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Title: Excelsior
Date: n.d.
Text: un .,_,. C-JV H/‘.7-ma c ,-K/<~\//J’ \ ZR‘) § “‘\\ \ -* \ \\ . \ y‘: L~\\ \—\x' xx :\ \ > \‘ \ aw as‘? PUBLCSHED BY OLIVER UITSON EC‘? 277,WA5H}NGTON ST c.C.CLAPP8« cr.» .1, E,GOULD. FlRTH,POND ac? JOHN CHURCH .15 JOHN OHAYNESSC9 ' P 1' 3- J/2»;/]7J7-/1: C1307; . 30.510 am». I EXGELSIUH. Words by LONGFELLOW. Written by MI SS LINDSAX. Allegro. 1st.Verse. The, 6th. “ A ” / shades of night were fall -- ing fast As throughan4A1pineVi11age travel - - ler by “(he faifh- ful...
Show moreun .,_,. C-JV H/‘.7-ma c ,-K/<~\//J’ \ ZR‘) § “‘\\ \ -* \ \\ . \ y‘: L~\\ \—\x' xx :\ \ > \‘ \ aw as‘? PUBLCSHED BY OLIVER UITSON EC‘? 277,WA5H}NGTON ST c.C.CLAPP8« cr.» .1, E,GOULD. FlRTH,POND ac? JOHN CHURCH .15 JOHN OHAYNESSC9 ' P 1' 3- J/2»;/]7J7-/1: C1307; . 30.510 am». I EXGELSIUH. Words by LONGFELLOW. Written by MI SS LINDSAX. Allegro. 1st.Verse. The, 6th. “ A ” / shades of night were fall -- ing fast As throughan4A1pineVi11age travel - - ler by “(he faifh- ful hound Half buried in the snowvvas passed, A youth who bore mid snow and ice found, Still grasp-- ng in hishan of ice with the strange - - cel- si-01'! with the stra.1'1ge - - cel - si-0 ! 2._Hi s b row 3.‘-‘-Try not sheath, head, cents that 30-- loud -ce1- si-01'! VV-?t S the Flash’d like a fau1ch7'mn'fr<>n1its “Dark10wr’sthete111pestoven A be - - neath said, eye old man. And like a silver clarion. rung, The. roar - - -i1'1g_t0rrentisdeep and Wide,» Ex- cel - si-or! Ex- cel- si-or! of that un - - known tongue, clarion voice re-plied, Con cspress. 4._“Oh! stay,” the maid -- en said, “and resit Thy Wea - - ry head up-on my .breasf;’> ~ ‘ tear stood ' his bright blue b eye, _Bnt he ‘ answered with sigh, Ex - cel - si - or! - 081- si-or! 5.—“B.e - - Ware t1'ee’s ‘withered . branch! aw -- ful av -- a - - - lanche.” the ,p_e.as-a_\,‘.g,£t’S M __ 4 _ night . ’e -10- ! PPP 11-e - plied far up the height, Ex -- eel - - si -- or! Andante ma 11ont‘r0pp0.L 7.—The1'e in the twi - light cold and ‘ grey, Life-less, but beautiful he And from the sky P mg 0011 spirito. voice fell like a f'all- ing star, EX-’ce1- si-H01‘! PP -ce1-- si-01'! -----si--01'!
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Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: 1917
Text: ~69 Roy F]. Kile. Price 60 ceﬁf. Hmos, HAYDEN at ELDREDGEJNC. PUBLISHERS, NEWYORK CITY. uunc unnnv VASSAR COLLEGI The Sea hath its Pearls The sea hath its pearls, The heav’n hath its stars-, But my heart, my heart My heart hath its love. Great are the sea and the heavh; Yet greater is my heart, And fairer then pearls and stars Flashes and beams my love. Thou little , youthful maiden, Come unto my great heart; My heart, and the sea, and the heav’n Are melting away with love! HENRY W....
Show more~69 Roy F]. Kile. Price 60 ceﬁf. Hmos, HAYDEN at ELDREDGEJNC. PUBLISHERS, NEWYORK CITY. uunc unnnv VASSAR COLLEGI The Sea hath its Pearls The sea hath its pearls, The heav’n hath its stars-, But my heart, my heart My heart hath its love. Great are the sea and the heavh; Yet greater is my heart, And fairer then pearls and stars Flashes and beams my love. Thou little , youthful maiden, Come unto my great heart; My heart, and the sea, and the heav’n Are melting away with love! HENRY W. LONGFELLOW Thé Sea hath its Pearls HENRY W. LONGFELLOW trans. from the German of HEINRICH HEINE Andante e quieto The sea hath its pearls, Copyright, 1917, by Hinds, Hayden & Eldredge, Inc. International Copyright Secured LE ROY M. RILE The heav’n hath its L’istesso tempo Great are the sea and the heav’n;_._____ great — er is.. my ‘ /./-\ And fair — er than pearls and stars F1ash- es and beams my molto rail. e dim. con tenerezza Thou 1it—t1e, youth—fu1 maid — en, Come un—to my great calla 12000 and the sea, and the -L accel. ing a —Way with love! #3 cresc. ed accel. T F; NEW SONGS YOU WILL ENJOY SINGING Norah, the Pride of Kildafe, By CH As, BURNHAM_ A 71 Irish xong that isfar above I/ze a'z/erage— esﬁecialbr in its musical setting. 10 Moderato. ,-.~. As charm-ing as Flo -ra, Is beauteous young Norah; The joy ‘of my heart and the Pride of Kil-dare; I ne'er would deceive her, For Z"" /“T‘_""'$ /‘—j"""'j-5 ’-‘I /- :1 Copyright, 1914, by Hume, NOBI.E & ELDREDGE. International Copyright Secured. . - , 7 - A ' 1 (H 52’ fit! 5 a" ' Garden Song, Words by MRS. EDMUND H. SEARS. Music by E. R. KROLGER, Op. 83, No. 1. g t%:‘I’:£’/ll./;‘(:‘ﬂ]:;,‘ﬁt‘;,l:‘é"0’:,“]Z ::.’n-3:): :1,- mf Allegretto vivo. 1 .\ M79 A lil - y in the gar-den Had a St:c1'et with the bee, A se-cret quaint and ten-der That they would not tell to me! .... .. But the /‘\ \ / . _ Copyright, 1914, by Hmns, Noam 6; Ennmmen. International Copyright Secured. A Southern Lullaby. By ROBERT HUNTINGTON TERRY. A omoz’z_'fu[ little so7zg—one you will moor tz'7/e of. Very slow. de hon-ey-suck-les climbin’ roun de do’, ' de mn- sic is a chim-in’ soft and low, An’ de twi-light skies is gleamin’, An’ de Copyright, 1915, by Hmns, NOBLE & ELDREDGE. International Copyright Secured. The Lord My Shepherd Is. By THEO. H. NORTHRUI’. /1 sow/ca’ Solo of comﬁelling z'1z[e7/est for medzom voice. Andante Religioso. The Lord my shepherd is, my ten-der, gracious guide, To past-ures green, He leads me, wa—ters still be- side. I shall not want, _ L___:___g Copyright, 1914, by Hmvs, NOBLE & ELDREIMSE. International Copyright Secured, ’Twixt Daylight and Dark, Words by FLORENCE PITT—HYKE. Music by E. R. KROEGER, Op. 83, No. 3. {‘4$:“?€’Zf:_7[n~::’:‘:"i”£0J(“” “«’1’9m'5‘ 10 _ jmf : I- *h'’. .:'‘I‘. 5 ' wr- -IAH a I- - = ‘ ' :' - _—z”._ It's the hour when the pur-ple shad-ows fall, Long, from the shin - ing I I j I = . l I _.:_ 1. 19 4 0 0 . I \_.JT Copyright. 1914, by HINDS, NOBLE 6:. ELDREDGE. International Copyright; Secured, . I Carried in stock and for sale by music dealers everywhere. Ask your dealer to show you the Hinds, Hayden & Eldredge, Inc... educational catalog. If interested in other I grades of piano music, Songs or Violin and Piano numbers, write for descriptive and thematic catalogs to Hinds. Hayden 8; Eldredge, |nc., Publishers, ll Union Sq. West, New York. I
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Title: Beware
Date: 1886
Text: MUSIC Lnammv VASSAR COLLEGE poucuxazvsnz. uzw vonu N‘? I. N92. N93. N94. N95. N96. N97. THE QUIET MOON UPON THE CLOUDS... 40.Cts. ONLY A ,, THE ,, MY SWETE SWETYNG ............................ ..25 ,, BEWARE ............................................. .I%,....25 ,, GO, HOLD WHITE ROSES ....................... .. 25 ., GOOD NIGHT ................................................. ..4O ,, J!) BOSTON: ARTHUR PSCHMIDT & C‘? 13 and 15 West Street. % Copy//ig/it /o°d’c2"/4//ﬁzz/’ﬂ Sc&...
Show moreMUSIC Lnammv VASSAR COLLEGE poucuxazvsnz. uzw vonu N‘? I. N92. N93. N94. N95. N96. N97. THE QUIET MOON UPON THE CLOUDS... 40.Cts. ONLY A ,, THE ,, MY SWETE SWETYNG ............................ ..25 ,, BEWARE ............................................. .I%,....25 ,, GO, HOLD WHITE ROSES ....................... .. 25 ., GOOD NIGHT ................................................. ..4O ,, J!) BOSTON: ARTHUR PSCHMIDT & C‘? 13 and 15 West Street. % Copy//ig/it /o°d’c2"/4//ﬁzz/’ﬂ Sc&272z‘([z‘ 45 C’? BEWARE! Trans. from the German by Music by H.W LONGFELLOW. , ARTHUR W. THAYER. Allegretto Vivace. > 1. know a maid-en 2. She__ has two eyes, so I 3. And_ she has hair of a 4. She gives thee a gar-land Pg.‘ L 1 [ill I MA A 0 H’ C I 7 V -‘I P care! She-o__gives a side — glzulce cure! And_What she says, it care! It_._ is a foo1’s cap for- {T I a‘ care! She__can both false and Copyright 1886 Arthur P. Schmidt Jr C0. A3 5.é,.C0_95-7 ' friend—1y be,_ Trust _her and looks down, Trust her is not true, Trust her thee to wear, Trust her f0olV— ing . ' fool - ing fool- ing . fool — ing fool — lug . fool — ing fool - ing . . i ' ‘ fool — ing -4:4 I . . o Be.— — ware! Be — — Ware! Be — — ware! Be — — Ware! :1 I87/{[10 AP S.‘5rCo.967 CATALOGUE OF NEW MUSIC- PUBLISHED BY ARTHUR P. SCHMIDT &CQ.13 and 15 West St. BOSTON. ‘Iv Vocal. Songs. A. .., E. I. Serenade . . . . . Mulevnkl, ‘I’. Love’s Simile . . . -—- Faded Roses. . . . . . . . . Adams, 6. R. The Bedouin Song (Bass) Apmdoc, W. I thought you loved me. —- Only a ‘Face at the Window (Con- tralto or Barit.) . . . . . . . B...;|l.W. Maysong . . . . . . Bach, l. 8. If thou thy heart butowest (Willst du dein Herz mir schenlren) Boon, F. In the Cathedral . . . . -—- Cradle Song . . . . . . . — Flowers of our Spring . . . . . —~ The Sunset Light. Barcarole . Bracken, F. l. Margery . . . . —— The Letter . . . . . . Brown, I). B. 3 Sacred Songs. No. 1. Ohthatthouhadst hearkened No.2. What are these which are arrayed. . . . . . . . . . No. 3. Therefore the Redeemed of theLord . . . . ._. . . Brown, l. L. Clear and Cool . . . . lllmlwlclx, G. W. The Miller’s Daughter — Op. 8. Three Love Songs. No. 1. Rose Guerdon. . No.2. Serenade . , . . . No. 3. Before the Daw . — Three little Songs. No.1. Request . . . . . No.2. Gay little Dandelion . . . No. 3. Thou art so like a Flower . Clrlllo, V. The murmuring Wind . -—- Oh than who drylst the mourners tears............ — Ah why my Love (Soprano or Tenor)........... Eevrlu, Ilrry. The old Abbey Bell. Song for Bass . . . . . . . . — Lullaby. Song for Soprano . — Despair. Song for Tenor Dans, Arlll. Six Sacred Songs. No. 1. Inspirer and 1-Iearer of Prayer (Contralto or Bass) . . . . . No. 2. My Shepherd will supply my Need (Sopr. or Ten. . . . . . 0.3. There is an Eye that never sleeps (Sopr. or Ten. . . . . No.4. In heavenly Love abiding (Sopr. or Ten.) . . . . . . . No.5. Come said Jesus (Sopr. or Ten.)........... No. 6. Now and afterward (Sopr. or Ten.z...... Dru, Ilene III. At Last . —AtRest — Ave Maria (Tenor or Soprano) — Beside the Summer ea (Mezzo Soprano or Contralto) . . . . . -— Bird was singing clear one day. Ballad........... —— It was a Knight of Aragon (Bari- tone or Bass . 0 heart my heart . . . . . . O Salutaris (Contralto) . . . . . Salve Regina No.2 (Mezzo Soprano) Up to her Chamber Window . . Whether the World go up or down Three Songs. No. 1. The Blackbird sings in the Hazslbush . . . . . . . . . No. 2. Where go you pretty Maggie No. 3. Somebody watches and waits foryou..,........ —— Edenland. Duet for Soprano and Tenor........... Dvorllt, A. Language of the Flowers . Emery, 3. A. Op. 19. Good Night. Alto Song......... — Op. 28. 2 Soprano Songs. evening Twilight — 0p.24. No. 2. Naebody . —— 011.36. Skating Song . . -—- Op. 22. Home Songs. No. 1. Where are the Eyes of the lovely one . . . . . . . . . No. 2. Sleep, Baby, sleep . . . . No. 3. Nae shoon to hide her ting tees —- Op.30. Two Alto Songs. No. 1. 0 Love, my Willie . . No.2. Little bud Dandelion . . . -— Op. 31. Spray leaps high on the jut- ting Crag for Soprano. C min. -— The same for Contralto. A min. . Feueudcn, W. II. My gentle Mary (Tenor or Soprano) . . . . . . . . Fools, Arthur. Go, lovely Bose . . . - W'hen Icicles hang by the Wall. LowVoice Ford, C. II. _No love for naught — Tit for Tat (Tenor) . . . Frank, J. W. Wait thou still. Edited by Gr.l'-Ienschel. . . . . . . . . Grndvlell, A. Ave Maria for Sopr. or Ten. llssclll, W. F. 5 Songs. No. 1. Unto Death . . . No. 2. Kyrie Eleison . . . No. 3. A Grreyport Legend No.4. The Bells of Lynn . . No.5. Under the Guns (Bass) learnt, Rlcllrd. Binding Sheaves Iuscllel, Guam. Come away, come away, Death. (The Clown’s Song from Shakespeare’: Twelfth Night) . — My Sweetheart . . . - To my Turtle Dove. Folks Song V — Bird in you Forest — Consolation ' ' ' — Spanish Serenade. For Sopr. or Ten. — The same f. Contralto or Barit. in D —— Three Songs from Kingsley’s Water- babies. No.1. The Brook sings: Clear and coo . . . . . . . . . . . No. 2. When all the World is young, La . . . . . . . . . . . No. 3. I once had a sweet little Doll, Dears........... lenses, 8. L Phantom Isle . . . . ﬂood, lhlen F. Four Songs. No. 1. Shepherdess No.8. A Disappointment No. 3. The Convert . . No.4. The Violet . . . . . . . flows. 1. ll. 4 Sacred Songs f. Contralto or Bass. No. 1. In heavenly Love abiding . No.2. He is thy Lord . . . . . No. 3. His Love is merlasting . No. 4. Glory to Thee. Evening Hymn — Four Songs with Violin or Violon- cello obligate. Op. 8. No. 1. A Day in the Woods . No.2. A Night in the Woods No. 3. The Cricket . . . . No.4. Summer Song . . . . . . hello, 8. ll. Art thou weary, art thou languid. Oﬁertory . . . . . . . — Jennle’s Wooin’. A Scotch Ballad — The Moorish Love Song . . —The Sunbeam . . . . . . . . Johns, clayton. Farewell oh dream of m e . . . . . . . . . . . . Kennedy, Welter. Whether my heart be gladorno......... Knox, J. B. Absence. Romanna. . . —— Bugle Song with Cornet ad lib. -—- The merry Lark was up and singing Kolcllll, 1'. Dance on the Green . . . —Forsaken . . . . . . . . . . —- Heart Sorrow — Peasants Love . . . . . . . . Lsmn, E. Songs. Adapted and edited by L. C. Elsan. . 1. I wander ’mid the Flowers (Soprano) . . . . . .1bis. The same (Contralto). . .2. It was a Dream (Contralto). .2bis. The same (Soprano) . , . .3. My Heart is like the sable Night (Contralto) . . . . 4. Whither ohBird so fast P (So- prano)........ . 5. With thy blueEyes(Contralto) .5bis. The same (Soprano) . .6. Past! (Contralto) . . . No No No No No No.3bis. The same (Soprano) . . No No No No No. 7. At Night (Mezzo Soprano) . No.8. Moonlight (Mezzo Soprano) No.9. Farewell (Mezzo Soprano) . No.10. Serenade (Soprano) . . . Lnvm, W. J. D. My love will return to me . . . . . . . . . . . Lulle, Ernest. Year after year. Love ong . . . . . . . . . . . . Lulle, Herbert. Dear heart good night. Ballad for Soprano or Tenor . . — Left Alone. Ballad for Cuntralto or Baritone . . . . . . . . . — Oh Rest thee my Babe. Lullaby for Contralto . . . . . . . . Loewe. lllrl. Henry the Fowler. Sung by Georg Henschel . . . . . Lucchul, R. A. To Thee (A Te) . . . Hinton, B. W. The Beat of my Lover (Contralto or Mezzo Soprano) . . — Cavaliers Song . . . . . — Days are long (Contralto) — Don’t Forget . . . . . — Douglas my Douglas — Oh heart of my heart —- Lonely . . . . . . — Milkmaidls Song . . . . . . . — Morning Star (Romanza for Tenor or Soprano . . . . . . . . . — The old clock on the stairs . — Promise . . . . . . . . . . -—- Waiting by the Hedges (Tenor or Soprano) . — My God and .Fa.ther.‘Saer.ed-Song. —. 30 —. 25 rllcndoluolnn. Ah ifl were s bee (Spring Son . . layer. As thy wavlring footsteps . llapravnik, E. Cossack Cradle Song . llslnn, Beppo. Cradle Hymn ofthe Virgin (Latin and Engl.) . . . . . lorrls, lloncr A. Cradle Song . Plies, 1. K. Op. 40. Four Songs. No. 1. A Bird upon 5 rosy Bough No.2. A Farewell. . . . . . . No. 3. Beneath the starry Arch . ,. No.4. Music when soft Voices die Parker, l. W. Slumber Song . . . . — Wedding Song . . . . . . . . — Goldilocks . . . . . . . . . lluleclzl. lllgs v. The Sea hath its Pearls Illtier, G. P. In Maytime . . . . . . Rogers, Clare K. Six Songs 1‘. Sopr. or . She never told her Love . The Clover Blossoms . . . The Yearls at the Spring . At Break of Day . . . . The Rose and the Lily . Nothing. . . . . . . . Six Songs. .AMatch. . . . . . Confession . . . . . . Mona (Mezzo Soprano) .Rhapsody . . . . . . . . What does the little one see down there (Mezzo Soprano) .Sprin......... Enlly 9. Op. l5. New Songs. 1. The Sands O’Dee . . . . .Seashell. . . . . . . As through the Land . . . I leaned out of the Window . . From the close shut Window No.6. Carpe Diem. . . . . . No.7. 0 Heart my Heart . — Christmas Lullaby . . . . . . Snlslnan, Charles. Of thee I fondly drezun Stalls, L. L. Beyond all lights . . —— Exultation. . . . . . . . Scinsluluann, Louis. Op. 23. No.1. Upon the vast wide Ocean (Die helle Sonne leuchtet) . No. 2. Spring Song (Grruss) . . . No. 3. The Fisher Lad (Der Fischer- knabe).......... No.4. The Tear (Die Thrfine) . Skelly, .l. P. Our loved ones far away. Song and Chorus . . . . . . . Snllll, Wilson 9. A. Op. 10. Two Songs for Sopr. or Tenor. No. 1. Shadow Song . . . . . . No. 2. O beauteous Maiden, whither? Sirscllausr, lltrlnann. The Sa.ilor’s Return (Baritone or Contralto) . . . . strong, Amalie, Dietrich. Here under the Linden........... llllllnn, Illa. Last Adieu . . . . . Vsnnlnl, Vlncenro. The ﬂoweret (I1 ﬁore) — Malinconia. Romanza . . . . . — S’io fossi un Angelo (Oh were I blest above) Mezzo Soprano or Baritone — Thee will I love (Jo t'amero) . — In our boat . — Our own —- Reconciliation —-SpringSong......... WIII, Oscar. Autumn Blossoms (Nach~ ria . . . . . . . . . -—- Devotion (Die helle Sonne scheint) — Farewell (Abschied) . . . . . . -—- When the day is done (Abendlied) Wilson, .I. ll. How it came about . — Lullaby (Sleep, sleep) . . . . . Wlsler, ll. Arabian Love Song for Barit. or Contralto . . . . . . . . Wooll, B. E. Courtship (Contralto). — Margery Daw. Ballad. . . . . —- The Turn of the Tide (Contralto) — That sweet Day in June . . . . -—- How many atime do I love thee dear Studies. Florlmo, F. 14Vocal Studies. Arranged by Chas. B. Haydn . . . . nett lone, Fr. E. 1.’) Exercises for Medium oice . . . . . . . . . . . Four Part Songs. 41) Male Voices. AM, F. Happiness in wait (with Sopr. Solo............ Atlenlwier, 8. Springs Warning . Brown, 0. B. Bugle Song . Blmlwlck. Margarita . —— Reiterlied . . . Ts;-~>:enss.§.———~ llltlyllclt. The Vickings last Voyage C —.50l - (Male Chorus, Baritone Solo and —. 35 m. so —. 50 _l _| _l J _| .3 _: .1 ,1 .1 J .1 Orchester) Piano Score — Song of the Viking . , Ultla, l. W. The Reamer . . . llanaclicl, B. To my Turtle Dove Kmlm. Cruel Cuckoo . . . . — The Lovers . . . . . . . Iimuer. E. Two Starlets . . . . . Pulse, 1. K. Oedipus Tyrannus of So- phocles (Male Chorus and Orchester) Piano Score . . . . . . . . . -—- Op. 37. Phoebus, arise (Ten. Solo, Male Chorus and Orch.) . . . . Vlllxn, II. V. . nett The Jolly Musician 6) Female Voices. Brown, 0. B. 0 Lord be merciful (Motet) — Winter Song . . . . . . . . liharlwlck, G. W. Op.9. Spring Song . Down, 8. I. Jubilate Deo . . . . Emery, 3. A. The night has a thousand yes . . . . . . . . . . . . lletion. Ballade of the Weaver . lllller, F. Cradle Song . . . . — Evening in the Vale . -—- Morning Song . . . — My Polly Wog (Trio) . llollmnn, G. The Nightingale . Movie, I. II. The Lark now leaves . Isrcelln. J ehovahls Power and Majesty ( rio) . . . . . . . . Holley. Song of the Triton lllnne, R. In Autumn . . . om. Sparrows Twitter . . . . . Peurtt, ll. Thou art so like a ﬂower. — Day«bree.k. . . . . . . . . . Phillpp, G. Greeting . . . -— Little blue eyed Flower Rittsr, G. P. In Maytime . . . sﬁdennann. A Wedding March . St. Saint. Ave Verum . . . . Snack, 6. F. Birdls Message . . . . Tauiel, 1. Sunshine follows the Rain . — Little blue eyed ﬂower . . c) Mixed Voices. Brown, D. 3. Two sacred Tries f. Sopr., Ten. and Bass. No. 1. I will lay me down . . . No. 2. The Lord will comfort Zion —— Op. 8. 2 Anthems f. Church Service. No. 1. Whose dwelleth in the secret Place . . . . . . . . . No.2. Unto thee, 0 Lord . . . Capen, I3. L. 0 Wedding Guest. Hymn from the Ancient Mariner . . . Glnstlwlclr, G. W. Op.6. Three Anthems for Church Service. No. 1. Praise the Lord (Benedic, amma men . . . . . . . No.2. Blessed be the Lord (Bene- di us . . . . . . . , . No. 3. 0 thou that hearest (Hymn) Glrlllo, Vlncsnzo. 0 salutaris hostia Dans, liessliaw. As when the weary trav- eller gains . . . . . . . . . Dunlum, II. I. Hymn Music. Bbooks es. — Oh tell me thou life and delight ofmysoul......... Fenullosa. Under the greenwood tree Ford. Charles II. Te deum laudamus inBﬂa.t.......... -—- Christmas Carol (Soprano Solo, Chorus with Organ Zlbbulupﬂllllllﬁﬂt) llascall, W. F. Guide me o thou great Jehovah llolnlann, ll. Salve Regina . lioml, Helen. The Robin . . . . liuwe, 1. ll. Blessing, Honor, Glory . Knox, l. 0. Sleep! Holy Babel Christ- mas Carol . . . . . . . . . — Blessed be the Man that provideth —— Give Aims of thy Goods . . . . - Be merciful after thy Power -— 0 pray for the Peace of Jerusalem. Anthem for Barit. Solo and Chorus. -—- Te Deum Lnudamus in C . . . ~—— Benedictus in C . . . — Hymns and Responses . . lanigan, R. W. Asperges me . . . . Merston,G.W. Venite exultenius (0 come letus sing) . . . . . . . . . — How beautiful on the Mountain —— I will arise and go to my Father llllver, Ben. E. A shout of mighty triumph. Christmas Carol . . . Pslne, J. |(. The Realm oi‘Fancy. Chorus, Soli and Orchestra . . . . . . — Op. 38. The Nativity . . . . . . Tlayer, Eugene. Immanuel (Bass Solo and Chorus) . . . '. . . . . . — Sweet Day of Rest (Tenor Solo and Chorus)........... tllmsn, lug. Waken Christian Children. A Carol for Christmas . . . . . Whitney, 3. 3. Deus Misereatur (E ﬂat) Wlllls, Richard Siam. Christmas Carol
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Title: Ships that pass in the Night:
Description
Date: 1914
Text: uusnc unnnnv VASSAR COLLEGE POUGHKEEPSIE, new vonu N?2iNED Ships that pass in the Night 5536 LoNG1=«jE:LLow I The music by T.W1LKINSON STEPHENSON. PRICE BO CENTSINET) BOOSEY 8; @. New YORK - TORONTO - LONDON.(’ENc..) . 9 EAST I711‘ ST. RYRIE BLDG.,YQNGE ST. 295 REGENT ST..W. THI-S SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION , HOWEVERV IS STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoostve. co THREE “HOM” SONGS h1That Should Be In Every Home No...
Show moreuusnc unnnnv VASSAR COLLEGE POUGHKEEPSIE, new vonu N?2iNED Ships that pass in the Night 5536 LoNG1=«jE:LLow I The music by T.W1LKINSON STEPHENSON. PRICE BO CENTSINET) BOOSEY 8; @. New YORK - TORONTO - LONDON.(’ENc..) . 9 EAST I711‘ ST. RYRIE BLDG.,YQNGE ST. 295 REGENT ST..W. THI-S SONG MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION , HOWEVERV IS STRICTLY PROHIBITED COPYRIGHT MCMXIV av aoostve. co THREE “HOM” SONGS h1That Should Be In Every Home No.3 in D3» _ _ ThcI'e_ aland I love, Far,far a-way mhere, Eiverltsvolqg 1s call - mg, _'v,I:en-derand c1ea.1-.‘._.. No.4inE'1a Joy in ‘heart a— wakes,» Heal-ingthatsong so true, » Float o’erthe breeZ_6'f1'0m H0I.I1€—y8W€3t f-\ C3111118‘m3b8°kt~° Y0 ' A Copyright MCMXVI by Boosey&Go. Price 30 cemS,(Ket Gash) MEJILIDY cw Lama: Words by.FRED-G-B0WLES- usic by T. WILKINSON STEPHENSON. h There's a patch of white heather a. - glpw on the C1iff,.And I See througha rain of For we .1iv’d we‘-1.osz:5(A"ij1’ the days 6. - W’ _ - gone,‘-l‘ha¢ have tra.vel1’d. fu11- soon to‘ years__. 0, ’1't’s un-derh ‘stars hi s . ci- ty stand, I hear Wher-.ev- er calla vac? ‘ Copyright MCMXV by Boosey & Co. ‘ No.1i3Dl» _ ﬂedz'cat_ed._to _my'frz'eml Ivor Foster Moderafo n. ‘ sottavace that o1d—fa.shion—edrhouse in that old fashi:5nedstreetDwe11a dear/ljt&tle,o fashioned . .._. , I can See their two fa-ces,'so 12_ , « \:/' f\ ten-der and sweet,And I love ev-,’ry wrin-kle thats . I m2hgf&7 "VIE./JZz¢;,,, f love ev—’1‘y mouse that old house In the Copyright by Boosey & Co. I SHIPS THAT PASS IN THE NIGHT. -\r\/xrs/\/u/~/\/\/\ SHIPS that pass in the night, and speak each other in passing. Only a signal shown ad a distant‘ voice in the darkness; So on the ocean of life we pause and speak one another, Only a look and 2 '-:T:»iv.:e=, then ciarkness again and a silence LONGFELLOW. SHIPS THAT PASS IN THE NIGHT. Words by T Music by 'L0NGFELL0W- T. WILKINSON STEPHENSON From “Tales of a. Wayside Inn.” Slowly and with feeling. /K/———-:‘+—~T f 29 ships; that pass in the speak; each oth-er in pass - ing, _ « “sits »’6’op3/Mg/ct,A{0z1{XIV by Baosey c6 00. sig — nal shown dis -tant voice dark - ness; and speak one ,;_—7.:n>:_=5e».r._a; A. ._ dark - ness Ev: [ (4 i 9% $ VT’ dark - ness OTHER RECENT SUCCESSFUL SONGS . BY EMINENT COMPOSERS T W'o1-ds by—'l‘ENNYSON‘. Mow No.47"nG$ . Sung by Mr. John M§Cormack. Music by ROGER QUILTER with em is. ' ' — Now Sleeps the crimson petal,now the W]: ; Nor wax;es the ss in the palace walk t 8 gold ﬁn 1’ J t.heporph’ry font‘ 'waken thou with me. sweetness f A Copyright, MCMIV by Boosey & Cor No.1 in C‘ T No.2 in D No.3 in E Word’: by V D I J x V A . S S Music by . MARJORIE PLCKTHALL ' — v — » JOSEPHINE Me Gun, Con moto about (84. : I” was a 1it—,t-1e1a.dW'1thfol-ly on“my ]ips,._ Fainwas ‘I’ All the seas no_w across 1’ southe1'n'{=we11, Every dawn I - hear- The l‘it~t1e streams of Du-na run-ning clear, No.1inU ‘No.2 inE|v ' T0 111). _ > I _ No.3 in 1» S S §¥%oW’IV1EN_ THE DEW IS FALLING. Words b3'I;1;N2”1:Il2%;§Q,1;Wt0 empWSsZ,w\}Vr1tten for and by Mom M9 C01-mack, , Music by EDWIN SCHNEIDyI(§h». VVhen the dew is all— I have heard a call- ae - rial sweet voices O’er thelow green hill; And when thenoon is - mg I have heardd. ab‘ .2’ e dam —_;—.__~._ a soslenu to cTy- in‘g VVh6‘r31l_1€} brown burn thr0’the hollows green and still. G And 0 sorrowupon me The gray grief f p» Copyright MCMXV by Boosey& Co. BTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS AS Y(@I@EASSj my /vFRED.E.WEATHERLY. KENNEDY RUSSELL Svnoot/zlg/,sim12lg/andwitlzgreat expression > > > >.:ff a_,f,.gt_ Kne¢1down,knee1down,my dearest, And kissthewaving grass, It is myheart. haswaited To hear-you as you pass; KT19e1d0W11:ifY°11 1'9 ' f ajfret. >—- 1"""‘l— PPV . .. 12 - her, And leave a kiss for me, For all the love of long a-go, For all you used to be! _._._.? Kneel down, you re -_ Copyright MCMXVIII by I y&Co. , - No.2 mm, V . ‘ _ 1\Io.3in F 'No.4inG7 D D ? \ J .. j $ S :§‘**~E;m_n "Music.by E.TI‘i.*‘UIIEMACHER- *1 4 J » . : WILFRID SANDERSON. ‘ 0 rose-,b1oom ev - er in... my lone-13" . O , shine stead-fast with ydurlight di -, vine, Ring on, 0. mm-cato > \/ ten. ' stung, yourmel-o -git of‘ joy, Life crownedxt 1a.st,_.__._. And love, and love is L. ‘ ' " Copyright MCMX by . _ 05:35. , at-, K K SEMEAIH ME; MQM LQMBJABDY’ NO_21'n Eb‘ \V01'ds by EDWARD LOCKTON. Music by HAROLD CRAXTON - —i_ :. Moderate I N0.3inG , Love are youwaitin in Lom-bar -_ dy, Wait-ingfor me o’er the cru— e1 sea, Dear, in this land so far n-der the stars for yoxL__ I" pray!“ Oh! might I passthroughthe night Come with a I’ I ’."vpy)-ight .VfCMXVIH"b‘ynBoos;y_&Co. as"-Under the Stars”.
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Title: Resignation
Date: n.d.
Text: /V, K‘) 0 CK, ]10weve1' Warez; K + 0.316 (1€ELd T V9 ' N’ . n‘ e]1uw~ » { *~ V3 X5 O,hX(}_s\d .5059} \ , ( - , ~ um: V31.‘-C ~ C Q56‘ [\5mL\1“° ‘, “"“'T C11/2,‘, _\ g%@w*v T‘ N 7 ”\/"—,“\ Wumns wmrrf ((((K((( ‘ ,_, an WI \N\*° D\ALLY n ? 990 “SH TH "/3 P£RM:ssmN.‘° \9\% “W750 \ \\\ \ V 6"/Ilrn 1 (HI B 0 STU N . /’///7//If//1’///_I,I’ 0 LIVE R D ITS UN ﬂff//(Zr/2//_/9'/‘////fl.‘ / /.//!r'/7'r/ /Iqﬂ/‘r///{y //my 1//page/ur./«:7: //r/>_w//r ...
Show more/V, K‘) 0 CK, ]10weve1' Warez; K + 0.316 (1€ELd T V9 ' N’ . n‘ e]1uw~ » { *~ V3 X5 O,hX(}_s\d .5059} \ , ( - , ~ um: V31.‘-C ~ C Q56‘ [\5mL\1“° ‘, “"“'T C11/2,‘, _\ g%@w*v T‘ N 7 ”\/"—,“\ Wumns wmrrf ((((K((( ‘ ,_, an WI \N\*° D\ALLY n ? 990 “SH TH "/3 P£RM:ssmN.‘° \9\% “W750 \ \\\ \ V 6"/Ilrn 1 (HI B 0 STU N . /’///7//If//1’///_I,I’ 0 LIVE R D ITS UN ﬂff//(Zr/2//_/9'/‘////fl.‘ / /.//!r'/7'r/ /Iqﬂ/‘r///{y //my 1//page/ur./«:7: //r/>_w//r /4547 /_II- .1£.L‘m/(I in ma r/rrltr 47/ﬁr! r2/’ /7/r /Jzlr/712:!‘ rz"1/rtr)7‘."I//mar‘. ~\ ”) L ‘ ~ , ‘ L V [LL \ \ ._.;_C_, /’ / \- \‘ ‘, "‘ V, L RESIGNATION. Poetry by H. LONGFELLOW. Music by J. E.» GOULD. With tender Expression. 1st.Verse.—-—The1'e flock, how- these severe af-flic-tions Not from the ground a - rise; . . . . . everwatch’dand tended, But one dead lamb V’ . . . There. > \ of - - ten - - times ce ,- les -= tial loenu eadic -‘tions As - sume this dark dis .- fire - side how-so-e’er defended, But has one > , but dimly through the mists and vapors; .A- .cl1ai1'!. . . . ' is full of farewells to the dying, And L___’/ these earth-ly dalups, . . . . What seem to Hit: Tempo.- .m0ur11 ings for the dead; . . . . _The heart of Ra - chael Temllo. L? dim fu- ne'- real tapers May be Heaven’s dis - - tant lamps. for her children lcrying, Will not be com - fort - ed! 3 She. is not dead—the child of our affection- But gone unto that school, Where she no longer needs our poor protection,- And Christ himself doth rule. In that great cloister’s ‘stillness and seclusion, By guardian angels led, Safe from temptation, safe from sin’s pollution, She lives, whom we call dead. 5 Not as a child shall we again behold her; For when with rapture wild In our embraces we again enfold her, She will not be a child; But a fair maiden in her Father’s mansion, Clothed with celestial grace; And beautiful, with all the souls expansion, Shall we behold her face. 4 . Day after day we think what she is doing In those bright realms of air; Year after year her tender steps pursuing, .. Behold her grown more fair. Thus we do walk with her, and keep unbroken The bond which nature gives, Thinking that our remembrance,though unspoken, May reach her where she lives. - 6 And though, at times, impetuous with emotion, And anguish long suppressed, The swellingheartheaves moaning like the ocean, ' That cannot be at rest, We will be patient, and assuage the feeling VVe cannot wholly stay; By silence sanctifying, not concealing, The grief that must have way. * There is no death !. what seems so is transition; This life of mortal breath ls but a suburb of the life elysian, VVhose portal we call death! This is omitted in the song, there being an irregular number of verses. i9*’:5..?S.4$ uanmv VASSAR COLLEGE POUGHKEEP'5t€. mtw voam
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Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: n.d.
Text: 3//_”/Z/f ﬁn/t . J34» .3415 . LON D O N: SINCLAIR «:90 09 4-0, GT MARL§OROUGH STREET. W. A750, 773' Z7Le Janie: /foznpziye/~. IONCE HAD A SWEET LITTLE DoLL,_3/4 TELL ME,THE SUMMER S'rARs,._8/=* - THE NIGHT us wn.o ~.-L_s/ 0 WHY I-{ARK WITH PLEASURE, 3/— = osornv SLEEP MY BONNIE amnn, 3/9 one L!TTLE YEAR AG-O 3/= THE MIDNIGHT WIND. _____.___a; :1’ WAS THE TIME OF ROSES,WazZﬂz«cL3>/= I STRIKE THE CHORDS. 3/= THE MOON :5 UP IN SPLENDOUR,—__]).? 3/; THE some on= -ma mven, MUSIC...
Show more3//_”/Z/f ﬁn/t . J34» .3415 . LON D O N: SINCLAIR «:90 09 4-0, GT MARL§OROUGH STREET. W. A750, 773' Z7Le Janie: /foznpziye/~. IONCE HAD A SWEET LITTLE DoLL,_3/4 TELL ME,THE SUMMER S'rARs,._8/=* - THE NIGHT us wn.o ~.-L_s/ 0 WHY I-{ARK WITH PLEASURE, 3/— = osornv SLEEP MY BONNIE amnn, 3/9 one L!TTLE YEAR AG-O 3/= THE MIDNIGHT WIND. _____.___a; :1’ WAS THE TIME OF ROSES,WazZﬂz«cL3>/= I STRIKE THE CHORDS. 3/= THE MOON :5 UP IN SPLENDOUR,—__]).? 3/; THE some on= -ma mven, MUSIC LIBRARY VASSAR COLLEGE THE sen HATH ITS PEARLS. 'rnAus:.A1:a rnom THE GERIAI or HEllE,BY ‘ music In LONGFELLOW. ELIZABETH PHILP. Allegretto ma non troppo. sea hath its pearls, The heavh hath its stars, But my my. heart,‘ 2 my heart. hath its hath its pearls, h » its a‘ita1‘d: But ‘my heart, ‘my heart, my heart hath its love. *1 ritard: "lm sea hath its pearl's . Passilanate. Great are the sea and the heav’n, Yet greater. is my heart; And \; fairerthanpearlsand stars . . . . . Flashes and beamsmy love f Great arethe sea and the heavh; ' Yet greater And fair- er thanpearls and stars_ . . . . . . . . .. The sea hath its pearls, Ran: :__‘___.._.._=____,__ T pgrraxioso. F]zrs3rkx‘esL rand beams /my ‘love.. I .T'¥h‘0’~Ii »listLt1eyouthifu3. { ' f L Ran. ' (1/ts‘/Iizp n V maid . en Come unto my great ~.hea‘I't, V My%heart,;a’mii.’the..sea,Vaamdfthe Tghwin =51 itﬁle gyoiufhﬁul .~hea.v-tin, 1119 a.Way with love. Co-me un.to :n3y great 3 The sea hﬁthits gpeaiths. ritarci: heart, and the sea, and the heavh melt . ing a. way with (7 /\ \ ritard .- c u n z'1'z't0 . sea hath its pearls, The heavh hath its stars, But heart’ hath its , in col a voce. The sea hath its pearls. SINCLAIR & ooxs NEW & POPULAR SONGS. 641 I Heard a Spirit Sing. tremendous applause every evening b Mr. JOHN RAW- LINSON of the Christy’s Minstrels, St. .lames’s Hall. The most beautiful song yet sung by this popular singer . 3 God Bless the Friends we Love, by 0- BLAMPHIN. The latest and prettiest song by the composer of “O would I were a bird,” &c. Illustrated with life—like portrait . . . . . . . . . I Will Stand by my Friend. Composed by GEORGE BICKNELL, and sung by Mr. GREEN for upwards of 200 nights. A capital song and immensely popular . Do as You’d like to be done by. THEODORE GORDON- Sung with great success by Miss CONSTANCE . . A bold, Lend a. Helping Hand. 0- F- SCH!-EYEE striking song, which is everywhere an immense favourite Give me the Man of Honest Heart. M. HOBSON. Sung with great applause by ERNEST FOX . . . Good-bye, Nelly Dear. J. G. MATTHEWS. Sung with immense applause by the Christy’s Minstrels. This ballad. is creating an immense furore . . The Song of the Cable. THEODORE Gonnon. Sung with tremendous success by Miss CONSTANCE . Dedicated to the Atlantic Telegraph Company. Fond ]_V,[emo1-y’s Beam, by CLAUDE STANLEY. most successful tenor song this season . . . F111 the Goblet Again, by ISIDORE DE SOLLA, words by The LORD BYRON. Sung with great success by Mr. GREEN Alone, I'm Alwa s Alone. Ismomc on SOLLA. A beautiful balla for a baritone . . . . . Love is Endless. J on»: OLD. Sung with enthusiastic A applause by Madame LOUISA VINNING . . . . ' My Native Vale. JOHN OLD. . - - - - The Artizans of England. 0. H. R. MARRIOTT- Sung with great applause by Mr. ERNEST Fox . Faces I See in my Dreams. J. E. MALLANDAINE A beautiful subject set to an exquisitely lovely melody . 3 ]V,[a,ry Mavourneen, J. OSWALD KEITH. A new and charming Irish Ballad . . . 3 W. F. TAYLOR. Sung with s. d. O 0 0 3 ELIZABETH PI-IILPS’ SONGS. s. The Song of the River (Clear and 0001) ' - - 3 I Once had a Sweet Little Doll. . . . 3 0 Why I*I1aI)rk with Pleasure (French and English W01‘ 3 . . . . . . . . 0 Softly Sleep, my Bonnie Bairn - . . The Midnight Wind . . . . . . I Strike the Chords . . . The Sea hath its Pearls Tell Me, the Summer Stars The Night is Wild . One Little Year ago . . . . It was the Time of Roses. Vocal Duet The Moon is up in Splendour. Do. - - . “ Her music is always intelligent, melodious, d unforced. She selects her poetry with taste, and interprets it with respect.‘ ——V17 Ie the Morning Post. BESSIE L’EVESQ.UE‘S SONGS. 0’er the Blue Ocean Gleaming (The Sai1or’s Wife) 3 Where the Sun Shines Brightest (The Birds Song) How Beautiful is Sunshine, a Serenade . . A Sylvan Song . . . 0000036060?-000030903 The Three Stars. BERNARD Ossorms. ﬂowing Melody for Baritone . . . . Hope, Hope, the Pleasure laden. ROBERT Bmnmenn. Sung with great success by Miss MINA POOLE . . The Rivulet. H. W. GODFREY. An exceedingly beautiful Melody . . . . Cushlamachree. D. WILLIAMS. Irish melody . . . . . . Hope’s Fairy Dream. J. E. NEWELL. Easy and] very pleasing . . . . . . . . 3 The Rose and the Zephyr. 0. F. ScHLErEn. sung with enthusiastic success by Miss FANNY HALDANE . 3 Speak Gently. J. C. HATTON. A song in an easy compass, very suitable for teaching . . . . A pleasing, . A ‘Very. charming NEW COMIC SONGS. Old J a,ke Johnson. J ESSE WILLIAMS. _ Sunguliny Mr. MOORE, the great Comedian of the Chmsty’s nstrels, now performing at St. J ames’s Hall . . . . Laugh, Cough, and Sneeze. Written and adapted to the celebrated Laughing Chorus in Or‘FENBACH’s Opera, “ Orphée aux Enfers,” by GEORGE H. FRENCH . Turn In and Turn Out; or, The Lawyer's Scufﬂe NEW Marriott’s Come Away Waltz. Founded upon W. F. TAYLoa’s celebrated Melody sung by RAWLINSON, “ I heard a Spirit sing.” . . . . . Marriott’s La Vilda Waltz. Performed with great success by the Composer’s unrivalled band. The most charming Waltz of the season . . . . Marriott's New Derby Galop. Played by every Band in the Country. The greatest hit of the season . Marriott’s Tramp, Tramp Galop, introducing “When Johnny comes marching home,” “ Tramp, Tramp, the Boys are marching,” &c. Comically Illustrated . . 4 Ma.rriott’s W_inter’s Night Quadrille upon Popu- lar Melodies. Splendidly Illustrated . . . . 4 0 0 3,1 The Lady in Want of a Beau. success by Miss CLARA VERNON . . . . Sweet Rosa, Jane. HARRY LIs'roN’s great Song . 3 Who’s for Sandymount? Sung by DAVIES, the Dublin Boy, with immense applause . . . . Och! Johnny, I hardly knew ye. Sung by HARRY LISTON, the Star Comique. This song is the greatest and most successful of all this popular vocalist’s repertoire 3 Sung with great DANCE MUSIC. Marriott’s New American Quadrille. Founded upon the most beautiful of the Christys’ Melodies . The Blarney Quadrilles. P. MULHOLLAND. Intro- ducing 16 of the loveliest Old Irish Melodies 4 The Morning Star Polka. W. HEMINGWAY . 3 The Delight of the Ball Galop. F. WHITTAKER . 3 The Imperial Dagmar Waltz. M. Tnomrsou . 4 The Bold Dragoon Gralop. D’ALEmzEm~. Beauti- tifully Illustrated . . . . . . . The Swan of Pesaro Quadrilles. Dmsuuns SAUNDERS. Founded upon RossINI’s best Melodies The Murmurs of the Severn Waltz. W. F. TAYLOR. 3 CHEAP PUBLICATIONS. The Messiah, complete for Pianoforte, without words 1 6 The Creation, do. do. ' Fifty Songs for Young People, arranged and 1 6 partly composed by C. H. PURD AY. A beautiful present 2 0 This charming little work is a selection of the best Melodies of Beethoven, ‘ Mendelssohn, Haydn, etc., adapted to Words especially suited for Schools, etc. Twenty-ﬁve Popular Sacred Melodies for the Harmonium, selected and arranged by J. A. WADE, from Oratorios and Works by Handel, Haydn, Mendels- sohn, Rossini, etc. An invaluable collection to every Harrnonium player . . . . . Twenty Popular Secular Melodies for the Har- monium, selected and arranged by J. A. WADE, inclu- ding, “ I will Stand by my Friend,” “ VVhen Johnny comes marching Home," “ Tramp, Tramp, the Boys are Marching,” etc., etc. Arranged in an easy manner with the Stops marked, to be used ad libitum . . 77 A T MARLBOROUGH STREET. oooooooooo oo‘.<‘~
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Title: Cerfew, The, The Cerfew
Date: 1914
Text: uusuc LIIIAIY VASSAR COLLEGE oouc.HK::I-su-:. new YORK EELE;lEllE'lEIEl[E1E[@lEL§rE]|EI§IEJ['Ex'IEIEJELEJE]|§LElELl “*3 .,.:I mi « FU-i 5- Second Series The Daughter of Mendoza (serenade) . . _ . _ . . . . . . . . . . . . . . .. §I°E*’Z-7j’(§_TS§1}“,_»0rBAR_ 60 That Golden Hour SOP "TEN 30 M EZZO—SOP. or BAR. MEZZO-SOP. BAR. Yesterday ................................................... .. Am 0, MS‘; so SOP. TEN. The Curfew ALTO“; BAR _ . . . . .. 60 Periwinkle Bay . _ . _ ...
Show moreuusuc LIIIAIY VASSAR COLLEGE oouc.HK::I-su-:. new YORK EELE;lEllE'lEIEl[E1E[@lEL§rE]|EI§IEJ['Ex'IEIEJELEJE]|§LElELl “*3 .,.:I mi « FU-i 5- Second Series The Daughter of Mendoza (serenade) . . _ . _ . . . . . . . . . . . . . . .. §I°E*’Z-7j’(§_TS§1}“,_»0rBAR_ 60 That Golden Hour SOP "TEN 30 M EZZO—SOP. or BAR. MEZZO-SOP. BAR. Yesterday ................................................... .. Am 0, MS‘; so SOP. TEN. The Curfew ALTO“; BAR _ . . . . .. 60 Periwinkle Bay . _ . _ _ _ . . _ . _ _ . . . _ . _ . _ _ . . _ . . . _ _ _ _ . . _ _ _ _ _ . . _ . . _ .. MEZZO-SOP. or BAR. so Fulfilment . . . . _ _ _ _ _ . _ . . . . _ _ _ _ . _ . , _ . _ _ _ _ _ _ _ _ . _ _ _ _ _ _ _ _ . . _ . _ _ . . __ {SOP °"”3N- _ _ _ _ _ _ __ 60 ALTO or BAR. @EEE1EEFﬂE|EE151EfﬂE]EFﬂ§lEﬁ1E1EEE|E]@E'|-EEEWEETQEETEEEIEEE [it] EEL%rEILEt@TF3ELwwLEte@[E@JElLmE@EELwElE@J@ELmEEm|E]E@EIELmﬁlE we |EFE7|EIF@J7B1§J1@lE15][EFETL@lE|E|EﬂlEfEElfEF8T|E1|EJE|El ARTHUR P. SCHMIDT. Boston Leipzig NewYork _ 120 Boylston Street. 11 West 36"‘ Street. dis? 3. 10236-10237-5 The Curfew Solemnly, mournfully, Dealing its dole, The Curfew Bell is beginning to tell. Cover the embers, And put out the light; Toil comes with the morning, And rest with the night. The book is completed, And closed, like the day; And the hand that has written it Lays it away. Dim grow its fancies; Forgotten they lie, Like coals in the ashes, They darken and die. Song sinks into silence, The story is told, The windows are darkened, The hearth-stone is cold. 1!. W LOIVGFELLOW To MISS MARIAIVNE KIVEISEL The Cur few H.W. LONGFELLOW G.W. CHADWICK Lento espressivo — S01- emn-1y, mourn- fu1-1y deal- ing its dole The Cur- few {T -o r" is be- gin-ning to toll the em _ bers and 1) crew put out the light_ Toil comeswith morn - ing and rest with the night, The Copyrigght 1914 by Arthur P. Schmidt J‘ P8 102.36_5 International Copyright Secured . ' ' Public Performance Permitted con mzzma book is com - ple - ted and closed, like the day, And the hand that has Writ- ten it__ lays it a - way Dim grow its fan - cies for- f \, got - ten the lie,___ Like coals in the ash - es they dark- en and Song sinks in- to si - 1ence,the sto- ry is told {——\ ,/ JH?$,1o2:z6— 5 |._——-—-""“‘l The M Win-d0ws are dark - ened The hearth stone is cold Dark - er and dark- er the black sha-d0ws fall Sleep and 0, pm 19 e dim. bliv - ion reign 0 - Ver all. 39 osteuuto z—\ S01 - - emn-ly mourn - - fu1-1y deal - - ing its eﬂnl? S. 10236- 5 gin_ ning , er the em - - bers and‘ Z‘ ‘$393 9% - out the light comeswith morn - - ing and /‘\ the night. ﬁn c'ﬂ..'F.' 8. 10236 -5 vocal compositions in G. 0). Clllllllillcll Songs. Op.8 No.1. Rose Guerdon. Al,» (eb-—g) No ‘. Serenade. Eli (e !»~-g) . . No. . Before the Dawn. Db (el>~al>) Op. 11 No. . Request. F (c——f or a). . . . No . Gay little Dandelion. l\“al-‘C-‘IV . Thou art so like a Flower. E (e—gif . . . . . . . . The Danza. F (f—g) Db (d lr—-e) . . . . . . . . . He Loves me. F1? (e#——f'l¥) In Bygone Days. Eb (f~ab) . I know two Eyes. D (a——e) . Sweet wind that blows. Bl) weww P w ( —a) . . . . . . . . . No. 6. Lullaby. F (c—f). . . . Allah. E (c£l—glt), Db (hb—f) . . . . The Lament. Cmin. (c~—g), Amin. (a~e) The Lily. G (d#—g), Eb (b—eb) . . Green grows the Willow. Amin. (g —e) . The Millei"s Daughter. Eb (d—gl2). . . Sorais’ Song. D min. (a——eb) . . . . . . King Death. Ctimin. (gt?-— e) . . . . . The Sea King. Ciniii. (bb—-eb) . . . . Nocturne. Ainiii. ( Song from the Persian. Amin. (e—a) . A Bonny Curl. D (h~—-ft) . . . . . . . The Maiden and the Butterﬂy». .D (cit -—f#) A Warning. F (c—f) Bedouin Love Song. Dinin. (b—a), Bbmiii. (g— b) . . . . . . . . . . Two Folk-Songs. 0 Love and Joy. The Northern Days 0 Love and Joy. G min. (c——f), Amin. (<1 - g) Lyrics from “Told in the Gate”. (Words by Arlo Bates.) Complete. (Edi- tion Schmirlt No. 71a, 1).) High or Low Voice . . . . . . . . . 1 2' Sweetheart, thy lips are touched with ﬂame. C (d—_g), BE: (c—f) . . . Sings the Nightingale to the Rose. El’ (d—g), 0 (11-6) The Rose leans over the Pool. G (d—g), E (b—e) . . . . . . . . Love’s Like a Summer Rose. A (cl#———f'#), G (b——e) As in waves without number. (c——al>), Bb (a——f) Dear Love when in thine arms. (d—a), Db (bl»—f) Was I not Thine. G (d—g), (b E» — el») _ In Mead where Roses Bloom. Cmin. (c—-g), Amin. (a——e) Sister fairest, why art thou sigliing? Cmin. (e l>——aE>), Amiii. (c—-f) . 0 let Night speak of me. Eb (d-—-g), Db (c— f ) I Said to the Wind of the South. B (h——g), Ab (ab-—e) . . . .. Were I a Prince Egyptian. Amin. (d———a), Fmin. (bl»—f) 50 50 50 50 50 50 50 50 Lochinvar. Ballad for Baritone Solo and Orchestra, or Piano . . . . . . . . 125 Songs of Brittany. A Collection of Breton songs. Words by Arlo Bates. (Edi- tion Schmidt No. :20) . . . . . . ii. Loud trumpets blow — Proudly Child Haslin —- How ﬂowers fade — The autumn winds ~« As summer wind —— Love is ﬂeeting — My Sweetheart — How youth with passion plays — The lark that sang — Proudly at morn — The trumpet sounds -— The distatf whirled. er Cycle. The Crocus. G (d—e). . . The Trilliums. F ((1 —~ 8.) . . The Waterlily. Ab (ol>——ab). The Cyclamen. Ab (eb—ai>) The Wild Briar. C (f—g). . The Columbine. F (c-—g) The Fox Glove. F (d——f) . The Cardinal Flower. D min. (f—gtl) . . . . . . . . . . No. .. The Lupine. Bl» (e—f) No.10. The Meadow Rue. Amin. (c—g) No. ll. The Jasmine. Eb (f——ab) . No. 12. The Jacqueminot Rose. Cmin. 9 .°°.“‘.7°S":“.°’!~°!“ (c-—a . . . . . . . . . . 50 Song-Album 15 Selected Songs for Sopr. or Tenor. (Edition Schmidt No. 13) ii. 100 Nocturne —~— Song from the Persian —— He loves me —- Allah — The Danza — In By~ gone Days — Sweet Wind that blows - Lnllaby —— Gay little Dandelion e— Request — Thou art so like a Flower —— The La- ment —— The Lily -— Serenade — Before the Dawn. Song—Alhum. 17 Songs for Alto or Bar. (ldilitwn Sclmtirlt No. 38) . . 11. 100 Bedouin Love Song — Allah ——- He loves me ~— A Bonny Curl —— Tho Maiden and the Butterﬂy — Nocturne ——- The Lament —- ’i‘he Millerls Daughter — 0 Love and Joy- The Northern Days —- Thou art so like a. Flower —— I know two eyes —- In bygone days — Sweet wind that hlows —— Before the Dawn — The Dome -— Song from the Persian. Sacred Songs. When our heads are bowed with woe. Eli (c——g), Di» (bb—f) 0 Mother dear, Jerusalem. A I» (eb-—f or g), F (c—d Let not your heart be troubled. Eb (c——g), C (a—f) . . . . . . . . . . . . . . There is a river. Eb (eb——ab), C (c——f) 50 He maketh wars to cease.‘ Bi» (c—f), G (a——d ., . . . . . . . . . . . . 50 Brightest and Best (Christmas). G (d—fl¥). 40 Oratorios, Cantatas etc. The Viking’s last voyage. Baritone Solo, Male Chorus and Orchestra. . . . . 50 Ecce Jam noctis.( Lo, now Niglit’s Shadows) Male Chorus, Organ and Orchestra . 25 Phonix Expirans. Soli, Mixed Chorus and Orchestra . . . . . . . . . . . . . 75 V Abide with me. Lovely Rosalielle. Ballad for Mixed Chorus and Orchestra . . . . . . . . . . . The Pilgrims. Soli, Mixed Chorus and Or- chestra . . . . . . . . . . . . . . 50 The Lily Nymph. Dramatic Poem. Soli, Mixed Chorus and Orchestra . . . 1 Dedication Ode. Mixed Chorus, Solo and Orchestra . . . . . . . . . . . . . 30 Part-Songs. a) Men’s Voices. Jabberwocky. . . . Margarita . . . . . . . . . . . . . . 10 Reiterlied. Trooper’s Song . . . . . Song of the Viking. .’ . . . . . . . . The Boy and the Owl. (Humorous). . . Serenade “Softly the Moonlight”. . . . Drinking Song . . . . . . . . . . . . When love was young. (Humorous) . . lnconstaiicy . . . . . . . . . . . . . It was a lover . . . . . . . . . . . . b) Women’s Voices. Spring Song . . . . . . . . . . . . . Liillab . . . . . . . . . . . . . . . Mary’s Lullaby . In a China Shop . . . . . . . . . . Miss Nancy’s Gown (Minuet) . . . . It was a lover and his lass (Trio) . . Inconstaiicy . . . . . . . . . . Elﬁn Song . . . . . . . . Church Music. (Mixed Voices.) Praise the Lord (Benedic, Aninia Mea). Blessed be the Lord (Benedictus) . . . 0 Thou that Hearest (Hymn) . . . . . As the Hart pants (Psalm) God who madest Earth and Heaven, (Even- ing Prayer) . . . God to whom we look up blindly. (Prayer) 0 Day of rest. (Trio A. B.) . . . . O cease, my wandering Soul. (Trio A. T. B. or S.) (Trio S. A. T.) . . . . There were Shepherds. (Christmas) . . Brightest and Best. (Christmas). . . . Prayer “Thou who sendest sun and -rain” God be merciful . . . . . . . . . . . Art thou weary? . . . . . . . . . . . Come hither, ye faithful. (Christmas) . Behold the Works of the Lord . . . . While Thee I seek. . . . . . . . . . Saviour, like a Shepherd . . . Awake up my Glory . . . . . . Peace and Light . . . . . . . . . . . Lord of all Power . . . . . . . . . . Jiibilate in Bl) . . . . . . . . . . . . Sentences and Responses . . . . . . . The Beatitudes . . . . . . . . . . . . Thou who art Love Divine . . . . . . Welcome Happy Morn. (Christmas) . . 0 Holy Child of Bethlehem (Alto Solo and Chorus) . . . . . . . . . . . . Shout, Ye High Heavens! (Easter) . . ARTHUR P. SCHMIDT BOSTON 120 Boylston Street. LEIPZIG Lindenstraﬁe No. 16. NEW YORK 11 West 36”‘ Street.
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Title: Old House by the Lindens, The, The Old House by the Lindens
Date: n.d.
Text: THE BLB HOUSE BY THE UNDENS, OR THE 6i“£N wmn8w~.: ,4.1/IFY, //7// (VIEW or LUNCH-:LL0w's RESIDENCE.) COMPOSED BY om HOUSE‘ BY THE LINDENS 1’ OR “THE OPEN wnxmow.” 7/ 6 /(, W;-7'm»n by H.W. LONGFELLOW. % Composed by JOHN BLOCKLEY. {, J .M 0 D E .5: A 0 .°-<._ é Dim. e rail. (2 A. 15,986) The old house by 4 the 1in..‘..dens, Stood siA___lent >in l*;'.s'pw.~;.s'1'vo . the gran/el1’d I/path _ _way , light and shadow ' ’ . - nursery win. _dow }?.'.s...
Show moreTHE BLB HOUSE BY THE UNDENS, OR THE 6i“£N wmn8w~.: ,4.1/IFY, //7// (VIEW or LUNCH-:LL0w's RESIDENCE.) COMPOSED BY om HOUSE‘ BY THE LINDENS 1’ OR “THE OPEN wnxmow.” 7/ 6 /(, W;-7'm»n by H.W. LONGFELLOW. % Composed by JOHN BLOCKLEY. {, J .M 0 D E .5: A 0 .°-<._ é Dim. e rail. (2 A. 15,986) The old house by 4 the 1in..‘..dens, Stood siA___lent >in l*;'.s'pw.~;.s'1'vo . the gran/el1’d I/path _ _way , light and shadow ' ’ . - nursery win. _dow }?.'.s'pr-4/:.-.s-z'vo . Children : were no Ion _ _ _ _ get‘ " 'r'i..\ HM "1"‘~I' by ¢‘.u- I,im+..-“.4. ‘ (E A- 15,986) . J.na.. Blockh-‘y. Tempo. e lznrge New__ fonnd_',_ _ _1and h(um.= — og , the door; 6 '1ook’d for his little Espre.s'sz'ro . ,. play“ _ V-#4 _ __n1ates, ‘Who would re _ _ turn _\\_/ dolce. D-im. e rall. 1<ml<’d for his little .p12Iy _ _mates, Who would f€_turn no more ‘“'/ calla vacu. The -31.01 Huuw by 1(h«- Lindens . _ A o 1 ‘ John Bl.0ck1ey . They wa1k’d not under thé 1inL_dens, ' playgd not /3 Espmxm-z'1:o. But shadow, and silence and sad_ne:~;s hanging“ ‘ ' .. The birds sang in \‘____’/ Cres.\\___/ branches , L Vﬁith saw-et a __ mi- _ liar tone; # h'.x'pressivo . I ' V I , Calando . \~ni,._ces of _the children Will be heard in dreams The Cid Hmlsu by the Lindens, _ . ‘ ( E A.‘ - - .in‘k;n Blockley Témpo . +And the boy that ~wa'|k’d be_side~ me, not T ‘N’ y 0 user .' n1ine,a§\3 pw.~.s’«| his warm,’ so-ft “\~——-/dozce JO ff I')1'm. :1 rail. 0 . . ——,/V _ . cioser 1n mme, ' clo _ _ _. ser, I pref-;.~;,d his wam1, soft hand! /9 calla vow. . . €11!House-hvﬂioLindelu,-4, ,‘ E A ,].7,.<)8(_;:) H ‘ LONDON_ Eowm Asnnoww . A LIST OF POPULAR SONGS. GEORGE B. ALLEN. _ _ . _ Words by ’Twas long long since in the springtime L. ARDITI. Let me love thee Beauty, sleep. An English version of “ L’Ardita” ... ... H. B. Fzzrnie ODOARDO BARRI. Love ﬁnds the way F. E. Weal/Lerlgl When leaves are green SIR JULIUS BENEDICT. The Lord brings back his own. Sacred Song The bird that came in spring .. JACQUES BLUMENTHAL. Remember me The days are past Come to thy lattice. . Barry Cornwall Serenade .. . MRS. ROBERT CARTWRIGHT. Break, break ... Tennyson B OLIVER CRAMER. Fisherman, answer me W. A. C. CRUICKSHANK. The three ﬁshers... Rev. C. I('z'ngs[ey LOUIS DIEHL. Gathered lilies Little lassie Seeking . The knight’s adieu J. VV. ELLIOTT. The song of Hybrias the Cretan VIRGINIA GABRIEL. A smile, a word . . .. Only ... ... ... ... The ring Tender and true One passed by Change upon change At her wheel. Spinning song A farewell... Echo Ariel (A spirit came to me) ... . Little blossom . . WILHELM GANZ. A. ..Malz‘}ii'.;on E. Brotzlning... VV. Storey F. A. Kemole C/zrz‘:z‘z'ncz 1i’o.vsettz' Forget me not ... When we went a gleaning I seek for thee in every ﬂower The murrnuring sea Sing, birdie, sing... A damsel fair was singing Camelia and rose My mother’s song Since yesterday The nightingale’s trill 1.r."Jy. F53... P. D. GUGLIELMO. The lover and the star The lover and the bird J. L. HATTON. Blossoms The “Blue Peter” Song should breathe of scents and ﬂowers Dream, baby, dream The blind boy Memory King Christmas Bnnry Cornwall‘. Barry Cornwall Colley Ciooer ... C. S. HARTOG. Only a year . . PAUL HENRION. Captivity. (Que je voudrais avoir). 4=4>4=-1:-i>-1:->4:-z>.:> -I-‘-In-a>.;=-.1:-4:-4>4>4>4>-1> 4 oooooooooo 00000000000 0 ’ Nobody’s nigh to hear E. L. HIME. Angels listen when she speaks... Something to love me Words by J. W. HOBBS. When Delia sings. Canzonet... W. C. LEVEY. Baby mine. Cradle song . Maritana, gay gitana PROFESSOR MACFARREN. _‘7ean Ingelow GIACINTO MARRAS. Edenland Oh ! were I blest above G. MEYERBEER. Noble ‘signors, I salute ye ! English version of“ Nnbil donna” 2 (Huguenots) Page’s song (ditto) No, no, no JAMES L. MOLLOY. Twice my love hath smiled on me . T ennyxon V ... JOHN OWEN (Owain Alaw Pencerdd.) Shy Robin. Welsh Song ... ... ... CIRO PINSUTI. Bedouin love song - Fairer than thee Fly forth, 0 gentle dove I heard a voice_ . Music of the heart ... ’Twas on a market day GEORGE POWIS. I'll be all smiles to—night .. ALBERTO RAN DEGGE R. Joyous life. An English version of the popular canzone “ Ben e ridicolo” ALEXANDER REICHARDT. Remembrance CHARLES SALAMAN. Oh ! if thou wert my own love Cradle song I arise from dreams of thee Wool/Large-J; Be-nnett Shelley LADY JOHN SCOTT. Douglas, Douglas, tender and true E. SILAS. Rest ! where shall we rest? HENRY SMART. The sailor-boy’s mother ... ... Come again, spring I dream of thee at morn Barry Cornwall Rose of May BOYTON SMITH. Only a rose .. There sits a bird on yonder tree Merry bird ! Merry bird ... ARTHUR S. SULLIVAN. Sigh no more, ladies . Sweet day so cool The moon in silent brightness Little maid of Arcadee Guinevere 0 fair dove ! O fond dove What does little birdie say? County Guy The sailor’s grave I Ing.oldso_ym 3/32;. Inglelow T ennyson ... Sir Waller Scott -P-b-Ck-8-h-¥=-P-l>-> BERTHOLD TOURS. The angel at the window W. T. WRIGHTON. not no -u The Wagoner LONDON: VEDWIN ASHDOWN, HANOVER SQUARE. OOOOOOOOO
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Title: Spanish Serenade
Date: 1882
Text: For saleby all Music Dealers . 2"_D EDITION.‘ : ll ,, * hkLdIiII1I,I,,VI<’,/E53; H’ // T POETRY BY 3 I . I I J I I o . v sleeps‘. sleepsI /“S2 / Philadelphia Musical Academy. l8|7Spmice ST. 7//5 W/Jﬂ//5 mi #5547 ﬂy /7/J/’/77‘/I55/'0’,/7 /.7/L:/I/[‘7i:'_7"W,_’7‘ //zw_/,7/zm/7, /W77’///7? /17, /7///i//‘5/7/3/"5 M117/zg;/‘Z7//zzm ﬂ/J/77/7/E/5 it/0/"A/5, Cnpyr1g|'iTlE|H2IJy Ii/livan Fielder. MUSIC LIBRARY VASSAR COLLEGE SPANISH SERENADE’. Poetry by H . W....
Show moreFor saleby all Music Dealers . 2"_D EDITION.‘ : ll ,, * hkLdIiII1I,I,,VI<’,/E53; H’ // T POETRY BY 3 I . I I J I I o . v sleeps‘. sleepsI /“S2 / Philadelphia Musical Academy. l8|7Spmice ST. 7//5 W/Jﬂ//5 mi #5547 ﬂy /7/J/’/77‘/I55/'0’,/7 /.7/L:/I/[‘7i:'_7"W,_’7‘ //zw_/,7/zm/7, /W77’///7? /17, /7///i//‘5/7/3/"5 M117/zg;/‘Z7//zzm ﬂ/J/77/7/E/5 it/0/"A/5, Cnpyr1g|'iTlE|H2IJy Ii/livan Fielder. MUSIC LIBRARY VASSAR COLLEGE SPANISH SERENADE’. Poetry by H . W. LONGFELLOW . Andautiuo . VOICE . 4 > hide your gold - en > light! she sleeps! my la C-’)F'YPI{-3?-4.T 12:32 BY M.vnn Gelder. Music by MARTINUS van GELDER . dy //;\\ Sleeps! the j Sllﬂl - H181‘ “la - dy sleeps! poco rit. dim. j pm am/rnato <l> -I’) sum - mer night! ‘ the west - ern steeps, sleeps! my Spanish Serenade . \2 Wind of the sum - mer night! When can anima 1 wood - bine creeps, Fold, fold thy pin - ions light! She sleepslniy Spanish Su1'mwcJL2. la - dy sleeps! - dy SleepS_1t sleeps! r1. Spanish Serenade . her, her 10 - ver keeps watch! ‘\ I 1} I .-C- 1. H10 .'~;mn -- rner night! While slum - hers PO00 C7'(?SC.. while in light! she > dy sleeps! 8‘ ‘ hmorendo 8' _I I I
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Title: Hiawatha's Childhood
Date: 1914
Text: 2?: x; , :..: er »» \ f V n M ii‘ Wm‘ H ‘A C‘iiLDi‘i88D H OPERETTA BESSIE M. \X/HITELELY. I: 3' 1. 4 3' 4 "4 3- i . ;. :7 , _” ' _ I V _ \,\__»;¥;W Pantomime: Suggestions for Presentation of Hi_awatha’s Childhood COSTUMING OF INDIANS. . Boys: The usual play—Indians’ costume, sold at furnishing stores, is appro- priate. The “warriors” should have their faces as hideously painted as possible, and should wear a head-dress consisting of a bright colored band, decorated with up...
Show more2?: x; , :..: er »» \ f V n M ii‘ Wm‘ H ‘A C‘iiLDi‘i88D H OPERETTA BESSIE M. \X/HITELELY. I: 3' 1. 4 3' 4 "4 3- i . ;. :7 , _” ' _ I V _ \,\__»;¥;W Pantomime: Suggestions for Presentation of Hi_awatha’s Childhood COSTUMING OF INDIANS. . Boys: The usual play—Indians’ costume, sold at furnishing stores, is appro- priate. The “warriors” should have their faces as hideously painted as possible, and should wear a head-dress consisting of a bright colored band, decorated with up-standing feathers. They should carry bows and arrows, and tomahawks. ’ Girls: Select ankle-length skirt fringed around the bottom. The appro- priate colors to be worn are red, yellow, tan and brown. A bright colored shawl or scarf may be draped around the shoulders. Many strings of bright colored beads should" be worn. The hair should hang loose or in braids, and a band of cloth or of beads may encircle the forehead. Indian War Dance: This should be executed in a circle with much vigorous and stiff-legged jump- ing, accompanied by a ﬂourishing of_ tomahawks. A frequent breaking away from the circle by individuals, who indulge in a skulking movement, may be made. The dance suggested may be extended as long as needed by repetitions of the repeated passage on pp. 1 and 2. General Suggestions in regard to Characteristic Dances: It is considered best not to plan (through these suggestions) any set steps for these dances, as it has proven to work out more satisfactorily if the expression trainers in charge of the action are left free to follow the dictates of their individual imaginations, as excited by the plot and the music of the com- position. Steps, gestures, and general action should seem spontaneous. Dance of Mudjekeewis and Wind Spirits: These enter at the beginning of the music on p. 8. Mudjekeewis, only slightly accompanied by action on the part of the Wind Spirits, may execute a char- acteristic dance to the music, on pp. 8 and 9. Afterwards, to the music on pp. 11 and 12, the Wind Spirits have a more active part. A whirling ﬁgure performed by the individual dancers should be a characteristic of the dance of the Wind Spirits. All movements should be of extreme lightness. The costume for this dance should be of white or very light grey gauze, and long scarfs of the same material should befreely used as in any scarf dance. Phantom Dance: This action should express mystery and unearthliness. The arms must become most expressive, being frequently outstretched, and used in a beckon- ing gesture. The costume for this dance should be a long shroud-like drapery of white, covering head and body and fastened wing-style to the wrists. Fireﬂy Dance: Any dainty two-step form of dance can be used for this dance, for which only the smaller girls should be chosen. The circle, the serpentine ﬁgure, and individual ﬂitting about, always with exceeding lightness of step, are appro- priate. Hiawatha may take an active part in this dance, catching at or coquetting with the ﬁreﬂies. This pantomime may even be extended during his song “Wah—wah—taysee” during the rests in the solo, a repetition being made in the accompaniment during the rested voice-part. The costume for this dance may be of white or red gauze, and each dancer may carry a tiny electric ﬂash-light which is played upon frequently during the dance. During the singing of No. 11, p. 19, an interesting bit of pantomime may be carried on between Nokomis and Hiawatha. No. 16, p. 31, may be sung by a concealed chorus, Hiawatha being left alone in the woods, curiously listening and looking about for various birds and animals, even crawling under bushes, etc., in quest of his “forest friends.” The chorus may then make its appear- ance, with the three lndian maidens, in Nos. 17 and 18, p. 36, during the action of the shooting of the arrow by Hiawatha. At the close of Finale A, he leaves the stage, returningat Finale C. A — .. . _ . BESSIE WHITELEY HIAWATHA’S CHILDHOOD OPERETTA IN ONE ACT FOR UNCHANGED VOICES TEXT BY HENRY WADSWORTH LONGFELLOW MUSIC BY BESSIE M. WHITELEY 3 ﬂwarded tbe Prize by “Tbe National Federation of Music Clubs’ Competition,” closing September I, 1912, in tbe Operetta C/as: (Una/mnged 1/ oices) C. C. BIRCHARD E9’ COMPANY BOSTON Copyrzg/it, 1 914., by C. C. Bircbtzra’ 59° Conxpargv International Copyrig/Ivt yecured ‘CHARACTERS HIAWATHA. (As a young child in Scenes I and II,and as a youth in Scene III.) Represented by a young child and a youth. NQKOMIS. Represented by a girl dressed as an Indian woman. MUDJEKI-:EwIs. (West-Wind.) Represented by a youth. IAGoo. (T/ye Boaster.) Represented by a youth of size or a young man. FIRST INDIAN YOUTH SECOND INDIAN YOUTH Youths. THIRD INDIAN YOUTH FIRST INDIAN MAIDEN SECOND INDIAN MAIDEN Girls. THIRD INDIAN MAIDEN Indian Tout/)5, Warriors, Maidens, Women, U/ind-Spirits, Pbantoms, Fire-;ﬂt'e:,. etc. SCENE I A forest by a lake-, an Indian wigwam in foreground. SCENE II Further in the forest. SCENE III Same as Scene I. ‘T/2e 0 eretta ma be iven with one scene on] . P J’ 45' J’ Performed before the NATIONAL FEDERATION OF MUsIC Cums’ CONVENTION at Chitago, Illirzoir, April 2 5, I91 3 ; wider the direﬁion of M. Teresa Arm itage. The Orchestra P‘ll'(‘S may be obtained from the Publishers. Requirements for Performance: Purchase of at least 6 copies of the piano—voca1 score for the principal characters; where vocal parts only are preferred to the piano-vocal score for chorus use, a sufficient number of copies must be purchased for the participants, with two additional copies of thepianoyocal score; royalty fee of 315.00 where admission is charged. If more than one performance is given, and not on consecutive dates, there is an additional royalty fee for each performance. The names of the author and composer must appear on the program and in all publicity matter before and after performance. Chorut; .Przr£"s available CONTENTS SCENE I . INTRODUCTION: Indian War Dance Entrance of Mudjekeewis . CHORUS: “By the shores of Gitchie Gumee” . RECITATION: A little Indian maiden . SoLo: “Ewa-yea.” Nokomi: . RECITATION: First, Second, and ‘T/zird Indian Youth: . WIND SONG AND PHANTOM DANCE: PVz'nd-Spirzt: and P/zantonxr . Cuoxws: “At the door on summer evenings" SCENE II 8. DANCE 01-‘ THE FIRE-1'-‘LIES. Fire— in . RECITATIONZ An Indian maiden . SoLo: “Wah-wah-taysee." Hiawat/za . CHORUS: “Saw the moon,” etc. . CHORUS: “Then the little Hiawatha" SCENE III . RECITATIONZ F inc! and Second Indian Tout/2.: . ‘Sow: “Go, my son." Iagoo . CHORUS: “All alone walked Hiawatha . Cnoausz “And the birds sang round him . RECITATION: Fzrst, Second, and Third Indian Mazaen: . FINALE: (a) “Then upon one knee." C/zorz/5 (5) “Dead he lay there in the forest.” C/torus (c) “But the heart of Hiawatha.” C/zaru: MOT IVES The music is based on the following motives, derived from' Indian melodies . “GAME SONG" Indians of.Vanc0uver’s Island “LOVE CALL” Omaha"Indians ‘Used in No.1, (last movement) and No.6. .9 I ,5» A characteristic phrase from the original, a“Love Callﬁplayed on the native _/Zzzgeolet. “REST SONG” Omaha Indians Used in No’s 2, '7, 18 b. The melody line as’ in the original, the five measure groups devised by the composer. “LOVE SONG” Omaha Indians Used in No.4. The melody line as in the original, the rhythm devised by the composer. “DANCE SONG” Omaha Indians . i I" I’ W’ I’ ‘ Used in No.10. ‘rm E—l I The germ of the “Dance Song”, in the original of which there is more rhythmic than melodic development. “SONG OF THE SPIRIT” Omaha Indians Used in No.11. Derived melodically fromthe original, but condensed rhythmically. “OLD MAN'S LOVE SONG” Omaha In-dians .2’ Used in No.16. The repetition of the first two measures in the 5I_h below, is an in teresting feature of this melody. The publishers are indebted to Miss Alice C. Fletcher for permission to use the above motives from “Indian Story and Song from North Americav HIAWATHA’S CHILDHOOD Text selected from “Hiawatha” by Music by ‘ .HENRY WADSWORTH LONGFELLOW _ BESSIE M. WHITELEY Scene 1 A forest by a take; a zoigzmi/1 2'72 t/ze foreground , flag? closed. A few men and women seated about on the ground. ‘ Il]tI'OdIlCtiOIlZ Chorus and Dance of Indian Warriors Music oosort 2:/2071 a “Game Song” (f the I7za_’z'a7zs of Vurzcouzre/s z‘sZamz’. Allegro Vivace (Smmgzy mark the czzttar r /‘A . 7 1" 1' //-j*—§$ A (Enter I7m'z'a7z ‘warriors who A _ A A \ A A _A/—--\ A/""‘\_ give yells and dance m'goroz_¢sZy a war o’a7zcc.) Ki - yi—yi-yi, Ki-yi—yi-yi, Ki— i— '! IEi-yi-yi- ' '—yi-yi! A A A arcotiss. » “fab. {$3 The publishers are indebted to Messrs. Houghton, Mifflin Company for permission to incorporate ex- cerpts from T.ongfeHow’s“Hmwat}za3’ Copyright, 1914, by C. C. Birchard 81 Company (C'o7z2‘z’7zuea’ dancirzg of [7za’z'a7z warriors.) £3. axe (T/ze a’a7zc2'7zg gradually subszdes. A‘/..___—— decresc, 3% They are seen to was/z 2‘/zeir /zarzds 2'71 2‘/ze Za/ea, may z‘/zraw away 2‘/zezr arrows, to make peace-pzjﬁes 70/Liv}; they A 916 L/ ‘Sim “fem. axe 9,5 (Enter .3£UDJEKE7EW1SA9(WéSf-W/Z‘ﬂd) by WIjY;0- smoke 2'72 quiet groups.) T mprZ.c2.0S0 [A TE‘) 7710110 accel. , . _ $23. Hiawatha A11egr% KEEWIS raises 2‘/zeflap molto creso. ' : molto decresc. V ' so I 6%. of tile wzgzoam dz’soZosz'7zg N OKOMIS nursirzg the lz'lz‘Ze HIAWATHA.) _ (.412 group for C/zorus.) a Ze m Ch0I'uSZ “By the shores of Gitche Gumee” Soprano 1-H, Alto /lfusic based upon Omaha I7m’z'a7z “Rest Song» ¥ Andante moderate 7’!/' resAer7;e 1‘/zefz.'ve—7%easure r/zyz‘/z7/1A 2‘/zrouglzout.) A fab. 3!: ‘fab. 3:‘: etc. rzttaoco A ‘K At z‘/zis tempo, co7zsz‘der eac/z measure one beat. H 1' awat ha Andante moderato e e ressivb mf Soprano 1-H shores of Git - che Gu 2. By shin- ing Big - Sea -Wa ”€/' Alto 1. By Git - che gvu Big - Sea - . a shin — in wig - warn black an firs with wig - wam firs with , .\ Teheie '1. Daugh - ter 2.Br1ght be - Dau. h - tef of the Moon, 0 - Brig t ._,be - fore it beat the Dau h - ter of the Moon, 0 - Brig t be - fore it beat the Hiawatha Hiawatha ‘fab. T/my gal/zer irzto groups to flu? rig/22‘ amz’ /eff. NOKOMIS comes from file wzgwam, bearing an I7za'z'a71 cradle. black and shin - ing black and shin - ing ibe - hind the clear be - hind the clear gloom — y pine Big - Sea - Wa gloom - y pine Big — Sea — Vfa — bk; dim. 8 /22 trmzquillo "Eb. S/13 places 771 7'2‘ 2‘/ze Zitlle HIAWATHAV N‘? 3. Recitation (Sp0kVe7z by a Zz'z‘z‘Ze» I7za’z'a7z /m1z'a’e7z) “There the wrinkled old Nokomis Nursed the little Hiawatha, Rocked him in his linden cradle, Bedded soft in moss and rushes, Safely bound with reindeer sinews; Stilled his fretful wail by saying, “Hush! the Naked Bear will hear thee!” Lulled him into slumber, singing. N 9 4. S010: “Ewa—Yea" (zvozzoms) M02‘z've for music suggested by an Ullld/la 17zdz'a7z "Low Song” Molto moderato ‘mp 1. E _ wa-yea! My lit - tle owl — et! 2. E - wa-yea! My lit - tle owl — et! /rzolto traizquillo e espressrzzo F p legato E-wa-yea!__ E - wa-yea!._ Who is this, that E - wa—yea!_ E- wa.-yea!__ Hushlthe Nak - ed id 15000 rzz‘. H temﬂo \‘\_____/ ‘Em. >3@ Hiawatha lights the Wig‘-wam? With h1s great eyes Ii hts the wLg—wam? Bear will hear. thee! E - wa-yea! % '- wa—yea! A llt - tle owl - et, . - wa-yea! My ht - tle owl - et, E - wa—yea! My A lit - tle ow1~et! Who is this, that lights the wig-wam? lit - tle owl—et! Hush! the Nak-ed Bear willhear thee! > xfx/F 1' motto rtt. l 1 E- wa-yea! E -w‘a - ‘Em. are V, ./VTOKOMIS at the erzd of the song stoojzs over the cradle of the sZee_zbz'7zg HIAWATHA. All the others re - tire from the stage except three I7za’z‘zm youths who sjmale the foltozvtngr Hiawatha N0 5'). Recitation FIRST INDIAN YOUTII.‘ “Many things Nokomis taught him Of the stars that shine in heaven,‘ Showed him Ishkoo-dah,the comet. Ishkoo-dah, with fiery tresses :” SECOND INDIAN YOUTH: “Showed the Death-Dance of the spirits, Warriors with their plumes and war-clubs, Flaring far away to northward In the frosty nights ofWinter:” THIRD INDIAN YOUTH.‘ “Showed the broad white road in heaven) Pathway of the ghosts, the shadows, Running straight across the heavens, Crowded with the ghosts)the shadows.” Du-rz’7zg 2‘/ze rec1Itatz'07z qf 2‘/Le precea’z'7zg) I/ze stage is darkened. Enter /VIUDJEKEEWIS (West Wine’) and WIND SPIRITS and PHANTOMS. T/ze t/tree Iﬂdidﬂ your/zsi retire 2'71 fright. N9 6. Wind Song and Phantom Dance West Wind motive from Omaha Imiiarz “Love Call.” C .. apricioso .\ m,:)\ K? \m molto accel. e ores . H 1 .1vvzith;, Allegretto WAY!) .\‘/’./R1718‘ ,_ :'_ -__.,. _f I _ V .:.':: “ 4: Q; T . mo/to crest. _f ucce/. molto dim. amzcca Hiawatha Phantom Dance 74/‘ a lgmpo 6’ 71071 [again A A 77_1/' legato 1'!’/2/171/0272.: disperse) / ’\’\\ PP \ Z egg7'erz'ss2'IIz 0 Hiawatha Wind-Song AHGSYO (WIND SPIRITS < >- — 0o___.______j /I Zeggiero molto a’€crz.:sc. Hiawatha L ‘: mo//0 07’ 50. “$323. (l’f1A/1"/‘(M/,8‘ and WIND SPIRITS disagﬁpear as My siage is gradually Jig/zted.) ‘Sim. Qeb. (Mg/zzea slag ».) a [67/Zﬂo /é ajfa (,‘(/‘(z .b~.LA~ (Reenler Indian men, women and you:/zs.) Ky . 1’/H"//./_$/1.1/E.‘ — T/I6’ crowd Z00/as about czzriaus/y. Tlzey pic/e 24¢ afan offeaz‘/zers, an a7z2‘z'que war club, a 7I1(zC£7(I.s'Z7l, a /zeaolwtress etc, rep;-cserz/zvzg surprise by geslure. T/zzly lake rzotice 0f1V0I(0M1S and HIAWATHA by the zevzgzwzzlz, zm/zur/Izea’: a7za’fz'7za/Zy groupfor 1/zefollozwizg c/zorus: Hiawatha . ChOI'1lSZ “At the door on Summer evenings” Unison Chorus Mofme of music from Omaha “Rest Song” as in N? 2 *Andante moderato ’ f\ D mf Zega to J “m. (}’re.s‘er7~e //zc fnw 2/zwauzre r//yl/zm.) 7/; 1. At the door on sum - mer ’nings Sat the 2. Heard the whis— p’ring of the .. trees) Heard the /‘\ /\ I7 mf legato > \-2 - ’ - lit - tle Hi - a - Heard the wh1s -- p rmg lap - ping of__ “Mi - ne — wa f wa!” f\ (\ \ X’ /}0n.sz'a7er eac/z 7/zeasum as a sfrzgle /mm‘ Hiawatha of the pine Heard the lap - ping of t e said the pine “Mud - way - aush - ka!” said ‘ the der; Sounds of mu- sic, words of won der; Sounds of mu- sic, words of won T‘ g) _ 7/10110 rz'z‘. . a poco Ped~ ‘CURTAIN. Hiawatha Scene 2 A wooded scene. Stage senzzldarlg. ./V7'g/zl'scsr1z29. (Hiawat/za_.ana’ oz‘/zers gﬁresenzﬂ) N0 8. Dance of the Fire-flies INTRODUCTION Moderato 5 - ‘ /’/’g8""”"’ acccl e crcesc . (Enzer FIRE —FL[ES' and arrange for Dance.) .'/_\ .11 Zjemj) 0 attacca A DANCE Al1egre_t/t \/ 771}? Zeggz'erz'ss mo Hiawatha 7716710 WZOSSO T/M F]/{E- FL/ES vumis/I 4; 19’ A F H i awat ha N0 9. Recitation ( by (171 I/t/z’z‘a7z .1lm‘den) “Saw the fire-fly, Wah-wah-taysee, Flitting through the dusk of evenihg, With the twinkle of its candle Lighting up the brakes and bushes, And he sang the song of children, Sang thesong No/zomis taught him:” N0 10. S010: “Wah-wah—taysee”(HJAWATHA) (Mo2‘7'z'e for music of “Wu/1-7/ea/1-ta}/see)’xzzggesled by Omaha 17za’2’a'72 ‘i’/Jmzce Sang” ) Moderato (Preserve 2‘/ze culiar rlzytlzm ) mp Zeggie/0 sew/z,22Zz'ce 1, “Wah-wah-tay-see, Wah-wah-tay-see; lit-tle fire-fly, lit-tle fire-fly, 2_“Wah-wah~tay-see, Wah-wah—tay-see, lit-tle fire-fly, lit-tle fire-fly, Wah-wah—tay—see, Wah~wah~tay-see, Lit - tle flit-ting‘ white- fire in- sect, Wah-wah-tay-see, Wah—wah-tay-see, Lit- tle danc-ing‘ white— fire creature ,- Hiawatha Light me with your lit—t1e can—d1e, Light rne with your 1it—t1e can-dle, Light me with your lit-t1e_ can- (He, Light me with your lit-tle can-dle, _ A . 7Il€7Z0 7Il0SSO Ere up-on my. bed I lay me, Ere up—on my bed I lay me, Ere in sleep I close my eye-lids, Ere in sleep I close my eye-iids.' 6710 7110350 A I I1 916 a Zempo , light me! Light me with your.1it—tle can— e. Ah, light me‘. Light me with your lit-tle can-dle. ..:;- c1 lemﬁo } . Wah-wah-tay-see, Wah-wah—tay - Wah-wa.h-‘tay- see, Wah-wah-tay - L _ [mp atfacca L} During the sz'7zgz'7zg by I/Le c/torus £72 [/13 fa/Zozoirzg, A/'0I(0./IIIS and HIAWATHA wander aéaut, the form» er, e72z‘a’e7zz‘Zy }‘>0z'n2‘z'7zg om‘ zzarious natural wonders. . T/ze rejﬁ/ies of A70K0MIS are spoken afier eaclz dz‘m'sz'07z of the 0/zorus sz'7zgz’7zg. Hiawatha 19 N9 . ChOI‘IlS1 “Saw the Moon’? “Saw the Rainbow" ‘(When he heard the owls” (Scmi—Chorus in Unison) AZZer7zz1z‘z‘7zg,wz't}z spoken words M0z‘z'72e for music from Omar/za l7zdz'a7z “Song of the S'pz'rz‘z"’ T ranquillo Saw the moon rise Rip - phng, -rip-p1ing)round—ing" rom__ the wa /3 Saw the flecks and shad ws Hiawatha 15 z’ 24 agzfa Z0 Whispered“What 15 that?” flecks and shad-ows on it, /4;“; W“/“L-x # Right against the moon he threw her; ’Tis her body that you see there?’ Spoken l2y'1V0I(0M1S .- Once a warrior, very angry, Seized his grandmother’ and threw her Up into the sky at midnight; /ramq 112710 the heav - 2. Saw the rain - bow 11° Hiawatha Saw the rain-bow in the eav"n,_ /r;-—\\ Saw the rain-bow in the heaV—en, pm agilala In the East -ern e rain-bow, Whispered 1s g,t\~\~ss d {f_______\ VVhat 1s that,____ No-ko - misli_._ (K; .S'f)(I/(€71 éy NOKOMIS - Tis the heaven of flowers you see there/: When on earth they fade and perish, All the wild-flowers of the forest, Blossom in the heaven above us.” All the lilies of the prairie, JJ 1 .:walha Semi- Chorus Ah! tranqui poco agita to (mz'sterz' 3. When he heard t- ing, laugh — ing Hiawatha £1} a taro U - - ( . VVhat 1s e cr1ed__ 1n ter - ror‘/.What 1s. that?” e said, VVhat 1s__ that ff}. Sjzoken Wards by No/c0mz's 652%’ “That is but -the owl and owlet, I Talking in their native language Talking, scolding at each other .” W T m /' sezzz/We z‘ra7zqm'ZZ0 V L. 19 Semi Chorus //-——%§Oh!.________ 5 ./‘T . -./‘*5 . Hiawatha N9 Chorus. “Then the little Hiawatha” (Full Chorus in three parts) Moderato con s irito 7’!/° Soprano I-II the lit — tle Hi - a —wa-tha all beasts he learned their language, the lit — tle Hi — a - wa-tha Of all beasts he learned their language, Moderato con spirito \_ V T I ' . ‘ V Learned of ev - ’ry bird its lan-guage, Learned their names and all their se-crets, Learnedtheir names and all their se- crets, How the beav - ers built. their lodg-es) 4* —— N K I I I ' |\ | K 1 I . I II I W R I K 4:» d d’ II N l\ v T’ v 4- 47 at at -it .v xx Learned of ev — ’ry bird its Ian-guage, Learned their names and all their se- crets; Learned their names and all their se-crets, How the beav- ‘ers built: their lodg-es, {Lid JA 5 T +5T,g~4 J T V3 #5 LI: ... l .g I Hiawatha f Learned their names‘ and _ all their se—crets,How theybuilt‘ their nests in sum~mer, Where the squir-rels hid their a-Corns, How the rein-deer ran so swiftly, f 2- "9" Learned their names and_ all their se- crets, How they built their nests, VVhere the squir- rels_ hid their a—corns,_How they ran so swift-ly, they hid them-sel_Ves,} ____i so tim _ Talked Where‘ they hid them-S.e1VeS’} 1~2. Talked with themwhen—e’er he met themjii Why so tim - Id) marcato Where they hid them-selves in win-ter , . Why the rab _ bit was so tim_id”}’l-2.Talked with them, with them, Hiawatha them where- e’er he... met them , f Talked them._ when - e’er Ea met them, Talked with \_/ . them, Talked with /—'‘T Called them “Hi wa-tha’s Chick-ens.” Called them “Hi wa — tha’s Broth—ers J’ I’ - tha’s , Called them“Hi - a - 7 }) ‘ ‘has: Called them “Hi - a - sempre can .3 Called them "Hi - a - wa—tha’s Chicken.” Called them“Hi- a - wa—tha’s Brothers.” f “ ) H - . - tha, — - thas) H1 - a - wa -tha! cresc. \ /3 wa-tha’s Chick-ens.” 4: . , 2; . . I wa_tha,sBI_Oth_erS‘”}H1 a - wa - thas, the ht-tle H1- a -\na tha. 53%. w * Hiawatha - 9 Scene (Place. —- As in Scene 1. Upon the stage are Iliazoat/za as ayonth, Nokomis, Iagoo, Indzan men, wom- en, youths, etc. Iagoo is seen makmg arrows.) N0 13. Recitation FIRST INDIAN YOUTH Then Iagoo,the great boaster, He the marvelous story—te11er’ He the traveller and the talker) He the friend of old Nokomis, Made a bow for Hiawatha. SECOND INDIAN YOUTH From a branch of ash he made it, From an oak-bough made the arrows, Tipped with fl-int, and winged with feathers, And the cord he made of deer-skin, I Then he said to Hiawatha N9 14. S0l0:“Go, my sonz”<1Aooo) Motive of music based upon “Game Song” of 2‘heIndz‘ans of V(I7Z(/‘07t7;gI’)S Is/and Allegro e vigoroso Begin music with last [me o]’recz'tatz'on A A f A(Preser71e the r rhythm e A “Go, my son, in - to the for-est, Where the red deer herd to—geth-er, A , ‘Ea. Hlawatha Kill for us ‘a fa-mous roe—buck} K111 for ' A, ~ /'1‘ “Go, my son, in - the for - est, Where the reddeer herd to-g'eth—er, A Go! Kill for us A a-mous roe-buck, Ki f r us a ‘deer with ant-lers! Go, my son, in - to the for - Hi uwatha Where the red deer herd to—geth - er.” IAGOO gz'7*w.s~ in HJAWATHA 271/» (Low and arrows mm’ [5/{I(z’.s‘ /12'/22 (ff; poz'7zz‘z'7zg to t}1e_f0res2‘ 1'71 ﬂze bac/e~ altapca f.\ L_____,, T/1e 02‘/zers watch his a’epar2‘ure,gi7'1'7zg /zz'm.(by 1§a7zlomz‘r/re) rm e7zcoumgz,-‘rr1e7zz‘ far /1219 2/zzr/er!/1/«mg. T /16 semzlclzorz/5, z'7z cu7z2’emj>Zat7'07z sings 2‘//e fa//07m'7zg: NQ) “All alone walked Hiawatha” Semi Chorus in U ison And ante (Quasi rec7'I‘al2‘720) Forth in—to the for—est straightway All a~1one walked legato ' > /(IA-af,.,,, a fcmpo H 2 uwatlm Hi- a-wav-tha) All a. - lone walked Hi - a - §va—tha, > ' Proud-1y,with his bow and ar—rows; Proud-1y)with his ::”\ ”‘\ bow_ and ar - a- lone walked /'\ /57 V __ W.‘ H iawatha N9 16. Chorus: “And the birds sang round him" Full Chorus in Unison wtih Flute and Violin Obbligato Matwe Qf music from “Old Ma7z’s Love Song” of the (/ma/za Irzdzmzs Moderato Quasi rec-Z‘[afl’.z)0 espresszvo ea’ irmzq. Chorus 1. And the 2. Sprangthe 3. d Zra7zquz’ZZ0,co7z azioso, sempre /eg/12'/u An the {F - ————‘-T .7’ ‘ . birds sang round him 0 ’er birds sang squir - rel, Au’ — jz' - dau Ad’ — jz' - rab - bit from his path from his {"‘\ Hiawatha him, Sang the rob - in, the 0 — paw - L‘//M’, mo, Up the oak - tree, close be — side him, way, Leaped a - side, and at a dis ~ tance, 3-6 ----------- --L ---------------------- --, r b \ /—\ Sang the blue - bird, the 0- wais-sa, And the bi;?1s sang In and out a - rnong the bran—ches, Laug‘hed,and said be - Sat e - rect up - on his haunches, Say - ing to the 2-\ Hfawatha him, bir s sang o’er his laugh-ing, close be — side the hunt — er, to the hunt H i awat ha “Do... not shoqt us, “Do____ not shoot me, “Do__ not shoot me, / /, Hiawatha decresc. molto dim . e Hiawatha N9 17. Recitation FIRST» INDIAN MAIDEN: But he heeded not, nor heard them, For his thoughts were with the red deer; On their tracks his eyes were fastened) Leading downward to the river, To the ford across the river, And as one in slumber walked he. SECOND INDIAN MAIDEN: I-Iiddenin the alder-bushes, There he waited till the deer came, Till he saw two antlers lifted, Saw two eyes look from the thicket, Saw two nostrils point to windward, And a deer came down the pathway Flecked with leafy light and shadow. THIRD INDIAN MAIDEN: And his heart within him fluttered, Trembled like the leaves above him, Like the birch-leaf palpitated, As the deer came down the pathway. Fina;l€I(A)“Then upon one knee” (Chorus in Unison) Motiw of music based upon I2za’z'a7z “Game So7zg""(Vanc0u22e.r’s Island) Allegro con vivo (Praserwe //M j)€Cu/1'11)’ r/zy//2///J A /X on one knee u -ris-in Hi - a-wa-tha aimed an ar— row- P 2 . 2 /’’”'x fl Scarce a twig moved with his /A’—\ #A I‘11S tamped with all his hoofs foot up-1ift— ed, ‘ Hiawatha to-gether.‘ List- ened; mo-tion, Scarce a leaf was stirred or J 2"'”—“$ semﬁre 721 -fa rte roe—buck start—ed ) List-ened with one a [em/Jo Leaped as if to meet the ar — row.‘ a tempo cresc. I €23. Ten fa -tal ar - row, Li e a wasp Vit.. buzzed nd 2 qf mall‘;/1 dz‘/22. ‘fa. as \« Finale (B) “Dead he lay there in’ the forest” Semi Chorus in Three Parts Preserve the five measure r/zytlmz ndante moderate e espressivo ‘K Soprano It/II. Alto 7 P ,., >' boprano Hum_ Dead he lay there in Andante moderate‘ Hum. Beat his tim-id heart no C(msz'a’er*eac/z measure as one lzeaz‘ Hxawat a Beat his tim - id heart atta 0 ca decresc Hiawatha Finale “But the heart of Hiawatha” Chorus in Unis on Motzkre for music of (0) and ((2') based ujﬁon “Game Sd7zg” oft/1e 17m’z'a7zs of Va7zc(/zwer’s lslmza’. Enter HIAWATHA bearing the deer, aim’ exultanlly Allegro con sp1r1to » - (Preserve the peculiar rlzyt/mz J. ‘(T ‘Eek. heart of Hi- 21 - wa - tha,___ Throbbed and -ed) shout-ed and ex-‘ A A ult — ed! Throbbed shouted and ex—uIt—ed.' AAS he bore the A A ‘S Amarcato red—deer home - afmrm 3% Hiawath a Finale “Strong-Heart” - Full Chorus in Three Parts Allegro Vivace A Sopranol Soprano II Alto I erve 2‘/ze peculiar r/wt/zm) A _ , Allegro _v1Vace A f marcato a - goo and No - ko-mis Hailed his com-ing with ap - plaus - es. Hailed his com'- ing with ap-plaus - es. Hailed his com-ing with ap - plaus - es. " '‘ A/-————$ From the red- deer’s hide, No - From the Hailed 2— A Hiawatha ko4 mis, Made’ a red- deerh hide, a red-deer’s de, a Made a cloak for ban-quent to his ban-quet to his Vban-quet to his Hiawatha cloak for c1oak‘for Hi - a - - tha, wa - tha, A \ cloak for Hi - a - 2. ‘fa. red-deer’s flesh,No- ko-n1is Made a hon - Mad a ban-quet /.”"""T marca to All e vil-lage came and feast -ed, to his hon-or, ' All e vi1- lage came and feast-ed, T All e guests praised Hi - a ~ wa - tha, All the guests praised‘ '- a—wa—tha, Called him “Strong'~Heart, Scan - ge Called him “StrongHeart, Soan - ge Called him “StrongHeart, Soan- ge Hiawatha him “Strong — eart, '— Called him “Strong - Heart, Called him “Strong - Heart, A /4. A _/j" ma rcatov A decresc. ‘fab. CURTAIN A Vsempre H i aw atha. 221 Columbus Ave. Birchard Operettas, I Cantatas, and Operas For Treble Vozces BLUE BEARD. Operetta in 1 act. Libretto by ' ALICE MONROE FOSTER; Music by FAY FOSTER. May be given in high schools. 4 principals; chorus optional. Time, 1 hour. $1.25. CARMEN. BIzET’S. Opera. Abridged edi- tion for stage or concert performance. For choral societies and high schools. 7 prin- cipals; chorus. Time, 45 minutes. $1. CHILDE JESUS. Christmas cantata. Text by HAZEL JEAN KIRK,‘ Music by JOSEPH W. CLOKEY. May be given in junior high school and above. Time, 25 minutes. . Piano-vocal Score, $ .60. DRAGON OF WU FOO. Operetta in 2 acts. Libretto by DAVID STEVENS; Music by CHARLES REPPER. May be given in high schools. 12 principals; unlimited chorus. Time, 2 hours. $2. FIRST CHRISTMAS, THE. Christmas Can- tata. Text by CORDELIA BROOKS FENNO; Music by LOUIS ADOLPHE COERNE. For _ high schools and choral societies. P. V. score, $ .75. FOUNTAIN OF YOUTH, THE. Cantata. Poem by M. JOSEPHINE MORONEY, Music by E. S. HOSMER. May be given in junior high schools and above. Time, 20 minutes. P. V. Score, $1.00. HANSEL AND GRETEL. An English song- play adopted from Humperdinck’s opera by BERTA ELSMITH. May be given by junior high schools and above. 5 principals; cho- rus. Time, 1%; hours. $1.50. HIAWATHA’S CHILDHOOD. Operetta in 1 act. Text from LONGFELLOW; Music by BESSIE M. WHITELEY. May be given in junior high schools and above. 6 princi- pals; chorus. Time, 30 minutes. $ .75. I HEAR AMERICA SINGING. Cantata. Text by WALT WHITMAN; M u s i c b y HARVEY B. GAUL. For advanced high schools and choral societies. Time, 15 min- utes. P. V. score, $ .60. JOHNNY APPLESEED. Operetta in 1 act. Libretto by DAVID STEVENS; Music by HARVEY WORTHINGTON LOOMIS. May be given in grades above 4th. 8 principals; chorus. Time, 25 minutes. $ .75. LEGEND OF THE DANDELION, THE. Cantata. Text by CLARA LOUISE KESSLER; Music by JOSEPH W. CLOKEY. May be given in high schools. Time, 20 minutes. P. V. score, $ .75. LOVE’S SACRIFICE. Opera. Libretto by DAVID STEVENS; Music by GEORGE W. CHADWICK. For choral societies. 4 prin- cipals; small chorus. Time, 30 minutes- $1. 5 0. BOSTON C. C. BIRCHARD S; COMPANY Address Boston Oﬂice. MAY THE MAIDEN. Choral Dance Cycle from Gounod’s F a u S t , paraphrased by HARVEY V‘!/ORTHINGTON LOOMIS. May be given in high schools. Time, 15 minutes. P. V. score, $ .35. MOTHER GOOSE ARABESQUE. Cantata. Text and music by JESSIE MERRILL TUKEY. May be given in junior high schools and above. Time, 15 minutes. P. V. score, I $ .75. OLD JOHNNY APPLESEED. Cantata. For junior high schools and above. Text by WILL DEEMS; Music by HARVEY B. GAUL. P. v. score, $1.00. OUT WHERE THE WEST BEGINS. Cantata. Text from tbe poem by ARTHUR CHAP- MAN; Music by SAMUEL RICHARDS GAINES. May be given in high schools. Time, 10 minutes. P. V. Score, $ .25. PENNY BUNS AND ROSES. Operetta in one act for unison Singing. Libretto by LEISA G. WILSON; Music by CHARLES REPPER. May be given in grades above 5 th. 4 principals; chorus. Time, 1 hour and 15 minutes. $1.25. RIDDLE OF ISIS. Operetta in one act for unison singing. Libre t to by DAVID STEVENS; Music by BENDIX WILSON. May be given in junior high schools and above. 6 principals; unlimited chorus. Time, 50 minutes. $1.25. ROCOCO ROMANCE, A. Cantata. Text by FREDERICK H. MARTENS; Music by A. WALTER KRAMER. May be given in high schools. Time, 20 minutes. P. V. score, $1. SPRING RAPTURE. Cantata. Text by NELL R. EBERHART; Music by HARVEY B. GAUL. May be given in junior high Schools. Time, 20 minutes. P. V. score, $ .75 . TUBAL CAIN. Cantata. Text by CHARLES MACKAY; Music by HARVEY B. GAUL. May be given in junior high schools and above. Time, 30 minutes. P. V. score, $1.00. YOUTH AND LIFE. Cantata. Text by DAVID STEVENS; Music by PETER BENOIT. May be given in grades above 5th. Time, 25 minutes. P. V. score, $ .65. WAY DOWN SOUTH IN DIXIE. Operetta in one act. Based upon songs by STEPHEN C. FOSTER, arr. by CARL ENGEL. Libret- to by FREDERICK H. MARTENS. May be given in junior high schools. Time, one half hour. $ .75 . 4,, NOTE: Orchestration: are available for all opera: and operettas, and for most of the Cantatas. NEW YORK 113 W. 57th St. 9'. ; 3 i § 4 K € £ 5 é .9 V Z 5 ‘E '.._a 5 2 . E 5 ['1 ‘ , 1 WITH SAILS &OARS ; '.V|«1\\?R\_\\V~i§x—V,\VV--§-V-s-V7VT\_.I:tTV'-1\!\\¥ -L
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Title: Bridge, The, The Bridge
Date: n.d.
Text: ﬁlm?» v 39 J V? 5 ‘./‘In. A’ /l7H 'WRlTTEN‘BY H. w. LONQFELLOW Esq. W313 QEUILD e e; COMPOSED av Muss M.ALINDSAY. . Andante con espressione. V©El©E. . . éuene :©EU?B. /9 elocks were shtrik_i“ng the hour;- hind the‘ dark church tower. rushing, A ___ mong “The ,'Bridg‘e”h_v Miss M. LINDSAY. I stood on the hfidgeh vAn.d the" moon rose o’er the mi(1__-- night; /23 ci__ty, Be. '‘the ~ waters . And like the,w00den_\, » ' piefs; ............. .. H.776 J' A C0Pv&apos...
Show moreﬁlm?» v 39 J V? 5 ‘./‘In. A’ /l7H 'WRlTTEN‘BY H. w. LONQFELLOW Esq. W313 QEUILD e e; COMPOSED av Muss M.ALINDSAY. . Andante con espressione. V©El©E. . . éuene :©EU?B. /9 elocks were shtrik_i“ng the hour;- hind the‘ dark church tower. rushing, A ___ mong “The ,'Bridg‘e”h_v Miss M. LINDSAY. I stood on the hfidgeh vAn.d the" moon rose o’er the mi(1__-- night; /23 ci__ty, Be. '‘the ~ waters . And like the,w00den_\, » ' piefs; ............. .. H.776 J' A C0Pv'RIGriT As . the flood of thoughts c-atme o’er' ' ' That filled my eyes ~_ How of‘--- ten oh! how 0f'____ten days that had ‘gone hy, V I had stood on that ‘bridge . ' V,mid___ night And gazed on that Wave and sky! ‘ oh! how U 0t‘___,_te1i, _ t »I hatt wished thatlthe ebb-_-ing* I it “The Bridge"by Mrss M.LI1\'DSAV. Would bear me ‘a_-.way on its bqsom — ()'’er the ..0_;_V____»_A___‘c"ean wi1<1 ,j an<‘1 wide. ; For my heart was hot ‘and .v4 rest ___ less {T _ Abur__-Athen laid’ up____ on me, Seemed greater than I . Vcou/1d. it-has £511------ en: from me, “'T?:" Bri«‘.~.»_'r="}w Wns MT LINDSAY. ..Vbu__ ried ' in _ _ ' And‘ 011n_’-__ly t11e‘s0r__ row of L» 0 - thers V4 thidW$ its I cr0ss the A ' % L, On its bridge Wiﬂx wood--_ en 0: dour _of brine froin the o\-____cean Comés the e___Ver, and tho1Ig1.1t of 0__ther 5» V .Am1 for -.‘.‘ATb+.* .Br1'd:.~.="b_v Miss. M..LINDsAv. ‘. “i As long as the ri«__V-._'ver I flows, 2 L 4] 7 T :::E F .3‘ I7; _./ ' arazi iés br0-i;en re-__f1ec_--tion .-97 :3’? .shaciow$ shall ap___-pear As the lsym __.bol of love And’ its wa__ vering _i_- mage “Tho mag-e”by MISS M.I.m15s_ur. ' - ‘ _ 11.776 ,-——————--—-— Chanson des Paysans Bohémes . . . . . . . . . NEW P1ANorB:oP.TE MUS9lO. 63' By a recent arrangement with this eminent Composer, Robert Cocks and Co. are constituted the sole Publishers of his Pianoforte Nforlrs for_'G-reat Britain and its Dependencies. FAVOURITE soororr MELODIES, Trcmsc7‘1'becl for Pianoforte. 5'. cl. . Bonnie Dundee, My Nanny, O I and My ain kind De-arie . . 3 0 1 Fantasia on Donald, and Duncan Grey . . . . , _ . , John Anderson, my jo, and Thou hast left me ever, Jamie 3 0 The Keel Row Fantasia on Charlie is my darling, and The Campbells are § 3 Tire same, arranged as a Duet for four hands . . . . . . . . . coming Jock o’ Hazeldean . . . . . . . Fantasia on Scots wha hae . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Logic 0’ Buchan . . . . . . . . . . . . . . . . . . . . Roslin Castle, and A Highland lad my love was born . . . . 3 The Blue Bells of Scotland Ye banks and braes . . . . . . . T/ze same, arranged as a Duet for four hands , . . , . _. The same, arranged as a Duet for four hands. . . . . . . . . . 4 VVandering Willie, and My love she’s but a lassie yet . . . . The yellow—haired Laddie . . . . . . . . . . . . . . . . . . .". . . . . . . . . 3 Highland Mary , , , _ , , _ , , , _ , , _ _ _ _ _ , _ _ _ Comin’ thro’ the rye . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Annie Laurie . . . . Auld Lang Syne, and The Highland Laddie . . . . . . . . . . . . 3 ~ FAVOURITE IRISH MELODIES, T ranscr ibecl for Piemoforte. The Meeting of the Waters, and Eveleen’s Bower. . . . . . . . The soldier’s greeting. . . . , . . , , , _ , , . , , , , _ _ _ , , _ , , _ , , , , _ The Minstrel Boy, and Rory O’More . . . . . . . . . . . . . . . . . . 0 The last Rose of summer . . . . . . . . . . . . . . . . . . . . . . . . Flow on thou shining River, and Nora Creina . . . . . . . . . . The same, arranged as a Duet for four hands . . . . . . . . . . _ . Kate Kearney, and Tow, row, row . . . . . . . . . . . . . . . . . . . . The harp that once through Tara’s halls, and Fly not yet. . My lodging is on the cold ground . . The Bard’s Legacy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Go where glory waits thee, and Love’s young dream . . . . . . Oh! leave me to my sorrow . n . o o . . . . . . o . . . . . oooooeo o c=o<:oocoooo.’~‘4 ELEGANT FANTASIAS DRAWING ROOM PIECES. Grand Triumphal March, dedicated to the Three Regi- Il Sostenuto, Etude de Salon . . . . . . . . . . . . . . . . . . . . . . . . . . ments of Guards, beautifully illustrated in colours . . . . Woodland Murmurs—Nocturne Russian Melodies — Schéne Minka, and the Russian Le Réve—Romance Nationa1Hymn....... . . . . MarcheMilitaire... . . . . . «Souvenir d’Espagne El nuevo Jaleo de Jeres . . . . . . . . . . . . Evening Star (Schottische) . . _ . , Cease your Funning, and The Lass of Richmond Hill . . . . Alpine Melody . . . . . . . . . . . . . . , . , , , , _ _ _ , , _ , , L’Absence et le Retour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . _ The same, arranged as a Duet for four hands . . . . The Rose Bud Polka, beautifully illustrated in colours . . . . Pretty Mary Waltz. . . . . . . . . . . . . . , . , . , , . . . . _ , _ , _ , , Nocturne, dedicated to M119‘ Gabriel . . . . . . The Anna Waltz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grande Mazurke guerriére, dedicated to the Empress} L’Hirondelle, Waltz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Eugenie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . La Gondola, Souvenir de Venise—Nocturne . . . . . . . . . . . . . Reverie on The Banks\of Allan water . . . . . . . . . . . . . . . . . . Rondoletto Scherzo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nocturne, dedicated to Mrs. Horace Twiss . . . . . . . . . . . . . . I know that my Redeemer liveth ; sacred song from Forget me not-—Romance . . . . . . . . . . . . . . . . . . R. . . . . . . . . Handel’s Messiah, transcribed for Piano . . . . . . . . . . The Old Hundredth, transcribed for Piano . . . . . . . . . . . . . . VVith Verdure clad (Aria from Haydn’s Creation) The Vesper Hymn, transcribed for Piano transcribed for Piano . . . . . . . . . . . . . . . . . . . . . . . . . . The Surprise, (Andante from Haydn’s Third Symphony) La Donna e mobile, ballad from Verdi’s Rigoletto, tran- transcribedforPiano . . . . . . . . . . . . . . . . . . .. scribedforPiano..................,,.._.,,_._, Fading away (Ballad, by Miss Anne Fricker), transcribe } Bella Figlia dell’ Amore ; quatuor de l’Opera. Rigoletto, . . . . transcribed for Piano . . . . . . . . . . . . . . . . . . l O OOOOO O OGOOO O G) C) 0 OOOOOOOOOOOO O OPERATIC FANTASIAS, On faoorurite Themes , from the following Operas : each 3.9. MozART’s Don Giovanni. ' BnLLrNr’s Sonnambula. FLoTow’s Stradella. —————- Zauberﬂote. RossrN1’s Otello. AUBER’s Fra Diavolo. BI«:LLINI’s Norma. FLoTow’s Martha. WEBER’s Freischiitz. (To be continued.) E]_e1nen*i;a,3(y—-Scales and Exercises, 4s. W. VINCENT WALLACE’,S EDITIONS, OF STANDARD VVORKS, NEWLY REVISED AND FINGERED, vIz.: , Sc11Ui.Hor‘F‘s Carnaval de Venise . . . . . 4 TALExY’s Adrien, Etude . . . . . . . . . . . . . . . . . . . . . . . . . . GalopdiBravura..... .. 4 3 3 0 . . 0 STnE1CH‘s Les Hirondelles, Variations Brillantes . . . . . . . . 0 LEFEBURE-VVELY’s Les Cloches du Monastere, Nocturne. . ———--»-———-—--- Impromptu Polka . . . 0 -———— Minuet from Mozart’s Symphony in E ﬂat . . 3 0 ALSO, BY W . VINCENT WALLACE, ALPHONSE LEDUC, &- J. A. HAMILTON, NEVV AND IMPROVED EDITIONS OF Czerny’s celebrated Etude de la Velocite, for the Piaiioforte. The Twentieth Edition, by W- VINCENT WALLACE—With the addition of Nine New Introductory Exercises and a New Study on Octaves, composed by CARL CZERNY, exclusively for ROBERT Coons and Co.'s Edition— An elegant Nocturne, by ‘W. VINCENT WALLACE—and Notes by J. A. HAMILTON : in Two Books, each 6s. ; or complete in One . . . . . . . . . . . . . . . . 10 6 Czerny’s 101 Elementary Studies for the Pianoforte. The Twenty-ﬁrst Edition. by W. VINCENT WALLACE. with the addition of Twenty New Five-ﬁnger Exercises, and Six New Exercises for the Left-hand alone, composed by CARL CZERNY, expressly for RoBnnT Coons and Co.’s Edition——A choice Pianoforte Piece, by W. VINCENT WALLACE—and Notes by J. A. HAM1LToN: in’ Two Books, each 4s. ; or complete in One . . 8 0 @‘ The valuable additional Exercises, :30. by Carl Czerny and others, as also Hamz'lton’s Eamlunutory Notes, are to be found inno Edition, English or Foreign, of the above two Worlts, except t/iutpublisked by ROBERT Coons and C0,; u-hie/L edition orders should speciﬁcally name. arse, . Newly arranged for Voice and Piano, by VV. VINCENT VVALLACE,'tl1e Scotch Ballad, John Anderson, my j o, beautifully illust. in colours 2 0 LEDUc’s La Chatelaine, Fantaisie 21 la V-alse . . . . . . . . . . . DREYscHocn’s Bluette, Nocturne, Op. 16 . . . . . . . . . . . . . . l0l\'.>t\D1-IRNJ LONDON :
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Title: Lighthouse, The, The Lighthouse
Date: 1904
Text: MUSIC Llsmlnv VASSAFI COLLEGE POUGHKEU-sac. New vonu SUNG BY M‘? WATKIN MILLS. IELILEHLLJJSE Q i3€3—n WV Q» («IR A‘ / J I} \ a /4 S)@_}@@ >)N9 FOR BAss OR BARITONE. ' ;n(( )))« ﬁn \ xx: 0) ' MUSIC BY Jr alv ’ xiv V J! J’ "' ,‘\ Alt ilk V Lit Ill ilk . 1|‘ II‘ ‘I’ COPYRIGHT PRICE 2/=NET IN I. J; U.S.A. MC MVI. LONDON, LJOSEPH WILLIAMS, Limited, BZGREAT PORTLAND STREET, W. /YEW >/0/we EDWARD SCHUBERTH & CE? £.J.vF. H.Me)/Er] The lighthouse. The lighthouse lifts its...
Show moreMUSIC Llsmlnv VASSAFI COLLEGE POUGHKEU-sac. New vonu SUNG BY M‘? WATKIN MILLS. IELILEHLLJJSE Q i3€3—n WV Q» («IR A‘ / J I} \ a /4 S)@_}@@ >)N9 FOR BAss OR BARITONE. ' ;n(( )))« ﬁn \ xx: 0) ' MUSIC BY Jr alv ’ xiv V J! J’ "' ,‘\ Alt ilk V Lit Ill ilk . 1|‘ II‘ ‘I’ COPYRIGHT PRICE 2/=NET IN I. J; U.S.A. MC MVI. LONDON, LJOSEPH WILLIAMS, Limited, BZGREAT PORTLAND STREET, W. /YEW >/0/we EDWARD SCHUBERTH & CE? £.J.vF. H.Me)/Er] The lighthouse. The lighthouse lifts its massive masonry, A pillar of fire by night, of cloud by day. And as the evening darkens, 10! how bright, Through the deep purple of the twilight air, Beams forth the sudden radiance of its light With strange, unearthly splendour in its glare. And the great ships sail outward and return, Bending and bowing o’er the billowy swells, And ever joyful, as they see it burn, They Wave their silent Welcomes and farewells. “Sail on! sail on, ye stately ships! And With your floating bridge the ocean span; Be mine to guard this light from all eclipse, Be yours to bring man nearer unto man.” L ONGFELL 0 W J.W.14461. THE LIGHTHOUSE. Words by Music by LONGFELLOW. HERBERT H. NELSON. Allegro mo derato. The 1ight_house lifts its mass-ive ma_s0n-ry, A pi1_1ar of fire by EV of cloud by day, The light- house lifts its mass - ive ma _ son-ry, A p11_1ar of f1re by n1ght,_.____ of cloud Cojtyright MCMVI by Joseph Williams Ltd. in (7. 3.11. J. W. 14461. P272 lento. And as the ev’n_ing dark _ ens, . how Through the deep accel. e cresc. forth the sud _ den ra - _ dianoe } faccel. e 01/esc. Tempo primo. strange,un_ earth _1y splen _ dour f Andante. And. the J. W’. ‘.4461. p Andante. great ships sail out _ ing and bow _ _ing o’er the bil _ lowy swells, _ ful, as they see /“ wave their si_1e11t comes, their Wel _ comes and fare _ Wells, {T ' as Gm. ll d . ~ ’a argan 0 .:._:==_— K3 molto rall e dim. /TN . F' _ Wave their si _ lent 'We1 _ - c0mes,'the1r W€l_c0mes and farpe 9% J.W’.14461. Allegm vm aestoso. > . ritard . 33- 9i9‘§éb. And with your float - ing bridge IT . J. W. 14461. from all e - clipse, from all e _ Clipse, near_er un _ to man!” /5 a tem ff marcafo fl bassa. >39 > 53%. J. W. 144.61. *°53a>. U 5%‘ Erurn2_ Pr-inten lZ.Harn Yard, G’. Windmill 5tr*eet,W. FOUR SONGS FOR BARITONE OR BASS. The !Du‘bchman’s Jug. (Copyright in l7.S.A.) Words by FRED. E.WEA'I‘HI1‘.RLY. Music by LIONEL ELLIOTT. VOICE, littlejng And he said tohisjug one day, _._"The 1 world is dry and so am I,’__ Just as Lmanmight say; “So give me a dra.ught,my jol_1y little Give me a draught,” said lie, "And (Keys to suit all voices.) Drake’s Drum. (Copyright in Izs.A.) Words by HENRY NEWBOLT moderate. Music by FLORIAN PASCAL. VOICE. Now Drake,he was 3 Devon man, ’an ruled the De_von seas. (Cap_ten art tha' s1eepin’there be _ low?) Ro_vin”tho’his deathfell, he went wfheart at ease, An’ dreaIn_in url the time 0’ Plymouth Hoe. Swift flies the Arrow. Arabian War song. (Copyright in L'..S'.A.) English words by EUGENE OUDIN. Music by V01 CE. Swift flies the at- _ row, and with wild La. flé‘. Me 31]’. - fle at sur la and the fait tie spear fiercely lar _ gas en _ \/ While from the shield Des bou _ chi _ ers -_/_ CH. GOUNOD. The Lighthouse. (cnpymg-ht in II.s,A.) VVords by LONGFELLOW. All moderate. Music by HERBERT H. WLSON. VOICE. The light~house lifts its massive ma_son_ry,A pi1_1aroffireby night, / of cloud by day. The light-house litts its massive ma _ son-)-y,A pil - lar of fire by Price 2/— net each. London: List 1873 Joseph Williams Ltcl., 82, Great Portland S’cree‘b,'W.
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Title: Into the Dawn To Be
Date: 1919
Text: music uammv VASSAR COLLEGE rououxzznsoz. New vonx 4x‘ '1 /( xx ‘ \\ /1 . \\ /1 4( \ . Jr \\_ THE WORDS BY LONGFELLOW g-————— —-T I \ VThe Music by T. WILKINSON STEPHENSON PRICE 60 CENTS (new) BOOSEY (<2. N New YORK - TORONTO - LONDON (Eng) 9 EAST I72‘ ST. V RYRIE BLDG..YONGEST. ‘ b 295 REGENT ST..W. ' THIS sous MAY as suns IN PUBLIC WITHOUT FEE LOR‘ LICENSE . THE PUBLIC PERFORMANCE or ANY PARODVIED vaasnow. How:=.v+:n,ns s'rmc'ruv PROHIBITED COPYRIGHT MCMXAIX BY BOOSEVE...
Show moremusic uammv VASSAR COLLEGE rououxzznsoz. New vonx 4x‘ '1 /( xx ‘ \\ /1 . \\ /1 4( \ . Jr \\_ THE WORDS BY LONGFELLOW g-————— —-T I \ VThe Music by T. WILKINSON STEPHENSON PRICE 60 CENTS (new) BOOSEY (<2. N New YORK - TORONTO - LONDON (Eng) 9 EAST I72‘ ST. V RYRIE BLDG..YONGEST. ‘ b 295 REGENT ST..W. ' THIS sous MAY as suns IN PUBLIC WITHOUT FEE LOR‘ LICENSE . THE PUBLIC PERFORMANCE or ANY PARODVIED vaasnow. How:=.v+:n,ns s'rmc'ruv PROHIBITED COPYRIGHT MCMXAIX BY BOOSEVE CO. INTO THE DAWN TO BE. Four by the clock! and yet not day, Only the lamp in the anchored bark But the great World rolls and wheels away, Sends its giimmer across the dark, With its cities on land and its ships at sea, And the heavy breathing of the sea Into the dawn that is to be. Is the only sound that comes to me. Words by h . A Music by LONGFELLOW. y y T. WILKINSON STEPHENSON. Slowly and with expression. Four by the clock! and (The Clock.) yet not. day; But the great world rolls andwheels Copyright MCMXIX byiﬂoosey «.6 0'0. With its ci-ties on land, and its ships - to the dawn that Four by the clock! and yet not day, (The Sea.) an - ehor,d bark ' glim-mer a - cross the dark, And the /,»—""'—-__-——“*~\ ,/”"-————_-_—““- \~./ hea. - vy breath- ing of the sea Is the on — 1y sound that_— /————---—'—“,—‘e f comes___ to me, And the hea - vy breath — ing of /’’”———_—~‘‘*~\\ ' 2210-4 dim e rall. fl» "dim. e rall. clock! f'\ . \/___ 9- \.J -316 0011168 (The Clock.) mll. e dim. mll. e dim. ‘Eb. OTHERRECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS SHIPS THAT PASS IN THE NIGHT. ords by LONGFELLOVV. - , 7 O Fmmmrales of a.Wayside Inn.” ’ MUSIC b_\ T. V\ ILKINSON STEPHENSON. Slowly and’wz'tl2 ' ~ 7 71/' Ships thatpassin the V ht, and ‘ speak eacho er in- ing, On-1 a s nalshown and at ca in the dm darkness; Copyright MCMXIV by,Bo-osey&Co. O Words by Music by ROSE FYLEMAN ARTHUR M. GOODHART. _meno 7730880 _AEA&IfEKY( UEM A&MiA:E&K®EEMI@ fai - ry went a - mar - ket - ing— She bought A gen- tle mouse T0 pow menu mosso‘ lgsep her day she }t_ept its bu_S_:_¥ feet Pit - Vpegtrting to anti ‘fro_,___ _ And then she kiss’5d__i_t_s si1k—en ears, > > -‘ The words appeared in“Pu.nch” Jan. 24918. Copyright MCMXVIII by Boosey & :E1rI1Eii Words by ELIZABETH K.R’EYNOLDS. by Mr_ John Mqgormack EDWIN SCHNEIDER- /\ ’ p Andante misterioso. Green things,moss - es ferns, _ .__._._ Hid in the shadow-y softness of Here" sunshine en - rs not,But still - ness rests like tlream it- New Edltlon Copyright MCMXIX by Boosey & C0. OTHER RECENT SUCCESSFUL SONGS BY EMINENT COMPOSERS V ’ No.1'inG To Madame [iza Zelmzmzn N0-2 B5 . SW“ 0E1 \ SE1 M.b '01‘ s )7 11510 y ED_LocKTSoN. \J \ ) ’I‘.WILKINSON STEPHENSON. Slowiy and .,wz't'/2 exprEss2'on crew 0 from my heart, . an op -’ning , flowr In deep tran-qui1-1i- ty,___ Doth rise in- cense of my (7/1936 co a poco S .2‘:-. 10ve,_ _ 0 soul of . in-cense,th<V2> Lin-cense of my love,_ > f ' Co yright. MCMXVI1 by Boosey & Co. TJHJE ILHBJHTSJ‘ F IHQM ‘ Music by _ » ‘ C.LINN SEILEIL 0p.10,No.2.. Inmoderatel slow timeand with feeling.‘ ' z’ . ‘ em‘! — 4 :_“‘—.—}- gm», — lot ow arfrom 0t :11‘, {S A ht ofs ray, tar. . A Setkbirds fl ht’ ’ - en eliahts of home! permission, F1-om“Co ected Poems? Vol. II. _ ‘ 1 Copyright 1913 by The Frederick A. Stokes Co.) C°PY’“ght' MGMXV by B°°S9Y& C0- THE RAINBOW CHILD. _T’I‘E RADCLYFFE - HALL . Music by S. COLERIDGE—TAYL(‘5R. The ‘sun —) shine met the st<;rm—wind the p1a.in,_______v And. she’ wooed him And his kisses .34’ a tempo. > Copyright MCMXI by Boosey & Co. OTHER RECENT SUCCESSFUL SONGS ABY EMINENT COMPOSERS NM SLEEPS @m1Ms@MPEmm zinm, No.4inGl> Words by,'I‘ENNYSON._ Sung by Mr. John M9Cormack. Music by ROGER QUILTER. / with , ' - Nowsleeps crimsonpe novrthe - Nor waves the ress in the pahtce walk Nor nks t e gold fin p 1 4 _ A ' _ §/T‘. . porphyry’ _font- waken thou with me. Nowfoldsthe yin Sweetness Copyright MCMIV by Boasey & Co. - , ., R0) BM summlzgmmwgxggﬁgmi N .2‘ G‘ . L 1 M ~ Words by ALFRED HYATT. Dedlcated to and Sung by Mme.Clara Butt. —Music by ERNEST NEWTON. Andante. Roses bysummer for- Ba - ken, Li—1iesofsunshine be-reft, Summer her fare-well has whis‘ - per’d, J» e. t! \ R L LI I x 1 I - n v. . 1 1 1. 1; I 1 1. ,, 1 v 1 In ,__ 13 41 ‘ ~ , - -' U Nzxght ‘but hermem-o-ry left... . V Weafied heswa.1lowsde- dim e Copyright MGMVI by Boose_y& Co. B5I£IRiIDJ@J1E‘B5IL_JIJEJ ' Words b - 5! Music by » - “-GHRYSTA E1“ J: 88) EDWARD GERMAN; ' Allegro ag2'tatb.( for 831-Ways» Little irdof Blue! Com dbring us crownsof ro-Vses, A11 un-tolich 0 rue: it never, Copyright MCMX by Boosey & Co.
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Title: Wabun
Date: 1923
Text: MUSIC LIBRARY VASSAR COLLEGE '0'.'P-WE’?-svz. new vonx SONGS sHA-wON-DA-sEE (The South Wind), Medium, F (No. 5252) . SKARL THE DRUMMER, Medium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) - WABUN (The East Wind), Medium, F (No. - I-IIAWATI-IA'S SONG, Medium, F# minor N. as - — — — ADJIDAUMO (The Squirre1)'Medium,G } ( ° 52 ) ‘F J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED IN THE...
Show moreMUSIC LIBRARY VASSAR COLLEGE '0'.'P-WE’?-svz. new vonx SONGS sHA-wON-DA-sEE (The South Wind), Medium, F (No. 5252) . SKARL THE DRUMMER, Medium, D minor (No. 5253) COWBOY SONG, Medium, E minor (No. 5254) - WABUN (The East Wind), Medium, F (No. - I-IIAWATI-IA'S SONG, Medium, F# minor N. as - — — — ADJIDAUMO (The Squirre1)'Medium,G } ( ° 52 ) ‘F J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED IN THE U. S. A. To Mr. and Mrs. Elbert L. 0’m°pente7~ Wabun (The East Wind) “Hiawatha” LONGFELLOVV JAMES A. BLISS Q I Medmm Op.11,N0.2 Allegro con moto r,__§_._, Voice Young and beau - ti - ful was Wa - bun, A Zeggiero x V7 0 ‘ He it was ~wh0 brought the morn-ing. He it was whose Sil - Ver méfr- rows f Ossia Chased the dark 0’er hill and Val - ley; He it was whose cheekswere painted Copyright, 1923, by .ZF2'scI¢er c6 Bro. British Copyright Secured ‘» J.F.& B. 5253-3 Meclzamfcal and all otlzer ﬁghts reserved ].>;~§ymgd in U¢s_A_ mf cresc. With the bright-est streaks of crim-son, And Whose voice a-Woke the Vi1- 1ag‘e,V } Lg > ¥_______,g f? , (M.M. J:1o4) Called the deer, andcalled the hunt-er, Lone - ly in the sky was Wa-bun 19 staccato Though thebirds sang gai - 1y to him, Though the Wildflowers ef the mead-ow J.F. & B. 5255-3 Filled ‘ the air with 0 - dors for him, Though the for-ests and the riv—ers Slower Sang and shout- ed ' at his com-ing Still hisheart was sad with-in ‘him /}i /"T /"““T 1‘ a - lone in Heaven. iv A Group of AMERICAN SONGS L1sT No. I . HOWARD BARLow . . . . . . . GENA BRANSCOMBE . . . . .. ELIZABETH I-I. DAVID. . .. }AMEs P. DUNN . . . . . . . . . G. FERRATA . . . . . . . . . . . .. CECIL FoRsYTII . . . . . . . . . FAY FosTER . . . . . . . . . . . . J. BERTRAM Fox . . . . . . .. FRANK H. GREY . . . . . . .. VICTOR HARRIs.. . . . . . . .. A. WALTER KRAMER . . . . HOWARD D. MCKINNEY. WILLIAM REDDICK . . . . . .. GERTRUDE Ross . . . . . . . .. LILY STR1<,:I<LAND . . . . . . . . DEEMs TAYLOR . . . . . . . . . PIETRO A. YoN . . . . . . . .. I-lush ofthe World . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5193, 5194)* L0veissoNew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5I92)..... Your Eyes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5195, 5196) In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . .. Honeysuckle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5151, 5152) . . . .. InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155, 5156) Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5153, 5154) The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . . .3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) . . . . . Under the Greenwood Tree . . . . .. . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) .. . . . Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) ..... A Masque . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .]\/ledium (4532) . . . . . . . .. Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547) . . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . .. When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . .. Secret Languages . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4665, 4666) . . . .. Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) . . . .. When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . .. Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4454, 4455) . . . .. A Ballad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. High (4737) . . . . . . . . . . . Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . ... . . . . . . . . . . . .2 keys (5079, 5083) . . . .. Sadness; Tears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5160, 5161) . . . .. The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) ... .. A Madrigal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) ..... Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 keys (5092, 5093, 5094) Silver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5098, 5099) ._.... Eternal May. . . J . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . .. ForaDream’s Sake . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (3851, 3852) Joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4246, 4247) . . . . . Song Without Words . . . . . . . . , . . . . . . . . . . . . . . . . .High (5020) . . . . . . . . . . . In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . ... . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys (4863, 4864) . . . .. Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . ..High or Medium (5077) . Travelin‘ to de Grave. _ . . . _ . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) ... .. Early Spanish Californian Folk Songs (Five).. . . .2 keys (5120, 5121) . . . .. Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144). . . .. Bayou Songs (Four) . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) .. . . . A Beggar at Love's Gate; So Cycle . . . . . . . . . .2 keys (4440, 4501) . . . .. I. I. I. ng Today is Fair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4338. 4339) ~ ° ~ -- Captain Stratton's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass (5242). Banks 0' Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .../\/Iedium (5210). . Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) ... .. The Messenger . . . . . . . . . . . . . . .. . . . . . . . . . . . ..2 keys (4732, 4733) The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) .,... A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . ..... 2 keys (4452, 4453) ..... Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . .s.. *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. FOURTH AVENUE AT E1011 NEW YORK 3, NEW STREET, BIRMINGHAM, ENGLAND TH STREET (ASTOR PLACE)
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Title: Old House by the Lindens, The, The Old House by the Lindens
Date: n.d.
Text: J/77 A///A/70 4; 17/XIW, /MP VIEW or LONCFELLDWS RESIDENCE.) i COMPOSED BY €§ ( \@@@§I§ w, B D N W MN E DI 8 _.r_ H T WRITTEN BY 'N VV [ L§<E€§ ‘§&\ . S. N EL 9 N U E... H Tl Y ‘B E 5 U nu H 9 IL nu ..r_ H T /LL/I5)’, ///H EN/7'...)"/734.1-M721, L\n.v..u¢nAL]\»wuuaH§L.. 41. K on F: ¥\w.vUime» s l‘\'H\l\ .1 W. JFR .V 77?. VJ .\¢ E42 exwvi A5 7L.;w.wVu!M.. JEIJ. :1 «R «J J._.\.; .54 » iﬂuvt. .....ﬁM)\W.n14».4J!-Jyn x w as ;1 ._ E .. Fx‘wl«.xIA.%\.’.w‘‘‘lv‘u\HJ\.W‘xI...
Show moreJ/77 A///A/70 4; 17/XIW, /MP VIEW or LONCFELLDWS RESIDENCE.) i COMPOSED BY €§ ( \@@@§I§ w, B D N W MN E DI 8 _.r_ H T WRITTEN BY 'N VV [ L§<E€§ ‘§&\ . S. N EL 9 N U E... H Tl Y ‘B E 5 U nu H 9 IL nu ..r_ H T /LL/I5)’, ///H EN/7'...)"/734.1-M721, L\n.v..u¢nAL]\»wuuaH§L.. 41. K on F: ¥\w.vUime» s l‘\'H\l\ .1 W. JFR .V 77?. VJ .\¢ E42 exwvi A5 7L.;w.wVu!M.. JEIJ. :1 «R «J J._.\.; .54 » iﬂuvt. .....ﬁM)\W.n14».4J!-Jyn x w as ;1 ._ E .. Fx‘wl«.xIA.%\.’.w‘‘‘lv‘u\HJ\.W‘xI‘xV~ VxﬁY’|x .lX\&..knkHhn1nV.1\..u..r.i rxAh.U.va xf‘ ).,.;, te)..u.!.ﬂ..,.qA., ....(,c..\ E 1»: ..w 1 “THE OLD HOUSE BY THE1L|NDENS’.’ OR “THE _OPEN wmnow.” Wi~itten by H.W. LONGFELLOW. Composed by JOHN BLOCKLEY.» ~.MoDERAr1'o . The old house by the H11 _ _ dens , Stood si _ _ _ lent in the Esprcssivo. the graveI1’d path _ _way , The J u light and shadow 4 playd nursery Win--d0W ’ ‘. But the Esprcs-s1'vo . . Calando, __ _ cesv M of h the _children, They were no lon .. _ _ _ ger Te mpo. there . e lar ‘e New- .. fo(md_ _ _ _land house — 0 g: "f standing the door; e ‘look)d for his little Espressivo . p1ay_ _ _ _ _mates, Who woulél re ; _ turn Lg’ dotce. Dim. e rall . look’d for his little play _ _ mates,VVh0 would F€_tu1*n no more . \‘f// L2 "’/V /3 ‘-9 calla vocu . The Old House by the Lindens . ~:John Blbckley. under the lin_dens, They p1a..y’d not They wa1k’d not /3 V Espressivo. But shadow, and silence and sad_ness birds SEUISC’; branches , ' With sweet M a __ mi _ _ liar But # Expressive . Calanda . voi__ces of the children Will be heard in dreams /‘7\ _/"g___g The Old House by the Linden: . the El... John‘ Blockley Tempo. And e boy that w2{1k’d be_sirle "f not ‘ — y c user in mine, ah! préss’d his ‘warm, soft hand‘. Dim. e rail. closer In mlne, ’ clo _ _ _ ser, I press’ h1s warm, soft hand! \ /9 " calla vocc. The Old House by the Liridenr, Londgn, Published, by Juhn Blcckley, 2 Park Road,H;:v::u*stock.Hi11 . I «I ®L@-ML. : RNTETTW?‘ W 51' TWA”/WD comPo'SER or"'LuvE NoTj' "HEARTS A HDMES; 'EvANcELINE;‘ "ExcELsIoRi‘a«.. PDEIRY av QESSIEIS DREAMTSTONV DF RELTET or LNCNNDWTGRACE CAMPBELL MESSENGER swALLowIo swA..IgwITENNYS0N. aka I IvIAuD~ L * , _ D° _ zie THE BR-00K. I ' Do 2!- ]coNIE INTO THE GARDEN MALID I D° ’ as MEMORY or THE PAST I'm.‘s mu mm D° aés MUSIC ON THE wIND moumn T0 wuss) D° zle coNc..usIoN_os ouuu or me am) MOTHERS sous BREAK.BR£AK Ipomm or TENNYSDN/I D° THE wARRIoR's RETURN . 0° zie G0 NoT HAPPY DAY I . .D° 21- ELIIN ECHOES. Rmw am BLOW) D° RING OUT WILD BELLS. D° A BLESSING oN THINE EYES H0N“E‘M“.5N0RT0N FRIEND or OUR EARLY DAYS 7 D° IREYIEMBER THY VOICE D°_, WE HAVE BEEN FRIENDS TOGETHERD° THE ABSENT oNE D°‘ MV cHILDHooD's HOMEIPGRTRIIITOFMVNORTONTDO THY NAME,THYTRI:AsuRED NAME THE HAPPY BRIDE 'C.YOUNCx._, (HAPPY Is THE BRIDE THE sun SHINES GMT HOPE IS THE LIGHT OF EVERY HEART GRACE STIRLING 2]‘ FAVORITE SONGS av THE RIVER & STAR ANGELINA 2» ART THou LOST To ME D° ABSENCE ‘Do TELL~TALES. S.LOVER STIR THE FIRE(pom-,avc.muun‘IJOLLY HASTE THELBOATMAN \~’1NllLOP 5L7NG)KUC-K EN . :swEET 1 LOW) . Do 3L" POETRV BY HIGHLAND REscuEI...c..,m AI‘ Lucknow) CARPENTER ale FLOATING AwAY.... . . ‘ D° zt~ MY DEAR OLD HDNIE . . D° z{~ rL'owE'Rs or HDME 7 D9... ate GENTLE woRDs I 21. T FOOTSTEPS or ANGELS -7 LONGFELLOW is IwITH PaRTRA|T) . ARRow 8< THE SoNG..__.... . D°. 2}- A GREEN TREES WHIST5ERED.... D° \ .!- PASSING AwAY. was HEMANS" 2|- THE BRIDES FAREWELL . D9. 2|‘ HoNIEs or ENGLAND. ‘V ,D° 2|~ THE BETTER LAND _ D° BIRTHDAY GlFT_:.. . C.TREVEt.YAN ALL‘s FOR THE BEST MARTIN TUPPER SPEAK GENTLY, LANGFORD AI3sENT‘rRIE‘NDS SHEA... .. RosE,RosE,.oI>EN THY LEAVES SwIss GIRLS DREAM___ BARTHOLOMEW SUMMER... D9 VESTERDAY(coMr.ANIoN To"To DAY" AND To Mmunow) MOTHER WHO HATH A CHILD AT SEA E .COOK ROSE OF THE ALHAMBRA’ VARTOUS COMPOSERS. E.J.LODER BULWER THE SABBATH MORN SN|lLE& KIND WORD OF GREETING D° NY FATHERS BIRTHDAY... . *' D° TIMETHAT BRINGS HINHONE AGAIN MACFARREN THE FALSE GoNDoLIER c.GLovER BIRD OF THE WILDWOOD GOLDBERG _ l_A "3! 1 } ‘ ‘H. 4 “E; Q“ i ‘ ‘ _ J)! ‘V _U___A __“_W " ll/it ‘Y :2 V )_V_ L; ‘Aw -,- ,, A4; ,,1.:A;.2~.“/; L .~ -: ;Uz..«'« ? A./_ V .‘t::~ T E ~".J‘*5“"»"'«,-=-=-v-s4_>.~:I.-_ :a.«ﬁ».<-—::sv~«~—E:e~::-,-: _~;«=r> . ~ I “ﬁ‘*¢".""'"‘:.~—»~‘~?-:-e-*=»:--.~w..-A:-<.'~ ., :E..A¢,:=:P;t-~.. p..r—».«.- ;:r«.«s-a~«4u‘~«=»e-»-.€.,~;,...:_ «-«-‘«~»a«.‘-:‘%‘>~.-.133-vv. « S -A2» as x
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Title: Excelsior
Date: n.d.
Text: ARRANCEDBYJ.B. / ’} 71. .40 .74 z" ‘ ﬁx ‘ ~' V g , B)’ LQNDON: ROBERT CUCKS & (:9 NEW BURUNUTON ST R,EGE?‘3T 3? W. b By S/aecial Appozérzfnwnt PUB-LXSHERS T0 Hsamosf cmxczbus MAJESTY QUEEN VICTORIA, ms ROYAL HICHNESS TH E Enxmcs; or _wA ﬂltviéfu . .A«.,a.,‘ @z:.©A@u.@u©R.V I Worms av LO’NGFELLO\.N.ﬁ V L©* . Mus ic n Muss LAl_NDSAAY. A JLLEGRO. J v K : E\. K I l\ 1 . 1 _L..L [ .1 3? AL I: ? T 45-; ":“ E‘ JEN“ J 7 _ shades _ of n’ig-Ht were fall _ ing. fast, I As" thro’...
Show moreARRANCEDBYJ.B. / ’} 71. .40 .74 z" ‘ ﬁx ‘ ~' V g , B)’ LQNDON: ROBERT CUCKS & (:9 NEW BURUNUTON ST R,EGE?‘3T 3? W. b By S/aecial Appozérzfnwnt PUB-LXSHERS T0 Hsamosf cmxczbus MAJESTY QUEEN VICTORIA, ms ROYAL HICHNESS TH E Enxmcs; or _wA ﬂltviéfu . .A«.,a.,‘ @z:.©A@u.@u©R.V I Worms av LO’NGFELLO\.N.ﬁ V L©* . Mus ic n Muss LAl_NDSAAY. A JLLEGRO. J v K : E\. K I l\ 1 . 1 _L..L [ .1 3? AL I: ? T 45-; ":“ E‘ JEN“ J 7 _ shades _ of n’ig-Ht were fall _ ing. fast, I As" thro’ an A1_pin‘eA\V’i1_1ag-e ’ travel _ her by the faith_ful5 Bgund: Half 1V>uL;1-ied in the snow was f.) A youth who bore ‘mid snow. d ice Still grasp _ ing. in his of ‘ ' ice b [J with the strange (ie_v_ice with the st‘rang'e (ﬁe _.vice Ex “ eel “ gi "Or ! ‘f ' ~ V(*>¢‘.D)'_ '0'!‘-vhf‘ 5 “,7.” i 1» __His 1-brow was sad‘, his eye be_inea‘th Flash'd like a ﬁlI11Chi0nfr0II1itS zit!‘-“Try_" not the ‘pasS"_ the ’old inan said “Dark 1ow'rsthe tempest o- ver _sheat}i, i And“ li g: a‘ sil_Ver c1a._r1on 'rung‘,i head . The roar _ ' ing terrent is d and ‘wide’; f ac .. éents ‘ of {hat un ; known tongue Inud that T cla,rion. voice ‘ re _ plied EX‘ eel “ si*.°r'! _ f ff fff , ce1-Vsi_0r! Ex_ce1 4_ l1;0?~s] . ('07:, V Fsp1*e.9s.- 1 -H."“0h! stay” the Maid- en said “and «1-(‘est Thy wea , ry head up.‘ on my _ 1° breast.” bstood V .in . his bright " blue éye; B1;’t, , A‘ few: ' still he an_swer’d 1 with ‘ a ‘ sigh EX- cel -1 si_or I ('91; si_0r! aT V. Tthez "pine . , tree’é A wi _Vt}1er”d’ . branch! the’ aw - 'ful a ; va _ ~Ia_n»c}1‘e." was the Pea- sanfs last good — night 1919!” far up the ‘Lheight ‘5Ex_ eel _ si__ or“! ./1'/uiu//lie _ma mm t7'np-pm 7'4/'»There in the twi - light cold and grey, Life- less’ but beau-ti'_fu1 hf: And from ‘ 19 .101 mm .S’}I7‘r1'7.‘0. mice fell like a fall - ing "star Ex __’ eel- Si _or ! 1° ('81- Si_or! . Guglielmo Tell ' Lays of Prince Cha 'J|_'i I u I: 1. . “I . _ VOCAL .A.Zl_\TID PIANOFORE, ALL NIUSIC SUPPLIED AT HALF PRICE. NOTE.-THIS LIST INCLUDES THE LATEST NOVELTIES. THOSE MARKED THUS ' ARE ILLUSTRATED. ABT, FRANZ. Lost in the Wilderness. Sacred..................... Six Songs for Children ...................... ..each 1. What Smiles can do 2. Oh! little Thrush 3. Moomdiine . The hills of light. Sacred................ A rose in heaven. (In G and F) For old love’:-3 sake................. Not a sparrow falleth. Sacred.. Oh! ya Tears. (In C and D) . Kat-I"l«=en Aroon ..................................... .. DARGOMISKEY, 0’er the Neva gliding DIEHL, L, Dear Englzirxl ......................... .. FOSTER, LYNNETTE. Clwllges Come clz, my dream . Her image haunts me yet Only a year ago .................... .. FRICKER, ANNE, Phillis fair . .. Softly at thy window ............................... .. O weary eyes .......... .. 3 0 ] Village Bells 5. Summer days 6. Stnrshine I built 2. bridge of fancies 4 0 ] *The Robin. Illus. H, Aim high 3 0 | Passing Clouds GLI NKA, WI , Parting words ................... .. GATTY, A, 8, Only a passing thought .... .. The open window 3 0 I The Mill Lad’s Love... Sequence to the three little pigs, comic .......... .. *The three little pigs. Cor-nic. ... Oh, doubting heart. (In C, and E ﬂat) . *I really am so sleepy. Com-ic ......... .. Tell him I love him yet ..... .... ........ .. Songs for our little ones. Nos. 1 to 6 Songs for chi-ldren Nos. 1 to 6 .... ...... .. 0 fair dove! O fond dove. Sung by Madame Patsy. No. 1 in F, No. 2 in A ﬂat ............. ..each The lights far out at sea ......................... .. 3 2 4. A little girl one summer day W83 CDNWWWWWW O:>C)O0:0Df.\:C»\3ODO0CO0909rFiFOD€)ai+LO3 co ccaoooooooocooooooooooocoooo ago?‘ VOCAL MUSIC; HATTON, J, L, Castles of Sand .......... .. 3 The cause of England's greatness 3 LINDSAY MISS M. When th 0 I e ship comes 4 . 3 0 The old, sweet story *Too late, too late 4 0 Far away Pulaski"s Banner. Solo and Duet Low at thy feet. Sacred song .. My old mate and me .............. .. Tired. No. 1 in D ﬂat, No. 2 in D. ‘When sparrows build. Home they brought her warrior dead. In E ﬂat and G ...... ... ........................... ..each *Resignation. In B ﬂat and E ﬂat. each Oh! when wilt thou come unto me. (Sacred) IVIOLLOY, JAMES L. The Ride, No. 1 in No. 2 in F. N). 3i-n G each The Brook and the Wave PRATT, G, Little Golden I-lair PINSUTI, CIRO. The Land of Love. No. 1 in E ﬁn‘, No. Zin F each 3 Don't forget me ....... .. 3 0 Bear gently, time 3 What shall I sing to thee 3 0 And so will I 3 In shadowland 3 0 | RIC H A R DS, B . Let the hills resound. Four—purt song ls. nett 8vo edition ........................................ .. Let the hills resound. Song ...................... .. 3 SMART, HENRY. The face at the Window 3 0 I Beils C, A, Come, birdie come .......... .. 3 cc?‘ *Bsst. Sacred song home ...... *The bridge . Bury thy sorrow OOO O00 OO¢OOOOO® GOO WRIGHTON, W. T. *The wishing cap The blessing of Flowers ..............-............... 0 would I were a Fairy Queen .. Only one to bless and cheer me .. The liquid gem. Em-bossed................ She sang among the ﬂowers. Embossed. Shylie Bawn .................. ....... .. . . .. Thy voiceis near. Embossed .......... ..... ..... Her bright smile haunts me still. Embossed......' ABT, F, Arcse in heaven 4 0 Oh 1 ye tears 3 0 The Hills of Light GATTY, A, S, Raindrops patter. 0 that we two were Maying GLOVER, S‘, The silent teachers Sacred 0 The beautiful and true Let us roam ... *The crystal cave 3 0 The music of the birds Fairy Chimes .... Maids of the greenwood ...... ... ...... ... .......... .. The fairy queen (in C and D) .. LINDSAY, The Bridge ........................ Low at thy feet 4 0 Too late, too late Tired .......... .. 4 0 Far away ...... .. A country life SCHUIVIANN, R, When gentle winds Come where the soft twilight falls ......... .. . SMART, H, The twilight hour has come .... .. THOMAS, J. R, Happy be thy dreams .. .. WRIGHTON, W. T. Her bright smile....... Liquid gem 4s. I As one by one our friends depart Thy voice is near ,,s.w»>c.\:v$-iéhi-at Flowers of the garden and ﬂowers of the wildwood .e.;sccw.m:-cnoawsgn NEW UETS. Kathleen Aroon 3 3 i-F-C)3)6hb€Bi<P~IFrF~©0irPI-FvP~<-V03 No. 29. ooooocvcccooooo¢OooCoOO CGOOCOOCOP‘ J, Wild Flowcrs—-Nos. I to l2...each Jewels—— es. 1 to 6 Dewdrops, 25 easy pieces ............. .. Buds of melody, 31 Nos. Easy pieces CALLCOTT, w. H. *The Holy Family. Books 1 to 12 ............each CASPAR, C, A, The Exile. (Schubert) “Asponleaves,"by R. Schumann DELASEURIE, A, *Petit Timbalier Polka *Féte an Chalet Valse. . G.REV||_I__E, M, Golden beams (Wyman) Dancingwaves(Wyman) “Sunbcams ” (1 to 25) ........................each GLOVER, S, *The Zouave’s Retreat March .... .. “The Royal Greek March ......................... .. HARMSTON’ J, W, La Reine du Coeur Heather Roses ........................................ .. KORNATZKI, F. v. La Cavalcade. Morceau clicxvzderesqiie .......... .. Chiming May Bells 3 0 Angelic Whispers ... The Hunter’s Hem 4 KULLAK, T, Prelude ..... . J, Musical Box .. LEMOINE, F. Clenientia (Bagatelle d’Amour) ......... Une Cascade des Fleurs.............. LEE, MAURICE, Fleur de L’ame. Azur. Nocturne senti-mentale . Féte des Bayadéres . L’Electricite. Etude dc salon....................... Evening I}clls............. Accents du Caeur POLIMSKI, A. Hymn of the Old Catholics ......... .... .. Austrian Song PR|DHAM, J, *The sailor's dream Russian Fantasia The Rose. (Fantasia on English Airs)... The Shamrock. Fantasia on Irish Airs .. The Thistle. Fantasia on Scotch Airs............ The humming bird's song (with musical box effects) The Chase. A descriptive Fantasia............... The Soldier’s Return. Descriptive Fantasia The soldier's farewell. Descriptive Fantasia RIVIERE, J. Duke of Edinburgh's Quick March ............... RICHARDS, BRINLEY. When, the ship comes home . . Evening. Melody 3 0 | The Gipsy’s warning The meeting of the waters... A rose in heaven Far away (Miss Lindsay) Low at Thy feet (Miss Lindsay). Tired (Melody by Miss Lindsay) . Warblings at Dawn, and Noon Pianistfs library ...............each 2s. 6d., 35. and Thy voice is near... 3 Warblings at Eve .... .. The liquid geru......- 4 0 Kathleen Mavonrneen Kathleen Aroon .5. 3 0 The wishing cap .... .. I’ll hang my harp... 4 0 Happy be thy dreams ROCKSTRO, W. S. .. -....-.......u .......n......... .. .......o...... ...... .................... nu... . ......... ...... The ﬂower gatherers ... E.':_ho¢_s of Zurich The Vesper Bell 4 0 The Gipsy Countess... Hihoowwoacom n-r-wrduu oovao-I W OF-b§rF€»0:O.70:ODd*l\'H'.\2 I5i§tFihrP~0-'4 rho: >I103iI>rFI#rF0>€)=>#D3IF§OC»3 4 0° 00 ooocoeocamooc O OOOOOOOOCGO OOOOOO O0 OOOOGOOOOOOOO ROCKSTRO, VV. S.-continued. Fantasist on“ Sonnam- Voices from the hill-side 4 0 bula” Border Legends .... .. 4 0 Fantasia on “ Roberto Echoes from the green Isle4 0 il Diavolo” . 4 0 Gems from the Emerald Fantasia on “Figaro" 4 0 is 4 0 Fantasia on “ Norma" 4 0 SMALLWOOD W. Bon:1parte’s Grand March .. Little Buds Far away. Liquid Gem. Her bright smile. What are the wild waves. The Gipsy Countess. F.uII1i;: away. Happy be thy. Chime again. Postman's knock. . Tny voice is near. The Bridge. . Echo of Lucerne. 40 14. Wztrblmgs at eve. 15. The Wishing Cap. 16. Flower Gatlierers. 17. lhcelsinr. 18. Home they brought. 19. () I-‘air Dove. 20. Kathleen Aroon. 21. God bless the Prince Wales. 22. The young Recruit. 23. llark! the Goat Bells. 24. l’ulaski's Banner. , I built a bridge. 25. God bless our Sailor Prince. The Warbling Lute 3 0 Classics at Home ............................ ..each 2 6 . Disdair-iful of Danger. 7. Corelli’s Pastorale, . Haydu‘s Minuet and Trio. 8. Mozart's Minuet. . H»ayun's Quoniam tn. 9. Cheruliini’s Cum Sancto. . Mozarts Voi che sapete. 10. Cleiucnti‘s Allegro. . ,, Dona I'I()I)IS pacem. 11. Mn’/.art's Qui Lnlis, . Gluck‘s che faro. 12. l\luza.rl.'s Quaudo miro. Handel's Grand March in “Scipio” “ Home Tres.su.res" (1 to 25) ............ ..each . Far away ‘ . Thy voice is near . l-‘lower gatherers . The Musical Box ' . Fading away . Her bright smile , Home they brought . Echo of Lucerne . What are the wild waves . Chime again saying? . The Snowdrop The Gipsy Countess . Kathleen Aroon The Bridge . Far on the deep blue sea . Excelsior . Hark! -the Goat Bells . Pulaski‘s Banner , I built a. Bridge . God bless the Prince of . God bless our Sailor Prinoe es _,;_; , Rondo on Canary Quadrilles . Happy be thy dreams . R-ondo on Great Globe Qua- . The Liquid Gem drilles Those marked * are arranged as Piano Duets. .......... ..each 2 6 7. Rest 8. Low at Thy feet 9 Too late bl!-II-I)-4 ""'°I"°.“’9°."'37=.°'§l‘5"’.‘°."' ..... .. 3 0 2 6 Sacred Treasures (Nos. 1 to 12) . Ho every one . Hark! I hear the organ's peal . H-e giveth His beloved . . The wilderness shall blossom 10. David's Prayer. . Tired 11. Thou art not left alone. . The hills of light 12. A rose in heaven. TOURS, BERTHOLD. _ _ ‘ Galop... 4 0 I Wluspenngs of Home 4 0 G. F. Plus vite. WEST, Adagio from Mendelssohn’s Hymn of Praise Extract do. do. 2nd Concerto Reminiscence de Beethoven . In quests. tomba........ For unto us a child is Haydn’s Gipsy Rondo Reminiscences of Mendelssohn’s Scotch Symphony Sundays at Home (1 to 6) ........ ....... ..each Gavottc in A(Gluck) Favourite Waltzes, by Mozart, Nos. 1, 2, and 3, each Lieber Augustin Andante. (From Beethoven's Symphony in C minor) . . Welcome me Home Gloria in Excelsis. from Ha.ydn's Imperial Mass... Ave Maria. (Cherubini) Der lnstige Bauer (Schumann)... Benedictus Requiem. (Mozart) .. Minuetto e Trio. Symphony in D major (Mozart) I waited for the Lord. (Mendelssohn) . Extract from Beethoven’s Choral Fantasia .... .. bbidi: . ......... ......................... .. O3$\7QOU5»h93W¢€03 ANOFORTE MUSIC I WEST, G. F.—contz'nuea'. Extract from Beethoven’s septett ..... ............. Extract from Mendelssohn's lst concerto . Haydn’s Kyrie Eleison, from 2nd Mass Beethoven’s waltzes, in 6 books ...............each WYMAN, A. The Operatic March ROBERT COCKS 8t C0.’S . Jcu des Ondes (Fritz 7. Spindler . . . . . . . . . . .. . Iclylle (C. B. Lysberg) 3 0 8. . Air_ (Composée par le ro1Lnu_is XIII.) . . . . .. 9. G->thard‘s Gavbtte.. . Fantasiamci:uincr(Mozart, 10, Gavotte dedicated to his wife) 4 0 (Ban: . Blumenstﬂck(Scliumann)4 0 11. '. La Campanellu (Jules 12. Eeghard) .......-... 4 To Tempo cli carlatti Gavotie (JSB O . be continued, GLOVER, STEPHEN. The Happy Family Quadrille............. . The Royal Greek March .................. .. M, “ 0 mio Fernando" Lucrezia Borgia LIEBICH, J. Woodland Trillings 0 The Liquid Gem Brighton Quadrilles 0 Her briglit smile Sing me that song again ............... ... ....... .. The Opera Bouquet ............................ .. each 1. Oberon. .5. Sonnambula. 2. Don Giovanni. 6. Norma 3. Lucrezia. Borgia. 7. Die Zauberﬂiite. 4. Masanlello. 8. Guillaume Tell. 12. Zumpa. LUINI, CARL, Les Gariles du Roi MATTIN-I, F. “Sweet Melodies,” 24 easy Duets, each ....... .. RICHARDS, B, Let the hills resound ....... .. SMALLWOOD, W. WEST, G. F. First Stage. 1. Morceau do Robert Is Diable (Meyerbeer)... 2. Ah che assorta. (Venzano) ............. 3. Krieger’s Last March (Gung’l,) .. Second Stage. 4. Agnns Dei, from 12th Mass (Mozart) 5. Gloria in Excelsis (Pergolesi) ........ .. . 6. La Preghiera do Mose (Rossini) ......... 7. Gloria in Excelsis, from 1st Mass (Ha-ydn) 8. Sonata in D major (Mozart) Third Stage. 9. Gloria, from 12th Mass (Mozart) 10. Kyrie, from 12th Mass (Mozart) ..... .. 11. Benedictus, from 12th Mass (Mozart) . 12. Theme do Lucrezia Borgia (Ozerny) 13. The Hallelujah chorus (Handel) ...... .. Fourth StagV—(ovnBrvREs). 14. La Gazza Ladra ‘(Rossini)............... 15. Zampa (Herold)..., ........... 16. Le Cheval de ""Bronze (Auber) 17. Der Freiscbﬁtz (Weber). . 18. Fra Diavolo (Auber) .. 19. Masaniello (Auber) VALENTINE, T. Du-ets for little ﬁngers, Nos. 1 to 12 each -A New EdL't2'o'ro of i‘ The History and Construction of the Organ,” b_ E. J. I10’ /sins and 0 0 0 0 o 0 o 6 0 o 0 0 0 0 o 0 0 0 0 0 E. F. imbciul I . ¢'.*11 I 9. Tancredl. 10. La. Clemenza. 11. La. uazzs. Ladra. 3 Mozart's Miscellaneous Romance ......... . . and Mu tte h) 3 Snrahaiide. (J. S. Bach) 3 and Musette . ach).. .. .. .. .. PIANOFORTE DUETS. 4 1 4 4 III aaaacnmipm Ihbwhrﬁih €")hiP>Fb§ 030-7 3 LIBRARY OF ANCIENT AND MODERN MASTERS 0 0 0 Home Treasures (Nos. 1 to 12) ............. ..each 3 0 Paoennssivn Pmnorronrn Dmrrs ARRANGED & smeuns.-D. 9 960969 O¢r©OO OOOOO GOO
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Title: Serenade To Be Near Thee
Date: 1879
Text: (&ampuJw]ﬁM' V z///I-A Ju/zy W17/L‘r//m/z.s'zzr::.:4a ,-15 741/ A\ﬁ:%@:s>‘%1@iﬁ@W%?i?a@f%i@iA@ .~:\ 5 \\ ‘.~\; 9 R ‘ : ;\ \‘ /« Z..__1\_/// A _ M ﬁx i\jf\_\ W71’/V’/A)" /7,17 , / ELL MUSIC BY BOSTON. OLIVER D|TSON&C‘?45|WASH|NGTON ST CHI CH G5 . LYEN 5: HEALY. ‘ 1\'«'.'.’DRK,.C,H.DIT5D1\T5¢ED. PHIL-‘.*J'E DIT5DN5<DU. Z7Eirz71'I, .5.Fra/701555. 5aIvE5Imz_ 5. J.W}71'm5y&Z7z7_ Slzerman-ﬂyds «X 00. TZ7’0_;7gc7z7V’u7rJ. Copyright 1879...
Show more(&ampuJw]ﬁM' V z///I-A Ju/zy W17/L‘r//m/z.s'zzr::.:4a ,-15 741/ A\ﬁ:%@:s>‘%1@iﬁ@W%?i?a@f%i@iA@ .~:\ 5 \\ ‘.~\; 9 R ‘ : ;\ \‘ /« Z..__1\_/// A _ M ﬁx i\jf\_\ W71’/V’/A)" /7,17 , / ELL MUSIC BY BOSTON. OLIVER D|TSON&C‘?45|WASH|NGTON ST CHI CH G5 . LYEN 5: HEALY. ‘ 1\'«'.'.’DRK,.C,H.DIT5D1\T5¢ED. PHIL-‘.*J'E DIT5DN5<DU. Z7Eirz71'I, .5.Fra/701555. 5aIvE5Imz_ 5. J.W}71'm5y&Z7z7_ Slzerman-ﬂyds «X 00. TZ7’0_;7gc7z7V’u7rJ. Copyright 1879 by O.Ditson&Co. \/Q9 ‘ , \ ', K \\n I &/ \/ \: \\ \ 77/ /_I L/" W / . §ERENADE“TO BE NEAR THEEZ’ Good uighggoodnight, be-10v - ed! I come, to watch o’er thee- 7 } night,g00d night, be - Iov— - ed! I come, to Watch o’er thee; ........... .. nig'h.t,good night, he _ lov- _ ed! I come, to Watch 0’er thee; »# *§ C0j>yI‘ig'ht 1879 by 0. Ditson «S: (‘o. can espress. ;_,/ night,g00d night be- 10v - _ ed! I come to Watch 0’er thee; ..... .. I To be near thee, To be near thee, To be near thee, b. Pi?) mosso. Z"\ stars of morn - mg, L L L > crim _ son > L son fl0w’1-s . rimrd. stars of morn _ ing, Thy crim _ Pill lento. night he. lov _ _ _L ed! I count the > L > While I count the 12000 /-z't(Ira.’. Q. _ Tempo pr-£1710 Good night, good night,be - lov _ - ed! I come to watch 0’er thee; A Tempo primo night, good night, he _ 10v- _ ed! I come to Watch 0’er thee. .... .. (3 m are/ado
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Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: 1915
Text: MUSIC IJUHWY wtssan couzat POUGNU’_%'n1t[_ ﬁg-3, #6,“ THE SEA HfAx1Fﬂr Ms Pmhs >=%ér< gmac 2% WITH Pianoforte Accompaniment COMPOSED BY °RU1)OLPH GANZ. Soprano or Tenor. Mezzo Soprano or Baritone. Price 50 Cents. THUR P. CH DT, I“ BOSTON, LEIPZIG, NEW YORK, I20 Boylston St. 8 West 40th St. Copyr/ghf /.9/5, byArﬂ1ur F? Schm id)‘. lnfernaﬁonal Capyrighfsecured. SONGS FROM CONCERT PIOQFO GRAMMES FAMOUS SINGERS FLOY LITTLE BARTLETT Sung by Miss Mariar . . . . . . . . . . . . . . . . . ...
Show moreMUSIC IJUHWY wtssan couzat POUGNU’_%'n1t[_ ﬁg-3, #6,“ THE SEA HfAx1Fﬂr Ms Pmhs >=%ér< gmac 2% WITH Pianoforte Accompaniment COMPOSED BY °RU1)OLPH GANZ. Soprano or Tenor. Mezzo Soprano or Baritone. Price 50 Cents. THUR P. CH DT, I“ BOSTON, LEIPZIG, NEW YORK, I20 Boylston St. 8 West 40th St. Copyr/ghf /.9/5, byArﬂ1ur F? Schm id)‘. lnfernaﬁonal Capyrighfsecured. SONGS FROM CONCERT PIOQFO GRAMMES FAMOUS SINGERS FLOY LITTLE BARTLETT Sung by Miss Mariar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kitty Cheatham MARION BAUER Only of Thee and Me .......... .- ~.. .; ......... . -‘ Franklin Riker, Marie Morrisey Mrs. H. H. A. BEACH Ah, Love, but a Day! .................................. .. Mme. Schurnann—Heink GENA BRANSCOMBE The Morning Wind‘ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Constance Purdy A Lovely Maiden Roaming .................... .. Edna Dunham, JohnT. Read In Arcady by Moonlight ............................... .. Herbert Witherspoon I send my Heart up to Thee ................. .. Charlotte Lund, Paul Dufault G.W. CHADWICK The Maiden and the Butterfly .............................. .. Geraldine Farrar S. COLERIDGE-TAYLOR Life and Death ............................................... .. John McCormack An Explanation (Her lips were so near) . . . . . . . . . . . . . . . . . . . . . . . .. John MC Cormack MABEL W. DANIELS _ Daybreak . . . . . . . . . . . . . . . _ . . . . . . . . . . . . . . . . . .. Lilla Ormond, Reinald Werrenrath ARTHUR FooTE Ashes of Roses .................................................... .. Julia Culp FRANK LA FoRoE Longing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Mme. Sembrich Love’s Sympathy .................................................... .. Mme. Aida MARGARET RUTHVEN LANo Day is gone .................................................... .. George Hamlin EDWARD A. MAC DOWELL Long ago Sweetheart mine ............................ .. Elizabeth van Endert A maid sings light ..................................... .. Elizabeth van Endert JOHN W METCALF Hark, as the Twilight Pale! .................................... .. Mme. Gadski Love and Springtime ............................................ .. Mme. Gadski WARD-STEPHENS The R0se’s Cup ................................................... .. Mme. Gadski Summer-time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Florence Hinkle Arthur P. Schmidt BOSTON LEIPZIG NEW YORK 120 Boylston St. 11 west 36t_h st_ To JOHN M9’ UORJIIAUK ’1‘he Sea hath its Pearls __-;ir— * LONG FELLOW’ 07"?" ' 1 Aftr‘rU1<* German of IIEINRICII HEINE gym VVith passion /"\ > L . The sea 1ts pearls, sz'ngz'7zg Copyright 1915 by’Arthur P. Schmidt ft}? S_ 10533. 5 International Copyright Secured The hea - - ven hath its But my heart, my heart? _ its love, 'w‘_F"E?’“E?"’ and the hea - - Ven; 0%.? 8.10583 — 5 mollo ems-a Yet great - mo/to oresa do/ce, 19000 sostenuto And fair _ : ii - p subito and beams }. H _ streéto e ems-a JLP. 8. 105S3- 5 lit- tle, youth - - ful maid _ un - to my__. great heart, sostemufo My heart, and the sea, fsosf L i ‘J.:—— f mas. 40533-5 sempre pfzl appa.s‘sz'om1l0 ¢ . Are.____ melt - mg a - way mo/to cresa f are melt- ing love! ussia: (with love, Viva ce marca to b7‘2'Zltmte ~."1.'PS. 10583-5 SCHMIUVS EDUCAT|0HAL SERIES H9 83 E '3 ’,,.‘k mrma FAN/QIES \'/ ; Agelection 3 of.Songs AMERICAN é0l’lPOSER8 VOLUME I. VOLUME 11. High voice 11 Low Voice. High Voice 11 Low Voice. % PRICE $125 EACH ARTHUR RSCHMIDTIJ BOSTON LE I PZ I N YORK 120 Boylston St 11w 36th 81' Copyright 1912 by‘Ar'thur- Rschrnidt. \I V v
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Title: Stars of the Summer Night
Date: 1917
Text: HUSIC LIIHANY \l‘S$Aﬁ c I’ C0me,Wander‘ing Sheep10h,C0|'ne! ...... SACRED SONG.. .......... .. Pr: 60¢ F Words by Luis de Gongora yArgote. . Grief and Joy. ................................................................................................. .. Pr. 50¢ c- Words by Frances Stone Mason. . Why? r....(wr-xv CAME THE ROSE.) ...................................................... 7’ Pr. 50¢ G 4. 5. ‘ﬂﬁ 6. 7. Words by Mat“)/[Louise Ritter. Good Night, My Dearest Love .... ..(LOVE‘S...
Show moreHUSIC LIIHANY \l‘S$Aﬁ c I’ C0me,Wander‘ing Sheep10h,C0|'ne! ...... SACRED SONG.. .......... .. Pr: 60¢ F Words by Luis de Gongora yArgote. . Grief and Joy. ................................................................................................. .. Pr. 50¢ c- Words by Frances Stone Mason. . Why? r....(wr-xv CAME THE ROSE.) ...................................................... 7’ Pr. 50¢ G 4. 5. ‘ﬂﬁ 6. 7. Words by Mat“)/[Louise Ritter. Good Night, My Dearest Love .... ..(LOVE‘S SERENADE) .... ..Pr.60¢ Bb Words by Frances Stone Mason. Night. .. _ .. _. Words by Henry W. Longfel low. Little Rose Upon my Heart... . ......... ...... ............................... _.Pr. 50¢ Ev Words by Vlrgnma l.Bidd|e.. Ninnerella. .......... .(SLUMBER SONG; ...................................................... .,Pn50¢ AV Wordsby rancesstone-Mason. Fri)“ ¢ Stars ofthe Summer 1 Ab EDWARD SCHU BE RTH 8: CO., NEW vo'm<, LONDON, n EAST 222 s: 2 smre YARD,CAREY S1’ Stars of the Summer Night! Serenade Words by HENRY W. LONGFELLOW LE ROY M. RILE fI'om“The Spanish Student” ' Allegretto Voice 7/mrcato la melodia my 1" A Stars of the sum-mer /‘X * {'T\ I 3 7n0 . .- W4’. 2 Vt’ :19»/1’ _ \___}/ Far 1n yon a - zure deeps,#__? 2 LA. 2 3°23. ate . ‘fa esc- 6'op_y7'z’ght, 1.917, by Edward Schubert/z (5 6'0. E.S.& Co-4313-4 New York, EDWARD SCHUBERTH & C0,, 11 East 22I1d Street dim. Hide,hide your gold — light! She sleeps! My la - dy sleeps!” €..__2 .421/\ /1 ‘E23. 91% Q23. 9% 3 gf 2%‘ tfvf 2 Moon of the sum-mer night! Far down yon west - ern .3 9%‘ /’4e”' 7% Sink, sink in sil-ver light! ._ She sleeps! My‘ la - dy {-\ TD calla voce i°eb.9!é !3‘S.& C0. 4313-4 Fold, fold thy pin - ions tranquillo s1eeps!My -dy sleeps! 9. E.S.& Co.4313—4 age mp he slee bi Pi1‘1 mosso ed agitate la.-dy 17 Wind of the sum-mer sleeps! S1eeps!_ melo aim marcato Ma Dreams of the summer night! __ Tell her,her 1ov—er keeps Watc __ /#4:: : J- e§é ﬁn . mftardando 2°23. while in slum-ber light She sleeps! y la - dy f2\ 2 2 ‘£23. ﬁe (1 tempo 1.. mmesso dz’ @cb.V-ﬁe eeps! sleeps! ms. a tempo 199 ﬁn E.S.& C0. 4313-4 Select Parlor Songs. Memory’s Dream, by Marie Donavin; Higbvorce, LowVoice,Pr.50"ea.ch. mf Mogeratp. _ K _ “ J‘ 3' J‘: J1 él I. .ll ." 5' I 9 . ' b I — . v .I1 I . _ . ‘ night with its - What. sweet-ervthztn throbs in my breast, 10VeA This K L j I l\ |\ - I - e ‘ . I . - I -. B I" I 5' - I v ' 3 5'’ I 4" -“~ . long-ing to clasp on - y I This ' I . Ah! sweet-er by farywas the hour, love, When naught but we two seemed to Uopyrigr/zt, 4899, by Edward Sclmberth at 00. Song from Pippa Passes, by Natalie Curtis,-Pr.5o6: b - . « V /.1 . K ‘II ,1 I\ I\ I ‘I I1 I ‘ C U rs at the Spring,_.__._._ dim." _ i I ' I F‘ ' ' I F H I’ ' ’~_ I‘ I V . I . I I I ~ V I ' I’! I The hill-side’s dew - pearled, I - " __; ' ~ A God‘s in his heew- n,All’s ' 0032]/rig/zt, 18.9.9, by Edward Scfzubertlt & 6'0. - . P I I Were I a Star by Arthur Nevin Pr. 400. . . . . 7,W|./ eelz;cg my slzgbtly dgzta |'\ ‘— El’ H 4 I. .g S A I I’ it Were 1. 5». star, I’d shine for Ibee 'a-1o‘ e, rose, I’d bloom,I’d bl . Ahd '1 would vi»-br|a.te._ through Ithy pugiz‘/2 g(rs?;‘k”V#nzp pm _ , K _ 04 I\\ I\\ I I I9 -4 ﬁ ﬂ 3 I . - I\I '1’-\ , 5' 2 I 4 n ] I l A A '4 I 1 II II ‘ ‘ "' Q 3 I . I II 7 PI' ' L I! It It ‘I II 17 U {P I I i «'14 I ' I I 1/ tone.’ VVere I -‘a dream, VI wziuld ht- tend thy Isleep; A I II Ir) a I! II II I1 I] ll 5 . V I’ Y . V ‘ At thy a~wak-ing. could I change to love, I’d heart, Were I Copyright, 18.92 by Edward ;S’c}mbe7*tIL& .01). iv thee all I cm no in . .’ 0 I I gndantekcoxjfespregsilone. Ore’ by P Schn ‘40" a‘ffrez‘z‘o - /nI'\ IL [I l“'l\A’l II V ﬂu, ' - I I I IJ na I):- ‘I |\ I I I K I give thee all, I can no_ 1rF)r/ca, Though poor the off-’ring he; My heart and lute are all the store That I can bring to thee: !l_?’87N_]70 / I I molw cresc._[/’ dim. e‘c're.<1:c. E ‘pp! 7 I .=*.v“~.l~.~§Ig"E.«"JEa'r.n_ -we 3 4' lute, whose gen-tle song re - veals The soul of love full well, Ami bet — ter far, a._ heart that feels Much more than lute could tell. 6’01u_1/rig/Lt, 18.98, by Edwdrd.Sc/Lubertlz dc’: 00. l I 1 I I I II I ' I). A‘ I II 11 J II III I II I I J I l F’ H. lI77J~ C I .d- A’ .d- I I’ go I. -1 I — v v 1 I I F K I 1 . K K \ I Maiden yivligh the Lips so rosy, by Marie Donavin, H.500. a 1 . ' ' f } I I ‘ } I I I I - I I 1/ v 5 f -‘ .’. -' .3 . F -‘f -L l A‘ I J A Mvzti-den, wvith the lips so_; - ‘ ' n with the nrut - br\oI'Ir/n hair; L s—ten to my plead-ing, HeztI'~lreII it fg/Lﬂ? . ' > ’ ' [ 3 a . P’ 3 J Li a 3 3-} 5 9 J5 J I J 2 3' I. E. II U V ' 4) I 4 I I J V I 'L I I I I I Mini-rlemwith the eyes sh: sau — cy; M'ali-den,‘with the sinile di‘ - vine; Ah! hut let me tell thee That 11 zIm tru-ly thine; C’op,yr2'g}zz‘, 18.98, by Edward Sc/mberz‘/L c% 00. H I I I I’ 1 I I . I "r 'l 4 I - .. I I7 I P F’ In ‘ 1 I little Voice, by Jessie L.Pease, P1240“. /I . AJ1d3.I1tx€.. I /$_ I Ifr ) I I I 1 4:1”! I l I I I I I- L I - 3 0 ,4 I a V 1' - A II! 4l‘(l I I I I I I =Il| r /'12‘. K I I I I I I I I 1 I Once I heard a. ' lit-tle voice, Mer-ry May; re-joice,”_ Now - I F I I I I I I I I I I C I K ' I I I I I\ I I .' F . I P -‘ ,2 I i’ I ‘ I ‘L I I I V I l_ . it ' was, and ver - y clear, Chas-mg ev-lry thought of pain. . Sum-mer! shall av- er —lIea1~, Such a_voice a. - gain. 0o;0_z/rig/at, 18.98, by Edward Sclmberzfb at 00. I I I I I I C 4 - % A My fair neighbors window-curtain, by Albert Robert, Pr./I06’. it Allegretto. _ . » _ K I ‘ if n 1 I\ IN I I I I} A 1 Li 1') K I I K - I A J I K I I P? Q: I I I I “ J '. l..-_..I‘:-..-.L« » _ 4 - 4.» -‘~ ~ . .4. ,‘n = : I’ V = 5" 4 ,, ﬂhly f:tirAI1Ze]ig'h-bor's wizi - dew - cur - tain Mov-eth ’ ' am‘ cer - tain, In a. mo- ment more ._ pzu _ legro — ’ K I\ I I‘ " I II J 7 l “ — ' o I I I . I I I ' I I Ir’ '17’ I I y ‘y ' ' » Ahlher case-ment o-pens wide - ly, My heart is _ now beat-ing high;_ '/Does, she know, per—haps, that, i - dly, All her ' 001/vg/rigid,18.96§b_g/EdwdrdSc/mb-en‘); «E 00;. If‘ I Werebut a little flower, by P. A.Schnecker, B12500. I dgnte con espressione.rz't.:,_\ 72¢’ 1} f6’72?¥70 _ /, . paw Ha‘. I H D I I I 0 K C I I I‘ I U ' I U A ~ A I\ I 4' I’ I J ' ' w I v I If I were but 8; lit - tle flower, I’d for you.__ The sweet-e per— fume in.,_ m . ar -am n e pow decal. e crlesc. wnpassw Le >[$§ , 3 t _ I I . -. : I ﬁ "H" ‘ HI: I I r I I ’ 7 If ' I (3 u‘ - ‘ad I J vel- vet soft, by sun—light tressed, In daint-Vy clol - 0 s ' ' sin-glre hour Copyright, 1899, by Edward Schubert}; & 6'0. In Dreams, b'Art‘hur Nevin’, H.400. dante af ett-UOSO, I — ‘ \ K g?vg5-0. : T I I J I F I _ - I I\ I\ I\ I-‘ l'.I. -'1' ri. ,v 2 --“—.«”a>->;' 4 II I I Me thought as sleep- ing, I saw my lov’d one ly-ing de:td!_ And when Bit - terwere the tears I I I I I I K I_J_ I I I \| I I0 d- III- T V I e‘ - II was sleep-ing, My love had gone :1.- .- I 3 I I I ' ‘ Me thought as _I Cop]/rig/rt, 18.9.9, by Edward Sc/mbert/z ’& 00. Forﬂwie by all Ilfusic-Dewlem NEW VORKEDWAXRIID S6,:/III_‘II,II-I/|BEnMRI‘1I.£H&‘);@@-4, ll EAST 229' ST. E Piéblis/zers (E ]m}707‘i€7‘.§.
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Title: Village Blacksmith, The:, The Village Blacksmith:
Description
Date: 1893
Text: MUSIC LIBFIAEY _ VASSAR COLLEGE '°“C'""9""“"-"I. ."'!TW vonx F2 1 ‘L ? . “\ /F J emc Redda||,BrookIyn,N.Y. Smuncnnmm:InnmunIunjnnnmltnnmH.H(® \« ﬂacksmliﬂm _\ /J F 2;“ HWLONGFELLOW ZBari’rone orfﬁass Solo —--—+€PsBY@.—~—— W7 BU@K 79». 65 C5. ARTHUR R. SCHMIDT. Bosfon. Lenpgug. NewYor‘r<. féiﬁnu/57m5r. ]i5]7If'7;/7A1/gzm/5. “ 7 v-L-E7|Il|\E1IlllIllE1II|||lllEJ|IIHHDIHI'4 l ‘ 7:1IHDlnnur:nm!:I::mH|uI:1un HIIDIIIIIIlEIl||lIHCIllHlI|E...
Show moreMUSIC LIBFIAEY _ VASSAR COLLEGE '°“C'""9""“"-"I. ."'!TW vonx F2 1 ‘L ? . “\ /F J emc Redda||,BrookIyn,N.Y. Smuncnnmm:InnmunIunjnnnmltnnmH.H(® \« ﬂacksmliﬂm _\ /J F 2;“ HWLONGFELLOW ZBari’rone orfﬁass Solo —--—+€PsBY@.—~—— W7 BU@K 79». 65 C5. ARTHUR R. SCHMIDT. Bosfon. Lenpgug. NewYor‘r<. féiﬁnu/57m5r. ]i5]7If'7;/7A1/gzm/5. “ 7 v-L-E7|Il|\E1IlllIllE1II|||lllEJ|IIHHDIHI'4 l ‘ 7:1IHDlnnur:nm!:I::mH|uI:1un HIIDIIIIIIlEIl||lIHCIllHlI|E}lll|K To Mr. F’r6der2'o Reddall, Brooklyn N. Y. THE VILLAGE BLACKSMITH. P b M N M b ' H.W. L0(1)\?é‘rnFE}}rLLOW. DUDLEY} B%ICK. With spirit and vigor. _._-_/-\ ___-_ mf >~ Un—der aspreading chestnut tree The village Smithy stands. > The smith- a mighty /T man is he. large and sin - ew—y hands: And the muscles of his brawny arms _ > f >>> strong; as i-ron bands. His hair is crisp, and black, and long, His > 7. 7 CTESO . A.P.‘S. 3185-7 A Copyright 4893,by. Arthur P.Schmidt. His brow poco ritard. looksthewhole worldinthe face, For he owes not any 601.711 00 Week .in,week out, from morn till nig‘ht,You can hear > poéo m'arca'to. ' rail. s}. hear him swing his heav_y sledge,With measured beat and slow; /‘all . dimefn. - A.P.S. 3185-7 is wet, with honest sweat, He earns what e’er ‘ he can. his bellows blow, You can ssempre can 9%. tranqemlo. sex - ton ringuingthe vi1—lage bell, When the eve - ning poco marcato. Tenderlg/. Q K3 And the childremcominghome from school, L001; in at the open K", 101’ asaf 52»? .h @a]9 Resume tize quicker time. # They love to see the flam — ing f0rge,And hear the bellows # > > 7'6 0 I71”? .5-em re uoco. f ‘ \\ , . . _ 5:? And catchthe burning sparks which fly Like chaff 8 A.P.S. 3185-7 _ (The same Tempo, not too slaw];/.) th1“3Sh‘m8' ﬂ001'- --—-— (T/as (Jleoral Melody well accented, but not tooloudly.) /3 — —— '_ Pry agn- wit/tout’ Pad. W» (Instm-t time.) He goes on Sun-day to the chuI',c[h,_?And sits among his boys: if pm. 9* wit/aout Ped. He hears the par — son pray preach, He hears his daugh-ter’s voice #_ Singing inthe village choir, And it makes his heart re — joice. ' _ "E"L"E."'=T A.P.S. 3185-J7 It_ sounds to him like her mother’s voice- La) Slower,.a.nd.9oftl3/. , /ﬁx , mo Singing in Par — a-dise! in ‘L ’\ X . ﬁx Pia? Modt.0 M pp calla voce. needs must think of her once more, grave she Tempo [730 I’ And with his hard,rough hand hewipesA tear > # A.P.S. 3185-'7 eyes. (/lolmtra. Onward thr u’ life he /3 /\ sor '- row-ing, Each eve-ning; sees it close: earned a night’s re - pose. A.P.$. 3185-7 Toil — ing, re—joi — cing, g'O€’/S; Something attempt ed, some Jzhing done, Has morning sees some task he- f Thanks,thankstothee,e my wor - thyfriend,For the lesson thou hast taught, 8 J. ‘ crew. >Br0adZ,?/> Thu-s on the f1a—ming forge of life Our f0r.tunes must be Wrought: Thus on the sounding > mil. calla voce. > > > > £1‘ >> an—vi1 shaped___..___.__ Eachburning deed each.burning deed Z?‘ thought, molto vivace. ‘Ea; A.P. S. 3185-7 N. Good Bye. Ab (eb——f) . . . . Love’s Messengers. Bb (f-—g) . Darthula. Db (db—al>) W. Apmadoc. I thought you loved me. F (c—f) . . . . Days gone by. Bass. Dmin. (d-—a) . . . Only a face at the window. Sop. or Tenor G (d——e). Alto or Bass Db (ab~—bb). - E. K. Bailey. , Fleeting Days. Waltz Song. Sop‘.Ab(d—-a‘b) -— Alto F (d-—g) Love where art thou? — Alto Bb (c—-—eb) — Mez. Sop. C (d—e). — . . . . . . . . Guard me through the night. Sop. or Ten. F (d—f). Cont. or Bar. D (b—d) . . Humbly before Thy throne. Sop. or Ten. Bb (d—g). Cont.orBar. G(b—e) . . Throw wide the Portals. Christmas. Sop. or Ten. F (e—-f) . . . . . . . . -—- Cont. or Bar. D (cll——d). . . . . . My Love and l. Mez. Sop. A (c#—c) . For thee I wait. Sop. C (d-—g) . . — Cont. G (b—e) . . . . . . . . . Mrs. H. II. A. Beach. Ariette. Gb (cit-fit) Twilight. Eb min. With Violets. G ( The Four Brothers. Jeune Fille et Jeune Fleur. Cll min. (cl!-—f) When far from her. Gmin. (c—g . . . . My Luve is like ared, red rose. Bb (bb——f) Dark is the Night. Emin. (e——-b) . . . . The Western Wind. G (f#—-a). . . . . . The Blackbird. D (e—g) . . . . . . . . Empress of Night. G (fll-—g) Graduale (Thou Glory of Jerusalem). G (e——bb) Wand’ring Clouds, sail through the air. Aria A min. (git (low) or c—g or bb). , . Song Album. Containing thirteen selected songs. Edition Schmidt No.23. . n. W. L. Blumenschein. Come unto me. Sacred. Eb (lib-—d) . . . Op. 40. A Mother’s Lullaby. F (f—f) . . Op. 96. The Violets. Concert Waltz Song. Ab J. Hyatt Brewer. Supplication. Sacred. D (c#—e). F (e—g) . 0. 3. Brown. 0 that thou liadst hearkened. Bb (d—f) . Therefore the redeemed of the Lord. Eb (e—e) What are these that are arrayed. Cont. or Bar. Bb (a—d) " --Sop.orTen. Db ( f) . . , . . . All’s well. Mez. Sop. Db (eb—db) . . . . J. 3. Campbell. Op. 32 No. 1. The two Roses. Ab (gli-ab) No 2. I heard three maidens sing. F (c—f or ab) 3. Dream on, my heart. nade. Eb (eb-—g) . . . 1. , my heart. (db—ab) .2. 3. .4. The Fishermen. Bass. bb—eb . . . . . . . . . Awake, Beloved! Serenade. F (c—-e) . . . . . . . . May Song. Bb (eb-——f) . . . Theo. chandon. A Home Song. Mez. Sop. or Cent. 0 (a—d) An old Love Song. Mez. Sop. G (d-d) Mrs. G. I-‘. Ghiokering. In the night she told a story. D (d——-ft) . J. 3. Cornell. Before the Spring. Eb (d——eb). . . . . . With the Spring. C (d—e) . . . . . When we are old and gray, Love. D (d-fl?) Mary Bradford Grownlnshield. Thy h§.rtfsha)ll know me. Alto or Baritone. There is a landﬁniinae eye hath‘ seen. . Sop: or Ten. in G (d-—g) . . . . . . . . — Cont. or Bar. in Eb (bb—eb) . . . . . The Star of Bethlehem Db (c—eb) . . . Via Crucis. Ab o-—f) . .o- . - - o .oo- Benj. Gutter. Christ Arisen. Sop. or Ten. G (d-—g) . . — Alto or Bar. D (a—d . From the cross uplifted high. F (f--f) . . Just as I am. E (e—f# or gt). . . . _. . ‘ Henshaw Dana. Ave Maria. E (b-a) . . . . . . . . . . Beside the Summer Sea. Emin. (b--f) . . A bird was singing clear one day. F (c-f) It was a knight of Aragon. Cmin (g—-e) . O Salutaris. Eb (bb——f) Salve Regina No. 2. F (bb-—g) . . . . . Up to her chamber window. F (c—a) . . Whether the world go up or down. Ab (c~ab) At rest. Flhnin. (gt--d) At last. Amin. (g-——g) 0 heart, my heart. F (d—g It was with doubt and trembling. Bbmin. f—ab) . . . . . . . . . . . . . . The Bl(ackbird sings in the Hazelbush. D (e——f# or a) Where go you, pretty Maggie? F (cli--g). Somebody watches and waits for you. Ab (c—f or ab) . G. 1'. Dennée. My Love’s Jewels. Sop. or Ten. F (f——a or bb) — Cont. or Bar. Db (a-f) So fair and pure. Sop. or Ten. D (d-—g) . — Cont. or Bar. Bb (bb—eb). . . . . . Frank G. Dessert. Serenade (Good Night). E (e-—g'll) . Consolation. G (e—g) Phillis, the Fair. D( f) . . . . . I Seek a Fair Flow’ret. G (g—g) . The Country Lassie. G (e—g). . . S. 0. Downs. A group of songs of the 17th century. Phyllis. Medium voice My true love hath my Heart. Medium voice . . . . . . . . . . . . . The spring is coming o’er the mead. Medium voice . . . . . . . . . Steph. A. Emery. Op. 19. Good Night. F (a—d) . . . . . Op. 22 No.1. Where are the eye of the lovely one? C (c——f). . No. 2. Sleep Baby, sleep. Eb (eb—eb) No.3 Nae shoon to hide her tiny toes. G (d’—g) Op. 24 No.2. Naebody. F (f——f) . . .. . Op. 28 No. 1. Lullaby. Eb (eb—eb) . . . No. 2. When eveningtwilight closely falls. F (e-f or a) . . . Op. 30 No. 1. 0 Love, my Willie. Eb (d—eb) No. 2. Little Bud Dandelion. F (c or f——eb or f) Op. 31. The spray leaps high on the jutting crag. Sop. Cmin. (c~—f) . . . . . . — Alto. Amin. (a—d) . . . . . . . . . Op. 33 No. 1. Pomegranate Blossom. G (g--a) -~ F (f—g . . . . . . . . No. 2. Burst, ye Apple buds! Bmin. , (ft -33) _ ’ Op. 36. Skating Song. Baritone. Bl» (bb—d) Op. 39. Seven times three. Eb (eb—c). Violin Obligato . . . . . . . . . . . Alex S. Gibson. Oh my Luve’s like the red, red rose. G (e———g) Love Song (I will not reason). Eb (d—f) . ‘W. ‘W. Gilchrist. Flow down, cold Rivulet. F (f—-f). . _. . Once there was a little Voice. F (a "f) . Love’s Beginning. G (d-—g . . . . . . . Lost. Cilmin. (git [low]—fll) . . . Quiet. Fmin. (c—f) A Love Song. F (e—i) . The Voice of the Sea. ' . (d-—g). . . The dear Long Ago. Gmin. (a [low] —g) . Waves of the far away Ocean. Gmin. (g—a.) Golden Rod. A (a—f) . . Autumn Song. F (a-—f). . . . . . . . . Irene Hale. Mystery. D(e-g). . . . . . . . . . . Maisie. Db (eb——gb) . . . . , . . . , . . . We'll go no more a’roving. Eb (<1-—-f) . . E. W. Hanloom. Lullaby. Contralto with Violin obligate and Male Quartett ad lib. H (gt [low] -118) A Song Secret. G (e—g) . . . . . . . . Go, Rose, and in her golden hair. Bb (d—() W. I‘. Easoall. Op. 15 No. 1. Unto Death. Eb (eb—ab or bi»; No. 2. KyrieEleison. Dmin.(d—fora No.3. A G-reyport Legend. Emin. b-c . . . . . . , . . No. 4. The Bells of Lynn. G. (d——g) Op. 16. Under the Guns. C (g or low c—d) Benj. Henry A Ditty, Eb (eb——f) V A Widow Bird sat mourning. Gmin. (fl$——f) The Sea hath its Pearls. D (e—fil) . . . Georg Eensehel. The Brook sings. D (d—fi¥) . . . . When all the world is young. G (d-- g) I once had a sweet little doll. F (d—g)— Come away, Death. Dmin. (ct-—d). . . Spanish Serenade. Cont. or Bar. D —— Sop. or Tenor. F (e—-a) . The Sunny Beam (Sonnenblicke). Soprano. A (e——g). Alto. “F (c—e)_ . . . . There was an ancient king. Emin. (a—f#) My -Sweetheart. G (d—e) . . . . . . . . To my Turtle Dove. Eb (d-—f) . . . . . Bird in you Forest. E (git-—g3) . . . . . Consolation. Eb (f—f) Helen Hood. Shcpherdess. A Disappointment. The Convert. E (e—e) . . . . . . . . . The Violet. Flimin. (cii—f#) . . . . . . . Message of the Rose. A (dil—e). . . . . Daisy Time. D (fit-—a) A Quandary. Bb (d-—f) . . . . . . . . . A Summer Song. A gii—g) . . . . . . . A Cornish Lullaby. b(db——eb . . . . . Expectation. Sop. Bl» (d—g). Cont. G(b—e) A Slumber Song. Cont. G (a—e) . . . . Jan. E. Rowe. In Heavenly Love abiding. Db (bb-—-eb) . . He is thy Lord. Cmiu. (c—-eb) . . . . . His love is everlasting. Bb 3bb——d). . . . Glory to Thee. Dmin. (a———- ) . . . . . . 0p.8 No.1. A Day in the Woods. E (dll—gt). Violin or Cello obligate. No. 2. A Night in the Woods. F (c—-a). Violin & Violoncello ad lib. No.3. The Cricket. G (e——g). Violin and Violoncello obligate . . . . . No. 4. Summer Song. (c—-0 Violin and Violoncello ad lib. II. 1!. Russ. They that sowintears. Alto or Bar. C(a-—e) The Ballade of the Song of the Syrens. Sop. or Ten. Ab (eb—f) . . . . . . . . The Jess’mine Bush. F (e-——g). . . . . . Just like a lovely Flower. Bb (f—-f) . . . Spring. 0 (c—-a) . . . . . . . . . . . . Stephen E. Jeoko. Art thou weary, art thou languid? Eb (d—g) Jennie’s Wooin’. F (o—-f or a) The Moorish Love Song. Dmin. (Cll——f) . The Sunbeam. F (c—f) Jules Jordan. Nydiafs Love Song. Eb (bb [low] —f) . . . Sigh on, sad heart. Db (ab or f [low] —db) Drink to me only with thine eyes. D (e——a) If on the Meads. B (dll—gil) ‘A Life Lesson. Sop. Ab (eb—f) . . . . . —— Alto. F (c-d) 'l‘he Bedouin’s Prayer. Sop. or Ten. G (deg) — Mez. Sop. or Bar. F (c—- -— Alto or Bass. Eb (bb—-eb) . . . . . . Japanese Lullaby. Mez Sop. orTen. F(b—e) -—- Alto or Bass. D (g#——c#) Sleep, Beloved. Ten. F c—g). Bar. D(a—e) Attraction. E (b-e) An Old Song. D (c#—c#) . . . Triumphant Love. F (b-—f) . Walter Kennedy. Whether my heart be glad or no. Db (ob--Ii). V
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Title: Footsteps of Angels
Date: n.d.
Text: a /7 /.A/;t/ /,’,>/,/ 5 ///r/ MUSIC LIBRARY / VASSAR COLLEGE POUGHKEEPSBI. new vonn ”§@iE§m§§ M mﬁgw“ .f‘f4/Y/1/A/PD do /9’ 1574/ //V/‘P WPxJTTEN BY COMPOSED Y K L®EJ@EEjLL@W., HE] E 3Yl7ﬁ/E’ SAME AU]:/E/01?. 4% COMPOSER, ’ €3€1‘f1ﬁiU1’,_ am, m~z2m>/ 61;: Btittgs Eb: RainpDap ,_ 0,0 12,3... ’Wtgttl)rr /30//Lg 0fZ/w%VaZe7°z1{/;¢qﬂo5/ G1): Baalm of I:ife~12;>z),?.,.....T Gosh Night /Jmzmza /D?/6, AN! m /—/A11 /“v - ]a,A,P,F1:LEL V/BDNTD FOOTSTEPS or ANGELS. Companion to the admired...
Show morea /7 /.A/;t/ /,’,>/,/ 5 ///r/ MUSIC LIBRARY / VASSAR COLLEGE POUGHKEEPSBI. new vonn ”§@iE§m§§ M mﬁgw“ .f‘f4/Y/1/A/PD do /9’ 1574/ //V/‘P WPxJTTEN BY COMPOSED Y K L®EJ@EEjLL@W., HE] E 3Yl7ﬁ/E’ SAME AU]:/E/01?. 4% COMPOSER, ’ €3€1‘f1ﬁiU1’,_ am, m~z2m>/ 61;: Btittgs Eb: RainpDap ,_ 0,0 12,3... ’Wtgttl)rr /30//Lg 0fZ/w%VaZe7°z1{/;¢qﬂo5/ G1): Baalm of I:ife~12;>z),?.,.....T Gosh Night /Jmzmza /D?/6, AN! m /—/A11 /“v - ]a,A,P,F1:LEL V/BDNTD FOOTSTEPS or ANGELS. Companion to the admired Ballad “EVANGE LINE.” <@C>» W/;'itten by H.W.LONGFELLOW. Composed by Jomv BLOCKLEY. Md t. /“T C768. M/“/5 /“/“/“ dim e rall. f\ ‘When the hours of':.DayWé1re num___ _ber’d,‘ And the voi__ces of the I p¢A_A\/\/\ /e/ Night Wake the better soul, . that slum_‘...’__be1-"d, To a /\/*—/ ,/ /\L/ C7'(,’.§‘ . By. the same Author 8:. Composer .' L___‘.2'/ “Excelsior!” (Song or Duett.) s The Rainy Day. (Song or Dnett.) The “Enter Nymphs. (Whither?) E The Bridge . ho- _ - _1y, calm déiglight , ’Ere the _eve - ..ning lamps are /32 /\y lighted ,- And like phantoms ghim and fit- _ _f'u1 fire - light Dance up _. on the par__ Ilour /\ espressivo . Then the forms of the de.._parte‘d * /J dozc\e‘“// ‘_ / , Fcn1,s1..‘,« of Anzriss . Jﬂhn Blockley. the 0 __ pen door; The be. _ loved, the true hearu-d, Come to visit more, The be; ..loved, the true hearted, Come to visit me once more. \/ ‘-2 \’Z calla vow. dim. e rall. Footsteps of Angels . J/ohn Blockley. molto Espressivo. With a slow and noiseless foot, .. _step, Comes that mes _ sen _ ger . -di_ ..vine, Takes the vacant chaig; be- side A me, Lays her / /\. /K /\ /x// gen _ _ -tle hand in. ‘mine . i ' And she sits and ga _ _ zes PX _/K. 2 With those deep and ten.._der eyes, Like the Footsteps of Angeli» John B1°cUey_ so still [and saint like, Lo oking downwa rd /\ espr€sS1'v0A—. skies . Utter’d not, yet com _ _ _ pre _. hended, /9 dolcc. sipirit’s Voice _ _ _ less prayer, , Soft re_bukes in b essings Breathing from her lips morendo. _bukes blessings ende , Breathing from her lips 0 air. calla voce. ' e k—// Londou,Published by John Blo.':kIuy,‘_2 Park Road, Havcrstock Hill. Soft re_ $3®N@é$ ®lU[E1WI'SI@®{IW.P®SE@ B33? $®U}’I]N Bﬂ.@@WHE Qzxmzlmm: some 2/6 DUETT 3/- Potmv. LoII<;rIau.ow__ ,,,..MUS|C,J.BL0CKLE\4. ‘2'azoc;rz5r.'9 sxc-as/on //v c. 1,} ,/z éegwli/245 09272. /2.0.1’/‘J12/z xx'o/'//z// 0/Z0/{Q/(3//01//.3“ ,00e1M,#'/552$ Ar /Lara xv/zzz’€/‘m’ g’/2227 Z, "7715 Vt/?3£ or r//5 A/,4/om" "mg mp /Imvis ,mo/rcss," "ms M0/VI(.'$‘ or 3.’ sznrunm P34 _g.§.I9,'.'o£1f-2'7;/z[.ze.a/20. (27/rz//zalzk «Ii e/7%:/2275 mm! /7 I.-.— *’ i/2;?/2 eqmlr Me zm/Mr./21/J I/or4:.r 0/"Mal: 5’/>1/z/)o.rz:r:" ‘mar R mug Bag, som; _2/- DUETT 2/~ POETRY, ILONGFELLOW ,,,, ..M USIC . J .B LO CK LEY. 1&5 z'2zzfn1.z2’.iz/:¢‘4)r£'y .5-y/15;)/I/my z/cw:/z,‘m’z'0& 0/‘ (L /?zu,'/zl.;I/)/.{.;r 1.; 0947/ 1:44/‘zzwkrr/§.r/z2:; ml/Z quiz? /6’! /wzm//y i/2. én:/[ad W/2&2"/Ly. " Ebt 1L%rtfrq'e, PRICE 2/- M POETRY, LONGFELLOW ..... I.MusIc,.I .3 LOCKLEY. :4////izz’JA I/Le /zzurwrozw ,0o/ya/az/-pocmw 0/' iﬁia‘ Izotéoir Wﬂ 19/2.014’ 0//M/w1*eyaz2z'/zy In an: 5/alzkaogy Z/zzzr/7//E .9/I/005725 is ca Jo//1 .rz‘i/7'2‘/W 00//L/yoxzlizz/.//. " jffnniﬁfrp/5 nffkngelg, P R I c E 2/ ~ ~ POETRY. LoNGFELI.ow .... “MUSIC, .1. BLOCK LEY. [De/%(I,v.r' I/Le I/MM /)z)m/1‘z'/?z/ 0/Z0/2.9/éf/lot/«:i /)0— we 0/‘radio/w. Wé 6',/Z/Z ca/2/Q2/e/zVt{y /‘ow//zme/id Mm éﬂe /ML/7?/v9/‘/J/id‘ cm’/m7 2;; 21- 0/? VA /1 G cu/I/£3’ 5‘/ﬁe paya 1;? 6//we///3.;'ﬂIzez2’ Wzl/2 a ./Vzitirz , -/$5! ,00/Ia‘/Z1/My/‘ téz'.>v./a/yd/t//yzi/€*eoz’/./Dzzezf. " rﬂfbe DUETT 2‘/~ PGETRY. I_oIIe.,s£LLow .... ..M u,sI=c. J: . BLO_CK.LEY. 3\ ﬁazsatlm sf 1% some. 2/- DUETT, 2/- POETRY, LONGFEl.LOW,_ ..MUSlC.J. BLOCKLEY. Zoucrtzzawlr PSALM or ura, w :0 éeaumﬁol em- —/Ivwially t/Le last two v&r.re.9,t/tat me cw/3120;‘ /"wzIx~tq1mZz'/zg I/I//’i1’L.]t is very ef/“éolzbe as aa’zwtt." V (151103 P R I c E 2;? POETRY, LONGFELLOW, , “MUSIC, 0. BLOCKLEY. 2 sale ENA 05 IN F. a ‘Q/zwe/Jul and e/G/"(Jaime com/2o.v2ti07z¢ If/ﬁzz /mrmozub ooméi/zatio/z.r 0/L zfiw /-g;mm‘m..~ of 8:000 NIGHT a:Lov£a,"am /zafipi/y 0071'!)/7‘l.l)3(l{. We alaubﬁ /wt M/at t/ulr 44/////ée%?()//1'!" an /2/I/2wbr,Uééoe %; éévzzcervﬁ " @@[I)t’ﬂ9£1”. P RI c E 2/ PGET RY, LONGFE LLOW U SIC. J . BLOCK LEY. ‘some or THE mrzn NYMPII.S‘."Z/771$!‘ fang zza -—- ~/mi/m/’.r 1/,3 forcibly 0/‘0/Le of Kioatﬁei early czrznpoxinom, I25 é.r qu/aizw a5 alega/at" a%tzrr,a nfﬂw ﬁuntmtrﬂtgbt ' ' P RIC E 2/— '_ P0 ETRV. ILONGFELLOW - .... "M USlC.J.J.BLOCKL£Y. //z/ Me J'anmzm!& éaﬁom z¢._::[o2zyﬂ9JZo1r.i- éeaw ti/3;! U&I‘J'6J‘ zme Well dzlrphyed. 1% .r,w'IzZ of I/w poabfy 5.1‘ ¢m,’27z1'/2’zé{y rezzde/“ed.” UB2 ilbzaptr 8:153 jﬂomrw, s o N 0 2/« POETRY, LONGFELLOW .... ..MU SIC, J . BLOCKLEY. EM §5iImt ﬂank, sour, z/- D.U.ETT 2/~_ POETRY, LoIIcr£LLow...’....Mus_Ic. .1 .BLOCKLEY.
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Title: Bridge, The, The Bridge
Date: n.d.
Text: V X ( ‘T: ‘x W. 3'‘ . , \ /‘ ‘l ‘L . \- ‘ I ; ~ . V 9} xv ' v‘>.. I/vf. Sr/4, HALL L0ND02~§: ROBERT COCKS & ()0, N ‘W BURLINGTON STR;EE'.l‘, 'W TTUJQ BRUDGEO WRITTEN BY compossoav H.W.LONGFELLOW Esq. Mass M.LlNDSAY. Andante con espressione. 1‘ 9 I "3 3. stood on the bridge mid____ night, Z-«X ‘?"'olh‘]@ ‘5*‘k°)B1?E. clocks were stfiking the hour: And the moon Ijose o’e1"the ci’._ty, Be- hind the ‘dark church to§ver. I And like the Waters rushing ...
Show moreV X ( ‘T: ‘x W. 3'‘ . , \ /‘ ‘l ‘L . \- ‘ I ; ~ . V 9} xv ' v‘>.. I/vf. Sr/4, HALL L0ND02~§: ROBERT COCKS & ()0, N ‘W BURLINGTON STR;EE'.l‘, 'W TTUJQ BRUDGEO WRITTEN BY compossoav H.W.LONGFELLOW Esq. Mass M.LlNDSAY. Andante con espressione. 1‘ 9 I "3 3. stood on the bridge mid____ night, Z-«X ‘?"'olh‘]@ ‘5*‘k°)B1?E. clocks were stfiking the hour: And the moon Ijose o’e1"the ci’._ty, Be- hind the ‘dark church to§ver. I And like the Waters rushing , A--_mung the wooden ‘‘'x . ,, . \ I V I I V Ihe Bruigp b\' Mtss M. LINns,w. H 77,6 COPW(R”rGl{f,I7. f'I<md of thoughts ﬁame o'er. That filled my eyes How of--- ten, ' ohlhow of__--ten, days that had gone by, _ I had stood on that -bridge mid--»-vnight,. And gazed on that wave and sky! had Wished that the .ebb_--ing hear me a--_w-av on its bosom wide . For my 11¢ art /’ rest); less, And my f“‘\ bur ___ then laid. up--__ on me, Seemed greater than I COIIM But now it has f’all-_--- en bu _ _ ried 0 _ thers throws its _e _ vet‘ I cross the thuugbt of V 0_.th_er _‘ film F?y,,;.l.. h.» Myqq In [1-‘.nQ“- -0 _ duur of brine from the ’o____-cean on---_ Iy the S01‘- row of Lg ’ sha-__-- (low o_-A_____ver with wood __ en ﬂb bridge Comes the And for e___ver, and ‘iong as the heart has pas ....... _; sions, long as life 3171: The moon and its Vbro_ken re__,f]ec___tion shadows Shall aP——-—P931' sym-.b0l of love Heaven . And its wa_, Vefing i--mage “'Y‘Pvu .:','~ ,7" v. 'l?w.{mv‘hw .7vrT_Qg M‘ 7yT\.‘nQA‘_, S W M. Linnea ( ll: ‘O . Mfg. J. Vilorthington Bliss.) /\/\/\/\/\/\/\/\ /\/\/\/\/\ /\ /\/\/\/\/\/\/\/ ». SECULAR SONGS. “ Songs of a high moral order.”—Britislt Banner. 0 love my ‘Willie.—Song. from the “ Supper at the Mill." By Jean Ingelow. Music by Miss Lindsay.(Mrs. J. VV. Bliss). “Charming from its very simplicity and perfect adaptation of worclsand music."——Vide Glasgow Citizen, . . . . . . . . . . . . . . . . . Excelsior. ‘Words by Longfellow. Illustrated “ The theme is tenderly and powerfully conceived. .It is an ex- quisite lyric."——Elt'za Coo/(.9 Journal. “ A gem which, in‘ this musical setting, is seen to more advantage than before."——Pat7'i0t. “ SubFime in its simplicity."-—Poi'tsmoutA Guardian. “ VVorthy of the exquisite lines of Longfellow.”—U/um‘/z and State Gazelle. “ Makes the heart echo the cry of Excelsior.”—-ﬁyzitomist. “ Stirring and expressive."——-Weelclg Times. “ Beautiful in its very simplicity.”——Empire. “ Chaste and simplc.”———B. Banner. England and England's Queen——Song. Words by‘ \V. P. Lindsay, Esq. 2nd Edition. . . . . . . . . . . . . . . . . . . . . . . . . . . .. “This Song will still continue to awaken the loyal and patriotic Spirit of Britons." " Airy, Fairy Lilian. VVords by Tennyson. I llus. “ There is a sort of fairy wildness in the melody, exquisite, tender, and original, which seems even to freshen Tennyson's fresh imaginings. Those who have admired the lofty tone——uttered indeed in simple musical phrases, but still lofty-——of “ Excelsior," and “The Hymn of the Nuns of Bethlehem," will be glad to hear a lighter and livelier strain from the same inspired harp. Speak Gently. VVords by G.'VVashington Lang- ford, Esq. Dedicated to Miss Dolby . . . . . . . . . . . . . . . . . . . . . . . . . . “ A charming effusion, f_ull of pathos and beauty."—BrilisIt Bamun‘. “ Superior to the worthless trash, &c.” — Patriot. “ Very simple, pleasing, and melodious, and possesses the rare merit of adaptability to any voice of ordinary coinpass."——(,‘/Lure}; and State Gazette. “ So simple that singers of very moderate attain- ments will find little diﬂiculty in singing it at ﬂrst sight."- Aberdeen JOZl7’7l'll. “ Like her Excelsior, it addresses itself immediately to the heart, and awakens its kindliest emotions.»- Glasgow Sentinel. There’s no dearth of kindness. VVords by Gerald Massey, Esq. Illuminated Title . . . . . . . . . . . . . . . . . . . . . . . . . . “ All who are acquainted with Gerald Massey‘s heart-felt poetry, will rejoice in this elegant effusion of melod_v, which ripplrs sweetly along, ‘side by side with the pulling rivulet of the thought—thought which does equal honour to the heart and head of the poet.” Stars of the Summer Night——'Serenade. VVords by Longfellow. Illustrated . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “Many composers have essayed to translate into melody Long- fellow's exquisite Serenade, but none with so much success as the lady whose adaptation of the same poet’s ‘Excelsior’ has enraptured the public car." _ Home they brought .. her Vlarrior dead———Son “lords by Teiinyson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Most touching and pathet.ic‘....combines beauty with extraor- dinary facility of execution.”——Cuurt (.'-in-utzu-. “ The words are beautifully tender and true——so tender that you instinctively read tlgein softly and low; and Miss Lindsay, in adapting them to inili" has successfully caught the spirit of her author.”— _ Abei'deli5 lierald, Feb. 20th. The Bridge. “ Words by Longfellow. Beautifully Illustrated . . . . . . L . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . " \Vhat a lyrical composition intended to be popular ought to be——- it has no unnecessary diﬂicultics, and lies within a moderate range—being thus avai_ ‘ble for all who sing to amuse them- selves or their friend "‘ “well as of those who sing for the public—of whose attention, by the way, this composition is well worthy.” ,, Daybreak. VVords by Longfellow " Goes sweetly and prettily;§v.'* Brig/zton Herald. *2. ,l\laud——S-erenade. Word ”by Tennyson. Illustrated “ It might rejoice the heart of the laureate to listen to this melo- dious echo of his own thrilling and mysterious conception. As on other occasions, so in Maud, the favorite composer has attained the highest effects without departing from the simpli- city which is the real characteristic of genius. Miss Lindsay's and may be sungpby all who can sing at all.” Clara Vere de Vere —— Song. VVOrds by Tennyson . . . . . . . . . . . . . . . . . . . . . I “ In every respect worthy of her pen."——B¢iglzton ‘Herald. " Alfred Tennyson cannot fail to be satisﬁed with the lady’s appreciation of and the-spirit with which she has illustrated both ‘ Too late, 0' b. Lady too late,’ and ‘ Lady Clara Vere de Vere.’ ”—Stamfoi'd ll1e7‘cm‘y. ' The Old Clock on the Stairs." “lords by Longfellow A Psalm of Life. VVords by Longfellow. Illus. The l3rook——Song. \\'ords by Tennyson “ Tennyson’s charmingly descriptive verses are most appropriately \\'0(l(l£'(l to inusic of the most pleasing kind." —— (liuil S-':-)'vic'e (:‘rr'.“~vltc. “ Beautiful niusic, so prcttily 2l(l2lp[€(l to the language I ofthe .<ong.”- (.'ozr.rt (.’i'rlvz./an "Why sit"st then by that ruined hall. Song. ‘Words by Sir W'ztlter Scott . . . . . . . . . . . . . . . . .. .. . . . . . . “It sustains the reputation of the fine lyric, ‘Excelsior.’ "- Sm/,iirlei~s’s News Letter. “ A beautiful air, in excellent keeping with the subjcct."—B7-ig/zton Exaininer. LONDON :_,__lftOE1jt",_ , ' massage...- CI 6 6 I I I T I l SECULAR SONGrS——c0m‘imiea La _, Toilette de Constance. ‘Verde by Casimir Delavigne. Illziminated title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Thalassa——A Yachting Song. VVords by Edwin Arnold, Esq. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ There is a cheerful yet soothing sweetness in the melody delight- fully sustained."—Glasgow Sentinel. “ At once simple, pictur- esque, and bcautiful."——Press. The Song of Love and Death—-Song. Words by Tennyson.... . . . . . “ Very gracefully designed and pleasing.”——Keene’s Bat/i Journal. The Mariners Song. “lords from “ Home Lyrics.” I llustratcd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . In this song Miss M. Lindsay has shown a greater command over the technical resources of her art than in any of her previous compositions.”—— The Press. ‘ Echoes. Words by Miss Procter “ Remarkably happy in the general style of the air, but specially in the adaptation of the echo."——Scattz‘sli Press. The Arrow and the Song. VVords by Longfellow “ The melody chaste and ﬂowing . . ‘ so pretty.’ "—Clieltenliam Gas. SAGRED SONGS. Thou O Lord. VVords from Scripture........... ,;. Resignation. Words from II. Samuel xii, V. 22 & 23. 1:'legantlg/ illzmzinated title . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . The Pilgrim’s Rest. W'ords by Rev. H. Lindsay. Elegantly illuminated title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jacob. Words from Gen. xlii, v. 36, 37, 38. Elegantly illuminatetl title . . . . . . . . . . . . . . . . .v.I. . . . . . . . . . “ There isra beautiful solemnity about this song not unfamiliar to those who are acquainted with Miss Lindsay’s compositions. It is easy, graceful, and pleasing. Her compositions are for the quiet family circle——the domestic concert—-the‘ home cirple."— Gl‘(ts§0w Times. Christian Submission. ‘Words by the Rev. John Keble Elegantly illnmin./zted title . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Lord will provide. VVOrds from Gen. Xxii, v. 7, 8. Elegantly illimii1iatadtitle._. . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Border Lands V\'ords from “ The Dove on the Cross.” Elegantly illuminated title . . . . . . , . . . . . . . _ . . . . . . . . . . ",Thcse Sacred Songs, from their originality, sweetness, and extreme patﬁllos, are winning universal favour.” Too late, too late. \vVords by Tennyson. Elegmztly illuminntczl title “ A very sweet Air, and well befits the words of the sacred song.” -——Lsed.s* Intelligence)‘. “ Mouriiful and touchingly pathetic. . . . presents some very beautiful touches of mclody.”—Briglitrm Examiner. “ Treated in her own felicitous and characteristic style, full of calm dignity and devotional fecling.”———Gi’asyow _Seuti7tcl. ‘ _ Peace be still———-Sacred Song. \Vords from Matt. viii, v. 23—26, Mark iv, v. 38, Psalm cvii, v. 30 . . . . .. “ Admirably descriptive, stirring, and expressive.”-Olieltenhcmi Iizette. n--.....-.c.. . . . . . . . . . .-..a .noooo.... .. Come unto me——Sacred Song. VVords by VV. H. Bellamy,__Esq. Illustrated . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Well do her notes represent the pathos and earnestness of the invitation,"-—(,'hu;c/1/1i<m’s Guide. Thou wert the first of all I kne\v——Sacred Song. \Vords by Rev. T. \Vhyti—hcad .. .. . . . . . . . . . . . . . . . . . . . . . . .. . . . . “ So pretty that it is sure to become allL1'0rlte."—Le1?rls Iiitcllzfgeiicer. They shall hunger no more. V\'ords from Rev. vii, v.13—17 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Solemn and expressive a very welcome addition to our Sunday evening xuusic.;"—-Coiurt C‘l?“(.’Ztl(7-)'. ' DUETS (for Two Soprani.) A Psalm of Life. VVords by Longfellow. Illzts. Excelsior Duet or Trio). VVords by Longfellow... Speak gently. VVords by G. VV. Langford,‘ Esq.... llymn of the l\Ioravian Nuns at the Consecration. of the Banner of iﬁilltlllﬁlil. Words by Longfellow . . . . . . . . . . . . . . HYMN or run Mormvrliw NUNs.—“ VVell worthy of the author of“ ‘ Excelsior.’ Melodizcd with power and expression."——~Cliurn}i and State Gazette. “ Coupled with music equally simple, adequate, and imprcssive."——(7ourt .lo-urnal. “!:Trzmslates the sentiments ofrhc poetry, and makes the heart respond to«it."— Ilri;//titan .’:‘ram.1'n::9'. “ The spirit of the poetry is very a(.lmiral)ly 1'endere(l."—-Abcrrlecn ./'otmiat. “ Possesses the merit of simple bcauty.”———Enzpii'e. ANrni~:M—Unto Thee, O Lord, will I lift up my soul——'Psaln1 xxv. 1-6. 4 voiccs.———(No. 1. Third Series of Roinncr Cocxs AND Co.’s Clioristcr's Hand-Book) .. . . . . luv--1 0 . 3 1) ~ T__r1 K7 _Q4rI\.1:x,TJ-.1: \ '1r.\
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Title: Rainy Day, The, The Rainy Day
Date: 1901
Text: HUNG LIBRARY The Rainy Day. (Low Voice.) LONGFELLOW. JACQUES BLUMENTHAL. Andante. _ .\_/ ' K \2 day 1s cold, and dark and dreary, It rains and thewind is nev-er wea. - ry, The (‘IT cresa ‘ f 7'22 still clings to the mould - Tingwall, But at eve - ’x-ygust the Ceplyrighl MCMI byThe John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MCMI, by The John Church Company in the Department of Agriculture. 13536-5 dead day leaves...
Show moreHUNG LIBRARY The Rainy Day. (Low Voice.) LONGFELLOW. JACQUES BLUMENTHAL. Andante. _ .\_/ ' K \2 day 1s cold, and dark and dreary, It rains and thewind is nev-er wea. - ry, The (‘IT cresa ‘ f 7'22 still clings to the mould - Tingwall, But at eve - ’x-ygust the Ceplyrighl MCMI byThe John Church Company. International Copyright. Entered according to act of the Parliament of Canada in the year MCMI, by The John Church Company in the Department of Agriculture. 13536-5 dead day leaves fall, \_/ is and drear — y,, It dark ? /’ /V . zuzgﬁn P .92/z‘0rza/u/0. the dead leaves full And the f.\ Butaét ev - ’1'y gust \_/ \./ \‘/ . , \_/ and drear — y, The day_ 1s durk_ auddrea1'- 7? pm Va (0. 0 My life is cold, and rains__. andthewind is new — er___wea - ry, My f rm thoughts stillcling to the mould - Ting past, Butt 0 hopes ofyouth ful1_ thick in the blast, Butthe hopes of youth fall thick in theblast, Andthe ff awe/. days are dark 53 y, And the days, the days __ are ff acne]. \ , L,‘ cmztzzézle. and drear - m/zgz/7' 0 6’ 17 13536-5 Tempo commode. still, sad heart, and cease_ re-pin - ing,Be — hin0L__ thecloudsy is the 2719 / crew. molto. still shin — ing,'Thy fate is the com - mon fate of all, 8'6/I!/7I'6’ crest: f _ to each life some rain must fall, Some- daysmust "be dark :51/ddro.a.r- \ L’? 6'7'9S0. . f co//a woe. a tempo. «/zgf smzare. Be still, ' heart 0/’!/’.S'(}. . the clouds ‘J 623 w-ma ea’ mrcel. shin — ing, Be-hind the clouds, Li} L (;7'e.s'0. ed (local. sun still shin 13536-5 (38380 .j_ the sun 1'6-
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Title: Arrow and the Song, The, The Arrow and the Song
Date: n.d.
Text: \ _/ I _ I :\ ’ JV / » \ \ X \‘ _< g " ’ ~ I _g‘ \ \ ‘ \\ B / < \ ,7 \/ \\\:TI;;/ AN1D> , »«L//“* ‘” ,/f:;E;:§;;:> xx Q. Z V‘ '"'\ //\ \',/ / // \ S/§€@ﬁyE jlﬂinmihirg $ Ky 1*”/~? L \ \\r’x”3‘\~%i /) V’ /‘/-4, A , % C/* H, 7 . A C§é%;:%%Z;a?é%%7a§%,n%%:§;%?&%%/ /F‘ { % x ﬂ \ a $32 A Ea“ [am %if ma \ .\ . \ /‘ft’ //"\ a\/ .3*"’ > ,x ; w—3 M4 » A¢\7[ R ;%L°L.9M%£&Q9&/x 2- \ / //‘7T*\gE“// .. * . /’/)“((‘6 Z/70' ‘\ / J “*?T.¢)A,5...
Show more\ _/ I _ I :\ ’ JV / » \ \ X \‘ _< g " ’ ~ I _g‘ \ \ ‘ \\ B / < \ ,7 \/ \\\:TI;;/ AN1D> , »«L//“* ‘” ,/f:;E;:§;;:> xx Q. Z V‘ '"'\ //\ \',/ / // \ S/§€@ﬁyE jlﬂinmihirg $ Ky 1*”/~? L \ \\r’x”3‘\~%i /) V’ /‘/-4, A , % C/* H, 7 . A C§é%;:%%Z;a?é%%7a§%,n%%:§;%?&%%/ /F‘ { % x ﬂ \ a $32 A Ea“ [am %if ma \ .\ . \ /‘ft’ //"\ a\/ .3*"’ > ,x ; w—3 M4 » A¢\7[ R ;%L°L.9M%£&Q9&/x 2- \ / //‘7T*\gE“// .. * . /’/)“((‘6 Z/70' ‘\ / J “*?T.¢)A,5“{ . y ‘ 11 ‘ 0 i}‘i) @> l©N®®Nq BOOSEY & SONS. 28. H0'LLES STREETOXFORD STQ v MUSIC LIBRARY -ix - - o THE ARROW AND THE SONG. THE POETRY xv THE Mcsxc BY l.()N(-‘FELLOW- M. W. BALI-"I<I. ./U01. T0 M0Dr:R.4 TU. I'()ICI4.'. PIA .‘\'(). §.______J in _ to the air ............ .. It fell to eurtvh I shot an Arrow kxmw not wllere, For sqswiftb- ly it flew, ii??? /9/9 s«i“§,~'l1t Could‘ not ful_|uMr |Ht_; The sig'l1t could not in its flight. I breatlxcd a Song in __ to the air ‘ . . . . It fell. to earth I know not Wlxcrc, > / >Fm‘ who has sight . . . . . . . . . . .. so keen and strong‘, That 1t can fol _ low thv Hi_;;‘ht of a. snug‘ ' Furwhu has sigllt ‘ keen; and so .st\'nnn;_r 4 . . . . . .. That it Cull ful - , -. _ 1'owtlw1'li;_;-lxt [of :1 song‘? Long, long af'terwurd . . . . . . .. in an oak . . . . . . . . . . . . .. I found tlw Ar- r«.,v\J PP still lmbroke; And the Song; f'ru1n he _ giin11ing'* to end ‘I found ii_g'ai11 the heart of friend . And the Song fmnlbe- 3 _ gi111\i||g to end . . . . . .. I f(_)und a_g‘ain in the heart ‘of :1 friend . q-0* ««- L, ’<3:., :7; 2%s~.;,,»'~. :$ ~u,=a:ss.;\e;~:x>:a‘&e=er 3:4, found u_g‘uin , — found u_g'uin , — I ﬁmnd a_g;'aIiII in the heart .............. .. aﬁ friend! Tempo l”.’° /J/J/.) SONGS AND BALLADS BY " OLARIBEL.” S COME BACK TO ERIN. Composed expressly fvr Madame ' - MY BRILLIANT, AND I . . . . . LEMMENS-SHERRINGTON . . . . . NORAH’S TREASURE. Sung by Madame SAINTON-DOLBY . I CANNOT SING THE OLD SONGS. Sung by Madame MARION’S SONG. Third Edition . . . SAINTON-DOLBY . . . THE LIFEBOAT (for Baritone). Words by Lord STRATFORD DE REDCLIFFE . . . . . Is- o °=+r—o:9n ooo” THE OLD HOUSE ON THE HILL DO YOU REMEMBER? . . GOLDEN DAYS . . . . BLIND ALICE . . . . . DREAMLAND. Sung by Madame PAREPA . . FIVE O’CLOCK IN THE MORNING. Tenth Edition I REMEMBER IT. Sung by Miss PooLE . . . JANET’S BRIDAL. Sung by Madame PAREPA. Tenth Ediiion , »JANE’I"S CHOICE. Sung by Madame SAINTON-DOLBY. THE BROOK . . . . . Twentieth Edition . . . . . . THE TWO NESTS. Illustrated . . LITTLE BIRD, LITTLE BIRD ON THE GREEN TREE; THE SAILOR BOY . . . Or, “Loyal je serai, durant ma, vie.” . . THE OLD PINK THORN. Illustrated . LOWLAND MARY . . . . . . THROUGH THE JESSAMINE . . . . MAGGIE’S SECRET. Sung by Madame SAINTON-DOLBY. WONT YOU TELL ME WHY, ROBIN? E,-97”], Ed[;j0n__ Tenth Edition . ’ . . . . . 4 “ YOU AND I.” Sung by SIMS REEvEs. Sixth Edition MILLY’S FAITH . . ‘ 3 PIANOFORTE ARRANGENIEONTS OF CLARIBEL’S SONGS. . JANET'S CHOICE. By BRINLEY RICHARDS . . _ CLARIBEL GALOR By E_ AUD1BEm._ I11ust,ated . JANET’S CHOICE. By DUMAS . . . . 2 0 _ CLARIBEL POLKA B E A . “JANE’I"S CHOICE” WALTZES. OD Cmmsmxs Songs. MAGGIES SECRET’ B’; K'UH:D“3ERT ' 4 0 ' ' Illustrated. By MUSGRAVE . . . . ' . CLARIBEL VALSE. On CLARIBEL'S Songs, by Cums ‘ MAGGIE“ SECRET BY DUMA5 - - - ' Com. Illustrated , , , _ _ 4 . TAKE BACK THE HEART. By J. A. WADE . . . CLARIBEL QUADRILLE. On Cmmsmxs Popular Songs . FIVE 0’CLOCK IN THE MORNING. By J. A. WADE and Ba11adB- Illustrated 4 . I CANNOT SING THE OLD SONGS. By J. A. WADE . TAKE BACK THE HEART . . . — THE BELLS’ WHISPER . . . PRIEZ POUR ELLE . . . . SUSAN ‘S STORY - . . SPRING-TIME. Companion to “ Dreamland.” THE BLUE RIBBON. Illustrated THE BROKEN SIXPENCE. Dlustrat 0093 IF ¢0D30°C.OC)DOD<‘.DC)Ov# O OOOOOOOOO otooontooun u no It .- O003036OC)0€.)O<D3A‘a3C)9f)909¢A?C)303OO OOOOOOOOOOOOOCO SIX GEMS OF OLARIBEL, EASILY ARRANGED FOR THE PIANOFORTE. Price ls. each. ' 1. MAGGIE’S SECRET. 4. WON’T YOU TELL ME WI-IY, ROBIN? 2. JANET'S CHOICE. ‘ 5. YOU AND I. s. FIVE O’CLOCK IN THE MORNING. 6. TAKE BACK THE HEART. SONGS BY VIRGINIA GABRIEL. THE LADY OF KIENAST TOWER. Romance. Poetry by WEE}? NO MORE. Sung by Madame SAINTON-DOLBY J. R. PLANCHE, Esq. ; composed expressly for and sung by THE SKIPPER AND HIS BOY. Sung by Madame SAINTON Madame SAINTON-DOLBY . . . . . DOLBY. Tenth Edition . . . . NIGHTFALL AT SEA. Reverie . . . . RISE, MY SOUL. Sacred Song. Sung by Mr. WILBYE COOPER DREAM, BABY, DREAM. Sung by Miss BANKS . . THE LIGHT IN THE WINDOW. Sung by Madame SAINToN- OH! MAY’ST THOU DREAM OF ME. Serenade for Two DOLBY. Fifth Edition . . . . Voices . . . . . . I DO NOT ASK TO PRESS THAT CHEEK . IPIANOFORTE ARRANGEMENTS OF MISS GABRIEL’S SONGS. NIGHTFALL AT SEA. Reverie . . . . 3 0 H THE SKIPPER AND HIS BOY. Arranged by B. RICHARDS. NEW SONGS BY “DOLORES.” “ CUSHA.” Poetry by JEAN INGELOW . . . 3 N THE FOOLISH SHEPHERD, a Ditty. Words by HAMILTON UNCHANGED. Song. Words by W. C. Bmmm, Esq. . 3 0 AIDE, Esq. . . . . . . NEW AND POPULAR OHRISTYS MINSTRELS’ SONGS. THE CUCKOO’S NOTES. Composed by C. BLAMPHIN. Sung IN THE MOONLIGHT LONG AGO. Composed by J. R. by Mr. J. W. RAWLINSON with great Success. Illustrated . THOMAS. . . . . . . SWEET EVELINA. Sung by G. W. MOORE . . . ANNIE LISLE . . . WIIEN JOHNNY COMES MARCIIING HOIWE AGAIN . DEAR LIOTHER, I»LL COME HOME AGAIN . COIHPOSGCI J. R. IFHOMAS Composed F. WHY AM I SO HAPPY? Composed by F. WIDDOWES WIDDOWES . . . . _ _ _ BLOWING I WEEPING SAD AND LONELY ' ' ' MARYLAND, MY MARYLAND _ . _ SOFTLY FALLS THE MOONLIGHT. . . IT IS MY COUNTRY’S CALL . . THE BONNIE BLUE FLAG - - 3 O l\Dt\9l\9l\‘.'>l\'>C«O€.D<'.O0D QQOOOSOOOO N 0 W R E A D Y, In Three Volumes, Price 45. each, handsomely bound in extra cloth, lettered and gilt edges; or in One Elegant Volume, Price 12s. OI-IRISTY’S MINSTTRELS’ SONG BOOK, CONTAINING 180 OF THE MOST POPULAR MELODIES. FORMING THE BEST AND MOST COMPLETE COLLECTION OF THESE POPULAR SONGS PUBLISHED BOOSEY AND 00., HOLLES STREET, LONDON, W.
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Title: Song Mosaics:
Description
Date: 1890
Text: 5: ‘ - .f. I ' C .0’ '7 4'“ "' n .~'=.1-.2?‘-1.1,” '34; ' .‘-: I C%lNclNNATl.- ‘ % V % L PUBLISHED BYTHE JOHN CHURCH C0.74 WEST Founm 37.; ‘ Q ~ , ' [/r/2.'a;a, ‘ /Venrliz-/r, 4 RUDT& SUNS MU II: DD. V , ‘ ' ‘HIE JUHN CHURCH CU. Zﬂﬂ /51:15.7:/9 lvem/2'. /.7575?/519.5‘)! _ 1 x«:..YI.u1.J.(./. A W‘ '/,4 ¢ / 4! / . 7/ ‘\:.\\V§\\.'§\\\\\\\§\\\‘.R\\\§\\§‘\&\\V I11; . tu1§1%!l|l1\1xua..... .I' ‘‘.-_~..,_.);' -‘....
Show more5: ‘ - .f. I ' C .0’ '7 4'“ "' n .~'=.1-.2?‘-1.1,” '34; ' .‘-: I C%lNclNNATl.- ‘ % V % L PUBLISHED BYTHE JOHN CHURCH C0.74 WEST Founm 37.; ‘ Q ~ , ' [/r/2.'a;a, ‘ /Venrliz-/r, 4 RUDT& SUNS MU II: DD. V , ‘ ' ‘HIE JUHN CHURCH CU. Zﬂﬂ /51:15.7:/9 lvem/2'. /.7575?/519.5‘)! _ 1 x«:..YI.u1.J.(./. A W‘ '/,4 ¢ / 4! / . 7/ ‘\:.\\V§\\.'§\\\\\\\§\\\‘.R\\\§\\§‘\&\\V I11; . tu1§1%!l|l1\1xua..... .I' ‘‘.-_~..,_.);' -‘..§-'4’-.1 ~ 5- any 3¢'3~ -} ‘.7 ‘:,' ~ "4- -3‘-31'-‘ . QR ‘-. . g§:._": "‘ . 9. 4.18: 44 ' . i'‘-.. \ nu um. ;v, V. 6 . cmcmn/m; PUBLISHED avTru-: JOHN CHURCH C0.74 WEsTFou:=m1 Sr. I/I/hiya, /Yaw I17/-A; Rnunsuus MUSIC cu. THE JDHN nuuacn ca. ZII /KMJM lye/rut. , /ifasf/5316.9: .CON.TENTS.L AFTERWARDS. ............................................................................................ ..1IIullen'. ..... ._69 AN 01.1) GARDEN. ......................................................................................... ..TempIe.-.-..102 A SERENADE ......................... .; ................ ................................................... ..I..0oM. ..... "24 .CHING- A-RING_A .RING. ............................................................................ ..lIo_llog/.._..-112 COME TO~_ME._ ..... ........... .; ..... ...................................................................... ..ﬂemr1t ...... -42 DEAR HEART. ................. ........... .... .} ......................................................... .Lz!Iazfez. DEAR EOVE. ................... ....................................... ...... .............................. "Klein ...... .-59 . GOLDENLMOON ................................................................................................. Llvdﬂ .... -135‘ HIGH TIDE. .................................................................. ............................... ..0armt'll. .... -.36’ V I ARISE FROM DREAMS OF THEE ........................... _; .......................... .,Salamrm; .... -.3o IN OLD MADRID. .... ._. .................................................................................. .,Trolerr. .... --96‘ IT CAME WITH THE MERRY MAY, LOVE. .................................................. .. Tosli .... -108 IT WAS A DREAM ......................................................................................... A13/ar/. ...... _. 8 . IT WAS NOT THUS TO BE ............................................................ .......... ._Ma.9.s'ler ______ "78 MY .LADY’S BOWER. .................................................................................... ..Tem]1le ...... -.12 . POL LY AND I .......................................................................................... .. If/it/rejfz'eld ...... ..74 QUEEN OF EARTH.. ............... .... ......................................................... ..Pa'1/gm‘! .... ".128 SING TO ME. .................................. .; .................................. ......................... .. 1)e7mz‘ ..... --6’4_ STAR OF MY ‘HEART .................................................................................... ..])en:/I ..... -140 TELL HER I LOVE HER so ..... ..................................... ...................... ..de Faye ...... -34 TELL ME,0 GENTLE MAIDEN. .............. ______________ ________________ _; ............ ..6’oomo/I. .... -18 THE GOLDEN GATE. .................................................................................. 1//mm .... .423 THIZY AI..{L;LOVE }ACK ................................................................................ ._A(1am.s'........88 THE LIFE A. BOAT. ....................................................................................... ._Ea'w/zrzls ...... .52 THE SWIEETEST SINGER. .......................................................................... ,_}?oPc/re/N._,,___I18 THE SEA HATH ITS PEARLS. ................................................................. .,Brg/.9072 ...... "49 Copyright,1890,b’y;Thé John Church Co. Song Mosaics. For Tenor. Dear Heart, L W'ords by G.Clifton Bingharn. Music by Tito Mattei. /7 mf So long the day, so dark the way,---- Dear heart, be—fore you It seems to me it can-not be This world is -Still the same, ‘For /r’-ﬂ,“-"._\ then I stood as in some wood, And vain — Jly sought for r V 10 -can egpreeq. ten. av-ea.. b V ’_ _. . . I" Q But new day daﬁvnson sun-lit 1awns,.-.. And life isglad and {T /§ P/\ 0 leave me not, 0 leave me not, Dear 4:} ZZg V . kg : P000 '17» pin mono. T‘ heart, dear heart3.-.‘- I did not dream that we should y /_\ P/“T love but thee, 0 love thou me, And leave3 and leave me O . . ﬂoral/E. .accel. e cw-es. / /" » r;\-*4’- Dear heart dear heart! leave me not,Dear heart! P With you a — way, the brightest Dear heart, goes by in vain; I dare not dream what life would \__j_z I" If you ne’er came - garnl Dark ways be — fore would hark -en 'The sun would set in vain re —gret.-._ 4——$ 11 '1: mono. 0 leave me not, pace rd.‘ 1“ morn—ir1g brought nof 0 leave me not! thee! can graria , p/"‘\ Dear piu mono, heart, dear‘ heart L3ffEEEEE¥:::::::—-—__~‘§“‘\\ T r/~——\ . dare not dream ‘that 0193.. % love but thee, O~ love thou me, >/1 poco ran . ﬂ leave me Dear heart, /I-*""—"*"e >>>>ﬁ ml-l . heart! ........ -- leave me not,..-. I I Mii./-xﬂ V_/f decico. fa me not,’ Dear heart! ‘ f.\ pp col canto. It was a. Dream. ESWAR EIN TRAUM. Adagio con espressione. Fa - ther—land was mine, sch); - neg Va - ter—laml, staté— -1y oak _ trenes ‘to.w’r - -ed high, V Ea’ - chew -bzmm. wuchs dort .90 -ltoclt 1 z nod - — ding vio‘-lets smiled 1/21‘! - — cﬁe-um}:/c-ten mnfl was a dream. war ein Tr/mm. when to far - off for-eigxrlandsl came,‘ A m.aid-en stood of ma -gic als it-/I mm in’: fer- Me Au/.1-I/m.(l ham, Ila war ein 1!Iiz'd-clam nm -])(?7.‘- grace. With bright and gold-en hair .s'c/zb’7n. . I/nd blond van Ha/tr 11¢ .9eh’n dream , Traum. Who kissed me then and spoke in Da: /mm — te mic/c auf denim]; and Mo — ther tongue, L One scarce can ‘tell how sweet aprac/c auf deulsc/z., mzm glrmlzt 6-S kamn, wie gm’ ores f That word_______ “I love (Ia: If/brl._____ icﬁ lie — V /-‘T if war ein dim. e riten. ’ I”, /" - ' dream. Trrmm, was 3* ‘ My Lady's Bower. SOPRANO. OR TENOR. Words by Frederick E.Weather1y. Music by Hope Temple. Moderate conxmoto. A . __ Thro’ the moat _ ed Grﬁnge,at twi _1ight,‘ My love _ and I Wt; ‘ F {$0 /*° /_ Weints By 611113 - y roo'ms and lone- y stair‘s,v In lov _ er’s swket con- ’ /'\ /‘5 I /—~\ \_.Z V _tent, And round the old . and bro _ken case- ment We watch’d the ros ;es A But theplacewe1ov’d the best of all Was call’d “my La -dy’s f mialerioco. And wiﬁl beat _ _ ing hearts we en ter’d, And_Ls’tood and whisper’d low, I’ sweet and lovely la - dy b who the #4. cqflly. moon shone‘ in the dus — ty grazioxoi . ‘2 Where her +1it_t1e feet had wan —der’d In the court- 1y days of yore.And it touch’d the fad - ed at _ ras And a -gain we seem’d. to‘ see ;A//"’-"'_‘\ lovely la - dy sit _ ting there, Her ‘lov- er rall. molfo. saw him kiss her fair white hand And oh! ‘F we heard him say, K5 _ tempo /tgifalo. 3 love thee, love, for_ev _ er, Tho’ the /-3’ years may pass a -wayl /?s’\ / WI/1. [low It 11000. \ love thee ‘Tho’ the years may pass. a_-way!.. I "1 shall shall Tempo I. tlolciu. But then 0 ’twas but a dream It was not they who sat there hi the A -crempoco a poco ml]. 1 2 ‘Ya. ‘YE. rail. inolfo. _ Tempo I, A V A ‘Ya. ‘Ya. Sil - _ver on-lightgleam1 Ah! no ’twas we, we tw”o to -geth-er,Wh‘o had vsf found our gold-en hour, La _ dy’S mil al. f me. “With- in my La _ x‘ :7 bOW’l’; A alempo, And- told the old, old sto _ ry With- E. E. And told the old, old sto _ zmav corda. Tell Me, O Gentle Maiden. (OU VOULEZ VOUS ALLER .) BARCAROLLE. _ English ‘words by“Winthrop’., _ Ch. Gounod. I’ Tell me, O gen.-tI’e maid -en,Whered0you chooseto go? White sails 0:’. tea la jcuzne be! -le,A 0:2 vou-lc1.vous al- Ier? La voile . Bel - la mia gio - vi -net - ta Do-vei ti Juoi re _ car? Lie - vee _.o- C be/aring s on-ward,Gaily the breezes blow; ........................................ Gai§ ou-vre son at’ -1: Laibralae va .9ouf_fler' ................................ ............. ._ La - la mia barchet - ta Cal moepropizio il mar _______________________________________ .§ ...... .- Cal- Copyright, 1889, by The John Church C‘! ' - ly the breezes blow.---. brzlse va .muf-f1er. moe propizio il mar__.__-__ > All is brightnessand beauty, ’Tis thy’ loverzs sweet du_- ty, Swift - Iy to ‘ L’a—v¢'_' tomes! :15’ - voi _ re, Le pa- v1'7-londe mot" - re, Le ..... .. gou,ver- Sul _ la pro-ra ho la spe- me, In van con-tro lei fre - me . Iel . . . flutto TTT guide thy > way; . . O,er the murmuring wat - ers, Fairest of al1earth,s nail d’or fin, . . . Jhi pour lest une o - rm‘: - ge, Pour vo1'_le une aile cri - stal - lin-. . ‘ Per sae-vor-ra una me _ la le ser-veo di daughters , Sweet as roses in May. ................................................................. .. 7 - . I . . dan - ge , Pour mousse un.s'c.ra.p/ha . ............................................................... .. , _ % , Ve _‘ la L’a _ la dun Che..ru - bin , ........................................................ ...... .. Tell me, O gen-tle maiden,Wheredo you chooseto go? White sails Dz’ _ lea, la jeu.ne bel- le, 0:’; vou-le:_vou_.9 al - lér? La voile Bel _ la A mia gio_vi- net - ta O—ve-ti voui re - car? Lie vee bearing us on-ward,Gai-ly the breezes blow, _, ______________________________________________ _. Gai, tou-vre son at" - le, La brz'-ge mt :ouf-fIer, _______________________________________________ .- La ‘ la mia bar_chet -ta Calmo e propizio il mar, __________________________________ _'_ _________ _ ly the breez_es blow. bri- ae va .9ouf-fIer. - mo e propizio il _ ma‘-r. “ > To the land of the spi . ces? Where all nature en — tic - es? Speaklshiallwe, Est- ce dam in B1: - z‘:'_- qua, Sur la mer Pa-n'-f:' - que, Dane 11' _le 1 Sull on-de fug-gi - ti - ve V Del Bos.fo-r<°) alle ri - ve Dim _ mi,vuoi 1‘ P shall we I On the bosom of ocean, ‘ Lulled by its gentle ‘ de l ja 9 Oeﬁéien dans la Nor-wé-ge, 0ue2'l-Iz'er la fleur de tau - pro _ Op- pur sui f1u_tia vo - lo Vuoi di Golconda i1 Floatwe eV_ef_ a .way,' ________________________________________________________________ .. 01': la _fleurd:4n-g0 -/ca? ............................................................... ._ Fur- ti _va sa-.lu - tar? Tell me, O gentle maid-en,Where do you chooseto go? White sails .02’ - fes, . la jeu_ne be] - Is, 014 vou,le1_vous al - Ier? La voile la mia gio-vi _ net- ta 0 _ ve_ ti vuoi ra - car? Lie - vee bearing us on-ward¥Gai1y thebreezes blow, ............................................ .. ou-vre son at"- Ie, La bri- ae pa :ouf_ fler, la mia banchet -ta Cal-moe propizio il mar, ................................................ .. Cal‘- - ly t» e breezes blow. ‘br1'..9e1 wt :ouf_fler.___- - imo e propizio il mar. ‘ > Seid the beautiful maid - en, "Let us go to that Aiden, Where we shall 1lIe.ne:-mo1',dz'! la be! - Ie, V .4 la rs’- ve ft’ - dé - le on ‘Port La gi0-va-ne ri _ spo _ se': ‘ ~ Me_na-mi fra Ie r‘o - se La do-ve 7”’ I“ love, love fdr aye; To its bright golden por _ tals, To the land of im. at" - me (on. _/our:,_._. v0eI-Ie rt‘ _ ve,ma cﬁe - re, 0!: are la conmzif sa _ ma _0 _ gnor.,---- Ignot ao gi0-vin-cel Q- la, E que__sta piaggia - m0r - t; us, Let us up and a _ way! ........................................................... gue - re, Au p'a-y: ale: a, -nooun. ............................................................ .. bel - la . ‘Nel do-mi .nio da - mor. ........................................................... .. Tell me, O gentle maid-en,Wheredo you cheese to go? _ D2’ - te:, la jeu me be! - la, ou v0u,lel.vou.9 al - Ier? Bel - la mia gio -vi - net- ta, Do-v_e - ti .vuoi re - car? sails bearing us 0n-ward, Gai_ly the breez-es blow, ________________________ __ voile ou_vre son at’ - le, La bri - se M I .¢ouf_f/er. .... ................. .. vee A la mia bra_chet- ta, Cal_m0e pr0-pi_ri0 il mar. ........................ .. -0- ly, yes gai _ _ _ ly blow. 6m‘- se va .......................... .. :ouf-fler. moepropi - - _ zioil‘ mar. }{§ 24 ' A Serenade. German Poem by FRIEDRICH IIJLM. Englishetranslationby GERARD F. C OBB . SOPRJZVO or TENOB. _ ' GERARD FOCOBBC Andante c‘antabi1e.<J : 100 Pc(I.ad lib . night! All ha1— - 1ow’d Nacht! Schliesst euch zu 0 - - pen bright When frisch - - er — wacht, ‘ Wenn 1’ gold - - clouds is beam A - I - _ ing; Good enightg sich die Wolken sau — - men; Ihr blau _ P1" blue, good night! All V hal - , .low,’d b.e,_. ,yo.urg gu - - - te Nacht! Schliesst euch zu hol - ~ den 9 0 0 0 0 Good night, Ihr - blau - — con for‘: f «night! All hal - - - low’d. be ............... .. __ your---- dream -Nacht! Schliesst euch ...... .. _> zu hol — - - Tréieu _ .5-empre calla vocc. ing! men! ccmtabile . love! As V fast the ..Nacht_! Wenn Ster - - ne lips ‘ I gu - -,te When first Sc_h1ie.sst j a fast . i_ si - Tent sleep schliesst auch euch hol - Vrose her beau — ty sich am Him - mel bove, S 0 .P.r,acht . S_o. P05 '. Schwei - M’ ,I love, V In - te Nacht ! P1" Schliesst re denx good pen _ pOS - Schwei- ' . night, gun- pos Schwei good te ‘ 27 - ing, Ye - gen. .“‘=====::::§5h iorta. night, In. Nacht! >ScAhliesst' cantabile dear!L What eye‘ could note the day - light’s N-'acht, ~Wer wiir _- - de A Ta — ges - glam; ver - - ing, Were thy bright beau - - ty — sen, Wenn hell noch dei - - ne “€313 What eye ..... -- could note the day -lightjs pal - Wacht, Wer wifr - — de Ta - - ges — glgnz ver — mis - .1/'\ V L ' t_h_Y ub.r.i_gh,t - —, ,- n.efs_se _veile -_ -in,'g., lent vim W.ei_,- . - .- chen Kis -, sen, ,D.r_u_m, c ntabile. 2 I.’e(l. — ness veil - ing, Good — - chen VKis - sen ‘Du 0071 Orlll. O -9 ad lib. LT ‘ e.s-;2ré.s.9z'vo. - .thy brightness veil - » Good. - chen Kis - (Du; calla vane. rit. » ‘ ‘night , good night.!_ gu — - te _Nacht.. A io. ran . calla vocc. I Arise from Dreams of Thee. SERENADE. ‘ .w0,.(1Sby s]1e,]1éy. ‘ g V Music. by Charles Salalnan. Andante con 1110110 Espressione. J —_- I16. PP1’ Pcd. _ O a- rise fi-om d1-emus of thee, In the fix-51 sweet sleep of -/7'7. .Z.".$. ./.—.*. PPP Both Peds . When the winds ’B¢}m Peds __>/‘T stm-5, Amt the Stars are bu_rn—ing bright, A from drealns of Zﬁj gm of t11ee,0fthee, And a spir— it, b a spirit, km from dreams thee,0f thee, I a -rise {T5 gm _' Z—:§ {T 0.: 0 /.\ Pod. v E. ' : }—-— PP who_ knows how! Hath led ‘in my feet. Hath led me.) ( ‘ o n /5’x a» Soff Pea. m chamber window, sweet, 4 Hath led me to /thy chamber window, Sweet‘. j ' .4-—‘:""'m-_ o 0 0 O 0 u o - O .f-\ . Z:\. . } ' ? } . WPP n11‘$Ie'r1'uso . spirit hath led me A Sweetg A SP1-ﬁt ' hﬁthled I118 ‘*0 . I _,._._._._ 1 - V } ‘ ' 0 a ‘ a ’ ‘ ‘ ’ ' ' ' ’ ch‘; 3%’ i-- wandﬁring m'1'stl.1e}3 faint ..... -- Olrthe da1*k,the si-lent stream, The Champak odors fail,____..__ The PPed P _ a tempo. ——-.—-;: ti ’ SW99‘ thoughtﬁ‘ in . ‘ 7 ‘ The night-in—ga1e’s complaint; ..... -- {T ‘L/\. As I__;_-- Inustonthine, As > I .... -- must on thine,Be10v - ed as thou art, Beloved as -thou agw 33$ r~ ;*ita1.'d. ~ Pad. ‘ * 177: 77 Tempd primo. gen - ﬁe’ —dews of sleep I, b a—las‘. xiaust weep, 'I‘hou,kn0w’st not, 'I‘h0u,kn.0w’st not 1% /-—\ My cheek, my cheek is cold and 3's/‘an, ___.__i can passione. . >r>\> heart, my heart beats, loud andbfast, Oh! press it, Ol1!press_i{ / - \ V /‘.$ ZTS V/‘.5 ‘ to thine own, 01' ‘riirzrd . L 3 L 3 L press it to thine mm, 01' o a spirit hath led me ‘ to it \'n'll break ‘§ Both Pedx. f.‘ it will b1'eak.,O1' it will break at last‘. ‘ FA ri mrd . hathled. ‘me ll to High Tide. Words by G. Clifton 'B‘in‘gham. 7 L Music bY Arthl” Camau Andante con moto. dream when the tide comes in; A Out of the wdrld with its ritard. cl‘amo1_'s and cares,‘ Far from its strife. and collzz voce- Shad - Qws creep o’er the Where ' 3 \ 3w¥——-—/ nmzle. and _r2'lzzrd. Lento. A dream that has drift.- colla war. at an — chor ships ‘"‘ _the past ed by. 4+ ‘Sta. 1... Pin m 0:30- In‘ _ to the mom - ing 7" Pin mo: 0. sailed at break ,of day, . Back from the fishing, their .9z'mz'Ie. ‘ déy’s _1a—bordone, The boats cqme meno.m0uo. Monarchs of storm _and L ' Come plough - ing the\calm_ grey nf memo mono. oyLe9'zl0.A by one V Hand brought home V To the Ha - ven where would be..- . Moderato, 6:2: ,Lenfo.~\.::=._ _ — bor where storms f‘1\ . Lento. know. .................. ..Sor - row_ and wreck and M . 3 ‘ + ~ Andante‘ , and 't ides 3 .4ndzmtz'7z0. b I _ 9 ’”f / ‘ . , by,‘ _ in that Ha .- veh -fair, And zlndrmlino. )9 calla voce. Come to Me. Soprano or Tenor. Words by.W.Boosey. M11510 by L- D9111?!- Andante sostenuto. /5 avfa. P ,Neath the Si] _ — ver si—lence of the /5 m0‘0I1, ............. ..When the winds are sigh-ing in ro — sy bossom buds of June. ............... ..Cl0se their dew — y pet-als in- to col c/mlo. at: ‘Ea. ‘Sim. * When the weary eerth is hushed and sleep—ing, ........ -_ And the - Mia. Mia. cm ,£:0ld—en stars their watch are keep - ing, Come to me, Mv [9007 (vmto my dar - ling heart,» Lay your trem—b1ing hands in eyes di - vine .... __ Love, that life nor death shall part! Lay your ht'rem—b1ing hands in mine; in your eyes di - Vine that life nor death.--. shall ('0! canto. Andante mosso. )0 -Love as boundless as the - cean seal Love that shall be proof a —gainst all 2-3 Love that shall be a life. Vto you and me! fa ammando. Fill-ing both our souls with trust sub—1ime; Till your heart shall beat on mine, re ~ /"T P animando. b — ply - mg ' joy un~end—ing1 nev— .r dy ~ ing! Come‘ .to )3 vol mm/lo. Tempo I. m I?!’ Come to trem-bling hands in mine; ' in your eyes di- vine ..... -- Love, that life nor death shall part! Come trem - - bling r/it. that life nor death, ............................ .. tat life nor > > } '00 Nmfo. > > > col czmfo. > > > } 3l%>72t. > r,\ nor death may }M 3/Int. The Sea Hath its Pearls. Heiﬂe— L°ngf€110W- ~ R. Ernest Bryson. Con moto moderate. L132. V 30 heart . hath its A Great are the sea and e heaven, / great _‘er /Zr“““‘**~\ {And fair. - er than pearls and [ff if Flash_es and beams my can. pasuone. ‘‘ a tempo. j——jéf\ Wlit- - tle youth-vfulh f ' A/———':”“x ‘mil. .9 dim. go almpo. ' cresc.rz'tenufo am poco a Iempo- maid - - én Come un_to my great heart, My héart and the sea and the reemrilenuto un poco a fempo. 2*??? crew . con anima. heaven .......... .- are melt - ing a-way, are melt - ing a.-way, My T E-‘re c anim '. marcaio . f dim, heart and the sea and the heaven are melt - ing a _ wey ......... ..... -. with # mﬂ \ are melt-ing a 7 way with m . rall. _rp - - Pa tempo. The Life J. EDWARDS’. A119. Vivace . } } A—.lmi!la1m0htheboat! Come, dash ____________ _tu the deep! ..... __ A C<)py1'ig}1t l88J,by J.Ch111'oh 6c"C0 . L? ship ____ __ rurshes 011------_--_ to the rocks wild and steep! All torn are the it sails and the helm ____ __f1-omthe bands;-__ 0 l1ast— en! The Life— boat to } 1-es '— cue -the hand.s‘.___ A hoi _____ __ Ialmchthe boat! (Tome, dash ______ __ to the Li deep, ..... __ A ship ____ __ rushes on __________ _-to_theT rocks wild and Sheep; {*3 All torn are the sails ____ -; and the helm.____ fmlnthe bauds,,-___ 0, 11.181 — en! the } hrall.V- — — — Life—b0:n ‘tn 1':-s _ one the hands. L rall.— «,3 — dim. rall. — — — ~ ‘ ’ A110. A ud.-mt.e. WV cresc.——————-———— The Boat has set out}. _________ __ IL--- leaps for.-- the life, .--_- cresc. — ac-cell . Q Agitato . The Vessel has struck.’ A cry drowns the strife; , The ship is > ' flees the brave;.__._ It phnlgvsl it f()lllld(‘I‘:w‘! The its Andante con esp}-essione . Our (—}mL, blesstlléboat! Thé men g to the Inést, Th‘e rigg-ing, the ya1'dS,tl10ugl1 in tel‘ — 1-01', hold fast; A hope of tl1ei1'1"escue is fill — ' ~ Aingeacll breast, And death‘*cI'oucl1es read — y be -hind each waVe’s crest. s /3 Allegro agitate. O! hurry the boat! What dread perils 10111.‘! A wave seelnsa mountain, } ff ¢ Allegro. cresc. _____» . L? mo — — nwmaulmur! How boldly it rideson the bi] A — ff L34 long, Now tleatlfs dis—ap§p0int— —.ed and ,hope“ ..... -- becomes strong. ______ -_ tempo . ; A119. Moan’ It 1'eacl1—es UleWI'f‘.(5k‘. I ev’—1'yn1au Now safe in the Iife~h0at,th0ugh P . wear — y and wan. Hu1'rah!It 1'etu1*11sf1*01n its life Saving feat, While ;- “ ” " ff laugh — ing to scorn the wild wih(ls,waves,aI1dsleet. The boat has returned, 1' rall- en — ~ te1*s1l1ecreek!_ Let mar —j — cy now hast — —eu to sun - c01'7the Maestoso. weak; Thanks giv - — ingand praiseshall as - (tend nu - to Thee ) 3 3 9 3_ 3 u - 3 " ASH‘.-V ~ V611 of life,‘ and the Lord of the sea. ________________ __ G 3 . 3 3 3 3 . 3 _ 3 3 3 /3 0 Dear Love. SOPRANO or TENOR. Words written by H.W.Ingram. Music composed by Henry Klein. Andante molto. ff ‘9@- Mia. A ndanfe. lov’d and ,priz’d thou art, rail. pass my days, How rest - léss can lmseione. havé no- hope in lov — ing thee, A can-not am‘ pa.9.s-ionc. (I lempo (vmm/)z'le thy ‘ déepeyes still fol - Iowme, Bright as the hour 3 3 8 8 8 *m. accel. do. nbt hdlahre M L. to think of thee, Thy § ,.s°lo_u'€r. face still ha_unts-..; my sleep; Em - bly ask that love like mine ..... ..: May pray for thee and weep!.;..-... ::?+_...———.T‘:.:-——> $532». ma. 5: 4,? rz't. : 'V - love like‘ ‘mine. ’May pray‘ ‘for thee I 'aﬁd ‘weep! . kind-ly word did’st thou give me, . si-lent and a - lone, \ dear, Ifeel in lov-ing thee Theworld is _all mine own. (zccel. name I still may breathe to Heav’n, Thy face .is -on my heart; . 5!.’ (local; ‘______,..__—-—-—- L ‘ a’ tempo ' o.zmt(tIn'le let’ ' ‘me now . . r.e-mem 4 brance claim, Th‘o113‘gh.doom5d from thee If fempo one thought . to _ me, slower kind. word I im - plore; Thought reft of hope of winning thee ...... -- I’l1 It lemma calla D008 It tempo . > . > love thee ev — er- more ..... -- Though reft of hope L of win - ning thee, I’II ‘ . 3 5 10V6 or - - er and ev - er - morek A {sing to Me. Words by Fred.E.Weather1y. b . Music by L,Denza,V Andante sostenuto. )9 lranguillo. , Whenjthe leggiero. that usedto 1? go: ................... .. While 11 col canto. watch ............. ..'..your ten - der eyes ................... .. In the ‘moon ‘gleam, ............... Sing t e col canto. V dream, Sing---" col canto . old .................. ..'.sweet memo - mes, col canto. O sing to you, sing ................... .. All. the f’*_: L; -_ ‘fears; ............. .. f0Y days i0 be --------------- -_~ ----- -- From my heart """"""" " take look _______________ __ m_-to your_ eyes, ........... ..... .. Thenl col canto. §——————-—-u-——-—-'Z All the bit. - - - ter mem-o - b ‘col .cam‘o. find _ it in ' Pol-ly?s hairy; — _. And her_ eyes had some‘— thing in t She round"by the dai - ry farm; yTo ” talk of the house lid furn — ish, And the nev- er knew how to say; And I look’d at my sweet lit - tle Pol~1y Till she ring 13 have to give, And the love that we’d bear for each other - So look’d my heart 21- way; Till she l’ook’d my heart a — way,‘ long as we both should live, So long as We both~,should -live, Tempo 1.9. Pol-ly and It were T sweet — hearts, As all the neigh —bors . linow; ‘ Pol—ly and I-.-- were sweethearts Twenty years a -' go. Slowly. v Pol—ly grew wan and wea- ry_The ros-es paled on er Religioso. 3 1 pray’d to our ‘ Fa-ther in Hea.v’n nd our Fa — ther kept me brave;Yes, Slowly. I M". That’s what I want with the cow-slips To lay them on VPol - ly’s‘grave; 10]0 S\lowly and sadly . lay them on Pol - ly’s grave.V Pel—ly and I "were sweet-hearts, As all the neigh-bors know;._;.--_ Pol-ly and I were sweet-hearts, fran. Twen- ty years a - — go. .......... .. f . mu. . R a temgo e accel. It Was Not Thus To Be. HAT N_jI_CH.T SOLLEN‘ sE1N,) DE-=3 TROMPLETER VON LSAKKINCEN. ‘(SCHEFFELJ ‘ English Words by“winthr-op‘) " . A Nessler. Andante con moto. -How stroangeis life! its min - gled Joy and ‘Ba: in im Le — hen /Eiiss - HM em —ge- /——T\ sor - — row, Where with e ros—es thorns do al -ways grow; ’ is smiles to- -r2'cﬁ— - let, d/my bei den II’o-.9(?ngle2'c/c a’2'e Dor—nen .3tM’n, um! was due /41 day’ and bit-ter tears to - mor - row,’Tis part-ing now, and I must from thee IN‘ V - omevﬂerz./zucIe,seﬁnt mm’ die}: ~ tel sum Sc lug-se /comm/t a’/1.9 Von-em — rm — der- /‘g 7 M {" ‘fa. Cop.yr"igh_t,.1889,by The John Chufch Co, Oh dear- est heart! thine eyes - on me‘ beam - - ingw in theif In (lei-hen Au — gen /lab’ ic-A ez’n.s-t‘ ge — le - - sen, es bl’z't5-tee‘ , espam-2'vo. depths a world of bliss I see, God bless thee love, ,my joy was on - ly‘ al’rz'n mm Lieb‘ um! G.l1'ic/c em Scleein: Be - /tiit7d27c/1. Gait.’ es wéir" zu .9ele2)'?l 59‘ (‘T {T seem — ing,_ od bless thee love‘ it was not thus 0 be ............ -- d bless thee -we — sen, ﬁe - lciit’ die}: Golf.’ es Mt m'c/Lt .e0l—len .9ez'n.--—------- Be - MZt’Adz_'cﬁ /‘N lovew my J'0}’lW35 0n“ Y Seem. ' i11g,G0d bless thee love, .it was not thus to be. Gott es wiir’ :34 schﬁnge — we - sen, ée—Iav?Zt’dz'cla Golf! es Mt m'c-let eol — len eein. My way was filled with grief, and hate and Laid, Nee'af1¢7tdIIass,a14cﬁ tel /1116’ sie em —A sad _ —ness, '1 was a wan-d’rer .on life’s st0rm—y sea; Yet th0t’s’ of , ~ez'n sturm-ge — ]2ri«'f—ter, mii — (fer Iﬁm -ders-mann. Icla triim/¢t’von —pf-am - Jen peace, and quill; et — nessaand glad — ness,Came 0 my heart, ‘ e ink—ing love, of , Frie — den (1/t7m7‘un.d .9t2’l - Zen Stun - den, (la hi/7/27' - le mic}: der I/kg zu a’z'r /lin- W th - in thirle arms, thy smile up — on me gleam - — ing, I fond-ly In (lei - wen A’r — men wollt’ 1'0}: gun: ge - ne - — sen, sum ﬁrm-/re ‘ 7 /’‘‘‘“*$ A .‘J. b . ./an-xo — e.9ptm.9¢'vo‘.*,'. hoped to rest, dear 1oV‘e,with ‘thee; od b ssh eev love, y joy was . n — ly dir main jun — ges Le -ben wei/e’n: Bee —.1h’it’ dial) Ga.-ti.’ es wiir’ 1m .s’cﬁb°n‘ge- e-‘—?"——’-—\ ing, od bless thee love, it as n tthus o be. ___________ __ God bless thee sen, ée - lciit’ dick Gall! e ﬁat male! .901". Zen gem..- ....... -- Be — /ciit’ dick ?\ . n o. /' , I g. ~ ._b e love, my Joy was on — y seem — ing7G0d’ bless thee love, it was not thus to Gall! es wt'z'r’ su .90/5°o'n ge — we — sen, ée — lzviit’ (lie/z Go!!! 6.9 ﬁat m',c}2t sol —len he a a o (5 , T ‘ he cl uds ‘la’- Die Wbl —/(€72 rises . The mourn-ful , V ind is sigh-ing, The rain-d ops flie/Pu, der lVz'nd sausf durcﬁ die Bliiﬂler, A em Re - gen - "f up - on my dark - ’ning . Fit emblems - er zieﬁl durcle lI’ald um! , zum Absched- all of hopes that now seem fly — - ing, The gath’ring gloom up - on a hap — py '-neﬁ — men jzzst alas rec};-to If/kt — - tengravu wie der Hz'm.—mel ate/cl vor mir die bl/"F .3u;- ‘IQ. -I-‘Y3-, Ifﬁ coming days shall be with for— tur_1e beam — - ing, r for-tune , D0clc,wemi .e.9 sick tum Gu-ten o - der Eb’ - - eenhdu ecltlzm/ce T ‘e.9}1anV:z'vo. frowns, I shall be ‘true 0, kthee, ’ ’ God bess thee love, my joy was: n - Iy Illaid, in Treu —en — den/r’ ic/L dam: Be — A532" dick Gotf.’ ea wiir’ zu schin ge- /‘''§ {— . \_/ Seem - ing, od bless thee love, it s n tthus 0 he. ........... .- 0d bless thee -we — - sen, be - Mil’ dick Golf! (3 ﬁat me/it sol-len sein. ........ .- Be - ﬁif’ die}: 1 love, my joy was on— y seem - ing,God bless thee love,‘ it was not thus to- Goltl es— wiir’ in so/Eiin ge — we — - sen, be-}n'£t’dz'cIt Gott! ex V/eat niclzt sol — len . 9 o (\o A V ,——-T T Tell Her I Love Her S0. A .Words.by F,E.Weaytherly._M,A. _ b Music by P.de Faye, Andxan‘ti‘r1o con moto. (J.:72.) /_ ”ﬁf Jen man-a/o iléauo l._ Gleam, 2.Greet, sil -» ver stream, Sea — ward gai_,_.__ Iy___ swell _ _-_ soft - 1y my swget, By thy span-gled margin roam - _ _ _ _/ J whisp — ‘ring low, un - der_ themoonL,____ To “your banks my sto-ry tell _ - _ ing. ............... .. In the ten- der love—tide gloam- - - ing. ............... .. 1'!’ >- L,H. luu'ng7z’nr/o _ pppooo piu lenlo Far, far o’er sand—y bar, /5 35 /\ /.\ Greet, greet, soft-ly sweet, P1700114 0008 as reu. fem 17 :3“ pa ores Lies Amy lit-tle 0ne’s dwelling. Tell her thatll am comiing. Flow’ mer""i;1Y’m‘e"“'i ‘ 1)" ,.\ T9:-=7 rmpocrea. L. i . . f \' dim. e rz'l. flow .Tel1herI love her so, ,—.. _ dm. 6 ml. ply: in lfvo > Say, poco marcalo > when she’s a -way, ...... -. ’ ‘dark_,---- ,,——-- T?» <——_: Z} 1‘ ,.:>‘; c-res. ores . an 2'»: amlo: 2' Bright and \fa‘ir-_--___ w hen' she ‘if.’ j #- f /—\>>L near, For ’tis she. ............... __ is the sun- shine on _ 87 ﬁﬁgoco pm lenia /‘\ Greet, greet, -”\ col/a vac: __;_?_,a le1Ig}2o.cres. soft§ly my’ sweet, Shé is my lo_ve,mine on-ly, Flov‘v,___j__ _ flow,-_;-_-_ a tempo. 07-es. } T}; o f ad IM. KN me.r-ri-1y,mer—ri—1y. flow, .... -- Tellherl love herso, ________ __ I love her _/./A ,J,_/‘_/ ‘X; collar voce They All Love Jack. TENOR. SONG; Words by F. E.‘.,,W_catherly. _ Music by Stephen Adams.--. with Spirit. When the . f\ ship is trim and read-y, And the jol-_ ly days are done; When the \ / last goodbyes are whisper’d, And Jack a_board is gone; lass -es fall a »- weeping, they watch his Ves _ sel’s track; the lands-men noth __ ing af - ter Jack, the lands -r’nén 10v - n‘oth - ing af _ ter Jack. . . For his /3 a lempo . heart is like the sea, must lone - ly ‘be 1ove’s the best of all . . ]ack’s the King of L all. . Ev -er V 0 - pen-,brave, and free; comes back . Till his a ship That can a —man be _ fall, . ad lib, For they all calla voce. > And the But goes, their hearts go loft that "lit _ tle o’er the sea he with him , 77 che- rub, Where he E,en his ship he calls her “she!” Up Sure a maid-en she must The mer-maid‘s,down be_ low, Would give ir crys -tal king -V doms For the love of Jack, I triow; give their crys -tal king-dom's For the love of Jack, I trow; -A For his f a tempo. heart is like the sea, Ev_ier 0 _ pen,brave,and free‘, And. the girls must lone _ly be. . . . Till his ship comes back; But if loves the best of all. . . . That can a man be - fall, . king of all,. For they all Z-5 calla voce. When he’s hm sai1,d the world all o-ver, And a _ gain . he steps a - shore; There are scores of lass -es waifying A To.. love him; all the lose his gold - _en guingeeas, V But a wife héll nev_er lack-, wed themall they’d take him, For they all love Jack! If he’g wed them all they’d take "him, For they all, they all love jack! . . .‘ For his r.\ /"5 ’- \ calla voce, heart "is like the sea, EV-e.r _o.» - ’pen,brave,_gnd free; ‘ And the girls must lone - ly be. . ,. . Till his ship comes loves the best or rall . - That can a. man be _fall',_ . J deliberato . ack’s the King of all,.. For the 'all love ack! Y /K f\ calla voce. 96 In Old Madrid. Words by Clifton Bingham. Tempo di Bolero. H_TROTERE_ , A . ' > Long years a - go, in old Mad-rid, 'Where soft-ly sighs of love the light gui- > > A A A Two sparkling eyes_ a lat—tice hid) Two eyes as > > f\. There, on the case-ment ledge,whe.n day was o’er, >> > > 1ight- ly laid; A. face 1o0k’d out as from the riv - er shore, There > } } } ‘ e a tempo. stole a ten - der ser— e - nade! .......... -; Rang the lover’s hap-py song. coll/z vocr. , it It tempo. Light and low from shore to shore, But ah! the riv—er ﬂowjd a - long tween them ev - er - more. _______________________________________________________________ __ A A A ’ A A A A A A A L 10- A AA A e rrwll. _ con tenerezla Come, my love, the stars are shin-ing,‘ Time s f,l‘y- ing, Love is iigh — ing, A . 5.-.- ﬂ~.— r thee a heart is pin - ing, Here a—10 e I wait for thee! > _ A a lempo. Far, far a - veil those sweeteyeslhid; And all the ,—\ > But still, be — tween the — tice wide,’ lat > white hand Opes the VOWS dusk > that and love had sighld were /\ night ’tis said, } the faint sweet ech - 0 j ser - e -nade H Floats weird — 1y 0 er the } calla voce. } of > t.Her "Still she lists her lov-er’s song, Still ‘he sings up-on the shore, Thoxlgh ' f/_______________ astreamthan all more strong Be—tweer1 them ev — er - more! ............... A A A A A A"_ can temrezz/t. Come, my love, the stars are "shin-ingﬁ A Time s £Iy—ing, Love s sigh-ing, Come, for thee a heart A o E O . . 0 . > . . . Here a - lone, I A a temp 0. 1--.. wait for thee; ?—§T wait for thee, ' or thee, love, for A A A V V calla voce. An Old Garden. SO PRANO OR TENOR. Wortis by Helen M.Bur.nside. % Hope Temple. Moderato . ' old % gar _ den V gay 4 lfqun - tain ' the cen - tre, «With its gleam - ing L mar _ble There were A 1’ wind. ing walks where, ros'.es grew, And )0 . mu. fash-ion’d from the hedge of I ca1l’d my La -dy’s gar-den, and Tempo . f m 10 . rm wont to walk witH _ in it, ’ I re —mem-ber best /3 mcolla voce. *Ta. rm1'malo . In her pet. ticoat sat — in, fl little fzuler. f the Mmaid - en I /fair "and of and her gai _ tall Who was _ ly fIower’d j‘ J} 0 And the .per _ _ fume and the pow - der 4 lzllle clower. hair ‘f s'un-ny.’ brown! re — mem _ ber, I re- mem —ber ’tisea- f/\ life - — timesince we met, ‘ But her sweet face pure and« f fI\ — ly in my, mem _ '_"ry lin-gers yet! see her waIk‘1-ing, with her state - 1y‘ grace s guard ‘- ed 1’ {*‘m. of pearl and gold! *‘}3za. f gates 61" pearl" A calla voce. that, swéet gar - den, .with the lil _ ies fair and who wa1_k’d 1_'z'I. calla vocem “Ea. very slow . 108 It Game with the Merry May, Love. Words by Whyte Melville. - Music by Paolo Tosti. p legato armonioso. l.,It calms with the 111:-1' _ 1-y May, love, It 2.T\NaSapla11t with on deep _ or root, love, ’[‘hanthe N/v bloomed with the sum _me1‘ p1'ime,........... In ‘a dy - - ing yeaxgs e- blight _ iug east _ en: tree, ............. For it grew in my heart, and the my, love, It ‘bright -en’d the fad .. - ing fruit, love, Was e bit _ _ tel-laud bane- -ful to /la‘ thought it would last for a life, love, But‘i't went with the win‘ - _ tel-’s.' poi - son is yet _in my’ brain, love, The ‘thorn in my breast. for you col canto. 3 . ' Twas on - _ p tempo. nev_er can bloom an -y v111_01‘e, love, For theplough hath pass’d 0 _ ver the a empo. 7 h And the fur - row hath left ' score, love, In the Sp( 7 JFL: a tempo; _ rite _ _ . a tempo. 1 p1ace.whe1'etheffl0w_ers are not ................ .. ‘T15 gone like a tale tfheawtis PET rit. col canto. a tempo- > >' told, love, L Like a dream it hath fleeted, A1th0u'gh’twas fit. col cantq . O11- ..ly a year ’ 7 . > Twas on .. — Ly a'yea1' a - - go, love, col‘canto. K affret. .. Z \ /‘ col canto. 1; gig ., $5 Ching-a-ring-a-ring. SOPRANO AOR TENOR. WordSb;v F. E.TWeatherly. ' Music byJ.L.Molloy. ’TwasV a lit — tle maid. of But he couldn’t tell her how he loved her,‘ Just be-cause the language it was —-Mean _ while the Man - dear - ins they wooed her, Poor, Jack dis_ - con .— so — late, was he, if I’d on—1y been :.but a _no~ble Mandarin, O Ching-a.-ring,- a_—.r.ing, you‘ '3’, __,z;\:;. ;: .a.~:,:.‘- .—, 1 w'——~— — pret — ty lit — tle thing, Per - haps_ you wouldhave mar — rjed me!” So this, gay and .gal — hint sai — Ior mm//m/lo. .B0Ught~him-Self a yel — low gown, Bought him_self a pair of golds. en- lentamlo dolce. slip.—.pexs, - And. a lorﬁt and.IoVe - Vl'y pig. tail to hang bd<»)_wn.‘ to that lit _- tle Chi-nee maid_en, Grave ly he sank up- on his “Q .I’m. a. Man__ da7— rin, with a pa].-ace in Pe—kin, O /3 . C_hing- a-ring,- a -rir_rg,you’ pret—ty lit -tle thing, 0 say that you will mar - ry me.” ’ f\ poco [pin lenfo. Stated that lit — tle maid of . Won—d’ring.wha_t he meant to kissed her hand. gent — ly, And. flung dis.- guise and all Shone bath her brighf eyes like . gave Her lit _ tie hand and she made him u”n—deVr-stand, That the lentamlo e ores. rich — est Man, _ da_ ;— xrjn, mivez. n0th~ing to a brave young’ Tar. The Sweetest Singer. S 0 N G. * ' Music by‘J.L;ROECKEL. Andantiuo. ‘ /-T ’;I'f.A> > $311 6 Largamento. ‘ A \ n ()0 n In rglzezzu. 9 . ~ . . -Crowud wlth ro - ses, clad Jn sun-shme Comes 9 .And the mu - sic 1-are he Iunk<- eth Eve-ry heal-tmay un - der—stand, Bull. llolr-e. u tempo. Sweet, so Sweet the sounds he dI~aw.-oth From his harp of ma - ny strings, fr: ‘Old and yduug and lit - llv chi!-(lr49n Pause to hear. tlfe song he sings, .g £ Pause to hear the song he sings. Ammpo. > (7(1I1tun(I0. l'.'.s’7 7‘¢?.s's1'1! . ‘i . ay the old, s“t1'ain re- - P A tmnpu. youth, long . Say A the chi! - dl'¢-,n,“Such glad 1nu- - sic "B1-ight-er makes thy-" Dnlr-i.s'.n‘m0. \ And {he nmi - den and her "A , . (70 In parre. temp" eyes their Se- - (ms-.1 ’ Whis - pe1'“Sweet should bv_ his ‘sing- —ing, Love, he sings of Vflwe a - 10119, Love, he of time a -10:19’? gﬁ 2 J’ Gran (lent en re. _ So, for - - ev — -,o_1-, A tempo. Bright —’uiug pla - — (:95 dark and d1-em‘, «S”"“‘~ grvao Through the world the - - - - - - diam sing- - ;or Lungu. all . . . . . . . who choose Collrt Parte. ’I' :2 mp 0 . 1‘) Rich and poor, or high 01; low - Jy, Ev-’ry .heart:‘his voim-. hczm nmve, Tenzpo. ’ Laryrunent. Pin ugituro. All may learn the song he sing- eth For the sing-¢-,1’-,5 'II«‘lllH*. - - - - /__——?“\ / E Q Pin ilgifttfo. J_ "H .L_ La rgum (:1 . Calla ptlrfe. Alley/‘:2 1110110. > > .> The Golden Gate. OR ANG.ELS AWAIT.‘ Words by Edward Oxenford . Music by Jn'o.E. Webster. >T>‘\ ‘ 5 1. As o’e'r life,s path _'way hour by hdilr, We tread by fates de- 2. The sweets of life to ma - ’ny fall, And bring thlemearth- ly gj ‘ , _ _ cree_; Our hearts all feel ' a guid _ - ing powr , That. joys, While sor _ - row 0 - _ thers holds in thrall, And Copyi'ight,18s0,by The John Church Co. eyes can nev_ - er ' Yet pas - dawn — ing bliss, de - _ stroy, ..... -. But for on - ward press, As roll slow- ly _yond the sight,, A en lies in Vscarce ly heed in thoughtlessness The end ‘ that lies there un-chan-ging day and night,The end that lies 0 . I‘ . - co] canto- a Iempo. Ear-_ ly and late, An;ge1s a -»wait,‘ a Iempo . gold - en gate, Ear _ ly and ‘J . Keep - ing guard at the gold‘ - en 'rz‘t.coI canto . \'__/-2 our ways Keep - ingvguard at A the be - strewn with flow’rs Or V they dark and should thro’ all h liv - - ing hours Look V colt -. stant- ly to who fain, would guide our feet, _ ring steps, re. g1ad-lylgreet The end’ .‘t'\ha';li_l‘ie_sN be _ - fore ..... -. Ear-1y and late, V will no] can! . Angels a -wait, Keep_in‘g g?'uard'at the gold1-_e-n gate!‘ Ear_ly and:_l{atc, f 1 Angels a - wait, V Keep - ing guard at the gold - en gate! Keep - ing 'gua_rd, t the, fvr1'l.¢oI canto.v‘ A I‘. 128 Queen of the Earth. Words ‘by H,L.D’Arcy ]axone- Andan't_e,,moderat.o. T ra .« 4 5 A //—‘r Music by..C,iro Pinsuti., /5 cres. -1 ‘ } I’ I 1 V - 0 T \ I \ I ' D I I I It I I’ I I I g ‘r 1 I I .' 0 I ‘ 0 g > , life her vig — ile keep - —ing; VVhose wings are sp.read,o’er each cra - dle A LL I \ Y T bed,Where thehopes of earth Lie’ sleep - ing. /———$ d1 1" 0-‘ “"7"""'f The He-roes . at van-quish a - mid the strife, And write their names on the scroll of life; _____ -_Have fought for the fade -less’ ) laurels of fame, To lay their crowns on her sa - - cred name, } > > 7 7 7 7 . W aéjempo. . p0c0d'im,i V> m"o lie. Tolaytheir crown ______ __ On her sa— cred name! _______ _____________ ________ __ ‘ _ e/res. e mu. molto. ‘f 1Ko.lt0_mae.s-Ato.90. Wide as the world ' mr_ie.9f_o.9o'._ 2; '°' is. ,her scep_tr_e', f. She has‘ fash — " I '0 rec . a 12000 - poco queen ......... .- of the earth ......... ._ Dshe reign throne ..... _ As queen ...... -. of_the earth _____ . , reign - - eth a - lone! dolor wcon e.9pre.9.s'. ?Midcscenes of shade ........ .- and he - row: She weaves'thro’eachenight,..-- “ - ~ of light,.... That,’ IT . leads to a bright 1 to - mor She launches each ‘life on the sea of Timer.-. And guides each ‘ , «h the far off clime; Her pin - ions of ‘love ‘ > > poco dim . spread in each sail,.--- Till she casts the an - chor with-in .... -- the } > , ' > T1 s ecasts e _h-chor " 8 §fHollo Mam-to.;o. as the wor_ld is her - 'Mae.9i_osb°.. } her Sceptre, her As_ allargamlo. animtmdo - auai . 2'5 3 queen .... __ of the earth she reign - - eth a - lone,..-- As queen---- of [the - >allrzrg. 3 /3‘ >> mgfimando 11.9.9’/tz . . 0 0 ' ' ‘ ' ° /x molto rite“ , earth. ..... .. s e reign - - eth — lone! >/_$ col casnte. m a tempo}, >)>} ‘ "rv-——«—--— ..._..¢._<.,§gu‘ ’ ~\ Golden Moon. soNc. Words by SCOTT. Music by C.IVAN. f_ . L '. mfatcmpo. Gold - en moon! a path - way mak — ing Thro’ the ‘waves that lands di - videﬁ f ly to..__ her Lead me home the stars for-sak - ing,Guide me safe - 136_ i . . ' _ - mfa tempo. V" Love - ly light when night ap - pear — ing, Steals 3. — cross the sap — phire sea, f""‘_"__—“'—‘m /"""“-‘—‘—T / Q ‘ /—-——----——T f Say to her my home Iim near—ing, Bid her dream and think of me. _______________ .. p Tempo 19. Tell her my. gold - - Tempo I9 1" . Tho’ ‘W50 are part - - ed‘ Love Wm f Tell her my gold - E: If Tho’ wc_ are part - ed, soon Love will . re - store ............. .. ,»..\ . . . . . . . . . , . . . .- f ~ B ff]. mf at tempo . mf Sil - aim ver star!that guards the o — cean,Lampthat lights the mid - night /——--:j.:. f de - vo — tion,T’wards the heart that waits for :.Z""-‘he Guard my‘ path with ‘ thy It tempo. Faith — ful star! when {Th 1; tom 0. she is sleep-ing.,Fold—ed arms a —cross her breast, /? Z——-—-T-T /-""'—'_-T v \ me ..... -- dim. id ‘her : list - en while Iin weep iI_1g3 For my home and prom-is7d rest. ............... .. ﬂgh Z"——————ﬁ ]9Temp_o I9. Tellher my sil .- Ver star! Howl a — Tern 019 I’ / Near tho-’ I roam, or far, Safe-ly re- store ............... .. C768 . f Tell her my sil - ver star! Howl a— dore .............. f o E; 1 f\/—-————$ Near tho’ I roam or far, Safe-ly re- store ............... .. ff Star of My Heart. SOPRANOf Words by G. Enderssohn. Andant f ’there’s a‘ pearl there’s a leaf b eon the green n_1yr.—_tle - met that‘ [ rz'l.%‘fg ‘ that thrills _____ ._— .......... __ _in the nigTht—in,—Tga1e’s ........... _. ('01 mm /0.» from the the.---'.-- -blrook - l'et_ in ....... -- mel —L and stili long '— if "these V ’ should de-. mféresc. ' will I wor — ship; ‘Thou um.9z'ln'le ('01 cm//0.,,, of my heart! is‘ and--_- great — neSs---- ' IS mem ~ ry ..... _. ' " Friend — ship frbm the blast; Dear face to...._ re’/. 00/ 0/mio. ; — L , voice_t0 sing, Hope to spring, . y and still " if l these should del— part, ........ -. will I wor — ship, wor — ship, thou star ' heart, viiuiairsaiacs 3 y ‘ ls) l SONG l‘JlOSA§*”’S FOR BARITONE OW. ‘~“';t~.SS. Boiind in Boards. 5.‘-. ai.00. CONTENTS. Cliangeless 5 . . . . . . . . . . . . . . . . i . . . . . .’J‘r<)te2':> Dear ‘In,-ve .. .. , . .Kl<‘-lie «Dream isieinor, ’ . . . . ..li_en1ia)x ~Hunter’s Return . . . . . . . . . . , . . . . . . . . . .Parker '71 ‘7 " '-” . . . . . . . . . . . . . . . . . . , . . . . ..Ha_ a.1:<l ,J”ael;'s Yarn . . . . . .‘ . . . . . . . . . . . . . . . . . . . . . .1--Jnl Laughing . . . . . . . . . . . . . . . . . . . . . . . . . . .Tr-alierne ‘LoVe’s Amulet . . . . . . . . . . . . . . . . . . . . . .Web_ster ' My Shadow . . . . . . . . . . . . . . . . . . . . . . . . .Pinsuti Norman’s Tower .....L0l1r Out on the Deep . . ._ . . . . . . . . . . . . . . . ..Moir Hill is the Night. . .‘ . . . . . . . . . . . . . . ..t;‘chilol’sky ~j‘m ‘Ivory Gate . . . . . . . . . . . . . . . . . . . . . . ....Dick '1_‘he—Moss Trooper . . . . . . . . . . . . . . . . . . . . . . .Diehl ‘Vile Reefer’s Song . . . . . . . . . . . . . . . . . .M-almene The liaco . . . . . . . . . . . . . . . . . . . . . . . . . . . .‘v.“.v' ‘yster The Poor Mariner ‘?‘i‘,=e Sailoﬁs Story . . . . . . . ; . . . . . . . . . . . . The Valley . . . . . . . . . . . . . . . . . . . . . . . . . 7‘;'-;22n-t mnod 1 The Vagabond. . ., . V . . . . . . . . . . . . . . . . .Molloy The Vikings. .. . . . . . . . . . . . . . . . .. ....Adarns This is my Dream . . . . . . I . . . . . . . . Wellings ’Tis All That I Can Say . . . .. . . . . ..Te:nple To—morrow Will be Friday.. . . . . . .. ..Mo;ioy ‘ True Hearts . . . . . . . . . . . . . . . . . ..../xclatrns Two Bells..............*..;,..‘.......Wa‘w"' PIANO MOSAICS. A =‘ol.ieetion of "Piano Music of )IU(jer:.L3 Dilﬁtsuiay. Bound in Fﬂzoards. Price. $1.00. ~f.1ONTEl"-.‘T?'3'. \i7f?i‘:ese Sen atle . . . . . . . . . . .1 . . . . . . . . Flieggzé: ’£i der i\.‘pii:n.=Li_ii.e . . . . . ..l{ollii1g ,l~TU':lka la. '- Viungen 15‘:x."= we . . . . . . . . . . .l’a‘=.'sz,rgei‘ Hleen Zslzivourneeiz. 4‘ . . . . . . . ..(‘uhe La Gazelle Tollzsi . . . . . . . . . . . . . . .Wolleiiliaupt Les I’. live of NL-Av "{m'l-1.. . . . . . . . . . . . . . .Satter Le Revel} di; ?i~2i)te1i1 es . . . . . . . . . . . . . . .Smith De Secrw . . . . . . .. \'".x‘ai1t.i».:r 'i.<as: iayipgies. 4 .. . . . . . ..Bachmam'-. 'Loin.(lu in} . . . . . . . . . . . . . . . . . . . . . . . . Aiillet fvm: i . . . . . . . . . . . , . . . . . . . .9i\7i'ai . . . . . . . . . . . . . . . . , . ..Delibes . . . . . . . . . . . . . . .Br1nl<_ma1m V "‘2or}:»:ri >, South . . , . . . . r . ‘ r . . .Spindler . » noel <>l<.l Times . . . . . .Bacl1znann In . . . . . . . , . . . . . . . . . . . ..Lange =t Love . . . . . . . . . . . ..Eilenberg V Le . . . . . . . . . . . . . . . . . . . . . .«.Lange "rl Song. . . . . . . . . , , . . . . . . Lange ‘Lisp .................Jungman SONG M0 AlCS. ‘z’-"(BR I-‘ALTO 05%’ !‘a“3E‘.."..'E.'f.! SOPRANO. Imund in Iﬁoamhs. 1."rico\,&1‘»l.0¢). CONTEN “ill [I .Afte1~W>'-rds Golden Sorrow . . . . . . . . . . . . . . . . .VVatson A rzgns l\/Iaerlnnahrl . . . . . . . . . . . . . . . . . . . .Rovcl<e1 By the Abbe lloor , . . . . . . . . . . . . . . . . . ..Tours Ils:1,ddy ... . . . . . . . . . . . . ...... . . . . . . . ..Behrend Good Nigrhl, Robin . . . . . . . . . . . . . . . . .Roec-kel .‘;:'lome, l)eari.e_. I-l,on_»e . . . . . . . . . . . . . . . . Molloy In the Cliinney ()<>»2'ne1~. . .. . . . . . . . . . . ..CoweI1 ’-’_m';e’s Joy. . ‘ . . .. . . . . . .G11mbert My 1-'"i'iend . .. . . . . . . . . . . .... . . . . . . . “Be-ln'en«,l Only a Rose . . . . . . . . . . . . . . . . . ..Wellings Girl y the Sound of a Voice . . . . . . . . . . . .Watson Relics ... . . , . . . . . . . . . . . . . . . . . . . . . . . . ....Loge The Beach Iiiairlen . , . . . . . . . . . . . . . . . . . La Villa .. . . . . . . . . . . . . . . . . De llara . . . ; . . . . . . . . . . . .Tours / . r . , . . . , ,\—Veh:<ter 'l‘T..s "Ivory (‘rd .......l>vek ' iflie of 3' . . . . . . . . .‘ . . , . . .l\/lam’/.ials 7 ..it'e . . . . . . . . . . . . . . , . . . . . . ..Roecl<el Modern Juvenile filassscs, ' -VOL. 2. ‘T A Collection oi Easy Piano .‘.lnsi0.k Bound in Boards. Price, $1.00. Allegretto Selma-xa.11do. A . . . . . . . A . . . . . A .. Allegro Vivace . . . . . . . . . . . . . . . . . . ‘ Avn b‘prin;__--l>i'i1n1ieis . . . . . . . . . . . . . , . . . . . . .. 1\II10i‘.;‘ the Gypsiea . . . .. . . . . . . . . . . .,v. ' Ati\Iight.......' . . . . . . . . . . . . . . , . . . . ..v. Barcarolle . . .r . . . . . . . . . . . . . . . . . . . . . . . . . .Behr Capriccietto . . . . . . . . . . . . . . . . . . . . .Scliz1rwenka Children's Party. . . . .r . . . . . . . . . . . . . . . .,]«’_.-«hler Evening Song . . . . . . . . . . . . . . . . . . . . . . . . . iehr Fairy Land . . . .. . . . . . . . . . . ..‘ . . . . .. First Violet . . . . . . . . . . , . . Fiir Elise . . . . . . ... . . . . . . . . . . ........Boethove1i Happy Childhood . . . . . . . . . . . . . . . . . . . . . .W-Jlﬁ Huntsman ’s Sport . . . . . . . . . . . . . . , . . . . . .lleller In high Spirits . . . . . . . . . . ..... . . . . . . .v. Wilm In the Forest . . . . . . . . . . . . . . . . . . . . . . . ; . .H.ille1' Intermezzo . . . . . . . . . . . . . . . . . . . . . . . . ..v. Wilm Jolly Huntsman . . . . . . . , . . . .‘ . . . . . . . . . .Merkel Longing for Home . . . . . . . . . .. . . . . . . . . . . ,Hiller Madrigal ..... . . . . . . . . . . . . . . . . . . . . . . . .De Paz Merry Wives of Windsor . . . . . . . .Burgm1ill+'.; Modesty . . . . . . . . , . . . . , . . . . . . . . . . . . . . .Liehner On Wings of Music . . . . . . . . . . . . . . . , . .Liei:ner Over the Ice . . . . . . . . . . . . . . . . . . . . . . . . . ..Hiller Playfulness . . . . . . . . . . . . . . . . . . . . . . . . . .v. V‘/‘iin Polonaise . . . . . . . . . . . . . . . . . . . .Kn-.;l«'_emneistei* Ridin;»;;Song............. . . . . . . . . . . , ..l\/Terkel R mdino . . . . . . . . . . . . . ..‘ . . . . . . . . . . . . . . . .1"-Iiller lmstic Dance . . . . . . . . . . . . . . . . . . . . . . . .v. Wilm Sarabande . . . . . . . . . . . . . . . . . . . . . . . . . ..De Paz Shepherds Song .., . . . . . . . . . .. ’‘ .....Behr Slumber Sweetly» . . . . . . . . . . . . . . . . . . . . .Lichner .‘;i<)\\7 Bells .. ........Lichner by lphirle . . . . . . . . . . . . . . . . . . .Loes<:hhorn The Bird in the Tree , . . . . . . . . . . . . . A . . . . .Fink 'f‘]:<'= ,i1ap{+i . . . . . . . . . . . . . . . . . . . . . .Bu.r-orntiller The <'j?“.1ntry Inn . . . . . .. . . . . . . . i . .Lan;;e ' . . . . . . . . . . T . . . . . . . . . . . . . . . . .Gm'litt (‘orps . . . . . . . . . . . . . . . . . . . .Lichner e 3 pinning Room . K . . . . . . . . . . . . . . . . . .}’:ehr The Village Musicians . . . . . . . . . . ..v. Wilm Think of Me. . . . . . . .. . . . . . . ( . . . . . . . . . . ..i:’-ehr Vaise Caprice . . . . . . . . . . . . . . . . . . . . . .Reinhold Verlassen . . . . . . . . Cooper VVith Sword and Helmet . . . . . . . . . . . . . . .Fink Zigeunertanz. . . . . . . . . . .. . . . . . . . . . . . . ...Wolﬂ' ' THE ROYAL PIANO FOLIO. Bound in Paper. Price, 63% Cents. Alpine Horn. . . . . . . . . . . . . . . . . .Pro(:h-Shirmer Among the Gypsies . . . . . . . . . . . . . . .N. v. VVilm Au Revoir . .. . . . . . . . . . . . ..Lichner (‘/hacone............. . . . . . . . . . . . . . . ..Durand Chinese Serenade. . . .Fliege Die kleine Miillerin . . . . .1-‘airy Polka . . . . . . . . . . . . . . . . . . .......Spindle1= Flora’s Polonaise. . . . ., . . . . . . . . . . . . ..>‘pindler Flore-lla Waltz . . . . . . . . . . . . . . . . . . . . . . .Spindler Floweret (Forget Me Not) . . . . . . . . . i . . ..Giese Fragrant,V'iolet » . . . . . . . . . . . . . . . . . . . . .5‘pIndler Gavotte . . . . . . . . . . . . . . . . . . . . . . . . . . ‘ ‘l Gavotte . . . . . . . . . . . . . . . . . . . . . . . . 1 ' Gretchen at the Spinning Wheel. . A . . Heart’s WlHll(’S . . , , . . . . . . Ihr Bild (Her Image) . . . . . . . . . . . . . . ..; . In] soh<'in.en Mai . . . . . . . . . . . . . . . . . E‘ - In High Spirits . . . . . . . . . . . . . . . . . I nterniezzo . . . . . . . . I/Aiialaise, . . . . . . . . . . . . . . . . . . . j . . . . . . . .5»: _ Le (/‘repuscule . . . . . . . . . . . . . . . . . . . . . . .,Tnon .2; T.r:ve’s Embrace . . . . . . . . . . . . . . . . . . . i . ..Boln;; Melodie . . . . . . . . . . . . . . . . . . . .. . liixbinstein Mit dern Reifen (I-loop Roi ' Myosotis Waltzes . . . . . . . . . . . . , . . . . . .Lowthian O Sonnenschein . . . . . . . . . . . . . . , . . . . liichner Pizzicato . . .' . . . i . . . . . . . . . . . . . . . . . .Deli‘oes Rayon clu Soleil . . . . . . . , '5‘ Rondino No. L . . . . . . .. .lionc'lino No. . Spinnerlied . ., . Staccato Fm l’ Swerlish Tl'na":,pe1" “ . . . . . . . . . .Soderman . . . . . . . . , . . . . .Revnold . . Sclxzxrwveiika» (ISSUED ii In ?UBLlSHEB8G§FlHISWORK. ! i; l l r SONG ‘ lV|OSi5\|CflS, T’ FOR SOPRANO. ‘ Bound in Boards. Price, $1.00. ‘I’ Afterwards .. . . ; . . . . . . . .— . . . . . . . . . . . . .1‘:-'lullen ' A Night in'Spring, . . . . . . . . . . . .._ . . . . , ..l3ohm :"‘ 3 Sings the Ni;gl1tin;fale . . r . . . . . .f“ A 3; wake, 0 My llezzrt. . . . . . . . . . . . . . . . . ..Seidl l . ’ ' ’ Lem-re-me .. . . . ... Follow Hail)’ . . . . . . . . . . . . . . . . . . . . 1 Pinsuti Golden .-*l"ar1’-.s T1-st . . . . . . . . . . . . . . . . . . Archer High Tim’: . . . . , . . . . . . . . . . . . . . . . . ~ . wijarnall Home, i'}v.a Ht’-m<'» . . . . . . . . . . . . . T . .l\r‘.[olloj}' 1’ll Follow "lneo , . . . . , . . . . . . . . . . . . . . . . Faro La-fidie . . . . . . i . . . . . . . . . . . . . . . . . . . . . . . Pi La I/iingarella . . . . . . . . , , , . _ . . . . .. Caniipa Unly a Rose . . , . . . . . . . . . . . . . , . . . . . .Welli Paradise..., . . . . . . . . . . . . . . . . . i . . . . . The Angel Came . . . . . . . . , . . . . . . . . . ..Coa\,—.i The Beating of My C‘\’.’ll Heart The Birthday . . . . . . . . . . . . i . . . . . . . . . . .Chopin The Daisy . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ai'_<liti The Garden of Sleep . . . . . . . . . . . . . . ..de Lam, The Sea of Life . . i . . . . , . . . . . . . . . . .i‘vIr.;ir The Swallow . .— . . . . . . ..... . . . Pinsuti. Unless . . . . . . . . . . . . . . . . . . . . . . .. . .- . . .Canm-gziolo ‘Venetian Song . . . . . . . . . . . . . . . . . . '. . . . . . . .Tosti Winter Song . . . . . . . . . . . . . . . . . . . . . ..heinmn<l Woma-n’s Way. . . . . . . . .,_ . . . . . . . . . .Roe~::kel SONG MWOSAICSL FOR TENOR. _ Bound in Boartis. P1-ice.,.8,%l.0(}. , , Afterwards . . . . . . . . . . . . . . . . . . , . . L . 4 . . .Mullen< An Old Garden . . . . . . . . . . . .’ . . . . . . . . , .'.Eemple A Serenade . . . . . . . i . . . . . . . . . . . . . . . . . .,.Cohb Ching-avRing—a-Rin . . . . . . . . . . . . . . . . . . .Molloy Come to Me Dear Heart . . . . . . . . . . . . , Dear Love . . . . . . . , . . . . . . . . . . . . . . . . . . . . .Klein Golden Moon . . . . . . . . . . . .. . . . . . . . . HighTide......... . . . . . I Arise from Dreams of Thee In Old Madrid,..................i....Trotere It Game with the Merry May, Love . . .’ .Tosti It was a Dream . . ; ; . . . . . . . . . . . . . . . . . . .Mart It was not thus to be . . . . . . . . . . . . . . . . .Nessl‘er My Lady’s Bower . . . . . . . . . . . . . .. ...,Te1nple Polly and . . . . ..‘......Wal<e.‘iel<i Queen of the Earth . . . . . . . . . . . . . . . . . .Pinsuti_ Sing to Me . . . . . . . . . . . . . . . . . Star of My Heart . . . . . . . . . . . . . . . . . .Den7'\. Tell Her I Love Her So . . . . . . . . ; . . . . .De F 1. Tell Me, O Gentle lVIai«len . . . . . . . .Gon‘no<.l The Golden Gate . . . . . . . . . . . . . . . . . ..We‘oster They All Love Jae . . . . . . . . . . . , . . . . . . . Azlanis The Life Boat. . . . . .. The Sweetest Singer . . . . . . . . . . , , . ..i{oeckel The Sea Hatli its Pearls . . . . . . . . . . . . . . .Bryson MODERN CLASSICS; VOL. 2. v A Collection of Piano Mnsio of Moderate Diﬂiculty. Bound in Boards. Price, $1.00. CONTENTS. ~ Anrlenken . . . . . . . . . . . . . . . . . . . . . . . Jadassohn Columbine . . . . . . . . . . . . . . . . . . . . . . . .De1aha.ye Daiiee of Gnomes». . . . . . . . . . . . . . ..Seeling ‘ ‘ ll€!‘,'«7al1bv:!1" . . . . . . . . . . . . . . . . . . . . . . .Brassin "‘l:lingeliml ........n..........;....Seeling (7l2i.vo‘éte , . . . . . . . . . . . . . . . . . . ; . .\ . . . . . . .Godarrl Gazelle. . . . . . I . . . . . . . . . . . . . . V . . . . . . . Kriiger La (‘i!U!l<:x}‘i.'«!. .. . . .“ . . . . . . . . . . . . . . . . . . . .i’.(‘I)d(-El "‘ * . . . . . . . . . . , . . . . . . . . . . . . . . . . . . .Se::eling p .. . . . . . . . . . . . A . t’a<lerevvsl:i' _- . r . . . . . . . . . .Bor:<::herini Polonai.~'«e. . . . . . . . . . . , . . i . . . . . Jloszkowski Polka ale: la; (Sour . . . . . . . . . . . . . . ; . . . . .Bendel _l"o;r2p<>nett;». . . . . . . . . . . .Durand i<,:>nc.:1» Favor: . . . . . , . . . . . . . 1 . . . . . . , .Hnmmel iv--:=nd Maxiirlca . . . . . . . . . . . . . . . . . . . ‘Godard- md Valse. 4 . . . . . . . . . . . . . . . . . , . . . . .Goda.rcl ~ade Hongroise. . . 4 . . . . . . . . . . .Neustedt lie - ... . . . . . .Th(.me K . . . . . . . . . . . . . . ..‘ . . . , . . . .He1mu.=*d “(rise fmproinptu . . . . “ . 2 Univ . . . . . . . . . . . . . .9,;,=.'igi1:111i ,. . . _ .Maefa1ren ' . . . . . . . . . . . . . . . . . . . . .Denza,__ _ . . . . i . . . . . . . [Ed wards- ....Raﬁ"~ ,. W:ill.zer . . . . . . .f......l\/Ioszkow‘ski,«
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Title: Give Me of Your Bark O Birch Tree
Date: 1913
Text: MUSIC uamuw VASSAR COLLE’:E PO’, " ’ ‘-"- - -' ‘ﬁt’ R£z72?z)/‘[1 I-Pﬁrrenratﬂ CARL BUSCH THREE SONGS A % FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOM PANIMENT Words from “Hiawatha” by ‘,‘GIVE ME OF YOUR BARK, 0 BIRCI-LTREE!” ”"‘ (,,Gieb mir deine Rinde, Birke“) .60 PAU-PUK-KEEWIS’ BEGGAR’S DANCE (Der Bettlertanz Von Pau-Puk-Kih-Wis) .75. “TAKE YOUR BOW, O HIAVVATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRM ER NEW YORK : 3 EAST 43d ST. - LONDON, W. : 18, BERNERS ST....
Show moreMUSIC uamuw VASSAR COLLE’:E PO’, " ’ ‘-"- - -' ‘ﬁt’ R£z72?z)/‘[1 I-Pﬁrrenratﬂ CARL BUSCH THREE SONGS A % FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOM PANIMENT Words from “Hiawatha” by ‘,‘GIVE ME OF YOUR BARK, 0 BIRCI-LTREE!” ”"‘ (,,Gieb mir deine Rinde, Birke“) .60 PAU-PUK-KEEWIS’ BEGGAR’S DANCE (Der Bettlertanz Von Pau-Puk-Kih-Wis) .75. “TAKE YOUR BOW, O HIAVVATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRM ER NEW YORK : 3 EAST 43d ST. - LONDON, W. : 18, BERNERS ST. BOSTON : THE BOSTON MUSIC CO. LEIPZIG : FRIEDR. HOFMEISTER “Give me of your bark, O Birch-tree!” Give me of your bark, O Birch-tree! Of your yellow-bark, O Birch—treel Growing by the rushing river, Tall and stately in the valley! I a light canoe will build me, Build a swift Cheemaun for sailing, That shall ﬂoat upon the river Like a yellow leaf in Autumn, Like a yellow water-lily. HENRY WADSWORTH LONGFELLOW From “I-Iiawatha" T0 Remald Werrenratlz “Give me of your bark, O Birch-tree!” Gieb mir deine Rinde Birke!“ From“Hiawa.tha,” by Longfellow ” , German vergion by Carl Busch Herman Sxmon A116 0 mo derato Voice 1’ of your bark, O Birch-tree!__ Of your yyel-low bark, O dei—ne Rin — de, Bir— ke!__ Dei — ne ge1—be Rin - de, in Birch- ‘creel- ing by the rush — ing riv' - er, Bir - ke! __ ' du an dem W11 — den Stro - me 46 Oopyrigkt, 1.913, by G. Sclzirmer 24074 C and stately in the Val - ley! __..._..___. a lightw- und stattlich ragst im Tha - 1e! ________. ein leichtes P noe willbuild me, Build a swift Cheemaun for sail — ing, That shall Boot mir bau - en, ein Tschimann,das flink beim Se — geln. Auf dem "f f up-on the riv - er Like a yel-low leaf in Au-tumn, Like a me soll es schwimmen’ Wie ein gel-besB1att im Herb—ste, wie die T '/x ye1- low wa — ter - lil - .____ That shall gel - be Was - ser -11 e _______ Auf dem 1’ float up-on the riv - e_r__. Like a leaf in Au - tumn,_. Stro- me S011 es schwim—men,_ wie ein Blatt im Herb— ste,___ Like a yel-Vlow wa - - ter - lil-y! Wie die ge1—be Was - L — ser - 11- lie. 1 A Beware of the Hawk, my Baby An Indian Lullaby From the opera “Natoma” ;.,.,2. nkedding Victor Herbert Andante Voice ware of the hawk, my - were of the hawk, my 225“: Uopyrsfht. IDII. by 0. Srhirmer Vaquerds Song From the opera “Natoma” Joseph D. Redding Victor Herbert Allegro Voice dares the bron - co looks the mus -tang‘ molto muraato in the eye ? us" 0 Oryyright, 1.911, by G. Sahinnar PRICE 60 CENTS “In my dreams” From the opera "Natoma” Joseph D. Redding . victor Herbs“ Moderato e molto rubato Pa“ 11,1900 amz, {T Volce Gen-tle ma1d—en, tell me, have I p pom: acoel. seen thee in my dreams? I won-derla‘ When 3- hove my pow rif. dim. f >—=-" pil- low from the nightfall star - - ry gleams? I won-derl \, Oopyrigkr, 1.911, by G. Sc/u'rmc‘r Serenade From the opera “Natoma” Joseph D. Reddlng Victor Herbert Moderato Alvarado Voice When the sun - light dles,., V .l_.When the night - wind 'slghs,_ When the dove will come. nry love‘_ 2”“ O 6'0p1/rig’/H '91!» 57/ 0- -5'¢'1“"""9" PRICE 60 CENTS
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Title: Hiawatha's Wooing
Date: 1904
Text: MU"~i»‘3 Lianr-Hay vksssrua -tr;.e,~,,r_r_;E :‘$""IV' u_.-Cr,-V EDITION JCHMIDT, No. 95 Hiawat/7a’s Wooing (A MELODRAMA) WITH MUJIC FOR THE PIANOFO-RTE ... BY... ROJJETTER G. COLE 0?. 20 / \ / .5’ ‘V ' I \\s\\'''. “‘*I._ \ . " ' , __ . ~ - V.‘ V '/Z’ /O % (A Melodrama) . . p ‘ P /, /L - 11% 4’ “ ode/2/fﬂoiny oI73f ows ” 309g of Hiawatha tbvc’ Pia?) ofgrte ﬂy /T 1®SSETTER G. cou: $$I.oe,p. op. 20 AI{l‘HU1{P. SCHMIDT BOSTON, LEIPZICI, NEW...
Show moreMU"~i»‘3 Lianr-Hay vksssrua -tr;.e,~,,r_r_;E :‘$""IV' u_.-Cr,-V EDITION JCHMIDT, No. 95 Hiawat/7a’s Wooing (A MELODRAMA) WITH MUJIC FOR THE PIANOFO-RTE ... BY... ROJJETTER G. COLE 0?. 20 / \ / .5’ ‘V ' I \\s\\'''. “‘*I._ \ . " ' , __ . ~ - V.‘ V '/Z’ /O % (A Melodrama) . . p ‘ P /, /L - 11% 4’ “ ode/2/fﬂoiny oI73f ows ” 309g of Hiawatha tbvc’ Pia?) ofgrte ﬂy /T 1®SSETTER G. cou: $$I.oe,p. op. 20 AI{l‘HU1{P. SCHMIDT BOSTON, LEIPZICI, NEW YORK) no Bo)/[51:07 St. 156 Fijtb Ave Copyright 1903 by Arthur P Scbrpidt A.P. S. 6348 Note. In order to bringpout a more complete unity in the interpretation of the musical and poetic thought, it is essential, when the poem is recited, that at certain moments the strong pulses of the music and poetry should be synchronous; The bar—line 'has been used to indicate this, as at the beginning of the poem and elsewhere. At other places, as on page 8, measures 1, 3, 4 and 5, the beginning oﬁeach verse should coincide with the part of the musical measure over which the first word ap_ pears, the rhythmical delivery of the verse being free, following the reader’s interpretation. Where no bar—lines_are used, it is not essential that the measure—forms of the music and poetry should co- incide, except in their general movement. The rhetorical pauses will necessarily be some- What longer than when the poem is read Without ac- companiment, the music acting as interpreter when the reader is silent. To ESTELLE 111. 6' /ARK. HiaWa.tha’s Wooing. From “The Song of Hiawatha” (Canto X) HE'JV1:’Y WADSWORTII L01m1«iEL1,01V ’ ROSSETTER G, COLE‘ Op. 20. Allegretto. (J :92) ])(J(’0 (’I‘¢',’S(? . A.P.S. 6348-25 Copyright 1904 byArthur P. S0l1m1'dt. poco rit. Adagio-(-1:66 A.P.S. 6348-25 :2}-— poco ml. 1’ “As unto the I bow the cord is, N Eng‘ So unto the I rs’? ,:'%,cA ' \! ‘w . ‘ ﬁr ‘ ‘.1 ~ - , L‘ man is woman, Though she o|_ bends him, she obeys him, Though she] _/K‘: i A.P.S. 6348-25 draws him, yet she follows, pow (‘7'6’.S‘(‘. +2 aocel. Thus the youthful Hiawatha Said within himself and pondered, > T’ plexed by various feelings, I Listless, >. ‘F. still of Minnehaha, land of the Dacotahs. AP. 6:—348— 25 I Useless each without the other!” ﬁr Much per_I longing, I hoping, fearing, Dreaming :> V:> 1’ Of the I lovely Laughing Water, ~36- “VVed a maiden of your people,” 7 Warning said the old Nokomis; “Go not I eastward, go not westward For a | voila vace K? >- stranger, whom we know not! Like a I fire upon the hearth-st0ne Is a I /“S ‘[ pf b ./-\, neigborjs homely daughter, Like the I starlight or the moonlight Is the I /-\ {'7 ijgyw T handsomest of strangers!” Thus diS_l <77?/‘> pace agitato suading spoke Nokomis, And my I Hiawatha answered Only this: Andante. (Jns) a tempo A.P. S. 6348-25 “Dear old Nokomis, Very pleasant is the firelight, T T:-;’;.__."' ‘‘‘*___,e-— 170"" But I like the starlight better, Better doI like the moonlight!” 1’ poco me 0 . P P as: ‘fab. >§< ‘Jim. >15: ‘Ea Gravely then said old Nokomis: here an idle maiden, Bring not here a useless woman, Hands unskillful, feet unwilling; Bring a wife with nimble fingers, Heart and hand that A.P.S. 6348-25 move together, Feet that run on Willing errands!” poco meno am. % daughter, Minnehaha, Laughing Water, Handsomest of all the women. Iwill bring ‘fa. .35. Ta. 5%? 4&3 3: her to our Wigwam, She shall I run upon your errands, starlight, moonlight, firelight, Be the I sunlight of my peop1e!‘’’ /’ ’\ .ig,,'z_g<,.“‘ A.P.S. 6348- 25 ‘ Still dis- I suading said Nokomisz ,2‘ _ “Bring not to my poco Allegro }, . loidge astranger Fromthe land ofthe Dacotahs! Very I fierce are the I)a(:ot'ahs, f3 " pom acvel. ‘Often is there War between us, There are feuds yet unf0_r— I > - 0 gotten, \V0unds that I ache and stillmayl _/_\ /._.__\ R #’*‘~i- 3. )1. :7 dim. e Mt. poco a [moo > Laughing an:<wered Hiawatha: 6348-25 11 “For that reason, if no other, Would 1 Wed the fair Dacotah, Quasi Allegretto. (J=92) 1 — That our tribes might be u— I nited, That old feuds might be for_| gotten, And old Wounds be healed forever!’>” poco meno ~§ > > Thus de-I parted Hiawatha To the land of the Dacotahs, To the land of handsome I Women; Striding over moor andI ALP S. 6348-25 meadow, Through interminable forests, Through uninterrupted silence. > > > > pow 7-it. > > ' With his | > I: omit if necessary ,,f tempo girth. % ’ . _ 3%; moccasins of magic, At each stride a I mile he measured; Yet the > > > ' ‘Eb. 9% > way seemed long before him, And his heart outran his footsteps; And he I journeyed without resting, Till he heard the cataract’s laughter, Heard the I [L A.P. S. 6348-25 Falls of Minnehaha Calling to him through the silence. . -/T 7'11. 9 dim. _ “Pleasant isthe sound!” + “Pleasant is the voice that calls me!” On thel piu lento he murmured, /N a fey-mp0 E 5:23. 3* Tab. °"" outskirts of the forest, ’Twixt the shadow and the sunshine, Herds of pow creso. fallow deer were feeding, But they saw not Hiawatha,- /3 hf \U bow he whispered, “Fail not!” To his I arrow whispered, “Swerve not!” Allegro (J: 116) L17‘ L17- g_/\_/\_/ 1') calla vozge a tempo A.P.S.6348—25 errand, To the red heart of the roebuckg Sent it. singing on its R. “W as gm. Threw the deer across his shoulder, And sped forward without pausing. Maestoso. (J=92)' >. > >. 17 - : H pow acéel. JV At the doorway of his Wigwam Sat the ancient Arrow-rnaker, In the land of the Dacotahs, Making arrow"-heads of jasper, Arrow-heads of chalcedony. At his side, in all her beauty, Sat the lovely Minnehaha, Sat his Dreamily. (J: 56) A.P. S. 6348-25 15 daughter, Laughing Water, Plaiting mats of flags and rushes; Of the | ‘Site. . H 3* ‘Sire. 9‘ past the old man’s thoughts were, And the I maiden’s of the future. ti? 8 He was thinking, as he sat there, Of the days when with such arrowsﬂehadl PP /‘\ struck the deer and bison, On the Muskoday, the meadow, ‘Shot "the con moto (Jzioo) Wild goose, flying southward, On the wing, the Glamorous A.P. S. 6348-25 How they came to buy his a_ri' /x f\ . . arrows . Ah, > > Adagio. ff earth as they were! . ~36 tongues for Weapons! b A.P. S. 6348-25 T Thinking of the great war- parties, 2 = $1 2' \* <1; ows, Could not fight without his| /\ f\ /\ ,\ u . - , }.p (‘7‘€S(?. no more such I noble Warriors Could be found on I Now the men were all like Women, Only used their poco piu moto W. % mp 17 She was thinking of a hunter, From another tribe and country,. ppf7’;'Wp0 4____j___ i . U — [Young and tall and very handsome, W110 one morning, in the Spring _time, Came to buy her father’s arrows, Sat and rested in the Wigwam, A > > > => Lingered long about the doorway, Looking back as he (1 arted. She had I d b . 4 22 gm. * 53%. >%<‘£m. heard her father praise him, Praise his courage and his wisdom; ‘Ea. * 6533- >%< ‘fizz ‘ﬂab. 6% AP. S. 6348-2.5 Would he come again for arrows To the Falls of Minnehaha? b ‘ /—\ \, rm Dreamily. A/i~i: — j pp a tempo izém On the mat her hands lay idle, And her eyes were very; dreamy. [— Tzb. -gg \-/ 9113* Through their thoughts they heard a footstep, Heard a rustling in the Allegro molto. (J:;32) If .. . branches, And with glowing cheek and forehead, With the shoulders, A.P. S. 6348-25 Suddenly from out the woodlands Hiawatha stood before them. Maestoso. ff Straight the ancient Arrow-maker I >§< ‘sun. =%< Looked up gravely from his labor, Laid aside the unfinished arrow, Li? L_/ Bade him enter at the doorway, Saying, as he rose to meet him; V “Hiawatha,you are welcome!” At thel feet of Laughing Water Hiawatha Presto.( -:76 laid his Aburden, Threwthe red deer from - shoulders; Andthe maiden looked up at him, [ repeat 2]’ necessary I Looked up from her that of rushes, Said with gentle look and accent, ‘Sta. 1' ° as “You are welcome, Hiawatha!" Very I spacious was the Wigwam, Lento." (JJ-) 5-1’: Allegro. ‘(J.= 66) 2; slow arpeg. ‘S222. deerskin dressed and whitened, .> ’T 77‘zf > A.P. S. 6348-25 the Gods of the Dacotahs Drawn " and painted Curtains, And so tall the doorway, > /*3 mf Hiawatha stooped to enter, touched his 1 eagle-feathers As he entered at the doorway. paco rit. Then uprose the Laughing Water, From the ground fair Minnehaha, Laid aside Adagio. (Jzes) A.P.S. 6348-25 22’ her mat unfinished, Brought forth food and set before them,Water brought them from the brooklet, Gave them food in earthern vessels, Gave them I drink in bowls of bass —wood, | L; Listened while the guest was speaking, Listenedwhileherl . 000 ?rz't. -5. J father answered, But not I once her lips she opened, T‘ Not a single word she uttered. Yes, as in a dream she I A.P.\S.6348~25 23 listened To the words of Hiawatha, As he talked of old Nokomis, Vvho had nursed him in his childhood, As he mf:.j“-—— D > /R told of his companions, Chibiabos, the musician, And the very strong man, Kwasind, F dim. J >' d > And of happiness and plenty In the land of the Ojibways, In the . J- . xi‘: "”" pleasant land and peaceful. “After many years of Warfare, Many years of I > strife and bloodshed, There is I peace between the Ojibways And the tribeof’theDaCotahs’.’ #. A..P.S. 63-18v 25 Thus continued Hiawatha, And then added,speaking slowly, “That this peace may ‘last forever, 1’ hands be clasped more closely, And our hearts be more u — Give me as. my Wife this maiden, poco accel. e 0072 ferzvnre Minnehaha, Laughing Water,“ Loveliest of A.15.S.634s—25 25 Dacotah Women!” And the ancieni | dim. e r2't. U V’ T ArroW—maker Paused a moment ere he I answered, 1) a tempo Smoked a little While in silence, Looked at Hiawatha proudly, Fondly looked at Laughing Water, And made answer very I gravely: ‘ “Yes, if Minnehaha I Wishes;Letyourheart speak, {T A.P. S. 6348-25 26 Minnehaha! ” 2 ‘Sim. lovely Laughing\Vater Seemed more lovely, as she stood there, Neither willing nor reluctant, As she Went to Hiawatha, Softly took the seat beside him, While she said, and blushed to say it, {I/7-—_—“T 2 ‘£210. 3;; yga. follow you, my husband!” “Rah. A.P. S. 6348-25 This was Hiawathzfs wooing! Thus it was he W011 the daughter Allegretto. \-Z. (”l'6’S(‘. p000 a nun [ega fr‘; Of the ancient .«‘;r:r0w—maker, In the land of the Dacotahsl Xﬁ _ A.P. S. 6348-25
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Title: Village Blacksmith, The:, The Village Blacksmith:
Description
Date: 1918
Text: CUBIC LIIRARY Wwg_ssAn §_ou.:c: THE VILLAGE BLACKSMITH F OR MIXED CHORUS THE POEM ‘BY HENRY WADSWORTH LONGFELLOW THE MUSIC BY W. H. NEIDLINGER Pgbﬂadeiplpia ~ boxaﬁmw 0. 1712 ﬂbegzrguzétrﬁ nu.uu4l“'w “ ’_ T % \\ FTHE —-V-|L:LAGE..BLACKSMIT_ \, or sale by E. A. Whittlesey, ; 28 C11a_peISt., New Haven, Conn. \ 33;’ 3 =_ \:\ The Village Blacksmith FOR MIXED CHORUS THE POEM BY Henry Wadsworth Longfellow THE MUSIC BY W. H. Neidlinger F THEO. PRESSER CO. 60 cents PHILADELPHIA, PA....
Show moreCUBIC LIIRARY Wwg_ssAn §_ou.:c: THE VILLAGE BLACKSMITH F OR MIXED CHORUS THE POEM ‘BY HENRY WADSWORTH LONGFELLOW THE MUSIC BY W. H. NEIDLINGER Pgbﬂadeiplpia ~ boxaﬁmw 0. 1712 ﬂbegzrguzétrﬁ nu.uu4l“'w “ ’_ T % \\ FTHE —-V-|L:LAGE..BLACKSMIT_ \, or sale by E. A. Whittlesey, ; 28 C11a_peISt., New Haven, Conn. \ 33;’ 3 =_ \:\ The Village Blacksmith FOR MIXED CHORUS THE POEM BY Henry Wadsworth Longfellow THE MUSIC BY W. H. Neidlinger F THEO. PRESSER CO. 60 cents PHILADELPHIA, PA. rgiyiladelpbia 0130- . I712 ﬂlyegqunstr. Com/Tight. 1:918; Taro PRESSER . Iiritusb Copynght Secured The Village Blacksmith Poem by //ENRY IVAIJSWORTII Lozvany/,/,oIV Mus” by VV? H. NEIDLINGER Allegretto M. M. cl: 144 M19 /——:;\ SOPRANOH Un — der the spreading" //L1; TENOR Un— der the spreading chest—i1ut—tree, Un- - _ der the BASS Alle grettp / _ chestnut-tree The vil - lage Smithy chestnut-tree The smith-y stands; Un -der the spreading chestnut—tree 4 der thé chestnut—tree Copyright 1918 by Th-eo. Presser Co. -11 British Copyright secured — y st‘a)nds; » Un- der the spreading Un-d er the spreading‘ ch est the smith Un-der the spreadin,9;,spread — ing >chest—nut—tree the smith - der; un~ er espreading chest-nut-tree t e smith 1' chestnut—tree The vil — lage smith — y - stands; the chestnut—tree The smi.th-y stands; Un—der the spreading chest ut—tree t e - der the tree 3 .» Un—der the spreading chest—nut—treel_ Un-Ader the spreading chest-nut vil — _- '— l smith-y eta,nds_ Un—der the sprezid V chest— t Un— der the spreading chest—nut’-tree- Un—der the spreading chest-nut _ vil — smith-y stands- Un-der the spreadin chest—nut FT’ 7I¢lf Z The Smith,a might-y man is he, The smith, a mighty man is he, With Klingl klavngl klingl . k1i_ng! klangl kling! klang!The And th e smith, a mighty man is he, the Smith, a, mighty man is he, a _ muscles of his brawnyarms Are strong, are strongias i— ron bands. ht- man, as strong as i - ron bands. might-y man, as strong as i- ron bands. The smith,a In t-y man is he, The’ smith, a might—y ‘ man s ‘he, With g! kla-niig! kling! klangl kling! klang! kling! klang! The And the smith, a might—y man is he,_ the smith, a mighty man is‘ e, a muscles of hisbrawny arms are strong, I-a:.: strong as i- ron bands. t- man, as strongas i-ron bands. a might—y man, as strongas i—ron bands. —— ..__. :1‘-71:‘:-:"14.zwA C: VVOMEN Larghetto M.M 80 staccato ,, hair p, and black is like tike air is crisp, if TENOR fﬁe ,/”‘ b k Ild‘ long, hair s c p, and black his hair is crisp, and ‘im .b ack long‘, his fae J3 ‘bisl ethe his hair is crisp, and /‘T Z‘ % _/ black (1 long. His brow is wet with hon—est sweat, brow is Wet with hon—est sweat '7 And. -looks the whole world what-e’er he loﬁs t e whole wo ld A. if What — e’er he looks the leworld in the face, For he looks thewholeworld in the face, For he owes not a — ny, a — ny man ‘,4 .16‘ His like the tan; , and, b long, His hair crisp, and black 10 , His \/ is like the tan.’ hair scrisp, and back and long, s hair so sp, 07680. . ' brow is wet with hon-est sweat, what—e’er he brow is Wet with hon—est sweat, . what-e’er he 9 m% /*""“—"‘*\\\ can, And looks the whole world in the owes not a-ny can, And looks thewhole world in the face, For ‘he owes not a—ny f\ ' j_ ‘L A J mollo Mi‘. \ Week ini, week out,'from morn till night,You can ‘hear his bel — lows Week in, week out, from morn tillnight,You can heémr his bel-‘Slows 3° 1:? 3 (Spoken in a loud wIw'sper) (Swish! ._ S Swish! _. Swish!.. Swish!) You can _ (Spoken in a loud u/Msper) (Swish!._ Swish!_ Swish!) You can hear him swing his heav—y sledge, With measured beat and slow. hear him swing-his heaN—y sledge,With m asured beat and slow. (A CONTRALTO VOICE) sex- ton ring—ing- the SOPRANO 1019 T . \../ L AL 0 Ding — dong, ding — dong, ~ ding - dong, TENOR BAR. BASS \__/ Ding -dong, ding — dong, ding — dong, Ding — — dong, ding — M.M.J=96 K, 7'6/e-earsal 071.! (A TENOR VOICE — (:1: vil-lage bell, When the eve-ning sun is ‘F. d . . mg - dong’ (lnnnmmg) I dlng - dong, ding -_ dong, dong! ding — — ‘dong! dong! sex — ton ng - ing the vi] 2? _ rd.’ ding, Whenthe eve--ning sun is ‘ Like a —ton, like (1 ng, ding, dong,djng, dong, ding, dong, ding,dong, 1, ding, CHORHS < : 126 SOPRANOS CONTRALTOS TENORS BASSES — lage bell, d 118, low. vil - lage bell. And chil - dren com - D" home from sch in at he 0 — pen door,‘ They love to see 1: e.flam—ing' fo ,And klang, /K/"""-'—_——"'*T - hear bel - lows roar, _ And catch the burn .-. ing sparks that from the thresh -. ing floor. Hug. kling! They love ks th 1; fl L e ; ‘tﬁlaff, from the thresh-ing chaff, ng! mi‘. dim. I l\ l\ K I\ N H N fl !I 5 V V Chil —~dz-en com - ing home fromschool Look in at ‘ x I I ' I J I‘ L W k kling! 4 .0 I I ‘ Klang! _ kling! .L/““\ A 4" 1.’ Idangz mwor rit. dim. love to catch the sparks that fly like chaff from the threshing floor. klingl kling! ' kling! klang! ‘dang! tmcor Mt. dim. e goes on Sun—~day to‘ the church, And sits a-_mong his boys; He He church _ hears the par—son pray and preach, He hears his daugh-ter’s voice, _ goes crew. Sun—day' te_,.___.. the church, mp to the church. goes ‘Sun-day to__..__..___ the church , to the church. 07‘6.S‘C. J Lo SOPRANO SOLO §0pRAN0 Lord, now let — test Thou Thy CONTR. NOR He M hears his daugh - ter’s voice, BASS 1, 1,2,/#__________\ daugh - ter’s voice, I’ Sing- ing in t m kes h art 8 — ing . It makes his heart re - Sing— ing in ' the vil ~ 11 . Her moth — er’s 10 F MEN It ‘sounds to him like her moth — er’s voice, voice, her moth—er’s' It sounds to him like her ce, _ hgr moth—er’s, moth—er’s Sing- — ing, Sing‘? - ing-, voice. Sing -. ingin Pa:--a.-dise! L- like her mother’s Sings ing, V sing ,- like her mother’s voice. Sing— ing, like her mothe ‘J-’* Sg-g, wccel. Sing - — ing in Pam--a-dise! — in Par - a - dise. Sing - ing, sing - ‘ A - ing, PM-_ ;di e like her motheﬂsvoiceix Par-_a —« dise. needs must think of her once more, How ' the grave she needs mustthink of her once more, How : — t e grave she needs ' think 1’ ~ 3; dim. hard; rough hand he wipes A dim. And with his hard, rough hand he wipes A wipes tear, of his eyes. tear but of his eyes. Tempo I _ Toil - ing, re — joic — ing; sor — row — ing, On - ward through life sor — row — ing, On - ward through life sor _ row — ing‘, On — ward through life On —wa~rd through life, through toil — ing‘, re — joic - ing‘, sor — row— ing, On _ward through life he — ing, sor — row — ing, ~ ward he ‘ Each morning sees some Each _ — ing sees some -1 goes; Each _ ingsees some through life, through life he goes; E h — ing sees some i'L?‘ 1'4 Z.——_—-—$ task be—gun, Each eve-ning sees its task bé—gun, Each eve-ning sees its task be-gun, some task be_gun, V Each morning sees some task —g;un, some 1: be - gun, Each sees some A ﬂa Something at—tempt — ed, something done, done, dope, Some~thing one! Something atétempt-ed, somethingdone, — thing done, Sorhething at—tempt-ed, some_thing done, has e-21trned_’____. some — 11 Something at-tempt—ed, some-thingd ne, h s JFEAAA __;-o':‘ mortmdo earned earned, has earned nig t’s re — pose. .‘ e-. morendo ha” ‘lrned T’ Thanks,thanks to thee, my wor- thy friend,For the 1es—son thou hast 'I‘hanks,thanks to thee, my WOI‘— thy friend, For the 1933-5011 thou hast M.M.J=92 taught! taught ! Thus at. the flaom - inp; forge ' for-— tunes must be Thus at. t e flam ~ ihg forge ' ' f - tunes must be .3 ‘E. f.\ wrought; Thus at the flam-ing forge of life Our for—tunes e wrought. J]. wrought; Thus at the flaim-ing forge of life Our for—tunesmust e wrought. "F 8 8 Maestoso M.M. J: 108 And thus on its sounding 1’ . -klang, kllng, .. klang, Kling, klang, kling, klang, ,k1ang, k1ing,klang, kling',klang,k1ing,kl _ Maestos-0 M. ¢l=108 klingv k1a'n8'a klinga J7 cwcel. burn_ing deed‘ and thought!__.___ Something‘ at—tempt_ed, \§_______Z T kla'ng!——-—-——————k—1ing! S0 eth g -te pt—ed, kling,kl ,k1 , kling, k ang, klang! g, k1anng', /»—*"""""“~\\ rag; molto Mt. some—thing'done, something at—tempt-ed, somet ingdone, somet-h gdone, someth gat-tempt—ed, done, H earned, night’s k ng, klang, kling, klang, s0mething'done,I-las earned a. night’s re- kli klan moremio . M95 _’___ has earned_.__ V igh pose,a nig'ht’s re — pose, nig'ht’s pose, a nig'ht’s re - pose, a more/zedo ._.,_. .c..........._............. . _, _ _ _ , . -—-———---— , ._.._.._.._._.—.......____.__ . ......~__ ........___...._.._.,..:......_......... ...r.._...,..._.—.... .._....-.-..._...;s;.;.i...;._..._..__....s._.._.____....,,__..____..._.- ~ - _ . _; -2 l i '! . it ATTRACTIVE OPERETTAS ~v-—-—-—-—-.——-—~—,._—_..~_.____:._.._...__._._,_......_....._. .. .........__...._....._:_..._._ AND SECULAR CANTATAS Juvenile Operettas MOTHER GOOSE ISLAND A Musical Play for Children By Geo. L. Spaulding Time. 35 minutes Price, 60 cents A bright, up-to-date operetta in two scenes, suitable for boys and girls from 8 to I4 years. Mother Goose characters are introduced, _in addition to modern boy and girl rts. The story is lively, the dia- ogne crisp and the music tuneful. THE MOON QUEEN By L. C. Gottschalk Time, 35 minutes Price, 60 cents A children's cantata to be sung in unison. Text bright and am_u.9ri'ig and music easy and very melodious. May be given without scenery. MILKMAIDS AND FARMERS By Geo. L. Spaulding Time, 30 minutes Price, 50 cents This little musical diversion may be used as part of an evening s enter- tainment, or as a curtain raiser for a larger operetta or play. The music is sim e, but lively and _full of 8° and t e action is not interrupted with dialogue, so likely to embarrass the amateur. The work does not re- quire an elaborate setting or cos- tuinea. A DAY I13 FLOWERDOM peretta By Geo. L. Spaulding Time, 35 minutes Price. 60 “M3 A little work that will prove a source of pleasure to the youthful participants and their friends and even to grown-ups. It is in two scenes, and contains ten musical numbers, all bright. ‘melodious and full of go. The dialogue is clever and amusing, and both it and the music are easily learned. A ROSE DREAM Operetta By Mrs. R. R. Forman Time, 30 minutes Price, 60 cents A fairy operetta, with_ good, spark- ling music, an interesting plot and easy to stage. The Fairy Queen and her fairies, a giant, a dwarf and other fairyland characters are . in- troduced, to the delight of the little folks, who will appreciate every min- ute of the play's action. THE ISLE OF JEWELS Operetta By Geo. L. Spaulding Time, 35 minutes Price, 60 cents The characters personify various popular jewels, an the opportuni- ties for picturesque staging can readily be realized. Both words and music are fully up to the standard set by these popular writers. LOST, A COMET Operetta _ By Geo. L. Spaulding Time, 40 minutes Price, 60 cents This clever little operetta will fur- nish forty minutes of fun, entertain- ment and music for an audience, and is sure to be voted "a hit." The dialogue and verses are bright and witty, and many modern rhythms have been introduced in the musical score. Operettas FROM THE YELLOWSTONE A usic rama By Thurlow Lieurance Time, 45 minutes Price, 75 cents The scene of this sketch is laid in the country surrounding the head- waters of the Yellowstone River and it will prove most effective if given in costume. A mixed quartet and two speaking parts are required for the leadin roles. An excellent num- ber for igh School and College Clubs. MOTHER GOOSE FANTASY By Arthur Nevin Time, 45 minutes Price, $1.00 This is a high-class work for solo soprano and two-part chorus. The leading character, The Dream Maid, happens upon a Mother Goose book which takes her back to her child- hood and she day-dreams the various scenes enacted in the play. PANDORA By C. E. Lemassena Time, 90 minutes Price, $1.00 A brilliant operatic setting. suita- ble for young people, of the old Grecian myth. as retold by Haw- thorne under the title of "The Para- dise of Children." There are five principal characters, a chorus for oys and a chorus for girls. It is in three parts, and the scenery is of a very simple nature. he music is of the most attractive order; it is sin able and easy, yet not at all tri ing. To those seeking a high- class novelty we heartily recommend this delightful operetta. TI-IE PENNANT By Oscar J. Lehrer Words by F. M. Colville Time, 90 minutes Price, $l.20 Pretty tunes, amusing situations, well set-up young men, bright girls in smart frocks, a dance here and there, and a spirit of cclle e “go" is the best description of ‘The Pen- nant." This is a real, practical operetta for a short cast, easily re- hearsed and easily produced. It may be adapted to suit any college local- ity, and is sure to take. A VIRGINIAN ROMANCE By H. Loren Clements Time, I hour Price. $I.00 A short musical comedy in two scenes than can be produced by any school, co ege or amateur group at almost any time. he music is sprightly and catchy and introduces several snatches of familiar wartime and patriotic melodies. It abounds in local color and will prove tre- mendously popular with the average audience. TRIAL BY JURY By Sir Arthur Sullivan Words by W. 5. Gilbert Time. 45 minutes Price, 50 cents This is the most popular of Gilbert and Sullivan's operettas among mu- sical amateurs. The lines are all sung, and, in Gilbertian fashion. are satirically humorous. The music is easily learned. the iece simply staged and amateurs wil ﬁnd it well worthy of production. -club or high-school chorus. Secular Cantatas THE VILLAGE BLACKSMITH By W. H. Neidlinger Poem by H. W. Longfellow Time, I5 minutes Price, 50 cents Longfellow's popular poem has had many musical settings, but we dare- say none quite so appropriate as this descri tive cantata for mixed chorus by r. Neidlinger. It is full of color and striking choral effects, but only of medium difficulty, and can_ be {produced by any choral society 0 moderate ability. TI-IE SINGING LEAVES By Grace Mayhew Words by James Russell Lowell Time. 45 minutes Price, 75 cents A short, bright and easy cantata for baritone, tenor and soprano solos and muted choruses, with piano ac- companiment and violin obbligato; suitable for small singing societies. THE MERMAID By Julian Edwards Words by D. A. Atterbom Time, 90 minutes Price, $l.25 A brilliant cantata with dramatic choruses arid graphically descriptive orchestration written in Mr. Edwards’ best style. SPRING From "The Seasons" By Joseph Haydn Time, 25 minutes Price. 40 cents _The text‘ is most poetic and ad- mirably suited for a spring concert. Has solos. duets and a trio for so- prano, tenor and bafitone. and sev- eral stirring choruses that are among Haydn's most admired inspirations. THE ROSE MAIDEN By Frederick H. Cowen Words adapted by R. E. Francillon Time, 90 minutes Price, 75 cents Any singing society may be proud to _have this standard choral work in its repertoire. lt abounds in pleas- ing solos, duets and tries, and the chorus "parts, including the well- known Bridal horus," are particu- larly attractive and not difﬁcult to sing. THE QUAKER AND THE HIGHWAYMAN Cantata for Women's Voices By H. W. Wareing \‘Vords by Samuel Lover Time. 30 minutes Price. 50 cents A popular novelty for a women's Most of the chorus work is in two parts. but there is occasional three- and four- part writing. THE GOLDEN VALLEY Cantata for Women's Voices By I-I arner Time, 40 minutes Price, $l.00 The story is based on a dramatic legend of the Crusades. and the music is a propriate and of mod- crate difﬁcu ty. THE MERMAID Cantata for Women's Voices By Fannie Snow Knowlton Time. 25 minutes Price, 60 cents A special program number, chiefly in three-part harmonies, with an obbligato for solo soprano. Text from the verses of Tennyson. -TI-IEO. PRESS!-ZR co. Music Publishers and Dealers PHILADELPHIA, PA. ._. .._.__...i_ ,
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Title: Daybreak
Date: n.d.
Text: L')$‘W[3E3§¢M§o COMPCSED BY _ Mrs.'J.\H)RTHINGTON BLISS. ._,'. W. LONGFELLOW. ESQ. {Miss M_ L|NDSAY_) cre . _ _ _ _ _ _ __scen___, _ _ _ _ _ _ __ do. ANDANTINO. di___.mi--- ‘nu . . _ . --en_--_do. .A wjnd _can}e up out of the sea, mists, make room ’ for me;’ And said, “O mists, lnaiu» AL I I-Wssc unnAnv7 T ;~ VASSAR COLLEGE room for me.” It hailed the ships and c_riod“S-ail on mariners, the night. is gone .............. .!- The night is gone, T /3%, night is gone, Sail ...........
Show moreL')$‘W[3E3§¢M§o COMPCSED BY _ Mrs.'J.\H)RTHINGTON BLISS. ._,'. W. LONGFELLOW. ESQ. {Miss M_ L|NDSAY_) cre . _ _ _ _ _ _ __scen___, _ _ _ _ _ _ __ do. ANDANTINO. di___.mi--- ‘nu . . _ . --en_--_do. .A wjnd _can}e up out of the sea, mists, make room ’ for me;’ And said, “O mists, lnaiu» AL I I-Wssc unnAnv7 T ;~ VASSAR COLLEGE room for me.” It hailed the ships and c_riod“S-ail on mariners, the night. is gone .............. .!- The night is gone, T /3%, night is gone, Sail ......... .. on! Ye ma _ _ . _ _-ri_ners, " the night is gone!” ’ And hurrllgd landward far a_-Way, . L__j V ‘ ‘V L f< the Day!” Cry - ing, ‘Awake! the Day!” It touﬁlfd the W0odbird’s folded /FT \ -1‘ D-agbwxc.-aik. Miss M. LINDSAY. a__ _wake and sing....., a_wake and sing, _wake and sing, , a___wake .......................... .7. and sjyg, /r '-.WakeL _ and §jng, a _ wake , and sing, O ................ .. bi_rd, ..wake and .... .. sing!” ’ 3 M ‘ L I N D ﬁﬁf. o’er the» farms, “O chanti ; cleer, Your c1a___. rion blow; day is near, Your c1a-_-_--rion blow; the day is near. ‘Whisper’d to the ‘fields of PI’ ‘down .... .. and hail the coming ‘morn ............ .., Bow ........ .. down, 2/ \/ T 7171' KT/‘T D.._3!.;e?«xk. Mix: NI. LINDSAY, .B0w_............ com- _ _ - - ing morn.” bell'! pro _ T 1' _claim thehour, A- -Wake, __ 0. bell! pro- claim the hour.” If A A A A A -A A/_\ cr0ss’d’ the chmchyardwith a sigh, a’ [T T Lentemente. And said, “Not 1 '€' . I2’, 813 . Y” K ' ‘ON: ROBE H '1‘ W39, V SS 8: Cu. Ne-‘w Bwrlingjtnn St. Publishers to their I\Injostics (.‘1l!£‘t'I1"::(f(Iria &tho Ell7}‘(‘I“Y' N1'I'”'*‘‘‘n 111-
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Title: Reaper and Flowers, The, The Reaper and The Flowers
Date: n.d.
Text: IIUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE, ugw yopx EAPEHANIHHEHIIWERS $@1a@ Words by LONGFELLOW E°7lT9usic bi OLORES. 50 Copyright. ——>‘fT\'<‘> PI"iC€ London: E.DoNAaowsK1, 26, Castle Stheet,Benners SI:neel:,W. THE REAPER V AND‘ THE FLOWERS. THE POETRY BY LONGFELLOW. THE MUSIC BY DOLORES. There is a reaper, whose name 'i.~Dc-ath. And, with his sic _k]e keen, _ The Reaym-9 nnl the flowtpg. reaps the beard _ed grain in a breath,AndAthe f]ov;’1"sthat-growbejween; ...
Show moreIIUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE, ugw yopx EAPEHANIHHEHIIWERS $@1a@ Words by LONGFELLOW E°7lT9usic bi OLORES. 50 Copyright. ——>‘fT\'<‘> PI"iC€ London: E.DoNAaowsK1, 26, Castle Stheet,Benners SI:neel:,W. THE REAPER V AND‘ THE FLOWERS. THE POETRY BY LONGFELLOW. THE MUSIC BY DOLORES. There is a reaper, whose name 'i.~Dc-ath. And, with his sic _k]e keen, _ The Reaym-9 nnl the flowtpg. reaps the beard _ed grain in a breath,AndAthe f]ov;’1"sthat-growbejween; “Shall I , Z I havenaught that is fair.>”said he; Have naught hutthebeared grain? Tho’ the . . 8‘._,______ breath of these l0W’rs is sweet to me, I will them all k a _ _gain. Th0’the breath of theseflnw’rsis sweet to me,Iw1'l] givethem all back a_gain. /3—~ » Culla voce The RPEPCT and the fhvxvv-1-S . He gaz‘d-at the flowers wlth tearful eyes, He Idss’d their drobping leaves; It was HMFY ‘ for theL0rd of Pa- _ _.1'a_dise, He bound them in his sheaves: Lord hath need of those flow- rets gay," The reaper said, and sinifd 7‘ "Dear The Rowen‘ ram} 11% flower;-. tokens of the earth are they,Wh€-re ewas ‘ a child. Dear tokens of the 71* earth arethe-y,Where he was once a child. /* They shall all bloom in fields of ]ight,Trans-p]an..ted by my care, \sa1'nts,upon their ganmentswhite, These sa_cred b]0s_soms wear-. Andthe Tb A R n‘yw1_ 1‘~ ‘ 1‘-w«r~.<-. mo- _ther gave in tears and pain, The flov/rsshemost did love; She knew she would them all a_g‘ain.Inthe wlds of light a_ _b0\'e. Fnewshe would fi them all a- , In the fields of light a- .b0~.'e./ Th‘.- R«:~xmr an-‘ fhnr Huwnx. NEW AND POPULAR SONGS. SHEPHERD MUSIC. 0 to B‘. Music by GEORGE F.V|NGENT. 7]- Words by CLAXSUN BELLAMY. Alle re A ,s_hepherd {E _A.r_ca‘dian.mead,His oat- pipeiis play- , LORDS AND LADIES. Q to EI9_ Music by wmdsby GEORGE FVINCENT CLAXSON BELLAMY. State Brightly gleam a thousand ta_pers,Onthe brown oak pane1l’d BLOW on THOU GENTLE BREEZE. D to p_ Music by FREDERIC SCARSBROOK. M Words by VIVIAN GRAHNME . Andante. Blow Thy breath so soft and sweet on thou gentle breeze, SPRINC HAS COME WITH SUNSHINE BRIGHT. Words by F to G . Music by VIVIAN GRAHAME. FREDERIC SCARSBRUOK. All retto Giojoso. > Spring has come with sun shine bright, F‘ra_grant 0 _ dours marcato. I STOOD ON THEBRIDICE. B to E . Music by FREDERIC SCARSBRUOK. -M; Words by LU NC FELLOW . Andante I stood on bridge at n1idnigI1t,Asthe clockswere striking the STAR THAT SHINEST IN THE TWILICHh;[T._ b Words by D I’° 9“ FREDERICHSSEIEIRKBRUOK. VIVIAN CRAHAME. Allegretto con Espressione. ‘ ‘St-ar that shi.nest in the twilight, At the ending of the day, yzgf V THE LILY BELL. B.S.‘IIA?fI\‘dTSGBNERY. C3” F‘ Allegro ma 11011 Music by FRANZ AB,T , I fainwould be _1y bc11_ _ _ . _ N COLDEN CFIAI N . C to E. Musicb‘ Words by’ V y H. A. MU'SCfAT. ROBERT I3/U«'E'ER, Moder to. With a slow, sad step I wander’d_ On a fair and sunuyrnorn V THE SONG OF THE NICHTINCALE. Words by C to F_ Music by w.S.PASSMORE ESQ. .M.LARDELL|. An 0 . < Hark! what en_chant; ing mu _ _ sic Wakes up the startled night \ ‘ . . \ THE CH|LD’S PRAYER. Wordsby permission fromthe D to D. DETROIT FREE PRESS. An ante. Musicby WILLIAM BETTRIDCE. She lmeltwitli her sweet hands fold- ed,Her fair lit_tle head bowed THE WO0D—B|RD’S SONG. D to F. Musicby Words by BENNETT GILBERT. FRANCES CHAMBRE STEEL. Alleg Heardl thy sweet Ear- ly pret_ty ma _ vis, DREAMINC OF HOME. ID to D. Music by Words by W.F.TAYLIJR. WALTER EGEIRTDN. Allegretto uasi Andante. Far far a _ way. . . . I sit and dream a- lone, LO‘1”1»dO1"1:E.l:)ON15XJOVVSI/(I,
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Title: Legend of the Crossbill
Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE 5 5121757 by Mrs‘. flora E. Eam/. **1 —wx\-§L L % \ \./ .x pqpxj A '*"‘7“‘ m‘T‘7"D'V"" T ‘ . U’ ‘ < - "J .\ JB I A "ii » ‘”]mm]_J]} f—_-'#_v Wm qnairmytllﬂnmﬁrﬁgg, J %E%¥niWJJnJ1w1Jnn1 jm]1]11H1]r;m1mn4‘d \ ﬁg) ‘Jimhj IIUW AWM ' “A ‘/7‘ 131% ZVb‘.r'i5 5 J A__ * ‘x K «Xx ‘\ \ /, ’ ‘ ‘ ‘,~’ // ‘,2 / \\ xx, .7 BOSTON EILIVEH DITSEIN &ED.45l WAEHINETUN ET N.Y'UHTC.C.H.DITE EN E EU. - PHIL-4} J.E.UITE...
Show moreMUSIC LIBRARY VASSAR COLLEGE 5 5121757 by Mrs‘. flora E. Eam/. **1 —wx\-§L L % \ \./ .x pqpxj A '*"‘7“‘ m‘T‘7"D'V"" T ‘ . U’ ‘ < - "J .\ JB I A "ii » ‘”]mm]_J]} f—_-'#_v Wm qnairmytllﬂnmﬁrﬁgg, J %E%¥niWJJnJ1w1Jnn1 jm]1]11H1]r;m1mn4‘d \ ﬁg) ‘Jimhj IIUW AWM ' “A ‘/7‘ 131% ZVb‘.r'i5 5 J A__ * ‘x K «Xx ‘\ \ /, ’ ‘ ‘ ‘,~’ // ‘,2 / \\ xx, .7 BOSTON EILIVEH DITSEIN &ED.45l WAEHINETUN ET N.Y'UHTC.C.H.DITE EN E EU. - PHIL-4} J.E.UITE UN 3. EH. 5215' 5 J5. FE 26:=.r5. .521: 525; 4? WJZIL-E11. ['1'I111. Z7L7Z7J7ujrE1* :1‘-']VeW]za]]. .5512 K737251500 Mcﬂunyé W].=25Ez':E 5'17. E7z1'zra_qz7 Lyn]: If }[5';zZ]/7 N" ‘ F / ‘vs -7 ~ 4'“; r m;I?s‘a7/ 11:75/7/,‘/I//7,,‘ may Jr;///'-Imp I1; ;.~7.7r"z7J/7;.ae'7; /7' , ;1;",’1‘/7,417/5'17///55ﬂV 5 J.7,1;:.~" /» //7 /M V. ._ gr /, _ I-/~ _7,1u/7 zr/‘[1//7., THE LEGEWD OI“'l.‘—HE GROSSBILL. Wbrds by LONGFELLOIV. Music by LE CHE VAVLIER LEMM1u‘I\‘s‘. ‘ Andante sostenuto. T9. On the Cross the dying San _ vinur II(*aV,l]V‘V&ll'd CI'(3.S‘(f . V His eyelids calm, F«w1s,but se:u‘(~,e _ Iy f(‘(‘l!§',}l tram .. bling in Hi.fs' pi¢‘I'(',t*d< zuldbleeding palm. . ' th6*wur1dfm' _ sa _ 1{en,Sm~sIIc- dim . ‘~_/ how wlth zc-ulnus cure At the ruth_less nail of -V-. Wilt‘ bird is striving there AT the ruthless nail of- fall. A little bird - is sf1'ivingfheI'e,' A littlubird is striving stI'iv_ ing $4 TA cresc, ﬂ T calla 1-oce,EJ;\>P A thore . atcnnpo . ET’ 3 doth nut cease , :1 tempo . [ts lmlsw, :1 temp 0 . A91 tutu . ('i’(".‘.'(.‘ , .s‘t:'i11g:*;z4i'u ., S’mine‘d withbhmd Agitatn . :L:.iL::' and never tir- _ ing “Titl]itSl)(‘£|k (,‘l'(’.§'(} . \_J ' F1-on1thecrnss ’twnu1d frve the-Suvim-, Its C1-4-:ntm"sSm1 re- Cr:-_ 21 _ _ _ tn1"s‘S<m re _ 1«:Is+~', Its Cw- 21 _ _ _ _tn1"sS«m re-_ calla vuce . And the {2 S41- - - vior speaksin mildness Blt-st be thou of all the good ...... .. B:-:11‘ as tok _ _ - en of this mo- 111¢-rgt,M:1|'ks of blood and holy rand: And that is callad the Crnssbill; Cnwwtl all withhhmdsn 1-lean‘. f. gl'¢>\'és of pine-‘ it sing- eth Sungslike legends strange to hear . gl'0VVt*S of pine it sing , , _b ell] Songs like lvgvnds strung», like logmds strange, ET it singq-ll) sangs,l1'ks- legends sfrungv to hm!‘ > atempo . . \ / calla voce. Eff?!’ colla voce . ‘ff’ ribra to . . , 9 T . like legends strange ......................... .. T mnrendo . f P)’ f‘ CHOICE GEMS SELECTED FROM MAILED POST-PAID FOR PUBLISHED PRICE. OLIVER DITSON C033 LATEST LISTS OF NEW MUSIC. MAILED POST-PAlD FOR PUBLISHED PRICE. Messrs. OLIVER DITSON C0M!‘AI‘.'Y log to announce the following very atti-active ltluslt-. or §lOC2EXI_..4<+ “ Signal Bells at Sea." Song and (‘/mrm. (E flat, 3d grade, C to D) WILI. S. llAYl£S A good song for a voice of medium compass. Not difficult. Lith. Title. “ Old Home down on the Farm." Song and C/zorux. (B ﬂat, 3d grade, D to T) . One of the ever-popular “ home songs," with a pleasing solo and good chorus. l.ltl'I. Title. " The Banner ofthe Sea." Song. (G. 3d grade, C sharp to I’) . . H. G. GANs§ A prize song, words by Homer Green, one of the best patriotic naval songs. Lith. Title. “ My Little Sweetheart." Szmgﬁor Conlrzz//o or Bari/one. (F. 4th grade, C to D) ll. M. VAN LENNEP A pleasing song with an clTective accompaniment. Suitable for concert encore. " So «~10 I love Thee." Songfor Jllezzo-Soprano or T('110r'. D. 4th grade, D to E) II. M. VAN Ll-ZNNEI’ A well written song, good style, with brilliant accompaniment “ ".l.‘is all that! can Say.” Song. (F. 4th grade, E to F) . l{0Bl'R'l COYICRLY An appropriate setting of a very tender love-poem. “ Until We Meet.” Song. (F. 4th grade, C to F) ., . . . AI\"l‘Ol\' Si'Rr:Lc7.I;I A pleasing song by a popular composer. Tasteful accompaniment. “ Dream. Baby. Dream.” Song/or Can/ral/v. (E ﬂat, 4th grade, B to Ii) ANTON STRI-:I.I~:zKI A delightful “ cradle song " with a pretty melody ai.d tasteful accompaniment. “ By-gone Dreams.” Songfor Soprano 07‘ Tenor. (F. 4th grade, D to G) ANTON STRELEZKX ‘ One of the best of modern song—gems. Smoothly ﬂowing melody and good accompaniment. “Nevermore.” Song and Uzorm. (A. 3d grade, D to E) . 'lIIus. P. I. MAGOUN One of Mr. Magoun’s latest. “ Ring On, Sweet Bells." Due/for T mar amt’ Baritone. (B ﬁat, 4th grade) . A very effective duet, well worthy of a trial by good tenors and baritones. “Then and Now.” Song. (E ﬁat, 4th grade, D to (1) . . . GEORGE H. llAYl.'S Good words, appropriate and pretty melody, and tasteful accompaniment. “The Old Grave Digger.” Bar: Song‘. (E ﬂat, 4th grade, C to C) A. G. Hr.NI>r:RsoN A capital song for a bassvoice of good compass. VVA: recommend it to concert singers. “ Somewhere.” Songfor Illezzo-Soyﬁrano or Iiari/(me. (C. 4th grade, C to E) . . A good song for low voices, tasteful accompaniment. " Oh, Tell Me Why.” Song. 4th grade, E to C) .1 . For a voice that can reach C above the treble staff, this song will be satisfactory. “ Aristocratio Dandies.” Song and Dome. (B ﬁat, 3d grade, C to E) S. DUNCAN I3AKi«1i< One of the latest of its kind. lt has all the elements of minstrel popularity. “ Vlhen the Clovers were a-Blooming.” Ba/lml. ((3. 3d grade,*Eto G) KENYON JONIss A pretty song, suitable for either parlor or concert; light and pleasing. "My Henrt’s True I=Iome." Song. (B Pat, 3d grade, D to G) JOIIN FRANCIS CILDER One of Mr. Gilder's latest vocal compositions, and well worth a trial by lovers of good songs. “ Bed-time Song.” (F. 4th grade, C to E) . . . . ETIiILLBr:Ie".' N111/IN “ Sway to and fro in the twilight grey, this is the ferry for shadow-town; lt always sails at the end o{clay,_1ust as the darkness is closing down- Rcst, little head, on my shoulder, 50." A pretty melody, to exquisite verses. Handsome Picture Title. “Up Comes McGinty.” S077g'£Z17([.D(I77[¢’. (E ﬁat, 3d grade, B to E) HARRY J. DAI.I.0U A popular and rapidly selling comic song. Ballou’s latest. “Hush, Little One.” Lullaby. (F/ﬂat, 4th grade, E to E) , FRANK I-I. BRACKEIT A pretty and appropriate setting of a poem, by [Eugene Field. Suitable for mezzo~soprano. “ My Neighbor.” Sang. Fran:/L amz’1:'ng'lz':/z ‘wan/r. (C. 5th grade, C to F) . . Goiiiiw:-'7.-IoMAs /l/la V0z':z';ze, or “ My Neighbor." will please all who love artistic songs of the modern “ classic" style. “ Little Annie Rooney.” Song and (7w7'u.r. (E flat, 3d grade, E to E) J. C. MAYSEDER A rather sweet little song, of the popular style; a really pretty waltz melody. “ I-aanguitl flower.” Songﬁor Il/szzo-Soﬁrzmo or Barilone. (C. 4th grade, D to E) . GIUSEITE DEL PLTENTE One of Signor Del Puente's latest compositions, with Italian and English words. Tasteful and pretty. “ Speak Low Unto My Love.” Songfor (lnitrnllo or 1x‘m'z'zone. (E. 4th grade, B to E) . . Louis LOMBARD A song that will please all singers with voices of medium compass. Artistic and tasteful. “Friar of Orders Gray.” (C. 4th grade, A to D) . SHinI.1) One of the very best semi-humorous songs for male voice of medium compass. New edition. Quaint Picture Title. (2. Du-ms G130. B. NEVIN . FRED. K. lllI.l. “In 01.1 Madrid.” Song. (G ‘minor, 4:}. grade, D to F) . . . In the “ bolero " style, with a tinge of the Spanish romantic love song. Effective throughout “ E’en the Gay Birds Stop to Listen.” Wa/tz Song. V 4th grade, D to F) . A pretty and showy waltz song, in the popular style. " The Sailor‘s Dance.” Song. (F. 3d grade, C to F) . . . J. L. Mt>I.I.oi( A song in Molloy’s well-known style—catchy and tuneful. Good for Baritone voice. “Radiant Heart." Szmgfor Sop. or 7'.mor. (A ﬁat, 5th grade, E to A) Oiio LANGI-zv An elifective song, with tasteful accompaniment. Good singers will welcome it. "Thy Blue Eyes.” Song. German andEng/7':/z worr/r. D ﬂat, 4th grade, E to A) . . C. ROIIM A sweet and winning melody, with good words and ﬁne accompaniment. Excellent for soprano or tenor. It is classed among the best modern German songs. “Oh, Let Me Sh-are Thine Evening Prayer.” Song. Gem/an mm’ £713‘/2'5/z 7."nr(r’.t. (E ﬂat, 4th grade, G to B) . . C. BOHM Sweet and tender; at good song for soprano or tenor voice. "Cradle Song.” (E ﬂat, 4th grade, C to E ﬂat) . . . . , M, I—I;\I~sir,R A setting of the well-known violin solo; the first and only Edition of this melody with words‘. It makes a beautiful, simple, and pleasing song. Handsome Lithographic Title. "Still as the Night.” German am! Eng/ix/'2 words. (D ﬂat, 4th grade. C to G) C. BOHM An excellent song. One of the best of modern Cermaii compositions. Suitablc for soprano or tenor. "Don't Forget Dar’s a. Weddin’ To-Night.” Song and Olorm‘. (D. 3d grade, D to D) . ll. TR01 can El)L'Al{l) ll0LS'l‘ H. J. BALLOU A characteristic minstrel “ end " song. “A. River Dream.” Sonar or So . or Tenor. F. th rade, D to G , .5 4 3 One of this popular author's best vocal compositions. Artistic and tasteful throughout. "Dream of Mine.” Songfor /V/ezzo-Soprano or Brzrilone. C. 4th grade, C to F) . l‘. LA VILLA. A good song, both as to words and melody, and enhanced by a tasteful and well-written accompaniment. “Pretty Girl Milking Her Cow.” (A flat, 3d grade, C to F ) A captivating favorite. New edition, with a beautiful Picture Title. “Mﬂkmaitl’s Song.” _(G. 3d grade, B to G) . . C. HIENSHAW DANA Tennysonps pretty verses In an appropriate setting. A good “ encore ” song for soprano. Handsome Litho- graphic Title Page. “Come Unto I-Iim.” Sac7'alSo7zg. (E flat, 3d grade, D to G) . . L. O. EMERSON A sweet and appropriate setting of the lines beginning, “ Come unto Him and He will give you rest." Ex- cellent for soprano or mezzo—soprano. GORING-T1-IoMAs . . u . C. H. DITSON & CO., 867 BROADWAY, New YORK. “Creole Love Song." for So/Wano or Tenor. (I). 4th grade, B to A) EDGAR B. Sm‘ H A spirited and effective song, somewhat in the “ bolero " style, with a rythmic and showy accom "‘lll‘tCn". Recommended to lover s of good songs. “ Fair Starry Eyes." .S‘ongfor Soprano or Tenor. (G ﬁat, 4th grade, D to (J) ful Very showy and clTectivi:: well written and taste . l~IIic:AR 13. S.\Ii'I'II -91- INSTRUIKENTHL-to “Chant tin. Soir." (E1/cnzﬁrg ."o77g.) (D. 5th grade) A pretty melody, varied, and affording ample display for either hand. “Danse Pompeuse.” (C. 5th grade) . . . /\R'I'HUR W. l\lAR<:iiAN'r A pleasiiig example of the old style of dance music, partaking somewhat of the gavotte movement. A good piece for the pupil. “Meditation.” (A ﬁat. 5th grade) . . . . . . FRANK H. l’iRA(Tl<l-"l'I‘ A slow movement, affording ample facilities for the practice ofoctaves, chords, and scale passages in trip- lets. Well written and miisicianly in style. “ Cha.tauqna's Rocking Ripples.” Ca-uolte. (G. 5th grade) . In the popular gavotte style. “Nocturne.” (E flat, 5 grade) . . . . . . . ll. MOREY A pretty noctiime, with passages requiring “ crossing” of hands. “The Battle 'Won.” I/l/arr/'12 7 rizmzgﬁ/m/e. (C. 4th grade) A spirited and effective march. Lithograph Title. “ Berceuse.” 015.57. (D ﬂat, 6th grade) . . . . . . F. (‘norm As performed by the famous boy pianist, Otto Hegrier. A Portrait of the child adorns the Title Page. “ Fairy Quickstep.” (C. 2d grade) . . . . . . . MACK Abright and enlivening little quicltstep. Fingered. Litliog - ph Title. “ Governor B1-ackett’s March." (F. 3d grade) . . . J. THOMAS BALI)wIN As performed by Baldwin's Boston Cadet Band. Portrait of Gov. lirackett on Titlt: Page. “Elks Quatlrilles.” (V. K. 4th grade) . . THEO. BENDIX A good set of quadrilles. “The Old Soldier.” (C. 3d grade) . . . Ou. of an admirable set of easy pieces, ﬁngered for pupils’ use. " Spring Flower Mazurka.” (C. Ist grade) . . . . A little gem for little players. Fiiigered for pupils’ use. Pretty Lithograph Title. “Happy Thoughts Polka.” (G. Isl. grade) . . JUl.I<‘.S l::.AssINI l~Z;:..\‘i'0N JONES l:‘.I)uAI<n HoI.s'r MAX FRITZE. . E. MACK l“. MAFK A Sp’i“lg:lll1V;, pleasing little polka, that will please young players. ‘Correctly ﬁngered.'Attractive, lllustraied It e age. __ “The Ball.” (Le Bal.) H7121/z. Op. ‘:0. (F. 3d grade) A very pretty, sprightly, and melodious waltz, by a well-known composer. “ Kittie’s Waltz.” (G. 1st grade) . . . . . . . . E. MACK A graceful, sweet, and simple little waltz, that every child will like to play. Fingered for teaching. Attrac- tive Picture Title. “ Graceful Schottischef (C. 2d grade) . . . . . . . One of the most pleasing of very easy pieces. Fingered for the learner. Lithograph Title. “Old Sentinel March.” (B ﬂat, 3d grade) . R. M. STULTS A spirited and enlivening march. Lithograph Title. “ Cotton Field Dance.” (F. 5th grade) . . . Peciiliarly characteristic and catchy. Beautiful Colored Title Page. “ Merriment.” False. (C. 3d grade) . . . A charming, easy waltz, suitable for pupils’ use, “Ricordanza." ./\*'o:tu7‘71e ll/e/orﬁqz/e. (F. §th gxradc) . . . G. LUDOW: E. MACK . . . . Joint FRANCIS GILDER G. BACHMANN _ . . . H. B. PIITNAM A pretty melody, with “ variations,” aﬁording opportunity for practice in execution. The melody lies al- ternately in treble and bass clefs. “Claudian Waltzes.” (V. K. 4th grade) . Ari attractive set of Waltzes. “Bertha Mazurka.” (C. 5th grade) . . . Brilliant and showy. “The Psha’s Favorite Schottische." (B Fat, 4th grade) . . HARRY L. HARTS “ Schottische" movements are quite fashionable at present, and this pretty one will he sure to please. “Chiming Bells Sehottische.” (19. 3d grade) . . T. H. RoI.I.INsoN One of the prettiest of its kind, by a popular composer. " On the Village Green Schottisclze.” (G. 3d grade) . . . T. H. RoLL1Nso;I A pretty and well accented movement in this popular daiice style, “Centennial Jubilee.” Cram//liar:/'2. (C. 4th grade) . . , A. L. SAMSON A bold and majestic march movement. Plenty of chords and octaves. “Nearer, My God, to Thee." 7' room-2'/2/z'o';z. (A flat, 5th grade) . . M. ELMER Transcription of the \vell—knowu hymn tune. “Little Star.” ]’o//so /\’ez/07:/rt. (F. Ist grade) . . . , , _ One of this author's prettiest little picccs, “ ﬁngered " for pupils’ use. Very pretty Picture Title “ Old Folks at Home.’ I'm'7'o/four. (E ﬂat, 4th grade) Brilliant variation of the ever popular air. Not difficult. “The Ball.” /1’//Ze ]7(Im'ef0r /"our I/zr/zdx. (F. 3d grade) . A pretty piece for two young players. Try It. “Mill in the Forest.” /ojr//e, (‘/>.52. (G. 4th grade) . . R. EILENBERG Lively, showy, melodious, and pleasing. Just the piece for a young pupil. “The Passing of the Guard.” (‘/>. 7: . (D. 4th grade) . . R. EILENBERG Characteristic march, made popular by bands and orclicstras. Very pleasing. “Al Fresco." (G. 4th grade) . . . . . . One of the latest a-nd best compositions for piano. Spirited and elodious. “Benton do Rose.” /I/nrmm o/e Sn/on. (A ﬂat, 5th grade) . VICTOR DELACOUR A composition that will surely please all players. It is artistic and miisicianly. “Santiago.” Va/re Es/zagwo/e. (G and E. 4th grade) . . . . . A. CORBIN A very popular waltz: the movement is characteristically Spanish, and immensely pleasing. Played by orchestras everywhere. Try this piano arrangement. “Father Victory.” (Pore lo Vin‘o7're.) /l/an‘/2. (C. 4th grade) LEOPOLD KESSLER One of the late popular successes; performed by GilmoI‘e's band. This pianoforte arrangement of it is ex- cllent. HARRY L. llARTS . J. H. NIOREY E. MACK J. ALBERT SNow BI<IG<;s BRADSHAW L. ZAVERTAL “ Sweet Sixteen.” (C. 2d grade) . . . . . . Another gem from the choice’ “ Musical Portrait" Set of easy pieces, ﬁngered “ Fairy Wedding March.” (G. 2d grade) . . . . . A favorite teaching piece, and the admiration of little learners. Handsome Title Page. “ Pet Redowa.” (G. 2d grade) . . . . . . MACK Sure to please little players. Has correct ﬁngering. Picture Title. “ Sounds at Day-dawn.” Id}//o. (F. 5th grade) . . A showy and entertaining composition, by a popular author. Lith. Title. “ Sunrise Schottische.” (D. 3d grade) . . . . MAX FRITZE E. MACK W. F. SUDDS N. SII«:I>l.r~: OLIVER DITSON COMPANY, BOSTON. A favorite schottische. New edition, with handsome Lithograph Title'Page. J. E. DITSON & C‘()., 1228 CHESTNUT S-r., PHILA. LYON & HEALY, CHICAGO. \
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Title: Daybreak
Date: 1860
Text: 7%” n '»“,'_7/‘ La (Nat) ” f PART SONGS‘. N9 200. ' The Poefgy by L@>:N <mE'E1.1L®W% st-:'r‘1'o MUSIC FOR « fﬂa/7.45 Wzé‘/éfzé/20/9/2130%ﬂz’ée.s*z?%Z;{cc0/72/éaizz//zzazzé, BY g3Mr(@»N @.4wm N a jug. ;rza,.z2;~,zz Zzice 6"/zc-:1 LON DON, STANLEY LUCAS, WEBER & C984’, NEW,BOND ST.& 325, OXFORD s'r.w. SOPRANO. ‘ ALTO. TENOR. "3Y?’ lower. BAss. Allegra. M. M. J.:92 { NB. 0‘1°("héstral parts may be ]1_'i'rg3d*.v- . _ J ...
Show more7%” n '»“,'_7/‘ La (Nat) ” f PART SONGS‘. N9 200. ' The Poefgy by L@>:N <mE'E1.1L®W% st-:'r‘1'o MUSIC FOR « fﬂa/7.45 Wzé‘/éfzé/20/9/2130%ﬂz’ée.s*z?%Z;{cc0/72/éaizz//zzazzé, BY g3Mr(@»N @.4wm N a jug. ;rza,.z2;~,zz Zzice 6"/zc-:1 LON DON, STANLEY LUCAS, WEBER & C984’, NEW,BOND ST.& 325, OXFORD s'r.w. SOPRANO. ‘ ALTO. TENOR. "3Y?’ lower. BAss. Allegra. M. M. J.:92 { NB. 0‘1°("héstral parts may be ]1_'i'rg3d*.v- . _ J "5, V MUSIC uInAnﬁ‘r U é VASSAR COLLEGE, _ A wind ....... .. came up out of the out _of the out of the . W. _. o :-13:». r-w+'"P}:= . /¢j.~sW1 E‘fUS!CAL And said, “0 wind .... .. ca:-ne11p out of the sea, .............. .. “CT mf mists, make room for And said, “O Vmists, make room, 0 mists, “O mists, make room, ............. .. make piu mossa. ‘ ~ Vigoroso >- hailed .... .. the ships, and ‘ hailed .... .. the ships, and It; the ships, and f o " . . It ' I iled .... .. the ships, and i- ners, the i _ ners, the i- ners, the i- ners, the 5 (W88. hur _ ried1and_ward‘ far ................. .. a _ way, ............. .. Crying,“aA' x‘ // .- 'hur _ ried1and_ward far ................. .. a _ way ............. .. Crying,M“a. _ d hur _ ed1and_ward'f-ar ......... a And hur _ ried land_ward far .................. .. a .g*____..—»/ awake . ......... .. } all ........ .. your “ Hang all ........ your the for- est “shout! .... .. molto rifard. 6 leaf _ Y . . ' - ners .... .. out!” It to e wo0d— birtfs _ ,I-Pang gll your leaf 37 ban _ nérs out! It totlched the Wood— bitfds ‘ motto ritard. L/Ir‘ .. 5. L. W. 186 . a tempo Awake and 9-’ ‘_ . 4: iI’d,....., .... ....... fold . sald, 0 I 6,.” fold _ ed wing, ........... .... .. and Sing ........ ......... .. /\ a _ _ » A-wake...... and a tempo ‘_ wake, awake and sing,.......... awake and gin wgke ............... .. aw ea (I sing, ....... a sing,~.« ....... ................. ......... ..... awake,a - 53. L. \V. 1860. poco Mt. e sing. ...................... .. ...... _ P060 7-1/'t_ e I Sing. ............. ...5....n'. ........... .. _ poco rit. 9- " si‘ngL.....V ............................ And (for the farms, ....... . oer .... .. — e arms 3“ in r 0 ’ HQ Chanticleer,; ........ .. Your clar _ ion I I 9 And o’ei* the farms, .... .. 0 chém _ ticleer, Your a tempo L. W. 1860.‘ O chantioleer, ion blow; ' ' day is near, the ci1\;a;n'11:/ icleer; —You*1‘ ion blolsi; Your ion blow; i_ on blow, Your ion blow; the ‘ A y is near, the *cm. ail? the day ............... .. is 1'1ear,the day» .......... the day near,the da ............ .. is near, .... .. the 5 . L .- W. 1~b'tS0. pom {meno moaso 707” It whisper’d to the P7’ 2: It whisper’d to the fields of corn, fields of corn, I It whispgiv’/<1 to the fields of corn, 177121.. It whisper’d to the fields of com, dovm, and c0n1_ ing- ’ ‘Ill . com _. iug dim. com _ ing at com_ing V morn’? “A viz} mosso. f It shout _ ed throughthe I be] _ fry tower, “A _ yiil. masso. sh0ut _ ed through the be] _ frytowe-r, sht;ut- ed t}1.1'qu_.;,'h. {he bel _ fry tower, wake, .... ....... .. 0 bell! .......... ‘s. L. w. 1860.7 /7‘ ' . mbzto 7-it. pro _ claim the 9 hour. ..................... .; .... .. ff am. e motto r/it. pro _ c1a1m the our. ........................... .. d L’ m . e" motto Ht. bell........ ............................... ..... ............................ .. > dim. e ’ rit. +'I7‘he small notes‘ to be used for practice only. .5. Lfw. 1860. J;=eo. ::,. _ ‘X . . . <1 crossed the churchyard wlth a slgh, And sald, Not yet! ../1:: crossed the churchyard with a sigh, <41 L. crossed the churchyard with a sigh, .(—_f_'_‘ ::‘j-- crossed the churchyard with a sigh, at - : 60. ."’cc \" he; Not yet! not yet! not CF85. F‘/cc he; Not yet! not l3’I'8.9. yet! not 1ie;“N0t yet! not yet! not (‘7’¢L’8. lie;“Not yet! not yet! not yet! _ accomp. -ii»... “Not yet! not ...{‘_._ .2... “Not yet! not 1 J “Not yet! not Piu lento qui- et not yet! in qui_ et PI’ in q11i_ et. lie, in qui-et P7’ in qui _ et ,_\ Piu ‘lento PP not yet! in M5 yet.!..... yet! .... .. yet! .... .. PI’ lie, in qui_et PP?’ lie, in quiget lie, in qui_et PART” MUSIC FOR CHORAL SINGING. PUBLISHED IN A CHEAP FORM, IN VOCAL SCORE. 1 Barry, C. A. ...O Holy Night ... SSATB 6d 31 Griﬂiths, E. ...Solo_moii's Prayer (an Anthem) SATB 401 | 82 Macfarren,SirG.A.(Joseph No.23)See! Pharoah 13 Beale, W. ...Again the balmy zephyr (Round 32 (xuy. Henry ...I prithee send me back my heart ,, 4d * hath set Joseph Three Voices) SATB 6d. 147 Guzman, N. ...Blow, thou soft West WIDC3... SCTB “ Resurreution)H_vmiis; Late that ...Awake sweet music .. SSATB 4d 62 Hackman, L. Ye Franklyn SATB mom-nful eve was seen By the side of a grove ATFBB 6d 128 Hales. J. ...Syinpathy... ,, 4 _ _ ,( ,, )L1ves again om G101-ions ..How often from the steep SSAATTBB 197 Hatters1ey,F.K.’l‘hey that wait upon the Lord ,. d mg ...How soft the music ATTB (ml 270 1-iause ...It is not always .. ss ,, )0 Christian, cease to weep ...Scenes of Woe ,, 411 134 Heap, C. S. ...Who is Sylvia? ssrn ,,,D0xo]og'y ...I’1l enjoy the present time n 33 Hecht, E. ...At Night SATTB ...Remember not, Lord ...Lo! the pride of thevillageis dead SATTB 6d 34 _ ,, ...H11ul1ng Song ...The Lord sendeth ...Ode to the Memory of Samuel 55 rliggs, M. ...Queen of Fragrance .. ,, ' ‘ ...To Mary in Heaven Webbe .. ATTBB H4 213 H1ller,F. ...A song of Life ,, ‘ ...The Miller's Lassie... ...Oh! by yonder mossy seat .. ATTB 865 261 ...O weep for those .. 285 ,, ...Ye F1ow’ry Banks of Bonny Doon ...The humble tenant SATBB 4d ...Secret love (Stille liebe) SSA 107 Macfarren. W...Daybreak .. ...Th0u herald of the blushi_ng_nioi'i1 SATB Gd ...EXpectatioi1 (Ewartinlg) 17 279 Marzials, T. ...Eventide .. ...When Fanny blooming fair..._ ,, 4d ' ...Where may my__darling_be? (W0 168 Matthay, T. A Fairy’s Serenade . . . ,, ...Sing unto the Lord Canoii4 in 2 ,, 6d magmeiii s_chatzle sein P)... _ .. ., ' 1.58 Moir, F. L. .,,1v[e1~r_v March breeze __ Beethoven. L.v. Calm sea, andaprosperous voyage ,. 11- ...Th0u will: think of me «Du wirst‘ 177 ., ...Reading Abbey .. Benedict, Sir J. The Cherries are R1p¢._(Claudian) SSA 411 an mi denka) ,. 111. Moseley, C. ...Rondel .. Cherries are Ripe SATB 4:01 Who believes it ?(Wer‘.s glaubeii thut),, 112 ., ...Roseate Hues ,, ,, duet ... SA 4:1 .. Cuckoo song (Kukukslied) ,, 111 ,, .. Spring is coming Come to our Fairy ., Gd ...Partiiig song iScheidel1ed) 3 ., .. The First Flight ,, Welcome to our Prince SATB 4d 8 _ ,, ...Play on! (Spieletauf) . Netlierclift, J... , my dear maid 17 ,, H ' ,, ... ATTB 4nd Hine, G. ...Chi_ldren’s Goodiiigh 45 ...Tell me, tell me ... Bennett, G. J....Down in a green and shady bed ss 41d 91 ., ...Fair_ies... . ...’l‘he Ana-ler’s Glee ...Float gently Barcarolle SSA 4d 249 ,, ...O Birds that sing .. . _.,'1‘hou fatal 10ve ,_,See the Children ss 4d 139 Horsley, W. ...Blow light, thou Balniy Air 7 ,, ...Whither away ,. ,, ...They tell me love (Song of Love) SSA 4d 1 ,, ...Sweet is Evenings Oliphant's Ancient Ditties. An Aged Dame Berger, F. ...The Tritons .. sun 6d 101 Jackson, A. H. In the Cornﬁelds 4.8 1 w111n0g, my Beringer, O. ...The Post Horn TTBB 4d 104 ,, Lord Ullin s Daughter 1 My Lady had ,3, Bethune, C. ...E’en brings a’ Hame .. SATB 4d. 266 . ,, ‘ Siren’s Soiig To pitch our tons Bishop, Sir H. No Tocaran Campanas _sCi'i3 4d 155 ,, "l‘was when the seas ., ,, Ye sacred Muses Brahms, J. ...A March Night (Female Voices) 2d 100 Jarvis, S. ...When twilight dews -. -- Pari-att, W. ...Super ﬂumina Babylonis ...A saving health to us is brought 255 Kemp, Stephen 0 lady leave thy silken thread ‘ ' ‘ Peiiiiger, 0. ...Awake, the day is dawn:ng .. (Motett), Op. 29, No. 1 SATBB 6d 251 _ ,, Stars are with the voyager . 4. 96 ,, . mﬁomevvard from the col-“ﬁelds ...Ave Maria, Op. 12 .. ATTB 4d 108 Kjeriilf ...NO1‘Wegl:Ln Bridal Song .. ' ' V H "soon, too soon ,, . ,, , .. SSAA 4d 2 2 ,_, ...Serenade .. . . ,, ...Where the scarlet poppies ...Bai'cai'ole (Female Voices) 2d. 237 Khune, T. ...Volkslieder, Book 1 .. ~ ' 203 Philp, E. ...The Owl in the Ivy Bush ...Blessed are they that go mourning, 238 ,, ,, Book 2 .. 4d 97 Powell, W -R. .. My Ladie's eyes . . O . 45 ,. sun 6d 239 ,, ,, Book 3... 53 P)_‘en(1e];‘gﬁS‘l',_ A 0, Mistress mine ...How long wilt thou forget me SSA 6d. 240 ,, ,, Book43 .. _ .. ,, 51 Prescott, O. L. Our Conversation is in Heaven ...How lovelyis thy dwelling place... SATB 6d 259 Lambert, F. W. Oh. lull _iiie, cha,1‘n1111!! E111’. SSATB (Anthem) ...I€throughthe Olive Yard(Female Voices) 201 117 Lawson, S. ...Away with these self-loving lads SATB 50 ,, ...The righteous live for evermore ...Love Song ) 2d 28 ,, ...L)i1pid’s curse . .. .. ss 6 (Anthem) .. . sun Ad Miller’s Daughte ...The ballad of young John. dd C3 10% OOaL\'>€l!95‘\lIPL3 on an no it 97 97 H 77 ATBB id ., 4d ...Gaudeamus(Motett‘)‘ SATB ” ...Stabat Mater SAATB (()p_g,Eﬂag;)_,_ ...Questionings , .. ...Wilt thouuiikind SATB 89 ,, ...Magniﬁcat (F ﬂat) ...’l‘he Bridegroom 6 ,_, ...The Bride ( ,, Leslie, Hy. ...A Rose of the Garden 90 ,, _ ...Nunc Dimittis ( .. ...’l‘he Meadows at Wildbach( 45 ...Cherry Ripe . 121 Puzey, F. H. ...How amiable are thy dwellings 2 ...The ill/Iountains are Cold(( I ...Go1ge:i Sflumbers .. < 54 Read, J. F. H. Seregiade. The young Mn)’ moo 2 9 ,, The un .. ‘ ...Ur0 en ear is ea,1ni]1g- 12.7 Brouglitoii, J....'1‘he Better Land ' ...Kind Words_ 159 Redhead, A_ _,_1 know a, maiden 157 Bryant, R. ...Pysche ...Lullaby of Life 212 Reeve, P. ...The Vision ... 73 Cheshire, J. ...A Mother's Cradle Hymn ' ...O let ‘me play the Fool 55 Richards. 13, ,,,N0bod_y cares for the 151 Cleather, Nina Harvest ...Red Sun is Sinking 56 Rudall, H. A. ,__Da,y1),_-ea]; 103 Cooke. G. ...'1‘ic, Tic .. .. ,, ,, . . 91 Sangster, W. H.Aiiglican Chan * 153 Copeland ...(‘.arol . : ) ...Song of the Miniiesiiigers 92 ., , ' ._ 22 Coward, J. ...Airy fairy Lilian . ~ ...The Angel s.Visit 287 Santley, C. ...Ave Maria .. 42 ...Peaceful slumb’rii1g .. 2 ...The Rainbow 4 289 ,, ...Christus factus esk... ,, ,, ...We roam and rule the sea 262 Schloesser, A....The dawn of day . ,, . Summer morning . . 7 _ ,, ...Wilt) is the Angel . 157 Schubert, F. ...God in Nature, Op. 133 32 ,, ...The sun is bright Liebe. L. ...Chris1.mas Roses ' 21 ,, ...Spirit of Love 74 Cusins, W. G. ...Masonic Prayers 69 ,, ...Come, cliarni ot night ' ,, ...The Hamlet-, ,, 75 ,. .. Royal Wedding Chorale " ,, 1-Iynin of the Goths... cl 8 ,, ...’l‘he Nightingale I49 Davenport, F...Phillis is my only ...My home of yore Selby, B. L. ...A laughing song 152 ,, ,, ,, ...Pearl of the.Seasons 5 ,, ...Amaryllis 148 ,, ...Sweet day so cool . ...Song 0: Praise . .. 8 ,, ...M_a belle, si ton time 260 Dick, Uotsford Count-y.Guy .. .. ...The Heart s Rest Smart, 11. ...Pipe, red lipp’d autumn, pipe! 119 ,, Tears. idle tears _, , . ...The Soul s repose 1 ,, ...Softly come, thou evening gale 14.2 Distiii, ...Jack Horuer ' 3 _ ,, ...We two ,, ...The Curfew Ben 14,3 ” ,, ; ...... ... ‘ .. Liszt, F. ...Chorus of Reapers ,, Twilight. ,, (Tonic Sol-fa Edition) .. 3 ._ n .» 9y_ ' Soderman, A....Peasant Wedding March ...'l“wilight on the Lake s Lohr, H. ...A Border Raid Spotforth, R. ...L ape e la serpe ...Awa’, Whigs, awa’ .. 2d 2 ,, ...Aii April Shower 3 06 ,, ...Come, Clara, as the lily fair .. ...Duncan Grey ... . ,, ...When the Lord turned again Stanford, C. V. From me to thee glad Serenades ...Rantin’. Rovin’ Robin " (Psalm 126) n ii ...To Chloris ...Scots wha hae Lucas, C. Ah, fading Joy SSATB Stewart, Sir R. P. Night hurrying on ...'1‘heDe'il's awa' .. 29 ...Blessed be the Lord... ._.. sun 9 ,, eligiou ...Ye banks and braes .. Hail to the new-born Spring (Glee) ,, 6 Tait, A. Oh, what is the use of singing of love . ( .. ( 1 . V 52 ,. .. ...Now all the Roses E ...Sigh no more, ladies SSAA 88 P1-out, E_ ,,,M-agniﬁcat, and Nuuc Dimm-,1, ( , Kyrie... . ... 156 ,, ~ _ 185 Duvivier, A. D.Ave Maria . . ...Hosanua ,. 241 Engel, L. ...Our Loves . . ...O "God, the srength of all them . The Brook is purling 3 M 216 ,, ,, (Anthem)... . . Taubert, W. ...Cra.dle Song 200 Faning,Ea.ton Daybreak .. ,, ...O. Lord, open thou my lips 66 ,, ...Cradle Song (Ai'ra.i1god by J. G. 166 ,, ...Liberty... ..: .. ,, ...Sing. 0 Heavens . . . Callcott) 193 ,, ., (Tonic.Sol.fa) .._. ‘ Lutgen, H. J. ...Ave Veru_m .. .. ' Thomas, A. G-. ...Out of the deep (Psalm 130), 98 ,, ...Soiig ot the Vikings (Piaiioforte 51 ,, ...I-Ioly Saviour soprano 010 and Chorus Solo Accompaniment) . Macirone, C. A. Echoes . 95 Tuberville, W...Merrily Ho [26 ,, .. Song of the Vikings v. Piaiioiorte 17 ,, ...Ride a Cock Horse 288 Vicars, G. R. ...Children dear was it yesterday Duet Accompaiiinient) ,, ...The Avon to the Severn... 265 Visetti, A. ...Praise of Song 27 Flotow,F. voii... Serenade (with Clarinet and Harp 70 ., The Soldiei"s Dream 283 Ward, J. E. ...Rove not to the Rhine Accompaniment) . ,, 6d Mendelssohn ...0n.Mu_.sic’s wing ‘ 209 Watson, A. H. My Weather Glass t ...Rose and Lily Bell ss -id 87 ,, ...Parable of the Seasons 253 Weelkes ...Strike it up, Neighbour... ssn or TTB net, 4d - ...Spring-time (Chorus) ssc 601 4 ,, _ ...S1uniber Song ,, 267 ,, ...Alas! 0 Tarry 146 ,, ...Winter ,, Gd Macfarreii, Sir G. A. Blessed are they (St. John 268 ,, ...Ha, ha, ,, ” 256 Foster ...In the Forest . SA iiet Ital the Baptist) ssco 258 Wesley ...0mnia Vanitas SSATB 6d 281 ,, ...Welcome ...Evm_inanuel(Ant1iem_) TB 67 Westlake, F. ...Look all around thee(Spriiig Song) sun 4d 30 Gadsby, H ...Summer winds lie IS the Resurrectioii SOL-FA 179 _ ,. .. 0 Salutaris ... ,. 29 ,. ...The sea is calm .1. . ,, ,, _ .. SATB 109 White, M. V. ...Oh! Nannie .. .. ATTB 4d 28 ,, ...The So1dier’s Song (Male Voices) ...l.ike as a Father (David) . .. so 180 ' ,, ...Prayer _... sun 4d 290 German, J. E...'l‘he Chase . ...(Joseph'No.18) A voice was heard sun 110 _ ,, ...Stars are with the voyager ,, 4d 76 G11], J, ...S2l.V10u1‘, take me for thine own ...( ,, 29) O L)r_d, have mercy u 941 Wilbye, J. Draw on, sweet night ssunn -id 3 _— God save the Queen... ...( ,, 2) O praise our Lord ,, 68 Wolferst2in,E.P.Fair is my love (Male Voices) uvrn 44 3 ,, ...Sin;z, who Sings P rm; 6d 190 Ford, Eriies 99 vi 19 - 25 Gounod, Ch. ...Night andMorning... SA'1‘B2Li 81 ...( ,, 19) Lord of Diadems 13 STANLEY LUCAS, VWEBER 8: CO., 84. NEW BOND STREET, 85 325, OXFORD STREET, W.
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Title: Songs of the Ojibways:
Description
Date: 1902
Text: E Ebwyg @1170 fgﬂttgﬁ OLD SHOES & PARTING (WITH INDIAN AND ENGLISH woaos.) Translated fbomthe Musicai Indian. Play (‘gr ‘ igtawafba" AND HARMONIZED EREDERECEE K B5u1R<E©1NL ——-2)) Price 50¢ ((<--— NEW YORK THE WILLIAM MAXWELL MUSIC Co., 8 EAST I6“'."'ST MUSIC LIBRARY VASSAR CO.'_LZ~f‘ E Old Shoes. Songs of the Ojibways. ]’ransZatz'0n and acc0m;mm'ment by Frederick R. Burton. Muj —je muk -e -sin au — yaw —‘ yon, muj —je mukesin an- yaw - yon, muj-je...
Show moreE Ebwyg @1170 fgﬂttgﬁ OLD SHOES & PARTING (WITH INDIAN AND ENGLISH woaos.) Translated fbomthe Musicai Indian. Play (‘gr ‘ igtawafba" AND HARMONIZED EREDERECEE K B5u1R<E©1NL ——-2)) Price 50¢ ((<--— NEW YORK THE WILLIAM MAXWELL MUSIC Co., 8 EAST I6“'."'ST MUSIC LIBRARY VASSAR CO.'_LZ~f‘ E Old Shoes. Songs of the Ojibways. ]’ransZatz'0n and acc0m;mm'ment by Frederick R. Burton. Muj —je muk -e -sin au — yaw —‘ yon, muj —je mukesin an- yaw - yon, muj-je mukesin au — yaw -yon, muj -je mukesin au yaw - yon. VT)’ Worn out shoes I am a Wear — ing, worn out shoes I am a wear _ing, Worn out shoes I am a Wear- ing, worn out shoesI am a Wear—ing. 1' 1' T T 3 Copyright 190% Hiawatha Drama Co. International Cop;/riglyzt. Parting Song. 7’7'cmslatz'0n and accampam'7/zwzt by Frederick R. Burton. mf Um -bay - ge-way — dohl, -bay - ge-way - dohl, che - way - be -dah — bum, um - bay — ge—way - dohl. V T 7 Let us go home, ’tis near the break 0 the_ day, we should be seen, what would the people say! 1' 1’ 4 Copyright. 1902 by Hiawatha Drama Co. International 6'0171/7"'é'k‘- HIAWATHA: A DRAMATIC CANTATA FOR MIXED CHORUS, SOLI AND ORCHESTRA, BY FREDERICK R. BURTON. This work, designed for Concert use, requires a little more than two hours for performance. Vocal Score, piano accompaniment, - $1.50 Onaway, Awake, Beloved, - - - .50 Air for Tenor or Soprano, from “ Hiawatha." HIAWATHA. the Musical Indian Play: SELECTIONS OF ABORIGINAL OJIBWAY MELODIES HARMONIZED AND THE WORDS TRANSLATED BY FREDERICK R. BURTON. My Bark Canoe, - - - A Song of Absence and Longing, The Lake Sheen, - Old Shoes } Parting Song, ﬂiawatha’s Death Song, - My Bark Canoe, (octavo, mixed voices.) - A Song of Absence and Longing, (oct. mixed voices, J0 WILLIAM MAXWELL MUSIC COMPANY. 8 East Sixteenth Street. New York.
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Title: Dreams of the Summer Night
Date: 1908
Text: MU5!C UBRAHY VASSAR COLLEGE I-ouc.m«a:I-sue. NEW V0“ SONGS‘ C. B. HAWLEY Hearfs Desire Dreams of the Summer Night High Voice 5 Low Voice THE JOHN CHURCH COMPANY ' Cincinnati New York Chicago Leipsic London [[7375 V01.“ Low. Vbice (original Key) Dreams of the Summer Night LONGFELLOW T C. B. HAWLEY Allegretto nw Stars_._ of the Sum - mer Far___ in yon az - ure deep, Hide, hide your go1d- en Copyright MCMVIII by The John Church Company 15929- 4 International Copyright the Sum — mer Far__...
Show moreMU5!C UBRAHY VASSAR COLLEGE I-ouc.m«a:I-sue. NEW V0“ SONGS‘ C. B. HAWLEY Hearfs Desire Dreams of the Summer Night High Voice 5 Low Voice THE JOHN CHURCH COMPANY ' Cincinnati New York Chicago Leipsic London [[7375 V01.“ Low. Vbice (original Key) Dreams of the Summer Night LONGFELLOW T C. B. HAWLEY Allegretto nw Stars_._ of the Sum - mer Far___ in yon az - ure deep, Hide, hide your go1d- en Copyright MCMVIII by The John Church Company 15929- 4 International Copyright the Sum — mer Far__ down your west - ern steeps, Sink, sink in gold-en 15929-4 Dreams of the Sum -mer night, _______ Tell__ her, her lov-er keeps in slum'—ber’s light s1eeps,_ my la - dy She V
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Title: Psalm of Life, A, A Psalm of Life
Date: 1895
Text: MUSIC uamnv VASSAR COLLEGE Poucnuzs.-sue. new vonu Sung b2 Muss CLARA BUTT. LII ME \ ,/4: THE WORDS BY LONGFELLOW Wgemusic I02 FREDERIC H.C0wEN. :._m_, ‘ * - I .3‘ K ' ' ,3 57“-1,’; 335V 5%‘ 2/‘ I "'I‘G1‘~‘5vI:1‘§4’RMONIUM ACCOMPANIMENT (AD LIB.) pmcg eryuer B O O s EY & C9. 295. REGENT «3T‘I3DIE1ET. l.oND0N.W, 9, EAST SEVENTEENTH STREET, NEW YORK. THIS SONG MAY BE. SUNG IN PUBLIC WITHOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANYPARODIED VERSlON,HOWEVER,IS STRICTLY...
Show moreMUSIC uamnv VASSAR COLLEGE Poucnuzs.-sue. new vonu Sung b2 Muss CLARA BUTT. LII ME \ ,/4: THE WORDS BY LONGFELLOW Wgemusic I02 FREDERIC H.C0wEN. :._m_, ‘ * - I .3‘ K ' ' ,3 57“-1,’; 335V 5%‘ 2/‘ I "'I‘G1‘~‘5vI:1‘§4’RMONIUM ACCOMPANIMENT (AD LIB.) pmcg eryuer B O O s EY & C9. 295. REGENT «3T‘I3DIE1ET. l.oND0N.W, 9, EAST SEVENTEENTH STREET, NEW YORK. THIS SONG MAY BE. SUNG IN PUBLIC WITHOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANYPARODIED VERSlON,HOWEVER,IS STRICTLY PROHIBITED. Cogbyr/‘g/7/_‘, /895, £34 Boosey 3: C‘? A PSALM OF LIFE. Words by . Music by LONGFELLOW. ‘ FREDERIC H. COWEN. Not too slow. 1? Tell me not, in’ m0urn_fu1num_bers, "Life is but an emp _ ty dre2Lm!”For thesoul is dead t11ats1uIri-bers, f And thingsare not what they seem. Life is real! Life is ea,r-11est! And the grave {"""‘S Copyright 1895 by Boosey‘8< C‘? I, . not its goal; “Dust thou art, to .dust re.turn_ est’,’ Was not spoken of the soul. KIN 19 Not enzjoyment and not s0r_row, Is our des_ tined end or Way; But to act, that each to mor- row Find us far- ther thzm to day.. Art is 1ong,‘and Time is f1eet-ing, And our hearts, tho’ stout and brave, A Psalm of life (H. L2s'_o:) 1) 12060 stemfomdo Still, like muffled drums,are beat- ing Fun _ er- a1 mar- ches to the grave. 01‘ 14’ colla voce ture, how _ e’er pleas _ ant! the dead bu - ry its dead! . . . . . in the liv- ing Pres _ ent! o’er_ head! _ A Psalm of life. in the liv _ ing Pres _ ent! Heart with _ in, and God o’er A A A A A A A A A A A A A f can make our . . . sub. lime, us Foot - prints on the sands of time; . ‘fab. The Psalm of life. cresc. 12000 Foot - pn'nts,that per- haps an - 0 _ ther, ‘ ing o’er I 1ife’s so - lemn 3 3 . 3 3 "2/' A for _ Iorn ' and ship - wreck’d bro - ‘cheer. 3 ‘ .9 3 3 pooo rite dim. T See - ing, sha11 take heart a - gain. poco mil. a tempb With a heart The Psalm of life. V ._ <H~128°3 Still a _ chiev _ ing, ' . . pur - su - ing, be up and do _ ing‘, f manato aheart for ' . . la _b0ur, pa/go mi‘. /5 A 1a_b0ur and to Wait. (’*'Th1's chord to be played when A Psalm of life. the low notes are sung.) BOOSEY 8: C0.’S New and Standard Songs and Ballads. The Compass of the first PRICE TYYO sx-IILLINGS EACH NET. Key only is given: from this the Compass of the other Keys can be readily found. STEPHEN ADAMS Rosiss, AV, By. C, DP .. il.‘rIonA, D,Et’,F,G .. -- NIIIVANA, BD, 0, D_, ED .. Trix: Hom CITY, AI), BI), C, D 1\[oNA, C,D,EI7,E,F.. .. STAN or BE-rIII.EIIEII, E17,-F,Gr,AI7 TIIEI ALL LOVE JACK, D, E . F. . THE MIDsIIII>IIITE. BI7, C, D . . NANCY Lime, 0, D, E17 .. FRANCES ALLITSEN ‘1‘IIEIuI:’s A LAND,‘ D, E7, F, G. . BHIIAXK, DI-IINEII LIGHT. Duet, ED and F . . Lon» Is In LIGHT, 137,0, EI7 . . A Sum: or '1‘HANI(soIvINa, 0, ED, F, G . . AUGUSTUS BARRATT My SHIPS,C,D .. .. .. ROBERT BATTEN APRIL Mom, 33?, C, D . . . . PEACE AND REST, A9, By, C, Db A. H. BEHREND THE GIFT, C, ED, F .. DAIm':, F, G, AD . FREDK. BEVAN FLIGHT or Auius, G, A17, Bl‘, G J. BLUMENTHAL SUNSHINE AND RAIN, F, G. A .. A. HERBERT BREWER 'i.'IIE FAIRY PIPEIIS, F,G,A,B7,C . .. .G. FERIIY, Anny, D. E0, F, G . . FAIRIES IIAVE NEVER A PENNV.C,E[7 C. WAKEFIELD OADMAN Fuonz VVIGWAII AND '['EI=EI«: (5/-) . . AT DA\vNINo, E, Cr7..AD, A .2 I HEARA 'I‘mwsII AT EVE, E,‘7,F,AI7 Farm THE LAND or THE SICPBLUE WATEII, G7, G, BV LEWIS CAREY V BNEAK, B111-IAK, mu«:AI(! F, G, B? Goo Is our REFUGE, D, F .. NIEABEB, MY Goo, '1‘O '.l‘IIEII, A57 .. ERIC COATES A DINJH.-ill COUIITSHIP, BI). C, D STomr.cnAcIIEII Joim, D, E!) .. Form OLD ENoLI>.'II SONGS (4/-) . . S. COLER I DGE-TAYLOR Bio LADY MooN, D9, Ep, F FIVE FAIRY BALLAI>s (5/6) . . F. H. COWEN Boicmsn BALLAD, A, B, D .. THE SwALLows, I", G, A , . . Pnomsn oE'LIIrE, C, D, ED, F . . Tm: BIE'l"l‘En LAND, AP, A, C . . C. ALISON-CROMPTON AUTIIIIN, C,'Dy, E7, .. MALCOLM DAVIDSON. RAIN on THE D0\\‘N, D . . .. A LAM-r AND A FAIRY BOAT, E . . TEE BARGAIN, D . . . . . E. T. DAVIES. THE SCARECEO\V, G, A . . J. AIRLIE DIX THE TRUMYE'l‘ER, F, G, A, G. . FRANCIS DOREL GARDEN or YOUR HEAR'F, F. A17. Bl? WI-IEN MY Sums, F, G, A17, BI) E DWA R D E LG-A R IN THE DAWN. 0, E0, E _ . LANDOF Home & GLORY, BI7, C, D THE PIPES or PAN, G, A,B .. WHERE CORALS LII:,(No. 1) D & B min., dz (No. 2) F dc D m'm.l IN HAVEN, C, ED .. SABIIATII MORNING AT SEA, BI), C A. SCOTT GATTY RoTIIEsAI' BAY .. .. .. PLANTATION SoNos, Vols. 1, 2, 3 dz 4 (Six Songs ineech), 3I- ea. EDWARD GERMAN Groiuous DEVON, C, D, F .. Lona, THE PEDLAR, C, D, Ez7,F A. M. GOODHART A FAIR‘: WENT A-MARKETING, F, G, DOUGLAS GRANT As WE Go Home TOGETIIEII, ] El? F. G.‘ I I OLD BARTY ., LITTLE FRENCH BABY, D Du to FD to a» Iago-é'5’o0f3P> 3 8g5’8’€>'g; U UUUEgMn—;U AtoEI) At.oC£ B0 toF B7 to B0 B9 to Eb 'B‘vtoC (HOD BQIOD AtoD B9 to C 1) to E G 1:01) HI'gh&I0\V B to D _ B0 to E|7 DI7 to DD AD to E9 Ato ED CI:oF B0 to D ‘A to D I [.ow.,uIed. I and high 1 Al) to El) Low as High CtoE CtoF AI:oO ADCOEI7 At.oE BI) toD .CImE{ Compass oil 153 '3 Sun: by‘ Mr. John Harrison Mr. Ivor Foster Mr.John lllc Cormack Mr. Edward Lloyd Mr. Edward Lloyd Illr. Edward Lloyd All Baritones All Baritones All Baritone: Mdme. Clara Butt Mdme. Clara Butt rt Mr. K. Rumfurd Mame. Clara Butt llldme. Clara Butt Mdme. Clara Butt Miss Evan. Florence: Mame. Clara Butt Con trultos Contraltos All voices .-"llama. Ada Crossley Mame. Clara But: Miss Flora ‘Voodman Mame. Clara Bull Mr. Frank Jlullings .'Ilr..foh-n Me Cormack .111: John Jlccormaclr Mr.Joh1t J1cC’o: mack Mame. Clara Butt llllss Pltyllas Lett Illdme. Ada Crossley Mr. Harry Dearth ‘Mr. H«:,rr_I/ Dearth Miss Carrie Tubb (I? Miss Flora IV.>odmrm Miss Phyllis Lett Mr. Ivor Foster Miss E-uavn. Florencr Illdme. Clara Butt llldwe. Clara Burt Miss Carrie Trzbb, Mr. Gervasc Elmo.» (U Miss A .I)¢'snI-mti Mr, Herbert Heyner Miss Flora .'l’uo¢l.-.Iun Miss I1[z’_r_zaIL1v'-Aster Mr. Ivor Foxter Rlr. Topliss Green All Voices Mr. John Caates Mdmo. Clara Butt Mr. Ivor Foster Mdme. Clara Butt Mame. Clara Butt Mame. Clara Butt I Mr. Ivor Foster Mdrne. Ada Crossley Baritone Solos with Chorus Mdme. Clara Butt Mr. Harry Dearth Mr. Harry Dearth LC‘ A. E. GRIMSHAW TIIE SONGS MY MOTHER BANG, D, F BATTISON HAVNES On To PHILADELPHIA, C, D K. HERON-MAXWELL. KEEP oN HoI’IN’, C,E;’, F MICHAEL HEAD THE SEA GIPSY, C and E (minor, SHIPS or ARCADY, Bp . . BARBARA HOPE. A LITTLE CooN’s PRAYER, G. AV. BI? DOROTHY HOWELL. Two Fuoos, A .. HERBERT HUGHES I KNOW III LovE, E9, F .. IIIIsI-I COUNTRY SONGS, 2 Vols. (G/~ each) LIZA LEHMANN IFIDUILTAVVORIID FOE I'ot!,C,E;7,FI 'l‘IIE Cocxoo, C, D .. . .l LAURA G. LEMON MY AIN FOLK. D7, E9, F, G FRANCO LEON! LEAVES & THE WIND, C. E7, F, G S. LIDDLE ABIDK WITH Inc, C, I)9,EI7,E, F A FAIIEWELL, G, A7. B,’’, C, D? How LovEr.\' Aim Tm‘ D\vELLINos, I C, Dr, EM A. LIDGEY. CIIEEIIT PIIILosoI>IIEn. F, G, All D. MACMURROUCIH MAcusIILA, F, A9, B0 .. . J. MARGETSON Tomxn’ LAL, C, D, E,” . . CHARLES MARSHALL I SING I\G, E.p,F, G} JOHN w. METCALF I ABSENT. E{7,F.G.A.‘ BI? FRANK L MOIR ONLY ONCE. Mona, Ll. ..7. . L. MOLLOY , , Tm; CANNIVAL, B0. 0. D37, ED I.o\'E’s oI.D S\'v'EI)’I' Semi, ED.F. G G O'CONNOR MORRIS ALLELUIA, D, E? F, .. ALICIA A. NFEDHAM HUSHFJZ‘-. B7. C, D .. .. FAIIII"s LU'IIL‘.B1', ED, F, G, Ab IVOR NOVELLO LITTLE DA.\IozF.L. D, EI7, F, G. . HERBERT OLIVER SONGS or A VIvANI>II1:II'.«.- (4/-) { F,G C. PINSUTI Tziic LAST WATCH. D, F, G . . PRINCE PONIATOWSKI }<'EoIIAN’e WEDDING, G. A, B? ROGER QUILTER FAIR Hoosm or Joy", Av.B:7,DI7 To DAI.~:IE.~, Bl), D7 . ., I LovE’s PHILOSOPHY, C, D, F . . THREE SIIAIIESTEANE SONGS. 3 I To JULIA (Six Lyrics) (5/6) SEVEN ELIZABETI-IAN Lvmcs (5/6) SONGE or Soimow (3/ Nowsmmrs THE Cnnisox FETAL, D, E0, F, G7 ..j JUNE, D. F KENNEDY RUSSELL Home IN THE FENCE, F, G, AV, As YQU use BY, B0, 0. D, EV .. Fon EVERY DAY, C, D, ED, F .. J. SARJEANT WAToImANI WHAT 014' Tim NIGHT? Duet, Tenor It Baritone, F :54: G BLow, IaI.ow, B, C, D .. WILFRID SANDERSON DREAM or PLYMOUTH HOE, D. EI7. F HANLEQUIN, A, B, 0 mi. . .. BE STILL, BLACIIDIIID, BI), C, D HoIIELANI> HILLS, C, DEAN LITTI.E TowN, F, G .- ,Ap:I Mr Top liss Green Compass 01 K 15$ ev. A to E GtmD CtoD CIsoE BD to El’ DtoE Cto B9 to Eb CI:oC CtoF I .. A? to D1‘) GtoC GtoE Dt-oD CtoF AtoD CtoEp AtoD DREAAI THAT I HEAR YoI'IBI7'to ED 1 HEAR ‘IOU CALLINI. G, A7. B7, C‘ D to E l1I1"~J0’17hV0C07'mHvl< Tun Pm... amw, D. Er. F, G? Ate D1: Inlisx ."hyiii- Lew WHENSH.kDi)‘\'S oATIIER.B9,G,D,EI B3‘ to E3‘ I317*-/"’mM6C0I'?""1Ck BV E00 G C C to to to DDWN THE VALE. C, ."‘,’*. E.‘.l“,G1 A to 0 B0 to 111,‘: At.oE Low and high voines D_to E C to D lllr. Santley C to E9 ‘ C to F AtoE Low, med. and hugii Low 6: high‘ Mr. G21'1'(lS¢ Elw/:5 Ditto. 1 Mr. Gerrase Elwe: Ditto: B to D B to D Miss Astra Demzand D to F BDIOD CtoD F1; toD AtoE At-0E G E F ‘ Mdme. Clara Butt , Sung by Hill Sopranos and I Contraltos Mr. Plilnket Greene All Voices Mr. A. Jordan Fllisa Astra Desmond I Miss Megan Foster Miss Margaret Cooper Mdme. Clara Butt Illiu Louine Dale Miss Louiae Dale Md-me. Clara Butt Mdme. Clara Butt Mr.Jahn .-Ilccormack Misc Carrie Tabb Mr. Harry Dearth I‘>1r.John II[c(.‘o:7aac/c Mr. Harry Dearlh Mr. Herbert Cave I ;M.—. J. MI:(‘arnw.ck ; .117‘. I!‘-'-I‘ FonI.¢.r All Voi- ex- All TI’)!-)'I'8 Mr. II,-or Foster Mame. Clara Butt Miss Phyllis Let! Jldrne. I_,‘I«vr/1, Burt Miss Louie-.' Pale Min Evan. Florence M-lax Carrie Tabb Mr. Edward Lloyd Mr. Arthur Jordan I 1I1r.Frartk II!1Illz‘ng.: I Mr. Arthur Jordan I lI1'r.FranIcMull1'.n_qs IM1‘. Arthur Jordan I Mr. John Coats: Illliss Phyllia Lett jMdmc. A. Grantley land Mr. P. Greene Miss Megan Foster Mr. Herbert Cave Miss Phyllis Lett Mr. Ben Davies It M1-.RoI:ert Itmt/"on! Mr. Robert Radford ‘Mr. Ivor Foster , Mr. Horace Stevens Miss Carrie Tabb Mr. Ivor Foster wnrmn snnnznson (C¢mld.) TIIE STAIIS HAVE Ems, } G, AD, Bl? 0 AN ANCIENT MARINEI1, BU, C . . WEDDING IN JUNE, F, G . C no F DON'T HURRY, D, E7, F .. B to Ft EASTER FLowIms__, A9, B0, DD . . B9 to Eb BREAK 0’ DAY, B9, 0, D ' . . C to F THE GLoIu' OF THE SEA, BI7, C,D F to E9 ONE MORNING vmmz EARLY, ’ F, G} B17 to E17 151; Rev C to E F to D CAPTAIN MAC, C, D .. .. G to E FRIEND 0’ MINE, F,G, A0, B), C By go 0 HILLE or DONEGAL, A, BI7, C. . A (,0 E UP mom SOMERSET, 37, C, D. A9 to C SPRING'S AWAKENING, _ _ B W F, o,An.A, B7] W0- Szm-MATES o’ MINE, F, G, A .. G 3,0 D BEYOND THE DAWN, B|7,C, Dp,E VALLEII or LAUGHTER, E17,F,G MY DEAR soI7L, A9, BI7. C UNTIL, D7,E[7.,F.G .. .. DRAKE GOES WEST, C, D, F . . THE VOYACERS, Duet, E57, F, G A CoNNIsII HAUL (5 songs) 5/6 . . COMPANY SERGEANT-MAJOR, 1 BI7,C. D I NIGHTINGALE or JUNE, D, E7, E DEVONSEIRE CREAM AND CIDER 0. D. ED} VVITEEII THE GREAT SIIII>s mm: } AI7, A, 130 THE LITTLE BROWN Own, C,D,E:! BREVILLE SMITH. RIDING THROUGH THE NIGIIT, D ARTHUR SOWIERVELL Sums from Tennyson’: “Maud "(7/-) W H. SQUIRE TIIE Din-:A.\I CAN ‘l'.‘, F, G, AD, B‘ W1!EN YOL com. ..mIIs, D,l‘2? F, G A W D IN AN OLD FASHIONED '.I.‘owN, A t D C, T). 157, F, G} , ° THE WATc_II:IA>:, C. D. I?" __ G to D IT 1 MIuuT Com; TC ‘ ‘ ' I C t C F. G, A.~,1>»:,c»' ° SEImE.\N'r or Tm-: LI.\'I‘., F, G, A A I40 C‘ MO1‘N IAIN L0\'L‘JI8. B9, C, E?,'l5‘ B9 50 J) Ixryuu wizmsIIEIuc,B;?,C,D:',R?.F Bl’ W U My PRAYHII. C, D, .l’.{‘, F. (1, A to C C. V. STANFORD DIIAIII~'.'s Dnum, O and D minor . Sorvos UF'I'!1E SEA ('4/-) . . . .. FAT':<I}~‘.R O’FI.I'NN. A7,BI7,C . .' All I0 E? T. W. STEPHENSON SEIYS THAT PAS> I.\ THE NILJ-I1‘ I Do, Eh I " B[7toEp GLOD BL‘ toD CIDG G to D Al) to Rt‘ B to E AtoE Cto D BL‘ toD D7 to D7 DEEP IN MY HEART, F, All’. By . ., C 30 D 139, F, G D to E‘: ARTHUR SULLIVAN oaT Cuoim, EI7,F, G,Ap. MY DEAREST HEART, F, G, A0, LET ME DIIEAII AGAIN, C, D, HOPE TEMPLE l I I I I I I1-‘ I CAN LIVE A 1,13, to Ev )3 to F E E THOUO11'I'S«.I£ TEAIKS, C,D0,El7, IN swEET I1IcI-TI~:MIIEII, .13. E7. G. V? C o E C12 to E My LAI>I’rs Bowme, AD to D AN oI.D GAEDEN, B to E E7, F, G, AD, B JQAN TREVALSA My TREASURE, F, G, A H. THOTERE MY OLD SIIAIIO, BI7, C, ED . . TI-In DEATIILEEE Ammz, A, 1317, DI FRED E w:ArH:nLv(m‘r-by)I DANNY BM‘, 0, D,EI7, A to}? MAUDE v. wan: , KINo CIIANI.Es. F,G .. ..I To MARI, F, G;A1), BI? ..1 R. V. WILLIAMS LINDEN LEA, F, G, A .. HAVDN WOOD BIRD or Low; DIVINE, AtoD Bl? RID Abel) CtoC CboD. CIIUD THE SEA ROAD, By, C, D .. A. WOODFORDE-FINDEN Foua INDIAN LovELvnIcs(4/-) } ON JIIELUM RIVER 6 SoNas FROM “JnE1.Im B0 !‘.oD Ditto. Ditto. Ditto. Ditto. (5/6; I ”(5[6) 5 LITTLE JAI=ANEsE SoNos(4/-) . .‘ A LOVER IN DALIAacos (5[-) . . TEE PAooDA or FLow1ms (7/6) . . O ELowEx or ALL THE womm, C t F c, DD, F} ° ‘ KAEIIIIIEI SoNo, B0, C, D . . TILLIWAIIE, EI7,F .. CIIDEV Compass of En, F, G. AI7l' 39 °° El’ Sung by I 1'17‘. Ivor Foster llllr. Harry Dearth I Jlliss Flora Il’uozl:nau, Miss Flora Woodman I|1r. Ivor Foster Miss Currie Tabb Miss Phyllis Lett Miss Flora Woodman Jllr. Harry Dearth Mr. Norman IVilliarns I/Iliss Lucy Nuttall 1 Miss Phyllis Lelt Mr. It-or Foster Illlirs Felice Lynn «I? lﬂlis.-I I". IVoo¢lmmI Mr,Normanlﬁlliamn Jliss Lucy Nutmll Illiss Carrie Tuba Mdme. Clara Ball‘ All Voices Mr. Ivor Foster Baritoms Ill)‘. Harry ,Dea.rtlz I Miss Carrie T‘lll}l/ E Jlr. Ivor Foster I Dliss P/W222. Lea l Miss 1"lm'a II'o0IlmaI: 1.7911‘. 7lm'1'y Dearth . I 1 Mr 1’lunI:r.' Greene llllas Lily Fatrney llliss l.ucg/ Nutzull Mr. [nor Faster Mr.NormanII’illiams Mr Ivar Foster" III)‘. Harry Dearth )I1r.Jo.’m ill.-(7armar.i: llliss Lily I ir-nay ‘Mama. 1: Run 1.0 Miss 1»n,.,!z.'..- 1,.~.-. All Barilorzcs Illr. l-’lurIkL't Greene Mr. .'~‘antIr,y llldme. Clara Bull Ellis: Lucy NIIII/Ill If" Bliss Pin/llir L»:-‘ Miss I’/ryllis I.z'tt .i' :‘|Iz'sv Lucy N-utr..n-’.i II1i.~s Lmgl Nutlalz’ , Illdme. Clara Butt Soprano: Mr. Ben Davies CO1ll7‘{ll(0.l, Mezzos (lontraltas, Mezzos Crmtralros, Ilfezzus lllllme. Clara. But! Mr. Charles Knowles All Itaiitnlnrs Miss Lucy Nuttall Mr. I’l:ml:ct Greene Mr. Ben Davie: Mr. John Coates Mus Felice Lyne Mr. Harry Dearth ' Low and thigh voices Bl) to D Mr. Ivar Fosler BOOSEY & C0,, 295, Regent Street, London, Music Publishers & Band Instrument Manufacturers. ,' Cllhe above Songs may be sung in public without fee or license. The public performance of any parodied versions, however. Is strictly prohibited.
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Title: King Robert of Sicily
Date: 1906
Text: . u,._-.1,“ ' H 1 J ‘ »' . “.g‘L_ ' W _,W ;-_:pnnx->..~..\!m2r_'.v.31rlV\A~-:- » ~ : ....,,..,,;.;...1:1~*"* *-"’ R OSSE TTER G. COLE OP. 22 king ikuhzrt of éitily For Recz'ta2‘z'o72” and Pimzoforte ‘ (or Pzkmoforte wit!) Organ) or Orcbeytm 3?? Poem from Longfellow’: “ Tale: qfa Way:1'de Inn” $$$$$3$? New York : G. Scbirmer R OSSE TTER G. COLE QR22 33$???$$33$??3$3$$$$$$?3$$$$$33$3-’€$$$$€33$$$$$ Sking 3Rnhtrt of éttily For Recz'tatz°07z...
Show more. u,._-.1,“ ' H 1 J ‘ »' . “.g‘L_ ' W _,W ;-_:pnnx->..~..\!m2r_'.v.31rlV\A~-:- » ~ : ....,,..,,;.;...1:1~*"* *-"’ R OSSE TTER G. COLE OP. 22 king ikuhzrt of éitily For Recz'ta2‘z'o72” and Pimzoforte ‘ (or Pzkmoforte wit!) Organ) or Orcbeytm 3?? Poem from Longfellow’: “ Tale: qfa Way:1'de Inn” $$$$$3$? New York : G. Scbirmer R OSSE TTER G. COLE QR22 33$???$$33$??3$3$$$$$$?3$$$$$33$3-’€$$$$€33$$$$$ Sking 3Rnhtrt of éttily For Recz'tatz°07z and Pzkmofarte (or Pzkmoforte wit!) Organ) or Orcbeytm 3?? Poemfrom Longﬂ//ow’: “ ‘Ta/ex ofa Wayszﬂe Inn” $$$$33$$$€$$3?$$$$?$$$$$$3$$$$$$$3¢33$$$$$$”-3?? % New rm .- G. Scéirmer PREFATORY NOTE In order t/zat t/ze unity cf t/ze musical and poetic t/zoug/zt may ée more per- fefily éroug/It out in t/2e interpretation, it is necessary t/zat certain mo- ments in t/ze muic and t/ze poetic text s/zould exactly coincide. W /zere t/zis is essential, t/ze éar—line ( | ) /zas aeen used to indicate it, as on page 8 mea- sure 9, page 9 measures 4. and I2, and elsew/zere. ‘T/ze oeginning and end ofeac/2 stanza, or smaller t/zoug/zt—group, are indicated éy t/ze position of t/ze words over t/zeir respective musical measures; t/zis s/zould oe oéserved, and wit/z due reyQ‘rence to t/ze indicated tempo of t/ze music. PI/it/zin 2‘/Iese larger groupings, /zowever, muc/z freedom of r/zetorical utterance is possiole wit/zout disturoing t/ze unity. T/ze r/zetorical pauses, at times, will necessarily ée somew/zat longer t/zan rw/zen t/ze poem is read -éy itself, t/ze music acting as interpreter rw/zen t/ze reader is silent. I W /zen not/z organ and piano are availaéle, t/ze ejreétiveness oft/ze music can ée greatly en/zanced oy playing some parts (as indicated in t/ze score) on t/ze organ. In a few places t/ze organ can éejudiciously used, wit/2 t/ze piano, to add orc/zestral coloring. R. G. C. KING ROBERT OF SICILY OBERT of Sicily, brother of Pope Urbane And Valrnond, Emperor of Allemaine, Apparelled in magniﬁcent attire, With retinue of many a knight and squire, On St. John’s eve, at Vespers, proudly sat And heard the priests chant the Magniﬁcat. And as he listened, o'er and o’er again Repeated, like a burden or refrain, He caught the words, “Deposuit potentes De sede, et exaltavit humiles.” And slowly lifting up his kingly head, He to a learned clerk beside him said, “What mean these words?” The clerk made answer meet, “He has put down the mighty from their seat, And has exalted them of low degree.” Thereat King Robert muttered scornfully, “’Tis well that such seditious words are sung Only by priests and in the Latin tongue; For unto priests and people be it known, There is no power can push me from my throne!” And leaning back, he yawned and fell asleep, Lulled by the chant monotonous and deep. When he awoke, it was already night; The church was empty, and there was no light, Save where the lamps, that glimmered few and faint, Lighted a little space before some saint. He started from his seat and gazed around, But saw no living thing and heard no sound. He groped towards the door, but it was locked; He cried aloud, and listened, and then knocked, And uttered awful threatenings and complaints, And imprecations upon men and saints. The sounds reechoed from the roof and walls As if dead priests were laughing in their stalls. At length the sexton, hearing from without The tumult of the knocking and the shout, And thinking thieves were in the house of prayer, Came with his lantern, asking, “Who is there?” Half choked with rage, King Robert ﬁercely said, q“Open: ’tis I, the King! Art thou afraid?” 18902. l: V ] The frightened sexton, muttering, with a curse, “This is some drunken Vagabond, or worse 1” Turned the great key and ﬂung the portal wide; A man rushed by him at a single stride, Haggard, half—naked, without hat or cloak, Who neither turned, nor looked at him, nor spoke, But leaped into the blackness of the night, And vanished like a spectre from his sight. Robert of Sicily, brother of Pope Urbane And Valmond, Emperor of Allemaine, Despoiled of his magniﬁcent attire, Bareheaded, breathless, and besprent with mire, With sense of wrong and outrage desperate, Strode on and thundered at the palace gate; Rushed through the courtyard, thrusting in his rage To right and left each seneschal and page, And hurried up the broad and sounding stair, His white face ghastly in the torches’ glare. From hall to hall he passed with breathless speed; Voices and cries he heard, but did not heed, Until at last he reached the banquet—roorn, Blazing with light, and breathing with perfume. There on the dais sat another king, Wearing his robes, his crown, his signet-ring, King Robert's selfin features, form and height, But all transﬁgured with angelic light! It was an Angel; and his presence there With a divine eﬂfulgence ﬁlled the air, An exaltation, piercing the disguise, Though none the hidden Angel recognize. A moment speechless, motionless, amazed, The throneless monarch on the Angel gazed, Who met his look of anger and surprise With the divine compassion of his eyes; Then said, “Who art thou? and why com’st thou here?” To which King Robert answered, with a sneer, “I am the King, and come to claim my own From an impostor, who usurps my throne!” And suddenly, at these audacious words, Up sprang the angry guests, and drew their swords; The Angel answered, with unruﬂled brow, “Nay, not the King, but the King’s Jester, thou 18902 |: Vi J Henceforth shalt wear the bells and scalloped cape, And for thy counsellor shalt lead an ape; Thou shalt obey my servants when they call, And wait upon my henchmen in the hall!” Deaf to King Robert’s threats and cries and prayers, They thrust him from the hall and down the stairs; A group of tittering pages ran before, And as they opened wide the folding—door, His heart failed, for he heard, with strange alarms, The boisterous laughter of the men—at-arms, And all the Vaulted chamber roar and ring With the mock plaudits of “ Long live the King!” Next morning, waking with the day’s ﬁrst beam, He said within himself, “It was a dream!” But the straw rustled as he turned his head, There were the cap and bells beside his bed, Around him rose the bare, discolored walls, Close by, the steeds were champing in their stalls, And in the corner, a revolting shape, Shivering and chattering sat the wretched ape. It was no dream; the world he loved so much Had turned to dust and ashes at his touch! Days came and went; and now returned again To Sicily the old Saturnian reign; Under the Angels governance benign The happy island danced with corn and wine, And deep within the mountain’s burning breast Enceladus, the giant, was at rest. Meanwhile King Robert yielded to his fate, Sullen and silent and disconsolate. Dressed in the motley garb thatjesters wear, With look bewildered and a vacant stare, Close shaven above the ears, as monks are shorn, By courtiers mocked, by pages laughed to scorn, His only friend, the ape, his only food What others left,——he still was unsubdued. And when the Angel met him on his way, And half in earnest, halfin jest, would say, Sternly, though tenderly, that he might feel The velvet scabbard held a sword of steel, “Art thou the King?" the passion of his woe A [8902 l: :l Burst from him in resistless overﬂow, And, lifting high his forehead, he would ﬂing in The haughty answer back, “I am, I am the King. Almost three years were ended; when there came Ambassadors of great repute and name From Valmond, Emperor ofAllemaine, Unto King Robert, saying that Pope Urbane By letter summoned them forthwith to come On Holy Thursday to his city of Rome. The Angel with great joy received his guests, And gave them presents of embroidered vests, And velvet mantles with rich ermine lined, And rings and jewels of the rarest kind. Then he departed with them o’er the sea Into the lovely land of Italy, Whose loveliness was more resplendent made By the mere passing of that Cavalcade, With plumes, and cloaks, and housings, and the stir Ofjewelled bridle and of golden spur. And 10! among the menials, in mock state, Upon a piebald steed, with shambling gait, His cloak of foxtails ﬂapping in the wind, The solemn ape demurely perched behind, King Robert rode, making huge merriment In all the country towns through which they went. The Pope received them with great pomp and blare Of bannered trumpets, on St. Peter's square, Giving his benediction and embrace, Fervent, and full of apostolic grace. While with congratulations and with prayers He entertained the Angel unawares, Robert, the Jester, bursting through the crowd, Into their presence rushed, and cried aloud, “I am the King! Look, and behold in me Robert, your brother, King of Sicily! This man, who wears my semblance to your eyes, Is an impostor in a king’s disguise. Do you not know me? does no voice within Answer my cry, and say we are akin?" The Pope in silence, but with troubled mien, Gazed at the Angel’s countenance serene; 1390,, I [ viii -I The Emperor, laughing, said, “It is strange sport To keep a madman for thy Fool at court!” And the poor, baﬂled Jester in disgrace Was hustled back among the populace. In solemn state the Holy Week went by, And Easter Sunday gleamed upon the sky; The presence of the Angel, with its light, Before the sun rose, made the city bright, And with new fervor filled the hearts of men, Who felt that Christ indeed had risen again. Even the Jester, on his bed of straw, With haggard eyes the unwonted splendor saw; He felt within a power unfelt before, And, kneeling humbly on his chamber—ﬂoor, He heard the rushing garments of the Lord Sweep through the silent air, ascending heavenward. And now the Visit ending, and once more Valmond returning to the Danube’s shore, Homeward the Angel journeyed, and again The land was made resplendent with his train, Flashing along the towns of Italy Unto Salerno,and from thence by sea. And when once more within Pa1ermo’s wall, And, seated on the throne in his great hall, He heard the Angelus from convent towers, As if the better world conversed with ours, He beckoned to King Robert to draw nigher, And with a gesture, bade the rest retire; And when they were alone, the Angel said, “Art thou the King?” Then, bowing down his head, King Robert crossed both hands upon his breast, And meekly answered him: “Thou knowest best! My sins as scarlet are; let me go hence, And in some cloister’s school of penitence, Across those stones, that pave the way to heaven, Walk barefoot, till my guilty soul be shriven!" The Angel smiled, and from his radiant face A holy light illumined all the place, And through the open window, loud and clear, They heard the monks chant in the chapel near, Above the stir and tumult of the street: “ He has put down the mighty from their seat, 18902 [ ix ] And has exalted them of low degree!” And through the chant a second melody Rose like the throbbing of a single string: “I am an Angel,-and thou art the King!” King Robert, who was standing near the throne, Lifted his eyes, and lol he was alone! But all apparelled as in days of old, With ermined mantleiand with cloth of gold; And when his courtiers came, they found him there, Kneeling upon the ﬂoor, absorbed in silent prayer. LON GFELLOW To Mr. David Bispham King Robert of Sicily From “Tales of a. Wayside Inn” Henry Wadsworth Longfellow Rossetter G, Cole, Op, 22 Largo (J : 50) 7?? — " Organ continues from here to foot of page 7. Orchestral parts are to be hantof the Publishers. 13902 c Copyright, 1.906‘, by G. Schirmer Robert of Sicily, brother of Pope Urbane And Valmond, Emperor of Allemaine, j Apparelled in magnificent attire, With retinue of many a knight and squire, On St.John’s eve, at Vespers, proudly sat And heard the priests chant the Magnificat. And as he listened, der and o’er again Repeated, Z’;-T - - 31 Q pooo mi‘. 5/\ :2 poor) Mt. “De - po - su—it po - ten-tes de se —de, et ex - like a burden or refrain He caught the words, calla coco And slowly lifting up his kingly 1' head, He to a learned clerk beside him said, “What mean these Words?” The clerk made answermeet, T" ‘l9 L; J “ The rhythmical notation of this chant (Tone VI) as here given is not to be followed literally, for of course the freedom of the chant does not admit of reduction to exact measure-forms. It is merely approximate — a suggestive guide to those who may not be familiar with the chant in its pure form. Should it be desired to read the words of the chant, rather than to 1s$(g)‘2them, the accompanist will omit the five measures following the chord marked f.\, holding this chord until the sixth measure. “He has down the mighty from their seat, And has exalted them of low degree.” 1' Thereat King Robert muttered scornfully,“’Tis Well that such seditious words are sung Only by priests andilntthe a in 1' &/ . tongue; For unto priests and people be it known, There is no power can push me from my 1' throne!” And leaning back,he yawned and fell asleep, Lulled by the chant monotonous and deep. When he awoke, it was already night; The church was empty, and there was no light, Save where the lamps, that glimmered few and faint, Lighted a little space before some saint. He_ started from his seat and gazed around, But saw no living thing and heard no sound. He groped toward the door, but it was locked; He cried aloud, and listened, and than knocked, Poco itato (L34) (Piano) 237 7 And uttered awful threatenings and complaints, And imprecations upon men and saints. 5 5 2 4 2 3 4 3 12 34951‘ 3:54 sounds reéchoed from the roof and Walls As if dead priests were laughing in their] stalls. At length the _Jr , sexton, hearing from without The tumult of the knocking and the "shout, And thinking /T m____/ thieves were in the house of ra , Came th his lantern, aski , “Who is there?” 9 Half choked with rage, King Robert fiercely said, “Open: ’ s I, the King! Art thou a—§ > Z\.> >>{-\.>_5 5 > , The frightened sexton, muttering, with a curse, “This is some drunken vagabond, or worse!” (J : 96) Turned the great key and flung the portal Wide; A man rushed by him at a single stride, Haggard, kjfj — _ half-naked, Without hat or cloak, Who neither turned, nor looked at him, nor spoke, But I ‘ggzb leaped into the blackness of the night, And vanished like a spectre from his Robert of Sicily, brother of Pope Urbane And Valmond,Emperor of Allemaine, Moderate (J : 80) . ref #1 Despoiled of his magnificent attire, Bareheaded, breathless, and besprent with pooo accel. ‘e mi \Vith sense of wrong and outrage desperate, Strode on and thundered at the palace gate; Rushed thro’ the courtyard, thrusting in his rage To right and left each seneschal and page, And hurried up the broad and sounding stair, His white face - > > J ghastly in the torches’ glare. From hall to hall he passed With breathless ' L§peed; Voices and cricg he heard,but did not heed, he reached the banquet- room, I Blazing /X /\ . V _ 2 Pea’. breathing with perfume. 2 Peal. *) The following ten measures (to +) can be effectively taken on the Organ (Swell), with soft 8-foot tone. 18902 There on the dais sat another king, Wearing his robes, his crown, his signet—ring, King R0bert’s Andante (J: 63) ~ e 5* MT self in features,form and height,But all transfigured with angelic light! It was an z"—\ ’ X A Angel; and his presence there With a divine effulgence filled the air, An exaltation, piercing the dis- /" 0:’ L Iguise, zrrf ? T Tho’ none the hidden Angel recognize. A moment speechless, motionless, amazed,The (+) throneless monarch on the Angel gazed, Who met his look of anger and surprise With the divine com- passion of his eyes; Then said, “Who art thou? and why com’st thou /5 To which King Robert answered,with a sneer, “I, I am the King, Allegro con fuoco (J: 432) f U and come to claim my own From an impostor,who usurps my throne!” And suddenly, at these auda- gous L2 3 words, Up sprang the angry guests, and drew their swords; > 3 .5.-ff molfo 7-it The Angel answ_ered,with unruffled brow, “Nay, not the King, but the King’s Jester, Andante (J : 72 14 thou Henceforth shalt wear the bells and scalloped cape, And for thy counsellor shalt lead an ape; Tholil It |§ a a_:_______..? obey my servants when they call, And wait upon my henchmen in the Deaf to King Allegro moderato(J=1os) P000 ma 1' I‘ f Robert’s threats and cries and prayers, They thrust him from the hall down the stairs;A group of animato (J : 120) tittering pages ran before, And as they opened Wide the folding-door, His heart /T X \ A — failed, for he heard, with strange alarms, The boisterous laughter of the men—at- . ' _ 3 ./ f arms, And all the vaulted chamber roar and ring With the mock plaudits of 3 3 . ' ff >>> >>> “ _ _ ” Next lmorning, waking with the day’s L°ng _ We the K1113! a little slower J :96 :b' first beam He said within himself, “It was a Idream!” But the straw rustled ashe / turned his head,There Were the cap and bells b his bed, Around him rose the bare, discolored Walls, Close by, the steeds were champing in their And in the corner, slower still (Hes) 7”!’ revolting shape, Shivering and chattering wretched ape. 12000 accel. 1/0000 rit. It was the World he loved so much Had turned Allegro agitato ( J = 160) to dust and ashes touch! Days came and went; Andante illo :72 and now returned again To Sicily the old Saturnian reign; Under the Angel’s governance benign The UH happy island danced With" corn and Wine, And deep Within the mountain’s burning 17 breast Enceladus, the was at rest. Meanwhile King Robert yielded to his fate, "37 Efﬁlf Sullen and silent and disconsolate. Dressed in the motley garb that jesters Wear, VVith U ’ 0re.s'c. 6 Mt. loo bewildered and a Vacant stare, Close shaven above the ears, as monks are shorn, By courtiers mocked, Allegro (£104) mfv by pages laughed to scorn, His only friend, the ape, his only food What 1 2 others left, he still was unsubdued. And when the Angel met him on his 1 . f way, And half in earnest, half in jest, would might feel The velvet Scabbard ti held a sword Burst agitate (J :42o) King?”the passion of his woe All from him f3 lifting high his forehead, > > > say, Sternly, tho tenderly, that he mf “A. rt Ad of steel, thou the resistless overflow, he would fling The haughty answer back, In strict tempo Almost three years were ended; when there came Ambassadors of great repute and name From Valmond, Emperor of Allemaine, Unto King Robert, saying that Pope Urbane By letter summoned them forthwith to come On Holy Thursday to his city of Rome. The Angel with great joy received his guests, And gave them presents of embroidered vests, And velvet mantles with rich ermine lined, And rings and jewels of the rarest kind. Then he departed with them o’er the sea Into the lovely land of Italy, Whose loveliness was more resplendent made By the mere passing of that cavalcade, With plumes, and cloaks, and housings, and the stir Of jewelled bridle and of golden spur. And 10! among the menials, in mock state, Upon a piebald steed, with shambling gait, His cloak of foxtails flapping in the Wind, The solemn ape demurely perched behind, King Robert rode, making huge merriment In all the country towns through which they went. The Pope received them with great pomp and blare Of bannered trumpets, on St. Peter’s square, Allegro con moto (Jule) mp non legato Giving his benediction and embrace, Fervent, and full of apostolic grace. 1' T with congratulations and With prayers He entertained the Robert, the Jester, V bursting through the crowd, Into their presence rushed, and cried aloud, “I am the King! Look and /‘\ mf behold in me our brother, King of Sicily! This man,who wears my semblance to your eyes,- 1/0000 mt. Is an impostor in a kings disguise. Do you not know me? d > Largo (J:5o) - 12 does no voice Within Answer my cry, and 21 The Pope in silence, but with troubled mien, Gazed at the Ange1’s countenance serene;The Emper0r,laughing, 4 53771170 ' Allegretto (J:96) 3’-” “It is strange sport To keep a madman for thy Fool at court!” And the poor, baffled Jester . ' disgrace hustled back arm the In solemn state the Holy Week went by, And Easter Sunday gleamed upon the sky; The Adagio _ P. presence of the Angel, with its light, the sun rose made the city ._;.£= §'_._,/ And with‘ new fervor filled the hearts of men Who felt that V 1’ Christ indeed had ‘risen again. the Jester, on his bed of F straw, With haggard eyes the unwonted lendor s He felt within a power un- 7 F felt before, And,,kneeling humbly on his chamber - floor, He heard the 23 rushing garments of the Lord Sweep through the silent air, ascending heavenward. 3 4 6’ 1 2 And now the visit ending, and once more Valmond returning to the Danube’s shore,HomeWardthe Maestoso (J = 34) _ .. —_- T T .- . , .-. u my Angel journeyed, and again The land Was made resplendent with his train, Flashing along the towns of Italy Unto Salerno, and from thence by sea. V And When once more Within Palermols Wall, And seated on the throne in his great hall, He heard the Z5 . 0 Slower (Organ) 1’ (as if in the distance) Angelus from convent towers, As if the better world conversed with ours, He beckoned to King Robert to draw nigher, And with a gesture,ba;e/the rest retire, And when they were alone, the Angel said, “Art thou the l King?” Then, f3 (Piano) bowing down his head, King Robert crossed both hands upon his breast And answered him: Ad io (J = 60) “Thou knowest best! My sins as scarlet are, let me go hence, And in some 25 cl0ister’s school of penitence, Across those stones, that pave the way to heaven, Walk bare - foot, till my guilty soul be shriven!” %____é_Z The Angel smiled, and from his radiant face A holy light illumined all the T I_,____,...:-__ place, And throu the n Window, loud and clear, They heard the monks chant in the chapel near, Above the stir and tumult of the street: “‘ “He has put down the might..y from their seat,.,_ And has ex- alt — ed calla voce & #_____’/’// And thro’ the chant a second melody them of low__ de — gree!” {T Z‘''\ mi’/2 iRose like the throbbing of a single string: 2% and thou art the King!”»_ K.mg_R0be who was standing near the v* To be freely intoned, though preserving the general measure outlines as indicated. If this and the following (“I am an Angel”, etc.) are spoken, not sung, the measures marked A and B respectively may be omitted, if necessary. 18902 - 2'7 throne, Lifted his eyes, and lo! he was alone! But all apparelled as in days of /\ ll 1’ \~————/ 1' T old, With ermined mantle and with cloth of gold; And when his courtiers came, _ they found him there, Kneeling upon the floor, absorbed in silent prayer. ::_.'-=>— 1; sotto vooe
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Title: Rainy Day, The, The Rainy Day
Date: n.d.
Text: I: \? @R.9. E \u 6FE%.:\IE‘@\,\r\ovf)Q/ —\r *~r'\.v-‘K/"\.l-—“\I'/‘\.r~ COPYRIGHTED I884 BY W. F38 HAW. SONGS. FCELEBRATED ALWAYS . . . . Lexlie 30 I WONDER WHY , , , Gm-,,,,u; STAR SPANGLED BANNER . ALWAYS ALONE . . Henriette 30 JAGK’S MESSAGE . . . jade SWEETHEART . . . . Ba[fe ALWAYS TRUE . . . Parker 30 KJLLARNEY , _ , _ Bag, THE BROKEN PITCHER . . Pontet ARROW AND THE SONG . ~. KINGDOM BLEST _ _’ _ Dz}; THE. IVORY GATE . . . Dz’:/E AS THE SUN GOES DOWN KISS ME TO SLEEP,...
Show moreI: \? @R.9. E \u 6FE%.:\IE‘@\,\r\ovf)Q/ —\r *~r'\.v-‘K/"\.l-—“\I'/‘\.r~ COPYRIGHTED I884 BY W. F38 HAW. SONGS. FCELEBRATED ALWAYS . . . . Lexlie 30 I WONDER WHY , , , Gm-,,,,u; STAR SPANGLED BANNER . ALWAYS ALONE . . Henriette 30 JAGK’S MESSAGE . . . jade SWEETHEART . . . . Ba[fe ALWAYS TRUE . . . Parker 30 KJLLARNEY , _ , _ Bag, THE BROKEN PITCHER . . Pontet ARROW AND THE SONG . ~. KINGDOM BLEST _ _’ _ Dz}; THE. IVORY GATE . . . Dz’:/E AS THE SUN GOES DOWN KISS ME TO SLEEP, MOTHER 1;-m,,g,',¢ THE LAST MILESTONE . . Pmztez‘ AT NOONT]])E . . . . 30 LIGHTHOUSE _ , _ Cram]; TBERESAPATH BYTHERIVER Loder 40 AUTUMN . . . Kz_r1g Hall 30 LOVE LIVES FOR AYE _ S‘-[lira THREE FISHERS . . . . Cruz}/Esltank 35 . . . MAN _ _ _ _Ru_H-£1] . ﬁrmfr . MAN 0’ WAR/S MAN . Giéxanc - " - - - » $771.0” IRD AND LUTE MERRY MAY _ _ _ L5,],-ev ’TIS HARD TO GIVE THE HAND, CHALLENGE (THE) . NAMES UPON THE SNOW Gaodwe E’1‘0- - - R. . . G/om C(EUR DE LION . ‘ MENELLA1 HOW I LOVE YOU 3,,,g,-,, TIT FOR TAT . . . . Pzmtet CRADLE SONG . . * OH; OHIOE NOT My HEART W,,;g;,;,,,, TOGETHER . . zllora DOUBTING LOVE . OH; HUSH THEE’ My BABY Hofman TWO BY TWO . . Fern‘ FACE IN THE CROWD ~ ONE GENTLE VOIOE , _ Bongm VANITY . . . . [fall I§l¥SRl;.‘Y MAID (THE) . Smart LADY _ Be;,,.,,m: ( ) . ~ . M02? RAD - Mm ..;BAINY 11)4;LO,YWM-«-z» . Reiclzardt - - Kmlght I MEAN TO WAIT FOR JACK . Dick g1ggIE““ ‘ , _ Rey . . Smith I'M WEARING AWA’, JEAN . Bislzop sM[LEg AND TEARS _ . W,.,g_;,,o,, WOODMAN (THE). . . S/rattan INSUFFICIENCY . . Stamer SOMETHING, TO LOVE ME , H,-,,,e YES, . . . . . Wakeﬁeld IN THE DAWNING . Halstram SONG OF HYBEIAETHEORETAN Egg,-0;; YOU OUGHT TO KNOW BETTER Solomon D303 ©© gﬁgﬁéﬁggéég nusnc uaunv VASSAR COLLEGE N7! 3.3 II; 'l”_R-fa ~. THE DAY IS 001.1) AND DARK AND DHEARY. Woxns ‘BY LONG FELLOW. M11310 BY CARL I{1<lICH-\]'H)’1‘, PIANO. 0 stacc. . o . . dark and drea.-ry-7 rams, and the wmd ‘ ne - ver Wea-ry; vine still clings to the m0uld’ring wall, But at ev’—1'y gust; -the {- n dead leaves fail, And the any is dark and is dark and . mm )0. coliu Voce. 1 life_ is cold and dark and drea-ry; It 1'ai11s,aud the wind is still, sad heart! And cease re — pi -ning, I10-hind the cloud is the » . * nev — er we-.1-ry; My thoughts still cling to the mould’ring Past, But the sun still bshfvning-7 Thy fate is’ the C0111-n10n _ lot» of all, In - » hopes of youth fall ‘thick 11 the blast, And the days are dark and -to each - life some rain must fall, Some days must be dark and — — ry And the days are dark -. _ -— ry, S0111e days must be dahk /'\ colla voce. 7' at tempt) -—-—----—- I ,_v‘v.v .. _::‘__..- ___ v.r.v. ,: xv '4 E vunv. é7l~PA'A NAT 0NAL SCHOOL F08 THE PANO-FORTE. -m-saa»:BY W. F. 'SUDDS.I§§ses~ for those who are compelled to become lowing points: 1 . detail. average works. base, subjects all-important, Methods. church organist, when necessary; this, WHAT NEW ENGLAND SAYS: Tnos. P. I. MAGOUN Bath,’ Me. The “National ﬁchool ’ is From what I knew of our wor department “Anthem ems ” I had reason to 2.. 1°“ ““‘° ‘“.’.‘i’.‘§.‘§.“.i’.‘.§."°f’i=i.i‘.i’é’..’1.“.‘.’.1.?§‘.’.2°.*. one are mor . features and such masterly treatment of the whole subject, that I can only say—It is Just what we teachers, and our pupils, need. No insgruction book hthat I am aeiqugiiamd w}iltl‘i; em races so mac or so ceary e nesw a they do embrace. l hope it may meet the suc- cess it merits. JULIUS fnrcmanne (Boston Conser- vatory of Music), Boston, ass. ﬁnd “ National School” a useful and well-planned work, well adapted for its purpose and a. welcome addition to the many excellent methods that have been published here and in Europe. I wish you all success. The Pilot, Boston, Mass. An exhaustive and valuable book. S. Susan, New Haven, Conn. Our teachers consider “National School” the best of all piano schools published in the United States. 0. H. KIKBALL Manchester, N. II. The publishers do not claim eno h for “ National School ” It meets a deman never so thoroughly supplied before. F. A. Fownn New Haven, Conn. I consider hat “National School” has no rival among American publications. A. S. BBLDING. Fitehburg, Mass. : I can confidently recommend “National School" to all who wish for an instruction boo; complete in all the details of piano-forte pla ng. ‘ DR. LOUIS MAA8, Boston or a careful survey of School,’’_ I am very glad». 5 I think it one of the; , that description I; ,‘._ _been brought under my noticegqiv t is simple, compre- hensiveand y,_ exhaustive-containing everythingthat can be sou lit for in any- thing of, its kind. I_ s be lid to recommend and use it as far as it is in mypower. .9) ‘ VWEAT THE MIDDLE STATES SAY: Albany (N. Y.) Marni E.-rprus. Destined to have a arge sale. MORGAN at Hsirsoan, Middletown, N Y. ' Our teachers are well pleased with “Na- tional School." Phila. (Pa.) Chronicle-Herald. An admirable and exhaustive work. htly named. in another Mass. in etional t It is desi ed,» not only for those who desire to become professional pianists, but a so for those who aim to become accomplished amateurs, while self-taught players, it will be found the . most valuable and ever published. ' We would callattention brieﬂy to the fol- It teaches the ﬁrst principles of music, partly by. means of musical writing lessons,‘ to be ﬁlled out by the pupil, affording a much clearer and easier way of overcoming ﬁrst diﬂiculties than other works of the kind contain. 2. The exercises are more carefully graded, introducing the pupil to but one new feature at a time, while in each case the necessa , explanations, which are usually left for the teacher to give orally, are, as far a possible, written in 3. The art of ﬁngering, touch, accent, etc., is more fully treated than in 4. It contains full and conflete instructions in Harmony and Thorough- an yet scarcely hinted at in other Piano-forte 5. It instructs the-student in the principles of vocal accompaniment, including playing from a_ vocal score, thereby preparing him to be an eﬁicien — too, is peculiar to the work. V Hdrricbur (Pa.) Independent. Conta as more than double the amount of musical information found in any other book of the kind. G30. I-‘. Btsnor, Philadel hia, Pa. I ﬁnd “National Sc col" an excellent work. As a book for teachers of the piano- forte, I can strongly recommend it. Hnimv Rosanna, Easton, Pa. I have been very partial to Richardson s justly po ular method, but he ed some time to see a me od more complete u some respects _and with clearer e lanations to scholars of many usali detai s. I ﬁnd that “National Sehoo ” has a I the merits of Richardson's, with the {ollcwin additional ones, viz.: Entertain— ing and ins ructive duets; remarks upon the proper use of the edals; clears lanation of he various embel ishments; lates studies of modern masters, Heller, Kohler, Liszt, and others; the exercises upon accent and remarks u on vocal accom animent - the excellent mu- sical and biograp ical dictionary, and, by no means the least important, the ﬁne treatise on harmony with its numerous examples. Jss N. Bncx, Philadelphia Pa. . The “ National School ” has been examined at length. Itgives me leasure to endorse its completeness and the c eamess wherewith all the rudimentary points have been therein set forth, as well as the judgmept displayed in the retention of the va us udies etc. I ve nothing but praise furthermore, for the writing lessons the several dictionaries, and the sh but satisfying treatise on harmony. A. H. E-rrrnena, Allentown, Pa. “ National School ” is a very thorough and minute work. It certainly contains everything that can be desired by teacher or pupil. ADAII GIIBBL, Philadelphia Pa. In eve way I ﬁnd ‘ National School ” the most pract cal work for that king or instru- ments—thb piano—that has ever been brought notice, and I feel that I can so conﬁ- and without p sumption, that t is not onl a thorough instruc r, but also an encyclo- .ae la, which I can recommend most heartily o the profession. A. H. Ross.'wio,.Philadelphia, Pa. ' I have thoroughly examined " National School,” and have no hesitation in ronouncing it one of the best and most thorou instructors . I have seen. Mr. Sudds embod es many new and originalideas in his work, which cannot fail to prove of greatvalue. I Inc. B. Swaimv, Chester a P . '_Ithink “ National School " a grand success in every way. . Jno. P. Douonimrv, Chester, P . . “ National School " is certai ly the best piano instructor ever published in this count . G. W. Suns-irmau, Akron N. Y. consider “ National §chool " worth double that of any piano school I have ever seen. and proper performance of eac . pronunciation of names and musical The following are selected thorn ‘hundreds of ‘testimonials fully endorsing the . W. GILCHRIST, Philadelphia, Pa. “National School’ is a most excel- lent and progressive work for the piano student, and I am pleased to have the opportunity of expressing my approval 0 its many good points. Mssusﬁaﬂlvl. {WsAall.iN'E?;Y§ahllB.d0l hiia,bl;'a. kji a one 00 an in ra e'wor having the different ggsdes of stud well sys: temat sod and suﬂlcient yvaried, wi out being too voluminous. Louis BEBGII, New-York. , I have carefully examined “National School,” and ﬁnd it a ve thorough work, superior to any method publ shed. Aims Bans Fosn, Biaiisville Pa. “National School” is an admirable It will give me pleasure to recommend it DUDLEY BUCK, Brooklyn, N. Y.‘ I have examined “National School ” and am lad to say that I think you have compile a good work. covering all essen- tial points of piano-playing, and which, roperly ma _ use good plafyers. trust that you will be rewarded or the labor and pains you have evidently taken. Music and Drama, New York. “National school” will prove an exceed- ingly useiul work, containing, as it does, a vast amount of information in a condoned form; and most of the studies and pieces are such as will rove useful to thzftudent in forming the han and acquiring “ ucli." work. was-r rm: sournsaiv‘ snrss BAY: Wu. H. Snun, Wheel W. Va. I consider "National hool" the best and most comprehensive I have ever had for sale. Wheeli (W. Va. Re‘g(uer. ' Av uabloboo of nstruction and referen . S. 8. Don»! Washington, D. C. I think “’National School " 9. vs complete work. It contains all the great re u sites ofan instructor-—thorcughness, pro ess on-, compre- hensiveness in a word comp eteneu; leaving the pupil with nothing to be desired. WHAT THE WESTERN STATES SAY: ‘ J. B. Osxsaox Indianapolis’, Ind. I think "National Sc ool ‘ suppliesalong- felt want. All teachers pronounce i am class. Sacramento Cal.) Doll‘ Record Union. This boo is all the is claimed for it. ‘ Chicago (lll.) Intevwocecn. A valuable book of instruction and reference. SEE FULL LIST OF TESTIMONIALS. » ancient and modern musicians and compose .. 6. It is the only piano school which treats, at any length, on the proper use of the so-called, and much-abused, “load pedal.” the work is of priceless value to the young student. 7., We ﬁnd among its contents, the subject of musical form, phrasing, etc., made plain and interesting to the pupil. 8. ~—Aside from more than -the usual amount of so-called technical matter, there is interspersed a. valuable repertoire of piano music, selected from the works of Schubert, Mendelssohn, Mozart, Bach, Beethoven, Rubinstein, Morzkowski and others, with Explanatory notes concerning the peculiarities On this subject alone, 9. And last but not least, is included a dictionary of music, with proper terms, with biographies of prominent . . That the “National School” opens to the student the shortest and best possible road to proﬁciency, is beyond a. doubt, ‘especially when we consider the well-known ability and recognized talent of the editor, as evinced in former works. And after a glance at the foregoi , that this book contains nwro tha/n (toggle the information found in any other work of the kind. it is almost supei-ﬁuous to say amount of m above claims : R. A. Kmzin, Knoxville, Ill. I am hi hi pleased with’ “National School.” I t in ‘ it one of the most com late works on piano teehnics that I have use . I shall adopt it with my pupils. B. J. Vorrrannu. Cleveland, 0. Your “National School " I ﬁnd to be a Vmost excellent work. It has so many advan— tages over everyniethod of the kind, that it cannot fail to take the lead. A. L. BANCROPI‘ as 00., San Francisco, Oal. “ National School" is a ﬁne work. I. G. Looms, La Crosse Wis. “ National School ” is certainly a very ﬁne xork, and pronounced so by all who have seen Hannunr sac Lapeer, Mich. _ e use of ‘ National School ” should be mter-national, for it has more features of merit than any other similar work. Its illustrations and explanations are a great assistance to the teacher and its nianyeother good things are all appreciated. I! is 2 best. Mas. M. W. Krnsnv, Plymouth, Ind. I have examined your “ National school," and pronounce it an excellent work. G. W. WARREN Evansville, Ind. " National §chool ” is, thout doubt, one of the most common-sense instructors. I wish you the success the merits ofthe book deserve. WILL L. Tnoirreoiv, the popular song writer, EastiLiverpool, Ohio. ry much pleased with “National I am ve ‘ Schoo .” It shows careful work of a thorough musician. I believe it will become a standard. J. I-I. Lnsain, Fa ette Ohio “ National Sc ool ’' is the best book of its > class I have ever examined-best for beginners, best for intermediate host for advanced pu ils. It is an instruction k, an enc clopasd a, a history and biography combine in one. It has no superior and is the work of a masterly musician. Our pianist, Mrs. Perry, agrees with me. o. J. WHITNEY Do it, Mich. Sudds’ “Piano ethod” is the best work of the kind we ever saw and it will certainly become popular. CANADA'S VERDICT. Gun. MARTINB, Toronto, Ontario. I can truly say that I see much to admire in our “ atioual School.” I think it the be school of its klndy and it will certainly have a ve large sale amongst the more rom— gitgia teac ers in Canada and the nited B. ' London _(0nt. Catholic Record. It will be ound the most valuable aid ever published. PRICE,.HANDSOMELY BOUND IN HALF CLOTH, $3.25. vat v.v.v.v.v w. I». xv.-.-.~.t.-I.‘ mcoumunu nus n£si—THE KING UF VPIMIU |N8TBUlIT0|lS_—£Nnons£nnv mess mo PROFESSION. VAVAI. - AVAVA .. _——.- -- 2 : ——¢
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Title: Songs of the Hutchinson Family, The, The Songs of the Hutchinson Family
Date: 1843
Text: .1 v’-.~‘“'"" T ‘I ‘fl -J,QAv_\3 fjww)/y I7‘, . « V: v '61-" .,./,/mm, 17,‘ 5Wﬂu.7,,LJ)V:/fl «”/7/‘.171/arr? /(7 ,/,,f _,'.v ‘.r,»m Cami v”/V“ LITH. BF 0. 3: W. ENEHCOTT (IL .1. Got where we vvere 1001?-11. _ , , . . Go 0 all the D out 01", or ATLti- Cu.]0mT(:*T _ 25 uett, 3. EXCG]_Si()1". . Cape AILIL. ., - 2-5 ” 5. ”M9l:hLn:’s Bjllle . S01d1'e1:‘sFu11e1~a] . ' v 50 Q7. V0 3119;: Song” at 89 a . , . 'VuJ_tu]:'e of the A]']’LS....
Show more.1 v’-.~‘“'"" T ‘I ‘fl -J,QAv_\3 fjww)/y I7‘, . « V: v '61-" .,./,/mm, 17,‘ 5Wﬂu.7,,LJ)V:/fl «”/7/‘.171/arr? /(7 ,/,,f _,'.v ‘.r,»m Cami v”/V“ LITH. BF 0. 3: W. ENEHCOTT (IL .1. Got where we vvere 1001?-11. _ , , . . Go 0 all the D out 01", or ATLti- Cu.]0mT(:*T _ 25 uett, 3. EXCG]_Si()1". . Cape AILIL. ., - 2-5 ” 5. ”M9l:hLn:’s Bjllle . S01d1'e1:‘sFu11e1~a] . ' v 50 Q7. V0 3119;: Song” at 89 a . , . 'VuJ_tu]:'e of the A]']’LS. 9. Axes to (‘i1?in a,. O 10.VVc1*e a, cuttixlg. 1],. We are }La,]qLy and ﬂee. ' x‘ 13 Om,‘ Ft1,1:'lt1.e,I*“s He arﬂx. NEW YORK PUBLISHED aw rmrn aunu. Il‘?l,FR/ANKLIN 30,. & FlRTH.l-{ALLEN-‘ONO 239 BROADWAY. MUSIC LIBRARY «Mn --~ Lea: ~ WORDS BY ﬂ£HBY*WgmDHu”ElLOW. .1///M)‘ /,}'//1/I/IJ.'(’// A" ._97//’/{/ ///4' \\W\ G‘r\\Wi‘: G“ E Mk\\.‘4 . 77/z'._v /’m://z /2'/I/'2'.s‘¢’/1/.8‘ ////’ (w///mz/.m/ z/.3‘/II‘/"/I/1'///'/.,9 1'/N/.14,“/Zl-ltd". //._,v .//r»//N“/1:11'U/.?I'0/%ﬂ5'li// /ll;//11'/yllvrz MW?’ 1/: ,///7 ///7/.'/I/'11’/7 /H/1‘////4". 7)/.s*/73/1/1/2‘/1'//g7 ////: /*/'2/4/m’//_r aw//2')/‘/‘S’ 1'7” //'/}3, //I/’ /7//arc’///1////.r /7 low’, I//I/I’ //Iv I/’/‘I/"/II‘/’/4/’/.5‘ 1’:/"431/W/~/'1"/7('./', 2/ /.»/-w.s;w<s- /I'wm/v/ /2/7 //3* 45',/rl/'/1'//K1’ /?/l///. /:'v_/'// in zﬂw/// [Z ///'/(’/r.(' //I.s'/ //.5’ z/Him, mzzl «[7 Ir’/J‘1‘/"1"//"['//I, //71' /1/A/" /I/‘mi////'/I/.9 //I1’ /Ir/g(//"cw /:/"//n'.5‘4»//,/ /'/I/ (7, //[/7/'11’/“ J/7/2/"/’z'._, V ' Mw ‘( cmvx. /}//2,//y/Izﬂ ﬁr» /'/'/‘//7 A-’/////[ /7."/";'//7/1'///1 J}/.,l »Fl RTH HA LL& POND 2.?‘/,/J’/W11/Imp‘, Y‘A.NO TE shadés of night were fall_ing fast, vil_lage pass'§1,A ALTO. ' V __/ shades of vil_ ..lage pass’d, A ENORE. shades of fall- ing fast, Vil--lage pass’d, A BASS. shades of ' fast, Vi]- _lage pass”d, A Enter’d according: to Act of Con gress A .D .l843,by Firth &Hall in the Cler]:s”Ofﬁce of the Diétrict Court of the South’-1 Dist of New York - ’ .349 who bm-e7m,irl snow amhitte banner with the strange de-vi‘ce, Ex- celsior. K3 1 I x who bore hnid sud ice, the strange (10. V (‘ea ct-lsior.: y ‘ s l ‘ who bore ’n1i<[ snow the strange dc- Vice, z-vlsior. 7 who bore ’n1i<l the strange de - vice. Ex _ (-elsior. Q 13*- be - neath Flash?! like a falt-hinn be- neath Flash’d like a falohion he - F‘lash’d like a f‘a.l(‘|1ihn he _ Heath VI-‘lash’d like ,a falchion Excelsior. sheath, A/11:1 like sheath, And like like sheath, And sheath, And like _ (:1-.lsi0r. _ celsior. _ (-elsior. - celsior. Excelsior‘. ' clarion rung,Th‘e sil_ver clarion rung, The .sil_ver .0 arion rung, The clarion rung, The happy llmnes hé homes he’ saw the saw the homes he homes he saw the ace ents » accents accents accents saw the light household ‘ fires, gleam -0- household household household‘ of that IHlkn0\\Tl t<mgue,Ex— f-\ b)‘ tongue, Ex /3 un - kn tongue,‘ Ex- un - known tongue Ex- /3. 2 1 Wu rm and \ I . \ fires, glozml warm and fires, gleam warm and gleam warm and bright; A _ hove the» spectral glaLii(%rs sl1one,And from his lips _/ . . bright; A- _bove the spectral shone, And from his ~ . “ groan, Ex- bright; A- - bove the spectral g1a-liers shone,_ And from his l /-W bright; A- _bbve the spectral glen- ziers shone, And from his _ celsi0rl.7 Try not to T « M old man said, Dark lowersthe tem- pest U ._(*él\~'io1'~ 'I‘ry not to ‘ - old man Dark lowers the ten1_ pest -ce'l~sior‘.' Try not to » old man Dark lowers the tem— pest — cé]'sior’.’ Try not to Dayk lowers the Excelsior. Excelsior. head,The roaring torrent is head, The roaring torrent is head, The roaring torrent is head, The roaring torrent is 5 Oh stay, the maiden said, and rest Thy weary head upon this breast; A tear stood in his briz:;ht. blue eye, ‘ But still he answer-’d with a si;°l1"Exeelsior'f 6 . Beware the pine trees wither’d branch, Beware the awful avalanche.’ This was the peasantslast good night; A voice replied far up the l1ei:.>;ht,r'Ex.(-olsiorl’ deep and wide,lAnd loud that deep and wide, And loud that deep and wide: And loud that deep and wide, And loud that . . . “ l . 3' clarion voice re_pl1ed,Ex-cels1or. _ /3 ' ' “ . 77 voice re plied, Ex celslor. /A clarion _ _ f; ’ 19 voice re- plied, Ex .. celsmr. /3 clarion .4 ,, J is 3‘ clarion voice re- plied, Ex _ celsima /3 7 At break of day as heavenward, The pious monks of St.Bernard Uttei-‘d the oft repeated prayer, A voice (,'.l'i(‘.d thro’ the startled air-‘,LExcel<ioi.:’ at 8 A traveller by the faithful hound, Half buried in the snow was found, Still grasping in his hand of ice That banner with the strange devi<~eEx(~elsior: There in the twilight,cold and gray, Lifeless, but beautiful he lay.’ And from the sky serene and Far. A voice fell like a falling star“Excels«ior.” 349 *,Sun;,r as the 15tVers'~e.
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Title: Excelsior:
Description
Date: n.d.
Text: New EDITION wm+T0NIc SOL-FA. ¢Vr, //ix‘ 7. de Oamillis. .1 I _..~.m4__. , \ T Ex:c:ELs>>M@ ¢ k THE POETRY BY J LeI2,gf7eHeW, The Music Composed and Dedicated to THE RIGHT HoNB.'—.E The Earl OF Westmoreland, ‘V. ﬁe U55/i2aw¢'@”3. London, W. PAxToN.95,NEw OXFORD 3TREET.W.C. Aerovms Musxc DE1PT.. V 7. de Oamillisa EXCELSIOR. Duet. Words by LONGFELLOVV Music by M. VV. BALFE. _ ‘ 13t'V0ice. Mohomoderata , Keylt F1ai.II : .m :m .m I In :——.I :5 .l I V0 ICE S. The shades of...
Show moreNew EDITION wm+T0NIc SOL-FA. ¢Vr, //ix‘ 7. de Oamillis. .1 I _..~.m4__. , \ T Ex:c:ELs>>M@ ¢ k THE POETRY BY J LeI2,gf7eHeW, The Music Composed and Dedicated to THE RIGHT HoNB.'—.E The Earl OF Westmoreland, ‘V. ﬁe U55/i2aw¢'@”3. London, W. PAxToN.95,NEw OXFORD 3TREET.W.C. Aerovms Musxc DE1PT.. V 7. de Oamillisa EXCELSIOR. Duet. Words by LONGFELLOVV Music by M. VV. BALFE. _ ‘ 13t'V0ice. Mohomoderata , Keylt F1ai.II : .m :m .m I In :——.I :5 .l I V0 ICE S. The shades of night were fa]]_ing‘ I :— :1n If .,m :f .,m :1 .,m Im : : . zba . fast, As thro’ an Al _pine vi]-]age VpaIss’d A youth, who bore ’mid snow and ice 5 I C. Both voices. W voice. IId' :—.t. :r'.d I t .,l :s: I s :5 :s I l:—:—Il :s : .‘ : .s :S . . 44- . H . ~, - . ban _ nerwlth the st range de..V1ce, Ex. (:61 _ s1 _ or!” Ex - eel _ s1 _ .. 7 H18 brow was I#\__/ I Ilsm : .1 ;se.l I d':- tn: I f.,m :f .,m :1 .,mIl zs : .s:fe.s :t .1 I 1 .s :' :InI sad eye be_neu-Lh, Flash}! like a faIch-ion from its sheath, And like an sil_ver cl-a1-_ion rung, The 7 inarcatof C. Both V'0]‘(7(-ES. S . m :—.s :f .r Im.,r zd : I“ :s .s cents of that unknown tongue, “Ex _ eel _ si homes Id .s ::m gla_ciers shone, \ / Excelsior. 1203*‘ he saw the light Of .111 Ir ~—— .s zfe .d' It .,l :s f1-o\1n{... his lips es _ cap’d a-g'roan, And .d' I d‘ “ Try not the pass,” The household fires gleam Warm and bright, Above the spectral II t :d' :r' m':-:d' I m':—:r' I eel _ si _ s:—:f _ or!”“Ex _ I se:—:l I “Ex_cel_si I »s :1 :t 46 ‘ 37 “_ . Ex_cel-s1 _ or! Ex _ eel - s1 _ .d' :d' .d' I Dark low’:-s the roar _ ing tor- rent is deep and II m':m'I:m' m':—:f' I _m : Mien. _ K “Ex_cel_s1 - or!” ‘Ex _ eel Ild : .d' :d' .d' I d' :—~.t :r' .d' I s : - Im:m:1n I m:—:f I s :——. Wide. ‘And loud that cla I. rion voice re -.plied, “Ex_cel_si - or!”“Ex - cel _ ff I col canto. I Eb1S.tVoice. T :I tats :s .s I s :—.m :r .d Id :— zm I1 .,s :1 .,s :1 .,mI s .fe :f :. “0 stay, 0 stay,”the maiden said, “And rest wea._ry head up-on this breast,” ' 17 \_/ \__/ . Bth ° I .f:m .f :r .t I d .;s :m: .mIm :—.s :t .r I in .,r :d : Ims°:sv?§°°I1:-:-| l :s Atearstoodinhisbrightblueeye, But still’ he ans_Wer’dwith esigh, »Ex_cel-si _ or1”“Ex_ce1 _ si - 2".dVoice. :.m:m.mIm :-—.r:d.t I1 ' : Is ” . _ or! Beware the pine ..... .. tree’s wither’d branch, Be _ ware the aW_ful Ia - va_1a.‘nche,’ :d .r Im .,f :s This was the pea_sant’s last. good night, I A voice re _plied far up the height, \Exc‘e1sior. 1208?? . DI? 15?‘ Voice. IIst : t :t Ilm :—.s:f .1 I 1.,s :s .d'Id':~.t :1 .s Is .f :r: II‘L1I1Lf:l.S zf .sIf:m: Z37 break of day, as hea.venwa,1-d, The pi _ ousmonks of San Bernard Utter’d an oft re_peat_ed pray’r {Id :-—.m:r .f I f..,m:m .m I ‘m:—-.s :f .m Im .r :s,: I t,;d\¢1- :f .m :r .t, I r :d K2 I break of day, as heayenward, The ‘* pi _ ousmonks of San Bernard Utter’d' an oft ré_peat_ed pray’r A Excelsior. 1203* ° .,tr'Ir :—-—.r' :r' .r'I r .,s :s : : :. I 1:-:-I1 :s :s I A voice criedth‘r’o the startled air, “Ex_ceI_si _ or!” “Ex_cel _ si _ Ilms :-.s :s .s I s .s :s : .sI :—-.s :s .s I s.,s:s: Is :s :s I 1:—:—Il :s zsg voice cried thrb the startled air A voice criedthrbthe startled air, “Ex _cel_si _ or!” “Ex_cel _ si _; .mIm:-.s:f .1 I l.,s ts . .d'I d' :—.t :1 .sI s .1’ :r: .l’I A tra_ve1.ler,_«by the faithful hound, Half bu - ried in the snowwas found, Still .d|d :—-.m:.r .f I f.,m:m : .mI In :—.s:f.mIm .r :t,: .1‘? \_/ A tra;ve1_Ier,by the faith_fu1 hound, Half bu _ ried in the snowwas III .,s :1 .s’* :f asp_ing in his hand of ft‘ .,m :f .m :1’ _’.t, grasp-ing in his hand of ‘ . ban _ the strange de _'vice, {It : . . I . . | m‘ ;m :m' . - nor with strange de- -“Ex - cel - si _ Ilm :—-— .m :m .m I m .,m :m I In :m. :m = ban - ner with the _ strange de_vice, “Ex _ eel - si _ f ‘Eyggelsiorl 12087“ _ E‘ d,B oth voices._ _ or!” in the twi light :s .s I s :m :d' It _ less but beau - ti _ ul ....... .. he the . }4;;u:e1s\(:x'. 1208?‘ Excelsior. 1208).’? V Va de
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Title: Excelsior
Date: n.d.
Text: ~ws~«wvT«?:*=bsi= .» ' ‘ 4 L’/jb'J‘( V’ W: 17¢/1/I/V/‘/VI’ a pm,’ WHI'I"I‘EN BY IIUMPOSICI) BY ,I'J 4w/ /%g4§/vnmwg um B%lLlI‘ﬁ»K\ JW2 BY THE SAME AUTHORS ///z _r5/?/"[A/ //mus‘ J/I////J/’[/i’:/J /I/J14/0? /1¢/Z8./-7/1" 2/ 7///o‘ /5 22/5 #1455‘ 574/vo 32/2: 41/ 57‘f_-[,17//zzz/.)‘7/(1/L‘/V /3»? gm /fH7[L’._S‘/Z//3’ 4.5’ A man. oz/Hr Hm owxu/vzia /‘E/van worww r9; M/mm /D ,()/9.0‘!/P/?A/W & 345:; ~ .2/' _,'..L:1.N‘fDo N, 5 M M E R aij§$.%éV:;g —...
Show more~ws~«wvT«?:*=bsi= .» ' ‘ 4 L’/jb'J‘( V’ W: 17¢/1/I/V/‘/VI’ a pm,’ WHI'I"I‘EN BY IIUMPOSICI) BY ,I'J 4w/ /%g4§/vnmwg um B%lLlI‘ﬁ»K\ JW2 BY THE SAME AUTHORS ///z _r5/?/"[A/ //mus‘ J/I////J/’[/i’:/J /I/J14/0? /1¢/Z8./-7/1" 2/ 7///o‘ /5 22/5 #1455‘ 574/vo 32/2: 41/ 57‘f_-[,17//zzz/.)‘7/(1/L‘/V /3»? gm /fH7[L’._S‘/Z//3’ 4.5’ A man. oz/Hr Hm owxu/vzia /‘E/van worww r9; M/mm /D ,()/9.0‘!/P/?A/W & 345:; ~ .2/' _,'..L:1.N‘fDo N, 5 M M E R aij§$.%éV:;g — rm‘ ‘ '2‘ 521' x:’ C ' ‘ 1' -/lg ZJCI ‘ SSBH puz oixmdog xo '_‘‘‘01[B.(1.(.l0 *9 #9 '\ E €>‘« C I‘ £3-A T ,..l. C "1 ‘T. \- W {D 53 9 #1 (V (‘F P’? '3‘ § (/1 C. "U "1 3 ..a C 93 .1 $3- E _.—a C ‘Y, x. U7 C '1'» -1 § $33 5 $14 (T ‘i;j_.;-F " i i~;::_i< I ~—« ,/ \\_. \‘:~l,.\ C E L s 1 0 R’-’. _.r .~ The shades of night were falling fizist, As through an Alpine village p;iss’d A youth , who bore, ’mid snow and ice , A banner with the strange device, “Excelsior!” His brow was sad: his eye lgneneath Flashid like 8- faulchion from its slnzath; And like a silver clarion rung The accents of that unknown tongue, “lCxcvlsim‘ l.” In happy homes he saw‘ the light Of household fires gleam warm and bright: Above, the spectral glaciers shone, And from his lips escaped a groan , “Excelsior !” “Try not the pass'.” the old man said: “Dark lowers the tempest overhead, “The roaring torrent is deep and wide!” Aml loud that clarion voice replied, “Excelsiorl.” "0! stay: the maiden said,“and rest “Thy weary head upon this hreastl” A tear stood in his hright blue eye, But still he answer’d,wit.h a sigh, “Excelsior!” “Beware the pine-tree)s withered branch‘. “Beware the awful avalanche l” This was the peasant’s last“Good Night:” A voice replied,far up the height, “Excelsior!” At break of day, as heavenward The ‘pious monks of Saint Bernard iUtter’d the oft-repeated prayer, A voice cried through the startled air,‘ ' ' ‘‘lC\(-«-lsi(>rl.’’ A traveller, by the faithful ‘hound, Half-buried in the snow was found, Still grasping in his hand of ice That hanner —with the strange device , ' V “ Jxcblsior l” There, in the twilight cold‘ and grey, Lifeless, but heautiful, he lay; .And from the Sky, serene and ,f'a'r, A voice» fell, like a falling star, ~»\ ,/ “rf%a::Eﬁié*< “Excelsior l” / \ W “\ \ lg \ , . \ /' ,’, % . / / 3; ‘‘ExcELs|oR!’’ — DU ETT. -{(9}- (r0,,,p0m1 1,). JOHN B;,ocxx.EY. A W/Wtten by H.W. I-..vONG.F¢ELLOV‘V. A.v1).4.vT1.vo A f.\ at '_ /9/9 The shades of night were falling fast, As through an A1._pine village pass"d A The shades of night were falling tlust, As through an ALpine iﬂlztge pass’({ A /9/9”: Q‘ Q‘ youth who bore, ’mi,d snow and ice_,A banner with the strange device, adlib. youth Who bore, inid snow and ice,A banner with the strange. device, “EX- calla vase. l‘42U‘«~]s1or! Duett. Ex_ce1s1or_ Hzghur. John ,B1bCk1£y- -p,(.)1.C(3.) 27-id VOICE f/..\\ f\ . —— . _ CE.L_ _ SI __ OR 1” A His brow was " - ' ' eye ’oe_ neath /’/9 F1a.sh’d like a faulchion its ‘ sheath, And like . a si1.., _ _ver cla _ _ _ _- _rion hung accents of that unknown tongue, “EX__ 3 h_ ' ‘A dim.-erall. -?f L.» > _ . By the same Composer- The a_dm1red Songs mud Duetts . ‘Excelsior! Due1t_ “_Yéstérday’_’, “Tov-mor3'oW’_’ ‘and ‘A“,To—day.” John Blqcklcy . Con te~'n(?rezza. In hap_py homes homes L In hap _ py flires gleam warm ‘and bright: gleam warm and hright: t And from his lips shone, And from his lips shone , __cEL-___ s1__oR‘.” E X celsfoyr. . Duett‘ Of household he saw the light light Of household he saw the gig Above, the spec _ - tral glaciers Above, the spec__”t:ral glaciers escaped a groan , escaped 21 groan , dolente. John Blocklcy. Pdflantl 2'31 Vo~I(iE. “Try not the pass!” the old man said: “Dark 1owl'"s the tem_.pest Energico . 0 _ _ _ _ _ _ver_head, The roar- _ lug torrent cla __ ‘rion I voice replied, “EX __ CEL _ __SI_ _OR!’-’ J 18’ VOICE. By the same Compnser. Excelsior! ' Duett . “ Summer? 33 31 V0011 Dﬁ‘etY’- P13 2/,'g ' Jo} n Blockley Cantabile e molto Espressivo. stay,” the mai _ den said, ' “and rest Thy wea_ - -1“; head up. .011 this breast!” A tear stood in .his bright blue /eye, V rall: 6’ dim. f.\ (2':flV¢‘;ice)r;\\ he answe'r’d, wiih ' sigh, “EX _ _ CEL _ _ _SI._ _OR!” ,\ ares. ‘&——i ’ L"! Sf ./flgitato. V010 Q “Be __ ware ~ the pine — tree’s wither’d V F3 1:) branch ! Be _ ware ‘V the aw. _ ; _;f'u1 a _ . _ _ _ _V_Va1‘4ll]O1'\€ . "Excelsior! Duett. ; V ' ‘ ‘ John Blockley. Dolce e paco pin lento. the t e up the height , “Ex- _ _cEL_ _ _s1_ .oR!” e Religioso . break of Saint Ber- _n'ard Saint Ber: _nard i W {Th Excelsior! Duétt . pea._sant’s last “Good Night” A voice replied, far pea_sant’s last “Good Night” A V()‘lCe replied, far CV88 . Lurgizctto F/.\\ energ-{co . At J . f /9/9 hea _ _ ven - ward The pi- _ous monks of hea _ _ ven — ward The pi- -0us monks of Ut __ ter’d the oft — "re __ peat -5 ed prayer, A Ut __ teril the oft - re _-pe:if-_ed prayer; ‘ET John B1ock1e-y- ‘V221 l8z'ce-)//€ ‘ » lit V"1CE- — voice cried thro’ the startled air, “EX_.,CEL__S1_0R!” rrgf i nzf mf mu. .;\:i:§(— Pa rla nte. trav’__‘_ller, by the faith___f'ul hound, Half — buried /9/9 snow was found, Still grasp__ing. in his hand of ice "9" (21111 I/éice.) Q‘ banner with the strange device, “EX __ CEL _ SI _ OR!” * . ** The Alpine or S? Bernard’s Dogs, so celebrated for the services they render to mankind,. are trained by the worthy monks of the Hospice of Mount '5'} Bernard, for ‘rescuing the unfortu- mate traveller amid the glaciers and snow-drifts of the mountains . They are sent out in‘pa'irs,oner with a warm cloak fastened to his back, the other with a basket tied round his neck, containing some cordial and bread . If they ﬁnd a traveller who has sunk in the snow, they will lie down beside him, until by their warmth they restore heat and energy‘, and thus frequently save his life ..__ If he re- covers sufficiently to be able to walk‘, they conduct him to the _convent and by loud barking give warning of their return; if the traveller be insensible, they hasten for succour and guide the monks to the spot . l‘lxcelsio~.i'l-. Duett. . .. ‘John Blockley, Lento ,- There, in the twi__1ight cold and grey, I Lif'e_ _less, but’ beau ._ ti..- There, in 1 the twi_1ight cold and grey, L_ife._..1ess, but b*'eau‘_ﬁ _ /9 he ' lay 5 And from the sky , se- _ - rene and far he lay; And from the sky 3~ se-_ ..rene 1 and far, _\__‘J tenuto . lib itum . voice fell, like a fall _ ing star! “EX _ _ _CEL_ _ -SI __ OR!” Call“ vow‘ like a fall _ ing star, ./‘Io rcndo. f_\ , O -cEL ___ s1__-0R!” ‘“EX:\___(;.E;t.-_';.__SI __ OR!” ..CEL__._._ s1___6R!5’ “EX___cx-:L_____s1 4-012!” /9/9 W T (I . . 0 Ekc’é1>s_i‘or! Duett . . Lnu«!n'1}*,'Pr.whIi<hx-61 by John B]v:ck1ey,a.N-92 Park R005: H3“*?T."3t°€‘k H311-.
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Title: Paul Revere's Ride
Date: 1898
Text: Music LIBRARY VASSAF? cc L :5: noucmrscw.-us new Yomq To _ 'THE APOLLO CLUB, BOSTON, MASS. Paul Revere’: Ride a 1 —-“ My country, ’2‘z's of thee I sing ”— Cantata for Men’s Voices with Tenor and Baritone Solos and Or- chestral Accompaniment. Poem by H. W. LONGFELLOW T/56 /I/uric éy DUDLET BUCIC R Vocal Score, 75c. Full Orchestral Score, $5.00 net Full Orchestral Parts, $5.00 net NEW YORK G. SCHIRMER Copyright, 1898, by G. Schirmer 1’U/JLIS//E/J BY G. SC}/1/x’/I/ER. A LIST OF WHJRKS...
Show moreMusic LIBRARY VASSAF? cc L :5: noucmrscw.-us new Yomq To _ 'THE APOLLO CLUB, BOSTON, MASS. Paul Revere’: Ride a 1 —-“ My country, ’2‘z's of thee I sing ”— Cantata for Men’s Voices with Tenor and Baritone Solos and Or- chestral Accompaniment. Poem by H. W. LONGFELLOW T/56 /I/uric éy DUDLET BUCIC R Vocal Score, 75c. Full Orchestral Score, $5.00 net Full Orchestral Parts, $5.00 net NEW YORK G. SCHIRMER Copyright, 1898, by G. Schirmer 1’U/JLIS//E/J BY G. SC}/1/x’/I/ER. A LIST OF WHJRKS FOR MEN'S VOICES B Y DUDLEY BUCK A .— W it}; A cm/zzpz‘. . “ The Nun of Nidaros.” Cantata, with Tenor Solo. (Accompt. for Piano ob- ligato and Reed Organ. Additional parts for Flute and String Quintet may be had from the publishers in MS.) . “King O1af‘s Christmas." Cantata, with Baritone and Tenor Solos. (Ac- compt. as above.) . “ Chorus of Spirits and Hours,” from P. B. Shelleyls “Prometheus Unbound," with Tenor Solo. (Accompt. as above. Full Score published.) . “ 'I:he Voyage of Columbus." Cantata, 111 Seven Night-Scenes. (Full Orch. Score, Orch. Parts, Vocal and Piano Score. English and German.) “Bugle Song,” from 'l'ennyson’s “Prin- cess,” “The Splendor Falls.” (Ac- compt. as in No. 1, with two Comets obligato behind the Scenes.) “ Paul Revere’s Ride." Cantata, with Baritone and Tenor Solos. (Accompt. for Piano obligate, Flute, two Clarion- ets, two Horns, and String Quintet. Also, in defaultof Horns, an adaptation for two Cornets. Full Score, ()rch. Parts. Vocal and Piano Score.) In Vocal Combat" (Piz1noAccompt.). on the themes, “Then Youlll Remem- ber Me,” and “Rocked in the Cradle of the Deep.” Z?.— Wil/mu! Acca//zpl. . On the Sea. . Twilight. . The Signal Rcsounds. . In Memoriam. , . The Spring is come, Huzza! HARMONISATIONS. . Robin Adair. . Annie Laurie. . Blue Bells of Scotland. . Ever of Thee. . When the Corn is Waving. . Home, Sweet Home. PAUL REVERE’S RIDE CANTATA For Men’s Voices POEM BY H. W. LONGFELLOW MUSIC BY DUDLEY BUCK Listen, my children, and you shall hear Of the midnight ride of Paul Revere, On the eighteenth of April, in “Seventy- ﬁve ;” Not a single man is now alive Who remembers that famous day and year. He said to his friend, “If the British march By land or by sea from the town to-night, Hang a lantern aloft in the belfry arch Of the North Church tower as a signal light,—— One, if by land, and two, if by sea; And I on the opposite shore will be, Ready to ride and spread the alarm Through every Middlesex village and farm, For the country—folk to be up and to arm.” Then he said, “Good night!” and with muﬂled oar Silently rowed to the Charlestown shore, Just as the moon rose over the bay, VVhere swinging wide at her moorings lay The “Somerset,” British man-of-war; A huge black hulk, that was magniﬁed By its own reﬂection in the tide. Meanwhile, his friend, through alley and street, Wanders and watches with eager ears, Till in the silence around him he hears The sound of arms, and the tramp of feet, And the measured tread of the grenadiers, Marching down to their boats on the shore. Then he climbed the tower of the Old North Church, To the belfry—chamber overhead: Then paused to listen and look down A moment on the roofs of the town, And the moonlight ﬂowing over all. Beneath, in the churchyard, lay the dead, In their night-encampment on the hill, W'rapped in silence so deep and still That he could hear, like a sentinel’s tread, The watchful night-wind, as it went Creeping along from tent to tent, And seeming to whisper, “ All is well 1” But suddenly all his thoughts are bent On a shadowy something far away, VVhere the river widens to meet the bay,— A line of black that bends and ﬂoats On the rising tide, like a bridge of boats. Meanwhile, impatient to mount and ride, On the opposite shore walked Paul Revere, And gazed at the landscape far and near. And 10! as he looks, on the belfry’s height A glimmer, and then a gleam of light! He springs to the saddle, the bridle he turns, But lingers and gazes, till full on his sight A second lamp in the belfry burns! A hurry of hoofs in a village street, A shape in the moonlight, a bulk in the dark, And beneath, from the pebbles, in passing, a spark Struck out by a steed ﬂying fearless and ﬂeet; That was all! And yet, through the gloom and the light, The fate of a nation was riding that night; And the spark struck out by that steed, in his ﬂight, Kindled the land into ﬂame with its heat. It was twelve by the village clock When he crossed the bridge into Medford town, And felt the damp of the river fog, That rises after the sun goes down. It was one by the village clock, \ /’hen he galloped into Lexington. And the meeting-house windows, blank and bare, Gaze at him with a spectral glare, As if they already stood aghast At the bloody work they would look upon. It was two by the village clock, When he came to the bridge in Concord town, And felt the breath of the morning breeze Blowing over the meadows brown : And one was safe, and asleep in his bed, \Vho at the bridge would be ﬁrst to fall, W'ho that day would be lying dead, Pierced by a British musket-ball. You know the rest! And so through the night rode Paul Revere; And so through the night rang his cry of alarm ' A cry of" deﬁance and not of fear, And a word that shall echo for evermore! For, borne on the night-wind of the past, Through all our history, to the last, The people will waken and listen to hear The midnight message of Paul Revere. To the APOLLO CLUB: I)’()SI‘0I1. IWu.\‘.s‘. Paul tReVere’s Ride. - pm In by (“Nly (-.m1ntr,\‘, ‘fix of’ thee I s1'11g‘."‘ M .0 by 9 us1, DUDLEY BUCK. H. VV. LONGFELLOVV. Animate, ma Maestoso.(J = 88) L9.) sempre mgzrcato Moderate, recihmte. BARITONE SOLO. —=;—;: tempo (‘*-ui"$. f3 and you shall hear._._.___ Of the mid-night List — en, my children, f.\ * N. B. The aceompt. is for Piano obligate, Flute, two Clarionets, two Horns, and String -- Quintet. These parts and full score may be had from the publishers. Also, in default of the Horns, an adap - tation for two Cornets. /14099 Cnpyrzgrlzf, /8.98, by G. Sclzirnzer. On the eighteenth of A- pril, in “Seven—ty—fiVe:” Not a sin—g1e is now a - 1ive__. \Vho re- Tempo di Marcia. A TENOR I & 11. 7. 75"” 7"]. BASS I 8: 11. mem—bers that fam ous day and year.- Tempo di Marcia.(J : 92) to his friend, A he Brit— ish__ march by land or b sea from the (7'I’f.’S(T. _ —> _ 7 _ /'\ a to his friend, “If the Brit- ish__ march by land or by sea from the ff . . 710 to night,Ho1d 21 Ian — tern a—1oft the f -arCh,Of the > . -. ’ 7 to nig}1t,H6ld a lan —ter11' — fry-arch,Of the O. f NorthChurch er 5 sig _ nallightz 1\'0rthChurcht0wer as a Sig — 1a11iEht: if by 1 and , and two ,_ f I__onthe op - posite shorewill be, Read - yté) risc .3‘ . the op — posite shore will be, Read - y to r1se /.\ 3 /’—‘\ J gjtl 11099 ff.> _> spre ad the a—1arr." Thro’ ev - ry Middle-sex > . — larm Thro* ev _ ry Midd1e—seX vil-lage For the c0un0—try folk to be Sf ‘f "P000 Ada '0 tr NOR H Then he S aidf‘G0od— BASS I. S 3' an 0 m0 150- P000 Ada i0 tran ui110.( =63) - El,‘ > ‘ V’O€110. ‘ ed oar, with muf — - fled oar, Si—lent-léy 7 ZT ” and wxth muf — ed oar, i—1ent—1y e said, -night! and withmuf — fled oar, Then he said, “Good-night!’l___. i~len y rowed to the Charlestovm shore,__ 0 Charlestown sh ,_ 4 ::?..>_.—- 7 . to the Charlestown shore,__ --““-———:'L'.::_~'_-—_=.. Si-lentl y rowed to the Charlestown shore,__ BASS I. C to the Char1es—toWn shore._ BASS II. shore . C TENOR I. TENOR H_ as the moon rose as the moon rose .5’ as the moon rose 0 — Ver the bay, rose e moon rose the bay, __.__..______ the the bay, Where swing ing wide er moorings lay, The the bay, Where swing ing Wide er moorings lay, The - > ver the bay, VVhere swing ing wide ' er moorings lay, The > . . 9 1’ Where ' ing Wide her moorings ay, The “Som — er.set;’ - er—set’,’ “bon1— er.set’,’ ritish of — war. “Som— —set’,’ “ m—er—sét’,’ ri sh of _ war. “Som — er—set;’ “Som — er_set’,’ British of - war. Piil moto. A uge black 111 blackhulk, a huge black hulk huge black hulk,___:_. uge___________ black hulk H'l0t0. : 80) /3x 72‘//‘ L2 7 dim. huge black hulk, that was In - fied, By its ulk, ni - fied, B ‘_ ofvn r_e that was mag - By__._.__ its own hulk, that was ni — fied, 10, Term 0 di Marcia. flection ‘ tide. flection flection ec 1011 own re—flec-t1on 11 e tid Tempo di Marcia.(_J:92‘,> I) 67630. 8 D Tenor Solo. - 772 . - Mean—vvhi1e,his iend,thr'o’ a1—1ey and street Wan - ders andwatch—es with 3 ea-g~ er earé, Till in the si - lence a -round him e hears he sound of arms,.__________.. and he tramp Corni. f M12115 re p Tenor So1o.P BASS 1_ 11_ A March — ing, marching And the me:-.15 -ured tread of e gren—a - diers, Ma Ch—i11gdo\vnto their down to e_§hore,March—ing'down to the shore. .___.._._ b0 3 on the shore. ‘TENORS Chorus. BASSES climbed the tower of the Then he climbed e tower of >>E e be1- frv - cham-ber 0 e be} — fry - cham~ber /\ h TENOR II. — Then Then paused then look down a moment, on the roofs of then look down a moment, on e roofs of 0 ma mnmcmn@H____ Old North Church,_________ Ver — head: .273 TENOR I. to sten, to listen, the toWn._ Tenor Solo.- _ Moderate. (J:72..) ~, /,7 And the moon - light flow — /"\ /"\ TENORS 3“ BASSES - (*9 P. Adagio molto. (J_=s3.) neath, e churchyard la the _.._..__:_.______ In their neath, in the ch.u-rhchyerd lay the p .dolem‘e night-en campment on the hill;_ night — en campment on hil1;__ C1ar.Vio1a. fp W7 (it) The proper effect of this passage depends upon the 'conduct0r’s securing a true balance of Vocal parts in the pp low chords. They must sound sap?/[okra], but not “'7/M/dd?/3’ TENOR 1. se 6’ Wrapp’d VVrap ' si— lence ‘Wrapp’d ' si - lence rapp’d ' si— lence } 3 P§«h___,/ Piﬁ moto. he could hear, ‘ tine1’s tread, The — he cou1dhear,cou1d hear, iike a sen inel’s tread, The 4;“: e could hear, could hear, like a sen tine1’s tread, The he could hear, could hear, _.:________ like a sen_ti-ne1’s tread, a Piﬁ moto. J: 73. without Ped. watch - ~ ful night Watch — — fu1_ watc — — f 111 __ night sen- ti-ne1’s tread, the night - T ' creep — ing /“\ /‘R: Creep..ing a - long._ from —-_._—'i Creep ing from Creep—ing a - long from i—.4__i_T.' — ing a — long 1’ crest. seem- ing _ seem- ing whis - per And seem—ing whis - per /5 F A119 Vivace. well!” ell!” well!” well!” Fvzlxllegro Vivace. = 130. ' ' n. /3 . 2 1 Tenor Solo. _13 [0 Tempo di Marcia.(J:92.) .8..._ But sud n1y_ all s > >I07Ig. thoughts are bent ow _ y something far «zf ' L 10 ¥—_-"/J ILL- ga g If]. F? Ff I17 1 I Y I M .L . Where he riv _ er BASS I. II. unison. P A 14 TENOR I. II. 19 M0 derato. rec2'tam‘e _;whi1e, impatient . __ Tempo di Marcia. > shore Walked Paul sempre 19 like T 0 mount and ride, And 3. Baritone Solo. /\ gazed on the landscape Chorus. BASS 1.1]. 271’ But most - ly he watch’d with dim. , eager search The bel _ fry-tower of the old North Ch Baritone Solo. And lo! /gas he looks, 0% the be1- fry height 0 Moderate. +<) /—~\ @000 MI]. > >> :> glimmer, and then a gleam of light!_-_____ #3 calla ‘U008 Vivace. springs to the saddle, 3, bridle he turns, f ,> 3 > ' ' *<) The Baritone Soloist must not "shout” this note. The “light” was probably a tallovweandle. 14099 16 M/9d\erat0. f Vivice. b O A ‘V pogo Ht. ling. ers, and gaz - es, tihll full‘ on his sight A second lamp in the be1-fry 8 """"""""""""""""""""" K5 .1" ~52" .g/’ Moderate. /"T burns! - Allegro con fu0c0.(J:‘102.) Z('5.’\ A hurry of hoofs ' village street,‘ A 10 /_,r\ A hurry ofhoofs ' village street,__ mpﬁ“ Ki“ /3“ /.s>’\ /3“ 5‘ Tenor I auses. shape_ themoon1ight,a bulk in the dark;_ > _ > a bulk in the d;irk;_ /5 TENOR 11. And be- neath,__from the pebbles, in passing, And be— neath,_ from les, in passing, TENOR I. by a steed Struck out _> .> I Struck out by :1 steed /\ That was all! That was all! 3 a 3 spark __ spark __ That was That was 0’ e gloom and t e light > : thro’ e gloom * and the light, 1121 - tion was rid _ ing that night:___ fate of a ma- tion was rid — ing that night:__ And the spark struck out by that said in hlS flight __ And the k struck out by that steed in 1118 flight, . . > IX 5 jzoco cmsc. — rcia. Tempo di twe1ve___ by the village sf Kind — led the Kind — led the U11 poco piil moto.(J:M6) (Clock strikes.) VI 3 -5‘ _d eello,Vio1a. 1opBaSSi_ Baritone Solo. Sill when he cross’d the bridge iin-to poco sc. Med — ford town, TENORS. Chorus. BASSES. And Piix moderate. the the } . damp of felt the damp of the Pifl m0derat0.- riv — er— fog, 77) riv _ er— fog, Allegro moderato. Baritone Solo. It was one by the vil-lage — C o r clock when he ga1—1oped ' LeX—ing—t0n . F1. & Clar. VJ Chorus. BASS I. II. M’. e meeting-house win — dows, /‘\ \/ /\ VV1"Ihout- Pod. . &' Basso. 723]’ _ and bare__ Gaze him With a spec-tralglare, Chorus. TENOR II. BASS 1.11. (TENOR I. IWLIISBS.) b /'3 TEN.II.&B. 1. WJ B' H stood dz’-In . blood y work t ey would look up— on. > . dim -;_--_-—-___§_= At the blood y work 1 ey “'0 1d look up — on. Baritone Solo. by the Village came to thebridge in Con - cord town: 10 -—~-‘—-—_:_.__‘’ -ngf dim. (}h0ruS_ morn-ingbreeze, b1ow- ing 0 -_ ver 7 un. And felt thebrgaath of emormingbreeze, bow— mg 0 - ver the «tr Tenor Solo. molta Mtard. 1)-/’”‘T Moderato. (J = 78.) > safe, and a — sleep bridge would ly — ingdead, VVho that day Pierc’d ____. P57? mofo. 5 You know the Pa’ 12 moto. know e rest! L know the rest! Ch’-orus. ‘hm’ > sem re c/resc. 7 mght thro’the night __ thro’ the semjwe can ‘fz/000 night rang his C - larm-,___ night rang his cry a — 1arm;_ a word thatshall fi - ance, and a word thatshall /\/\'_\ 8 1-4099 mwrcato past, Thro’ wind the past, Thro’ .96/npre marcata the last; will wa - ken, and /‘\\ > >. wi 11 W21 _ ken, Vivace. V9 I‘€‘ . A__ _,__é. {T V8 re . — _,__-,_.._,ﬂ.__ Vivace. Jr‘/‘ 8141 bassa .................... J x, m V C WLWVM. . . f e . ‘ «N M; 4 wﬁmk. ..MM..w5KRn..uﬁm.uvvn ,, ORATORIOS AND CANTATAS PUBLISHED BY G. SCHIRMER, NEW You (FOR MIXED VOICES, UNLESS OTHERWISE MENTIONED) / ANDERTON, TH., The Wreck of the Hesperus, . BACH, j. S., A Stronghold Sure, . . . . -—-—- All they from Saba shall come, . . . . BARNBY, _IOS., Rebekah, . . . . BARTLETT, H. N., Autumn Violets. (Women’s Voices.) . . . . . . . . . -—- The last Chieftain. (Men’s Voices.) . . BECKER, _IUL., The Gypsies, . . . . BENDALL, W., The Lady of Shalott. (Women’s Voices.) . . . . . . BERLIOZ, H., Childhood of Christ, . . . -——- The Damnation of Faust, . . . ———— Scenes from “ Fall of Troy," . ~—- The Flight into Egypt, . . ——- Re uiem, . . . —— Te eurn, . . . . . BRAHMS,_j0I-1., Song of Fate, . BRUCH, MAX, Arminiu . ——- Fair Ellen, . . . . . . —--— Odysseus, . . . . . . . BRUCKNER, A., Te Deum laudamus, . . BUCK, D., Centennial Meditation of Columbia, ———- Christ the Victor, . . . . . . ———- The Coming of the King, . —-—-— Hymn to Music, . . . . . —-—~ The Story of the Cross, . . . . —~-— The Triumph of David, . . . . . —— Chorus of Spirits and Hours. (Men's Voices.) —-——- King Olaf's Christmas. (Men’s Voices.) . ———- The Nun of Nidaros. (Men‘s Voices.) . . -—- ’I‘he Voyage of Columbus. (Men’s Voices.) COOMBS, C. W., Hymn of Peace, . —— The Vision of St. John, . . COWEN, F. H., Saint Ursula, . . DAMROSCH, DR. L., Sulamith, . DVORAK, A., The American Flag, . GADE, N. W., Christmas Eve, . . . —-—- Holy Night, . . . . . . GAUL, A. R., The Holy City, . . . —— Ruth, . . . . . . . . GERNSHEIM, FR., Salamis. (Men’s Voices.) GILC!-IRIST., W. W., Prayer and Praise, . -—-‘ 46th Psalm, . . . . . . . —— The Rose, . . . . —— The Uplifted Gates, . . . . . . . -—— The Sea Fairies. (Women’s Voices.) . . . —— An Ode to the Sun. (Men's Voices.) . . . ~--—-- The Legend of the Bended Bow. (Men's Voices.) GOODRICH, J. W., Ave Maria,. . . . GOUNOD, CI-1., Gallia, . . . . —-— The Redemption, . . . . GREGER, C., Spring and Love, . GRIEG., E., Scenes from “ Trygvasson,” . HANDEL, G. F., Messiah, . . —— Utrecht Jubilate, . . . . . HARRISS, CI-I. A. E., Daniel before the King, . HAYDN.]OS.,vTheCreation, . . . . . -—--The Seasons, . . . HEUBERGER, 12., Art thou glad, then think of me. (Men’s Voices.) . . . . . . . . I-IILLER, F., Easter Morning. (Men's Voices.) . HOFMANN, F. H., The Pilot, . . . . . I-IOFMANN, HElNR., A Romance of Love, . . -—- Song of the Norns. (Women’s Voices.) . HUMMEL, FERD., Columbus, . . . . —~—- The Queen of the Sea. (Women's Voices.) JACKSON, A. H., Lord Ullin’s Daughter, JENSEN, AD., The Feast of Adonis, . . JORDAN, JULES, A Night Service, . KRUG-WALDSEE, J., King Rother, -‘ . LACHNER, V., The 100th Psalm, . . LISZT, F., The Bells of Strassburg, . . MACFARREN, G. A., May Day, . MASSENET, J., Eve, . . ———- Narcissus, . . MELAMET, D., Columbus. (Men’s Voices.) MENDELSSOI-IN, F., Athalie, . . . . o n o o o u a S §E?'x’ 8‘&$%88§83‘:B’«o?‘ 53358 8 ’&8‘&."E3‘~$§’r 2% S 838% 2 8%’ 8? ~———— Elljah, . o . - -—- Loreley. . . . . . . . .-——- St. Paul, . . . . . . . . ~——— As the Hart pants. Psalm 42, . . . ———- Come, let us sing. Psalm 95, . . . . . -——- When Israel out of Egypt came. Psalm 114, . -——— Hear my Prayer, . . . . ——~ Hymn of Praise (Lobgesang). . . . —— Lauda Sion, . . . . MERCADANTE, S., The Seven Last Words, . . MOI-IR, I-1., ’1‘o the Genius of Music. (Men’s Voices.) MOSENTHAL, _]OS., Thanatopsis. (Men’s Voices.) OWST., W. G., Communion Service in A, . . PARKER, H. W., The Ballad of a Knight and his Daughter, . . . . . . . . . ——- Dreamkin and his Love, . . . . . . ———- Idhe Holy hild, . . . o o u o .8S828%383‘538i%§§8?§88$E$’u8S§§88¥ . .\o n ylle. (Goethe) . . .' . . . RAFF, 1., A Song of Freedom. (Men's Voices.) . REED, C. 1-1., The Birth of the Opal. (Women’s Voices.) . . . . . . . . . REINECKE, C., Evening Hymn: “ O’er all is quiet reigning,” . . . . . . . . . RI-IEINBERGER, jOS., Clarice of Eberstein, . ————— Harold, . . . . . . . . -—- King Eric, . . . . . . . . —— The Mermaid, . . . . . . . —— Morning Dew, . . . . . . . ———- The Daughter of Jairus. (Women's Voices.) ROSSINI, G., Stabat Mater, . . . . RUBINSTEIN, A., The Tower of Babel, . . SAINT-SAENS, C., Christmas Oratorio, . . . ——-- The Deluge, . . . . . SC HUBERT, F., Miriam‘s Song of Triumph, . . SCHUMANN, R., Scenes from “Faust,” . . . ~— The Pilgrimage of the Rose, . . SCI-IUTZ, 1-1., The Seven Words of our dear Re- deemer and Saviour, . . . . . . SHELLEY, H. R., The Inheritance Divine, . . SMART, H., The Fishermaidens. (Women’s Voices.) -—- King René’s Daughter. (Women’s Voices.) . STAINER, 101-1., The Cruciﬁxion, . . . —~—- The Daughter of Jairus, . . . . , VERDI, G., Requiem, . . . . . VOGRICH, MAX, The Captivity, . . . —— The Diver, . . . . . . . . --— The young King and the Shepherdess, . . WEBER, C. M. van, Life's Happiness, . . WHITING, GEO. E., The Tale of the Viking, . ).A D-it-5 I-1|-'- 388 o n u o IOIOIO 5-‘ 5-‘ # S8 3388 8§ <*3"x‘c’§§ 8‘$:% 88? 88888%8§z8 88 8 put £3333-‘S§88§88% S8S83’c§S8§2¥E€E>'«’8§ 8% 5323888
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Title: Rainy Day, The:, The Rainy Day:
Description
Date: n.d.
Text: \ 1, W " \ /‘ ~-,,.,« /; Ijm/_:~‘[{% T , ‘ //3Lpléurg'¥I3ah:1l1t«L£[g' jﬁhngﬁellaw; (1/3%! ,\L ]MElJ]$%l£ 117$ " VMmU'¢//?};M\ K K‘ _/ \‘ //. E. // Kg .51’ 1.7;»: wet/V: {x 7 Q, ‘ BOSTON: ] 2129213‘/zzzi ‘/(V/’ OLIVER D lTS0N1[i/7123‘/if/5/;//Z7/Z/2)?‘ Jﬁmzz-a“Z m,w7z'/z'/:,_4/ rug/:7 u/’£irn_z//wzvj/22/ '//{H Z//ii/r’/J/2*/‘var; '7'/L I/3,1’, [Zer7:.5- 0/WM :7/'1’/M (7/Jyr/2 , Jurr u ’ " 7 vv nuscc unnanv, VASSAR COLL’-{GE THE RAINY...
Show more\ 1, W " \ /‘ ~-,,.,« /; Ijm/_:~‘[{% T , ‘ //3Lpléurg'¥I3ah:1l1t«L£[g' jﬁhngﬁellaw; (1/3%! ,\L ]MElJ]$%l£ 117$ " VMmU'¢//?};M\ K K‘ _/ \‘ //. E. // Kg .51’ 1.7;»: wet/V: {x 7 Q, ‘ BOSTON: ] 2129213‘/zzzi ‘/(V/’ OLIVER D lTS0N1[i/7123‘/if/5/;//Z7/Z/2)?‘ Jﬁmzz-a“Z m,w7z'/z'/:,_4/ rug/:7 u/’£irn_z//wzvj/22/ '//{H Z//ii/r’/J/2*/‘var; '7'/L I/3,1’, [Zer7:.5- 0/WM :7/'1’/M (7/Jyr/2 , Jurr u ’ " 7 vv nuscc unnanv, VASSAR COLL’-{GE THE RAINY DAY. Poetry by H.W.LONGFELLOW. Music by WILLIAM R.DEMPSTER. Cres: The day is Cold, and dark, and dreary; It rains,/ and the wind is ,g...——.__\ J weary; The vine still clings to the mouldering wall, Con espress: - - ery gust lthe dead leaves fall, And the day fﬁ P1’ /.\ PP dreary. . . . And the day is dark and dreary. . . . And Hm (lay dark and drea - is cold, and dark, and dreary; It rains, and the wind Weary; My tlmuglxts still cling to the n10ulde1‘ing past, But the lmpes of youth fall flxick in the blast, And the (lays are dark and P1’ <lr<~ary. . . . . AmHl1e><,luys are,-_ dark and dreary. . . . . And the days are dark and drea - - ry. still, sad heart! and cease re - pi11in;_r; Be - hind the clouds is the sun jstill shining; Thy fate is the com - mon fate pr:\ 1) to each life some rain must fall, Some days must be dark ﬂ\ PP /.\ PP Some days must be dark and dreary. . . . Some days must be dark and (lrea - - ry.
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Title: Day is Done, The, The Day is Done
Date: 1910
Text: MUSIC LIBRARY VASSAR COLLEGE Poucuuccvsvc. NEW vonx Il'I In-I » u I In The Day is Done. (Prize Madevigal 1.910) Carl Busch The Chafer and the Flower. W. H.Veit Oft in the Stilly Night. (Arr. by D. A.0l/ig;p7,'7zge'r) Old Irisﬂ Morfa Rhuddlan' (Ar/7'. by D. P7'Of/u:’)'ue) Old Welsh Airs . Nos Calan. Turn Ye to Me. (Arr. by l?o.s'.s'c2‘lt.'r7' (r'.0ole) 111 Pride Of M83’ (P73-55* —Ma077'5gll1 1-911) Will G.Mzxcfa.rlane I Know a...
Show moreMUSIC LIBRARY VASSAR COLLEGE Poucuuccvsvc. NEW vonx Il'I In-I » u I In The Day is Done. (Prize Madevigal 1.910) Carl Busch The Chafer and the Flower. W. H.Veit Oft in the Stilly Night. (Arr. by D. A.0l/ig;p7,'7zge'r) Old Irisﬂ Morfa Rhuddlan' (Ar/7'. by D. P7'Of/u:’)'ue) Old Welsh Airs . Nos Calan. Turn Ye to Me. (Arr. by l?o.s'.s'c2‘lt.'r7' (r'.0ole) 111 Pride Of M83’ (P73-55* —Ma077'5gll1 1-911) Will G.Mzxcfa.rlane I Know a Maidon. (Pr/Ize J[aa'ra'g‘al 1.912} Louis Victor Saar The Time 0’Day R-osésetter G. Cole Ye Si11gersﬂA1l (l’m',ze Jlladﬁgr/Z 1.913) _ _ Louis Victor Saar 'ou1d God I were the tender Apple Blossom Arr. by Rossetter G. Cole Nymph and Swain (Prize Madrigal 1.914) Wi11.C. Macfarlane 0 Lady Leave Thy Silken Thread (Prize Madrigal 1.915) G. W. Chadwick New Love (Heme) Mendelssohn-Weidig A Spring Ditty. (Pr/-ize ]l[ad7'27g:_(__z_l 1.916) Harvey B. Gaul A May Caro1,(Pm’ze Zllaah-2'gal 1.917) Will C. Macfarlane The Four Winds A Daniel Protheroe GAMBLE HINGED MUSIC 00. The Day is Done H. W. LONGFELLOW Moderato CARL BUS C H 2 Soprano Alto Tenor Bass Moderaio and’ the darkness falls The day a tempo Z“ nf " — T’\——/V This Composition won the W. W. Kimball Co. prize offered by the Chicago Madrigal Club in 1910. U051);/relght, 1.910, by Gamble Hinged Jllusic 6’o.,0ln'ca0'n. International 0010;:/rig-Int secured. r/:.;—.-_-s“_-any-u‘ -éh-it gg‘ :9 I J; J; ii J: at‘ I: 4?’: --5::-':..-«-. ‘>.._'—-:;.~<--: to-I-A“-"...;<i|-’: -aura.-.‘*_?>‘*--V.‘ Tu‘ ¢u;' §—~s ~‘ugo—u' -.'-—‘-‘ :3 I 31 Ji ii .3; ii I: _...“W9:...'~:.‘--r_.1'_~<.-.5‘-I-v-. 4;. 41!!»-4‘- 4.T";L:“!'l». ~&_—&_cov,-,-. ~ ..Q.v..vzr.:-1.‘-% - 3. , =,v'*>‘..-'._;-,—«Z‘ . Wings of"m'ght;, .._,_.. T..T===_— wings of m'ght,____ As a feather is — L} flight. The Day is Done-19‘ 2 I fea.therV is waft - ed down - ward From an — feather is waft- ed down, waft - ed down-ward eh i- As afeather is waft - ed I From JJ/J Allegretto — I see the _ lights of the village gleam I :__§'‘__.—‘—-—— 1 see the lights of thevillage gleam V mf Allegretto - \__—:_——-:.‘_j ‘ throughtherain, And a feel- ing of sad M - ‘L . ——i::f”_._ J» v ~*— -1.-:w;4.x “c, . .;-~. 5 :. T‘ . ‘\1-«: throughthe rain, And a feel — ’ "'..=:~;.<.*.;.*‘.'r:::,..._"-E.,3.:-:.....‘...-.==.<...¢ T..__«_-_-:....-;.--~.+-- ~ - - throughthe rain and the mist, — v‘ ~ ~,-av-22:: ‘ ,:., ,‘_ throughthe rain and the mist, ..,.,___.;‘__‘._.M‘._,A__. ._“,,4.;_~._.../-_;_V;,...;‘_:5;.‘,.......¢\_;,.—~;; "_.«..__.,_,.\_",,.._‘_,rw»....,.,-..4._.-:s—.‘,......\V.«na-:H_ . _, ,. comes o’er _ That my soul can not re- .._u___.!’'_...’'.'_‘_ I7 molto M t. .1 T‘- _.————{‘*‘ sad-ness comes o’er . L3.;_ ._ :::‘\‘;,+—:, 3,'_’;.;._ . 29 molto Mt. of sad That my soul can L; _ P molto mt. V {- ’I‘h.e Day is Do_ne- 19 - 3 Moderato A feeling of long-ing not a-kin to pain, ar:.r‘;:\."’«, .. .. I . , Modera to :1‘: 343 -—w feeling of Moderato ‘.._..;_..~.<«,+- :—-.;;;;—. :v of sad-ness, not a kin r»»Y:_:. Moderato That is not a—kin to pain, Moderato 17 And re - sem-bles sorrow - " re - sem — bles rain, j.__j"j-’—{—_ P > L2 And re - sem-bles sor-row ' re — sem—b1es the rain. ;..s.....,..vu-.._;, 4_ ﬁn . Kr/'> ,.~_.a—.:.~.-V-_ And re - sembles sorrow as the mist re - sem - bles ,ra1'n..__ ‘..w.\._,......_:...».;.__‘..«,~= — ::*££2!=!-5:‘. :1:-. .:;;s 1.; ..- \ ,_.—ﬁ»_._4,.— _.,.. . re — sem-bles rain. b .---- -*:r=*.».:2:=::.,..==;;:E!-_.... 4 A-....-—::_.u .. A . ,..~..‘ ,...\,,..._, , :\‘v»~u)" ..~‘. ».:=ZfZ_'~;,__.~ The Day is Done--19 ~ 4 * M - ;_._....?.___.;.;_. '~'.a._:.«'I3'«‘-J32.-.e;, read to me S 01116 _ read to me The Day is Done -19" 5 some Sim-ple and heartfelt 1ay,That shall 4% % § 5 ..1 E !. E Q Aﬂ i k E \_2 heart - V poem Sim-ple and *:;—=: L"TL'«§"t?7Je’T-'21?-«"'*i.__‘1f:'h ?;_~A' ‘—-- 2.3:-aaz=v1éu='=I.~.-.an~._-——v_«n\.rr.V . ”*$’F5'“:‘ % % s :1 E t I e E E [6 i ,...t. .-ea » soothe this rest-less feel - ing And The Day is Done-19- 6 f Not from the — Come, read to — lay, Allegro Allegro Allegro grand Allegro and ban —ish ' the thoughts of day. me some Sim - ple some simple heart mf Not from the _ Not from the _________._. 4—:___.___j Not from the 3' er-\~.-..,‘ ‘ -.. «-4. _. ¢ ﬂ .. ., ‘ ... ._ . ,-._.._.,,-..v..,.n—,»¢__-, V.-.7-. ..~..::~'~:- — — 4 sub - lime, , “r*‘—f;~v< — ..j,1C7‘::Q,§n‘I«E';"“L?-=."1:';:.L:v. ‘.--...,,ov-v~ -.aw-.$ ‘.«.._4."A.1'..u-—.. ""'-" sub - lime, 4 5 ~31 sub - limb, ' /\/"""""'h Whose distant mf “ h L 1'7" For like 17’ Through the cor ~ ri Through the cor - ri For like Through the cor - ri The Day is Done-19 -7 . f ‘ strains, sug- gest 1it'e’s strains ' A sug - gest life’s tho hts f 11% mar-tia1 mu‘: — sic, their might-y thoughts __ mar-tial mu - sic, their might-y thoughts Z" ,/ / and en — deav— or; and en - deav— or; sug - gest Iife’s end - iess toil; life's end - less toil; e11d- less toil; _ The Day is Done—19— 8 I long to rest. long. Len ta 27 ....—=;'’; (5 1. night ! L672’/:0 —- _ _ mg I long to rest. /3 Whose songs gushed from his I9 Whose - The Day is Done -19 -9 Read froffhe heart 2’ songs As ‘- . show - ers Moderdto ‘hum- Moderato Moderate Moderato Moderato songs gushed from » < i! :4 9 8 2* 3 W kn S 5 go i n 3 :4 I 1 I N . s Q i 3 *-2 at ~:.'._z..- A/.6-~— ;‘.';:e«....._-——-.z.__*-- his 22 "4-.""z=-_*.n...*'---.4: again 74:: :5-‘,..-2 .——.“”“" .53..‘ :5 —-._c.—:»:.an-p - '_ .';:-g: ~‘ 11 3 5 9 3 J 8 ll] 3: St E St‘ .1? V! ,%l_ .|‘.‘ I“.‘‘ _N‘ X: 3 N: g. ‘-3 J? LIA ....__.-——::...__--- razeiezé --.__1‘>4=:-_'z..."«-'~__._*'- agn lute 2:: j‘,:—: -"§. his heart, gushed from. from the clouds _ clouds Or tears from - ' his heart as show - ex-s_ from the L} Allegretto P Who, through long days of Allegretto Who la h—. bor, And Allegretto through long days of _A l legretto Allegretto The Day Done - 19 - 10 lids start . nights .11ights,andnights de - void — m'ghts,a.nd nights de - void 1" . Heard in his I’ Still heard the P _ The Day Done- 19 - 11 Moderato Maderato Moderato Moderato Moderate mel— o - dies won — der- ful heard the heard the he heard the . have pow’r to Such songs have pow’r ' The Day is Done- 19-12 quiet the rest - less pulse, quiet the pulse , quiet the pulse L the pulse of care, ___....__ And -come like the _ . ' ‘/3‘ like the ben— e - dic—tion that fol - lows, /3% g/ ' \_’/ like____ the ben-e - die - tion aft \ / 3 \ ' hen - e - dic -tion that fol - lows aft — er prayer, p———=_—-;-‘-"‘_§ > -Ami like the hen - e — dic - tion that The Day is Done- 1943 lows aft — prayer. prayer. ___________ Then read from the treas-ured fol -- lows -aft - - er prayer. J-—— fol‘ - lows aft - er prayer. read from the ﬂvol-ume the poem Then read from the vol-ume, _ '1 I ji- .i;? e 1e 1: 3: J; '}f 3. 1 3; A 3; ii 11 1 2 1 fr 1% L I The Day is Done A-19~14 of of the ' poet the beau-ty 4 and lend the beau - ty the beau - ty night shall be ﬁlled And the with mu sic, . And the night shall be filled with mu: - thy voice . 4.11.. : And the shall be ﬁlled ’ — shall be filled And the with The Day is Done—- 19 -15 x-‘,‘,'»—-"““"‘—"‘°"*‘/*-1?-..,=.=-¢_.;»«.§,ao.:«—v-.-_;-;a:--~¢n£: H‘, _.:,._¢-«=~\.,_,., _ ‘ j “ . ‘x . .~ , .,..,.._.__i~ ..‘..,e. ,. ....;.i...4;+ \:.., cares that in-fest day, Shall fold their tents , cares that in— fest _i shall be filled sic, And the cares shall fold their tents -like the ;I in‘: ':xL Hg’: 1.‘ w'',‘ ;? I 2 ,. - lent-ly, and as ._..«V\‘, ‘X ‘~\....~.._ _.,‘ ‘.__-— ._ ;=,_= , -an-5 _ day, shall fold their tents ~ _ ~ _«_<...»,,—...;5,_ The Day is Done - 19 -16 to P Malta mad _ . steal a -way, si - lent - 1y Malta mad’.0, ».s=:.:T_ /‘\ way AITX as si- lent — 1y 1, Malta madéo. :.—.;',,___"‘;_-—.~<7..—,‘_,__.~. 2..., u-_._. 3...‘, en...» way. Malta mad’.‘’. /3?’ And as si—1ent -1y steal a-Way, as si-lent-ly -Malta madl‘.0. _ steal a - way, The Day} is Done - 19 - 1'7 L4; 1; J; 1? 1* at 3% «l: t 1' i S 3 I J ,5 I 5 ( I i: 1 f ff I g V V!|' 1‘ E a. - way, .._ a - way. L3. . __é_——--- . _=f: ....————---'—" . day A vs done and the dark - 11essL falls from the F“ ‘F F ‘ a - way, ___—__._. _:._.T is ‘—...¢,éu--way-:u....=n._-.o.—.,.,... ,-n K _ , - ‘;~2\ 4- and the - ness falls from I; A ;? 1!; £ .6 k f TE --.-.~--- - ness falls the wings '7é:e-fie-9-jana-'9£»3-4%-_aI9i2'nvwn‘axiC.&‘."——n—‘.aa£"«——; _ “flu-,‘..—A~'f-cg-. The Day is Done - 19-18 PP FL _%.___3 The Day is Done - 19-19
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Title: Excelsior
Date: n.d.
Text: MUSIC LIBRARY \lAS5a°aR COL‘-‘G5 “(!E3€(!B(!EiE§3(l]>?11.” ' THE POETRY BY H. W. LONGFELLOW. THE MUSIC BY J. TILLEARD. AN DAN TINO. { ° 4 The shades of night were fall - ing fast, As through an Al - pine vil - lage pass’d AA IT A Ad lib. youth, who bore, ’mid snow and ice, A ban - ner, with the Strange de-vice—‘Ex- f\ _/ His brow was sad: his eye be-neath Flash’d like a fal -chion from its sheath; And {S sil - ver cla. - rion rung The ac-cents of that un - known tongue——‘Ex- .. A cel ...
Show moreMUSIC LIBRARY \lAS5a°aR COL‘-‘G5 “(!E3€(!B(!EiE§3(l]>?11.” ' THE POETRY BY H. W. LONGFELLOW. THE MUSIC BY J. TILLEARD. AN DAN TINO. { ° 4 The shades of night were fall - ing fast, As through an Al - pine vil - lage pass’d AA IT A Ad lib. youth, who bore, ’mid snow and ice, A ban - ner, with the Strange de-vice—‘Ex- f\ _/ His brow was sad: his eye be-neath Flash’d like a fal -chion from its sheath; And {S sil - ver cla. - rion rung The ac-cents of that un - known tongue——‘Ex- .. A cel - - - si-or!’ r'\ ' ./ In hap - py homes he saw the light Of house-hold ﬁres gleam warm and bright; A- /5 -_.,,-,,«.—¢.,_~..v _—;\«..«y ,_..~,=—~ ,(»— ~,£___,f_—,.-¢.- «, n Ad lib. .5.» _.<¢*«.s>-;< hove the spec - tral gla - ciers shone, And from his lips es - cap’d agroan—-‘Ex- A 4. ‘ Try not 5. 6. ver head, The this breast!’ A - Va-lanchel’ old man said : ‘Dark l0w’rs the tem - pest 0 - said, ‘ and rest Thy wea. ~ ry head up - on wi -ther’d branch! Be - ware the aw - ful a - the pass,’ the the maid - en ‘ 0 stay,’ the pine-tree’ s ‘ Be -ware KN re-p1ied—Q ‘Ex- a sio'h—— ‘Ex- the height—‘ Ex- KN loud that cla - rion voice still he an - swer’d with voice re — plied, far up deep and wide!’ And bright blue eye, But last good night: A torrent is roar - ing tear stood in his This was the pea - sant’s ce1- - - si-or!’ KN ../ 7. At break of day, as hea - ven-ward The pi - ous monks of Saint Ber-nard, 8. A trav’ - ler, by the faith - ful hound, Half bu - ried in the snow, was found, Still 9. There, in the twi - light cold and gray, E Life - less, but beau- ti - ful, he lay; And ZS A Ad lib. Utter’d the oft - re - peat - ed pray’r, A voice cried, through the star - tled air—‘Ex- §rrasp- ing in his hand of ice That ban - ner, with the strange de —vice—‘Ex~ rom the sky se - rene and far A voice fell, like a fall - ing star———‘Ex- . . A DAVIDSON’S MUSICAL TREASURY Contains above 2000 Pieces, all printed on the same size and style as this Quadrille, comprising a large Collection of the most popular Songs, Duets, Glees, Quadrilles, Waltzes, Polkas, Country-Dances, Schottisches, Marches, Pianoforte Pieces, &c., &c. Full Catalogues of the whole will be sent, Gratis and Post Free, on application to ‘ the Publisher. ' DAVIDSONi’S OPERATIC GEMS. Consisting of the Melodies of Popular Operas, arranged as Pianoforte Pieces, in Shilling Parts, each containing 16 or more pages, and each embellished with a Portrait ofthe Composer, or some celebrated Operatic Singer. The Series cornprises—— Pu:-r. 1. Don Giovanni—2. Les Huguenots——3. I1 Barbiere di Siviglia—4. Gustavus—5. Norrna—6. La Cenerento1a—7. Der Freyschutz-8. I1Prodigo, or Azael the Prodigal—_-9. Il Flauto Magico—10. L’E1isire d’Amore—11. Fra Diavolo-12. Lucia di La.mmermoor—13. La. Gazza Ladra—14. Le Propliete—15. Masanicllo—- 16. La Figlia del Reggiment 0-17. La Sonnambula—18. L’Eto1'\le du Nord. ’ - DAVIDSON’S VOCAL GEMS OF FOREIGN OPERAS. With the Original Words, and the most approved English Versions. All the principal and most popular pieces in each Opera, with Pianoforte Accompaniments, may be ' had in One Shilling Book; or in a few instances, in double Books, Two Shillings each. The Series comprises- Book 1. Le Propheter—2-3. DerFreyschutz—4,. Fra Diavolo—-5—6. Fidelio—7. Masaniello——8-9. DonJuan——10. Nino-11-12. Haydee——-13. LaFiglia del Reggirnento—- 14. Norma-15--16. Robert le Diable-17. Serniramide——18. Strade1la—19. I1 Prodigo, or Azael the Prodigal—20. The Magic Flute——21. Gustavus—22-3. La Son- nambula, the only Edition containing the world-renowned Words of the late Mr. Beazley, the exclusive Copyrights of the Pub1isher—24-5'. L’Etoile du Nord, with the English Words by Mr. Reynoldson, now being sung nightly at Drury-Lane Theatre, also the sole Property of the Publisher.
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Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: 1888
Text: IUIIC LIIIIAIY VASSAR COLLEGE POW‘-H'~'I:.'.PsI:. Mzw vomt '§‘=~.,I»; ’ — <§'..-7—~7,";:~«*«§-v1~*~—.;--—..a-~.~_ V -— —o._ -—"'~-; ..:-—,...~—<..;’v.—* worry»:-v _:—.—'(.e*'.-,§-go-7-.--4—__— ,'~‘—'~»'-?..’._:.-v *3: “ 0 STARS SO PURE . . . . MEDIUM VOICE . DEATHLESS DREAMS . . . MEDIUM VOICE . GOOD ‘NIGHT AND SWEET REPOSE MED. VC. . HURRAH! FOR THE MAN WHO DIES LOW VC. . IS MY NAME SPOKEN IN HEAVEN? MED. VOICE . REST. . ...
Show moreIUIIC LIIIIAIY VASSAR COLLEGE POW‘-H'~'I:.'.PsI:. Mzw vomt '§‘=~.,I»; ’ — <§'..-7—~7,";:~«*«§-v1~*~—.;--—..a-~.~_ V -— —o._ -—"'~-; ..:-—,...~—<..;’v.—* worry»:-v _:—.—'(.e*'.-,§-go-7-.--4—__— ,'~‘—'~»'-?..’._:.-v *3: “ 0 STARS SO PURE . . . . MEDIUM VOICE . DEATHLESS DREAMS . . . MEDIUM VOICE . GOOD ‘NIGHT AND SWEET REPOSE MED. VC. . HURRAH! FOR THE MAN WHO DIES LOW VC. . IS MY NAME SPOKEN IN HEAVEN? MED. VOICE . REST. . . . . . . . . . LOWVOICE. WHEN LOVE WAKES UP FROM SLEEP MED.VC. . AND THE STATELY SHIPS GO ON LOW VOICE . BECAUSE. . . . . . . . . HIGH VOICE . SONG OF YESTERDAY . . . MEDIUM VOICE . MY OWN MY DEAR ONE . . MEDIUM VOICE . PRAY DON’T TELL . . . . MEDIUM VOICE. MARGERY (Echo Song) . . . MEDIUM VOICE . GOOD NIGHT, SWEET DREAMS. HIGH VOICE . GOOD NIGHT, SWEET DREAMS MEDIUM VOICE . GOOD NIGHT, SWEET, DREAMS. LOW VOICE . HE TOLD ME SO . . . . . . HIGH VOICE HE TOLD ME SO . . . . . . LOW VOICE BOBOLINK . . . . . . . . HIGH VOICE I HEARD THE VOICE OF JESUS SAY SOPRANO OR TENOR THE SEA HATH ITS PEARLS _ ‘A _ .:~.. _. <~‘ , . _-.:t~_<— ._.,—;‘.5:.._ ~ ' 4. ‘* 4; - ;‘~;.:~‘.‘<—- 7F’l'gI|adeI[:-l?'Ia “]?IEobom‘}7re/a:wr@. I712 CZl2e5tIgul5Irt “M4004 THE SEA HATH ITS PEARLS IV0m’s by Heme l’ngl1's/2. 1/e'rs1‘0n by long/‘ellow Music by BISCHOFF Andante _ I’ The sea can espress. ' {,_..—8—————:—h at tempt} ’ _ poco mil. \ hath its [7000 ml]. Copyright 1888 by The John Church Co. Copyright renewed 1915 by Elsie Bond Bischoff - 5 heav’n hath its stars, But my heart, {@200 mil. a tempo heart hath its love! a iempo poco mil. f Great are the sea and the heav- _ en, great — er is fair - er than pearls or 9" >po6o ml]. can espress. F1ash_es and beams my lit - tle youth‘- ful maid — un—t0 my great My heart, and the sea, and the heav — 11000 mi]. 10000 56”“ ﬁ 1n?;—1_t' _ ing a _ way for love! The hath its [7000 lento 1919 -9.05t6’7W'/'0 (l77Z07'0.S'0 ea pear1s,_.. The its stars, 14004-5 My heart sempre c7'es(:. heav’n sempre oresc. , can assione cresc. molto ﬂ‘ 17 stars, But my heart, _ my morenrlo RECENT SONGS §°,.-.‘.:?3° HEAR MY CRY, 0 GOD Pm-ywcents . 4 . H SMER Andante PSAl‘IsA]5° P“b1l»\‘hed for Low VUIFPE. S 0 Leadrne to the rock- that is high - er than 1, Lead me to the Who rd Price, 40 Cents ADDISON F. ANDREWS 1 0. A'1votI'u'o.v if short or tong My ear1h- - ly jounney be; I A - Allegretto c s ' ‘to Price 50 Cents olgﬂgf; ILE THURLOW LIEURANCE Thank 3 way to see sun-shine when clouds fill the sky; ‘H3 to ‘smile, just smile; A way find glad-nest when sad-nest is nigh, 33.3%?‘ ~GOOD NIGHT DEAR Priw.50CenIa Andante mode)-Mo ,,,,,,.,,.,..a,w;\x1'-:1-‘I1-:Ln suim Dear low. good- May sweet . est dreams THEO. PRESSER CO. PHILADELPHIA. PA.
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Title: Endymion
Date: 1899
Text: MUSIC UBRARY VASSAR COLLEGE uouGHI(EEPsI:, uzw YORK I/0‘ CA L x/(E5/VA ( Solo ) The Poem by LongFc1 low. V 5: “ % . Music by for//>ra/zoxn C‘ for/Vlezzo faﬁ/29120 in M 2 rrawwem [ll/I lfll/Y4/V/V. != "£7 g ’{i "if : --=~.4—_»:~ TH E JOHN CHURCH COMPANY. CINCINNATI . NEWYORK. LON D ON . — 4. ~. A.=::.~.-7.‘=“:< ( 2/6 NET.) 2 FOR 5' 01713../I 4V0. (0r1'g1Tnal key.) Endymion. Orchestral score and parts may be had of the Publishers. LONGFELLOW. LIZA LEHMANN. Unpoco lento...
Show moreMUSIC UBRARY VASSAR COLLEGE uouGHI(EEPsI:, uzw YORK I/0‘ CA L x/(E5/VA ( Solo ) The Poem by LongFc1 low. V 5: “ % . Music by for//>ra/zoxn C‘ for/Vlezzo faﬁ/29120 in M 2 rrawwem [ll/I lfll/Y4/V/V. != "£7 g ’{i "if : --=~.4—_»:~ TH E JOHN CHURCH COMPANY. CINCINNATI . NEWYORK. LON D ON . — 4. ~. A.=::.~.-7.‘=“:< ( 2/6 NET.) 2 FOR 5' 01713../I 4V0. (0r1'g1Tnal key.) Endymion. Orchestral score and parts may be had of the Publishers. LONGFELLOW. LIZA LEHMANN. Unpoco lento, tranquillo assai.(J : 66.) 3 J_ p z‘m72qm'[lo. ‘ The ris—ing moon____________ has hid the stars, Her lev-el rays like gold-en __.———-/ L___________/9 V 5 \.r \L Copyright MDCCCXCIX by The John Church Company. International Copyright. Entered according to act of the Parliamentvof Canada in the year MDCCCXCIX by The John Church Company in the Department of Agriculture. “ALL RIGHTS RESERVED’) “Including Public, Performance For Profit!’ Made in the U.S.A. on the landscape green ppa lei)///0. With shadows brown be — tween, And si1—ver - white 147 hf _. the riv-er gleams, As if Di — a — na, in her dreams, Up— on the mead-ows as A;/0170 cresc. a te-m/Jo. On such a - quil night as this, ///'12 crew. She woke End-ymion with a ' When slee ing in the _‘ \_/ m cresc. _R /1/we]. 6 (17111. P/""‘T‘\ 1'17 lem//0. grove, He dreamed .... ..__._ not of her love doing. e ([1721. ,; «,,0c¢._ pp a (em /17}? m0.s'.s'0.(J : 80.) > > WW0, Like Dian’s kiss un-ask’d un- 7 /mi mosso. 13163-14 Love gives '1t—se:1f, but is not bought, ‘I? ()7'c.s‘t:'. VOiC€ n0r__ SOuT1d,_______,__ be—tra,ys_____ Its deep h<ctv7~~\_ _____ __ ./-‘G‘ '\ /« A11da1nte,ritcn11t0,unpoco maestoso. m ma ( : 69.) It can amplezza. comes, the beau-ti — f_ul, the free; The crown of all hu-man-i _ wgf //en .s'0.s'temzz‘0. lence, and a - lone, seek the e —1ect — ed lifts the boughswhose shadows L‘: 1'1’ ob-livi - on, the s0u1’s A sleep, And } ml]. 6 a'olc2'.s=.s°z'//10. kis — ses the C105 - ‘ who slum — ber-ing pp ml]. e (1 tempo e mall. c7'e.s'(:. Oh, wea - ry hearts, Oh,slumb’ring eyes, a tempo e molt. cresc. f - ing souls whose des — ti-nies Are fraught W1t,h fear‘ and (‘T sem,m'e;21’z7cre.s'c.ea' allzwgarzdo ‘shall be loved pix? @390 (J : 69.) 77l0«S'-3'0. one is so ac—cursed by No one so ut - ter-ly > >- des - 0-late V But some heart, V thoughun-known, mollo mil. mice/. e c'7'e.s*c. . 1. 7 Re - sponds (meal. 6 cre.s'c. Tempo I.(J : 69.) (lo/cc. 4 sponds 6 8 . The accompaniment on the smaller staff can be used if preferred, but the chords should be well “spread” to obtain the same effect as in the upper version. 13153-14 L 2; 8 1R15R—1A touched strings (3021 tenerezza. dolce, I-0000 mil. 2) rz fey/2,220 dolce, poco mil. > . P; a tempo Ion g ? jgdolce pqtdolce Where P 8 in cresc. 7; Where? 8 $9159.15 hast ou stayed ('0//a ’d'0(76. calla @006. \/8 /_\_.sfre to. .+< (3 K) H II W’\"’ﬂ '\$JJ 9) long? .s'zi‘7'«2*./«J0. cl tam 0 as.s'ax1‘tm7z mllo. mZZ.sem re dim. PI’ 7’ assai tranquillo. 7311- 5 3 7711)?’ 3 0' 17'1- 8 1.'—?1K.‘2—1‘ The Most Famous Groupings of Distin- guished Song Collections Ever Published An ﬂuthenticated Record Disclose: a Sale of Two Hundred and Fifty Thousand Copies——250,000 Each Individual Volume discriminately edited for an especial purpose and for a particular voice. FﬂMOUJ JONGJ‘. Edited by H. E. Krehbiel. Four volumes. One each for J‘oprano—.ﬂlto——'Touor—8au. The best songs of Bach, Beethoven, Becker, Bohm, Brahms, Chopin, Dvorak, Fesca Frans, Godard, Gounod, Grieg, Haydn, Hoffmann, Holmes, Jensen, Liszt, Loewe, Massenet, Mendels- sohn, Mozart, Pergolesi, Purcell, Raff. Rubinstein, Saint-Saens, Schubert, Schumann, Scarlatti, Binding, Spohr, Sullivan, Taubert, Tschaikowsky, Thomas, Tosti, Wagner, Weber, and others, sre represented, together with the favorite folk-songs of the various nations. OPERJ9 J'0NGJ'. Four volumes. One each for J'oprano—.ﬂlto—Tenor—Bass. These four books comprise classiﬁed groups of the best known arias, scenas, canzonettas etc. from the standard operas. The numbers contained in each volume have been selec wit the idea of furnishing each of the four voices with a versatility of material and for all practical purposes the songs are set down in their original keys. SONG CLﬂJ‘J‘ICJ‘. Edited by Horatio Parker. Four Uolumes. One each for J‘oprano——.I}lto-7'enor—8ass. These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large an ever increasing class of earnest as irants to true artistry. The songs are presented always with the original text in order that t eir full ﬂavor and signiﬁcance may be preserved, and because a poem which does not suffer by translation is a thing hardly conceivable. ' GEMJ‘ OF ﬂNTLQUITY'. Edited by Dr. Otto Neitzel. One Uolume. This anthology of song, collected and edited by one of the greatest scholars of music of modern times, pr- sents a work of unusual interest to voice teachers, singers and music students generally; in contrast to the ephemeral character of the average anthology. The amount of material used and the carefulness of the research indicated by the selections, mark this volume as one of essential value to all who are really interested in the “Art of Song." JIHCRED J‘ONGJ'. Edited by (I). J. Henderson. Four Uolumes. One each for J‘oprano—.lIlto—'Tenor—Bass. The group of songs contained in this set is the greatest contribution yet made to collective sacred songs, and cannot fail to make a very powerful appeal to the interests of all sin ers. , Mr. Henderson has here collected the very best of sacred song literature produce during s period covering two hundred years—from Bach to Cowen. OR.ﬂ'I"ORIO JONGI. ‘ Standard Oratorio Songs in their original keys, with the accompanying Recitatives. Four Uolumes.- One each for J‘ oprano—-.ﬂlto—'1'enor-—Bass. The series isa grand ensemble of the best Oratorio Songs of the greatest masters from Johann Sebastian Bach to Sir Arthur Sullivan. ‘ The contents of these admirable volumes is so widely recognized as the highest type of pure music, that further description is unnecessary and praise superﬂuous. JJCRED DUETJ‘. Edited by william Jhakespeare. Two Uolumes. One for two high voices. One for one high and one low voice. Recognizing the demand for collated material for two-part singing in the service of the Church, the editor of these volumes, mindful of the fact that the eﬂiciency of good music is not caused by its novelty, has here com piled standard duets from many sources and from all A eras of music. The volume for two high voices is suitable for two sopranos, two tenors ‘or soprano and tenor; the volume for one hi h and one low voice is practicable for soprano and alto, for tenor and alto or for soprano an baritone. Bach Doluaso Beautifully Printed and Bound in "Heavy Paper. PR1 CE, 31.50..
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Title: Good Night, Good Night, Beloved:
Description
Date: 1901
Text: MUSIC LIBRARY VASSAR COLLEGE J: 4 llllllljlIlllllllllllllIllllllllllllllll}lillllllIHIEEIlillllllillit % ' llllllllllliliiliﬂilllilliﬂllilllllill .‘ 3_°..= 95 IIIIIIIIIlllilﬁMMIIIIIIIIIIIIIIIIInmm...... T.....mnuIllllllllllllllllllmll uunmuununumm 7?? 3 gr" ._ CC§~,k;> 1/.;g§:7 NO. (Formerly L. &' B., No. 196') Good-Night, Good-Night, Beloved! Four-Part Chorus For Men’s Voices By E. J. Fitzhugh Price, 12 cents I £3 t A ' V . .'-|:,"'| "&apos...
Show moreMUSIC LIBRARY VASSAR COLLEGE J: 4 llllllljlIlllllllllllllIllllllllllllllll}lillllllIHIEEIlillllllillit % ' llllllllllliliiliﬂilllilliﬂllilllllill .‘ 3_°..= 95 IIIIIIIIIlllilﬁMMIIIIIIIIIIIIIIIIInmm...... T.....mnuIllllllllllllllllllmll uunmuununumm 7?? 3 gr" ._ CC§~,k;> 1/.;g§:7 NO. (Formerly L. &' B., No. 196') Good-Night, Good-Night, Beloved! Four-Part Chorus For Men’s Voices By E. J. Fitzhugh Price, 12 cents I £3 t A ' V . .'-|:,"'| "'[gu7 ', '/ Good-night, good-night beloved! MALE VOICES PART-SONG Lento "P E.J.FITZHUGH :;'=’ good—night, be are stars of - lov _ ed! I morn-ing, Thy -:7 67880. I ::>-. ‘ . r I . kl h: It; 51' pk 1* V ' V I I V r V '[ I. V come to watch wo’er thee! Good—night good-night be - 1ov—ed! f1ow’rs,Thine eyes lips are crim — son ‘b ‘=——-_:_: I . are stars of morning, 11’: l‘<"—’—" a 0 J1 I I II I] 1 I I I I - It 135 dim poco rail. come to watch o’er thee. To be near thee, to be near thee, A - lips are crim - son f1ow’rs.To be dim pow near thee, to be near thee, I cztempo dz 1’ m. Copyright, 1905, by Harold Flammer, I720. dz'm.poco rail. P —i_._ :3’ lone is peace for me, a - lone is peace for count the weary hours, I count the weary P‘-;’_C :‘—_;- night good-night be _ lov-ed! I come to Watch o’er thee! good- A ‘<: j{ 4. ‘/T’ \IJ night good—night be — lov - ed! 1 come to watch €li7n. te¢«("'_p'p fall. Coda. (after last verse) _T——=- 17’ Good — night, 1) _..-==— PP {T A CHOICE SELECTION OF TWO-PART CHORUSES For Treble Voices Selected from the Harold Flammer Catalogue 87001 87002 87003 87004 87005 87006 87007 87008 87009 87010 87011 87012 87013 87014 87015 87016 87017 87018 87019 87020 87021 MILLER, Boats of Mine . . . . . . . . . . . . . , . . . . . . . . . . . . .15 TREHARNE, Mother, My Dear . . . . . . . . . . . . . . . . . . . . .15 VPROCTOR, Drowsily Come the Sheep . . . . . . . . . . . . . . . .15 EKNfTELLE,Spﬁng . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...15 RUBINSTEIN, Voices of the Woods (Melody in .12 TOSTI, A Venetian Song . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 CZIBULKA, Morn Rise . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 MILDENBERG, Springtime (Eng. & Ger.) . . . . . . . . . . . .15 MILDENBERG, On the Lagoon . . . . . . . . . . . . . . . . . . . . .12 SCHUBERT, Hark, Hark, the Lark . . . . . . . . . . . . . . . . . .12 MOSZKOWSKI, Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . .15 BRAHMS, Lullaby . . . . . . . . . . . . . . . . . . . . . .~ . . . . . . . . . . .10 ROECKEL, A Bird in Hand . . . . . . . . . . . . . . . . . . . . . . . . .15 MILDENBERG, The Woodland . . . . . . . . . . . . . . . . . . . . .16 MARCHANT, Fishing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 SCHUMANN, Gypsy Life . . . . . . . . . . . . . . . . . . . . . . . . . . .16 BROWN ELL, Four-Leaf Clover . . . . . . . . . . . . . . . . . . . . .15 NEAPOLITAN SONG, Santa Lucia (Eng. & Ital.). . . . .12 FORSHAW, Who Will Come to the Sea? . . . . . . . . . . . . . .15 REICHARDT, When the Roses Bloom . . . . . . . . . . . . . . .12 DRIGO, Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
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Title: Minnehaha or Laughing Water Polka:
Description
Date: n.d.
Text: To Aﬁeiff J‘? 1- LR \ 7&1: .., _-5.5-' X COMPOSED BY V,/ a W .0 a O P B 3 4 5 N 0 S & IL L A H M M L L W VI I0 d 8 h .6 M U P N. Y5. W E N W m E D n _... 5 W m w M M u E .m M. B. W E. .m H 0 5 k I um. I E ...m .m . !v1r/-rd srwrdmgv 111 Am‘ 0/ Eangrrss m1he Yaar /8:56 by Wm.Ha!/ Mun MUSIC Lssmmv VASEAQ C(.‘tL*. Z ‘M l'NNEHAI:lAZ’ OI‘ \ . W A T ‘7 ﬂbcﬁ yﬁc’ #1? P 0947 ........... . x............ FRANCIS H. BROWN. POL KA. B1-illaute. V Q),1I§r':n" r.:,v_-0/'z(w...
Show moreTo Aﬁeiff J‘? 1- LR \ 7&1: .., _-5.5-' X COMPOSED BY V,/ a W .0 a O P B 3 4 5 N 0 S & IL L A H M M L L W VI I0 d 8 h .6 M U P N. Y5. W E N W m E D n _... 5 W m w M M u E .m M. B. W E. .m H 0 5 k I um. I E ...m .m . !v1r/-rd srwrdmgv 111 Am‘ 0/ Eangrrss m1he Yaar /8:56 by Wm.Ha!/ Mun MUSIC Lssmmv VASEAQ C(.‘tL*. Z ‘M l'NNEHAI:lAZ’ OI‘ \ . W A T ‘7 ﬂbcﬁ yﬁc’ #1? P 0947 ........... . x............ FRANCIS H. BROWN. POL KA. B1-illaute. V Q),1I§r':n" r.:,v_-0/'z(w': ,2 to /([3/I}(,1,l;,11.~,;;,]_ .jS[_( };y F‘"!V[,HALL it SUN} 1.; L’(—.C1cu.’.: U;.1r,c L1lh<.].i;tl‘itlC(,’I.AlOI {LL Su;ll.1.u.1 11.1: in (J (M. )u1'.. . ‘7 0. a .m. 3 up
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Title: Snow Flakes
Date: 1895
Text: \\\’ :3 §k \ \ $ \\‘\\%’ / 3: !\ ' \\ \ . K \\s\ ' ‘ LEIPZIG, anuxsuas - BREITKOPF & H-A.RTEL— LONDON, NEW vonx. IC LIIRAIV Sn0W- Flakes. ADELINE TRAIN. Moderato. 77217 When—e’er a "snow-=f1ake leaves the It turns, and \:JV “Good — bye, dear C Copyright, 1:495, by P. L. Jung. _ _ M-PaSS°‘V=En%‘r-N%Y~ cloud, dear cloud, so cool and Then light -1y 17}? 2m [1000 wood. trav — els on its : ‘ But, when a an [2000 (M061. flake finds ‘ “Good - day,” it Thou art 1-’. L.J. 333 19 a...
Show more\\\’ :3 §k \ \ $ \\‘\\%’ / 3: !\ ' \\ \ . K \\s\ ' ‘ LEIPZIG, anuxsuas - BREITKOPF & H-A.RTEL— LONDON, NEW vonx. IC LIIRAIV Sn0W- Flakes. ADELINE TRAIN. Moderato. 77217 When—e’er a "snow-=f1ake leaves the It turns, and \:JV “Good — bye, dear C Copyright, 1:495, by P. L. Jung. _ _ M-PaSS°‘V=En%‘r-N%Y~ cloud, dear cloud, so cool and Then light -1y 17}? 2m [1000 wood. trav — els on its : ‘ But, when a an [2000 (M061. flake finds ‘ “Good - day,” it Thou art 1-’. L.J. 333 19 a iempr). }_ p m z‘em];o. 7,90 (l fem 0. \ But when a snow—f1ake,brave and meek, Lights on 1) (5 fem]/0. cheek, _ It stafts:...__._. ‘ :>- :> P.L.J.333 111’ Ada 10' Andante. and it melts .Longfe11ow.) FR
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Title: Beware:
Description
Date: 1864
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/;m:=IM~ , " Copyright 189 '3 by J. E . Per-ring . BEWARE! Words by H.“/. LONGFELLOW. Music lay JAMES ERNEST PERRING. Allegro con spirito ma non troppo presto. 1’ known 1naid- - en fair to see! take careltake care! take czweltakecarel She .f can both false _ and friendly be, Beware, beware, hewgxre, ten: 0. > P hewzu-e,VbeWa1'e, She is fooling thee, she is foolingthee,t1'usthe1' /4'3 tcn1})o.K/ \' not! . . . . oh trust her not! .. . She is fooling thee, she is fooling thee,f1*11sthe1' not! oh trust her not! >>> > > /3 gﬁazioso. Slm has two eyes so soft and [)1'0wn, (-zu'e,t:1kc care, beware, beware!‘ She gives :1 side glziuce and looks down, 1,], rail.- 0ht1'11sthe1' not! 011 beware, hewzu'e,hewa1'e! pp wall.- has two eyes so softand brown, She give_S a side glance amdlooks down, tcnapo. trust he L’ a tempo. a tempo. t rust h e trust herfnot, oh be-w;u-e! trust her not, atem 0. > P fooling thee, she ‘is fooling thee, trust her not, oh trust her not! She is (I tempT‘/ fooling thee, she is fooling thee,t1‘ust her not oh trust her not! >>>:>>f.\ /\ \ '. r.\1’(-\ \ “""V T’—“,;s3?g7 ;.._;“f_ -5 she hag hair 0f"'g0ld-en hue; And what she says it is not true, : «— W 4-~::~.—.=w«.—.)v.~.: -:>.:+-vywwz tempo. she has hair of wall.- gold-en ' And what she says {’— /_\ J‘. Be-w:u-e! beware! beware,‘ beware! For she has hair of a golden hue, 011 trust her not; 011 trust her not! And what shesays it > > > /'\ /"\ is not true, She gives thee a garland fair,‘ 7Tis :1 fools cap f01'theet'0 Z5 Z‘ {T /"\ t * . >cmpo Oh she7s fooling thee, she is fooling thee, Trust her not, 011 trust he /3 she is fooling thee, she is fooling thee,trust her nbt 1, ohtrusthc *3 Perfect Peace. (I heard a Voice.) Sacred Song for Low Voice 221 C, Vvqfds by V I I I ¥ N[1lSiC‘by JOSEPH FLETCHER. e V‘ " W9 DRESSLER. _ Larghetto. heard :1 voice, . Je — sus to me’ speak —ing, u.—mid the prcssund throng, I heard Him ' : “Come ‘wen-ry Copyright 1910 by VVIF1 A.Pond & Co. International Copyrightﬁecured.
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