CH{)RUSE-S‘-0NL;[-)‘ D_ JENKINS_ OUTWARD BOUND I ... DAVID AND SAUL (SOL—FA, 2/0) 3/o SONGS IN A CORNFE§.I;?0‘%°£§Li‘§7§‘j°S’ ENSEN ST. JOHN THE BAPTIST FEAST OF ADONIS (S(::'_FA, 0/6) 1/O (DITTO, SOL-FA, Choxuseg onI}"...1/0) W, JOHNSON A. C. MACKENZIE. I Iggi I §:5;:.. we G ,g.. Cloth ‘,3 I G-ﬂt. I ECCE HOMO . . 1/o BETHLEHEM -- . DITTO. Act II., separately H, FESTING }oNEs_ BRIDE (SOL-FA,.0/3) KING BULBOUS (OpetettaforChiIdren)(SOL-FA o/3.) 2/o _ _ COLOMBA (Lyr1ca1Drama> ’ DITTO (German Words) WARWICK JORDAN COTTER'S SATURDAY NIGHT (SOL-FA,1/0) BLOW YE THE TRUMPET IN ZION DREAM OF JUBAL J S (DITTO, Choruses only, SOL-FA, 1/0) N_ KILBURN_ A ON .. BY THE WATERS OF BABYLON — — {(H3‘3(,{,L(‘T3(])5V‘13:?,113(NT *' LORD IS MY SHEPHERD (23rd Psalm) 0/ ’ SILVER STAR (Female voices) PROCESSION OF THE ARK (Choral Scene) (DITTO, SOL-FA, 0/9) OLIVER K1NG_ ROSE Og SHARC]))N. New Edition BY THE WATERS OF BABYLON 5 RY F 5”‘ NAIADS (Female voices) TISOUBADOURU-'y“°31Drama)"- ROMANCE OF THE ROSES Vb“: QREATOR SPIRITUS SANDS 0' DEE (5OL_FA' 0/2) WITCH S DAUGHTER THREE FIsHERs (soum, 0/3): A M MACI E . . . AN. :1 I 1 Mg Nil 1% OJ snag [H3 J. KINROSS. SONGS IN A VINEYARD(Femalevv.) (SOL-FA, 0/6) 1/6 . H LAHEE C. MACPHERSON. SLEEPING BEAUTY (Female vv.)SOL.—FA,0/6) 1/6 BY THE WATERS OF BABYL°N“37“" PS“‘”‘>--- HENRY LAwES_ . L. MANCINELLI. MASQUE OF COMUS 2/o ER0 E LEANDR0 (Opera) MAX LAISTNER. F- W MARKULL. FRIAR‘s MERE (Male Voices) .. 1/6 ROLAND’S HORN (Male voices) G. F. LE JEUNE. F. E. MARSHALL. COMMUNION SERVICE IN C . 2/0 PRINCE SPRITE (Female voices) FIRST MASS IN C .. . 2/0 CHORAL DANCES from Ditto ANNUNCIATION EDWIN H. LEMARE. GEORGE C. MARTIN. COMMUNION sERvIcE IN F 2/6 COMMUNION sERvIcE, IN A ’TIS THE SPRING OF SOULS TO-DAY I/o Dmo IN c FESTIVAL TE DEUM IN A (seem, o/2) LEONARDO LEO. -- 1/0 J. MASSENET. F. LEONI. MANON (OPe|‘ﬁ) GATE OF LIFE (sm.-n,1/o) 2/0 ‘ H LESLIE J. T. MASSER. FIRST CHRISTMAS MORN .' .. HARVEST CANTATA F, L1szT_ J. H. MAUNDER. LEGEND OF sT. ELIZABETH BETHLEHEM (SOL-FA,1/0) THIRTEENTH PSALM _ OLIVET To CALVARY (scum. 0/9) PENITENCE, FARDON,AND PEACE (SOL-FA,1/0) C. H. LLOYD. SONG OF THANKSGIVING (SOL-FA,0/9) .. ALCESTIS (Male voices) T. R. MAYOR. DIXIT DOMINUS ANDROMEDA... GLEANERS' HARVEST (Female voices) HERO AND LEANDER I-IYMN OF THANKSGIVING LONGBEARDS’ SAGA (Male voices) O GIVE THANKS UNTO THE LORD RIGHTEOUS LIVE FOR EVERMORE ROSSALL SIR OGIE AND THE LADIE ELSIE 8% ::: .MENmLssoHN. _ ANTIGONE (Male volces) (SOL-FA, 1/0)... CLEMENT LOCKNANE. AS‘ THE HART PANTS (42nd Psalm) (scum, 0/6) ELFIN QUEEN (Female voices) z:"‘1IIgA1é«A}i“«U(§€J(Ié-FA_. 0/3)f S-.~ C}-lg) HARVEY LOHR. cHRmTUsw T”V° ?W"5.°?7 3“ I UEEN OF SHEBA (CHORUSES ONLY, 1/0)... 5/0 COME, LET ITS FSAING (95th Psalm) (SOL-FA, 0/6) Q ELI AH (POCKET EDITION) W. H. LONGHURST. ELIIAH .so.-..,1,o, ::: ": ::: ::: ::: VILLAGE FAIR (Female voIces)... 2/0 2/6 —— DITTO (CHORUSES ONLY) 1/ ELVA LORENCE AND G_ KENNEDY CHRYSTIE FESTGESANG(HymnofPraIse)(s.A T.B.)(SOL-FA,0/2) . . . DITTO (Male voices) (’1‘.T.B. TERRA FLORA (Or 3 Peep Into Flower Land) _ Operetta for Children 2,0 _ _ HEAR MY PRAYER (s. solo and ChI(3I'Il;S1)‘(()SOL FA, DITTO C_ HYIgN OF PRACISE (LObgeSaII1g)) (SOL—FA, 0/6) LIT LE BO-PEEP O f Ch'1d . 1 o “T0 "9“”SE5 0“ Y I T s‘<»‘-’1‘?«‘~?‘?>?‘4>°’ ‘ ‘°”’ ’ :eI3A..%e.Nsg:.FIsI;EIIIa:;Ie W --~.,.. ’ 1 OL—FA, ... . . . . E - , SPORTS (Operetta for Chiﬁrefxd) L... 2/0 §l’£i;*Il§':é:éNIhE4(I§:?I{:)'1{“£IiéC§(%:T‘i‘?fSC€B)REAIM 1... _ ' . CITIB. e VOKCCS (DITTO, SOL-FA, 0/4) LAY OF THE LAST MINSTREL (SOL—FA, 1/6) 4/ MY GOD, WHY HAST THOU (SOL—FA, 0/II) LORD ULLIN’S DAUGHTER (S<)L—FA, 0/8) 1/ NOT UNTO US, 0 LORD (II5th Psalm) V5/VRECK OF THE HESPERUS (SOL-FA, 0/6) GEDIPUS AT COLONOS (Male voices) LOVE OF CHRIST J. H. MEE. DELPHI, A LEGEND OF HELLAS (Male voices) HORATIUS(Ma1e voices) . MISSA SOLENNIS, in B FLAT ‘glllllllllgl gttlluntlgl III Ialngggtillggglllgtl ill !lI.|'¥g|§lll NOVELLOIS OCTAVO EDITION OF ORATORIOS, &c.—Contz'nued. Papa Cove; Cloth 03!. C. H. H. PARRY. AGAMEMNON (Greek Play) (Male voices) ]1§EYD0N(I))FTHESE VOICIEIS TEERIE IS PEACE IR S ARISTOPI-IA ES ( ree Play) (Male) BLEST PAIR OF SIRENS (SoL- ,0/8) . SON AND STRANGER (DITTO, English and German Wliiids, 2 mark 50) THREE MOTETS FOR FEMALE VOICES DE PROFUNDIS(I3oth Psalm) .. (DITTO, SOL-FA, 0/1;, 0/2, and 0/2 each.) ETON .. TO THE SONS OF ART (Male voices) (SoL—FA, 0/3) 1/ ETON MEMORIAL ODE WALPURGIS NIGHT (SOL-FA,1/0) GLORIES OF OUR BLOOD AND STATE WHEN ISRAEL OUT OF EGYPT CAME —— — INVOCATION TO MUSIC (DITTO, SOL-FA, 0/9) OB (CHORUSES ONLY, SOL-FA, 1/0) WHY RAGE FIERCELY THE HEATHEN UDITH (CI-IORUSES ONLY, SOL-FA, ‘3/0) -. (DITTO, SOL-FA,0/3) EINIGLEAUL (CHoRusEs ONLY, SOL-FA, 1/6) ‘A GRO (SOL-FA, 1/6)... R. D. METCALFE AND A. KENNEDY. L°T05'EATERS<The 9h°“° 30119. PRINCE FERDINAND (Operetta for children) 2/o Iﬁiiéﬁlglﬁﬁﬁ (CL‘:§iE)E1H OUT “A ID1“°» 5°"“:°/9) ODE ON ST. CECILIA’S"DAY.(“SoL-it-A,1/0)” _ ODE TO MUSIC (SOL-PA, O/6) MEYERBEER_ EIEOD PIPER OF I-IA“MELIN (SOL-FA,1/0) NINETV-FI§R5T PSALM Ilﬁatilrﬂh 1 SONIGI%1EHDEAURSKNESJS)AJNI11))LIGHT(SOL-RA,0/9):: ‘"0 I D815 I /° §%U1g.'sUI§4ANsOM (A Psalm omie Poor) E LAUDAMUS L ' A. MOFFAT. TE DEUM LAUDAMUS ((C:iii>nn)ation) BEE QUEEN (Operetta for children) (SOL-EA, 0/6) VISION OF LIFE (SOL-F-‘A11/0) 3/ CHRISTMAS DREAM (for children) 1 VOCES CLAMANTIUM ('IhevoIces of them that cry) (Dn-;0_ 501,“, 0/4) WAR AND PEACE (Ode) (CHORUSES, SOL-PA1/6) 3/ B. MOLIQUE. T. M. PATTISON. ANCIENT MARINER (CHORUsEs,1/0) ... £.8Y OF THE LAST MINSTREL (CHoRUsEs,1/0)... NDON CRIES J- A- _MO0N1E- MAY DAY KILLIECRANKIE (SOL-RA, 0/8) _ MIRACLES OF CI‘IRIST(SOL-FA, 0/6) WOODLAND DREAM(chI1dren’svoIces) (SOL-FA, 0/9) A. L. PEACE. A HAROLD MOORE ST. JOHN THE BAPTIST (SOL-FA,1/0) D RKEST HOUR (s - ,0/9) .. CL M PERGOLESI. 1\{[QZAR'[_ STABAT MATER(FemaIe voices)(SoL~I'A, 0/6) ... GLORY,HONOUR,PRAISE(SoI.- A,0/2)'I‘h' dM : t - , - II-(IANVE MERCY, O LORD... Secorlird Mgtgt PHANT0MS—F1‘-NTASM1 NELL OMBRA I G Tl-IAMOS LITANIA DE VENERABILI ALTARIS(E0) 1/ , PERCY PITT. LITANIA DE VENERABILI SACRAMENTO(Bb) HOHENLINDEN (Male voices) MASS, IN C, No. I (Latin and English) ... - JOHN POINTER. MASS. IN B FLAT, No. 7 .. SONG OF HAROLD HARFAGER (Male voices) MENDELSSOHN (continued) ST. PAUL (SOL-FA, 1/0) DITTO (CHoRUsEs ONLY) ST. PAUL, Pocket Edition SING TO THE LORD (98th Psalm) w-cltn I I IEIEGIIL agaaglonrdl. 19 :EE‘\*’ OG@¢ P I I I I Boards. I I I I I | I Paper .u I-1 an N) BI :85 390 to IiI|Is|1aII|iiI%%HiiI1 IIIIIIIIIIIIIIISSIIIIII ABRAHAM IIIII IIIII MASS. IN G, No. 12 (Latin) 1/ DITTO (Latin and English) (SOL—FA, O/9) (SoL_“ 0/6) 0/ ’ ' DITTO (CHORUSKS ONLY) D NO. I5 ... ... V W DITTO (Lutin and English) (so;-121', 1/o)fII SPGOD, WHEN THOU (SOL-FA, o/2)... First Motet EARLY SPRING . LENDENTE TE,DEUs F‘ t M t t "3 °" 1. B. POWELL. E‘ MUNDELLA_ PANGE LINGUA (Sing, my tongue) VICTORY OF SONG (Female voices) A. H. D. PRENDERGAST‘ NAYLOR. SECOND ADVENT... ... . . ... ... ... F_ CENTURION'S SERVANT C. E. PRITCHARD. JEREMIAH JOSEF NESVERA. DE PROFUNDIS KUNACEPA .. STAFFORD NORTH. IN THE MORNING (SOL-FA,0/8) E. PROUT. DAMON AND PHINTIAS (Male voices) E. A. NUNN. FREEDOM MASS. IN C .. HERE-WARD HUNDREDTH PSALM (SOL-FA,0/4) E. CUTHBERT NUNN. QUEEN AIMEE (Female voices) FAIRY SLIPPER(Chi1dren's Operetta.) (SOL-l"A,0/8) /0 RED CROSS KNIGHT (5014-FA. 2/0) A . VIA DOLOROS PU RCELL. SIIIII $11)): DIDO AND /ENEAS KING ARTHUR H ‘ 1y REV. SIR FREDK. OUSELEY. 3’6§%‘i3‘s‘%‘.c§é?&‘fsSI§‘I“y(c......'.,s.;:.i,d;s) MARTYRDOM OF ST. POLYCARP TE DEUM AND JUBILATE. IN D TE DEUM (Edited by]. F. Bridge) (SOL-FA, 0/6) PALESTRINA. DITTO (Latin arrangement by R. R. Terry) COMMUNION SERVICE (Missa. Pa ae Marcelli . COMMUNION SERVICE (Assumptapest Maria) ) G- RA1 HBONE" .M1ssA ASSUMPTA EST MARIA ORPHEUS (Power of Music) (Children's voices) MISSA BREVIS DITTO. SoL—n. 0/6) MISSA "0 A1)M[RAB1LE COMMERCIUM" VOGELWEID THE MINNESINGER (Children's MISSA PAP/E MARCELLI voiccl). (SOL-rA.0/G) -- 1 STABAT MATER . A. O'LEARY. MASS OF ST. JOHN IIIIIII IIIIIII |lI||II ||IlIII H. w. PARKER. F'___J° I_{_Ii‘AD_j. HORA NOVISSIMA... KOBOLDS LEGEND OF ST. CHRISTOPHER ODE SONG OF HANNAH . F. H. READ. DEATH OF YOUNG ROMILLY vﬁ Ills IIII WANDEI{ER’S PSALM NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.~—»Comfz'nuea.'. DOUGLAS REDMAN. H. SCHUTZ COR UNUM VIA UNA (Female voices) PASSION OF OUR LORD C. T. REYNOLDS. CHILDHOOD OF SAMUEL(SoL—EA,1/0) 2/0 BERTRAM LUARD SELBY- DYING SWAN ARTHUR RICHARDS. FAKENHAM GHOST .. PUNCH AND JUDY(O.peretta forchi1dren)(SOL-EA,0/6) 1/6 “HELENA IN TROAS” .. WAXWORK CARNIVAL (Operetta for children) 2/o SUMMER BY THE SEA (Female) (Son-FA. 0/6) (DITTO, SOL-FA, 0/B) VVAITS OF BREMEN (Children) (SOL—I-‘A, 0/6) WNAH . 1- V- ROBERTS 2/0 H. R. SHELLEY. 7pAss1oN 1/6 VEXILLA REGIS (The Royal Banners forward go‘) R. WALKER ROBSON. E_ s1LAs_ CHRISTUS TRIUMPHATOR I 3/6 COMMUNION SERVICE IN C J. L_ ROECKEL MASS, IN C HOURS (Operetta for children) (SOL-FA, 0/9) , LITTLE SNOW-WHITE (Operetta for children) HENRY SMART. (Dxrro. SoL—FA. 0/9) BRIDE OF DUNKERRON(SoL-IrA,1/0) (Operetta fOl' Chlldfell) (s0L.~FA, (Female voices) EDMUND ROGERS. <DITT°:S°L-“:0/9) FOREST FLOWER(FemaIe voices) SING To THE LORD ROLAND ROGERS. J- M- SMIET0N- FLORABEL(Fema1e voiceS)(Sol-fa, 1/0) ARIADNE (SOL-FA, 0/9) PRAYER AND PRAISE CONNLA F‘ ROLLASON KING ARTI‘IUR(SOL-FA,1/0) W E ING STOOD THE MOURNFUL MOTHER E P ALICE MARY SNIITH. OD T HE ' T —E ‘T W HARMONY OF THE SPHERES ODE T8 "1I*‘HE g1§)SRS1(I){NSAS INlﬁ_ §irJI}}:YD<I3:*;mT4HE BELMSOL-FA»°/3) I RED KING (Men’SvoiceS) ..I ... NG T * LE G /1 I ' TRANSIENT AND THE ETERNAL (sown, 0/4) So OF HE LI” (D,E§‘,§jTS[CJ,,1:I_FAf“o‘38“,“’°‘°“‘) c. B. ROOTHAM. I E_ M_ SMYTH. MASS, IN D ... AN DROMEDA RO SINI. S __ A. SOMERVELL. CHARGE OF THE LIGHT BRIGADE (SOL-FA, 0/4) ELEGY MOSES IN EGYPT STABAT MATER (SOL-FA.,”1/0) I: DITTO (CHORUSES ONLY)... CHARLES E’ RUT'EN1;'ER_m ENCHANTED FALAGE(O13erer££.',chi1'éi'r.ri's’§}oiceé) (DITTO, SOL-FA, u/8) FOREAKEQN MEI§E'MAI]\I)(SOL-FA, 0/81)] . . KIN TH USHB AR (0 eretta,c i1dren'svoiceS) JOSEPII RYELANDT. (D,Tf.,,s.,L_F.,o)9) DE KOMST DES HEEREN(The comingofthe Lord) KNAVE OF HEARTS (Operetta, chi1dren’S voices) (DITTO, SOL-FA, 0/8) ED. SACHS. MASS, IN C MINOR 2/6 KING-CUPS ODE ON THE INTIMATIONS OF IMMORTALITY 2/0 WATER LILIES ODE TO THE SEA (SOL-FA-.1/0) 2/0 POWER OF SOUND (SoL»EA, 1/0) .. 2/0 C. SAINTONJDOLBY. PRINCESS ZARA (Operetta, children's voices) 2/0 FLORIMEL(Fcmale voices) . .. (DITTo.SoL-FA.0/9) 1/0 ,, SEVEN LAST WORDS CAMILLE SAINT-SAENS. I-IEAVENS DECLARE—CCELI ENARRANT R. SOMERVILLE. W H SANGSTER PRENTICE PILLAR (Opera) H- W~ 3CHARTAU~ JACKDAW OF RHEIMS CHRISTMAS HOLIDAYS (Children's voices) LAY OF sT_ CUTHBERT SCHUBERT. SPOHR. COMMUNION SERVICE, IN A FLAT CALVARY Dmo. N B FLAT ’ cHRISTIAN'S"I'>RAY"ER DITTO, IN C ... ' FALL 01:.‘ BABYLON DITT0. IN E FLAT FROM THE DEEP I cAL'LED'" DITTO, IN F GOD IS MY SHEPHERD .. DITTO: IN G GOD, THOU ART GREAT (seem, 0/6) LAZARU5 (Easter) -- -- HOW LOVELY ARE THY DWELLINGS FAIR... DIVINE LOVE ELYSIUM MASS. IN A FLAT 3- -- - - ' HYMN TO ST. CECILIA... 33% g FLAT -- -- » JEHOVAH, LORD OF HOSTS... IN E FEAT - LAST JUDGMENT (SOL-FA, 1/0) IN F (SOL_FA--6/9) y_ DITTO (CHORUSES ONLY) _ IN G I - , MASS (for 5 solo vorces and double chonr) OF MIRIAM (SOL-FA, 0c/16) S JOHN STAINER, OF §P,§}_,.‘T°S-I§"I’I'§1f}‘S"V/§’{,}§'R 9rLI‘;"'${f,(TERS CRUCIFIXION (SOL-FA,0/9) (Male voices) (SOL/_M 0/6) DAUGHTER OF JAIRUS (Scum, 0/9) * ST. MARY MAGDALEN (SOL-FA, I/0) SCHUMANN. C. VILLIERS STANFORD. ADVENT HYMN, “IN LOWLY GUISE" .. ‘ BATTLE OF THE BALTIC ... FAUST " CARMEN SEECULARE KING'S SON COMMUNION SERVICE, IN G LUCK OF EDENHALL (Male VOICCS) EAST T0 V/VEST MANFRED ... EDEN (Dramatic Oratorio)... .\IIGNON’S REQUIEM ... EUMENIDES (Malevoices) lVIINSTREL’S CURSE ... GOD IS OUR HOPE (46th Psalm) NEW YEAR'S SONG (SOL-FA,0/6) MASS, IN G MAJOR PARADISE AND THE PERI (SOL-FA, 1/8) (EDIPUS REX (Male voiceg) “ILGRIMAGE OF THE ROSE... ... REVENGE (SOL-FA, 0/9) ... REQUIEM (DI'rTo, German Words, 2 Mark.) SONG OF THE NIGHT ... VOYAGE OF MAELDUNE . NW 32% ISSIIIIIISSS no no lll!l§lllI 09 OD IISSIIIIIISI (0:63 or iieaiiiiinei £3 0 NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.—-Comfiizued. D. STEPHEN. ERNEST WALKER. LAIRD O’COCKPEN (scum, 0/6) HYMN To DIONYSUS STEFAN STOCKER ODE TO A NIGHTINGALE ... If I: SONG OF THE FATES .. R. H. WALTHEW. ' PIED PI ER OF HAMEL .. SIGISMOND STOJOWSKI. P ‘N SPRING-TIME H. VV. WAREING. J_ STORER_ COURT_ OF QUEEN SUMMERGOLD (Operetta for MASS OF OUR LADY OF RANSOM chI1rIreI1)(SoL-FA,0/6) 1 TOURNAMENT _HO-H0 OF THE GOLDEN BELT (Cantata (O }.)._.1d ' . 4 peretta or c I (301) Is OUR REFUGEI:m5(:pSIJCH. WRECK OF 0/6) ma) ( t sa m) ‘ 4 NARCISSUS AND ECHO4(CHoRUSEs 1/0) , HENRY WATSON. ARTHUR SULLIVAN‘ IN PRAISE OF THE DIVINE (Mile voice‘) EXHIBITION ODE . PSALM OF THANKSGIVING GOLDEN LEGEND (Some, :2/-o) KING ARTHUR, INCIDENTAL MUSIC — WEBER TE DEUM FESTIVAL (Some, 1/0) . ‘ .. TE DEUM (A Thanksgiving for VictOry)(SoL-FA,0/9) ._ ._ fbO“é(1V)1I§5§’.}1O§T5’f)1§‘1’)‘EO[§v IN E FL“ T. W. SURETTE. JUBILEE CANTATA EVE OF ST. AGNES _ _ MASS IN E FLAT (Latin and English) Do., IN G (Latin and English)... .. W. TAYLOR. PRECIOSA (Choruses only, 0/6) ST. JOHN THE BAPTIST THMOE SEASONS ~~ A. GORING THOMAS. S. WESLEY. SUN-VVORSHIPPERS (SOL-FA, 0/9) DIXIT DOMINUS EXULTATE DEO (Sing aloud with gladlless) D. THOMAS. IN EXITU ISRAEL (English or Latin VVordS) LLYN Y FAN (VAN LAKE) (Some, 1/6) S S WESLEY H. THORNE. O LORD. THOU ART MY GOD BE MERCIFUL UNTO ME .. FLORENCE E. \/VEST. O' W‘ TORRANOE MIDSUMMER'S DAY (Operetta for children) REVELATION (DITTO, SOL-FA, 0/6) BERTHOLD TOURS. JOHN E_ wEs'f_ FESTIVAL ODE .. V ~ H HOME OF ’I‘ITANIA(Female voices) Log1‘I?«ISI{ ...ABI.I.‘.ATlF_)_N IDITTOI SOL-FA. 0/6) MAY-DAY REVELS (Chi|dren’S voices) (SOL-FA,0/4) FERRIS TOZER §E§8'%‘é‘“§i$§D ‘.‘..A‘“’.‘.“7“ ?.S.°”.i‘.'“°’.'.'.' BALAAIVI AND BALAK . STORY OF BETHLEHEM (S0L’FA.0/'9) IN [HE DESERT AND IN THE GARDEN (DlTTo,SoL—FA 1/0) ARTHUR N. WIGHT. KING NEPTUNE'S DAUGHTER (Female voices) MINSTRELIS CURSE | (DITTO. SOL-FA, 0/6) " P. TSCHAIKOWSKY. C. LEE WILLIAMS. NATURE AND LOVE (Female voices) (SOL—FA, 0/4) (SOL-FA. 0/3) I ‘ ... VAN BREE HARVEST SONG ST. CJ:LCILIA’S DAY (SOL-FA,0/9) LAST NIGHT AT BETHANY (SoL~FA.1/0) CHARLES VINCENT. A- 13- WILSHIRE LITTLE MERMAID (Female voices) . GOD 15 OUR HOPE (PSa‘m 45)-~ - VILLAGE QUEEN(Female vOiceS)(SOL-FA,0/ THOMAS WINGHAM, A. L_ VINGQE ) MASS, IN D (Regina Coeli) T E M L MAGICIAN (Operetta for chi1dl'en)(SOL-FA, 0/9) E D U ( mm) W. S. VINNINCI. SONG OI“ THE PASSION (according to St. john)... F. C. WOODS. S. P. WADDINGTON. . JOHN GILPIN (SOL»I<‘A,0/3) 2/ GREYPORT LEOEND1§‘797)Og“1eV°‘§%S’ VVHIMLAND (Operetta for chiIdren) (SOL-FA,0/8) KING HAROLI)(SOL-1EA’l(‘)r/$0’ (?.Ij‘FA’__‘/ ) R_ WAGNER_ OLD MAY—DAY (Female volces) (SOL-FA,0/G) HOLY SUPPER OF THE APOSTLES .. ' M_ WOOLL,EY_ W, M, WAIT, CAPTIVE SOUL (Female voices and Tenor Solo) D. YOUNG. CHAS. WOOD. ODE To THE WEST WIND GOD WITH US GOOD SAMARITAN . ST. ANDREW... — BLESSED DAMOZEL LONDON: NOVELLO AND COMPANY, LIMITED. I I I ' I NOVELLOS OCTAVO EIHTHJN OF ORATORIOS, CANTATAS, MASSES, &c. PRICE ONE SHILLING EACH. THOMAS ADAMS. TCROSS OF CHRIST, THE {GOLDEN HARVEST, A +HOLY CHILD, THE TNATIVITY, THE RAINBOW OF PEACE, THE THOMAS ANDERTON. NORMAN BARON, THE TWRECK OF THE HESPERUS, THE E. ASPA. GIPSIES, THE ASTORGA. STABAT MATER. BACH. BE NOT AFRAID. 8d. +BIDE WITH US. CHRIST LAY IN DEATH’S DARK PRISON. TCHRISTMAS ORATORIO. DITTO DITTO. PARTS 3-4. DITTO DITTO. PARTS 5-6. COME, JESU, COME (MOTET). COME, REDEEMER OF OUR RACE. DEPTHS OF WOE I CALL ON E. GIVE THE HUNGRY MAN THY BREAD GOD GOETH UP WITH SHOUTING. GOD SO LOVED THE WORLD. 'I"GOD’S TIME IS THE BEST. 1'HOW BRIGHTLY SI-IINES YON STAR OF MORN. IF THOU BUT SUFFEREST GOD TO GUIDE THEE. +]ESU, PRICELESS TREASURE (MOTET). ESUS,NOWWILLWE PRAISE THEE. ESUS SLEEPS, WHAT HOPE REMAINETH. LET SONGS OF REJOICING BE RAISED. LORD IS A SUN AND SHIELD, THE {LORD IS MY SHEPHERD, THE LORD, REBUKE ME NOT. * MAGNIFICAT IN D. TMY SPIRIT WAS IN I-IEAVINESS. INOW SHALL THE GRACE. Gd. 1‘ O LIGHT EVERLASTING. O PRAISE THE LORD FOR ALL HIS MERCIES. O TEACH ME, LORD, MY DAYS TO NUMBER. PRAISE OUR GOD WHO REIGNS IN HEAVEN. PRAISE THOU THE LORD, ]ERU- SIALEM. ISBNG YE TO THE LORD (MOTET). ISI-_-IEEPERS, AVVAKE. SAGES OF SHEBA, THE {SPIRIT ALSO I-IELPETI-I US, THE (MOTET). TSTRONGHOLD SURE, A fTHERE IS NAUGHT OF SOUNDNESS IN ALL MY BODY. THOU GUIDE OF ISRAEL. WAILING, CRYING, MOURNING. WATCH YE, PRAY YE. WHENWILLGOD RECALL MYSPIRIT. J. BARNBY. TREBEKAH. M. BARTON. MASS, IN A (UNACCOMPANIED). BEETHOVEN. PARTS I—2. ‘I-CHORAL FANTASIA (OP. 80). ENGEDI (OP. 85). IMASS, IN C (LATIN WORDS) (OP. 86). *MASS, IN C (OF. 86). TMOUNT OF OLIVES (OP. 85). The WILFRED BENDALL. I SONG DANCES (FEMALE VOICES). KAREL BENDL. WATER SPRITE'S REVENGE (FEMALE VOICES). G. BENNETT. E./ESTER HYMN (ON THE MORN OF EASTER AY). W. STERNDALE BENNETT. EXHIBITION ODE, 1862. + MAY QUEEN, THE 1‘ WOMAN OF SAMARIA, THE G. R. BETJEMANN. THE SONG OF THE WESTERN MEN HUGH BLAIR. HARVEST-TIDE. J. BRAHMS. + REQUIEM (OP. 45). ' SONG OF DESTINY, A (OP. 54). J. B. mm BREE. TST. CECILIA’S DAY. A. H. BREWER. O PRAISE THE LORD. SONG OF EDEN, A J. F. BRIDGE. HYMN TO THE CREATOR. +INCHCAPE ROCK, THE 1-LORD’S PRAYER, THE *’rROCK OF AGES. CARISSIMI. * JEPHTHAH. CHERUBINI. * REQUIEM MASS, IN C MINOR. THIRD MASS, IN A (CORONATION). FOURTH MASS, IN C. G. F. COBB, MY SOUL TRULY WAITETH M. COSTA. DREAM, THE F. H. COWEN. 1- HE GIVETH HIS BELOVED SLEEP. H. WALFORD DAVIES. JHERVE RIEL. ODE ON TIME. T. F. DUNHILL. ITUBAL CAIN. EDWARD ELGAR. TE DEUM AND BENEDICTUS, IN F. ROSALIND F. ELLICOTT. ELYSIUM. .ROBERT FRANZ. PRAISE YE THE LORD (019.19). NIELS W. GADE. I CHRISTMAS EVE (OR. 40). + ERL-KING’S DAUGHTER,THE (OI=.3o). ’rSPRING’S MESSAGE (OP. 35). 8d ZION (019.49). G. GARRETT. THARVE ST CANTATA. F. R. GERNSHEIM. SALAMIS (OP. 10) (Male Voices). HERMANN GOETZ. BY THE WATERS OF BABYLON (OP.I4). NCENIA (OP. Io). A. M. GOODHART. EARL HALDAN’S DAUGHTER. CH. GOUNOD. DAUGHTERS OF JERUSALEM (UNAC- COMPANIED). DE PROFUNDIS (LATIN WORDS). DITTO (ENGLISH WORDS). TFAUST (SELECTION, FOR CONCERT PERFORMANCE). *f GALLIA MEssE SOLENNELLE, S'I‘I£.CECILE.. (LATIN WORDS). PASSION. THE TREDEMPTION (PART 2). TREDEMPTION (PART 3). GRAUN. PASSION OF OUR LORD, THE (CHORUSES ONLY). ALAN GRAY. LEGEND OF THE ROCK-BUOY BELL.. J. O. GRIMM. SOUL’S ASPIRATION, THE E. V. HALL. 'l'IS IT NOTHING TO YOU. HANDEL. ACIS AND GALATEA. V. NOVELLO. 1‘ DITTO. EDITED BY J. BARNBY. CHANDOS TE DEUM. DETTINGEN TE DEUM. DIXIT DOMINUS. + ISRAEL IN EGYPT (POCKET EDITION). TILIUDAS MACCAB/EUS (DITTO). + ESSIAH (DITTO). *NISI DOMINUS. O COME, LET US SING. +0 PRAISE THE LORD. ODE ON ST. CECILIA’S DAY. PASSION OF CHRIST (ABRIDGED) UTRECHT JUBILATE. WAYS OF ZION, THE C. A. E. HARRISS. SANDS OF DEE, THE J. HARRISON. CHRISTMAS CANTATA. 1' HARVEST CANTATA. HAYDN. 1-CREATION, THE (POCKET EDITION). *FIRST MASS, IN B FLAT. FIRST MASS, IN B FLAT (LATIN). SECOND MASS, IN C (LATIN). THIRD MASS (IMPERIAL). (LATIN.) * THIRD MASS (IMPERIAL). * TE DEUM. SEASONS, THE, FROM : 1-SPRING. SUMMER. AUTUMN. WINTER. EDWARD HECHT. 8d. EDITED BY 0 MAY I JOIN T-IE CHOIR INVISIBLE. H. M. HIGGS. ERL KING, THE F. HILLER. ALL THEY THAT TRUST (OP. 60). 8d. -I SONG OF VICTORY, A (OF. 151). Works mm/ked * have Latin and English Words. . Those marked thus + may be had in the Tonic Sol-fa N0t£lt101t. LONDON: NOVELLO AND COMPANY, LIMITED. ORATORIOS, CANTATAS, MASSES, &c.._co.mm...z. PRICE ONE SHILLING EACH. H. HOFMANN. SONG OF THE NORNS (OP. 2:) (FEMALE VOICES). HUMMEL. ’FIRST MASS, IN B FLAT (OP. 77). SECOND MASS, IN E FLAT (OP. 80). [THIRD MASS, IN D (OP.I11). H. H. HUSS. ,‘3"AVE MARIA (OP. 4) (FEMALE VOICES). A.JENSEN. HFEAST OF ADONIS, THE E. H. LEMARE. .°TIS THE SPRING OF SOULS TO-DAY. LEONARDO LEO. DIXIT DOMINUS. C. HARFORD LLOYD. /O GIVE THANKS UNTO THE LORD. [SONG OF BALDER, THE HAMISH MACCUNN. ‘PLORD ULLIN’S DAUGHTER. 1-WRECK OF THE HESPERUS, THE G. A. MAC FARREN. '“3'MAY DAY. OUTWARD BOUND. A. C. MACKENZIE. -IBRIDE, THE MENDELSSOHN. ‘HAS THE HART PANTS (OP. 42). IATHALIE (OP. 74). *AVE MARIA (SAVIOUR OF SINNERS). (OF. 23). I CHRISTUS (OP. 97). ICOME, LET US SING (OP. 46). IELIJAH (OP. 7o) (POCKET EDITION). FESTGESANG (HYMNS OF PRAISE) (MALE VOICES). 13- DITTO (ARRANGED FOR S.A.T.B.). H-IEAR MY PRAYER. H-IYMN OF PRAISE (LOBGESANG) (OP. 52). -?r* LAUDA SION (OP. 93). TLORD, HOW LONG (OP. 96). TLORELEY (OP. 98). MAN IS MORTAL (OF. 23 No. 3). TMIDSUMMER NIGHT’S DREAM (OP. 61). -3”‘ MOTETS, THREE (OP. 39) (FEMALE VOICES). *NOT UNTO US (OP. 31). SING TO THE LORD (OP. 91). 8d. IST. PAUL (OP. 36) (POCKET EDITION). +TO THE SONS OF ART (OP. 68)(MALE VOICES). TWALPURGIS NIGHT, THE FIRST (OP. 60). ‘WVHEN ISRAEL OUT OF EGYPT CAME (OP. 51). MEYERBEER. g1S'r PSALM (LATIN WORDS). 9IST PSALM (ENGLISH WORDS). MOZART. *FIRST MASS. KING THAMOS. REQUIEM MASS (LATIN). *‘+REQUIEM MASS. SEVENTH MASS (LATIN). TWELFTH MASS (LATIN). "‘ ITWELFTH MASS. E.MUNDELLA VICTORY OF SONG (FEMALE VOICES). STAFFORD NORTH. TIN THE MORNING. H. W. PARKER. KOBOLDS, THE C. H. H. PARRY. +BLEST PAIR OF SIRENS. GLORIES OF OUR BLOOD AND STATE, THE TE DEUM LAUDAMUS (CORONATION, 1911 . PERGOLESI. I STABAT MATER (FEMALE VOICES). C. PINSUTI. PHANTOMS. I JOHN POINTER. +SONG OF HAROLD HARFAGER, THE (MALE VOICES). E. PROUT. FREEDOM. +HUNDREDTH PSALM, THE PURCELL. TE DEUM AND JUBILATE, IN D. +TE DEUM, IN D. EDITED BY J. F. BRIDGE. TE DEUM, IN D (LATIN). ROMBERG. HARMONY OF THE SPHERES, THE (OP. 45). ’rLAY OF THE BELL, THE (OP. 25). TTRANSIENT AND THE ETERNAL, THE (OP. 42). ROSSINI. 1 *1 STABAT MATER. ED. SACHS. KING CUPS. WATER LILIES. SCHUBERT. MASS, IN A FLAT. MASS, IN B FLAT (OP. 141). MASS, IN C (OP. 48). TMASS, IN F. MASS, IN G. ISONG OF MIRIAM (OP.136). ‘ TSONG OF THE SPIRITS OVER THE WATERS (OP. 167) (MALE VOICES). SCHUMANN. ADVENT HYMN, H IN LOWLY GUISE.” (OP. 71). _ KING’S SON, THE (OP. I16). MANFRED (OP. 115). MIGNON’S REQUIEM (OP. 9813). 1 TNEW YEAR'S SONG (OF. 144) PILGRIMAGE OF THE ROSE,'THE (OP. 112). SONG OF THE NIGHT (OP. 108). 9d. H. SCHUTZ. , PASSION OF OUR LORD, THE K B. LUARD-SELBY. I DYING SWAN, THE E. SILAS. MAGNIFICAT IN D (LATIN). MASS, IN C. H. SMART. SING TO THE LORD. ALICE MARY SMITH. ODE TO THE NORTH-EAST WIND. RED KING,THE (MEN’S VOICES). TSONG OF THE LITTLE BAL- TUNG, THE (MEN’S VOICES). SPOHR, CHRISTIAN'S PRAYER, THE ’rGOD, THOU ART GREAT (OP. 98). HYMN TO ST. CECILIA (OP. 97). +LAsT JUDGMENT, THE D. STEPHEN. +LAIRD O’COCKPEN, THE S. STOCKER. SONG OF THE FATES. S. STOJOWSKI. SPRINGTIME (OP. 7). A. SULLIVAN. EXHIBITION ODE. IFESTIVAL TE DEUM. 1‘ TE DEUM (THANKSGIVING FORVICTORY). P. TCHAIKOVSKY. ’rNATURE AND LOVE (FEMALE VOICES). A. GORING THOMAS. ’rSUN WORSHIPPERS, THE E. H. THORNE. BE MERCIFUL UNTO ‘ME. B. TOURS. FESTIVAL ODE, A ERNEST WALKER. HYMN TO DIONYSUS, A ODE TO A NIGHTINGALE. C. M. VON WEBER. JUBILEE CANTATA. * MASS, IN E FLAT. * MASS, IN G. PRECIOSA. THREE SEASONS. S. WESLEY. DIXIT DOMINUS. S. S. WESLEY. OLORD, THOU ART MY GOD. 1-WILDERNESS, THE 6d. JOHN E. WEST. LORD, I HAVE LOVED THE HABL TATION OF THY HOUSE. SONG OF ZION, A C. LEE WILLIAMS. +FESTIVAL HYMN, A 8d. C. WOOD. ODE TO THE WEST WIND. F. C. WOODS. +GREYPORT LEGEND,A (MALE VOICES). The Works mcLrked',* have Latin and English Words. . Those marked thus I may be had in the Tonic Sol-fa Notatzon. LONDON: NOVELLO AND COMPANY, LIMITED. NOVELLOS ORIGINAL OCTAVO EDITION OF OPERAS EDITED BY NATALIA MACFARREN and BERTHOLD TOURS. AUBER. FRA DIAVOLO. French and Eng. MASANIELLO. French and Eng. . BEETHOVEN. FIDELIO. Ger. and Eng. Ditto. Choruses only Ditto. Finale, Act II. BELLINI. NORMA. Ital. and Eng. I PURITANI. Ital. and Eng. SONNAMBULA. Ital. and Eng. F. H. COWEN. THORGRIM DONIZETTI. LA FIGLIA DEL REGGIMENTO. Ital. and Eng. . LUCIA DI LAMMERMOOR. Ital. and Eng. -oo Paper Clo cover. gi s. d. s. 3 3 65 65 LUCREZIA BORGIA. Ital. and Eng. 3 FLOTOW. MARTHA. Ger. and Eng. GLUCK. IPHIGENIA IN AULIS. and Eng. IPHIGENIA IN TAURIS. French and Eng. ORPHEUS. Ital. and Eng. Ditto. Choruses only (Sol-fa) Ditto. Act II. . Ditto. ditto. Choruses only (Sol-fa) GOUNOD. FAUST (A Selection in Cantata form) Ditto. ditto. (Sol-fa) ' A. C. MACKENZIE. COLOMBA .. Ditto. German Worde THE TROUBADOUR L. MANCINELLI. HERO AND LEANDER. Ital. and J. MASSENET. MANON. English words MENDELSSOHN. LORELEY (Sol-fa, 6d.) THE SON AND STRANGE MEYERBEER. L’ETOILE DU NORD. Ital.and Eng. French oo- \ :11, d o o MOZART. COSI FAN TUTTE. Ital. and Eng. DON GIOVANNI. Ital. and Eng. LE NOZZE DI FIGARO. Ital. an IL SERAGLIO. Ger. and Eng. DIE ZAUBERFLCETE. Ger.and Eng. PURCELL. DIDO AND ENEAS... DIOCLESIAN (THE MASQUE) KING ARTHUR ROSSINI. IL BARBIERE. Ital. and Eng. GUILLAUME TELL. French and Eng. . SCHUMANN. GENOVEVA. Ger. and Eng. R. SOMERVILLE. THE ’PRENTICE PILLAR... VERDI. ERNANI. Ital. and Eng. RIGOLETTO. Ital. and Eng. LA TRAVIATA. Ital. and Eng. IL TROVATORE. Ital. and Eng. Ditto. Choruses only (Sol—fa) WAGNER. THE FLYING DUTCHMAN. Ger. and Eng. Ditto. Choruses only Ditto. Act III. LOHENGRIN. Ger. and Eng. Ditto. Act I. Ditto. Act III. Ditto. ditto. Chorus only (Sol-fa: TANNHEUSER. Ger. and Eng. .. Ditto. Act II. . Ditto. Act III. Ditto. Choruses only (Sol—fa) TRISTAN AND ISOLDE. Ger. 01/ H WEBER. DER FREISCHUTZ. Ger. and Eng. Ditto. Choruses only . EURYANTHE. Ger. and Eng. OBERON. Ital. and Eng. PRECIOSA. (In Cantata form). and Eng. D Ditto. not on- w >-<Htot»>—m—«»-«cu»-«loco O1 OC7\OO10®O‘xO\O‘\O<3\ on Ger. Choruses only . (To be coiztinued.) LONDON: NOVELLO AND COMPANY, LIMITED. - 'STABAT MATER. ,..éRE UIEM MASS. COMPOSITIONS BY ANTONIN DVORAK. ORATORIOS, CANTATAS, &c. SAINT LUDMILA. (Op. 71.) An Oratorio. For Soli, - Chorus,and Orchestra. Written by JARosLAv VRCHLICl('1. English Version by the Rev. J. TROUTBECK, D.D. Vocal Score paper cover Ditto paper boards Ditto cloth Vocal Parts .. each Vocal Score, German and Bohemian Words Vocal Parts ' Full Score. String Parts Wind Parts Book of Words, with Analytical Notes by J. Bennett (perioo) _ ~ . - Ditto, without Analysis (per loo) 4 PATRIOTIC HYMN. (Op. 30.) A Cantata. From the Bohemian Poem “The Heirs of the White Mountain." Written by V. HALEK. English Words by the Rev. J. TROUTBECK, D.D. Vocal Score, English Words Ditto German and Bohemian Word Full Score. English, German, and Bohemian Words String Parts - "Wind Parts Book of VVords, with Analytical Notes by J. Bennett (per 100) . . .. . ‘THE SPECTRE'S BRIDE. Written by K. J. ERBEN. TROUTBECK, D.D. Voc..1 Score Ditto tto each English, German, and Bohemian Words (Op. 69.) A Dramatic Cantata. English Words by the Rev. J. paper cover paper boards Ditto cloth Ditto Ditto Vocal Parts.‘ Ditto Full Score. String Parts Wind Parts Tonic Sol-fa German and Bohemian Words English Words . German Words English, German, and Bohemian Words . each (per 100) _ Ditto, without Analysts (per I00) (Op. 58.) For Soli, Chorus, and Orchestra. ‘ Vocal Score Ditto Ditto Ditto. Tonic Sol-—fau.x-a Vocal Parts Full Score .. Orchestral Parts, complete . paper cover paper boards . . cloth ‘ .. each 6 63 . 17 , 30 Book of Words, with Analytical Notes by J. Bennett 50 .I III III II. 3 Book of VVords, with Analytical Notes by Joseph Bennett (per ioo) . AT THE FOOT OF THE CROSS (“Stabat Mater," Op. 58). ., '_ﬂ;he English adaptation by Fred. J. W. Crowe; the accom- -péI,n_iments_ arranged for the Organ by H. Elliot Button. , .r ""'Vocal-ttS_core» . ’, _D' -2 paper boards Ditto cloth ‘ Ditto. .7I‘onic Sol-fa _ .- _ ; Vocal ‘Parts each ' Book of Words (per 100) .. ASS IN D. (Op. 86.) For Solo Voices (or small Chorus), I " Chorus, and Orchestra. The English Adaptation by the ‘ ’13ev.J.T1_2oUTBEci<, D.D. Vocalscore Ditto (Communion Service) ,_FullScore, MS. (Op. 89.) For Soli, Chorus, and ‘ rchestra. Vocal Score paper cover Ditto paper boards cloth . each Ditto Vocal Parts Full Score .. Orchestral Parts, MS. ». Book of Words, with Analytical Notes by J. Bennett ‘(per Ioo) ... Ditto, without Analysis (per I00) ORCHESTRA. SYMPHONY IN G. (No.4, Op. 88.) Full Score ' String Parts Wind Parts ... 30 ... I0 .. 22 O OOOOOOChOO- O O\O\OOOOC\O<mO O O O PIANOFORTE SOLO. POETISCI-IE STIMMUNGSBILDER. (Op. 85.) In Three Books BOOK I. Nachtlicher Vl/eg (Twilight way). Tandelei (Toying). Auf der alten Burg (In the old castle). Frtihlingxied (Spring song). _BOOl( II. Bauernballade (Peasant’s ballad). Klagendes Gedenken (Sorrowful Reverie). Ein Tanz (A dance). Koboldstanz (Goblins’ dance). Serenade (Serenade). Book III. Bachariale (Bachanalian). Plauderei (Tittle-Tattle). Am Heldengrabe (At the Hero's grave). Am heiligen Berg (On the Holy mount). PIANOFORTE DUET. SYMPHONY in G (No. 4) VIOLIN AND PIANOFORTE. ALLEGRETTO GRAZIOSO, from Symphony in G (No. 4). Arranged by S. COLERIDGE-TAYLOR ORGAN. ARRANGEMENTS BY G. C. MARTIN. , A Selection of Movemeits from “ St. Ludmila" . No. 1. Air, “ I long with childlike longing." 2. Chorus, “The gods are ever near." 3. Air, “ 0 grant me in the dust to fall.” 4. Air, “Thy leading would I had not followed.‘ 5. Prelude and Chorus, “ Mighty Lord." ~ EIA MATER, from “ Stabat Mater" SONGS. ALBUM OF SIXTEEN SONGS (English and German Words) Go forth, my song, delay not (Ihr Lieder soll’t ertonen). ‘Twas wondrous sweet that dream of ours (Es war der allerschonste Traum). . Nought to my heart can bring relief (Mein Herz ist traurig). _ . Rest in the valley (Ruhe im Tha1e).- v The Orphan Child (Das Waisenkind). The Nosegay (Das Stréiusschen). The Rose (Die Rose). The Cuckoo (Der Kukuk). The Lark (Die Lerche). The Forsaken (Die Verlassene). The Strawberries (Die Erdbeeren). Visions of heaven I fondly paint (Als icli so in den Himmel sah). . ' This I would ask each tiny bird (Ihr winzig kleinen Vogelein). ' Like to a linden tree am I (Ich gleiche einem Linden- aum). , . All ye that labour, come to Me (Ihr Alle, die bedriickt Ihr seid). ’ All through the night a bird will sing (s’ Vogelein singt die Nacht hindurch). EIGHT LOVE SONGS. (Op. 83,.) English, German, and Bohemian Words .. INFLAMMATUS ET ACCENSUS"(“St.abat M-ater’.‘) SERVICES, ‘ANTHEMS, &c. OFFICE FOR THE HOLY COMMUNION in D AT THY FEET IN ADORATION (’I‘.T.B.B.) BLESSED JESU, FOUNT OF MERCY. (Tonic Sol-fa, 3d.) BY THY GLORIOUS DEATH AND PASSION HOLY GHOST, TO EARTH DESCENDING. (“ St Ludmila") BLOSSOMS BORN OF TEEMING SPRINGTIME (“ St. Ludrnila._”) (Tonic Sol-fa, 2d.) NOW ALL GIVES WAY TOGETHER. (“ St. Ludmila.”) (Tonic Sol-fa, 2d.) , Full Score . String Parts Wind Parts FAC ME VERE TECUM FLERE ('r.'r.i3.i3.). (“Stabat Mater”) 5. THOU wiio A'i£r Eon ‘EVER. BLESSED (‘7's:abI-ii‘ Mater’ ) . .u _u. LONDON: NOVELLO AND COMPANY, LIMITED. ' NEW YORK: THE H. W. GRAY CO., SOLE AGENTS FOR THE U.S..A. cl. ‘ ' price each book 3 o
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Title: Das Meer Hat Seine Perlen
Date: n.d.
Text: Z1/.”1z}2/A /M /‘7-”.3%?l??ﬁ 0&2)"/CA TE D 7- 0 M6? ,4/25.//7///V07 FE/A 05/v. . . . S.’UN.G’ BY. . . M 3.3 E3 8 8:9 9 D . c“‘*"°‘“33’C—““’7 1. AHATH ITSPEARZSJ Words by I E-. [ W @ ~>> __J 111 Y5“a/7z.9Zatea7/ Z git fﬁiﬁ .§Ium§2:I1;an, REIHUSIEQ JBY_ JE VALER E Wlﬂlh 4772/é. Jzu.¢%/ZZ. ﬂzbg 4/: L on cl 0 n, STANLEY LUCAS‘WEBER & C9 3%,]!/é14/ﬁ’o‘72cZ J'z’7Aeez% 3% (525, ﬂ/v67”aZ.J‘Z7‘eet.7V’ MUSIC LIIRAIY _ vAssAn COLLEGE @538 8113813 Uléﬂ‘ $3l3U[I][3%lPEBE.E3[I...
Show moreZ1/.”1z}2/A /M /‘7-”.3%?l??ﬁ 0&2)"/CA TE D 7- 0 M6? ,4/25.//7///V07 FE/A 05/v. . . . S.’UN.G’ BY. . . M 3.3 E3 8 8:9 9 D . c“‘*"°‘“33’C—““’7 1. AHATH ITSPEARZSJ Words by I E-. [ W @ ~>> __J 111 Y5“a/7z.9Zatea7/ Z git fﬁiﬁ .§Ium§2:I1;an, REIHUSIEQ JBY_ JE VALER E Wlﬂlh 4772/é. Jzu.¢%/ZZ. ﬂzbg 4/: L on cl 0 n, STANLEY LUCAS‘WEBER & C9 3%,]!/é14/ﬁ’o‘72cZ J'z’7Aeez% 3% (525, ﬂ/v67”aZ.J‘Z7‘eet.7V’ MUSIC LIIRAIY _ vAssAn COLLEGE @538 8113813 Uléﬂ‘ $3l3U[I][3%lPEBE.E3[I]o THE SEA HATH 11's PEARLS. MAUDE VALERIE WHITE}. Allegro animate . giojoso. Das% Meer hat sei _ _ne Per _ _ _ Ien, Der The sea . . . . . . . . hath its pearls, . . . . . . . . . . . . The s L.w.14s+. poco rall. Him- me] sei_ _ne Ster _ _ _ ne, er mein Herz mein Herz,.... Mein hea ven hath its stars . . . . . . . . . . ... But my heart my heart“... My a tempo . ‘If — Herz hat sei - ne Lie - -be. Das Meer hat sei _ _ ne Per - -1en, Der heart hath its love. . . . . .. The sea hath its pparls,...... The H'1m.-me] sei-_ne _ . _ _ ne, A_beI'n1ein Herz,... Mein heat _ ven hath its stars,...... . . . . ............. But my_ heart“... My amoroso. anima Herz hat sei _. ne Lie _' - - be. Gross ist das Meer und der Him _ _ mel,Doch heart hath its love . . . . Great are the sea and the hea - _ ven, Yet 3 L.W .1464-. grbsser ist mein Herz, . . . . ..Und schiiner als Perlen und g-reater is my heart, . . . . . .. And fair_er than pearls and giojoso. Leuchtet und strahlt me'1_neL Flash _ es and beams my con brio. S |__,.W .1464-.. carremando. Méid mai _ chen, _ deny klei _ _ nes jun _ - ges lit .. - tle youth .. _ ful Herz und das Meer heart, and the Dian My Herz,......... heart,......... sea, G/ﬂ’lzO1”0S’() . he! love!.............. lau _ _ ter Lie" for gehn vor- Inelt _ ing a _ _ way Mid - xn ai Komm an Come _ chen, d911, mein g 1'0 _ to my _ _ - I111- __ great 1’ Komm an Come un mein gro _ _ sses to my great ravviv Du klei _ _ nes Thou lit -b _ _ no jun _ _ ges youth _ _ ful Mein My He1*z,........V.. heart,.......... ._ SSBS und das Meet‘ und der Him _ _ me] LVe1"_ gehn I‘ lau _ _ter and the sea and the hea _ _ _ve'n , Are melt _ ing a -Way for a tempo. u antmato . Lie _ _ _ be! as Meer hat sei .113 Per _ _ ]en_,Der Himmel se'1_ ne love! . . . . . .... The sea hath its pear1s,........ The hea-ven hath its . f A giojoso. Ster - _ - ne, Aber mein Herz, mein Mein Herz hat :S'ei__ne stars,............ But my heart, my ' heart... hath its 3 L.W .14-64 . WORDS 3! gym; 3y Mn. SANTLIY. ABSENT YET PRESENT. L030 Lm°N- V MISS JESSICA 0’B1uEN. 139- 130- Do‘ MISS HELEN D’AL'roN. Do_ 330, Do. MISS HELEN Aamu. A-Va MARIA (with organ) Latin Words. MR. SAN'l'l.EY. no. (with Piano) No.1 Do Do_ Do_ No_ 2 _ _ _. __ Do, Mrss ]EssicA 0’BmEN. MISS SANTLEY and- 0EAN'.l'EZ,‘0HAN'1'EZ JEUNE msrmﬁn, No. 1.. Vicrok Huco. MISS Ronmm Do, No. 2. . Do. ms. MEEE HAT SEINE PERLEN, No. 1 .. H. Hmm. (The Sea hath its Pearls). H. "FA;frIfé:t§<:E1L>zOw_ Do. Do. Do. No. 2 Do. G Mns. Osooon. V MR. T!-IEO. MARZIALS. MISS SANTLEY and MISS WAKEFIELD. ‘%T1%.ii»% .. 9 ESPOIR EN DIEU, No. 1 Vzcroa Hvoo. Bﬂat if El Do. No. 2 .. .. 130- D ﬂat MR. THEO. MARZIALS. .1 7 I ES WAR EIN K6NIG IN 'I.'HULE.. From GoETHE’s Faust. D minor (Therepwas a King of Thule.) HEUREUX QUI PEUT AIMER VICTOR HUGO. D ﬂat Translated from the " Persian by Iclﬂf ' F. BODENSTEDT. ( ee. 7 ‘ea’ 5 5 mnge 3 ' English Version by E. D’EsTERRE. I PRITHEE SEND ME BACK MY HEART ‘ .. SIR JOHN SUCKLING. (Orchestral accompaniment to this song can be had on hire). I613-I64: LOVING AND TRUE No. 1. .. .. .. .. Do. Do. No. 2. .. .. .. .. MR. G. HENSCHEL. Mn. SA.N'rLE\c. ml’ MR. SANTLEY. Ni Mas. Oscoon. MISS CLARA SAMUELL. Woe ‘mil MONTROSE'S A LOVE SONG (Original Edition) MARQUIS or MONTROSE MR. -SANTLEY. (1612-1650). D0. D0. (Simpliﬁed Accompaniment) Do_ Do. ml MY AIN KIND DEARIE, oz (Original Edition) ROBERT B.,RNs_ M... wm'..,m, D0. D0. (Simpliﬁed Accompaniment) Do‘ and i C MISS MARY DAVIES. T0 BI-OSSOMS N0. 1. .. ROBERT Hmuucx, 2 (1591-1674)) Do. No. 2. .. C minor Q. B ﬂat min” MR. SANTLEY. mg; Do. MISS J. O’B1uEN. f?“ Iii? T0 DAFFODILS . . . F minor To . . I . C Q C I C #114‘ ‘ if Miss WAKEFIELD. ‘ii .111 To Music, To BEGALM ms FEVER .. WHEN DELIA ON THE PLAIN APPEARS Lom) Ly'1'n3:L'rnN, (I709-I773). Do. Do. Do. Do. MR. EDWARD LLOYD. Iii . as urn MR. Enwmm LLOYD. «ii 0 Do. is l . ZWEI LIEDER, set 1 :— .. .. H.HExN1r. No. 1. Liebe (Baritone or Contralto). . No. 2. Im wunderschonen Monat Mai N0. 1. Liebe (Tenor or Mezzo—Soprano) F minor No. 2. Im wunderschiinen Monat Mai ’ F major ZWEI LIEDER, Set 2 :— « No. 1. Ein Jiingling liebt ein Maldchen F minor ill I i C sharp minor in V Miss SANTLEY. U E major °.. °.@“>. *s*4“EIfw%u~..s. Mn. SANTLEY. l I } ran. AEY L ii: .2 0 1‘: Ml. AND 325 OXFORD STREET. N o. 2. Aus meinen Thrialnen spriessen D major
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Title: Onaway Awake Beloved
Date: 1892
Text: D J / \ ‘ X 1:: FRED LFICEOWEN. EYES So WISTFUL ......................................... .35 ‘MEz.SoP. IN F. TH E SEA HATH ITS PEARLS ....................... .60 SOP. ORTENJN Cf"\.IN.&/"\Au. MY LADY SLEEPS (SERENADE) ............. .50 Tl-:NoR IN F STAY Ar HOME ......................................................... .40 /"\:z.SoP.oRTz=_NomN E. LOVEM/HATWllITHoU WITH THIS HEART.....5o Sop. oRTz-:N.I N BbM|N. THE LIG-HTOF STARS. ............................................ ...
Show moreD J / \ ‘ X 1:: FRED LFICEOWEN. EYES So WISTFUL ......................................... .35 ‘MEz.SoP. IN F. TH E SEA HATH ITS PEARLS ....................... .60 SOP. ORTENJN Cf"\.IN.&/"\Au. MY LADY SLEEPS (SERENADE) ............. .50 Tl-:NoR IN F STAY Ar HOME ......................................................... .40 /"\:z.SoP.oRTz=_NomN E. LOVEM/HATWllITHoU WITH THIS HEART.....5o Sop. oRTz-:N.I N BbM|N. THE LIG-HTOF STARS. ............................................ .‘ 60 CONTRALTO m C. has NOTALWAYS MAY ....................................... .50 f 8uNoowN ___________________________________________________________________ A 35 SoP.onTEN.|N Ab. /"\:-:z.SoI>.oRTaN.mA" ONAwAY~AwAKE BELoVED..( from Hiawatha) 75 TENOR IN EM1N.&MAa. \ ‘Q 13:‘ B O STD N . Euuyriglﬁt T"fDECCXC|l OLIVER D-IT’ ON c”bMPANY. N.YnrI-1. Ghicaqn. Philﬂ E n STU n. ' £7.13? .U/rs:/7 A A75. £947/7 6. ./YE:/4. L/'0‘/7\/'7 5.1751//755 4 £75. .1’. Eﬂ//50/7 A ['51. MUSIC uarmnv VASSAR COLLEGE ONAWAY_ AWAKE BELOVED! from“Hiawatha’.’ TENORH1 E MINOR and MAJOR. . H. COWEN. P000 allegretto. non legato I’ . o 0 Time sole right of publication in the United States is held by the publishers. Longfellow Songs Cowen. Copyrigiht MDCCCXCII by Oliver Ditson Company. 36—_55611-10 I’ Thou the wild f1oW’r of e prai _ rie! thou on ‘_ 1y lock .. est at me, 36~55611-10 *«s:a. en they feel ................ .. [the dew up _ 011 /"‘—>—-—1T {Q}; not all the blood with._-in ngf se mpre agitato As the spring to . e sun _ shine 36-55611-10 iii -f In the moon when nig*htsT are b1'ight_est, On ‘-36 3 6:556ll,-.10 art not pleased, 36-55611-10. 7 {‘_-~--:_\ dmk _ ens, , the clouds ____________________ H sha. thou smil _ est, my be_10v _ ed, Then y troub _ led . is bright-en’d As sun - shine 36-55611-10 poo-o Mt. cold _______________________ __ Wind makes e cloud _ less f smil ._{ ing ~316- 3 6-55611-10‘ blood With- in me mf As e spring , e sun» shine, In the, moon when. nights are bright__est? 36-55 611-,10 mj’ sempre agitato As the springs 36-55611-10 In the moon when nights are bright-est? 36-55611-J0 Ghoice Songs for lowvoicest INFINITE TENDERNESS. 'l'.H.Howe. Price35 cts. Andante . Oh love- - ly, star _ _ lit sum- - mer night; Thy" tran- - quil beau - - ty charm- - ing' sight; Copyright MDCCCLXXXIX by Oliver Ditsun Compuny. BLOSSOM TIME. K;0.Heyer.Priee 35cts. Allegretto. C L) ‘.2 What ﬁipes the mer _ery rob- in To you _ _ der g*1isten§ing- blue? ................. .. What sings thebrookof sil -ver ....... ..... Copyriélnt j(DCC UXCI by Oliver Ditsun Company. FOB. MORE. R.Coverley. Price mots. Andante. \.» 'VVhen other hands are clasp’d in thine And oth- er eyes shall smile on thee, ‘When oth-er hearts shallseek shrine Z-'*'§ 4._:.j?_ {_._::_—§ Copyright MDCCCXCI by 01 iver Ditsun Company. CONSTANCY. C. F.Webber. Price 35 cts. H M olto sostenuto. It ' sorne _ thingsweet when the world goes ill, To‘ know you are faith- ful and love me still; W r= 1* Copyright MDCCCXCI 11)’ Oliver Ditlon Company, V LOVE’S EVER AT LOVE’s SIDE. J.T.Draper. Price socts. Moderate. Love,yousarein the hills, And I am by the sea,;l But ah, I knowmy loved one thrills With touch of love and me! ...... .. .’ ;. copy.-ignn MDCCCXC toy Oliver nnsm Company. Mailed to any address post—paid on receipt of marked price. Boston,01ivex-Ditson Company.
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Title: Beware
Date: 1902
Text: E.L.A HFORD FDUR sums ROS “/LOVE; 60A BLO , HOU wxxmza WIND as wmsm LOVE IS DONE .. BEWARE 6 WULSC R IO 00. INDIA us, NA. BEWARE. To .7117: Justin T/eatc/aw". LONGFELLOW. , « E. L. ASHFORD. I know .a maid- en fair to Allegrett 0. Take care! be — ware! ‘ She can both false and friend-ly Am'm¢i2fo ‘A be, Take care! be — ware! Trust._—___._. — — ing ‘the9!.._ she is fool - ing .bL. . (70/)y.rI’gIzt 1.902 by Wulsclmer Music Co. Pm lento She has two eyes, so soft and can cmima brown,...
Show moreE.L.A HFORD FDUR sums ROS “/LOVE; 60A BLO , HOU wxxmza WIND as wmsm LOVE IS DONE .. BEWARE 6 WULSC R IO 00. INDIA us, NA. BEWARE. To .7117: Justin T/eatc/aw". LONGFELLOW. , « E. L. ASHFORD. I know .a maid- en fair to Allegrett 0. Take care! be — ware! ‘ She can both false and friend-ly Am'm¢i2fo ‘A be, Take care! be — ware! Trust._—___._. — — ing ‘the9!.._ she is fool - ing .bL. . (70/)y.rI’gIzt 1.902 by Wulsclmer Music Co. Pm lento She has two eyes, so soft and can cmima brown, Take care! Take care! Shegives a side-glanceandlooks down, 0 be- ->Ié°S3eb. -316 Con abandon ‘./—\ C7680. Ware! 0 be - Ware! ATrust her n0t,__she is foo] — ing Beware. 4 Gmzioso And she has hair of gold - en and she has_hair ofgold-en hue, And what she says, it is not cwcel. it is not true, it is not true, Strmgendo Szmg “"010. She gives thee, a gar-land fair, . Tis a fo0l’s cap for thee to Bewa1'e.4 f¢’“i’%’ Trust_. her not, shéis f00]- - — ing thee! cresc. 19000 thee! be - ware,__ be- slower ware,___ 0 trust__.. her not, 0 1ru.=t_._ hér not, ﬂwco (5 fool-ing she’s fool — ing thee! /3 Tempo I m if Beware. 4
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