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Title: My Redeemer and My Lord:
Description
Date: 1908
Text: C1119 ‘Hemmer cmb ‘I111? 201%. §acteb $030, Tf fmm Cheﬁofbm gems, by s.’£§’%from. ‘ Cmwaic 1 big Eubfctg ‘Buck. - , ., , 31’/w 518$ V01C9- E3o$vnCf3nwrcFn Cympwqg 10117 Voice. “ ,s:ayi'$o;x4.“*’“”' 772 NET My Redeemer and my Lord. From the “Goldvn Legend’: Scene V. E1sie’s Chamber. Night.E1sie praying. ‘ (High Voice.) Ptwnl by H.W. LONGFELLOW. Music by DUDLEY BUCK. Andante espressivo. ¢ Sm/r/Ire P0)! Pen’. 7 0 Con (Inn. 1317. Copyright MCMVIII by The John Churéh Company....
Show moreC1119 ‘Hemmer cmb ‘I111? 201%. §acteb $030, Tf fmm Cheﬁofbm gems, by s.’£§’%from. ‘ Cmwaic 1 big Eubfctg ‘Buck. - , ., , 31’/w 518$ V01C9- E3o$vnCf3nwrcFn Cympwqg 10117 Voice. “ ,s:ayi'$o;x4.“*’“”' 772 NET My Redeemer and my Lord. From the “Goldvn Legend’: Scene V. E1sie’s Chamber. Night.E1sie praying. ‘ (High Voice.) Ptwnl by H.W. LONGFELLOW. Music by DUDLEY BUCK. Andante espressivo. ¢ Sm/r/Ire P0)! Pen’. 7 0 Con (Inn. 1317. Copyright MCMVIII by The John Churéh Company. lhternational Copyright. Entered accord ing to act of the Parliament of Canada in the year MCMVIII by TheJ(>|1n(‘|1urch Company in the Department of Agrir-uhure. I be-seeCh Thee, in each act and word, that here — aft - é a’/'///. My Re — deem - /5 I en — treat - er and my That here-aft _ \ — er I may meet /4""—'_\ Thee; 8 -------------------------- -- . I (3/'€.S'('. VVatch _ ing, wait — ing, '- ing,With my lamp well trimm’d, /‘\ r0//a woe. / hop — ing, ‘Z . I C \\'e11—trimm’d and burn — yearn - L- ma poco,/4/z‘z2 molo. In_ter - ced ~ — ing zmpoco/iz’/52 moto. ‘I’ bleed — ingwounds upon Thy hands and side; Thou hast suf - fer’d,Th0u suf - fer’d., Thou hast died. /_;$7I_cf with these bleed ingwounds,these For all ‘who have lived and /'_ — hast died, Thou hast D f poco acne/. > Scourged, and mocked, and ' 1!. ﬂow rd /Izolto r2’/. _ ci _ fied,____ And in the grave hastTh0u been bur—ied! 71/6554 'L'0(-'6’. If my fee - ble prayer can reach Thee, Tempo I. T} 86/Il]I7'6 z‘rmzqu2'// .9e27zl/are Pea’. ior, I be—seech. Thee, I be—seech /T asThou hastdied for me, V More sin - cere - ly, more sin- . _ u ‘ /'1 'cere _ 1y, L j—j—;"[ - 1owwhereThou lead -éest, b1eed-ing as Thou if" dy-ing I may give And more near _ /‘\ 1323B~7 Dy - ing thus, ,j"\ more near - ly, - ingthus,re—sem _ ble Thee, 4 re - sem-ble Thee! > ngf more near - ly, L"; sem — ble Thee! lkhhbl Living unto Thee JOHN ll-I-lR’|'0N C. HUGO GRIMII Moderate sun! Un-veiled ere-A - tlonlies; Anson]; an Thine; we must not say_._ That these are dad who pass CI;yr|gM,llCIl XV, I] In John Quin tunpuny Inlvnnﬁunll Copylgll ‘Weep’ not for me Ham ronsnn: HARRIET wuz: Adagio aontenuto When the por-tals of For I shall see Wish mine own eyes,:._. as Ihro’\nns- ﬂWW.IClxlV 9; m man man I-«mun comm Send Out Thy Light C. B. IMVILEY - in; streams,Wben hen ~ ed in hppijll lCllhXV Dy TII-Hslﬁuuhhnpny I praise the Lord FREDERICK PLMARTENS CHARLES GILBERT SPROSS Will: I praise the I praise the Lord,_._? whose com-mand earth 11- news__ its niir - a-cle of golden With wav-ins Cnqrblﬂ ICXXIII 6! Thu mucus CCIOIW Inhvull-U 0-by-‘M
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Title: Village Blacksmith, The:, The Village Blacksmith:
Description
Date: n.d.
Text: PHOTO N9 4-. ARRANGED A8 A11 Acfion S I19 forschools ‘ BY I**1EBENFJ‘1ALJEP§NE L/O1'Ld.O I2: J .CURWEN &SoNs LTF’ 24 BERNERS STREET,W. Cz7p//"/‘£7/72: /908, /7)/J. Cu/we/7 c? 347/75 if//, Price One Shilling. uusuc LIBRARY \/ASSAH COLLEGE THE VILLAGE BLACKSMITH. LONGFELLOW W. H_ W-EISS_ Allegro moderate. VOICE. - KeyC. s :d'.d' It :d' } Flrst.symphOny'.Ph°t°1'- _ ' 1.(i)Un-deraspreading f mf ﬁr‘ :—.d'|t :1 Is :—.1ls.m:- ' °- :rL1"|s :...
Show morePHOTO N9 4-. ARRANGED A8 A11 Acfion S I19 forschools ‘ BY I**1EBENFJ‘1ALJEP§NE L/O1'Ld.O I2: J .CURWEN &SoNs LTF’ 24 BERNERS STREET,W. Cz7p//"/‘£7/72: /908, /7)/J. Cu/we/7 c? 347/75 if//, Price One Shilling. uusuc LIBRARY \/ASSAH COLLEGE THE VILLAGE BLACKSMITH. LONGFELLOW W. H_ W-EISS_ Allegro moderate. VOICE. - KeyC. s :d'.d' It :d' } Flrst.symphOny'.Ph°t°1'- _ ' 1.(i)Un-deraspreading f mf ﬁr‘ :—.d'|t :1 Is :—.1ls.m:- ' °- :rL1"|s :.d’lt :d' Ir‘ :— d'1t 2s $ chest- nuttree The vil — lagesmithy T he(2)srnith amigh—ty man is he,(3)With C’. “I :d' lm zfe ls :— l zsr .m l .f :- is :—. lim :—.r Id :''‘I If” :— .1 It :d' f large and sin - ewy hands; (_4)Andthe muscles of his brawn — yarrns are (5)strong as i - ron =<_1_'._!" |m' :1: Id‘. :1 I Se :—m Ir-1 :1_ﬁ I d‘ :1 M‘ :d' lt :— I- (6) His hair is crisp,and black andlong,(7)His face is like the tan; rgzjl. {'6} :-.d' It :(1' Ir‘ :s Is zse l 1 :r ls : I I :~ it 2- ' d‘ 1"-d‘ '1" 1V'\' 3 brow is wet with hon—est sweet,(9)He earns whate’er he can,(10)And looks thewholeworld Photo 2. {Fm :—.m lm :1 .1 is :d' Ir‘ .m':— |d' :— \- in theface(u)Forhe owes not a—ny ‘Second sympho,-,y_ Photo 3_ > }}} zm H1 :d' It :m' |d' :— .1; 11 :1. .t ld' :d' lr'.1:— 2 2.(12)Week in,(13)week out,(14)from morn ti11(15)night,(16)Youcanhear his bellows 0 z} 7-all. e dim. A.t. m. 1. {It ;- r— ;m'.r'ld' :1 lse :m lm :1 It :1.t ld' : I :r lms. :— 1- :s..s.: blow; (17)Youcanhear him swinghis hea—vy sledge; With mea-suredbeatand slow, (18)Likea Z> mil. 6 dim. s.d.f.C. a tem {Id zd Ir .r:—.r I m :—.r Id :s. .5.‘ m. :m. ls. zd lawn :— I :s ls :s ls.s:— } sex—ton ringing the vil — 1agebe11,(19)Whenthe eve—ning sun is low. (20) And chi1—dren coming 0’ mm 1" stacc. mll. {ld' :d' It :—.t Ir‘ :a'.,a'nn :1; It : u :s |s :d.' It :d' |r- :—.s ls :se 3 homefromschool Look in at theo —pen door; (21)They love to see the flam - ingforge,And {I1 :r is :a I1 :— It :— Id‘ :—.d' Ir‘ :m' |m :—.m|m :1 Is :d.'.,d'|r' :m' hear the be1—1ows roar, (22)And catch theburn-ing sparks thatfly, Like chaff from athreshing f> ”" I Third symphony. Photo 4. {la :11 Inn :11 ‘s :—.r 1: :11 .t.|1. ;— .1. Id =1, im : 1- :"‘S (23)goes on Sun-day to theChurch, and sits a—mor1g his boys; (24) He Elm:-.m1s:sV1;11s:_.sl1;—.11t:tld';-1:ls.s:s.sIm:mlr:—1c1:c1§ hears thepar-son prayar1dpreac1'1,(25)He hears his daughters voice (26)Singinginthevi1-lage choir,(27)And it Old hundredth Psalm. {I1 :1 is :m I r :— 1- :5m |m :—.mlm :m.m l f .f:— If : lr :r.r|s :—.f§ makeshis heart fe — joice: (28)It sounds tohirn likeher mother’s Voice Sing-ing in Pa - ra- \/ 17000 mll. a, iempo zm Ir :r lm :—.r ld :—.d 11. :1. It. :_ .1. If :—.f lm ;— 1- :m § (29) He needsmustthink of her oncemore(30)HoW in thegrave she1'1es3 (31) And mil. atem \/ _/ Photo 5. i “S :s Is :— .m ' S :f lm :r 1 d :- .d [In with his hard, roughhand he Wipes A tear out of rail. Photo 6. ﬁlm‘ zt .,t|d' :1 I Se :—.m lm :- '6.‘ :1 .,1|m' :d' It :— l— :t 111' :—.d' It :d' % 4.(32)Toi1—ing,rejoic-ing;(33)sor — row—ing, (34)On-wardthrdlife he goes; (35)Each morn 4 ingsees some f I 9 {Ir :-.s ls :se I1 :r ls zd I1 :— It :t .,tld'.d':— Ir‘ zrn In :— 5- :1 task be—gin, each(36)eve—nir1gsees it close (37)Some{hingat—tempted,(38)Some~thing done, (39) Has 1' molto Ma‘. “S :6.‘ Im' :-.,r‘|d' :— |— : I earnd a mghﬂs re—pose.. Fourth symphony_ Curwcn’s Action Songs for School Concerts. Full Song Size. Infants’ and Junior Schools; “ A " was an Archer C. H. Lewis Babes in the Wood A. J. Foxwell Bessie’s Secret A. Watson Boy and the Girl, The C. H. Lewis Castles on the Sand Percy Jackman Chlnaman, The A. L. Cowley Chinese Lantern A. L. Cowley Chinese Umbrella,.The C. H. Lewis Cruise in the Big Brown Boat Watson Country scenes and characters Foxwell Dollies’ Dancing Lesson, The A. Watson Dolly's Outing O. Ling and C. D’Ace Dunces, The C. H. Lewis Eight Little Mothers Effie I. Canning Flowery Garlands Foxwell and Lewis Girls versus Boys Hawkins and Lewis Good Night Song and March E. E. Mann Horsemen, The C. H. Lewis House that Jack built, The Japanese Doll Feast . Kindergarten Way, The P. Jackrnan Little Cooks R. H. McCartney Little Helpers R. H. McCartney Little Housemaids Hoare and Lewis Little Tommy Atkins A. Watson Lord Mayor’s Show, The T. P. Cowling Merrily round the May-pole W. L. Frost Merry Little Maids and Boys Cowley Mischievous Child, The Geo. Merritt My Dolly's House F. W. Farrington Nelly’s Dolly A. Watson New Baby, The ' J. Frise Our merry See-saw C. H. Lewis our pretty Christmas Tree Parkinson & Lewis Riding in the Tram Foxwell and Lewis Robins and Wrens A. L. Cowley Santa Claus’ Call J. Frise Signals C. H. Lewis Song oi Welcome, A J. Layland Spring Story, A H. A. Donald Twinkle, twlnkle,,little star F. A. Mann When babies go to school A. Watson When Granny comes home A. Watson When tired with our lessons Roddie Boys and Girls. A-hunting we will go At our Bazaar Beautiful Rainbow Birdies’ Concert Black and White , Clementine Ward British Flag of Freedom, The Roddie British Flag, The Percy Jackman Burlesque Band, The G. F. Root Camping Party, The A. J. Foxwell Children’s Hospital B. M. Ramsey Chinese Fair, A Hoare and Lewis Chrysanthemum Land Gillington & Lewis Craity Old Spider, The A. Watson Crosses Three W. H. Smith Dolls Edith E. Marin Family Coach, The C. H. Lewis Four-and-twenty Blackbirds J. Thom Funeral March of Cock Robin Labbett Gallant Liie-boat Crew T. Facer Gifts of the Season Foxwell and Lewis Gipsy Dance and Lullaby Frank Sharp Git under de ’brella Edmonds and West Grotesque Mandarins J. B. Tomlinson Home-made Concert, A P. Jackman House that Jack built, The Foxwell Inehriated Geese, The - A. Watson hi Hot Hindustan C. H. Lewis Inquest on Cock Robin Foxwell & Lewis In the Market‘ J. Frise Joan and Darby May Byron and Lewis Lawn Tennis Players C. H. Lewis Llie-boat, The Percy Jackman Like this J. Frise Little Farm in Ohio, A A. Watson Little Gipsies A. Watson Little Haymakers Tom Pierce Cowling Little Hunters Beynon Ashcroft Marionettes, The - F. W. Farrington Merry Singers Tom Pierce Cowling Monkey on a Stick - aPercy E. Fletcher Motor Car, The Thos. Facet Mousetraps! who'll buy! A- Watson Musical Picnic E. Ouseley Gilbert My Bike Annie R. Forder on for the Holidays (2s.) v ~ Fitz-Gerald and Elliott Lath Off to Blackpool Augustus Lanhanu 0 merry it is at close or day Lewis Arr. F. Knapton . Frise Clementine Ward A. L. Cowley LONDON : ONE SHILLING EACH. Voice-part in Both Notations. Ample‘Directions for Actions. Pianoiorte Accompaniments. Apparatus for some of these Action Songs may be had and Costumes hired from the ‘Publishers. Our Band- Our School Treat Pigtail and the Fan Playmates Waltz Plume Song, A Poor Cock Robin Rainbow, The Red, White, and Blue Gillington and Lewis Santa Claus’ Call J. Frise Santa Klaus J. Frise Percy , J ackrnan F. W. F arrington Ernest Bucalossi Kirby and Woolley Edith E. Mann W. S. Roddie Clementine Ward School Bells are ringing M. Johnston Showman on Tour, The J. Frise Singing Competition A. J. Foxwell Song oi the Union Jack M. C. Gillington Star-land J. W. Kirby and W. Woolley Swinging (No actions) W. Lane Frost Teachers oi Britain John Brind That’: just what I expected J. Frise Thcre’s an isle ‘mid the silver sea Cooper This World of Ours C H. Lewis Three Flags John Graham Toy Band, The W. Willoughby Toy Shop, The T. Sydney Smith Tribute of Flowers (8vo size, 2d.) Fletcher United Kingdom (Sol-fa, id.) Cowley Waves, beautiiul waves T. Facer Waxwork Show, The C. H. Lewis What game's best for playing it Coward When love is young J. Frise Where are you going to ? C. H. Lewis White sails A. L. Cowley Wynken and Blynken R. de Koven Ye Ocean Wave (2s.) H. Elliott Lath You Mus’n’t A. Watson Boys. Anglers, The C. H. Lewis Auctioneer, The J. Frise Birds and the Boys Herbert A. Dyer Bold MountaineersFinnemore & Jackman Boys’ Brigade A. King and G. G. Turriﬁ Boys in Khaki, The Percy E. Fletcher Boys will be boys C. H. Lewis British Army Boys J. Frise British Isles, The A. L. Cowley British Workmen Munday & Valenza Busy Blacksmiths, The D. McKenzie Busy Little Carpenters A. Watson Butcher Boys, The A. L. Cowley Buttons J. Frise Cheap Jack Frank Booth Chinee Boy, The C. H. Lewis Chinese Boy’s Ambition Ward & Healey Chinese March C. T. West Coon and the Tune, The J. Frise Cricketer’s Song, The A. L. Cowley Crossing Sweeper, The J. Frise Crossin’ Sweeper Joe A. Watson Doctors Three J. Frise Dancing Bears, The T. H. J. Eling Dentist’s Den, The C. H. Lewis Dwarfs, The C. H. Lewis Farmer’s Boy, The C. H. Lewis Fire Brigade, The Foxwell and Lewis Fire Brigade, The- Stallybrass Fly Catchers, The C. H. Lewis Football A. L. Cowley From behind the Speaker's chair J. Frise German Band Action Song Roddie Good Umbrella, A Foxwell and Lewis Gymnastic Vocal March Seymour Dicker Hats F. Hoare and C. H. Lewis Hi-ching-ting-a-ling John Brind Home Coming, The C. H. Lewis I’m the Butcher Smith and Lewis Invaluable Cane Gillington & Jackman Jerry Blinkum’s Baby A. Watson John and Co. IVL Ashcroft Johnny Schmoker G. F. Root Jolly Cabmen, The V Edward J. Labbett Jolly Eskimo, The C. H. Lewis Jolly Jack Tar, The C. H. Lewis Jolly Little Cobblers A. Watson Jolly Old Cobbler Tom Pierce Cowling Jovial Auctioneer, The A. Watson Kazoo Band ~ P. Jackman Kilkenny Cats (with Meow Cho.) Watson Lads’ Brigade, The E. E. Vinnicombe Little Crossing-Sweepers B. M. Ramsey Little Fishers F. W. Farrington Little Gardeners E. C. Winchester Little Ricksha Boy, A Farrah & Lewis Little Sailors Tom Pierce Cowling Little soldiers D. Mackenzie Local Volunteers, The J. Frise Merry Drummers Percy Jackman ‘Dorothy Sly Merry Plcughman, The Merry sandwich Boys Merry Shoeblack, The Merry Old Soldiers 01! to Klondyke Old Soldiers On Parade Onward March Our Hats Our Model Parliament Our Model Policemen Paddy Blake Pedlar. The c. H. Lewis Phizzy-ol-oi-ol-o-gee H. R. Coombs Poet would a-ilshlng go, A A. Watson Poor Pierrot Gillington and Jackman Red Indians, The Gillington and Lewis Sailors, Soldiers, and Tradesmen , enkins and Lewis Sneezing Song, A Alfred Scott Gatty Soldier Boy, The (2s.) A. Scott Gatty Song oi the Blue Jackets J. O. Murdoch Song oi the Sailors David Mackenzie Sons oi the Sea Foxwell and Lewis stilts, The C. H. Lewis Sweeps, The C. H. Lewis Tailor’s Song, The T. H. J. Eling Tall Top-Hat, The Percy Jackman Ten Little Chinamen Edmonds and West Ten Little Choir Boys Dawson & Fletcher Three merry dentists C. E. Le Richeux Tinker's Song, The A. L. Cowley Tin Whistle Band, The Taylor & Lewis Tramps, The Percy Jackman Tramp, The J. Frise Tetbury Mop M. Ashcroft Triangle Song C. H. Lewis Trooping the Colours Arr. J. S. Curwen Union Jack, The T. Crampton Up with the Flag A. L. Cowley Urchins We V J. Frise Village Minstrels are we C. H. Lewis Wagoner’s Chorus C. H. Lewis We are Jolly Blacksmiths C. H. Lewis Who’s got do little nigger’s shoe ? Watson Woes of Three Dufiers E. N. Lewis Wonderful Hat, The C. H. Lewis Yawning Song T. W. Partridge Young Punchinello A. Watson Young Troubadour, The A. Watson Girls. Ambulance Maids Fow1er~Tutt & Lewis Beautiful Rainbow Clementine Ward Beneath the golden orange grove Lewis Busy Little Housemaids A. Watson Butterﬂy, The W. Woolley Caller Herrin’ Arr. Annie Irvin Cloud and Sunshine Elizabeth Tate Contrary Mary Herbert Lloyd Could we but rule J. Frise Dame Daisy’s “At Home” E. E. Mann Domestic Troubles A. Watson A. Watson C. H. Lewis C. H. Lewis C. H. Lewis Farrington C. H. Lewis C. H. Lewis J. Frise Gillington and Lewis T. Mee Pattison J. Frise Longhurst and Lewis William Barkla J. Frise J. Frise A. Watson Family Linen Fan Telegraph Fisher Girls, The Flowers, beautiiul ﬂowers Parkinson & Lewis Flowers’ Festival Edith E. Marin Gay little Geishas we J. B. Tomlinson Gay little girls irom Japan N. O’Rei1ly Gleaners, The A. L. Cowley Grace Darling Arr. Helen Faulkner Grandmother's Dream F. L. Bristow Grandmothers Old J. Frise Granny’s Patchwork Quilt C. Ward Grecian Girls C. H. Lewis Handerchlei Song Kate Fowler Tutt Happy little Japs Frank H. Gelling Hoop Song, The J. Tomlinson Corbin Housework C. Hutchins Lewis Hurrah for the songs we sing J. Frise Japanese Fan, The A. L. Cowley Japanese Tea House Foxwell and Lewis Jolly Factory Lasses J. Frise J oily Little Geishas Gillington and Lewis Latest Thing in Dolls, The W. S. Roddie Little Laundresses Tom. Pierce Cowling Little Maids oi Long Ago C. H. Lewis Little Playmates R. H. McCartney Little Turkee Turks Frank L. Bristow Little Washerwomen C. Flavell Hayward Looking Glass, The A. J. Foxwell Love in a Boat J. Frise Maids oi Seville, The C. H. Lewis For full description, see School Catalogue, gratis and post free. J. CURWEN 8i SONS Ltd., 24 BERNERS STREET, W. t Merry English maid, A Merry Little Milkmaids Milkmaids, The Miss Milligan’s Girls Miss Muﬂett Miss Prim Mistress Mary My Dream My Sweetheart Not quite the same Old Age Mary Arnold and P. Jackrna Our little serving maids Tutt and Lew Our Night Out Pinaiore Song and Dance Pit-pat W Poppies Posies Queen Anne Fan Song Raise the Tambourine on high Pattiso " Screen Song W. Woolle l. Smart P.T., The song or Slumber, A Song of the Little Jap, The Stocking Menders (8vo, 2d.) Sweeping-brush Brigade Tales of Childhood Tee.-party, The Three Modest Quakeresses Washing Day We are dainty, dancing ialries We'll tell you your iortunes Mackenz‘ Welsh Girls ‘ C. H. Lew When I was a girl, you know J. Fri Flore Cooper and Le C. H. Lewi . Dances and Musical Drills. When I was a girl, you know Ball Tossing Bogies . . British Empire Drill Windley & Stuar Butterﬂy Song and Dance C. War Children’s Dance Miss E. Hughe Clogity hop-te-toe Alphea Parr Click, click ! ‘ Concert Flag Drill Dance oi the Vampires, The Elves and Bells Fair Arcadee Fairy Bells ringing at dawn Fan Drill Lois Bates and A. Pearso -‘ Fan Philosophy K. Melville Fletche Fay and Flower E. Maso-[ Flower Bells, The A. L. Cowle if Four Young Quakeresses C. F. Haywa ' Gymnastic Vocal March Seymour Dicke I-Iazelrigge Flag Drill Windley & Stuar Heads and Heels C. H. Lewi Hindeo Maidens '* Turner, Longhurst, and Lewi Japanese Parasol Winthro. Jolly Tar’s Sword Drill Kazoo Band King's Navee, The Lads in Blue ' Little Consta Little Grena March of the Kazoos March of the Pipers Maypole Dance Merry Maidens We Merry Morris Dancers Musical Flag Drill Night in a Dormitory, A Turner, Longhurst, and Law 0 ! iancy i just iancy l i A. Watso Onward March Turner, Longhurst, Lew _ Our Gay Balloons Parkinson & Jackma.‘ Peasant Dance Wakeling Dr k‘ Pink-a-Pong Turner, Longhurst, Lew '1“ Pole Drill and Bar Bell Drill Hughes Ribbon Drill C. M. Kenned Ribbons and Tassels ‘ ’ Scari Drill C. H skipping Rope Drill Jennings and S Skipping Song and Dance J. F Smiling Geisha, The . so Shy Spanish Drill March Tambourine March and Dr Trip, Trip, Tripping Wand Drill Wheel Drill (2s.) When Good Old Dames Braine and Lew ‘, DIRECTIONS. T? FOR CONCERT.-—Eight Boys and Four Girls. DRESS.—BOYs (blacksmiths): dark blue trousers, white shirt (bare chest and sleeves rolled up); ” tan ” aprons; box of tools ; hammer; horse shoe; pincers and ﬁle. SCHOOLGIRLS: White frocks; red caps; skipping ropes tied round waist, and school bags (tan) slung over backs. EMZ1/y.—During First Symphony four boys from each side of stage walk on, whistling tune, and take places as in Diagram T, placing boxes on ﬂoor. Girls run on. %é‘° §° °§§v GIRLS. :37 DIAGRAM I. Last bar of Symphony, boys, except two front ones, form semicircle as Photo I (under a spreading chestnut tree). I. Girls point to boys. Two front boys imitate striking on anvil, one boy holding horse shoe with pincers, whilst the other strikes shoe with a hammer, which must be _ swung as a sledge hammer (Photo I). Con- PHOTO _ tinue this action to the word “stands,” when boys step back to places (Diag. I). 2. Hold hips ﬁrm. Girls point to boys at word “ mighty.” 3. Hold up hands and twirl ﬁngers. 4. Stretch out arms sideways, bringing closed hands to neck vigorously (showing muscles). 5. Raise right knee and break imaginary iron bar across it. 6. Point to hair. 7. Point to face then show aprons. Girls show bags. 8. With right thumb wipe forehead twice from left to right to worc ;‘ sweat,” throwing same off thumb to ﬂoor. 9. Shake pockets with hands in. IO. Throw arms out to front. II. “Partners” grasp each other’s right hand, and make “clicking” sound with thumb and second ﬁnger of left hand. PHOTO II. Photo II. Second Symphony. As Photo III. In time to music, boys strike as Action I. I2. Move right hand from right to left. I3. Move left hand from left to right. I4. Half right turn, shade eyes with hands, and look upwards. I5. Palms together, and rest head on hands. I6. Imitate blowing “smithy” bellows. Girls, with hand behind ear, listening to same. I7. Action I. Photo III. Girls listen during this action to worc “ slow.” ' I8. Imitate ringing church bell. 19. As I4. 20. Boys, with ﬁle in right hand, and resting horse shoe on right knee, imitate “ ﬁlin ,” whilst irls Mm to followin PHOTO 111' positifns (Diag. II)gand “peep in smithy.”g Village Blac/eszizit/2. DIRECTIONS, continued. GIRL 2r. Girls clap hands, whilst all boys, , _. _. \ /y >\‘::v except two rear ones, imitate striking «>§§v BOYS »§§~ (Photo III). Two rear boys blow bellows. Boys continue this action in time to music, // °§§~’ BOYS "§§» GIRL ' to end of verse. /1‘ u :3’ -"v < / / 1 1 K ,//7 GIRL3‘~;(. 22. Girls imitate “catching the sparks,” throwing same to the ﬂoor briskly, as though DIAGRAM IL ﬁngers were burnt. $3 GIRLS «gs. Boys ass, Third Symphony: Boys as Photo IV (on front page), shoeing, and imitate putting nails in horse’s shoe. Girls walk back to their places reading books, which they take out of their bags. 23. Point to right. 24. Kneel as in prayer. 25. Still kneeling, placing hand behind right ear (listening). 26. Rise slowly, and point to right. 27. Hands over heart. 28. Right hand behind ear (listening), points upwards with left hand (Paradise). 29. Clasp hands and shake heads (medi- tating). 30. Point to ﬂoor. PHOTO V. 31. At word “hard,” right hand boys show left hand, left hand boys show right hand, and half turning “ wipe eye.” Each girl walks mournfully with head bent to places as Diag. II, placing her hands on boys’ shoulders (Photo V). Position for remainder of song as Diag. II. 32. Wave hands above heads. 33. Photo VI. 34. Move right hand briskly to right. 35. Boys take up and show tool boxes, girls hold bags to front. 36. Place boxes on ﬂoor. 37. Strike right knee briskly with right hand. * ~ - 4 38. Arms stretched forward. PHOTO VI. 39. As 15_ Exit.—During Fourth Symphony, girls throw skipping ropes round each couple of boys, and to music (“Harmonious Blacksmith ” preferred) trot off stage as horses. Village l;’lack51m'L‘h.
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Title: Arrow and Song, The, The Arrow and The Song
Date: 1883
Text: *7 \\ 7 \_k \’\ (J R E! 5 NEW . @ 5 \q RDS %/V/\\; rlttgfellniv % HAWILW ‘J 9.__1 __l‘._._l 49 ' :=: .~ 5 .. A NEW.YORK, % L ’ WM.A.P0ND&Co.25 UNION SQ. -- CCCCCC 0, ‘ 1\/M13 .\z\/my THE ARROW AND THE 1 +$%%b J VV01'ds by I{.W.LONGFELLOW. ‘Allegretto. row in — I I know‘ to earth I‘ know not Where, Copyright. I883 bY W!A.POND&0‘.' to the -air‘, ..... __ -36- a tempo. not where: .... __ For so /N (level. 6 ores. dim. svsiftly it flew, so swift-ly it ﬂew, .... .. the sight...
Show more*7 \\ 7 \_k \’\ (J R E! 5 NEW . @ 5 \q RDS %/V/\\; rlttgfellniv % HAWILW ‘J 9.__1 __l‘._._l 49 ' :=: .~ 5 .. A NEW.YORK, % L ’ WM.A.P0ND&Co.25 UNION SQ. -- CCCCCC 0, ‘ 1\/M13 .\z\/my THE ARROW AND THE 1 +$%%b J VV01'ds by I{.W.LONGFELLOW. ‘Allegretto. row in — I I know‘ to earth I‘ know not Where, Copyright. I883 bY W!A.POND&0‘.' to the -air‘, ..... __ -36- a tempo. not where: .... __ For so /N (level. 6 ores. dim. svsiftly it flew, so swift-ly it ﬂew, .... .. the sight Could not follow it in ......... -_ its .17’ accel. e ores. n\ a tempo. flight. b1'eatl1.ed a song in—t0 the air, .... .. It /5. a tempo. f.\ a tempo. Whefe, I know not Where. For A fell to earth I know not ‘dim. mg 7 a tempo. 0 _accel. e cres. k'«_'_,.-j ' who Has sight so keen and so ‘tr acbel. e ores. the ' cm. strong , .... ._ a tempo. pp sostenuto. : Long, long af- terward, I found the ares. I fmuul the Tlmt . if accel. e ores. Still ......... '0 11Ii— broke; A1111 the song, _______ __ from be-gi1mjng to , ' /5 A A -accel. e ores. end, _____ _. I fdlmd » a — gain __________ ._ in the heart of a f1‘iei1(1;_____ And the A A ‘ A . A A AA Nﬂefa‘ . A. sAo11g, ____ __& from be-ginning to em1,____-_‘ ..... __ I ‘found a.—«“g:iin ..... ._ - in ’ ' I A A V of ............... __ a ﬁ'ie1ul . A A A . JP-. 6m° 10302 ' A Hounslowl Engﬁa N ‘
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Title: Old Bridge at Florence, The, The Old Bridge at Florence
Date: 1922
Text: MUSIC LIBRARY VASSAR COLLEGE -oucnxezl-sue. NEW vonx THE OLD BRIDGE AT FLORENCE LONGFELLOW MUSIC BY ALBERT MALLIN S ON. Copyright‘ MCMXXH, _ by .J.B.Cramer &C‘3 Lid 5-’ Pmce nett. For aHCoun’r1ries. .‘ , 4/ ' J.B .CRAMER & Co.Lbd. [39, New Bond Street, LONDON,Wl. New Yon/R; ChapPeH*Ha1/ms, Inc, 185, Madison Avenue. 51319 Agent Fm‘ Hulland and L‘uL§h Calnrnes JACQ ELTE. THE HAGUE. Phinfed In England- . THE OLD ‘BRIDGE AT FLORENCE. Taddeo Gaddi built me. I am old, Five centuries...
Show moreMUSIC LIBRARY VASSAR COLLEGE -oucnxezl-sue. NEW vonx THE OLD BRIDGE AT FLORENCE LONGFELLOW MUSIC BY ALBERT MALLIN S ON. Copyright‘ MCMXXH, _ by .J.B.Cramer &C‘3 Lid 5-’ Pmce nett. For aHCoun’r1ries. .‘ , 4/ ' J.B .CRAMER & Co.Lbd. [39, New Bond Street, LONDON,Wl. New Yon/R; ChapPeH*Ha1/ms, Inc, 185, Madison Avenue. 51319 Agent Fm‘ Hulland and L‘uL§h Calnrnes JACQ ELTE. THE HAGUE. Phinfed In England- . THE OLD ‘BRIDGE AT FLORENCE. Taddeo Gaddi built me. I am old, Five centuries old. Iplant my foot of stone Upon the Arno, as St.Michael’s own Was planted on the dragon. Fold by fold Beneath me as it struggles, I behold Its glistening scales. Twice hath it overthrown My kindred and companions. Me alone It moveth not: but is by me controlled. I can remember when the Medici Were driven from Florence; longer still ago The final wars of Ghibelline and Guelf. Florence adorns me with her jewellery; And when I think that Michael Angelo Hath leaned on me, Iglory in myself. Longfellow. The*O1d Bridge at Florence. Sonnet by ’ LONGFELLOW. l:——3—?1 Andante. (J: 42.) Wef Music by ALBERT MALLINSON. Tad - aé _ o Gad-di built me. PIANO Five cen -tu_ries old. _ foot of stone . Up-on the Copyright MCMXXII by J.B.Cramer &,C9 Ltd. ‘ Ar _ no, (J.=B,C 3; 09 12123.) Mi_chael’s own was plant _ - ed on the dragon. cu. -— -— —' ‘'' _ neath me as ‘ it 06! - 6” Zemgo "_-"——.ﬁ ;strugg1es,I be__ hold Its g1is.t’ning scales. % Twice hath it T To_ve1.'.thr0wnAMy 2,...-———j TS - pqco kin-dre(1.andC0m-pan - ions. A ’ It (J.B.C 8: 09 12728.) 17 _tro11ed. .________ I can re _ mern _ -.ber,_ when the Med- i_ci Were drivenfrom F'1o_rence; poco Mt. ,_ .— ._ —- f““"*--1\ _. .- longerstill a _ go % The fi _ na1wars0fGhi_be1-1i-neandGue1f. a tempo 3-2-} \*/ ' (J.B.C.& C? 13128.) mf""“‘“'3 F1o_rence a_dorns me with her jew- ell _’ry; _ /5 think that J _/ 8-"; _____________ -- vzgvumw -10 Hath. leaned on me. glo _ ry Cnorvuz, Pr~?n+er~,34' EAGLE STREET, HoLson~,W_ C . .s.c 3.09 f'2128.’> New and Successful Songs sung by MR. FRANK MULLINGS — AT THE - Cramer Ballad Concerts. My Soul is Set Among the Stars. Words by Edward Lockton. Music by Evelyn Sharpe. Andante. mp 3‘ ..="—=-’~“. H as 5‘ ﬂlfﬁ :.* a . B:4—':——4.—-—4—+-a——-F3-7-.':1s-i-=N-P—r— —’—-I:'——:‘:—_2 = - ~ -4- ' \_/ ' U To-night my soul ....... .. is set among the stars, .... ..These fet-ters fall, and Keys: LOW, MEDIUM, HIGH. A Tent in the Desert. Words by Edward Lockton. Music by Evelyn Sharpe. M isterioso. -——i————1‘*.—I‘=—.4.—— _. —_4———i—‘V__x“ T‘ 4 .! i 1 1 T _. __ ._._____._ ::§;‘_:_d__:‘"__._IL:i:;j;*: :; .;" .. *;‘:d:d:1:j:-::;:t:t:r—9-—’lr*:'*-5“;-*r‘r'—E;_ Huahed arethe bells of our long car-a- van, Be-hind the yel-lowhills the day has ﬂown; Fast sinks the sun up- K¢ys_.: LOW,_ MEDIUM, H IGH. Under Thy ewindow. Words by Harold Boulton. Music by A. Gtoring-Jrhonnas. Allegretto non troppo. poco rits a tempo. poco rit. 3 a tempo. . L 4 #1 1 I r 154; 1 RI H 4 i,:1<*:—“: -_ _ *_ —— '— — ‘—-— --—1—-- ———<I—-- -———l—'-IL-—j‘—i_—'-‘I-—— ;--;~—;-3-—- ~ jj —- ‘*3 —-1* -a—-f Un - der thy win - dow lstand, And my boat in tea - dy at hand. Dear love. be free. Keys: No. 1 in F; No. 2 in Ab. — 0 Words by Harold Boultoa. Music by A. Goring Thomas. Andante. “9- -12 J14 ﬁn. 1 I "‘._".::4= ——-— —_:; -—a~——'” —————— Thewestwindlov'd the wil - low Bet - ter than an ~ y tree; And sped o'erthe o-cean hil - low Keys: No. I in F: No. 2 in A. J. B. BBAMEB & 80., ltd...139, New Bond Street, W. NEW and POPULAR VOCAL ALBUMS. TWELVE LYRICS. BEDTIME LULLABIES. Words by Music by W°'d5 bl’ M“5i° by HAROLD BOULTON. A. GORING THOMAS. EDWARD WARDE GEORGE HAY‘ ‘I. Fairies. 2. Slumberland. "1. ggntentkment (guet)*.‘ ‘Q [l§iver[E)nl-leaagri. 3- Rock-3-bye TOW"- . e 1 mg’s aug ter. . ove u y. ° .. _, . The Heart’s Fancies. ‘9. The Willow. ‘ Pnce ll nett cash’ complete . Time's Garden. ‘to. A Song of Sunshine. . Voices of Swing. ‘1 1. The Countryman's Love Song. HI OW. . Under the m. Sunset (Duet). Price 5/— nett cash, complete. Music by Words by H. ERNEST HUNT. HAROLD CHEVALIER. 1. Song of the Pedlar. 3. London Roses. _ 3. Snowdrops at Kew. ‘4. Welcome to Spring. Price 8/6 nett cash, complete. w d b M ' b HAROLIO; /i30}lJLTON. EDWARl1)slcC}I{RMAN. FOUR DOGS_ “I. All the World awakes to-day. son‘ Cydee ‘ . Th D h L! . xi. My°so'§‘§ a'2°.§l":i.§s:L3'ay North. VVords by VIOLET A. PEARN. Price I/— nett cash, complete. Music 1’? 1- MAYNARD GR0VER° I. Fra’ the Hills near Aberdeen (The Aberdeen Terrier). 2. All the way from Devon (The Sheep-dog). THREE SONGS OF THE HEATHER. 3' H”T“"’"“‘T‘"‘<‘ii:?Pekanese). 4. Patron Dog 0' Briton Words by Music by (The B““d°g)° HAROLD BOULTON. CHARLES BRAUN. P‘i°° 3/‘ “'3” °“‘‘» °°“‘P‘°‘°- ‘I. Heatherbug. S f P ‘f. HEver}" so far away. , *3. inga ongo urpe eat er. _ Price 4/— nett cash, complete. S V Words by MUSIC by S. E. LOCKE. HAROLD JENNER. 1. Preparation. 2. Anticipation. mun songs or Auomrlou, A P... a/i‘..f.".“:‘.I:3‘.‘f".‘.'............ Words by Music by RONALD HUME. EVELYN SHARPE. . A BRANCH OF ARBU']‘Us_ Price 3/B nett cash, complete. Song Cycle for Four Voices. Composed by ALICIA ADELAIDE NEEDHAM. Quartette--Ireland, little Ireland. Tenor Solo (a) Darling Black Head. 1. 2. FIVE SONGS OF A LONELY FARM. 3. m Tipperary. '4. Contralto Solo—_Do you remember, darling 7 A Cycle of Five Songs. sop,a,,., 5010 i eSn°ng- words and Music by *7. Baritone Solo-Give a man a horse he can ride. 8. Quartette-—When he who adore thee. ERN EST CRAMPTON. "9. Tenor Solo-Ther¢;’sFno lagd liar: Irelalnd. d 10. 21 our uc sona on . .12‘ '£:ﬁrI§:]'2gk§:';'£é Morning. .1 x. C°"trak° s°l°{(b)_ And it’s oh_! sweet, and a lullaby, - C . 12. Soprano Solo--All m the morning early. 3. ome into m Garden and Rest. at (3) on th 1-lde_t0 *4. New Mown {lay Hi: Baritone Solo { (b) W at gongo P’ 5' Harvest M°°"' ‘I5. Quartette--St. Patrick was a Gentleman. Price G/— nett cash, complete. Price 6/— next cash, complete. Songs marked with an * are published separately. J. B. CRAMER & CO. Ltd., 139, New Bond Street, London, W.
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Title: Serenade
Date: 1913
Text: FOR MEDIUM VOICE AND PIANO SET BY TO l1"()RDS BY H. W. LONGFELLOW BOSTON, MASS. NEW YORK : G. SCI-IIRMER, INC. HUIIC LIIIIRY VASSAR COLLEGE Serenade HENRY W. LONGFELLOW E’a’2’ten,’ 42/ [Iago [lies Vivo e leggiero Voice 001 Pedale Allegro moderate “[7 Stars of the sum - mer b night, Far ﬂ0(/'0 6‘7'6.S'6. deeps, Hide, hide your gold - en 10060 6‘7‘6S6. RM. Cm 3634 001223/rz'g'/z‘zj 191.5’, 53/ 17/9 Boslon Jllusic 00. in your light 1, a I7 fall a fempo s1eeps,__ she...
Show moreFOR MEDIUM VOICE AND PIANO SET BY TO l1"()RDS BY H. W. LONGFELLOW BOSTON, MASS. NEW YORK : G. SCI-IIRMER, INC. HUIIC LIIIIRY VASSAR COLLEGE Serenade HENRY W. LONGFELLOW E’a’2’ten,’ 42/ [Iago [lies Vivo e leggiero Voice 001 Pedale Allegro moderate “[7 Stars of the sum - mer b night, Far ﬂ0(/'0 6‘7'6.S'6. deeps, Hide, hide your gold - en 10060 6‘7‘6S6. RM. Cm 3634 001223/rz'g'/z‘zj 191.5’, 53/ 17/9 Boslon Jllusic 00. in your light 1, a I7 fall a fempo s1eeps,__ she sleeps, my_1a - dy sleeps! ll mézgfempo Stars of the sum - mer night,‘ Far in your a - zure a fempo I7 mollo creso. '/‘pow Zemco deeps,___.__._j__ Hide, hide your gold - en__ [2000 lento molio cresc. f at fempo s1eeps,_ sleeps, my__ la -' dy sleeps! afempo B.M.'C0. 3634 m]; L i of the sum - mer b Moon night 17000 oresc. deeps, Sink, sink in sil - [2000 cresc. ‘/ sleeps, my__ la - dy B. M. C0. 3634 Far down your west - ern-~ ver 1ightI_ a fempo sleeps. Moon of the sum - mer night, Far down your west — ern_ b a fempd molto oreso. fﬂoco lento deeps,____+________ Sink, sink in si1- ver_ 1ight!__ 37000 [(27210 mollo crass. s1eeps,_ sleeps, my__ Ia - dy sleeps! an fempo B.M. C0. 3634 mp Dreams of the sum I118!" b [2000 creso. keeps ﬂ000 07380. sleeps ,- B. M. C0. 36 34 night, Tell her, her lov - er_ Watch, while in ‘slurn - bers light'_ a tempo sleeps, my. la - dy sleeps! a tempo mid) fempo l'I1€I'_ b Dreams of the sum - night, a fempo fpoco lento dim. Watch, While in s1um- bers 12000 Zem‘0 mo! 10 crew. “ma; she s1eeps,m)L la — dy sleeps! rail ("T jmmll. morendo ii - B.M.Co. 3634 Tell her, her lov - €I'__. IJ . Com;lete Copies may be had at any Music Shop, or from the Publishers N, MASS. THE BOSTON MUSIC COMPANY 26 & 23 WEST ST. 0 Kiss Divine Price '50 Absence P 11°" -50 W- Ffaﬂke Harling H. A.Benedict W. Franke Harling i°“at° OP‘ 14’ N9 10 Moderate sempre 01114, N911 Voice ' If on - ly you were here Piano _ eyes to trace your dream-yeyes down look-ing on my face, - ling dew up - all my Soul with S“ ' Per - Withtheirhalfveillhhalfsmillng tenderness, Ofirst andbestanddearesgcanyouguess C’op_2/rig/zz‘, 1912, by The Boston Music 00. 0o1;y9'z;.g/22‘, 1.912) by 1726 Boston Jllusic 00. For all countries For all countries Lovers Answer Price .50 Yvonne Price .40 W“ (1870) W- F1'a“ke Haﬂing Bliss Carman W. Franke Harling Moderate 09'”? N9 8 Movimento grave e sosten 0 Voice thoughts havebeenwithyou the Three things there be in this world, - my be- lov - ed, did you know? vonne; And what do you guess they mean? The stat-ble 1and,and the 1 m BS (calm 1/oce) K3 went flying to you in asong, be—10v-ed, didyou hear? ‘ And the tide that hangs be - tween. Uoguyﬁg/zt, 1.912, By T/‘ze Boston Jiusic 00. For all countries XCH Cojzyﬂg/zz‘,1.9§‘2, by Z’/ze Boston ]l{u.s-2'0 00. or all countries S in the selection of choice Repertory Numbers and Teaching Songs, we suggest referance to The B. M. Co. Thematic lists (Handbooks NQS 3, 5 8: 7;’ Directory N9 2); list of Ethelbert Nevin’s Compositions, and The B.M.CO., Catalog,with latest Supplement.(Any or all of these lists sent gratis upon appli- cation.) ‘‘ /
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Title: King Olaf's Christmas:
Description
Date: 1881
Text: MUSIC LIBRARY VASSAR COLLEGE Poucumttosrc, «cw vonx \\ . To my fr'1erﬁl A.E . S UMN E R.M.D. / Broofo Z}/V7z.17/.1.’ / '2?- '76. Poem from Longfellgw‘ "Saga ofKingU|af." MALE CHORUS AND BARITUNB AND THNUB SOI.0S Accomp”t.m°Pi $16 Ohiigato Reed Or*gan.and Strin _Uu'mtet%adlib. ~ ‘ K BY ‘ Voice Pa Ms. T /VB. Z/zeflrzzzylhrlx//“&r]4"’4zzd Z F’/227/2'/z liala Welly I//idfﬂiz//K/&6lS.S)77Zﬂ]’5€' oélzzm ed 177 1, 115.‘ of Z7wZ’zz&ZL'.r/...
Show moreMUSIC LIBRARY VASSAR COLLEGE Poucumttosrc, «cw vonx \\ . To my fr'1erﬁl A.E . S UMN E R.M.D. / Broofo Z}/V7z.17/.1.’ / '2?- '76. Poem from Longfellgw‘ "Saga ofKingU|af." MALE CHORUS AND BARITUNB AND THNUB SOI.0S Accomp”t.m°Pi $16 Ohiigato Reed Or*gan.and Strin _Uu'mtet%adlib. ~ ‘ K BY ‘ Voice Pa Ms. T /VB. Z/zeflrzzzylhrlx//“&r]4"’4zzd Z F’/227/2'/z liala Welly I//idfﬂiz//K/&6lS.S)77Zﬂ]’5€' oélzzm ed 177 1, 115.‘ of Z7wZ’zz&ZL'.r//oe/7 . ‘ \ ,/ /SNEW YORK~.Z.\ L~/ fc;.‘.scHIRM_+:®7\/ ‘/3 5 Unions qu m:'c.\J’ _ _ (Iupyriq]\t1B81b' (‘ ‘>'c11irmer, » \ /E Ex\ //c:_EN7/‘<: LR /d ‘:N£E\ /E ‘:\H/<:‘ V r. &_...-J /1 0 J\: ,-/[ya éyi/w mzzzej/zzzim/~"THE N U N 0 F N I-D'“A R 048"/2"////1/ale) 6/zmar /ma!‘ fve/M/" JWO. \‘e>iC4/2 .. ~ \\ 3 I KING OLAFQS CHRISTMAS. ti/"/‘rm IA}//(///(l‘//I)/I‘:\‘ ",.\L»/(i',/ /ll" /:i].Y(:' //LIP. t. .\l llrontheim, ()lat' the l{in_;' Heard the hells of Yule-tide rin;,", As he sat in his hanquet—hall, lll'll|l\'iH§:‘ the nut-hrown ale, With his hearded l3erserl\'s hale ' And tall. 'l'hree (lays his Ynle—tide t'ea’sts He held with Bishops and Priests, And his horn, tilled up to the brim; lint the ale was never too stronf.',', .\'or the S:1;:a-iii:u1’s tale too long‘, For him. (Yer his drinking" horn the .\lf.',‘H ll-e made oi‘ the eross divine, .\s he dranl\',:md muttered his prayers; But the llerserlxs evermore i ' ;\l:_1de the sign} «it the llamnier ot' 'l‘hor, (Iver theirs. The ;_~'leams ol' the |'ii'i‘li;:lit danee lipon helmet and hanherl; and lanee, And l:ui;:l1 in the eyes of tlie l{iIi_;;'; And he eries to llalt'red the Seald, tiray—hearded,v~'rinl\led, and bald, "Hiii;;!” "Silt: me sonir divine, VVith a sword in ever)‘ line, And this shall he thy re\\-'ard."' And l1e loosened the helt at his waist, And in t'ront ol‘ the sin;:er plaeed llis sword. .;. .;. ,2‘. Then the Seald tool; his harp and szinq‘, And loud tln'ong‘l1 the music rang‘ The sound of that shining’ word; And the ll:ll‘])—Stl'lltf_’,‘S a elan;:'or made, As it" they were struel; with the Made (if a sword. # «:1: : 0 And the Berserks round about Broke forth into a shout That made the rafters rin;,": They smote with their t'ists on the hoard, And .sl1o11ted,“lmn;.:' live the Sword, And the King!” But the King,‘ said,“0 my son, I miss the bi-i;:l1t word in one tit" thy measures and thy rliynies.” And llalfred the Seald replied, “in another ’twas multiplied Three times. Then l{in;: (Hat raised the hilt (lt' iron,eross—sliape(l and gilt, And said, “Do not ret'use_; (‘onnt well the gain and the loss, 'l‘hor’s hannner, or Christ’s eross: Choose!” And Hall'red the Seald said,“'l‘his In the name of the Lord I l\'iss,. VVho on it was erueil‘ie<ll” And :1 shout went round the board, "In the name of Christ the Lord, Who died!” Then over the waste of snows The noomlay sun uprose, 'l'hrou;;'li the driving" mists revealed; Like the lil'tin;:' ot' the Host, I3)’ ineense—elouds almost Coneealed. (la the .-hinin;.;' wall :1 Vast; And sliadow_V cross was east From the hill of the lifted sword; .\nd in l’o:unin;:; cups of ale_ U The Iierserks drank_“Was-haell To the Lord!” 1]. W. I,0NGri:Li.0\\'. Km; ULAF’S CHRISTMAS. Um,» /LII//_//,/2'//.12/M ~ M021 0/‘ I.'1_\'/; /2/,, //«r ) _ !)l'l)Ll‘I\' l3‘H'iLH5:..S6. Allc;_;-ro, pow \'1\':m‘.(J: 126. K -' Hvcd ()r,L',':111. AAllegr0,poco vivace.(J=120.) ,~ > \ Piano. 7 ;;_1/‘ 1} la (¢(1m}mm*[[(I. In-1'lluntrV'. ‘Rm. mm: LII. ‘fab. ;\llt‘;:'r<> lH()(l1'l‘.'|l(>.( , “::i’% ,j<)"' A_;,_$__" V. 7' T l)1'un1—h<'im. U — I:«l' lrhr l\inj_*' -2 ? ,9’ p I , ,,,f'ﬂ:.,,_f ‘"2’ Drum! mu. 0 - Mr (undo./\ /\Allegro Pratq. (J .7 92.) . ) 'Hu- 11<,qu<.n1 111<,*11o}1()1111( u1!1at1Qx1s 111 1111» pun mum not be ton l11m';zI'ly Inierprc-t«-d. 'l‘hoy an-, sunply clvslgrxlml to nuclu-ntv ihv :Ippmx11na1c, hm ¢-.\' ~ trcxncly fwv and e1a.s11<: T4-mpo (1'0.s'11‘t*d by the author. - - (mg /‘/2;/;/I'/"///// /88] /1// /1'. S?’/I/DI’)!/I’]’. (7///1. '-. .. A a.) l’<m<> pii1vivz1co.(J:1m.) () h.-|:u-d-4-rl A »_ " '. lw:n'4l— ml Ht‘l'.\:—t‘1‘kH i- ‘ >- mu, halo l’if1\'i\':1('0..(J= 120.) “US Il(,'\‘ - U1‘ 3‘ ,3: BASS I.II. 1’il‘1\'i\‘:m'.(J= «I 20.) Pin‘: vivace.(J : 120.) \\:v.s- lH'V-1'!’ 100 m‘11'r»11g‘. .;- S.'1— ;_;':uu:ufs , nu\'— or too .s‘1l‘n1l{.',‘, ml .w'I}I,1/I-re. TENOJE I. TENOH II. BASS I. BASS II. — Vt-1' his drink 11;: horn. drinking," hnrll. 0]" f1’/'/mv/ . 1114- o'I'm,~ Hu- (']'0.\‘,\'. /f‘///m/ . Bilartl. 0 B /\/T-;\ his — — V(‘]‘ <lrinl\'in::' lwrn.1 hix 11kin;:'lmrn.I 1|n- si}_"n 'lll«'l(I(‘, is drink — vcr :1’ lmrn W" his <H'ink—inj4'lmrn..._,_ >iu'n W m.'ul:- lllllxlv Pin‘: Lvnlo. (J = I00.) M hr Ju- ;l' 1:1’ W rlrzlmk ngul Inﬁll dm 1: k . H11‘ 7 nlim-ViI1:7.(;,4_; he} llI‘11l:;i‘;1(]”iJi:»7 ' Piil Lento. (J =100.) 1! 1'1: 11 k , d1':I11kf ml 1nu1—1:-1-‘rI— his p1'::_\")'.s, -1<>)"d his mut- It-M, 1nu1—1«-1"«l. and drzunk, _ and mu! — tvﬁl, pr:ay’rs; 111-111 — 14-1-‘cl, p1'ay"1'.-; 1n'.'I_v1-‘s and mu! — I4,-My. and mm — 1<-1'11. anal mu! - 1'<l ]n':1_V'1's;. mu! — 1<-r'<I. mul — 1<-1"d, and mu1- H-I'll his przI_v’1's; {\ V ‘ /11W’/. _ vv— ]'—IlIHl‘1'.\I1Mt‘ 1 ,<i;,"n 01' ﬁlm Hum or ml‘ 'I'hm', of T1101". > , I I [T (3 M‘-e1‘—1nru':~ Mzulvt sign: of 1hr Huxmnvr of Tlmr, 111:‘ ’ ']{:un — 0f'l‘}101',u_v4‘r > , / H<'1'm’)'ks vv-e1'~n1m'v .\'I:ul<,- sign: of 1114- "1l]mIl1‘]'()f T1101‘, the sign) .ut'll1vH:u11 nl"l‘hm',0—ve1' [T > l¥<*1'wx'I(s vv—¢>1'—1nm'<2 Made ' :Illlll1I‘l‘ M’ T1101‘, ﬂw sigll nflhv ll:11I1x11v1‘nfThm;0-vol" II('('(’/. //‘T ncrfﬂ a cc/zl . 10 AHeg‘1'0 \'i\*ac(‘.(J=l20{j A > flu-11's, ihcirs, 1l1.ci1'.s' , 1l1vi1-s. 1 0g.:'1'0 \'i\':1ro llogro viva '1‘I«:Nm1 11. mss 1. BA " I10] - 0 - V91‘ 1l1«.‘i1's, g L *1--'—"’7W7 J L F L __ -2’ -ex /4:» V V \ _/Z /Z .3’ I /' /' Qmrtwl . _ .(J:120.) ¢ > D M_1'n0 All(*g:;1'n. (J: I’”’'” 7'” ' 1'11-1-11;.»-1.1 <l:1m*1- "(Y prim) 1'0] 1 . Mano A111: _0. (J 2112.) . 11-bvrk and 1111100, Reed Organ tacet.’ :'lvzuns l§.\.\'H I. ;:ln':In1.\ IMHH IX 01' Ihv fiI'¢‘—“,',"]I1 d:mw* ..r 1111- >fz’{CTiz:A1.1 .mm-.- ,3, l:\u;_'h. iuu;:‘l1 l§uIIj.:'l1. luug'l|. l:1u;_:‘l1. /\ 2628 ’l'ln 1' tlln-King’: lw ;:J«-zuus. ﬂu- ul' ihv K_i11;:: 'l'h<- nf IE Wiﬂillgr Tlw . and l:uIj_:'l1 l:u1_;'l1.:u1<l Izlllglx hl “W 1-_\'cs, in 1114' v_\‘v.~. 4*y:*s 4'(\'<.‘S v_\'vs _<_-‘lv.'11ns ‘:1:-zunns gin-211115 g‘l«*::111.x'. luv] - mm and m'w.w- hvl—x11vt Hm C'l’f.j'(’. and (.‘7'(?.S‘£‘ . ' fire ~ Ji_;'l11 ' llw fin: - li;:'h1 ;:l«-:nn.s‘ of 1114- King" King‘: uJwrk :u1<i Jzznm-. hzcn—|Jcx'k and lunm-. (In 1111: «in mm dz: now And A ml l'i1'<* — lijxln (l:lll('(*.I)]l Anrl And lﬁimuj; King‘: ' lu- 'nml lnllgzh > }:ll1;.’.'l1 . ._._ l2Iu:.:'||. zmrl he-Lmvl and !,'l’f,’.\’(" OH and Jnu_-_"h u ;,;'h Izum-,. in 1110 11m AIM hm-1 zuullnnuln-1'k and lzum,-, 2'/aw-. In-hm*1 and lmuln-rk:1n<l l:m('<', _ r'rrzv('. In-I-luv! and on Andante. vrivs 10 .'Il— ml 1 (‘l‘i('.\' 1- 1'1’:-II 1 H:I]—I'rt'¢l llw (‘l'i1'.s' Ila]-1'n:(l tho- (‘l'il’N ndante. V lzum-.011 }:om'o, And .I' Scnld . .‘s’r:Il¢l .v (}1'n_v Sm ltl, Stflllfl , 12 ¢ ‘ , .. A1le}.’;1'o poco maest0s0.(L100.) 7’lf(l7’(/. ‘|)l’1ll'(ll-.‘d_.Wl‘iIlk(‘d, and bald, I “S:"3"'” A1leg,'1'o poco maesto.so.(J : 100) Organ. .y/- ’ / All maest0s0.( A00.) 23 1 J ‘ V /-’—“"T "ifi [mm 7-it? l3.\l{I'l‘()NI'} SOLO. 24$ Sing: .sm1j." I’ Tmg1]Io_. -mp # S\‘\'()l'(l )'///I/'(/. “H3 - ‘ _ .' (‘ml lhv hvh :11 his calla vow,-. Tam]/0 /7////'/2/. f1'm1to1‘1 .~'i11g'<_*1' V placer! his (I tam 0. nu/la mm’. 1’ ; ﬂ I I _| l .s‘:llI"', ‘ I11 _ smnjma > /W'/»>/'II//- > thrn’ ilw siv 11111;: ~ . lhv sound 01' [T "/\ calla W101! . .9 \ l‘I'(3.S'(/'. I '1 'l ‘.S'( ' r/M/z//22/z/11/0. harp - strings clangor made, ilgf molly dim. ilu-yw<'n-, .s'1ru(-k with hJ:1<l«- 01".‘: ,s'wm'«l, ' >'\’V0l‘d3 m//r/ 17 ('/‘raw. V P11} Vivace. (J: 120 .) E TEN.I. ,l.[,\, H And the B01‘-‘.‘s'v1'ks round :1~h0u1 ' Broke forth in-1'0 :1 slmut ’l‘lm1 Imarlv tlw 1'.'If'1-01'.» BASS I. ‘ And tlw Iivr-.s‘c1'ks1'(>11n¢l 11-bout - Broke forth in- to :4 .~‘hnut'l'l1a1’ mudv 1114* mrmx-57 BASS II. ' Pit‘: viv:1cc.(J:120.) Piﬁ vivace.(J : 120.) Eh Hirlm para mi]. All t11aest L100. * Kin}_r'sni:l. " . , HKWV W; ' _' 1114-an-survs All ma 1’ TEN. SOLO And (I ‘I'll! (IS 0 . P1111. .s‘mn}n'(‘ //pro /1///. IAMRITONE SOLO. — 1' 1‘:1i.\(*(l the [mm 7-2.’ . — 11111, l‘1'0.s',s‘ s}1:1pod gilt, A111! said, ’’Do 1101 —1'11s<>,,- (‘(111111 _ 1111-g'z1i11 2111111111‘ 1141111 -111121‘, ' <11‘ (,‘l11~is'1"s TENUR A1111 1'11-vi Srulcl /'.v///'/am‘/'2'/), VV \./ I/rm ~ .s'/VII)»-0 ])]I x.z ‘ > shout wont mum! 1.ln- bozml, .\'h<)I11 vwnt rnuml the l)n:u’d, the name ('rm'i - H:-<1, )2]! In 1h<,-nznnc of tho‘ Allegm) Vivace . the nzunv of the m'u—('i — fimll And an .s]1()lIlW(’n1 round thv lm.-ml, Alleg,‘1'0 Vi\':lC1‘ . Allegro vivaoe. L AH‘)mode1'ato (-<nne1ILa.J=:J2. /7‘/. ///(I//(1 I’ I//I//, _ who r/1.2/1/W” ” ’/"”" of (‘llm-1 who div<l.‘~' é 121' Chl’i:~‘t. M’ ''"'W P '/W‘ A11‘? model-atu come i1£“,J=92. ]’ Wt‘ "mu" ” m‘ All‘? modem 0 l”_“‘J= 92. nf .9mnpre PW]. ‘fa. #&_.? I ‘ /—-5 "0011" ll)’ noun — clay - (lay xlriv - iny; n1i.<1.x' ' walctl, .» iliv rlriv n}_" n1i.\‘1s' walvrl, Lilw I110 1'rv>¢', 'J'h1'n‘1hz3 nlriv - in;,"1nis1.~ '- \<-aim], - 11“. nmm - 412:)’ M11] up raw 'J'l11*<f111i.s1.< ‘ \'vuINl., . Likv the ' "UM, " ' — ('t‘ll.\'«‘ - vlomls ‘ nmsl Hm, ' ('4-nsv — ("lauds 111051 H-nlml . ‘ /‘\ /T — ' nmxt ('4-ulwl. I»- ('v1m- _ [']()lll[S 1/ /11] . ('(':l](‘4l. ‘ umxl _ . > 4"‘II1l'4|. 1//pi. ,, "_(IV_ V Hum‘. mngj l'('1llt‘1l. 1///II ' "m_g1 A max] ('¢'.'l1N] . Hm — (‘4':Ilml . 2628 Fnnn thv hilt. ‘fab. " m0t0.(J=11fi) svmrd . Andin liuun — — iIl;.:'(?1l[)S -? Pifx moto. (J 2116) Piix moté0.(J =u6) .-a§*nn- lift - - ml ml RM‘ L .w1']\’s dm11k"\\'::.s' «l1'.'mk"Wus I’/rm .6‘/I‘/'//y/'/It/0. 11:: 01 11214-1! To the Lord !" — Inn-J! l2>-- . Lorcl! \V:xsl1zu*]! > \\2m- 1*]! /l(’(} .3’//'2'//_(/. ('0 .5-tringmzrlo ,- T Lord !" Loni!" haul! gas hm-J! .- - . Wzls-11:10]! Y hurl! Wat hzwl! “Gus hzu-J! f-—— \_ //“T Hwy :lruul\' 1.0111! Lm-«I! \\':I.~'—l1:u‘l! hzu-H ‘V New Songs and Duets, Selected from the Catalogue of Sc/iirmer, New York G. ALLITSEN, FRANCES, A Song of Thanksgiving (with Organ ad lib.) High, medium or low. — I know a little Rose. (Ich weiss ein Rﬁslein roth.) M.-Sop. —— Eight Heinrich Heine Songs: A Pine-tree standeth lonely. (Der 1*‘z'cIzz‘e7zI2azmz.) Two Sapphires those dear Eyes of thine. (Sap/zire sind die Augen deiiz.) Diamonds hast thou and Pearls. (Du /mst .Dz'amm2ten zmd Perlen.) King Duncan's Daughters. (Die Botsc/raft.) Since my Love now loves me not. (Seit die Lielzsie war emfernt.) Fathoms deep may drift the Snow. (Magda d1'au.s.s'e7zSc/mee sic/1 t/:z‘ir71ze7z.) Oh Death, it is the cold, cold Night. (Der Tod das ist die kit/zle Nac/it.) Katherine. (I(atluzrz'nc.) Complete in one Volume. AMBROSE, R. S., One sweetly solemn Thought. Sacred Song. High or low. BARTLETT, HOMER N., Come, see the Place where Jesus layl Easter Song. High or low. — 0 Little Town of Bethlehem. Christmas Song. With Piano and Violin obl. High or low. :— Sayonara. M.-Sop. BLACK, JENNIE P., 3 Songs for M.—Sop: No. 1. Storm, the King! “ 2. The Rosary. “ 3. The Violet. BROCKWAY, HOWARD, Op. 22. Two Songs: No. 1. Would thy Faith were mine. Sop. Lend me thy Fillet, Love. M.-Sop. BUCK, DUDLEY, Boots and Saddles. (A Soldier's Farewell.) Ten. (Original) C; Bar. Ab. — O, Saviour ofthe World. Offer- tory. High or low. — Until God’s Day. low. — Why Love is King. High or low. net (6 2' High or BURLEIGH, H. T., Plantation Melodies, Old and New. CAMPBELL, G., For one sweet Smile. M.-Sop. CASTELLO,GEORGE E., 4 Songs for Sop. (or Ten.): To the West Wind. Could’st thou but know. Du b-ist wie eine Blume. sweet as any Flower.) Sehnsucht. (Yearning.) CLAY, FRED, The Sands o’Dee. Sop. (Ah. 150-75 .50 .50 .50 .50 .60 .60 .40 .60 net 1.00 .50 DE KOVEN, REGINALD, Abide with me. Sacred Song for Alto. Barcarolle: “You are the Moon, my Love.” Sop. Battle Grey. M.-Sop. —— Love’s Trinity. Alto. —— My Nightingale. Sop. DENZA, L., In Shadowland. High or low. FREY, ADOLF, Over the Way. Sop. GOLDMARK, RUBIN, Op. 5. Four Songs for M.-Sop. (or Bar.): No. I. Ode. “ 2. Spring Rains. “ 3. The old, old Song. “- 4. A Love Symphony. GRAY, HAMILTON, The Golden Pathway. High, medium or low. —— Purple Heather. High or low. d’HARDELOT, GUY, In Bracken- time. Sop. HASTINGS, FRANK S., Fair Helen. (Old Scotch.) High or low. — For Love of You. High or low. —— Rose dark the solemn Sunset. High or low. pl-IAWORTH, C. 13., At Last. High or low. HOMER, SIDNEY, Eight Poems by Tennyson: Break, break, break. Gm. Sop. Bbm. Crossing the Bar. Sop. E. Sweet and Low. M.-Sop. Db Sop. E. Thy Voice is heard. M.-Sop. Eb Sop. F. Home they brought her Warrior dead. M.-Sop. Fj$m., Sop. H1. M.-Sop. M.-Sop. Db, The City Child. M.-Sop. Eb Sop. F. - Minnie and Winnie. D, Sop. Eb. Enid’s Song. M.-Sop. Bb, Sop. Db. LAER, C. E. van, Crossing the Bar. Sop. LEHMANN, LIZA, Mother Sleep. High or low. MASON, DANIEL GREGORY, I love him. M.-Sop. -— Shall I upbraid or praise her P NEIDLINGER, W. H., Life and Death. Bar. F; Bass D. —— Thy Face. Baritone. NORMAND-SMITH, GER- TRUDE, Four Songs for M.-Sop. (or Bar.): Auf der Heide. (On the Moor.) Das Hiiterkind. (The Shepherd Child.) Sunnenwendnacht. ( S o l s t i c e Night.) Der Geworbene. (The Recruit.) M.-Sop. $0.60 .50 .60 .60 .50 .60 .50 .60 .40 .50 .60 .5o .60 PRICE, C. E. B., A Few more Years shall roll. — My Father for another Night of quiet Sleep and Rest. Sacred Song for Bar. (or Bass). RODNEY, PAUL, Clang of the Forge. BarF; Bass Eb. ROGERS, JAMES H., “Moods.” Four Songs: No. I. Not from the whole wide World I chose thee. High or low. “ 2. Years have ﬂown since I knew thee ﬁrst. Sop. “ 3. You. High or low. “ 4. Who knows E‘ High or low. SAAR, LOUIS V., Hark, hark, pretty Lark. Sop. With Violin. —— Lilian. Sop. With Violin. SARJEANT, _I., Blow, blow, thou lVVinter Wind. High, medium or ow. STAHLSCHMIDT, ARTHUR E., Concita. A Serenade in Seville. Ten. (or Sop.). — It I were loved. M.-Sop. (or Bar.). STERN, LEO, Soupir. (A Sigh.) Valselente. High or low. THOMSON, SYDNEY, I heard the Voice of Jesus say. Sacred Song for Alto (or Bar.). TSCHAIKOWSKY, P., Pilgrim’s Song. Bar. (or Bass) E; Alto D. WARREN, SAM’L P., Faithful. M.-Sop. —— Waiting. M.-Sop. WHITE, MAUDE V., How do I love thee. M.-Sop. (or Bar.). WHITING, ARTHUR, Barrack- Room Ballads (by Rudyard Kip- ling). (Damn/1)eever. Mandalay. Sacred Song for Bar. $0.75 .60 .50 .50 .50 Soldier, Soldier. Fuzz)/— I/Vztzzy. net 1.00 “ Floriana.” Poems by Oliver Hereford, from “Overheard in a Garden.” For Solo Voices and Piano. VOCAL DUETS. ALBUM ofsixteen Sacred Duets for various Voices. DVORAK, ANTON, Echoes from Moravia. (Klange aus Mahren.) I3 Two-part Songs for Soprano and Alto. g. e. RUBINSTEIN, A., Eighteen two- part Songs : g. e. Paper. Cloth. net 1.50 net I.00 net I .oo I.00 2.00
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Title: Stars of the Summer Night
Date: 1917
Text: MARGARET WOODROW WILSON MUSIC LIBRARY 2. 3. LE RGYKBM. ‘ ;@_:._L . Good NightébMy Deanest . Stars oftlle Summer . Little Ros; upon my Hea D / I REL; :26.) /D/3 Oh,C0me!_. SACRED SONG. Words by Luisde Gongora yArgote. Words by Frances Stone Mason.‘ ‘Why?,.......(wHv CAME THE ROSE.) ................................................................ .. Pr: 50¢ C- Wordsby Mary Louise Ritter. \) .'.‘.V/.\‘/\-"/-'.‘.'.,; o 4 o 4 o v o . n ¢ a ~ o . E5) /. r (3 C0me,Wandering Sheep...
Show moreMARGARET WOODROW WILSON MUSIC LIBRARY 2. 3. LE RGYKBM. ‘ ;@_:._L . Good NightébMy Deanest . Stars oftlle Summer . Little Ros; upon my Hea D / I REL; :26.) /D/3 Oh,C0me!_. SACRED SONG. Words by Luisde Gongora yArgote. Words by Frances Stone Mason.‘ ‘Why?,.......(wHv CAME THE ROSE.) ................................................................ .. Pr: 50¢ C- Wordsby Mary Louise Ritter. \) .'.‘.V/.\‘/\-"/-'.‘.'.,; o 4 o 4 o v o . n ¢ a ~ o . E5) /. r (3 C0me,Wandering Sheep! ,. Pr: 60¢ F Grief and Joy- G Love._....( LOVE'S SERENADE) ...... ..Pr: 60¢ Words by Fnances Stone Mason. Night. _ .. Pn 50¢ Words by H envy W. Longfellow. PT... ................ IA; ..... .............................. ..Pn 50¢ Words by \/Ir-‘g|ri\éT.Biddle. (SLUMBER sons.) ................................................. Pr. 50¢ Ninnenel Ia. ......... .. AV Words by Frances Stone Mason. EDWARD SCHUBERTH 8: CO., NEW vom<,. LONDON, n EAST 22~.v 5: 2 STAR YARD,CARf-_Y S1" 4 x x”,= /7‘ /M . 2 /**"" 2”"? '‘Il0sK‘;’LIanAﬁv' / VASSAR COLLEGE Stars of the Summer Night! Serenade Words by HENRY W. LONGFELLOW ' ' . LE ROY VM. RILE frpm “The Spanish Student” . ' Allegretto '- Voice mama to o 7 Plano - la meloziia 1’ Stars of the sum-mer A ' {T 2 molfo dim. 1 . ’ W ‘A 2 M’ WV? Far in you a - zure deeps, 2 2 2 as ism ea ‘ - Uopyrzght, 1917, by Edward Schubert}; .9" 6'0. E.S.& Co.4?_:1V3—4 % New York, EDWARD SCHUBERTH & C0,, 11 East'22I1d Street 711]?/___'X Hide,hide your gold - 1ight!_T She sleeps! My la - dy sleeps!“ L2 yr 2%‘ zfvf Ht]? 9 ~ Moon of the sum-mer Far down yon West- ern ,3 9% Z.___\te72. Wf Sink, sink in sil-ver light!___. She s1eeps!My la - dy Z''_—-_\ A l ' ' calla voce E.S.& C0. 4313-4 Piﬁ mosso ed agitate _p . Wind of the sum-mer Where yonder wood -bine creeps, 7Zf‘ ‘fax Fold, fold thy pin - ions tranquillo S1"ePS!MY1a' ' dy S1691“! . he s1eeps!My la - dy sleeps! .S1eeps!_, 5’ """" ": 9; ' bi - my > E.S.&Qo.4313-4 melodm marcato éﬁﬁb. Dreams of the summer night! __ Tell her,her lov-er keeps Wa/cc 2 * L2 3 are mi A T? 0'i’’’‘- . mftardando ‘while in s1un!1-her light She sleeps! My la - m - . 7 9% $2». . _ a tempo 2;} jw messo dz’ voce eeps! sleeps! 772.3. a tempo "V ‘m €23 E.S.& Co. 4313-4 C % DEAR LAND OF HOME we Aﬁdme Words and Music by GRAHAM VALMORE 9??/-f7 (L __“‘1_._. 1.There is a. land I know, so to 2. There is a land I know, so sweet to in my -hood days, ’twas joy to once a — gain, I hope and long to where - e’er I f . ‘ Copyright, MCMXI,bgv lginild & Co. . ’ ' N and Revise i ion ‘ Copyright, 3216, by Edward Sehubertll. :5 0a_ ' 943 ORCHESTRAL Acc:oMpANm:m* m 29.5‘.
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Title: Greetings of Hiawatha
Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA" HE NRY VV. LONGFE LLOVV With German text by Hgrmann Simon VOICE Ctitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. ‘ G iawatha (Gruss von Hia» watha) . . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei» gen) . . . . . . Chibiabos (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Belovedl (Onawél wach auf’, Geliebtel) . Med. OLIVER. DITSON COMPANY. Boston New York Chicago Philadelphia C....
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA" HE NRY VV. LONGFE LLOVV With German text by Hgrmann Simon VOICE Ctitche Manito the Mighty (KitschiManito, der Machfge) . . . . Med. ‘ G iawatha (Gruss von Hia» watha) . . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei» gen) . . . . . . Chibiabos (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Belovedl (Onawél wach auf’, Geliebtel) . Med. OLIVER. DITSON COMPANY. Boston New York Chicago Philadelphia C. H. DITSON 85 CO. LYON 8: HEALY J. E. DITSON 8: CO. Tn A/zz'la Rio Purchased from the GREETING OF HTIAWATHA (G RUSS VON HI AWAT HA) HENRY VVADSWORTH LONGFELLOW 3 g Ger-ma/I /rzz/zslalzmz /7_y f[6’7’IlI((/III Simon CARL BUSCH Moderato V O I C E 7*‘ WA ti _ ful ‘is the sun, 0 stran_gers,__ lin — gel schiin, schiin strahlt die Son _ ne,_ Copyright MCMVII by Oliver Ditson Company International Copyright Secured 5~33~6639’7~6 VVhen you come so far__ to see us‘. All our town in Da,_ Ilzrleunznzf zu uns_ so fern her; Un — scr Volk harrt peace a_waits you, All our doors stand 0 _ pen for Eu — rer fried — lick, Of — fen steh’n Each un — se - re You shall ter all our Wig.wams, Kommt in [(2 un — slre VVig.wams, 5-33 -6639716 right hand zcs Herz _‘ V Allegretto "T Mt. E-\___¢,,/V Nev-er b'loom’d the earth so gai -1y, Nev_er shone the sun so 1Vz'u so fro/L die Er - dc bl1'ih»—1.‘(:, IWP so .90/zb'n die Son — ma >.7 V ' hﬁ "ELLE - bright_1y, As to _ day they shine and b10s-som When you Zach - fc, Wic sic hcu to bliihf und Id -0/tel! Da Ihr ‘7 5--33—6639'7~6 so far u 113 leojnmt ]— Nev _ er was our lake tran—qui1, Nor so free from rocks and Nita war m1 - sor Son ‘ ru _ hig, ‘Nie so frci mm Klifj)’ und 7 \.;r:: 761/’ sand— bars; For your birch ca. noe 1n pass _ing Has re- Santl—banI:; Eu _ or Bir ken-boot oer — scheu—chte, Ihr durch — 533-66397-6 moved both rock‘. fah - rend Kl2‘j>p’_ vi W? ”!/‘’7?'‘ had bis Jzcr so our t0—bac_coT siiss, so licb_l1'ch _ er be—f0re Tknnpo I '? _ pleas — ant hat__ Nev - er Nie: fla — Von go — duf - let, Such a Un — ser Ta- bak the der broad Fe] — sweet and the — dcr leaves , 5-33-6889’7—6 leaves of our corn _ fields Were so beau_tL_fu1 to look brei - fer Blc'it—ter so 19racht—vol—len An — blick [)0 to us this morn _ ing, When you sen Mo7'—gPn bis ~ ten Da [hr zu Zl0 moderalo Li; so far to see.____o_ fkommt so fern 5-33-66897. 6 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postzpaid, and in paper with cloth back, price, $1.50, postzpaid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in flexible cloth, are handy in size, and range in price from 50 cents to $1.25.. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chieﬂy technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis’ crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle--"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, l0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. ' Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Title: Ye Voices That Arose
Date: 1917
Text: SONGS BY CECIL BURLEIGH Op. 32 Philornel (VVILLIAM SHAKSPERE) High voice. in E Medium vuict-. in 1)?‘ T he sea hath its pearls (HEINRICH HEINE) Medium voice, in F Low voice, in D1} Ye__y_QiC€:s, that arose (HENRY VVADSVVORTH LONGFELLOVV} High 'VU1C€, in Al" Low vmrc. in E ;.aaunnuum.., I heard the trailing garments of the night (HENRV VVADSWQRTH LoNom7LLovv; High voice, in I) mm. Low x nxr.-u, in B mm. The lightlmuse {H ENRY ‘JVADSVVORTH LONGFELLOW) High voiwse, in E!’ Law vu1cr.....
Show moreSONGS BY CECIL BURLEIGH Op. 32 Philornel (VVILLIAM SHAKSPERE) High voice. in E Medium vuict-. in 1)?‘ T he sea hath its pearls (HEINRICH HEINE) Medium voice, in F Low voice, in D1} Ye__y_QiC€:s, that arose (HENRY VVADSVVORTH LONGFELLOVV} High 'VU1C€, in Al" Low vmrc. in E ;.aaunnuum.., I heard the trailing garments of the night (HENRV VVADSWQRTH LoNom7LLovv; High voice, in I) mm. Low x nxr.-u, in B mm. The lightlmuse {H ENRY ‘JVADSVVORTH LONGFELLOW) High voiwse, in E!’ Law vu1cr.. an (2 BQSTON: OLIVER DITSON COMPANY NEW YORK: CHAS. H. DITSON & CO. CHICAGO; LYON 31, HEALY MUSIC uananv VASSAR COLLEGE YE VOICES, THAT AROSE Ye voices, that arose After the evening’s close, And whispered to my restless heart repose! Go, breathe it in the ear Of all who doubt and fear, And say to them.,“Be of good cheer! ” Ye sounds, so low and calm, That in the groves of balm Seemed to me like an ange1’s psalml Henry Whdsworfh Longfellow ( from the French) 5-150-72079 ~ 3 YE VOICES, THAT AROSE From Me French HENRY WADSWORTH LONGFELLOW VOICE Go, CECIL BURLEIGH ’0« gm‘ [K " ”~’"" 6”) 011.32, No.3 Very slowly 5 with deep feeling (J.= 40, or slower) ft“-I ' that Af_ter the eve _ ning’s voi _ ces, rest- less heart re - pose! And vvhis_ per’d to my increase breathe it ' all_ who doubt and —'—«:f \___/ Copyright MCMXVII by Oliver Ditson Company International Copyright 'S60l1red 5-150-72079 — 3 1919 e sounds, so low and calm, That in the groves of ba1m_____ Seem’d to me____ like an an _ ge1’s 1’ Seem’d to me like Zf’?_——— 5-150-72079 ‘ 3 The Musicians Library The masterpieces OF song and piano literature edited by men OF authority FORTY SONGS FIFTY SONGS FIFTY SONGS SONGS AND AIRS SONGS AND AIRs FORTY SONGS i THIRTY SONGS FIFTY SONGS FIFTY SONGS FORTY SONGS FORTY SONGS LYRICS I LYRICS ii E iii FIFTY SONGS BRAHMS, JOHANNES FRANZ, ROBERT ORIEC, EDVARD HANDEL, CEO. F. HANDEL, GEO. F. JENSEN, ADOLF LISZT, FRANZ SCHUBERT. FRANZ SCHUMANN. ROBERT STRAUSS, RICHARD TCI-IAII<OVSKY, P. I. WAGNER, RICHARD WAGNER, RICHARD WOLF, HUGO FIFTY MASTERSONG5 FIFTY SHAKSPERE SONGS MODERN FRENCH sONOs (BEMBBRG TO FRANCKI MODERN FRENCH SONGS (GEORGES TO WIDOR) ONE HUNDRED ENGLISH FOLKSONGS ONE HUNDRED FOLKSONGS (AII Nations) ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY IRISH SONGS SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS SONGS FROM THE OPERAS VOL. I VOL. II I, II fr III IVé—V v’.~%n‘.-‘v€:5I’:$&¥i-.%f;3I’v';‘v»‘.:%v‘$ E-.3 v‘.’v€$€5£-5v1‘rv‘:‘5€z%€:%f5ﬁv$€;%v‘.-3v‘;?rf;%f;?v€;% For H igh VDICC For Low Voice For High Voice For Low Voiciz For High Voice For Low Voice For High Votes: For Low Voioc For High VDICR For Low Voice For High Voice For Low Voice For High Voice For Low Vc-we For I"Iiqh Voicc Fm Low Voice For High Voice For Low Voice For High VOICE For Low VOICC For Soprano For Ten For Baritone Bus For High Voice For Low Voice For High VUIEI For Low Voice For H igh Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Medium Voicc For Medium Voics For High Voice For Low Voice For High Voice For Low Voice For Medium Voice For High Voice For Low VOICC For Madium Voice For High Voice For Low VO2C¢ For Sopr o For M2zzci- rano or I For Tenur For Benton: and Bus: SONG ° VOLUMES - ISSUED ¢.2’vv1t'i»‘:3%‘z¥v1?’r‘$v‘:5v‘:5v‘z'3v‘z‘v ﬁ n‘-3$$v1:%5’;%v1‘vv‘:i‘vf;?rv‘$f;%é’a%v‘:?v&%v‘;.%>1.-3%v‘.:‘v Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Edited by Ediied by Edited by Edited by Edited by COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST JAMES HUNEKER WM. FOSTER APTHORP HENRY T. FINCK DR. EBENEZER PROUT DR. EBENEZER PROUT WM. FOSTER APTHORP CARL ARMBRUSTER HENRY T. FINCK W. J. HENDERSON JAMES HUNEKER JAMES HUNEKER CARL ARMBRUSTER CARL ARMBRUSTER ERNEST NEWMAN HENRY T. FINCK DR. CHARLES VINCENT PHILIP HALE PHILIP HALE CECIL SHARP GRANVILLE BANTOCK GRANVILLE BANTOCK HELEN HOPEKIRK JULIEN TIERSOT WM. ARMS FISHER GRANVILLE BANTOCK RUPERT HUGHES H. E. KREHBIEL H. E. KREHBIEL Each voiume in heavy paper, Cloth back, $1.50; in Full CIOth_. gilt, $2.50. Copies mailed postrpaid. Other volumes in preparation For Free booklet, giving FuII particulars and Easy Payment Plan, send to the pubiishers =5‘ OLIVER DITSONCOMPANY' BOSTON
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Title: Vogelweild, The Minnesinger
Date: 1902
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'.‘.'.'::o '30 Z‘; - - g o’.‘~ - . win" 0 9.-.«v’..°,’.‘.';9 ‘.0.- I THE MINNESINGER "-:_.-...---913:“--"-s: .-:-. .. - '. . . . _ ‘_ ,~'--¢‘.i>a-u_. . ‘ ._< a ‘Div-.-as '-'.*-I.“'oo,¢,‘An‘ ‘I n\’. C '§'.'-n- '0 01¢’ ’. 0;! '4 .,‘:"n_'_“l_D",‘\. .a'i‘5QlIf_,_‘...'. 0:!-03:91..‘ ..a I at UNISON SONGS-—GRADE 1. (Very Easy). EDITED BY W. G. MCNAUGHT. NOVELLO’S SCHOOL SONGS. A SPECIALTY OF NovELLo’s SCHOOL SONGS is that they are issued in Books, each book containing songs of ‘about the same class and degree of difficulty. Most of the songs are obtainable separately. Specially selected numbers can be stitched in a cover to order on favourable terms. all the songs are graded, will be sent post-free on. application. Published in two forms. the B column the A Edition only is published :— The Classiﬁed School Catalogue, in which A, Voice Parts in Staﬁ’ and Tonic Sol-fa Notation, with Pizmoforie Accomjmniment, 8v0 size; B, Voice Parts only in Tonic Sol-fa Notation. Where no prices are given in BOOK 1. S_IX EASY SONGS . Getting up . The Lark . Lazy Sheep . The Snowdrop . . The Autumn Daisy ’ . A Riddle A. Moffat BOOK 2. SIX EASY SONGS . The Little Fish . . The Spring Nosegay . The Old Beggar Man . The Three Little Ants . The Child’s Evening Prayer . The Meadow .. .. A. Moffat BOOK 13. SIX SACRED SONGS . Ye Gentle Flowers . . 0 Jesus, who didst suffer . I love the Flowers so beautiful . God of Mercy, we beseech Thee . Jesus so Merciful V The Gladsome Spring is coming A. Moffat BOOK 14. SIX SACRED SONGS . 0 Children, live in Jesus Christ (Easter Hymn) . Gentle Jesus (Evening Hymn) . O Heavenly Father The Little Birds .. . Forward, Christian Children Carol, Christian Children BOOK 21. NINE UNISON SONGS FOR JUNIORS . Rippling Waters W. W. Pearson . The Snail . H. Elliot Button . The Butterﬂy Chase S. C. Cooke . Swinging . Over’ the Meadows The Wanderer’s Song . Ladybird . My Home . Evening Star Scott Gatty C. A. Miacirone T. Ii/Iurby BOOK 23. TWELVE SACRED SONGS . Listening Angels J. Stainer . Morning Hymn . Hour by Hour . The Beautiful . The Crown is waiting . The Cross of Life . . We will praise Thee . Sabbath Bells . The good Shepherd . The Haven of Glory . The Golden Shore . Evensong A. Moffat _ l-H—H—‘)—H—‘)4l-H-I-‘I-1 A ti. 6 I»-t hw- Woo role‘ l—‘|-—-*)—‘)—-‘V-‘l—‘F-‘F-U-‘l—‘l—‘|—‘ J-A \.\,./\.\,.z--V-—a\.5/_z~—-V..«\—-V./“.‘ B d BOO K 25. TEN UNISON SONGS . Summer Evening Cath. van Rennes . Little Brother ' . The Old Beggar . Little Things... . Cock-a-doodle-do . Patience .. . Summer Showers . A Song for Boys .. . The Sunshine of the . Cradle Song BOOK 58. , TEN UNISON SONGS FOR JUVENILES . The Conceited Fly . The Wasp at the Pic-nic '. Merrily glides our boat . Trip along . The Dew-drop . Fairy Joys_ . Stay, pretty Swallow . Well-a-day ‘ . Were I a Fairy . A Charm , BOOK 83. SONGS FOR THE LITTLE ONES. Twenty-five Songs... By W. W. Pearson BOOK 84. THE JUVENILE SONGSTER. Thirty—three Songs, in one, two, and three parts. Composed and arranged by Lowell Mason BOOK 101. UNISON SONGS FOR CHILDREN. From “The School Music Review” The Jolly Tester (No. 40) J. W. Elliott Jack and Jill (No. 44) ,, The old man clothed in leather (No. 45) ,, The Soft-shell Crab (No. 50). Actions ad. lib. J. W. Chadwick A Child’s Evensong (No. 63) J. Stainer I had a Little Doggy (N0. 68) J. W. Elliott The Coming of Spring (No. 69) Schumann The ’Logical Gardens (No. 70) G. F. Cobb The Child and the Star (No. 66) J. W. Elliott BOO K 147 . TEN UNISON SONGS. From “The School Music Review " Hush-a-bye (No. 81) C. Egerton Lowe The Song of the Grass (No. 82)... Pearson Winter Song (No. 93) . W. W. Pearson Swinging (No. 101) .. A. Medley Christmas Eve (No. 103) A. Moffat The Brook (No. 104) J. VV. Chadwick The First Brigade (Marching Song) (No. 106) P. E. Fletcher Heart A. Scott Gatty Thomas”Murby Arthur Richards A. sciitt Gatty Thomas Murby Seymour Smith Macdonald Bridge K. Boundy Twinkle, twinkle (No. 107) . Daddy Longlegs’ warning (No. 117) The little shadow (No. 122) .. 652. Diamonds‘ R. H. Macdonald 653. The Fairy Book ' ,, , 654. A wet sheet and a ﬂowing sea C. A. Macirone * Staff only. 3'-‘F—‘F-‘F-JI""i—‘V“)"‘)—‘P—‘ mo- °°:“‘“l> ® )—Ir-4gu>—H-—4r—u—4r-H-4!-‘ MP Np-let-M-* * P—‘ T B d. 3 LONDON: NOVELLO AND COMPANY. Lmmap. NOVELLO’S SCHOOL MUSIC... EDITED BY W. G. MCNAUGHT. COMPOSED EXPRESSLY FOR THE‘ WESTMORLAND FESTI"VA"L.. 1903’. VOGELWEID, THE MINNESINGER A POEM BY LONGFELLOWA SET TO MUSIC FOR CHILDREN’S VOICES‘ BY GEORGE RATHBONE. PRICE ONE SHILLING. Tonic Sol-fa Edition, price Sixpence. LONDON: NOVELLO AND COMPANY, LIMITED. NEW YORK: THE H. VV. GRAY CO., SOLE AGENTS FOR THE U.S.Am Copyright, 1902, by Novella and Company, Limited. The right of Public Regﬁresentation and Pe;y"ormcmce is reserved. \‘:=.‘ —‘ .. . _.... .. 4( .. . . ;.___ ~_..,.g—;~,,__”,F‘ 3*-‘~ I r_ I 5 . , , . 5‘: .1 h I ‘ V f TO ALL THE CHILDREN WHO SING THE SE STAVE S. G. R. VOGELWEID, THE MINNESINGER. Walther Von der Vogelweid, or Bird-Meadow, was one of the principal Minnesingers of the thirteenth century. He triumphed over Heinrich Von Ofterdingen in that poetic contest at Wartburg Castle, known in literary history as the War of Wartburg. That the War of Wartburg was in all probability mythical, matters not to us to—day. A great movement in the cultivation of song was initiated in its name, and the musical contests which have since become a feature of educational musical life in this country are a modern reproduction of the spirit of Walther and his songs. CONTENTS. . Introduction . Vogelweid, the Minnesinger . Thus the bard of love departed . Day by day, o’er tower and turret . There they sang their merry carols . Day by day, o’er tower and turret . Till at length the portly abbot . Then 1n vain o’er tower and turret 0. Time has long effaced the inscriptions . But around the vast cathedral WALTER VON DER VOGELWEID. VOGELWEID, the Minnesinger, When he left this world of ours, Laid his body in the cloister, Under Wiirtzburg’s minster towers. And he gave the monks his treasures, Gave them all with this behest: They should feed the birds at noontide Daily on his Place of rest; Saying, “ From these wandering minstrels I have learned the art of song; Let me now repay the lessons They have taught so well and long.” Thus the bard of love departed; And, fulﬁlling his desire, On his tomb the birds were feasted By the children of the choir. Day by day, o'er tower and turret, In foul weather and in fair, Day by day, in vaster numbers, Flocked the poets of the air. On the tree whose heavy branches Overshadowed all the place, On the pavement, on the tombstone, On the poet’s sculptured face. On the cross-bars of each window, On the lintel of each door, They renewed the War of Wartburg, Which the bard had fought before. There they sang their merry carols, Sang their lauds on every side: And the name their voices uttered Was the name of Vogelweid. Till at length the portly abbot Murmured, “Why this Waste of food? Be it changed to loaves henceforward For our fasting brotherhood.” Then in vain o’er tower and turret, From the walls and woodland nests, When the minster bells rang noontide, Gathered the unwelcome guests. Then in vain, with cries discordant, Glamorous round the Gothic spire, Screamed the feathered Minnesingers For the children of the choir. Time has long eﬂaced the inscriptions On the c1oister’s funeral, stones, And tradition only tells us Where repose the poet’s bones. * [Saintly face or rain-Worn letters None may tell which stone to kiss; Choose the fairest for the master, Let the sweetest words be his.] But around the vast cathedral, By sweet echoes multiplied, Still the birds repeat the legend, And the name of Vogelweid. ‘ A Stanza has been inserted here for the purposes of the musical structure. ‘VOGELWEID, THE MINNESINGER. No. 1. INTRODUCTION. G G RA. no . LONGFELLOW. EOR ,_E —__TH_NF > > > Maes&oso._,1_ 79oc0>accel. «:1: >. r- g‘f'_E£: as: poco accel. - > Copyright, 1902, by Novella and Company, Limited. 3337. Andante gmzioso. /_ poco rit. poco rit. G. Ra.thbone—Vage1weid. the Minnesinger. f a tempo. poco rit. -9- —o- G Rat-hbone—Voge1weid. the Minnesiuger. 4 “ VOGELWEID, THE MINNE SINGER. . 1‘ I ‘ Q - A 3'" 14 j .‘ J the Minnesing - er, When he -leftthisworld ef :— .d “r .m :d Is. l_2nd SOPRANO. 1 M ‘ ‘ 1; U‘ ' 0' 31 V0-gel-Weid,the Minnesing - er, Whenheleftthisworld of ours, In] S] :1|.S| .f] in, In. “S; .S[ :‘d .5] :fe1-fe|lS[ bod - y in the clois - ter, Un-der Wi'1rtzburg’s min - ster towers. 4 ' . Hf :r :d .t. r :d :d .d :d' Ir‘ :s ”‘“m '- _ > > > > Laidhis bod—y in the clois - ter, U11-der Wiirtzburg’s ' - towers. Hf. .s. :1. .f. :1. .se. 1:. :1. :1. .1. “Serra :m : Hmse. :- gave the monks his treasures, Gave them all with this {lr .1.:d :t. 1. :s. :m .m r .1. :d > -0- gave the monks his treasures, Gave them all with this be - hest : They should feed the birds atnoontide {ufg .f; 2!’). :1‘. ['9' :37; :d .t| 1| .1] 3S] 3S; IN. :— :S| .S| S1 .11 :t3.|.S| :1; .1334} \T' G. Ra.thbone--Vogelweid, the Minnesinger poco rit. On his place of rest; : s..1.:d :r d ::.:— poco rit. Dai - ly on his place of I HI‘ id :t|.].|lS| :—{:sl rest ; :f. poco 1-it. 0. tempo. these Wand’ring min-s—t:els I have learn’d the art of song ; Let me now re - pay the . :m.m m :—.1:m.r} :— .s :m .r d :s. :1,.t, d .r :m :d lm “F1'0n1 these \vzLnd’ring min - strels I have lear11’dthe art of song; Let; me n :— .s :m .r d :s, :1..t. d .r :m :d m :m.m} -9--a— -0- les - sons Tlleyhavetaughtsowelland long.” Say-ing, “From these_wand’ringmin-strels I have {Id :1. :d .r m .r :d :m s :s..s. m :—.s :m .r d :s. :1..t.} > > _’.. _'_ re - pay the les - sons They l1ave_t2u1gl1t'so Welland long.” Saying,“ From thesewand’ring Hm :— .1 :m .r [d :1. :d .r m .r :d :m s :—- :s..s. m ‘ :— .s :m .rl G. Ra.tbbone~—Voge1weld, the Minneainger. Let me now re— pay the les — sons They have :m .m . :f .m m :r :d .d > lea.m’d the art { Id .r :n Let me now re-pay the min - strels Ihave 1earn’d the art {Id :s. :1. .t. d .r :m . :1. .1. 1 : .s :f .m taught so well Vogelweid, the LBD {la .m :s “ds'..1.:a :— .d H ..'_ They have taught so Well Hm : :s. .s. d .m :s Vogelweid, the :1'I‘1;.S.31. .S| Min-ne-sing - er, When he left this world of ours, Laid his bod — y Hr .m :d Is. :1. .t.“d .r :m :r r : :r.m If :r Min-ne-sing - er, When he left thisworldof ours. Laid his bod-y in the {|f. .f. :m. In. “s. .s. :d .s. zfe. .fe. s. f. .s. :1. .f. :1. .se.} G 1\a.thbone—-—Voge1Weid, the Minnesimzer. towers. 4.BD. II‘‘'“ =- Un-der Wiirtz-burg’s min - ster D.4. :d .d Ht-s :d' Ir‘ :s > > > > clois - ter, {|r > towers. Wi‘Lrtz—bu1‘g’s min - ster |l"‘Se' Un-der :m If :f :1| .1] 5°|l‘1 hest : S I be - Gave them all with this zt. trea. - sures, :m .m r .1. :d {l1| :5] > be :3; Gavethem all with this :d .t. 1. .1. :s. trea - sures, { I re. :m. > And he gave the monks his :m .m [r .1. :d :t. _'_ And he gavethemonks his :s. .s. |f. .f. :m. :1‘. poco rit. They should feed the birds at noontide :5] .S| S1 .11 3133.] .S| :11 $34} \ J FD-.5‘ ""61s min.- G. Rathbone—Voge1weid. the Minnesin-ger. “ THUS THE BARD OF LOVE DEPARTED.” Largo. Quasi marche fumébre. f 0 2nd SOPRANOS. Thus. the bard of love de - part — ed; And, ful - ﬁl - ling his de ~ Lab is D. Doh is F. {I : I1. :— .t. Id :t. Ir :d 't. :1. :1..t. d :1. :m :— .d} K_—..""'—“__——————':—T - sire, On his tomb the birds were feast -ed By the chil- dren of the C t f.F {|1.r'.:— Id’ :~.t|1 :s In :r lf :m :1m.}nm :r If :r 1st SOPRANOS. Thus: the bard 1| :‘ .t[ \_T—._..._:.:/ Ped. G. Ra.thbon¢.~—Vogelweid the Minnesinger. They were : I :1- d .d } - __ F111 -ﬁl- ling his ' his tomb the birds were H .d :d .d It. ' :- .ta. ‘rd :s If ’ :n feast - ed By the chil - dren of the choir. Ha‘ :—,|t :1.1!s :m In :r ed By the chil - dren of the choir. :d.r|m :d II. :t. d .9- l G B.a.t.hbone—Voge}weid, the Minnesinger “DAY BY DAY, O’ER TOWER AND TURRET.” f""_'\ Maestoso. > > > o’er tower and In fo111 weather and in [d :m :d .d Ir .m :d .m } I I I 1 2nd SOPRANO.> Day‘ ' vast - er num-bers, f.D. ‘Id d :m ls .s :- .___...___..\ J 1 G. Ra.thbone-—Voge1Weid, the Minnesingex -'. _‘_ On the tree tops, :t'«n. .r-1. In :-n the tree whose Flock-ed the poets of the air. .d It. :'1. :d .d Ir .n :d .m s J4 A U. l‘ \ l\'ll ' ._ l‘ l ‘ l L U 0- -0- where the branch - es O-verslmdowed all the place, :d‘.t| It] .l3| :11 .t| I . - \ . l ’l I ‘ T‘ \ l 14*‘. — l ' 1 11$ v . vl I ﬁa- .1‘ .“ 1“ l\ r“ ﬂ. '1} ' .x (J | Q: : =- ‘Q1; - O - vershadowed all the place, :— .r Ir .1‘ :d .r In the tomb - stone, the po-et’s sculptured the pave - ment, :— .d' It :1 :d .r Ir .1‘ :d .r } on the tomb - stone, On the po-et’s sculptured On the pave - ment, id .t| It] .13; :1] .t| } :tIm.m |m' :m' :"“s..s. [S :s i\ —'_. -01- G. l{2Lthb0ne—V0gelWeid, the Minnesingeln On the cross-bars . . of each window, On the lintel of each Doh is A. :d .d Ir :m — :d .m ls.s :—— :d (1 Ir .m :d .m } ten. On the cross - bars . . of each window, On the :d.d|r :m l—:d.n s.s:— I :d.d} -.‘- 1 ' -J._ They re - newed . . the War of Wart; - burg, Which the l— :d .d 1 :— .s :f .,s 1 :f I :m .r ). 1in-te1 of each door, They re - newed . . the War of Wart - burg, Which the {Ir .m :d .m Is :(1 .d If :— .d :1. .,d f :1. I :1. .1. } .oL G. Ba.tahbone-Vogelweid, the Minnesinger. had fought be —— l— :d ls :— Is > > bard had be - {[5, :1, :— |.—.:— It. 2 > tr 4”‘ 2'41 mossc. _p. P - r- G R.athbone-—Voge1weid. the Minnesinger. 14 “THERE THEY SANG THEIR MERRY CAROLS.” M d tightly. o erato. mf> > Doh is E. There they sang . . their met-ry : |s .s :1 :— .1; :d' .t } smootl Z . 7"f> L g > > There they sang their H : - : : : lm :m In an M oderato. /\ sempre staccato. Sang their lauds on :n .s 1 :s car—o1s, Sang their lauds on In .r.:d .s. d :m /T /7 There they sang . . theirmer-ry car - ols, . . Sang theirlauds on {ls .s :1 l— .t :d' .t 1 :s l— :r .n |f :s There they sang their mer - ry car-01s,Sa,ngtheirlauds on {lf :f If :f lf :f If .1‘ :t. .d r :m /\ _ /K‘ _ /\ _ /\ _ /\ -0- G. Rathbone—Voge1weid, the Minnesinger. 15 ,._.—.._ ‘ |‘l : I K I I I " ' 1 3 ‘ s I .1 r 1 L . *“"7=j;—“*F . . . 1r. 1 uv V1] 1 L r V V ‘ There they sang . . their mer—ry car - ols, Sang their ls .s :1 |— .t :d' .1; [1 -:‘s :m .s } I . 7“ they sang their - car-01s,Sa.ng their in IN in IN .r :d .s.} /\ /'\ xx \__y _ Therethey sang . . then" mer-ry : : IS; .S; :1| I‘ .t[ .t| } ,——:—-———'——-————§ . . . /1 /3 ' ~5- tit; Sang theirlauds on :m .m ls zf Sang t»heir1a11ds on ev - :s, .s. t. :1, Is. /\ /\ 129. —x— G. Rabhbone-—Voge1weid, the Minnesinger a.1a la. la la la la la. 4.E. {I :('eI)l .s. :1..t. d .r :m .f ls : . I- -.'--O- Fa. la. la la la la la la I .s..:1..t, d .r :m .f ls :— j. /.. > —f2’i_ la. la la. la. la la 13. I .s. :1..t. Id .r :n .f |s la la la, fa la la 1:). la, |—~ :m.rlm : . I .r :m.£e fe :s I /. >/-'\ /--\ lala 121.13. 1a.1a.Ia. . . . . la . . . lalala, 3.G. {I :(”“')| .s.:1..t.ld.r :m.f|s :— —.r |— :f |— :m_£|P1 la. la la la la la la la. 13., :r I. .s. :1..1z. d .rim .f|s : /. > G Rathbono-Vogelweid. the Minnesinger. 17 k . l\ I -1 \? I I I - F I _ 1 C I I‘ fa. la la la la la la, la I .r :f.1|s :1 .s|1 :t Id‘ fa la la la la la. la la la la. la la la H : I .Se»t.:d .r m .f:s I1 :f m :f .m If :r m f'‘“:’\ /—"\ EH #- > > /"T _ /T smoothly. > > There they sang their met car-o1s,Sangtheir1auds fA “in. :n In :m m In .r :d .s. d lightly. L; {- There they sang . . their nrer-ry car Sang their lauds {Ids} .S. :11 I‘ at] ‘d .t| 1| : :91] .5] 1| . gjx ' _'_ ' o o c There they sang their - car-o1s,Sa,ng their f :f If :f If .r :t. .d } K_./ There they sang . . their mer-ry car - Sang their S] .SI :1] K‘ .1}; .t[ 1| - 21‘: J7‘); } Z'\ G. Bathbon<.»Voge1weid, the Minnesinger lands on they sang their {lr ~ :m In :m There they sang . . their mer- ry S| .51 :1] ‘ .t| Id .t| car- ols, Sangtheir lauds IN .1‘ Id .S| d _o.. . Sang the1r lauds znl .s. [1, sang their mer - ry car-oIs,Szmgtheir lauds IN’ :m' IN‘ :m' IN' .1" :d' .d' It 1 I x J 1. ‘ Y I T] 0 O y ‘I Sang their lauds H Ratahbone —Voge1weid, the Mi11nr3singer. Fa la la la. la la. la. 4.A. l(r°).s. :1. .t. d .r :m .f ls Fa la la la la. la la la I .s. :1. .t. d .r :m .f Is la la. la la la la la la la .r :m .fe fe G. 11a’chbone— Vogelweid, the Minnesingeri la la la la la la .t d'.r':m'.f'l§ la la. la, :m'.r'lW Zightlg/. > There they sang . . their mer-ry E 1: ll ”e'.s :1 l— .t :d'.t } smoothly. > > There they sang their H hm :m In zm /'\ /\ "' Ped. G Rathbone--Vogelweid. the Minnesinqer. Sang their lauds on :m .s 1 car-o1s,Sang their lauds In .r :d .s. ld /\ simili. Therethey sang . . their mer-ry car - 01s, Sangtheirlauds on Ms .s :1 l— .t :d' .t 1 :s :r .m f :s side; They sang their car-01s,Sang theirlauds {f :f If :f . If .r :t. .d r /"\ /T /\ There they sang . .their mer-ry car - ols, Sang their s .s :1 l— .t :d' .t 1 :s :m .s } side; They sang fheir car-o1s,Sa11gt11eir :m In :m [m .r :d .s. } /T /"\ _i_ G. RaA:hbone—Vogelweid. the Minnesinger And the name .their voi-ces :1 .1 r' :— l— .d':t 1 1 > And the name . their voi -ces :f .f Ife :— l— .fe zfe .fe } ut-tered Was the name of {d'.s:— I :m.f s '— I1 u weid. :— d‘ :- ut-tered Was the name {|s.s:——l :d.r m \ A zitacca. G. Rathbone-—Voge1weid. the Minnesinszel ‘*3?-7 23 “DAY BY DAY. O’ER TOWER AND TURRET.” M aestoso. In foul weather and in :d .d Ir .m :d .m} Day by day, o'er tower and tur— ret, Doh is A. {Id :— .d [r : d :m is .s :— {|‘ > Maestoso. J?” num-burs, -0- -9- On the tree :*Im. .m. In Fl0ck’d the po-ets of the air. :d .d Ir .m :d .m s > > > -3. j- V _ V G. Rathbone--Vngelweid, the Minnesmgen. where the branch - es 0 - ver-shadowed all the place, 4.F. :ma‘]S|.S|IS :S :d .t| It] .t[ :1. .13] d y branch - es ~ ver-shadowed allthe place, :— .mlr zd :~ .r Ir .r :d .r m :- > the po-et’s scu1ptur’d the pave - ments, on the tomb On 4.A'p-. — .d' It :1 d'm . : :— .r Ir .r :d .r I, On the pave - ment, on the tomb - On the po-et’sscu1ptur’d zt-m.m In‘ :m' :"‘='=*s..s.ls : :d .t. It, .t. :1. .t. } Pedxro“ G. Ra.t.hbone— Vogelweid the Minnesinger On the cross — bars . . of each window, On the lin-tel of each Doh is A. ° dlr :m — :d.mls.s:—— l :d.d|r.m:d.m} ten. On the cross - bars. . of each window, :d.d|r :m |—- :d.mls.s:—,| :d.d} They re - newed . theWarof Wart-burg, Which the bard :— |—~— :d.d 1 :— |—.s zf .,s|1 :f I :m.r s :- > § lin-te1ofeachdoor,Theyre - newed . .theWarof Wart;-burg, Whichthe bard had HI‘ .I‘1 id .I‘1 IS :d .d :'—' I‘ .d :].| qdlf :1; I 211.1; S; 31' fought be - fore. {ls :—- Is :——|d :——| . . . be - fore. {|~:—|t. :—|d :—l : | : > J- .L> -0- -4- I G Bathbone—Vogelweid. the Minnesinger. 26 “ TILL AT LENGTH THE PORTLY ABBOT.” Adagio religioso. DokisC. {I = I = I Adagio 9'eZigz'oso. mf I -5- 0 -9- length the port- ly { |d :— .d Id —a— -0- -0- -0- ab-bot Mur-mured, zd |d.d: Id zdl toloaves hence - for- ward :— .d Ir :m s :s changed {Id A llegro agitato. -'_ V G. Ra.thbone'-—Voge1Weid, the Minnesinger Ped. 2nd Somulvos. -6-‘ of food? Be it .z— |—— :d.d} “Why this Waste Id zd [ma :— I—- ma Id :3‘ ”d‘ For our fast-ing brotherhood.” :s .s la zla |la.,t.:t. 27 “ THEN IN VAIN O’ER TOWER AND TURRET.” I ﬁ.:>confuoco>. > > > > > > Then in vain 0’er tower and tin - ret, From the walls and |1 =- .1 It :d' |r' :t ld'.t :1 ,:1.1lt :11" confuoco. Wood - land { Ir‘ zt When the min - ster bells rang noon-tide, Gathered the |m].| :‘ .1| It; II‘ It. |d—."t_L:1] :1|.1| ltg .J_ _ ‘_ :4- - : 1 - = 1*: I c 11 . , 1 . P*W I1 L’ 1 . ﬂ 1?! F L Then in vain, with cries dis—c01'd—ant, Clam-’rousr0undthe Goth- ic spire. :(‘):d' :—.d'lt :ta '1 :121 Is 2s Id‘ :-.d'|t :ta ‘1 zla ls 1 m' I ﬁgg; L1 1. 1 r. 1*. no . 111 I1 1 {I \1\1 I 1 1 7?L 1 ﬂ g D 1‘L‘I 4 T 1 1 1 A G I _,_. _,_ J ' 0 '\OJ_ _,_4_ 0 V 0 we1— come guests. Then in vein, with cries dis — cordant, C1an1’1'ous roundthe G0th- 10 {Ir :1;. Ids :——‘d :—.dlr :m :r [13:11 | :d.d|r :m G. Rathbone-—Voge1Weid. the Minnesinger _/‘ff: _mol£o rull. _ H. ‘ ' E-P—-}—J: ’/"r t - - 1 ' ' ' =7 1. E ' 4- Scream’d the feather’d Min - ne - singers For the children of the Ehoir, Scream’d the feather’d '0 G.. -C- {|’“'1 :-.1|se :s lfe zf |m.m:—— '1 :~.1:se :s lfe :f |"‘t :— If‘ :—.f'|m' :1 } fff> molto rall. 1‘; ~-., A . - 4 {=- L, e . I‘; . I . , I 1 1;. =.‘_= - ;f 10 If 1 ‘ ! Scream’d thefeather’d Min-ne - singers Forthe children of the choir, Screa1n’dthefeather’d -{lm1|:‘.].||t-1 :d '1‘ :tl IM|:1[ I :1|.].|!t| Ir :1}; ‘as :‘ ll" 2-.1"ld' :d' 1. ‘lam Qg'Q_ _,__—l:‘:I: :1- I- -5- Meno mosso. sostenu/to. -\,——/_:: Min - ne- sing-ers Forthe chil - dren of the choir. Hr‘ :r' Ir‘ :d' I : I :1.t d‘ :—|1 :—|1 : Ise :——II :—|— Jlleno mosso. sostenuto. __i_: ___e— - ne- sing -ers Forthe chil - :1 lse :1 | ° :f.f|m :—|m :—lm : M eno mosso. P sostennto. G. Ra.thbone—Voge1we.id, the Minnesmger. “TIME HAS LONG EFFAGED THE INSCRIPTIONS." Andante religioso e sostenuta. 1, - I K 2'“-——-a I l I’ I Time Doh is F. ' P1 . I l. I ll- 1 Time I : d Andcmte mligioso e sostenuto. 1 1“\ | 2 :— .d Id .d :d .d,d|r . . . - . 1 N 1\ I\ﬁ\ Y , . . ‘ 1 I 1 v e g 44:. I‘ R Fhittrf ‘ i L has long effaced the in_— scrip - tions :— .n In .n :m .n,mlm IN has long effaced the in- scrip - tions stones, (1 ten. neral tn fu Id stones, |d W31‘ Where re - pose :r .d 1;. us - et’s Where re - pose it. .1; S] p0 IS; .:fe| .S| G. Ru.Lhbone—Voge1weid, the Minnesinget. C And ‘era - di —tion on — 1y (1 .d Id .d :d .d — And bra - (11 —tion on - ly 1: -11 I1: -1: 31: -1| * (Saint ly face or rain-worn let - ters None may tell which {Ir L:— .r Ir .r :r .r f :f :f .f |d :d :j_— * (Saint - Iy face or rain-Worn let - ters None may tell which “ta. :" .ta4 ltaa .taq :ta| .ta. |l| :1] 11' .1] 134 3121. o 0 Choose the fair-est for the mas - ter, Let the :1. .1. It. .13. :d .d s :f :f .f } Z.i- Choose the fair-est for the mas - ter, Let the :11 .11 I134 .1a.|:S| .S| 1] 31' 3d .d I. PP—-e Time has long ef-faced thein - m :— .m In .m :m .m,m} Time has long ef-faced the in - d :— .dld -d :d .d,d} * A Stanza has been inserted here for the purposes of the musical structure. vi}. Rathbonc——Voge1Weid, the Minnesmger. - scrip - tions On the clois - ter’s neral stones, {In :m :m .n s :f :r Id 2:" . - scrip - tions On the clois ~ neral stones, {lr :r :d .d n :t. ld :—— =-} -in pppr'————':-'---‘é h I —C---O- And tra - di-tion on - ly tells Where re -pose :d .d Id .d :d .d m :r .d |t. _ -0- And tra - di-tion on -ly tells Where re-pose :1. .1. I1. .1. :1. .1. d :t. .1. s. ly face or rain-Worn let - ters .r Ir .r 21‘ .r f :f —— ly face or rain-Worn let - ters .‘ .1334 “$34 .1734] 31334 .ta. 1' 5].; n>a G. Rathbone-— V< gelweid, the Minnesinger. None may :f.f} None may :1. .1. } which Choose the fair --est for the :d :].| .11 It; .1}; 1d .d } . -'_ Choose the fair -est for the :1; .1. I134 .1a1:S| .SI 1. Let the sweet - est words be his.) :f .f m :f Ir :— .d ld ten. Let the ‘sweet - . W()\I‘(F':". be his.) :d .d d : Id .d |d :— — :-—— } PW’ -;“‘‘j——“ _g_ {| ‘ Pia mosso. f> Gr. Ra.thbone-~V0ge1weid, the Miunesinger. 38 No. 10. “BUT AROUND THE VAST CATHEDRAL.” M oderato. N obilmente. Doh is A But a- round thevast ca . I ' I :s..s.|d :—.dlr zn } {lzl :. :| M oderato. V A 29060 rit. (Bell.)j ff Bysweet ech-oes m11l - ' Still the :s..s. d .d :— Ir :m .n } the vast ca. - the - dx'a.1-, By sweetech-oes ~- .n Ir :d s. :s. :s. .s. In .n :- re-peat the le - gend, Andthe name of V0 - In :—.mlr :d n :m :d.d|m :r lm Stillthe birds re-peat The name of V0 - gel - weid. {|d : :1..1.d. :—.d|t. :1. ld :d Id :d t. :— T. .'_ G. Rethbone—Voge1weid, the Minnesinger. the monks his trea - sures, Gave them all with this :— .f' In‘ :r' r' :d' :d' .n' s‘ :— .s' If‘ allargando. gave the monks his trea - sures, Gave them all With this .— .1 Is :f If :m :m .s ta :— .ta|1 pia mosso. kolto mt‘ Theyshould feed the birds at noon - tide EI:)ai - ly on his place of .4. {ll :— l—— :1 .1 r' :— .r'ld' :t r' :d' Its zfe “s .1 :d' :r H .. molto 'r't. " pm mosso. _i:__"— hest : They should feed the birds at noon - tide Dai - on his place of {If :— l—- :f.ff :‘—-.f In :se t :1 Isem ”m.m:n :f pm mosso. So a-round the vast ca - the - dral, Bysweet echoes mul - ti - :s..s.]d :— .d Ir :n s :s :s..s.|d .d:— Ir :m } A A A ‘ So st - round the vast cs. - the - dral, By sweet- : :s..s.m :—.m Ir :d Is. :s. :s..s._} grandiose. ‘L V G. Rathbone—Vogelwei%‘, the Minnesinger re -peat the le - gend, And the :f .,sl :f :n .r } Stillthe birds {Is 2d .d ll I- .s And the Still the birds re-peat the le - gend, 31' .11 } 1d ogdlf .d :1] .,d f :].| ech-oes Hm .m :- the name of V0 :1. Id :d molto 2-it. sf a tempo. > > > > _g_ G. R:\thboue—Voge1weid, the Minnesingez‘. THE END. ‘UNISON SONGS—GrRADE 111. (Suitable for Higher Divisions). NO)/ELLO’S SCHOOL SONGS. IHHTED BY uA<1 MCNAUGHT. A SPECIALTY or NovELLo’s SCHOOL SONGS is that they are issued in Books, each book containing songs of about the same class and degree of difﬁculty. Most of the songs are obtainable separately. Specially selected numbers can be stitched in a cover to order on favourable terms. all the songs are graded, will be sent post-free on application. Published in two forms. Accompaniment, 8110 size; The Classiﬁed School Catalogue, in which A, Voice Parts in Staﬁ" and Tonic Sol-fa Notation, with Pimzoforte B, Voice Parts only in Tonic Sol-fa Notation. Where no prices are given in the B column the A Edition only is published :— BOOK 32. SIX CLASSICAL SONGS . The Fisherman Schubert . May Song Mendelssohn . Forget me not .. W. S. Bennett . Rose softly blooming . Spohr . The first Violet .. Mendelssohn . Come, ever-smiling Liberty Handel BOOK 37. SIX CLASSICAL SONGS . May—dew W. S. Bennett . Verdant Meadows (Verdi P1/ati) Handel . 0 Sunny Beam .. Schumann . Slumber Song Mendelssohn . Say ye who borrow (Voi che szzpete) Mozart . Who is Sylvia? Schubert BOOK 57. SIX CLASSICAL SONGS . Hear Thou my weeping (Laschia ch’io pirmga) Handel . My Mother Bids me bind my Hair Haydn . To Chloe in sickness W. Sterndale Bennett . Come, happy Spring (Caro mio ben) Giordani Mendelssohn Haydn . Autumn Song . The Mermaid’s Song BooK7L SIX CLASSICAL SONGS FOR LOW VOICES . The Wandering Miller . Crusaders ., . Welcome to Spring Mendelssohn . Sun of the Sleepless ,, . Evening Song . Contentment... BOOK 72. FIVE UNISON SONGS FOR JUNIORS Words, from “A Child’s Garden of Verses,” by R. L. Stevenson. The Music by Schubert 11 Mozart R. Houston Macdonald . 381.‘ The Moon 382. Where go the Boats... 383. My bed is a Boat .’ 384. Pirate Story 385. The Lamplighter BooK1oa S UNISON SONGS FOR CHILDREN From “The School Music Review” Children at Play (No. 35) Mozart Land to the Leeward (No.40) C. H. H. Parry A Beautiful Scheme of Taxation (No. 44) A. Somervell B. Foster A. R. Gaul H. Smart Eaton Faning A. Randegger The Star’S Watch (No. 52) Song of the Brook (No. 53) A Song of Peace (N0. 73) Boat Song (No. 54) At Night (No. 62) ﬁn Nlv-‘ D-4 “°..-’T—“-"”“*‘w:~ °° -‘F’ (Z) I-4 p—4 i—a >--I >—n »—A 63 »—4 +—4 »—I 1-4 »—I >-4 t»:l>—L¢{—-t¢1- lx’/i‘-ix’/l-L\’)lr‘ tol-‘ Ni-{sir BOO K 1 O9. NINE CLASSICAL SONGS From “The School Music Review” The Cottage (No. 29) Schumann Creation’s Hymn (No. 32) Beethoven Greeting (No. 32) . . Mendelssohn} A Song of May (N0 71) . Beethoven O for the Wings ofa Dove (No. 49) Mendelssohn Hark ! hark! the Lark (No. 34) Schubert Fairest Isle (No. 51) Purcell Hey, Baloo E (No. 54) . Schumann Alone (No. 73) .. Mendelssohn BOOK 110. SIX_ UNISON SONGS . Daisy Nurses... .. W. Hately . The old brown House ,, . Up and Down . Woodland Melodies . Cradle Song . Why do Summer Roses fade BOOK 119. SIX UNISON SONGS . Soft star of the West . Sweet day so cool . For Hearth and Home . Rock-a-bye . .. . . A Rose Song . There were four Lilies A. Medley G. Barker Pinsuti Brinley Richards C. Pinsuti C. H. H. Parry Horatio Parker Battison Haynes BOOK 125. SIX CLASSICAL SONGS . Whither .. Schubert . Come, gladsome Spring Handel ’ . The Lotus Flower R. Schumann . Thou’rt like unto a Flower . Ave Maria . Know’st thou the land BOOK 140. SIX CLASSICAL SONGS FOR LOW MEDIUM VOICES . The Two Grenadiers R. Schumann . 0 Star of Eve (T annhauser) Wagner . The Free Mind .. R. Schumann . Litany Schubert . On wings of Song Mendelssohn . The Garland (By Celia's Arbour) ,, BOOK 141. SIX CLASSICAL SONGS . Trust in Spring Schubert 739. Thou art Repose .. 740. Where’er you Walk 741. Fishers’ Song 742. I love thee 743. Gentle Zephyr BOOK 81. PUBLIC SCHOOL (BOYS’) SONGS. 450. Playyhard for the School F. C. Woods 451. A Football Song Summer Suns 453. Football Song 454. A Fives»Song 455. Hammock Song * Staff only. Schubert Beethoven Handel Schubert Beethoven Sterndale Bennett C. A. Engelhardt B. G. T horne F. C. Woods B. G. Thorne A d. .91 LONDON: NOVELLO AND COMPANY, LIMITED. I—' F—‘ >-‘ NJ N) N3 w t»:l:—Lel—Lol«- . B d. ‘-v.-4 NOVELLO’S SCHOOL SONGS. EDITED BY W. G. MCNAUGHT. A SPECIALTY or NovELLo’s SCHOOL SONGS is that they are issued in Books, each book containing songs of about the same class and degree of difficulty. Most of the songs are obtainable separately. Specially selected numbers can be stitched in a cover to order on favourable terms. all the songs are graded, will be sent post—free on application. Published in two forms. Accompaniment, 8210 size ; the B column the A Edition only is published :— The Classiﬁed School Catalogue, in which A. Voice Parts in Staﬂ and Tonic Sol-fa Notation, with Pianoforte B_ Voice Parts only in Tonic Sol-fa Notation. Where no price: are given in BOOK 16. SIX UNACCOMPANIED TRIOS . Sounds of evening Franz Abt . A Winter Song Ferris Tozer . Stars H. Elliot Button . A Canadian Boat Song A. H. Ashworth . The Fairy Barque A. Moffat To Blossoms . G. A. Macfarren BOOK 17. FIVE UNACCOMPANIED TRIOS . G0, Child, in Life’s fair morning W. Roston Bourke . Come sleep, 0 sleep . Ah! surely Melody . The Violet . ... . Be good, my Child BOOK 27. EIGHT UNACCOMPANIED TRIOS From Vol. I. of “The School Music Review” The Delight of Spring (No. I) Abt The Postillion Evening ) (No.2) L. Mason Sabbath Stillness F. Abt St. George for England i (NO' 4) iMacfarren John Gilpin (No. 5) Macfarren A Marching Song (No. 10) Abt The little Valley (No. 9) From the German BOOK 35. SIX UNACCOMPANIED TRIOS . Violets .. H. Elliot Button -. Summer Longings H. A. Donald . Let us to the Woods away Henry Knight . Wake up, my merry Masters all A. Moffat . The Gnomes . Hunting Song WVV. H. Stuart BOOK 59. TEN UNACCOMPANIED TRIOS . To Daffodils H. Elliot Button . The Singers ,, . The Waking Sun Alfred Moffat . Now pray we for our country E. Flower . L’Angelus (Evening Praise) R. L. Ruelens . 0 World, how fair thou dost seem F. Abt . A Song of Evening A. H. Ashworth . In the twilight Abt . The Blossoms Percy Jackman . Laughing Song ,, BOOK 60. SIX ACCOMPANIED TRIOS . Sweet October Seymour Smith . Happy Times ,, . When do Flow’rets Abt . Oh! the ﬂowery month of June Jackson . A Cradle Song Gilbert A. Alcock . Sunset... Franz Abt God be our Guide (s.s.A.) . Evening Peace (S.S.A.) . Blessed are the pure (S.S.A. Morning Hymn (S.S.A.A.) . Vital Spark of heavenly (s.s.A.) Harwood * Staff only. Franz Abt >—- l—| >—4 )—I I-4 )—t [Cl-£\'.I'-L\‘.Iv-‘ tel-4 C: 51' b Iv—H—u—I[0*\4+—-I-u—t{\'>n—-A m L.:|- rel-‘ NP‘ ‘ Ni’-‘l\’—l'-‘ BOOK 84. THE JUVENILE SONGSTER Thirty-Three Songs, in one, two, and three parts (Unaccompanied). Composed and arranged by Lowell Mason BOOK 64. POPULAR GLEES AND PART-SONGS (UNACCOMPANIED) 320. Blow, blow, thou Winter Wind Stevens 321. Soldiers, brave and gallant be (s.s.c.c.) Gastoldi 322. O hush thee, my Babie (arranged for S.S.A. by J. Stainer) Arthur Sullivan 323. The Angel of the Rain R. Rogers 324. Ye Spotted Snakes R. J. S. Stevens 325. All among the Barley E. Stirling 326. Jack Frost (arranged by Leslie) Hatton ACCOMPANIED TRIOS. 341. Our Heroes (March, S.S.A.) H. Clarke 460. The Death of Nelson. Solo, with ad lib. three-part chorus J. Braham 463. Glory and Love (Soldiers’ Chorus from “ Faust ”) (original words) Gounod 246. Ye shall dwell in the land (Harvest . Anthem). Arranged for s.s.c. J. Stainer 419. Within Thy sacred fane. Solo and Three- part Chorus ...]osiah Booth 420. Two Hymn tunes J. Stainer 421. Two Hymns for Children: “ Children, send a song of praise” (C. H. Lloyd) and ‘ Happy children we have been’ Sullivan 422. In the sight of the unwise F. A.G.Ouseley BOOK 99. SIX UNACCOMPANIED TRIOS 566. Now the Golden Morn J. Stainer 567. The Song of the Lark H. Hiles 568. Why do ye weep (To Primroses) ,, 569. The undertone of the Bells Roland Rogers 570. A Dance Song Abt 571. A Shepherd's Lullaby T. D. Edwards BOO K 1 O7. NINE UNACCOMPANIED TRIOS. From the “School Music Review” Sweet day, so cool (No. 25) G. A. Macfarren The Hunter’s farewell (No. 28) Mendelssohn God save the King (No. 32)‘ The Songs our Fathers loved (No. 36) Which is the properest day (No. 38) Dr. Arne Sweet and Low (No. 46) J. Barnby Erin, the Tear and the Smile (No. 39) The Lark’s Song (Four-part) (No. 51) Mendelssohn The Rhine Raft Song(No. 48) C. Pinsuti BOOK 108. EIGHT UNACCOMPANIED TRIOS. From “The School Music Review” Evening (No. 71) Abt 0 who will o’er the Downs (No. 52) Pearsall How merrily we live (No. 57) Este Patter, patter (April Showers) (No. 59) Hatton Vesper Hymn (No. 77) Beethoven In April time (No. 70) C. Pinsuti Annie of Tharaw (No. 76) Hail to the Chief (No. 72) * Staff only. R..”Bishop A d. B -1. oh v-4r'-u—u-—Ar—- 0-: 9-: >9!-‘ LONDON: NOVELLO AND COMPANY, LIMITED."
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Title: Sha won da see
Date: 1923
Text: MUSIC uamnv VASSAR cones: Pouci-mun"-sat. new vonx SONGS SHA—WON—DA-SEE (The South Wind), Medium, F (No. SKARL THE DRUMMER, Medium, D minor (No. 52535. S COWBOY SONG, Medium, E minor (No. 5254) — WABUN (The East Wind), Medium, F (No. 5255) - - I-IIAWATI-*IA'S SONG, Medium, Fii minor N. as - — — - ADJIDAUMO (The Squirrel) Medium,G ; ( ° 57' ) W J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED iN THE U. S. A....
Show moreMUSIC uamnv VASSAR cones: Pouci-mun"-sat. new vonx SONGS SHA—WON—DA-SEE (The South Wind), Medium, F (No. SKARL THE DRUMMER, Medium, D minor (No. 52535. S COWBOY SONG, Medium, E minor (No. 5254) — WABUN (The East Wind), Medium, F (No. 5255) - - I-IIAWATI-*IA'S SONG, Medium, Fii minor N. as - — — - ADJIDAUMO (The Squirrel) Medium,G ; ( ° 57' ) W J. FISCHER 82 BROTHER - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED iN THE U. S. A. To Mre. F. H. Snyder Sha-Won—da.-see (The South-Wind) “Hiawatha” LONGFELLOW ' Medium JAMES A.BLISS ‘ Op.11,No.3 Larghetto - Lusingando ________________...— Sha—Won — da - ‘see and la - zy Had his dWe1- ling cantando far to south-Ward In the droW- sy dream - y sun-shine In the nev- er .M.bet Caressant( ,60 2336:’; end - ing sum - mer. F T Copyright, 1.923, 53/ J. Fischer & Bro. British Copyright Secured J'F'& B‘ 5252's A MecIzam'ca_l mad all other riglats reserved Printed in U-S-A Ossia From his pipe the smoke as - cend — ' Filled the skywithhaze and Filled the air with dream - y a tempo soft‘ — ness. Gave a twinkle to J.F.& B. 5252-3 Touched the rugged hills with smooth — ness. sum - /\ mer the me1- an-chol - y a tempo SHOW - . In the drear - y moon of use pedal J. F. & B. 5252-3 slower 0.5-sia Brought the ten-der In-dian I» North - land. A Group of A emu) AMERICAN SONGS LIsT No. 1. REG. U S. PAT. OFF. HOWARD BARLOW . . . . . . .1-Iush of the World . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5193, 5194)* . . . . $0.50 I Love isso New . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (519I,5192)..... .50 Your Eyes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5195, 5196) . . . .. .50 GENA BRANscoMBE . . . . . .In my Heart there Lives a Song . . . . . . . . . . . . . . . .2 keys (5038, 5039) . . . . . .60 ELIZABETH H_ [)AV1D,_,_Honeysuckle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5151, 5152) ..... .50 InAbsence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..2 keys (5155, 5156)..... Revelation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5153, 5154). . . .. JAMES P. DUNN . . . . . . . . .The Bitterness of Love . . . . . . . . . . . . . . . . . . . . . . . .3 keys (3976, 3977, 4087) To Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4033, 4077) ..... Under the Greenwood Tree . . . . . . . . . . . . . . . . . . . . .2 keys (4340, 4275) . . . . . A White Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4034, 4076) .. . . . G. FERRATA.. . . . . . . . . . . .Night, and the Curtains Drawn . . . . . . . . . . . . . . . .2 keys (3845, 3000) . . . . . CECIL FORSYTH _ , , , , , , , Masque . . . . . . . . . . . . . . . . _ . . . . . . . . . . . . . . . . . . A/ledium (4537,) . . . . . . . . . Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4546, 4547). . . .. The Watcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4545) . . . . . . . . . .. When the Last Sea is Sailed . . . . . . . . . . . . . . . . . . .Bass (4534) . . . . . . . . . . . FAY FOSTER . . . . . . . . . . . .My Menagerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4491, 4460) . . . . . Secret Languages . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4665, 4666) . . . . . Shadow of the Bamboo Fence . . . . . . . . . . . . . . . . . .2 keys (4328, 4327) . . . .. When Lovers Part . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4663, 4664) . . . . . Your Kiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4454, 4455) . . . .. J. BERTRAM Fox . . . . . . ..A Ballad.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. High (4737) . . . . . . . . . .. Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .High (4596) . . . . . . . . . . . Eventide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5079, 5083) . . . .. Sadness; Tears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5078, 5141) . . . .. FRANK H. GREY - . . - . . . .Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 keys (4860, 4861, 4923) When Blossoms Come . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5160, 5161) VICTOR HARRIS . . . . . . . . . .The Cupboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5096, 5097) . . . . . A Madrigal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4982, 4983) . . . .. Nod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..3 keys (5092, 5093, 5<:94) Silver . . . . . . . . . . . . . . . . . . . . . . . ., . . . . . . . . . . . . . . . .2 keys (5098, 5099) A. WALTER KRAMER . - . -Eternal May... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4244, 4245) . . . .. For a Dream's Sake . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (3851, 3852) ..... joy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4246, 4247) . . . .. Song ‘Without Words . . . . . . . . . . . . . . . . . . . . . . . . . .High (5020). . . . . . . . . . . HowARD D. MCKINNEY. In My Soul's House . . . . . . . . . . . . . . . . . . . . . . . . . . 2 keys (4867, 4868) . . . . . Slower, Sweet June . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4681, 4688) . . . . . To a Hilltop . . . . . . . . . . . . . . . . . . . . . . . . . . . ..... 2 keys (4863, 4864). . . .. WILLIAM REDDICK . . . . . . —. Spanish Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . .High or Medium (5077) . _ Travelin' to de Grave. . . . . . . . . . . . . . . . . . . . . . . .2 keys (4955, 4956) ..... GERTRUDE Ross . . . . . . . . .Early Spanish Californian Folk Songs (Five).. . . .2 keys (5120, 5121) . . . .. 1. 3 Sakura Blossom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (5143, 5144) . . . .. LILY STRICKLAN1) . . . . . . . .Bayou Songs (Four) . . . . . . . . . . . . . . . . . . . . . . .2 keys (4944, 4992) . . . . . 1. A Beggar at Love's Gate; Song Cycle . . . . . . . . . .2 keys (4440, 4501) . . . . . 1. Today is Fair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4338, 4339) ... .. DEEMs TAYLoR . . . . . . ‘. . .Captain Stratt0n's Fancy . . . . . . . . . . . . . . . . . . . . . .Bass _ (5242). . . . . . . . . Bankso'Doon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Medium (52I0)......... Plantation Love Song . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4334, 4333) . . . . . The Messenger . . . . . . . . . . . . . . .. . . . . . . . . . . . ..2 keys (4732, 4733) The Rivals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4728, 4729) . .. A Song for Lovers . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4730, 4731) PIETRO A. YoN . . . . . . . . .Gesu Bambino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 2 keys (4452, 4453) ..... Veneziana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 keys (4463, 4464) . . . . . *Fischer Edition Numbers; the first for high key, the second and third for medium and low. J. FISCHER 82 BRO. - - NEW YORK FOURTH AVENUE AT EIGHTH STREET (ASTOR PLACE) 3, NEW STREET, BIRMINGHAM, ENGLAND
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Title: It is not Always May
Date: n.d.
Text: V B C A L B U ET, Dedicated to his esteenid Pupil Concanen 39 Lee, lith. Stannard 8: Dixo I THE WORDS BY LO N. G FE? LLWOW. The Music by § m@ Ems Szzvffca/Z» wxwvw _ ,% 0 N 12/») @O]V)\_9 % CRAIVIER BEALE $< CH/\‘P‘D-ELL. MUSIC uannnv VASSAR COLLEGE ’ POUGHKEEPSIE. uzw vonx

Title: Pus Puk Keewis Beggers Dance
Date: 1913
Text: HUSIC LIBRARY VASSAR COLLEGE 90'-'GH‘(EEPS‘E. NEW YORK '11? Reinrz/(Z 717/Errnnrzzl/2 CARL BUSCH THREE SONGS « FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOMPANIMENT Words from “Hiawatha” by LONGFELLOW “GIVE ME OF YOUR. BARK, O BIRCH—TREE!” (,,Gieb mir deine Rinde, Birke“) P§lJ—PUK—KEEWIS’ BEGGAR’S DANCE (Der R" Bettlertanz Von Pau-Puk-Kih-Wis) .75 “TAKE YOUR BOW, O HIAWATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRMER NEW YORK : 3 EAST 43d ST. * LONDON, W. : 18, BERNERS...
Show moreHUSIC LIBRARY VASSAR COLLEGE 90'-'GH‘(EEPS‘E. NEW YORK '11? Reinrz/(Z 717/Errnnrzzl/2 CARL BUSCH THREE SONGS « FOR A HIGH (OR MEDIUM) VOICE WITH PIANO ACCOMPANIMENT Words from “Hiawatha” by LONGFELLOW “GIVE ME OF YOUR. BARK, O BIRCH—TREE!” (,,Gieb mir deine Rinde, Birke“) P§lJ—PUK—KEEWIS’ BEGGAR’S DANCE (Der R" Bettlertanz Von Pau-Puk-Kih-Wis) .75 “TAKE YOUR BOW, O HIAWATHA” (,,Nimm den Bogen, Hiawatha“) .60 G. SCHIRMER NEW YORK : 3 EAST 43d ST. * LONDON, W. : 18, BERNERS ST. BOSTON : THE BOSTON MUSIC CO. LEIPZIG : FRIEDR. HOFMEISTER Pau-Puk-Keewis’ Beggar’s Dance Barred‘ with streaks of red and yellow, Streaks of blue and bright vermilion, Shone the face of Pau-Puk-Keewis. From his forehead fell his tresses, Smooth, and parted like a Woman’ s, Shining bright with oil, and plaited, Hung with braids of scented grasses, As among the guests assembled, To the sound of ﬂutes and singing, To the sound of drums and voices, Rose the handsome Pau—Puk-Keewis, And began his mystic dances. First he danced a solemn measure, Very slow in step and gesture, In and out among the pine-trees, Through the shadows and the sunshine, Treading softly like a panther, Then more swiftly and still swifter, Whirling, spinning round in circles, Leaping 0’ er the guests assembled, Eddying round and round the Wigwam, Till the leaves went whirling with him, Till the dust and wind together Swept in eddies round about him, Till the wind became a whirlwind, Till the sand was blown and sifted Like great snow-drifts 0’ er the landscape, Heaping all the shores with sand—dunes, Sand-hills of the Nagow Wudjool Thus the merry Pau-Puk-Keewis Danced his Beggar's Dance to please them, And, returning, sat down laughing There among the guests assembled, Sat and fanned himself serenely With his fan of turkey—feathers. HENRY WAD SWORTH LO N GFELLOW From ‘ ‘Hiawatha’ " To Remald Werrenraﬂz Pau-Puk-Keewis’ Beggars Dance Der Bettlertanz VOI1 Pau-Puk-Kih-Wis From“Hiawatha,” by Longfellow German version by Herman Simon Allegretto . . L mg" Carl Busch Voice Barred with Roth und 77;. streaks of red and ye1—1ow,j_ Streaks of blue and bright ver— mil - i0n,__. gelb ge—ma1—te Streifen,_;___ blau - e, pr'e'Lcht’ge Schar-1ach—strei-fe /S /-\ _ . ’ 1* r- Shone _.______ __j______ of Pan - Schmiick - - Puk Kih ‘- 24076 C - G. LSYC}l7/.7'77’L€7' 1’ From his fore — head Sanft fiel Von der /‘\ E1? I’ fell his tress - Smooth, and part- ed like a W0 - ma11’s,‘_ schii — nen Stir — Lok - _ ken-pracht mitW<_ei-ber-schei - tel; L12 ing bright with oil, and plait - ed, Hung with . Von Oel die Flech-ten g1'a'Lnz — ten,_______ rings (lurch- / braids . - of scent - ed grass-es, webt mit duft’ - gen Krliutern. /-3/__X 7{f 1’ As a - mong the guests as - sem-b1ed, 0 the sound of flutes and So bei Sang und F16 - ten~ k1'a'Ln—gen, Trommel — Wir-be1nStimmge- f singing, To the sound of drums and voices, RosethehandsomePau—Puk-Kee—wis, ‘L6-se mitten aus der GEL ste Menge Pau-Puk—Kih-Wis strahlendaufstand Z.-1T‘ { .19" And be-gan his mys-tic danc - und be-gann die Zauber - t:'e'Ln — > > > > > Moderato F dandd a s01- emn measure, Ver - y Erst in fei- er-1i—chemTem—p0, langsam sich be- slow in step and ges- ture, In and out a—mong the pinetrees, Thro’ e we - gend,schritt er in und an - sser-halb der Fich-ten, bald durch /''—T. -[i— shad—ows_ and the sun.—shine, Treading soft - ly like a Schatten,_ balddurch Sonnschein, lei - se W1e___________j ein Pan-ther - T 0 c 0 . - {-3 Alle retto pan- ther, Then more swift - ly and still swift-er, krie-—chend. Schnel-ler sprang er dann und schneller, 4 9 .159 A 17 — ing, spin—ning ' Cir — c1es,_ - belnd sich ' dre — hend, \ mf 9 Leap-ing oer theguests as - sem - bled, sprang weit ii — ber al - le GEL - ste; *1 59 .5 Ed - dying round and round e wig - dreh- te sich' rings um die Hiit - 747" Till the leaves went whirl-ing with him, bis die Bl%§Lt— ter kr2'§u1—se1nd f01g—ten, 'f'. the dust and wind to — geth- er Swept .___. in ed — dies, und Wind im tol - len Wir—be1,?___ im Wir — bel, ‘ . /‘T . - , - V , - . - T ‘r. __ in ed — dies rings um ihn . . {T I’ Till the wind bis der Wind 1’ came‘ a Whirl - wind, Till the sand was blown and Wir - — bel wur — ’de,.___:___. bis Vder Sand Wie Schnee- sturm sift -ed Like great snow-drifts o’er the land - braus-te und die Land-schaft rings Ver — hiill — T 24076 P Till the wind be-came a whirl-wind, ill the sand wasblown and sift—ed, bis der Wind zumWir—be1 wur- de, bis der Sand zum Schneesturmbrauste . /“S /T Z‘\ /‘T ﬂ>>> > Heap-ing all the shoreswith sand— dunes, Sand-hills of the Dii — nen an dem Stran—de héiuf — te * Na — go —Wad—schu, > > > > {T , the mer- ry Pau - Puk - Kee — Wis ______ Danced his Beg-gar’s Dance to Freu-de A1 — ler -te _________j Sei - — nen Bett-ler - tanz der . _ . _ . _ . o /‘$ . . , - -r-. 9 please them,__:__ And,re - turn — ing, Sat (1 V laughing There a—mong the Gauk—1er,________ lief zu - rii und setz—te lachend wie—der sich zur ‘F-. —-€777], guests as — sem — ______ gand Schaar der Géi — ________ féi — che1-te f 772/" P fanned him-se1f se - rene - - 1y With his fan of tur-key — sich freund-lich lli - chelnd, mitA demTruthahn_fe — der — /T ’ ,/'3 Z.‘ ' V. P feafch-ers. fa - Cher. PUBLISHED BY G. SCHIRMER : NEW YORK Beware of the Hawk, my Baby An Indian Lullaby From the opera “Natoma' jouph n. Reading vicm Herbert Andante Voice were of the hawk, my were 0! the hawk, my me“ Copyright. I9". by 6. smmm THE BOSTON MUSIC CO : BOSTON Vaquer0’s Song From the opera “Natoma” Joseph D. Redding Vjctor Herbert Voice dares the bron - co looks the mus -tang maltn mm-cato in the eye ? Oqpyrigltt, [(711, by 0. Saltimmr PRICE 60 CENTS “In my dreams” From the opera “Natoma” -‘°“P“ D‘ R°“‘“"¢ Victor Herbert Moderato e molto rubato Pm” ppoua mm; Z-T Voice Gen-tle maid-en. tell me, have I p pom: acaol. seenthee in my dreams? I won-deriat "*0 When a-hove my poco ten. molt.” pi1- low from the night utar - Serenade From the opera “Natoma” Jowph D. Rcdding ViCt0l' Hefbeﬂ Moderato Alvarado Voice the sun - light dies,._. the night - wind ’sighs,._ When the come, 'my love,_.
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Title: It is Not Always May
Date: 1911
Text: ms Nu \/ (No héy paj aros en los nidos de antaﬁo S P A N I S H P R O V E RB ; ‘ A /Q J BEE T 9 :: e — % V”“”/f. = A :: V The Poem by ' 7 H .w. LONEFELLOW The Music by Simmm THDMSQNJ Price 6 0ce12Z3 THEWILLIAM MAXWELL MUSIC C9 (Founded1;y.JuuA~£owAA>os) ‘ 96 FIFTH AVENUE N EW YORK. Am /ANS MAM It Is Not Always May PART SONG FOR TWO EQUAL VOICES The words by V ' The music by H.W. LONGFELLOW SYDNEY THOMSON Allegretto grazioso (J ; 100) é A . /*\ pocok 3 male . . . 2 00% ‘gel The sun...
Show morems Nu \/ (No héy paj aros en los nidos de antaﬁo S P A N I S H P R O V E RB ; ‘ A /Q J BEE T 9 :: e — % V”“”/f. = A :: V The Poem by ' 7 H .w. LONEFELLOW The Music by Simmm THDMSQNJ Price 6 0ce12Z3 THEWILLIAM MAXWELL MUSIC C9 (Founded1;y.JuuA~£owAA>os) ‘ 96 FIFTH AVENUE N EW YORK. Am /ANS MAM It Is Not Always May PART SONG FOR TWO EQUAL VOICES The words by V ' The music by H.W. LONGFELLOW SYDNEY THOMSON Allegretto grazioso (J ; 100) é A . /*\ pocok 3 male . . . 2 00% ‘gel The sun is bright, the air is 6‘7’6S6‘L @000 d ﬂ0C’0 dart - ing swallows soar_ and sing, ,9 im 2'! e And from the state- elms I hear The _.. blue birds prophe-sy - ing_ AZsi0vpu5Zz's/zed as a song Copyright MCMXI by The William Maxwell Music Co. I¢zternatz'0mzl Uopgreg/L! secured -995-7 f dam. poco apoco blue yon wind - ing riv -er f1ows,__ d2'm.]9oco a 17000 seems an out - let rom the sky, Where‘, “wait-ing till the west-wind blows, The _ freightedclouds at an - chor lie, Where, wait-ing till the west wind bms/, The 77319 cresc; freigh clouds at an - chor lie. _z__ /x_ a tempo }_ pocozfj W All things are new; the buds,the .s-z'm 2'19 ) A11_.things are_ new- the buds, the 1eaves,And e’en the /T 1eEei/_ That gild the e1mtree’s nod ‘L ding - neath the eaves;There birds in And e’en the nests be-neath the eaves; ________ are no birds in last year’s last year’s nest! All things____.._ - joice in things joice in youth_ and love,.___ 1’ youth,_.____ youthand love! And learn from e soft _Tf—==- 1? ul-ness of their firs de - light! ‘ And learn from the soft heaV’ns a - 0 07680. heav’ns a-bove The ‘melt - ing ten - der - ness of night,‘ cresc. 073' The melt—ing en-der-ness of night, pace cresc. melt - .ing ten \_/ learn from the soft heav’ns a __ boxﬁi night. /T‘ f aotemltvo .Maiden,that readst this SiII1—p1€ rhyme, (z 2‘ 771 - der - ness of 7,Z'l«. L- me1t—ing ten—der-ness of K5 En — joy thy y0uth,itwi1l not Maid—en,that readst this Simple rhyme,__ En - sz'm z'Ze / 1) cresc. 112000 a 19000 /La‘ T-' stay; { joy thy youth, it will not 0! prime, Youth, __ dim poco a joy Spring of Love _._; it is not al - ways V En— joy the rag of thy prime, stay; En -joy the frag ce of thy a’z'm.p0co a poco May! En — joy Springof Love_ and '0! it is not al - Ways May! dim. 17000 a 32000 some good ah - gel eave the rest; and » outh,__ some good an — gel leave the timewillteachthee soon-.the . _ are no birds in last year’s time will teach thee soon_. the time will tench thee soon mﬂa lempo tru\tif'/ There are no birds in last year’s nest. xx cresc. e 7'22‘. }— a temjzo ‘ time WH1 teach thee soon,_; There are ’ no birds in last year’s nest. . _ M2,. I } a tempo f 1295-'7 SOME NEW SONGS — PUBLISHED BY - The William Maxwell Music Company (Founded by _7ulz'mz Edwards) BREiTENFELD,.EMlL “Love Came. at Dawn” A fine song for Medium Voice Key of Al) Range El? to E7 BURLEIGH, HARRY T. “ It was nothing but a Rose” A good teaching song in two keys (1) in Bi? Range Bl) to El? ' (2) in Di? Range Di? to G M0 COY, ROSE EVERSOLE “To Part from Thee” 60¢ A most interesting song for High or Low Voice (1) in F Range C to D (2) in A Range E to F# BARBOUR, FLORENCE NEWELL “To ‘Daffodils’-’i . A dainty song for Medium Voice Key of E Range E to NEAIDLINGER, w. H. . “I Hope the Skies are Kind to You” 60¢ A flowing melody with a fine refrain. An exceptionally good song for Low Voice. . In two keys (1) in F Range E to C (2) in Bl? Range C,# to F GARBETT, A. SEL.WYN’_ "Winter Snows are Past” ‘-A brilliant song for High Voice Key of El) Range . El» to G NEIDLINGER, W. H. “Mah Blackbird” Mn Indigmzm zuzzaag) 60¢ The latest addition to Mr. Neidlinger-’s popu- lar series of ‘Southern Dialect Songs. . Medium Voice in G Range C to E GARBETT, A. SELWYN ‘.‘Love’s Pilgrimage” . A song for Medium Voice Key of El» . Range Bi» to F PERLET, HERMAN “Sing a Song of‘ Gladness” 60¢ The real spirit of Gladness in a song for High Voice. Key of D Range E to B M9 coY, ROSE EVERSOLE. A “The Voice. of the Rain” An unusual song of Dramatic intensity. Intwo keys (1) in D, Range A to E (2) in F Range 0 to G r STARR, T. B. “My Spirit on Thy Care” 60¢ A truly devotional setting of a fine hymn ~ In.two keys ' . (1) in F Range 0 to D (2) in Al? Range El» to F STRICKLAND, LILY "Spring Rapture” 60¢ A bright recital Song for High Voice. Key of Al) Range El» to Air SAMPLE SHEETS UPON REQUEST
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Title: Evangeline
Date: n.d.
Text: MUSIC LIBHQHV VASSAR COLLEGE low mm 0 N. POUGHKEEPSIE, NEW YORK ‘Whr=.I1dH.'1r02md 1:1 lruslwd and ‘MI Hprm Hm All :~et‘c11r Thv VQICC m 1m.-1lJmg vvIHspe1' Evarlgclme, 1'Tva1n$c=}1Jw FOUNDED ON CUMPDSED BY tBNﬂfEH.-BWSCELEB RATED rm-:m J B H N B LGC K LEY. 5)’ H15 SA/ifz.’-." C!/11/0-17.‘! IIA-U7/F!/LAX //.£UJ'fﬂA TED CA_BRlEL._(J£5¢7z/£1 70 EVANCELINE) BALLAD, 2/6 % GABRIEL AND EVANUELINEVOCALDUEIT. r"V7 .“M1.HA//_ EVANCELINE. “In the early part of the last...
Show moreMUSIC LIBHQHV VASSAR COLLEGE low mm 0 N. POUGHKEEPSIE, NEW YORK ‘Whr=.I1dH.'1r02md 1:1 lruslwd and ‘MI Hprm Hm All :~et‘c11r Thv VQICC m 1m.-1lJmg vvIHspe1' Evarlgclme, 1'Tva1n$c=}1Jw FOUNDED ON CUMPDSED BY tBNﬂfEH.-BWSCELEB RATED rm-:m J B H N B LGC K LEY. 5)’ H15 SA/ifz.’-." C!/11/0-17.‘! IIA-U7/F!/LAX //.£UJ'fﬂA TED CA_BRlEL._(J£5¢7z/£1 70 EVANCELINE) BALLAD, 2/6 % GABRIEL AND EVANUELINEVOCALDUEIT. r"V7 .“M1.HA//_ EVANCELINE. “In the early part of the last century, the settlement of Acadie (Nova q(‘UIl‘-I/'W?tS cul l ' ‘ * < ‘ UL to the Englisli, and in consequence of some alleged Violation of the treatuan ()|'(lQr from the British Goveriiinent caused its inhabitants to be removed to different colonies.in mauv iu_ stances,“W'IV'es and children were separated from their Husbands and Fathers? and were doomed never to see each other more. Evangeline was thus separated from Gabriel her betrothed, and the only object of their future lives. was to seek each other, after a long and fruitless search, and when attending a public Institution as a “Sister of Mercy”__ Evangeline hears her name faintly breathed by a voice still reinemberd, _it was her beloved Gabriel T’ “On a sabbath morn, through the ‘streets, deserted and silent, Wending her quiet way, she entered the door of the house. Then as she mounted the stairs to the corridors, cooled by the east wind Distant and soft on her ear fell the chimes from the belfry of Christ Church, Soft as descending wings fell the calm of the hour on her spirit: Something within her said. ._ “At length thy trials are ended’; Many a languid head, upraised as Evangeline entered. .. Suddenly as if’ arrested by fear or a feeling of wonder There escaped from her lips a cry of such terrible anguish, That the dying heard it, and started up from their pillows. On the pallet before her was stretr-bed the form of an old man Long, and thin, and gray were the locks that shaded his temples; But as he lay in the morning light , his face for a moment Seemed to assume once more the forms of its earlier manhood; Motiouless,, senseless, dying, he lay; and his spirit exhausted Seemed to he sinking down through infinite depths in the darkness. Then through those realms of shade, in multiplied reverberations, Heard he that cry of pain, and through the hush that succeeded VVhisper’d a gentle voice, in accents tender and saint like, “Gabriel! 0 my belovedl.’ and died. away into silence. Then he beheld , in a dream. once more the home of his childhood As in the days of her youth, livangeline rose in his vision. Tears came into his eyes: a_nd ‘as slowly he lifted his eyelids Vanished the vision av~ay,but Evang‘eli'ne knelt by his bedside ’ainly he strove to whisper her name, for the Hiccents unuttered Died on his lips, and their motion revealed what his tongue would have spoken Vainly he strove to rise, and Evangeline kneeling‘ beside him Kissld his dying’ lips, and laid his head on her bosom. Meekly she bowed her own,and murmured 9 “Father I thank thee“ “Still stands the forest primeval. but far away from its shadow Side by side in their nameless graves, the lovers are sleeping. EV A NGE LINE. pas? 23‘,- EVANGELINE . By the same Composer. " Gabrie-1’; .‘§.eqxu»1 to “Evangeline.” Song. Also "Gabriel and EV'allge1ine’..’(\Vhisper love, thy words are music.) Vocal Duett . W:‘~z'tten by CHARLOTTE YOUNG. Composed by JOHN BLOCKLEY, JIo1)r«:u.4'ro. {ix Dim‘. e rall. Z"—\ Cres . ‘They say that I but dream love, . ‘ twi1ig‘ht’s /’\_/\_,/ 4 3|‘ * * -‘W p 95 “1‘Lvan2re.Tme may be had as a Nottm-no fn'r the Piano Fov-.1e by John J.B]opkluy. Pr. 3/_ L rays . . . . .. . .. Me ._ thinks 3 a_gajn AS de_part _ ed days; 7 g ' fblhms mine again, Thine hand still seeks mine own, {T , \_ 3 . loves own music. seems to say I am no more an _- lune . VVh(-n K__// V _ ‘ By the same Composer"l‘IX(‘F:[S\'0R.’V)y L0n2‘1'«~l-‘.uw. Illmtrrﬂcd in (V(‘l()r<4 [t.vamrc1rne- - John Blzmkley - all around is hush’d and still Pf’ _/ teneramente. in thrilling whisper calls, voice /3/9\__/ L2 E _ ..van _ _ geline , \ calls; Thy voice in thrilling whisper Evzmgeline Up _ on By the «me Authors, ‘fnne Faithful Frip.-nd”.’ Ballad. Pr 2/__ ‘/ the air se__rene, Thy /9 Thy voice i in "thrilling vhisper E- _ van _ _ ge_line>, calls, E _ _V'2m__geline, My John Blm-kley. Rall. e dim. own E _ van- _ge.. _line . calla voce . soon will come love _ _ _ ly world , Evangeline . By the same Anthor9,“Picciola”or the “Prison Flower?’ P1-.2/_ in vain love, For Thou shalt hot call /7\\_g\_’/\__,/\__/ Sr‘ the ‘ Wl1eI\ from this fair and too shall paws a __ way John Blncklcy - fain would go to that bright home, And rest where thou art {T nah, The heax/’n‘__1y land since thou art there, No *~// ~-2 Cres . *2 Dim Q hm _- ger seems u_n .__ known .> mf hush’d and still, Up___ on the air Se .. _ _ rene; V \_€‘j o go’ Evangeline . I John Blockley _ teneramm1te voice in thrilling whisper calls, Thy voice in thrilling whisper /3/3:2 E__van_ _ge__ line, /X C I O 0 C _ Thy volce 1n thnllmg wlusper calls, {T _ Vzm _ - ge .. line, Mv own E- _van _. _ge_ _ __line \'/ calla vocc. ‘ f_\ L] EVanv2‘e1i11u , London, Published by John Bl0ckley,2 Vark Road , Haverstock Hill- Y2 §@©TE5|IlJ /1/Z/.5‘/6‘ BY * AFTON WATER L.,L..L.L./_/a/z/A ANNIE‘S TRYSTE .9057” .9y..»4>’7”0ﬂ/V AULD INGLESIDE L...._.I,...._....._.,.-c=z£4.0///zz_ BATTLE OF ST|RLlNG..__,......_,EEC‘/3’/J‘A/01% _, BONNIE SCOTLAND I ADORE THEE_.L6"ZA%//0/5///I/., A/I/ﬂﬂ///£7“ ._ .D‘?_ ,_ _.,.,6,-9,4)/__.,, CALLUM A GLEN _ ,__.____6z£,4&///1.4- CLAP CLAP HANDIES ............ _.,z5’/P/£6/I/4/I/.__ BE KIND TO AULD GRANNIE ..... uozsm///zz._._ CHARLIE COME HAME . _ ____ ,,W/1'7.S‘0/I/.__ DEWDROP AND THE MOONBI-:AM.._._,4/z///ma... DINNA BREAK MY PUIR HEART W//Z/A/VJ‘ DINNA GANG AwA_ ..p«¢-yy or /1& 5/_A/,4/2,4’/.m/V _ DOWN THE BURN DAVIE HAME HAME AGAIN . ............... ,_ _A>,4/2/«£52 HAME O‘ MY HEART AULD SCOTLAND,,,__ﬂ0ﬂ/V ,, HEATHER BLOOM_. Yﬂﬂ/I/6., HERE'S A HEALTH BONNIE SCOTLAND L155- HOIST THE FLAG OF SCOTLAND. _6'W!JWO[M..r‘ HUNDRED PtPERS,._ ....... ,,__/J16/V[A>L__ HURRAH FOR THE HIGHLANDS ._L__é’/I/?/?.- L. . ..,/‘J16//.é'ﬂ,_« HURRAH FOR THE HILLS &THE HEATHER.A’[A///0////K ILKA BLADE O‘ GRASS . LLLLLLL "A34/[,4/1/7//I/.«..’_.,. UESSIES DREAM- L...L__LL__5z7;/rzf/I "‘LASSIEZ wAD YE LOE ME? //omzm LORD CLYDE. ..../=*/47»?/or/c mom..- £14///////I/_-_ MARY OF THE GLENN. , /20072- MEET ME ON THE GOWAN LEA W/zm/I/.__ MORAGS FAIRY GLEN ______ _, /I/47/Vi/?._ _ MY LADDIE 'S\ GANE___,_, .... //A2‘?/6’/L90/V._ MY AIN DEAR NELL__,,_,_;_________,__,-_//a/I/[_ MY HEATHER HlLLS,_ _________ ______ La;//r/5.. «xgIYIY”S SELECT Q“ of New 8: PO13111a1= /.« ._JI_. Sjr > F» A»/ﬂf/C‘ 5)’ NAMELESS LASSIE _____ _./I/46‘/(E/1/Z/«.“_ NEWHAVEN F-‘ISHWIFE _ LL- ODINNA CROSS THE BURN WlLLlE..-.f/%//’J‘0///. OLD SCOTLAND I LOVE THEE._.L._..//7//om:/*. OH WHY LEFT I MY HAME? .,.J‘»%4’/V/Izz__,- *0 SING TO ME THE AULD SCOTCH SANGS__z.»_‘EJ‘&//,. *0 wILLIE BREw‘D APECK O‘ MAUT-,,,_._.-owa¢£.,_ PRINCE CHARLlE'S LAMENT._/Ir£Vm o,c6«‘&A:6/._._ PU: GAY MEADOW GowANS..“;____L_,_//I/47.<‘0/I/.- SCOTLAND YET '. _ NJ/F/1'05. SCOTTISH BLUE BELLS.,-..---_.-,..-494»?/Ki/?.- *SCOTTISH EMIGRANT‘S FAREWELL _-__az£x/av/z _ SCOTTISH EMIGRANTS RETURN ____ ._,4ﬂ44/$0/V- SONGS OF MY AIN FIRESIDE......,__...L.m47J0/I/- SwEET JESSIE O‘ THE DELLL._._..,_ -w/gm/V _. SAw YE MY MARY__.,_L_.___--.._.L._..J‘//V614’/FA SCOTLAND DEAR SCOTLAND ...... ﬂ? L- z5’[,4/l//7///// SCOTLAND ..L_.-_..,//0/4/»Mﬂ. SCOTIA‘S BARD- ...... __________ LL J//z//Tm/V- SwEET ROSE OF HAZELDEAN ..... L,..../4/Ar/'7%<’L- WATERCRESSES ______________ L14/[AA/7//V5. wEE JOUKYDAIDLES,,_-L,;.-,.L_.,.-ﬂ/ﬂﬂf/Z»- wEE LOCK o‘ HAIR__.,_._..,...__...-..24//[71/A, 3/= wE‘LL Row THEE OER THE CLYDE- ...... /14/?’/r.. wEE wi:E FLOwER_.,p«.ey a,r6'&ﬂ/__..-J‘7z.‘ZZ4.. wELLS O‘ wEARIE__ _..,_._-.L-_.--,_-./P/ﬂﬂf/1. wHEN HEATHER BELLS= ARE -....-.-..-6/ix?/EA- WHEN MAGGIE GANGS AwA ................. ..Z£éi wIFIE COME HAME -7 ....... .-..-,..--§£//K/E. wILLIE‘S GANE TO MELVILLE CASTLE__-___/4/Va- WILLI E‘S RETU RN .60/I//04/I//04/.7'Q_ 9.! 641/PAEE/1 YON wEE BIT HEATHER.-LL_m_..-/I/M/1/4‘7.——— ﬂaw’ 7//z///M7 1*/Z/2 //ﬁy/////i'I'//g// //J‘ .17/eff. 4&2/j/ZL._S%€{/Z/7 JOHN BLOCKLEY, 3, ARGYLL STREET, REGENT STREET, LON DON. W . 3/: WEE Boo PEI-;pL_I ____________ ._--i4z/4/I/7//Vi 3/:
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Title: Arrow and Song, The, The Arrow and The Song
Date: n.d.
Text: R —r:_ / :\ j; ~ : ' ,3 ‘_ _ L4 »‘.~‘ \ \ \ >\: if/%dugfg[%%l}¢a \ ¢ \ <3 G) / > 9 \ ./ T/711///z'.s*/zzxd /If 5//‘var D/7‘.s-0/7 & ['17. ./97/—, H'4r’/.<'/’//'/.///./u7/ 52* ‘ izzs/77/7. ./.1’. /Z7//755 rﬁ £27. /-7/7//=7. .4’/I/Lcaqzz \ ,/ L’, 527a/17’, Z/47/7 <3//5.74/. /1/M7/‘,4. W,/1. /70/it cilia I//7/7 . M I/ﬁx/rt/7 .//1 MUSIC Lsunni vussnn cO1.LEG! THE ARROW AND THE SONG. \V01'(1s by 1{.\V. LONGFELLOW. Molto moderate. I shot an...
Show moreR —r:_ / :\ j; ~ : ' ,3 ‘_ _ L4 »‘.~‘ \ \ \ >\: if/%dugfg[%%l}¢a \ ¢ \ <3 G) / > 9 \ ./ T/711///z'.s*/zzxd /If 5//‘var D/7‘.s-0/7 & ['17. ./97/—, H'4r’/.<'/’//'/.///./u7/ 52* ‘ izzs/77/7. ./.1’. /Z7//755 rﬁ £27. /-7/7//=7. .4’/I/Lcaqzz \ ,/ L’, 527a/17’, Z/47/7 <3//5.74/. /1/M7/‘,4. W,/1. /70/it cilia I//7/7 . M I/ﬁx/rt/7 .//1 MUSIC Lsunni vussnn cO1.LEG! THE ARROW AND THE SONG. \V01'(1s by 1{.\V. LONGFELLOW. Molto moderate. I shot an Arrow kn ow not where , /‘For so svdft — ly it Music by M.\V. BALFE. It fell to earth fl ew, I Couldnot follow it, follow it ' its I breatheda Song . . . . It fell to earth I knownot vshere, For vsho has sight . . . .‘ so keen and strong, That it can fol — low the I flight of ‘:1 For vsho has sight so keen and so strong . . . . .. That it can fol The flight Of 3 song? Long, long after - Ward. . in an oak . . . . . I found the still un broke; And the Song from be — ginning to end [found a—gain in the heart of a friend. And the Song‘ from be- -gin - ning to end. . . [found a—g:u'n in the heart of [found a — gain , I found a- gain , I found a—gain a friend! 22578
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Title: Githche Manito The Mighty
Date: 1907
Text: SIX INDIAN SONGS FROM THE “HIAWATHA” HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Mat1'ir5'fI“1"é"'Mighty (KitschiManito, der Machfge) . . . . Greeting of Hiawatha (Gruss von Hia- watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt inSchwei» gen) . . . . . . Chibiabose (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw'a£! wach auf’, Geliebte!) Med. OLIVER. DITSON COMPANY.‘...
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA” HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Mat1'ir5'fI“1"é"'Mighty (KitschiManito, der Machfge) . . . . Greeting of Hiawatha (Gruss von Hia- watha) . . Med. When the Noiseless Night Descended (Nachts, wenn alles liegt inSchwei» gen) . . . . . . Chibiabose (Tschibiabos) . Death of Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onaw'a£! wach auf’, Geliebte!) Med. OLIVER. DITSON COMPANY.‘ Boston New York Chicago Philadelphia C. H. DITSON 8c CO. LYON 8: HEALY J. E. DITSON 8: CO. To Diwali Bispﬁam Pm;“::::;:;m‘“ GITCHE MANITO, THE MIGHTY (KITSCHI MANITO, DER MAC,HT’GE> '.'[’I£ﬁB.'ESA (name HENRY WADSWORTH LONGFELLOW CARL BUSVCVH German tra7zslatz'o7z by Ilermamz Simon Molto maesto so f FF FF -FVFF‘ Moun- tains Prai _ rie, On the great Red Pipe - stone Ma _ ni — Miicht’ - gs, Er, dos La — bans Herr, stieg FY? Git » che Ma _ ni _to, the might _ y, Zu den Ber_gen der Prai - 71' — en, M& W’ \/F " 5% Copyright MCMVII by Oliver Ditson Company _ K ‘ International Copyright Secured 5-33'563~’°‘6 Mas - ter of Life, de - scend — Bruch der Pfei fen —- sfei — red crags of the quar-rySt00de _ rect,_j.__....___ and calledthe na_tions,. Sie2'n—bruch’s ro—Ihcn Klip — pen Stand er_j___..:_?_. und rief die Na- tio — ne.n,.__ ii - : 3 3 P ‘Called the tribes of men to-geth_er.______ Riqf die Stlim - me all zuv — sum — men. 3 § 5-333-66396-6 17 From the red stone of the quar—ry With his hand he broke a frag_ment, Von dam 1'0-than Fels desStez'mbruchs Brach ein Stiick dann sci — ne Rech — ta, 72?" Mould - edit in — to a pipe — head, Shapedandfash.ionedit with figures; Form _ te es zmnPj}2i—fe7z — koj) — fa, Sc/zuf und lrieb da—rauf F1’ — gu_rcn; Z"’__\ {’-.\ TL‘ _ From the mar_gin of the riv-er Took a long reed Brach zlann van dos Stro_mes U—f<;r Sich cin lam- ges E“; ,t»-, T‘ T‘ 5-333-66396-6 for a p.ipe_stem, With its dark green leaves up_on it; Ried zum Rah - re, Das ge-krc')'nt mit dun - kel11Bliit—tcrn; p _ Fi11’d the pipe with bark of w_il _ low, With the bark of the Fiill — te damn mit Wei — den—rin — dc Voll den Kopf mit 19 _ red Wi1— low; Breathed up — on the neigh — boning for _est, _ thew R'in—dc; In den na _ hon Whld damn blies or -*'u33—66396—6 W" Made its great boughs chafe to-geth- er, Till in flame they burst Dass sich sei - no Ac - ste rie — ben Bis sic glut — um - _ﬂos~ f kin—dled; And e _ reot fZamm_ten; Ki - tschi Ma the fnoun _ tains, Git - che Ma - n1'_to, the might _ der Mdcht’ — gs, Auf - recht sic}: _ end auf den Ber — 5:33‘—66396-6 the Peace — Pipe, rauch — to, Smoked the Sci _ -ma cal - 11 —met, Fm'o_dens_pfei — fr; Aha ha - V61 - 1 to the sig- nal fiir die" Zei — Chen tions. ker. gf f/"Allegro 5-33—66396—6 THE MUSICIANS LIBRARY An ideal series of independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, post»paid, and in paper with cloth back, price, $1.50, post»paid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in flexible cloth, are handy in size, and range in price from 50 cents to $1.25.. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. ' ‘ Send for booklet THE DITSON EDITION A new library of approved works, chiefly technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—-to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but—how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputa» tion. Each number contains at least 24 pages of music. Sample copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. ' Send 10 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Title: Childrens' Hour, The, The Childrens' Hour
Date: 1922
Text: 74 .. 7! V‘ 1 CL. The Childrens’ Hour (1901) 71% V Lﬁngfellow ~ Adag1o sostenuto the dark and the day - light, When the '"T»'“' '7' night is beginning to lower, ‘ in the days oc - cu - MUSIC LIBRARY .u. ,— - That is known as Chil-drens’ Hour pm moto rj3__1 hear in the cham-ber a -bove me the pat — ter of 1it—t1e feet |'_—'—"_""1 3 ' 3 r*—*j;'“‘1 ' 3 I sound of a. door that is o-pened and voi - r"""""...
Show more74 .. 7! V‘ 1 CL. The Childrens’ Hour (1901) 71% V Lﬁngfellow ~ Adag1o sostenuto the dark and the day - light, When the '"T»'“' '7' night is beginning to lower, ‘ in the days oc - cu - MUSIC LIBRARY .u. ,— - That is known as Chil-drens’ Hour pm moto rj3__1 hear in the cham-ber a -bove me the pat — ter of 1it—t1e feet |'_—'—"_""1 3 ' 3 r*—*j;'“‘1 ' 3 I sound of a. door that is o-pened and voi - r"""""3‘-1 ' 3 ' d=Jo stu-dy I see in the lamp- light De - scend-ing the broad hall stair, Grave O A1 - ice and laugh - ing A1 - 1e - gra. _. E - dith with gold - en b . pm aresaemoto I pm mm". C O I K Be - tween the dark and day - light, 1%) a tempo /'3 a pause, is known as Chil - drens’ Hour. ‘ rit. 0.. mmm D09 EC1 R
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Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: n.d.
Text: WORDSWORTEHS RYDAL MOUNT COTTAGE. “%e gag ﬁg (DAS MEER HAT SEINE PERLEN.) Words by H. Heine and Longfellow. Music composed by Wm. Mairhofer. The sea hath its pearls, the Dans [Wear hat sei - 726 Per- Zen, dcr hea - ven hath its stars, But my heart, my heart, my heart, hath its Himmel /zazt sei — ne Stemen, doch mein Hefz, main Herz, main H072 hat sei — 726 Great are the sea and the heaven, Yet great - er is Gross ist dus‘Mecr und der Himmel Doc/2 griiss - er ist Entered according In not of...
Show moreWORDSWORTEHS RYDAL MOUNT COTTAGE. “%e gag ﬁg (DAS MEER HAT SEINE PERLEN.) Words by H. Heine and Longfellow. Music composed by Wm. Mairhofer. The sea hath its pearls, the Dans [Wear hat sei - 726 Per- Zen, dcr hea - ven hath its stars, But my heart, my heart, my heart, hath its Himmel /zazt sei — ne Stemen, doch mein Hefz, main Herz, main H072 hat sei — 726 Great are the sea and the heaven, Yet great - er is Gross ist dus‘Mecr und der Himmel Doc/2 griiss - er ist Entered according In not of Congress in 1856 by EDWARD WIEBE, in the Clerk’: edicts of the U. 5. District Court for the Southern Diltriclof New York. l F l IV LVN u, » I63 Ll.‘ 1: :a~——%~y—l?a—6—a tr-llP—@—a‘:.l . I L LL L; lyl - And fair— er than pearls and stars, Flash- es and beams my U/Id sc/Lb"/zcr als Pc'r- Zen and §temen Lcuchzet zmd stra/alt meine Lie — — ﬂy; (ELL ".WCJFEEﬂ " HJI‘ I: l—‘ 1 LA — H» l‘*‘ D.‘ l _‘_“> l Tl L 1 A v—‘ mwEﬂJm@~aj;1L1: #J$EEl£@J_ 9”” l * .l~-'3’-» I— 94% ‘— @~m~@a—c$—-<3/v ,|_&7_L§S'§_§E_,_ﬂL_i"__@ﬁﬁ"§gg‘_w J, &Lg_éy__@_,;, (701111 xmrze. mmﬂﬂ ll" -.L§l~A;,j_ l LW4 l a l TF lg “5'”e:fvf:a:l: v l v ****ﬁﬁ*ﬁ ‘E ‘V w @'_§._E§.;"¢. H —+- @- —l- '@‘ lit — tle youthful maid - en, come un— to my great heart; My heart and the Sea and the Mei - 77,63 jun — gas Mllzl — c/Len, Komm an main gr0s— scs , Herz; mein H6I‘Z mzd alas Jlfcer umi (Jar heaven melt - ing a — way, with love. Himnzel ° ge/L71, var - gehn tar Lid)’. aaaa; E A SERIES OF %§im:mi1a:vc giaaga, ﬁallllaﬁla %wﬂllZB%. Erilllaaa. “éﬂazmrtaa, Qmuetta. Ila. ISSIDEI>VVEEHKL§C 'I‘PIi:1E§3~IE‘OLLOVVI1.\'l'G‘r ARE ALREADY PUBLISIEED- \/x @@M@ﬂN@& . Annie Laurie. . La Favorita. Waltz. . Kathleen Mavourneen. . Comin’ thro’ the Rye, and Thou art Mine Own, Love. Song. . Red, I/Vhite, and Blue. . Consolation. . Boquet of Melodies. . Scenes that are Brightest, and Cornet Polka. . Will You Love Me Then as Now ? . Thou art Gone from my Gaze. . Mazurka des Traineux. . The Sea has its Pearls. . Evening Song. COPYRIGHT. . Slumber-song By MENDELSSOHN. . The Forget-me-not. . Amelia Polka Redowa. . There’s a Good Time Coming, Boys. . Anvil Chorus Quickstep. . Home of My Heart. . Tell Me Where do Fairies Dwell. S07zg_ COPYRIGHT. COPYRIGHT. 2. 4. 6. 8. 10. 12. 14. 16. 18. 20. 22. 24. 26. 28. SO. 32. 34. 36. 88. 42. 44. 46. 40. Rochester Schottisch, and Affection Waltz. Shells of Ocean. Song. When the Swallows Homeward Fly. Long, Long Ago, and the Gipsy Polka. VVhen Stars are in the Quiet Skies. Dueté. I’ll Pray for Thee. I W andered by the Brook-side, and Le Desir. Waltz. A Song of Home. The Ivy that Grows on the old Abbey Wall. Dearest Spot of Earth to Me is Home. Sad, Long, Weary Day. The Maid of Judah. Warrior’s Joy. March. Variations on Haydn’s National Hymn. Imperial Polka. The Children of Haimon. Quarlrilles. Musidora. Pol/ca Mazurka. Maidens’ Eyes their Hearts Reveal. Pot—Pourri from the I-Iuguenots. May Queen Polka. Elsa ggurkz PUBLISHED BY DAVIS & CO., No. 50 Ann Street. MUSIC uanmv \lﬂ§5AR COLLEGE
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Title: Stars of the Summer Night
Date: 1867
Text: BEAUTIFUL SEHENAﬂlE\< W/.0 / {x i \’ \\) —\ /\ R/v ‘ _n_\ \/ \\ - _ \\\\.«‘\_.~' . 7 /v" 4/ ‘ \ \ »_.~\ N‘ \—\_ \\ \>.‘/ \\w ¥ — J‘ ////'////V.’,'r yr \ =i ‘ MUSIC 003300350 A00 0 0I0A1/E0 TO THE PUET pi / JFEU ﬁg? €I>'—— Published by J.»/NM“ DLUHE Nashville Tenn. UP. FAULUS 8.09 Louis:/iHe Hy. uusrc uamnnv VASSAR COLLEGE STARS 013‘. '1‘HE SUMMER NIGHT." Words by Henry W. Longiéllow. ‘ Music Composed by H. Webe‘1-. f _‘ Ped ' \ ‘X-Peck 3T.’lY....
Show moreBEAUTIFUL SEHENAﬂlE\< W/.0 / {x i \’ \\) —\ /\ R/v ‘ _n_\ \/ \\ - _ \\\\.«‘\_.~' . 7 /v" 4/ ‘ \ \ »_.~\ N‘ \—\_ \\ \>.‘/ \\w ¥ — J‘ ////'////V.’,'r yr \ =i ‘ MUSIC 003300350 A00 0 0I0A1/E0 TO THE PUET pi / JFEU ﬁg? €I>'—— Published by J.»/NM“ DLUHE Nashville Tenn. UP. FAULUS 8.09 Louis:/iHe Hy. uusrc uamnnv VASSAR COLLEGE STARS 013‘. '1‘HE SUMMER NIGHT." Words by Henry W. Longiéllow. ‘ Music Composed by H. Webe‘1-. f _‘ Ped ' \ ‘X-Peck 3T.’lY. Wimls of the slnnmer lxiglxtl Xﬂxere yon_de1- woodbinev 1-“.tV Stars of the sununer night! in you azure. scmp Ped_ Creeps, Fold, ram thy pinirnnslight! ‘She Sleeps! (loops, - ' . Hide, hide your gul<1(m;li;__;ht‘. She sleeps! . > * Ped. ‘ 2;: Pea. 4, Perl. ‘ ’ lV.11u~r0Ll:acc(;ruli1n.¢: to Act nf(‘on«,’;r-C-ss, A.T), ]8(i7.by J. A. M‘? Clux-e,in the Clerks office ofthe District Court of .Tenn. 4 , . . sleeps! &c. All (0. sleeps! 43." V. Druznus of‘ the s1'.n|_m«-1* Nzvhtl Tvll ht,-r hm‘ lnv_n~r kervs - V I ) _) 2'.‘d.V. M()011 of the S1nmn,t.:1‘ nigh ‘ F31" down you western st , . , - Petl. Stars <»f'\lw5I1v1|IIw:- n'x;ht. —— 4. slumhers light .Sink,- Sink in sil _\'é1' light! She sleeps! 8Va_ Allegretto. . sleeps‘. nif sleeps . ate-mpn. Stars ofthe S11I!)1ll(?I"Y1ighf,
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Title: Awake It is the Day
Date: 1910
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New YORK Pi anoforte A“éJ<:o1npani1nenI H JV. L ONGFELLOW Set to Music FLORENCE NEWELL BARBUUR. :33, @\sL———-- dwakel it is ffzeﬂay. ................ ..(3%'§z"o"sB§.“.s.~ am. Stars ofilze Summe2°Iz§gZ2t.% ...;32§28”sBE“an em. .7... }§'1'ce 50021173 each. JXRTHUR 19. 5CHJVIIDT, BOSTON, LEIPZIG, NEW YORK, 120 Boylston St. Lindenstrassel6. ll West36th St. Copyrfg}1tI9/0 by Arthur F.’ Schmidt. International Copyright Secured....
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New YORK Pi anoforte A“éJ<:o1npani1nenI H JV. L ONGFELLOW Set to Music FLORENCE NEWELL BARBUUR. :33, @\sL———-- dwakel it is ffzeﬂay. ................ ..(3%'§z"o"sB§.“.s.~ am. Stars ofilze Summe2°Iz§gZ2t.% ...;32§28”sBE“an em. .7... }§'1'ce 50021173 each. JXRTHUR 19. 5CHJVIIDT, BOSTON, LEIPZIG, NEW YORK, 120 Boylston St. Lindenstrassel6. ll West36th St. Copyrfg}1tI9/0 by Arthur F.’ Schmidt. International Copyright Secured. 3 “ ; § Awake! It is the Day HENRYW LONGFELLOW ’ FLORENCE NEWELLBARBOUR Allegro agitato a temp0 wind came up from 5) And said “O mists, make room for me, 7 Copyright 1910 by:Arthur P. Schmidt International Copyright Secured 01. . . 887. -4 -P S 9 Public Performance Bermilied. hail’d the ships and Cried, “Sail on, Ye a tempo And . . + a dam. 3 mt. - _ - I) hur - ried land - ward far - a - way, Cry-ing,“A _ wake! for p L. the day.” It L touched the wood - bird’s fold - ed Wing, cm? 8. 8879 -4 —-==i::_.."'.::. Chan - ti - clear,» Your clar - ion blow, the aﬂd? 8. 8879 -4» pm animato 12000 oresa - whis pered to the fields 19 pm am'maz‘o 17000 oresa - '1/‘ato accel. - - _ } } down, and hail the com - ing m0rn.”___ A wake, a - > >}> gf Li — f agzlato accel. - - _ A oms-a. _ - molto ff _ wake ’tis day! A - wake H______ A > >' m Brillante F3 > .71.? 8. 8879-4 L./2.3» /T \‘ SELECTED SONGS from the Catalogue of ARTHUR P. SCHMIDT Boston . L Paul Ambrose. .17. The Shoogy-Shoo. Two keys each , A. 18 No.2. A Spring Song. Two keys ea. . 19. The Lotus Flower. Two keys ea. Mrs. H. H. A. ‘Beach. .i9 No.2. Ecstasy. Two keys. . each .37 No. Fairy Lullaby. F (e-for a) . .43 No.2. Scottish Cradle Song. Cmin. .43 No.5. My Lassie. AE> (eiw-at») W. Berwald. .15. The Approach of Spring. Waltz Song. Bl» (c-a). . . . . . . . Arthur Bird. Op.36 No.5. When Katie tuned the old Guitar.’ 'I‘wo keys. . . . each John Hyatt Brewer. Sweet! (The Swallows’ Song). Two keys ea. Op. 39 No. l. Rockabye Dearie. Two keys ea. Op. 39 No. 5. There’s ever a song somewhere my dear. Two keys . each Dudley Buck. The Village Blacksmith, C (at!-eb) . Geo. W. Chadwick. Allah. Two keys . . . . . . . . each Sweetheart, thy lips are to ched with ﬂame. Two keys. . . . . . . . each The Roseleans over the Pool. Two keys ea. O Let Night speak of me. Two keys each Theo. Chandon. An old Love Song. G (tl-d) Mrs. C. F. Chiekering. In the night she told a story. I) (d-ft) . (3. Whitney Coombs. Child of the Dark Eyes. Two keys Once at the’ Angelus. Two keys. . Charles Dennée. In Dreamland. Two keys. . . . . The Sandman (Lullaby). Two keys The Thought of You. Two keys. . Steph. A. Emery. Op. 24 No.1. Somebody(Scotch Song). D (d—f) 011.33 No.2. Bunst, ye Apple Buds! Bmin. (ft!-git). . . . . . . . . . . . Arthur Foote. 0p.13No.2. Pm wearin awa’. Two keys ea. Op. 26 No.2. Love me ifllive. Two keys ea. Op. -13 No.3. Sweetheart. Two keys each Op.43 No.5. Up to her Chamber Window. Two keys . . . . . . . each An Irish Folk Song. Two keys . . each each each each each each Through the long days and years. Two keys ea. Alhan Forster. The Hour will come. D (d-f) . . . . . lnspring. A(c-f)........... Henry K. Hadley. Op. 7 No. 3. Kathleen. Two keys. each No.6. Greeting. Two keys. each Op. 14 No.1. Dear, when Ilook into thine eyes, Db (b-f) . . . Op, 14 No.4. I dreamed of a Princess. Di1.(c-f)........... ‘My ain dear Somebody. A The Awakening of the Rose. New York. I J. H. Hahn. Break, break, break. Two keys . . Love me if I live. Two keys . . . The Prpposal. A((1b-e) . . . E. W. Hanseoni. My Secret. Waltz Song. E5 (cl-ah). . . Victor Harris. In Springtime. Two keys ea. '.l‘heBlackbird. Two keys ea. Georg Henschel. Spanish Serenade. Two keys Reinhold L. Herman. Op.37 No. 2. A Little’ Summer Breeze. F 0p,41 No.1. or Ever. Two keys . each ()p,41 No.6. (tipsy Serenade. Two keys ea. each each Op. 13 No. 1. No.6. each W. Ilennnnn. The Time of Roses. A (dil-gora‘; Edw. liurlingalne Hill. Five Songs for Children from the Hound Rabbit« . . . . . . .n. Mildred J. Hill. The Perfect Day. I) (c~t'3). . Love's Paradise. ll (ll-fit) . Helen Hood. A Disappointment. E (c~c) . The Violet. Ffemin. (ct-ft) Natll. Irving llyutt. Op.4 No.1. Marguerite. Two keys No. 2. Beneath Thy Lattice. Clayton Johns. Because of Thee. D (d-g) Marie. G‘>(_d-gzl-'). . . . . . . . Love’s Revelation. 1) (d-f). , . . Jules Jordan. Two keys Op. 45). A. Life Lesson. each Margaret R. Lang. F (f -f). . . Irish Love Song. Two keys. . . . each An Irish Mother’s Lullaby. Two keys each Frank Lynes. My King. (Companion Song to »He was a Prince«) Two keys . . .. each Marie. Two keys . . . each "Fwas my Heart. Two keys . . . . each If all the dreams. we dream. Two keys each Thy Picture. Two keys . each Dreams. Two keys. . . . . . each W. Manse. Bn (c—a‘o) Violin Oblig. Edward Mae nowen. Deserted and Slumber Song. Eb (eb-eh). Thy Beaming Eyes. Two keys each A Maid sings light and a Maid sings low. Twokeys. . . . . . .. each Four Songs. Complete. Two keys each 11. Three Songs. Complete . . . . . . . .11. Hugh W. Martin. When I behold Thee. D (cit-g). . . . . 3:! In .50 .30 .40 .75 .75 .30 Leipzig. {D John W. llletcalf. Absent. Two keys . . . . Sunrise. E" (d-e) . . . . . . . A Dream so Fair. Two keys . . A Keepsake. Two keys. . each . each each Homer A. Norris. Twilight. B (b-e) . . . Geo. B. Nevin. The Boatswain Bold. D (a-d). . . . . Edna Rosalind Park. The Nightingale and the ltose. Twokeys ea. A Memory Two keys . each Thy Name. Two keys each Alice Locke Pitman. A (e—e) Th. Podberlsky. The Wanderer’s Song. A lr (elwg). . . . Confession. (‘arl lteineeke» On the Strand. I) (e—f3). Violin Oblig. . Dance of the Dragon Flies. E (d-g). Violin Oblig............. Franklin Wing Biker. For Love of Her. F (c-f) . . . . . , . l’ll never cease loving Thee. F (c-g}, . . Clara Kathleen Rogers. Confession. Amin. (0-e) . . . . . . . . The Clover Blossoms. F and A (ye-fitor a) Jas. H. Rogers. The Moon shines pale. Two keys . each Frank E. Sawyer. The Night has a thousand eyes. F ({'-f) . Spanish Romance. C (e~a) . . . . . . . Sch. B. Schlesinger. Up to her Chamber Window. Two keys ea. Longing, Dix (c-eh or glr) I’. A. sehnecker. To the Night. Bass Solo. 1) min. (a-eh). Chas. P. Scott. Only a Ribbon. Ballad. Two keys each Robin Goodfellow. D (a-e). . . . . . . I-‘. N. Shaekley. Ere the moon begins to rise. Two keys ea. Softly blow, ye scented breezes (Serenade) Two keys. . . . . . . . each Thou. G. Shepard. Me . A Cycle of Songs . . . . . . . n. , Gel-rit Smith. Bee Song. A(e-fit), . . . . . .. Alpine Rose. Bb(d-f). . . . . .. Arlhnr W. Thayer. Clover Blossoms. Two keys. Only a Song. Db (db-ab) Gust. Tncherman. The Windmill. Bass. Bbniin. (f~el7) . . .60 Max Wei]. C (e-g) . . . . . . . . .40 z¢_n\J Love’s Captive.
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Title: Onaway Awake Beloved
Date: 1918
Text: mg: K”, " IN D FLAT. IN G FLAT. «7>5- 3 ////// "nu IIIIIIIINIII IIHIII ONAWAY, AWAKE, BELOVED SONG From the Cantata “ HIAWATHA’S WEDDING-FEAST " The verse written by Longfellow The music composed by S. Coleridge-Taylor. (Op. 30.) IrrmlllllllIII’IIIIIIIIIIIIIIIIIIIIIIIVI VIIIIIIIIIIIIIIIIIIIIIIIIIIIIII!!!IIHIIIIIIIIIIIIINHIIIIIVI/IIIIIHIIIIIIIIIIHIIIIIIIIII-n Plus}: Two SHILLINGS um. IIIIIIIIIIIIII/Irrnnr 1: \\\\\\\\\\\\\\\\\\\\\\\\\\\V \\\\\\\\\\\\\\\\\\\\\\\\\\\\ \ \ LONDON...
Show moremg: K”, " IN D FLAT. IN G FLAT. «7>5- 3 ////// "nu IIIIIIIINIII IIHIII ONAWAY, AWAKE, BELOVED SONG From the Cantata “ HIAWATHA’S WEDDING-FEAST " The verse written by Longfellow The music composed by S. Coleridge-Taylor. (Op. 30.) IrrmlllllllIII’IIIIIIIIIIIIIIIIIIIIIIIVI VIIIIIIIIIIIIIIIIIIIIIIIIIIIIII!!!IIHIIIIIIIIIIIIINHIIIIIVI/IIIIIHIIIIIIIIIIHIIIIIIIIII-n Plus}: Two SHILLINGS um. IIIIIIIIIIIIII/Irrnnr 1: \\\\\\\\\\\\\\\\\\\\\\\\\\\V \\\\\\\\\\\\\\\\\\\\\\\\\\\\ \ \ LONDON, 3\@‘zJeZZ0 €99 Ca, Lia’. MADE IN ENGLAND. ®nawag! Elvoahe, beioveo! And the gentle C/iibiabos Sang in accents sweet and tender, Sang in tones of deep emotion, Songs of love and songs of longing, Loo/lzing still at Hiawatha, Looking at fair Lang/ting Water, Sang he softly, sang in this wise : “ Onaway! Awake, beloved! Thou the wild-ﬂower of the forest! Thou the wild-bird of the prairie ! Thou with eyes so soft and fawn-like! “ If thou only lookest at me, I am happy, I am happy, As the lilies ofthe prairie, When they feel t-he dew upon them! “ Sweet thy breath is as the fragrance Of thewild-ﬂowers in the morning, As their fragrance is at evening, In the Moon when leaves are falling. “ Does not all the blood within me Leap to meet thee, leap to meet thee, As the springs to meet the sunshine, ln the Moon when nights are brightest? “ Onaway! my heart sings to thee, Sings with joy when thou art near me, As the sighing, singing branches In the pleasant Moon of Strawberries! “ When thou art not pleased, beloved, Then my heart is sad and darkened, As the shining river darkens When the clouds drop shadows on itl “ When thou smilest, my beloved, Then my troubled heart is brightened, As in sunshine gleam the ripples ‘That the cold wind makes in rivers. “ Smiles the earth, and smile the waters, Smile the cloudless skies above us, But I lose the way of smiling When thou art no longer near me ! “ I myself, myself! behold me ! Blood of my beating heart, behold me! O awake, awake, beloved! 3 Onaway ! awake,beloved ” LONGFELLOW. ONEWFLY! EWEKE, BELOVED! H.W. Longfellow. ‘ S. Coleridge-Taylor. Andanfe con moto. J = 112. /T pp tranquillo a tempo «[2 On-a - way! A—wa.ke, the Wi1d—f1ow’r of the for 14502 , Copyright, 1.918, by Nawello 3' Com1>omy,Limz'ted. Thou__. the wi1d—bird of the like ! >gT fawn - >/\* 1i1— ies of, Fed’. 5Empre _ rie! prai Thou with eyes so soft and Fed. sempre . If thou on- — .1)’ t look A Fed . sempre a tempo accel. > cresc. am hap-py, As the 1i1-ies, the > atemo : mF Fed. i>/—-\ the.prai-rie, When they feel the dew > a tempo, tmnquillo f''\ —<''_'’. ~_~_—=>. Sweet thy breath is as the /"S KT F}: a te7nff0 _ . Fed. sempre frag- rance Of thewild-f1ow’rs in emorn - ing,__ I-,-1f——-1-_.{‘..___ Sf 13. F51 Fed. ‘L Xx 41} (1. As ._ their fragrance is at eve-ning, In the Moon when leaves are fall - ing... /'\ » ‘ > A m]l'_.=.—:_—-_.-':"___5_f-—___—_—_—,=__—.— d‘ 5E’”P”3 Appassionato > not all the blood with—in f>. Leap to meetthee,1eap to meet thee, As thesprings to meet the sun _ shine,__ > f —¢_1_f_ a tempo the Moon. when nights are bright — est ?____.____ a tempo . /X /T Pad. semp re sings to thee, Sings with joy__ when thou art near me, Fed . sfempre sigh _ ing, sing - In the plea. _ sa.ntMo0nof Ed. sempnz : Staw - ber- ries! Whenthou art not p1eas’d, be - lov — ed, >/\A ("T ‘if Fed. Fed. sempre 1:000 rit. _ accel. is sad and dark- en’d, As the shin - ing {*5 Z-T . 12000 ﬁt. dm. 6 mil. »‘——T — er dark—ensWhent11e c1ou1ds___ drop sha - dows dim. e mil. sempre Pad Con moto. When thou smil - est, my be 1ov- - -ed, A _ ‘/‘T FF Fed. sempre my trou-bled heart is... bright — — shine gleam rip — ples That the cold Wind makes in riv — } mf --§—-—-:’__5f 3:;-:5 Fed. largamente > O Smiles the earth,and smile the VVEL - ters, Smile thec1oud—1ess skies a.-hove us, But mil. (3 dm. lose the way of smil - ing When thou art no long. er near me! /‘S/"*\ mll. e im. ﬁt :.:- e —.:____ T Fed. sempre 17 14502 Fed. sempre M6ﬂ0 Blood of my beatingheart, be- hold me! > A >/\/\ Memo mosso. Fed. Fed. P911- molto rail. tmnquillo r_\ atemfo On-a-way! a—wake, V be- 10v. "1”- 3 d“”- ‘ ‘V molto mll. FE .5Empre /‘T mil - 6;: - tcmdo ’‘ FFF <5f_j=—— Fed. 14502 Fed. P211. PM NOVELLO’S NEW AND POPULAR SONGS. PRICE OF EACH SONG 2s. THOSE MARKED WITH* IS. 6d. EACH. MEZZO-SOPRANO CONTRALTO SONGS. SONGS. KEY COMPASS ‘ Atkins, Ivor. Austin, E. Virgin's lullaby (The) . . G minor D—F Sweet night . . . . . . . Bl) D—D Austin, Ernest. Austin, Frederic. ‘Sweet night - - - - - Bl’ D—D It was a. lover . . . . . D Austin, Frederic Sigh no more, ladies . . . . D It was a lover . . . . . . E Bap}-(by, J_ . . Bainton, Edgar. When the tide comes in . . . . C Song of the Virgin Mother.. . D Brook, Emmeline. Booth, G. V. Two Lyrics: Truth . . . . . Db { A prayer . . . .. Ab F . . . . ' A question . . . . . . BIXc§§g§10ef'Eig£?ett’ H’ M‘ B»? Song of the pilgrims . . . . D minor Brook, Emmeline. C°enens. W- Song of the pilgrims . . . E minor Come ‘mt°_me - - - - - - Coenen W Lovely Spring . . . . .. B)? I ' 1 Beyond .. .. .. .- DD Coleridge—Taylor, S. Come unto Me . . . . F As the moon’s soft splendour . . B How can I tell . . . A Beat, beat drums .. .. D ' C 1 , R. Blood-red ring (A) . . .. .. ‘G minor odliﬁaiiristion (A) .. .. BD ga“°e. “mg --t -- -- D1’ praise me no Draper, C. F. When day is done . . . . Coverley, ‘R. . Elgar’ Edward. Supplication (A) . . . . . AD Angel’s song. . . . . . . . Dvopgik, A, In moonlight. . . . . . . " Inﬂammatus. . . . . . . . D minor Fletcher, Percy E. L ' 1.1 d . s:.;?::.r.::, g§gf10g§geegt<A> .. .. gg Some perfect rose . . . . . lg ' ‘ ' ‘ ' ‘ . Son stem, awakenin River (The) . . . . . . . . G minor g g " " Torch (The .. .. .. . .. F Foster, Myles B. Was it some golden star? . . . . C# minor 0 for a closer walk .. .. . . Fletcher, Percy E. German, Edward. Love in the meadows . . C CaInel’s hump (The) Some perfect rose . . . . . . G’ Haxrty, Hlal’I(1lllt0Il. C Harty, Hamilton. i%‘:C‘1’)SrSalY‘fnaI‘:°‘,71,he ' ' ' ' ' ' D minor Cradle Song . . . . . . . . A minor Hill, Lady Arthur. J°hnS.°n» N081- *I want to be a soldier .. . . ‘gfﬁmtyd ' ' ' ' Eb *M0ther.S song _ _ _ _ _ _ onie, ream ess rest G Take th u th' rose.. . C Johnson, Noel. O 15 Affinity . . . . . . . . Ketelbey. A. W. Uome, ydreamless rest . . . . My h€9«1't 3-dream - - K - - - B17 Take thou this rose. . ' King Wilton Ketelbey, A. W. You’r dear heart . . . . . Eb Hea.rt’s awakening (The) . . » My heart a-dream . . . N‘%);7il7r(;,r1VsOiEE£g1e5t- Eb M0110)’; J- Lg ' ' Love is for ever . . . . Behind the silver of the moon . . Remembrance and Regret _ _ Newton, Ernest. KEY COMPASS Elgar, Edward. Fairy voices . . . . . . . . P%g‘1rt;’SVI:3’11‘Iohn' Love is for ever . . . . . . Remembrance and Regret . . _ Lullaby Pughe—Evans D. P“ghe'E.V3-n5» .1)- Lead, kindly tight . . .. . Lead» kmdly Light Read, W.‘ H. Return unto thy rest Mirage. .. .. . . . . Stewart, Kingston. Should one of us remember . . A minor Where the children sleep . . Smith. H- A1’I101d- Sullivan, Arthur. Come back -- -- -- -- El? Christmas Bells at sea Stewart’ Kingston. Longing for 11011197 . . Soul (A) " " " Thomson, Bothwell. Wareing, H. W. (Old, old song . Jesu, lover of my soul . . . . El? Soft, soft wind Wilson, Lane. Wilson, Lane. Lord is my Shepherd (The) F ' Lord is my Shepherd (The) NOVELLO’S NEW AND POPULAR SONGS. PRICE OF EACH SONG, 2s. THOSE MARKED WITH *, IS. 6d. EACH. BA RITONE SONGS. may compass Austin, Frederic. It was a. lover . . .. . E E—E My Susan was a bonny lass C C—D Brewer, A. H. Big Review (The) . . . . D A—E England, my Englan Bb G—El7 Brook, Emmeline. , Song of the pilgrims . . E minor D#—E Carr, Howard. Song of the Fugitives . . . D minor B—E Coates, Henry. Longing . . . . . . . . D[7—F Coleridge—Tay1or, S. Beat, beat drums . . . . . . C—E Canoe song .. .. .. .. Bf7——El7 Eleanore . . . . . . . ' D—Ef) 0 praise me not . . D——E Sons of the sea . . . ' C—F Coverley, (R. Supphcation (A) .. Draper, C. F. When day is done . . Elgar, Edward. In inoonlight. . Sword song . . . . Fletcher, Percy E. Galloping Dick . . Some perfect rose . . German, Edward. Ca1nel’s hump (The) Rolling down to Rio Graham, Basil. Within your eyes . . Harty, Hamilton. Drover (The) . . . . C minor Strangers grave (The) . G minor Johnson, Noel. Afﬁnity . . Roundel (A) . . . Take thou this rose. . Ketelbey, A. W. Heart's awakening (The) My heart a-dream . King, Wilton. Your dear heart . . . . Molioy, J. L. Behind the silver of the moon Newton, Ernest. Bold Gendarme (The) Zummerzetzhire . . Parry, C. Hubert H. *Love is a bable . . ‘Lover's garland (A) . . Pughe-Evans, D. Lead, kindly Light . . Smith, H. Arnold. Come back . . . . Spurling. C. M. When I saw Chloe’s face . . Thomson, Bothwell. Heliodore . . (Old, old song . Soft, soft wind Wareing, H. W. Gentleman John Wilson, Lane. Lord 15 my Shepherd (The) BASS SONGS. may comrass Arnott, A. D. r Give a rouse . . . . . . . D A-—E Austin, Ernest. Sweet night . . . BD C —D Austin, Frederic. It was a lover . . . . D D——D Brewer, A. H. Big Review (The) . . . . . C C—D Brook, Emmeline. Song of the pilgrims . D minor Two Lyrics 2 Prayer (A) . .. AI? Question (A) . . . F Carr, Howard. Song of the fugitives . . G minor Coates, Henry. Down Chelsea way . . . . C Coleridge-Taylor, S. Eleanore A Coverley, R. Supplication (A) . . . AV Elgar, Edward. In moonlight . . . . . . El) Engelhardt, Cecil. On a Summer’s day. . .. C Fletcher, Percy E. Galloping Dick . . . . . C Puritan Maid . . . . . Bl? Some perfect rose . G German, Edward. Camel’s hump (The) . . D Rolling down to Rio . . . G minor Graham, Basil. VVithin your Eyes . . . . . El) Hatton, J. *Ocean (The) . . . . E Haynes, Battison. Ould plaid shawl (The) Johnson, Noel. Aiiinity . . . . Corne, dreamless rest Roundel (A) .. .. Take thou this rose . . Mackenzie, A. C. Old Grenadier (The) Newton, Ernest. Bold Gendarme (The) Remembrance and regret . Zummerzetzhire Parry, C. Hubert H. Maid of Elsinore (The) Pughe-Evans, D. Lead, kindly Light . . Return unto thy rest Spurling, C. M. When I saw Chloe’s face . . Thomson, Bothwell. Heliodore . . . . Wareing, H. W. Gentleman John . . West, John E. Cheerily 0 ! . . . . Wilson, Lane. Lord is my Shepherd (The)
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Title: Good Night Good Night Beloved
Date: n.d.
Text: V?‘ f;; j mxga, ( Q,‘ ( \ \\ \ > lj@ /// / L/ K, / ‘K J \, ,/ G;//z/a ~/”\<:;/ /:”/// ,////1’//"//////*“‘l/.\\ 4 -\ ./ /\\J/1 \ Akx/l&CDE£€%I?I§1Q N, ‘ WE Mu@§mA©3®W®/E’@ N @Lu@A\“ix:\ig\.‘@ /“\4 § % “T T) ﬁfmtllrﬁgjg}. ““'/ <\-> L ‘ ..., \ Kr ///é‘$‘ ./w 5/‘ \ »« , , ,-/REY 3 7:?\ gZ“= \“ ' ‘W“>ALFE ; 9; ‘,./ 9 «\.J\..__\,' ,W,A\ \\‘¥_/I K L/[W \ \ I mwmMw V ~ _ ﬁwvgg / / , , . X ,_ ,/ ﬂ//0éc'.;zI‘zrZ,0(z [.9 L©m@@N¢ BOOSEY & sons, 28, HOLLES...
Show moreV?‘ f;; j mxga, ( Q,‘ ( \ \\ \ > lj@ /// / L/ K, / ‘K J \, ,/ G;//z/a ~/”\<:;/ /:”/// ,////1’//"//////*“‘l/.\\ 4 -\ ./ /\\J/1 \ Akx/l&CDE£€%I?I§1Q N, ‘ WE Mu@§mA©3®W®/E’@ N @Lu@A\“ix:\ig\.‘@ /“\4 § % “T T) ﬁfmtllrﬁgjg}. ““'/ <\-> L ‘ ..., \ Kr ///é‘$‘ ./w 5/‘ \ »« , , ,-/REY 3 7:?\ gZ“= \“ ' ‘W“>ALFE ; 9; ‘,./ 9 «\.J\..__\,' ,W,A\ \\‘¥_/I K L/[W \ \ I mwmMw V ~ _ ﬁwvgg / / , , . X ,_ ,/ ﬂ//0éc'.;zI‘zrZ,0(z [.9 L©m@@N¢ BOOSEY & sons, 28, HOLLES STREET. Oxrono STREET. ~...o-=-**""""""'""'--ﬁt‘- * MUSIC DEPT» 7‘ CR:/‘gs ROAD. ¢_'i,T:_“__...’»»--* “ GOOD—'NlGHT! GOOD NIGHT! BELOVED!‘ ” THE POETRY BY LONGFELLOW. ./ILLEGRETTO MODERATO . VOICE. -./.’V'." 2.) “Good night! good night? beloved! ” (1\1.M'. BALFE THE MUSIC BY M. W. BALFE. Good 1o'g'ht . o . . . A . . . . . . . . . ‘ . . . .. good nig'ht ..................... .. good night! good night he _- 10 _ to watch 0’ er theo . V To be near thee , ' ’-\ to be near thee», (-r'V'92~) “Good night! good night! beloved '. "’ (M.‘W. BALFE an _ lone, u _' lone is peace for ee, tobe nearthee, a _ lone, -.1. _ lone, is peace for Thine eyes are stars of mor_ning', Thy lips are crimson flowers, Good — . night! good {light V I _ Ved. VThine eyes are stars of (JV-02-) 5‘ Good night! good night? beloved! ” BALIIE.) 1u0rm'n,g', Thy lips are crimson f10WeI's,Go0d n'Eg*231t!g'00d night he _/10 _ _ Ved, while I count the weu_ry hours,whilo I count the we:¢_ry hours, Good poco riten : _ ved, while I c'01n1tthe weary hovur-s,while I count the weary lmurs,Go0d night .... .............. .. be -10 _ {N9 2 .) “Good night.‘ good nig‘hf!.beIoved! ” (\1.w. sum .) staccato ~ long‘ en _ - ligh {N9 2 “Good night! good night! bgloved-' ” (\1.\4’. 3.3.1.?!-L love , my 1’-:L_dy love ................ . . .. Good. night ...... .:. .._ ....... .. ' , good PP night ! good night night! good night he _ lo _ (NP 2.) “Good night! good night! ‘oelnvz .12” (.~1.v:. HAL]-‘rj.) f'g°/"_""""‘\ /."""\»\ eyes are stars of morning, Thy lips are crimson flowers .................................. .. f night he- __ rf ritenuto .' .. _ _ ved. While I count the wear. _ ry houx-sl,wl1ile I a count the. wea_ry hours, Good night ........................... .. be _ lo - (/~lv~"i' "Good night! good n.i9_;ht! beloved! ” (M,w. 351,33 To be near thee , to be near thee , .Alleg'ro. for 1111* . Good I11';_;ht! g'()0d Allegro. /"\’:\ ni;_r_-ht! good night .............. .. good ................. .; night! . (.\’.'~’ 2.) “‘ Good night! good night? belovulf” (M.W BALI-‘]i.) “RIB-_fI‘:‘°.../l!-IVE 57"” *1: /‘K V L,/J‘ ( L/ .\J \_ ~W@FEEm®WL (5/:>Lt to ﬁ‘l1t.2itt B13 /// /1 /2/x/zz/sf/2//M 717/zz//2/’ fir)‘/1].?/5, /2/' mm;/71Zz:?(}«' ax/é//(214/..<'. N?l,__LTHE REAPER AND THE FLOWERS, _ 2/6 .///7/ziiz//m4’ [(1 ffzxz [.l.l’{')[/ZK‘//’v’KItz7/ZZrZZ"ﬂ/Z fry;/200/'. 2, ___GOOD NIGHT 3 GOOD NIGHT I BELOVED, 5 ER ENADE , _____ 2/6' I/Ra2’z(7'rzZzn’L //7 ..{/_i/yer/1,0/1 /57‘/*1/1‘//6 3, w_THE GREEN TREES WHISPERED LOW AND WILD, ..__.__ 2/- ]/5’/Zz'o'zz2‘o7Z zfu.,%7."” l7ZZ/:2/2r2z{c. 4,__ANNlE OF THARAW, ‘ 2/6 f/K/2"z/in//(Z Z/2 J,/7." ./7.5‘/7/'O(/I‘/i(.’. 5, ,_-_TH|$ rs TH E PLACE, STAND STILL MY STEED, ____# /2/:/zmzzm? /n [/1/zj’ ]/(7 ﬂay. 6,,,_THE DAY us DONE, " 2/6 ﬁe/271/krzzmz ta [(2775 6’(%/72107 Z2‘/2- /r’/1/W,///7 . 7, ,aTRUST HER NOT, DU ET FOR TWO EQUAL VOICES, (SOPRANl.}..3/L //572’/22//ml zfz/L/ﬁn J£7Q»_:§'z:¢ ﬁt’///1.’. V L0 N D O N, BOOSEY & SONS, Z8, HOLLES STREET.
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Title: Stars of the Summer Night
Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE woe-nu-rm--v=.vz_ new vonx A AT‘ Fl RST SI (3 HT. ﬁnprann and Tamar .._ HARMO NY.__.N_._ .._. .. . Mezzu ﬁuprann urTenur1'nED..._._ __ H U NT! N G S 0 N . Emprann nrTenurin E . I A RIS E FRO M D REA MS OFTH EE.EaI'1mnB in E Minnr .. . I N TH E W0 0 ... - __ Mezzo Snprann nrBaritum=.1'nE.... ._ __ _ M I LLERS (TH E) DAU Mezzo Eupranu urBaritnnE1'11A..... . _ N 0 RTH ER N ( A) R0 MANC E . ..[]n11tra1tn1n fl" Minur... .. . SEA SONG. ....
Show moreMUSIC LIBRARY VASSAR COLLEGE woe-nu-rm--v=.vz_ new vonx A AT‘ Fl RST SI (3 HT. ﬁnprann and Tamar .._ HARMO NY.__.N_._ .._. .. . Mezzu ﬁuprann urTenur1'nED..._._ __ H U NT! N G S 0 N . Emprann nrTenurin E . I A RIS E FRO M D REA MS OFTH EE.EaI'1mnB in E Minnr .. . I N TH E W0 0 ... - __ Mezzo Snprann nrBaritum=.1'nE.... ._ __ _ M I LLERS (TH E) DAU Mezzo Eupranu urBaritnnE1'11A..... . _ N 0 RTH ER N ( A) R0 MANC E . ..[]n11tra1tn1n fl" Minur... .. . SEA SONG. . BaritnneﬁrBa551n|3 . _ S H A FT (A) O F S0 N Mezzn Eupranu nrTenur 1nE." . SI N 5 SOFT MY H .. Mezzn Soprano IRA _ ._ _. STA RS 0 FTH E S U M H ER N IG HT._.... . . _ ...TE11n1‘ 1n ST! LL BAR RED TH Y DO 0 RS ... .. Mezzo ﬁuprann nrTenurin B1"ﬁI1n1" .. SU M M ER (TH E) WIN D... . ._ Mezzo Snprarm nrBarituneinA_P_. . TH R0 U G H TH E N | GHT............ 7- ..C,m1u'a1m nrﬂass 1'nEM1'nn11 ______ H WELC 0 M E T0 SF’R| N G .. ....,_..._...Mezzu Enprann nrTEnar1nB P... >1 ’ . B [J STD N. "9”“""’-‘*“”""""‘WA D hver D its on Comp any. Illﬁmzr. 0315.4 GU. _ Easrazr. 171111‘ A L711’. Z717'5nm{,Z,"z7. IYON&ﬁEALY JUIIIV £'.1z41av£5 J.-5'0. J. E .17Irsmv Lia. To III. S. STARS OF THE SUMMER NIGHT. Tenor in B17 SERENADE. Revised Edition. Words by LON GFELLOW. ’ 7 Music by H.B. PASMORE. Moderaiu. 45 Song A1bum,Pasmore. Copyright mo hyoliver mtson Co. az - wood - Sum — mer Sum — mer Sum - mer in you (you — dc-V1‘ you Fa 1‘ ......... .. Where .... __ Far ......... .. night , night , night , In u.1'e decps , ......... Hide , bine creeps, ________ __ Fold, az _ _ ure the S _________ .. Hide, 1' sleeps, ________ ______ -_ _y la — sleeps, ...... -_; _______ __ my sleeps, _________ ,7 _____ _. my fx/lb‘ on light! .... .. She iunslight! .... .. She en light! .... .. She sleeps ! sleeps ! sleeps ! I lst.&-2d.times. f.#.L‘1iﬂ" Moon D reams sil - \'e1' slum — hers of the of the ui ght , night , um — mer Sum - mer f steeps, _____ __-_ ______ __; ____ Sink, keeps ___________________________ __ Watch light 2-.. She light , She sleeps, .... _. my la — dy sleeps, .... .. my la - dy Far ________ -_ down your Tell _________ __ her her vifv ’EF“E} sleeps ! _________________________________ __ sleeps ! . _______________________________ __ Deligh’gj_1g_!__ Songs. THE DREAM. W. E. Haesche. Priceéo cents. I dreiiedx lived beside the talk-inc sea, And griinwhxmbirds were ne‘:§h-box -ly ,1/Jr’/’ 1? Copyright, 1889. by Ouvu DITIOI Courur. SHADOW. Geo. L. Osgood. Price 60 cents. an-"mu ,m,.,.m-M_ con molto expressions. a pace ores. sempre \ -¢-:_: =.. §-::—-——/ 1. What lack the val - leys and moun - tains, That once were greenand guy? What lack the - - bling toun - tainsf mf 1813, by ouvn 3 Go. THE LITTLE PURITAN MAIDEE. J. C. Macy. Price 35 cents. Quau recitatwo. 1. The story's oft re-lat-_ed Of 3 lit-tle Pu- ri-tanmaid, Who of all the so-her blue -laws Was not the least a-ft-aid. Shehad awinsome lower, 2. Now ev-’ry vﬂ-lage mzuden Was by eld-ers kept In sight Not al-low’d beyond the garden wall AI-tar can-dle ught.Fox darkness hoded e-vll, Copyright, I39, by Ouvn DI-not Coxrnr. THE HEART IS YOUNG. Dudley Buck. Price 50 cents. Oh! met-ry goes the time when the heart is young There ’s nought high to climb when the heart Copyright, loan. by ouvtn Dino: & Co. SHALL I WED THEE ? W. E. Haesche. Price 35 cents. - ny bank, The cow - slip loves copyright. mm, by ouvu coxnxr. Any 0! the above Songs mailed for price named. Catalogues of new Sheet Music and Music Books mailed V free on application.
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Title: Sea Hath its Pearls, The, The Sea Hath its Pearls
Date: n.d.
Text: 3 kg L\ W 0 R D 5 BY A L M U S I B BY [7,17I[5zm & [a E55/1712. “ ./ s , xx. L 3,, O O , )/ » W"... / an , .. ._ﬂ , Ea, \ .13; _ / _ 2 LMNI PhﬂadB1ph1aLEE &WALKER8BBEhesLnuLSt. WH.Buner &[}n,11U8ChesLnuL Sn. MUSIC usmmv VASSAR COLLEGE wan SEA HATH ms PEARLS. PART S0./VG. Words by LONGFELLOW Music by C.lR0.PINSUTI. ANDANTE MODERATO. 1010 9 sfact‘. hath its pearls, The hea\e11 hath its hathits pearls, The heaven ’ sosfe/1 e C \ \_/ stars, But my heart, heart hath its love 1°...
Show more3 kg L\ W 0 R D 5 BY A L M U S I B BY [7,17I[5zm & [a E55/1712. “ ./ s , xx. L 3,, O O , )/ » W"... / an , .. ._ﬂ , Ea, \ .13; _ / _ 2 LMNI PhﬂadB1ph1aLEE &WALKER8BBEhesLnuLSt. WH.Buner &[}n,11U8ChesLnuL Sn. MUSIC usmmv VASSAR COLLEGE wan SEA HATH ms PEARLS. PART S0./VG. Words by LONGFELLOW Music by C.lR0.PINSUTI. ANDANTE MODERATO. 1010 9 sfact‘. hath its pearls, The hea\e11 hath its hathits pearls, The heaven ’ sosfe/1 e C \ \_/ stars, But my heart, heart hath its love 1° stars, Butmy heart, my heart hath its _, love, T I/..\ 13147 . 9 . {kl Rmoluta. < ff Great arethe sea and the hea-ven; Yet great- er is my heart. > < Great arethe sea and the ]1ea..ven; Yet great _er is my heart. -5.- . ..._£‘~: f Bisaluto. < I 39’ f5 sf > fairerthan pearls and stars Flashes andbeams .32»-44‘ _‘ > _ Sf > fairerthan pearls and stars Flashes and beams my A > The sea hath.&c . . 13147 - 9 - 3.‘ «-.3 AA . «:4 i FEE»:- little youthful maiden dol. V maiden The sea hath .&c . Come un_t0 my great heart, .sf> 1111-130 my great heart,Tl10u little youthful > > > > /\ C0me 11u_t0 my great heart; >>> >> Come 1m _to my great heart; Q . > Inf con molto accenta My heart and the sea and the can molto accenlo 9> 111 f //zf con molfo mrelzfo. >. , \ m can maﬁa accmto. My heart, andﬂlesea anclthe f > , f My heart, andt esea andthe heaven are melting away heaven are melting away with love are melting away > > : F‘ 011 1110110 accellto . In f > {'”:'§<‘\ < My heart, and sea and the heaven are 5 .melt_ __ ing away, with 2&2 heaven are melting a_way [with —love, are nmelt __ f‘ . . love, are melt _ _ . __ing a m love are melting a..way ar e melting a_way, The sea hath.&.c . P/’—_‘\\ PP a_way with love, are mélting‘ a _way, a.way with love, 10> PP (1.- way _ . 1° me away 7 ar e melting away _wa)’ 3J.____“£ f melthlg melting away with ar e melt _ ing a _ _ claim. love,with love‘, The sea hath.&c - a.way with love are me _ way a_way with love .e a- molto. mil. f withlove withlove . . . . . . wiﬂi love . , . . . are melting‘ away with 1° P 1° molto. mil. P a tempo. sea hath its pearls; heaven hath its‘ a stacc. esea hath ‘ pear1s,P. stacc. SW60. sea hath its pearls, heaven hath its a tempo. ’ x '\ The seahath.&c . 131,47 - 9 - \\ soste/z e crres, _____,__.d But my heart, my heart, . . . my heart hath its .3-aster: e cvres. _ 0],,-m_ 13 But my heart, my heart, . .. my hearthath its > dim. e heavn hath stars But my heart, . . . my heart hath its sosten e crree. P ’ \ But my heart, my heart,.. . my heart hath its . sosten e » .5f‘ﬁJ J A J”:.°‘~"’i‘; ” ff/--—“T heart hath its love, heart hath its love , heart hath its love! I I ‘ e anima > > .DJ The sea hath.&e . a [9 111110 , > my heart . . . "P12, gm; 1;, ' My heart hath its love, My heart hath stacc. sfacc. stacc. My heart hath its > My heart hath its a tempo. 77 1° . . _ ,l([’ S . cres.mZé. dun. 4-i‘-qr“' 10 0 P __: h 1010 g, L2 g___z hath its love! . . , _ _ — 4i—::-— 5 §_ 0 1°Ve 9 .1 gralzdioso. ___'h___._=— 10 :PP léve, my heart . . . . . . hath its _ — grandioso. xv The sea hath.&Zc -
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Title: Thy Rememberance
Date: 1898
Text: MUSIC Lnamuw VASSAR COLLEGE P°UGH\(,l'_'ao,g- , R <;a)"THv REMEMERANCEHN D. (a)“THY REMEMBRANCEWN E”. /.N.?2 R \ R ER Copy r l O by1@berr’(°ock;.&Q9 I Price 414/ [a] “THY REMEMBRANCEIMS by Longreniow. I [b] “T0 PLEASE MYBONNIE BELLE”[A \/lLL,Al\IELl_n wows by SamueI Minfurn Peck. MVS IC BY F. EGAMBOGI. LONDON ; ROBERT-COCKS-&-C‘? NEW-BURLINGTON STREET‘ W. MUSIC PUBLISHERS TO H.M.THE QUEEN 8: H.R.H.THE PRINCE OF wALEs, NEW-YORK:EDWARD'SCHUBERTH -&C‘?. LEI...
Show moreMUSIC Lnamuw VASSAR COLLEGE P°UGH\(,l'_'ao,g- , R <;a)"THv REMEMERANCEHN D. (a)“THY REMEMBRANCEWN E”. /.N.?2 R \ R ER Copy r l O by1@berr’(°ock;.&Q9 I Price 414/ [a] “THY REMEMBRANCEIMS by Longreniow. I [b] “T0 PLEASE MYBONNIE BELLE”[A \/lLL,Al\IELl_n wows by SamueI Minfurn Peck. MVS IC BY F. EGAMBOGI. LONDON ; ROBERT-COCKS-&-C‘? NEW-BURLINGTON STREET‘ W. MUSIC PUBLISHERS TO H.M.THE QUEEN 8: H.R.H.THE PRINCE OF wALEs, NEW-YORK:EDWARD'SCHUBERTH -&C‘?. LEI PZIG: BREITKOPF-&-HI-‘IRTEL. PERMISSION FOR PUBLIC PERFORMANCE WITH THESE WORDS ONLY IS GRANTED. __‘_ ,, Or: I aI U _, ;.. 1Ib;“To PLEASE MY BONNIE BELLE IN D. I 3 ” ke’5’](b) To PLEASE MY BONNIE BELLE m .I\/IUSIC COPYING. /V07"/CE /S HEREBY G/VEN 172111‘ by virfz/r» of /710 .5 c\’~ 0' Y'z'(°. (1/1/2.415. A'e(.*. ,1). 17m .w/1* //121‘/vxr/11.;-1\’r* /i‘bnI'(;/of'/111/Z"/kzg 7/Ia/II/.s'r'/-ip/' or of/107' ('11/1112;‘ m"z'0/{V712//Ii" war/c.v I3‘ vrns-fa? in r/21> 4'IVlI(’7'U/':\'i((‘/I (‘U]{\’/’I:(//II’ ll/1!/((Ii_V U//ll’/' p«>I-.s-0/1.v //1//K‘!/lg .s-I/r'/2 ro/21.0.9 11'!‘//[(711/’ f/11’ /Jr’/-/711:».-,5‘/n/7 (7/'1//7(’ .c-r11}/ ow/zz’/' RENDER THEMSELVES LIABLE TO HEAVY PENALTIES OR DAMAGES. I///’ /77(//.s71rr.s'i/7b// 0/Con/gm’/'1_}//I 1' .371/7,1/.s' 1'///0 0(/zz7‘/r1_'v.s- nx7]/mufpr/7/zi.v.s-/2711 /5 AN UNLAWFUL COPY/N6. TWO SONGS. (a) “Thy Remembrance.” (b)“To please my Bonnie Belle.” To Mrs. PAGDEN. (XTHY REMEMBRANGET’ Words by Music by LONGFELLOW F E. GAMBOGI. Larghetto espressivo. ' ores: m0Zz‘0. fra _ grance that sur _ vives, “rhen mar _ tyrjd flowers breathe out Tempo [0 (full Words reprinted by kind permission of Messrs.Houghton,Mift’Iin&Co., Bo.<ton,U.S.A. the pubhshfers of Longf'e11ow’s works. N? l in D. COPYRIGHT 1\_/IDCC/CXCVHIby ROBERT Cocxs & C°. P brance; once con _ soled our pain, But, ne _ Ver, ne _ Ver 47/" 7"z'z‘.- calla voce. “Thy remembrance” (D) 20,729‘ Now the hour of rest, of rest has to thee, mf ajfrcz‘z‘.- 1) lento. dim.- Tam 1/120 [.0 “Thy remembrance” (D) Dedicated to Mrs.I-IELEN TRUST. V m“TO PLEASE MY BONNIE BELLE.” A VILLANELLE. Words by Music by SAMUEL MINTURN PECK. ' F. EGAMBOGI. Allegretto grazioso. mf Words Copyrighted in 1875 by F.B.Patterson. Copyrighted 1886 by Messrs White,Stokes & Allen. COPYRIGHT MDCCCXCVIJI by ROBERT COCKS & C? N‘?linD. Win _ some eyes of _/oyously. _.i‘___L._ g—T— Ah calla U006. } V swe11!__ Haste, “To please my Bonnie Belle.” (D) 20,729. in mea_sure true, just to please my Bon_nie Belle. 3? calla 11006. F. f a tempo. J . Have a care to it well Tr'ip-pmg like } } } f a tempo. $3 $3 a: tempo. Come from where the Pix _ ies dwell Dance with “To please my Bonnie Belle.” (Dl ¥_/ san_ dals dipped in dew, Just to please my Bon_nie, Bon_nie ?‘ .._. 3" F. 1116720. In her ear, the ‘ peer_1ess /110720. pas _ sion sue, "F". “To please my Bonnie Belle.” (D) Andantino. W111 she calla ’0C6. 916 I’ Just to please my Bon_nie Be11e,___ ‘ “To please myBonni;3 Belle? {LII ‘ _;'og/ouslg/. calla voce. sempre [1 “To please my Bonnie Belle?’ (D) em) and Popular Sggngs a» e» e l‘RE%DERlCH. COWEN. Nn.IlnC. A, Noznnl). No.gi..§v nuarm "9 f 1‘:- THE MISSION OF A ROSE. ' ‘ ' Non trappa lento. * Cornmlrr. On - ly arose -bud, kissed by the dew, Out in a gar- den fair it grew; Loved by the sunshine,wooed by the wind, Yet to be out in the world it piued, A ORUMPLED ROSELEAF. A ndantina semplice. COPYIIGHT, I896, av Roanr Cocxs & Co. What’: the mat-ter, my dea - rie, Tears in your pret - ty Where is the crumpled rose .- leaf— Show me where it lies l__ r r ﬁ % # CHILDREN’S DREAMS. Maderato can meta. Oorviuolrr. Whenthe dusk steals 0 - ver the ci - ty, And the children fall a - sleep. Whenthe mo - thers watch in the si - lence Andguard dertheirslumber keep; Thereis i l - i ‘ COPYRIGHT, 1896, av Roanr Cock: 8: Co. Can mota ma non tropfo. “We are so wea - ry,” say the chil—dren, Af -tertheir mer - ry play? When from the land of Sha - - d0WS St°3l'¢th The 9'03‘? °‘ I T’ T’\ THE SILENT CHIMES. Andante moderate. Corvnuont, 1892, av Roanr COCK! 8; Co. Last night, o'er the moon - lit mea-dows, I could hear the old, old chimes, ’ a mu - sic faint and ten - dcr That spoke of by-gone All the above, price 45. each. LONDON: ROBERT COCKS & CO.. 6, NEW BURLINGTON STREET. W. I-‘Blunt: iﬂubltehn-9 to am. the (aunt: ants 9.13.9. the tlrixyee of males. AGENTS FOR THE UNITED STATES OF AMERICA. EDWARD SCHUBEBTH & (0., NEW YORK. LEIPZIG: EREITKOPF 5. HKRTEL
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Title: Ships that pass in the Night
Date: n.d.
Text: uusuc Lmunv VASSAR COLLEGE D(’!lfoN!’_.P-‘tract: N9“, vO~“ To-MY s.sT.=_R BEATRICE HARRADEN. J! - . «"9 "SHIPSIHAIPASSlNIHENlﬂHf / -T . T ~ 1 T \ ‘}"2\ ’ ~/‘. / , L . /E \\\ ,/ \ K \ ~ \ \ 1/ \ / ' C9 WORKS BY G) DGFE LLOW b_y Penmissiun U'F MEss*3§ G.RouTLEDeE &SoNs,THE PROPRI ETORS OF THE COPYRIGHT /V\usii‘c by ETHEL HARRADEN. PRICE 45$: --~—~E— F0 RSYTH B ROTH E R8 267, REGENT STREET, LONDON. 126 &128, ]]ean5gaTE.ManEhE5TEr1. ESCHUBERTH &C.‘323.UNION...
Show moreuusuc Lmunv VASSAR COLLEGE D(’!lfoN!’_.P-‘tract: N9“, vO~“ To-MY s.sT.=_R BEATRICE HARRADEN. J! - . «"9 "SHIPSIHAIPASSlNIHENlﬂHf / -T . T ~ 1 T \ ‘}"2\ ’ ~/‘. / , L . /E \\\ ,/ \ K \ ~ \ \ 1/ \ / ' C9 WORKS BY G) DGFE LLOW b_y Penmissiun U'F MEss*3§ G.RouTLEDeE &SoNs,THE PROPRI ETORS OF THE COPYRIGHT /V\usii‘c by ETHEL HARRADEN. PRICE 45$: --~—~E— F0 RSYTH B ROTH E R8 267, REGENT STREET, LONDON. 126 &128, ]]ean5gaTE.ManEhE5TEr1. ESCHUBERTH &C.‘323.UNION SQUARE,NEW YORK. Eup_\;PighTl894' hyFmT5_yTh Bnnthens. “SHIPS THAT PASS IN THE NIGHT.” '*'Words by Music by LONGFELLOW. ’ ET HEL HARRADEN . Andante Cantabile. Con molto sent2'mem‘0. A ":"By special permission of NIessY_5G.Rout1(«1ge 8; Sons. ‘fab. Ships that pass in the night. in F. dis- I16SS. dark _ Ships that pass in the night. in F. tant Voice in We the pass dark - ness, a dis _ tant vgige in olla voce ’>§e@%. ei€~‘5.°2b. 956 pm mosso So, on the o-cea.n of and speak one the o - oean of {r’—-—%\ pass and speak one a look and nfixi 9% lenta m ente If On - 1y a look and a dark - ness ‘Bab. Ships that pass in the night. in F. a- gain and a that pass speak each 0 - ther g Li’; -—L______J Ships that pass in the night. in 1y a look and dark - ness dark - ness A &_Z—_’// A morendo _ 9:? Ships that pass in the night. in F. F01-syth Bros '\u. it 5"-91°: «'\\« *~\n.\a.'~«.a.‘~ NEW AND POPULAR SONGS. N.B.—The letter: éefore the title: give the highest note in the Song. ACTON, J. LIFEBOAT BRIGADE... A WIND CAME OUT OF THE WEST BRACKEN, E. A. BIRDIE’S SLUMBER SONG HEY-HO THE DAFFODILS CHALLIS, GEORGE. NOT FOR ME PEACE AND PLENTY CORDER, F. A CASTLE IN THE AIR... AUTUMN FLOWERS LULLABY SCENT OF THE PINE SHEPI-lERD'S SONG TELL ME, SWEETHEART YOU AND I. Duet SHE IS THE WORLD TO ME CRUICKSHANK, W. A. C. HOMEWARD BOUND MARGERY DAW SOMEBODY THE GOLDEN WEST. In F Do. In A ﬂat WAITING .. WAKING DUNDAS, P. LOVE’S SONG BOOK HARRADEN, ETHEL. IF AT YOUR WINDOW, LOVE. In C Do. Do. In D Do Do. In F SHIPS THAT PASS IN THE NIGHT. In D Do. Do. SWEET AMABEL. In D Do. In F THE RAINY DAY ' I'nF HILES, HENRY, Mus. Doc. GALLANTS OF ENGLAND HARK, THE RIPPLE... LOVE’S WISHES MAY #35-O»-b-5-h-lb-5 &0ID.\«®-Uh-3-uh-5 00000000 00000000 HILLIER, LOUIS H. BLUE-EYED BABE. In F Do. In G AUBADE (Sung by Mrs. Hum Tnus-r.) HOLME, C. MOUTRI E. THE HOUR OF PRAYER WHEN TWILIGHT DEWS LOHR, FREDERIC N. A SHADOW CHILD LOVE GIVE ILLUSIONS ' SOMEBODY’S COMING THE LORD IS MY SHEPHERD THE VESPER HOUR... THE YEARS THEY COME AND GO... MOORE, GRAHAM P. THE SILENT HARP. InAminor... Do. In C minor THE FOUNT OF TEARS LOVE’S INVOCATION .. THE OLD GUITAR NEWELL, J. E. VMIDNIGHT CHIMES. In E ﬂat Do. In F Do. In G PAGE, ARTHUR. ’TWAS LONG AGO. In E flat Do. In F Do. In G PERRY, A. AN OLDEN KNIGHT PYNE, KENDRIC . OLD IRELAND SHALL BLOSSOM AGAIN O MISTRESS MINE TAYLOR. E. IN DREAMLAND WHITLEY, ARTHUR. OLD CHUMS VERY WRONG .. THE ROAD TO MARKET WILSON, R. H. THE STORY OF OLD VOCAL DUETS, by NICOLAI VON WILM (Op. 124) and EDWIN SCHULTZ (Op. :81, Op. :87, Op. sot). FORSYTH BROTHERS. 267, REGENT STREET, :r_.oNJ:oN, W. 126 and 128, DEANSGATE, MANCHESTER. 0|%0l¢nlb3b8bl0l 00000000
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Title: Village Blacksmith, The - Calendar:, The Village Blacksmith - Calendar:
Description
Date: 1882
Text: I e ‘a ﬁillgzge glaaksmitg» “W R i H _]‘~|‘!’ Ax W ‘ «M ‘ I x} I; 3 A I / ‘H Ii ’ w . 5 ‘ ) Tilt VILLAGE BLACKSMITH, “ Under a spreading chestnut tree The village Smithy stands. The smith, a mighty man is he. With large and sinewy lxanilsz And the muscles of his brawny arms Are strong as iron hanzls. "-——-Lo-n,gfellow. In the northern oountygof Y()1‘kShi1‘e. England, dwelt the Grardner fa1nily—my fatlier, Obid Grard- ner, being the head of the family. He was a- blaoksmith, and Worked...
Show moreI e ‘a ﬁillgzge glaaksmitg» “W R i H _]‘~|‘!’ Ax W ‘ «M ‘ I x} I; 3 A I / ‘H Ii ’ w . 5 ‘ ) Tilt VILLAGE BLACKSMITH, “ Under a spreading chestnut tree The village Smithy stands. The smith, a mighty man is he. With large and sinewy lxanilsz And the muscles of his brawny arms Are strong as iron hanzls. "-——-Lo-n,gfellow. In the northern oountygof Y()1‘kShi1‘e. England, dwelt the Grardner fa1nily—my fatlier, Obid Grard- ner, being the head of the family. He was a- blaoksmith, and Worked from morning till night in the little shop at the corner of the road. “ .i-‘hid the children coming homefrom school Look in at the open door: They love to see the flaming forge‘ ’ And hear the bellows roar, And catch the burning sparks that ﬂy I J]. ke chaff from a thrashing-ﬂoor. It was here, in this little shop. that our neigh- bors had their horses shod. and here where the country farmers had their broken wagons mended. Father Gardner, as he was familiarly called” in
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Title: It is Not Always May
Date: 1914
Text: it . ______,....___.._.__.._.__._._::....—.—__..r» ;¢;~_. _—«~w—-~~-«—« .. QLCAWEIL CHAMINADE, C. _ L.Amou1- cam-,1f—Cap.tive_ Love. French‘. English. High voice in Eb, LOW VOICE in C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L’.'E:té—-Summer. 'French—_Eng1’Sh- voice in Alvléow voice In L’ AC UA, E , DELVi11ane%e—~I Saw the Swift Swallow Flylng. French—English. High Voice 111 Eb; Low voice in C . . . . . . . . . . . . . . . . . . . . . .. DELBRUECK, ALFR. Un...
Show moreit . ______,....___.._.__.._.__._._::....—.—__..r» ;¢;~_. _—«~w—-~~-«—« .. QLCAWEIL CHAMINADE, C. _ L.Amou1- cam-,1f—Cap.tive_ Love. French‘. English. High voice in Eb, LOW VOICE in C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L’.'E:té—-Summer. 'French—_Eng1’Sh- voice in Alvléow voice In L’ AC UA, E , DELVi11ane%e—~I Saw the Swift Swallow Flylng. French—English. High Voice 111 Eb; Low voice in C . . . . . . . . . . . . . . . . . . . . . .. DELBRUECK, ALFR. Un doux 1ien—Tendet Ties. French——li}ng- lish. High voice in Ab, Low V0100 111 F DELIBES, LEO _ _ Les Filles de Ca.dix—Th.e Maicls 01:: Cadlz. French—English. High voice 111 Fm., Low voice in Dm . . . . . . . . . . . . . . . . . . . . FAURE, J. . Les Rameaux (The Palms). High voice in C, Medium voice in Bb, Low voice in Ab. . FONTENAILLES, H. DE 0bstination—A Resolve. French——Eng1ish. High voice in Db, Low voice in Bb. .,. GODARD, BENJ. Chanson de I‘1orian—F1o1-ian ’s Song. French ——Eng1isl1. High voice in D, Low voice in . . . . . . . . . . , . . . . . . . . . . . . . . . . . . . . . . Dites-Moi——'l.‘e11 Me, Pray. French——Englisl1. High voice in D, Low voice in C . . . . . . . GOUNOD, CHAS. Ave Maria—Meditation with Violin or Cello solo or Organ. Latin—Englisl1—.P‘renc1i —German. High voice in G, Medium Voice in F, Low voice in Eb . . . . . . . . . .. It Is Not Always May. English only. High voice in Ab, Low voice in G1) . . . , . . . . .. Berceuse——Serena( e— mg, mile, Slumber. French—-—English. High voice in G,’ Medium voice in F, Low voice in Eb.. Au Printemps——To Spring—Friihlingslied. French——English——German. High voice voice in Db, Low voice in C . . . . . . . . .. GREGH, LOUIS Parais :31. ta fenétre——Open Thy Lattice. French——English. High voice in G, Low voice in Eb . . . . . . . . . . . . . . . . . . . . . . . .. MASSENET, J. Sou.hait——Fancies. F1'ench———English. voice in D, Low voice in C . . . . . . . . . . .. Vous aimerez d.en1alI1——TO-In0I'I‘0W Ye Will Love. Frenel1—English. High voice in C, Low voice in Bb . . . . . . . . . . . . . . . . . . . WIDOR, CH. M. Nuit d’Etoi1es——Si1ver Starlight. French— English. High Voice in Db, Low voice High in Bb. . nuns Lmunv CARL FISCHER §<‘i8Xs’i§ pogron 390 eovusron $1‘. co-ucntso ma-MALEOQ 3.03 ISC}?ll33__Rl A ED1iTii014i <,€;W NEW YORK ea g....._....,_ ._._.._._H. Price 50c. . u IT IS NOT ALWAYS MAY (Longfellow) THE sun is bright, the air is clear, The darting swallows soar and sing, And from the stately elms I hear The bluebird prophesying Spring. So blue yon winding river flows, It seems an outlet from the sky, Where, waiting till the Westwind blows, The freighted clouds at anchor lie. All things are new; the birds, the leaves, That gild the elm tree’s nodding crest, And e’en the nest beneath the eaves- - There are no birds in last year’s nest! All things rejoice in youth and love, The fullness of their first delight! And learn from the soft heav’ns above The melting tenderness of night. Maiden that hear’st this simple rhyme, ‘Enjoy thy youth, it will not stay; ’ Enjoy the fragrance of thy prime, For Oh, it is not always May. Enjoy the Spring of love} and youth, To some good angel leave the rest, For time will teach thee soon the truth: There are no birds in last year’s nest! ° Tnis is an effective and beaunful song, presenﬁng no greal a’zffz'callz'es.T}ae ae~ eompaniment only appears to be dzffieult; z'n realzﬂ/, Me jiassages lie well .w2'l}zz'n tile /zana’ and are readily conquered witn careful study. T/Be song will z'noa7~z‘abl,z/ create a fine and pleasing z'7np7=essz'0n zf well rendered. i6'710‘l 6'opyrz‘g/at M(71l[.Y!I‘ by Carl ﬁ’2.'.9claer, New York. 16711- I International Copyright secured. Superior Ed. 4641. Low Voice It is not always May. (Longfellow) 07'z'g'.K'ey Aflat major. CH. GOUNOD. Edited by Max I/ez'nrz'c/la. Allegretto con moto. 3 3 17<i:j=—_p es 1) ress . H . The Sign 7 mea:11s“b1'n:;xth<>” ' "7"’/‘Mtg’/7! MOMAJV 5-? 0”” F"""}“”"’ M)‘ The s1'g11 O mezms do notbreaxtho” l.:1.'\v' n:_1t1'nna1 Cm)yri«;}7t« S<‘m1red tmg. swal — lows and and from the state pro —phe — sy pow cresc. out — let — Wind blows, freight - ed clouds an - chor things are the birds , the nod - ding crest,_____ the nest are a tempo All things re - joice J’ And learn from the soft heavhs a — . “¥=ne1t—ing ten -der - ness.__._ Maid - en, 3 . . . . . that hearst th1s s1m—p1e» rhyme,‘ It W111 not the fra — grance and youth , a tempo some good an V gel leave the rest, will teach thee soon There are no last yearis There are no birds in last year’s 1, a tempo Under the Editorial Supervision MAX HEINRICH T/ze <_T7"£l7ZJ/z.ll‘l.07Z.f are ﬂy A. MATTULLATH ~./Aw: FRANZ SCHUBICRT - - 50 Selerzed Scmgs High or Low Paper $1.57} C/at/z ,!{'.’..5ﬂ ROBERT SCHUMAN N — o(/ Se/ecfm’ Songs H i;_§h <11‘ L m’ Pa/757' $7.50 {I/at/I 317.50 ROBERT SCHUMANN - /by/’s Lorre‘, op. 43’ /’(z//M‘ 7w’ oz’/1/3 JOHANNES BRAIIMS - 60 56/£5/Ed Songs High nr Low Pa/arr J!/.51} Clat/1 5.9.50 CLASSIC SONG ALBUM .50 Se/trim’ Sangs of Ola’ /Ina’ ]W0(l'€‘7’7¢ .A/llaslers High or Low Pater £7.50 Clot}: $2.50
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Title: Death of Minnehaha, The, The Death of Minnehaha
Date: n.d.
Text: Froml CI. D(19'.}3y Mo._s11r_y& Sills}; ee‘ WORDS FROM - u,@@@$*£a&.&m“§3 mm gm.‘ R‘ Bl E " mmm mz/1. MUSIC BY .@£ﬂ:.. @';gc;_m_v/Ema B Y . BOSTON » MUSIC LIIRAIIEGE Pn1.1+.«1..-A 1w .n rvrn mrsnn wnem +n. m V55-SAR COU- QF MINNEHAHA. Words by I.(rNGFEI.I.H\‘\‘. Music by Ch. C. CONVERSE. : ; A')ld(l.>ltiIlO. 1. 0- -~ — vcr snow - fields waste and path - less, \ 1. In the wig- —wam wvith N0110 - - - 11113 2. In xhe wig- - Wam with Noho . . - mi; 3_“;\h'....
Show moreFroml CI. D(19'.}3y Mo._s11r_y& Sills}; ee‘ WORDS FROM - u,@@@$*£a&.&m“§3 mm gm.‘ R‘ Bl E " mmm mz/1. MUSIC BY .@£ﬂ:.. @';gc;_m_v/Ema B Y . BOSTON » MUSIC LIIRAIIEGE Pn1.1+.«1..-A 1w .n rvrn mrsnn wnem +n. m V55-SAR COU- QF MINNEHAHA. Words by I.(rNGFEI.I.H\‘\‘. Music by Ch. C. CONVERSE. : ; A')ld(l.>ltiIlO. 1. 0- -~ — vcr snow - fields waste and path - less, \ 1. In the wig- —wam wvith N0110 - - - 11113 2. In xhe wig- - Wam with Noho . . - mi; 3_“;\h'.” she said’, “ the eyes of Pan - ~ gulz uu - - der snow - en - - — munbered branches, Homeward hm ried Hi - - —a~w;1 —-U13, Emp- ty hand - ed With thoscglonmy gnusts.t]1at\m1clurdher, With the Fzun - inc and the Fe: — vcr, S110 was ly - — hag, With those gloomy ;;uests,thatwaIchcdher, Wi1h the Fan: - ine and the Fe - yer, She was ]y- - ~ Eng. Glare np- — 011 mu in the darkness, I can feel his 1- - - cy fin - gers €1a:p- ing mine a ‘, heav - - - y heart- ed, Home-ward h — — ried Hi- — - a - - - wa - —’ tha._ ‘T(l Bc--- 10v -'-pd, She the ' <15" - - tug Min -- no — - ha». - - km. Bu - ~ luv -- ed, She the dy - - ing Min no ha ha. the dark-ness 'Hi-—-a-—-wa---tha: Hi---a---Wa--tha! 7’ 1: V _ Heard i\'->- — - ho - - mis moan- - - - mg Wail --mg: Wa - - ho - - no - - -Wm! H llzirki” she said; “I hear at rush—ing, I Hear at wen,---\‘ing “Look!” she said; “I see my fa - - ther Stand-ing lone - - ly And the (la: - -’late Hi- - -a --wa--tha, Far-— 2). --Way a —_- Wa.- - - -ho-no -win! 7’ Heard No - - ho - mis moan - -- ing,Wai1-ing; “Wa - ho - - no-Win! ‘ Wa - - ho - - no - win!,” \ and it rushing Hear the falls ' Min - - -no-h:i_-i -ha at , his doorway, Beckhing to mid the forest, Miles 3. - - Way Calling to me from EL distancc!_"’ from his Wig--Wam In the land of the Da--co--tal1s.!” mong the mountains Heard that sudden cry of an- —guisl,1, “Would that I had per---ishedfor you, Would that I were dead as you are! Would that I had r u u « “No, my clnld!.s:nd old N0-ho-nus, “’TlS “No, my child!”said ald No-ho-mis, “Tis Heard the voice of the night-wind in the pine tl't‘0S!"“N0, n1y_ 0lllI(I!”S£li(i, the smokethat waves and beckons! “No my child!” said . Mine - -ne-ha--ha Call--ing to him in the darkness, Heard the voice of
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Title: Arrow and Song, The, The Arrow and The Song
Date: n.d.
Text: \¥éJ§m.«.LL,( r\/V. 0/7L c1T<X2,SL/Qmu R EAPER AND THE FLOWERS. ..M.l/L/.,9AM£. RESI GN ATI J E. 600:0. SEA HATH ITS PEARLS. QT _____ _,0./7/A/.5(/7/. STARS OF THE SUMMER NIGHT....,._.E._.._F.Boorr STARS OF THE SUMMER NIGHT. ....... .3. 70C/HS. TRUST HER NOT. DT.__,,_._,___,,,.,._/W.WBALFE. VILLAGE BLAGKSMITH........_._..”. W/-/. W5/53 WREGK OF THE HESPERUSLLL.J.6’L0C/(1.5% OPEN wlND0w...__..,.__........_.._L....._..._.LL?/477)’. ARROW AND THE SONG ...... “COP/A/Sc/7/. B R I D G CA HEW....
Show more\¥éJ§m.«.LL,( r\/V. 0/7L c1T<X2,SL/Qmu R EAPER AND THE FLOWERS. ..M.l/L/.,9AM£. RESI GN ATI J E. 600:0. SEA HATH ITS PEARLS. QT _____ _,0./7/A/.5(/7/. STARS OF THE SUMMER NIGHT....,._.E._.._F.Boorr STARS OF THE SUMMER NIGHT. ....... .3. 70C/HS. TRUST HER NOT. DT.__,,_._,___,,,.,._/W.WBALFE. VILLAGE BLAGKSMITH........_._..”. W/-/. W5/53 WREGK OF THE HESPERUSLLL.J.6’L0C/(1.5% OPEN wlND0w...__..,.__........_.._L....._..._.LL?/477)’. ARROW AND THE SONG ...... “COP/A/Sc/7/. B R I D G CA HEW. BRI .._./V/.1/NDSAY, DAY IS DONE ..... A» DAY IS DONE......... EXCELSIOR. PSALM OF LIFE......,............J.BLOC/(LEV. RAINY (W. R. DE/MP5 75/9. GOOD NIGHT! BELOVED ...... ..L/V/.V\/.25’/IZFE mmm§mmm§#p B O S T O N. Pubhghed by OLIVER D ITSO N 8: C0 .4-5lWé1Sh111gU;m St. I, ‘A NEW YORK. SAVANNAH GA. BALTIMORE MD. Cl NGINNATI. SAN FRANCISCO. PH ILA. _H. DITSON 8: C0. LUDDEN St BATES. OTTO SUTRO. GEO.D.NEWHALL&G0. SHERMAN CLAY & 60. J. E.D|TSON 8: 00. CHICAGO. STLDUIS & H .J.H BurroRnSSonsLnu.Bosro~ &N::wYom<. Mussc Luamnv VASSAR COLLIQI THE ARROW AND THE SONG. The Poetry by LONGFELLOW. The Music by CIRO PINSUT1. Andanie moderate. , pogo pm mo3go_ shot an molto cantabile. R.H. 3 1"‘ '5 LH ar— row in- to the air,...... It fell to earth, I knew not where; arpeggzizte. animamlo. anivnando. .Z';):az<_1;. V:/ ‘v.‘. V K »_ «.- swiftly it ﬂew, so swiftly it ﬂew,The sight could not fol - low it in its ﬂight! For, 50 N ‘Z *2 o noto. . C n 7 sempre ommwmdo. 4K§}§’W ??t ﬁ %!2 ~%: «,~g.,~.»— «~. Amphion. [0000 pm mosso. breatifd a memo mosso cantabile. 3 3 '5 L.H. air,...... It fell to earth, Iknew not where; For who has P C- The Arrow and the Sung. amimcmdo a [1000 a poco. sight so keen and strong, That it can fol - low the ﬂight of con moto, song For who has sight so keen and strong......That it can fol - "low the ﬂight of song? Long, long af-terward, 7726720 7720880. The Arrow and the Song. piu mosso assai. the Ar row, still un - broke; :11 O C U I C 3 3 pm 7710880 dS8dZ. ‘(J ‘r’ af - ter- ward, ' an oak I found the ar-row, still un- And the Song,------from beginning to > > > > > W68. 77101150. molto maestoso. allargomdo. The Arrow and the Song. incakando I O 9 V Ifound a- ga1n...... in the heart a friend; And the >>>>>>> >> incaleomdo 8 (3768. €Zp0C0 Cl song.... from be- ginning to end,.... Ifound a- gait}... in the heart of a ‘ > > > > grcmdzoso. >_ {: mil. assai. I ~———/ friend.... I found a -gain.... in the heart of a friend. /5 > > > > ‘> > > 10 col canto. \:—/ Za nt . rgame e > 3 The A:-row and the Song.
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Title: Minnehaha or Laughing Water Polka:
Description
Date: n.d.
Text: To Aﬁeiff J‘? 1- LR \ 7&1: .., _-5.5-' X COMPOSED BY V,/ a W .0 a O P B 3 4 5 N 0 S & IL L A H M M L L W VI I0 d 8 h .6 M U P N. Y5. W E N W m E D n _... 5 W m w M M u E .m M. B. W E. .m H 0 5 k I um. I E ...m .m . !v1r/-rd srwrdmgv 111 Am‘ 0/ Eangrrss m1he Yaar /8:56 by Wm.Ha!/ Mun MUSIC Lssmmv VASEAQ C(.‘tL*. Z ‘M l'NNEHAI:lAZ’ OI‘ \ . W A T ‘7 ﬂbcﬁ yﬁc’ #1? P 0947 ........... . x............ FRANCIS H. BROWN. POL KA. B1-illaute. V Q),1I§r':n" r.:,v_-0/'z(w...
Show moreTo Aﬁeiff J‘? 1- LR \ 7&1: .., _-5.5-' X COMPOSED BY V,/ a W .0 a O P B 3 4 5 N 0 S & IL L A H M M L L W VI I0 d 8 h .6 M U P N. Y5. W E N W m E D n _... 5 W m w M M u E .m M. B. W E. .m H 0 5 k I um. I E ...m .m . !v1r/-rd srwrdmgv 111 Am‘ 0/ Eangrrss m1he Yaar /8:56 by Wm.Ha!/ Mun MUSIC Lssmmv VASEAQ C(.‘tL*. Z ‘M l'NNEHAI:lAZ’ OI‘ \ . W A T ‘7 ﬂbcﬁ yﬁc’ #1? P 0947 ........... . x............ FRANCIS H. BROWN. POL KA. B1-illaute. V Q),1I§r':n" r.:,v_-0/'z(w': ,2 to /([3/I}(,1,l;,11.~,;;,]_ .jS[_( };y F‘"!V[,HALL it SUN} 1.; L’(—.C1cu.’.: U;.1r,c L1lh<.].i;tl‘itlC(,’I.AlOI {LL Su;ll.1.u.1 11.1: in (J (M. )u1'.. . ‘7 0. a .m. 3 up
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Title: Green Trees Whispered Low and Mild, The, The Green Trees Whispered Low and Mild
Date: n.d.
Text: as émsymm E ‘4 x‘ \ \ / ( \ Q1 ‘ / ?§\\i/’" & If /) / . kg“ *3: “* , / '1 _ j ’ ’. ‘ ___>/\ ‘ / / .\ M/><b /W /, \ \ _- \i/E4 L‘ ‘@192 &n an¢,3B$h’tgaRh _ \\:‘T© ‘\€ 3 \k' 1/ ‘ \. V V / ‘ Jim .sm.12azzz. _ ‘ [$753 . BOOSEY &S0‘N‘3', 28. HOLLES STREET, QXFORD STREET. MUSIC LIBRARY -_,,:,: J ,. “ THE, GREEN TREES WHISPERED LOW AND MILD.” @ THE POETRY BY THE MUSIC BY L()NGFELLOW~ V M. WJBALFE. AJvD.AJv'1'I.r0 C’./uv-1.4 311.19 . dolce. Z doléé....
Show moreas émsymm E ‘4 x‘ \ \ / ( \ Q1 ‘ / ?§\\i/’" & If /) / . kg“ *3: “* , / '1 _ j ’ ’. ‘ ___>/\ ‘ / / .\ M/><b /W /, \ \ _- \i/E4 L‘ ‘@192 &n an¢,3B$h’tgaRh _ \\:‘T© ‘\€ 3 \k' 1/ ‘ \. V V / ‘ Jim .sm.12azzz. _ ‘ [$753 . BOOSEY &S0‘N‘3', 28. HOLLES STREET, QXFORD STREET. MUSIC LIBRARY -_,,:,: J ,. “ THE, GREEN TREES WHISPERED LOW AND MILD.” @ THE POETRY BY THE MUSIC BY L()NGFELLOW~ V M. WJBALFE. AJvD.AJv'1'I.r0 C’./uv-1.4 311.19 . dolce. Z doléé. The green t'i'ees whispered _’_‘\ VTempo . H ' ( - (N9 3 The green trees whispered low and 311:1 ‘.’—~'- ('31.-M’.IHT,.I-‘Iv: low and mild,‘ It was :1 saound of Joy . . . . . . . . . . . . . .. Thvy‘ were my pluy—n1;Ltes when a child, And rocked mo in their zu-111:5 50 wild , ' Still they looked at me and slnilcd , i ’ (JV? 3 “'l‘l1t¢ green trees whjspeneii low and mild?’ (M.W. BALI-‘E..) And ever wh1spe:I'tfd' mild And ever whispered mild and low, mild and low, /°P\-—’/ O Slow, /5 Animato motto ‘Quasi ‘./:1llTegVro. m’il\d and low. Come be a. child once niore ......... ‘ Animate motto ‘ g; calla parte . Come be it Id once more .......... . .'. .... V Come be 1). child, PP -‘)“Thé _L{:1‘t'r‘I1 trees w.'2i:.pr—1-ed 10w and miidz’ (XVI-M’. BVALI-‘E.) f\ P Malta rztrm .- 0 child once 111oI_:e’, . And waved their longfurlns to and fro, » /\ P stacc : Animate assai . bookou’d solemnly and slow. Oh! I could not choose but go ................ .. mf __ to the woodlands ho:u'....., ............ ., ..... .. _ to the woodlands a piacere. llour . . . . . . . . . . . . . . ..‘ . . . . ... .............. . .' ......... .. v. . . . . . . . . . . . . . - . . . . . . . . . . . . . . - . . . . on. - . - . . . . . . . . . . . . . . . . .. . “Thu s:;reeI1 trees M’!1is;)e:redfow and mild .” (?»1.\\'. 133.1. FE '1'cn1p.Q l'":° g'ru’¢»:1 trees whispered :‘ low and mild, It was it sound of They . were my plu.y—n1:m-s when a chili], rocked me in ‘their artm sowild, A Still they looked at me and smiled , (.V“.' 3‘ .l “ "U16 g;'~een.+.r‘e¢s vrhisperedlow aticl mi1d.”‘ ()1. W. HAL I-‘E dolce riten : Still {hey looked at me and slniled .......... .. a piacere . Q X_____/ *9‘ ‘(/.'\',.° .3 .)_‘“ The green trees whispered low and :: 'I‘.:i.” ()1 .W. BALI-‘E IE3 *'I7»‘I?‘?U',,..-‘-TIIIIE ESEIXIPEIR AIFIIIDI ‘II-’II{IE FIL®WEEi§S, DEDICATED TO THE IION"":l LADY HAMILTON SEYMOUR. ?2',-W@©©‘I£)A INIICG-IIIIT.I ©@[D)«Iﬁ‘III©b"1ITI’.°. @EL1.©\‘IEID. SERENADE, DEDICATED TO ALGERMON GREVILLE ESQ. 55,-_.‘II'I‘rCIE ©LR§EEIN TREES WII{III§IPIEIBIE.ID IL©W MIKE) MIII!.E),__ DEDICATED TO Ml‘ ‘VILLEBOIS. --II-,r_#\II‘INIIIE ©F ‘ITIIIIN?-SAW» oamcnan To ms osaonnz. ~5afTI'III_III‘$ IIS ITWIE. PE.AI~\©E»$TAN@ STTIIILIL WY $:WI§.EI9v\- ozmcnao TO LADY ncnmc. @i,JII'I:"~JE. IEAY II8 @©NE» DEDICATED TO LORD GERALD‘ FITZfGERALD. 7 _jI‘I}Il[E ‘J'W© IL©©IK£8 ©I? IRIAIIIISI» DEDICATED TO THE BARONESS LIONEL DE ROTHSCHILD. ®,-_‘1TIIIIE II3IM’IF’IIE.$Tl' ILAII‘\IIID; DEDICATED TO THE MOST NOBLE THE MARQUIS OF DOWNSHINE.‘ ’ ;~‘J'IIIII'E. AIIRRQIW AM.) THE S©N@; DEDICATED TB THE MOST NOBLE THE NARCIIIONESS OF HASTINGS . ‘I*'I<D.,»~S‘LI‘M‘&§S ©I? ‘IIIIIIIE. €§IIIWEIIIE.II’3 NII@IIIITg-___.._.__.___~_ DEDICATED TO LADY ALICE HILL. IIII ,,”..‘ﬁ’II{IE IRAIINY IEAY, DEDICATED TO THE RIGHT HON“-F SIR JAMES HUDSON . E?! ,,,i.T'II-IIIE. VI.I&I.l:s.I-‘&<CG5L€. lE’I1A@IK$I‘.IIﬁ'1T‘IIII» DEDICATED TO GEORGE SAMUEL ESQ. Il5,._.?R'II$'T‘ IIIJIER N@‘LI“’;, EDMETQ DEDICATED TO THE MISSES BEALE. M-1,_»IE'.X‘sC3EE.¢»‘3II@I'r’$» ?.§l‘3:‘3.III.7?‘.“iIV;; DEDICI.-TED"¥{‘) TI-IE :»;ms:«.,o: WESTMONELAND. mus:-s ;/~ 2/.“ mo .3/.uc1:. / 711: cazurcmu cowunr. PR/CE ow: sums». BOOSEY &.SON$. HOLLES STREET.
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Title: Longfellow
Date: n.d.

Title: Bridge, The:, The Bridge:
Description
Date: n.d.
Text: 4 Q5; . W X 55 LONDON; ROBERT DUCKS 8c C‘? NEW BURLIEETUN STREET, REGENT STREETW. EV SPEC/AL APPU//\'/TM , A/Z/J/'6 Pl/A91/J/if/?J_ /W /#71" M175/'/2/?/I/I/ﬂ//0' A//4:/ELSVV Q1/ff/7 V/C75/7///,//./K //. 7//£ P/f//V55 [IF IV/'7/£9, J2/5’/M 7/if EMPE/T0/f /Y/'7/701/E[//Y ///V MUSIC LIBRARY ‘ VASSAR COLLEGE POUGHKEEPSIE. NEW YORK

Title: My Redeemer and My Lord:
Description
Date: 1908
Text: MUSIC uannnv VASSAR COLLEGE poucuxsrrsnchusw yomgi ‘I119 ‘Hemmer Cﬂlb 2013. ﬁacteb §>¢f0, fmm 53656115 9 7)) 29 by 2o§§re?rom. I Qﬂuyaic big 911617213 ‘}511Cf’~+ S‘ V 'C‘. ’:®ig§'g)0~;Ce. The John Church Company ~01)? 01 c Cincinnati New York London MUSIC” c...THE HOUSE DEVQTED TO THE PROGRESS OF AMERICAN 7|/3 nef IN U.5.A. My Redeemer and my Lord“ From The “G01d+-11 Legend’: Scene V. Elsié’s Chamber. Night. Elsie praying. (Higlz Voice.) Poonl by H.W. LONGFELLOW. Music by DUDLEY...
Show moreMUSIC uannnv VASSAR COLLEGE poucuxsrrsnchusw yomgi ‘I119 ‘Hemmer Cﬂlb 2013. ﬁacteb §>¢f0, fmm 53656115 9 7)) 29 by 2o§§re?rom. I Qﬂuyaic big 911617213 ‘}511Cf’~+ S‘ V 'C‘. ’:®ig§'g)0~;Ce. The John Church Company ~01)? 01 c Cincinnati New York London MUSIC” c...THE HOUSE DEVQTED TO THE PROGRESS OF AMERICAN 7|/3 nef IN U.5.A. My Redeemer and my Lord“ From The “G01d+-11 Legend’: Scene V. Elsié’s Chamber. Night. Elsie praying. (Higlz Voice.) Poonl by H.W. LONGFELLOW. Music by DUDLEY BUCK. Andante espressivo. O- S/1/2;/1/=e ('07! Pm’. 117/12. 12.11. In ‘1 Copyright MCMVIII by The John Churoh Company. International Copyright. Entered am-orxling to act ofthe Parliament of Canada in theyear MCMVIII My Re — deem - h * I Tbe_seech Thee,‘ I en —treat ‘ Thee, me in each act and word, That here-aft L (1 ’thatThere-aft _T I may meet Thee; O O (“T I 0 \_ dz’/2/. V / wgf wait — ing, 9']?/’.S’(}. _— ing,With my lamp well wel1—trimm’d and burn - no!/(1 zroce. / mz [3060//512721050. In_ter - ced — .— ing with these bleed ingwounds,these ma 12000 I-aiiuzzolo. bleed - ingwounds upon Thy hands and side; : Fof all ' who have lived and _ ed, Thou hast suf - fer’d,Thou hast died, Thou hast / I ll-l;‘U 41 f 12000 (20061. } suf - fer’d., Thou hastldied. I Scourged, and mocked, and N Z]. V- /70 w_ M 7210110 ‘Mt. _ ci ; fied, 772.6550 ‘€006. If /my fee’ - ble prayer can reach Thee, Tempo I. ‘ /\ /_\ /'\ . /-\ /\ /'\ / sew]; 7"e z‘m7zgm'// , 19- /'? /T semjzre Pea’. ior, I be—seech. Thee, I be—seech /5 asThou hast died for me, More sin - cere - 1y, {-3 Q. And in the grave hastThou been bur.ied! ‘ more sin - /-k _ 10wwhereThou lead - est,~ b1eed-ing as Thou if dy_'1ng I may give And more near - /1 Dy -ing thus,____ re-sem-b1e Thee! /"“':\ > ngf f more near - 1y, , more near — ly, - ingthus,re-sem - ble Thee, - sem — ble Thee! /\ /“‘—-T The Most Famous Grouping: of Distin- guished Song Collections Ever Published ﬁn Authenticated Record Disclose: a Sale of Two Hundred and Fifty Thousand Copies-250,000 Eaeh Individual Volume diacriminately edited for an especial purpose and for a particular voice. FJMOUJ J‘O1VGJ‘. Edited l;y . E. Krehbiel. Four volumes. One each or J‘oprano—.0lto—Tenor-Bass. The best 5 of Bach, Beethoven, Becker, Bohm, Brahms, Cho in, Dvorak, Fesca Frans, Godard Gouhydd, Grieg, Haydn, Hotfmann, Holmes, Jensen, Liszt, ewe, Massenet, Mendels- sohn, ltioaart Pergolesi, Purcell, Raﬁ’, Rubinstein, Saint-Saens, Schubert, Schumann, Scarlatti, Binding, Spohr Sullivan, Taubert, Tschaikowsky, Thomas, Tosti, Wagner, Weber, and others, are represents , together with the favorite folk-songs of the various nations. OPERJ J‘0JVGJ‘. _ Four volumes. One each for Soprano-—.IIlto—Tenor—Base. These four books comprise classiﬁed groups of the best known arias, scenas etc. from the standard operas. The numbers contained in each volume have heen selects with the idea of furnishing each of the four voices with a versatility of material and {or all practical purposes the songs are set down in their original key . JONG CL.ﬂJ‘J‘ICJ'. Edited by Horatio Parker. Four ()0 lumes. One each for .l‘oprano—.ﬂlto—'1'enor—8au. These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large an ever increasing class ofearnest as irants to true artistry. The songs are presented always with the original text in order that t eir full ﬂavor and signiﬁcance may be preserved, and because a poem which does not sutfer by translation is a thing hardly conceivable. cause or .sw'r1,Qw1'r. Edited by Dr. one Neuzel. no volume. This anthology of song, collected and edited by one of the greatest scholars of music of modern times, ‘presents a work of unusual interest to voice teachers, singers and music students ener ly; in contrast to the elphemeral character of the average anthology. The ‘amount 0 material used and the carefu ness of the research indicated b the selections, mark this volume as one of essential value to all who are really interested in t e “Art of Song." JZECRED J'OIVGJ'. Edited by w. J. Henderson. Four volumes. One each for .l‘oprano—.ﬁito—‘I'enor~—8ase The group of songs contained in this set is the reatest contribution yet made to collective sacred songs, and cannot fail to make a very powe ul appeal to the interests of all sin rs. Mr. Henderson has here collected the very best of sacred song literature produce during a period covering two hundred years-—from Bach to Cowen. on./rronzo J’OJVG.l'. Standard Oratorio Songs in their original keys, with the accompan lng Recitatives. Four volume . One each for.!‘oprano——.lilto——Tenor- as . . _ The series is a grand ensemble of the best Oratorio Songs of the greatest masters from Johann Sebastian ach to Sir Arthur Sullivan. The contents of these admirable volumes is so widely recognised‘ as the highest type of ~ pure music, that further description is unnecessary and praise superﬂuous. JJCRED DUETJZ Edited by ivilliam Jhakespeare. ‘hoe volumes. One for two high voices. One for one high and one low voice. Becogilsing the demand for collated material for two-part. singing in the service of the Church, t e editor of these volumes, mindful of the fact that the ‘efficiency of good music is not caused by its novelty, has here com iled standard duets from many sources and from all- eras of -music- The volume for two high voices is suitable for two sopranos, two tenors or soprano and tenor; the volume forone ifh and one low voice is practicable for soprano and site‘, for tenor and alto or for" soprano an baritone. O » ‘ens volume Beautifully Printed and aou¢.m.u.¢q pun. news. page
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Title: Ships that pass in the Night
Date: 1908
Text: Music uamuw vAssAn COLLEGE '°”°"""~'«'7"5'£. Ntw vmnu \l .9 %9 «"6. Ar=<=@€l\ Vlliiliiia IME 02003000 EIGHT SONGS A Winter Violet. .............................................................................................. .. Pn 25¢ Db major .................... ..The Words by Theodosia Garrison. . Ships that Pass. inthe Night. ...................................................... .. Pn 50¢ F minor. . . ................ ..The words by Henry...
Show moreMusic uamuw vAssAn COLLEGE '°”°"""~'«'7"5'£. Ntw vmnu \l .9 %9 «"6. Ar=<=@€l\ Vlliiliiia IME 02003000 EIGHT SONGS A Winter Violet. .............................................................................................. .. Pn 25¢ Db major .................... ..The Words by Theodosia Garrison. . Ships that Pass. inthe Night. ...................................................... .. Pn 50¢ F minor. . . ................ ..The words by Henry W.Longfellow. Redivivus. ........................................................................................................ .. Pr: 50¢ ED majon. ....... ..’. .......... ..The Words by Louise Morgan Sill. Eventide. ..................................................................................................... ., Pr: 50¢ D major: . ............ ..The Words by Henry Cleveland Wood. Thou Wilt Come with the Flush of the Morning ........... .. Pr: 50¢ E major. .. ................. .. The Words by Homer E.Woodbridge. Song ﬁ"on'fThe"Warzder‘er:'.’.....N9 n. ........................................... .. Pr: 25¢ B minor: .. . The Words by Owen Meredith. Song fr=on'i‘The War1der*er*'.'...... N9 2. ......................................... .. Pr. 50¢ D major. ............................. ..The Words by Owen Meredith. . By- '0 ..... .._..(sLuMat-:9 SONG.) .............................................................................. .. Pr: 50¢ F major ........................... ..The Words by William Roebuck. EDWARD SCHUBERTH &CO., NEW vom<, LONDON,‘ ll EAST 22 "P 51' DéP6%S; 2 STAR YARD,CAREY 81‘ LONDON, ASCHERBI-IRG,HOPWO0D8.CREW L'rn.,l6 MORTlMER ST. LEIPZI 6,C.DIECKM/\NN,2I Tiduacnemwze. Ships that Pass in the Night. The Words by . Henry W’. LongfcHo'w. ‘William Roebuck, Op. 1;’, N‘? 2. From “Tales of a VVayside Inn” Con sostenuto espressione. Voice. 10 Ships that pass in the night sostenuto. 77?" speak each other in pass-ing, On — 1y a s' -nal shown anda dis- tant Cop;/mfg/Lt, 1.908, by 7l'z'lZz'am Ifoebuc/?'. 17 Voice in the dark-ness: So, on the 0-cean of life, pass and speak one an-oth-er, On - 1y a, look and a oi then dark - f - ness a~gain and a si _ lence, On y a sig—na1 Th /L 19 lento dim, Voice, a dis-tant voice, in the dark—ness. Shi s thatpass inthe O 19 1622/0 _ _ 4 2‘67/zp0gz'usf0A A (son Paddle 1y 1y a Voice; Ad A io solenne. dis - tant Voice in the dark '22 moto So, on the o-cean of life, k pass and one an—oth — er, .5’ ﬂ [3 1y a Voice On - 1y a 1ook,then dark—ness! A A Mrma ,. milem‘. then dark - ness and a 1%’ sostmzulo L___/Z f. silence. that pass in the night, Ships that pass in the ,/If a temﬁo {gusto A 15000 (L poco _ 1y a Sig 1y a vo1ce, a Voice, , dagio solenne. Then dar - ness and si
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Title: Serenade
Date: 1903
Text: Percy Leo Atherton Four Songs Op. 20 l. In (EdoL1;«.rdPuillcron.) C1‘a(llC .SOIlg. (Thomas Bailey Aldrich.) Serenadfﬁ. (Henry Wadsworth Longfellow.) Fly, ll1lSllC—ClOWn, (Richard Watson Gilder.) THE BOSTON MUSIC C0. G. SCHIRMER, Jr. BOSTON. MASS, Copyriglit, 1905, by (L .‘€cu1[eM1<:R,_lr., for all countries. Sole Agents for Great Britain CHARLES WOOL}-l()USE, London. uuuc unmnv VASSAR COLLEGE SERENADE. Stars of the summer night, Far, far in yon azure deeps Hide, hide your golden, golden...
Show morePercy Leo Atherton Four Songs Op. 20 l. In (EdoL1;«.rdPuillcron.) C1‘a(llC .SOIlg. (Thomas Bailey Aldrich.) Serenadfﬁ. (Henry Wadsworth Longfellow.) Fly, ll1lSllC—ClOWn, (Richard Watson Gilder.) THE BOSTON MUSIC C0. G. SCHIRMER, Jr. BOSTON. MASS, Copyriglit, 1905, by (L .‘€cu1[eM1<:R,_lr., for all countries. Sole Agents for Great Britain CHARLES WOOL}-l()USE, London. uuuc unmnv VASSAR COLLEGE SERENADE. Stars of the summer night, Far, far in yon azure deeps Hide, hide your golden, golden light, Hide, hide your golden light ! She sleeps! my lady sleeps! Moon of the summer night, Far, far down yon western steeps, Sink, sink in silver, silver light, Sink, sink in silver light! She sleeps! my lady sleeps! Wind of the summer night, Where yonder woodbine creeps, Fold, fold thy pinions light, Fold, fold thy pinions light! She sleeps! my lady sleeps! Dreams of the summer night, Tell her, tell her her lover keeps watch, Keeps watch while she sleeps in slumbers light, Keeps watch while in slumbers light she sleeps! My lady sleeps! .Walter Raymond Spalding. Serenade. Words by _ _ Music by Henry Wadsworth Longfellow C _ Percy Lee Aiherfon. 0p.20, N9 3. In dreamy ecstacey. /,(,(1.(, N-,;_ >- . poco mt. ’.___T;——‘T———— 3%-/T’ a tempo Stars of the sum—rner night! Moon ' of the sum—mer night! 1) a tempo Far, far- in you 2 ‘ / hide, hide your gol M en, Far, far_d0wny0n Sink, sink in sii — ver, {'5 C0/>yr.€gIzt, l.’»':/H, by G.Sc/air/iwr, Jr. 3‘ Mr. C9 838 For all countries. gol — den light‘. Hide, hide your gol - den 1ght!She sTeeps!My sil — ver 1ight!____ Sink, sink in sil - ver 1ight!She s1eeps!My Wind f the sum-mer /‘#-T B.,M.C983.~z Where yonder W00d—bine creeps,___ Fold, fold thy pin— ous If?-—~,V“*”‘: y pin— ions sleeps! hi??? 3?? M2‘. (.3. fey//55,10 f"""_'""l Dreams of the sum—mer night ‘/If:/’77?[)0 E E K} ' B.M.CQ 838 ‘Tr? /£311 her, ell er er 10v — er keeps watch! Keeps Watch While ‘S e sleeps 11 '3' " r_T>’_1' slum - be/rs 1ight____ Keeps watch while in s1um—bers light she..s:1eeps,My sleeps ! .;_____________ Sleeps?! e.x'///'g.9.s'7s'z)c* 8 " F. ‘B.M.C9 838 FOUR SON-GS FROM “AN APRIL HEART” (SONG CYCLE) BY H.CLOUGH-LEIGHTER OP.24. A fascinating and ingenious. Cycle of six songs. (Pr.n. 1.25) Complete copy may be had at any Music Shop or from thePublisher G". SCHIRMER, J r. THE BOSTON MUSIC COMPANY . BOSTON, MASS . — “A little Maiden Loves a Boy.” L CHARLES HANSON -IOWNE. All tto }{.CI.0UGH- LEIGHTER, 0p.2~l, No.2. condo. J: 96. "if Daytime, playtime, Maytime, Maytime, All the world is white for me! BE 3 p.________, rall . a ’Tis a fay-’timc,fay-time, It is never night for (‘l ma- gic Ema?’ Dw/die Copyright ‘[902 by G.Schirmer,_]r. “The Magic of the Spring. ” CHARLES HANSON TOWNE. H. CI.0UGH— LEicinEn,op.24, No.5. Poco allegro,con ferinezza.,\J = 34. O > 3 For all countries. Now who can faith- om this, The '2‘ ma-gic of the Spring? And ‘Bab. who can tell one glad bird can make the whole world sing? {T ' 7 . 2 6 \/ Ah, me, ,,.._we cannot measure ,.:t\ _ mezzo mosso m1z»y___ 7 .t\, . . .1 D . * 1902 by G. Schirmer, Jr. -- For all countrje5_ THE S|NGER’S GUIDE. VI “The World is Full of April.” CHARLES HANSON TOWNE. H»‘.CL0li'GH- LEIGHTER, Op. 24, No. 3. The world "sf are one long drt-am,,.,.. earth is wild _ animandosi The woods with mu - cic en ture , can Copyright 1902 by G.Schirmer,_]r. “ You and I and April.” H. CLOUGH- LEIGHTER ,op.24,No.s. : 88 . For all countries . CHARLES HANSON rowmz. Allegretto eon auiina. grazia You and I make perfect All our days, dear You and l shut Letting in the out the dark P /M =x<€r:*eo * Copyright 1902 by G.Sr.hirmer,]r. For all countries. An attraotive booklet, containing a. graded and classified list of recent p11blir.;;:,’r,i<)i1s . useful alike to tea.ohers,protess1onzLls and zxiiiateurs. Qent to miyztddi'ess Iree ot ciiarge .
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Title: Arrow and Song, The, The Arrow and The Song
Date: 1915
Text: nnussc uunnnv VASSAR COLLEGE nouamuzzv-set. new YORK Poem by Henry W. Longfellow Music by William Blailr Price, 60 cents The John Church Company Cincinnati New York Lonclon Deﬂcated to Jlargarel fem? 6’2'Zm0re The Arrow and the Song HENRY W. LONGFELLOW WILLIAM BLAIR Allegro (J = 92) f Presto Copyright MCMXV by The John Church Company International Copyright Poco Andante I’ an ar— row in to the air fell to earth /alga lo .5‘ 2);; 2'16 [I000 agzm/0 not .._____%____.___ For so swift - ...
Show morennussc uunnnv VASSAR COLLEGE nouamuzzv-set. new YORK Poem by Henry W. Longfellow Music by William Blailr Price, 60 cents The John Church Company Cincinnati New York Lonclon Deﬂcated to Jlargarel fem? 6’2'Zm0re The Arrow and the Song HENRY W. LONGFELLOW WILLIAM BLAIR Allegro (J = 92) f Presto Copyright MCMXV by The John Church Company International Copyright Poco Andante I’ an ar— row in to the air fell to earth /alga lo .5‘ 2);; 2'16 [I000 agzm/0 not .._____%____.___ For so swift - > SO sight_. could not f0l—low f\ f_\ Z"/‘may:/,2‘//0 T in its r1Etrr.‘_./_ 17-191-6 ]I,’0c0 Andante I breathed a song in- to the air It fell to earth .9‘. sz'm 2'16 legalo l7491— 6 keen 2> who 17491-6 17000 agzmto For who has vi - sion so :> :> and strong, for has vi -sion so keen 7 and strong, for '7 > > > > has vi-sion so and strong That it can fol-low the > > > mm/T of song? That ' can 722.3. fﬁ fol—low the flig ____ of ./f m e"/'a2zqa2'//0 Andante es pres sivo NV Long, long af— ter-ward in__ an oak, NV espressivo found__ the ar — row, sti11_ un—broke, and the song, the song from be- f.‘ gin — ning to friend. German, French and Italian Song’ Classics EDITED BY HORATIO PARKER Vol. I Soprano Vol. 2 Alto Vol. 3. Tenor Vol. 4. Bass These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large and ever increasing class of earnest aspirants to true artistry. The songs are presented always with the original text in order that their full ﬂavor and signiﬁcance may be preserved, and because a poem which does not suffer by translation is a thing hardly con- ceivable. Students and teachers as well, should remember that of these noble songs each is an earnest of like treasures which will reward any diligent seeker in the ﬁelds represented by the collections now offered for their use and guidance. The following composers are represented in the collection: Adam (lliaminzulo Ilalm l\I{1SS(‘I1(‘L Surti Iiaclr llelilws Ilamlvl l\lemlel.s.s'ul1i1 Hcmlzitti l’wetlm\'mi l)eIl’;\<:q11a Illllzmlelnt Miiilntli Ht-lu1l>erL I'»(‘lIII)t‘,l'g lmlmis Ilaydn .\loz:n'L Sclnnn-tum Iiixut IIlIl‘;lI1L0 Iloluws l'ul;ulillm »\‘tr:ui.-‘H Rmmnt-,ini Fulire Jensen l’ergolese ’l‘lmuw llrulnns Frzuick Legrenzi l’iernu 'l‘osf.i (i:lL.'L'lIlI Fnmz Loewe Rail" Vidal (‘ztlelara (dordani Lotti Rios \\':ignm' (‘um p-.u1zL Uzodard Luzzi Rosa \Vt,‘(‘I{téI'IIIl (Tau-issinii (lounod Marclxault Rubinstein \\'idur Uavztlli Grieg l\Iarcello S:tint«S;u-11s Wolf Ucdli Price each volume in heavy paper, $1.50. in cIoth, gilt, $2.50 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON
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Title: Longfellow Waltz
Date: 1906
Text: iinféé-».£9$‘€'£‘; §,‘§::i::§,1g',>::‘\f ff. 3.-"£l'~?x:*éii‘S.&§lE ‘W-W-imtswsvat. Mrw ¥{”‘.«9+vr: go '\ Byron \l"|arch Browning Walt3 Field Nocturne Longfellow Waltj Tennyson Romance Shakespeare March Pub//Is/7e0' by 6605 /(W5/t (5. BOSTON, MASS. LDNGFELLUW WALTZ. Composed by A. H. ROSEVVIG. Tempo di Valse. 3 5 ‘ 2 Copyright 1906 by W. A. Evans. E.M. Co. 217, 2 . TT{E}&ATTC‘LJST (H*I?VA}K§BICSIC CCYS PII3LIFAIT(HVS. XX CXﬂ1Pcth)n of...
Show moreiinféé-».£9$‘€'£‘; §,‘§::i::§,1g',>::‘\f ff. 3.-"£l'~?x:*éii‘S.&§lE ‘W-W-imtswsvat. Mrw ¥{”‘.«9+vr: go '\ Byron \l"|arch Browning Walt3 Field Nocturne Longfellow Waltj Tennyson Romance Shakespeare March Pub//Is/7e0' by 6605 /(W5/t (5. BOSTON, MASS. LDNGFELLUW WALTZ. Composed by A. H. ROSEVVIG. Tempo di Valse. 3 5 ‘ 2 Copyright 1906 by W. A. Evans. E.M. Co. 217, 2 . TT{E}&ATTC‘LJST (H*I?VA}K§BICSIC CCYS PII3LIFAIT(HVS. XX CXﬂ1Pcth)n of NIusiCa1E3ketChws,I§asy aIui.A1trnCIiVP. Bv PEARL STAFFORI). 1’,-m» 44)‘? each. Hogeysuckle-Polka. . ' Em)./W W 1,“/U//4/.17 [I W /M.’ W ,,_ /_ E/Ymn ‘J«I.\'1r;I'm.»_—~ ,, A A , .; I-, _.‘, ‘ A, : ,' 9"-'-.-.4.‘ ,o[',37'—'; * _- a «_..m:.,s T‘,-,1 Shady D ell — Reverie. Mod. tﬂn ’‘ @739
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Title: Bridge, The, The Bridge
Date: n.d.
Text: ﬁx ’ \ 4 = ~§M V (V), M&N. WRITTEN BY [~”~JWuLL@ @ MUSIC COMPOSED MUSIC usnanv VASSAF: COLLEGE Pouauxsersue. new vonx

Title: Bridge, The, The Bridge
Date: n.d.
Text: .\ . H/Iv V. . ‘ CTON R gm LONDON-.ROBERTEDCKS&C‘? NEW BURLINGTON STREEIREGENTSTREETW. -”5 % BY SPEC/AZ AF/"0/I-"/7’ME/V7’ / PM No 50¢!) ms’ 9/5//A/ms‘ 5/I W/us/:91/291//5H.ms 7”/J /’-/Ti}/x‘,/14/4u'/21S'7'>’ Qam/v V/CW/?/A H/S /WVA/4 H/EH/V1:”z3S THE P/?/N55 cw WA L5‘; {/0 CA L 0(/E7‘. 4/ I W " EAsrmv 9MA[4»[,W0()02,/6 _ /D/AN0[7UETEA5Y5MA1.;.W00z9 3/1 §_ ~ W-'1/5/ryﬂgsy 0/773 7/: MAY BE SUNC IN PUBLIC WITHOUT THE PAYMENT OF ANY FEE. U0. I/E/BYEASY ...
Show more.\ . H/Iv V. . ‘ CTON R gm LONDON-.ROBERTEDCKS&C‘? NEW BURLINGTON STREEIREGENTSTREETW. -”5 % BY SPEC/AZ AF/"0/I-"/7’ME/V7’ / PM No 50¢!) ms’ 9/5//A/ms‘ 5/I W/us/:91/291//5H.ms 7”/J /’-/Ti}/x‘,/14/4u'/21S'7'>’ Qam/v V/CW/?/A H/S /WVA/4 H/EH/V1:”z3S THE P/?/N55 cw WA L5‘; {/0 CA L 0(/E7‘. 4/ I W " EAsrmv 9MA[4»[,W0()02,/6 _ /D/AN0[7UETEA5Y5MA1.;.W00z9 3/1 §_ ~ W-'1/5/ryﬂgsy 0/773 7/: MAY BE SUNC IN PUBLIC WITHOUT THE PAYMENT OF ANY FEE. U0. I/E/BYEASY [J/T7'0., 7/= ;, MUSIC‘ usnanv VASSAR COLLEGE POUGHKEEPSIE. NEW YORK
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Title: Two Angels
Date: n.d.
Text: /O -0 \ ‘(V3 7' /A % ///“\Q , /”\\ ‘\ , . \‘Q /i:\. \ . [V _( . g 33/ ‘ VRL A ,. Zmg 36 amw 7 . K / /%v \ % / , ., » \ \ \ k‘-/// /«~ \,\ I ,// \ ‘_//’/—\ K ,/ K Lg /M L‘ < / V (>l;¢/ ' Xvj (C / x) . _',4 ,._., \ / J “\—— ’//’ , ‘}1’§~'¢§»[ (ea ‘=7 ” “‘\. 5/z/..r/y./1/.».«7. . __._____._-_..__\. ‘ gﬁ ./ " LON DON, LEADER 8: COCK, 63, NEW BOND STREET; /‘.I// my n/ ‘/27 "m/. - -W w r '/ MUSIC LIBRARY VASSAR COLLEGE”; Jiﬁiis 31%: mi &1Hfi1”5 Q?...
Show more/O -0 \ ‘(V3 7' /A % ///“\Q , /”\\ ‘\ , . \‘Q /i:\. \ . [V _( . g 33/ ‘ VRL A ,. Zmg 36 amw 7 . K / /%v \ % / , ., » \ \ \ k‘-/// /«~ \,\ I ,// \ ‘_//’/—\ K ,/ K Lg /M L‘ < / V (>l;¢/ ' Xvj (C / x) . _',4 ,._., \ / J “\—— ’//’ , ‘}1’§~'¢§»[ (ea ‘=7 ” “‘\. 5/z/..r/y./1/.».«7. . __._____._-_..__\. ‘ gﬁ ./ " LON DON, LEADER 8: COCK, 63, NEW BOND STREET; /‘.I// my n/ ‘/27 "m/. - -W w r '/ MUSIC LIBRARY VASSAR COLLEGE”; Jiﬁiis 31%: mi &1Hfi1”5 Q?/Iltlltzll rxnh It/114;, _ﬁ'I}[lL% ‘T'\$27@ ./.‘HR.l@E2lLE‘3o woreos BY LONGFELLOW. MUSIC sv CIRO PINSUTI. /3 legato. _ ;/ /A V 3§ f:£“ Lento Rgligioso. con doloezsza. Andante. K) Two An_gels, one of Life, and V ‘ Death, Pass’d0’er't]1e »~.~::: {T4 village as the m0rn---ing broke; The dawn ............. .. was on their fu----ces, and be/-___neath .......... .. The s0m_bre hmI--_ses, _neath The snmbre\ I1 ‘ j '_ head_ed with plumes of smoke. col canto. L & G_2197'. Their at_,--__ti__tude and as _ _ _pect were A __ like their fea_tures, Ores. of ivhite; And one was cr0wn’dwit.h a_---_ maranth, as with -k ~ And one with a_sp n_dels, like flakes of light— ....... .. a tempo. thri" Ce .... -_l€~ _-_ stial I saw them pause L & (L2197. i .. ,_ . <‘-**>~v!'».<a/. .. >I""¢"1~‘;‘»~*—»'~L.,§‘/ an Then said I, ‘with deep fear and‘ doubt can espress. my heart, lest “Beat not so loud _ .“Beatn0t so loud my heart, lest thou .be--_tray — where" thy I1e___l0V_-- éd, where thy be--- l0V.-__éd a;f> Lento Re oso. 1&5? '1 [JP e con dolcezzm. L & O ._ 2197. than be____ are Andante mosso ‘assai. And he who wore the crown of a ..... -- sphodels, De-- - _._.__. L -scending at my 001‘, be_g'u1i"t() knock; And my soul M sunk With__ ais in wells The Wa ...... --ters sink, 7 an earth -_‘__ quakés shock. A I re_c0gnis’d the name __ _ less 3 3 Ores. The terror, and the tre_m0r, and the pain .v ........ .. M That oft be- T3 \\_.’./ L & 0-9197. ‘< , V 1 5 . . «‘ kl , f I “ 5. Q ﬁg 22% ’W7&‘ £a«;#%-. .m..., .r«—»--o«—w.». ,..‘.....,.r -.,. A ,. \ « . —~.. _ fg1;e\. .............. .. had fi11’d and haunted me, And now re _tIIrn’d ‘ Vﬂ'ththreef0lds_t1'e11gt|1 a _ _gain. And now re _ turxfd wuth three/fo (1 Strength a- gain. //‘X col canto. RECIT: a piacere. The door I 0 _pened_ to my heaV’n_ly And listexfd, for I thought I heard G0d’s voice; AI1d,kI10wing whatsderhe sentwas 0. . ' Dar’d nei-ther to Ia,-_-ment L & C_.2197._ /9 con dolcezza. Lento Religioso \ Then with _ a smile L that f'i11’d the house with ' rm '1 - . J e legato. light, ’ " y er_rand is not Death, vbu‘t Life,” he ‘ And ’ere I 3%//::§°r answer’d, passing out of’ slght, Onhis ce_le-stia1 embassy he Andante mosso. ’Twas at thy door, I O f‘riend,and not at \_\,\ \_ an_gel _with the a- - ma-1'an:th1ne wreath, _scend___et1; 1“ and,with voice di_--vine Whispefd a word tvthatvhad :1 Then fell 1Ip_0n the ‘Z i _ riten. molfo. I_,ento_ house a sudden g100It1‘— A\ shadow on those features fair and thin; ¢ \./ con dolcezza. from that huslfd and dar_-_ken’d room, Two An_gels /‘S A11d,s0f't _ _ -13’, " *1 /3 e legato. . issuednvhere but one went in. issued,where but one went in. Two An--gels \ *.s»,>., : w‘,-E25 L & 0-219}. « ::’::ﬁ:~»:4?~:;';‘:v,-;§;;:‘ Andante. I no !\ l7a I I I I r ‘I I 1 x 1 I 1 I 4 1 r O‘ 0 O 0 0 All is God! V. " He but wzue His I 41' II I can espress. _lect,the rains fall thick and loud; ‘ Ti1l,with a smile of light on sea and land, Till,with a smile of lights on sea. and land He looks - ____..—-——-_-;_"__"" riten; l)‘.;l?:..{..... He looksback from the de_part_____ing cloud. col can to. a tempo . An_gels’of Life and Death a_1ike are His; Without His "‘/ r V..,__.....g_._‘ P.‘ _i__,.‘, I the_y pass no ‘threshold __.__;g H % _ 1 5‘ A-g'ainstHis. messengers to shut ‘d7.n~e, belieV.i11g' this, Ores. 't 0’er Who then lwoiﬂd wish or dare, . ,‘.Y" ~ Q,» ‘ Piu mos so. the drmr? 'Wh0 ihe1m'0U1dwish, 4’ ’l1e‘~..’liMyi1xg’
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Title: Day is Dark and Dreary, The, The Day is Dark and Dreary
Date: 1904
Text: MUSIC uamrw VASSAR COLLEGE -ouauxccu-sue. in van Sung‘ by DAVID BISPHAM. f}Vz'S0N6.s' ' ' ll’ /f‘ Jfedz ZZITI. Vozcra 3%? ‘ CLARENCE ‘ 7!: Op. 45. A ”$ v THE _ ' Joan €nuacn(om»m, 1.The. Qgy IS dark and dreary. .. . .. 5 CENCFNNATLCHQCAGO. _ NEWY°RW"’5!C— 2.TheFountainsmnngiewsththeﬁlvew LON DON . 4_When stars are in thequiet ski2s...5 To /M 12 M Bzlx-lo/mm. The day is dark and dreary Music by CLARENCE LUCAS. Poem by H .W. LONGFELLOW. Andante. (J = 100) /// mf .m...
Show moreMUSIC uamrw VASSAR COLLEGE -ouauxccu-sue. in van Sung‘ by DAVID BISPHAM. f}Vz'S0N6.s' ' ' ll’ /f‘ Jfedz ZZITI. Vozcra 3%? ‘ CLARENCE ‘ 7!: Op. 45. A ”$ v THE _ ' Joan €nuacn(om»m, 1.The. Qgy IS dark and dreary. .. . .. 5 CENCFNNATLCHQCAGO. _ NEWY°RW"’5!C— 2.TheFountainsmnngiewsththeﬁlvew LON DON . 4_When stars are in thequiet ski2s...5 To /M 12 M Bzlx-lo/mm. The day is dark and dreary Music by CLARENCE LUCAS. Poem by H .W. LONGFELLOW. Andante. (J = 100) /// mf .m.s-minetl. 3 3 Perla! at eawﬁ Mr. 14’ and the wind, is nev— er wea — ry; C _/2 — . drear —. y; H5 #5 07'e.s'r;. vine still clings to the mould ' wall, But at {T // {-3 3:; Copyright MCMIV by The John Church Company. International Copyright. Entored according to act at the Parliament of Canada in the yvnr MCMIV by The Jahn Church Company in the nepartment of Agricullurn. 5m‘ 2027/; (z_/‘MZZ lone. the dead leaves fall,_________ ’And the day is dark and [2000 pit} mosso. drear-y. life is cold, ' dark, and drear - ‘y; rains, and the is nev - er wea — ry; My Tempo I:. thoughts still I7 7% 112?} mz2'mru‘o. days are dark and drear—y. Be still, sad broadly. re - pin-ing, - hind o 4 . V clouds is the sun stlll shm — mg; Thy fate is the com-mon fate, of all.__ M >39“ rain must fall, Somedays must be dark and drea.r-y. ;/ Jr-
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Title: Good Night
Date: n.d.
Text: .\ / U WRITTEN COIVIPOSED BY J-UHN BLGCKLEY. [7/z/1. 5'/4,. f/JAZZ. J’/‘A/V/V/4/P/J cf. ///X/7/V //I/" B)’ 7'/9’[J’,¢ﬂ/[ 4//7/$’Oﬁ’.$ EXCELSIOR .. SONG OR DUETT FOOTSTEP3 OFANGELS ﬂ=onmA/rozlﬂ/1/€f[Z[ﬂl'1/) THE RAINY DAY .. [/3 .0? . .-‘I WHITHER . .. /.90/v/xr/F7/%EWATF/7/VY/I/f’//J7 THE PSALM OF LIFE .. 0‘ 0° " THE BRIDGE . . STARS OF THE SLJMMER NIGHT . SERENADE LONDON,/\DUlSUN8<HULLHR,210,REGENT STT uusoc Lluunv , ..ﬂ;~m» E V> Ll Ft-E GOOD NIGHT! SERENADE ....
Show more.\ / U WRITTEN COIVIPOSED BY J-UHN BLGCKLEY. [7/z/1. 5'/4,. f/JAZZ. J’/‘A/V/V/4/P/J cf. ///X/7/V //I/" B)’ 7'/9’[J’,¢ﬂ/[ 4//7/$’Oﬁ’.$ EXCELSIOR .. SONG OR DUETT FOOTSTEP3 OFANGELS ﬂ=onmA/rozlﬂ/1/€f[Z[ﬂl'1/) THE RAINY DAY .. [/3 .0? . .-‘I WHITHER . .. /.90/v/xr/F7/%EWATF/7/VY/I/f’//J7 THE PSALM OF LIFE .. 0‘ 0° " THE BRIDGE . . STARS OF THE SLJMMER NIGHT . SERENADE LONDON,/\DUlSUN8<HULLHR,210,REGENT STT uusoc Lluunv , ..ﬂ;~m» E V> Ll Ft-E GOOD NIGHT! SERENADE . 77V;'1.'tten by H.W. LONGFELLOW. Composed by JOHN BLOCKLEY. A A MODERATO. /“ F ’’’7\ /\/’ /\ /\x Good night! beloved, Good night! Good night ! (Serenade .) come to watch o’er thee! . . . . . . . . .. To be near thee, alone, _\‘__”,// \Kk_”’//// \\‘_~",// \\\‘__"/,/ \\\\__,///’ \\‘__,// peace for me, Good night! beloved, Good night! /9/9 a piacere. near thee,a lone, is peace for me, Good night! beloved, ‘Good ¢ f‘\ COLZII ‘U068. K? Good night! (Sex-enaﬁe.) Joizn Blockley . w17th..ﬂn‘t'mwt1'on . /\ eyes are stars; of morn y 1195 are c;~im__ _g()n' L _ vf1ow‘!rs ! Good night !' Good night! be __1'0 _ vedi, While I9 G(9‘[~I=1]Y mf* . tempo. jmolto e(spress!iv‘o‘. wea_ __ry hours. Good night! beloved, Good night! beloved‘, While I ‘Q on-/°/9/évg. >" . . -~ /9 .,——s o KIN Tempo 17."? count the wea_ _ _ry hours ! . . . . . . Good night‘. he. loved , Good calla 1:0 0 Gaga night !. ‘(Sex-enadg._)‘ ‘ John Blockle)/_ .. night‘! to watch 0’er near thee, alone, is peace for me, Good night! beloved, a piacere . To be near thee, alone, is peace for. me, Good night! beloved, Good } mf L_/’/ . /——~: it/)!:).C0ll.(l ‘U009.’ morendo . Good night! Good night! a c 0 Good night! (Serenade London, Published by" John Blockley, 2 Park Roa.d,Hn’er-stock Hi11_
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Title: Arrow and the Song, The, The Arrow and the Song
Date: n.d.
Text: /—\ //Z “\\*° " \ *\ L / ‘. ‘ Q 9 Q \\ 9) } VJ : V \ ,fTH=\¥ / ; 3 $4 , - & A *’{1Z»g»a:w“i1E’ ﬁi@zzsfta%§¢ ﬁ® MWG%%m l.©N@©[r‘{lq _. T’ \’ “ “Boo,.sEY & ca 295, REGENT STREET.W. MUSIC LIBRARY VA ' : 0 THE ARROW AND 'l'H;E SONG. THE p()}..TRy Ry THE .V$EIS.'lC' BX} l.()NHl<‘ELI.OW. V M. W- HAL.F'E‘- JInLTo .MoD1su.ATo., l‘()I(7}<.'. l’I.A.\'(). j I shot an Arrow in - to the air . . . . . . . . . . . . .. It fell to enrtll I r\ know...
Show more/—\ //Z “\\*° " \ *\ L / ‘. ‘ Q 9 Q \\ 9) } VJ : V \ ,fTH=\¥ / ; 3 $4 , - & A *’{1Z»g»a:w“i1E’ ﬁi@zzsfta%§¢ ﬁ® MWG%%m l.©N@©[r‘{lq _. T’ \’ “ “Boo,.sEY & ca 295, REGENT STREET.W. MUSIC LIBRARY VA ' : 0 THE ARROW AND 'l'H;E SONG. THE p()}..TRy Ry THE .V$EIS.'lC' BX} l.()NHl<‘ELI.OW. V M. W- HAL.F'E‘- JInLTo .MoD1su.ATo., l‘()I(7}<.'. l’I.A.\'(). j I shot an Arrow in - to the air . . . . . . . . . . . . .. It fell to enrtll I r\ know not where, For so swift. ly it flvw, 1 PI’ F ‘.\..0 "'[‘}vH-."1\r'rnw 4' ' ta \ ~ sight Could not ful_l0W it, sight cnuid not H f‘«>H«)w it in its flight. Ibreathud a Song‘ £____Z in - to the nil’ . . . . . . . . . . . . . . . .. It fell to eurtll k1mwnot\~lu-rc, >l"m’.whu has‘ sight . . . . . . . . . . .. so k(ft‘lli1\=lld strong‘, That It can fol _ |nw_ Hus Hi;;*l1t of u S()ll;_{‘.l For who has _.n'gl1t ‘ keen and so .stI'<)|1g' "-Or *4 . . . . . .. Tl)-ut it can fol _ low the 1'li§_;‘.lxt of :1 ~.()llg'? Lnllg‘,-* lNuu_;;' ufv‘lh-o'7r"w;nr(l . . . . . . .. in an oak . . . . . ..; . . . . .. I tlnnui the Ar- rx.,w 4 Pl’ 2% still unhrnke And the Snnw I'ujm11 he _ g;'inning' to end I f'mn1d ,u _g-uiu 1n the heau't of’ u friend . And the Songg; f'mn1he_ _ g_;'iI11xin|:_;°- to end.;..... I found u_g*uin in the heart of at friend . '2»: av‘) “'l‘V:--‘. ~ ~ ”(\| \« |{-\x,vr ' I found u_0":1in , — fuund u_.g':1in , — I found an. ,g';nin ' in Hu- huurt . . . . . . . . . . . . . . . . . .. of a friend! rrpmlm lmu I.)/3/.7 ' Gentle Heart V Oncefor all ARTHUR SULLIVAN’S SONGS. 6- d- Let me dream again (0, D7, dz E?) 4 0 Sung by Mdrne Christine l\'ilsson dz Mdme. Edith Wynne. Love laid his sleepless head (D (ft E) Sung by Mr. Sims Reeves. Living Poems (E7 :3! ll‘ ... Sung by Mdme. Edith Wynne. Sleep, my Love, Sleep (D A’; 1*‘) .. . Sung by llldme. Patey. Once Again (D (S: F)... ... Sung by Mr. Sims Reeves. on Golden Days... .. ... Sung by Mdme. Patcy. A Life that Lives for You .. ... Sung by Mr. Santley. Looking Back (D & F) . . Sung by Mdme. Patey. Looking Forward (sequel to Looking bacl ) (D & Sung by Mdme. Edith Wynne. Birds in the Night (D, E. & F) Sung by Mdine. Sherrington. From Rock to Rock ... E) MOLLOY’S POPULAR SONGS. My love has gone a sailing Sung by Mdme. Dresden China (C & D) Sung" by Mdme. Sherrington. Don’t be Sorrowful Darling (C J: E) Edith 'w; H1375. Sung by Mdme. Antoinette Steiling. Jack's Farewell Sung by Mr. Sims Reeves. Polly Sung by Mr. Santley. So the Story Goes (F & Gr) .. Sung by Mdme. Edith Wynne. Clochette (D & F) _ Sung by Mdme. Sherrington. Thady O'F1inn (D ct F) Sung by Mdme. Sherrington. The Vagabond (E & G) Sun g by The Old Cottage Clock . Sung by Mdme. Edith Eily’s Reason (E, F. & G Sung by Mdme. Sherrington. Marching along Wynne‘. no PINSUTI’S Bid me Live A Maiden’s Love NEW SONGS. on on ..- Sung by Mdme. Ratey. m Sung 1;; Mdnie Edith-Wynne‘. sm{;¥ by Li}: lllaybrick. The Free Lance (C & D) . Sung by Mr. Santley. MISS GABRIEL’S FAVOURITE SONGS. 4 o .- ... The Light in the Window The Skipper and his Boy Across the Sea Sacred Vows (D & ... ... FREDERIC CLAY’S SONGS. She wandered down the mountain’ side (0 & E) Sung by llirlnm. Edith Wynne. Days of Long Ago (D & E).. Sung by Mdme Edith Wynne. The Reaper and the Flowers ... Sung by Mr. Sims Reeves. 4 4 4 ¢\/\_/\/'\./\.»'\/\/\/\"\’\/\/\/\I‘\/\_’\/\/'\/\’\/\. :E>oPI:rLAR SONG-F3. The old love is the new (B & C) Sung by llldme‘. Sherrington. Why? and G) ... Sung by Mr. Edward Lloyd. So far away (Mon anii) Sung by Mdme. Roze—Perkins Never again ... Past and Future V Aubade (D & F) Sung by Mr. Sims Reeves. Almost (A'7 & B?) Sung - Spinning (D & E) ... Sung by Mdme. Sherrington. Night and Morning (E & F) Sung by llldme. Edith It was a. Dream (0 & E) Sung by Marguerite (B & C) ... Sung by Mdme. Trebelli. 4 0 cu no u- .“ ... ... lhbﬁrﬁrlin-P~ by Mdme. Eialtey. . Wynnii. Mdi.ne. Titiens. 00 iii IF #5 Only a Violet Sung by Mdme. Edith Wynne. If every lute on earth were mute Sung by Mr. Santley. The Harbour Lights... Children can on ..- Defton Woods . ... Those merry walks together ... Sung by Mdme. Patey. He loup’d the wa’. Scotch ballad ... The Hay is i’ the Mow Sung by Mdme. The Old Sweet Story Sung by Mdme. Edith Wynne. Speed-well ... ..’. ... Forget me Not ... One Morning, oh ! so Early (A & B) Sung by Mdme. Edith The Gallants of England Sung by Signor Foli. Apart (6th edition) Rothesay Bay. (10th edition The Departure -- Wynne. ... on NEW EDITIONS. Farewell to Erin (C & D) Take back the heart (D & F) Mag‘gie’s Secret (D, E7. 5; F) We’d better bide a wee You and I (G, G7, dd B) . . Come back to Erin (C & E) Chi1dron’s Voices (G (la 13) ... Dreamland ... Susan’s Story... Strangers yet (E & F) .Ianet’s Choice I cannot sing the old songs (E_ & G) Five o’clock in the morning (F & Robin Ptedbreast (D & F) Won't you tell me why, Robin? Half—mast high Silver Chimes 0 O 0 When we are Old and Grey Out on the Rocks (W7 & ED (D&F) ) . F. H. COWEN’S NEW SONGS. ALFRED SCOTT GATTY’S SONGS. Out of the depths. (Dbdicatedto lib: Rlimsoll, Antoiiiette Sterling. CLARIBEI/S FAVOURITE BALLADS. MDME. SAINTON’S POPULAR SONGS. d. 0 0 0 M.P§j )wPr#t-I3)-Fvlil-Prhrwﬁrl-‘-phi-Fbébvlirlivwl‘-DIFIIF H“:-Flvﬁ DF I-F-ihrh D-F rPi-F >F-iln5-FF-1% OOOOOOOOOOOOOOOOC G00 O 000 O OO OOCOO ...40 ...40 I Brown Eyes, or Blue Eyes LOUIS DIEHLS’ NEW SONGS. Happy Days Sung by Mdme. Patey. Absent, yet present Sung by A Song of Neptune . ' Sung by Signor Foli. burning (El? d; F) Sung by Signor Foll. . HAMILTON AIDE’S SONGS. Let me dream of happy days ... ... The Maid I love is six years old Spanish Boat Song (E? (55 G) Remember or Forget The Fisher (D & 13).. Mr. Santley. The Winter log is on |F>F|bvFt§:i~ BLUMENTHAL’S NEW A Letter (El) & C) .. Sung by Mr. Sims Reeves. The Boatman’s Song (D & E) Sung by Mr. Santley. Gondoliera (G & B7) ... Sung by Mr. Edward Lloyd. Love, the Pilgrim (E dz F) ..'. Sung by Mdme. Titiens. DOLORES’ BEST SONGS. ifhlhbbiﬁ The Fairies . . Clear and Cool ... ... The Lsndof long ago Sea-weed ... I-IATTON’S NEW SONGS. Fair ismy love (C& El?) . . Sung by Mr. Santley. The British Tar. Sung by Santley MISS PHILP’S BEST SONGS. Lillie’s Good Night ... ... Lilliels Good Morning 3 The Pcaeher's Widow 3 0 NEW SONGS BY VARIOUS WRITERS. DANKS, 11. P. Siingby iss Soldene. DICK, COTSFORD. The secret of thy name ANDERTON, THOMAS. The Little Fishermaiden ... Sung by Mdme. Patey. CELLIER, ALFRED. ... ... no no. on ... .. ... Still united 4 0 -u on on Jack andI ... Sung by Signor Foli. ADAMS, STEPHEN. Nancy Lee ... Sung by Mr. Maybrick. BUCK, DUDLEY. When the heart is young . ... Sung by Mrs. Osgood. HOWELL, FRANCIS. T’was not a dream EAYRES, W. H. Ever Thine (C & D)... ... 4 ‘ Sung by Mr. Edward Lloyd and Mr. Nelson Varley. VVEKERLIN. A Song to a Rose Sung The Flower Girl ... Sung by Mdme. Sheri-ington. 13;. Maixié. Sheirringtdni One Only Sung by Mdme. Edith Wynne. SIX DUETS, Sung by Mdlles. CARLOTTA and ANTOINETTE BADIA at the London Ballad Concerts. Price 2s each not. The Rainbow (Di pace at n0i)—DONIZET’l‘I. The best solace (Dolee conforto)—MER- CADANTE. 'V’OO.A_I_: ZDU Through valley, through forest (Per valli, per Joy is to-day (Giorno d’orrore)—R0ssINI. Say to me (Ripctio mio tesor)—L. DADIA. Yo breezes, softly blow (Buon vento spira in These Duets have English and Italian words. boscl1i)——l3i.ANcINI. Excelsior mar)—-L. BADIA. Coming home... Trust her not... 9’ The Chamois Hunters J. L. HATTON. Sung by Mr. Sims Reeves and Mr. Santle S. 333 T A. SULLIVAN. BALFE. Day dreams ...CLARIBEL. Chimes of St. Mary’s Evening song Yet ‘once again My roses blossom roun 7? GABRIEL. .1. , o 0 0 0 Y. the ‘whole ’year n KUHE. Lohengrin . ... Don’t be Sorrowful, Darling. (Molloy) One Morning, oh! so Early. (Gatty) La Fillo do Madame Angot... Geneviizve de Brabant Come back to Erin. (Claribel) Maggies Secret. (Claribel) Dinorah ... The Vagabond. (Molloy) La Jolie Parfum euse. . . . . . BENEDICT. America. New Fantasia Der Freischiitz ... mwewseamppw oo ooooooooooP' Z IEl'VV' PIANOFORTE 1/TTTSICE COWEN,FREDERIC II. It was a Dream Alice, Troisie’lne Valse Caprice Rondo 3). la Turque ... ... Macbeth I Lombardi Oalme et solitude Madame Angst Moonlight on the Danube Whispering Leaves Valse des Pampas Eolus (Maz-urka) LEYBACH. .d. no ... ... MULLER, THEODORE. Berceuse 4. Marguerite 3 KETTERER. on an ... ..- 0 3 0 Grand l\Iarch,”Maid O1‘le-ans Serenade, Maid of Orleans HAWLEY, MISS. Salopia (Home, sweet home) Ivanhoe (Auld Robin Gray)... _ Hibernia (The LastRose of Summer FORBES. La Caprera ... Castollucia ... ... ... RICHARDS, BRINLEY Polly (l\‘?olloy) Isiilora, Valse de Concert A Visit to VVales . ... Conspirators Chorus ( Madame Angot) Once Again (Sullivan) . Strangers yet. (Claribol) ... FAVARGER. Der Freischiitz .. ... Oberon. 2nd Fantasia ... ... 3 wewwmpmp mooooooP on u. OFFENBACH. La Jolie Parfumeuse Valse and Quadrille . each Genevieve Quadrille. Solo or Duet Genevieve Waltz Périehole Quadrille. Solo or Duet ... Périchole Waltz LONID no . n c‘:N Our Boys Galop Migration Galop Indian Quadrille : BOOSEY <32: 00., N E 'Vi7' , D MONTGOMERY. l\TC3E s.d. 40 MINNIE. Once Again DEBILLEMONT. ... ... ... 4 O Polly Waltz Madame Angot Waltz. MadameAngot Quadrille. Solo orDuet Madame Augot Galop Claribel Waltz. Silver Chimes Waltz :l"_\:{E U S I 0. CHARLES COOTE. Remember or Forget Waltz Waltz ... Solo or Duet 295, REGENT STREET, TN‘. Solbuor SCHNEIDER. Trop de Bonheur Waltz. Solo or Duet L E C O C Q. The Island of I3i.chelors (Les Cent Vierges) Q,ua<,lrille The Island of Bachelors Waltz mpmwemmaw ooooooooP ’»
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Title: It is Not Always May
Date: n.d.
Text: .275./mvafezi hi I Prof. Iﬁkm/"l§Merz. ,_ 2;» ; / I W;‘:%‘\“ ' \: Ix /V /— ‘s > <3 , T-:3‘ Q’ \ Wﬂ/wCsj,/7j*{,.«)C. , ' ; gv / M 4 ‘W “ \\ §;;%*<‘Jgg§ﬁ;§[ﬂ:,\\mJ ., ~— :3; Jpytvﬁténof “ 4A Published by S .'Bn:a'1narH Y! Snn§.Z[i3 ‘Eugen-inr Street EnlE/aL'n7m7'/ﬁg/riﬂr/ufl’ang/‘£55A?/Eﬁﬁ1Iy.M,Eu7rs=rﬁé01&[a «57 my £’>’£-W5 ./17$}: afr,/.‘»'m',"é2‘;:".rm::'-f‘:/,7 ﬂrrwénvav ._, . uusoc Lolnnnv RSSAR .9 \‘ . —-~"V...
Show more.275./mvafezi hi I Prof. Iﬁkm/"l§Merz. ,_ 2;» ; / I W;‘:%‘\“ ' \: Ix /V /— ‘s > <3 , T-:3‘ Q’ \ Wﬂ/wCsj,/7j*{,.«)C. , ' ; gv / M 4 ‘W “ \\ §;;%*<‘Jgg§ﬁ;§[ﬂ:,\\mJ ., ~— :3; Jpytvﬁténof “ 4A Published by S .'Bn:a'1narH Y! Snn§.Z[i3 ‘Eugen-inr Street EnlE/aL'n7m7'/ﬁg/riﬂr/ufl’ang/‘£55A?/Eﬁﬁ1Iy.M,Eu7rs=rﬁé01&[a «57 my £’>’£-W5 ./17$}: afr,/.‘»'m',"é2‘;:".rm::'-f‘:/,7 ﬂrrwénvav ._, . uusoc Lolnnnv RSSAR .9 \‘ . —-~"V X ozo Q ~\~»-»»— . 7 ' Ilords by L()NGI<‘ELL()W. }[u.;-g‘(- by MISS L, E_gTQ1)DAR]),. \‘ K ‘*2 Andante. 1 '|‘h¢ sun . is bfight, the air is clear, ’.l‘he dart I ing; Iwal ~— lows 2 A11 thingy . new, the buds, the leaves, ‘That giid the elm trees 3 Mai — do-n, \ that roads‘t this sim —— pie 1'?!)-IIIQ, l:1~. joy thy youth. it soar and sing; Tram the .~.-fate nod. ... ding (-rest, 2-v_.vu {lav smn will not stay, , my {the fra grarwo the blue —- bird i11g. -*'p.l'ing. There- are no ' getrs no-st. For Uh? it ' 1 May: May! blmx yarn ‘Rind ' V ‘ er flows, K It 5901119 thixms 1‘e....jn.i«p,o ‘ and low; 9.3;! _3oy- the spring; ‘ and Xollfh. the sky , ‘When. wait’ - ing ii]? <1e_1::,<m; ’ ~\_zI.~1 l93n‘11‘.4. from the the rest; For Time will tcﬂb South wind blows, freiszht — ed clouds heavens a — bove, melt — in; ten noon the truth, are no lie. night. ' nut!
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Title: Windmill, The, The Windmill
Date: 1897
Text: UUSIC LIUHRRY \I".Q¢‘-."" "“' v ‘-9: SUNG BY ME WATKIN MILLS. N92 IN CMINOR %i N‘?! INB MINOR \V/ / -—'>> \<*‘ THEWINDMILL . 44 A K‘) , U A K, x A mm M G? J | 'z- ' ln;mM um mu '1‘ L. ‘ ‘ , ‘D \., * J 2 /1‘ /J \- \ / r ‘d ‘§\*» 5 u T 1) L’) 9 N K) WORDS BY %@NG13@ELL@w MUSIC BY -PRICE 4:/; CHAPPELL 8cC<? LTP 50.NEw BOND STREET, LONDON,W. AGE NTS:_N EW YORK; BOOSEY 8cC.° Eup_yr-ighf MDCCCXCVH. b_y E'.happr-_-||XcE‘.‘ MAY BE SUNG...
Show moreUUSIC LIUHRRY \I".Q¢‘-."" "“' v ‘-9: SUNG BY ME WATKIN MILLS. N92 IN CMINOR %i N‘?! INB MINOR \V/ / -—'>> \<*‘ THEWINDMILL . 44 A K‘) , U A K, x A mm M G? J | 'z- ' ln;mM um mu '1‘ L. ‘ ‘ , ‘D \., * J 2 /1‘ /J \- \ / r ‘d ‘§\*» 5 u T 1) L’) 9 N K) WORDS BY %@NG13@ELL@w MUSIC BY -PRICE 4:/; CHAPPELL 8cC<? LTP 50.NEw BOND STREET, LONDON,W. AGE NTS:_N EW YORK; BOOSEY 8cC.° Eup_yr-ighf MDCCCXCVH. b_y E'.happr-_-||XcE‘.‘ MAY BE SUNG WITHOUT FEE. ORVLICENSE. fmlf .- 7 ’ To C. T. Johnson. The Windmill. Song. Words by Music by LONGFELLOW. HERBERT H. NELSON. Vivace . Be- COPYRIGHT, MDCCCXCVII, BY C‘-HAFPELL & C‘? -101“: here in my t0w’r, With my gra.nite jaws I de - Vour 2 -maizeyandthewheat, and the rye,And grind them in - to flour. > O f > >77?" " lento. [Sift lento. look down ov - er the farms; In the fields of grainl ..... .. The har.vest that is to be, fling to the air my arms, For Iknow it is all for Far off, fromthethresh- ing floors doors, with their sails, ........... .. the wind, the wind,in my sails ..................... .. <1 :>—~$f# cresc: 20376. ' me. I hear the sound of In barns, Withtheir 0 - pen rioso. And the wind, the wind, in my .19" Loud .. er and 10ud-er roars. ‘ f Tempo Primo. stand, I stand here in my place, here in my place! mf VWith my foot on the rock be - low, And which-e - ver way it may meet it .... .. face to face,As a brave man meets hxs foe. V 10 15112 lento. And while We Wrestle and strive , My mas —ter, the mil — ler, stands And feeds me with his hands, and feeds me For he knows who makes him thrive,Wh0 makes him I jqa a temfo. On Sun—days I take my rest; e” ]m a tem}$0. Church go-ing bells be - gin Their low me-lo—di0us din, ....... .. their me - di m .- - lo - dious din; cross my arms on my breast,Andall is peace with- - in, and all is peace with - in. /5 risvegliato. f Tempo Primo. Be — hold! be —~ hold! A > '/17’ Tempo Primo. A - loft here in my t0w’r, f gra—nite jaws I de — vour, With my gra - nite jaws I — vour f'\ maize,andthe wheatandthe rye,Andgrindthem’ in - to f10l;.I‘. Be - hold! be- G C\ F5 gi — ant V am I! r:-«, O of 20376.
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Title: Gems of English Song:
Description
Date: n.d.
Text: -1.2“-id.» an: . v nrtquun-uv—.n=,w»u...._. .«.wwmmM .d\u.w—ya..w.—.o.v.u!I—¢..t4t4al-uv:u»¢n:.u.5. . ‘tn:-11.. ..!..:IA.u..I.v»i.f,., ....‘...I.m..n..;.,.$m.n.-.Wu._ ._...:....._uuﬂuu.:..:.ux I .1. ...I..3I.uy|»x.-.x.uu.n.& 5.£m...m»mr.«!u.n_=1.u_m.m: A COLLECTION OF VERY CHOICE saws, wins and QUARTETS. WITH Ali’ ACCOMPANIZMENT FOR THE PIANO—FORTE- - BOSTON: OLIVER DITSON & COMPANY. c. H. nrrson & co., LYON & HEALY, J.‘ E. mrson & co., New York. Chicago. Philadelphia....
Show more-1.2“-id.» an: . v nrtquun-uv—.n=,w»u...._. .«.wwmmM .d\u.w—ya..w.—.o.v.u!I—¢..t4t4al-uv:u»¢n:.u.5. . ‘tn:-11.. ..!..:IA.u..I.v»i.f,., ....‘...I.m..n..;.,.$m.n.-.Wu._ ._...:....._uuﬂuu.:..:.ux I .1. ...I..3I.uy|»x.-.x.uu.n.& 5.£m...m»mr.«!u.n_=1.u_m.m: A COLLECTION OF VERY CHOICE saws, wins and QUARTETS. WITH Ali’ ACCOMPANIZMENT FOR THE PIANO—FORTE- - BOSTON: OLIVER DITSON & COMPANY. c. H. nrrson & co., LYON & HEALY, J.‘ E. mrson & co., New York. Chicago. Philadelphia. INDEX. AH! IF THOU\COULDST KNOW . . . . . . . . . . . . '. . . . .BALFE. A VVARRIOR BOLD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ADAMS. ALICE, WHERE ART THOU? . . . . . . . . . . . . . . . . . ..AsCHER. AULD ROBIN GRAY .................................. .. BALLAD SINGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Lnmay. BELLS OF ABERDOVEY . . . . . . . . ..S...“ WELSH MELODY.” BEAUTIFUL BIRD, SING ON . . . . . . . . . . . . . . . . . . ..HOwE. BLUE ALSATIAN MOUNTAINS . . . . . . . . . . . . . . . ..ADAMS. BRIDE BELLS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..‘ROECKEL. "BRIDGE, (THE) . . . . . . . . . . . . . . . . . . . . . . . . . . . ..LADY CAREW. BRIGHT BEYOND, (THE) . . . . . . . . . . . . . . . . . . . . . . . ..HOWE. BY THE BLUE SEA . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..SMART. CHRISTMAS SONG. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ADAM. ’ CLANG OF THE WOODEN SHOON .......... ..MOLLOY. COME WITH ME, (Duet) . . . . . . . . . . . . . . . . . . . . . ..CAMPANA. CONSIDER THE LILIES . . . . . . . . . . . . . . . . . . . . . . ..TOPLIFF. ‘DAY IS DONE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..BALFE. DO I LOVE THEE . . . . . . . . . . . . . . . . . . . . . . . . . . . ..WIEGAND. DO YOU REMEMBER. (Duet) . . . . . . . . . . . . . . . ..CAMPANA. DOUGLAS! TENDER AND TRUE...... ..LADY J. SCOTT. DRESDEN CHINA . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..MOLLOY. EMBARRASSMENT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ABT. ESMERALDA . . . . . . . . . . . .~ . . . . . . . . . . . . . . . . . . . . . . . . ..LEVEY. FAR AWAY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..LINDsAY. FLY FORTH, O GENTLE DOVE . . . . . . . . . . . . . ..PINSUTI. HOUR OF SWEET REPOSE.‘ . . . . . . . . . . . . . . . . . . . ..HOwE. I AM CONTENT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..SAINTON. I AM WEARY WITH ROWING . . . . . . . . . . . . . . . . ..BooTT. I LOVE MY LOVE . . . . . . . . . . . . . . . . . . . . . . ..PINsUTI. I LOVE MY LOVE IN THE MORNING . . . . . . . ..ALLEN. IT WAS A DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..CowEN. IN THE GLOAMING . . . . . . . . . . . . . . . . . . . . . . . . ..HARRIsoN. JAMIE, DO YOU HEAR ME CALLING ?.. ......MOLLOY.' KILLARNEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..BALFE. KING’S HIGHWAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MOLLoY. KERRY DANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MOLLOY. LET ME DREAM AGAIN . . . . . . . . . . . . . . . . . . ..SULLIVAN. I LIKE THE LARK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ABT. LITTLE MAIDOF ARCADEE ............ . ...‘.’SULL1vAN. LONDON BRIDGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..MOLLOY. LOST CHORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..SULL1vAN. LOOKING BACK . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . .SULLIVAN, LOVER AND THE BIRD . . . . . . . . . . . . . . . . . . ..GUGLIELMo. MAIDEN’S ROSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..HATToN. MAID OF ATHENS ......................... ..Ax.um. MIDSHIPMITE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ADAMS. NANCY LEE .......... ....................... ..ADAMs. NAZARETH (“Though poor be the chamber”). . . . .GouNon. NO, ’TIS NOT TRUE . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA'I"I‘EI. O SWALLOW, HAPPY SWALLOW. (Duet). . . .KUCKEN. OHI HOW DELIGHTFUL ..................... ..MoLLoY. O FAIR DOVE! O FOND DOVE . . . . . . . . . . . . . . . ..GATTY. ONE MORNING, OH, so EARLY .............. ..GA'rTY. ONLY A FACE AT THE WINDOW .......... ..GABRIEL. ONCE AGAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..SULLIVAN. PALM BRANCHES . . . . . . . . . . . . . . . . . . . . . . . . . . ..FAURE. RING ON, SWEET ANGELUS . . . . . . . . . . . . . . ..‘..GOUNOD. ROSE OF THE ALPS ....................... ..V...Ln~u.Ev. RUBY (“I opened the leaves of a book.”) . . . . . . . . . . .GABRIEL. SING, BIRDIE, SING ............................ ..GANZ. SING, SMILE, SLEEP . . . . . . . . . . . . . . . . . . . . . . . . . ..GoUNoD. SING, SWEET BIRD . . . . . . . . . . . . . . . . . . . . . . . . .. . . .. .GANz. SO THE STORY GOES . . . . . . . . . . . . . . . . . . . .......HATTON. SPEAK TO ME . . . . . . . . . . . . . . . . . . . . . . . . . . . ..CAMPANA. SWEET SPIRIT, HEAR MY PRAYER- . . . . . ..WALLACE. TAR’S FAREWELL ....... [ .................. ..ADAMS. TENDER AND TRUE ........................... ..Lm;. THERE’S NOTHING LIKE A FRESH’NING A BREEZE . . . . . _. . , . . . . . . . .. . . . . . . . . . . . . . . . .RANDEGGER. ’TIS NOT TRUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. MATTEI. TWILIGHT FANCY . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MOLLoY. TWICKINHAM FERRY . . . . . . . . . . . . . . D . . . . . . . .. .-MARZIALS. VAGABOND (THE). . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MOLLoY. WAKING AT EARLY DAY . . . . . . . . . . . . . . . . . . . . ..LINLEY. WEARY OF LIVING, SO WEARY . . . . . . . . . . . . ..GABRIEL. WE’D BETTER BIDE A WEE . . . . . . . . . . . . .; ...CLARIBEL. WELCOME, PRETTY PRIMROSE . . . . . . . . . . . . ..PINsU'rI. WHEN THE THORN IS WHITE . . . . . ..r....VON WEBER. WHO’S AT MY WINDOW . . . . . . . . . . . . . .;’;’...».,§.OsBoRNE. YEOMAN’S WEDDING SONG . . . . . . . . . . . HCPONIATOWSKI. YOU AND I . . . . . . . . . . . . . . . . . . . . . . . ......CLARIBEI... RING ON, SWEET ANGELUSI Written by H. B. mums. T \ Music by CH. GOUNOD. Andante moderate. (J -_— 76.) 1. Hark! ’tis the Angelusl sweet - ly ring-ing 2. Now O’er my heart a spell, gen - tly is stealing, O’er hill and vale,........ Hark! now the me1- 0 - dy maid- ens are singing, For Words too deep, ...... .. When to the wander - er, com - eth that feeling, the gale; ........ .. ﬂoats on the but weep! ...... .. he can but V-_._..............—? V & . . cres. poco. ' ad lzb/. m1 }- On such a night in years long per - ished, , n I too have- I’ve heard‘ the lute in du1- cet mea — sure,’ Neath state-ly mf% Those dearold lays, so sweet, so . cherished, When life was - When life was But ah! its tones brought me no plea-sure, A - far from A - far from tempo. Ring on! sweet An-ge-lus, “V17.” to Voi - ces long si - lent With thee are wak - ing from out V’ the years, ...... .. from out ' \‘ ad lib. 7 With thee are wak - ing from out the years! Oh 1 sweet An- ge- lus ring on! . sweet An - ge - lus ring on! Sweet Angelus rihg on! ring fx "F, una corda per — — den ~ - - dosi.‘ AHI IF THOU COULD’ST. KNOW. Trans. by J. C. J. M. W. BALFE. L Moderato. = H Recit. ' VOICE. O‘ wilt thou share an honored name; With all my wealth, with all my fame, Say but a word; I love thee_ on - ly, Adagio molto. I1-lume my heart,’ so sad and lone-ly, And all I have is thine, is thine. . ~ > A Adagio. Andante cantabile. Romance. Ah! could’st thou know the bliss of lov - ing, Could’st thou but know and test my faith - ful love, Ah! surely then, thou,thou would’st love me, 1 sure! Ah! sure! thou wou1d'st love me, Ah ! surely then, thou would’at love me, thou wou1d’st love me,then would’at thou . -+- . V I > . calla voce. ,3 poco accel. 3 Take, then, my heart, r'.\ ﬂu--H Thy name there-on in gold-en is deep en- dim. graved, ‘ And Since my heart I give to thee, Be - _ _ ‘T "U" —.—--———+- stow the like fair gift on me, be -stow the like. . . . . fair gift on me. 3 L Exchange, 0, gen - - - tle la. - dy dear, Enduring pledge . . of love sincere, . . . _y5;: GT6-S. ' \ of love SID - cere, > col canto. Ah! cou1d’st thou know how much I love Ah! could’st thou know how much I love Then, surely, then, then . ’. . thy love would be as - sured, as-sured . . Ah! la - dy dear, cou1d’st thou but know how much I love calla _ ONE MORNING, OH, so AEARLY. Words by JEAN INGELOW. Music by ALFRED SCOTT GA'l'l'Y. morning, oh, so ear- ly, my be - lov - ed, my be - lov - ed, _ . birds were sing- ing blith-ly, As if nev-er they would cease, . ’Tw:as the O . 13 Thrush sang in the gar - den, Hear the sto ‘- ry, hear the sto- ry, And the sang “give us 4 - - _ * .5- 3- pp e leggiero. ,———I\ > -glo - ry,” And the Dove sang“give us peace !”...... ecolla voce. Paco piu lento. 1isten’d, oh, so ear — ly, be - lyvff my be - ad lib. m lov - - - ed, To the murmur from the woodland, of the dove, my dear, the dove; When the m 6056!! 11003. Night - in - gale came af — ter, “Give us fame. G to sweet-en du - ty,” When the {GT Wren sang “give us beau - ty,” an-swer, “ give us love 1” She made 2'5 4:‘ j . riten. gf dim. 1" tempo >1. ban - swer, “Give us love!” She made an-swer, “Give us love !” Fair is f’ . F-\ / calla voce. A - pril, fair the morn-ing, My be - lov - ed, be - lov - ed, Now for” ._\ . . us doth Spring’s bright morn-ing, ait up - on the year’s in - crease, . ‘ . T. -'--N voice be heard that ask-eth Not" for and not for glo - ry, Give for -0-0 :- :1::‘;3E'3[:: ‘ 1!: 3,2: 4'4"’ _,,..._;__ _§_.- pp e leggiero. ,5 Pin lento". all our life’s dear sto - ry, Gi us and give us peace,——— Give for m m My Pin l'en?.-'/ /A - rall. alﬁne all our life’s dear sto - ry, Give us love, and give us . A A THE YEOMAN’S WEDDING SONG. Words by MARIA X. HAYES. ‘ ‘ Music by PRINCE PONI1:&TOWSKL ' > > \ > f"\ ‘ Allegretto gz'ojoso.> ' 0 --:3 . , ding dong, I love the song, ' is my Wed - ding ‘A ding ‘ dong, my steed, hie on, church will soon be ; g And the bride so gay in ﬁne ar - jThey must not wait, they must not . . . day will be now a - dorn late, they’d deem the groom un - will con brio. Tho’ I've lit - tle wealth but sov’-reign health, . .o _ The sun is high in the morn -ing sky, . .. . . And the m pl? When heart . am only‘ a yeoman - .- . . . . . . . A bri - o’er our heads _ doth {gar the land there’s none L a. - long, as we gal We. Ding dong, ding dong, we’ll gal-lop .i°;Ys ring. Ding dong, SL0. bells V /-\ /-K- ::-I V- I .. _, g g 3: - l A 3 = .—~-—~—e-:v——.—~—~—- L7 V 3 -. -, :4 L1 L1 L \ :: Ding dong, We’ll gal - lop a -_ long, ‘ A11‘ ﬂ ‘ D I ._JQ:5..__E,;;*', ’\ ,-‘~_,, ‘?:—E—E; \/ ‘' ~ ""‘“’ . E311: . 3 : E | - _:’_I’ i . ' l v_;f)“,;‘) : OJ fears and doubt - ing scorn ing, and doubt - inhg % scorn - -V g-——\{-s we’ve no time to Through the Val - ley we'll Solenne. 2nd time. wed - - ding 20 WHEN THE THORN IS WHITE WITH BLOSSOM. C. M. von WEBER. Moderato. When the thorn is white with — blos - som, And ‘tﬁ foun - tain ﬂows a - gain; Tell me, Mo - ther, must I ﬂy him, If he seek me on the plain 4 meadow ;‘ Where the primrose ﬁrst is . found, And be ..neath the spreading‘ beeches Many a vio -let decks the grouzm, W hen the thorn is white with hlos - som,_ And tﬁ foun‘ - tain Should I at the raﬁ of .2 twi-light, Hear a -‘far his ﬂute’s soft lays? Mother, must I close the lat - tice, If V know for me he wil-low when en- g1'av’d, I ﬁnd my , I I lin - ger long to read it, Shall I hear my Mother blame? Whenthe Tell me, if dew-Ay garlend Hang be- - side my summer bow’r; Twin’d with L 1‘ : ' ;—a*_n*_r‘_: §—€:i$E— If . 9-1- . \./ the s~—-——a’————a*-——~—‘e——d- r:_?: a And }- '*’,l°__d““—”* ;._ with blos - som, ear - ly ﬂow’r. tell me, would you chide me, P— ——0:,"———g9———a—— «—a——— *+——— a--o-——~:e— is wh1te '.’*—'P“'—,'?‘9.—““ 1*‘ Mother, ~r——r thorn % 1-1 4 I And each fair - est j 6.. ; 5:}: '——s ',w__1,___‘_Vp When the d\ "“*§:q _fc::p::;a.____ '1 know he plac’d it there? :“::c“‘ —”L“ ﬂ _ 3 9. _ §:_'p“T""fC ‘W I fra -‘grant myr - tle, If 2'”-:3 . /. o\ ‘ 5 I,.._.—.._ iﬁwk-—+:.}—n—e round my. hair? ﬂows a__ . E§__ 1t leaves of H- $4:4:r_._ . bound °» foun - tam DOUGLAS. Woras by Miss MULOCK. ~ Music by LADY J. sco'r'r. }-- 80Cl’U(’». “ ‘ .6. 2. Nev-er a— scorn - ful word should pain you, I’d smile as sweet as « E- gels do. 4. I was not half worthy of you Douglas, Not half worthy the like of you, Now OJ P-ow Sweet as yoursmile on me shone e - ver, Douglas! Douglas! ten - der and true! all men besides are to me like shadows, Douglas! Douglas! ten — der and true! 3. Oh! to call back the days that are not, 5. Stretch out your hand to me,\ Douglas! Douglas! 2 « D . Mine eyes were blind-ed, Your words are few. you. know the Truth now Drop for - give-ness, from Heaven like dew, As I lay my heart on your 12'“- up in Heaven, Douglas ! Douglas 1 ten - der and true. dead heart,Douglas ! Douglas !Douglas! ten -der and true. hear 1earn’d «» 2 the thresh’s to hun - 8m 89*‘: mm: OF SWEET REPOSE. 8va~,,,, 8zva~¢,N 8va -éi $’='“.~_'-‘E T. H. HOWE. +~O~O0~I~l‘ 9 2 -P.. . light is fa - 1ife’s brief spring '5' 8w 1 1: V 1. The 2. My 8va,,, obooovz \__,. -p1y.... I -less-1y,....I 8va mul - - ti fruit - oooooog have borne With toil and you, love, oh, hap-py ‘ But I seng, ' found walt, I 822a ev’ - nin g strive _ and 82205 o~4~o-o~t4- 4-ro¢o~o§ M J _I,_ _ - ‘ . . . \—w ‘I: so long, But I have borne with toil and wrong so I so late, ’ long. I found you, love, oh, hap-py fate, so late. 1' -é- .; q I-' :7 ‘ ____‘,2:: ': _____.___,____ im dreams N ow all my drowsy sen - ses drown, So dar -‘ - my ﬁelds are turning lin brown, So dar - - ling :9 M9 iv: ' kiss my eyelids down, Dim dreams my drowsy senses drown, So darling, darling, kiss. . . .my eye-lids down. kiss my eyelids down, Now all my ﬁelds are turning brown, So darling, darling, kiss. . .my eye-lids down. '59‘ 19' av- Oh! blessed sleep, oh! perfect rest, , f O, tender heart since you are here, i . Thus pillow"d on your7faithfu1' breast,’ ” V ' Sweetlove my.soul’s suﬂicient crown; Nor life, nor death is wholly drear, Now, darling kiss my eyelids down. “LIKE THE LARK.” Words by J. oxmmromn. Music by FRANZ ABT. .Op. 174. No. 2. Allegretto. ’ Lively. ""\ ht. Voxcn. _._——-L’ 1. Like the Lark, would I were sing - ing Thro’ the a - zure plains on 2. Like the Lark, Would I were drink-ing Draughts of pur - est morning 3. Like the Lark, ’twixt earth and hea - ven Could I free - ly ﬂoat a- —-h I } 2nd. Vorcrc. Allegretto. . 0 - ver hill and val - ley bring - ing, Till on dew - y ﬂow’ - rets sink — ing, I would ri - vet earth to bee. - ven, Dreams of V I could With the 0 - ver hill and val - ley, bringing Dreams of Till on dewy ﬂow’ - rets sinking I could I would rivet earth to hea. - ven With the I 1 I i spring a - long the sky, Dreams of spnng a - long the sky, bask in fragrance rare, I could bask in fragrance rare, ma - gic of my song, With the ma - gic of my song, } bringing ‘sink - ing, hea - ven hill and val - ley bring-ing, dew - y ﬂow’ - rets sink - ing, to hea - ven, 0 - ver Till on I would ri - vet earth spring along the sky. bask in fragrance rare. Ina - gic of my song. 29 .__.;%——: 3.?__. 0 -Ver hill and val - ley Till on dew - y ﬂow’ - rets I would ri - vet earth to Dreams of spring, a- long the sky, Dreams of I could bask in fragrance rare, I could With the ma - gic of my song, With the >’* VIRGINIA GABRIEL. Allegretto. dolce. I 1. On - ly a face amt: Window, On - ly a face, nothing more; Yet the look in the eyes as they 2. On - ly a smile of welcome, On - ly a smile as I pass’d ; But that smile will still be re - I 3. On - ly her love I ask for, On - ly her love, and yet! The sweet boon I can ,- not .1 7 ‘l 4- -2- «is 14 :1-*”—‘:«¢#-=11-1 —1——-— :=.=v— so I must strive to for - dim. for 3d Verse; ﬂ L . . I 1 T‘ - 3 J L N A v. I ‘4— 3» I Y5 \ of greet - ly a woman you tell ly a wordlow-ly spo - . D J‘ I I ‘1_;_ __ w__ __.:a._~.__ = L Still comes to me o’er and as my life shall As long And so I must strive to for ’o’er, last, 89*‘: in me, ken, _ .-a; -i'_':-g-4T.'J J :"*‘=7:3—w~~ H j / l l l -1- --l— -.- 19% ~—_~¢!:az ‘ ' _ :d: U“ 0 g: 01 I , m___ —_ ——1——— al—— I , ——- ‘"36 E—"*’"--;;«.r;""-_—_EF—_“'-E’-_':':-‘lEF_E mine for - ev 7- er and aye dim. A j_.:._ _.N Nﬁja . _‘ g E; ———+<~~ ——_....'~'.u'a‘?i§ L x 5‘ ‘N L N E°:ﬁiN: . C _v_ echoed Like the sound of an an - R *1 -1* -N l‘ V :7 On -ly a Worchthéit was all; On - ly a woman! to thee: On - ly a. “yes,” would she say ; Yet all day in my heart it gel’s call. But there’s naught that this mere earth containeth Half so dear as this woman to me. It would give the sweet face at the window, To be mine for e - vet and aye. Zst d§‘2nd Verse. 33-1! -9- -9-!’ 7" 9 _'L:;_’f;:E.Ei:§_ 32 Words by LOUIS C. ELSON. Andante mosso. sotto voce. /Z-\ Sonnxo. Come, sotto voce. Cos 1-nmo o Bnsso. Come, Andante mosso. 3 79"‘ W ing, Midst the even - ing my ‘loved my loved do SC&l'CC 3. 3 ing, Midst the even -, ing +-—- m xx 3 1% /4’ scarce a p__ _ /‘S _ f_!‘__ U murmur is V murmur COME WIT H ME. Musié by F. CAMPANA. > \*.Z . wlth sweet s1- 1ence- sur - round - 3 V \~.—/ . Wlth sweet s1 -lence sur - round - . come love Come, ah ! come love I) ‘all: X A IV F ﬁ_a7_TJ ""'_N' ‘ F‘-‘j-o——3ﬁ _i‘:nf:'." 4, a:E r I I . .7 C 4 ll :1 7' 0 V 4 r L :- -: A a .g—»-——gv——:—- 3 . -~3——— — ————V V where the zephyrs are bound - ing, L 11 Come, oh ! . g_z ’t1s the hour [7 ‘ __ /A e then, of love. _4q V3 \ .1 .1-« “ I -,‘7'- e where the zephyrs are 536'—————c u bound - in g, a——§—%— -39 \—-/ I Come, oh! come -,1 .2‘ =“ 2 ji‘ 71 - --§i"'1':_ﬁr““”'1:‘ 3 3 ‘.2 111' \ then, "tis the ho of love. ..-ﬁ- ,___1n:: r’ | .. V‘ ’_ | 3;? I =:§Es¥::; » pk I L _—5: L P :1 ¢ _,_____ _J. a tempo. cantabihh i the calm hour of love and of Now is the calm hour of love and of slumber, \.é “"/ a tempo. slumber, Na-ture a-reund us is tran - quil -ly Na.-ture around us is tran-quil-ly gleaming. f_____.._.__————-—*=’— gleaming, Waves are sleeping and re - ses are dreaming, Soft their pet - als they si - lent - ly f Waves are sleeping and res - es are dreaming, Soft their pet -.a1s they si - lent- ly f _,_ -p- __ -92- 3 close; . Come, . . then, . . then, ah! . Come, oh! dear one, :L___l: i_ close. Come then,come . . then, come, oh! come . . then, ah! . Come,oh! dear one, $-——/ while the stars without "in the a - zure of heaven are shin - ing, While the 3 3 . 3 V the a - zure of heaven are shin - ing, While the \_J _ , while the stars wxthout num - ber a tempo. n c n 0 o u 0 V moonbeams with thelr hght are en - twm - mg, Gently 1n - spn‘ mg these new songs of love. rall. \.’1—/ . .\3-/ . . 3 . . . 3 , s moonbeams wlth then‘ hght are en - twm - lng, Gently 1n - Spll‘ - mg these new songs of love. Ct tempo. a f ‘D ff . '.L’ 77 col canto. pm ammato. con grazia. ———c Now is the calm hour of love and of slum-ber, Na- ture a -round us is tran - quil-ly gleam-ing, Waves are sleep - ing, and are dreamihg, Sofi their pet - als they hour, Waves are sleep - ing, and are dreaming, Soft their pet - als they drow - si - ly close, Come then, oh, dear one, the stars without number, Midst the a - zure of drow - si - ly close, Come, oh! dear one! f/f heav’n now are shin - ing, While the moon-beams with star - light en - twin-ing, Moves our com-ca/love, While the moon-bearns with star - light en - twin-ing, Moves our calando a hearts to. these new songs of love, love, hearts to these new songs of love, _/ .2 . p calcmdo Ct poco. /-\ f cadenza. /-x love. Moves our hearts to these new songs of love.Moves our hearts to these new songs of love. f ‘ f"§ T J1 /A V3 3 ms 3 Moves our hearts to these new songs of love. Moves our hearts to these new songs of love. /5 col canto. fﬁ DO YOU REMEMBER‘? Translated and adapted by THEODORE T. BARKER. Music by Sig. CAMPANA. ff . T Andante sostenuto. con grazza. 3\ Dost re - call ......... ..that summer night, love, When the Dest re - call .......... ..that summer night, love, When the heav’ns we gazed on to-geth - er, How with pure ...... .1‘ .......... .. e - the -‘real heav’ns we gazed‘ to-geth - er, How with pure ..... ........... .. e - the - real v con espress. ‘ a tempo." i _ __ I H -4__I \ Planets gem’d the veil of blue. Planets gem’d the veil r-\ » pathway, thy star resplendent, As we Watch’d it, did mine pur- partanle. ._7_____ __j_ In its my star resplendent, As We watch’d it, VU'U'd" 19a" 3'“ U"‘ 3'‘ Spoke of love, .......... .. and then as - cend - . ant, did mine pur - sue. Spoke of love, .......... .. and then parlcmte con grazia. -3 L H _ _ :5 . F i 2‘ 7*. N ‘i"%‘—:'-'—._3‘I! F-'1. -,'1'::t—*'::_—‘;’::i:,.'.:::!:!:i:;‘::. -,1 a 5 -,1 ~ #1 : to view, Dost recall that summer night love,when the heav’ns we watch’d to- ﬁ+—¢-—:~—:=e>~=-- t V @g_:,-% *”g::::§ﬁ::§:::F__ - i -I. gether,HOW with pure yes ! recall .—{. -0- .0. Brightly Brightly ﬂa.shing,While we gazed was lost to view, e~therea1 light,love,Planets ge1n’d the veil of blue, accel a poco. Dost re- recall it, stacc. accel a poco. Z—‘$ When I {-_:—---T whis - pered of love, the e When I whis - pered of love, the a tempo. ﬂashing,Whi1e we gazed,Was lost to view. :j*+_.:§ In its course thy star re- Spoke of love, and then as-cendant, In a ﬂash was lost to "at: spléndent,as we watch’d did mine pursue. Dost recall recall ' . recall . While I f _ 0077. 9711226! . whispered of love, the V plan - et .......... .. Brightly ﬂashing,As we gazed,Was lost to /V \ -~\——~—- whispéred _ of love, the plan - et .......... .. Brightly ﬂashing,As we gazed,Was lost to >._..i___>/ "*.__ _ own ........ .. . love, oh! dearest view. Oh dear - est ‘love! " L1;:;;:5,:j; :~:+:-,=--e=:~—‘ :¢423;3_—* §"_§?&*:_i:’.53ﬁ_” _& ,_ U ‘ a tempo. 7-all. a piacere. love, my own, dear - est. own love, yes, all m-——-——~———r:\—— ._._. yes, all col canto. DO I LOVE THEE‘? Andante quasi allegretto. Do I love thee? ask the bee «Q lea, Where the ho - ney—suc - kle blows, rall. a tem_po- e forte. A /\ K>='- she an - - swers yes or no; J. WIEGAND. Op. 34. 1 /-——————%— 12¢ -0- If she loves . . . . the ﬂow’ - ry 1" 1‘ -e-§ — And the fra - -_ grant clo - ver Dar-ling, take . . . my answer bird . poco. ac fair ? poco. ac When her ma. Flee - cy cloud, . - swers yes or no, . . . Darling, take . . my answer Do I love thee? Ask the -—==-;"' f _/-\ poco tin song is heard, If she loves . the sky so .'y"- a tempo. /\ {T - ran — —— do. Amll. . and1i- quid air? . . . As she an - - swers yes or i‘ - ran - -— do. rall. Darling, take . . . my answer so; . . . As she an - - swers yes or calcmdo. Dar - ling, take . . . . my answer I PP slower. con espressioize. . Do I love thee? Ask the ﬂow - er If she loves. . the ver-nal 7126710 1770880. 7 crescendo. shower, Or the kiss - es of thé Or the dew when day is :‘: _ calcmdo. j: _ - I 1- %. tempo 12720. /\./’'S K __- _ ‘T ' -9- -I— - swersyes or Darling, take . . . my an - swer \ f tempo Imo. .4 . /1 As she an - swersyesor no, . . Darling, take . . . myanswerso. .4-\ !- 49- . ’ 1:: :t:: ‘- calamdo. , my morendo. { THE‘. LOVER AND THE BIRD. P. D. GUGLIELMO. _ Allegretto non troppo. > ' _ mono. ad lzb.8va. ECHQ > j (5 {- -0- -0- > er-r —— — ~—; I717!’ Thou Wilt not ﬂy, Why shouldst thou fear Vain ﬂatt’ - ring hopes; Oh! do not leave :—- ‘ love, of love on - ly sing; Those hon - ied notes thine, love, of love on - ly sing; Soon from my dreams shall I /- /- Thro’ me are ' - ing, This heart, long de - spending, with pleas - ure ﬁll - ing, Wa - ken to - row, To - day give me rap-ture, I’ll weep to - mor - row, /f r :l: calla voce. -e i -[ sweet - ly to cheer me, Sing e’en to de - ceive me, -'- KT 1: z’mz‘taiz'ngly. /"'5 Zarg/zetto soszfenuto. porzfando can form e passione. m r:\ A. ah! ah! Ah! songster ' - ty me, Why poo-tamdo. /__\/‘___\ Tempo Z. Isl. of rap - ture like thee ? {-0- /3 “WED BETTER BIDE A WEE.” SONG. Words and Music by CLARIBEL. ANDANTE MODERA T0. auld folk at hame, ye mind, Are frail, and fail - ing » we told our sto - ry,V lad, Their bless - ing tell me sair, they’re fail - ing baith, For when I sit Weel I ken they’d miss ' came hame gave nae thought to self ' but think talk 0’ heav’n sae ear - _ _ nigh breaks out, the times are hard, that's a time a. - Wa, din - na urge me mair, kine are on mi - ther’s like - ly winna We’d better hide a. Wee. 3. folk now, folk now, folk now, the the the We’d bet - ter We’d bet - ter We’d bet - ter auld auld auld We’d bet - ter We’d bet - ter We’d bet - ter folk now, folk now, folk now, We’d better hide a Wee. 3. bide bide bide ’TIS NOT TRUE. Translated and adapted by THEODORE T. BARKER. Composed by TITO MATTEL ,. Amlamte. ‘ Is't not true? TL When be - side thee ,' mf _.__+_#M S dis - coursed to thee of love, Dost thou still re - call to our throb - bing hearts did prove ? thee I reclined, — coursed to thee Ah ! ,.'% . — -—r 4.<~——-:——— « E. 2:E33§:::——:m,="4g§3?3;?:,, _ 4 * ?s=7—1;3e:ﬁ-jﬁi ' ’”%* _,:‘“d"~0#-*—5-I‘-" A ’:g'Z—gT.J:"' “'*“‘ if _ ores. L no, "(is not true ! I} pin mosso. { Dost thou still j 4 4 :3- fz No, ’t' not true! W.‘ "‘n dim. «i rall. j}'— A beating hearts then ............................................. .. did prove? a tempo. No “(is not true! 4 Ah! Dost re - mem - her? thou did’st say, /:\ ._._4_. __ ._ 0- -0- —y~ ‘ mall. I \'_—Z ‘'12 ~—-—-—/ .” 77 NW ‘love thee thro’1ife as now? But ’twas false ‘- hood From the heart ne’er came the ber, thou did’st say ‘I Thee I’l1 love thro’ life L -F?- -9- _H f £:::r—"":_; :’f:C::£E"_ -0-?» k fz No, ’tis not true ! ~ . H No, ’tis not true ! :9: . _1 _0_ - '-.' :0: o {;:¢;_.__ ' ‘L "*ﬁ§&p f Piu mosso. false - hood dim. mi mll. ,2»- heart that spoke ...................................... .. the ff:\ No, ’tis not true! . No, no, not true! ........... .. TWICKENHAM FERRY. NOT T00 QUICK. who’s for the fer - ry? ‘ bri - ar’s in bud, “ I’m for the fer - ry,” The bri - ar’s_ in bud, late for the fer - ry! The bri - ar’s in bud, THEO. MARZIALS. Ho - ye - ho, Ho - ye - ho, Ho! you’re too go - ing down, And I’ll go - ing down, And it’s go - ing down, And he's 0 1 0 row ye so quick and I’ll row ye so stead - y, And ’tis p but a pen - ny to late as it is, and I haven’t :1 pen - ny, And how shall I get me to not rowing quick,’ and he’s not row -ing stead -ly, You’d think ’tWas a jour -ney to Twick — en - ham Town. The. fer - ry - man's slim and the fer - ry - man’s young, And he’s Twick - en-ham Town? She’da rose in her bon - net, and Oh! she look’d sweet As the Twick - en-ham Town. “O hoi, and 0 ho,” you may call as you Will; The /5 just a soft twang, in the turn of his tongue, And he’s fresh as ' a pip - pin and lit - tle pink ﬂow - er that grows in the Wheat;With her cheeks like a rose and her moon is a ris - ing on Pe - ters-ham Hill, And with Love like a rose in the Twickenhaxn Ferry 3. brown as a ber- ry, . And ’tis but a. pen - ny to Twick - en-ham Town. lips like a che - ry, “ And sure and you’re Wel - come to Twick - en -ham Town.” . stern of the Wher-ry, There’s dan- ger in cross - ing to Twick - en -ham Town. - hoi - ye-ho,H0 - ye-ho, HO - ye-ho, ‘In lckenlmn Perry 3. FLY FORTH, Oh. GENTLE DOVE. SONG. Poetry by F. E. WEATHERLY. B. A. _ - Music by CIRO PINSUTI. Andante grazioso. ,. n1 1. I sent a let - ter to my love, 2. And when beneath her bow’r thou art, bright with 10v - ing words and sweet, I gave it to a ten - der dove, seest her lean - ing from a - bove, Fly up -ward straightin - to her heart, /——§_ -0- +- _ 1: con grazia. car - ry to my dar1ing’s feet, Fly forth,0 gentle dove, I nes - the in the warmth thereof. — My love will love thee for my 2'5 un poco rall. tempo. >2‘-'5 cried, Spread westward,spread thy pinions ﬂeet, And give thee welcome, hap-py dove! sake, .< my bear my let-ter to my bear my let-ter to ores . — rall. con anima. H / -<r And O’er hi11s,a11d woods and meadows wide, And Then westward swift thy journey take, sweet ! ............................................. .. love 1 ................ ................... .. . .... .. __,.:.—:>,_____ __e:_mI__. t I I;gi:eEE§l V-9 \ L L p_e__.. I I T I EA 7 j- Fly forth,O gehtle dove,I cried, Then westward swift thyourney take, -0- *" '9‘ "Z 3. _ _ '9‘ $1 1:: 3;- 1;. j‘_’_‘._ love ! T‘ .. ” I E __ __,_ I '1 .9 9 _ n I ll .7.- i__ I '/’:y[;__ __:_'L_._'._§”_i :I_-_ I__- U " ‘ r f segua il canto. -9- And bear my let - ter to And bear my let - ter to my love! /3 : I I Y I' ‘ ii. I I LII I I , :t:r" d:!:ﬁ!:::____- ‘ T’ :2: ‘T 5.‘ col canto. I 'p‘ ‘E’ __y E :' I 0 ;"7f‘?:::}:E::;,_._ -—‘-E g 3 L I ‘J ' I I >- _¢{ 29/-N !molto. rall. -————-———-J.w——+~ my sweet ! to my love ! bear my let - ter to bear my let - ter fh col canto. J leg*g-Z-“em MAID OF ATHENS. Words by LORD BYRON. A Music by HENRY R. ALLEN. Andante con molto espressione. /" "‘ .1. E: ‘L: ,_ 1. Maid of Athens, ere we part, . . . Give, oh, give me back my heart! . . . 3. Maid of Athens, I am gone; . . Think of me, sweet,whenn - lone, . . . . ..'j.. -5- Or since that has left my breast, . . Keep it now, and take the rest! . . . . Tho’ I ﬂy to Is -tam-bol, . . . A - thens holds my heartand soul, . . . . .i_ 7 — . — -.2 .1. con tenerezza. piu lento. Z § 1% Z.‘ \ \ 5. 11- 4"——— —p;p_ . __ __‘_ E’ is ' i .; , _ " Li’ '—#--:I—: = rx ‘r 1 rw a _.. '____ '_ ‘_ 1 01 . - 1:1.-_,_. :3“ 5 ' - d_a I I , -—g—— : . $1 :1! 21 '~: —:i 4* I 7 ‘I r r 1 7 Hear myvoW,be-fore I go,Hearmyv0w,be - fore I go, My life, . . . . . love thee, Can Iceaseto 1ovethee?no?CanIcease to love thee‘?no!My life, . . . . . I love thee, we ’ yo \ x . ....... - 1 :;%;‘|:: \ ' ; :=?- 5 . . 1. “ ,'.",‘; ‘L a_#'_U 9 U‘ /1 E1 f’ . l ‘ *t:*'il9“' ' ‘.2 ' ._.._..E._ g_.__ AfP"‘°" ’*"Ped. :>§<:Pecl. :§cPed.bi¢ dear - est life, I love thee, H Hear my vow, before I go, dear - est life, - I love thee, Can I cease to 10vethee‘?no! secondo la voce al fine. 3f 8f I Iove but thee. Ending for verse. .94 .9- ’-3!-’ 2. By those tresses un - con-ﬁn’d, . . . .Wo0ed by eachZE - ge - an Wind, . . . . -ax ' ' / 'v“\ thy soft cheeks’ blooming tinge, . . . By those lids whosejet - ty fringe, . I cease to love thee? no! . . . . Can I cease to love thee? no! . piu lento. By these wild the roe, Hear my vow, be—fore Can I cease to thee? no! Hear my vow, be-fore . I /‘ /6... con tenerezzrz. est life, I love thee, life, . . . . love thee, [9 awzpo. Hear my vow,before I I love but thee. I AK /"“"\3¢- -d*‘**d* _a_ _ _ _ U _z L _ {ct tempo. seconds la voce al fine. a’ & V‘ IN THE GLOAMING. Words by META ORRED. Music by ANNIE FORTESC UE HARRISON. u1JV'D.x1.7V'TE. the gloam -ing, oh, my dar - ling, when the lights are dim and IOW,—- And the qui - eta sha. - dows fall - ing, soft; - ly come and soft - ly go-— .71gz'Zato . When the winds are sob_ - bing faint - ly with a gen - tle un - known Woe- Con mzima. Will you think of and love me, did once long a. - go? the gloam - ing, oh! my dar - ling, think not bit - ter -‘ 1y In the Gloaming. 3. Though I passed a - way in si - lence, left you lone - 1y, set you free, 75'-' my heart was crushed with long - ing, what‘ had been could nev - er .best; to leave you thus, dear, best calla woce. T A was best to leave you thus, . . . . . . . . .. Best or you and best for me. ...... .. I9 2 In the Gloaming. 3. q SING, SWEET BIRD. Written by L. M. THORNTON. Composed by WILHELM GANZ. Moderato. _p_ ‘*1? 7%: 1.i Sing,sweet bird,and chase my sorrow, Let me lis - ten to thy strain; Fromvthy warblings 2. Morn and noon and dew - y e - ven, Anxiously for thee I’ll Wait; Come thou cho - ri- poco rz'ten'uto. I can bor — row That which bids me hope again. Hover still around his dwelling, - ster of heav - en,Cheer a soul dis - con - so-late. So shalltime fond thoughts awaken, n There is pleasure where thou art; While thy tale of love thou’rt telling, Say—-who can be sad at heart, Joy once more shall live and reign, And the harp so long for - sa - ken,Yield its dul - cet notes a - gain, 710 giojoso. While thy tale of love thou’rt te1ling,Say who can be sad at heart? Sing,sweet bird,Sing,sweet bird,Let me lis-ten /3 ""coZla voce. ‘ . “ _p_jp:}::;::-;—:"_:f:g;j ‘l'“‘—"ﬁ" 'l“"'_"7" "'“'"”"" “ rallent. T L’Istesso Tempo. I I a tempo. f 5‘ f grazioso /' \ -0-——v¢———s.;»—— A_ to thy strain;Sing,sweet bird,Sing,sweet bird, Let me lis - ten to thy strain. Ah! - - sing,sweet L’Istehsso Tempo. Z13 calamdo. bird, Ah! _ . sing,sweet bird; . - . . - . . ' - . sing,sweet bird, Ah! poco mllent. ’ calla voce. a tempo. f Aw- __-g.L_ - si11g;s\veetbi1'd,A11!. . . sing,s_weet bird,Ah! . . . sing,sweet bird,Ah!sing,Ah!sing,sweetbird. C7"6S. /\ _ __..___-_. ; .1: # 5- L"”‘°',Q'2d time. $——/ . . . . Smg, sweet b1rd, sweet bxrd, me 11s - ten, let me lis - ten L’Istesso Tempo. - f grasioso /_/-\. R\ (1-5 strain. , Ah! ’ - ~ sing, sweet‘bird, Ah! - . sing,sweet.bi1'd, . L’Istesso Temlfo. A poco ralleni. calla voce. > dole-e. //"-:—$ .4- - sing, sweet bird, Ah!- ~ - - sing,sweet bird, . . . . - sing,sweet colla voce. sing, sweet bird, Ah! sing, Ah! sing, sweet /3 VVEARY. Words by FLORENCE L. CARTER. 33. ._,_ 1. Wea.- ry of I liv - ing, so wea-ry, 2. Wea-ry, so wea-ry of wait-ing, 3. Ti ~ red, so ti - red of drifting, SE ﬁnd for the sad heart and dreary, something to love, and to love me, . tTi-red of breasting the billows, Music by VIRGINIA GABRIEL. Longing to lie down and die, .......... .. To Waiting for sym-pa- thy sWeet,..‘ ........ .. For A-down the dark stream of life, .......... .. The end of the pil-grim-age nigh ......... And pleasures that are not so ﬂeet .......... .. For a The billows of toil and of strife ............ u ......_._F__._\._. in‘ in‘ ‘ E E :§~-——¢:—Jqi'—~a‘——F——J' ——a'—:- :1 Wea -ry, so Wea - ry of wish - ing, hand to be laid on my fore - head, Wishing and waiting "so sad - 1y, voice that is hush’d to me step that to me was sweet VWi1l-ing to _die, oh! so ev - er, or eyes mu- sic, glad - ly, If V 7 For a form that has gone from my sight, ......... .. A glimpse of the golden brown hair, .......... .. For love that was sweetest and best, .......... .. that to And a brow that was that would bring qui - et me were no - ble S0 and and AM CONTENT. Poetry by CLARIBEL. Music by C. H. SAINTON. Andantino. I Andante ad lib. I am content, I am content, K3 S75’ Tempo I0. I am content to be dwelling in shadow, It on - ly the sun-light may sweep 0-ver thee; I am content if the shadow fall o’er me, If rain-bow of prom-ise shine clear -er for thee; V In I am eontent,tho’ the thorns bearound me, If on - ly the ro - ses be show-er’d on thee. I am content,tho’t/he cas-ket be empty, If _on - ly the jew - e1 have fall - en on thee. ﬁr I am content, tho’ the northwind be cruel, If sweet southern breezes be comforting thee; I am content with the des - o-late valley, If on - ly the songbirds are sing-ing to thee; ‘ ———a—4 ———3 — ' jig" *: -if mf am content to a - bide in the darkness,If on - ly the starlight shine brighter for thee. am content to drink drops of enjoy - ment,If on - ly the fountain fall freely for thee. Tempo lo. I am content to be dwelling 1n shadow,If only the sunlight may sweep over thee ; I am content,tho’ the thorns be around me,If on - ly the toss - es be shower’d on thee. ea I LOVE MY LOVE. Words by CH. MACKAY. Music by CIRO PINSUTIi Allegretto moderate. Moderate. 1. What is the meaning of the song. TE 2. What is the meaning of thy thought, 0 3. 0 happy Words! at beauty’s feet, We ' rings so clear and Thou night-in - gale a - mid the copse, Thou - maid -en fair and i There is such pleas-ure in thine eyes, Such sting them ere our And when the ear - ly sum-mer pass, And 77 A 1, ores.-— ‘ - p e leggfero. T; I) 3 3 . I 0 U . . :__ f»R9——,-—*—do———.P F , . . . 3,12 1 L4 L1 L1 L1 ! U. . S . - :1 v 51 U '1 r "’ "“" . r I ' _ :7 1 [I g o/1 T‘ lark a — hove the cloud? Thou lark a - bove the cloud? What says thy song, thou mu - sic on thytongue; Such mu - sic on thy tongue; There is such glo - ry care comes on with time, And care comes on with time. Still be it ours, in -1!-“"‘_“—.,-«£3 —-———! _ : i T ::3:d '~—a' - ! poco ores?‘ T ‘ -—%L_ ___'__’__I’_,_ ._ 0 I: . ‘ * I i L ' f‘“‘ V . 1 ' .‘; Ir‘. . L I‘ 4. . 01 F I I "R T : _C 9 . ‘ I ' j ‘ I ' . :1 E . _ y . , K ‘ _ _ .;___. _ joy-ous thrush, Up in the wal-nut tree? VVhat says thy song, thou joyous thrush, Up on thy face, What can the meaning be? There is such glo " ry on thy face, What Care’s despite. To join in cho-rus free, Still be it ours, in Care’s despite, To 1""'- 1"""‘ -n—'a' 5 .r_'__0' sf 1 7 I -1 N I 1 ; 7 '_ ‘_ __ ‘_ I __]_ _ _,..i- —“a_S~5_——~ F‘ 0 un pcoo. rf _ ‘ , ~ : J 5 ' % #1 — -.;—,a—p—,0— . __,___ _ -'—+*. 9-4-. 9—‘j: I ! i g . 1 J ' * - .—--——-—‘ ——-—"=»— U=‘ I 0 , 1 I riten. in the Wal -nut tree? What says thy song? What says thy song can the meaning be? ' O maid-en fair! 0 maid ‘ BU fail‘ 3 join in cho -rus free, The hap-py Words! The hap - P)’ W01‘dS! -0 CW3‘ "““:-—--—:;’:f pt'mt'land0 la voce. .94 .9- /"“-x __t:;.._.:£; *" " 7.8 Allegretto moderato.. love my love, I ——+ -—+- -“- _‘_ U f“ “" - y 3 _ ._ my love, because I know my love loves me,” I love my love, I love my love, be- . _ I 1st 42 2d. r9‘rf2“‘“a.v""'! g .3 r l@,*,‘ 1 :5 . : 9 L .9 ‘Q’ ———-—— ' . . “ .' '.1 é D 5:.-#3 '7 7 L‘ e cause I know my love loves me.” BRIDE BELLS. Words by FRED. E. WEATHERBY. B. A. Music by JOSEPH L. ROECKEL Allegretto. m f marcato. -12- El - sie roams by lane and lea, Her heart beats low and sad, Her th0’ts are far a- year by seas,A year by lands, A year Since then has died. And E1- sie at the way at seu,VVith her bon -‘nie sai -lor With her bon-nie sai - lor lad.“ But a1- tat stands, Her sai - lot at her Her sai - lor at her side, While 3 l I e.= - J 1.‘ l {I 0 0 0 n V E I . T: I 4 I ' ‘ 0 - I i"“""“.P ,' 1 Klzizg, Zmzg, Zing, She seems to heather bride bells ring, Klivzg, Zamg, Zing, Kling, Zomg, Zing, Their bon-nie bride bells gai- ly ring, Kling, Zcmg, Zing, . 1 -_ _' I l -9 7 v _I_ . _l l 4 '3 I V . She seems to hear her brideebells ring, her K7z'ng, Zomg, ' . . . Their bon -nie bride bells gai- ly ring, their f-\ .___‘Q_, 0 L: I My una corda. _t7'e cordon: ' ';_-___ u I . 2:5t55‘:;-—fw a . ,_._ bride bells A ring! pin lento. night her lov ’ good ship rode The W“ piu lento. .__....._.._.......__...=.._..;.. ._ ...4 ._ stream - ing he >=— ‘.4’- esyyressivo. molio rit- thought of her thought of her molto rd calla parte. T::=__ dim‘ —tempo~Zmo. - 1;, ;:'____ mh VVhi1e Kling, lung, ling, He seem’d to hear his home bells ring ! Ming lamg, dim. A _ _ _ — 2* ﬁ_\ /-—--\\ _?_. ‘ I 1. 1 - 1 I ) . {I 4 ‘J | ¥ .. 9 0 a ,1‘. ,' « d__!- — ling, I(72'12_q, lung, L ling, {- ._’_. _{2_ _-/_’:-S I p-_ - . . ' —! E§E£ﬁI§E§l§333%4i3§:1:t:?:r3:?l" ‘ 1"? e : L A% = ‘ ; ——-————-—g-4 :g_ I i M) 2./ma corda. ,2-T ~ Z—&.\ Z-T §§!_2:§;:1;n;:1:p::1:n::1‘_‘p”“ ﬁf.” :d:L::i § LOOKING BACK. V A Music by ARTHUR s. SULLIVAN. Words by LOUISA GRAY. A voice so Wondrous sweet and 1. —‘I- heard a voice long years a - go, That gen-tle _voice was hush’d for 2. But ere our sum - mer pass’d a - Way, _ ~~_~'c''5§3E_;3 ‘ un - bid-den rose From the depths of 1ove’s re - pose, .......... .. trembling tears well the angels lov’d her too,... Watclfd my love’s last smile, and knew, How ‘ k L 3 L «" p " . 5‘ 1 L L‘ ‘l— “" ' I‘ I‘ ' I n n ' _ .....__.i____' (J 5 I V V ____l "_-. !____€__.;J_....' ._ L_._? ______ ;___._¥__...;‘._—...«. ;J ' I '-‘L .E:Q”:d ‘-‘”‘““‘—-“d::: It And made the darkest day seernrbright, gathered all the love of years, And ﬂoat - ed thro’ my dreams at night. si - lent but with blind-ing tears, I i ' E :5 >41 4- : -3- 4- 4- R 3‘ 5 Z u 1 1 1 ::*”=;°=”"”: 5--~ »_ Q ‘T; 7=-a-__g.—‘:w's~l \ I . rall. -i2:5-_::,N__-_:,N'-"?‘<-*;*<*‘:j*_‘_“;*:‘<‘" j" , "‘<—‘.N“":‘—‘,"<—;-’*:_:**§::-*_ _,§”‘—,.l::: 'ﬁ:5 %E:i2::d:d:g;':_:iI‘*"~*,I:a:" ‘ ‘ ‘ .i§F!_J_#F__:_d__;__-j_ ___' §:t}: And nestling there, forgot to rove. Where all I lov’d s1ept_'white and cold. 83 Whisper’d to my heart,“My love,” laid it with my dream of old, , EZ?'5._ .12 I I 4: A l_ : .._.__, ::__i "1*‘1' ¥-3-: * I _,___: __;_._1_ , . , ' W? 1% %i ?93 3; 19 —.-:m - “-j:E'_‘”:];_:_",;_f_'Zé:&:'_',!___"é:"_'-J2 ‘ !:;—,'*i‘.’*,;; F E —5——o——o-—o——-u»—s—_I——-- 9 v—a—o——p—9— H9 —— -b —-k-—:~~-~r—--r- a 2 =. : ‘r_ - \ ': —i ? . a——i:3—e — ——;— ‘‘ _‘,_ _ .. .. or 7. :::d.';’.d::d.‘:I.:!f:d:1. 7 :1. J54‘ O L v Un poco piu lento e con m0Zz‘0 tenemzza. - =‘w R _ 5:1 __; 5 "“:N* 5?§”3"'»"T‘ a‘ -rﬁ - “ * -9 »'~ ;~—— —r—~——~— ~ ~¢;a—~-—.~— ,,a I :7 O my love I 1ov’d her so, My love that 10v’d me years a - go, 1 n x I ‘I :_ ‘I ——l——-£-——-1’~—-—l———-1——-I- ‘»)}——/1‘——~f—-—+'~—i—%—~1 _;5:d’d" “d‘d ""”?"'§”';"”?"5”"?“ Peal. my love I loved her so, My tres largement. ,3 __q_ - love. . . . . ... . . that 1ov’d me years a - go. >>>f.\ . a- colla voce. LITTLE MAID OF JARCADEE. , words by W. s. GILBERT. . Music by ARTHUR s. SULLIVAN. vzlllegretto moderate. Little maid of Ar - ca - Sat on Cousiri knee, . . . Thoughtin face and form ‘and limb, No - bo-dy could e - qual ' . was rich, and she was fair, Truth,theymade a :4 ..v= mf a tempo. preti-ty pair, Hap-py lit- tle maiden, she! Happy maid of V Ar - ca - dee! mf a tempo, Happy little maiden, she, Happy maid of Ar-ca-dee! Happy maid of Ar - ca-dee! § colla voce. Moments sped as moments will, Rap-id - 1_y e-nough; mi-til I O _ 0 - ter, say, a month or Rob-in did as Rob - ms . Flckle as the month of Jilted her and ra/n" a - way! Wretched lit-tle maiden, she! Doleful maid of A1'e}idee I 86 30 rall. e dim. T Do1efu1m:1idof' Ar - ca — dee! To her lit-tle homeshe crept, There she sat her down and wept, __p /'—''''''''—'S /3 -3. I wall. 6 dim. ‘ riten. a tempo. Maid-en viiept as I maidens will, Grew so thin and A pale and ill, Till an - oth-er came to woo, riten. L - at tempo. ,5 f am'mat'o. Then again the roses grew; Happy lit-tle maiden, she! , Happy maid of Ar - ca- dee! A , .1 _‘_ voce. f a tempo. ‘V rall. Happy liti-tle maiden, she 1 Happy maid of Arcadee 2 Happy maid ofA1~ca-ﬂee! /5 tr:- ev- f calla voce. BIRDIE SING. ‘words by ZEILA. V Music by WILHELM GANZ. Allegro viva. P I :g. :g: :g: :{L l l 1 ~ . I ''”‘r-—‘.-—‘‘!“—‘.— ".—"i" —o ~-—a:—a‘——a'—-——i——-o'———a'—- i I » 0' A‘ M :dT—_;L—9 “*1 ' .;. I 1 2 L V 1/ i i ' 1. Sing, birdie sing, thy song Be of this earth so 2. Sing, , birdie si11g, where the moun-tains glow, With blushes to meet day’s l ‘j-'_- 444.3- 4.4;‘ —i— 4 4-0-11”: 393:3-[:§3§3§_:_3§o!_3i '2) le_rjgz'e‘7? stacc. -0- -ﬂ—!.1— £41.1- _ ::"p:§:§ﬁ:_':p:J::b:ft*§:i:b:b:3: 7-1-<*—*r--1-'=. i _% 2 i ' ‘~«_ = AV: ' E bright, so... bright; Sing bir-die, sing ..... .. thy notes vpro 1- 1ong,........ Tili king, day’s king. Sing bir - die, sing Where the Wa - ters \ﬂow,.;...... And ' dim. poco rall. , -a'-, - :1- day glides in - to night, Till day glides in .- to night. murm’rin g praises ring, And murm’rin g praises ring. i L a temps. L- ... _ d... poco will. _‘_,_ >acce - -‘ _ :._\ die thy lays in sweet 7 ture’s praisé,..., Sing, bir-die _< i‘“'d_'._ §—? qt $-Z \__,, /-9% birdie sing, sing, bir - die sing, ............................. .. bir - die. ﬁi 1-itard. a tempo. fﬁjns § ‘J . sing, sing ......... .. sing, ...... .. sing .................. ..bir - die sing, sing, .......... .. sing, .......... .. sing ..... .. a tempo. - . f‘/-s ............. .. bir-die sing, sing, ......... .. sing, ......... .. sing, .................... ..birdie sing, /\ . f--- poco meno mosso. . ‘T2 a . - o Smg ‘ b1r-d1e smg, t111 ’e1me’s no poco meno mosso. :9" ‘J little life ends; Thou nev - er canst give to no. -’ tu1‘e’s store, Meet praise for the gifts, for the gifts in sweet 'd'"‘d_'._ \—j”U"&.Z birdie sing, she - ture’s sing bir - die, praise,.... Sing, bir-die [gag —-\ I __ ____' _' I A ,: i__;‘____'1S_fC..i__L___,__'r.__[:_..____1_ 1*“ 1""-.9-9-Pia!“ 1‘“;“‘**“"“"’-‘ ““‘“““'$‘f sing,........ sing.... bir ;:*>—» .—< sing, ............................. .. bir - die ritard. -4‘. _~—-——- 5 V a tempo.f é: -* n . sing, sing, .... ......... .. a tempo. Z——$ sing, .......................... .. bir -die sing, sing, .......... .. sing, .......... .. sing,........ .................................... .. birdie sifig. -9‘ _ .,_. THE KERRY. DANCE. Words and Music by J. L. MOLLOY. Vivace. _‘ _'_ #_ ‘O, the days of the Ker - ry danc- ing, 0, the ring of the pi - per’s tune! 0, for one of those hours of glad - ness, Gone, a - las! like our youth, too soon; '0 '1' '0' ‘C When the boys be - gan T to gath - er ‘ \ sum - mer night, the Ker - ry - per’: tun - lng, Made us long with wild de - light; ’q'd' to think of it, to dream of it, ﬁlls my heart ‘with tears! O, the days of the - ry danc - ‘ing, 0, the ring of the pi - per’s tune! for one I of those ﬁt hours of glad - ness, Gone, a‘- las! like our youth, too soon! The Kerry dance. 6. .;._’___ Was there e - ver a sweet - er col - leen in the dance than proud - er lad than The. - dy, as he bold - ly took the ﬂoor! and lass - es, to _ your pla. - ces, up-~ the mid-dle and down a-gain.” Ah! the mer - ry . heart-ed iaugh- ter ring - ing thro’ the hap - py glen! O, to think of it, 0, to dream of it, The Kerry dance. 6. "- my heart with tears! O, the days of the Ker - ry danc - ing, 0, the ring of the pi - per’s tune! V0, for one of those hours of glad - ness, Gone, a - lasl like our youth, too soon! m gt ' / , 1*: Pia‘; lento. Time goes on,. . . . and the hap - py years are dead, And one by one the mer - ry hearts are ’ ﬂed;.... Si - lent now is the wild and lone-1y glen, Where the bright glad laugh will T ne’er a - gain, On - ly dreaming of days A gone by, ﬁlls my heaft with tears. m Lento sempre. Lov - ing‘ voi - ces of old com -pan - ions, Steal - ing out of the past once more, And the sound of the dear old Soft and sweet ' days of yore. 7° poco accell. When the boys be - gan to gath - er ' the glen of sum - mer night, sempre cres. And the Ker - ry pi - per’s tun - ing, Made us long with wild de - light; ur- O, to think of it, 0, to dream of it, ﬁlls my heart’ with tears !_ O, the days of the pm lento al ﬁne. Ker - ry danc - ing, 0, the ring of the pi - per’s tune! O, for one of those ﬁr“ hours of glad - ness, Gone, a - las.! like our youth, The Kerry dance.’ '6. THE BELLS OF ABERDOVEY. i 4' » “WELSH MELODY.” Accomp. by BRINLEY RICHARDS. Eng. words by WALTER MAYNARD. Jloderatoxl’ ——a - ten to the chime; I lis - clear ; M the peace - ful ev’n - ' ' . ‘ the hills, their voi - ces 1. In used to 2. VVhen at mom I rall. a tempo. One, two, three, four, A - ber - do - vey, One, two, three, four, the dul - cet, ring - ing rhyme, Of the bells of A - ber - do - vey, To They would then my young heart cheer,Those sweet bells of tempo. 9 _ Q 9 "l .‘ QT .-‘ 5 l‘ 3*‘ I ' « i " U‘ s F -' ‘ ' 9 .‘;.‘[' 2 -' .= 5 J V I- a E -.1 L’ -.1 ', ''_. _-' oi - ' - I Ilarkl they ring! Ah ! long-lost thoughts to me they bring,Those sweet bells of A - ber - do - vey, they did sound, And then the e - choes would re-sound, To the bells of A - ber: do- vey, If-K N ﬁ\ _ » = if T * : : l : a ‘;"""'7 .3 ' , 4L__4 6:-—a——a’——\—-T -» g:: A : . , I ‘_1 ' _ ' ,." 1. _' ‘ .. u ; 0 T ﬁrst heard them years a - ‘e ~ less and light-heart - ed, ’ their mu - sic seem’d to ' loud mirth and p1eas- ure, thought not of‘ com - ing woe, bright days de - part - ed, I sang right mer - ri - ly, ' me - 10 - dious mea - sure, a tempo. ‘J Now those hours are past and gone,“When the strife of life is ‘done, Peace is foundin Heav’n a-lone,” Say the - ber - do . vey. SING, SMILE, SLEEP! Poetry byAVIC.TOR HUGO. Music by CH. GOUNOD. Arranged by S. BEHRENS. —J—‘ iii’: .0. p ?>ed.;;¢ Ped. 3». Ped.:§: Ped. "‘ 0 '0‘ L2 1. When thy voice ’neath the moon's bright beams I do hear, .......... .V 2. The smile on thy lips gives love’s gleam, to thine eye, .......... .. 3. ' As calm ‘ in mine arms thou dost re‘ - pose, ...... .. S6’ A , -; L 1 L L . = F . = ; . . .= 2 :1’ 5‘ "* € J 5 A '3 _j___* W .‘ . . — —-—-ﬂ-—-I H .d '.1 " dézo-——‘ ml _ J ’Tis my sou1’s ......... .. deepest tho’t that in me - lo - dy, mel - o - dy ﬂows, ...................... .. Prom-ise of ............. .. bliss and truth in both age ‘ and youth, .................. Oft mur - - mur’d in dreams my name ...... .. I do hear ................... my -0-‘; Joy smiles as in youth, fad - ed hope, fad- ed hope a - gain grows, ........ .. And my melt - ing heart pre - pares for the sky, ..... ...... .. On thy beauties I gaze, press thy lips, thy lips of rose, .............. .. -0- then sing, then sing my A then smile, oh smile ‘my oh sleep, oh sleep my $ love, my love, sing till the stars ap - pear, then sing, ...................... .. love, my love, oh smile thy smile of “truth, then smile, .............. .. . . love, oh . sleep, oh sleep, sleep with - out fear, oh sleep ................ .. .. dim. p :5 i I ‘ ' . "4..- -__ , ,1 ! ,1 ‘ 7 , ‘:1.‘_ “'’’F;‘“ ''‘‘‘‘‘'I..‘‘‘ ‘1‘‘‘‘ ¢’ love, my love ’till the stars ep - pear. My love oh smile thy smile of truth, My love oh sleep, oh sleep my love, L- . '__g__ '._+_ V14; _ __.q_; 5' _U_;__,‘ 9 ‘ :=~——a:;. -' 2 . ' 4 -a-\-/ -a— . 'G“““‘.*""‘Pf‘9“1+—"“"<$:; ; e : rx tjaimu. s ,'\ 17 \! ﬁigg ; '7 . '1 —" I ' _L. _.‘_ V .1 I4 I / / GL1. _ '“'r—""%‘+‘, -0- ‘ love ’till stars love thy smile 1 last time. I2 sleepj _ ’ 1':1':'J.:}r :::.E d“’o““U'“‘ _l _ ,*__J,_4: 15:. a-[ _:d: i.__. -_ a'—a'-a'~—¢-¢.—v—~5—3 3. !_ __. q:i a Music by J. FAURE. r-1 f'7"1 r-ﬁ-*1 r"a*—‘a_U‘ai"" |_ '—l . __ ._.1._—.[____ ._l__._ _;-f soms :1.._.;_‘_;___!_. -0-. ‘ O l_:] — '—-‘I-1 -—1——:~.——«‘—1 ii _a_ __n_ Te -~———s—~:—-— blos by 'D_ _7 ‘ ~«—a .. J 4 I I “““'—‘:";—‘T‘“ _I'_ T- D 3333: ‘ J e - a‘—-.- . freedom from de l I d 3- 22 gi_::_J_g 25:: :;"""""-5*‘. '*“"rI3 2 ___,1 _d_ _‘__ I ..:T.___a d:d:d:i£ 3 J2- 1 j_ green palms and L and peo - ple 0h blest i:1B“f“"“F S E H c N A Re A, B I M L A P 3 a—a———a——':E3:~55' .-=:£——.L—.§—.— M _ _ ..’- ‘ "‘ __¢__n'__ .‘ __g._, the Way, goes forth, re - joice, 3 this day . D- 3:31"? ‘L l all word and strewn -9 _._ __'S_,__ I —-——9—-—9—;9——.—D——_D—— :r:: i 0- -'- if Andante maestoso. 3 ,_ :': ‘ tpEep;2 L 12: -b 'o—_—————|ﬂ—:———-F __ﬁl ﬁg ______E..__ Translated and adapted by THEODORE T. BARKER. lz E) :§:g§3 $3 g A : ‘n g R Q . ‘. 1‘ g’ , .-‘ _. ' I L ," 1 I :Q___ _ _ V to Wlpe our sus comes, doth give to Je - man - i - ty bound - less love, the Christ of 9” 1:: -9- I Tall. the throng in dark - and hope now those faith to wel ness ﬁnd to thee a come him re - stored for - ev and sing ry voice re — sound ” with pre - pare ; the er .0" light, more, {' -9- .. de - C1dl‘0, ai)-_(]an.d0. 2- -n- 4- 4!- tion, 1' Ho: praised . be Lthe Lord! slarg/anclo. (35 /'3‘ 0 O V Bless I*I1m, who cometh to bung us sal — vu - 3 :9— -1- 3 rgando. 1 1st (9 2d. last am». I _\ A NAZARETH. Words by HENRY F. CHORLEY. M0de2'ato quasi Andante. Though poor be the ber, dome here, Lord of Heat - - Music by CHARLES GOUNOD. come and a - dore; Hath to mot - tals giv — - . E; If 0 I _ L f) {I Life ’ - more, . . , 1 I ] I :::jl:“‘j’*—¢I-“ I -j—j:§—3—-1:j:3 : I g‘_____._:___a_.... - A A ' w 1:: Life for e - ver - more. . —+ 7“ 7121‘ V ‘d’ Shep - herds, who fold - your ﬂocks be - side what was _° °\_/ by an - —ge1 voxces near: . . . He who will guide you. Thro’ paths liv — ing wa - ters clear. . . . Though poor be the Kcham - ber, come here, come and a - —{ E» -5- collar, voce. ' Lo! the Lord of Hea - ven Hath to mor-tals /V--—-\ ,/_:%a-1__,_%f—'_3'g’:%E: V61‘ - more. Life for e - . . . ‘r ‘F’ __ V _d_ Kings from a far -land, draw near and ,be- bold Him, Led $17 beam whose Warn - mg bade ye come, . . . Your crowns cast T 17,. roy-al en - fold . Your King 17.19 M9 E; :5: earth frombright-er home. . . . Though poor be the cham - ber, come here, come and a -_ /K‘ . . " .2-/—-:1 . colla voce. -d_ 1; Z-——$ ppa tempo. -9- -9- “'* -2. ‘ /1 Lo! the Lord of Hea - ven Hath to mor'- tals giv ,_ E; Life for - ver - more. - dars pro - claim . . k——?—d_ dmgs bear a — far, ’. . Be - hold, _p_—- — — — cen - aic Ped. :5: Ped. pf: 'Ped' th’E—ter - - nal morn - ing Star, _ , AAAAA AAAAAA TM! ‘_‘.‘.. ‘AAAAAA _._;_5_4'_.{___._ J. :52: ‘unit’ U'u'u'dv" Though poor be the charm come here, come and a. - dore; . . . . ,5: _¢:_ p :1_ _ to H101‘ - tals giv ores. 1'2’! : knr Life for e - ver-more, Life for e - vermore, . . Life for e - ver-more. ' I 6* _. -33-? PL -0. cres. wit. 7; 1 % swr-:£'1' spmrr. HEAR MY PRAYER! original Key Ab. ‘ L wm. vmcsm WALLACE. ANDANTE ES ESS. No. 27. LURLINE. /.\ Lnrgumente. Oh! Thou to Whom this heart ne’e1' yet Turn’din an -guish or re - gret, Q 07; tu oh tu cm’ mai fi - 7207‘ D0 - Zen - iei pr/ie - ghi vol -31’ . —*:d_:'_::st."‘_‘:;;'_:..‘ ,2 4'. 2 ‘C’ gu- mst for - crive the fu — ture s)aI'e' Sweet S ir -113, hear In ra ’r! 1 . :2. > .. . . . . ’ , . . . - nae _/al - Zn, /‘al - Z; vmcz, Gran, bpz - n — to 2m - mor- tad, O L_ —— —— r::—:=—o J :T 4 L I .— @154 ML -*“'~”“:"~~v:*= F%,-W:ms g—. _ ‘ C J _ _L_ -6- 4 n V -—— - ¢~--~a—*—: :‘“T ”‘”“'"— —,“_*‘ : ‘ - w - §“+ﬁﬁ WW ﬂ W.[| ;:ﬂ %; ‘ '0‘ 9 4 j E: —+ -0- ~0- \3_____ on leave me not a-1one in grief, Send this blight - ed heart re - lief! , Send this non deh non m’abba'n ~ do - mu‘, - - - dc - gna-ti al mi - 0 007‘. La #'d' 3 1 ‘J 2 -0- Entaered. according to Act of Congress, AJ). 1860, by WK. HALL J: SON; in the Clerk's Office of the U. S. Dist. Court for the Southern Dist. of New York. blight - ed heart re - lief! . . . . . . .. Make thou my life thy fu - ture care, pa - cc M’ - slo - rar . . . . . . .. La vi - taa te con-sa-ere - m, --r '0 Con espress. Spi - it, hear my pray’1'! . make . . .. my life tl1y fu - ture care, Sweet - scol — ta {Z qnio prc - gar, ta . . . . .. con - sac - cre - V0, a te, A - —-o.——: -0 . Spir - it, hear my pray’r! Hez_Lr, ohlhear my prayer! Ah! hear . . - scol - tar, il mio pre - gar. St 7177110 Z076 ' prayer I - gar I 114 L 4: Largamente. K Thou to w11om my thougllts are known, Calm, oh! calm these tremb - ling tu, che scru - ti 2'5 mio pen - sier I miei ti - mar di - 2 6' Ah! turn a - way the Wor1d’sc01d fﬁown, my efall — in Dal man - do men - -< — zfi - - - 2507‘ - con - du cia Dolciss. tears! Oh! leave me not a-lone in grief, Send this blight - ed heart re -- ?)67‘ D671, ! 72/on dc}; non m’aZ>ban - do - 7zar_, E de - gna- ti al mio Send this blight — ed heart La pa - - ce M’ - thou my life thy fu - ture care, Spir - It, hear my pray‘r! vi - taa te con- sa-cm - ro, V scol - tail mio pre - gar, on espros< make . . .. my life thy fu - ture care, Sweet Spir - it, hear my pray’r! te. , . . .. a to con — sa -- ore - 7'0, A — scol - ta ilmio pre -gm, prayer. '0‘ ohlhearmy prayer! . . . . . . . . . . . . myprayer! ilmio pre -gar, ..... . . . . .. pre-gar! ESMERALDA. V Wr.itten by ANDREW HALLIDAY, Esq. Composed by W. C. LEVEY. Tempo dz’ Bolero. _:f2 _ 1. Where is the lit. - tle Gip-sy’s home? Un — der the spreading greenwood t-reie, Wher- 2. 0 leave her like the bird to sing, To sing on ev’ -ry tree and bow’r, Oh - e i ver she may roam, Where - e’er that tree may be. leave her like the bee, To ﬂit from ﬂow’r to ‘ﬂow’r. Roaming the wide world 0’er, p dolce. //"""‘\\ :ﬂ_,' ores. - ‘ . . .} ;:_ 5 ‘R’ . ~r E . ;‘ 4‘ 0 ,4-——-+—=———-—-a—~«s——l ?_:d‘- ¢_§,'___i:i ' r’ | I l l I "_,L ' d- home a.-n‘1c;ng the She ﬁnds “ 1: %:F %s— +:% C768 . 867774)??? GT8-S‘. shore a-moncr the free, Ah! 2 _ a la ‘ Gi - ta - ye: 0 _9~ '9' 1_ 9 j r b_____. [——=7~—;-—j-————-L _——‘¢ «-1- _»<I 1?” sZ£“.?;‘€€a a no - .m Z da, Es - me -lral - da, += I1 7 ’a.—a7—a:——4-a _’_.a:--:. a‘a—a_J—“r ‘ Jj —a— -0- -9- _.Jx_ ’ 13:22:: : —"‘ ..a—.a- . LE’:_f : I . 1 ——-———~~.9———:————— 1 I . —o—o——o;a- Ea- :2§E‘Zi-.¢—_.a_ I —'1 -aéaaaagg 39- . _F_ _#___9 -——r———i=—E—— ‘ F‘ 15 : I..-3 _¥)_I. Es ;-:*~<;-1*a1- da, Zin - ga - ra.. 119 grazioso dolce. 4 1 1 1_ x A 1 1 1 x_ gli :: lb! l*F~ we '¥¢#g:::§ ::a . —-.-:~-v-—a——au:--P4'-——-au—v--- 0-0-~ \_./ : '4 — - ;,— - \;' T ' \—2' is like the bird, A °‘ that sings in tree and b0w’r, The _. -7«__;1-f*"_ag‘_":'i::1__S"’.E‘_:‘?‘* _.*.l. :Q’v_ _ar:1.E_d; _ 9‘ -0 -L ‘ e I : 1 . ‘rd l l ¢—»| V 1 like the bee, The bee that ﬂits from ﬂow’r to 1 j __Z_____r a-19.9-*——.v——a—-~*v‘ I __ ________ _.__.-_____._ ‘ 7 ~ .I 2 = . _A_; _ __ .___g__ '_ __ __1 %L%yTa4ﬁ* loves the sun and sky, . - - She _.9._ §= : P———p I -- . j H 51 l ~:;:m#~ n—w " -1- Q. "— _d'_ -91' ' / — -9- -P _ -.v~-r-.-- -: 1-- ’ ‘F .L‘-BL’? I :l:-:-l:—-%:1—~sl—- P i . Ped 4! W 1_ rall. -6-.-—-1 1;-—ﬁ,.\_-—:1—‘j.\ J ;= . g ﬁ9—-at-v—a-1: ,0-—a:1;-3 1-30 j;,/ I " ‘: v l 1/ _ ' 11 l V 7 K . groves of sun -ny Spain, The plains of La Belle France, La Belle France. .,/»<ﬁ:3I,T].§::l"."_‘15_gT" . . . ""f1ITE]§1l3;i:lTgi1::____j::§“i7Z " ' ' ' ' _;_:1._ ‘-1 ' 4 d__; : iv 1 ~ ‘ *9‘ "T jjﬁd‘ ‘U’ leggiero. I_‘_)___ I’)-—r:-’f-*-41"? _ yr "1 - -.. leggiero. La Voi- la, Gi - ta - na, -9- {\ Zin - ga - ra. 111- "' Oui, Voi-la, La Zin- ga - ga, L -_ _ - :t: Ah _ . . . Ah - - Voi-la, fwile-m /"'—""S r:\> > > f‘ m 13.1; _ . . . Voila, La Zin - ga- rs. . gfﬁ THE BALLAD SINGER. (WAKING AT EARLY DAY.) LINLEY. }-— __L ' V .. —F—.e~—F——r 9 —.v—*——9-*—-~ [ I | I I I 1 _z ,—»-L——g::t——t——;- I V ”t::j§::"!:::‘:'a‘:*§"i 1 f : : I~—— — —jv--—i~ -—'—j “--—-"‘ ‘ . ~ . I -T EEEJ 5 a 6 g j"a:g:Ee . a . h_ 3 , 3 Gai-ly I take my way, Trillingsome ancient lay, 1. VVaking at ear-ly day,. .... .. Health is a boonI share; Lit-tle I dream of care,’ 2. Humble tho’ be my fare, "1*'“1*:t-:33‘ —-—a-—~.—¢—a~a—~ I ‘ ‘r—“r'——!V I " .' 7 W u__¢-u_’““4::;~3I"1“"”'*‘”“" £“ — --,L—— E — -1- : ! ' 5 §@’_:-_:_p__fZ_°.i:a_-;_**a = . \_ -- As I stroll a - Iong, Youthful hearts I cheer, None my steps mo - lest, Age delights to hear, As thro’ life I go, If fatigued, op - pressed, 1 l ‘I 7” 101i 3v:__ ‘£497’ 1‘, L:7':"?*:: * ' “ __a'_/_a;__g_I_g:_ a -_‘—.9—="%@#3——_3_3- «-0--——¢ 1;»;-.r'_~_a:_-—_g:‘ av 0 d d a Z :l::,C E Gay and grave draw near,.... While I sing ’Neath some tree I rest ........ ..And there for-get "E ;n«:——:»;—J riors to a--1- ] I 4 5 rall — ‘—'—'—‘_ -—":”E?Ej1 .:w.j_. ._ __(_ _l_____‘¥__:4E_____J___l ' 1 2% " -:3 _g=m2::s ; ' ‘ ‘ W‘ ‘U’ T ‘ *6‘ "a‘ > Z _ I -.17 1: 42-?-$2-“ 9 '__.-.________9_-__._ ,~——'3—v¢—-'~ Trﬂhng some an - clent lay, ., T-‘n"".'T"""‘“‘“u {"7 -lg_ §,_‘_____E__b 'a_3__7__._. '1- tian w:1r' - tempo. ___ .l._ I chance VVaking at ear-Iy Waking at ear-ly L--———————|—.__———: /.\———p;-—\ T” .' I1 {,,_-_/_' ‘F . M . T7‘: - ring life............ , ::"‘ L Where Chris VVhe1‘e e’e1' o—p— é~a—~'————9——;e— ‘ F .‘ 2; ‘a‘ -d 1:3! #—a-—g —.—a—a—a—a—a¥— [3 1 I strand, me, Z‘-"IT {T 53 ::::f,_ .755- ? I . __fa - tant to a—i—g~§—a-——¢— i l I £_..!_!,_¢_ 9 J dijrﬁ . —— ——— .—Q. ~ =v—w-:——=r4%*3'%# , _ _L_-_d :—=r— I | EN . ++ _ m::zaa o - waif...» 911-2. , cat. I: show I I 7 a a——a—-a~—-9-4- 3—————¢ ___%_ way,............ 21- ...v'< a:;:9' -g~ F on dis - ' DGSS F“ d d_ __ -;_.E _: .E3: 5--- W. i . A_.-Q#._..- T i — ' . %_““"“‘““ :@@;1z;ga~.~—a+«a~-—a—;~»»~—1— -tle dames........ - ways ﬁnd......... .. 73'? _ —¥ A! law . ,~§_r '_"1—‘_‘:J E 0 I’ve been..... . some kind - "7 W . I .’ d Q-Hr gen - al - 43:92:,-’S:?'—‘"“ 57%, _ __ ; ::5—a——g—9—a' - -———aT——a—a|——a—a---—— d*E3 E Gai- 1y I take my L i‘ qf===«.-=!,+— ; ﬁﬁg » : 1 I $33-T5 Pj_‘.j__ To I %"':"_"*+—’7 "1""E—"‘7"I _%‘7‘=_f;‘::j_g;__ it-—-~ 6 __;_ ad I x «J! ‘V ?;b b . dz iand L‘ lead, gl)__.¥__1j___. :‘J2::E-‘“**”‘> 5:12.. 5- d 1% 5%; £3: *5 a 3 E 1:3 - L. _——J' \L hear, ___2;__,‘: r—————:—1 T“; 1_i_;___%___g_. 3-3:‘ 9 1 *1 1 ~+-$;v+ - “““"*“""d_‘:i’:_:d"" Ti cheer, Age delights to _I._ __ 7 -33- piu mosso. __4___d ﬁgs” —.- n -—a—-on -a'- -v- % -0- jig} 5 _ _J‘_# : ——a————a——a———-— _.- j 6'. I- 1:“! 0 a song, q£J Youthful hearts ‘ I j__ 3- 0'- 1 I -__ _____:.=,_ -3- sing my :3 - 1 I \ , _,'__I__ While I 1’-0’--1‘:-35 I I -92’ 0 ﬁi :Lrg;:-* d=:;i: 1a.... .. _1._____ ‘7 S .__.d; _v_ 1'- g__ L_4_ by; -9’- 31:1; % 2‘: 91 .; ! 5 . di7:2: -—Ta—a——a———-ai- ‘Fr ‘ :E:_'_ 4 "5’: 7”‘ ‘Ir ___.___3_._L__ As I st1'o11a- long, '3‘ Gay and grave draw near,.... la la la la la la _:EE§ ¥Ei: "E _.s TENDER Andante con moto. f> /St7'i7zge72d0. :7- A fettuoso . stole from its nest in my gold - en hair, AND TRUE, ADIEUI GASTON LYLE. A 1_<n0t of rib - con moto. placed on my hand ' And Whis - pered soft as be it there, T‘ Affettuoso. ahnondwas bending with blos-soms White, roses still b1us11ed'\m1t11e dew; brought my sol - dier home to me, And my knot of rib - bon blue, con espressioize. 6 vi - 0 - let smiled in the glow - ing light, A‘f1’(/1 life was hap-py and hope seem’d bright; cru - el Wound onkhis brow was hid By the ﬂag draped over the cof - ﬁn lid; 31 -6-3'9-" > “"‘:“U'@‘0"‘ ' 23:3; .s:7i.-4 Appassionato. ‘”‘;ﬂ33ir ._,¢__ _L -9- .,a_ 5'5. . : :::g:g:;;ga-~~~’7 .L :3 I - ‘ ._P.. + ‘?“P:%E~2o-.L c__---a:.y,$___Lv g_. Q 2% -3“, ,_‘ >. :5 I Dim. E-3,- 'S':’%"—27—- "::ﬁ7:_: K. I: _.g.. _Q;§:§:§_ :2. -E _.@i E-:4 ' F“ is? [T _ -______.____ _.___.._L. __ *e - E _ f Strangendo, ._ ———aj — ._ __a_’.‘\_ :[:: : ._ﬁ_-' .. J2 9----34,; HINV and true, and true, 5% F__ - der 2-«E3 he a- ‘ F" I I :.’7;:‘£;‘*’ ' Ten - §§§:f H 123: '. ,:f2 2: £7: BEAUTIFUL Bmn, sum ON. T. H. HOWE. I 1. Beautiful bird, in the morning sing, Messenger dear, . . 2. Beautiful bird, in the Window sing, Melo- - dies rare, . . 3. Welcome the morn - ing smile on the hill, Sing 0 - pen the eyes, . . . the sunlight to bring, . bright herald of spring, . . . then slumbering still, . ,/““ h-— z%[} e there are sor - rowing hearts to cheer, Little bird ren Beautiful bird,\.”. . . thymission is clear . . . . . . . And when the aha. - Happy the heart, . . . and happy the home. . . . . . . . Sing a good night to the lit-tle ones all . . . . . . . . . . 2 /2% - der for summers to come, down of evening fall, ?'\ Fly While the morning dew sil - vets thy Wing, right with the lus - tre of ear - 1y spring. Sing at the parting to soft - en the pain, ~ Sing till the greeting brings joy a - gain, Sing to the ma. - ri - next out on the sea, Sing of the home he is longing to see. Singing wherever the dark shadows fall, One lit-tle song Will dis - pel them all. . . . . Ev - er keep ﬂying near sorrow and pain, Sing back the smile to the sad eyes a - gain. . . . Sing When loved ones vanish, and bright hopes decay; Sing in the wil - low’ shade so ten - der - ly- . . Sing on, . . . . Beau-ti - ful, beau‘- ti—fu1 bird, 8va,N~,,,_, ff i 3 Beautiful‘ bird, ’ smg sing on. ; ; 4 ; ’ooa4-v~ooo~ov-oo~ovoo.A'v~v~aoooooooo~’v~aaq~o~¢oaooo¢oaavoq~a 2' r;\, /r\. 3:: 8vao~ o%~oaxoxo~o~~oo~%oaX%o~oo%o¢+wAa ’ 1 (ﬁg. Vgva. -5- _ _. /§ 0 - ~ F2 ><— A F: Ii‘ K 2 """§ 3.i .. 5 5 _ AULD ROBIN GRAY. RE OITA TI VE. .__j. When the sheep are in the fauld, And a.’ the kye at And all the Weary warld qsleep is gone ; The waes 0' my _.'_ heart fallin showers frae my ee, While my‘ gude man sleeps sound by me. ___.__.< YoungJa-mielo’ed me weel, and sought me for his bride; But sav - ing a crown, he had My fa-ther could na work, my mith-ercould na spin; I toiled day and night, but their naething else be - side. To make the crown 8- pound, my Ja- mie gaed to sea, And the bread I could na Win; Auld Rob maintained them baith, and wi’ tears in his e’e, Said, crown and the pound,they were baithv for me. He hadna been a - wa’ “Jennie, for their sakes will you mar - ry me ?” My heart it said nae, week, but on - ly twa, When my mith- er she fell sick, and the cow was stow’n a-Wa’; My _ looked for Ja-mie back; .But hard . . blew the Winds, and his ship . . was a wrack ; His father b1‘3k' his arm, . my Ja-mie at the sea, And auld Rob - in Gray came ad ship it was a Wraek! why did-na Jen- nie die? And wherefore was I spared to cry 7 -court - ing me. “ Wae is me!” 3 My father argued sair; my mither didna speak, But she looked in my face "till my heart was like to break I They gied him my hand, but my heart was in the sea; And so auld Robin Gray he was gudeman to me. I hadna been his wife a Week but only four, When, mournfu’ as I sat on the stane at the door, I saw my J amie’s ghaist, I couldna think it he, Till he said, “I’m come hame, my love, to marry thee I'_' 4 , O, sair, sair did We greet, and mickle did we say, Ae kiss We took——na mair—I bade him gang awa.’ I Wish that I were dead; but I’m 113. like to dee, And why do I live to say, “ Wae is me ?” I gang like a ghaist, and I carena to spin, I darena think of Jamie, for that Would be a. sin; But I will do my best a gudewife aye to be, For auld Robin Gray he is to me. LONDON BRIDGE. Words by F. E. WEATHERLY. § Music by J. L. MOLLOY. ‘ Moderato. Proud and low - 1y, beg} gar and lord, O — ver the bridge they go; Dain - ty, paint - ed, powdered and gay, Ro11- eth my la - dy by; and vel — vet, fet - terand sword, Pov — er-ty, pomp and /W08; and tat - ters, 1 o - ver the way, Un - derthe o — pen I sky; Laughing, weep - ing, hur - ry-ing ev - er, Hour by hour they crowd along, Flowers and dreams from coun - try meadows, Dust and din through oi - ty skies; &.« . While be-low the might-y riv - er Sings them all’ V a mock - ing song. A Old men creeping with their shadows, Chil — dren with their sun - ny eyes. /5 0 O . . Hur -ry along, sorrow and song, All is van — i? ty ’neath the sun; Velvet and rags, _ London :Bridge. 4. 1sT.,_\ the World wags,Un —til the 1'iV- erno more shall run, Un - til the river no more shall more shall I V 0 I Storm and sun - shme, peace and stmfe, O - Ver the budge O 0 Float -._mg on .1n the. tlde of hfe, Whlther no man shall know. London Bridge. 4.. ‘ 137 \Vho W111 s 111188 them there to - mor - row? Walfs, that dmft to the shade or sun! &# 0 Gone a -way with their songs and sor - row; On-ly the riv - er still ﬂows on. r:\ 2917 Hur —ry along, sorrow and song, All is Van - i— ty ’neath the sun; Velvet and rags, the river no more shall run. Tail. f.-\ K.‘ vI..ondon “YOU AND|H' In the sweet summer time, In that sweet summer time, 7I"ord.s' and Musz'c by 6’£.7.<lZ?IZ’E£ 1. We sat 2. ’Tis years by the riv-er, you and sincé We part-ed, you and g_'Z_.?/ long a - go m long a — go smooth - ly the wa-ter glided by, Making mu-sic in its tran - quil smile as I pass the riV- er by, And I gaze in - to the shadow depths be- We threw two leaf-lets, you and I, I look on the grass and bending reeds, riv- er, as it wan - der’d on, And one Was rent and left to lis - ten to sooth - ing ‘ song, V And I en - vy the calm and hap-py And the other ﬂoated forward all a - lone, Of the riv-er as it sings and ﬂows a - long, oh! we were sadden’d, you and I, For We felt that our youth’s gold-en oh! how its song brings back to me, The shade of our youth’s gold -en g,___ I Might fade, and our lives be sever’d soon, In the days ere We part-ed, you and I, two leaves Were parted ° the stream . . . . . two leaves Were parted the stream . . . . . THE DAY IS DONE. Words by LONGFELLOW. Jloderato molto. is done and the dark - \—..—/ £J' from the wings of night; feath -er is E f». .2 gle in his ﬂight, From an Ea - gle Music by M. W. BALFE. IIBSS waft - ed downward From an see the lights of the Gleam through the rain and the -;9- 42. 4'2. .é- A 42- it. A ' 4'2- -é- *am'mcr,ncZo un poco. poco riten. mist, ’ And a feel - ing of sad - ness comes 0’er’ me, That my cannot re - _e_ _ ‘="—:}—- ﬁQ_ col canto. Andante. sist; » feel - ing of sad - ness and longing, I72? '6' #15‘ slower. L smorz. And re - sembles sor-row on - ly As the mist re — sem - - - >— ? '3-===:::s =-L M9 mas - ters, sim - ple and heart - elt lay ; ban - ishfhéthoughts of day. ot from the bards s/ub—1ime, 9 Come read to me some Not from the grand old ._.dI9_ dis - tant foot - steps - chi) through the cor - - Lri - dots of time. For like accelemn do. strains of mar - - tial mu - sic, Their migh - - - ty thoughts Li'fe’s end - - less ‘ en - deuv - or, for ‘ '1‘ 0 - night Tempo 1 mo. ' Read from some hum- b er poet, Whose songs Tempo 1 mo. L}; his heart, from his heart; As showers from the clouds of E telig from the eye -tlids start, Or tears from the eye - lids Who thro’ long days of 1: bor, And nights de-void of -F- anivnando un poco. Still heard in his soul the mu - sic _ Of won-derful mel - ~ 0- 0 I 0 0 0 0 o 0 . o o o n 0 . g g ﬁg. 13060 7728720 7720880. dies. Such songs have pow - er» to qui - et .The rest — less pulse of >'>-}- . 6 staccato. Solemnly and slow. . Ll And come like the ben_ - e - die - tlon, That fol. _- lows af. - - - - ter . . A "0' 2 my calla parte. ?_ cres- _d_ . riten. preyer. Then read from the treasm-’d volume, I I The 130 - em of y choice; And V 2 rilen. lend to the rhyme of the po - et, night shall be ﬁll’d with ritcn. fold their tents like the Arabs, Adagio assai. And as si - - lent - The beau - ty And the cares that t And as Y , riten. pooo animato. of thy voice. And in- fest the day, si - ‘1ent- 1y, m si - lently, m f.\(Imita.ting the voice.) A perdetndosi. —p“~~———/ 147 the 0 PAIR novm o FOND nova: Words by JEAN INGELOW. Allegro moderato. ? blink - iing bright, And the'o1d b1'1g’s sails - furled: this great hill, Feed - ing his sheep for aye: love this night, _At the oth-er all Was still, My love .was gone a. - - way, sail’d so for - est fast-— The sun shot T up from the bourne; creek, And the dove mourn’d on a - pace, side of the world’’—} Music by ALFRED SCOTT GATTY. 1. Me - thought the stars 2. My true love fares p ("L tempo I said “I will sail I 1o0k’d in his hut, I stepp’d a. - board, vv\e' I Went to gaze in the But a dove that perch'd up - No ﬂame did ﬂash, nor poco lento con molto espress. on the mast, Did mourn, and mourn, and mourn. 0 fair dove! O fond dove! And fair blue reek, Rose up to shew me his place. 0 last love! 0 ﬁrst m love ! My dim. e Tall. jaoco lento. \_ dove with the white, white breast! Let me a - lone, the dream is my own, And my love with the true, true heart! To think I have come to this your home, And ‘ rall. heart is full ' 0 rest. yet We are a. - part. mf love he stood at my right hand, His eyes Weregrave and sweet; Me-thought he said In =15O mf r dim. agitazo. this fair land, ’ O is it thus we meet! Ah, maid, most dear, I am not here, dim. e rail. 0 dwelling more by sea. or shore, But on -ly in thy ‘have no place, no part— ‘ f.\ C mf a dim. e Tall. poco lento con molto espress. fair dove! fond dove! ’ \night rose 0 - ver the bourne, poco lento. dim. e rall. L —6— as we sa11’d fast, Dld. mourn, and mourn, and mourn. .............. .. m dove on the mast, biz. erall. */ —,?_ CONSIDER THE LILIES. Andante. I Is not the life more than meat, and the b0 - dy than raiment? 79‘ ‘ax /'6’ _ 3 hold ! L the fowls Peel?‘ :3: Ped- 115-5\.__/5‘ ‘§\>—.<> nei - ther do they reap nor ga — - - ther in-to barns; your Heavenly Father - - - eth them’. - er the lil - ies of the ﬁeld, how I they grow, they toil not, " A Pad. 3;; . semplir,-emente. nei - ther do they spin; . . . they toil ‘not, nei - then‘ do they spin, . . . . say un - to you that e - ven Solomon in all his not ar - rayed like one . . . . these. . . . Con -sid - - er the lil-ies how 'they grow, . . .. lil -ies‘ how they grow, . . . . . they toil hot, they toil they epin, nei - - ther do Sol- omon Con - sid - 81‘ the was not at - rayed, not ar - rayed on-cocoon:-coon-uanooooooooooucoo-IO00IO¢ll0'° 822a. not ar - rayed h, a~o~.ao~a-4-o~’~o ow-o~o~.roo~to like one of these, loco. A one of these.......... 8va. tr o~’oo~O~oo~o~o~l~p~ooo~oo~o~o¢oo ﬁr . S01-omon in all his glo - - was not arrayed, was not arrayed, . ‘jg was not arrayed hke one . . . . . . . of these,. . . . rzx these, like ‘- of these. calcmclo. \ THE MIDSHIPMITE. Words by E. WEATHERLY. V Music by STEPHEN ADAMS. CON SPIRITU- _._ _ ’Twas in ﬁf - ty-ﬁve, on a win- ter’s night, Ghee: ri -1y, my lads, yo ho! We 1aunch’d the cut - ter an’ shoved her out, Chee - ri --Iy, my lads, yo ho! “Pm done for new ; good - bye!” says he, “Stead - i - 1y, my lads, yo ho! ./ "" -0- got the Roosh-and lines sight, When up comes a lit - t1e.... Mid — p- mite, lub - bers might ha’ heard shout, As the mid -dy cried, “Now, my lads, puta-bout!” make for the boat), never mind me!” ‘‘We’ll take ’ee.... back, sir, or die,” says We, :'.‘.’.“‘;.‘ Chee- ri -ly, my lads, yo ho! o’ll go la-shore to - night,” says be, ‘‘An' Ghee- ri -ly, my lads, yo ho! We made for the guns, an’ we ra.mm’d them tight, But the So we hoist-ed him in in, a. ter - rible plight, An’ we Ghee - ri - ly, my lads, yo ho! i ? me?” “Why, bless come a- longl"says we, down drops the poor lit - tle Mid - ship- mite, sav’d the poor lit - tle Mid - ship-mite, spike their guns a. - long wi’ ’ee, sir, mus - ket shots came left and right, An’ pu11’d, ev’ry man with all his might, An’ my lads, yo my lads, yo my lads, yo Ghee - ri - ly, Ghee - ri - ly, Chee - ri - ly, him’ The Midshinmitea-3. An’ a strong, strong pull, An’ a. strong, strong pull, An’ a strong, strong pull, Gai - 1y, boys, make ~ her go!... . . . . . . to - night lasl lime . V Mid - ship - mite, Sing-ing chee-ri-ly, Last time , The Midshipmite.--3. N ANCY LEE. Words by "FRED. E. WEATHERLY, M.A. Music by STEPHEN ADAMS. With S}n'n't. 1'. Of all ...... .. the wives as e’er you know, .............. .. Yeo 2. The har - bor’s past, the breez-es blow, .............. Yeo 3. The bo’ - _ s’n pipes the watch be -low, .......... Yeo J :4 " C 4 .' e ‘i-—« _/* yeo ho! There’s none like Nancy Lee I trpw, .................. .. L Yeo yeo ho! ’Tis long ere we come back I know, .................... Yeo yeo Lo! .. Then here’s .-a health a -fore _we ‘go, ......................... .. “Yeo ho! .. lads, ho! ....... .. yeo _ ho I See there she stands an’ waves her hands, up he lads, ho ! ....... .. yeo ho! But true an’ bright from morn till night, In ho! lads, ho! ....... .. yeo ho! A _long, long life to my sweet wife, 0 ‘ on .......... .L the quzry, An’ ev’ -- ry day when I’m ‘a - way, She’llwatcl1;... for home .... .. Will be, An’ all so neat, an’ snug, an’ sweet, for Jack .... .. at mates .... .. at sea; An’ keep our bones from De. - vy Jones, wher-e’er ....... .. we An’ whis - per low, when tem-pests blow, for {Tack .... .. at sea, An’ Nan - cy’s face V to bless the place, an’ we] - - come me, An’ may you meet a mate /as sweet as Nan - - cy Lee, rad. 4 . ho!.... lads, ho! ff) he! The sai - lor’swife,thesa.ilor’s star shall be, Yeo cross the sea, .... .. The sai .- 1or’s wife,thesailor’s star.... shu] /.15 e be,Tl1e sai1or’.s wife, his star shall be .......... .. m 4 mH§3/‘5 /--—\‘ etar shall be .......... .. ‘A 3-:> *= -z >' ff colla voce. /o\ /o\ WELCOME, PRETTY PRIMROSE. >_ CIRO PINSUTI. JLLEGRETTO Mom E V > ﬁ-°*__Lr- -5 2: ...¢*[ 3 U; 72 em; e_y O p Memo mono. Welcome, pret — ty prim - rose [2 Memo mosso. fa ﬂoW'r That comes when sunshine comes, When rainbows arch the sil - ver sh.oVy’r Of '7)’ Zegy. . &/ ‘-2 ev’ - ry cloud that roams; ev’ - ry cloud that roam_s. _ > 163 o “,2 ,* _ \y see thy prom - lse bloom, That tells of spr1ng’s new day; And 1n my thoughts :1- roam O’er sun - ny haunts a. - way I _ VVelco. l >. VVelco I J:-5 ' 7? /.71lZe_qre2‘io moderalo . — [1 eiegmzle. 9.. ﬂ9w’r! VVeIcome, pret - ty prim- rose ﬂow’r, y coming >- Zeyy. so/aerfzoso .' f) To wake a - gam the sprmgtlme hour, With sun — shme m dreams! >- >- Weicome, Prett ' Primrose. 5. I) sgczccato con yrczzicz. "Welcome, pretty, pretty, pretty, r‘ O I O .9taccato_co7z yrazia . pretty primrose ﬂoW’r, With sun- ' ' its dreams! /5 ‘-/. a tempo. M2‘. col canto ’‘ . . .7}{e7zo mosso. Gaz - ing on thee, ear - ly ﬂow’r, I seem to hear the spring, That calls the sunshine ev -’ry ﬂ 17 .7}{e7zo mosso. .p. .e{y. Welcome. Pretty Primrose. 5. U6 ..._..-: mzpoco rail.“ £11/s the bird to And tag the bird to tr .I~I~1-~l\t~’.t~rxt¢\J~I~.I~t\t- T“ sosteyz zaio . _\ dream, my dream rf glad springlife, :1 sweet springlife 'l‘hat’sve - ry dear to 092 pow strz'72_qe72do. >— >- VVe1coIpe !' VVelc0n}e ! VVelc0n.1e I p.1-imrqse ﬂo.w’r I , -3- -3- -P- ; 0 -*1 O 0 -1-‘ 0 4-. 0 O 0 0 +'- 0 O A II -"W334 "am Unpoco slrzngendo Wel.come,.Pretty Primrose. 5.. 166 Allegretto moa’erato.>_ \Velc0me, pret -t p1'im- 1'0s0ﬂow’r, To me thy com - ing seems To wake a - gain the I; Zeyg. so/zérzosb . Q1 \ . sprlng - txme hour, VV1th sun - shme 111 Its dreams. > T \-V ‘:9 > )1 slaccato can grazia. \Velcome, pret - ty, pret - ty, pfet - ty, /\ I O I [9 slacc. e _Zeg_q. -9- I ores. — f pretty primrose ﬂow’r, With sun - ‘ ' ' dreams! >‘ . jjj-J ET rat. (:0! came Welcome, Pretty Primrose. 5. “WHO’S AT MY WINDOW?” Writ.ten by H. B. FARNIE. Composed by G. A. OSBORNE. Allegretto. Voice. at my Window? I . . break of day, L Min - strel or 10V - er, ‘Say, . . V’ . oh, say‘? Sweet through my dreaming Com - eth a strain, Who is the‘ sing -_er?A Dream I in A 7 I m f Lively. Oh ! ’tis the sky-lark Soar - ing on high, Bear-ing a, mes - sage From Trill on! trill on! O bird of I-o~¢o~o~oo~O~to~oOo~¢~tvv tr "”‘ a- Thy ca - 1'01 gay, Fore -te the day, oo~o~o~t~¢~l~o~oo~o~oo~¢¢#~O~&»o«&a¢O~0o~O~Oo~¢~oo¢O r~lwo~éO:o~O~O~o~.o~o~ooo ﬁr When tr -s m f Andante. ho’s doth fail ? . {—'-"—'-'?-5 -3. day my win- dow, riten. art e minstrel, Sweet nightin- ..a. _I:_ sweet night—in - gale. Some - thing of sad - ness Lurks . . . _ '._.f'\ “§/-K _ sting . . . . Night on thee a - las! Its V shade will pro - long! Trill ’é‘§ “ /—\ on! Trill on! Tho’ the day is game, Thy song is light Un - to the‘ night. ﬁr . a2= Allegretto. Wh0’s at my Win- dow in-Strel or Sweet through my dreaming Com - eth a strain, Who is the sing- er? Dream I in 7 1) Anime. Laela la la . . . . la la. la. la. . . . . a’Tis thesky-1arkM0unting0nhigh, “]3{jIjI_.]L.4As.]F2;I>J'IE1‘S(1” M. W. BA LFE. Moderate _ WU (.1 9—a .-" ré i I :_'.s¢ V 4 I I _ I F‘ v u I) (J 5*?“ 5' - rald isles and wind-ing bays, - nis-fal - 1en’s ruined shrine, T May suggest a passing sigh. place else » can charm the eye With such bright and va - ried tints, - sic there for e - cho dwells, Makes each sound a. a hat - mo - ny, Killar - ney’s lakes and fells, L V. J‘ .7 Ex « ‘ ' 4- s + —a— »a— 3 «afar»-* — ....a_. 0___. K ' ' .1 . , M M I _J 3 - ry ev - - er fond - ly strays. sne’er de - cline, Such G0d’s won - ders ﬂoat — ing by. - - dure broi - ders or besprints, ’Ti1l it faints in ex - - ta—cy. Lx Moun — tain paths and Woodland dells, Mem’ But man’s faith can Ev’ - - ry rock that you pass by, Ver Ma - - ny voiced the cho - rus swells, Boun - teous na - ture loves all lands, Beau - ty wan - ders Cas - - tle Lough and Gle - na Bay, Moun - - tains Tore and Vir - - gin there the green grass grows, E7.’ - ry morn springs With the charm-ful tints be - low, Seems . the hoav’n a - cres. ff pi)‘- ' rall. fx 3 J r .3 P i e’ :5 a 9 J ‘P’ ‘ 7 E E 3 it 3 k '— *- ev’ - ry where, Foot - prlnts leaves on ma - ny strands, But her home 1s Ea - gle’s nest, Still at Mu - cross you must pray, Though the monks are na - tal day, Bright hued ber - ries daft‘ the snows, Smil - - ing win - ter’s bove to vie, All rich col - ors that we know, Tinge the cloud wreaths A N L 0' l 01 g I H _Q_jr , xl _] x! .17 ~! \! VDVFFQI \‘"II""'§ my a tempo. I 1 s i ' I V A '~—-* ‘ 3' , i 1 2 ‘ 5 ' ’ ' 7"’ v .' : ' 7 sure - ly there! An gels fold their wings and rest, V thatE - den now at rest. An gels won - der not that man There would fain pro - frown a - way. An gels oft - en paus - ing there, Doubt if E - den in that sky. Wings of An - gels so might shine, Glarnc - ing back soft ~13}; a tempo. ; L’ 3‘ £1 E‘ 04 ___gi I N , n ‘ ‘ : 1 401 'I4 I r I. ~ -"9': I ' ' ‘ l d__ .1’- of the west, long’ 1ife’s span, were more fair, light di - vine, ty’s home Kil ty’s home Kil ty’s home Kil ty’s home Kil Words by .1. .1. LONSDALE. Music by VIRGINIA GABRIEL. Andante‘. ‘ '$ 1.1 ER 0 - pened the leaves of a book last night, The dust on its cov - er more I was watching her deep fringed eyes, Bent o ,' ver the Tas - so dusk and brown, As I. held it to-ward I the wan - ing light, A. on her knee, And the fair . face blushing with sweet \ sur - prise At the . ml‘. 2‘ I ' I I U 4' W . _d_ ’ ered fell rus - tliﬁg; down; ’Twas - the Wraith of a .si0n- ate ' that broke from me! Oh - by! my dar - ling, the ’“ - . . . J V5 I I ‘~ l \ I I I I I 3 . I ! l J = U = -1- 39- -a'- _ AR 1' i P 3' 1 l .2 wood - land Weed, Which a dear dead hand in the days small white hand, vWhich gathered the hare - bell was nev - er accel . .3 .r. Q j _ I ______ ______ __ _____ ____. __- U .' : _;' l_.l9P ' 1 L1 2! a -V ,2 ‘placed twixt the pa - ges she loved to read, At the time when my vows of - ded and passed to the far off land, And I dreamt by the ﬂick’r - ing 5 I l 1' . 17‘* .- V": "i'U"U' 'l"i'i‘ 'i‘i"U" 'i'U'U"‘ . ._._'.__j.__..p L I I l I I I U l%alla7'gan<Jl_o. ‘ love were mem - o - ries sweet but as sad as sweet, Swift. ﬂame a gath - ered the ﬂower and I closed the leaves, And -3-q. -5-_—_'—-— ——:;n -— — ﬁg‘ H‘*‘ﬁd:d:d:§g:§:§:" "’ I ' . ' ' ‘ -1 :::::;g:_4.,h_ __ + ._ , 4 -24; --- -a--a--0‘0‘0':a .: 5' . _ _.._a‘ -— _ _ allargalnclo. ’ “‘-/ \— ’ ‘ '.f\':LJ : : . L Q ,——+-——-——-—«‘-—:———--———-——— L. --*"—i4-—-qr A ﬂooded mine eyes with re - gret - - ful tears, When the dry dim hare - bell folded my hands ‘ in si - - lent prayer, That the reap ~ er death as he _.- -'2) V .2 K» skimm’d past my feet, Re - call - 'ing an hour the seeks his sheaves, Might hast - en the hour of our piu lento. "'-—'—.'-—"/ . meet - mg there, of our meet - mg 178 SPEAK TO ME! ‘Written by H. B. FARNIE. Music by FABI0 CAMPRNL Sostenuto assai. h con eqpress . ‘ ﬂ “0am5abz'le espress e molto accentato. 1. Why turn a - way, When I draw near? Why cold to-day? Once I was dear! 2. One i - dle day Thou didst de-plore Some cast a-way On de - sert shore; rall. _< Then, thy heart stirr’d, And ﬂush’d thy brow, Never a. Word Welcomes me now. ’Twas but a tale By po - et feigned, Yet thou didst pale, Si-lent and pained, rall col canto. jg: . ‘.1? a tempo. Ndvv hand lies List-less in mine, Once its re-plies Spake love di- And thou didst moan; Sad, sad to be Ut- ter - ly lone By the bleak . -ﬂ- ‘ vine! .......... .. Co (1 \as if we Nev - er had met, Can it then be‘ sea! .......... .. My life is drear, I cast a - way, Give me the. tear % —={_\’rall. _ a tempo. a tempo; Hearts can for - get’! Ah!_ ......... .. Speak, to me, speak, ; Be my heart Thou shedd’st that day! » col canto. ,5 col canto. . ejc/L’? con g7'azia. Or will it break, For one poor word! No vow to bind, con grazia. I 7~all.,_\ .' No pledgel seek, On-ly be kind, Speak, to me, speak! . speak! >- ———.’< .a_ . -63‘? rall. canto. THE CLANG or THE WOODEN SHOONQV Words and Music by > J. L. MOLLOY. “ G .Mz'nor. 1: Oh! the clang of the Wood-en shoon, .S'cherzando. ~ A V 2. “Now my lads, with a mer - ry will, >— . Oh! the dance and the mer-ry tune, Hap -py sound of a by-gone day, It rings in my heart for aye,. . When the Up with batch and the baskets ﬁll, Winsome las-siesa.-bove ve stand. ﬁeadv with eager hand, Then the boats came in,.... With the -sail-ore all a. - glow, And the moon shone down on the sails came down,. . And all was taut and clear, And a wild, glad dance. . lit tide be Oh! the clang of the wood - en shoon, the wood - en Oh! the rush of the _ L trip - ping feet, (-." -+- the dance and the mer - ry tune ; . Hap - py sound of ‘ a. by - gone day, _ It the light - some hearts that beat; Wild and sweet the mer - ry tune and the 1- ' -3- < 1- ' «.1 ' -+— +- 7.3! Verse. . ' L. .. #2 1n my heart for aye . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. of the Wood - en; Y 2d Verse. 2. sheen . . . . . . . . . . . . . . . . . . . . . . . . . . . ..e m Piu lento. ~ . Lg _ 3. But they are a wen. ry whlle, ah me,.... home nomore from sea. The sea looks black, The waves have all a moan, And I left to sit; and dream a - lone, To sitand dream 3. - lone . . . . .. °poco ores. - calla voce. ' ’ Tempo lmo. Still I see them en the pier, All the kid-ly fa - ces near, Hear the wild and I7i7l7>L The Clan; of the Wooden Shoon. mer - ry tune, And the clung of the lywooden shoon, When the boats came in . . . . with the sail - ors all glow, And the moon shone ‘ down on the rippling tide be - low . . . . . . Ohlthe clang of the ‘Wooden shoou, 11! the dance and the merry tune; Happy sound ofa -F -P- < 4.1 4'" ( poco rall. A a tempo. \ by¢g0ne day, It rings in my heart for aye . .. . . . . . . . . . . . 4. , /o\ calla voce. ﬂ\ 18%? ‘THE BLUE ALSATIANMOUNTAINS.” 1 Words by CLARIBEL. « Music by STEPHEN ADAMS. .7)l0 m%’.~12‘0. 8yaJ~I~r.z~l~lsI~o~.J -F. f"""‘\ +_. By the blue Al -sa - tian moun - tains Dwelt a mai - den young and fair, By the blue A1- ea - tian moun - tains Came a stran - get in the spring, Like the care - less ﬂow - ing foun - tains Were the rip - ples of her hair; And he lin - gere’d by the foun - tains, Just to hear the mai - den sing; “ The Blue Aluthn VVere the rip - ples of her hair; An -gel - mild, her eyes so Just to hear the maid - en sing; Just to Whis - per in ’ the /‘-"5 :j— ning An - gel bright, her hap - py smile, When be - neath light W'ords the sweet - est she had known, Just to charm _ m f foun - tains spin- - ning, You could hear her song the ' Lwhile. . . . . . way the I hours, . . . . . . Till her heart was all his own . . . . .. . . . "\ f T “ The Blue Alsatian Mountains. " 6. L 1' a 9 J . . I T ' I l I Such songs will pass - Way, . . . . . . . . Tho’ the Such dreams must pass -Way, . . . . . . . But the Al - sa - tian mou_n- tains Seem to Watch and wait 9.1 A1 - sa - tian moun- taiils Seem to Watch and wait al h ‘V5. calla race. "The Blue Alsatian Mountains. " 8. By V the blue Al - sa - tian moun - tains, Ma - ny spring - times bloom’d and pass’d 5+3 And the mai - den by the foun, - tains, Saw she lost her hopes at mf Mono mono. She lost her hopes at last. And she with - er’d like “The Blue Alsatian Itonmu. " O. That is wait‘ -—',, the rain,........... She_wil1 nev - A -9- , the j stran * ger VVhere the foun - tains fall, a. - gain. . . . . . . . . . The years have pass’d - _ But the blue Al - sa. - tian moun tains Ev - er watch and be "‘1' “ The Blue Alsatian Mountains. " 6. wait al - way 4‘ have pass’d 3 years £32 tains Seem to watch collar race. a - way, . . . . . . . . ... But the blue 27-“ ‘ and wait al — way! “ The Blue Alsatian Mountains. ” 6. A A1 -sa tian moun - -N 190* s as A I LOVE MY LOVE IN THE MORNING. FOUR - PART SIOING. Words by GERALD GRIFFIN. Music by GEORGE B. ALLEN. 1. I love my love in the morning, For she like mom is fair, is fair, Hep blushing cheek, Its , ‘_ 2. I love my love in the morning, I love my love at noon, at noon, For she is bright as a T ‘ i’ it; _ 3. I love my love in the morning, I love my love at even, at even,Her smi1e’s soft play is I) leggiero . INA-wr«:"‘=-‘t;=i,==':i-=v* -'=.a-i~s %—ﬁ’d:d::a!—*‘l“"*-'3:"j——d—-9:4 I f E’ *-- —_ 5!: v71 r‘ v ’ ’ crim-son streak, Its clouds, her gold-en Her glance, its beams so soft and kind, Her L L ‘V '\ j I " : ‘ - 9’ i___ 3:- l__' ;;_.l __ ‘i... 1 _ -1 1 ‘ : I _____i i d __1“‘ J -6- .g.. _ G I of light, Yet mild as Autumn’s nE; Her beau-ty is 2 5:: 7*-3 ; :~ a 455 _d 3' 9'2? g . J T‘ 42 _:a'::d__‘*a5‘“ like the ray That light the Western heaven; I loV’d herwhen the sun was high, Q at - n - V —»_~ A - .2 v l 4" " I --9---9—-9'---- '———9----9—-0-——~'-i ;_,, 5 ; ; E a-7-:--’-F‘---r * 1 —d,__j,_ :, I W I: _ J‘/—\ 5" j . . I lTE:;i ﬁ:'**“'§ I _. _....__ ._ ._ ‘ L- _ _..l_, I - '- ~E; ‘% 7 ‘ ~ 3 1-~—+—:-——! -9-. -0- I ' " V ;—J—— 0'5"‘; 2 .-. 3 I 'K i ,—— . , o———o——a _ ‘r- [_ 01 V . r‘ ~ ""2 ' ‘'‘‘P‘*P—‘"‘’r‘‘* ! ‘ 5 . L I L4 E ‘I 7 ' ad lib. pin tears, its dew - y show’rs,And her voice, the ten-der Whisp’ring wind, That stirs the ear - ly 1. _ 5 I ‘ . . 5 i _“— w:_,$,:,_g_;_::a«—a ‘-4- ’ A A ‘ a_§g__.__#,=: : o——a;- _' »- faith my fost’ring‘ shade. ‘ —ﬁ*— *—‘—‘:*""j jg: - ___ _ A—--r-— ﬁii f'—f P , F x- 3 . ‘ ;»n:r‘—:inn:::.s a I ‘ L V ‘ 7 4 e H._: ' ___- L J [ 7 ' . 7 1ov’d her when he rose, Yes, But best *of all when evening’s sigh was murm’ring ~—a_——.‘——':31~—¢a——- ' 9-. —r g—r~——F:::.... _ , I i -4 - 5 . ’ L I poeo piu lento. — ~fm bow’rs. Oh! love my love in the morn-ing, she like mom is f/H /5 rall. _ _ _ __ __ _ fade. Oh! love my love in the morn - ing, I love my love at noon. fm rn {" close. Oh! I love my love in the morn-ing, I love my love at a tempo. ‘ rall. _ f’ 3-“ ”"‘ a tempo; THE “ BRIGHT BEYONDK’. _.'-I the rest re~ﬂec-tion brings fond mem’ries gently weave ._d - to hear the bird that who thro’ night’s sorrow grieve, .______je;._ .1- to listen for the gels hov-er far and T. H. HOWE. \ . 1'!" “Ii” » sad... and wea. T- ry, hope bright - Iy beam - ing When my heart is Brings the heart V From my soul the she. - Breaks the dawn (lows drear - y, morn - ing gleam - ing, fﬁ > When the sweet bells ring back the “ Old - en O’er the green graves whisper they, “ not here, not tones with mem’ries full and fond I sun - dered ev’-ry earthly bond, -4 396333?‘ s_; From my soul the sha - dows But the beau - ty bright and an /3 ‘ii I‘ hear re-echoed in the “ Bright Beyond,” Then voi - ces softly seem to There’s hope ; re - u-nion in the “ Bright Beyond,”F'a.l1 o’er the grave the shadowa ’ _t‘_‘_‘“.:_"'_'g."" 1,. .6- 193 the rest re - ﬂection Ap - pears from over the si-1ent '’ “y"jy'B::' *3,‘ _U- -3‘ ‘U- -7‘ —U. ._‘_. ~../ When the heart To re - 8va the Spring FAR AWAY. Words from _ _ Music DY SUMMER SONGS OF COUNTRY LIFE. Miss M. LINDSAY. 1. Where is 2. Some have Modgrato, 3. There are /" . 5: ' ‘DC. 4!- mf now i the mer - ry par - ty, I re - mem - her long a - go; Laughing gone to lands far dis - tant, And with stran-gers made their home, Some up- still some few re - main - ing, Who re - mind us of the past, But they ,4? J- 0 ' _.p- rotind the Christmas ﬁre,.,..... Brighten’d by its rud - dy on the world of — wa - ters, All their lives are forced to change as all things change here, Noth-ing in this world can ,4-\ 353 I ‘ -6- -0- /—""""\ -0- . - , * Or ‘ in sum ‘- mer’s balm- y eve--»n1ngs, In the field L up - on the "Some are gone from us for ev - er, Long -er here they might not Years roll on, and ’ pass for e- ev - er, What is com - ing, who can They have all dis-pers’d and wan - der’d Far 3. - They have reach’d a fair - er re - gion Far 3. - Ere this clos - es, ’ ma - ny may be Far 3. - T jig . . T They have all. dis . pers’d and wan - der’d Far a - wa , ...... .. far a - They have reach’d a fair - er re - gion Far 8. ' Way, ...... .. far a - Ere this do - ses, ma. -ny may be Far a - Way, ...... .. far a - 1 1st 4% 2d time. last time. . 172/‘? . h : xo 1:“: ; V J \ 0 #_: (2 -I 0 BY THE BLUE SEA. Words by FREDERICK ENOCH. Music by HENRY SMART. Andante. I 1* e "‘ stood where the summer tide, ﬂow - ing, Homeward the bark gai - ly thought of brave sails homeward Wing - ing, _Tide waves of mem’ - ry n "‘ bore ............... .. But I saw the same 0 - cean was throw - ing bore .................. .. To the heart While its wa-ters were ﬂing - ing To - kens of wreck on While a. voice mid the tide’s song of To. - kens of wreck to And I felt, as o'er mem’ - ry __. - - ‘ - ‘- W’ 9" -3-; ::«-:--?F I 0 I 0 O n 9 0 I 0 1 A t:—4.——~1 . l l , ;—- _. l Le‘. a‘ a i—- J 5 4 =3 \' -91 - _ , , "’ ' ' -01. ;a'- glad - ness, Slghed thro 1ts sweet - ness to _ And 1t near - er Hopes freight with joy came ‘to me, Still the poco ritard. ﬁ1l’d all my heart mg‘ sad - ness, T the blue. . wreck’d and the bro - ken were dear er, the blue . . . . By the bF.‘.’.’ >- {T z-s __ _._1'- .‘- U collar, voce. - OH HOW DELIGHTFUL. Words by A. SKETCHLEY. Music by J- I-- M0I-I—0Y- t WALTZ SONG. » Tepzpo dz’ Valse. ‘ ‘< LIL :2: 1. Oh! how de -light - ful, Oh! how en- tranc 2. Oft twhen dark sha - (lows are o’er us creep gr .2 L From this drear thral - dom soon to be free, With wild - est joy, then, And check the throb - bing of youth - ful hearts, Hope like a _ sun - beam -my heart ' ing, Dancing so gai - ly watch near V ing, Breaks thro’ the gloom and From morn till No long - er im - pris - .. on’d here, i we droop and pine, night shall Pass’d we our drea - ry In No joys to cheer When clouds are dark - and fear i; way, gloom . lives . . . a - i All . was , noth - ing bright, Soft - ly and hope’s cheering ray. m drea -, - ry, bright - Aly, ‘.2 drear thraldom drear thraldom ing, From/this ing. From this en - tranc - en - tranc - how how now, yes, no oft us, est, Now, how Yes how to de- days . . hours . . light, doth shine, de- light ful, do - light - ful, be ‘ be free, free, 820. VVith wild~est joy, — then, my heart is g.’o— —--.5- V now with glee. 1) leggiero. _ my heart is with glee. heart is danc — ing danc - ing, Dane-Eng /3 so gai - with glee. 13' Words by LONGFELLOW. stood on the Bridge at midnight, Behind the dark church tow’r. wav’ring shadows . lay; -:J:“ti' -d_ I THE BRIDGE Music by LADY CAREW. As the clocks were striking the the long black r-aff-'ters, ‘;==-- And the current that came from the ocean, Seem’d to lift and bear them a - way. .__...- ..‘- 201 And the moon rose o’er the As sweeping, eddying through them, moon - light The sea-weed ﬂoat—ed wide ; T,“ mong the wooden Rose the be-lat-ed t1de, And streaming in-to the Andlike those waters rt-ghing, [I of thoughts came / That ﬁ1l’d my eyes with tears, ' 203 How oft - en ! 0 how oft - en t In the days that had gone by, I had stood on that bridge at _,£"‘ Eh \. legal; mid - night, And gaz’d on that wave and sky, - How oft - en! 0 how oft en, I had wish’d that the ebbing tide, -Would beat me away on its bosom, O’er the o - cean wild and wide. Agitato. For my heart was hot and restless, And my life was full of care; And H18 bur - den laid up — on me Seem’d greater thanl could bear; But now it has fallen IT It lies buried ' the sea; And on - Iy the sor - row of others, Throws a shadow 0 - - And I think how ma~ny thddsands he 7 care - encumber’d men, Each hearing his burden of sorrows,Have cross’d the bridge since then. For ev-er and for /\ passions, shadows shall As long as the river ﬂows, As long as the heart has a—a— —r as life The moon and its broken reﬂection. woes, L And its rall. _ appear, As the symbol of love in Heaven, And its wav’ - ring im - age ORGAN. CHRISTMAS ‘ SONG. With accompaniment for Reed Organ. English Words by J. S. DWIGHT, Esq. Music by ADOLPHE ADAM. Andante Maestoso. O h - ly— night! the stars are brightly shin . Led R’ the light of Faith serene-ly beam 1. - ing; It is the u - ly he taught us to love - ing, \Vith glowing onean - oth - er;Hislaw is Andante maesioso. I | J I of the dear SAvIo1m’s birth! world in sin and er - ror by his era - dle we stand: light of a star sweetly and his gos - pel is Peace; break, for the slave is our J I ‘I I I I I I i J I I I I I I I I I I I I I I I I _d_I_,£ I G {~1- -ar -a-_,_ -0- -0- L L i I I I I i—""l*'i-*'l’:‘l-"'4 I y 1 7/7 =9. -g. _.ji .0.’ . and felt its W'()?t‘h, - rient land, broth 7 er, And in his name, ‘all oppres - sion shall cease, A 1:11 rill The King Sweet hymns of of J soul pi - ning, ’Till he appeared, gleam - ing, Here came the wise men from theO - ____4_ 0 Fall.... He.... CHRIST new and glorious morn ! born to be our friend; weary world rejoic - es, For yon-der breaks a In all tri - als grateful Chorus raise we; Let all with - in us thus in low ly manger, our praise his Ho-ly name! is the of knows our need, hope the Kings lay joy in on your knees. . to LORD!-can .. hear. . . . an-gel ces! 0 night. . . . di - vinel. . - - . . . . . . night when Cunisr was weak - ness no ' ger! }_3e-hold.. . . . . your KING! . . . . . . . Be - fore him LOWLY then ev-er! ev -er V we! I-Ins pow’r. . . . and glo - ' ev - ermore % :‘_d 0/ night . . . . . . . di — vine. . . . 0 night, night di - vine. Be - hold. . . . . . . your KING! your KING! be - fore him bend. - His pow'r. .. . . . . . and glo - ry, ev - er -more proclaim ! a.Tempo. a tempo. V * 8va.oo~ro¢ooo~oeo~oaa~oo¢~oo¢~o4~ao~oooo~ooa~ooo~oooo~oo~ooo¢o owooaootora 4 av ro~c~oo~ooo~I~o~z —- -1.... :ﬁ -‘-"'— .'r._._____...___ THE MAIDEN’S ROSE. I ‘ Or, so THE STORY eons. T - Words by Dr. J. F. WALLER. . , Music by .1. L, HATTON. Allegro. /:94 ,I_ ~\ 0 —x— f brillcmte. 1. ’Twas once up -'on a— sum - mer 2. The il - 1er’s son stood by the sf p e legg. riten. sto - ry goes. Franklin's daughter chanc’d to ‘ stray VVhere the mi1l—streao1 sto - ry goes. He stopp’d the wheel, and ere it sank, Caught up the maid - en’s calla 22003. .2211 I _d. a tempo. And ‘ as the rus - tic bridge she cross’d, “Is this thy ﬂow’r, sweet heart?” he cried, S0 ad lib. 4.‘ Tempo piu animate. "‘ 't““'*f*—-“N-~ . 3 t‘\ 1 ﬁ ' —.l - :" ,= — T . 3‘ ‘- 1; Ha‘ .I_- «-1 = r;-- 'g— ~*—” 2 J. _.g_. - » .._ _ a rose. '1 he stream ran fast, the I] ' r V I V _ O - vor the mil she stooped, and lost From out her breast The tnniden b1ush’d, the maid -eu sigh’d, “ Oh! give me’ back my rose,” “ Two ﬂow’rs” he said, “so ,:\ gjj W _,’!qI__..H‘q)-1r ‘4 l_a’_l:'_,:i__L_l_4. d . :0‘ L_" 9 4.-." T '5‘ - '19 e Zeggiero. ' ‘ d‘ calla voce. "3 N R . In / M I x ," ' U I 3: _ strealn ran the sto - ry goes. sweet and the sto - ry goes. . I J . V bore a - long The care-less ma1den’s rose, The care-less mald -en’s rose, '1he care-1ess % ad lib. shame to part, breast should bear Thy - self and _ this red &_ calla voce. ad lib. self V and this red rose.” » ‘ . h ’V*$/"11—z1t hlore the youth and f a tempo. That summer eve, who knows? But he kept the ﬂow’rl and fa Won the maid, Set the sto - ry goes. > _ <- 5: W sf colla voce. 21f2 it Words by F. E. WEATHERLY. ONG ‘ (3:66-> AA AA f2'3:J. 1. Who rides yonder proud and gay, Spurning the dust on the KT1g’sTHighwa.y? Lord of thousand -x‘ -¢"9"ﬂ" ﬁowvﬁ - dam N do. Aa temp“ the beggar must stand aside; 'ﬂ"'¢' ff‘ 3'- /5 >' /\ on the King’s Highway, /5 >- /\ Scatter the dust j- G0 thy wfy, let me go mine, I But room THE KING’S HIGHWAY. —_ Music by J. L. MOLLOY. /\/\ /5/5 i‘ rit. fﬁfﬁ 'I' 333+ to beg, and -or i‘ ,3 ritarcl. tH§° be‘§;/- gar, room, r.-s f-'\ -G 1"’ a - cres Wide, While '9'. #1‘ V -'1' o i‘ 0 I say! M _t -+ *0 FN thou d'f‘1:e.,‘ | -1- 1‘- can spirito. ~0- pfea’. Fair and free, Night and day, /\ A /\ r.\_ Fair and free, Night and day, Fair and free is the King’s Highway, and free is the King's Highway! _;. ‘T L 3; red. Hug thyself in wealth of state, Emp - ty purse has a. caE- less gait; Thou must Watch thy chest ‘ and bags, -'9’ 3 3‘ 3 I 3’ 3 V3’ ‘ ._ -a--t «-1- $~o+ + } um KING'S manw.n. 4. None would steal the beggar’s rags. Wine for thee, for me .a crust, King and beggari they both V d§t,‘And to dust Fair and free, Night and (lay, p;ed. V Fair and free is the King’s m What has the beggar will be borne one (lay, ' and low on the King's Highway. >— ﬂ\ f.\ /3 - Fair and free is the King’s Highway, Fair and free, /\ I Night and day, /\ m Dain - tyV maid of high degree, tenderly. with thee? Thy life morn, And mm xIxe’a Kmnwnr. 4. poco ritard. What has the beggar to thee to say? Gen - tle word hast thou or me? Tears are in m qvw 1*» _ 1,. "-39- way» -¢ V . :§: 7°ed. heart for thee; Ah! that thou shouldst fade one day, E’en as I ‘on the great High-Way! 3 . Fair and free, Night and day, Fair and free is the Kings Highway, Fair and free, Night ax! day, . -49- >> cres.3E1 Kin-_:’s .. .. . 5‘ ad lib. A hlrld 5'9} is the King’s, the King’s High- Way '! . . . . . . . . . . . . . . . . ‘MN ‘ fﬁ I" . /5 1" )3 . 35 1'’w’- * 7"“"*2Ded. 8ra "uni nae‘: ‘manwu L 216 THERE’s NOTHING LIKE A FRESH’NING BREEZE. For Bass or Alto Voice. ALBERTO RANDEGGER._ .__._ ____,c:; ___._°_;_ - I _ ' 9~"——i—+r _. . _g:ar-_ «%~«¢ﬁ:¢:f%%%;;t:tE ...a _.[_.j_ _. )- Ld- ; __]___ I. __ _ 34- 3- 1‘ L. " ‘< cres. 2K. 777: " _ ﬂ__.___ ______ EH .1 :__:1_- __/ __'_/$94-- I \ KL __ (W68. --E > i >_________¥ > . 0 " ‘—‘*i\'" ;::‘—,T:ﬁ F‘ ::1::j5:. :: : f_?,_g___4_“':;.:;:*"q::;]:"irj?_,::,; ?j—"“—'— jt“ C I’ ~‘ ----3.-.—1——1~ y 7*“—'——¢" '** . "‘T'—;'—d‘ ”?'"'?‘.T““”'C7 F A ship that cuts the dashing waves,And j.._‘_ 1 x “"“”=""‘" ’._/ -* -oz 4- Give me a fresh’ning breeze,myboys, A white andswelling sail, foaming waves a — round us dash! The an - gry storm loud roars, ’Tis mu - sic to the sail - or’s car, And _-____.____._ E __. ._ __ -__ _.-. 5___ _.1_.—_. ._.. L A ’Z3.';""."'_'_—__“T‘:i"q -« ’.:3:;‘§¢j~Ej;;i$ ' - t '~4— * * i -0' _ 2 i4-a:-_—_ I; :7 ;‘f— 5 a _g 8f> I ’/—~ 2-‘ ' ‘ .-__,' p * ’e_=::‘“;.'*~*'r['——3“i9‘°‘-—'”*p. 4:5: I _ __ .9_'-:E—-V-‘v‘-’I.*;:~ - E E E E3-£9-—a—%--I lifii L_v_;t_‘ _t_v_,:_- ,-t_;;: I 0 T __< marcato. .._.i._' :_;_._:j ‘:1 ._U—: '7 '7 1 5 R _ J’ » -- —--i—- .— ————-d~ —» —-—-i—- —-—:—— ——a——-— — - ——z——— —, — ':.:—v""'“I.'”‘*‘i’.—.*- .::i’”?‘”‘?”?*‘?"“ ~<*l“71-2-7+%7‘— weath -.ers ev’ - ry gale, What life is like a sea - man’s life, So free, so hold, so brave. of migh -ty pow’r,The el - e-ments his slaves, - ‘ high his cour- age soars: He feels a king -n‘ L + —-—-—~————~‘1— f-— :1. :7 ? T" ‘ %*3'5—’7—~-T--]¥~-¥*;1_" _::,\i;1S;3':§:j§::::4*'—d:;*:ﬁ;:::._ ‘ “ K-.L.7‘]‘§§:*““_gf?n‘_.;:“‘ ‘ _ :gr‘::l:“".g_\/*i” o“"'f‘ . _ _ _ : >"’ slacc e_73za7'cato.- ...i.: ?c2'es._ “H-**:‘i!:;F.:r-I: » ‘FF; F:€;§;::iﬁB:F:F_H 1 =2 I :2 I I I ! Ii,-L 'b_/LL-.- L#——.———/ b.—;‘o—~- V = T "1 I ‘ ——-—-D——l-‘— . . -9-— — — r——~ < -——u—— a E v *5 V #5 I ‘ V .3‘ , V . > E __ _=_.__ . &:-1 -:rr- ,E_.,‘: .____'J_ v 4 V X _ . ..._ 1-4. —]- -i_ - hur- rah!.... -.;__i_E__¢- grave,... . Hur - rah! . hur - rah!..-- home the o - eean’s ivide expanse, A‘ co - ral ‘bed his trus- ty ship at A his command, Steers on thro’ storm and waves,. . .Hur - rah! . . . . , KN _ ' - ‘if - >_ qres. assai. rall. col canto. ‘ ' . °j 4!. ’ '.. . . _ﬂ_ ) r . :1- _.4__I ’ "0'?’ "'*—"—%*‘*‘:_‘ &z . _‘_ 0 bur - riah, then, for a seaman’s fife, F.or o - cean, ship and wind There’s nothing like a f1-esh’ningbreeze,To C7'8S. ’ 1st time. with energy. a tempo. stacc. "‘ u ’ 0 _-“I; _k_._____}-_'___l’_ V I -0- afrettmzdo 32320 alﬁne. rah!-ooqooo o o u - out o o a c o o u o o n o I¢IvoIlOOoocIollloolﬂsooltoloolitooat n o n o o 0 _D.. .0. boson a 0 82310 al ﬁne. ‘ 218 66 . Words by LIONEL H. LEWIN. L ARTHUR s. SULLIVAN.‘ Andante espressivo. K . |‘ M / 1. I lin - ger round the 2. For ev - _,_ g_‘_ -',_ ,._ L g g E‘ _J '_ " .‘ u __ F .- .- . \ ~- * , . . J . ..‘ 4‘ 1 I ,_. . 1;‘ 1. !_;_g§__ WE 9 5 0' B— U 9"‘ ""j"—"" ‘ ve - ry spot Where years a. - go we met, And won - der when you quite forgot, if you quite for - thoughts in-cline, And back my mem’ry slips, I feel warm ﬁngers lock’d in mine, see those quiv’ring 2'e\Ll5‘I~;—~7s“ +«a‘~’Ij‘—2z——t-=--;~--»tE-4 . l l , -7 W 2 = : ~ : ‘ : " ~ §:‘—-§:_:“—_::tg_:§:- ‘—-:..t:¢.‘:..+s;—.~;L~’——_.;:.;e.i;- i— ——-ﬁ—¢I*:¢.=_;;-- —'—_:—-igi-g;—e1-J . ~.~——~ 1*<~«———-L I ‘ 1 _ ‘ j___ "‘ _l__,___':U:g__:J'5: 0 a R “ 5 ‘ I J i ‘N . M. . i.=":. ,-_,__; =; -' g - ~ .7 1 U 1 i1 . ' U . . -0- get,. . . . . . . . And ten - cler yearnmgs rise a-new, For love that used to be, If you could know thntl was lips . . . . . .Whose mur—murs came like music through, When mine had set them free, That all the world was nought to . ,7. I _ *3 .;.i '’ Z, .s 4-; it t i i L -—a——t=—=:s: :t .. _'-.- -4‘ t H——:_-_- -.**“n * 2; --:_-_a_-<__ ‘<- -3:‘§:j§ﬁ:0- :" ::::9: :2 E3‘ #3; :;f’ :5 ' .__’ . , I 1 j- Con tenerezza. * 7-», _1\.."L‘——N.— _-ﬁg- n.__._§i._l.___.__ _._j._ _____‘ ____A {*1 _”jl\" ?:-=<5*»‘’“ \ '*7~*=r 5 7" 1: ..L _a' rd i 1*-5.’-#3-"E5-3-r*’-‘*~E—~.I9-1 .0 ° .\;Ll._.__._._._.___£__i._1__,___'._l_' .1 L’ E g _L 1 :_1 VJ { true, ‘And I that you were free. Ah! . . . . . . . . . . . . . . . . . Love . . . . once a - gain; you, Who on-ly want-ed me. Ah! .............. - Love once 9. - gain; I . (I z 1 : i gl--—J—J _,:;’;*:;*:;i"’.'7‘;‘i:d"3”£‘_y_‘ '9 6‘W'9—“ ? ‘r i T 67 219 7 : ’‘‘» 5‘ . ' ._ . _ . , _ :':U——'—'+___-—’—'.I:'_g - ””'&".'§”'a__7::: V -5 " a J» Wak - ing, Shall it wake in -..___ ..__1,‘j -4 ____p:pqq _ _—1_nq___umnq_ “ L % :::w::::a::~% ¥a?A3Eﬁ1‘%Fa“4 i7a- :3 - ‘ _ _ I ‘ 4 -a—-a4;a—;a—1_—o—'a—I 4;,;1,.4- a,:1;,‘_._: iii‘ 1 ’B‘U‘ '57!‘ Ta ‘d T '6' ‘i/" i I ’$.‘o If con passione. Love . . . . oncea. - gain, V me oncea - gain,. . . O ‘L ' "‘ 4- -0- . -9- -0- -9- -9- P d. .z_r_;;-, Shall . . . it Wake ?shall it wake in vain? - 2'? —\ /* m conforza. \« - - ing, Shallit wake in vain? shall It Wakem vain? can form. Ped_/.———-—_.\ $17“ Ska”. 'I VVEARY VVITH ROWING. Words by W. W. STORY. Music by F. BO0T'_l'. Allegretto. 7“ 1. I am wea - ry with row -uifé, with roy ing, Let me drift. a. - 2. The stream in its ﬂow-ing, its ﬂow - ing, Shall bear us a - long with the - row - iug, with down to the .. row - ing, with down and love and to I can strug - A piacere. > > - '- In these arms which are *" rit. dim. _ a tempo. —..___—2:_"__h. —‘_ stronger, are strong - er Than all of this earth, Let me die, Let me die. I7 _M01'end0. ROSE OF THE ALPS. Arranged and adapted to English Words ’ By GEORGE LINLEY. Allegretto. - :13; ¢ e W A 1- ’Mong the beauteous ﬂoW’rs I live, Hap- py as young heart 2. When the day - light fades a - way, Pleas’d I turn my steps -1: V -0- -0- There’s not a boon the World could give, Like the charm of rov - ing free: Yet with the ﬁrst blush of the day, Here with my ﬂocks a - gain I roam; __‘,__._~ Ah: - .1 vain - ly, lov- ers en - treat Vo?-/ fond and faith—ful to prove; Ah! . . . gai - ly, then I am sing- As . .A . i - dly wand’ring a. -long. and mks of love. A.h 2. my A1 - pine. song. Ah! . _ 1__J_,9 9- —o9——+ .6. -‘- _ -e- ~0- marcato zl basso. e——i .1 .. . F o _._x_.. -— ._ U _.,_ 1,- dolce. Far fxom the sorrows Ev’ - ry wild note of . j_. : F 5 ‘"1’ . U’ I to rove, €‘!:i::!: i 31--=1'—4—n —~;———-a——.__... ;:€;Ed d I =;——-*—--22- -!——3— 9:1! ai.——i 2:3?’ giajfir am more blest here con-tent~ed E - cho re - peating, the mountains a - mono, U- _ _ _ — _ _ _ M M _H _% _, I 3'“ / ﬁ:4_1 % +5 THE VAGABOND. Words by CHAS. LAMB KENNEY. Music by JAMES L. MOLLOY. Vivace. 1} - less, ra.g- ged and tann’d, Un-der . changeful’ land, Who so con-tent-ed . Ne’er . . need I quake, lest for- tune prove un - kind, . . ’ . . . my heart break, that vows have oeasedtd ‘N 32512. "av - * a tempo. Would I call by friendship’s name. . . Z9. .6. a tempo. _ __ :j_—‘::—_._ E’en thi - ther whence I came. . ra.g- ged and tann’d, Un-der changeful sky, ; free in the laﬁd, Who so con-tent- ed‘ as ‘I? /o\ 3: B-ann’d by saint-li - est cant, Scorning hy - poc - ri - sy’s wage, 4% By way-Ward fan — cy Con spirito. _Who the sparrows still hath fed, ‘ . _. . . let me” die, be the World’s base thrall, . . ._ . . ‘ To- mor - row ne’er’ ‘re . Home - less, V ragogedand tann’d,' Un-def the change-ful free in the 1and,LWho so con-tent-ed m Once, . . .- Vten- der love \ Wat¥:h’d Her An - gé1’s my guide. When heaV’na » Asks my last bfea.-th, A ‘ % -’ ' gel love ‘ Smile on the Va-ga.-bond’s death. When . . heav’na - bove . . . my last breath, ——-——~ Smile on the Va-gab0nd’s death, Smile on the Va - gs.-bond’s death. . L I L L 1 A }\ I‘ i‘ ! K‘ ' : . . I . 4. =' -1 ~.¢;a—-——~a T | "‘ ’ 1 I ' . ‘—"“ Home - less, rag-ged and tann’d, Un—der the cl_mnge-ful _\ .—j_j_..___._- r 3 = : 1*‘ —.*- j -,- (‘'5 free in the land, Who so con—tent-ed as ‘Z . fh _. __,*__ __,. J 1‘ A rh--F IT WAS A DREAM- Stop!-ahno. Music byhFRED. H. COWEN. Words by R. E. FRANCILLON. ANDANTE. VOICE. 1. heard brooklet 2. I saw the wand’ring st-reamlet -ti‘ -rvvv" t I7 sing, Among the pop-lar trees, . . . . .. I heard the Wi1-1oWswhis- per- ﬂow Down to the cold grey sea, . . . . I saw the bending Wil - lows 'a“i'1"'d' -r #3; ;+ , , aw-z'r i‘-ti" iii’ '- - ing Un-to the evening breeze, un- to the eve - ning breeze, ‘bow, In Welcome o-ver me, In Welcome 0 - ver me, looked on’ the old, old . ' my dar - 1ing's 11s - tend to breeze _ and M ' ,., T‘ 1ing’s voice 1 agitdto. face, . . . . . . . . . . . A - gain we wan der’d by th t . . . . - ' heard; . . . . .. . . We kiss’d be - neath the moun’s sofeta; :eI:1?1I?].,. . . . .. .. Vée 3:: a tempo. espress. - der’d by the the moon’s soft a tempo. dream; . . . . . . . . A-gain I looked on Elie old, old dream; . . . . . . . . A~ gain I he - ten’d to breeze and, 21. 3 \\\’\’‘\’T\”\ 33e.3_e.3 ;i'° 0 C7'C3o _‘. my dar - 1ing’s face . . . . . .. . . . . . . . . . . . . . . - 1ing’s voice I heard, . . . . . . . . . . . . ff‘? fir .; It wait a Dream. % we wan - der’d by the stream, It was a. be - neath the moon’s soft; beam; Itvwas a 7st. rit. ,3 tempo. dream, it was a. dream. m —-—--_-—-—..’’..\'J dream, 1t was /A 3 . ' It wasa Dream. & “THE TAR’S FAREWELL.” Words by RC. BURNAND MUSIC by STEPHEN ADAMS. MODERATO UON ENERGIA. Z“"""S ._‘;:g_'£_h_ :’ :1“ - __f_ -9--93" vi —¢ 2 .2 1. When forced to bid farewell to Loo,Pu11a-Way, my boys, pull a,- Way, I did not know What; I should d0,Pu11 a- 2. But then if false should prove my fair,Pu1laway, my boys, pull 21- way, I’d burn this 1it;- tle lock of hair,Pu11 a- pull a - Way, I left; her Weeping on thequay, She said she would be true to me, As we pull a - way, If ‘she be false’ and I be free, I’ll ’ sail a. - gain to the Southern sea, I , _¢'. . rall. ~. ‘ «A sail’d 3. - Way to the Southern sea; Pull EL - way,m_v boys,pull a. - Way, »Pull 9. - Way,pull away, pull a - Where there are plenty as good as she, Pull a - wa_V.my b0ys,pull a - Way, Pull a - way, pull away,‘ pull a - can tabile. For the Wind must blow,and the ship must go, And lov - ing souls must part, But the ship will tack, and the Tar come back To the con spz'rz'to. ﬁrst love of his heart, For the wind must blow, and the ship must 7go, And —- V 7“. _‘-r The 'I‘ar’s Farewell. 3. 235 lov - Zing souls must part, But the ship will tz1ck,a.nd the Tar come back To ‘the #11‘ ! 7st. ad lib. To the ﬁrst love of his heart.;.... . .. 13>- '0" 2d. ad lib. The Tin-’s Farewell. 3. 236 l A TWILIGHT FANCY, OI‘ DRESDEN CHINA. A Words by F. E. WEATHERLY. ' Music by J. L. MOLLOY. Andante con moto. . $ 1. In the twi- 'ght has Iplay,And as I dream in the ﬂickering gleam,He 5&1’? fan-cles come and go, And dreamland falls on the old oak mm the ﬁrelight’s ﬁ glow ; takes her Wee sweet hand, And too and fro in a measure slow, They tread :1 so - ra - band; A 7” Side by side In the cor - ner Wide,Stand a lit - tle lass and lad, And thro’ the gloom of my Still they dance and still they pla. ,’Till the mu - sic gives a sigh, As danc-in aye, they PP lone -ly room Come their two lit-tle fa- ces glad. Side by side in the cor - nerwide, I fade :).-way And ind the sha.-dows die. Dim-ness falls on the old oak walIs,And razz. 237 watch their ev’ - ry look, She peeps at him ’neath her hat’s white brim,As he leans on h1s lit - tle lone - li - ness on me, When they are gone, my song, is done,’And the mu - sic hushed must “'1 a tempo. crook. Hour by hour Watchthemtherc,But they take no heed of me, '1‘ y be; Oh, how I loved to Watch them there,Tho’theytook no heed of me,’ They W811: 3 pp a z‘cmpo. make my dark room bright andfair, The lit - tle He and She, on - ly Dres-den Chi - na fair, The lit - tle He and JAMIE! Words and Music by J. L. MOLLOY. ad lib» L . ‘ ,5 a tempo. 1. Ja - m1e! Ja - mie! Ja - m1e! Ja- me! do youhear me 2. Ja - niie! J9. — mie! Ah! if he were no - vet, call-ing in the gleaming, Calling to you, lad - die, to come home; Long and lone I’m Watching,and my heart is ne-ver more to hear n1e, Ne-ver to come back to me a - gain. Sure I’in on -ly dreaming, and I know he’s ,3‘ ‘ ad wond’ring Why up-on the hill so late. you roam, Ja-mie! Ja-mie! Are you ne - fer com- ing ‘com-ing, All the same the tears will ﬂow like rain. Ja-mie! Ja-mie! Ah! the fear is on me, .lU r {j V 239 A‘ ritard. of rall. % To the little heart that's waiting Sad at home. .Ta../- mie! j7a/- mie! And my heart is ach - ing with dull pain; Ja - mie! Ja - mie! Jamie!Do you hear me calling in e gloam-ing, Call-ing to you, lad - die, calling H mie! Jamie! Do you hear me calling in the gloam-in Call-ing to you, lad + die, to come home. It tempo. an - swer, A{¢)youe{y. . l g ; s -V [H - I‘ H '1 | I n 1 I . I J U And it says he’s com-ing, com - ing down the hill - side, Well I know his voice, my A ' ‘ V Now hear him sing - ing to the cat-tle blithe - ly, And the lit - tle sheep-bells tink-lin glad, 3% a-nmiel Ja-mie! Ahlthe joy is on me, and my heart is go - ing just like mad,‘ 3 \ . _ Ja - mie! ' Ja - mie! Welcome to you, lad - die, ta /5 -q- ''d' THE LOST CHORD. . % 3“ Words by ADELAIDE A. PROCTOR. % T Music by ARTHUR SULLIVAN. .71JV‘.’Z.21.7V'2Z' /21092139120. ere‘: . . . . . . . . . . . . . . . . . . . . . .. | f -0- Seat -ed oneday at the or - gan, I was wea - ry, and ill And my ﬁn - gers wander’d O - ver the noi - sy keys; know not what I Vwbas .1Z)lay - ing, what I was dreaming then. M But struck one chord of mu - sic, Like the pew rail. >-——— ores. ................................. ......... .. f dim- soflnd of a _’ great A -T men, Like the sound of T ﬂood - ed the crim '- son twilight, Like the close of an An - ge1’s Psalm, + T j me Lost chord. 5.; dm......Z..5 .... .. Lay on my -fe - ver’d ' rit, With a. touch of in - ﬁ-nite J -C- "F qui -et - ed sor - row, ' o - ver- com - ing strife; I -0- seem’d the hat - mo - nious From our dis-cor - dant life, I 7; tra7zgzkz'lZo. . -9- tra'2zgm'ZZo sempre. link’d all per-plex - ed mean- ings, _ . V per ~ fect peace, The Lost Chad. 5.. 244 poco apocopiu animate. f a,9'2'l§0. -9- it were 10th to cease ; trem — bleda - Way in -to si - lence, M __1_e 4- ﬂed. ‘Z2. sought, but I seek vain - Iy, That one lost chord di - vine, 1 came from the soul of the -9- f gran cZz'o.9o . be that Death’s bright An - gel, Will '5' "5' ritard. ff 719 Ted. The Lost Chord. 5. 7' 4 T h ' 245 speak in thatchord ’ a - gain; It may be that on -V ly in Heav’n, shall sempre f f 5}: feat 55‘: fed. §>§<:f’ea". :>§<: -it may be that death’s bright An - gel; will +- 3: 9 ? ff rimra’. con gran /‘orza. speak in that chord a - ﬁn, It may be that on - ly in Heav’n, I i shall f ritartl. race con _qramS/‘orza. hear that grand raiiwzlmz do . The Loat Ohbrd. 6. LET ME DREAM AGAIN. Words by B. C. STEPHENSON. ’ Music by ARTHUR SULLIVAN. A K MEZZO SOPBANO. .71/V?$.21JV2Z’ £’Si°ﬂESSIVO. . ‘L. 1%. The sun — is set- ting and the hour is late, Once more The clock is strik- ing in the bel - fry tower, And warns be-side the wick ‘ The bells are ringing out the ev- elf ﬂeet — - ' But nei - ther heeds the time \.., \., ' V ing day, The chil - dren singing on their home- Ward way, ward glides, For time‘ may pass a - Way, but love a-bides. whisp’ring words of sweet in - tent, half kiss - es on my fe - - vered brow, ~ We must mzpoco pz'uZem‘o. 17 )2 ' 1 V doubting, whis - per a consent. - Is this a. dream? part, . ah! Why should it be now? Is this a dremn? 81 not wake me, me dream a- wak - ing would be pain, Oh, do a. dream? then Wak - ing would be pain, 9: ‘ 9, appasszbnaio ad lib . c forza. /5 not wake do not "wake me, let .me dream a - gain. H A WARRIOR Bow. Words by EDWIN THOMAS. Music by STEPHEN ADAMS. CON SPIRITO. 1. In days of old, when Knights were bold, And Barons ' their sway, 2% So this brave knight, in at - mor bright, Went gaily to the stray, warrior bold, with spurs of gold, Sang Iner - ri - ly his lay,". . .. sang mer - ri‘ - ly his lay,- fought the fight, but ere the night, His soul had passed a - way,. . . . His soul had pass’d a. - way, love is young plighted ring heart so true, brave - ly cried, love hath gold - en with hair, 8016» and fair, My he Wore Was crushed and wet eyes so blue, and ere he died, be none with her com - pare. So kept the vow I swore. So What care I, What care 1, Though death be nigh, Though death he nigh, -0-. -8-. x calla voce. f /-N . live for love, fought for love, T die. So what care I, Though death be nigh, I’ll live for love, or die. J A warrior bald.-8. ﬁg 2D. death be I’ve fought for love, % piu lento. molto. rallentandoe dim. A >’ >">‘>’. love, for love .... . . for love I die. A a tempo. f>‘ }" colla voce. ‘ m ﬂed. A warrior bold.-3. I’ve fought for love . . . . . . . . I’ve fought for EMBARRASSMENT. 1 A VERLEGENHEIT. _AI..TO SONG. ' FRANZ ABT, Andantino. con leggierezza. D 5”“ 5% 0 u : F‘ W i" [f | I 7 : j I_é“t I - 7: _‘ J“ —“““‘."‘j“""‘ " “ _l“‘ —"i 1”" d.-_, L I A i 3 I I i I .__i ._..‘. Jq;4)__'T.__ i tell thee some-thingI am yearn - ing, Yet to speak it, know not moch - te dir wzohl et was sa. - gen und ' doch selbst so recht nicht, thee with joy would I be sing - ing, A which in my heart is‘ moch te dir so ger - ne I sin - gen ein ' das tief in’s Herz dir write a let- ter to thee, tell - ing, — and hid-den are my mfich - te dir ein Brief-lein schrei ben ' mein Herz dir schiit — ten ‘a1 __. -——~j,T- i ; .1 1 s _g_“z_lcg;_._-___g:g: 3: pi? \-/ _,,_,,. ;:\ 0 no in = ' .- -1 .--7--—-.--—.--3--I 1-’ Hr‘ .v—.v——.v . I V H A '[ 4' ‘ V 70 I . 2‘ 5 1‘ “* 1-“: s L 3‘ I I :1: ﬁ____*' Yetvvould’st thou still the clue belearning, I on - ly could as answer tell : I und wiir - dest. du datum mich fra - gen, wiisst’ ich wohl sel-ber-nichts als das: But still my lips are only bringing, One soul - felt, tender, pleading Word: _ Doch will mix‘ eines nur ge - lin - gen, das stets in mei-ner See -le klingt: But from my breast,with passion swelling, One sim - ple word will on - ly rise : al - lein auch das muss nnter- blei - ben, _denn stets bring ich nur das her - aus : F1 I 41': _ 7 L J I) i__ ‘ i 1 _ I ' :1 Li " ;ﬁ.¢+o*=~+;r-——-J~%v—-;— -a—r——. , '-:aT—~—=z--‘Eta; is; i I 3 ﬂ 01: l ' ‘”" ' ' 2 _ »_,__. -_ -_:__ -_ 17¢ — , , g 4 --93’-~<=9"-~¥~~*¥---v‘5-~4--av-3 y gﬁ-%-v.::*-—.::-.:._~:.. “ - - ’ I oco rzt. -_ - . - {Is -<.: —~=< M) P " !' 9 1"? I i; 2 p-bu:--‘ 9:;-b-2-.-,—-°.r-: 5 =., 3' .= 9 .= , W1 «P. : |___x t__ V "L-LEV I A--hd -4+9-—p—-4-My-P-+—i-%——r4——-5—r—r- i 5 :?5—L—‘..:——-' ‘:5. I I ' I molto espressivo. _/ \ love thee dar - ling, faith - ful-ly, Love thee, A A and on - ly thee,...J ...... .. lie - be dich herz - in - nig-lich, nur dich 31 - lein, nur dich, . . . . . . . . . / 1- ‘ -g— I I L I . I ! " E '.‘q: E? M7 1/ _._ L. ‘“l‘ g I I U. ' ___'U.l 17 love thee dar - ling, faith ~ ful - ly, Love thee, ..... ..' ......... .. - be ‘dich herz - in - nig - lich, uur dich . . . . . . . . . i .9 I‘ I Iii j thee I dich I Tempo 1. . 254 R 0 M A N C E V ‘ Words by W. Gurnsey. Andante con espressione. ’ 4- t /:\ +- the for - est, slept gen - tly! . rays tinge And T all things And all Ah! Al “ALICE WHERE ART THOU.” Music by J. Aecher. seems glad to - night, - ice, Where art thou? -+ ‘C’ , _\. - mg by me, Cool - mg my fevered by lake - let, I’ve sought thee on the Z?‘ V, stream flows as ev - er, Yet Al - ice, where art thou? One 1n the pleasant wildwood, year back When winds blew cold and chill; I've sought thee in -4- '9' e - ven, And thou wort by my si e; for - est, I’m look - ing heav’nward now; thou by my e, look - ing heav’nward now ALICE, wanna ART 'moUP 3. lofe me, One year past starshine. I’ve sought thee Vow - ing to love Oh! . . . . . . .. there a. - mid this e - ven, And thou Wert by my side: in for - est, I’m look - ing heav’nward now; be - tide. me, Al - ice, what - e’er might thou. the sta1'shine, A1 - ice, I know art /5 1 ALICE, wxmnn ART wow? 3. . ﬂan.u..»§..._rEn,nna.3u.!. n. ,. .H::.Td.a ﬂ-..u.aa..t.£1aq.n:;..u.. , artwo‘ ‘ u,«I..rw/49.‘ /daarranrlrl/m.~».uuv»¢rﬂniintrﬂfur »..».ﬁﬁ.....a»r«mﬁm,.n ixlnln-.. lulu v _ ‘ . x..!.|\4,A.?. Anllnnt. . 5:.-In linnululpls mo‘ mu..m.ﬂW-.5 vIu..1I:.£:a.ﬂ.u:2..un. . ﬁ»...,»..mn,£.ﬁ. 55.. ‘4v‘._., . I‘ . » 5 ,5ﬂ.55.=.,p1.. :1 m
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Title: Lighthouse, The, The Lighthouse
Date: 1917
Text: MUSIC LIBRARY VASSAFI cause: FOUGHKEZPSIE. NEW YORK SONGS BY CECIL Op. 32 Philornei . . . (VVILLIAM SHAKSPERE) High voice, in E Medium voice. in D1» The sea hath its pearls (HEINRICH HEINE) Medium voice. in F‘ Low voice. in D9 Ye voices, that arose ¢HENRY WADSWORTH LONGFELLOW) High voice. in A‘) Low voice. in E I heard the ‘trailing garments of the night 4HENRY WADSWORTH LONGFELLOVV) High voice, in D min. Lczw VOICE‘. in B mm. The lighthouse , (HENRY WADSWORTH LONGFELLOW) High voice, in ED»...
Show moreMUSIC LIBRARY VASSAFI cause: FOUGHKEZPSIE. NEW YORK SONGS BY CECIL Op. 32 Philornei . . . (VVILLIAM SHAKSPERE) High voice, in E Medium voice. in D1» The sea hath its pearls (HEINRICH HEINE) Medium voice. in F‘ Low voice. in D9 Ye voices, that arose ¢HENRY WADSWORTH LONGFELLOW) High voice. in A‘) Low voice. in E I heard the ‘trailing garments of the night 4HENRY WADSWORTH LONGFELLOVV) High voice, in D min. Lczw VOICE‘. in B mm. The lighthouse , (HENRY WADSWORTH LONGFELLOW) High voice, in ED» Luw VUMC. In C -nuunun BOSTON: OLIVER DITSON COMPANY NEW YORK: CHAS. H. DITS-ON & CO. CHICAGO: LYON &. HEALY THE LIGHTHOUSE (0rz}g2'naZ K212/) HENRY WADSWORTH LONGFELLOW CECIL BURLEIGH Op.32, N9 5 With breadth and dignity (-3569) rock — y ledge runs far in - to the sea, And ' on its out-er point, some >7 in rolling 7’ T’ w’¥-/T’ morease —-————=-4 miles M a - way, - The Lighthouse lifts its mas — sive //‘T increase ‘iﬁ / ‘fen. Copyright MCMXVII by Oliver Ditaon Company International Copyright Secured 5 ‘$0 72080 4 pi1_1ar of fire by night, of cloud by day. vr L sliglzl/y .s'!(2wer as eve-ning dark A ens, 101 how bright, 3-1453'}:/lg slower \_/dim. and ref. jh 17% mcrea.s'(a . ‘£1117 7/? , _/“aster __éZ.;-1:./:_ Through the deep pur-p1e of the twi — light air,.__ Beams forth the sud — den._ ‘hjzsfer z'7zcre2a.9e .5701" fly \ 5-150-72080 - -'4 with z'ncreasz'ng power and breadth /‘ { __.. ra - di—ance of its light Wiﬂx strange, un-earth_1y splen ._ dor in its wt?/z zizcreamzg power a read!/z > > 1/ \ JV/\ dz'772. .s'lz'g/zI‘Zg/ As at fz'r.9t great_ ships sgi/1 outward and 1-e—turn, Bend_ing and b0w_ing As at first 5450-720 80- 4 inc"/'ea.s‘e o’er the bi1—1ow- y swells, And ev — er joy _ ful, as they see it burn,__ They Z"$\Z"?_a increase ‘Ea. more 3 br0aa’@ e dim 77.? Wave their si - lent We1_comes and fare ~ Wells. more 6roaa’/g/ gradually dim. I/zroughout ”"’1’/ "'l"w".9 retard 5—150~72080— 4 The Musicians Library The masterpieces of song and piano Iiterature edited by men OF authority SONG - VOLUMES - ISSUED For High Voice For Low Voice For High Voice For Low Voice For H igh Voice For Low VOICR Edited by JAMES HUNEKER Edited by WM. FOSTER APTHORP Edited by HENRY T. FINCK Edited by DR‘. EBENEZER PROUT Edited by DR. EBENEZER PROUT Edited by WM. FOSTER APTHORP Edited by CARL ARMBRUSTER Edited by HENRY T. FINCK Edited by W. J. HENDERSON Edited by JAMES HUNEKER Edited by JAMES HUNEKER Edited by CARL ARMBRUSTER Edited by CARL ARMBRUSTER Edited by ERNEST NEWMAN Ediied by HENRY T. FINCK Edited by DR. CHARLES VINCENT Edited by PHILIP HALE BRAHMS, JOHANNES FORTY SONGS FRANZ, ROBERT FIFTY SONGS GRIEG, EDVARD ' FIFTY SONGS HANDEL, GEO. F. SONGS AND AIRS HANDEL, GEO. F. SONGS AND AIRS JENSEN, ADOLF FORTY SONGS LISZT, FRANZ THIRTY SONGS SCHUBERT, FRANZ FIFTY SONGS SCHUMANN, ROBERT FIFTY SONGS STRAUSS, RICHARD FORTY SONGS TCHA'I‘I<OvSi<Y, P. I. FORTY SONGS WAGNER, RICHARD LYRICS I WAGNER, RICHARD LYRICS II E III WOLF, HUGO . FIFTY SONGS FIFTY MASTERSONCS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS VOL. I (BEMBECRG .TO FRANCK) MODERN FRENCH SONGS VOL. II F°'H'“" "°‘°‘ For Low Voice (GEORGES TO VVIDORI ONE HUNDRED ENGLISH FOLKSONGS For Medium Voic- Nations) For Medium Voice ONE HUNDRED SONGS OF ENGLAND " F°'H“‘I‘V°'°° For Low Voice SEVENTY SCOTTISH SONGS F"H'”" V°‘°‘ For Low \/0|C¢ SIXTY FOLKSONGS OF FRANCE - ForMedium Va-ce SIXTY IRISH SONGS ’’°'”'**‘‘ ‘’°‘“‘ For Low Voicz SIXTY PATRIOTIC SONGS OF ALL NATIONS For Med-um voice SONGS BY THIRTY AMERICANS F“ “I55” V°'°" For Low VOICE SONGS FROM THE OPERAS L II Er III roi'i~5’i}1,Sz‘7S’7'sa$'.§’rano or to SONGS FROM THE OPERAS IV 52- V F” T“ For Bunions Bus as as as as by 3,1: Dav Dz! For High Voice For Low Voice For High VOW! For Low Voice For H igh Voice For Low Voicc For High Voice For Low Voice For H igh Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Soprano For Ten For Bariiane Bins For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low VOICC €2vvi:%¢.’v(:3>3:3>‘z?%v‘:‘5f:5i‘:%v1:%f:%f.-%fz%¢z?r¢;%v2.*% For High Voice For Low Voic: Edited by PHILIP HALE Edited by CECIL SHARP Edited by GRANVILLE BANTOCK Edited by GRANVILLE BANTOCK Editedby HELEN HOPEKIRK Edited by JULIEN TIERSOT Edited by WM. ARMS FISHER Edited by GRANVILLE BANTOCK Edited by RUPERT HUGHES Edited by H. E. KREHBIEL Editedby H. E. KREHBIEL -‘.:i‘vv‘.-%v1i‘5v‘:‘5$v‘5n‘:‘iv3$v‘z3v$ V5 v‘°.$v’a‘-E3v1$i%v‘:‘vv‘:‘wi“;%ﬁv‘:%v‘l-?£.'=%v‘x% COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST Each volume in heavy paper, cloth‘ back, $I.50; in FLIII Cioth, gilt, $2.50. Copies mailed postepaid. Other volumes inipreparation For Free booklet, giving full particuiars and Easy Payment Plan, send to the publishers ii OLIVER DITSON COMPANY‘ BOSTON 6:14
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