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Title: Stars of the Summer Night
Date: 1865
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Show more///. «/2 / / ///’%'////e, V K _,E, of Buffalo, IV. A ;,;.-_:—<-_;vs_>__—_- 4~ EEEENAEE WORDS By LDNGFELLDY/Y MUS 10 BY redH.PEasE. .,-[7/7/M7’ 0/“ " Tvmler &T11w.‘‘ “ Eluw, Built) Hlnw," eunl "Ayoa1"'5 sphlludl .\\\9;44_- ‘~95-Of. , -/rip gf’ * 2 ‘P/; ;.;.«; ("W77 J‘!!:3“£V0B.Ki» 5°ﬂ'3':*§B> \ \ /K_/ 7 ’ \‘— , ‘J 13l{\\.~\1)Y't’1\Y'.\;/' ‘ ':J }X7/71/ml //u,;,/7'2[I,I1;/ 7:7./Zr? /77 /h7,yr/;~*.\'<'/ﬂ J5‘!-7 7'? 727- ,'uI".,'I//,/I7//1'/" m //«.w «,7:/7'/rfv ///’~//or :17"//ze /17, #171,‘? cw//7:‘ «// '7//v ,r/rr/7.77:7‘/7 ]//,' \'?2'/1'7,‘ 177/1")’///X’, EDWARD SCHUBERTH & CO.‘ U?'~‘w“-M * '/ ‘'7 r.;?w n(\RK nusoc uannnv VASSAR COLLEGE “STARS or THE SUMMER NIGHT.“ S E R E N A DE . _ ...¢,.}_# From ,L01zgfeIlo'u7'.s‘ “SI’.~lJ'\" I SH STU[)E'.VT." ..=7lu,.\'ic by .»lI.1v‘,R,EI) II. Pz"4]AU§'E. Allegretto. PIANO. dwllllllil’ (‘P - Iu fl L'I‘€«\‘(7o the summer night! ': * de-eps, Hide, 3'20 _ I... —-*' -- -0‘ -:!~ Enio 794! ucc0~r({i11g In A at 0f('o11g:=e.\~.v. A . Ii. J1 86.5‘!/*4:,~ Il'w>:- 11- .‘e.‘v!'a'i:~:nt»1-, in tlw (,'.’er£".s- ¢')ffic:«» nf llu» l)1',.s-lriv-I ('0 u ri If lim Sr; is 12,4» my i.P.v'x I ricv-I rr,’f'3\V. Y‘ ‘ l)g0l—dv_n light! S'i1(j sleeps! my 121 - dy sleeps.’ 3? of the. summer night! western steeps, ful - gi - do mm vol T’ min hen Sink, sink 1]] sﬂ — ver light! She s1eeps!_-_-_ . ' dy sleeps! sem re P .\'Plll}Il‘(’ . P sleeps I PI’ not - lur - 1m (,1! — 1' the sununer night! V\"ht-re yonder Wuocibijme creeps, pu e m’ rm’ fold your pillinns light!She sleeps! -0- Sug —. no Ill’, 51991“ 5 Dreams of the J_. , /1 mic pensie-r (In Im. — cio cresc. summer night! Tell her, her 1ov- e:r keeps VVatch, while in 0 P380. slumhbers ﬁght! She sleeps! . . W ‘ sleeps! 70]) 77’ mo're1u.lo. moreudo . l’I’l' UH Ives , Ii II_(/‘ Gaialogue No. 3 of Voca Music, published by G. Schirmer, New York, SONGS FOR ONE VOICE. N. B.——e. for English; i. for Italian; g, for German; 1’. for French; 1. for Latin; in. for minor; M.-Sop. for Mezzo-Soprano. Abt, Franz Embarrassment. (Verlegen- hi-it.) sép. in D5, Alto in B5, each.... T- The same arranged - on . Db. —— In Love’ 5 Embrace. (Iin Arm der Liehe Sop. F, Alto Db, each . . . . . . . . . . . . —- Irene. (Whether I love thee.) c. g -— It was not thus to be! (Es hat t sollen sein.) Sop. Dy, Alto Bb, each... —— Maiden, arise! (Miidele, guck 'raus.) Serenade. . . . . . . . . . . . . . . . . . . . . . . . . . . . . —- My Tliouglit thou art ever. (Du bist mein Gedanke.) Sop. Ab, Alto Eb, each, Adams, St., Nancy Lee.... —— The Sailor’s Farewell j 1 . . . . . . . . . . Alury, (}., Colinette. Chanson. f. . .. —- ll Sospi‘ . (The Sigh?) 1. e . . . . . . . . . . .. L., Forosetta. ( he Frolicsome.) ‘einpo di Tarantella. ‘ . ,each._....., . . . . . .. ‘ .. (Lass dich lieben.).._ Bach, N. G., ltlkir par le Roi Henry III.: Jlnl pertlu cc e. ' ' Balfe, M. W., ._ _ Heart bowedg ﬂown.” (l;’Al'llll& mi raminenti.) a at, G. e. . i. 0. . Barnb 9 -3., [ii Spi'ingtiine.. T hen the Title comes in Bartlett, H. N., Moonbeam Bassford, W’. K., Beloved . ——- She l'll1ll[_'; the Roses in the Air . . . . . . . . .. Beethoven, L. van., Adelaide. e. g, Sop. Bp, M. -Sop. G, Alto F, each . . . . . . . Benedict, Jul., Variations (le Concert sur le Carnnval dc Venice. i. g . . . . . . . . . -— Rock me to sleep. (Wieg‘ micli in Ruh.) . . f . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bevigiigni, E., La Fioraja. (The Flower Girl.) Canzo e i . . . . . . . . . . . . . . . . .. —— Pour qui ton Coeur? (Who wins thy Heart?) f.e . . . . . . . . . . . . . . . . . . . . . .. Bllunonthal, J., ’I‘he Message. (Mein Grnss.) Sop. F, M.-Sop. D, each 1 My ueen —— My true Love has my Heart. Ballad .. T The Requital. (Vergeltung.) . . . . . .. .. -— When we are Iparte ..,.., . . . . . . . . . . . . .. Blumner, NI... 1V y Heart is like the gloomy Night. (Mcin Herz ist wie die dnnkle 0 2 Boon, F., Coniin 35 Brgga, G. , Les troigs Bouquets dc Marguerite. (Margnei-ite’s three Bouquets.) c. i. 1'. With Accompaniment of Piano and Violin, or Cello, or lute . . . . . . . . . . .. . Brahms, Joh., Alil sweet my Love! (Wie bist du, meine Koni "n. .. ._ . . . . . . —- How free and fresh my Heart. (Wie lroh imd frisch inein Sinn.) . . . . . . . . . . . . . . . . —— Must we then once more be parted ? (Muss es eine Trennung geben ?) . . . . . . . —— Rest thee, my Lady. (Ru e, Buck,NDl1dley, Five Songs for Alto or Bar. o. 1 ’ 5. Storm and —— 5 Songs for Tenor or Sop. No. 1. hou art mine! 2. Shadow Land. 3. I love theel 4. The silent world is sleeping. 5. Creole 1over‘s song. Campana, F., E una Mngia il Canto. (The magic Power of Song.) Ballata... ——- 10 t’ amero. (I’ll love but thee.) Alt e. ——- Morir per te. (For thee.) M.-Sop. i. e., -—Speakto‘me . . . . . . . . . . . . . . . .. — Vivere e godere. Ballata. ——- La Zingarella. (The Gypsy.) or Alto. eac . Chapman, \V1n_., R.Adieul. Chopin, Fr., Anne-moi. (Love In M zurka, arr. by P. Viardot. e. f. g. Sop. (ihoudens, A., La Bergeronnette. (Id be Shepherdess.) e.f. Valse chantée. M.-Sop. 50 Cirlllo, V., I1 Canarino. (The littleCanary.) Scherzo. i. e. So .. ~— Vienii Melodia. . . . . . . . . . Claplsson, L., My Soul to Go , my Heart to thee! (Die Seele Gott, mein Herz fiir dich. . ........... .. Clarlbei, Strangers yet. . —— Take back the Heart. . -— We'd better hide a wee. . . . . . —- Won’t you tell me why, Robin Y . Clay, Fred., She wandered down the mountaii,,Si<le.... . . . . . . -—-_The Shades of Evening close around —— . es or o . . . . . .. . Conradi, A., My Darling. (H n inei I.) Serenade. Sop.C Alto Al),each. Cooper, I-lenry, My Star. (Mein Sterii.).. Wislies. (Sunnsi1cht.) .. ..... Cotven, F. ., At last .. -—— The better Land. . . . -— It was a Dream. Damroseh, Dr. L., Siegfried s Swor Tenor. e. g. Orchestra. Score, net.. Piano Score............................ Son of the Fisher Boy, from Schi1ler’s Tel. e.g. op . . . . . . . . . . . . . . . . . David, Fel., Lalla Beulah: “O mu Mui- tresse.” (O faircstMaiden.) Barcarolle. f. e. Sop. Ab, Alto F, eac . . . . . . . . . . .. Pessauer, J .,The pale Moon’s Silver rays. (Des Mondes Silber riiint.) Alto E.. . : ToSevi1ln. (Nnch Sevilla.) Sop. o Fin., each Dolores, All yesterday I was spi g. . ~— e Brook. Words by Tennyson . . . . .. Donizetti, G., Figzlta del Reggivnevilo .- “Quando il Destino.“ (Ask me not why.) i. f. c . . . . . . . . . . . . . . . . . . . . . . . . .. Esser, 1]., Farewell, beloved Forest green. (Ade, du heher Tannenwald.) . . d Complete Catalogue of all my Publications and of “ Edition Peters” sent on Siissliebclien.) ' .22 Q0 Esser, 11., Love‘s Hope. (Liebes-Hoifnuno.) » My Angel. (Mein Engel.) Sop. Eb, Alto Bf), each Fabiani, Dario, Lasciati amare. ve thee.) Romanza. Tenor . . . . . . . .. Fnure, J., Alleluia d’Amour. (The Alleluia oi Love.) f e . . . . . . .. ‘ . . . . . . . . . . . . .. —— Bonjour, Suzon l (Good Day, Susanne I) —— Far from thee . . . . . . .. ——- Sancta Maria. f. e. . . Federlein, G., Love-lies-bleeding. ncnde _Liel)c.) — on l ‘}3'iit't‘e'r'ii5v,’ stay i. I T" Ferri, N., ll/Ilarianiiia. i. f. e. S A c . . . . . .. . . . . . . . . . . . . . . . . . . . . . . .. 3 ——- The Maiden's Evening Song. (M‘ clien- l ed . 3:2 , ca Fesca Alex. iidclien ove. (Liebesbotschaft.) Sop. Bm., Alto Am., each . . . . . . . . . . . . . . . . . .. : The Wanderer. (Der Wanderer.) Sop. lto A e , , ac . . . . . . . . . . . . . . . . . . . . .. Fischer, C. 11., A Toast to Spring. (Fl-uh- lin rstoaste. Sop. B5, Alto G, eacli.... Franz, 0b., 35 Songs. e. g. Svo, net F iichs, F. 0., Mariners Greeting. fer‘s Gruss.) Sop. Gabriel, V., The Garden Alto E , each . . . . . . . . . . . . . . . . . . . . . .. ~—- Niglitfah at Sea. Alto . . . . . . . . . . . . . . . . . ——- Only! Sop. '.A.it<3'A','e'xlt3i1', The Bee.) f. e. so early I \ aliz . Giorduni, Caro mi i. ‘ . 'Alto, each Gomes, 0., Mia Picirella. (My little Dar- ’ i. e. Sop. E9, l\I.-Sop. C, each. . L., La Bianchina. i. e. Mn (Regard me.) Mclotli —— Vii guarda. a. (The Night is ﬁne.) —— La Notte é bella. EIYCHX‘ . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Gounod, Ch., Au Printemps. (To Spring.) c. f. i. . M.-So . D Alto C, each.... ~— Biondina. (Oh, Face the fairest l) . 0 : Canti. ridi, dormi. (Sing, Smile, Slum- ber.) Serenade. i. 0., or f. e. Sop., M.- Sop. or Alto, each . . . . . . . . . . . . . . . . . . . . . . ——- The same, with Piano and Flute, or Violin or Cello Accompanimeiit, each. . . . . . . —— Faust: “Dall’ avito Suol natal." (Lov- IWlEg Smile of Sister kind.) Cavatina. 1‘ — 0 . . . . .. . . . . . . . . . . . .. —— Ho messo nu _ . (Again, my "entle Lute.) 1. f. e. . . .. . . . . . . . . . . . . . . . —— I-lP"ymne a la Niiit. (Hymn to the Night.) e. i. 1'. Sop. C, Alto 135, each. . . . . . . . . . ——- Maid of Athens. Sop. E9, Alto C, each. —— Noel. (Christmas Song.) 1’. i. c. Sop. E9, M.-Sop. C, Alto Bi), each . . . . . . . . . . . —— The same for op. with Accompaniment of Piano and Vio in . . . . . . . . . . . .. —— Oh l that we two were niaying. e ——- Senza te ! (Without thee.) i. e. .) i.e. . .. .. e V . (The V icy.) i. f.c ..... .. $120, La Camelia. (The Camellia.) .— ‘o . '. . . . . . . . . . . . . . . . . . . . . . . . . . .. —— Il Cielo e te. (Heaven and thee.) M.- Sop. i. e —— La jeune Fille et l’Ois . L the Bird.) f. c. Sop. Eb . . . . . . . . . . . . . . . —— The Lover and the Bird (Trost im Lied.) Alto1nC. e.g.. . . . . . . ., . . . . . . .. Gumbert, F., Ali ! _ ugth ‘tis here. (Der Augenblick ist da.) Polka-Rondo. —— Come, w ere Pleasure is beaming. (Kommt, wo Kerzen strahlen.) 3d Waltz-Rondo. Sop, F, Alto D1), each. —— EIl)I§1ltl(l9. (Abendstille) Sop. F, Alto ,eac1 . . . . . . . . . . . . . . . . . . . . . . . . —— Love's Joy. (Liebesl‘reude.) 4th Waltz Rondo. Sop. D lto Bp, each ...... .. ——- My Song! (Mein Lied.) Sop. D, Alto Gugll ie Tl “ . nan in’s Leben.“) Sop. Ab, Alto 1*‘, eacli.. . 11., K. E., Ilove thee . . . . . . . . . . . . . . . . . . . . .. Halévy, l?'., L’Eclai7‘.' “ Quand de1aNuit." (Call me thine own.) 1‘. e. g . . . . . . . . . . .. Hiindel, F., Lascia ch‘io pianga. (Hei-elct my Tears it. ed Ar’- Rinaldo. . — Rendi'l sereno al Ciglio. (Cast from thy Brow that Sadness.) i. e . . . . . . . . . . . I-Iasse. Ad., (1699-1783.) Ritorneraifra poco. (To a Brook.) i. e. S ‘ Alto, eacli. I-Iatton, John L., Bid me to live. House, dC)arl, Slumber Song. (Schl ie. . . . . . .. .. Verdure clad. Air from Ilenrion, P., SweetLove,arisel (Liebchen, steh aufl) . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Heymann, A., Yes; thou art mine. , du bist mein.) Sop. Db, Alto lip, each. Hill, W., The Maid of the Rhine. (Das Herz am Rhein.) Sop. G, Alto E, each. Hiller, Ferd., Three Songs. Complete. Sop. or Alto, each . . . . . . . . . . . . . . . . . . . . . No. 1. Partinv. (0 du lieber Schzitz.) N0. ‘2. Were fa Bird of Air. (Wenn ich ein Viiglein Wiir‘.) 0. 3. Maitlen’s Song. (Miidchenlied) Hodges, Faustina Hasse-, All in Sun- shine . . . . . . . . . . . . . . . . —— Drifting . . . . . . . . . . .. . ——- Snowyiily of the Valley . . . . Holzel, 61., Evening Prayer. (Naclit«Gebet.) Sop. F, Alto E5), each. . . . . . . . . . . . . . Hullall, John, The Storm . . . . . . . . . . . . . (Let me Hullall, John, Three Fishers eller, 0., Blind Man. (Der Blinde.) . . . . . . Kirchner, ’l‘h., They say ‘tie Love. (Sic sagen, es ware die Liebe.) . . . . . . . . . . . . . . Korbay, F., Forever and Foreve . och Ness . . . . . . . . . . . . . . . . .. ——- Love Song —— Reed Songs. e. g. i. Complete. ——- The same, in separate Numbers: No. 1. There the golden Sun descend- , ing. (Driiben geht die Sonne schei- de . . . . . . . . . . . . .. No. 2. Heaven low‘rs. (Triihe wird's.) No.3. ‘Neath the Twilight's parting Beam. (Sclileich’icli gern’im Abend» schein.) . . . . . . . . . . . . . . . . . . . .. . . . . . . . No. 4. Sunkcnis the Sun. (Sonnennn- I tergaug. . _ . . . . . . . . . . . . . . . . . . . . . . .. , No. 5. On the Lake the Moon reposes. , (Auf dem Teich, de:-1 regungslosen.). --~ Resignation. e I (Lcise . -——- Softly throurli in Spirit rin . zieht (lurch§incin5Geiniith.). . . . . . . . . .. —~— Summer Night’s ong . . . . . . . . . . . . . .. .. ——- Why are the Roses so pale? Sop. G, Alto F, each . . . . . . . . . . . . . . . . . . . . . . . .. Kreutzer, 1 ., Landla<ly‘s little Daughter. (Der Wirtliin Tochterlein.) Kﬁckfxlll, Fr.. Ave Maria. e. g. Sop. E9, I: each —~—- Gently rest. Mother’s Song. merited.) . . . . . . . . . . . . . . . . . . . . . . . . . : Gisela. (Golden Day ﬂed aw . e. . . —— Heaven hath shed a Tear. (Der Himmel hat cine Thrline gewcint.) With Ace. of Piano and Violin, or Clzirionet, or Cello.1 —- Oh, come, Mariel (O konim, Mariel)... 1 The Starlet. (Das Sternlcin.) Sop. D, Alto B9, eac . . . . . . . . . . . . . . . . . . . . . . . . .. ——- The Tear. (Die Tlirane.) Sop. F, Alto E), each . . . . . . . . . . . . . . . . . . . .. . ——- We met by Chalice. (Lauf der Welt.).. . Lachner, Ign., Everywhere thou. (Ueber- all clu.) Sop. or Alto, each . . . . . . . . . . . . ——- Round thy dear Home. (Stnrrcnd vor rost.) Serenade . . . . . . . . . . . . . . . . . . . .. Lassen, E., Ahl ’tis a Dream. (Ieh hatte cinst ein scliones Vaterland.) Alto. . . . Lecocq, Ch., Gz'2-oﬂé-G7:7'a_ﬂa..- Pére adore. ('l‘uru not away.) f. e. Levey, W. C... Esmeralda... Lﬂluillier, E., Maudit Pitlll0. Piano.) f. c. Comic) Liebe, L. My native Vale. (M 0' tliai. ch . . . . . . . . . . . . (Auf Wiedersehen.) op. Alto A, each . . . . . . . . . . . . . . . . .. Lindsay, Miss lYI., Bridge . —- F211‘ away 1 Tired . . . . oo late., . . . . . . . .. . Liszt, Fra1lz., Favorite Sonas : No.1. Mignon‘s Song: zlinowest thou the Land? (Keniist du das Land?) Sop. Fit, Alto E17, each . . . . . . . . . . . .. No. 2. Wanderer‘s Night Song. (Uebcr Allen Gipfeln ist Riih.) . . . . . . . . . . . . . . No. 3. Tliou‘rt like a Flower. (Du bist wie eine Bliime.) Sop. A, Alto Fit, each No. 4. Angel fair, with golden (Angiolin dal biondo Crin.) e Sop. A, Alto F, eacli . . . . . . .. No. 5. The Loreley. was sol1‘s bedeuten.) . . . . . . . . . . . . . . . . N0. 6. I love but thee. (Ich liebe dich.) No. 7. The Violet. (Dns Veilclien.). . . . No.8. A wondrous Thing "tmust be. (Es muss cin Wundcrlnires scin.). . . . No. 9. Comment (lisaient-ils ?.. . . . .. . . . . No. 10. A Fir Tree stood all lonely. (Ein Fichteiibauin steht einsam.) . . . . . . . . . No. 11. Sound softly. my Lay. (Kling leise, mein Licd.) . . . . . . . . . . . . . . . . . . . . No. 12 Oh, thou that from Heaven artl (Der du vom Hiinmel bist.) . . , . _ . . , , _ , No. 13. Once again I fain would meet thee. (Wiedermoclit icli dir begegnen.) No. D Lo\'e‘s bright Joy. (In Lie- be ust. . . . . . . . . . . . . . . . . . . . . . . . . . . .. No.15. Joyful and inournful. (Freud- voll und leidvoll.) Sop. A5, M.-Sop. E,each... . .. . . . . . . . . . . . . .. 0.16. Ki _ of Konigin Thule.).... . Loder, E. J., Thcre’s a Path by the Rive ' . Lotti, A., Pur dicesti. (Parlc encore.) Ar i. f. c. Sop. or Alto, each . . . . . . . . .. .. Lndovici, F.W., Like aWater-Lily lloa ng Luzzi, L., Mia Madre. (My Mother.) e. i.. Macii-gIie,lC. A., Lullaby. Sop. E7, Alto ac 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . (Es war ein , e . Mariani, Ang., Non cainhia mail (Ic can never know.) Stornello. i. e Marston, G. W., Daybreak. M.-Sop. —— Donald. M.»So . . . . . . . . . . . . . . . . . . .. ~—~— From the close shut Vlfindow. Alto. . . . Martini, Plaisir d’Amour. (The Joys of Love.) M.—Sop. f. e . . . . . . . . . . . ._. .. Massenet, J., Serenade to Mignon. 1. t’. e. Tenor or Sop. . . . . . . . . . . . . . . . . . . . . .. lllattei, '1‘., Aino. (I love thee 1) Sop. Ab, Alto I< , each A —— Che Gioja l (What Joy 1) Waltz. e. Sop. Bb, Alto , eac 1.... .- . . . . . . . . . . .. — — Dehl parla. (When thou smilest.) Ro- manza. i. e . . . . . . . . . . . . . . . . . . . . . .. .. ——- Io la. perdei. (Lost now to me.) . . . . . . -— Non so perché. (I know not why.) ' . D M.-Sop. Melodic-Valzer. 1. e. ‘op Nlendelssolin, F., 0 . A 'Fliigeln des Gesanges.) . . . . . . . . . . . ——- Pni-ting and Meeting. (Es is bestimmt.) + Slumber Song. (Bci der Wiege.) . . . . . .. S S ring Song. (Es brechen iin scliallen- cn Reigen.) . . . . . . . . . . . . . .. . . . . . . . . . . .. —— Spring Son . (Der F "hluig naht niit Brausen.) . . . . . . . . . . . . . . . . . . . . . . ——Suleika. . . . . . . . . . lllereadante, ‘., And7"on'zc0: Soave Im- magino. (Evening comes softly.) i. e.. ro 210 25 35 '35 35 35 25 35 40 35 35 35 25 35 Nlercadante, S., La Rose. (The Rose.) _ I_aS'tel1a:"(The'Star.') """" " . " Mercier, 0115., La Chari Romance. f. e.. e. f. g . . . . . . . . .. Venetianischen Gondo- (Go i go! said she.) Sop. E. l’. i. g. e.. lllollenhaner Ed Secret Love. Go- lieime Liel)e.) New Edition . . . . . . , _ . . . Molloy, ET. In, Clochette. Sop. F, Alto D, eac . . . . . . . . . . . . . . . . . . . . . . . . . . . .. —— The Gleaners . . . . . . . —— The little Tin Soldier. ——- The old Cottage Clock.. —— The old Sailor-Wife . . . . . . . . . . . . . . ——- Twilight Fancy; or, Dresden China. ——- White Daisy . . . . . . . . . . . . . . . . . . . . . . . . . . .. Mozart, IV. A., Figaro.‘ “Voi che sapet ria. e. i. f. g. op. Bi), Alto Ab, ea.ch.... lvluzio E.,La Madonna del Pescatore. (The Fishei-inan‘s Madonna.) . . . . . . . . . . . . . . . . Nicolai, W. F. (Pu, Turn not on me those Glances bright. (O sieh mich nicht.).. Osborne. G. 11., Who’s at mywindowt... Paladilhe, E., Souvenir de Rome. [Man- dolinata]. (Moonli ht Serenade.) 1'. i. e. _ Tenoror Sop. G, .- o . ,e ch Patti, Adelillél, Speine arcana. (Secret ope. i. . e . . . . . . . . . . . . . . . . . . . . . . . .. Pfelfer, C. Messenger ofL0ve. (LielJesbote.) Sop. , Alto Db, each . . . . . . . . . . . . . . . . .. Pinsuti, 0., Constant Love. (Je t’aimais.) I(T‘ain-ava allor.) i. f. e . . . . . . . . . . . . . . .. —— The captive Skylark. ——- The Skylark free. —— The Swallow. . . . . . . . ——- Welcome, pretty Primrose . . . . . . . . . . . .. —— What we have loved. we love forever. . . Poniatolvski, Yeoman‘s Wedding Song. . Potter, “I. A., Oh! wilt thou have my Hand, Dear? . . . . . . . . . . . . . . . . . . . . . . . . Randeggcr, A., Peacefully uii er. (Sanft sci (lein Sclilunimer) —— The same,witli Accon 2 Altos, and 2 Cellos. —— What are they to do ? . . . . . . . . . . . . .. Reichardt, AL, J‘aime! Je snis aimél (I ’ love, I am loved l) Romance. 1'. e. . . . . —— Love’s Request. (Liebeshitte) . . . . . . . —— Of thee I think. (Icli denke dein.). eiehardt, G., Image of the Rose. der ose.) Sop. G. Alto E, each . . . . . . . Reinecke, (1., Greeting to the Woods. (Wal<lesgruss.) With Accomp. of Piano and Violin, or Flute, or Cello, each. .. . — Spring Flowers. (Fl‘lll'lllll°5b1llIl16l].) With Accompaniment of Blane and Violin, or Flute, or Cello, each . . . . . . . . —— Songs from the Fairy Cantata "Snow~ drop” (“ Sch-neewitlc/Len“) : 0. he Songs of Birds. (Die Voglein singen.) ‘ . . . . . . . . . . No. 3. Our Meal is ready. (Lied des Zwerges Tom.) M.~Sop No. 6. Snowdrop in the Forest. (Lied des Schneewittchen.) op . . . . . . . . . Rice], Fred., Crowned with Joy and Hope. Vocal Waltz from the Opera Una Follia a Roma. i. f. e. Sop. D, Alto C, each.. Riviére, J ., Gentil Printemps l (Spring, gentle Sprin ’ ’ 'a1lin{éil£b'r'i>izlnd, !) o e . . . . . . . . . . . . . . . Robaudi, V., Aﬁa Stella conﬁdente. (Bright . . 0 Star of Love.) i. e . . . . . . . . . . . . . . Rotoll, A., Speral (Hope then l) i. liubiilrsltiein, A ., Morning Song. ie . . . . . . . . . . . . . . . . . . _ . . . . . . . . . . . . .. —- Thou’rt like unto a Flower. (Du bistwie eine lume.) Sop. F, Alto E), each . .. Rupeg, G., Rappelle-toi. (Oh! think of me.) . e . . . . . . . . . .. —~—— Tout nous dit d’e us Hope.) f. e. .. Scarlatti, AL, (16594 .) Le Violette. (To aViolet.) i. e. Sop. or Alto, each. . . . . Schira, F., Sognai l (I dreamt.) Reverie. . (Erlkoni ). . . . . . . . . . .. .. k l the Lark. (Horch, horch, die Lerch.) . . . . . . . . . . . . . . . . . . . . . . . . . . —— The Question. (Der Nenoierige.) . Schumann, Rob., Vocal Album, contain- ing tliirty of his best Songs. e. g.... ———Thesame,l)ound....... .. — Dedication. (Widmun . ——- Fresh Green. (Erstes érhn.).. . . . . . ——- I neger complain. (Ieh grolle nicht.) e. ——— O sunny Beam. (An den Sonnenschein.) —-——- Silent Love. (Stille Liebe.) . . . . . . . . . . . . . — Spring Greeting. (F1-iihlingsgruss). —— Spring Night. (Fl‘l'.ll]lil1§§§1a0hlZ.) ...... .. ——- Tiiylovely Face. (Dein gesicht.) Sop. or Alto, each —- The two Grenadiers. (Die beiden_Gre- nadiere.) Ten. or Barn, each .......... .. —— A Woodland Dialogue. (Waldesve- spr5ich.)........ . . . —-—- W0man‘s Love an . (Frau e und Leben.) Eight Songs. e. g. Com- plete. Sop . . . . . . . . . . . . . . . . . . . . . . . . . . .1 —- The same, in separate Numbers 2 No. 1. His Iina e. (Seit ich ihn gesehen.) No. 2. He, of al the best. (Er, der herr- lichste von Allen.) . . . . , . . . . . . . . . . . . . . (Ieh kann‘s fassen No. 4. ThouRingu 0nmyFinger. (Du Ring an meinem ‘nger . . . . . . . . . . . . .. No. 5. Bridal Day. (Helft mir, ihr Schwestern.) . . . . . . . . . . o. 6. Tears of Happiness. (Siisser Freund, du blickest mich.) . . . . . . . . . . . No.7. Love‘s Delight. (An meinem Herzen.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . No.8. The Forsaken. (Nun hast du mir den ersten Sohmerz gethan.). . . . . . Application. IMPORTEB. of MUSIC and PUBLISHER, SOLE AGENT for “EDITION PETERS” (LEIPZIG). . . 5 (Morgen- 3 25 35 25 35 50 35 50 35
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Title: Good Night Beloved
Date: 1897
Text: MUSIC LIBRARY VASSAR COLLEGE roucmxctrsve. NEW Yong ffflxzl 1‘ 1//////7///, 7/ ﬂy 11/; M J'>T:\"T’|V =1} "l*"T.'|4¥'§ }|H!L<!I 1|)‘ 1@C25y2’zZy | //'//////;;i' f /. /é/Z12? D1iverDitsuI1 Company. ECIETDN 1\TE’WYURK. PHILI4. LUNDDN. Ehicaqa Lunn & heaig /fag; /1/gr7x,4zz:cm.~..» A, J’ .,w.«"]/hwy: 4":/77,71./75, To Thomas L .Cushman . G 00 (1 Night! Beloved. Words adapted from LONGFELLOW. Music by CHARLES A.CHASE. goodnight be— — lov ...
Show moreMUSIC LIBRARY VASSAR COLLEGE roucmxctrsve. NEW Yong ffflxzl 1‘ 1//////7///, 7/ ﬂy 11/; M J'>T:\"T’|V =1} "l*"T.'|4¥'§ }|H!L<!I 1|)‘ 1@C25y2’zZy | //'//////;;i' f /. /é/Z12? D1iverDitsuI1 Company. ECIETDN 1\TE’WYURK. PHILI4. LUNDDN. Ehicaqa Lunn & heaig /fag; /1/gr7x,4zz:cm.~..» A, J’ .,w.«"]/hwy: 4":/77,71./75, To Thomas L .Cushman . G 00 (1 Night! Beloved. Words adapted from LONGFELLOW. Music by CHARLES A.CHASE. goodnight be— — lov — _ __ed, I are like the mom — — mg‘, Thy come to Watch 0’e1* 3 - b9V8 lips are cri1n— son g'00d mght Copyright MDCCCXCVII by Oliver Ditson Company. Cnpyriglit secured in England. 4- 8 ‘fn9h8l—3 shi — — - ning‘, Sleep on and dream While I count the Wear — a— lone be—neath case - that now so bright - 1y beam — — 4-8* 5988l‘3 come ........... .. to watch oer sweet, ........... _. my la — dy near thee is peace for F1. thee, To be near near thee, A — lone peace for is peace for 4-8 - 559K531‘ 3 DELIGHTFU L SONGS . Shine on,oh Stars! (ROM.4NZA.) F.E.Sawyer. Pr.50cts. » Amiantino con molto senﬂv/tenfo. The garden breathes asweet perfume, The ightingale is singing I press ourlittle hand in mine And {—'‘"''—T_ pp sempre Copyright MDCCCXCIV by Oliver Ditson Company. Copyright secured in Eng. Serenade. Kate Vannah. Pr.40cts. Scherzcmdo . legato In the warm black millpool wink- ing The first doubtful star shines blue 3 Copyright by Oliver Ditson Company. Copyright secured in Eng. The Hum of Bees. J.L.Mo11oy. 1’r.50cz‘r;. Moderate tranquillo. ,_,, \Ve are sitting by the window, on and I hand in hand,'While the hush of twi1ight’s stealing o’er the peacefulland,And my Copyright MD(ICCXCIV by Oliver Ditson Company. The Land of Dreams. (A Ll'I.I..4l>’Y.) Frank N.Shepperd. Pr.40m‘.~>. .47zdam’e can wsprvsssomv. . l ' Wf a temp 0 Come,close up youreyes,my lit _ tle 0ne,And off to the land of dreams; ‘Where ev- er shines the beautiful sun, mp col voce Copyright MDCCC/XCIVby Oliver Ditson (‘oiiipzinyﬁopyright secured in‘En;_:. There are other Eyes in Spain. John VViegaud. l’r.5(Icis. Tempo di b’0lr7'0 . ._i_r.—_::: r’ —»_.____.. j —:_<(.. __. g’ ' v v v v y C y S‘'“ 1 T7 T} I 1 I 0 There are oth - er eyes in Spain, Dark and dazzling eyes, Cru-ci _ ta; Rosebudlips whichwait the Copyright MDCCCXC/III by Oliver Ditson Company. Copyright secured in Eng. Mailed post—paid to any address on receipt of marked price,O1iver Ditson C0mpany,B0st0n.
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Title: Bridge, The, The Bridge
Date: n.d.
Text: RHD@Ea .ﬂ//.67’/‘r’ V HY aé T HE M U SIC COM/20555 //A/[7 z7[z7/C/Jrm 70 ‘&P®&§® ‘DOE%DﬂE$m Eﬁﬁrﬁ QJV, CHARLES -JEFFERYS 2!, SOHO SQUARE I/V7 \J"7A.H/111.. \/R... I>OUGHKEEF‘S:£. NEW YORK

Title: Living Poems
Date: n.d.
Text: N‘? [gm E FLAT. \ ~ \. ‘ zl . , %®% §hng. The W01°dsbV Longfellow, THE MUSIC 6 '0//4/Joséd 61/)i’?é‘85Z_’ V /b/‘ M18 8 E BITH VVYNTNE . V» ____....____Z._ * \]]B’3>ﬁZ/ \l/ Pzvzre Q/3‘/net L on don. BOOSEY 8<.C°295.REG-ENTT STREET W MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE uuslc LIBRMIV VASSAR COLLEGE EWEW@ E'9iE”Z?.’E§n *©* WORDS BY _ MUSIC BY » H.W.LONGFELLOW. ARTHUR SULLIVAN. Allegretto non troppo vivo. VOICE. _\‘e rrhil . _dre11! For I hear you at your And the ques. ...
Show moreN‘? [gm E FLAT. \ ~ \. ‘ zl . , %®% §hng. The W01°dsbV Longfellow, THE MUSIC 6 '0//4/Joséd 61/)i’?é‘85Z_’ V /b/‘ M18 8 E BITH VVYNTNE . V» ____....____Z._ * \]]B’3>ﬁZ/ \l/ Pzvzre Q/3‘/net L on don. BOOSEY 8<.C°295.REG-ENTT STREET W MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE uuslc LIBRMIV VASSAR COLLEGE EWEW@ E'9iE”Z?.’E§n *©* WORDS BY _ MUSIC BY » H.W.LONGFELLOW. ARTHUR SULLIVAN. Allegretto non troppo vivo. VOICE. _\‘e rrhil . _dre11! For I hear you at your And the ques. _tions that per- -p1exed L Vme, Have Vanishgd quite a_ __way. Ye o_pe:1 the éast - ern Win - - (lows, That look towards the sun, Where thoughts are sing- ing swallows. And the ‘Cl POCO Tl L/ brooks of mornin r1In...... f Sf 10- Living poems hearts are the birds and sunshine, In your thoughts the brooklefs flow, But in mine is the wind of Au. tumn And the‘ first fall of the snow, f -if Come to Living poems. mu.- O ye chil_-dren_ ‘mu: Ah!wheitwou1d.the world he to us. If the children were no We should dread the de-sert be- _hind VVorse than the _ _fore. What the leaves are to V the light and air for food, Ere their iiiving poems. am poco rz't.- K2 sweet and ten _ der jui_ces Have been hard_en’d in- to wood,_ an paco r2’ .° That to the world are chil_ _dren;Thro’ \ them it feels the glow a brighter and sunnier cli- _mate Than f mu.- feach_es the trunks be _ low. Come to me, Living poems. chil- - dren! And whisper in my ear What the birds and the Winds are ‘:__:_—:—— meno / sing- ing In your sunny at- -mos_phere. For what are all our con- menof - tri _ vings, And, the Wisdom of our books, \Vhen comparedwith your ca- un poco r2't:' - res. -ses, And the g1ad_ness of your looks? /N un poco rit: a tempo. sf LI» mg“ poems. het-ter than all the ba1_ _lads That e-ver were sung or For ye are liv_ .ing po. - ems, And all the rest are .1” Ye are better than all the lml . -- lads That ever were sung or am poco pzlt lento. For ye are liv‘.ing po-'- -ems,,And all the rest are Jylwdang‘ pot-‘ms. Come to me, chil - - dren , come Living‘ poem-<. BOOSEY 8: CO.’S NEW SONGS AND BALLADS. PRICE TWO SI-IILLING-S EACH NET. The Compass of the ﬁrst Key only is given: frornlthis the Compass of the other Keys can be readily found. STEPHEN ADAMS HE ISLAND OF DREAMS, C, D, E? and F . . HE CRY OF THE LITTLE ONES, C, D7 and E7 . HE HEART OF A SAILOR, B7, C and D HAT AM I, LOVE, WITHOUT THEE? G & B7. V THE FOUNTAIN, E7, F-& G HIS WORK-A-DAY WORLD A and B7 X O’CLOCK IN THE BAY, D, E9, and F HE SILENT HIGHWAY, E7 & F ONA, C, E7. E and F I‘. ANTHONY, E7, F and G HE GOODWIN SANDS, E7, F, andG V HE QUAKER, E7, F, and G... HE STAR OF BETHLEHEM, E7, F, G, and A7... HEY ALL LOVE JACK, D, E? and F , HE GARONNE, E7, F, G & A7 HE MAID OF THE MILL, E7, F, G, and AD an OWL, B7, C and Eb, HE ROMANY LASS, A7, B7 &C HE LITTLE HERO, B7, C, & D HILDREN OF THE CITY, D & F OOD COMPANY, F, G, and A HE MIDSHIPMITE, B7, C, & D ANCV LEE, C, D, and E7 HE TAR’S FAREWELL, D & E7 HE BLUE ALSATIAN MOUN-} TAINS, D, ED, and F F. ALLITSEN NO OF TI:IANKSGIVING,} E7, F and G NOLDENGLISH LOVE SoNG,C VE IN SPRINGTIME, E7 & F I-IEN THE BOYS COME } HOME, E7... W. E. ALLEN ETURN AND STAY, E7 and F I HAMILTON AIDE EMEMBER OR FORGET, D & F LIDE TO THY REST (Duet) LORENCE AYLWARD‘ EEP IN THE VALLEY, E & F AVOURNEEN, B17 and C A. H. BEHREND E ANGEL’S PROMISE, D & F HE GIFT, C, E7 and F ADDY, F and A7 HE OLD WH F, and G FREDK. BEVA HE FLIGHT OF AGES, A7 B7 and C .. ERNEST BIRCH. ARVEST TIME, D7 & F LD WHITEHALL, D & F J. BLUMENTHAL NSHINE AND RAIN, F, G, &A HE BEND OF THE RIVER, D and F ’ , HE CHILDREN’s KINGDOM, E7‘ FREDERIC CLAY HE WANDERED DOWN THE MOUNTAIN SIDE, C and E7 F‘. H. COWEN IHAT THE YEARS BRING, G HAT DO THE GREENLEAVES 1 WHISPER? C&E,;I OVE IS A DREAM, D, E7, 8: F THE CHIMNEY-CORNER, C, E7, and F .. HE REAPER , AND THE FLOWERS. E7, F, and G EGRET, B7, C, and D HE BETTER LAND, ‘A and C PINNING, D and E7... T WAS A DREAM, C and ERRY, C, E, Compass of ray. CtoE AtoC AtoD DtoE AtoD CtOE AtoD DtoE£7 AtoD B7toD AtOD CtoF B7toD , GtoD BtoE CtoE CtoF CtoF B7toF DtoF DtoC BtOD CtoD CtoC }CtoE7 B7 to F BtoE AtoD AtOE CtoG IBtoE i.CtoF !BtoD }B7 to E7 ...!B7 toE7 Bt0E .CtoF BIOI) B? to E? } A7 to E’: BL‘! to E? E7 to D B? to B? to D B';) to E5 E7 to E7 E7 to E? Dto B to D# . . B17 to D ‘Signor Folz‘ B? to E7 B7 toE Sung by ' Zllr. Edward ‘Lloyd M dine. A nz‘.Slerlz'ng Mr. /Ilaybrieé M r. M a yorlc/5 M 13': A lice Gomez Madame Belle Cole Mr. lllayérzk/E Mzks Eleanor Rees Mr. Edward Lloyd Mr Mayérzkk Mr. Mayorz'ck Mr. lllayoriexé Mr. Edward Lloyd Mr. Mayorzkk Mr. Edward Lloyd Mr. Edward Lloyd III r. M a yorzkl: Mr. Edward Lloyd M r. M a yorzké M dine. Pate y /11 r. Edward Lloyd Ildr. /II a yl7rz'e,é Mr. lllayoricla /11 r. S antley Mr. Edward Lloyd . II. T lzorndi/ée . Barringt. Foole . fl. Pierey Szggrnor F olz' ‘Mz'5: Eleanor Ree: . . B? to D Md;Ize.A1zl.Slerlz'ng IMz'55 Damian Mdrne. Valleria Illldme. 1‘I/75e Glenn llldzne. Belle Cole Illdme. A nt. Slerling Illa’/ne. Marz'e Roze ltfrs. llfary Daz/z'e.r Mdme.FannyMoody llfdme. Valleria M dme. A 722‘. S lerling M dme. Ant. Slerling M dine. T reoelli M dme. A nl. S terling 1'!/ldme. S/zerrz‘n,grton Jldxne. ./Marie Roze L. DENZA SPRING AND AUTUMN, EL} FandG WHEN WILL YOU RETURN? I E7_,FandG I CALL ME BACK, A, B7 and C COME AND REST, E7, F and G LOUIS DIEHL MY QUEEN OF HEARTS, G GOING TO MARKET, C, D & E7 A. SCOTT GATTY WINTER, D, E and F THE GALLANTS OF ENGLAND AI) and B2... APART, E7 .. THE GOLDEN SHORE, E7 ROTHESAY BAY, E7 . PLANTATION SONGS, Vols. I] & 2 (Six Songs in each), - - | each book. (SpeCia1EditiOnS of VO1.I.with % Guitar or Banjo acCOmp3.ni- I ments. 2/- each book.) J BATTISON HAYNES OFF TO _PHILADELPHIA, C & D G. H E NSCH E L. SONG OF FLOWERS, A7 ARTHUR HERVEY. LOVE OF MY LIFE, D7, E7 and F A. L. (Arranged by.) WHEN LOVE IS KIND, A7 F. N. LOHR I MARGARITA, B7, C and E7 A. C. MACKENZIE A DEAR WIFIE, E7 and G AN OULD IRISH WHEEL, THEO. MARZIALS WHO IS SYLVIA? (Duet) WINTER’s SONG (Duet) IT WAS A LOVER (Duet) HARK, THE LARK! (Duet) UNDER THE GREENWOOD TREE (Duet) UNTO THE HOLLY (Duet) WEEP NO MORE (Duet) GO, PRETTY ROSE (Duet), F and . WHERE’S HUGO? C & E7 STAY DARLING, STAY, D, E? and F BY THE SHINING RIVER, G, B7, and C NEVER LAUGH AT LOVE, E, and F .. THE RIVER OFYEARS,E7 F&(; ASK NOTHING MORE, D, E7 and F NEVER TO KNOW, F, G, & A7 LEAVING YET LOVING, E7 & F THE MILLER AND THE MAID, D, E7, and F A SUMMER SHOWER, E7 and F TWICKENHAM FERRY, E7 & F THREE SAILOR BOYS, A7 & B7 FRANK L. MOIR GRIEVE NOT, DEARE LOVE,} Gzmd B7 WATER-STAIRS, D rmd F WHERE NORAH DWELLS, B7, 5' D & E’: . JACK WILL NOT FORG Dand E7 .. A SONG FROM MY HEART,} E7,FandG SEA DREAMS, A, C, and D GOLDEN HARVEST, D, E & F A LARK’S FLIGHT, D, F and G CHILDREN ASLEEP, D and ONLY ONCE MORE, E7, F, & G W. H. MYDDELTON. ET YOU LORNA DOONE, D Compass of Ist key. 137 tOF BtoE BPtOD BtoE BtOE AtoD CtoE7 CtoF III B7 to E? D to GtoD ..E[ZtOA;7 DDIO E3 ..EptoF CtoE B7 to 1) C1; to E CESE }DtoF# BtoD AtoD B7toE7 BtoD CtOF CtoE7 BtoD D to E’ B? to E? E7 to E7 DtOE AtOD DtoEb BtOD E? to E7 AtoE AtoD EtOF BtoD CtoE? AtoE B2 to E2 .I[r.r. Mary Da'z/z'e.I lV[r. N. Salnzond .l1z'35 A. Lar/atom M zlvs Alice Gomez Signor Foli Xlfr. Plunkez‘ Greene /Ilr. Edward Lloyd Mr. Isidore de Lara I’!-[£35 Liza Lelzrnamz J-Ir. Edward Lloyd J frlme. A m‘. Sterling .11 r. .> antley Mrs..1Iary Dames fr’ ]|'[z'.m Le/zmann /Wrs. Mzry Ba?/[es 59° 11//dlle. Tee/Ielll Mrx. Mary Du:/z'e5 /kfdzne. A m‘. Sterling M’z':: Eleanor Ree: Mr. Barrz'I7g'l‘. Foote M in Danzian Mr. BI4rrz’n,gt. Foole lVlr.I. ﬂlary Dav/z'eT 41173. diary Dln/[es Mrx. I1/ary D47/z’e5 Mr. Santley Mr. Plan/eel Greene ltfdme. A nz‘. Sterling Mr. Edward Lloyd ll! r. Ma yorit/e ltfdme. Valleria ﬂId7ne.A nl. Slerl7'_.~zg /V/dine. Val/er 211 M dine. A 72!. .$z‘erlz'ng M in Lucy C l Ir/ce J. L. MOLLOY A RACE FOR LIFE, B7 VOICES, B7, C and E7 THE HOME WHERE I WAS BORN, F, A12 and BIZ .. HOME,DEARIE,HOME,D,E7,& F SEA BELLS, Eb .. BANTRY BAY, A, C and D THE SAILOR’S DANCE, ED & F DOWN THE SUNLIT STREAM, C and E7 I DITTO, AS A DUET, IN E? FAME, THE FIDDLER, D,E, & F WE’LL KEEP THE OLD GREY 1 MARE, C . . MY SOUTHERN HOME, C & E7 DRIFTING DOWN THE RIVER, ‘} C, E7 and G , LIGHTHOUSE KEEPER, C and D THE LADS IN RED, E7 and F DREAM STARS, F, G and A7 THE THREE BEGGARs,C,D & E OUR LAST WALTZ, B7, C & D LOVE’S OLD SWEET SONG, E7, F and G TO-MORROW WILL BE FRI- DAY, ED and F . THE BOATSWAIN’s STOR C, D, and E17 . THE KERRY DANCE, Eb and F LONDON BRIDGE, D and E DARBY AND JOAN. F. G, and A C. PINSUTI THE LAST WATCH, D, F and G ARTHUR SULLIVAN THE LOST CHORD F,G,‘A'7,&A MY DEAREST HEART, A7 & B7 LET ME DREAM AGAIN, C, D, and E7 SLEEP, MY LOVE, Di? and F ONCE AGAIN, D and F GOLDEN DAYS, D LOOKING BACK, D and F WILL HE COME? D, E17 and F C. V. STANFORD MY LOVE’s AN ARBUTUS, F, G, A? and B7 .. V FATHER O’FLYNN, A7, B7, & C HOWARD TALBOT , TO HAVE THEE NEAR, C,D & E AWAKE, MY LYRE I D,E,F& G HOPE TEMPLE LOVE WERE ENOUGH, E;z,F & G THOUGHTS AND TEARS, C, D), E7 and F .‘ MARY GREY, C, D, E7 and F ‘TWAS SURELV FATE, B:,C,&D LOVE AND FRIENDSHIP, D, I E7 and F I THE OLD MANOR HALL, D, E7, and F A GOLDEN ARGOSY, and E7 .. IN SWEET SEPTEMBER, D, E7 and F . . THERE ARE NONE LIKE TO THEE, D, E? and F A MO‘I‘HER’S LOVE, E7, F & G WY LADY’S BOWER, E7, F & G FOND HEART, FAREWI«:LL,‘[ C, D? and E? . AN OLD GARDEN, G, WERE WE LOVERS THEN? E7, F and G . G & A . ...B,?, A5 &''B7 } WHEN WE MEET, . MEMORIES, F & A7 A. GORING THOMAS MORNING BRIGHT,B7,C and D MAUDE V. WHITE. LOVE ME, SWEET, WITH) ALL THOU ART, D, F & G)‘ WINDS IN THE TREES, C,E7&F TS: Iey. B7'toD _ B7 to C B7tOC AtoD DtOF ,AtOC BbtoE CtoE AtoD CtoC CtoD BtoD CtoD, Bi7tOE{7 At0E CtoD AtoE£7 Ato C Bb to GtoD CtoF AtoD CtoC DtoE CtoF CtoAf7 BtoE AE7toD? CtoE Ato F;t Ato D‘ AtoC CtOD Ab toE7 CtOE BtOE CtOD AtoC Ai§tOE AtoE7 C#toE AtoE BEZKOEE7 A7toD EtoF Bt0E BbtoE7 DtOE CtoE B§'to F GtOD C# toD Compass ot B’,‘7 to El)‘ B‘) to Cf; to Md71ze.A7zl. Ste ‘- /I/[z's.v A lice Go ' lbldm e.A nl. St. llfrs. ./Wary Da /Wdme. A /22‘. Sle ._ Mr. M a yorie/J Mdiize. Belle C Mr. Barrz'ngz‘. . . Md7I1e.Ant. Ste | T1123: A lice Gon Mdlilt. A nt. Sler Mr. Barriiggl. 1}! r. Z$’arrz'ngl. ﬂfzlrs Eleanor R M r. Barrzngz‘. ./Udme. Treoellz Mdizze. A m‘. Sler ./Wr. Barringl. v lllr. Sanlley ﬂldme. S/zerring Y ﬂy/7'. ﬂirty/’777'e/5' ’ Jkldme. A m/.5ler ‘ II/rs. Osgood Z117 dnze. lVz'ls.von llldme. Paley zllr. Siinx Ree?/ex 1' ./"tldme. Paley M’dme. Pafey II]?/me. Treéel ﬂfdme. Paley _’V[z':s Liza Le/zm lb/2'5: A-lite Com Air. Edward Llo Szgnor Fall ﬂir. Edward Ll lbfrs. Jfary Dav Mr. Edward Ll M llldme. C. Sanzn ‘Afr. Sanlley ‘Md71ze.A nl. Sler ﬂlr. Santley I/‘ills: Eleanor Re llir. Barrlngt. F Izlldlle. Treéelli *,,* The above Songs may be Sung in public Without fee or license. The public performance of any parodied Versions, however, is strictly prohibited. f\ TTW /Ildzzze. A m‘. Sler V‘ 11:/r. Sanlley a I ,
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Title: Waning, The, The Waning
Date: 1920
Text: Q . ////%/// w, W W////////////////////////W V BY M , M / High Voice am «my ILN RLN ..._f can wan .3 mm o D. {1j__HE WANIN Low Voice A LOVER’S LAMENT Price, each, 60 cents, net In Memory of my Father The Waning Longfe11ow* ’Lento J: 60 can z'7zten32'td > n'2f'r>-— largamente —-i J. It is au—tumm; a tempo calla voce Carl Deis § W.“ 15 *This poem was originally entitled “Autumn” 29502 0 Oopyrzgkt, 1.920, by Sclzirmer Youth T and spring are all ‘ ' that haze grown...
Show moreQ . ////%/// w, W W////////////////////////W V BY M , M / High Voice am «my ILN RLN ..._f can wan .3 mm o D. {1j__HE WANIN Low Voice A LOVER’S LAMENT Price, each, 60 cents, net In Memory of my Father The Waning Longfe11ow* ’Lento J: 60 can z'7zten32'td > n'2f'r>-— largamente —-i J. It is au—tumm; a tempo calla voce Carl Deis § W.“ 15 *This poem was originally entitled “Autumn” 29502 0 Oopyrzgkt, 1.920, by Sclzirmer Youth T and spring are all ‘ ' that haze grown espressivo . "f '22 animato Birds - L96 V are dart- ing thro’ the air, {J-i /T ing with- out poco a 12000 mi; tranquillo ’ -Where is stir—ring ev _\ _ pm trcmquzllo A If Tﬁmpo I0 Save with-in this lone-ly breast. J7’ There is si - lencez The dead leaves Fall and rus-tle , and are still; Beats no flail up-on the sheaves, Comes no mur-mur from the ESPECIALLY PRETTY OLEY SPEAKS THE SECRET 60 cents net High F—Low D Vivace The south wind told the- brook- let, 0 - var the field he_ blew, ? 6‘opyr:'gM,_ (915, by G. Schdrmor ELEA NO R MA RUM ROSES 60 cents net Medium G Andante La - dy,.____ whanj ban hold me ma-ea sproutuing, ‘wmcn,c1aa1n damask manues,aecx the anboura, And then__ be—hold your Goyyrtgu, IP15,» 0. Fchrlwi MANA—ZUccA IF FLOWERS COULD SPEAK 60 cents net High G——Low Eb Moderato, con sentimento If ﬂow’rs could speak, I'd send thee ev’.ry day A fose of red sing 1ove‘s roun.de—1ay; And ev'. ry pel.aIwiLh its per. fume rare Would 6‘wrv':M. met, by 0. 5oIoI'rm...~ 3 East 43d St. ° G. A. 514 SONGS CECIL FORSYTH GARDEN OF SHADOW 60 cents net Medium D I7 Moderato Love heed: no mere the signing of the wind Apgainstthe per-ﬁaot flowers; thy gar-dzxfs close Is grown .5 S Li Oopyrlghf, 1918, by G.ScMrmer EYES OF IRISH BLUE xviedium L b MARGERY A. C0oK 60 cents net Andante mestameme copy:-Igu, 1916’, by G. Scnirnwr COME DOWN TO KEW High G. Med. F. LowD (J.= 100) (In the style of a folk- song) CARL DEIS 60 cents net down 10 Kew In H . lac-Lime. in H . la.c.time, in 11 . lac— time; Go Copy:-u'gAt, 1910, by elliabdraar Published by SCHIRMER ' Ne W
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Title: Bridge, The, The Bridge
Date: n.d.
Text: * London. ; ‘ /264. W.PAXTON, l9.0XFORD ST¢RE%ET.VW. MUSIC LIBRARY VASSAR COLLEGE poucuxcspsvz. NEW vonx E} R 0 E G ti 0 WRITTEN BY COMPOSED BY H. w. LONCFELLOW Esq. J Miss M. LINDSAX “KEY Eb Alrddante gonzes _s§io end V©u©& stood on the bridge at mid_-_night, As the E'7llé\B‘J® E?©R‘J‘E*.. l:m.m mt-lrlnz .m f°fl:1I clocks were strikixxg the hour; And the moon rose o’er the ei_ty, Be- 1'33‘--rlm:—-..r* ,hind. the dark church tower. . And like the waters rushing A--_mong. the...
Show more* London. ; ‘ /264. W.PAXTON, l9.0XFORD ST¢RE%ET.VW. MUSIC LIBRARY VASSAR COLLEGE poucuxcspsvz. NEW vonx E} R 0 E G ti 0 WRITTEN BY COMPOSED BY H. w. LONCFELLOW Esq. J Miss M. LINDSAX “KEY Eb Alrddante gonzes _s§io end V©u©& stood on the bridge at mid_-_night, As the E'7llé\B‘J® E?©R‘J‘E*.. l:m.m mt-lrlnz .m f°fl:1I clocks were strikixxg the hour; And the moon rose o’er the ei_ty, Be- 1'33‘--rlm:—-..r* ,hind. the dark church tower. . And like the waters rushing A--_mong. the wooden 1264* r 71”‘ Bridge. MISS M‘. LINDSAY.
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Title: Serenade
Date: 1915
Text: IUSIC LIIRAIY VASSAR C01,: “:7 bps-p_'. CARL FISCHER’S %’.Q\_# Octave Choruses , ‘ ”i+ for Male Voices _ V ‘ Series I MY SVVEETHEART HAS A GARDEN . . . . . . . . . . . . . . . . . . . . . . . . . . . .G. Baldamus FAl{E\VELL, I LOVE BUT THEE ALONE : . . . . . . . . . . . . . . . . . . . . . . . . .H. Schoene SOLDIEIVS FAREWELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Joh. Kinkel RING OUT (E.& G.) . . . . . . . . . . . . . . . . . . . . . . ....
Show moreIUSIC LIIRAIY VASSAR C01,: “:7 bps-p_'. CARL FISCHER’S %’.Q\_# Octave Choruses , ‘ ”i+ for Male Voices _ V ‘ Series I MY SVVEETHEART HAS A GARDEN . . . . . . . . . . . . . . . . . . . . . . . . . . . .G. Baldamus FAl{E\VELL, I LOVE BUT THEE ALONE : . . . . . . . . . . . . . . . . . . . . . . . . .H. Schoene SOLDIEIVS FAREWELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Joh. Kinkel RING OUT (E.& G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Rich. VVo1f STAR SPANGLED BANNER . . . . . . . . . . . . . . . . . . . . . . . . .American National Hymn MY OLD KENT UCKY HOME (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .St. Foster OLD FOLKS AT HOME (E. & G.) _ . . . . . . . . . . . . . . . . . . . . . .-St. Foster OLD BLACK JOE (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .St. Foster HOME, SVVEET HOME (E. & G.) . . . . . . . . . . . . . .A Bishop LULLABY (E. & G.) . . . . . . . . . . Brahms-Zander RECOGNITION OF LAND . . . . . . . . . .Ed. Grieg‘ OLD FLEMISH SONG (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ed. Kremser SHEPIIERD’S SUNDAY SONG (E._ & G.) . . . . . . .C. Krerubzer IIOME GREETINGS .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. Kromer FRATERNITY HYMN . . . . . . . . . . A. Mozart CALM IS THE LAKE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .H. Pfeil FESTIVAL—HYMN (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E. Reyl OH, MOTHER MINE (E. & G.) . . . . . . . . . . . . . . . . . . . . . . .Jac. Mendelsohn BOLD ROBIN HOOD (with Cornet acc.) . . . . . . . . . . . . . . . . . . . . . . . . . . .Ed. Severn HEARTS AND FLOVVERS (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . .Th. M. Tobani PILGRIMS CHORUS FROM “TANNHAUSER” (E. & G.) . . . . . . . .Rich. VVa.gner THE GUARD ON THE RHINE (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . .C Vvilhelm FROM YOUTH’S HAPPY DAY . . . . . . . . . . . . . . . . . . . . . . . . . , . . . . . . . . .Rob. Radecke THREE IN ALL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .'C. Bohm-Zander O THOU CLEAR SHINING HEAVEN . . . . . . . . . . . . . . . . . . . . .Fr. Silcher SOLDIER’S MARCHING SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .A. Methfessel IN M'AY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .A. Jiirgens THE BLUE BELLS OF SCOTLAND . . . .arr. by J. F. Hermann EVENING SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fr. Kuhlau THURINGIAN FOLK-SONG (Ho\v Can I Leave Theo) . . .a.rr. by J. F. Herman ROBIN ADAIR (Irish Melodic) . . . . . . . . . . . . . . . . . . . . . . . . . .arr. by J. F. Herman LONG LONG AGO (Iris11 Folk-Song) . . . . . . . . . . . . . . . . . . . .arr. by J. F. Herman MY HEART’S IN THE HIGHLANDS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Folk—Song' THE LASS O’GO\VRIE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..J. Dilrner SOLDIER’S MORNING SONG . . . . . . . . . . . . . . . . . . . . . . . . . . .arr. by J. F. Herman PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .C. M. v. VVeber, arr. by J. F. Hemnan FAITIIFU’ JOHNIE (Scotch Fo1k—Song) . . . . . . . . . . . . . . . . .arr. by J. F. Herman SPRINGTIME, THOU JOYOUS TIDE . . . . . . . . . . . . . . . . . . . . . . . .P. Eng'el~skirchen AN OLD GERMAN LOVE SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .G. Wohlgecmuth IT IS SUNDAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..S. Breu BY TIIE BROOK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .F. C‘. Lindlnr OLD GLORY . . . . . . . . .. 2‘. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .IIomer N. Bartlett I-IYMN T0 HYGEIA (E. & G.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..John C. Hemmeter DEAREST FAREVVELL . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . .L11(1wig Hess SOLDIER’S SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ludwig Hess DIXIE’S LAND (Voice parts 25c.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Dan Ermmetti SERENADE: “STARS OF THE SUMMER NIGHT” . . . . . . . .. .Charles H. White BALLYMACLOE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Chas. Scott HUNTIN’ POSSUM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Claude \Va1‘f0rd YOU IS JES’ AS SVVEET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .HzLllett Gilberté THE OLD REFRAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fritz Kreisler TO A SKYLARK (with Bar.Solo) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Louis Victor Saar RONDEAU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...L0uis Victor Saar FAREVVELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lo11is ‘Victor Saar LITTLE SONG FOR TVVO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Louis Victor Saar KISSES KEPT ARE WASTED (with Bar. Solo) . . . . . . . . . . . . .Lo11is Victor Saar AUF \VIEDE.RS_EHN (Chorus and Solo Quartet) . . . . . . . . . . . . .Louis Victor Saar I \VAS A KING IN BABYLON.....................................Oeo1l Forayth ROMANY RYE (Gipsy Gentleman) . . . . . . . . . . . . . . . . . . . . . . . . . .Robert M. Crawford PRAYER OF THANKSGIVING. . . . . . . . . . .. . . . . . . .arr. by E. Kremser MY LAST CRUISE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mayhew L. Lake VAGABOND (Bar. ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ma.yhew L. Lake THERE \VAS A MAN IN OUR TOVVN . . . . . . . .. . . . . . . . . . . . .. ..Mayhew L. Lake CAT AND THE FIDDLE . . . . . . . . . . . . . . . . . . . . . . . . . . .May'hew L. Duke ’TWAS THE POOR OLD MAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mayhew L. Lake THERE'S A HOLE IN THE BOTTOM OF THE SEA . . . . . . . . .M‘ayhew L. Lake PETER, PETER, PUMPKIN EATER . . . . . '. . . . . . . . . . . . . . . . . . .Mayherw L. Lake LITTLE JACK HORNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mayhew L. Lake SIMPLE SIMON . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ma.yhew L. Lake OLD KING COLE .. .. .. .. .. .. . .. ......MayherwL.La.ke CARL FISCHER: ‘Inc. » Cooper Square NEW YORK BOSTON CHICAGO To the“Boston Séinger fest Club ” , Dr. John B LHa.wes 21.“? President N92056 SERENADES. Words -by S Music by LONGFELLOW . CHARLES A, WHITE Moderate gr aziosamente ’ Stars of the sum-mer night, Far ldowpnyonv az - ure deeps, Wind of the sum —-mer night, Where yon-der wood-bine creeps, 7'22‘. molto, Hide, hide your -gol _- den light, She sleeps, .my_l_a‘— _dy isleepsi. Fold’, fold thy pin — ions light, She sleeps, my la 4 dy sleeps. a tempo J>J*‘\ Moon of the sum - mer night, Far downyon West - ern steeps Dreams of the sum — mer night, Tell her her lov - er keeps Mt. 6' dim. espressivo ‘“” —+re~* I I |. ﬂ 4.1] I VI V I '. Sink, sink in sil - ver light, She sleepsa——— my Watchwhile in slum — ber light, ' She s1eeps,__ ‘ f.‘\ sleeps. my sleeps. 1 1 Copyright MCMXV by Cerl Fislcher Boston &New York International Copyright Secured 5101 5102 5103 5104 5105 5106 5107 5108 5109 5110 5111 5112 5113 5114 5115 5116 5117 5118 5119 5120 5121 5122 5123 5124 5125 5126 5127 5128 5129 5130 5131 5132 5133 5134 5135 CHORAL ADAPTATIONS ————AND—— ARRANGEMENTS BY LOUIS VICTOR SAAR MOZART, w. A., U H SCHUBERT, MENDELSSOHN, FEL., PERGOLESE, G. P., WEBER, C. M. von, SCHUMANN, ROB., FRANZ, ROB., JENSEN, AD., RUBINSTEIN, ANT., KREMSER, ED., REINTHALER, C,, OLD WELSH AIR, STRAUSS, RICH., BRAHMS, JOH., RADECKE, ROB., GRIEG, EDV., KROMER, C., RAMEAU, J. PI-1., TAUBERT, W., SACCHINI, A. M. G., WAGNER, RICH., LEROUX, X., TSCHAIKOWSKY, P., WECKERLIN, J. B., (6 H GOUNOD-BACH, MENDELSSOHN, FEL., KREMSER, ED., GRAUN, K. H., OLD FRENCH AIR, (T) BOSTON FOR WOMEN’S VOICES PRICE NET “Hymn to the Sun.” For Soprano Solo, 3 part Chorus and Piano (or Orchestra) “Hear Us, 0 Lord.” (Splendente te, Deus.) For 3 part Chorus and piano (or Orchestra) “Angel’s Chorus from Goethe’s Faust,” a—capella “Miriam’s Song of Triumph.” For Soprano or Tenor Solo, 3 part Chorus and Piano (or Orchestra) “God in Nature.” For 3 part Chorus with Piano .................................. .. “The 23rd Psalm.” “God Is My Shepherd.” For 3 part Chorus with Piano “Hear My Prayer.” Organ (or Piano) “Nina.” For Soprano (or Tenor) Solo, 3 part Chorus and Piano “To-night.” For 3 part Chorus and Piano ....................................................... .. “The Dreaming Lake.” For 4« part Chorus ................................................. .. “To Music.” (In Dreamland.) For 4 part Chorus and Piano .... .. “Murmuring Zephyrs.” For 3 part Chorus and Piano ..................... .. “Dew In Spring.” For 3 part Chorus and Piano .. “Old Flemish Folksong.” For 4« part Chorus .............................................. .. “The Belfry Warden’s' Daughter.” For Soprano Solo, 3 part Chorus and Piano “All Through the Night.” For 3 part Chorus and Piano ..................... .. “Serenade.” (Stiindchen.) For 3 part Chorus and Piano .. “The Little Dustman.” For 3 part Chorus and Piano ...... .. “Lullaby_” For 3 part Chorus and Piano ............................... .. “From Youth’s Happy Days.” For 4« part Chorus “In the Boat.” For 3 part Chorus and Piano .............................................. .. “Home Greetings.” For 3 part Chorus (with Mezzo—Soprano Solo and Piano) “Hymn to Poseidon.” (Solo and Chorus) .......................................................... .. “Cradle—Song” (with Piano or Orchestra) “Chorus of the Druids,” from the Opera “Evelina” (with Piano or Orchestra) “Dreams” (with Piano and Violin Obbligato) .............................................. .. “The Nile” (with Soprano Solo, Violin Obbligato and Piano or Orchestra “A Message.” “Maiden Remember, “from “Bergerettes.” (with Soprano Solo and Piano) “Menuet d’Exaudet,” from “Bergerettes.” For 3 part Chorus (with String Orchestra accompaniment or Piano) ............................ .. Orchestra parts in manuscript. “Ave Maria” (Meditation.) For Children’s and VVom en’s Chorus, Soprano and Alto Solo, Violin Obbligato and Piano or Organ (or String Orchestra and Organ) V “An Old Romance.” For 4« part Chorus ............................................................. .. “Night—Greeting.” For Soprano or Tenor Solo, 3 part Chorus (with Piano) “Let Us Rejoice, All Ye Faithful,” From the Death of Jeans. For 3 part Chorus and Piano (or String Orchestra and Organ) “Cest Mon Ami.” For 3 part Chorus and Piano ....................................... .. For 4« part Chorus Hymn for Soprano Solo, 3 part Chorus and For 3 part Chorus and Piano .............................................. .. For 3 p-art Chorus FISCI-IE, lnc., NEW Y0 COOPER SQUARE Pmwrnn m U. s. A. $ .20 CHICAGO
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Title: It is Not Always May:
Description
Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. Nzw YORK Oliver Dits on Comp any. > Bnsmm. NEWYURK. PI-IILA. Lnmnum. Bhicagn, Lynn & Haalx,/. Z’Ji?1\T " ' — m;{g:4 m. iynﬁwi 1-, LN \ ‘W ‘ " ’v- MJ A ‘U "U IE‘ Wu fr’-Y 3”“ ‘ 1 r.. . ' ,P“°*6“"E‘1*~4é4$;3 & LTA ”u’'' M "Q . "‘5“' * T“ DULUTH, MINN_ IT IS NOTALWAYS MAY. Pommr BY LONGFELLOW. MUSIC m CH: GOUNOD. Allegretto con moto . The dam _ _V1ing‘ swal - lows e blue - gbird . . . . ....
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. Nzw YORK Oliver Dits on Comp any. > Bnsmm. NEWYURK. PI-IILA. Lnmnum. Bhicagn, Lynn & Haalx,/. Z’Ji?1\T " ' — m;{g:4 m. iynﬁwi 1-, LN \ ‘W ‘ " ’v- MJ A ‘U "U IE‘ Wu fr’-Y 3”“ ‘ 1 r.. . ' ,P“°*6“"E‘1*~4é4$;3 & LTA ”u’'' M "Q . "‘5“' * T“ DULUTH, MINN_ IT IS NOTALWAYS MAY. Pommr BY LONGFELLOW. MUSIC m CH: GOUNOD. Allegretto con moto . The dam _ _V1ing‘ swal - lows e blue - gbird . . . . . . .. yon Winding an out-1et from the win (1 blows f reighted clouds an _ chor things are new; the elm _ trees nodding crest . . . . . . .. the be-neath eaves . . . . .. There are no things re - joice . . . . . . .. in ness of their 1rst from the soft heairhs a’- I melting ten, der _ ness..... that read’st this simple rhyme, En - joy thy youth it will not stayg, . . . . . . . . . . . .. En _ joy the fra-g‘rance some good An _ - - gel leave the rest . . . . . . . . . . . . . . . . .. will teach thee e truth! There are no birds in last year’s nest! There ‘are no birds in last year’s /9/9 NEW SONGS Published by Oliver Ditson company, Boston Compass shown by letters in brackets [ First letter is lowest note; notes below the staff indicated by small letters; on staff by CAPITAL letters; above staff by Italic letters. .S‘ECVLA’R SONGS. HIGH VOICE. ARENS, FRANZ X. When the Land was White with Moonlight. ASHFORD, ROBERT Dreamy Days. BULLARD, FREDERIC FIELD Rose of Kenmare, The JACKSON, ANNE VVAKELY Across the Dusk. FICCOY, W. J. At the Garden Gate. To the Raindrops. Op. 48, N0. 2. FIARTIN, GEORGE DUDLEY or Us. NORRIS, IIOFIER A. Dearie. ORSINI, GIUSEPDE Perhaps. (liorse I) PREYER» CARL A. Childhood. Op. 37, No. I. Elusion, Op. 37, No. 2, WARD, FIAUD SPENCER When Hearts are Young. Op. 48. No. l. Key E C F F MEDIUM VOICE. ARENS, FRANZ X. When the Land was White with Moonlight. ASHFORI), ROBERT Dreamy Days. BULLARD, FREDERIC FIELD Kavanagh, The Rose of Kenmare, The BUSCH, CARL Remembrance. COLE, ROSSETTER (1. Auf VViederseh‘n. COWLES, EUGENE Crossing the Bar. Pastoral. A FISHER, WILLIAFI ARNS Gae to Sleep. JOYCE. FLORENCE BUC.~.I.\'(iHAl'l When We Parted. FIAYHEW. GRACE Shoogy-Shoo. L015!) VOICE. ARENS, FRANZ X. At My Grave. BUSCH, CARL Remembrance. COLE. ROSSETTER G. Auf Wiederseh‘n. COWLES. EUGENE Crossing the Bar. FISHER. WILLIAFI ARHS Gae to Sleep Op. 13. No. 1. Sweet is Tipperary. Op. 13, No. 2. FIAYHEW, GRACE Shoogy—Shoo, The NORRIS, HOFIER A. To Thy Chamber Window Sweet. Compass [lib to 11] [E to F3] [Kl to av] Lie» to M 1“ t0.L"] (l to F] [l<‘.:» to Ab] [C to F] Ed‘ to M [ctogror 1] . [c togorlz] . [c to a] [c to F1’-] I”. to E] [C to F] [l) Lu F] [C to F] [F to C] [d to F5] [D U. E] ‘C In E] [C In F] ' ~ to F] .i.[a to F] ,'a to 1)] ]Il to C] [‘“v to 1)] {a to C5] 'l> to li] [a to 1)] up to H] Price .60 .50 .50 SACRED SONGS. HIGH VOICE. CAMPBELL. BRADFORD Jesus, Be My Saviour. El» DRESSLER, LOUIS R. 0 Babe Divine. (\\'itli violin obbligato.) G FISHER. WILLIAFI ARFIS Be Comforted, Ye that Mourn. Op. 12, No. 1. FRANCK, CESAR Panis Angelicus (O }IOl_v Bread of Heziven). FREY, ADOLPH Bow Down Thine Ear. O Lord. Far From My Heavenly Home. FULLER, EDVVARD M. Only to Pass Thro‘ the Gateway. GRANIER, JULES Hosanna! KROEGER, E. R. The Babe in Manger Lowly. (Christmas Song.) Up. 50, No. 2. STEWART, H. J. Safe Home. G VILLA. GIUSEPPE A Little While. MED! UM BARRELL, EDGAR A. O God, Be Merciful to Me. I)'cr FRANCK, CESAR Panis Angelicus (O Holy Bread of Heaven). F (IRANIER, JULES Hosanna! KINDER, RALPH Refuge Divine. NEVIN, GEO. B. Song of Eternity, The ROGERS, JAMES H. I Heard the Voice of Jesus Say. SHELDON, LILLIAN TAITT Jesus, Shepherd of the Sheep. STEWART, H. J. My Soul Thirsteth for God. LOVU VOICE. Key Compass Price [c to ,2] .60 [d to g] .60 [db to F13] [G to [cl tog] |dtouj [E to 11] [F to 1337] [db to a"*] [d to ,q'] C[b0rdt0.g'ora]. \’OICE. [ab to F] [E to 1)] Id to 5:] [lab to F] [c to E] [C to X] [c to E] [C or g to F] . BERWALD, W. Out of the Depths. BRACKETT, FRANK H. Led On. I) DRESSLER, LOUIS R. 0 Babe Divine. (\\'itl1 violin obbligato.) Ii FISHER, VVILLIAM ARFIS Be Comforted, Ye that Mourn. Op. 12, No. l. ' GRANIER, JULES Hosanna! CREEN, VINCENT ELGIE Sun of My Soul. KROEGER, IE. R. The Babe in Manger Lo‘wly. (Christ- mas Song.) Op. 50. No. 2. WO0LERy ALFRED Heaven is not Far Away. [lib to D] [I) to E or F5] . [lib to Eb] [bb to D13] [21 to E] l7[bi> to Error F]. [db to Eb]
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Title: Stars of the Summer Night
Date: n.d.
Text: I. i A ‘<N\«“\/\/(5.Pd8 by V‘ W _ Music by H.W1I,0N.GFELL,0W. H V ' ‘ STEPHEN {;.LQ\/ER, ./[3 /0/Vﬁﬂﬂ/V0 . ROBERT COCKS 8: C? NEW BURLINGTON STREET A N ‘i’ V I/V7”'S7—’4'/MAL’ by 31730131 Appointmeﬁi A I V /’/?/6’[, AJESTY.0UEEN VICTORIA, /~‘ ‘ Musuc uamuw VASSAR COLLEGE rm '».".'4'-2 ' ‘«‘=;':. .‘:.?.W \'f.'I!!K

Title: Death of Minnehaha, The, The Death of Minnehaha
Date: n.d.
Text: xi 3/ ‘ k I 12213!‘ uwonns FROM _ H U H! I4 “3§H§m ;;* JHBAL/‘fbpL7'r£1'ﬂz. _ ’B U S T ON’. '1"u1fJj,s7he i1)y'0LlVER D ITSO N 8; C0. .37‘/’V‘fc1sT1irLgfonSt. [.17. (2.131: IQ (0. Huron J 7.’ 670117/m .7l.7)i1rZ* 1/ :5‘/’7E (Yr 7,/2 vnr/on P//z//uhz. .7'r?z:v( zX;7J/17171”/'r/, £17171, H0516 LIIVARY THE DEATH OF MINNEHAHA. Words by LONGFEI.I.fJW. Music by C11. 0. CONVERSE, -ver snow - fields and path - less, Andantino. the wig- -wam Noho - - - mis the Wig- -...
Show morexi 3/ ‘ k I 12213!‘ uwonns FROM _ H U H! I4 “3§H§m ;;* JHBAL/‘fbpL7'r£1'ﬂz. _ ’B U S T ON’. '1"u1fJj,s7he i1)y'0LlVER D ITSO N 8; C0. .37‘/’V‘fc1sT1irLgfonSt. [.17. (2.131: IQ (0. Huron J 7.’ 670117/m .7l.7)i1rZ* 1/ :5‘/’7E (Yr 7,/2 vnr/on P//z//uhz. .7'r?z:v( zX;7J/17171”/'r/, £17171, H0516 LIIVARY THE DEATH OF MINNEHAHA. Words by LONGFEI.I.fJW. Music by C11. 0. CONVERSE, -ver snow - fields and path - less, Andantino. the wig- -wam Noho - - - mis the Wig- - Waln Noho - - - mis she said, “ the of Pau - - guk un - - der snow - en - - - cumbered branches, Homeward hur tried Hi - - -a-wa --tha, Emp- ty hand - ed guests,thatwa1ehc:<':her, With the Fam -ine and the Fe - ver, She was ly - .. ing, With the Fam - ine and the Fe - ver, She was 1y- - - ing”, ‘With those gloomy his i- - -cy fin-gets Clasp-ing e a-.-_ With those glqomy guests,thatWa,tchedher, Glare up--on me in the darkness, I can feel » heart- ed, Home-Ward huh -. -ried Hi- - -a - - —wa - - tha. I I T\ he‘av- — -y A i a 0 ' Tall. Be--- lov —- ed, She the dy - — ing Min -- ne - - ha- - he. the dy - - ing Min ne ha ha- -—-tha! »»Hi---a---wa--tha!” I I I x 1 I I U A J 7 the the Be - - 1o_v -- ed, She mid the dark- ness ' Hi - - - a - - - rail. i. . . » . Heard N0 - - - ho - - 1111s m0an- - - - ing Wall --mg: Wa - - ho — - no - - - Wm! H Hark! ” she said; “I ]l(‘il1‘ 3. rush-i11g, \ Hear it Wu---wing “Look!” she said; ‘=1 see my fa - -ther Stand-ing ' lone — - 13' And the des - -’late Hi - — - a. --wa - - tha, Far—-a--Way a --.- i Wa- — — -ho-no -win! 77 Heard No - - ho - mis moan - -- in wail-int?‘ .“Wa - ho - - no-Win! Wa - - ho - -11;» ~ win!,” 7 D7 and , FL rushing Hlear the falls of Min - - -no-11.14.-ha at V his doorway, Beck’ning' to me 1uid_ the forest, Miles 3. - - Way Calling ‘to me from a distance!_»"’ from l1is Wig--Warn In the land of the Da - - co - - tahs!” a mong the mountains Heard that sudden cry of an— —guish, I “Would that I had ‘per---ishedfor you) Would that I were dead as you are! Would that I had 1 .. v . . . “No, my C1111-(lzlséllfl old N0-ho-1111s, WT1s “No, my child!”said old Heard the voice of the night-wind in the pine trcesI’WN0, my childwsaitl, the smokethat waves and beckons! “No my child!” said. Min» - - ne -ha -- ha Call - -lng Heard the voice of . No -ho -mis, “Tis to him in the darkness, per - - ished for you, mll. “Tis “ Tia No-ho—1nis, No- ho -mis, --- -ne-ha--ha, mu; 5 And he rushed i11to the Wigwam, Saw the old Nohornis slowly ' I‘-Marching to and fro and Saw his lovely Minnehaha Lying. dead and cold before him, And his bursting‘ heart_wit.hin‘hin1, Uttered ‘such’ as ery"of’anguisl1,tj That the forest moaned That the very stars in Shook and trembled with Shook and trembled with We. --- ho - no -- win the night-wind the smoke that Call -_- ing , n Wa-- 110- no --Win._ the pine trees!” , Waves and beckons!” the dark-ness, in to him i11 ,_ . 6 Then he sat down still and speechless, on the bed of Minnehaha, moaning,:{ At the feet of Laughing Water, At those willing feet that never. Above would lightly run to meet him, At those willing feet, that never" Never more would lightly follow. and shuddered, With both hands his face he covered, heaven his anguish As if in a swoon he sat there, his anguish. "Speechless, motionless, unconscious. 7 Then they buried Minnehaha; In the snow a grave they made her, In the forest deep and darksome, Underneath the meaning hemlooks; clothed her in her riohisstvgarments, ‘Wrapped. her in her robes of ermine; Covered her with snow, like ermine; Thus they buried AMinnehaha, And at night a fire was lighted, 011/ her grave four times was kindled, Foryher soul upon its journey To the Islands of the Blessed. Seven long days and nights he sat there,
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Title: Twilight
Date: 1878
Text: .\..\m \ .. , , , ,. K % xx \ . .§\\\\\\\\\\\\\§~\\\\\\% \\\\\\\\\\\. \\\\\\\\\\\\\§\\»%\\§ \ »\ v:A§§W. Du £zL£R, ). I I ll ’KANE mm ; \ § . .. S. ®\\§\\\§V\\\§ IIIIIIH ( . 4 -‘ \. \\\\\\\\\\\\\§\\\\\\\\\\\\\\\\\\\\§ 1| NEVV‘ YORK- THOMAS O PUBLISHER mm’ BOOKS 130 Nassau Street. . II I1}-ﬂll II} [11 IUSIC LIIRAIV \IA$AFl COLLEGE § ./ . § n / , \ \. § L .1 L . \ W 0/ / “TWILIGHT.” Words. by LONGFELLOW. ‘Music by GEO. W. MORGAN. ra ritaad. 1. The twi - light is sad and cloud - - - y, The Wind...
Show more.\..\m \ .. , , , ,. K % xx \ . .§\\\\\\\\\\\\\§~\\\\\\% \\\\\\\\\\\. \\\\\\\\\\\\\§\\»%\\§ \ »\ v:A§§W. Du £zL£R, ). I I ll ’KANE mm ; \ § . .. S. ®\\§\\\§V\\\§ IIIIIIH ( . 4 -‘ \. \\\\\\\\\\\\\§\\\\\\\\\\\\\\\\\\\\§ 1| NEVV‘ YORK- THOMAS O PUBLISHER mm’ BOOKS 130 Nassau Street. . II I1}-ﬂll II} [11 IUSIC LIIRAIV \IA$AFl COLLEGE § ./ . § n / , \ \. § L .1 L . \ W 0/ / “TWILIGHT.” Words. by LONGFELLOW. ‘Music by GEO. W. MORGAN. ra ritaad. 1. The twi - light is sad and cloud - - - y, The Wind blows wild and 2. Close, close it is pressed to the win - - - I As if those child - ish 3. What tale do the roar - - ing 0 - And the night. wind bleak and }— --1 And like the wings of the sea - - birds Flash the white cap of the Were look - ing in - to the dark - - ness To see some form a As they beat at the era - - zy case - - ment Tell to that lit - tle P L I I ' Words published by the kind permission of Messrs. TIOKNOR sic FIELDS, Boston. Entered according to Act q/Oonpnu, in the yaar 1818. 39 NORJIIAN L. HUNBO, in the «me: afthe Librarian 0}’ Gongrcu at Washington, D.0. \_ sea, But in the ﬁsh - er-man’s cot - tage There shines a rud - di - er - rise, Anda. W0 - man's wav - - ing sha — dow ls pass - ing to, . . . . .. and child? And why dothe roar - - ing 0 - ceau And the night wind, wild,.... and light And a lit - - the face at the win - - dow, out.. in - the fro.. Now ris - - ing to.... the ceil — — ing, Now bow-ing and bend - ing bleak, As they beat at the heart of the mo - - ther, Drive the co - - lor from her mrxtard. ,5 u1\omgm.v—a. THE NEW YORK EAMEEY @@@EY BARE. CIRCULATION 300,000! A Song and Chorus, in regular sheet music form, given away to every reader of the New York Family Story Paper every Week. SONGS GIVEN AWAY WITH THE FOLLOWING NUMBERS: " His Grave Kept Green,” by Geo. W. Morgan, - . with No. 244. “ The Belle of Sha.ndon,” Irish Song, - . “ “ 247. “ Tapping at the Garden Gate,” - - - . “ 248. “ George Washington,” by Horatio (1 King, - -, - 249. “ The Garden of Roses," . . . . . 260. “ The Two Orphans,” dedicated to Kate Oulnxton, - - 251. " Nancy Lee,” by Stephen Adams, - - . - 252. “ A Letter in the Candle,” - - - - - - 263. “ When the Moon Beams Brightly (Yet the Hill,” “ Won’t You Tell Me Why, Robin 1’ " - - - S2=2:2=: 254. 255. ALL THE ABOVE NUMBERS OF NEW _ YORK FAMILY STORYAPAPER can be obtained at any news stand, also the eorrespomllngvsongs. No change tor mu. Each song‘ is carefully arranged for the voice and nlano. and worth at least 85 00 each. Inform your lrlends. NORMAN L. MUNRO, Publisher, 74 Beekman Stxeet, N. Y. _ . .. . _ .. .. . .. . g. . .. .. _.. ..
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Title: Excelsior
Date: n.d.
Text: N92 run 2 on 3 VOICES PR‘mE 3_ ARRANGED BY.J.B E‘ %gﬁmurv% ( V‘ . . LONDOILROBDERT CQCKS&C9 NEW B-URLlNGTONo‘.,. , MUS“: Pubhshers to Her Moat Gracious Mgjyggtigucen Victoria,,&’to His imperial MaJes§y Napoleon H1, ' NEW WORKS‘ BY wuss M.LlND5AY HOME ynev enouem HER vumuoﬂ DEM: ~ WORDS BY TENNYSONW2 MAUDH w0RD5 BY TENNYSON... _ . _ THERES N0 DEARTH OF KINDNESS WORDS av GERALD MAssE~Y_'/ I s‘rARsoFT SUMMER N{GHT»w0n])3 By mN(;rgLLow,._§/6 as-*;,<;a ( 7 AIRY FAIRY L|L|AN~W0...
Show moreN92 run 2 on 3 VOICES PR‘mE 3_ ARRANGED BY.J.B E‘ %gﬁmurv% ( V‘ . . LONDOILROBDERT CQCKS&C9 NEW B-URLlNGTONo‘.,. , MUS“: Pubhshers to Her Moat Gracious Mgjyggtigucen Victoria,,&’to His imperial MaJes§y Napoleon H1, ' NEW WORKS‘ BY wuss M.LlND5AY HOME ynev enouem HER vumuoﬂ DEM: ~ WORDS BY TENNYSONW2 MAUDH w0RD5 BY TENNYSON... _ . _ THERES N0 DEARTH OF KINDNESS WORDS av GERALD MAssE~Y_'/ I s‘rARsoFT SUMMER N{GHT»w0n])3 By mN(;rgLLow,._§/6 as-*;,<;a ( 7 AIRY FAIRY L|L|AN~W0 D5 BYTENNY6§ObL— ' ‘THE LORD VHLL PROVIDE 5.4 CR1-‘,0 50/1 * . . . A PSALM ow uFE. Dyﬁr ‘ORDS BY L NGFELLOW. THE ammo ~«woaas BY LoN<;reLLow, /5 2-zneuum AND ENGLANUS gUEEN . . . . . ...3 > \’‘'O 9. A munsm I)/1:7’ xnn/-":.4‘p:»'n"u. tax ea he u 03 an Worms av LONGFELLOW. . .Mus:c av Muss LINDSAY. \ JLLEGRO. -T-<>©> 1 Shades 0f.I]lg'l1t were fall __ing' fa.st—, As thro’ an Al_pine ViLlag'e travel _ ler by. ‘the ‘faith--ful h_<.>und \ Half butgried in the snow was 19 ‘VA youth who bore ‘mid snow (1 ice A Still grasp _ ing in; his (1 of L‘ ice That- 1' f with the strang'e deqiiee with the strange de,_ vice EX ‘ eel ‘ Si ‘ or 2 f ciwvdvmvf 19 His brow was‘ sad, his eye be_neath Flasﬁd like a. faulchioll fromits 3'?! “Try not the pass” the old man said “Dark low}-sthe tempest 0. Ver - L !\ . 9. ' I I I\ . I A I IV I 1 ’ A I V ' . And li sil a ver c1a_rion 2 rImg‘,\ The roa} 7 torrent is "deep and wide", L 5/ \l\ -' .|-~ 7. ‘ I ‘ f I 5 - ~1 % *1 i I ..L .1 ..-.4 " I ac _ cents of that Vun .§ loud that cIa_1‘i0n- voice‘ re .. plied’ ~*=f'"“"'*""'fff 414 . . ct-1_s1-or! Ex_ce1 _ ('00:. Is [I ress .- ,}!?:‘‘Oh! . stay” the Maid _ en said “and rést Thy_ wea _ ry head ‘ up" on my 19 lwreast” 4 A tear stood; in L his bright" blue eye, But still he an_swer‘d with l sigh >—A éel . si _ or ! ‘ . f Rall: ,cel‘_si_or! Ex_cel _ _ _ _ _ si_or! i I 7 “Be _ ware h wi e.’ ther‘d branch! I } f 0 rﬁ va _ 1a>nch'e.“’ the Pea_sant’sh last PP!” up. the. height “Ex- cel _ nsi _ or"_! :Jp,o ./1/m/av/H7 ‘mu ///rm Z7‘0]I]V). ~:1:?«Tnere in the ma -[light Md and grey, Life- less but beau-_ti_ful he 3* And frnm ' 19 .’W1 cu’/7. S]Iiz'if0. mice fell like a fall _ ing; star Ex __ eel- si _or! J U I 0 EN umcrnms. U . . .NOTE.—This List is always made up to include the latest Novelties tothe time of Printing‘. PIANOFORTE MUSIC. BERINGER, R. Evening Star. Nocturne Morning Star. Morceau de salon BARTON, H. In Shady Groves (transcribed) Shylie Bawn . ,_. . BELLAK, J. March from I Martiri La Favorite . . Linda di . . Bacchanalian Song . Di Pescatore . Verrano, from Lucia BLUMENTHAL, Jacques. zezezezezew 231;; 2928 Danse des Gnomes . Calme.-toi . CASSIDY,‘ James. Punch’s Galop. Illus. DELASEURIE, A. Polka des Demoiselles. GLOVER, Stephen. TheHappyFamily Quadrille. Il. The Holiday Quadrille. Illus. _ Robinson Crusoe Quadrille. Illus. The Marlborough March Illus. Sandringham March. Illus. . The Royal Greek March. Illus. KREMER, J. La Fileuse. LEDUC, A. Jenny of the Mill LOTT, E. M. The Review March PEARCE, S. A. La claire Fontaine . . . 2 RICHARDS, Brinley. The hardy Norseman 3 Warblings at Dawn . 3 Warblings at Noon . . . 3 Warblings at Eve . _ . . 3 3 3 Illus. Caprice O 03 0': Bid me discourse _ . . I know a Bank .' . . 3 The Bells of Aberdovey .- 2 God bless the Prince. Illus. . 4 Echo of Lucerne. Solo, 23 6d. Duet ROCKSTRO, W. S. « La ci darem Di tanti palpiti Hebe . . . . WALLACE, W. Vincent. The Oarsman’s March . 3 When ye gang awa, Jamie . 3 The Mess Rose. Rondo 3 Oh! Nannie, and He’s o’er the hills 3 Corn Riggs are bonnie . Gentle Spring . Swiss Melody . WEST, G. F. On yonder Rock (Auber) La Carita (Rossini) . The bloom is on the rye , Jerusalem the Golden Minnie, Valse . Come é bello . Marche des Croates . Barcarole from Masaniello . Melody from the Corsican Brother Non pin mesta . . . Krieger’s Lust March Oh! Lady Fair Ah che assorta. . Waltz No. 1, Mozart Fall of Paris . . La Cachucha. . . Morning around us (Mozart) WRIGHT, 'A. A The Harp that once, Fantasia Fancy Fair Polka. Illus. @200 OO®OOO3CO D309 l\‘Dl®l€>Z\‘JZ€>l®l€l®l®Z\‘DZ®l€l€l\°.Ca9U‘-Z\‘> QSWOS CO .~G>O>G>C3®O5C‘bCD®O’J®O>O«C7.‘CC3‘— OOOOCC-O vocAL__riUsIc. ADLINGTON, W. Those happy days ABT, Franz. ~ O vision! bright and glowing Tell me, oh Bird . ~. _ . I watched the Sunlight (1 'ng . Thee only 1 love . . . Kathleen aroon . Oh! ye tears Angels’ Visits . . The Music of the Heart The Angel’s watch Sweet is rest . . Sparkling with gems Lovc’s first dream Fair Star of the night BARTON, H. Nearer to thee. Sacred Song . DEMPSTER, W. R. Come o’er the Mountains Flow down, cold Rivulet The Old M an’s Reverie A Butterﬂy in the City EDWARDES, Miss. The Sailor’s Mother FRICKER, Ann.) Thirty years ago . ' . I built a Bridge of Faneies VVhen Celia sings . . Oh that I had the wings of a dove KUCKEN, F. No friendly Moon Like a Snow-ﬂake The waves were dancing . Golden Days . The Spring—time is come . Blanche . . VVhen loving ones are parted The silent sea is calm LEDUC, A. Jenny of the Mill. I/lus. [A decided successj LINDSAY, Miss M. 0 love my W'illie . . The Song of Love and Death Thou wert the ﬁrst. They shall hunger no more Come unto me. Illustrated Thalassa . . . Echoes . . . Too late. Illmnlnated LOTT, A E. M. Journeying on PERCY, Augusta. Across the Sea RICHARDS, Brinley. God bless the Prince of ‘Vales Cloud of the Summer . The Pilgrim’s Path . . . The VVhite Cross of Denmark . The Vl/Vandering Gipsy Girl WESTBROOK, W. J. Ye Uarincrs of England . WRIGHTON, W. T. The Liquid Gem. Embossed . Her bright Smile. Embossed An Evening Prayer . . In Search ofthe Primrose. Emb. The Music of her Voice ' . Shylie liawn . . . ’Twas thy loved voice . . She sang among the Flowers. Em. l\‘DZ\"Dl®l®l®l$C>$>l®lSl$Z\‘.>C»8€a§ to zezezezezezezeze iewwwwwwce -:'-czczcvcsozcnicncu .l®Z®l®Z\'~Dl\‘>l€>l\‘>l\'-D G:®®®O>O§CO©C3®OO OOOGJOOCO O‘: C‘JO§O>ObC§OJO30> NewMusic forliarmonium LIEBE, Louis Thirteen Voluntaries and other Pieces . . . . . Twenty-ﬁve original Voluntaries WARREN,’ J. C Half Hours at the Harmonium. Popular Themes, arranged for Harmoniunts with one ormore Stops. Bks. 1 to 4, now ready. ea. Airs from Sonnambula . A . Andante from Beethoven’s 5th Grand Symphony . . . The l\[arv’lous VVork (Haydn) Agnus Dei (Mozart) . « 2 . God Save the Queen, and God bless the Prince of VVales . Airs from Guillaume Tell ' Gloria in Excelsis (Mozart) PART SONGS, &c. BURLINGTON G-LEE BOOK. A Collection of Part Songs, by Brinley Richards, Abt, Kiicken, Martin, and other eminent composers, in Nos , each 2d. and 0 OSQSOQIQZGNJ C56: OOOOGME CO I CHORISTER/S HANDBOOK. Edited by Joseph Warren. In 2 Vols. Cloth, each Or, in 103 Nos., each Double Nos. . . GLEES, Hand Book of. Edited by Joseph Warren. In 3 Vols.. demy 4to. Cloth, each Nos. each %d. Double Nos. 4d. HILLS, W. 105 Rounds and Canons, 13 Numbers, each . . . Or, complete, Limp Cloth. (Invaluable to Schools.) , Contents of the above four Works, gratis and post free. RICHARDS, Brinley. Sweet day so cool The Boat Son . . . The White Cross of Denmark The Harp of Wales . . . Separate Vocal Parts to the above, each . . . . God bless the Prince of Wales . STANDARD English Songs. Twenty Numbers, each 01', complete. Boards THEMATIC Vocal Catalogue. (FOUR PH GRATUITOUS EDITION), giving the ﬁrst bars of each song, gratis and posljree. NEW CATALOGUE of pm Songs, Anthems, &c., gratis and post free. THEORY. G. F. WEST. Questions relating to the Theory of Music. New Edition ’. 2 0 CLARKE, J, {Just Published.) Catechism of the Elements of Harmony 2 0 ~i.oM)?oN . R()BE1t'l‘ cocks & oo.. N.cw.i BUn1.1.Ne'i‘oN s'1'.nm»rr (W)
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Title: Serenade Stars of the Summer Night, A, A Serenade Stars of the Summer Night
Date: 1906
Text: Tmumetfs Tjuitez THREE—PART CHORUSES Song of the Bells The Land of Dreams A Serenade The Bee and the Dove The Three Fishers The Rhine—Raft Song Werther All Among the Barley Dreaming A Starry Night By the Beautiful Blue Danube Nature’s Resurrection The Wind-Swept Wheat (Sop. Solo) Sweet and Low Ashes of Roses Abou Ben Adhem Wanderer’s Night Song The Grasshopper and the Ant Spring’s Welcome On the Sea Since First I Met Thee I-Iallowing Night (M-Sop. Solo) A Canadian Boat Song Spring Spring Song...
Show moreTmumetfs Tjuitez THREE—PART CHORUSES Song of the Bells The Land of Dreams A Serenade The Bee and the Dove The Three Fishers The Rhine—Raft Song Werther All Among the Barley Dreaming A Starry Night By the Beautiful Blue Danube Nature’s Resurrection The Wind-Swept Wheat (Sop. Solo) Sweet and Low Ashes of Roses Abou Ben Adhem Wanderer’s Night Song The Grasshopper and the Ant Spring’s Welcome On the Sea Since First I Met Thee I-Iallowing Night (M-Sop. Solo) A Canadian Boat Song Spring Spring Song (Love is Spring) Song of :1 Shepherd How Merrily We Live The Call In Springtime (Cycle, Sop. Solo) Night Song C. W. Coombs E. Marzo H. A. Matthews J. B. Grant J. B. Grant J. B. Grant J. B. Grant J. B. Grant H. R. Shelley E. Marzo Strauss-Spicker R. H. Woodman D. S. Smith H. A. Matthews R. H. Woodman Dudley Buck Dudley Buck Dudley Buck Dudley Buck Dudley Buck Rubinstein—Shelley L. V. Saar F. F. Harker G. Borch Mendelssohn- Shelley J. B. Fox Michael Este Mark Andrews Mabel W. Daniels W. C. Heilman (Prices apply to U. S. A.) ®. Stbirmer, Elna, 332111 york To the members of the Treble Clef club, PhiIa., Pa.,and their conductor, Mr..Samue| L. Herrmann A Serenade “Stars of the summer night” Henry VVadsworth Longfellow Three-part Song‘ for Women’s Voices . H Al ‘ d M tt Allegretto tranquillo any exan er a hews _ of the SITITI-mer night, Far in yon of the sum—mer night,_.____ Far in yon \‘._'_"/__/' X . of the sum-mer night,_____._ Far in you a. — zure,far in_yon Hide your gold — en,your golden light,______ She sleeps! she 7 J V Hide, hideyourgolden Ii? _ She. sleeps! she ‘\y \/ a — zure deeps, Hide,hideyour golden light, She sleeps! she QED. Cop}/right, 1.906’, by G’. Sc/ulw-mar; I720. Printed in the U. S. A. s1eeps!v____ my la — dy ______ sleeps!___ my la — dy ,,_——— I my 1:/_ ﬁdy sleeps!_________ S e 1’ She sleeps!She our olden _€______2 * H1de _____your golden sleeps! sleeps sleeps sleeps! sleeps am; sleeps! d7/'m. myla _ dy’ sleeps! my la _ dy s eeps! my la. — dy sleeps! pp - 7'/ft. sleeps!__ my la—dy sleeps!-_ sleepsi: my a—dy s’1:<ﬁ§T_.' s my la—dy s1eeps!___ P000 pill mosso you west- ern Moon___. of the sum—mer Poco piﬁ mosso Sink,___ sinky r sil— ver light, She sleeps! __ She __ sleeps! Meno mosso sleeps! sleeps sleeps! sleeps! my la - dy sleeps! Meno mosso T 45.5 sleeps! sleeps! my 13. — dy sleeps! of the sTn—mer night! Far in you a — ...=—.~_.""'_._ T’ T _ of e sum-mer night!____ Far in you a — —zure,you a — zure / _ s__f( _ \ / . J :4 V _ of the sum-mer night! Far in you a — - zure, far in- yon .5/a Hide- your gold- en, your go1d—en light! ‘._._y_{-——-»— She sleeps! she . Hide, hide your gold— en ht §/ 21 - zuredeeps, Hide, hide your g01d—en light / . \ . She sleepslshe \___,V e s1eeps!~she sleeps! my She sleeps! she sleeps! my he sleeps! She sleeps! SP m); 2'{———_‘'$ ‘ sleeps! sleeps! sleeps! Qéb. Poco iﬁ mosso §__._2 VVind __ of the sum—mer night! __ VVhere yon— - der wood-bine Poco piﬂ mosso Z—”’” ﬂ“‘\ \Vhere CF9eP5;—— ‘ ’ \Vhere //-""'\ — derW00d_bine Creeps, Fold,__ fold. thy pin—i0ns . LT-‘J der woodbme creeps,__ $ﬁf"‘ f T Fo1d,_ fold y pin-ions light! Fold thy pin— ions light! Fold thy pin-ions s e sleeps! — she sleeps! L2 My la — dy sleeps! _; sleeps 2’- X / Meno mosso P 3199135! sleeps! sleelgs! sleeps! Meno mosso dy sleeps! sleeps._____.__v_/2.. my la — dy sleeps’ -A. . 7“’Zr My la — dy ~ £71 19277 Tempo I Dreams___ of the summer \\___’Z Dreams _.._ of the summer _ §-.__——/__,/ Dreams of the summer Tempo I ' appassionalo 3237-m.g.A ni ht! night! Dreams of the sum- Dreamsof the sum- — p___Z/ of the sum .. {_~\ her, her 1ov_er keeps watch, appassionato string. ' -cresc. tell her,pher1ov.er keeps watch, her V her , lov — ) Q5». her, her lov _— — W2 keeps watch, her her 1ov_er keeps tell her,her 1ov.er keeps .— erkeepswatch, tell her,her 1ov.erkeeps her,her lover keeps watch her 1ov_er keeps ff" dim. Watch, keepswatch,while in slumber light, 11 slumber light She ' > WatCh,é__ keeps ,whilein slumber light, light She ' > L Watch __ _ . _;/ _ _' ./.__S keepswatch,Wh1le1n slumb r. 11ght, 1n hght She ff sleeps . sleeps, ,2 PP 19277 S A t . %. '. ma. ' *) Either the large or the small ‘notes in Soprano and Alto maybe sung, or both together Tuf G. CHIRMERB SECULAR CHOlRUSESj wlnmenfs Voices Mellican Man The Dew is on the Clover Dreams in Twilight Bitter for Sweet Song of the Sweep (Bar. solo) Springtime Morning Love’s Lullaby The Bell-Buoy Songbirds are Singing Mankind’s Own Song and II) Alsatian N061 Song of Allegiance My Little Pretty One When the Boys Come Home The Big Brown Bear Tally-Ho! Reveries The Old Road My Little Banjo Mah Lindy Lou Kiver up yo’ Haid Rain Nursery Rhymes A Nocturne Honey Chile Dawn A Banjo Song The Bells of Youth THREE-PART CHORUSES Arthur Bergh C. W. Coombs R. H. Woodman R. H. Woodman H. R. Shelley Dorothy Watkins Oley Speaks A. E. Stetson H. R. Shelley Alfred Wooler H. H. Huss Alsatian Pastoral (Solos Sop. I H. Mirande H. Mirande Arthur Nevin Philip James Oley Speaks Mana-Zucca F. Leoni Oley Speaks J. P. Scott Pretty, Pretty Maid Called Spring E. Marzo Wm. Dichmont Lily Strickland Mary G. Payson Pearl G. Curran Pearl G. Curran D. Protheroe Lily Strickland Pearl G. Curran Sidney Homer Oley Speaks (Prices apply to U. S. A.) ®. ﬁtbirmer, Elna, 332133 ﬁurk
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Title: Curfew
Date: 1917
Text: MUSIC LIBRARY ASSA COLLEGE Q5132 iubn Qtburnb Qlinmpanp (Einzinnati ﬁetn Earl: Jlonhnn Qauartets ant Qtijutuses’ for ﬁilixeh ’9ui£e5——§2:uIar Ilr--= --- 3B92554~15¢‘ ‘Wan jliﬂary ilaelen iﬁruinn ||jI+tmnm4.od be Columbia, we hail . . . . . . . . . . . . . . .Donizett Kisses . . . . . . . . . . . . . . . . . . . . . . . . . . Armstrong Mandalay (Baritone solo) . . . . . . . .Damrosch Mighty lak’a rose (Soprano solo) . . . . . .Nevin Sweetest ﬂower . . . . . . . . . . . . . . . . . . ..Hawley...
Show moreMUSIC LIBRARY ASSA COLLEGE Q5132 iubn Qtburnb Qlinmpanp (Einzinnati ﬁetn Earl: Jlonhnn Qauartets ant Qtijutuses’ for ﬁilixeh ’9ui£e5——§2:uIar Ilr--= --- 3B92554~15¢‘ ‘Wan jliﬂary ilaelen iﬁruinn ||jI+tmnm4.od be Columbia, we hail . . . . . . . . . . . . . . .Donizett Kisses . . . . . . . . . . . . . . . . . . . . . . . . . . Armstrong Mandalay (Baritone solo) . . . . . . . .Damrosch Mighty lak’a rose (Soprano solo) . . . . . .Nevin Sweetest ﬂower . . . . . . . . . . . . . . . . . . ..Hawley In May time . . . . . . . . . . . . . . . . . . . . . . . .Speaks When Mabel sings . . . . . . . . . . . . . . . . . .Speaks Lover and his lass . . . . . . . . . . . . . . . . . .Haw1ey Sleeping why now sleeping . . . . . . . . . . Browne Tell me, ye winged . . . . . . . . . . . . . . . .Heinrich Death and Life . . . . . . . . . . . . . . . . . . . . .Browne Venetian serenade . . . . . . . . . . . . . . . . . .Speaks Stars of the summer . . . . . . . . . . . .Woodbury Night has a thousand . . . . . . . . . . . . . .Pontius Night witchery vocal Waltzes . . . . . . . . . .Boex Washington, beloved . . . . . . . . . . . . . . deKoven Lark now heaves . . . . . . . . . . . . . . . . . . . .Parker Time of maying . . . . . . . . . . . . . . . . .Hammond Awake, arise . . . . . . . . . . . . . . . . . . . .Hawthome Over the snow (Unison) . . . . . . . .Hawthorne Snowflakes (Three parts) . . . . . . . .Hawthorne Call of spring . . . . . . . . . . . . . . . . . . . . ..Hawley Mammy’s lullaby . . . . . . . . . . . .Dvorak-Spross Star spangled banner . . . . , . . . . . . . . . . . . .Key Columbia, gem of the ocean . . . . . . . . . .Shaw America . . . . . . . . . . . . . . . . . . . . . . . . . . . .Smith Nymph and Swain . . . . . . . . . . . . . . . . Barrett Sacrifice . . . . . . . . . . . . . . . . . . . . . . . . . . .Walling Sunrise . . . . . . . . . . . . . . . . . . . . . . . . . . . .Taneyef Autumn . . . . . . . . . . . . . . . . . . . . . . Grechaninof Chorus and Dance of the Reapers, Tschaikowsky Spring Chorus . . . . . . . . . . . . . . . . .Saint-Saens Chorus of the Philistines (sextette) Saint-Saens Lindy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Spross The Village Blacksmith . . . . . . o . . . . .Berwald Curfew . . . . . . . . . . . . . . . . . . . . . ..M. H. Brown D In the forest o'er the meadows. .Hammond Longing for summer . . . . . . . . . . . .Hammond i g > Curfew HENRY W. LONGFELLOW MARY HELEN BROWN I Andante sostenuto ptranquillo Sol- em - ly, mourn - ful — ly, Andante sostenuto J::56 Ptra.n uillo . can Pcdale Deal- ing its dole, The Cur - few Bell is be - g‘in~ning' to toll, Copyright, MCMXVII, by The John Church Company International Copyright [7 Cov - er the em-bets, And put out ‘the light; Toil comes with the morn ~ing',And rest with the night. > > mp Dark. grow the win ~ dows And ding___ dong, ding__ dong, ding.____________ dong, ding._. dong, ding__ dong, ding___________,_ dong, . --='—‘=‘_"'_. 3'3‘-—='==-19 quench’d is the fire; Sound fades in- to si-lence, A11 foot— steps re-tire. ding‘.____________ dong',.___ ding‘ dong, ding'.____.__._ dong‘, - dong, voice in the chambers,No pow rall. sound in the hall! Sleep and ob-liv-E - on Reign o—ver all 4"-7':-* jzoco rall. ding» --¢oco rall. ding, oco rall. dong, jzoco rall. Allegretto con brio > > book is com-plet-ed And > > book is com-plet—‘ed. And Allegretto con brio (J-: 76) > /. c1osed,like t e day; > > c1osed,11 e the day; L-> hand that has writ—ten it lays it a - way, 'ng hand that has writ-ten it lays it a-way, dmg poco rit. > L-— dong‘. . >p0co rit. a temﬁov/_zf' dong. The book is complv .And closed like the day; pom rit. >‘ L- dong.!___ >g>0c0 rzt. . dong. /‘T a temﬁo .t. _ . ﬁoco rz P \ 5 book is com-ple» .And closed, like the --1"“ n£l!!l_1!:!g. 5-‘.i.‘ ii book is com-ple-ted,And . a/Iemﬁo . 1, 15000 rzt. _:______ closedlike the day; closedliketheday; ding 19; pow rit. a tcmjw (:- ClOS€;d like [>060 rit. _% “"110 like the day; day {taco rit. closed like }9¢ocoi rit. 17829 - 5 pizi lento cresc. dong And the hand that has Writ - ten it M12 lento cresc. L day ding ding, dong- £12 le to cresc. dong ding‘ ding‘, dong_._.____ pm lento cresc. ding‘ ding, dong. 4:122 lento oresc. , Dim grow its fan-cies;. For -. g‘ot- ten they lie; P -___—_i__, — ding__..__: ding, ding',dong‘ >19--..—_:_-’___ 2.2:. -o 1... ding‘______ dong_;.______ Like 19 -——--:4 1.. --i .2- 17829 - 6 pm mosso — ding _____. 1'12 moss ding ‘ ding 1712-iu mosso coals in 1’ piil mosso : ding ding — ding dong > ding CTIJSC. dong (7'L’S(. ) CTBSC. dong L ding dong dong the ash- es They dark-en and die. dong agitato C7’¢’Sl‘. e acccl. Song sinks in - to si- lence,The crest. e arccl. ding crest. e accel. ding agi tato to si-1ence,The Song sinks. in - cresae accel. ding > lungn K.‘ stgntando dong‘, The lunga stentando’ in: m is told) The unga /3 to - ry stenttmdo d dong The stvntando 1“”é"' 3 f.\ cf is told , The lunga f.\ sto - ry \ lunga A . tiecla ma to win—dows are derlamato win—dows are dvrlamato win—dows are dvclamato win- dows are dark - en’d > dark - en’d > dark - en’d > dark - en’d. - \ 11 meno mosso 7'.’/f The memo mossoj The The men0_ M-0850‘ f 50}: enfasi cresc- X“ can enfasi hearth— stone can enfasi hearth—stone_ ' can enfasz hearth-stone ' can enfasi hearth-stone ' \.« ﬁstentando - Tempo primo Tempo primo ~rit.e dim. ' L- P’ If > 8. -It-Hold two bars with Ped. mm corda I’ Sleep and ob-liv-i — on He tranquillo pp Dark-er and dark-er The black shad-ows fall; ding, molto tranquillo _ 1,}, Dark- er and dark—er The black shad-ows fail; . ding, Vmelto tranquillo. 117829 - Z6 ' dccrvsc. Reign 0 — ver all dur r1’S(.. V ding })dvrrv.s‘(. 9) sleep and ob -liv — i - on d ccresc. ding, rall. (11 fine 0- ver Reig‘n.__._____.. rall. al fine dong, rall.al fine Reign 0 - ver all rall. al fine 1, dong Reign 0 — ver 13 j217_a nissimo ¢0ssibile i. all._..._.___..._ pianissimo possibile —: i=- , all . z 1 mo ossibilc :19 P .311-. . zamsmmo all. j>2'am'ssz'mo possibilc German, French and Italian Song’ Classics HORATIO PARKER Vol. 1. Soprano Vol. 2. Alto Vol. 3. Tenor V01. 4. Bass These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large and ever increasing class of earnest aspirants to true artistry. The songs are presented always with the original text in order that their full ﬂavor and signiﬁcance may be preserved, and because a poem which does not suffer by translation is a thing hardly con- ceivable. ’ Students and teachers as well, should remember that of these noble songs each is an earnest of like treasures which will reward any diligent seeker in the ﬁelds represented by the collections now offered for their use and guidance. The following composers are represented in the collection: Adam Chaminade Hahn Massenet Sarti Bach Delibes Handel Mendelssohn Scarlatti Beethoven Del1’Acqua D’Hardelot Mililotti Schubert Bernberg Dubois Haydn Mozart Schumann Bizet Durante Holmes Paladilhe Strauss Bononcini Faure Jensen Pergolese Thome Brahms Franck Legrenzi Pierne Tosti Caccini Franz Loewe Raﬁ‘ Vidal Caldara Giordani Lotti Ries Wagner Campana Godard Luzzi Rosa Weckerlin Carissimi Gounod Marchault Rubinstein Widor ggvalli Grieg Marcello Saint-Saens Wolf sti Price each volume in heavy paper, $1.50. in cloth. gilt, $2.50 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON
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Title: Children's Hour, The, The Children's Hour
Date: 1937
Text: The C}zz‘[a’re7zG Hour OR Between the dark and the daylight, There comes from each radio tower LONGFELLOW A series of gentle broadcasts DIDNT KNOW That are known as the Children’s Hour. THE HALF OF IT And the girls and the boys are gathered To listen with bated breath To educational programs Of Murder and Sudden Death. By Then the air is athrob with sirens, Berton Bralgy As the ears of the Little Ones Tune in to the soothing echoes Of “gats” and of Tommy—guns. And the eyes of the kids are...
Show moreThe C}zz‘[a’re7zG Hour OR Between the dark and the daylight, There comes from each radio tower LONGFELLOW A series of gentle broadcasts DIDNT KNOW That are known as the Children’s Hour. THE HALF OF IT And the girls and the boys are gathered To listen with bated breath To educational programs Of Murder and Sudden Death. By Then the air is athrob with sirens, Berton Bralgy As the ears of the Little Ones Tune in to the soothing echoes Of “gats” and of Tommy—guns. And the eyes of the kids are popping, As they listen and wait, perplexed By the educational problem Of who will be rubbed out next. Grave Alice and Laughing Allegra And Harry and Dick and Tom R . O1 Hear music of sawed-OE shotguns, eprmte Accompanied by a bomb; from And quiver and shake and shiver Afmerican At the tender and pleasant quirks Of a gang of affable yeggmen Giving some “punk” the Works! Cavalcade And they listen in awesome silence To the talk of some mobster group, As they’re opening up a bank vault With nitroglycerine “soup”; Oh, sweet is the noise of battle To children’s listening ears, As the guns of detectives answer The guns of the racketeers; And these educational programs Will make the youngsters cower, And the night will be ﬁlled with nightmares Induced by the Children’s Hour! © 1937, Pocket Book Pué. Corp., 420 Lexingion Alva, N J‘ .C. (ﬂmeriam Cavalcade, May, ’37)
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Title: Song of Hiawatha, The, The Song of Hiawatha
Date: n.d.
Text: ,n.«.»n|IJ d'7'/1/V/VAIFVZI :2 D/X0/V, /M/3 I V V._ J / /\ U T ﬂ. e 4 . a I C? W \ mm zwb M mémm. ﬂ nmmTo___ TL 1“, / aﬁea ). 1.1? .-\\_v: emaMw ﬁn! HVJH , P m1.m@ A mmmm II L‘L1:.L ﬁJH 1.4.865 JM wmmm r1{.1..£ A MM%%_ .§4.V4c7.\.lu\»lv7W m\P... ; moaaw Wm/an E_..L.. hwxwxvo :m.n.nDaS v/A Mtge rnmh O6rT.W. O,mOO dudm . _|. eiaaa $6160 uAn.L.4,I:_.K a1.a SLM Tm ,. .Y. 5 M A. M M r. W A N F. I “THE some OF H|AWATHA.” (“I AM HAPPY, I AM HAPPY?” The Poetry ﬂrranged from L0NGFELLoW’s ...
Show more,n.«.»n|IJ d'7'/1/V/VAIFVZI :2 D/X0/V, /M/3 I V V._ J / /\ U T ﬂ. e 4 . a I C? W \ mm zwb M mémm. ﬂ nmmTo___ TL 1“, / aﬁea ). 1.1? .-\\_v: emaMw ﬁn! HVJH , P m1.m@ A mmmm II L‘L1:.L ﬁJH 1.4.865 JM wmmm r1{.1..£ A MM%%_ .§4.V4c7.\.lu\»lv7W m\P... ; moaaw Wm/an E_..L.. hwxwxvo :m.n.nDaS v/A Mtge rnmh O6rT.W. O,mOO dudm . _|. eiaaa $6160 uAn.L.4,I:_.K a1.a SLM Tm ,. .Y. 5 M A. M M r. W A N F. I “THE some OF H|AWATHA.” (“I AM HAPPY, I AM HAPPY?” The Poetry ﬂrranged from L0NGFELLoW’s “H1AwA'rHAZ’ “Then they said to Chibiabos, To the friend of Hiawatha, To the sweetest of all singers, To the best of all musicians , ‘Sing to us 0 Chibiabosl ‘That the feast may be more joyous, ‘That the time may pass more gayly, ‘And our guests be more cdntented!’” The Music Composed by JOHN BLOCKLEY. “ And the gentle Chibiabos Sang in accents sweet and tender , Sang in tones of deep emotion, g Looking still at Hiawatha, Looking at fair Laughing Water , Sang he softly, sang in this wise .” Song of“Hi;1watha’.’ pp.81.8‘Z. ./WODER.él"TO E SE.MPLICE . f f‘\ mf 0 I am happy, am happy , if thou on _ _1y lookest at me, Thou the wild flower of the forest, The wild bird of the prai_ J _ tencﬁramente .\ My heart sings to .nf be_._1o_ved, Sings with joy, when thou art near, 7’ 1’ The Song of Hiawatha . John Blockley. As the sigh_.ing, sing- ing branches, moon is shining clear. 7 FN a/\piacere . ‘Z When the ,moon is shi _ ning clear . calla voce . J . Piu lento e molto espressivo . When thou art sad be_.10ved, Then my heart is darli as night, ‘Nhen thou. /9/9 appassionato . smilest my he_-1oved, Then my troubled heart is light. Smiles the The Song‘ of Hiawatha . John -Blocidev . earth and smile the waters, Smile the cloudless skies a__bove, But I can espressz'one . . :7 . . v3 \ ~ ' lose the way of sm1hng, VVhen‘ Im ab_sent from . VVhen I111 dim . 8 1-all . ab_sent from my lge. - I am happy, If thou calla vace . on__1y lookest at me, Thou the wild flower of the forest, The wild The Song of Hiawatha. . John Blockley . bird of the ’prai-_._'rie.- ten ramente . My heart sings to thee beloved, Sings with joy, when thou art near, 1’ in As the sighing, singzing bs‘a_nches, M7hen the moon is shining clear. a piacere . ‘ A‘ ‘When the moon is shining clear. calla voce . \_J Thé S098 °f Hiawﬁitha - Londou,Pnb1ished by Jolin Blockley, 2 Park Roa';~d, I-Iaverstocla. Hill. 1.?!-:__—_—~ 9 ' /N ‘V; ‘ “L” \ / I T ' A ~ 17.---"vi W’ K qa~ K/. \ \ I ) T < V m ' ‘I I‘ » gym . ”°7“ 41”” ‘ ’ cT-‘(,1/'//5 T. T5)’ ;“v;> ‘\ 45 @ j V A \ WEE SON/($3 “ W3 A / ’ "(M2 J4’ﬂu5tr Thu \; \./ ‘E JQHTN BLOQKLEY. - - A ﬂ / ‘ I (Llgr 19or1‘1g hv % T 9 * u: _ a i‘‘‘ “W W * ©N4@‘J?'@'m@W / A TVL Qt ‘ / 9 @,*>,.J \ ~’]:w_J_TiJ ‘TT/9) , = ‘ /0 K — S0,N0 DUETT ‘) ‘ SONG OF‘ HIAWATHA T .0 AM HAPPY,lAM HAPPY) (ILLUSTRATED), TT 9/6 7 TEXCELSIOR. _ (ILLUSTRATED) T, T. 2/6 3/' FOOTSTEPS OF ANGELS T T T T TT (wxru PORTRAIT or LONGFELLOW) * 2/6 ‘r J‘ EVANCELINE T (mom LouomLow’s roam T 2/- THE CONSECRATION OF PULA$K|’S BANNER TT (ILLUSTRATED) HYMN or THE momvuu NUNST V TTT :>9T a/- V 3/» . _ A PSALM or ure T TTTT .. TT A TT 2/T”. 4' THE REAPER AND THE FLOWERS TTTT TT T TT TT T 2/1 M A {-I THE RAINV DAY TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT T.‘ TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TT2/.TTTTT.T.2/~ “ TH-E BRIDGETT T TT _T 2/» Ha‘ ‘THE SILENT LAND / 7 ) THE ow CLOCK on THE’ sums (ILLU‘STRATED]T,T,TT.T. Tz/5 T TT T: 8 THE OPEN WINDOW T (view or LoNcrELtow's RESIDENCE) T...2/6 , zﬂ % o THE OLD HOUSE BY THE LINDENS T D9. T TT .2/6 L M I ‘ cu-RFE‘w T T T T. T. T. TT ~ A 6 ‘XL 2,17 1 cool: NIGHTT T TTT (s:n:~Ao:)TTT T T .T .. 2/v ~ \ » TH: Two Locks or HAIRTT. T T _ . TT.2/- T V‘ _ \ \ I’ W~ W H ITH ER T (some or THE wnzn NYMPHS) T T TT 2/v 3 \ 5% TH>E VILLAGE BLACKSMITH TT f.:..J.a—u.ocKL:v) (uuusrnnrao; .2/6 §$ g‘ V: 1 ‘km: WRECK orrua HESPERUS D‘? T 0°. \ 9‘ *1 V suns or THE SUMMER N|GHTT__ T !)°. 4 '”‘, ﬂk SPEAK GENTLV T T. Lwonos rnom sHAnpas MAcAzma_‘TTT_T T X \ I _“'lr‘(#)-f)I'(‘.V"(-‘IITT 11uis1:al;L‘;._ ‘ ’ I ORDERS SHOULD SPECIFY av JOHN BLOCKLEY. D L ‘x V > =&: 6 ,
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Title: Reaper and Flowers, The, The Reaper and The Flowers
Date: n.d.
Text: < 52 £53 0 O5 .92 -s B< M ~.«ﬁi%.L,.;« 73:152. .. q . w."- U My Lord Ewas need of thejse ﬁovx/reLs gay,” L M'|'bey all .S[1ELUH,()<,)}iI"r in [\<:vld.<._~', of M§j';hL,. The Rea¢pew* said ecnél, smled, JL 1'1“cLnspiaJ1l;e<:l Ly my care, ~ Deau“ tokens Kfthe earth are they, And sa1r1Ls,u.pon their ga.rrnem,::s W-m:,. W’l1(>,1‘€ he was Q_1f_).C€? M _ __ M _T}3es_e__sag3.:e_d blossoms \N<4ar"f ’ 004:?/005.512 5 Y ‘*1 I‘ A /577/, 51¢...
Show more< 52 £53 0 O5 .92 -s B< M ~.«ﬁi%.L,.;« 73:152. .. q . w."- U My Lord Ewas need of thejse ﬁovx/reLs gay,” L M'|'bey all .S[1ELUH,()<,)}iI"r in [\<:vld.<._~', of M§j';hL,. The Rea¢pew* said ecnél, smled, JL 1'1“cLnspiaJ1l;e<:l Ly my care, ~ Deau“ tokens Kfthe earth are they, And sa1r1Ls,u.pon their ga.rrnem,::s W-m:,. W’l1(>,1‘€ he was Q_1f_).C€? M _ __ M _T}3es_e__sag3.:e_d blossoms \N<4ar"f ’ 004:?/005.512 5 Y ‘*1 I‘ A /577/, 51¢ //ml/, '5“ ‘ ‘ ' ‘ . '“ ' ' L .,>'r7.’r»(v'//u('/'«’X/IfJ- ‘ﬂu: REAPER’ AN.» THE FLOWERS. vW?~:z‘tte'n by H.W.L"o‘NGFELLow. h Composed by JOHN BLocKL1_«:Y. - ./WODERATO. ‘\ mf Dim. e rall. V‘ There is ‘ a reaper, wlmse nzmle is Death, And with his _sick1€-“h' mf wsszs» - _ s By the same Cmniyioser __ “The Reaper and the Flowers 3_’..(fThe Old Clock on the Stairs _” aS‘D1leﬁs . 35%).. “Shall I have naught that is fair?” sun’! he,-“Have 'nau.g‘l1t but the beard_ed grain? Though the breath of these f1ow’rs is sweet to me, I will E.s‘press1'vo ._ He gazed at the flowers with /9/9 tear_‘_-_ful ejresé, - He kissed" their droopixlg Teelves; Th'e-Reaper andfthna Flewgrs, , _.i.qhn Blogkley. pesante. for the Lord of : 1>4-___’ra_dise He bouﬁd them ‘in his sheaves‘. _ Dzm. 2 rall, . T“ V /9 / ' The Reaper. an-.’l-‘ihe Flowers . “They shall all bluolm in fields of light, Tru1xs_.pla11l:ed‘ by .my saints, up._(>n their garments white, Tlwsse o _2 sa _ __ ._ lot-ed bl().ssums And the mmher ~21‘ tears and ‘pain, The flowers she moxt The Rea~pqr a.IId~thg Flowers . John B1ock']’vy. knew she should find them» all a_guix1 In the fields :3: legati». Malta Espressivo. e ad lib. cru _ _ e1- _t}?‘, not in wrath , The Reap _ _ er ' came that day; "Twas an an _ _ _ gel vi ._ _ sit- _(-rd L-2 ./Wo___ren..__do molta, ‘ 0 B “ ,, the green earth, And took the f10w’rs a A _ _ - way. . .. / . T114: Reaper and the Flowers_ . Loi1don,Pub1ished by John Elia-ckle'y‘,-2 }’arkAR"oad, Haverstoffk‘ Hill» 4 .«»HAvE_M'ERcY '— FROM LaEbcHLEY§ -I’-.'i&*.& J us SACRED SONGS. A_BIDE WITH ME TH REV. FAWTEI E BEAUTIFUL DOV«E ........ .. .,..II.LusTR'ATED _______________ ..WEST,..__,,_,_,_“.,.L2/6 DB C,MACKAY. BETH LEHEM....V ................................ -9». .................... __BLOCKLEY ________ __2/e BETTER LAN D,,_. ......................................... ...................... ..D_9 ____________ __2/» MR5 HEMANS. ‘ BREAST THE wAvE CHRI5TlAN___,a/6 , CHARITY. ., . ......,,..,.___ILLUSTRATED..., _____ _,MENOELssoHN2/6 CHRISTIAN MARTYR ________________ __ILLUsTRATED ,,,,,,,,,,,,,,,,,,, __D°V 3/- COME MEssMATEs'TIsTIME TO HoIsT THE sAIL ______ ,,LlNTER.., ,, 2.6 éoME UNTO ME ALL Y-E THAT LABOUR .......................... ..D.9 .......... “age FROM SCRVPTURE COTTAGE OF BETHANY _______________ _,I'LLU5TR_ATEo..,. ....,,.BLOCKLEY _________ HZ/G B-Y EDMESTON .......,.D9 ______________ _.2/6 GOD Ta-IAT MADEST EARTH & HEAVEN, ___________________________ “D9. _____________ "2/5 FAINT NOT’ CHRISTIAN, ,,,,,,,,,,,,,,,, UPON ME 0 LORD” LINTER 2/G SCRIPTURE v ’ Y 1SH‘§jAyEN Is THY HOME ............. ._JLLUSTRATED ............ __BLOcI<LEY ....... ..2/e , V 47-‘: 37 , »9ROW'DE.D HARBOUR. "A . T5’ I H?) EVERVII ONE THAT THIRSTETH _______________________ __R EYNoLDs_.,;,_,2/O HOPE,,,.,,,,,.,,,,_,_._.:__,_, _.__€__,..,,_,_lLLUSTRATED ____________ __MENDELS$OHN.2/6 I AM THE SHEPHERD TRUE ________ _.I‘>°, ___BLOcKLEY ,,,,,,,, __2/cs l'CANNOT LET THE SUMMER GO ___________________________ _.ToI=LII=I= E, r_-2/6. W‘ LAY MY SINS ON IdESU8...E... .._.REvNOLDs 1 HEAR DTTHE VOICE OF JESUS sAY ..... ._,_...__.,_BLOCKLEY _, IN ._PARADléIO ..................... ..-...ILI.usTnATso __________________________ __D9 _____________ _.2/6 INSCRIBED TO THE NON MR5 NORTON. . IN PERFECT RE\ST__ LINTER .......... -32/6 IN THE LORD PUT I MY. TRUST ...................................... .,.._D.9. ________ _.;___1a/6 ' FR URE. OM SCRTPT I SHINE IN THE LIGHT .D°' _ L2/cs A ‘ . '* 2/5 VOICE FROM HEAVEN. Is TH15 A TIME TO PLANT _§ Do JERUSALEM THE GQLDEN __________ __ILLUsTﬁATED ...... ..‘__....A.E.WyNG _________ _.2/6 '..IEs.Us REFlgi5§E OF MY SOUL .................................... ..JaRowNE ......... :2/6 JUST’ As I AM ____________________________ __.lLLUSTRATED _____________ "BLOCKLEY 2/cs FAITH ....... ..MENDELS$OHN..‘2/6 S ACR E D VABIDE WITH ME ___________________________________________ __________ __R EVNoLDs .... L2/e BEAuTIIg'u'L DOVE WEST 3/- BETTER LAND ...................................................... ,_BLOcKLEY.____j,,,..2/6 aREAsT THE.,WA_VE CHRISTIAN ,,,__D‘? .............. _.z/6 CHRLSTIAN MARTYR , ,,3/- I-'AIN-T”NOT OHRIETIAN __; ......... __ g "D9 .............. ..2/6- OOD THAT MADEST EARTH A HEAVEN._,4 mess " Do.., " ,2/6 HEAVEN IS THY “HOME. .D.? .............. ..2/6 I AMTHE SHEPHERD TRUE .......................................... 2/6 I‘ HEARD THE VOICE or J ESU‘§E.7SAY ,D.°. ....... ..'..‘...2/6 IN HEAVEN THERE'S REST,__, ,O.-...,,__L_.I‘;EWARD A___2/e “IN PERFECT REST? .............................................. »—:‘:LlNTER\<h—A-H-->7} 2/6 I SHINE IN THE LIGHT .......................................... L D9 ............ H2/6 {WILL ALWAY GIVE THANKS ____ ,, ,_,D‘? , _ . _ . _ . . _ . _ D2/G Ju_s'r As I AM‘, . _ _ , .,BLOCKLEY. .9 _ ..REVNOLD s ..... ,.2/6_ V‘ 'TIS NIGHT O LEAD THOU ME ON ................ ..ILL:JETRAT_Eo ........ _.B LOcKLEY._ . We/e LEANINO ON .. D_9_._ “,2/e ’ INSCRIBED To REv.,NoRMAN _ / LIGHT QF THE wORLD., D9. __________________ __D9._., 2/G MY s.AViOuR ESE THOU NEAR ME.,,,. __2{e. ‘SEARER’ HOME (A DAY'- MARCH) .... .m .................. NE > 2/6 I 'POETRV MONTGOMERY‘ NEARER MY GOD To THEE ______ ____ ..D° ___________________ .,D9__._.__.,L,L____2/es NOT A MINUTE To SPARE ........................ _.TOPLlFE ___________ ,_ 2/2. NOT LOST FOR EVER ..................................... ..HARRIsoN ,,,,,, We/e RAINBow[THE) .......................... ..lLLU5TRATED ,,,,, __ sLocKL"EY, _______ __2/- MR,5HEMAN5. RESIG NATION, ., u«_=.LL 2/3 2/3 LONGFELLOW , SAVIOUR EVER NEAR ., , .. ...._.DQ__ ............. D9.__.,,L_ L,2/- SONG OF MIRIAM p9__ _EDME$TON. I sOON & FOR EVER ________________ SPEAK$FOR THY SERVANT HEARETI-I___E_,wEIss ____________ ._ 3/5 SUM OF MY sOUL .................. ..H.LUSTRATED ....... _.BLOCKLEY_ 2/e SWEET CONSOLAT|ON,,.,_ ............................... ..TENDALL ......... "2/- swEET HARP OF HEAVEN _____ JLLUSTRATED, .__..BLOcI<LEY ______ N8/6 EDMESTON. _ _ THE LIVE LONG __ _‘L!NTER- __________ __ THE LORD Is IN HIS HOLY TEMPLE ____________________________ ,_D9_ ________ FROM SCIHIPTURE. THE PAsToR's OFFICE ____________________________________ __WEST_ ,_ THE wEARY I‘-‘|SHERMAN,_‘__ __L|NTER_._,. THERE wAs JOY IN HEAVEN ______________ _, LOCKLEY_ ., _ EDMESTON. _. , . . Q} THOU ART PASSING AWAY__..,_____,_V_________‘f§2._.__HARR]SON ..... .. R . EV. D.SEN|0RT THY FACE LORD wILLI séEI< _________________ _______ _.L|N_TER ____________ AA FROM SCRIPTURE. _ THY wILL BE DONE ______________________________________________ ,.GRANTHAM..m K THY WILL BE BLOCKLEY._._..... WEISS. .............. "8/6 WAKE JUDAH _.T.............TIPFER ............. -2/' 7 A DUETTS. 1‘ LEAD THOU ME ON .......................................... ,.BL0CKLLEY...:.....2'/6, LEANING ON THEE ............................... ............... .. D9 ............. .. ‘8/6__ MY sAVIouR BETHOU NEAR ME ____________________________ ,_D9, ........... .. afa NEARER HOME _,_L,D_° 2/6 NEARER My (500 To THEE ...................................... .. D‘? ............ ,2/6 NOT Los-r roR EVER ________________________________________ ..HARRlSON REsI<3NATIONI...L...............,.;.-.... BLOCK LE\’~~-—-~<— 3/6 sons or MIRIAM .............................................................. J15? .... 2/6 SUN OF MY SOUL ....................... .. .n.D° 2/6 swEET HARP OT HI-:AvEN—....... If A --.0‘? -------------- A-2/6 TI-IE I=A9ToR’s OFFlCE,,, EST .....2/6 THERE wAs JOY ~lN HEAV --------------- --2/G TI-Iou ART PASSTNG AWAY... ........................ .. HARR18_0N ----- 2/6 Tﬁyswmft as DON )7 ,.....,.4.....BL0CKLEY—- .. 2/I5 wIDOw or 3/5 EDITION". 8/6‘
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Title: Hiawathas Friends
Date: 1917
Text: MUSIC LIBRARY VASSAR COLLEGE "°”°”’“~'EPS|E. New vonx -05 a *3 ,. S SONGS Challenge of Thor, The. From “ King Olaf” . Christmas Eve (Chi1dren’s song) Crossing the Bar Eagle, The Gently Swaying . . . Good night, Beloved ‘ . . . . Her Song and his Violin (Violin obbligato) Home they brought him . . . . . . I had a Dove . . . . . . . . . . D I saw thee weep . . . . . . . Indian Lullaby . . . . . . . . . E min. Cs: min. 0 Holy Night (Christmas song) (Violin or ’Cello obbligato) Orpheus...
Show moreMUSIC LIBRARY VASSAR COLLEGE "°”°”’“~'EPS|E. New vonx -05 a *3 ,. S SONGS Challenge of Thor, The. From “ King Olaf” . Christmas Eve (Chi1dren’s song) Crossing the Bar Eagle, The Gently Swaying . . . Good night, Beloved ‘ . . . . Her Song and his Violin (Violin obbligato) Home they brought him . . . . . . I had a Dove . . . . . . . . . . D I saw thee weep . . . . . . . Indian Lullaby . . . . . . . . . E min. Cs: min. 0 Holy Night (Christmas song) (Violin or ’Cello obbligato) Orpheus with his Lute ' Remembrance . . . Sea hath its pearls, The . . . . . . Summer sun is sinking low, The (Violin obbligato) Price‘ .60 .40 .50 .50 .40 .50 .75 .50 .50 .50 .50 .75 .50 .40 .40 .60 .50 Under the Greenwood Tree EIGHT INDIAN SONGS FROM THE “I-IIAWATHA" OF LONGFELLOW (German text by Hermann Simon) Gitche Manito the Mighty (Kits:/22‘ Manito, der Mac/zt’ge) Greeting of Hiawatha (Grass 7/on Iﬁzzwtztha) . . . . When the noiseless night descended (Nat/zts, wmn alley lz'eg‘tz' Sc/zwezlgen) . . . . Chibiabos (Tschibzlzbos) . . . . Death of Chibiabos (Tod der T sclzibiabos) . . Onaway! Awake, Beloved! (0mzwiz’./ wtzc/z auf’, Geliebte./) I-Imi§Ww_‘§1;,hgg.n§ Friends (I{z'awat/uz’s Frezmde) lllll ﬂigarewell Minnehaha (Le5’wo/zZ/ ]Wz‘m1e/zzzlm) Boston: OLIVER DITSON COMPANY New York: CHAS. H. DITSON & CO. Chicago: LYON & HEALY To Mrs. VV. IV. Robinson HIAWATHA’S FRIENDS (HIAWATHAS FREUNDE) HENRY WADSWORTH LONGFELLOW _ - German version by Hermann Simon ((),.,‘gma[ Key) CARL BUS CH Allegro moderate 1’ All the ma _ ny sounds of na _ ‘cure B0f_ rowH Je _ der - dcr_ sang der Schii _ pfung Lieh’ zvon (‘Z-—_h/-\ T9. 1’ . 17 077980- sweet- ness from his sing _ ing; All the hearts of menwere soft _ en'd By the sei _ -ncm Lied’ den Zau, _ her, Al_lcr Men _ sch<mHc'r_ zen schmol - zen Durch die Copyright MCMXVII by Oliver Ditson Company International Copyright Secured 6 -145‘ ’71834- 3 thos of his mu _ '- For he sang of peace der heil_:gen Kliin _ Dewn er sang zvon Frei - _ hcit) KT 1’ Sang of beau _ ty, of love. and Sang vain Schiin _ heit, Lie _ be, X-TZT 19. 1'7 long _ ing; Sang of death, and life un - dy _ ing In the Is _ lands of the Sehn _ sucht, Sang vom Tod; zzom ew_'gen Le _ ben Auf den In - seln derGl1'ick.. 5 -145"71834- 3 In the king .. - dom of P0 _ ne In dem K6 - - nig- reich) Po _ m" of ‘the Here _ af _ des schii-n _’ren Jen _ ﬁx FD % A a tempo 5-145"71834~ 3 The Musicians Library The masterpieces OF song and piano literature edited by men OF authority BRAHMS, JOHANNES FRANZ. ROBERT GRIEG, EDVARD HANDEL, GEO. F. HANDEL, GEO. F. JENSEN, ADOLF LISZT, FRANZ SCHUBERT, FRANZ SCHUMANN, ROBERT STRAUSS, RICHARD TCHA'I‘I<OvsI<Y, P. I. WAGNER, RICHARD WAGNER, RICHARD WOLF, HUGO FIFTY MAsTERsONGs FORTY SONGS FIFTY SONGS FIFTY SONGS SONGS AND AIRS SONGS AND AIRS FORTY SONGS THIRTY SONGS FIFTY SONGS FIFTY SONGS FORTY SONGS FORTY SONGS LYRICS I LYRICS II Er III FIFTY SONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS (BEMBERG TO FRANCK) MODERN FRENCH SONGS (GEORGES TO WIDOR) VOL. I VOL. II ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (All Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS SONGS FROM THE OPERAS I, IIE-x-III IVérV v‘$v‘.-3i°.5v‘z%v‘.t3€:%i:%%3%.%&%$%%.%%§&%£ v‘.-3v‘.~.%v1.-3»‘z‘5v‘..-%v‘:.%>‘;%v‘.-.%»‘;%v‘.°5 #3 >13 For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Soprano For Tenor For Baritone and Bass For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Medium Voice For Medium Voice For High Voice For Low Voice For High Voice For Low Voice For Medium Voice For High Voice For Low Voice For Medium Voice For High Voice For Low Voice For Soprano For Mezzo~S ano For All For Tenor For Baritone and Bass SONG ° VOLUMES ° ISSUED fir‘.-.I‘v$‘;%v‘.-3!‘.-ﬁr‘.-iv‘.-.3v‘;%v‘.-.%v‘..-3 f5 9.-%f£c€;?f.t%€5i%€..-%v1.-3f:.%i:%€:%i.'%i:%fz%f:.%€.:%i% Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST JAMES HUNEKER WM. FOSTER APTHORP HENRY T. FINCK DR. EBENEZER PROUT DR. EBENEZER PROUT WM. FOSTER APTHORP CARL ARMBRUSTER HENRY T. FINCK W. J. HENDERSON JAMES HUNEKER JAMES HUNEKER CARL ARMBRUSTER CARL ARMBRUSTER ERNEST NEWMAN HENRY T. FINCK DR. CHARLES VINCENT PHILIP HALE PHILIP HALE CECIL SHARP GRANVILLE BANTOCK GRANVILLE BANTOCK HELEN HOPEKIRK JULIEN TIERSOT WM. ARMS FISHER GRANVILLE BANTOCK RUPERT HUGHES H. E. KREHBIEL H. E. KREHBIEL Each volume in heavy paper, cloth back, $1.50; in Full cloth, gilt, $2.50. Copies mailed postrpaid. Other volumes in preparation For Free booklet, giving full particulars and Easy Payment Plan, send to the publishers . ::- OLIVER DITSON COMPANY‘ BOSTON
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Title: Rainy Day, The, The Rainy Day
Date: 1912
Text: as @ mg Immmyr AM; 6% 3 '-'x@ .3 F. ﬂ @/2: _ G)/-: )\ mﬁﬂgm WORDS BY LON GFELLO W. 79% NIUSIC BY FELIX SWINSTEAD. O COPYRIGHT Mcmxm I V by J.B.CRAMER 8c C9 u".= : PR I C E 1/6 FOR ALL COUNTRIES. NETT CASH. d_B_ CRAMER & C9 |._TP I39, NEW BOND STREET, L.ONDON,w. NEW YORK: EDWARD SCHUBERTH 3509 FREE PERMISSION IS GRANTED TO SINGTHIS SONG-IN PUBLIC WITH THESE WORDS ONLY. IUSIC LIBRARY VASSAR COLLEGE T0 B.LENG ESQ. The Rainy Day. SONG. Wo.r_ds,by LONGFELLOW. Andante con moto. 4...
Show moreas @ mg Immmyr AM; 6% 3 '-'x@ .3 F. ﬂ @/2: _ G)/-: )\ mﬁﬂgm WORDS BY LON GFELLO W. 79% NIUSIC BY FELIX SWINSTEAD. O COPYRIGHT Mcmxm I V by J.B.CRAMER 8c C9 u".= : PR I C E 1/6 FOR ALL COUNTRIES. NETT CASH. d_B_ CRAMER & C9 |._TP I39, NEW BOND STREET, L.ONDON,w. NEW YORK: EDWARD SCHUBERTH 3509 FREE PERMISSION IS GRANTED TO SINGTHIS SONG-IN PUBLIC WITH THESE WORDS ONLY. IUSIC LIBRARY VASSAR COLLEGE T0 B.LENG ESQ. The Rainy Day. SONG. Wo.r_ds,by LONGFELLOW. Andante con moto. 4 The day It rains and the W (1 The vine still clings to the mould Copyright MCMX1Ilby J. B. Cramer & 0‘? Ltd. Music by F EL1X SWINS TVEAD. {’-’x and dtear - T y; 13.0 & C? 11313: the dead leaves fall, wall 6 d 17m . dark, is dark and 0 [la D006. 0 pm mote.- life . ' cold . and dark and drear 190001; u motoz b J B C 6’: C9 11813. and the wind is 11e_ ver Wear _ Z9000 agitato. My thought still clings to the mould _ ; ’ring past. .3’ the hopes of youth___._.,_fa11 [thick in the f And the days J.B. C & .09 11813. Y molto rallz clouds J.B.C & C911813. life some rain must fall > days must be be dark and collaw 22006. J.B.C & C‘) 11813. cnoml.Prxnter-. 12,HamYax~d. ﬁreaﬁmndmill strut M’. N.°1mc. N?2mD*°. N<_=3,N Eb, This %%Ro‘se. (LIEBSTE ROSE.) Words by 8 ON C“ Music by OLGA FRICKSEN. GEORGE UESTRANGE. Andante. 'Copy'rig-ht MCMXI, by J.B.Crumcr & Co..Ltd. JAB‘C C0.11755_
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Title: Bridge, The, The Bridge
Date: n.d.
Text: E/VT. .YT4..‘/ALL. &.TO HIS MAJESTY THE EMPEROR NAPOLEON Ill. u4;.':».;c. !.m,-warn’ '-.-'.¢—.3’5AR COLLEGE PoL=c.Hs<££v-sot. new vonx

Title: Good Night Good Night Beloved:
Description
Date: 1884
Text: MUSIC mommy Is. new you“ ETHELBERT N EVIN “®uuiJ=3]2igI)t, ®nni1=3]%igI)t, iﬁeluhehl” SERENADE FOR A SOLO VOICE. WITH PIANO ACCOMPANIMENT Poem by LONGFELLOW 3 High in B __1yI_edium in G 60 Cents net ‘ NEW YORK : G. SCHIRMER E BOSTON : THE BOSTON MUSIC CO. 7 . Serenade (Good-night! good-night,be1ov‘ed!) A E. W. NEVIN Moderate ed espressivo Z; VOICE G00d—night! good - night, be- sempre 1) to_____ watch 0’er thee.‘ \__/ ~\.__.i (25. To be. near... thee,___ to dol. is peace for me. A Good-night’!...
Show moreMUSIC mommy Is. new you“ ETHELBERT N EVIN “®uuiJ=3]2igI)t, ®nni1=3]%igI)t, iﬁeluhehl” SERENADE FOR A SOLO VOICE. WITH PIANO ACCOMPANIMENT Poem by LONGFELLOW 3 High in B __1yI_edium in G 60 Cents net ‘ NEW YORK : G. SCHIRMER E BOSTON : THE BOSTON MUSIC CO. 7 . Serenade (Good-night! good-night,be1ov‘ed!) A E. W. NEVIN Moderate ed espressivo Z; VOICE G00d—night! good - night, be- sempre 1) to_____ watch 0’er thee.‘ \__/ ~\.__.i (25. To be. near... thee,___ to dol. is peace for me. A Good-night’! good F . r r 1,. 0'opyr2'g'lzt,1884, by G.ScIzz'rme ' Uopg/right Renewed,1912, by Mrs. Etlzelbert Nevin Wmhﬂl okr thee, near is peace (}ood xﬂghl. rI"""‘ 771- a tempo . Vi: L7» ' L Thme eyes stars of morn sfaco. 6 se7}2}2r}a p senza 1201!/I/e — crim _ son flow . gars, Good night! Good__. night, sempw p e staco. $_——/ 10v’- ed, ‘While I count the Wear — y hours. are___ stars .01” morn are_._ crim_ son 0 ."I. 1'. C ers. Good night! Good... night, be-10v — ed, While... I X‘ '12 rit‘. count the Wea — ry hours. /'$ 171! Good night .‘ Four New Sacred Songs I A Prayer 0 Master, let me walk with Thee Robert Southey 1' B°'"‘“” F” Rev. Washington Gladden, D.D. may speag. Religioso Andante sostenuto Voice Plano or Organ h ‘ _ H H as 0 Mas-tar, let me Walk with Thea In low- ry paths at Lord! W 0 at mer.c1- u as we col male 5 Tell me Thy sa - cret. Loni! who art met - cl - ful as well as ,,”,!KM_ 1,”, ,1, a _m,,,M, cogyrcg/u, 19174 by 0. Schrmer Repent Ye Come, Ye Blessed ‘ Matthew xxv: ll-I! mmmr m. 1.2,7,s, 11,): John Prlndle scou Maestoso ' ) Voice John Prlndls Scot! Maestoso Recit Voice Themthenshall King say un-to thfe\m up-on HIS Yr 1’ thosedays, camejohmthe Bap-tlsnpreach-lng in the wll - der-ness of Ju- Come, ye bless-ed "If of my Fa-ther. in - her - it. the king-dom pre - pared_ for yov 0!I4171U'gM, 1312. by 0. Scbjrmnr Coyyrigllg, lM7"bg G.££h'.rnur 3 East 43d St. V G. SCHIRMER New York T 282
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Title: Consecration of Pulaskis Banner, The, The Consecration of Pulaskis Banner
Date: n.d.
Text: HYMN BE THE MDHAVIAH NUHS OE BETHLEHEM. H/////"////V /; r /’ ',«1.// ‘/1,’ , J /)7 W 0% H.LfDLr‘LJl£‘+3:LE*1L5:*',UL‘lLELwJJ\~VA“/fEo Lawn . ' . I ' /» rwv "'0/2 /oazrfr/0.9 a«4.u..4.,.- A _//‘,/V,”//,;,, THE CONSECRATION OF PULASK|’S,B.A1NNER. DUETT. T4"r1'tten by W. H.LONGFELLOW. A . _ Composed, by JOHN BLOCKLEY.» Jlarcta . G‘ MAESTOSO. /9/9 —€®:» Jflrzdante. SOLO 17.75.“ ff Dim. e molto rall. VVhén the dy _ ing flame of /*3 ‘ Dulce’ . Trumpet ....
Show moreHYMN BE THE MDHAVIAH NUHS OE BETHLEHEM. H/////"////V /; r /’ ',«1.// ‘/1,’ , J /)7 W 0% H.LfDLr‘LJl£‘+3:LE*1L5:*',UL‘lLELwJJ\~VA“/fEo Lawn . ' . I ' /» rwv "'0/2 /oazrfr/0.9 a«4.u..4.,.- A _//‘,/V,”//,;,, THE CONSECRATION OF PULASK|’S,B.A1NNER. DUETT. T4"r1'tten by W. H.LONGFELLOW. A . _ Composed, by JOHN BLOCKLEY.» Jlarcta . G‘ MAESTOSO. /9/9 —€®:» Jflrzdante. SOLO 17.75.“ ff Dim. e molto rall. VVhén the dy _ ing flame of /*3 ‘ Dulce’ . Trumpet . Through the chan _ cel shut its ray, /ﬁg//W mering tapers ' shed Faint light on the cowled head; The (‘uncecrationx of the Banner. Dnett.. ~ ‘ John Blockley. . The Consecration of the Banner. Duett . Energtéco . * And the cen‘_ ser burn-‘ swung, Where , be_fore the al‘-_.___ tar, And the cen _ ser burn _ ing swung, “There , ‘be. fore the al .. _ tar, The blood .red '. banner, that with ’prayer hood red banner, that with‘ prayer Rall. e dim. F\ A Rel"g'.°S°' il Canto ben tenuto. Had been c0n_se_cra..ted there. And the nuns’ sweet hymn was Had been c(m_se_cra..ted there. And the nuns’ sweet hymn was Dulce. /7 .Mo_ - -7-en- _ _do. heard the while , Sung low in the dim , mys -1- _te _ _ rious aisle . heard t e while, 1 ' in the dim , mys _ .. ’..te -5. rious aisle . P ‘ _ » 3 calla voce . John Blockley . \./ 4 aoete HYMN‘ op THEV MQRAVIAN NUNS’ AT BETHLEHEM .v SOLO. “Take thy banner! May it wave Proudly o’er the good and brave! JLAEsTosn. lVVhen the battles dis__tant wail .B'reaks the Sub_bath of our vale; When the battles di.~;__tzm1 wail Breaks the Sab_ba.th of our vale; /9 ‘SoLo. "fA VVhen‘the clarion"s mu_sic thrills To the hearts of these Alone hills; ’ * “ ’ s ‘ 816* Should this Duett be found too long the 31191 Verse may be omitted , V . The Conseeration of the Banner. Duett . V John Blockley . When the spear in conflict shakes, And the strong lance shivering breaks.” — And the strong lance shixering breaks.” /j VVhen the spear in conflict shakes; K‘) Tempo . Dim. e rall . “Take thy banner‘. May it wave Proudly o’er the good and brave.” “Take thy banner! May it wave Proudly o’er the good and brave.” calla voce. Trumpet. The,Consecration ,9! the Banher. Dnett . John Blockley . 6 2911 Vierse. Take thy banner! and beneath The battle‘-cloud"s en circling wreath /are f Guard it!._ till our homes are free‘. Guard it!_ Heav’n.will prosper‘ thee! Guard it'._ till our homes are free‘. Guard it!__ Heav’n will prosper thee! ﬂy” V /9 nlf SOLO 2&1’ In the dark and try_ing hour, , breaking forth of power, : In the rush of steeds and men, His right hand will shield thee then.” « - In .the rush of steeds and men , His right hand will shield thee then.” f _ The Cimsecration of the Banner. Duett . I _ Johxi -Blockley. “Take thy banner! May it wave “ Take thy banner! I May it Wave 371! Fﬁrse SOLO 1711 cs L “Take thy h2umer‘._ But, “hen night. If the vanquished warrior bow, wa rrior bow, If the vanquished The (louse:-ration of the Banner. Duett. Dim. e rall. Proudly 0_’er the good and brave.” Proudly o’er the good and brave.” col la voce. numpet, /T C1o_ses round the ghast_ly fight, Spare him!_ By our ho_..1y vow; Spare him!_. By our ho__1y vow; /9 John Blocldey 5 SOLO 2 iii‘ molfo E'.s‘pre.s'.s'1'vo. By our prayers and ma_ny tears By the mer_cy that Vendéars /3/’. /5’/9 Spare him!_ he our love hath shared! Spare hi1/11!- as thou would’st be spared!” Spare him!_ he our love hath shared! Spare him!_ as ou w0u1d"st be spared!” /3/9 “Take thy banne'r!__ May it wave Proudly o’er the good and brave.” . “/Take thy bannel-!_ May it wave Proudly o’er the good and brave.” /9 calla 15066. Trumpet. The Consecration of the Banner. Duett . John Blocklevl _ I 801.0 I '11" A 44?.’ [?rse. molfo /t'.s'pr'e.v.x'I'1<(). Take th l);mnerl- And if e’er Thou 4should’st press; the Soldier’s bier, And the muffled drum should beat To the tread of mournful feet, And the muffled drum should beat To the tread of mournful fl-et, /9/9 S0L02‘1_" Then this crimson flag shall be, Martial cloak and shroud for me.” The - f\ ‘1&_/- Slouimﬂ J/[orendo molto Wltrrior took that banner proud, It wax his martial cloak and shroud . ’W'ar'rior took that banner proud‘, 11 “us his martial cloak and shroud . O [9/9 xv The ('ousecra_1inn of the Banner. Duett . ‘ «Lond01},PU,blished ‘»by John Blocklay, Park Road, Halveramvk Hill.
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Title: Arrow and Song, The, The Arrow and The Song
Date: 1887
Text: \3\e5pectfu\\y Dedicated to \ \ w’ (‘)7 N,» 3”} /ix , (/ \ “ . \\_Z\\ \ ////' vw \\ / / \ E , , /H \ MUSIC BY)‘ \ ;/ @, Muﬂljigm ——:§“:vPrice 4o¢d“” — \. F NEW YORK. ‘Q N _ ' J’ ’ /47M//~///i/yy //Wa7//5[//Z/z7£f///Vtffﬂ “VA A. ' COLLEGE Emsvwxxu S©|HJU‘BE|RiTHJ &Jc;:co.J /J % A J $3UJN|ON)‘I:3jQUAR|iZ. ) Respectfully dedicated TO MES THEO A. HAVEMEYER. <>§§<> THE ARROW AND THE SONG. .. WM E1). MULLIGAN. Andantino. ar —I'0W in — to the air, It fell to the...
Show more\3\e5pectfu\\y Dedicated to \ \ w’ (‘)7 N,» 3”} /ix , (/ \ “ . \\_Z\\ \ ////' vw \\ / / \ E , , /H \ MUSIC BY)‘ \ ;/ @, Muﬂljigm ——:§“:vPrice 4o¢d“” — \. F NEW YORK. ‘Q N _ ' J’ ’ /47M//~///i/yy //Wa7//5[//Z/z7£f///Vtffﬂ “VA A. ' COLLEGE Emsvwxxu S©|HJU‘BE|RiTHJ &Jc;:co.J /J % A J $3UJN|ON)‘I:3jQUAR|iZ. ) Respectfully dedicated TO MES THEO A. HAVEMEYER. <>§§<> THE ARROW AND THE SONG. .. WM E1). MULLIGAN. Andantino. ar —I'0W in — to the air, It fell to the earth I r. M7. /3 knew not Where, S0 sWift~ Jy_ it_ flew, S0 swift— 1y_ it_ flew The ‘ /5 3. E, S,& C9169:-2 Clxjﬁyright [887 by Ea"wardS(/zu/1crl/z (42 CC’ sight could not £01- low N ' its flight. ‘-if ' A» ‘ ;€.{‘.f:A:fA f'.\ breathiéd a song in - to the air, It fell to earth I knew not W11ere,E_)r /3 Who has sight so keen and str0ngT11at It can fol — 10w_the_ flight of song, For. E.S.& C9169»-2 Who has sight so keen ‘V s1:rong,That it__ can fol — low the flight of song‘. Lento. Lo11g,1ong afterwards in A an oak I found, The ar — row still un — broke; 17 piil animato. and the S011g 1°'1‘0H1 be - glnnlng » Ullii ——__-_-_.. The song from be - gmn111g'to A an \ S. & C‘) loo»; I found, I found in the heart of a friend; found, I found in the heart a friend; found in the heart of friend. E. S.& C0 169R
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Title: Day is Done, The:
Description
Date: 1908
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new vonx SUNG BY MADAME CLARA BUTT AND M‘? KENNERLEY RuMFoRD_ L T \ ,...7.<..... u ME m QJNIE <0 (a C <2) 9 G) <9@y§mmEwQ§§9 N92 HIGH. /‘ wifh Drgan auunmpanimant ad lib.) E (C) (0) W0 P\D 5 BY LONGFELLOW ®.@\ CC) ‘ @ MUSIC 5)/ HERMANN LC§HR “WP RIC E (60 ¢>~————«~ CHAPPE LL &C<_> LTD- 37; WEST SEVENTEENTH STREET. NEW YOR K. LONDON. MELBOURNE. THIS DUET MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSIC...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. new vonx SUNG BY MADAME CLARA BUTT AND M‘? KENNERLEY RuMFoRD_ L T \ ,...7.<..... u ME m QJNIE <0 (a C <2) 9 G) <9@y§mmEwQ§§9 N92 HIGH. /‘ wifh Drgan auunmpanimant ad lib.) E (C) (0) W0 P\D 5 BY LONGFELLOW ®.@\ CC) ‘ @ MUSIC 5)/ HERMANN LC§HR “WP RIC E (60 ¢>~————«~ CHAPPE LL &C<_> LTD- 37; WEST SEVENTEENTH STREET. NEW YOR K. LONDON. MELBOURNE. THIS DUET MAY BE SUNG IN PUBLIC WITHOUT FEE OR LICENSE EXCEPT AT THEATRES AND MUSIC HALLS. THE RIGHT OF PUBLIC REPRESENTATION OR PERFORMANCE UPON OR BY MEANS OF ANY MECHANICAL INSTRUMENT IS STRICTLY RESERVED. EE1p_yr'ighf_ MCMVHI, by EhappEI|3cE':I Lfd. THE DAY IS DONE. Duet. Words by Music by LONGFELLOVV. HERMANN LCEHR. Andante sostenuto. lst VOICE . 2nd VOICE. mil. ;*7znZ:‘r2 The day is done, .._.__ and the dark ~ mess Falls A 1) calla woe. Copyright, MCMVIIL, jay Chappell & C9 Ltd. from the Wings of Night, |~ ' waft - ed d0Wn—ward From an Come, read to > > mf> >210 . {T em, Some sim-ple and heart— felt dim. That shall soothe this rest —1ess cresc dim- That shall soothe.__. this rest- less ban - 1sh the thoughts of day. 10 ﬁt. ban - ish the thoughts of day. Pose yiil mossoo have power ' _ less pulse of > have power ' less pulse of / like the ben —_e - dic — tion mll. like the ben- e - dic - tion 4“ _ prayer. — lows af prayer._ read from the trea-sured alem - vo — 1ume_.. allargando lend to alla ando M of the choice,__ And lend to of the > > allargando > f > Poco meno mosso. The beau — ty__ of voice. [T Maestoso. > > night > night cares that > > cares that > >/T filled... >/T filled __ > in — fest___ > >/——~\ > Meno mosso. Shall fold__ their tents... Shall fold __ their tents si — 1ent- ly steal si — lent—1y steal Maestoso molto. >_ > > > >/“S And e night shall be filled__ with mu - si<$,__' _. > > > >/"\ . > And the night shall be filled__ with mu — sic,.___ 3 3 3 3 If that in — fest > >>/——g. in — fest 3 K3 their tents, like _ the A - rabs, And as '3 12 their tents, the A - rabs, And as f.\ si - lent —, ly si — 1ent— ly ’ steal sempre dim. si — lent - 1y sempre dim. si - lent- ly ﬂ jzoco accel. perdemlosi Z____T 1: erdendosi Cha.ppe11& Co.’s Ballad Concert Successes The Compass of the ﬁrst Key only is given; from this the Compass of the other Keys can be easily found. IIAUDE VALERIE wnrri-:. Unexpected Joy. BU & Eh. . . . VVhen songs have passed away. C Three Little Songs (Low, Medium, and High): 1. When the Swallows . . .. 2. A Memory 3. Let us Forget Did one but know. D & F . . . . Marching along. G & A . . . . Tl1eOldGrayFox. F&G.. .. So we’ll go no more a~roving. C, Db,&E .. .. .. .. The Spring has come. C, D, & El7. . The Bonnv Curl, E . . .. .. TERESA DEL RIEGO. The Ring. Di), ED, & F .. .. The Two Kisses. A & C The Green Hills of Ireland. mi., & mi. . . . . Three Little People. Db & El? .. While the cotton-ﬂowers bloom. In Ab,Bl7,&C .. .. . A Coon Lullaby. ED, F, & G Brown Eyes. B7, C. St D "IThe Bell. El) 8: F .. Thou little tender ﬂower. C, D, 8: ED C, D, & F .. D mi., §Life’s Recompense. Where love has been. ED & F Happy Song. D, ED, 8: F .. .. Rest thee, sad heart. E‘), F, & . La Vie est Value (A Song of Life). D My Gentle Child. Ab & Bb.. Love is a Bird. . . . . . . ‘l‘IO dry those tears. E. F, _G, & A3. Slave Song. nii., E mi., F ini.. mi. . .. FRANCO LEONI. _\Iy Shadow. E, F, & G .. .. Princess of the sunny smile. E mi. & G mi. . . . . . . .. Leaves on the River. A & C . . Autumn Love. B17 & C . . .. Little Barefoot. C & D . . . . \.‘Vhen he comes home. D & E . Coolan Dhu. D mi., E nii., & F mi. The Birth of Mom. E7, F, 81 G .. In Sympathy. C, D, 8: E .. .. Golden Lilies. B7. C, & D .. A Spring Song. D, F, & G .. . H. WALFORD DAVIES. llame. B'7,C,&D .. .. .. G. H. CLUTSAM. Sweet, be not proud. F & A0 A Cradle Song. D iiii., E nii., S: G . A F..‘.?‘s;,;... A, B7 :: ;: Vanity Fair. F ini., G mi., & A ml. NOEL JOHNSON. An Offering. E? S: G . . Purple Pansies. DD, El), 8: F God's Eternity. D. E. & G .. .. Good-Night, Pretty Stars. G & Bo Two Songs (First Set), _ (Low, Medium, & High): X. The Rose. . . . .. . 2. The River and the Sea . . HERBERT OLIVER. Go to sleep, curly head. Ell BOTHWELL THOMSON. Love-lily. ED, F, & AD ,. . () wayward love ofmine. EU EDSTACE PETT. The Benedict's Lament. D .. GHARLES BRAUN The Golden Broom. ED . . The Little Brown Bee. F . REGINALD SOMERVILLE Spring and Love. . . E. II. MARGETSON. A Song ofAndalusizi. D mi. PHILIP H. WILLIAMS. Day and Night. F, G, & Al? .. CHAS. A. TREW. How I love thee. E, F, & G JEAN DUMAYNE. *For Love s dear sake. AD & Bl) HAROLD GREGORY (arranged by). When I was a bachelor. (Low & High).. FRANK LAMBERT. The Bud’s on the Briar. ’ Of all Septembers. C, D, & Bid you good-morrow. Look down, dear eyes. My Lady June. C, D, & F. . Caressante (Valse Chaiitée). F . }God’s Garden. F, A0, & 111.. .. She is far from the land. G, Al7, & C }Speak but one word. l7 & F .. SERIES or SHORT SONGS: . "I‘isNighL. &F .. . . Love in Absence. _ F & G . . . A Barque at Midnight. E7, F, .4 N w The Niglit hasna Tliioiusandi Because my Heart—\Vound. G mi. & B) mi. .. . See, love, I bring thee flowers. D0 & F .. .. . 9. A Lament. D5781 F . 0. Come close, Beloved. .°°T‘.°“{‘ 1* ‘EV, F, Forethougilit. G 0 let me weep. F, A17, & B9.. Dearest, when I am dead. ED, II- 12. 13. F, & AD .. .. .. 14. O heedless ﬂower. F & Al? .. 15. Yesteidays. ED, F, AD .. I6, Whewn love bends low. El), 17. In Iiine. El7, F.,.& * With Violin Accomp. ad lib. COMPASS or man cocoa 885 88888 mwm Udwmm Db to Db{ Ato FE AtoF Bl7toF Al? to E5 B9 to El) C to E lib to Ebé J17 to C{ G to D EU to F to I}? to E‘) ll’) to D C to ED C to El) ED to Al) A toD Ill? to F B0 to F DtoE DtoA CtoD l}toE D: to E?) C7 to F CtoE7 Cto F i57toEb CtoC CtuE0 DtoC GtoB7\‘ C to D3 Ii? to E7 B‘? to E) C to ' C to 1) C to B7 F to B7 Bl) to E? El? to E’) Sunc. nv [ll r. Plnnketl Grttn and Mr. /llarcns Tlzomson illr. Ktnzzzrley Ii’m/z_fora' Mr. Kznnerley Ru/Ifora’ illr. lﬂznvzzrley Rmlzfortl lllr. Ifenntrley Rut);/’ord . . . /I/Ir. C677/HS! Elmer . . lllixs A g mar Alia"/tolls .. . . . . Min‘ Car///cu Hill 1111113. A (la C roxxluy amt’ /1'/1'.r.\' Carmrn /'/1'/l . . . . Ill//22. Aria C1‘l)$_tlz'_’V . .. 1117'. Dalton Balczr . .Mz‘s: [Margaret C ooﬁzr . . . . . . ix: Carmen Hill . . . . Mr. Dalton Baker Mziss llluriel Foster and Mix: Helen Blain Mr. lﬂnnzrley Rnnzforrl and III/Zr: Carmen Hill . . . . Mnze. l\"z‘r/al)y Lwm . . . . Alix: /llurirl Fortn- . . . . ﬂlixs ﬂluriel Foxttr lllr. Kzimzrlty 1i’1m2/orzl . . . Miss lllzlrizl Foster lllme. Al/ct Gomez ill;/ze. A lice Gor/wz . . . . . . ll[z'.r: Carnzzn Hill . . . . . . . . illr. Bzn Danie: . zllr. 1>‘zn Drzr/{ex Iii: Car/urn Hill . 1 in lllarizz Yzllaml . . . . . ..l:/1‘s.s Carmen Hill ill lfelziltrlzy /i’7(//zforzl . . . _ ll/I r. Ben 1)Il’ZllL'S . . . .11.’?-ezlyl/L /illfntl .. . . .1//He. AI//_y S/tzrzoln . . lllme. Eclna T/zornlan .. . .Mr. Ben Dames anil lllr. /£7/an H/[Ilia/Izs .. .. ..llli.r.r Carmen flill . . ll/I/It. A lire Coma’: .. ..ilI1'.t: Car;/it/L Hill .. lllisx Emzela Trnxcott . /Ills‘: /llurlzl Foster . i'l[r.r. lllary Dar/its .11/He. Horlzazxe Prullstu and .l]/‘xx Muriel lroxlttr . .lll/'5: lllargarzt Coo/er . . . . . . . . Mr. Ben Davin Mr. lfemzzrley lfm//farrl and il/Ir. C/tar/er L/‘rte . . . . . .1llz'ss Esta D’/lzjgo . Illzlrs lllnritl Foster .. . . lllme. Alla Crowley . . illr. Charles Co/Slanil . .ll/r. Gregory [last .l|lr. Dalton Baker .. . Mr. Dalton [falter .. . Mix: Man}: Tem_;>t.vl . . Mfrs Carmen [lill . . . iWz'.s‘s Carmen H ' l . .llr. /Vlaurlcz Far/ma . Illirx Mnrizl l*‘o.\‘lt/r . . Mr. Dalton Baker . . . . Illlsx Illaric Te/H/Jest El? to E5 GUY D’HARDELDT. Thy Songs. F, G, & AD _ In the great unknown. A mi., C mi._. ITH. . . . . . . A year ago. F, G, & Ab .. .. A Garden of Love. Db, Db, & El! . . For you alone. l7 & F . . . You,—and love. Dllg. EV. & F Evfr, G, I think. B9, C, VVhen you speak to me. & A7 . . . . . . . . . . Out ofthe Dzirkness. C, D5. ED, & F I hid my love. B7, DD, 8: E7 . . Because. A’), B3, & C . Afterwards, Love. B7, D7, & E’? .. I know a lovely Garden. ED, F, & G The Dawn. DD, El), F, & G A Lesson with the Fan. Di! 8: ED.. A Bunch of Violets. AD 2 . .. The Star and the Flower. D‘mi., Emi.,&Gmi. .. .. .. Two Songs (Low, Medium, & High): 1. The Perfect Flower . . .. 2. The Sun and the Shower FLORENCE AYLWARD. I gave you roses. B17, C, & D , . . O moonlight deep and tender. EV . Martin's Summer. Dnii. & F mi iizreat Lord of Life. ED, F, & G Kin Winter. D .. I . . l\lot er of mighty sons. ll’). C, S: illeloved, it is morn. D, & F ISunrise. Kt A .. .. Song of the Bow. E, F, & G .. TLove”s Coronation. E, F, G, 8; A Not mine to ask. F, D, 8: G .. AMY WOOUFOROE'FINOEN. Sweiet. before the swallows go. 7 ' F . . . . . . ii HOPE TEMPLE. God’s Lily. C, DD, 8; El? A. L. (arranged by). The Lass with the Delicate Air . -n . 2 .. . . .. How deep the slumber of the ﬂoods ( owe) , . . .. ELLEN WRIGHT. Didst thou but know. D‘) & Eb \Vhen I awake. El) & F . . CAROLINE LOWTHIAN. By Celia's Arbour. G . . ALMA GOETZ; One Golden Day. AD .. Oh I bird of Love. D .. .. Mélisande in the VVood. Bl7 mi., C mi ' D mi. .. .. ELLEN COWDELL. Maytime. AD & B7 .. . . .. Life's Garden. 1) 8: F . . .. FRANCES ALLITSEN. }Li{t thy heart. AH . . .. A Lover’s Song. EU .. . . . . DOROTHY FORSTER. Perhaps. D, ED, F, & G .. .. \\’nen lwthinlf on the happy days. 2, ,vo. .. .. Rose in the Bud. I39, C, DD, 8: El) BERNARD ROLT. Take ti rose at full ofdny. E‘ The Fairy on the Top. F .. .. The Dream Town Trniii. C .. Silhouettes <>é]I.lr(:,iidoii: f 1. The ii ren 0 London . . . . 2. The Organ Man .. ’= 3. River Thames. G ._ iv 4. Amethyst,Rose,aiid Pearl. C \ 5. Belle Brocade. . . .. PAUL A. RUBENS. I don't seem to \\'1J.l1[ you when you're with me. .. .. .. FRANK E. TOURS. I beg your pzirdon. G . . A Meeting. D F .. Mother 0’ mine. BD & D . HUBERT BATH. The Bells of Youth. ED, F, & G .. Your Kiss. E9, F, & .. .. My Sweet. AV, B7, & C .. ALBERT FOX. Old Squire Bob. El? & F .. GEORGE AITKEN. Jest her way. 1 Maire, my Girl. .. HARLD LONSDALE. Suinineﬂs in the world. C & E VERE SMITH. The coming of Spring. D 8: F Fairyliind. B0 . . .. . .. Little Crimson Rose. G .. VVADBIHGTON COOKE. Visitors. G & A . . . . . LORD HENRY SOMERSET. Echo. F, G, SPA .. .. . Husli me, U Sorrow. Eb, F & G .. All through the night. C, Eh, & F .1. L. inoL_i.or. The Hum of Bees. BD, C, Eb. & F 'l‘r.inkadillo. A .. . . . . Richard of Taunton Deane. F L. _m-:nzA. Sleighing. A”, BIZ, &‘C Love in the Valley. C, D. , & E The Rose Enchaiited. C, , A May Morning. D, D, F, An Orchard Cradle Song. ILD, TITO MATTEI. Dear Heart. C, D, & E) .. .. Through sunny Spain. E, F, G, & A J. M. CAPEL. Love, could Ionly tell thee. C, D, & F COMPASS or lsr EV C to F AD to i)17§ Al to D? C to E2 DtoD Btol) DtoD } Dto El) Bl7 toG B: to 162 CtoD§ BtoE Ct0F l F.7tol£l7I DtoG E"ZtoE‘Z{ l)toE§ GtoGL GtoA) uteri: CtoF B2 to Elz in to E7 Cl) to F B2 to El C£toD Ctoli A to F Lorraine, Lorraine Lorrée. C Star and Rose. l‘) D + VVith Violin or Violoncello Accomp. ad lib. 3; VVitli Organ or llarmotiium Accomp. all lib. ), 511/ ,CtoD«, SUNG BV . . . Alix: jnlizt Caroli . . lllr. Dalton Baker .111. Victor Maarel . . . .17Ir. Bzn Dar/[es . . . . . Jll. Victor /Wazzrel Mr. Kemzerlzy Rungfortl Ill:/2:. S nzanne A (lam: lllmt. Hortz71se Panlxen . . . . . . Illr. C /mrla: Tree . . . Zllr. Dalton Baker llimz. Hortense Panlren Illme. Hortense Panlsen M7/M. Mellra and lllr. Denlzam Prict . . . .ll{z'ss lllarie Temfest . . Mr. C. Ha_yzle7z~Coﬂin . . . . Mr. Denlumz Price M7/1:. Horlerzse Paulsen and J! r. Kznntrley R In/gforzl ..Mz':x Car/Izzn /‘/z'll . . ﬂlr. Gregory Hast . . . . ..llIr. /ulfen Henry /11 r. Kc/mcrln Rumforzl .. . lllmz. Alice Gomez .. . .. r. en Dazzle: lllr. lfennerley Rm/gforzl .. . lllme. Alla Gomez Ill/Izt. Alice Gomez . . . . lllr. Evan lVillz'an1s . Alix: lllnrizl Foster . lllrs. Htlen Trust . ' ' rley Rm/zforzl /lllzl illr. Grlgory ﬂax! . . . . . . .. .. . .il1r.Sa/ztlly .ll/":5 llluricl Fostlr anzl /llr. C. /[ayzlen—Co[ﬁ71 Mrs. [felon Trust and /l/13.? Ezllz‘/L [fir/cwoozl . ill:/M. Alla Crosxley . . . . . .3115: Carmen I/[ll . lllr. llltlﬂ‘/.763 T/tozmo/z . . . . ..zlI7's: Carmen llill ..llIz'x: lli/armzrzl Coo/rcr ..Mz':x xllzllgarﬂl Coo/Mr . . . . . . lllirs C ar/um 1/ill . . lllfx: lllargaret Cooper . . lllr. [llmrr/cs [Var/ma .. . . . .ll/r. /Jun /,)awe.r ..l1r. 1:’:/L Dar/ids .lllz'.rs Carmen. Ili/l . .ll[lS.Y Carmen //zll . . . . . ./llirx Carmen I/[ll . . . . .. Mr. Cliarlc: Trtz . .illz'r.r lllargarel Coo/or .. illr. Den/mm Prinz J/mt. llorllare Pazllxcn ..lll[s.r ll/a7g>'a2'.et Cooper . .l1ii~s .llar;;'ar:l C 00/37 . . . .'l1r. fox:/2k 0’.lJam _ , , , .111//14'. Alice Gomez . . . . . . Sigvzor [Poll .Mr. lVat/sin lllillx , illr. C. Hayden-Coﬂln . Mr. C. I/aytltn-Coﬂln . . . . . . lllr. Dalton Ba/oer .llr. lfznnerley Ru//l/orzl EDWARD GERMAN. This England of ours. D & EU . . \Vhen maidens go a-maying. F & AD Four Jollv Sailormen. C & D Losge is meant to make us glad. Dl7, O Peaceful England. F . . .. The Yeomen of Eiiglaiid. C & D . . HERMANN LOHR. Garden Songs : x. Pale stars are the roses. Bl? & D 2. Love's Messengers. C & D.. 3. ’Twas a summer garden. El? 4. Golden Dawn. C & ED .. The Soldier’s Song. . . A Song of Surrey. C & D .. Molly. Bl), C, & D .. .. Messmates. A mi. & B mi. . . . . The Little Galway Cloak. BP7, C, 8: D Songs of the Norseland: 1. My ships that went a-sailing. Fﬂmi.&Ami. .. .. . You loved the time of violets Low& % . Love is an Ocean ‘ . Eyes that used to 1 Low, gaze in mine . . Medium . Time was I roved & High the mountains . . Dl7, Eb, & F .. 8; F . . . Youth has a happy High tread . . . . & F ' A ini., A Chain of Roses. Remember me. ‘ I wish I were a tiny bird. In the heather, my lads. BB mi., & C nii. .. . Lanagan's Log. C, D, & b The Little Irish Girl. BD, C, Chorus, Gentlemen. F 8; AD Two Little Irish Songs (Low, Medium, and I. To my first love . . . 2. You’d better ask me .. .. When Jack and I were children.{ D E & F .. .. 9 &DI'. High): LESLIE STUART. The Old Shield. DD . . .. .. On the Road to Tipperary. F, AD, The Banclolero. A‘? & B7 . . S. LIDDLE. My Lute. E’), F, & C? .. .. Christmas Bells. C, D7, E5, 8: F .. W. H. SQUIRE. Lighterman Tom. Eb & F .. The Siesta. G & B? .. .. Love is waiting. C 8; Eb . . Three for Jack. F & G .. The Old Black Mare. D & Eb The Jolly Sailor. D & ED ERNEST NEWTON. Vivandicre. G.. .. The Drum-Major. F & G Tlirougli the forest. (I, D, El). 8: I~ The Magic Month of May. C, D, 81 E Love's Echo. F, G. & A .. Eb, F, & G MONK GOULD. Two Humorous Songs (Low& High) : 1. To the Moon .. .. I_ 2. St. Patrick ti toast! . . l The Curfew 1-337 8; F. . . . .. HERBERT BUNNING. Two Songs (Low, M edium, & High): Friendship and Treason . . .. The Garden ofPassion. A mi. 3; Cmi. HERBERT HUGHES. The Maid ofthe sweet brown Kno\ve. D S: F . . . . . . .. Lorri a . ROBERT GONINGSBY CLARKE. Master and Man. C & E0 .. .. If she but l{li(:\V. l) ini., nii., & G mi. . . . . . . . . .. The Liniict. F & Al7 . . . . .. A Birthday Song. D, F, & G ., A Dedicrition. C, D, & E? .. .. Tiike your lute and sing. B9, C, & D Betty's \Vay. D, Eb, & F .. Miniatures: 1. April, April. . Say not good-bye. I) & F . Yon lilac fair. ' B .. . A Bowl of Roses. BU, D, &E . The Queen of Loveliness. E17 G&Bl7.. . A Dream. TFOIII .I.{aiiib.o.wl:tiid' El? & F . . . . . . . The Night—and You. DD, ED, 81 F . . . . . . . . That is .11. Elz& F .. .. . A Golden Thread. Dl7 & F . . ANDRE MESSAGER. Long ago in Alcala. F & AD HERBERT H. NELSON.‘ The Windmill. B mi. & C mi. .. FREDERICK BEVAN. The on Soldier. A0, B0, & c F. PAOLO TOSTI. My Dreams. B’), C. DD, 8: E’) .. On Lido YVaters. U7. El), & F '”'Beauty's Eyes. C, E_. , & G .. Venetian Song. LU, D9, El), & F .. REGINALD GRDOME. Stars may forget. ED & F . . JACQUES BLUMENTHAL. An Evening Song. E7, F. G, & AD COMPASS or 1sT KEV to A to F G to E }A'7toEb CtoE CtoD SUNG BY . .1llz'ss /fxla D’Ar_;m . Cznnerlry Rnmford . . lllfss ﬂlargarel Cooper . .. Mme. I\’z'rkl1y Lam: Ill . .111 r. lftinnzr lay Iinmforti lllnze. Arla Crorslcy and Mfrs Agnes Nichol/3 .. . . lllr. joxefh 0'Mara . . . . r. Dalton Baker . . . . .1lIr. Dalton Baker 11! r. K tnnzrlty Ii’am/ord Mr. Kciznerlay Ifum/ord . . .. llliss Muriel Faster . . . . . .ll-lr. Dalton Ba/ctr .. .. .. Illisr Louise Dale . . . . . Jllr. Dalton Ba/leer . il/r. Dalton Ba/aer . . Illr. Dm/tam Price . . . . . .il1r. Dalton Bil/€97!‘ C to D 1 1) to D 9 " “ ‘ ,llm1:. Hortense Pan/sen D ['3 D ‘l and Mme. Florence Duly 1,11”. Dznllam Price DD to F . . . . . Jllr. Dalton l)‘al.':r A to D AI7 to 1)) . .. .. .. ... Signor Fali . . . . . . . .Mr. Ben Dazwfzs .. .. .l/me. Atlll Crowley .llr. Ken/zerlzy Rum/a_rri . . . 7'. . . . . .Mr. illr. /(tn/terley Rmnfortl lllr. /{enntrlzy Ii’ zu/2/ord . . Mr. Dmham Price Margaret Coogﬁtr .. r. C/zarlts Tree B to E /1]: Caroline Hatcltard { ill//1 >. Alice Esly and C ‘° F 1 illiss Ptrcmal Allen C to F % lllisx Ruth Vincent, and B5 to E5 . . ll{lSI 11713“: Perteval Allan . illr. lVz'llz'am Gran . . . . ..Mr. Wat/kin Mill: .. M [:3 Margaret C aoﬂtr . . . . . . M r. Dalton Balezr lllixs Caroline Halcltard . Jlliss Carmen Hill Alix: Carmen /{ill lllr. Kenntrley Rum/ord and .il1r. Clzarle: Trtt .. Miss Ezmeta Tmzscatl . .llIi.m‘ Carmen Hill _. __1l71‘s.t Carwzzzn llill . . . . . .llIl.s.i‘ Carmen [fill B9 to E7 . . . .. lllr. C/Larlzs Tree B7 to E? F to Di? B2 to E7 A5’ to D1 A? to El) Ur. Ifzlmerley Ihmrfarzl A to D3 . . . . . ..‘llr. I/Valluin illilih‘ B7 to C . . . . . . . . . Signor Fall D to E17 . . . . . . . . llfr. Ben Dailies lllme. Kir/éliy Lynn . . . .1l[r. Dalton Ba/ctr B5 to E1 . . . . . . illr. Ben I)aw‘c.t FREDERICK CLAY. Ill sing thee songs of Arahy. ED, F,G,&A7 .. .. .. .. . _ . . Mr. Ben Dat/its §VVith Violoncello Accomp. alllio. CHAPPELL & C0., Ltd., 50, NEW BOND STREET, LONDON, W., NEW YORK, and MELBOURNE, Music Publishers and Pianoforte Manufacturers. flemjl A. Lyttanée \_
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Title: Night is Calm, The, The Night is Calm
Date: 1909
Text: MUSIC LIBRARY VASSAR COLLEGE Poucmczsrsuc. new vonx N‘? ‘. ,Fnr* Eontraltn ur Bass wnn \/xouw AND ORGAN (on HARMomuM) OBBLIGATOS AD U8 v \‘ ..>Z<- '».~* TJHJE NJMIFE E5 MJLIMJ (KYRIE ElLE1soN> 5 1: E m WW WORDS BY LON C-FELLOW 4} '2 § + MUSIC BY STEPHEN R .PI-HLPOT. (‘L 5) Cupyﬁght |909 by Egertun 5cC'3 % 4% P (‘ice 4/‘ G__? LON DON EGERTON &.C9 Sm/ov House, H5, STRAND, \N.C. New York-. E.5chui:1er‘th 5c C? STEPHEN R. PHILPOT. Obbligato ad lib. VIOLIN. 0 S I E L E...
Show moreMUSIC LIBRARY VASSAR COLLEGE Poucmczsrsuc. new vonx N‘? ‘. ,Fnr* Eontraltn ur Bass wnn \/xouw AND ORGAN (on HARMomuM) OBBLIGATOS AD U8 v \‘ ..>Z<- '».~* TJHJE NJMIFE E5 MJLIMJ (KYRIE ElLE1soN> 5 1: E m WW WORDS BY LON C-FELLOW 4} '2 § + MUSIC BY STEPHEN R .PI-HLPOT. (‘L 5) Cupyﬁght |909 by Egertun 5cC'3 % 4% P (‘ice 4/‘ G__? LON DON EGERTON &.C9 Sm/ov House, H5, STRAND, \N.C. New York-. E.5chui:1er‘th 5c C? STEPHEN R. PHILPOT. Obbligato ad lib. VIOLIN. 0 S I E L E E T S rll Du H C K.‘ I M L A C E T H m N E H T Allegro moderato. at no 36': F P- m an 45 14* Copyright, 1909. by Egerton & Co . Words by LONGFELLOVV. THE NIGHT ISCALM. W M (GHRISTE ELEISON!) M . b LONGFELLOW. STEPHEN R.PHILPOT . Allegro moderate. [919 trawguillo . night is cahn and cloud - less, And still, as still can stars come forth to list - en To the mu _ sic of the - gath_ er,and. gathef, and gath _ er Un _ til they crowd the sky, Copyright, 1909, by Egerton & Co. lis _ ten inbreathless si - 1ence,Tothe so1_emn lit - a, - ny 131° .1 motto ores. I’ It be_g1'ns in ‘rock_y cav_ erns As a Voice that chants a - _a1s of the org _ an, Inm0_n0t-0n0us un_der 19 And a - non from shelving beaches And sha1_10w Sands be - E &Co 173. I9 e ores. yomi In snow White robes up _ ris _ ing The ghostly choirs re . un - ceas - ing mourn _fu1 voice sings on And the snow white choirs still E &-Co 173. (jlfay ée sung 6g C/iorzos 7'72, um's.-ad Zié . ) Christ 7'0/ll;:3"S C-hrist_e e_ _ lei E 8: C0173. THE NIGHT Is CALM. CHRISTE ELEISON! W()rds by Music by LONGFELLOVV. STEPHEN R. PHILPOT . ORGAN. (Or HARMONIUNQ) Obbligato ad1ib_ Allegro moderato . 36 K I J 1 H 1 -I’ I A v L 1; un _ ceas - mg L I I I ' IL I x’ »' ‘ I . I I mourn - ful voice And the snow white choirs Pirwzo . .. - - ppp1*?1"F1|"'1£ C0pyright,1909,by Egerton & Co. E & C0 173 » . ‘ . V \ s’* \. /I,” ”", ’4////,// I." " '’/l/ ‘- W! » A! I I‘ Ex I \ \\ \ ¢~\ \ /Ndhu CINDERELLA. .. 2 SLEEPING BEAUTY .. 3 DICK WHITTINGTON. H 4 BEAUTY AND THE BEAST. ,, 5 RED RIDING HOOD. .. GALADDIN. .. 7 ROBIN HOOD. ., 8 BABES IN THE WOOD. H 9 MAID MARIAN. v ., IO PUSS IN BOOTS. ,, II THE MAGIC FAN. E QC H N U MB ER MUS/C %P057F/PM 1/M5770 /é 3©&:5a$$s EG-ERTON & C.° SAVOY House,//5, S7‘/“and, W.C.
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Title: Windmill, The, The Windmill
Date: 1918
Text: MUSIC LIBRARY VASSAR COLLEGE '>'.""f‘.Uv---.,-~ - ~- Price SINGING CLASS MUSIC~EDWARD ARNOLDS SERIES EDITED BY % THOMAS P‘. DUNHILL. Pub/zshed by EDWARD ARNOLD, 41&43. Maddox Street, London, W 1. THE WINDM I LL TWO ‘PART S ONG MUSIC BY PERCY C . BUCK WORDS BY LONGFELLOVVI _ Lento comodo. (DO}?i»‘:’£§’)'§l : I :m 'd' .,d' :t cl ct Id‘ :—-.1 |m' :s i- ‘ f declamando Be - hold! a gi-ant am I a - loft here :m |1.,1:f¢r‘rI1 :—.1ld' :m I- f...
Show moreMUSIC LIBRARY VASSAR COLLEGE '>'.""f‘.Uv---.,-~ - ~- Price SINGING CLASS MUSIC~EDWARD ARNOLDS SERIES EDITED BY % THOMAS P‘. DUNHILL. Pub/zshed by EDWARD ARNOLD, 41&43. Maddox Street, London, W 1. THE WINDM I LL TWO ‘PART S ONG MUSIC BY PERCY C . BUCK WORDS BY LONGFELLOVVI _ Lento comodo. (DO}?i»‘:’£§’)'§l : I :m 'd' .,d' :t cl ct Id‘ :—-.1 |m' :s i- ‘ f declamando Be - hold! a gi-ant am I a - loft here :m |1.,1:f¢r‘rI1 :—.1ld' :m I- f declamando 3 Lento comodo. Be - hold! :1 gi-antaml a-loft here > - . (m ‘d’;-—¢d' :t 41 (t Id‘;-«mzl l~~ tm 4m:d' |—-<1 cl it ¢—-at } 3 3 my gran-ite jaws I de-vour the maize, and the wheat, andthe rye, And an |1;—.1:t:r‘r11:—4m:1 L m xm:1 |—<1c1:1¢-«re; 3 3 3 my gran-ite jaws I de.vour the maize, and the wheat, and the rye,And , Copyright, 1918, by Edward Arnold. {lg1'd' :1 them in — to :t. grind {I m Id grind themin — to fields {I 1. (- fields of grain I to the air .,s is to the air i/-\ The Windmill. :t. . The har sec The har - vest ‘_.Z I 1 rit. arms, arms, For I .1. |—. o -9"‘ :f -.m rit. ' .1‘ lm .m :1 21 (1 lm I look downo -ver the faLr_ms_; .1. la .a if cf (f Id 3 I look dO‘WnO-V61‘ the farms; to m] :1 .S. If. If. i—— _ vest that is that to I: of *“___._§_.==.— atempo For I :m .1.‘ a Is .f know it is $ rit. a temﬁo. lm 1’ know it I d is 19 all J I’ r.E.b. zds .s 15000 acce/. _.-..—-_-':.’:;’. And I zds .s 15000 acc . A11dI 36000 aacel. is all \*~......, I I ( G. 4. .''‘d m 5- cm :1 0 umosso hear the sound of flails I X: : ' : dx—cd :f .f id 00 Zyllr’Iﬂ0SSO jaw pm mosso hear the sound of flgils _ f.C. ) :-— .s it - 1' . ' : '5 :-— I :51” 9,1" 5 ﬁoco accel. off from the threshing floors In barns, with their 0 - pen ‘doors, And the {|m cm cm :1 .1 |rg_g§ :f_e_._rg|m .t, :-— .r Id :d It, :-— I :Sr'.,r‘ } 3 ‘ pocoaccel. off from the threshing floors In barns;with their 0 - pen doors, And the 15000 wccel. /-\ g"""1‘§ _j :r'.d'1t' :1.s — wind, thewind in my sails Loud.-erand1oud~er. roars. ﬁr‘ :-— I— :1 Ir‘ :d'.t |r'.d.':t__.,lW :r.rlt :s |1"t. :— l-- ._==__--:r. “-1-'-“"-—"—: > the wind in my sails Loud-erandloud-er roars. > h >/‘''‘\ can fo rza The Windmill. Tem 0 1111.0. P . Id‘ :— .d' It :1 .t } f molto maraato I stand here in my I1 :—..1. or :r .1" } molto maroato I stand. here in my “’’‘1’‘’ Tempo I310. . ‘V/F‘ /’ &__( {|d' 1- I .1 lm' :s l—.s :£l’sall ls :— I :m.m!d' :-—.d'1t place, With my foot on the rock be—1ow, Andwhich-ev — er way it may {I1 :- I :1 .1 la‘ :m |—-.m :m§9;f lm :— I :m.m|1 :—.1nr :r.r} place, With my foot on the rock be-low, Andwhich-ev - er way it may zt c—(t 1m‘ .d' :1 Id :t. i 1. :-— l-— _:-—H ’\ As a brave man meets his foe. :1 <—4re lrL.d':1__._m|d zt. I1,:— 1- :— H -9- .As a brave meets his foe. > > The Windmill.
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Title: Two Angels
Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEpsgE' NEW v.““ -/ I‘ \\ I \ K (/Z\ /X‘ \ ) _\ /4 J 5‘ I 3* , THE PAST AND’PRESENT...2/. iN‘_’2T, THE SILENT LAND..._......4.2/. , THE CASTLE BY THE SEA12‘./. .v 4, FOOTSTEPS or ANGEL$....2/. , FLOWERS ........................................... 1.2/. 6, TWO LOOKS or HAlR~ .......... E2/. , THE . 8, SPRING‘ TIME ....................... .. 2/. . THE FROZEN WRE"CK.....,........ . I0, oua LIVES ARE RlVERS...2/. . A PSALMOF L|FE_.._.... r. I2, GH|LD...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEpsgE' NEW v.““ -/ I‘ \\ I \ K (/Z\ /X‘ \ ) _\ /4 J 5‘ I 3* , THE PAST AND’PRESENT...2/. iN‘_’2T, THE SILENT LAND..._......4.2/. , THE CASTLE BY THE SEA12‘./. .v 4, FOOTSTEPS or ANGEL$....2/. , FLOWERS ........................................... 1.2/. 6, TWO LOOKS or HAlR~ .......... E2/. , THE . 8, SPRING‘ TIME ....................... .. 2/. . THE FROZEN WRE"CK.....,........ . I0, oua LIVES ARE RlVERS...2/. . A PSALMOF L|FE_.._.... r. I2, GH|LD.REN ................................... .42/. , RES|GNA'T‘l0N..__...._.... . I4, SILENT RIVER .................. I. 2/- ’, MY LOST YOU'TH.._....... , I6, DAYBREAK_'___.__......._..... THE TWO ANGELS........._....T._..2/6. I8, HYMN TO THE NIGHT... __.2/5- ,THE GOLDEN MlLESTONE...2/6. 20, /" '5)” . / E /‘ _\ \ ‘K €€‘ 0}} E, [1 1 6% 7 W““"/$3 \__/ zS"1z(;.5‘//1, /2.’dZZ. U.®R|£l)©W, LEADER 3: COCK, 63, NEW aoun STREET CORNER or BROOKESTREET. Tl“W© . éUﬂ@@{‘..© c. >l‘©|l‘ i‘ POETRY BY H.w. LONGFELLOW. _ MUSIC BY F.’RoMER. ./ILLEGRETTOV I cow ESPRESSIOJVE. L Two Angels, one of Life and one of Death, Passed o’er our e \ PP village as the m0rn.--ing “broke ; The dawnwas on their fa..--- ces, and be-- ‘ ,_\ .. _ The ‘sombre hoﬁsesvhearsed with pltrmes of ‘smoke. -T T: ‘S T Ores V /S /1 7._._..._____.._____ _ at.ti-tude' and as__pect%$~..'erebtl1e same, A__1ike their fea-.1:1Ires and theirrobes ' ’ Brit 1»one was . T crownedwith é----mafanth, as with flame, And one with ‘ /T. /‘T ,,{_-“~ ’_,’'‘'T /T\ KT M Ma)? ;. , Then said I, with deep fear and doubt op__press_ed, * “Beat not -sov L: ‘if... loud my heart, lest thou be-.tray The place where thy be--l0Ved are TT e con espressione. Where thy be_.loved at 7‘rest! in Where thy b¢-_‘ - [loved are he who wore the crown of 4 . a,s..--ph0dc1s, Descend--i.11g, ‘at my door b¢.-gan to knock, soul ‘sank within me, As in ‘Wells the watérs sink an earth.--.quakesV shock. I M The door I opened to my Heavenly gUest,And listened, for thought heard Godfq V/9/9 And, knowing‘ whatsoe’er. He sent was best, Dared neither to la. /°w\“‘—"“’//e --ment nor to re...joi(7e Then with Va smile, that filled the house with ._,-G— H ff 4: " ‘ :‘:£— ‘ / And e’re I answered,passing out of ADAGIO. V L ' Cantabile. ~ On his ce -les-tial embassy he - sped. , ’Twas at‘ thy PF’ door’ 0 fI_-je‘nd!‘_ and not at mine, _ M The Angel with the a__maranthine z—\ /5 \ 7L wreath, M Pa.IIs_.ing, de__scend..ed, aildwithvoice di--V'ine, Wl1is.pered. a X‘'‘\ / \ word L that had a sound like death. _ Then fell Ihfp/-011 the house a sndde Z.._\ 11 fﬁ a o A shadowhon those features pale and thin; _A11d softly, V, fromthathushhénddarkened ‘room, ’T§wvo _An- Vls is-- sued,where but /——§ (-~\ o o o n A é. /“PP All is of Rallentando TEMPO PRI.Mo .- God! ‘ . if He but waxe his hand, / The mists co1-- -_1ect, the rain falls thick - and loud, ” Till witha. V sfnile of light on sea and land, .L0!He looks down fromthe e-part..-.ing Tjfﬂ /-—’-\ r—- ,/" /——\ ,/ /~\Z\/x » Z—\ {x :_:_ Angels of Life 7 and Death a.--.like_ A are ithout His ieave » they pass no threshold ‘ 0’er; Who then, would Z‘$z—~\‘Z‘\Z"“\ //AT/'_\Z‘TZT Cres "“”"" ‘W f wish or dare , believing ‘ t Against His me=sse1<:gers to shut the /—-\ Cres _ \ e con espressione. * _ .. _ _ __ _ ,,.,‘,hz[‘5,,,nh» _______ __ door ‘.3 M ' ’ Against His messengers to shutfhe door‘? Against His ' d 4".’ m - - - e - - . _ 'raN«>n“ ______ -- morendo messengers to shut the door ......................... ................ ..?‘ T -- tan-—--' -------- .— ' ' _ d\, o H.439 TEMPO PR1.Mo .» God! I . if He V but waxe his hand, ’ The mists c0l-_ -_lect, the rain falls thick ' and loud, V I Till with a . V smile of light on sea and land, .Lo!He looks down fromthe e.part.__-ing T ’_T T /'\/“/"‘K\/‘/’‘/\/\ /\ Angels of Life . and Death a..--likeM A are ' ithout His H.439 ieave _ they pass no threshold st oger; Who then, would Z"‘"\r§.tZ"‘{—‘\ //TZTZTZT S -' ‘1!—h( ' f wish or dare , believing M t Against His: Ii1€SSfB3{zg€TS to shut the e con espressirolze. A _ . _ , ._ .: .,»,,gg;,,;AM________ ' Against His messengers to shut the door Against His ¢im_- ek- moreudo messengers to shut the door ......................... ................ '\ Dim. A PPP ._ tan ____________ ._ . d‘ M H . 439 ‘LIST OF NEW SONGS. A LOVING HEART . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .LanrI . . . . . . . . . . . . . . . . . . THERE SAT UPON A LINDEN TREE . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . SING, PRETTY STREAMLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G’. B. Allen . . . . . . . . . . . . OUR EARLY DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . DEAR OLD ENGLAND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ZW7‘s. Gilb/art d Beckett . . . . SONG OF FORTUNE . . . . . . . . . . . . . . . . . . . . . . .IDYLI.S OF THE KING. .Jo,7m Barnett . . . . . . . . . . .. VIVIEN’S SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI'rT0 . . . . . . . .J0/m Barnett . . . . . . . . . . . . LOVE AND DEATH .................. . . . . . . . ..D1TTo ...... ..Jolm Barnett.’ . . . . . . . . . .. WITH THE CAROL IN THE TREE . . . . . . . . . . . .MAY QUEEN . . . . . . IV. S. Bennett . . . . . . . . . . > O MEADOW CLAD IN EARLY GREEN (in D 8: F) . .DITTo . . . . . . ..W'. S’. Bennett . . . . . . . . . . ’TIS JOLLY TO HUNT . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI'I"r0 . . . . . . . . W. S. Bennett . . . . . . . . . . STILL LET ME SING TO THEE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ste7‘l'cl . . . . . . . . . . . . . . . . LOVE AND FEAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jllfss Smith . . . . . . . . . . . . BLOW, BUGLE, BLOVV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lo7-(Z Charles T /Lynne . MY FRIENDLY HARP! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .F1'ank Rome?‘ THE ORPHAN’S PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MI'ss Dolby SLEEPEST THOU? WAKEST THOU? MAIDEN MINE . . . . . . . . . . IV. V. IValtace . . . . . . . . . . SWEET ROSEBUD OF GLENARRA . . . . . . . . . . . . . . . . . . . . . . . . . . . .L{nlc_z/ . . . . . . . . . . . . . . . . . . AS I SAT BENEATH A WILLOVV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fran7s Romcr . . . . . . . . . . . . THE JOY OF FRIENDSHIP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Br:et/zozwn . . . . . . . . . . . . . . SOLITUDE.........I . . . . . . . . . ... WHEN BRIGHTEST HOPES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . II. Con(/ran . . . . . . . . . . . . I TRUSTED TO A FAITHFUL HEART . . . . . . . . . . . . . . . . . . . . . . . . ..A. III. IV}/alt . . . . . . . . . . . . ’MID THE WILD-WOOD’S LEAFY BRANCHES . . . . . . . . . . . . . . . . . .1I[end(:lss0/In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Rnsa Lyne.............. THE SPIRITS SONG (transposed edition in D minor) . . . . . . . . , . . . . . . .}Iay.rl/2. . . . . . . . . . . . . . . . . WHEN DAY IS BRIGHT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Ha!ton . . . . . . . . . . . . . . .. AWAY TO THE FAIRIES’ WELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Lm2d . .' . . . . . . . . . . . . . . .. WEEP NO MORE! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jllfss S'nzz'r7L WE WERE PLAYMATES IN CHILDHOOD. JVILLIAM AND SUSAN. . Tully . . . . . . . . . . . . . . . . .. THE BOATMEN’S SONG (and Chorus ad. lib.) . . . . . . . .DITTo . . . . . . . . Tully . . . . . . . . . . . . . . . . . . I LOVE MY LOVE IN THE MORNING . . . . . . . . . . . . . . . . . . . . . . . . ..G. B. Allen . . . . . . . . . . .. THE YOUNG MOSS ROSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jo/‘an Barnelt . . . . . . . . . . .. THE ANGEL OF PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ﬂI. W. B«_Z/(3 . . . . . . . . . . .. ZEPHYRS OF THE GOLDEN MORNING . . . . . . . . . . . . . . . . . . . . . . . ._4bt . . . . . . . . . . . . . . . . . . .. ' A BEAM OF SUNSHINE . . . . . . . . . . . . . . . . . . . . . . . . . , . . . . . . . . . . . . . ..W. V. Wallace . . . . . . . . .. POOR LITTLE BIRD, THY SWEET NOTES HAVE BEEN RINGING M2's. Wzzm .......... .. I MURMUR NOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bcne(12'ct . . . . . . . . . . . . . . . . LONE STAR...... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..W. V. Wallace . . . . . . . . .. DAWN GENTLE FLOWER . ................................... . . W. S. Bennett ........ .. COME NINA, COME! ......... .... . .. .................... ..G'iugIim' .............. .. KATIE’S LETTER (in E & G) ......... ...................... “Lady pufm-A ........ .. THREE FISHERS (THE) ...... ............................ ..Lahee ................ .. 1 BEHELD A FLOWER BLOOMING ........ ................ ..H. Snmrt ............ .. OLD HOUSE BY THE "LINDENS STOOD ....... . . . . . . . . . . . ..Jmnes Bennett THOUGHTS OF THEE MERRILY, MERRILY OVER THE SEA .. ...................... V. Wallace .... COME INTO THE GARDEN, MAUD ...................... ......Jozm Barnett ...... .' . .. THERE IS A NAME I NEVER BREATHE ...................... W. Balfe. . . .. ..... .. I KNOW WHO! SING, MAIDEN, SING .... ........ . . . . . . . . . . . . . . . . . . . . . . . . ..FranzKe1,'zer..... . . . . . ,. .. . . . . . . . . . . . . . . . . . . . . . . . ......Mrs.Groom . . . . . . . . .. . 2 2 2 2 2 2 2 2 2 0390303COG9®C3OC3O5OOOO¢IOG©O¢2C2’aOOOOOIOOOG5CGIOOOCDOOOOOOOOOW LEADER AND COCK, 63, NEW BoND STREET, CORNER or BROOK STREET.
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Title: Three Choral Ballades:
Description: Songs listed on cover include: "Beside the ungathered rice he lay" ; "She dwells by great Kenhawa's side" ; and "Lound he sand the Psalm of David"
Date: 1904
Text: Breitkopf & Héirte|’s Bihliothek of Vocal. Scores ‘ ./ Ar** 7 -\ .\ , \ u \ \ wry :° Y/7‘ % ’ I . "4, '- by Longfellow :——-+>x«—-———~ Vocal Score ONE SHILLING AND SIXPENCE - I 54GtMa1'lbor0ughStreet 4_ 15- ’ «(T "V, ‘ V -4. LONDON. w ‘ _ A A .!A,J_, «' .- '” , Q I c., ‘4 " ‘ / ﬁriﬁ ‘ i .2? ' 3 A‘ * Dedlcaled re The Mlulerldgs-Taylor Musical Bucls1y,weehleglee um. e lmvnl nllnha LoNGFbﬁLLow music as four-part Songs ( .3. HT 13.] wllh accomponlmenl...
Show moreBreitkopf & Héirte|’s Bihliothek of Vocal. Scores ‘ ./ Ar** 7 -\ .\ , \ u \ \ wry :° Y/7‘ % ’ I . "4, '- by Longfellow :——-+>x«—-———~ Vocal Score ONE SHILLING AND SIXPENCE - I 54GtMa1'lbor0ughStreet 4_ 15- ’ «(T "V, ‘ V -4. LONDON. w ‘ _ A A .!A,J_, «' .- '” , Q I c., ‘4 " ‘ / ﬁriﬁ ‘ i .2? ' 3 A‘ * Dedlcaled re The Mlulerldgs-Taylor Musical Bucls1y,weehleglee um. e lmvnl nllnha LoNGFbﬁLLow music as four-part Songs ( .3. HT 13.] wllh accomponlmenl of Urcheslra or Planoforle by % S.e(C/®I,lﬂlR§IllDlEﬂe-ﬂ”[lll\Xllol@Bi ODS/-le 1. Beside The ungalhered rice he lay. Copyrighl for all Counlries e. She dwells by greal Kenhawae side. inol.U.S.ﬂ. 5. Loud hesanglhe Psalmofbavid. Vocal Scorel/6 nel. LONDON W BREITHD PF & l'I'F\°FlTEL 5ll,Grea’r Marlborough Slreel. also :11 Leipzig. Brussels. New York. Full Score and OrchesfralParfs may be oblalned on hire byarrangemenl wlfh lhe Publishers. Righfs of Performance reserved. Three Ch0ra1- Ballads. ‘/-‘>44 ' - 0649-0 .___...:. . s‘v\’~)x/‘o ' 1.“Beside the ungathered rice he lay?’ (Longfellow) Moderate. S. Coleridge-Taylor, Op. 54-. N9 1. Appas./.91b\7zaf0.> Pianoforte. §f -gf Be- side th’ungather’d rice he lay, His’ sic_k1e in his Hisbreastwasbare,his ther’d rice helay, His e m__.his > d __ i th’ungather’d rice he lay,His sic_k1e in__. his hand,__ > > > A Printed by Breitkopf & H'a7rte1, London. I . . Copyright 1904, by Bx-eitkopf&}{ii.rt~e1. mat_ted hair Was bur-i in the sand. ' breastwas his matted hair His breastwas bare, his m>at.ted hair BF A_gain, in the mist -gain, in_._ the mist __wasbur.ied the sand._____ A _ gain, the mist - — ed in‘ the sand. A - B shadow___. He saw__ his Na.tive land. m shad - ow s1 __ e saw___ his Land his sleep_ He saw _________._. his He saw__ his Land, his >7? SJ‘ a tempo \-/ thro’ e 1and-scape of his The lord - N The 1ord-1y Ni - ger e lord - Be _ neath pa1rn.treeS on the p ain_.__ Once he strode; And heard the tinkling car.a_Vans Des- more aking he strode;__ Andheard e car _ a_vans Des- aking he strode; the tinkling car _ a._vans he strode; M Andheard the car _ a_vans Des- KT . PO00 cend the mountain road, the moun __ - tain cend the moun _ tain road, Des - cend the mountain Des-cend the road, _ tain the road, Descendthe moun - _ tain > \ poco rit. He sawoncernore his dark- queen A- mongherchil - dren sawoncemore his dark _ _ ey’d queen ’M her chil _ _ dren 07680. 17000 (1 $7000 - They c1asp’dhis neck, theykiss’d his cheeks They held him by the stand, Theyc1asp’dhis neck __ Theyheld him by the 1asp’d_. neck,_._ They ' d__ his cheeks;[‘heyhe1d his hand! They c1asp’d his neck, theykiss’d his eeks, They hand! They c1asp’d________ his neck, kiss’d his cheeks,______ hand ey c1asp’d_________ his neck, kiss’d__:__._. h1S cheeks, They c1asp’d his neck, c1asp’d his neck, they .1" ill tran uillo by the heldhim by e _.___ > burst heldhim by the d! A tear, > a tear > burst fromthe cheeks, They held him by the hand!A tear T F P)’ poco rall. L‘ 65. pifi tranquillo in - tothe sand from the s1eep-er's lids, And fell sleep - lids, And fell from the sleep lids, And fell > KT f 3 t8IIlp0 g/A llegro furioso. A >> G /5 f And then furious pace he rodeA- long fur _ - ious pace he And then at fur-ious pace he rode A- long the N'1_ger’s bank, A/..——-—-TL long, - long, rode a - long then at... fur - _ ious pace he rode a _ bank, e Ni-ger’s then at fur-ious pace he rode A - long e Niger’s long the Ni _ - At at fur.ious the Ni _ _ gers bank, - e-reinswere gol_den chains ger’s bank, rode a_long, ' reins were gol - den fur - _ ious pace he rode a_long, ' rgns were gol - den pace he rode A- long e i_ger’s bank, > His reins I A gol - den xix Z5 _._ Andwith a mar- tial r‘lank,> At each leap hecould Chains,AndWith a. mar - tial Clank, With a mar - ti _ Clank, e could chains, Andwith a mar _ tial > Clank, He Could eel_ at each /\ chains, with a ‘mar _ tial Clank, with a mar - tial__ A A Clank, Z .1" his scab- of steel his scab.bard ’ of steel > At his sCab_bard of steel each leap he could feel > > he could feel, At each leap hecouldfeel K At each leap he couldfeel his scab-bard > leap he could feel, At each eap he could eel his > Q5 > scab_bard of steel, At each leap he couldfeel / his scab_bard > > scab-bard of steel, At each 1eap_ he could feel, hecould feel... his_. Smit-ing bmit_ing Smit _ - ing > scab - bard Smit_ing Be- fore h1m,1ike a b1ood.redf1ag;I'heb >/.-———$ him, like ood _ red flag, the right b1ood-red f1ag;I'he bright f1amin_goes flew, Be - fore him, like Be - fore ,like a b1ood-red f1ag,The A/———--——$ {'1-——-?"*§ flam - in _ goes f1ew,______ be - fore him flew, From blood '- f1ag,the brightflamin _ > - goes flew, ew, rom bright oes flew, Be - fore him, like ag, From Be-fore him,like a b1ood-redflagﬁlhebrightflamingoes ew, From > \ > > f N morn till night he morn till Nll /‘Z?-———T grew, ew,Till he grew grew,Ti1l he f till night till night he > > -13 f0l-1ow’dtheir flight, O’er plainswherethe tamarind he follow’d eir O’er plainswhere the — flight, er plainswhere e tamarind fo11ovv’c1 their > > > their > night fgll f1ight,O ' plainswherethe tamarind Till he ____.___ the roofs of - fre saw the_. aw e ro>ofs of Caf-fre Till he the_ roofs of Caf - fre saw the_ roofs, aw e roofs of Caf-fre the? roofs, saw e roofs, ill he _ the roofs of Caf_fre huts, >. > the roofs of Calf- fre huts, Till he the roofs of Caffre huts, Andthe o_cean the huts, dthe o_cean the roofs of fre hgts, Andthe o_cean > >> > saw__ e__ roofs,sawtheroofsofCaffre huts, And O_cean At night he heard the largamente The 1i_on roar, And e - And the hy _ heard th __ /'\ heard the __ ‘ _____._._ And the hy - roar, He... heard the... >2-\ e - na scream, Crush’dthe 9-T13 Scream» Andthe ‘ _er-horse,__ as he crush’d the__. _ e - na scream, > roar, .___.__ And the riv.er_ horse,_. the _. > > éf reeds, Be-side some hidden side_____ some hidden reeds,>Be-side some hidden __ crush’d the ral1.p0c0 a pace _ _ ' pm lento rall. largamente _: : L... > _ __ like a g10r-iou roll drums, Thro’ the tri umph, like a g ' roll drums, -Thro’ the tr>i umph, the like a lor_ious roll ,_____ Thro’ the - umph, the like a. glor - ious roll ,_____ Thro’ the tri _ - umph, the > /--‘-3: largamente =;—-_A/—--—-\ rall. tri-umph ' And it ass’d like a glor_ious tr>i-umph ' And it pass’d,it__ pass’dl1ke a glor_ious tri-umph ' And , t_ pass’d1ike a g1or_ious > > tri _ umph ' And it pass’d like a gl0r_ious {ii /"\ 97" \ A tempo lgrgamente ._.-____.-é_.':‘__ Thro’ e tri umph, Thro’ the tri umph, Thro’ the tri umph, > Thro’ the tri umph, _ 65.1a,r-gamente L tempo (Allegro furioso) atehnpo (Allegro 1lI'10S0 Shout- ed of 1ib_er- ty; Shout_ed of 1ib-er_ ty; The Shout- ed of 1ib_er _ ty; The \ > of the Desertcried a _ - of the Desertcried and shout-ed of S The for.ests,with their myriad tongues, of lib _ er.ty; And the sh _ ed of lib _ er_ty; for _ ests And the s1;%ut_ed of lib _ er_ty; or- ests shout.ed of lib _ er_ty; . loud, ith a voice so wild_ and shout _ ed of lib- er- ty, > > 1ib_er_ ty, Wild... and > > shout _ ed of ## lib _ er _ ty, T ‘;~’:/f> That he start ' smiled, > A wild and free,That ' and smiled, , free, That he ' s1 and smiled, —-f _ >> > > ’> Sowild and free,That he start ' sleep, and smiled, # T smiled, smiled At eir tem _ pes-tuous 5>mi1ed>-- ‘ed the ______. tern _ smi1ed,_ . smil .._.._> At their tem _ pes-tuous smi1ed,.____._ ' At their term - pes_tuous rit. e dim. a tempo He did not feel thedriveré whip, Nor thebuxningheat of daiy, e 'dnot eel the e ‘d not eel the .9 \ mP d not feel driV_er’swhip,Nor e burn_ing eat... of driv_er’sWhip, or e burn_ing heat_ of > > drive "p, fee __ ee1___ out lay,__ lay, > lay, > Nor the burning heat of ForDeath the heat of For Dea the burningheat of or eath ined, 11 _ orDeathhad1.1 - lum - - 11 I;/’__/’:,_ the Land ___..___ f Andhis hfe _ less y eep, ined the Land ___of Sleep,_ Andhis life_1ess ined the Land_.____.__of Sleep, And ’ life-1ess bo _ ined the Land f leep, Andhislifeless bo _ dy . > > Oco fall. POCO HIEIIO IIIOSSO /J} fetter, that the soul Had fetter, like a Worn _ out fetter, that the soul Had —-<___—f_Z > etter, like a wgrn out etter, that the soul____ Had > ' . fetter, like a worn _ out fetter, that e soul > H),- PO00 mH'L.65. poco meno mosso _ ken and thrown bro - ken and "thrown... a _ - /lgro - ken and ken._____._.___ bro_ken and - ken had b k bro_ken and ken and thrown bro - ken and ken and thrown bro- ken an rall. thrown ______had thrown a thrown ?.___ had thrown a thrown _______. had thrown a thrown a 2.“She dwells by great Kenh'aWa’s side.” (Longfellow) S. Coleridge -Taylor, Op.54. N92. Andantillo (ma con moto). A > 10000 rall. Soli or Semi Chorus. Sop. atem 0 Alt. Tenor. Shedwells bygreat Ken-ha _ wa’s side, In val - leys green._and Bass. F And all her hope and all her _. Are in the vil _ lage school, are in e vil - lage mp B a tempo She dwells by great Ken_ha - wa’s side, In — She dwells great KEY - side, In_ school by greatKen - ha - wa’s side, a > _ She dwells by great‘ Ken-ha - was side ad ad B at9mP0 L. 65. val - leys ._____ her hope and — val _ leys .__ and C001 > hope._ and val - leys green and cool _.._..___ all her val _ leys green and cool,_._____ __.__.__.__ her Are in the vi}. lage school vi1_ lage school vil - lage 0ol> > > the vil-1age schoohallherpride is the fan rall. ,_ are in the vil - lage schoo. vil. - 1 poco accel. /T‘ > poco >accel. soul, ' the trans-par-ent ' robes the__ Her soul, like the ' __._..:Thatrobesthe hills Her soul like the ' __.__Thatrobes hills D " Her soul,_ like the trans_par_ent‘ air That robes the Thoughnot of earth, en - c1r - c es there All witharms of Though no of earth en _ cir - c with Though not of earth, en - cir_c es & with bove,__..__ Though not of earth,en _ cir- cles there All things with arms of mil’ mp And thus walks among her And thus__ walks a - ong her girls And thus she walks > a _ mong her thus __ girls th praise girls With praise mild_ re _ bukes; walks With d_ re _ walks, 1th aise .____.___ and mild re - _.__ among her girls With praise and mild re _ thus s e Walks amongher girls, With praise_ andmild re - th praise Z\ bukes; bukes- ukes; > mild re - bukes; /‘K F L Molto meno mo sso. he She reads at Molto meno mosso. fI'_“'W"““~“‘“~““““~ . f ev - en_tide r came... to iave; €I1-tie Of she reads Of _ en - tide mp G To cast_ the cast To to save; Cap - tive chains__ a _ To save, to G lib - er - ate_._ the slave chains And 11b_er_ate the slave, the slave b - er-ate > >> 1ib_er_ate the slave, {.1 side And W.‘ ﬂ And And And H cap _ tive dim. and lib _ er-ate and lib _ > and lib _ er-a.te oft.__._ the bless ed %— oft the blessed oft the b1ess.ed side chains time _ fore _ - time fore _ time fore _ en sill shall be free, And tells When all men shall be free; tel1sWhen all men free- tellsWhen all men free; Z”f If as sil _ ver bells, eir fall- ing chains_shall C’l'(5S(}. music-al sil _ be , Their chains shall mus1c_al as bells, Their fall - ing chainsshall And bellsffheir chains shall f m, axtempo (Prime). their fall_in chains all their chains shall fall _ ing chains shall shall I fall _ ing chains ﬁgfl > > atemgp (Primo). L. 3. si_cal And my (1 fo1_1ow_ing her ed Lord,In And fo1_loW.ing her ed L0rd,In And fo1-low ' her . ed my . dfol _ de _ cent pov _ er makes her de-cent pov- er Shemakes her her life one de _cent pov _ er She makes her one sweet de - cent pov- er She her sweet K re_cordAnd deed of__ char- i _ ty. cord of char_i _ ty. re_c0rdAnd deed of char- i _ ty. re - cord___ of char_i - ty. K For she was rich For she was ric To break gave up all mf in her in her Of and ve up and gave up She was She was hall hall, wait-ed those who those who 31 > /« all gave up all___ .;1l_ she gave all.__ up and gave up_ all_.__ all she Rich ahd gave up_ Of those who Of those who her in > >>> wait - ed in her > > > wait-ed in her dim. e lands _______._ who of thosewho la bo __ who la - bour’d ‘ lands __._______._ those who la - la ' _:.___ those who la bour’d mf rall. M a tempo 1abour’d in her lémds. la - bo_ur’d in her 1anEIs.___________ _ bour’d in her Ian >/T cresc. > > > , a tempo mp-‘ Longsince .yond the South-ern Sea,T heir outbound sails have Longsincebe- Sea,Their sails have Longsince be _ ‘ e Sea, Their ' ___j_ have ce be - yond the South_ern Sea,Their outbound sails have ._.While e, m deep hu mi - '_ ty, Now earns er dai_ly bread. j __ VVhi1e she,in deep hu m1_1i - ty, Now her read. __ While she, now earns_._ herbread Now earns..____a her bread, __ While she,in deep hu mi - li _ ty, Now earns her ‘ dai - ly bread. A It is their pray’rs,whichc1othe -—._/_: >z—-——-—\ >,./—-—--—--—-$ __ It is their pray’rs,.__.._.__whichnever cease WithSuCh‘ grace ’I;h_eir ing is the light of theirpray’rs That clotheherwithsuch grace .___ mf is their pray’rs It is their ray’rs It is their pray’rs, which 1ightThat shines tip _ on her face. _.________ wgf __whichne_ver ____.__... That c10the__._¥ herwithsuch grace which ne _ ver cease That c othe her with such That clothe _____ herwithsuch grace- Her pray’rsThat clothe her with such grace; Their dim.e rit. > _ Their blessing ' the light of peace, That shinesup - on her A _._ Their b1ess_ing ' the light of peace,the light That shines up- Their bless-ing ' the _ light of peace,the light That shines up -' b1ess_ing ' light That shines up _ on her -\ ‘I dim.e rit. face,_ __ that shines up on her face, that shines that shines up - on her _ (in her face,that shines that shines u _ on her / face,__._ that shines up A mo rundo 3.“Loud he Sang the Psalm of David.” (Longfellow) Allegro furioso. Allegro furioso. >> > >/'\ i. e Psalm of Dav _ id! Psalm of Dav _ id! Copyright of Breitkopf & Hi-rtel, Londonw 54 Great Ma-rlbourgh Street. S. Coleridge Taylor, Op.54. N9 3. Rights of performance reserved. A/' Loud hesang the _. the Psalm Of Dav _ id! Loud hesang __. the Psalm of Dav _ id! > > He, 21 Ne _ gro,and— en - > He, 21 Ne - gro,and en _ > he sang id. > he sang the Psa1m___. > > >> rae1’s Vic - t;o_ry, _ éd, Ne- gro,anden _ ‘ , ‘ _ rae1’s Vic _ /‘ > Z’\ ) Ne- gro,and en _ slav - of Is _ > > ff’ ' _ on,b.ri t and free. ‘ _ on, free. __ ’ _Von, t and ' _ on,brightand free. > > ' ' =3 > Psalm ._ the Psalm of. the Psalm of Dav - the Psahn of Dav - > d he sang of Dav _ id! Loud he sang e Psalm__ of _ id! Loud hesang Loud he sang the >> lie, a Ne- gro,and en _s1aV ed, He, 21 Ne _ gro,and - ed, __ of Dav _ ’ M He, Ne_gro,and en _ - ed, {T ‘ > ' /‘ Psa1m___ of Dav _ ' . I He, 3. Ne- gro,and en _s1av - ed, > > > . > > - rae1’s Vic _ Sang ‘Of ‘ _ rael’s Vic - to_ry, Sang V > _ rae1’s Vic _ to-ry, _ V Sang > > M of Is _ ‘ _ rael’s vie- to-ry, Sang > > > > Zi _ on, t and free. Zi _ on,bri d free. Zi _ on t and 1j{ee. 0 Zi _ on,brightand free. > ’ > > P0 meno inosso, ma con moto. that hour, when night is calm_est, Poco men , ma con moto. co rit. he of the HebreWPsa1m_ist, Sang he of the He _ brew _ ist, poco rit. so sweet and cl __ That could notchoose bu Sang in a voice so sweet._ andclear ThatI could not choose G , Sang in a voice so - that I co d., not choose but hear, Sang in a voice so js— hear, could not choose._ but hear,_________ a voice so In a voice so /—-x P1’ oco rall. sweet and clear That I could not choose —-=:_:'_': clear That I could not clkfose, 1 could not choose but and clear That I could notchoosc, I could not choose but — sweet and clear That I could choose but poco rall. > Tempo I. of Dav- id! of av _ id! ____of /".3 Loud hesang e > Loud hesang the Psalm____. of >>> O _ éd, V Ne- gro,and en _ /\ _ ed, Ne_gro,and en - slav - éd, > > >>> Is of d he sang H Loud he sang a Ne _ gro,and a Ne - gro,a§d er rael’s Vic _ to- , rae1’s Vic _ to- ry, Zi _ on,bright and free. _ tO_ry, _ On, and’ Zi - on,bright and Vic _ to_ry, Zi _ on,brightand free. > K Poco meno mosso (tranquillo). Andthevoice Poco meno mosso( quillo). rit. : — of his vo_tion Fi11’d mysoul thstrange e-mo on, ’d my ulwithstrange e- poco rlt. L. 65. a te111p For its tones byturnswere gla ,_ For..__ its tones._ tums___were glad, Swee .2 ‘WCGL a tempo > f> Sweetly solemn, wil Swee y 501 - emn, wild - ly sad. sol _ _ emn,wi1d - _ 1y._ sad, So1_emnand wil _ ly sad. 0’I'€S(3. oco rit. For its tonesby turnswere glad, Sweet- sol - emn, _ ly > its tones turnswere glad, its toneswere sweet_1y so -ernn, d _1y /'\ __...—___j.___—'_ /3 For its Ltonesby turns were glad, its tonesWeresweet_ sol- emn,wi1d- ly /5 For its tones by were g1ad,Were sol _ emn, Wild _ y poco rit. a tempo C’I'6S0 . Sang ___________ > of Christ, the > of Christ, the L0 > cresc. of Christ, the Lord > 3 3 V N atempo ul and Si _ 111 and i _ las, ul and ul and N m./' a tempo Christ, sang of Christthe Lord a -, > > > > Lord sang of Christ theL0rd a _ ris - en ris _ > f , in_theirprison, in_.their Si - las, > Si _ las > > ) And an And an earthquakes And an earthquake Broke their dungeon gates at > arm of ght Broke their - geon gates, broke eir dungeon gatesat > > > > > arm of might Broke their dun - geon gates, broketheir dungeon gatesat . > > > > >3 >3 >3 3 ; : > >> > > \..Zg2 OAZ >>>> Ias! A what _ho_ly _ V - Brings the _ slave this ad e- But,a_1asl_.___3 what gel Brings e slave this But,a - las! what ho - ly an_gel Brings the slave this ad e m. Onight. But,a _ las! what gelBrings the slave this glad e _ gel? Andwhat earth - quages _ _ of might__ _ gel? And What earthquakes arm of might Breaks his gates, What gel? And what earthquakes arm of might his gates, 5 > > ‘ van _ gel?What earthquakes arm of might ._ Breaks his gates, what > > mf Breaks his dun _ geon gates at —> earthquakeBreaks his dun _ geon Breaks their dun _ geon gates at > > earthqua1<:eBreaks his d=un-geon gates at A he sang the he sgg >e he sang the '0°0 rit; P >> > > > a. tempo > he sang the lm he sang ePsa1m ud___ e sang thePsa1m /*_'$ Loud___ he sang thePsalm > > > > > sang __ the Psalm of V Lou _ sang __ the of Dav > > Lou .._ he sang __ thePsaIm of Dav Loud __ he sang __ thePsa1m of Dav >> > he sang Loud he sang the Psa1m__ id! Lgxd he sang the P _ of Loud he sang the Psa1m__ of > > > > Ne _ groand en _ slaved, Ne _ groagd en _ slaved, He_ a Ne-groand en - s1 He a- Ne-groand en - slav > > > Is rac1’s Vic _ to-ry, Zi-on bright and .free_ Vic _ tory, he Is rae1’s Vic - to-ry, Zi_on bright and .free. > > \./ \/ A David,of Dav.id,of Dav > . sang thePsa1mof sang thePsa1m of Dav > > > sang the Psalm Dav f Dav dof Dav- ,of e Sam the Psa he sang the > sang... the Psa1m_ of he sang the Psalm largamente > egro, d en-s1aved’ egro,and en _ slaved Negro,and en _ slaved Negro, and en - slaved tempo U agcel. pgco d en _ s1aved__ Loud he sangthePsa1m of and en _ Sm Lo>ud he ‘ thePs§1rn of and en - slaved__ Loud thePsalm of A’ ' ~ d en _ slaved_ Loud he sangthePsa1m of _ >_ >’ b > >U> 17 > >c1'esc. >moZta> > t accel. poco a -a empo > > A . M > >/.'7.'f"/-'—""“~\ thePsa1mof Dav - ' . thePsalmof > > > s>angthe Psalm of Dgv - id! gngthe > of sang e Pga £1” Dav - id! sang Pgalm of thePsa1mof Dav - id! thePsa.lmof > > > > V cmsc. > accel. > > > -
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Title: Bells, The, The Bells
Date: n.d.
Text: 7 333$ \/" 5| l W.cRos ax LONGFELLOW. Music n J.L.HATTON. Maderczvto . _ b heardlthebells0nbChristn1as day - _'ll1 r old falmiliar Carols play, — ' dancl sweet the w0rd_s repeat Of peace on eartl1,go0dwill to men‘. And thought how,ﬁs the dayhadcome The. dint. . belfries of. all Chris-ten_donp . . . . . . .H‘adroll,dl,a.. long‘, tlfxlnbmken s_011g', Of peace on f"_'\ crmc‘. ad li . ,g00dwi1lt.om , Ofpeace on % ,goQdwill to’ 4'> r27Iun.te. MUSIC LIBRIRY I,‘...
Show more7 333$ \/" 5| l W.cRos ax LONGFELLOW. Music n J.L.HATTON. Maderczvto . _ b heardlthebells0nbChristn1as day - _'ll1 r old falmiliar Carols play, — ' dancl sweet the w0rd_s repeat Of peace on eartl1,go0dwill to men‘. And thought how,ﬁs the dayhadcome The. dint. . belfries of. all Chris-ten_donp . . . . . . .H‘adroll,dl,a.. long‘, tlfxlnbmken s_011g', Of peace on f"_'\ crmc‘. ad li . ,g00dwi1lt.om , Ofpeace on % ,goQdwill to’ 4'> r27Iun.te. MUSIC LIBRIRY I,‘ C: N (.1 5 . VASSAR COLLEGE H _ TNE— BELLS.’ .,Til1,ri11gi11g,si11g‘ing on its way, world revolvdfmmnight to day, A—.\_ v0ice,a chime, a chant sub1ime,0f peace 011eafth,goodwi]lto . 3%‘ . Pad: 00 n encirg‘1'<t . But wil _ fnl man now drew the A sword’ Andwarwas > >- cres: m 01 7'" TC‘ rife,and cannons roared . . . . . . ..Andwiththe sound the ca_ro]s drowxfd Ofpeac/e.on Lg L earth, goodwill to noen , Ofpeace on earthgoodwill to then ! L ‘ 4; T rull. /J/J E “ THE BELLS. Paco pm lento. . And in desl-pair I bow’dmyhead‘;"H1erei_s nopeace on earth,’ ’I said’; “For hate strong',and mocksthe song‘ Of peace on earth,g'o0dwill to men 2” . S molfo. pit? cmivnato . peal,d.the bellsﬂnlorel loixd and deep; \ V is L not deacl; nor doth he sléep! wrong‘ shall fail; the right._ prevail,Witl1peac<; on earth, g'00d,Will to men,V\-Tith‘pélace on -S:/‘ ‘if’ ~22” eart , goodwill to 11!. .. ' In * I AM A FRIAR or onnzns GREIY. ,WoRDs,IY JOHN U,KEAEFE. , Iuslc BY_REEVE . ‘Con spirito. Piano . "if 1. I am a fri-Var of or- ders grey.And down "the v,al_1ey I Iiakgeomyway, I pull notblackberry, 2. Af_ter su’pper,0f Heav’n I dream,But that is fat uLlets and c1outedcream;My_self by de_ni - al I . 115/‘ ‘ haw nor hip,Good store of ve-ni_s0n fills my sCrip;My long beald-rol I mer-ri- ly chantM_/here. mor- ti-fy,Wit}1 a gooddain bit of war-den pie; I’m Clo'th’d in sackcloth for my sin, With _ e_ver I 0“ no mo_ney I wa11tWhere_e-ver\I go no money I want.- old sackwine I’m Iin’d with-in,With old sackwine I’m lind with_in .. J. V Andwhylln z;’oplun1p, e rea_:.0n I’ll te11,VVho leads a good life is sure to livewell‘,VVho .A‘ ch‘irp_ing cu is my ma - tin song,And the ves -‘ per bell is my ‘bowl,ding,doug,Andthe I I AM A Farm or qmizns any. ad lib. f'L'\ /L" 0 \J ' ._leads a good life is . . sure" to‘ live we : i _ _ . _ _, . V ._ per bell is my bowl, ding’ dong: .W'hat ba-ron or squ1re,or knight 9f the shire, Llveb . VCS V ’ I m ‘ calla voce. — J : half so well as a ho; 1y friar?Lives half s<)we11,_ half so we11,LiVves half so well as a ho-1y friar, . . . mg,‘ ,\ 7)£f’ _ 1y friar, .21 Lives half so well friar .9. . . I cresc ONE ONLY. . Worms 3‘! JOHN OXENFDRD .l “"5”: BY J'B'wEKERL|‘N' /ll~leg*ro Grazioso . Best of all 0..mens, at my start_ing', I chanc’d to meet a bean..te0r1s- S‘Veet-est maid-€11» how I could love you! Few ri _val you beneath the sun, ,/"""“‘x\ \ /o*""""¥~ _ ‘ / \ P3 ONE ONLY. Bnt_ there /still is .one far . a _ l)ove y0”n‘,. _My 'Ma..x-+y,s’he, oh she’s that .(me., But there still is one far a - bove you, My Ma-ry, sh , oh she’s that one- PP Be-vau - ti_ff1l sigvbls afe e - ver - plea- sant, _I had but gone a lit- tlé Way: VVheu on. the road a fair ‘young? pea- sant,Pass’d me witlh all the fl0w'19s of May; r_.Ro _ sy beau_ty, ‘how ONE ONLY. I could love you , Brig'ht-er f1ow:rs.tha11 yon there are none , Zfjegfjée "vi g 52'2": ‘But there "still is" one far a _ bove -you; My Ma_r_y,she, oh she’s that one. far a - hove you, My Ma_ry,she, oh she’s that one o. Z.____e‘ . \ PP .Now the old town is far be - hind me, Onwandl have no need to go; ' ' . ‘ /—\ -ONEONLY. - .Here is the chain that’sforgf’d to bin me, Nougfhtthat can set me free I know; 2-: 7nJ' Those 0 - thermaid‘s let 0 _ thers lov them, All a - like A I e _ ver will shun: ax mf Ah!there still is one far a - hove them, My Mary,she, oh she’s that Ah!there still is far a - bove them, My Mary, 61 en glissunt . THE TOKEN . Music BY DIIDIN . Avzdzznte can mo to . 1. The breeze wais fresh, the ship in [stays .Each brea’ker hushd. the shore a huze,When Jackmu 2. The storm ,that like a shape-_less wreck. Had strewdwith ri _- ging all the deck, That tars fur Z \_.—— _more on du_ty bcallid, is truelove's itokens 0 - ver - hauhd; The broken gold .‘ thebruide-d_ .sharks hadgiv’ a feast, And left the ship a hu1k_.had ceaS’d;Wl1enJack,as with hismessmates _ hair, The tender mot - to,writ'so fair, Up-on his 'bac_co_box he views, p_0n his’bae..c0_b0x he _ . d , He sh_ar’d the grog theil-hearts to Cheer-,*'l‘ookfromhi§baé.c0_b0x a quid,Tookfromhi§bézc;éo_box" -at LL; ' d/£7" . w‘ views. Nancy the po _ _ et,l0vethe muse, .. ‘ . , quid, Aund spelldfor com ._ fort ‘on the lid‘, U ym‘ “Wes 1’ ' ' ' "*5 I1°"‘3S Y““v NUP3” 50 THE TOKEN . happy as . _ ' 3. The batatle, that wnh hor_ ror V . _ ‘ V 4- V The . v0yage,that hadbeenlongand ' I calla voce. cresc. J /-7 \, 1 ‘\" 7 . gri m Had madly ra _ vagd life andlimb. Had scuppersdrenchdwithhuman gore . And wi A .dow’d manya_wife,- was ‘ ..hard,B'ut.tha had yi 1d- ed full 1-e.ward,Andbroughteaqhsai_1br to s friend Hap_py and.rich,was at an o'er: Whe1xJuck to his companionsdear,Firstpaid the tri .. bute of a tear,Then,as his’bac-c0 x he .end: WhenJack,hist0ils andperils 0’ r, Beheld his Nan - cyifon »the shore:He then the-'bac-co_bo'x dis _. \\:*/ dim. ' ' ‘ ' ' '. ' ' ' ' ‘ ‘I 3 o u o u a a 1 o g o n - ’ T---—-—.:—J? \§.______r____f.4»Z . he1d,Then as his ’bac_co.box he held. Restor'd his-com..f0rt as he spe1l’d, .. r I » .. p1ay’d_.He thenthe'bac_co_box dis_play’d,And ed,ands 'd theyielding-maid, ) Ifyouloves I ' ' ' as loves No pair so hap_py as calla truce , ' cresc . f> I I XLV _' - -I THE VIACAR or my . Melody of the 17*?‘ Century, g Char1es's gold-en daI}'s,WhenI _ a1 James ob-’tai1Ifd the crovm,And 1.. In good‘ 2. “Then ro ' E‘ 1nurca ' J A I . I _ I "I I _ -/-\ I» - -I I III I II I - I I] I I II I I I. I '_J_ -I I T If I H‘ C I I - I I I I I I I I ‘ —|. - ‘ 0 harm meant,A zea .. lous High Churchgmanwgxs I,And s40.,I g0t’pre_ fa- shi0n,The pe - ,na1 laws — I II C fer_ment ;ToI .h00_t:.ed down,AndreadtheDecIar- a _ tion;Thee .- I my‘. a1- ty .n0 ‘ Pqp’. ry camein T teach my flock ‘I nev.. er miss’d,Kings were by'God‘ ap- point - ed.And dannlfd are those that, .Chu he of Rome I ‘foundwould fit Full well my co ‘_s - tu _ tion;And had be--come a. ._ do .re_ -‘=t,0r touchth I.ord’~ _ ‘ t- d. . ., . . . . . 'Je_hsu_§i1f But for th:Re-:: _n011:_ti':m.) And thls ls’, law, I w11lma1n-ta1n, Un _ _t1l’ my dy _ mg. .‘\_X I. I I 1 I I " I ' ' I\ IV I-I I ‘ ~ - I A ' I I I I I M K I I ’ I I I I P I I I L___+; .I d II" I I I I I I 7 Q '“ I ' I I 7 U -I King may reign,StiJ1 Ill be theVicar0f“Bray,Sir.. ‘ Z.‘ I I I’ I I I I I ' I ' y, $i‘r,Tha‘t‘what.;s0 ..e e _ ver ( THE VICAR OPBRAY. - 13 {%.Whe11 Wil _liumw_as‘ our King de-clur’d ,To ease a }1H_'tl()1l',S " g"ri‘eV .' anCe,With this i new wind it _ 4<r._When gra-cious Anne be_c-Amie our Queen,The Church of England’s glo - ry, An - 0 -‘ ther face of 5".fi‘ 1* .. bout I steer’d,And swore t him al - le- giance;Old prin-c -ples I did re- voke,Set things was seen, And I be_came‘ «.a To _ ry', Oc - é'a.. sio_nal C0n-for- mists bas , I conscience at a s _ tance; Pas- sive V o - bedience ‘was a joke, A jest was non -~ re -. ’ . n u - . damnd their mo - der _ a _ tion , And th t the Church in dan _ gel‘ was , B such pre- Va ,. r1‘ _ ‘ “S " ‘a“°e' And this is law, I i will main_tain,Un.. til my dy- ing day, Sir'.Th,at. ca _ tion. 1' what _ so _ e _ ver King may reign,Still Ill be the Vi_car of Bray, Sir.» J. 5 " 6 When George in pud‘ding_time came o’er, And moderate men look'd big, Sir . I turi-fd a c_at-in-a - pun once more , To these I do allegiance swear. And so became a Whig, Sir, While they can keep possession __ § Th’ illustrious house of Hanover. § And thus.preferment I procured , E For in my faithiand loyalty And Protestant succession , From our new.faith's defender , I never more will falter. And almost every day abjured And George my lawful King shall be ,_ The Pope and the Pretender . Until the times do alter . Ami this is law are. And this is law &c. THE LEATHER BOTTEL. Melody of the 179‘ Century , 9 Allegro . VOICE. pmm. l..When ‘ sur- vey _the world a-r0und,The Vw0nd’rous things that o ' a ; bound, The. 2. Now t do you ‘say to these s of .9 Oh, n . in faith, theyc -not be good. For ships _that on the a do swim, To keep out foes, that none _Come in; Well, if the bear- er fall by the w'4y,, Why on the groundyour li _ quor doth lay; But . let them all _ say what they Can:Twas for one end,the use of num, S I . hh. - . _ . ha it bee in a 1 er bot_te1, A1_tho’.’he had fa1l_en all hadbeenm-11,)‘ " W” "'“v’°y W er 17% ‘$7 1*; .e’er he dwell, That first found . . the lea - _ ther bot .. té1\."./. . THE .1.,:A.vH:R sortie . . ‘ 35 T3. ThenVW;lia’t. do you‘ say? (to these’ Then t_ do you sa ‘to those glas_ses fine?0h, they shall have no praise of mine, For L you chance ‘to touch _th.e_brim ts th e?If a m and his wife should 1: a- gree,Why tug and pull till their liquordothvspill; Ina ,f'all's _ l,i-quor_ all therein; But had. it been. in a leatherbot..tel,Andthe '1 -ther bot_tel the ma their fill. And a - wa till theirh ts do ach ,Al1d stag- - per in all‘ had heen well. ye theirliquorno harm can take.) So“ I wish,_him _joy.wher_e’gr he-dwell, That first found‘. 1*? 5 T ’\._/ the lea — _ ther bot- tel. A At morn the haymakers sitthem down . And when thfbbtile at last grows Old .- To drink from their bottles of ale nut-b1-own; And will good liquor no longer hold, In sum tne11,tOé,when the weather is Warm. Out Of the Side}? 7011 ma)’ "lake 3 Clout»/j" Agood full bottle will do them no harm. To m__end your shoes when they’re worn out: . Then the lads and lasses begin to tattle, ’Or take and hang it‘u.p»on a pin, But what, would they be without this bottle? Twill serve to put hinges,and’odd‘things“in . So I wish him joy where’er he dwell , V So lwish. him jay‘ whet-e’er he dwell , I That first found out the leather botté-1'. That first found out the leather bottel . G.N‘." . THE nEu.’s AwA wI’*rHE EXCISEIVIAN . Allegrv; , ./.\ f.'Ihe deil cam d- dling thro’ the t0wn,And _ J .13 s tucc . danc’d a -wa wi’th’E§zcise_ma11,And i1- ka Wifecries, nld Mahotm, I wishyon luck 0’ the . Z“ /‘ I ‘ O I . > I, , »pr1ze,». man‘. The d1el’s a - Va, the d1el’s a _.wa, The (116175 a -Wa W1t_1h.Ex ' . .,I . .. A V, , I ’ . clse- _man:He’s dancd a_wa, he’s dancd_a-wa, Hesdanc’d a_wa w1’LhExc1se-man. THE DE|L'S AWA WI THE EXOISEMAN . 2. .W€ll mak’ our maut , we 11 brew our ‘ drink,VVUl1 3.There’s three_some reels . there’s four- some ree1s,There’s dance - and sing , and re-j0ice, man (1 o _—.n:y b1-aw than to t,he mei_k1e black deil at’s horn - pipes and strath _spe-ys , man;But the ae best dance eca‘ iacam to the land Was the /“\ /*‘\ ’-\ / ZR /___ 5 ’ . a _ Wa,,W1’thEx-C1se _ _ man. .9‘ 7 . . a _ wa w1thEx_C1se - - ‘mm- 0 ) The die1’s a - wa , the die1’s a _ wa, The _/J\/_/ . n’ 7 . r ’ ’ d1el's a .. wa w1thEx_C1se - - mun; He's Mdzgncd a .. W21, h€’s dancd 1 _s 9 . dancd a -wa ,w1thEx-c|se’ - I8 HEARTS OF OAK . Won: BY DAVID GARRICK , MUSIC in DE BOY(iE , Mttestoso. L ‘Piano . . Come'ch"eer, up my ladsftis to glo _ ry we s_t'et'=r, To add somethingnew to this won_derfulyear. To 2. We neer see foes but we wish them to s’ta_y,'They nev_e.r see us but the wi us Qwaa , If the \__( ' \. ’ of .hon_our we call you, not press you’ like slaiées, For who are so free as the sons of the waves. 7 . , . )1-ieartsof , why we fol _ l0w,and ru them a - shore,An. if they wont f1ghtus,we cannot do more. i - -if H . A » /9. ad lib. oak are our ships,jo1-ly tarts are our men,‘ ,We a1.'ways are ready, stea_dy, boys. stea y,'We‘ll calla yoce. fight and will Conquer :1 _ gain and a-gain . ‘”“‘Z/ . -‘If >-V >.IJ. 3 ' Still Britian shall triumph. "her ships plough the sea - Her standard be Justice her watchword,“Be free!" Then cheer up, my lads.with one heart let us sing, Our Soldiers, our Sailors, ‘our Statesmen, our Queen. Hearts of oak &c A LIFE, THAT LIVES FOR YOU. Wonps av L.H.LEW|N. MUSIC ‘BYARTHUR SULLIVAN. Allegro A-m'mato . .$;f' The sweet se - due _ tive arts That c0n-qI1er maiden s’ hearts . . I new - er knew . ten-der pi ..teous sighs , And Jr‘ poco rull. looks from 1ong_ing' eyes , Soft l00ks,that la-diee prizewhen l0v-ers woo, . . poco rt/ll . ALIFE THAT LIVES FOR YOU, (1 tempo .:_>__ when lov..ers wholo; Soft lo0ks,t:hat la - dies prize, “Then lov - - ers- . u t€)_1I})() Tull . "””}’”- Soft. . . looks when lov-ers woo . y winning‘ word 7‘(l . _____‘%_\._ a tempo . 7' W ‘I’! and woo_in lance, _ A ’shiver’d sword . . . . and shatLer’d g' g" 9 _ And hon - ours wrung from but - tle’s chance,A'nd »C7"8S'C‘ 0 hon_onrs wrung‘ from bat;tle’s chance»,BIxt all,. . . . . . . . . all from CUIIH 1'()('(?, J’ 1*-all V’ A LIFE THAT LIVES FOR You, ‘ .S’_f' need to call you fair,A1;dp1:;i's/eyotxr-beatI~.ty rare, . . . . As all V men do ? ,Tis not the. ' sil - ver tongue, Soft ‘ _speeoh and soft-er song‘, ' A LIFE THAT LIVEB FOR YOU . fall. prOy,,es—,rthe loire _ is strong,iThe heart is "true, The heart rall . the sil - ver.tong'ne,, That proves the love Andmite iczmtabile -nan troppo lento; Nay, turn and give thait "palmlw . . . . To "one who yields ,bef0reyo1u- A l0v_ing' heart, a his .. ty arm, A life that lives for 4 ‘Nay, tIII'Ili:'él1ld give that palm . . To one yieldsbeforeyour A LIFE THAT LIVES FOR YOU . Tall. A 10v—iug'heart;. 8 IIIS — ‘ﬂy arm , A life thaq lives, that liveslbr dim ~ calla voce . Tempo I9 ygu . I‘mn}m IQ Nay,tIn:u and give 1; lit _ tle palm (mima to . Vresc . To one who yields before yourcharm, A lov - iugheart , a lus _ ty ralll-. arm, A »lo\'_ ing heart , . life . that calla voce . li\'es. . .for »-.~ 244 THE ARETHUSA . ‘wens aw PRINCE noun: Music n SHIELD Allegro con spirito. voice. Come all y\e/ j0l-ly 9 ~ sai _ lors b0ld,Wh0sehearts ai'e cast h0noI1r’s‘moultl‘,While Enlglish bglo - ry I 0 (1, H1112. \..z . - vra, for-the TA _ re -thr1 _sa. a frigate tight and brzive, As . ev - gar the dashing wave, Her men are staunch to their fav’rite launch;And whenthe foe shall meet‘; our fire, Soon..er thanstrike we'll all ex..p , On board of the A .. re-thII - Sa. . l A _ . THE A.RETHU8A . ’Twas with the spring fleet cruise a - bo11t,When four French sail, in \./ Bore down on the A - re _thr1 - sa. Belle Ponle straight a-head did lie, The A - re - II - sa eeem’d tod fly, Not a. sheet, or 2'1tack,Or a brace did she s d k,Tho’ Frenclrmen Iauglfd, and thought it stuff, Butthey knew notthe hand _ful of men, so to ,On board Ofthe A - I‘e'-thII -sa.. /-3 _ f THE ARETNUSA . The fight was off the Freuchman’slaI1d, ‘V9 drove them back b - on their strand,F0rwe fought till not a Astgickwould gal . lant >A .. e _ thrt _ sa. An'<1_11\ow we’ve -foe a_shore, Nev-er to‘ t with Bri_t0ns»m0re, Let[eaQh fill a glass To his .',and of _fi_cers true, And all that belong to the A .fav’.ri_te lass,‘ A health htojhe cap \.a . jo vial crew, board of the A - r'e'-thu\_sa.. . _!f C.N‘.’5. THE BRITISH TAR. e 27% wom a+.1.v. BRIDGEMAN . e e Mus|c_BY J.L.HATTO,N_. Mztrctzfo . ’“ vows. Come cheer .t.hee,g‘enLle maid_enmine«,Yield not to Craven fears , Nor drown that winiiiiig, ﬁr gladsonie smi1e,In floods. of bit_ter tears; A ‘British sai - lor’s bride,dearg‘irl,ShonId dash such tears a-waiy , M Jixst as agallanf vesselisprov Fling-se } the curling spray; . méf L ‘ V ' ,y~ ,. .s:f \—I English sai’- lor mt1st~n0t shrinkVNhe11Engfland c4a11shimheI1c‘e', ‘ _ His f ifst tiJOIlg'ht;Il‘lT!‘=-St be SJ‘ THE BRTTISH. TAR- .Eng‘land’sfame,H-is dn _ ty,her de_'fence_; And while up - on the blood-stain’d deck There ' -if b%"\___/ stands one single spar , A stick to fly a f1ag,hell fig'ht,As hefought at Trafa1_g'a1:~! 4‘ T -. f ‘V - VJ} . Our sa'i_l0rs are the. FN same theywere,Whenpmud and haughty Spain Her dread Ar -lma _da sent,Ato find De, *2 — feat Hp_.OI1 Chelmain; ‘ Om‘ sei- l0r’splI_1ck,a]l pe-ril scornsflhe world in arms ite,-— THE BRITISH TAR. braves; b Their spirits but with \_/ dan-g*ers rise,As shipsrise to the waves; Then cl1eert,hee, gen- tle maid_enmine,Think, e -A ven tho’ I fall, '" And 0- cean be my ﬁr \../ wind - ing-_sheet,The can - nclfg sm0ke,my pall ; A sailor's grave I shall havefonnd,B_e - _ neaih the ‘roll- ing sea, For England shall have g‘iv’n my life,Br1t left my heart with 4‘ » BLOW HIGH, BLOW LOW. L Music’ BY msmu. ylllegro Moderate . L Blow high,b10w low,let tempests tearThe A mainmastb the Board; My ‘heart,with 1h0ug'hLsof1l1ee,mydear , v And lovewell Sf‘ , -if ">‘ > /9? can (1 {ma . brave all ' ‘ ,scorn all fear,The roar- ing'wi1jds,the' ra - g‘i1;'g-sea,In hopespn shore, .to aud lib. 1 be Qncemore Safe moor’dwith thee , _ . rs calla v0 (2. , f >_ _/ 4 A - loftwhilejal9t1n.tains high xv? go, The whis‘t_ling'winds that‘ send‘ a - long',Audthe mf « e— . « s ~ ?>A .— 9. —j~&j"§ Q‘ 5 ‘ ‘ E \ BLOW HlGH,BLOW LOW. W ar_ing‘ from be_1 /3 1;:-' (Id 2'1 be . calla tﬂ()C’.€. t;empesIstea1-Tllemaiumlast by the 1"_’.)f. can anim t . And l0ve,well storld Shall brave all clan- ./‘> > ra - gingsea, n h0pes,on shore, to be on , S 11‘ mysignal be, to think on thee,Shallmy can as‘ : a .be;to. with thoughts of thee,m déar, ,scorn all fear,Tl1e ad lib. A safe .' . . moorld with thee. Ila race , ar..iug wind V, the.‘ A BLOW HIGH,8LvOW LOW . 7'9)" e11that11i‘g'ht,WheI1 all the crewThe me‘m’r_V of the r f 1ives;0’er f10wing‘cans of flip J. ’ drink th’eirAswee s,‘a11d their wwes , 1,11 heave a si , I_’ll heave a -.s' think on thee;And as the J. con umma , V ship rolls thr0’£h‘ sea The burden 0 mTso11gs11a1l be: Blow low low; let tempests tear The mainmastb ‘theb0ard;My hear with thoughts of .thee,my dear,- s./‘ P can unimu. brave all danger, scorn all fear,The roaring'winds,the ra _ g'ing'sea, n h0pes,on sh0re,to‘be ad lib. it Q I e F r . . L‘Ljz' ‘ 1 I 1 1 _ f . 1 V sa . moofdviith thee. /x /. _\ — I I . ‘-calla vocé .
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Title: Rainy Day, The:, The Rainy Day:
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Date: n.d.
Text: POETRY BY ﬁmuzg @aﬁniunt;£ﬁ Qungwiuixx, MUSIC BY *2z2I::,:,:.zs.1zz£ 3,. 33*;:n1x{::3sm31. BOSTON : ‘ V Published by 0. DITSON 8; 00., 277 Washington St. Boxton:J.G.HAYNE8&0o. I’hilad'a:C.W.A.TRUMPLER. Cincinnati: J.GHURCﬂ.Jr. N.York: W. A.PONDkCo. Chicago: LYOMHEALY MUSOC LOBHAHV vnssm cows 5 THE RAINY DAY: ?Oétry by H; W. LONGFELLOW. Music by WILLIAM R. DEMPSTER. Andante; ’ i i .' \ z J‘ $ 3 9 R 2 9 i A‘: ‘V , and dark, and drea-ry; It rains, and the wind is Wea.-ry; The vine...
Show morePOETRY BY ﬁmuzg @aﬁniunt;£ﬁ Qungwiuixx, MUSIC BY *2z2I::,:,:.zs.1zz£ 3,. 33*;:n1x{::3sm31. BOSTON : ‘ V Published by 0. DITSON 8; 00., 277 Washington St. Boxton:J.G.HAYNE8&0o. I’hilad'a:C.W.A.TRUMPLER. Cincinnati: J.GHURCﬂ.Jr. N.York: W. A.PONDkCo. Chicago: LYOMHEALY MUSOC LOBHAHV vnssm cows 5 THE RAINY DAY: ?Oétry by H; W. LONGFELLOW. Music by WILLIAM R. DEMPSTER. Andante; ’ i i .' \ z J‘ $ 3 9 R 2 9 i A‘: ‘V , and dark, and drea-ry; It rains, and the wind is Wea.-ry; The vine still clings to the mouldering wall, But at Enltrcd actuating to act 9/ Dbngrsqa In gﬁpygw 1847, by OLIVER D1TSON.in the clerk’: oﬂcs n/-the lmlrtct cow! 0/ Man Con espress. ery gust the dead leaves fall, And the day f!\ dreary . . . . . . .. And the day is dark and drea - ry..5 . . . . . And the dark and drea cold, and dark, and drea-ry; It rains, and the wind wea-ry; My- thoughts still cling to the mould - ’ring ,past, But the ‘ fall in the blast, And the days are dark and drea. - ry, . . . . . . . . .. And the days dark and (treat - ry, . . . . . . . . . . And the are dark and still, and cease re - pin-ing; Be - hind the clouds shin-ing; Thy fate is the com - mon life some rain must Some days must be dark and PP &._-2-Z and drea. - ry, . . . . . . . . . . Some days must be dark and drea Got where the Old Folks Died. . Chorus. M. ‘I- no on cosmos SHEET nose. PUBLISIEI EI) BY OLIVER BITSON & C0., 2'77 WASHINGTON S'l‘., BOSTON. NEW HOME SONGS. Acnshla. Gal Mochree. *0 Bright Pulse of my Heart,” from “Arrah nu Pogue.” 30 Aged and Grey, Song. L. B. Starlcweatlier. “For I am old, aged and grey, Children oftime, I am passing away.” Bradley Clay_ Ballad. J. C. Johnson. “When the daylight died away, Died the life of Bradley Clay. When the moon climbed up the hill Climbed his spirit higher still. Knapsack he had laid aside Fora state beatiﬁed. He was at the tattoo blown By the bugles round the throne. Far beyond this earth‘s control, Where archangel’s call the roll.” Bur me at Sunset, A Soldier’s Last Re- iiruest. Frank Wilder. Come, Sing to me Again. Ballad T «Wr- “I have heard sweet music stealing, Round about me as I lay, Like the songs of angels singing , From the bright land far away.” coming Home ; or, “The Cruel War is Over." Song and Chorus. 0. C’. Sawyer. Song and . Leavilt. “But the cot, on the lot, on the top of the hill, Near the spot where I sat and cried, ’Tis the lot where the old folks toiled and lived, And the cot where the old folks died.” Could I be Near my Boy. M Keller- 30 Eﬂie May, Song and Chorus. R. R. French. 30 Ela, the Pride of my Heart. F- Wilmarllu 30 Flower G11-l_ . L. 0. Emerson. 30 “Come, 0, come. buy my ﬂowers. they are fragrant and fair, All wet with the dews of the morn, And sweet with the breath of the pure morning air, For I gathered them all since the dawn.” The Green Shenandoah. J- W- Turret 30 Home the Boys are Marching ; or. “Ring the Merry Bells.” F. Wilmartlz. 30 I cannot Sing the Old Songs. Ballad-_v Clarzbel. 30 I Know he will Return. Rwlolpllsm 30 I Live for those who Love Me. -I G- Clark» I'm Lonely Since my Mother Died. Song and Chorus. H. S. T/iompson. In Peace Again. -7- W- Turrieri “In peace again ! break forth the strain 1 Throughout our native land! — Ring out ye merry bells with joy ! Boom forth, ye cannons grand.” In the lonely, quiet Chamber. Ballad- . ./as. W. Parker. “In the lonely, quiet chamber - There’s an empty cradle bed. With a print upon the pillow, by‘s shining head ; But within the blanket folded. Lies no little form to-night " It is the Mil1er’s Daughter. W0l'<lS by Tennyson. Music by Rudolp/lsen. I’ve no :‘Mother now, Ballad. T. Smith. Kiss me while I’m Dreamin .Wimmersteclt- to g Little Fa1ry,B1ue-Eyed Carrie.” E-Bruce _ “’Mid eternaljoys supernal . Now thou tread’st the heavenly shore, Little fairy, blue-eyed Carrie, With the loved ones gone before.” Mother, when the War is Over. Song and Chorus. J. W. urner. Move my Arm Chair, Dearest VllIother. Ballad. I’. Wzlmart/1. “Move my arm chair. dearest, mother, In the sunshine, bright and strong, For this world is fading, mother. I shall not he with you long.” _ _ V 0, Could I See my Father. The Soldier’s last Words. Song & Chorus. J. W. Turner. Oft in my Dreams I See my Mother. Ballad. L. B. Slur/cweatlzer. She Sang‘ among the Flowers. Wrig/zton. 30 sung by the “Hutchinson Family.’ 30 Tenting on the Old Camp Ground. As Will You come to meet me, Darling’! . Ballad. L. 11. Gum . 3 Wearing of the Green. A8 sung in “Allah Na Pogne.” 40 “Oh, Paddy dear, and did you hear the news that’s going The Sl1ﬂ!1!l)t‘(x):k is forbid by law, to grow on Irish ground.” When you and I were Soldier Boys. Clark 30 “O, the stormy times we knew In our suit of army ue When you and I were soldier boys. together Will.” ey 0 NEW HUMEEOUS SONGS. The Colonel from Constantinople. AS Sung by the Florences. “Kind friends your pity pray bestow, On one who stands before you, And listen to my tale of wo Though I promise not to bore you.” Girl with the Waterfall. Frank Wilder. 30 “'l‘here’s songs about most everything That one could name or call, But until this none has been wrote About the Waterfall.” Intelligent Contraband. An Original Song and Dance. Charlie Pettengill. 80 Jolly Dogs ; or, Slap Bang. Copeland. 30 Matilda Toots; or, “Have you seen her Boots.” The Adventures of a Skater. Solomon. 30 I My Mother did so before me. E C'overt- 30 “The men I’1l tease myself to please, My mother did so before me.” “Weill wed and kiss. what harm is this, My mother did so before me.” Nicodemus Johnson. A Contraband Sons! _ Pettengill. 30 0. My Heart goes Pit-a-Pat. S0113 W3 Duet sung in the “Naiad Queen.” 30 “O, my heart goes plt-a-pat, 0. my brain goes whirligig, And my brow throbs rub-a-duh, That’s my case precisely, O.” Polly Perkins; or, The Broken-Hearted Milk- man. Harry Clz ton. 35 Pretty Girl Milking her Cow. As sling in “Colleen Bawn.” Sarah's Young Man. 0- W- Hunt 30 Susie Clair, Song & Dance. Charlie Pettengill. 30 BEAUTIFUL (ll)lVCERT SONGS. Ave Maria, Gounod. 35 Day is Done. Balfe- 50 Fairies (The) Theo. Barker. 35 Five o’clock in the Morning. Claril>el- 30 Golden Ring. Linley- 30 Good Night, my dearest child. Abt- 35 How fair art thou. Weidb 30 Hunting Tower. (Scotch) . 35 I hear the wee Bird Singing. Linley- 30 I1 Ba,cio_ (The Kiss) “Arditi.’f. 60 Impatience, Curslrman. 30 Lady of the Sea. 19- Smart 40 Laughing Song. Aubeh 40 Love’s Request. Reichardt £30 Merriest girl that’s out. Mim1si~ 30 Nig'htingale’s Trill. W- Gum 40 Night is Serene, “Don Sebastian.” 40 0, say not womanfs love is bought. '_ W/iittaker. 30 0, ye tears. Separation. Shadow Song. - Sing, Birdie, Sing. (Parepo) Sing me a merry lay. Sing, smile, g1eep_ (Serenade). Gounod. 50 Thou, everywhere. Laclmeh 50 Wild Shady Wood, (Sombreford). "Tell." 35 Ye pretty Birds. Gumberh 40 “l)inorah.” I 75 Ganz. 50 Williams. 30 Reichardt._‘ _ Rossini 49 V ‘ Scheiden Waltzes. SACRED PIECES. Axe Maria, Kuclcen. Three voices. Wei el. Celestial I-Iope_ Ten. Solo and Qt. “Fidelio.” Come, ye Weary. Emerson- Guide me, 0 thou great Jehovah. Qt " Hear my Prayer, Quartet. Soulliard. He will not always thus aﬁlict. Fall of Jerusalem.” I will be glad_ Quartet. Soutliard. I will praise the Lord. Quartet " Lauda, Sion_ Chorus. Lambilotte. Let thy loving Mercy, (0 Salutaris)SoutIzard. Morning Service in G. Tuvlcermwh 1-00 O Lord’ my God, Quartet. Soutlzard. 40 0 Lord, veil not thy face. “Fiddle-” 50 0 magnify the Lord, Quartet. Soutlzard. 40 0 Salutaris Hostia. 0- 0- Slearns- 30 0 that I had Wings, Quartet. Davenport. 30 0 were my head like the springs of water, “Fall o/'.Terusalem.” 30 Praise ye the Lord, Qt. & Solo. Beethoven. 40 Rejoice the heart of thy Servant. Qt. Sout/lard. 40 Te Deum Laudamus, in B ﬂat. Stearns. 35 “ “ “ ’ Tuclcerman. 1.00 The Lord Vupholdethn “Fall of Jerusalem.” 30 Trust in God_ Sopr. Solo & Qt. Beethoven. 50 Vespers in C with Magniﬁcat. W0-Fiske« 100 GUlTAR_—SONGS. Aileen Aroon. 30 Call me thine own. 30 Come in and shut the Door. 30 Dear Mother, I'll come home again. 30 Do they pray for me at home. 30 Faded Flowers. 30 Flee as a Bird. so Home Delights. 30 I’d choose to be a Baby. , 30 I'm leaving thee in Sorrow. 30 I’m lonely since my mother died. 30‘ Moss grown cell. 30 Move my arm chair, dearest mother. 30 Tenting on the old camp ground. 30 Too Late. . 30 Twinkling Stars. 30 CHOICE PIECES FOIt THE PIANO. Arion Waltz. J. S. Knight. 30 Brightest Eyes. Kruger. 50 Cricket Polka. lVitliers. 30 Debatten _Wa.ltzes; _ Gung’1. 60 Dying Poet. "Seven Octaves.” 60 Fantasia “L’Africaine.” Ketlerer. Maiden’s Blush Waltz. “Seven Octaves.” 60 Marche des Amazons. -7- M. Welzli. .00 Marche des’ Tambours. »5TI/dne.1/ Sml'tlI- 60 Meteor Galop. Wollenhaupt. 75 Mossy ‘Dell Waltz. Turner. 30 New Anvil Polka. Koppitz. 4o _0 whisper what thou ifeelest. Hoifnzan. 75 ‘Partridge Polka. - - Koppitz. 40 .7. M. VVelilz'. " "J. ‘Ill. Welzli. Weissenborn. Starry Night. '5?/Clney Swill!- Tears, idle 1;ea,rs_ Nocturne. Turner. Tempest of the Heart, Variations. Grebe. Tenting on the Old Camp Ground. Wearing of the Green. Trans» Baumbach. [Polka de Conclart. V Romance Nouvelle.‘ ‘ The above sent by Mail, post-paid, on receipt of price. Oatoggogwcs free, on application. 9 ‘l."i " 1 e
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Title: Beware
Date: 1901
Text: MUSIC Lmunv VASSAR COLLEGE POUGMKEEPSIE. new vomx —BEWARE . . . . . . I THE ISLAND WHERE BAB- NOBLE A. HARDEE High Voice CUPID’S MISTAKE. EDWARD BROOME Medium voice DRY YO’ EYES SIGMUND LANDsBERG High voice; Low voice “ EV’RY NIGHT ” ETHELBERT NEVIN High voice; Low voice “IF NO ONE EVER MAR- RIES ME” JAMES H. ROGERS Medium voice JUST ACROSS THE WAY FRANKLIN RIKER Medium voice KING BABY G. E. LUNT Medium voice LITTLE BOY BLUE ETHELBERT NEVIN High Voice; Low Voice MY LADY CHLO’ H. CLOUOH...
Show moreMUSIC Lmunv VASSAR COLLEGE POUGMKEEPSIE. new vomx —BEWARE . . . . . . I THE ISLAND WHERE BAB- NOBLE A. HARDEE High Voice CUPID’S MISTAKE. EDWARD BROOME Medium voice DRY YO’ EYES SIGMUND LANDsBERG High voice; Low voice “ EV’RY NIGHT ” ETHELBERT NEVIN High voice; Low voice “IF NO ONE EVER MAR- RIES ME” JAMES H. ROGERS Medium voice JUST ACROSS THE WAY FRANKLIN RIKER Medium voice KING BABY G. E. LUNT Medium voice LITTLE BOY BLUE ETHELBERT NEVIN High Voice; Low Voice MY LADY CHLO’ H. CLOUOH—LEIOHTER High voice; Low voice THE CAPTAIN . JAMEs H. ROGERS High voice; Low Voice IES GROW . JAMES FORD Medium voice THE LAND OF THE PUPPY DOGS JAMES FORD Medium voice THE NEW LOVE FRANKLIN RIKER Medium voice THE NOISETTE G. WARING STEBBINS High voice; LOW Voice THE POLAR BALL THAT WAS SIX MONTHS LONG JAMES FORD Medium voice THE SOLAR MONDAY. G. W. LUNT -' Medium Voice THE WITCH IN THE GLASS HARRY HALE PIKE Medium voice ’VIRA FRANKLIN RIKER l\/Iedium voice WHERE KITTY—CATS HANG IN A ROW . . . . JAMES FORD Medium Voice WONDER SONGS (6) Complete CLAYTON JOHNS Medium Voice @. $tbtrmer, 31:, Boston (Tbe Boston Muyz'c Co.) Foreign Agents: Woolhouse, London Allan & Company, Melbourne Beware! NOBLE A. HARDEE. C oquettishly. 1. I know a maid— en fair see; 2. She has two eyes so soft and brown; 3. And she has hair of gold — en hue; Take care! Take care! , can both false and f endly be; Take care! Take care! She gives a side - glance and looks down, Take care! Take care! And What she says, it is not true, false and end-1y be. side glance and looks down, it is not true, Coj>yrz'g}zt, 1.901, by 6'-. Schirnzm; jr. For all courzlries. 1-3. Be — Ware!”§ Trust er not, d I know a maid-en can both false and friend-1y She’s 001-ing thee! A Take care! Beware! She Z\ £1.-3. I Trust er not, She-’s foo thee! 1.—3. la st /Z°7'.s’e. She gives a gar-land WOV — fair; Take care! Take care! f001’s-cap “(is thee to Wear, . ee to Wear. Be — ware‘. R. ZVLCQ 636 I know a maid- en fair to see; Be-ware! .b $ Take care! She can both false and friend - 1y Trust her not,i____. She’s 1— ing R M. C9 638 VERY USEFUL SONGS FOR TEACHER & SINGER BY TALENTED COMPOSERS! Complete copy may be had at any Music Shop or from the Publisher G.SCHIRMER,]r. _ THE BOSTON MUSIC COMPANY. BOSTON, MASS. V Go,LoVe1y Rose! Published for . Sopr or Tenor F‘min. $50‘? ‘ I know a Alto 01' Barit. (Ill m1n. hythe Author of _ ' Robert Herrick. “Song of file Nig/Lfingalef’ Benﬁmm Whelpley Andante espressivo. M'E' “"b”y‘ 50¢ Harriet Boyer. Andante. Voice. Cm, lovely R050! __ Go, love-ly Voice. :1 hill in mine own land, //f Tell l'lI-'1" lhnl wastes her time, and me, be; I know a he’.-.1r»ih—fire burining bright, ihat burns for f7}i_f' P A~ruund that home: ihis winter (lde the snow lies deep; ‘E... ﬂy- dim. gig. . (7opy1'ig'ht,1903, by G. St-hirmer, Jr. lE‘b‘Fo1' all ('ounf1'ies. Copy1'i;;'hf, 1903, by G. Sr-hirmer Jr. F01’ all t'0uni1'ies. 50¢ 50¢ of I love my 1ady’s «eyes. W ' _ ” B.B1*id;;'es. Also published for Soplzor T('ll.lll A- . “Song ofﬂze Nighimgale Andante. R _ Buual,d_ M. E. Mabery. Voice. .9 _ ', — dy's eyes, \Vedwo1"th‘Wadsworfh. <5’ """""" ‘I Lento, ma non troppo. A Voice. Shadows un—der the /. la—dfs eyes, A have the rare She is most Want to ap—ple—irPes, Slindqiws deems:-, and cool; Shad uws dense and cool;.._ hair, A—hov+— ht-.r $un—ny hair, prize , A - bove her streanfs deep pool. 0 var the meadows hum the bees, and And all {had face 0 face her glass re-penis of grzimv, Now ;uy_ A O . J. L2 . \ . . . Xxvn A C0[>Yl'lghT. 1903,11)’ G. St-hn'mc~1'. Jr. — For all onuntrn-s. (“op_v1«i,2-ht,1900, by G, schiymeg-,,n-, THE SINGER’S GUIDE. An attractive booklet, containing a graded and classified list of recent publications, useful alike to teachers professionals and amateurs. Sent to any address free of charge. For all countries,
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Title: Good Night, Good Night, Beloved
Date: n.d.
Text: 0 D ILLID N <5} FE lF_4'JC Lil) “W 7/Xi J/Z/f/C‘ CU/I//70550 A4051?/CATEZ7 7'0 lWRf3Lv‘?\uf§3EZ‘§ULRM@W7T E3[ULF?:[Klf%HE3Vo Eﬁg ' L0) CD ll: (Q) S 0 L0 NUUN: CHARLES JEFFERYS, 67, BERNERS ST OXFORD ST MUSIC uannnv VASSAR COLLEGE POUGHKEEPSIE, NEW vonx

Title: Hemlock Tree, The, The Hemlock Tree
Date: 1912
Text: 9 T W0 SONGS /Y\ezzFc:R\79|ce Va} THE HEQHEQCKTREE BEWARE I 1. W oooo BY J HENRY WHDSWURTH IQNGELIQW RAYm9ﬂl5m|:|m.BBﬂLDW|H THE HEMLOCK TREE (From the German) 0 Hemlock tree! 0 hemlock tree! How faithful are thy branches! ‘ Green not aloneein summertime, But in the winter’s frost and rime 0 hemlock tree! 0 hemlock tree! _ How faithful are thy branches. 0 Maiden fair! 0 Maiden fair! How faithlessis thy bosom. To love mein prosperity And leave me in adversity » O Maiden fair! 0 Maiden fair! How...
Show more9 T W0 SONGS /Y\ezzFc:R\79|ce Va} THE HEQHEQCKTREE BEWARE I 1. W oooo BY J HENRY WHDSWURTH IQNGELIQW RAYm9ﬂl5m|:|m.BBﬂLDW|H THE HEMLOCK TREE (From the German) 0 Hemlock tree! 0 hemlock tree! How faithful are thy branches! ‘ Green not aloneein summertime, But in the winter’s frost and rime 0 hemlock tree! 0 hemlock tree! _ How faithful are thy branches. 0 Maiden fair! 0 Maiden fair! How faithlessis thy bosom. To love mein prosperity And leave me in adversity » O Maiden fair! 0 Maiden fair! How faithless is thy bosom. The Nightingale! The Nightingale! Thou tak’st for thine example! So long as summer laughs she sings But in .the autumn spreads her wings The Nightingale! The Nightingale! Thou tak’st for thine example. The Meadow Brook! The meadow brook! is mirror of thy falsehood It flows so long as falls the rain In drought it springs soon dry again The Meadow Brook! The meadow brook! is mirror of thy falsehood. Henry I'VadszeortIz Longfellow THE HEMLOCK TREE Words by a Music by HENRY WADSWORTH LONGFELLOW RAYMOND H. BALDWIN Andante Oh Hem-lock tree! Oh hem—1ock tree! How dear thy branches are to me! Oh Maid-en fair! Oh maid-en fair! Thou’rt dear to me, though faith-less be f Boldly Green not a-lone in sum— mer time, But in the win - ter’s frost and rime, To love me in pros - per ‘— i - ty, And leaveme in ad - ver - si - ty, TL./ Oh tree! hem —1ock treé! How dear ‘ branch - are to me! Oh maiden fair! Oh maid - en fair! . . Thou-’rt dear to me, though faith-less be /‘\ /‘ 3 > Copyright 1912 by .19. W }7effel_,f'2’nger ﬂedicated to MISS" HARZBIETT PEARL BERRY, [as Angeles, Cal. BEWARE! Words by Music by HENRY WADSWORTH LONGFELLOW RAYMOND TH" BALDWIN. Allegretto I know a maid-en fair to (see, take care, take care! . /R _can both false and friend — Iy be, be — ware, _(Zopyrz'gItt 1912 by Heffelfinger trust her not, trust her notj for she is fool - ing thee. 15-, givesithee a gar —.1and en fair,..take care, 993... is a f001’s-cap for wear, be - V be - ware! take care! Be,-Ware, be-Ware! For she is fool - ing ﬁedicated to Ilelvn Jzzslis Stoc/te-7' THE PURPLE IRIS Words by GRACE ROSE ZERBE Music} by LAURA A.ZERBE Quietly ftjf fair re-f1ec—tion lay - ing, In the Wa- ters clear and cool. V 3 3 3 3 3 3 3 3 3 :3 1’? 00];y¢z’,g'/ct x1{CMIX-by R. IV. Ileffeéfinger Short Pieces COMPILED AND FINGERED Wﬂkﬂfﬁﬂi @3A:RiuRi@ﬂ.L_ﬂ I Book I A Price Seventy-five Cents PUBLISHED BY R. W. HEFFELFINGER LOS ANGELES cupgmgntnan-R_w.HeffaIfingen By the same compiler and publishers. First Lessons in Bach BOOK II. Price Seventy-five Gents Specially arranged to follow Bookl and to form a link between that work and the Two Part Inventions.
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Title: Legend of the North
Date: 1905
Text: MUSIC uasunvt VASSAR COLLEGE POUGHKEEPSIE. new you LEGEND OF THE NORTH A Dramatic Cantata FOR SOLO, CHORUS AND ORCHESTRA The words From LONGFEZLLOW The music composed PERCY ODFREY. Op\._,23. FOR MALE VOICES (SOLI 8; CHORUS) AND ORCHESTRA,COMPOSED FOR AND INSCRIBED TO THE EGLESFIELD MUSICAL SOCIETY. QUEENS COLLEGE,OXFORD.2/6NE.T FULL SCORE AND ORCHESTRAL PARTS MAY BE OBTAINED ON HIRE . O I ‘ — ——————>>—,>>>»~ London ;WEEKES 5:09, I4, Hanover Street,RégentStreetW. Chicag0,U.S.A.;...
Show moreMUSIC uasunvt VASSAR COLLEGE POUGHKEEPSIE. new you LEGEND OF THE NORTH A Dramatic Cantata FOR SOLO, CHORUS AND ORCHESTRA The words From LONGFEZLLOW The music composed PERCY ODFREY. Op\._,23. FOR MALE VOICES (SOLI 8; CHORUS) AND ORCHESTRA,COMPOSED FOR AND INSCRIBED TO THE EGLESFIELD MUSICAL SOCIETY. QUEENS COLLEGE,OXFORD.2/6NE.T FULL SCORE AND ORCHESTRAL PARTS MAY BE OBTAINED ON HIRE . O I ‘ — ——————>>—,>>>»~ London ;WEEKES 5:09, I4, Hanover Street,RégentStreetW. Chicag0,U.S.A.; CLAYTON FSUMMY C9, 220,Wabash Avenue. Copyright, I905,by Weekes 5c C9. WEEI/(ES Xc COEVIVIALE VOICE" PEI RT S O I2 (3 S. 2 -o .5 k—5‘(_)5::l-5\—~713!:)-1622-9-LOCI).\1O3.(f1-PLUN- TO DAFFODILS ........................... .. A.7'.7‘.3_ I=RAs.E_.(3LADsroNE_ MUs,Doc,__ HUNTSMEN5 CHORUS (From SILvIA) L.N.PARKER’_. - SWEET '8 THE BREATH OF MORN A.7_'.z«s.,. ...................... ..A.H_.BONSER__ DEVOTION -------- ...................... .. r.ms.s. ............... .. EDWARD GRIFFITH .. THE GIPS|ES..._.......____.,-,,._,_.._“;_"A,7:7;5_ _______________________ __ A_H_BON3ER__ AFTER THE A.r.rs.s. ........ ....... C.s.LIEKYLL._ .‘ CARE KILLED A CAT, Humgrous A.(0/T/5:7?) rjs. ......... ..LElGH I'<'IIIIesMILL_. . THE HAND OF DA\_A/N .............. ..A.7".'7TB ................ .... ..J.R.GRlFFITHS .. THE FAREWELL ........... ................. ..A.7'.7'._B. .............................. ..CH.GOUNOD.. GOOD NIGHT» BELOVED ......... ..A.r7‘.t3. ........... ..: ............. ..A.FOWLES.. . QUEEN OF THE SILENT NIGHT... rras ................... .. GERARD F. COBB .. . LULLABY .................... ..................... .. HARVEY L'OHR......: WAKING OF THE FAIRIES ............ ..A.T.7‘.B ......................... . _____D9____ ..... .. . BLOW, BLOW THOU WINTER WIND./I.r.77B ........ ._..d.R.COURTENAY GALE... TO MUSIC ............................................. ..A.7T7.’B ....... .......... .. C. LEE WILLIAMS... - , LOST TIME ............ ................. ........... .. Arrs .................... _ D9 . SERENADE."OVERbTHE MOUNTAFN sII:>E>"....... W.S. LAMBERT . A GIPSY SONG ................................... .. . ATBE3 ........ ..JAMES BADEN POWELL..~_ . .THE LASS OF RICHMOND HlLL..._...A.T.7,‘8 ............ .. PHILIP C.MACDONALD.;. A. .MY-OLD KENTUCKY HOME . . . . . . . . . . . . _. .4.7.'8.B. //IFPRANGEDHB)’./.... A.'B.PLANT... ., .NELLlE GRAY ......... ......................... A.T.f_B../ 09 ____—D? . . A SWALLOW SONG ............ ........... .. . /4.78.8. .GOOD NIGHT. 4.73.5. .. ..-...JAMES COLEMAN .TO DAFFADILLS .............................. .. 7.7.-3.5. .ROBT C.L.’CLARKE... . .A LITTLE FARM wELL'TILLED......xI.7:r/oesys, /4/?/?ANGED av/J.S.BUXTON.. . .PH|LLlS THE FAIR...................;..........7r5.3....,................L.M~;I«.ARMsTRoNG.._ . .CUP|D AND cAMPASI=>E............ 77775.52.C.......................1...REG.F. DALE.-— . .LITTLE JACK HORNER._..........._....//..zr5..,_.._.,._,_--............._..E.vINE’ HALL... . .dACK AND JILL .. ,4.7"r.z3,§ ...................... ___o9 -_ .THE OLD SUNDIAL. . ......7T7.'BB. ............. ..I3..ScOTT 4ELDER..~- .SALLV IN OUR ALLEY ........... ..A.7TTB.. ........ ..PH|LlP C.MACDONALD.. . .FA\/RE Is Mv LOVE ............ ../4.7.'B.B ....... .... ..H.DAvAN WETTONH For MALE VOICES with ORCHESTRA. AN ODE TO MUSlC.FOR TENOR sOLO.IvIALE vOICES,AIIo ORCHESTRA . Words L FLORENCE HOARE. MUSIC by MYLES B.FOSTER ............................... ._ NETT I/— THE BURIAL OF DUNDEE. A CHORAL BALLAD FOR MENS VOICES WITH ORCHESTRA. Words by W.E.AYTOUN. Music by E.T.SWEETlNG,MuS.DOC..O><ON. NHI2,/« ELJ DORA . DRAMATIC CANTATA pom BARITONE SOLO,MALE VOICES& ORCHESTRA O Words from M35 HEMANS . Music by MVLES B FOSTER . ~m2/6 MUCILIS SClEVOL.A..( MucIus,THE LEFT-HANDED) Dramatic Cantata for SOlI,Chorus and Orchestra. «Words by FLORENCE GATTENBOROOGH, _MUSIC by H-A--HARD|NG,Mus.Doc§Oxon..............................._...... ....Nm2/6 London 1WEEKES & C9, 14, Hanover SI.,Regen‘r SI.,W. Ch_‘ICagO,U.S.A. CLAYTON FSUMMY C9,220,Wabash Avenue. LEGEND OF THE NORTH (THE SAGA or KING OLAF) A Dramatic Cantata FOR SOLO, CHORUS AND ORCHESTRA The words 1°r‘om LONGFELLOW The music composed PERCY GODFREY. OP._23. FOR MALE VOICES (SOLI 5; CHORUS) AND ORCHESTRA,COMPOSED FOR AND INSCRIBED TO THE EGLESFIELD MUSXCAL SOCIETY, QUEENS COLLEGE,OXFORD.2/GNET FULL. SCORE AND ORCHESTRAL PARTS MAY BE OBTAINED ON HIRE . ~<~é‘-I-'2- >— <<<%-=<+——~— -1 iv London =WEEKES &C‘-’, 14, Hanover StreeI;,RegentStreetW. O Chica_go,U.S.A.; CLAYTON FSUMMY C9, 220, Wabash Avenue. Copyright,l905,by Weekes ES: C9. 3. SOLO & CHORUS 5. SOLO ac CHORUS 55.1 CHORUS 6. SOLO.& CHORUS '7. CHORUS 8. SOLO 8:. CHORUS 9. SOLO& CHORUS CONTENTS. THE CHALLENGE OF THOR..._ KING OLAF’s RETURN- QUEEN SIGRID THE HAUGH’1‘Y. THE WRAITH OF ODIN.___ RAUD THE STRONG... BISHOP SIG-URD AT SALTEN 16-‘IORD.__. A LITTLE BIRD IN THE AIR . KING OLAF AND EARL SIG"v"ALE%. THE NUN OF I\’IDARC*f':§._,,.. Va’. 4483. “I am the God Thor” “And King Olaf heardthe cry” I “The guests wereloud” “All the old Gods are dead” “Loud ‘-.119 angry wind” W. “O21 the grey sea.—s:mds” KING OLAF’S DEATH DR.INK .....__ “Ail any has thebgnile raged” “In the convent Of Dr::.mthei:n” ' ‘O . ,1. Legend of the North. ( THE SA GA OF KING OLAE ) Words by ' Music by LONGFELLOW PERCY GODFREY. N9 1. CHORUS ___“The challenge of Thor.” Allegro. ail ITYBTID T720550 animandn )7 Copyright, 1905, by Weekes & Co. i:tr\4 52'r1'r1g£nda malty / /::1X VCHURUS. A Moderate. I am the God Thor, I amthe War God, A Moderate. f Thunderer! Here in my North_1and, . My fastnessandfort - ress, stringenda -ver! Reign I o )7)’: 5fr1‘ngendz7 The light thou be- ho1d_est BM/'-’“""”T Streamthro’ the heav - ens, Stream thro’ the heavens flash - es of crim - son, 9 red beard ’ \ /3\ /\ /5‘\ '3 ‘’3'\ ‘fan. ~::': [7’£’5[. Af- - fright-ing Blown by the night-wind, fright mg Af - - - , _ fright-in‘g the na - tions!' _ Jove is my eyes are the lightning, The ‘ Ring in e egrth - quake! ham- mer, Ring in earth-quake! fr [7'E5[. fl 'Teb. ‘E23. D Fizz tra Thou art wheels of blows my of cha- _ riot The blows of my, in the earth_quake! ____ ,_ Z"S an! (1 thus sin_g1e hand - ed Un..to the com, bat, Gaunt-let or Gos-pe1, ﬁgierel de _ fy N9 2. SOLO __“King O1af’s return?’ A Allegretto. Allegretto. PIANO. SOLO. 1. And 0 _ laf heard the cry, aw the red light in the 2.To a, -venge his fa .> ther slain, And re - - con-quer realmand Laid his hand up on his Game the youth-ful O - laf As he leaned up - on the rai1_ing, And his ship went sail - ing, Thro’ the mid - night sai1_ing, sai1-ing, Listening to the wild, Wind's SOLO sail- _ ing, ' North-ward in _ to Dron - wail- - ing dash _ ing, And the dashing SOLO. theim There he of the I t A Thus came CHORUS . And his ship went sail_ing, sail - ing In _ to Drontheim fiord. ' Fara menu mnssu stood as one who dreamed; And the red light glancedand .0- t -laf to his own, When up _ 1 _ on the night—wind /-7050 menu mn55z7 ‘ slringenda gleamed On ' the ar - mouf that he wore; And he shout- ed as the blown Passedthat cry a _ long the shore; And he an_swered,While the /__\5trin_q da rift_ed Streamers o'er him shook and shift-ed, rift-ed Streamers o’er him shook and shift_ed, /W Z\ bf.‘ SOLO. .............................................. .. ac- cept , """""""""""""""""""" " "‘ ___,_,_T.—-—— ff [01 vote ac_cept thy challenge, Thor!” L-— ac-cept challenge, Thor!” F N9 3. SOLO & CHORUS __“Queen Sigrid the haughty.” Moderate. Moderate. vr a‘;.¥»/ SOLO. Queen Sig. rid the Haughty sat proud anda _ loft .......... .. f ‘fan. 414* “MP0 '5” Andante ‘ KT her chamb‘er,that looked over meadowand croft ________________________ __ A ndant£r___ __ CHORUS. - est, Why dost thou sor- row so.?..... A F 'A ndante floor ...... ._ with tas-se1s of ' __‘,’,_.’___ A Fan: Andante lg: °2.n1’'\—-—-’ 7' firwas besprent,Fi11ingthe room ..... ..withtheir fra_grant scent....... She heard thebirds rmcrﬁ.’ 1" F"\———/ 7' she saw the sun shine, The air of sum- mer was if sweet- _ er thanwia-.e,The ‘ sum- _ medgwas ‘Xx , _ sword............ with_out sgabbard the bright riv-er lay b.t./\.h A % M J. tween her own king. dom and Nor- ro - way. M. A H an1'mandz7 But O-1af the King had sued for her hand, The sword would be $3. rail. sheathed, the riv_er be spanned. ./"\ C fem/:rz7 maid _ _ enswereseateda _ round her knee,Workingbright fi _ guresin ta _ pes_ —-f..:: /...._. \ C },/x\ [I]! fempa %:—\~_.../ And one ___________ _. was singing the an__cient rune ........ .. Of Bryn - hil- da’s love and thewrathofGudrun. And through it,and round it, and VT /71'/,—-—————~\ F"--/ V’ @.f'*—'’/ V. . sempre dim. o .. ver it‘ all Sounded in - cess - - ant the wa_ter - fall, Sound - ed in- semgre dirn. — - ant ..................... _.; ......... .. the wal- _ ter _ fall; __________________________________________ ._ /“ D Maderata SOLO, D Madgrata The Queen in her hanqhelda ring of go1d,Fromthe door of La- s tem-p1e o1d.King 0_1af had sentherthis wed_ding gift,But her #_ rail. thoughts as arrowswere keen and swift. ........ .. Z"'.\ tempzz giv_en the ring to her go1d-smithstwain,Who smiled as they hand_ed it fem,z;z7 para 5Ir1'I1g.9ndzJ [7'£'5L'. back a - gain. And they answered? OQueen! if the truthinustbe told, The L; r. — para stringendu [7'£'5[. W. 4488. ring ' is of cop_per, and his gifts ...... ._ he can faith _ less be, ......... .. Z’ n'1‘. ad lib. .... ..~_Therewi11 be no no gold.,_._,__,_‘ in his A nimata me. Anlmafo f foot_step was heard on the out- _ er strode King 0 _ laf with kissed the Queen’s hand, and he whispered Stars; ‘[0 be stars, as the /‘\ he ten. {E/72170 a _ bove . ten. fempa 1.711551’ rerit. 3 But she smiledwithcontempt as she ansWered§.‘O K1'ng',W1'1lyouswear1't,as O_din once 19 vi 1717 swore, on this “O speak not of O- _ din to f1‘5”7,”17 ‘T: fyiua L The wife of King 0. L ITIEHU fTll755l7 Christain must be.” Looking straightat theK1'ng,withher le- - velbrows, She /—\ an1'mandz7 rail. - LTE5L'. keep true to my faith .......... ._ and my vows.” Then the /\ Z-T 3 3 face of King O-1af was darkenedwith gloom, He rose in his an _ ger and ten. strode thro’ the room. His zeal was stronger_ than fear or love, Andhe struckthe Queen f rall. fl fl Allegra 3 1% ........ .. in the facewithhis glove..._....__.....__._._. 3 rg *4 \J em. rm Hr a/47 H Queen Si-grid the Haughty said under her breath‘,_._ 0 477 &,l_7_l'£ _ __ A Andante ndante 20 CHORUS I rail. 41'7"- - est, Why dost ‘thou s01‘- row so?.... 5 ' v x; 70' temp” I Pam /fndante maid _ _ enswereseated a - pr/,.——-'—————+ [01 roundherknee,Workingbright fi _ _ gures in tap-- es - ﬁg./r‘ f""\_/1" one ........ .. was sing_ing the I an-cient rune Of Bryn '_ hi1_da’s love andthe wrathof Gu.drun. And thro.’ ....... .. it, androundit,and ov-er it allsoundedin- F"\—/F‘ : re dim. cess _ ant the wa-ter _ fall, Sound - ed in _ cess - ant ______________________ __ _._ the wa_ _ ter _ fall. N9 4. SOLO ___“The Wraith of Odin.” Con moto. The guests were loud, the The King ex-c1aimed,“0 Con moto. ale was str0ng,K1'ng Olaf feasted late and long; The hoar- e_yScalds to- graylbeard palewomewarmtheewiththis cup of alef’ The foam- ingdraughtthe geth - er sang; O'er - head the smo _ ky raft - ers rang. old man quaffed,The noi _ _sy guests looked on and laughed. CHORUS Hassi ’ Dead rides Sir Mor_ten of F0 _ gel _ sang ................ __ h-ﬁt-1_“$ 23 SOLD p _ . J The door swungwide,with creak and din; A blast of cold night- Thenspake the King:“Be not a _ fraid; Sit here byme’.’The air came 1'n,And on thethreshold shivering‘ stood A one—eyed guest, with guest 0 - beyed,And,seat _ ed at the ta _ ble, told Tales ofthe sea, and 3 Z‘ bﬁﬂbfiﬂbfﬁﬁ cloak and Vhood. 321- gas 01d- CHORUS Eassi d tides ir Mo A SOLO from L his lips in mu - sic r ed e Ha _ .va_ma1 of 0.‘ sounds mystenious as the roar f a d1'S-tan’tSh01'e. A ‘I CHORUS Hassi Dead rides Sir Mor_ten of ishop said§‘Late hours We keep! Nightwanes, King! fis time for s1eep!”'Then. “Ea. /mm rall. slept theKing, and when he woke The guest wasgone, the morn-ing_ broke. all /1111,50/r'_‘ b /\ b /\ W. 4483. ‘CHORUS E3551’ tempo Dea, rides Sir Mor.ten of F0 - gel .. sang. .......... .. tempa SOLO B piu 7110550 They found the doors se_ cure-1y barred, ey B 15 found the watchdog foot - prints in the grass, . none had seen the st;fan_ger pass. CHORUS 5’a551' Dead rides__Sir of F0 - gel - sang ............... _. L) King O-laf crossedhim - self and said:“I ‘fax. rall. Sure is the tri- umph of our Faith, sempre rail. - {T /——-X stran_ ger was his wraith? .............................................. __ one— eye d sempre ralf. CHORUS Eassi Deadrides Sir Mor_ten of F0 _ gel - sang....._. /3T pp fill. SOLO 85 CHORUS__“Raud the strong.” Uzzasi reciz‘. SOLO 3 “All the old gods are , tempt 5/ quasi TEE '2'. All the wildwarlocks fled; Xx rresc. stringenda f —-=1 {""_"‘$ But thewhite Christ lives ........ _.and Vreigns, ........................ .. And thro' my T p £7555. wide do- mains ........ ._ His Gos_pe1 shall CHORUS M/1551050 On the E - ;van-ge1-ists Thus swore King’ 0 _ laf ........ ...... .. T A Maestasa > 17‘ [7'E5[. S 0 L O zzasi recit. 1-9771/717 But still in dreams of the night Beheld he 13>“ crim_son 1ight,Andheardthe voice that dc- fied k____,z" V chal - lengedﬂim .............. _. to CHORUS Bish _ op King CHORUS cqn - _ fessed it. SOLO ﬁ’Ec1'z‘. /3 And Si_gurd the Bishop said, “ e old gods are not m I W. 4481} . Moderate “Far north the Sal - ten Fjord fire, and sword, ,4.=:'-.~:“<"‘-'r‘?"“‘~..-,;.iteﬁzgtjf-i-1‘=s‘e‘-::~rE<,2~;;:f‘==-‘F ’=‘:-. .. 1%“ A All the Go _ e g-Tfﬁx strilzyslnda .long_ to him, ....................... .. and his $ string ;_./ /2T hea_ _ then C All egretfu Theﬁ 0. lat‘ cried a .. loud: "I will talk withthis migh_ty ad lib. __ »;:-;.s,:-..3;:;.-2-- J ?~?_-¢~.~:._j=u»:* m‘ Raud, And a-1ong the Sal _ ten Fiord Preachthe Gospe1,Pr'e‘achthe Gos.pe1 with f__ 3 /“Sf-\ sword, ................. .. Preach the Gos _ pel .......... .. be brought back in my is his VV.4-483. D SOLO shroud!” CHORUS north.ward from Dr0n_the1'm A sailed King rail. ‘'1: EV" 4483' Q; [farm N9 5% CH0RUS__"Bish0p Sigurd at Salten Fiord’.’ Moderate. TENORS. ﬁoud the an - gry wind _was BASSES. E Moderato. As King 0. 1af’s ships came - ward out of Dron_theifnha_ven To the mouth of Sal _ten Tho’ the f1y-ing' sea-spray drench - Fore and aft the row-ers’ bench .. heart is cra_ven Of the championsthere F /7 As in_to the Fiordthey dart- _ ed, On each side a path a likesilver mo1_ten _ Steadi_ rowedKingO _ 8 Stead-i _ 1y burned all night the a _ _ pers, And t P White Christ thro’ the va _ pQursG1eameda - cross fl-O d’thef1'ord of /$7 . /17 f Sal - ten, As thro’ john’s A _ po - -1ypse. f I’ ized they all that ' . gion, Swarth_y Lapp and fair Nor - as swimsthe sa1-mon, 1eap-ing, stream of -ten Fiord. I’ W. 4483. "‘ Preached s - pel with el with his /. /— 47 @213. ‘.5 7 para mean 1710550 H swqrd. So th _ _ ward, _ ward 9- ~ /7 /‘Fiﬁ’? 2/.—‘\ I’ ‘/5 sailed sea-gu11s ’ ' ‘South - ward, South _ ward ‘ -'3" sailed the ship that bore him, Till. ....... .......... .. at Dron - - theim land- T at Dron-theim, T at Dron-theim landed O - laf, landed O - laf, ii 5 £1- ”’\ 0 - laf and 1and_ed O- _laf M and his crew a- _ gain. 2"‘*\ perdtndasi N9 6. SOLO & cH0RUs_“A little bird in the air.” Allegretto. ‘ SOLO lit- " _ tle bird in the whisperedKing0 - laf has Allegretto. — /—e—\t sing - ing‘ of Thy- ri the fair, ........................ .. Has talkedwith the beau_ti _ ful Queen»; ........... .. And they shah sis_ter of Svend the Dane; ........... .. And the song of the gar- ru-1ous won.- -der how it will end-, ............... .. For sure-ly, if here she re- bird ................ .. In the streets of the town is heard, .............. ..And re. m t is war with Ki Svend the Dan And 40 SOLO» A /-‘--~\ peat- ed a- gain and a _ - gain ............... .. King Bur-is - laf the Vend! .................... .. CHORUS Hoi\st up your sails CHORUS flee a_way from each oth_e1:_ ..... .. PF menu mass/J I’ ToKing' Bur- is-laf, it is said, Was the bean. ti-ful Thy - ti 0, greatest won_der of all! It is pub_1ishedin hamlet and sor_row-fu1 bride went she; .................... .. > And roars like a flame that is fanned! ........ ‘ The af- ter a week and a day, ................. .. Shehas _ fled a - way and a - King‘... yes, 0. laf the King ............... .. Has wed _ (led her with his A /\,.\ Z‘"‘\ ﬁn. way, ...................... .. From his town- ................................... .. by the star - my ring, and Thy- ri is Queen in all the ,_a W. 4438 . 42 SOLO f£'m/W sea“ ........................ .. land! ......................... __ CHORUS Hoist up your sails of L And flee a_way from each 777 fempa CHORUS I2./~A,.\ perdarzdasi ;/ >/'~”—T. N9 7. CHORUS ._“King Olaf and Earl SigVa1dT’ Poco Andante. TENORS. On the grey sea-sands King BASSES. Poco Andante. O_1af stands, ............... .. Northwardand seaward He points, He pointswithhis With ed_dy andwhirl The sea_tides cu;-1, _________ __ Washning the. san-da1s Of Sig_va1d, Sig - the f> A Pam pizz animata mar- in_ers shout, A Farm in animata shipsswing a_bout, The yards are all hoist_ed, The sails f1ut-ter out. %‘he war-horns are played, The an-chors are weighed,Like moths in the d1's-tance The . 45 /mm rail, . e har.bo11r hes dead, f sails fiit and fade. f P lead, ......................................... .. ‘Ben. 93 _{ corse o s ash reW ose sp rit has fled dead, As a corse whose Spi _ _ .rit has fled! On that . J ehar.bour lies dead 3 fa- tal day, .................. The his - _ - to_ries say, X? F ven _ ty ves-se1s Sailed 2 aizimanda B soon ................. .. scattered wide ’ L lowsthey siringen da/._$ [TESL ride, ................................ .. While Sig -, - vald and stringenda Z’-3T &3./ E 0275:. 336:). SOLO Cried the Ear1:“Fo1_1ow Q me‘. your pi_1ot will VV.4’-13$. ra//. the chan_ne1s Where flows the 5z‘r1'ngendz7 seal” %. D CHORUS Tgmpg /1710 in _ to the straitwherehis foes lie wait , D r a/”_717 Gal _1ant King Sails to his W. 4483. Then sea - - fog veils ......... .. The and their sails-, ................... .. Queen Si _ Haughty, Thy vemgeance pre_ vailsl W. 4483. N9 8. SOLO &CHORUS;_“King O1af’s death drink?’ Allegro con forza. .. :1 Fl’ (*3 f All day has e bat-t1,e raged, All day have the shipsengaged, But not yet is as - éuaged The ven geance of Q __;:i A animanda blood are red, ' The arrows of death are sped, A animanda A with {he And the champions hurl ......................... .. /,_._.__....\_ stringently multa W. The I’ The decks with ships Spears ................ .. Z’———\ 15‘ _._/ the Tampa I ".717 But not yet is as - suaged The vengeance of E_ric the Earl. FF /%_/ _/ B Fara Andante --==== Ah! ne.ver shall Norway a _ gain r sai1_orscomebackoer the main, They *7“ I Andante all lie wound_ed or ~.s1ain Or a - sleep in the bi1-1ows A ndanta j*_..——II-- A : ‘Rob. -11!- C All:/Igra malty In the midst ..... .. of e stonesandthespears, egra ma ta C Kil - biom,the marshal, ap_pears, His shield in the aiir hei1p-i'ears, By the side ........... .. of King _1af he stands. ZT 4 ' s1ip_peryWreck Of theLong Serpent's deck Sweeps E_ric withhardly a 3 8 3 I'\ s/7-\<4‘.\ : D th an_ger are pale; >. furiosa fl’ &_/( _ He hews with his axe at the mast, ' Ti11itL fa11s,with the sails o-ver . pin cast,Like a snow cov-ered pine in the for_ests of dale, in the vast dim for_ests of _ _es aft wi fzzriasa [r£5[. ” U3 stringenda 61' stringenda /.—..~<_——-: E Allegretta Then Ko1-biornspeaks in the ear Of King O-1af aword of E Allegrelta In a whis_per that none may hear, ............ .-. ..................... .. With a smile ........ .. on his trem.u-1ous W. 4483. 56 CHORUS « F legra >/...._\ Two shields ............ .. raisedhigh {'——'$ F [3 r0 1‘ flash_es of gold -~ en 3 3 e_teors’ glare, J} et me_teors’ g1a\re, T»: ff: and both ..................... ._ have leapt from the 3 ho have leap’: from e pp para rail. #2 #/ ¢t./ #/ ,/ ::/ FSoLo V -5 b 5 b Thereis told a wondrous tale, How King strippedoff his mail‘, Like I’/" bgb I leaves of the brown sea - kale, As he swam, he swam be. V Heath the main, ............................... .. he > be - - neath the Fara [£71117 CHORUS Fara lenta But the young grew old and grey, And , by night or kingdom of Nor _ to- _way ........ .. Was King O-laf seen, /‘S - way Was N9 9. SOLO 8: CHORUS__“The Nun of Nidaros.” Poco Allegro. Fl’ _ 5 CHORUS ‘53'3°- Maderafa In the Convent of Drontheim,A - lone in her chamber As_trid he Ab_bess, mid-night,a _ dor-ing, Be - seechjng, en - treating The (5 1.7555. Mo_ther. She heard in the si_1enceThe A rzdante /7}’; voice of one speaking, speaking,With-out in the darkness, A ndante /7’ Now loud-er, now near.er, NQW lost in the G , W ’ _:1ost, lost in the dis_tance,NoW 1 ,Now lost in the distance. lost, lost in distance. SOLO ﬂerit. /'$ “It ..... .. is ac- cept_ed, The an-gry de_fi_ance, Thecha11engeofbatt1e!— But not; ...... ..with the weaponsOf war that thou Wieldest! Mgdzmm T’ T’ 1’ '\_/ 1’ Muderata f Strong- er than steel Is the sword of» the Madera ta Swift - er than ar _ rows Fh Great - er than love, and sub- F -61‘ Thou art a phan_tom, \..i p animanda shape of Rain, and Fear- ful sea- mist, A dark_ness f0rm-1ess ; stringenda Fear - ful form-less, stringenda ‘fen. Maestnsa Day dawns and thou ..... _. CHORUS_ maestasn dis - tant, N61- / the night star - less; faith shall not Christ ................................................... .. Christ W. 4483. J ‘lib. ' Christ _____________________________ __ GLEES, MADRIGALS, PART SONGS,&c. FOR S.A.T.B., UNLESS OTHERWISE MENTIONED. Those with * are also published in Tonic Sol-fa Notation. Armstrong, L. McK. s. d. Gr-ifﬂth, Edward. 8. ol. ' Parker, L. N,_commued, Phillis the fair (T.T.B.B.). . Builders, The 0 3 Oh, let the bells With stringaccompaniment... 0 4 Devotion (T.T.B.B.) 0 3 Sherborne Hive, The Sweet Day 0 3 (S.A.A.T.B.B.) Beecroft, G. A. B. « - - Oh, my Love’s like (S.S.T.) Griffiths. J. R. ‘ §§”‘{’,§lif:§;l§,§°1“§:‘”“‘“m"”'-- Sweet falls the eye 0 The Hand 0fD3-W11 (A-'1-T-B-) 0 3 ' y Hall, E. Vi . P°”'"‘"* ”- °- Becpuggu. 31.85. Jack and (A_T_T.B.) _. 0 3 'ASong of War (choral ballad)... o . , (Orchestral parts, MSS., b hired.) I.“ never love thee more Little Jack Homer (A.T.'1.B.) 0 Phmt’ A_ B_ can e M33’ H9-"Ell-t. Q J’. A Swallow Song (A.T.B.B.) 0 Sundown .._. Home, sweet home 0 My old Kentucky home Tvvillght shades are falling Hatton’ J. L‘ _ (A.T.B.B.) V0109 0f Sprmg, The Restless Sea’/The 0 Nellie Gray (A.T.T.B.) 0 Bonser. A. H. » H ms, N'ch I , Pyev ’§°"°‘” "- , , GiP3ie5: The (A-T-T- 3-) (Oh, wert thc(>)118i1s1 the cauld blast 0 O f.a’1r’ sweet face lmadmgal "1 Sweet is the breath of morn Haw F A J i 3"‘ llaltsl 0 (A.T.T.B.) 0 019% - ' 0 Rendayl. E. 0. Sweet is the breath of mom Fe_“’' 11 ';];h O Admirals all! (sea-song, for ﬁve (S.A.T.B.) 0 ‘ Hilﬁavem’ hmeld Eild lii)"t0 Hi; D‘\‘<1){1c7es)1 0 Buxton, J. 8. love . 0 2 Renlgaﬁi rglﬂlonso A little farm well tilled (A.T. T. Let mine eye the farewell make _. ' 1 . Bught are the stars or B.B.) 0 thee .. 0 R H G ’ oberts, J. Varley. Clarke, Robt. C. L. °°pe"» e°- . God save the Klng To Daﬁodils (T.T.B.B.) ‘How cheery are the manners 0 4 ‘I love my love in the morning 0' ’ F d . _ llIﬂ’e, Fredk. Russell. Sydney_(a.rranged by). Iglxg O;-furezggestors W ThePowerofSong(chora.l ballad) 1 0 Ba1liﬂ°s Daughter of Islington, Jones, H. Festing. lhe _-~~ CON). G- F- _ h Trelawny (‘COI‘11lSh song) . . Four part Songs eac 0 3 S1e°I3S1n§ ﬁefigultgys The (madrlgal: Fain would I change that note. Ryley, G. C. E. Qfga; ‘of’ ‘.11; Silent" nigiii; ° 132.’.S.%;%‘:“¥3;‘.§§’;‘a‘¥§2‘;.‘%Zi3‘E2.’°§;.m. My native Va1e<madrig#1> . 0 ‘ (T.T.B.B.) .. Kingsmill, Leigh. Coleman’ Jag. Ca(1'Zk(i)lrler‘(Pi aTcgt)l (humorous) 0 3 S'mmS' F. H. Good night (A.T.B.B.) '’ " ' . "' To greet thee "1, Kiver Ernest C II’ , H. B. '1 . ' Sbthly H. O ms An Evening Love Song (ﬁve 0 3 AMay Song From Harmony (S.A.T.T.B.)... v0iCes)_ E _ H - " venm mn... Da(e_ peg. F_ g A Vesper Hymn ...0 1% Love afd Fig” Cupid and Campaspe (T.T.B.B.) Lambert._ W. S. Love’s Jubilee , Dean, F_ Serenade : “ Over the mountain Wilt thou in life Slumber “den (A'T'T‘B') - Stokes. G90- E|der-, B‘ scott, Lloyd, G. Free. ' - Sing alsong of sixpence (three 0 I Wait for thee 0 ‘Maid of Ma.1'11vale 0 °qu_3' V019“) Old Sundial (T.T.B.B.) .. "Tw1l1ght... SW99_t'"8. 5- T- . ' ., Burial of Dundee, The (choral Emcott‘ R‘ F‘ L°h'"' Harvey‘ ballad for men’s voices with. New Year forthlooking - A Lullaby ;.. orchestra) Foster, Myles B. as ('11;-T-13,-1,3-) Skye An Ode to Music (tenor solo, and Waking 0f t 9 falrles B Thor-"9, gepthold (3_ male voices and orchestra) v H lT' ' ' ') A song of summer (AISOTOT S.A.T.B.) MaCd°na!d, .11 Grammar Song ___ _,. ,., ‘Gage, J_ R_ cou,.tena_y_ Lasso_fR1chmondH1 (A. . .B.) sonooftheF1ag, The Blow, blow, winter wind 53115’ "1 0*“ Alley (AFT-T-B-)-~ Theoﬂavens (song and chorus)... (T_T,B_B_) 0 Mann A. H_ Two Oats No land like England 0 Lord U11in's Daughterm Yuletide - Garrett, Percival M, I O A W8lke?‘._G80- Blake- Love is a sickness full of woes... 0 ' Mmmﬂe d‘ ' . ‘ Good mght . ."' L0“? °‘““1°t d1°"' " ' Warelng Herbert W Gibbons’ R' S‘ Old nld e-makin . AChristmas Song (soprano solo) 0 Matthews; 4- W tr: Hgrold Eg Gmdstone‘ F_ E.‘ Well of St. Keyne, The Sleep» my pretty (-me To Daﬂ'odi1s(A.T.T.B.) 0 4 Parker, L. N. _ wetter’! H Dayan. G'0V<_3|",_J- H. L A figleemn Cam] for Christmas’ Fayre is my love (A.T.B.i:%‘.) smile m thy slumbers 0 3 A Song of the Silent Land wﬂghtv Adam‘ Good ban. « Fair grey, and ancient; Gather ye rosebuds O°l1i°r"‘ B°nni° Daughter» The 0 2 Hu1itsmen’s Chorus (T.B.B.) Wl|liam_s, C. Lee. Goodworth, W. G. W. King Christmas (chorus, eight Lost tune (S.A.T.B. or A.’1‘.T.B.) 0 3 ‘Merry Springtime 0 4 voices)... To Mus1c(S.A.T..B. or A.T.T.B.) 0 6 London: WEEKES & CO., :4, Hanover Street, Regent Street,’W.. 29 31.5. . .9. d. 0 0 0 0 Simper C. When shades of eve WEEKES 8: co.’s CA N TATA S, 0 PE RAS, &c. BENSON, J. ALLANSON. Bottreaux Bells .. .. » .. .. Libretto by J. C. Evans. Founded on an old Cornish legend, “The Silent Tower of Bottreaux.” It is written for three soloists (S.T.B.) and chorus (S.A.T.B.). Time, 1 hour. Orchestral parts can be hired. Water Nymph, The .. .. .. .. .. .. .. A Dramatic Cantata, written by Alfred Halstead. Music com- posed for three solo voices (S.C.Bar.) and chorus. ECOLLISSON, REV. W. HOUSTON. Game of Chess, The. Dramatic Irish Cantata. Words by Dr. Annie Patterson . . . . . . . . . . . .. The story is based upon the memorable incident in Irish history when ing Brian Born and his son Morrough engaged in a game of chess at the Royal Palace of Kincora. The music is set for soprano, tenor, and two baritone solos and chorus. Full score 2 "id orchestral parts can be hired. a. d. Samhain; or, “ All Ha.11owe’en .” A romantic Irish Cantata. ' ords by Dr. Annie Patterson. Written and composed ex- pressly for the Dublin Musical Festival (Fei: Ceoil) . . . . The story is an abridgment of a Fairy Drama. Eileen, a village beauty, in love with a soldier, is loved by the King of the lfs, whose cruel attempt is frustrated. The music is set for two solos (soprano and bass) and chorus. orchestral parts can be hired. DARNTON, CHARLES. Village Life . .. .. . .. .. .. .. .. The Libretto, written by P. W. Darnton, B.A., is a rustic idyll, and describes the various phases and scenes of English village life. It is .-;et to music as a Pastoral Cantata for five soloists (S.C.T.B.B.) and full chorus. Time, about 1: hour. (Chorus parts, rs. net; Libr. tto, 2d.) Orchestral parts can he hired. DIEMER, P. H. Aloestis .. Libretto by H. M. B. Argument: Admetus at the point of death is spared by the intervention of Apollo, provided his father, mother, or wife dies in his stead. Alcestis, his wife, freely offers herself; but Hercules goes to her tomb and compels Death to restore her to life and her husband. This Dramatic Cantata is writven for six soloists (S.S.C.T.Bar.B.) and chorus (S A.T.B.). Time, I hour. (Words only, 2d.) FOSTER, MYLES B. An Ode to Music. No. I. For tenor solo, male voices, and orchestra. (Score and parts in MS.) \Vords by—Florence Hoare .. .. .. .. .. .. net No. 2. For soprano (or tenor) solo, chorus. and orchestra. Vocal score, 15. ; orchestral accompaniment. arranged as piano duct, 25. 6d. net; harmonium part (ad lib), rs. 6d. net; string parts, each rs. net. (Score and wind parts, in Mo., for full or small. orchestras.) Eudora (The Bride of the Greek lsle). For baritone solo, male voices, and orchestra. Mrs. Hemans .. .. .. .. .. . GLUCK, VON. CH. W. Orpheus. An Opera in three acts. Arranged with Enzlish words for‘Concert use by Louis N. Parker. Time, about 1 hour. (Words only, 3d.) (Act II., separately. 15.) .. .. GODFREY,PERCK Legend of the North. Dramatic Cantata for male voices (soli and chorus) and orchestra . . . . . . . . . . Full score and HARDING. H. A, Mus Doc., Oxon. Muoius Scaevola (Vlncius the Left-hand-d) A Dramatic Cantata. The libretto written by Florence G. Attenborough. PlllJll\l1€tl in two editions :—— No. I. For male voices (sell and chorus) and orchestra. com« posed for and inscﬁbed to the Eglesﬁeld Musical Society, Queen's College, Oxford .. . . . net No. 2 For mixed voices (S.A.T.B., soli, and chorus) and orchestra . .. .. .. .. . . . . . net Full score nnd orchestral parts of both editions may be obtained on hire. The Pu]?/it/re:-x arr prepared /0 make liberal rtductions to Choral Jnci /iris requz'rz'ng /I rou.r1'zz'erable numéer q/"copier. Words selected and arranged from _ (N o. 2 Edition is also published in the Tonic Sol-fa notation, net rs.) ' ILJFFE. ‘FREDERICK, M.A., Mus." Doc., Oxon. Evening. A sho t Pastoral ldyll for contralto solo, chorus S.A.T.B.). and orchestra. Poem by the Rev. Canon Bell, .D. Score and orchc~tral parts (M s'.) can be hired " .. Morning. A short Pastoral Cantata for soprano solo, chorus S.A.T.B.), and orchestra. Words by Rev. Canon Bell, D.D. core and orchestral parts (MS.) can be hired . . . . . . O ILIFFE, FREDERICK, M.A., Mus. Doc., Oxon. 5. d. The Power of Song. Choral Ballad for chorus and soprano solo. Words translated from Schiller. Orchestral parts (MS.) can be hired . . - . . . . MATTHEWS, HARRY A. “ Song of the Silent Land.” For tenor (or soprano) solo, chorus (S.A.T.B.), and orchestra. The poem by Longfellow.- Full_score and orchestral parts (MS.) may he hired of the publishers . . . . . . . . . . . . . ,, ., ' MUNRO,D.R. Etelka. Libretto, by William jones Hunt, is a “ Romance of the Rhine." The characters‘ represented are: Etelka (S.), Le oy T.), Captain in the Imperial Army; Daniello (Bar.), Gipsy ng; and Due de Montero (B.), Commander of the. Imperial Army. Time, 40 minutes . . . . PARKER, LOUIS N. Silvia. A‘ Dramatic Idyll. The poetry by Seward Mariner (Walter Raymond) Scene: The Borders of a Wood. Persons represented : Silvia (S.), Sybil (C.), the Poet (T.), the Hunts- man (B.), and chorus. The story is of unrequited love, a “ woful hunting,” a rude and hardyfhunter, a forced marriage, a death at the altar, and a poet, left forlorn. Full score and orchestral parts can be hired. Time, I hour 10 minutes. (Wo_rds_only, 3d.) . . . . . . . . PERR|N;* H. C. A Song of War. Choral Ballad. Words by Ellen Thorney- groﬁlgaiwler. ‘Full score and orchestral parts (in MS.) may e 1r . . . . . . . . . . . . . . . . ROGER& EDMUND. Elmore; _or, The Border Bride. (Choruses only, Is. 6d.) _ A Pastoral Operetta, written by Edward Oxenford, founded‘ upon an old Borderside story. __Elinore, betrothed to Sir Hubert, on the eve of her nuptials is carried oﬂ‘ by a band of Scottish marauders. She is rescued. the band is disper: ed, and all ends in rejoicing at Elinore's deliverance and her subse- quent marriage. It is written for ﬁve soloists (S.T.Bar.B.B.) and Cl10l’ll\‘. Full score and orchestral parts can be hired. Time, 1 hour and 20 minutes. SUCCESSFUL HUMOBOUS GANTATAS. Prices: Camplete Vocal Scare, mzf 3.v. ear/L ; Ckorm Part: only, net IA‘. 6a’. Jack and‘ the Beanstalk. “ One of the most charming little gems we have ever heard." —~Sumierlana’ Daily Ec/zo. Blue Beard. “ The music has throughout a very_large amount of merit, ‘ and much of it IS really full of genuine humour."-/Wu:z'caZ,v Timex. Beauty and the Beast. “ Not only is the whole of the music really comic, but it is touched throughout with such an artistic hand as to render it equally welcome to musical and non-musical listeners.”- Zllusical Tzmes. .. John Gilpin; or, The Ride to Ware. “A humorous Cantata of intrinsic merit. possessing themes that impress themselves upon the mind through their melodic character and beauty.”—-1Ve'w.r qft/re World. SWEETING. E. T., Mus. Doc., Oxon. Burial of Dundee, The. A Choral Ballad for men's voices, with orchestra. Words by VV. E. Aytoun .. . . :. WALKER, GEO. BLAKE. Ariadne in Naxos. A Scenic Cantata. Dedicated by per- mission to Henry J. Wood, Esq. Argument : Ariadne. daughter of Mines, king of Crete, having assisted Theseus to slay the Minotaur (a monster which was fed on human victims), afterwards ﬂed with him, fearing her fathers wrath The ship ﬁrst reached Naxos. where the priests persuaded Theseus to leave Ariadne behind while he saile to Athens with the Athenian captives. The death of his father, Egeus, delayed Theseus’ return ; but Ariadne was found and woo¢d-- by Bacchus, and became his wi e. Venus promises to avenge Ariadne‘s wrong on Theseus. Vocal ~Co’re, 3-:., orlintboards, ’ 3s. 6d. (Words only, 3d.) 'The work has been orchestrated by N. Gatty, and the parts can be hired or purchased. ‘ Rustic Wedding .. .. .. .. .. .. . The Cantata opens on the green of a country village, amid the rejoicing incident on the marriage of the steward’s daughter. Written for three soloists (MS.T.Bar.) and chorus. Time, about 30 minutes. London: WEEKES & C0., 14 wins , Hanover Street, Regent Street, W. adopzted daughter of Adolph, Warrior of the Rhine; Charles
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Title: Day is Done, The:, The Day is Done:
Description
Date: n.d.
Text: 9.7 Z/Z:z,:s‘/az//7 .9/ii LEE 8 WALKER 75’ JA5 sou an H ov EN 13:9’/2%/jvmm;a= U ‘ P M U U \ G .. \\ 6 .U M C .4“/.2,/zz/V’;-‘o '7/Z,/;.}./Tzz/41}/_,’ “TEE DﬁY is DONE? SONG. THE POETRY BY ,, THE MUSIC RY LONGFELLOW. M-W.BALFE- >k <é+~ Moderate molto . and the darkness L‘; ~ , Falls from the Wings of night; afeather is wafted doWnWardFroman EC 7°88. C’l"€S. \_j E_a/_ gle in his flight, From an Ea _g1e ,7 his flight. . I See the ts Ofthe Cvillage .G1cum1thr0ug‘hthe rum and the ...
Show more9.7 Z/Z:z,:s‘/az//7 .9/ii LEE 8 WALKER 75’ JA5 sou an H ov EN 13:9’/2%/jvmm;a= U ‘ P M U U \ G .. \\ 6 .U M C .4“/.2,/zz/V’;-‘o '7/Z,/;.}./Tzz/41}/_,’ “TEE DﬁY is DONE? SONG. THE POETRY BY ,, THE MUSIC RY LONGFELLOW. M-W.BALFE- >k <é+~ Moderate molto . and the darkness L‘; ~ , Falls from the Wings of night; afeather is wafted doWnWardFroman EC 7°88. C’l"€S. \_j E_a/_ gle in his flight, From an Ea _g1e ,7 his flight. . I See the ts Ofthe Cvillage .G1cum1thr0ug‘hthe rum and the $1! : 1_1'jv1»v‘vvHv 1‘! v’Ln‘vv :1 PP Animando —-F a pace rjten .- \ K / ' . ‘ , - _ L And an. feelmg of sadness co1nes,()’er I118," That my soul." gcamnnt re _ P pdlll, \ .AVll(l‘I‘(f _ S€l1lb1CS sorrow 0n_1y _ As the mlst re _ sem _ _ blm a .\.n» X."“’K“(1"‘i\'qV":t',, /\| \y “:1 y; \ 4* . Jloderato Aniniato-. 1%/uix 1 ’. P0811] l,‘ Smne 49 . f'cL-hing‘ And masters , ’ Not fjronl the bards sublime, Come road to me $01116 Pl’ W 1:“ % 17 '1 > l . ’ _ . /\.z ' simple and lleart-felt lay; That shall soothgthis restless M at banish th e~tl1oug'h'ts of day. Not fromthe grand old H ;Wl10Su dixs _ tamt f'uot— stcpx Who t11r(T)1(g'l1l()117{V;’da3r"s V v I 1 1 , I v v won _ der-ful me The ‘M . 14' /.\.0 6' ) H 1i]:41’i\ xx :1!)I=r- ” /V \«'.1a\i.w: ) ‘ And nights (19 _v0id . . ... . 1 1 v v v of’ V In _ bur,-‘_ v v v v v I’ u 1 1 "of ‘K; I heard in his soul the mu _ Sic Paco meno mosso. Such’ songs "have powler to stare .- ' rest ; lesspulae _,,_._,, ,, i:T ‘(.\'»lmnnIy and Slow.) s’m”‘z__ V ﬁeﬁume like the he _ ne _ (lig-,__tiun , '_ That fol _' A lows 07‘£’.§‘ I -cu calla pa»rt.e:~ .7: ‘riqen : ‘ praye.r.,{ Then br'e‘_a(l fm111 the treasured volwume, T The ‘poem of P'P\gEr'1'ten :_ ‘L choice, _ _And lend to the‘ rhyme ofvthe p0_et , I The beau _ ty iv . Paco A riima to . thy ‘ VL0iCe- L. And the 11ig"h:’t‘S11ull.l)e_ﬁlled with ‘/-\.'i‘’ ).."V\‘1H(!“l\ ‘.~"7nI’Lr- ‘H (W ‘V Ni! \ £ . > null - sic, ‘And the cares that infest ' _'tl1e';;.da'3," 'A ‘ ' “ . Shall foldv their tents like ‘?'t.he"’ J'Arub:s',V ' ‘And’-as si.,,— ,_1e/u-tly, ,’ '9 . I . * ~ ' kvfld io assai (imitating voice.) ’-and"-as ' ‘ si...;. _ -lent - Pl’ perﬂendosi. ‘V pp/» 0%/3/3/JP? \ Q i/.\"’ 6’ ) " Tim d.n is dhnoa .”V (M . B ~\[,V1«j.)
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Title: Seaweed
Date: n.d.
Text: '73? L ‘56 vi 3 3°‘ “' LONDON: . f",»,"._.‘v"' .‘ _ ‘F oL§ NWELW’ E-MR & G DEDICATED TO ':‘LfEg:;_, BRARY, ‘1m§é§g‘;m; Zéiia, W. M R? 8ARToR1s- lM)DL10IL, BOOS EY & C‘? 295, REGE NT STREET.W, MUSIC LIBRARY A; VASSAR COLLEGE’! SEA-WEED. WORDS BY LONGFELLOW. V MUSIC BY D O LORES . JVIODERATO. When descends on the At _ _ Ian- _ tic r~>~/ -/ _ gan _ tic storn1—wi11d of.... the E _ _ _ _ qui -nox, /""‘ ET qgg Landward in his Wrath he scourges...
Show more'73? L ‘56 vi 3 3°‘ “' LONDON: . f",»,"._.‘v"' .‘ _ ‘F oL§ NWELW’ E-MR & G DEDICATED TO ':‘LfEg:;_, BRARY, ‘1m§é§g‘;m; Zéiia, W. M R? 8ARToR1s- lM)DL10IL, BOOS EY & C‘? 295, REGE NT STREET.W, MUSIC LIBRARY A; VASSAR COLLEGE’! SEA-WEED. WORDS BY LONGFELLOW. V MUSIC BY D O LORES . JVIODERATO. When descends on the At _ _ Ian- _ tic r~>~/ -/ _ gan _ tic storn1—wi11d of.... the E _ _ _ _ qui -nox, /""‘ ET qgg Landward in his Wrath he scourges The toiling sur_ges, Laden with L___,2g___2./ sea- _weed from the rocks _ Ever drift - ing, _/_/ drift _ _ ing, _ (M-m__ shift _ _ing cur _ _ _rents of the rest _ _ _ lesis Seaweed . Till in sheltered coves, and reaches of salﬁy beaches; All have Pd ;_.—/ found re _pose a _ gain. So, when storms of wild e _ motion Strike the F’ / | J ’ o_cean of the po - _ _et’s soul, ere long v Sea-weed . each cave and rock - y fast- _11ess, vastness, Floats. some frag- - _ /,9 _/ ad lib: s Ev_ er drift _ _ ~_ Ving, dfift - - - ing, d/&.m_ _ drift - _ing Fina-weed . shift- _i11g cur- _ _rents of the rest- - - less heart; Tranquillmnente e pin lento, Till at length in books re-c0rd_ed, They, like ho_ard_ed Household ui ..—.... -9- .- e mu: Sea-weed; soossvja cogs NEW,P = A complete cclilimz, with English and Italian words, price 33. (id. The separate Songs, «Sc, with English words, price 2.9. each, nctt. THE PORTER OF HAVRE. New Opera by C-AGNDNI, founded on the original French Play from which the celebrated drama “ The Poi-ter’s Knot” was taken. Performed at the Princess’s Theatre by the Carl Rosa Company. THE ROYAL EDITION OF ENGLISH OPERAS. BO'liEMIAN cum. 2/c paper; 4/- cloth. *SATANELLA. 2/6 paper; 4/- cloth. smen or ROCHELLE. 3,-6 paper; 5/-gem LILY or KILLARNEY. 2/Gpaper; 4/-cloth. In the Press. In one vol.,pr1Ice 53., cloth ; or, szparatelg, 1.9. each. ROYAL EDITION OF I BALLAD OPERAS. Containing Dialogue, Stage Directions, &c., complete :- ' LOVE IN A VILLAGE. THE BEGGAR’S OPERA. ROSINA. NO SONG, N0 SUPPER. Edited by JOHN Oxnunoma and J. L. Huron. “ Should be in the hands of the amateurs of tlie period seeking for a genuine air to sing."——Alhe'neum. “Should ﬁnd an honoiucd place in every library. It is a pleasure to meet the sterling old melodies after the surfeit of thin, tuneless compositions of which opera-bonffes are made up.”—-—Gmphz'c. _ . Price 1.9. each. v BOOSEY’S CABINET OPERAS FOR PIANOFORTE SOLO. Ballo in Maschera. Figaro. Martha. ﬂax-biere di Siviglia. Figlia del Reggimento. Masaniello. Brigands. Fille do Madame Angot. Norma. Cent Vierges. Flauto Magico. Perichole. Crispino e la Comare. Fra. Diavolo. Princesse de Trebizonde. Dame Blanche. Freischiitz. Ri oletto. Diamans de la Couronne. Genevieve do Brabant. R0 ert lo Diable. Domino N oir. Grands Duchesse. Satanella. Don Pasquale. Guillaume Tell. Semiramide. Don Juan. Jolie Parfumeuse. Sonnambula. Illlrnani. Lucia di Lammermoor. Traviata. Favorite. Lucrezia Borgia. T1-ovatore. Fidelio. Zampa. _ Double Volumes, f97‘iC‘8 23. each. . Dmorah. I Huguenots. | Lohengiin. | Tannhaiiser. I Vepres Siciliennes. Price 23. 6d. paper covers, 43. clzlth, gilt edges. CHOICE DUETS FOR LADIES’ VOICES. Edited by RANDEGGER. A Collection of Twenty-loixr duets for Ladies’ Voices, with English words, including compositions by—— Handel. Bishop. Sullivan. Rossini. Haydn. Balfe. Jackson. Gabussi. Mendelssohn. Clan. Panofka. Horn. Gordigiani, This collection, which contains duets dc salon only, and neither extracts from oratorios nor operas, will have a special value to amateurs, who will ﬁnd considerable assistance in the directions concerning breathing and ea-press2'on. These have been carefully marked throughout, with the view of ensuring correctness of phrasing, and facilitating an eﬂicient interpretation of the n1usic.~—~“ The Royal Edition.” Campana. Kucken. Price 93. 6d. each, paper: 48. cloth, gilt edges. THE ROYAL SONG BOOKS. THE SONGS OF ENGLAND. Edited by J. L. HATTON. 100 Songs. THE SONGS OF SCOTLAND.‘ Edited by Bnowu & PITTMAN. _15O Songs. THE SONGS OF IRELAND. Edited by MoLLoY. 100 Songs, including the best of Moore’s Melodies. _ THE SONGS OF WALES. Edited by BRINLEY Rxcnanns. 62 Songs, Wltll Welsh ‘ and English Words 'MENDELSSOIIN’S 60 SONGS and DUETS, with German and English Words. SCHUMANNS 75 SONGS, with German and En lish Words. SACRED SONGS, ANCIENT and MODERN. dited by JOHN IIILES. IOO Songs. HUMOROUS SONGS. Edited by J. L. HATTON. 71 new and old Comic Songs suitable for the drawing-room. ‘Kr-entzer’s Forty-ﬁve Studies, ls. (id. I _, lVith Fifteen Illustmtlzms, price 2.51. 6d. LlLLIE’S FIRST MUSIC BOOK. ,’ ‘ ’xty-four Pages. Music size, “‘ The most adnnmble Tutor extant for the I’ianoforte.”-—»Somersel Herald. Also, in continuation of the above, price 13.. full music size. BILLIE S PICTURE MUSIC. No. 1, Sacred; No. 2, Secular; each containing four pieces, with four illustrations. ' Be(lutz'full_y illuslmterl in colours, price 13. LlLLlE’S SONG BOOK. Containing 50 nursery and youthful songs, with Pianoforte Accompaniment. Price 1.9, each. PIANOFORTE NUMBERS OF BOOSEY’S MUSICAL CABINET. 171. C}lOPIN’S NOCTURNES. Complete. 3 ' 165. TEN CLASSICAL PIECES, including, IIiller“s Guitarre, Hensolt’s Berceuse, and a Love Song, Rubonstein's Barcarolle, Von Bulow’s Carnival of Milan, Les Deux , Allouettes, Raﬂ"s Abend, Grluck’s Gnvotte, The Harmonious Blacksmith, &c. 166. TEN POPULAR PIECES, including the Golden Waves, Ghys’ Air of Louis XIII, .‘ Voix du Ciel, La Zephyr, and Wollenhaupt’s Styrienne, Caprice Arien, Gazelle. and Scherzo Brillante, &c. I . 79. TEN DRAWING—ROOM PIECES g2nd selection), including The Shephei-d’s Song, ‘ Die Lauterbacherin, Perles et Dlamans, Il Corricolo, Le Crepuscule, J o pense ; fa. toi, Dors mon enfant, May ﬂowers, and Ella. 87. LEYBACIPS Sonnambula, Puritani, Theme Allemande, Second Reverie and two 1‘ other pieces. Illustrated in colours, price 18. each. DANCE NUMBERS OF BOOSEY’S MUSICAL CABINET. 167. STRAUSS’ “ WEINER BLUT,” “ DOCTRINEN,” “ WEIN, WEIB UND GESANG,’ “BALL PROMESSEN,” “LILIEN KRANZE,” & “FESCHE GEISTER” Waltzes. 157. STRAUSS’ “THOUSAND & ONE NIGHTS,” “TELEGRAM,” and four other Waltzes. v 101. STRAUSS’ “BEAUTIFUL DANUBE,” “ GOOD OLD TIMES,” “ WIENER KIN DER,” and three other Waltzes. 155. GUNGL’S “ DREAM OF THE OCEAN,” “ PETERHOFF,” and four other Waltzes. 164. CHRISTMAS NUMBER, 1874~5, containing the “ MADAME ANGOT” and other Dance Music. , Price 13. each. NEW VOCAL NUMBERS OF BOOSEY’S MUSICAL CABINET. 170. Ten New Ballads, sung by Santley. I63. Twelve Ballads by Alfred S. Gatty. 169. Ten Songs by Virginia Gabriel. I62. Twelve Songs by Oﬂenbach. 168. Ten Songs by Arthur Sullivan. 158. Twelve Ballads by Claribel. Illustrated in colours, price 18. BOOSEY’S CHRISTMAS ANNUAL FOR 1875-6. , Containing the Manola and Vergissmcinniclrt Waltzes, Polly Waltz, Perichole and Indigo ‘ Quadrilles, Godfrey’s New Opera-Bouife Lancers, and a new Polka and Galop. , Price 78. 6d., clclh. DR. SPARK'S HANDY—BOOK FOR THE’ ORGAN. NEW ORGAN TU TOR. Containing complete Instructions for the Use of the Manuals and Pedals, with 150 ‘ various examples by the best Composers for the Organ. “ Dr. Spark has supplied a real want. He has compiled an excellent Manual of Instruction for the Organ, by the use of which many of the faults of other bad systems may be avoided. Young Orgamsts can hate no better tutor than Dr. Spa.rk.~Nettz'ug- ham Gbmrclian. “ A more thorough and complete Organ Tutor than this we have never seen. Every point of diﬂlculty in the study of the instrument is fully elucidated, and the treatment ' of all parts and peculiarities is exhaustively dealt with. Let every one who would learn tlgeplay the Organ well, obtain and study Dr. Spark’s Handy-Book.—Erlz'nImrgn Daily mew. BOOSEY’S STANDARD WORKSTMFOR VIOLIN. Twenty-ﬁve Duets for Two Violins, ls. Gd. Ten Standard Overtures, ls. 6d. , Fourteen Airs with Variations, ls. Ries’ Fifty Fingered Exercises, ls. (id, De Beriot’s Ten Studies or Caprices, ls. Rode’s Twenty-live Capt-ices, 1s. 6d. Fiorillo’s Thirty—six Caprices, Is. Gd. De Be1'iot’s Seven Airs, ls. One Hundred Exercises 8: Studies, 1s.6d. THE NEVVElSTp SONGS. Price 25. each, nctt. ' F. H. COWEN’S BEST SONGS. ALMOST. Ab &BO. Sung byMdme.I’atey. IT WAS A DREAM. C. & E. Sung by AUBADE. D &E. Sung byMr. Sims Reeves. Mdlle. Titiens. SPINNING. D & E. Sung by Madame MARGUERITE. B & C. Sung by Mdme. Sherrington. Trebelh. IF EVERY LUTE ON EARTH WERE MUTE. Sung by Mr. Santley. Price 28. each, nett. SANTLEY’S POPULAR SONGS. THE VAGABOND. E&G. Molloy. TI-IE YEOMAN’S WEDDING. G 8: B. Poniatowski. POLLY. Molloy. FAIR IS MY LOVE. U & Eb. Hatton. Price fls. cach, matt. ARTHUR SULLIVAN’S LAST SONGS. LET ME DREAM AGAIN. 0, D7, 8.: E. Sung by llladame Christine Nilsson LOVE LAID HIS SLEEPLESS HEAD. D & Sung by Edward Lloyd “A ge1n.”——Scot.s7mm. MARY MORISON. G & Btu Sung by Sims Reeves. “ A perfect composition.”—News of the TVo7-Id. LIVING POEMS. E7 & F. Sung by Miss E. Wynne about 30 times with the greatest . success. “ Characteiised by the rarest grace and sympathy.”—— Observer. SLEEP, MY LOVE, SLEEP. D & F. Sung by Madame Patey. LoNI:>o:I.\T: BOOSEY & 00.. Price Is. 6cl., nett. LECOCQ’S NEW ‘SONG. LETTER FROM COUSIN MARY TO COUSIN FRED. Tliewords from the French A by JOHN Oxnmronn, the music by CHARLES LEO-OCQ. This witty and amusing ? song has been sung in all the principal theatres of France with the greatest success. Price 23. each, nclf. A. S. GATTY’S POPULAR BALLADS. All suited for Ladies’ Voices. Stung by Miss Edith Wynne, Miss Antoinette Sterling. and I\’I£1(l2ll1lC Patey. “Very pleasing Songs. It may be that public fazgour will exalt their composer . once to the level of Claribel.”——Br2:ghtzm. Gazette. ONE MORNING, OH I SO EARLY. A SIB THE HAY IS I’ THE MO\V. THE OLD, SIVEET STORY» ONE HAPPY YEAR AGO ROTIIESAY BAY. DEFTON -WOODS. APART. FORGET-ME-NOT THE GOLDEN SHORE. OUT OF THE! DEPTHS (a song for the times, dedicated to Mr. Plimsoll). 4s. THE DEPARTURE. Price 23. each, nétt. HAMILTON AlDE’S CHARMING SONGS. . LET ME DREAM OF HAPPY DAYS. Sung by Miss Madge Robertson in “ A Nine Days’ Woude1'.” ‘ JENNY IN THE ORCHARD. REMEMBER OR FORGET. Twentieth Edition. BROWN EYES OR BLUE EYES. Fourth Edition. THE FISHER. D & F. Sixth Edition. ' SPANISH BOAT-SONG. ED & G. Third Edition. 295. ‘I’ STREET, W.
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Title: Midnight Hour, The, The Midnight Hour
Date: n.d.
Text: MUSIC LIBRARY VASSAR cou_r.c.: POUGHKEEDSIE. ND”-; yon“ SUNG BY SIGIFOL1. Poetry byL011gfeII0w. MUSIC BY 13.B1mzU3@ss1. ENT.STA.I"IALL. “#9 PRICE ‘ Lon&on, CHAPPELL &c°. 50.NEW BOND STREET. CITY BRANCH.I5,POULTRY. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT PAYMENT OF ANY FEE . \ THE IEIDNJGHT HOUR. POETRY BY L T MUSlC BY H.W.LONCFELLOW. P.BUQALOSS|. ANDANTE , declamato . stood on the bridge at mid_ night As the clocks were strik_ing the x2 _hind the dark church t0w’r I saw her...
Show moreMUSIC LIBRARY VASSAR cou_r.c.: POUGHKEEDSIE. ND”-; yon“ SUNG BY SIGIFOL1. Poetry byL011gfeII0w. MUSIC BY 13.B1mzU3@ss1. ENT.STA.I"IALL. “#9 PRICE ‘ Lon&on, CHAPPELL &c°. 50.NEW BOND STREET. CITY BRANCH.I5,POULTRY. THIS SONG MAY BE SUNG IN PUBLIC WITHOUT PAYMENT OF ANY FEE . \ THE IEIDNJGHT HOUR. POETRY BY L T MUSlC BY H.W.LONCFELLOW. P.BUQALOSS|. ANDANTE , declamato . stood on the bridge at mid_ night As the clocks were strik_ing the x2 _hind the dark church t0w’r I saw her brlght re - flee _ tion In the wax- ters un_ der me Like the go] _ den gob- let fall- _ ing L/ rall:e dim. [3 e cres: un poco. sink- ing in to the sea How of _ ten oh h.. _ 0f_ten In the days that had gone by had stood on that bridge at ' mid _. night And gazed on that wave and of _ _ ten oh how of _ ten I had wish’d that the ebb _ ing tide would sempre ares . hear me a_way on its 110. - _s0m O,er the 0- _cean wild and stringendo was hot and rest- less life . . . . . . . . . . was full of care And the bur _ den laid up Tall: seem’d Lgre-at_ er than I could ' bear rail . col canto. Tempo 19 tmmquillo. -now it has fa1_1en from me It is Tbu_ ried in the sea _ ly the sor _ row of 0 _ thers Throws its sha _ (low 0 _ Yet when _ e _ ver I cross the ri_ver On its bridge with woodeen cres. v _ dim . \ Like the 0- dour of brine from the 0- cean Comes the thought of 0- ther And I think A 9 of care en _ cum _ herd bear- ing his bur- den of soy-_ _ -r0ws Have pass,d the bridge since the long‘ pro _ cession V f rail Lm poco . pass _ ing to and ' The young heart hot G/randioso . e marcato . rest _' less And the old sub_ dried and slow -rres : assui , _ ver and for >>>> >>>>>>>> >>>> .s'trz'ngemlo . long‘ as the heart has pas_ sions >>>>>>>> long as the heart has woes The moon and its bro _ ken _ tion And its sha- dows still ap _ sempre rail . > > > ~ . 1 . 9 . . sym-b01 of love 1n Heavn And lts wav_ rmg 1m _ age > > > > > > > > > > > > > > > > > > > > > > > > ‘If; 9 lltartellatﬂ. ‘ - GO" cant“. >>>>>>>> K3 > > > > > > > > > > " > > > > ..> .> THEMATIC CATALOGUE OF NEW & POPULAR SONGS, FOR BARITONE OR BASS VOICES. ‘J1 'Sun_;;- by MI,‘ Fred King! . I Sung‘ by M!'Barri11g;tx>x1 Foutu ‘K1 . A E '- THE JOVIAL BEGGAR. W V\70rds by (EVERMORE) Music by czoncs WELLS. A.H.BEHREND. Music by ./VIod,erat0. Con spirilo. A Mr“ ARTHUR c°°DEVE - m-— ’ ~ A . . . Thy face no more,perch:mce Ill scc:'I'wcmvuiu my Love to dream of thee! ThW'L‘W415 11 J"V1ﬁ1 begg‘"':H‘—‘ had *1 “'00d9|1 19%; Lﬁlliefronxhxs cradle,And )2 S""§-'3 bY Mr M“YbY‘i°k. .Snn§r by MI'A.0swa!d. THE VOW. DEEP AND TRUE. , _ ' VVm.KY.<. and Iwnsic by W,rdS by _ mimic by FRANK L.M0l . . ' Cm S M R D‘. JOHN RAIICIS WALLER. BERT.HOLD TOURS. ’Tv(z1s :1 Lord of the gnudold time of yure,Oh‘. wualthyund strongand brave Look in mine eyes , my fair_ est, S'”‘E by M’: A- Ov‘W*‘1d- Sung by l\/I" Thurley Beale. Wordsby COEUR DE LION. MW by A THE RETURN OF THE VICTOR. 4.9. DOUGLAS. numrnnn J.S.TARK. JVVL""‘L{‘:T"_VY A InD&C.. Mnsic by ' . , L . Allegro macstusn. -~ v}]¢,,1,,.,m,. EDWARD HOLMES’ .2 The Lion- heart went forth to war In u_ges long‘ 3 — 2?"; Two wem-yuuxiuue years have pass}! ncuknelllike wailizl thz_\ttrumpet h Sung‘ by M!) Montague Worlock , ‘ Sung by MI~A_ Oswald THE YOUNG FRIAR. V TH[NE ALONE_ VVordsz1ndl\II1sicby Vvurds by Ivmsic by my, Sp,-,.,',_ _ WMRTHUR GOODEYL CEORCI-IAVINIELLS. A-.H..BEHREND. Tllerewaga young Friar of Ordurx Gm), sat gippinghis 1.0 _ Sy wine, V/WW art thou so cold my love, “By dost turn from me? QB .55/V7 P057‘ FREE F0/?F'2/= A/E77’ 5/:0;/. - LONDON, CHAPPELL & C? 50, NEW BOND STREET, W. — crr-v BRANCH, I5.PouLTRY. E.C.
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Title: Bridge, The, The Bridge
Date: n.d.
Text: +2 .. V ea mm. . £9 €ﬁ3g§)fE§>’" ‘ ‘, .- Q” \ ' I (S 1. ‘ £'l’_\r/a .1/I V y - . . ‘ /(7)/\, K‘ . » V BUSS) LONDON; ROBERT COCKSvxC‘? NEW BURLINGTON STT‘ PUBLISHERS TO HER MOST GRACIDUS MAJ ESTY QUEEN VICTORIA ‘Jun; Emumaéo WRITTEN BY GOMPOSED BY H.W.LONG!-‘ELLOWESEAQ. Miss _M.LINDS'AY. .And_ante con espressiohe. stood on the bridge , ‘ mid_--- night, As the _Z-—-.,_‘ ffx 3'” V} 3 R? clocks mew striking zhe h0ur;' And the m<A)0ni rose 0’er'the ci'...
Show more+2 .. V ea mm. . £9 €ﬁ3g§)fE§>’" ‘ ‘, .- Q” \ ' I (S 1. ‘ £'l’_\r/a .1/I V y - . . ‘ /(7)/\, K‘ . » V BUSS) LONDON; ROBERT COCKSvxC‘? NEW BURLINGTON STT‘ PUBLISHERS TO HER MOST GRACIDUS MAJ ESTY QUEEN VICTORIA ‘Jun; Emumaéo WRITTEN BY GOMPOSED BY H.W.LONG!-‘ELLOWESEAQ. Miss _M.LINDS'AY. .And_ante con espressiohe. stood on the bridge , ‘ mid_--- night, As the _Z-—-.,_‘ ffx 3'” V} 3 R? clocks mew striking zhe h0ur;' And the m<A)0ni rose 0’er'the ci'.-ty, Be-’ t hind thedark church t0wer._ . And like the Waters rushing ‘ A_-_moﬁg ‘ the wooden “The :Br'J'd;{.ﬂ’ bx‘ MISS M. LINDSAY. ("ﬂow/'I~‘z!m«m‘. flood of _thoughts came ’ . , That filled my eyes - of--- ten, ‘oh! ‘how 0f__-_ten, days that_ had V I had stood on that bridge .miIL_._ night, gazed on that wave and skylj I had Wished that the _ebb__-ing 1' “Tbe'B?idz'é’bV Mrss M; Lr'1~:DsAv; Would bear me*a--.way on its [bosom wide. For my heart was hot 3 rest'___ less, And my ' ,. was full ’ of of-—\ ' bur then laid 111).... on me, Seemed greater than I But ‘now it has fall-__-- en from me, “-The..Brid2'e”}w Twfgg M LINDSAY’ .. ........_..._—‘ -» bit .4. ried ‘in _ ’ Aild ' On____]'y the sol‘. row "1 0 _ thers M throws its _ . b Tet, When- _é_ver_ I cross the ' On its bridge with §~'00d__€n .0f_ bi°i’ne from the 0_____cean Comes the Of 0 .._th€‘I' I And for e___1/er, and “T7?” 3rirV'r~”hv Mmsz 7W.1.r*~:n§A# As lung * as the ri___- ver long as the heart “has pas :,-----__ sions, The 7 ‘As long flows, as life ITS ‘(U353 1 ’w~*"%::: a%""¥;i '4 =5*’*’3*%’ 5 § shac;l0ws' shall ap pear Heaven And its wa _ _ vering MW" “VMm="1~v'VI.=s M, I.TVn<:AV. As<the sym___b0l of love _i_- mage MISS M. LINDSAY’S (MRS- J‘. WQRTHINGTON BLISS) aaeasas sesiest» “Songs of a high moral order."—British Banner. COMPASS. VOICE. Excelsior. Words by Longfellow C to E 10I10t€S S. Or T. “The theme is tenderly and powerfully conceived. It is an exquisite lyric."-—-Eliza Cooke's Jour. A gem which, in this musical setting, is seen to more advantage than before.”—Patriot. “ Sublime in its simplicity.”—-Portsmouth Guardian. “Worthy of the exquisite lines of Longfellow."-—C'hurch and State Gazette. “ Makes the heart echo the cry of Excelsior”—Epitomist. “ Stirring and expressive." _Weg]¢1_1, Times. “Beautiful in its very simp1'icity."—Em_m‘re. “ Chaste and simple."—~Bn'tish Banner. England and England’s Queen——Song. Words by W. P. Lindsay, Esq. 2nd Ed. D to El? “ This Song will still continue to awaken the loyal and patriotic Spirit of Britons.” Airy, Fairy Lilian. Illustrated. Words by A. Tennyson Esq. ... Bb to F . “There is a sort of fairy wildness in the melody, exquisite, tender, and original, which seems even to freshen Tennyson's fresh imaginings. Those who have admired the lofty tone—uttei'ed indeed in simple musical phrases, but still lofty—-of “ Excelsior," and “The Hymn of the Nuns of Bethlehem," will be glad for once to hear a lighter and livelier strain from the same inspired harp." Speak Gently. VVords by G. VVashingtoii Langford, Esq. Dedicated to Miss Dolby Eb to Eb “A charming effusion, full of pathos and beauty/'—Briti.sh Banner. “Superior to the worthless trash, &c.”—Patriot. “Very simple, pleasing, and melodious, and possesses the rare merit of adaptability to any voice of ordinary compass.”—C‘hurch and State Gazette. “ So simple that singers of very moderate attainments will ﬁnd little difficulty in singing it at first sigl1t.”—Al)erdeen Journal. “ Like her Excelsior, it addresses itself immediately to the heart and awakens its kiiidliest emotions.—Glasgow Sentinel. There’s no dearth of kindness. Illuminated Title. VVords by Gerald Massey, Esq. C to E " All who are acquainted with Gerald Massey's heart-felt poetry, will rejoice in this elegant effusion of melody, which ripples sweetly along, side by side with the purling rivulet of the thought—thought , which does equal honour to the heart and head of the poet.” Stars of the Summer Night—Serenade. Illustrated. Words by Longfellow D to E “ Many composers have essayed to translate into melody Longfellow’s exquisite Serenade, but none with so much success as the lady whose adaptation of the same poet's ‘. Excelsior’ has enraptured the public car.” Home they brought her Warrior dead——Song. Words by Alfred Tennyson B to Eb “ Most touching and pathetic . . . . combines beauty with extraordinary facility of execution."-——Court Ciro. " “The words are beautifully tender and true——so tender that you instinctively read them softly and low: and Miss Lindsay, in adapting them to music, has successfully caught the spirit of her author.” —-Aberdeen Herald, Feb. 20. ’ The Bridge, Beautifully illustrated. VVords by Longfellow B l7 to El? “ What a lyrical composition intended to be popular ought to be—-it has no unnecessary difficulties, and lies within a moderate range——being thus available for all who sing to amuse themselves or their friends, as well as of those who sing for the public—of whose attention, by the way, this composition is well worthy." La Toilette de Constance. Words by Casimir Delavigne. Illuminated title , A to Eb Daybreak. VVords by Longfellow C to Eb Maud—Serenade. Words by Tennyson. Illuminated title .. Bb to F “It might rejoice the heart of the laureate to listen to this melodious echo of his own thrilling and mysterious conception. As on other occasions, so in Maud, the favorite composer has attained the highest effects without departing from the simplicity which is the real characteristic of genius. Miss Lindsay's Maud may be sung by all who can sing at all.” V Lady (”lara Vere de Vere—-Song. VVords by Tennyson A B to D “In every respect worthy of her pen.”—-Brighton Herald. 35 “ Alfred Tennyson cannot fail to be satisﬁed with the lady's appreciation of and the spirit with which she has illustrated both ‘ Too late, too late’ and ‘ Lady Clara Vere de Vere.’ "—Stamfm~d Zllercury. The Old Clock on the Stairs. Words by Longfellow .. .. DU to E A Psalm of Life. Words by Longfellow. Illustrated . 13b. to F SACRED SONGS. Resignation. Elegantly illuminated title. VVo1'ds from H. Samuel xii, v. 22 & 23 Bb to D The Pilgrims Rest. Elegantly illuminated title.- Words by Rev. H. Lindsay B to Eb Jacob. Elegantly illuminated title. Words from Gen. xlii., v. 36, 37, 38 Db to Db “ There is a beautiful solemnity about this song not unfamiliar to those who are acquainted with Miss Lindsay's compositions. It is easy, graceful, and pleasing. Her compositions are for the quiet family circle-—the domestic concert—the home circle.”——Glasgow Times, April 11. Christian Submission. Elegantly illuminated title. Words by the Rev John Keble Bb. to D}, “These Songs, we hesitate not to say, will meet with a. cordial welcome. The melodies are within the l reach of voices of limited c0mpass.—Glasgr)w Christian News. The Lord will provide. Elegantly illuminated title. Words from Gen. xxii., V. 7, 8 B19 to E1; The Border Lands. Elegantly illum. title. Words from “ The Dove on the Cross” l) to D “These Sacred Songs from their originality, sweetness, and extreme pathos, are winning universal favour.” Too late, Too late. Elegantly illuminated title. Words by Tennyson Bl? to Eb “Avery sweet Air, and well beﬁts the words of the sacred song.”—Leed.v Intelligencer. “Mournful and touchingly pathetic . . . . . . presents soiue very beautiful touches of melody.—Brighton Examirter. “ Treated in her own felicitous and characteristic style, full of calm dignity and devotional feeling.- Glasgow Sentinel. (for Two Soprani). .. A Psalm of Life. Words by Longfellow. Illus. 3s.——Excelsior, 3s.—Speak gently, 3s. Hymn of the Moravian Nuns at the Consecration of the Banner of Pulaski, 3s. HYMN or TI-{E l\IoRAviAi~: NUNs.—-“VVell worthy of the author of Excelsior. Melodized with power and expression."——-Cliurch and State Gazette. “ Coupled with music equally simple, adequate, and impressive."—Courl Journal. “ Translates the sentiments of the poetry, and makes the heart respond to it.”——Bri_qhton Eztarniner." “ The spirit of the poetry is very admirably rendered."-—Aberdeen Jour. “ Possesses the merit of simple beauty.”—Empire. A.\:THEM.—Unto Thee, O Lord, will I lift up my soul——Psalm xxv. l—-6. (4 voices) —(No. 1. Third Series of Rossar Cocxs AND Co.’s Chorister’s Hand-Book)—2d.
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Title: Excelsior
Date: n.d.
Text: / r , , ARRAN ,_w B\’ J B 5,/' V, .7 1 B L &" DP/Q/(‘AY7'[D 70 ‘ - ﬂ . I “I I‘ V1’ « mi ¢»%F%§L155~w: 411 ﬁ J5 « LON DON, R*»OB‘ER’l' COCKS & C° NEW B U R LINGTON ST, 1‘¥(}[._§lUHhiH')§‘§lH1aHl1‘J|li?N"‘K\iHV(;71!“WfVl(‘[(}HImg :0 Hrs 1l'11{Jﬁﬂ1|M£»L|<3S 1“m.>v>looI1 H1 NEW WORKS BY MISS NLIINDSAY. 1'11: LORD WH,L PRUVIJM (.>'/1!‘/ft/1 Jr:/s/1;/.. 2,/Kb ENGLAND:/\NU ENULANDS QUEEN .. A PS/HM 0;‘ Lylft,/)1/5 I, wows :3H.0NorELLow...
Show more/ r , , ARRAN ,_w B\’ J B 5,/' V, .7 1 B L &" DP/Q/(‘AY7'[D 70 ‘ - ﬂ . I “I I‘ V1’ « mi ¢»%F%§L155~w: 411 ﬁ J5 « LON DON, R*»OB‘ER’l' COCKS & C° NEW B U R LINGTON ST, 1‘¥(}[._§lUHhiH')§‘§lH1aHl1‘J|li?N"‘K\iHV(;71!“WfVl(‘[(}HImg :0 Hrs 1l'11{Jﬁﬂ1|M£»L|<3S 1“m.>v>looI1 H1 NEW WORKS BY MISS NLIINDSAY. 1'11: LORD WH,L PRUVIJM (.>'/1!‘/ft/1 Jr:/s/1;/.. 2,/Kb ENGLAND:/\NU ENULANDS QUEEN .. A PS/HM 0;‘ Lylft,/)1/5 I, wows :3H.0NorELLow& gg PULASM‘/)1/[7"_\NORDS BY LONGFELLOW. Musac LIIIAI9 azxssme->n@R;. “1 A — >1-®-I4 Wonns av LONGFFELLOW. — ’ - MUSIC av Mlss LINDSAY. ALLEGRO. ‘€©}' 1?! I'.- The 663' V: A shades of night were fall, ing fast, As thro‘ an A1_pine ViLlag'e travel _ ler by the faith‘- fu1\ hound Half busried in the snow was 19 t.A youth who bore ‘mid snow ice Still grasp _ ing in his of ice - Ban _ ner with the strange de _vice Ban _ ner ‘with the strange de -vice Ex ' eel ‘ Si ‘ or ! “I-txmsinrr’ MISS LIND AY. ‘ C0'YF'CHT? 1’ His brow \~*as sad. his eye be _ neath Flaﬂfd like a faulchion froxn its .‘5T..‘1'“Trye not the pass” the old man said “Dark 1ow”rsthe tempest 0- ver And li e ‘a si1_Ver c1a_r1on rung',\ The roar _ ing torrent is deep and wide", ac _ cents ‘ of that un _ known tongue loud that cIa_ri0n1 voice re _ plied Ex‘ eel ‘ SL9]. ! ff eel- si_or! Cow Es/mess .- «H.’/“Oh! stay”the Maid- en ‘said “and, rest Thy wea - ry head up A. tear stood in his_ bright ‘blue eye, m ten .- sti‘Y he an_swer’d M with Sig}: Ex- eel _ si._r;r 3 ce1_ si_0r! the A pine trees wi_ther’dV branch! the aw _tfu1 a _ _ lanche." was the Pea- sanfs Iast good — night 191919 far up the height “Ex- eel _ si _ or"! __‘T:::—=—pp ./1/mlarnte _ma mm troppr). There in the twi — light cold and ‘ grey, Life _ less but beau_ti-ful he 19 Jfa can Spirito. voice fell like a fall _ ing star Ex _ eel- si _or! 19 eel _ si_or! - 16. Mod. graz. srnrnsn eLovERs VOCAL nnsrrs POETRY BY J. E. CARPENTER, MRS. CRAWFORD, R. RYAN, PARK, AND LONGFELLOW. PUBLISHED, EXCLUSIVELY, BY ROBERT COCKS AND.CO.!NEVV BURLINGTON STREET, LONDON- 7 Zlfzzsio Paolis/Iers to Her Most Gmoious Jlfajesty Queen Vieloria, and to His Im_79eI'irIl ]I[a_;'e.9tj/ Napoleon III. Voices of the Day- I 1*‘. 4| I 25. 6d- 3 v I .. I D - G u L ﬁ—-- ,_,__1_:;___ /‘::' ‘“— us in mys - te - ries. _ speak 1. Modemto. .. I v - 9 I ' I L Egl-32 III ‘ I4- J I I - 0 I4! @j-—-—=-=—:I— J ———~ I They to 2. Am. con dolore. The Irish Emigrant’s Duett- #~e—+~—I~I I§I)——I2I—-—I—d Come, let 25. 6d. 4:‘ ' I\I 4 . . I‘ in |=I‘ C 3 I , I take an - 0 - ther us 10 k. _ I _' 3. And. can express. Why do the Swallows change their home? 25. 6d- I I I §%I3b:7::,I?——I'-, I I ii! I} I ‘J Why do tlie swal -lows change their home? In H .9 I D I W,‘ 4. And. ma no: t7‘0PP0- The Slave singing at Midnight 2s. 6d. 4.7‘ .. I I ‘I I Do - vid! 4£L — §§b~e~I.v"~.—ﬁ‘~-I’ - I’ f . "‘ "" '—”‘ I I Loud he a Psalm of Hymn to the Night. ‘I2:_; ' _ , __I _ __I‘\ I"\ (._I1:E:§3i ,;f_h_-_¢I\‘ :2!‘ a 9 U I sang 5, And. can express. 2s. 6d. I - - In I I’ I‘ I) V ‘I r , I1 I heard the trail - ing gar-meiits of t e 5 night. _._._________________ 8. Moderate. To the Woods! to the Woods! n , M \ I ‘I ———s T 0 85. I I‘\ j a . -' _l I to w v Woods I n I RV I “\ I n I I " the woods! Light in the East is glowing. __I/ I , I\ §’[§:Li:;I "’;!_;_ U Light 7. Moderate. 35, _I_1 » I D I n .‘ I I‘ T I’ Q \__,_____I__F_ ___,_i____ in “the east is glow - ing. 8. Moderate. The Lily and the Rose. 7‘! J EeE;I‘;___,;sI,3‘ Tell sis - 25. 6d. 5 ' ; . _ I §‘ ‘ I-——t———§ —» I—I ter, tell to All things are l2autiful- .__._1j. :E—& All things 7, j I me, me. 9. Mod. can graz. 25. 6d. "TY - 2 = . . I I—I—v= P~——F———'———?I are beau - ti - full 10. And. cgespress. 39% )§‘§:B:°_ ' Si - lence ; Silence. 25- 6d- > .‘ I‘ _I v s_i - lence; Where The Rhine Maidens. _, - I I I I A I C 7 ll " vi ~I - In I I I’ , I V‘ I that lone shore. 11. Allle. I/iv. ’I’§It_£1.__;x_j‘< ;8‘"d 9 —.T0 the banks _of 12. Andante. Rest, Pilgrim, rest. id d I,1 ', J >.. I,’ a— Rest, Pil- grim, rest, thou art tired and Wea - ry. 25. 6d. 13. Andante. Whereishall we ﬁnd our Home’! ' _“ __ It C\__ ‘(WI ﬁhbt fl 4 . ha‘ 5' _‘ .__.I1 VI/here shall I_ I_ VVG ﬁnd Where are the Flowers. I T I’ - Is‘ I ‘r 14. Mad. graz. ~e%.... I I W 15. “I D , I 5 I’ I I I 1 here are the ﬂow - ers we gath-er’d at morn - ingP Mod. graz. Beautiful Birds. ‘) ‘I D J Q) I I I 3s. ‘§I‘I D I - I I - Q - 1 I %)z:$—«I—h—'r—I+I,—II.I,I§~I—-——h—5—I-.j~I and‘ balm-breathing ﬂow’rs. 2s. 6d. Beau - ti - ful birds Stars of the Summer Night. . KILV I"' 9'. P‘ 3:: I In I“ _ the sum - mer night! 2s. 6d. £3_.,I‘\__I____ - , 4 §I3?'——3——I l<B— 2. - VJ I\ h I‘ I‘ A I... I u Stars TIC Tlof The Curfew Bell. 5 J‘--:’~~—3I~—-s—~w~s~E—II - 0 g 3‘ _ ‘ E‘ I I G I I g 80 - lemn-ly, mourn-ful - ly, deal - ing its dole. 18. Alletto. ma nontroppo. It is not always May. 25. 6:1. - s—I—;I‘=—.~e~~-1: I’ 5 I I1 5 is bright, the clear. 25. 6d. ~t°. L , T _ .___ emfe@#+wﬁe 1 The air is 19. Andante. SUD. Borne at Midnight o’er the Ocean. I V I the l Bhrne at Inid-night ¢')’er 0 - cean. -4lle.gI'a%- Good Night! Good Night, beloved! 25. 6d. 4 I n I '§§‘I'al—6':I9—]r”B as I V 0 IA 1 I U (1 V I I3 I I r‘ " I4 I II Good night! good night he - lov - ed. I POPULAR BALLABS by the same eminent composer (STEPIIEN GLovr.n).—-Annie, o’ the B ‘K ﬂex \ Irish EIxile’s (The) Return, 2.3.; Kate of Kildarc, 25.; Laugh! laugh! 25. ‘ ~ I x n- 0. III .1.“ /Im\ - ,, - . 13. ‘ I I * n I Andante. The Changes of the Bells. 2s. 6d. 3:1 are, steal - ing. —il Hark! 22, Moderate. /‘I I. J III I) _I I p___________ ﬁk9’I7’6—' :I:—’;I __:I: .u/_ ..__9_._ U \Vha.t is the depth of the migh - ty deep. bells _ The Depths of the Ocean. I“ 85. I1 5.. 1 I ‘ I ' ‘. u—.— b‘y‘—a ——;__I—7—a _._____:____j__ Our beautiful Mountain Home. 23, Allegro. EL555h“'—e ge—~aI fr! I I ;..-_T iw -\ 1 ti K‘ I ‘ I I I__ —:I* I . ,‘ .' i I Our beau - ul rnoun - tain home. 24. “Mod. can espress. 25. 6d. .:£IL)ffIJ. . T . I 1 @l!I—=b:1,"—"%1I:;‘—a'»—-'— ‘.2’ Poor The Lonely Bird. bird, thy mate is 25. Moderate. Ho! every one that thirsteth. » 5—2‘}—-I'::—I . E e ' ' ' I I, ' Ho! 26, Quick and cheerful. I\ - I - I .. I V l eiv’ - ry that The Holiday Duett. I’ II J 011 thirst - eth. 35. 41. Allegro. 42. Maoleratm There's a S/w;eet Wild Rose. §he:Ii§asI;I;,$zI2I::,Is. U . There's Iimswoet wild rose, there's "a sweet wild rose. Peaceful Nights- 43. And. gas. I’) I I I/IIJII 0 I 1 \ ‘— ;_ ___;.____, __< ‘C_:,'__”‘‘ no 2: 5 t‘ Is I + :-._:~.I_a"..;:a: U —— —adw —v—~—- - slum-hers! Peace . £51 nights? 7% fresh . In; 25. 6d. 44. Alltto. nae. Music and her Sister Song. I-I ~ II? ——T — —a~:—a—— —-—o:—F—'~—o— —— %:E:,E:‘,,J5§i:E__.';:* Q " ‘ _ __t_ V "l‘is Mu - sic hath the ma- gic pow’;-, .________________ > 45. Andante. The Midnight-Moon. 2s. 6d. I The mid-night-moon is beau - ti - ful, When ‘ Murmuring Sea’! . IV I I I ,g___j3 SIS - ter. 25. 6d. - B Q I I" I I ' I ,L; I ' I I I. I ' I y goth - er, I.’ *1 II .7 We are go - ing home to - I I A . V ‘\ I I. ' .*‘*n‘I‘ I u E %I I ' Mur - mnr - ing sea! 5 : V beau - ti - 47, Azlemod. Happy Days! . Lis - ten! ’tis the wood - bird’s song. 28. And. relig. Hark! I hear the 0rgan’s peal! 6‘. {IhI~—(—‘—I=--3 L I y Hark I I 25. 6d. 1 1 I a—~—.—I—-~~—- the I in _I___ hear or - gan’s peal! 25. 6d. A ‘I I A I - ' I I-' _p I vAI~k I, ‘ shall be made glad. 29. gzflletto. ma non troppo. The Wilderness shall blossom. ’— —— — —~P—' Zg;ﬁ ‘T -I. L I. .- Q '1 I ‘ I I The wil - der - ness 30, And. con espress. The Parting. §I_*I.:§EI‘£a§:§::E;g““*‘ U when I 31, M’odeI'ato. am far from thee, o - ver the The Nightingale and the Rose. §a—I~—I~I~I L’ - I I , ——3I ‘ C I I L I is n~I"’jI—— ,f*’p:: - - I I I The night - in - gale sing - ing now. 32. Andante. fl _ I\ I J 7,‘\ N‘ ‘ $:b':EI:;I.‘IL';!-* i‘T—;I\ "3 u The Harp and the Willow. 3s. } ::k.:ﬂ.;_ 33:: _I_— I, . ‘The harp and the wil-low! in sad -These how long. 33, Anzdagtte. "Two Captive Maidens. _ L A L, _. ﬂ_--"_ +_p E--——"l—++ U __ Wq\ are 25. 6d. a~'— F=3———r— -3-1:1: ——~———¥— J~—h:E£- ~E—‘”—I-: two cap - tive mai - dens. .__..__.____€___ 34, And. can espress. A Sister’s faithful Love! I I L I _IL. I} I3 0 y _ I T _ _I\__1‘\ ‘_‘_:: @"‘t".Ai—~"”—2‘*5""5.:‘I‘f“*j‘—s'**"‘I*”* 25. 6d. '3 i, " My sis '- ter dear, niy sis - ter dear. ' \ —————i————-——.—.__ 35. Ana.,eon espress. ‘What are the Wild Waves saying’! 23. 6d. J L I " I __ Iz_. _ A _._ .: _ _ __4_.4;-___ @I;t__§§_.§.—4T-;I:‘T_,,i,;I’L_—'l. :_I_::.—.I»_E:I U What are say - ingP T'the- wild waves . ____:_.._f__..:_ 36- Mad. con cs!»-ass. A Voic‘e from the Waves- ,_ . _ 55: ‘V TAXI-Li. § 6 % ;J—I...—. A voice frvom the waves in .4 D- g. .‘ . 37'. Mad. con cspress. Why do you watch. I *—fx:]“‘*':§ E :9: >5-—:i'—-— " ' Hap - py days! 48. Alla. mod. The Gipsy Countess. §iI§%‘2§’§1II=: 2:; '.!:!:!IfE —.—I. I¢——w’ ‘¢—'¢—‘It—L Oh! 49. Alle. Wu. The Wandering Stars. 3s. ___I __I:‘,_.]__. E,L:_'* ;j': we g ?';:.§§§“;—_::g:‘_—_—#_‘?:_g“-*_:': ._.,.t VVe wan - dcr - ing stars, are two come The Stream and the Willow. § .§:(::'V ‘* —_ ::I'::I_—‘ ‘*7’: i g_,:._Iq:$.i_~¢ 1___I:__._IE Sis - ter, if the gift 51. ./Pad. can espress. —. 50 . Illool. g-raz. ,_I__I were ours. , Sing, sweet Sister. 25. 6d. §E”:_"_‘:L‘§:"Ié;: *—:_:E::I;:I§I=“*“‘ Sing, sweet sis - ter,_ — sing to 52. Me. uivace. The Flower Gatherers. K M %§§—:*iI;I§EE:§!§;—”;,I‘€—:§T:_':3:5;— ‘“ U 85.,’ n:,.§__ ::iI£ ______________ 53- Allegro. Tuscan Girls crowning the Sea. I\ . f‘ —I>:——+\—.:I——°: — -;_—" ~ﬁ4H» §§I‘§;gI,—_§,‘:._ I, Come from thy co - ral how’ rs. The Sister’s Birth-day. 25. 6a. 54. And. con espress. Sweet sis - ter! 1 :"—i I m, love, to~ day, toifdaiiﬁ __________________ 56. And. can moto. When shall we Two meet again. “II I ”I I -II —Ad I 4-159 When shall we . -E§z ,_ ,2 . _, L two meet 57. And. can espress. I9” 3 I 1”‘ I: 4 IL‘ I J I ﬁh ea "‘T"’i 4; ._ +h—i~j——a—-—I,—I 51 Why do the ea? 38. Mod. can espress. you watch lone, loiie Voices of the Nig-ht.—“Echo Duett.” 25. 6d. av‘! I TI _‘ :f§:l§:;:Ir:F:j_;_§::j “‘" . ' I I— - When the 7 -_ —J—_ -I-7-€- ———d——— U lone — ly woods are still. 1;’ £11 me where do Fairies dwell. III :I“_. _ ~__ 'EJ*_._s_ _ } ~_*___ " ‘§;e:§!:§:d::E___t:f* _? .__._:,.W___ Tell me 40. Mod. gmz. Tell me where is Beauty found. /I I ‘ I ILLI)‘ I I I I1 I. I I 4- I V__ v w a I1—3—4~a——~—-———~a 39. 'Alle. 1/iv. WIIGXTEO: fai — ries dwell. 25. 6d. :_I:,— -«:4 _-‘:I_£-_ 5:? Tell me where is found. Au. Farewell! remember me! ‘gun I I II I F5 iii:EE:;bJ;:§1;:§§::’,3:E,g—*_*gt:I:d:3:;!; _ ._ I go from the scene (if my child-hood‘shome. 58. Allegro. The Warrior Page. shsgag: leave _ me 25. 6d. ; - _ﬁ Ia I I\ P’ ‘ “' Z S- - tle page. 25. Bd- 3I "I not, my 59. IIIod.gI-an Over the Waves we ﬂoat. §%:eI‘“—?;=~—“——’.;”‘~.. —,~.—If——;e—.-2+. ;':='I—I—I hI2~&—a~4 . I:I«,I— W I = U 0 - ver the waves We ﬂoat, we Ruth and Naomi. gen ﬂoat. 60. And. afett. 25. 6d. .7.e__:¢I }. _.I..= . ,I — — .-»4—-—- *~—.e+I e-—— - . “mg I beau - ty anks 0’ Dec. 2s. 6d; Beautiful Erin, 2s.; Boatmen (The) of the Downs, 2s. 6d.; Maidcn’s Dream (The), 25.‘ Mary Astore. 25.: Mel-Ii s f‘ I ovne ‘ls .- I v II Go forth! my hearth is de - so - late, ‘ ; Cling to those who elin «to you, 2s.- ,,;,, 1,T,\A.,\ ‘)ALA 'n_I .1. ,,L,_», ..I:v. . . I‘. 25. 6d- ' how ean:a poor gip-sy moi-den 1ike_me._ “' 35- : I.—.r:.: Ga - ther - ing ﬂow’rs from the—brgalr of ‘morn-.-E; H , - ! ‘ I::;,:.:I--I‘ i—s—s—-—
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Title: Beware:
Description
Date: 1892
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/;m:=IM~ , " Copyright 189 '3 by J. E . Per-ring . BEWARE! Words by H.“/. LONGFELLOW. Music lay JAMES ERNEST PERRING. Allegro con spirito ma non troppo presto. 1’ known 1naid- - en fair to see! take careltake care! take czweltakecarel She .f can both false _ and friendly be, Beware, beware, hewgxre, ten: 0. > P hewzu-e,VbeWa1'e, She is fooling thee, she is foolingthee,t1'usthe1' /4'3 tcn1})o.K/ \' not! . . . . oh trust her not! .. . She is fooling thee, she is fooling thee,f1*11sthe1' not! oh trust her not! >>> > > /3 gﬁazioso. Slm has two eyes so soft and [)1'0wn, (-zu'e,t:1kc care, beware, beware!‘ She gives :1 side glziuce and looks down, 1,], rail.- 0ht1'11sthe1' not! 011 beware, hewzu'e,hewa1'e! pp wall.- has two eyes so softand brown, She give_S a side glance amdlooks down, tcnapo. trust he L’ a tempo. a tempo. t rust h e trust herfnot, oh be-w;u-e! trust her not, atem 0. > P fooling thee, she ‘is fooling thee, trust her not, oh trust her not! She is (I tempT‘/ fooling thee, she is fooling thee,t1‘ust her not oh trust her not! >>>:>>f.\ /\ \ '. r.\1’(-\ \ “""V T’—“,;s3?g7 ;.._;“f_ -5 she hag hair 0f"'g0ld-en hue; And what she says it is not true, : «— W 4-~::~.—.=w«.—.)v.~.: -:>.:+-vywwz tempo. she has hair of wall.- gold-en ' And what she says {’— /_\ J‘. Be-w:u-e! beware! beware,‘ beware! For she has hair of a golden hue, 011 trust her not; 011 trust her not! And what shesays it > > > /'\ /"\ is not true, She gives thee a garland fair,‘ 7Tis :1 fools cap f01'theet'0 Z5 Z‘ {T /"\ t * . >cmpo Oh she7s fooling thee, she is fooling thee, Trust her not, 011 trust he /3 she is fooling thee, she is fooling thee,trust her nbt 1, ohtrusthc *3 Perfect Peace. (I heard a Voice.) Sacred Song for Low Voice 221 C, Vvqfds by V I I I ¥ N[1lSiC‘by JOSEPH FLETCHER. e V‘ " W9 DRESSLER. _ Larghetto. heard :1 voice, . Je — sus to me’ speak —ing, u.—mid the prcssund throng, I heard Him ' : “Come ‘wen-ry Copyright 1910 by VVIF1 A.Pond & Co. International Copyrightﬁecured.
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Title: Daybreak
Date: 1860
Text: 7%” n '»“,'_7/‘ La (Nat) ” f PART SONGS‘. N9 200. ' The Poefgy by L@>:N <mE'E1.1L®W% st-:'r‘1'o MUSIC FOR « fﬂa/7.45 Wzé‘/éfzé/20/9/2130%ﬂz’ée.s*z?%Z;{cc0/72/éaizz//zzazzé, BY g3Mr(@»N @.4wm N a jug. ;rza,.z2;~,zz Zzice 6"/zc-:1 LON DON, STANLEY LUCAS, WEBER & C984’, NEW,BOND ST.& 325, OXFORD s'r.w. SOPRANO. ‘ ALTO. TENOR. "3Y?’ lower. BAss. Allegra. M. M. J.:92 { NB. 0‘1°("héstral parts may be ]1_'i'rg3d*.v- . _ J ...
Show more7%” n '»“,'_7/‘ La (Nat) ” f PART SONGS‘. N9 200. ' The Poefgy by L@>:N <mE'E1.1L®W% st-:'r‘1'o MUSIC FOR « fﬂa/7.45 Wzé‘/éfzé/20/9/2130%ﬂz’ée.s*z?%Z;{cc0/72/éaizz//zzazzé, BY g3Mr(@»N @.4wm N a jug. ;rza,.z2;~,zz Zzice 6"/zc-:1 LON DON, STANLEY LUCAS, WEBER & C984’, NEW,BOND ST.& 325, OXFORD s'r.w. SOPRANO. ‘ ALTO. TENOR. "3Y?’ lower. BAss. Allegra. M. M. J.:92 { NB. 0‘1°("héstral parts may be ]1_'i'rg3d*.v- . _ J "5, V MUSIC uInAnﬁ‘r U é VASSAR COLLEGE, _ A wind ....... .. came up out of the out _of the out of the . W. _. o :-13:». r-w+'"P}:= . /¢j.~sW1 E‘fUS!CAL And said, “0 wind .... .. ca:-ne11p out of the sea, .............. .. “CT mf mists, make room for And said, “O Vmists, make room, 0 mists, “O mists, make room, ............. .. make piu mossa. ‘ ~ Vigoroso >- hailed .... .. the ships, and ‘ hailed .... .. the ships, and It; the ships, and f o " . . It ' I iled .... .. the ships, and i- ners, the i _ ners, the i- ners, the i- ners, the 5 (W88. hur _ ried1and_ward‘ far ................. .. a _ way, ............. .. Crying,“aA' x‘ // .- 'hur _ ried1and_ward far ................. .. a _ way ............. .. Crying,M“a. _ d hur _ ed1and_ward'f-ar ......... a And hur _ ried land_ward far .................. .. a .g*____..—»/ awake . ......... .. } all ........ .. your “ Hang all ........ your the for- est “shout! .... .. molto rifard. 6 leaf _ Y . . ' - ners .... .. out!” It to e wo0d— birtfs _ ,I-Pang gll your leaf 37 ban _ nérs out! It totlched the Wood— bitfds ‘ motto ritard. L/Ir‘ .. 5. L. W. 186 . a tempo Awake and 9-’ ‘_ . 4: iI’d,....., .... ....... fold . sald, 0 I 6,.” fold _ ed wing, ........... .... .. and Sing ........ ......... .. /\ a _ _ » A-wake...... and a tempo ‘_ wake, awake and sing,.......... awake and gin wgke ............... .. aw ea (I sing, ....... a sing,~.« ....... ................. ......... ..... awake,a - 53. L. \V. 1860. poco Mt. e sing. ...................... .. ...... _ P060 7-1/'t_ e I Sing. ............. ...5....n'. ........... .. _ poco rit. 9- " si‘ngL.....V ............................ And (for the farms, ....... . oer .... .. — e arms 3“ in r 0 ’ HQ Chanticleer,; ........ .. Your clar _ ion I I 9 And o’ei* the farms, .... .. 0 chém _ ticleer, Your a tempo L. W. 1860.‘ O chantioleer, ion blow; ' ' day is near, the ci1\;a;n'11:/ icleer; —You*1‘ ion blolsi; Your ion blow; i_ on blow, Your ion blow; the ‘ A y is near, the *cm. ail? the day ............... .. is 1'1ear,the day» .......... the day near,the da ............ .. is near, .... .. the 5 . L .- W. 1~b'tS0. pom {meno moaso 707” It whisper’d to the P7’ 2: It whisper’d to the fields of corn, fields of corn, I It whispgiv’/<1 to the fields of corn, 177121.. It whisper’d to the fields of com, dovm, and c0n1_ ing- ’ ‘Ill . com _. iug dim. com _ ing at com_ing V morn’? “A viz} mosso. f It shout _ ed throughthe I be] _ fry tower, “A _ yiil. masso. sh0ut _ ed through the be] _ frytowe-r, sht;ut- ed t}1.1'qu_.;,'h. {he bel _ fry tower, wake, .... ....... .. 0 bell! .......... ‘s. L. w. 1860.7 /7‘ ' . mbzto 7-it. pro _ claim the 9 hour. ..................... .; .... .. ff am. e motto r/it. pro _ c1a1m the our. ........................... .. d L’ m . e" motto Ht. bell........ ............................... ..... ............................ .. > dim. e ’ rit. +'I7‘he small notes‘ to be used for practice only. .5. Lfw. 1860. J;=eo. ::,. _ ‘X . . . <1 crossed the churchyard wlth a slgh, And sald, Not yet! ../1:: crossed the churchyard with a sigh, <41 L. crossed the churchyard with a sigh, .(—_f_'_‘ ::‘j-- crossed the churchyard with a sigh, at - : 60. ."’cc \" he; Not yet! not yet! not CF85. F‘/cc he; Not yet! not l3’I'8.9. yet! not 1ie;“N0t yet! not yet! not (‘7’¢L’8. lie;“Not yet! not yet! not yet! _ accomp. -ii»... “Not yet! not ...{‘_._ .2... “Not yet! not 1 J “Not yet! not Piu lento qui- et not yet! in qui_ et PI’ in q11i_ et. lie, in qui-et P7’ in qui _ et ,_\ Piu ‘lento PP not yet! in M5 yet.!..... yet! .... .. yet! .... .. PI’ lie, in qui_et PP?’ lie, in quiget lie, in qui_et PART” MUSIC FOR CHORAL SINGING. PUBLISHED IN A CHEAP FORM, IN VOCAL SCORE. 1 Barry, C. A. ...O Holy Night ... SSATB 6d 31 Griﬂiths, E. ...Solo_moii's Prayer (an Anthem) SATB 401 | 82 Macfarren,SirG.A.(Joseph No.23)See! Pharoah 13 Beale, W. ...Again the balmy zephyr (Round 32 (xuy. Henry ...I prithee send me back my heart ,, 4d * hath set Joseph Three Voices) SATB 6d. 147 Guzman, N. ...Blow, thou soft West WIDC3... SCTB “ Resurreution)H_vmiis; Late that ...Awake sweet music .. SSATB 4d 62 Hackman, L. Ye Franklyn SATB mom-nful eve was seen By the side of a grove ATFBB 6d 128 Hales. J. ...Syinpathy... ,, 4 _ _ ,( ,, )L1ves again om G101-ions ..How often from the steep SSAATTBB 197 Hatters1ey,F.K.’l‘hey that wait upon the Lord ,. d mg ...How soft the music ATTB (ml 270 1-iause ...It is not always .. ss ,, )0 Christian, cease to weep ...Scenes of Woe ,, 411 134 Heap, C. S. ...Who is Sylvia? ssrn ,,,D0xo]og'y ...I’1l enjoy the present time n 33 Hecht, E. ...At Night SATTB ...Remember not, Lord ...Lo! the pride of thevillageis dead SATTB 6d 34 _ ,, ...H11ul1ng Song ...The Lord sendeth ...Ode to the Memory of Samuel 55 rliggs, M. ...Queen of Fragrance .. ,, ' ‘ ...To Mary in Heaven Webbe .. ATTBB H4 213 H1ller,F. ...A song of Life ,, ‘ ...The Miller's Lassie... ...Oh! by yonder mossy seat .. ATTB 865 261 ...O weep for those .. 285 ,, ...Ye F1ow’ry Banks of Bonny Doon ...The humble tenant SATBB 4d ...Secret love (Stille liebe) SSA 107 Macfarren. W...Daybreak .. ...Th0u herald of the blushi_ng_nioi'i1 SATB Gd ...EXpectatioi1 (Ewartinlg) 17 279 Marzials, T. ...Eventide .. ...When Fanny blooming fair..._ ,, 4d ' ...Where may my__darling_be? (W0 168 Matthay, T. A Fairy’s Serenade . . . ,, ...Sing unto the Lord Canoii4 in 2 ,, 6d magmeiii s_chatzle sein P)... _ .. ., ' 1.58 Moir, F. L. .,,1v[e1~r_v March breeze __ Beethoven. L.v. Calm sea, andaprosperous voyage ,. 11- ...Th0u will: think of me «Du wirst‘ 177 ., ...Reading Abbey .. Benedict, Sir J. The Cherries are R1p¢._(Claudian) SSA 411 an mi denka) ,. 111. Moseley, C. ...Rondel .. Cherries are Ripe SATB 4:01 Who believes it ?(Wer‘.s glaubeii thut),, 112 ., ...Roseate Hues ,, ,, duet ... SA 4:1 .. Cuckoo song (Kukukslied) ,, 111 ,, .. Spring is coming Come to our Fairy ., Gd ...Partiiig song iScheidel1ed) 3 ., .. The First Flight ,, Welcome to our Prince SATB 4d 8 _ ,, ...Play on! (Spieletauf) . Netlierclift, J... , my dear maid 17 ,, H ' ,, ... ATTB 4nd Hine, G. ...Chi_ldren’s Goodiiigh 45 ...Tell me, tell me ... Bennett, G. J....Down in a green and shady bed ss 41d 91 ., ...Fair_ies... . ...’l‘he Ana-ler’s Glee ...Float gently Barcarolle SSA 4d 249 ,, ...O Birds that sing .. . _.,'1‘hou fatal 10ve ,_,See the Children ss 4d 139 Horsley, W. ...Blow light, thou Balniy Air 7 ,, ...Whither away ,. ,, ...They tell me love (Song of Love) SSA 4d 1 ,, ...Sweet is Evenings Oliphant's Ancient Ditties. An Aged Dame Berger, F. ...The Tritons .. sun 6d 101 Jackson, A. H. In the Cornﬁelds 4.8 1 w111n0g, my Beringer, O. ...The Post Horn TTBB 4d 104 ,, Lord Ullin s Daughter 1 My Lady had ,3, Bethune, C. ...E’en brings a’ Hame .. SATB 4d. 266 . ,, ‘ Siren’s Soiig To pitch our tons Bishop, Sir H. No Tocaran Campanas _sCi'i3 4d 155 ,, "l‘was when the seas ., ,, Ye sacred Muses Brahms, J. ...A March Night (Female Voices) 2d 100 Jarvis, S. ...When twilight dews -. -- Pari-att, W. ...Super ﬂumina Babylonis ...A saving health to us is brought 255 Kemp, Stephen 0 lady leave thy silken thread ‘ ' ‘ Peiiiiger, 0. ...Awake, the day is dawn:ng .. (Motett), Op. 29, No. 1 SATBB 6d 251 _ ,, Stars are with the voyager . 4. 96 ,, . mﬁomevvard from the col-“ﬁelds ...Ave Maria, Op. 12 .. ATTB 4d 108 Kjeriilf ...NO1‘Wegl:Ln Bridal Song .. ' ' V H "soon, too soon ,, . ,, , .. SSAA 4d 2 2 ,_, ...Serenade .. . . ,, ...Where the scarlet poppies ...Bai'cai'ole (Female Voices) 2d. 237 Khune, T. ...Volkslieder, Book 1 .. ~ ' 203 Philp, E. ...The Owl in the Ivy Bush ...Blessed are they that go mourning, 238 ,, ,, Book 2 .. 4d 97 Powell, W -R. .. My Ladie's eyes . . O . 45 ,. sun 6d 239 ,, ,, Book 3... 53 P)_‘en(1e];‘gﬁS‘l',_ A 0, Mistress mine ...How long wilt thou forget me SSA 6d. 240 ,, ,, Book43 .. _ .. ,, 51 Prescott, O. L. Our Conversation is in Heaven ...How lovelyis thy dwelling place... SATB 6d 259 Lambert, F. W. Oh. lull _iiie, cha,1‘n1111!! E111’. SSATB (Anthem) ...I€throughthe Olive Yard(Female Voices) 201 117 Lawson, S. ...Away with these self-loving lads SATB 50 ,, ...The righteous live for evermore ...Love Song ) 2d 28 ,, ...L)i1pid’s curse . .. .. ss 6 (Anthem) .. . sun Ad Miller’s Daughte ...The ballad of young John. dd C3 10% OOaL\'>€l!95‘\lIPL3 on an no it 97 97 H 77 ATBB id ., 4d ...Gaudeamus(Motett‘)‘ SATB ” ...Stabat Mater SAATB (()p_g,Eﬂag;)_,_ ...Questionings , .. ...Wilt thouuiikind SATB 89 ,, ...Magniﬁcat (F ﬂat) ...’l‘he Bridegroom 6 ,_, ...The Bride ( ,, Leslie, Hy. ...A Rose of the Garden 90 ,, _ ...Nunc Dimittis ( .. ...’l‘he Meadows at Wildbach( 45 ...Cherry Ripe . 121 Puzey, F. H. ...How amiable are thy dwellings 2 ...The ill/Iountains are Cold(( I ...Go1ge:i Sflumbers .. < 54 Read, J. F. H. Seregiade. The young Mn)’ moo 2 9 ,, The un .. ‘ ...Ur0 en ear is ea,1ni]1g- 12.7 Brouglitoii, J....'1‘he Better Land ' ...Kind Words_ 159 Redhead, A_ _,_1 know a, maiden 157 Bryant, R. ...Pysche ...Lullaby of Life 212 Reeve, P. ...The Vision ... 73 Cheshire, J. ...A Mother's Cradle Hymn ' ...O let ‘me play the Fool 55 Richards. 13, ,,,N0bod_y cares for the 151 Cleather, Nina Harvest ...Red Sun is Sinking 56 Rudall, H. A. ,__Da,y1),_-ea]; 103 Cooke. G. ...'1‘ic, Tic .. .. ,, ,, . . 91 Sangster, W. H.Aiiglican Chan * 153 Copeland ...(‘.arol . : ) ...Song of the Miniiesiiigers 92 ., , ' ._ 22 Coward, J. ...Airy fairy Lilian . ~ ...The Angel s.Visit 287 Santley, C. ...Ave Maria .. 42 ...Peaceful slumb’rii1g .. 2 ...The Rainbow 4 289 ,, ...Christus factus esk... ,, ,, ...We roam and rule the sea 262 Schloesser, A....The dawn of day . ,, . Summer morning . . 7 _ ,, ...Wilt) is the Angel . 157 Schubert, F. ...God in Nature, Op. 133 32 ,, ...The sun is bright Liebe. L. ...Chris1.mas Roses ' 21 ,, ...Spirit of Love 74 Cusins, W. G. ...Masonic Prayers 69 ,, ...Come, cliarni ot night ' ,, ...The Hamlet-, ,, 75 ,. .. Royal Wedding Chorale " ,, 1-Iynin of the Goths... cl 8 ,, ...’l‘he Nightingale I49 Davenport, F...Phillis is my only ...My home of yore Selby, B. L. ...A laughing song 152 ,, ,, ,, ...Pearl of the.Seasons 5 ,, ...Amaryllis 148 ,, ...Sweet day so cool . ...Song 0: Praise . .. 8 ,, ...M_a belle, si ton time 260 Dick, Uotsford Count-y.Guy .. .. ...The Heart s Rest Smart, 11. ...Pipe, red lipp’d autumn, pipe! 119 ,, Tears. idle tears _, , . ...The Soul s repose 1 ,, ...Softly come, thou evening gale 14.2 Distiii, ...Jack Horuer ' 3 _ ,, ...We two ,, ...The Curfew Ben 14,3 ” ,, ; ...... ... ‘ .. Liszt, F. ...Chorus of Reapers ,, Twilight. ,, (Tonic Sol-fa Edition) .. 3 ._ n .» 9y_ ' Soderman, A....Peasant Wedding March ...'l“wilight on the Lake s Lohr, H. ...A Border Raid Spotforth, R. ...L ape e la serpe ...Awa’, Whigs, awa’ .. 2d 2 ,, ...Aii April Shower 3 06 ,, ...Come, Clara, as the lily fair .. ...Duncan Grey ... . ,, ...When the Lord turned again Stanford, C. V. From me to thee glad Serenades ...Rantin’. Rovin’ Robin " (Psalm 126) n ii ...To Chloris ...Scots wha hae Lucas, C. Ah, fading Joy SSATB Stewart, Sir R. P. Night hurrying on ...'1‘heDe'il's awa' .. 29 ...Blessed be the Lord... ._.. sun 9 ,, eligiou ...Ye banks and braes .. Hail to the new-born Spring (Glee) ,, 6 Tait, A. Oh, what is the use of singing of love . ( .. ( 1 . V 52 ,. .. ...Now all the Roses E ...Sigh no more, ladies SSAA 88 P1-out, E_ ,,,M-agniﬁcat, and Nuuc Dimm-,1, ( , Kyrie... . ... 156 ,, ~ _ 185 Duvivier, A. D.Ave Maria . . ...Hosanua ,. 241 Engel, L. ...Our Loves . . ...O "God, the srength of all them . The Brook is purling 3 M 216 ,, ,, (Anthem)... . . Taubert, W. ...Cra.dle Song 200 Faning,Ea.ton Daybreak .. ,, ...O. Lord, open thou my lips 66 ,, ...Cradle Song (Ai'ra.i1god by J. G. 166 ,, ...Liberty... ..: .. ,, ...Sing. 0 Heavens . . . Callcott) 193 ,, ., (Tonic.Sol.fa) .._. ‘ Lutgen, H. J. ...Ave Veru_m .. .. ' Thomas, A. G-. ...Out of the deep (Psalm 130), 98 ,, ...Soiig ot the Vikings (Piaiioforte 51 ,, ...I-Ioly Saviour soprano 010 and Chorus Solo Accompaniment) . Macirone, C. A. Echoes . 95 Tuberville, W...Merrily Ho [26 ,, .. Song of the Vikings v. Piaiioiorte 17 ,, ...Ride a Cock Horse 288 Vicars, G. R. ...Children dear was it yesterday Duet Accompaiiinient) ,, ...The Avon to the Severn... 265 Visetti, A. ...Praise of Song 27 Flotow,F. voii... Serenade (with Clarinet and Harp 70 ., The Soldiei"s Dream 283 Ward, J. E. ...Rove not to the Rhine Accompaniment) . ,, 6d Mendelssohn ...0n.Mu_.sic’s wing ‘ 209 Watson, A. H. My Weather Glass t ...Rose and Lily Bell ss -id 87 ,, ...Parable of the Seasons 253 Weelkes ...Strike it up, Neighbour... ssn or TTB net, 4d - ...Spring-time (Chorus) ssc 601 4 ,, _ ...S1uniber Song ,, 267 ,, ...Alas! 0 Tarry 146 ,, ...Winter ,, Gd Macfarreii, Sir G. A. Blessed are they (St. John 268 ,, ...Ha, ha, ,, ” 256 Foster ...In the Forest . SA iiet Ital the Baptist) ssco 258 Wesley ...0mnia Vanitas SSATB 6d 281 ,, ...Welcome ...Evm_inanuel(Ant1iem_) TB 67 Westlake, F. ...Look all around thee(Spriiig Song) sun 4d 30 Gadsby, H ...Summer winds lie IS the Resurrectioii SOL-FA 179 _ ,. .. 0 Salutaris ... ,. 29 ,. ...The sea is calm .1. . ,, ,, _ .. SATB 109 White, M. V. ...Oh! Nannie .. .. ATTB 4d 28 ,, ...The So1dier’s Song (Male Voices) ...l.ike as a Father (David) . .. so 180 ' ,, ...Prayer _... sun 4d 290 German, J. E...'l‘he Chase . ...(Joseph'No.18) A voice was heard sun 110 _ ,, ...Stars are with the voyager ,, 4d 76 G11], J, ...S2l.V10u1‘, take me for thine own ...( ,, 29) O L)r_d, have mercy u 941 Wilbye, J. Draw on, sweet night ssunn -id 3 _— God save the Queen... ...( ,, 2) O praise our Lord ,, 68 Wolferst2in,E.P.Fair is my love (Male Voices) uvrn 44 3 ,, ...Sin;z, who Sings P rm; 6d 190 Ford, Eriies 99 vi 19 - 25 Gounod, Ch. ...Night andMorning... SA'1‘B2Li 81 ...( ,, 19) Lord of Diadems 13 STANLEY LUCAS, VWEBER 8: CO., 84. NEW BOND STREET, 85 325, OXFORD STREET, W.
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Title: Beware Take Care
Date: 1865
Text: As sung by MISS CLARA LOUISA KE 1g§,I,~..4\UU(U(. A Pricc,4'0 cts. ‘§2fE{\N0_ NEW Y0 RK GSCHIRMER 35 UNION S0. MEZZ0 SOPRAQ MUSIC LIBRARY VASSAR C0 >¢ ._ BEWARE! W'ard.s- by II. L0l\'GI'ELLOW'. Jlusic by C’. Jll () UL TOJV. 1. I know a fair to see, 2. She has two . soft and brown, care! She can both false and care! She'gires a side glance friend — Ely be, and looks down, 487 ' E1: to red (wen rvling in .4 Ci of C 0 11 g res8A.D. l 8 6 5, by Bee?‘ ¢%SC,d...
Show moreAs sung by MISS CLARA LOUISA KE 1g§,I,~..4\UU(U(. A Pricc,4'0 cts. ‘§2fE{\N0_ NEW Y0 RK GSCHIRMER 35 UNION S0. MEZZ0 SOPRAQ MUSIC LIBRARY VASSAR C0 >¢ ._ BEWARE! W'ard.s- by II. L0l\'GI'ELLOW'. Jlusic by C’. Jll () UL TOJV. 1. I know a fair to see, 2. She has two . soft and brown, care! She can both false and care! She'gires a side glance friend — Ely be, and looks down, 487 ' E1: to red (wen rvling in .4 Ci of C 0 11 g res8A.D. l 8 6 5, by Bee?‘ ¢%SC,d'T me?-, i’n‘the ('I€"rl".v Offic? of lhe_Di.s"t riot Court of the Southern District of New York. . ‘ f th we thee she‘s she’.s' fool — ing fool - ing Tru st ' Trus l thee ________ __ thee, _______ __ She’s fool - ing She‘.s- fool — ing _ /\ She's fool - ing SI: 93‘ fa 0 I -— ing she's fool — ing .s-he's fool 1.'11g of gold .. en And what shé foul — lug thee, .b She's fool — ing thee ........... -- she”s f‘0oV1 - ing She-’s fool — ']'11g f'\ J New Songs and Duets, Selected from the Catalogue of G. Schirmer, New York ALLITSEN, FRANCES, A Song of Thanksgiving (with Organ ad lib.) High, medium or low. — I know a little Rose. '(Ich Weiss ein Riislein roth.) M.-Sop. — Eight Heinrich Heine Songs: A Pine-tree standeth lonely. (Der Fz'c/zienbaum.) Two Sapphires those dear Eyes of thine. (Sttjﬁ/tire sinrl die Augen deizz.) Diamonds hast thou and Pearls. (Du /last Diamante” um! Perlen.) King Duncan's Daughters. (Die Botsc/mft.) Since my Love now loves me not. (Seit die Lieéste war mztferrzt.) Fathoms deep may drift the Snow. (Magda draussenSc/mee sic/1 t/tz?¢‘r1nen,) Oh Death, it is the cold, cold Night. (Der Tod das ist die /:22‘/zle Nae/ti.) Katherine. (lfat/Larine.) Complete in one Volume. net AMBROSE, R. S., One sweetly solemn Thought. Sacred Song. High or low. BARTLETT, HOMER N., Come, see the Place where Jesus lay! Easter Song. High or low. —— 0 Little Town of Bethlehem. Christmas Song. With Piano and Violin obl. High or low. —: Sayonara. M.-Sop. BLACK, JENNIE P., 3 Songs for M.-Sop: No. 1. Storm, the King! “ 2. The Rosary. “ 3. The Violet. BROCKWAY, HOWARD, Op. 22. Two Songs: No. 1. Would thy Faith were mine. Sop. Lend me thy Fillet, Love. M.-Sop. BUCK, DUDLEY, Boots and Saddles. (A Soldier's Farewell.) Ten. (Original) C; Bar. Ab. —— O, Saviour ofthe World. Offer- tory. High or low. Until God's Day. High or (K 2. -13» low BURLEIGH, H. T., Plantation Why Love is King. High or Melodies, Old and New. net CAMPBELL, G., For one sweet Smile. M.—Sop. CASTELLO,GEORGE E., 4 Songs for Sop. (or Ten.): To the West Wind. Cou1d‘st thou but know. Du bist wie eine Blume. sweet as any Flower.) Sehnsucht. (Yearning.) CLAY, FRED, The Sands o’Dee. Sop. (Ah. $0.75 .50 .50 .5o .60 .60 .4o .60 I.00 .50 DE KOVEN, REGINALD, Abide with me. Sacred Song for Alto. Barcarollez “You are the Moon, my Love.” Sop. ? Battle Grey. M.-Sop. Love’s Trinity. Alto. — My Nightingale. Sop. DENZA, L., In Shadowland. High or low. FREY, ADOLF, Over the Way. Sop. GOLDMARK, RUBIN, Op. 5. Four Songs for M.-Sop. (or Ban): No. I. Ode. “ 2. Spring Rains. “ 3. The old, old Song. “ 4. A Love Symphony. GRAY, HAMILTON, The Golden Pathway. High, medium or low. —— Purple Heather. High or low. d’HARDELOT, GUY, In Bracken- time. Sop. HASTINGS, FRANK S . , F air Helen. (Old Scotch.) High or low. —-— For Love of You. High or low. —— Rose dark the solemn Sunset. High or low. HAWORTH, C. E., At Last. High or low. HOMER, SIDNEY, Eight Poems by Tennyson : Break, break, break. M.-Sop. Gm. Sop. Bbm. Crossing the Bar. M.-Sop. Db, Sop. E. Sweet and Low. M.-Sop. Db Sop. E. Thy Voice is heard. M.-Sop. E]; Sop. F. Home they brought her Warrior dead. M.-Sop. Fj;m., Sop. Am. The City Child. M.-Sop. Eb Sop. F. Minnie and Winnie. D, Sop. Eb. Er]13id’s Song. M.-Sop. Bb, Sop. p. M.-Sop. LAER, C. E. van, Crossing the Bar. Sop. LEHMANN, LIZA, Mother Sleep. High or low. MASON, DANIEL GREGORY, I love him. M.-Sop. : Shall I upbraid or praise her? NEIDLINGER, W. H., Life and Death. Bar. F; Bass D. — Thy Face. Baritone. NORMAND—SMITH, GER- TRUDE, Four Songs for M.-Sop. (or Bar.): Auf der Heide. (On the Moor.) Das Hiiterkind. (The Shepherd Child.) Sunnenwendnacht. (S 0 ls t i c e Night.) Der Geworbene. (The Recruit.) $0.60 .50 .60 .60 .5o .60 .5o .60 .40 .5o .60 .50 .5o .60 PRICE, C. E. B., A Few more Years shall roll. —— My Father for another Night of quiet Sleep and Rest. Sacred Song for Bar. (or Bass). RODNEY, PAUL, Clang of the _ Forge. Bar F; Bass Eb. ROGERS, JAMES H., “Moods." Four Songs : No. I. Not from the whole wide World I chose thee. High or low. “ 2. Years have ﬂown since I knew thee ﬁrst. Sop. “ 3. You. High or low. “ 4. Who knows? High or low. SAAR, LOUIS V., Hark, hark, pretty Lark. Sop. With Violin. —— Lilian. Sop. With Violin. SARJEANT, J., Blow, blow, thou lVVinter Wind. High, medium or ow. STAHLSCHMIDT, ARTHUR E., Concita. A Serenade in Seville. Ten. (or Sop.). —— If I were loved. M.-Sop. (or Bar.). STERN, LEO, Soupir. (A Sigh.) Valse lente. High or low. THOMSON, SYDNEY, I heard the Voice of Jesus say. Sacred Song for Alto (or Bar.). TSCHAIKOWSKY, P., Pi1grim’s Song. Bar. (or Bass)E; Alto D. WARREN, SAM’L P., Faithful. M.—Sop. —— Waiting.‘ M.-Sop. WHITE, MAUDE V., How do I love thee. M.-Sop. (or Bar.). WHITING, ARTHUR, Barrack- Room Ballads (by Rudyard Kip- ling). (Da7myDeever. Zllmzda/rzy. Sacred Song for Bar. $0.75 .50 .5o .50 .50 Soldier, Soldier. F/uzzy— Wuzzy. net I.0o “ Floriana.” Poems by Oliver Hereford, from “Overheard in a Garden.” For Solo Voices and Piano. VOCAL DUETS. ALBUM ofsixteen Sacred Duets for various Voices. net Dvoiuix, ANTON, Echoes from Moravia. (Klange aus Méihren.) I3 Two-part Songs for Soprano and Alto. g. e. RUBINSTEIN, A., Eighteen two-, part Songs : g. e. Paper. Cloth. net 1.50 I.O0 net 1.00 1.00 2.00
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Title: Peace-Pipe, The, The Peace-Pipe
Date: 1915
Text: -I::1I- 'I'HE DELICE DIDE ,_. CANTATA J FREDERICK S. CONVERSE Stafué ’ ' §rom- I THE PEACE PIPE By Cyrusﬁnallin C.C.BlRCHARD & COMPANY BosToN IIZII IIEZIII THE PAGE PIPE CANTATA FOR MIXED “VOICES WITH BARITONE SOLO AND ORCHESTRA ‘TEXT FROM LONGFELLOVWS “HIA.VVAT’HA"‘ MUSIC BY FREDERICK S. CONVERSE Time Perforﬂzance Hay Hour (3. C. BIRCHARD 8: COMPANY BOSTON «B W Cop}/rzgﬁf, I915, Zzy C. C. Birr/zard <5‘ Company fnternatzbnal Copyrzg/zt secured This work comprises;...
Show more-I::1I- 'I'HE DELICE DIDE ,_. CANTATA J FREDERICK S. CONVERSE Stafué ’ ' §rom- I THE PEACE PIPE By Cyrusﬁnallin C.C.BlRCHARD & COMPANY BosToN IIZII IIEZIII THE PAGE PIPE CANTATA FOR MIXED “VOICES WITH BARITONE SOLO AND ORCHESTRA ‘TEXT FROM LONGFELLOVWS “HIA.VVAT’HA"‘ MUSIC BY FREDERICK S. CONVERSE Time Perforﬂzance Hay Hour (3. C. BIRCHARD 8: COMPANY BOSTON «B W Cop}/rzgﬁf, I915, Zzy C. C. Birr/zard <5‘ Company fnternatzbnal Copyrzg/zt secured This work comprises; Piano-vocal and orchestral scores. All rzgrlzts.‘ are reserved’. Attention is hereby directed to the. Copyright Law of the United States of America in force July 1, 1909, the pro- visions of which will be strictly enforced against unauthorized users of this work or any part thereof. Note especially that among other things the said law protects the proprietors of this work against the unauthorized copying of any part thereof. C. C. BIRCHARD 8: COMPANY, BOSTON. Publishers and sole proprietors of all rights for all countries. THE PEACE PIPE FROM LONGFELLOW’S “HIAWTATHA ',0n the Mountains of the Prairie, On the great Red Pipe—stone Quarry, Gitche Manito, the mighty, He the Master of Life, descending, On the red crags of the quarry Stood erect, and called the nations, Called the tribes of men together. From his footprints ﬂowed a river, Leaped into the light of morning, O’er the precipice plunging downward Gleamed like Ishkoodah, the comet. And the Spirit, stooping earthward, With his ﬁnger on the meadow Traced a winding pathway for it, Saying to it, “Run in this way I” From the red stone of the quarry With his hand he broke a fragment, Moulded it into a pipe—head, Shaped and fashioned it with ﬁgures; From the margin of the river Took a long reed for a pipe-stem, With its dark green leaves upon it; Filled the pipe with bark of willow, With the bark of the red willow; Breathed upon the neighboring forest, Made its great boughs chafe together, Till in ﬂame they burst and kindled; And erect upon the mountains, Gitche Manito, the mighty, Smoked the Calumet, the Peace-Pipe, As a signal to the nations. And the smoke rose slowly, slowly, Through the tranquil air of morning, First a single line of darkness, Then, a denser, bluer vapour, Then a snow-white cloud unfolding, Like the treetops of the forest, Ever rising, rising, rising, Till it touched the top of heaven, Till it broke against the heaven, And rolled outward all around it. Hiawatha v Fromthe Vale of Tawasentha, From the Valley of Wyoming, From the groves of Tuscaloosa, From the Northern lakes and rivers All the tribes ,beh.eld the signal, Saw the distant smoke ascending, The Pukwana of the Peace-Pipe. And the Prophets of the nations Said; “Behold it, the gPukwan:1 .9 By this signal from afar off, Bending like a wand of willow, Waving like a hand that beckons, Gitche Manito, the mighty, Calls the tribes of men together, Calls the warriors to his council 1-” Down the rivers, o’er the prairies, Came the warriors of the nations, Came the Delewares and Mohawks, Came the Choctaws and Camanches, Came the Shoshonies and Blackfeet, Came the Pawnees and Omahas, Came the Mandans and Dacotahs, Came the Hurons and Ojibways, All the warriors drawn together By the signal of the Peace~Pipe, To the Mountains of the Prairie, To the great Red.~Pipe-stone Quarry. And they stood there on the meadow, With their weapons and their war—gear, Painted like the leaves of Autumn, Painted like the sky of morning, Wildly glaring at each other; In their faces stern deﬁance, In their hearts the feuds of ages, The hereditary hatred, The ancestral thirst of vengeance. Gitche Manito, the mighty, The Crea-tor of the nations, Looked upon them with compassion, With paternal love and pity; Looked upon their wrath and wrangling ‘THE But as quarrels among children, But as feuds and ﬁghts of children} Over them he st,ret(:b.ed his right hand, To subdue their stubborn natures, To allay their thirst and fever, By the shadow of his right hand; Spalre to them with voice majestic As the sound of far—off waters, Falling into deep abysses, Warning, chiding, spake in this wise :-- “O my chiidrenl my poor Children! Listen to the words of wisdom, Listen to the words of warning, From the lips of the Great Spirit, From the Master of Life, who made you! “I have given you lands to hunt in, I have given you streams to ﬁsh in, I have given you bear and bison, I have glven you roe and reindeer, I have given you brant and beaver, Filled the marshes full of wild-fowl, Filled. the rivers full of ﬁshes; Why then are you not contented? Why then will you hunt each other? “I am weary of your quarrels, Weary of your wars of bloodshed, Weary of your prayers for vengeance, Of your wranglings and dissensions; All your strength is in your union, All your danger is in discord ; Therefore be at peace henceforward, And as brothers live together. “I will send a Prophet to you, A Deliverer of the nations, Who shall guide you and shall teach you, Who shall toil and suffer with you. If you listen to his counsels, Yoiu will multiply and prosper; "If his warnings pass unheeded, You ~._will fade away and perishl. Hiawatha PEACE PIPE “Bathe now in the stream before you, Wash the war—paint from your faces, Wash the blood-stains from your ﬁngers, .'t3ury your war--cJ.ubs and your ‘wv:.apx)r2s,, Break the red stone from this quarry, Mould and make it into Peace-Pipes, Take the reeds that grow beside you, Deck them with your brightest feathers, Smoke the calumet together, And as brothers live henceforward I” Then upon the ground the warriors Threw their cloaks and shirts of deer—skin, Threw their weapons and their war—gear, Leaped into the rushing river, Waslied the war-paint from their faces. Clear above them ﬂowed the water, Clear and limpid from the footprints Of the Master of Life descending; Dark below them ﬂowed the water, Soiled and stained with streaks of crimson, As if blood were mingled with it! From the river came the warriors, Cleaned and washed from all their war—paint; On the banks their clubs they buried, Buried all their war—like weapons. Gitche Manito, the mighty, The Great Spirit, the Creator, Smiled upon his helpless children! And in silence all the warriors Broke the red stone of the quarry, Smooth.ed and formed it into Peace—Pipes, Broke the long reeds by the river, Decked them with their brightest feathers, And departed each one homeward, While the Master of Life, ascending, Through the opening of cloud-curtains, Through theiidoorways of the heaven, Vanished from before their faces, In the smoke that rolled around him, The Pukwana of the Peace~Pipe! The Peace - Pipe . CANTA-TA For Mz'xed Chorus, Baritone S010 and On:/zes2‘m. Words from Longfe11ow’s “'HL‘zzwatha” Music by F. S. CONVERSE Largo ed espressivo molto /\ . If M" 0.9}: ress. Copyright MCMXV by-C. C.VBirchard &‘ Co. International Copyright Secured. Made in U'S‘A‘ CHORUS SOPRANOS _ l a tmnpo - f On the mounmtains of the prai -rie, TENORS CI: f great Red P.ipe»s‘tone Quar» ry, Gi - tch‘e Man — i — to, the ALTO f great Red Pipe—st<_>ne Quar - ry, Gi -tche Man -~i - to, the BASS - Largamente /°.?\ /6% Mas-ter of Life) de — seen - f cresc. C’7'€Sb'. /7 He the ‘Mas-ter of Life, de -« seen — CW880. f ? Molto Sa.1'gamente e maestoso 6”» 9 poco wit. a, tempo 72f red crags of the red crags of the quar - fy, quar - ry, a tempo f Stood e - rect, and called the f Stood e — rect,.._______v______ Stood e - rect, and called the Called the tribes of men to - geth _ and called the na -‘Lions, Called the tribes of men to — geth na - tions, P000 No‘. A 53 Allegro mode‘-rato From his foot - prints flowed Allegro m0demtL0 f. Leaped in-to the light of f Gleamed like nf f O’er the prec — i—pice plung - ing down — Ward, Ish- koo—dah, 72_zf And the Spir - 17 /.\ 19 cam‘(Ib1'Ze 7)§f With his fin 72_zf stoop — ing earth—Wa.rd, With his Traced a f f Traced a f Traced Say-ing to "f creso. 7” 07-030. 7 Say~ing to mf crew. i _vvay!” xvayl” Largamente 20 Lar amente Say4ing Say-ing . Moderate Ffom the red stone of the quar -.ry _. J 21 Moderate Mould — ed With his hand he broke a frag = meh't,__ A//_\\ Shaped. and fash-ionedit with. ﬁl it in-to a p1pe - head)..___ Shaped and fash—ioned it with ’ 72_zf “ ~the mar-gin of the riv - _.f_._T.__.. /‘« ﬁg - ures ;___é .fig - ures;___ A the mar-giri of the riv :- 23/._———-—T Took a long _ reed for a pipe’ — Togk a- long ’ 17 Filled Iﬁhe . P 10 t i V 12 With its dark greenleaves up - on it; . - Filledi. thg. Q1’ ‘ P of the . pipe with A bark __ ' With the P —=-;* 1’ . pipe with bark ' ; With the bark of the. P -i‘ 71.1/L. ‘ f“_:__- - 1ow;_ Breathed,__ up -on the neigh-b’ring for - 7” cresc. '—‘--— Breathed___ up - pg the neigh-b’ring' for cresc. f "*'--—~ its great boughs chafe to - geth — >>.> ff ff.———-——— its great boughs chafe to" — geth ..____-- run 33"‘ 3 in flamethéy’ burst ‘and kin~d1ed; in flame they burst and kin - dledg V/\\ (‘X 67'€-5'0. 8877?}??? 5; Molto Largamente the moun-tains,‘ Gi-tche Man - i-to,the might ﬂf the moun-tains, t Gi-tche Man - i—to,the might 26 Molto Largamente 0 /—$ ' : ff dim. Smoked the Smoked the . Sig-nal to the :;ig‘- nal to the 27 t' - u-met, the Pipe, cal - u-met,the Peace — Pipe, S _ poco Wit. .1’? dim. .5’ pm b p\../ :9---': ,\ ' : \__-____'j Aﬂrzcca [V911 F % o L 18 Female Chorus N- SOPRANO_S- .Modcrat0 e grazivo so smoke rose slow-ly, "slow - Copyright,1917, by C.C. Birchard & Company Through the tran -quil line of_ déns - er, 1’ Then a snow-White cloud un - fold - 7)! ’ cresc.‘ .Like the tree-tops of the 777 ‘cresc. 77? C7”(:‘6‘(}. Till it touched the 077280. f ’ ~ cresc. ‘crest molto . Till it broke. a» gainst the heav - f Cress} molto __féresc. oito cresc. molto And rolled outnward. f c1'esc_[ molto f cresco mo 0 P000 phi mosso of VTA — wa - sen - tha,.__ From the val - ley of Wy - o - Frofn the groves of ‘ From the Northern lakes} and riv - Meno mosso e poco_ largamente the. tribes be — held the ' sig - smoke P17 : The Puk- Tranguﬂlo The Puk-wa - na 14’ . wit. A/iaccrz Nﬂlff N9 III Male Chorus: TENORS - . Moderat f /7 And the Prophets of the na-tions. said: “Be-h_o1‘d if, BASSES “Be—ho1d it, be - 49 Dﬂoderato f::—=-— 1'7 ' "(T ~% — V Bythis sig - nal Bend-ing like awand of wil ﬂy" hand /T Way - ing ’like a m / that beck-ons, Calls the tribes Mar}— i 7 to, the might - -11;’ ‘ marcafo Calls the ‘ Poco Largamente Gi‘- -tche of men to geth . - war - riofs to his coun -ci1!’.’_._. trem. /// Atiacca M’ [V Full Chorus 52 Allegro con fuoco ff 1" 6, ./7;. ‘o’ef the riv - ers, L. N9 IV .5 .the prai - ries, ff> Came ‘V the war - riors, L 1.. 53f Game the Del - a—wa.res a'nd_... f ~Came the De_1 - a-wares and _ .Mo-‘hawks, ‘Game the Sho-sho-nies and \ ..u==--"“"""" .______ : A Came the Chock-taws and Ca - Mo-hawks, ’ Came ' the Sho-sho—nies and ...——------'_____?—'_'''‘__‘’‘'‘> Came ’ the Chock-taws and 4 Ca - L >- > .>- ff~\ -Bvlaclk - Vfeet, Came the Man - dams and Da —. I ‘ L 11% Game théPaWnee§ and O - ma ff ,\...:j__:==_. Black - feet, Came the Man 7- dams and Da — .f Came the Pawnees and 0 - ma Came the Hu-rons and O - the H11 - rons ‘and O - jib - ‘Game "the Hu-rons andv O -. the ‘Hu - rons and O - jib V- ’ f crcns-0. All the war — ri —ors drawn to - c7-"(>,._s~(:. the war—ri—ors drawn to - geth — f C’/'(2.S‘l3. All the war — ri—ors drawn to .- CT880. the war- r‘i-ors drawn to - geth - f I m c°m2sc. /K\ f q_.J. "II A If?" the Peaee - Pipe, Peace - Pipe, the Peace - Pipe, * sig - nal of the Pea_ce - Pipe, Peaxce - Pipe, of th Pea"ce - Pipe, /——-\ 3 the Mouri-tains of the Moun-tains of the. great Red _Pipe 7 the gfeat Red Pipe. f And they stood there on >.. And they, stood there on >- With their weap-ons and their With their weap-ons and their Paint - ed like the leaves Paint-"ed like the leaves of Paint-ed like the sky .2’ Paint-ed 1ike’the \'._/ sky... of morn - ing, %‘*~...:_.=..._ 7}! ._.__{_._”___"":. Like the sky of morn - ing, glar - ing at each‘ oth - er; g1ar— ing at eadh oth ~ er; Ease. sempre poco a ' cresc. sem e 110.00 a 11000 In their: fa - ces stern de- fi — ance, he CTBSC, S6ﬂ2]}1”€ [1000 ll }’0€0 their fa - ces A stern de - fi — ance} in their hearts the feuds hearts In their } se-mpre mafcuto >/'—\ thirst thirst ' geance, - geance. > - geance. L Aﬂacca ‘Ni’ 9V Full Chorus Largamente cresc. moltu P1 \. 1' I F‘! III ‘I T‘) \ "‘l A I I Ir :1 1 . 7 A \ U + 5 I L U Gi-.tche Man - i—to,the ' y, 7”- g ' fl I The cre .- cresc. moita F‘! ‘F T : IL. 1/’ "' at hd ‘II ‘E I v V 7 Q \ IL I) \ v ‘EL 1 J ’ ._ .._____.d.. u 4 ‘ xii ‘-—...Z tche_ Man-i.—to, the might — y) \ U Gi .. H! Li! ' an . '| H II 4 I cresc. malto ,1 F“! \I’l [I] ~ ) -7 /A J» Lar amente /":‘\ 60 mf ~ a- tor of the W fff .—..——=»—- .a—tor of the - tions. dim. molto The f’ .. -' r" 5 GT8 ." \ I I 4‘ cresc. molto cresc. ma to 1/ Looked up -~ on themwith com—pas-sion, g, love and 12000 Mt. &___j VVﬁh pa —tenna11oveand pit yy i"..;—"‘_._ poco 7'1,’ 15. love and '/"it. — 71¢’) ~ Lookgd I y,£f>Va tempo ‘_ c7*e.s'o..S‘em]J1'e Looked up — on theh- ‘wraﬁx and wrang - Hug V "if a‘ 139771190 " ’ .sem}n"e poco a $___/ Wrath and wrang - ling and right hand , 4 Wm-. 1 . . L» +1. ‘ ""”"*“"L *”*T%*““t 1 I r I 1 A 1 U - x 3 1 \f T V 1 n - . , ’-\ K T ‘T 41 I I V » 7 5 I E I ‘R them stretjched his fights of chil-dren! he l/_l\- \ dim. -L ‘ I1: — I I §'— T‘. ' . fights of c'hi1-drenlv A L i . V mﬂijjn ’ " I " ' ' ' , _ 1 r ' Y stretched his right hand, I I 1 1 I 0 fights of chi1—drcn! their stub .— born - tures,Tob al — lay-.. their their stub ~ born na - tures,’I‘o __.__.___——~——— —-—~_ ___._ L ___,___‘___ _____ ___ _ (J 9 ft, J crew. = -t*h1ﬁ*—E9— |[‘ I I I I I L r ! 'l 1 I I ’ . thirst and fe — ver, By the shad—ow of_.. his right hand,- By the shad — OW ', right--- hand,- I I I G Molto Largamente Spake to them with voice ma-jes - ff Spako to them with voice ma-jes — J."/' sound of far off wa >- As the sound offar off wa Fall - ing in - to L deep a - byss - es, Warn — ing, chid-ing-, Fall — ing‘ in — to deep at - byss - es, Warn - ing’, chid-ing, Attaccaa.1V.'.’ VI N9 VI ’Bari‘t-one Solo Molto Lafgamente e Maestoso \._.3 »/ O my chi1—“dren! my poor chi1—dren2 Lie »-ten to the words of f\ 7I£f _ f Lis—ten to ‘chewords of warn - in.g,__ . From the lips of the G1'eaf Spir— it, From the Mas - ter of Life, who made youi poco Wit. 68 I have giv’n you lands to hunt in, I have giv’n you express. /______$ T’ streams to fish in, I have giv’nyou bear and bi-son, A ‘L2 /5} 69' I have g‘iv-en you roe and rein—deer, I have giv-en you brant and bea - ver, {T 3 full of fish -es,' /3 ‘F . ‘f. Why then are you not con-tent—ed?.‘ ‘T . /-\Q ____________.~.—._ Why then will you hunt each oth - er ? C’I'e5'C. *8?” 7'3 74]’ 1} of your quar.-rels, Wea nif cresc; semp re wars and b1ood—shed, Wea - ry of... your pray’rs for ven « geance, Z"§‘\ ' b1J"“\ .Of your wrang-lings and dis’-sen — sions; 72 ‘F; 1,4 ”f your strength is ' your ' un - ion, 7 ]"\_./ ...__._._...__———————- -V. All your dan - ger ' in dis - cord; There -fore‘ ~/vv f be atpeacehencefor-ward’ ' And as broth-ers ‘ 1ive._ to-Ageth-er.. /‘\ f V Lar amente ‘ will‘ send a proph _ _et ff- — rer of the na - Who shall guide you and shall teach you Who shall. ) /‘S > WFV I and suf-fer with lis - ten .to his coun sels, ‘ H1111‘ '” ti'P1YLa“d« 75 /—x cresc. sempre poco a pace warn - ings pass /.-—~§‘\ C1‘(.‘SC. 8 ]}7‘8 }?0C0 (1 I700!) ffg ./"""""“‘\ 77 Bathe now in the" stream _ be-=for”e W""”'" mf ; 2 % 'Wash the war ~ paint from___._ iyour fa f Wash the blood — stains KT Bur—yyourwar — clubs and your weap — ons, /~’-f“--\ nff Break the red-stonefrom this quar - Z"‘.-jj - — Pipes,.____ "V Take I the. reeds that grow be — side 3 2 them with your bright -est feath ers live hence -.- Molto Largamente P000 piﬁ mosso, Ina live hence—for — ward! . 81 -S/f3 calla trace maestoso Attacca N9 VII Full Chorus Allegro modereito 82-ff shirts of their ' weap 71_zf Threw their Weap - ons in - to the rush-ing riv --er, f Le‘aped in - to the rush - in - to the rush-ing 4 xriv - er, Washed the . Hg” c7‘e.sc. sempre L_—_____f,/ paint from their . __ ._ .._______. a - ngf cre.s'c.sempre Clear 9. - cresc. sempre war — paint ' their fa - ces. flowed flowed ‘Clear "ff c7'c.s'c. J?’ the foot the — ter of L1'fe_~_____________,_ de - scend: - - ter of Life de — scend - 'ffA —__.—~_—:3 flowed flowed .89 7” cresc. tre m . Soi1ed__ and stained 7” c're.s-c. L__,‘/ "(f 07-980. Soi1ed__ and stained ngf % 7” crew. ‘\_T streaks... streaks... Andante coil moto nf From the riv — er... the war— riors,- Andante con ‘mote mi the riv \2 all thei_r war - paint; Cleaned and washed from the war riors, f. .C1eaned andwaished from all theirwar ~ paint; «¢..;.._:~._—~___ f _._._———~ On the banks their clubs they bur - ied, .1’ From the riv — er came the war— riors, the banks their clubs they bur poco Mt. my twar - _1ikeweap - ons. mt. 7/1 the war 5 riors, crzntabile molto From the wa - ter__ thewar- riors,. 94 /"“'\ /""'—-T ‘ nf J A ied all their war - like weap - ons. _,..._....—— ~-—_._. the banks their clubs théy bur . ied all their Cleaned and washed from _ their war—paint, the banks their _ Z5 . .___f_$_=_*_“_ — tcheMan — i — to, themight -y,.. - likeweap - Bur-Vied all their watr-like weap-ons. clubs they bur - ied, Bxir - ied all their war - like weap- ons. . The Great Spir — it, the might -y,. The Great Spir - it,‘ The cre - a - ‘, up—on his help - less chil--dren! /§\ L -f The ore’? 3. -V é up-on his help « 1esschi1—dren! .........~._——~—-———~'~-————-—-—-~——--- f 67 P000 meno mosso e tranquillo 7/if And in si -lence help - less chil~dren!. wit. his help-less chi1~dren! MR5. Poco mono mosso e tranquillo 97 _S,_ the war — riors Broke the red stone the qua!‘-ry, Smoothed and formed it ' - to Peace-Pipes, Broke the long reeds 7).’ A - P by the riv — er, Decked them with their bright - est feath - ers, 17 :9 Decked them with their bright - est feath-ers, . P each one home - Ward, Tranquillo molto p atempo While the Mas — ter of Life, poco rit. a tem 1,0 each one home-ward, While_ the Mas.— ter of pogo M" 13. 99 Tranquillo molto 2 /’''''‘‘”'‘‘'‘‘‘“~~\\ ._ _/" iwco 1? c»t«“%2°¢’_..———~\.L as-cend—ing", as—cend-ing‘, Through the ope-ning of cloud cur- tahins, Through the doorways of the. Through the ope-ning‘ of cloud cur-tains, Through the doorways of the P ,//‘Ti; # Meno mosso 27 dim. Van-ished frombe-fore their dim. p dim. heaven,‘ Varhished from be-fore their j? dim. Mono mosso /"Via-‘ \_ p dz"m. mm. corda ’\ Largame,n‘te I ,1, ¢: smoke that rolled . a -= round uhixg, The Puk- P P smoke that rolled a - round The Puk — 100 Largamente /17 fig /- °/“T - PP ' ‘p ‘_"_____\_N of the Peace - . I of the? Peace — 3/“T ____..——-- :-===-mv .f%r.a:e;_\"‘“** 9:, ‘ * PP The Puk -wa - na PP The Puk- wa - na P1’ .¢:~_ L2‘ ' 171) mm corda -0-‘ pp Adagio The Peace 103 Adagio Bircbard Cantatas For Mixed Voices ADMIRAL OF THE SEAS. Text by CDRDELIA BRooI<s FENNO; Music by HENRY HADLEY. Splendid for schools. Orch. available. Time, 20 minutes. Piano-vocal score, $1. CHILDE JESUS. Christmas cantata. Text by HAZEL JEAN KIRK; Music by JosEI>H W. CLOKEY. Splendid for schools. Orch. avail- able. P. V. score, $ .60. Time, 25 minutes. ELIJAH. Mendelssohn’s oratorio edited by ALBERT SToEssEL. P. v. score, $1.50. For advanced schools and choral societies. FOR HE IS RISEN. Poem by ROBERT HILLYER; Music by Joseph W. CLOKEY. Easter cantata. For advanced schools and choral societies. Orch. available. Time, 20 minutes. I’. v. score, 3} .75. FOUNTAIN OF YOUTH. Poem by M. JOSEPHINE MDRONEY; Music by E. S. HOSMER. Splendid for schools. Orch. available. P. v. score, $1. GLORIA IN EXCELSIS. A Christmas carol. Poem by J. LILIAN VANDEVERE; Music by JosEI>H WAGNER. Well adapted for schools or choral societies. Orch. available. Time. 15 minutes. P. V. score, $ .35. GOLDEN JOURNEY TO SAMARKAND. From the play by JAMES ELRDY FLECRER; Music by GRANVlI.LE BANTOCK. For choral societies. For unaccompanied singing. Time, 15 minutes. P. v. score, $. .75. HALCYONE. =‘» Text by DAVID STEVENS,‘ Music by LAURENCE POWELL. For choral societies, with orchestra. Time, 15 minutes. P. V. score, $1. I HEAR AMERICA SINGING. Poem by WALT WHI'rMAN; Music by HARVEY B. GAUL. For advanced schools and choral societies. Orch. available. Time, 15 minutes. P. V. score, 35 .60. I WILL PRAISE THEE, O LORD. Text froirr 9th jﬁsalm,‘ Music by FREDERICK S. CoNVERsE. For advanced schools or choral societies. Ac- companiment for organ, piano, 2 trumpets, 3 trombones. Full orchestration available. Time, 15 minutes. P. V. score, $ .50 LAST SUPPER, THE. Text by DE CAs'rELLANI (16th century) ; Music by G. FRANCEsCo MALu>IERo. For choral societies and advanced schools, with orchestra. Time, 20 minutes. P. V. score, $2.50. LAMENT FOR BEOWULF. Text from the Anglo- Suxou ej:ic,- Music by HowARD HANSON. For choral societies and advanced schools, with orchestra. Time. 20 minutes. MAY THE MAIDEN. Choral dance cycle from the ballet music of Gounod’s Faust, para- phrased by HARVEY WORTHINGTON LooMIs. Splendid for schools. Orch. available. Time, 15 minutes. P. V. score, S .35. . MIRTIL IN ARCADIA. Text by LoUIsE AYRES GARNETT,‘ Music by HENRY HADLEY. For cho- ral societies and advanced schools, with orches- tra. Time, 2 hours. P. V. score, $2.50. MYSTIC TRUMPETER, THE. Poem by WALT WHITMAN,‘ Music by H. MAURICE JACQUET. For choral societies, with orchestra. Time, 1/4 hour. P. V. score, $2. NEW LIGHT, THE. Easter cantata. Text by GRANVILLE HICKS,’ Music by STUART B. HDPPIN. Splendid for schools or choirs. Orch. avail- able. Time, 25 minutes. P. v score, $1. OFFRANDES. Poems by VINCENT HUIDOERD and Jose JUAN TAELADA; Music by EDGAR VAREsE. For soprano voice and chamber orchestra. Time, 10 minutes. Full score, $5. OLD JOHNNY APPLESEED. Text by WILL DEEMs; Music by HARVEY B. GAUL. Splendid for schools. Orch. available. Time, 4-0 min- utes. P. v. score, $1. OLD PLANTATION DAYS. Text by FREDERICK H. MARTENE; Music by N. CLIFFORD PAGE. Splendid for schools. Orch. available. Time, 25 minutes. P. V. score, 3? .75. OUT WHERE THE WEST BEGINS. Poem by ARTHUR CHAPMAN,‘ Music by SAMUEL RIcHARDs GAINES. Splendid for schools. Orch. available. Time, 10 minutes. P V. score, S .25. PEACE PIPE, THE. Text from LONCFELLOVV,‘ Music by FREDERICK S. CoNVsRsE. For advanced schools and choral societies. Orch. available. Time, V2 hour. P. v. score, $1. PRINCESS ULALIA. Lyrical fairy tale. Text and music by G. FRANCEsCo MALIPIERO. For chorai societies, with orchestra. Time, % hour. P. v. score, $2. REX GLORIAE. Text and Music by SAMUEL RICHARDS GAINES. Christmas cantata. Splen- did for schools and choirs. Time, 10 minutes. P. V. score and parts for narrator and violin,= $ .50 complete. SATURDA‘Y’S CHILD. Poem from “Color” by COUNTEE CULLEN; Music by EMERSON WHITHORNE. For choral societies, with or- chestra. Time, 20 minutes. P V. score, $2. SCARLET HERON, THE. Text by FREDERICK S. MARTENS; Music by WILLIAM LESTER. For advanced schools and choral societies. Arr. for male voices. P. v. score, $ .75. SPRING RAPTURE. Text by NELL R. EBERHART: Music by HARVEY B. GAUL. Splendid for schools. Orch. available. Time, 20 minutes. P. V. score, $ .75. VILLAGE BLACKSMITH, THE. From the poem by LONGFELLOW,‘ Music by SAMUEL RICHARDS GAINES. Splendid for schools. Orch. avail- able. Time, 20 minutes. P. V. score, $1. VISION, THE. Text by CDRDELIA BRooI:s FENND; Music by SAMUEL RICHARDS GAINES. For ad- vanced schools and choral societies. Orch. available. Time, 1 hour. P. V. score, $1.50. VISION OF SIR LAUNFAL, THE. Text from poem by LowELL; Music by LEO SOWERBY. For advanced schools and choral societies. Orch. available. Time, 1 hour. P. V. score, $1.50. WHEN THE CHRIST CHILD CAME. Christmas cantata. Text by LAURA SPENCER PORTER,‘ Mu- sic by Jossrrr W. CLOKEY. For advanced schools and choral societies. Orch. available. Time, 20 minutes. P. V. score, $ .75. WORD MADE FLESH, THE. Christmas cantata. Text from Scriptures; Music by FRANZ BoRNsCHEIN. For advanced schools and choral societies. Orch. available. Time, 20 minutes. P. V. score, $1. VVRECK OF THE HESPERUS, THE. Text from the poem by LONGFELLOW,‘ Music by CHARLES H. MILLS. Splendid for schools and choral so- cieties. Orch. available. Time, 20 minutes. P. V. score, $ .65. C. C. BIRCHARD &. COMPANY BOSTON 221 Columbus Ave. Address Boston Oﬂice 113 W. 57th St. NEW YORK ALL AT SEA. Operetta in 2 acts. A Gilbert and Sullivan Dream, combining the most famous songs and choruses from the Gil- bert and Sullivan o_peras. 15 principals; unlimited chorus. Time, 2 hours. $2. BELLS OF BEAUJOLAIS. Operetta in 2 acts. Libretto by DAVID STEVENS; Music by LOU1s ADOLPHE COERNE. 18 principals; unlimited chorus. Time, 2 hours. $2. CONTEST OF NATIONS. Operetta in 2. acts. Libretto by FREDERICK H. MAR- 'rENs; Music by N. CLIFFORD PAGE. Time, 1 hour. $1. DRAGON OF WU FOO, THE. Operetta in 2 acts. Libretto by DAVID STEvENs; Music by CHARLES REPPER. 12 prin- $2. DOUBLE-CROSSED. Operetta for boys in 2 acts. Libretto by ROBERT F. ALLEN; Music by W. FRANKE HARLING. 17 prin- cipals; unlimited chorus. Time, 1 hour. $1.50. EMPEROR’S CLOTHES, THE. Operetta in 3 acts. Libretto by FRANCIS G. RICHARDS; Music by JOSEPH W. CLOKEY. 6 prin- cipals; unlimited chorus. Time, 2V2 hours. $2.50. HAPPY JACK. Operetta in 2 Acts. Libretto by SAMUEL BATCHELDER; Music by HENRY HADLEY. 10 principals; unlim- ited chorus. Time, IVZ hours. $2. IN ARCADY. Operetta in 2 acts. Libretto by DAVID STEVENS,‘ Music by ARTHUR BERGH. 14 principals; unlimited chorus. Time, 2 hours. $2. IL FINTO ARLECCI-IINO. (The False Harlequin). Operatic comedy in 2 parts. Libretto in Italian and Englisb by ANNA MALIPIERO and DAVID STEVENS; Music by G. FRANCESCO MALIPIERO. 7 princi- pals; extras and chorus. $3. LOVE’S SACRIFICE. Pastoral opera in 1 act. Libretto by DAVID STEVENs; Music by GEORGE W. CHADWICK. 4 principals; small chorus. $1.50. cipals; unlimited chorus. Time, 2 hours. Birch.-ard Operettas and Operas for Mixed Voices LEGEND OF THE PIPER. Opera in 1 act. Libretto by JOSEPHINE PREsTON PEA- ‘BODY,’ Music by ELEANOR EVEREST FREER. — 10 principals; chorus. Time, 45 minutes. $1.50. 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Title: Scenes from the Song of Hiawatha
Date: 1900
Text: COMPOSITIONS BY 3. COLERIDGE-TAYLOR. SCEN ES FROM LONGFELLOW’S “SONG OF I-IIAVVATHA”. FOR SOPRANO, TENOR, AND BARITONE SOLI, CHORUS, AND ORCHESTRA P-‘ice, complete, 3s. 6d. ]. BENNETT and A. ]. JAEGER, IS. (0 . ). ' Paper Boards, 43. Cloth, gilt,P5g.(.) Tonic Sol—fa, 2s. Book of Words, with Analyses by VVords only, IOS. per 100. Full Score, 633. SEPARATELY FROM THE ABOVE :— (I) H|AWATHA’S WEDDING-FEAST CANTATA FOR TENOR SOLO, CHORUS, AND ORCHESTRA (OF. 30, No. 1). Price Is. 6d. Tonic Sol...
Show moreCOMPOSITIONS BY 3. COLERIDGE-TAYLOR. SCEN ES FROM LONGFELLOW’S “SONG OF I-IIAVVATHA”. FOR SOPRANO, TENOR, AND BARITONE SOLI, CHORUS, AND ORCHESTRA P-‘ice, complete, 3s. 6d. ]. BENNETT and A. ]. JAEGER, IS. (0 . ). ' Paper Boards, 43. Cloth, gilt,P5g.(.) Tonic Sol—fa, 2s. Book of Words, with Analyses by VVords only, IOS. per 100. Full Score, 633. SEPARATELY FROM THE ABOVE :— (I) H|AWATHA’S WEDDING-FEAST CANTATA FOR TENOR SOLO, CHORUS, AND ORCHESTRA (OF. 30, No. 1). Price Is. 6d. Tonic Sol-fa, Is. Vocal Parts, IS. each. Words only, 5s. per 100. String Parts, 8s. 6d. Full Score, 255. (2) THE DEATH OF MINNEHAHA CANTATA FOR SOPRANO AND BA)RITOl1\\IIE SOLI, CHORUS, AND ORCHESTRA ( P. 30, 0.2). Price Is. 6d. Tonic Sol-fa, IS. Vocal Parts, Is. each. Words only, 5s. per Ioo. Wind Parts, 21s. 6d. Full Score, 255. String Parts, 75. (3) H|AWATHA’S DEPARTU RE CANTATA FOR SOPRANO, TENOR, AN8 BARITONE SOLI, CHORUS, AND ORCHESTRA ( P. 30, No. 4). Price 2s. Tonic Sol-fa, IS. Vocal Parts, IS. each. Words only, 7s. 6d. per 100. String Parts, 123. 6d.; Wind Parts, 345. 6d. Full Score, 3os. THE BLIND GIRL OF CASTEL-CUILLLE (Op- 43)- CANTATA FOR SOPRANO AND BARITONE SOLI, CHORUS, AND ORCHESTRA The Poem translated from the Gascon of JASMIN, by H. W. LONGFELLOW. Price 25. 6d. Paper boards, 35. Tonic Sol-fa, I_s. REVISED EDITION. Vocal Parts, IS. each. Words only, 7s. 6d. per 100. String Parts, I28. Wind Parts and Full Score, MS. (Op- 48). ' A RHAPSODY OF THE SEA FOR MEZZO-SOPRANO SOLO, CHORUS, AND ORCHESTRA The Words written by ROBERT BUCHANAN. Price 25. Tonic Sol-fa, 9d. Vocal Parts, IS. 6d. each. String-Parts, 75. Wind Parts and Full Score, MS. THE ATON EM ENT (Op- 53) A SACRED CANTATA »FOR SOLI, CHORUS AND ORCHESTRA The Words written by ALICE PARSONS. Price 3s. 6d. Paper boards, 4s. Cloth, gilt, 5s. String Parts (In the Press). Wind Parts and Full Score, MS. THE SOUL'S EXPRESSION. SONG-S. I ‘ Four Sonnets by ELIzAEE;rH BARRETT BROWNING:—- . I. The Soul‘s Expression; 2. Tears; 3. Grief; 4. Comfort. _ (0p- 42.) Price 25. 6d. Full Score and Orchestral Parts, MS. SIX AMERICAN LYRICS. O TI-IOU, MINE OTHER, STRONGER PA_RT. O PRAISE ME NOT. HER LOVE. ‘ THE DARK EYE HAS LEFT US. O SHIP THAT SAILEST. BEAT, BEAT, DRUMS. Price 2s. each. YOU'LL LOVE ME YET. (Rorsnnr BROWNING.) Op. 37, No.1. In G minor and B minor. CANOE SONG. (ISABELLA CRAWFORD.) Op. 37, No.2, In D ﬁat &F. A BL.OOD—RED RING HUNG ROUND THE MOON. (BARRY DANE.) Op. 37, No. 3. (For Contralto.) SWEET EVENINGS COME AND GO, LOVE. ELIOT.) Op. 37,.No. 4. In F and B ﬂat. AS THE MOON’S SOFT SPLENDOUR. (SI-IELLEY.) Op. 37, _No. 5. (For Contralto or Baritone.) ELEANORE. (ERIC MACKAY.) Op. 37, No. 6. (For Tenor.) ONAWAY! AWAKE, BELOVED! From “ Hia.watha's Wedding- Feast.” Op. 30, No.1. (For Tenor.) String Parts, 2s.; Wind Parts, 3s. 6d.; Full Score, 5s. HIAWATHA'S VISION. Dramatic Scena for Baritone. From “ I-Iiawatha's Departure.” (English and German Words.) Full Score. Orchestral Parts, MS. (GEORGE SONGS—Com£z'nued. SPRING HAD COME. (For Soprano.) From “ Hiawathe'e Departure." (English and German Words.) Full Score, 35. 6d. "”‘ Orchestral Parts, MS. 0 SET THE SAILS. From “Ulysses.” (For Tenor.) GREAT IS HE WHO FUSED THE MIGHT. Song, from " Ulysses.” ‘ (For Tenor.) Price 2s. each. ANTI-IEMS AND SERVICE. NOW LATE ON THE SABBATH DAY (Tonic Sol-fa,1{;d.) BY THE WATERS OF BABYLON .. .. .. .. IN THEE, O LORD, HAVE I PUT MY TRUST .. THE LORD IS MY STRENGTH .. .. .. .. LIFT UP YOUR HEADS (Tonic Sol-fa, Id.) .. BREAK FORTH INTO JOY .. .. .. .. .. O YE THAT LOVE THE LORD (Tonic Sol-fa, Id.) .. MORNING AND EVENING SERVICE IN F (OP. I8). Drinking 'rE DEUM .. . . BENEDIcTUs.. .. .. .. .. JUBILATE .. .. .. .. .. MAGNIFICAT AND NUNC DIMITTIS PART-SONGS. BY THE LONE SEASHORE (S.A.T.B.) (Tonic Sol—fa, Id.) FROM THE GREEN HEART OF THE WATERS. Nymphs’ Song,from “ Ulysses." (s.s.A.) .. .. .. 3d. 9- LONDON: NOVELLO AND COMPANY, LIMITED. Wind Parts. us. NOVELLO’S ORIGINAL OCTAVO EDITION. SCENES FROM THE SONG OF HIAWATHA BY H.VV LONGFELLOW7 SET TO MUSIC FOR SOPRANO,TENOR,AND]&HUTONEr&NJ,CHORUS,AND ‘ORCHESTRA BY 5. COLERIIDGE-"OFAYLOR. (OP.b 30V.) PRICE THREE SHILLINGS AND SIXPENCE. Paper boards, 4s. ; Cloth, gilt, 5s. Tonic Sol-fa, 2s. LONDON: NOVELLO AND COMPANY, LIMITED AND NOVELLO, EWER AND CO., NEW YORK. Copyright, 1900, by Novella and Company, Limited. The right of Public Representation and Performance is reserved. LONDON ; QOVELLO AND COMPANY, LIMITED PRINTERS. PREFATORY NOTE. Tins work was not originally planned as a Whole; on the contrary, the composer intended in the ﬁrst instance to set “Hiawatha’s Wedding Feast" only. This section was produced at a students’ concert, given at the Royal College of Music, South Kensington, London, on November 11, 1898. The second section, “The Death of Minnehaha,” is the outcome of a request made by the Committee of the 1899 North Staffordshire Musical Festival that the composer should contribute a choral work to that Festival. It was produced at Hanley, on October 26, 1899. The third section was written for and performed—with the preceding sections——-by the Royal Choral Society, at the Royal Albert Hall, London, on March 22, 1900. The Overture to “ The Song of Hiawatha,” being a distinct work, is not included. in the present edition. SCENES FROM THE SONG OF HIAWATHA. I. HIAWATHA’S WEDDING FEAST. You shall hear how Pau-Puk—Keewis, How the handsome Yenadizze, Danced at Hiawatha’s wedding ; How the gentle Chibiabos, He the sweetest of musicians, Sang his songs of love and longing , How Iagoo, the great boaster, He the marvellous storyteller, Told his tales of strange adventure, That the feast might be more joyous, That the time might pass more gaily, And the guests be more contented. Sumptuous was the feast Nokomis Made at Hiawatha’s wedding. All the bowls were made of bass-wood, White and polished very smoothly, All the spoons of horn of bison, Black and polished very smoothly. She had sent through all the village Messengers with wands of willow, As a sign of invitation, As a token of the feasting; And the wedding-guests assembled, Clad in all their richest raiment, Robes of fur and belts of wampum, Splendid with their paint and plumage, Beautiful with beads and tassels. First they ate the sturgeon, Nahma, And the pike, the Maskenozha, Caught and cooked by old Nokomis, Then on pemican they feasted, Pemican and buffalo marrow, Haunch of deer and hump of bison, Yellow cakes of the Mondamin, And the wild rice of the river. But the gracious Hiawatha, And the lovely Laughing Water, And the careful old Nokomis, Tasted not the food before them, Only waited on the others, Only served their guests in silence. , And when all the guests had ﬁnished, Old Nokomis. brisk and busy, From an ample pouch of otter, Filled the red stone pipes for smoking With tobacco from the South-land, Mixed with bark of the red willow, And with herbs and leaves of fragrance. Then she said, “O Pau-Puk-Iieewis, Dance for us your merry dances, Dance the Beggar’s Dance to please up, That the feast may be more joyous, That the time may pass more gaily, And our guests be more contented ! ” Then the handsome Pau—Puk—Keewis, He the idle Yenadizze, He the merry mischief-maker, Whom the people called the Storm-Fool, Rose among the guests assembled. Skilled was he in sports and pastimes, In the merry dance of snow-shoes, In the play of quoits and ball-play ; Skilled was he in games of hazard, In all games of skill and hazard, Pugasaing, the Bowl and Counters, Koomtassoo, the Game of Plum-stones. Though the warriors called him Faint-Heart, Called him coward, Shaugodaya, Idler, gambler, Yenadizze, Little heeded he their j esting, Little cared he for their insults, For the Women and the maidens Loved the handsome Pau-Puk-Keewis. He was dressed in shirt of doe-skin, White and soft, and fringed with ermine, All inwrought with beads of Wampum ; He was dressed in deer-skin leggings, Fringed with hedgehog quills and ermine, And in mocassins of buck-skin Thick with quills and beads embroidered. On his head were plumes of swan’s down, On his heels were tails of foxes, In one hand a fan of feathers. And a pipe was in the other. Barred with streaks of red and yellow, Streaks of blue and bright Vermilion, vi n1AwA'rHA’s WE])I)I.NG"F.E[\ST. Shone the face of Pan-Puk-Keewis. From his forehead fell his tresses. Smooth and parted like a woman's. Shining bright with oil, and plaited, Hung with braids of scented grasses, As among the guests assembled, To the sound of ﬂutes and singing, To the sounds of drums and voices, Rose the handsome Pau-Puk-Keewis, And began his mystic dances. First he danced a solemn measure, Very slow in step and gesture, In and out among the pine trees, Through the shadows and the sunshine, Treading softly like a panther, Then more swiftly and still swifter, Whirling, spinning round in circles, Leaping o’er the guests assembled, Eddying round and round the‘ wigwam, Till the leaves went whirling with him, Till the dust and wind together Swept in eddies round about him. Then along the sandy margin Of the lake, the Big-Sea-Water, On he sped with frenzied gestures, Stamped upon the sand, and tossed it Wildly in the air around him ; Till the wind became a whirlwind, Till the sand was blown and sifted Like great snowdrifts o’er the landscape, Heaping all the shores with Sand Dunes, Sand Hills of the N agow Wudjool Thus the merry Pau-Puk-Keewis Danced his Beggar’s Dance to please them, And, returning, sat down laughing There among the guests assembled, Sat and fanned himself serenely With his fan of turkey-feathers. Then they said to Chibiabos, To the friend of Hiawatha, To the sweetest of all singers. To the best of all musicians, " Sing to us, 0 Chibiabosl Songs of love and songs of longing, That the feast may be more joyous, That the time may pass more gaily. And our guests be more contented ! ” And the gentle Chibiabos Sang in accents sweet and tender, Sang in tones of deep emotion, Songs of love and songs of longing, Looking still at Hiawatha, Looking at fair Laughing Water, Sang he softly, sang in this wise: “ Onaway! Awake, beloved! Thou the wild-ﬂower of the forest! Thou the wild-bird of the prairie! Thou with eyes so soft and fawn-like ! “ If thou only lookest at me, I am happy, I am happy, As the lilies of the prairie, When they feel the dew upon them ! “ Sweet thy breath is as the fragrance Of the wild-ﬂowers in the morning, As their fragrance is at evening, In the Moon when leaves are falling. _“ Does not all the blood within me Leap to meet thee, leap to meet thee, As the springs to meet the sunshine, In the Moon when nights are brightest ? “ Onaway! my heart sings to thee, Sings with joy when thou art near me, As the sighing, singing branches In the pleasant Moon of Strawberries! “ When thou art not pleased, beloved. Then my heart is sad and darkened, As the shining river darkens When the clouds drop shadows on it if “ When thou smilest, my beloved, Then my troubled heart is brightened, As in sunshine gleam the ripples That the cold wind makes in rivers. “ Smiles the earth, and smile the waters, Smile the cloudless skies above us, But I lose the way of smiling When thou art no longer near me l “ I myself, myself! behold me! Blood of my beating heart, behold me ! O awake, awake, beloved ! Onaway ! awake, beloved 1" Thus the gentle Chibiabos Sang his song of love and longing ; And Iagoo, the great boaster, He the marvellous storyteller, He the friend of old N okomis, Jealous of the sweet musician, Jealous of the applause they gave him, Saw in all the eyes around him, Saw in all their looks and gestures, That the wedding—guests assembled Longed to hear his pleasant stories, His immeasurable falsehoods. Very boastful was Iagoo : Never heard he an adventure But himself had made a greater ; Never any deed of daring But himself had done a bolder ; Never any marvellous story But himself could tell a stranger. Would you listen to his boasting, Would you only give him credence, No one ever shot an arrow Half so far and high as he had ; Ever caught so many ﬁshes, Ever killed so many reindeer, Ever trapped so many beaver! None could run so fast as he could, None could dive so deep as he could, HmwixrHA’s None could swim so far as he could; None had made so many journeys, None had seen so many wonders, As this wonderful Iagoo, As this marvellous storyteller ! Thus his name became a by-word ’ And a jest among the people ! And whene‘er a boastful hunter Praised his own address too highly, Or a warrior, home returning, Talked too much of his achievements, All his hearers cried, “ Iagoo ! Here’s Iagoo come among us I ” He it was who carved the cradle Of the little Hiawatha, Carved its framework out of linden, Bound it strong with reindeer’s sinevrs; He it was who taught him later How to make his bows and arrows, How to make the bows of ash-tree, And the arrows of the oak-tree. So among the guests assembled WEDDING-FEAST. At my Hiawatha’s wedding Sat Iagoo, old and ugly, Sat the marvellous storyteller. And they said, “ 0 good Iagoo, Tell us now a tale of wonder, Tell us of some strange adventure, That the feast may be more joyous, That the time may pass more gaily, And our guests be more contented! ” And Iagoo answered straightway, “ You shall hear a tale of wonder, You shall hear of strange adventures.” So he told the strange adventures Of Osseo, the Magician, From the Evening Star descended. Such was Hiawatha’s Wedding, Thus the wedding-banquet ended, And the wedding-guests departed, Leaving Hiawatha happy With the night and Minnehaha. Hiawa’tha, the Prophet, the Teacher: son of Mad9'e/ceewais, the West- Wind, and daughter of N okomzis-, Minneha’ha, Laughing Water; wife of Hiawatha. Pan-Puk-Kee'Wis, the handsome Y enadizze, the Storm—Fool. Yenadiz’ze, an idler and gambler; an Indian dandy. Chibia/bos, a musician; friend of Hiawatha, Ruler in the Land of Spirtts. Ia'goo, a great boaster and storyteller. Noko’mis, grandmother of Hiawatha ; mother of Wenonah. Nah’ma, the sturgeon. Ma.sken0'zl1a,, the pike. Pem’ican, meat of the deer or buﬁalo, dried and pounded. Monda.’min, Indian corn. Pugasaing', the game of bowl and counters. Koomtassoo’, the game of plum-stones. Shaugada/ya, a coward. N a/gow Wudjoo', the Sand Dunes of Lake Superior. Onaway’, awake. 0sse'o. Son of the Evening Star. SCENES FROM THE SONG OF HIAWATHA, II. THE DEATH or LMINNEHAHA. 0 THE long and dreary Winter! 0 the cold and cruel Winter! Ever thicker, thicker, thicker Froze the ice on lake and river, Ever deeper, deeper, deeper Fell the snow o’er all the landscape, Fell the covering snow, and drifted Through the forest, round the village. Hardly from his buried Wigwam Could the hunter force a passage ; With his mittens and his snow-shoes Vainly walked he through the forest, Sought for bird or beast and found none, Saw no track of deer or rabbit, In the snow beheld no footprints, In the ghastly, gleaming forest Fell, and could not rise from weakness, Perished there from cold and hunger. O the famine and the fever! 0 the wasting of the famine! O the blasting of the fever! 0 the wailing of the children! 0 the anguish of the women! All the earth was sick and famished, Hungry was the air around them, Hungry was the sky above them, And the hungry stars in heaven Like the eyes of wolves glared at them I Into Hiawatha’s Wigwam Came two silent guests and gloomy, Waited not to be invited, Did not parley at the doorway, Sat there without word of welcome In the seat of Laughing Water; Looked with haggard eyes and hollow At the face of Laughing Water. And the foremost said, “ Behold me I I am Famine, Buckadawin ! ” And the other said, “ Behold me ! I am Fever, Ahkosewin ! ” And the lovely Minnehaha Shuddered as they looked upon her, Shuddered at the words they uttere:-3.. Lay down on her bed in silence, Hid her face, but made no answer; Lay there trembling, freezing, burn1.::; At the looks they cast upon her, At the fearful words they uttered. Forth into the empty forest Rushed the maddened Hiawatha; In his heart was deadly sorrow, In his face a stony ﬁrmness ; On his brow the sweat of anguish Started, but it froze, and fell not. ‘Wrapped in furs, and armed for hunting, With his mighty bow of ash—tree, With his quiver full of arrows, With his mittens, Minjekahwun, Into the vast and vacant forest On his snow-shoes strode he forward. “ Gitche Manito, the Mighty! ” Cried he with his face uplifted In that bitter hour of anguish, “ Give your children food, 0 father! Give us food, or we must perish ! Give me food for Minnehaha, For my dying Minnehaha ! ” Through the far-resounding forest, Through the forest vast and vacant, Rang that cry of desolation, But there came no other answer Than the echo of his crying, Than the echo of the woodlands, “ Minnehaha I Minnehaha ! ” All day long roved Hiawatha In that melancholy forest, Through the shadow of whose thickets, In the pleasant days of Summer, Of that ne’er—forgotten Summer, He had brought his young wife homewarc From the land of the Dacotahs; When the birds sang in the thickets, And the streamlets laughed and glistened, THE DEATH OF MINNEHAHA. And the air was full of fragrance, And the lovely Laughing Water Said, with voice that did not tremble, “ I will follow you, my husband I ” In the Wigwam with Nokomis, With those gloomy guests that watched her, With the Famine and the Fever," She was lying, the Beloved, She the dying Minnehaha. “ Hark ! ” she said, “ I hear a rushing, Hear a roaring and a rushing, Hear the Falls of Minnehaha Calling to me from a distance !” “ No, my child!” said old Nokomis, “ ’Tis the night-wind in the pine-trees ! ” “ Look ! ” she said, “ I see my father Standing lonely at his doorway, Beckoning to me from his Wigwam, In the land of the Dacotahs I ” “ No, my child ! ” said old Nokomis, “ ’Tis the smoke that waves and beckons! ” “ Ah! ” she said, “the eyes of Pauguk Glare upon me in the darkness ; I can feel his icy ﬁngers Clasping mine amid the darkness! Hiawatha ! Hiawatha ! ” And the desolate Hiawatha, Far away amid the forest, Miles away among the mountains, Heard that sudden cry of anguish, Heard the voice of Minnehaha Calling to him in the darkness, “ Hiawatha ! Hiawatha ! ” Over snow~ﬁelds waste and pathless, Under snow—encumbered branches, Homeward hurried Hiawatha, Empty~handed, heavy—hearted, Heard Nokomis moaning, wailing, “ Wahonomin I Wahonomin I Would that I had perished for you, Would that I were dead as you are! Wahonomin 1 Wahonomin I ” And he rushed into the wigwain, Saw the old N okomis slowly Rocking to and fro and moaning, Saw his lovely Minnehaha Lying dead and cold before him ; And his bursting heart within him Uttered such a cry of anguish, That the forest moaned and shuddered, That the very stars in heaven Shook and trembled with his anguish. Then he sat down, still and speechless, On the bed of Minnehaha, At the feet of Laughing Water, At those willing feet, that never More would lightly run to meet him, Never more would lightly follow. With both hands his face he covered, Seven long days and nights he sat there, As if in a swoon he sat there, Speechless, motionless, unconscious Of the daylight or the darkness. Then they buried Minnehaha : In the snow a grave they made her, In the forest deep and darksome, Underneath the moaning hemlocks; Clothed her in her richest garments, Wrapped her in her robes of ermine, Covered her with snow, like ermine; Thus they buried Minnehaha. And at night a ﬁre was lighted, On her grave four times was kindled, For her soul upon its journey To the Islands of the Blessed. From his doorway Hiawatha Saw it burning in the forest, Lighting up the gloomy hemlooks ; From his sleepless bed uprising, From the bed of Minnehaha, ' Stood and watched it at the doorway, That it might not be extinguished, Might not leave her in the darkness. “ Farewell ! ” said he, “ Minnehaha! Farewell, O my Laughing Water ! All my heart is buried with you, All my thoughts go onward with you! Come not back again to labour, Come not back again to suffer, Where the Famine and the Fever Wear the heart and waste the body. Soon my task will be completed, Soon your footsteps I shall follow To the Islands of the Blessed, To the kingdom of Ponemah! To the land of the Hereafter! ” H1AwA"rHA, the Prophet, the Teacher ; son of Mudjekeewis (the West W ind) and Wenonah (Daughter of N ' "I M1NNEHA’HA, Laughing Water; Wife of Hiawatha. GITCHE MAN’I'ro, the Great S'p'l7"lt, the Jlfaster of Lzfe. N oKo’MIs, a Grandntotlzer ; Mother of Wenonah. BUoKADAw’1N, Famme. AHKosE’wIN, Fever. _ MINJEKAHWUN, HzTawatha’s Mzttens. DAco"rAHs (or DAKOTAS), a race of Indians, including many tribes, mostly dwelling West of the Mtssissippi Rivzir. in part, called SIOUX. PoNE’MAH, Hereafter. PAU'GU K, Death. WAHoNo’MIN, a cry of lamentatton. SCENES FROM THE SONG OF HIAWATHA. III. HIAWATHA’S DEPARTURE. SPRING: had come with all its splendour, All its birds and all its blossoms, All its ﬂowers and leaves and grasses. Sailing on the wind to northward, Flying in great ﬂocks, like arrows, Like huge arrows shot through heaven, Passed the swan, the Mahnahbezee, Speaking almost as a man speaks; And in long lines waving, bending Like a bowstring snapped asunder, The white goose, the Waw-be-wawa; And in pairs, or singly ﬂying, Nlahng the loon, with clangorous pinions, The blue heron, the Shuhvshuh-gah, And the grouse, the Mushkodasa. In the thickets and the meadows Piped the blue-bird, the Owaissa ; On the summit of the lodges Sang the robin, the Opechee ; And the sorrowing Hiawatha, Speechless in his inﬁnite sorrow, Heard their voices calling to him, Went forth from his gloomy doorway, Stood and gazed into the heaven, Gazed upon the earth and waters. From his wanderings far_to eastward, From the regions of the morning, From the shining land of Wabun, Homeward now returned Iagoo, The great traveller, the great boaster, Full of new and strange adventures, Marvels many and many wonders. And the people of the village Listened to him as he told them Of his marvellous adventures, Laughing answered him in this wise 2 ‘I Ugh ! it is indeed Iagoo : No one else beholds such Wonders 1 ” He had seen, he said, a water Bigger than the Big-Sea-Water, Broader than the Gritche Gumee, Bitter so that none could drink it! At each other looked the warriors, Looked the women at each other, V Smiled, and said, “It cannot be so! Kaw ! ” they said, “it cannot be so! ” O’er it, said he, o’er this water A canoe with wings came ﬂying, Bigger than a grove of pine—trees, Taller than the tallest tree—tops ! And the old men and the women Looked and tittered at each other. “ Kaw! ” they said, “ we don’t believe it I ” From its month, he said, to greet him, Came Waywassimo, the lightning, Game the thunder, Annemeekee ! And the warriors and the women Laughed aloud at poor Iagoo ; “ Kaw I ” said they, “ what tales you tell us ! " In the great canoe with pinions Came, he said, a hundred warriors; Painted white were all their faces, And with hair their chins were covered 1 And the warriors and the women Laughed and shouted in derision, Like the ravens on the tree-tops, Like the crows upon the hemlocks. “ Kaw 1 ” they said, “ what lies you tell us! Do not think that we believe them ! " Only Hiawatha laughed not, But he gravely spake and answered To their j eering and their jesting: “ True is all Iagoo tells us ; I have seen it in a vision, Seen the great canoe with pinions, Seen the people with white faces, Seen the coming of this bearded People of the wooden vessel, From the regions of the morning, From the shining land of Wabun. H1AwA'rHA’s DEPARTURE. “ Gitche Manito, the Mighty, The Great Spirit, the Creator, Sends them hither on his errand, Sends them to us with his message. \Vheresoe’er they move, before them Swarms the stinging-ﬂy, the Ahmo, Swarms the bee, the honey-maker ; Wheresoe’er they tread, beneath them Springs a ﬂower unknown among us, Springs the White—man’s Foot in blossom. “ Let us welcome, then, the strangers, Hail them as our friends and brothers, And the heart’s right hand of friendship Give them when they come to see us. Gitche Manito, the Mighty, Said this to me in my vision. “ I beheld, too, in that vision All the secrets of the future, Of the distant days that shall be. I beheld the westward marches Of the unknown, crowded nations. All the land was full of people, Restless, struggling, toiling, striving, Speaking many tongues, yet feeling But one heart-beat in their bosoms. In the woodlands rang their axes, Smoked their towns in all the valleys, Over all the lakes and rivers Rushed their great canoes of thunder. “ Then a darker, drearier vision Passed before me, vague and cloud-like. I beheld our nations scattered, All forgetful of my counsels, Weakened, warring with each other ; Saw the remnants of our people Sweeping westward, wild and woful, Like the cloud-rack of a tempest, Like the withered leaves of Autumn! ” By the shore of Gitche Gumee, By the shining Big—Sea-Water, At the doorway of his Wigwam, In the pleasant Summer morning, Hiawatha stood and waited. All the air was full of freshness, All the earth was bright and joyous, And before him through the sunshine, Westward toward the neighbouring forest Passed in golden swarms the Ahmo, Passed the bees, the honey—makers, Burning, singing in the sunshine. Bright above him shone the heavens, Level spread the lake before him ; From its bosom leaped the sturgeon, Sparkling, ﬂashing in the sunshine; On its margin the great forest ’ Stood reflected in the water, Every tree-top had its shadow, Motionless, beneath the Water. From the brow of Hiawatha Gone was every trace of sorrow. Asa fog from oﬁ" the water, As the mist from oﬁ the meadow, With a smile of joy and triumph, With a look of exultation, As of one who in a vision Sees what is to be, but is not, Stood and waited Hiawatha. Towards the sun his hands were lifted, Both the palms spread out against it, And between the parted ﬁngers Fell the sunshine on his features, Flecked with light his naked SlIlO11ld€i'3, As it falls and ﬂecks an oak-tree Through the rifted leaves and branches. O’er the water ﬂoating, ﬂying, Something in the hazy distance, Something in the mists of morning, Loomed and lifted from the water, Now seemed ﬂoating, now seemed ﬂying, Coming nearer, nearer, nearer. Was it Shingebis, the diver ‘P Was it the pelican, the Shada‘? Or the heron, the Shuh-shuh-gah ".7 Or the white goose, Waw-be-wawa, With the water dripping, ﬂashing From its glossy neck and feathers ? It was neither goose nor diver, Neither pelican nor heron, O’er the water ﬂoating, ﬂying, Through the shining mist of morning, But a birch canoe with paddles, Rising, sinking on the water, Dripping, ﬂashing in the sunshine. And within it came a people From the distant land of Wabun, From the farthest realms of morning Game the Black-Robe chief, the Prophet, He the Priest of Prayer, the Pale—face, With his guides and his companions. And the noble Hiawatha, With his hands aloft extended, Held aloft in sign of welcome, Waited, full of exultation, Till the birch canoe with paddles Grated on the shining pebbles, _ Till the Black-Robe chief, the Paleface, With the cross upon his bosom, Landed on the sandy margin. Then the joyous Hiawatha Cried aloud, and spake in this wise : “ Beautiful is the sun, 0 strangers, When you come so far to see us ! * In this manner, and With such salutations, was Father Marquette received by the Illinois. See his Voyagw at Décowuertes. Section V. xii H1AwATHA’s DEPARTURE. All our town in peace awaits you, All our doors stand open for you: You shall enter all our wigwams, For the heart’s right hand we give you. “ Never bloomed the earth so gaily, Never shone the sun so brightly, As to-day they shine and blossom, When you come so far to see us! Never was our lake so tranquil, Nor so free from rocks and sand-bars ; For your birch canoe in passing Has removed both rock and sand-bar I “ Never before had our tobacco Such a sweet and pleasant ﬂavour, Never the broad leaves of our corn-ﬁelds Were so beautiful to look on, As they seem to us this morning, When you come so far to see us ! ” And the Black-Robe chief made answer, Stammered in his speech a little, Speaking words yet unfamiliar : “ Peace be with you, Hiawatha, Peace be with you and your people, Peace of prayer, and peace of pardon, Peace of Christ, and joy of Mary ! ” Then the generous Hiawatha Led the strangers to his wigwam, Seated them on skins of bison, Seated them on skins of ermine, And the careful old Nokomis Brought them food in bowls of bass-wood, Water brought in birchen clippers, And the Calumet, the peace-pipe, Filled and lighted for their smoking. All the old men of the village, All the warriors of the nation, All the J ossakeeds, the prophets, The magicians, the Wahenos, And the medicine-men, the Medas, Came to bid the strangers welcome ; “ It is well,” they said, “ 0 brothers, That you come so far to see us! ” In a circle round the doorway, With their pipes they sat in silence, Waiting to behold the strangers, Waiting to receive their message ; Till the Black-Robe chief, the Pale-face, From the Wigwam came to greet them. Stammering in his speech a little, Speaking words yet unfamiliar ; “ It is well,” they said, “ O brother, That you come so far to see us! ” Then the Black—Robe chief, the prophet, Told his message to the people, Told the purport of his mission, Told them of the Virgin Mary, And her blessed Son, the Saviour : How in distant lands and ages He had lived on earth as we do ; How he fasted, prayed, and laboured; How the Jews, the tribe accursed, Mocked him, scourged him, cruciﬁed him; How he rose from where they laid him, Walked again with his disciples, And ascended into heaven. And the chiefs made answer saying ; “ We have listened to your message, We have heard your Words of wisdom, We will think on what you tell us. It is well for us, 0 brothers, That you come so far to see us ! ” Then they rose up and departed Each one homeward to his Wigwam, To the young men and the women Told the story of the strangers Whom the Master of Life had sent them From the shining land of Wabun. Heavy with the heat and silence Grew the afternoon of Summer ; With a drowsy sound the forest Whispered round the sultry Wigwam, With a sound of sleep the water Rippled on the beach below it ; From the cornﬁelds shrill and ceaseless Sang the grasshopper, Pah-puk-keena; And the guests of Hiawatha, Weary With the heat of Summer, Slumbered in the sultry Wigwam. Slowly o'er the simmering landscape Fell the evening’s dusk and coolness, And the long and level sunbeams Shot their spears into the forest, Breaking through its shields of shadow, Rushed into each secret ambush, Searched each thicket, dingle, hollow ; Still the guests of Hiawatha Slumbered in the silent Wigwam.- From his place rose Hiawatha, Bade farewell to old N okomis, Spake in whispers, spake in this wise, Did not wake the guests that slumbered: “ I am going, 0 Nokomis, On a long and distant journey, To the portals of the Sunset, To the regions of the home-wind. But these guests I leave behind me, In your watch and ward I leave them ; See that never harm comes near them, See that never fear molests them, Never danger nor suspicion, Never want of food or shelter, In the lodge of Hiawatha! ” Forth into the village went he, Bade farewell to all the warriors, Bade farewell to all the young men, Spake persuading, spake in this wise: HIAWATHA7 S DEPARTURE . “ I am going, 0 my people, And the people from the margin On a long and distant journey: Watched him ﬂoating, rising, sinking, Many moons and many winters Till the birch canoe seemed lifted Will have come, and will have vanished, High into that sea of splendour, Ere I come again to see you. Till it sank into the vapours But my guests I leave behind me; Like the new moon slowly, slowly Listen to their words of wisdom, Sinking in the purple distance. Listen to the truth they tell you, For the Master of Life has sent them And they said, “ Farewell for ever! ” From the land of light and morning! ” Said, “ Farewell, O Hiawatha! ” And the forests, dark and lonely, On the shore stood Hiawatha, Moved through all their depths of darkness, Turned and waved his hand at parting; Sighed, “ Farewell, O Hiawatha I ” On the clear and luminous water And the waves upon the margin Launched his birch canoe for sailing, Rising, rippling on the pebbles, From the pebbles of the margin Sobbed, “ Farewell, O Hiawatha ! ” Shoved it forth into the water; And the heron, the Shuh-shuh—gah, Whispered to it, “ Westward! westward! ” From her haunts among the fenlands, And with speed it darted forward. Screamed, “ Farewell, O Hiawatha ! ” And the evening sun descending Set the clouds on ﬁre with redness, Thus departed Hiawatha, Burned the broad sky, like a. prairie, Hiawatha the Beloved, Left upon the level water In the glory of the sunset, One long track and trail of splendour, In the purple mists of evening, Down whose stream, as down a river, To the regions of the home-wind, Westward. westward Hiawatha Of the Northwest wind, Keewaydin, Sailed into the ﬁery sunset, To the Islands of the Blessed, Sailed into the purple vapours, To the kingdom of Ponemah, Sailed into the dusk of evening. To the land of the Hereafter! Ah’mo, the stinging-ﬂy. Annemee’kee, the thunder. Ca/lumet, a pipe ; used as a symbol of peace, and as an evidence to strangers that they are welcome. Gitche Gu'mee, the Big—S’ea- Water, Lake Superior. Git’che Ma.n’it0, the Great Spirit, the Master of Life. Hiawa’tha, the prophet, the teacher ; son of ll/[udje/ceewis, the West Wind, and Wenonah, daughter of N olcomis. Ia.’g0o, a great boaster and story-teller. Joss’a.keed. a prophet. Kaw, no. Keeway’din, the North- West Wind; the Ifome Wind. Malmal1be’zee, the swan. Mahng, the loon, the northern diver (Urinator imber) ,- an aquatic web-footed northern bird, noted for its eacpertness in diving and swimming under water. Me'da, a medicine man. Mushkoda’sa, the grouse. Noko’mis, grandmother of Hiawatha ; mother of Wenonah. Ome’me, the pigeon. Opechee', the robin. Owais’-sa, the blue bird; a small song bird (Sialia sialis), very common in the United States. It is related to the European robin. Pah-puk-kee’na, the grasshopper. Pone’mah, hereafter. Sha.’da, the pelican. Shin’gebis, the diver or grebe; a summning bird of the genus Oolymbus, found in the northern parts of America. Shuh'—shuh’-gah, the blue heron. Ugh, yes. Wabe'no, a magi«-ian ; a,;'ngg/er VVa/bun, the East Wind. Waw-be-wa’Wa., the white goose. WayWas’simo, the /ightnrirzg. PRONUNCIATION Ahkosewin Ahmo Annemeekee Buckadawin Calumet Chibiabos Dahcotahs . . Gitche Gumee Gitche Manito Hiawatha Iagoo J ossakeed Kaw Keewaydin Koomtassoo Mahnabezee Mahng Ma.skenozh:.L Meda Minjekahwun Minnehaha, Mondamin . . . Mushkodasa Nagow Wudjoo Nahma. OF THE INDIAN WORDS “SCENES FROM THE SONG OF HIAWATHA.” AS PRONOUNCED. nu — —— Y Ah~ko—se-w1n. Ah-mo. .. V _ _ An~11e-111e—ke. V .. Z Buck-zu daw—1n. to — V Ca 1u—n1et. c11a-1Y-'a1bBs (soft ch). D'2L—c6-t'zi11s. GE-che G1-Hue. G\i/t-ch}; M'a'.nY.t6. 1f-';i—w'a'—th'aL. ‘I/-'9:-goo. J3s-shL—1{éd. Kgw. I<é-w;-aYn. Koom—t.a:-soo. Ma.n'aL-bye-zé. Ming. Me's-1{\e-n?)-z.a'.. lwédéi. M\i/n-je-ke:-wﬁn. M\i/n-ne-h'a'-h'a'. Man-d.a.,-m\i/n. M1-1511-k3-d'a'-sis... Ne:—g5 W1:-j oo. Na:-m'a'J. AS spam. Nokomis Omeme Onaway Opechee Osseo Owaissa Pahpukkeena. Pauguk Pau—Puk-Keewis Pemican Ponemah Pugasaing Shada Shaugodaya Shingebis Shushugah Ugh Wabeno Wabun Wahonomin Wawbewawa. Waywassimo Wigwam Yenadizze EXPLANATION OF SIGNS :-—~ AS Przonounczn. Ncike-m\i/s. C)-mé-mé. 6—n'a'-xvi. (S)-pe‘-Che‘. E/)s—se-yo. ?)—wz{s—s£a.'. P5:-p1_1k-ke‘-ne.. Pew—gﬁk. l"0'\v-pi/1k—ke_-w\i(s. 1’\e/111115;/n. P5-ne-1n:a'.h. Poog-in.-s5'—‘ing. Sh'z£—d§£. Shou—g-E)-(1.5.-ygaj. Shivn-ge/-big. shﬁ-shﬁ-géIh. Sgh. W'a:—b-<3-n5. We:-bﬁn. W511-h?)-n-(3-m\i/n. W£i-bE-wé£.w£1.'. W2;-xviis-si\-/m3. W\i/g—W'a:m. __ v .. \_I .. Ye-na-d1z-za.. II n .. V V __ _ v V _ -— T ‘j \_/ y .. u a. 2: ﬂaw, a. = father, a = a111, a. := ale, e = end, e —_— eve, 1 = h1de, 1 = 111, o = cow, V S V odd, 5 = 61d, u :: ride, 1: = up V O: CONTENTS. I.§—HIAWATHA’S WEDDING-FEAST. “ You shall hear how Pau-Puk-Keewis "... “ Then the handsome Pau-Puk-Keewis ” “He was dresS’d in shirt of doe-Skin ” CHORUS . . “ First he danc’d a solemn measure ” CHORUS “Then said they to Chibiabos ”... TENOR SOLO “Onaway! Awake, beloved!” CHORUS “ Thus the gentle Chibiabos ” CHORUS . . “Very boastful was Iagoo ” CHORUS .. “ Such was Hiawatha’s Wedding ” CHORUS .. CHORUS CHORUS II.——THE DEATH OF MINNEHAHA. CHORUS “Oh, the long and dreary winter ” CHORUS “ Into Hiawatha’S Wigwam ” BARITONE SOLO... .. “ And the foremost said, ‘Behold me! ’ ” SOPRANO SOLO “ And the other said, ‘Behold me ! ’ " CHORUS .. “ And the lovely Minnehaha ” CHORUS “ Forth into the empty forest ” BARITONE. SOLO .. “ Gitche Manito, the Mighty I ” CHORUS “ In the Wigwam with Nokomis "... xl SOPRANO SOLO “ Hark ! she said, I hear a rushing " - OPRANO SOLO “WahonOmin! Wahonominl” BARITONE SOLO... “ Wahonomin! Wahonomin ! " CHORUS “ And he rush’d into the wigwam ” SOPRANO SOLO “ Then he sat down, still and speechless " CHORUS “Then they buried Minnehaha ” BARITONE SOLO AND CHORUS... “ Farewell! said he, Minnehaha " III.—-HIAWATHA’S DEPARTURE. A SOPRANO SOLO “ Spring had come with all its splendour " CHORUS “ From his wand’rings far to Eastward " TENOR SOLO .. “ He had seen, he said, a water ” CHORUS “ Only Hiawatha laughed not ” BARITONE SOLO... “ True is all Iagoo tells us” . CHORUS “ By the shore of Gitche Grumee " SOPRANO SOLO .. “ From the brow of Hiawatha” CHORUS “ It was neither goose nor diver " BARITONE SOLO... “ Beautiful is the sun, 0 strangers " 'I‘ENOR SOLO AND CHORUS . “ And the Black-Robe chief made answer CHORUS “ Then the generous Hiawatha ” . TENOR SOLO “Then the Black-Robe chief, the prophet ” MALE CHORUS “ And the chiefs made answer, saying " . CHORUS “ Then they rose up and departed” BARITONE SOLO... “ I am going, 0 Nokomis ” CHORUS “ Forth into the village went he " BARITONE SOLO... “ I am going, 0 my people ” ... CHORUS “ On the shore stood Hiawatha " c )1 SCENES FROM THE SONG OF HIAWATHA. I. HIAWATHA’S WEDDING FEAST. LONGFELLOW. S. COLERIDGE-TAYLOR (Op. 30, N o. 1). Allegro moderate. 11 = 136. > } _/ ’_‘ - _’ _‘ .p_ _a. ‘i — K"‘*“"‘——“\ P Fl. 0%‘ Trombe. cres. molto. 3; T“ > C'opyright, 1898, by Novella and Company, Limited. Colerid ge~Ta.y1or——Hiawa.tna.-Novello. B 8285 . " 2 Bomuxo. . . J‘). >- > You shall hear how Pau-Puk-Kee-Wis, How the handsome Ye - na-diz - ze, Danced all Hi— a- Wathafs Ame. _A,_#_,a—»~ >— >— > > > > You shall hear how Pau-Puk-Kee-Wis, How the handsome Ye - n-ardiz - ze, Danced at Hi- a-Wa,t11a;’s I mp with Wood- Wind. } TENOR. mf How the gen- Chi-bi - a- bos, BASS. mf How the gentle Chi—bi - a— bos, the sweetest of mu-sic-ians, Sanghissongsof love and longing; } the sweetest of mu— sic-ians, Sang his songs of love and longing ; }- 3 SOPRANO. How I - ALTO. How I - TENOR. How I - BASS- How I — 3 Sir. a - goo, the great boaster, a — goo, the great boaster, er a — goo, the great boaster, a — goo, the great boaster, J; Wood- Wind» 4,“ ven - ture, ven - ture, ven — ture, the marV’llous sto - ry— teller, the marv’llous sto - ry - teller, the marv’l1ous sto - ry- teller, the marv’l1ous sto - ry— teller, .1. That the Told his tales of strange ad Told his tales of strange ad - Told his tales of strange ad - Told his tales of strange ad - feast . ‘>- . might be more That the feast might be } That the feast might be } That the feast might be Sf S129‘. arse. Qf 4 > That the time . . might pass more gai - ly, And the guests > >- >- gr-ous, That the time might pass gai - ly, And the guests } > > > )'<J>y*- ous, That the time might pass And guests > > joy-ous, That time mightpass And the guests . . . be more con 8f V St - tent- ed. Sumptuouswas the feast N 0 at Hi - a Sumptuous was the feast N 0 - tent - ed. was feast o - ko —mis > - tent - ed. Sumptuouswas the feast N 0 at Hi - a /7,61" .Q_ tha’s wedding. thafs wedding. } tha’s wedding. } tha’s wedding. > All the bowls Weremade of bass-wood, Whiteand. mf _.___{-—__f—__ > All the bowls were made of bass-W , White and 5 Str. pfzg. - ‘la.-I ' - ' -0-1 1!]- All the spoons of horn of bis — on, Black and polished ve - ry mf > > All the spoons of horn of bis - on, Black and polished ve - ry polished ve - smoothly, polished Ve - ry ' ' ' ' Wood—'Wz'nd. /"i""—j?T A :t\/ _a_ Ped. \-/ smoothly. She had sent . . . Mes - sengers with Wan oW, smoothly. Mes - sengers with wands of wil- low, L: L- She had sent thro’ all the vil - lage es — sengers with Wands of wil- low, - _ TM TM; hadsent thro’ all the vil - lage Messengers with wands ofw1'l- low, /\ my sign of in - vi }- L.H. f ores. molto. tok -en ; . . And the wedding - guests as-semb-led, > tok - en of the feast - ing; > tok - en of the feast - ing; Andthe guests «I f Wood,-Wind only. Clad in all, eir nch-est rai- ments, ? Clad in all their rib/h - est rai— ments, /'\ - semb - led, Robes of fur and belts Splen—did with f paint and — mage, Robes of fur and belts wam — pum, 5,.- Sp1en—didWith their paint and plu - mage, /"*3 / 3 Beau - ti — mi with beads and £3; } Beau - ti - ful with beads and > Be2u_1 - ti - ful with beads and tas > > Beau - ti - ful with beads and tas - sels. ./*‘:"‘T _.<»-3.374 molto pesante. they ate the stur-geon, N ah - ma, And the pike, the > > they ate the stur - geon, 2' > they ate the stur - geon, >> First they the stur - geon, .,_..__ﬁ. . . / Str. >' Caught and cooked by old No - ko - mis, > > > Caught, cook’d, by old No-ko— - mis, > > >' Caught, co0k’d, A by old No-ko - mis, > > > Caught, cook’d, by old No-ko - mis, ;I7°> On pem-i - can they feast- ed, On pem-i - can Then pin-i - can they Then on pem-i - can they 10 :0“. Haunch And buf-fa - 10 e mar — row, } mar - row, Haunch > Pem -i - can and buf -fa - 10 gr - row, Haunch Pem —i- can and buf-fa - 10 mar - row, /._\ Yel - low cakes of the Mon- - min, el - low cakes of the Mon - - min, Yel - low cakes of the Mon- - min, 6- Yel - low cakes of the Mon-da - min, } feast - ed, - ed, rice ' dq}m_ Wood-Wind. 1 2 Tmnquillo. gra.—cious Hi 4 a - Wa- And the love - ly Laugh-ing -L 1 Andmeibze‘ 15% But the gra-cious Hi - a - Wa- love - ly Laugh—ing 1 2 Tranquillo. Wa. - ter, 'i‘ “W‘\/ Wa. - ter, . . And the care- ful r(L_l\]:(_);1(#Q Wa.- te‘r,’.. Andthe care-ful old No-ko 110 - fore them. not the food be -f them, On - ly wait - ed on the On — Wait - ed on the dim. e rail. PP —o: - 7 _ U“/“o:_________;af s1 - lence. . . dim. e rall. PP V _ g__j/ s1 - lence. . . . 007- ii‘ Fag-/"\ f\ /‘T dim. L; e rall. PP (sotto voce.) 0- thers, On - ly serv’d their guests On - Ly serv’d their guests in /\ 13 12 Bmsms. W0 >7 And when all the guests had ﬁn-ish’d, /“"'*T /'_"'-"T T‘ > Cl. cﬁ Fag‘ > >f“—’T Old No-ko - mis, brisk and bu-sy, From an am - ple pouch of ot-ter, > ’,—\ 14' ALTOS, — Fil1’d pes for smok- With to-baa - 00 from the South TENORS. _ Fi11’d. the red stone pipes for smok-ing to—bac - co from South-land, ? the pipes, for smok - ir}\g, /‘ /- 15 Sopmmos. And with herbs and leaves of frag-rance. Mix’d with bark . . of the red Wil - low, _And with herbs i Mix’d with bark of the red wil- low, And with herbs of fragrance. And with herbs and leaves of frag- 15 > > Sopmmos. Then she said, . . . Sva .......................................... __ > “\ ores. ed with Brass. pesomte. Allegro molto. ﬁ0> “ O Pau - - Kee - Wis, Pau - Puk- Kee - Wis, Pau - Puk- ee-Wis, . . Z"‘\ “O Pau - Puk-Kee-Wis, . . molto. J Z 168. . your mer- ry . your mer- ry . your mer- ry . your mer- ry poco allowgando. >- . . the Beggar’s to please . That the feast; > } >- . the Beggar’s Dance to please That the feast > " > [2060 allamgcmdo. . the Beggar’s Dance to please > > . the Beggar’s Dance to please \ poco allarganolo. > Str. Wood-Wind at Cor. poco rollmyando. _d_ V 17 more joy-ous, That the time may pass more > more joy-ous, That the time may pass > > That the feast may j0y—0us, > > That the feast may more rﬁ /'—"'*"T guests guests con - tent - !” guests con - tent - ed !” _w_ guests be more con-tent- !” 'T 18 Tempo lmo. BASSES. the hand—s0me Pau - Puk - Kee-Wis, Tempo lmo. J ;.— 136. . W000? <9‘ 007“- the met - ry - chief - mak — er, Whom the peo — ple ca11’d the Storm-Fool, among guests as - semb among the guests as - semb - among the guests as - semb - ._v_ .0. among the guests as - semb mp Ski11’d . . sports, mf Ski]l’d was he ' In the mer - ry dance of snow - shoes, mf . . - _,_ . _,_ Ski11’d was he in sports and pas - times, In the mer - ry dance of snow - shoes, /T /‘S /"\ Z5 Z5 /‘T /"f KT con Ped. Ski11’d . Skill“ In the play of qﬂits and ball - y ; In the play of quoits and ball - play; f; 20 8va ....................................... .- /.5 . I /‘T ' /‘T ff ‘games of haz - ard, , In all games of skill and haz - ard, Pu - ga-saing, games of haz - ard, In games of skill and haz - ard, Pu - ga-saing, Bowl and - ters, Koom - tas—soo, the Game of Plum - — Bowl and Coun - ters, Koom - ta.s—soo, the Game of Plum - stones. Koom - tas-soo,_ the Game of Plum - nes. o Koom - tas-soo, the Game of Plum - stones.21 Sam } , _Q_ } Z—$ /‘*3 2'5 2'"? T (‘T ' ores. molto. Though the War- riors ...S 3?” a tempo. . -1- Coleridge-'I‘ay1or——HiaWatha.—Nove1lo. C Ca11’d him coward, Shau - go- da-ya, I - dler, gam- , Ye - nardiz-ze, ca1l’d him Fa-int‘Heart,, > >. 2-5 Lit- tle heed—ed he their jest - ing, } molto cres. For the W0 - men maid- ens > For the W0 - men maid- ens > molto car’d he for their in - sults, For the W0 - men and maid-ens 22 For the W0 - men and the maid- ens b T > /4* molto ores. Lov’d the hand - some > Lov’d the hand — some > Lov’d the hand - some > Lov’d the hand - some {\ Pau - Puk - Kee Pau - Puk - Kee Pau - Puk - Kee Pau - Puk - Kee 23 _:,7c> lov’d the handsome Pau } lov’d the handsome Pau } lov’d the hand-some Pau > lov’d‘ the hand—s0me Pau 23 [x poco a poco. A T-"—\ -9- Allegro comodo. oi-= 84. 24 f\ A .4. ’_ A‘ 7’ Wood- Wimf: V >- 25 SOPRANOS. He Was dress’d in shirt of doe - skin, and soft, and fring’d with er-mine, Amos. 1- :-_¥__, : --L --.'- -r- 1/ 25 He was dress’d in shirt of doe - skin, White and soft, and fring’d with er—mine, >Z"‘\ 5'1 2"T /"1 55 >/"T >/"T in - Wrought with beads of wam-pum ; -wrought with beads of Wam-pun); > 3:'—"\ ET {T L; Str. at Wood. > > . molto. \_/ He was dress’d in deer - skin 1eg—gings, Basses. — Fring’d with hedgehog quills 2:- He was dress’d in I Z‘—:'T<-1 \ deer - skin leg Fring’d withh } /’\ quills > <*"—\ \_/ Thick with quills and beads — Thick with beads And in moc - ca — sins of buckskin Thick with quills and beads -- of buck-skin And in moc - ca. - sins T—'—:'\ Str. pizz. ' Sopnmos. On :=- On /\ /_-———\ aud. er- mine, and er- mine, >/‘ em - br0ider’d. } em — b1'0ider’d. } em — broider’d } em - br0ider’d. his head Were plumes of swan’s down, T his head were plumes of swan s down, > On his heels were tails of fox-es, On his heels were tails of fox - es, > > > 3 > the o—ther. > And a pipe was And a pipe was the o—ther. Tmrons. >- And a. pipe was the 0-ther. BASSES. } And a. pipe was the 0-ther. 28 } In one hand a fan of fea-thers, > In one hand he 3 fan of fea—thers, 2-3 Barr’d with streaks of red and - low, Streaks of blue and bright ver—mil - ion, > > > A Barr’d with streaks of red and yel - low, Streaks of . . ver-mil - ion, > > > > with streaks of bright ver-mil - ion, > > > > > streaks of bright > O 292? Shone the face of Pau- Puk- Kee - Wis. From his fore - head ' tress - es, >> > > > > Shone the face of Pau-Puk- Kee -Wis. From his fore-head ' tress - es, Shone face of Pau- Puk- ee - From his fore - head /\Shone . . the face of Pau- Puk- Kee - Wis. From his fore — head ' tress - es, 29 >> Z‘ Smooth and part-ed like a Shin - ing bright with oil, and plait - ed, > > > > Smooth and part-‘ed like a - Inan’s, Shin - ing bright with oil, and plait - ed, > > > > Smooth and part—ed like a W0 -ma11’s, - - ing bright and plait - T > Smooth and part-ed like a wo- man’s, bright and plait - ed, /\> > ' . ‘S ' } Hung with braids of scent—ed grass - es, > > > Hung with braids of scent—ed grass — es, } > > braids of scent-ed grass - es, > } -0- Hung } Hung with braids of scent—ed grass — es, > - /\ a. poco. To the sound of ﬂutes > > _poco of ﬂutes To the sound } 2 _poco. To the sound ﬂutes (1: 27000. > To the sound of ﬂutes and > > > sing - ing, sing - ing, 99- sing - ing, )- the handsome Pau-Puk-Kee -Wis, } > } the handsome Pau-Puk-Kee —wis, > > > the handsome Pau-Puk— ee -wis, }}}- the handsome Pau-Puk- ee -Wis, > > ores. > a - Inong ares. > As a-mcng cres. > As a-niong mp - c7'es.> 30 As a-mong } 7 > cms. Wood & Trombe. } > poco . guests as — semb - led, -?__poco guests as - sen1b- led, > guests as v sen1b—1ed, >- guests as - semb - led, }- f\ To the sound of drums and voi - ces, } the sound of drums and voi - ces, ‘> 0 the sound drums and voi - ces, To the sound of drums and voi - ces, } his mys— tic his n1ys- tic his n1ys- tic his mys - tic , First he danc’d a solemn Lento. O -_— 78. /_ Sta‘. PP mea - sure, Ve-ry slow in step and ges - sure, . . In and out a.-mongthe A Pad.- TENORS. P >. ’ the shadows and the_ sun -- shine, . . Treading soft - y like a. f -'~ > . pine trees, . . Thro’ the shadows and the sun - shine, . . Treading soft-ly like a. r——j,\ /\ . -O- P-£21 mosso. pan - ther, . > /‘\ -9- -0- pan ' ther’ ' ‘ Piio mosso. 0' — 100. "> 32> Z.‘ . Then more swift - ly and still swift - er, Leap -ing o’er the guests as - semb - led, . > Whirl-ing, spinning round in cir - cles, Leap - ing f—-—:—'—‘\ _} > -O- . n 33 _/ 171760 leap-ing 0 er the guests as - - led, . . Eddying roundand the wig - 33>"> > > ’ the guests as - semb - led . . Edd ing roundandroundthe Wig - Warn, 2 Y 27 SOPRANOS. Pia mosso. Till the leaves. . Went whirl . mg,‘ l > Till the leaves Went whirling with him, Till the I _o_ > . O Till the leaves went whirling with him, Till the Pm mosso. ti‘ = 120. T Str. 01. 0% Fag-. ,\/ him... ed - dies round a - bout and Wind to - ge - ther Swept in > dust } and Wind to - ge - ther Swept in ed - dies round 3. - bout him. . . 5 " \ /‘ A 5 34 Pia presto. Somme. Then 3,-long the sand—y mar - gin Of the > > a- long the mar - gin Of the Then I’';':''_‘'\ Pia presto. J —_— 144. lake, the Big - > lake, fren - zied ges - tures, Sf Molto vivace. Malta vivace. do: 56. /.._ Sf withBrass.> > > Big - Sea — On he sped with fren- sped with Stamp’d up -on the sand,and t0ss’d > L .7?”> Stan1p’d up-on the sand,zmd t0ss’d 81?” tr sf } Sopmmos. ﬁ> _ TENORS_ Till the wi>nd Till the wind r—g the sand ' Like great > —-i the sand - ' - Like great: > ____._j._. the sand ed > Like great great > > > ...)- snow — drifts o’er the land .- scapes, Heap-ing . . . . the shores 17” > snow - drifts o’er the land - scapes, Heap-ing the shores With Sand ~ Dunes, } sempre > ,-\ snow - drifts 0’er . . the land - scapes, Heap - ing the shores with Sand - Dunes, } } '57- > drifts, Heap-ing the shores with Sand — Dunes, _.>> sempre Sf Pedrd - 36 A } } C7'e3.} } Sand Dunes, S-and Hills of the Wud-j00! /-\ } C7"€6‘.} } A of the - Wud- 00 > . Hills of the ud-joo > c,,.es_> > /\ /\ /‘S /"""— “\ I-I ills of the -joo } } Trombom. 33 Molto pesamte. sempre > > ﬁg > > > Thus the mer - ry Pau-Puk - Kee-Wis Danc’d his Beg- gar’s Dance to please them, SQWLPTG } } } } } } > Thus ,the mer- ry Pau-Puk - Kee-Wis Danc’d his Beg - gar’s Dance to please them, sem 7'6 >29 > } > } > } Thus the mer- ry Pau—Puk Kee- Wis Danc’d his Beg - gar’s Dance to please them, } } j } > > - . Thus the mer - ry Pau-Puk - Kee- Wis Danc’d his Beg-ga.r’s Dance to please them, M olto pescmte. J = 130. f'—'-*7 /\ J?‘ re turn -ing, sat down laugh-ing There a-mong the :} é t - b-ld guess as seg e, re— turn - ing, sat down laugh-ing There among the guests as - semb - led, > > > re— turn-ing, sat down Iaugh—ing There among the guests as - semb - led, > > —r > " re-turn—ing, sat down laugh-ing a-mong the guests as - semb — led, > L O . __-_; X41 i . . L 1 ‘ ‘W 1 ! ,' . ‘ . ‘ ‘ 1 Sat and fann’d himself se - rene - ly VVith his — fan \ > E. <: > rall. |‘I ﬁ'1 I . 1 E ’~s=-=r—r—+.~Q—ei ' . Sat and fa11n’d himself se - rene - ly With his fan of > > > > :=- __{_ > Tall- Sat and fann’d himself se - rene - ly With his fan of m -i tur - key > _> > fall. A A Sat andfann’d himself se- rene - ly With his fan of tur - key ? sf sgﬁ‘ rotll. fea - thers. Aa tempo. fea - thers. (1 fea - thers. > > fﬂ’ a tempo. >1 _q.. Sir. Cl. ct C01‘. h_jj_.___._/ Con mate. Then said they to Chi bi they to Chi-bi - a - bos, _ . they to Chi-bi - a. - bos, ml’ _,:. Then Said they to Chi - bi - a - bos, ! C'ou moto. 0 : 75. To the friend of :. To the friend of of To the friend _ /A To the friend of *-—h:.j. mp Wood-_W7ind. Li L: 9i 1 I L g _ ___l_.__ ._._ . (I ’I* - ._.$;_.._ ﬁg L4 0 _ , , _ r 1-, . 1 the sweet * sing - ers, To the best of . . 0”” . the sweet-est: of all smg -ers, - 1%‘ - - I I ‘ - -' I 0 I C . ' I ‘ I l I I I V _ I sweet;-est of all sing - ers, To the best _2:"‘ ,1 . 1.; A x l 4 Ir L l l I l I I l I I To the sweet- est clans, - cians, - ciaus, si - cians, Str. .2 007'. pp oices alone. .9- .. 5.._.j_ -,_.____ -6- -5» -F‘ \‘____ X _ J- Ooleridge-Taylor-—Hiawa.th9..—Novel1o. D a - bosl Songs of love and songs of long-ing, .—__———*’—.' m n a-bos! and songs of long-ing, :;j-’ -9- Songs love —-=—-:: /\ and songs of 1ong—ing, 4}’ Songs of love - A a.-bos! a - bos! Songs of love and songs of long- ing, 1 joy - ous, That the time may pass more i That joy - ous, gime mw more That the time may pass more joy - ous, may pass more con - tent - ed ! > con -tent- ed! . . > con- tent ~ ed! >- con- tent- ed!” . . Str. con sord. more . t the feast That the feast may be more the feast may be more more That the feast may be -3- our guests } our guests } our guests } .9- our guests —4— And the gen - tle sweet and gentle Chi-bi - a Bvw .................... r * >- |>- —¢— -—¢- PP Harp, Woodr Wind .2 0m‘. mfstr. tones of deep - mo - tion, L ____o_.— Sang in tones of deep e - mo - V -9- -av Pad. V’ 44L 37”‘ _[______.__— Look -ing still at Songs of love . . and songs. . of long - ing. Songs of love and songs long - ing. . Look - ing at fair . . Laugh- ing W3. - ter, sostenuto. rwq-_1"_ 4/ With Trombones. Sang he soft - ly, ram ~ - Sang in this ._._—-—-—-——-1 } 4'5 Andante eon moto. J = 120. _» .ﬁ*l5‘- 9%: Hz; -, -._ —b o——«b L 1 l i ‘::EF" K I ' 4 1 an Lu 1] 4 Str. can sord. (0: 012013. PP tranquillo. Tmzon SOLO. “On—a - way! A-wake, . .be - K /' KT-"\ wall. {*3 Pfatempo. > Thou the wild-ﬂow’r of the for - sempre. Thou . . the wild-bird of the prai - riel . . Thou with eyes so soft and Z* . } } fawn like I Ifﬁu on -ii. /..\>/.\ prai-rie, When they feel ,1 It 47 a tem o. tranquillo. }"§ } Sweet thybreath is as the fmgrance /"T . the dew .1 accel. > ores. As the ,__%> , / Peal. dim. e A rfzll. . up - on dim. e rallkgj the wild-ﬂow’rs in the As . . their fragrance is at K'\ /'5 /._._.——:___.h > /'\ 48 eve-ning, In Moonnwhenleavesare fall - /-x r-—\ > éppasszonato. f> _______ > Does not all the blood within me Leap to Ineetthee, leap to meet thee,As the springs to meet the sun - shine, . . K_\ 3 rall. ----=;—: In the Moon when nights are bright;~est ? -0- - -0- -0- Sings. .With joy . . wheuthouart near me,. . As the sigh - ing, sing - ing > > -O-f?"—-T branch - . . In 40 , — the plea-sa.ntMoon of Straw - ber - When thou T 4 art poco 7-it. Then my heart is sad and dark-en’ "T /"—'——"“"\ not p1eas’d. be - lov - ed, ——-3 T,-\ .drop sha. - dows er dark-ens When the clouds . i"_1_ dim. e Tall. 3 51 Con moto. When thou smil - est, my be- .LT PP heart . . is bright - > /__:,_ ‘ 52 - shine gleam the rip - p1esThatthec01d windmakesin riv - > \ E > ‘ > T largamente. } Smiles the earth,and smile the Wa - ters, Smile the cloud-less skies a.-bove us, KT K“-"\ 1. A. 3 . lose the Way of smil - ing When thou art no l0ng—er near 33 -; /—/#_--\a% --—--“h-*‘''‘"‘' Tall. a tempo. mp M eno mosso. /\ Blood of my beatingheart, be - hold me ! - wake, Meno mosso ,_ 1- Ped. PM molto wall. *7" { T tranquillo. /3 a tempo' On- a - Way ! a - Wake, 'T /'.“\ PP molto rall. Lento. Somme. gen- tle Chi - K1 gamleciu-bi — a . bo?’. L: in D . . .1 "q—"“‘*5.—}—*3—i—r-—}—' _ V 1 L - :3 * I : : -tleChi-bi - a. - bo?’.. Sang gen - tle u Lento. I = 66. ‘ 't Poco piu mosso. love and long - iug; . . love and long - ing ; . love and I - ing; . . ,_ love and long - ing ; .\. 55 P000 pm mosso }- /— 3 7‘ 1‘ S tr. animate. ores. accel. Pin mosso. ::>>> And I - a - goo, the great boast-er, . . > > —-1...’/':,_-.—*-——-> >/\ And I - a. - goo, the great boast-er, .\. \ /——T Piio mosso, T J‘: vC. I1 } the mar - } the mar - v’1lous sto si - cian, si - cian, si - cian, si — cian, .\ friend of . . > the friend of sweet mu sweet; mu sweet mu of the sweet mu T , . Jeal - ous of th'ap—plause they gave him, J eal - ous of th’ap~p1a.use they gave him, Saw in all the eyes a - round him.. 12000. > That the wedding - guests as - sémbled Long’d to > looks, That; the guests as - sembled Long’d to Saw in all theirlooks and Saw . ___j_.'.§. ges—tures, . that the guests as - sembled > /‘«'—‘—"_*/'7-_ Saw in all their looks and ges-tures, Saw . that guests as - sembled /_—j—-‘-7 rall. >> -<: >>>>>__.e-—-r.\ . 1 _.__l___I 1 . #3 I 1 . . . . 1 -———lj~a—;-9,-—o—1—1=——1:~—1;~1—‘-_.e—e—‘—4> 1 hearjﬁs sto - ries, Hvis iln - mea-sur - a. - ble false - h rail. } } ﬁ>.">:‘>‘ plea - sant; :5 ::»:.-::a»—**i—..‘—I—w' ‘—‘a--‘—o‘—1—+*—-~~~——M———e—~=~‘ 5' ‘l I 1 1 r' 1 ,‘;4aaoa_L_i__, His im - mea-sur - a. - ble false - hoods. . . rall. - "1 1 >:>_~>.->:-r ‘ \ \1 l\ 1‘\__1l\ LI l l I hear His plea. - sant ,_‘;a_r::a:l: ____, C H1s 1111 - mea.-sur - a — ble false — hoods. . . ra/ll. :o-?—:o—?—‘{"—o—.—~ . » . I .1 T: 14 l: I l L *1 _1 1 7 1r 7 v i 1 1 ~ 1 his sto - ries, 1 -J” Ills im - mea.-sur - a - ble false - hoods. . “#9! F 1 Q _=1H= we \._ no It §:|'1‘.\:.-. 4.9.1; I Pedfd‘ 57 Jlloderato energico. J : 100. l I I mp Clwr. J: Fag. N ev-er heard he an ad - ad - ven - ture, } - ven-ture thim - self had met a. great-er; an ad - ven - cure, f> ~93 nev- er a - ny deed of dar - ing But him - /T E } A ” " -0- deed, > Bghimselfcould tell . . a. . > > _ﬁQ> >/_\ Nev-er a- nymarv’1loussto - ry -self could tell self had donea - r . . But him -self could tell a > > /: A, _, _, -0- ->o-/'\—o- __ — - -. - _ r Would you to his boast-ing, Woulo you on - ly ve him cre - dence. > > _'_ .0- strang - er. - . on - 1y give him cre - dence, } } } } strang - er. . . on - ly give him cre - deuce, /T >—~— strang - er. . . /:_T .10’. one ev- er shot an ar - row so far and h > Half so high as > —:-i Half so high as >- — Half so high as 0 /T > Str. pizz. 3 1‘ caught so ma-ny ﬁsh - es, ki11’d so ma.-ny rein-deer, —er tra.pp'd so ma.-ny >— >—— _v. caught so ma.-ny ﬁsh - es, Ev - er kiH’d so ma.-ny rem -deer, Ev-er tmpp’d so ma- ny > > Ev-er so ma.- ny h - es, Ev - er trapp’d so 1113- ny bea. - verl A l\/\ j Ev - er ’d.. or trapp’d 12 2-13 W005’ W‘-”d' Wood- Wind. 48 61 > bea. - ver!.. Nonc couldrun so >'* -0- bea - ver !. . None could run so fast as could, > N onecould run so could, . } >———-——— bea. - ver!.. N onecouldrun so fast as > w“ With Brass. dive so could, one could swim could ; . . } dive so could, one could swim could ;.. } }- dive so deep could, one could swim could ; . . None could dive so deep he cou>ld, None could swim could ; . . > > > f—\ > >/.\ ..‘_ -'_ .9- N one made so neys, one had seen } None made so one had seen } N one made so N one had seen \ > None had made so ma. ' None had seen. ma. - ny } } } } -0- 62 mar - v’l1ous sto—1'y - tell mar - v’llous sto- ry - tell sto- ry - tell der -ful mar - v’1]ous sto- ry - tell /—""__‘-'——'—'T 4- : E" > f marcato. } > > Allegro molto. J : 130. /-\ > 1-0-. ' a. - mong the >> >>_>> I A I I? I I I I I I _, ' _ .2. Ia+ur}7,—-iT;§—<I-—-~':¢-{-:r-':i|§-‘- —I U name be - came a. by - word And a jest: a. - mong the > } -1* -5-: -‘ . >r'\ l\ >5‘ ’ ._L,‘._.__ _:5_ -?7\ . "- 1232» I I1 I Ei- Str. Fl. da 007'. 2 I? ‘ .;E:,.__a If... 1% Pad. Coleridge-Tay1ox——Hia.wa.1ha..—Nove11o. -chieve - Inner-‘ts, And when—e'er peo - plel . -e'er a war - rior, home 1' a. war — rior, home V > 4* CV65’. £#‘f' 3"} " ‘F’ .! ‘F ‘ ‘ V' ' ~ 1 U. L . ‘II. ' l . ‘ 1 ‘IT 1 ' > . . r I ' '1 -chxeve - meuts, 1] his hearers cried,“I CV03, ‘. \ ______.<___,\ A‘ __ ' of " 1*.’ *‘——-*7 " All his hearerscried,“I - GT6-9. . \ g4 - D 3' 0*" " g . —t—tfti_’*{* ‘r, ‘ L_ J '77 | 1 V in; v’ :2.-goo! > > All his lrearerscried,“I - C77-'3» -0- 11. A D . 4 ]1._T£' . I1 .' '” I ‘ I: .1 V I? J I V ' 7 ' I All his hearers cried,“ I a. boast - ful hunt - er Prais’d his own a boast - ful hunt - er Prais’d his own Eff: ad- dress too ad- dress too re - turn - ing, Talk’d too much re - turn - ing, Ta1k'd too much } I #3“ 1 > > ¢4‘f{7— ‘II. ' I l I ' I L ‘IT 1 I I I f 1: Here’s I - BT08‘, 1:E*f:;£{W*F-::- ‘ C9'C:9\. } } 3: goo, come a - } IIere’s I - a - goo, come a - C783‘. }. } } } 0 —1—a J ' I 3 Here's I - a - goo, come a f>> - Inong us!” . . . . >f\ /""*—$ - mong us!” . } } c. - mong us!” . 770-’ "_\/ >—— — mong us!” . >>>> 8.1?" 81? 8f it 32 -31 d. P \/ { :> -‘-1 65Pe man it was who carv’d the era - dle >- He it was w carv'd the cra- lit- tle Hi - - Wa- mpA He 652%, ‘$1. mp St7z<.!z0or. >- Ped. } D C'arv’d its frame —work out of lin - den, Bound it strong with rein—deer’s sin - ews; — > —e: lin - den, Bound . . with rein-deer’s sin - ews; > > Carv’d its frame-work out of lin -den, Bound it strong with rein—deer’s sin - ews; / \ > Kj—’T with rein—deer’s sin - ews; was who taught; him lab - er I /\I J ' '* -e Had. ”\ — - ~— -9- :—;‘:|:ge‘I U: P *‘f . | I; 11 '__1L 1 I L . who taught him How to make ash -tree, — How to make the bows ash -tree, - }' How tomake bows and ar-rows, ow make the bows ash- —: }- — How to make the bows and ar-rows, How . . to makethe bows ash- tree, And the - rows of oak - tree. — > And the ar-rows of oak - tree. - > ar - rows of oak - tree. > at - rows of oak - tree. --H" 3 -4- Str. ct O0d.- Wind. a - mong the guests as - semb-led ' a. - wa.- tha’s wed-ding > a - mong the guests as - semb- led ' a - wa- thafs wed-ding > a, - mong the guests as - semb- led ' a - Wa-tha’s wed—ding > So a - mung the guests as - semb-led ' - wa.-tha.’s wed-ding A Q. ﬁ> Str. Wood dc 0o'r. the mar~v’llous sto - ry - tel-ler. —----—=-;__*' > - a. - goo, old and the mar-v’l1ous sto - ry - tel-ler. ““"ij‘ > - a - goo, old and the mar-v’11ous sto - ry - tel-ler. : *‘ '% ,,, > - a - goo, old and the mar—v’l1ous sto - ry - tel-ler. } } fff ben marcato. Pedrf , Pad. with Brass, Drums, cf’ Cymbals. 8285. And they > > And they > >- And they > 3‘ And they /5 -9- '—+ Molto moderate, come al 1ma.’5" 70pesa,nte. Pad “O good ; ~ > > Tell ‘J “O _ “O ggd I V- } -0- “0 good I Tell us now a tale of 7011/[olto moderato, come al lma. > > > > > strange ven - ture, strange ven - ture, strange ven - ture, strange ture, > > > > the feast joy - ous, :2? L the feast joy - ous, ii: i- the feast joy - ous, e That the feast more J'(>>y - ous, > > :1?" m more gai — ly, And 0ur<;gue?‘t;_ be may pass more ' - ly, And our guests L3. -1 3.» ma ass more ' our nests pass more ' our guests } f—t"'_"T }}—} 2 tent - ed!” tent - ed!” tent - ed I ” tent - ed!” 72 And I - a.-goo answer’d 2'5 I ' 56 straight - way, . “ You shall hear a tale of Won Fl. 0b. :9‘ Str. ‘ d -—-'‘’'‘‘‘§‘'' :- .Q.. Jzm e rall. You shall hear of strange ad - ven - tures.” . h dim. a rail. A. 73 Poco meno moaso. AL'1‘0S- — It So he told the strange ad - ven - tures Poco meno mosso. /' WP sempre. Str. trem. the Ma gi From the Eve Star de - scend - ed. f-_"—'_——'—__-'j_':'—T ‘S- \_._...._..__...._...._.__./ 7: Ped. Pad. ‘:4’ with soft Brass. 3285, 74 Meozo mosso, Such mf . Such was M eno mosso. ,_.. 74 O mf sostenuto. str. 01. 0b. & Fag. And the And the And the And the 57 t;ha’s fved—ding, tha/s wed-ding, tha’s wed-ding, - th-a.’s wed-ding, /'—__'j—T guests guests 6_ . wed ding-guests din g-guests the wed-ding-bzt/m;_uet ban quetz ban - quet ban - quet; de - part - de part - ed, Lezzv - “____:-— de - ed, Leav L--9 part; de - part - ed, Leav - ing . and Min-ne - ha L well. A With the night . and Min With the night and Min /\r-—— P ra M eno mosso. > ;-5 -3? mg 76 A 4 _& —-\ 1‘L.¢t Tr. L; -6_\_;€. L_____J tranquillo. j. PP Pppﬁtti. :1: PF?‘ Ped. Tempo lmo. >/T SCENES FROM THE SONG OF HIAWATHA. II. THE DEATH OF MINNEHAHA. LONGFELLOW. S. COLERIDGE-TAYLOR. (Op. 30, N 0. 2). Larghetto lamenvaso. - - > " Copyright, 1899, by Nrmello and Company, Limited. 8299. 4 > H --mfﬁxfag _ l .*x_, , 3 - 0' 1 9 1_,a_..,,.}_.w:_‘_“a I ,_;.r1_l_ Oh, the long and drezn--y Win-ter! Oh, the cold _$_CONTRAL'I‘O. ‘:1 > :7; ‘(if > '_‘____E_:'.__.’~—'*7_:[4_'7L]”/__,§ ‘ \| j ,1‘\.% _\ ;‘-“fr” ’a::a_, 1-0 1 5.; Oh, the long and dream‘-y Win-ter! ii —"‘.::=— } __ I ‘ >- N —_"@""m”._:~I J._ 9 F‘ \.I 2 «\ xx, I‘ '__ I F ' a:l—’ d! ¢__,~J:U:i -=1-§~.— "‘—“"' Oh, the and drear-y Win - ter ! Oh,!the eold and cm -el Win ~ tier I Ev - er -T": ‘F >- cres. E -‘’‘”F’ ,0 ‘ I , ' F 1- _ , : v~v—,u— ' A in F m, and dreary Ev — er Ped.V A ares. poco pace. 3 h> — ~r‘~ $‘::§ - ‘ ”' "*1 £- - _...__+_4_ _ ‘- —¢ o——l3——+> L? a~_. * '-'“9% T "—l'——l*—‘-’ — . -'?l7—‘-’l"':lEE. 4""'Lf‘tIT—:‘ li '"‘a{' V',,"1l' EV] ' V thick-er, thicker, thick- er F roze the ice on lake and riv - er, Ev - er deep-er, deeper, A cres. poco a poco. 3 ; 4 ix xx ﬁ‘T"T‘—T.‘_'* 4 , r-1. . l__¢_;.__0_¢‘-;.£J:‘l_ﬁ.,_.i:’.‘.‘:ﬂ2’_ _?*fl""':!:_’_ thicl<- er, tliickgr, thick- er F roze the ice on lake and riv - er, Ev - er deep—er, deeper, A ores. poco a, poco. 3 > _ I,. I. *$+1p—a—ﬁ-P~l*1."—.-074 1“"‘{'iq_;__ _‘_ o - g:o+'-lVL—P .4 -°—P—l-0—.4—a—.0—F—T- Fi ': :_,~vl! VG1#'y/51! ;,;,—¢—l! 9-‘: 5'l+—P——l—V—¥—l: U thick» er thicker thick- er Froze the ice on lake and riv - er Ev - er deep-er, deeper, 3 1 3 A ores. poco a poco. 3 > T9 J‘ I‘ 1 { .\.M \. 1: (1}§___”—v:_“z_iﬁ;‘:S}_,_.,';_,_-_,_ 1/ ;'§—o——o——_,—,u-—a—;_s2._a~_a_--a+_o - o—a - ,9-{-a_,-v _ 7,, . . .4 u : 11. #1:7z:‘_:P:1_ 4@~—“+—v~L9~—9—Pr——' ”‘ ‘F‘—i—+~—~? V 5 ll *2 ‘* l :1 ++~'v=—1V—?;E thick-er, thicker, thick- er Froze the ice on lake and rivA- er, Ev — er deep-er, deeper, TS (§ J I 9 ". —Jq j 0—O'§ 7:. I V d‘a’ cres. 17090 _‘6_ 5') I I Q I 1 L e;»>o—— .. $9?-/’. ~ dim. deep-er ell snow o’erall 1e landscape, Fell covering snow and drift—ed Thro’the A dim. deep-er Fell the sn/\0w o’er all the landscape, Fell the covering snow ancl drift- ed Thro’ the _ ' (lion. deep—er Fell the snow o’er all the landscape, Fell covering snow and drift- ed Tlgdthe A - dim. ' "' deep-er Fell the snow 0’er all the luxxdscape, Fell the covering snow and drift- ed ‘l‘hro’ the F /——jj:S > > '9_ r—‘-—-j—"""\ /'5 for - est, round the vil - lage. > for - est, round the vil - lage. >- for - est, round the vil - - P /\ for - est, round the vi1- lage. {T U n poco phi moto. With his mf With his Hard-lyfrom his bu-ried wig - warn Could the hunt-er force a pas - sage; mf ‘i — -. Hard - lyfroin his buTied Wig - Wam Could the hunt—er force a. pas - sage; k \ 5 Un poco pm moto. /‘xii: ' .3 1 ’ ‘ _ -'_ dim. \ . 0 =- ~ K I . 4 I: " O V I 1 I I snow - shoes " he through the for . dim. 7\ \ A I ' V " -0- -0- -0- and his snow - shoes Vain-lvwa.lk’d he thro’ the for - est. . . . I I I I u 1 _ ! Z I Z 1 I I I 63 .____§__i_._— S01 vht for rd or beast . . a.n~d_found none, Saw trackof deer or rab - bit, Sought for or beast . . and found none, Saw track of deer or rab - bit. or beast and found .1. "" Sought for mf _ Sought for bi _‘._ . accel. -2-"51 be-held no foot-prints, In the ghast - 1 _ ["1 } be-held no foot-prints, In the ghast ly, g1eam—ing for - est ‘___n___...._ rall. .—_————— > > accel. be—l1e1dno foot-prints, In the ghast lg, gleam-ing I-—— rail. i > ————;I—-*- be—held no foot—prints, In the ghast ly, gleanl-ing &/ V tempo KN 1 an L =‘UI| 2:. V Fell, _9.__j::‘a_tempo E 6} *1 1_+"en, _9_0£',(§a. tempo. ! I .__.»...._I . 9 ' _'_._._ O IIJ E’. I-1 from weak - ness, } (J t I .___..l {I\ \J/ ‘J Fell, ' ‘9_a_tempo Fell, _, S3 __ \ 5 3 <. lb 11' § .j_.__.., from cold and hun -ger. from “cold and hun- get. -0 from cold and hun-ger. — from cold and hun- ger. /‘__':'d :_—:.‘'.l. _ HA _ 5; _ _ ’—\ _;:—\ /.-'-'\ :‘9— 33. [- — :§: ‘. , _-;..G :3: 13:. § :1 ‘ ‘ I. I L I 1 ‘I *:?.¢:l‘ -—v— p:;_ ‘E . jﬁj kgu _ “J;$§§:a§.;:g__E <9 -_ 0 l \ I .—'.°_ 8 Tempo lmo. > Oh, the fa -mine and the > the fa - mine and the - ing of the - ing of the fe - ver! Oh, the wail - ing of the chil - dren! Oh, the 1 - mf . Oh, the wail - ing of the chil - dren! Oh, the -0. > T guish of the guish of . the guish of the guish of the All the earth was sick and L? Coleridge-Tay1or—Hia.Wa.tha,.-—Nove110. F fa. - mish’d, Hun-gry was Hun — gry the f 66 air around them, Hun-gry was the sky above them, accel. And the accel - bove them, And the dim. e rall. in heg:w’n Like the in heav’n Like e hea.v’n Like heav’n Like r-\ ..‘- dim. e wall. /\,// Wolves Wolves Wolves Wolves T glar’d them ! them 1 them ! t?§r11 1 11 o A llegro. PP misterioso. A j ,\ mf- T s - ~ In - to Hi - a - wa-tha,’s wig — wam, . i In - to Hi - a - wa-thafs Wig - wam Came two si - lent guests and gloom- y, — } > In - to Hi - a - Wa-tl1a’s Wig - Warn Came two si - lent guests and gloom —y, 7’ > Came two guests, both gloom - y, ait-ed. not . . to be in - vit - ed, :4- tth d — . a egrwmy, Did not par- ed not to be in - vita - ed, i T Wait - > Waited not . . to be in - vit - ed, Word of we} -come } there without Sat; there . . without Word Sat there without . Word 12 Lo0k’d with haggard eyes and ho1—1ow L0ok’d Withbaggard eyes and ho1—1oW L0ok’d with haggard eyes and hol- Did not par - ley of wel -come } of wel -come at the door—Way, > ley at the door-Way /" Didnot par - - _J_'“_ 5“ ”*“——‘;'* the seat In the seat of Lau a - ter; In ihegag; of La Wa - of Laughing Wa - ter; In the seat At the face of Laugh—ing We-ter. At the face of Laugh-ing We-ter. Wa- tex. At the face Wa-ter. 69 PM mos” BAMTONE Sono. And the foremost said, “Be - ,—————\ me! I am Fam-ine, Buck - a-daw - in!” 2% 7? ‘xjs: r}. in Q :'1 ? «V: ‘ j 9 ~‘\‘. ,. v .‘_., 14- ; . SOPRANO 801.0. T . And the other said, “ Be- hold me ! - win 1 ” *—x 3 I am Fe - ver, Ah - ko- se ,.__._____..______.__ Tempo lmo. Sf 16 Shudder’d as they1o0k’d up - on her, . . And the love - 1yMin-ne - ha - ha . . Shudde1"das they 10ok’d up- on her, __{__ __.__;—- mp And thelovely Min-ne-ha, - ha. Shndder’d as they 10o1<’dup-on her, dun. ‘ Shud—der’dat the words . . they ut - ter’d, -"Laydown on her . . in si —1ence, ‘T “h >’ > dim. Shud-der’d at the words theyut - ter’d, Lay down . . in si - lence, Shud-der’d at the Wordstheyut - ter’d, Lay ed . . in si - :- Shud-der’d at the words . . they ut - ter’d, Lay down . . . in si - lence, f'—''?:'':'''‘'T /: _"—:"-—"T Hid her face, but made 110 an - swer; Lay there tgrrbbling, freez - ing, > Hid. her face, but made no an - Lay there trem—bIing, freez - ing, > >- Hid her face, but made no an - swer; Lay there trem-bling, freez-ing, > > .S_ .0- Hid her face, but made no an - swer ; A Lay there trem-bling, freez- ing, F’_—_—“—‘-* /“ 17 burn-ing At the looks they cast up - on her, At the fearful wordsthey ut-ter’d. > «L14 burn - ing, At the fearful Words they ut-ter’d. } —_—__j'-__, burn- ing At the looks theycast up - on her, At the fearfulwords they ut-ter’d. ‘ *-4-“':'.‘ burn — ing, fearful words they ut-ter’d. /. }- 3 >- } > >-> >- A llegro. } } :/7” Forth in - to emp — ty for - est Forth in— to emp - ty for - est Forth in - to emp - ty for - est emp — ty for - est A Rush’d the mad-den‘d Hi - a - wa- tha; > Rush’d mad-den’d - a - Wa. - tha.; } Rush’d the mad-den’d - a. - wa. - tha; > Rush’d the mad-den’d Hi - a - wa - /j_j_\ /————-x /\ In his face mf _ In his face heart . . was dead — - heart was dead } > mf On his brow sweat of an-guish Start > > ——__———j'_____ > On his brow sweat of guish Start area. ‘ > On his brow the sweat of guish Start ores. “w On his brow Start T“-'\ 20 Wrapp’d in and arm’d > Wrapp’d in W ’din and armid . . > Wrapp’d in and arm’d >- > hunt - ing, With his might - y . . ash - tree, > ‘ > With his might - y bow of ash - tree, With his — >- hunt — ing, With his t - bow of ash - tree, } ' '> hunt - With his t - y bow of ash -tree, full of ar— rows, With his 1nit»tens, Min-je — kgh - wun, In- to the uiver _. 1 of ar — rows’ With his mit-tens, Min-je - kah - mm, In- to the } quiver full of ar - rows, With his mit-tens, - - kah - Wun, — - > full of ar - rows, With his mit-tens, Min-je - kah - wun, In- to the 21 > >> > and Va - ca-nt ' snow—shoes strode he for - WiLI‘d,i3t1‘Ode he > > > and Va - cant ‘ snow - shoes strode he > > > > > > > > and V3. — cant ' ' snow-shoes strode he for - ward, strode he } } > and Va. - cant ' shoes strode Th poco a. poco rit. a tempo. 22 BARITONE SOLO. “Git - che Ma.-ni-to . . . the Might-y, Git - che Ma- ni -to, . . the Might-y !” a tempo. ’ fpi 7%: CH/°—IEs' dim. _ poco rit. Cried . . he with his face up-lift - ed bit-ter hour of anguish, ‘ _7‘it. > Cried he with his face up-lift — ed bib-ter of an #\ dim. '. Cried.. he with his face up-lift - ed bit-ter '. '\ _,_ . Cried.. he with his face up—lift - ed In that bit-ter_ hour of anguish, ’ \ 3 3 3 5 79000 rrit. =———:?’‘ '9‘ M. __f> 23 BARITONE SOLO. mf “Give your chil-dren food, 0 fa. — ther! Give us food, . . . or wemustper- ish! f f f a tempo. ad lib. — > :- dim. e rail. > Give me food for Min - ne-ha — ha, For my dy—ing Minne - ha — ha! 24 a, tempo. Give your chil-dren food, 0 fa - ther! Givens food, . . or wemustper- ish! Give me food . . for Min-ne—ha. - ha, For my dy - f"':—jT /-Tjj on tempo. ing Min-ne - ha - ha. ! ” CHORUS. Thro’ the -1: Thro’ the Thro’ the re — sound-ing for - est, [ Thro’ the far re-sound-ing for - est,’ :%‘-;;‘-“3.é:«»é:Ii‘...xra“1;é7.- 1-. .. A — A sostenuto. for- est vast and va- cant, Rang that T for- est vast and —cant, A Rang that f_—'T Rang that cry . . . of -so - la.-tion, Rang that cry . . . of de-so -13- f—-T /-_''::j /'——*T -p_\ Ped. V dim. a poco. - la - tion. But there came no 0- ther an - swer Than the ' _poco a_poc0 of de—so - la - tion, But there came no 0-ther an - swer Than the dim. poco a poco. But there came no 0- ther an — swer Than the mf _ But there came no 0- ther an - swer Than the /-‘T /-—————-a 25> /x dim. poco on poco. cry - ing, Than the Wood-1ands,j cry - ing, Than the wood—1ands, “Min-ne cry - ing, Than the Wcod—1ands, “Min—ne cry - ing, Than the Wood-lands, “Min-ne Min—ne - ha - ha!” L } Min—ne - ha. - ha!” All da v’d Hi - a - W3. -tha, ____j- o _’_ .\ /_ day long rov’d Hi - a. - wa. - \_/ morendo. R0v’d he in that me-Ian-cho-ly for-est’, - Rov’d he in that me -Ian-cho— ly for-est‘; . . mi 'l‘hro’the Thro’ the sha. - dow of whose thickets, sha. - dow of whose thickets, J-_d r-5 for- got - ten Sum-mer, for- got - ten Sum—mer, > /.-T In the plea - days L . In the plea - sant days of Sum -mer, . . ‘.1 - Of that T.==-— of Sum -mer, Of that . In the plea - sent days > .—$ He had . He had brought his young Wife home - ward,Fromthe > “:2 . He had brought hisyoung wife home - ward, From the > ’ ‘ ..._\ When the When the sang in thick-ets, . . And the stream-lets lauglfd and glis - ten’d, . . L»- sang in the thick-ets, . . And the _ ts laugh-’d and glis -ten . . And the mf “L- birds . . in the thick-ets, was full g P341108, _/30 love - ly Laugh-ing a.-ter with Voice that did not trem-ble, “I will “I will fol - low 0o1en'dge-Ta.ylor——His.wa.tha..——Nove1lo. G Andante. dl : J . ‘\ With those In the Wig -wam with No - - mis, With those the wig - warm with o - ko - mis, With those gloom-yguests Watch’dher,With the Famine and Fe - ver, She was ly - ing, the Be - < L >- g10om— ygueststhat Wa,tch’dher,With the Famine and the Fe - ver, She Was g - ing, the Be - gloom - guests, With the Famine and the Fe - ver, She Was 1y - ing, the Be - . B > dthF-, l-',thB- an 8 63 V61‘ W38 yrlflg 66 _ - ing Min-ne - ha - ha, . - She, the dy - ing Min-ne — ha — ha,\,'./. With the - — ed, dy - i11gMin-ne - ha - ha, . . With the Fa - mine - ed, She, the dy - ingMin-ne - mm _..__m—__. >755- 1r—ing,>::1eBe- <1; ly - ing, the Be - lov - ed, She, the dy — ing Minne - - > '._T——‘“———--' She was If iﬁthe Be - - ed, She, the dy - ing Minne ~ > — > __m._——— - ing, - lov - ed, dy - ing Minne - 84 34- Animate. Animate. d‘ : 4' of preceding movement. K:‘:""‘:'_"_5 Pad. 1. SOPRANO Sono. A 5- l ""‘-‘Maw Hear 3. roar—ing and arush-ing, ?—"—_‘—"_'—"T “ Hark !” she said, a rush-ing, Agitato. = ‘V’ if L .2 * The pause r.\ here and elsewhere in the Soprano Solo Part, to be quite short. 8299. Hear the falls of Min-ne - ha - ha Ca.11- ing to me / T .C\ VJ 36 SOPRANOS AND Amos. mp> ~.s.,,%:‘ dis - tance!” “ N 0, mychild !” said old No-ko-mis, “’Tis the night-Wind \./V\ in the pine-trees, “sis K . ]\ SOPRANO SOLO. pm agitate. “L0ok;” she said, “I see my fa-therStand-inglone—ly at his door-Way, Beckon-ing to me r———-—-—--x r--—-—--\ r:\ from his w1'g—wam, In the land . of the Da - co - tabs!” KT"j'—\ /2\ 37 Sopmxos AND Goummnmos. mf tmnquillo. “No, my child!” said old No - ko-mis, “’Tis the smoke that waves and beck-ons, ’tis the smoke that Waves and beck - ons 1” SOPRANO SOLO. “ Ah 1” she said, “the eyes of Pau—guk Glare up - on me in the darkness; I can feel his .P_ K:'''_‘'‘‘—‘‘'_‘\ """ ,3 /— con terrore. i - cy ﬁn -gers Clasp-ing mine . . a-mid the dark Hi—a-Wa -tha!.. - molto ores. Pf’ PP molto ores. ares. ed accel. on tempo. de— so-late Hi - a And de- so-late Hi - a ———__’.: 0L , so—1ate And the de-so-late Hi "-:4 .3/‘ a tempo. mp I A I A I v‘ I i" _1 1 ' r_/ I r _ .'; r a — n s,Heard that; sudden —{__ I‘F .' F—r'—1- - mid the for-est, a-Way 3. - mid the for-est, the m0untains,Hea1:d that sudden a-way a - mid or-est, the mountains, Heard sudden mp -H a - mong the m0untains,Heard that sudden - ing to him C763. 2 Call - ing to 2him Call - ing to Qhim Call - ing to him Min-ne- ha- ha in the dark *1 > in the dark -: > dark E in the dark - ing to him 40 Heard the voice of Min-ne-ha-ha Min-ne - ha - ha -i: Heard Min; 113 - ha - ha. Min-ne-ha — ha. Heard the vpice of Heard Min - ne — Heard Min - ne ~ 0 in the dark ff’ ores. molto. sf Pedk tha ! ” 42 Andante con moto. CONTRALTOS. TENORS. 0- ver snow ﬁelds Waste and A ndante con moto. 42. U11-der snow en-cumber’d b1'2mch- es, : path — less, .Un— der snow en—cumbe1"d branch- es, Home - ward hurried Hi - a. - / I \ mll. -hand—ed, hea—vy—heart-ed, Heard o—k0 - Inis moan — Emp-ty-hand-ed, hea—vy—heart —ed, Heard o-ko - mis . /" f:‘''—_’'''jT /_ Wail - moan - mg, wa.11 -mg, > pom “pom } } /-'*—'$ S Andante. A S . OPR Ngo p “Wa. - ho-no-min! Wa - h0—n0—min! Would . .that had perish’d you, A ndomte. f /':‘_'_-T molto rall. [ > } j Would that I were dead would I were dead you are! 8220 A } "- :j mf molto rall. a tempo. '~ Wa- ho-no - min! ho-no -min!”.. CHORUS. ls wa BARITONE Sono. mp -L “Wa - ho-no-min! Wa - ho-no-min! Would . . thatlhad perish’d for /—-"T ?'_"';'t_’_—'T Would A 06 tempo. -L Wa- Cnono s. ho-no £6 Ped. 797): E}- Wa - ho-no-min 1 } Wa - ho—no—min ! } Wa — ho-no—min I } Wa. - ho-no—min ! that I were dead as you are! would I were dead as you > A ho — no - min!” - ho-no- min! - ho-no- min! K > > Eooco m't.>. Wa. - ho—no-min ! Would that I } Would . . that I had perish’d you, had Wa - ho-no-min ! Would that I > perish’d for you, Would that I } Wa - ho-no- } I Would that I had perish’d for you, Would -——-L‘, . Wa - ho-no-min ! Would that I had perish’d for you, Would that I that I <-;.““" are I were were were were dead as you are. — dead‘ as you are, dead ' dead as you are, dead y . } dead. as you are, dead 46 A llegro agitate. you are! Wa - ho- no - min ! Wa - h0-n0- min ! ” V Tmrons. And BASSES. And PP- ¢ Saw the old No - Saw the old No - ko K—— ' sf - - ho . ii” Attacca. rush’d in -to the wig - wam, > rush’d in-to the wig - wam, o dim. poco on poco. to and fro dim. poco a pace. fro } and dim. poco a poco. \_’/,_,./ > > mll. Ped. SOPRANOS AND Amos. Saw his love - ly Min-ne - ha - ha Ly-ing dead and f \ Ped. molto accel. him ; K K molto accel. cres. \/ Ped. M olto moderato. And his burst-ing heart Ut—ter’d such a cry — ' And his burst-ing heart Ut1—ter’d such a. cry - U1;-te1"d such a. cry And his burst-in heart J!‘ . Ut-ter’d such a cry > And his burst~ing heart: M olto modemztoc 'A an — guish, an - guish, an - guish, an — guish, A That the That the That the That the the for-est moan’d and sgxd-dyd/, for-est moan’d and shud-der’d, . . > > for-est m0an’d and sh11d—der’d, . . the for—est m0an’d and ud-daﬁ, > > > for-est moan’d and shud—der’d, . . for—est m0an’d and ud—de\r’d, /-\ > the 3 f0r—est m0an’d and shud—der’d, . . the /\ fxr-est m0an’d and shud—der’ hea - ven hea. - ven Shook /_ in hea - ven 49 /T — _J-\ with his an - guish. That the 1 That the {1- That the d Tall. dim. and . and trem dim. and rall. and trem [- trem § trem - bled - bled - bled 50 96 Andante con mono. SOPRANO S0 dolce. Then he sat down, Andante con moto. rﬁ /\ /‘T PP still and speechless, On the bed of Min—ne - ha. - ha, At the feet of Laughing .ar~.-s;~‘ // A /\ Ped. ~———J 4 . rail. 51 ,—\ cres. Wa - ter, At those will ' ,, feet, that More would lightly T _._J dim. morendo. M poco ccccel. /‘—'% run to meet him, Nev-er more would light - ly fol - low. dim. morendo. With both hands . . his K—:—_"T he covk er’ Seven long days and nights he sat /T 53 mp a tempo. there, . . Speech - T“‘:\ mo - tion-less, - con-scious Of the day light . . T‘_;\ __ r—'—'—\ ‘X Speech — less, mo - ‘oionless, un - con-scious Of the Th f’—'—T {-3 light or the sempre P mll. \— Fed" Ped. Coleridge-Ta.y1or—-Hiawatha.~Nove11o. H M oderato, quasi una marcia ff’ C1oth’d C1oth’d C1oth’d mf Wrapp’d Wra.pp’d Wrapp’d mf—e- ° W1'app’d And at night: And at night dled, - dled, four times kin - dled, ores. _.____»—_——> four times kin - dled, ‘ > > >- For her soul . . . up-on its jour For her soul up - on its jour For her soul . . , up-on its jour . . To the For her soul up - on its jour > From his door - 59 K---ﬂ mf gloom the gloom - ing up the hem - locks, 103 the gloom hem - locks; From his sleep - less bed gloom hem - locks; From his sleep - less - the gloom hem - locks; From his sleep - less bed Light ' up the gloom - y hem — locks; I /f——_-\ From the bed . . . of Min- ne - ha. From the bed From the bed . . of Min- ne - ha, From the bed - ha. /‘:1’:-'———'j*. poco /w L’ I I I I I I I and wa.tch’d poco 523 I I_I_ G and Watch’d poco _-_,w~s' give I 1 and watch’d poco I - I /1 I I LI L I I I ahd watch’d not rall. Might; not f L?) \j¥_J 62 Larghetto Zamentoso come al lma. T BABITONE Sono. 63 PP *""-—‘—"—:'- “Fare - Wel1!"saidhe, “Min-ne — ha - ha! Fare - /j‘-j"j'—?T Well, 0 my Laughingwa - ter ! . . All my heart is buried with you, All my thoughts go ./T /‘T /"$\/‘ onwardwith you! Come back ' a-gain to la - your, /'—""———‘-"x ’-T #3 /.1 x Conﬁ not back a-gain to suf - fer, Where the Fa -mine and the .\ ,._.._% /'\ /\ [P mu. i >. 65 Poco pm moto. Fe- ver,Wearthe heart; and vvastethe bo-dy. . . Soon . . ’ ‘ ,_—_% /__\ Poco moto. will be com - - ed, . . Soon your /"_:T .6- con dignita, ma un poco agitato. ores. foot-steps shall fol-low To the Is - lands of the Bless.-ad, To the A Agitato. - 3. 3 king-dom of P0 - ne—n1ah! the land . . . oftheﬁere-af of the Here - a. tempo. “Fare - Well! Min-ne - “Eare “Fare - Well! Min-ne - Fare - well! ’_\ 67 ”"‘ cresf ‘. . _ A accel. ,——-\ - 1- ~ ha.-ha! Fare - well, OmyLaughing Wa. - ter! All my heart is buried with you, -——<_f'____ ‘L--1 - ha. - ha 1 Fare v- Laughing Wa - ter 1 . . My heart is buried with you, J -{A ha - ha! Fare Laughing Wa — ter 1 .v . My heart is buried with you, J -< Well ! .0 my Laughing Wa. L -A ter ! All my heart is buried with you, T f—"—'—‘—':—"-_"":T _‘_ All my thoughts go on - ward with you ! — ——;-=4- aea— - All my thoughts go on - ward with you ! All my thoughts go on - Ward with you! Come _ h 7”P- \ All my thoughts go on-ward with you I Come not back 68 mf 1:- la - bour, not emf Come la - hour, Come not .' a. - gain mf'$ la - J bour, bour, Come not Wear the heart -=1 A ¥' Wear the heart . -1: ~ mine and the A - mine and the Wear the heart --4" /\ Wear the heart and waste the — F . and Waste the and Waste the L and Waste the suf - fer, }- Where the - W here the will be com- plot - ed, com - plet - ed, . . Soon your :3 L .1} f\ com - plet - ed, . > _:='- foot-steps I shall fol - low foot -_ steps shall fol - low To ..{_:‘;——- mp foot - steps shall fol - low To }‘ mp foot-steps . .shall fol - low To {---———————-:—-::1 morendo. - ed, . . To the king - dom . . of P0 — ne morendo. - ed, . . To the king - dom of P0 -pne morendo. Bless ;’- - the king - dom of P0 - ne _ tmorendo. morendo. molto mll. the land of the Here - af molto rall. jc> the la}/1d of the Here- at 1?” wall. f > the land of the Here - af molto rall. ‘i: ﬁg >\ the land of the Here.-af molto rall. morendo. $3 SCENES FROM THE SONG OE HIAWATHAM III. HIAWATHA’S DEPARTURE. LONGFELLOW. S. COLERIDGE-TAYLOR (Op. 30, No. 4.). A °°"”"."°-. . > 2 > ? > A ” Copyright, 1900, by Novella and Company, Limited. 8305. SOPRANO SOLO. mf had come with all its splen - dour, its birds and all its blossoms, its ﬂow’rs and f'—’‘‘\ /——.§ /—-—§ ..m!W o ..;._.;._..___.j.' _"":t:“—‘___§— and grass - Ki‘? and leaves and rit. grass — es. Sail - ing on the wind to > . . > ._ 1: :55: :51: > u 0 >_ _a_ In. 1 111.0 0 > IT} shot througl1l1ea. - ven, Pa.ss’d the swan. the 4- -0-‘ -o— 19--I-L ' -0- -0 l'- ' _._.__ Q.-,—"—|—-vp -—I—!-§—-\'~ __,_._‘“g__:;‘___'_._=4__ “_"_'_._g; =="‘““‘__-§f E I I .-9—r—-—-—f'3-r-—-- ,~--—{ —_ . W ' #—~%—;—~1~‘:gag-g;;1 5 :T=’':§———;E:a::*::L ; > - T 1; 4 .o. _;_L 0 - U9-‘#'u I‘ . i EN‘ J 4‘__ .'(‘u“_“"L*‘J‘" -~-~r % +, % Speak - ing a.1-most as a. man Mah' - nah - bc;ze\e, speaks; /-\ . 15131- -; _p;’_’a" ;n 1‘, ‘T’, '3‘ ;,9; #::='.'.‘_"‘_:’::*-—'- ‘I | J Aria o————a—:»—a————a «o— ~°—o—o~» 0 — -- $_ __ -4.» _._:p_j-_,__ﬂ 0 o: E I g — 3; :§;:::. - P W 1‘ 1 ‘ 2: I v Coleridge-Ta.y1or——Hiawatha..—Novello. I Wan‘ 1’ «H: ‘—-"“ —.‘*" 3'" . ; . 1.74 E if 1 if- wav-ing, bend -ing I 4 w .2 .~ . ‘ bﬁ , r“—‘>’**:="1*_r*‘ 'J*“*E:—": >} . Like a gw - string snapp’d a. - sun - (let, The white goose, the Waw - be - A 0 } o A mf \_ And in pairs, or s~in - gly ﬂy -ing, A . . 5 g ;_ -L > '3 _ ‘C n _ ‘J I ' } |- i‘ ; _:ir’*,z — ”—3‘1:5: lﬁEE r . , r Mahng the 1o>on, with clung - ’rous. pin-ions, The blue her-on, the Shuh-shuh-gab, > . /\ , . .—-- —.‘\ -"~ ;_v1_ G-—6 ‘$- 9 4! I MS (1 dl o\ ,... In the thick the O - wais-sa; sor Speechless in his in - fi-nite tha, the sum-mit of the lodg pa 3 the summit, the O in, scr-row-ing Hi Poco memo m()s,s‘0. 5 Poco meno mosso. Heard their voi -ces call - ing to him, Went forth from his gloom - y door-wa._v, K? \ /T \ L > —. ' A. ="~3$:é§*‘?*MwM~ ~— , W’ L ' - V’ :\. —' —p~—!— 39-1:-‘*’z;‘~‘———.«'—<5*———1~v—--N*:~<—;>~7¥L'—sI’—.4—l-4——-:2: at. = ’ " I L * E V I: ' I U. I 9 1 I C - HI’ TI’ ; 0 “*= l V i 1 Ir: 5 %a = J ‘L! 1 I Stood and gaz’d . . in-to the hen.-ven, Graz’d up - on the earth . f 4&2 2-: 1;. I "L, ‘I F , 9-13.--- Mil..- k ‘i 1 Allegro molto. _Q-- - IT: CHORUS. Sopnmo. - d’rings far From the the mom Wan - d'rings far From the re - gions wan - d’rings far From the re — gions wan - d’rings far From the re - gions ." /' K /" ——-———:.77' v . From the shin ' bun, Home - ward re - turn’d . From the shin ' bun, Home - ward —-—-__-.1: . . From the shin ' bun, Home-ward re - turn’d _1 ‘\ A e: 6- — -0- \ . . Fromthe shin ' - bun, Ilome-ward re — turn’d I \ A /" - vel- ler, tra — vel-'ler, j > a - goo, great tra - vel-ler, ._ ,_\ > a - goo, the great . . tra - vel-ler, f""'""'\ 4f and and and D and - a - goo, the great a a- goo, the I - a - goo, the great . . boast strange strange strange strange 253.- ad - ven - tures, ad - ven - tures, ad - ven - tures, ad - ven — tures, //’:—\ er‘ " . A - ” "- "‘ - ‘I-—er«/8-um. awn. .. ~.“),:"3"“'7.’-—‘_fd',-.§'r'.'—‘it- ‘W-'*“'?“ . -.a-,.4u;y.».. .._...--v.- .....H :'..' - ders. ____;._~> m> ny and ma. > And the And the he 5.8 him - ten’d to Lis told ten’d its he told > _] ,, . ten’d as he } J. U - vel - lous ad - ven - tures, Laugh - ing an-swer’d him them Of his mar —#»~4 I 442,2“-=6 ‘. man - j\ WNW ~——o—f=—d—o‘ 1n —=I“I—zﬁ—“—*5—I ..—‘F-9.—:-I vel — lous 23 I ""7: :'0—’_" an - swe1"d him ' " I Q ad - ven - tures, Laugh - ing /-\ u “a III—" . o::3ﬁ-W2 a‘I II- im Laugh - ing an - sWer’d h _@ D I I T "" 0 - r .‘ " -1- ‘.1 _,_ _(2. +11 1 ad - ven - tures, them (Sf hIs mar ~ vel - lous rx 9 0 0 '9‘ 1" "" "9‘ ﬂ VT;F:I|"'_—_— I vel — lous in - ad - ven - tures, Laugh -ing an - swer’d him them Of his mar TENOR SOLO. d'_ & _ Quasi recitativo; leg_q2'ev'o. -. } seen, he said, a wa - ter I d : & - of preceeding section. — Big-ger than the Big - Sea - Wa - ter, Broad- er than the Git - che Gu-mee, } __$ Bit-ter so that none could drink 11 Cnonus. ther look’d t each ther1ook’d the ther look’d At each 0 ther look’d T/?°> Smil'd, and said, Smil’d, and said, > Snmil'd, and said, > > 0- ap- Smil’d. and said, “ It 1. :" _ 1" it #5 1: I E /\ E 5 E71 Kaw 1 ” they said, A > I I git L11 they said, 0 .‘—T’? 7 ' iL Kaw !” they said, ﬁg» -9- #0- V 1 I Kaw 1" they said, 8305 . TENOB Sono. mf _._..i - - O’er, said he, this wa - ‘oer A ca - noe withwings came ﬂy - ing, Big-ger than a :g: C768. of pine-trees, Tall - er than the tall "- est tree — tops! Unoxms. And the old . . And the old . . 1 _1.= And the old . . : /j Look’d and tit - tefd o - ther. ' they said, } Lo0k’d and tit - ter’d they said, Lnok’d and tit - ter’d - they said, Z- L00k’d and ' - . “ Kaw 1” they said, -O- #—.E_ . _ . . 1 . :1: don’t be - lieve it !” “Kaw 1” they said, “we don’t 7 # ‘ “II II ‘_ P~——'—{—e’—-’—H . ~ lq" 1'!’ 8% “ we don’t I ” they said, don’t be - lieve it!” “Kaw . be - lieve o “ we don't don’tz be —lieve it!” “Kaw 1" they said, don’n be - lieve it!” “Kawl” they said, “we don’t TENOR Sono. agztato. From its } >- he said, to greet him, Came Way- was - si - mo, the light - ning, Game the thun - der, An - ne - mee — kee! /T ,:.:.__.._:—._._.——\ Cnonus. war - ri - ore and Laugh’d a war-ri - ors and La.ugh’d at And the war-ri -ors and Laugh’d a — _’. War- ri-ors and W0 - men La.ugl1’d a. 8am I II 1'!’ .1;-‘$.(§531\ ‘Ii 1 p B > goo; “Kawl” 3. A Hf‘? I “KaW!” 4;. A A_ I “ Kaw I ” /\ ‘ 800 3 V89 L L .<ES 9: “F” 4; 4,‘? ‘- Kaw 1 1' } .o_. I I said they, “what t;Ies you tell us! } \I . I In. '————|' '—-!——+*——{=—II—,.4]:=1——T{——~+‘—*—+-Cl——_ ;‘ ‘ . .-Li:-—-—.—~ i5“§$——+=—E II ‘J " I ' ‘V I I I I I 1 C ' ‘ I I “ what tales > N0 is» I L said they, Kaw! O W —§_ I LIT I II I I I‘ ‘ I you tell us ! said they, “what tales you tell us! Kaw! > /~. IL L L I V I I I “ What tales I I said they, you tell us! you tell TENOB. SoI.o. 15> {T . In the great ca- noe with pin - 005, a hun — dred war Paint - ed white were all their fa Came were GOV And with hair their chins A 4+ 16 CHORUS. And the And the W0 the and war — ri - ors And the F'" I and shout - ed in and shout - ed in and shout - ed in —=— } shout - ed in de - ri — } the crows } the crows } the crows } Like the crows {\ Co1eridge—Tay1or —-Hiawath a.—Novel]o. K they said, they said, they said, they said, Pesante. > > Do not Pesante. §—-—<.J§._.:._/ them ! ” them 1” } think that) } think that } think that } think that 13 aha. On - Hi-a - Wa - tha. 1augh’d not, on - y Hi-a - Wa. - tha. - > H ————______.___ Hi - a - Wa- tha laug ot, ‘ Hi - a ~wa — tha > Hi — a—wa- tha. laugh’d not, on - 1y Hi - a. - Wa - tha - > —__::— — On - ‘ Iy Hi - a— Wa.-tha ]augh’d not, Hi - a.-wa.-tha I 18 d : d.of previous movement. _ rall. laugh’d not, But he grave ly spake swer’d To their — — .i_____Lj_ ]augh’d . . not, ly spake and . . . not, ly e and - 1a.ugh’d not, spake M oderato. jeer - ing their jest > ' > jeer - ing their est; > - ' jeer - ing their jest >- jeer - ing their jest Modemt0_> > mf 19 BAHITONE 501.0. Quasi recitativo. Ben declamato. mf_ ~— “ True is all 1 - a - goo tells - I have seen it A nimato a tempo. \ Seen the great. . can -oe ' pin - ions, . peo - ple with white. com-ing of this beard - peo - ple of the wood f \/ molto rall. } } Largaménte. ﬁ> 3 > re - gions From the shin - ing land of Largcm_Lent_e. . > >,—————T ﬂ‘ 3 molto mll. a tempo. } “Git - che Mafia - to, . . 1: 1' } / -0- the Might - y, The . . Spi - rit, the Cre - 3. - tor, /—. Paco memo mosso. 21 __?{:j———-:——-‘ Sends them hi- ther on his Sends them to us with his Poco meno mosso. > A A nimato . mes - sage. . . Whereso - e’er they move, be — fore them Swarms the sting-ing- ﬂy, /-————-——5 Animate. f>. Ah - mo,Swarms the bee, the hon - ey - ma ker; Whereso - e’er they tread, be - H }}}}} g-Z:--Z-1-1"‘-5 pescmte. f%~ neath them Springs 2. ﬁ0w’r un—kn0wn a - mong us, Springs the White—mzm’s14‘oot in f>pesa7Lte. > > > e con dz'gm'ta. 22> wel - come, then, the stran - Hail them as our friends and bro-tzhers, And the heart’s right hand of friend-ship Give them when . . they come to T a tempo. \_/T" mll. Git - che Ma-ni - to, . the Might -y, Said this to me in my vi - sion. /\ dim. e wit. dim. e rit. 2 \.__j Molto moderato. < } _ — held, too, in that vi-sion All the se — crets of the fu - ture, Of the M olto moderate. PP _J 10060 rit. Agitato. dis-tant days that shall be. . . I be - held . . the Westward A gitato. ’ ‘ >cres. accel. 5 marches Of the unkn0Wn,cr0W na—tions. All the land was full of peo-ple, W cres. accel. 24 P512 mosso; energico. >/‘\ Rest - less, . . strug—gling, toil - ing, striv - ing, Speaking mosso; _ ,7? f ma-ny tongues, yet feel - ing But one . . heart- beat; in their bo — In the Woodlands rang their ax . . 3Sm0k’dtheirtowx1sin all the } }} } > } a tempo. 771/ > accel. val - leys,g 0 -Ver all the lakes and riv - ers Rush’d their great ca—n0es of ' 3 /—‘—T 25> thun — der. /“"—-—\ molto accel. 26 Poco meno mosso.> mp --_f___’‘ a. dark - er 7 P000 meno mosso. _g_ me, vague and cloud - like. .. . . tions scat-ter’d, f’-_-——\ } of y coun - sels, . /"T war - ring with each 0 - ther; . rem - nants A Sweep - ' west - ward, the cloud - tem - pest, wi - the1"d leaves of Au - tumn, /-_'-T-—:T wither’d leaves of A > morendo. 3?” By the shore . > > shore of Git - che Gu > > shore .5- By the >— shore of Git; - che Gu Sea. - Wa. - ter, the shin-ing Big- > > > > > > Big— Sea - Wa. - ter, e shin-ing .>- } > > } } the shin- ing Big- Sea - Wa. - ter, -0- > ’; ing Big- Sea. - Wa —ter, "E ii: door - way of his wig - wam, In door -way of his of Git-che Gu- > > of Git -che GL1’ - mee, } - mee, } mee, } - mee, p -Semi) Sum - mer - plea — sant Sum - mer - D181‘ plea — sant Sum - mer > > stood stood stood 30 All the air was full of fresh-ness, All the Was brightand oy- ous, All the earth was brightand oy- And be - L -—-L4’- Bright and joy - ous, be-fore him be-fore him pass’d Pass’d in swarms . L pass’d Pass’d in swarms . } } thro’ the sunshine, Westward t’Ward the neighb’ring rest, pasS’d in > ’ the sunshine, Westward t’wa.rd the neighb’ring forest, pa>ss’d in swarms the Ah- mo, } } >- } } . 142 ﬁ> Pass’d the bees, the hon ma-kers, Burn > > Pass’d the bees, hon ma - kers, ' sing - ing /\ } } en swarms the hon ma - kers, ' Sing - . > bees, the hon ma- kers, - sing-ing } > > - '0‘ a—bove him shone the heavens, — a-bove him shone the vens.. . From its bo - Lev-el spread the lake be - fore Lev—el spread the lake be - fore ’d the st>urgeon, Sggk-ling, ﬂas>11—i11g,T, ﬂashing in the sunshine ; leap’d the sturgeon, Spark—ling, ﬂashing ' the sun-shme ; A > > > leap’d the 11, Spark-ling, ﬂash-ing ' the sun-shine; A > > > -5- 1eap’d t11e sturgeon, Spark-ling, ﬂashing in the sunshine ; ' mar - gin the /‘—'—"’\ :\ 877“ """""""""""""""""" >_\ -0- /..\ . A dim. f()>rest re - ﬂeet - ed ' the Wet - ter, ’r-y tree; top f()>rest - ed - '. the we - tef‘, iry tree - tap re - ﬂect - ed ' the wa - ter, ’ry tree — top dim. . . . . . . a forest re - ﬂeet - ed ' the we - ter, ’ry tree - top A /\ A /\ poco. had its sha- dow, Mo— tion - less, . had its sha- dow, Mo-tion—1ess, . . th the had its sham» dow, 0-ti0n- . . beneath the wet poco. 7 had its sha.— dew, Mo - ti0n- less, . . beneath the > A 37’ By the shore . . of Git-che Gu— mee, > > > > > > shore of Git - che Gu -mee, > > } By the shore . . of Git -che Gu-mee, } } shore of Git - che G11 - mee, the shin- ing Big-Sea - Wa- ter, } E > E } > shin- ing Big— Sea - Wa - ter, > > } } > > the shin- ing Big- Sea — Wa - ter, -0- Z> } >-— >% shin- ing Big- Sea - Wa -ter, door - way of his wig - Wam, In the - sant Sum - mer morn - ing, — > plea-sant Sum- mer morn - ing; ._$ door -way of his wig-wam, In mqrn - ing, plea-sant Sum-mer morn - ing, ,._\ > } 0 wa - tha. stood stood Pad. 33 All the air was full of fresh-ness, All the earthwas brightand —0us, And be - All the earth was brightand And be - —;r: .1: Bright and joy - ous, And be-fore him And be-fore him 2 pa.ss’d Ah - mo, Pa.ss’d in swarms . . Ah- mo, — } } pa.ss’d - mo. Pass’d. in swarms . . the Ah- mo, .¢:_:_ > > A r———'‘‘:“ ‘the sunshine, Westward t’Wa.rd the neighb orest, pass’d in — ’the sunshine, Westward t’wa.rd neighb’ringforest, pgss’d in swarms the Ah- mo, ‘ J‘ 2 } > } } . } i Coleridge-Ta.y1or—Hia.wa,tha..—Nove11o. L Pass’d the bees, the hon ma.~kers, Si113'i11g in the > > Pass’d the bees, ma. - kers, sing - ing in /\ } - en swarms the ma - kers, S1118 ' } bees, the ma. kers, - sing-ing in } -0- > - _'_ shine, arbove him shone the heavens, Shine’ 3.-bove him shone the vens.. . shine, shine, the heavens, . . From its bo - its bo - Lev- el spread the lake be - fore Lev- el spread the lake be - fore > ’d the sturgeon, > leap’d the sturgeon, Spark-ling, A > > 1eap’d the sturgeon, Spark-ling, /\ > 1eaB’d_Lhe sturgeon, } I10. \ 8fl\’ ‘ forest > forest > forest forest A poco. had its sha-« dow, had its sha- dow, had its sha— dow, had its sha- dow, ,3 > Spark-ling, -1‘ ﬂ h-' mg, 3; mg, ﬂ 1-’ agnng ﬂash-ing } > -0- ﬂash—ing dim. re - ﬂect—ed % re - ﬂect - ed dim. re - ﬂeet - ed A 35 poco Tit. Mo - tion- less, Mo - tion- less, - tion- Mo- ti0n- less, 35 ml. ﬂashing in the sunshine ; the the sunshine ; the sunshine; ‘On } the wa - ter, the Wa - ter, the Wa - ter, the wa. - ter, A be-heath the —-"4’-" be-neath the . be-neath beneath the mar-gin mar- gin the A ’ry tree - top ’ry tree - top ’ry tree - top . . (1 ’ry tree - top L} SOPRANO SOLO. From the >'—\ poco rit. . of Hi-a. - wa. - tha Gone . . was ev-’ry trace K 5 mp a tempo_ — E - row, As a. fog . . from off the W2. - ter, As the mist . . fromoﬂ" the /"'5 \ /—'h-\ mea.—doW, With a. smile of joy and tri - umph, With a look of ex - ulb - {Th (T a - tion, As of one who in a vi-sion Sees What is to /‘\ /"\ /‘Rf’? bp- is not, Stoodand wait - ed Hi - a - Wat-tha, stood and wait /‘T f 771171 Towards the 37 Poco meno mosso. sun his hands were lift - ed, Both the palms spread out at-gainst it, Poco meno mosso. And between the parted ﬁn-gers Fell the sun-shine on his fea—tures,F1eck’d with ’ T his na — ked shoul-ders. r——“‘*-"""""""‘\ — Through the rift - ed 38 a tempo. wa - ter ﬂoat;-ing, /":1-1:3 - ter, Now seem’d ﬂoat-ing, As it falls oak —tree T and ﬂecks an }- poco rit. leaves and branch- es. K, —<‘: >poco rit. z: j—-‘ Some - thing in the ha—zy dis - tance, and lift - ed from the now seem’d ﬂy - ing, Coming near - er, near - er, /\ /—j——:"'T 39 Poco mosso. Was it Shin - ge-bis, the K"“""""“""""‘\ Was it the pe-li-can, the Sha - da? Or the her-on, the Shuh - f""'*""""'—"'—\ } ../ } W shuh - gab? Or the white g'0ose,WaW - - With the wa - ter drip-ping, k 3 12000 mil. A - thers? Cnonns. ﬂash - ing From its gloss - y and fee poco mll. 40 Pia modemto. > > nei -ther ggse nor ' - Nei - ther pe - -can nor her - on, O"er the > . > nei -ther ' N ei - ther pe - li -can nor her - on, } } nei-ther goose ' N ei - ther pe- li -can nor her - on, ‘ } nei_ -ther goose ' N ei - ther pe - Ii -can nor her - on, d . 4.0 mo emto K\ ﬂgt-ing, ing, Thro’ the shin-ing mist ﬂoat-ing, — ing,Th1'0’ the shin -ing mist ﬂoat-ing, - ing, Thro’ the shin- ing mist > ﬂ0at- ing, ing, Thro’ the shin-ing mist with pad - dles, Ris — ing, the wa. - text, } > > birch ca- noe . . with pad - dles, Ris - ing, the W3. - ter, . } }' ca - noe with pad - dles, Ris — ing, the Wa - ter, -1. 3 > A birch .ca - noe with pad-dles, Ris - ing, the wa - ter, D. _ . ’ $139193 ﬂash -ing > ﬂash - ing > ﬂash - ing Dgp-plug. Drip-ping, - ing ' - shine. a > } . /'——-—T And with And with - And with - dis - tapt land Wa - bun, . _ Wa - . . From the far - thest dis- tant of War. - bun, . . dis -tant land of Wa - bun, . peo - ple From the peo - ple From the pee - ple From the peo - ple From the realms . . Came the Bla Game the e the Priest of Prayer, lgle - face, of Prayer, the Pale - face, ' ‘K > Prayer,.. the Pale - face, Hi - a - Wa, tha, With his hands ex - tend > > Hi - a - wa tha, With his hands ex - tend > > tha, With his hands ex - tend tha, With his hands ex - tend - marcatz'ssz'mo. birch ca-noe with paddles shin - ing peb- - Till the birch ca - noe the peb- . - Till the birch ca - noe peb- mf . Till the birch ca. - noe peb - bles, T 156 Black - Robe chief, the Pale - face, . . With the cross up-on his > } } } E — Black - Robe chief, the Pale - face, . . With the cross up-on his > > > Black - Robe chief, Pa-le - face, 4- -9- The Black - Robe Land - ed sand- y the sand- y With the cross up-on his bo - the sand- y .." > Withthe cross up-on his bo - som, Land-ed on . .the sand- y . /ii the joy - 0113 the joy - ous '\ A and sqgie k and spa> e and and spake in > > 4'5 Larghez‘/to. Oommodo, ma can dignita. Larghetto. Oommodo, ma. con digmlta. When'you come so far All our doors stand 0 - pen for you: > >' BARITONE SOLO. -0- 0 stran - gets. 3 “Beauti-ful is the sun, . 3 All our town in peace 3,-waits you, >/“T con calore. YoushaIlen—ter all our wig -Wams, For the heart's right hand We give F you. 3 159 Animate. 46 f . Neverb1oom’dthe earth . . so gai - ly, A m’ma.éo. > 2 ——'—"--'\ Never shone the sun so bright - 1y, they shine and blos-som, When you /* /‘ pow 7_a”_ 47 mfa tempo. _:§._.:—_— come so far . . N ever was our lake . . so tran - quij, > > > r—--—:-\ r"“—"“—\ 1 ' . poco rall.e mf a tempo. poco. M11. Nor so free from rocks and sand - bars; For your birch ca— noe ' pass - ing Has re - > K‘‘'‘‘‘‘*—\ ° ? > /‘T poco rall. as tempo. mov’dboth rock and sand - bars! 48 Lamghetto. Commodo, ma con dz'g<m't a. Never be-fore had our to-bac-co Such asweet and pleasant ﬂa - vour, . . Larghetto. con mf . poco rit. Nev-er thebroadleaves of our com -ﬁelds Were so beau - ti - ful to look on, As they /1-—"‘T T re poco rit. seem to us ' morn - ing, When you come so . . far . /—— poco 'r-all. TENOR Sono. And the Black-Robe chief made an — swer, Stammer’d in his speech . . a 1it—t1e,Sp.eaking /-““—‘“T /—**'— > _'_. > > > yet; un - fa-mi1- 1ar: Coleridge-TaJy1oz'—HiaWatha.—N0ve11o. M Quasi Recitativo. “ Peace be with y.ou,I1i — a - wa - the, Peace of prayer, and peace ofpzu‘ - don, Peace of Christ, and ,——-————------§ /————————§ ll d . so 29000 a,2r9_a2 0 _/ \ joy CHORUS. Joy j" a tempo. Joy 3?“ a tempo. Joy 17'” A tempo. Joy Largamenee. Q Largameme. sf 164 3 Then the generous Hi - 3. - Wa - tha Led the strangers to his Led strahgers to Seat- ed them on skins of bis - on, . . Seat-ed them on skins of gznnine, And the Seat ed them on skins And ed them on skins care - ful old N o - ko- mis Broughtthemfood in bowlsof bass - wood, Waterbrought care - ful old No - ko-misBroughtthemfood in bowls of bass - wood, Wa :: <1 The old No - ko - mis Brought them Wa. - ter in bitch m N0 - - mis Brought them wa. - ter in birch /j-'-;-—-T —\ /-———-———T - And ca1- u—met, the péce - pipe, . . F ’d and lighst-ed for . .x/ .—w- -we . dﬁpers, And the cal- kl.-met, the peace — plpe, . . and 11ght—ed for then‘ : clippers, And pipe, . . and —“t—_ ed for > > dippers, And the peace — pipe, . . and light-ed for /‘T /‘?*"‘—"T 1-!--r \‘ -~ '5‘ smok - ing. _{_¢_ smok - All the vvar—ri0rs of the — } All theold men of the vil - Iage, All the war—rio1's of the > > \ 3 All the J os-sa-keeds, the pro - phets, ma. - gi-cians, the a-be - nos, And the — } C768. All the J os—sa—keeds, the pro - phets, The ma - gi — cians, the We - be - nos, And the cres. > ma — tion, The ma — gi - cians, The Wet -be - nos, And the j- /\ na - tion, /\\ And the 5 ; T me-di-cine-men, das, ' we1- come ; .____e”____ > —cine—men, - das,Came to bid the stran — gers wel—con1e; e _ _ _T_‘_ \ 2 me—di-cine—n1en, the das, Came to bid the — gers we1—come; —a— —o— —a— ' —~—~————’—:‘—' > 3 me-di-cine—men, the das, Games to bid the stran - gers We1- come; , 81,“ .............................................................. .. > > > Well,” they said, bro - thers, That; you come so far > } /\ well,’’ they said, bro - thers, That you come so far > > Well,” they said, bro — thers, That you come > > -9- well,” they said, bro - thers, That you come so far bro- thers, That you come so far > br0—thers, ’_I‘hat you come so far > bro—thers, Thatyou come so far } bro—t11e1's, That you come so far cir - cle round the door-Way,With their pipes they sat With their pipes they sat in in mf 168 Waiting to be-hold stran - gers, . . t-ing to re-ceive their mf W ' to re - ceive to re - ceive Ines - sage; mes - sage ; mes ~ sage; From the wig - Wam came to -9- . _ Till theB1ack-Robe chief, the Pale - face. From the wig - Wam came to f:"":""":'?Z"T Speaking words yet un - fa > Stam — m’ring in his speech a lit- tle, words 1§et un - fa. > > them. . . Stam - 1n’ring, lit-tle, Speaking Words yet un - > > o u lit-tle. Speaking words yet un - fa /—_\_ /. ’_'.\ '.\ . Stam - m’ring, /___.___ well,” they said, That you come well,” they said, Thatyou c0II16 Well,’’ they said, That you come well,” they said, . That you come bro- ther, That you come so far > bro- ther, That you come so far > bro-ther, That you come so far > bro- ther, That you come so far —a-.‘ > TENOR. REOIT. Agitato ‘ma non troppo mo.»-so. _ Then the Black-Robe chief, the A gitato. \ Pro—phet, Told his mes-sage. . to the peo~p1e, Told the pur—port of his mis - sion, . . f-_——_—-—'—j\ f Fla ,—.—._\ ores. mil. Told them of the Vir - gin - ‘ . . And her bless - ed Son, the cres. rall. 58 mpa How in dis-‘cant lands and a - ges He had 1iv’d on earth as /*-———'"—\ We do; How he fast; - ed, ‘ How the /""?'_h“"T F poco mll. rail. 6 dim. > Jews, the tribe ac - curs - ed, Mock’d- him, scourg’d him, cru - ci-ﬁed him; Zhj'j""\ gist- rall. e dim. $ 59 __V 1?‘ Poco meno mosso. How he rose from where theylaid him, W-a.1k’d againwith his dis - A Paco meno mos-so. ‘ K:-—————f mf ci - ples, . . And as — cend - ed in - " {T \ ILL Lc71L[)0. accel. cres. Allegro. 60 Tmxons. BASSES. ,—-—-—\60 3 A llegro. /-_ 6. :1: chiefs madeau - swer y - ing: /\ } chiefs made an — s f:'_j’j—_':'\ say -ing: } M odemto, molto marcato. >——~ “ e have lis - ten’d to your mes - sage, }- } } >- } “ We have lis — ten’d to your mes - sage, Moderate, molto marcato. > > A > A > A e have heard your Words of Wis- dom, } } } }- > W/’\e have heard your words of Wis - dom, And the And the on What you tell us, . . M We will think on What you }- *2 Z ' on What you tell us, . . we will think on what you A > A >>/\ O bro - thers, } /'\ O bro - thers, > } >'\ f!\ That you come so far ‘ f That you come } > poco a, poco. 52 Allegro. ___~____ ’ Then they rose ome - Ward Then they rose up and de - part one home - ward — > > Then they rose up and de ~ gt ' home — ward Then they rose up and de ~ part home - ward 62 Allegro. /--—-——-—\ r—-——'-‘\ K___\ To the young men and — To the young men and the . To the men and wig - wam, /— To theyoungmen and the Told the sto - of the stran the Mas - ter of > > Told the sto - ry of the stran the Mas - ter of - > > Told the sto - ry of stran the Mas - ter of } - Told the sto - ry of the stran Whom the Mas - ter of the shin - ing land *" the shin - ing land vy with the heat si - lence Grew ——-——-e’: .11»- vy with the heat ' - lence Grew A r——----\ Bea. of Sum-mer; drow - sy sound the - noon of Sum - mer; the for Whis - per’d round sul - try wig-warn, With a sound of — Whis - per’d round try wig-wam, Whis — per’d round wig-wam, With a sound of the ----<64 the beach pled . - pled be - low pled 177 mf From corn - ﬁelds shrill and cease - less Sang the grass- , Pah - puk - > >- > > Sang the grass-hopper, Pah - puk - .>- > From the corn Sang the grass- > S . «_ _§x_1_,gr___\the graﬂlopper, guests guests guests guests of Hi - /:' _J_ cres. % mo of Sum-mer, Slum - be1"d sul - try wig - the heat of Sum-mer, Slum - With the heat .of Sum-mer, ber’d, - -.'— with the heat of Sum-mer, Slum - ber’d in the f''\ ,._._____\ 3" Coleridge-'1'a.y1or—Hiawatha..—Nove11o. N slum - ber’d in sul - try wig sul - try wig land-scape poco accel. f ning’s dusk and cool - ness, And the long and And the long and ning’s dusk and cool — ness, And the long accel. >5 And the long and and 179 sun-beams their spears ' - est, sun-beams their spears ' for - est, sun-beams spears ’ for - est, sun-beams spears ' for - est, >- R accel. cres. Break - ing through its shields sha. - dow, Break - ing through ' sha. - dow, Break - ing through ' sha - dow, accel. ores. Break - ing through ' shields sha -g dow, -0- > > accel. ores. .27” am—bush, Se2Lrch’d each thicket, din—g1e, hol-low ; am-bush, Search’d each hol-low ; > am-bush, Search’d each thicket, din»gIe, hol-low; >- > am-bush, Search’d each thicket, din-gle, hol-low ; 6 6Pescmte. }/-\ 180 Tempo lmo. —[ KT guests guests the guests Tempo lmo. 67 Andante con moto. From his rose - a - Wa. - tha, L From his rose Hi - a - wa-tha, rom his place rose - a - Wa-tha, From his place rose Hi - Andante con moto. a. - wa-tha,, 67 Spake in s, spake in this wise, this Wise, in W1 is- ers s wke in ’ pt — in whis- spake in Spake whispers, spake in slum-ber’d : Lj- slum-ber’d : slum-ber’d : :- slum-ber’d : this Wise, this wise, fa-re - well to ti o - ko - mis, Bade fare - Well to old No - ko- mis, L- Bade fare - Well to old No - ko - mis, L h Bade fir/‘e - Well to old N0 - ko - mis, not Wake the guests that <1": i- not wake the guests that T- not Wake the guests that .7» not Wake the guests that BARITONE SOLO. 68 Andante» ‘[1 _ “I am go - ing, a long and distant An/(lame. > > } ' } jour - ney, . . the pot - [tails of [the Sun - /\ poco accel. re - gions of the home - Wind, . . But these guests . . . I leave - hind me, your A >> A > . A > > > o poco accel. - } mp } Watch andwardl leave them ; See thatnever harm comes near them, A 3 \______J Poco meno mosso. } 69. See that never fear mo - lests them, Nev - er dan - ger suspicion, T >> >> Poco meno mosso. ' >> A -mi rall. Nev -er Want of food. shel — ter, /\ >}> 70 OR Forth in-to the vil- lage Went . Forth in- to the vil - lage Wen m’ Forth in-to the vil - lage Went vil — lage Went 70 Forth - /'\ - well to all the young men, Spake to all the young men, Spake young men, Spake the young men, Spake he, Bade fare -Well he, Bade fare —well he, bade fare - well f In the lodge > > Bade farewell to all the -L to all the to all all per - suad - ing, per - suad — ing, per — suad - ing, per - suad - ing, war - riors, war - riors, War - riors, Bade fare - war - riors, poco rit. this Wise : wit. this wise : this wise : poco 'rz't. this wise 2 poco rit. a tempo. 71 BARITONE SOLO. mf . [ am go-ing, On a long and dis-‘cant J: A r——--—\ , jour - ney: . . Ma.-ny moons . . and ma—ny Win - ters Will have } >'> /‘—"'j'—'\ >>>- T‘: molto mll. dolce. and willhave van -ish’d, Ere I come } /7'"-—\ . >->> P molto rall. But my guests . . leave :15 J Lis - ten to their words of ,3 Lis - ten to the truth they 7 8-I‘ L: __2 I Largamente. > > molto T01/ll. - 73 Allegro. > > A :_ Mas - ter of Life has sent them From the Largamente. land of light and mom - molto ing ! Allegro. d‘ = I‘ 7} 0 .Z_ sempg sf (To 82, page 195.) A ‘SA 3 8f 74- Allargomdo. { % i Me/)\l&o modemto. /*':'—"T shore . . . stoodHi-a. - /\ K-""—'——-'\ - \ Molto moderate. /—_'—"——'T >>' * If desired, the Section between 73A and 82 may be omitted in perfermanoe, in which case these 10 bars in small type must be used. 8305. Turn’d and Wa,v’d . . his hand ‘ part; — ing; - tha, Turn’d and wav’d ' . . -ing; - ’l‘urn’d and Wav’d his hand part - ing ; - and Wavéd ' part - ing; 3 > - and 111 - minous Launch’d } and Iu - minous Launch’d and lu - minous Launch’d } clear and 111 - minous Launch’d /"*":_"—-""?""“"'-‘T 75 From the peb-bles, the pebbles From the peb—b1es of - From the peb—bIes - From the peb-bles 75 dim. Whis - per’d to dim. Whis _ - per’d to Whis —;per’d to Whis - per’d to /\ #9- —x— it forth 1> it forth > it forth it forth “ Westward 1 “ estward ! “Westward ! “ Westward E 188 in - to the in - to the in - to the west-Ward! ” > west-ward ! ” } West-ward ! ” } West—ward 1” -3; m f ares. molto. And mf cres. molto speed wi speed with speed m0[éo._p- - with speed it dart-ed it dart-ed And the And the - ning sun de — scend } - ning sun de - scend Set the clouds mf ares. > Set the clouds on ﬁre with /‘ /. Burn’d . . the sky, like hi Burn . . the broad sky, like L - ness, . . Burn’d the sky, like -i .Burn’d the sky, like >- 1?” d , Down whose dour, Down, dour, whose f" - dour Down whose } {* long track . and trail. . of long - One long track and f‘\ One . .long track and trail West - West - Ward, _T——__— stream, stream, as ' T'j""\ West - ward, sun - set, sun - set, - tha. Sa'11’d sun - set, > - tha. Sai1’d 78 in -130 the West - Ward, '_> - mj > mp Sai1’d in - to pur » p16 V79‘ ’ S2'Lil’d in - to the > - Sai1’d in - to the pur - ple Sai1’d in - to the , } mp Sai1’d in - to the pur - ple Va - pours, Sai1’d in - } — > mp Sai1’d in - to the pur - ple Sai1’d in - the the dusk ~ And the And the the dusk 4) } ple from the mar gin Watch’d > - ple from the mar gin W ’d And the ple W ’d mf - _Q_ And the peo ple Watch’d 2-‘ _ seem’d lift - ed _ birch ca-noe seem’d lift — birch ca-noe seem’d lift seem’d lift - ed A it?‘ T111 the Till the in - to that sea. in - to that sea. in - to that sea to that sea of /*""—‘—"‘\ Like the new moon slow / . \ \ dim./' the new. . moon slow T"-—_""“""'—-——'—"\ Co1e1'idge—Tay1or—Hi a.watha.—Nove11o. 0 in the pur — ple ___._:___—_ ‘ pur - ple - in the pur - ple -- 81 f"‘“""“\ 'g_/ morendo. A léegro moderato. M olto modemto. well, farewell for er 1Fare - Well, . ./ O Hi—a And they said, well, farewell for er!Fare-v>'\e11, 0 Hi - a - And they said, “Fare - well, farewell for er!Fare-Well, 0 Hi - a. - /\ And they said, “Fare — well, farewell for er 1 Fare-well, 0 Hi 'Q' A Molto modercwo. ”_—'"“ T T J?“ - them! And the - tha! And the - tha. ! And the - that! And the darkness, Sigh’d “ Fare L darkness, Sigh’d “Fare — depths, Sigh’d “ Fare - darkness, Sigh’d “Fare for - ests, dark — and lone- ly, M0v’d thro’ all their depths of > _ V for _ _ for - ests, dark well, A Well, well, 7. . OHl*3;' ests,dark and lone - ly, M0v’d thro’ all their depths of } — thro’ all . - ests,da.rk and lone - ly, M0v’d } and lone-ly, M0v'd thro’ all their depths of .OHi—a-Wa - A tha. ! ” - that I” And the waves T, W, wa up-on the } . 0 Hi - a - wa - tl12L!”Andtl1e waves up--on the /\ 0Hi - ing,rippling on the peb - bles, S0bb’d, “Farewell, O -pling - So ’d, “Far§vle£,____O Rip- g - bles, Sobb’ “ Farewell, O - the peb - bles, Sobb’d, “Farewell, O -1 _‘Q_ Hi - a-wa — tha ! ” sobb’d, “Farewell, Hi — a - wa - tha. 1 ” And the her-on, - _ mf Hi - a - wa-tha,I “Fare - Well, 0 Hi - a,-we-tha!” AI_1d the F F J mf Hi - a—wa-tha!“Fare - 0 Hi — a — wa-that!” And J...-» — K Hi- a. -W3.-tha!“Fare - 0 Hi - a. - we-tha!” r-——?-% ~--- 35 mf Shuh - shuh-gah, From her haunts a-mong the fen -1a,nds,Scream’d,“Fa,re - well, 0 } her - on, From a - mong the fen - ’d,“Fare~ well, } . From her haunts . . among the fen—lzmds,Screa1n’d, - well, From a. - mong lands, Scream‘d,“ are - well, 0 / 3 86 Un poco meno mosso. mp Thus de-part - ed mp Thus e—part; - mp ’ — a. - Wfb — than 1” Thus e-part — ed mp Hi — a. - wa - tha! ” us de-pa1't- ed U71 ]70(,'0 7?’L(’/IZO 7710880. 86 :1 - Wa — tha, Hi — a — wzvtha Ljh#e_W a — wa - tha, — a - wa—tha -—j:.__ Hi - a-wa-‘aha the Be - Hi — a — wa.-tha Be - lov ft" —-_\ ple mists ple ple mists ple mists gions of the home } gions of the home } gions of the home - wind, Wind, /——-j———-j-—--5 N 0rth—West Wind, Kee -way - din, . . To the Zn _< \/ N orth-west wind, Kee -way - din, . . /T Kee—wa' -din . . 7 N 0rth~west wind, /\ To the 87 N orth-West wind, Kee -Way - din, . . /———:.:—-—§/-—-—-:-T lands of the Bless :} of the Bless } of the Bless > > Is - lands of the Bless /._—.-_._.——.——j\ : /_—.:._—-—-\ rall. poco on poco. king - dom of P0 - 7-all. co poco. king - dom of P0 - mll. pocoa poco. king '- dom of P0 - mll. poco a, poco. king - dom of P0 - /'-T’?-'—ji mll. poco a of the Here - af - ter ! . . . a Kempo. "‘” of the Here - af - ter ! . . . on tempo. . of the Here - af - ter ! . . . a t/e\mpo. _ f'?""'-"T the Here - af C/ THE END NOVELLO’S ORIGINAL OOTAVO_ EDITIONS. OF Oratorios, Cantatas, Odes, Masses, &c. FRANZ ABT. (Female voices) (SOL-FA, 0/6) (ditto) (SOL-FA, 0/6) (ditto) (SOL-FA, 0/6) (ditto) (SOL-FA, 0/6) (ditto) (SOL—FA, 0/6) (ditto) (SOL-F.-1,0/6) (ditto) (SOL-FA, 0/6) (ditto) (SOL-FA, 0/6) . H. ADAMS. J A DAY IN SUMMER (Female Voices) (SOL-FA, 0/6) KING CONOR (Scum, 1/0) THOMAS ADAMS. THE CROSS OF CHRIST (SOL-FA,0/6) THE HOLY CHILD (SOL-FA,0/6) THE RAINBOW OF PEACE B. AGUTTER. MISSA DE BEATA MARIA VIRGINE, IN C (English) (Female voices) MISSA DE SANCTO ALBANO (English) THOMASANDERTON THE NORMAN BARON WRECK OF THE I-IESPERUS (SOL-FA, 0/-1) YULE TIDE J.H.ANGER. A SONG OF THANKSGIVING... W. I. ARGENT. MASS, IN B FLAT (St.Benedict) P. ARMES. MINSTER BELLS SPRINGTIME SUMMER THE FAYS’ FROLIC THE GOLDEN CITY THE SILVER CLOUD THE WATER FAIRIES THE WISHING STONE HEZEKIAH . ST. BARNABAS ST. JOHN ’I'HE EVANGELIST A. D. ARNOTT. THE BALLAD OF CARMILHAN (SOL-FA,1/6) YOUNG LOCHINVAR (SOL-FA, 0/8) E. ASPA. ENDYMION (with Recitation) THE GIPSIES . ASTORGA. STABAT MATER J.C.BACH. I WRESTLE AND PRAY (Motet) (SOL-FA, 0/2) J.S.BACH. A STRONGI-IOLD SURE (SOIrFA, Choruses on1y.0/6) BE NOT AFRAID (Motet) (SOL-FA, 0/4) BIDE WITH US BLESSING, GLORY, AND WISDOM CHRIST LAY IN DEATH'S DARK PRISON CHRISTMAS ORATORIO (PARTS I & 2) DITTO (PARTS 3 & 4) DITTO (PARTS 5 & 6) COME, JESU. COME (Motet) (In the Press) FROM DEPTHS OF WOE I CALL ON THEE n the Press) GOD GOETH UP WITH SHOUTING GOD S0 LOVED THE WORLD . GOD'S TIME IS THE BEST (SOL-FA, 0/6) HOW BRIGHTLY SHINES (In the Press) JESU, PRICELESS TREASURE (SOL—FA.0/6) JESUS, NOW WILL WE PRAISE THEE JESUS SLEEPS, WHAT HOPE REMAINETH... MAGNIFICAT, [N D MASS, IN B MINOR (Choruses only, SOL-FA, 2/0) MISSA BREVIS, IN A MY SPIRIT WAS IN HEAVINESS NOW SHALL THE GRACE (Double Chorus) (D1TTo, SOL—FA, 0/6) 0 LIGHT EVERLASTING (SOL-FA,0/6) PRAISE OUR GOD WHO REIGNS IN HEAVEN PRAISE THOU THE LORD, JERUSALEM SING YE TO THE LORD (Motet) Most of these Cantatas, é“rc., can be supplied in Roa I4/2/05- DITTO Paper gl lsourda. llll IIISIIIIIIII lllllﬁlrlll IIIIISIIIII SI lllzlnnnﬁﬁ llll IIISIIIIIIII J. S. BACH (continued). SLEEPERS VVAKE (SOL-FA,0/6) STRIKE THOU THE HOUR SO LONG EXPECTED (In the Press) THE LORD IS A SUN AND SHIELD THE LORD IS MY SHEPHERD (lathe Press) THE PASSION (S. JOHN) THE PASSION (S. MATTHEW) ._.. DITTO (Abridged as used at St. Paul's) THE SAGES OF SHEBA nthe Press THE SPIRIT ALSO HELPETH US (Motet) (In the Press) THOU GUIDE OF ISRAEL WHEN WILL GOD RECALL MY SPIRIT A. S. BAKER. COMMUNION SERVICE, IN E GRANVILLE BANTOCK. THE FIRE-WORSHIPPERS .. J.BARNBY. REBEKAH (SOL-FA, 0/9) THE LORD IS KING (97th Psalm)(SoL-FA,1/0) KING ALL GLORIOUS (SoL—FA, 0/lg) LEONARD BARNES THE BRIDAL DAY .. . Ix: |l§§Elll J.F.BARNETT. PARADISE AND THE PERI ... ... THE ANCIENT MARINER(SOL-FA, 2/0) ... THE RAISING OF LAZARUS THE WISHING BELL (Female voices) (SOL-FA, 1/0) MARMADUKE BARTON. MASS IN A MAJOR (For Advent and Lent)... BEETHOVEN. A CALM SEA AND A PROSPEROUS VOYAGE CHORAL FANTASIA (SOL-FA, 0/3) CHORAL SYMPHONY DITTO VOCAL PORTION (SOL-FA,0/6) COMMUNION SERVICE, IN C ENGEDI; OR, DAVID IN THE WILDERNESS MASS, IN C MASS, IN D MEEK, AS THOU LIVEDST MOUNT OF OLIVES (CI-IORUSES, SOL-FA, 0/6) DITTO CI-IORUSES ONLY . RUINS OF ATHENS (SOL-FA, 0/6) THE PRAISE OF MUSIC A. H. BEHREND. SINGERS FROM THE SEA (Female Voices) (D1TTo, SOL-FA, 0/9) WILFRED BENDALL. A LEGEND OF BREGENZ (Femalevoices) (DITTo, SOL-FA, 0.8) THE LADY OF SHALOTT (Female voices) (DITTO, SOL-FA, 1/0) SONG DANCES. Vocal Suite. (Female Voices) (D1TTo, SOL-FA, 0/9) KAREL BENDL. WATER-SPRITE'S REVENGE (Female voices) SHIJULIUS BENEDICT. PASSION MUSIC (from ST. PETER) ST. PETER THE LEGEND OF ST. CECILIA (SOL-FA, 1/6) GEORGEJ.BENNETT. EASTER HYMN 1 SHKWRSTERNDALEBENNETT INTERNATIONAL EXHIBITION ODE (1862) THE MAY QUEEN (SOL-FA, 0/6) 1/0 1/0 —— 1/0 1/6 DITTO CHORUSES ONLY 0/8 1/2 THE WOMAN OF SAMARIA(SOL-FA, 1/0)... 4/0 -- n, rounded corners, red under gilt edges,1>rice 33. in excess of the markedprice of e paper cover edition. at . I. Cloth I Gun 1 l|||§l|l NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.~Comfinued. HECTOR BERLIOZ. FAUST (DITTO CI-IORUSES AND WORDS OF SoLos ONLY, SOL-FA, 1/0) THE CHILDHOOD OF CHRIST . (DITTO CHORUSES AND WORDS OF SOLos ONLY, SOL-FA, 0/8) G. R. BETJEMANN. THE SONG OF THE WESTERN MEN W. R. BEXFIELD. ISRAEL RESTORED HUGH BLAIR. BLESSED ARE THEY WHO WATCH (ADVENT) HARVEST-TIDE THE SONG OF DEBORAH AND BARAK JOSIAH BOOTH. THE DAY OF REST (Female voices) (SOL-FA, 0/9) KATE BOUNDY. THE RIVAL FLOWERS (Operetta) (SOL-FA, 0/6) E. M. BOYCE. THE LAY OF THE BROWN ROSARY THE SANDS OF CORRIEMIE (Female voices) (DITTO, SOL-FA, 0/6) YOUNG LOCHINVAR J. BRADFORD. HARVEST CANTATA .. W. F. BRADSHAW. GASPAR BECERRA J. BRAHMS. A SONG OF DESTINY C. BRAUN. QUEEN MAB AND THE KOBOLDS (Operetta) (SOL—F‘A, 0/9) SIGURD THE COUNTRY MOUSE AND THE TOWN MOUSE (Operetta) (SOL-FA, 0/4) THE SNOW QUEEN (Operetta) (SOL-FA,0/6) A. HERBERT BREWER. EMMAUS (SOL-FA,0/9) NINETY—EIGHTH PSALM . O PRAISE THE LORD THE HOLY INNOCENTS J. C. BRIDGE. DANIEL .. RESURGAM RUDEL J. 1*‘. BRIDGE. BOADICEA” CALLIRHOE (SOL—FA, 1/6) FORGING THE ANCHOR (SOL-FA,1/0) HYMN TO THE CREATOR MOUNT MORIAH NINEVEH ROCK OF AGES (Latin and EngllSI1)(SOI.-FA, 0/4)... THE BALLAD OF THE CLAMPHERDOWN (DITTO, SOL-FA, 0/8) THE CRADLE OF CHRIST (“ Stabat Mater Speciosa”) 1/ THE FLAG OF ENGLAND (SOL-FA,0/9) . .. THE FROGS AND THE OX (Operetta) (SOL-FA, 0/6) THE INCHCAPE ROCK THE LOBSTER‘S GARDEN PARTY (Female vv.) (DITTO. SOL-I~‘A,0/4) THE LORD’S PRAYER (SOL-FA, 0/6) THE SPIDERAND THE FLY (Operetta) (SOLvFA,0/6) DUDLEY BUCK. THE LIGHT OF ASIA . .. EDWARD BUNNETT. OUT OF THE DEEP (I3oth Psalm) T. A. BURTON. CAPTAIN REECE (Boys' voices) (SOL-FA, 0/6) THE TRAGEDY OF COCK ROBIN (Short Action Piece) (SOL-FA,0/3) THE YARN OF THE NANCY BELL (Cantata or School Song) (Boys’ voices) (SOL-FA, 0/6) W. BYRD. MASS FOR FOUR VOICES CARISSIMI. JEPHTHAH JOB A. VON AI-IN CARSE. THE LAY OF THE BROWN ROSARY GEORGE CARTER. SINFONIA CANTA'I‘A (uﬁth Psalm) WILLIAM CARTER. PLACIDA (CHORUSES ONLY, 1/0) CHERUBINI. FOURTH MASS,_ IN C FIRST REQUIEM MASS, C MINOR(Lat. and Eng.) SECOND MASS, IN D MINOR... THIRD MASS (CORONATION) E. T. CHIPP. NAOMI II It III III HAMILTON CLARKE. DRUMS AND VOICES (Operetta) (SOL-FA, 0/9) HORNPIPE HARRY (Operetta) (SOL-FA, 0/9) PEPIN TI-IE PIPPIN (Operetta) (SOL-rA,0/9) THE DAISY CHAIN (Operetta) (SOL-FA,0/9)... THE MISSING DUKE (Operetta) (SOL—I=A, 0/9) GERARD F. COBB. A SONG OF TRAFALGAR (I\*IeI1'svOices) MY SOUL TRULY WAITETH S. COLERIDGE-TAYLOR. SCENES FROM THE SONG OF I-IIAWATHA (DITTO, SOI.—FA, 2/0) HIAWATHA’S WEDDING—FEAST (SOI.~FA. 1/O) HIAWATHA’S HOCHZEIT 3 marks THE DEATH OF MINNEHAHA (SOL-I=A,1/0) HIAWATHA’S DEPARTURE (SOL—FA, 1/O) THE BLIND GIRL OF CASTEL-CUILLE (DITTO, SOL-FA,1/0) MEG BLANE (SOL-FA,0/9) THE ATONEMENT FREDERICK CORDER. THE BRIDAL OF TRIERMAIN(SOL-FA,1/0) SIR MICHAEL COSTA. THE DREAM H. COWARD. GARETH AND LINET (SOL—FA, Choruses only, 1/0 THE STORY OF BETHANY (SOL«FA, 1/6)... F. H. COWEN. ADAUGHTEROFTHESEA(FemalevV.)(SOL—FA,1/0) A SONG OF THANKSGIVING... CHRISTMAS SCENES (Female voices) (SOL-FA, 0/9) CORONATION ODE JOHN GILPIN (SOL-FA. 1/0) ODE TO THE PASSIONS (SOI.~1<‘A, 1/0) RUTH (SOL-FA, I/6) .. ST. JOHN'S EVE (SOL-FA,1/6) .. SLEEPING BEAUTY (SOI,—FA,1/6) SUMMER ON THE RIVER(Female vv.) (SOL-I7A,0/9) THE ROSE OF LIFE (Female voices) (SOL-FA,0/9) THE WATER LILY VILLAGE SCENES (Female voices (SOL—FA, 0/9) _]. MAUDE CRAMENT. I WILL MAGNIFY THEE, O GOD(I45th Psalm)... LITTLE RED RIDING—HOOD (Female voices) W. CRESER. EUDORA (A dramatic Idyll) W. CROTCH. PALESTINE W. H. CUMMINGS. THE FAIRY RING ..; W. G. CUSINS. TE DEUM, IN B FLAT FELICIEN DAVID. THE DESERT (Male voices) , H. WALFORD DAVIES. HERVE RIEL... .. THE TEMPLE THE THREE JOVIAL HUNTSMEN (Folio) P. H. DIEMER. BETHANY . . M. E. DOORLY. LAZARUS 1’ c I IlI|§§§H|Ill IIIISSSIIIHI NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.——Comfinuced. F. G. DOSSERT. COMMUNION SERVICE, IN E MINOR... MASS, IN E MINOR LUCY K. DOWNING. A PARABLE IN SONG T. F. DUNHILL. TUBAL CAIN (Ballad) (SOL-FA, 0/6) F. DUNKLEY. THE WRECK OF THE HESPERUS ANTONIN DVORAK. COMMUNION SERVICE, IN D MASS, IN D PATRIOTIC I-IYMN... DITTO (German and Bohemian Words) REQUIEM MASS ST. LUDMILA DITTO (German and Bohemian Words) STABAT MATER (SOL-FA, 1/6) DITTO (English Words) (At the Foot of the Cross) . THE SPECTRE’S BRIDE (SOL-FA, 1/6) DITTO (German and Bohemian Words) A. E. DYER. ELECTRA OF SOPI-IOCLES SALVATOR MUNDI JOHN B. DYKES. THE LORD IS MY SHEPHERD THESE ARE THEY (scum, 0/2) H. J. EDWARDS. PRAISE TO THE HOLIEST THE ASCENSION THE EPIPHANY . EDWARD ELGAR. CARACTACUS (SOL—FA, Choruses only,1/6) KING OLAF (SOL-FA, Choruses only, 1/6) TE DEUM AND BENEDICTUS .. THE APOSTLES (Parts I. & II.) .. (DITTO, German Words, 8 Marks) (Choruses and Words of Solos only, SOL-FA, 2/6) THE DREAM OF GERONTIUS . (DITTO, French Words, Prix fr. 7.50 net) (DITTO, German Words, 6 Marks) (DITTO, SoL-FA, Choruses only, 1/6) THE BANNER OF ST. GEORGE (SOL-FA 1/0) THE BLACK KNIGHT THE LIGHT OF LIFE (Lux Christi) ROSALIND F. ELLICOTT. ELYSIUM THE BIRTH OF SONG GUSTAV ERNEST. ALL THE YEAR ROUND (Female vv.) (SOL-FA, 0/9) HARRY EVANS. THE VICTORY OF ST. GARMON (S01.-FA, o/9) .. A EYRE. COMMUNION SERVICE 'IN.E FLAT T. FACER. A MERRY CHRISTMAS (School Cantata) (DITTO, SOL-FA, 0/6) RED RIDING-HOOD’S RECEPTION (Operetta)... (DITTO, SOL-FA, 0/9) SONS OF THE EMPIRE (School Cantata) (DITTO, SOL-FA, 0/6) E. FANING. BUTTERCUPS AND DAISIES (Female voices) (DITTO, SoL-FA, O/9) HENRY FARMER. MASS, IN B FLAT (Latin and English) (SOL-FA, 1/0) PERCY E. FLETCHER. THE TOY REVIEW (Operetta) (SOL-FA, 0/8) THE ENCHANTED ISLAND (Operetta) (DITTO, SOL-FA, 0/9) THE OLD YEAR'S VISION (Operetta) (SOL-FA, 0/6) J. C. FORRESTER. THE KALENDAR (Operetta) (SOL-FA, 0/9) MYLES B. FOSTER. SNOW FAIRIES (Female voices) (SOL-FA, 0/6) THE ANGELS OF THE BELLS (Female Voices)... (DITTO, SOL-FA, 0/8) THE BONNIE FISI-IWIVES ( Female vv.) (SOL-FA, 0/9) THE COMING OF THE KING (Female voices) (D1TTo, SOL-FA,0/3) 2/0 1/6 1/6 1/6 1/6 ROBERT FRANZ. PRAISE YE THE LORD (IT7th Psalm) NIELS W. GADE. CHRISTMAS EVE (SOL-FA, 0/'1) COMALA ERL-KING'S DAUGHTER(SOL-FA, 0/9) PSYCHE (SOL-FA, I/6) SPR1NG’S MESSAGE (SOL-FA, 0/3) THE CRUSADERS (SOL-FA, 1/0) ZION HENRY GADSBY. ALCESTIS (Male voices) ... COLUMBUS (Male voices)... ... LORD OF THE ISLES(SOL-x<‘A,1/6) F. W. GALPIN. YE OLDE ENGLYSHE PASTYMES (Female voices) G. GARRETT. HARVEST CANTATA (Scum, 0/6) THE SHUNAMMITE THE Two ADVENTS R. MACHILL GARTH. EZEKIEL THE WILD HUNTSMAN A. R. GAUL. AROUND THE WINTER FIRE (Female voices) (DiTTo, SoL—FA,0/9) A SONG OF LIFE (Ode to Music) (SOL-FA, 0/6) ISRAEL IN THE VVILDERNESS (SOL-FA,1/0) JOAN OF ARC (SOL-FA,1/0) PASSION SERVICE RUTH (SOL-FA, 0/9) (Choruses only, 1/0) THE ELFIN HILL(Female voices) TI-IE HARE AND THE TORTOISE (for Juveniles) (D1TTo, SOL-FA, 0/6) THE HOLY CITY(SOL-FA,1/0) THE LEGEND OF THE WOOD (Female voices)... (DITTO, SOL-FA, 0/8) THE PRINCE OF PEACE (SOL-FA,1[0) THE TEN VIRGINS (SOL—FA,1/0) TOILERS OF THE DEEP (Female voices) UNA (SOL-FA, 1/0) UNION JACK (Unison Song with Actions) FR. GERNSHEIM. SALAMIS. A TRIUMPH SONG (Male voices) OUSELEY GILBERT. SANTA CLAUS AND HIS COMRADES (Operetta) (DITTO, SOL—FA, 0/8) F. E. GLADSTONE. PI-IILIPPI GLUCK. ORPHEUS (CI-IORUSES, SOL-FA, 1/ D1TTo (ACT 11. ONLY) PERCY GODFREY. THE SONG OF THE AMAL HERMANN GOETZ. BY TI-IE WATERS OF BABYLON(r37th Psalm)... NGENIA TI-IE VVATER-LILY (Male voices) A. M. GOODHART. ARETHUSA EARL HALDAN’S DAUGHTER FOUNDER’S DAY (Ode) SIR ANDREW BARTON .. THE SPANISH ARMADA CH. GOUNOD. COMMUNION SERVICE (Messe Solennelle) DITTO (Troisieme Messe Solennelle) DAUGHTERS OF JERUSALEM DE PROFUNDIS (r30th Psalm) (Latin Words) DITTO (Out of darkness) GALLIA (SOL-FA, 0/4) MESSE SOLENNELLE (ST. CECILIA)... MORS ET VITA (Latin or English) Drrro, SOL-FA (Latin and English)... O COME NEAR TO THE CROSS (SLabat Mater) OUT OF DARKNESS REQUIEM MASS, from “Mots et Vita” TI-IE REDEMPTION (English Words) (SOL-FA,2/0) D1TTo (French Words) . . D1TTo (German Words)... THE SEVEN WORDS OF OUR SAVIOUR ON THE CROSS (Filize Jerusalem) ... \ TROISIEME MESSE SOLENNELLE .- /4 10 2/6 I I HSSIIISEHIHS Hill 111:: IISIIIISSIIIIIS NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.—Conti/nued. C. H. GRAUN. TE DEUM THE PAss1oN"'oF OUR "L'ORD"(De£"'roaj'ésu) If (CI-XORUSES 0NLY,1/0.) ALAN GRAY. ARETHUSA A SONG OF REDEMPTION THE LEGEND OF THE ROCK-BUOY BELL THE WIDOW OF ZAREPHATH J. O. GRIMM. THE SOUL’S ASPIRATION G. HALFORD. THE PARACLETE E. V. HALL. IS IT NOTHING TO YOU (SOL-FA, 0/3) W. A. HALL. THE PRESENTATION IN THE TEMPLE HANDEL. ACIS AND GALATEA DITTO, New Edition, edited by}. Ba1‘nby(SOL-FA,1/0) ALCESTE ALEXANDER BALUS ALEXANDER’S FEAS ATHALIAH . BELSHAZZAR CHANDOS TE DEUM CORONATION AND FUNERAL ANTHEMS Or, s1ngly:——- LET THY HAND BE STRENGTHENED MY HEART IS INDITING... THE KING SHALL REJOICE (SOL-FA, 0/3) THE WAYS OF ZION ZADOK THE PRIEST (SOL—FA, 0/15) DEBORAH DETTINGEN TE DEUM DIXIT DOMINUS (from Psalm cx.) HERCULES (CHoRUsEs ONLY,1/0) ISRAEL IN EGYPT, edited by Mendelssohn ISRAEL IN EGYPT,edited by V. Novello,Pocl<etEdit. . (DITTO, SOL-FA, 1/0) gEPHTHA .. OSHUA UDAS MACCABA3US(SOL—FA,1/0) IUDAS MACCAB/ZEUS, Pocket Edition DITTO (CHoRUsEs ONLY) L’ALLEGRO (CHORUSES ONLY, 1/0) NISI DOMINUS O COME, LET US SING UNTO THE LORD (5th Chandos Anthem) ODE ON ST. CECILIA'S DAY O PRAISE THE LORD (6th Chandos Anthem) O PRAISE THE LORD, YE ANGELS (Folio) SAMSON (SOL-FA, 1/0) .. DITTO (CHORUSES ONLY) SAUL (CHoRUsEs ONLY, 1/0) SEMELE... SOLOMON (CI-IoRUsEs ONLY, 1/6)... SUSANNA THEODORA THE MESSIAH, edited by V. NOVeIl0(SOL-FA 1/0) THE MESSIAH, edited by E. Prout (SOL-FA, 1/0) THE MESSIAH, edited by V. Novello, Pocket Editio THE MESSIAH, edited by W. T. Best (SOL-FA, 1/0) DITTO (CHORUSES ONLY) THE PASSION DITTO (Abridged Edition) THE TRIUMPH OF TIME AND TRUTH... UTRECHT JUBILATE SYDNEY HARDCASTLE. SING A SONG OF SIXPENCE (Operetta) C. A. E. HARRISS. PAN (A Choric Idyl) BASIL HARWOOD. INCLINA, DOMINE (86th Psalm) F. K. HAT TERSLEY. HOW THEY BROUGHT THE GOOD NEWS FROM GHENT TO AIX KING ROBERT OF SICILY HAYDN. FIRST MASS, IN B FLAT (Latin) ITTO (Latin and English) INSAN/‘E ET VANIE CURZE (Latin and English)... SECOND MASS, IN C (Latin) SIXTEENTH MASS (Latin) . TE DEUM (English and Latin) THE CREATION (SOL—FA, 1/0) THE CREATION, Pocket Edition DITTO (CHORUSES ONLY) -u . on -u HAYDN (continued). THE PASSION; OR, SEVEN LAST WORDS OF OUR SAVIOUR ON THE CROSS THE SEASONS Each Season, singly (SPRING, Tonic Sol-fa, 6d.) DITTO (CHORUSES ONLY) THIRD MASS (IMPERIAL) (Latin and English) DITTO (Latin) BATTISON HAYNES. A SEA DREAM (Female voices) (SOL-FA, 0/6)... THE FAIRIES’ ISLE (Female voices)... THE SEA FAIRIES (Female voices) (SOL-FA 0/6) C. SWINNERTON HEAP. FAIR ROSAMOND (SOL-FA, 2/0) DITTO (CHoRUsEs ONLY) .. EDWARD HECHT. ERIC THE DANE 0 MAY I JOIN THE CHOIR INVISIBLE GEORG HENSCHEL. OUT OF DARKNESS (I3oth Psalm) STABAT MATER TE DEUM LAUDAMUS, IN C HENRY HILES. THE CRUSADERS GOD IS OUR REFUGE WAR IN THE HOUSEHOLD FERDINAND HILLER. A SONG OF VICTORY (SOL-FA 0/9) NALA AND DAMAYANTI ALL THEY THAT TRUST IN THEE H. E. HODSON. THE GOLDEN LEGEND HEINRICH HOFMANN. CHAMPAGNERLIED (Male voices) CINDERELLA MELUSINA SONG OF THE NORNS (Female voices) JOSEPH HOLBROOKE. BYRON (Poem) ... C. HOLLAND. AFTER THE SKIRMISH... T. S. HOLLAND. KING GOLDEMAR (Operetta) (SOL—FA, 0/9) GUSTAV VON HOLST. THE IDEA (Humorous Operetta) (SOL-FA, 0/6) HUMMEL. ALMA VIRGO (Latin and English) COMMUNION SERVICE, IN B FLAT DITTO, IN E FLAT DITTO, IN D FIRST MASS, IN B FLAT QUOD IN ORBE (Latin and English) SECOND MASS, IN E FLAT THIRD MASS, IN D . W. H. HUNT. STABAT MATER G. F. HUNTLEY. PUSS-IN-BOOTS (Operetta) (SOL-FA, 0/9) VICTORIA; OR, THE BARD'S PROPHEC (DITTO, SOL-FA, 1/0) H. H. HUSS. l AVE MARIA(Female voices) F. ILIFFE. SWEET ECHO JOHN W. IVIMEY. THE WITCH OF THE WOOD (Operetta) .. (DITTO, SOL-FA, 0/9) W. JACKSON. THE YEAR . . ... G. JACOBI. CINDERELLA (Operetta) (SOL-FA, 1/0) D. JENKINS. DAVID AND SAUL (SOL-FA, 2/0) Cloth Gilt. l9& as! [S3 NOVELLO’S OCTAVO EDITION OF ORATORIOS, &c.~—Co/Itivmed. A.JENSEN. THE FEAST OF ADONIS WAJOHNSON. ECCE HOMO . H. FESTING JONES. KING BULBOUS (Operetta) (SOL—FA, 0/8) C. WARWICK JORDAN. BLOW YE THE TRUMPET IN ZION N. KILBURN. BY THE WATERS OF BABYLON THE LORD IS MY SHEPHERD (23rd Psalm) THE SILVER STAR(Female voices) ALFRED KING. THE EPIPHANY .. OLIVER KING. BY THE WATERS OF BABYLON (I37th Psalm)... THE NAIADS (Female voices) . THE ROMANCE OF THE ROSES THE SANDS O’ DEE (SOL-FA,0/2) J. KINROSS. SONGS IN A VINEYARD (Female vv.) (SOL-FA,0/6) H. LAHEE. THE SLEEPING BEAUTY (Femalevv.)(SoL-FA, 0/6) G. F. LE JEUNE. COMMUNION SERVICE IN C FIRST MASS IN C... EDWIN H. LEMARE. ’TIS THE SPRING OF SOULS TO-DAY COMMUNION SERVICE INF LEONARDO LEO. DIXIT DOMINUS A F. LEONI. THE GATE OF LIFE (SOL—FA,1/0) H. LESLIE. THE FIRST CHRISTMAS MORN F. LISZT. THE LEGEND OF ST. ELIZABETH THIRTEENTH PSALM C. H. LLOYD. A HYMN OF THANKSGIVING ALCESTIS (Male voices) ANDROMEDA A SONG OF JUDGMENT HERO AND LEANDER ROSSALL SIR OGIE AND THE LADIE ELSIE THE GLEANERS’ HARVEST (Female voice THE LONGBEARDS’ SAGA(Male voices) THE SONG OF BALDER THE RIGHTEOUS LIVE FOR EVERMORE CLEMENT LOCKNANE. THE ELFIN QUEEN (Female voices) HARVEY LOHR. THE QUEEN OF SHEBA (CHORUSES ONLY, 1/0) W. H. LONGHURST. THE VILLAGE FAIR (Female Voices) . . lllll||§§ll 2/0 2/6 ELVA LORENCE AND G. KENNEDY CHRYSTIE. TERRA FLORA (or a Peep Operetta for Children) C. EGERTON LOWE. LITTLE BO-PEEP (Operetta). (SOL-FA, 0/4) BERTRAM LUARD-SELBY. THE DYING SWAN HAMISH MACCUNN. LAY OF THE LAST MINSTREL(SOL-FA,1/6) LORD ULLIN’S DAUGHTER (scum, 0/3)... G. A. MACFARREN. AJAX (Greek Play) MAY—DAY (SOL-FA, 0/6) DITTO (CI-IORUSES OUTVVARD BOUND SONGS IN A CORNFIELD (Female voices) (DITTO, SOL-FA, 0/9) ST. JOHN THE BAPTIST Choruses only, 1/0) into Flower Land, Ono ONLY) (DITTO, SOL-FA, THE LADY OF THE LAKE (DITTO, Choruses Only, SOL-FA,1/6) THE SOLDIER’S LEGACY (Operetta) .. 3/6 _ 1/0 A. C. MACKENZIE. BETHLEHEM... Act II., separately JUBILEE ODE . THE BRIDE (SOL-FA, 0/8)... THE COTTER'S SATURDAY NIGHT (SOL-FA,1/0) THE DREAM OF JUBAL (DITTO, Choruses THE NEW COVENANT .. THE ROSE OF SHARON (DITTO, SOL-FA, 2/0) THE PROCESSION OF THE ARK (Choral Scene) DITTO, SOL-FA, 0/9) THE STORY OF SAYID THE WITCH’S DAUGHTER VENI, CREATOR SPIRITUS Billy, s‘.sm';'1/o) C. MACPHERSON. BY THE WATERS OF BABYLON (I37th Psalm) L. MANCINELLI. ERO E LEANDRO (Opera) F. W. MARKULL. ROLAND’S HORN (Male voices) F. E. MARSHALL. PRINCE SPRITE (Female voices) CHORAL DANCES from Ditto GEORGE C. MARTIN. COMMUNION SERVICE, IN A N DITTO. I C FESTIVAL TE DEUM IN A (SOL-FA, 0/2) J. MASSENET. Inc M ANON (Opera) J. T. MASSER. HARVEST CANTATA J.H.MAUNDER PENITENCE, PARDON, AND PEACE (SOL-FA, 1/0) OLIVET T0 CALVARY (SOL-FA, 0/9) T. R. MAYOR. THE LOVE OF CHRIST J.H.MEE. nu HORATIUS (Male voice MISSA SOLENNIS, IN B FLAT MEN DELSSOHN. ANTIGONE (Male voices) (SOL-FA, 1/0) AS THE HART PANTS (42nd Psalm) (SOL-FA,0/6) COME, LET US SING (95th Psalm) (SOL—EA, 0/6) NOT UNTO US, 0 LORD (II5th Psalm) WHEN ISRAEL OUT OF EGYPT CAME (DITTO, SOL-FA, 0/9) ATHALIE (SOL-FA, 0/8) AVE MARIA (Saviour of Sinners) (Double Choir) CHRISTUS (SOL—FA, 0/ ELIJAH (POCKET EDITION) ELIJAI-I (SOL-FA, I/0) DITTO (CI-IORUSES ON Y) FESTGESANG (Hymn ofPraise) (S.A.T,B.) (SOL-FA, 0/2) DITTO (Male voices) (T.’I‘.B.B.) HEAR MY PRAYER (S. solo and chorus) (SOL-FA,0/2} DITTO DITTO HYMN OF PRAISE (Lobgesang) (SOL-FA, 0/6) DITTO (CHORUSES ONLY) JUDGE ME, 0 GOD (43rd Psalm) (SOL-FA, 0/1;) LAUDA SION (P1‘aISeJehOVaI’I)(SOL-FA, 0/9) LORD, HOW LONG WILT THOU (SOL-FA, 0/4) LORELEY (S()L—FA, 0/6) .. MAN IS MORTAL (8 voices) MIDSUMMER NIGHT’S DREAM (DITTO, SOL-FA, 0/4) MY GOD, WHY, 0 WHY HAST THOU FOR- SAKEN ME (22IId Psalm) CEDIPUS AT COLONOS (Malev ices) ST. PAUL(SoI.-I=A,1/'0) DITTO (CHoRUsEs ONLY) ST. PAUL, Pocket Edition .. SING TO THE LORD (98th Psalm) SIX ANTHEMS for the Cathedral at Berlin. 8 voices, arranged in 4 parts SON AND STRANGER (Operetta) THE FIRST WALPURGIS NIGHT (SOL-FA,1/O)... THREE MOTETS FOR FEMALE VOICES . (DITTO, SOL-FA, 0/15, 0/2, and 0/2 each.) TO THE SONS OF ART (Male voices) (SOL-FA, 0/3) WHY RAGE FIERCELY THE HEATHEN (F.e.n1ale"voice‘s'). F6} 1/0 2/0 2/6 2/0 5/0 2/6 2/6 1/0 1/0 1/0 0/6 6/0 1/0 1/6 1/6 1/0 DELPHI, A LEGEND OF HELLAS (Male voices) 1/0 1/0 2/0 4/0 1/0 1/0 1/0 1/0 1/0 1/0 1/0 1/0 2/0 1/0 1/0 1/0 1/0 0/4 1/0 6 0/4 1/0 1/0 1/0 1/0 1/0 0/8 0 4/ 1/0 1/0 1/0 0/6 I-‘bl!-I IOF-I IIIISISSIIIISSSIIS lllll U1 ‘ll: %II1§1%’.“o3i ABRAHAM O SEVENTH MASS, IN B FLA NOVELLO’S OCTAVO EDITION OF ORATORIOS, &C.—-—Com.‘inued. R. D. METCALFE AND A. KENNEDY.’ PRINCE FERDINAND Operetta) (SOL—FA,0/9)‘ 2/0 MEYERBEER. NINETY-FIRST PSALM (Latin) 1/0 (English) 1/0 DITTO A. MOFFAT. A CHRISTMAS DREAM (A Cantata for Children) (DITTO, SOL-FA, 0/4) B. MOLIQUE. J. A. MOONIE. .A WOODLAND DREAM (Female voices) (SOL—FA, 0/9) KILLIECRANKIE (SOL-FA, 0/8) MOZART. ‘COMMUNION SERVICE, IN B FLAT (Latin and English) .. FIRST MASS (Latin and English) GLORY, HONOUR, PRAISE ... HAVE MERCY, O LORD... KING THAMOS LITANIA DE VENERABILI ALTARIS(EI7) "'Thirli'1vIotL'£ Second Motet LITANIA DE VENERABILI SACRAMENTO(BI)') O GOD, WHEN THOU APPEAREST. First Motet (SOL—FA, 0/2) REQUIEM MASS . DITT (Latin and English) (SOL-FA, 1/0)... T SPLENDENTE TE, DEUS Eiré'{Mo:l=.'£ TWELFTH MASS (Latin) DrTTo (Latin and Er1',.,l1ish)"('soLi£€.., 0,/'9')‘ DITTO (CHORUSES ONLY) E. MUNDELLA. VICTORY OF SONG(FemaIe voices) JOHN NAYLOR. JEREMIAH JOSEF NESVERA. DE PROFUNDIS E. A. NUNN. MASS, IN C E. CUTHBERT NUNN. THE FAIRY SLIPPER (Children's Opera) (SOL—FA, 0/8) A. O'LEARY. MASS OF ST. JOHN REV. SIR FREDK. OUSELEY. THE MARTYRDOM OF ST. POLYCARP R. P. PAINE. THE LORD REIGNETH (93rd Psalm) PALESTRINA. COMMUNION SERVICE (Missa Papae Marcelli) COMMUNION SERVICE (Assumpta est Maria) .. MISSA ASSUMPTA EST MARIA MISSA BREVIS MISSA “O ADMIRABILE COMMERCIUM" MISSA PAP/E MARCELL STABAT MATER H. W. PARKER. A WANDERER'S PSALM . HORA NOVISSIMA... LEGEND OF ST. CHRISTOPHER THE KOBOLDS C. H. H. PARRY. AGAMEMNON (Greek Play) A SONG OF DARKNESS AND LIGHT BLEST PAIR OF SIRENS (SOL-FA, 0/8) (DITTO, English and German VVords, 2 marks 50) EEOPROFUNDIS (I3oth Psalm) T N .. INVOCATION TO MUSIC . JOB (CI-IORUSES ONLY, SOL-FA,1/0) . UDITH (CHORUSES ONLY, SOL~FA, 2/0) KING SAUL (CI-IORUSES ONLY, SOL-FA,1/6) L’ALLEGR() (SOL-FA, 1/6)... MAGNIFICAT (Latin) . ODE TO MUSIC ODE ON ST. CECILIA"S DAY OL-FA, 1/0) PROMETHEUS UNBOUND TE DEUM LAUDAMUS (Latin) THE GLORIES OF OUR BLOOD AND STATE TI-IE LOTUS—EATERS (The Choric Song) -.14 lllllll lllllll IIJIIIIISSIII: Illlllllis llll I I moallll C. H. H. PARRY (continued). THE LOVE THAT CASTETH OUT FEAR (Sinfonia Sacra) VOCES CLAMANTIUM (The voices of them that cry) WAR AND PEACE (Ode)... DITTO CHORUSES AND WORDS 01? SoLos ONLY, TONIC SOL-FA . B. PARSONS. THE CRUSADER T. M. PATTISON. MAY DAY LONDON CRIES THE ANCIENT MARINER DITTO (CHORUSES ONLY) THE LAY OF THE LAST MINSTREL DITTO (CHORUSES ONLY) THE MIRACLES OF CHRIST (SOL-FA, 0/6) A. L. PEACE. ST. JOHN THE BAPTIST (SOL-FA, 1/0) PERGOLESI. STA BAT MATER (Female voices) (SOL-FA, 0/6) CIRO PINSUTI. PHANTOMS—FANTASMI NELL’ OMBRA PERCY PITT. I-IOHENLINDEN (Men’s voices) V. W. POPHAM. EARLY SPRING .. J B. POWELL. PANGE LINGUA (Sing, my tongue) A. H. D. PRENDERGAST. THE SECOND ADVENT... . F. W. PRIEST. THE CENTURION’S SERVANT C. E. PRITCHARD. KUNACEPA E. PROUT. DAMON AND PHINTIAS (Male voices) FREEDOM HEREWARD, .. QUEEN AIMEE (Female voices) THE HUNDREDTH PSALM (SOL-FA,0/4) THE RED CROSS KNIGHT (SOL-EA,2/0) PURCELL. DIDO AND ZENEAS .. ODE ON ST. CECILIA’S DAY... . TE DEUM AND JUBILATE, IN D DITTO (Edited by Dr. Bridge) (SOL-FA, 0/6) DITTO (Latin arrangement by R. R. Terry) KING ARTHUR THE MASQUE IN “DIOCLESIAN ” . LADY RAMSAY. THE BLESSED DAMOZEL G. RATHBONE. ORPHEUS (Power of Music) (Female voices) (Drrro, SOL-FA, 0/6) VOGELWEID THE MINNESINGER (Operetta)... (DITTO, SOL—FA, 0/6) F. J. READ. THE SONG OF HANNAH J. F. H. READ. BARTIMEUS CARACTACUS .. HAROLD IN THE FOREST (Male voices) _ PSYCHE (CI-IORUSES ONLY, 32/0) THE C()NSECRA'l‘ION OF THE BANNER THE DEATH OF YOUNG ROMILLY .. THE HESPERUS (SOL-EA, 0/9) DOUGLAS REDMAN. COR UNUM VIA UNA (Female voices) C. T. REYNOLDS. CHILDHOOD OF SAMUEL (scum, 1/0) ARTHUR RICHARDS. PUNCH AND JUDY (Operetta) (SOL-PA, 0/6)... THE WAXWORK CARNIVAL (Operetta) (D11-'ro, SOL—FA, 0/8) lllllll £11111 lllllll llllllll lllllll %IIlJ1 NOVELLO’S OCTAVO EDITI O 2 OF ORATO RIOS, &C.——Continued. J. V. ROBERTS. JONAH THE PASSION . . W. S. ROCKSTRO. THE GOOD SHEPHERD J. L. ROECKEL. LITTLE SNOW-WHITE (Operetta)(SOL-FA, 0/9) THE HOURS (Operetta) (SOL~FA, 0/9) .. THE SILVER PENNY (Operetta) (SOL-FA, 0/ EDMUND ROGERS. THE FOREST FLOWER(Female voices) ROLAND ROGERS. FLORABEL (Female voices) (SoI—fa, 1/0) PRAYER AND PRAISE (Oblong) F. ROLLASON. S’1‘OOD THE MOURNFUL MOTHER WEEPING ROMBERG. TE DEUM THE HARMONY OF THE SPHERES .. THE LAY OF THE BELL (New Edition, translated by the Rev. J. Troutbeck, D.D.) (SOL-FA, 0'8) .. THE TRANSIENT AND THE ETERNAL (D1TTo, SOL-FA, 0/4) ROSSINI. MOSES IN EGYPT STABAT MATER (SOL—FA, 1/0) DITTO (CHORUSES ONLY)... CHARLES B. RUTENBER. DIVINE LOVE ... ED. SACHS. KING—CUPS WATER LILIES C. SAINTON-DOLBY. FLORIMEL (Female voices) CAMILLE SAINT-SAENS. THE HEAVENS DECLARE——CCELI ENARRANT (19th Psalm)... W. H. SANGSTER. ELYSIUM FRANK J. SAWYER. THE SOUL’S FORGIVENESS THE STAR IN THE EAST .. C. SCHAFER. OUR BEAUTIFUL WORLD (Operetta) H. W. SCHARTAU. CHRISTMAS HOLIDAYS (Female voices) SCI-IUBERT. COMMUNION SERVICE, IN A FLAT D1TTo, IN 8 FLAT DITTO, DITTO, DITTO, DITTO, MASS, IN A FLAT IN B FLAT IN C . . IN E FLAT IN F (SOL-FA,0/9) IN G OF MIRIAM (SOL-EA, 0/6) .. (DITTO, Welsh Words, SOL— A, 0/6) OF THE SPIRITS OVER TI-I *2 WATERS (Male voices) (SOL~FA, O/6) SCHUMANN. ADVENT HYMN, “IN LOWLY Guise" FAUST MANFRED MIGNON’S REQUIEM NEW YEAR’S SONG (SOL—FA,0/6) PARADISE AND THE PERI (SOL-FA, 1/6) PILGRIMAGE OF THE ROSE... REQUIEM THE KING'S SON . THE LUCK OF EDENHALL (Male voices) THE MINSTREL'S CURSE . SONG OF THE NIGHT H. SCHUTZ. THE PASSION OF OUR LORD IN C IN E FLAT IN F ING 19 Paper 3 I Boards, H5» oo lllllkelllal Cloth I I Gm. BERTRAM LUARD-SELBY. CHORUSES AND INCIDENTAL MUSIC TO “HELENA IN TROAS" SUMMER BY THE SEA (Female voices) THE DYING SWAN THE WAITS OF BREMEN (for Children) (DITTO, SOL-FA, 0/6) H. R. SHELLEY. VEXILLA REGIS (The Royal Banners forward go) E. SILAS. COMMUNION SERVICE, IN c JOASH MASS, INC R. SLOMAN. CONSTANTIA SUPPLICATION AND PRAISE HEN RY SMART. KING RENE’S DAUGHTER (Female voices) (DITTO, SOL-FA, 1/0) SING TO THE LORD THE BRIDE OF DUNKERRON (SOL-FA,1/6) J. M. SMIETON. ARIADNE (SOL-FA, 0/9) CONNLA KING ARTHUR (SOL—FA, 1/0) ALICE MARY SMITH. ODE TO THE NORTH-EAST WIND ODE TO THE PASSIONS .. THE RED KING (Men’s voices)... THE SONG OF THE LITTLE BALTUNG (ditto) (DITTO, SOL—FA, 0/8) E. M. SMYTI-I. MASS, IN D A. SOMERVELL. KING THRUSHBEARD (Operetta) (SOL-FA,0/9) MASS, IN C MINOR ODE TO THE SEA (SoL—FA,1/0) PRINCESS ZARA (Operetta) (SOL»FA, 0’ ) 9 if THE CHARGE OF THE LIGHT BR GADE. (DITTO, SOL-FA, 0/4) THE ENC HANTED PALACE (Operetta) (SOL~FA, 0/8) 1 THE FORSAKEN MERMAN THE POVVER OF SOUND (SOL—FA,1/0) THE SEVEN LAST WORDS R. SOMERVILLE. THE ’PRENTICE PILLAR (Opera) VV. H. SPEER. THE JACKDAW OF RHEIMS SPUIEIR. CALVARY FALL OF BABYLON FROM THE DEEP I CALLED GOD IS MY SHEPHERD GOD, ’I‘HOU ART GREAT (SOL»FA,0/6) HOW LOVELY ARE THY DWELLINGS FAIR... I-IYMN TO ST. CECILIA... JEI-IOVAH, LORD OF HOSTS... LAST JUDGMENT (SOL-FA,1/0) DITTO (CHORUSES ONLY) MASS (for 5 solo voices and double choi THE CHRISTIAN’S PRAYER JOHN STAINER. ST. MARY MAGDALEN (scum, 1/0) THE CRUCIFIXION (SOL—FA, 0/9) TI-IE DAUGHTER OF JAIRUS (SOL—FA,0/9) C. VILLIERS STANFORD. CARMEN SEECULARE .. .. COMMUNION SERVICE, IN G EAST TO WEST GOD IS OUR HOPE (46th Psalm) MASS, IN G MAJOR (LDIPUS REX (Male voices) THE BATTLE OF THE BALTIC TI-IE REVENGE (SOL-FA, 0/9) (DITTO, German Words, 2 Marks.) THE VOYAGE OF MAELDUNE . F. R. STATHAM. VASCO DA GAMA BRUCE STEANE. THE ASCENSION O to Z0 BS3 §l§§ll!l 11%’ S lllll§ll| S Hlllﬁfirl llllll GO )9 [I5 ‘a*§|1i;.°:.aII11~"~‘3 NOVELLO'S OCTAVO EDITION H. w. STEWARDSON. GIDEON STEFAN STOCKER. SONG OF THE FATES, J. STORER. MASS OF OUR LADY OF RANSOM THE TOURNAMENT E. C. SUCH. GOD IS OUR REFUGE (46th Psalm) NARCISSUS AND ECHO... DITTO (CHORUSES ONLY) . ARTHUR SULLIVAN. FESTIVAL TE DEUM (SOL-FA, 1/0) TE DEUM (A Thanksgiving for Victory) (SOL-FA,0/9) ODE FOR THE COLONIAL AND INDIAN EXHIBITION THE GOLDEN LEGEND (SOL-PA, 2/0) INCIDENTAL MUSIC, KING ARTHUR T. W. SURETTE. THE EVE OF ST. AGNES W. TAYLOR. ST. JOHN THE BAPTIST A. GORING THOMAS. THE SUN-WORSHIPPERS E. H. THORNE. BE MERCIFUL UNTO ME G. W. TORRANCE. THE REVELATION .. BERTHOLD TOURS. A FESTIVAL ODE THE HOME OF TITANIA (Female voices) (DITTO, SOL—FA, 0/6) FERRIS TOZER. BALAAM AND BALAK KING NEPTUNE'S DAUGHTER (Female voices) (DITTO, SOL-FA, 0/6) P. TSCHAIKOWSKY. NATURE AND LOVE (Female voices) (SOL-FA, 0/4) VAN BREE. ST. CECILIA’S DAY (SOL-PA,0/9) CHARLES VINCENT. THE LITTLE MERMAID (Female Voices) TH E VILLAGE QUEEN (Female voices) (SOL-PA,0/6 A. L. VINGOE. THE MAGICIAN (Operetta) (SOL-FA, 0/9) W. S. VINNING. SONG OF THE PASSION (according to St. John)... S. P. WADDINGTON. JOHN GILPIN (SOL-PA,0/8) WHIMLAND (Operetta) (SOL—FA, 0/8) R. WAGNER. HOLY SUPPER OF THE APOSTLES W. M. WAIT. GOD WITH US ST. ANDREW... THE GOOD SAMARITAN OF ORATORIOS, &c.——Conti1zued. R. H. WALTHEW. THE PIED PIPER OF HAMELIN H. W. WAREING. PRINCESS SNOWFLAKE (Operetta) (SOL-FA,0/6) .. THE COURT OF QUEEN SUMMERGOLD ‘ (Operetta) (SOL-FA, 0/6) ... ’IHE WRECK OF THE HESPERUS HENRY VVATSON. IN PRAISE OF THE DIVINE (Masonic Ode) A PSALM OF THANKSGIVING WEBER. COMMUNION SERVICE, IN E FLAT IN CONSTANT ORDER (Hymn) JUBILEF. CANTATA MASS IN E FLAT (Latin and English) DO., IN G (Latin and English)... PRECIOSA (Choruses only, 0/6) _. THREE SEASONS THEOPHIL WENDT. ODE S. WESLEY. DIXIT DOMINUS EXULTATE DEO (Sing aloud with gladness) IN EXITU ISRAEL (English or Latin Wordr) S. S. WESLEY. O LORD, THOU ART MY GOD FLORENCE E. WEST. A MIDSUMMER'S DAY (Operetta) (SOL-FA,0/6) JOHN E. WEST. A SONG OF ZION LORD,I HAVE LOVED THE HABITATION OF THY HOUSE MAY-DAY REVELS (Female voices) (SOL-FA, 0/4) SEED-TIME AND HARVEST (SOL-PA,1/U)... THE STORY OF BETHLEHEM (SOL-FA,0/9) C. LEE WILLIAMS- A FESTIVAL HYMN .. A HARVEST SONG . GETHSEMANE THE LAST NIGHT AT BETPIANY (SOL-FA,1/0) A. E. WILSHIRE. GOD IS OUR HOPE (Psalm 46)... out THOMAS WINGHAM. MASS, IN D (Regina Caeli) TE DEUM (Latin) CHAS. WOOD. ODE TO THE WEST WIND F. C. WOODS. A GREYPORT LEGEND (1797) (Male voices) DITTO, SOL-FA, 0/6) KING HAROLD (SOL-FA, 0/9) OLD MAY-DAY (Female voices) (SOI.—PA, 0/6) E. M. WOOLLEY. THE CAPTIVE SOUL (Soprano, Mezzo, Contralto, and Tenor Soli, and Chorus for Female Voices) D. YOUNG. THE BLESSED DAMOZEL LONDON: NOVELLO AND COMPANY, LIMITED. HSSIII "..:.1»e;’~.$. .-... ;._- .5 , T HE DEATH PRODUCED AT THE NORTH STAFFORDSHIRE MUSICAL FESTIVAL, OCTOBER 26, 1899. "ISCENES FROM LONGFELLOW’S “THE SONG OF HIAWATHA.” NO. 2. or MINNEHAH A CANTATA - FOR SOPRANO AND BARITONE SOLI, CHORUS, AND ORCHESTRA THE MUSIC COMPOSED BY s. COLERIDGE-TAYLOR. (OP. 30, No. 2.) PRICE ONE SHILLING AND SIXPENCE. TONIC SOL-FA, IS. VocAL_PAR'rs, IS. EACH. WoRDs ONLY, 5s. PER 100. STRING PARTS, 7s. 6D. WIND PARTS, 21s. 6:). DAILY TELEGRAPH. “ Mitinehaha” is, in its, way, as complete and adequate a musical expression as the“ Wedding-Feast," and from the very nature of the case one much more _rnoving and impressive. . . . There is in it the same frequent_repetition of a few short themes presented under varying conditions, such as relieve the strain of their persistency; there is the same aptness of expression in the phrases, the same p,artiality for diatonic melody, the same wealth of resource in the orchestration, and an equal measure of the persuasiveness which brings us to think that thus and thus, and in no other way, are the poet's thoughts best clothed upon with musical beauty. The fact just stated embodies the highest triumph of the composer's means and methods, and is the more remarkable because, apart from harmonies and colours that show the freedom of modern treatment. the melodies in which thereal and true spirit of music alwayslies have the simplicity of an older time. About them there is nothing artiﬁcial. They never suggest that they have been sought after, but rather that they have come of themselves. Handel is hardly more natural than Mr. Cole- ridge—Taylor in this regard, or his subjects, so to speak, more inevitable, though. of course, their treatment by the old master, on the one _hand, and the young aspirant, on the other, is in the broadest possible contrast. I do not in the least degree underrate the value of Mr. _Taylor’s powerful and expressive harmonies or the picturesqueness of his orchestration, but I _contend, all the same, that the secret of his m_usic’s moving force lies in the happy phrases upon which he insists with such remarkable iteration. When sorrowful, there are tears in each one, and with a few notes he can touch the springs of emotion in a degree refused to many who labour strenuously and with elaboration towards the same end. Than this I can say nothing more conclusive ofithe fact: that the youthful Anglo—African is a man with a mission, with a gift of free and natural eloquence in a domain which is the favoured home of that priceless quality, and with a potentiality such as must draw to himself the hope and expectation of all who wish well to English art. DAILY CHRONICLE. ,“The Death of Minnehaha” made a deep impression on the listeners. It certainly realised the expectations no less kindled by acquaintance with the first section, “Hiawatha’s Wedding-Feast.” than by the rumours of its pathetic character. As its position in the programme was the reverse of favourable for such a work, the effect it created was specially gratifying. Mr. Coleridge—Taylor avails himself of a11_the resources of the modern orchestra, the scoring being exceptionally full—and to einpliasise certain passages he freely uses the bass drum, cymbals, and harp. Both chorally and instrumentally the opening passages are rather weird, as they presage the approach to ,I‘IZ£ZZF.J£l.f/.Ll?.’S Wigwam of the spectres of Famine and Fever, whose arrival _is indicated- in a g~~nuiuely dramatic manner. Additional suggestiveness is imparteari by the dread visitors being respectively represented by the two s0l0ists—-baritone and soprano—who are thus heard for the first time. The chorus quickly resume, and the line describing how the doomed 1l1’L.7't7'1.C/11!/ML “Lay there trembling, freezing, burning,” is graphically, but thoroughly legitimately dealt with alike in the voice parts and the accompaniment. H1'awathuL's prayer (for baritone solo), “ Give your children food. 0 Fzither,” and the final breathing by Mimieim/in (soprano soloist) of the name of her husband, are so agonising in their poignancy, that it is impossible to listen tinmoved. ' MANCHESTER COURIER. The tragedy of M17/me/in/irL’s death and the sadness of Hi'a.wrzif/m’s farewell were brought out with an intensity that profoundly affected the audience. FULL SCORE, 25s. ATHENZEUM. Mr. Taylor possesses the rare gift of expressing his thoughts and feelings in a simple, direct manner; with a few characteristic notes, a few expressive chords, he achieves more than some composers with their pretentious themes and startling progressions. He has not so much set to music as illustrated the lines of the poem; there isplenty of skill in the music, and it is all wisely hidden behind the notes: or in other, and perhaps better terms, the vivid soul of the music shines through its body. . . . “The Death of Minnehaha” is hitherto Mr. Taylor's highest effort, and if the ﬁnal section of his trilogy shows no falling off, then, indeed, he will have produced something leaving powerful footprints on the sands of time. BIRMINGHAM DAILY POST. The young Anglo-African we may claim as our own. That he is a geniusl do not hesitate to declare. He is in gorgeous imagination, a second Tschaikowsky; in economy of thematic material, another Dvorak. . . . Fine as is “ Hiawatha’s Wedding-Feast," the “ Death of Minnehaha” is ﬁner. One stands for comedy, the other represents tragedy. . . . Few things in poetry are more pathetic and heart- breaking than the description of the famine in the story of Hiaii/utha—his fruitless quest for food in the snow-clad forest; the delirium of poor Lcmgiiivig Water, the victim of fever and starvation; and the devotion of the old Nolaomis. These aretreated by the young composer with a power of pathos that no one can listen to unmoved. I must confess to being so overcome more than once that I could scarcely control my feelings. The themes are few, but they are so varied in treatment that every page is a fresh revelation. Hioiztmt/izL's prayer for food, and his farewell to Miime/Ia/m, are nobly expressed, and are inﬁnitely more touching than even the scene between Wotan and Bminn/tilde. BIRMINGHAM DAILY GAZETTE. “The Death of Minnehaha” touches a higherlevel than “ Hiawatha’s Wedding," and the reason is not hard to discover. In the “Feast” we have lightness and something like revelry. In “ Minnehaha ” we have tragedy, not. be it observed, the deep, and, so to speak, scientiﬁc and studied tragedy of the Greeks, but a human, tender, touching tragedy, which is all the more effective by reason of its simplicity. From the first bar the music takes hold. . . . Those who only see the pianoforte score cannot realise the tremendous effect of the unaccompanied call: “ Minnehaha .' ” on pages 20 and 21, where the utmost passion of human desolation is expressed by the unaccompanied chorus. MANCHESTER GUARDIAN. It is a story of despair, desolation, and death, and the composer has fully realised its tragic interest, every phase of it being vividly pictured. He employs the same devices, he startles again by his rhythmic innovations; some of his themes are almost barbaric in their wildness. In contrast with the joyousness, the fun, and the humour of its predecessor, the new work is very striking. A great effect is produced by the cOmposer’s treatment of the poet’s awful personification of Famine and Fever, and there is something wonder- fully pathetic in llliimc/m.Iici’s death-song. STAFFORDSHIRE SENTINEL. Mr. S. Coleridge-Taylor's new work is iriagiiiﬁceiit. No less a term will describe it. It has proved to be an all-round improvement on the “ VVedding-Feast.” The choruses are more varied and beautiful, and the solos are inexpressibly affecting. . . . Many were deeply touched by the dramatic story and its woncieiful treatment. . . . This work distinctly classes Mr. Taylor as one of the very finest composers who have seen the light in what some people will persist in describing an unmusical country. LONDON: NOVELLO AND COMPANY, LIMITED AND NOVELLO, EWER AND CO., NEW YORK. COMPOSITIONS BY EDWARD ELGA‘ ORATORIOS. THE APOSTLES. For Soprano, Contralto, Tenor, and Bass Soli, Chorus, and Orchestra. (Op. 49.) 'Tonic Sol-fa, Choruses and words of Solos only, is. 6d.) Paper boarcls,6s.; cloth, gilt, 7s. 6d. Vocal Parts, 1s.6d. each; Full Score, £5 5s.; String Parts, 233.; Wind Parts, &c. (on hire only); Book of Words, with Analysis and over 100 Musical examples by A. J. jaeger, I's., or 585. 4d. net per 100. Words only, 6d., or 33s. 4d. net per Too. An Interpretation of the Libretto by C. V. Gorton, M.A., Rector of Morecambe,_ Is. Vocal Score with German words (Deutsche Ubersetzung Von Julius Buths), 8 Mark. Chorstimmen, 2 Mark each. THE DREAM OF GERONTIUS. For Mezzo-Soprano, Tenor, and Bass Soli, Chorus, and Orchestra. (Op. 38.) (Tonic Sol-fa, Choruses only, IS. 6d.) . . Paper boards,4s.; cloth, gilt, 5s. Vocal Parts, IS. 6d. each. Full Score,£3 3s. String Parts,2os. Wind Parts, &c. (01 hire only). Book of Words, with Analysis and over 7o Musical examples by A.J. jaeger, 1a., or 50s. net per roo. Words only, 6d., or 25s. net per I00. Voca_1'Score, with German and English words (Deutsche Ubersetzung vonjulius Buths), 6 Mark. Chorstimmen, each 2 Mark. THE LIGHT OF LIFE (“ Lux Christi ”). A Short Oratorio. For Soprano, Contralto, Tenor, and Baritone Soli, Chorus, and Orchestra. (Op. 29) .. .. Words only, 10s. per Ioo; String Parts, 13s 6d.; Wind Parts, &c., and Full Score, in the Press. CANTATAS. CARACTACUS. For Soprano, Tenor, Baritone, and Bass Soli, Chorus, and Orchestra. (Op. 35.) (Tonic Sol—fa, Choruses and words of Solos only, Is.) . . . . Paper boards,4s. ; cloth, gilt, 5s.; Vocal Parts, Is.6d.each. String Parts, 24s.; Wind Parts, &c., and Fuli Score, in the Press. Book of Words, with Analysis by HERBERT THOMPSON, rs.,or 5os. net per 100; Words only, 6d., or 25s. net per I00. KING OLAF. For Soprano, Tenor, and Bass Soli, Chorus, and Orchestra. p. 30) . . . . . . Cloth, gilt, 5s.; Vocal Parts, rs. 6d. each; String Parts, 23s.; Wind Parts, &c., and Full Score, in the Press. Tonic Sol-fa,Choruses only,rs.6d. Words only,6d.,or 25s. net per 100. Book of Words, with Analysis by JOSEPH BENNETT, '13., or 50s. net per 100. THE BANNER OF ST. GEORGE. For Chorus (Soprano Solo ad lib.) and Orchestra. (Op. 33) . . String Parts, 8s. 6d.; Wind Parts, &c., 19s. 6d.; Full Score, in the Press. Tonic Sol-fa, rs. Words only, 125. 6d. per 100. THE BLACK KNIGHT. Orchestra. (Op. 25) .. .. .. .. .. .. String Parts,9s.; Wind Parts, &c.,and Full Score,1'n the Press - Vocal Parts, IS. each. For Chorus and EMS AN D SERVICES. TE DEUM AND BENEDICTUS IN F. For Chorus (S.A.’I‘.B.), Orchestra, and Organ. (Op. 34) .. String Parts, 4s. 6d.; Wind (Parts, &c., and Full . Score, MS, i=iI;TGHTi OF THE WORLD (“The Light of 1-‘_«‘Life”'). S.A.'I‘.B. .. . . .. .. . SEEK HIM THAT MAKETI-I THE SEVEN STARS (“The Light of Life"). Tenor Solo andChorusforT.T.B.B. .. .. .. .. « .. .. DOUBT NOT THY FATHER’S CARE (“The Light ofLife”). Duet, s. and c. .. AVE VERUM (Op. 2, No. I). Motet. English and Latin Words. (Tonic Sol-fa,1d.) . . . . 5 l PART-SONGS AND oHo§ THE SNOW. For Female Voices (s.s.c.). Accompaniments for Two Violins and Pianoforte) Accompaniments arranged for Small Orchestra (Sci String Parts,2s.3d.; Wind Parts,&c.,3s.9d.). (Op.2‘ (Tonic Sol-fa, Iéd.; Violin Parts, 6d. ea _ FLY. SINGING BIRD. For Female (s.s.c.). With Accompaniments for Two Violi Pianoforte, or the Accompaniments arranged fo Orchestra (Score, 5s.; String Parts, 2s. 6d.; Win &c., 3s. 3d.). (Op.26, No. 2) .. _ .. . . . (Tonic Sol—fa, 1;d.; Violin Parts,6d.eacl' MY LOVE DVVELT IN A NORTH LAND. For S.A.T.B. (Tonic so1-f.-,1, $1,) , VVEARY VVIND OF THE WEST. S.A.T.B. (Tonic Sol-fa, r%_¥d.) . . . . . . 0 HAPPY EYES. For S.A.T.B. (Op. 18) , (Tonic Sol-fa, Id.) SPANISH SERENADE (“ Stars of the Si Night”). For ChO1‘uS(S.A.T.B.)8.nd Orchestra (or Pia Full Score, 5s. ; String Parts, IS. 9d,; Wind Parts (Tonic Sol-fa, 2d.) FIVE PART-SONGS FOR MEN’S VO] 'r.T.B.B. English and German words. p. 45) Vocal Parts (German words only), 2 Mark th Or separately, in Vocal Score (English words . Yea, cast me from heights of me mc (Tonic Sol-fa. 2d.) . Whether I ﬁnd thee. (Tonic 30143, 13 . After many a dusty mile. (Tonic Sol‘ . It’s oh! to be a wild wind. (Tonic so . Feasting I watch. (Tonic So1_fa,2c1_) THE CHALLENGE OF THOR‘ (‘ Olaf”). (Tonic Sol-fa,zd.) .. .. .. String Parts, 25. Wind Parts, &c., and Full -in the 1 ress. . THE WRAITH OF ODIN (“King C (Tonic Sol—fa, 2d.); String Parts, 2s. 6d.; Win‘d5Pa and Full Score, in the Press . . . . . . AS TORRENTS IN SUMME'R’~¥'(‘ Olaf"). (Tonic Sol-fa, Id.) .. .. .. . IT COMES FROM THE MISTY 1‘ (“Banner of St. George”). (Tonic Sol-fa, 2d.) String Parts, 2s.; Wind Parts, &c., 75. 3d.; Full Sc BRITONS, ALERT! (“ Caractacus ”) LITANY (“The Dream of Gerontius ”) BE MERCIFUL, GRACIOUS, I. (“The Dream of Gerontius”) .. .. .. , GO FORTH UPON THY JOURNEY Dream of Gerontius”) . . . . . . . . . PRAISE TO THE HOLIEST IN HEIGHT. S.A.S.S.A.A. (“’1‘heDreamofGero SOFTLY AND GENTLY, DEA RANSOMED SOUL(Fz'nalefron1“The] ofGerontius") .. .. .. .. .. . GOD SAVE THE KING. Arranged for Chorus, Orchestra, and Military Band (ad11$b.) . Tonic Sol-fa, 1d,; Full Score, 2s.6d. String Parts Wind Parts, &c., 45. 3d. ; Organ, 6d. IN MOONLIGHT. (arranged flrom the popolare in the Concert-Overture “ In the South,” 4 (In G, F, and E ﬂat.) THE SWORD SONG (“ Caractacus”) Baritone .. .. .. .. .. .. THE ANGEL’S SONG: “ My work is < (“ Gerontius ”). For Mezzo-Soprano .. .. J THERE ARE SEVEN THAT PULL! THREAD (~ Grania and Diarmid ”) 3 LONDON: NOVELLO AND COMPANY, LIMITED AND NOVELLO, EWER AND CO., NEW YORK.
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Title: Village Blacksmith, The:, The Village Blacksmith:
Description
Date: 1905
Text: MUSIC LIBRARY VASSAR COLLEGE POUGMKEEPSIE. new vonx J/.\.7 ..................... .. CENTURY EDITION 9 ................ .. 1.. ------------- ~ SERIES III. . J/4:dI‘14~/n . .1/gzlimn . .1/edium G llig/z -, I,'M¢zd1'u m . A fzaz, /P/er/1'14/;¢ . D_flat,l.om A ﬁI_/'lurt,1lled1‘mn . . .Bflwt,Med1‘mn . GOOCI . . .Ef/(tt,1|!¢ra7zju/n . Time and . YA flm‘.,.1/ed!‘/tin . The Gipsy’S Warning‘. . .C’,.1/mzmu. . Sweet Spirit, Hear my Prayer . . When I Saw Sweet Nellie Home . E iveet...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGMKEEPSIE. new vonx J/.\.7 ..................... .. CENTURY EDITION 9 ................ .. 1.. ------------- ~ SERIES III. . J/4:dI‘14~/n . .1/gzlimn . .1/edium G llig/z -, I,'M¢zd1'u m . A fzaz, /P/er/1'14/;¢ . D_flat,l.om A ﬁI_/'lurt,1lled1‘mn . . .Bflwt,Med1‘mn . GOOCI . . .Ef/(tt,1|!¢ra7zju/n . Time and . YA flm‘.,.1/ed!‘/tin . The Gipsy’S Warning‘. . .C’,.1/mzmu. . Sweet Spirit, Hear my Prayer . . When I Saw Sweet Nellie Home . E iveet Genevieve . . . . . . . When You and I were young, Maggie Lullaby (Vocal) . . . . . . . . . The Harp that once thro’ Tara’s Hal] . In the Gleaming. . . The Village Blacksmith . Rose Marie, (Rock Of Ages) Lookfiiig Buck . ° Once Again. . . . . Carmena, Spanish Waltz Song Spring Song. Stella . . Little Boy Blue The Throstle Rosary. . . Good Night. . . . . Sad,SWeet End of Day . Unless. . . . NEW YOIQK 2116 )1 delssolm . I/bu Swppc. . Ifing. . ]lI‘."GZo'/mu./z I("z'n;:‘. Bruzun . [(ez7.s'er. 50 40 50 . 75 51) 50 y DU Cmvzcciolo. . K'z'21g.‘ Rodney/. . Corzra’. .- . I’,/hill!/()6. . Flwfc/167'. But/e7_-fzfeld. . 0011/1 rd. Moore. .‘ H (l rrison . ‘ We iss. M01103/. . S11 Ila"/ml/1. . Sulliua/4.. ‘ La/re. Centuru (:T£)li(.1:S;i=C; ’l°lLb1'i]S1?l:irI?g: Cbmrpaenu H7/8 BROADWAY and 17 WEST 28‘): STREET AN EXCEEDINGLY ATTRACTIVE MUSICAL SETTING of Robert Cameron Rogers famous lyric A ROSARY, . _ wordsby Mus1c by ROBERT CAMERON ROGERS. . ' ROBERT A. KiNG. Composer of “Beyond the Gates of Parz;(Ii§e”‘ ' “Sweet Home of the Angels’? , _ . ‘.‘Golden Land of Peace” etc. » Andante religioso. ’ The hours I spent‘ with thee, dear heart Are as_ a string ‘of pearls ‘to me; count them 0 - ver- ev—’ry one a-paJt, -My Aros - asrx My. Copyright 1905 by Century Music Pub. 00. 134W. 37th St.N.Y. International Copyright Secured. Get :a copy from your dealer THE FINALE IS VERY EFFECTIVE. The Village Blacksmith. Be/vised (ma! Ea’1'ted Ed'z'tz'0'/2. éVVords by H.W. LONGFELLOVV. Music by W. H. WEISS. ro moderate. Under 1; spreading chest—nut tree The Vil— lage Smithy stands; The smith amighty man is He, With /L \_/ large and sine—wy hands; And the les (if brawn—yarms are strong as i- ron His hair is crisp, and black and long, His face is like the tan; Copyright MCMIX by Century Music Publishing Co. brow is Wet with hon-est sweat, He earns What—e’er he can, And looks the Whole World V in the face, For he owes not a_ny FA Week in,Week out, from morn till night, ou can hear his be1—1ows f.\ 7 * \2 __ ' ' I blow; You can hear him swing his heaV- y sledge, With measured beat and slow, Like a sex—ton ring.ing the vi1-1agebe11, When the evening sun is low. Ahd chi1—dren, coming a tempo > > smcca/(2 home from school, Look in at the o _ pen door; They love to see the f1am_ ing forge, And hear the bel-lows roar, And catch the burn—ing sparks that fly Like chaff from a threshing goes on Sun-day to the church, and sits a—mong his boys; hears a par- son pray and preach, He hears his daughters voice Singing in the Vi1_1age choir, And it makes his heart re _ joice: It sounds to him like her mothers Voice, Singing in Par - a_dise! He needs must think of her once more, How in the grave she And with his hard, rough hand he wipes tear‘ out of his eyes. calla voce Toil — ing, re—joic - ing, sor- row-ing, On— ward thro’ life he goes; morn .— ing sees some task be-gun, Each eVe_ning sees it close; Some- thing at- temp- ted, some- thing done, Has earned a nighfs re‘- pose. m . A Very Beautiful and Patlmtic Song, Full of Pretty Harnlonies and Sweet Melodies. VV0rds by Music by BELLE STEWART. A1 O D ' DAVE FITZGIBBON. Andante Patetico. ’/,__._x "If NJ « p T u \ \ A — lone the shz1do\\'sg'z1t11—cr fast, Days dy.mgsplcndorssw1it—1_y flcc. through the mists thzttvcil the but ~ icd past, T hv by.g011cycarsComeback ‘cu ycexrsw]1c11 1Iopc.wit11kin(11y bv;1m.__.__ A. — cross my way so bright‘ ly shone, ‘ ~.$_2. Copyr1;:ht‘hy Century Music Pub. Co., 17V\'. 28 St .. N.Y. Imcruutiollzll C0p_Vri_Q'ht5('(.‘uI'Cd(l11d Rcservml. Complete copies canbuhzxdofanydealer in "CENTURY EDITION sheet music, or direct from the publisher, CENTURY IVTUSIC PUB. C0,, 17W. 28 St.NeWY)rk. PRACTICAL HINTS AND HELPS ' FOR’ PERFECTI()N IN SINGING I’-V Mine. I.|ll.“-A C/\l‘|’IANl .. Price, l).'\'I5 D0l.I.AR-I"lF'I'S In xmxmnzl |\«~v:uxmn',', lh<- tux(‘1HU\'I in-‘u‘|uLur.~ nml .\|IHi"nl~ (:1 liuropc and .\m<'1ic:\
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Title: Weary Hours, The, The Weary Hours
Date: 1904
Text: MUSIC uanmv VASSAR COLLEGE "0'-"-‘-NW’?!-s-t. Ntw van N91.i~ E % ORIGINAL. . THE POEM BY” ﬂI.L_/@1:2>gf@1E1@ﬂe THE Mus 1c BY WA EL NJEEDLIJNGEBL Price 50 cents. THE WILLIAM MAXWELL MUSIC C‘? 8 EAST SIXTEENTH STREET, NEW YORK. To Mr. H. 7? Burlezgr/z, The Weary Hours. Poem by . Music by H.W LONGFELLOW. W. H. NEIDLINGER. Larghetto. (tempo rubalojz, i Voice. Good nighﬂgood night! Good ni ht! be - T3/?$/‘D é.b cm are ‘Ben. 9% ::::::::====-—_. i::EEE;::;;EE;:::: 10v - ed! I come ...
Show moreMUSIC uanmv VASSAR COLLEGE "0'-"-‘-NW’?!-s-t. Ntw van N91.i~ E % ORIGINAL. . THE POEM BY” ﬂI.L_/@1:2>gf@1E1@ﬂe THE Mus 1c BY WA EL NJEEDLIJNGEBL Price 50 cents. THE WILLIAM MAXWELL MUSIC C‘? 8 EAST SIXTEENTH STREET, NEW YORK. To Mr. H. 7? Burlezgr/z, The Weary Hours. Poem by . Music by H.W LONGFELLOW. W. H. NEIDLINGER. Larghetto. (tempo rubalojz, i Voice. Good nighﬂgood night! Good ni ht! be - T3/?$/‘D é.b cm are ‘Ben. 9% ::::::::====-—_. i::EEE;::;;EE;:::: 10v - ed! I come //”j;E“\\§ A >——b~?)‘:‘5 C7’€.S‘6‘. accel. /rye To be near thee to be near thee, A ~ lone is /\ calla zroce. crew twee; L11} Copyright MCMIV by The William Maxwell Music Co. International (Jopyrzght secured. 659-3 . mpa tempo Thine eyes______. - are /5“ .,_ 19 molto rt’? ”"“"‘ ’ﬁ— cresc accel, morn — - Thy lips . .____ are /"T3 {T [T cresc accel. mf ores c_ flowers! /1\i» 7.5 calla woe. the Wear - y hours. K5 /any $4. ﬂﬂefx} moreizdo Tab. 959 54.5136’: C? uTu.szENo.u:w voP.'.'. NEW SONGS xg V3 ./and BALLADS By Successful Composers ALLING, WILLIS H. "THOU AND 1'' Keys G and B A “THE SOUL’S DESIRE" Tenor or Soprano AVERY, STANLEY R. "SONG OF JENNY" Keys D and F "I LOVE THEE STILL" Mezzo-Soprano . "QUARREL" -- -- BARTLETT. HOMER N. "ELAINE" Keys C and E . . "LIFE IS A SONNET" Eb Soprano or Tenor BURLEIGH, HARRY T. “]EAN" Keys B ﬂat, D flat and E ﬂat "MAMMY’S LI’L' BABY“ Keys D and F . (Lullaby) (Sung by Mme. Schumman Heink) "LOVE'S GARDEN” Soprano or Tenor "HEIGI-I-HO! ” Keys B ﬂat and D ﬂat . "FOLK SONG” Keys BI) and G ("I love my Jean”) “LOVE‘S PLEADING” Mezzo Soprano "JUST MY LOVE AND 1'’ Keys D and F “ON E DAY” Mezzo Soprano or Baritone CHAFFIN, LUCIEN G." "SO DEAR" Keys Eb and G "GOOD NIGHT” Contralto EDWARDS, JULIAN "MY TRUE LOVE HATH MY HEART" Keys G and B flat "THE ROSE AND THE LARK” Contralto Above two songs sung by Mme. Schumman Heink GRANT, E. M. "WERE WE IN LOVE” Keys B ﬂat and D "SEVILLA” Waltz Song Sung by Mme. Calve KLEIN, MANUEL "FORGET ME NOT” Mezzo Soprano "THE FRIAR AND THE KING” Bass Song LITTLE. ALFRED E. "TI-IE MESSAGE” Soprano . . "THE LAND 0' THE LEAL” Mezzo MARZO, EDUARDO "A DREAM OF HEAVEN” Keys E ﬂat. F and A ﬂat NEIDLINGER, W. H. "SAVIOUR BREATHE AN EVENING BLESSING" Keys E ﬂat and G "THE RED ROSE TREE" Soprano . . . “LOVE'S DESPAIR" with violin or mandolin obligate "SWEETHEART” “ " “ “ “ Keys B ﬂat and D PURDY. M:-.CRACKAN "A LITTLE SERENADE" Keys D and F REMICK, BERTHA “COME INTO THE GARDEN LOVE” Keys F and B ﬂat "YESTERDAY AND TO-DAY” Soprano . SHELLEY, HARRY ROWE "KING OF KINGS” Keys C. D ﬂat and D “THE DAWN OF HOPE” D ﬂat. Eb ﬂat G “O DAY OF REST AND GLADNESS” B ﬂat & D ﬂat "THE ANGELS SONG” E ﬂat. F and A ﬂat SMITH, H. WAKEFIELD "TI-IE LILY AND THE BLUEBELL" Keys D and F "THE I-IUMMING BIRD AND THE FLOWER" Mezzo Soprano THE WILLIAM MAXWELL. Music COMPANY NEW YORK
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Title: Living Poems
Date: 1905
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New vonx N‘.’21NE" N‘?3»1NF SUNG BY M155 ADA CROSS LEY. WING EJEMS / V ‘, 24‘ O‘ f) ‘ \\'r/ TIC" 7/15‘ The Word s by LONGEEILLOW 7;? The music by ROBERT BATTEN. P/7'66 6W 6'6/Z/.5’ BOOSEY & C‘? 9,EAsT SEVENTEENTH STREET, NEW YORK, AND 295. REGENT STREET.LONDON. ENG. SOLE AGENTS ron CHAPPELL& Co. ENOCH & SONS & G.RlCORDl &Co. COPYRIGHT .1905 BY BOOSEY 8<C°. LIVING POEMS. COME to me, 0 ye children! For I...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New vonx N‘.’21NE" N‘?3»1NF SUNG BY M155 ADA CROSS LEY. WING EJEMS / V ‘, 24‘ O‘ f) ‘ \\'r/ TIC" 7/15‘ The Word s by LONGEEILLOW 7;? The music by ROBERT BATTEN. P/7'66 6W 6'6/Z/.5’ BOOSEY & C‘? 9,EAsT SEVENTEENTH STREET, NEW YORK, AND 295. REGENT STREET.LONDON. ENG. SOLE AGENTS ron CHAPPELL& Co. ENOCH & SONS & G.RlCORDl &Co. COPYRIGHT .1905 BY BOOSEY 8<C°. LIVING POEMS. COME to me, 0 ye children! For I hear you at your play, And the questions that perplexed me Have vanished quite away) Ye open the Eastern windows That look towards the sun, ‘Where thoughts are singing swallows, And the brooks of morning run. In your hearts are the birds and sunshine, In your thoughts the brooklet’s ﬂow, But in mine is the wind of Autumn And the first fall of the snow. Come to me, 0 ye children! And whisper in my ear What the birds and the winds are singing In your sunny atmosphere : For what are all our contrivings And the wisdom of our books, When compared with your caresses And the gladness of your looks ? Ye are better than all the ballads That ever were sung or said ; For ye are living poems, And all the rest are dead. LONGFELLOW. Living Poems. Words by Music by LONGFELLOW. ROBERT BATTEN. Andante sostenuto. Voice _ L can ‘Sim Moderato . chil - dren! you at your play, - tions that per - V - _p1€X€d me Have Va - nish’d quite Copyright 1905 by Boosey dé C‘? o - pen East - ern win - dows That look to -wards the Where thoughts are sing — ing swal - lows, And brooks of morn - ‘ . In your hearts are the birds and the sun — shine, In your thoughts the brook- 1et’s vii Living Poems. wil/zout rall. mine is the Wind of Au - tumn And the first f 1 of 10 poco rall. But in mine is the wind Au - tumn And the calla voce col la voce. first fall of /5 Living Poems. chil - dren! And..... birds and the Winds are sing—ing In your sun - ny at- mos - A cresc. .1: tri — vings Living Poems. Wis - dom of our books, When com-pared with your car — /\ ii colla voce. ess- es And the glad - ness of your looks? bet- ter than bal - lads That ev - er were sung 011.... .5 are liv - mg po - ems 7.; F2: Living Poems. wit/z em‘/zusiasm. all e rest are Ye are bet- ter than all the rall. a! me. rall. al fine. Living Poems. NEW SONGS BY CELIEBRHTED COMPOSERS. PRICE 60 CENTS EACII. THOSE MARKED * 75 CENTS. Sung by Madame CLARA BUTT. *BAi§i?i._oN. (wwt/1 Orgzm 01211/igala.) WORDS BY F. E. WEATHERLY. No. 1 in ED. —I7r'— MUSIC BY STEPHEN ADAMS. No. 3 in G. ' .___n_ ., . e:\ "\ /K L '.\ *%*4'—=-.-—:-'—m'L§‘—'+~t=¥t‘—*=a'-—-—I7i-~I.J—a¥.J—P—-—‘t I I Q I4 I ' F . d I I I I 4 I l I “O go ye not to.. .. Bab-y-Ion! it is adream, it is adi-enin uii-blestI On—ly the road to (ix! Verse.) Out in the morning meadows, and down the broad highway, I saw the children dancing and singing at their play ; And they called to one another upon the golden air, “ Oh, where’s the road to Babylon,—and \vho will bring us there?" But, as the night fell round them and eastward rose a star, Methought the voice of angels was calling them from far,- “ 0 go ye not to Babylon I it is a dream unblest I Only the road to Bethlehem can give you joy and rest I " Copyright, I905, by BOOSEY & Co. Sung by Mr. HERBERT WITHERSPOON. A SOLDIER’—S TOAST. worms BY J. FRANCIS BARRONN MUSIC BY J. AIRLIE DIX. 0. r in C. ,_% :._t2__—__‘ :_—1::t:_ Tempo. 7‘ mareato. J!‘ V I I‘ 'I\I I‘ I RI K I’ . TR‘ ‘ ‘A ‘RT. — —.~—-—t——~.»—+d—-——a—;ri—.——-—.—tEi~ar—e—r?d,§:':3"‘—i5+ Red wine, white wine, comrades; let’s be drink-ing, A truce to trouble and care, lads ; When the (Ir! Verse.) _ _ Meeting to-night in the old me_ss-tent, Each comrades face so glowing, For smile, and jest, and merriinent, _ Should rule when good wine’s ﬂowing. Steady the hand, so ; stand by the glass, You’ve choice of the wine set before us ; “ Here's to the soldier, here's to his lass," ‘Tie the best of all toasts 2 Let us finish the glass, And join in our comrades chorus- Copyright, I905, by BOOSEY & Co. THE LITTLE WHITE SUN. wonns BY ANNIE C. I-IUESTIS. 3' Red wine white wine, comrades; let's be drinking, A truce to trouble and care, lads ; When the wine goes blinking. To the old mess-tent, and the ﬁght we share: The Flag we serve, and the coat we wear : And a bumper toast to the maidens fair, With glasses clinking I MUSIC BY CUTHBERT WYNNE. No. x Ill] D. lighily. .. . \ I I ‘A J A C brown earth laughed, and the sky turned blue, When the \I n is l\ \‘} i r lit-tle white sun came (is! Vers '.) The sky had a gray, gray lace ; The touch of the mist was chill ; The earth was an eerie place, For the wind moaned ovei the hill ; But the brown earth laughed. and the sky turned blue, \Vhen the little white sun came peeping through I Copyright, I905,_by BOOSEY 8!. C0. SHEPHERD OF LOVE. wonos BY ARTHUR PHILIP COXFORD. MUSIC av FRANK L. MOIR. m/A mlante maeslosa. ' ,- _—;¢§ —~i—-, I W. ‘IL I I I7 - : ‘I I‘ 1 Sung bv Mr. FRANCIS ROGERS. THE TRUMPETER. J. FRANCIS BARRON. No 1inF. MUSIC av J. AIRLIE DIX. No. 2 in G. No 3 iii A. ~—-— —~~.-- —--3- I I. 1 $4 .4 »— I . I‘ I I. I‘ AI .5. O 0 _ 0 Trum-pe-ter, what are you sounding now? (Is it the call I’m seeking ?)“ Vou’ll know the call," said the (is! V57 se.) i 4i n i I I l ’I‘i-umpeier, what are you sounding now? (Is It the call I'm seeking?) “You’ll know the call,” said the Trumpeter tall, “ VVhen my trumpet goes a speakin’. I’m rousin’ 'em up, I'm wakin’ ’em up, The tents are astir in the valley, And there’s no more sleep. with the sun's first peep, For I'm soiindiii' the old ‘ Reveillé.‘ Rise up I ” said the Trumpeter tall. Copyright, 1904, by BOOSEY 8:. Co. Sung by Miss EVANGELINE FLORENCE. *APRIL MORN. ROBERT BATTEN. ‘No. 3 in D. wonos iav JOHN DOWERS No. 1 in BI). No. 2 in C. mt Verse.) Ah I the joy to greet the rosy morn, the sun the verdant ﬁelds adorn. Nature awakes, the birds their melodies trill 0'er hill. and dale, and by the woodland rill. A . Copyright, 1901 and I902, by BOOSEY & Co. I 7 i A @—8'—F - -_Llll - ' Q i .i I i '07" . .%/ ' >4 ' ' ' Crown Him e Saints, the fair- est of ten thou - sand! 2 Y (mt Verse.) Oft in the gloom, when nightly shades are falling, Comes to the ear a distant Song of Praise ; Faith in those sounds with tender voice is calling. Sweet come those welcome strains to cheer our pilgrim days. Hearts brighter grow, the clouds of doubt dispelling, Love. in those chords, cloth heal the soul distress’d ; Hark I 'tis the song in which the Saints are telling 0." their great joy in Him the Father blest. Crown Him, ye Saints. the fairest of ten thousand I Shepherd of Love, the God whom we adore ; \Vith harps of gold attune your faithful Voices, Proclaim Him King I both now and evermore I Copyright, 1905, by BOOSEY 8!. CO. Shep - herd A CHINA TRAGEDY. MUSIC BY CLAYTON THOMAS. No. 2 in AI7. No. 3 in BD. *I7a—- —j’__ d O wonos BY R. S. HICHENS. ‘r71-I n I ‘r i h 1‘ 1 i‘ r I i is K i\ i-r 49- '5‘ -=3“-"I***--E-'#~“I--'4‘?-I3‘-;*§—.R‘I-:—'r—..‘* '0-I‘—I:=‘—-°‘+-i’-“R-9--R I":I"3—d"3';‘;I: -2- -{IA-dddldﬂ 1-i IO .iiA.i¢,--i __.._r' A lit-tle chi-na ﬁg-ure On a lit-tle bracket sat, His lit-tle feetwereaIwayscross'd,He (rs! Verse.) A little china ﬁgure On a little bracket sat, His little feet were always crossed, He wore a little hat. And every morning, fair or foul, In shine or shadows dim, A pretty little liousemaid came And softly dusted him. Copyright, 1904-, by BOOSEY & Co, Sung by Miss ADA CROSSLEY. LIVINGTTPOEMS. ROBERT BATTEN. No. 4 in G. '9‘ wonos BY LONGFELLOW. No. 1 in D. No. 2 in Eb. No. 3 in F. ' ‘P :E - d 0! ‘I I - nug,_§...__L¢_._E._,£‘_4. Come to me, 0 ye children I For I hear you at your play, And the questioiisihatperplexﬂ me Hz“: (is! Verse.) Come to me, 0 ye children ! For I hear you at your play, And the questions that perplexed me Have vanished quite away. Ye open the Eastern windows That look towards the sun, Where thoughts are singing swallows, And the brooks of morning run. In your hearts are the birds and sunshine, In your thoughts the brooI<let’s ﬂow, But in mine is the wind ofAutumn And the ﬁrst fall of the snow. Copyright, 1905, by BOOSEY & Co. BOOSEY 84 00., 9, East Seventeenth Street, New York, and 295, Regent Street, London, W. NEW somas BY CEIIEBRHTED COMPOSERS. PRICE 60 CENTS E1-SCI-I. Sung by MADAME CLARA BUTT. MY AIN FOLK THE LIFEBOAT MEN. wILI=.RID MILLS. LAURA . E N. ‘’‘’°’”°'-°' 3’ G L M0 F. E. WEATHERLY. No. I in DIZ. No. 2 in EIZ. No. 4 in G. —__-:22: 0242-54254,’ 5;. Sﬂcialpzrmission, ta 11.12.11. PRINCESS HENRY or 3.4 rrzzvuzxa. Sung by Mr. IVOR FOSTER. MUSIC BY STEPHEN ADAMS. No. x in BIZ. No. 2 in C. No. 3 in D. I_ ‘El: '_ S- 5. . __ l AAAI. V II _A_J\ L n Tr I I I I I I I I I I I I I I I I I I I I I I .I i I I I AL C .d. . T‘ 1-Eh:--2-—===-1 -5‘ i i ‘T’ ‘t ch’ that Far frae my l-Iame I wander : But stillmy thoughts re ~ turn To my ain folk 0 < wer yonder, In the ‘Sn ‘i pay (mt Verse.) When the wild wind blows by day or night, (Is! Verse.) Far frae my hame I wander ; And you are safe at home, But Still mY thoughts return Are you thinking then of the Lifeboat men To my 3i" loll‘ OW” Yonder: ' Watching the hungry foam? 1“ (he Shclllng by ‘he l3“m- Quitting the toil that gives them bread, I 559 ‘he C053’ ingle: Leaving their babes and wives, And the IRIS? abulle the brag: Ready to go when the word is said, And 503' and 53d‘'‘,‘355 mingle: Ready to give their lives. A5 I “St 50"“? 3“ld'W3r1d l?‘Y- For its out they go when the signal comes, And it’s oh I but I'm longing for my ain folk out {mm the th“nd',ing Shores, Th0’ IPIWY be but IOWIYI Pu“: 3"d P133“ f°lk3 ’Tisn't the pay that makes them stay 1 fm‘ IJCYOUCI ‘he 593» , Gripping the straining oars‘, But mY I153" Will CV91’ be It’s the Spirit of Love from He:tv'n above, At hame in dear auld Scotland, wi‘ my ain folk! Working in what they do : Think of them, then, women and men, Copyright, I904. by BOOSEY & C0. . And pray for the Lifeboat crew. Copyright, 1904-, by BOOSEY & Co. Sung by Madame CLARA BUTT Sung by Miss ADA CROSSLEY, and Mr. GERVASE ELWES. My TREASURE NOW SLEEPS T171? CRIMSON PETAL. WORDS BY MUSIC BY WORDS BY MATTHIAS BARR. JOAN TREVALSA. TENNYSON No. x in F. No. 2 in G. No. 3 in A. MUSIC BY ROGER QUILTER. No. x in ED. No. 2 in F. No. 3 in Glz. _Ej€‘,_ '_:_‘*_: *"““— '__-?_‘1:: —r—I— . 3: 1‘ 95 W SEE“ ‘ﬁ‘_J“* “ J‘. " ‘i 3 ': * R ‘A.’ I. 2 : ‘—.rF Ir "‘\;‘ i,_d‘ '5 -i ‘I: i‘. IA - . ‘F Llﬁﬁ ' ld'|4 9 DEC 1' IIV4 V P rrun 0" '13’ 3 baby 5mau’Dr°pp‘d {mm the Skies; 0" ' 1y a laughingface‘ Two Slmmy eyes; U Now sleeps the crimson petal, now the white; Nor waves the cypress in the pa-lace (Is! Vzrse.) Only a baby small. _ Only two cherry lips, ' ’ DY0PP'd from the 514195? O (1)03 Chulljby Yi]°59d§ (tr! Vern.) Now sleeps the crimson petal, now the wivkhite ; Only a laughing face n y two Ill 6 an S or waves the cypress in the palace wa ' Two sunny eyes ; ’ Ten little toes. ’ Nor winks the gold ﬁn in the porphyry foiit: The ﬁre-ﬂy wakens: waken thou with me. Copyright. I903, by BOOSEY & 00- Copyright, 1904-, by BOOSEY & Co. 19 \V (J Sung by - UI E DALE. a M . H. LANE WILSON. Miss EVANGELINE FLORENCE and Madame BLANCI-IE MARCHESI. Sung by M155 L0 S .33 1' THE swEE'fF THE. YEAR. INDIAN DESERT SONG- wonos av VMUSIC BY WORDS BY KATHARINE TYNAN I-IINKSON. ALICIA ADELAIDE NEEDI-IAM. No. x in BIZ. No. 2 in C. No. 3 in D. o 1" MUsIc BY LAURENCE HOPE. AMY WOODFORDE'FINDEN. No. x in E Minor. No. 2 in G Minor. J _ :_%._'_'__::t_:_ E V r- l\l 5 I . ‘nu - #1; I sup 1%:-'c.’—.H-1:! Q—'—'1:I—l— Z -" I. m I‘ .I Iﬁ 1 K m .I .4 sun I '4 an l'dH II4 I !EE 4. Qﬁgg . 'd'.1.Io -griJa."I4- EL I _ _. . . - \_/ x.» - Because it is the sweet o’ the year, the sweet 0' the year, There's white and yellow on Ta: waiting in the deS_en looking out towards the (wt Verse.) I ecause it is the sweet o the year, There's white and yellow on vale and hill, The blackhird sings at his darling’s ear, He has gotten a new gold bill I I. 1 I d 1 I vs I‘ I In | . sun- set, And counting ev - 'ry when bi1‘d5 are “_1€")' and haw? 309d Cheer; (mt Vzrsz.) I am waiting in the desert, looking out towards the sunset, And I'O<<?S,n0d H1 the garden IDOW 1”; \ And counting every moment till we meet; ‘ Oh: the“ It I5 the Sweet 0’ fhe Y5“: I am waiting by the marshes and I tremble and I listen And love and the world In ﬂower ! Till the soft sands thrill beneath your coming feet. Copyright, 1904-, by BOOSEY & Co. Copyright, 1903, by BOOSEY & Co. Sung by Miss LOUISE DALE. Sung by Miss ADA CROSSLEY. IF I BUILT A WBELD FOR YOU. CUPID ATTIIE FERRY. wonos BY MUSIC BY w°RDS BY MUSIC BY HERBERT FORDWYCH. LIZA LEHMANN. CARYL BATTEREBY F N . G No EEWARD GERMAN’ No.1in C. No.2in EIZ. No.3in F. 0.1m ' 0.2m . I3 ' 3‘ 4‘ "T-— —d——— MI I I I ‘Is I I T41‘ r 1 I I I I - I I 1 I I I - ' I *' ' V 1 1 71-’ " I 3- p I it TI 1\ I\I 1 I in NI 0' _- I 5 I: Z J ‘ I I I : Adi‘ CIA-Ei_I_I___ I I U -V _ K‘ _h _1l”\,’Wh' 1‘: dhﬂ , ,d L _ Id I hu' a world for you,dear, If I built a world for you,~ Iwould make the land of Culmd at the femiy ‘med’ Wlww." me WI 30".” ere e3°" t.° owmgn 5 overs gar 3" 3 (mt Verse.) Cl1p{$hal thehferry crliledt “ owit mewi go . (ﬁt Vtum) Wlhere beyongrtlllge 1ﬂ;lo<xII;g tIde If I built a. world for you. dear, I would make the breeze of whispers F vovers gar ‘undin ' [here If I buill a world for you,— Of lovers as they woo,— aﬁry songs are so . g . > : . airy breezes play , I would make the land of pop corn And the rose should live for ever And the sea of mornin dew I In the world I built for on Leave‘ 0 leave this WOT] g ' Y ' Lovers, ‘come away 'I"’ . 0. overs, o.~ Ho! ho I say who will go Where the zephyrs of Loveland blow ; Say who will go Where light the zephyrs of Loveland blow! Copyright, 1904-, by BOOSEY & Co. d of care, Ah 1 Copyright, 1904-. by BOOSEY & Co. BOOSEY & CO., 9, East Seventeenth Street, New York, and 295, Regent Street, London, W.
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Title: Daybreak
Date: 1903
Text: ”v‘“u11c(;_2/ C 370/718/Z (J71 %) gain‘ C"j')L7ILC(].5 10 It /1, fgia./2 0 C“Zocc(7Ir'zpa /117/21,0/2 t (‘C/3aV6Ly C) ﬂutirzcq, flw,m*I.r}/ by <9r(‘;a1_q <,(‘/;)I'c{(/c// 80:/ey (®a},zm/i, .:(£>’,;7c’l‘l‘l/ /wy 9(w)cn:(1/ ‘H7. .L:onAq/a/[ow _..__§ (Z33/zc ogaat cl*>)ca .£?oel'1}/ 6}] 6)(1'm'r ‘Ci’.-ml.»/I (:76o/:1Lm (, C) ' .I K _ _V 5716 céooz 0976a/12 J Gfonrq, (W70-ad.) a,{Irony:wxoz¢.) “Bow (voice 381;]/L °?»‘n{.¢'a (@:t:q1'na[...
Show more”v‘“u11c(;_2/ C 370/718/Z (J71 %) gain‘ C"j')L7ILC(].5 10 It /1, fgia./2 0 C“Zocc(7Ir'zpa /117/21,0/2 t (‘C/3aV6Ly C) ﬂutirzcq, flw,m*I.r}/ by <9r(‘;a1_q <,(‘/;)I'c{(/c// 80:/ey (®a},zm/i, .:(£>’,;7c’l‘l‘l/ /wy 9(w)cn:(1/ ‘H7. .L:onAq/a/[ow _..__§ (Z33/zc ogaat cl*>)ca .£?oel'1}/ 6}] 6)(1'm'r ‘Ci’.-ml.»/I (:76o/:1Lm (, C) ' .I K _ _V 5716 céooz 0976a/12 J Gfonrq, (W70-ad.) a,{Irony:wxoz¢.) “Bow (voice 381;]/L °?»‘n{.¢'a (@:t:q1'na[) (’LZ‘>vn1rz.1p¢v.)m/) C}/5ew :2/OZ/1 : (ﬁfe/ziVr/zz,ez, 6'0P“l/'£t:£]/1.3, I:)o3, [>3] (‘E85/z/tine: __‘_ 0.! 0 O O O 0.1010 D I 01010 .0 O.I.I OOOJLIIO 0'50: Ol.‘,Q...l‘IIO,I.9.0lI 0 on no I 0 O,l_».O,.... O 0.0 Do 3 01$ 1 C I o_a,o.u;J 0 DESIGN CQPYR¥C;HT I903 BY.Cu.SC.HlRMER‘ ‘EDWARD B ED,\/VARD5 DES. MUSIC LIBRARY VASSAR COLLEGE To my wife. Daybreak. SIDNEY HOMER. Op. 11., N? 1. Poem by Longfellow. Origillaﬂ key. M0110 Vivace. came up out of the sea, And said,“O mists, make roomfor me3’__ hailed the ships, and cried,“Sai1 on, ye —ners, The night is > > 15 6’opyrz'glzI,1.9()3, by G. Sclzirmer. And hur_ ried land - Cry- ing, “A _ Wake! it / Z"'%"_‘$\ or .. st, “Shout! Hang‘ all your 1eaf—y ban-—ners > 1116710 mr).s'.s‘o. It touched the Wo0d—birc1’s it a’z'm. e m . E-:_.,/7' L2 fold _ ed wing‘,___~ And Said,.._.._—_—— “O bird, a- c1-esc. ed aces]. and the farms, 0 crcsc. ed awe]. mmm’. Chan _ ti — cleer, Y ur clar _ on blow; rzlard. 0 77lI).S‘S‘0 It Whis — pered to the p a tempo the L om — mg morn!_._ f9tr2'Iz emio a fenzpo > ff molfo ritam’. It shout — ed through the bel - ry_toWer, “A _ // ,’ L I./""'“"$. mall‘/2 re m , Andante. Wake, 0 bell! pro — claim the fh /—\. >-,2"-:‘“”T. > W crossed the church _yard Wiﬂ-1 a sigh, And said, “Not yet! Not yet! In qui .. et 1ieZ’ ‘Pill/6 742‘. New Songs and Duets, Selected from the Catalogue of G. Schirmer, New York ALLITSEN, FRANCES, A Song of Thanksgiving (with Organ ad lib.) High, medium or low. $0.75 — I know a little Rose. (Ich Weiss ein Roslein roth.) M.-Sop. .50 —- Eight Heinrich Heine Songs: A Pine-tree standeth lonely. (Der Fz'c/denbaum.) .50 Two Sapphires those dear Eyes of thine. (Sap/tire sind die Augen dein.) .60 Diamonds hast thou and Pearls. (Dz; /last Dz'amante7z um! Perlen.) .60 King Duncan’s Daughters. (Die Boise/zafi.) .60 Since my Love now loves me not. (Seit die Liebsie war entfermf.) .50 Fathoms deep may drift the Snow. (Magda draussenSc/mee sic/1 t/zz'irmeu.) .50 Oh Death, it is the cold, cold Night. (Der Tod das 2'51.‘ die /:22’/zle Nae/ll.) .60 Katherine. (lfat/za7’z'7ze.) .60 Complete in one Volume. net AMBROSE, R. S., One sweetly solemn Thought. Sacred Song. High or low. .35 BARTLETT, HOMER N., Come, see the Place where Jesus layl Easter Song. High or low. .75 —— 0 Little Town of Bethlehem. Christmas Song. With Piano and Violin obl. High or low. .75 —— Sayonara. M.-Sop. .60 BLACK, JENNIE P., 3 Songs for M.-Sop: No. I. Storm, the King! “ 2. The Rosary. “ 3. The Violet. BROCKWAY, HOWARD, Op. 22. Two Songs: No. I. Would thy Faith were mine. Sop. .50 “ 2. Lend me thy Fillet, Love. M.-Sop. .50 BUCK, DUDLEY, Boots and Saddles. (A Soldier’s Farewell.) Ten. (Original) C; Bar. Ab. .60 —— O, Saviour ofthe World. Offer- tory. High or low. .60 —— Until God’s Day. High or low .40‘ -— ‘Why Love is King. High or low. .60 BURLEIGH, H. T., Plantation Melodies, Old and New. net 1.00 CAMPBELL, G., For one sweet Smile. M.-Sop. .50 CASTELLO,GEORGE E., 4 Songs for Sop. (or Ten.): To the West Wind. .50 Could’st thou but know. .60 Du bist wie eine Blume. (Ah, sweet as any Flower.) .40 Sehnsucht. (Yearning) .50 CLAY, FRED, The Sands o’Dee. Sop. .40 DE KOVEN, REGINALD, Abide with me. Sacred Song for Alto. — Barcarollez “ You are the Moon, my Love.” Sop. ~— Battle Grey. M.-Sop. ~— Love’s Trinity. Alto. ———- My Nightingale. Sop. DENZA, L., In Shadowland. High or low. FREY, ADOLF, Over the Way. Sop. GOLDMARK, RUBIN, Op. 5. Four Songs for M.-Sop. (or Bar.): No. I. Ode. “ 2. Spring Rains. “ 3. The old, old Song. “ 4. A Love Symphony. GRAY, HAMILTON, The Golden Pathway. High, medium or low. —- Purple Heather. High or low. d‘HARDELOT, GUY, In Bracken- time. Sop. HASTINGS, FRANK S., Fair Helen. (Old Scotch.) High or low. — For Love of You. High or low. —— Rose dark the solemn Sunset. High or low. HAWORTH, C. E., At Last. High or low. HOMER, SIDNEY, Eight Poems by Tennyson: Break, break, break. M.-Sop. Gm. Sop. Bbm. Crossing the Bar. M.-Sop. Db, Sop. E. Sweet and Low. M.-Sop. Db Sop. E. Thy Voice is heard. M.-Sop. Eb Sop. F. Home they brought her Warrior dead. M.-Sop. Fﬁm., Sop. Am. The City Child. M.-Sop. Eb Sop. F. Minnie and Winnie. D, Sop. Eb. Enid’s Song. M.-Sop. Bb,Sop. Db. M.-Sop. LAER, C. E. van, Crossing the Bar. Sop. LEHMANN, LIZA, Mother Sleep. High or low. MASON, DANIEL GREGORY, I love him. M.-Sop. —— Shall I upbraid or praise her i‘ NEIDLINGER, W. H., Life and Death. Bar. F; Bass D. — Thy Face. Baritone. NORMAND-SMITH, GER- TRUDE, Four Songs for M.-Sop. (or Bar): Auf der Heide. (On the Moor.) Das Hiiterkind. (The Shepherd Child. Sunnenwenduacht. (S o l s t i c e Night.) Der Geworbene. (The Recruit.) PRICE, C. E. B., A Few more Years shall roll. Sacred Song for Bar. $0.75 ~— My Father for another Night of quiet Sleep and Rest. Sacred Song for Bar. (or Bass). .60 RODNEY, PAUL, Clang of the Forge. Bar F ; Bass Eb. .35 ROGERS, JAMES H., “ Moods." Four Songs : No. I. Not from the whole wide World I chose thee. High or low. “ 2. Years have ﬂown since I knew thee ﬁrst. Sop. “ 3. You. High or low. “ 4. Who knows? High or low. SAAR, LOUIS V., Hark, hark, pretty Lark. Sop. With Violin. : Lilian. Sop. With Violin. SARJEANT, J., Blow, blow, thou Winter Wind. High, medium or low. 0 .50 STAHLSCHMIDT, ARTHUR E., Concita. A Serenade in Seville. Ten. (or So-p.). .50 —— If I were loved. M.-Sop. (or Bar.). .50 STERN, LEO, Soupir. (A Sigh.) Valse lente. High or low. .50 THOMSON, SYDNEY, I heard the Voice of Jesus say. Sacred Song for Alto (or Bar.). .60 TSCHAIKOWSKY, P., Pilgrim’s Song. Bar. (or Bass) E; Alto D. .60 WARREN, SAM’L P., Faithful. M.-Sop. .50 — Waiting.’ M.-Sop. .75 WHITE, MAUDE V., How do I love thee. M.-Sop. (or Bar.). .35 WHITING, ARTHUR, Barrack- Room Ballads (by Rudyard Kip- ling). (DamzyDeever. Mandalay. Soldier, Soldier. Fuzz)/— Wuzzy. net 1.00 *- “Floriana.” Poems by Oliver Hereford, from “Overheard in a Garden.” For Solo Voices and Piano. net 1.50 VOCAL DUETS. ALBUM of sixteen Sacred Duets for various Voices. net 1.00 Dvoi'2AK, ANTON, Echoes from Moravia. (Klange aus Mahren.) I3 Two-part Songs for Soprano and Alto. g. e. net 1.00 RUBINSTEIN, A., Eighteen two- part Songs: g. e. Paper. I.oo Cloth.
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Title: Dreary Day:
Description
Date: n.d.
Text: < \ ~.—.«,—-«_ _-e;»—‘>j~—" ‘- ~ ._,—’ ‘ _ _, ..—.~«~rx ,‘ ‘ ‘ ~ < gr \‘ Music Composed by a g *- f \ 5 g "J§"W/‘a/”“IJIE ROSE BUSH.“ \' , ji « \_.J“ P7: 2,5 mm: V-'*»—--4"‘--3' --3» . -« 1' - » - »~ ~»_._ .. _ , . , W . N .\CA .,...,.;,. MUSIC LIBRARY L.::,._‘~ - an I »_ _ DREARY £2 VVOI-ds by Music by H. W. LONGFELLOW. FAUSTINA‘HASSE HODGES. Lento. Tempo Rubato. 0"" "wit" The day is 77107 to rit: tempo. -- & and dark...
Show more< \ ~.—.«,—-«_ _-e;»—‘>j~—" ‘- ~ ._,—’ ‘ _ _, ..—.~«~rx ,‘ ‘ ‘ ~ < gr \‘ Music Composed by a g *- f \ 5 g "J§"W/‘a/”“IJIE ROSE BUSH.“ \' , ji « \_.J“ P7: 2,5 mm: V-'*»—--4"‘--3' --3» . -« 1' - » - »~ ~»_._ .. _ , . , W . N .\CA .,...,.;,. MUSIC LIBRARY L.::,._‘~ - an I »_ _ DREARY £2 VVOI-ds by Music by H. W. LONGFELLOW. FAUSTINA‘HASSE HODGES. Lento. Tempo Rubato. 0"" "wit" The day is 77107 to rit: tempo. -- & and dark and drea-ry, Dark and . It rains andfhe ‘PP clings to the mouldering wall, And at ev — ry gust ......... .. the dead leaves /-T A } And the day ................... .. 0071 €Sprc.s‘.s': rI't.- m047to. /;\ My life cold and dark and dreary, Da1~k\and ary, It rains and the PP ritard molto. /3\ L ne — ver wea_ ry, Ne - ver We.a— ry, My thoughts still cling to the mouldering past, And the hopes of youth ......... .. fall thick inthe And the day ............................ .. is can energia. hind must L; sad heart and cease re—piI1i11g, Cease re — p —ing, A the cloudsis the sun still shining, still ................................................. .. shining, Thy fall, Some days {T is the common fate of all, Into each life some rain must f y be dark and dI=ea—ry, Dark and drea 1' LU
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Title: Psalm of Life, A, A Psalm of Life
Date: n.d.
Text: %%%% uusuc uanlnv 7 VASSAR COLLEGE x Kr“ \wﬂ%%%W N H TI W T E E R T 3 E T. A G S P 0 H S B BREWER&C‘;’ 23, A PSALM or ‘LIFE. WORDS BY MUSIC’ BY LONGFELLOW. ’ c. W. GLOVER. ANDANTE. ernp;_1y‘ dreany Life is real! Life is earnest! And the grave is not its goal; ._./ Dust thou art, to dust re__tu1'n_est, Was not sp0-.ken of’ the soul ‘I Not en__joy-_ment and not sorrow, Is our des__1in’d end or Way: Tot \_/\, But to act, that each tomorrow, Find us far__.ther than to day. A Psalm of...
Show more%%%% uusuc uanlnv 7 VASSAR COLLEGE x Kr“ \wﬂ%%%W N H TI W T E E R T 3 E T. A G S P 0 H S B BREWER&C‘;’ 23, A PSALM or ‘LIFE. WORDS BY MUSIC’ BY LONGFELLOW. ’ c. W. GLOVER. ANDANTE. ernp;_1y‘ dreany Life is real! Life is earnest! And the grave is not its goal; ._./ Dust thou art, to dust re__tu1'n_est, Was not sp0-.ken of’ the soul ‘I Not en__joy-_ment and not sorrow, Is our des__1in’d end or Way: Tot \_/\, But to act, that each tomorrow, Find us far__.ther than to day. A Psalm of Life. Find us far_-_.ther than to day. “F Art -is long’ and " fleeitming‘. And our hearts though stout and brave, Still like muf-fled drums are beating‘. gig, Fuifral marches to the grave. In the Wo1‘ld’s broad field of battle, A Psalm of Life. bi_-_vou___ac of Life, Be not like dumb dri--.ven cat--_tle, ‘f Be a he___to in the strife’! Trust no fu___tm'e, how__1c’er‘ plea-sant! f3 Let‘ the dead Past bu_ry its dead!‘ Act._act in the liv__ing' Pr-e_sent! "F A Psalm df Life. Lives of great men all remind us Mk: can make our lives 5ub___lime, And de_-part-_ing‘) leave behind us Footprints in the sands of time: Footprints that pen- helps a_no_ther, Sail___ing' o’er life’s s0__Jemn main, A forlorn and # A Psalni of Life. shipwreck’d bro _ther, SeeiIig',- shall; take heart a,___g'ain. Let us then be up and doing‘, With a heart for‘ a;__-ny fate,‘ Still la-_chiev_ing', A ‘5 (2 still pur_.su_-ing', Il4ea1’nJtolla__bo.ulr ‘aj1d~ to wait, Learn to la-_'bour W. and to wait . 2 A Psalm of Life.
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