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Title: Chibiabos
Date: 1907
Text: SIX INDIAN SONGS FROM THE “HlAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. “Greeting of Hiawatha (Gruss von Hia— watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles Iiegt in Schwei- gen) . . . . . . Chibiabos (Tschibiabos) . . . . Deﬁlmehabiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw‘ai! wach auf’, Geliebtel) . . . OLIVER DITSON COMPANY. Boston I New York Chicago...
Show moreSIX INDIAN SONGS FROM THE “HlAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. “Greeting of Hiawatha (Gruss von Hia— watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles Iiegt in Schwei- gen) . . . . . . Chibiabos (Tschibiabos) . . . . Deﬁlmehabiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw‘ai! wach auf’, Geliebtel) . . . OLIVER DITSON COMPANY. Boston I New York Chicago Philadelphia C. H. DITSON 8: CO. LYON 82: HEALY J. E. DITSON 8: CO. r;1r*:";n, zed from the 1‘. 03‘ "W. 35.35;. ma rﬁo To David Bz'.s‘[2ﬁam C H I B I AB 0 S (TSCHIBIABOS> HENRY WADSWORTH LONGFELLOW § Germa/1' tr(I)1.s'/(Ilz'07/ by }[t’I'III(I/I/7 Sz'7/10/1 CARL BUSCH Allegro moderato Most be_1oved by Hi a — Wa—tha Doch am fieb _ sten Hi ‘a — wa—tha’n Copyright MCMVII b Oliver Ditson Company_, _ International opyright Secured 5-83-66399—5 He the best of all mu — si _ cians, He the sweetest of Er, der Moi - stcr al — lcr Wci_sen, Er, dcr lvieb — lich~_Ste, . W’ sing-ers. V Beau — ti - ful and chi1d—1ike dcr Siin—g-er, Wm: - denschbln und kL'mi—lt'ch T f — Brave as man is, soft as worn- an, \P1i _ ant as Mann an Muth, und W701?) an Sanfzhmuth, Schmiegsam glcich 5~33—66399- 5 wand 1y as wie sin schlan lich P a tempo reeds Ricd hol — low hoh — Zen the dam From Aus ::zZ:>— 1; a tempo That Das s the days low, lick, and mel disc/L lieb si .0211 me — lo — SO U111 — ten so .1 a deer. with Vier — zchn — » fash—ione,d schnitz ~ tr: the lain, brook, Biich - EUJN 3\<_-__:/ 5-83456399-B 1’ bo_w_ish — a, Ceased to mur — mur in the w0od_1and, bi — wi _ schc, Ganz ver-gass- im Wald 214 mm’ - mcln, I That the wood-birds ceased from sing_ing, the squ1'r_re1, Dass der Vb’ — gel Lie — der schwzkugcn, das Eich-horn, Ad — ji —dau — mo, his chat—ter in the oak— tree, At - schi— tau - mo, mchr lei — chm-—1‘r2 im Eich _ baum, /T‘ 5~33~66399-5 And Und’s W" Sat Auf — > the rabbit, Ka-nimchen, the Wa—bas - so, der Wa_bas — so, ,»———-—-—~.\\\\ up— right recht sass .> W, . and lis — ten. lau - schte. 7'27. — p a 5-33-v5(‘=3‘.‘£1-5 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postzpaid, and in paper with_cIoth back, price, $1.50, post»paid. . Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in ﬂexible cloth, are handy in size, and range in price from 50 cents to $1.25. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chiefly technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but-—l”iow good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, 10 cents, which is credited if you subscribe. Subscription price, $l.50 per year. Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Title: Onaway Awake Beloved
Date: 1923
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEK-50:. New "C95!!! Onavvay! Awake, Beloved! Moderato ma con moto LONGFELLOW CUTHBERT HARRIS > >‘>‘ > molto mam V b mp wtempo Z"’——_—_T way"! A- wake, be - 10v — ed! Thou the wild — f1o\x”r; of the o‘L.i?8.42840-6 Copyright 1923 by The Arthu’rP, Schmidt Co, for - est! prai - rie! V Thou with eyes wtempo on - ly look - est at AA ngFwtemw0 .'R.'P8.12840- 6 /%§ Thou the wild — soft —====:::: } L} and fawn —1ike! f kazz. [1...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEK-50:. New "C95!!! Onavvay! Awake, Beloved! Moderato ma con moto LONGFELLOW CUTHBERT HARRIS > >‘>‘ > molto mam V b mp wtempo Z"’——_—_T way"! A- wake, be - 10v — ed! Thou the wild — f1o\x”r; of the o‘L.i?8.42840-6 Copyright 1923 by The Arthu’rP, Schmidt Co, for - est! prai - rie! V Thou with eyes wtempo on - ly look - est at AA ngFwtemw0 .'R.'P8.12840- 6 /%§ Thou the wild — soft —====:::: } L} and fawn —1ike! f kazz. [1 calla voce cresc. ?\ .} bird of the col la voce 2.; As the li - lies of >. feel the dew up — on theml____ dim. e ml]. way! A - wake,_ be - lov - ed! the prai - rie, \\_j mp rad. dim. (3 ml]. Jl.'P8.12840 -6 When they >. a, tempo H way! my heart near me, Olen]-?8.12840 -6 sings molto mil. f.\ to thee, fx \-./ Z‘ mp a, tempo Singswithjoy _when thou._ art As the sigh — ing,SiI1g ‘ mg f en. Conpa {ft bran— ches In epleas - ant Moon of Straw-b’ries___ Does not mf f rail. “:1” f‘ ”\ >>>_\__> the blood ' ll W/ﬁtmnpo co a voce /-$ >>>> allarg. meet thee, to, meet thee, L vﬂ.P$.12840 -6 7 cc tempo springs } wgf at tm/420 o7“e.s'a WT bright- est? 10v - edl ”‘p /f;-_t"=._$ the sun— shine In the Moon when nights -are .>>>> mil. A mp >> ‘ molto rit. f 17; ) Ou—a _ way! A-wake, be - 57; % ﬁg; molto mt ff sf sf > '> > ‘ JLP8. 12840-6 LYRIC FANCIES Q éelettiun of énngs BY AMERICAN COMPOSERS VOLUME I HIGH VOICE MEDIUM VOICE LOW VOICE BEACH, MRS. H. H. A. BRANSCOMBE. GENA BEACH, MRS. H. H. A. cstasy J HN W The Morning Wind BISCSl_lI15rlI::}Vj18H BISCHOF F . 0 - PARK, ED A ROSALIND » N W- The Summer Wind A Membiry The Summer Wind BRANSCOMBE. GENA FOO-1-E ARTHUR - BRANSCOMBE, GENA HATlgl\(;i/II\éT3(l)<rni<I31.g ix!‘/ind ‘“ '5‘°a’d‘° cHA.T1§\ex/i\é°<t “Eg \xv/Vina C . . . , . . All h LANG, MARGARET RUTHVEN A11 }, cHAD\§/ICK, G. W. An lush Love Song cHAD\ii/1cK_ Q. W. The Maiden and the Butterﬂy LYNES, FRANK The Maiden and the Butterﬂy DANlELS, ll\4Al?li‘:)L W. Hark! the Robin's Early Song FOOITE5 ARJTHUR The La yo reams DANIELS MABEL W_ n icar ie FOOTE, ARTHUR Th L’ d H) FOOTE, ARTHUR The Night has a Thousand Eyes BEACI: ISIREOH r:lamAS The Night has a Thousand Eyes HADLEY, HENRY K. She’na Va‘; ‘ ' ' GRANT-SEHAREFER, G. A. M Sh d ‘ A G r LANG): MAREVARET RUTHVEN BARBOUR. FLORENCE NEWELL LANG, ii/1Ai=?cAiRn€i°RUTHvEN LYNESTERANK RISI-TEVRITATNINT: TFRIISEGTLLA LYNES IFTRIALNKC Song Haik! the Robin's Early Song Sail,’ White Dreams Haikl the Robin's Early Song MACDOWELL, EDWARD GRANTSCHAEFER’ G_ A_ MACODIOWELL, EDWARD O L 1 R G cl R I R METCAEE, 30.31: W. cox“R:1;3; Mmzr. 3013:: W. E The Cares of Yesterday P'ezzy E The Cares of Yesterday N IDLINGER, W. H. N IDLINGER, W. H. My Heart and the Rain CI-'OUC'I__l‘LEIGHTERv H~ My Heart and the Rain PARK, EDNA ROSALIND Apnl Blossoms PARK, EDNA ROSALIND A Memory A Memory SALTER, MARY TURNER SALTER, MARY TURNER My Dear My Dear VOLUME II HIGH VOICE MEDIUM VOICE LOW VOICE BEACH, MRS. H. H. A. LANG, MARGARET RUTHVEN BEACH, MRS. H. H. A. Fairy Lullaby Day is Gone Ah, Love, but a dayl BISCHOFF, W. BISCHOFF, W_ BRANSCOMBE. GENA Five Little White Heads Five Little White Heads , A Lovely Maiden Roaming BRANSCOMBE. GENA BRANSCQMBE’ GENA CHADWICK, G. W. CHAl‘g€X"/1ICé:EY(I£Ie€x"/t “P to Thee (s°"°n3de) I Send My Heart up to Thee (Serenade) TV‘l’° 50$‘ Song: J , . . . ove an oy 0 Heart of Mine CLO(L)J?[H‘I1EIfGI{_4l:TER' H’ 0 Heart of Mine FOOTE, ARTHUR FOOTE °;fR;HU‘§° FOOTE, ARTHUR n the Way to Kew I. ‘W . A . I'm Wearing Awa' F RlML, RUDOLF m earmg wa F RIML, RUDOLF At Twilight LYNE5- FRANK At Twilight LANG, MARGARET RUTHVEN R0533 LANG, MARGARET RUTHVEN Day is Gone FRIML. RUPOLF Day is Gone LYNES, FRANK At Twlllght LYNES, FRANK MACTTSSSWX/ELL EDW RD WIAITIR-SRFEPHTGNS Roses EDWARD , A e ose's up MACDOWELL, Merry Maiden Spring CHADWICK_ G, W, Merry Maiden Spring [VIE-TTCl;Atl-«SF. _l(l3HN fvyfh E Thou art so like a Flower METCALF. JOHN PX/'-h E e uns ine o ine yes M] , _ The Sunshine 0 T ine yes NEIDLINGER. W. H. LLB‘/lgc/;AlA—ilIeTar1lt—ils(.xTi{lE:I_aDL1\i/te NEIDLINGER, W. H. Promise - COX RALPH Promise SALTER, MARY TURNER A rmtide SALTER. MARY TURNER The Sweet 0' the Year BE-‘ACE MRS H H A In Saragossa (Serenade) SAWYER, FRANK E. Ah ’L "b t’ !' SAWYER, FRANK E. Spanish Romance ’ ove’ u a ay Spanish Romance WARD.STEPHENS BRANSCOMBE CF-NA WARD-STEPHENS Be Ye in Love with April-tide? only to Thee The Rose's Cup Price, $1.25 Each Volume THE ARTHUR P. SCHMIDT CO. BOSTON: 120 Boylston Street NEW YORK: is West 40th Street
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Title: Psalm of Life
Date: 1920
Text: W O V % some \ I / NZ? US LIBRARY \IAS$AR COLLEGE . K , % To Mns.C. B. /\ mes PSEAXILME LIJIEE ( > BY CREIGHTON ALLEN Published b)/ CIEEIGHTON ALLEN 5:-1r2F_vEPoraT, LA. To Mrs.C.B.Ame§ Psalm Of L1fe - CREIGHTON ALLEN Words from poem by Henry W. Longfellow 1, long and time is fleet-ing And our ' hearts thoughstout and b Likemuf-fled drums are beating funer-all f In the world’s broadfieldofbatrtle thru the biv - ouac of life ‘ Be not like dumb driv-en cat-tle_ be a he -r0 Copyright...
Show moreW O V % some \ I / NZ? US LIBRARY \IAS$AR COLLEGE . K , % To Mns.C. B. /\ mes PSEAXILME LIJIEE ( > BY CREIGHTON ALLEN Published b)/ CIEEIGHTON ALLEN 5:-1r2F_vEPoraT, LA. To Mrs.C.B.Ame§ Psalm Of L1fe - CREIGHTON ALLEN Words from poem by Henry W. Longfellow 1, long and time is fleet-ing And our ' hearts thoughstout and b Likemuf-fled drums are beating funer-all f In the world’s broadfieldofbatrtle thru the biv - ouac of life ‘ Be not like dumb driv-en cat-tle_ be a he -r0 Copyright MCMXX by G1-eightonlA1len in the strife in the strife Psalm Of Life 2 dim Be not like dumb driv-en cat-tle be he - ro in the strife fh Trust no fu -ture how e’er plea-sant f.\ Ah, let the past bur-ry its dead Act in the liv-ing pres - ent a heart with-in And God _, Art is long and time is A fleet-ing
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Title: Bridge, The, The Bridge
Date: n.d.
Text: ' / ( COPY/F/GH T.) TNIE L3ﬁ[lE)@@o WRITTEN BY H. W. LONCFELLOW Esq. COMPOSED’BY Miss M. LINDSAY. Andante con espressione. W©ﬂ©B. stood clocks were striking the hour; -hind. the dark. church tower. rushing The B1'1<!_ge. Miss M. LIINDSAY. on the bridge at mid___night,V ‘As the '/'\ Andthe moon rose o’er the ci_ty, Be- And like the waters the ’ wooden CQPYR I (;n.1-‘L; flood.‘ of thoughts came '0’er . * That filled my eyes wim How‘ of_-_ten, oh! how of---tén, days...
Show more' / ( COPY/F/GH T.) TNIE L3ﬁ[lE)@@o WRITTEN BY H. W. LONCFELLOW Esq. COMPOSED’BY Miss M. LINDSAY. Andante con espressione. W©ﬂ©B. stood clocks were striking the hour; -hind. the dark. church tower. rushing The B1'1<!_ge. Miss M. LIINDSAY. on the bridge at mid___night,V ‘As the '/'\ Andthe moon rose o’er the ci_ty, Be- And like the waters the ’ wooden CQPYR I (;n.1-‘L; flood.‘ of thoughts came '0’er . * That filled my eyes wim How‘ of_-_ten, oh! how of---tén, days that had gonxeh by; I had [stood on that bridge A Aatl h‘IbllidA_- night. And - gazed on that wave « and sky! °f~~h.—t.911s 011! how of-_-ten, ' ‘:I had Wished ‘that the ebb--.- ing "gm Bridge. MISS M. LINDSAY. tide Would hear me awway on its“ bosom o . _ _ _ _.--cean wild and wide. For my heart was hot and rest_-_less, And my -life. was full of care; And the /“T bur 4 - _ then laid up _ - - on me , Seemed greater than I . could But now it has faI1--_--en from me, The Bridge. MISS M.’LIN'DSAY.~ u__ried in [L ' - , 7 And 0n______1y the sor._ row of o;thers Throws its sha_____dowo _ . _ _ __ver me. Ipfcross the ri___ver, On its bridge with wood____en Like the o___d0ur of brine from the 0___cean Comes the “10.IIght of 0 _ ther And for e _ ver, and long as’ the iri -;--ver long as the heart has pas , _ _ . _-—_sibns, As long as life has The moon and its bro__ken re>--flec-.tion L And its shadows shall ap.._-_=_pear As the sym_%bo1 of ldve And its w'a-__Vering image . f 11,776.. LONDON.‘ ROBERT {BOOKS &jC<:.New BI1E1iIx,gtoxx St.Pu_blishe1":. to the Quéex1,_H.R;_H.31-h.e P1-ixme ofwales 3:: the Emperor Napoleon 111.. MISS LlNSAY’S SAQRED AND SEGULAR SQN , PUBLISHED, EXCLUSIVELY, BY ROBERT COCKS 6: CO, NEW BURLINGTON STREET, W., Ilfasic P255/zkkers to Her M'z7j'e.rt_1/ Queen Vz'cz‘o:/z'a, His Royal Hz};/zizzxs z‘/ze P757256 of Wales, and the Emperozr Ntzgﬁoleoiz III. ’ 0 S A C R E D ' 0 Best. 3/» The Border Lands. 3/- Thou, O Lord God. _9_s Andaule _9_§ A/2:13.507; z-syn-xx. J ‘ A 3 4' j‘“‘l K i\ I @ == <1 .. .. I ,~ .' . I j . — ~ I é‘ﬁ__{2_ .-....* ,~ :* I . 2 is 2':~—I' ye§~.*—-1—»m.~=—--r-~ --+.-1»--w—:~I.-F U — ’ . 3 U ' :J\/ ('3 - 3 ‘I I :4 -, ] Q . Q g I . ' It was Thy will. my Fa - ther, That Fa - ther, in - to Thy lov - ing hands My Thou, O Lord God, art the thing that I long for A Morning Prayer. 3/- . Come unto Me. I/lu.r. 3/- Peace, be Still. II/us. 3/- TA I7»-«Am]{mte.‘I I — I I I J J‘! L I —l[/1 '7 I I\ "T“’1 L J K ’\ AI; I 9 I71-If’ I’i I 5 . .3 1 . A S?’ "=' ' .' 7 I I”? " i‘ ‘ I ' E7 7 "5 @i"~i"‘*“=‘:=;*-~-»‘~‘~~« ‘ «-4 -~ in :‘ 2" 4. = I ~.&e*9v-.&s:'*-.'-;*.- *‘“"“”.C““+—E*.-."""‘ ~:-I:--- Cause me to hear Thy luv - - ing- kind-ness. Come un - to me, Oh! come all ye that tra.—vaiI. U Lord, save us! ( Lord, save us! we per -ish. ‘ An Evening Prayer. 3I— They shall Hunger no more. 3/- Absalom. 3/- “ Aiziirzzzte. I _ _H ' A Am1'm;tg_ ,5: ‘I ‘J‘ l J ‘ " ‘l ’l '1 l J J "1: .17..’Egggj:I-a3fijil:a:L7:§:I:;l:;,‘:;E1 @‘g'~b;lZ’_&‘_';.;ll:ﬁl:‘j:I_T,Z’j‘l_T£l‘_'E‘IiIﬁiC:iZ£4:£:Z‘j‘£‘Zl:£3I Hr ' - -d- -dv of * ' ' \' , -v In - to Thy ha\n’ds, I com-mciicl my spi - rit. ‘I These are they, these are they which U 0 my 5&7, 0 F my son, Ab_53_.1o;p__ Thou vvert the first of all I knew. 3/- A H i Christian Submission. 3/- Tired. No.1inDb. No. zin D, each 4/- A I‘ _ Iztzm :. ‘A H " I I\ ‘V ___ éhhe . J‘ I .'. J J, ; 0 - ;—.J §,:«:“;',.'_‘_..‘T.j._a:;.J'4.. J j~;“§_I ;_J__d..§g. .€¢)§»‘1s“.e ,' :.;j_ fl .1. 2 _I 3“; 3 .~ :- I Thou Wert the first of all 1 knew. To ‘0 Lord, my God, do TIiouThy1l’$-Iy will. “Tir~e<-1," ah! yes, so tlr - ed,dear, The day has been Too late, too late, ye cannot enter now. 4/- Jacob. ‘ 3/- Give us Thy rest. 3/- ll . mfg’. Ami. La;/,gr. > _A __ - I — —*j - V D I N K I\l I‘ I‘ I 33%’ <' 5 3. .:= J * : I .: .I‘ ;= 1 Li 5: = .' iL9]- -v‘ i-“A ; J I .' ' " -' I §§:;J.-=-~:.s=-~eI-T--=-:-i-:—E~r—--iitr Late, late, so late, and dark the night and chill! Me have ye be ~ r\e:‘a7_-:—‘ - - ed, be - TIN? da)/'S10“g mil is 0‘V€1‘1‘|0\'/I And11IgI1tdK‘0PSCl0\Vnll€|; Pall: I Resignation. 4/- A [Z The Pilgrinfs Rest. ' 3/- 9h, when wilt Thou coins to me. 3/- A L (1137 wti/0. > W L 7; :10. am As). ~_ zzdtuzfe. s . kl -' ~ I ..l = *1 * FT‘. li;"—e—E—:—4~—l_) I I 4 l I " ‘ * 45. ;f’"L‘+_2':_2L .f_ :5‘: * “I J .3 I I‘ I‘ bit 0 ' 0 6' I l -I \-" ‘I A 0 J bit ..I I d I I7 - 0 .I ..I J $9 4 W 0 I I d > \_,» - :- -‘ VVho can tell, Who can tell, whether Oh, wlii-tlier is the old man gone, With Come to me, Lord, when first I wake. The Lord will provide. 3/- A Psalm of Life. 3/— Low at Thy feet. 3/- A miazzte. "I9'l77- l‘ L ' \ E‘ I ‘I I9 I‘; J . J 4 ‘ . 0 I. — ——}—a ~* -4 ‘ * -‘ -=1 " :o:: ::"'_: :l—P—P—“*‘—~‘“‘—I " ' l l I ‘ ‘ -- ~—I.'; “gt. §t:i2,..‘_:_;'..I.*=~?,-.—.I ~i§e“..‘~.‘l-:‘.l|~.",=l My Fa - tlicr! my Fa - thcr! be - hold I Tell me not, in mourn-ful num-bers, Life is but an I have so slight -ed Thee, yet for Thy grace, S E C I l L A R. H The Open Window. 3/- Thalassa. (A Yachting Song.) 3/- England and England’s Queen. 3/- 0 , 1 Amino. qmzxiallto. rm; s/)z’r;io. _ I 1’ *a_§ , E _ J I J I __ I ; ‘f ‘rs I I I\’:""\ J R I 9 '7 ‘ J I ‘I9 F _ I §" ’("'_-"' —‘T:"!"l’—""';l'_‘_:—:"l ‘ :' =l—:''‘Jl ﬂlvliu .I I I .1 . .“ ‘ . 0 E .4 E gm‘/{ I ' “ : I [94 ‘J I _ . C The old house by the lin -dens ‘ Stood Who cares on the l:‘.l‘.d to stay. ~ Eng - land, Eng - land and Eng — land‘s Queen. The Bridge. I/lus. 4/- The Mariner’s Song. Illus. 3/- La Toilette du Constance. I9 U I 1 I I’) I7 ‘J wk A I‘ V I 4: $32 g I Am A: D}. x E 9] -I 9- Jtj ﬁlﬂﬁ) A N‘ ' I E ﬁn vs I p. j Zﬁﬁl (,1 I P F’ P } L P HF I w w ' - \— H» l 0 H54 9 J \I.' ~ I I “-“ “‘ "-" :':-I .3‘. _ U . ‘J V _ I --‘SQ I . I' stood on the bridge at mid -night, As 3.’; Star of morn - ing, beam - iug bright, Et je vais au ‘ bal ' ce soir. Horne they brought her Warrior dead. 4/- Echoes_ ' -4/- Why sitt’st thou by that Rulhed Hall ‘.7 3/‘- A (1 tr. " - ' “ 1'! 1' ‘ t . V - —A I H dug \ I! AM \ I I I *9‘s'£‘A”({ﬂ”|te' A I I ‘ Ill‘ 3 it I 0‘ ['70 9| I I I Q9” . _, A A G‘ s_t.__y ,_.._.! §_II_e-(;——;, ——— ‘—;1——I\~—I\——4—,;~J/4—o—+—,I_—;,.-—§ “ (‘ A‘ I ‘ ' *' " A“ I 3. .. . ‘J i * (7 I Q h ‘J v Home they brought her war - rior dead. s;i11 the an . ac] stars are . mg, WIIY Sltiist tho“ by ‘hat “I ‘ In‘d ha“? Excelsior. 11114:. 3/- The Arrovv and the Song. 3/-- “A Danish Maid f0P~1’1’19-” I”'’‘- 3/‘ A n .. I I! r . N ; - I I n I _ 3 I : . B I A ,; ,- ~ I .z::,_m_. ~ I_.._._.:__..~ .f:._.;_; .:L: L Ii-fire-» E J . .9 I * i A The shades of night were {all - ing fast. U I shot an gr . row in _ /'0 the air, She may be ' fail‘ (lie sang). Speak gently. 31- There’s no deami of Kindness. Jim. 3/-, Alice» (A Lament-) 3/- “ AZlz‘a.Jgmz. . g A,,,g,,,,;g, Amz'rznz'e . 71" hli. 1- - IT‘ I a ' F’ i I" .9 . 5 _INI{' I I ' I " _. ‘ ‘ I I ' ' J i-31:3 I I Ix. N n I u IiIn\I7'I\ 14.: I did . g 5. A "7""' ' ' ' " I‘ I * "‘ I 77I\"A . I I - 1 I :)\I I ...I l» 19) I I I ..I I {QB 5-L d—-—] " 9 A, I ’ .9 :1‘ Ur -q: -2. 1 as . . _ .-u I 0} I: _a _ Speak gen- tly, it is bet-ter far to rule by love than U Thugs no dean}, of kind . negs. "ii weep be _ side the well’ §:_ mic. Maud. A Serenade. Illux. 3/— Stars of the Summer Night. (Serenade) Far Away. So1omza'DI.'.e!. 4/- __9_', _AZZz‘a. A E ‘ I ‘ film. 1/— . Moderata. I n I I A In ﬁg orn _ * - ' "T|":‘; I I L \ r. -J"—‘ ease; . ...':~.L—~:%:r~_._a._...«:=_—a>:e_~ r . .. I - .‘~ —I :‘_._;t .,:ﬁ:I ﬁts--E-F?‘ ~ :5 - *’; :3 i."‘ 2 = ~ if.” U — 3011 W ! I V I l I —I'— as i V *7 .— ,, V Come in - to the gar - den,>M:Iud, For the Stars of the summcrnight, F;-,;~ in yon alum de5p5_ Where is now the mer-ry par-ty, I re -Incixherlong a -go. C S/Lady Clara Vere de Ve1..e_ .3/_ Daybreak. 3/_ The Snovvlies vvhite. (An old Wi e’s Song). on Izrra. r‘ /.0, . - [7:93] ‘ L l I I I J‘ I N I J 9 bk 1 ,—-——\: I _A:‘;1[I¢¢V£I.‘i'L". . P ‘ J 3/ .3; U ~ 6; -= -I H-::- - “w I ~— ($95.74: fl 5’ 3* 5» 3 ; 3:, 7 §+3.‘»Z—;I=&~.J——."‘ -*=' ,,;_;,.:l .1 .“ ~ La - dy Cla. -7 m Vere dc Vere, Of me A v.{ind came up out of the 55;, The snow lies white '.=.nd the moon gives light. . . . - I ' ’ . V - A kAW'§£]W?. Aiuiy Fairy Lilian. ' 1.1:“. '3/. The old clock on the Stalps. 3/_ A/WmHn:7Vhen' Sparroyysfuild. ‘ 13/ 37 II n n .. A L , ' .4 /ﬁlLaI="II "J .. 5 9 9. 5 E A ‘-5 la’: '~-#333 if,lér_;':]J>’ (3 an P Q‘ g 0" g‘ :1 F 6 H g n i \ I « I““’ I E: J ..I ‘J . I - . 34; g , I j ‘J 0' I av ‘An - 1-,». £31 —ry L1.11. an, Flitqjng-, fzi - ry ‘J S0me_wl:t back {mm the :1 _ ‘We Sgech When spn:--rows build, and the leaves break forth. The da r ‘us last Good 'v‘~' ' I 7’ --ﬁght hath 3/3u:d3-/_ I do confess thou’rt smooth and fair. 1/1111’. 3/- ’ , . I ——~ _ 9 ,. . '3 .—»“ -l—~a‘—l—*.‘.~ .' . <2 i .' * .' T? J I I 3 fl § T" “T . - _ 2 I“ 135‘ 800d ' “ISM hath said. ‘J I do con-fess tliou'rt smooth aihd fair And I I 1 All, all around is still. 3/- The Brook 3I_ ., .5 " . ‘~ I .' 3,5ri-#7? Vii \ IV 1 . ' ‘ ' ' ._~_-,- ’b'_'?"‘§",__.§ __A____. __ __ ' A 3 v .. - I - , I I - ‘ ." £.._Aj -Iz:1'I——3§t:av,__E‘;_hEl-._:___:'::T:.::‘:‘_:_ ‘ ll . 4 ' :2: 2 . - U . v "*9" u I a a mum is s I, l\ i ture seems sleeping. With ma - ny a curve, my banks I fret, L 0 love my Willie! 3/- The Song of Love and Death. 3/- ' l I? In "9"‘— , 1 - 4. I n l a - I- T _ N l I I , ‘J ‘I ‘ i ‘ I T I‘-i—'—o—£—- ?);.).‘.Lil_.Q_T¢_;1_i,_4 .,_:_ g‘; f’ ' Ir I U‘ I " % Lil‘ » . . . l he ' ‘ v ~ . . ° ‘V3 0‘ '39- EH1 0 g0“d! Sang he to Sweet is true love, though g;v‘n in vain, In vain. ‘J L T , 1-1 ... .!'V. A__ O..- , W, A , _ X I
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Title: Allah: song, , , , :
Description: voice, piano
Date: 1887
Text: '78 L36 Al ,% No.| IN. D FLAT V’! % some Wonos BY H.W.LONGFELLOW Mus}uc BY C.VV.CHADW|CK COPYRIGHT PRICE 2/- NET. ELKI N &Co.L-ro.8&|0 BEAKST. REGENT ST. LONDON. BOSTONZARTHURP SCHMIDT COPYRIGHT NDCCCLXXXVII BYARTHUR RSCHMIDT LC? ALLAH. Allah gives light in darkness, Allah gives rest in pain, Cheeks that are white with weeping, Allah paints red again. The flowers and the blossoms wither, Years Vanish with flying feet, But my heart will live on for ever, That here in sadness beat....
Show more'78 L36 Al ,% No.| IN. D FLAT V’! % some Wonos BY H.W.LONGFELLOW Mus}uc BY C.VV.CHADW|CK COPYRIGHT PRICE 2/- NET. ELKI N &Co.L-ro.8&|0 BEAKST. REGENT ST. LONDON. BOSTONZARTHURP SCHMIDT COPYRIGHT NDCCCLXXXVII BYARTHUR RSCHMIDT LC? ALLAH. Allah gives light in darkness, Allah gives rest in pain, Cheeks that are white with weeping, Allah paints red again. The flowers and the blossoms wither, Years Vanish with flying feet, But my heart will live on for ever, That here in sadness beat. Gladly to Allah’s dwelling, Yonder would I take flight, There will the darkness Vanish, There will my eyes have light. II. U’. L ONG FELLO IV E. 83' C9 178 179 Words by Music by H.W. LONGFELLOVV. G. W. CHADWICK. Serioso. V/"OICE. A1 — lah gives light dark- ness, A1 — lah gives rest in Cheeks that are white with >weep - ing, A1 - 1a.h paints red__ at — gain. Theflowersand the b1os- soms /gj Copyright MDCCCLXXXVH by Arthur P, Schmidt & C? E. 8; 00179 van-ish with fly - ing (‘S NZWZ . But my heart will live on for That here in sad-ness $.89 C9179 - 1y to Allahs dwell - ' — derwould Itake 7% . will the darkness van rzz‘. ,—\ will my eyes have light. 15.8: 09179 VRIL SCOTT. on New Songs. Op. 24 Op. 36 No. 1 Op. 36 No. 2 1. Voices of Vision. 2. Willows G (D to and B flat E flat (B flat to E flat) and F F (C to D) and G F (C to E) and A flat D (B to E) and E D (D to D) and E D (B to F) and F Two Poems A Valediction Sorrow My Captain Op. 38 A Gift of Silence . Op. 43 No. 1 Don't Come in Sir, Please! Op. 43 No. 2 The White Knight Op. 43 No. 3 A Reﬂection Op. 43 No. 4 Price each 2/- net. if?/% 4 New Pianoforte Scherzo Solitude Vesperale Chimes Impromptu Lotus Land Columbine Op Op Op Op “ That MR. CYRIL SCOTT is a musician of very great attainment already there can be no doubt, nor can there be any fear that he will soon rise to greater heights than at present perhaps even he has dreamed of. . . . . MR. CYRIL SCOTT is a composer who is already forcing his way to the front.”——The Times. “ MR. CYRIL SCOTT is a talented and enthusiastic musician of the most modern school, fully equipped with the knowledge necessary to the well-being of a first-rate com- poser, and without doubt his works will have to be reckoned with in the near future.”——Musical Times. ' “ MR. CYRIL SCOTT’S music is fresh and pleasing, and the writing shows no sign of effort."~—Daily Telegraph. “ MR. CYRIL SCOTT is a very clever young com- poser.”———Daz'ly News. “ MR. CYRIL SCOTT is a composer who has most assuredly travelled far along the pathway that leads to the laurel wreath.”——Pall Mall Gazette. “ MR. CYRIL SCOTT was last night enthusiastically hailed as a future star.”—Daily Express. “ MR. CYRIL SCOTT has already succeded in making us look forward with keen interest to the future develop- ment of his powers."—Lz"verpool Daily Post. Op. 25 40 No. 1 40 No. 2 40 No. .41 47 No. 1 . 47 No. Music. “ MR. CYRIL SCOTT evidently has a ﬂow of graceful melody, and he knows how to treat it.”—Mcmchester Courier. “ MR. CYRIL SCOTT is regarded by many connois- seurs as a coming man."——Yorkshire Post. “ MR. CYRIL SCOTT has leapt suddenly on to our musical platform and presented quite a new phase of English music, which the educated public has hailed with delight.”—— Musical Standard. “MR. CYRIL SCOTT a young English composer, whose works have lately been a good deal talked of."—— _Westminster Gazette. “ The name of MR. CYRIL SCOTT ought to become well«known among the names of English composers.”——- Bir711inglzam Gazette. “ The name of MR. CYRIL SCOTT has begun to find its way into London concert programmes, and the sooner it becomes more familiar the better."——The World. ‘ “My Captain’," words by VValt Whitman,is a big song, immensely strong and absolutely convincing. MR. SCOTT has a perfect grip over his subject, and never slips for a moment from his straight line. As a piece of music, as a big song, full of vigour and fire, ‘My Captain’ is superb.”—The Rapid Review. ELKIN & co’., Ltd.,i Music Tublishers, 8 &t 10 BEAK STREET, REGENT STREET, LONDON, W. AND OF ALL MUSIC SELLERS IN THE UNITED KINGDOM AND THE COLONIES. vv ’,’, .. Compositions by E 83 5% 33 ea Edward MacDowell. @‘7@V@.“7/£:i‘°’m@"m@V@V@i‘7@V@%"&V&‘7@"QAVQVQVQVQVQVQVQ‘A‘"®V:2§’ﬂZ3i"®Vm 7@’°QV@V@.""@V®“7@7&V@“7@;V@QVQVQVQVQVQVQVQVQVQVQVQVAVQVQVQVQV SONGS. _ Twelve Studies, Op. 39. , Book 1. Hunting Song, Allzi ’l‘alr;ilrit.e|laJ, TWO Old Songs, OD‘ 9 Roiiizmce, Aralieske, In the l“l'.II‘t¢SL, N0v1v D9S‘3“3‘3d * , Dance of tho Gnonios . . . . . , ‘ , ; Db and l*.b,. N0. 3. Slumbﬁf 300% Book 2. ldyl, Shadow Dance, Intermo/mi, Two Songs, Op. 34 Melody, Sohorzino, I-Iungarian . . . No.1. 1Vlenie- - - - « - « - - - « Detached Pieces, from Op. No. 2. My Jean. . . . . . . . . . « Ni, Hunting 3”,“ Six Love Songs, Op. 40 . . _ . . . . .' No. Allii Taranm-ll.:i No. . Sweet Blue-Eyed Maid No. Romance . No. . Siveetlieart tell Me No. Arabeske . No. . Thy Beaming Eyes No In the Forest . . No. . For Sweet Love‘s Saki: No Dance of the Glmrnes No. O Lovely Rose No. liiyl. . . No. . I ask but this No Shadow Damon Thy Beaming Eyes (separately, D. No. 9. 1llll(>‘FlllPZZO . E17, F and G) . . , . No.10. Melody . Two Songs, from Op '40 E3 isicliemino. No.1 0 Lovely Rose ““8"“”‘“1 - - No. 2. Sweetheart. tell Me ' ' Woodland Sketch;/s, Up. 51 . . . . To a. Wild‘ R. 5‘. ll o’tleWi‘ , Ata, Four Songs’ Op’ 56' V . V ‘ _ Old Try;5t,irigOl’l‘:'i.ce,,lln Allll.llll’ll'l,b}€'l‘OITl all H'l~3j1 “T 14"“ V“1"‘* - - "‘“'h lnriiaii lmdgri, To at, Wriner llily, From No.1. Long ago. Sweetheart. Mine Uimle Remus-, A llesertod Fﬂ.l”II‘I, By .'I No. 2 The Swan bent. low to tho Lily ‘Mon.duw Brook, Told at Suiisob. No.3. A Maid sings light Sea Pieces, Op 55. . . .‘ . . . . No.4. As tlieGloamingSha.dows«sleep. T0 the 539% FTUHI 3 VV*"”d‘«““"E§ J°9h0I‘{1. . . » ‘ , . l A D 16:30. Sla.i‘light.,Si\ng. l*'rrim l.l‘lCl)(‘[!lill.\‘, A Maid sings light (separately. D 6!. P). Nlmmusy In Mid Oman Three S°“g57 09* 58 ' ‘ ' S ' ‘ Third Sonata, (Norse) Op. 57 . N0‘ C""St.’a’“ey Fourth Sonata, (Keltin) op 59 N“ =~ S“““3e , y _ Fireside Tales, Op, 61 . . . . . . . . N0. 3. MWTY Malden Spring All Old Love Story, oi‘ Hr.» Rn.liluit., From Merry Maiden Springmeparzillely D&F'i = a Gr‘.l.‘|'llilll Forest. Oi’ HIl.l.‘llll.’llltl‘(‘r‘.\“ A Three Songs’ Op’ 60. ‘ _ ‘ A ; Haunted House. By bln«llllClt)l'll'lg lumber». N,,_1_ Tyrant Love New England ldyls, O;».82 _ ._ . . N” 3 T" the Gmde“ R"‘i liidiuri ldy/l. In an Old '\Vhll,G Piiie, Frorn l'iiril:m l)a_ys, Froin zi Log Cabin. The s-._..., Joy of Aiitiimn. PIANOFORTE SOLOS. PIANOFORTE DUET- Etude de Concert in F sharp on 36 . ‘S! Suite (A””’”gem‘ 0"‘ 42 ' Les Orientales. ——W Three pieces for Piano, Up. 37. No.1. ClELl1' de Lune . . . . . I“ Suite, for Full ll['(‘ll(’Sl.l'8., Op. 42 No. 2. Dans le llzmizic . . . . . , ‘ Or.-liostral Score . . . . . . . 8 No 3. llzinsa Andalousi-. . . . Ur(:licstra.l Parts . . . . . . . . . 24 AV@f“?" .7‘ T‘ S” 9“ F‘ 95 P3 E‘ 4; l:o'.\“;p—-i—-I "L‘2KfLr—*CC'-‘LL .. . .. . “:’”’*~@*Wé-@FV:AfV*-V%3f-*-V?AW;A?*f~? “7?*=@%>?%@@?A@#V4?%Ve?éVe?4?§??4VA@4V V . .“.,. .,;,‘ .,. London: ELKI N &- Co. Ltd., 8& I0 Beak Street, Regenfstreet, W. And of all Musicsellers in the United Kingdom and the Colonies. AWA@§@A@@A@é@A@A@A@AWAWAWAQWAE V _ __ _;_____________._.___._H_.______A__.- ___.. .. _ ~ @AA@AWAWA@AWAWA@A@A@A@AWWQWWEAWAWAWAWQAWAQWAWAWAWAWAWAWAWAWAW > W‘ 0 V 4 4 we ‘6" '3 '“6‘*4"'*% I 4 4 4 4 4 4 4 4 4 4 4 . 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 0' 4 v. v. 2 -v. *2 +. ‘C a .' *3 +. *1‘ -6 o’ .2 6 <2 6“ ~». 0' 1 <2" *2 ->1 4 4 O O O O 4 ‘. ‘T 6’ ‘. a 45 *5 4: 4 ‘. d". *. 4. 4 *L if 4 ->' J 4 4 4 4 4. 2 ". O‘ J 1*". 4 *1 -5 4 4 4 4 4 4 4 1' ELKIN & Co’s Songs? by Popular Composers. ———<—~$————— Words and Music by ROBERT EDEN. Mo derato. polco mll. .11 fmf: I I 4' " I 1 I ‘ 1 A ' I I I u a 1 1 I I I I l I I l I I: ‘J F ‘J I I 4 I . I .1 I l 4:41 .I 11. I I T - v ,1 . v . I Irv V 11- _I I u I 11 V? Come, let us sing a song of glad_ness,Let us call the whole year May; C0me,let us ban_ish time and sIId.m:ss,Let us live but for to day! Copyright MCMIII by Elkiu & 0‘! Ltd. In two keys C (B to F) and EL. Words by ERNEST DOWSON. SORROW-~ Music by CYRIL Very slowly with simple pathos. . 11 l ml’ . . H II) 51 L l\ K I I L I I7 - ' K K - k l N CA I\ I I I I l\ I) I I\ l I F V II J I A A A I I I I J I’ I I I I A ‘I I T " V " I H C V I I I’! =I C V I It Ex _ cued _ing sor _ row Con . sum- eth my sad heart! Be_cause to - mor _ row Copyright MCMIV by Elkin & C? Ltd. In two keys 111- (BI to Eb) and F. MORNING DREAMS. Words by F. E. WEATHERLY. Music by L. DENzA_ 1! lg I L I IIII/In ‘F1 1 II 1 I I . 111.11 11 In In 11 1 I I L V .11 AJ v A I A I J. v I vL v I v 5 5 v r v‘ . . I I -' ' .- I’ I’ I I I Under the white cliffs gleam . ing, Down by the roll _ ing sea, Watch_ing the ships and dream _ ' Thats where long to Copyright MGMV by Elkin & 09 In two key El» (Bl: to E5) and F. THE MESSAGE OF HOPE. Words by E. TESCHEMACHER. Music by G. AITKEN. Slovfyly and very marked. . . I I Lift up your eyes though griefszmdsorrows meet thee, Lift up your hearts thoughdarkc-.n’Il be the way, E2Irth’s11ightshu.ll pzIss__ Copyright MCMIII by Elkin & 0‘? Ltd. I11 three keys D (B to D) F and G. With Organ or HII.rmuI1iun1 ad lib. REMEMBRANCE. Words by NELLIE FIELDING. Music by ETHEL BARNS. 1! I1 L ' _1 lkd Irv I1 I .4. C V’ I ' 7 All lovely things remind me love ' ' : 'l‘heprimr<Ise grow. ing by the qI1i_e:t " . Thegoldmn gorse up _ on the Ilis_t.'I11t hill. Gopyright MCMIII by Elkin & C‘? LL11. III two keys F (U to E) and Al». ‘ I _ _ WHEN I GAZE ON A ROSE. .. . . Words by I«..TEsc11I«.-MACHLR. Music by 11. TROTERIL. Andante moderate. _ # I III [ I i\ l A f -2 A I I 1\ I R I.I_u I1 - I | 11 F I 1 L . I - n 11 - VII/I J P I I An I I I I‘ R do AEI l 4' Pl I -x v V 1 /1 V I I g '1" W V V 1 4‘. I J l A‘ F U] n 11 J V 51 V 11 4} J l 4“ -J V V 4 W When I gaze on ‘ rose, I see HI lit _ tle ' . Dim_pled chin, 1zIugh-iI1g \‘y(‘S, in-s0me grace. .When my Copyright MCMIII by Elkin. & C‘! U11. II1 three keys ELI“ (C to 1*‘) and Ala. Words by GUNBY HADATH. A Music by J. M._CAPEL. Con molto animato -S 6,650 f\ /2_f__.T K‘ S ‘T A ..- / L I I . I A x x I I L 1 n: 1 I 1 ‘ritzy’:/Tn. I‘ I NJI K r I lIl-- I I I 1\'1 HI I i :41 I 1\ I III I L. I ' I O , i V — .n r v T, V 7 7 . v.” - ‘I T L./ \/ Come,who’llIlri\'eII. bar_I,r:Iin -I ' sell... Pri_thee 2111‘ ye‘d have it will ye treat it well? Bid the cri. er cry it, Copyright MGMIV by Elkin & cu» Ltd. In two keys 0 (C to E) and El». SHONE THE SUN YESTERDAY? Words by R.H.ELKIN. Music by REGINALD SOMERVILLE. 175/’ T] C A Sm-11:.-the sun yes_tor_Ilay Were the skies blue‘? Sang a thrush on the spray ht‘iL.Vy with II 7 1 l\ K A A 1 A I ll ll l\ R - ‘ A - I - F 1 A .1 II II 11 1' n I v v 1/ u 7 V 7 3 Copyright MCMIII ll_\’ I-::1ImI & L29 1111. In two keys El: (D II) F) and 1‘. Price 2/- net each. London: ELKIN & C9 Ltfi 8 &1O Beak Street, Regent Street. W’. Adwmsemem M13. And of all Musicsellers in the United Kingdom and the Colonies.
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Title: Rainy Day, The, The Rainy Day
Date: 1877
Text: To Mrs.M.K.Cal Ian. .EZ?ii_/_'rZZ/‘/7.21/TI,’ /,____j . LON/I3}‘1%iLL oww N EW-YORK= Published by S.T.GORDUN&SON.l3 Easf I4*bs+_ A NEAR FIFTH AVE. Uupy.r*}qh”r IB77 by 5.T.Eurdan&San- V ‘ Iwsac uurmav SEAR COL 7 ‘THE RA INY BAELAD. Words by Music by HJVLONGFELLOWL ALONZO STONES] Andantyj and drea — ry; It and drea — ry; It rains, and the rains, and the C0pyrig_'h(,1877 ,by S. T.Gordon& Son. f vine clings to the maul — der—1:ng wall, But at thoughts cling to the maul —...
Show moreTo Mrs.M.K.Cal Ian. .EZ?ii_/_'rZZ/‘/7.21/TI,’ /,____j . LON/I3}‘1%iLL oww N EW-YORK= Published by S.T.GORDUN&SON.l3 Easf I4*bs+_ A NEAR FIFTH AVE. Uupy.r*}qh”r IB77 by 5.T.Eurdan&San- V ‘ Iwsac uurmav SEAR COL 7 ‘THE RA INY BAELAD. Words by Music by HJVLONGFELLOWL ALONZO STONES] Andantyj and drea — ry; It and drea — ry; It rains, and the rains, and the C0pyrig_'h(,1877 ,by S. T.Gordon& Son. f vine clings to the maul — der—1:ng wall, But at thoughts cling to the maul — der——1ng past, But the ev — — ry gust the dead 7 leaves fall. hope’s of youth fall thick in the blast. day And the days Andante ooh moto. drea —ry! tl-rea -\.-ry I \/ sad and curse re - pine-z'_ng; Be — kind the ‘ f Agitato. clouds is the T still shin—ing,- Thy fate is the com — man ' Agitato. In — to each life some Ir must fall. Tranquille. Some days must be dark and dreu 6' 542 :3
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Title: My Redeemer and My Lord:
Description
Date: 1908
Text: C1119 ‘Hemmer cmb ‘I111? 201%. §acteb $030, Tf fmm Cheﬁofbm gems, by s.’£§’%from. ‘ Cmwaic 1 big Eubfctg ‘Buck. - , ., , 31’/w 518$ V01C9- E3o$vnCf3nwrcFn Cympwqg 10117 Voice. “ ,s:ayi'$o;x4.“*’“”' 772 NET My Redeemer and my Lord. From the “Goldvn Legend’: Scene V. E1sie’s Chamber. Night.E1sie praying. ‘ (High Voice.) Ptwnl by H.W. LONGFELLOW. Music by DUDLEY BUCK. Andante espressivo. ¢ Sm/r/Ire P0)! Pen’. 7 0 Con (Inn. 1317. Copyright MCMVIII by The John Churéh Company....
Show moreC1119 ‘Hemmer cmb ‘I111? 201%. §acteb $030, Tf fmm Cheﬁofbm gems, by s.’£§’%from. ‘ Cmwaic 1 big Eubfctg ‘Buck. - , ., , 31’/w 518$ V01C9- E3o$vnCf3nwrcFn Cympwqg 10117 Voice. “ ,s:ayi'$o;x4.“*’“”' 772 NET My Redeemer and my Lord. From the “Goldvn Legend’: Scene V. E1sie’s Chamber. Night.E1sie praying. ‘ (High Voice.) Ptwnl by H.W. LONGFELLOW. Music by DUDLEY BUCK. Andante espressivo. ¢ Sm/r/Ire P0)! Pen’. 7 0 Con (Inn. 1317. Copyright MCMVIII by The John Churéh Company. lhternational Copyright. Entered accord ing to act of the Parliament of Canada in the year MCMVIII by TheJ(>|1n(‘|1urch Company in the Department of Agrir-uhure. I be-seeCh Thee, in each act and word, that here — aft - é a’/'///. My Re — deem - /5 I en — treat - er and my That here-aft _ \ — er I may meet /4""—'_\ Thee; 8 -------------------------- -- . I (3/'€.S'('. VVatch _ ing, wait — ing, '- ing,With my lamp well trimm’d, /‘\ r0//a woe. / hop — ing, ‘Z . I C \\'e11—trimm’d and burn — yearn - L- ma poco,/4/z‘z2 molo. In_ter - ced ~ — ing zmpoco/iz’/52 moto. ‘I’ bleed — ingwounds upon Thy hands and side; Thou hast suf - fer’d,Th0u suf - fer’d., Thou hast died. /_;$7I_cf with these bleed ingwounds,these For all ‘who have lived and /'_ — hast died, Thou hast D f poco acne/. > Scourged, and mocked, and ' 1!. ﬂow rd /Izolto r2’/. _ ci _ fied,____ And in the grave hastTh0u been bur—ied! 71/6554 'L'0(-'6’. If my fee - ble prayer can reach Thee, Tempo I. T} 86/Il]I7'6 z‘rmzqu2'// .9e27zl/are Pea’. ior, I be—seech. Thee, I be—seech /T asThou hastdied for me, V More sin - cere - ly, more sin- . _ u ‘ /'1 'cere _ 1y, L j—j—;"[ - 1owwhereThou lead -éest, b1eed-ing as Thou if" dy-ing I may give And more near _ /‘\ 1323B~7 Dy - ing thus, ,j"\ more near - ly, - ingthus,re—sem _ ble Thee, 4 re - sem-ble Thee! > ngf more near - ly, L"; sem — ble Thee! lkhhbl Living unto Thee JOHN ll-I-lR’|'0N C. HUGO GRIMII Moderate sun! Un-veiled ere-A - tlonlies; Anson]; an Thine; we must not say_._ That these are dad who pass CI;yr|gM,llCIl XV, I] In John Quin tunpuny Inlvnnﬁunll Copylgll ‘Weep’ not for me Ham ronsnn: HARRIET wuz: Adagio aontenuto When the por-tals of For I shall see Wish mine own eyes,:._. as Ihro’\nns- ﬂWW.IClxlV 9; m man man I-«mun comm Send Out Thy Light C. B. IMVILEY - in; streams,Wben hen ~ ed in hppijll lCllhXV Dy TII-Hslﬁuuhhnpny I praise the Lord FREDERICK PLMARTENS CHARLES GILBERT SPROSS Will: I praise the I praise the Lord,_._? whose com-mand earth 11- news__ its niir - a-cle of golden With wav-ins Cnqrblﬂ ICXXIII 6! Thu mucus CCIOIW Inhvull-U 0-by-‘M
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Title: Village Blacksmith, The:, The Village Blacksmith:
Description
Date: n.d.
Text: PHOTO N9 4-. ARRANGED A8 A11 Acfion S I19 forschools ‘ BY I**1EBENFJ‘1ALJEP§NE L/O1'Ld.O I2: J .CURWEN &SoNs LTF’ 24 BERNERS STREET,W. Cz7p//"/‘£7/72: /908, /7)/J. Cu/we/7 c? 347/75 if//, Price One Shilling. uusuc LIBRARY \/ASSAH COLLEGE THE VILLAGE BLACKSMITH. LONGFELLOW W. H_ W-EISS_ Allegro moderate. VOICE. - KeyC. s :d'.d' It :d' } Flrst.symphOny'.Ph°t°1'- _ ' 1.(i)Un-deraspreading f mf ﬁr‘ :—.d'|t :1 Is :—.1ls.m:- ' °- :rL1"|s :...
Show morePHOTO N9 4-. ARRANGED A8 A11 Acfion S I19 forschools ‘ BY I**1EBENFJ‘1ALJEP§NE L/O1'Ld.O I2: J .CURWEN &SoNs LTF’ 24 BERNERS STREET,W. Cz7p//"/‘£7/72: /908, /7)/J. Cu/we/7 c? 347/75 if//, Price One Shilling. uusuc LIBRARY \/ASSAH COLLEGE THE VILLAGE BLACKSMITH. LONGFELLOW W. H_ W-EISS_ Allegro moderate. VOICE. - KeyC. s :d'.d' It :d' } Flrst.symphOny'.Ph°t°1'- _ ' 1.(i)Un-deraspreading f mf ﬁr‘ :—.d'|t :1 Is :—.1ls.m:- ' °- :rL1"|s :.d’lt :d' Ir‘ :— d'1t 2s $ chest- nuttree The vil — lagesmithy T he(2)srnith amigh—ty man is he,(3)With C’. “I :d' lm zfe ls :— l zsr .m l .f :- is :—. lim :—.r Id :''‘I If” :— .1 It :d' f large and sin - ewy hands; (_4)Andthe muscles of his brawn — yarrns are (5)strong as i - ron =<_1_'._!" |m' :1: Id‘. :1 I Se :—m Ir-1 :1_ﬁ I d‘ :1 M‘ :d' lt :— I- (6) His hair is crisp,and black andlong,(7)His face is like the tan; rgzjl. {'6} :-.d' It :(1' Ir‘ :s Is zse l 1 :r ls : I I :~ it 2- ' d‘ 1"-d‘ '1" 1V'\' 3 brow is wet with hon—est sweet,(9)He earns whate’er he can,(10)And looks thewholeworld Photo 2. {Fm :—.m lm :1 .1 is :d' Ir‘ .m':— |d' :— \- in theface(u)Forhe owes not a—ny ‘Second sympho,-,y_ Photo 3_ > }}} zm H1 :d' It :m' |d' :— .1; 11 :1. .t ld' :d' lr'.1:— 2 2.(12)Week in,(13)week out,(14)from morn ti11(15)night,(16)Youcanhear his bellows 0 z} 7-all. e dim. A.t. m. 1. {It ;- r— ;m'.r'ld' :1 lse :m lm :1 It :1.t ld' : I :r lms. :— 1- :s..s.: blow; (17)Youcanhear him swinghis hea—vy sledge; With mea-suredbeatand slow, (18)Likea Z> mil. 6 dim. s.d.f.C. a tem {Id zd Ir .r:—.r I m :—.r Id :s. .5.‘ m. :m. ls. zd lawn :— I :s ls :s ls.s:— } sex—ton ringing the vil — 1agebe11,(19)Whenthe eve—ning sun is low. (20) And chi1—dren coming 0’ mm 1" stacc. mll. {ld' :d' It :—.t Ir‘ :a'.,a'nn :1; It : u :s |s :d.' It :d' |r- :—.s ls :se 3 homefromschool Look in at theo —pen door; (21)They love to see the flam - ingforge,And {I1 :r is :a I1 :— It :— Id‘ :—.d' Ir‘ :m' |m :—.m|m :1 Is :d.'.,d'|r' :m' hear the be1—1ows roar, (22)And catch theburn-ing sparks thatfly, Like chaff from athreshing f> ”" I Third symphony. Photo 4. {la :11 Inn :11 ‘s :—.r 1: :11 .t.|1. ;— .1. Id =1, im : 1- :"‘S (23)goes on Sun-day to theChurch, and sits a—mor1g his boys; (24) He Elm:-.m1s:sV1;11s:_.sl1;—.11t:tld';-1:ls.s:s.sIm:mlr:—1c1:c1§ hears thepar-son prayar1dpreac1'1,(25)He hears his daughters voice (26)Singinginthevi1-lage choir,(27)And it Old hundredth Psalm. {I1 :1 is :m I r :— 1- :5m |m :—.mlm :m.m l f .f:— If : lr :r.r|s :—.f§ makeshis heart fe — joice: (28)It sounds tohirn likeher mother’s Voice Sing-ing in Pa - ra- \/ 17000 mll. a, iempo zm Ir :r lm :—.r ld :—.d 11. :1. It. :_ .1. If :—.f lm ;— 1- :m § (29) He needsmustthink of her oncemore(30)HoW in thegrave she1'1es3 (31) And mil. atem \/ _/ Photo 5. i “S :s Is :— .m ' S :f lm :r 1 d :- .d [In with his hard, roughhand he Wipes A tear out of rail. Photo 6. ﬁlm‘ zt .,t|d' :1 I Se :—.m lm :- '6.‘ :1 .,1|m' :d' It :— l— :t 111' :—.d' It :d' % 4.(32)Toi1—ing,rejoic-ing;(33)sor — row—ing, (34)On-wardthrdlife he goes; (35)Each morn 4 ingsees some f I 9 {Ir :-.s ls :se I1 :r ls zd I1 :— It :t .,tld'.d':— Ir‘ zrn In :— 5- :1 task be—gin, each(36)eve—nir1gsees it close (37)Some{hingat—tempted,(38)Some~thing done, (39) Has 1' molto Ma‘. “S :6.‘ Im' :-.,r‘|d' :— |— : I earnd a mghﬂs re—pose.. Fourth symphony_ Curwcn’s Action Songs for School Concerts. Full Song Size. Infants’ and Junior Schools; “ A " was an Archer C. H. Lewis Babes in the Wood A. J. Foxwell Bessie’s Secret A. Watson Boy and the Girl, The C. H. Lewis Castles on the Sand Percy Jackman Chlnaman, The A. L. Cowley Chinese Lantern A. L. Cowley Chinese Umbrella,.The C. H. Lewis Cruise in the Big Brown Boat Watson Country scenes and characters Foxwell Dollies’ Dancing Lesson, The A. Watson Dolly's Outing O. Ling and C. D’Ace Dunces, The C. H. Lewis Eight Little Mothers Effie I. Canning Flowery Garlands Foxwell and Lewis Girls versus Boys Hawkins and Lewis Good Night Song and March E. E. Mann Horsemen, The C. H. Lewis House that Jack built, The Japanese Doll Feast . Kindergarten Way, The P. Jackrnan Little Cooks R. H. McCartney Little Helpers R. H. McCartney Little Housemaids Hoare and Lewis Little Tommy Atkins A. Watson Lord Mayor’s Show, The T. P. Cowling Merrily round the May-pole W. L. Frost Merry Little Maids and Boys Cowley Mischievous Child, The Geo. Merritt My Dolly's House F. W. Farrington Nelly’s Dolly A. Watson New Baby, The ' J. Frise Our merry See-saw C. H. Lewis our pretty Christmas Tree Parkinson & Lewis Riding in the Tram Foxwell and Lewis Robins and Wrens A. L. Cowley Santa Claus’ Call J. Frise Signals C. H. Lewis Song oi Welcome, A J. Layland Spring Story, A H. A. Donald Twinkle, twlnkle,,little star F. A. Mann When babies go to school A. Watson When Granny comes home A. Watson When tired with our lessons Roddie Boys and Girls. A-hunting we will go At our Bazaar Beautiful Rainbow Birdies’ Concert Black and White , Clementine Ward British Flag of Freedom, The Roddie British Flag, The Percy Jackman Burlesque Band, The G. F. Root Camping Party, The A. J. Foxwell Children’s Hospital B. M. Ramsey Chinese Fair, A Hoare and Lewis Chrysanthemum Land Gillington & Lewis Craity Old Spider, The A. Watson Crosses Three W. H. Smith Dolls Edith E. Marin Family Coach, The C. H. Lewis Four-and-twenty Blackbirds J. Thom Funeral March of Cock Robin Labbett Gallant Liie-boat Crew T. Facer Gifts of the Season Foxwell and Lewis Gipsy Dance and Lullaby Frank Sharp Git under de ’brella Edmonds and West Grotesque Mandarins J. B. Tomlinson Home-made Concert, A P. Jackman House that Jack built, The Foxwell Inehriated Geese, The - A. Watson hi Hot Hindustan C. H. Lewis Inquest on Cock Robin Foxwell & Lewis In the Market‘ J. Frise Joan and Darby May Byron and Lewis Lawn Tennis Players C. H. Lewis Llie-boat, The Percy Jackman Like this J. Frise Little Farm in Ohio, A A. Watson Little Gipsies A. Watson Little Haymakers Tom Pierce Cowling Little Hunters Beynon Ashcroft Marionettes, The - F. W. Farrington Merry Singers Tom Pierce Cowling Monkey on a Stick - aPercy E. Fletcher Motor Car, The Thos. Facet Mousetraps! who'll buy! A- Watson Musical Picnic E. Ouseley Gilbert My Bike Annie R. Forder on for the Holidays (2s.) v ~ Fitz-Gerald and Elliott Lath Off to Blackpool Augustus Lanhanu 0 merry it is at close or day Lewis Arr. F. Knapton . Frise Clementine Ward A. L. Cowley LONDON : ONE SHILLING EACH. Voice-part in Both Notations. Ample‘Directions for Actions. Pianoiorte Accompaniments. Apparatus for some of these Action Songs may be had and Costumes hired from the ‘Publishers. Our Band- Our School Treat Pigtail and the Fan Playmates Waltz Plume Song, A Poor Cock Robin Rainbow, The Red, White, and Blue Gillington and Lewis Santa Claus’ Call J. Frise Santa Klaus J. Frise Percy , J ackrnan F. W. F arrington Ernest Bucalossi Kirby and Woolley Edith E. Mann W. S. Roddie Clementine Ward School Bells are ringing M. Johnston Showman on Tour, The J. Frise Singing Competition A. J. Foxwell Song oi the Union Jack M. C. Gillington Star-land J. W. Kirby and W. Woolley Swinging (No actions) W. Lane Frost Teachers oi Britain John Brind That’: just what I expected J. Frise Thcre’s an isle ‘mid the silver sea Cooper This World of Ours C H. Lewis Three Flags John Graham Toy Band, The W. Willoughby Toy Shop, The T. Sydney Smith Tribute of Flowers (8vo size, 2d.) Fletcher United Kingdom (Sol-fa, id.) Cowley Waves, beautiiul waves T. Facer Waxwork Show, The C. H. Lewis What game's best for playing it Coward When love is young J. Frise Where are you going to ? C. H. Lewis White sails A. L. Cowley Wynken and Blynken R. de Koven Ye Ocean Wave (2s.) H. Elliott Lath You Mus’n’t A. Watson Boys. Anglers, The C. H. Lewis Auctioneer, The J. Frise Birds and the Boys Herbert A. Dyer Bold MountaineersFinnemore & Jackman Boys’ Brigade A. King and G. G. Turriﬁ Boys in Khaki, The Percy E. Fletcher Boys will be boys C. H. Lewis British Army Boys J. Frise British Isles, The A. L. Cowley British Workmen Munday & Valenza Busy Blacksmiths, The D. McKenzie Busy Little Carpenters A. Watson Butcher Boys, The A. L. Cowley Buttons J. Frise Cheap Jack Frank Booth Chinee Boy, The C. H. Lewis Chinese Boy’s Ambition Ward & Healey Chinese March C. T. West Coon and the Tune, The J. Frise Cricketer’s Song, The A. L. Cowley Crossing Sweeper, The J. Frise Crossin’ Sweeper Joe A. Watson Doctors Three J. Frise Dancing Bears, The T. H. J. Eling Dentist’s Den, The C. H. Lewis Dwarfs, The C. H. Lewis Farmer’s Boy, The C. H. Lewis Fire Brigade, The Foxwell and Lewis Fire Brigade, The- Stallybrass Fly Catchers, The C. H. Lewis Football A. L. Cowley From behind the Speaker's chair J. Frise German Band Action Song Roddie Good Umbrella, A Foxwell and Lewis Gymnastic Vocal March Seymour Dicker Hats F. Hoare and C. H. Lewis Hi-ching-ting-a-ling John Brind Home Coming, The C. H. Lewis I’m the Butcher Smith and Lewis Invaluable Cane Gillington & Jackman Jerry Blinkum’s Baby A. Watson John and Co. IVL Ashcroft Johnny Schmoker G. F. Root Jolly Cabmen, The V Edward J. Labbett Jolly Eskimo, The C. H. Lewis Jolly Jack Tar, The C. H. Lewis Jolly Little Cobblers A. Watson Jolly Old Cobbler Tom Pierce Cowling Jovial Auctioneer, The A. Watson Kazoo Band ~ P. Jackman Kilkenny Cats (with Meow Cho.) Watson Lads’ Brigade, The E. E. Vinnicombe Little Crossing-Sweepers B. M. Ramsey Little Fishers F. W. Farrington Little Gardeners E. C. Winchester Little Ricksha Boy, A Farrah & Lewis Little Sailors Tom Pierce Cowling Little soldiers D. Mackenzie Local Volunteers, The J. Frise Merry Drummers Percy Jackman ‘Dorothy Sly Merry Plcughman, The Merry sandwich Boys Merry Shoeblack, The Merry Old Soldiers 01! to Klondyke Old Soldiers On Parade Onward March Our Hats Our Model Parliament Our Model Policemen Paddy Blake Pedlar. The c. H. Lewis Phizzy-ol-oi-ol-o-gee H. R. Coombs Poet would a-ilshlng go, A A. Watson Poor Pierrot Gillington and Jackman Red Indians, The Gillington and Lewis Sailors, Soldiers, and Tradesmen , enkins and Lewis Sneezing Song, A Alfred Scott Gatty Soldier Boy, The (2s.) A. Scott Gatty Song oi the Blue Jackets J. O. Murdoch Song oi the Sailors David Mackenzie Sons oi the Sea Foxwell and Lewis stilts, The C. H. Lewis Sweeps, The C. H. Lewis Tailor’s Song, The T. H. J. Eling Tall Top-Hat, The Percy Jackman Ten Little Chinamen Edmonds and West Ten Little Choir Boys Dawson & Fletcher Three merry dentists C. E. Le Richeux Tinker's Song, The A. L. Cowley Tin Whistle Band, The Taylor & Lewis Tramps, The Percy Jackman Tramp, The J. Frise Tetbury Mop M. Ashcroft Triangle Song C. H. Lewis Trooping the Colours Arr. J. S. Curwen Union Jack, The T. Crampton Up with the Flag A. L. Cowley Urchins We V J. Frise Village Minstrels are we C. H. Lewis Wagoner’s Chorus C. H. Lewis We are Jolly Blacksmiths C. H. Lewis Who’s got do little nigger’s shoe ? Watson Woes of Three Dufiers E. N. Lewis Wonderful Hat, The C. H. Lewis Yawning Song T. W. Partridge Young Punchinello A. Watson Young Troubadour, The A. Watson Girls. Ambulance Maids Fow1er~Tutt & Lewis Beautiful Rainbow Clementine Ward Beneath the golden orange grove Lewis Busy Little Housemaids A. Watson Butterﬂy, The W. Woolley Caller Herrin’ Arr. Annie Irvin Cloud and Sunshine Elizabeth Tate Contrary Mary Herbert Lloyd Could we but rule J. Frise Dame Daisy’s “At Home” E. E. Mann Domestic Troubles A. Watson A. Watson C. H. Lewis C. H. Lewis C. H. Lewis Farrington C. H. Lewis C. H. Lewis J. Frise Gillington and Lewis T. Mee Pattison J. Frise Longhurst and Lewis William Barkla J. Frise J. Frise A. Watson Family Linen Fan Telegraph Fisher Girls, The Flowers, beautiiul ﬂowers Parkinson & Lewis Flowers’ Festival Edith E. Marin Gay little Geishas we J. B. Tomlinson Gay little girls irom Japan N. O’Rei1ly Gleaners, The A. L. Cowley Grace Darling Arr. Helen Faulkner Grandmother's Dream F. L. Bristow Grandmothers Old J. Frise Granny’s Patchwork Quilt C. Ward Grecian Girls C. H. Lewis Handerchlei Song Kate Fowler Tutt Happy little Japs Frank H. Gelling Hoop Song, The J. Tomlinson Corbin Housework C. Hutchins Lewis Hurrah for the songs we sing J. Frise Japanese Fan, The A. L. Cowley Japanese Tea House Foxwell and Lewis Jolly Factory Lasses J. Frise J oily Little Geishas Gillington and Lewis Latest Thing in Dolls, The W. S. Roddie Little Laundresses Tom. Pierce Cowling Little Maids oi Long Ago C. H. Lewis Little Playmates R. H. McCartney Little Turkee Turks Frank L. Bristow Little Washerwomen C. Flavell Hayward Looking Glass, The A. J. Foxwell Love in a Boat J. Frise Maids oi Seville, The C. H. Lewis For full description, see School Catalogue, gratis and post free. J. CURWEN 8i SONS Ltd., 24 BERNERS STREET, W. t Merry English maid, A Merry Little Milkmaids Milkmaids, The Miss Milligan’s Girls Miss Muﬂett Miss Prim Mistress Mary My Dream My Sweetheart Not quite the same Old Age Mary Arnold and P. Jackrna Our little serving maids Tutt and Lew Our Night Out Pinaiore Song and Dance Pit-pat W Poppies Posies Queen Anne Fan Song Raise the Tambourine on high Pattiso " Screen Song W. Woolle l. Smart P.T., The song or Slumber, A Song of the Little Jap, The Stocking Menders (8vo, 2d.) Sweeping-brush Brigade Tales of Childhood Tee.-party, The Three Modest Quakeresses Washing Day We are dainty, dancing ialries We'll tell you your iortunes Mackenz‘ Welsh Girls ‘ C. H. Lew When I was a girl, you know J. Fri Flore Cooper and Le C. H. Lewi . Dances and Musical Drills. When I was a girl, you know Ball Tossing Bogies . . British Empire Drill Windley & Stuar Butterﬂy Song and Dance C. War Children’s Dance Miss E. Hughe Clogity hop-te-toe Alphea Parr Click, click ! ‘ Concert Flag Drill Dance oi the Vampires, The Elves and Bells Fair Arcadee Fairy Bells ringing at dawn Fan Drill Lois Bates and A. Pearso -‘ Fan Philosophy K. Melville Fletche Fay and Flower E. Maso-[ Flower Bells, The A. L. Cowle if Four Young Quakeresses C. F. Haywa ' Gymnastic Vocal March Seymour Dicke I-Iazelrigge Flag Drill Windley & Stuar Heads and Heels C. H. Lewi Hindeo Maidens '* Turner, Longhurst, and Lewi Japanese Parasol Winthro. Jolly Tar’s Sword Drill Kazoo Band King's Navee, The Lads in Blue ' Little Consta Little Grena March of the Kazoos March of the Pipers Maypole Dance Merry Maidens We Merry Morris Dancers Musical Flag Drill Night in a Dormitory, A Turner, Longhurst, and Law 0 ! iancy i just iancy l i A. Watso Onward March Turner, Longhurst, Lew _ Our Gay Balloons Parkinson & Jackma.‘ Peasant Dance Wakeling Dr k‘ Pink-a-Pong Turner, Longhurst, Lew '1“ Pole Drill and Bar Bell Drill Hughes Ribbon Drill C. M. Kenned Ribbons and Tassels ‘ ’ Scari Drill C. H skipping Rope Drill Jennings and S Skipping Song and Dance J. F Smiling Geisha, The . so Shy Spanish Drill March Tambourine March and Dr Trip, Trip, Tripping Wand Drill Wheel Drill (2s.) When Good Old Dames Braine and Lew ‘, DIRECTIONS. T? FOR CONCERT.-—Eight Boys and Four Girls. DRESS.—BOYs (blacksmiths): dark blue trousers, white shirt (bare chest and sleeves rolled up); ” tan ” aprons; box of tools ; hammer; horse shoe; pincers and ﬁle. SCHOOLGIRLS: White frocks; red caps; skipping ropes tied round waist, and school bags (tan) slung over backs. EMZ1/y.—During First Symphony four boys from each side of stage walk on, whistling tune, and take places as in Diagram T, placing boxes on ﬂoor. Girls run on. %é‘° §° °§§v GIRLS. :37 DIAGRAM I. Last bar of Symphony, boys, except two front ones, form semicircle as Photo I (under a spreading chestnut tree). I. Girls point to boys. Two front boys imitate striking on anvil, one boy holding horse shoe with pincers, whilst the other strikes shoe with a hammer, which must be _ swung as a sledge hammer (Photo I). Con- PHOTO _ tinue this action to the word “stands,” when boys step back to places (Diag. I). 2. Hold hips ﬁrm. Girls point to boys at word “ mighty.” 3. Hold up hands and twirl ﬁngers. 4. Stretch out arms sideways, bringing closed hands to neck vigorously (showing muscles). 5. Raise right knee and break imaginary iron bar across it. 6. Point to hair. 7. Point to face then show aprons. Girls show bags. 8. With right thumb wipe forehead twice from left to right to worc ;‘ sweat,” throwing same off thumb to ﬂoor. 9. Shake pockets with hands in. IO. Throw arms out to front. II. “Partners” grasp each other’s right hand, and make “clicking” sound with thumb and second ﬁnger of left hand. PHOTO II. Photo II. Second Symphony. As Photo III. In time to music, boys strike as Action I. I2. Move right hand from right to left. I3. Move left hand from left to right. I4. Half right turn, shade eyes with hands, and look upwards. I5. Palms together, and rest head on hands. I6. Imitate blowing “smithy” bellows. Girls, with hand behind ear, listening to same. I7. Action I. Photo III. Girls listen during this action to worc “ slow.” ' I8. Imitate ringing church bell. 19. As I4. 20. Boys, with ﬁle in right hand, and resting horse shoe on right knee, imitate “ ﬁlin ,” whilst irls Mm to followin PHOTO 111' positifns (Diag. II)gand “peep in smithy.”g Village Blac/eszizit/2. DIRECTIONS, continued. GIRL 2r. Girls clap hands, whilst all boys, , _. _. \ /y >\‘::v except two rear ones, imitate striking «>§§v BOYS »§§~ (Photo III). Two rear boys blow bellows. Boys continue this action in time to music, // °§§~’ BOYS "§§» GIRL ' to end of verse. /1‘ u :3’ -"v < / / 1 1 K ,//7 GIRL3‘~;(. 22. Girls imitate “catching the sparks,” throwing same to the ﬂoor briskly, as though DIAGRAM IL ﬁngers were burnt. $3 GIRLS «gs. Boys ass, Third Symphony: Boys as Photo IV (on front page), shoeing, and imitate putting nails in horse’s shoe. Girls walk back to their places reading books, which they take out of their bags. 23. Point to right. 24. Kneel as in prayer. 25. Still kneeling, placing hand behind right ear (listening). 26. Rise slowly, and point to right. 27. Hands over heart. 28. Right hand behind ear (listening), points upwards with left hand (Paradise). 29. Clasp hands and shake heads (medi- tating). 30. Point to ﬂoor. PHOTO V. 31. At word “hard,” right hand boys show left hand, left hand boys show right hand, and half turning “ wipe eye.” Each girl walks mournfully with head bent to places as Diag. II, placing her hands on boys’ shoulders (Photo V). Position for remainder of song as Diag. II. 32. Wave hands above heads. 33. Photo VI. 34. Move right hand briskly to right. 35. Boys take up and show tool boxes, girls hold bags to front. 36. Place boxes on ﬂoor. 37. Strike right knee briskly with right hand. * ~ - 4 38. Arms stretched forward. PHOTO VI. 39. As 15_ Exit.—During Fourth Symphony, girls throw skipping ropes round each couple of boys, and to music (“Harmonious Blacksmith ” preferred) trot off stage as horses. Village l;’lack51m'L‘h.
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Title: Bridge, The, The Bridge
Date: n.d.
Text: 7%-*7 ———t;—~»;\-_——,,.;-» ;‘._'-—%:',.§ L/., /;g<J] LONDON:ROBERT COCKS 8: C9 NEW BURLINGTON STREET, REGENT STREET,W. ay SPEC/AL AP/>0/NTME/V7‘, /W./.S'/C PUBL/5//E/ES‘ 70 HEA’ M06‘ 7 6%?/4C/01/6' M/1.1557’ V Q//EE/V I//C70/\’/ﬂ,H./?.H. 7/if P/F//\/CE OF WALES}/H/. M. THE [MPE/P0/? /V/WOZEU/V, ///, TNIIE E3RU@Eo WRITTEN BY H. W. LONGFELLOW ESQ. composes av Miss M. LINDSAY;-— Andante con espressione. W@ﬂ©L%. stood @Llé\WJL°)~ [i‘©Ril‘E?.. clocks were} striking the...
Show more7%-*7 ———t;—~»;\-_——,,.;-» ;‘._'-—%:',.§ L/., /;g<J] LONDON:ROBERT COCKS 8: C9 NEW BURLINGTON STREET, REGENT STREET,W. ay SPEC/AL AP/>0/NTME/V7‘, /W./.S'/C PUBL/5//E/ES‘ 70 HEA’ M06‘ 7 6%?/4C/01/6' M/1.1557’ V Q//EE/V I//C70/\’/ﬂ,H./?.H. 7/if P/F//\/CE OF WALES}/H/. M. THE [MPE/P0/? /V/WOZEU/V, ///, TNIIE E3RU@Eo WRITTEN BY H. W. LONGFELLOW ESQ. composes av Miss M. LINDSAY;-— Andante con espressione. W@ﬂ©L%. stood @Llé\WJL°)~ [i‘©Ril‘E?.. clocks were} striking the hour; -hind‘ the dark church tower. rushing ‘The Bridge. mss M. LINDSAY. on the bridge at As the ﬂmi¢_i-_.Anight~, ./‘\ And the moon rose o’er the ci _ ty, And like the waters the weaéen @0£’Y’Ri MI, E: 'I:’"~ flood of thoughts came 0’e1' That filled my eyes xﬁth How of___ten, oh! how 0f___ten, days thathad gone by, I had stood on that bridge mid__ night. And gazed on that wave » and sky! Of”-*ten9 011! 110W 0f-h_ten, ‘V I had wished that the ebb__._ing - Th“ Bridge» MISS M. LINDSAY. Would hear me a-way on its bosom 0 _ _ . _ . __’cean Wild and wide. For my heart was hot and rest-__1ess,, And my life. was full of care; And the /“T bur _ _ _ then laid up _ _ _ on me , Seemed greater than I . could But now it has a1l.----en from me, The Bridge. MISS M. LINDSAY. §;!‘(l;,,.I_‘it3d in * - - V7 L And on_A,_-ly the S01‘- row of oithers Throws its“ sha_____d0w0 _ _ _ . __ver me. e_ver I cross the ri - -_ ver, On] its bridge with w<jVod_ - _,en Like the 0___d0IIr of brine from the 0___cean Comes the Ulﬂttgilt of o-ther And for e_.ver, and Th Bridge, Mm M. LINDSAY.‘ long as the-ri-__-ver bflows, long a§ the heart has . pas ‘ . . _ . -_sions, VAS long ~ as life The moon and its br0__ken re-_f1ec-.ti0n w And its shadows shall ap_ _ _ _—.pe-ar As the sym - bol of ' love Heaven And its wa-_-veriLng» image 11,776 . ’ I,0'.ND=ON-" ROBERT COCKS &‘ Co.Nev‘ Bnrlmgtoll St.P11bl1'bhe1‘sj to the Queeu,H.R.H.the Prince (>fWa.Iea & the E;n[.erm' »Va]'u-lam: LU seam cocksvgo G038 LIST OF REGEN _A_L .A.Il_\TID PIANOFOR ALL MUSIC SUPPLIED AT HALF PRICE. NOTE.—THIS LIST INCLUDES THE LATEST NOVELTIES. THOSE MARKED THUS * ARE ILLUSTRATED. VOCAL MUSIC. 'AB~T, FRANZ. A rose in hvaven 8 0 I For old loVe’s sake... We met and nest‘ have parted Not a sparrow falleth. Sacred..... Our blessings on the daisies Oh.’ ye Tears. (In C and D) Kathleen Aroon .. Appendix to Hami . FRIGKER, ANNE. Mme eyes are to the Consolation Lord. Sacred... 3 0 I built a Regret............... 3 0 fancies I stood beneath the *The Robin. chestnut trccs GATTY, A. s. Friend Sorrow... 3 0 The Mill Lad‘s Love... L'ng,lvng ago... 3 0 Some future day Sequence to the three li;tle pigs, comic.... . For in the mountain pass *The three little pigs. Comic. ‘A sneezing song. Comic. Illus. *Gent. per Cent. Comic. Illus. .. *1 really am so sleepy. Comic ()h,dtubting heart. No. 1 in C, No. 2 in E ﬂat, each Tell him I love him yet Songs for our little ones 1. Robin, robin. l cnpazuscneaosaai" o ooooooo‘? bridge of OO "ri'1'.'.'.' Noacnmmwwcumcooo . s. a, I am weary. 2. A Child's Fancy. 5. High and Low. 3. A New Year's Carol. 6. Naughty Torn. Songs for children Nos. 1 to 6 .each 1. Rain drops patter. 4. Going to school. 2. Child's good-night. 5. Burial of the linuet. 3. The snow man. 6. Above the spire. 0 fair dove I 0 fond dove. Sung by Madame Patey The lights far out at sea ............................ .. H A V ERGA L’ F_ R _ Thou kuowest. Sacred HAVERGAL, w. H. From Glesnla-.id’s icy mountains. Sacred BELLAK, J. Wild Flowers——Nes. 1 to 12 .JeweIs—l\’os 1 to 6 Dewdrops, 25 easy pieces Birds of melody, 31 Nos. Easy pieces ...... ....e-uch GECOOOOOOOOO HATTON’ ‘J, L, Castles of Sand The cause of England's greatness lfa. man does his duty he needn't despair. HAY’ W, 8, Driven from home Write me a letter from home LINDSAY, MISS WI. *T001a *Rest. Sacred song 3 0 Alone. *The bridge......... Pulaskils Baa . . *In this I hope—-(In hoc spero). Sacred. Illus. Low at thy feet. Sacred song .. Home they brought her warrior dead and .ea.c ‘The snow lion white. P etry by Miss Ingelow ... ‘When sparrows build. Illus. ........................ Tired. No. 1 in Dﬂat, No, 2 in D. ch Oh I when wilt then come unto me. (Sacred) .... .. *Re«ignation. In B flat and E ﬂat............ each Give us Thy rest. (Sacred) RICH ARDS, BRINLEY. My F=1t11er'8 Bible " The pootly of his song is very pathetic, and the melody equal to anything Mr, Richard: has ever written." RUBENSTEIN’ A, Merry our hearts should be SCHUMANN, R, When gentle winds Come when the soft twilight falls SCONCIA, G, Watching ........................ SMART, I-ENRY. The face at the Window 3 0 I Bells ............ WRIGHTON, W, T, *The wishing cap When the soft south wind There is lrfe in the old dog yet Only one to bless and cheer me .............. .. The waking of the Flowers, No 1 in C, No. 2 in E ﬁat 0202 WWWDFQ Speak well of the absent. Embossed ANOFORTE MU RICHARDS, BRlNLEY.—cont2'71ued. Far away (Miss Lindsay) ....... .. Low at Thy feet (Miss Lindsay) The Morgan March......... .. The new Walsh Fantasia, introducing “ The 93090009 O»3CQIF€JDHi%€D3H~ ¢I3Q\?nJiIF~t'.\7I#U3O\'IC.\?5.\709 00030666 OOOCOOOOOOQ WRIGHTON, W. T.——contirmed. The Song of the Bee. Embossed .................. Bright star of eve arise. Embossed .. Mom in the Meadows. Embossed *Norah, sweet Norah. (In D and F) . In the downhill of life. Embossed.................. Her bright smie haunts me still. Embossed...... She sang among the ﬂowers. Embossed. The liquid gem. Embossed.... Thy voiceis near. Embossed .. -no...-nu. mpwwwwwww? JEPUBLIGATIONS, No. 29. 099099900? NEW VOCAL DUETS. ABT, F_ Kathleen Aroon Ohl ye tears 3 0 | Fairy Chimes GATTY, A. S. Raindrops patter O that we two were Maying GLOVER, s. Let us roam ... 4 0 The beautiful and true *The crystal cave 3 0 The music of the birds Maids of the greenwood The fairy queen (in C and D) ............... each LINDSAY_ The Bridge Low at thy feet 4 0 Too late, too late ...... Tired 0 Far away MENDELSSOHN, A country life SMART, H. The twilight hour has come . Come where the soft twilight falls . THOMAS, J_ R, Happy be thy dreams - WRIGHTON, w. T. Her bright smile 4 0 | Liquid gem............ As one by one our friends depart . O. ' WEST, G. F.——c¢mtinued. Old English melodies. No. 2—containing Black eyed Susan and The Girl I left behind me...... Welcome me Home 3 0 La Marsoillaise . On mighty pens ... 3 0 Freischutz 4 0‘ 3 0 3 0’ 3 0 4 0 4 0. 4 0' 40 40 4 0 4‘0 30 Morgan March" and “Come to Battle " . Tired (Melody by Miss Lindsay) ...... .. Warblings at Dawn, and Noon ach Pisnist’s library ...............sacl1 2s. 6d., 3s. and Ditto No. 22 (Melody by Rubinstein) .. . Tho Carmarthen March ............ Thy voice is near... 3 Warblings at ve...... The liquid gem...... Kathleen Mavonrneen Kathleen Aroon The wishing cap I’ll hang my harp... Happy Ir thy dreams ROCKSTRO, W. S. The Vesper Bell 4 0 Moonrit Waters ...... 4 0 Di tanti Palpiti . ... Rode's celebrated Air in G ............. .. Gavotta and Rondo. (From J. S. Bach’s Sixth Violin Sonata) . Jessie, the Flower of Dun ane ' . (From J. S. B-uch’s 4th Sonata for Violoncello) *i<1choos of the Rhine ...4 0 Echoes of Mont Bfanc. Echoes from the High- Fantasia...... lands . .. Echoes of Zurich. Echoes from the green isle4 0 Kelvin Grove . ... Voices from the hillside 4 0 The ﬂower guthcrers... 0 Rule Britannia...... 4 O Stabat Mater Dolerolah WRIGHT, A. Oh! rest thee, babe. Fantasia The Morning Prayer. (A song without words)... “ Die Zauberﬂote,” Fantasia on airs from . . Hey, the bonnie breast knots ........ My highland home. (Sir H. Bishop).. Fantasia on “ The Miller of the Dee ” ............ WYIVIAN, A. Silvery Waves ... 4 0 I Pictures of thought... 4 0 DUETS. CALLCOTT, W. H. ‘The Holy Family. Books, I0. 11, and 12 ...each This valuable work is now completed in 12 Books. CASPAR, C. A. The Exile. (Schubert) 3 0 Rosamunda. (Schubert) 4 0 DELASEURIE, A. *l’etit Tlinbaliur Polka. Illustrated *Fi5te an Chalet Valse. Illustrated GREVILLE, NI. On the Blue Danube Waltzes. (Facilitated edition, without an octave).........,.... Golden beams (Wymau)....... l')ancing waves (Wymau) ,_ “Sunbeams,” each Fading Away 1 . Thy voice in near Home, sweet home . The Wishing Cap Gipsy Countess . Tire Faraway , Annie 0' the banks 0‘ Dee Bonnie Dundee . The Gipsy's Warning The Flower Gatherers . As you like it llappy be thy Dreams . The March of the Men of In search of the Primrose liarlech . 0, Fair Dove . The Fairy Queen ' . Call me pet names . The Crystal Cave 2» . Spring Blossoms Polka . La Violette March “ Aspen leaves,” by R. Schumann vliri-‘-ﬁr?-Obit CVFFIFCI3 ooo$c o oeec 00000030909 006 ..............u 1_._. PIANOFORTE GLOVER, STEPHEN. The Happy Family Qusdrille. The Royal Greek March......... LIEBICH, J. Woodland Trillings 4 9 Her bright smile 3 0 Brighton Quadrilles 4 0 Sing me that song again 3 0 The Liquid Gem 8 0 The Opera Bouquol»..«o.m.«m................ each 1. Oberon. Die Zauberﬂots. 2. Don Giovanni. 8. Guillaume Tell. 3. Lucrezia Borgia. 9. Tsneredi. 4. Masaniello. 10. La Oiemenzu. 5. Sonnsmbula. 11. La. Gssza Ladra. onus. 12. Zampa. LUINI, CARL. Les Gardes du Roi MATTINI, F. “Sweet Melodies,” 24 easy Duets, each ......... RICHARDS, B. The CarmarthenMarch . WEST, G. F. Pnoorusssrvis Pmnrronrs Dom-s AIi.RA.FGED AND xrnvonmsn. First Stage. Morcean-do Robert le Diable (Meyerboer)... Ah che assorta (Venzano) .. Krieger’s Lust March (Gung’l) Second Stage. Agnus Dei, from 12th Mass (Mozart) ...... Gloria in Excelsis (Pergolesi) . La Preghiera do Mose (Rossini) Gloria in Excelsis, from 1st Mass (Haydn) Sonata in D major (Mozart) Third Stags. Gloria, from 12th Mass (Mozart) Kyrie, from 12th Mass (Mozart) . Benedictns, from 12th Mass (Mozart) . . Theme do Lucrezia Borgia (Czerny) .. The Hallelujah chorus (Handel) Fourth Stage—(ovnnrun.r:s)o Ls Gazza Ladra Zampa (Herold)............. . Le Cheval de Bronze (Auber) . Der Freischutz (Weber).... Fra Diavolo (Auber) ........................... 19. ' “ (Auber) Teacher and pupil (Home, sweet home) Cherry Ripe Bonnie Dundee Mendelssphifs overture, " Midsummer Night's ream’ ................................. CO 40 8 0 l-“ar on the deep blue sea She sang among the ﬂowers . You need us. come court- ing 0’ me 12. Ruyﬁll Greek March KORNATZKI, F. _ Chiniing May Bells 3 0 Angelic Whispers ... 8 0 The Hunter’s Horn 4 0 _ LEE, MAURICE. Fleur de L’ame. Op. 24 Azur. Nocturne sentimenlale . . L'l§lectricitc. Etude de salon ......... Au bold do Ia Fontame. Romance Etuie LEMGINE, F,‘ Une Cascade des Fleurs.... LIEBICH’ J, Musical box LUINI, c. *Too late (Lindsay) 3 0 0 fair dove 3 0 MATTINI, F. Most useful Teaching Pieces, each The In Cha.rrning Polka Eon Soir Schottirche 95°P°.":"."‘t‘*WE°.“ Gems from the Emerald Border legends... .. isle..................... La ci darem..... ..... The Gipsy Countess... 4 0 Mountain echoes Brooklet whispers... 4 WEST, G, F, Gavotte in A {Gluclr)............ 3 0 Lovely Peace 3 0 | The Thorn 4 Gavotte frorn l3ach’s Sth Sonata 3 Mermaid’s Stag, from Oberon (for the left hand only) 4 Favourite Waltzes, by Mozart, Nos. 1, 2, and 3, each 3 Lieber Augustin. (Celebrated Bavarian air) .... .. 3 Andante. (From Becthoven’s Symphony in C minor) 3 But Thou didst not leave (“ Messiah”) .......... .. 3 When the rosy morn. (From Shield's opera of “ Rosina ” . March from Handells Occasional Oratorio ...... Favourite Waltzes of Labitzky, Lanner, and Strauss. Nos. 1 and 2, each .................... ... ........ .. “ But the Lord is mindful,” and “Sleepers awake " 3 Gloria in Excelsis, from Hsydn’s Imperial Mass 3 Ave Maria. (Cherubini) ......... 3 Der lustige Bauer (Schumann). 3 Marcia Eroica. Extract from Mendelssohn’s 1st rondo 3 Bsnedictus Requiem. (Mozart) 3 I waited for the Lord. Hymn of (Mendelssohn) .... . 3 Beethovens Lohensglilck 4 March in Fidelio .. 4 3 3 3 3 3 3 4 4 >- >4 n- Far away (Lindsay)... ‘Resignation (Lindsay) on _ The Wacfu‘ heart The last time I came o'er the muir 0,BUlliWell Bank, thou bluoniest fair! The l\IatcI|Ir'ss schlittischo ‘Z’ Gold:-n leaf (Melody) Wild Waves March The Striking l‘o:ka The St. eannict For the sakeof gold she left me Sunday Echoes. 12 easy pieces ............. ..each Sweet Melodies. 24 easy pieces, as duets .... ..each 1 0 OESTEN, MAX. Ma Touiterelle. Melodie. Op 18 ............... PRIDHAM, J, *The saiIor’s dream . The Chase. A descriptive Fantasia... . The Soldier’s Return. Descriptive Fn.ntasia...... The soldier’s farewell. Descriptive Fantasia RICHARDS, BRINLEY. Evening. Melody 3 0 The Minstrels Song 3 Gigrue (Handel) 3 o LIE-toile du Soir 3 VALENTINE, T. Excelsior (Miss Lindsay) ......................... Duets for little ﬁngers, Nos. 1 to 12 ... 1 0 A New Ltuuon of " The History and Construction of the Organ,” by E. J. [lop/o2'ns and E. F. Rimbault, 780 pp. Just Published, price £1 lls. 6d. “ The only authority upon this subject published in this country.” LONDON: ROBERT COCKS & CO., NEW BURLINGTON STREET, W., Music Publishers (by special appointment) to Her Majesty the ’3,ueen.. H.R.H. the Prince of Wales, and the Evsperor Napoleon III. ‘ 11. 12. 13. Prais Iﬁﬁlﬂsﬁh 00600 14. 15. 16. 17. 18. 7' Extract from Beathoven’s septet Beothoverfs waltzes, in 6 books Hayd.n's Kyrie Eleison, from 2nd Mass Extract from Mendelssohn's 1st concerto Mendelssohrfs Maid of the Ganges (Auf Flﬁgeln) Extract from Haydn's symphony, letter V......... Scottish Melodies :- 1. Scots wlis has and Bonnie Dundee O: oeoanbaaazcnoznbcz Q @OOOO¢OOO 2. Logic 0’ Buchan and Wha wudna. fecht for Charlie 3. Auld Lang Sync and We're a’ noddin’ 4 4. Comin’ thro’ the rye and The Campbells are comin’ 4 OOO©OO ODOOOOOOO O0 OOOOO CO OOOOOOOO O OOOOOOG @OO 0 0 Songs without words. No. 1—La ci darem 0 Songs without words, No. 2 (Placido e il mar) 3
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Title: Arrow and Song, The, The Arrow and The Song
Date: 1883
Text: *7 \\ 7 \_k \’\ (J R E! 5 NEW . @ 5 \q RDS %/V/\\; rlttgfellniv % HAWILW ‘J 9.__1 __l‘._._l 49 ' :=: .~ 5 .. A NEW.YORK, % L ’ WM.A.P0ND&Co.25 UNION SQ. -- CCCCCC 0, ‘ 1\/M13 .\z\/my THE ARROW AND THE 1 +$%%b J VV01'ds by I{.W.LONGFELLOW. ‘Allegretto. row in — I I know‘ to earth I‘ know not Where, Copyright. I883 bY W!A.POND&0‘.' to the -air‘, ..... __ -36- a tempo. not where: .... __ For so /N (level. 6 ores. dim. svsiftly it flew, so swift-ly it ﬂew, .... .. the sight...
Show more*7 \\ 7 \_k \’\ (J R E! 5 NEW . @ 5 \q RDS %/V/\\; rlttgfellniv % HAWILW ‘J 9.__1 __l‘._._l 49 ' :=: .~ 5 .. A NEW.YORK, % L ’ WM.A.P0ND&Co.25 UNION SQ. -- CCCCCC 0, ‘ 1\/M13 .\z\/my THE ARROW AND THE 1 +$%%b J VV01'ds by I{.W.LONGFELLOW. ‘Allegretto. row in — I I know‘ to earth I‘ know not Where, Copyright. I883 bY W!A.POND&0‘.' to the -air‘, ..... __ -36- a tempo. not where: .... __ For so /N (level. 6 ores. dim. svsiftly it flew, so swift-ly it ﬂew, .... .. the sight Could not follow it in ......... -_ its .17’ accel. e ores. n\ a tempo. flight. b1'eatl1.ed a song in—t0 the air, .... .. It /5. a tempo. f.\ a tempo. Whefe, I know not Where. For A fell to earth I know not ‘dim. mg 7 a tempo. 0 _accel. e cres. k'«_'_,.-j ' who Has sight so keen and so ‘tr acbel. e ores. the ' cm. strong , .... ._ a tempo. pp sostenuto. : Long, long af- terward, I found the ares. I fmuul the Tlmt . if accel. e ores. Still ......... '0 11Ii— broke; A1111 the song, _______ __ from be-gi1mjng to , ' /5 A A -accel. e ores. end, _____ _. I fdlmd » a — gain __________ ._ in the heart of a f1‘iei1(1;_____ And the A A ‘ A . A A AA Nﬂefa‘ . A. sAo11g, ____ __& from be-ginning to em1,____-_‘ ..... __ I ‘found a.—«“g:iin ..... ._ - in ’ ' I A A V of ............... __ a ﬁ'ie1ul . A A A . JP-. 6m° 10302 ' A Hounslowl Engﬁa N ‘
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Title: Old Bridge at Florence, The, The Old Bridge at Florence
Date: 1922
Text: MUSIC LIBRARY VASSAR COLLEGE -oucnxezl-sue. NEW vonx THE OLD BRIDGE AT FLORENCE LONGFELLOW MUSIC BY ALBERT MALLIN S ON. Copyright‘ MCMXXH, _ by .J.B.Cramer &C‘3 Lid 5-’ Pmce nett. For aHCoun’r1ries. .‘ , 4/ ' J.B .CRAMER & Co.Lbd. [39, New Bond Street, LONDON,Wl. New Yon/R; ChapPeH*Ha1/ms, Inc, 185, Madison Avenue. 51319 Agent Fm‘ Hulland and L‘uL§h Calnrnes JACQ ELTE. THE HAGUE. Phinfed In England- . THE OLD ‘BRIDGE AT FLORENCE. Taddeo Gaddi built me. I am old, Five centuries...
Show moreMUSIC LIBRARY VASSAR COLLEGE -oucnxezl-sue. NEW vonx THE OLD BRIDGE AT FLORENCE LONGFELLOW MUSIC BY ALBERT MALLIN S ON. Copyright‘ MCMXXH, _ by .J.B.Cramer &C‘3 Lid 5-’ Pmce nett. For aHCoun’r1ries. .‘ , 4/ ' J.B .CRAMER & Co.Lbd. [39, New Bond Street, LONDON,Wl. New Yon/R; ChapPeH*Ha1/ms, Inc, 185, Madison Avenue. 51319 Agent Fm‘ Hulland and L‘uL§h Calnrnes JACQ ELTE. THE HAGUE. Phinfed In England- . THE OLD ‘BRIDGE AT FLORENCE. Taddeo Gaddi built me. I am old, Five centuries old. Iplant my foot of stone Upon the Arno, as St.Michael’s own Was planted on the dragon. Fold by fold Beneath me as it struggles, I behold Its glistening scales. Twice hath it overthrown My kindred and companions. Me alone It moveth not: but is by me controlled. I can remember when the Medici Were driven from Florence; longer still ago The final wars of Ghibelline and Guelf. Florence adorns me with her jewellery; And when I think that Michael Angelo Hath leaned on me, Iglory in myself. Longfellow. The*O1d Bridge at Florence. Sonnet by ’ LONGFELLOW. l:——3—?1 Andante. (J: 42.) Wef Music by ALBERT MALLINSON. Tad - aé _ o Gad-di built me. PIANO Five cen -tu_ries old. _ foot of stone . Up-on the Copyright MCMXXII by J.B.Cramer &,C9 Ltd. ‘ Ar _ no, (J.=B,C 3; 09 12123.) Mi_chael’s own was plant _ - ed on the dragon. cu. -— -— —' ‘'' _ neath me as ‘ it 06! - 6” Zemgo "_-"——.ﬁ ;strugg1es,I be__ hold Its g1is.t’ning scales. % Twice hath it T To_ve1.'.thr0wnAMy 2,...-———j TS - pqco kin-dre(1.andC0m-pan - ions. A ’ It (J.B.C 8: 09 12728.) 17 _tro11ed. .________ I can re _ mern _ -.ber,_ when the Med- i_ci Were drivenfrom F'1o_rence; poco Mt. ,_ .— ._ —- f““"*--1\ _. .- longerstill a _ go % The fi _ na1wars0fGhi_be1-1i-neandGue1f. a tempo 3-2-} \*/ ' (J.B.C.& C? 13128.) mf""“‘“'3 F1o_rence a_dorns me with her jew- ell _’ry; _ /5 think that J _/ 8-"; _____________ -- vzgvumw -10 Hath. leaned on me. glo _ ry Cnorvuz, Pr~?n+er~,34' EAGLE STREET, HoLson~,W_ C . .s.c 3.09 f'2128.’> New and Successful Songs sung by MR. FRANK MULLINGS — AT THE - Cramer Ballad Concerts. My Soul is Set Among the Stars. Words by Edward Lockton. Music by Evelyn Sharpe. Andante. mp 3‘ ..="—=-’~“. H as 5‘ ﬂlfﬁ :.* a . B:4—':——4.—-—4—+-a——-F3-7-.':1s-i-=N-P—r— —’—-I:'——:‘:—_2 = - ~ -4- ' \_/ ' U To-night my soul ....... .. is set among the stars, .... ..These fet-ters fall, and Keys: LOW, MEDIUM, HIGH. A Tent in the Desert. Words by Edward Lockton. Music by Evelyn Sharpe. M isterioso. -——i————1‘*.—I‘=—.4.—— _. —_4———i—‘V__x“ T‘ 4 .! i 1 1 T _. __ ._._____._ ::§;‘_:_d__:‘"__._IL:i:;j;*: :; .;" .. *;‘:d:d:1:j:-::;:t:t:r—9-—’lr*:'*-5“;-*r‘r'—E;_ Huahed arethe bells of our long car-a- van, Be-hind the yel-lowhills the day has ﬂown; Fast sinks the sun up- K¢ys_.: LOW,_ MEDIUM, H IGH. Under Thy ewindow. Words by Harold Boulton. Music by A. Gtoring-Jrhonnas. Allegretto non troppo. poco rits a tempo. poco rit. 3 a tempo. . L 4 #1 1 I r 154; 1 RI H 4 i,:1<*:—“: -_ _ *_ —— '— — ‘—-— --—1—-- ———<I—-- -———l—'-IL-—j‘—i_—'-‘I-—— ;--;~—;-3-—- ~ jj —- ‘*3 —-1* -a—-f Un - der thy win - dow lstand, And my boat in tea - dy at hand. Dear love. be free. Keys: No. 1 in F; No. 2 in Ab. — 0 Words by Harold Boultoa. Music by A. Goring Thomas. Andante. “9- -12 J14 ﬁn. 1 I "‘._".::4= ——-— —_:; -—a~——'” —————— Thewestwindlov'd the wil - low Bet - ter than an ~ y tree; And sped o'erthe o-cean hil - low Keys: No. I in F: No. 2 in A. J. B. BBAMEB & 80., ltd...139, New Bond Street, W. NEW and POPULAR VOCAL ALBUMS. TWELVE LYRICS. BEDTIME LULLABIES. Words by Music by W°'d5 bl’ M“5i° by HAROLD BOULTON. A. GORING THOMAS. EDWARD WARDE GEORGE HAY‘ ‘I. Fairies. 2. Slumberland. "1. ggntentkment (guet)*.‘ ‘Q [l§iver[E)nl-leaagri. 3- Rock-3-bye TOW"- . e 1 mg’s aug ter. . ove u y. ° .. _, . The Heart’s Fancies. ‘9. The Willow. ‘ Pnce ll nett cash’ complete . Time's Garden. ‘to. A Song of Sunshine. . Voices of Swing. ‘1 1. The Countryman's Love Song. HI OW. . Under the m. Sunset (Duet). Price 5/— nett cash, complete. Music by Words by H. ERNEST HUNT. HAROLD CHEVALIER. 1. Song of the Pedlar. 3. London Roses. _ 3. Snowdrops at Kew. ‘4. Welcome to Spring. Price 8/6 nett cash, complete. w d b M ' b HAROLIO; /i30}lJLTON. EDWARl1)slcC}I{RMAN. FOUR DOGS_ “I. All the World awakes to-day. son‘ Cydee ‘ . Th D h L! . xi. My°so'§‘§ a'2°.§l":i.§s:L3'ay North. VVords by VIOLET A. PEARN. Price I/— nett cash, complete. Music 1’? 1- MAYNARD GR0VER° I. Fra’ the Hills near Aberdeen (The Aberdeen Terrier). 2. All the way from Devon (The Sheep-dog). THREE SONGS OF THE HEATHER. 3' H”T“"’"“‘T‘"‘<‘ii:?Pekanese). 4. Patron Dog 0' Briton Words by Music by (The B““d°g)° HAROLD BOULTON. CHARLES BRAUN. P‘i°° 3/‘ “'3” °“‘‘» °°“‘P‘°‘°- ‘I. Heatherbug. S f P ‘f. HEver}" so far away. , *3. inga ongo urpe eat er. _ Price 4/— nett cash, complete. S V Words by MUSIC by S. E. LOCKE. HAROLD JENNER. 1. Preparation. 2. Anticipation. mun songs or Auomrlou, A P... a/i‘..f.".“:‘.I:3‘.‘f".‘.'............ Words by Music by RONALD HUME. EVELYN SHARPE. . A BRANCH OF ARBU']‘Us_ Price 3/B nett cash, complete. Song Cycle for Four Voices. Composed by ALICIA ADELAIDE NEEDHAM. Quartette--Ireland, little Ireland. Tenor Solo (a) Darling Black Head. 1. 2. FIVE SONGS OF A LONELY FARM. 3. m Tipperary. '4. Contralto Solo—_Do you remember, darling 7 A Cycle of Five Songs. sop,a,,., 5010 i eSn°ng- words and Music by *7. Baritone Solo-Give a man a horse he can ride. 8. Quartette-—When he who adore thee. ERN EST CRAMPTON. "9. Tenor Solo-Ther¢;’sFno lagd liar: Irelalnd. d 10. 21 our uc sona on . .12‘ '£:ﬁrI§:]'2gk§:';'£é Morning. .1 x. C°"trak° s°l°{(b)_ And it’s oh_! sweet, and a lullaby, - C . 12. Soprano Solo--All m the morning early. 3. ome into m Garden and Rest. at (3) on th 1-lde_t0 *4. New Mown {lay Hi: Baritone Solo { (b) W at gongo P’ 5' Harvest M°°"' ‘I5. Quartette--St. Patrick was a Gentleman. Price G/— nett cash, complete. Price 6/— next cash, complete. Songs marked with an * are published separately. J. B. CRAMER & CO. Ltd., 139, New Bond Street, London, W.
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Title: Serenade
Date: 1913
Text: FOR MEDIUM VOICE AND PIANO SET BY TO l1"()RDS BY H. W. LONGFELLOW BOSTON, MASS. NEW YORK : G. SCI-IIRMER, INC. HUIIC LIIIIRY VASSAR COLLEGE Serenade HENRY W. LONGFELLOW E’a’2’ten,’ 42/ [Iago [lies Vivo e leggiero Voice 001 Pedale Allegro moderate “[7 Stars of the sum - mer b night, Far ﬂ0(/'0 6‘7'6.S'6. deeps, Hide, hide your gold - en 10060 6‘7‘6S6. RM. Cm 3634 001223/rz'g'/z‘zj 191.5’, 53/ 17/9 Boslon Jllusic 00. in your light 1, a I7 fall a fempo s1eeps,__ she...
Show moreFOR MEDIUM VOICE AND PIANO SET BY TO l1"()RDS BY H. W. LONGFELLOW BOSTON, MASS. NEW YORK : G. SCI-IIRMER, INC. HUIIC LIIIIRY VASSAR COLLEGE Serenade HENRY W. LONGFELLOW E’a’2’ten,’ 42/ [Iago [lies Vivo e leggiero Voice 001 Pedale Allegro moderate “[7 Stars of the sum - mer b night, Far ﬂ0(/'0 6‘7'6.S'6. deeps, Hide, hide your gold - en 10060 6‘7‘6S6. RM. Cm 3634 001223/rz'g'/z‘zj 191.5’, 53/ 17/9 Boslon Jllusic 00. in your light 1, a I7 fall a fempo s1eeps,__ she sleeps, my_1a - dy sleeps! ll mézgfempo Stars of the sum - mer night,‘ Far in your a - zure a fempo I7 mollo creso. '/‘pow Zemco deeps,___.__._j__ Hide, hide your gold - en__ [2000 lento molio cresc. f at fempo s1eeps,_ sleeps, my__ la -' dy sleeps! afempo B.M.'C0. 3634 m]; L i of the sum - mer b Moon night 17000 oresc. deeps, Sink, sink in sil - [2000 cresc. ‘/ sleeps, my__ la - dy B. M. C0. 3634 Far down your west - ern-~ ver 1ightI_ a fempo sleeps. Moon of the sum - mer night, Far down your west — ern_ b a fempd molto oreso. fﬂoco lento deeps,____+________ Sink, sink in si1- ver_ 1ight!__ 37000 [(27210 mollo crass. s1eeps,_ sleeps, my__ Ia - dy sleeps! an fempo B.M. C0. 3634 mp Dreams of the sum I118!" b [2000 creso. keeps ﬂ000 07380. sleeps ,- B. M. C0. 36 34 night, Tell her, her lov - er_ Watch, while in ‘slurn - bers light'_ a tempo sleeps, my. la - dy sleeps! a tempo mid) fempo l'I1€I'_ b Dreams of the sum - night, a fempo fpoco lento dim. Watch, While in s1um- bers 12000 Zem‘0 mo! 10 crew. “ma; she s1eeps,m)L la — dy sleeps! rail ("T jmmll. morendo ii - B.M.Co. 3634 Tell her, her lov - €I'__. IJ . Com;lete Copies may be had at any Music Shop, or from the Publishers N, MASS. THE BOSTON MUSIC COMPANY 26 & 23 WEST ST. 0 Kiss Divine Price '50 Absence P 11°" -50 W- Ffaﬂke Harling H. A.Benedict W. Franke Harling i°“at° OP‘ 14’ N9 10 Moderate sempre 01114, N911 Voice ' If on - ly you were here Piano _ eyes to trace your dream-yeyes down look-ing on my face, - ling dew up - all my Soul with S“ ' Per - Withtheirhalfveillhhalfsmillng tenderness, Ofirst andbestanddearesgcanyouguess C’op_2/rig/zz‘, 1912, by The Boston Music 00. 0o1;y9'z;.g/22‘, 1.912) by 1726 Boston Jllusic 00. For all countries For all countries Lovers Answer Price .50 Yvonne Price .40 W“ (1870) W- F1'a“ke Haﬂing Bliss Carman W. Franke Harling Moderate 09'”? N9 8 Movimento grave e sosten 0 Voice thoughts havebeenwithyou the Three things there be in this world, - my be- lov - ed, did you know? vonne; And what do you guess they mean? The stat-ble 1and,and the 1 m BS (calm 1/oce) K3 went flying to you in asong, be—10v-ed, didyou hear? ‘ And the tide that hangs be - tween. Uoguyﬁg/zt, 1.912, By T/‘ze Boston Jiusic 00. For all countries XCH Cojzyﬂg/zz‘,1.9§‘2, by Z’/ze Boston ]l{u.s-2'0 00. or all countries S in the selection of choice Repertory Numbers and Teaching Songs, we suggest referance to The B. M. Co. Thematic lists (Handbooks NQS 3, 5 8: 7;’ Directory N9 2); list of Ethelbert Nevin’s Compositions, and The B.M.CO., Catalog,with latest Supplement.(Any or all of these lists sent gratis upon appli- cation.) ‘‘ /
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Title: King Olaf's Christmas:
Description
Date: 1881
Text: MUSIC LIBRARY VASSAR COLLEGE Poucumttosrc, «cw vonx \\ . To my fr'1erﬁl A.E . S UMN E R.M.D. / Broofo Z}/V7z.17/.1.’ / '2?- '76. Poem from Longfellgw‘ "Saga ofKingU|af." MALE CHORUS AND BARITUNB AND THNUB SOI.0S Accomp”t.m°Pi $16 Ohiigato Reed Or*gan.and Strin _Uu'mtet%adlib. ~ ‘ K BY ‘ Voice Pa Ms. T /VB. Z/zeflrzzzylhrlx//“&r]4"’4zzd Z F’/227/2'/z liala Welly I//idfﬂiz//K/&6lS.S)77Zﬂ]’5€' oélzzm ed 177 1, 115.‘ of Z7wZ’zz&ZL'.r/...
Show moreMUSIC LIBRARY VASSAR COLLEGE Poucumttosrc, «cw vonx \\ . To my fr'1erﬁl A.E . S UMN E R.M.D. / Broofo Z}/V7z.17/.1.’ / '2?- '76. Poem from Longfellgw‘ "Saga ofKingU|af." MALE CHORUS AND BARITUNB AND THNUB SOI.0S Accomp”t.m°Pi $16 Ohiigato Reed Or*gan.and Strin _Uu'mtet%adlib. ~ ‘ K BY ‘ Voice Pa Ms. T /VB. Z/zeflrzzzylhrlx//“&r]4"’4zzd Z F’/227/2'/z liala Welly I//idfﬂiz//K/&6lS.S)77Zﬂ]’5€' oélzzm ed 177 1, 115.‘ of Z7wZ’zz&ZL'.r//oe/7 . ‘ \ ,/ /SNEW YORK~.Z.\ L~/ fc;.‘.scHIRM_+:®7\/ ‘/3 5 Unions qu m:'c.\J’ _ _ (Iupyriq]\t1B81b' (‘ ‘>'c11irmer, » \ /E Ex\ //c:_EN7/‘<: LR /d ‘:N£E\ /E ‘:\H/<:‘ V r. &_...-J /1 0 J\: ,-/[ya éyi/w mzzzej/zzzim/~"THE N U N 0 F N I-D'“A R 048"/2"////1/ale) 6/zmar /ma!‘ fve/M/" JWO. \‘e>iC4/2 .. ~ \\ 3 I KING OLAFQS CHRISTMAS. ti/"/‘rm IA}//(///(l‘//I)/I‘:\‘ ",.\L»/(i',/ /ll" /:i].Y(:' //LIP. t. .\l llrontheim, ()lat' the l{in_;' Heard the hells of Yule-tide rin;,", As he sat in his hanquet—hall, lll'll|l\'iH§:‘ the nut-hrown ale, With his hearded l3erserl\'s hale ' And tall. 'l'hree (lays his Ynle—tide t'ea’sts He held with Bishops and Priests, And his horn, tilled up to the brim; lint the ale was never too stronf.',', .\'or the S:1;:a-iii:u1’s tale too long‘, For him. (Yer his drinking" horn the .\lf.',‘H ll-e made oi‘ the eross divine, .\s he dranl\',:md muttered his prayers; But the llerserlxs evermore i ' ;\l:_1de the sign} «it the llamnier ot' 'l‘hor, (Iver theirs. The ;_~'leams ol' the |'ii'i‘li;:lit danee lipon helmet and hanherl; and lanee, And l:ui;:l1 in the eyes of tlie l{iIi_;;'; And he eries to llalt'red the Seald, tiray—hearded,v~'rinl\led, and bald, "Hiii;;!” "Silt: me sonir divine, VVith a sword in ever)‘ line, And this shall he thy re\\-'ard."' And l1e loosened the helt at his waist, And in t'ront ol‘ the sin;:er plaeed llis sword. .;. .;. ,2‘. Then the Seald tool; his harp and szinq‘, And loud tln'ong‘l1 the music rang‘ The sound of that shining’ word; And the ll:ll‘])—Stl'lltf_’,‘S a elan;:'or made, As it" they were struel; with the Made (if a sword. # «:1: : 0 And the Berserks round about Broke forth into a shout That made the rafters rin;,": They smote with their t'ists on the hoard, And .sl1o11ted,“lmn;.:' live the Sword, And the King!” But the King,‘ said,“0 my son, I miss the bi-i;:l1t word in one tit" thy measures and thy rliynies.” And llalfred the Seald replied, “in another ’twas multiplied Three times. Then l{in;: (Hat raised the hilt (lt' iron,eross—sliape(l and gilt, And said, “Do not ret'use_; (‘onnt well the gain and the loss, 'l‘hor’s hannner, or Christ’s eross: Choose!” And Hall'red the Seald said,“'l‘his In the name of the Lord I l\'iss,. VVho on it was erueil‘ie<ll” And :1 shout went round the board, "In the name of Christ the Lord, Who died!” Then over the waste of snows The noomlay sun uprose, 'l'hrou;;'li the driving" mists revealed; Like the lil'tin;:' ot' the Host, I3)’ ineense—elouds almost Coneealed. (la the .-hinin;.;' wall :1 Vast; And sliadow_V cross was east From the hill of the lifted sword; .\nd in l’o:unin;:; cups of ale_ U The Iierserks drank_“Was-haell To the Lord!” 1]. W. I,0NGri:Li.0\\'. Km; ULAF’S CHRISTMAS. Um,» /LII//_//,/2'//.12/M ~ M021 0/‘ I.'1_\'/; /2/,, //«r ) _ !)l'l)Ll‘I\' l3‘H'iLH5:..S6. Allc;_;-ro, pow \'1\':m‘.(J: 126. K -' Hvcd ()r,L',':111. AAllegr0,poco vivace.(J=120.) ,~ > \ Piano. 7 ;;_1/‘ 1} la (¢(1m}mm*[[(I. In-1'lluntrV'. ‘Rm. mm: LII. ‘fab. ;\llt‘;:'r<> lH()(l1'l‘.'|l(>.( , “::i’% ,j<)"' A_;,_$__" V. 7' T l)1'un1—h<'im. U — I:«l' lrhr l\inj_*' -2 ? ,9’ p I , ,,,f'ﬂ:.,,_f ‘"2’ Drum! mu. 0 - Mr (undo./\ /\Allegro Pratq. (J .7 92.) . ) 'Hu- 11<,qu<.n1 111<,*11o}1()1111( u1!1at1Qx1s 111 1111» pun mum not be ton l11m';zI'ly Inierprc-t«-d. 'l‘hoy an-, sunply clvslgrxlml to nuclu-ntv ihv :Ippmx11na1c, hm ¢-.\' ~ trcxncly fwv and e1a.s11<: T4-mpo (1'0.s'11‘t*d by the author. - - (mg /‘/2;/;/I'/"///// /88] /1// /1'. S?’/I/DI’)!/I’]’. (7///1. '-. .. A a.) l’<m<> pii1vivz1co.(J:1m.) () h.-|:u-d-4-rl A »_ " '. lw:n'4l— ml Ht‘l'.\:—t‘1‘kH i- ‘ >- mu, halo l’if1\'i\':1('0..(J= 120.) “US Il(,'\‘ - U1‘ 3‘ ,3: BASS I.II. 1’il‘1\'i\‘:m'.(J= «I 20.) Pin‘: vivace.(J : 120.) \\:v.s- lH'V-1'!’ 100 m‘11'r»11g‘. .;- S.'1— ;_;':uu:ufs , nu\'— or too .s‘1l‘n1l{.',‘, ml .w'I}I,1/I-re. TENOJE I. TENOH II. BASS I. BASS II. — Vt-1' his drink 11;: horn. drinking," hnrll. 0]" f1’/'/mv/ . 1114- o'I'm,~ Hu- (']'0.\‘,\'. /f‘///m/ . Bilartl. 0 B /\/T-;\ his — — V(‘]‘ <lrinl\'in::' lwrn.1 hix 11kin;:'lmrn.I 1|n- si}_"n 'lll«'l(I(‘, is drink — vcr :1’ lmrn W" his <H'ink—inj4'lmrn..._,_ >iu'n W m.'ul:- lllllxlv Pin‘: Lvnlo. (J = I00.) M hr Ju- ;l' 1:1’ W rlrzlmk ngul Inﬁll dm 1: k . H11‘ 7 nlim-ViI1:7.(;,4_; he} llI‘11l:;i‘;1(]”iJi:»7 ' Piil Lento. (J =100.) 1! 1'1: 11 k , d1':I11kf ml 1nu1—1:-1-‘rI— his p1'::_\")'.s, -1<>)"d his mut- It-M, 1nu1—1«-1"«l. and drzunk, _ and mu! — tvﬁl, pr:ay’rs; 111-111 — 14-1-‘cl, p1'ay"1'.-; 1n'.'I_v1-‘s and mu! — I4,-My. and mm — 1<-1'11. anal mu! - 1'<l ]n':1_V'1's;. mu! — 1<-r'<I. mul — 1<-1"d, and mu1- H-I'll his przI_v’1's; {\ V ‘ /11W’/. _ vv— ]'—IlIHl‘1'.\I1Mt‘ 1 ,<i;,"n 01' ﬁlm Hum or ml‘ 'I'hm', of T1101". > , I I [T (3 M‘-e1‘—1nru':~ Mzulvt sign: of 1hr Huxmnvr of Tlmr, 111:‘ ’ ']{:un — 0f'l‘}101',u_v4‘r > , / H<'1'm’)'ks vv-e1'~n1m'v .\'I:ul<,- sign: of 1114- "1l]mIl1‘]'()f T1101‘, the sign) .ut'll1vH:u11 nl"l‘hm',0—ve1' [T > l¥<*1'wx'I(s vv—¢>1'—1nm'<2 Made ' :Illlll1I‘l‘ M’ T1101‘, ﬂw sigll nflhv ll:11I1x11v1‘nfThm;0-vol" II('('(’/. //‘T ncrfﬂ a cc/zl . 10 AHeg‘1'0 \'i\*ac(‘.(J=l20{j A > flu-11's, ihcirs, 1l1.ci1'.s' , 1l1vi1-s. 1 0g.:'1'0 \'i\':1ro llogro viva '1‘I«:Nm1 11. mss 1. BA " I10] - 0 - V91‘ 1l1«.‘i1's, g L *1--'—"’7W7 J L F L __ -2’ -ex /4:» V V \ _/Z /Z .3’ I /' /' Qmrtwl . _ .(J:120.) ¢ > D M_1'n0 All(*g:;1'n. (J: I’”’'” 7'” ' 1'11-1-11;.»-1.1 <l:1m*1- "(Y prim) 1'0] 1 . Mano A111: _0. (J 2112.) . 11-bvrk and 1111100, Reed Organ tacet.’ :'lvzuns l§.\.\'H I. ;:ln':In1.\ IMHH IX 01' Ihv fiI'¢‘—“,',"]I1 d:mw* ..r 1111- >fz’{CTiz:A1.1 .mm-.- ,3, l:\u;_'h. iuu;:‘l1 l§uIIj.:'l1. luug'l|. l:1u;_:‘l1. /\ 2628 ’l'ln 1' tlln-King’: lw ;:J«-zuus. ﬂu- ul' ihv K_i11;:: 'l'h<- nf IE Wiﬂillgr Tlw . and l:uIj_:'l1 l:u1_;'l1.:u1<l Izlllglx hl “W 1-_\'cs, in 1114' v_\‘v.~. 4*y:*s 4'(\'<.‘S v_\'vs _<_-‘lv.'11ns ‘:1:-zunns gin-211115 g‘l«*::111.x'. luv] - mm and m'w.w- hvl—x11vt Hm C'l’f.j'(’. and (.‘7'(?.S‘£‘ . ' fire ~ Ji_;'l11 ' llw fin: - li;:'h1 ;:l«-:nn.s‘ of 1114- King" King‘: uJwrk :u1<i Jzznm-. hzcn—|Jcx'k and lunm-. (In 1111: «in mm dz: now And A ml l'i1'<* — lijxln (l:lll('(*.I)]l Anrl And lﬁimuj; King‘: ' lu- 'nml lnllgzh > }:ll1;.’.'l1 . ._._ l2Iu:.:'||. zmrl he-Lmvl and !,'l’f,’.\’(" OH and Jnu_-_"h u ;,;'h Izum-,. in 1110 11m AIM hm-1 zuullnnuln-1'k and lzum,-, 2'/aw-. In-hm*1 and lmuln-rk:1n<l l:m('<', _ r'rrzv('. In-I-luv! and on Andante. vrivs 10 .'Il— ml 1 (‘l‘i('.\' 1- 1'1’:-II 1 H:I]—I'rt'¢l llw (‘l'i1'.s' Ila]-1'n:(l tho- (‘l'il’N ndante. V lzum-.011 }:om'o, And .I' Scnld . .‘s’r:Il¢l .v (}1'n_v Sm ltl, Stflllfl , 12 ¢ ‘ , .. A1le}.’;1'o poco maest0s0.(L100.) 7’lf(l7’(/. ‘|)l’1ll'(ll-.‘d_.Wl‘iIlk(‘d, and bald, I “S:"3"'” A1leg,'1'o poco maesto.so.(J : 100) Organ. .y/- ’ / All maest0s0.( A00.) 23 1 J ‘ V /-’—“"T "ifi [mm 7-it? l3.\l{I'l‘()NI'} SOLO. 24$ Sing: .sm1j." I’ Tmg1]Io_. -mp # S\‘\'()l'(l )'///I/'(/. “H3 - ‘ _ .' (‘ml lhv hvh :11 his calla vow,-. Tam]/0 /7////'/2/. f1'm1to1‘1 .~'i11g'<_*1' V placer! his (I tam 0. nu/la mm’. 1’ ; ﬂ I I _| l .s‘:llI"', ‘ I11 _ smnjma > /W'/»>/'II//- > thrn’ ilw siv 11111;: ~ . lhv sound 01' [T "/\ calla W101! . .9 \ l‘I'(3.S'(/'. I '1 'l ‘.S'( ' r/M/z//22/z/11/0. harp - strings clangor made, ilgf molly dim. ilu-yw<'n-, .s'1ru(-k with hJ:1<l«- 01".‘: ,s'wm'«l, ' >'\’V0l‘d3 m//r/ 17 ('/‘raw. V P11} Vivace. (J: 120 .) E TEN.I. ,l.[,\, H And the B01‘-‘.‘s'v1'ks round :1~h0u1 ' Broke forth in-1'0 :1 slmut ’l‘lm1 Imarlv tlw 1'.'If'1-01'.» BASS I. ‘ And tlw Iivr-.s‘c1'ks1'(>11n¢l 11-bout - Broke forth in- to :4 .~‘hnut'l'l1a1’ mudv 1114* mrmx-57 BASS II. ' Pit‘: viv:1cc.(J:120.) Piﬁ vivace.(J : 120.) Eh Hirlm para mi]. All t11aest L100. * Kin}_r'sni:l. " . , HKWV W; ' _' 1114-an-survs All ma 1’ TEN. SOLO And (I ‘I'll! (IS 0 . P1111. .s‘mn}n'(‘ //pro /1///. IAMRITONE SOLO. — 1' 1‘:1i.\(*(l the [mm 7-2.’ . — 11111, l‘1'0.s',s‘ s}1:1pod gilt, A111! said, ’’Do 1101 —1'11s<>,,- (‘(111111 _ 1111-g'z1i11 2111111111‘ 1141111 -111121‘, ' <11‘ (,‘l11~is'1"s TENUR A1111 1'11-vi Srulcl /'.v///'/am‘/'2'/), VV \./ I/rm ~ .s'/VII)»-0 ])]I x.z ‘ > shout wont mum! 1.ln- bozml, .\'h<)I11 vwnt rnuml the l)n:u’d, the name ('rm'i - H:-<1, )2]! In 1h<,-nznnc of tho‘ Allegm) Vivace . the nzunv of the m'u—('i — fimll And an .s]1()lIlW(’n1 round thv lm.-ml, Alleg,‘1'0 Vi\':lC1‘ . Allegro vivaoe. L AH‘)mode1'ato (-<nne1ILa.J=:J2. /7‘/. ///(I//(1 I’ I//I//, _ who r/1.2/1/W” ” ’/"”" of (‘llm-1 who div<l.‘~' é 121' Chl’i:~‘t. M’ ''"'W P '/W‘ A11‘? model-atu come i1£“,J=92. ]’ Wt‘ "mu" ” m‘ All‘? modem 0 l”_“‘J= 92. nf .9mnpre PW]. ‘fa. #&_.? I ‘ /—-5 "0011" ll)’ noun — clay - (lay xlriv - iny; n1i.<1.x' ' walctl, .» iliv rlriv n}_" n1i.\‘1s' walvrl, Lilw I110 1'rv>¢', 'J'h1'n‘1hz3 nlriv - in;,"1nis1.~ '- \<-aim], - 11“. nmm - 412:)’ M11] up raw 'J'l11*<f111i.s1.< ‘ \'vuINl., . Likv the ' "UM, " ' — ('t‘ll.\'«‘ - vlomls ‘ nmsl Hm, ' ('4-nsv — ("lauds 111051 H-nlml . ‘ /‘\ /T — ' nmxt ('4-ulwl. I»- ('v1m- _ [']()lll[S 1/ /11] . ('(':l](‘4l. ‘ umxl _ . > 4"‘II1l'4|. 1//pi. ,, "_(IV_ V Hum‘. mngj l'('1llt‘1l. 1///II ' "m_g1 A max] ('¢'.'l1N] . Hm — (‘4':Ilml . 2628 Fnnn thv hilt. ‘fab. " m0t0.(J=11fi) svmrd . Andin liuun — — iIl;.:'(?1l[)S -? Pifx moto. (J 2116) Piix moté0.(J =u6) .-a§*nn- lift - - ml ml RM‘ L .w1']\’s dm11k"\\'::.s' «l1'.'mk"Wus I’/rm .6‘/I‘/'//y/'/It/0. 11:: 01 11214-1! To the Lord !" — Inn-J! l2>-- . Lorcl! \V:xsl1zu*]! > \\2m- 1*]! /l(’(} .3’//'2'//_(/. ('0 .5-tringmzrlo ,- T Lord !" Loni!" haul! gas hm-J! .- - . Wzls-11:10]! Y hurl! Wat hzwl! “Gus hzu-J! f-—— \_ //“T Hwy :lruul\' 1.0111! Lm-«I! \\':I.~'—l1:u‘l! hzu-H ‘V New Songs and Duets, Selected from the Catalogue of Sc/iirmer, New York G. ALLITSEN, FRANCES, A Song of Thanksgiving (with Organ ad lib.) High, medium or low. — I know a little Rose. (Ich weiss ein Rﬁslein roth.) M.-Sop. —— Eight Heinrich Heine Songs: A Pine-tree standeth lonely. (Der 1*‘z'cIzz‘e7zI2azmz.) Two Sapphires those dear Eyes of thine. (Sap/zire sind die Augen deiiz.) Diamonds hast thou and Pearls. (Du /mst .Dz'amm2ten zmd Perlen.) King Duncan's Daughters. (Die Botsc/raft.) Since my Love now loves me not. (Seit die Lielzsie war emfernt.) Fathoms deep may drift the Snow. (Magda d1'au.s.s'e7zSc/mee sic/1 t/:z‘ir71ze7z.) Oh Death, it is the cold, cold Night. (Der Tod das ist die kit/zle Nac/it.) Katherine. (I(atluzrz'nc.) Complete in one Volume. AMBROSE, R. S., One sweetly solemn Thought. Sacred Song. High or low. BARTLETT, HOMER N., Come, see the Place where Jesus layl Easter Song. High or low. — 0 Little Town of Bethlehem. Christmas Song. With Piano and Violin obl. High or low. :— Sayonara. M.-Sop. BLACK, JENNIE P., 3 Songs for M.—Sop: No. 1. Storm, the King! “ 2. The Rosary. “ 3. The Violet. BROCKWAY, HOWARD, Op. 22. Two Songs: No. 1. Would thy Faith were mine. Sop. Lend me thy Fillet, Love. M.-Sop. BUCK, DUDLEY, Boots and Saddles. (A Soldier's Farewell.) Ten. (Original) C; Bar. Ab. — O, Saviour ofthe World. Offer- tory. High or low. — Until God’s Day. low. — Why Love is King. High or low. net (6 2' High or BURLEIGH, H. T., Plantation Melodies, Old and New. CAMPBELL, G., For one sweet Smile. M.-Sop. CASTELLO,GEORGE E., 4 Songs for Sop. (or Ten.): To the West Wind. Could’st thou but know. Du b-ist wie eine Blume. sweet as any Flower.) Sehnsucht. (Yearning.) CLAY, FRED, The Sands o’Dee. Sop. (Ah. 150-75 .50 .50 .50 .50 .60 .60 .40 .60 net 1.00 .50 DE KOVEN, REGINALD, Abide with me. Sacred Song for Alto. Barcarolle: “You are the Moon, my Love.” Sop. Battle Grey. M.-Sop. —— Love’s Trinity. Alto. —— My Nightingale. Sop. DENZA, L., In Shadowland. High or low. FREY, ADOLF, Over the Way. Sop. GOLDMARK, RUBIN, Op. 5. Four Songs for M.-Sop. (or Bar.): No. I. Ode. “ 2. Spring Rains. “ 3. The old, old Song. “- 4. A Love Symphony. GRAY, HAMILTON, The Golden Pathway. High, medium or low. —— Purple Heather. High or low. d’HARDELOT, GUY, In Bracken- time. Sop. HASTINGS, FRANK S., Fair Helen. (Old Scotch.) High or low. — For Love of You. High or low. —— Rose dark the solemn Sunset. High or low. pl-IAWORTH, C. 13., At Last. High or low. HOMER, SIDNEY, Eight Poems by Tennyson: Break, break, break. Gm. Sop. Bbm. Crossing the Bar. Sop. E. Sweet and Low. M.-Sop. Db Sop. E. Thy Voice is heard. M.-Sop. Eb Sop. F. Home they brought her Warrior dead. M.-Sop. Fj$m., Sop. H1. M.-Sop. M.-Sop. Db, The City Child. M.-Sop. Eb Sop. F. - Minnie and Winnie. D, Sop. Eb. Enid’s Song. M.-Sop. Bb, Sop. Db. LAER, C. E. van, Crossing the Bar. Sop. LEHMANN, LIZA, Mother Sleep. High or low. MASON, DANIEL GREGORY, I love him. M.-Sop. -— Shall I upbraid or praise her P NEIDLINGER, W. H., Life and Death. Bar. F; Bass D. —— Thy Face. Baritone. NORMAND-SMITH, GER- TRUDE, Four Songs for M.-Sop. (or Bar.): Auf der Heide. (On the Moor.) Das Hiiterkind. (The Shepherd Child.) Sunnenwendnacht. ( S o l s t i c e Night.) Der Geworbene. (The Recruit.) M.-Sop. $0.60 .50 .60 .60 .50 .60 .50 .60 .40 .50 .60 .5o .60 PRICE, C. E. B., A Few more Years shall roll. — My Father for another Night of quiet Sleep and Rest. Sacred Song for Bar. (or Bass). RODNEY, PAUL, Clang of the Forge. BarF; Bass Eb. ROGERS, JAMES H., “Moods.” Four Songs: No. I. Not from the whole wide World I chose thee. High or low. “ 2. Years have ﬂown since I knew thee ﬁrst. Sop. “ 3. You. High or low. “ 4. Who knows E‘ High or low. SAAR, LOUIS V., Hark, hark, pretty Lark. Sop. With Violin. —— Lilian. Sop. With Violin. SARJEANT, _I., Blow, blow, thou lVVinter Wind. High, medium or ow. STAHLSCHMIDT, ARTHUR E., Concita. A Serenade in Seville. Ten. (or Sop.). — It I were loved. M.-Sop. (or Bar.). STERN, LEO, Soupir. (A Sigh.) Valselente. High or low. THOMSON, SYDNEY, I heard the Voice of Jesus say. Sacred Song for Alto (or Bar.). TSCHAIKOWSKY, P., Pilgrim’s Song. Bar. (or Bass) E; Alto D. WARREN, SAM’L P., Faithful. M.-Sop. —— Waiting. M.-Sop. WHITE, MAUDE V., How do I love thee. M.-Sop. (or Bar.). WHITING, ARTHUR, Barrack- Room Ballads (by Rudyard Kip- ling). (Damn/1)eever. Mandalay. Sacred Song for Bar. $0.75 .60 .50 .50 .50 Soldier, Soldier. Fuzz)/— I/Vztzzy. net 1.00 “ Floriana.” Poems by Oliver Hereford, from “Overheard in a Garden.” For Solo Voices and Piano. VOCAL DUETS. ALBUM ofsixteen Sacred Duets for various Voices. DVORAK, ANTON, Echoes from Moravia. (Klange aus Mahren.) I3 Two-part Songs for Soprano and Alto. g. e. RUBINSTEIN, A., Eighteen two- part Songs : g. e. Paper. Cloth. net 1.50 net I.00 net I .oo I.00 2.00
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Title: Stars of the Summer Night
Date: 1917
Text: MARGARET WOODROW WILSON MUSIC LIBRARY 2. 3. LE RGYKBM. ‘ ;@_:._L . Good NightébMy Deanest . Stars oftlle Summer . Little Ros; upon my Hea D / I REL; :26.) /D/3 Oh,C0me!_. SACRED SONG. Words by Luisde Gongora yArgote. Words by Frances Stone Mason.‘ ‘Why?,.......(wHv CAME THE ROSE.) ................................................................ .. Pr: 50¢ C- Wordsby Mary Louise Ritter. \) .'.‘.V/.\‘/\-"/-'.‘.'.,; o 4 o 4 o v o . n ¢ a ~ o . E5) /. r (3 C0me,Wandering Sheep...
Show moreMARGARET WOODROW WILSON MUSIC LIBRARY 2. 3. LE RGYKBM. ‘ ;@_:._L . Good NightébMy Deanest . Stars oftlle Summer . Little Ros; upon my Hea D / I REL; :26.) /D/3 Oh,C0me!_. SACRED SONG. Words by Luisde Gongora yArgote. Words by Frances Stone Mason.‘ ‘Why?,.......(wHv CAME THE ROSE.) ................................................................ .. Pr: 50¢ C- Wordsby Mary Louise Ritter. \) .'.‘.V/.\‘/\-"/-'.‘.'.,; o 4 o 4 o v o . n ¢ a ~ o . E5) /. r (3 C0me,Wandering Sheep! ,. Pr: 60¢ F Grief and Joy- G Love._....( LOVE'S SERENADE) ...... ..Pr: 60¢ Words by Fnances Stone Mason. Night. _ .. Pn 50¢ Words by H envy W. Longfellow. PT... ................ IA; ..... .............................. ..Pn 50¢ Words by \/Ir-‘g|ri\éT.Biddle. (SLUMBER sons.) ................................................. Pr. 50¢ Ninnenel Ia. ......... .. AV Words by Frances Stone Mason. EDWARD SCHUBERTH 8: CO., NEW vom<,. LONDON, n EAST 22~.v 5: 2 STAR YARD,CARf-_Y S1" 4 x x”,= /7‘ /M . 2 /**"" 2”"? '‘Il0sK‘;’LIanAﬁv' / VASSAR COLLEGE Stars of the Summer Night! Serenade Words by HENRY W. LONGFELLOW ' ' . LE ROY VM. RILE frpm “The Spanish Student” . ' Allegretto '- Voice mama to o 7 Plano - la meloziia 1’ Stars of the sum-mer A ' {T 2 molfo dim. 1 . ’ W ‘A 2 M’ WV? Far in you a - zure deeps, 2 2 2 as ism ea ‘ - Uopyrzght, 1917, by Edward Schubert}; .9" 6'0. E.S.& Co.4?_:1V3—4 % New York, EDWARD SCHUBERTH & C0,, 11 East'22I1d Street 711]?/___'X Hide,hide your gold - 1ight!_T She sleeps! My la - dy sleeps!“ L2 yr 2%‘ zfvf Ht]? 9 ~ Moon of the sum-mer Far down yon West- ern ,3 9% Z.___\te72. Wf Sink, sink in sil-ver light!___. She s1eeps!My la - dy Z''_—-_\ A l ' ' calla voce E.S.& C0. 4313-4 Piﬁ mosso ed agitate _p . Wind of the sum-mer Where yonder wood -bine creeps, 7Zf‘ ‘fax Fold, fold thy pin - ions tranquillo S1"ePS!MY1a' ' dy S1691“! . he s1eeps!My la - dy sleeps! .S1eeps!_, 5’ """" ": 9; ' bi - my > E.S.&Qo.4313-4 melodm marcato éﬁﬁb. Dreams of the summer night! __ Tell her,her lov-er keeps Wa/cc 2 * L2 3 are mi A T? 0'i’’’‘- . mftardando ‘while in s1un!1-her light She sleeps! My la - m - . 7 9% $2». . _ a tempo 2;} jw messo dz’ voce eeps! sleeps! 772.3. a tempo "V ‘m €23 E.S.& Co. 4313-4 C % DEAR LAND OF HOME we Aﬁdme Words and Music by GRAHAM VALMORE 9??/-f7 (L __“‘1_._. 1.There is a. land I know, so to 2. There is a land I know, so sweet to in my -hood days, ’twas joy to once a — gain, I hope and long to where - e’er I f . ‘ Copyright, MCMXI,bgv lginild & Co. . ’ ' N and Revise i ion ‘ Copyright, 3216, by Edward Sehubertll. :5 0a_ ' 943 ORCHESTRAL Acc:oMpANm:m* m 29.5‘.
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Title: Greetings of Hiawatha
Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA" HE NRY VV. LONGFE LLOVV With German text by Hgrmann Simon VOICE Ctitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. ‘ G iawatha (Gruss von Hia» watha) . . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei» gen) . . . . . . Chibiabos (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Belovedl (Onawél wach auf’, Geliebtel) . Med. OLIVER. DITSON COMPANY. Boston New York Chicago Philadelphia C....
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA" HE NRY VV. LONGFE LLOVV With German text by Hgrmann Simon VOICE Ctitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. ‘ G iawatha (Gruss von Hia» watha) . . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei» gen) . . . . . . Chibiabos (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Belovedl (Onawél wach auf’, Geliebtel) . Med. OLIVER. DITSON COMPANY. Boston New York Chicago Philadelphia C. H. DITSON 85 CO. LYON 8: HEALY J. E. DITSON 8: CO. Tn A/zz'la Rio Purchased from the GREETING OF HTIAWATHA (G RUSS VON HI AWAT HA) HENRY VVADSWORTH LONGFELLOW 3 g Ger-ma/I /rzz/zslalzmz /7_y f[6’7’IlI((/III Simon CARL BUSCH Moderato V O I C E 7*‘ WA ti _ ful ‘is the sun, 0 stran_gers,__ lin — gel schiin, schiin strahlt die Son _ ne,_ Copyright MCMVII by Oliver Ditson Company International Copyright Secured 5~33~6639’7~6 VVhen you come so far__ to see us‘. All our town in Da,_ Ilzrleunznzf zu uns_ so fern her; Un — scr Volk harrt peace a_waits you, All our doors stand 0 _ pen for Eu — rer fried — lick, Of — fen steh’n Each un — se - re You shall ter all our Wig.wams, Kommt in [(2 un — slre VVig.wams, 5-33 -6639716 right hand zcs Herz _‘ V Allegretto "T Mt. E-\___¢,,/V Nev-er b'loom’d the earth so gai -1y, Nev_er shone the sun so 1Vz'u so fro/L die Er - dc bl1'ih»—1.‘(:, IWP so .90/zb'n die Son — ma >.7 V ' hﬁ "ELLE - bright_1y, As to _ day they shine and b10s-som When you Zach - fc, Wic sic hcu to bliihf und Id -0/tel! Da Ihr ‘7 5--33—6639'7~6 so far u 113 leojnmt ]— Nev _ er was our lake tran—qui1, Nor so free from rocks and Nita war m1 - sor Son ‘ ru _ hig, ‘Nie so frci mm Klifj)’ und 7 \.;r:: 761/’ sand— bars; For your birch ca. noe 1n pass _ing Has re- Santl—banI:; Eu _ or Bir ken-boot oer — scheu—chte, Ihr durch — 533-66397-6 moved both rock‘. fah - rend Kl2‘j>p’_ vi W? ”!/‘’7?'‘ had bis Jzcr so our t0—bac_coT siiss, so licb_l1'ch _ er be—f0re Tknnpo I '? _ pleas — ant hat__ Nev - er Nie: fla — Von go — duf - let, Such a Un — ser Ta- bak the der broad Fe] — sweet and the — dcr leaves , 5-33-6889’7—6 leaves of our corn _ fields Were so beau_tL_fu1 to look brei - fer Blc'it—ter so 19racht—vol—len An — blick [)0 to us this morn _ ing, When you sen Mo7'—gPn bis ~ ten Da [hr zu Zl0 moderalo Li; so far to see.____o_ fkommt so fern 5-33-66897. 6 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postzpaid, and in paper with cloth back, price, $1.50, postzpaid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in flexible cloth, are handy in size, and range in price from 50 cents to $1.25.. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chieﬂy technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis’ crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle--"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, l0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. ' Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Title: Ye Voices That Arose
Date: 1917
Text: SONGS BY CECIL BURLEIGH Op. 32 Philornel (VVILLIAM SHAKSPERE) High voice. in E Medium vuict-. in 1)?‘ T he sea hath its pearls (HEINRICH HEINE) Medium voice, in F Low voice, in D1} Ye__y_QiC€:s, that arose (HENRY VVADSVVORTH LONGFELLOVV} High 'VU1C€, in Al" Low vmrc. in E ;.aaunnuum.., I heard the trailing garments of the night (HENRV VVADSWQRTH LoNom7LLovv; High voice, in I) mm. Low x nxr.-u, in B mm. The lightlmuse {H ENRY ‘JVADSVVORTH LONGFELLOW) High voiwse, in E!’ Law vu1cr.....
Show moreSONGS BY CECIL BURLEIGH Op. 32 Philornel (VVILLIAM SHAKSPERE) High voice. in E Medium vuict-. in 1)?‘ T he sea hath its pearls (HEINRICH HEINE) Medium voice, in F Low voice, in D1} Ye__y_QiC€:s, that arose (HENRY VVADSVVORTH LONGFELLOVV} High 'VU1C€, in Al" Low vmrc. in E ;.aaunnuum.., I heard the trailing garments of the night (HENRV VVADSWQRTH LoNom7LLovv; High voice, in I) mm. Low x nxr.-u, in B mm. The lightlmuse {H ENRY ‘JVADSVVORTH LONGFELLOW) High voiwse, in E!’ Law vu1cr.. an (2 BQSTON: OLIVER DITSON COMPANY NEW YORK: CHAS. H. DITSON & CO. CHICAGO; LYON 31, HEALY MUSIC uananv VASSAR COLLEGE YE VOICES, THAT AROSE Ye voices, that arose After the evening’s close, And whispered to my restless heart repose! Go, breathe it in the ear Of all who doubt and fear, And say to them.,“Be of good cheer! ” Ye sounds, so low and calm, That in the groves of balm Seemed to me like an ange1’s psalml Henry Whdsworfh Longfellow ( from the French) 5-150-72079 ~ 3 YE VOICES, THAT AROSE From Me French HENRY WADSWORTH LONGFELLOW VOICE Go, CECIL BURLEIGH ’0« gm‘ [K " ”~’"" 6”) 011.32, No.3 Very slowly 5 with deep feeling (J.= 40, or slower) ft“-I ' that Af_ter the eve _ ning’s voi _ ces, rest- less heart re - pose! And vvhis_ per’d to my increase breathe it ' all_ who doubt and —'—«:f \___/ Copyright MCMXVII by Oliver Ditson Company International Copyright 'S60l1red 5-150-72079 — 3 1919 e sounds, so low and calm, That in the groves of ba1m_____ Seem’d to me____ like an an _ ge1’s 1’ Seem’d to me like Zf’?_——— 5-150-72079 ‘ 3 The Musicians Library The masterpieces OF song and piano literature edited by men OF authority FORTY SONGS FIFTY SONGS FIFTY SONGS SONGS AND AIRS SONGS AND AIRs FORTY SONGS i THIRTY SONGS FIFTY SONGS FIFTY SONGS FORTY SONGS FORTY SONGS LYRICS I LYRICS ii E iii FIFTY SONGS BRAHMS, JOHANNES FRANZ, ROBERT ORIEC, EDVARD HANDEL, CEO. F. HANDEL, GEO. F. JENSEN, ADOLF LISZT, FRANZ SCHUBERT. FRANZ SCHUMANN. ROBERT STRAUSS, RICHARD TCI-IAII<OVSKY, P. I. WAGNER, RICHARD WAGNER, RICHARD WOLF, HUGO FIFTY MASTERSONG5 FIFTY SHAKSPERE SONGS MODERN FRENCH sONOs (BEMBBRG TO FRANCKI MODERN FRENCH SONGS (GEORGES TO WIDOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (AII Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS SONGS FROM THE OPERAS VOL. I VOL. II I, II fr III IVé—V v’.~%n‘.-‘v€:5I’:$&¥i-.%f;3I’v';‘v»‘.:%v‘$ E-.3 v‘.’v€$€5£-5v1‘rv‘:‘5€z%€:%f5ﬁv$€;%v‘.-3v‘;?rf;%f;?v€;% For H igh VDICC For Low Voice For High Voice For Low Voiciz For High Voice For Low Voice For High Votes: For Low Voioc For High VDICR For Low Voice For High Voice For Low Voice For High Voice For Low Vc-we For I"Iiqh Voicc Fm Low Voice For High Voice For Low Voice For High VOICE For Low VOICC For Soprano For Ten For Baritone Bus For High Voice For Low Voice For High VUIEI For Low Voice For H igh Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Medium Voicc For Medium Voics For High Voice For Low Voice For High Voice For Low Voice For Medium Voice For High Voice For Low VOICC For Madium Voice For High Voice For Low VO2C¢ For Sopr o For M2zzci- rano or I For Tenur For Benton: and Bus: SONG ° VOLUMES - ISSUED ¢.2’vv1t'i»‘:3%‘z¥v1?’r‘$v‘:5v‘:5v‘z'3v‘z‘v ﬁ n‘-3$$v1:%5’;%v1‘vv‘:i‘vf;?rv‘$f;%é’a%v‘:?v&%v‘;.%>1.-3%v‘.:‘v Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Ediied by Edited by Edited by Edited by COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST JAMES HUNEKER WM. FOSTER APTHORP HENRY T. FINCK DR. EBENEZER PROUT DR. EBENEZER PROUT WM. FOSTER APTHORP CARL ARMBRUSTER HENRY T. FINCK W. J. HENDERSON JAMES HUNEKER JAMES HUNEKER CARL ARMBRUSTER CARL ARMBRUSTER ERNEST NEWMAN HENRY T. FINCK DR. CHARLES VINCENT PHILIP HALE PHILIP HALE CECIL SHARP GRANVILLE BANTOCK GRANVILLE BANTOCK HELEN HOPEKIRK JULIEN TIERSOT WM. ARMS FISHER GRANVILLE BANTOCK RUPERT HUGHES H. E. KREHBIEL H. E. KREHBIEL Each voiume in heavy paper, Cloth back, $1.50; in Full CIOth_. gilt, $2.50. Copies mailed postrpaid. Other volumes in preparation For Free booklet, giving FuII particulars and Easy Payment Plan, send to the pubiishers =5‘ OLIVER DITSONCOMPANY' BOSTON
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Title: Vogelweild, The Minnesinger
Date: 1902
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'.‘.'.'::o '30 Z‘; - - g o’.‘~ - . win" 0 9.-.«v’..°,’.‘.';9 ‘.0.- I THE MINNESINGER "-:_.-...---913:“--"-s: .-:-. .. - '. . . . _ ‘_ ,~'--¢‘.i>a-u_. . ‘ ._< a ‘Div-.-as '-'.*-I.“'oo,¢,‘An‘ ‘I n\’. C '§'.'-n- '0 01¢’ ’. 0;! '4 .,‘:"n_'_“l_D",‘\. .a'i‘5QlIf_,_‘...'. 0:!-03:91..‘ ..a I at UNISON SONGS-—GRADE 1. (Very Easy). EDITED BY W. G. MCNAUGHT. NOVELLO’S SCHOOL SONGS. A SPECIALTY OF NovELLo’s SCHOOL SONGS is that they are issued in Books, each book containing songs of ‘about the same class and degree of difficulty. Most of the songs are obtainable separately. Specially selected numbers can be stitched in a cover to order on favourable terms. all the songs are graded, will be sent post-free on. application. Published in two forms. the B column the A Edition only is published :— The Classiﬁed School Catalogue, in which A, Voice Parts in Staﬁ’ and Tonic Sol-fa Notation, with Pizmoforie Accomjmniment, 8v0 size; B, Voice Parts only in Tonic Sol-fa Notation. Where no prices are given in BOOK 1. S_IX EASY SONGS . Getting up . The Lark . Lazy Sheep . The Snowdrop . . The Autumn Daisy ’ . A Riddle A. Moffat BOOK 2. SIX EASY SONGS . The Little Fish . . The Spring Nosegay . The Old Beggar Man . The Three Little Ants . The Child’s Evening Prayer . The Meadow .. .. A. Moffat BOOK 13. SIX SACRED SONGS . Ye Gentle Flowers . . 0 Jesus, who didst suffer . I love the Flowers so beautiful . God of Mercy, we beseech Thee . Jesus so Merciful V The Gladsome Spring is coming A. Moffat BOOK 14. SIX SACRED SONGS . 0 Children, live in Jesus Christ (Easter Hymn) . Gentle Jesus (Evening Hymn) . O Heavenly Father The Little Birds .. . Forward, Christian Children Carol, Christian Children BOOK 21. NINE UNISON SONGS FOR JUNIORS . Rippling Waters W. W. Pearson . The Snail . H. Elliot Button . The Butterﬂy Chase S. C. Cooke . Swinging . Over’ the Meadows The Wanderer’s Song . Ladybird . My Home . Evening Star Scott Gatty C. A. Miacirone T. Ii/Iurby BOOK 23. TWELVE SACRED SONGS . Listening Angels J. Stainer . Morning Hymn . Hour by Hour . The Beautiful . The Crown is waiting . The Cross of Life . . We will praise Thee . Sabbath Bells . The good Shepherd . The Haven of Glory . The Golden Shore . Evensong A. Moffat _ l-H—H—‘)—H—‘)4l-H-I-‘I-1 A ti. 6 I»-t hw- Woo role‘ l—‘|-—-*)—‘)—-‘V-‘l—‘F-‘F-U-‘l—‘l—‘|—‘ J-A \.\,./\.\,.z--V-—a\.5/_z~—-V..«\—-V./“.‘ B d BOO K 25. TEN UNISON SONGS . Summer Evening Cath. van Rennes . Little Brother ' . The Old Beggar . Little Things... . Cock-a-doodle-do . Patience .. . Summer Showers . A Song for Boys .. . The Sunshine of the . Cradle Song BOOK 58. , TEN UNISON SONGS FOR JUVENILES . The Conceited Fly . The Wasp at the Pic-nic '. Merrily glides our boat . Trip along . The Dew-drop . Fairy Joys_ . Stay, pretty Swallow . Well-a-day ‘ . Were I a Fairy . A Charm , BOOK 83. SONGS FOR THE LITTLE ONES. Twenty-five Songs... By W. W. Pearson BOOK 84. THE JUVENILE SONGSTER. Thirty—three Songs, in one, two, and three parts. Composed and arranged by Lowell Mason BOOK 101. UNISON SONGS FOR CHILDREN. From “The School Music Review” The Jolly Tester (No. 40) J. W. Elliott Jack and Jill (No. 44) ,, The old man clothed in leather (No. 45) ,, The Soft-shell Crab (No. 50). Actions ad. lib. J. W. Chadwick A Child’s Evensong (No. 63) J. Stainer I had a Little Doggy (N0. 68) J. W. Elliott The Coming of Spring (No. 69) Schumann The ’Logical Gardens (No. 70) G. F. Cobb The Child and the Star (No. 66) J. W. Elliott BOO K 147 . TEN UNISON SONGS. From “The School Music Review " Hush-a-bye (No. 81) C. Egerton Lowe The Song of the Grass (No. 82)... Pearson Winter Song (No. 93) . W. W. Pearson Swinging (No. 101) .. A. Medley Christmas Eve (No. 103) A. Moffat The Brook (No. 104) J. VV. Chadwick The First Brigade (Marching Song) (No. 106) P. E. Fletcher Heart A. Scott Gatty Thomas”Murby Arthur Richards A. sciitt Gatty Thomas Murby Seymour Smith Macdonald Bridge K. Boundy Twinkle, twinkle (No. 107) . Daddy Longlegs’ warning (No. 117) The little shadow (No. 122) .. 652. Diamonds‘ R. H. Macdonald 653. The Fairy Book ' ,, , 654. A wet sheet and a ﬂowing sea C. A. Macirone * Staff only. 3'-‘F—‘F-‘F-JI""i—‘V“)"‘)—‘P—‘ mo- °°:“‘“l> ® )—Ir-4gu>—H-—4r—u—4r-H-4!-‘ MP Np-let-M-* * P—‘ T B d. 3 LONDON: NOVELLO AND COMPANY. Lmmap. NOVELLO’S SCHOOL MUSIC... EDITED BY W. G. MCNAUGHT. COMPOSED EXPRESSLY FOR THE‘ WESTMORLAND FESTI"VA"L.. 1903’. VOGELWEID, THE MINNESINGER A POEM BY LONGFELLOWA SET TO MUSIC FOR CHILDREN’S VOICES‘ BY GEORGE RATHBONE. PRICE ONE SHILLING. Tonic Sol-fa Edition, price Sixpence. LONDON: NOVELLO AND COMPANY, LIMITED. NEW YORK: THE H. VV. GRAY CO., SOLE AGENTS FOR THE U.S.Am Copyright, 1902, by Novella and Company, Limited. The right of Public Regﬁresentation and Pe;y"ormcmce is reserved. \‘:=.‘ —‘ .. . _.... .. 4( .. . . ;.___ ~_..,.g—;~,,__”,F‘ 3*-‘~ I r_ I 5 . , , . 5‘: .1 h I ‘ V f TO ALL THE CHILDREN WHO SING THE SE STAVE S. G. R. VOGELWEID, THE MINNESINGER. Walther Von der Vogelweid, or Bird-Meadow, was one of the principal Minnesingers of the thirteenth century. He triumphed over Heinrich Von Ofterdingen in that poetic contest at Wartburg Castle, known in literary history as the War of Wartburg. That the War of Wartburg was in all probability mythical, matters not to us to—day. A great movement in the cultivation of song was initiated in its name, and the musical contests which have since become a feature of educational musical life in this country are a modern reproduction of the spirit of Walther and his songs. CONTENTS. . Introduction . Vogelweid, the Minnesinger . Thus the bard of love departed . Day by day, o’er tower and turret . There they sang their merry carols . Day by day, o’er tower and turret . Till at length the portly abbot . Then 1n vain o’er tower and turret 0. Time has long effaced the inscriptions . But around the vast cathedral WALTER VON DER VOGELWEID. VOGELWEID, the Minnesinger, When he left this world of ours, Laid his body in the cloister, Under Wiirtzburg’s minster towers. And he gave the monks his treasures, Gave them all with this behest: They should feed the birds at noontide Daily on his Place of rest; Saying, “ From these wandering minstrels I have learned the art of song; Let me now repay the lessons They have taught so well and long.” Thus the bard of love departed; And, fulﬁlling his desire, On his tomb the birds were feasted By the children of the choir. Day by day, o'er tower and turret, In foul weather and in fair, Day by day, in vaster numbers, Flocked the poets of the air. On the tree whose heavy branches Overshadowed all the place, On the pavement, on the tombstone, On the poet’s sculptured face. On the cross-bars of each window, On the lintel of each door, They renewed the War of Wartburg, Which the bard had fought before. There they sang their merry carols, Sang their lauds on every side: And the name their voices uttered Was the name of Vogelweid. Till at length the portly abbot Murmured, “Why this Waste of food? Be it changed to loaves henceforward For our fasting brotherhood.” Then in vain o’er tower and turret, From the walls and woodland nests, When the minster bells rang noontide, Gathered the unwelcome guests. Then in vain, with cries discordant, Glamorous round the Gothic spire, Screamed the feathered Minnesingers For the children of the choir. Time has long eﬂaced the inscriptions On the c1oister’s funeral, stones, And tradition only tells us Where repose the poet’s bones. * [Saintly face or rain-Worn letters None may tell which stone to kiss; Choose the fairest for the master, Let the sweetest words be his.] But around the vast cathedral, By sweet echoes multiplied, Still the birds repeat the legend, And the name of Vogelweid. ‘ A Stanza has been inserted here for the purposes of the musical structure. ‘VOGELWEID, THE MINNESINGER. No. 1. INTRODUCTION. G G RA. no . LONGFELLOW. EOR ,_E —__TH_NF > > > Maes&oso._,1_ 79oc0>accel. «:1: >. r- g‘f'_E£: as: poco accel. - > Copyright, 1902, by Novella and Company, Limited. 3337. Andante gmzioso. /_ poco rit. poco rit. G. Ra.thbone—Vage1weid. the Minnesinger. f a tempo. poco rit. -9- —o- G Rat-hbone—Voge1weid. the Minnesiuger. 4 “ VOGELWEID, THE MINNE SINGER. . 1‘ I ‘ Q - A 3'" 14 j .‘ J the Minnesing - er, When he -leftthisworld ef :— .d “r .m :d Is. l_2nd SOPRANO. 1 M ‘ ‘ 1; U‘ ' 0' 31 V0-gel-Weid,the Minnesing - er, Whenheleftthisworld of ours, In] S] :1|.S| .f] in, In. “S; .S[ :‘d .5] :fe1-fe|lS[ bod - y in the clois - ter, Un-der Wi'1rtzburg’s min - ster towers. 4 ' . Hf :r :d .t. r :d :d .d :d' Ir‘ :s ”‘“m '- _ > > > > Laidhis bod—y in the clois - ter, U11-der Wiirtzburg’s ' - towers. Hf. .s. :1. .f. :1. .se. 1:. :1. :1. .1. “Serra :m : Hmse. :- gave the monks his treasures, Gave them all with this {lr .1.:d :t. 1. :s. :m .m r .1. :d > -0- gave the monks his treasures, Gave them all with this be - hest : They should feed the birds atnoontide {ufg .f; 2!’). :1‘. ['9' :37; :d .t| 1| .1] 3S] 3S; IN. :— :S| .S| S1 .11 :t3.|.S| :1; .1334} \T' G. Ra.thbone--Vogelweid, the Minnesinger poco rit. On his place of rest; : s..1.:d :r d ::.:— poco rit. Dai - ly on his place of I HI‘ id :t|.].|lS| :—{:sl rest ; :f. poco 1-it. 0. tempo. these Wand’ring min-s—t:els I have learn’d the art of song ; Let me now re - pay the . :m.m m :—.1:m.r} :— .s :m .r d :s. :1,.t, d .r :m :d lm “F1'0n1 these \vzLnd’ring min - strels I have lear11’dthe art of song; Let; me n :— .s :m .r d :s, :1..t. d .r :m :d m :m.m} -9--a— -0- les - sons Tlleyhavetaughtsowelland long.” Say-ing, “From these_wand’ringmin-strels I have {Id :1. :d .r m .r :d :m s :s..s. m :—.s :m .r d :s. :1..t.} > > _’.. _'_ re - pay the les - sons They l1ave_t2u1gl1t'so Welland long.” Saying,“ From thesewand’ring Hm :— .1 :m .r [d :1. :d .r m .r :d :m s :—- :s..s. m ‘ :— .s :m .rl G. Ra.tbbone~—Voge1weld, the Minneainger. Let me now re— pay the les — sons They have :m .m . :f .m m :r :d .d > lea.m’d the art { Id .r :n Let me now re-pay the min - strels Ihave 1earn’d the art {Id :s. :1. .t. d .r :m . :1. .1. 1 : .s :f .m taught so well Vogelweid, the LBD {la .m :s “ds'..1.:a :— .d H ..'_ They have taught so Well Hm : :s. .s. d .m :s Vogelweid, the :1'I‘1;.S.31. .S| Min-ne-sing - er, When he left this world of ours, Laid his bod — y Hr .m :d Is. :1. .t.“d .r :m :r r : :r.m If :r Min-ne-sing - er, When he left thisworldof ours. Laid his bod-y in the {|f. .f. :m. In. “s. .s. :d .s. zfe. .fe. s. f. .s. :1. .f. :1. .se.} G 1\a.thbone—-—Voge1Weid, the Minnesimzer. towers. 4.BD. II‘‘'“ =- Un-der Wiirtz-burg’s min - ster D.4. :d .d Ht-s :d' Ir‘ :s > > > > clois - ter, {|r > towers. Wi‘Lrtz—bu1‘g’s min - ster |l"‘Se' Un-der :m If :f :1| .1] 5°|l‘1 hest : S I be - Gave them all with this zt. trea. - sures, :m .m r .1. :d {l1| :5] > be :3; Gavethem all with this :d .t. 1. .1. :s. trea - sures, { I re. :m. > And he gave the monks his :m .m [r .1. :d :t. _'_ And he gavethemonks his :s. .s. |f. .f. :m. :1‘. poco rit. They should feed the birds at noontide :5] .S| S1 .11 3133.] .S| :11 $34} \ J FD-.5‘ ""61s min.- G. Rathbone—Voge1weid. the Minnesin-ger. “ THUS THE BARD OF LOVE DEPARTED.” Largo. Quasi marche fumébre. f 0 2nd SOPRANOS. Thus. the bard of love de - part — ed; And, ful - ﬁl - ling his de ~ Lab is D. Doh is F. {I : I1. :— .t. Id :t. Ir :d 't. :1. :1..t. d :1. :m :— .d} K_—..""'—“__——————':—T - sire, On his tomb the birds were feast -ed By the chil- dren of the C t f.F {|1.r'.:— Id’ :~.t|1 :s In :r lf :m :1m.}nm :r If :r 1st SOPRANOS. Thus: the bard 1| :‘ .t[ \_T—._..._:.:/ Ped. G. Ra.thbon¢.~—Vogelweid the Minnesinger. They were : I :1- d .d } - __ F111 -ﬁl- ling his ' his tomb the birds were H .d :d .d It. ' :- .ta. ‘rd :s If ’ :n feast - ed By the chil - dren of the choir. Ha‘ :—,|t :1.1!s :m In :r ed By the chil - dren of the choir. :d.r|m :d II. :t. d .9- l G B.a.t.hbone—Voge}weid, the Minnesinger “DAY BY DAY, O’ER TOWER AND TURRET.” f""_'\ Maestoso. > > > o’er tower and In fo111 weather and in [d :m :d .d Ir .m :d .m } I I I 1 2nd SOPRANO.> Day‘ ' vast - er num-bers, f.D. ‘Id d :m ls .s :- .___...___..\ J 1 G. Ra.thbone-—Voge1Weid, the Minnesingex -'. _‘_ On the tree tops, :t'«n. .r-1. In :-n the tree whose Flock-ed the poets of the air. .d It. :'1. :d .d Ir .n :d .m s J4 A U. l‘ \ l\'ll ' ._ l‘ l ‘ l L U 0- -0- where the branch - es O-verslmdowed all the place, :d‘.t| It] .l3| :11 .t| I . - \ . l ’l I ‘ T‘ \ l 14*‘. — l ' 1 11$ v . vl I ﬁa- .1‘ .“ 1“ l\ r“ ﬂ. '1} ' .x (J | Q: : =- ‘Q1; - O - vershadowed all the place, :— .r Ir .1‘ :d .r In the tomb - stone, the po-et’s sculptured the pave - ment, :— .d' It :1 :d .r Ir .1‘ :d .r } on the tomb - stone, On the po-et’s sculptured On the pave - ment, id .t| It] .13; :1] .t| } :tIm.m |m' :m' :"“s..s. [S :s i\ —'_. -01- G. l{2Lthb0ne—V0gelWeid, the Minnesingeln On the cross-bars . . of each window, On the lintel of each Doh is A. :d .d Ir :m — :d .m ls.s :—— :d (1 Ir .m :d .m } ten. On the cross - bars . . of each window, On the :d.d|r :m l—:d.n s.s:— I :d.d} -.‘- 1 ' -J._ They re - newed . . the War of Wart; - burg, Which the l— :d .d 1 :— .s :f .,s 1 :f I :m .r ). 1in-te1 of each door, They re - newed . . the War of Wart - burg, Which the {Ir .m :d .m Is :(1 .d If :— .d :1. .,d f :1. I :1. .1. } .oL G. Ba.tahbone-Vogelweid, the Minnesinger. had fought be —— l— :d ls :— Is > > bard had be - {[5, :1, :— |.—.:— It. 2 > tr 4”‘ 2'41 mossc. _p. P - r- G R.athbone-—Voge1weid. the Minnesinger. 14 “THERE THEY SANG THEIR MERRY CAROLS.” M d tightly. o erato. mf> > Doh is E. There they sang . . their met-ry : |s .s :1 :— .1; :d' .t } smootl Z . 7"f> L g > > There they sang their H : - : : : lm :m In an M oderato. /\ sempre staccato. Sang their lauds on :n .s 1 :s car—o1s, Sang their lauds on In .r.:d .s. d :m /T /7 There they sang . . theirmer-ry car - ols, . . Sang theirlauds on {ls .s :1 l— .t :d' .t 1 :s l— :r .n |f :s There they sang their mer - ry car-01s,Sa,ngtheirlauds on {lf :f If :f lf :f If .1‘ :t. .d r :m /\ _ /K‘ _ /\ _ /\ _ /\ -0- G. Rathbone—Voge1weid, the Minnesinger. 15 ,._.—.._ ‘ |‘l : I K I I I " ' 1 3 ‘ s I .1 r 1 L . *“"7=j;—“*F . . . 1r. 1 uv V1] 1 L r V V ‘ There they sang . . their mer—ry car - ols, Sang their ls .s :1 |— .t :d' .1; [1 -:‘s :m .s } I . 7“ they sang their - car-01s,Sa.ng their in IN in IN .r :d .s.} /\ /'\ xx \__y _ Therethey sang . . then" mer-ry : : IS; .S; :1| I‘ .t[ .t| } ,——:—-———'——-————§ . . . /1 /3 ' ~5- tit; Sang theirlauds on :m .m ls zf Sang t»heir1a11ds on ev - :s, .s. t. :1, Is. /\ /\ 129. —x— G. Rabhbone-—Voge1weid, the Minnesinger a.1a la. la la la la la. 4.E. {I :('eI)l .s. :1..t. d .r :m .f ls : . I- -.'--O- Fa. la. la la la la la la I .s..:1..t, d .r :m .f ls :— j. /.. > —f2’i_ la. la la. la. la la 13. I .s. :1..t. Id .r :n .f |s la la la, fa la la 1:). la, |—~ :m.rlm : . I .r :m.£e fe :s I /. >/-'\ /--\ lala 121.13. 1a.1a.Ia. . . . . la . . . lalala, 3.G. {I :(”“')| .s.:1..t.ld.r :m.f|s :— —.r |— :f |— :m_£|P1 la. la la la la la la la. 13., :r I. .s. :1..1z. d .rim .f|s : /. > G Rathbono-Vogelweid. the Minnesinger. 17 k . l\ I -1 \? I I I - F I _ 1 C I I‘ fa. la la la la la la, la I .r :f.1|s :1 .s|1 :t Id‘ fa la la la la la. la la la la. la la la H : I .Se»t.:d .r m .f:s I1 :f m :f .m If :r m f'‘“:’\ /—"\ EH #- > > /"T _ /T smoothly. > > There they sang their met car-o1s,Sangtheir1auds fA “in. :n In :m m In .r :d .s. d lightly. L; {- There they sang . . their nrer-ry car Sang their lauds {Ids} .S. :11 I‘ at] ‘d .t| 1| : :91] .5] 1| . gjx ' _'_ ' o o c There they sang their - car-o1s,Sa,ng their f :f If :f If .r :t. .d } K_./ There they sang . . their mer-ry car - Sang their S] .SI :1] K‘ .1}; .t[ 1| - 21‘: J7‘); } Z'\ G. Bathbon<.»Voge1weid, the Minnesinger lands on they sang their {lr ~ :m In :m There they sang . . their mer- ry S| .51 :1] ‘ .t| Id .t| car- ols, Sangtheir lauds IN .1‘ Id .S| d _o.. . Sang the1r lauds znl .s. [1, sang their mer - ry car-oIs,Szmgtheir lauds IN’ :m' IN‘ :m' IN' .1" :d' .d' It 1 I x J 1. ‘ Y I T] 0 O y ‘I Sang their lauds H Ratahbone —Voge1weid, the Mi11nr3singer. Fa la la la. la la. la. 4.A. l(r°).s. :1. .t. d .r :m .f ls Fa la la la la. la la la I .s. :1. .t. d .r :m .f Is la la. la la la la la la la .r :m .fe fe G. 11a’chbone— Vogelweid, the Minnesingeri la la la la la la .t d'.r':m'.f'l§ la la. la, :m'.r'lW Zightlg/. > There they sang . . their mer-ry E 1: ll ”e'.s :1 l— .t :d'.t } smoothly. > > There they sang their H hm :m In zm /'\ /\ "' Ped. G Rathbone--Vogelweid. the Minnesinqer. Sang their lauds on :m .s 1 car-o1s,Sang their lauds In .r :d .s. ld /\ simili. Therethey sang . . their mer-ry car - 01s, Sangtheirlauds on Ms .s :1 l— .t :d' .t 1 :s :r .m f :s side; They sang their car-01s,Sang theirlauds {f :f If :f . If .r :t. .d r /"\ /T /\ There they sang . .their mer-ry car - ols, Sang their s .s :1 l— .t :d' .t 1 :s :m .s } side; They sang fheir car-o1s,Sa11gt11eir :m In :m [m .r :d .s. } /T /"\ _i_ G. RaA:hbone—Vogelweid. the Minnesinger And the name .their voi-ces :1 .1 r' :— l— .d':t 1 1 > And the name . their voi -ces :f .f Ife :— l— .fe zfe .fe } ut-tered Was the name of {d'.s:— I :m.f s '— I1 u weid. :— d‘ :- ut-tered Was the name {|s.s:——l :d.r m \ A zitacca. G. Rathbone-—Voge1weid. the Minnesinszel ‘*3?-7 23 “DAY BY DAY. O’ER TOWER AND TURRET.” M aestoso. In foul weather and in :d .d Ir .m :d .m} Day by day, o'er tower and tur— ret, Doh is A. {Id :— .d [r : d :m is .s :— {|‘ > Maestoso. J?” num-burs, -0- -9- On the tree :*Im. .m. In Fl0ck’d the po-ets of the air. :d .d Ir .m :d .m s > > > -3. j- V _ V G. Rathbone--Vngelweid, the Minnesmgen. where the branch - es 0 - ver-shadowed all the place, 4.F. :ma‘]S|.S|IS :S :d .t| It] .t[ :1. .13] d y branch - es ~ ver-shadowed allthe place, :— .mlr zd :~ .r Ir .r :d .r m :- > the po-et’s scu1ptur’d the pave - ments, on the tomb On 4.A'p-. — .d' It :1 d'm . : :— .r Ir .r :d .r I, On the pave - ment, on the tomb - On the po-et’sscu1ptur’d zt-m.m In‘ :m' :"‘='=*s..s.ls : :d .t. It, .t. :1. .t. } Pedxro“ G. Ra.t.hbone— Vogelweid the Minnesinger On the cross — bars . . of each window, On the lin-tel of each Doh is A. ° dlr :m — :d.mls.s:—— l :d.d|r.m:d.m} ten. On the cross - bars. . of each window, :d.d|r :m |—- :d.mls.s:—,| :d.d} They re - newed . theWarof Wart-burg, Which the bard :— |—~— :d.d 1 :— |—.s zf .,s|1 :f I :m.r s :- > § lin-te1ofeachdoor,Theyre - newed . .theWarof Wart;-burg, Whichthe bard had HI‘ .I‘1 id .I‘1 IS :d .d :'—' I‘ .d :].| qdlf :1; I 211.1; S; 31' fought be - fore. {ls :—- Is :——|d :——| . . . be - fore. {|~:—|t. :—|d :—l : | : > J- .L> -0- -4- I G Bathbone—Vogelweid. the Minnesinger. 26 “ TILL AT LENGTH THE PORTLY ABBOT.” Adagio religioso. DokisC. {I = I = I Adagio 9'eZigz'oso. mf I -5- 0 -9- length the port- ly { |d :— .d Id —a— -0- -0- -0- ab-bot Mur-mured, zd |d.d: Id zdl toloaves hence - for- ward :— .d Ir :m s :s changed {Id A llegro agitato. -'_ V G. Ra.thbone'-—Voge1Weid, the Minnesinger Ped. 2nd Somulvos. -6-‘ of food? Be it .z— |—— :d.d} “Why this Waste Id zd [ma :— I—- ma Id :3‘ ”d‘ For our fast-ing brotherhood.” :s .s la zla |la.,t.:t. 27 “ THEN IN VAIN O’ER TOWER AND TURRET.” I ﬁ.:>confuoco>. > > > > > > Then in vain 0’er tower and tin - ret, From the walls and |1 =- .1 It :d' |r' :t ld'.t :1 ,:1.1lt :11" confuoco. Wood - land { Ir‘ zt When the min - ster bells rang noon-tide, Gathered the |m].| :‘ .1| It; II‘ It. |d—."t_L:1] :1|.1| ltg .J_ _ ‘_ :4- - : 1 - = 1*: I c 11 . , 1 . P*W I1 L’ 1 . ﬂ 1?! F L Then in vain, with cries dis—c01'd—ant, Clam-’rousr0undthe Goth- ic spire. :(‘):d' :—.d'lt :ta '1 :121 Is 2s Id‘ :-.d'|t :ta ‘1 zla ls 1 m' I ﬁgg; L1 1. 1 r. 1*. no . 111 I1 1 {I \1\1 I 1 1 7?L 1 ﬂ g D 1‘L‘I 4 T 1 1 1 A G I _,_. _,_ J ' 0 '\OJ_ _,_4_ 0 V 0 we1— come guests. Then in vein, with cries dis — cordant, C1an1’1'ous roundthe G0th- 10 {Ir :1;. Ids :——‘d :—.dlr :m :r [13:11 | :d.d|r :m G. Rathbone-—Voge1Weid. the Minnesinger _/‘ff: _mol£o rull. _ H. ‘ ' E-P—-}—J: ’/"r t - - 1 ' ' ' =7 1. E ' 4- Scream’d the feather’d Min - ne - singers For the children of the Ehoir, Scream’d the feather’d '0 G.. -C- {|’“'1 :-.1|se :s lfe zf |m.m:—— '1 :~.1:se :s lfe :f |"‘t :— If‘ :—.f'|m' :1 } fff> molto rall. 1‘; ~-., A . - 4 {=- L, e . I‘; . I . , I 1 1;. =.‘_= - ;f 10 If 1 ‘ ! Scream’d thefeather’d Min-ne - singers Forthe children of the choir, Screa1n’dthefeather’d -{lm1|:‘.].||t-1 :d '1‘ :tl IM|:1[ I :1|.].|!t| Ir :1}; ‘as :‘ ll" 2-.1"ld' :d' 1. ‘lam Qg'Q_ _,__—l:‘:I: :1- I- -5- Meno mosso. sostenu/to. -\,——/_:: Min - ne- sing-ers Forthe chil - dren of the choir. Hr‘ :r' Ir‘ :d' I : I :1.t d‘ :—|1 :—|1 : Ise :——II :—|— Jlleno mosso. sostenuto. __i_: ___e— - ne- sing -ers Forthe chil - :1 lse :1 | ° :f.f|m :—|m :—lm : M eno mosso. P sostennto. G. Ra.thbone—Voge1we.id, the Minnesmger. “TIME HAS LONG EFFAGED THE INSCRIPTIONS." Andante religioso e sostenuta. 1, - I K 2'“-——-a I l I’ I Time Doh is F. ' P1 . I l. I ll- 1 Time I : d Andcmte mligioso e sostenuto. 1 1“\ | 2 :— .d Id .d :d .d,d|r . . . - . 1 N 1\ I\ﬁ\ Y , . . ‘ 1 I 1 v e g 44:. I‘ R Fhittrf ‘ i L has long effaced the in_— scrip - tions :— .n In .n :m .n,mlm IN has long effaced the in- scrip - tions stones, (1 ten. neral tn fu Id stones, |d W31‘ Where re - pose :r .d 1;. us - et’s Where re - pose it. .1; S] p0 IS; .:fe| .S| G. Ru.Lhbone—Voge1weid, the Minnesinget. C And ‘era - di —tion on — 1y (1 .d Id .d :d .d — And bra - (11 —tion on - ly 1: -11 I1: -1: 31: -1| * (Saint ly face or rain-worn let - ters None may tell which {Ir L:— .r Ir .r :r .r f :f :f .f |d :d :j_— * (Saint - Iy face or rain-Worn let - ters None may tell which “ta. :" .ta4 ltaa .taq :ta| .ta. |l| :1] 11' .1] 134 3121. o 0 Choose the fair-est for the mas - ter, Let the :1. .1. It. .13. :d .d s :f :f .f } Z.i- Choose the fair-est for the mas - ter, Let the :11 .11 I134 .1a.|:S| .S| 1] 31' 3d .d I. PP—-e Time has long ef-faced thein - m :— .m In .m :m .m,m} Time has long ef-faced the in - d :— .dld -d :d .d,d} * A Stanza has been inserted here for the purposes of the musical structure. vi}. Rathbonc——Voge1Weid, the Minnesmger. - scrip - tions On the clois - ter’s neral stones, {In :m :m .n s :f :r Id 2:" . - scrip - tions On the clois ~ neral stones, {lr :r :d .d n :t. ld :—— =-} -in pppr'————':-'---‘é h I —C---O- And tra - di-tion on - ly tells Where re -pose :d .d Id .d :d .d m :r .d |t. _ -0- And tra - di-tion on -ly tells Where re-pose :1. .1. I1. .1. :1. .1. d :t. .1. s. ly face or rain-Worn let - ters .r Ir .r 21‘ .r f :f —— ly face or rain-Worn let - ters .‘ .1334 “$34 .1734] 31334 .ta. 1' 5].; n>a G. Rathbone-— V< gelweid, the Minnesinger. None may :f.f} None may :1. .1. } which Choose the fair --est for the :d :].| .11 It; .1}; 1d .d } . -'_ Choose the fair -est for the :1; .1. I134 .1a1:S| .SI 1. Let the sweet - est words be his.) :f .f m :f Ir :— .d ld ten. Let the ‘sweet - . W()\I‘(F':". be his.) :d .d d : Id .d |d :— — :-—— } PW’ -;“‘‘j——“ _g_ {| ‘ Pia mosso. f> Gr. Ra.thbone-~V0ge1weid, the Miunesinger. 38 No. 10. “BUT AROUND THE VAST CATHEDRAL.” M oderato. N obilmente. Doh is A But a- round thevast ca . I ' I :s..s.|d :—.dlr zn } {lzl :. :| M oderato. V A 29060 rit. (Bell.)j ff Bysweet ech-oes m11l - ' Still the :s..s. d .d :— Ir :m .n } the vast ca. - the - dx'a.1-, By sweetech-oes ~- .n Ir :d s. :s. :s. .s. In .n :- re-peat the le - gend, Andthe name of V0 - In :—.mlr :d n :m :d.d|m :r lm Stillthe birds re-peat The name of V0 - gel - weid. {|d : :1..1.d. :—.d|t. :1. ld :d Id :d t. :— T. .'_ G. Rethbone—Voge1weid, the Minnesinger. the monks his trea - sures, Gave them all with this :— .f' In‘ :r' r' :d' :d' .n' s‘ :— .s' If‘ allargando. gave the monks his trea - sures, Gave them all With this .— .1 Is :f If :m :m .s ta :— .ta|1 pia mosso. kolto mt‘ Theyshould feed the birds at noon - tide EI:)ai - ly on his place of .4. {ll :— l—— :1 .1 r' :— .r'ld' :t r' :d' Its zfe “s .1 :d' :r H .. molto 'r't. " pm mosso. _i:__"— hest : They should feed the birds at noon - tide Dai - on his place of {If :— l—- :f.ff :‘—-.f In :se t :1 Isem ”m.m:n :f pm mosso. So a-round the vast ca - the - dral, Bysweet echoes mul - ti - :s..s.]d :— .d Ir :n s :s :s..s.|d .d:— Ir :m } A A A ‘ So st - round the vast cs. - the - dral, By sweet- : :s..s.m :—.m Ir :d Is. :s. :s..s._} grandiose. ‘L V G. Rathbone—Vogelwei%‘, the Minnesinger re -peat the le - gend, And the :f .,sl :f :n .r } Stillthe birds {Is 2d .d ll I- .s And the Still the birds re-peat the le - gend, 31' .11 } 1d ogdlf .d :1] .,d f :].| ech-oes Hm .m :- the name of V0 :1. Id :d molto 2-it. sf a tempo. > > > > _g_ G. R:\thboue—Voge1weid, the Minnesingez‘. THE END. ‘UNISON SONGS—GrRADE 111. (Suitable for Higher Divisions). NO)/ELLO’S SCHOOL SONGS. IHHTED BY uA<1 MCNAUGHT. A SPECIALTY or NovELLo’s SCHOOL SONGS is that they are issued in Books, each book containing songs of about the same class and degree of difﬁculty. Most of the songs are obtainable separately. Specially selected numbers can be stitched in a cover to order on favourable terms. all the songs are graded, will be sent post-free on application. Published in two forms. Accompaniment, 8110 size; The Classiﬁed School Catalogue, in which A, Voice Parts in Staﬁ" and Tonic Sol-fa Notation, with Pimzoforte B, Voice Parts only in Tonic Sol-fa Notation. Where no prices are given in the B column the A Edition only is published :— BOOK 32. SIX CLASSICAL SONGS . The Fisherman Schubert . May Song Mendelssohn . Forget me not .. W. S. Bennett . Rose softly blooming . Spohr . The first Violet .. Mendelssohn . Come, ever-smiling Liberty Handel BOOK 37. SIX CLASSICAL SONGS . May—dew W. S. Bennett . Verdant Meadows (Verdi P1/ati) Handel . 0 Sunny Beam .. Schumann . Slumber Song Mendelssohn . Say ye who borrow (Voi che szzpete) Mozart . Who is Sylvia? Schubert BOOK 57. SIX CLASSICAL SONGS . Hear Thou my weeping (Laschia ch’io pirmga) Handel . My Mother Bids me bind my Hair Haydn . To Chloe in sickness W. Sterndale Bennett . Come, happy Spring (Caro mio ben) Giordani Mendelssohn Haydn . Autumn Song . The Mermaid’s Song BooK7L SIX CLASSICAL SONGS FOR LOW VOICES . The Wandering Miller . Crusaders ., . Welcome to Spring Mendelssohn . Sun of the Sleepless ,, . Evening Song . Contentment... BOOK 72. FIVE UNISON SONGS FOR JUNIORS Words, from “A Child’s Garden of Verses,” by R. L. Stevenson. The Music by Schubert 11 Mozart R. Houston Macdonald . 381.‘ The Moon 382. Where go the Boats... 383. My bed is a Boat .’ 384. Pirate Story 385. The Lamplighter BooK1oa S UNISON SONGS FOR CHILDREN From “The School Music Review” Children at Play (No. 35) Mozart Land to the Leeward (No.40) C. H. H. Parry A Beautiful Scheme of Taxation (No. 44) A. Somervell B. Foster A. R. Gaul H. Smart Eaton Faning A. Randegger The Star’S Watch (No. 52) Song of the Brook (No. 53) A Song of Peace (N0. 73) Boat Song (No. 54) At Night (No. 62) ﬁn Nlv-‘ D-4 “°..-’T—“-"”“*‘w:~ °° -‘F’ (Z) I-4 p—4 i—a >--I >—n »—A 63 »—4 +—4 »—I 1-4 »—I >-4 t»:l>—L¢{—-t¢1- lx’/i‘-ix’/l-L\’)lr‘ tol-‘ Ni-{sir BOO K 1 O9. NINE CLASSICAL SONGS From “The School Music Review” The Cottage (No. 29) Schumann Creation’s Hymn (No. 32) Beethoven Greeting (No. 32) . . Mendelssohn} A Song of May (N0 71) . Beethoven O for the Wings ofa Dove (No. 49) Mendelssohn Hark ! hark! the Lark (No. 34) Schubert Fairest Isle (No. 51) Purcell Hey, Baloo E (No. 54) . Schumann Alone (No. 73) .. Mendelssohn BOOK 110. SIX_ UNISON SONGS . Daisy Nurses... .. W. Hately . The old brown House ,, . Up and Down . Woodland Melodies . Cradle Song . Why do Summer Roses fade BOOK 119. SIX UNISON SONGS . Soft star of the West . Sweet day so cool . For Hearth and Home . Rock-a-bye . .. . . A Rose Song . There were four Lilies A. Medley G. Barker Pinsuti Brinley Richards C. Pinsuti C. H. H. Parry Horatio Parker Battison Haynes BOOK 125. SIX CLASSICAL SONGS . Whither .. Schubert . Come, gladsome Spring Handel ’ . The Lotus Flower R. Schumann . Thou’rt like unto a Flower . Ave Maria . Know’st thou the land BOOK 140. SIX CLASSICAL SONGS FOR LOW MEDIUM VOICES . The Two Grenadiers R. Schumann . 0 Star of Eve (T annhauser) Wagner . The Free Mind .. R. Schumann . Litany Schubert . On wings of Song Mendelssohn . The Garland (By Celia's Arbour) ,, BOOK 141. SIX CLASSICAL SONGS . Trust in Spring Schubert 739. Thou art Repose .. 740. Where’er you Walk 741. Fishers’ Song 742. I love thee 743. Gentle Zephyr BOOK 81. PUBLIC SCHOOL (BOYS’) SONGS. 450. Playyhard for the School F. C. Woods 451. A Football Song Summer Suns 453. Football Song 454. A Fives»Song 455. Hammock Song * Staff only. Schubert Beethoven Handel Schubert Beethoven Sterndale Bennett C. A. Engelhardt B. G. T horne F. C. Woods B. G. Thorne A d. .91 LONDON: NOVELLO AND COMPANY, LIMITED. I—' F—‘ >-‘ NJ N) N3 w t»:l:—Lel—Lol«- . B d. ‘-v.-4 NOVELLO’S SCHOOL SONGS. EDITED BY W. G. MCNAUGHT. A SPECIALTY or NovELLo’s SCHOOL SONGS is that they are issued in Books, each book containing songs of about the same class and degree of difficulty. Most of the songs are obtainable separately. Specially selected numbers can be stitched in a cover to order on favourable terms. all the songs are graded, will be sent post—free on application. Published in two forms. Accompaniment, 8210 size ; the B column the A Edition only is published :— The Classiﬁed School Catalogue, in which A. Voice Parts in Staﬂ and Tonic Sol-fa Notation, with Pianoforte B_ Voice Parts only in Tonic Sol-fa Notation. Where no price: are given in BOOK 16. SIX UNACCOMPANIED TRIOS . Sounds of evening Franz Abt . A Winter Song Ferris Tozer . Stars H. Elliot Button . A Canadian Boat Song A. H. Ashworth . The Fairy Barque A. Moffat To Blossoms . G. A. Macfarren BOOK 17. FIVE UNACCOMPANIED TRIOS . G0, Child, in Life’s fair morning W. Roston Bourke . Come sleep, 0 sleep . Ah! surely Melody . The Violet . ... . Be good, my Child BOOK 27. EIGHT UNACCOMPANIED TRIOS From Vol. I. of “The School Music Review” The Delight of Spring (No. I) Abt The Postillion Evening ) (No.2) L. Mason Sabbath Stillness F. Abt St. George for England i (NO' 4) iMacfarren John Gilpin (No. 5) Macfarren A Marching Song (No. 10) Abt The little Valley (No. 9) From the German BOOK 35. SIX UNACCOMPANIED TRIOS . Violets .. H. Elliot Button -. Summer Longings H. A. Donald . Let us to the Woods away Henry Knight . Wake up, my merry Masters all A. Moffat . The Gnomes . Hunting Song WVV. H. Stuart BOOK 59. TEN UNACCOMPANIED TRIOS . To Daffodils H. Elliot Button . The Singers ,, . The Waking Sun Alfred Moffat . Now pray we for our country E. Flower . L’Angelus (Evening Praise) R. L. Ruelens . 0 World, how fair thou dost seem F. Abt . A Song of Evening A. H. Ashworth . In the twilight Abt . The Blossoms Percy Jackman . Laughing Song ,, BOOK 60. SIX ACCOMPANIED TRIOS . Sweet October Seymour Smith . Happy Times ,, . When do Flow’rets Abt . Oh! the ﬂowery month of June Jackson . A Cradle Song Gilbert A. Alcock . Sunset... Franz Abt God be our Guide (s.s.A.) . Evening Peace (S.S.A.) . Blessed are the pure (S.S.A. Morning Hymn (S.S.A.A.) . Vital Spark of heavenly (s.s.A.) Harwood * Staff only. Franz Abt >—- l—| >—4 )—I I-4 )—t [Cl-£\'.I'-L\‘.Iv-‘ tel-4 C: 51' b Iv—H—u—I[0*\4+—-I-u—t{\'>n—-A m L.:|- rel-‘ NP‘ ‘ Ni’-‘l\’—l'-‘ BOOK 84. THE JUVENILE SONGSTER Thirty-Three Songs, in one, two, and three parts (Unaccompanied). Composed and arranged by Lowell Mason BOOK 64. POPULAR GLEES AND PART-SONGS (UNACCOMPANIED) 320. Blow, blow, thou Winter Wind Stevens 321. Soldiers, brave and gallant be (s.s.c.c.) Gastoldi 322. O hush thee, my Babie (arranged for S.S.A. by J. Stainer) Arthur Sullivan 323. The Angel of the Rain R. Rogers 324. Ye Spotted Snakes R. J. S. Stevens 325. All among the Barley E. Stirling 326. Jack Frost (arranged by Leslie) Hatton ACCOMPANIED TRIOS. 341. Our Heroes (March, S.S.A.) H. Clarke 460. The Death of Nelson. Solo, with ad lib. three-part chorus J. Braham 463. Glory and Love (Soldiers’ Chorus from “ Faust ”) (original words) Gounod 246. Ye shall dwell in the land (Harvest . Anthem). Arranged for s.s.c. J. Stainer 419. Within Thy sacred fane. Solo and Three- part Chorus ...]osiah Booth 420. Two Hymn tunes J. Stainer 421. Two Hymns for Children: “ Children, send a song of praise” (C. H. Lloyd) and ‘ Happy children we have been’ Sullivan 422. In the sight of the unwise F. A.G.Ouseley BOOK 99. SIX UNACCOMPANIED TRIOS 566. Now the Golden Morn J. Stainer 567. The Song of the Lark H. Hiles 568. Why do ye weep (To Primroses) ,, 569. The undertone of the Bells Roland Rogers 570. A Dance Song Abt 571. A Shepherd's Lullaby T. D. Edwards BOO K 1 O7. NINE UNACCOMPANIED TRIOS. From the “School Music Review” Sweet day, so cool (No. 25) G. A. Macfarren The Hunter’s farewell (No. 28) Mendelssohn God save the King (No. 32)‘ The Songs our Fathers loved (No. 36) Which is the properest day (No. 38) Dr. Arne Sweet and Low (No. 46) J. Barnby Erin, the Tear and the Smile (No. 39) The Lark’s Song (Four-part) (No. 51) Mendelssohn The Rhine Raft Song(No. 48) C. Pinsuti BOOK 108. EIGHT UNACCOMPANIED TRIOS. From “The School Music Review” Evening (No. 71) Abt 0 who will o’er the Downs (No. 52) Pearsall How merrily we live (No. 57) Este Patter, patter (April Showers) (No. 59) Hatton Vesper Hymn (No. 77) Beethoven In April time (No. 70) C. Pinsuti Annie of Tharaw (No. 76) Hail to the Chief (No. 72) * Staff only. R..”Bishop A d. B -1. oh v-4r'-u—u-—Ar—- 0-: 9-: >9!-‘ LONDON: NOVELLO AND COMPANY, LIMITED."
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Title: Sha won da see
Date: 1923
Text: MUSIC uamnv VASSAR cones: Pouci-mun"-sat. new vonx SONGS SHA—WON—DA-SEE (The South Wind), Medium, F (No. SKARL THE DRUMMER, Medium, D minor (No. 52535. S COWBOY SONG, Medium, E minor (No. 5254) — WABUN (The East Wind), Medium, F (No. 5255) - - I-IIAWATI-*IA'S SONG, Medium, Fii minor N. as - — — - ADJIDAUMO (The Squirrel) Medium,G ; ( ° 57' ) W J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED iN THE U. S. A....
Show moreMUSIC uamnv VASSAR cones: Pouci-mun"-sat. new vonx SONGS SHA—WON—DA-SEE (The South Wind), Medium, F (No. SKARL THE DRUMMER, Medium, D minor (No. 52535. S COWBOY SONG, Medium, E minor (No. 5254) — WABUN (The East Wind), Medium, F (No. 5255) - - I-IIAWATI-*IA'S SONG, Medium, Fii minor N. as - — — - ADJIDAUMO (The Squirrel) Medium,G ; ( ° 57' ) W J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED iN THE U. S. A. To Mre. F. H. Snyder Sha-Won—da.-see (The South-Wind) “Hiawatha” LONGFELLOW ' Medium JAMES A.BLISS ‘ Op.11,No.3 Larghetto - Lusingando ________________...— Sha—Won — da - ‘see and la - zy Had his dWe1- ling cantando far to south-Ward In the droW- sy dream - y sun-shine In the nev- er .M.bet Caressant( ,60 2336:’; end - ing sum - mer. F T Copyright, 1.923, 53/ J. Fischer & Bro. British Copyright Secured J'F'& B‘ 5252's A MecIzam'ca_l mad all other riglats reserved Printed in U-S-A Ossia From his pipe the smoke as - cend — ' Filled the skywithhaze and Filled the air with dream - y a tempo soft‘ — ness. Gave a twinkle to J.F.& B. 5252-3 Touched the rugged hills with smooth — ness. sum - /\ mer the me1- an-chol - y a tempo SHOW - . In the drear - y moon of use pedal J. F. & B. 5252-3 slower 0.5-sia Brought the ten-der In-dian I» North - land. A Group of A emu) AMERICAN SONGS LIsT No. 1. REG. U S. PAT. OFF. HOWARD BARLOW . . . . . . .1-Iush of the World . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5193, 5194)* . . . . $0.50 I Love isso New . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5192)..... .50 Your Eyes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5195, 5196) . . . .. .50 GENA BRANscoMBE . . . . . .In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . . . .60 ELIZABETH H_ [)AV1D,_,_Honeysuckle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5151, 5152) ..... .50 InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155, 5156)..... Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5153, 5154). . . .. JAMES P. DUNN . . . . . . . . .The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . . .3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) ..... Under the Greenwood Tree . . . . . . . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) .. . . . G. FERRATA.. . . . . . . . . . . .Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) . . . . . CECIL FORSYTH _ , , , , , , , Masque . . . . . . . . . . . . . . . . _ . . . . . . . . . . . . . . . . . . A/ledium (4537,) . . . . . . . . . Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547). . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . .. When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . FAY FOSTER . . . . . . . . . . . .My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . . . Secret Languages . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4665, 4666) . . . . . Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) . . . .. When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . . . Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4454, 4455) . . . .. J. BERTRAM Fox . . . . . . ..A Ballad.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. High (4737) . . . . . . . . . .. Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5079, 5083) . . . .. Sadness; Tears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. FRANK H. GREY - . . - . . . .Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5160, 5161) VICTOR HARRIS . . . . . . . . . .The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) . . . . . A Madrigal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) . . . .. Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..3 keys (5092, 5093, 5<:94) Silver . . . . . . . . . . . . . . . . . . . . . . . ., . . . . . . . . . . . . . . . .2 keys (5098, 5099) A. WALTER KRAMER . - . -Eternal May... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . .. For a Dream's Sake . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (3851, 3852) ..... joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4246, 4247) . . . .. Song ‘Without Words . . . . . . . . . . . . . . . . . . . . . . . . . .High (5020). . . . . . . . . . . HowARD D. MCKINNEY. In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . ..... 2 keys (4863, 4864). . . .. WILLIAM REDDICK . . . . . . —. Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . .High or Medium (5077) . _ Travelin' to de Grave. . . . . . . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) ..... GERTRUDE Ross . . . . . . . . .Early Spanish Californian Folk Songs (Five).. . . .2 keys (5120, 5121) . . . .. 1. 3 Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144) . . . .. LILY STRICKLAN1) . . . . . . . .Bayou Songs (Four) . . . . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) . . . . . 1. A Beggar at Love's Gate; Song Cycle . . . . . . . . . .2 keys (4440, 4501) . . . . . 1. Today is Fair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4338, 4339) ... .. DEEMs TAYLoR . . . . . . ‘. . .Captain Stratt0n's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass _ (5242). . . . . . . . . Bankso'Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Medium (52I0)......... Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) . . . . . The Messenger . . . . . . . . . . . . . . .. . . . . . . . . . . . ..2 keys (4732, 4733) The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) . .. A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) PIETRO A. YoN . . . . . . . . .Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (4452, 4453) ..... Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. - - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND
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Title: It is not Always May
Date: n.d.
Text: V B C A L B U ET, Dedicated to his esteenid Pupil Concanen 39 Lee, lith. Stannard 8: Dixo I THE WORDS BY LO N. G FE? LLWOW. The Music by § m@ Ems Szzvffca/Z» wxwvw _ ,% 0 N 12/») @O]V)\_9 % CRAIVIER BEALE $< CH/\‘P‘D-ELL. MUSIC uannnv VASSAR COLLEGE ’ POUGHKEEPSIE. uzw vonx

Title: Pus Puk Keewis Beggers Dance
Date: 1913
Text: HUSIC LIBRARY VASSAR COLLEGE 90'-'GH‘(EEPS‘E. NEW YORK '11? Reinrz/(Z 717/Errnnrzzl/2 CARL BUSCH THREE SONGS « FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOMPANIMENT Words from “Hiawatha” by LONGFELLOW “GIVE ME OF YOUR. BARK, O BIRCH—TREE!” (,,Gieb mir deine Rinde, Birke“) P§lJ—PUK—KEEWIS’ BEGGAR’S DANCE (Der R" Bettlertanz Von Pau-Puk-Kih-Wis) .75 “TAKE YOUR BOW, O HIAWATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRMER NEW YORK : 3 EAST 43d ST. * LONDON, W. : 18, BERNERS...
Show moreHUSIC LIBRARY VASSAR COLLEGE 90'-'GH‘(EEPS‘E. NEW YORK '11? Reinrz/(Z 717/Errnnrzzl/2 CARL BUSCH THREE SONGS « FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOMPANIMENT Words from “Hiawatha” by LONGFELLOW “GIVE ME OF YOUR. BARK, O BIRCH—TREE!” (,,Gieb mir deine Rinde, Birke“) P§lJ—PUK—KEEWIS’ BEGGAR’S DANCE (Der R" Bettlertanz Von Pau-Puk-Kih-Wis) .75 “TAKE YOUR BOW, O HIAWATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRMER NEW YORK : 3 EAST 43d ST. * LONDON, W. : 18, BERNERS ST. BOSTON : THE BOSTON MUSIC CO. LEIPZIG : FRIEDR. HOFMEISTER Pau-Puk-Keewis’ Beggar’s Dance Barred‘ with streaks of red and yellow, Streaks of blue and bright vermilion, Shone the face of Pau-Puk-Keewis. From his forehead fell his tresses, Smooth, and parted like a Woman’ s, Shining bright with oil, and plaited, Hung with braids of scented grasses, As among the guests assembled, To the sound of ﬂutes and singing, To the sound of drums and voices, Rose the handsome Pau—Puk-Keewis, And began his mystic dances. First he danced a solemn measure, Very slow in step and gesture, In and out among the pine-trees, Through the shadows and the sunshine, Treading softly like a panther, Then more swiftly and still swifter, Whirling, spinning round in circles, Leaping 0’ er the guests assembled, Eddying round and round the Wigwam, Till the leaves went whirling with him, Till the dust and wind together Swept in eddies round about him, Till the wind became a whirlwind, Till the sand was blown and sifted Like great snow-drifts 0’ er the landscape, Heaping all the shores with sand—dunes, Sand-hills of the Nagow Wudjool Thus the merry Pau-Puk-Keewis Danced his Beggar's Dance to please them, And, returning, sat down laughing There among the guests assembled, Sat and fanned himself serenely With his fan of turkey—feathers. HENRY WAD SWORTH LO N GFELLOW From ‘ ‘Hiawatha’ " To Remald Werrenraﬂz Pau-Puk-Keewis’ Beggars Dance Der Bettlertanz VOI1 Pau-Puk-Kih-Wis From“Hiawatha,” by Longfellow German version by Herman Simon Allegretto . . L mg" Carl Busch Voice Barred with Roth und 77;. streaks of red and ye1—1ow,j_ Streaks of blue and bright ver— mil - i0n,__. gelb ge—ma1—te Streifen,_;___ blau - e, pr'e'Lcht’ge Schar-1ach—strei-fe /S /-\ _ . ’ 1* r- Shone _.______ __j______ of Pan - Schmiick - - Puk Kih ‘- 24076 C - G. LSYC}l7/.7'77’L€7' 1’ From his fore — head Sanft fiel Von der /‘\ E1? I’ fell his tress - Smooth, and part- ed like a W0 - ma11’s,‘_ schii — nen Stir — Lok - _ ken-pracht mitW<_ei-ber-schei - tel; L12 ing bright with oil, and plait - ed, Hung with . Von Oel die Flech-ten g1'a'Lnz — ten,_______ rings (lurch- / braids . - of scent - ed grass-es, webt mit duft’ - gen Krliutern. /-3/__X 7{f 1’ As a - mong the guests as - sem-b1ed, 0 the sound of flutes and So bei Sang und F16 - ten~ k1'a'Ln—gen, Trommel — Wir-be1nStimmge- f singing, To the sound of drums and voices, RosethehandsomePau—Puk-Kee—wis, ‘L6-se mitten aus der GEL ste Menge Pau-Puk—Kih-Wis strahlendaufstand Z.-1T‘ { .19" And be-gan his mys-tic danc - und be-gann die Zauber - t:'e'Ln — > > > > > Moderato F dandd a s01- emn measure, Ver - y Erst in fei- er-1i—chemTem—p0, langsam sich be- slow in step and ges- ture, In and out a—mong the pinetrees, Thro’ e we - gend,schritt er in und an - sser-halb der Fich-ten, bald durch /''—T. -[i— shad—ows_ and the sun.—shine, Treading soft - ly like a Schatten,_ balddurch Sonnschein, lei - se W1e___________j ein Pan-ther - T 0 c 0 . - {-3 Alle retto pan- ther, Then more swift - ly and still swift-er, krie-—chend. Schnel-ler sprang er dann und schneller, 4 9 .159 A 17 — ing, spin—ning ' Cir — c1es,_ - belnd sich ' dre — hend, \ mf 9 Leap-ing oer theguests as - sem - bled, sprang weit ii — ber al - le GEL - ste; *1 59 .5 Ed - dying round and round e wig - dreh- te sich' rings um die Hiit - 747" Till the leaves went whirl-ing with him, bis die Bl%§Lt— ter kr2'§u1—se1nd f01g—ten, 'f'. the dust and wind to — geth- er Swept .___. in ed — dies, und Wind im tol - len Wir—be1,?___ im Wir — bel, ‘ . /‘T . - , - V , - . - T ‘r. __ in ed — dies rings um ihn . . {T I’ Till the wind bis der Wind 1’ came‘ a Whirl - wind, Till the sand was blown and Wir - — bel wur — ’de,.___:___. bis Vder Sand Wie Schnee- sturm sift -ed Like great snow-drifts o’er the land - braus-te und die Land-schaft rings Ver — hiill — T 24076 P Till the wind be-came a whirl-wind, ill the sand wasblown and sift—ed, bis der Wind zumWir—be1 wur- de, bis der Sand zum Schneesturmbrauste . /“S /T Z‘\ /‘T ﬂ>>> > Heap-ing all the shoreswith sand— dunes, Sand-hills of the Dii — nen an dem Stran—de héiuf — te * Na — go —Wad—schu, > > > > {T , the mer- ry Pau - Puk - Kee — Wis ______ Danced his Beg-gar’s Dance to Freu-de A1 — ler -te _________j Sei - — nen Bett-ler - tanz der . _ . _ . _ . o /‘$ . . , - -r-. 9 please them,__:__ And,re - turn — ing, Sat (1 V laughing There a—mong the Gauk—1er,________ lief zu - rii und setz—te lachend wie—der sich zur ‘F-. —-€777], guests as — sem — ______ gand Schaar der Géi — ________ féi — che1-te f 772/" P fanned him-se1f se - rene - - 1y With his fan of tur-key — sich freund-lich lli - chelnd, mitA demTruthahn_fe — der — /T ’ ,/'3 Z.‘ ' V. P feafch-ers. fa - Cher. PUBLISHED BY G. SCHIRMER : NEW YORK Beware of the Hawk, my Baby An Indian Lullaby From the opera “Natoma' jouph n. Reading vicm Herbert Andante Voice were of the hawk, my were 0! the hawk, my me“ Copyright. I9". by 6. smmm THE BOSTON MUSIC CO : BOSTON Vaquer0’s Song From the opera “Natoma” Joseph D. Redding Vjctor Herbert Voice dares the bron - co looks the mus -tang maltn mm-cato in the eye ? Oqpyrigltt, [(711, by 0. Saltimmr PRICE 60 CENTS “In my dreams” From the opera “Natoma” -‘°“P“ D‘ R°“‘“"¢ Victor Herbert Moderato e molto rubato Pm” ppoua mm; Z-T Voice Gen-tle maid-en. tell me, have I p pom: acaol. seenthee in my dreams? I won-deriat "*0 When a-hove my poco ten. molt.” pi1- low from the night utar - Serenade From the opera “Natoma” Jowph D. Rcdding ViCt0l' Hefbeﬂ Moderato Alvarado Voice the sun - light dies,._. the night - wind ’sighs,._ When the come, 'my love,_.
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Title: It is Not Always May
Date: 1911
Text: ms Nu \/ (No héy paj aros en los nidos de antaﬁo S P A N I S H P R O V E RB ; ‘ A /Q J BEE T 9 :: e — % V”“”/f. = A :: V The Poem by ' 7 H .w. LONEFELLOW The Music by Simmm THDMSQNJ Price 6 0ce12Z3 THEWILLIAM MAXWELL MUSIC C9 (Founded1;y.JuuA~£owAA>os) ‘ 96 FIFTH AVENUE N EW YORK. Am /ANS MAM It Is Not Always May PART SONG FOR TWO EQUAL VOICES The words by V ' The music by H.W. LONGFELLOW SYDNEY THOMSON Allegretto grazioso (J ; 100) é A . /*\ pocok 3 male . . . 2 00% ‘gel The sun...
Show morems Nu \/ (No héy paj aros en los nidos de antaﬁo S P A N I S H P R O V E RB ; ‘ A /Q J BEE T 9 :: e — % V”“”/f. = A :: V The Poem by ' 7 H .w. LONEFELLOW The Music by Simmm THDMSQNJ Price 6 0ce12Z3 THEWILLIAM MAXWELL MUSIC C9 (Founded1;y.JuuA~£owAA>os) ‘ 96 FIFTH AVENUE N EW YORK. Am /ANS MAM It Is Not Always May PART SONG FOR TWO EQUAL VOICES The words by V ' The music by H.W. LONGFELLOW SYDNEY THOMSON Allegretto grazioso (J ; 100) é A . /*\ pocok 3 male . . . 2 00% ‘gel The sun is bright, the air is 6‘7’6S6‘L @000 d ﬂ0C’0 dart - ing swallows soar_ and sing, ,9 im 2'! e And from the state- elms I hear The _.. blue birds prophe-sy - ing_ AZsi0vpu5Zz's/zed as a song Copyright MCMXI by The William Maxwell Music Co. I¢zternatz'0mzl Uopgreg/L! secured -995-7 f dam. poco apoco blue yon wind - ing riv -er f1ows,__ d2'm.]9oco a 17000 seems an out - let rom the sky, Where‘, “wait-ing till the west-wind blows, The _ freightedclouds at an - chor lie, Where, wait-ing till the west wind bms/, The 77319 cresc; freigh clouds at an - chor lie. _z__ /x_ a tempo }_ pocozfj W All things are new; the buds,the .s-z'm 2'19 ) A11_.things are_ new- the buds, the 1eaves,And e’en the /T 1eEei/_ That gild the e1mtree’s nod ‘L ding - neath the eaves;There birds in And e’en the nests be-neath the eaves; ________ are no birds in last year’s last year’s nest! All things____.._ - joice in things joice in youth_ and love,.___ 1’ youth,_.____ youthand love! And learn from e soft _Tf—==- 1? ul-ness of their firs de - light! ‘ And learn from the soft heaV’ns a - 0 07680. heav’ns a-bove The ‘melt - ing ten - der - ness of night,‘ cresc. 073' The melt—ing en-der-ness of night, pace cresc. melt - .ing ten \_/ learn from the soft heav’ns a __ boxﬁi night. /T‘ f aotemltvo .Maiden,that readst this SiII1—p1€ rhyme, (z 2‘ 771 - der - ness of 7,Z'l«. L- me1t—ing ten—der-ness of K5 En — joy thy y0uth,itwi1l not Maid—en,that readst this Simple rhyme,__ En - sz'm z'Ze / 1) cresc. 112000 a 19000 /La‘ T-' stay; { joy thy youth, it will not 0! prime, Youth, __ dim poco a joy Spring of Love _._; it is not al - ways V En— joy the rag of thy prime, stay; En -joy the frag ce of thy a’z'm.p0co a poco May! En — joy Springof Love_ and '0! it is not al - Ways May! dim. 17000 a 32000 some good ah - gel eave the rest; and » outh,__ some good an — gel leave the timewillteachthee soon-.the . _ are no birds in last year’s time will teach thee soon_. the time will tench thee soon mﬂa lempo tru\tif'/ There are no birds in last year’s nest. xx cresc. e 7'22‘. }— a temjzo ‘ time WH1 teach thee soon,_; There are ’ no birds in last year’s nest. . _ M2,. I } a tempo f 1295-'7 SOME NEW SONGS — PUBLISHED BY - The William Maxwell Music Company (Founded by _7ulz'mz Edwards) BREiTENFELD,.EMlL “Love Came. at Dawn” A fine song for Medium Voice Key of Al) Range El? to E7 BURLEIGH, HARRY T. “ It was nothing but a Rose” A good teaching song in two keys (1) in Bi? Range Bl) to El? ' (2) in Di? Range Di? to G M0 COY, ROSE EVERSOLE “To Part from Thee” 60¢ A most interesting song for High or Low Voice (1) in F Range C to D (2) in A Range E to F# BARBOUR, FLORENCE NEWELL “To ‘Daffodils’-’i . A dainty song for Medium Voice Key of E Range E to NEAIDLINGER, w. H. . “I Hope the Skies are Kind to You” 60¢ A flowing melody with a fine refrain. An exceptionally good song for Low Voice. . In two keys (1) in F Range E to C (2) in Bl? Range C,# to F GARBETT, A. SEL.WYN’_ "Winter Snows are Past” ‘-A brilliant song for High Voice Key of El) Range . El» to G NEIDLINGER, W. H. “Mah Blackbird” Mn Indigmzm zuzzaag) 60¢ The latest addition to Mr. Neidlinger-’s popu- lar series of ‘Southern Dialect Songs. . Medium Voice in G Range C to E GARBETT, A. SELWYN ‘.‘Love’s Pilgrimage” . A song for Medium Voice Key of El» . Range Bi» to F PERLET, HERMAN “Sing a Song of‘ Gladness” 60¢ The real spirit of Gladness in a song for High Voice. Key of D Range E to B M9 coY, ROSE EVERSOLE. A “The Voice. of the Rain” An unusual song of Dramatic intensity. Intwo keys (1) in D, Range A to E (2) in F Range 0 to G r STARR, T. B. “My Spirit on Thy Care” 60¢ A truly devotional setting of a fine hymn ~ In.two keys ' . (1) in F Range 0 to D (2) in Al? Range El» to F STRICKLAND, LILY "Spring Rapture” 60¢ A bright recital Song for High Voice. Key of Al) Range El» to Air SAMPLE SHEETS UPON REQUEST
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Title: Evangeline
Date: n.d.
Text: MUSIC LIBHQHV VASSAR COLLEGE low mm 0 N. POUGHKEEPSIE, NEW YORK ‘Whr=.I1dH.'1r02md 1:1 lruslwd and ‘MI Hprm Hm All :~et‘c11r Thv VQICC m 1m.-1lJmg vvIHspe1' Evarlgclme, 1'Tva1n$c=}1Jw FOUNDED ON CUMPDSED BY tBNﬂfEH.-BWSCELEB RATED rm-:m J B H N B LGC K LEY. 5)’ H15 SA/ifz.’-." C!/11/0-17.‘! IIA-U7/F!/LAX //.£UJ'fﬂA TED CA_BRlEL._(J£5¢7z/£1 70 EVANCELINE) BALLAD, 2/6 % GABRIEL AND EVANUELINEVOCALDUEIT. r"V7 .“M1.HA//_ EVANCELINE. “In the early part of the last...
Show moreMUSIC LIBHQHV VASSAR COLLEGE low mm 0 N. POUGHKEEPSIE, NEW YORK ‘Whr=.I1dH.'1r02md 1:1 lruslwd and ‘MI Hprm Hm All :~et‘c11r Thv VQICC m 1m.-1lJmg vvIHspe1' Evarlgclme, 1'Tva1n$c=}1Jw FOUNDED ON CUMPDSED BY tBNﬂfEH.-BWSCELEB RATED rm-:m J B H N B LGC K LEY. 5)’ H15 SA/ifz.’-." C!/11/0-17.‘! IIA-U7/F!/LAX //.£UJ'fﬂA TED CA_BRlEL._(J£5¢7z/£1 70 EVANCELINE) BALLAD, 2/6 % GABRIEL AND EVANUELINEVOCALDUEIT. r"V7 .“M1.HA//_ EVANCELINE. “In the early part of the last century, the settlement of Acadie (Nova q(‘UIl‘-I/'W?tS cul l ' ‘ * < ‘ UL to the Englisli, and in consequence of some alleged Violation of the treatuan ()|'(lQr from the British Goveriiinent caused its inhabitants to be removed to different colonies.in mauv iu_ stances,“W'IV'es and children were separated from their Husbands and Fathers? and were doomed never to see each other more. Evangeline was thus separated from Gabriel her betrothed, and the only object of their future lives. was to seek each other, after a long and fruitless search, and when attending a public Institution as a “Sister of Mercy”__ Evangeline hears her name faintly breathed by a voice still reinemberd, _it was her beloved Gabriel T’ “On a sabbath morn, through the ‘streets, deserted and silent, Wending her quiet way, she entered the door of the house. Then as she mounted the stairs to the corridors, cooled by the east wind Distant and soft on her ear fell the chimes from the belfry of Christ Church, Soft as descending wings fell the calm of the hour on her spirit: Something within her said. ._ “At length thy trials are ended’; Many a languid head, upraised as Evangeline entered. .. Suddenly as if’ arrested by fear or a feeling of wonder There escaped from her lips a cry of such terrible anguish, That the dying heard it, and started up from their pillows. On the pallet before her was stretr-bed the form of an old man Long, and thin, and gray were the locks that shaded his temples; But as he lay in the morning light , his face for a moment Seemed to assume once more the forms of its earlier manhood; Motiouless,, senseless, dying, he lay; and his spirit exhausted Seemed to he sinking down through infinite depths in the darkness. Then through those realms of shade, in multiplied reverberations, Heard he that cry of pain, and through the hush that succeeded VVhisper’d a gentle voice, in accents tender and saint like, “Gabriel! 0 my belovedl.’ and died. away into silence. Then he beheld , in a dream. once more the home of his childhood As in the days of her youth, livangeline rose in his vision. Tears came into his eyes: a_nd ‘as slowly he lifted his eyelids Vanished the vision av~ay,but Evang‘eli'ne knelt by his bedside ’ainly he strove to whisper her name, for the Hiccents unuttered Died on his lips, and their motion revealed what his tongue would have spoken Vainly he strove to rise, and Evangeline kneeling‘ beside him Kissld his dying’ lips, and laid his head on her bosom. Meekly she bowed her own,and murmured 9 “Father I thank thee“ “Still stands the forest primeval. but far away from its shadow Side by side in their nameless graves, the lovers are sleeping. EV A NGE LINE. pas? 23‘,- EVANGELINE . By the same Composer. " Gabrie-1’; .‘§.eqxu»1 to “Evangeline.” Song. Also "Gabriel and EV'allge1ine’..’(\Vhisper love, thy words are music.) Vocal Duett . W:‘~z'tten by CHARLOTTE YOUNG. Composed by JOHN BLOCKLEY, JIo1)r«:u.4'ro. {ix Dim‘. e rall. Z"—\ Cres . ‘They say that I but dream love, . ‘ twi1ig‘ht’s /’\_/\_,/ 4 3|‘ * * -‘W p 95 “1‘Lvan2re.Tme may be had as a Nottm-no fn'r the Piano Fov-.1e by John J.B]opkluy. Pr. 3/_ L rays . . . . .. . .. Me ._ thinks 3 a_gajn AS de_part _ ed days; 7 g ' fblhms mine again, Thine hand still seeks mine own, {T , \_ 3 . loves own music. seems to say I am no more an _- lune . VVh(-n K__// V _ ‘ By the same Composer"l‘IX(‘F:[S\'0R.’V)y L0n2‘1'«~l-‘.uw. Illmtrrﬂcd in (V(‘l()r<4 [t.vamrc1rne- - John Blzmkley - all around is hush’d and still Pf’ _/ teneramente. in thrilling whisper calls, voice /3/9\__/ L2 E _ ..van _ _ geline , \ calls; Thy voice in thrilling whisper Evzmgeline Up _ on By the «me Authors, ‘fnne Faithful Frip.-nd”.’ Ballad. Pr 2/__ ‘/ the air se__rene, Thy /9 Thy voice i in "thrilling vhisper E- _ van _ _ ge_line>, calls, E _ _V'2m__geline, My John Blm-kley. Rall. e dim. own E _ van- _ge.. _line . calla voce . soon will come love _ _ _ ly world , Evangeline . By the same Anthor9,“Picciola”or the “Prison Flower?’ P1-.2/_ in vain love, For Thou shalt hot call /7\\_g\_’/\__,/\__/ Sr‘ the ‘ Wl1eI\ from this fair and too shall paws a __ way John Blncklcy - fain would go to that bright home, And rest where thou art {T nah, The heax/’n‘__1y land since thou art there, No *~// ~-2 Cres . *2 Dim Q hm _- ger seems u_n .__ known .> mf hush’d and still, Up___ on the air Se .. _ _ rene; V \_€‘j o go’ Evangeline . I John Blockley _ teneramm1te voice in thrilling whisper calls, Thy voice in thrilling whisper /3/3:2 E__van_ _ge__ line, /X C I O 0 C _ Thy volce 1n thnllmg wlusper calls, {T _ Vzm _ - ge .. line, Mv own E- _van _. _ge_ _ __line \'/ calla vocc. ‘ f_\ L] EVanv2‘e1i11u , London, Published by John Bl0ckley,2 Vark Road , Haverstock Hill- Y2 §@©TE5|IlJ /1/Z/.5‘/6‘ BY * AFTON WATER L.,L..L.L./_/a/z/A ANNIE‘S TRYSTE .9057” .9y..»4>’7”0ﬂ/V AULD INGLESIDE L...._.I,...._....._.,.-c=z£4.0///zz_ BATTLE OF ST|RLlNG..__,......_,EEC‘/3’/J‘A/01% _, BONNIE SCOTLAND I ADORE THEE_.L6"ZA%//0/5///I/., A/I/ﬂﬂ///£7“ ._ .D‘?_ ,_ _.,.,6,-9,4)/__.,, CALLUM A GLEN _ ,__.____6z£,4&///1.4- CLAP CLAP HANDIES ............ _.,z5’/P/£6/I/4/I/.__ BE KIND TO AULD GRANNIE ..... uozsm///zz._._ CHARLIE COME HAME . _ ____ ,,W/1'7.S‘0/I/.__ DEWDROP AND THE MOONBI-:AM.._._,4/z///ma... DINNA BREAK MY PUIR HEART W//Z/A/VJ‘ DINNA GANG AwA_ ..p«¢-yy or /1& 5/_A/,4/2,4’/.m/V _ DOWN THE BURN DAVIE HAME HAME AGAIN . ............... ,_ _A>,4/2/«£52 HAME O‘ MY HEART AULD SCOTLAND,,,__ﬂ0ﬂ/V ,, HEATHER BLOOM_. Yﬂﬂ/I/6., HERE'S A HEALTH BONNIE SCOTLAND L155- HOIST THE FLAG OF SCOTLAND. _6'W!JWO[M..r‘ HUNDRED PtPERS,._ ....... ,,__/J16/V[A>L__ HURRAH FOR THE HIGHLANDS ._L__é’/I/?/?.- L. . ..,/‘J16//.é'ﬂ,_« HURRAH FOR THE HILLS &THE HEATHER.A’[A///0////K ILKA BLADE O‘ GRASS . LLLLLLL "A34/[,4/1/7//I/.«..’_.,. UESSIES DREAM- L...L__LL__5z7;/rzf/I "‘LASSIEZ wAD YE LOE ME? //omzm LORD CLYDE. ..../=*/47»?/or/c mom..- £14///////I/_-_ MARY OF THE GLENN. , /20072- MEET ME ON THE GOWAN LEA W/zm/I/.__ MORAGS FAIRY GLEN ______ _, /I/47/Vi/?._ _ MY LADDIE 'S\ GANE___,_, .... //A2‘?/6’/L90/V._ MY AIN DEAR NELL__,,_,_;_________,__,-_//a/I/[_ MY HEATHER HlLLS,_ _________ ______ La;//r/5.. «xgIYIY”S SELECT Q“ of New 8: PO13111a1= /.« ._JI_. Sjr > F» A»/ﬂf/C‘ 5)’ NAMELESS LASSIE _____ _./I/46‘/(E/1/Z/«.“_ NEWHAVEN F-‘ISHWIFE _ LL- ODINNA CROSS THE BURN WlLLlE..-.f/%//’J‘0///. OLD SCOTLAND I LOVE THEE._.L._..//7//om:/*. OH WHY LEFT I MY HAME? .,.J‘»%4’/V/Izz__,- *0 SING TO ME THE AULD SCOTCH SANGS__z.»_‘EJ‘&//,. *0 wILLIE BREw‘D APECK O‘ MAUT-,,,_._.-owa¢£.,_ PRINCE CHARLlE'S LAMENT._/Ir£Vm o,c6«‘&A:6/._._ PU: GAY MEADOW GowANS..“;____L_,_//I/47.<‘0/I/.- SCOTLAND YET '. _ NJ/F/1'05. SCOTTISH BLUE BELLS.,-..---_.-,..-494»?/Ki/?.- *SCOTTISH EMIGRANT‘S FAREWELL _-__az£x/av/z _ SCOTTISH EMIGRANTS RETURN ____ ._,4ﬂ44/$0/V- SONGS OF MY AIN FIRESIDE......,__...L.m47J0/I/- SwEET JESSIE O‘ THE DELLL._._..,_ -w/gm/V _. SAw YE MY MARY__.,_L_.___--.._.L._..J‘//V614’/FA SCOTLAND DEAR SCOTLAND ...... ﬂ? L- z5’[,4/l//7///// SCOTLAND ..L_.-_..,//0/4/»Mﬂ. SCOTIA‘S BARD- ...... __________ LL J//z//Tm/V- SwEET ROSE OF HAZELDEAN ..... L,..../4/Ar/'7%<’L- WATERCRESSES ______________ L14/[AA/7//V5. wEE JOUKYDAIDLES,,_-L,;.-,.L_.,.-ﬂ/ﬂﬂf/Z»- wEE LOCK o‘ HAIR__.,_._..,...__...-..24//[71/A, 3/= wE‘LL Row THEE OER THE CLYDE- ...... /14/?’/r.. wEE wi:E FLOwER_.,p«.ey a,r6'&ﬂ/__..-J‘7z.‘ZZ4.. wELLS O‘ wEARIE__ _..,_._-.L-_.--,_-./P/ﬂﬂf/1. wHEN HEATHER BELLS= ARE -....-.-..-6/ix?/EA- WHEN MAGGIE GANGS AwA ................. ..Z£éi wIFIE COME HAME -7 ....... .-..-,..--§£//K/E. wILLIE‘S GANE TO MELVILLE CASTLE__-___/4/Va- WILLI E‘S RETU RN .60/I//04/I//04/.7'Q_ 9.! 641/PAEE/1 YON wEE BIT HEATHER.-LL_m_..-/I/M/1/4‘7.——— ﬂaw’ 7//z///M7 1*/Z/2 //ﬁy/////i'I'//g// //J‘ .17/eff. 4&2/j/ZL._S%€{/Z/7 JOHN BLOCKLEY, 3, ARGYLL STREET, REGENT STREET, LON DON. W . 3/: WEE Boo PEI-;pL_I ____________ ._--i4z/4/I/7//Vi 3/:
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Title: Arrow and Song, The, The Arrow and The Song
Date: n.d.
Text: R —r:_ / :\ j; ~ : ' ,3 ‘_ _ L4 »‘.~‘ \ \ \ >\: if/%dugfg[%%l}¢a \ ¢ \ <3 G) / > 9 \ ./ T/711///z'.s*/zzxd /If 5//‘var D/7‘.s-0/7 & ['17. ./97/—, H'4r’/.<'/’//'/.///./u7/ 52* ‘ izzs/77/7. ./.1’. /Z7//755 rﬁ £27. /-7/7//=7. .4’/I/Lcaqzz \ ,/ L’, 527a/17’, Z/47/7 <3//5.74/. /1/M7/‘,4. W,/1. /70/it cilia I//7/7 . M I/ﬁx/rt/7 .//1 MUSIC Lsunni vussnn cO1.LEG! THE ARROW AND THE SONG. \V01'(1s by 1{.\V. LONGFELLOW. Molto moderate. I shot an...
Show moreR —r:_ / :\ j; ~ : ' ,3 ‘_ _ L4 »‘.~‘ \ \ \ >\: if/%dugfg[%%l}¢a \ ¢ \ <3 G) / > 9 \ ./ T/711///z'.s*/zzxd /If 5//‘var D/7‘.s-0/7 & ['17. ./97/—, H'4r’/.<'/’//'/.///./u7/ 52* ‘ izzs/77/7. ./.1’. /Z7//755 rﬁ £27. /-7/7//=7. .4’/I/Lcaqzz \ ,/ L’, 527a/17’, Z/47/7 <3//5.74/. /1/M7/‘,4. W,/1. /70/it cilia I//7/7 . M I/ﬁx/rt/7 .//1 MUSIC Lsunni vussnn cO1.LEG! THE ARROW AND THE SONG. \V01'(1s by 1{.\V. LONGFELLOW. Molto moderate. I shot an Arrow kn ow not where , /‘For so svdft — ly it Music by M.\V. BALFE. It fell to earth fl ew, I Couldnot follow it, follow it ' its I breatheda Song . . . . It fell to earth I knownot vshere, For vsho has sight . . . .‘ so keen and strong, That it can fol — low the I flight of ‘:1 For vsho has sight so keen and so strong . . . . .. That it can fol The flight Of 3 song? Long, long after - Ward. . in an oak . . . . . I found the still un broke; And the Song from be — ginning to end [found a—gain in the heart of a friend. And the Song‘ from be- -gin - ning to end. . . [found a—g:u'n in the heart of [found a — gain , I found a- gain , I found a—gain a friend! 22578
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Title: Githche Manito The Mighty
Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA” HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Mat1'ir5'fI“1"é"'Mighty (KitschiManito, der Machfge) . . . . Greeting of Hiawatha (Gruss von Hia- watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt inSchwei» gen) . . . . . . Chibiabose (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw'a£! wach auf’, Geliebte!) Med. OLIVER. DITSON COMPANY.‘...
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA” HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Mat1'ir5'fI“1"é"'Mighty (KitschiManito, der Machfge) . . . . Greeting of Hiawatha (Gruss von Hia- watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt inSchwei» gen) . . . . . . Chibiabose (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw'a£! wach auf’, Geliebte!) Med. OLIVER. DITSON COMPANY.‘ Boston New York Chicago Philadelphia C. H. DITSON 8c CO. LYON 8: HEALY J. E. DITSON 8: CO. To Diwali Bispﬁam Pm;“::::;:;m‘“ GITCHE MANITO, THE MIGHTY (KITSCHI MANITO, DER MAC,HT’GE> '.'[’I£ﬁB.'ESA (name HENRY WADSWORTH LONGFELLOW CARL BUSVCVH German tra7zslatz'o7z by Ilermamz Simon Molto maesto so f FF FF -FVFF‘ Moun- tains Prai _ rie, On the great Red Pipe - stone Ma _ ni — Miicht’ - gs, Er, dos La — bans Herr, stieg FY? Git » che Ma _ ni _to, the might _ y, Zu den Ber_gen der Prai - 71' — en, M& W’ \/F " 5% Copyright MCMVII by Oliver Ditson Company _ K ‘ International Copyright Secured 5-33'563~’°‘6 Mas - ter of Life, de - scend — Bruch der Pfei fen —- sfei — red crags of the quar-rySt00de _ rect,_j.__....___ and calledthe na_tions,. Sie2'n—bruch’s ro—Ihcn Klip — pen Stand er_j___..:_?_. und rief die Na- tio — ne.n,.__ ii - : 3 3 P ‘Called the tribes of men to-geth_er.______ Riqf die Stlim - me all zuv — sum — men. 3 § 5-333-66396-6 17 From the red stone of the quar—ry With his hand he broke a frag_ment, Von dam 1'0-than Fels desStez'mbruchs Brach ein Stiick dann sci — ne Rech — ta, 72?" Mould - edit in — to a pipe — head, Shapedandfash.ionedit with figures; Form _ te es zmnPj}2i—fe7z — koj) — fa, Sc/zuf und lrieb da—rauf F1’ — gu_rcn; Z"’__\ {’-.\ TL‘ _ From the mar_gin of the riv-er Took a long reed Brach zlann van dos Stro_mes U—f<;r Sich cin lam- ges E“; ,t»-, T‘ T‘ 5-333-66396-6 for a p.ipe_stem, With its dark green leaves up_on it; Ried zum Rah - re, Das ge-krc')'nt mit dun - kel11Bliit—tcrn; p _ Fi11’d the pipe with bark of w_il _ low, With the bark of the Fiill — te damn mit Wei — den—rin — dc Voll den Kopf mit 19 _ red Wi1— low; Breathed up — on the neigh — boning for _est, _ thew R'in—dc; In den na _ hon Whld damn blies or -*'u33—66396—6 W" Made its great boughs chafe to-geth- er, Till in flame they burst Dass sich sei - no Ac - ste rie — ben Bis sic glut — um - _ﬂos~ f kin—dled; And e _ reot fZamm_ten; Ki - tschi Ma the fnoun _ tains, Git - che Ma - n1'_to, the might _ der Mdcht’ — gs, Auf - recht sic}: _ end auf den Ber — 5:33‘—66396-6 the Peace — Pipe, rauch — to, Smoked the Sci _ -ma cal - 11 —met, Fm'o_dens_pfei — fr; Aha ha - V61 - 1 to the sig- nal fiir die" Zei — Chen tions. ker. gf f/"Allegro 5-33—66396—6 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, post»paid, and in paper with cloth back, price, $1.50, post»paid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in flexible cloth, are handy in size, and range in price from 50 cents to $1.25.. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. ' ‘ Send for booklet THE DITSON EDITION A new library of approved works, chiefly technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—-to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. ' Send 10 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Title: Childrens' Hour, The, The Childrens' Hour
Date: 1922
Text: 74 .. 7! V‘ 1 CL. The Childrens’ Hour (1901) 71% V Lﬁngfellow ~ Adag1o sostenuto the dark and the day - light, When the '"T»'“' '7' night is beginning to lower, ‘ in the days oc - cu - MUSIC LIBRARY .u. ,— - That is known as Chil-drens’ Hour pm moto rj3__1 hear in the cham-ber a -bove me the pat — ter of 1it—t1e feet |'_—'—"_""1 3 ' 3 r*—*j;'“‘1 ' 3 I sound of a. door that is o-pened and voi - r"""""...
Show more74 .. 7! V‘ 1 CL. The Childrens’ Hour (1901) 71% V Lﬁngfellow ~ Adag1o sostenuto the dark and the day - light, When the '"T»'“' '7' night is beginning to lower, ‘ in the days oc - cu - MUSIC LIBRARY .u. ,— - That is known as Chil-drens’ Hour pm moto rj3__1 hear in the cham-ber a -bove me the pat — ter of 1it—t1e feet |'_—'—"_""1 3 ' 3 r*—*j;'“‘1 ' 3 I sound of a. door that is o-pened and voi - r"""""3‘-1 ' 3 ' d=Jo stu-dy I see in the lamp- light De - scend-ing the broad hall stair, Grave O A1 - ice and laugh - ing A1 - 1e - gra. _. E - dith with gold - en b . pm aresaemoto I pm mm". C O I K Be - tween the dark and day - light, 1%) a tempo /'3 a pause, is known as Chil - drens’ Hour. ‘ rit. 0.. mmm D09 EC1 R
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Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: n.d.
Text: WORDSWORTEHS RYDAL MOUNT COTTAGE. “%e gag ﬁg (DAS MEER HAT SEINE PERLEN.) Words by H. Heine and Longfellow. Music composed by Wm. Mairhofer. The sea hath its pearls, the Dans [Wear hat sei - 726 Per- Zen, dcr hea - ven hath its stars, But my heart, my heart, my heart, hath its Himmel /zazt sei — ne Stemen, doch mein Hefz, main Herz, main H072 hat sei — 726 Great are the sea and the heaven, Yet great - er is Gross ist dus‘Mecr und der Himmel Doc/2 griiss - er ist Entered according In not of...
Show moreWORDSWORTEHS RYDAL MOUNT COTTAGE. “%e gag ﬁg (DAS MEER HAT SEINE PERLEN.) Words by H. Heine and Longfellow. Music composed by Wm. Mairhofer. The sea hath its pearls, the Dans [Wear hat sei - 726 Per- Zen, dcr hea - ven hath its stars, But my heart, my heart, my heart, hath its Himmel /zazt sei — ne Stemen, doch mein Hefz, main Herz, main H072 hat sei — 726 Great are the sea and the heaven, Yet great - er is Gross ist dus‘Mecr und der Himmel Doc/2 griiss - er ist Entered according In not of Congress in 1856 by EDWARD WIEBE, in the Clerk’: edicts of the U. 5. District Court for the Southern Diltriclof New York. l F l IV LVN u, » I63 Ll.‘ 1: :a~——%~y—l?a—6—a tr-llP—@—a‘:.l . I L LL L; lyl - And fair— er than pearls and stars, Flash- es and beams my U/Id sc/Lb"/zcr als Pc'r- Zen and §temen Lcuchzet zmd stra/alt meine Lie — — ﬂy; (ELL ".WCJFEEﬂ " HJI‘ I: l—‘ 1 LA — H» l‘*‘ D.‘ l _‘_“> l Tl L 1 A v—‘ mwEﬂJm@~aj;1L1: #J$EEl£@J_ 9”” l * .l~-'3’-» I— 94% ‘— @~m~@a—c$—-<3/v ,|_&7_L§S'§_§E_,_ﬂL_i"__@ﬁﬁ"§gg‘_w J, &Lg_éy__@_,;, (701111 xmrze. mmﬂﬂ ll" -.L§l~A;,j_ l LW4 l a l TF lg “5'”e:fvf:a:l: v l v ****ﬁﬁ*ﬁ ‘E ‘V w @'_§._E§.;"¢. H —+- @- —l- '@‘ lit — tle youthful maid - en, come un— to my great heart; My heart and the Sea and the Mei - 77,63 jun — gas Mllzl — c/Len, Komm an main gr0s— scs , Herz; mein H6I‘Z mzd alas Jlfcer umi (Jar heaven melt - ing a — way, with love. Himnzel ° ge/L71, var - gehn tar Lid)’. aaaa; E A SERIES OF %§im:mi1a:vc giaaga, ﬁallllaﬁla %wﬂllZB%. Erilllaaa. “éﬂazmrtaa, Qmuetta. Ila. ISSIDEI>VVEEHKL§C 'I‘PIi:1E§3~IE‘OLLOVVI1.\'l'G‘r ARE ALREADY PUBLISIEED- \/x @@M@ﬂN@& . Annie Laurie. . La Favorita. Waltz. . Kathleen Mavourneen. . Comin’ thro’ the Rye, and Thou art Mine Own, Love. Song. . Red, I/Vhite, and Blue. . Consolation. . Boquet of Melodies. . Scenes that are Brightest, and Cornet Polka. . Will You Love Me Then as Now ? . Thou art Gone from my Gaze. . Mazurka des Traineux. . The Sea has its Pearls. . Evening Song. COPYRIGHT. . Slumber-song By MENDELSSOHN. . The Forget-me-not. . Amelia Polka Redowa. . There’s a Good Time Coming, Boys. . Anvil Chorus Quickstep. . Home of My Heart. . Tell Me Where do Fairies Dwell. S07zg_ COPYRIGHT. COPYRIGHT. 2. 4. 6. 8. 10. 12. 14. 16. 18. 20. 22. 24. 26. 28. SO. 32. 34. 36. 88. 42. 44. 46. 40. Rochester Schottisch, and Affection Waltz. Shells of Ocean. Song. When the Swallows Homeward Fly. Long, Long Ago, and the Gipsy Polka. VVhen Stars are in the Quiet Skies. Dueté. I’ll Pray for Thee. I W andered by the Brook-side, and Le Desir. Waltz. A Song of Home. The Ivy that Grows on the old Abbey Wall. Dearest Spot of Earth to Me is Home. Sad, Long, Weary Day. The Maid of Judah. Warrior’s Joy. March. Variations on Haydn’s National Hymn. Imperial Polka. The Children of Haimon. Quarlrilles. Musidora. Pol/ca Mazurka. Maidens’ Eyes their Hearts Reveal. Pot—Pourri from the I-Iuguenots. May Queen Polka. Elsa ggurkz PUBLISHED BY DAVIS & CO., No. 50 Ann Street. MUSIC uanmv \lﬂ§5AR COLLEGE
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Title: Stars of the Summer Night
Date: 1867
Text: BEAUTIFUL SEHENAﬂlE\< W/.0 / {x i \’ \\) —\ /\ R/v ‘ _n_\ \/ \\ - _ \\\\.«‘\_.~' . 7 /v" 4/ ‘ \ \ »_.~\ N‘ \—\_ \\ \>.‘/ \\w ¥ — J‘ ////'////V.’,'r yr \ =i ‘ MUSIC 003300350 A00 0 0I0A1/E0 TO THE PUET pi / JFEU ﬁg? €I>'—— Published by J.»/NM“ DLUHE Nashville Tenn. UP. FAULUS 8.09 Louis:/iHe Hy. uusrc uamnnv VASSAR COLLEGE STARS 013‘. '1‘HE SUMMER NIGHT." Words by Henry W. Longiéllow. ‘ Music Composed by H. Webe‘1-. f _‘ Ped ' \ ‘X-Peck 3T.’lY....
Show moreBEAUTIFUL SEHENAﬂlE\< W/.0 / {x i \’ \\) —\ /\ R/v ‘ _n_\ \/ \\ - _ \\\\.«‘\_.~' . 7 /v" 4/ ‘ \ \ »_.~\ N‘ \—\_ \\ \>.‘/ \\w ¥ — J‘ ////'////V.’,'r yr \ =i ‘ MUSIC 003300350 A00 0 0I0A1/E0 TO THE PUET pi / JFEU ﬁg? €I>'—— Published by J.»/NM“ DLUHE Nashville Tenn. UP. FAULUS 8.09 Louis:/iHe Hy. uusrc uamnnv VASSAR COLLEGE STARS 013‘. '1‘HE SUMMER NIGHT." Words by Henry W. Longiéllow. ‘ Music Composed by H. Webe‘1-. f _‘ Ped ' \ ‘X-Peck 3T.’lY. Wimls of the slnnmer lxiglxtl Xﬂxere yon_de1- woodbinev 1-“.tV Stars of the sununer night! in you azure. scmp Ped_ Creeps, Fold, ram thy pinirnnslight! ‘She Sleeps! (loops, - ' . Hide, hide your gul<1(m;li;__;ht‘. She sleeps! . > * Ped. ‘ 2;: Pea. 4, Perl. ‘ ’ lV.11u~r0Ll:acc(;ruli1n.¢: to Act nf(‘on«,’;r-C-ss, A.T), ]8(i7.by J. A. M‘? Clux-e,in the Clerks office ofthe District Court of .Tenn. 4 , . . sleeps! &c. All (0. sleeps! 43." V. Druznus of‘ the s1'.n|_m«-1* Nzvhtl Tvll ht,-r hm‘ lnv_n~r kervs - V I ) _) 2'.‘d.V. M()011 of the S1nmn,t.:1‘ nigh ‘ F31" down you western st , . , - Petl. Stars <»f'\lw5I1v1|IIw:- n'x;ht. —— 4. slumhers light .Sink,- Sink in sil _\'é1' light! She sleeps! 8Va_ Allegretto. . sleeps‘. nif sleeps . ate-mpn. Stars ofthe S11I!)1ll(?I"Y1ighf,
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Title: Awake It is the Day
Date: 1910
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New YORK Pi anoforte A“éJ<:o1npani1nenI H JV. L ONGFELLOW Set to Music FLORENCE NEWELL BARBUUR. :33, @\sL———-- dwakel it is ffzeﬂay. ................ ..(3%'§z"o"sB§.“.s.~ am. Stars ofilze Summe2°Iz§gZ2t.% ...;32§28”sBE“an em. .7... }§'1'ce 50021173 each. JXRTHUR 19. 5CHJVIIDT, BOSTON, LEIPZIG, NEW YORK, 120 Boylston St. Lindenstrassel6. ll West36th St. Copyrfg}1tI9/0 by Arthur F.’ Schmidt. International Copyright Secured....
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New YORK Pi anoforte A“éJ<:o1npani1nenI H JV. L ONGFELLOW Set to Music FLORENCE NEWELL BARBUUR. :33, @\sL———-- dwakel it is ffzeﬂay. ................ ..(3%'§z"o"sB§.“.s.~ am. Stars ofilze Summe2°Iz§gZ2t.% ...;32§28”sBE“an em. .7... }§'1'ce 50021173 each. JXRTHUR 19. 5CHJVIIDT, BOSTON, LEIPZIG, NEW YORK, 120 Boylston St. Lindenstrassel6. ll West36th St. Copyrfg}1tI9/0 by Arthur F.’ Schmidt. International Copyright Secured. 3 “ ; § Awake! It is the Day HENRYW LONGFELLOW ’ FLORENCE NEWELLBARBOUR Allegro agitato a temp0 wind came up from 5) And said “O mists, make room for me, 7 Copyright 1910 by:Arthur P. Schmidt International Copyright Secured 01. . . 887. -4 -P S 9 Public Performance Bermilied. hail’d the ships and Cried, “Sail on, Ye a tempo And . . + a dam. 3 mt. - _ - I) hur - ried land - ward far - a - way, Cry-ing,“A _ wake! for p L. the day.” It L touched the wood - bird’s fold - ed Wing, cm? 8. 8879 -4 —-==i::_.."'.::. Chan - ti - clear,» Your clar - ion blow, the aﬂd? 8. 8879 -4» pm animato 12000 oresa - whis pered to the fields 19 pm am'maz‘o 17000 oresa - '1/‘ato accel. - - _ } } down, and hail the com - ing m0rn.”___ A wake, a - > >}> gf Li — f agzlato accel. - - _ A oms-a. _ - molto ff _ wake ’tis day! A - wake H______ A > >' m Brillante F3 > .71.? 8. 8879-4 L./2.3» /T \‘ SELECTED SONGS from the Catalogue of ARTHUR P. SCHMIDT Boston . L Paul Ambrose. .17. The Shoogy-Shoo. Two keys each , A. 18 No.2. A Spring Song. Two keys ea. . 19. The Lotus Flower. Two keys ea. Mrs. H. H. A. ‘Beach. .i9 No.2. Ecstasy. Two keys. . each .37 No. Fairy Lullaby. F (e-for a) . .43 No.2. Scottish Cradle Song. Cmin. .43 No.5. My Lassie. AE> (eiw-at») W. Berwald. .15. The Approach of Spring. Waltz Song. Bl» (c-a). . . . . . . . Arthur Bird. Op.36 No.5. When Katie tuned the old Guitar.’ 'I‘wo keys. . . . each John Hyatt Brewer. Sweet! (The Swallows’ Song). Two keys ea. Op. 39 No. l. Rockabye Dearie. Two keys ea. Op. 39 No. 5. There’s ever a song somewhere my dear. Two keys . each Dudley Buck. The Village Blacksmith, C (at!-eb) . Geo. W. Chadwick. Allah. Two keys . . . . . . . . each Sweetheart, thy lips are to ched with ﬂame. Two keys. . . . . . . . each The Roseleans over the Pool. Two keys ea. O Let Night speak of me. Two keys each Theo. Chandon. An old Love Song. G (tl-d) Mrs. C. F. Chiekering. In the night she told a story. I) (d-ft) . (3. Whitney Coombs. Child of the Dark Eyes. Two keys Once at the’ Angelus. Two keys. . Charles Dennée. In Dreamland. Two keys. . . . . The Sandman (Lullaby). Two keys The Thought of You. Two keys. . Steph. A. Emery. Op. 24 No.1. Somebody(Scotch Song). D (d—f) 011.33 No.2. Bunst, ye Apple Buds! Bmin. (ft!-git). . . . . . . . . . . . Arthur Foote. 0p.13No.2. Pm wearin awa’. Two keys ea. Op. 26 No.2. Love me ifllive. Two keys ea. Op. -13 No.3. Sweetheart. Two keys each Op.43 No.5. Up to her Chamber Window. Two keys . . . . . . . each An Irish Folk Song. Two keys . . each each each each each each Through the long days and years. Two keys ea. Alhan Forster. The Hour will come. D (d-f) . . . . . lnspring. A(c-f)........... Henry K. Hadley. Op. 7 No. 3. Kathleen. Two keys. each No.6. Greeting. Two keys. each Op. 14 No.1. Dear, when Ilook into thine eyes, Db (b-f) . . . Op, 14 No.4. I dreamed of a Princess. Di1.(c-f)........... ‘My ain dear Somebody. A The Awakening of the Rose. New York. I J. H. Hahn. Break, break, break. Two keys . . Love me if I live. Two keys . . . The Prpposal. A((1b-e) . . . E. W. Hanseoni. My Secret. Waltz Song. E5 (cl-ah). . . Victor Harris. In Springtime. Two keys ea. '.l‘heBlackbird. Two keys ea. Georg Henschel. Spanish Serenade. Two keys Reinhold L. Herman. Op.37 No. 2. A Little’ Summer Breeze. F 0p,41 No.1. or Ever. Two keys . each ()p,41 No.6. (tipsy Serenade. Two keys ea. each each Op. 13 No. 1. No.6. each W. Ilennnnn. The Time of Roses. A (dil-gora‘; Edw. liurlingalne Hill. Five Songs for Children from the Hound Rabbit« . . . . . . .n. Mildred J. Hill. The Perfect Day. I) (c~t'3). . Love's Paradise. ll (ll-fit) . Helen Hood. A Disappointment. E (c~c) . The Violet. Ffemin. (ct-ft) Natll. Irving llyutt. Op.4 No.1. Marguerite. Two keys No. 2. Beneath Thy Lattice. Clayton Johns. Because of Thee. D (d-g) Marie. G‘>(_d-gzl-'). . . . . . . . Love’s Revelation. 1) (d-f). , . . Jules Jordan. Two keys Op. 45). A. Life Lesson. each Margaret R. Lang. F (f -f). . . Irish Love Song. Two keys. . . . each An Irish Mother’s Lullaby. Two keys each Frank Lynes. My King. (Companion Song to »He was a Prince«) Two keys . . .. each Marie. Two keys . . . each "Fwas my Heart. Two keys . . . . each If all the dreams. we dream. Two keys each Thy Picture. Two keys . each Dreams. Two keys. . . . . . each W. Manse. Bn (c—a‘o) Violin Oblig. Edward Mae nowen. Deserted and Slumber Song. Eb (eb-eh). Thy Beaming Eyes. Two keys each A Maid sings light and a Maid sings low. Twokeys. . . . . . .. each Four Songs. Complete. Two keys each 11. Three Songs. Complete . . . . . . . .11. Hugh W. Martin. When I behold Thee. D (cit-g). . . . . 3:! In .50 .30 .40 .75 .75 .30 Leipzig. {D John W. llletcalf. Absent. Two keys . . . . Sunrise. E" (d-e) . . . . . . . A Dream so Fair. Two keys . . A Keepsake. Two keys. . each . each each Homer A. Norris. Twilight. B (b-e) . . . Geo. B. Nevin. The Boatswain Bold. D (a-d). . . . . Edna Rosalind Park. The Nightingale and the ltose. Twokeys ea. A Memory Two keys . each Thy Name. Two keys each Alice Locke Pitman. A (e—e) Th. Podberlsky. The Wanderer’s Song. A lr (elwg). . . . Confession. (‘arl lteineeke» On the Strand. I) (e—f3). Violin Oblig. . Dance of the Dragon Flies. E (d-g). Violin Oblig............. Franklin Wing Biker. For Love of Her. F (c-f) . . . . . , . l’ll never cease loving Thee. F (c-g}, . . Clara Kathleen Rogers. Confession. Amin. (0-e) . . . . . . . . The Clover Blossoms. F and A (ye-fitor a) Jas. H. Rogers. The Moon shines pale. Two keys . each Frank E. Sawyer. The Night has a thousand eyes. F ({'-f) . Spanish Romance. C (e~a) . . . . . . . Sch. B. Schlesinger. Up to her Chamber Window. Two keys ea. Longing, Dix (c-eh or glr) I’. A. sehnecker. To the Night. Bass Solo. 1) min. (a-eh). Chas. P. Scott. Only a Ribbon. Ballad. Two keys each Robin Goodfellow. D (a-e). . . . . . . I-‘. N. Shaekley. Ere the moon begins to rise. Two keys ea. Softly blow, ye scented breezes (Serenade) Two keys. . . . . . . . each Thou. G. Shepard. Me . A Cycle of Songs . . . . . . . n. , Gel-rit Smith. Bee Song. A(e-fit), . . . . . .. Alpine Rose. Bb(d-f). . . . . .. Arlhnr W. Thayer. Clover Blossoms. Two keys. Only a Song. Db (db-ab) Gust. Tncherman. The Windmill. Bass. Bbniin. (f~el7) . . .60 Max Wei]. C (e-g) . . . . . . . . .40 z¢_n\J Love’s Captive.
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Title: Onaway Awake Beloved
Date: 1918
Text: mg: K”, " IN D FLAT. IN G FLAT. «7>5- 3 ////// "nu IIIIIIIINIII IIHIII ONAWAY, AWAKE, BELOVED SONG From the Cantata “ HIAWATHA’S WEDDING-FEAST " The verse written by Longfellow The music composed by S. Coleridge-Taylor. (Op. 30.) IrrmlllllllIII’IIIIIIIIIIIIIIIIIIIIIIIVI VIIIIIIIIIIIIIIIIIIIIIIIIIIIIII!!!IIHIIIIIIIIIIIIINHIIIIIVI/IIIIIHIIIIIIIIIIHIIIIIIIIII-n Plus}: Two SHILLINGS um. IIIIIIIIIIIIII/Irrnnr 1: \\\\\\\\\\\\\\\\\\\\\\\\\\\V \\\\\\\\\\\\\\\\\\\\\\\\\\\\ \ \ LONDON...
Show moremg: K”, " IN D FLAT. IN G FLAT. «7>5- 3 ////// "nu IIIIIIIINIII IIHIII ONAWAY, AWAKE, BELOVED SONG From the Cantata “ HIAWATHA’S WEDDING-FEAST " The verse written by Longfellow The music composed by S. Coleridge-Taylor. (Op. 30.) IrrmlllllllIII’IIIIIIIIIIIIIIIIIIIIIIIVI VIIIIIIIIIIIIIIIIIIIIIIIIIIIIII!!!IIHIIIIIIIIIIIIINHIIIIIVI/IIIIIHIIIIIIIIIIHIIIIIIIIII-n Plus}: Two SHILLINGS um. IIIIIIIIIIIIII/Irrnnr 1: \\\\\\\\\\\\\\\\\\\\\\\\\\\V \\\\\\\\\\\\\\\\\\\\\\\\\\\\ \ \ LONDON, 3\@‘zJeZZ0 €99 Ca, Lia’. MADE IN ENGLAND. ®nawag! Elvoahe, beioveo! And the gentle C/iibiabos Sang in accents sweet and tender, Sang in tones of deep emotion, Songs of love and songs of longing, Loo/lzing still at Hiawatha, Looking at fair Lang/ting Water, Sang he softly, sang in this wise : “ Onaway! Awake, beloved! Thou the wild-ﬂower of the forest! Thou the wild-bird of the prairie ! Thou with eyes so soft and fawn-like! “ If thou only lookest at me, I am happy, I am happy, As the lilies ofthe prairie, When they feel t-he dew upon them! “ Sweet thy breath is as the fragrance Of thewild-ﬂowers in the morning, As their fragrance is at evening, In the Moon when leaves are falling. “ Does not all the blood within me Leap to meet thee, leap to meet thee, As the springs to meet the sunshine, ln the Moon when nights are brightest? “ Onaway! my heart sings to thee, Sings with joy when thou art near me, As the sighing, singing branches In the pleasant Moon of Strawberries! “ When thou art not pleased, beloved, Then my heart is sad and darkened, As the shining river darkens When the clouds drop shadows on itl “ When thou smilest, my beloved, Then my troubled heart is brightened, As in sunshine gleam the ripples ‘That the cold wind makes in rivers. “ Smiles the earth, and smile the waters, Smile the cloudless skies above us, But I lose the way of smiling When thou art no longer near me ! “ I myself, myself! behold me ! Blood of my beating heart, behold me! O awake, awake, beloved! 3 Onaway ! awake,beloved ” LONGFELLOW. ONEWFLY! EWEKE, BELOVED! H.W. Longfellow. ‘ S. Coleridge-Taylor. Andanfe con moto. J = 112. /T pp tranquillo a tempo «[2 On-a - way! A—wa.ke, the Wi1d—f1ow’r of the for 14502 , Copyright, 1.918, by Nawello 3' Com1>omy,Limz'ted. Thou__. the wi1d—bird of the like ! >gT fawn - >/\* 1i1— ies of, Fed’. 5Empre _ rie! prai Thou with eyes so soft and Fed. sempre . If thou on- — .1)’ t look A Fed . sempre a tempo accel. > cresc. am hap-py, As the 1i1-ies, the > atemo : mF Fed. i>/—-\ the.prai-rie, When they feel the dew > a tempo, tmnquillo f''\ —<''_'’. ~_~_—=>. Sweet thy breath is as the /"S KT F}: a te7nff0 _ . Fed. sempre frag- rance Of thewild-f1ow’rs in emorn - ing,__ I-,-1f——-1-_.{‘..___ Sf 13. F51 Fed. ‘L Xx 41} (1. As ._ their fragrance is at eve-ning, In the Moon when leaves are fall - ing... /'\ » ‘ > A m]l'_.=.—:_—-_.-':"___5_f-—___—_—_—,=__—.— d‘ 5E’”P”3 Appassionato > not all the blood with—in f>. Leap to meetthee,1eap to meet thee, As thesprings to meet the sun _ shine,__ > f —¢_1_f_ a tempo the Moon. when nights are bright — est ?____.____ a tempo . /X /T Pad. semp re sings to thee, Sings with joy__ when thou art near me, Fed . sfempre sigh _ ing, sing - In the plea. _ sa.ntMo0nof Ed. sempnz : Staw - ber- ries! Whenthou art not p1eas’d, be - lov — ed, >/\A ("T ‘if Fed. Fed. sempre 1:000 rit. _ accel. is sad and dark- en’d, As the shin - ing {*5 Z-T . 12000 ﬁt. dm. 6 mil. »‘——T — er dark—ensWhent11e c1ou1ds___ drop sha - dows dim. e mil. sempre Pad Con moto. When thou smil - est, my be 1ov- - -ed, A _ ‘/‘T FF Fed. sempre my trou-bled heart is... bright — — shine gleam rip — ples That the cold Wind makes in riv — } mf --§—-—-:’__5f 3:;-:5 Fed. largamente > O Smiles the earth,and smile the VVEL - ters, Smile thec1oud—1ess skies a.-hove us, But mil. (3 dm. lose the way of smil - ing When thou art no long. er near me! /‘S/"*\ mll. e im. ﬁt :.:- e —.:____ T Fed. sempre 17 14502 Fed. sempre M6ﬂ0 Blood of my beatingheart, be- hold me! > A >/\/\ Memo mosso. Fed. Fed. P911- molto rail. tmnquillo r_\ atemfo On-a-way! a—wake, V be- 10v. "1”- 3 d“”- ‘ ‘V molto mll. FE .5Empre /‘T mil - 6;: - tcmdo ’‘ FFF <5f_j=—— Fed. 14502 Fed. P211. PM NOVELLO’S NEW AND POPULAR SONGS. PRICE OF EACH SONG 2s. THOSE MARKED WITH* IS. 6d. EACH. MEZZO-SOPRANO CONTRALTO SONGS. SONGS. KEY COMPASS ‘ Atkins, Ivor. Austin, E. Virgin's lullaby (The) . . G minor D—F Sweet night . . . . . . . Bl) D—D Austin, Ernest. Austin, Frederic. ‘Sweet night - - - - - Bl’ D—D It was a. lover . . . . . D Austin, Frederic Sigh no more, ladies . . . . D It was a lover . . . . . . E Bap}-(by, J_ . . Bainton, Edgar. When the tide comes in . . . . C Song of the Virgin Mother.. . D Brook, Emmeline. Booth, G. V. Two Lyrics: Truth . . . . . Db { A prayer . . . .. Ab F . . . . ' A question . . . . . . BIXc§§g§10ef'Eig£?ett’ H’ M‘ B»? Song of the pilgrims . . . . D minor Brook, Emmeline. C°enens. W- Song of the pilgrims . . . E minor Come ‘mt°_me - - - - - - Coenen W Lovely Spring . . . . .. B)? I ' 1 Beyond .. .. .. .- DD Coleridge—Taylor, S. Come unto Me . . . . F As the moon’s soft splendour . . B How can I tell . . . A Beat, beat drums .. .. D ' C 1 , R. Blood-red ring (A) . . .. .. ‘G minor odliﬁaiiristion (A) .. .. BD ga“°e. “mg --t -- -- D1’ praise me no Draper, C. F. When day is done . . . . Coverley, ‘R. . Elgar’ Edward. Supplication (A) . . . . . AD Angel’s song. . . . . . . . Dvopgik, A, In moonlight. . . . . . . " Inﬂammatus. . . . . . . . D minor Fletcher, Percy E. L ' 1.1 d . s:.;?::.r.::, g§gf10g§geegt<A> .. .. gg Some perfect rose . . . . . lg ' ‘ ' ‘ ' ‘ . Son stem, awakenin River (The) . . . . . . . . G minor g g " " Torch (The .. .. .. . .. F Foster, Myles B. Was it some golden star? . . . . C# minor 0 for a closer walk .. .. . . Fletcher, Percy E. German, Edward. Love in the meadows . . C CaInel’s hump (The) Some perfect rose . . . . . . G’ Haxrty, Hlal’I(1lllt0Il. C Harty, Hamilton. i%‘:C‘1’)SrSalY‘fnaI‘:°‘,71,he ' ' ' ' ' ' D minor Cradle Song . . . . . . . . A minor Hill, Lady Arthur. J°hnS.°n» N081- *I want to be a soldier .. . . ‘gfﬁmtyd ' ' ' ' Eb *M0ther.S song _ _ _ _ _ _ onie, ream ess rest G Take th u th' rose.. . C Johnson, Noel. O 15 Affinity . . . . . . . . Ketelbey. A. W. Uome, ydreamless rest . . . . My h€9«1't 3-dream - - K - - - B17 Take thou this rose. . ' King Wilton Ketelbey, A. W. You’r dear heart . . . . . Eb Hea.rt’s awakening (The) . . » My heart a-dream . . . N‘%);7il7r(;,r1VsOiEE£g1e5t- Eb M0110)’; J- Lg ' ' Love is for ever . . . . Behind the silver of the moon . . Remembrance and Regret _ _ Newton, Ernest. KEY COMPASS Elgar, Edward. Fairy voices . . . . . . . . P%g‘1rt;’SVI:3’11‘Iohn' Love is for ever . . . . . . Remembrance and Regret . . _ Lullaby Pughe—Evans D. P“ghe'E.V3-n5» .1)- Lead, kindly tight . . .. . Lead» kmdly Light Read, W.‘ H. Return unto thy rest Mirage. .. .. . . . . Stewart, Kingston. Should one of us remember . . A minor Where the children sleep . . Smith. H- A1’I101d- Sullivan, Arthur. Come back -- -- -- -- El? Christmas Bells at sea Stewart’ Kingston. Longing for 11011197 . . Soul (A) " " " Thomson, Bothwell. Wareing, H. W. (Old, old song . Jesu, lover of my soul . . . . El? Soft, soft wind Wilson, Lane. Wilson, Lane. Lord is my Shepherd (The) F ' Lord is my Shepherd (The) NOVELLO’S NEW AND POPULAR SONGS. PRICE OF EACH SONG, 2s. THOSE MARKED WITH *, IS. 6d. EACH. BA RITONE SONGS. may compass Austin, Frederic. It was a. lover . . .. . E E—E My Susan was a bonny lass C C—D Brewer, A. H. Big Review (The) . . . . D A—E England, my Englan Bb G—El7 Brook, Emmeline. , Song of the pilgrims . . E minor D#—E Carr, Howard. Song of the Fugitives . . . D minor B—E Coates, Henry. Longing . . . . . . . . D[7—F Coleridge—Tay1or, S. Beat, beat drums . . . . . . C—E Canoe song .. .. .. .. Bf7——El7 Eleanore . . . . . . . ' D—Ef) 0 praise me not . . D——E Sons of the sea . . . ' C—F Coverley, (R. Supphcation (A) .. Draper, C. F. When day is done . . Elgar, Edward. In inoonlight. . Sword song . . . . Fletcher, Percy E. Galloping Dick . . Some perfect rose . . German, Edward. Ca1nel’s hump (The) Rolling down to Rio Graham, Basil. Within your eyes . . Harty, Hamilton. Drover (The) . . . . C minor Strangers grave (The) . G minor Johnson, Noel. Afﬁnity . . Roundel (A) . . . Take thou this rose. . Ketelbey, A. W. Heart's awakening (The) My heart a-dream . King, Wilton. Your dear heart . . . . Molioy, J. L. Behind the silver of the moon Newton, Ernest. Bold Gendarme (The) Zummerzetzhire . . Parry, C. Hubert H. *Love is a bable . . ‘Lover's garland (A) . . Pughe-Evans, D. Lead, kindly Light . . Smith, H. Arnold. Come back . . . . Spurling. C. M. When I saw Chloe’s face . . Thomson, Bothwell. Heliodore . . (Old, old song . Soft, soft wind Wareing, H. W. Gentleman John Wilson, Lane. Lord 15 my Shepherd (The) BASS SONGS. may comrass Arnott, A. D. r Give a rouse . . . . . . . D A-—E Austin, Ernest. Sweet night . . . BD C —D Austin, Frederic. It was a lover . . . . D D——D Brewer, A. H. Big Review (The) . . . . . C C—D Brook, Emmeline. Song of the pilgrims . D minor Two Lyrics 2 Prayer (A) . .. AI? Question (A) . . . F Carr, Howard. Song of the fugitives . . G minor Coates, Henry. Down Chelsea way . . . . C Coleridge-Taylor, S. Eleanore A Coverley, R. Supplication (A) . . . AV Elgar, Edward. In moonlight . . . . . . El) Engelhardt, Cecil. On a Summer’s day. . .. C Fletcher, Percy E. Galloping Dick . . . . . C Puritan Maid . . . . . Bl? Some perfect rose . G German, Edward. Camel’s hump (The) . . D Rolling down to Rio . . . G minor Graham, Basil. VVithin your Eyes . . . . . El) Hatton, J. *Ocean (The) . . . . E Haynes, Battison. Ould plaid shawl (The) Johnson, Noel. Aiiinity . . . . Corne, dreamless rest Roundel (A) .. .. Take thou this rose . . Mackenzie, A. C. Old Grenadier (The) Newton, Ernest. Bold Gendarme (The) Remembrance and regret . Zummerzetzhire Parry, C. Hubert H. Maid of Elsinore (The) Pughe-Evans, D. Lead, kindly Light . . Return unto thy rest Spurling, C. M. When I saw Chloe’s face . . Thomson, Bothwell. Heliodore . . . . Wareing, H. W. Gentleman John . . West, John E. Cheerily 0 ! . . . . Wilson, Lane. Lord is my Shepherd (The)
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Title: Good Night Good Night Beloved
Date: n.d.
Text: V?‘ f;; j mxga, ( Q,‘ ( \ \\ \ > lj@ /// / L/ K, / ‘K J \, ,/ G;//z/a ~/”\<:;/ /:”/// ,////1’//"//////*“‘l/.\\ 4 -\ ./ /\\J/1 \ Akx/l&CDE£€%I?I§1Q N, ‘ WE Mu@§mA©3®W®/E’@ N @Lu@A\“ix:\ig\.‘@ /“\4 § % “T T) ﬁfmtllrﬁgjg}. ““'/ <\-> L ‘ ..., \ Kr ///é‘$‘ ./w 5/‘ \ »« , , ,-/REY 3 7:?\ gZ“= \“ ' ‘W“>ALFE ; 9; ‘,./ 9 «\.J\..__\,' ,W,A\ \\‘¥_/I K L/[W \ \ I mwmMw V ~ _ ﬁwvgg / / , , . X ,_ ,/ ﬂ//0éc'.;zI‘zrZ,0(z [.9 L©m@@N¢ BOOSEY & sons, 28, HOLLES...
Show moreV?‘ f;; j mxga, ( Q,‘ ( \ \\ \ > lj@ /// / L/ K, / ‘K J \, ,/ G;//z/a ~/”\<:;/ /:”/// ,////1’//"//////*“‘l/.\\ 4 -\ ./ /\\J/1 \ Akx/l&CDE£€%I?I§1Q N, ‘ WE Mu@§mA©3®W®/E’@ N @Lu@A\“ix:\ig\.‘@ /“\4 § % “T T) ﬁfmtllrﬁgjg}. ““'/ <\-> L ‘ ..., \ Kr ///é‘$‘ ./w 5/‘ \ »« , , ,-/REY 3 7:?\ gZ“= \“ ' ‘W“>ALFE ; 9; ‘,./ 9 «\.J\..__\,' ,W,A\ \\‘¥_/I K L/[W \ \ I mwmMw V ~ _ ﬁwvgg / / , , . X ,_ ,/ ﬂ//0éc'.;zI‘zrZ,0(z [.9 L©m@@N¢ BOOSEY & sons, 28, HOLLES STREET. Oxrono STREET. ~...o-=-**""""""'""'--ﬁt‘- * MUSIC DEPT» 7‘ CR:/‘gs ROAD. ¢_'i,T:_“__...’»»--* “ GOOD—'NlGHT! GOOD NIGHT! BELOVED!‘ ” THE POETRY BY LONGFELLOW. ./ILLEGRETTO MODERATO . VOICE. -./.’V'." 2.) “Good night! good night? beloved! ” (1\1.M'. BALFE THE MUSIC BY M. W. BALFE. Good 1o'g'ht . o . . . A . . . . . . . . . ‘ . . . .. good nig'ht ..................... .. good night! good night he _- 10 _ to watch 0’ er theo . V To be near thee , ' ’-\ to be near thee», (-r'V'92~) “Good night! good night! beloved '. "’ (M.‘W. BALFE an _ lone, u _' lone is peace for ee, tobe nearthee, a _ lone, -.1. _ lone, is peace for Thine eyes are stars of mor_ning', Thy lips are crimson flowers, Good — . night! good {light V I _ Ved. VThine eyes are stars of (JV-02-) 5‘ Good night! good night? beloved! ” BALIIE.) 1u0rm'n,g', Thy lips are crimson f10WeI's,Go0d n'Eg*231t!g'00d night he _/10 _ _ Ved, while I count the weu_ry hours,whilo I count the we:¢_ry hours, Good poco riten : _ ved, while I c'01n1tthe weary hovur-s,while I count the weary lmurs,Go0d night .... .............. .. be -10 _ {N9 2 .) “Good night.‘ good nig‘hf!.beIoved! ” (\1.w. sum .) staccato ~ long‘ en _ - ligh {N9 2 “Good night! good night! bgloved-' ” (\1.\4’. 3.3.1.?!-L love , my 1’-:L_dy love ................ . . .. Good. night ...... .:. .._ ....... .. ' , good PP night ! good night night! good night he _ lo _ (NP 2.) “Good night! good night! ‘oelnvz .12” (.~1.v:. HAL]-‘rj.) f'g°/"_""""‘\ /."""\»\ eyes are stars of morning, Thy lips are crimson flowers .................................. .. f night he- __ rf ritenuto .' .. _ _ ved. While I count the wear. _ ry houx-sl,wl1ile I a count the. wea_ry hours, Good night ........................... .. be _ lo - (/~lv~"i' "Good night! good n.i9_;ht! beloved! ” (M,w. 351,33 To be near thee , to be near thee , .Alleg'ro. for 1111* . Good I11';_;ht! g'()0d Allegro. /"\’:\ ni;_r_-ht! good night .............. .. good ................. .; night! . (.\’.'~’ 2.) “‘ Good night! good night? belovulf” (M.W BALI-‘]i.) “RIB-_fI‘:‘°.../l!-IVE 57"” *1: /‘K V L,/J‘ ( L/ .\J \_ ~W@FEEm®WL (5/:>Lt to ﬁ‘l1t.2itt B13 /// /1 /2/x/zz/sf/2//M 717/zz//2/’ fir)‘/1].?/5, /2/' mm;/71Zz:?(}«' ax/é//(214/..<'. N?l,__LTHE REAPER AND THE FLOWERS, _ 2/6 .///7/ziiz//m4’ [(1 ffzxz [.l.l’{')[/ZK‘//’v’KItz7/ZZrZZ"ﬂ/Z fry;/200/'. 2, ___GOOD NIGHT 3 GOOD NIGHT I BELOVED, 5 ER ENADE , _____ 2/6' I/Ra2’z(7'rzZzn’L //7 ..{/_i/yer/1,0/1 /57‘/*1/1‘//6 3, w_THE GREEN TREES WHISPERED LOW AND WILD, ..__.__ 2/- ]/5’/Zz'o'zz2‘o7Z zfu.,%7."” l7ZZ/:2/2r2z{c. 4,__ANNlE OF THARAW, ‘ 2/6 f/K/2"z/in//(Z Z/2 J,/7." ./7.5‘/7/'O(/I‘/i(.’. 5, ,_-_TH|$ rs TH E PLACE, STAND STILL MY STEED, ____# /2/:/zmzzm? /n [/1/zj’ ]/(7 ﬂay. 6,,,_THE DAY us DONE, " 2/6 ﬁe/271/krzzmz ta [(2775 6’(%/72107 Z2‘/2- /r’/1/W,///7 . 7, ,aTRUST HER NOT, DU ET FOR TWO EQUAL VOICES, (SOPRANl.}..3/L //572’/22//ml zfz/L/ﬁn J£7Q»_:§'z:¢ ﬁt’///1.’. V L0 N D O N, BOOSEY & SONS, Z8, HOLLES STREET.
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Title: Stars of the Summer Night
Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE woe-nu-rm--v=.vz_ new vonx A AT‘ Fl RST SI (3 HT. ﬁnprann and Tamar .._ HARMO NY.__.N_._ .._. .. . Mezzu ﬁuprann urTenur1'nED..._._ __ H U NT! N G S 0 N . Emprann nrTenurin E . I A RIS E FRO M D REA MS OFTH EE.EaI'1mnB in E Minnr .. . I N TH E W0 0 ... - __ Mezzo Snprann nrBaritum=.1'nE.... ._ __ _ M I LLERS (TH E) DAU Mezzo Eupranu urBaritnnE1'11A..... . _ N 0 RTH ER N ( A) R0 MANC E . ..[]n11tra1tn1n fl" Minur... .. . SEA SONG. ....
Show moreMUSIC LIBRARY VASSAR COLLEGE woe-nu-rm--v=.vz_ new vonx A AT‘ Fl RST SI (3 HT. ﬁnprann and Tamar .._ HARMO NY.__.N_._ .._. .. . Mezzu ﬁuprann urTenur1'nED..._._ __ H U NT! N G S 0 N . Emprann nrTenurin E . I A RIS E FRO M D REA MS OFTH EE.EaI'1mnB in E Minnr .. . I N TH E W0 0 ... - __ Mezzo Snprann nrBaritum=.1'nE.... ._ __ _ M I LLERS (TH E) DAU Mezzo Eupranu urBaritnnE1'11A..... . _ N 0 RTH ER N ( A) R0 MANC E . ..[]n11tra1tn1n fl" Minur... .. . SEA SONG. . BaritnneﬁrBa551n|3 . _ S H A FT (A) O F S0 N Mezzn Eupranu nrTenur 1nE." . SI N 5 SOFT MY H .. Mezzn Soprano IRA _ ._ _. STA RS 0 FTH E S U M H ER N IG HT._.... . . _ ...TE11n1‘ 1n ST! LL BAR RED TH Y DO 0 RS ... .. Mezzo ﬁuprann nrTenurin B1"ﬁI1n1" .. SU M M ER (TH E) WIN D... . ._ Mezzo Snprarm nrBarituneinA_P_. . TH R0 U G H TH E N | GHT............ 7- ..C,m1u'a1m nrﬂass 1'nEM1'nn11 ______ H WELC 0 M E T0 SF’R| N G .. ....,_..._...Mezzu Enprann nrTEnar1nB P... >1 ’ . B [J STD N. "9”“""’-‘*“”""""‘WA D hver D its on Comp any. Illﬁmzr. 0315.4 GU. _ Easrazr. 171111‘ A L711’. Z717'5nm{,Z,"z7. IYON&ﬁEALY JUIIIV £'.1z41av£5 J.-5'0. J. E .17Irsmv Lia. To III. S. STARS OF THE SUMMER NIGHT. Tenor in B17 SERENADE. Revised Edition. Words by LON GFELLOW. ’ 7 Music by H.B. PASMORE. Moderaiu. 45 Song A1bum,Pasmore. Copyright mo hyoliver mtson Co. az - wood - Sum — mer Sum — mer Sum - mer in you (you — dc-V1‘ you Fa 1‘ ......... .. Where .... __ Far ......... .. night , night , night , In u.1'e decps , ......... Hide , bine creeps, ________ __ Fold, az _ _ ure the S _________ .. Hide, 1' sleeps, ________ ______ -_ _y la — sleeps, ...... -_; _______ __ my sleeps, _________ ,7 _____ _. my fx/lb‘ on light! .... .. She iunslight! .... .. She en light! .... .. She sleeps ! sleeps ! sleeps ! I lst.&-2d.times. f.#.L‘1iﬂ" Moon D reams sil - \'e1' slum — hers of the of the ui ght , night , um — mer Sum - mer f steeps, _____ __-_ ______ __; ____ Sink, keeps ___________________________ __ Watch light 2-.. She light , She sleeps, .... _. my la — dy sleeps, .... .. my la - dy Far ________ -_ down your Tell _________ __ her her vifv ’EF“E} sleeps ! _________________________________ __ sleeps ! . _______________________________ __ Deligh’gj_1g_!__ Songs. THE DREAM. W. E. Haesche. Priceéo cents. I dreiiedx lived beside the talk-inc sea, And griinwhxmbirds were ne‘:§h-box -ly ,1/Jr’/’ 1? Copyright, 1889. by Ouvu DITIOI Courur. SHADOW. Geo. L. Osgood. Price 60 cents. an-"mu ,m,.,.m-M_ con molto expressions. a pace ores. sempre \ -¢-:_: =.. §-::—-——/ 1. What lack the val - leys and moun - tains, That once were greenand guy? What lack the - - bling toun - tainsf mf 1813, by ouvn 3 Go. THE LITTLE PURITAN MAIDEE. J. C. Macy. Price 35 cents. Quau recitatwo. 1. The story's oft re-lat-_ed Of 3 lit-tle Pu- ri-tanmaid, Who of all the so-her blue -laws Was not the least a-ft-aid. Shehad awinsome lower, 2. Now ev-’ry vﬂ-lage mzuden Was by eld-ers kept In sight Not al-low’d beyond the garden wall AI-tar can-dle ught.Fox darkness hoded e-vll, Copyright, I39, by Ouvn DI-not Coxrnr. THE HEART IS YOUNG. Dudley Buck. Price 50 cents. Oh! met-ry goes the time when the heart is young There ’s nought high to climb when the heart Copyright, loan. by ouvtn Dino: & Co. SHALL I WED THEE ? W. E. Haesche. Price 35 cents. - ny bank, The cow - slip loves copyright. mm, by ouvu coxnxr. Any 0! the above Songs mailed for price named. Catalogues of new Sheet Music and Music Books mailed V free on application.
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Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: n.d.
Text: 3 kg L\ W 0 R D 5 BY A L M U S I B BY [7,17I[5zm & [a E55/1712. “ ./ s , xx. L 3,, O O , )/ » W"... / an , .. ._ﬂ , Ea, \ .13; _ / _ 2 LMNI PhﬂadB1ph1aLEE &WALKER8BBEhesLnuLSt. WH.Buner &[}n,11U8ChesLnuL Sn. MUSIC usmmv VASSAR COLLEGE wan SEA HATH ms PEARLS. PART S0./VG. Words by LONGFELLOW Music by C.lR0.PINSUTI. ANDANTE MODERATO. 1010 9 sfact‘. hath its pearls, The hea\e11 hath its hathits pearls, The heaven ’ sosfe/1 e C \ \_/ stars, But my heart, heart hath its love 1°...
Show more3 kg L\ W 0 R D 5 BY A L M U S I B BY [7,17I[5zm & [a E55/1712. “ ./ s , xx. L 3,, O O , )/ » W"... / an , .. ._ﬂ , Ea, \ .13; _ / _ 2 LMNI PhﬂadB1ph1aLEE &WALKER8BBEhesLnuLSt. WH.Buner &[}n,11U8ChesLnuL Sn. MUSIC usmmv VASSAR COLLEGE wan SEA HATH ms PEARLS. PART S0./VG. Words by LONGFELLOW Music by C.lR0.PINSUTI. ANDANTE MODERATO. 1010 9 sfact‘. hath its pearls, The hea\e11 hath its hathits pearls, The heaven ’ sosfe/1 e C \ \_/ stars, But my heart, heart hath its love 1° stars, Butmy heart, my heart hath its _, love, T I/..\ 13147 . 9 . {kl Rmoluta. < ff Great arethe sea and the hea-ven; Yet great- er is my heart. > < Great arethe sea and the ]1ea..ven; Yet great _er is my heart. -5.- . ..._£‘~: f Bisaluto. < I 39’ f5 sf > fairerthan pearls and stars Flashes andbeams .32»-44‘ _‘ > _ Sf > fairerthan pearls and stars Flashes and beams my A > The sea hath.&c . . 13147 - 9 - 3.‘ «-.3 AA . «:4 i FEE»:- little youthful maiden dol. V maiden The sea hath .&c . Come un_t0 my great heart, .sf> 1111-130 my great heart,Tl10u little youthful > > > > /\ C0me 11u_t0 my great heart; >>> >> Come 1m _to my great heart; Q . > Inf con molto accenta My heart and the sea and the can molto accenlo 9> 111 f //zf con molfo mrelzfo. >. , \ m can maﬁa accmto. My heart, andﬂlesea anclthe f > , f My heart, andt esea andthe heaven are melting away heaven are melting away with love are melting away > > : F‘ 011 1110110 accellto . In f > {'”:'§<‘\ < My heart, and sea and the heaven are 5 .melt_ __ ing away, with 2&2 heaven are melting a_way [with —love, are nmelt __ f‘ . . love, are melt _ _ . __ing a m love are melting a..way ar e melting a_way, The sea hath.&.c . P/’—_‘\\ PP a_way with love, are mélting‘ a _way, a.way with love, 10> PP (1.- way _ . 1° me away 7 ar e melting away _wa)’ 3J.____“£ f melthlg melting away with ar e melt _ ing a _ _ claim. love,with love‘, The sea hath.&c - a.way with love are me _ way a_way with love .e a- molto. mil. f withlove withlove . . . . . . wiﬂi love . , . . . are melting‘ away with 1° P 1° molto. mil. P a tempo. sea hath its pearls; heaven hath its‘ a stacc. esea hath ‘ pear1s,P. stacc. SW60. sea hath its pearls, heaven hath its a tempo. ’ x '\ The seahath.&c . 131,47 - 9 - \\ soste/z e crres, _____,__.d But my heart, my heart, . . . my heart hath its .3-aster: e cvres. _ 0],,-m_ 13 But my heart, my heart, . .. my hearthath its > dim. e heavn hath stars But my heart, . . . my heart hath its sosten e crree. P ’ \ But my heart, my heart,.. . my heart hath its . sosten e » .5f‘ﬁJ J A J”:.°‘~"’i‘; ” ff/--—“T heart hath its love, heart hath its love , heart hath its love! I I ‘ e anima > > .DJ The sea hath.&e . a [9 111110 , > my heart . . . "P12, gm; 1;, ' My heart hath its love, My heart hath stacc. sfacc. stacc. My heart hath its > My heart hath its a tempo. 77 1° . . _ ,l([’ S . cres.mZé. dun. 4-i‘-qr“' 10 0 P __: h 1010 g, L2 g___z hath its love! . . , _ _ — 4i—::-— 5 §_ 0 1°Ve 9 .1 gralzdioso. ___'h___._=— 10 :PP léve, my heart . . . . . . hath its _ — grandioso. xv The sea hath.&Zc -
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Title: Thy Rememberance
Date: 1898
Text: MUSIC Lnamuw VASSAR COLLEGE P°UGH\(,l'_'ao,g- , R <;a)"THv REMEMERANCEHN D. (a)“THY REMEMBRANCEWN E”. /.N.?2 R \ R ER Copy r l O by1@berr’(°ock;.&Q9 I Price 414/ [a] “THY REMEMBRANCEIMS by Longreniow. I [b] “T0 PLEASE MYBONNIE BELLE”[A \/lLL,Al\IELl_n wows by SamueI Minfurn Peck. MVS IC BY F. EGAMBOGI. LONDON ; ROBERT-COCKS-&-C‘? NEW-BURLINGTON STREET‘ W. MUSIC PUBLISHERS TO H.M.THE QUEEN 8: H.R.H.THE PRINCE OF wALEs, NEW-YORK:EDWARD'SCHUBERTH -&C‘?. LEI...
Show moreMUSIC Lnamuw VASSAR COLLEGE P°UGH\(,l'_'ao,g- , R <;a)"THv REMEMERANCEHN D. (a)“THY REMEMBRANCEWN E”. /.N.?2 R \ R ER Copy r l O by1@berr’(°ock;.&Q9 I Price 414/ [a] “THY REMEMBRANCEIMS by Longreniow. I [b] “T0 PLEASE MYBONNIE BELLE”[A \/lLL,Al\IELl_n wows by SamueI Minfurn Peck. MVS IC BY F. EGAMBOGI. LONDON ; ROBERT-COCKS-&-C‘? NEW-BURLINGTON STREET‘ W. MUSIC PUBLISHERS TO H.M.THE QUEEN 8: H.R.H.THE PRINCE OF wALEs, NEW-YORK:EDWARD'SCHUBERTH -&C‘?. LEI PZIG: BREITKOPF-&-HI-‘IRTEL. PERMISSION FOR PUBLIC PERFORMANCE WITH THESE WORDS ONLY IS GRANTED. __‘_ ,, Or: I aI U _, ;.. 1Ib;“To PLEASE MY BONNIE BELLE IN D. I 3 ” ke’5’](b) To PLEASE MY BONNIE BELLE m .I\/IUSIC COPYING. /V07"/CE /S HEREBY G/VEN 172111‘ by virfz/r» of /710 .5 c\’~ 0' Y'z'(°. (1/1/2.415. A'e(.*. ,1). 17m .w/1* //121‘/vxr/11.;-1\’r* /i‘bnI'(;/of'/111/Z"/kzg 7/Ia/II/.s'r'/-ip/' or of/107' ('11/1112;‘ m"z'0/{V712//Ii" war/c.v I3‘ vrns-fa? in r/21> 4'IVlI(’7'U/':\'i((‘/I (‘U]{\’/’I:(//II’ ll/1!/((Ii_V U//ll’/' p«>I-.s-0/1.v //1//K‘!/lg .s-I/r'/2 ro/21.0.9 11'!‘//[(711/’ f/11’ /Jr’/-/711:».-,5‘/n/7 (7/'1//7(’ .c-r11}/ ow/zz’/' RENDER THEMSELVES LIABLE TO HEAVY PENALTIES OR DAMAGES. I///’ /77(//.s71rr.s'i/7b// 0/Con/gm’/'1_}//I 1' .371/7,1/.s' 1'///0 0(/zz7‘/r1_'v.s- nx7]/mufpr/7/zi.v.s-/2711 /5 AN UNLAWFUL COPY/N6. TWO SONGS. (a) “Thy Remembrance.” (b)“To please my Bonnie Belle.” To Mrs. PAGDEN. (XTHY REMEMBRANGET’ Words by Music by LONGFELLOW F E. GAMBOGI. Larghetto espressivo. ' ores: m0Zz‘0. fra _ grance that sur _ vives, “rhen mar _ tyrjd flowers breathe out Tempo [0 (full Words reprinted by kind permission of Messrs.Houghton,Mift’Iin&Co., Bo.<ton,U.S.A. the pubhshfers of Longf'e11ow’s works. N? l in D. COPYRIGHT 1\_/IDCC/CXCVHIby ROBERT Cocxs & C°. P brance; once con _ soled our pain, But, ne _ Ver, ne _ Ver 47/" 7"z'z‘.- calla voce. “Thy remembrance” (D) 20,729‘ Now the hour of rest, of rest has to thee, mf ajfrcz‘z‘.- 1) lento. dim.- Tam 1/120 [.0 “Thy remembrance” (D) Dedicated to Mrs.I-IELEN TRUST. V m“TO PLEASE MY BONNIE BELLE.” A VILLANELLE. Words by Music by SAMUEL MINTURN PECK. ' F. EGAMBOGI. Allegretto grazioso. mf Words Copyrighted in 1875 by F.B.Patterson. Copyrighted 1886 by Messrs White,Stokes & Allen. COPYRIGHT MDCCCXCVIJI by ROBERT COCKS & C? N‘?linD. Win _ some eyes of _/oyously. _.i‘___L._ g—T— Ah calla U006. } V swe11!__ Haste, “To please my Bonnie Belle.” (D) 20,729. in mea_sure true, just to please my Bon_nie Belle. 3? calla 11006. F. f a tempo. J . Have a care to it well Tr'ip-pmg like } } } f a tempo. $3 $3 a: tempo. Come from where the Pix _ ies dwell Dance with “To please my Bonnie Belle.” (Dl ¥_/ san_ dals dipped in dew, Just to please my Bon_nie, Bon_nie ?‘ .._. 3" F. 1116720. In her ear, the ‘ peer_1ess /110720. pas _ sion sue, "F". “To please my Bonnie Belle.” (D) Andantino. W111 she calla ’0C6. 916 I’ Just to please my Bon_nie Be11e,___ ‘ “To please myBonni;3 Belle? {LII ‘ _;'og/ouslg/. calla voce. sempre [1 “To please my Bonnie Belle?’ (D) em) and Popular Sggngs a» e» e l‘RE%DERlCH. COWEN. Nn.IlnC. A, Noznnl). No.gi..§v nuarm "9 f 1‘:- THE MISSION OF A ROSE. ' ‘ ' Non trappa lento. * Cornmlrr. On - ly arose -bud, kissed by the dew, Out in a gar- den fair it grew; Loved by the sunshine,wooed by the wind, Yet to be out in the world it piued, A ORUMPLED ROSELEAF. A ndantina semplice. COPYIIGHT, I896, av Roanr Cocxs & Co. What’: the mat-ter, my dea - rie, Tears in your pret - ty Where is the crumpled rose .- leaf— Show me where it lies l__ r r ﬁ % # CHILDREN’S DREAMS. Maderato can meta. Oorviuolrr. Whenthe dusk steals 0 - ver the ci - ty, And the children fall a - sleep. Whenthe mo - thers watch in the si - lence Andguard dertheirslumber keep; Thereis i l - i ‘ COPYRIGHT, 1896, av Roanr Cock: 8: Co. Can mota ma non tropfo. “We are so wea - ry,” say the chil—dren, Af -tertheir mer - ry play? When from the land of Sha - - d0WS St°3l'¢th The 9'03‘? °‘ I T’ T’\ THE SILENT CHIMES. Andante moderate. Corvnuont, 1892, av Roanr COCK! 8; Co. Last night, o'er the moon - lit mea-dows, I could hear the old, old chimes, ’ a mu - sic faint and ten - dcr That spoke of by-gone All the above, price 45. each. LONDON: ROBERT COCKS & CO.. 6, NEW BURLINGTON STREET. W. I-‘Blunt: iﬂubltehn-9 to am. the (aunt: ants 9.13.9. the tlrixyee of males. AGENTS FOR THE UNITED STATES OF AMERICA. EDWARD SCHUBEBTH & (0., NEW YORK. LEIPZIG: EREITKOPF 5. HKRTEL
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Title: Ships that pass in the Night
Date: n.d.
Text: uusuc Lmunv VASSAR COLLEGE D(’!lfoN!’_.P-‘tract: N9“, vO~“ To-MY s.sT.=_R BEATRICE HARRADEN. J! - . «"9 "SHIPSIHAIPASSlNIHENlﬂHf / -T . T ~ 1 T \ ‘}"2\ ’ ~/‘. / , L . /E \\\ ,/ \ K \ ~ \ \ 1/ \ / ' C9 WORKS BY G) DGFE LLOW b_y Penmissiun U'F MEss*3§ G.RouTLEDeE &SoNs,THE PROPRI ETORS OF THE COPYRIGHT /V\usii‘c by ETHEL HARRADEN. PRICE 45$: --~—~E— F0 RSYTH B ROTH E R8 267, REGENT STREET, LONDON. 126 &128, ]]ean5gaTE.ManEhE5TEr1. ESCHUBERTH &C.‘323.UNION...
Show moreuusuc Lmunv VASSAR COLLEGE D(’!lfoN!’_.P-‘tract: N9“, vO~“ To-MY s.sT.=_R BEATRICE HARRADEN. J! - . «"9 "SHIPSIHAIPASSlNIHENlﬂHf / -T . T ~ 1 T \ ‘}"2\ ’ ~/‘. / , L . /E \\\ ,/ \ K \ ~ \ \ 1/ \ / ' C9 WORKS BY G) DGFE LLOW b_y Penmissiun U'F MEss*3§ G.RouTLEDeE &SoNs,THE PROPRI ETORS OF THE COPYRIGHT /V\usii‘c by ETHEL HARRADEN. PRICE 45$: --~—~E— F0 RSYTH B ROTH E R8 267, REGENT STREET, LONDON. 126 &128, ]]ean5gaTE.ManEhE5TEr1. ESCHUBERTH &C.‘323.UNION SQUARE,NEW YORK. Eup_\;PighTl894' hyFmT5_yTh Bnnthens. “SHIPS THAT PASS IN THE NIGHT.” '*'Words by Music by LONGFELLOW. ’ ET HEL HARRADEN . Andante Cantabile. Con molto sent2'mem‘0. A ":"By special permission of NIessY_5G.Rout1(«1ge 8; Sons. ‘fab. Ships that pass in the night. in F. dis- I16SS. dark _ Ships that pass in the night. in F. tant Voice in We the pass dark - ness, a dis _ tant vgige in olla voce ’>§e@%. ei€~‘5.°2b. 956 pm mosso So, on the o-cea.n of and speak one the o - oean of {r’—-—%\ pass and speak one a look and nfixi 9% lenta m ente If On - 1y a look and a dark - ness ‘Bab. Ships that pass in the night. in F. a- gain and a that pass speak each 0 - ther g Li’; -—L______J Ships that pass in the night. in 1y a look and dark - ness dark - ness A &_Z—_’// A morendo _ 9:? Ships that pass in the night. in F. F01-syth Bros '\u. it 5"-91°: «'\\« *~\n.\a.'~«.a.‘~ NEW AND POPULAR SONGS. N.B.—The letter: éefore the title: give the highest note in the Song. ACTON, J. LIFEBOAT BRIGADE... A WIND CAME OUT OF THE WEST BRACKEN, E. A. BIRDIE’S SLUMBER SONG HEY-HO THE DAFFODILS CHALLIS, GEORGE. NOT FOR ME PEACE AND PLENTY CORDER, F. A CASTLE IN THE AIR... AUTUMN FLOWERS LULLABY SCENT OF THE PINE SHEPI-lERD'S SONG TELL ME, SWEETHEART YOU AND I. Duet SHE IS THE WORLD TO ME CRUICKSHANK, W. A. C. HOMEWARD BOUND MARGERY DAW SOMEBODY THE GOLDEN WEST. In F Do. In A ﬂat WAITING .. WAKING DUNDAS, P. LOVE’S SONG BOOK HARRADEN, ETHEL. IF AT YOUR WINDOW, LOVE. In C Do. Do. In D Do Do. In F SHIPS THAT PASS IN THE NIGHT. In D Do. Do. SWEET AMABEL. In D Do. In F THE RAINY DAY ' I'nF HILES, HENRY, Mus. Doc. GALLANTS OF ENGLAND HARK, THE RIPPLE... LOVE’S WISHES MAY #35-O»-b-5-h-lb-5 &0ID.\«®-Uh-3-uh-5 00000000 00000000 HILLIER, LOUIS H. BLUE-EYED BABE. In F Do. In G AUBADE (Sung by Mrs. Hum Tnus-r.) HOLME, C. MOUTRI E. THE HOUR OF PRAYER WHEN TWILIGHT DEWS LOHR, FREDERIC N. A SHADOW CHILD LOVE GIVE ILLUSIONS ' SOMEBODY’S COMING THE LORD IS MY SHEPHERD THE VESPER HOUR... THE YEARS THEY COME AND GO... MOORE, GRAHAM P. THE SILENT HARP. InAminor... Do. In C minor THE FOUNT OF TEARS LOVE’S INVOCATION .. THE OLD GUITAR NEWELL, J. E. VMIDNIGHT CHIMES. In E ﬂat Do. In F Do. In G PAGE, ARTHUR. ’TWAS LONG AGO. In E flat Do. In F Do. In G PERRY, A. AN OLDEN KNIGHT PYNE, KENDRIC . OLD IRELAND SHALL BLOSSOM AGAIN O MISTRESS MINE TAYLOR. E. IN DREAMLAND WHITLEY, ARTHUR. OLD CHUMS VERY WRONG .. THE ROAD TO MARKET WILSON, R. H. THE STORY OF OLD VOCAL DUETS, by NICOLAI VON WILM (Op. 124) and EDWIN SCHULTZ (Op. :81, Op. :87, Op. sot). FORSYTH BROTHERS. 267, REGENT STREET, :r_.oNJ:oN, W. 126 and 128, DEANSGATE, MANCHESTER. 0|%0l¢nlb3b8bl0l 00000000
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Title: Village Blacksmith, The - Calendar:, The Village Blacksmith - Calendar:
Description
Date: 1882
Text: I e ‘a ﬁillgzge glaaksmitg» “W R i H _]‘~|‘!’ Ax W ‘ «M ‘ I x} I; 3 A I / ‘H Ii ’ w . 5 ‘ ) Tilt VILLAGE BLACKSMITH, “ Under a spreading chestnut tree The village Smithy stands. The smith, a mighty man is he. With large and sinewy lxanilsz And the muscles of his brawny arms Are strong as iron hanzls. "-——-Lo-n,gfellow. In the northern oountygof Y()1‘kShi1‘e. England, dwelt the Grardner fa1nily—my fatlier, Obid Grard- ner, being the head of the family. He was a- blaoksmith, and Worked...
Show moreI e ‘a ﬁillgzge glaaksmitg» “W R i H _]‘~|‘!’ Ax W ‘ «M ‘ I x} I; 3 A I / ‘H Ii ’ w . 5 ‘ ) Tilt VILLAGE BLACKSMITH, “ Under a spreading chestnut tree The village Smithy stands. The smith, a mighty man is he. With large and sinewy lxanilsz And the muscles of his brawny arms Are strong as iron hanzls. "-——-Lo-n,gfellow. In the northern oountygof Y()1‘kShi1‘e. England, dwelt the Grardner fa1nily—my fatlier, Obid Grard- ner, being the head of the family. He was a- blaoksmith, and Worked from morning till night in the little shop at the corner of the road. “ .i-‘hid the children coming homefrom school Look in at the open door: They love to see the flaming forge‘ ’ And hear the bellows roar, And catch the burning sparks that ﬂy I J]. ke chaff from a thrashing-ﬂoor. It was here, in this little shop. that our neigh- bors had their horses shod. and here where the country farmers had their broken wagons mended. Father Gardner, as he was familiarly called” in
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Title: It is Not Always May
Date: 1914
Text: it . ______,....___.._.__.._.__._._::....—.—__..r» ;¢;~_. _—«~w—-~~-«—« .. QLCAWEIL CHAMINADE, C. _ L.Amou1- cam-,1f—Cap.tive_ Love. French‘. English. High voice in Eb, LOW VOICE in C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L’.'E:té—-Summer. 'French—_Eng1’Sh- voice in Alvléow voice In L’ AC UA, E , DELVi11ane%e—~I Saw the Swift Swallow Flylng. French—English. High Voice 111 Eb; Low voice in C . . . . . . . . . . . . . . . . . . . . . .. DELBRUECK, ALFR. Un...
Show moreit . ______,....___.._.__.._.__._._::....—.—__..r» ;¢;~_. _—«~w—-~~-«—« .. QLCAWEIL CHAMINADE, C. _ L.Amou1- cam-,1f—Cap.tive_ Love. French‘. English. High voice in Eb, LOW VOICE in C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L’.'E:té—-Summer. 'French—_Eng1’Sh- voice in Alvléow voice In L’ AC UA, E , DELVi11ane%e—~I Saw the Swift Swallow Flylng. French—English. High Voice 111 Eb; Low voice in C . . . . . . . . . . . . . . . . . . . . . .. DELBRUECK, ALFR. Un doux 1ien—Tendet Ties. French——li}ng- lish. High voice in Ab, Low V0100 111 F DELIBES, LEO _ _ Les Filles de Ca.dix—Th.e Maicls 01:: Cadlz. French—English. High voice 111 Fm., Low voice in Dm . . . . . . . . . . . . . . . . . . . . FAURE, J. . Les Rameaux (The Palms). High voice in C, Medium voice in Bb, Low voice in Ab. . FONTENAILLES, H. DE 0bstination—A Resolve. French——Eng1ish. High voice in Db, Low voice in Bb. .,. GODARD, BENJ. Chanson de I‘1orian—F1o1-ian ’s Song. French ——Eng1isl1. High voice in D, Low voice in . . . . . . . . . . , . . . . . . . . . . . . . . . . . . . . . . Dites-Moi——'l.‘e11 Me, Pray. French——Englisl1. High voice in D, Low voice in C . . . . . . . GOUNOD, CHAS. Ave Maria—Meditation with Violin or Cello solo or Organ. Latin—Englisl1—.P‘renc1i —German. High voice in G, Medium Voice in F, Low voice in Eb . . . . . . . . . .. It Is Not Always May. English only. High voice in Ab, Low voice in G1) . . . , . . . . .. Berceuse——Serena( e— mg, mile, Slumber. French—-—English. High voice in G,’ Medium voice in F, Low voice in Eb.. Au Printemps——To Spring—Friihlingslied. French——English——German. High voice voice in Db, Low voice in C . . . . . . . . .. GREGH, LOUIS Parais :31. ta fenétre——Open Thy Lattice. French——English. High voice in G, Low voice in Eb . . . . . . . . . . . . . . . . . . . . . . . .. MASSENET, J. Sou.hait——Fancies. F1'ench———English. voice in D, Low voice in C . . . . . . . . . . .. Vous aimerez d.en1alI1——TO-In0I'I‘0W Ye Will Love. Frenel1—English. High voice in C, Low voice in Bb . . . . . . . . . . . . . . . . . . . WIDOR, CH. M. Nuit d’Etoi1es——Si1ver Starlight. French— English. High Voice in Db, Low voice High in Bb. . nuns Lmunv CARL FISCHER §<‘i8Xs’i§ pogron 390 eovusron $1‘. co-ucntso ma-MALEOQ 3.03 ISC}?ll33__Rl A ED1iTii014i <,€;W NEW YORK ea g....._....,_ ._._.._._H. Price 50c. . u IT IS NOT ALWAYS MAY (Longfellow) THE sun is bright, the air is clear, The darting swallows soar and sing, And from the stately elms I hear The bluebird prophesying Spring. So blue yon winding river flows, It seems an outlet from the sky, Where, waiting till the Westwind blows, The freighted clouds at anchor lie. All things are new; the birds, the leaves, That gild the elm tree’s nodding crest, And e’en the nest beneath the eaves- - There are no birds in last year’s nest! All things rejoice in youth and love, The fullness of their first delight! And learn from the soft heav’ns above The melting tenderness of night. Maiden that hear’st this simple rhyme, ‘Enjoy thy youth, it will not stay; ’ Enjoy the fragrance of thy prime, For Oh, it is not always May. Enjoy the Spring of love} and youth, To some good angel leave the rest, For time will teach thee soon the truth: There are no birds in last year’s nest! ° Tnis is an effective and beaunful song, presenﬁng no greal a’zffz'callz'es.T}ae ae~ eompaniment only appears to be dzffieult; z'n realzﬂ/, Me jiassages lie well .w2'l}zz'n tile /zana’ and are readily conquered witn careful study. T/Be song will z'noa7~z‘abl,z/ create a fine and pleasing z'7np7=essz'0n zf well rendered. i6'710‘l 6'opyrz‘g/at M(71l[.Y!I‘ by Carl ﬁ’2.'.9claer, New York. 16711- I International Copyright secured. Superior Ed. 4641. Low Voice It is not always May. (Longfellow) 07'z'g'.K'ey Aflat major. CH. GOUNOD. Edited by Max I/ez'nrz'c/la. Allegretto con moto. 3 3 17<i:j=—_p es 1) ress . H . The Sign 7 mea:11s“b1'n:;xth<>” ' "7"’/‘Mtg’/7! MOMAJV 5-? 0”” F"""}“”"’ M)‘ The s1'g11 O mezms do notbreaxtho” l.:1.'\v' n:_1t1'nna1 Cm)yri«;}7t« S<‘m1red tmg. swal — lows and and from the state pro —phe — sy pow cresc. out — let — Wind blows, freight - ed clouds an - chor things are the birds , the nod - ding crest,_____ the nest are a tempo All things re - joice J’ And learn from the soft heavhs a — . “¥=ne1t—ing ten -der - ness.__._ Maid - en, 3 . . . . . that hearst th1s s1m—p1e» rhyme,‘ It W111 not the fra — grance and youth , a tempo some good an V gel leave the rest, will teach thee soon There are no last yearis There are no birds in last year’s 1, a tempo Under the Editorial Supervision MAX HEINRICH T/ze <_T7"£l7ZJ/z.ll‘l.07Z.f are ﬂy A. MATTULLATH ~./Aw: FRANZ SCHUBICRT - - 50 Selerzed Scmgs High or Low Paper $1.57} C/at/z ,!{'.’..5ﬂ ROBERT SCHUMAN N — o(/ Se/ecfm’ Songs H i;_§h <11‘ L m’ Pa/757' $7.50 {I/at/I 317.50 ROBERT SCHUMANN - /by/’s Lorre‘, op. 43’ /’(z//M‘ 7w’ oz’/1/3 JOHANNES BRAIIMS - 60 56/£5/Ed Songs High nr Low Pa/arr J!/.51} Clat/1 5.9.50 CLASSIC SONG ALBUM .50 Se/trim’ Sangs of Ola’ /Ina’ ]W0(l'€‘7’7¢ .A/llaslers High or Low Pater £7.50 Clot}: $2.50
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Title: Death of Minnehaha, The, The Death of Minnehaha
Date: n.d.
Text: Froml CI. D(19'.}3y Mo._s11r_y& Sills}; ee‘ WORDS FROM - u,@@@$*£a&.&m“§3 mm gm.‘ R‘ Bl E " mmm mz/1. MUSIC BY .@£ﬂ:.. @';gc;_m_v/Ema B Y . BOSTON » MUSIC LIIRAIIEGE Pn1.1+.«1..-A 1w .n rvrn mrsnn wnem +n. m V55-SAR COU- QF MINNEHAHA. Words by I.(rNGFEI.I.H\‘\‘. Music by Ch. C. CONVERSE. : ; A')ld(l.>ltiIlO. 1. 0- -~ — vcr snow - fields waste and path - less, \ 1. In the wig- —wam wvith N0110 - - - 11113 2. In xhe wig- - Wam with Noho . . - mi; 3_“;\h'....
Show moreFroml CI. D(19'.}3y Mo._s11r_y& Sills}; ee‘ WORDS FROM - u,@@@$*£a&.&m“§3 mm gm.‘ R‘ Bl E " mmm mz/1. MUSIC BY .@£ﬂ:.. @';gc;_m_v/Ema B Y . BOSTON » MUSIC LIIRAIIEGE Pn1.1+.«1..-A 1w .n rvrn mrsnn wnem +n. m V55-SAR COU- QF MINNEHAHA. Words by I.(rNGFEI.I.H\‘\‘. Music by Ch. C. CONVERSE. : ; A')ld(l.>ltiIlO. 1. 0- -~ — vcr snow - fields waste and path - less, \ 1. In the wig- —wam wvith N0110 - - - 11113 2. In xhe wig- - Wam with Noho . . - mi; 3_“;\h'.” she said’, “ the eyes of Pan - ~ gulz uu - - der snow - en - - — munbered branches, Homeward hm ried Hi - - —a~w;1 —-U13, Emp- ty hand - ed With thoscglonmy gnusts.t]1at\m1clurdher, With the Fzun - inc and the Fe: — vcr, S110 was ly - — hag, With those gloomy ;;uests,thatwaIchcdher, Wi1h the Fan: - ine and the Fe - yer, She was ]y- - ~ Eng. Glare np- — 011 mu in the darkness, I can feel his 1- - - cy fin - gers €1a:p- ing mine a ‘, heav - - - y heart- ed, Home-ward h — — ried Hi- — - a - - - wa - —’ tha._ ‘T(l Bc--- 10v -'-pd, She the ' <15" - - tug Min -- no — - ha». - - km. Bu - ~ luv -- ed, She the dy - - ing Min no ha ha. the dark-ness 'Hi-—-a-—-wa---tha: Hi---a---Wa--tha! 7’ 1: V _ Heard i\'->- — - ho - - mis moan- - - - mg Wail --mg: Wa - - ho - - no - - -Wm! H llzirki” she said; “I hear at rush—ing, I Hear at wen,---\‘ing “Look!” she said; “I see my fa - - ther Stand-ing lone - - ly And the (la: - -’late Hi- - -a --wa--tha, Far-— 2). --Way a —_- Wa.- - - -ho-no -win! 7’ Heard No - - ho - mis moan - -- ing,Wai1-ing; “Wa - ho - - no-Win! ‘ Wa - - ho - - no - win!,” \ and it rushing Hear the falls ' Min - - -no-h:i_-i -ha at , his doorway, Beckhing to mid the forest, Miles 3. - - Way Calling to me from EL distancc!_"’ from his Wig--Wam In the land of the Da--co--tal1s.!” mong the mountains Heard that sudden cry of an- —guisl,1, “Would that I had per---ishedfor you, Would that I were dead as you are! Would that I had r u u « “No, my clnld!.s:nd old N0-ho-nus, “’TlS “No, my child!”said ald No-ho-mis, “Tis Heard the voice of the night-wind in the pine tl't‘0S!"“N0, n1y_ 0lllI(I!”S£li(i, the smokethat waves and beckons! “No my child!” said . Mine - -ne-ha--ha Call--ing to him in the darkness, Heard the voice of
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Title: Arrow and Song, The, The Arrow and The Song
Date: n.d.
Text: \¥éJ§m.«.LL,( r\/V. 0/7L c1T<X2,SL/Qmu R EAPER AND THE FLOWERS. ..M.l/L/.,9AM£. RESI GN ATI J E. 600:0. SEA HATH ITS PEARLS. QT _____ _,0./7/A/.5(/7/. STARS OF THE SUMMER NIGHT....,._.E._.._F.Boorr STARS OF THE SUMMER NIGHT. ....... .3. 70C/HS. TRUST HER NOT. DT.__,,_._,___,,,.,._/W.WBALFE. VILLAGE BLAGKSMITH........_._..”. W/-/. W5/53 WREGK OF THE HESPERUSLLL.J.6’L0C/(1.5% OPEN wlND0w...__..,.__........_.._L....._..._.LL?/477)’. ARROW AND THE SONG ...... “COP/A/Sc/7/. B R I D G CA HEW....
Show more\¥éJ§m.«.LL,( r\/V. 0/7L c1T<X2,SL/Qmu R EAPER AND THE FLOWERS. ..M.l/L/.,9AM£. RESI GN ATI J E. 600:0. SEA HATH ITS PEARLS. QT _____ _,0./7/A/.5(/7/. STARS OF THE SUMMER NIGHT....,._.E._.._F.Boorr STARS OF THE SUMMER NIGHT. ....... .3. 70C/HS. TRUST HER NOT. DT.__,,_._,___,,,.,._/W.WBALFE. VILLAGE BLAGKSMITH........_._..”. W/-/. W5/53 WREGK OF THE HESPERUSLLL.J.6’L0C/(1.5% OPEN wlND0w...__..,.__........_.._L....._..._.LL?/477)’. ARROW AND THE SONG ...... “COP/A/Sc/7/. B R I D G CA HEW. BRI .._./V/.1/NDSAY, DAY IS DONE ..... A» DAY IS DONE......... EXCELSIOR. PSALM OF LIFE......,............J.BLOC/(LEV. RAINY (W. R. DE/MP5 75/9. GOOD NIGHT! BELOVED ...... ..L/V/.V\/.25’/IZFE mmm§mmm§#p B O S T O N. Pubhghed by OLIVER D ITSO N 8: C0 .4-5lWé1Sh111gU;m St. I, ‘A NEW YORK. SAVANNAH GA. BALTIMORE MD. Cl NGINNATI. SAN FRANCISCO. PH ILA. _H. DITSON 8: C0. LUDDEN St BATES. OTTO SUTRO. GEO.D.NEWHALL&G0. SHERMAN CLAY & 60. J. E.D|TSON 8: 00. CHICAGO. STLDUIS & H .J.H BurroRnSSonsLnu.Bosro~ &N::wYom<. Mussc Luamnv VASSAR COLLIQI THE ARROW AND THE SONG. The Poetry by LONGFELLOW. The Music by CIRO PINSUT1. Andanie moderate. , pogo pm mo3go_ shot an molto cantabile. R.H. 3 1"‘ '5 LH ar— row in- to the air,...... It fell to earth, I knew not where; arpeggzizte. animamlo. anivnando. .Z';):az<_1;. V:/ ‘v.‘. V K »_ «.- swiftly it ﬂew, so swiftly it ﬂew,The sight could not fol - low it in its ﬂight! For, 50 N ‘Z *2 o noto. . C n 7 sempre ommwmdo. 4K§}§’W ??t ﬁ %!2 ~%: «,~g.,~.»— «~. Amphion. [0000 pm mosso. breatifd a memo mosso cantabile. 3 3 '5 L.H. air,...... It fell to earth, Iknew not where; For who has P C- The Arrow and the Sung. amimcmdo a [1000 a poco. sight so keen and strong, That it can fol - low the ﬂight of con moto, song For who has sight so keen and strong......That it can fol - "low the ﬂight of song? Long, long af-terward, 7726720 7720880. The Arrow and the Song. piu mosso assai. the Ar row, still un - broke; :11 O C U I C 3 3 pm 7710880 dS8dZ. ‘(J ‘r’ af - ter- ward, ' an oak I found the ar-row, still un- And the Song,------from beginning to > > > > > W68. 77101150. molto maestoso. allargomdo. The Arrow and the Song. incakando I O 9 V Ifound a- ga1n...... in the heart a friend; And the >>>>>>> >> incaleomdo 8 (3768. €Zp0C0 Cl song.... from be- ginning to end,.... Ifound a- gait}... in the heart of a ‘ > > > > grcmdzoso. >_ {: mil. assai. I ~———/ friend.... I found a -gain.... in the heart of a friend. /5 > > > > ‘> > > 10 col canto. \:—/ Za nt . rgame e > 3 The A:-row and the Song.
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Title: Minnehaha or Laughing Water Polka:
Description
Date: n.d.
Text: To Aﬁeiff J‘? 1- LR \ 7&1: .., _-5.5-' X COMPOSED BY V,/ a W .0 a O P B 3 4 5 N 0 S & IL L A H M M L L W VI I0 d 8 h .6 M U P N. Y5. W E N W m E D n _... 5 W m w M M u E .m M. B. W E. .m H 0 5 k I um. I E ...m .m . !v1r/-rd srwrdmgv 111 Am‘ 0/ Eangrrss m1he Yaar /8:56 by Wm.Ha!/ Mun MUSIC Lssmmv VASEAQ C(.‘tL*. Z ‘M l'NNEHAI:lAZ’ OI‘ \ . W A T ‘7 ﬂbcﬁ yﬁc’ #1? P 0947 ........... . x............ FRANCIS H. BROWN. POL KA. B1-illaute. V Q),1I§r':n" r.:,v_-0/'z(w...
Show moreTo Aﬁeiff J‘? 1- LR \ 7&1: .., _-5.5-' X COMPOSED BY V,/ a W .0 a O P B 3 4 5 N 0 S & IL L A H M M L L W VI I0 d 8 h .6 M U P N. Y5. W E N W m E D n _... 5 W m w M M u E .m M. B. W E. .m H 0 5 k I um. I E ...m .m . !v1r/-rd srwrdmgv 111 Am‘ 0/ Eangrrss m1he Yaar /8:56 by Wm.Ha!/ Mun MUSIC Lssmmv VASEAQ C(.‘tL*. Z ‘M l'NNEHAI:lAZ’ OI‘ \ . W A T ‘7 ﬂbcﬁ yﬁc’ #1? P 0947 ........... . x............ FRANCIS H. BROWN. POL KA. B1-illaute. V Q),1I§r':n" r.:,v_-0/'z(w': ,2 to /([3/I}(,1,l;,11.~,;;,]_ .jS[_( };y F‘"!V[,HALL it SUN} 1.; L’(—.C1cu.’.: U;.1r,c L1lh<.].i;tl‘itlC(,’I.AlOI {LL Su;ll.1.u.1 11.1: in (J (M. )u1'.. . ‘7 0. a .m. 3 up
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Title: Green Trees Whispered Low and Mild, The, The Green Trees Whispered Low and Mild
Date: n.d.
Text: as émsymm E ‘4 x‘ \ \ / ( \ Q1 ‘ / ?§\\i/’" & If /) / . kg“ *3: “* , / '1 _ j ’ ’. ‘ ___>/\ ‘ / / .\ M/><b /W /, \ \ _- \i/E4 L‘ ‘@192 &n an¢,3B$h’tgaRh _ \\:‘T© ‘\€ 3 \k' 1/ ‘ \. V V / ‘ Jim .sm.12azzz. _ ‘ [$753 . BOOSEY &S0‘N‘3', 28. HOLLES STREET, QXFORD STREET. MUSIC LIBRARY -_,,:,: J ,. “ THE, GREEN TREES WHISPERED LOW AND MILD.” @ THE POETRY BY THE MUSIC BY L()NGFELLOW~ V M. WJBALFE. AJvD.AJv'1'I.r0 C’./uv-1.4 311.19 . dolce. Z doléé....
Show moreas émsymm E ‘4 x‘ \ \ / ( \ Q1 ‘ / ?§\\i/’" & If /) / . kg“ *3: “* , / '1 _ j ’ ’. ‘ ___>/\ ‘ / / .\ M/><b /W /, \ \ _- \i/E4 L‘ ‘@192 &n an¢,3B$h’tgaRh _ \\:‘T© ‘\€ 3 \k' 1/ ‘ \. V V / ‘ Jim .sm.12azzz. _ ‘ [$753 . BOOSEY &S0‘N‘3', 28. HOLLES STREET, QXFORD STREET. MUSIC LIBRARY -_,,:,: J ,. “ THE, GREEN TREES WHISPERED LOW AND MILD.” @ THE POETRY BY THE MUSIC BY L()NGFELLOW~ V M. WJBALFE. AJvD.AJv'1'I.r0 C’./uv-1.4 311.19 . dolce. Z doléé. The green t'i'ees whispered _’_‘\ VTempo . H ' ( - (N9 3 The green trees whispered low and 311:1 ‘.’—~'- ('31.-M’.IHT,.I-‘Iv: low and mild,‘ It was :1 saound of Joy . . . . . . . . . . . . . .. Thvy‘ were my pluy—n1;Ltes when a child, And rocked mo in their zu-111:5 50 wild , ' Still they looked at me and slnilcd , i ’ (JV? 3 “'l‘l1t¢ green trees whjspeneii low and mild?’ (M.W. BALI-‘E..) And ever wh1spe:I'tfd' mild And ever whispered mild and low, mild and low, /°P\-—’/ O Slow, /5 Animato motto ‘Quasi ‘./:1llTegVro. m’il\d and low. Come be a. child once niore ......... ‘ Animate motto ‘ g; calla parte . Come be it Id once more .......... . .'. .... V Come be 1). child, PP -‘)“Thé _L{:1‘t'r‘I1 trees w.'2i:.pr—1-ed 10w and miidz’ (XVI-M’. BVALI-‘E.) f\ P Malta rztrm .- 0 child once 111oI_:e’, . And waved their longfurlns to and fro, » /\ P stacc : Animate assai . bookou’d solemnly and slow. Oh! I could not choose but go ................ .. mf __ to the woodlands ho:u'....., ............ ., ..... .. _ to the woodlands a piacere. llour . . . . . . . . . . . . . . ..‘ . . . . ... .............. . .' ......... .. v. . . . . . . . . . . . . . - . . . . . . . . . . . . . . - . . . . on. - . - . . . . . . . . . . . . . . . . .. . “Thu s:;reeI1 trees M’!1is;)e:redfow and mild .” (?»1.\\'. 133.1. FE '1'cn1p.Q l'":° g'ru’¢»:1 trees whispered :‘ low and mild, It was it sound of They . were my plu.y—n1:m-s when a chili], rocked me in ‘their artm sowild, A Still they looked at me and smiled , (.V“.' 3‘ .l “ "U16 g;'~een.+.r‘e¢s vrhisperedlow aticl mi1d.”‘ ()1. W. HAL I-‘E dolce riten : Still {hey looked at me and slniled .......... .. a piacere . Q X_____/ *9‘ ‘(/.'\',.° .3 .)_‘“ The green trees whispered low and :: 'I‘.:i.” ()1 .W. BALI-‘E IE3 *'I7»‘I?‘?U',,..-‘-TIIIIE ESEIXIPEIR AIFIIIDI ‘II-’II{IE FIL®WEEi§S, DEDICATED TO THE IION"":l LADY HAMILTON SEYMOUR. ?2',-W@©©‘I£)A INIICG-IIIIT.I ©@[D)«Iﬁ‘III©b"1ITI’.°. @EL1.©\‘IEID. SERENADE, DEDICATED TO ALGERMON GREVILLE ESQ. 55,-_.‘II'I‘rCIE ©LR§EEIN TREES WII{III§IPIEIBIE.ID IL©W MIKE) MIII!.E),__ DEDICATED TO Ml‘ ‘VILLEBOIS. --II-,r_#\II‘INIIIE ©F ‘ITIIIIN?-SAW» oamcnan To ms osaonnz. ~5afTI'III_III‘$ IIS ITWIE. PE.AI~\©E»$TAN@ STTIIILIL WY $:WI§.EI9v\- ozmcnao TO LADY ncnmc. @i,JII'I:"~JE. IEAY II8 @©NE» DEDICATED TO LORD GERALD‘ FITZfGERALD. 7 _jI‘I}Il[E ‘J'W© IL©©IK£8 ©I? IRIAIIIISI» DEDICATED TO THE BARONESS LIONEL DE ROTHSCHILD. ®,-_‘1TIIIIE II3IM’IF’IIE.$Tl' ILAII‘\IIID; DEDICATED TO THE MOST NOBLE THE MARQUIS OF DOWNSHINE.‘ ’ ;~‘J'IIIII'E. AIIRRQIW AM.) THE S©N@; DEDICATED TB THE MOST NOBLE THE NARCIIIONESS OF HASTINGS . ‘I*'I<D.,»~S‘LI‘M‘&§S ©I? ‘IIIIIIIE. €§IIIWEIIIE.II’3 NII@IIIITg-___.._.__.___~_ DEDICATED TO LADY ALICE HILL. IIII ,,”..‘ﬁ’II{IE IRAIINY IEAY, DEDICATED TO THE RIGHT HON“-F SIR JAMES HUDSON . E?! ,,,i.T'II-IIIE. VI.I&I.l:s.I-‘&<CG5L€. lE’I1A@IK$I‘.IIﬁ'1T‘IIII» DEDICATED TO GEORGE SAMUEL ESQ. Il5,._.?R'II$'T‘ IIIJIER N@‘LI“’;, EDMETQ DEDICATED TO THE MISSES BEALE. M-1,_»IE'.X‘sC3EE.¢»‘3II@I'r’$» ?.§l‘3:‘3.III.7?‘.“iIV;; DEDICI.-TED"¥{‘) TI-IE :»;ms:«.,o: WESTMONELAND. mus:-s ;/~ 2/.“ mo .3/.uc1:. / 711: cazurcmu cowunr. PR/CE ow: sums». BOOSEY &.SON$. HOLLES STREET.
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Title: Longfellow
Date: n.d.

Title: Bridge, The:, The Bridge:
Description
Date: n.d.
Text: 4 Q5; . W X 55 LONDON; ROBERT DUCKS 8c C‘? NEW BURLIEETUN STREET, REGENT STREETW. EV SPEC/AL APPU//\'/TM , A/Z/J/'6 Pl/A91/J/if/?J_ /W /#71" M175/'/2/?/I/I/ﬂ//0' A//4:/ELSVV Q1/ff/7 V/C75/7///,//./K //. 7//£ P/f//V55 [IF IV/'7/£9, J2/5’/M 7/if EMPE/T0/f /Y/'7/701/E[//Y ///V MUSIC LIBRARY ‘ VASSAR COLLEGE POUGHKEEPSIE. NEW YORK

Title: My Redeemer and My Lord:
Description
Date: 1908
Text: MUSIC uannnv VASSAR COLLEGE poucuxsrrsnchusw yomgi ‘I119 ‘Hemmer Cﬂlb 2013. ﬁacteb §>¢f0, fmm 53656115 9 7)) 29 by 2o§§re?rom. I Qﬂuyaic big 911617213 ‘}511Cf’~+ S‘ V 'C‘. ’:®ig§'g)0~;Ce. The John Church Company ~01)? 01 c Cincinnati New York London MUSIC” c...THE HOUSE DEVQTED TO THE PROGRESS OF AMERICAN 7|/3 nef IN U.5.A. My Redeemer and my Lord“ From The “G01d+-11 Legend’: Scene V. Elsié’s Chamber. Night. Elsie praying. (Higlz Voice.) Poonl by H.W. LONGFELLOW. Music by DUDLEY...
Show moreMUSIC uannnv VASSAR COLLEGE poucuxsrrsnchusw yomgi ‘I119 ‘Hemmer Cﬂlb 2013. ﬁacteb §>¢f0, fmm 53656115 9 7)) 29 by 2o§§re?rom. I Qﬂuyaic big 911617213 ‘}511Cf’~+ S‘ V 'C‘. ’:®ig§'g)0~;Ce. The John Church Company ~01)? 01 c Cincinnati New York London MUSIC” c...THE HOUSE DEVQTED TO THE PROGRESS OF AMERICAN 7|/3 nef IN U.5.A. My Redeemer and my Lord“ From The “G01d+-11 Legend’: Scene V. Elsié’s Chamber. Night. Elsie praying. (Higlz Voice.) Poonl by H.W. LONGFELLOW. Music by DUDLEY BUCK. Andante espressivo. O- S/1/2;/1/=e ('07! Pm’. 117/12. 12.11. In ‘1 Copyright MCMVIII by The John Churoh Company. International Copyright. Entered am-orxling to act ofthe Parliament of Canada in theyear MCMVIII My Re — deem - h * I Tbe_seech Thee,‘ I en —treat ‘ Thee, me in each act and word, That here-aft L (1 ’thatThere-aft _T I may meet Thee; O O (“T I 0 \_ dz’/2/. V / wgf wait — ing, 9']?/’.S’(}. _— ing,With my lamp well wel1—trimm’d and burn - no!/(1 zroce. / mz [3060//512721050. In_ter - ced — .— ing with these bleed ingwounds,these ma 12000 I-aiiuzzolo. bleed - ingwounds upon Thy hands and side; : Fof all ' who have lived and _ ed, Thou hast suf - fer’d,Thou hast died, Thou hast / I ll-l;‘U 41 f 12000 (20061. } suf - fer’d., Thou hastldied. I Scourged, and mocked, and N Z]. V- /70 w_ M 7210110 ‘Mt. _ ci ; fied, 772.6550 ‘€006. If /my fee’ - ble prayer can reach Thee, Tempo I. ‘ /\ /_\ /'\ . /-\ /\ /'\ / sew]; 7"e z‘m7zgm'// , 19- /'? /T semjzre Pea’. ior, I be—seech. Thee, I be—seech /5 asThou hast died for me, More sin - cere - 1y, {-3 Q. And in the grave hastThou been bur.ied! ‘ more sin - /-k _ 10wwhereThou lead - est,~ b1eed-ing as Thou if dy_'1ng I may give And more near - /1 Dy -ing thus,____ re-sem-b1e Thee! /"“':\ > ngf f more near - 1y, , more near — ly, - ingthus,re-sem - ble Thee, - sem — ble Thee! /\ /“‘—-T The Most Famous Grouping: of Distin- guished Song Collections Ever Published ﬁn Authenticated Record Disclose: a Sale of Two Hundred and Fifty Thousand Copies-250,000 Eaeh Individual Volume diacriminately edited for an especial purpose and for a particular voice. FJMOUJ J‘O1VGJ‘. Edited l;y . E. Krehbiel. Four volumes. One each or J‘oprano—.0lto—Tenor-Bass. The best 5 of Bach, Beethoven, Becker, Bohm, Brahms, Cho in, Dvorak, Fesca Frans, Godard Gouhydd, Grieg, Haydn, Hotfmann, Holmes, Jensen, Liszt, ewe, Massenet, Mendels- sohn, ltioaart Pergolesi, Purcell, Raﬁ’, Rubinstein, Saint-Saens, Schubert, Schumann, Scarlatti, Binding, Spohr Sullivan, Taubert, Tschaikowsky, Thomas, Tosti, Wagner, Weber, and others, are represents , together with the favorite folk-songs of the various nations. OPERJ J‘0JVGJ‘. _ Four volumes. One each for Soprano-—.IIlto—Tenor—Base. These four books comprise classiﬁed groups of the best known arias, scenas etc. from the standard operas. The numbers contained in each volume have heen selects with the idea of furnishing each of the four voices with a versatility of material and {or all practical purposes the songs are set down in their original key . JONG CL.ﬂJ‘J‘ICJ'. Edited by Horatio Parker. Four ()0 lumes. One each for .l‘oprano—.ﬂlto—'1'enor—8au. These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large an ever increasing class ofearnest as irants to true artistry. The songs are presented always with the original text in order that t eir full ﬂavor and signiﬁcance may be preserved, and because a poem which does not sutfer by translation is a thing hardly conceivable. cause or .sw'r1,Qw1'r. Edited by Dr. one Neuzel. no volume. This anthology of song, collected and edited by one of the greatest scholars of music of modern times, ‘presents a work of unusual interest to voice teachers, singers and music students ener ly; in contrast to the elphemeral character of the average anthology. The ‘amount 0 material used and the carefu ness of the research indicated b the selections, mark this volume as one of essential value to all who are really interested in t e “Art of Song." JZECRED J'OIVGJ'. Edited by w. J. Henderson. Four volumes. One each for .l‘oprano—.ﬁito—‘I'enor~—8ase The group of songs contained in this set is the reatest contribution yet made to collective sacred songs, and cannot fail to make a very powe ul appeal to the interests of all sin rs. Mr. Henderson has here collected the very best of sacred song literature produce during a period covering two hundred years-—from Bach to Cowen. on./rronzo J’OJVG.l'. Standard Oratorio Songs in their original keys, with the accompan lng Recitatives. Four volume . One each for.!‘oprano——.lilto——Tenor- as . . _ The series is a grand ensemble of the best Oratorio Songs of the greatest masters from Johann Sebastian ach to Sir Arthur Sullivan. The contents of these admirable volumes is so widely recognised‘ as the highest type of ~ pure music, that further description is unnecessary and praise superﬂuous. JJCRED DUETJZ Edited by ivilliam Jhakespeare. ‘hoe volumes. One for two high voices. One for one high and one low voice. Becogilsing the demand for collated material for two-part. singing in the service of the Church, t e editor of these volumes, mindful of the fact that the ‘efficiency of good music is not caused by its novelty, has here com iled standard duets from many sources and from all- eras of -music- The volume for two high voices is suitable for two sopranos, two tenors or soprano and tenor; the volume forone ifh and one low voice is practicable for soprano and site‘, for tenor and alto or for" soprano an baritone. O » ‘ens volume Beautifully Printed and aou¢.m.u.¢q pun. news. page
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Title: Ships that pass in the Night
Date: 1908
Text: Music uamuw vAssAn COLLEGE '°”°"""~'«'7"5'£. Ntw vmnu \l .9 %9 «"6. Ar=<=@€l\ Vlliiliiia IME 02003000 EIGHT SONGS A Winter Violet. .............................................................................................. .. Pn 25¢ Db major .................... ..The Words by Theodosia Garrison. . Ships that Pass. inthe Night. ...................................................... .. Pn 50¢ F minor. . . ................ ..The words by Henry...
Show moreMusic uamuw vAssAn COLLEGE '°”°"""~'«'7"5'£. Ntw vmnu \l .9 %9 «"6. Ar=<=@€l\ Vlliiliiia IME 02003000 EIGHT SONGS A Winter Violet. .............................................................................................. .. Pn 25¢ Db major .................... ..The Words by Theodosia Garrison. . Ships that Pass. inthe Night. ...................................................... .. Pn 50¢ F minor. . . ................ ..The words by Henry W.Longfellow. Redivivus. ........................................................................................................ .. Pr: 50¢ ED majon. ....... ..’. .......... ..The Words by Louise Morgan Sill. Eventide. ..................................................................................................... ., Pr: 50¢ D major: . ............ ..The Words by Henry Cleveland Wood. Thou Wilt Come with the Flush of the Morning ........... .. Pr: 50¢ E major. .. ................. .. The Words by Homer E.Woodbridge. Song ﬁ"on'fThe"Warzder‘er:'.’.....N9 n. ........................................... .. Pr: 25¢ B minor: .. . The Words by Owen Meredith. Song fr=on'i‘The War1der*er*'.'...... N9 2. ......................................... .. Pr. 50¢ D major. ............................. ..The Words by Owen Meredith. . By- '0 ..... .._..(sLuMat-:9 SONG.) .............................................................................. .. Pr: 50¢ F major ........................... ..The Words by William Roebuck. EDWARD SCHUBERTH &CO., NEW vom<, LONDON,‘ ll EAST 22 "P 51' DéP6%S; 2 STAR YARD,CAREY 81‘ LONDON, ASCHERBI-IRG,HOPWO0D8.CREW L'rn.,l6 MORTlMER ST. LEIPZI 6,C.DIECKM/\NN,2I Tiduacnemwze. Ships that Pass in the Night. The Words by . Henry W’. LongfcHo'w. ‘William Roebuck, Op. 1;’, N‘? 2. From “Tales of a VVayside Inn” Con sostenuto espressione. Voice. 10 Ships that pass in the night sostenuto. 77?" speak each other in pass-ing, On — 1y a s' -nal shown anda dis- tant Cop;/mfg/Lt, 1.908, by 7l'z'lZz'am Ifoebuc/?'. 17 Voice in the dark-ness: So, on the 0-cean of life, pass and speak one an-oth-er, On - 1y a, look and a oi then dark - f - ness a~gain and a si _ lence, On y a sig—na1 Th /L 19 lento dim, Voice, a dis-tant voice, in the dark—ness. Shi s thatpass inthe O 19 1622/0 _ _ 4 2‘67/zp0gz'usf0A A (son Paddle 1y 1y a Voice; Ad A io solenne. dis - tant Voice in the dark '22 moto So, on the o-cean of life, k pass and one an—oth — er, .5’ ﬂ [3 1y a Voice On - 1y a 1ook,then dark—ness! A A Mrma ,. milem‘. then dark - ness and a 1%’ sostmzulo L___/Z f. silence. that pass in the night, Ships that pass in the ,/If a temﬁo {gusto A 15000 (L poco _ 1y a Sig 1y a vo1ce, a Voice, , dagio solenne. Then dar - ness and si
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Title: Serenade
Date: 1903
Text: Percy Leo Atherton Four Songs Op. 20 l. In (EdoL1;«.rdPuillcron.) C1‘a(llC .SOIlg. (Thomas Bailey Aldrich.) Serenadfﬁ. (Henry Wadsworth Longfellow.) Fly, ll1lSllC—ClOWn, (Richard Watson Gilder.) THE BOSTON MUSIC C0. G. SCHIRMER, Jr. BOSTON. MASS, Copyriglit, 1905, by (L .‘€cu1[eM1<:R,_lr., for all countries. Sole Agents for Great Britain CHARLES WOOL}-l()USE, London. uuuc unmnv VASSAR COLLEGE SERENADE. Stars of the summer night, Far, far in yon azure deeps Hide, hide your golden, golden...
Show morePercy Leo Atherton Four Songs Op. 20 l. In (EdoL1;«.rdPuillcron.) C1‘a(llC .SOIlg. (Thomas Bailey Aldrich.) Serenadfﬁ. (Henry Wadsworth Longfellow.) Fly, ll1lSllC—ClOWn, (Richard Watson Gilder.) THE BOSTON MUSIC C0. G. SCHIRMER, Jr. BOSTON. MASS, Copyriglit, 1905, by (L .‘€cu1[eM1<:R,_lr., for all countries. Sole Agents for Great Britain CHARLES WOOL}-l()USE, London. uuuc unmnv VASSAR COLLEGE SERENADE. Stars of the summer night, Far, far in yon azure deeps Hide, hide your golden, golden light, Hide, hide your golden light ! She sleeps! my lady sleeps! Moon of the summer night, Far, far down yon western steeps, Sink, sink in silver, silver light, Sink, sink in silver light! She sleeps! my lady sleeps! Wind of the summer night, Where yonder woodbine creeps, Fold, fold thy pinions light, Fold, fold thy pinions light! She sleeps! my lady sleeps! Dreams of the summer night, Tell her, tell her her lover keeps watch, Keeps watch while she sleeps in slumbers light, Keeps watch while in slumbers light she sleeps! My lady sleeps! .Walter Raymond Spalding. Serenade. Words by _ _ Music by Henry Wadsworth Longfellow C _ Percy Lee Aiherfon. 0p.20, N9 3. In dreamy ecstacey. /,(,(1.(, N-,;_ >- . poco mt. ’.___T;——‘T———— 3%-/T’ a tempo Stars of the sum—rner night! Moon ' of the sum—mer night! 1) a tempo Far, far- in you 2 ‘ / hide, hide your gol M en, Far, far_d0wny0n Sink, sink in sii — ver, {'5 C0/>yr.€gIzt, l.’»':/H, by G.Sc/air/iwr, Jr. 3‘ Mr. C9 838 For all countries. gol — den light‘. Hide, hide your gol - den 1ght!She sTeeps!My sil — ver 1ight!____ Sink, sink in sil - ver 1ight!She s1eeps!My Wind f the sum-mer /‘#-T B.,M.C983.~z Where yonder W00d—bine creeps,___ Fold, fold thy pin— ous If?-—~,V“*”‘: y pin— ions sleeps! hi??? 3?? M2‘. (.3. fey//55,10 f"""_'""l Dreams of the sum—mer night ‘/If:/’77?[)0 E E K} ' B.M.CQ 838 ‘Tr? /£311 her, ell er er 10v — er keeps watch! Keeps Watch While ‘S e sleeps 11 '3' " r_T>’_1' slum - be/rs 1ight____ Keeps watch while in s1um—bers light she..s:1eeps,My sleeps ! .;_____________ Sleeps?! e.x'///'g.9.s'7s'z)c* 8 " F. ‘B.M.C9 838 FOUR SON-GS FROM “AN APRIL HEART” (SONG CYCLE) BY H.CLOUGH-LEIGHTER OP.24. A fascinating and ingenious. Cycle of six songs. (Pr.n. 1.25) Complete copy may be had at any Music Shop or from thePublisher G". SCHIRMER, J r. THE BOSTON MUSIC COMPANY . BOSTON, MASS . — “A little Maiden Loves a Boy.” L CHARLES HANSON -IOWNE. All tto }{.CI.0UGH- LEIGHTER, 0p.2~l, No.2. condo. J: 96. "if Daytime, playtime, Maytime, Maytime, All the world is white for me! BE 3 p.________, rall . a ’Tis a fay-’timc,fay-time, It is never night for (‘l ma- gic Ema?’ Dw/die Copyright ‘[902 by G.Schirmer,_]r. “The Magic of the Spring. ” CHARLES HANSON TOWNE. H. CI.0UGH— LEicinEn,op.24, No.5. Poco allegro,con ferinezza.,\J = 34. O > 3 For all countries. Now who can faith- om this, The '2‘ ma-gic of the Spring? And ‘Bab. who can tell one glad bird can make the whole world sing? {T ' 7 . 2 6 \/ Ah, me, ,,.._we cannot measure ,.:t\ _ mezzo mosso m1z»y___ 7 .t\, . . .1 D . * 1902 by G. Schirmer, Jr. -- For all countrje5_ THE S|NGER’S GUIDE. VI “The World is Full of April.” CHARLES HANSON TOWNE. H»‘.CL0li'GH- LEIGHTER, Op. 24, No. 3. The world "sf are one long drt-am,,.,.. earth is wild _ animandosi The woods with mu - cic en ture , can Copyright 1902 by G.Schirmer,_]r. “ You and I and April.” H. CLOUGH- LEIGHTER ,op.24,No.s. : 88 . For all countries . CHARLES HANSON rowmz. Allegretto eon auiina. grazia You and I make perfect All our days, dear You and l shut Letting in the out the dark P /M =x<€r:*eo * Copyright 1902 by G.Sr.hirmer,]r. For all countries. An attraotive booklet, containing a. graded and classified list of recent p11blir.;;:,’r,i<)i1s . useful alike to tea.ohers,protess1onzLls and zxiiiateurs. Qent to miyztddi'ess Iree ot ciiarge .
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Title: Arrow and Song, The, The Arrow and The Song
Date: 1915
Text: nnussc uunnnv VASSAR COLLEGE nouamuzzv-set. new YORK Poem by Henry W. Longfellow Music by William Blailr Price, 60 cents The John Church Company Cincinnati New York Lonclon Deﬂcated to Jlargarel fem? 6’2'Zm0re The Arrow and the Song HENRY W. LONGFELLOW WILLIAM BLAIR Allegro (J = 92) f Presto Copyright MCMXV by The John Church Company International Copyright Poco Andante I’ an ar— row in to the air fell to earth /alga lo .5‘ 2);; 2'16 [I000 agzm/0 not .._____%____.___ For so swift - ...
Show morennussc uunnnv VASSAR COLLEGE nouamuzzv-set. new YORK Poem by Henry W. Longfellow Music by William Blailr Price, 60 cents The John Church Company Cincinnati New York Lonclon Deﬂcated to Jlargarel fem? 6’2'Zm0re The Arrow and the Song HENRY W. LONGFELLOW WILLIAM BLAIR Allegro (J = 92) f Presto Copyright MCMXV by The John Church Company International Copyright Poco Andante I’ an ar— row in to the air fell to earth /alga lo .5‘ 2);; 2'16 [I000 agzm/0 not .._____%____.___ For so swift - > SO sight_. could not f0l—low f\ f_\ Z"/‘may:/,2‘//0 T in its r1Etrr.‘_./_ 17-191-6 ]I,’0c0 Andante I breathed a song in- to the air It fell to earth .9‘. sz'm 2'16 legalo l7491— 6 keen 2> who 17491-6 17000 agzmto For who has vi - sion so :> :> and strong, for has vi -sion so keen 7 and strong, for '7 > > > > has vi-sion so and strong That it can fol-low the > > > mm/T of song? That ' can 722.3. fﬁ fol—low the flig ____ of ./f m e"/'a2zqa2'//0 Andante es pres sivo NV Long, long af— ter-ward in__ an oak, NV espressivo found__ the ar — row, sti11_ un—broke, and the song, the song from be- f.‘ gin — ning to friend. German, French and Italian Song’ Classics EDITED BY HORATIO PARKER Vol. I Soprano Vol. 2 Alto Vol. 3. Tenor Vol. 4. Bass These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large and ever increasing class of earnest aspirants to true artistry. The songs are presented always with the original text in order that their full ﬂavor and signiﬁcance may be preserved, and because a poem which does not suffer by translation is a thing hardly con- ceivable. Students and teachers as well, should remember that of these noble songs each is an earnest of like treasures which will reward any diligent seeker in the ﬁelds represented by the collections now offered for their use and guidance. The following composers are represented in the collection: Adam (lliaminzulo Ilalm l\I{1SS(‘I1(‘L Surti Iiaclr llelilws Ilamlvl l\lemlel.s.s'ul1i1 Hcmlzitti l’wetlm\'mi l)eIl’;\<:q11a Illllzmlelnt Miiilntli Ht-lu1l>erL I'»(‘lIII)t‘,l'g lmlmis Ilaydn .\loz:n'L Sclnnn-tum Iiixut IIlIl‘;lI1L0 Iloluws l'ul;ulillm »\‘tr:ui.-‘H Rmmnt-,ini Fulire Jensen l’ergolese ’l‘lmuw llrulnns Frzuick Legrenzi l’iernu 'l‘osf.i (i:lL.'L'lIlI Fnmz Loewe Rail" Vidal (‘ztlelara (dordani Lotti Rios \\':ignm' (‘um p-.u1zL Uzodard Luzzi Rosa \Vt,‘(‘I{téI'IIIl (Tau-issinii (lounod Marclxault Rubinstein \\'idur Uavztlli Grieg l\Iarcello S:tint«S;u-11s Wolf Ucdli Price each volume in heavy paper, $1.50. in cIoth, gilt, $2.50 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON
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Title: Longfellow Waltz
Date: 1906
Text: iinféé-».£9$‘€'£‘; §,‘§::i::§,1g',>::‘\f ff. 3.-"£l'~?x:*éii‘S.&§lE ‘W-W-imtswsvat. Mrw ¥{”‘.«9+vr: go '\ Byron \l"|arch Browning Walt3 Field Nocturne Longfellow Waltj Tennyson Romance Shakespeare March Pub//Is/7e0' by 6605 /(W5/t (5. BOSTON, MASS. LDNGFELLUW WALTZ. Composed by A. H. ROSEVVIG. Tempo di Valse. 3 5 ‘ 2 Copyright 1906 by W. A. Evans. E.M. Co. 217, 2 . TT{E}&ATTC‘LJST (H*I?VA}K§BICSIC CCYS PII3LIFAIT(HVS. XX CXﬂ1Pcth)n of...
Show moreiinféé-».£9$‘€'£‘; §,‘§::i::§,1g',>::‘\f ff. 3.-"£l'~?x:*éii‘S.&§lE ‘W-W-imtswsvat. Mrw ¥{”‘.«9+vr: go '\ Byron \l"|arch Browning Walt3 Field Nocturne Longfellow Waltj Tennyson Romance Shakespeare March Pub//Is/7e0' by 6605 /(W5/t (5. BOSTON, MASS. LDNGFELLUW WALTZ. Composed by A. H. ROSEVVIG. Tempo di Valse. 3 5 ‘ 2 Copyright 1906 by W. A. Evans. E.M. Co. 217, 2 . TT{E}&ATTC‘LJST (H*I?VA}K§BICSIC CCYS PII3LIFAIT(HVS. XX CXﬂ1Pcth)n of NIusiCa1E3ketChws,I§asy aIui.A1trnCIiVP. Bv PEARL STAFFORI). 1’,-m» 44)‘? each. Hogeysuckle-Polka. . ' Em)./W W 1,“/U//4/.17 [I W /M.’ W ,,_ /_ E/Ymn ‘J«I.\'1r;I'm.»_—~ ,, A A , .; I-, _.‘, ‘ A, : ,' 9"-'-.-.4.‘ ,o[',37'—'; * _- a «_..m:.,s T‘,-,1 Shady D ell — Reverie. Mod. tﬂn ’‘ @739
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Title: Bridge, The, The Bridge
Date: n.d.
Text: ﬁx ’ \ 4 = ~§M V (V), M&N. WRITTEN BY [~”~JWuLL@ @ MUSIC COMPOSED MUSIC usnanv VASSAF: COLLEGE Pouauxsersue. new vonx

Title: Bridge, The, The Bridge
Date: n.d.
Text: .\ . H/Iv V. . ‘ CTON R gm LONDON-.ROBERTEDCKS&C‘? NEW BURLINGTON STREEIREGENTSTREETW. -”5 % BY SPEC/AZ AF/"0/I-"/7’ME/V7’ / PM No 50¢!) ms’ 9/5//A/ms‘ 5/I W/us/:91/291//5H.ms 7”/J /’-/Ti}/x‘,/14/4u'/21S'7'>’ Qam/v V/CW/?/A H/S /WVA/4 H/EH/V1:”z3S THE P/?/N55 cw WA L5‘; {/0 CA L 0(/E7‘. 4/ I W " EAsrmv 9MA[4»[,W0()02,/6 _ /D/AN0[7UETEA5Y5MA1.;.W00z9 3/1 §_ ~ W-'1/5/ryﬂgsy 0/773 7/: MAY BE SUNC IN PUBLIC WITHOUT THE PAYMENT OF ANY FEE. U0. I/E/BYEASY ...
Show more.\ . H/Iv V. . ‘ CTON R gm LONDON-.ROBERTEDCKS&C‘? NEW BURLINGTON STREEIREGENTSTREETW. -”5 % BY SPEC/AZ AF/"0/I-"/7’ME/V7’ / PM No 50¢!) ms’ 9/5//A/ms‘ 5/I W/us/:91/291//5H.ms 7”/J /’-/Ti}/x‘,/14/4u'/21S'7'>’ Qam/v V/CW/?/A H/S /WVA/4 H/EH/V1:”z3S THE P/?/N55 cw WA L5‘; {/0 CA L 0(/E7‘. 4/ I W " EAsrmv 9MA[4»[,W0()02,/6 _ /D/AN0[7UETEA5Y5MA1.;.W00z9 3/1 §_ ~ W-'1/5/ryﬂgsy 0/773 7/: MAY BE SUNC IN PUBLIC WITHOUT THE PAYMENT OF ANY FEE. U0. I/E/BYEASY [J/T7'0., 7/= ;, MUSIC‘ usnanv VASSAR COLLEGE POUGHKEEPSIE. NEW YORK
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Title: Two Angels
Date: n.d.
Text: /O -0 \ ‘(V3 7' /A % ///“\Q , /”\\ ‘\ , . \‘Q /i:\. \ . [V _( . g 33/ ‘ VRL A ,. Zmg 36 amw 7 . K / /%v \ % / , ., » \ \ \ k‘-/// /«~ \,\ I ,// \ ‘_//’/—\ K ,/ K Lg /M L‘ < / V (>l;¢/ ' Xvj (C / x) . _',4 ,._., \ / J “\—— ’//’ , ‘}1’§~'¢§»[ (ea ‘=7 ” “‘\. 5/z/..r/y./1/.».«7. . __._____._-_..__\. ‘ gﬁ ./ " LON DON, LEADER 8: COCK, 63, NEW BOND STREET; /‘.I// my n/ ‘/27 "m/. - -W w r '/ MUSIC LIBRARY VASSAR COLLEGE”; Jiﬁiis 31%: mi &1Hfi1”5 Q?...
Show more/O -0 \ ‘(V3 7' /A % ///“\Q , /”\\ ‘\ , . \‘Q /i:\. \ . [V _( . g 33/ ‘ VRL A ,. Zmg 36 amw 7 . K / /%v \ % / , ., » \ \ \ k‘-/// /«~ \,\ I ,// \ ‘_//’/—\ K ,/ K Lg /M L‘ < / V (>l;¢/ ' Xvj (C / x) . _',4 ,._., \ / J “\—— ’//’ , ‘}1’§~'¢§»[ (ea ‘=7 ” “‘\. 5/z/..r/y./1/.».«7. . __._____._-_..__\. ‘ gﬁ ./ " LON DON, LEADER 8: COCK, 63, NEW BOND STREET; /‘.I// my n/ ‘/27 "m/. - -W w r '/ MUSIC LIBRARY VASSAR COLLEGE”; Jiﬁiis 31%: mi &1Hfi1”5 Q?/Iltlltzll rxnh It/114;, _ﬁ'I}[lL% ‘T'\$27@ ./.‘HR.l@E2lLE‘3o woreos BY LONGFELLOW. MUSIC sv CIRO PINSUTI. /3 legato. _ ;/ /A V 3§ f:£“ Lento Rgligioso. con doloezsza. Andante. K) Two An_gels, one of Life, and V ‘ Death, Pass’d0’er't]1e »~.~::: {T4 village as the m0rn---ing broke; The dawn ............. .. was on their fu----ces, and be/-___neath .......... .. The s0m_bre hmI--_ses, _neath The snmbre\ I1 ‘ j '_ head_ed with plumes of smoke. col canto. L & G_2197'. Their at_,--__ti__tude and as _ _ _pect were A __ like their fea_tures, Ores. of ivhite; And one was cr0wn’dwit.h a_---_ maranth, as with -k ~ And one with a_sp n_dels, like flakes of light— ....... .. a tempo. thri" Ce .... -_l€~ _-_ stial I saw them pause L & (L2197. i .. ,_ . <‘-**>~v!'».<a/. .. >I""¢"1~‘;‘»~*—»'~L.,§‘/ an Then said I, ‘with deep fear and‘ doubt can espress. my heart, lest “Beat not so loud _ .“Beatn0t so loud my heart, lest thou .be--_tray — where" thy I1e___l0V_-- éd, where thy be--- l0V.-__éd a;f> Lento Re oso. 1&5? '1 [JP e con dolcezzm. L & O ._ 2197. than be____ are Andante mosso ‘assai. And he who wore the crown of a ..... -- sphodels, De-- - _._.__. L -scending at my 001‘, be_g'u1i"t() knock; And my soul M sunk With__ ais in wells The Wa ...... --ters sink, 7 an earth -_‘__ quakés shock. A I re_c0gnis’d the name __ _ less 3 3 Ores. The terror, and the tre_m0r, and the pain .v ........ .. M That oft be- T3 \\_.’./ L & 0-9197. ‘< , V 1 5 . . «‘ kl , f I “ 5. Q ﬁg 22% ’W7&‘ £a«;#%-. .m..., .r«—»--o«—w.». ,..‘.....,.r -.,. A ,. \ « . —~.. _ fg1;e\. .............. .. had fi11’d and haunted me, And now re _tIIrn’d ‘ Vﬂ'ththreef0lds_t1'e11gt|1 a _ _gain. And now re _ turxfd wuth three/fo (1 Strength a- gain. //‘X col canto. RECIT: a piacere. The door I 0 _pened_ to my heaV’n_ly And listexfd, for I thought I heard G0d’s voice; AI1d,kI10wing whatsderhe sentwas 0. . ' Dar’d nei-ther to Ia,-_-ment L & C_.2197._ /9 con dolcezza. Lento Religioso \ Then with _ a smile L that f'i11’d the house with ' rm '1 - . J e legato. light, ’ " y er_rand is not Death, vbu‘t Life,” he ‘ And ’ere I 3%//::§°r answer’d, passing out of’ slght, Onhis ce_le-stia1 embassy he Andante mosso. ’Twas at thy door, I O f‘riend,and not at \_\,\ \_ an_gel _with the a- - ma-1'an:th1ne wreath, _scend___et1; 1“ and,with voice di_--vine Whispefd a word tvthatvhad :1 Then fell 1Ip_0n the ‘Z i _ riten. molfo. I_,ento_ house a sudden g100It1‘— A\ shadow on those features fair and thin; ¢ \./ con dolcezza. from that huslfd and dar_-_ken’d room, Two An_gels /‘S A11d,s0f't _ _ -13’, " *1 /3 e legato. . issuednvhere but one went in. issued,where but one went in. Two An--gels \ *.s»,>., : w‘,-E25 L & 0-219}. « ::’::ﬁ:~»:4?~:;';‘:v,-;§;;:‘ Andante. I no !\ l7a I I I I r ‘I I 1 x 1 I 1 I 4 1 r O‘ 0 O 0 0 All is God! V. " He but wzue His I 41' II I can espress. _lect,the rains fall thick and loud; ‘ Ti1l,with a smile of light on sea and land, Till,with a smile of lights on sea. and land He looks - ____..—-——-_-;_"__"" riten; l)‘.;l?:..{..... He looksback from the de_part_____ing cloud. col can to. a tempo . An_gels’of Life and Death a_1ike are His; Without His "‘/ r V..,__.....g_._‘ P.‘ _i__,.‘, I the_y pass no ‘threshold __.__;g H % _ 1 5‘ A-g'ainstHis. messengers to shut ‘d7.n~e, belieV.i11g' this, Ores. 't 0’er Who then lwoiﬂd wish or dare, . ,‘.Y" ~ Q,» ‘ Piu mos so. the drmr? 'Wh0 ihe1m'0U1dwish, 4’ ’l1e‘~..’liMyi1xg’
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