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Date: n.d.
Text: £7 Cﬁobhawa ;»Afh, ' 9, .- N‘ .. .9 I}; »\ __./—_..‘;\\ /x::f:7‘\#\\ /_ 7 _/ \\\ X \J .....\ \ A &«:AR<\zO.\ N» w A’ A /A \ m ﬂ ’ %?7f**“* / ~_V,,,,.~-_ ._ I ;gg§,Wj;;:::::\\\\\ _ , 3»/I {{{{ 0 7 RT11 S16 ylutv ) \ \_ ‘*'~L,z“'‘ ’/ _ yr \\.\_ L ,. /// \\ L-—r-J / . A 1' \!/ \£——-'4’ I W \I/ \I/ \I/ \1/ W W \|/ \I/ \1/ \Y/ \!/ \I/ /l\ ,l\ 1/Ix /|\ 4 ,i\ /;\/|\/]\ /1\ /]\ /[\ /‘l\ + \/A\\ /A / ”//,.«/ / 1 \\ / El/ﬁ;$?a.,§a7Z. ]’7°ice 3 L 0 11 do n, ‘ . ASHDOWN ...
Show more£7 Cﬁobhawa ;»Afh, ' 9, .- N‘ .. .9 I}; »\ __./—_..‘;\\ /x::f:7‘\#\\ /_ 7 _/ \\\ X \J .....\ \ A &«:AR<\zO.\ N» w A’ A /A \ m ﬂ ’ %?7f**“* / ~_V,,,,.~-_ ._ I ;gg§,Wj;;:::::\\\\\ _ , 3»/I {{{{ 0 7 RT11 S16 ylutv ) \ \_ ‘*'~L,z“'‘ ’/ _ yr \\.\_ L ,. /// \\ L-—r-J / . A 1' \!/ \£——-'4’ I W \I/ \I/ \I/ \1/ W W \|/ \I/ \1/ \Y/ \!/ \I/ /l\ ,l\ 1/Ix /|\ 4 ,i\ /;\/|\/]\ /1\ /]\ /[\ /‘l\ + \/A\\ /A / ”//,.«/ / 1 \\ / El/ﬁ;$?a.,§a7Z. ]’7°ice 3 L 0 11 do n, ‘ . ASHDOWN & PARRY, HANOVER SQUARE- MUSIC ‘LIBRARY » x. . - V _ VASSAR COLLEGE ﬂ ,- , , ../r’ A-_., -V "zy ﬁg’. r.,~ﬂ/ y ‘ - "u 1 ' '1», "N . g /. % ?R@§? WEQ m0?u SONG. WORDS BY LONCFELLOW. MUSIC BY BOYTON SMITH. MODERA To. know a mai».._de11 fair to see, Take care, oh,‘ take care. can both false and frie11d_1y be, Be-ware, oh, be_'ware. )2 {A8cP. N‘? 5526) her not she’s fool ing thee, She can both false and friendly be /9/-7 .staccdt0. _her not she’s foo1.-.ing‘ thee, She’ fool _____________ __ing thee, p 000 7718710 7710880 . She has two eyes so soft andbr0wn,Take care, be__.ware :4 1‘ 3 . \/ ‘\.. $_,/ L2 ~ V /3 P000 menu M3830. ‘/ . ¥/ clam. BOYTON SMITH, Trust hm‘ not, { A &p_ N? 5535) CON 88p ’l‘€b'.5'. gives a side-glance and looksdown, Be-Ware, oh, take care. ritenuto. _ 50-S't€)ll1t(). dunl) 1({()_ Trust her not she’s fool ....ingthee, ‘She can both false, and friendly be Trust her not she’s _f001...i11g thee, Shefs fool .............. _.ing thee. f> BOYTON ‘SMITH, 'I‘ru<:*. her rwf (A 35 p_ N9 5523', {she has hair of a go1-den hue, Take care, beware,take care. \«_*/\“.\§/\E_ \/K \_/ dol. ’ sostenuta . What she says, it is n0ttrue,Oh trust her not, take care. L6) 0 ~ ban sostenu 0. ‘ calla vuce. A- Trust her not she’s fool.....ing‘thee She can both false, and friendly be Trust her-_ not she’s fo0l_-.ing thee, she-’s fool ______________ --ing thee. Trust her nrf, . ‘ N? V ' e Mien: be/n sostenuto. gives . thee a gar.-- land wo ven fair,_ Take care a fool’s-ca.p for thee to wear, be.-. Lw‘itenuto. _ _ _ _ _ _ sempre. .- ed accel: Take care , Trust her not she’s . L_/ mtenuto. _ _ _ _ _ BOYTON SMITH, Trust he)-‘not. ‘ ‘ 4 A & P_ N9 5526; fool ..... -- ing thee, f> Trust her not ff strn BOYTON SMITH, Trust her not. 0 1‘ ere pm} a pm. She can both false and friend .... ..1y be she’s fool ing thee-, She’: fool ....................... -- ing‘ cgfz her not. . . . . she’s fool .... .-ing she’s fool ............. .. ing thee 3 -6- > "6 "5 (5526) J & w" P'£'AnMAN" L:ru6s,?3,cAs1Ls S1'.EA$1‘. JSHDOWN 8cPARRY. LONDON. . ‘ ‘ krklu. h 1, . ix zbrzx £,...t., 2. £2 _ .1», A irEmK!.I..._m..u5..§.n, . . . .. _ ...r»..
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Date: n.d.
Text: MUSIC LIBHQHV VASSAR COLLEGE low mm 0 N. POUGHKEEPSIE, NEW YORK ‘Whr=.I1dH.'1r02md 1:1 lruslwd and ‘MI Hprm Hm All :~et‘c11r Thv VQICC m 1m.-1lJmg vvIHspe1' Evarlgclme, 1'Tva1n$c=}1Jw FOUNDED ON CUMPDSED BY tBNﬂfEH.-BWSCELEB RATED rm-:m J B H N B LGC K LEY. 5)’ H15 SA/ifz.’-." C!/11/0-17.‘! IIA-U7/F!/LAX //.£UJ'fﬂA TED CA_BRlEL._(J£5¢7z/£1 70 EVANCELINE) BALLAD, 2/6 % GABRIEL AND EVANUELINEVOCALDUEIT. r"V7 .“M1.HA//_ EVANCELINE. “In the early part of the last...
Show moreMUSIC LIBHQHV VASSAR COLLEGE low mm 0 N. POUGHKEEPSIE, NEW YORK ‘Whr=.I1dH.'1r02md 1:1 lruslwd and ‘MI Hprm Hm All :~et‘c11r Thv VQICC m 1m.-1lJmg vvIHspe1' Evarlgclme, 1'Tva1n$c=}1Jw FOUNDED ON CUMPDSED BY tBNﬂfEH.-BWSCELEB RATED rm-:m J B H N B LGC K LEY. 5)’ H15 SA/ifz.’-." C!/11/0-17.‘! IIA-U7/F!/LAX //.£UJ'fﬂA TED CA_BRlEL._(J£5¢7z/£1 70 EVANCELINE) BALLAD, 2/6 % GABRIEL AND EVANUELINEVOCALDUEIT. r"V7 .“M1.HA//_ EVANCELINE. “In the early part of the last century, the settlement of Acadie (Nova q(‘UIl‘-I/'W?tS cul l ' ‘ * < ‘ UL to the Englisli, and in consequence of some alleged Violation of the treatuan ()|'(lQr from the British Goveriiinent caused its inhabitants to be removed to different colonies.in mauv iu_ stances,“W'IV'es and children were separated from their Husbands and Fathers? and were doomed never to see each other more. Evangeline was thus separated from Gabriel her betrothed, and the only object of their future lives. was to seek each other, after a long and fruitless search, and when attending a public Institution as a “Sister of Mercy”__ Evangeline hears her name faintly breathed by a voice still reinemberd, _it was her beloved Gabriel T’ “On a sabbath morn, through the ‘streets, deserted and silent, Wending her quiet way, she entered the door of the house. Then as she mounted the stairs to the corridors, cooled by the east wind Distant and soft on her ear fell the chimes from the belfry of Christ Church, Soft as descending wings fell the calm of the hour on her spirit: Something within her said. ._ “At length thy trials are ended’; Many a languid head, upraised as Evangeline entered. .. Suddenly as if’ arrested by fear or a feeling of wonder There escaped from her lips a cry of such terrible anguish, That the dying heard it, and started up from their pillows. On the pallet before her was stretr-bed the form of an old man Long, and thin, and gray were the locks that shaded his temples; But as he lay in the morning light , his face for a moment Seemed to assume once more the forms of its earlier manhood; Motiouless,, senseless, dying, he lay; and his spirit exhausted Seemed to he sinking down through infinite depths in the darkness. Then through those realms of shade, in multiplied reverberations, Heard he that cry of pain, and through the hush that succeeded VVhisper’d a gentle voice, in accents tender and saint like, “Gabriel! 0 my belovedl.’ and died. away into silence. Then he beheld , in a dream. once more the home of his childhood As in the days of her youth, livangeline rose in his vision. Tears came into his eyes: a_nd ‘as slowly he lifted his eyelids Vanished the vision av~ay,but Evang‘eli'ne knelt by his bedside ’ainly he strove to whisper her name, for the Hiccents unuttered Died on his lips, and their motion revealed what his tongue would have spoken Vainly he strove to rise, and Evangeline kneeling‘ beside him Kissld his dying’ lips, and laid his head on her bosom. Meekly she bowed her own,and murmured 9 “Father I thank thee“ “Still stands the forest primeval. but far away from its shadow Side by side in their nameless graves, the lovers are sleeping. EV A NGE LINE. pas? 23‘,- EVANGELINE . By the same Composer. " Gabrie-1’; .‘§.eqxu»1 to “Evangeline.” Song. Also "Gabriel and EV'allge1ine’..’(\Vhisper love, thy words are music.) Vocal Duett . W:‘~z'tten by CHARLOTTE YOUNG. Composed by JOHN BLOCKLEY, JIo1)r«:u.4'ro. {ix Dim‘. e rall. Z"—\ Cres . ‘They say that I but dream love, . ‘ twi1ig‘ht’s /’\_/\_,/ 4 3|‘ * * -‘W p 95 “1‘Lvan2re.Tme may be had as a Nottm-no fn'r the Piano Fov-.1e by John J.B]opkluy. Pr. 3/_ L rays . . . . .. . .. Me ._ thinks 3 a_gajn AS de_part _ ed days; 7 g ' fblhms mine again, Thine hand still seeks mine own, {T , \_ 3 . loves own music. seems to say I am no more an _- lune . VVh(-n K__// V _ ‘ By the same Composer"l‘IX(‘F:[S\'0R.’V)y L0n2‘1'«~l-‘.uw. Illmtrrﬂcd in (V(‘l()r<4 [t.vamrc1rne- - John Blzmkley - all around is hush’d and still Pf’ _/ teneramente. in thrilling whisper calls, voice /3/9\__/ L2 E _ ..van _ _ geline , \ calls; Thy voice in thrilling whisper Evzmgeline Up _ on By the «me Authors, ‘fnne Faithful Frip.-nd”.’ Ballad. Pr 2/__ ‘/ the air se__rene, Thy /9 Thy voice i in "thrilling vhisper E- _ van _ _ ge_line>, calls, E _ _V'2m__geline, My John Blm-kley. Rall. e dim. own E _ van- _ge.. _line . calla voce . soon will come love _ _ _ ly world , Evangeline . By the same Anthor9,“Picciola”or the “Prison Flower?’ P1-.2/_ in vain love, For Thou shalt hot call /7\\_g\_’/\__,/\__/ Sr‘ the ‘ Wl1eI\ from this fair and too shall paws a __ way John Blncklcy - fain would go to that bright home, And rest where thou art {T nah, The heax/’n‘__1y land since thou art there, No *~// ~-2 Cres . *2 Dim Q hm _- ger seems u_n .__ known .> mf hush’d and still, Up___ on the air Se .. _ _ rene; V \_€‘j o go’ Evangeline . I John Blockley _ teneramm1te voice in thrilling whisper calls, Thy voice in thrilling whisper /3/3:2 E__van_ _ge__ line, /X C I O 0 C _ Thy volce 1n thnllmg wlusper calls, {T _ Vzm _ - ge .. line, Mv own E- _van _. _ge_ _ __line \'/ calla vocc. ‘ f_\ L] EVanv2‘e1i11u , London, Published by John Bl0ckley,2 Vark Road , Haverstock Hill- Y2 §@©TE5|IlJ /1/Z/.5‘/6‘ BY * AFTON WATER L.,L..L.L./_/a/z/A ANNIE‘S TRYSTE .9057” .9y..»4>’7”0ﬂ/V AULD INGLESIDE L...._.I,...._....._.,.-c=z£4.0///zz_ BATTLE OF ST|RLlNG..__,......_,EEC‘/3’/J‘A/01% _, BONNIE SCOTLAND I ADORE THEE_.L6"ZA%//0/5///I/., A/I/ﬂﬂ///£7“ ._ .D‘?_ ,_ _.,.,6,-9,4)/__.,, CALLUM A GLEN _ ,__.____6z£,4&///1.4- CLAP CLAP HANDIES ............ _.,z5’/P/£6/I/4/I/.__ BE KIND TO AULD GRANNIE ..... uozsm///zz._._ CHARLIE COME HAME . _ ____ ,,W/1'7.S‘0/I/.__ DEWDROP AND THE MOONBI-:AM.._._,4/z///ma... DINNA BREAK MY PUIR HEART W//Z/A/VJ‘ DINNA GANG AwA_ ..p«¢-yy or /1& 5/_A/,4/2,4’/.m/V _ DOWN THE BURN DAVIE HAME HAME AGAIN . ............... ,_ _A>,4/2/«£52 HAME O‘ MY HEART AULD SCOTLAND,,,__ﬂ0ﬂ/V ,, HEATHER BLOOM_. Yﬂﬂ/I/6., HERE'S A HEALTH BONNIE SCOTLAND L155- HOIST THE FLAG OF SCOTLAND. _6'W!JWO[M..r‘ HUNDRED PtPERS,._ ....... ,,__/J16/V[A>L__ HURRAH FOR THE HIGHLANDS ._L__é’/I/?/?.- L. . ..,/‘J16//.é'ﬂ,_« HURRAH FOR THE HILLS &THE HEATHER.A’[A///0////K ILKA BLADE O‘ GRASS . LLLLLLL "A34/[,4/1/7//I/.«..’_.,. UESSIES DREAM- L...L__LL__5z7;/rzf/I "‘LASSIEZ wAD YE LOE ME? //omzm LORD CLYDE. ..../=*/47»?/or/c mom..- £14///////I/_-_ MARY OF THE GLENN. , /20072- MEET ME ON THE GOWAN LEA W/zm/I/.__ MORAGS FAIRY GLEN ______ _, /I/47/Vi/?._ _ MY LADDIE 'S\ GANE___,_, .... //A2‘?/6’/L90/V._ MY AIN DEAR NELL__,,_,_;_________,__,-_//a/I/[_ MY HEATHER HlLLS,_ _________ ______ La;//r/5.. «xgIYIY”S SELECT Q“ of New 8: PO13111a1= /.« ._JI_. Sjr > F» A»/ﬂf/C‘ 5)’ NAMELESS LASSIE _____ _./I/46‘/(E/1/Z/«.“_ NEWHAVEN F-‘ISHWIFE _ LL- ODINNA CROSS THE BURN WlLLlE..-.f/%//’J‘0///. OLD SCOTLAND I LOVE THEE._.L._..//7//om:/*. OH WHY LEFT I MY HAME? .,.J‘»%4’/V/Izz__,- *0 SING TO ME THE AULD SCOTCH SANGS__z.»_‘EJ‘&//,. *0 wILLIE BREw‘D APECK O‘ MAUT-,,,_._.-owa¢£.,_ PRINCE CHARLlE'S LAMENT._/Ir£Vm o,c6«‘&A:6/._._ PU: GAY MEADOW GowANS..“;____L_,_//I/47.<‘0/I/.- SCOTLAND YET '. _ NJ/F/1'05. SCOTTISH BLUE BELLS.,-..---_.-,..-494»?/Ki/?.- *SCOTTISH EMIGRANT‘S FAREWELL _-__az£x/av/z _ SCOTTISH EMIGRANTS RETURN ____ ._,4ﬂ44/$0/V- SONGS OF MY AIN FIRESIDE......,__...L.m47J0/I/- SwEET JESSIE O‘ THE DELLL._._..,_ -w/gm/V _. SAw YE MY MARY__.,_L_.___--.._.L._..J‘//V614’/FA SCOTLAND DEAR SCOTLAND ...... ﬂ? L- z5’[,4/l//7///// SCOTLAND ..L_.-_..,//0/4/»Mﬂ. SCOTIA‘S BARD- ...... __________ LL J//z//Tm/V- SwEET ROSE OF HAZELDEAN ..... L,..../4/Ar/'7%<’L- WATERCRESSES ______________ L14/[AA/7//V5. wEE JOUKYDAIDLES,,_-L,;.-,.L_.,.-ﬂ/ﬂﬂf/Z»- wEE LOCK o‘ HAIR__.,_._..,...__...-..24//[71/A, 3/= wE‘LL Row THEE OER THE CLYDE- ...... /14/?’/r.. wEE wi:E FLOwER_.,p«.ey a,r6'&ﬂ/__..-J‘7z.‘ZZ4.. wELLS O‘ wEARIE__ _..,_._-.L-_.--,_-./P/ﬂﬂf/1. wHEN HEATHER BELLS= ARE -....-.-..-6/ix?/EA- WHEN MAGGIE GANGS AwA ................. ..Z£éi wIFIE COME HAME -7 ....... .-..-,..--§£//K/E. wILLIE‘S GANE TO MELVILLE CASTLE__-___/4/Va- WILLI E‘S RETU RN .60/I//04/I//04/.7'Q_ 9.! 641/PAEE/1 YON wEE BIT HEATHER.-LL_m_..-/I/M/1/4‘7.——— ﬂaw’ 7//z///M7 1*/Z/2 //ﬁy/////i'I'//g// //J‘ .17/eff. 4&2/j/ZL._S%€{/Z/7 JOHN BLOCKLEY, 3, ARGYLL STREET, REGENT STREET, LON DON. W . 3/: WEE Boo PEI-;pL_I ____________ ._--i4z/4/I/7//Vi 3/:
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Date: n.d.
Text: PHOTO N9 4-. ARRANGED A8 A11 Acfion S I19 forschools ‘ BY I**1EBENFJ‘1ALJEP§NE L/O1'Ld.O I2: J .CURWEN &SoNs LTF’ 24 BERNERS STREET,W. Cz7p//"/‘£7/72: /908, /7)/J. Cu/we/7 c? 347/75 if//, Price One Shilling. uusuc LIBRARY \/ASSAH COLLEGE THE VILLAGE BLACKSMITH. LONGFELLOW W. H_ W-EISS_ Allegro moderate. VOICE. - KeyC. s :d'.d' It :d' } Flrst.symphOny'.Ph°t°1'- _ ' 1.(i)Un-deraspreading f mf ﬁr‘ :—.d'|t :1 Is :—.1ls.m:- ' °- :rL1"|s :...
Show morePHOTO N9 4-. ARRANGED A8 A11 Acfion S I19 forschools ‘ BY I**1EBENFJ‘1ALJEP§NE L/O1'Ld.O I2: J .CURWEN &SoNs LTF’ 24 BERNERS STREET,W. Cz7p//"/‘£7/72: /908, /7)/J. Cu/we/7 c? 347/75 if//, Price One Shilling. uusuc LIBRARY \/ASSAH COLLEGE THE VILLAGE BLACKSMITH. LONGFELLOW W. H_ W-EISS_ Allegro moderate. VOICE. - KeyC. s :d'.d' It :d' } Flrst.symphOny'.Ph°t°1'- _ ' 1.(i)Un-deraspreading f mf ﬁr‘ :—.d'|t :1 Is :—.1ls.m:- ' °- :rL1"|s :.d’lt :d' Ir‘ :— d'1t 2s $ chest- nuttree The vil — lagesmithy T he(2)srnith amigh—ty man is he,(3)With C’. “I :d' lm zfe ls :— l zsr .m l .f :- is :—. lim :—.r Id :''‘I If” :— .1 It :d' f large and sin - ewy hands; (_4)Andthe muscles of his brawn — yarrns are (5)strong as i - ron =<_1_'._!" |m' :1: Id‘. :1 I Se :—m Ir-1 :1_ﬁ I d‘ :1 M‘ :d' lt :— I- (6) His hair is crisp,and black andlong,(7)His face is like the tan; rgzjl. {'6} :-.d' It :(1' Ir‘ :s Is zse l 1 :r ls : I I :~ it 2- ' d‘ 1"-d‘ '1" 1V'\' 3 brow is wet with hon—est sweet,(9)He earns whate’er he can,(10)And looks thewholeworld Photo 2. {Fm :—.m lm :1 .1 is :d' Ir‘ .m':— |d' :— \- in theface(u)Forhe owes not a—ny ‘Second sympho,-,y_ Photo 3_ > }}} zm H1 :d' It :m' |d' :— .1; 11 :1. .t ld' :d' lr'.1:— 2 2.(12)Week in,(13)week out,(14)from morn ti11(15)night,(16)Youcanhear his bellows 0 z} 7-all. e dim. A.t. m. 1. {It ;- r— ;m'.r'ld' :1 lse :m lm :1 It :1.t ld' : I :r lms. :— 1- :s..s.: blow; (17)Youcanhear him swinghis hea—vy sledge; With mea-suredbeatand slow, (18)Likea Z> mil. 6 dim. s.d.f.C. a tem {Id zd Ir .r:—.r I m :—.r Id :s. .5.‘ m. :m. ls. zd lawn :— I :s ls :s ls.s:— } sex—ton ringing the vil — 1agebe11,(19)Whenthe eve—ning sun is low. (20) And chi1—dren coming 0’ mm 1" stacc. mll. {ld' :d' It :—.t Ir‘ :a'.,a'nn :1; It : u :s |s :d.' It :d' |r- :—.s ls :se 3 homefromschool Look in at theo —pen door; (21)They love to see the flam - ingforge,And {I1 :r is :a I1 :— It :— Id‘ :—.d' Ir‘ :m' |m :—.m|m :1 Is :d.'.,d'|r' :m' hear the be1—1ows roar, (22)And catch theburn-ing sparks thatfly, Like chaff from athreshing f> ”" I Third symphony. Photo 4. {la :11 Inn :11 ‘s :—.r 1: :11 .t.|1. ;— .1. Id =1, im : 1- :"‘S (23)goes on Sun-day to theChurch, and sits a—mor1g his boys; (24) He Elm:-.m1s:sV1;11s:_.sl1;—.11t:tld';-1:ls.s:s.sIm:mlr:—1c1:c1§ hears thepar-son prayar1dpreac1'1,(25)He hears his daughters voice (26)Singinginthevi1-lage choir,(27)And it Old hundredth Psalm. {I1 :1 is :m I r :— 1- :5m |m :—.mlm :m.m l f .f:— If : lr :r.r|s :—.f§ makeshis heart fe — joice: (28)It sounds tohirn likeher mother’s Voice Sing-ing in Pa - ra- \/ 17000 mll. a, iempo zm Ir :r lm :—.r ld :—.d 11. :1. It. :_ .1. If :—.f lm ;— 1- :m § (29) He needsmustthink of her oncemore(30)HoW in thegrave she1'1es3 (31) And mil. atem \/ _/ Photo 5. i “S :s Is :— .m ' S :f lm :r 1 d :- .d [In with his hard, roughhand he Wipes A tear out of rail. Photo 6. ﬁlm‘ zt .,t|d' :1 I Se :—.m lm :- '6.‘ :1 .,1|m' :d' It :— l— :t 111' :—.d' It :d' % 4.(32)Toi1—ing,rejoic-ing;(33)sor — row—ing, (34)On-wardthrdlife he goes; (35)Each morn 4 ingsees some f I 9 {Ir :-.s ls :se I1 :r ls zd I1 :— It :t .,tld'.d':— Ir‘ zrn In :— 5- :1 task be—gin, each(36)eve—nir1gsees it close (37)Some{hingat—tempted,(38)Some~thing done, (39) Has 1' molto Ma‘. “S :6.‘ Im' :-.,r‘|d' :— |— : I earnd a mghﬂs re—pose.. Fourth symphony_ Curwcn’s Action Songs for School Concerts. Full Song Size. Infants’ and Junior Schools; “ A " was an Archer C. H. Lewis Babes in the Wood A. J. Foxwell Bessie’s Secret A. Watson Boy and the Girl, The C. H. Lewis Castles on the Sand Percy Jackman Chlnaman, The A. L. Cowley Chinese Lantern A. L. Cowley Chinese Umbrella,.The C. H. Lewis Cruise in the Big Brown Boat Watson Country scenes and characters Foxwell Dollies’ Dancing Lesson, The A. Watson Dolly's Outing O. Ling and C. D’Ace Dunces, The C. H. Lewis Eight Little Mothers Effie I. Canning Flowery Garlands Foxwell and Lewis Girls versus Boys Hawkins and Lewis Good Night Song and March E. E. Mann Horsemen, The C. H. Lewis House that Jack built, The Japanese Doll Feast . Kindergarten Way, The P. Jackrnan Little Cooks R. H. McCartney Little Helpers R. H. McCartney Little Housemaids Hoare and Lewis Little Tommy Atkins A. Watson Lord Mayor’s Show, The T. P. Cowling Merrily round the May-pole W. L. Frost Merry Little Maids and Boys Cowley Mischievous Child, The Geo. Merritt My Dolly's House F. W. Farrington Nelly’s Dolly A. Watson New Baby, The ' J. Frise Our merry See-saw C. H. Lewis our pretty Christmas Tree Parkinson & Lewis Riding in the Tram Foxwell and Lewis Robins and Wrens A. L. Cowley Santa Claus’ Call J. Frise Signals C. H. Lewis Song oi Welcome, A J. Layland Spring Story, A H. A. Donald Twinkle, twlnkle,,little star F. A. Mann When babies go to school A. Watson When Granny comes home A. Watson When tired with our lessons Roddie Boys and Girls. A-hunting we will go At our Bazaar Beautiful Rainbow Birdies’ Concert Black and White , Clementine Ward British Flag of Freedom, The Roddie British Flag, The Percy Jackman Burlesque Band, The G. F. Root Camping Party, The A. J. Foxwell Children’s Hospital B. M. Ramsey Chinese Fair, A Hoare and Lewis Chrysanthemum Land Gillington & Lewis Craity Old Spider, The A. Watson Crosses Three W. H. Smith Dolls Edith E. Marin Family Coach, The C. H. Lewis Four-and-twenty Blackbirds J. Thom Funeral March of Cock Robin Labbett Gallant Liie-boat Crew T. Facer Gifts of the Season Foxwell and Lewis Gipsy Dance and Lullaby Frank Sharp Git under de ’brella Edmonds and West Grotesque Mandarins J. B. Tomlinson Home-made Concert, A P. Jackman House that Jack built, The Foxwell Inehriated Geese, The - A. Watson hi Hot Hindustan C. H. Lewis Inquest on Cock Robin Foxwell & Lewis In the Market‘ J. Frise Joan and Darby May Byron and Lewis Lawn Tennis Players C. H. Lewis Llie-boat, The Percy Jackman Like this J. Frise Little Farm in Ohio, A A. Watson Little Gipsies A. Watson Little Haymakers Tom Pierce Cowling Little Hunters Beynon Ashcroft Marionettes, The - F. W. Farrington Merry Singers Tom Pierce Cowling Monkey on a Stick - aPercy E. Fletcher Motor Car, The Thos. Facet Mousetraps! who'll buy! A- Watson Musical Picnic E. Ouseley Gilbert My Bike Annie R. Forder on for the Holidays (2s.) v ~ Fitz-Gerald and Elliott Lath Off to Blackpool Augustus Lanhanu 0 merry it is at close or day Lewis Arr. F. Knapton . Frise Clementine Ward A. L. Cowley LONDON : ONE SHILLING EACH. Voice-part in Both Notations. Ample‘Directions for Actions. Pianoiorte Accompaniments. Apparatus for some of these Action Songs may be had and Costumes hired from the ‘Publishers. Our Band- Our School Treat Pigtail and the Fan Playmates Waltz Plume Song, A Poor Cock Robin Rainbow, The Red, White, and Blue Gillington and Lewis Santa Claus’ Call J. Frise Santa Klaus J. Frise Percy , J ackrnan F. W. F arrington Ernest Bucalossi Kirby and Woolley Edith E. Mann W. S. Roddie Clementine Ward School Bells are ringing M. Johnston Showman on Tour, The J. Frise Singing Competition A. J. Foxwell Song oi the Union Jack M. C. Gillington Star-land J. W. Kirby and W. Woolley Swinging (No actions) W. Lane Frost Teachers oi Britain John Brind That’: just what I expected J. Frise Thcre’s an isle ‘mid the silver sea Cooper This World of Ours C H. Lewis Three Flags John Graham Toy Band, The W. Willoughby Toy Shop, The T. Sydney Smith Tribute of Flowers (8vo size, 2d.) Fletcher United Kingdom (Sol-fa, id.) Cowley Waves, beautiiul waves T. Facer Waxwork Show, The C. H. Lewis What game's best for playing it Coward When love is young J. Frise Where are you going to ? C. H. Lewis White sails A. L. Cowley Wynken and Blynken R. de Koven Ye Ocean Wave (2s.) H. Elliott Lath You Mus’n’t A. Watson Boys. Anglers, The C. H. Lewis Auctioneer, The J. Frise Birds and the Boys Herbert A. Dyer Bold MountaineersFinnemore & Jackman Boys’ Brigade A. King and G. G. Turriﬁ Boys in Khaki, The Percy E. Fletcher Boys will be boys C. H. Lewis British Army Boys J. Frise British Isles, The A. L. Cowley British Workmen Munday & Valenza Busy Blacksmiths, The D. McKenzie Busy Little Carpenters A. Watson Butcher Boys, The A. L. Cowley Buttons J. Frise Cheap Jack Frank Booth Chinee Boy, The C. H. Lewis Chinese Boy’s Ambition Ward & Healey Chinese March C. T. West Coon and the Tune, The J. Frise Cricketer’s Song, The A. L. Cowley Crossing Sweeper, The J. Frise Crossin’ Sweeper Joe A. Watson Doctors Three J. Frise Dancing Bears, The T. H. J. Eling Dentist’s Den, The C. H. Lewis Dwarfs, The C. H. Lewis Farmer’s Boy, The C. H. Lewis Fire Brigade, The Foxwell and Lewis Fire Brigade, The- Stallybrass Fly Catchers, The C. H. Lewis Football A. L. Cowley From behind the Speaker's chair J. Frise German Band Action Song Roddie Good Umbrella, A Foxwell and Lewis Gymnastic Vocal March Seymour Dicker Hats F. Hoare and C. H. Lewis Hi-ching-ting-a-ling John Brind Home Coming, The C. H. Lewis I’m the Butcher Smith and Lewis Invaluable Cane Gillington & Jackman Jerry Blinkum’s Baby A. Watson John and Co. IVL Ashcroft Johnny Schmoker G. F. Root Jolly Cabmen, The V Edward J. Labbett Jolly Eskimo, The C. H. Lewis Jolly Jack Tar, The C. H. Lewis Jolly Little Cobblers A. Watson Jolly Old Cobbler Tom Pierce Cowling Jovial Auctioneer, The A. Watson Kazoo Band ~ P. Jackman Kilkenny Cats (with Meow Cho.) Watson Lads’ Brigade, The E. E. Vinnicombe Little Crossing-Sweepers B. M. Ramsey Little Fishers F. W. Farrington Little Gardeners E. C. Winchester Little Ricksha Boy, A Farrah & Lewis Little Sailors Tom Pierce Cowling Little soldiers D. Mackenzie Local Volunteers, The J. Frise Merry Drummers Percy Jackman ‘Dorothy Sly Merry Plcughman, The Merry sandwich Boys Merry Shoeblack, The Merry Old Soldiers 01! to Klondyke Old Soldiers On Parade Onward March Our Hats Our Model Parliament Our Model Policemen Paddy Blake Pedlar. The c. H. Lewis Phizzy-ol-oi-ol-o-gee H. R. Coombs Poet would a-ilshlng go, A A. Watson Poor Pierrot Gillington and Jackman Red Indians, The Gillington and Lewis Sailors, Soldiers, and Tradesmen , enkins and Lewis Sneezing Song, A Alfred Scott Gatty Soldier Boy, The (2s.) A. Scott Gatty Song oi the Blue Jackets J. O. Murdoch Song oi the Sailors David Mackenzie Sons oi the Sea Foxwell and Lewis stilts, The C. H. Lewis Sweeps, The C. H. Lewis Tailor’s Song, The T. H. J. Eling Tall Top-Hat, The Percy Jackman Ten Little Chinamen Edmonds and West Ten Little Choir Boys Dawson & Fletcher Three merry dentists C. E. Le Richeux Tinker's Song, The A. L. Cowley Tin Whistle Band, The Taylor & Lewis Tramps, The Percy Jackman Tramp, The J. Frise Tetbury Mop M. Ashcroft Triangle Song C. H. Lewis Trooping the Colours Arr. J. S. Curwen Union Jack, The T. Crampton Up with the Flag A. L. Cowley Urchins We V J. Frise Village Minstrels are we C. H. Lewis Wagoner’s Chorus C. H. Lewis We are Jolly Blacksmiths C. H. Lewis Who’s got do little nigger’s shoe ? Watson Woes of Three Dufiers E. N. Lewis Wonderful Hat, The C. H. Lewis Yawning Song T. W. Partridge Young Punchinello A. Watson Young Troubadour, The A. Watson Girls. Ambulance Maids Fow1er~Tutt & Lewis Beautiful Rainbow Clementine Ward Beneath the golden orange grove Lewis Busy Little Housemaids A. Watson Butterﬂy, The W. Woolley Caller Herrin’ Arr. Annie Irvin Cloud and Sunshine Elizabeth Tate Contrary Mary Herbert Lloyd Could we but rule J. Frise Dame Daisy’s “At Home” E. E. Mann Domestic Troubles A. Watson A. Watson C. H. Lewis C. H. Lewis C. H. Lewis Farrington C. H. Lewis C. H. Lewis J. Frise Gillington and Lewis T. Mee Pattison J. Frise Longhurst and Lewis William Barkla J. Frise J. Frise A. Watson Family Linen Fan Telegraph Fisher Girls, The Flowers, beautiiul ﬂowers Parkinson & Lewis Flowers’ Festival Edith E. Marin Gay little Geishas we J. B. Tomlinson Gay little girls irom Japan N. O’Rei1ly Gleaners, The A. L. Cowley Grace Darling Arr. Helen Faulkner Grandmother's Dream F. L. Bristow Grandmothers Old J. Frise Granny’s Patchwork Quilt C. Ward Grecian Girls C. H. Lewis Handerchlei Song Kate Fowler Tutt Happy little Japs Frank H. Gelling Hoop Song, The J. Tomlinson Corbin Housework C. Hutchins Lewis Hurrah for the songs we sing J. Frise Japanese Fan, The A. L. Cowley Japanese Tea House Foxwell and Lewis Jolly Factory Lasses J. Frise J oily Little Geishas Gillington and Lewis Latest Thing in Dolls, The W. S. Roddie Little Laundresses Tom. Pierce Cowling Little Maids oi Long Ago C. H. Lewis Little Playmates R. H. McCartney Little Turkee Turks Frank L. Bristow Little Washerwomen C. Flavell Hayward Looking Glass, The A. J. Foxwell Love in a Boat J. Frise Maids oi Seville, The C. H. Lewis For full description, see School Catalogue, gratis and post free. J. CURWEN 8i SONS Ltd., 24 BERNERS STREET, W. t Merry English maid, A Merry Little Milkmaids Milkmaids, The Miss Milligan’s Girls Miss Muﬂett Miss Prim Mistress Mary My Dream My Sweetheart Not quite the same Old Age Mary Arnold and P. Jackrna Our little serving maids Tutt and Lew Our Night Out Pinaiore Song and Dance Pit-pat W Poppies Posies Queen Anne Fan Song Raise the Tambourine on high Pattiso " Screen Song W. Woolle l. Smart P.T., The song or Slumber, A Song of the Little Jap, The Stocking Menders (8vo, 2d.) Sweeping-brush Brigade Tales of Childhood Tee.-party, The Three Modest Quakeresses Washing Day We are dainty, dancing ialries We'll tell you your iortunes Mackenz‘ Welsh Girls ‘ C. H. Lew When I was a girl, you know J. Fri Flore Cooper and Le C. H. Lewi . Dances and Musical Drills. When I was a girl, you know Ball Tossing Bogies . . British Empire Drill Windley & Stuar Butterﬂy Song and Dance C. War Children’s Dance Miss E. Hughe Clogity hop-te-toe Alphea Parr Click, click ! ‘ Concert Flag Drill Dance oi the Vampires, The Elves and Bells Fair Arcadee Fairy Bells ringing at dawn Fan Drill Lois Bates and A. Pearso -‘ Fan Philosophy K. Melville Fletche Fay and Flower E. Maso-[ Flower Bells, The A. L. Cowle if Four Young Quakeresses C. F. Haywa ' Gymnastic Vocal March Seymour Dicke I-Iazelrigge Flag Drill Windley & Stuar Heads and Heels C. H. Lewi Hindeo Maidens '* Turner, Longhurst, and Lewi Japanese Parasol Winthro. Jolly Tar’s Sword Drill Kazoo Band King's Navee, The Lads in Blue ' Little Consta Little Grena March of the Kazoos March of the Pipers Maypole Dance Merry Maidens We Merry Morris Dancers Musical Flag Drill Night in a Dormitory, A Turner, Longhurst, and Law 0 ! iancy i just iancy l i A. Watso Onward March Turner, Longhurst, Lew _ Our Gay Balloons Parkinson & Jackma.‘ Peasant Dance Wakeling Dr k‘ Pink-a-Pong Turner, Longhurst, Lew '1“ Pole Drill and Bar Bell Drill Hughes Ribbon Drill C. M. Kenned Ribbons and Tassels ‘ ’ Scari Drill C. H skipping Rope Drill Jennings and S Skipping Song and Dance J. F Smiling Geisha, The . so Shy Spanish Drill March Tambourine March and Dr Trip, Trip, Tripping Wand Drill Wheel Drill (2s.) When Good Old Dames Braine and Lew ‘, DIRECTIONS. T? FOR CONCERT.-—Eight Boys and Four Girls. DRESS.—BOYs (blacksmiths): dark blue trousers, white shirt (bare chest and sleeves rolled up); ” tan ” aprons; box of tools ; hammer; horse shoe; pincers and ﬁle. SCHOOLGIRLS: White frocks; red caps; skipping ropes tied round waist, and school bags (tan) slung over backs. EMZ1/y.—During First Symphony four boys from each side of stage walk on, whistling tune, and take places as in Diagram T, placing boxes on ﬂoor. Girls run on. %é‘° §° °§§v GIRLS. :37 DIAGRAM I. Last bar of Symphony, boys, except two front ones, form semicircle as Photo I (under a spreading chestnut tree). I. Girls point to boys. Two front boys imitate striking on anvil, one boy holding horse shoe with pincers, whilst the other strikes shoe with a hammer, which must be _ swung as a sledge hammer (Photo I). Con- PHOTO _ tinue this action to the word “stands,” when boys step back to places (Diag. I). 2. Hold hips ﬁrm. Girls point to boys at word “ mighty.” 3. Hold up hands and twirl ﬁngers. 4. Stretch out arms sideways, bringing closed hands to neck vigorously (showing muscles). 5. Raise right knee and break imaginary iron bar across it. 6. Point to hair. 7. Point to face then show aprons. Girls show bags. 8. With right thumb wipe forehead twice from left to right to worc ;‘ sweat,” throwing same off thumb to ﬂoor. 9. Shake pockets with hands in. IO. Throw arms out to front. II. “Partners” grasp each other’s right hand, and make “clicking” sound with thumb and second ﬁnger of left hand. PHOTO II. Photo II. Second Symphony. As Photo III. In time to music, boys strike as Action I. I2. Move right hand from right to left. I3. Move left hand from left to right. I4. Half right turn, shade eyes with hands, and look upwards. I5. Palms together, and rest head on hands. I6. Imitate blowing “smithy” bellows. Girls, with hand behind ear, listening to same. I7. Action I. Photo III. Girls listen during this action to worc “ slow.” ' I8. Imitate ringing church bell. 19. As I4. 20. Boys, with ﬁle in right hand, and resting horse shoe on right knee, imitate “ ﬁlin ,” whilst irls Mm to followin PHOTO 111' positifns (Diag. II)gand “peep in smithy.”g Village Blac/eszizit/2. DIRECTIONS, continued. GIRL 2r. Girls clap hands, whilst all boys, , _. _. \ /y >\‘::v except two rear ones, imitate striking «>§§v BOYS »§§~ (Photo III). Two rear boys blow bellows. Boys continue this action in time to music, // °§§~’ BOYS "§§» GIRL ' to end of verse. /1‘ u :3’ -"v < / / 1 1 K ,//7 GIRL3‘~;(. 22. Girls imitate “catching the sparks,” throwing same to the ﬂoor briskly, as though DIAGRAM IL ﬁngers were burnt. $3 GIRLS «gs. Boys ass, Third Symphony: Boys as Photo IV (on front page), shoeing, and imitate putting nails in horse’s shoe. Girls walk back to their places reading books, which they take out of their bags. 23. Point to right. 24. Kneel as in prayer. 25. Still kneeling, placing hand behind right ear (listening). 26. Rise slowly, and point to right. 27. Hands over heart. 28. Right hand behind ear (listening), points upwards with left hand (Paradise). 29. Clasp hands and shake heads (medi- tating). 30. Point to ﬂoor. PHOTO V. 31. At word “hard,” right hand boys show left hand, left hand boys show right hand, and half turning “ wipe eye.” Each girl walks mournfully with head bent to places as Diag. II, placing her hands on boys’ shoulders (Photo V). Position for remainder of song as Diag. II. 32. Wave hands above heads. 33. Photo VI. 34. Move right hand briskly to right. 35. Boys take up and show tool boxes, girls hold bags to front. 36. Place boxes on ﬂoor. 37. Strike right knee briskly with right hand. * ~ - 4 38. Arms stretched forward. PHOTO VI. 39. As 15_ Exit.—During Fourth Symphony, girls throw skipping ropes round each couple of boys, and to music (“Harmonious Blacksmith ” preferred) trot off stage as horses. Village l;’lack51m'L‘h.
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Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW YORK @ ¢/ $0ﬁ\§ CB8 / / K A X If by o1§1GFELLov\7, IX’ Music by .5 ‘r\ § 1 Cb//zpayer 02"z%e Jbrzg “COME TO ME,O YE CHILDREN" _Z777/5. 5Z°a.ﬁ’2zI/ZZ. \ P/Z209 L o n d o n, H.BERESF'ORD,62,E3ERNERS STREET,VI\/. AND AT ’ BIRMINGHAM. FREE PERMISSION IS GIVEN TO SING THIS SONG IN PUBLIC. TH12 CH1 LDRENS HOUR. .Words by Music by Longfellow. Thomas Anderton. Moderato. A mf - tween. the. dark and the day — - light. Wllen the night _is be...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW YORK @ ¢/ $0ﬁ\§ CB8 / / K A X If by o1§1GFELLov\7, IX’ Music by .5 ‘r\ § 1 Cb//zpayer 02"z%e Jbrzg “COME TO ME,O YE CHILDREN" _Z777/5. 5Z°a.ﬁ’2zI/ZZ. \ P/Z209 L o n d o n, H.BERESF'ORD,62,E3ERNERS STREET,VI\/. AND AT ’ BIRMINGHAM. FREE PERMISSION IS GIVEN TO SING THIS SONG IN PUBLIC. TH12 CH1 LDRENS HOUR. .Words by Music by Longfellow. Thomas Anderton. Moderato. A mf - tween. the. dark and the day — - light. Wllen the night _is be—gin — ing to 0 \_/ Comes a pause in the day’s oc—cu - pa — — tions That is \/\_/ \/ as the childrens hour That is known as the chi1—drens \/t hear in the cham — her a — bove — patter . of lit _- tle feet, The sound of a door that is 0 - pen’d . And’ voi — c\e's soft and sweet A Whisper and thgn a g The Children’s Hour. - lence Yet I know bytheir mer — ry eyes. J. plot — ting and plan—ning to — geth— er To take me takeme by sur—prise *3 A sudden rush from the poco am’/mz'to. sudden raid from the hall! The Children’s Hour . poco Nfaro’. J three doors loft un—guard ed en — ter my cas — tle calla voce. Wall‘! you fast in my fort ~ — ress, And tempo pri/no. '0' — not let *7 you de—part put you doVmin—to the 5 1} con espressione. dun » — geon In the; round tow’r of my _____%..__..~> ﬁrolla woe. The Children’s Hour. con smtzmnlo. there Iwill keep you for ev - . Yes for ev — Till the Walls s1:;11 cr{1jn—b1et0 ru — Con espressioize. moul _ dor in dust at - 00110 0008. ad lib. dust in dust /3 I‘-col/(z 13066’. The ChiIdren’s Hour . NEW AND PLR SONGS. THE CHIMES OF HEAVEN . Written by H.W. Ingram, Composed by Odoardo Barri. THINE ONLY THINE. Written 8: Composed by Moderato Lindsay Lennox, A l.. I a—go, Be — side. One gold—en eve long years the sil — ver I I I I I A- w p sempre legato. 1 01 It It I I -C u-og- 4! VI . =' -d \O .3 V. :14:-,9 T (\ \.v Oft, from afar, Ihear a joyous pealing Like chimes set ringing by an angel hand, Fond hopes reviving, ever comfort bringing, And Wafting echoes from a better land. Tho’ in the darkness weary pilgrims Wander, Yet light and rest come from the heav’nly strains, And souls bowd down with grief, may solace gather While those clear notes swell o’er terrestrial plains! In 3 keys Eb, G (D toE)&-Bb. .‘.. One golden eve long years ago, Beside the silver sea, We watchd the rippling Wavelets flow, ’And dreamt of days to be; You laid your hands in mine that night, My heart with rapture beat, For while your eyes with love were bright, 'You said in accents sweet;- I115 keys Eb, F (Cto E) 8: Gr. ‘-‘Nor KNOWING, eAN’T SAY.” Words by H,L.D’Arcy Jaxone. Music by Louis Diehl. “IN THE OLD ABBEY.” Words by Lindsay Lennox, Music by J. G.Veaco. .l L .r« ITIRI I\I J IVL 3" ” I L 61, ' , I lit—tle'maid.’ Thus he sang,andthusthey playd; L I . . L [\ I\ I‘ I I I II I II \ / / 4/ ,. 0 , ‘ 77 “Do you love me, little maid.’ “Thus he sang, and thus they playld; “Do you love me best,” said he Will you give yourself to me.’ ;Then she nestled in her place, ‘(Kissed the bonnie bearded face: Yes?” she cried,I love you best, Better than I love the the rest? I stood in the grey old. Abbey, With sarlrleifd heart one day; I was weary of life’s hard battle And worn by the ceaseless fray-, I prayed while the organ was pealing A strain that was mighty in tone, And it seemld while I prayed that an answer Came down from the Fathers throne! DONA NOBIS PACEM. C5 )7 . . , GRANT Us PEACE. Words 8: Music by . Lindsay Lennox. O “Andante relig|10s-0., A PRETTY TALE. Written 8: Composed by Henry Pontet I I? K III\ 1 i I ‘null I 1 vui. A 1/‘:- T 7 The night was dark,the hdurgrew late, A wand’r|e r, dame to the ‘ I .; 1 a ly~onher head; ' I F I Gr aniiame Mar j o ry doinfd l- AL ‘J 1 *1 [I D Ii I r‘! ~/I I I I —d~ J ' r :1 r M ' ._ 3 dim, 3 p 3 osteiuz to. F" I 11% JT 2 ii‘ The night was dark, the hour grew late, A vvanlirer came to the Abbey gate, Weary of worldly strife and sin, Doubting she stood nor enter’d in; l\'eath ‘where the painted windows shone She listen’d to the organs tone, And heard the voices, sweet and clear, Joining in song of faith sincere,- ln 5 keys A, C-(CtoF) 8: I), .1, -5 .5; - -0 Gran’ dame Marjory donned her nightcap, Fixed it firmly on her head; Then most carefully’ looked around her, Quenched the light, and Went to bed.- Suddenly she heard, amid the stillness, “ Rustling, bustling, footsteps pit~a—pat; That gran‘ daughter, mine Iin sure is lingiing With those silly maids, to laugh and chat!” In 2Vkeys Eb 8: F..v PRICE FOUR SHILLINGS EACH 4° POST FREE HALF. PRICE. LONDON. H. BERESFORD, 62, BEBNERS STREET , Biriningham, 99, New Street & 45 ~& 44, GE. Western . Arcade. AND. ALL MUSIC SELLERS.
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Date: n.d.
Text: ARRANCEDBYJ.B. / ’} 71. .40 .74 z" ‘ ﬁx ‘ ~' V g , B)’ LQNDON: ROBERT CUCKS & (:9 NEW BURUNUTON ST R,EGE?‘3T 3? W. b By S/aecial Appozérzfnwnt PUB-LXSHERS T0 Hsamosf cmxczbus MAJESTY QUEEN VICTORIA, ms ROYAL HICHNESS TH E Enxmcs; or _wA ﬂltviéfu . .A«.,a.,‘ @z:.©A@u.@u©R.V I Worms av LO’NGFELLO\.N.ﬁ V L©* . Mus ic n Muss LAl_NDSAAY. A JLLEGRO. J v K : E\. K I l\ 1 . 1 _L..L [ .1 3? AL I: ? T 45-; ":“ E‘ JEN“ J 7 _ shades _ of n’ig-Ht were fall _ ing. fast, I As" thro’...
Show moreARRANCEDBYJ.B. / ’} 71. .40 .74 z" ‘ ﬁx ‘ ~' V g , B)’ LQNDON: ROBERT CUCKS & (:9 NEW BURUNUTON ST R,EGE?‘3T 3? W. b By S/aecial Appozérzfnwnt PUB-LXSHERS T0 Hsamosf cmxczbus MAJESTY QUEEN VICTORIA, ms ROYAL HICHNESS TH E Enxmcs; or _wA ﬂltviéfu . .A«.,a.,‘ @z:.©A@u.@u©R.V I Worms av LO’NGFELLO\.N.ﬁ V L©* . Mus ic n Muss LAl_NDSAAY. A JLLEGRO. J v K : E\. K I l\ 1 . 1 _L..L [ .1 3? AL I: ? T 45-; ":“ E‘ JEN“ J 7 _ shades _ of n’ig-Ht were fall _ ing. fast, I As" thro’ an A1_pin‘eA\V’i1_1ag-e ’ travel _ her by the faith_ful5 Bgund: Half 1V>uL;1-ied in the snow was f.) A youth who bore ‘mid snow. d ice Still grasp _ ing. in his of ‘ ' ice b [J with the strange (ie_v_ice with the st‘rang'e (ﬁe _.vice Ex “ eel “ gi "Or ! ‘f ' ~ V(*>¢‘.D)'_ '0'!‘-vhf‘ 5 “,7.” i 1» __His 1-brow was sad‘, his eye be_inea‘th Flash'd like a ﬁlI11Chi0nfr0II1itS zit!‘-“Try_" not the ‘pasS"_ the ’old inan said “Dark 1ow'rsthe tempest o- ver _sheat}i, i And“ li g: a‘ sil_Ver c1a._r1on 'rung‘,i head . The roar _ ' ing terrent is d and ‘wide’; f ac .. éents ‘ of {hat un ; known tongue Inud that T cla,rion. voice ‘ re _ plied EX‘ eel “ si*.°r'! _ f ff fff , ce1-Vsi_0r! Ex_ce1 4_ l1;0?~s] . ('07:, V Fsp1*e.9s.- 1 -H."“0h! stay” the Maid- en said “and «1-(‘est Thy wea , ry head up.‘ on my _ 1° breast.” bstood V .in . his bright " blue éye; B1;’t, , A‘ few: ' still he an_swer’d 1 with ‘ a ‘ sigh EX- cel -1 si_or I ('91; si_0r! aT V. Tthez "pine . , tree’é A wi _Vt}1er”d’ . branch! the’ aw - 'ful a ; va _ ~Ia_n»c}1‘e." was the Pea- sanfs last good — night 1919!” far up the ‘Lheight ‘5Ex_ eel _ si__ or“! ./1'/uiu//lie _ma mm t7'np-pm 7'4/'»There in the twi - light cold and grey, Life- less’ but beau-ti'_fu1 hf: And from ‘ 19 .101 mm .S’}I7‘r1'7.‘0. mice fell like a fall - ing "star Ex __’ eel- Si _or ! 1° ('81- Si_or! . Guglielmo Tell ' Lays of Prince Cha 'J|_'i I u I: 1. . “I . _ VOCAL .A.Zl_\TID PIANOFORE, ALL NIUSIC SUPPLIED AT HALF PRICE. NOTE.-THIS LIST INCLUDES THE LATEST NOVELTIES. THOSE MARKED THUS ' ARE ILLUSTRATED. ABT, FRANZ. Lost in the Wilderness. Sacred..................... Six Songs for Children ...................... ..each 1. What Smiles can do 2. Oh! little Thrush 3. Moomdiine . The hills of light. Sacred................ A rose in heaven. (In G and F) For old love’:-3 sake................. Not a sparrow falleth. Sacred.. Oh! ya Tears. (In C and D) . Kat-I"l«=en Aroon ..................................... .. DARGOMISKEY, 0’er the Neva gliding DIEHL, L, Dear Englzirxl ......................... .. FOSTER, LYNNETTE. Clwllges Come clz, my dream . Her image haunts me yet Only a year ago .................... .. FRICKER, ANNE, Phillis fair . .. Softly at thy window ............................... .. O weary eyes .......... .. 3 0 ] Village Bells 5. Summer days 6. Stnrshine I built 2. bridge of fancies 4 0 ] *The Robin. Illus. H, Aim high 3 0 | Passing Clouds GLI NKA, WI , Parting words ................... .. GATTY, A, 8, Only a passing thought .... .. The open window 3 0 I The Mill Lad’s Love... Sequence to the three little pigs, comic .......... .. *The three little pigs. Cor-nic. ... Oh, doubting heart. (In C, and E ﬂat) . *I really am so sleepy. Com-ic ......... .. Tell him I love him yet ..... .... ........ .. Songs for our little ones. Nos. 1 to 6 Songs for chi-ldren Nos. 1 to 6 .... ...... .. 0 fair dove! O fond dove. Sung by Madame Patsy. No. 1 in F, No. 2 in A ﬂat ............. ..each The lights far out at sea ......................... .. 3 2 4. A little girl one summer day W83 CDNWWWWWW O:>C)O0:0Df.\:C»\3ODO0CO0909rFiFOD€)ai+LO3 co ccaoooooooocooooooooooocoooo ago?‘ VOCAL MUSIC; HATTON, J, L, Castles of Sand .......... .. 3 The cause of England's greatness 3 LINDSAY MISS M. When th 0 I e ship comes 4 . 3 0 The old, sweet story *Too late, too late 4 0 Far away Pulaski"s Banner. Solo and Duet Low at thy feet. Sacred song .. My old mate and me .............. .. Tired. No. 1 in D ﬂat, No. 2 in D. ‘When sparrows build. Home they brought her warrior dead. In E ﬂat and G ...... ... ........................... ..each *Resignation. In B ﬂat and E ﬂat. each Oh! when wilt thou come unto me. (Sacred) IVIOLLOY, JAMES L. The Ride, No. 1 in No. 2 in F. N). 3i-n G each The Brook and the Wave PRATT, G, Little Golden I-lair PINSUTI, CIRO. The Land of Love. No. 1 in E ﬁn‘, No. Zin F each 3 Don't forget me ....... .. 3 0 Bear gently, time 3 What shall I sing to thee 3 0 And so will I 3 In shadowland 3 0 | RIC H A R DS, B . Let the hills resound. Four—purt song ls. nett 8vo edition ........................................ .. Let the hills resound. Song ...................... .. 3 SMART, HENRY. The face at the Window 3 0 I Beils C, A, Come, birdie come .......... .. 3 cc?‘ *Bsst. Sacred song home ...... *The bridge . Bury thy sorrow OOO O00 OO¢OOOOO® GOO WRIGHTON, W. T. *The wishing cap The blessing of Flowers ..............-............... 0 would I were a Fairy Queen .. Only one to bless and cheer me .. The liquid gem. Em-bossed................ She sang among the ﬂowers. Embossed. Shylie Bawn .................. ....... .. . . .. Thy voiceis near. Embossed .......... ..... ..... Her bright smile haunts me still. Embossed......' ABT, F, Arcse in heaven 4 0 Oh 1 ye tears 3 0 The Hills of Light GATTY, A, S, Raindrops patter. 0 that we two were Maying GLOVER, S‘, The silent teachers Sacred 0 The beautiful and true Let us roam ... *The crystal cave 3 0 The music of the birds Fairy Chimes .... Maids of the greenwood ...... ... ...... ... .......... .. The fairy queen (in C and D) .. LINDSAY, The Bridge ........................ Low at thy feet 4 0 Too late, too late Tired .......... .. 4 0 Far away ...... .. A country life SCHUIVIANN, R, When gentle winds Come where the soft twilight falls ......... .. . SMART, H, The twilight hour has come .... .. THOMAS, J. R, Happy be thy dreams .. .. WRIGHTON, W. T. Her bright smile....... Liquid gem 4s. I As one by one our friends depart Thy voice is near ,,s.w»>c.\:v$-iéhi-at Flowers of the garden and ﬂowers of the wildwood .e.;sccw.m:-cnoawsgn NEW UETS. Kathleen Aroon 3 3 i-F-C)3)6hb€Bi<P~IFrF~©0irPI-FvP~<-V03 No. 29. ooooocvcccooooo¢OooCoOO CGOOCOOCOP‘ J, Wild Flowcrs—-Nos. I to l2...each Jewels—— es. 1 to 6 Dewdrops, 25 easy pieces ............. .. Buds of melody, 31 Nos. Easy pieces CALLCOTT, w. H. *The Holy Family. Books 1 to 12 ............each CASPAR, C, A, The Exile. (Schubert) “Asponleaves,"by R. Schumann DELASEURIE, A, *Petit Timbalier Polka *Féte an Chalet Valse. . G.REV||_I__E, M, Golden beams (Wyman) Dancingwaves(Wyman) “Sunbcams ” (1 to 25) ........................each GLOVER, S, *The Zouave’s Retreat March .... .. “The Royal Greek March ......................... .. HARMSTON’ J, W, La Reine du Coeur Heather Roses ........................................ .. KORNATZKI, F. v. La Cavalcade. Morceau clicxvzderesqiie .......... .. Chiming May Bells 3 0 Angelic Whispers ... The Hunter’s Hem 4 KULLAK, T, Prelude ..... . J, Musical Box .. LEMOINE, F. Clenientia (Bagatelle d’Amour) ......... Une Cascade des Fleurs.............. LEE, MAURICE, Fleur de L’ame. Azur. Nocturne senti-mentale . Féte des Bayadéres . L’Electricite. Etude dc salon....................... Evening I}clls............. Accents du Caeur POLIMSKI, A. Hymn of the Old Catholics ......... .... .. Austrian Song PR|DHAM, J, *The sailor's dream Russian Fantasia The Rose. (Fantasia on English Airs)... The Shamrock. Fantasia on Irish Airs .. The Thistle. Fantasia on Scotch Airs............ The humming bird's song (with musical box effects) The Chase. A descriptive Fantasia............... The Soldier’s Return. Descriptive Fantasia The soldier's farewell. Descriptive Fantasia RIVIERE, J. Duke of Edinburgh's Quick March ............... RICHARDS, BRINLEY. When, the ship comes home . . Evening. Melody 3 0 | The Gipsy’s warning The meeting of the waters... A rose in heaven Far away (Miss Lindsay) Low at Thy feet (Miss Lindsay). Tired (Melody by Miss Lindsay) . Warblings at Dawn, and Noon Pianistfs library ...............each 2s. 6d., 35. and Thy voice is near... 3 Warblings at Eve .... .. The liquid geru......- 4 0 Kathleen Mavonrneen Kathleen Aroon .5. 3 0 The wishing cap .... .. I’ll hang my harp... 4 0 Happy be thy dreams ROCKSTRO, W. S. .. -....-.......u .......n......... .. .......o...... ...... .................... nu... . ......... ...... The ﬂower gatherers ... E.':_ho¢_s of Zurich The Vesper Bell 4 0 The Gipsy Countess... Hihoowwoacom n-r-wrduu oovao-I W OF-b§rF€»0:O.70:ODd*l\'H'.\2 I5i§tFihrP~0-'4 rho: >I103iI>rFI#rF0>€)=>#D3IF§OC»3 4 0° 00 ooocoeocamooc O OOOOOOOOCGO OOOOOO O0 OOOOGOOOOOOOO ROCKSTRO, VV. S.-continued. Fantasist on“ Sonnam- Voices from the hill-side 4 0 bula” Border Legends .... .. 4 0 Fantasia on “ Roberto Echoes from the green Isle4 0 il Diavolo” . 4 0 Gems from the Emerald Fantasia on “Figaro" 4 0 is 4 0 Fantasia on “ Norma" 4 0 SMALLWOOD W. Bon:1parte’s Grand March .. Little Buds Far away. Liquid Gem. Her bright smile. What are the wild waves. The Gipsy Countess. F.uII1i;: away. Happy be thy. Chime again. Postman's knock. . Tny voice is near. The Bridge. . Echo of Lucerne. 40 14. Wztrblmgs at eve. 15. The Wishing Cap. 16. Flower Gatlierers. 17. lhcelsinr. 18. Home they brought. 19. () I-‘air Dove. 20. Kathleen Aroon. 21. God bless the Prince Wales. 22. The young Recruit. 23. llark! the Goat Bells. 24. l’ulaski's Banner. , I built a bridge. 25. God bless our Sailor Prince. The Warbling Lute 3 0 Classics at Home ............................ ..each 2 6 . Disdair-iful of Danger. 7. Corelli’s Pastorale, . Haydu‘s Minuet and Trio. 8. Mozart's Minuet. . H»ayun's Quoniam tn. 9. Cheruliini’s Cum Sancto. . Mozarts Voi che sapete. 10. Cleiucnti‘s Allegro. . ,, Dona I'I()I)IS pacem. 11. Mn’/.art's Qui Lnlis, . Gluck‘s che faro. 12. l\luza.rl.'s Quaudo miro. Handel's Grand March in “Scipio” “ Home Tres.su.res" (1 to 25) ............ ..each . Far away ‘ . Thy voice is near . l-‘lower gatherers . The Musical Box ' . Fading away . Her bright smile , Home they brought . Echo of Lucerne . What are the wild waves . Chime again saying? . The Snowdrop The Gipsy Countess . Kathleen Aroon The Bridge . Far on the deep blue sea . Excelsior . Hark! -the Goat Bells . Pulaski‘s Banner , I built a. Bridge . God bless the Prince of . God bless our Sailor Prinoe es _,;_; , Rondo on Canary Quadrilles . Happy be thy dreams . R-ondo on Great Globe Qua- . The Liquid Gem drilles Those marked * are arranged as Piano Duets. .......... ..each 2 6 7. Rest 8. Low at Thy feet 9 Too late bl!-II-I)-4 ""'°I"°.“’9°."'37=.°'§l‘5"’.‘°."' ..... .. 3 0 2 6 Sacred Treasures (Nos. 1 to 12) . Ho every one . Hark! I hear the organ's peal . H-e giveth His beloved . . The wilderness shall blossom 10. David's Prayer. . Tired 11. Thou art not left alone. . The hills of light 12. A rose in heaven. TOURS, BERTHOLD. _ _ ‘ Galop... 4 0 I Wluspenngs of Home 4 0 G. F. Plus vite. WEST, Adagio from Mendelssohn’s Hymn of Praise Extract do. do. 2nd Concerto Reminiscence de Beethoven . In quests. tomba........ For unto us a child is Haydn’s Gipsy Rondo Reminiscences of Mendelssohn’s Scotch Symphony Sundays at Home (1 to 6) ........ ....... ..each Gavottc in A(Gluck) Favourite Waltzes, by Mozart, Nos. 1, 2, and 3, each Lieber Augustin Andante. (From Beethoven's Symphony in C minor) . . Welcome me Home Gloria in Excelsis. from Ha.ydn's Imperial Mass... Ave Maria. (Cherubini) Der lnstige Bauer (Schumann)... Benedictus Requiem. (Mozart) .. Minuetto e Trio. Symphony in D major (Mozart) I waited for the Lord. (Mendelssohn) . Extract from Beethoven’s Choral Fantasia .... .. bbidi: . ......... ......................... .. O3$\7QOU5»h93W¢€03 ANOFORTE MUSIC I WEST, G. F.—contz'nuea'. Extract from Beethoven’s septett ..... ............. Extract from Mendelssohn's lst concerto . Haydn’s Kyrie Eleison, from 2nd Mass Beethoven’s waltzes, in 6 books ...............each WYMAN, A. The Operatic March ROBERT COCKS 8t C0.’S . Jcu des Ondes (Fritz 7. Spindler . . . . . . . . . . .. . Iclylle (C. B. Lysberg) 3 0 8. . Air_ (Composée par le ro1Lnu_is XIII.) . . . . .. 9. G->thard‘s Gavbtte.. . Fantasiamci:uincr(Mozart, 10, Gavotte dedicated to his wife) 4 0 (Ban: . Blumenstﬂck(Scliumann)4 0 11. '. La Campanellu (Jules 12. Eeghard) .......-... 4 To Tempo cli carlatti Gavotie (JSB O . be continued, GLOVER, STEPHEN. The Happy Family Quadrille............. . The Royal Greek March .................. .. M, “ 0 mio Fernando" Lucrezia Borgia LIEBICH, J. Woodland Trillings 0 The Liquid Gem Brighton Quadrilles 0 Her briglit smile Sing me that song again ............... ... ....... .. The Opera Bouquet ............................ .. each 1. Oberon. .5. Sonnambula. 2. Don Giovanni. 6. Norma 3. Lucrezia. Borgia. 7. Die Zauberﬂiite. 4. Masanlello. 8. Guillaume Tell. 12. Zumpa. LUINI, CARL, Les Gariles du Roi MATTIN-I, F. “Sweet Melodies,” 24 easy Duets, each ....... .. RICHARDS, B, Let the hills resound ....... .. SMALLWOOD, W. WEST, G. F. First Stage. 1. Morceau do Robert Is Diable (Meyerbeer)... 2. Ah che assorta. (Venzano) ............. 3. Krieger’s Last March (Gung’l,) .. Second Stage. 4. Agnns Dei, from 12th Mass (Mozart) 5. Gloria in Excelsis (Pergolesi) ........ .. . 6. La Preghiera do Mose (Rossini) ......... 7. Gloria in Excelsis, from 1st Mass (Ha-ydn) 8. Sonata in D major (Mozart) Third Stage. 9. Gloria, from 12th Mass (Mozart) 10. Kyrie, from 12th Mass (Mozart) ..... .. 11. Benedictus, from 12th Mass (Mozart) . 12. Theme do Lucrezia Borgia (Ozerny) 13. The Hallelujah chorus (Handel) ...... .. Fourth StagV—(ovnBrvREs). 14. La Gazza Ladra ‘(Rossini)............... 15. Zampa (Herold)..., ........... 16. Le Cheval de ""Bronze (Auber) 17. Der Freiscbﬁtz (Weber). . 18. Fra Diavolo (Auber) .. 19. Masaniello (Auber) VALENTINE, T. Du-ets for little ﬁngers, Nos. 1 to 12 each -A New EdL't2'o'ro of i‘ The History and Construction of the Organ,” b_ E. J. I10’ /sins and 0 0 0 0 o 0 o 6 0 o 0 0 0 0 o 0 0 0 0 0 E. F. imbciul I . ¢'.*11 I 9. Tancredl. 10. La. Clemenza. 11. La. uazzs. Ladra. 3 Mozart's Miscellaneous Romance ......... . . and Mu tte h) 3 Snrahaiide. (J. S. Bach) 3 and Musette . ach).. .. .. .. .. PIANOFORTE DUETS. 4 1 4 4 III aaaacnmipm Ihbwhrﬁih €")hiP>Fb§ 030-7 3 LIBRARY OF ANCIENT AND MODERN MASTERS 0 0 0 Home Treasures (Nos. 1 to 12) ............. ..each 3 0 Paoennssivn Pmnorronrn Dmrrs ARRANGED & smeuns.-D. 9 960969 O¢r©OO OOOOO GOO
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Text: '73? L ‘56 vi 3 3°‘ “' LONDON: . f",»,"._.‘v"' .‘ _ ‘F oL§ NWELW’ E-MR & G DEDICATED TO ':‘LfEg:;_, BRARY, ‘1m§é§g‘;m; Zéiia, W. M R? 8ARToR1s- lM)DL10IL, BOOS EY & C‘? 295, REGE NT STREET.W, MUSIC LIBRARY A; VASSAR COLLEGE’! SEA-WEED. WORDS BY LONGFELLOW. V MUSIC BY D O LORES . JVIODERATO. When descends on the At _ _ Ian- _ tic r~>~/ -/ _ gan _ tic storn1—wi11d of.... the E _ _ _ _ qui -nox, /""‘ ET qgg Landward in his Wrath he scourges...
Show more'73? L ‘56 vi 3 3°‘ “' LONDON: . f",»,"._.‘v"' .‘ _ ‘F oL§ NWELW’ E-MR & G DEDICATED TO ':‘LfEg:;_, BRARY, ‘1m§é§g‘;m; Zéiia, W. M R? 8ARToR1s- lM)DL10IL, BOOS EY & C‘? 295, REGE NT STREET.W, MUSIC LIBRARY A; VASSAR COLLEGE’! SEA-WEED. WORDS BY LONGFELLOW. V MUSIC BY D O LORES . JVIODERATO. When descends on the At _ _ Ian- _ tic r~>~/ -/ _ gan _ tic storn1—wi11d of.... the E _ _ _ _ qui -nox, /""‘ ET qgg Landward in his Wrath he scourges The toiling sur_ges, Laden with L___,2g___2./ sea- _weed from the rocks _ Ever drift - ing, _/_/ drift _ _ ing, _ (M-m__ shift _ _ing cur _ _ _rents of the rest _ _ _ lesis Seaweed . Till in sheltered coves, and reaches of salﬁy beaches; All have Pd ;_.—/ found re _pose a _ gain. So, when storms of wild e _ motion Strike the F’ / | J ’ o_cean of the po - _ _et’s soul, ere long v Sea-weed . each cave and rock - y fast- _11ess, vastness, Floats. some frag- - _ /,9 _/ ad lib: s Ev_ er drift _ _ ~_ Ving, dfift - - - ing, d/&.m_ _ drift - _ing Fina-weed . shift- _i11g cur- _ _rents of the rest- - - less heart; Tranquillmnente e pin lento, Till at length in books re-c0rd_ed, They, like ho_ard_ed Household ui ..—.... -9- .- e mu: Sea-weed; soossvja cogs NEW,P = A complete cclilimz, with English and Italian words, price 33. (id. The separate Songs, «Sc, with English words, price 2.9. each, nctt. THE PORTER OF HAVRE. New Opera by C-AGNDNI, founded on the original French Play from which the celebrated drama “ The Poi-ter’s Knot” was taken. Performed at the Princess’s Theatre by the Carl Rosa Company. THE ROYAL EDITION OF ENGLISH OPERAS. BO'liEMIAN cum. 2/c paper; 4/- cloth. *SATANELLA. 2/6 paper; 4/- cloth. smen or ROCHELLE. 3,-6 paper; 5/-gem LILY or KILLARNEY. 2/Gpaper; 4/-cloth. In the Press. In one vol.,pr1Ice 53., cloth ; or, szparatelg, 1.9. each. ROYAL EDITION OF I BALLAD OPERAS. Containing Dialogue, Stage Directions, &c., complete :- ' LOVE IN A VILLAGE. THE BEGGAR’S OPERA. ROSINA. NO SONG, N0 SUPPER. Edited by JOHN Oxnunoma and J. L. Huron. “ Should be in the hands of the amateurs of tlie period seeking for a genuine air to sing."——Alhe'neum. “Should ﬁnd an honoiucd place in every library. It is a pleasure to meet the sterling old melodies after the surfeit of thin, tuneless compositions of which opera-bonffes are made up.”—-—Gmphz'c. _ . Price 1.9. each. v BOOSEY’S CABINET OPERAS FOR PIANOFORTE SOLO. Ballo in Maschera. Figaro. Martha. ﬂax-biere di Siviglia. Figlia del Reggimento. Masaniello. Brigands. Fille do Madame Angot. Norma. Cent Vierges. Flauto Magico. Perichole. Crispino e la Comare. Fra. Diavolo. Princesse de Trebizonde. Dame Blanche. Freischiitz. Ri oletto. Diamans de la Couronne. Genevieve do Brabant. R0 ert lo Diable. Domino N oir. Grands Duchesse. Satanella. Don Pasquale. Guillaume Tell. Semiramide. Don Juan. Jolie Parfumeuse. Sonnambula. Illlrnani. Lucia di Lammermoor. Traviata. Favorite. Lucrezia Borgia. T1-ovatore. Fidelio. Zampa. _ Double Volumes, f97‘iC‘8 23. each. . Dmorah. I Huguenots. | Lohengiin. | Tannhaiiser. I Vepres Siciliennes. Price 23. 6d. paper covers, 43. clzlth, gilt edges. CHOICE DUETS FOR LADIES’ VOICES. Edited by RANDEGGER. A Collection of Twenty-loixr duets for Ladies’ Voices, with English words, including compositions by—— Handel. Bishop. Sullivan. Rossini. Haydn. Balfe. Jackson. Gabussi. Mendelssohn. Clan. Panofka. Horn. Gordigiani, This collection, which contains duets dc salon only, and neither extracts from oratorios nor operas, will have a special value to amateurs, who will ﬁnd considerable assistance in the directions concerning breathing and ea-press2'on. These have been carefully marked throughout, with the view of ensuring correctness of phrasing, and facilitating an eﬂicient interpretation of the n1usic.~—~“ The Royal Edition.” Campana. Kucken. Price 93. 6d. each, paper: 48. cloth, gilt edges. THE ROYAL SONG BOOKS. THE SONGS OF ENGLAND. Edited by J. L. HATTON. 100 Songs. THE SONGS OF SCOTLAND.‘ Edited by Bnowu & PITTMAN. _15O Songs. THE SONGS OF IRELAND. Edited by MoLLoY. 100 Songs, including the best of Moore’s Melodies. _ THE SONGS OF WALES. Edited by BRINLEY Rxcnanns. 62 Songs, Wltll Welsh ‘ and English Words 'MENDELSSOIIN’S 60 SONGS and DUETS, with German and English Words. SCHUMANNS 75 SONGS, with German and En lish Words. SACRED SONGS, ANCIENT and MODERN. dited by JOHN IIILES. IOO Songs. HUMOROUS SONGS. Edited by J. L. HATTON. 71 new and old Comic Songs suitable for the drawing-room. ‘Kr-entzer’s Forty-ﬁve Studies, ls. (id. I _, lVith Fifteen Illustmtlzms, price 2.51. 6d. LlLLIE’S FIRST MUSIC BOOK. ,’ ‘ ’xty-four Pages. Music size, “‘ The most adnnmble Tutor extant for the I’ianoforte.”-—»Somersel Herald. Also, in continuation of the above, price 13.. full music size. BILLIE S PICTURE MUSIC. No. 1, Sacred; No. 2, Secular; each containing four pieces, with four illustrations. ' Be(lutz'full_y illuslmterl in colours, price 13. LlLLlE’S SONG BOOK. Containing 50 nursery and youthful songs, with Pianoforte Accompaniment. Price 1.9, each. PIANOFORTE NUMBERS OF BOOSEY’S MUSICAL CABINET. 171. C}lOPIN’S NOCTURNES. Complete. 3 ' 165. TEN CLASSICAL PIECES, including, IIiller“s Guitarre, Hensolt’s Berceuse, and a Love Song, Rubonstein's Barcarolle, Von Bulow’s Carnival of Milan, Les Deux , Allouettes, Raﬂ"s Abend, Grluck’s Gnvotte, The Harmonious Blacksmith, &c. 166. TEN POPULAR PIECES, including the Golden Waves, Ghys’ Air of Louis XIII, .‘ Voix du Ciel, La Zephyr, and Wollenhaupt’s Styrienne, Caprice Arien, Gazelle. and Scherzo Brillante, &c. I . 79. TEN DRAWING—ROOM PIECES g2nd selection), including The Shephei-d’s Song, ‘ Die Lauterbacherin, Perles et Dlamans, Il Corricolo, Le Crepuscule, J o pense ; fa. toi, Dors mon enfant, May ﬂowers, and Ella. 87. LEYBACIPS Sonnambula, Puritani, Theme Allemande, Second Reverie and two 1‘ other pieces. Illustrated in colours, price 18. each. DANCE NUMBERS OF BOOSEY’S MUSICAL CABINET. 167. STRAUSS’ “ WEINER BLUT,” “ DOCTRINEN,” “ WEIN, WEIB UND GESANG,’ “BALL PROMESSEN,” “LILIEN KRANZE,” & “FESCHE GEISTER” Waltzes. 157. STRAUSS’ “THOUSAND & ONE NIGHTS,” “TELEGRAM,” and four other Waltzes. v 101. STRAUSS’ “BEAUTIFUL DANUBE,” “ GOOD OLD TIMES,” “ WIENER KIN DER,” and three other Waltzes. 155. GUNGL’S “ DREAM OF THE OCEAN,” “ PETERHOFF,” and four other Waltzes. 164. CHRISTMAS NUMBER, 1874~5, containing the “ MADAME ANGOT” and other Dance Music. , Price 13. each. NEW VOCAL NUMBERS OF BOOSEY’S MUSICAL CABINET. 170. Ten New Ballads, sung by Santley. I63. Twelve Ballads by Alfred S. Gatty. 169. Ten Songs by Virginia Gabriel. I62. Twelve Songs by Oﬂenbach. 168. Ten Songs by Arthur Sullivan. 158. Twelve Ballads by Claribel. Illustrated in colours, price 18. BOOSEY’S CHRISTMAS ANNUAL FOR 1875-6. , Containing the Manola and Vergissmcinniclrt Waltzes, Polly Waltz, Perichole and Indigo ‘ Quadrilles, Godfrey’s New Opera-Bouife Lancers, and a new Polka and Galop. , Price 78. 6d., clclh. DR. SPARK'S HANDY—BOOK FOR THE’ ORGAN. NEW ORGAN TU TOR. Containing complete Instructions for the Use of the Manuals and Pedals, with 150 ‘ various examples by the best Composers for the Organ. “ Dr. Spark has supplied a real want. He has compiled an excellent Manual of Instruction for the Organ, by the use of which many of the faults of other bad systems may be avoided. Young Orgamsts can hate no better tutor than Dr. Spa.rk.~Nettz'ug- ham Gbmrclian. “ A more thorough and complete Organ Tutor than this we have never seen. Every point of diﬂlculty in the study of the instrument is fully elucidated, and the treatment ' of all parts and peculiarities is exhaustively dealt with. Let every one who would learn tlgeplay the Organ well, obtain and study Dr. Spark’s Handy-Book.—Erlz'nImrgn Daily mew. BOOSEY’S STANDARD WORKSTMFOR VIOLIN. Twenty-ﬁve Duets for Two Violins, ls. Gd. Ten Standard Overtures, ls. 6d. , Fourteen Airs with Variations, ls. Ries’ Fifty Fingered Exercises, ls. (id, De Beriot’s Ten Studies or Caprices, ls. Rode’s Twenty-live Capt-ices, 1s. 6d. Fiorillo’s Thirty—six Caprices, Is. Gd. De Be1'iot’s Seven Airs, ls. One Hundred Exercises 8: Studies, 1s.6d. THE NEVVElSTp SONGS. Price 25. each, nctt. ' F. H. COWEN’S BEST SONGS. ALMOST. Ab &BO. Sung byMdme.I’atey. IT WAS A DREAM. C. & E. Sung by AUBADE. D &E. Sung byMr. Sims Reeves. Mdlle. Titiens. SPINNING. D & E. Sung by Madame MARGUERITE. B & C. Sung by Mdme. Sherrington. Trebelh. IF EVERY LUTE ON EARTH WERE MUTE. Sung by Mr. Santley. Price 28. each, nett. SANTLEY’S POPULAR SONGS. THE VAGABOND. E&G. Molloy. TI-IE YEOMAN’S WEDDING. G 8: B. Poniatowski. POLLY. Molloy. FAIR IS MY LOVE. U & Eb. Hatton. Price fls. cach, matt. ARTHUR SULLIVAN’S LAST SONGS. LET ME DREAM AGAIN. 0, D7, 8.: E. Sung by llladame Christine Nilsson LOVE LAID HIS SLEEPLESS HEAD. D & Sung by Edward Lloyd “A ge1n.”——Scot.s7mm. MARY MORISON. G & Btu Sung by Sims Reeves. “ A perfect composition.”—News of the TVo7-Id. LIVING POEMS. E7 & F. Sung by Miss E. Wynne about 30 times with the greatest . success. “ Characteiised by the rarest grace and sympathy.”—— Observer. SLEEP, MY LOVE, SLEEP. D & F. Sung by Madame Patey. LoNI:>o:I.\T: BOOSEY & 00.. Price Is. 6cl., nett. LECOCQ’S NEW ‘SONG. LETTER FROM COUSIN MARY TO COUSIN FRED. Tliewords from the French A by JOHN Oxnmronn, the music by CHARLES LEO-OCQ. This witty and amusing ? song has been sung in all the principal theatres of France with the greatest success. Price 23. each, nclf. A. S. GATTY’S POPULAR BALLADS. All suited for Ladies’ Voices. Stung by Miss Edith Wynne, Miss Antoinette Sterling. and I\’I£1(l2ll1lC Patey. “Very pleasing Songs. It may be that public fazgour will exalt their composer . once to the level of Claribel.”——Br2:ghtzm. Gazette. ONE MORNING, OH I SO EARLY. A SIB THE HAY IS I’ THE MO\V. THE OLD, SIVEET STORY» ONE HAPPY YEAR AGO ROTIIESAY BAY. DEFTON -WOODS. APART. FORGET-ME-NOT THE GOLDEN SHORE. OUT OF THE! DEPTHS (a song for the times, dedicated to Mr. Plimsoll). 4s. THE DEPARTURE. Price 23. each, nétt. HAMILTON AlDE’S CHARMING SONGS. . LET ME DREAM OF HAPPY DAYS. Sung by Miss Madge Robertson in “ A Nine Days’ Woude1'.” ‘ JENNY IN THE ORCHARD. REMEMBER OR FORGET. Twentieth Edition. BROWN EYES OR BLUE EYES. Fourth Edition. THE FISHER. D & F. Sixth Edition. ' SPANISH BOAT-SONG. ED & G. Third Edition. 295. ‘I’ STREET, W.
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Date: n.d.
Text: / r , , ARRAN ,_w B\’ J B 5,/' V, .7 1 B L &" DP/Q/(‘AY7'[D 70 ‘ - ﬂ . I “I I‘ V1’ « mi ¢»%F%§L155~w: 411 ﬁ J5 « LON DON, R*»OB‘ER’l' COCKS & C° NEW B U R LINGTON ST, 1‘¥(}[._§lUHhiH')§‘§lH1aHl1‘J|li?N"‘K\iHV(;71!“WfVl(‘[(}HImg :0 Hrs 1l'11{Jﬁﬂ1|M£»L|<3S 1“m.>v>looI1 H1 NEW WORKS BY MISS NLIINDSAY. 1'11: LORD WH,L PRUVIJM (.>'/1!‘/ft/1 Jr:/s/1;/.. 2,/Kb ENGLAND:/\NU ENULANDS QUEEN .. A PS/HM 0;‘ Lylft,/)1/5 I, wows :3H.0NorELLow...
Show more/ r , , ARRAN ,_w B\’ J B 5,/' V, .7 1 B L &" DP/Q/(‘AY7'[D 70 ‘ - ﬂ . I “I I‘ V1’ « mi ¢»%F%§L155~w: 411 ﬁ J5 « LON DON, R*»OB‘ER’l' COCKS & C° NEW B U R LINGTON ST, 1‘¥(}[._§lUHhiH')§‘§lH1aHl1‘J|li?N"‘K\iHV(;71!“WfVl(‘[(}HImg :0 Hrs 1l'11{Jﬁﬂ1|M£»L|<3S 1“m.>v>looI1 H1 NEW WORKS BY MISS NLIINDSAY. 1'11: LORD WH,L PRUVIJM (.>'/1!‘/ft/1 Jr:/s/1;/.. 2,/Kb ENGLAND:/\NU ENULANDS QUEEN .. A PS/HM 0;‘ Lylft,/)1/5 I, wows :3H.0NorELLow& gg PULASM‘/)1/[7"_\NORDS BY LONGFELLOW. Musac LIIIAI9 azxssme->n@R;. “1 A — >1-®-I4 Wonns av LONGFFELLOW. — ’ - MUSIC av Mlss LINDSAY. ALLEGRO. ‘€©}' 1?! I'.- The 663' V: A shades of night were fall, ing fast, As thro‘ an A1_pine ViLlag'e travel _ ler by the faith‘- fu1\ hound Half busried in the snow was 19 t.A youth who bore ‘mid snow ice Still grasp _ ing in his of ice - Ban _ ner with the strange de _vice Ban _ ner ‘with the strange de -vice Ex ' eel ‘ Si ‘ or ! “I-txmsinrr’ MISS LIND AY. ‘ C0'YF'CHT? 1’ His brow \~*as sad. his eye be _ neath Flaﬂfd like a faulchion froxn its .‘5T..‘1'“Trye not the pass” the old man said “Dark 1ow”rsthe tempest 0- ver And li e ‘a si1_Ver c1a_r1on rung',\ The roar _ ing torrent is deep and wide", ac _ cents ‘ of that un _ known tongue loud that cIa_ri0n1 voice re _ plied Ex‘ eel ‘ SL9]. ! ff eel- si_or! Cow Es/mess .- «H.’/“Oh! stay”the Maid- en ‘said “and, rest Thy wea - ry head up A. tear stood in his_ bright ‘blue eye, m ten .- sti‘Y he an_swer’d M with Sig}: Ex- eel _ si._r;r 3 ce1_ si_0r! the A pine trees wi_ther’dV branch! the aw _tfu1 a _ _ lanche." was the Pea- sanfs Iast good — night 191919 far up the height “Ex- eel _ si _ or"! __‘T:::—=—pp ./1/mlarnte _ma mm troppr). There in the twi — light cold and ‘ grey, Life _ less but beau_ti-ful he 19 Jfa can Spirito. voice fell like a fall _ ing star Ex _ eel- si _or! 19 eel _ si_or! - 16. Mod. graz. srnrnsn eLovERs VOCAL nnsrrs POETRY BY J. E. CARPENTER, MRS. CRAWFORD, R. RYAN, PARK, AND LONGFELLOW. PUBLISHED, EXCLUSIVELY, BY ROBERT COCKS AND.CO.!NEVV BURLINGTON STREET, LONDON- 7 Zlfzzsio Paolis/Iers to Her Most Gmoious Jlfajesty Queen Vieloria, and to His Im_79eI'irIl ]I[a_;'e.9tj/ Napoleon III. Voices of the Day- I 1*‘. 4| I 25. 6d- 3 v I .. I D - G u L ﬁ—-- ,_,__1_:;___ /‘::' ‘“— us in mys - te - ries. _ speak 1. Modemto. .. I v - 9 I ' I L Egl-32 III ‘ I4- J I I - 0 I4! @j-—-—=-=—:I— J ———~ I They to 2. Am. con dolore. The Irish Emigrant’s Duett- #~e—+~—I~I I§I)——I2I—-—I—d Come, let 25. 6d. 4:‘ ' I\I 4 . . I‘ in |=I‘ C 3 I , I take an - 0 - ther us 10 k. _ I _' 3. And. can express. Why do the Swallows change their home? 25. 6d- I I I §%I3b:7::,I?——I'-, I I ii! I} I ‘J Why do tlie swal -lows change their home? In H .9 I D I W,‘ 4. And. ma no: t7‘0PP0- The Slave singing at Midnight 2s. 6d. 4.7‘ .. I I ‘I I Do - vid! 4£L — §§b~e~I.v"~.—ﬁ‘~-I’ - I’ f . "‘ "" '—”‘ I I Loud he a Psalm of Hymn to the Night. ‘I2:_; ' _ , __I _ __I‘\ I"\ (._I1:E:§3i ,;f_h_-_¢I\‘ :2!‘ a 9 U I sang 5, And. can express. 2s. 6d. I - - In I I’ I‘ I) V ‘I r , I1 I heard the trail - ing gar-meiits of t e 5 night. _._._________________ 8. Moderate. To the Woods! to the Woods! n , M \ I ‘I ———s T 0 85. I I‘\ j a . -' _l I to w v Woods I n I RV I “\ I n I I " the woods! Light in the East is glowing. __I/ I , I\ §’[§:Li:;I "’;!_;_ U Light 7. Moderate. 35, _I_1 » I D I n .‘ I I‘ T I’ Q \__,_____I__F_ ___,_i____ in “the east is glow - ing. 8. Moderate. The Lily and the Rose. 7‘! J EeE;I‘;___,;sI,3‘ Tell sis - 25. 6d. 5 ' ; . _ I §‘ ‘ I-——t———§ —» I—I ter, tell to All things are l2autiful- .__._1j. :E—& All things 7, j I me, me. 9. Mod. can graz. 25. 6d. "TY - 2 = . . I I—I—v= P~——F———'———?I are beau - ti - full 10. And. cgespress. 39% )§‘§:B:°_ ' Si - lence ; Silence. 25- 6d- > .‘ I‘ _I v s_i - lence; Where The Rhine Maidens. _, - I I I I A I C 7 ll " vi ~I - In I I I’ , I V‘ I that lone shore. 11. Allle. I/iv. ’I’§It_£1.__;x_j‘< ;8‘"d 9 —.T0 the banks _of 12. Andante. Rest, Pilgrim, rest. id d I,1 ', J >.. I,’ a— Rest, Pil- grim, rest, thou art tired and Wea - ry. 25. 6d. 13. Andante. Whereishall we ﬁnd our Home’! ' _“ __ It C\__ ‘(WI ﬁhbt fl 4 . ha‘ 5' _‘ .__.I1 VI/here shall I_ I_ VVG ﬁnd Where are the Flowers. I T I’ - Is‘ I ‘r 14. Mad. graz. ~e%.... I I W 15. “I D , I 5 I’ I I I 1 here are the ﬂow - ers we gath-er’d at morn - ingP Mod. graz. Beautiful Birds. ‘) ‘I D J Q) I I I 3s. ‘§I‘I D I - I I - Q - 1 I %)z:$—«I—h—'r—I+I,—II.I,I§~I—-——h—5—I-.j~I and‘ balm-breathing ﬂow’rs. 2s. 6d. Beau - ti - ful birds Stars of the Summer Night. . KILV I"' 9'. P‘ 3:: I In I“ _ the sum - mer night! 2s. 6d. £3_.,I‘\__I____ - , 4 §I3?'——3——I l<B— 2. - VJ I\ h I‘ I‘ A I... I u Stars TIC Tlof The Curfew Bell. 5 J‘--:’~~—3I~—-s—~w~s~E—II - 0 g 3‘ _ ‘ E‘ I I G I I g 80 - lemn-ly, mourn-ful - ly, deal - ing its dole. 18. Alletto. ma nontroppo. It is not always May. 25. 6:1. - s—I—;I‘=—.~e~~-1: I’ 5 I I1 5 is bright, the clear. 25. 6d. ~t°. L , T _ .___ emfe@#+wﬁe 1 The air is 19. Andante. SUD. Borne at Midnight o’er the Ocean. I V I the l Bhrne at Inid-night ¢')’er 0 - cean. -4lle.gI'a%- Good Night! Good Night, beloved! 25. 6d. 4 I n I '§§‘I'al—6':I9—]r”B as I V 0 IA 1 I U (1 V I I3 I I r‘ " I4 I II Good night! good night he - lov - ed. I POPULAR BALLABS by the same eminent composer (STEPIIEN GLovr.n).—-Annie, o’ the B ‘K ﬂex \ Irish EIxile’s (The) Return, 2.3.; Kate of Kildarc, 25.; Laugh! laugh! 25. ‘ ~ I x n- 0. III .1.“ /Im\ - ,, - . 13. ‘ I I * n I Andante. The Changes of the Bells. 2s. 6d. 3:1 are, steal - ing. —il Hark! 22, Moderate. /‘I I. J III I) _I I p___________ ﬁk9’I7’6—' :I:—’;I __:I: .u/_ ..__9_._ U \Vha.t is the depth of the migh - ty deep. bells _ The Depths of the Ocean. I“ 85. I1 5.. 1 I ‘ I ' ‘. u—.— b‘y‘—a ——;__I—7—a _._____:____j__ Our beautiful Mountain Home. 23, Allegro. EL555h“'—e ge—~aI fr! I I ;..-_T iw -\ 1 ti K‘ I ‘ I I I__ —:I* I . ,‘ .' i I Our beau - ul rnoun - tain home. 24. “Mod. can espress. 25. 6d. .:£IL)ffIJ. . T . I 1 @l!I—=b:1,"—"%1I:;‘—a'»—-'— ‘.2’ Poor The Lonely Bird. bird, thy mate is 25. Moderate. Ho! every one that thirsteth. » 5—2‘}—-I'::—I . E e ' ' ' I I, ' Ho! 26, Quick and cheerful. I\ - I - I .. I V l eiv’ - ry that The Holiday Duett. I’ II J 011 thirst - eth. 35. 41. Allegro. 42. Maoleratm There's a S/w;eet Wild Rose. §he:Ii§asI;I;,$zI2I::,Is. U . There's Iimswoet wild rose, there's "a sweet wild rose. Peaceful Nights- 43. And. gas. I’) I I I/IIJII 0 I 1 \ ‘— ;_ ___;.____, __< ‘C_:,'__”‘‘ no 2: 5 t‘ Is I + :-._:~.I_a"..;:a: U —— —adw —v—~—- - slum-hers! Peace . £51 nights? 7% fresh . In; 25. 6d. 44. Alltto. nae. Music and her Sister Song. I-I ~ II? ——T — —a~:—a—— —-—o:—F—'~—o— —— %:E:,E:‘,,J5§i:E__.';:* Q " ‘ _ __t_ V "l‘is Mu - sic hath the ma- gic pow’;-, .________________ > 45. Andante. The Midnight-Moon. 2s. 6d. I The mid-night-moon is beau - ti - ful, When ‘ Murmuring Sea’! . IV I I I ,g___j3 SIS - ter. 25. 6d. - B Q I I" I I ' I ,L; I ' I I I. I ' I y goth - er, I.’ *1 II .7 We are go - ing home to - I I A . V ‘\ I I. ' .*‘*n‘I‘ I u E %I I ' Mur - mnr - ing sea! 5 : V beau - ti - 47, Azlemod. Happy Days! . Lis - ten! ’tis the wood - bird’s song. 28. And. relig. Hark! I hear the 0rgan’s peal! 6‘. {IhI~—(—‘—I=--3 L I y Hark I I 25. 6d. 1 1 I a—~—.—I—-~~—- the I in _I___ hear or - gan’s peal! 25. 6d. A ‘I I A I - ' I I-' _p I vAI~k I, ‘ shall be made glad. 29. gzflletto. ma non troppo. The Wilderness shall blossom. ’— —— — —~P—' Zg;ﬁ ‘T -I. L I. .- Q '1 I ‘ I I The wil - der - ness 30, And. con espress. The Parting. §I_*I.:§EI‘£a§:§::E;g““*‘ U when I 31, M’odeI'ato. am far from thee, o - ver the The Nightingale and the Rose. §a—I~—I~I~I L’ - I I , ——3I ‘ C I I L I is n~I"’jI—— ,f*’p:: - - I I I The night - in - gale sing - ing now. 32. Andante. fl _ I\ I J 7,‘\ N‘ ‘ $:b':EI:;I.‘IL';!-* i‘T—;I\ "3 u The Harp and the Willow. 3s. } ::k.:ﬂ.;_ 33:: _I_— I, . ‘The harp and the wil-low! in sad -These how long. 33, Anzdagtte. "Two Captive Maidens. _ L A L, _. ﬂ_--"_ +_p E--——"l—++ U __ Wq\ are 25. 6d. a~'— F=3———r— -3-1:1: ——~———¥— J~—h:E£- ~E—‘”—I-: two cap - tive mai - dens. .__..__.____€___ 34, And. can espress. A Sister’s faithful Love! I I L I _IL. I} I3 0 y _ I T _ _I\__1‘\ ‘_‘_:: @"‘t".Ai—~"”—2‘*5""5.:‘I‘f“*j‘—s'**"‘I*”* 25. 6d. '3 i, " My sis '- ter dear, niy sis - ter dear. ' \ —————i————-——.—.__ 35. Ana.,eon espress. ‘What are the Wild Waves saying’! 23. 6d. J L I " I __ Iz_. _ A _._ .: _ _ __4_.4;-___ @I;t__§§_.§.—4T-;I:‘T_,,i,;I’L_—'l. :_I_::.—.I»_E:I U What are say - ingP T'the- wild waves . ____:_.._f__..:_ 36- Mad. con cs!»-ass. A Voic‘e from the Waves- ,_ . _ 55: ‘V TAXI-Li. § 6 % ;J—I...—. A voice frvom the waves in .4 D- g. .‘ . 37'. Mad. con cspress. Why do you watch. I *—fx:]“‘*':§ E :9: >5-—:i'—-— " ' Hap - py days! 48. Alla. mod. The Gipsy Countess. §iI§%‘2§’§1II=: 2:; '.!:!:!IfE —.—I. I¢——w’ ‘¢—'¢—‘It—L Oh! 49. Alle. Wu. The Wandering Stars. 3s. ___I __I:‘,_.]__. E,L:_'* ;j': we g ?';:.§§§“;—_::g:‘_—_—#_‘?:_g“-*_:': ._.,.t VVe wan - dcr - ing stars, are two come The Stream and the Willow. § .§:(::'V ‘* —_ ::I'::I_—‘ ‘*7’: i g_,:._Iq:$.i_~¢ 1___I:__._IE Sis - ter, if the gift 51. ./Pad. can espress. —. 50 . Illool. g-raz. ,_I__I were ours. , Sing, sweet Sister. 25. 6d. §E”:_"_‘:L‘§:"Ié;: *—:_:E::I;:I§I=“*“‘ Sing, sweet sis - ter,_ — sing to 52. Me. uivace. The Flower Gatherers. K M %§§—:*iI;I§EE:§!§;—”;,I‘€—:§T:_':3:5;— ‘“ U 85.,’ n:,.§__ ::iI£ ______________ 53- Allegro. Tuscan Girls crowning the Sea. I\ . f‘ —I>:——+\—.:I——°: — -;_—" ~ﬁ4H» §§I‘§;gI,—_§,‘:._ I, Come from thy co - ral how’ rs. The Sister’s Birth-day. 25. 6a. 54. And. con espress. Sweet sis - ter! 1 :"—i I m, love, to~ day, toifdaiiﬁ __________________ 56. And. can moto. When shall we Two meet again. “II I ”I I -II —Ad I 4-159 When shall we . -E§z ,_ ,2 . _, L two meet 57. And. can espress. I9” 3 I 1”‘ I: 4 IL‘ I J I ﬁh ea "‘T"’i 4; ._ +h—i~j——a—-—I,—I 51 Why do the ea? 38. Mod. can espress. you watch lone, loiie Voices of the Nig-ht.—“Echo Duett.” 25. 6d. av‘! I TI _‘ :f§:l§:;:Ir:F:j_;_§::j “‘" . ' I I— - When the 7 -_ —J—_ -I-7-€- ———d——— U lone — ly woods are still. 1;’ £11 me where do Fairies dwell. III :I“_. _ ~__ 'EJ*_._s_ _ } ~_*___ " ‘§;e:§!:§:d::E___t:f* _? .__._:,.W___ Tell me 40. Mod. gmz. Tell me where is Beauty found. /I I ‘ I ILLI)‘ I I I I1 I. I I 4- I V__ v w a I1—3—4~a——~—-———~a 39. 'Alle. 1/iv. WIIGXTEO: fai — ries dwell. 25. 6d. :_I:,— -«:4 _-‘:I_£-_ 5:? Tell me where is found. Au. Farewell! remember me! ‘gun I I II I F5 iii:EE:;bJ;:§1;:§§::’,3:E,g—*_*gt:I:d:3:;!; _ ._ I go from the scene (if my child-hood‘shome. 58. Allegro. The Warrior Page. shsgag: leave _ me 25. 6d. ; - _ﬁ Ia I I\ P’ ‘ “' Z S- - tle page. 25. Bd- 3I "I not, my 59. IIIod.gI-an Over the Waves we ﬂoat. §%:eI‘“—?;=~—“——’.;”‘~.. —,~.—If——;e—.-2+. ;':='I—I—I hI2~&—a~4 . I:I«,I— W I = U 0 - ver the waves We ﬂoat, we Ruth and Naomi. gen ﬂoat. 60. And. afett. 25. 6d. .7.e__:¢I }. _.I..= . ,I — — .-»4—-—- *~—.e+I e-—— - . “mg I beau - ty anks 0’ Dec. 2s. 6d; Beautiful Erin, 2s.; Boatmen (The) of the Downs, 2s. 6d.; Maidcn’s Dream (The), 25.‘ Mary Astore. 25.: Mel-Ii s f‘ I ovne ‘ls .- I v II Go forth! my hearth is de - so - late, ‘ ; Cling to those who elin «to you, 2s.- ,,;,, 1,T,\A.,\ ‘)ALA 'n_I .1. ,,L,_», ..I:v. . . I‘. 25. 6d- ' how ean:a poor gip-sy moi-den 1ike_me._ “' 35- : I.—.r:.: Ga - ther - ing ﬂow’rs from the—brgalr of ‘morn-.-E; H , - ! ‘ I::;,:.:I--I‘ i—s—s—-—
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Text: V X ( ‘T: ‘x W. 3'‘ . , \ /‘ ‘l ‘L . \- ‘ I ; ~ . V 9} xv ' v‘>.. I/vf. Sr/4, HALL L0ND02~§: ROBERT COCKS & ()0, N ‘W BURLINGTON STR;EE'.l‘, 'W TTUJQ BRUDGEO WRITTEN BY compossoav H.W.LONGFELLOW Esq. Mass M.LlNDSAY. Andante con espressione. 1‘ 9 I "3 3. stood on the bridge mid____ night, Z-«X ‘?"'olh‘]@ ‘5*‘k°)B1?E. clocks were stfiking the hour: And the moon Ijose o’e1"the ci’._ty, Be- hind the ‘dark church to§ver. I And like the Waters rushing ...
Show moreV X ( ‘T: ‘x W. 3'‘ . , \ /‘ ‘l ‘L . \- ‘ I ; ~ . V 9} xv ' v‘>.. I/vf. Sr/4, HALL L0ND02~§: ROBERT COCKS & ()0, N ‘W BURLINGTON STR;EE'.l‘, 'W TTUJQ BRUDGEO WRITTEN BY compossoav H.W.LONGFELLOW Esq. Mass M.LlNDSAY. Andante con espressione. 1‘ 9 I "3 3. stood on the bridge mid____ night, Z-«X ‘?"'olh‘]@ ‘5*‘k°)B1?E. clocks were stfiking the hour: And the moon Ijose o’e1"the ci’._ty, Be- hind the ‘dark church to§ver. I And like the Waters rushing , A--_mung the wooden ‘‘'x . ,, . \ I V I I V Ihe Bruigp b\' Mtss M. LINns,w. H 77,6 COPW(R”rGl{f,I7. f'I<md of thoughts ﬁame o'er. That filled my eyes How of--- ten, ' ohlhow of__--ten, days that had gone by, _ I had stood on that -bridge mid--»-vnight,. And gazed on that wave and sky! had Wished that the .ebb_--ing hear me a--_w-av on its bosom wide . For my 11¢ art /’ rest); less, And my f“‘\ bur ___ then laid. up--__ on me, Seemed greater than I COIIM But now it has f’all-_--- en bu _ _ ried 0 _ thers throws its _e _ vet‘ I cross the thuugbt of V 0_.th_er _‘ film F?y,,;.l.. h.» Myqq In [1-‘.nQ“- -0 _ duur of brine from the ’o____-cean on---_ Iy the S01‘- row of Lg ’ sha-__-- (low o_-A_____ver with wood __ en ﬂb bridge Comes the And for e___ver, and ‘iong as the heart has pas ....... _; sions, long as life 3171: The moon and its Vbro_ken re__,f]ec___tion shadows Shall aP——-—P931' sym-.b0l of love Heaven . And its wa_, Vefing i--mage “'Y‘Pvu .:','~ ,7" v. 'l?w.{mv‘hw .7vrT_Qg M‘ 7yT\.‘nQA‘_, S W M. Linnea ( ll: ‘O . Mfg. J. Vilorthington Bliss.) /\/\/\/\/\/\/\/\ /\/\/\/\/\ /\ /\/\/\/\/\/\/\/ ». SECULAR SONGS. “ Songs of a high moral order.”—Britislt Banner. 0 love my ‘Willie.—Song. from the “ Supper at the Mill." By Jean Ingelow. Music by Miss Lindsay.(Mrs. J. VV. Bliss). “Charming from its very simplicity and perfect adaptation of worclsand music."——Vide Glasgow Citizen, . . . . . . . . . . . . . . . . . Excelsior. ‘Words by Longfellow. Illustrated “ The theme is tenderly and powerfully conceived. .It is an ex- quisite lyric."——Elt'za Coo/(.9 Journal. “ A gem which, in‘ this musical setting, is seen to more advantage than before."——Pat7'i0t. “ SubFime in its simplicity."-—Poi'tsmoutA Guardian. “ VVorthy of the exquisite lines of Longfellow.”—U/um‘/z and State Gazelle. “ Makes the heart echo the cry of Excelsior.”—-ﬁyzitomist. “ Stirring and expressive."——-Weelclg Times. “ Beautiful in its very simplicity.”——Empire. “ Chaste and simplc.”———B. Banner. England and England's Queen——Song. Words by‘ \V. P. Lindsay, Esq. 2nd Edition. . . . . . . . . . . . . . . . . . . . . . . . . . . .. “This Song will still continue to awaken the loyal and patriotic Spirit of Britons." " Airy, Fairy Lilian. VVords by Tennyson. I llus. “ There is a sort of fairy wildness in the melody, exquisite, tender, and original, which seems even to freshen Tennyson's fresh imaginings. Those who have admired the lofty tone——uttered indeed in simple musical phrases, but still lofty-——of “ Excelsior," and “The Hymn of the Nuns of Bethlehem," will be glad to hear a lighter and livelier strain from the same inspired harp. Speak Gently. VVords by G.'VVashington Lang- ford, Esq. Dedicated to Miss Dolby . . . . . . . . . . . . . . . . . . . . . . . . . . “ A charming effusion, f_ull of pathos and beauty."—BrilisIt Bamun‘. “ Superior to the worthless trash, &c.” — Patriot. “ Very simple, pleasing, and melodious, and possesses the rare merit of adaptability to any voice of ordinary coinpass."——(,‘/Lure}; and State Gazette. “ So simple that singers of very moderate attain- ments will find little diﬂiculty in singing it at ﬂrst sight."- Aberdeen JOZl7’7l'll. “ Like her Excelsior, it addresses itself immediately to the heart, and awakens its kindliest emotions.»- Glasgow Sentinel. There’s no dearth of kindness. VVords by Gerald Massey, Esq. Illuminated Title . . . . . . . . . . . . . . . . . . . . . . . . . . “ All who are acquainted with Gerald Massey‘s heart-felt poetry, will rejoice in this elegant effusion of melod_v, which ripplrs sweetly along, ‘side by side with the pulling rivulet of the thought—thought which does equal honour to the heart and head of the poet.” Stars of the Summer Night——'Serenade. VVords by Longfellow. Illustrated . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “Many composers have essayed to translate into melody Long- fellow's exquisite Serenade, but none with so much success as the lady whose adaptation of the same poet’s ‘Excelsior’ has enraptured the public car." _ Home they brought .. her Vlarrior dead———Son “lords by Teiinyson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Most touching and pathet.ic‘....combines beauty with extraor- dinary facility of execution.”——Cuurt (.'-in-utzu-. “ The words are beautifully tender and true——so tender that you instinctively read tlgein softly and low; and Miss Lindsay, in adapting them to inili" has successfully caught the spirit of her author.”— _ Abei'deli5 lierald, Feb. 20th. The Bridge. “ Words by Longfellow. Beautifully Illustrated . . . . . . L . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . " \Vhat a lyrical composition intended to be popular ought to be——- it has no unnecessary diﬂicultics, and lies within a moderate range—being thus avai_ ‘ble for all who sing to amuse them- selves or their friend "‘ “well as of those who sing for the public—of whose attention, by the way, this composition is well worthy.” ,, Daybreak. VVords by Longfellow " Goes sweetly and prettily;§v.'* Brig/zton Herald. *2. ,l\laud——S-erenade. Word ”by Tennyson. Illustrated “ It might rejoice the heart of the laureate to listen to this melo- dious echo of his own thrilling and mysterious conception. As on other occasions, so in Maud, the favorite composer has attained the highest effects without departing from the simpli- city which is the real characteristic of genius. Miss Lindsay's and may be sungpby all who can sing at all.” Clara Vere de Vere —— Song. VVOrds by Tennyson . . . . . . . . . . . . . . . . . . . . . I “ In every respect worthy of her pen."——B¢iglzton ‘Herald. " Alfred Tennyson cannot fail to be satisﬁed with the lady’s appreciation of and the-spirit with which she has illustrated both ‘ Too late, 0' b. Lady too late,’ and ‘ Lady Clara Vere de Vere.’ ”—Stamfoi'd ll1e7‘cm‘y. ' The Old Clock on the Stairs." “lords by Longfellow A Psalm of Life. VVords by Longfellow. Illus. The l3rook——Song. \\'ords by Tennyson “ Tennyson’s charmingly descriptive verses are most appropriately \\'0(l(l£'(l to inusic of the most pleasing kind." —— (liuil S-':-)'vic'e (:‘rr'.“~vltc. “ Beautiful niusic, so prcttily 2l(l2lp[€(l to the language I ofthe .<ong.”- (.'ozr.rt (.’i'rlvz./an "Why sit"st then by that ruined hall. Song. ‘Words by Sir W'ztlter Scott . . . . . . . . . . . . . . . . .. .. . . . . . . “It sustains the reputation of the fine lyric, ‘Excelsior.’ "- Sm/,iirlei~s’s News Letter. “ A beautiful air, in excellent keeping with the subjcct."—B7-ig/zton Exaininer. LONDON :_,__lftOE1jt",_ , ' massage...- CI 6 6 I I I T I l SECULAR SONGrS——c0m‘imiea La _, Toilette de Constance. ‘Verde by Casimir Delavigne. Illziminated title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Thalassa——A Yachting Song. VVords by Edwin Arnold, Esq. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ There is a cheerful yet soothing sweetness in the melody delight- fully sustained."—Glasgow Sentinel. “ At once simple, pictur- esque, and bcautiful."——Press. The Song of Love and Death—-Song. Words by Tennyson.... . . . . . “ Very gracefully designed and pleasing.”——Keene’s Bat/i Journal. The Mariners Song. “lords from “ Home Lyrics.” I llustratcd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . In this song Miss M. Lindsay has shown a greater command over the technical resources of her art than in any of her previous compositions.”—— The Press. ‘ Echoes. Words by Miss Procter “ Remarkably happy in the general style of the air, but specially in the adaptation of the echo."——Scattz‘sli Press. The Arrow and the Song. VVords by Longfellow “ The melody chaste and ﬂowing . . ‘ so pretty.’ "—Clieltenliam Gas. SAGRED SONGS. Thou O Lord. VVords from Scripture........... ,;. Resignation. Words from II. Samuel xii, V. 22 & 23. 1:'legantlg/ illzmzinated title . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . The Pilgrim’s Rest. W'ords by Rev. H. Lindsay. Elegantly illuminated title . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jacob. Words from Gen. xlii, v. 36, 37, 38. Elegantly illuminatetl title . . . . . . . . . . . . . . . . .v.I. . . . . . . . . . “ There isra beautiful solemnity about this song not unfamiliar to those who are acquainted with Miss Lindsay’s compositions. It is easy, graceful, and pleasing. Her compositions are for the quiet family circle——the domestic concert—-the‘ home cirple."— Gl‘(ts§0w Times. Christian Submission. ‘Words by the Rev. John Keble Elegantly illnmin./zted title . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Lord will provide. VVOrds from Gen. Xxii, v. 7, 8. Elegantly illimii1iatadtitle._. . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Border Lands V\'ords from “ The Dove on the Cross.” Elegantly illuminated title . . . . . . , . . . . . . . _ . . . . . . . . . . ",Thcse Sacred Songs, from their originality, sweetness, and extreme patﬁllos, are winning universal favour.” Too late, too late. \vVords by Tennyson. Elegmztly illuminntczl title “ A very sweet Air, and well befits the words of the sacred song.” -——Lsed.s* Intelligence)‘. “ Mouriiful and touchingly pathetic. . . . presents some very beautiful touches of mclody.”—Briglitrm Examiner. “ Treated in her own felicitous and characteristic style, full of calm dignity and devotional fecling.”———Gi’asyow _Seuti7tcl. ‘ _ Peace be still———-Sacred Song. \Vords from Matt. viii, v. 23—26, Mark iv, v. 38, Psalm cvii, v. 30 . . . . .. “ Admirably descriptive, stirring, and expressive.”-Olieltenhcmi Iizette. n--.....-.c.. . . . . . . . . . .-..a .noooo.... .. Come unto me——Sacred Song. VVords by VV. H. Bellamy,__Esq. Illustrated . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Well do her notes represent the pathos and earnestness of the invitation,"-—(,'hu;c/1/1i<m’s Guide. Thou wert the first of all I kne\v——Sacred Song. \Vords by Rev. T. \Vhyti—hcad .. .. . . . . . . . . . . . . . . . . . . . . . . .. . . . . “ So pretty that it is sure to become allL1'0rlte."—Le1?rls Iiitcllzfgeiicer. They shall hunger no more. V\'ords from Rev. vii, v.13—17 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Solemn and expressive a very welcome addition to our Sunday evening xuusic.;"—-Coiurt C‘l?“(.’Ztl(7-)'. ' DUETS (for Two Soprani.) A Psalm of Life. VVords by Longfellow. Illzts. Excelsior Duet or Trio). VVords by Longfellow... Speak gently. VVords by G. VV. Langford,‘ Esq.... llymn of the l\Ioravian Nuns at the Consecration. of the Banner of iﬁilltlllﬁlil. Words by Longfellow . . . . . . . . . . . . . . HYMN or run Mormvrliw NUNs.—“ VVell worthy of the author of“ ‘ Excelsior.’ Melodizcd with power and expression."——~Cliurn}i and State Gazette. “ Coupled with music equally simple, adequate, and imprcssive."——(7ourt .lo-urnal. “!:Trzmslates the sentiments ofrhc poetry, and makes the heart respond to«it."— Ilri;//titan .’:‘ram.1'n::9'. “ The spirit of the poetry is very a(.lmiral)ly 1'endere(l."—-Abcrrlecn ./'otmiat. “ Possesses the merit of simple bcauty.”———Enzpii'e. ANrni~:M—Unto Thee, O Lord, will I lift up my soul——'Psaln1 xxv. 1-6. 4 voiccs.———(No. 1. Third Series of Roinncr Cocxs AND Co.’s Clioristcr's Hand-Book) .. . . . . luv--1 0 . 3 1) ~ T__r1 K7 _Q4rI\.1:x,TJ-.1: \ '1r.\
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Date: n.d.
Text: g/K55/L%\§\ , /’/:3/. «W A B La 0 M m 0 .0 M m /_ A m w Lu 0 M on W .0 M R. M H x U M m 0 cu H M c U ; w~»m. 5/rcas/zm AS 4 my 0//[US It/~ ll ' / \\“- XCELSIO R”. "_\ * \ \ ’ \ " V9 ‘ h ’ The shades of night were falling; fast, ‘N As through an Alpine village pass’d ’i ' A youth, who bore, ’mid snow and ice, A banner with the strange device‘, “Excelsior 1” His brow was sad: his eye beneath Flash’d like a faulchionv from its sheath; And like a Silver clarion rung The...
Show moreg/K55/L%\§\ , /’/:3/. «W A B La 0 M m 0 .0 M m /_ A m w Lu 0 M on W .0 M R. M H x U M m 0 cu H M c U ; w~»m. 5/rcas/zm AS 4 my 0//[US It/~ ll ' / \\“- XCELSIO R”. "_\ * \ \ ’ \ " V9 ‘ h ’ The shades of night were falling; fast, ‘N As through an Alpine village pass’d ’i ' A youth, who bore, ’mid snow and ice, A banner with the strange device‘, “Excelsior 1” His brow was sad: his eye beneath Flash’d like a faulchionv from its sheath; And like a Silver clarion rung The accents of that Im known tongue, “Excelsior '.” In happy homes he saw the light Of household fires gleam warm and bright: Above, the spectral glaciers shone, And from his lips escaped a groan , “ JXCQTSTC “Try not the pass l.” the old man said: “Dark lowers the tempest overhead, "The roaring torrent is deep and wide 1” And loud that clarion voice replied , “Excelsior!” “O! stay§’the maiden said,“an{l rest “Thy weary head upon this hrea.st!’»’ A tear stood inihis bright hlue eye, But still. he answer’id.,with a sigh, “Excelsior E” “Beware the pine-tre is withered branch‘. “Beware the awful avalanche !” This was the peasant’s last “Good Night” A voice replied,f'ar up the height, “Excelsior!” At break of day, as heavenward The pious monks of Saint Bernard Utterjd the oft-repeated ‘prayer, A voice cried through the startled air, “Excelsior 1” A traveller, by the faithful hound; Half—buried in the snow was found, Still grasping in his hand_of ice That banner with the strange device, “Excelsior 1” There, in the twilight cold and grey, Lifeless , but beautiful, he lay ; And from the sky, serene and far, \ Ages: fell, like a falling star, ‘ , “Excelsior!” /— e — ‘\;=.\ "" /“ ‘ ’\ \ ‘Ee...g- 1/ , T /,7”§§ \..\T::'% /v . 1 ’ "J 2 L ***“EXCELSILC»JR!” — Compcfsedfby JOHN BLOCKLEY. ‘ F1/'7';'tten by H.W. LONGFELLOW. A ./4.2v1).A.7v°T1.vo . g’‘‘‘\ /5 /921 nﬁj/9/9 /9/9 “I village pass~’d A youth who bore, ’mid snow and ice, ‘T r_\ /5 banner with the strange deVice,“EX _ _ CEL_» _ _s1 _’0R 1” calla race. mf \—/ ,/“x 31* I . . ‘ ,.7m.1wn_3 —EXceIs1r11~__ .Hzgher, John Blockley . brow was sad: his. eye béneath F1ash’d' like a faulchioné /9/9 sil _ _ ver cla _. _ rion rung ‘ The 9 accents of that unknown tongue , “Ex _ _ CEL_ _ _ _ s1 _ _ _OR 1’ mf ‘L2’ /\ Jim: 6 rall. , By the sanie Composer, V i . ' Jul. H‘; ,k‘-. - Excelsior‘. ‘Evange1.1ne”(ofounded on Longfellowis Po«em.)Pr 2/- ‘ °“ “’7 Cbn tenerezza. In happy homes he saw the light Of household gleam Warm and bright: % Above,t»he Sp€.CfI'E1I' glaciers dolenfc . fromohis lips escaped a groan, “Ex__ _-€E'E-._.__si ___oR!” V ‘if’ V, E*<‘e1‘s*iN'7r ' “Excelsior!” as a Duett by J.J.B1ock1eY Pf John B1 ckie _ . . I .- I 0, -7 Parlant-e. '99 “'I‘ry not the pass. the old man said: “Dark 1ow’rs the tempest mf...‘... ...... ;2.......... . ,' ' :."/ molto ores .... -_cen__,-;_do /\ /\ enerkgrico. A 0 _ _‘ _ _ _ verhead, The roar. _ing torrent is deep and wide 1” And 9" ad lib. 4‘ c1a__rion voice replied, “ Ex_-cEL___s1__oR 1” mf /’ /9/9‘ \‘_,/ Exwhior! 7’ I Johxi Blockley - Cantabile Z». molto Espresswo. sta_y;'” the maiden said, “and rest Thy Wea____ry head up- _on this breast!” A tear stood in his bright blue eye,» But \;_// \_// \\./ \_/ \_.»/ LJ rall:e dim. /3 still he ansWer’d , with a sigh,“EX - CEL __ s1 _ 011!” _ware the pine\—tree’s wither’d branch! Beware the aw._fu1 ah__Valanche!” ' V V V'\ Ex°v'e:1Smr‘ ‘ John Jockley. Dulce e poco piu lento , This was the peasant’s 1ast“Good Night3’A voice fep1ied,far up the height ,“Ex‘_ /9/9 G €n0rg1'C0-0 Larghetto 6 Relfgioso. At break of day, as _CEL_ _ _s1__' _0R !” /9/9 /9 QT %F\L \./ heavenward The pi;0U:<Vn.1o11ks of Saint Bernard Uttel-’d the 0ft—1'e_ V ,5‘ rs ad lib.’/-\\ m _peat_éd prayer, A Voice cried thro’ the startled air,“Ex_cEL_s1_oR!”A 0 A "if {J mf ’ mf rall John Block1‘r‘y . Excelsior‘ *“l; Pa rlante. 0 traV’__ler, by the faith__ful hound, Half — bilriedl ill /9/9 snow was found, Still grasp_ing in his hand of ice That mf banner with the strange (leVice,“Ex_ _CEL _ SI _ 012!” I/._..\ 1;, *3; The Alpine or Sl Bernardis‘ Dogs, so celebratetl for the services they render to mankind, are trained by the worthy nionkgs of the Hospice of Mount Si Bernard, for rescuing the unfortunate tra_ veller amid the glaciers and snow-driftsyof the mountains . They are sent out in pairs, one with a warm cloak fastened to his back, the other with a basket tied round his neck, containing some cordial and bread . If they find a traveller who has sunk in the snow, they will lie down beside him, until by their warmth they restore heat and energy, and thus frequently save his life . .. If he re- covers sufficiently to be able to walk,they conduct him to the convent and by loud barking give warning of their return; if the traveller be insensible, they hasten for succour and guide the monks to the spot .- ‘ Excelsior !. John Blockley. There, in the twilight cold and grey, Life____1ess,but beau_tj_ /, ‘Y QT 4 And from the sky, se___rene and far, tcnuto . lz'bitym . véice fell,‘ fall _ ing star, “Ex _ _ _ CEL - _ .81.. .OR '3’ ‘A A A calla voce. .. Worcndo . F5. 5 39 '9) _CEL _ _ _ .. S1- - -03! “Ex _ - - CEL -. - _ _ SI _ - OR . vtnqmllﬁd/U?_ /9/9 /W’ U /2/9 &_~__’(. Q - , ’4 r . Excelsior‘. London, Published fluihn Blockley, (:1gt1cester Street, Rt-guns la It ?§;7m%E1%g?Em Maggi A . /V;/'~ / .“1TllTFﬂ.[Eg- ' L':"'U'J*&Si|' LLu“V\lLEo N’. :1‘ v Tl-|f;;l1‘l5j*§~%%ifl“(i£_I3M_$WA.EL9W_._‘_.__. _ "o SWALLOw,SWAL§.,'JW 2§6 = . 21‘; 2 .TH E M(;TH‘ER.'S SONGIO H LD " swan AND Low...'.f._.. . 2 ,- 3 THE MEMORY OF THE PAST........ .........."TEARS,|DLE TEARS..T'E..,_T.,... 01/57 2?6 ' - ..so~o 1216 4 ma um. . 216 * .0057, 2I6 THE LAST APPEAL .. .. . . Agx MORE_."_ ........................... ...SONG ZIG THE WARRIORVVS RETURN . .. A . “ HOME THEY BRou<;HT._........._..... ...souo 226 pun... 216 T H E P A R EN T AS T H ROU ‘LAN (4 voucas ) ‘ 2 1 J.J.BLOCKLEY JAY) /ﬁe (x227/zadztéaizr, “MUSIC 0 N TH E W I N D " tﬂaapiw/zzrzaiz 0/' TEN NYSON'5 admzr/1//émz "T//E pass” or r/rs AMY. ‘; /7/.‘Zlﬂ ./WW A’d‘z'iZ'a/2 BLOCK LEY “ EXCELS I OR,"/betry LONGF-ELLOW. sozo Du£r.,3/ - " EVA N GEL! N E1‘/fézm/Zea’ an /.om;.=sL4ow.'s £76/£ﬁIz2ZrJl' fawn ./17*.
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Date: n.d.
Text: J// / A: m'//. /. . w //. H W /M 1 «I / /H N «U4 W D R E W L 0 ./,4; m /4 MUSIC LI§RARY . 7 / ‘VASSAR COLLEGE _//:94»/I POUGHKECPSIE. new vomx J7/////.) FOOTSTEPS OF ANGELS. by W.R. DEMPSTER. Music Poetry by H. w. LONGFELLOW. Q. 3 ‘=1 P C 2 <1 \_4/ ho - ly, calm de- of the nigllf Vﬁxketlxe 1):-tfer soul that slumbered,Tna voices rm: fax Pres: Slxadmrs Ere the evening lamps are lighted, An(l,Iike phantoms grim and tall, mx. '9 C res: ? V f1‘01n the fit - ful fire-light Dance up —...
Show moreJ// / A: m'//. /. . w //. H W /M 1 «I / /H N «U4 W D R E W L 0 ./,4; m /4 MUSIC LI§RARY . 7 / ‘VASSAR COLLEGE _//:94»/I POUGHKECPSIE. new vomx J7/////.) FOOTSTEPS OF ANGELS. by W.R. DEMPSTER. Music Poetry by H. w. LONGFELLOW. Q. 3 ‘=1 P C 2 <1 \_4/ ho - ly, calm de- of the nigllf Vﬁxketlxe 1):-tfer soul that slumbered,Tna voices rm: fax Pres: Slxadmrs Ere the evening lamps are lighted, An(l,Iike phantoms grim and tall, mx. '9 C res: ? V f1‘01n the fit - ful fire-light Dance up — on the par- lour wall, Shadows from the fit - ful f'i1"e - light Danceupnntheparlour wall, Then theforms of the de - parted Enfm‘ \./ at the 0 ~ pen door; The ‘De - l<)V*§({ the true hearte(!,Cmnetn vis .it me once ff? n,~ 1 J )‘ Strife, He the y0u11;__f-a11(l str0ng,vvhn cherished f T V? ﬁF\./ By the \ road-side and perished, ’.\ By ‘the mad-sidv fell and L per - ished, Crcs: Noble ‘l<mgin;_§;s for the Wkary with the march of Ra”: Ad /27): Weary wifh the march of They, thehr)iyo11es and weakly, VVh0 the Cross Hf s11ft'eri11g bore, Folded their pale hands so Ineekly, Spake with us on earth 110 more. And wirh them the Being Beauteons, “V110 unto my youth was given, More than all t!1in,g.<: else to I1>ve111ef And is now a saint in heaven. And with slow and 110iseless f()(/)fSf6‘r}) C01nes that 1nesse11ge1' divine, Takes the vacam: Chair beside me, Lays her gentle hand in mine. And she sits and gazes at me Wvithrtlmse (Rel) and tender eyes, Like the stars, so still and saint-like Looking downward from the skies. FIFTH VERSE. o Uftereecl 110t,ye,-1 cmnpre - hended, Is the spiriﬁs V0i(‘e-less "prayer, Soft re- M’ as ,, bukes in blessings ende(l,Breall1in;=f {'r<m1 their lips of air, ." 1" E * lonely, All my fears are laid a - side, If ‘I but re - 1119111-beer 021- ly Such as these have lived and died! If I but re-Inember on - - ly Sursh as tlmse lmave lived and died! (),1lmu;;l1 oft «llépressed and’
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Date: n.d.
Text: \ 1, W " \ /‘ ~-,,.,« /; Ijm/_:~‘[{% T , ‘ //3Lpléurg'¥I3ah:1l1t«L£[g' jﬁhngﬁellaw; (1/3%! ,\L ]MElJ]$%l£ 117$ " VMmU'¢//?};M\ K K‘ _/ \‘ //. E. // Kg .51’ 1.7;»: wet/V: {x 7 Q, ‘ BOSTON: ] 2129213‘/zzzi ‘/(V/’ OLIVER D lTS0N1[i/7123‘/if/5/;//Z7/Z/2)?‘ Jﬁmzz-a“Z m,w7z'/z'/:,_4/ rug/:7 u/’£irn_z//wzvj/22/ '//{H Z//ii/r’/J/2*/‘var; '7'/L I/3,1’, [Zer7:.5- 0/WM :7/'1’/M (7/Jyr/2 , Jurr u ’ " 7 vv nuscc unnanv, VASSAR COLL’-{GE THE RAINY...
Show more\ 1, W " \ /‘ ~-,,.,« /; Ijm/_:~‘[{% T , ‘ //3Lpléurg'¥I3ah:1l1t«L£[g' jﬁhngﬁellaw; (1/3%! ,\L ]MElJ]$%l£ 117$ " VMmU'¢//?};M\ K K‘ _/ \‘ //. E. // Kg .51’ 1.7;»: wet/V: {x 7 Q, ‘ BOSTON: ] 2129213‘/zzzi ‘/(V/’ OLIVER D lTS0N1[i/7123‘/if/5/;//Z7/Z/2)?‘ Jﬁmzz-a“Z m,w7z'/z'/:,_4/ rug/:7 u/’£irn_z//wzvj/22/ '//{H Z//ii/r’/J/2*/‘var; '7'/L I/3,1’, [Zer7:.5- 0/WM :7/'1’/M (7/Jyr/2 , Jurr u ’ " 7 vv nuscc unnanv, VASSAR COLL’-{GE THE RAINY DAY. Poetry by H.W.LONGFELLOW. Music by WILLIAM R.DEMPSTER. Cres: The day is Cold, and dark, and dreary; It rains,/ and the wind is ,g...——.__\ J weary; The vine still clings to the mouldering wall, Con espress: - - ery gust lthe dead leaves fall, And the day fﬁ P1’ /.\ PP dreary. . . . And the day is dark and dreary. . . . And Hm (lay dark and drea - is cold, and dark, and dreary; It rains, and the wind Weary; My tlmuglxts still cling to the n10ulde1‘ing past, But the lmpes of youth fall flxick in the blast, And the (lays are dark and P1’ <lr<~ary. . . . . AmHl1e><,luys are,-_ dark and dreary. . . . . And the days are dark and drea - - ry. still, sad heart! and cease re - pi11in;_r; Be - hind the clouds is the sun jstill shining; Thy fate is the com - mon fate pr:\ 1) to each life some rain must fall, Some days must be dark ﬂ\ PP /.\ PP Some days must be dark and dreary. . . . Some days must be dark and (lrea - - ry.
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Date: n.d.
Text: e>v 3 *MW,ITHEN9 ﬂ“W§%;iE;gJR? 0NG or In: wnsa NYMPI-IS.) F ~‘@r?9 C5552 191;: rg -seletteh from C \& /Q 4 W "\ L. g (JV 9 ﬂHWPERﬁ@MU (€325 I § “~ /ii?‘ ¢ » 9 2 ’ 4 é // , _ I F‘ .. / ,-~ ‘ ‘ ( r y9 /3 q ~/‘ /» - “ ‘ ‘ UN v:> ‘ \\,, H \> 3 k N Wnumngzh lag A ‘i , @@%N”@&@@%iE ﬁg Me .$‘(I/I26 Izztﬁors, .«\ am mmﬂ ’ ? EXCELSIOR . .. (2)3710 t7f’/7lé¢’«£&’/ . .. 4/ FOOTS TEPS OF ANGELS/wit/L/Jarlmit /,-/{any/.131/ow,..3/-v 1: ‘ CONSECRATION OF PULASKYSABANNER . ,4/:...
Show moree>v 3 *MW,ITHEN9 ﬂ“W§%;iE;gJR? 0NG or In: wnsa NYMPI-IS.) F ~‘@r?9 C5552 191;: rg -seletteh from C \& /Q 4 W "\ L. g (JV 9 ﬂHWPERﬁ@MU (€325 I § “~ /ii?‘ ¢ » 9 2 ’ 4 é // , _ I F‘ .. / ,-~ ‘ ‘ ( r y9 /3 q ~/‘ /» - “ ‘ ‘ UN v:> ‘ \\,, H \> 3 k N Wnumngzh lag A ‘i , @@%N”@&@@%iE ﬁg Me .$‘(I/I26 Izztﬁors, .«\ am mmﬂ ’ ? EXCELSIOR . .. (2)3710 t7f’/7lé¢’«£&’/ . .. 4/ FOOTS TEPS OF ANGELS/wit/L/Jarlmit /,-/{any/.131/ow,..3/-v 1: ‘ CONSECRATION OF PULASKYSABANNER . ,4/: GOOD NIGHT ./fen:/Iaa’£, .. nu: nmnv om //su-/W-2 Vaim, ..3/= THE. PSALM or LIFE. //or-1.;;’2 1r?1iae".s'/.- .. . THE BRIDGE . 4= I ma snuzm LAND .. //arzfumy ... STARS OF THE SUMMER NIGHT .. ...3 . /T ., Ent. .§'toL.Eal[. JOHN BLOCKLEY, 3,ARGYLL. ST, REGENT Saw; ~. 1 Ztffa Alusac uanmv VASSAR COLLEGE "WHITHER7 (soNG<n'rHE WATER.NYMPHsJ “I11_the twilight of a sItm.m’er’s evening, the Baron and Fleming walked forth along the borders of the stream. As they heard it, rushing and gushing among the stones and tangled roots, and the great wheel turning in the current, with its never ceasingplash, it brought to their mind that exquisite simple song of Goethe,the Youth, and the Mill- br-ook. It was for the moment a nymph, which sang to them in the Voice of the waters. ‘Can you not, even now, hear this brooklet telling you how it is on its way to the Millwhere at idaybreak the miller’s daughter opens her window, and comes down to bathe. her face in the stream’/’ 9 Written by Composed by H.W}LONGFELLOW. JOHN BLOCKLEY. ./VIODER.x1T(). L >/-\ mf //’“\\ //”“\\. ///_‘\\ ///~\\ I he-ard abrnok_let gushing Fromits rocky fuun_tain near; /9 €/ \___,/ ‘/ ; *2 \_Q/ \_Z ‘Z Duwn to the val _ley rushing, So fresh and w0n_d’r0us clear Crcs. know not what came (fer me Nor who ‘the coun _se1 gave 1 must has_ten down _ ward, All with my pi] _ grim stave. \/ J. Blockley. molto espressivo 6 pin lento. Downwardand e _ ver fa'r_ther, And e_ver the brook be- side, . And can anima. 7 . e_ver- fresher mur - mu1~d,_And ever clearer the txde, mf‘/~/ -/‘/ dim e rail. 9 . .e_Ver fresher mur _ murd, And e_ver clearer the t1de. {T , calla voce. dim e rall. \.:/ W'hit-her. ‘ -1~Bl0C“*’:~{~ Is this the Way I was going‘? W}1ither,O bruqklet say! Thou hast with thy soft mur _ mu'r,s Murmu'r’dmy senses‘ a _ way. Whatdo I say of a mur _ mur? That can no mur_mur be .Tisthe Wa _terNymphs that are sing _ ing‘ Their roundelays un_der me. Let them \_ W]‘i-“‘9“- J.Blockley. molto espressivo e pin lento. sing my friend let them mur _ mur, And wan-der merri _1y mf con anima. wheelsof a mill are go _ i_ing In ev’_'ry brook_let clear, Inf dim e rall. wheelsof a mill are go _ ev’_ rybrooklet clear. fﬁ calla voce dim e rall. Vfhither, Puhlislxeil by Jairhrz Bi*}4flzl!_'Y 5% e$z*:.)'v'll
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Date: n.d.
Text: ﬁlm?» v 39 J V? 5 ‘./‘In. A’ /l7H 'WRlTTEN‘BY H. w. LONQFELLOW Esq. W313 QEUILD e e; COMPOSED av Muss M.ALINDSAY. . Andante con espressione. V©El©E. . . éuene :©EU?B. /9 elocks were shtrik_i“ng the hour;- hind the‘ dark church tower. rushing, A ___ mong “The ,'Bridg‘e”h_v Miss M. LINDSAY. I stood on the hfidgeh vAn.d the" moon rose o’er the mi(1__-- night; /23 ci__ty, Be. '‘the ~ waters . And like the,w00den_\, » ' piefs; ............. .. H.776 J' A C0Pv&apos...
Show moreﬁlm?» v 39 J V? 5 ‘./‘In. A’ /l7H 'WRlTTEN‘BY H. w. LONQFELLOW Esq. W313 QEUILD e e; COMPOSED av Muss M.ALINDSAY. . Andante con espressione. V©El©E. . . éuene :©EU?B. /9 elocks were shtrik_i“ng the hour;- hind the‘ dark church tower. rushing, A ___ mong “The ,'Bridg‘e”h_v Miss M. LINDSAY. I stood on the hfidgeh vAn.d the" moon rose o’er the mi(1__-- night; /23 ci__ty, Be. '‘the ~ waters . And like the,w00den_\, » ' piefs; ............. .. H.776 J' A C0Pv'RIGriT As . the flood of thoughts c-atme o’er' ' ' That filled my eyes ~_ How of‘--- ten oh! how 0f'____ten days that had ‘gone hy, V I had stood on that ‘bridge . ' V,mid___ night And gazed on that Wave and sky! ‘ oh! how U 0t‘___,_te1i, _ t »I hatt wished thatlthe ebb-_-ing* I it “The Bridge"by Mrss M.LI1\'DSAV. Would bear me ‘a_-.way on its bqsom — ()'’er the ..0_;_V____»_A___‘c"ean wi1<1 ,j an<‘1 wide. ; For my heart was hot ‘and .v4 rest ___ less {T _ Abur__-Athen laid’ up____ on me, Seemed greater than I . Vcou/1d. it-has £511------ en: from me, “'T?:" Bri«‘.~.»_'r="}w Wns MT LINDSAY. ..Vbu__ ried ' in _ _ ' And‘ 011n_’-__ly t11e‘s0r__ row of L» 0 - thers V4 thidW$ its I cr0ss the A ' % L, On its bridge Wiﬂx wood--_ en 0: dour _of brine froin the o\-____cean Comés the e___Ver, and tho1Ig1.1t of 0__ther 5» V .Am1 for -.‘.‘ATb+.* .Br1'd:.~.="b_v Miss. M..LINDsAv. ‘. “i As long as the ri«__V-._'ver I flows, 2 L 4] 7 T :::E F .3‘ I7; _./ ' arazi iés br0-i;en re-__f1ec_--tion .-97 :3’? .shaciow$ shall ap___-pear As the lsym __.bol of love And’ its wa__ vering _i_- mage “Tho mag-e”by MISS M.I.m15s_ur. ' - ‘ _ 11.776 ,-——————--—-— Chanson des Paysans Bohémes . . . . . . . . . NEW P1ANorB:oP.TE MUS9lO. 63' By a recent arrangement with this eminent Composer, Robert Cocks and Co. are constituted the sole Publishers of his Pianoforte Nforlrs for_'G-reat Britain and its Dependencies. FAVOURITE soororr MELODIES, Trcmsc7‘1'becl for Pianoforte. 5'. cl. . Bonnie Dundee, My Nanny, O I and My ain kind De-arie . . 3 0 1 Fantasia on Donald, and Duncan Grey . . . . , _ . , John Anderson, my jo, and Thou hast left me ever, Jamie 3 0 The Keel Row Fantasia on Charlie is my darling, and The Campbells are § 3 Tire same, arranged as a Duet for four hands . . . . . . . . . coming Jock o’ Hazeldean . . . . . . . Fantasia on Scots wha hae . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Logic 0’ Buchan . . . . . . . . . . . . . . . . . . . . Roslin Castle, and A Highland lad my love was born . . . . 3 The Blue Bells of Scotland Ye banks and braes . . . . . . . T/ze same, arranged as a Duet for four hands , . . , . _. The same, arranged as a Duet for four hands. . . . . . . . . . 4 VVandering Willie, and My love she’s but a lassie yet . . . . The yellow—haired Laddie . . . . . . . . . . . . . . . . . . .". . . . . . . . . 3 Highland Mary , , , _ , , _ , , , _ , , _ _ _ _ _ , _ _ _ Comin’ thro’ the rye . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Annie Laurie . . . . Auld Lang Syne, and The Highland Laddie . . . . . . . . . . . . 3 ~ FAVOURITE IRISH MELODIES, T ranscr ibecl for Piemoforte. The Meeting of the Waters, and Eveleen’s Bower. . . . . . . . The soldier’s greeting. . . . , . . , , , _ , , . , , , , _ _ _ , , _ , , _ , , , , _ The Minstrel Boy, and Rory O’More . . . . . . . . . . . . . . . . . . 0 The last Rose of summer . . . . . . . . . . . . . . . . . . . . . . . . Flow on thou shining River, and Nora Creina . . . . . . . . . . The same, arranged as a Duet for four hands . . . . . . . . . . _ . Kate Kearney, and Tow, row, row . . . . . . . . . . . . . . . . . . . . The harp that once through Tara’s halls, and Fly not yet. . My lodging is on the cold ground . . The Bard’s Legacy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Go where glory waits thee, and Love’s young dream . . . . . . Oh! leave me to my sorrow . n . o o . . . . . . o . . . . . oooooeo o c=o<:oocoooo.’~‘4 ELEGANT FANTASIAS DRAWING ROOM PIECES. Grand Triumphal March, dedicated to the Three Regi- Il Sostenuto, Etude de Salon . . . . . . . . . . . . . . . . . . . . . . . . . . ments of Guards, beautifully illustrated in colours . . . . Woodland Murmurs—Nocturne Russian Melodies — Schéne Minka, and the Russian Le Réve—Romance Nationa1Hymn....... . . . . MarcheMilitaire... . . . . . «Souvenir d’Espagne El nuevo Jaleo de Jeres . . . . . . . . . . . . Evening Star (Schottische) . . _ . , Cease your Funning, and The Lass of Richmond Hill . . . . Alpine Melody . . . . . . . . . . . . . . , . , , , , _ _ _ , , _ , , L’Absence et le Retour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . _ The same, arranged as a Duet for four hands . . . . The Rose Bud Polka, beautifully illustrated in colours . . . . Pretty Mary Waltz. . . . . . . . . . . . . . , . , . , , . . . . _ , _ , _ , , Nocturne, dedicated to M119‘ Gabriel . . . . . . The Anna Waltz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grande Mazurke guerriére, dedicated to the Empress} L’Hirondelle, Waltz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Eugenie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . La Gondola, Souvenir de Venise—Nocturne . . . . . . . . . . . . . Reverie on The Banks\of Allan water . . . . . . . . . . . . . . . . . . Rondoletto Scherzo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nocturne, dedicated to Mrs. Horace Twiss . . . . . . . . . . . . . . I know that my Redeemer liveth ; sacred song from Forget me not-—Romance . . . . . . . . . . . . . . . . . . R. . . . . . . . . Handel’s Messiah, transcribed for Piano . . . . . . . . . . The Old Hundredth, transcribed for Piano . . . . . . . . . . . . . . VVith Verdure clad (Aria from Haydn’s Creation) The Vesper Hymn, transcribed for Piano transcribed for Piano . . . . . . . . . . . . . . . . . . . . . . . . . . The Surprise, (Andante from Haydn’s Third Symphony) La Donna e mobile, ballad from Verdi’s Rigoletto, tran- transcribedforPiano . . . . . . . . . . . . . . . . . . .. scribedforPiano..................,,.._.,,_._, Fading away (Ballad, by Miss Anne Fricker), transcribe } Bella Figlia dell’ Amore ; quatuor de l’Opera. Rigoletto, . . . . transcribed for Piano . . . . . . . . . . . . . . . . . . l O OOOOO O OGOOO O G) C) 0 OOOOOOOOOOOO O OPERATIC FANTASIAS, On faoorurite Themes , from the following Operas : each 3.9. MozART’s Don Giovanni. ' BnLLrNr’s Sonnambula. FLoTow’s Stradella. —————- Zauberﬂote. RossrN1’s Otello. AUBER’s Fra Diavolo. BI«:LLINI’s Norma. FLoTow’s Martha. WEBER’s Freischiitz. (To be continued.) E]_e1nen*i;a,3(y—-Scales and Exercises, 4s. W. VINCENT WALLACE’,S EDITIONS, OF STANDARD VVORKS, NEWLY REVISED AND FINGERED, vIz.: , Sc11Ui.Hor‘F‘s Carnaval de Venise . . . . . 4 TALExY’s Adrien, Etude . . . . . . . . . . . . . . . . . . . . . . . . . . GalopdiBravura..... .. 4 3 3 0 . . 0 STnE1CH‘s Les Hirondelles, Variations Brillantes . . . . . . . . 0 LEFEBURE-VVELY’s Les Cloches du Monastere, Nocturne. . ———--»-———-—--- Impromptu Polka . . . 0 -———— Minuet from Mozart’s Symphony in E ﬂat . . 3 0 ALSO, BY W . VINCENT WALLACE, ALPHONSE LEDUC, &- J. A. HAMILTON, NEVV AND IMPROVED EDITIONS OF Czerny’s celebrated Etude de la Velocite, for the Piaiioforte. The Twentieth Edition, by W- VINCENT WALLACE—With the addition of Nine New Introductory Exercises and a New Study on Octaves, composed by CARL CZERNY, exclusively for ROBERT Coons and Co.'s Edition— An elegant Nocturne, by ‘W. VINCENT WALLACE—and Notes by J. A. HAMILTON : in Two Books, each 6s. ; or complete in One . . . . . . . . . . . . . . . . 10 6 Czerny’s 101 Elementary Studies for the Pianoforte. The Twenty-ﬁrst Edition. by W. VINCENT WALLACE. with the addition of Twenty New Five-ﬁnger Exercises, and Six New Exercises for the Left-hand alone, composed by CARL CZERNY, expressly for RoBnnT Coons and Co.’s Edition——A choice Pianoforte Piece, by W. VINCENT WALLACE—and Notes by J. A. HAM1LToN: in’ Two Books, each 4s. ; or complete in One . . 8 0 @‘ The valuable additional Exercises, :30. by Carl Czerny and others, as also Hamz'lton’s Eamlunutory Notes, are to be found inno Edition, English or Foreign, of the above two Worlts, except t/iutpublisked by ROBERT Coons and C0,; u-hie/L edition orders should speciﬁcally name. arse, . Newly arranged for Voice and Piano, by VV. VINCENT VVALLACE,'tl1e Scotch Ballad, John Anderson, my j o, beautifully illust. in colours 2 0 LEDUc’s La Chatelaine, Fantaisie 21 la V-alse . . . . . . . . . . . DREYscHocn’s Bluette, Nocturne, Op. 16 . . . . . . . . . . . . . . l0l\'.>t\D1-IRNJ LONDON :
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Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE V POUGHKEEPSIE. NEW YORK ‘ ,, .,....g,..,~..._.., ........ - J,;,g..1...Ur:mgourau.&....11l.m .3’. n ':v ..j.. V; Mrm‘Cowawrahm %%Uftl7z?Bn:mv:'0f V ‘musué av ». 9. Q;-ORDS B Y ~ _, M : H.w.Lom3rmow ESQ. mss M. LINDSAY W DEDICATEDTO HER SISTER. « :35! " ....,-... up-.«--.-....... ‘ON : RGBERT COCKS; Xi C‘? NEW Bumimmzom 3T REET,W. ; ;-.,-«. =.;Q,::arr’-:Hf?;’:~:";? an-*>~_~:’> P‘: A , ., E‘ ;_UL!.l:._ ‘;a,3:g3i_;¢',\y\1;:);~;;v;...
Show moreMUSIC LIBRARY VASSAR COLLEGE V POUGHKEEPSIE. NEW YORK ‘ ,, .,....g,..,~..._.., ........ - J,;,g..1...Ur:mgourau.&....11l.m .3’. n ':v ..j.. V; Mrm‘Cowawrahm %%Uftl7z?Bn:mv:'0f V ‘musué av ». 9. Q;-ORDS B Y ~ _, M : H.w.Lom3rmow ESQ. mss M. LINDSAY W DEDICATEDTO HER SISTER. « :35! " ....,-... up-.«--.-....... ‘ON : RGBERT COCKS; Xi C‘? NEW Bumimmzom 3T REET,W. ; ;-.,-«. =.;Q,::arr’-:Hf?;’:~:";? an-*>~_~:’> P‘: A , ., E‘ ;_UL!.l:._ ‘;a,3:g3i_;¢',\y\1;:);~;;v; qgﬁﬁigﬂ PUBUC WITHOUT THE PRYMENT OF” ANY FEE IVIUSIC COPYING. /S //Ei'/?EB)/_QL\{_E[\/ ’/7//// /I_\' \’/'i'/(/(' n/'////' .7 ((-6 K71‘. ('///2.-W7. A'/'/'. Q. ///1’ A7//I’ 7/Zr/r'.\‘I'/;2:ﬁ;7/E/'/'{'\' n/'//////c///_r/ ///r////(.»1‘/'//;/ /2/' 11////'/' I-«yr/'r’.s' (I/'I'/'/{$7'{(//I/ W/I/'/\'.\' /,s' w'.~'//*r/ I./I ///(' 4-n'/1/’/'n/.'v/1('// ('zy{\'/'/}//// /I//r/I///'\‘u/ﬂy/‘/1/‘lzv/;//,v //.7/A-//W ,w,-// ,-,;,,,;..v m//mm ////» ///'/‘////.v.»'/u// 12/ //1/' .»'///1/rm’///’/‘ RENDER THEMSELVES LIABLE TO HEAVV PENALTIES 0;? DAMAGES. I/X‘/' /’/'r///,~y/u.~'//m// r1/./‘(7/{\’/‘/(///// .v/I//.1/.v /////1 u///1*/'K'r_'\'.v H'////l//// /I/’/‘///I.'~‘,\'//'/I /5 AN 4/NLA WFU1. COPYING. HYMN or THE MURAVIAN NUNS or BETHLEHEM, (U.S.) ATTHE CONSECRATION OF PULASKl’S BANNER. (DUET FOR SOPRANO AND coNTR’ALTo.) wonos av H.W. LONCFELLOW Esq. Music BY MISS M.L.lNDSAY. Maestoso. '\Vhen the dy.ing flame of day... Throughthe chan_cel shot its ~ \ mf Far the g imlnringtapers shed Faint light on the cowled X} head; . And the cen- - - ser burn _ - ing swung, H’ 7 ‘ . . , )_mu of the Moran-an l\un.~'. Duvt. Miss M. LIXDSAL COPYRIGHT _fore the Altar, hung The bl00d—redbanner,The b1o0d—redbanner,The I‘ b100d»red bannelgthat with pray’r. . . . .Hadbeen c0n-se_cra_ted there. /0/0. And the nuns’ swuaet hymn was heard the while, Sung low in the dim, myste_ri0us aisle. «D /‘P WWII of the Moravian Num. Duet. ms» M LIVDSAY 11 298 ‘ I A . 0 , I W13 meme’ mwnrsf. thy banner! thy banner! good and brave; good and brave; Breaks the sub - -bath Breaks the sub -- bath /°/° may it wave , may it wave , When the bat - - t1e’s When the bat _ - tle’s of our vale , of our vale , Hymn of the Moravian Nuns. Duet. Min M. LIVDSAY Pro ud-ly Pr0ud-ly okr the o’er the dis _ _ tant wail, dis _ _ tant wail, When the When the clan _ _ rimfs cla _ _.rion’s mu-sic thrills To the hearts mu_sic thrills. T0 the 11eaI'1S When the spear in con--flict shakes, When the spear in con__fli(-t shakes, shiv ’_ - - - - ring breaks. shiv’.____ ring breaks . Hym“ “f “W. Moravian Nuns. Duet. Miss M. LINDSAY. of of these lone hills , these lone hills, And And the strong lance the strong lance ‘Take thy bann.e1'! but, when night, Take thy banner! but, when night, ghast _ ly fight, ghast .. ly fight , ho _ -1y VOW, ho - - ly vow, Hymn of the Moravian Nun». Duet. lvlfisg M, LIVDSAY C10 -Vses round the Clo_ses round the the van _ quish’d war- - rior bow, Tall: 7 By our prayrs ' our pray’rs and By ma _ _ -ny tears , Spare him! Spare him! wo u1d’st be would ’st 1) e the mer - - - oy the H181‘- - _ cy hath sha1"d3 luve hath s11a1"d! s,par’d! spar’d! H- . . Mnn of the Mm-avum Nuns. Du-01., Miss M.,I.lNDSAY. that endears , that endears, 1“ him Spare Sp-are him {'3 as thou’ as thou Take thy banner! and if e’er, Thou shouId’st press the Take thy banner! and if e’er, Thou should’st press the soLdier’s bier, And the muffled drum should beat. sol_dier’s bier, And the muffle-d drum should beat, T0 the tread of mournful feet, To the tread of mournful feet. Q a tempo Then. . . . this flag . . . . . . . . Then this crimson flag shall be, Then... . this flag . . . . . . . . Then this crimson flag shall be, / l\Iar_tia.l cloak and . shroud Mar_tia1 cloak and shroud for The warrior took that V»: banner proud, And it was his mar_tial cloak and ‘shroud! 1' l.()N1)()\Y,' , H , ' ‘ ‘ ROBERT COCKS 8: (‘yo-New BurIin_21m SI.P11b1is1]rI'> to the Qheeu H.R.H.the Prince of Vale» New Vocal Duets BY FRANCO LEONL 4!‘ Words by MARK AMBIENT. -:9 Vanity Fair.‘ Sopmmo. COPYRIGHT, I894, BY ROBERT COCKS_ 8: Co. A ' . . 3 Van - i - ty Fair! Van - i - ty Fair] to say “Don't go there] Pray keep a-way from Van -i - ty Fair.” To. Van - i - ty Fairl Van - i - ty Fairl — to say “Don’t go there! Pray keep ai—waiy from Van - - ty Fair.” Allegro. . Tittle=Tattle. Allegro. ’ COPYRIGHT, 1894, BY ROBERT Cocxs & Co. Sweet Mis.tI-ess Ann ask’d La - dy Fan to drink a dish of tea And La - dy Fan wrote“Dear-est Ann, de — lighted I shall be’ Allegro. , - PP Andante. ‘ ‘' Ar"? ‘ AT The May=Queen’,s Requiem. COPYRIGHT, 1894, BY ROBERT Cocxs & Co. . dim. '3 Ring soft .V fl. . '3 ye : .’ . . . I nor . deep,. . . . M sweet May Queen cloth soft- ly . V - ' V\-———/ Ali];-§ntSe(_)ft ' ' ' . . . ‘nor deep, . . . ., I sweet May Queen -ly sleep, Haymaldn COPYRIGHT, 1894, BY ROBERT Cocxs 8: Co. The sun is a—slIin - ing!Come,make hayl Give the boysandthe girls all a ho] - i - day Neighbours too a - crossthe way The sun is a-shin - ing!Come,make hayl Givethe boysandthegirlwst all a ho] - i — day Neighbours too a - cross the way Allegro. "ll ' ‘ i . . f Price 4s. each. Special Edition (the four complete) with 1'llu‘st1-ations by CHRIS. IEIAMJIIOND, Five Shillings, net. LONDON: ROBERT COCKS & CO., 6, NEW BURLINGTON STREET, W. Agents for the United States of America. EDWARD SCI-IUBERTH & CO, NEW YORK.
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Date: n.d.
Text: _ \ 0 2*»/n:Ta%35‘ 7 /’/‘ .’l.U}t(’»l1.N If f ‘(D 9 . Sf); Gompoaeb 26% Ni 4‘ J@ﬂ N B EL]@@Kl&EY@ Zfr //1/» .1’/////I7 //wk/Lo/is‘, we on as none .. _, ..3/- ma aemsn arLow+:ns .. . 2:/' THE GREEN TREES WHISPERED LOW 8: M|LD...3/" TMS IS THE PLACE STAND STILL MY STEED .3/' *’/ THE SILENT LAND (AsAvoc;u. DUETT, ______ D° (ASAVOCALDUETT) * I » \ . ( 12'”:/..5’m_/mg//_ ._ _________ , ________T _T /7-ajra ' A A Lmtiurt: JOHN ‘BLOC/‘KLEY, 3. ARGYLL ST. REGENT ST. W....
Show more_ \ 0 2*»/n:Ta%35‘ 7 /’/‘ .’l.U}t(’»l1.N If f ‘(D 9 . Sf); Gompoaeb 26% Ni 4‘ J@ﬂ N B EL]@@Kl&EY@ Zfr //1/» .1’/////I7 //wk/Lo/is‘, we on as none .. _, ..3/- ma aemsn arLow+:ns .. . 2:/' THE GREEN TREES WHISPERED LOW 8: M|LD...3/" TMS IS THE PLACE STAND STILL MY STEED .3/' *’/ THE SILENT LAND (AsAvoc;u. DUETT, ______ D° (ASAVOCALDUETT) * I » \ . ( 12'”:/..5’m_/mg//_ ._ _________ , ________T _T /7-ajra ' A A Lmtiurt: JOHN ‘BLOC/‘KLEY, 3. ARGYLL ST. REGENT ST. W. THE SILENT H”ritten by H.W. L().\'GFELLOVV. Composed by JOHN B1.o(‘Km:Y. ./I./Io1)E'R.x1‘To. Dulce. Dim. c rall. Into ﬂue Si_..1ent Land’! Ah! who shall lead us thither? LL C1-ouds in the. evening sky More darkly, dark1.y gafhe'r And /T § shattered wrecks lie thicker on the Strand.‘ Who leads us with a gen __ tle hand Thither, O thither , Into the Si _ _. lent /9 fx Dim. e ral_l. V Into I the Si _ .. - Jent Land? /3/3 ' colla vase, The Silent} Land . 2'51 Vérsu . Into the Si _ _ _ lent L Land! ye bound _ _ less /‘7 \_.J n\_____’_/ Cres. regions Of all per _ _ _ fec _ tion! Ten _ derl morn_ing — mf ‘ 5‘ C'rc4.s~ . — visions ‘Of beauteous souls, The .future’s pledge and band! Who K‘ r.\"90 Thh'.S'rlent Laud. John; mojcxxey. in Life§ battle firnl doth .+stand, Shall bear Hopefs‘ _ I)z'7ﬁ. e ral_l. \r blossoms Into the Si-_1ent Land! Into the Si.._1ent /J/9 calla race. 31:1 arse . 0 Land! 0 Land! For." all ‘the br0..ken hearted The .4. -9- The -‘3‘7e:n1 Land. 1 ‘ John lawn.-y. eh; mild _. _ _ - est herald by our‘ fate a1- _ _lotted § ‘ /3 Dulce . Beckons, and with in_-verted torch doth stand, To lead us with a F\ FIN /’/9 gen__t1e hand, the land of the great Depart\_V_,;ed, \,\___/ / Q Morendo . \i Into the} Si--1ent Into the Si‘__1ent Land! /3/9 calla vow. ' Thv ‘EH:-111 Land!
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Date: n.d.
Text: HYMN BE THE MDHAVIAH NUHS OE BETHLEHEM. H/////"////V /; r /’ ',«1.// ‘/1,’ , J /)7 W 0% H.LfDLr‘LJl£‘+3:LE*1L5:*',UL‘lLELwJJ\~VA“/fEo Lawn . ' . I ' /» rwv "'0/2 /oazrfr/0.9 a«4.u..4.,.- A _//‘,/V,”//,;,, THE CONSECRATION OF PULASK|’S,B.A1NNER. DUETT. T4"r1'tten by W. H.LONGFELLOW. A . _ Composed, by JOHN BLOCKLEY.» Jlarcta . G‘ MAESTOSO. /9/9 —€®:» Jflrzdante. SOLO 17.75.“ ff Dim. e molto rall. VVhén the dy _ ing flame of /*3 ‘ Dulce’ . Trumpet ....
Show moreHYMN BE THE MDHAVIAH NUHS OE BETHLEHEM. H/////"////V /; r /’ ',«1.// ‘/1,’ , J /)7 W 0% H.LfDLr‘LJl£‘+3:LE*1L5:*',UL‘lLELwJJ\~VA“/fEo Lawn . ' . I ' /» rwv "'0/2 /oazrfr/0.9 a«4.u..4.,.- A _//‘,/V,”//,;,, THE CONSECRATION OF PULASK|’S,B.A1NNER. DUETT. T4"r1'tten by W. H.LONGFELLOW. A . _ Composed, by JOHN BLOCKLEY.» Jlarcta . G‘ MAESTOSO. /9/9 —€®:» Jflrzdante. SOLO 17.75.“ ff Dim. e molto rall. VVhén the dy _ ing flame of /*3 ‘ Dulce’ . Trumpet . Through the chan _ cel shut its ray, /ﬁg//W mering tapers ' shed Faint light on the cowled head; The (‘uncecrationx of the Banner. Dnett.. ~ ‘ John Blockley. . The Consecration of the Banner. Duett . Energtéco . * And the cen‘_ ser burn-‘ swung, Where , be_fore the al‘-_.___ tar, And the cen _ ser burn _ ing swung, “There , ‘be. fore the al .. _ tar, The blood .red '. banner, that with ’prayer hood red banner, that with‘ prayer Rall. e dim. F\ A Rel"g'.°S°' il Canto ben tenuto. Had been c0n_se_cra..ted there. And the nuns’ sweet hymn was Had been c(m_se_cra..ted there. And the nuns’ sweet hymn was Dulce. /7 .Mo_ - -7-en- _ _do. heard the while , Sung low in the dim , mys -1- _te _ _ rious aisle . heard t e while, 1 ' in the dim , mys _ .. ’..te -5. rious aisle . P ‘ _ » 3 calla voce . John Blockley . \./ 4 aoete HYMN‘ op THEV MQRAVIAN NUNS’ AT BETHLEHEM .v SOLO. “Take thy banner! May it wave Proudly o’er the good and brave! JLAEsTosn. lVVhen the battles dis__tant wail .B'reaks the Sub_bath of our vale; When the battles di.~;__tzm1 wail Breaks the Sab_ba.th of our vale; /9 ‘SoLo. "fA VVhen‘the clarion"s mu_sic thrills To the hearts of these Alone hills; ’ * “ ’ s ‘ 816* Should this Duett be found too long the 31191 Verse may be omitted , V . The Conseeration of the Banner. Duett . V John Blockley . When the spear in conflict shakes, And the strong lance shivering breaks.” — And the strong lance shixering breaks.” /j VVhen the spear in conflict shakes; K‘) Tempo . Dim. e rall . “Take thy banner‘. May it wave Proudly o’er the good and brave.” “Take thy banner! May it wave Proudly o’er the good and brave.” calla voce. Trumpet. The,Consecration ,9! the Banher. Dnett . John Blockley . 6 2911 Vierse. Take thy banner! and beneath The battle‘-cloud"s en circling wreath /are f Guard it!._ till our homes are free‘. Guard it!_ Heav’n.will prosper‘ thee! Guard it'._ till our homes are free‘. Guard it!__ Heav’n will prosper thee! ﬂy” V /9 nlf SOLO 2&1’ In the dark and try_ing hour, , breaking forth of power, : In the rush of steeds and men, His right hand will shield thee then.” « - In .the rush of steeds and men , His right hand will shield thee then.” f _ The Cimsecration of the Banner. Duett . I _ Johxi -Blockley. “Take thy banner! May it wave “ Take thy banner! I May it Wave 371! Fﬁrse SOLO 1711 cs L “Take thy h2umer‘._ But, “hen night. If the vanquished warrior bow, wa rrior bow, If the vanquished The (louse:-ration of the Banner. Duett. Dim. e rall. Proudly 0_’er the good and brave.” Proudly o’er the good and brave.” col la voce. numpet, /T C1o_ses round the ghast_ly fight, Spare him!_ By our ho_..1y vow; Spare him!_. By our ho__1y vow; /9 John Blocldey 5 SOLO 2 iii‘ molfo E'.s‘pre.s'.s'1'vo. By our prayers and ma_ny tears By the mer_cy that Vendéars /3/’. /5’/9 Spare him!_ he our love hath shared! Spare hi1/11!- as thou would’st be spared!” Spare him!_ he our love hath shared! Spare him!_ as ou w0u1d"st be spared!” /3/9 “Take thy banne'r!__ May it wave Proudly o’er the good and brave.” . “/Take thy bannel-!_ May it wave Proudly o’er the good and brave.” /9 calla 15066. Trumpet. The Consecration of the Banner. Duett . John Blocklevl _ I 801.0 I '11" A 44?.’ [?rse. molfo /t'.s'pr'e.v.x'I'1<(). Take th l);mnerl- And if e’er Thou 4should’st press; the Soldier’s bier, And the muffled drum should beat To the tread of mournful feet, And the muffled drum should beat To the tread of mournful fl-et, /9/9 S0L02‘1_" Then this crimson flag shall be, Martial cloak and shroud for me.” The - f\ ‘1&_/- Slouimﬂ J/[orendo molto Wltrrior took that banner proud, It wax his martial cloak and shroud . ’W'ar'rior took that banner proud‘, 11 “us his martial cloak and shroud . O [9/9 xv The ('ousecra_1inn of the Banner. Duett . ‘ «Lond01},PU,blished ‘»by John Blocklay, Park Road, Halveramvk Hill.
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Date: n.d.
Text: R —r:_ / :\ j; ~ : ' ,3 ‘_ _ L4 »‘.~‘ \ \ \ >\: if/%dugfg[%%l}¢a \ ¢ \ <3 G) / > 9 \ ./ T/711///z'.s*/zzxd /If 5//‘var D/7‘.s-0/7 & ['17. ./97/—, H'4r’/.<'/’//'/.///./u7/ 52* ‘ izzs/77/7. ./.1’. /Z7//755 rﬁ £27. /-7/7//=7. .4’/I/Lcaqzz \ ,/ L’, 527a/17’, Z/47/7 <3//5.74/. /1/M7/‘,4. W,/1. /70/it cilia I//7/7 . M I/ﬁx/rt/7 .//1 MUSIC Lsunni vussnn cO1.LEG! THE ARROW AND THE SONG. \V01'(1s by 1{.\V. LONGFELLOW. Molto moderate. I shot an...
Show moreR —r:_ / :\ j; ~ : ' ,3 ‘_ _ L4 »‘.~‘ \ \ \ >\: if/%dugfg[%%l}¢a \ ¢ \ <3 G) / > 9 \ ./ T/711///z'.s*/zzxd /If 5//‘var D/7‘.s-0/7 & ['17. ./97/—, H'4r’/.<'/’//'/.///./u7/ 52* ‘ izzs/77/7. ./.1’. /Z7//755 rﬁ £27. /-7/7//=7. .4’/I/Lcaqzz \ ,/ L’, 527a/17’, Z/47/7 <3//5.74/. /1/M7/‘,4. W,/1. /70/it cilia I//7/7 . M I/ﬁx/rt/7 .//1 MUSIC Lsunni vussnn cO1.LEG! THE ARROW AND THE SONG. \V01'(1s by 1{.\V. LONGFELLOW. Molto moderate. I shot an Arrow kn ow not where , /‘For so svdft — ly it Music by M.\V. BALFE. It fell to earth fl ew, I Couldnot follow it, follow it ' its I breatheda Song . . . . It fell to earth I knownot vshere, For vsho has sight . . . .‘ so keen and strong, That it can fol — low the I flight of ‘:1 For vsho has sight so keen and so strong . . . . .. That it can fol The flight Of 3 song? Long, long after - Ward. . in an oak . . . . . I found the still un broke; And the Song from be — ginning to end [found a—gain in the heart of a friend. And the Song‘ from be- -gin - ning to end. . . [found a—g:u'n in the heart of [found a — gain , I found a- gain , I found a—gain a friend! 22578
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Date: n.d.
Text: THE BLB HOUSE BY THE UNDENS, OR THE 6i“£N wmn8w~.: ,4.1/IFY, //7// (VIEW or LUNCH-:LL0w's RESIDENCE.) COMPOSED BY om HOUSE‘ BY THE LINDENS 1’ OR “THE OPEN wnxmow.” 7/ 6 /(, W;-7'm»n by H.W. LONGFELLOW. % Composed by JOHN BLOCKLEY. {, J .M 0 D E .5: A 0 .°-<._ é Dim. e rail. (2 A. 15,986) The old house by 4 the 1in..‘..dens, Stood siA___lent >in l*;'.s'pw.~;.s'1'vo . the gran/el1’d I/path _ _way , light and shadow ' ’ . - nursery win. _dow }?.'.s...
Show moreTHE BLB HOUSE BY THE UNDENS, OR THE 6i“£N wmn8w~.: ,4.1/IFY, //7// (VIEW or LUNCH-:LL0w's RESIDENCE.) COMPOSED BY om HOUSE‘ BY THE LINDENS 1’ OR “THE OPEN wnxmow.” 7/ 6 /(, W;-7'm»n by H.W. LONGFELLOW. % Composed by JOHN BLOCKLEY. {, J .M 0 D E .5: A 0 .°-<._ é Dim. e rail. (2 A. 15,986) The old house by 4 the 1in..‘..dens, Stood siA___lent >in l*;'.s'pw.~;.s'1'vo . the gran/el1’d I/path _ _way , light and shadow ' ’ . - nursery win. _dow }?.'.s'pr-4/:.-.s-z'vo . Children : were no Ion _ _ _ _ get‘ " 'r'i..\ HM "1"‘~I' by ¢‘.u- I,im+..-“.4. ‘ (E A- 15,986) . J.na.. Blockh-‘y. Tempo. e lznrge New__ fonnd_',_ _ _1and h(um.= — og , the door; 6 '1ook’d for his little Espre.s'sz'ro . ,. play“ _ V-#4 _ __n1ates, ‘Who would re _ _ turn _\\_/ dolce. D-im. e rall. 1<ml<’d for his little .p12Iy _ _mates, Who would f€_turn no more ‘“'/ calla vacu. The -31.01 Huuw by 1(h«- Lindens . _ A o 1 ‘ John Bl.0ck1ey . They wa1k’d not under thé 1inL_dens, ' playgd not /3 Espmxm-z'1:o. But shadow, and silence and sad_ne:~;s hanging“ ‘ ' .. The birds sang in \‘____’/ Cres.\\___/ branches , L Vﬁith saw-et a __ mi- _ liar tone; # h'.x'pressivo . I ' V I , Calando . \~ni,._ces of _the children Will be heard in dreams The Cid Hmlsu by the Lindens, _ . ‘ ( E A.‘ - - .in‘k;n Blockley Témpo . +And the boy that ~wa'|k’d be_side~ me, not T ‘N’ y 0 user .' n1ine,a§\3 pw.~.s’«| his warm,’ so-ft “\~——-/dozce JO ff I')1'm. :1 rail. 0 . . ——,/V _ . cioser 1n mme, ' clo _ _ _. ser, I pref-;.~;,d his wam1, soft hand! /9 calla vow. . . €11!House-hvﬂioLindelu,-4, ,‘ E A ,].7,.<)8(_;:) H ‘ LONDON_ Eowm Asnnoww . A LIST OF POPULAR SONGS. GEORGE B. ALLEN. _ _ . _ Words by ’Twas long long since in the springtime L. ARDITI. Let me love thee Beauty, sleep. An English version of “ L’Ardita” ... ... H. B. Fzzrnie ODOARDO BARRI. Love ﬁnds the way F. E. Weal/Lerlgl When leaves are green SIR JULIUS BENEDICT. The Lord brings back his own. Sacred Song The bird that came in spring .. JACQUES BLUMENTHAL. Remember me The days are past Come to thy lattice. . Barry Cornwall Serenade .. . MRS. ROBERT CARTWRIGHT. Break, break ... Tennyson B OLIVER CRAMER. Fisherman, answer me W. A. C. CRUICKSHANK. The three ﬁshers... Rev. C. I('z'ngs[ey LOUIS DIEHL. Gathered lilies Little lassie Seeking . The knight’s adieu J. VV. ELLIOTT. The song of Hybrias the Cretan VIRGINIA GABRIEL. A smile, a word . . .. Only ... ... ... ... The ring Tender and true One passed by Change upon change At her wheel. Spinning song A farewell... Echo Ariel (A spirit came to me) ... . Little blossom . . WILHELM GANZ. A. ..Malz‘}ii'.;on E. Brotzlning... VV. Storey F. A. Kemole C/zrz‘:z‘z'ncz 1i’o.vsettz' Forget me not ... When we went a gleaning I seek for thee in every ﬂower The murrnuring sea Sing, birdie, sing... A damsel fair was singing Camelia and rose My mother’s song Since yesterday The nightingale’s trill 1.r."Jy. F53... P. D. GUGLIELMO. The lover and the star The lover and the bird J. L. HATTON. Blossoms The “Blue Peter” Song should breathe of scents and ﬂowers Dream, baby, dream The blind boy Memory King Christmas Bnnry Cornwall‘. Barry Cornwall Colley Ciooer ... C. S. HARTOG. Only a year . . PAUL HENRION. Captivity. (Que je voudrais avoir). 4=4>4=-1:-i>-1:->4:-z>.:> -I-‘-In-a>.;=-.1:-4:-4>4>4>4>-1> 4 oooooooooo 00000000000 0 ’ Nobody’s nigh to hear E. L. HIME. Angels listen when she speaks... Something to love me Words by J. W. HOBBS. When Delia sings. Canzonet... W. C. LEVEY. Baby mine. Cradle song . Maritana, gay gitana PROFESSOR MACFARREN. _‘7ean Ingelow GIACINTO MARRAS. Edenland Oh ! were I blest above G. MEYERBEER. Noble ‘signors, I salute ye ! English version of“ Nnbil donna” 2 (Huguenots) Page’s song (ditto) No, no, no JAMES L. MOLLOY. Twice my love hath smiled on me . T ennyxon V ... JOHN OWEN (Owain Alaw Pencerdd.) Shy Robin. Welsh Song ... ... ... CIRO PINSUTI. Bedouin love song - Fairer than thee Fly forth, 0 gentle dove I heard a voice_ . Music of the heart ... ’Twas on a market day GEORGE POWIS. I'll be all smiles to—night .. ALBERTO RAN DEGGE R. Joyous life. An English version of the popular canzone “ Ben e ridicolo” ALEXANDER REICHARDT. Remembrance CHARLES SALAMAN. Oh ! if thou wert my own love Cradle song I arise from dreams of thee Wool/Large-J; Be-nnett Shelley LADY JOHN SCOTT. Douglas, Douglas, tender and true E. SILAS. Rest ! where shall we rest? HENRY SMART. The sailor-boy’s mother ... ... Come again, spring I dream of thee at morn Barry Cornwall Rose of May BOYTON SMITH. Only a rose .. There sits a bird on yonder tree Merry bird ! Merry bird ... ARTHUR S. SULLIVAN. Sigh no more, ladies . Sweet day so cool The moon in silent brightness Little maid of Arcadee Guinevere 0 fair dove ! O fond dove What does little birdie say? County Guy The sailor’s grave I Ing.oldso_ym 3/32;. Inglelow T ennyson ... Sir Waller Scott -P-b-Ck-8-h-¥=-P-l>-> BERTHOLD TOURS. The angel at the window W. T. WRIGHTON. not no -u The Wagoner LONDON: VEDWIN ASHDOWN, HANOVER SQUARE. OOOOOOOOO
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Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE woe-nu-rm--v=.vz_ new vonx A AT‘ Fl RST SI (3 HT. ﬁnprann and Tamar .._ HARMO NY.__.N_._ .._. .. . Mezzu ﬁuprann urTenur1'nED..._._ __ H U NT! N G S 0 N . Emprann nrTenurin E . I A RIS E FRO M D REA MS OFTH EE.EaI'1mnB in E Minnr .. . I N TH E W0 0 ... - __ Mezzo Snprann nrBaritum=.1'nE.... ._ __ _ M I LLERS (TH E) DAU Mezzo Eupranu urBaritnnE1'11A..... . _ N 0 RTH ER N ( A) R0 MANC E . ..[]n11tra1tn1n fl" Minur... .. . SEA SONG. ....
Show moreMUSIC LIBRARY VASSAR COLLEGE woe-nu-rm--v=.vz_ new vonx A AT‘ Fl RST SI (3 HT. ﬁnprann and Tamar .._ HARMO NY.__.N_._ .._. .. . Mezzu ﬁuprann urTenur1'nED..._._ __ H U NT! N G S 0 N . Emprann nrTenurin E . I A RIS E FRO M D REA MS OFTH EE.EaI'1mnB in E Minnr .. . I N TH E W0 0 ... - __ Mezzo Snprann nrBaritum=.1'nE.... ._ __ _ M I LLERS (TH E) DAU Mezzo Eupranu urBaritnnE1'11A..... . _ N 0 RTH ER N ( A) R0 MANC E . ..[]n11tra1tn1n fl" Minur... .. . SEA SONG. . BaritnneﬁrBa551n|3 . _ S H A FT (A) O F S0 N Mezzn Eupranu nrTenur 1nE." . SI N 5 SOFT MY H .. Mezzn Soprano IRA _ ._ _. STA RS 0 FTH E S U M H ER N IG HT._.... . . _ ...TE11n1‘ 1n ST! LL BAR RED TH Y DO 0 RS ... .. Mezzo ﬁuprann nrTenurin B1"ﬁI1n1" .. SU M M ER (TH E) WIN D... . ._ Mezzo Snprarm nrBarituneinA_P_. . TH R0 U G H TH E N | GHT............ 7- ..C,m1u'a1m nrﬂass 1'nEM1'nn11 ______ H WELC 0 M E T0 SF’R| N G .. ....,_..._...Mezzu Enprann nrTEnar1nB P... >1 ’ . B [J STD N. "9”“""’-‘*“”""""‘WA D hver D its on Comp any. Illﬁmzr. 0315.4 GU. _ Easrazr. 171111‘ A L711’. Z717'5nm{,Z,"z7. IYON&ﬁEALY JUIIIV £'.1z41av£5 J.-5'0. J. E .17Irsmv Lia. To III. S. STARS OF THE SUMMER NIGHT. Tenor in B17 SERENADE. Revised Edition. Words by LON GFELLOW. ’ 7 Music by H.B. PASMORE. Moderaiu. 45 Song A1bum,Pasmore. Copyright mo hyoliver mtson Co. az - wood - Sum — mer Sum — mer Sum - mer in you (you — dc-V1‘ you Fa 1‘ ......... .. Where .... __ Far ......... .. night , night , night , In u.1'e decps , ......... Hide , bine creeps, ________ __ Fold, az _ _ ure the S _________ .. Hide, 1' sleeps, ________ ______ -_ _y la — sleeps, ...... -_; _______ __ my sleeps, _________ ,7 _____ _. my fx/lb‘ on light! .... .. She iunslight! .... .. She en light! .... .. She sleeps ! sleeps ! sleeps ! I lst.&-2d.times. f.#.L‘1iﬂ" Moon D reams sil - \'e1' slum — hers of the of the ui ght , night , um — mer Sum - mer f steeps, _____ __-_ ______ __; ____ Sink, keeps ___________________________ __ Watch light 2-.. She light , She sleeps, .... _. my la — dy sleeps, .... .. my la - dy Far ________ -_ down your Tell _________ __ her her vifv ’EF“E} sleeps ! _________________________________ __ sleeps ! . _______________________________ __ Deligh’gj_1g_!__ Songs. THE DREAM. W. E. Haesche. Priceéo cents. I dreiiedx lived beside the talk-inc sea, And griinwhxmbirds were ne‘:§h-box -ly ,1/Jr’/’ 1? Copyright, 1889. by Ouvu DITIOI Courur. SHADOW. Geo. L. Osgood. Price 60 cents. an-"mu ,m,.,.m-M_ con molto expressions. a pace ores. sempre \ -¢-:_: =.. §-::—-——/ 1. What lack the val - leys and moun - tains, That once were greenand guy? What lack the - - bling toun - tainsf mf 1813, by ouvn 3 Go. THE LITTLE PURITAN MAIDEE. J. C. Macy. Price 35 cents. Quau recitatwo. 1. The story's oft re-lat-_ed Of 3 lit-tle Pu- ri-tanmaid, Who of all the so-her blue -laws Was not the least a-ft-aid. Shehad awinsome lower, 2. Now ev-’ry vﬂ-lage mzuden Was by eld-ers kept In sight Not al-low’d beyond the garden wall AI-tar can-dle ught.Fox darkness hoded e-vll, Copyright, I39, by Ouvn DI-not Coxrnr. THE HEART IS YOUNG. Dudley Buck. Price 50 cents. Oh! met-ry goes the time when the heart is young There ’s nought high to climb when the heart Copyright, loan. by ouvtn Dino: & Co. SHALL I WED THEE ? W. E. Haesche. Price 35 cents. - ny bank, The cow - slip loves copyright. mm, by ouvu coxnxr. Any 0! the above Songs mailed for price named. Catalogues of new Sheet Music and Music Books mailed V free on application.
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Date: n.d.
Text: xi 3/ ‘ k I 12213!‘ uwonns FROM _ H U H! I4 “3§H§m ;;* JHBAL/‘fbpL7'r£1'ﬂz. _ ’B U S T ON’. '1"u1fJj,s7he i1)y'0LlVER D ITSO N 8; C0. .37‘/’V‘fc1sT1irLgfonSt. [.17. (2.131: IQ (0. Huron J 7.’ 670117/m .7l.7)i1rZ* 1/ :5‘/’7E (Yr 7,/2 vnr/on P//z//uhz. .7'r?z:v( zX;7J/17171”/'r/, £17171, H0516 LIIVARY THE DEATH OF MINNEHAHA. Words by LONGFEI.I.fJW. Music by C11. 0. CONVERSE, -ver snow - fields and path - less, Andantino. the wig- -wam Noho - - - mis the Wig- -...
Show morexi 3/ ‘ k I 12213!‘ uwonns FROM _ H U H! I4 “3§H§m ;;* JHBAL/‘fbpL7'r£1'ﬂz. _ ’B U S T ON’. '1"u1fJj,s7he i1)y'0LlVER D ITSO N 8; C0. .37‘/’V‘fc1sT1irLgfonSt. [.17. (2.131: IQ (0. Huron J 7.’ 670117/m .7l.7)i1rZ* 1/ :5‘/’7E (Yr 7,/2 vnr/on P//z//uhz. .7'r?z:v( zX;7J/17171”/'r/, £17171, H0516 LIIVARY THE DEATH OF MINNEHAHA. Words by LONGFEI.I.fJW. Music by C11. 0. CONVERSE, -ver snow - fields and path - less, Andantino. the wig- -wam Noho - - - mis the Wig- - Waln Noho - - - mis she said, “ the of Pau - - guk un - - der snow - en - - - cumbered branches, Homeward hur tried Hi - - -a-wa --tha, Emp- ty hand - ed guests,thatwa1ehc:<':her, With the Fam -ine and the Fe - ver, She was ly - .. ing, With the Fam - ine and the Fe - ver, She was 1y- - - ing”, ‘With those gloomy his i- - -cy fin-gets Clasp-ing e a-.-_ With those glqomy guests,thatWa,tchedher, Glare up--on me in the darkness, I can feel » heart- ed, Home-Ward huh -. -ried Hi- - -a - - —wa - - tha. I I T\ he‘av- — -y A i a 0 ' Tall. Be--- lov —- ed, She the dy - — ing Min -- ne - - ha- - he. the dy - - ing Min ne ha ha- -—-tha! »»Hi---a---wa--tha!” I I I x 1 I I U A J 7 the the Be - - 1o_v -- ed, She mid the dark- ness ' Hi - - - a - - - rail. i. . . » . Heard N0 - - - ho - - 1111s m0an- - - - ing Wall --mg: Wa - - ho — - no - - - Wm! H Hark! ” she said; “I ]l(‘il1‘ 3. rush-i11g, \ Hear it Wu---wing “Look!” she said; ‘=1 see my fa - -ther Stand-ing ' lone — - 13' And the des - -’late Hi - — - a. --wa - - tha, Far—-a--Way a --.- i Wa- — — -ho-no -win! 77 Heard No - - ho - mis moan - -- in wail-int?‘ .“Wa - ho - - no-Win! Wa - - ho - -11;» ~ win!,” 7 D7 and , FL rushing Hlear the falls of Min - - -no-11.14.-ha at V his doorway, Beck’ning' to me 1uid_ the forest, Miles 3. - - Way Calling ‘to me from a distance!_»"’ from l1is Wig--Warn In the land of the Da - - co - - tahs!” a mong the mountains Heard that sudden cry of an— —guish, I “Would that I had ‘per---ishedfor you) Would that I were dead as you are! Would that I had 1 .. v . . . “No, my C1111-(lzlséllfl old N0-ho-1111s, WT1s “No, my child!”said old Heard the voice of the night-wind in the pine trcesI’WN0, my childwsaitl, the smokethat waves and beckons! “No my child!” said. Min» - - ne -ha -- ha Call - -lng Heard the voice of . No -ho -mis, “Tis to him in the darkness, per - - ished for you, mll. “Tis “ Tia No-ho—1nis, No- ho -mis, --- -ne-ha--ha, mu; 5 And he rushed i11to the Wigwam, Saw the old Nohornis slowly ' I‘-Marching to and fro and Saw his lovely Minnehaha Lying. dead and cold before him, And his bursting‘ heart_wit.hin‘hin1, Uttered ‘such’ as ery"of’anguisl1,tj That the forest moaned That the very stars in Shook and trembled with Shook and trembled with We. --- ho - no -- win the night-wind the smoke that Call -_- ing , n Wa-- 110- no --Win._ the pine trees!” , Waves and beckons!” the dark-ness, in to him i11 ,_ . 6 Then he sat down still and speechless, on the bed of Minnehaha, moaning,:{ At the feet of Laughing Water, At those willing feet that never. Above would lightly run to meet him, At those willing feet, that never" Never more would lightly follow. and shuddered, With both hands his face he covered, heaven his anguish As if in a swoon he sat there, his anguish. "Speechless, motionless, unconscious. 7 Then they buried Minnehaha; In the snow a grave they made her, In the forest deep and darksome, Underneath the meaning hemlooks; clothed her in her riohisstvgarments, ‘Wrapped. her in her robes of ermine; Covered her with snow, like ermine; Thus they buried AMinnehaha, And at night a fire was lighted, 011/ her grave four times was kindled, Foryher soul upon its journey To the Islands of the Blessed. Seven long days and nights he sat there,
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Date: n.d.
Text: The Words by 3] ongfeﬂow, THE MUSXC Composed ex/z77ae53Zy For MESS EBETH WYNNE , I L ——-———<——j[B?>$’_'> \|/ .______4%_____ L on don, BOOSEY 8<.C‘.’295,RE(3-ENT STREET.W, MUSIC LIBRARY VASSAR COL|.E’.“ : WWW E9@M‘ﬂ§o __”_._—i+© WORDSBY MUSW BY _ H.W. LONGFELLOW. é ARTHUR SULLIVAN. Allegretto non troppo vivo. Vol 0 E . PIANO.» f I Come to me,‘ () ye chil ._ _dren.' For I hear you at your And the ques_ .tions that per-_ .plexed me, Have 0 T66‘: vanished quite a-;_way. Ye o...
Show moreThe Words by 3] ongfeﬂow, THE MUSXC Composed ex/z77ae53Zy For MESS EBETH WYNNE , I L ——-———<——j[B?>$’_'> \|/ .______4%_____ L on don, BOOSEY 8<.C‘.’295,RE(3-ENT STREET.W, MUSIC LIBRARY VASSAR COL|.E’.“ : WWW E9@M‘ﬂ§o __”_._—i+© WORDSBY MUSW BY _ H.W. LONGFELLOW. é ARTHUR SULLIVAN. Allegretto non troppo vivo. Vol 0 E . PIANO.» f I Come to me,‘ () ye chil ._ _dren.' For I hear you at your And the ques_ .tions that per-_ .plexed me, Have 0 T66‘: vanished quite a-;_way. Ye o_pen the east- ern wih- gdows, That look towards the sun, Wllcare thoughts are sing- ing ‘swallows, And the \/ brooks of morning run.‘...... f ~Living- poemg. hearts are the birds and sunshine, In your thotitghts the brooklet flow, But in mine is the wind of Au- tunm And the first fall of the snow, f rail.- Come to me, 0 ye chil-_dren. to }~au.- Living poems. Ah!what would the world he to us, If the ’children were no ‘We-,shou1d dread the de_sert be- ;hind Worse than the dark be- -fore. What the leaves‘ are to fo _ A- rest, hWith light A and air for food, E-re their’ .1’ ‘ I.iying peems. un poco rid’.- . \_/ sweet and ten - dexj jui-ces Have been hard.en’d in- to wood,_ un poco rt’ ' f That to the .world are chil- _ dre11;ThrQ’ them it feels the glow f rail: reach_es the trunks be _ low. Come to ,dim.- . - Living‘ poems. chil- - dren! And whisper in my eat What the birds andthewi11ds are — meno sing- ing In your sunny at- -mos-phere. For what ‘are all. our con- menof _ tri _ vings, And the wisdom of un poco rit: _ res- -ses, And the gladmess of your looks? un poco rz't.- a teinpq sf Living poems. our books, VVhen comparedwith your ca- bet-ter than all the Vbal _ - lads Tllat e _ ver ‘were sung l or For‘ ‘ye are liv_ _ing po _ _ ems, And all the rest are f Ye are better than all the lml . _ lads That éver were sung or ' ,\ am poco pm lento. For ye are liv. ing po. . -ems.,,And all the rest are Living‘ poenis. Come to me, living poems.‘ THE BEST SONGS OF THE BEST COMPOSERS AIDE, HAMILTON. .. The Spanish‘ Boat Song (Eb A and G) Sung in the Drama “ Philip.” The Fisher (D and F) Remember or Forget Brown eyes-or blue eyes A131‘, FRANZ. The Forgotten song 3 Sung by Ham; Bnimnss. BLUIVIENTHAL. 4 3 _... 4 4 The Boatman’s Song (D & E) 4 ‘ Sung by Mr. SANTLEY. _ ‘ Goixdoliera (G and BD) 4 Sung by Mr. Enwsno Lnom. Love, the Pilgrim (Eb and F) 4 Sung by Mdme. T1'_1'll:Ns. Why was I looking out? 4 Words by Guzman. Sung by Mdme. Pun. OLARIBEL. Maggie’s secret (D, E, and F) 4 Sung by Mdms. Ssmron-Donny. Won't you tell me why, Robin? 4 Strangers yet (ED and. F) 4 |Sung by Mdme. Smuon-Domr. We’d better bide a Wee Sung by Mdms. Lmnnirr. Take back the heart (D & F) Silver Chimes .. Sung by Mdme. Ssnrron-Ilomr. ' Marion’s song Milly’s faith (D and F) Janet’s choice Sung by Mame. SAnu'o:i‘—DoLnr.- J anet’s bridal . .. .. . Come back to Erin (C & EV) 4 Sung by Mame. Snmuznuvmn. Five o’clock in the morning (r and G) Drifting .. Half-mast high . . Sung by Miss JULIA ELTON. CLAY, FREDERIG. She wandered down the moun- tain side (0 and E) 4 Sung by Miss Enrm Wrmm. There is a hope within our breast 4 Chorus of Courtiers and Court Ladies .. . 4 It is so like the men... 4 COWEN, F. H. Night and morning (E & 4 Sung by Miss Enrm Wynn. The Carrier Dove (D and up) 4 ‘Sung by Mdme. Pun. Marguerite (G and Bi?) 4 Sung by lldnns. Timsm.u—Bn'riM. It was a dream (0 and E) Sung by Mdme. TITIINI. Only a Violet Sung by Mdme. Suuco. Spinning .. . .. Sung by Mdme. Smnmmron. LINDSAY, Miss. The Goatherd’s song... Sung by Miss JULIA Enron. Cradle song of the poor Words by Miss Pnocrm. 4 4 4 '2 3 0 O O 0 O 0 0 , O 0 0 0 HATTON, J. L. Fair A is my love (0 and rep) Sung by Mr. SANTLEY. Dick Turpin . Sung by Mr. SLNTLEY. The Meeting .., Words bv Loserxmtow. The British Tar _ Sung by Mr. Samar. If my mistress hide her face (rand A),'... A .. Sung by Mr. Suns Rnnvss. GATTY, ALFRED SCOTT. A little longer yet Words by ‘Elisa Pnoorm. Gallants of England... Words by G. Warm Mnvnm. Unspoken . Sung by lfsnum Bum. Voices of the past (0 and Sung by Msnum Psrmr. The Golden Shore Forget-me-not Speed-well . . . . . . One morning, oh I so early (Ab and Bi?) - .. . Words by JEAN Imnww. Sung by Miss Enrm Wrzum. Eleonora (C and E9)... 4 Sung by Mr. SIMS Rznvns. GRAY, LOUISA. Then and Now (E, G, and A) 4 Sung by Miss Enrru WYNNE. Lynette’s song (E and G) 4 Poetry by Tisxxrsox. ‘+94:-on an us. an ax PONIATOWSKI, Prince. The Yeoman’s Wedding Song (G and Bb) Sung by Mr. SANTLIY. SULLIVAN, ARTHUR. Mary Morison (G and Bi?) Words by Bonus. Sleep, my love, sleep (D7 and F) Sung by Mdme. Pxmr. Looking back (D and F) p 4 Sung by Mdme. Psmr. Looking forward (D and‘ E) (sequel to Looking back)... Sung by Miss Enmz Wnmm. Golden days Sung by Mdme. Pxrm. Once again (D and F) Sung by Mr. SD18 REEVES. A life that lives for you ‘ Sung by Mr. Smnnr. The snow lies White Sung by Mr. SIMS REEVES. Will he come? (1) and F) Sung by Mdme. SAINTON and Miss Enrm Wtmcl. My dear and only love 4 Sung by Mr. SANTLEY. Living Poems 4 Sung by Miss Emrn Wnnm. 4 DOLORES. ' Pack clouds away .. The Land of long ago Clear and Cool . . Words by the Rev. CEARLB Kmssxzx. The. Fairies . . . 0 0 000 0 0 0 0 00000000 SAIEITON, Mdme. 5. When we are old and grey A (D7 and F)... 4 Sung by Miss Iiismcuiuz. Out on the Rock... (Dr and Er) Sung by-Mums. ANGELL 5 GABRIEL, VIRGINIA. Remembered (r and ED) Sung by Mr. Vnnnox Rxunr. Across the Sea We two . Only at home ‘ Sung by Mdme. Ssmrox-Donnr. Light in thenwindow _ Sung by Mame. S.uNroN-Domxr. The Skipper and his boy Sung by Mdme. Ssmron-Donny. Somebody/s darling - Sung by Mame. Ssrnron-Donny. SANTLEY, CHARLES. A short yearago (B? and Dr») Sung by Mr. Enwsnn Lnorn. One long thought of you - ' MOLLOY, J. L. ‘ ' Polly Sung. by Mr. Sunny. Don-‘rt be sorrowful, darling (C and . Sung by Miss AN'1'()INE1'l'E Srnsuxo. J ack’s farewell Sung by Mr. Sun Rxmvns. Knitting . So the story goes (F and Sung by Miss Enrrn Wntxl. » Eily’s reason (my, 13‘, and G) Sung by Mdms. Snnnnmomx. The old Cottage Clock Sung by Miss Ebrrn; WYNNI. Thady O’Flinn (D and F) Sung by Mdme. Snmnnwaros. The Vagabond (n and G) Sung by Mr. Surrnsr. Clochette (D and F) Sung by Mame. Snmznmarox. PHILP, Miss. Forgiven Words by Miss Fnoimnan Msnnrr. Of what is my darling dream- ing? .. . ‘ . . Sung by Mdme. Pun. Lillie’s good night Sung by Mdms. Psnr. Lillie’s good morning What is Love? When all the world is young - VAUGHAN, COMYN. Apart 3 Rothesay Bay 3 Words by the Author of “John Halifax." I gave my love a. little rose 3 Rest (Spread thy silver vvings) 3 OBERTETIR. v \ I The stars are with the voyager 3 *< . LONDON: BOOSEY & $0., 295. REGENT STREET, W.
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Date: n.d.
Text: To Aﬁeiff J‘? 1- LR \ 7&1: .., _-5.5-' X COMPOSED BY V,/ a W .0 a O P B 3 4 5 N 0 S & IL L A H M M L L W VI I0 d 8 h .6 M U P N. Y5. W E N W m E D n _... 5 W m w M M u E .m M. B. W E. .m H 0 5 k I um. I E ...m .m . !v1r/-rd srwrdmgv 111 Am‘ 0/ Eangrrss m1he Yaar /8:56 by Wm.Ha!/ Mun MUSIC Lssmmv VASEAQ C(.‘tL*. Z ‘M l'NNEHAI:lAZ’ OI‘ \ . W A T ‘7 ﬂbcﬁ yﬁc’ #1? P 0947 ........... . x............ FRANCIS H. BROWN. POL KA. B1-illaute. V Q),1I§r':n" r.:,v_-0/'z(w...
Show moreTo Aﬁeiff J‘? 1- LR \ 7&1: .., _-5.5-' X COMPOSED BY V,/ a W .0 a O P B 3 4 5 N 0 S & IL L A H M M L L W VI I0 d 8 h .6 M U P N. Y5. W E N W m E D n _... 5 W m w M M u E .m M. B. W E. .m H 0 5 k I um. I E ...m .m . !v1r/-rd srwrdmgv 111 Am‘ 0/ Eangrrss m1he Yaar /8:56 by Wm.Ha!/ Mun MUSIC Lssmmv VASEAQ C(.‘tL*. Z ‘M l'NNEHAI:lAZ’ OI‘ \ . W A T ‘7 ﬂbcﬁ yﬁc’ #1? P 0947 ........... . x............ FRANCIS H. BROWN. POL KA. B1-illaute. V Q),1I§r':n" r.:,v_-0/'z(w': ,2 to /([3/I}(,1,l;,11.~,;;,]_ .jS[_( };y F‘"!V[,HALL it SUN} 1.; L’(—.C1cu.’.: U;.1r,c L1lh<.].i;tl‘itlC(,’I.AlOI {LL Su;ll.1.u.1 11.1: in (J (M. )u1'.. . ‘7 0. a .m. 3 up
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Date: n.d.
Text: I !§§‘I .' '1 Words by \ .}_,ONGFELLOW, O ' ff ‘ \ ‘ Q"IIlW"""" ,,.. ';3I!!!'!FWW|W“1‘\“ " ' L m ‘.. uiﬂr H“: ’ ‘ r 4 NEW vom< BROOKS & DE_N'I‘ON, 57o suxn-1 AVE.- 39%! 51'. LON DON. FRANCIS, DAY 8: HUNTER I42 Charing Cross ROad,(Oxf'or-d $t.End.) ﬁ'es])ect_/Sully dedicated in Jlhxdnd ZlIrs.Edwa'rd ldutevrbac/z,1Vew York. TRUST HER NOT. ENCORE SONG. Music by Signor G.Tag1iapietra. Words by H.W...
Show moreI !§§‘I .' '1 Words by \ .}_,ONGFELLOW, O ' ff ‘ \ ‘ Q"IIlW"""" ,,.. ';3I!!!'!FWW|W“1‘\“ " ' L m ‘.. uiﬂr H“: ’ ‘ r 4 NEW vom< BROOKS & DE_N'I‘ON, 57o suxn-1 AVE.- 39%! 51'. LON DON. FRANCIS, DAY 8: HUNTER I42 Charing Cross ROad,(Oxf'or-d $t.End.) ﬁ'es])ect_/Sully dedicated in Jlhxdnd ZlIrs.Edwa'rd ldutevrbac/z,1Vew York. TRUST HER NOT. ENCORE SONG. Music by Signor G.Tag1iapietra. Words by H.W.L011gfe110W Allegro A little slower. I know 21 She has two And she has She gives a see, She can both brown, Care ! She gives a — hue, care! And what _ she fair, care! It’s a foolé care! Copyright MCM by E.J.l)enton. English Copyright secured Brooks & Dent0n,670 Sixth Ave.,New York. Slower. false and friend - 1y be, side I glance and looks down , says it is not true , cap for thee to wear, .a tempo K-1-? — ware! ......... -_ Trust her not, Trust her not, She is fooling thee, .... .. She’s fooling K /' Slower. ‘thee? -------------------------- -- 511678 f001-ing thee; .......................... -- Oh, trust her Trust her not .3 Trust her /_._ not, not , j — ware! __________________________ -_ She’s She is fool — ing f00l—i11g thee; ’ } thee ; 2”"-1---T {T % Be —ware! Ah , Trust Be- her F I.st.:2d.& 3d.Ver.se.s. not, Ah trust her She’s \. fool — ing ‘ Last time only. ‘Ah ' 7 not, trust her calla woe Trust her n0t.3 She’s fool .. ing thee! / STANDARD SONGS Bf STANDARD AUTHORS I Tllillli (If T1106 /nF_ Compass D _,F_ Pm-M 50¢ (When M0r11ingSpI‘ings.I 7: Moderate. I I K I I I\-I.I I I III - II: I. I KII ,. I\I ‘ K I II \ 'k~H—1”F%— *4-%*$*%*F#:F “I-r—""I‘—I-I—I’H I V I I ‘I’ T g’ C’ I I!’ '7 ’ I “"’ I .’ V I Y I § IV 4- I young‘.-. bird lifts her VVords by Geo. D. Prentice. Music by Signor G.Tag1iapietra. L I ”"‘ I I _ 1 think of thee ____ when. Iuo1-IIiIIg springs.-. l4'I-om sleep,with plu - — mage I)a’tIlI(I. AIJI dew, I And like a /I II I . L I I I I I L ’ I I I I L I L I LI, . I 9. I‘, M 4 ~.\ .~.__5_-II L I, I“; II I 3 +I++ l\Vj_ .I__e“; *I %' 1‘ ,_ , -'—-—O———I——L—-'—-——J-—'—-#——ﬁ—H —‘—IL'—-I-t9——A~4-§"—«O—-—'--I—6—~d—A— _ 0 (or I ' A. / I r , ?-’ I . . 9 . I . vI1I1gs...... ()1 gladness on .... .. the wel—kIn lIlIIe;__, And wheII,:It noon,___ the breath of love,.. ._0er Ilowraud stream _._ Is Walulrlug E"9”5I‘C°PYI'I9I'II Secured (‘upyI'ight MDCCCXCVII II_V' [lemon 2:‘ Seixas. I K I I I. Had I But Kuovm. In/p_ C0I)’paSs C_E. Sung by Emma Eznnes -Story. Moderate. I L I K 4 I I I I H I A ' I\ I _ v T I I long years I I 1 A '1: ’ I H I . IIe’er,nIy sweet,could 1 English Copyright secured so, ........ .. Not for the wealth of stars that (‘op31<iglItMDCC CX CV by Brooks It llenton (1). stud the PI-rsian S01 g,‘ . InAb.Compass 0-,/lb. P/r.50¢ Sung by Mme. Tavary. J01‘, e_ Moderate. Poem byF‘I.‘ank Dempster S‘hern1an. ByJosephine Homans. I) I T’ I ‘K I II I 1 II I I II A I .« . — I I I I I o I I H C ’ T ves, Who slII{z—est to ‘ ~ The par afo. . 1 ~ - - I I L\ I ' I’) I tI .. . I I II If gm-Ilen’s I‘ra- g1-auee where it Englishcopyright secured Who taught thy featherIi, slen- der throat This straIIg‘e,de—lI(-ious,liII1 — pld note‘? (‘op_yrigl1t MDCC CX CVII by l)eIItoII an Seixas. Why do I Love Thee ? .[n.EI4.C'0mpass E14. 6'. Pr.-50¢‘ qung by M1. Juli“: gteger P Moderato con moto. I ' - P 1 I I VVo‘I‘ds by Jas.C. Harvey. 4.; Music by Robert Heiser. .= 5 - - - II ’I’I I I I\ I\ g I’ III PII C’. I I I I I I I I I love thee‘) Ask tlIe flow’I- L ,, I - 1 - - I r I r. I- I I I I l I I I I’ I the light ofthe II101-I1—iIIg su1I,AII hj — That nods hy the W00d—Iillll'I s loves I I - I I] A . I I II I Ir 4 I ' 4' I./ Y ' H ' I ' E-I I-lo — ver I" ah’ ’ 5 . ‘I I . I 1: ' I I’ J ‘I I I kiss— es each gold— en heanl‘? Ask of the blush _ IIIIZ bloom, III the day, (‘opyright MDCCCXCVII by I’I.A.K9ISt‘I'. of the dawn — mg Matirigztl . Sung by Mme.TaVm.y_ Poem by Arthur Fietcham. In F. Compass AC‘-F. Pr.50€ _ By Josephine Homans. mf d0h.e_ Moilerato. \ L I I L I\ KI B I\ I J ' 41 II II II I v v .. .I ., 5 Gruw—iIIg so fair iII some gar — den fx ' ‘.71’ I II I I 4/ sweet- heart. _..___ 17e1)vI'11¢Q11‘n I " I I ‘L K I L I\ I II II UH J IX I II In J I V / I)’, I v Your g‘old— en heart you’d lay bare (‘opyrittht MDCCCX CVII hy llenton &SeIxas. Il.I I I\llI I I I I I woo you so soft—l_y, so ten-der-— ly, to me, Enghsh Copyright §ecured Aloha! In,C'. C'0mpassD_.E.P1'.50¢ Sung by Sig11or G.Tag1iapietra. Andgnlte espress. I\ Words by Lieut.Wm.E.P. French,U.S.A. Music by Margar et 'I‘ownsend. . I I I I K I\ II I I\\ A I ‘II 7 'LA/ I 7 vv, Ha — wai - ian L I K I A I v Ill the sweet la1I— guage, I I L I I I I\ L I A ' I\ I I I ‘I I V I \ I C I - I ' I J I Q ’ I . A ta — tion of dear frie1Ids,aI1d their a — dieu; English copyright secured ‘Joy of meet-Inst, grief of part-lug, Lov— ex-’s mes—sage ‘from Copyl-ight MDCC CX CV III hy nenton an Seixas. BROOKS 8: DENTON CO. 670 Sixth Ave.(39th.St.I N.Y. FRANCIS, DAY 8c HUNTER, 142 Charing Cross Road, London. And at all Music Stores. Ad.No.3.
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Date: n.d.
Text: New EDITION wm+T0NIc SOL-FA. ¢Vr, //ix‘ 7. de Oamillis. .1 I _..~.m4__. , \ T Ex:c:ELs>>M@ ¢ k THE POETRY BY J LeI2,gf7eHeW, The Music Composed and Dedicated to THE RIGHT HoNB.'—.E The Earl OF Westmoreland, ‘V. ﬁe U55/i2aw¢'@”3. London, W. PAxToN.95,NEw OXFORD 3TREET.W.C. Aerovms Musxc DE1PT.. V 7. de Oamillisa EXCELSIOR. Duet. Words by LONGFELLOVV Music by M. VV. BALFE. _ ‘ 13t'V0ice. Mohomoderata , Keylt F1ai.II : .m :m .m I In :——.I :5 .l I V0 ICE S. The shades of...
Show moreNew EDITION wm+T0NIc SOL-FA. ¢Vr, //ix‘ 7. de Oamillis. .1 I _..~.m4__. , \ T Ex:c:ELs>>M@ ¢ k THE POETRY BY J LeI2,gf7eHeW, The Music Composed and Dedicated to THE RIGHT HoNB.'—.E The Earl OF Westmoreland, ‘V. ﬁe U55/i2aw¢'@”3. London, W. PAxToN.95,NEw OXFORD 3TREET.W.C. Aerovms Musxc DE1PT.. V 7. de Oamillisa EXCELSIOR. Duet. Words by LONGFELLOVV Music by M. VV. BALFE. _ ‘ 13t'V0ice. Mohomoderata , Keylt F1ai.II : .m :m .m I In :——.I :5 .l I V0 ICE S. The shades of night were fa]]_ing‘ I :— :1n If .,m :f .,m :1 .,m Im : : . zba . fast, As thro’ an Al _pine vi]-]age VpaIss’d A youth, who bore ’mid snow and ice 5 I C. Both voices. W voice. IId' :—.t. :r'.d I t .,l :s: I s :5 :s I l:—:—Il :s : .‘ : .s :S . . 44- . H . ~, - . ban _ nerwlth the st range de..V1ce, Ex. (:61 _ s1 _ or!” Ex - eel _ s1 _ .. 7 H18 brow was I#\__/ I Ilsm : .1 ;se.l I d':- tn: I f.,m :f .,m :1 .,mIl zs : .s:fe.s :t .1 I 1 .s :' :InI sad eye be_neu-Lh, Flash}! like a faIch-ion from its sheath, And like an sil_ver cl-a1-_ion rung, The 7 inarcatof C. Both V'0]‘(7(-ES. S . m :—.s :f .r Im.,r zd : I“ :s .s cents of that unknown tongue, “Ex _ eel _ si homes Id .s ::m gla_ciers shone, \ / Excelsior. 1203*‘ he saw the light Of .111 Ir ~—— .s zfe .d' It .,l :s f1-o\1n{... his lips es _ cap’d a-g'roan, And .d' I d‘ “ Try not the pass,” The household fires gleam Warm and bright, Above the spectral II t :d' :r' m':-:d' I m':—:r' I eel _ si _ s:—:f _ or!”“Ex _ I se:—:l I “Ex_cel_si I »s :1 :t 46 ‘ 37 “_ . Ex_cel-s1 _ or! Ex _ eel - s1 _ .d' :d' .d' I Dark low’:-s the roar _ ing tor- rent is deep and II m':m'I:m' m':—:f' I _m : Mien. _ K “Ex_cel_s1 - or!” ‘Ex _ eel Ild : .d' :d' .d' I d' :—~.t :r' .d' I s : - Im:m:1n I m:—:f I s :——. Wide. ‘And loud that cla I. rion voice re -.plied, “Ex_cel_si - or!”“Ex - cel _ ff I col canto. I Eb1S.tVoice. T :I tats :s .s I s :—.m :r .d Id :— zm I1 .,s :1 .,s :1 .,mI s .fe :f :. “0 stay, 0 stay,”the maiden said, “And rest wea._ry head up-on this breast,” ' 17 \_/ \__/ . Bth ° I .f:m .f :r .t I d .;s :m: .mIm :—.s :t .r I in .,r :d : Ims°:sv?§°°I1:-:-| l :s Atearstoodinhisbrightblueeye, But still’ he ans_Wer’dwith esigh, »Ex_cel-si _ or1”“Ex_ce1 _ si - 2".dVoice. :.m:m.mIm :-—.r:d.t I1 ' : Is ” . _ or! Beware the pine ..... .. tree’s wither’d branch, Be _ ware the aW_ful Ia - va_1a.‘nche,’ :d .r Im .,f :s This was the pea_sant’s last. good night, I A voice re _plied far up the height, \Exc‘e1sior. 1208?? . DI? 15?‘ Voice. IIst : t :t Ilm :—.s:f .1 I 1.,s :s .d'Id':~.t :1 .s Is .f :r: II‘L1I1Lf:l.S zf .sIf:m: Z37 break of day, as hea.venwa,1-d, The pi _ ousmonks of San Bernard Utter’d an oft re_peat_ed pray’r {Id :-—.m:r .f I f..,m:m .m I ‘m:—-.s :f .m Im .r :s,: I t,;d\¢1- :f .m :r .t, I r :d K2 I break of day, as heayenward, The ‘* pi _ ousmonks of San Bernard Utter’d' an oft ré_peat_ed pray’r A Excelsior. 1203* ° .,tr'Ir :—-—.r' :r' .r'I r .,s :s : : :. I 1:-:-I1 :s :s I A voice criedth‘r’o the startled air, “Ex_ceI_si _ or!” “Ex_cel _ si _ Ilms :-.s :s .s I s .s :s : .sI :—-.s :s .s I s.,s:s: Is :s :s I 1:—:—Il :s zsg voice cried thrb the startled air A voice criedthrbthe startled air, “Ex _cel_si _ or!” “Ex_cel _ si _; .mIm:-.s:f .1 I l.,s ts . .d'I d' :—.t :1 .sI s .1’ :r: .l’I A tra_ve1.ler,_«by the faithful hound, Half bu - ried in the snowwas found, Still .d|d :—-.m:.r .f I f.,m:m : .mI In :—.s:f.mIm .r :t,: .1‘? \_/ A tra;ve1_Ier,by the faith_fu1 hound, Half bu _ ried in the snowwas III .,s :1 .s’* :f asp_ing in his hand of ft‘ .,m :f .m :1’ _’.t, grasp-ing in his hand of ‘ . ban _ the strange de _'vice, {It : . . I . . | m‘ ;m :m' . - nor with strange de- -“Ex - cel - si _ Ilm :—-— .m :m .m I m .,m :m I In :m. :m = ban - ner with the _ strange de_vice, “Ex _ eel - si _ f ‘Eyggelsiorl 12087“ _ E‘ d,B oth voices._ _ or!” in the twi light :s .s I s :m :d' It _ less but beau - ti _ ul ....... .. he the . }4;;u:e1s\(:x'. 1208?‘ Excelsior. 1208).’? V Va de
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Date: n.d.
Text: 1.! » musmov ..,.e ,. ﬁn! VA . .,..I.3’1§a.xAy. V 1 ..._. .m % m \ f§‘’////u//,4~,‘, \\““F I}////} 1 THE THREE KINGS By HENRY WADSWORTH LONGFELLOW I HREE KINGS came riding from faraway : Melcbior and Gaspar and Baltasar ; Tbree Wise Men out of tbe East were tbey, And tbey traveled by nigbt and tbey slept by day, For tbeir guide was a beautiful, wonderful star. Tbe star was so beautiful, large and clear, Tbat all tbe otber stars of tbe sky Became a wbite mist in tbe atmosﬁbere, And by tbis...
Show more1.! » musmov ..,.e ,. ﬁn! VA . .,..I.3’1§a.xAy. V 1 ..._. .m % m \ f§‘’////u//,4~,‘, \\““F I}////} 1 THE THREE KINGS By HENRY WADSWORTH LONGFELLOW I HREE KINGS came riding from faraway : Melcbior and Gaspar and Baltasar ; Tbree Wise Men out of tbe East were tbey, And tbey traveled by nigbt and tbey slept by day, For tbeir guide was a beautiful, wonderful star. Tbe star was so beautiful, large and clear, Tbat all tbe otber stars of tbe sky Became a wbite mist in tbe atmosﬁbere, And by tbis tbey knew tbat tbe coming was near Of tbe Prince foretold in tbe projzbeey. Tbree caskets tbey bore on tloeir saddle-bows, Tbree caskets of gold witlo golden keys; Tbeir robes were of crimson silk witb rows Of bells and pomegranates and furbelows, Tbeir turbans like blossoming almond trees. 3 # And so the Three King: rode into the Weft, Through the duxh of night, over hill and dell, And sometimes they nodded with heard on hreaft, And sometimes talhed, as they paused to reﬁt, With the people they met at some wayside well. “ Of the child that is horn, ”5aid Baltasar, “Good people, I pray you, tell us’ the new; For we in the Eaﬁ‘ have seen his star, And have ridden fail‘ and have ridden far, To find and worship the King of the Jew. ” And the people answered, “You ash in vain ; We hnow of no hing hut Herod the Great.’ ” They thought the Wise Men were men inyane, And they {purred their horyes aeroxx the plain, Lihe rider: in haste, and who cannot wait. And when they came to Jeruxalern, Herod the Great, who had heard this thing, 4- ii? Sent for the Wise Men and qneftioned them; And said, “Go down nnto Bethlehem, V And hring nze tidings of this new hing. ” So they rode ezwezy ; and the steer stood still, The only one in the gray of nzorn ; Yes, it stopped, and stood still of its own ﬂee will, Right ooer Bethlehem on the hill, The city ofDez1/id, where Chris? wds horn. And the Three Kings rode through the gate etnd the gnetrd, Through the silent street, till their horses tnrned And neighed ds they entered the greezt inn-ydrd; But the windows were closed, and the doors were hezrred, And only 4 light in the stdhle hnrned. And erddled there in the scented hety, In the ezir rnetde sweet hy the hreezth of hine, 5 The little child in the manger lay, The child that wonld he hing one day Of a hingdom not hnman hat dioine. His mother, Mary of Nazareth, Sat watching heside his place of reft’, Watching the eoen ﬂow of his hreath, For the joy of life and the terror of death Were mingled together in her hreaﬂ‘. They laid their oﬂerings at /92 feet .' The gold was their trihnte to a King, The franhincense, with its odor sweet, W/as for the Prieft‘, the Paraclete, The myrrh for the hody’s hnrying. And the mother wondered and howed her head, And sat a: still as a statue of stone ; Her heart was tronhled yet comforted, 6 {‘} Remembering what the Angel had said Of an endless reign and ofDa1/ia"5 throne. Then the Kings rode oat of the city gate, With a clatter of hooﬁ in proaa’ array ; Bat they went not hath to Heroa’ the Great, For they hnew his’ malice ana’ﬁ2area’ hi: hate, Ana’ retarnea’ to their homes hy another way. 0 9©© @9990 936 FOUR HUNDRED COPIES OF THIS BOOK PRINTED FOR HIS FRIENDS BY WILLIAM EDWIN RUDGE NEWYORK- CHRISTMAS MCMXXII . . .. , J, 1 I . . . .w :,. . .v.n.. a-.1): 1.41 ‘ . I ~ ) r 7 . » . bu. : 2.114 \ 1 ll. . : 2 I 1 . u... v I ll: -1 t 1. V r . V . 1 . . x .1. . I la . .. . . , :5, . .: «v 9. . . K . (.14 . .. . . . ., .1. . . . ., , . 4 st. . \ I . .. . . . ..pur»4..ﬂ:..... , I'7 xwuai.-rs». .1 C A: _.«.a.nI.V nu.V&\.n.v1..|mc $45.“. v. . ¢\ . \. 9 -5! E1 ,4‘ 7' 1 pg‘ -
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Date: n.d.
Text: ' / ( COPY/F/GH T.) TNIE L3ﬁ[lE)@@o WRITTEN BY H. W. LONCFELLOW Esq. COMPOSED’BY Miss M. LINDSAY. Andante con espressione. W©ﬂ©B. stood clocks were striking the hour; -hind. the dark. church tower. rushing The B1'1<!_ge. Miss M. LIINDSAY. on the bridge at mid___night,V ‘As the '/'\ Andthe moon rose o’er the ci_ty, Be- And like the waters the ’ wooden CQPYR I (;n.1-‘L; flood.‘ of thoughts came '0’er . * That filled my eyes wim How‘ of_-_ten, oh! how of---tén, days...
Show more' / ( COPY/F/GH T.) TNIE L3ﬁ[lE)@@o WRITTEN BY H. W. LONCFELLOW Esq. COMPOSED’BY Miss M. LINDSAY. Andante con espressione. W©ﬂ©B. stood clocks were striking the hour; -hind. the dark. church tower. rushing The B1'1<!_ge. Miss M. LIINDSAY. on the bridge at mid___night,V ‘As the '/'\ Andthe moon rose o’er the ci_ty, Be- And like the waters the ’ wooden CQPYR I (;n.1-‘L; flood.‘ of thoughts came '0’er . * That filled my eyes wim How‘ of_-_ten, oh! how of---tén, days that had gonxeh by; I had [stood on that bridge A Aatl h‘IbllidA_- night. And - gazed on that wave « and sky! °f~~h.—t.911s 011! how of-_-ten, ' ‘:I had Wished ‘that the ebb--.- ing "gm Bridge. MISS M. LINDSAY. tide Would hear me awway on its“ bosom o . _ _ _ _.--cean wild and wide. For my heart was hot and rest_-_less, And my -life. was full of care; And the /“T bur 4 - _ then laid up _ - - on me , Seemed greater than I . could But now it has faI1--_--en from me, The Bridge. MISS M.’LIN'DSAY.~ u__ried in [L ' - , 7 And 0n______1y the sor._ row of o;thers Throws its sha_____dowo _ . _ _ __ver me. Ipfcross the ri___ver, On its bridge with wood____en Like the o___d0ur of brine from the 0___cean Comes the “10.IIght of 0 _ ther And for e _ ver, and long as’ the iri -;--ver long as the heart has pas , _ _ . _-—_sibns, As long as life has The moon and its bro__ken re>--flec-.tion L And its shadows shall ap.._-_=_pear As the sym_%bo1 of ldve And its w'a-__Vering image . f 11,776.. LONDON.‘ ROBERT {BOOKS &jC<:.New BI1E1iIx,gtoxx St.Pu_blishe1":. to the Quéex1,_H.R;_H.31-h.e P1-ixme ofwales 3:: the Emperor Napoleon 111.. MISS LlNSAY’S SAQRED AND SEGULAR SQN , PUBLISHED, EXCLUSIVELY, BY ROBERT COCKS 6: CO, NEW BURLINGTON STREET, W., Ilfasic P255/zkkers to Her M'z7j'e.rt_1/ Queen Vz'cz‘o:/z'a, His Royal Hz};/zizzxs z‘/ze P757256 of Wales, and the Emperozr Ntzgﬁoleoiz III. ’ 0 S A C R E D ' 0 Best. 3/» The Border Lands. 3/- Thou, O Lord God. _9_s Andaule _9_§ A/2:13.507; z-syn-xx. J ‘ A 3 4' j‘“‘l K i\ I @ == <1 .. .. I ,~ .' . I j . — ~ I é‘ﬁ__{2_ .-....* ,~ :* I . 2 is 2':~—I' ye§~.*—-1—»m.~=—--r-~ --+.-1»--w—:~I.-F U — ’ . 3 U ' :J\/ ('3 - 3 ‘I I :4 -, ] Q . Q g I . ' It was Thy will. my Fa - ther, That Fa - ther, in - to Thy lov - ing hands My Thou, O Lord God, art the thing that I long for A Morning Prayer. 3/- . Come unto Me. I/lu.r. 3/- Peace, be Still. II/us. 3/- TA I7»-«Am]{mte.‘I I — I I I J J‘! L I —l[/1 '7 I I\ "T“’1 L J K ’\ AI; I 9 I71-If’ I’i I 5 . .3 1 . A S?’ "=' ' .' 7 I I”? " i‘ ‘ I ' E7 7 "5 @i"~i"‘*“=‘:=;*-~-»‘~‘~~« ‘ «-4 -~ in :‘ 2" 4. = I ~.&e*9v-.&s:'*-.'-;*.- *‘“"“”.C““+—E*.-."""‘ ~:-I:--- Cause me to hear Thy luv - - ing- kind-ness. Come un - to me, Oh! come all ye that tra.—vaiI. U Lord, save us! ( Lord, save us! we per -ish. ‘ An Evening Prayer. 3I— They shall Hunger no more. 3/- Absalom. 3/- “ Aiziirzzzte. I _ _H ' A Am1'm;tg_ ,5: ‘I ‘J‘ l J ‘ " ‘l ’l '1 l J J "1: .17..’Egggj:I-a3fijil:a:L7:§:I:;l:;,‘:;E1 @‘g'~b;lZ’_&‘_';.;ll:ﬁl:‘j:I_T,Z’j‘l_T£l‘_'E‘IiIﬁiC:iZ£4:£:Z‘j‘£‘Zl:£3I Hr ' - -d- -dv of * ' ' \' , -v In - to Thy ha\n’ds, I com-mciicl my spi - rit. ‘I These are they, these are they which U 0 my 5&7, 0 F my son, Ab_53_.1o;p__ Thou vvert the first of all I knew. 3/- A H i Christian Submission. 3/- Tired. No.1inDb. No. zin D, each 4/- A I‘ _ Iztzm :. ‘A H " I I\ ‘V ___ éhhe . J‘ I .'. J J, ; 0 - ;—.J §,:«:“;',.'_‘_..‘T.j._a:;.J'4.. J j~;“§_I ;_J__d..§g. .€¢)§»‘1s“.e ,' :.;j_ fl .1. 2 _I 3“; 3 .~ :- I Thou Wert the first of all 1 knew. To ‘0 Lord, my God, do TIiouThy1l’$-Iy will. “Tir~e<-1," ah! yes, so tlr - ed,dear, The day has been Too late, too late, ye cannot enter now. 4/- Jacob. ‘ 3/- Give us Thy rest. 3/- ll . mfg’. Ami. La;/,gr. > _A __ - I — —*j - V D I N K I\l I‘ I‘ I 33%’ <' 5 3. .:= J * : I .: .I‘ ;= 1 Li 5: = .' iL9]- -v‘ i-“A ; J I .' ' " -' I §§:;J.-=-~:.s=-~eI-T--=-:-i-:—E~r—--iitr Late, late, so late, and dark the night and chill! Me have ye be ~ r\e:‘a7_-:—‘ - - ed, be - TIN? da)/'S10“g mil is 0‘V€1‘1‘|0\'/I And11IgI1tdK‘0PSCl0\Vnll€|; Pall: I Resignation. 4/- A [Z The Pilgrinfs Rest. ' 3/- 9h, when wilt Thou coins to me. 3/- A L (1137 wti/0. > W L 7; :10. am As). ~_ zzdtuzfe. s . kl -' ~ I ..l = *1 * FT‘. li;"—e—E—:—4~—l_) I I 4 l I " ‘ * 45. ;f’"L‘+_2':_2L .f_ :5‘: * “I J .3 I I‘ I‘ bit 0 ' 0 6' I l -I \-" ‘I A 0 J bit ..I I d I I7 - 0 .I ..I J $9 4 W 0 I I d > \_,» - :- -‘ VVho can tell, Who can tell, whether Oh, wlii-tlier is the old man gone, With Come to me, Lord, when first I wake. The Lord will provide. 3/- A Psalm of Life. 3/— Low at Thy feet. 3/- A miazzte. "I9'l77- l‘ L ' \ E‘ I ‘I I9 I‘; J . J 4 ‘ . 0 I. — ——}—a ~* -4 ‘ * -‘ -=1 " :o:: ::"'_: :l—P—P—“*‘—~‘“‘—I " ' l l I ‘ ‘ -- ~—I.'; “gt. §t:i2,..‘_:_;'..I.*=~?,-.—.I ~i§e“..‘~.‘l-:‘.l|~.",=l My Fa - tlicr! my Fa - thcr! be - hold I Tell me not, in mourn-ful num-bers, Life is but an I have so slight -ed Thee, yet for Thy grace, S E C I l L A R. H The Open Window. 3/- Thalassa. (A Yachting Song.) 3/- England and England’s Queen. 3/- 0 , 1 Amino. qmzxiallto. rm; s/)z’r;io. _ I 1’ *a_§ , E _ J I J I __ I ; ‘f ‘rs I I I\’:""\ J R I 9 '7 ‘ J I ‘I9 F _ I §" ’("'_-"' —‘T:"!"l’—""';l'_‘_:—:"l ‘ :' =l—:''‘Jl ﬂlvliu .I I I .1 . .“ ‘ . 0 E .4 E gm‘/{ I ' “ : I [94 ‘J I _ . C The old house by the lin -dens ‘ Stood Who cares on the l:‘.l‘.d to stay. ~ Eng - land, Eng - land and Eng — land‘s Queen. The Bridge. I/lus. 4/- The Mariner’s Song. Illus. 3/- La Toilette du Constance. I9 U I 1 I I’) I7 ‘J wk A I‘ V I 4: $32 g I Am A: D}. x E 9] -I 9- Jtj ﬁlﬂﬁ) A N‘ ' I E ﬁn vs I p. j Zﬁﬁl (,1 I P F’ P } L P HF I w w ' - \— H» l 0 H54 9 J \I.' ~ I I “-“ “‘ "-" :':-I .3‘. _ U . ‘J V _ I --‘SQ I . I' stood on the bridge at mid -night, As 3.’; Star of morn - ing, beam - iug bright, Et je vais au ‘ bal ' ce soir. Horne they brought her Warrior dead. 4/- Echoes_ ' -4/- Why sitt’st thou by that Rulhed Hall ‘.7 3/‘- A (1 tr. " - ' “ 1'! 1' ‘ t . V - —A I H dug \ I! AM \ I I I *9‘s'£‘A”({ﬂ”|te' A I I ‘ Ill‘ 3 it I 0‘ ['70 9| I I I Q9” . _, A A G‘ s_t.__y ,_.._.! §_II_e-(;——;, ——— ‘—;1——I\~—I\——4—,;~J/4—o—+—,I_—;,.-—§ “ (‘ A‘ I ‘ ' *' " A“ I 3. .. . ‘J i * (7 I Q h ‘J v Home they brought her war - rior dead. s;i11 the an . ac] stars are . mg, WIIY Sltiist tho“ by ‘hat “I ‘ In‘d ha“? Excelsior. 11114:. 3/- The Arrovv and the Song. 3/-- “A Danish Maid f0P~1’1’19-” I”'’‘- 3/‘ A n .. I I! r . N ; - I I n I _ 3 I : . B I A ,; ,- ~ I .z::,_m_. ~ I_.._._.:__..~ .f:._.;_; .:L: L Ii-fire-» E J . .9 I * i A The shades of night were {all - ing fast. U I shot an gr . row in _ /'0 the air, She may be ' fail‘ (lie sang). Speak gently. 31- There’s no deami of Kindness. Jim. 3/-, Alice» (A Lament-) 3/- “ AZlz‘a.Jgmz. . g A,,,g,,,,;g, Amz'rznz'e . 71" hli. 1- - IT‘ I a ' F’ i I" .9 . 5 _INI{' I I ' I " _. ‘ ‘ I I ' ' J i-31:3 I I Ix. N n I u IiIn\I7'I\ 14.: I did . g 5. A "7""' ' ' ' " I‘ I * "‘ I 77I\"A . I I - 1 I :)\I I ...I l» 19) I I I ..I I {QB 5-L d—-—] " 9 A, I ’ .9 :1‘ Ur -q: -2. 1 as . . _ .-u I 0} I: _a _ Speak gen- tly, it is bet-ter far to rule by love than U Thugs no dean}, of kind . negs. "ii weep be _ side the well’ §:_ mic. Maud. A Serenade. Illux. 3/— Stars of the Summer Night. (Serenade) Far Away. So1omza'DI.'.e!. 4/- __9_', _AZZz‘a. A E ‘ I ‘ film. 1/— . Moderata. I n I I A In ﬁg orn _ * - ' "T|":‘; I I L \ r. -J"—‘ ease; . ...':~.L—~:%:r~_._a._...«:=_—a>:e_~ r . .. I - .‘~ —I :‘_._;t .,:ﬁ:I ﬁts--E-F?‘ ~ :5 - *’; :3 i."‘ 2 = ~ if.” U — 3011 W ! I V I l I —I'— as i V *7 .— ,, V Come in - to the gar - den,>M:Iud, For the Stars of the summcrnight, F;-,;~ in yon alum de5p5_ Where is now the mer-ry par-ty, I re -Incixherlong a -go. C S/Lady Clara Vere de Ve1..e_ .3/_ Daybreak. 3/_ The Snovvlies vvhite. (An old Wi e’s Song). on Izrra. r‘ /.0, . - [7:93] ‘ L l I I I J‘ I N I J 9 bk 1 ,—-——\: I _A:‘;1[I¢¢V£I.‘i'L". . P ‘ J 3/ .3; U ~ 6; -= -I H-::- - “w I ~— ($95.74: fl 5’ 3* 5» 3 ; 3:, 7 §+3.‘»Z—;I=&~.J——."‘ -*=' ,,;_;,.:l .1 .“ ~ La - dy Cla. -7 m Vere dc Vere, Of me A v.{ind came up out of the 55;, The snow lies white '.=.nd the moon gives light. . . . - I ' ’ . V - A kAW'§£]W?. Aiuiy Fairy Lilian. ' 1.1:“. '3/. The old clock on the Stalps. 3/_ A/WmHn:7Vhen' Sparroyysfuild. ‘ 13/ 37 II n n .. A L , ' .4 /ﬁlLaI="II "J .. 5 9 9. 5 E A ‘-5 la’: '~-#333 if,lér_;':]J>’ (3 an P Q‘ g 0" g‘ :1 F 6 H g n i \ I « I““’ I E: J ..I ‘J . I - . 34; g , I j ‘J 0' I av ‘An - 1-,». £31 —ry L1.11. an, Flitqjng-, fzi - ry ‘J S0me_wl:t back {mm the :1 _ ‘We Sgech When spn:--rows build, and the leaves break forth. The da r ‘us last Good 'v‘~' ' I 7’ --ﬁght hath 3/3u:d3-/_ I do confess thou’rt smooth and fair. 1/1111’. 3/- ’ , . I ——~ _ 9 ,. . '3 .—»“ -l—~a‘—l—*.‘.~ .' . <2 i .' * .' T? J I I 3 fl § T" “T . - _ 2 I“ 135‘ 800d ' “ISM hath said. ‘J I do con-fess tliou'rt smooth aihd fair And I I 1 All, all around is still. 3/- The Brook 3I_ ., .5 " . ‘~ I .' 3,5ri-#7? Vii \ IV 1 . ' ‘ ' ' ._~_-,- ’b'_'?"‘§",__.§ __A____. __ __ ' A 3 v .. - I - , I I - ‘ ." £.._Aj -Iz:1'I——3§t:av,__E‘;_hEl-._:___:'::T:.::‘:‘_:_ ‘ ll . 4 ' :2: 2 . - U . v "*9" u I a a mum is s I, l\ i ture seems sleeping. With ma - ny a curve, my banks I fret, L 0 love my Willie! 3/- The Song of Love and Death. 3/- ' l I? In "9"‘— , 1 - 4. I n l a - I- T _ N l I I , ‘J ‘I ‘ i ‘ I T I‘-i—'—o—£—- ?);.).‘.Lil_.Q_T¢_;1_i,_4 .,_:_ g‘; f’ ' Ir I U‘ I " % Lil‘ » . . . l he ' ‘ v ~ . . ° ‘V3 0‘ '39- EH1 0 g0“d! Sang he to Sweet is true love, though g;v‘n in vain, In vain. ‘J L T , 1-1 ... .!'V. A__ O..- , W, A , _ X I
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Date: n.d.
Text: 7%-*7 ———t;—~»;\-_——,,.;-» ;‘._'-—%:',.§ L/., /;g<J] LONDON:ROBERT COCKS 8: C9 NEW BURLINGTON STREET, REGENT STREET,W. ay SPEC/AL AP/>0/NTME/V7‘, /W./.S'/C PUBL/5//E/ES‘ 70 HEA’ M06‘ 7 6%?/4C/01/6' M/1.1557’ V Q//EE/V I//C70/\’/ﬂ,H./?.H. 7/if P/F//\/CE OF WALES}/H/. M. THE [MPE/P0/? /V/WOZEU/V, ///, TNIIE E3RU@Eo WRITTEN BY H. W. LONGFELLOW ESQ. composes av Miss M. LINDSAY;-— Andante con espressione. W@ﬂ©L%. stood @Llé\WJL°)~ [i‘©Ril‘E?.. clocks were} striking the...
Show more7%-*7 ———t;—~»;\-_——,,.;-» ;‘._'-—%:',.§ L/., /;g<J] LONDON:ROBERT COCKS 8: C9 NEW BURLINGTON STREET, REGENT STREET,W. ay SPEC/AL AP/>0/NTME/V7‘, /W./.S'/C PUBL/5//E/ES‘ 70 HEA’ M06‘ 7 6%?/4C/01/6' M/1.1557’ V Q//EE/V I//C70/\’/ﬂ,H./?.H. 7/if P/F//\/CE OF WALES}/H/. M. THE [MPE/P0/? /V/WOZEU/V, ///, TNIIE E3RU@Eo WRITTEN BY H. W. LONGFELLOW ESQ. composes av Miss M. LINDSAY;-— Andante con espressione. W@ﬂ©L%. stood @Llé\WJL°)~ [i‘©Ril‘E?.. clocks were} striking the hour; -hind‘ the dark church tower. rushing ‘The Bridge. mss M. LINDSAY. on the bridge at As the ﬂmi¢_i-_.Anight~, ./‘\ And the moon rose o’er the ci _ ty, And like the waters the weaéen @0£’Y’Ri MI, E: 'I:’"~ flood of thoughts came 0’e1' That filled my eyes xﬁth How of___ten, oh! how 0f___ten, days thathad gone by, I had stood on that bridge mid__ night. And gazed on that wave » and sky! Of”-*ten9 011! 110W 0f-h_ten, ‘V I had wished that the ebb__._ing - Th“ Bridge» MISS M. LINDSAY. Would hear me a-way on its bosom 0 _ _ . _ . __’cean Wild and wide. For my heart was hot and rest-__1ess,, And my life. was full of care; And the /“T bur _ _ _ then laid up _ _ _ on me , Seemed greater than I . could But now it has a1l.----en from me, The Bridge. MISS M. LINDSAY. §;!‘(l;,,.I_‘it3d in * - - V7 L And on_A,_-ly the S01‘- row of oithers Throws its“ sha_____d0w0 _ _ _ . __ver me. e_ver I cross the ri - -_ ver, On] its bridge with w<jVod_ - _,en Like the 0___d0IIr of brine from the 0___cean Comes the Ulﬂttgilt of o-ther And for e_.ver, and Th Bridge, Mm M. LINDSAY.‘ long as the-ri-__-ver bflows, long a§ the heart has . pas ‘ . . _ . -_sions, VAS long ~ as life The moon and its br0__ken re-_f1ec-.ti0n w And its shadows shall ap_ _ _ _—.pe-ar As the sym - bol of ' love Heaven And its wa-_-veriLng» image 11,776 . ’ I,0'.ND=ON-" ROBERT COCKS &‘ Co.Nev‘ Bnrlmgtoll St.P11bl1'bhe1‘sj to the Queeu,H.R.H.the Prince (>fWa.Iea & the E;n[.erm' »Va]'u-lam: LU seam cocksvgo G038 LIST OF REGEN _A_L .A.Il_\TID PIANOFOR ALL MUSIC SUPPLIED AT HALF PRICE. NOTE.—THIS LIST INCLUDES THE LATEST NOVELTIES. THOSE MARKED THUS * ARE ILLUSTRATED. VOCAL MUSIC. 'AB~T, FRANZ. A rose in hvaven 8 0 I For old loVe’s sake... We met and nest‘ have parted Not a sparrow falleth. Sacred..... Our blessings on the daisies Oh.’ ye Tears. (In C and D) Kathleen Aroon .. Appendix to Hami . FRIGKER, ANNE. Mme eyes are to the Consolation Lord. Sacred... 3 0 I built a Regret............... 3 0 fancies I stood beneath the *The Robin. chestnut trccs GATTY, A. s. Friend Sorrow... 3 0 The Mill Lad‘s Love... L'ng,lvng ago... 3 0 Some future day Sequence to the three li;tle pigs, comic.... . For in the mountain pass *The three little pigs. Comic. ‘A sneezing song. Comic. Illus. *Gent. per Cent. Comic. Illus. .. *1 really am so sleepy. Comic ()h,dtubting heart. No. 1 in C, No. 2 in E ﬂat, each Tell him I love him yet Songs for our little ones 1. Robin, robin. l cnpazuscneaosaai" o ooooooo‘? bridge of OO "ri'1'.'.'.' Noacnmmwwcumcooo . s. a, I am weary. 2. A Child's Fancy. 5. High and Low. 3. A New Year's Carol. 6. Naughty Torn. Songs for children Nos. 1 to 6 .each 1. Rain drops patter. 4. Going to school. 2. Child's good-night. 5. Burial of the linuet. 3. The snow man. 6. Above the spire. 0 fair dove I 0 fond dove. Sung by Madame Patey The lights far out at sea ............................ .. H A V ERGA L’ F_ R _ Thou kuowest. Sacred HAVERGAL, w. H. From Glesnla-.id’s icy mountains. Sacred BELLAK, J. Wild Flowers——Nes. 1 to 12 .JeweIs—l\’os 1 to 6 Dewdrops, 25 easy pieces Birds of melody, 31 Nos. Easy pieces ...... ....e-uch GECOOOOOOOOO HATTON’ ‘J, L, Castles of Sand The cause of England's greatness lfa. man does his duty he needn't despair. HAY’ W, 8, Driven from home Write me a letter from home LINDSAY, MISS WI. *T001a *Rest. Sacred song 3 0 Alone. *The bridge......... Pulaskils Baa . . *In this I hope—-(In hoc spero). Sacred. Illus. Low at thy feet. Sacred song .. Home they brought her warrior dead and .ea.c ‘The snow lion white. P etry by Miss Ingelow ... ‘When sparrows build. Illus. ........................ Tired. No. 1 in Dﬂat, No, 2 in D. ch Oh I when wilt then come unto me. (Sacred) .... .. *Re«ignation. In B flat and E ﬂat............ each Give us Thy rest. (Sacred) RICH ARDS, BRINLEY. My F=1t11er'8 Bible " The pootly of his song is very pathetic, and the melody equal to anything Mr, Richard: has ever written." RUBENSTEIN’ A, Merry our hearts should be SCHUMANN, R, When gentle winds Come when the soft twilight falls SCONCIA, G, Watching ........................ SMART, I-ENRY. The face at the Window 3 0 I Bells ............ WRIGHTON, W, T, *The wishing cap When the soft south wind There is lrfe in the old dog yet Only one to bless and cheer me .............. .. The waking of the Flowers, No 1 in C, No. 2 in E ﬁat 0202 WWWDFQ Speak well of the absent. Embossed ANOFORTE MU RICHARDS, BRlNLEY.—cont2'71ued. Far away (Miss Lindsay) ....... .. Low at Thy feet (Miss Lindsay) The Morgan March......... .. The new Walsh Fantasia, introducing “ The 93090009 O»3CQIF€JDHi%€D3H~ ¢I3Q\?nJiIF~t'.\7I#U3O\'IC.\?5.\709 00030666 OOOCOOOOOOQ WRIGHTON, W. T.——contirmed. The Song of the Bee. Embossed .................. Bright star of eve arise. Embossed .. Mom in the Meadows. Embossed *Norah, sweet Norah. (In D and F) . In the downhill of life. Embossed.................. Her bright smie haunts me still. Embossed...... She sang among the ﬂowers. Embossed. The liquid gem. Embossed.... Thy voiceis near. Embossed .. -no...-nu. mpwwwwwww? JEPUBLIGATIONS, No. 29. 099099900? NEW VOCAL DUETS. ABT, F_ Kathleen Aroon Ohl ye tears 3 0 | Fairy Chimes GATTY, A. S. Raindrops patter O that we two were Maying GLOVER, s. Let us roam ... 4 0 The beautiful and true *The crystal cave 3 0 The music of the birds Maids of the greenwood The fairy queen (in C and D) ............... each LINDSAY_ The Bridge Low at thy feet 4 0 Too late, too late ...... Tired 0 Far away MENDELSSOHN, A country life SMART, H. The twilight hour has come . Come where the soft twilight falls . THOMAS, J_ R, Happy be thy dreams - WRIGHTON, w. T. Her bright smile 4 0 | Liquid gem............ As one by one our friends depart . O. ' WEST, G. F.——c¢mtinued. Old English melodies. No. 2—containing Black eyed Susan and The Girl I left behind me...... Welcome me Home 3 0 La Marsoillaise . On mighty pens ... 3 0 Freischutz 4 0‘ 3 0 3 0’ 3 0 4 0 4 0. 4 0' 40 40 4 0 4‘0 30 Morgan March" and “Come to Battle " . Tired (Melody by Miss Lindsay) ...... .. Warblings at Dawn, and Noon ach Pisnist’s library ...............sacl1 2s. 6d., 3s. and Ditto No. 22 (Melody by Rubinstein) .. . Tho Carmarthen March ............ Thy voice is near... 3 Warblings at ve...... The liquid gem...... Kathleen Mavonrneen Kathleen Aroon The wishing cap I’ll hang my harp... Happy Ir thy dreams ROCKSTRO, W. S. The Vesper Bell 4 0 Moonrit Waters ...... 4 0 Di tanti Palpiti . ... Rode's celebrated Air in G ............. .. Gavotta and Rondo. (From J. S. Bach’s Sixth Violin Sonata) . Jessie, the Flower of Dun ane ' . (From J. S. B-uch’s 4th Sonata for Violoncello) *i<1choos of the Rhine ...4 0 Echoes of Mont Bfanc. Echoes from the High- Fantasia...... lands . .. Echoes of Zurich. Echoes from the green isle4 0 Kelvin Grove . ... Voices from the hillside 4 0 The ﬂower guthcrers... 0 Rule Britannia...... 4 O Stabat Mater Dolerolah WRIGHT, A. Oh! rest thee, babe. Fantasia The Morning Prayer. (A song without words)... “ Die Zauberﬂote,” Fantasia on airs from . . Hey, the bonnie breast knots ........ My highland home. (Sir H. Bishop).. Fantasia on “ The Miller of the Dee ” ............ WYIVIAN, A. Silvery Waves ... 4 0 I Pictures of thought... 4 0 DUETS. CALLCOTT, W. H. ‘The Holy Family. Books, I0. 11, and 12 ...each This valuable work is now completed in 12 Books. CASPAR, C. A. The Exile. (Schubert) 3 0 Rosamunda. (Schubert) 4 0 DELASEURIE, A. *l’etit Tlinbaliur Polka. Illustrated *Fi5te an Chalet Valse. Illustrated GREVILLE, NI. On the Blue Danube Waltzes. (Facilitated edition, without an octave).........,.... Golden beams (Wymau)....... l')ancing waves (Wymau) ,_ “Sunbeams,” each Fading Away 1 . Thy voice in near Home, sweet home . The Wishing Cap Gipsy Countess . Tire Faraway , Annie 0' the banks 0‘ Dee Bonnie Dundee . The Gipsy's Warning The Flower Gatherers . As you like it llappy be thy Dreams . The March of the Men of In search of the Primrose liarlech . 0, Fair Dove . The Fairy Queen ' . Call me pet names . The Crystal Cave 2» . Spring Blossoms Polka . La Violette March “ Aspen leaves,” by R. Schumann vliri-‘-ﬁr?-Obit CVFFIFCI3 ooo$c o oeec 00000030909 006 ..............u 1_._. PIANOFORTE GLOVER, STEPHEN. The Happy Family Qusdrille. The Royal Greek March......... LIEBICH, J. Woodland Trillings 4 9 Her bright smile 3 0 Brighton Quadrilles 4 0 Sing me that song again 3 0 The Liquid Gem 8 0 The Opera Bouquol»..«o.m.«m................ each 1. Oberon. Die Zauberﬂots. 2. Don Giovanni. 8. Guillaume Tell. 3. Lucrezia Borgia. 9. Tsneredi. 4. Masaniello. 10. La Oiemenzu. 5. Sonnsmbula. 11. La. Gssza Ladra. onus. 12. Zampa. LUINI, CARL. Les Gardes du Roi MATTINI, F. “Sweet Melodies,” 24 easy Duets, each ......... RICHARDS, B. The CarmarthenMarch . WEST, G. F. Pnoorusssrvis Pmnrronrs Dom-s AIi.RA.FGED AND xrnvonmsn. First Stage. Morcean-do Robert le Diable (Meyerboer)... Ah che assorta (Venzano) .. Krieger’s Lust March (Gung’l) Second Stage. Agnus Dei, from 12th Mass (Mozart) ...... Gloria in Excelsis (Pergolesi) . La Preghiera do Mose (Rossini) Gloria in Excelsis, from 1st Mass (Haydn) Sonata in D major (Mozart) Third Stags. Gloria, from 12th Mass (Mozart) Kyrie, from 12th Mass (Mozart) . Benedictns, from 12th Mass (Mozart) . . Theme do Lucrezia Borgia (Czerny) .. The Hallelujah chorus (Handel) Fourth Stage—(ovnnrun.r:s)o Ls Gazza Ladra Zampa (Herold)............. . Le Cheval de Bronze (Auber) . Der Freischutz (Weber).... Fra Diavolo (Auber) ........................... 19. ' “ (Auber) Teacher and pupil (Home, sweet home) Cherry Ripe Bonnie Dundee Mendelssphifs overture, " Midsummer Night's ream’ ................................. CO 40 8 0 l-“ar on the deep blue sea She sang among the ﬂowers . You need us. come court- ing 0’ me 12. Ruyﬁll Greek March KORNATZKI, F. _ Chiniing May Bells 3 0 Angelic Whispers ... 8 0 The Hunter’s Horn 4 0 _ LEE, MAURICE. Fleur de L’ame. Op. 24 Azur. Nocturne sentimenlale . . L'l§lectricitc. Etude de salon ......... Au bold do Ia Fontame. Romance Etuie LEMGINE, F,‘ Une Cascade des Fleurs.... LIEBICH’ J, Musical box LUINI, c. *Too late (Lindsay) 3 0 0 fair dove 3 0 MATTINI, F. Most useful Teaching Pieces, each The In Cha.rrning Polka Eon Soir Schottirche 95°P°.":"."‘t‘*WE°.“ Gems from the Emerald Border legends... .. isle..................... La ci darem..... ..... The Gipsy Countess... 4 0 Mountain echoes Brooklet whispers... 4 WEST, G, F, Gavotte in A {Gluclr)............ 3 0 Lovely Peace 3 0 | The Thorn 4 Gavotte frorn l3ach’s Sth Sonata 3 Mermaid’s Stag, from Oberon (for the left hand only) 4 Favourite Waltzes, by Mozart, Nos. 1, 2, and 3, each 3 Lieber Augustin. (Celebrated Bavarian air) .... .. 3 Andante. (From Becthoven’s Symphony in C minor) 3 But Thou didst not leave (“ Messiah”) .......... .. 3 When the rosy morn. (From Shield's opera of “ Rosina ” . March from Handells Occasional Oratorio ...... Favourite Waltzes of Labitzky, Lanner, and Strauss. Nos. 1 and 2, each .................... ... ........ .. “ But the Lord is mindful,” and “Sleepers awake " 3 Gloria in Excelsis, from Hsydn’s Imperial Mass 3 Ave Maria. (Cherubini) ......... 3 Der lustige Bauer (Schumann). 3 Marcia Eroica. Extract from Mendelssohn’s 1st rondo 3 Bsnedictus Requiem. (Mozart) 3 I waited for the Lord. Hymn of (Mendelssohn) .... . 3 Beethovens Lohensglilck 4 March in Fidelio .. 4 3 3 3 3 3 3 4 4 >- >4 n- Far away (Lindsay)... ‘Resignation (Lindsay) on _ The Wacfu‘ heart The last time I came o'er the muir 0,BUlliWell Bank, thou bluoniest fair! The l\IatcI|Ir'ss schlittischo ‘Z’ Gold:-n leaf (Melody) Wild Waves March The Striking l‘o:ka The St. eannict For the sakeof gold she left me Sunday Echoes. 12 easy pieces ............. ..each Sweet Melodies. 24 easy pieces, as duets .... ..each 1 0 OESTEN, MAX. Ma Touiterelle. Melodie. Op 18 ............... PRIDHAM, J, *The saiIor’s dream . The Chase. A descriptive Fantasia... . The Soldier’s Return. Descriptive Fn.ntasia...... The soldier’s farewell. Descriptive Fantasia RICHARDS, BRINLEY. Evening. Melody 3 0 The Minstrels Song 3 Gigrue (Handel) 3 o LIE-toile du Soir 3 VALENTINE, T. Excelsior (Miss Lindsay) ......................... Duets for little ﬁngers, Nos. 1 to 12 ... 1 0 A New Ltuuon of " The History and Construction of the Organ,” by E. J. [lop/o2'ns and E. F. Rimbault, 780 pp. Just Published, price £1 lls. 6d. “ The only authority upon this subject published in this country.” LONDON: ROBERT COCKS & CO., NEW BURLINGTON STREET, W., Music Publishers (by special appointment) to Her Majesty the ’3,ueen.. H.R.H. the Prince of Wales, and the Evsperor Napoleon III. ‘ 11. 12. 13. Prais Iﬁﬁlﬂsﬁh 00600 14. 15. 16. 17. 18. 7' Extract from Beathoven’s septet Beothoverfs waltzes, in 6 books Hayd.n's Kyrie Eleison, from 2nd Mass Extract from Mendelssohn's 1st concerto Mendelssohrfs Maid of the Ganges (Auf Flﬁgeln) Extract from Haydn's symphony, letter V......... Scottish Melodies :- 1. Scots wlis has and Bonnie Dundee O: oeoanbaaazcnoznbcz Q @OOOO¢OOO 2. Logic 0’ Buchan and Wha wudna. fecht for Charlie 3. Auld Lang Sync and We're a’ noddin’ 4 4. Comin’ thro’ the rye and The Campbells are comin’ 4 OOO©OO ODOOOOOOO O0 OOOOO CO OOOOOOOO O OOOOOOG @OO 0 0 Songs without words. No. 1—La ci darem 0 Songs without words, No. 2 (Placido e il mar) 3
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Date: n.d.
Text: 2 9 ,0 ﬂ . Twni," wig; =~,,,, 1', H \ .iiii:"|“mul»mllIl|||« W um um‘ . I ‘I L “H” ' ; ‘ /6‘. J I gum; ii!!! I ‘pug. “ll: -- Wu V “V "‘ ‘ 3 it’ ‘F H 'L'|'““‘lLm "|l1r"4l-9‘ /»\ < .9"CHI RM ER —/ §/ 701 BZ7az2m5// 1/; E/#7 an am’/n; /27x1:/‘U/"[0/7§r255 A7 /EEZ Z1} Eezr & 5:/7/rrnar /n7r'7/2 [/erks [Jff/‘£9 u/‘#72 £7/"5 ffuurfuf/he 5uuH1'J D/5 Euf New Yurk- nuscc unnnnv VASSAR COLLEGE A PS-AHLM OF LIFE. What the...
Show more2 9 ,0 ﬂ . Twni," wig; =~,,,, 1', H \ .iiii:"|“mul»mllIl|||« W um um‘ . I ‘I L “H” ' ; ‘ /6‘. J I gum; ii!!! I ‘pug. “ll: -- Wu V “V "‘ ‘ 3 it’ ‘F H 'L'|'““‘lLm "|l1r"4l-9‘ /»\ < .9"CHI RM ER —/ §/ 701 BZ7az2m5// 1/; E/#7 an am’/n; /27x1:/‘U/"[0/7§r255 A7 /EEZ Z1} Eezr & 5:/7/rrnar /n7r'7/2 [/erks [Jff/‘£9 u/‘#72 £7/"5 ffuurfuf/he 5uuH1'J D/5 Euf New Yurk- nuscc unnnnv VASSAR COLLEGE A PS-AHLM OF LIFE. What the heaff Q/‘the young man said to the P.§'((IIIliSf. Fragment from the Poems of Music by lIEA'1{Y IVADSVVORTII L0t\'GF1<J'LLOU'. ALBERT II. II’()0D- Andante (.-on E inmournful numbers, Life -is but an the soul . is dead that slum —-hers, And things not what they seem, and things are not what they Life is re-.211! Life is earn — est, And the gruve ‘ ts goal. Dust 111011 art to dust re-. rif. est, Was not spo — ~ ken of the soul. _/ en- joy - ment and not sor — row, Is pest’: nfe. _,_,/——» .-.—_—T._._.. desA _ tilléd end or calla vbce. /“T W :1 y T’ /% Finds us fur - - ther than to— day that each t0—m0r — row Finds us fur .. that each to — — ther than to- (1 us, We can make our lives sub- Font prints — ! . .—*1¥~~4~——w‘~1 1, on the — er, Sail — int‘ and Sliipwreczked .1 — ;.{ai11. ehiev - ing, still pur- Walt; bor and to wait. I I q d l 4_ _,'a , ——I"1"""-'7 P ?'*""'""'f’“l for _ lurn to V I re-min - ing leave he- hind us, if , Foot prints ‘if perhaps an — nth P T\ A take heart bor and shall V time, I I in“ 1 / great men all 5 de — part of 5‘ JT1 _, M _ _ U . .I.|_ _ I Mﬂ I V And Font prints sol Learn to of ——h 0 the sands »e—ét>——~~—-~9~+— I g? ,_.- d 1 that (fer life’s — emn main, broth — 01', in“ la - ing, still pur- su — ing Learn to la — Lives ehiev — OJ EAT ALUGUE No. 1. OF VOGAL MUSIC. PUBLISHED BY G. SGHIRMER, 701 BROADWAY NEW-YORK. SONG-S. 'l’.‘zose marked w/itlz * are -with etnbellishad titles. ll battle, K4,, Le vlei X lsl'acoiliei', Rom. ‘i'i'aii1;..,.... .. ..... . . . . . . , . . . . .511 Abella, Pedro de Adieu. Romance. l<‘rencli and l<lnglis'h, ., A lit, .!1‘rz.. When the Swallpv/s lionieward It die Sc/L111 .. .- Il V‘.-'hg;iu, (A hap, Valse pour Paolina IllI('CIl.. I thinli of Thee. ’ Soprano or Alto, e:ich,. . Would I wer a w il-ling Bi.-l, (M60/L/e wail! em Vogletn rein, F'(ll'L‘SL worship. ' ‘ A 1.1‘ ‘orig, rI,,) )!l<>p.,. . . .. ... , Z I . S <tl)O1l.Yl<l Alto, e Good night my child. .z'i‘/1'14‘/I.-5 all/, main, /1.2’/'zz‘<,-P.~' Ii andAlto,<;uch,.......... . . .. If thou in dreams w.-uldst . ’. ( "i/eml do im . , fmge .) Sop. and Alto, each, , . . . . . . . . . . . . . . . . . . . .. At dai-lrsome Night, ([7; dim/cler l‘\/cwlii,,) Sop. or Alto, Fly, lig_ht—w‘inged Swallow, (Fl .7 (L jlieg auf, F 'l‘he Secret be‘ nyod, (Var ' Iiuu; (we on miss.) Love is a Blossoiiv. fair, 2:. wt etn .b’lumlez'.n..) Sop. or Alt Where‘er I go, thou goest, (Wohin rich ye/L", go/wt cm 7 Sop, or Alto, each, . . . . . . . . . . . . . . . . . . . . . . . . . . , . . . .. .. .. Alabielf Russian Nightingale Song, (L'Us nuolo.) Italian and Eng sh Alan-y, ., Un Secret. Romance l4"i-ang.,. . . . . . .. . . . .. ——«- he Stranger, (L’Etranger.) Song. 1. Annie of Tharau. (Aemicken non Thamu.) Popula Ardjti, I... Ii Bacio, (the Kiss.) Arietta, D,.. . L’Estasy, (Ecstasy) Valse. . .. I.'0rologio, (the Clock.) Soherzo,. .. U01-fanella, (Little Orphan.) Arietta, . . . . . .. Ilma, (Nouvelle Valse.) Italian and English. y. Ascher, J0s., Alice. Roinztnce. French and English,. . . . . T do. 0. Italian and English,.. . . .. .. Au her, I}. F. E., Laughing Song. Opera “ Manon llescaut.” English and French words, (sung by Carlotta Patti.) . . . . . . . , . . _ . . . . . . . . . . . , , —- Premier Jour de Bonheur Les Djins-Melodie. (“ Ah ! night’s shadows,”) At, _, _ ,_ _, , , , , _ , _ _ _ _ _, Bach, Jollni Seb., My Heart ever faithful, (Main ghiubig HeIrz,) .... .. Badia, Luigi, Cecchino. (I pass love’s happy hour.) Caiizonet-ta Napo- litan' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L’Estasi d’Ainore. (Ecstaoy of Love.) Scherzo-Valse, Iialfe, M. W., The sweet Guitar. Bolero, . . . . . . . ——-— If thou couldst know. (Si tu savais.) ' Sop. in 0. do. Mezzo Sop. in Bb, . . . . .. . Tu m’anii ah si ! (Then yon”1 remember me.) English and Italian, -———- Oh ! take me to thy lleart agll rl. Song, . . . . . . . . . . . . . . . . . . . . . . . .. Banck, Carl, Lullaby. (Wi'egerLlzm,.) English and German, .. —-——- The Brook by the Mill. (Der liivklbac/L.) English and German, . . The Lark in Spring, (Die F7"z2}zlén.;'£le7'c/Le.) Engl'sh and Germa.n,. Banach, Ferd. With You ! Son . _ . . . . _ . . . . . . . . . . . . . . . . . . . . . . Bnssford, W. 1%., “ "l"is all for Thee.” ——-——— Nevermore. e .5‘. . . .. _ Sigh I thou Wind, . ... . . . Bellini, Ah, non credea, (Alas ! for Thee l) G minor, Sonnainbula, Ah, non giunge, (Ali! don’t mingle,) do. in (i‘r,. . .. Beltzlioover, IL, The Rose. Bendelari, Aug., 'l‘it for tat. Benedict, Jules, llc wiveth his beloved sleep. Berta, F., L21 llisette tie iieiaiigei‘. lE.olnaiice,. . . . . . . . . . . . . . . . . . . . . Berre, Fer ., Loin de Toi! (Far from Thee.) French and English . . Bianchi, E., ”I‘will be. (S11.l‘5.l) Canzonetta, .. .. . Boise, 0. 15., “Sleep, my bailing I" Cradle Song. an a i oott, F., “ Soft brown smiling eyes." Song. Words by O. P. Bordese. L., La. Course aux Yapillons. ltoin. I3‘ ncaise,.. Miracle of the Roses. Parlor Op:-rett . . Louis, Dreams of Love. Song, .. “ Perche se mia tu sei,” (Why then, i. on art mine.) Melodi2.,. .. Braga, G., Santa Lucia. (When the bright Moonbeams.) Rondo do Con- cert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Song, . . . . . . . . . . . . . . (Perche oggi non e ‘ieri.) non, Saeied Song,. . Borg, La lteine Mignon, (Queen of Joy's Realms am I,). Angels’ Serenade, (Screnata,) Sop., . . . . . .. . . ——-— do. do. do. with Violin and Piano aceomp.,. . Brumbilla, ML, Withheld thy 'l‘e.'-irs, Love, (La Tenerezza.) Romanza,.. Buck. Dudley, 8 Songs for Mezzo Soprano. No. 1. VVhel-e are the swallows ﬂed‘? . . . . . . . . . . . . . . . .. No. 2. Down by the Mill, . . . . . . . . . . .. No. 3. Sunsetﬂs smile had left the Sky,. ﬁampauia, F. To'I‘hee! (A Te!) Italian and English, .. —-——- Ever. ( Tis true.) Oanzone. Italian and Eiiglisl When near to thee. (Accanto a te l) liolnanza, M. Thy magic beauty! (Sei troppo bella!) Canzonetta Beautiful Star. (Belll Astro.) Elegia, . . . Sweet Angel. (ls'ell’ Angiolo.) Ganzonetta,.. .. Flower-Girl of II‘lcrence. (Ila Fioraja Fiorentina.) Una Glta in Gondola, (In the Gondola,) I cannot live alone, (No posso vivcre seiiza (ii to ett From the Depths, (Dal Profundo dell’0blio.) Preglne 1. Never scorn, my Love, (Non ti scordar di ine.) Kan M S "l‘was an Angel, (Era un Angelo d’Aincre.) Melorli O Souvenir, (O Souve ii-,) l‘vlel<idie,. . . The Unhappy lllaitlen, (La Penseros , . I have lost her, (l.‘ho perduta.) Contra to, . Al. ! Why? (Perclie '1‘) . . . . . . . . . . . . . . . . . . . . .. . Song of Love. (Canto (1 inure.) witii Flute aceomp., -——- The Fire Fly. (La Il‘arl‘all-a.) Canzonetta, . . . . . . . . . .. (‘/Iapisson, L., W'1t‘nin this Goblet. l3l‘II1(llSi, Opera, “ I.-22. Promise.‘ l. and rench . . . . . . . . . . . . . . . . . . . . . . . . . .. . Claribel, “ Only :1. look of hztir.” Song, _ , , , , _ , , _ , _ , , . _ _ Cohen. (1. 55]., You’re fooling me! (Vcns me trompez.) Chansonet-te,. .. Cohen, Jules, li! che la spemel (What fond hope I) Valse. Sop. an Mezzo Sopr. Each. . . .. . . . . . . . . . Coon. Carlo Emery’, Then and Now, (Allora ed oggi.) Ital. and Burt. Colliero, L. 0., Berceiise. (Oh! Sllimbel‘, slumber, Infant, dear,)_. am I... L‘Amore. Romanza per Mezzo Soprano, , . . . . . _, , _, Destrei-1, lV.[., Mauro et Captive, (Vierge de Franc Bonizetti. In terra solo, (Lonely, I wander,) ' Sebas ‘ " . . . . . . . . . . . . . . . . . . . . . . l HHHIH Poor though my Got, (In questo semplice.) “lie . I ' La Notte e s(-rena. (The lriglxt ‘s serene.) Ba ‘!.\‘0l3., do All’ aﬁlitte. Itomzx - do 90; Roberto d’lt'v<:ae:ix,. Convien partir. De u Up:-ra ia del Regiinento. D and giiglish, 1-‘ Minor, _ ., . , ,_ 0. in .01‘ . . . . . . . .. .. .. . 0 luce di quest ajniina, (rec-it. and cav.,) B ﬂat, de Pop. “ Linda,". _ 0 nuo geinapilo, (recit. and cav.,) in C, de Pop. “ La l<‘avorita.” Ita . an ‘rig ., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Duran-al, Einile, _As I dreain'd in my Youth. (Oomineﬁ. vingt a.ns,). . .. Eckert, Kagrl, Beﬂilde a laugillng broolslet. (zln ezne: Bcic/iletrﬁs lhmde.) oprano ii, .. .. . . . . . . . . . . . . . . . . . . . .. . Beside a laughingbroolrlet. (.477 mes l3{ichlez'n’s Rande.) Alto in 0 Farmer, [in Little Sunbeam, . . . . . . . . Faure, 14., Why then? ‘ (Ponrquoi?) Romance. Ferrari, S. A. de, I Flori d’Aprile, (Spring-Il‘lowers.) Ma u Ital. and Engl., . . . . . . . .7. . ‘ Fioravanti, V., Stolto e ben, (I es, ‘tie true.) Rondo, Sop. in El’. in each . . . . . . . . . . . . . . . . . . . . . . . . Fischer, C. The Rose in the Wood. (R03 em im Wald.) Soprano and Alto, each, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fjotow, M’appai*i, (Ah ! so pure,) in E flat, de Pop. “ Martha,”. . . . Franz. liob. Fondly he sought me, (Er wt gekmmrwn im Slurm ff Mai'ie at th<:“Latt'i‘<:e. ‘(Marie am Fe7l.sle7',) . _ , Gabriel, Virginia, ilie Forsaken. so —-——— Whehn Sp‘:tI'(Ii‘O\VS huglt. Soprano Eb. At t e win ow. lt. (i‘-11111.,‘ W. Sing, Birdie, sing. Song; Sung V Mme. Parepa, . . Gel-aldy, Angel of_ Love, (Arigelo ti Aiuore,) . . . . , . . . , . . , . , . . , , , _ Ginmboni, 0 Julia lair l (Giulia gentil.) Fr. and F.ngl., and Ital. and Engl., Glorza, P.n,mThe handsome Drum Major. (Daghela avanti un passe.) anese . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . -————— L‘Usignuolo inessicana. (Mexican Nightingale.) Scherzo, Sop, Giosn, La Polka Mazurka, (Polka Mazurka Song.) Scena di Danza, .. . . . . . . . ——- “I tambnrelli, i campanelll.” (Now sou ds the Tambcrine.) Bolero, Alto g. _ Alto in G, eac , o ., . . . . . . . . , Glover, S... Do they _ A e at h . ..oiig,,.. ..... Glllck, Che faro nenza Eurldlce. (Live without my Euridice.) Opera. “Orfeo, Gordlglani. O santlssirna Verglne. (Prayer to the Virgin,). . . . M other’s Name. (11 noine di iiila. madre.) Oanz.,. __ Mother, let me dance, (Momma voglio balare.) Scherzo. M. ‘ ——-—- ‘Pro in 18, (TM 111 la.) Canznne. Mezzo-Snpra,zio__ . _ ..-o u.» ... ........~ IMPORTER (‘)‘F' {iii 3 I Gounod, (than... Romeo e tiiulletta. Al-‘iettu. linger.) Sop. G, Mezzo .\‘op., E15. desiis or I i-l-til. Italian and E. , all re '11 'I‘n:ale," ( a lEiig.,.... . When in thy Vision.“ (f1uw,i;:!n a we lie ’AhE e strano polar.) ' ‘i ,. “ Non destarini,“ (I would l,. . . . . .. _ . . fired a King in Tllule.) ltal., [\l'i‘«‘ vi * ..,.. Nil» ii‘;xiillii'.«~,“ (Ln 4 ' 6;;-avlieiu-_il1{oiT,:i1J;u:, «(-2 Grain. 18., '1 ' .. il . ii) . '.!"hiilk of im lilelodia pl-r U*i)JI:l‘:'Jli.0, . . . . . . . . . \‘»’=*i‘-.- i :0, - ‘ .1 -‘,0 1»). .. . . ——~—« lit,‘ lit‘\’L‘ " lilo. fﬁiiarllileialilo, iii) ' ~~»— lluve it ~' ’ inn, .. . . . Chi ii‘ i were 4 Swallow, ((1 fossi nil ri .nlii'iP.) (,‘r.n .. Thou art ton !u~,'o.'ly, (Sci taiita bu-ll:i.) iiohi. (,‘oiiti-.,. I live for thee only, (Nel llir min belie.) S0l‘uiianle,. 1» Ever iaitlitnl, (Selnpre l'edele,) . . . . . . . . . . . . . . . . . . . . . . .. .. 6'§lli0J!1, Prosper, he Fillette aux Cl.IZLYl.SiID*i. (Tliere is in our Hamlet.) orn., Fr. and En;’<‘i., . . . . . . . . . . .. .. .. . . . . . . .. .. ihlrnhe1'§i.. Eh, Ye ll1r}X'l‘j,’ Birds, (0 3/16’ («I _ VT‘,/7 -—-- do .) flop. in F .. Tenor in Gt-., o in Eb.,. . Sop. and I do. (10. do. All Deal‘ home of my father. (Dds L/Le:/.67-e V(Zt€1"7L(t'/ts.) 0 ea ~ , . . . , . . . . . . . . . . IIe‘d.I‘t, \\‘Yll(-Billie, thy joy and sorrow? (Was poo/it so lam? im Herzen.) 2d Waltz, Rondo, Soprano Ab, . . . . . . . . . . . .. do. 7 V Mezzo,Sop. in E, . . . . . . . . .. . 3d and 4th Waltz, Rondo, Sppiaiio, and A ‘ear: , ingge %ai3, myn,D(e]a)resli), t(£5;/']l(€1Zdj£7l o}tn).e %ezden,)C t i e en loan as e e 11. e ma. op. or on . eae Ye merry Birds, (Oiseau légere.) Eng. and French, in li‘,.. llail Coliunbia! National Song. Arranged by S. Jackson, . . . . . . . . . . Haendel, F., Verdant Meadows. (Verdi prati.) Italian and Englis , .. Halevy. F.. La Juive. Ii va venlr, (He will be here.) Ital. Fr. and Eng. bop. Hall, F.. Ever of Thee, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. ﬂatten John 1.. Rainy Day. Words by Longfellow .. . . ‘ ood-by, Swesiheart. Ital. and Engl., in G and D,’eaoh,. . .. Heiser. W., The Grave on the Heath. (Das Grab auf der Haide.) Sop. or Alto, each, . . . . . . . . . . . . . . . . . . . . . . .. How can I leave thee, (Ac/L, wée tars ;vru‘zglich,). . . ., Awake, Love. awake l Serenade, . . . . . . .. .. Hodges, F. IL, Dreams. A Reverie. New arrangement by the Author, —— The dreary Day. Words by Longfellow, . . .. j Farewell to North-Maven. Song, . . . . . . . . . . . . . . . . . ~—— The Rose-Bush Song. For Sop. Do. for Alto, each, . . . . . . ———- Cloister Memories of sacred Song: _ ' _ No. 1. Blessed are the poor in spirit. Mezzo S0p., . . . . . . . . . . $0. gesseg are Spay t-ha‘: mfbllrliit. 2Cé)ntralto,.. . . . . o.‘. esse are emee. ue op..... .. No. 4. Blessed are they that do hnniger andythirst. No. 5. Blessed are the merciful. Sop., . . . . . . . . 1 Will be continued.) Hoelzel, G., The Forsaken one. (Alpenklag/e,)... . ~—— ’lhe Tear, (Dze T}w(wle,) . . . . . . . . . . . . . . . . . . . . .. . . * The Visllzﬁge Blacksmith‘s B de. (Mein L1"/ebster wt me Dovf d cLmied,)... . . . . .. . .. HESS G. J. A National , Cradle-’Son Jackson, S., Lights and Shades. Words by Mrs. Nortou,. iioluison, VI/‘alter Russell. Afar beyond the sea, {atey’s Letter. Irish Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Knig, W. 11., Ave Maria, Latin and English,. i'§?§i‘.‘i"z‘§}‘”8"ii* ‘ii ’ i‘.”“.’~‘““ ““’i“”‘ ‘(‘1‘i“”“..“f;2.. Rz°v“£,“3Z’§’zz.m.) . ilsis me or sownray. ast ’ a . , So,p. or 'I‘en., and Alto, each, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . —— “What noble joys ft hunter’s, (Em Sc/mite bin tan.) Nae/Ltager in G’I‘d.IL-’Zd(L. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kiicken, F., No more in sadness on me gaze,” (sehlmicli rt’ tmeflr vo Wemuth an. ong . . . . . . . .. . . . . —— Good night, farewe-ll_, ( Ltl’Z\7I1£/Lt fa/w"wo . . —- Jewish Maiden, (llmulc/Le¢_z 7)on.7zida/L.) ._ _ ‘ L R Thgu soft andlbzillialy evening breeze, (ﬁru/Llmgs7'ezgen,) ast ose of uininer. ta . r. and ng. in ' . . . . . . . . . . . . . . . . . Lecocq, C]lﬁ..‘J., Fleur lie The, No. 1. ,“ ivandiére, Cantiniéi dier, now draw near,) . . . . . . . No. 2. “J’ai coilru grossii. ds,) “Je suis né dans le Japon.” (I was born in old J apaii ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4. “ En tons pays." (In every Land). . . .. .. . 5. “ Césarine a mes voeux.” (Oésarine to my ev‘ry,). No.’ . “,Qnanrl le Champagne.” (When the Cllampagiie,) Llnley, G., The Swiss Girl, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .. Long long weary day, (1)en.lieben larrgen Tag.) F' Ger. and Engl. .. Loljd, Chas. ., Vesper l , . . . . . . . . . . . . .., . . . . . . . . . . . . . . . . . . . . .. Eallcuntoui, ($2., La Danza d’Amore, (Gray dance of love.) Valse. Mezzo Sopr. Ital. and Euglish,. . .. .. Con. (vivahi :— Summer Evening, (La Sera,) .. . Luther, Gustav, In night's still ca. m. Soprano in t, —— In ril;:lit‘s still calm. (I/i dimkler [Vac/L Alto or Baritone in Al>,.. Llltt“/itz, lVIax., Love’s Plaint. (Du hast mil‘ viel gegeben.) Sop. or Alto, eae . . . .. . . . . . . . . . .. . (1.71 'ézi£.i1'cZe'r' '1vaL5m'.)' Lilizzi, L., Ave Marti. . J D u , . . . . . .. . . . . . . . . . . .. .. Nlallzocchi, IVL, La Bella Stella «ll Trinidad. Barcaro e, (Ital. and Eng.,) Mnliliran, ll'.[me., Olla.gi'in dlainonr. En l. and Ir , lllnrsckiiier, H., ileaven in the Valley, (Der Himmelim T/Lale.) Eng. e . o . or Ten., and Alto or Baritone, each, . . . . . ——— Yes, thou art mine, (.711, um bis! mein.) Alto, . . .. . . . . .. lllmsiliii, Une ﬂenr pour reponse. (Flower pledge.) Romance, . and Eng., IVKRSI-(<5, V., Reine Topaze. As roaiiis the Bee, (Chanson do l’Abeille.) Sop., ~—— “ Bright as ‘nu-;~ of opening roses,“ (Couplet de 12. Coupe.) Galathée. In , Riattei, Titto, Non 5, ver. (‘Tis not true.) Romanz , Sop. in F, Mezzo Sop. Eh, each . . .. ' n Eb La Ca-, >1-icoiosa. p. do Mezzo Sop. in (s”r3£.g1Sr"ci.., can e . d -—- . o. V do. . lileiidlelssohn, Here under the Trees, (Do my ic/Lunter den Bdumen.) Alto. —- L 35 onging. (Seﬁltalill;/LE.) Sop. and Alto, each, . . . . . . . . . . . . . . . . . . .. ——— First Violet. (Dax erode V-ailchen.) Soprano and Alto each .. Cradle Song. (Wile €"'l.[i€(l.) Soprano and Alto, each,.’. . Oliwings of Soii" (/.1’ T/1'/Iv M duo’ (r'6Su'/tges.) Sop. and tidallte, Mk‘, V“ M R’. .lt2ll'.1and Eir,;l., . . . . . . . . . . . . . .. Leoxnora. (;r%\)IlRglOV';I.| ;_8|IlJ.\’Et,’ (Youth s Joys are now,) .a tosa. e ose. anzone . . . . . . . . . . . . . . . . . . . . lilerz, IL, The Strariger’a Love, (Des lilremden Liebe,). .. Iileyerbcer, 61., Fisher Maiden, (Guide an bord ta nacel‘. .) Fr. and Engl., ~—— L‘Ai‘rie-an-a, “ Ar!-'lio teri-a native." Soprano, Ital. and Engl.,. . . . ‘ ' , “Ali! mon ﬁls,” (Ah! my son.) Fr., Ital, and -—~———- I’rIJpli<3te, i" Fr., lt:il., and Enrrl. ~;—- May Song. Uh-».iit d —— do. (AI vtivl Mill in the Valley, (in ' L /. . . . . . Eli illinrd 1%., \‘v'i:h 11 my heart I love you, (Io ti voglio bene assai »—. —« A ve lvl-Ania, Latin Hllll English. Mezzo Soprano, .. . . . . . —-—— Faith and Hope, (Old ;\lan’s Song to his ‘vVife,). .. . ' Sonl§.V.......... . .. . .. ~— ' ‘ .. (Companion to “After, iii inlet, EL, . iana, (Maiiieifs Warning.) I‘ Gianetta. Allegro,. . Song of our C'ountry’s i)aughters, -~—-—— A Slsilor’s Song, (0 for a whirl‘ of the salt sea breeze.). Invocation to Sleep (Invocation) Ital., Fr., and Eng_ ,. . . . . . .. Molique, EL, Could I through ether iiy. (1i'o'/mmc/L durcliiiriume ﬁfe/L’n,) imollerihauer, Fred” The M ' JL9-I‘k~ Soﬂgr - - - - ~ - ~ - < - - - » -- 1V}ou1t,on,. ()1 e e. Song aiio, or Mezzo Soprano, each,. onfessioh, . . . . . ... ’I‘heBrook,... . . . . . .. . .. .. lvjﬁller, A.,~ Ye soft blue eyes, good night, (I/Lr blauen Auge-n, gute Naaht.) Sersnade,. . . .. . . . . ., . . . . . . . . . . . . .. The Message Bird, (Vdgelem, man Bate J). .. . . . . . . . . _ . . . . .. liluzio, E., Ilrind'. ‘ -W . . (English and Italian.) As sung by Mlle. Carlotta I’atti and Mme. Strakosch, . . . . . . . . . . . . . . ._ . . . . . . . . . Ere life’s declining sun has set, (Di tanto eoceso o’perIld1.) Aria. in- troduced in the opera. “ Bohemian Girl,” . . Pioooloinini Wziltz,. . . . . . . . . . . . . . . . . . . . . . L’Ainour. lam Louisa Polka. Soprano,. . . ,I.’Aniour. Glam Louisa Polka. Mezzo Sopln, . . . . I<‘1’TIZ‘..F.‘.I G‘v1‘J. M’USIC. ..-$0 '= 3 *1Vl'll zio, E.. L’U'ulgnuolo. Oimzone di Bravura. Soprano. (ﬂoinposed rm and sungbyCarlottaPa.ttl,) . . . . . . . . . . . . .. -~ Le Stelle d’1talia, (Stars of Italy_) Melodie per Canto, Ital. and EngL, No. 1. Str,-rinzllo ’l‘osoanu, ('1‘usca.li Evening Songnl) Itrl. an . . La Veduva, (The Wldow,) Ital. and Engl.,. . . . I . La Nanna, (Cradle Song,) “ . . ll S<‘«e|)lI"l, ("File Silzh,) L'An‘e-',:ioiie, (At"r:«tiorl,) Nu. All‘aui-a, (To the Breeze,) Nallalul. (In, La Valse mes Ailieiix, (Waltz oi‘ Love.) Engl. and F .,. . .. 1‘Jcss.*niil.ler, J. E13, Wlieiie’er 1 long for Native Land, (Went ich mich nm:/z de/r Ileimat/1. se7m.',) . . . . . . . . . . . . . . . . . . , . . . . . . . . . . . . . . . . Norton, Hioli. Mrs., Jiianita. Span!-all Song. Sop. or Alto, each,..... Offen liach, .Il., ha Périchole, No. 1. “O mon cher ainant." (O my dearest hm.-,) Int pr Sling E!-., . . . . . . . . . . . . . . . . . . .. . “ Et la maintanant ” now companions.) (lies femmes,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. No, R. J. Espiigiiole et la jeune Indienne. (A warrior once said.) Duet, . . . . . . . . . . . . . . . . . . . . . ,~ Cll2|.1lS()n ale l<‘crtunio, “ Si vous croyez.” (If you believe.) Song, . . ” Les Bavards, “ Clest l’Espagne.” (’Tis in Spain.) Chanson, . . . . .. Genevieve de Brahant, No. 1. Oouplet de Pﬁté. (”1‘is a pie that is no shaine, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ) . 2. “ En passant sous la fenétre.” (As I pass’d under your window.) Serena e, No. 3. Uno Poule sur le mur. (Once a hen near by a wall.) No. 4. Grﬁce D. vous mes deinoiselles. (Thanks to all young ladies,) . . . . . . . . . . . . . . . . . . Grande Duchesse, No. 1. “ Dites lu' ” (Say to IE1. . . . . No. 2. Le Sabre de mon Pére. (My father’s sword,). . 3. “ Ali ! que j’alme les militaires.” (Ah! I military ) No love ‘has No. 4. Legende du Verre. (Legend of the goblet,). No No . 5. Allez jeunes ﬁlles. (Come now our darling gir1s,) . . 6. Pour épouser une Princesse. (A princess beautiful to marry, . . . . . . . . . . . . . . La Belle Héléne, No. 1. Amoui vins. (Oi love’s divine,)... No. 2. An Cabaret du labirinthe. (Thus at the Wine shop, .. No. 3. Au inont Ida. (At mount Ida three Goddess) . . . . . . . . No. 4. On me nomine Héléne la. blonde. (They call me Helene the blonde,) . No. 5. Un marl sage. (A husband wise will,) . . . . . . No. 6. Venus an fond de nos dines. (Venus bestows, No. 7. (Jes rois reinplis. (These Kings so shock,) . . . . . . . . . . . No. 8. La vrai! Je ne suis pas. (In truth I’m not so much to blame,) . Barbe Bleue, No. 1. “ Y’a des e g . There sh p , . No. ‘2. “ Vlla z’encore de drol’s.” (There people are,) . . No. S. “ Pierre un bean jour.” (Once on a time my love No. 4. “ Ponrquoi qu’ils (Why do they look,). Alfred XL, Tender and true. Ball d,.. . A Year’s Spinning. ‘ ng,. . Stars of the Summer Night. Blow, bugle, blow. S0ng,. . . . . . . . . . . . . . . . . . 1 Good Night. Tenor or Soprano, and Alt r Baritone, each, Petrella, E., Brindisi, (Italian and English,) from Opera lone, . . . . . . . . . .. “ Abandonata e orrana.” (Orphaned, abandoned.) Rom. par Mezzo Sop. from Opera Ione, .. .. .. . . . . . . “Vanna e serba geloso.” (G , preset par Basso and Mezzo Sop. Opera Ione, . . . . . . . . . . . . . . . . . . . . “ L’amo, l'amo.” (Love him, love him.) Cavatina par Soprano. Opera lone, this important.) Duetto Sop. and Ten. “ O Ione, di quest‘ ainina.” manza, Tenor. . . . . . . . . . . . . . . . . .. Preyer. G... Will she come, (ob tie wohl kommen wird,) . . . . .. .. . :—~ The Bird, tll8Fl0W€I‘, the Heart. (Jedem das Seine.) Song. Eng]. andGerman,. . . . . . . . . . . . . . .. .. .. ' rolese Song, (Tl/7‘0l. 7,ed,).. l\ ail. Stella. Latin and Fmgl., . — At Home again, (Wtede7*sehen.) Sop. r Alto, eac , Reden. Kari. My Heart is like a Singing-Bird. Ba11ad,.. . Rtandegger, Au, Ainiaino la Vita. (Life let us love.) Ital. and Engl.,.. lieichirrdt. AI ex., Thou art so near and yet so far. (Du bilst mir nah mid doc/L S0f€7’IL.) New ed. E ﬂat, Fr., Engl., and German, There sings a wild bird. (Es singt em V(‘2'g!em,). . . . . . .. Reissiger. C. G., The two Gi-enadieis. (Die Gvrenadiere, Ricci, Alﬁn brillar. (My heart with joy,) 6 ﬂat, . . . . . . . . . . . . . . -: Crispino e la. (lomare. Opera. 0. 3. I’ve stories rich, (Istorie belle a leggere.) Sop., . . . . . . . No. . I'm no longer poor, (Io non sono piu l’Annetta.) Sop., No. . Piero darling, (Piero miogo qua,) . . . . . . . . . . No. . Bliss all raptures past, (Non ha vioja,). Rlvarde, P. A.. ' celle.) Barcarolle, . . . Vifhen love is kind! Song, .. . . . ... —— Mandolina, (Stars of the Summer Night.) Fr. and Engl.,.. Rondinella, P.. 11 Giubilo. (Valse elégante.) Ital. and Eng . Mezzo Sprano in C Rothschild, Baronne. dire. French and Eng.,. . . . . , Sabbath, }3]., The Minsti-el‘s wish. (.-vdngers W:/ins-c}L,) . Salaman Cli., 1 arise from dreams of thee. Serenade, Sarluien 0, This kiss I oller, (Lu Vasillo.) Canzonetta,.. Schiznon, (Lsweet Mother ‘of sorrow! (Mater dolorosa,) . . . . .. .. Sclioendorf, When the quiet moon is beaming, (Wenn so sa//zft mtd mzld,) Schubert, (‘/11111., Le Gondolier de Venise. Barcaro e, Schubert, Franz. Last Grreetiiig. Lebewo}zl,) Frencli and English Maiden’s Lament, (llf/l3dc}m2’8 lug/9,) French and English,. . , My Abode, (Au7’ent!m.lt,) French and English, . . . . . . . . . . . . . . . Shepherdls Song of Goinplaint, (Sc/L(Zfe7“8 Klagelied.) Fr. and Eng., Serenade, (Sttindc/zen.) ltal., Fr., l<)ngl.,. . . . . . . . . Cradle Song, (I/Veg/enhed,) Fr., Gel-., and Engl., Ave Maria. Fr., Engl., and Ital.,.. . . . . . . — Wamlerer. (Der Wa72.dere?*.) Sop. Alto, each,. Selnnuann, Rob.. The Lotus Flower, (Die Lotosblurrw, oh! thou art like a ﬂower, (Du bist wile eine Blume, Sﬂcher, Loreley. Fopular Song. Engl. and Germ. words,. s(mit]1), .‘. 10., No Time like the old Time. Song,. . . No More, . . . . . . . . . . . . . . . . . . Speranza. £14., The }Iour o a A llvinn of Thanksgiving, . L" To Minona. Serenade, . . . . . . . . . . . . . . . .. Sweet sings the iii htingale. (F8 812 get die Ncwht’ all.) German and Engllsln. . . . . . . . . . . . . , . . . . . . . . . . . . . . . . . . . . . . . Stanzleri, (Eu, 1 will lo , .., . Io iﬁamoro.) Soprano or Tencr,.. .. Star-Spangled Banner. National Song, (Chorus ad lib.) Arr. by S. Jackson,.. . Sﬂgelll, G... Isolina. Arietta. “Engl. and Ital. words. 0. and A., each, . . ——~— Brightest Eyes, (Die S(:77.0n..r-ten Augen.) E ﬂat, Germ, Engl., and Fr rd Proch. IL, ——~— AVG iii ' 6, Spohr. . wo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stradella, Pieta Signore, (O Lord, have mercy.) Ital, and Engl., C minor Suppé. F.. 0 man, be not proud, (Der Mensch soll nwht stolz rein, .. Szemelenyi, 141.. Medora, . . Templar E., My heart is breaking. Ballad,, . Thevcnet, Dullphonse. Eemuie du Pecheur,. . . . . .. Th Oman. J. Il., In the clear mirror of her eyes.’ Ganzonet,. . _ ., Thomas, Amb., Mignone, Opera. Morceaux det. Fr., Ital, and Eng]. No. 1. “ Connais tu le pays.” Romance. Contralto, Db,. . . ,, N o‘. Ibis, do. d Mezzo Sop. Eb, . 2. “ Légers hirondelles.” Duet. . 2 rs, . Voix seul, .. o. 3. “ Je suis Titania." Polonaise in Bb,. . Sbés, do ‘ . 4. Elle ne cl-oyait pas.” . 5. “ O Vierge Marie.” . * Thunder. "H. G., The Sands o’Dee. Lyric Ballad,,....,.,.. ._ Torrente, G., Sliogv me thy ways, 0 Lord! Anth. Soprano, and Mezzo op. eac . . . . . . . . . . . . . . . . ..: . . . . . . . . . ... . . . . . . . . . . . . . . . .. Truhn, IL, Parting; and Sorrow. (scfiezdentmd Lezden.) Song. Sop. or " Tenor in F mino 011 Tyrolese and his Child. and English,. Van Oekellu. Graduate’ ewell. Comic Soi1g,. Van Noorden, P. _E., Kind words are dear to all. Ball Venzano, L., The Zing-ai-ella. Italian and English, ....... ., . Gr. Valse. “ A che assorta.” Original Copy. Soprano, . . . . . .. . . . Verdi. G., La Traviata: “ Dite alla. giovine,” (Tell me, fall" Maiden.) . ‘ E scherzo od e follia,” (It seems 8. harmless lying.) Aria,.. HEM‘ Duets, 5l‘r-ion, mm.’ gamed Music, use Catalogue Na, 9, The Harvest Moon is beaming, (Guide au.b'ord'na'- \ Contralto and Ba.ritone.:: ’
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Text: . 9,7/(*5? » 331% §'3.£L‘5W7 i mnrr 2:3M.”73.§I:%inﬂ§ LONDON. ROBE RT COOKS & 0° NEW BUR LINGTON ST. MusiuPub]isheIS1n Heﬂlfosl Gracicus Mgesy Queen‘f1c1gria/_£é to H1; }mperja1Majesty Nap oleon I11 NEW worms BY MISS M. Lanazn THg LQRD w;LL pRo\/mg (Jucﬁm son/(y, ENGLAND. AND EN.LAND‘$ QUEEN 2/6' A PSALM or me Dl/FT WORDS BY LoNc-r:LLow.;( PULASK1 oz/£7 vﬁaos ax 1_o~cFE1_1_ow_j/_ SPEAK czunv 2/9.. , . ., .. ,.3/./ THE mLcmM's R5; fzxcusma wwnns Bv Low LLW Z/6 oust ~on ’r/M ...
Show more. 9,7/(*5? » 331% §'3.£L‘5W7 i mnrr 2:3M.”73.§I:%inﬂ§ LONDON. ROBE RT COOKS & 0° NEW BUR LINGTON ST. MusiuPub]isheIS1n Heﬂlfosl Gracicus Mgesy Queen‘f1c1gria/_£é to H1; }mperja1Majesty Nap oleon I11 NEW worms BY MISS M. Lanazn THg LQRD w;LL pRo\/mg (Jucﬁm son/(y, ENGLAND. AND EN.LAND‘$ QUEEN 2/6' A PSALM or me Dl/FT WORDS BY LoNc-r:LLow.;( PULASK1 oz/£7 vﬁaos ax 1_o~cFE1_1_ow_j/_ SPEAK czunv 2/9.. , . ., .. ,.3/./ THE mLcmM's R5; fzxcusma wwnns Bv Low LLW Z/6 oust ~on ’r/M .3/, [Mr (Tr/1./‘//llil. 2,/(EELM)/V J/JI/A4’/it H/7/.‘r'0'4’.v ’ Finely illustrated in Colours, Price 33. ggnnt njf its iﬂifluranimt $11115 1111 ﬁqtltlglugm, (as) (AT THE CONSECRATION OF PULASKP5 BANNER) Set to Music for Two Voices by Miss M. LINDSAY. Poem by HENRY WADSWORTH LONGFELLOW. WHEN the dying ﬂame of day Through the chancel shot its ray, Far the glimmering tapers shed Faint light on the cowled head; And the censer burning swung, Where, before the altar, hung The blood-red banner, that with prayer Had been consecrated there. And the nuns’ sweet hymn Was heard the While Sung low in the dim, mysterious aisle. “Take thy banner! May it wave Proudly o’er the good’ and brave; When the battle’s distant wail Breaks the Sabbath of our vale, When the clarion’s music thrills To the hearts of these lone hills, When the spear in conflict shakes, And the strong lance shivering breaks. “Take thy banner! and, beneath The battle-cloud’s encircling wreath, Guard it !—-—till our homes are free! Guard it !—-God will prosper thee! In the dark and trying hour, In the breaking forth of power, In the rush of steeds and men, His right. hand will shield thee then. “Take thy banner! But, when night Closes round the ghastly ﬁght, If the vanquished Warrior bow, Spare him !——By our holy ‘vow, By our prayers and many tears, By the mercy that endears, Spare him l—he our love hath shared! Spare him l—as thou would’st be spared! “Take thy banner !——and if e’er Thou should’st press the soldier’s bier, And the muffled drum should beat To the tread of mournful feet, ‘ Then this crimson ﬂag shall be Martial cloak and shroud for thee.” The warrior took that banner proud, And it was his martial cloak and shroud! LONDON: ROBERT COCKS AND CO., NEW BURLINGTON STREET. 33E11IﬁilZ jauhlizherr tn tbv. almttu. NOW Edition, ﬁnely illustrated, Price 25. 6d. in tin, Set to Music by Miss M. LINDSAY. ‘ Poem by HENRY WADSWORTH LONGFELLOWA THE shades of night were falling fast, As through an Alpine village past A youth, who bore, ’mid snow and ice, A banner, with the strange device, Excelsior! His brow was sad; his eye beneath Flashed like a faulchion from its sheath, And like a silver clarion rung The accents of that unknown tongue, _ Excelsior! In happy homes he saw the light Of household ﬁres gleam warm and bright; Above, the spectral glaciers shone, And from his lips escaped a groan, Excelsior! ‘ “Try not the Pass!” the old man said, “Dark lowers the tempest overhead, “The roaring torrent is deep and Wide!” And loud that clarion voice replied, Excelsior! “O stay!” the maiden said, “ and rest Thy weary head upon this breast!” A tear stood in his bright blue eye, But still he answered, with a sigh, Excelsior! “Beware the pine-tree’s withered branch! “Beware the awful avalanche!” This was the peasant’s last good night! A voice replied, far up the height, Excelsior! At break of day, as heavenward The pious monks of Saint Bernard Uttered the oft-repeated prayer, A voice cried through the startled air, Excelsior! A traveller by the faithful hound, Half-buried in the snow was found, Still grasping in his hand of ice That banner, with the strange device Excelsior! There, in the twilight cold and gray, Lifeless, but beautiful, he lay, And from the sky, serene and far, A voice fell, like a falling star, Excelsior! CRITIQUES on Miss Lind.say’s “ Excelsior.” “We don’t know how to account to: the effect of this song. The Gregorian Chant is not more simple- there is no ornament, and the accompaniment is only a gentle, even ﬂow through the chord of the key; and yet—yes, that it is~it translates the sentiments of the words, and makes the heart echo the cry of ‘ Excelsior.’ "——-The Epitomist. “ An exquisite lyric."—Elim Cook. , “This famous poem has been set to music scores of times,’ but never more successfully than in the present instance. Miss Lindsay’s melody is stirring and expressive, and if sung with proper accentuation could not fail of eliciting admiration from the most apathetic vocal admirer. The design in the tit1e—page is most chaste in conception, and ﬁnished in execution.’’— Weekly Times. . LONDON: ROBERT COCKS AND CO., NEW BURLINGTON STREET, Eflurir rnhlitljrrr in thy (mum. @x@Lars.@u©&1a 1 ~‘ -1-®-F Wmws BY LONGFELLOW. Mus2c BY MISS LINDSAY. .-ILLEGRO. {(9} ﬁfi I‘\r‘\ {-4 5: A ; . é 1 ; : 34;. E .3 " .2 .; fa . ; ~ .. £ 3 -6 :2-H ‘}1ades' of night‘ were all _ ing fast,‘ As thro.‘ an; AI.._pine Vii [lag-e i 1i?r-me] _ her by ‘die faith _ ful ,h<,~l1!1d Half Bu réeti‘ in the snow was- He. 3!... x V \ l\ T I J ; 1:'L'.LI 19 JL # I. youth who bore’mid snow ice grasp _ ing _in his of ice with the stranggi de -vice E 1 , ' with the strange de_vice X “ Ce “ 51*“ ' f cnvvvzmur. Fv.~.v.i«-r" MSS undsn /5 ‘/2;/ix /11,.» 19 His brow was sad, his eye be- neath .‘5T..d*“ not ac _ cents loud that ff eel- si_0r! Flas}1‘d like a faulchion from its the pass” the old man said “Dark low’rsthe tempest 0. Ver And ' e a Si1_Y€1' ch. 11 rung‘, The roar _ ing torrent is deep and wide’.’, of that un _ known tongue .. . . v ' V cIa_r10n volce re _ phed Ex‘ eel ‘ SL0‘. ‘ -1 ﬁ,z;ezw;;. . « .- A Cow Es press .- 4~€.” “ Oh! stay” the Maid_ en ‘ '-rest Thy wea _ ry head up.on my stood in his bright blue eye, But m ten .- still he an_swer’d with sigh Ex- cel _ si_or I ce1_ Si _or.! the - pine trees wi _ ther‘d - Va _ lanche.“ This was the Pea_sanfs last good —' ‘night. 191919 far up the heighf “Ex- cel _ si _ or"! 1:yg .4/mlav/f,e mu main, tropfzo. There in the twi — light colﬂ and grey; Life _ less‘ but beau-ti_fu1 he And from se_rene and 19 Jlfai co‘//1, Sp7T1'i~2,‘0 . voice fell like a. faII.‘ing' star Ex _ eel- si _or! 19 eel- si_or! .7: A A V’, < *' *‘ '4 / "- WM7’:\~\~‘.,_M4,.”~,..,.w.._.,...,AW%m..<~.,-~v , . s 0N es An D D UE T s, ‘ Songs of a. liigli inornl Oi‘der.”—~B7it7T.s‘li Bd??7lf’I'. i seem. Home they l)i‘i}llg"lll her W€tl‘l'i0i' Eleéttl. Poetry by Alfred Tennyson, Esq. l).(,‘/. I .., Poet Laureate “ Most touching mid pathetic . . . . . . . .combines beauty with extriiordinary facility of execiitioii.”-Court C'ircula'r, March 13. “The words are beautifully tender and ti'iie—~so tender that you instinctively read them softly and low; and Miss Lindsay, in adziptiiig them to iniisie, has successfully czinglit the spirit of her ziutlior.”—_/ibcrrlraen [Jam/d, Feb. 20. ‘ ’ 0 llﬁ32EEl‘lll (Pl. lllllllliﬂss. The Poetr ' b V Gerald Masse Es . illustmted . .. 1 , a 9 .. . . . “ All who are zicqiiaiiited with Gerald l\T'iESCyYS lie:irt~{'i~lt poetry, will rejoice in this elegant effusion of melody, which ripples sweetly along, side by side with the purling rirulet of the thought—~thought which does equal honour to the hc:irtnn(1he:id of the poet." Air Fair Lilian. The Poetry 1) T ;\li"i'eil Teniiysoii, Es ., D.C.L., Poet Laureate, elcaamlz illustmfed ’ . . . “ A ' . . . . ‘I ' “ There is] sort of f-iiiry xvildiiessl n}i tlliemiiiirl-oily, CXq‘.\iS<1llt“., pendci‘, and original, xlvhlich SCSFES €‘v'(311\]t10ff1‘t‘Sl1€‘f]‘1Tcnnyson’5 frgxgh imaeiiiinws. ' ' ose VVJO iiive {lLIY1l1‘f:( t ie oity tonc—iittcre inc eei, in simple rnusica p irases ut sti 0 ty—o " Excelsior,” and “ Tlcie Tlflilii of the Nuns of Bethlelicni,” will be _s;;ln,(l for once to hear it lighter mid livelier Sl3l‘lll11 froin the same inspired harp." Mlil. Sellﬁlliule. The Poetr b Alfred Tennyson, Es . D.C.L. Poet Laureate .ele amtl illustralcd _ , 9 3 7 “ It might rejoice the heart of the lJ.L11‘(‘.i1tC to listen to this ]110l0(ll()uS echo of his own thrilling and mysterious conception. As on other occasions, so in l\’[:uid_, the l‘i).\:Ol‘ll.O. CO1np()Si'_‘1‘ l]iLS zitiiiiiieil the highest effects without departing from the simplicity which is the real cliziraictei'istic of genius. Miss ]iiiitlsay’s Mziucl may be sung by all who can sing at all." _ Stars Of the Sililllller llélglll. (S®1’€3IiEMli}.) The Poetry by Henry VVadsworth Longfellow, Esq. finely ilc’us2fratcvfl .. .... “ Mziny coinposersplinve. cssziyed to triinslnte into inclody Longt'cllow’s exquisite Serenade, but none with so much success as the lady whose £lLl‘<Lpt1ttl1))l of the S?1I)'1(3 poet’s ‘ Excelsior has cnrzipturcd the public car." The Bridge. The Poetry by ileiiry \Va,(lswortli Longfellow, Esq.,ﬁ.-zcly illustrated .................. ...... .. . “ \Vhnt 3. lyrical coinposition intended to be popular ought to be -it has no unnecessary difﬁculties, and lies within a moderate or their friends, as well as of those who sing for the publir:—of Englaiiil and l‘3Il§=fllilll(l’S Qiieeii. The Poetry by H. P. Lindsay, Esq. . .. . . .. “‘()rigiii:iiing in the stirring events of the times, this song will still continue to ziwiikeii the loyzil and patriotic spirit of Britons." T110 Pllgl‘llIl’S host. The Poetry by the Rev. H. Liiicls:iy.ﬁuelz/ 7‘l[u.sz‘2'm"e0l “ A beautiful :~',11l)j'3Ct, L1‘Ci11;0"l with pathos and effect.” A Psalm of Li'"‘c. The Poetry by Henry \Vzi<l.~n.'oi'tli Longfellow, Esq., clc_«;mzz‘lz/ 27llu.s‘tmted . . “ The music well interprets the deep e211‘l1(3Sl'.ii~’:SS of this celelimitcd lyri.c of the admired Longfellow." ’ ‘ ) . . . '3" Speak gently. llle l oetiy by G. ‘V. Lzingfoid. itsq. 1 '1‘ A c1:}i:ii'iniiig efl"n.<.icpi. full of pathos and be%iuty.”—13 ii Ihuuiuna “ Superior to the worthless l,I‘22Sl1, &c."——Patr2'ot. “ Very simp e, p Czlslll". {'All(l me H(ll-1113 and possesses L ie 1‘zl1‘0 !i1(‘1’lL of iulzipiiiliility to any Voice of oi‘(liii2iry conip:1ss."—-C‘/zurc/L and Sla/e Gn:cI./,e. " ' )nll‘il1)lU Lli1iL.\lI\gL‘,l‘.5 of Very iiioilerzue ?ltl,<llIlli1l'lllS will iinal little’ (lilliciilty in siiigiiig it at iirst sight.”——Aberdeen Jam’. “ Like her Iixeelsioi‘ it ii(1ilrcs.~'i:s itself iiriineilizitcly to the hezirt and zimilzeiis its kiiiiilicst cmotions."———G[as5/azu Senti.-zel. . . » V. , . _ Excelslor. The Poetry by lleiiry VVaclsiVortli l1()llfj"lL'?llO\‘.’, .§sq., zll1zsZ1'(u'(3d __ ""1 he tlieine is tenderly zinrl powc~rl"ully conceived. It is an exqiinite ]yric."———l;‘Ii:rL Coolfs Jam‘. “A gem which, in this musical setlin;_-;, isseeii to more .[l(l\"c\]ll.51gc than before ’V’~»I’<rfrz'rir’. “ Suhlin in its Slnlpllclly."——l)0l'lX7I10tLl/2‘GU/£7‘tl'l(l7L. “ \_Vortliy _ oi the exquisite lines of Loiigtcllmv, ——(./mrc/L mul Mn/:2 _(1zz:ette. “i\1:ilu:s the l1Cd1‘l'. echo the cry of Excelsior."——Epzzfomzst. " Stirring and exprcssive."—- ll’ee/tly Il'i2nes. “ .Bea.utii‘iil in its Very simpli<;iiy."— l;‘,27;;z'rre. “ Chuste mid siniplc.”——B'.='2Tzz's/2. Easnner. .n . € "’ ﬂ :1 - SALRED Sﬁlilﬁiﬁ. Jacob. Etc:-itiitive am? Ah‘. The ‘\Voi‘ils from Scri ture elc anilr 7Ill/ustmteil . 3 . J _ “ There is ii beiiiitifiil solemnity about thispsong not iiiitkiiiiilini‘ to tl.1()SO.Wl1O are acquainted with Miss Lindsay's compositions. llltuls ens)‘-, griqiigltiil, and plcalslllg. Her compositions are tor the quiet fdllllly circ-le~—tlie domestic c0ncert——the hoinc circle.”~Glus_z]ow mm, 1 pri . ...,,Tll0 L(9i'v1l Wlll m'0\'l(l0. ll0§jliL‘_1l:lV(3 Mill rill’. The ‘Kl/Y01'C£ ‘P ' )ture, clegmztly 2'llusz‘rated ..... .. {/1 "l T; T ‘ I I 0 ‘ L~’»‘‘\-H \ _ _. ’ ,“”‘’’’-v/¢i.l3l.ll(}ll. ll-.0i‘lli1llVC {lib { '1 he \Vords from S(‘,1‘ii"x ~ ﬁlltlll Slll3mi€.G‘l‘§3II. ling: - “ \’Vcd1iesdiiy beilorep ,;},,,.,, ,;,.,. 1,;/,1 the Cliristinii Year, by the ltev.Jol'iii Keble........;...\.‘.T”“ . ‘ A .. “Tliese Sacred Songs from sal favoiir." ' ... fly illusﬂatecl ' 7 .1? F ' DUE ES tier Ewe Sapient.) Hymn of the ‘ill(ll‘i‘tVlz1ll l§lHlS, at the Ciiiisecratiiiii of the iiaiiiier of riiliisiii. The Poetry by Henry \Va.dswortli l.,oii;;'fello\V, lisq., 7Illu.s'traz‘ed " \Vell worthy of the author of Excelsior. i\Ielodi'/.ed with power and nxpressioii.'"——C%urc/L and Sizzle Gazette. “ Coupled with music equally simple. adeqiiatc, and impressive."-~—(,'rmrt .l«»umml. “Ti'iiiislutes the sentiments of the poetry, and makes the heart respond to it."-lJm';//min I;‘.icrmu'22cr." “ The spirit of the poetry is very admirably rcii<lci'ed."-Abcrdee7z Journal. “ Possesses the merit of simple bc2iuty.”—1;'mpz'rc. A l’SalIll (bf Life. The Poetry by Henry \Vadswort.li Longfellow, Esq, eleycmtly illustrated Speak gently. The Poetry by G. \V. Langford, Esq. clqqmztly illusz‘ratecl Excelsior. The Poetry by Henry VVadsworth Longfellow, Esq., a.rra.nged for 2 or 3 Voices, illustrated, ANTHEM. Unto Tliee, 0 1.0111, Will I lift 111) my Soiil——i‘salm XXV. 1, 6.——Anthein for Four voices~— I (No. 1. Third Series of Rosniir COCKS AND Cofs Chorister’s Hand-Book) BY THE SAME, Mogcable Diagram to determine the relative hllll0l‘ in all Keys (on a Card) LONDON-'l: ROBERT COCKS AND CO., NEVV BURLINGTON STREET, (W) A B" S}_PEC'I/IL APPOINTMENT ‘ P '“' 9. -‘_%.1 Victria and the Emperor Na ~ -
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Text: .'N‘?l,1'N E FLAT. The Wb1‘dS 3'J0113fe1I0W, ('0/22/205647 4271/ E?/((5"LS'4/1/‘ /'0/V‘ ' MISS EDITH WYNNE, ’ /\ , < M\y;—-—+¥~~ \}/ V’1Eii1JE3; _]’rz'.ce/ /z 6 Z‘ W’ ~ / M L(T)1L(:LQ11, 'BO_OSEYk8<« C9295, REGENT STREET w Iusnc LIIHARV I’ M\rIu mo3 wmiamesc. Worms _av Music av H.W. LONGFELLOW. / ARTHUR VSULLIVAN. ALLEGRETTO Nor TROPPO VII/'0. VOICE- PIANO‘. Come a) me, ye chi'l_ d1'e;1!l?br I hear you at your‘ play, And...
Show more.'N‘?l,1'N E FLAT. The Wb1‘dS 3'J0113fe1I0W, ('0/22/205647 4271/ E?/((5"LS'4/1/‘ /'0/V‘ ' MISS EDITH WYNNE, ’ /\ , < M\y;—-—+¥~~ \}/ V’1Eii1JE3; _]’rz'.ce/ /z 6 Z‘ W’ ~ / M L(T)1L(:LQ11, 'BO_OSEYk8<« C9295, REGENT STREET w Iusnc LIIHARV I’ M\rIu mo3 wmiamesc. Worms _av Music av H.W. LONGFELLOW. / ARTHUR VSULLIVAN. ALLEGRETTO Nor TROPPO VII/'0. VOICE- PIANO‘. Come a) me, ye chi'l_ d1'e;1!l?br I hear you at your‘ play, And the (lees- tions that per. plex’d vanislfd quite ‘la- Ava ." . Ye 0.’ pen fhe east- em win- _ (tows That T “ un pocu rit: zm Tit: ook towards the sun, Whefeethdughts are s1ng_ ‘ing .swa1_1ews,And the.‘ I \._z » . brooks of mornlng run. f . Liﬁng poems‘. hearts are the birds and‘ sun§hiue, Inyoilr thoughts the brook. let's ﬂow, dini: * ’ mine is the wind‘ of ’ Au- tumn And the first fall ef the Show. ‘ ‘ j Come tei me, A A 0A ye fchiL’dI‘eI1 , eome +t\o « Living pue-ins . Ah!whatW0uld the xhorldl 7 he to Qu§_. .If the. children were no‘ ymore? : V Wis should Vdreadtdvd the_ ‘die- éert be- hind C'7’€.Sf I Worse than the dark he- .—f0‘re.‘ VVhat thd leaves fo- _ _res1;,_ With «light and air" for V Ere their ‘ Li$’*ivi18j: Zjdutgms . A um vpoco rit: \__z sweet, and ten; .,der jui;..ces Havebeen hard-_en'd in- to wood, . .e unpoco I ‘\ . f That to the world are chﬂ_ _dren ;Thru’ chem ‘it. feels the gluw »(_)f a brighter and sunnier? cli_ mateThan/ mll: reaches “the trunks be. __low. V _ Come to me, 0 ye V- Living puems . . chil.-t_»» dren!“And whisper in my ear_ ;_What the birds and the"xvvind‘s are 7 1m1zo f. ,sing_ ing Inyour sun- ny at--_’1nos_phére'; Fbr what are all our con- f A ' m “ . ‘V mezzo \ - ; V .J~.«~~' \ r‘ ’ _ _ _ _ _.tri___'vings,»'Andvthe wis_dom of our bpoks, When ycom,parydw1th your _ ca- _ V un P000/I ‘wit.- _ _ _, res.._ses,_And the glaﬂi/fess of ~ four "am 12000 Living _puem_s . :bet_te1; than all l the ha]--- _/lads That e- ,ver were ‘sung or. For Aye ‘axle liV___ing p0__-éms, And all the rest are ,l sung or pizi lento. said} For .ye are liy.-ing po..ﬂ-_ ems, And all... bfhle rest afel " LiVin8‘ -.puen3‘3, 7 dead. . . .- chi]- - ..L _, _ dren! chi}- -_Ad_r.e,n“, 7 game Living pqems’. . BOOSEY & ooxs NEW SONGS ANDBALLADS. STEPHEN ADAMS. Sung by THE VIKINGS’ SONG LITTLE BEN LEE (ED & F) THE CHILDREN OF THE CITY (D and F)... GOOD COMPANY(F, G, & A THE MIDSHIPMITE (B I), C, and D) THE SILVER CUP (Eb & F) NANCY LEE,(C, D, and El?) TAR’S FAREWELL (D & E D) THE BLUE ALSATIAN MOUN- TAINS (D, E7, and F) S (gr. Foli Mr. M ayoriaé Md7rze. Paley ./l/r. Edward Lloyd Mr. Mayorzkk /Wr. Maylrie/2 Mr. Maybrielz Mr. Santley Mr. Edward Lloyd HAMILTON AIDE. LET ME DREAM OF HAPPY DAYS ‘ THE MAID I LOVE IS SIX YEARS OLD SPANISH BOAT SONG (E 2 an REMEMBER OR FORGET BROWN EYES, OR BLUE A. H. BEHREND. MY OLD COMRADE MY FRIEND (G and A E7)..- SONG OF THE SHIRT (E & G) BLUE EYES (C and D) /Wr. M ayorie/E M r. S antley Mdme. A ntoinette Sterling Mr. Edward Lloyd J. BLUMENTHAL. HER NAME (D and F) - THE BEND OF THE RIVER (D & F) Mr. Maas Mdme. Marz'e Roze T H E VVEDDING DA'Y.(Bl7 M dme. A ntoinette Sterling THE CHILDREN’s KINGDOM Mdme. Sainton-Dolly LIFE (F & G) LOVE THE PILGRIM (Eb & F) WHY WAS I LOOKING OUT? (Ab and B I7) DUDLEY WHEN THE HEART IS YOUNG (D and M dme. A ntoinette S terling Mrs. Osgood Md/ne. Paley BUCK. Mrs. [Mary Davies Osgooaﬂ and Miss CLARIBEL. NEVV EDITIONS. TAKE BACK THE HEART ' (D and F) MAGGIE’s SECRET (D, Eh, and F) WE’D BETTER BIDE A WE YOU AND I (G, GI2, and B) COME BACK To ERIN (C . I ‘L’. M’: ‘C I-IILDREN’S VOICES (G & B) DREAMLAND STRANGERS YET (E J2 and F) I CANNOT SING THE OLD SONGS (ER and G) . "FIVE O’CLOcK IN THE MORN- ING (F and G) ROBIN REDBREAST (D and F) WON’T YOU TELL ME WHY, ROBIN? _ HALF—MAST HIGH SILVER CHIMES M dnze llldme. Sainton-Dolly Mdz/ze. Lieolzarl Mr. Si:/is Reeves .r’.‘la’nm'. S/'zorri/z,grton zlldz/ze. S ainton-Dolly . Sainton-Dolly Mdzne. Sainton—Dolly M elme. Marz'e Roze " Mdn/ie. S/zerrington Mdme. Sainton-Dolly SUCHET CHAMPION. Migrronette (EI7, F ,& G)... Mr; ‘Edward Lloyd FREADERICQCEAY. ' ‘ SHE WANDERED DOWN THE MOUNTAIN SIDE (C & EIZ) ' llldnze. Editlz Wynne F. H. COWEN. LISTENING ANGELS(GandA) ALL IN ALL (F, G, and A) I WONDER! REGRET (Bi), C & D NEVER AGAIN (EI7, F & A) THE ‘BETTER LAND (C & A) Mdzne. Antoinette Sterling Mr. Maax .Mz'ss‘iWary Dames Mdme.( T reoelli M drne. Antoinette S lerling Mdme. A ntoinette Sterling‘ PRICE TFVO SHILLINGS EACH NET. F. H. COwEN—conIg'nued. AT LAST (B5, C, & D) THE OLD LOVE AND THE NEW (A and G) SPINNING (D and E57) IT WAS A DREAM (C & E) ung by _ _ ' M airs Anna W zllzams Mdine. Slzer'r"ln2'lon xlldme. S be rrington W. H. CUMMINGS. THE LOVE OF LONG AGO (D and E) Mr. Edward Lloyd COTSFORD DICK. FAREWELL, IF EVER FOND- EST PRAYER (F and A9) THE STREAM O-F LIFE OLIVIA (F, G, & A) DOLLY VARDEN .. LOUIS Mr. 7. Maas M iss Annie Marrz'ott Mz'ss Mary Davies Miss Mary Davies DIEHL. FAIRLY CAUGHT (C and D) Miss Clara Samaell THE MERCHANT OF CHEAP- SIDE (F, G and A) THE LIGHTS OF LONDON TOWN (C and E I7) TRYING To FORGET (F & G) M dine. Paley Miss Orridge DOLORES. THE F_AI’RIES CLEAR AND COOL THE LAND OF LONG AGO SONG OF A NEST VIRGINIA GABRIEL. THE SKIPPER AND HIS BOY ACROSS THE SEA WE TWO Mdzne. S ainton~Dolby A LFRED SCOTT GATTY. OVER THE H ILLS & FAR AWAY Mz'ss Orridge THE GOLDEN SHORE APART ROTHESAY BAY ONE MORNING, OH I SO EARLY (A b and B b) THE GALLANTS OF ENGLAND (A'9 and BC‘) THE OLD SWEET STORY .1: VANITY M dine. E ditlz Wynne Sig‘. Foli Md//ze. Edit}; Wynne "w. D. HALL. Mr. Mayoriek G. I-IENSCHEL. SING HEIGH! HO (D and E) Miss Clara Sainaell LADY .;£IE}.THUR HILL. TIME WAS (D al1Ll(;".‘>““‘aL~. . .‘I,.’z'ss Xﬁlary Davies W . KU H E . BUDS AND FLOWERS (EI7 & F) Miss Mary Da7/z'es FORGIVEN (C and E) MY’ ONLY LOVE llldme. Antoinette Sterling Mr. Barton M ’Gaekz'n THEO. ’IIIARzIALs. A BASKET OF LOVES (D & EI2) /llrs. Osgood THAT SWEET STORY OF OLD (Sacred) ROCHESTER BELLS (E t‘ R: F) A SUMMER SHOWER(ED & F) Miss Mary Da7/iesi TWICKENHAM FERRY (E?) & F) Miss Mary Dd?/ies THREE SAILOR BOYS (A? & B?) Mr. Santley WAIT TILL YOU COME TO FORTY YEAR! (E I7 and G.) ‘ A. L. MORIA. DOUBTING LOVE (D & F) I M dlﬂé’. Marie Roze J. L. MOLLOY. GREAT GRANDMOTHER (G, B2, C, & D) Mdme S lzerrington TI-IE BOATSWAIN’S STORY (C, D, & EV) Mr. Santley THE FIRST LETTER (E9 & F) Miss Mary Da7/ies TIME... TWENTY-ONE (F, G, and A) Mdme. Antoinette Sterling ‘THE KERRY DANCE (E? &F) Mdme. Slterrington J . L. M0LL0Y—Sc<mHrIuec/. LONDON BRIDGE (D & E) DARBYAND]OAN(F,G,&A) THE KINGS HIGHWAY (C and D) MY LOVE HAS SAILING .. DRESDEN CHINA (C & D) THE POSTILLION (D & E7) THADY O’FLINN (D & F)... THE VAGABOND (E & G)... KNITTING THE OLD COTTAGE CLOCK POLLY . - GONE A WIISS P LII.LIE’s GOOD NIGHT ' LILLIE’S GOOD MORNING THE POACHER’S WIDOW... WHAT IS LOVE? A CONTRAST A SPRING SONG Mr. lllayorick Mdme. Edit/I W ynnc /Ildine. Sherrz’ng'trm Mr. .l4’a_I/oriola Ilddme. Sfzerrz'ngI‘on Mr. Santley M dine Edit/L P/ynne. Mr. S antle y H I LP . M d7ne. Paley. llldzne. Antoinette Sterlin 1-‘ c. HUBERT P-ARRY. Mdme. Am’oz'nette Sterling M dme. A ntoinette S Eerlivcg C. PINSUTI. THE LAST WATCH (F & G) THE NIGHT WATCH .. ARROW AND SONG (D & F) STILL WATERS RUN DEEP ALL THE WORLD’s A STAGE Mr. J. M aas Mr. Barrington Foote M dine. Antoinette Sterling SMILES MAY END IN TEARS PRINCE PONIATOWSKI. THE YEOMAN’S WEDDING (G, A, and BE) Mr. Santley RANDEGGER. SECOND THOUGHTS ARE BEST . WHAT ARE THEY TO DO? A FRESHENING BREEZE Miss Mary Davies /I/iss Mary Da'z/z'es J. L. ROECKEL. THE LITTLE MOUNTAIN LAD (E I2 and F) Mdme. S lterrington ARTHUR SULLIVAN. ST. AGNES’ EVE (C and E) LWOULD I WERE A KING (E 7 and F) TI-IE LOST CHORD (F, G, A, 2.ndAU) MY DEAREST HEART (AI) & LET ME DREAM AGAIN (C, D, and LIVING POEMS (E b and F) SLEEP,’ MY LOVE (D and F) ONCE AGAIN (D and F) GOLDEN DAYS LOOKING BACK (D and F) WILL I-IE COME? (D and F) Mdme. Antoinette Sterling I Mr. S anlley M dme. A ntoinette Sterling lllrs. Osgood . [Edftle Wynne Mdme. Alilsson, and Mdmz Mdme. Edit/e Wynne M dnze. Patey Mr. S inzs Ree?/es Mdme. Patey [T reﬁelli Mdme. Patey, and Mdme. Mdrne. Paley. MDIVIE. SAINTON-DOLBY. . I CAN WAIT (A & G) THE WAY THROUGH THE WOOD (BF and C) WHEN WE ARE OLD AND GREY.(D_i2 and F) Miss Mary Davies. Miss Mary Dam'e.i OUT ON THE ROCKS (D I2 q 2*: and E?) I C. VINCENT. . ACLUSTER OF ROSES (D & F) Mdme. Antoinette‘ Sterling THE COTTAGER’S LULLABY, - ' (D anti F) jlidine. Antoinette Sterling A. IVI.‘wAI<I-:'I='IE:’Lb. LITTLE ROUNDHEAD MAID‘ Miss Clara Samaell ‘I IVIAUIDE VALERIE WHITE.’ SPANISH LOVE SONG (C & D). Mdme. Treoelli THERES A BO\VER'OF ROSES (Biz and C) ‘ Price 2s.i6d. each Volume, Paper Covers; 4s. Cloth, THE ROYAL SONG BOOKS. The most Complete Library of Standard Vocal Music published in any Part. of the VVOPICI. NATIONAL SONGS. THE SONGS OF SCANDINAVIA AND NORTHERN EUROPE. THE SONGS OF EASTERN EUROPE. (1.. tlze Press.) , THE SONGS OF ITALY. (zn"z1..»1=ms.) THE SONGS OF SPAIN AND PORTUGAL. (In the Press.) THE SONGS OF FRANCE (60). French and English words. THE SONGS OF GERMANY German and English ‘Words. THE SONGS OF ENGLAND (200). 2 vols. THE SONGS OF SCOTLAND (190). THE SONGS OF IRELAND (108). THE SONGS OF VVALES (69), Welsh and English words. The above eleven volumes Contain over Iooo popular ballads of the various countries of Europe. GERMAN SONGS. SCI-IUBERT’S 6o SONGS. N HUMANN’S 75 S GS. All the above haVe German and Englisli words. SONGS FROM THE OPERAS. Vol. I. 50 MEZZO-SOPRANO and CONTRALTO SONGS, 816., Vol. 2. 50 TENOR 2Incl.BARlTONE SONGS, &C. - These Volumes contain Songs, Cavatinas, and Scenas, Selected from the great Operas, transposed into medium keys, and have English and Italian_ W0 S. Double Volumes, r1'3l‘lC_& 55. each, paper covers ', 75. 6d. cloth. THE ROYAL OPERATlC ALBUMS, Containing from 40 to 50 Songs, Cavatina§', Scenas, &c., in the Ongmal keys, without abbrevmtion or alteration. Vol. I. Vol. 2. Soprano. Contralto. With English and Italian words. Vol.3. Tenor. Vol. 4. Baritone. Gilt Edges. HANDEL’S SONGS. HANDEIJS OPERA SONGS (50), with Irfalian and English words. HANDEUS ORATORIO SONGS (S5) Both edited, wItlI new accompaniments, by‘W. T. Best. , . DUETS. and German words. ' DUETS FOR LADIES’ VOICES (24). ' , RUBlNSTEIN’S DUET ALBUM (18 Two-pan; Songs), with English MISCELLANEOUS. oo). SACRED SONGS, Ancient and Modern, by the most celebrated Composers; MODERN BALLADS (50), by eminent living composers. HUMOROUS SONGS, Olcl and New (72). LONDON: BOOSEY O75 CO., 295, REGENT STREET, W.
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Date: n.d.
Text: ,n.«.»n|IJ d'7'/1/V/VAIFVZI :2 D/X0/V, /M/3 I V V._ J / /\ U T ﬂ. e 4 . a I C? W \ mm zwb M mémm. ﬂ nmmTo___ TL 1“, / aﬁea ). 1.1? .-\\_v: emaMw ﬁn! HVJH , P m1.m@ A mmmm II L‘L1:.L ﬁJH 1.4.865 JM wmmm r1{.1..£ A MM%%_ .§4.V4c7.\.lu\»lv7W m\P... ; moaaw Wm/an E_..L.. hwxwxvo :m.n.nDaS v/A Mtge rnmh O6rT.W. O,mOO dudm . _|. eiaaa $6160 uAn.L.4,I:_.K a1.a SLM Tm ,. .Y. 5 M A. M M r. W A N F. I “THE some OF H|AWATHA.” (“I AM HAPPY, I AM HAPPY?” The Poetry ﬂrranged from L0NGFELLoW’s ...
Show more,n.«.»n|IJ d'7'/1/V/VAIFVZI :2 D/X0/V, /M/3 I V V._ J / /\ U T ﬂ. e 4 . a I C? W \ mm zwb M mémm. ﬂ nmmTo___ TL 1“, / aﬁea ). 1.1? .-\\_v: emaMw ﬁn! HVJH , P m1.m@ A mmmm II L‘L1:.L ﬁJH 1.4.865 JM wmmm r1{.1..£ A MM%%_ .§4.V4c7.\.lu\»lv7W m\P... ; moaaw Wm/an E_..L.. hwxwxvo :m.n.nDaS v/A Mtge rnmh O6rT.W. O,mOO dudm . _|. eiaaa $6160 uAn.L.4,I:_.K a1.a SLM Tm ,. .Y. 5 M A. M M r. W A N F. I “THE some OF H|AWATHA.” (“I AM HAPPY, I AM HAPPY?” The Poetry ﬂrranged from L0NGFELLoW’s “H1AwA'rHAZ’ “Then they said to Chibiabos, To the friend of Hiawatha, To the sweetest of all singers, To the best of all musicians , ‘Sing to us 0 Chibiabosl ‘That the feast may be more joyous, ‘That the time may pass more gayly, ‘And our guests be more cdntented!’” The Music Composed by JOHN BLOCKLEY. “ And the gentle Chibiabos Sang in accents sweet and tender , Sang in tones of deep emotion, g Looking still at Hiawatha, Looking at fair Laughing Water , Sang he softly, sang in this wise .” Song of“Hi;1watha’.’ pp.81.8‘Z. ./WODER.él"TO E SE.MPLICE . f f‘\ mf 0 I am happy, am happy , if thou on _ _1y lookest at me, Thou the wild flower of the forest, The wild bird of the prai_ J _ tencﬁramente .\ My heart sings to .nf be_._1o_ved, Sings with joy, when thou art near, 7’ 1’ The Song of Hiawatha . John Blockley. As the sigh_.ing, sing- ing branches, moon is shining clear. 7 FN a/\piacere . ‘Z When the ,moon is shi _ ning clear . calla voce . J . Piu lento e molto espressivo . When thou art sad be_.10ved, Then my heart is darli as night, ‘Nhen thou. /9/9 appassionato . smilest my he_-1oved, Then my troubled heart is light. Smiles the The Song‘ of Hiawatha . John -Blocidev . earth and smile the waters, Smile the cloudless skies a__bove, But I can espressz'one . . :7 . . v3 \ ~ ' lose the way of sm1hng, VVhen‘ Im ab_sent from . VVhen I111 dim . 8 1-all . ab_sent from my lge. - I am happy, If thou calla vace . on__1y lookest at me, Thou the wild flower of the forest, The wild The Song of Hiawatha. . John Blockley . bird of the ’prai-_._'rie.- ten ramente . My heart sings to thee beloved, Sings with joy, when thou art near, 1’ in As the sighing, singzing bs‘a_nches, M7hen the moon is shining clear. a piacere . ‘ A‘ ‘When the moon is shining clear. calla voce . \_J Thé S098 °f Hiawﬁitha - Londou,Pnb1ished by Jolin Blockley, 2 Park Roa';~d, I-Iaverstocla. Hill. 1.?!-:__—_—~ 9 ' /N ‘V; ‘ “L” \ / I T ' A ~ 17.---"vi W’ K qa~ K/. \ \ I ) T < V m ' ‘I I‘ » gym . ”°7“ 41”” ‘ ’ cT-‘(,1/'//5 T. T5)’ ;“v;> ‘\ 45 @ j V A \ WEE SON/($3 “ W3 A / ’ "(M2 J4’ﬂu5tr Thu \; \./ ‘E JQHTN BLOQKLEY. - - A ﬂ / ‘ I (Llgr 19or1‘1g hv % T 9 * u: _ a i‘‘‘ “W W * ©N4@‘J?'@'m@W / A TVL Qt ‘ / 9 @,*>,.J \ ~’]:w_J_TiJ ‘TT/9) , = ‘ /0 K — S0,N0 DUETT ‘) ‘ SONG OF‘ HIAWATHA T .0 AM HAPPY,lAM HAPPY) (ILLUSTRATED), TT 9/6 7 TEXCELSIOR. _ (ILLUSTRATED) T, T. 2/6 3/' FOOTSTEPS OF ANGELS T T T T TT (wxru PORTRAIT or LONGFELLOW) * 2/6 ‘r J‘ EVANCELINE T (mom LouomLow’s roam T 2/- THE CONSECRATION OF PULA$K|’S BANNER TT (ILLUSTRATED) HYMN or THE momvuu NUNST V TTT :>9T a/- V 3/» . _ A PSALM or ure T TTTT .. TT A TT 2/T”. 4' THE REAPER AND THE FLOWERS TTTT TT T TT TT T 2/1 M A {-I THE RAINV DAY TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT T.‘ TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TT2/.TTTTT.T.2/~ “ TH-E BRIDGETT T TT _T 2/» Ha‘ ‘THE SILENT LAND / 7 ) THE ow CLOCK on THE’ sums (ILLU‘STRATED]T,T,TT.T. Tz/5 T TT T: 8 THE OPEN WINDOW T (view or LoNcrELtow's RESIDENCE) T...2/6 , zﬂ % o THE OLD HOUSE BY THE LINDENS T D9. T TT .2/6 L M I ‘ cu-RFE‘w T T T T. T. T. TT ~ A 6 ‘XL 2,17 1 cool: NIGHTT T TTT (s:n:~Ao:)TTT T T .T .. 2/v ~ \ » TH: Two Locks or HAIRTT. T T _ . TT.2/- T V‘ _ \ \ I’ W~ W H ITH ER T (some or THE wnzn NYMPHS) T T TT 2/v 3 \ 5% TH>E VILLAGE BLACKSMITH TT f.:..J.a—u.ocKL:v) (uuusrnnrao; .2/6 §$ g‘ V: 1 ‘km: WRECK orrua HESPERUS D‘? T 0°. \ 9‘ *1 V suns or THE SUMMER N|GHTT__ T !)°. 4 '”‘, ﬂk SPEAK GENTLV T T. Lwonos rnom sHAnpas MAcAzma_‘TTT_T T X \ I _“'lr‘(#)-f)I'(‘.V"(-‘IITT 11uis1:al;L‘;._ ‘ ’ I ORDERS SHOULD SPECIFY av JOHN BLOCKLEY. D L ‘x V > =&: 6 ,
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Date: n.d.
Text: 3 kg L\ W 0 R D 5 BY A L M U S I B BY [7,17I[5zm & [a E55/1712. “ ./ s , xx. L 3,, O O , )/ » W"... / an , .. ._ﬂ , Ea, \ .13; _ / _ 2 LMNI PhﬂadB1ph1aLEE &WALKER8BBEhesLnuLSt. WH.Buner &[}n,11U8ChesLnuL Sn. MUSIC usmmv VASSAR COLLEGE wan SEA HATH ms PEARLS. PART S0./VG. Words by LONGFELLOW Music by C.lR0.PINSUTI. ANDANTE MODERATO. 1010 9 sfact‘. hath its pearls, The hea\e11 hath its hathits pearls, The heaven ’ sosfe/1 e C \ \_/ stars, But my heart, heart hath its love 1°...
Show more3 kg L\ W 0 R D 5 BY A L M U S I B BY [7,17I[5zm & [a E55/1712. “ ./ s , xx. L 3,, O O , )/ » W"... / an , .. ._ﬂ , Ea, \ .13; _ / _ 2 LMNI PhﬂadB1ph1aLEE &WALKER8BBEhesLnuLSt. WH.Buner &[}n,11U8ChesLnuL Sn. MUSIC usmmv VASSAR COLLEGE wan SEA HATH ms PEARLS. PART S0./VG. Words by LONGFELLOW Music by C.lR0.PINSUTI. ANDANTE MODERATO. 1010 9 sfact‘. hath its pearls, The hea\e11 hath its hathits pearls, The heaven ’ sosfe/1 e C \ \_/ stars, But my heart, heart hath its love 1° stars, Butmy heart, my heart hath its _, love, T I/..\ 13147 . 9 . {kl Rmoluta. < ff Great arethe sea and the hea-ven; Yet great- er is my heart. > < Great arethe sea and the ]1ea..ven; Yet great _er is my heart. -5.- . ..._£‘~: f Bisaluto. < I 39’ f5 sf > fairerthan pearls and stars Flashes andbeams .32»-44‘ _‘ > _ Sf > fairerthan pearls and stars Flashes and beams my A > The sea hath.&c . . 13147 - 9 - 3.‘ «-.3 AA . «:4 i FEE»:- little youthful maiden dol. V maiden The sea hath .&c . Come un_t0 my great heart, .sf> 1111-130 my great heart,Tl10u little youthful > > > > /\ C0me 11u_t0 my great heart; >>> >> Come 1m _to my great heart; Q . > Inf con molto accenta My heart and the sea and the can molto accenlo 9> 111 f //zf con molfo mrelzfo. >. , \ m can maﬁa accmto. My heart, andﬂlesea anclthe f > , f My heart, andt esea andthe heaven are melting away heaven are melting away with love are melting away > > : F‘ 011 1110110 accellto . In f > {'”:'§<‘\ < My heart, and sea and the heaven are 5 .melt_ __ ing away, with 2&2 heaven are melting a_way [with —love, are nmelt __ f‘ . . love, are melt _ _ . __ing a m love are melting a..way ar e melting a_way, The sea hath.&.c . P/’—_‘\\ PP a_way with love, are mélting‘ a _way, a.way with love, 10> PP (1.- way _ . 1° me away 7 ar e melting away _wa)’ 3J.____“£ f melthlg melting away with ar e melt _ ing a _ _ claim. love,with love‘, The sea hath.&c - a.way with love are me _ way a_way with love .e a- molto. mil. f withlove withlove . . . . . . wiﬂi love . , . . . are melting‘ away with 1° P 1° molto. mil. P a tempo. sea hath its pearls; heaven hath its‘ a stacc. esea hath ‘ pear1s,P. stacc. SW60. sea hath its pearls, heaven hath its a tempo. ’ x '\ The seahath.&c . 131,47 - 9 - \\ soste/z e crres, _____,__.d But my heart, my heart, . . . my heart hath its .3-aster: e cvres. _ 0],,-m_ 13 But my heart, my heart, . .. my hearthath its > dim. e heavn hath stars But my heart, . . . my heart hath its sosten e crree. P ’ \ But my heart, my heart,.. . my heart hath its . sosten e » .5f‘ﬁJ J A J”:.°‘~"’i‘; ” ff/--—“T heart hath its love, heart hath its love , heart hath its love! I I ‘ e anima > > .DJ The sea hath.&e . a [9 111110 , > my heart . . . "P12, gm; 1;, ' My heart hath its love, My heart hath stacc. sfacc. stacc. My heart hath its > My heart hath its a tempo. 77 1° . . _ ,l([’ S . cres.mZé. dun. 4-i‘-qr“' 10 0 P __: h 1010 g, L2 g___z hath its love! . . , _ _ — 4i—::-— 5 §_ 0 1°Ve 9 .1 gralzdioso. ___'h___._=— 10 :PP léve, my heart . . . . . . hath its _ — grandioso. xv The sea hath.&Zc -
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Date: n.d.
Text: T 0 Franli D. F0 on SPm'ILgﬁe1d.Mz.Lss. //J / @?‘*=\ / L K «»stI.'.'l"” K \\ \./ , , ‘J __..» I;"'"") ,_ ’/ ﬂE'''""."I ‘ Q .’\ ,.,r AllII“lmﬁllmmmmlllliliiln.mlllln. "ml ' " In ,,,,,,,,,,, M ' / W‘ L [ » ’) II T 6 --u n "|I"."uu' v ~ . / RI" 3, wt!!! 1...» i , / ‘II|| -' %<~. Q g. — - ‘ ( (( »..__ Arm"J'1|u|l‘ ) ’ , . \. \J ‘ M. V Pr. 35¢ NEW-YO RI(_; 6 g S...
Show moreT 0 Franli D. F0 on SPm'ILgﬁe1d.Mz.Lss. //J / @?‘*=\ / L K «»stI.'.'l"” K \\ \./ , , ‘J __..» I;"'"") ,_ ’/ ﬂE'''""."I ‘ Q .’\ ,.,r AllII“lmﬁllmmmmlllliliiln.mlllln. "ml ' " In ,,,,,,,,,,, M ' / W‘ L [ » ’) II T 6 --u n "|I"."uu' v ~ . / RI" 3, wt!!! 1...» i , / ‘II|| -' %<~. Q g. — - ‘ ( (( »..__ Arm"J'1|u|l‘ ) ’ , . \. \J ‘ M. V Pr. 35¢ NEW-YO RI(_; 6 g S CHIRME R. 35 UNION SQUARE. Co'p‘yr1g11t1878 by G.Schn'meI‘. MUSIC uammv VASAR COLLEGE TO STAY AT HOME IS BEST. Words by I40l\'GFELL()VV.>l‘ - ]IIusI'c by El)!/[H RI) II. PHELPS. Andante quasi alSleg’1-etto. fan 11 f0, amen tn. 1. Stay, stay at heart and H0me—keep — ing hearts are For those that -+ 7 - * From the “Atlant1'(,- M0nth]y_" by permission. L\TEP.EDACL'OF’.|'.‘lN(3TOA{:T«>l'( muL:nEss.m Tm'\'LAr< M753 By C; scmmvl F. R, w K’)-H OH Am 04' Tlxr ‘_vL;w.x'm:: or v-:»m:+/cswa A‘: v\.\>wm:T-u,\ wander they know not where, Are full of trouble, and full of /1 fmnpa. Stay, stay at home, my heart and ’1°est,_ Stay, stay at home, my heart and To stay at home is best, is beét, stay,to stay at home is 9% '1' «*3 x 3 ml mafo. \_;_J 7 Home, _______ __ 2. “ea - ly and home — sick and dis - t1-ess’d, They wan —V der east, they 3. Then stay at home, my heart, and rest, The bird is sa — fest west, are baffled and beaten and blown a - bout, By the nest, - . 0’e1- ‘ all that flutter their wings and f ly, A--___ at vsinds of the W1] — de1°- ness of doubt. Stay, stay at home, my hawk is hov —’1-ing in the sky. Stay,“ stay . at home, my and rest, Stay, stay at home, my heart and rest, Stay, stay at home, my heart at home is To stay, to stay at home at home is A To stay, to stay at home calmato. _ L, Home, ........... -- Home, ........... _- vol I (I 120175’, ,u Catalogue o. 4 of Instrumental Music. published by _G. Schirmer, New York, PIANO SOLO. I-Kditi, #4., L’Ingénue. Morceau a 19. Ga- vo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. —-- Le Tortorelle. (The Dove.) Vulse can- tabile. arr . . . . . . . . . . . . . . . ..: . . . . . . . . . .. Bach, J. S., Loure from 3d Suite for Cello. (Fin ered.).....: . . . . . . . . . . . . . . . . . . . . .. Bachmann, Au RBVG 311 009111 n ered . . . . . . . . . Golwbaerts, L., Op. 113. Fre-Zschutz. Fant. Wollerihaupt, 11., Fleurs de brrllante ........... . . . . . . . . . . . . . .350 50 Morceau (is Salon. ' ._.. Op. 114. La Joyeuse. Poll:a...,... ——— Op. 116. Semiramide. Fant. brrllante... ~——- Op. 117. Oberon. Fant. br1llante....... --— Op. 118. Parfum de Roses. Valse do salon . . . . . . . . . . . . . . . . . . . . . ——-— Op. 119. Douce Illusion. Valse br1ll.;.. ——- Op. 120. L’Enehonteresse. Mazurka. éleg. Goldbeck, R. 16 Compositions dedicated to Franz iszt: .._ Tempo di Menuetto. (Fingered) seﬂhmeﬂt-9 r - Iiannlfelder, Fr.,Op. . Kinderscenen. No. 1. Dreams of Childhood. (Souve- (Scenes of Childhood.) 8 Pieces (with- I» nce_),_ , _ out Oetaves), each . . . . . . . . . ..... .. 5 No 2 H1311; S . 1. Sandmiinnchen klopft. (Sand- man nooks.) No. 2. Der Storch ist gekommen. (Tho Stork has come.) , No. 3. Alte Rume. (_0ld Ruin.) N0. 4. Weinlese. (Vinta e. oungO1ﬁ- 8 N0. 5.) Der junge Olﬁcier. oer. No. 6. Dies ieldose. (Music Box.) ) - . Z _ . ' M No. 7. Schei ends Sonne. (Setting . . ' . ur . . . _ » 1m"Cu_ . . ' . H No‘-15$ Gmssmamws Erzﬁhhmg (Gnmd_ ' —~. Rove de J euuesse. (Dream of Youth.) m E C {glorceau dc Salon . . . . . . . . . . . . . . . . . . . .. _ 1 hp] g. 50 “$51 sit, Po, Vdlse (18 18. scene (19 331.1“ -we .. osaique sur La Bo Benoit Ian, Va se du Diame . C an otte 60 _ Drame: “Charlotte Corday.”.... . 1}0}L€')7l.i(l7%)Gi6l.)...2...é , d '15 I E Ogrcl V h H b , . . -"- " . . r . E . V - A — Em “W9 Cs des 017- 33- 3113,53 V“1’.3°- 15k ‘,3 70 cgerlte E‘o;1plcte..E1 es G3}: ‘1\,I€Ll'::'l(l,et3:)Snl(E1i‘O€Xll!(flll:.auX am wux B-'-°"5"‘“=,') I _ OP‘ 1:711 hC19‘V1e‘5t“° 9' i The same in .‘5Cp:ll'£1Le Nun —~ Marchc des Jucobius . 81 1e°9§-Nf)L:l°°é:e1f’i'LSci-0- ‘ - N6 N0. 1. Prelude. .. .. . . . . . . . . . . . . ? 1'.1n1'clicliollandaise .. 2 (Ia-p-rice“; 1.3“ P 0 3» Imerinezzd No. 2. E ‘ . (For Independence Gobbaerts, lira, Op.57 ¢ vay p... t t 3 ' , ’ oftne Fingers.) . . . . . . . . . . . . . . . .. — Op./16. Oeiitillcsse. Polka .... .. . . . . .. Boot ‘kIgnT§“1é:‘€_‘i’<::cig- Cm No No. 3. Prelude et Fugue. Fm . . . -—- Op. 82. Les Coursiers. Galop brlllant . 6 Inteﬁnczzz) »A 11:10 7 :Intem>leZz0~ No. 4. F;‘tu(lc dc Rlrytme. Gouriogl, (‘.]_:‘., Dodehnette. (Lullaby.) v C; . 3 7 No. 5. Prelude et I<u_gi1e. Piece facile . . . . . . . . . . . . . . . . . . . . . . . . . ﬁirﬁsgliiﬂg‘-LN°b8I; 1‘$p11I%‘?O]§€ln_‘ne No.r(::. Ln Forme dc Valse. Jacks?-11, San/1., A toute Vapeur. (High ﬂhopillgicdﬁplct-6 Piano Works; ﬁngered by sc~—halO£,. .>(;.k;\Ieii1}i£t et -7 l ressure.) Galop de Concert, aria. . ..1 50 §_).ll{lind\vor(tlh.b 1\’eXw4to Eéiigon, ca1re~ i<2ecl§s.aoomp" Koellzgvgﬁ} ggm glrzk Polka brlllante, .- V ~ , ‘ . ‘ ‘ ‘ . . 1. s . . . . . . . . . . .. al:1dyn1r<)er‘::1SL(:alearl}y: prizﬂtelcl tliinagivﬁgegi '1}? G Mmilm ”e1mmt°Numbe1B ’ P~ 5? Gmlld G310}? brlllanfi MT» by son’s Folio Edition. With Portrait, ° "‘“‘°“° '''''' " Sam‘1Jé‘~ckS0n 1 2 Biography, etc. (3 Vols, each.. 00 The same Edition in 11 Volumes : ﬁallades. Complete Elmles and Preludes. Complete III|1)1‘011nptl1SélI1d Frmtesias. .:1azur (as. omp e e.. . . Nocturnes. Complete. Polonaises. Complete iondes and Schlertzos. e e Nebelung, F.,Op.4. Schneeglockuhen. Im- promptu brill . . . . . . . . . . . . . . . . . . .. . .350 L Op. 5. Leuchtkugeln. Gavotte . . . . . . . .. Oesten, ’l‘l1., Op. 56. Gondelli 11. New Edi- tion. (Fingerecl) . . . . . . . . . . . . . . . . . . . .. Paradies, P. D., Toccata, A. (Fingered.). 25 Peralbo, E., Petit Scherzo. ‘(Fin%lered.).... 35 ———W Fragment from Rublnsteirﬂs 4t Trio . . . . 25 Raﬁ, 3., Op. 132. Marche brillante, C . . . . .1 00 Richter, E. F., Gondellied . _ Paradis. (Flngered.) . . . . . . . $0 50 STUDIES FOR PIANO SOLO. Duvernoy J. 3., Op. 276.,Eeole ré ara- toire de la Vélocité. 20 Etudes wit out Oetaves) . . . . . . . . . . . . . . . . . . . . . . . . 25 --— Op. 240. Ecole moderne pour Piano‘: 2me Partie. Exercises journaliers. (Daily Studies.)_ . . . . . . . . . . . . . . . . . . . . . .. Op. 255. 12 Etudes mélodiques dc Rhytme.. Kirelriner, ’l‘l1., Op. 38. 12 Etudes 4 Books, 02 ch 1 Kﬁhler, Louis, Op. 289. 30 brilliant Studies on English, Scotch, Irish, and Welsh Melodies. Book 1., $1.50: Book ., $1.40; Book 111., $1.50; Book IV ..1 65 Lecollpprey, 15., Op. _ réfztce it la Ve- locité do Czerny. 15 Etudes dc Mécan~ isme. Complete . . . . . . . . . . . . . . . . .. 2 ——- The same in 2 Books, each . . . . . . . . .. PIANO DUETS. (Four Hands.) Bohr, Fi‘., Posti1loud‘Amour. Gale élé I-::vé—_Kiug,1vrme., Improm tn ....... [I 75 Roecssel, J. 1... Air du Dauphin. Aneienne 75 (Fingeretl) . . ,‘ . __ Dause de la Cour . . . . . . . .. Rubinstein, A., Op. 44, . nee in Eb. (Fingered) . . . . . . . . . . . . . . . . .. ———- Op. 50. ;Barcarolle No. 3, Gm. (Fin- gere .) —— Op. 75. No.8. Nocturne. (Fingered.).. Rurnmel, Jos.. Les Joyeuses. 6 easy Dances. (Fingerecl): Valse,C... .............. .. {I'.a‘r‘i‘a'n é'e . . iar y . . . . . . . . . . . . . . . . . . . . . .. 50 . . Song of Rest. (Chant du Re- pos.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Pettts llloreezmw. JlIorceau.7o de Salon. . 12, Manitou. Idylle . . . . . . . . . . . . .. . 13. White and red _Rose. . . . . 14. Beyond. (Elegie.).. . . . 15. Tenerczzn . . . . . . . . . . . . . . . . . .. . Finale. N . 16. Minerva. Grande Polonaiseidel 25 Saint in Form of a Concert Capri __. Dream of the Lily. Morceau de Salon. . —-—- Melodie et Canon . . . . . .. . . . . . . (1, C.- Marche Pontiﬁcale. Grieg, Ed” Album Leaf. (Fingered.). —— Allegretto in C. (l-l‘ingere§1.).. ﬂalrse, (3., Op. 102. Staccato-Etud Concert __ The Cricket by L. DE MEYER, arrangedl e . . . . . . . .. No.2. Scherzo.... ..= . No. 3. Humoreske Ludo °V.5,:”1’_:"’1‘);i1§)I)' 36' 11:10. 4. Imprornptu. " ”' ' ' o c> gme petite 5 Marehe fun Uingered.) . . . . . . . . . . . . . . . . . . . . . . . . . . .. ., Op. 15. Friihlingslied. (Spring n . lauser. . . . . .. v. ....... ..... ..' ...... ..‘1oo Gallop (lu Diziblc . . . . . . Souvenir (in Camp. 1' . No. 6. Un,qarisch . . . . . . . . . . . . . .. . .. G Smith, Sydney‘, Op. 148. 2me Etude do a ) 50 Concert. 8 *‘ Lie"°5“ed' . F.‘ (i)};ill{'r{i?te.fSV.¢ ‘ Pas re- Una on-83 ible g Ch.Bovy- Op. 146. Stryienue. "" l,’G., Op. 127. Vvolclbilder. (Forest Scenes.) 5 charac. Pieces. Cornp1ete..2 00 Z The same, in separate Numbers : No.1. Ja_ dzug. (Hunting lliatch.)... 60 V nldesrausc..en. (Woodland 40 Whispers. . . . . . . . . . . . . . .. .. .3 dilsterer Schlucht. No . In nlal ollow No.4. Waldidyll. (Woodlaudl Einsi_cdler’s Abendlied. Klauscr . . . . . . . . . . . . . . . . . . . . . . . . . . . . Herzogzenluerg, H. v., Op. 45. 5 Pieces: No. 1. Notturno, A.. . . . . . . . . . . . MK: 0:0! I’ . Com etc . . . . . . . . . . . .. .. _ _ miscellaneous Compositions. . 2. CaP1‘10C10a B111- erceuse, Barearolle, etc.) . . . . . . . . ..1 » 3- B=l1'C31‘0119a 13- - ' 01% Concerts and Concert P166632 Comp.. .2 50 N ~ - ‘ I - ~ 50 Op, 16}. Gavotteu ' ‘ " ai33.':’3.‘;.$£‘f.F;?E‘&2.E‘§1“§§&%i..E.’3°"‘“" Wm" smr......°.‘..'., o.,ontno1i'cig‘1iE§. '(n..»t.)::: S3-1erm==mn» A-a S\ved1shVVeddingMmh lurk Hscoisorr, YAfVghanen-Zug. Ga1op.. Iiofmanu, IL, l’o«;n1e du Souvenir. Ré- Swgdiéh \Veddi%%_ March. N0_ 2. ' de L my vcrle. (FlilgO1‘Cd.) ................... .. S . 93- -~ . , .n 0. - pizuiler Fr. ellens 1ei. (B.lpp1ll10‘ I-Ioﬂ‘m.szS1C._ 13.1; I‘liou,,hts of Horne in the Wmsyesi) Ffngel‘e%g)y Pgﬂuser ' . . . I . nu Jadass<L)I.1n’, S1 Plirnb by Sn'a'“§“’ ‘F°,,h" Op‘ Nﬁdscebnder‘ A. R. Parsons . . . . . . . . . . . . . . . . . . . . . . . . . . b J anon, C. de, Fzlrcyyell. Romanza . . . . . .. Jensen, A ., Hocheitzsmusik. (Wedding Music.) Arranged by_E. Lassen. Comp.2 50 —— The same in seporrte Numbers: _ No. 1. Festzug. (Festival Procession). No. 2. Broutgcsalig. (Bridal Song;.).... No.3. Reigen. (Round Dance). . No. . otturno . . . . . . . . . . . . . . . . .. ...1 Jungnrann. A., Op. 303. In der Schm de. (In the Forge). . or No. 5 mit‘s Eveninp ong. Miclnaelis, TIL, The Turkish Reveille Raﬁ‘, J., Mnrche brillzinte, C. . . . . . .. Scharwenka, ., 41 ses. Complete. . — The same in sepai an..- ztrche l1ollandaise_.... a 05;: . . . . . . . . . .. Op. 98. Impatience. Rondo-Galop de Gumhert. Trans Marche pe Simpliﬂ d. ' y. Valse brillante Cooper. IV... Op. 26. The Bells of Sevilla... -— Op. 27. eautiful Dream . . . . . . . . . . . . . . . —~ Op. 28. An el’s Watch . ——-- Op. 29. He eves me.... Delalraye, L. L. Colombine. ﬁngered b A. Parsons. . .. . . . . . . . . .. F L’ dieu du Savoyard. Morceau cr . . . . . . . . . . . . . .. 3 . _ . _ ‘senile, de Joh. . _G Owe”: __ 59 < 3 No.4. lioléro ....... .. . ...... 8a —— 0p.43. Album. 6Pieces. Complete..400 —— The same in separate Numbers: 0. M t enue ' etto . . . . . . . . . . . . de Genre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . —— ~ The blue Bells of Scotland. Transcr. . .. —-. NellaBu.rca. (Dans In Barque.) Gondo- here. . . . . . . . . . . . . . . . . . . . Parin R0 :3. (A ————- Woodltuid Dreams. Id) Dupont, A., 0p.16, No. 3. La Dansc aux Tanibourins. Reminiscence pastorale. -—-—- Op. 50, No 11 Souvenir. Mélodie. . 1. -— Op._ 50, No. 2. Lespetits Soldats. Marehe ' 75 nnlitaire. . . . . . . . . . . . . . . . . . . . . . . . . . . . . --— Op. 52. Graziosa. Vztlse. . . . . . . . . . . .. Egglmrd, J., Op. 227. Perles roulantes. lin Pearls.) ]\1o1ceaubrillanl:.. .. Elhnenireic 1, A 1b., Op. 14. Musieal11lus- Ketteu, 11., Op. 60. Sérénade espagnole... Ketterer. ,E., Op. 285. _se ‘illante sur Coppelia. Ballet de Delihes . . . . . . ... .. . er, ’I‘l1.. Op. 32. Sad Refrains. 10 Pieces. Book 1., $1.75. 00k 11 ..1 —-— Op. 33. “ Ideale." Book I. 2 Piec . — Op. 35. Musiczil Toys. 14 easy Piece ..2 —— Op. 36. “Phantasien am Clavier.“ Books, each Book I. Asong. Burleske. Nottumo. Book II. A. Story. Sorrow. Waltz. —— Op. 87. 4Elegies. Com e —- The same in separate Numbers, eacl . . .. 0. 1, Fm. No. F. 0. 3, Am. Op. 143. Les Echos. V Op. 146. Soirées (1’HiVcr. No. 1. Vnlse. C . kn No. . Op. 141. Op. 148. Follctte. 3 Esquisscs musicales: No. 1. Op. 149. Les Sorrentines. No: 6. Strealbbog, L., — O . S7. Ungai-iscl1..... . Op. 77. Z(t¢7/zpa. Fant. . . . . La Fille du Itegimmt. Fant. Ronclo—Galop de 0 . . —— ‘ very easy Du s : Op. 1135. Un Jour (le Fete. Marehe. . .. Op. 166. Sons l‘Ombragc. MéIod1e Le prelnicr Dal. Op. 167. V ~ . Suppé, F. de, Marche du Diable . . . . . . .. rantelle. o. . . Danse des ses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. La Clochette du Chateau . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Op. 152. Carnot do Bal. Album 1879.) . 6 Danses élégantes. Complete . . . . . . . . .1 -—- The same in separate Number ' No. trations. (ichoracterlstic Pieces. Comp. .1 — Tlfwe same, in separate Numbers : lo. 1. ‘ No. . K"ll' -' Ch . Op. 217. Polka brill..... —0.—‘Ol{§'.”2l8. (?1:1i(l‘(‘;‘rulo1) brillant, G..._... .1.’ . 348. Die schone Melusrne. Jensen, A_ -- _ helmj . ' PIANO AND FLUTE. Resell, Joh., Secret Love. Gavotte...... 50 )' . 11 Suppé, F. von, 6_favoritc Overtures. (Poet Gade, N. ‘V.’ Im Walde‘ P; -01’ Féfoaz Na. 2:113?-A, $1 ;§‘g. 3, A..1 _ _ }‘>;)a11l::—L‘gaz11rka. . and Peasant, etc.) . . . . . . . . . . . . . .. i1ie- . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Lee .. L. . two 0 e ouls . . . . . .. ' *' ' ‘ ' ‘ ‘ " ' . Glese, Tl%.;e0p. 270. Bliim1einVerg1ssn1ein- lLa1ige,’i;‘x., liorteusia. Valse b ' . P3121312 d L . ‘ . FOR nicht. (Forget-me-not.) avotte . . . . .. 5 Edition. (Fingcrecl.) . . . . . . . . . . . . . . , . .. M08 ‘hm 6 Fim7Z{)m"“”"' ' MONIUM (Cablnet Organ). Goblrxaerts, L., 0p.{-16. Chantde la Bergére. Leybach, J., Op. 103. Omwzen, do Bizet. LM°Pie_”'utX am ﬂux’ on g smves . —. OSpt.59.fAllu Stella coniidente. (Bright Fantaisie’bri’llante ....... .. Of1;’breeS‘g‘£i‘;°iSes_Sei,-.511;-it ' Jackson Sam (QEMHOR T'nE OMAN A (l<aal‘tr?bgii)(lI1C...). . {fl} £3 R1%.Veﬂ' Maﬂche Elilitaa. - C_oll’ection o’f 93 Voluntaries and melo- Up.74_ Uup1.iCC_N0Cmrne. _ 21 191150- ( W3 111.: 11‘ -) dlous lllovelnerits, selected ‘and ar- gp. '79. LC gaScMe1]eS> P01k&_Ma_ ~_;l-I - - - - _ ranged for (,hurch Use.‘ Boards, uet..2 00 7.urk9.(le Salon . . . . . . . . . . . . G a” M‘. “pr”? Lefebu.re-\‘VelY- L3 Sa‘“t" . C1‘a1"’ne' ' ' ' ' ' ' ’ ' ' " R0113? 913 N033 P011“ - (Vade Mecum (le l’Organ1ste.) En- L95 Ui1'°“9“e5~ - trées et Sorties, Versets, Preludes, S97”i7’llm’3d€- Pet“ 5i°- Elevations et Commnnious, Oﬂertoires, L65 Plaiﬁilﬁ (111 100119 Age. 6 Marches, etc. For Organ or Harmo- ‘ Svo, 2 Books, each, net ....... ..2 00 On 3 Stavcs: I k 1 G. O .115. Sonata,No.4,F.. ...150 1'3 3p?116.‘ 1% Choral Studies .1 15 Shelley, EH. IL, Spring Song and Scherz . 50 S arks, F. B. Scherzo . . . . . . . . . . . . .... .. olekrnar, vim, Op. 357. 12 Adogios. 2 Books, each . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..1 40 The Orgarrisvs Repel-to_ire. Works of faVO&‘lI.§ Au.tho:isi Regsedlgndsre is- , tere y u ey ue , . . vnbac R, de oar , , . Warren and others: q’uet de Méfodies. Suite 1, 2, euch..... N ._ . ’ uwar1:e,nx)&11egrett0 eras 85 —»— O1) 145. ltcllets ixitimes. 2 Pieces. (N0. ‘VilS0lla m’BV‘."1‘1’i‘ t°:“' (Across C°‘“1‘ ' ‘ ' ' ' ‘ ‘ ' ‘ ‘ ' ' ‘ ' " 1, Dremiiing of Chopin. No. 2, Even- ‘"73 391’ “ mu ' ' ‘ ' ' * ' ' ' ‘ ‘ ' ' ‘ ing Echoes.) ................ .. 60 ~-‘ D§;‘IfiC§I“‘m“’e- (Sweet M“’m‘“5‘) gfggfgi;;1;:i_1j‘f>S,P,$g‘;?,,;f,,,1;,§é.;,..,,. —— Reverie du Soir. (Evening Reverie)... Michel, J., Op. 26. Conﬁdence. Duetto.. Wollerihaupt I-L, Op. 22 _No. 1. Morceau __. op, 28, Les Ranieurs. Barearolle. . . en Forme d’Etude. (FingereL‘l.).... . . . __ op_ 29. Capﬁce-]\[az11rka.., —— Op. 54. The Song of the Sirens. Gr. — Op. 30. Ismttilizt. Tyrolier . . Vztlse hrillzmte. (Fingered)... 1 —— Op. 31. Le Muletier. Impromp -—-— Op. 60. The Stanspangle —-——- Op. 82. Remember. Grancle Va Paraphrase bi-il1ante.. . . . cpa‘ .. . Op. 352 La Galante. Valse de So F —— . Frellrns, C., Fannie Polka Kuhlnsi, an-., Op. 52. 3 Sonatas (ﬁnge p. ‘ iq as No. 28. L‘Alsaeienne Fantu1r.«ie—Valse. No. 21. Zampa. Divertimento . . . . . .. Llchner, 11., Op. 4. 3 Sonatrnas. (Fin- gerc (1), each . _ No. 1, ii . o. 2, in No. 3, in G Liszt, E.<‘r:1nz, Blljlaideng Y’)/151:1. 1:03;; by Cuorm. rngere y . . arsons.. Ludoa/icz,8GI:, «Ii11.tt B(i>lé~éo.....£ . . . . . . .. 35 wees, p _ —A— p. . :1 ‘oc e_e11 ouven. ' , _ Pu, , N 3 .(),_A. z-. __ ‘..1/Elt. S.tB_ No.1\_Talse No.2,o.a, 0., ’lI‘)1'a§i9scr.‘ﬁ . . . . . . . 5 0)‘/)al:e3mig1io§ri1eP..lne ...(.“ee mar) SC11<;§l’«15ChZ,¥‘I°- ‘£7 P01k€l-Mﬂzufkai --—-~ 0 .£(l1. Bel Rose. Valse élé ante..... 75 — Op. 63. Souviens-to . Rem °.- 1 uadrme --- Op. J2. Les Sylphes. Mztzur (1). do So- us. nu. . ST. Pepita. Polka de Salon . . . . 5 —- Op. 64. Réve do Bonheur. (Happy Dream.) Reverie mélodique . . . . . . . . .. — Op: 65. Souvenir du Canada. Dense ——- La Marchc du Dieble . . . . . . . . —— Stella d’Amore. V n . . . . . . . . . . . . . . . . . . , , . . -——- Op. 93. U11 Souiire. Polka. alses " Allegretto grazioso, arr. Op. 94. Marguerite. ——~— Op. 95. Devinette. Polka 1... Op. 96. Toccata, . 97. Berceuse, Ab . . . . . . . . . . . ‘J8. Pluic d’Etoiles. Caprice. . . . . 99. Luciezia Borgia. Font. brill... . 100. Norma. Fantaisie brillante... . 101. Les Fées. Caprice de Genre... -—-u Op. 103. Pensée fugitive. ~«--— Op._104. Motse. Transcription sur la riere ................ .. . 60 . . Galop p. le. Polk =--- Op. 108. ' Réveri . —— Op. 109. A e. -—— Op. 110. Sérénade . . . . . . . . . . . . . . . . . . . . . . «--- 0p.111.Pumamz. Fast. bl'illa.nte..... Lully, J. B., Gzlvotte, Dm . . . . . . . . . . “‘ Gavotte modeme ' L 'sber'»' Ola. Bovy- Op. 144. Grande S hﬁirhe tri.on1phale.., . . . . . . . . . . . . . . . . . ..1 00 35 r, ale from 2d Organ (S. P. VVztrren.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0.4. Batiste, 13., Op. 36. No. 1, Oliertolre, in F. (S. P. Warren. . . No.5. —— Op. 36. No. 2, Offertolre, 60 ..........u....u..no . lzeleontinued. Complete Catalogue of all my Publications and of “Edition Peters” sent on Application. .IMPORTER of MUSIC and PUBLISHER, SOLE AGENT ,f0r “EDITION PETERS” (LEIPZFG), . AQJGBINER & CO. (LONDON). ‘
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Text: 7 333$ \/" 5| l W.cRos ax LONGFELLOW. Music n J.L.HATTON. Maderczvto . _ b heardlthebells0nbChristn1as day - _'ll1 r old falmiliar Carols play, — ' dancl sweet the w0rd_s repeat Of peace on eartl1,go0dwill to men‘. And thought how,ﬁs the dayhadcome The. dint. . belfries of. all Chris-ten_donp . . . . . . .H‘adroll,dl,a.. long‘, tlfxlnbmken s_011g', Of peace on f"_'\ crmc‘. ad li . ,g00dwi1lt.om , Ofpeace on % ,goQdwill to’ 4'> r27Iun.te. MUSIC LIBRIRY I,‘...
Show more7 333$ \/" 5| l W.cRos ax LONGFELLOW. Music n J.L.HATTON. Maderczvto . _ b heardlthebells0nbChristn1as day - _'ll1 r old falmiliar Carols play, — ' dancl sweet the w0rd_s repeat Of peace on eartl1,go0dwill to men‘. And thought how,ﬁs the dayhadcome The. dint. . belfries of. all Chris-ten_donp . . . . . . .H‘adroll,dl,a.. long‘, tlfxlnbmken s_011g', Of peace on f"_'\ crmc‘. ad li . ,g00dwi1lt.om , Ofpeace on % ,goQdwill to’ 4'> r27Iun.te. MUSIC LIBRIRY I,‘ C: N (.1 5 . VASSAR COLLEGE H _ TNE— BELLS.’ .,Til1,ri11gi11g,si11g‘ing on its way, world revolvdfmmnight to day, A—.\_ v0ice,a chime, a chant sub1ime,0f peace 011eafth,goodwi]lto . 3%‘ . Pad: 00 n encirg‘1'<t . But wil _ fnl man now drew the A sword’ Andwarwas > >- cres: m 01 7'" TC‘ rife,and cannons roared . . . . . . ..Andwiththe sound the ca_ro]s drowxfd Ofpeac/e.on Lg L earth, goodwill to noen , Ofpeace on earthgoodwill to then ! L ‘ 4; T rull. /J/J E “ THE BELLS. Paco pm lento. . And in desl-pair I bow’dmyhead‘;"H1erei_s nopeace on earth,’ ’I said’; “For hate strong',and mocksthe song‘ Of peace on earth,g'o0dwill to men 2” . S molfo. pit? cmivnato . peal,d.the bellsﬂnlorel loixd and deep; \ V is L not deacl; nor doth he sléep! wrong‘ shall fail; the right._ prevail,Witl1peac<; on earth, g'00d,Will to men,V\-Tith‘pélace on -S:/‘ ‘if’ ~22” eart , goodwill to 11!. .. ' In * I AM A FRIAR or onnzns GREIY. ,WoRDs,IY JOHN U,KEAEFE. , Iuslc BY_REEVE . ‘Con spirito. Piano . "if 1. I am a fri-Var of or- ders grey.And down "the v,al_1ey I Iiakgeomyway, I pull notblackberry, 2. Af_ter su’pper,0f Heav’n I dream,But that is fat uLlets and c1outedcream;My_self by de_ni - al I . 115/‘ ‘ haw nor hip,Good store of ve-ni_s0n fills my sCrip;My long beald-rol I mer-ri- ly chantM_/here. mor- ti-fy,Wit}1 a gooddain bit of war-den pie; I’m Clo'th’d in sackcloth for my sin, With _ e_ver I 0“ no mo_ney I wa11tWhere_e-ver\I go no money I want.- old sackwine I’m Iin’d with-in,With old sackwine I’m lind with_in .. J. V Andwhylln z;’oplun1p, e rea_:.0n I’ll te11,VVho leads a good life is sure to livewell‘,VVho .A‘ ch‘irp_ing cu is my ma - tin song,And the ves -‘ per bell is my ‘bowl,ding,doug,Andthe I I AM A Farm or qmizns any. ad lib. f'L'\ /L" 0 \J ' ._leads a good life is . . sure" to‘ live we : i _ _ . _ _, . V ._ per bell is my bowl, ding’ dong: .W'hat ba-ron or squ1re,or knight 9f the shire, Llveb . VCS V ’ I m ‘ calla voce. — J : half so well as a ho; 1y friar?Lives half s<)we11,_ half so we11,LiVves half so well as a ho-1y friar, . . . mg,‘ ,\ 7)£f’ _ 1y friar, .21 Lives half so well friar .9. . . I cresc ONE ONLY. . Worms 3‘! JOHN OXENFDRD .l “"5”: BY J'B'wEKERL|‘N' /ll~leg*ro Grazioso . Best of all 0..mens, at my start_ing', I chanc’d to meet a bean..te0r1s- S‘Veet-est maid-€11» how I could love you! Few ri _val you beneath the sun, ,/"""“‘x\ \ /o*""""¥~ _ ‘ / \ P3 ONE ONLY. Bnt_ there /still is .one far . a _ l)ove y0”n‘,. _My 'Ma..x-+y,s’he, oh she’s that .(me., But there still is one far a - bove you, My Ma-ry, sh , oh she’s that one- PP Be-vau - ti_ff1l sigvbls afe e - ver - plea- sant, _I had but gone a lit- tlé Way: VVheu on. the road a fair ‘young? pea- sant,Pass’d me witlh all the fl0w'19s of May; r_.Ro _ sy beau_ty, ‘how ONE ONLY. I could love you , Brig'ht-er f1ow:rs.tha11 yon there are none , Zfjegfjée "vi g 52'2": ‘But there "still is" one far a _ bove -you; My Ma_r_y,she, oh she’s that one. far a - hove you, My Ma_ry,she, oh she’s that one o. Z.____e‘ . \ PP .Now the old town is far be - hind me, Onwandl have no need to go; ' ' . ‘ /—\ -ONEONLY. - .Here is the chain that’sforgf’d to bin me, Nougfhtthat can set me free I know; 2-: 7nJ' Those 0 - thermaid‘s let 0 _ thers lov them, All a - like A I e _ ver will shun: ax mf Ah!there still is one far a - hove them, My Mary,she, oh she’s that Ah!there still is far a - bove them, My Mary, 61 en glissunt . THE TOKEN . Music BY DIIDIN . Avzdzznte can mo to . 1. The breeze wais fresh, the ship in [stays .Each brea’ker hushd. the shore a huze,When Jackmu 2. The storm ,that like a shape-_less wreck. Had strewdwith ri _- ging all the deck, That tars fur Z \_.—— _more on du_ty bcallid, is truelove's itokens 0 - ver - hauhd; The broken gold .‘ thebruide-d_ .sharks hadgiv’ a feast, And left the ship a hu1k_.had ceaS’d;Wl1enJack,as with hismessmates _ hair, The tender mot - to,writ'so fair, Up-on his 'bac_co_box he views, p_0n his’bae..c0_b0x he _ . d , He sh_ar’d the grog theil-hearts to Cheer-,*'l‘ookfromhi§baé.c0_b0x a quid,Tookfromhi§bézc;éo_box" -at LL; ' d/£7" . w‘ views. Nancy the po _ _ et,l0vethe muse, .. ‘ . , quid, Aund spelldfor com ._ fort ‘on the lid‘, U ym‘ “Wes 1’ ' ' ' "*5 I1°"‘3S Y““v NUP3” 50 THE TOKEN . happy as . _ ' 3. The batatle, that wnh hor_ ror V . _ ‘ V 4- V The . v0yage,that hadbeenlongand ' I calla voce. cresc. J /-7 \, 1 ‘\" 7 . gri m Had madly ra _ vagd life andlimb. Had scuppersdrenchdwithhuman gore . And wi A .dow’d manya_wife,- was ‘ ..hard,B'ut.tha had yi 1d- ed full 1-e.ward,Andbroughteaqhsai_1br to s friend Hap_py and.rich,was at an o'er: Whe1xJuck to his companionsdear,Firstpaid the tri .. bute of a tear,Then,as his’bac-c0 x he .end: WhenJack,hist0ils andperils 0’ r, Beheld his Nan - cyifon »the shore:He then the-'bac-co_bo'x dis _. \\:*/ dim. ' ' ‘ ' ' '. ' ' ' ' ‘ ‘I 3 o u o u a a 1 o g o n - ’ T---—-—.:—J? \§.______r____f.4»Z . he1d,Then as his ’bac_co.box he held. Restor'd his-com..f0rt as he spe1l’d, .. r I » .. p1ay’d_.He thenthe'bac_co_box dis_play’d,And ed,ands 'd theyielding-maid, ) Ifyouloves I ' ' ' as loves No pair so hap_py as calla truce , ' cresc . f> I I XLV _' - -I THE VIACAR or my . Melody of the 17*?‘ Century, g Char1es's gold-en daI}'s,WhenI _ a1 James ob-’tai1Ifd the crovm,And 1.. In good‘ 2. “Then ro ' E‘ 1nurca ' J A I . I _ I "I I _ -/-\ I» - -I I III I II I - I I] I I II I I I. I '_J_ -I I T If I H‘ C I I - I I I I I I I I ‘ —|. - ‘ 0 harm meant,A zea .. lous High Churchgmanwgxs I,And s40.,I g0t’pre_ fa- shi0n,The pe - ,na1 laws — I II C fer_ment ;ToI .h00_t:.ed down,AndreadtheDecIar- a _ tion;Thee .- I my‘. a1- ty .n0 ‘ Pqp’. ry camein T teach my flock ‘I nev.. er miss’d,Kings were by'God‘ ap- point - ed.And dannlfd are those that, .Chu he of Rome I ‘foundwould fit Full well my co ‘_s - tu _ tion;And had be--come a. ._ do .re_ -‘=t,0r touchth I.ord’~ _ ‘ t- d. . ., . . . . . 'Je_hsu_§i1f But for th:Re-:: _n011:_ti':m.) And thls ls’, law, I w11lma1n-ta1n, Un _ _t1l’ my dy _ mg. .‘\_X I. I I 1 I I " I ' ' I\ IV I-I I ‘ ~ - I A ' I I I I I M K I I ’ I I I I P I I I L___+; .I d II" I I I I I I 7 Q '“ I ' I I 7 U -I King may reign,StiJ1 Ill be theVicar0f“Bray,Sir.. ‘ Z.‘ I I I’ I I I I I ' I ' y, $i‘r,Tha‘t‘what.;s0 ..e e _ ver ( THE VICAR OPBRAY. - 13 {%.Whe11 Wil _liumw_as‘ our King de-clur’d ,To ease a }1H_'tl()1l',S " g"ri‘eV .' anCe,With this i new wind it _ 4<r._When gra-cious Anne be_c-Amie our Queen,The Church of England’s glo - ry, An - 0 -‘ ther face of 5".fi‘ 1* .. bout I steer’d,And swore t him al - le- giance;Old prin-c -ples I did re- voke,Set things was seen, And I be_came‘ «.a To _ ry', Oc - é'a.. sio_nal C0n-for- mists bas , I conscience at a s _ tance; Pas- sive V o - bedience ‘was a joke, A jest was non -~ re -. ’ . n u - . damnd their mo - der _ a _ tion , And th t the Church in dan _ gel‘ was , B such pre- Va ,. r1‘ _ ‘ “S " ‘a“°e' And this is law, I i will main_tain,Un.. til my dy- ing day, Sir'.Th,at. ca _ tion. 1' what _ so _ e _ ver King may reign,Still Ill be the Vi_car of Bray, Sir.» J. 5 " 6 When George in pud‘ding_time came o’er, And moderate men look'd big, Sir . I turi-fd a c_at-in-a - pun once more , To these I do allegiance swear. And so became a Whig, Sir, While they can keep possession __ § Th’ illustrious house of Hanover. § And thus.preferment I procured , E For in my faithiand loyalty And Protestant succession , From our new.faith's defender , I never more will falter. And almost every day abjured And George my lawful King shall be ,_ The Pope and the Pretender . Until the times do alter . Ami this is law are. And this is law &c. THE LEATHER BOTTEL. Melody of the 179‘ Century , 9 Allegro . VOICE. pmm. l..When ‘ sur- vey _the world a-r0und,The Vw0nd’rous things that o ' a ; bound, The. 2. Now t do you ‘say to these s of .9 Oh, n . in faith, theyc -not be good. For ships _that on the a do swim, To keep out foes, that none _Come in; Well, if the bear- er fall by the w'4y,, Why on the groundyour li _ quor doth lay; But . let them all _ say what they Can:Twas for one end,the use of num, S I . hh. - . _ . ha it bee in a 1 er bot_te1, A1_tho’.’he had fa1l_en all hadbeenm-11,)‘ " W” "'“v’°y W er 17% ‘$7 1*; .e’er he dwell, That first found . . the lea - _ ther bot .. té1\."./. . THE .1.,:A.vH:R sortie . . ‘ 35 T3. ThenVW;lia’t. do you‘ say? (to these’ Then t_ do you sa ‘to those glas_ses fine?0h, they shall have no praise of mine, For L you chance ‘to touch _th.e_brim ts th e?If a m and his wife should 1: a- gree,Why tug and pull till their liquordothvspill; Ina ,f'all's _ l,i-quor_ all therein; But had. it been. in a leatherbot..tel,Andthe '1 -ther bot_tel the ma their fill. And a - wa till theirh ts do ach ,Al1d stag- - per in all‘ had heen well. ye theirliquorno harm can take.) So“ I wish,_him _joy.wher_e’gr he-dwell, That first found‘. 1*? 5 T ’\._/ the lea — _ ther bot- tel. A At morn the haymakers sitthem down . And when thfbbtile at last grows Old .- To drink from their bottles of ale nut-b1-own; And will good liquor no longer hold, In sum tne11,tOé,when the weather is Warm. Out Of the Side}? 7011 ma)’ "lake 3 Clout»/j" Agood full bottle will do them no harm. To m__end your shoes when they’re worn out: . Then the lads and lasses begin to tattle, ’Or take and hang it‘u.p»on a pin, But what, would they be without this bottle? Twill serve to put hinges,and’odd‘things“in . So I wish him joy where’er he dwell , V So lwish. him jay‘ whet-e’er he dwell , I That first found out the leather botté-1'. That first found out the leather bottel . G.N‘." . THE nEu.’s AwA wI’*rHE EXCISEIVIAN . Allegrv; , ./.\ f.'Ihe deil cam d- dling thro’ the t0wn,And _ J .13 s tucc . danc’d a -wa wi’th’E§zcise_ma11,And i1- ka Wifecries, nld Mahotm, I wishyon luck 0’ the . Z“ /‘ I ‘ O I . > I, , »pr1ze,». man‘. The d1el’s a - Va, the d1el’s a _.wa, The (116175 a -Wa W1t_1h.Ex ' . .,I . .. A V, , I ’ . clse- _man:He’s dancd a_wa, he’s dancd_a-wa, Hesdanc’d a_wa w1’LhExc1se-man. THE DE|L'S AWA WI THE EXOISEMAN . 2. .W€ll mak’ our maut , we 11 brew our ‘ drink,VVUl1 3.There’s three_some reels . there’s four- some ree1s,There’s dance - and sing , and re-j0ice, man (1 o _—.n:y b1-aw than to t,he mei_k1e black deil at’s horn - pipes and strath _spe-ys , man;But the ae best dance eca‘ iacam to the land Was the /“\ /*‘\ ’-\ / ZR /___ 5 ’ . a _ Wa,,W1’thEx-C1se _ _ man. .9‘ 7 . . a _ wa w1thEx_C1se - - ‘mm- 0 ) The die1’s a - wa , the die1’s a _ wa, The _/J\/_/ . n’ 7 . r ’ ’ d1el's a .. wa w1thEx_C1se - - mun; He's Mdzgncd a .. W21, h€’s dancd 1 _s 9 . dancd a -wa ,w1thEx-c|se’ - I8 HEARTS OF OAK . Won: BY DAVID GARRICK , MUSIC in DE BOY(iE , Mttestoso. L ‘Piano . . Come'ch"eer, up my ladsftis to glo _ ry we s_t'et'=r, To add somethingnew to this won_derfulyear. To 2. We neer see foes but we wish them to s’ta_y,'They nev_e.r see us but the wi us Qwaa , If the \__( ' \. ’ of .hon_our we call you, not press you’ like slaiées, For who are so free as the sons of the waves. 7 . , . )1-ieartsof , why we fol _ l0w,and ru them a - shore,An. if they wont f1ghtus,we cannot do more. i - -if H . A » /9. ad lib. oak are our ships,jo1-ly tarts are our men,‘ ,We a1.'ways are ready, stea_dy, boys. stea y,'We‘ll calla yoce. fight and will Conquer :1 _ gain and a-gain . ‘”“‘Z/ . -‘If >-V >.IJ. 3 ' Still Britian shall triumph. "her ships plough the sea - Her standard be Justice her watchword,“Be free!" Then cheer up, my lads.with one heart let us sing, Our Soldiers, our Sailors, ‘our Statesmen, our Queen. Hearts of oak &c A LIFE, THAT LIVES FOR YOU. Wonps av L.H.LEW|N. MUSIC ‘BYARTHUR SULLIVAN. Allegro A-m'mato . .$;f' The sweet se - due _ tive arts That c0n-qI1er maiden s’ hearts . . I new - er knew . ten-der pi ..teous sighs , And Jr‘ poco rull. looks from 1ong_ing' eyes , Soft l00ks,that la-diee prizewhen l0v-ers woo, . . poco rt/ll . ALIFE THAT LIVES FOR YOU, (1 tempo .:_>__ when lov..ers wholo; Soft lo0ks,t:hat la - dies prize, “Then lov - - ers- . u t€)_1I})() Tull . "””}’”- Soft. . . looks when lov-ers woo . y winning‘ word 7‘(l . _____‘%_\._ a tempo . 7' W ‘I’! and woo_in lance, _ A ’shiver’d sword . . . . and shatLer’d g' g" 9 _ And hon - ours wrung from but - tle’s chance,A'nd »C7"8S'C‘ 0 hon_onrs wrung‘ from bat;tle’s chance»,BIxt all,. . . . . . . . . all from CUIIH 1'()('(?, J’ 1*-all V’ A LIFE THAT LIVES FOR You, ‘ .S’_f' need to call you fair,A1;dp1:;i's/eyotxr-beatI~.ty rare, . . . . As all V men do ? ,Tis not the. ' sil - ver tongue, Soft ‘ _speeoh and soft-er song‘, ' A LIFE THAT LIVEB FOR YOU . fall. prOy,,es—,rthe loire _ is strong,iThe heart is "true, The heart rall . the sil - ver.tong'ne,, That proves the love Andmite iczmtabile -nan troppo lento; Nay, turn and give thait "palmlw . . . . To "one who yields ,bef0reyo1u- A l0v_ing' heart, a his .. ty arm, A life that lives for 4 ‘Nay, tIII'Ili:'él1ld give that palm . . To one yieldsbeforeyour A LIFE THAT LIVES FOR YOU . Tall. A 10v—iug'heart;. 8 IIIS — ‘ﬂy arm , A life thaq lives, that liveslbr dim ~ calla voce . Tempo I9 ygu . I‘mn}m IQ Nay,tIn:u and give 1; lit _ tle palm (mima to . Vresc . To one who yields before yourcharm, A lov - iugheart , a lus _ ty ralll-. arm, A »lo\'_ ing heart , . life . that calla voce . li\'es. . .for »-.~ 244 THE ARETHUSA . ‘wens aw PRINCE noun: Music n SHIELD Allegro con spirito. voice. Come all y\e/ j0l-ly 9 ~ sai _ lors b0ld,Wh0sehearts ai'e cast h0noI1r’s‘moultl‘,While Enlglish bglo - ry I 0 (1, H1112. \..z . - vra, for-the TA _ re -thr1 _sa. a frigate tight and brzive, As . ev - gar the dashing wave, Her men are staunch to their fav’rite launch;And whenthe foe shall meet‘; our fire, Soon..er thanstrike we'll all ex..p , On board of the A .. re-thII - Sa. . l A _ . THE A.RETHU8A . ’Twas with the spring fleet cruise a - bo11t,When four French sail, in \./ Bore down on the A - re _thr1 - sa. Belle Ponle straight a-head did lie, The A - re - II - sa eeem’d tod fly, Not a. sheet, or 2'1tack,Or a brace did she s d k,Tho’ Frenclrmen Iauglfd, and thought it stuff, Butthey knew notthe hand _ful of men, so to ,On board Ofthe A - I‘e'-thII -sa.. /-3 _ f THE ARETNUSA . The fight was off the Freuchman’slaI1d, ‘V9 drove them back b - on their strand,F0rwe fought till not a Astgickwould gal . lant >A .. e _ thrt _ sa. An'<1_11\ow we’ve -foe a_shore, Nev-er to‘ t with Bri_t0ns»m0re, Let[eaQh fill a glass To his .',and of _fi_cers true, And all that belong to the A .fav’.ri_te lass,‘ A health htojhe cap \.a . jo vial crew, board of the A - r'e'-thu\_sa.. . _!f C.N‘.’5. THE BRITISH TAR. e 27% wom a+.1.v. BRIDGEMAN . e e Mus|c_BY J.L.HATTO,N_. Mztrctzfo . ’“ vows. Come cheer .t.hee,g‘enLle maid_enmine«,Yield not to Craven fears , Nor drown that winiiiiig, ﬁr gladsonie smi1e,In floods. of bit_ter tears; A ‘British sai - lor’s bride,dearg‘irl,ShonId dash such tears a-waiy , M Jixst as agallanf vesselisprov Fling-se } the curling spray; . méf L ‘ V ' ,y~ ,. .s:f \—I English sai’- lor mt1st~n0t shrinkVNhe11Engfland c4a11shimheI1c‘e', ‘ _ His f ifst tiJOIlg'ht;Il‘lT!‘=-St be SJ‘ THE BRTTISH. TAR- .Eng‘land’sfame,H-is dn _ ty,her de_'fence_; And while up - on the blood-stain’d deck There ' -if b%"\___/ stands one single spar , A stick to fly a f1ag,hell fig'ht,As hefought at Trafa1_g'a1:~! 4‘ T -. f ‘V - VJ} . Our sa'i_l0rs are the. FN same theywere,Whenpmud and haughty Spain Her dread Ar -lma _da sent,Ato find De, *2 — feat Hp_.OI1 Chelmain; ‘ Om‘ sei- l0r’splI_1ck,a]l pe-ril scornsflhe world in arms ite,-— THE BRITISH TAR. braves; b Their spirits but with \_/ dan-g*ers rise,As shipsrise to the waves; Then cl1eert,hee, gen- tle maid_enmine,Think, e -A ven tho’ I fall, '" And 0- cean be my ﬁr \../ wind - ing-_sheet,The can - nclfg sm0ke,my pall ; A sailor's grave I shall havefonnd,B_e - _ neaih the ‘roll- ing sea, For England shall have g‘iv’n my life,Br1t left my heart with 4‘ » BLOW HIGH, BLOW LOW. L Music’ BY msmu. ylllegro Moderate . L Blow high,b10w low,let tempests tearThe A mainmastb the Board; My ‘heart,with 1h0ug'hLsof1l1ee,mydear , v And lovewell Sf‘ , -if ">‘ > /9? can (1 {ma . brave all ' ‘ ,scorn all fear,The roar- ing'wi1jds,the' ra - g‘i1;'g-sea,In hopespn shore, .to aud lib. 1 be Qncemore Safe moor’dwith thee , _ . rs calla v0 (2. , f >_ _/ 4 A - loftwhilejal9t1n.tains high xv? go, The whis‘t_ling'winds that‘ send‘ a - long',Audthe mf « e— . « s ~ ?>A .— 9. —j~&j"§ Q‘ 5 ‘ ‘ E \ BLOW HlGH,BLOW LOW. W ar_ing‘ from be_1 /3 1;:-' (Id 2'1 be . calla tﬂ()C’.€. t;empesIstea1-Tllemaiumlast by the 1"_’.)f. can anim t . And l0ve,well storld Shall brave all clan- ./‘> > ra - gingsea, n h0pes,on shore, to be on , S 11‘ mysignal be, to think on thee,Shallmy can as‘ : a .be;to. with thoughts of thee,m déar, ,scorn all fear,Tl1e ad lib. A safe .' . . moorld with thee. Ila race , ar..iug wind V, the.‘ A BLOW HIGH,8LvOW LOW . 7'9)" e11that11i‘g'ht,WheI1 all the crewThe me‘m’r_V of the r f 1ives;0’er f10wing‘cans of flip J. ’ drink th’eirAswee s,‘a11d their wwes , 1,11 heave a si , I_’ll heave a -.s' think on thee;And as the J. con umma , V ship rolls thr0’£h‘ sea The burden 0 mTso11gs11a1l be: Blow low low; let tempests tear The mainmastb ‘theb0ard;My hear with thoughts of .thee,my dear,- s./‘ P can unimu. brave all danger, scorn all fear,The roaring'winds,the ra _ g'ing'sea, n h0pes,on sh0re,to‘be ad lib. it Q I e F r . . L‘Ljz' ‘ 1 I 1 1 _ f . 1 V sa . moofdviith thee. /x /. _\ — I I . ‘-calla vocé .
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Date: n.d.
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEpsgE' NEW v.““ -/ I‘ \\ I \ K (/Z\ /X‘ \ ) _\ /4 J 5‘ I 3* , THE PAST AND’PRESENT...2/. iN‘_’2T, THE SILENT LAND..._......4.2/. , THE CASTLE BY THE SEA12‘./. .v 4, FOOTSTEPS or ANGEL$....2/. , FLOWERS ........................................... 1.2/. 6, TWO LOOKS or HAlR~ .......... E2/. , THE . 8, SPRING‘ TIME ....................... .. 2/. . THE FROZEN WRE"CK.....,........ . I0, oua LIVES ARE RlVERS...2/. . A PSALMOF L|FE_.._.... r. I2, GH|LD...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEpsgE' NEW v.““ -/ I‘ \\ I \ K (/Z\ /X‘ \ ) _\ /4 J 5‘ I 3* , THE PAST AND’PRESENT...2/. iN‘_’2T, THE SILENT LAND..._......4.2/. , THE CASTLE BY THE SEA12‘./. .v 4, FOOTSTEPS or ANGEL$....2/. , FLOWERS ........................................... 1.2/. 6, TWO LOOKS or HAlR~ .......... E2/. , THE . 8, SPRING‘ TIME ....................... .. 2/. . THE FROZEN WRE"CK.....,........ . I0, oua LIVES ARE RlVERS...2/. . A PSALMOF L|FE_.._.... r. I2, GH|LD.REN ................................... .42/. , RES|GNA'T‘l0N..__...._.... . I4, SILENT RIVER .................. I. 2/- ’, MY LOST YOU'TH.._....... , I6, DAYBREAK_'___.__......._..... THE TWO ANGELS........._....T._..2/6. I8, HYMN TO THE NIGHT... __.2/5- ,THE GOLDEN MlLESTONE...2/6. 20, /" '5)” . / E /‘ _\ \ ‘K €€‘ 0}} E, [1 1 6% 7 W““"/$3 \__/ zS"1z(;.5‘//1, /2.’dZZ. U.®R|£l)©W, LEADER 3: COCK, 63, NEW aoun STREET CORNER or BROOKESTREET. Tl“W© . éUﬂ@@{‘..© c. >l‘©|l‘ i‘ POETRY BY H.w. LONGFELLOW. _ MUSIC BY F.’RoMER. ./ILLEGRETTOV I cow ESPRESSIOJVE. L Two Angels, one of Life and one of Death, Passed o’er our e \ PP village as the m0rn.--ing “broke ; The dawnwas on their fa..--- ces, and be-- ‘ ,_\ .. _ The ‘sombre hoﬁsesvhearsed with pltrmes of ‘smoke. -T T: ‘S T Ores V /S /1 7._._..._____.._____ _ at.ti-tude' and as__pect%$~..'erebtl1e same, A__1ike their fea-.1:1Ires and theirrobes ' ’ Brit 1»one was . T crownedwith é----mafanth, as with flame, And one with ‘ /T. /‘T ,,{_-“~ ’_,’'‘'T /T\ KT M Ma)? ;. , Then said I, with deep fear and doubt op__press_ed, * “Beat not -sov L: ‘if... loud my heart, lest thou be-.tray The place where thy be--l0Ved are TT e con espressione. Where thy be_.loved at 7‘rest! in Where thy b¢-_‘ - [loved are he who wore the crown of 4 . a,s..--ph0dc1s, Descend--i.11g, ‘at my door b¢.-gan to knock, soul ‘sank within me, As in ‘Wells the watérs sink an earth.--.quakesV shock. I M The door I opened to my Heavenly gUest,And listened, for thought heard Godfq V/9/9 And, knowing‘ whatsoe’er. He sent was best, Dared neither to la. /°w\“‘—"“’//e --ment nor to re...joi(7e Then with Va smile, that filled the house with ._,-G— H ff 4: " ‘ :‘:£— ‘ / And e’re I answered,passing out of ADAGIO. V L ' Cantabile. ~ On his ce -les-tial embassy he - sped. , ’Twas at‘ thy PF’ door’ 0 fI_-je‘nd!‘_ and not at mine, _ M The Angel with the a__maranthine z—\ /5 \ 7L wreath, M Pa.IIs_.ing, de__scend..ed, aildwithvoice di--V'ine, Wl1is.pered. a X‘'‘\ / \ word L that had a sound like death. _ Then fell Ihfp/-011 the house a sndde Z.._\ 11 fﬁ a o A shadowhon those features pale and thin; _A11d softly, V, fromthathushhénddarkened ‘room, ’T§wvo _An- Vls is-- sued,where but /——§ (-~\ o o o n A é. /“PP All is of Rallentando TEMPO PRI.Mo .- God! ‘ . if He but waxe his hand, / The mists co1-- -_1ect, the rain falls thick - and loud, ” Till witha. V sfnile of light on sea and land, .L0!He looks down fromthe e-part..-.ing Tjfﬂ /-—’-\ r—- ,/" /——\ ,/ /~\Z\/x » Z—\ {x :_:_ Angels of Life 7 and Death a.--.like_ A are ithout His ieave » they pass no threshold ‘ 0’er; Who then, would Z‘$z—~\‘Z‘\Z"“\ //AT/'_\Z‘TZT Cres "“”"" ‘W f wish or dare , believing ‘ t Against His me=sse1<:gers to shut the /—-\ Cres _ \ e con espressione. * _ .. _ _ __ _ ,,.,‘,hz[‘5,,,nh» _______ __ door ‘.3 M ' ’ Against His messengers to shutfhe door‘? Against His ' d 4".’ m - - - e - - . _ 'raN«>n“ ______ -- morendo messengers to shut the door ......................... ................ ..?‘ T -- tan-—--' -------- .— ' ' _ d\, o H.439 TEMPO PR1.Mo .» God! I . if He V but waxe his hand, ’ The mists c0l-_ -_lect, the rain falls thick ' and loud, V I Till with a . V smile of light on sea and land, .Lo!He looks down fromthe e.part.__-ing T ’_T T /'\/“/"‘K\/‘/’‘/\/\ /\ Angels of Life . and Death a..--likeM A are ' ithout His H.439 ieave _ they pass no threshold st oger; Who then, would Z"‘"\r§.tZ"‘{—‘\ //TZTZTZT S -' ‘1!—h( ' f wish or dare , believing M t Against His: Ii1€SSfB3{zg€TS to shut the e con espressirolze. A _ . _ , ._ .: .,»,,gg;,,;AM________ ' Against His messengers to shut the door Against His ¢im_- ek- moreudo messengers to shut the door ......................... ................ '\ Dim. A PPP ._ tan ____________ ._ . d‘ M H . 439 ‘LIST OF NEW SONGS. A LOVING HEART . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .LanrI . . . . . . . . . . . . . . . . . . THERE SAT UPON A LINDEN TREE . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . SING, PRETTY STREAMLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G’. B. Allen . . . . . . . . . . . . OUR EARLY DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . DEAR OLD ENGLAND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ZW7‘s. Gilb/art d Beckett . . . . SONG OF FORTUNE . . . . . . . . . . . . . . . . . . . . . . .IDYLI.S OF THE KING. .Jo,7m Barnett . . . . . . . . . . .. VIVIEN’S SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI'rT0 . . . . . . . .J0/m Barnett . . . . . . . . . . . . LOVE AND DEATH .................. . . . . . . . ..D1TTo ...... ..Jolm Barnett.’ . . . . . . . . . .. WITH THE CAROL IN THE TREE . . . . . . . . . . . .MAY QUEEN . . . . . . IV. S. Bennett . . . . . . . . . . > O MEADOW CLAD IN EARLY GREEN (in D 8: F) . .DITTo . . . . . . ..W'. S’. Bennett . . . . . . . . . . ’TIS JOLLY TO HUNT . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI'I"r0 . . . . . . . . W. S. Bennett . . . . . . . . . . STILL LET ME SING TO THEE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ste7‘l'cl . . . . . . . . . . . . . . . . LOVE AND FEAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jllfss Smith . . . . . . . . . . . . BLOW, BUGLE, BLOVV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lo7-(Z Charles T /Lynne . MY FRIENDLY HARP! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .F1'ank Rome?‘ THE ORPHAN’S PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MI'ss Dolby SLEEPEST THOU? WAKEST THOU? MAIDEN MINE . . . . . . . . . . IV. V. IValtace . . . . . . . . . . SWEET ROSEBUD OF GLENARRA . . . . . . . . . . . . . . . . . . . . . . . . . . . .L{nlc_z/ . . . . . . . . . . . . . . . . . . AS I SAT BENEATH A WILLOVV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fran7s Romcr . . . . . . . . . . . . THE JOY OF FRIENDSHIP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Br:et/zozwn . . . . . . . . . . . . . . SOLITUDE.........I . . . . . . . . . ... WHEN BRIGHTEST HOPES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . II. Con(/ran . . . . . . . . . . . . I TRUSTED TO A FAITHFUL HEART . . . . . . . . . . . . . . . . . . . . . . . . ..A. III. IV}/alt . . . . . . . . . . . . ’MID THE WILD-WOOD’S LEAFY BRANCHES . . . . . . . . . . . . . . . . . .1I[end(:lss0/In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Rnsa Lyne.............. THE SPIRITS SONG (transposed edition in D minor) . . . . . . . . , . . . . . . .}Iay.rl/2. . . . . . . . . . . . . . . . . WHEN DAY IS BRIGHT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Ha!ton . . . . . . . . . . . . . . .. AWAY TO THE FAIRIES’ WELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Lm2d . .' . . . . . . . . . . . . . . .. WEEP NO MORE! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jllfss S'nzz'r7L WE WERE PLAYMATES IN CHILDHOOD. JVILLIAM AND SUSAN. . Tully . . . . . . . . . . . . . . . . .. THE BOATMEN’S SONG (and Chorus ad. lib.) . . . . . . . .DITTo . . . . . . . . Tully . . . . . . . . . . . . . . . . . . I LOVE MY LOVE IN THE MORNING . . . . . . . . . . . . . . . . . . . . . . . . ..G. B. Allen . . . . . . . . . . .. THE YOUNG MOSS ROSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jo/‘an Barnelt . . . . . . . . . . .. THE ANGEL OF PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ﬂI. W. B«_Z/(3 . . . . . . . . . . .. ZEPHYRS OF THE GOLDEN MORNING . . . . . . . . . . . . . . . . . . . . . . . ._4bt . . . . . . . . . . . . . . . . . . .. ' A BEAM OF SUNSHINE . . . . . . . . . . . . . . . . . . . . . . . . . , . . . . . . . . . . . . . ..W. V. Wallace . . . . . . . . .. POOR LITTLE BIRD, THY SWEET NOTES HAVE BEEN RINGING M2's. Wzzm .......... .. I MURMUR NOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bcne(12'ct . . . . . . . . . . . . . . . . LONE STAR...... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..W. V. Wallace . . . . . . . . .. DAWN GENTLE FLOWER . ................................... . . W. S. Bennett ........ .. COME NINA, COME! ......... .... . .. .................... ..G'iugIim' .............. .. KATIE’S LETTER (in E & G) ......... ...................... “Lady pufm-A ........ .. THREE FISHERS (THE) ...... ............................ ..Lahee ................ .. 1 BEHELD A FLOWER BLOOMING ........ ................ ..H. Snmrt ............ .. OLD HOUSE BY THE "LINDENS STOOD ....... . . . . . . . . . . . ..Jmnes Bennett THOUGHTS OF THEE MERRILY, MERRILY OVER THE SEA .. ...................... V. Wallace .... COME INTO THE GARDEN, MAUD ...................... ......Jozm Barnett ...... .' . .. THERE IS A NAME I NEVER BREATHE ...................... W. Balfe. . . .. ..... .. I KNOW WHO! SING, MAIDEN, SING .... ........ . . . . . . . . . . . . . . . . . . . . . . . . ..FranzKe1,'zer..... . . . . . ,. .. . . . . . . . . . . . . . . . . . . . . . . . ......Mrs.Groom . . . . . . . . .. . 2 2 2 2 2 2 2 2 2 0390303COG9®C3OC3O5OOOO¢IOG©O¢2C2’aOOOOOIOOOG5CGIOOOCDOOOOOOOOOW LEADER AND COCK, 63, NEW BoND STREET, CORNER or BROOK STREET.
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Text: \ _/ I _ I :\ ’ JV / » \ \ X \‘ _< g " ’ ~ I _g‘ \ \ ‘ \\ B / < \ ,7 \/ \\\:TI;;/ AN1D> , »«L//“* ‘” ,/f:;E;:§;;:> xx Q. Z V‘ '"'\ //\ \',/ / // \ S/§€@ﬁyE jlﬂinmihirg $ Ky 1*”/~? L \ \\r’x”3‘\~%i /) V’ /‘/-4, A , % C/* H, 7 . A C§é%;:%%Z;a?é%%7a§%,n%%:§;%?&%%/ /F‘ { % x ﬂ \ a $32 A Ea“ [am %if ma \ .\ . \ /‘ft’ //"\ a\/ .3*"’ > ,x ; w—3 M4 » A¢\7[ R ;%L°L.9M%£&Q9&/x 2- \ / //‘7T*\gE“// .. * . /’/)“((‘6 Z/70' ‘\ / J “*?T.¢)A,5...
Show more\ _/ I _ I :\ ’ JV / » \ \ X \‘ _< g " ’ ~ I _g‘ \ \ ‘ \\ B / < \ ,7 \/ \\\:TI;;/ AN1D> , »«L//“* ‘” ,/f:;E;:§;;:> xx Q. Z V‘ '"'\ //\ \',/ / // \ S/§€@ﬁyE jlﬂinmihirg $ Ky 1*”/~? L \ \\r’x”3‘\~%i /) V’ /‘/-4, A , % C/* H, 7 . A C§é%;:%%Z;a?é%%7a§%,n%%:§;%?&%%/ /F‘ { % x ﬂ \ a $32 A Ea“ [am %if ma \ .\ . \ /‘ft’ //"\ a\/ .3*"’ > ,x ; w—3 M4 » A¢\7[ R ;%L°L.9M%£&Q9&/x 2- \ / //‘7T*\gE“// .. * . /’/)“((‘6 Z/70' ‘\ / J “*?T.¢)A,5“{ . y ‘ 11 ‘ 0 i}‘i) @> l©N®®Nq BOOSEY & SONS. 28. H0'LLES STREETOXFORD STQ v MUSIC LIBRARY -ix - - o THE ARROW AND THE SONG. THE POETRY xv THE Mcsxc BY l.()N(-‘FELLOW- M. W. BALI-"I<I. ./U01. T0 M0Dr:R.4 TU. I'()ICI4.'. PIA .‘\'(). §.______J in _ to the air ............ .. It fell to eurtvh I shot an Arrow kxmw not wllere, For sqswiftb- ly it flew, ii??? /9/9 s«i“§,~'l1t Could‘ not ful_|uMr |Ht_; The sig'l1t could not in its flight. I breatlxcd a Song in __ to the air ‘ . . . . It fell. to earth I know not Wlxcrc, > / >Fm‘ who has sight . . . . . . . . . . .. so keen and strong‘, That 1t can fol _ low thv Hi_;;‘ht of a. snug‘ ' Furwhu has sigllt ‘ keen; and so .st\'nnn;_r 4 . . . . . .. That it Cull ful - , -. _ 1'owtlw1'li;_;-lxt [of :1 song‘? Long, long af'terwurd . . . . . . .. in an oak . . . . . . . . . . . . .. I found tlw Ar- r«.,v\J PP still lmbroke; And the Song; f'ru1n he _ giin11ing'* to end ‘I found ii_g'ai11 the heart of friend . And the Song fmnlbe- 3 _ gi111\i||g to end . . . . . .. I f(_)und a_g‘ain in the heart ‘of :1 friend . q-0* ««- L, ’<3:., :7; 2%s~.;,,»'~. :$ ~u,=a:ss.;\e;~:x>:a‘&e=er 3:4, found u_g‘uin , — found u_g'uin , — I ﬁmnd a_g;'aIiII in the heart .............. .. aﬁ friend! Tempo l”.’° /J/J/.) SONGS AND BALLADS BY " OLARIBEL.” S COME BACK TO ERIN. Composed expressly fvr Madame ' - MY BRILLIANT, AND I . . . . . LEMMENS-SHERRINGTON . . . . . NORAH’S TREASURE. Sung by Madame SAINTON-DOLBY . I CANNOT SING THE OLD SONGS. Sung by Madame MARION’S SONG. Third Edition . . . SAINTON-DOLBY . . . THE LIFEBOAT (for Baritone). Words by Lord STRATFORD DE REDCLIFFE . . . . . Is- o °=+r—o:9n ooo” THE OLD HOUSE ON THE HILL DO YOU REMEMBER? . . GOLDEN DAYS . . . . BLIND ALICE . . . . . DREAMLAND. Sung by Madame PAREPA . . FIVE O’CLOCK IN THE MORNING. Tenth Edition I REMEMBER IT. Sung by Miss PooLE . . . JANET’S BRIDAL. Sung by Madame PAREPA. Tenth Ediiion , »JANE’I"S CHOICE. Sung by Madame SAINTON-DOLBY. THE BROOK . . . . . Twentieth Edition . . . . . . THE TWO NESTS. Illustrated . . LITTLE BIRD, LITTLE BIRD ON THE GREEN TREE; THE SAILOR BOY . . . Or, “Loyal je serai, durant ma, vie.” . . THE OLD PINK THORN. Illustrated . LOWLAND MARY . . . . . . THROUGH THE JESSAMINE . . . . MAGGIE’S SECRET. Sung by Madame SAINTON-DOLBY. WONT YOU TELL ME WHY, ROBIN? E,-97”], Ed[;j0n__ Tenth Edition . ’ . . . . . 4 “ YOU AND I.” Sung by SIMS REEvEs. Sixth Edition MILLY’S FAITH . . ‘ 3 PIANOFORTE ARRANGENIEONTS OF CLARIBEL’S SONGS. . JANET'S CHOICE. By BRINLEY RICHARDS . . _ CLARIBEL GALOR By E_ AUD1BEm._ I11ust,ated . JANET’S CHOICE. By DUMAS . . . . 2 0 _ CLARIBEL POLKA B E A . “JANE’I"S CHOICE” WALTZES. OD Cmmsmxs Songs. MAGGIES SECRET’ B’; K'UH:D“3ERT ' 4 0 ' ' Illustrated. By MUSGRAVE . . . . ' . CLARIBEL VALSE. On CLARIBEL'S Songs, by Cums ‘ MAGGIE“ SECRET BY DUMA5 - - - ' Com. Illustrated , , , _ _ 4 . TAKE BACK THE HEART. By J. A. WADE . . . CLARIBEL QUADRILLE. On Cmmsmxs Popular Songs . FIVE 0’CLOCK IN THE MORNING. By J. A. WADE and Ba11adB- Illustrated 4 . I CANNOT SING THE OLD SONGS. By J. A. WADE . TAKE BACK THE HEART . . . — THE BELLS’ WHISPER . . . PRIEZ POUR ELLE . . . . SUSAN ‘S STORY - . . SPRING-TIME. Companion to “ Dreamland.” THE BLUE RIBBON. Illustrated THE BROKEN SIXPENCE. Dlustrat 0093 IF ¢0D30°C.OC)DOD<‘.DC)Ov# O OOOOOOOOO otooontooun u no It .- O003036OC)0€.)O<D3A‘a3C)9f)909¢A?C)303OO OOOOOOOOOOOOOCO SIX GEMS OF OLARIBEL, EASILY ARRANGED FOR THE PIANOFORTE. Price ls. each. ' 1. MAGGIE’S SECRET. 4. WON’T YOU TELL ME WI-IY, ROBIN? 2. JANET'S CHOICE. ‘ 5. YOU AND I. s. FIVE O’CLOCK IN THE MORNING. 6. TAKE BACK THE HEART. SONGS BY VIRGINIA GABRIEL. THE LADY OF KIENAST TOWER. Romance. Poetry by WEE}? NO MORE. Sung by Madame SAINTON-DOLBY J. R. PLANCHE, Esq. ; composed expressly for and sung by THE SKIPPER AND HIS BOY. Sung by Madame SAINTON Madame SAINTON-DOLBY . . . . . DOLBY. Tenth Edition . . . . NIGHTFALL AT SEA. Reverie . . . . RISE, MY SOUL. Sacred Song. Sung by Mr. WILBYE COOPER DREAM, BABY, DREAM. Sung by Miss BANKS . . THE LIGHT IN THE WINDOW. Sung by Madame SAINToN- OH! MAY’ST THOU DREAM OF ME. Serenade for Two DOLBY. Fifth Edition . . . . Voices . . . . . . I DO NOT ASK TO PRESS THAT CHEEK . IPIANOFORTE ARRANGEMENTS OF MISS GABRIEL’S SONGS. NIGHTFALL AT SEA. Reverie . . . . 3 0 H THE SKIPPER AND HIS BOY. Arranged by B. RICHARDS. NEW SONGS BY “DOLORES.” “ CUSHA.” Poetry by JEAN INGELOW . . . 3 N THE FOOLISH SHEPHERD, a Ditty. Words by HAMILTON UNCHANGED. Song. Words by W. C. Bmmm, Esq. . 3 0 AIDE, Esq. . . . . . . NEW AND POPULAR OHRISTYS MINSTRELS’ SONGS. THE CUCKOO’S NOTES. Composed by C. BLAMPHIN. Sung IN THE MOONLIGHT LONG AGO. Composed by J. R. by Mr. J. W. RAWLINSON with great Success. Illustrated . THOMAS. . . . . . . SWEET EVELINA. Sung by G. W. MOORE . . . ANNIE LISLE . . . WIIEN JOHNNY COMES MARCIIING HOIWE AGAIN . DEAR LIOTHER, I»LL COME HOME AGAIN . COIHPOSGCI J. R. IFHOMAS Composed F. WHY AM I SO HAPPY? Composed by F. WIDDOWES WIDDOWES . . . . _ _ _ BLOWING I WEEPING SAD AND LONELY ' ' ' MARYLAND, MY MARYLAND _ . _ SOFTLY FALLS THE MOONLIGHT. . . IT IS MY COUNTRY’S CALL . . THE BONNIE BLUE FLAG - - 3 O l\Dt\9l\9l\‘.'>l\'>C«O€.D<'.O0D QQOOOSOOOO N 0 W R E A D Y, In Three Volumes, Price 45. each, handsomely bound in extra cloth, lettered and gilt edges; or in One Elegant Volume, Price 12s. OI-IRISTY’S MINSTTRELS’ SONG BOOK, CONTAINING 180 OF THE MOST POPULAR MELODIES. FORMING THE BEST AND MOST COMPLETE COLLECTION OF THESE POPULAR SONGS PUBLISHED BOOSEY AND 00., HOLLES STREET, LONDON, W.
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Date: n.d.
Text: .275./mvafezi hi I Prof. Iﬁkm/"l§Merz. ,_ 2;» ; / I W;‘:%‘\“ ' \: Ix /V /— ‘s > <3 , T-:3‘ Q’ \ Wﬂ/wCsj,/7j*{,.«)C. , ' ; gv / M 4 ‘W “ \\ §;;%*<‘Jgg§ﬁ;§[ﬂ:,\\mJ ., ~— :3; Jpytvﬁténof “ 4A Published by S .'Bn:a'1narH Y! Snn§.Z[i3 ‘Eugen-inr Street EnlE/aL'n7m7'/ﬁg/riﬂr/ufl’ang/‘£55A?/Eﬁﬁ1Iy.M,Eu7rs=rﬁé01&[a «57 my £’>’£-W5 ./17$}: afr,/.‘»'m',"é2‘;:".rm::'-f‘:/,7 ﬂrrwénvav ._, . uusoc Lolnnnv RSSAR .9 \‘ . —-~"V...
Show more.275./mvafezi hi I Prof. Iﬁkm/"l§Merz. ,_ 2;» ; / I W;‘:%‘\“ ' \: Ix /V /— ‘s > <3 , T-:3‘ Q’ \ Wﬂ/wCsj,/7j*{,.«)C. , ' ; gv / M 4 ‘W “ \\ §;;%*<‘Jgg§ﬁ;§[ﬂ:,\\mJ ., ~— :3; Jpytvﬁténof “ 4A Published by S .'Bn:a'1narH Y! Snn§.Z[i3 ‘Eugen-inr Street EnlE/aL'n7m7'/ﬁg/riﬂr/ufl’ang/‘£55A?/Eﬁﬁ1Iy.M,Eu7rs=rﬁé01&[a «57 my £’>’£-W5 ./17$}: afr,/.‘»'m',"é2‘;:".rm::'-f‘:/,7 ﬂrrwénvav ._, . uusoc Lolnnnv RSSAR .9 \‘ . —-~"V X ozo Q ~\~»-»»— . 7 ' Ilords by L()NGI<‘ELL()W. }[u.;-g‘(- by MISS L, E_gTQ1)DAR]),. \‘ K ‘*2 Andante. 1 '|‘h¢ sun . is bfight, the air is clear, ’.l‘he dart I ing; Iwal ~— lows 2 A11 thingy . new, the buds, the leaves, ‘That giid the elm trees 3 Mai — do-n, \ that roads‘t this sim —— pie 1'?!)-IIIQ, l:1~. joy thy youth. it soar and sing; Tram the .~.-fate nod. ... ding (-rest, 2-v_.vu {lav smn will not stay, , my {the fra grarwo the blue —- bird i11g. -*'p.l'ing. There- are no ' getrs no-st. For Uh? it ' 1 May: May! blmx yarn ‘Rind ' V ‘ er flows, K It 5901119 thixms 1‘e....jn.i«p,o ‘ and low; 9.3;! _3oy- the spring; ‘ and Xollfh. the sky , ‘When. wait’ - ing ii]? <1e_1::,<m; ’ ~\_zI.~1 l93n‘11‘.4. from the the rest; For Time will tcﬂb South wind blows, freiszht — ed clouds heavens a — bove, melt — in; ten noon the truth, are no lie. night. ' nut!
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Date: n.d.
Text: J. ‘_ 58 A5». I} To A D :.~\, .9. /‘Z035’/f7HA/, L/THU‘ COMPOSED EXPRESSLY FOR AND SUNG BY THE POETRY BY THE MUSIC av ENT. STA.HALL. «E»; 0A/[7,0A/Kb» DUNCAN DAVISON & C9 244-,REDENT STREET,CORNER OF LITTLE ARCYLL STREET. K W O V U. ﬂu N C. we PL MUSIC LIBRARY VASSAR COLLEGE 3-oucm’-.:

Date: n.d.
Text: am // ‘g /,// J \ / ‘\ .// V T v_ T T \ 1i;€j;é&; by J; % W 1“ . jé’, <Z)J\V'(67'4/2'*77j',4"(,_£a///,”) L’/V183’ AS 07)Z\V(§2'..SS' in M12 AW/(I/A$S'»)’//"",.4I/4 /Z’? (0 7//@ 517 /[:7 71 Y, WW COMPOSERS JULES NORMANN EJ.WESTROP WEBER JULES NORMANN 6978<8, EXCELSIOR 7:588:19, PSALM OF LIFE 75()&5!, FOOTSTEPS OF ANGELS 7958<8, THE SLAVE'S DREAM 94-8&9, THE VILLAGE BLACKSMITH CARL REINHARDT 9558<6, GOOD NIGHT!...
Show moream // ‘g /,// J \ / ‘\ .// V T v_ T T \ 1i;€j;é&; by J; % W 1“ . jé’, <Z)J\V'(67'4/2'*77j',4"(,_£a///,”) L’/V183’ AS 07)Z\V(§2'..SS' in M12 AW/(I/A$S'»)’//"",.4I/4 /Z’? (0 7//@ 517 /[:7 71 Y, WW COMPOSERS JULES NORMANN EJ.WESTROP WEBER JULES NORMANN 6978<8, EXCELSIOR 7:588:19, PSALM OF LIFE 75()&5!, FOOTSTEPS OF ANGELS 7958<8, THE SLAVE'S DREAM 94-8&9, THE VILLAGE BLACKSMITH CARL REINHARDT 9558<6, GOOD NIGHT! BELOVED \ D° 964&5. THE GREENTREES WHISPERED LOW8<M|LD D° WW 859&60, THEOLD CLOCK ON THE STA|RS 895&6, THE REAPER AND THE FLOWERS 904&5, STARS OF THE SUMMER NIGHT 950&5l,BEWARE’. BEWARE! 3528<3, THE RAINY DAY 96680, THE DAY IS DONE COMPO5[ﬂ& R.sT6PEL CARL REENHARDT FRANZ KULLAK DD CARL REINHARDT DO LL L0) N [D '0 EN: MUSICAL BOUQUET OFF!CE,I92,H|GH HOLBORN; :9. J.ALLEN, 20,WARWICK LANE.PAT‘ERNOSTER R‘O_W. 7 Mlluuc uinnnv vnssm coLu:(-.5 THE VILLAGE BLACKSMITH. Poetry by H .W. LONGFELLOW. Composed by CARL REIN]§{ARDT.. ‘ A A A " .MODER.4TO. I Un _der a spreading ches-nut trees The vil _..lagi,e Smithy The smith a niigh t_y ~m-an is he,VVith_ ilargeiand si-newy hands; And the muscles of his brawny arms Are strong as 1 _iron _ba_pds. '.H_i‘s hair is crisp, and black, and long, His face is like the tan; His brow is ‘wet with o Chairllrﬁ Mackapﬁ SW35 IN ma Muﬁiral Bnuqmt; JOHN BROwN,0.R vva A GUINEA 1 CAN SPEND,jV‘f‘d’£a’z§’c6,» ENGLAND, DEAR ENGLA'ND,J44é‘é’c7,< HAwIHpg-in AND THE. |vv,_/¢¢a>&y,- DR.EAMlNG, mu DREAM\NG‘.]4Jﬂ&.5j,- HAL AND ms r.ax.aNos,14i2&-.3,.1Ha may nAm=,},!5«¢A2~.;
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Date: n.d.
Text: I. i A ‘<N\«“\/\/(5.Pd8 by V‘ W _ Music by H.W1I,0N.GFELL,0W. H V ' ‘ STEPHEN {;.LQ\/ER, ./[3 /0/Vﬁﬂﬂ/V0 . ROBERT COCKS 8: C? NEW BURLINGTON STREET A N ‘i’ V I/V7”'S7—’4'/MAL’ by 31730131 Appointmeﬁi A I V /’/?/6’[, AJESTY.0UEEN VICTORIA, /~‘ ‘ Musuc uamuw VASSAR COLLEGE rm '».".'4'-2 ' ‘«‘=;':. .‘:.?.W \'f.'I!!K

Date: n.d.
Text: E/VT. .YT4..‘/ALL. &.TO HIS MAJESTY THE EMPEROR NAPOLEON Ill. u4;.':».;c. !.m,-warn’ '-.-'.¢—.3’5AR COLLEGE PoL=c.Hs<££v-sot. new vonx

Date: n.d.
Text: 0 D ILLID N <5} FE lF_4'JC Lil) “W 7/Xi J/Z/f/C‘ CU/I//70550 A4051?/CATEZ7 7'0 lWRf3Lv‘?\uf§3EZ‘§ULRM@W7T E3[ULF?:[Klf%HE3Vo Eﬁg ' L0) CD ll: (Q) S 0 L0 NUUN: CHARLES JEFFERYS, 67, BERNERS ST OXFORD ST MUSIC uannnv VASSAR COLLEGE POUGHKEEPSIE, NEW vonx

Date: n.d.
Text: ﬁx ’ \ 4 = ~§M V (V), M&N. WRITTEN BY [~”~JWuLL@ @ MUSIC COMPOSED MUSIC usnanv VASSAF: COLLEGE Pouauxsersue. new vonx

Date: n.d.
Text: .\ . H/Iv V. . ‘ CTON R gm LONDON-.ROBERTEDCKS&C‘? NEW BURLINGTON STREEIREGENTSTREETW. -”5 % BY SPEC/AZ AF/"0/I-"/7’ME/V7’ / PM No 50¢!) ms’ 9/5//A/ms‘ 5/I W/us/:91/291//5H.ms 7”/J /’-/Ti}/x‘,/14/4u'/21S'7'>’ Qam/v V/CW/?/A H/S /WVA/4 H/EH/V1:”z3S THE P/?/N55 cw WA L5‘; {/0 CA L 0(/E7‘. 4/ I W " EAsrmv 9MA[4»[,W0()02,/6 _ /D/AN0[7UETEA5Y5MA1.;.W00z9 3/1 §_ ~ W-'1/5/ryﬂgsy 0/773 7/: MAY BE SUNC IN PUBLIC WITHOUT THE PAYMENT OF ANY FEE. U0. I/E/BYEASY ...
Show more.\ . H/Iv V. . ‘ CTON R gm LONDON-.ROBERTEDCKS&C‘? NEW BURLINGTON STREEIREGENTSTREETW. -”5 % BY SPEC/AZ AF/"0/I-"/7’ME/V7’ / PM No 50¢!) ms’ 9/5//A/ms‘ 5/I W/us/:91/291//5H.ms 7”/J /’-/Ti}/x‘,/14/4u'/21S'7'>’ Qam/v V/CW/?/A H/S /WVA/4 H/EH/V1:”z3S THE P/?/N55 cw WA L5‘; {/0 CA L 0(/E7‘. 4/ I W " EAsrmv 9MA[4»[,W0()02,/6 _ /D/AN0[7UETEA5Y5MA1.;.W00z9 3/1 §_ ~ W-'1/5/ryﬂgsy 0/773 7/: MAY BE SUNC IN PUBLIC WITHOUT THE PAYMENT OF ANY FEE. U0. I/E/BYEASY [J/T7'0., 7/= ;, MUSIC‘ usnanv VASSAR COLLEGE POUGHKEEPSIE. NEW YORK
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Date: n.d.
Text: [/V7. 5724. /MM. BOOSEY &. SONS, HOLLES STREET. KE‘LL/ BRHS Llf/4?.‘ C‘-(SHE S’/1/IILBD/N. .-.2u:~:ec usmxnv V£\$3A.’f2 COLLEGE pouounszrsvt. «cw vows

Date: n.d.
Text: @°~@)7@”x‘@“@l‘i$‘E’a, E“ mm wﬂmsuﬁﬁﬂiﬂ [1 J \/V\) 1 J,u11§?1§Lﬂ’Lj§D 4 L’l)1V</?}~_’7'.V/XE,/ZLZ//W” L’ 3:/).7-aV’Lf?,.S' in ///«cf Z~'iLZ 10/ ff)’, //“.5 COM/’0S[I?$. /V".5 com/>055/as. G97&8, EXCELSIOR JULES NORMANN 859 &G0, THE OLD DLOCK ON THE STAIRS R.STDPEL 738&9, PSALM OF LIFE E.J.WESTROP 895&6,THE REAPER AND THEFLOWERS CARL RFJNHARDT 750&5I,FO0TSTEF‘S OF ANGELS WEBER 904&5,STARS OFTHE SUMMER NIGHT FRANZ KULLAK 7958<6,THESLAVE&apos...
Show more@°~@)7@”x‘@“@l‘i$‘E’a, E“ mm wﬂmsuﬁﬁﬂiﬂ [1 J \/V\) 1 J,u11§?1§Lﬂ’Lj§D 4 L’l)1V</?}~_’7'.V/XE,/ZLZ//W” L’ 3:/).7-aV’Lf?,.S' in ///«cf Z~'iLZ 10/ ff)’, //“.5 COM/’0S[I?$. /V".5 com/>055/as. G97&8, EXCELSIOR JULES NORMANN 859 &G0, THE OLD DLOCK ON THE STAIRS R.STDPEL 738&9, PSALM OF LIFE E.J.WESTROP 895&6,THE REAPER AND THEFLOWERS CARL RFJNHARDT 750&5I,FO0TSTEF‘S OF ANGELS WEBER 904&5,STARS OFTHE SUMMER NIGHT FRANZ KULLAK 7958<6,THESLAVE'S DREAM . .......JULES NORMANN 950&5|,BEWARE‘.BEWARE! D°. 94-8&9, THE VILLAGE BLACKSMITH-. CARL REINHARDT 95286, THE RAINY DAY CARL REINHARDT 955&6, GOOD NIGHT‘. BELOVED. D° 9668<7, THE DAY IS DONE D° 9G4»8<5, THE GREENTREES WHISPERED LOW&M|LD D° D. (ID RI ID) (I) N: MUSICAL BOUQUET bOFF|CE,l92,HlGH HOLBORN: &J.A‘LLEN,20,WARWl‘C.K LANE,PATERNOSTER ROW. N°.5964.& 965,MUs1c5L BOUQUET. > MUSIC Luamlnv "/ as n vassan COLLEGE L POUGHKEEPSIE. NEW YORK :5 \<' EKG GREEN TREES WHISPERZEID Low AND MILD. tEoe_tr.y {by H.W. LONGFELLOW. Composed by CARL REINHARDT. _.e?1,ND./1JvT1Jv0. VOICE. The greentreeswl1is_——per’d lowandmild, It was a sound of joy, were my play--mates when a child, And r()ckH me in their arms so wild, No.5 964 8: 965 Mttsical Bouquet.
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Date: n.d.
Text: 4 Q5; . W X 55 LONDON; ROBERT DUCKS 8c C‘? NEW BURLIEETUN STREET, REGENT STREETW. EV SPEC/AL APPU//\'/TM , A/Z/J/'6 Pl/A91/J/if/?J_ /W /#71" M175/'/2/?/I/I/ﬂ//0' A//4:/ELSVV Q1/ff/7 V/C75/7///,//./K //. 7//£ P/f//V55 [IF IV/'7/£9, J2/5’/M 7/if EMPE/T0/f /Y/'7/701/E[//Y ///V MUSIC LIBRARY ‘ VASSAR COLLEGE POUGHKEEPSIE. NEW YORK

Date: n.d.
Text: * London. ; ‘ /264. W.PAXTON, l9.0XFORD ST¢RE%ET.VW. MUSIC LIBRARY VASSAR COLLEGE poucuxcspsvz. NEW vonx E} R 0 E G ti 0 WRITTEN BY COMPOSED BY H. w. LONCFELLOW Esq. J Miss M. LINDSAX “KEY Eb Alrddante gonzes _s§io end V©u©& stood on the bridge at mid_-_night, As the E'7llé\B‘J® E?©R‘J‘E*.. l:m.m mt-lrlnz .m f°fl:1I clocks were strikixxg the hour; And the moon rose o’er the ei_ty, Be- 1'33‘--rlm:—-..r* ,hind. the dark church tower. . And like the waters rushing A--_mong. the...
Show more* London. ; ‘ /264. W.PAXTON, l9.0XFORD ST¢RE%ET.VW. MUSIC LIBRARY VASSAR COLLEGE poucuxcspsvz. NEW vonx E} R 0 E G ti 0 WRITTEN BY COMPOSED BY H. w. LONCFELLOW Esq. J Miss M. LINDSAX “KEY Eb Alrddante gonzes _s§io end V©u©& stood on the bridge at mid_-_night, As the E'7llé\B‘J® E?©R‘J‘E*.. l:m.m mt-lrlnz .m f°fl:1I clocks were strikixxg the hour; And the moon rose o’er the ei_ty, Be- 1'33‘--rlm:—-..r* ,hind. the dark church tower. . And like the waters rushing A--_mong. the wooden 1264* r 71”‘ Bridge. MISS M‘. LINDSAY.
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Date: n.d.
Text: B}/;%_ \§ ‘H J .\‘_. I?’/. . J_ V 7 ‘ x V V .,?1;\‘;_H 3 E ‘ \_N ’ ' T ‘ ‘{\‘.‘”_“ _ ‘ T T ‘ ~ r:y\\)“1— E . My .‘ ~;;,/ ft- ‘ H \ \ T‘ TT_‘T\y;V>‘E\\/T C} . \\ O \\ 77-D ﬂ L 1/’ E '7/ :3 " \‘T‘ T‘_ T‘ : ‘IT ‘ ‘l.“ T1§LTWw.i* 1[Tj|T.‘T‘.‘TT_lJ"‘ 1~'W_f\ — — T T"Ir«'(T T /——-A ,. V “ ‘T VLE '» ”> 4 / ” iT\‘F0 B M E113 5 UPRANU . A J ‘EB B Alto. IIHEARTHEWEE3%RDS|NEING 1/,7/E.~z, mwns [JUNE ‘Ea//2: 50 SPIRIT UF AH? [.731/af//1,7 Z/‘ll:/L;’,! ‘IE3/Jr...
Show moreB}/;%_ \§ ‘H J .\‘_. I?’/. . J_ V 7 ‘ x V V .,?1;\‘;_H 3 E ‘ \_N ’ ' T ‘ ‘{\‘.‘”_“ _ ‘ T T ‘ ~ r:y\\)“1— E . My .‘ ~;;,/ ft- ‘ H \ \ T‘ TT_‘T\y;V>‘E\\/T C} . \\ O \\ 77-D ﬂ L 1/’ E '7/ :3 " \‘T‘ T‘_ T‘ : ‘IT ‘ ‘l.“ T1§LTWw.i* 1[Tj|T.‘T‘.‘TT_lJ"‘ 1~'W_f\ — — T T"Ir«'(T T /——-A ,. V “ ‘T VLE '» ”> 4 / ” iT\‘F0 B M E113 5 UPRANU . A J ‘EB B Alto. IIHEARTHEWEE3%RDS|NEING 1/,7/E.~z, mwns [JUNE ‘Ea//2: 50 SPIRIT UF AH? [.731/af//1,7 Z/‘ll:/L;’,! ‘IE3/Jr/Bl J I I SECRETS ' /f/.;r/[‘,_-'/ SJ T AT HER WITVJUW H0 -[Var/'l1Bl TAKE BACK THE H EA RT /j/.;:=/"/n:‘/ 3 '." STU R M //17/"'1/.1/'/.'/T/5 /.lmn/nE/ »/(u//3/7 1} 7 0 w:-:EBE ARE ‘mu GOING SWEETRUBIN ‘z.’/,E—-.3 THE BRI U SE /J//yﬂa/W (50 LT’T(ET|TEBBm:.nEB|Bns m SUMMER :/,—,;,=,:, 40!, SLEEP BABY SLEEP B/"uwn35 ANNTEUTHEBANITS B'nEE ,1‘//f/z.['/Tar./1}://jm/T Tm BY THE BLUE sE.:\.5nm/35. aumm. 5:2/TE" and am. Euncnne. 50 WE MERRY B|BBB_B'mz,mm¢. M’ YE MERRY EIRDS. I‘ Eumbarf. 50 BIJULI. //E’/’V/6.’. My !\'|§jLL*»,T" ﬂ_//g/~/7g/'1 ,2}? UTUKINC BACK /L5/1///I/a/1. ".557 ST'RT;H\_1r_f3ER5 \(=|T_T L‘/3,~,‘b[.~i/V 357 1 AGTURTOUSTIME/£7355/jnrT‘zI'I79' ONCE ;‘TG\A1?'Vé 14.55///./'L",E7F7..?[] T9010” W3 x3£?e.;//;m»».: LEJUKTNTS BA [1 K /4‘ .5”;///’/"v.:2_:;-. ‘H7’ Tnmv t ‘L WM M NOT A BMBBBW '+"A!.H:'TH /.y:.s/.35 T'~”‘“- “M ‘ . ~ - L” . ‘~' 3, .M}‘,~_1»'*‘T'1'»;’-. 3 AH‘: TELL ME. wm 2 A/f’£’-Wnfhschr/d35 TN BBBTTTB mm .‘n’F’* 53:33 NTGHT My QNTY 3:-MEL] ‘GOOD nughtmygnly CHLJ. 4») ' BETTER BTUE AwEE man‘ a \l’%VEEF[EEl3T.|0N /Mam/gay). ﬂ/Mm. /H//I4/7/‘E <30 1,. 7 " .:‘ ‘H. . T ::.’.j_;_i~ 1-:-M8 A z”:.;';i‘//'5.'7?/F5/'W TSAMJT ETT‘__ «"§.\.r“’\/'33 ER M? .!T’. «"}}"'.5',«»’E'? MUSIC LIBRARY . A a O M Y LU V T; mi/5 1//Jz7.v 2%.? Q L} ‘T’ . .5‘, &‘:7!«7y’ .5 \ \ 0 “'30 ONE” ;%vf4 \’Tk» SQNG.Uw ‘ . M1lSiC1ly M.WBALFE. ‘ Iv Poetry by LONGFELLOW. MODERATOMOLTO; ’ The day is doneand the dark- ness Falls from the wings of night 5 ...... ______,_ AS a ‘feather is waft- ed doWnwardFrom an" Q EaJ_VVg1e in hi4S:f1‘ight,F‘rom an E3. gle , in his .f1ight.;- - . - - - - g__/-9' I see thelightsofthél vi]- lage; (a}leamt11rougi1t11erain and the " "oo_..~.o0ooo.. -0 I 0 '0 o 0 PP V Animandoun po poco rit: ,mist'; a fee1_ingofsad_nesscdmGS'(;G1‘IiY165 '1313éLt'm§? ‘s'o'_u1 c"eﬁ1_not . re__ _ 00 0 ~- 900. 0". } ?ANDANTE.T __ _sist5 W AW feeling of 'sad-ness and 1ong.ing, Thaf ‘is no‘ra_kinA _, to i SLOWER. pain _____ -_ And.‘ 1’e'__seII'1bIes“S01*’.."I"oW on _ 1y As ~the_ mist re _ sem ~ ; bles F MODERATO ANIMATO. ’ Come readéto me some A '7-D UB7 \_2 poem, Some sim_-~p1e» a.n'dheaI1_felt lay; ' That shallsoothethis rest_less D */F7 '73 B B7 737 feeling And ba_nishM thethoughtsof day ............ __ Not fromthegrandold 1313” V137 mas_ters, ________ ,_ Not frolnthebards sub, lime, \\’ho‘se dis __ tant foot-steps .e%_ _ cho_throughthe ACCELERANDO. strains of mar ltial L ‘Their migh - ty thoughts sug ¥_ — 57 V .V »A % ‘ E7 string. — — gest,__-__ _______ -_ —Life’s end _ _ less toil and en _ dea _ v§or», _‘ ' . And to string. -75 rall: nigh I long fol‘ resf, ..... --A .... -- T0 ilighfl long for. res -frall: c0n8’_’£’__-E-- .... "J: I»740¢ s TEMPO 1‘? L L sottovoce. VTEMPOIQ A I V Read from some hum_1&)1er’p[0et, V \\'hos.é F F Vsbngs gushed from ........... -_ his kh€‘a1‘T7 .frOm 1 his heart; F (10106 :“e,‘ﬂ“AA\S>S’hO.wj€,e‘:rS from the clouds of sum._me1“,Aor, tears?‘ fromtho eye_1ids _. '5 staff», 0.11/(ears from the eye‘; start. . .' . . . .h .di.m" . ’ Animandounpoc I Whothro1L1gh:1ongdays of la - bol’; ______________ ,_ AIidI1ightSde—v0id ..... -- of O 0 0 . o 0 . . . . . I 0 I 3 Q . V. O 0 0 . Still heard in his soul the mu _ sic } Poco MENO Mosso. won- der_fulme1 Such songs have pow _ er to O O 0 pp staccato. The rest _ less pulse of Care, ................. -- And’ 1740 g 3 ( 1.‘: o’L§E41s}'1\'LY SL'OW.)‘ ‘ [ ' co1riCIbik'éAtl1eA1)‘é__ n'e_ die'~‘_t_io1"1'5 _" That-~_ fo1“ _ 1ow}s af .4 j ~wer%4.‘A% = V pp+F-collspart.‘ 'F"cre's. - " ' riltenz "vP;I?aY'er,='_» ‘V '~Then. read fromthé.‘{rea\sured .. vo ‘ lume, " V ‘V./ipp r ten: ‘ ..chQiéfeA,: L1: lend to htheﬂrhymé of . The _.p¢ '_ Vet"): %VT11’e§‘*bea‘1_1‘ »_—._T";-$3}; POCO ANIMATO. ‘~voicg;,- .......... -;;-____»._; _A11d? tﬁe -night shall be Vt'i1_l»ed__x“\ith:-_-v $ V “mu. _V sic__;,;_ f H —’ And’ the fares" Athatﬂ i‘117f¢Ast» _ ritcn: . I J L‘ V 0 fold their;tents like ‘the A _ rabs’, ____ __,-_-.L ‘ And_as si ,. A_A 1ent_rl_‘y,’ ~ 5, T ritcnz ADAGIO AssA1.‘ tAirig_t1ae voice.) .si' _ lent -.ly __________ ".5. ........ .._A.-_L-_AIld' as si. _: _ 1ent‘ _ ‘ f‘ . “ = ' . ‘ 5" ' pegieﬁdo si. colla Parte. pp 1’ % ' ..’> 9“- ? l‘ wi. 01’ TI-IE} ZPCDQJR. C)IE=2.IE3I-I.A.].V C3‘:-IE.I... ‘ J" ESTELCEI, By J. M. NORTH. The best Song yet writ*ten by this popular composer. Price 40 Gents. The Latest Serio Conlic Song: “Will you love me when I’m bald.” Price 35 Cents. Ainialii Watching for Thai. ————+o+—— SONG AND CHORUS, BY ‘ J. VV. HERTEL. <-0% This Song counts its sale by thousands. N o Lady’s Repertoire is complete Without it- -—--.10‘) PFQICE 40 CENTS, With beautiful Picture Title. Lililﬂ Sillllllll SHVBI‘ Tillﬂﬂli. (-O‘)-—-j SONC‘-x& CHORUS BY HARRY BANKS. Oh ! little shining silver thread Lies curling on my dear one’s head, Nelsling among the locks ofgold, It tells the story growing old. 443+ This Song exceeds in popularity “Silver Threads among the Gold,” to which it is a companion. <»c>————-— PRICE 40 CENTS. with beautiful illuminated title page. ecu) FANTASIE FOR PIANO in the style of “Silvery Waves,” COMPOSED BY . J. C. MEININGER. +o»> PRICE '75 CENTS. Floating Alon. , (O)- A CHARMING REVERIE BY J. W. HERTEL. <-6+--—-— PRICE BO CENTS. cw lint CONSPIRATORS’ CHORUS, Vocal........30 'l‘RANSCRIP'l‘ION, RICHARDS...‘ ............ ..50 WALTZ by 1l1U11:LLER...... ..................... .375 »eo+ — ‘ The Choicest Selections from ihis Opera. 4» 6 l t \’\/ITF-‘I FIQUIQES, PROF. Am MAHLER. Prime 60 Cents. —~—-ec>>~-—~ talisman wclniiist. <—o+ CAPEICE, .._..BY_. CHAS. DRUMHELLER. f¢-)' - Price, Solo 50,- Duett 60. WE would call especial attention to the following elegant Piano Compositions. They are all choice, and deserve a place on every piano :- Pearls of Dew ............ ..Ch. Lange...60 Question and Answer .... ..Jungman...50 Turtle Dove Polka ............. ..Behr...50 La Fontaine .............. .."..Reyno1ds...40 Dream of Spring ............ ..Lichner...50 Bird's Nest and the Rose.....Mattei...30 Thine is my Heart ......... ..Lichner...50 Lucia. de Lammermoor ...... ..Smith...75 Snow-White ............ ...... ..-..Bohm...35 On the Barge .................. ..Bendel...50 Silent Love .................. . .Lic11ner.. .50 Fete Militaire .................. ..Smith...60 The Village Maiden.....Baumfelder...40 Flower Song .................... ..Lange...50 Lancers Galop ............... ..Lichner...60 Redcap .......................... ..Bohm...30 Fairies’ Pasttime .............. ..Bohm...5O WE would beg to inform all our friends and patrons that our establishment is the only one West of New York or Boston where a complete stock of Sheet Musio AND Music B00115 AS WELL AS MUSICAL MERCHANDISE can be found. liemember the Place, BALMER & WEBER, No. 206 North Fifth Street. gat. cﬂonis, "3810. TIIEE VVI-ITS? GE‘ A. EIJTIEII. By J , W. IIERTEL. Suitable for Parlor and Concert Room. Price 40 Cents. .3 '90:: 'sx.\Ivg{ LHHVII /{q smoqg 29 Sues prmneaq V -ouoﬁ put; peep S1 901‘ I[:m[;[ pm tspxoin [Lupin-zoq oz pappam ‘ipopm Euginreqo e ‘.m'1sa's1J -M T A H. ""$.lE\7.EI"'I'ﬂ'VJ EIICITQIE ‘EHIEIIL JEVQS §'I!HI'$_§'V'
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Date: n.d.
Text: .\ / U WRITTEN COIVIPOSED BY J-UHN BLGCKLEY. [7/z/1. 5'/4,. f/JAZZ. J’/‘A/V/V/4/P/J cf. ///X/7/V //I/" B)’ 7'/9’[J’,¢ﬂ/[ 4//7/$’Oﬁ’.$ EXCELSIOR .. SONG OR DUETT FOOTSTEP3 OFANGELS ﬂ=onmA/rozlﬂ/1/€f[Z[ﬂl'1/) THE RAINY DAY .. [/3 .0? . .-‘I WHITHER . .. /.90/v/xr/F7/%EWATF/7/VY/I/f’//J7 THE PSALM OF LIFE .. 0‘ 0° " THE BRIDGE . . STARS OF THE SLJMMER NIGHT . SERENADE LONDON,/\DUlSUN8<HULLHR,210,REGENT STT uusoc Lluunv , ..ﬂ;~m» E V> Ll Ft-E GOOD NIGHT! SERENADE ....
Show more.\ / U WRITTEN COIVIPOSED BY J-UHN BLGCKLEY. [7/z/1. 5'/4,. f/JAZZ. J’/‘A/V/V/4/P/J cf. ///X/7/V //I/" B)’ 7'/9’[J’,¢ﬂ/[ 4//7/$’Oﬁ’.$ EXCELSIOR .. SONG OR DUETT FOOTSTEP3 OFANGELS ﬂ=onmA/rozlﬂ/1/€f[Z[ﬂl'1/) THE RAINY DAY .. [/3 .0? . .-‘I WHITHER . .. /.90/v/xr/F7/%EWATF/7/VY/I/f’//J7 THE PSALM OF LIFE .. 0‘ 0° " THE BRIDGE . . STARS OF THE SLJMMER NIGHT . SERENADE LONDON,/\DUlSUN8<HULLHR,210,REGENT STT uusoc Lluunv , ..ﬂ;~m» E V> Ll Ft-E GOOD NIGHT! SERENADE . 77V;'1.'tten by H.W. LONGFELLOW. Composed by JOHN BLOCKLEY. A A MODERATO. /“ F ’’’7\ /\/’ /\ /\x Good night! beloved, Good night! Good night ! (Serenade .) come to watch o’er thee! . . . . . . . . .. To be near thee, alone, _\‘__”,// \Kk_”’//// \\‘_~",// \\\‘__"/,/ \\\\__,///’ \\‘__,// peace for me, Good night! beloved, Good night! /9/9 a piacere. near thee,a lone, is peace for me, Good night! beloved, ‘Good ¢ f‘\ COLZII ‘U068. K? Good night! (Sex-enaﬁe.) Joizn Blockley . w17th..ﬂn‘t'mwt1'on . /\ eyes are stars; of morn y 1195 are c;~im__ _g()n' L _ vf1ow‘!rs ! Good night !' Good night! be __1'0 _ vedi, While I9 G(9‘[~I=1]Y mf* . tempo. jmolto e(spress!iv‘o‘. wea_ __ry hours. Good night! beloved, Good night! beloved‘, While I ‘Q on-/°/9/évg. >" . . -~ /9 .,——s o KIN Tempo 17."? count the wea_ _ _ry hours ! . . . . . . Good night‘. he. loved , Good calla 1:0 0 Gaga night !. ‘(Sex-enadg._)‘ ‘ John Blockle)/_ .. night‘! to watch 0’er near thee, alone, is peace for me, Good night! beloved, a piacere . To be near thee, alone, is peace for. me, Good night! beloved, Good } mf L_/’/ . /——~: it/)!:).C0ll.(l ‘U009.’ morendo . Good night! Good night! a c 0 Good night! (Serenade London, Published by" John Blockley, 2 Park Roa.d,Hn’er-stock Hi11_
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