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Day is Dark and Dreary, The, The Day is Dark and Dreary
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Date
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1904
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MUSIC uamrw VASSAR COLLEGE -ouauxccu-sue. in van Sung‘ by DAVID BISPHAM. f}Vz'S0N6.s' ' ' ll’ /f‘ Jfedz ZZITI. Vozcra 3%? ‘ CLARENCE ‘ 7!: Op. 45. A ”$ v THE _ ' Joan €nuacn(om»m, 1.The. Qgy IS dark and dreary. .. . .. 5 CENCFNNATLCHQCAGO. _ NEWY°RW"’5!C— 2.TheFountainsmnngiewsththefilvew LON DON . 4_When stars are in thequiet ski2s...5 To /M 12 M Bzlx-lo/mm. The day is dark and dreary Music by CLARENCE LUCAS. Poem by H .W. LONGFELLOW. Andante. (J = 100) /// mf .m...
Show moreMUSIC uamrw VASSAR COLLEGE -ouauxccu-sue. in van Sung‘ by DAVID BISPHAM. f}Vz'S0N6.s' ' ' ll’ /f‘ Jfedz ZZITI. Vozcra 3%? ‘ CLARENCE ‘ 7!: Op. 45. A ”$ v THE _ ' Joan €nuacn(om»m, 1.The. Qgy IS dark and dreary. .. . .. 5 CENCFNNATLCHQCAGO. _ NEWY°RW"’5!C— 2.TheFountainsmnngiewsththefilvew LON DON . 4_When stars are in thequiet ski2s...5 To /M 12 M Bzlx-lo/mm. The day is dark and dreary Music by CLARENCE LUCAS. Poem by H .W. LONGFELLOW. Andante. (J = 100) /// mf .m.s-minetl. 3 3 Perla! at eawfi Mr. 14’ and the wind, is nev— er wea — ry; C _/2 — . drear —. y; H5 #5 07'e.s'r;. vine still clings to the mould ' wall, But at {T // {-3 3:; Copyright MCMIV by The John Church Company. International Copyright. Entored according to act at the Parliament of Canada in the yvnr MCMIV by The Jahn Church Company in the nepartment of Agricullurn. 5m‘ 2027/; (z_/‘MZZ lone. the dead leaves fall,_________ ’And the day is dark and [2000 pit} mosso. drear-y. life is cold, ' dark, and drear - ‘y; rains, and the is nev - er wea — ry; My Tempo I:. thoughts still I7 7% 112?} mz2'mru‘o. days are dark and drear—y. Be still, sad broadly. re - pin-ing, - hind o 4 . V clouds is the sun stlll shm — mg; Thy fate is the com-mon fate, of all.__ M >39“ rain must fall, Somedays must be dark and drea.r-y. ;/ Jr-
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Title
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Good Night
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Date
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n.d.
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.\ / U WRITTEN COIVIPOSED BY J-UHN BLGCKLEY. [7/z/1. 5'/4,. f/JAZZ. J’/‘A/V/V/4/P/J cf. ///X/7/V //I/" B)’ 7'/9’[J’,¢fl/[ 4//7/$’Ofi’.$ EXCELSIOR .. SONG OR DUETT FOOTSTEP3 OFANGELS fl=onmA/rozlfl/1/€f[Z[fll'1/) THE RAINY DAY .. [/3 .0? . .-‘I WHITHER . .. /.90/v/xr/F7/%EWATF/7/VY/I/f’//J7 THE PSALM OF LIFE .. 0‘ 0° " THE BRIDGE . . STARS OF THE SLJMMER NIGHT . SERENADE LONDON,/\DUlSUN8<HULLHR,210,REGENT STT uusoc Lluunv , ..fl;~m» E V> Ll Ft-E GOOD NIGHT! SERENADE ....
Show more.\ / U WRITTEN COIVIPOSED BY J-UHN BLGCKLEY. [7/z/1. 5'/4,. f/JAZZ. J’/‘A/V/V/4/P/J cf. ///X/7/V //I/" B)’ 7'/9’[J’,¢fl/[ 4//7/$’Ofi’.$ EXCELSIOR .. SONG OR DUETT FOOTSTEP3 OFANGELS fl=onmA/rozlfl/1/€f[Z[fll'1/) THE RAINY DAY .. [/3 .0? . .-‘I WHITHER . .. /.90/v/xr/F7/%EWATF/7/VY/I/f’//J7 THE PSALM OF LIFE .. 0‘ 0° " THE BRIDGE . . STARS OF THE SLJMMER NIGHT . SERENADE LONDON,/\DUlSUN8<HULLHR,210,REGENT STT uusoc Lluunv , ..fl;~m» E V> Ll Ft-E GOOD NIGHT! SERENADE . 77V;'1.'tten by H.W. LONGFELLOW. Composed by JOHN BLOCKLEY. A A MODERATO. /“ F ’’’7\ /\/’ /\ /\x Good night! beloved, Good night! Good night ! (Serenade .) come to watch o’er thee! . . . . . . . . .. To be near thee, alone, _\‘__”,// \Kk_”’//// \\‘_~",// \\\‘__"/,/ \\\\__,///’ \\‘__,// peace for me, Good night! beloved, Good night! /9/9 a piacere. near thee,a lone, is peace for me, Good night! beloved, ‘Good ¢ f‘\ COLZII ‘U068. K? Good night! (Sex-enafie.) Joizn Blockley . w17th..fln‘t'mwt1'on . /\ eyes are stars; of morn y 1195 are c;~im__ _g()n' L _ vf1ow‘!rs ! Good night !' Good night! be __1'0 _ vedi, While I9 G(9‘[~I=1]Y mf* . tempo. jmolto e(spress!iv‘o‘. wea_ __ry hours. Good night! beloved, Good night! beloved‘, While I ‘Q on-/°/9/évg. >" . . -~ /9 .,——s o KIN Tempo 17."? count the wea_ _ _ry hours ! . . . . . . Good night‘. he. loved , Good calla 1:0 0 Gaga night !. ‘(Sex-enadg._)‘ ‘ John Blockle)/_ .. night‘! to watch 0’er near thee, alone, is peace for me, Good night! beloved, a piacere . To be near thee, alone, is peace for. me, Good night! beloved, Good } mf L_/’/ . /——~: it/)!:).C0ll.(l ‘U009.’ morendo . Good night! Good night! a c 0 Good night! (Serenade London, Published by" John Blockley, 2 Park Roa.d,Hn’er-stock Hi11_
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Title
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Arrow and the Song, The, The Arrow and the Song
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Date
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n.d.
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/—\ //Z “\\*° " \ *\ L / ‘. ‘ Q 9 Q \\ 9) } VJ : V \ ,fTH=\¥ / ; 3 $4 , - & A *’{1Z»g»a:w“i1E’ fii@zzsfta%§¢ fi® MWG%%m l.©N@©[r‘{lq _. T’ \’ “ “Boo,.sEY & ca 295, REGENT STREET.W. MUSIC LIBRARY VA ' : 0 THE ARROW AND 'l'H;E SONG. THE p()}..TRy Ry THE .V$EIS.'lC' BX} l.()NHl<‘ELI.OW. V M. W- HAL.F'E‘- JInLTo .MoD1su.ATo., l‘()I(7}<.'. l’I.A.\'(). j I shot an Arrow in - to the air . . . . . . . . . . . . .. It fell to enrtll I r\ know...
Show more/—\ //Z “\\*° " \ *\ L / ‘. ‘ Q 9 Q \\ 9) } VJ : V \ ,fTH=\¥ / ; 3 $4 , - & A *’{1Z»g»a:w“i1E’ fii@zzsfta%§¢ fi® MWG%%m l.©N@©[r‘{lq _. T’ \’ “ “Boo,.sEY & ca 295, REGENT STREET.W. MUSIC LIBRARY VA ' : 0 THE ARROW AND 'l'H;E SONG. THE p()}..TRy Ry THE .V$EIS.'lC' BX} l.()NHl<‘ELI.OW. V M. W- HAL.F'E‘- JInLTo .MoD1su.ATo., l‘()I(7}<.'. l’I.A.\'(). j I shot an Arrow in - to the air . . . . . . . . . . . . .. It fell to enrtll I r\ know not where, For so swift. ly it flvw, 1 PI’ F ‘.\..0 "'[‘}vH-."1\r'rnw 4' ' ta \ ~ sight Could not ful_l0W it, sight cnuid not H f‘«>H«)w it in its flight. Ibreathud a Song‘ £____Z in - to the nil’ . . . . . . . . . . . . . . . .. It fell to eurtll k1mwnot\~lu-rc, >l"m’.whu has‘ sight . . . . . . . . . . .. so k(ft‘lli1\=lld strong‘, That It can fol _ |nw_ Hus Hi;;*l1t of u S()ll;_{‘.l For who has _.n'gl1t ‘ keen and so .stI'<)|1g' "-Or *4 . . . . . .. Tl)-ut it can fol _ low the 1'li§_;‘.lxt of :1 ~.()llg'? Lnllg‘,-* lNuu_;;' ufv‘lh-o'7r"w;nr(l . . . . . . .. in an oak . . . . . ..; . . . . .. I tlnnui the Ar- rx.,w 4 Pl’ 2% still unhrnke And the Snnw I'ujm11 he _ g;'inning' to end I f'mn1d ,u _g-uiu 1n the heau't of’ u friend . And the Songg; f'mn1he_ _ g_;'iI11xin|:_;°- to end.;..... I found u_g*uin in the heart of at friend . '2»: av‘) “'l‘V:--‘. ~ ~ ”(\| \« |{-\x,vr ' I found u_0":1in , — fuund u_.g':1in , — I found an. ,g';nin ' in Hu- huurt . . . . . . . . . . . . . . . . . .. of a friend! rrpmlm lmu I.)/3/.7 ' Gentle Heart V Oncefor all ARTHUR SULLIVAN’S SONGS. 6- d- Let me dream again (0, D7, dz E?) 4 0 Sung by Mdrne Christine l\'ilsson dz Mdme. Edith Wynne. Love laid his sleepless head (D (ft E) Sung by Mr. Sims Reeves. Living Poems (E7 :3! ll‘ ... Sung by Mdme. Edith Wynne. Sleep, my Love, Sleep (D A’; 1*‘) .. . Sung by llldme. Patey. Once Again (D (S: F)... ... Sung by Mr. Sims Reeves. on Golden Days... .. ... Sung by Mdme. Patcy. A Life that Lives for You .. ... Sung by Mr. Santley. Looking Back (D & F) . . Sung by Mdme. Patey. Looking Forward (sequel to Looking bacl ) (D & Sung by Mdme. Edith Wynne. Birds in the Night (D, E. & F) Sung by Mdine. Sherrington. From Rock to Rock ... E) MOLLOY’S POPULAR SONGS. My love has gone a sailing Sung by Mdme. Dresden China (C & D) Sung" by Mdme. Sherrington. Don’t be Sorrowful Darling (C J: E) Edith 'w; H1375. Sung by Mdme. Antoinette Steiling. Jack's Farewell Sung by Mr. Sims Reeves. Polly Sung by Mr. Santley. So the Story Goes (F & Gr) .. Sung by Mdme. Edith Wynne. Clochette (D & F) _ Sung by Mdme. Sherrington. Thady O'F1inn (D ct F) Sung by Mdme. Sherrington. The Vagabond (E & G) Sun g by The Old Cottage Clock . Sung by Mdme. Edith Eily’s Reason (E, F. & G Sung by Mdme. Sherrington. Marching along Wynne‘. no PINSUTI’S Bid me Live A Maiden’s Love NEW SONGS. on on ..- Sung by Mdme. Ratey. m Sung 1;; Mdnie Edith-Wynne‘. sm{;¥ by Li}: lllaybrick. The Free Lance (C & D) . Sung by Mr. Santley. MISS GABRIEL’S FAVOURITE SONGS. 4 o .- ... The Light in the Window The Skipper and his Boy Across the Sea Sacred Vows (D & ... ... FREDERIC CLAY’S SONGS. She wandered down the mountain’ side (0 & E) Sung by llirlnm. Edith Wynne. Days of Long Ago (D & E).. Sung by Mdme Edith Wynne. The Reaper and the Flowers ... Sung by Mr. Sims Reeves. 4 4 4 ¢\/\_/\/'\./\.»'\/\/\/\"\’\/\/\/\I‘\/\_’\/\/'\/\’\/\. :E>oPI:rLAR SONG-F3. The old love is the new (B & C) Sung by llldme‘. Sherrington. Why? and G) ... Sung by Mr. Edward Lloyd. So far away (Mon anii) Sung by Mdme. Roze—Perkins Never again ... Past and Future V Aubade (D & F) Sung by Mr. Sims Reeves. Almost (A'7 & B?) Sung - Spinning (D & E) ... Sung by Mdme. Sherrington. Night and Morning (E & F) Sung by llldme. Edith It was a. Dream (0 & E) Sung by Marguerite (B & C) ... Sung by Mdme. Trebelli. 4 0 cu no u- .“ ... ... lhbfirfirlin-P~ by Mdme. Eialtey. . Wynnii. Mdi.ne. Titiens. 00 iii IF #5 Only a Violet Sung by Mdme. Edith Wynne. If every lute on earth were mute Sung by Mr. Santley. The Harbour Lights... Children can on ..- Defton Woods . ... Those merry walks together ... Sung by Mdme. Patey. He loup’d the wa’. Scotch ballad ... The Hay is i’ the Mow Sung by Mdme. The Old Sweet Story Sung by Mdme. Edith Wynne. Speed-well ... ..’. ... Forget me Not ... One Morning, oh ! so Early (A & B) Sung by Mdme. Edith The Gallants of England Sung by Signor Foli. Apart (6th edition) Rothesay Bay. (10th edition The Departure -- Wynne. ... on NEW EDITIONS. Farewell to Erin (C & D) Take back the heart (D & F) Mag‘gie’s Secret (D, E7. 5; F) We’d better bide a wee You and I (G, G7, dd B) . . Come back to Erin (C & E) Chi1dron’s Voices (G (la 13) ... Dreamland ... Susan’s Story... Strangers yet (E & F) .Ianet’s Choice I cannot sing the old songs (E_ & G) Five o’clock in the morning (F & Robin Ptedbreast (D & F) Won't you tell me why, Robin? Half—mast high Silver Chimes 0 O 0 When we are Old and Grey Out on the Rocks (W7 & ED (D&F) ) . F. H. COWEN’S NEW SONGS. ALFRED SCOTT GATTY’S SONGS. Out of the depths. (Dbdicatedto lib: Rlimsoll, Antoiiiette Sterling. CLARIBEI/S FAVOURITE BALLADS. MDME. SAINTON’S POPULAR SONGS. d. 0 0 0 M.P§j )wPr#t-I3)-Fvlil-Prhrwfirl-‘-phi-Fbébvlirlivwl‘-DIFIIF H“:-Flvfi DF I-F-ihrh D-F rPi-F >F-iln5-FF-1% OOOOOOOOOOOOOOOOC G00 O 000 O OO OOCOO ...40 ...40 I Brown Eyes, or Blue Eyes LOUIS DIEHLS’ NEW SONGS. Happy Days Sung by Mdme. Patey. Absent, yet present Sung by A Song of Neptune . ' Sung by Signor Foli. burning (El? d; F) Sung by Signor Foll. . HAMILTON AIDE’S SONGS. Let me dream of happy days ... ... The Maid I love is six years old Spanish Boat Song (E? (55 G) Remember or Forget The Fisher (D & 13).. Mr. Santley. The Winter log is on |F>F|bvFt§:i~ BLUMENTHAL’S NEW A Letter (El) & C) .. Sung by Mr. Sims Reeves. The Boatman’s Song (D & E) Sung by Mr. Santley. Gondoliera (G & B7) ... Sung by Mr. Edward Lloyd. Love, the Pilgrim (E dz F) ..'. Sung by Mdme. Titiens. DOLORES’ BEST SONGS. ifhlhbbifi The Fairies . . Clear and Cool ... ... The Lsndof long ago Sea-weed ... I-IATTON’S NEW SONGS. Fair ismy love (C& El?) . . Sung by Mr. Santley. The British Tar. Sung by Santley MISS PHILP’S BEST SONGS. Lillie’s Good Night ... ... Lilliels Good Morning 3 The Pcaeher's Widow 3 0 NEW SONGS BY VARIOUS WRITERS. DANKS, 11. P. Siingby iss Soldene. DICK, COTSFORD. The secret of thy name ANDERTON, THOMAS. The Little Fishermaiden ... Sung by Mdme. Patey. CELLIER, ALFRED. ... ... no no. on ... .. ... Still united 4 0 -u on on Jack andI ... Sung by Signor Foli. ADAMS, STEPHEN. Nancy Lee ... Sung by Mr. Maybrick. BUCK, DUDLEY. When the heart is young . ... Sung by Mrs. Osgood. HOWELL, FRANCIS. T’was not a dream EAYRES, W. H. Ever Thine (C & D)... ... 4 ‘ Sung by Mr. Edward Lloyd and Mr. Nelson Varley. VVEKERLIN. A Song to a Rose Sung The Flower Girl ... Sung by Mdme. Sheri-ington. 13;. Maixié. Sheirringtdni One Only Sung by Mdme. Edith Wynne. SIX DUETS, Sung by Mdlles. CARLOTTA and ANTOINETTE BADIA at the London Ballad Concerts. Price 2s each not. The Rainbow (Di pace at n0i)—DONIZET’l‘I. The best solace (Dolee conforto)—MER- CADANTE. 'V’OO.A_I_: ZDU Through valley, through forest (Per valli, per Joy is to-day (Giorno d’orrore)—R0ssINI. Say to me (Ripctio mio tesor)—L. DADIA. Yo breezes, softly blow (Buon vento spira in These Duets have English and Italian words. boscl1i)——l3i.ANcINI. Excelsior mar)—-L. BADIA. Coming home... Trust her not... 9’ The Chamois Hunters J. L. HATTON. Sung by Mr. Sims Reeves and Mr. Santle S. 333 T A. SULLIVAN. BALFE. Day dreams ...CLARIBEL. Chimes of St. Mary’s Evening song Yet ‘once again My roses blossom roun 7? GABRIEL. .1. , o 0 0 0 Y. the ‘whole ’year n KUHE. Lohengrin . ... Don’t be Sorrowful, Darling. (Molloy) One Morning, oh! so Early. (Gatty) La Fillo do Madame Angot... Geneviizve de Brabant Come back to Erin. (Claribel) Maggies Secret. (Claribel) Dinorah ... The Vagabond. (Molloy) La Jolie Parfum euse. . . . . . BENEDICT. America. New Fantasia Der Freischiitz ... mwewseamppw oo ooooooooooP' Z IEl'VV' PIANOFORTE 1/TTTSICE COWEN,FREDERIC II. It was a Dream Alice, Troisie’lne Valse Caprice Rondo 3). la Turque ... ... Macbeth I Lombardi Oalme et solitude Madame Angst Moonlight on the Danube Whispering Leaves Valse des Pampas Eolus (Maz-urka) LEYBACH. .d. no ... ... MULLER, THEODORE. Berceuse 4. Marguerite 3 KETTERER. on an ... ..- 0 3 0 Grand l\Iarch,”Maid O1‘le-ans Serenade, Maid of Orleans HAWLEY, MISS. Salopia (Home, sweet home) Ivanhoe (Auld Robin Gray)... _ Hibernia (The LastRose of Summer FORBES. La Caprera ... Castollucia ... ... ... RICHARDS, BRINLEY Polly (l\‘?olloy) Isiilora, Valse de Concert A Visit to VVales . ... Conspirators Chorus ( Madame Angot) Once Again (Sullivan) . Strangers yet. (Claribol) ... FAVARGER. Der Freischiitz .. ... Oberon. 2nd Fantasia ... ... 3 wewwmpmp mooooooP on u. OFFENBACH. La Jolie Parfumeuse Valse and Quadrille . each Genevieve Quadrille. Solo or Duet Genevieve Waltz Périehole Quadrille. Solo or Duet ... Périchole Waltz LONID no . n c‘:N Our Boys Galop Migration Galop Indian Quadrille : BOOSEY <32: 00., N E 'Vi7' , D MONTGOMERY. l\TC3E s.d. 40 MINNIE. Once Again DEBILLEMONT. ... ... ... 4 O Polly Waltz Madame Angot Waltz. MadameAngot Quadrille. Solo orDuet Madame Augot Galop Claribel Waltz. Silver Chimes Waltz :l"_\:{E U S I 0. CHARLES COOTE. Remember or Forget Waltz Waltz ... Solo or Duet 295, REGENT STREET, TN‘. Solbuor SCHNEIDER. Trop de Bonheur Waltz. Solo or Duet L E C O C Q. The Island of I3i.chelors (Les Cent Vierges) Q,ua<,lrille The Island of Bachelors Waltz mpmwemmaw ooooooooP ’»
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Title
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It is Not Always May
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Date
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n.d.
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.275./mvafezi hi I Prof. Ifikm/"l§Merz. ,_ 2;» ; / I W;‘:%‘\“ ' \: Ix /V /— ‘s > <3 , T-:3‘ Q’ \ Wfl/wCsj,/7j*{,.«)C. , ' ; gv / M 4 ‘W “ \\ §;;%*<‘Jgg§fi;§[fl:,\\mJ ., ~— :3; Jpytvfiténof “ 4A Published by S .'Bn:a'1narH Y! Snn§.Z[i3 ‘Eugen-inr Street EnlE/aL'n7m7'/fig/riflr/ufl’ang/‘£55A?/Efifi1Iy.M,Eu7rs=rfié01&[a «57 my £’>’£-W5 ./17$}: afr,/.‘»'m',"é2‘;:".rm::'-f‘:/,7 flrrwénvav ._, . uusoc Lolnnnv RSSAR .9 \‘ . —-~"V...
Show more.275./mvafezi hi I Prof. Ifikm/"l§Merz. ,_ 2;» ; / I W;‘:%‘\“ ' \: Ix /V /— ‘s > <3 , T-:3‘ Q’ \ Wfl/wCsj,/7j*{,.«)C. , ' ; gv / M 4 ‘W “ \\ §;;%*<‘Jgg§fi;§[fl:,\\mJ ., ~— :3; Jpytvfiténof “ 4A Published by S .'Bn:a'1narH Y! Snn§.Z[i3 ‘Eugen-inr Street EnlE/aL'n7m7'/fig/riflr/ufl’ang/‘£55A?/Efifi1Iy.M,Eu7rs=rfié01&[a «57 my £’>’£-W5 ./17$}: afr,/.‘»'m',"é2‘;:".rm::'-f‘:/,7 flrrwénvav ._, . uusoc Lolnnnv RSSAR .9 \‘ . —-~"V X ozo Q ~\~»-»»— . 7 ' Ilords by L()NGI<‘ELL()W. }[u.;-g‘(- by MISS L, E_gTQ1)DAR]),. \‘ K ‘*2 Andante. 1 '|‘h¢ sun . is bfight, the air is clear, ’.l‘he dart I ing; Iwal ~— lows 2 A11 thingy . new, the buds, the leaves, ‘That giid the elm trees 3 Mai — do-n, \ that roads‘t this sim —— pie 1'?!)-IIIQ, l:1~. joy thy youth. it soar and sing; Tram the .~.-fate nod. ... ding (-rest, 2-v_.vu {lav smn will not stay, , my {the fra grarwo the blue —- bird i11g. -*'p.l'ing. There- are no ' getrs no-st. For Uh? it ' 1 May: May! blmx yarn ‘Rind ' V ‘ er flows, K It 5901119 thixms 1‘e....jn.i«p,o ‘ and low; 9.3;! _3oy- the spring; ‘ and Xollfh. the sky , ‘When. wait’ - ing ii]? <1e_1::,<m; ’ ~\_zI.~1 l93n‘11‘.4. from the the rest; For Time will tcflb South wind blows, freiszht — ed clouds heavens a — bove, melt — in; ten noon the truth, are no lie. night. ' nut!
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Title
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Windmill, The, The Windmill
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Date
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1897
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UUSIC LIUHRRY \I".Q¢‘-."" "“' v ‘-9: SUNG BY ME WATKIN MILLS. N92 IN CMINOR %i N‘?! INB MINOR \V/ / -—'>> \<*‘ THEWINDMILL . 44 A K‘) , U A K, x A mm M G? J | 'z- ' ln;mM um mu '1‘ L. ‘ ‘ , ‘D \., * J 2 /1‘ /J \- \ / r ‘d ‘§\*» 5 u T 1) L’) 9 N K) WORDS BY %@NG13@ELL@w MUSIC BY -PRICE 4:/; CHAPPELL 8cC<? LTP 50.NEw BOND STREET, LONDON,W. AGE NTS:_N EW YORK; BOOSEY 8cC.° Eup_yr-ighf MDCCCXCVH. b_y E'.happr-_-||XcE‘.‘ MAY BE SUNG...
Show moreUUSIC LIUHRRY \I".Q¢‘-."" "“' v ‘-9: SUNG BY ME WATKIN MILLS. N92 IN CMINOR %i N‘?! INB MINOR \V/ / -—'>> \<*‘ THEWINDMILL . 44 A K‘) , U A K, x A mm M G? J | 'z- ' ln;mM um mu '1‘ L. ‘ ‘ , ‘D \., * J 2 /1‘ /J \- \ / r ‘d ‘§\*» 5 u T 1) L’) 9 N K) WORDS BY %@NG13@ELL@w MUSIC BY -PRICE 4:/; CHAPPELL 8cC<? LTP 50.NEw BOND STREET, LONDON,W. AGE NTS:_N EW YORK; BOOSEY 8cC.° Eup_yr-ighf MDCCCXCVH. b_y E'.happr-_-||XcE‘.‘ MAY BE SUNG WITHOUT FEE. ORVLICENSE. fmlf .- 7 ’ To C. T. Johnson. The Windmill. Song. Words by Music by LONGFELLOW. HERBERT H. NELSON. Vivace . Be- COPYRIGHT, MDCCCXCVII, BY C‘-HAFPELL & C‘? -101“: here in my t0w’r, With my gra.nite jaws I de - Vour 2 -maizeyandthewheat, and the rye,And grind them in - to flour. > O f > >77?" " lento. [Sift lento. look down ov - er the farms; In the fields of grainl ..... .. The har.vest that is to be, fling to the air my arms, For Iknow it is all for Far off, fromthethresh- ing floors doors, with their sails, ........... .. the wind, the wind,in my sails ..................... .. <1 :>—~$f# cresc: 20376. ' me. I hear the sound of In barns, Withtheir 0 - pen rioso. And the wind, the wind, in my .19" Loud .. er and 10ud-er roars. ‘ f Tempo Primo. stand, I stand here in my place, here in my place! mf VWith my foot on the rock be - low, And which-e - ver way it may meet it .... .. face to face,As a brave man meets hxs foe. V 10 15112 lento. And while We Wrestle and strive , My mas —ter, the mil — ler, stands And feeds me with his hands, and feeds me For he knows who makes him thrive,Wh0 makes him I jqa a temfo. On Sun—days I take my rest; e” ]m a tem}$0. Church go-ing bells be - gin Their low me-lo—di0us din, ....... .. their me - di m .- - lo - dious din; cross my arms on my breast,Andall is peace with- - in, and all is peace with - in. /5 risvegliato. f Tempo Primo. Be — hold! be —~ hold! A > '/17’ Tempo Primo. A - loft here in my t0w’r, f gra—nite jaws I de — vour, With my gra - nite jaws I — vour f'\ maize,andthe wheatandthe rye,Andgrindthem’ in - to f10l;.I‘. Be - hold! be- G C\ F5 gi — ant V am I! r:-«, O of 20376.
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Title
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Gems of English Song:
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Description
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n.d.
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-1.2“-id.» an: . v nrtquun-uv—.n=,w»u...._. .«.wwmmM .d\u.w—ya..w.—.o.v.u!I—¢..t4t4al-uv:u»¢n:.u.5. . ‘tn:-11.. ..!..:IA.u..I.v»i.f,., ....‘...I.m..n..;.,.$m.n.-.Wu._ ._...:....._uufluu.:..:.ux I .1. ...I..3I.uy|»x.-.x.uu.n.& 5.£m...m»mr.«!u.n_=1.u_m.m: A COLLECTION OF VERY CHOICE saws, wins and QUARTETS. WITH Ali’ ACCOMPANIZMENT FOR THE PIANO—FORTE- - BOSTON: OLIVER DITSON & COMPANY. c. H. nrrson & co., LYON & HEALY, J.‘ E. mrson & co., New York. Chicago. Philadelphia....
Show more-1.2“-id.» an: . v nrtquun-uv—.n=,w»u...._. .«.wwmmM .d\u.w—ya..w.—.o.v.u!I—¢..t4t4al-uv:u»¢n:.u.5. . ‘tn:-11.. ..!..:IA.u..I.v»i.f,., ....‘...I.m..n..;.,.$m.n.-.Wu._ ._...:....._uufluu.:..:.ux I .1. ...I..3I.uy|»x.-.x.uu.n.& 5.£m...m»mr.«!u.n_=1.u_m.m: A COLLECTION OF VERY CHOICE saws, wins and QUARTETS. WITH Ali’ ACCOMPANIZMENT FOR THE PIANO—FORTE- - BOSTON: OLIVER DITSON & COMPANY. c. H. nrrson & co., LYON & HEALY, J.‘ E. mrson & co., New York. Chicago. Philadelphia. INDEX. AH! IF THOU\COULDST KNOW . . . . . . . . . . . . '. . . . .BALFE. A VVARRIOR BOLD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ADAMS. ALICE, WHERE ART THOU? . . . . . . . . . . . . . . . . . ..AsCHER. AULD ROBIN GRAY .................................. .. BALLAD SINGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Lnmay. BELLS OF ABERDOVEY . . . . . . . . ..S...“ WELSH MELODY.” BEAUTIFUL BIRD, SING ON . . . . . . . . . . . . . . . . . . ..HOwE. BLUE ALSATIAN MOUNTAINS . . . . . . . . . . . . . . . ..ADAMS. BRIDE BELLS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..‘ROECKEL. "BRIDGE, (THE) . . . . . . . . . . . . . . . . . . . . . . . . . . . ..LADY CAREW. BRIGHT BEYOND, (THE) . . . . . . . . . . . . . . . . . . . . . . . ..HOWE. BY THE BLUE SEA . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..SMART. CHRISTMAS SONG. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ADAM. ’ CLANG OF THE WOODEN SHOON .......... ..MOLLOY. COME WITH ME, (Duet) . . . . . . . . . . . . . . . . . . . . . ..CAMPANA. CONSIDER THE LILIES . . . . . . . . . . . . . . . . . . . . . . ..TOPLIFF. ‘DAY IS DONE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..BALFE. DO I LOVE THEE . . . . . . . . . . . . . . . . . . . . . . . . . . . ..WIEGAND. DO YOU REMEMBER. (Duet) . . . . . . . . . . . . . . . ..CAMPANA. DOUGLAS! TENDER AND TRUE...... ..LADY J. SCOTT. DRESDEN CHINA . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..MOLLOY. EMBARRASSMENT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ABT. ESMERALDA . . . . . . . . . . . .~ . . . . . . . . . . . . . . . . . . . . . . . . ..LEVEY. FAR AWAY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..LINDsAY. FLY FORTH, O GENTLE DOVE . . . . . . . . . . . . . ..PINSUTI. HOUR OF SWEET REPOSE.‘ . . . . . . . . . . . . . . . . . . . ..HOwE. I AM CONTENT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..SAINTON. I AM WEARY WITH ROWING . . . . . . . . . . . . . . . . ..BooTT. I LOVE MY LOVE . . . . . . . . . . . . . . . . . . . . . . ..PINsUTI. I LOVE MY LOVE IN THE MORNING . . . . . . . ..ALLEN. IT WAS A DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..CowEN. IN THE GLOAMING . . . . . . . . . . . . . . . . . . . . . . . . ..HARRIsoN. JAMIE, DO YOU HEAR ME CALLING ?.. ......MOLLOY.' KILLARNEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..BALFE. KING’S HIGHWAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MOLLoY. KERRY DANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MOLLOY. LET ME DREAM AGAIN . . . . . . . . . . . . . . . . . . ..SULLIVAN. I LIKE THE LARK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ABT. LITTLE MAIDOF ARCADEE ............ . ...‘.’SULL1vAN. LONDON BRIDGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..MOLLOY. LOST CHORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..SULL1vAN. LOOKING BACK . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . .SULLIVAN, LOVER AND THE BIRD . . . . . . . . . . . . . . . . . . ..GUGLIELMo. MAIDEN’S ROSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..HATToN. MAID OF ATHENS ......................... ..Ax.um. MIDSHIPMITE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..ADAMS. NANCY LEE .......... ....................... ..ADAMs. NAZARETH (“Though poor be the chamber”). . . . .GouNon. NO, ’TIS NOT TRUE . . . . . . . . . . . . . . . . . . . . . . . . . . . .MA'I"I‘EI. O SWALLOW, HAPPY SWALLOW. (Duet). . . .KUCKEN. OHI HOW DELIGHTFUL ..................... ..MoLLoY. O FAIR DOVE! O FOND DOVE . . . . . . . . . . . . . . . ..GATTY. ONE MORNING, OH, so EARLY .............. ..GA'rTY. ONLY A FACE AT THE WINDOW .......... ..GABRIEL. ONCE AGAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..SULLIVAN. PALM BRANCHES . . . . . . . . . . . . . . . . . . . . . . . . . . ..FAURE. RING ON, SWEET ANGELUS . . . . . . . . . . . . . . ..‘..GOUNOD. ROSE OF THE ALPS ....................... ..V...Ln~u.Ev. RUBY (“I opened the leaves of a book.”) . . . . . . . . . . .GABRIEL. SING, BIRDIE, SING ............................ ..GANZ. SING, SMILE, SLEEP . . . . . . . . . . . . . . . . . . . . . . . . . ..GoUNoD. SING, SWEET BIRD . . . . . . . . . . . . . . . . . . . . . . . . .. . . .. .GANz. SO THE STORY GOES . . . . . . . . . . . . . . . . . . . .......HATTON. SPEAK TO ME . . . . . . . . . . . . . . . . . . . . . . . . . . . ..CAMPANA. SWEET SPIRIT, HEAR MY PRAYER- . . . . . ..WALLACE. TAR’S FAREWELL ....... [ .................. ..ADAMS. TENDER AND TRUE ........................... ..Lm;. THERE’S NOTHING LIKE A FRESH’NING A BREEZE . . . . . _. . , . . . . . . . .. . . . . . . . . . . . . . . . .RANDEGGER. ’TIS NOT TRUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. MATTEI. TWILIGHT FANCY . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MOLLoY. TWICKINHAM FERRY . . . . . . . . . . . . . . D . . . . . . . .. .-MARZIALS. VAGABOND (THE). . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MOLLoY. WAKING AT EARLY DAY . . . . . . . . . . . . . . . . . . . . ..LINLEY. WEARY OF LIVING, SO WEARY . . . . . . . . . . . . ..GABRIEL. WE’D BETTER BIDE A WEE . . . . . . . . . . . . .; ...CLARIBEL. WELCOME, PRETTY PRIMROSE . . . . . . . . . . . . ..PINsU'rI. WHEN THE THORN IS WHITE . . . . . ..r....VON WEBER. WHO’S AT MY WINDOW . . . . . . . . . . . . . .;’;’...».,§.OsBoRNE. YEOMAN’S WEDDING SONG . . . . . . . . . . . HCPONIATOWSKI. YOU AND I . . . . . . . . . . . . . . . . . . . . . . . ......CLARIBEI... RING ON, SWEET ANGELUSI Written by H. B. mums. T \ Music by CH. GOUNOD. Andante moderate. (J -_— 76.) 1. Hark! ’tis the Angelusl sweet - ly ring-ing 2. Now O’er my heart a spell, gen - tly is stealing, O’er hill and vale,........ Hark! now the me1- 0 - dy maid- ens are singing, For Words too deep, ...... .. When to the wander - er, com - eth that feeling, the gale; ........ .. floats on the but weep! ...... .. he can but V-_._..............—? V & . . cres. poco. ' ad lzb/. m1 }- On such a night in years long per - ished, , n I too have- I’ve heard‘ the lute in du1- cet mea — sure,’ Neath state-ly mf% Those dearold lays, so sweet, so . cherished, When life was - When life was But ah! its tones brought me no plea-sure, A - far from A - far from tempo. Ring on! sweet An-ge-lus, “V17.” to Voi - ces long si - lent With thee are wak - ing from out V’ the years, ...... .. from out ' \‘ ad lib. 7 With thee are wak - ing from out the years! Oh 1 sweet An- ge- lus ring on! . sweet An - ge - lus ring on! Sweet Angelus rihg on! ring fx "F, una corda per — — den ~ - - dosi.‘ AHI IF THOU COULD’ST. KNOW. Trans. by J. C. J. M. W. BALFE. L Moderato. = H Recit. ' VOICE. O‘ wilt thou share an honored name; With all my wealth, with all my fame, Say but a word; I love thee_ on - ly, Adagio molto. I1-lume my heart,’ so sad and lone-ly, And all I have is thine, is thine. . ~ > A Adagio. Andante cantabile. Romance. Ah! could’st thou know the bliss of lov - ing, Could’st thou but know and test my faith - ful love, Ah! surely then, thou,thou would’st love me, 1 sure! Ah! sure! thou wou1d'st love me, Ah ! surely then, thou would’at love me, thou wou1d’st love me,then would’at thou . -+- . V I > . calla voce. ,3 poco accel. 3 Take, then, my heart, r'.\ flu--H Thy name there-on in gold-en is deep en- dim. graved, ‘ And Since my heart I give to thee, Be - _ _ ‘T "U" —.—--———+- stow the like fair gift on me, be -stow the like. . . . . fair gift on me. 3 L Exchange, 0, gen - - - tle la. - dy dear, Enduring pledge . . of love sincere, . . . _y5;: GT6-S. ' \ of love SID - cere, > col canto. Ah! cou1d’st thou know how much I love Ah! could’st thou know how much I love Then, surely, then, then . ’. . thy love would be as - sured, as-sured . . Ah! la - dy dear, cou1d’st thou but know how much I love calla _ ONE MORNING, OH, so AEARLY. Words by JEAN INGELOW. Music by ALFRED SCOTT GA'l'l'Y. morning, oh, so ear- ly, my be - lov - ed, my be - lov - ed, _ . birds were sing- ing blith-ly, As if nev-er they would cease, . ’Tw:as the O . 13 Thrush sang in the gar - den, Hear the sto ‘- ry, hear the sto- ry, And the sang “give us 4 - - _ * .5- 3- pp e leggiero. ,———I\ > -glo - ry,” And the Dove sang“give us peace !”...... ecolla voce. Paco piu lento. 1isten’d, oh, so ear — ly, be - lyvff my be - ad lib. m lov - - - ed, To the murmur from the woodland, of the dove, my dear, the dove; When the m 6056!! 11003. Night - in - gale came af — ter, “Give us fame. G to sweet-en du - ty,” When the {GT Wren sang “give us beau - ty,” an-swer, “ give us love 1” She made 2'5 4:‘ j . riten. gf dim. 1" tempo >1. ban - swer, “Give us love!” She made an-swer, “Give us love !” Fair is f’ . F-\ / calla voce. A - pril, fair the morn-ing, My be - lov - ed, be - lov - ed, Now for” ._\ . . us doth Spring’s bright morn-ing, ait up - on the year’s in - crease, . ‘ . T. -'--N voice be heard that ask-eth Not" for and not for glo - ry, Give for -0-0 :- :1::‘;3E'3[:: ‘ 1!: 3,2: 4'4"’ _,,..._;__ _§_.- pp e leggiero. ,5 Pin lento". all our life’s dear sto - ry, Gi us and give us peace,——— Give for m m My Pin l'en?.-'/ /A - rall. alfine all our life’s dear sto - ry, Give us love, and give us . A A THE YEOMAN’S WEDDING SONG. Words by MARIA X. HAYES. ‘ ‘ Music by PRINCE PONI1:&TOWSKL ' > > \ > f"\ ‘ Allegretto gz'ojoso.> ' 0 --:3 . , ding dong, I love the song, ' is my Wed - ding ‘A ding ‘ dong, my steed, hie on, church will soon be ; g And the bride so gay in fine ar - jThey must not wait, they must not . . . day will be now a - dorn late, they’d deem the groom un - will con brio. Tho’ I've lit - tle wealth but sov’-reign health, . .o _ The sun is high in the morn -ing sky, . .. . . And the m pl? When heart . am only‘ a yeoman - .- . . . . . . . A bri - o’er our heads _ doth {gar the land there’s none L a. - long, as we gal We. Ding dong, ding dong, we’ll gal-lop .i°;Ys ring. Ding dong, SL0. bells V /-\ /-K- ::-I V- I .. _, g g 3: - l A 3 = .—~-—~—e-:v——.—~—~—- L7 V 3 -. -, :4 L1 L1 L \ :: Ding dong, We’ll gal - lop a -_ long, ‘ A11‘ fl ‘ D I ._JQ:5..__E,;;*', ’\ ,-‘~_,, ‘?:—E—E; \/ ‘' ~ ""‘“’ . E311: . 3 : E | - _:’_I’ i . ' l v_;f)“,;‘) : OJ fears and doubt - ing scorn ing, and doubt - inhg % scorn - -V g-——\{-s we’ve no time to Through the Val - ley we'll Solenne. 2nd time. wed - - ding 20 WHEN THE THORN IS WHITE WITH BLOSSOM. C. M. von WEBER. Moderato. When the thorn is white with — blos - som, And ‘tfi foun - tain flows a - gain; Tell me, Mo - ther, must I fly him, If he seek me on the plain 4 meadow ;‘ Where the primrose first is . found, And be ..neath the spreading‘ beeches Many a vio -let decks the grouzm, W hen the thorn is white with hlos - som,_ And tfi foun‘ - tain Should I at the rafi of .2 twi-light, Hear a -‘far his flute’s soft lays? Mother, must I close the lat - tice, If V know for me he wil-low when en- g1'av’d, I find my , I I lin - ger long to read it, Shall I hear my Mother blame? Whenthe Tell me, if dew-Ay garlend Hang be- - side my summer bow’r; Twin’d with L 1‘ : ' ;—a*_n*_r‘_: §—€:i$E— If . 9-1- . \./ the s~—-——a’————a*-——~—‘e——d- r:_?: a And }- '*’,l°__d““—”* ;._ with blos - som, ear - ly flow’r. tell me, would you chide me, P— ——0:,"———g9———a—— «—a——— *+——— a--o-——~:e— is wh1te '.’*—'P“'—,'?‘9.—““ 1*‘ Mother, ~r——r thorn % 1-1 4 I And each fair - est j 6.. ; 5:}: '——s ',w__1,___‘_Vp When the d\ "“*§:q _fc::p::;a.____ '1 know he plac’d it there? :“::c“‘ —”L“ fl _ 3 9. _ §:_'p“T""fC ‘W I fra -‘grant myr - tle, If 2'”-:3 . /. o\ ‘ 5 I,.._.—.._ ifiwk-—+:.}—n—e round my. hair? flows a__ . E§__ 1t leaves of H- $4:4:r_._ . bound °» foun - tam DOUGLAS. Woras by Miss MULOCK. ~ Music by LADY J. sco'r'r. }-- 80Cl’U(’». “ ‘ .6. 2. Nev-er a— scorn - ful word should pain you, I’d smile as sweet as « E- gels do. 4. I was not half worthy of you Douglas, Not half worthy the like of you, Now OJ P-ow Sweet as yoursmile on me shone e - ver, Douglas! Douglas! ten - der and true! all men besides are to me like shadows, Douglas! Douglas! ten — der and true! 3. Oh! to call back the days that are not, 5. Stretch out your hand to me,\ Douglas! Douglas! 2 « D . Mine eyes were blind-ed, Your words are few. you. know the Truth now Drop for - give-ness, from Heaven like dew, As I lay my heart on your 12'“- up in Heaven, Douglas ! Douglas 1 ten - der and true. dead heart,Douglas ! Douglas !Douglas! ten -der and true. hear 1earn’d «» 2 the thresh’s to hun - 8m 89*‘: mm: OF SWEET REPOSE. 8va~,,,, 8zva~¢,N 8va -éi $’='“.~_'-‘E T. H. HOWE. +~O~O0~I~l‘ 9 2 -P.. . light is fa - 1ife’s brief spring '5' 8w 1 1: V 1. The 2. My 8va,,, obooovz \__,. -p1y.... I -less-1y,....I 8va mul - - ti fruit - oooooog have borne With toil and you, love, oh, hap-py ‘ But I seng, ' found walt, I 822a ev’ - nin g strive _ and 82205 o~4~o-o~t4- 4-ro¢o~o§ M J _I,_ _ - ‘ . . . \—w ‘I: so long, But I have borne with toil and wrong so I so late, ’ long. I found you, love, oh, hap-py fate, so late. 1' -é- .; q I-' :7 ‘ ____‘,2:: ': _____.___,____ im dreams N ow all my drowsy sen - ses drown, So dar -‘ - my fields are turning lin brown, So dar - - ling :9 M9 iv: ' kiss my eyelids down, Dim dreams my drowsy senses drown, So darling, darling, kiss. . . .my eye-lids down. kiss my eyelids down, Now all my fields are turning brown, So darling, darling, kiss. . .my eye-lids down. '59‘ 19' av- Oh! blessed sleep, oh! perfect rest, , f O, tender heart since you are here, i . Thus pillow"d on your7faithfu1' breast,’ ” V ' Sweetlove my.soul’s suflicient crown; Nor life, nor death is wholly drear, Now, darling kiss my eyelids down. “LIKE THE LARK.” Words by J. oxmmromn. Music by FRANZ ABT. .Op. 174. No. 2. Allegretto. ’ Lively. ""\ ht. Voxcn. _._——-L’ 1. Like the Lark, would I were sing - ing Thro’ the a - zure plains on 2. Like the Lark, Would I were drink-ing Draughts of pur - est morning 3. Like the Lark, ’twixt earth and hea - ven Could I free - ly float a- —-h I } 2nd. Vorcrc. Allegretto. . 0 - ver hill and val - ley bring - ing, Till on dew - y flow’ - rets sink — ing, I would ri - vet earth to bee. - ven, Dreams of V I could With the 0 - ver hill and val - ley, bringing Dreams of Till on dewy flow’ - rets sinking I could I would rivet earth to hea. - ven With the I 1 I i spring a - long the sky, Dreams of spnng a - long the sky, bask in fragrance rare, I could bask in fragrance rare, ma - gic of my song, With the ma - gic of my song, } bringing ‘sink - ing, hea - ven hill and val - ley bring-ing, dew - y flow’ - rets sink - ing, to hea - ven, 0 - ver Till on I would ri - vet earth spring along the sky. bask in fragrance rare. Ina - gic of my song. 29 .__.;%——: 3.?__. 0 -Ver hill and val - ley Till on dew - y flow’ - rets I would ri - vet earth to Dreams of spring, a- long the sky, Dreams of I could bask in fragrance rare, I could With the ma - gic of my song, With the >’* VIRGINIA GABRIEL. Allegretto. dolce. I 1. On - ly a face amt: Window, On - ly a face, nothing more; Yet the look in the eyes as they 2. On - ly a smile of welcome, On - ly a smile as I pass’d ; But that smile will still be re - I 3. On - ly her love I ask for, On - ly her love, and yet! The sweet boon I can ,- not .1 7 ‘l 4- -2- «is 14 :1-*”—‘:«¢#-=11-1 —1——-— :=.=v— so I must strive to for - dim. for 3d Verse; fl L . . I 1 T‘ - 3 J L N A v. I ‘4— 3» I Y5 \ of greet - ly a woman you tell ly a wordlow-ly spo - . D J‘ I I ‘1_;_ __ w__ __.:a._~.__ = L Still comes to me o’er and as my life shall As long And so I must strive to for ’o’er, last, 89*‘: in me, ken, _ .-a; -i'_':-g-4T.'J J :"*‘=7:3—w~~ H j / l l l -1- --l— -.- 19% ~—_~¢!:az ‘ ' _ :d: U“ 0 g: 01 I , m___ —_ ——1——— al—— I , ——- ‘"36 E—"*’"--;;«.r;""-_—_EF—_“'-E’-_':':-‘lEF_E mine for - ev 7- er and aye dim. A j_.:._ _.N Nfija . _‘ g E; ———+<~~ ——_....'~'.u'a‘?i§ L x 5‘ ‘N L N E°:fiiN: . C _v_ echoed Like the sound of an an - R *1 -1* -N l‘ V :7 On -ly a Worchthéit was all; On - ly a woman! to thee: On - ly a. “yes,” would she say ; Yet all day in my heart it gel’s call. But there’s naught that this mere earth containeth Half so dear as this woman to me. It would give the sweet face at the window, To be mine for e - vet and aye. Zst d§‘2nd Verse. 33-1! -9- -9-!’ 7" 9 _'L:;_’f;:E.Ei:§_ 32 Words by LOUIS C. ELSON. Andante mosso. sotto voce. /Z-\ Sonnxo. Come, sotto voce. Cos 1-nmo o Bnsso. Come, Andante mosso. 3 79"‘ W ing, Midst the even - ing my ‘loved my loved do SC&l'CC 3. 3 ing, Midst the even -, ing +-—- m xx 3 1% /4’ scarce a p__ _ /‘S _ f_!‘__ U murmur is V murmur COME WIT H ME. Musié by F. CAMPANA. > \*.Z . wlth sweet s1- 1ence- sur - round - 3 V \~.—/ . Wlth sweet s1 -lence sur - round - . come love Come, ah ! come love I) ‘all: X A IV F fi_a7_TJ ""'_N' ‘ F‘-‘j-o——3fi _i‘:nf:'." 4, a:E r I I . .7 C 4 ll :1 7' 0 V 4 r L :- -: A a .g—»-——gv——:—- 3 . -~3——— — ————V V where the zephyrs are bound - ing, L 11 Come, oh ! . g_z ’t1s the hour [7 ‘ __ /A e then, of love. _4q V3 \ .1 .1-« “ I -,‘7'- e where the zephyrs are 536'—————c u bound - in g, a——§—%— -39 \—-/ I Come, oh! come -,1 .2‘ =“ 2 ji‘ 71 - --§i"'1':_fir““”'1:‘ 3 3 ‘.2 111' \ then, "tis the ho of love. ..-fi- ,___1n:: r’ | .. V‘ ’_ | 3;? I =:§Es¥::; » pk I L _—5: L P :1 ¢ _,_____ _J. a tempo. cantabihh i the calm hour of love and of Now is the calm hour of love and of slumber, \.é “"/ a tempo. slumber, Na-ture a-reund us is tran - quil -ly Na.-ture around us is tran-quil-ly gleaming. f_____.._.__————-—*=’— gleaming, Waves are sleeping and re - ses are dreaming, Soft their pet - als they si - lent - ly f Waves are sleeping and res - es are dreaming, Soft their pet -.a1s they si - lent- ly f _,_ -p- __ -92- 3 close; . Come, . . then, . . then, ah! . Come, oh! dear one, :L___l: i_ close. Come then,come . . then, come, oh! come . . then, ah! . Come,oh! dear one, $-——/ while the stars without "in the a - zure of heaven are shin - ing, While the 3 3 . 3 V the a - zure of heaven are shin - ing, While the \_J _ , while the stars wxthout num - ber a tempo. n c n 0 o u 0 V moonbeams with thelr hght are en - twm - mg, Gently 1n - spn‘ mg these new songs of love. rall. \.’1—/ . .\3-/ . . 3 . . . 3 , s moonbeams wlth then‘ hght are en - twm - lng, Gently 1n - Spll‘ - mg these new songs of love. Ct tempo. a f ‘D ff . '.L’ 77 col canto. pm ammato. con grazia. ———c Now is the calm hour of love and of slum-ber, Na- ture a -round us is tran - quil-ly gleam-ing, Waves are sleep - ing, and are dreamihg, Sofi their pet - als they hour, Waves are sleep - ing, and are dreaming, Soft their pet - als they drow - si - ly close, Come then, oh, dear one, the stars without number, Midst the a - zure of drow - si - ly close, Come, oh! dear one! f/f heav’n now are shin - ing, While the moon-beams with star - light en - twin-ing, Moves our com-ca/love, While the moon-bearns with star - light en - twin-ing, Moves our calando a hearts to. these new songs of love, love, hearts to these new songs of love, _/ .2 . p calcmdo Ct poco. /-\ f cadenza. /-x love. Moves our hearts to these new songs of love.Moves our hearts to these new songs of love. f ‘ f"§ T J1 /A V3 3 ms 3 Moves our hearts to these new songs of love. Moves our hearts to these new songs of love. /5 col canto. ffi DO YOU REMEMBER‘? Translated and adapted by THEODORE T. BARKER. Music by Sig. CAMPANA. ff . T Andante sostenuto. con grazza. 3\ Dost re - call ......... ..that summer night, love, When the Dest re - call .......... ..that summer night, love, When the heav’ns we gazed on to-geth - er, How with pure ...... .1‘ .......... .. e - the -‘real heav’ns we gazed‘ to-geth - er, How with pure ..... ........... .. e - the - real v con espress. ‘ a tempo." i _ __ I H -4__I \ Planets gem’d the veil of blue. Planets gem’d the veil r-\ » pathway, thy star resplendent, As we Watch’d it, did mine pur- partanle. ._7_____ __j_ In its my star resplendent, As We watch’d it, VU'U'd" 19a" 3'“ U"‘ 3'‘ Spoke of love, .......... .. and then as - cend - . ant, did mine pur - sue. Spoke of love, .......... .. and then parlcmte con grazia. -3 L H _ _ :5 . F i 2‘ 7*. N ‘i"%‘—:'-'—._3‘I! F-'1. -,'1'::t—*'::_—‘;’::i:,.'.:::!:!:i:;‘::. -,1 a 5 -,1 ~ #1 : to view, Dost recall that summer night love,when the heav’ns we watch’d to- fi+—¢-—:~—:=e>~=-- t V @g_:,-% *”g::::§fi::§:::F__ - i -I. gether,HOW with pure yes ! recall .—{. -0- .0. Brightly Brightly fla.shing,While we gazed was lost to view, e~therea1 light,love,Planets ge1n’d the veil of blue, accel a poco. Dost re- recall it, stacc. accel a poco. Z—‘$ When I {-_:—---T whis - pered of love, the e When I whis - pered of love, the a tempo. flashing,Whi1e we gazed,Was lost to view. :j*+_.:§ In its course thy star re- Spoke of love, and then as-cendant, In a flash was lost to "at: spléndent,as we watch’d did mine pursue. Dost recall recall ' . recall . While I f _ 0077. 9711226! . whispered of love, the V plan - et .......... .. Brightly flashing,As we gazed,Was lost to /V \ -~\——~—- whispéred _ of love, the plan - et .......... .. Brightly flashing,As we gazed,Was lost to >._..i___>/ "*.__ _ own ........ .. . love, oh! dearest view. Oh dear - est ‘love! " L1;:;;:5,:j; :~:+:-,=--e=:~—‘ :¢423;3_—* §"_§?&*:_i:’.53fi_” _& ,_ U ‘ a tempo. 7-all. a piacere. love, my own, dear - est. own love, yes, all m-——-——~———r:\—— ._._. yes, all col canto. DO I LOVE THEE‘? Andante quasi allegretto. Do I love thee? ask the bee «Q lea, Where the ho - ney—suc - kle blows, rall. a tem_po- e forte. A /\ K>='- she an - - swers yes or no; J. WIEGAND. Op. 34. 1 /-——————%— 12¢ -0- If she loves . . . . the flow’ - ry 1" 1‘ -e-§ — And the fra - -_ grant clo - ver Dar-ling, take . . . my answer bird . poco. ac fair ? poco. ac When her ma. Flee - cy cloud, . - swers yes or no, . . . Darling, take . . my answer Do I love thee? Ask the -—==-;"' f _/-\ poco tin song is heard, If she loves . the sky so .'y"- a tempo. /\ {T - ran — —— do. Amll. . and1i- quid air? . . . As she an - - swers yes or i‘ - ran - -— do. rall. Darling, take . . . my answer so; . . . As she an - - swers yes or calcmdo. Dar - ling, take . . . . my answer I PP slower. con espressioize. . Do I love thee? Ask the flow - er If she loves. . the ver-nal 7126710 1770880. 7 crescendo. shower, Or the kiss - es of thé Or the dew when day is :‘: _ calcmdo. j: _ - I 1- %. tempo 12720. /\./’'S K __- _ ‘T ' -9- -I— - swersyes or Darling, take . . . my an - swer \ f tempo Imo. .4 . /1 As she an - swersyesor no, . . Darling, take . . . myanswerso. .4-\ !- 49- . ’ 1:: :t:: ‘- calamdo. , my morendo. { THE‘. LOVER AND THE BIRD. P. D. GUGLIELMO. _ Allegretto non troppo. > ' _ mono. ad lzb.8va. ECHQ > j (5 {- -0- -0- > er-r —— — ~—; I717!’ Thou Wilt not fly, Why shouldst thou fear Vain flatt’ - ring hopes; Oh! do not leave :—- ‘ love, of love on - ly sing; Those hon - ied notes thine, love, of love on - ly sing; Soon from my dreams shall I /- /- Thro’ me are ' - ing, This heart, long de - spending, with pleas - ure fill - ing, Wa - ken to - row, To - day give me rap-ture, I’ll weep to - mor - row, /f r :l: calla voce. -e i -[ sweet - ly to cheer me, Sing e’en to de - ceive me, -'- KT 1: z’mz‘taiz'ngly. /"'5 Zarg/zetto soszfenuto. porzfando can form e passione. m r:\ A. ah! ah! Ah! songster ' - ty me, Why poo-tamdo. /__\/‘___\ Tempo Z. Isl. of rap - ture like thee ? {-0- /3 “WED BETTER BIDE A WEE.” SONG. Words and Music by CLARIBEL. ANDANTE MODERA T0. auld folk at hame, ye mind, Are frail, and fail - ing » we told our sto - ry,V lad, Their bless - ing tell me sair, they’re fail - ing baith, For when I sit Weel I ken they’d miss ' came hame gave nae thought to self ' but think talk 0’ heav’n sae ear - _ _ nigh breaks out, the times are hard, that's a time a. - Wa, din - na urge me mair, kine are on mi - ther’s like - ly winna We’d better hide a. Wee. 3. folk now, folk now, folk now, the the the We’d bet - ter We’d bet - ter We’d bet - ter auld auld auld We’d bet - ter We’d bet - ter We’d bet - ter folk now, folk now, folk now, We’d better hide a Wee. 3. bide bide bide ’TIS NOT TRUE. Translated and adapted by THEODORE T. BARKER. Composed by TITO MATTEL ,. Amlamte. ‘ Is't not true? TL When be - side thee ,' mf _.__+_#M S dis - coursed to thee of love, Dost thou still re - call to our throb - bing hearts did prove ? thee I reclined, — coursed to thee Ah ! ,.'% . — -—r 4.<~——-:——— « E. 2:E33§:::——:m,="4g§3?3;?:,, _ 4 * ?s=7—1;3e:fi-jfii ' ’”%* _,:‘“d"~0#-*—5-I‘-" A ’:g'Z—gT.J:"' “'*“‘ if _ ores. L no, "(is not true ! I} pin mosso. { Dost thou still j 4 4 :3- fz No, ’t' not true! W.‘ "‘n dim. «i rall. j}'— A beating hearts then ............................................. .. did prove? a tempo. No “(is not true! 4 Ah! Dost re - mem - her? thou did’st say, /:\ ._._4_. __ ._ 0- -0- —y~ ‘ mall. I \'_—Z ‘'12 ~—-—-—/ .” 77 NW ‘love thee thro’1ife as now? But ’twas false ‘- hood From the heart ne’er came the ber, thou did’st say ‘I Thee I’l1 love thro’ life L -F?- -9- _H f £:::r—"":_; :’f:C::£E"_ -0-?» k fz No, ’tis not true ! ~ . H No, ’tis not true ! :9: . _1 _0_ - '-.' :0: o {;:¢;_.__ ' ‘L "*fi§&p f Piu mosso. false - hood dim. mi mll. ,2»- heart that spoke ...................................... .. the ff:\ No, ’tis not true! . No, no, not true! ........... .. TWICKENHAM FERRY. NOT T00 QUICK. who’s for the fer - ry? ‘ bri - ar’s in bud, “ I’m for the fer - ry,” The bri - ar’s_ in bud, late for the fer - ry! The bri - ar’s in bud, THEO. MARZIALS. Ho - ye - ho, Ho - ye - ho, Ho! you’re too go - ing down, And I’ll go - ing down, And it’s go - ing down, And he's 0 1 0 row ye so quick and I’ll row ye so stead - y, And ’tis p but a pen - ny to late as it is, and I haven’t :1 pen - ny, And how shall I get me to not rowing quick,’ and he’s not row -ing stead -ly, You’d think ’tWas a jour -ney to Twick — en - ham Town. The. fer - ry - man's slim and the fer - ry - man’s young, And he’s Twick - en-ham Town? She’da rose in her bon - net, and Oh! she look’d sweet As the Twick - en-ham Town. “O hoi, and 0 ho,” you may call as you Will; The /5 just a soft twang, in the turn of his tongue, And he’s fresh as ' a pip - pin and lit - tle pink flow - er that grows in the Wheat;With her cheeks like a rose and her moon is a ris - ing on Pe - ters-ham Hill, And with Love like a rose in the Twickenhaxn Ferry 3. brown as a ber- ry, . And ’tis but a. pen - ny to Twick - en-ham Town. lips like a che - ry, “ And sure and you’re Wel - come to Twick - en -ham Town.” . stern of the Wher-ry, There’s dan- ger in cross - ing to Twick - en -ham Town. - hoi - ye-ho,H0 - ye-ho, HO - ye-ho, ‘In lckenlmn Perry 3. FLY FORTH, Oh. GENTLE DOVE. SONG. Poetry by F. E. WEATHERLY. B. A. _ - Music by CIRO PINSUTI. Andante grazioso. ,. n1 1. I sent a let - ter to my love, 2. And when beneath her bow’r thou art, bright with 10v - ing words and sweet, I gave it to a ten - der dove, seest her lean - ing from a - bove, Fly up -ward straightin - to her heart, /——§_ -0- +- _ 1: con grazia. car - ry to my dar1ing’s feet, Fly forth,0 gentle dove, I nes - the in the warmth thereof. — My love will love thee for my 2'5 un poco rall. tempo. >2‘-'5 cried, Spread westward,spread thy pinions fleet, And give thee welcome, hap-py dove! sake, .< my bear my let-ter to my bear my let-ter to ores . — rall. con anima. H / -<r And O’er hi11s,a11d woods and meadows wide, And Then westward swift thy journey take, sweet ! ............................................. .. love 1 ................ ................... .. . .... .. __,.:.—:>,_____ __e:_mI__. t I I;gi:eEE§l V-9 \ L L p_e__.. I I T I EA 7 j- Fly forth,O gehtle dove,I cried, Then westward swift thyourney take, -0- *" '9‘ "Z 3. _ _ '9‘ $1 1:: 3;- 1;. j‘_’_‘._ love ! T‘ .. ” I E __ __,_ I '1 .9 9 _ n I ll .7.- i__ I '/’:y[;__ __:_'L_._'._§”_i :I_-_ I__- U " ‘ r f segua il canto. -9- And bear my let - ter to And bear my let - ter to my love! /3 : I I Y I' ‘ ii. I I LII I I , :t:r" d:!:fi!:::____- ‘ T’ :2: ‘T 5.‘ col canto. I 'p‘ ‘E’ __y E :' I 0 ;"7f‘?:::}:E::;,_._ -—‘-E g 3 L I ‘J ' I I >- _¢{ 29/-N !molto. rall. -————-———-J.w——+~ my sweet ! to my love ! bear my let - ter to bear my let - ter fh col canto. J leg*g-Z-“em MAID OF ATHENS. Words by LORD BYRON. A Music by HENRY R. ALLEN. Andante con molto espressione. /" "‘ .1. E: ‘L: ,_ 1. Maid of Athens, ere we part, . . . Give, oh, give me back my heart! . . . 3. Maid of Athens, I am gone; . . Think of me, sweet,whenn - lone, . . . . ..'j.. -5- Or since that has left my breast, . . Keep it now, and take the rest! . . . . Tho’ I fly to Is -tam-bol, . . . A - thens holds my heartand soul, . . . . .i_ 7 — . — -.2 .1. con tenerezza. piu lento. Z § 1% Z.‘ \ \ 5. 11- 4"——— —p;p_ . __ __‘_ E’ is ' i .; , _ " Li’ '—#--:I—: = rx ‘r 1 rw a _.. '____ '_ ‘_ 1 01 . - 1:1.-_,_. :3“ 5 ' - d_a I I , -—g—— : . $1 :1! 21 '~: —:i 4* I 7 ‘I r r 1 7 Hear myvoW,be-fore I go,Hearmyv0w,be - fore I go, My life, . . . . . love thee, Can Iceaseto 1ovethee?no?CanIcease to love thee‘?no!My life, . . . . . I love thee, we ’ yo \ x . ....... - 1 :;%;‘|:: \ ' ; :=?- 5 . . 1. “ ,'.",‘; ‘L a_#'_U 9 U‘ /1 E1 f’ . l ‘ *t:*'il9“' ' ‘.2 ' ._.._..E._ g_.__ AfP"‘°" ’*"Ped. :>§<:Pecl. :§cPed.bi¢ dear - est life, I love thee, H Hear my vow, before I go, dear - est life, - I love thee, Can I cease to 10vethee‘?no! secondo la voce al fine. 3f 8f I Iove but thee. Ending for verse. .94 .9- ’-3!-’ 2. By those tresses un - con-fin’d, . . . .Wo0ed by eachZE - ge - an Wind, . . . . -ax ' ' / 'v“\ thy soft cheeks’ blooming tinge, . . . By those lids whosejet - ty fringe, . I cease to love thee? no! . . . . Can I cease to love thee? no! . piu lento. By these wild the roe, Hear my vow, be—fore Can I cease to thee? no! Hear my vow, be-fore . I /‘ /6... con tenerezzrz. est life, I love thee, life, . . . . love thee, [9 awzpo. Hear my vow,before I I love but thee. I AK /"“"\3¢- -d*‘**d* _a_ _ _ _ U _z L _ {ct tempo. seconds la voce al fine. a’ & V‘ IN THE GLOAMING. Words by META ORRED. Music by ANNIE FORTESC UE HARRISON. u1JV'D.x1.7V'TE. the gloam -ing, oh, my dar - ling, when the lights are dim and IOW,—- And the qui - eta sha. - dows fall - ing, soft; - ly come and soft - ly go-— .71gz'Zato . When the winds are sob_ - bing faint - ly with a gen - tle un - known Woe- Con mzima. Will you think of and love me, did once long a. - go? the gloam - ing, oh! my dar - ling, think not bit - ter -‘ 1y In the Gloaming. 3. Though I passed a - way in si - lence, left you lone - 1y, set you free, 75'-' my heart was crushed with long - ing, what‘ had been could nev - er .best; to leave you thus, dear, best calla woce. T A was best to leave you thus, . . . . . . . . .. Best or you and best for me. ...... .. I9 2 In the Gloaming. 3. q SING, SWEET BIRD. Written by L. M. THORNTON. Composed by WILHELM GANZ. Moderato. _p_ ‘*1? 7%: 1.i Sing,sweet bird,and chase my sorrow, Let me lis - ten to thy strain; Fromvthy warblings 2. Morn and noon and dew - y e - ven, Anxiously for thee I’ll Wait; Come thou cho - ri- poco rz'ten'uto. I can bor — row That which bids me hope again. Hover still around his dwelling, - ster of heav - en,Cheer a soul dis - con - so-late. So shalltime fond thoughts awaken, n There is pleasure where thou art; While thy tale of love thou’rt telling, Say—-who can be sad at heart, Joy once more shall live and reign, And the harp so long for - sa - ken,Yield its dul - cet notes a - gain, 710 giojoso. While thy tale of love thou’rt te1ling,Say who can be sad at heart? Sing,sweet bird,Sing,sweet bird,Let me lis-ten /3 ""coZla voce. ‘ . “ _p_jp:}::;::-;—:"_:f:g;j ‘l'“‘—"fi" 'l“"'_"7" "'“'"”"" “ rallent. T L’Istesso Tempo. I I a tempo. f 5‘ f grazioso /' \ -0-——v¢———s.;»—— A_ to thy strain;Sing,sweet bird,Sing,sweet bird, Let me lis - ten to thy strain. Ah! - - sing,sweet L’Istehsso Tempo. Z13 calamdo. bird, Ah! _ . sing,sweet bird; . - . . - . . ' - . sing,sweet bird, Ah! poco mllent. ’ calla voce. a tempo. f Aw- __-g.L_ - si11g;s\veetbi1'd,A11!. . . sing,s_weet bird,Ah! . . . sing,sweet bird,Ah!sing,Ah!sing,sweetbird. C7"6S. /\ _ __..___-_. ; .1: # 5- L"”‘°',Q'2d time. $——/ . . . . Smg, sweet b1rd, sweet bxrd, me 11s - ten, let me lis - ten L’Istesso Tempo. - f grasioso /_/-\. R\ (1-5 strain. , Ah! ’ - ~ sing, sweet‘bird, Ah! - . sing,sweet.bi1'd, . L’Istesso Temlfo. A poco ralleni. calla voce. > dole-e. //"-:—$ .4- - sing, sweet bird, Ah!- ~ - - sing,sweet bird, . . . . - sing,sweet colla voce. sing, sweet bird, Ah! sing, Ah! sing, sweet /3 VVEARY. Words by FLORENCE L. CARTER. 33. ._,_ 1. Wea.- ry of I liv - ing, so wea-ry, 2. Wea-ry, so wea-ry of wait-ing, 3. Ti ~ red, so ti - red of drifting, SE find for the sad heart and dreary, something to love, and to love me, . tTi-red of breasting the billows, Music by VIRGINIA GABRIEL. Longing to lie down and die, .......... .. To Waiting for sym-pa- thy sWeet,..‘ ........ .. For A-down the dark stream of life, .......... .. The end of the pil-grim-age nigh ......... And pleasures that are not so fleet .......... .. For a The billows of toil and of strife ............ u ......_._F__._\._. in‘ in‘ ‘ E E :§~-——¢:—Jqi'—~a‘——F——J' ——a'—:- :1 Wea -ry, so Wea - ry of wish - ing, hand to be laid on my fore - head, Wishing and waiting "so sad - 1y, voice that is hush’d to me step that to me was sweet VWi1l-ing to _die, oh! so ev - er, or eyes mu- sic, glad - ly, If V 7 For a form that has gone from my sight, ......... .. A glimpse of the golden brown hair, .......... .. For love that was sweetest and best, .......... .. that to And a brow that was that would bring qui - et me were no - ble S0 and and AM CONTENT. Poetry by CLARIBEL. Music by C. H. SAINTON. Andantino. I Andante ad lib. I am content, I am content, K3 S75’ Tempo I0. I am content to be dwelling in shadow, It on - ly the sun-light may sweep 0-ver thee; I am content if the shadow fall o’er me, If rain-bow of prom-ise shine clear -er for thee; V In I am eontent,tho’ the thorns bearound me, If on - ly the ro - ses be show-er’d on thee. I am content,tho’t/he cas-ket be empty, If _on - ly the jew - e1 have fall - en on thee. fir I am content, tho’ the northwind be cruel, If sweet southern breezes be comforting thee; I am content with the des - o-late valley, If on - ly the songbirds are sing-ing to thee; ‘ ———a—4 ———3 — ' jig" *: -if mf am content to a - bide in the darkness,If on - ly the starlight shine brighter for thee. am content to drink drops of enjoy - ment,If on - ly the fountain fall freely for thee. Tempo lo. I am content to be dwelling 1n shadow,If only the sunlight may sweep over thee ; I am content,tho’ the thorns be around me,If on - ly the toss - es be shower’d on thee. ea I LOVE MY LOVE. Words by CH. MACKAY. Music by CIRO PINSUTIi Allegretto moderate. Moderate. 1. What is the meaning of the song. TE 2. What is the meaning of thy thought, 0 3. 0 happy Words! at beauty’s feet, We ' rings so clear and Thou night-in - gale a - mid the copse, Thou - maid -en fair and i There is such pleas-ure in thine eyes, Such sting them ere our And when the ear - ly sum-mer pass, And 77 A 1, ores.-— ‘ - p e leggfero. T; I) 3 3 . I 0 U . . :__ f»R9——,-—*—do———.P F , . . . 3,12 1 L4 L1 L1 L1 ! U. . S . - :1 v 51 U '1 r "’ "“" . r I ' _ :7 1 [I g o/1 T‘ lark a — hove the cloud? Thou lark a - bove the cloud? What says thy song, thou mu - sic on thytongue; Such mu - sic on thy tongue; There is such glo - ry care comes on with time, And care comes on with time. Still be it ours, in -1!-“"‘_“—.,-«£3 —-———! _ : i T ::3:d '~—a' - ! poco ores?‘ T ‘ -—%L_ ___'__’__I’_,_ ._ 0 I: . ‘ * I i L ' f‘“‘ V . 1 ' .‘; Ir‘. . L I‘ 4. . 01 F I I "R T : _C 9 . ‘ I ' j ‘ I ' . :1 E . _ y . , K ‘ _ _ .;___. _ joy-ous thrush, Up in the wal-nut tree? VVhat says thy song, thou joyous thrush, Up on thy face, What can the meaning be? There is such glo " ry on thy face, What Care’s despite. To join in cho-rus free, Still be it ours, in Care’s despite, To 1""'- 1"""‘ -n—'a' 5 .r_'__0' sf 1 7 I -1 N I 1 ; 7 '_ ‘_ __ ‘_ I __]_ _ _,..i- —“a_S~5_——~ F‘ 0 un pcoo. rf _ ‘ , ~ : J 5 ' % #1 — -.;—,a—p—,0— . __,___ _ -'—+*. 9-4-. 9—‘j: I ! i g . 1 J ' * - .—--——-—‘ ——-—"=»— U=‘ I 0 , 1 I riten. in the Wal -nut tree? What says thy song? What says thy song can the meaning be? ' O maid-en fair! 0 maid ‘ BU fail‘ 3 join in cho -rus free, The hap-py Words! The hap - P)’ W01‘dS! -0 CW3‘ "““:-—--—:;’:f pt'mt'land0 la voce. .94 .9- /"“-x __t:;.._.:£; *" " 7.8 Allegretto moderato.. love my love, I ——+ -—+- -“- _‘_ U f“ “" - y 3 _ ._ my love, because I know my love loves me,” I love my love, I love my love, be- . _ I 1st 42 2d. r9‘rf2“‘“a.v""'! g .3 r l@,*,‘ 1 :5 . : 9 L .9 ‘Q’ ———-—— ' . . “ .' '.1 é D 5:.-#3 '7 7 L‘ e cause I know my love loves me.” BRIDE BELLS. Words by FRED. E. WEATHERBY. B. A. Music by JOSEPH L. ROECKEL Allegretto. m f marcato. -12- El - sie roams by lane and lea, Her heart beats low and sad, Her th0’ts are far a- year by seas,A year by lands, A year Since then has died. And E1- sie at the way at seu,VVith her bon -‘nie sai -lor With her bon-nie sai - lor lad.“ But a1- tat stands, Her sai - lot at her Her sai - lor at her side, While 3 l I e.= - J 1.‘ l {I 0 0 0 n V E I . T: I 4 I ' ‘ 0 - I i"“""“.P ,' 1 Klzizg, Zmzg, Zing, She seems to heather bride bells ring, Klivzg, Zamg, Zing, Kling, Zomg, Zing, Their bon-nie bride bells gai- ly ring, Kling, Zcmg, Zing, . 1 -_ _' I l -9 7 v _I_ . _l l 4 '3 I V . She seems to hear her brideebells ring, her K7z'ng, Zomg, ' . . . Their bon -nie bride bells gai- ly ring, their f-\ .___‘Q_, 0 L: I My una corda. _t7'e cordon: ' ';_-___ u I . 2:5t55‘:;-—fw a . ,_._ bride bells A ring! pin lento. night her lov ’ good ship rode The W“ piu lento. .__....._.._.......__...=.._..;.. ._ ...4 ._ stream - ing he >=— ‘.4’- esyyressivo. molio rit- thought of her thought of her molto rd calla parte. T::=__ dim‘ —tempo~Zmo. - 1;, ;:'____ mh VVhi1e Kling, lung, ling, He seem’d to hear his home bells ring ! Ming lamg, dim. A _ _ _ — 2* fi_\ /-—--\\ _?_. ‘ I 1. 1 - 1 I ) . {I 4 ‘J | ¥ .. 9 0 a ,1‘. ,' « d__!- — ling, I(72'12_q, lung, L ling, {- ._’_. _{2_ _-/_’:-S I p-_ - . . ' —! E§E£fiI§E§l§333%4i3§:1:t:?:r3:?l" ‘ 1"? e : L A% = ‘ ; ——-————-—g-4 :g_ I i M) 2./ma corda. ,2-T ~ Z—&.\ Z-T §§!_2:§;:1;n;:1:p::1:n::1‘_‘p”“ fif.” :d:L::i § LOOKING BACK. V A Music by ARTHUR s. SULLIVAN. Words by LOUISA GRAY. A voice so Wondrous sweet and 1. —‘I- heard a voice long years a - go, That gen-tle _voice was hush’d for 2. But ere our sum - mer pass’d a - Way, _ ~~_~'c''5§3E_;3 ‘ un - bid-den rose From the depths of 1ove’s re - pose, .......... .. trembling tears well the angels lov’d her too,... Watclfd my love’s last smile, and knew, How ‘ k L 3 L «" p " . 5‘ 1 L L‘ ‘l— “" ' I‘ I‘ ' I n n ' _ .....__.i____' (J 5 I V V ____l "_-. !____€__.;J_....' ._ L_._? ______ ;___._¥__...;‘._—...«. ;J ' I '-‘L .E:Q”:d ‘-‘”‘““‘—-“d::: It And made the darkest day seernrbright, gathered all the love of years, And float - ed thro’ my dreams at night. si - lent but with blind-ing tears, I i ' E :5 >41 4- : -3- 4- 4- R 3‘ 5 Z u 1 1 1 ::*”=;°=”"”: 5--~ »_ Q ‘T; 7=-a-__g.—‘:w's~l \ I . rall. -i2:5-_::,N__-_:,N'-"?‘<-*;*<*‘:j*_‘_“;*:‘<‘" j" , "‘<—‘.N“":‘—‘,"<—;-’*:_:**§::-*_ _,§”‘—,.l::: 'fi:5 %E:i2::d:d:g;':_:iI‘*"~*,I:a:" ‘ ‘ ‘ .i§F!_J_#F__:_d__;__-j_ ___' §:t}: And nestling there, forgot to rove. Where all I lov’d s1ept_'white and cold. 83 Whisper’d to my heart,“My love,” laid it with my dream of old, , EZ?'5._ .12 I I 4: A l_ : .._.__, ::__i "1*‘1' ¥-3-: * I _,___: __;_._1_ , . , ' W? 1% %i ?93 3; 19 —.-:m - “-j:E'_‘”:];_:_",;_f_'Zé:&:'_',!___"é:"_'-J2 ‘ !:;—,'*i‘.’*,;; F E —5——o——o-—o——-u»—s—_I——-- 9 v—a—o——p—9— H9 —— -b —-k-—:~~-~r—--r- a 2 =. : ‘r_ - \ ': —i ? . a——i:3—e — ——;— ‘‘ _‘,_ _ .. .. or 7. :::d.';’.d::d.‘:I.:!f:d:1. 7 :1. J54‘ O L v Un poco piu lento e con m0Zz‘0 tenemzza. - =‘w R _ 5:1 __; 5 "“:N* 5?§”3"'»"T‘ a‘ -rfi - “ * -9 »'~ ;~—— —r—~——~— ~ ~¢;a—~-—.~— ,,a I :7 O my love I 1ov’d her so, My love that 10v’d me years a - go, 1 n x I ‘I :_ ‘I ——l——-£-——-1’~—-—l———-1——-I- ‘»)}——/1‘——~f—-—+'~—i—%—~1 _;5:d’d" “d‘d ""”?"'§”';"”?"5”"?“ Peal. my love I loved her so, My tres largement. ,3 __q_ - love. . . . . ... . . that 1ov’d me years a - go. >>>f.\ . a- colla voce. LITTLE MAID OF JARCADEE. , words by W. s. GILBERT. . Music by ARTHUR s. SULLIVAN. vzlllegretto moderate. Little maid of Ar - ca - Sat on Cousiri knee, . . . Thoughtin face and form ‘and limb, No - bo-dy could e - qual ' . was rich, and she was fair, Truth,theymade a :4 ..v= mf a tempo. preti-ty pair, Hap-py lit- tle maiden, she! Happy maid of V Ar - ca - dee! mf a tempo, Happy little maiden, she, Happy maid of Ar-ca-dee! Happy maid of Ar - ca-dee! § colla voce. Moments sped as moments will, Rap-id - 1_y e-nough; mi-til I O _ 0 - ter, say, a month or Rob-in did as Rob - ms . Flckle as the month of Jilted her and ra/n" a - way! Wretched lit-tle maiden, she! Doleful maid of A1'e}idee I 86 30 rall. e dim. T Do1efu1m:1idof' Ar - ca — dee! To her lit-tle homeshe crept, There she sat her down and wept, __p /'—''''''''—'S /3 -3. I wall. 6 dim. ‘ riten. a tempo. Maid-en viiept as I maidens will, Grew so thin and A pale and ill, Till an - oth-er came to woo, riten. L - at tempo. ,5 f am'mat'o. Then again the roses grew; Happy lit-tle maiden, she! , Happy maid of Ar - ca- dee! A , .1 _‘_ voce. f a tempo. ‘V rall. Happy liti-tle maiden, she 1 Happy maid of Arcadee 2 Happy maid ofA1~ca-flee! /5 tr:- ev- f calla voce. BIRDIE SING. ‘words by ZEILA. V Music by WILHELM GANZ. Allegro viva. P I :g. :g: :g: :{L l l 1 ~ . I ''”‘r-—‘.-—‘‘!“—‘.— ".—"i" —o ~-—a:—a‘——a'—-——i——-o'———a'—- i I » 0' A‘ M :dT—_;L—9 “*1 ' .;. I 1 2 L V 1/ i i ' 1. Sing, birdie sing, thy song Be of this earth so 2. Sing, , birdie si11g, where the moun-tains glow, With blushes to meet day’s l ‘j-'_- 444.3- 4.4;‘ —i— 4 4-0-11”: 393:3-[:§3§3§_:_3§o!_3i '2) le_rjgz'e‘7? stacc. -0- -fl—!.1— £41.1- _ ::"p:§:§fi:_':p:J::b:ft*§:i:b:b:3: 7-1-<*—*r--1-'=. i _% 2 i ' ‘~«_ = AV: ' E bright, so... bright; Sing bir-die, sing ..... .. thy notes vpro 1- 1ong,........ Tili king, day’s king. Sing bir - die, sing Where the Wa - ters \flow,.;...... And ' dim. poco rall. , -a'-, - :1- day glides in - to night, Till day glides in .- to night. murm’rin g praises ring, And murm’rin g praises ring. i L a temps. L- ... _ d... poco will. _‘_,_ >acce - -‘ _ :._\ die thy lays in sweet 7 ture’s praisé,..., Sing, bir-die _< i‘“'d_'._ §—? qt $-Z \__,, /-9% birdie sing, sing, bir - die sing, ............................. .. bir - die. fii 1-itard. a tempo. ffijns § ‘J . sing, sing ......... .. sing, ...... .. sing .................. ..bir - die sing, sing, .......... .. sing, .......... .. sing ..... .. a tempo. - . f‘/-s ............. .. bir-die sing, sing, ......... .. sing, ......... .. sing, .................... ..birdie sing, /\ . f--- poco meno mosso. . ‘T2 a . - o Smg ‘ b1r-d1e smg, t111 ’e1me’s no poco meno mosso. :9" ‘J little life ends; Thou nev - er canst give to no. -’ tu1‘e’s store, Meet praise for the gifts, for the gifts in sweet 'd'"‘d_'._ \—j”U"&.Z birdie sing, she - ture’s sing bir - die, praise,.... Sing, bir-die [gag —-\ I __ ____' _' I A ,: i__;‘____'1S_fC..i__L___,__'r.__[:_..____1_ 1*“ 1""-.9-9-Pia!“ 1‘“;“‘**“"“"’-‘ ““‘“““'$‘f sing,........ sing.... bir ;:*>—» .—< sing, ............................. .. bir - die ritard. -4‘. _~—-——- 5 V a tempo.f é: -* n . sing, sing, .... ......... .. a tempo. Z——$ sing, .......................... .. bir -die sing, sing, .......... .. sing, .......... .. sing,........ .................................... .. birdie sifig. -9‘ _ .,_. THE KERRY. DANCE. Words and Music by J. L. MOLLOY. Vivace. _‘ _'_ #_ ‘O, the days of the Ker - ry danc- ing, 0, the ring of the pi - per’s tune! 0, for one of those hours of glad - ness, Gone, a - las! like our youth, too soon; '0 '1' '0' ‘C When the boys be - gan T to gath - er ‘ \ sum - mer night, the Ker - ry - per’: tun - lng, Made us long with wild de - light; ’q'd' to think of it, to dream of it, fills my heart ‘with tears! O, the days of the - ry danc - ‘ing, 0, the ring of the pi - per’s tune! for one I of those fit hours of glad - ness, Gone, a‘- las! like our youth, too soon! The Kerry dance. 6. .;._’___ Was there e - ver a sweet - er col - leen in the dance than proud - er lad than The. - dy, as he bold - ly took the floor! and lass - es, to _ your pla. - ces, up-~ the mid-dle and down a-gain.” Ah! the mer - ry . heart-ed iaugh- ter ring - ing thro’ the hap - py glen! O, to think of it, 0, to dream of it, The Kerry dance. 6. "- my heart with tears! O, the days of the Ker - ry danc - ing, 0, the ring of the pi - per’s tune! V0, for one of those hours of glad - ness, Gone, a - lasl like our youth, too soon! m gt ' / , 1*: Pia‘; lento. Time goes on,. . . . and the hap - py years are dead, And one by one the mer - ry hearts are ’ fled;.... Si - lent now is the wild and lone-1y glen, Where the bright glad laugh will T ne’er a - gain, On - ly dreaming of days A gone by, fills my heaft with tears. m Lento sempre. Lov - ing‘ voi - ces of old com -pan - ions, Steal - ing out of the past once more, And the sound of the dear old Soft and sweet ' days of yore. 7° poco accell. When the boys be - gan to gath - er ' the glen of sum - mer night, sempre cres. And the Ker - ry pi - per’s tun - ing, Made us long with wild de - light; ur- O, to think of it, 0, to dream of it, fills my heart’ with tears !_ O, the days of the pm lento al fine. Ker - ry danc - ing, 0, the ring of the pi - per’s tune! O, for one of those fir“ hours of glad - ness, Gone, a - las.! like our youth, The Kerry dance.’ '6. THE BELLS OF ABERDOVEY. i 4' » “WELSH MELODY.” Accomp. by BRINLEY RICHARDS. Eng. words by WALTER MAYNARD. Jloderatoxl’ ——a - ten to the chime; I lis - clear ; M the peace - ful ev’n - ' ' . ‘ the hills, their voi - ces 1. In used to 2. VVhen at mom I rall. a tempo. One, two, three, four, A - ber - do - vey, One, two, three, four, the dul - cet, ring - ing rhyme, Of the bells of A - ber - do - vey, To They would then my young heart cheer,Those sweet bells of tempo. 9 _ Q 9 "l .‘ QT .-‘ 5 l‘ 3*‘ I ' « i " U‘ s F -' ‘ ' 9 .‘;.‘[' 2 -' .= 5 J V I- a E -.1 L’ -.1 ', ''_. _-' oi - ' - I Ilarkl they ring! Ah ! long-lost thoughts to me they bring,Those sweet bells of A - ber - do - vey, they did sound, And then the e - choes would re-sound, To the bells of A - ber: do- vey, If-K N fi\ _ » = if T * : : l : a ‘;"""'7 .3 ' , 4L__4 6:-—a——a’——\—-T -» g:: A : . , I ‘_1 ' _ ' ,." 1. _' ‘ .. u ; 0 T first heard them years a - ‘e ~ less and light-heart - ed, ’ their mu - sic seem’d to ' loud mirth and p1eas- ure, thought not of‘ com - ing woe, bright days de - part - ed, I sang right mer - ri - ly, ' me - 10 - dious mea - sure, a tempo. ‘J Now those hours are past and gone,“When the strife of life is ‘done, Peace is foundin Heav’n a-lone,” Say the - ber - do . vey. SING, SMILE, SLEEP! Poetry byAVIC.TOR HUGO. Music by CH. GOUNOD. Arranged by S. BEHRENS. —J—‘ iii’: .0. p ?>ed.;;¢ Ped. 3». Ped.:§: Ped. "‘ 0 '0‘ L2 1. When thy voice ’neath the moon's bright beams I do hear, .......... .V 2. The smile on thy lips gives love’s gleam, to thine eye, .......... .. 3. ' As calm ‘ in mine arms thou dost re‘ - pose, ...... .. S6’ A , -; L 1 L L . = F . = ; . . .= 2 :1’ 5‘ "* € J 5 A '3 _j___* W .‘ . . — —-—-fl-—-I H .d '.1 " dézo-——‘ ml _ J ’Tis my sou1’s ......... .. deepest tho’t that in me - lo - dy, mel - o - dy flows, ...................... .. Prom-ise of ............. .. bliss and truth in both age ‘ and youth, .................. Oft mur - - mur’d in dreams my name ...... .. I do hear ................... my -0-‘; Joy smiles as in youth, fad - ed hope, fad- ed hope a - gain grows, ........ .. And my melt - ing heart pre - pares for the sky, ..... ...... .. On thy beauties I gaze, press thy lips, thy lips of rose, .............. .. -0- then sing, then sing my A then smile, oh smile ‘my oh sleep, oh sleep my $ love, my love, sing till the stars ap - pear, then sing, ...................... .. love, my love, oh smile thy smile of “truth, then smile, .............. .. . . love, oh . sleep, oh sleep, sleep with - out fear, oh sleep ................ .. .. dim. p :5 i I ‘ ' . "4..- -__ , ,1 ! ,1 ‘ 7 , ‘:1.‘_ “'’’F;‘“ ''‘‘‘‘‘'I..‘‘‘ ‘1‘‘‘‘ ¢’ love, my love ’till the stars ep - pear. My love oh smile thy smile of truth, My love oh sleep, oh sleep my love, L- . '__g__ '._+_ V14; _ __.q_; 5' _U_;__,‘ 9 ‘ :=~——a:;. -' 2 . ' 4 -a-\-/ -a— . 'G“““‘.*""‘Pf‘9“1+—"“"<$:; ; e : rx tjaimu. s ,'\ 17 \! fiigg ; '7 . '1 —" I ' _L. _.‘_ V .1 I4 I / / GL1. _ '“'r—""%‘+‘, -0- ‘ love ’till stars love thy smile 1 last time. I2 sleepj _ ’ 1':1':'J.:}r :::.E d“’o““U'“‘ _l _ ,*__J,_4: 15:. a-[ _:d: i.__. -_ a'—a'-a'~—¢-¢.—v—~5—3 3. !_ __. q:i a Music by J. FAURE. r-1 f'7"1 r-fi-*1 r"a*—‘a_U‘ai"" |_ '—l . __ ._.1._—.[____ ._l__._ _;-f soms :1.._.;_‘_;___!_. -0-. ‘ O l_:] — '—-‘I-1 -—1——:~.——«‘—1 ii _a_ __n_ Te -~———s—~:—-— blos by 'D_ _7 ‘ ~«—a .. J 4 I I “““'—‘:";—‘T‘“ _I'_ T- D 3333: ‘ J e - a‘—-.- . freedom from de l I d 3- 22 gi_::_J_g 25:: :;"""""-5*‘. '*“"rI3 2 ___,1 _d_ _‘__ I ..:T.___a d:d:d:i£ 3 J2- 1 j_ green palms and L and peo - ple 0h blest i:1B“f“"“F S E H c N A Re A, B I M L A P 3 a—a———a——':E3:~55' .-=:£——.L—.§—.— M _ _ ..’- ‘ "‘ __¢__n'__ .‘ __g._, the Way, goes forth, re - joice, 3 this day . D- 3:31"? ‘L l all word and strewn -9 _._ __'S_,__ I —-——9—-—9—;9——.—D——_D—— :r:: i 0- -'- if Andante maestoso. 3 ,_ :': ‘ tpEep;2 L 12: -b 'o—_—————|fl—:———-F __fil fig ______E..__ Translated and adapted by THEODORE T. BARKER. lz E) :§:g§3 $3 g A : ‘n g R Q . ‘. 1‘ g’ , .-‘ _. ' I L ," 1 I :Q___ _ _ V to Wlpe our sus comes, doth give to Je - man - i - ty bound - less love, the Christ of 9” 1:: -9- I Tall. the throng in dark - and hope now those faith to wel ness find to thee a come him re - stored for - ev and sing ry voice re — sound ” with pre - pare ; the er .0" light, more, {' -9- .. de - C1dl‘0, ai)-_(]an.d0. 2- -n- 4- 4!- tion, 1' Ho: praised . be Lthe Lord! slarg/anclo. (35 /'3‘ 0 O V Bless I*I1m, who cometh to bung us sal — vu - 3 :9— -1- 3 rgando. 1 1st (9 2d. last am». I _\ A NAZARETH. Words by HENRY F. CHORLEY. M0de2'ato quasi Andante. Though poor be the ber, dome here, Lord of Heat - - Music by CHARLES GOUNOD. come and a - dore; Hath to mot - tals giv — - . E; If 0 I _ L f) {I Life ’ - more, . . , 1 I ] I :::jl:“‘j’*—¢I-“ I -j—j:§—3—-1:j:3 : I g‘_____._:___a_.... - A A ' w 1:: Life for e - ver - more. . —+ 7“ 7121‘ V ‘d’ Shep - herds, who fold - your flocks be - side what was _° °\_/ by an - —ge1 voxces near: . . . He who will guide you. Thro’ paths liv — ing wa - ters clear. . . . Though poor be the Kcham - ber, come here, come and a - —{ E» -5- collar, voce. ' Lo! the Lord of Hea - ven Hath to mor-tals /V--—-\ ,/_:%a-1__,_%f—'_3'g’:%E: V61‘ - more. Life for e - . . . ‘r ‘F’ __ V _d_ Kings from a far -land, draw near and ,be- bold Him, Led $17 beam whose Warn - mg bade ye come, . . . Your crowns cast T 17,. roy-al en - fold . Your King 17.19 M9 E; :5: earth frombright-er home. . . . Though poor be the cham - ber, come here, come and a -_ /K‘ . . " .2-/—-:1 . colla voce. -d_ 1; Z-——$ ppa tempo. -9- -9- “'* -2. ‘ /1 Lo! the Lord of Hea - ven Hath to mor'- tals giv ,_ E; Life for - ver - more. - dars pro - claim . . k——?—d_ dmgs bear a — far, ’. . Be - hold, _p_—- — — — cen - aic Ped. :5: Ped. pf: 'Ped' th’E—ter - - nal morn - ing Star, _ , AAAAA AAAAAA TM! ‘_‘.‘.. ‘AAAAAA _._;_5_4'_.{___._ J. :52: ‘unit’ U'u'u'dv" Though poor be the charm come here, come and a. - dore; . . . . ,5: _¢:_ p :1_ _ to H101‘ - tals giv ores. 1'2’! : knr Life for e - ver-more, Life for e - vermore, . . Life for e - ver-more. ' I 6* _. -33-? PL -0. cres. wit. 7; 1 % swr-:£'1' spmrr. HEAR MY PRAYER! original Key Ab. ‘ L wm. vmcsm WALLACE. ANDANTE ES ESS. No. 27. LURLINE. /.\ Lnrgumente. Oh! Thou to Whom this heart ne’e1' yet Turn’din an -guish or re - gret, Q 07; tu oh tu cm’ mai fi - 7207‘ D0 - Zen - iei pr/ie - ghi vol -31’ . —*:d_:'_::st."‘_‘:;;'_:..‘ ,2 4'. 2 ‘C’ gu- mst for - crive the fu — ture s)aI'e' Sweet S ir -113, hear In ra ’r! 1 . :2. > .. . . . . ’ , . . . - nae _/al - Zn, /‘al - Z; vmcz, Gran, bpz - n — to 2m - mor- tad, O L_ —— —— r::—:=—o J :T 4 L I .— @154 ML -*“'~”“:"~~v:*= F%,-W:ms g—. _ ‘ C J _ _L_ -6- 4 n V -—— - ¢~--~a—*—: :‘“T ”‘”“'"— —,“_*‘ : ‘ - w - §“+fifi WW fl W.[| ;:fl %; ‘ '0‘ 9 4 j E: —+ -0- ~0- \3_____ on leave me not a-1one in grief, Send this blight - ed heart re - lief! , Send this non deh non m’abba'n ~ do - mu‘, - - - dc - gna-ti al mi - 0 007‘. La #'d' 3 1 ‘J 2 -0- Entaered. according to Act of Congress, AJ). 1860, by WK. HALL J: SON; in the Clerk's Office of the U. S. Dist. Court for the Southern Dist. of New York. blight - ed heart re - lief! . . . . . . .. Make thou my life thy fu - ture care, pa - cc M’ - slo - rar . . . . . . .. La vi - taa te con-sa-ere - m, --r '0 Con espress. Spi - it, hear my pray’1'! . make . . .. my life tl1y fu - ture care, Sweet - scol — ta {Z qnio prc - gar, ta . . . . .. con - sac - cre - V0, a te, A - —-o.——: -0 . Spir - it, hear my pray’r! Hez_Lr, ohlhear my prayer! Ah! hear . . - scol - tar, il mio pre - gar. St 7177110 Z076 ' prayer I - gar I 114 L 4: Largamente. K Thou to w11om my thougllts are known, Calm, oh! calm these tremb - ling tu, che scru - ti 2'5 mio pen - sier I miei ti - mar di - 2 6' Ah! turn a - way the Wor1d’sc01d ffiown, my efall — in Dal man - do men - -< — zfi - - - 2507‘ - con - du cia Dolciss. tears! Oh! leave me not a-lone in grief, Send this blight - ed heart re -- ?)67‘ D671, ! 72/on dc}; non m’aZ>ban - do - 7zar_, E de - gna- ti al mio Send this blight — ed heart La pa - - ce M’ - thou my life thy fu - ture care, Spir - It, hear my pray‘r! vi - taa te con- sa-cm - ro, V scol - tail mio pre - gar, on espros< make . . .. my life thy fu - ture care, Sweet Spir - it, hear my pray’r! te. , . . .. a to con — sa -- ore - 7'0, A — scol - ta ilmio pre -gm, prayer. '0‘ ohlhearmy prayer! . . . . . . . . . . . . myprayer! ilmio pre -gar, ..... . . . . .. pre-gar! ESMERALDA. V Wr.itten by ANDREW HALLIDAY, Esq. Composed by W. C. LEVEY. Tempo dz’ Bolero. _:f2 _ 1. Where is the lit. - tle Gip-sy’s home? Un — der the spreading greenwood t-reie, Wher- 2. 0 leave her like the bird to sing, To sing on ev’ -ry tree and bow’r, Oh - e i ver she may roam, Where - e’er that tree may be. leave her like the bee, To flit from flow’r to ‘flow’r. Roaming the wide world 0’er, p dolce. //"""‘\\ :fl_,' ores. - ‘ . . .} ;:_ 5 ‘R’ . ~r E . ;‘ 4‘ 0 ,4-——-+—=———-—-a—~«s——l ?_:d‘- ¢_§,'___i:i ' r’ | I l l I "_,L ' d- home a.-n‘1c;ng the She finds “ 1: %:F %s— +:% C768 . 867774)??? GT8-S‘. shore a-moncr the free, Ah! 2 _ a la ‘ Gi - ta - ye: 0 _9~ '9' 1_ 9 j r b_____. [——=7~—;-—j-————-L _——‘¢ «-1- _»<I 1?” sZ£“.?;‘€€a a no - .m Z da, Es - me -lral - da, += I1 7 ’a.—a7—a:——4-a _’_.a:--:. a‘a—a_J—“r ‘ Jj —a— -0- -9- _.Jx_ ’ 13:22:: : —"‘ ..a—.a- . LE’:_f : I . 1 ——-———~~.9———:————— 1 I . —o—o——o;a- Ea- :2§E‘Zi-.¢—_.a_ I —'1 -aéaaaagg 39- . _F_ _#___9 -——r———i=—E—— ‘ F‘ 15 : I..-3 _¥)_I. Es ;-:*~<;-1*a1- da, Zin - ga - ra.. 119 grazioso dolce. 4 1 1 1_ x A 1 1 1 x_ gli :: lb! l*F~ we '¥¢#g:::§ ::a . —-.-:~-v-—a——au:--P4'-——-au—v--- 0-0-~ \_./ : '4 — - ;,— - \;' T ' \—2' is like the bird, A °‘ that sings in tree and b0w’r, The _. -7«__;1-f*"_ag‘_":'i::1__S"’.E‘_:‘?‘* _.*.l. :Q’v_ _ar:1.E_d; _ 9‘ -0 -L ‘ e I : 1 . ‘rd l l ¢—»| V 1 like the bee, The bee that flits from flow’r to 1 j __Z_____r a-19.9-*——.v——a—-~*v‘ I __ ________ _.__.-_____._ ‘ 7 ~ .I 2 = . _A_; _ __ .___g__ '_ __ __1 %L%yTa4fi* loves the sun and sky, . - - She _.9._ §= : P———p I -- . j H 51 l ~:;:m#~ n—w " -1- Q. "— _d'_ -91' ' / — -9- -P _ -.v~-r-.-- -: 1-- ’ ‘F .L‘-BL’? I :l:-:-l:—-%:1—~sl—- P i . Ped 4! W 1_ rall. -6-.-—-1 1;-—fi,.\_-—:1—‘j.\ J ;= . g fi9—-at-v—a-1: ,0-—a:1;-3 1-30 j;,/ I " ‘: v l 1/ _ ' 11 l V 7 K . groves of sun -ny Spain, The plains of La Belle France, La Belle France. .,/»<fi:3I,T].§::l"."_‘15_gT" . . . ""f1ITE]§1l3;i:lTgi1::____j::§“i7Z " ' ' ' ' _;_:1._ ‘-1 ' 4 d__; : iv 1 ~ ‘ *9‘ "T jjfid‘ ‘U’ leggiero. I_‘_)___ I’)-—r:-’f-*-41"? _ yr "1 - -.. leggiero. La Voi- la, Gi - ta - na, -9- {\ Zin - ga - ra. 111- "' Oui, Voi-la, La Zin- ga - ga, L -_ _ - :t: Ah _ . . . Ah - - Voi-la, fwile-m /"'—""S r:\> > > f‘ m 13.1; _ . . . Voila, La Zin - ga- rs. . gffi THE BALLAD SINGER. (WAKING AT EARLY DAY.) LINLEY. }-— __L ' V .. —F—.e~—F——r 9 —.v—*——9-*—-~ [ I | I I I 1 _z ,—»-L——g::t——t——;- I V ”t::j§::"!:::‘:'a‘:*§"i 1 f : : I~—— — —jv--—i~ -—'—j “--—-"‘ ‘ . ~ . I -T EEEJ 5 a 6 g j"a:g:Ee . a . h_ 3 , 3 Gai-ly I take my way, Trillingsome ancient lay, 1. VVaking at ear-ly day,. .... .. Health is a boonI share; Lit-tle I dream of care,’ 2. Humble tho’ be my fare, "1*'“1*:t-:33‘ —-—a-—~.—¢—a~a—~ I ‘ ‘r—“r'——!V I " .' 7 W u__¢-u_’““4::;~3I"1“"”'*‘”“" £“ — --,L—— E — -1- : ! ' 5 §@’_:-_:_p__fZ_°.i:a_-;_**a = . \_ -- As I stroll a - Iong, Youthful hearts I cheer, None my steps mo - lest, Age delights to hear, As thro’ life I go, If fatigued, op - pressed, 1 l ‘I 7” 101i 3v:__ ‘£497’ 1‘, L:7':"?*:: * ' “ __a'_/_a;__g_I_g:_ a -_‘—.9—="%@#3——_3_3- «-0--——¢ 1;»;-.r'_~_a:_-—_g:‘ av 0 d d a Z :l::,C E Gay and grave draw near,.... While I sing ’Neath some tree I rest ........ ..And there for-get "E ;n«:——:»;—J riors to a--1- ] I 4 5 rall — ‘—'—'—‘_ -—":”E?Ej1 .:w.j_. ._ __(_ _l_____‘¥__:4E_____J___l ' 1 2% " -:3 _g=m2::s ; ' ‘ ‘ W‘ ‘U’ T ‘ *6‘ "a‘ > Z _ I -.17 1: 42-?-$2-“ 9 '__.-.________9_-__._ ,~——'3—v¢—-'~ Trflhng some an - clent lay, ., T-‘n"".'T"""‘“‘“u {"7 -lg_ §,_‘_____E__b 'a_3__7__._. '1- tian w:1r' - tempo. ___ .l._ I chance VVaking at ear-Iy Waking at ear-ly L--———————|—.__———: /.\———p;-—\ T” .' I1 {,,_-_/_' ‘F . M . T7‘: - ring life............ , ::"‘ L Where Chris VVhe1‘e e’e1' o—p— é~a—~'————9——;e— ‘ F .‘ 2; ‘a‘ -d 1:3! #—a-—g —.—a—a—a—a—a¥— [3 1 I strand, me, Z‘-"IT {T 53 ::::f,_ .755- ? I . __fa - tant to a—i—g~§—a-——¢— i l I £_..!_!,_¢_ 9 J dijrfi . —— ——— .—Q. ~ =v—w-:——=r4%*3'%# , _ _L_-_d :—=r— I | EN . ++ _ m::zaa o - waif...» 911-2. , cat. I: show I I 7 a a——a—-a~—-9-4- 3—————¢ ___%_ way,............ 21- ...v'< a:;:9' -g~ F on dis - ' DGSS F“ d d_ __ -;_.E _: .E3: 5--- W. i . A_.-Q#._..- T i — ' . %_““"“‘““ :@@;1z;ga~.~—a+«a~-—a—;~»»~—1— -tle dames........ - ways find......... .. 73'? _ —¥ A! law . ,~§_r '_"1—‘_‘:J E 0 I’ve been..... . some kind - "7 W . I .’ d Q-Hr gen - al - 43:92:,-’S:?'—‘"“ 57%, _ __ ; ::5—a——g—9—a' - -———aT——a—a|——a—a---—— d*E3 E Gai- 1y I take my L i‘ qf===«.-=!,+— ; fifig » : 1 I $33-T5 Pj_‘.j__ To I %"':"_"*+—’7 "1""E—"‘7"I _%‘7‘=_f;‘::j_g;__ it-—-~ 6 __;_ ad I x «J! ‘V ?;b b . dz iand L‘ lead, gl)__.¥__1j___. :‘J2::E-‘“**”‘> 5:12.. 5- d 1% 5%; £3: *5 a 3 E 1:3 - L. _——J' \L hear, ___2;__,‘: r—————:—1 T“; 1_i_;___%___g_. 3-3:‘ 9 1 *1 1 ~+-$;v+ - “““"*“""d_‘:i’:_:d"" Ti cheer, Age delights to _I._ __ 7 -33- piu mosso. __4___d figs” —.- n -—a—-on -a'- -v- % -0- jig} 5 _ _J‘_# : ——a————a——a———-— _.- j 6'. I- 1:“! 0 a song, q£J Youthful hearts ‘ I j__ 3- 0'- 1 I -__ _____:.=,_ -3- sing my :3 - 1 I \ , _,'__I__ While I 1’-0’--1‘:-35 I I -92’ 0 fii :Lrg;:-* d=:;i: 1a.... .. _1._____ ‘7 S .__.d; _v_ 1'- g__ L_4_ by; -9’- 31:1; % 2‘: 91 .; ! 5 . di7:2: -—Ta—a——a———-ai- ‘Fr ‘ :E:_'_ 4 "5’: 7”‘ ‘Ir ___.___3_._L__ As I st1'o11a- long, '3‘ Gay and grave draw near,.... la la la la la la _:EE§ ¥Ei: "E _.s TENDER Andante con moto. f> /St7'i7zge72d0. :7- A fettuoso . stole from its nest in my gold - en hair, AND TRUE, ADIEUI GASTON LYLE. A 1_<n0t of rib - con moto. placed on my hand ' And Whis - pered soft as be it there, T‘ Affettuoso. ahnondwas bending with blos-soms White, roses still b1us11ed'\m1t11e dew; brought my sol - dier home to me, And my knot of rib - bon blue, con espressioize. 6 vi - 0 - let smiled in the glow - ing light, A‘f1’(/1 life was hap-py and hope seem’d bright; cru - el Wound onkhis brow was hid By the flag draped over the cof - fin lid; 31 -6-3'9-" > “"‘:“U'@‘0"‘ ' 23:3; .s:7i.-4 Appassionato. ‘”‘;fl33ir ._,¢__ _L -9- .,a_ 5'5. . : :::g:g:;;ga-~~~’7 .L :3 I - ‘ ._P.. + ‘?“P:%E~2o-.L c__---a:.y,$___Lv g_. Q 2% -3“, ,_‘ >. :5 I Dim. E-3,- 'S':’%"—27—- "::fi7:_: K. I: _.g.. _Q;§:§:§_ :2. -E _.@i E-:4 ' F“ is? [T _ -______.____ _.___.._L. __ *e - E _ f Strangendo, ._ ———aj — ._ __a_’.‘\_ :[:: : ._fi_-' .. J2 9----34,; HINV and true, and true, 5% F__ - der 2-«E3 he a- ‘ F" I I :.’7;:‘£;‘*’ ' Ten - §§§:f H 123: '. ,:f2 2: £7: BEAUTIFUL Bmn, sum ON. T. H. HOWE. I 1. Beautiful bird, in the morning sing, Messenger dear, . . 2. Beautiful bird, in the Window sing, Melo- - dies rare, . . 3. Welcome the morn - ing smile on the hill, Sing 0 - pen the eyes, . . . the sunlight to bring, . bright herald of spring, . . . then slumbering still, . ,/““ h-— z%[} e there are sor - rowing hearts to cheer, Little bird ren Beautiful bird,\.”. . . thymission is clear . . . . . . . And when the aha. - Happy the heart, . . . and happy the home. . . . . . . . Sing a good night to the lit-tle ones all . . . . . . . . . . 2 /2% - der for summers to come, down of evening fall, ?'\ Fly While the morning dew sil - vets thy Wing, right with the lus - tre of ear - 1y spring. Sing at the parting to soft - en the pain, ~ Sing till the greeting brings joy a - gain, Sing to the ma. - ri - next out on the sea, Sing of the home he is longing to see. Singing wherever the dark shadows fall, One lit-tle song Will dis - pel them all. . . . . Ev - er keep flying near sorrow and pain, Sing back the smile to the sad eyes a - gain. . . . Sing When loved ones vanish, and bright hopes decay; Sing in the wil - low’ shade so ten - der - ly- . . Sing on, . . . . Beau-ti - ful, beau‘- ti—fu1 bird, 8va,N~,,,_, ff i 3 Beautiful‘ bird, ’ smg sing on. ; ; 4 ; ’ooa4-v~ooo~ov-oo~ovoo.A'v~v~aoooooooo~’v~aaq~o~¢oaooo¢oaavoq~a 2' r;\, /r\. 3:: 8vao~ o%~oaxoxo~o~~oo~%oaX%o~oo%o¢+wAa ’ 1 (fig. Vgva. -5- _ _. /§ 0 - ~ F2 ><— A F: Ii‘ K 2 """§ 3.i .. 5 5 _ AULD ROBIN GRAY. RE OITA TI VE. .__j. When the sheep are in the fauld, And a.’ the kye at And all the Weary warld qsleep is gone ; The waes 0' my _.'_ heart fallin showers frae my ee, While my‘ gude man sleeps sound by me. ___.__.< YoungJa-mielo’ed me weel, and sought me for his bride; But sav - ing a crown, he had My fa-ther could na work, my mith-ercould na spin; I toiled day and night, but their naething else be - side. To make the crown 8- pound, my Ja- mie gaed to sea, And the bread I could na Win; Auld Rob maintained them baith, and wi’ tears in his e’e, Said, crown and the pound,they were baithv for me. He hadna been a - wa’ “Jennie, for their sakes will you mar - ry me ?” My heart it said nae, week, but on - ly twa, When my mith- er she fell sick, and the cow was stow’n a-Wa’; My _ looked for Ja-mie back; .But hard . . blew the Winds, and his ship . . was a wrack ; His father b1‘3k' his arm, . my Ja-mie at the sea, And auld Rob - in Gray came ad ship it was a Wraek! why did-na Jen- nie die? And wherefore was I spared to cry 7 -court - ing me. “ Wae is me!” 3 My father argued sair; my mither didna speak, But she looked in my face "till my heart was like to break I They gied him my hand, but my heart was in the sea; And so auld Robin Gray he was gudeman to me. I hadna been his wife a Week but only four, When, mournfu’ as I sat on the stane at the door, I saw my J amie’s ghaist, I couldna think it he, Till he said, “I’m come hame, my love, to marry thee I'_' 4 , O, sair, sair did We greet, and mickle did we say, Ae kiss We took——na mair—I bade him gang awa.’ I Wish that I were dead; but I’m 113. like to dee, And why do I live to say, “ Wae is me ?” I gang like a ghaist, and I carena to spin, I darena think of Jamie, for that Would be a. sin; But I will do my best a gudewife aye to be, For auld Robin Gray he is to me. LONDON BRIDGE. Words by F. E. WEATHERLY. § Music by J. L. MOLLOY. ‘ Moderato. Proud and low - 1y, beg} gar and lord, O — ver the bridge they go; Dain - ty, paint - ed, powdered and gay, Ro11- eth my la - dy by; and vel — vet, fet - terand sword, Pov — er-ty, pomp and /W08; and tat - ters, 1 o - ver the way, Un - derthe o — pen I sky; Laughing, weep - ing, hur - ry-ing ev - er, Hour by hour they crowd along, Flowers and dreams from coun - try meadows, Dust and din through oi - ty skies; &.« . While be-low the might-y riv - er Sings them all’ V a mock - ing song. A Old men creeping with their shadows, Chil — dren with their sun - ny eyes. /5 0 O . . Hur -ry along, sorrow and song, All is van — i? ty ’neath the sun; Velvet and rags, _ London :Bridge. 4. 1sT.,_\ the World wags,Un —til the 1'iV- erno more shall run, Un - til the river no more shall more shall I V 0 I Storm and sun - shme, peace and stmfe, O - Ver the budge O 0 Float -._mg on .1n the. tlde of hfe, Whlther no man shall know. London Bridge. 4.. ‘ 137 \Vho W111 s 111188 them there to - mor - row? Walfs, that dmft to the shade or sun! &# 0 Gone a -way with their songs and sor - row; On-ly the riv - er still flows on. r:\ 2917 Hur —ry along, sorrow and song, All is Van - i— ty ’neath the sun; Velvet and rags, the river no more shall run. Tail. f.-\ K.‘ vI..ondon “YOU AND|H' In the sweet summer time, In that sweet summer time, 7I"ord.s' and Musz'c by 6’£.7.<lZ?IZ’E£ 1. We sat 2. ’Tis years by the riv-er, you and sincé We part-ed, you and g_'Z_.?/ long a - go m long a — go smooth - ly the wa-ter glided by, Making mu-sic in its tran - quil smile as I pass the riV- er by, And I gaze in - to the shadow depths be- We threw two leaf-lets, you and I, I look on the grass and bending reeds, riv- er, as it wan - der’d on, And one Was rent and left to lis - ten to sooth - ing ‘ song, V And I en - vy the calm and hap-py And the other floated forward all a - lone, Of the riv-er as it sings and flows a - long, oh! we were sadden’d, you and I, For We felt that our youth’s gold-en oh! how its song brings back to me, The shade of our youth’s gold -en g,___ I Might fade, and our lives be sever’d soon, In the days ere We part-ed, you and I, two leaves Were parted ° the stream . . . . . two leaves Were parted the stream . . . . . THE DAY IS DONE. Words by LONGFELLOW. Jloderato molto. is done and the dark - \—..—/ £J' from the wings of night; feath -er is E f». .2 gle in his flight, From an Ea - gle Music by M. W. BALFE. IIBSS waft - ed downward From an see the lights of the Gleam through the rain and the -;9- 42. 4'2. .é- A 42- it. A ' 4'2- -é- *am'mcr,ncZo un poco. poco riten. mist, ’ And a feel - ing of sad - ness comes 0’er’ me, That my cannot re - _e_ _ ‘="—:}—- fiQ_ col canto. Andante. sist; » feel - ing of sad - ness and longing, I72? '6' #15‘ slower. L smorz. And re - sembles sor-row on - ly As the mist re — sem - - - >— ? '3-===:::s =-L M9 mas - ters, sim - ple and heart - elt lay ; ban - ishfhéthoughts of day. ot from the bards s/ub—1ime, 9 Come read to me some Not from the grand old ._.dI9_ dis - tant foot - steps - chi) through the cor - - Lri - dots of time. For like accelemn do. strains of mar - - tial mu - sic, Their migh - - - ty thoughts Li'fe’s end - - less ‘ en - deuv - or, for ‘ '1‘ 0 - night Tempo 1 mo. ' Read from some hum- b er poet, Whose songs Tempo 1 mo. L}; his heart, from his heart; As showers from the clouds of E telig from the eye -tlids start, Or tears from the eye - lids Who thro’ long days of 1: bor, And nights de-void of -F- anivnando un poco. Still heard in his soul the mu - sic _ Of won-derful mel - ~ 0- 0 I 0 0 0 0 o 0 . o o o n 0 . g g fig. 13060 7728720 7720880. dies. Such songs have pow - er» to qui - et .The rest — less pulse of >'>-}- . 6 staccato. Solemnly and slow. . Ll And come like the ben_ - e - die - tlon, That fol. _- lows af. - - - - ter . . A "0' 2 my calla parte. ?_ cres- _d_ . riten. preyer. Then read from the treasm-’d volume, I I The 130 - em of y choice; And V 2 rilen. lend to the rhyme of the po - et, night shall be fill’d with ritcn. fold their tents like the Arabs, Adagio assai. And as si - - lent - The beau - ty And the cares that t And as Y , riten. pooo animato. of thy voice. And in- fest the day, si - ‘1ent- 1y, m si - lently, m f.\(Imita.ting the voice.) A perdetndosi. —p“~~———/ 147 the 0 PAIR novm o FOND nova: Words by JEAN INGELOW. Allegro moderato. ? blink - iing bright, And the'o1d b1'1g’s sails - furled: this great hill, Feed - ing his sheep for aye: love this night, _At the oth-er all Was still, My love .was gone a. - - way, sail’d so for - est fast-— The sun shot T up from the bourne; creek, And the dove mourn’d on a - pace, side of the world’’—} Music by ALFRED SCOTT GATTY. 1. Me - thought the stars 2. My true love fares p ("L tempo I said “I will sail I 1o0k’d in his hut, I stepp’d a. - board, vv\e' I Went to gaze in the But a dove that perch'd up - No flame did flash, nor poco lento con molto espress. on the mast, Did mourn, and mourn, and mourn. 0 fair dove! O fond dove! And fair blue reek, Rose up to shew me his place. 0 last love! 0 first m love ! My dim. e Tall. jaoco lento. \_ dove with the white, white breast! Let me a - lone, the dream is my own, And my love with the true, true heart! To think I have come to this your home, And ‘ rall. heart is full ' 0 rest. yet We are a. - part. mf love he stood at my right hand, His eyes Weregrave and sweet; Me-thought he said In =15O mf r dim. agitazo. this fair land, ’ O is it thus we meet! Ah, maid, most dear, I am not here, dim. e rail. 0 dwelling more by sea. or shore, But on -ly in thy ‘have no place, no part— ‘ f.\ C mf a dim. e Tall. poco lento con molto espress. fair dove! fond dove! ’ \night rose 0 - ver the bourne, poco lento. dim. e rall. L —6— as we sa11’d fast, Dld. mourn, and mourn, and mourn. .............. .. m dove on the mast, biz. erall. */ —,?_ CONSIDER THE LILIES. Andante. I Is not the life more than meat, and the b0 - dy than raiment? 79‘ ‘ax /'6’ _ 3 hold ! L the fowls Peel?‘ :3: Ped- 115-5\.__/5‘ ‘§\>—.<> nei - ther do they reap nor ga — - - ther in-to barns; your Heavenly Father - - - eth them’. - er the lil - ies of the field, how I they grow, they toil not, " A Pad. 3;; . semplir,-emente. nei - ther do they spin; . . . they toil ‘not, nei - then‘ do they spin, . . . . say un - to you that e - ven Solomon in all his not ar - rayed like one . . . . these. . . . Con -sid - - er the lil-ies how 'they grow, . . .. lil -ies‘ how they grow, . . . . . they toil hot, they toil they epin, nei - - ther do Sol- omon Con - sid - 81‘ the was not at - rayed, not ar - rayed on-cocoon:-coon-uanooooooooooucoo-IO00IO¢ll0'° 822a. not ar - rayed h, a~o~.ao~a-4-o~’~o ow-o~o~.roo~to like one of these, loco. A one of these.......... 8va. tr o~’oo~O~oo~o~o~l~p~ooo~oo~o~o¢oo fir . S01-omon in all his glo - - was not arrayed, was not arrayed, . ‘jg was not arrayed hke one . . . . . . . of these,. . . . rzx these, like ‘- of these. calcmclo. \ THE MIDSHIPMITE. Words by E. WEATHERLY. V Music by STEPHEN ADAMS. CON SPIRITU- _._ _ ’Twas in fif - ty-five, on a win- ter’s night, Ghee: ri -1y, my lads, yo ho! We 1aunch’d the cut - ter an’ shoved her out, Chee - ri --Iy, my lads, yo ho! “Pm done for new ; good - bye!” says he, “Stead - i - 1y, my lads, yo ho! ./ "" -0- got the Roosh-and lines sight, When up comes a lit - t1e.... Mid — p- mite, lub - bers might ha’ heard shout, As the mid -dy cried, “Now, my lads, puta-bout!” make for the boat), never mind me!” ‘‘We’ll take ’ee.... back, sir, or die,” says We, :'.‘.’.“‘;.‘ Chee- ri -ly, my lads, yo ho! o’ll go la-shore to - night,” says be, ‘‘An' Ghee- ri -ly, my lads, yo ho! We made for the guns, an’ we ra.mm’d them tight, But the So we hoist-ed him in in, a. ter - rible plight, An’ we Ghee - ri - ly, my lads, yo ho! i ? me?” “Why, bless come a- longl"says we, down drops the poor lit - tle Mid - ship- mite, sav’d the poor lit - tle Mid - ship-mite, spike their guns a. - long wi’ ’ee, sir, mus - ket shots came left and right, An’ pu11’d, ev’ry man with all his might, An’ my lads, yo my lads, yo my lads, yo Ghee - ri - ly, Ghee - ri - ly, Chee - ri - ly, him’ The Midshinmitea-3. An’ a strong, strong pull, An’ a. strong, strong pull, An’ a strong, strong pull, Gai - 1y, boys, make ~ her go!... . . . . . . to - night lasl lime . V Mid - ship - mite, Sing-ing chee-ri-ly, Last time , The Midshipmite.--3. N ANCY LEE. Words by "FRED. E. WEATHERLY, M.A. Music by STEPHEN ADAMS. With S}n'n't. 1'. Of all ...... .. the wives as e’er you know, .............. .. Yeo 2. The har - bor’s past, the breez-es blow, .............. Yeo 3. The bo’ - _ s’n pipes the watch be -low, .......... Yeo J :4 " C 4 .' e ‘i-—« _/* yeo ho! There’s none like Nancy Lee I trpw, .................. .. L Yeo yeo ho! ’Tis long ere we come back I know, .................... Yeo yeo Lo! .. Then here’s .-a health a -fore _we ‘go, ......................... .. “Yeo ho! .. lads, ho! ....... .. yeo _ ho I See there she stands an’ waves her hands, up he lads, ho ! ....... .. yeo ho! But true an’ bright from morn till night, In ho! lads, ho! ....... .. yeo ho! A _long, long life to my sweet wife, 0 ‘ on .......... .L the quzry, An’ ev’ -- ry day when I’m ‘a - way, She’llwatcl1;... for home .... .. Will be, An’ all so neat, an’ snug, an’ sweet, for Jack .... .. at mates .... .. at sea; An’ keep our bones from De. - vy Jones, wher-e’er ....... .. we An’ whis - per low, when tem-pests blow, for {Tack .... .. at sea, An’ Nan - cy’s face V to bless the place, an’ we] - - come me, An’ may you meet a mate /as sweet as Nan - - cy Lee, rad. 4 . ho!.... lads, ho! ff) he! The sai - lor’swife,thesa.ilor’s star shall be, Yeo cross the sea, .... .. The sai .- 1or’s wife,thesailor’s star.... shu] /.15 e be,Tl1e sai1or’.s wife, his star shall be .......... .. m 4 mH§3/‘5 /--—\‘ etar shall be .......... .. ‘A 3-:> *= -z >' ff colla voce. /o\ /o\ WELCOME, PRETTY PRIMROSE. >_ CIRO PINSUTI. JLLEGRETTO Mom E V > fi-°*__Lr- -5 2: ...¢*[ 3 U; 72 em; e_y O p Memo mono. Welcome, pret — ty prim - rose [2 Memo mosso. fa floW'r That comes when sunshine comes, When rainbows arch the sil - ver sh.oVy’r Of '7)’ Zegy. . &/ ‘-2 ev’ - ry cloud that roams; ev’ - ry cloud that roam_s. _ > 163 o “,2 ,* _ \y see thy prom - lse bloom, That tells of spr1ng’s new day; And 1n my thoughts :1- roam O’er sun - ny haunts a. - way I _ VVelco. l >. VVelco I J:-5 ' 7? /.71lZe_qre2‘io moderalo . — [1 eiegmzle. 9.. fl9w’r! VVeIcome, pret - ty prim- rose flow’r, y coming >- Zeyy. so/aerfzoso .' f) To wake a - gam the sprmgtlme hour, With sun — shme m dreams! >- >- Weicome, Prett ' Primrose. 5. I) sgczccato con yrczzicz. "Welcome, pretty, pretty, pretty, r‘ O I O .9taccato_co7z yrazia . pretty primrose floW’r, With sun- ' ' its dreams! /5 ‘-/. a tempo. M2‘. col canto ’‘ . . .7}{e7zo mosso. Gaz - ing on thee, ear - ly flow’r, I seem to hear the spring, That calls the sunshine ev -’ry fl 17 .7}{e7zo mosso. .p. .e{y. Welcome. Pretty Primrose. 5. U6 ..._..-: mzpoco rail.“ £11/s the bird to And tag the bird to tr .I~I~1-~l\t~’.t~rxt¢\J~I~.I~t\t- T“ sosteyz zaio . _\ dream, my dream rf glad springlife, :1 sweet springlife 'l‘hat’sve - ry dear to 092 pow strz'72_qe72do. >— >- VVe1coIpe !' VVelc0n}e ! VVelc0n.1e I p.1-imrqse flo.w’r I , -3- -3- -P- ; 0 -*1 O 0 -1-‘ 0 4-. 0 O 0 0 +'- 0 O A II -"W334 "am Unpoco slrzngendo Wel.come,.Pretty Primrose. 5.. 166 Allegretto moa’erato.>_ \Velc0me, pret -t p1'im- 1'0s0flow’r, To me thy com - ing seems To wake a - gain the I; Zeyg. so/zérzosb . Q1 \ . sprlng - txme hour, VV1th sun - shme 111 Its dreams. > T \-V ‘:9 > )1 slaccato can grazia. \Velcome, pret - ty, pret - ty, pfet - ty, /\ I O I [9 slacc. e _Zeg_q. -9- I ores. — f pretty primrose flow’r, With sun - ‘ ' ' dreams! >‘ . jjj-J ET rat. (:0! came Welcome, Pretty Primrose. 5. “WHO’S AT MY WINDOW?” Writ.ten by H. B. FARNIE. Composed by G. A. OSBORNE. Allegretto. Voice. at my Window? I . . break of day, L Min - strel or 10V - er, ‘Say, . . V’ . oh, say‘? Sweet through my dreaming Com - eth a strain, Who is the‘ sing -_er?A Dream I in A 7 I m f Lively. Oh ! ’tis the sky-lark Soar - ing on high, Bear-ing a, mes - sage From Trill on! trill on! O bird of I-o~¢o~o~oo~O~to~oOo~¢~tvv tr "”‘ a- Thy ca - 1'01 gay, Fore -te the day, oo~o~o~t~¢~l~o~oo~o~oo~¢¢#~O~&»o«&a¢O~0o~O~Oo~¢~oo¢O r~lwo~éO:o~O~O~o~.o~o~ooo fir When tr -s m f Andante. ho’s doth fail ? . {—'-"—'-'?-5 -3. day my win- dow, riten. art e minstrel, Sweet nightin- ..a. _I:_ sweet night—in - gale. Some - thing of sad - ness Lurks . . . _ '._.f'\ “§/-K _ sting . . . . Night on thee a - las! Its V shade will pro - long! Trill ’é‘§ “ /—\ on! Trill on! Tho’ the day is game, Thy song is light Un - to the‘ night. fir . a2= Allegretto. Wh0’s at my Win- dow in-Strel or Sweet through my dreaming Com - eth a strain, Who is the sing- er? Dream I in 7 1) Anime. Laela la la . . . . la la. la. la. . . . . a’Tis thesky-1arkM0unting0nhigh, “]3{jIjI_.]L.4As.]F2;I>J'IE1‘S(1” M. W. BA LFE. Moderate _ WU (.1 9—a .-" ré i I :_'.s¢ V 4 I I _ I F‘ v u I) (J 5*?“ 5' - rald isles and wind-ing bays, - nis-fal - 1en’s ruined shrine, T May suggest a passing sigh. place else » can charm the eye With such bright and va - ried tints, - sic there for e - cho dwells, Makes each sound a. a hat - mo - ny, Killar - ney’s lakes and fells, L V. J‘ .7 Ex « ‘ ' 4- s + —a— »a— 3 «afar»-* — ....a_. 0___. K ' ' .1 . , M M I _J 3 - ry ev - - er fond - ly strays. sne’er de - cline, Such G0d’s won - ders float — ing by. - - dure broi - ders or besprints, ’Ti1l it faints in ex - - ta—cy. Lx Moun — tain paths and Woodland dells, Mem’ But man’s faith can Ev’ - - ry rock that you pass by, Ver Ma - - ny voiced the cho - rus swells, Boun - teous na - ture loves all lands, Beau - ty wan - ders Cas - - tle Lough and Gle - na Bay, Moun - - tains Tore and Vir - - gin there the green grass grows, E7.’ - ry morn springs With the charm-ful tints be - low, Seems . the hoav’n a - cres. ff pi)‘- ' rall. fx 3 J r .3 P i e’ :5 a 9 J ‘P’ ‘ 7 E E 3 it 3 k '— *- ev’ - ry where, Foot - prlnts leaves on ma - ny strands, But her home 1s Ea - gle’s nest, Still at Mu - cross you must pray, Though the monks are na - tal day, Bright hued ber - ries daft‘ the snows, Smil - - ing win - ter’s bove to vie, All rich col - ors that we know, Tinge the cloud wreaths A N L 0' l 01 g I H _Q_jr , xl _] x! .17 ~! \! VDVFFQI \‘"II""'§ my a tempo. I 1 s i ' I V A '~—-* ‘ 3' , i 1 2 ‘ 5 ' ’ ' 7"’ v .' : ' 7 sure - ly there! An gels fold their wings and rest, V thatE - den now at rest. An gels won - der not that man There would fain pro - frown a - way. An gels oft - en paus - ing there, Doubt if E - den in that sky. Wings of An - gels so might shine, Glarnc - ing back soft ~13}; a tempo. ; L’ 3‘ £1 E‘ 04 ___gi I N , n ‘ ‘ : 1 401 'I4 I r I. ~ -"9': I ' ' ‘ l d__ .1’- of the west, long’ 1ife’s span, were more fair, light di - vine, ty’s home Kil ty’s home Kil ty’s home Kil ty’s home Kil Words by .1. .1. LONSDALE. Music by VIRGINIA GABRIEL. Andante‘. ‘ '$ 1.1 ER 0 - pened the leaves of a book last night, The dust on its cov - er more I was watching her deep fringed eyes, Bent o ,' ver the Tas - so dusk and brown, As I. held it to-ward I the wan - ing light, A. on her knee, And the fair . face blushing with sweet \ sur - prise At the . ml‘. 2‘ I ' I I U 4' W . _d_ ’ ered fell rus - tlifig; down; ’Twas - the Wraith of a .si0n- ate ' that broke from me! Oh - by! my dar - ling, the ’“ - . . . J V5 I I ‘~ l \ I I I I I 3 . I ! l J = U = -1- 39- -a'- _ AR 1' i P 3' 1 l .2 wood - land Weed, Which a dear dead hand in the days small white hand, vWhich gathered the hare - bell was nev - er accel . .3 .r. Q j _ I ______ ______ __ _____ ____. __- U .' : _;' l_.l9P ' 1 L1 2! a -V ,2 ‘placed twixt the pa - ges she loved to read, At the time when my vows of - ded and passed to the far off land, And I dreamt by the flick’r - ing 5 I l 1' . 17‘* .- V": "i'U"U' 'l"i'i‘ 'i‘i"U" 'i'U'U"‘ . ._._'.__j.__..p L I I l I I I U l%alla7'gan<Jl_o. ‘ love were mem - o - ries sweet but as sad as sweet, Swift. flame a gath - ered the flower and I closed the leaves, And -3-q. -5-_—_'—-— ——:;n -— — fig‘ H‘*‘fid:d:d:§g:§:§:" "’ I ' . ' ' ‘ -1 :::::;g:_4.,h_ __ + ._ , 4 -24; --- -a--a--0‘0‘0':a .: 5' . _ _.._a‘ -— _ _ allargalnclo. ’ “‘-/ \— ’ ‘ '.f\':LJ : : . L Q ,——+-——-——-—«‘-—:———--———-——— L. --*"—i4-—-qr A flooded mine eyes with re - gret - - ful tears, When the dry dim hare - bell folded my hands ‘ in si - - lent prayer, That the reap ~ er death as he _.- -'2) V .2 K» skimm’d past my feet, Re - call - 'ing an hour the seeks his sheaves, Might hast - en the hour of our piu lento. "'-—'—.'-—"/ . meet - mg there, of our meet - mg 178 SPEAK TO ME! ‘Written by H. B. FARNIE. Music by FABI0 CAMPRNL Sostenuto assai. h con eqpress . ‘ fl “0am5abz'le espress e molto accentato. 1. Why turn a - way, When I draw near? Why cold to-day? Once I was dear! 2. One i - dle day Thou didst de-plore Some cast a-way On de - sert shore; rall. _< Then, thy heart stirr’d, And flush’d thy brow, Never a. Word Welcomes me now. ’Twas but a tale By po - et feigned, Yet thou didst pale, Si-lent and pained, rall col canto. jg: . ‘.1? a tempo. Ndvv hand lies List-less in mine, Once its re-plies Spake love di- And thou didst moan; Sad, sad to be Ut- ter - ly lone By the bleak . -fl- ‘ vine! .......... .. Co (1 \as if we Nev - er had met, Can it then be‘ sea! .......... .. My life is drear, I cast a - way, Give me the. tear % —={_\’rall. _ a tempo. a tempo; Hearts can for - get’! Ah!_ ......... .. Speak, to me, speak, ; Be my heart Thou shedd’st that day! » col canto. ,5 col canto. . ejc/L’? con g7'azia. Or will it break, For one poor word! No vow to bind, con grazia. I 7~all.,_\ .' No pledgel seek, On-ly be kind, Speak, to me, speak! . speak! >- ———.’< .a_ . -63‘? rall. canto. THE CLANG or THE WOODEN SHOONQV Words and Music by > J. L. MOLLOY. “ G .Mz'nor. 1: Oh! the clang of the Wood-en shoon, .S'cherzando. ~ A V 2. “Now my lads, with a mer - ry will, >— . Oh! the dance and the mer-ry tune, Hap -py sound of a by-gone day, It rings in my heart for aye,. . When the Up with batch and the baskets fill, Winsome las-siesa.-bove ve stand. fieadv with eager hand, Then the boats came in,.... With the -sail-ore all a. - glow, And the moon shone down on the sails came down,. . And all was taut and clear, And a wild, glad dance. . lit tide be Oh! the clang of the wood - en shoon, the wood - en Oh! the rush of the _ L trip - ping feet, (-." -+- the dance and the mer - ry tune ; . Hap - py sound of ‘ a. by - gone day, _ It the light - some hearts that beat; Wild and sweet the mer - ry tune and the 1- ' -3- < 1- ' «.1 ' -+— +- 7.3! Verse. . ' L. .. #2 1n my heart for aye . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. of the Wood - en; Y 2d Verse. 2. sheen . . . . . . . . . . . . . . . . . . . . . . . . . . . ..e m Piu lento. ~ . Lg _ 3. But they are a wen. ry whlle, ah me,.... home nomore from sea. The sea looks black, The waves have all a moan, And I left to sit; and dream a - lone, To sitand dream 3. - lone . . . . .. °poco ores. - calla voce. ' ’ Tempo lmo. Still I see them en the pier, All the kid-ly fa - ces near, Hear the wild and I7i7l7>L The Clan; of the Wooden Shoon. mer - ry tune, And the clung of the lywooden shoon, When the boats came in . . . . with the sail - ors all glow, And the moon shone ‘ down on the rippling tide be - low . . . . . . Ohlthe clang of the ‘Wooden shoou, 11! the dance and the merry tune; Happy sound ofa -F -P- < 4.1 4'" ( poco rall. A a tempo. \ by¢g0ne day, It rings in my heart for aye . .. . . . . . . . . . . . 4. , /o\ calla voce. fl\ 18%? ‘THE BLUE ALSATIANMOUNTAINS.” 1 Words by CLARIBEL. « Music by STEPHEN ADAMS. .7)l0 m%’.~12‘0. 8yaJ~I~r.z~l~lsI~o~.J -F. f"""‘\ +_. By the blue Al -sa - tian moun - tains Dwelt a mai - den young and fair, By the blue A1- ea - tian moun - tains Came a stran - get in the spring, Like the care - less flow - ing foun - tains Were the rip - ples of her hair; And he lin - gere’d by the foun - tains, Just to hear the mai - den sing; “ The Blue Aluthn VVere the rip - ples of her hair; An -gel - mild, her eyes so Just to hear the maid - en sing; Just to Whis - per in ’ the /‘-"5 :j— ning An - gel bright, her hap - py smile, When be - neath light W'ords the sweet - est she had known, Just to charm _ m f foun - tains spin- - ning, You could hear her song the ' Lwhile. . . . . . way the I hours, . . . . . . Till her heart was all his own . . . . .. . . . "\ f T “ The Blue Alsatian Mountains. " 6. L 1' a 9 J . . I T ' I l I Such songs will pass - Way, . . . . . . . . Tho’ the Such dreams must pass -Way, . . . . . . . But the Al - sa - tian mou_n- tains Seem to Watch and wait 9.1 A1 - sa - tian moun- taiils Seem to Watch and wait al h ‘V5. calla race. "The Blue Alsatian Mountains. " 8. By V the blue Al - sa - tian moun - tains, Ma - ny spring - times bloom’d and pass’d 5+3 And the mai - den by the foun, - tains, Saw she lost her hopes at mf Mono mono. She lost her hopes at last. And she with - er’d like “The Blue Alsatian Itonmu. " O. That is wait‘ -—',, the rain,........... She_wil1 nev - A -9- , the j stran * ger VVhere the foun - tains fall, a. - gain. . . . . . . . . . The years have pass’d - _ But the blue Al - sa. - tian moun tains Ev - er watch and be "‘1' “ The Blue Alsatian Mountains. " 6. wait al - way 4‘ have pass’d 3 years £32 tains Seem to watch collar race. a - way, . . . . . . . . ... But the blue 27-“ ‘ and wait al — way! “ The Blue Alsatian Mountains. ” 6. A A1 -sa tian moun - -N 190* s as A I LOVE MY LOVE IN THE MORNING. FOUR - PART SIOING. Words by GERALD GRIFFIN. Music by GEORGE B. ALLEN. 1. I love my love in the morning, For she like mom is fair, is fair, Hep blushing cheek, Its , ‘_ 2. I love my love in the morning, I love my love at noon, at noon, For she is bright as a T ‘ i’ it; _ 3. I love my love in the morning, I love my love at even, at even,Her smi1e’s soft play is I) leggiero . INA-wr«:"‘=-‘t;=i,==':i-=v* -'=.a-i~s %—fi’d:d::a!—*‘l“"*-'3:"j——d—-9:4 I f E’ *-- —_ 5!: v71 r‘ v ’ ’ crim-son streak, Its clouds, her gold-en Her glance, its beams so soft and kind, Her L L ‘V '\ j I " : ‘ - 9’ i___ 3:- l__' ;;_.l __ ‘i... 1 _ -1 1 ‘ : I _____i i d __1“‘ J -6- .g.. _ G I of light, Yet mild as Autumn’s nE; Her beau-ty is 2 5:: 7*-3 ; :~ a 455 _d 3' 9'2? g . J T‘ 42 _:a'::d__‘*a5‘“ like the ray That light the Western heaven; I loV’d herwhen the sun was high, Q at - n - V —»_~ A - .2 v l 4" " I --9---9—-9'---- '———9----9—-0-——~'-i ;_,, 5 ; ; E a-7-:--’-F‘---r * 1 —d,__j,_ :, I W I: _ J‘/—\ 5" j . . I lTE:;i fi:'**“'§ I _. _....__ ._ ._ ‘ L- _ _..l_, I - '- ~E; ‘% 7 ‘ ~ 3 1-~—+—:-——! -9-. -0- I ' " V ;—J—— 0'5"‘; 2 .-. 3 I 'K i ,—— . , o———o——a _ ‘r- [_ 01 V . r‘ ~ ""2 ' ‘'‘‘P‘*P—‘"‘’r‘‘* ! ‘ 5 . L I L4 E ‘I 7 ' ad lib. pin tears, its dew - y show’rs,And her voice, the ten-der Whisp’ring wind, That stirs the ear - ly 1. _ 5 I ‘ . . 5 i _“— w:_,$,:,_g_;_::a«—a ‘-4- ’ A A ‘ a_§g__.__#,=: : o——a;- _' »- faith my fost’ring‘ shade. ‘ —fi*— *—‘—‘:*""j jg: - ___ _ A—--r-— fiii f'—f P , F x- 3 . ‘ ;»n:r‘—:inn:::.s a I ‘ L V ‘ 7 4 e H._: ' ___- L J [ 7 ' . 7 1ov’d her when he rose, Yes, But best *of all when evening’s sigh was murm’ring ~—a_——.‘——':31~—¢a——- ' 9-. —r g—r~——F:::.... _ , I i -4 - 5 . ’ L I poeo piu lento. — ~fm bow’rs. Oh! love my love in the morn-ing, she like mom is f/H /5 rall. _ _ _ __ __ _ fade. Oh! love my love in the morn - ing, I love my love at noon. fm rn {" close. Oh! I love my love in the morn-ing, I love my love at a tempo. ‘ rall. _ f’ 3-“ ”"‘ a tempo; THE “ BRIGHT BEYONDK’. _.'-I the rest re~flec-tion brings fond mem’ries gently weave ._d - to hear the bird that who thro’ night’s sorrow grieve, .______je;._ .1- to listen for the gels hov-er far and T. H. HOWE. \ . 1'!" “Ii” » sad... and wea. T- ry, hope bright - Iy beam - ing When my heart is Brings the heart V From my soul the she. - Breaks the dawn (lows drear - y, morn - ing gleam - ing, ffi > When the sweet bells ring back the “ Old - en O’er the green graves whisper they, “ not here, not tones with mem’ries full and fond I sun - dered ev’-ry earthly bond, -4 396333?‘ s_; From my soul the sha - dows But the beau - ty bright and an /3 ‘ii I‘ hear re-echoed in the “ Bright Beyond,” Then voi - ces softly seem to There’s hope ; re - u-nion in the “ Bright Beyond,”F'a.l1 o’er the grave the shadowa ’ _t‘_‘_‘“.:_"'_'g."" 1,. .6- 193 the rest re - flection Ap - pears from over the si-1ent '’ “y"jy'B::' *3,‘ _U- -3‘ ‘U- -7‘ —U. ._‘_. ~../ When the heart To re - 8va the Spring FAR AWAY. Words from _ _ Music DY SUMMER SONGS OF COUNTRY LIFE. Miss M. LINDSAY. 1. Where is 2. Some have Modgrato, 3. There are /" . 5: ' ‘DC. 4!- mf now i the mer - ry par - ty, I re - mem - her long a - go; Laughing gone to lands far dis - tant, And with stran-gers made their home, Some up- still some few re - main - ing, Who re - mind us of the past, But they ,4? J- 0 ' _.p- rotind the Christmas fire,.,..... Brighten’d by its rud - dy on the world of — wa - ters, All their lives are forced to change as all things change here, Noth-ing in this world can ,4-\ 353 I ‘ -6- -0- /—""""\ -0- . - , * Or ‘ in sum ‘- mer’s balm- y eve--»n1ngs, In the field L up - on the "Some are gone from us for ev - er, Long -er here they might not Years roll on, and ’ pass for e- ev - er, What is com - ing, who can They have all dis-pers’d and wan - der’d Far 3. - They have reach’d a fair - er re - gion Far 3. - Ere this clos - es, ’ ma - ny may be Far 3. - T jig . . T They have all. dis . pers’d and wan - der’d Far a - wa , ...... .. far a - They have reach’d a fair - er re - gion Far 8. ' Way, ...... .. far a - Ere this do - ses, ma. -ny may be Far a - Way, ...... .. far a - 1 1st 4% 2d time. last time. . 172/‘? . h : xo 1:“: ; V J \ 0 #_: (2 -I 0 BY THE BLUE SEA. Words by FREDERICK ENOCH. Music by HENRY SMART. Andante. I 1* e "‘ stood where the summer tide, flow - ing, Homeward the bark gai - ly thought of brave sails homeward Wing - ing, _Tide waves of mem’ - ry n "‘ bore ............... .. But I saw the same 0 - cean was throw - ing bore .................. .. To the heart While its wa-ters were fling - ing To - kens of wreck on While a. voice mid the tide’s song of To. - kens of wreck to And I felt, as o'er mem’ - ry __. - - ‘ - ‘- W’ 9" -3-; ::«-:--?F I 0 I 0 O n 9 0 I 0 1 A t:—4.——~1 . l l , ;—- _. l Le‘. a‘ a i—- J 5 4 =3 \' -91 - _ , , "’ ' ' -01. ;a'- glad - ness, Slghed thro 1ts sweet - ness to _ And 1t near - er Hopes freight with joy came ‘to me, Still the poco ritard. fi1l’d all my heart mg‘ sad - ness, T the blue. . wreck’d and the bro - ken were dear er, the blue . . . . By the bF.‘.’.’ >- {T z-s __ _._1'- .‘- U collar, voce. - OH HOW DELIGHTFUL. Words by A. SKETCHLEY. Music by J- I-- M0I-I—0Y- t WALTZ SONG. » Tepzpo dz’ Valse. ‘ ‘< LIL :2: 1. Oh! how de -light - ful, Oh! how en- tranc 2. Oft twhen dark sha - (lows are o’er us creep gr .2 L From this drear thral - dom soon to be free, With wild - est joy, then, And check the throb - bing of youth - ful hearts, Hope like a _ sun - beam -my heart ' ing, Dancing so gai - ly watch near V ing, Breaks thro’ the gloom and From morn till No long - er im - pris - .. on’d here, i we droop and pine, night shall Pass’d we our drea - ry In No joys to cheer When clouds are dark - and fear i; way, gloom . lives . . . a - i All . was , noth - ing bright, Soft - ly and hope’s cheering ray. m drea -, - ry, bright - Aly, ‘.2 drear thraldom drear thraldom ing, From/this ing. From this en - tranc - en - tranc - how how now, yes, no oft us, est, Now, how Yes how to de- days . . hours . . light, doth shine, de- light ful, do - light - ful, be ‘ be free, free, 820. VVith wild~est joy, — then, my heart is g.’o— —--.5- V now with glee. 1) leggiero. _ my heart is with glee. heart is danc — ing danc - ing, Dane-Eng /3 so gai - with glee. 13' Words by LONGFELLOW. stood on the Bridge at midnight, Behind the dark church tow’r. wav’ring shadows . lay; -:J:“ti' -d_ I THE BRIDGE Music by LADY CAREW. As the clocks were striking the the long black r-aff-'ters, ‘;==-- And the current that came from the ocean, Seem’d to lift and bear them a - way. .__...- ..‘- 201 And the moon rose o’er the As sweeping, eddying through them, moon - light The sea-weed float—ed wide ; T,“ mong the wooden Rose the be-lat-ed t1de, And streaming in-to the Andlike those waters rt-ghing, [I of thoughts came / That fi1l’d my eyes with tears, ' 203 How oft - en ! 0 how oft - en t In the days that had gone by, I had stood on that bridge at _,£"‘ Eh \. legal; mid - night, And gaz’d on that wave and sky, - How oft - en! 0 how oft en, I had wish’d that the ebbing tide, -Would beat me away on its bosom, O’er the o - cean wild and wide. Agitato. For my heart was hot and restless, And my life was full of care; And H18 bur - den laid up — on me Seem’d greater thanl could bear; But now it has fallen IT It lies buried ' the sea; And on - Iy the sor - row of others, Throws a shadow 0 - - And I think how ma~ny thddsands he 7 care - encumber’d men, Each hearing his burden of sorrows,Have cross’d the bridge since then. For ev-er and for /\ passions, shadows shall As long as the river flows, As long as the heart has a—a— —r as life The moon and its broken reflection. woes, L And its rall. _ appear, As the symbol of love in Heaven, And its wav’ - ring im - age ORGAN. CHRISTMAS ‘ SONG. With accompaniment for Reed Organ. English Words by J. S. DWIGHT, Esq. Music by ADOLPHE ADAM. Andante Maestoso. O h - ly— night! the stars are brightly shin . Led R’ the light of Faith serene-ly beam 1. - ing; It is the u - ly he taught us to love - ing, \Vith glowing onean - oth - er;Hislaw is Andante maesioso. I | J I of the dear SAvIo1m’s birth! world in sin and er - ror by his era - dle we stand: light of a star sweetly and his gos - pel is Peace; break, for the slave is our J I ‘I I I I I I i J I I I I I I I I I I I I I I I I _d_I_,£ I G {~1- -ar -a-_,_ -0- -0- L L i I I I I i—""l*'i-*'l’:‘l-"'4 I y 1 7/7 =9. -g. _.ji .0.’ . and felt its W'()?t‘h, - rient land, broth 7 er, And in his name, ‘all oppres - sion shall cease, A 1:11 rill The King Sweet hymns of of J soul pi - ning, ’Till he appeared, gleam - ing, Here came the wise men from theO - ____4_ 0 Fall.... He.... CHRIST new and glorious morn ! born to be our friend; weary world rejoic - es, For yon-der breaks a In all tri - als grateful Chorus raise we; Let all with - in us thus in low ly manger, our praise his Ho-ly name! is the of knows our need, hope the Kings lay joy in on your knees. . to LORD!-can .. hear. . . . an-gel ces! 0 night. . . . di - vinel. . - - . . . . . . night when Cunisr was weak - ness no ' ger! }_3e-hold.. . . . . your KING! . . . . . . . Be - fore him LOWLY then ev-er! ev -er V we! I-Ins pow’r. . . . and glo - ' ev - ermore % :‘_d 0/ night . . . . . . . di — vine. . . . 0 night, night di - vine. Be - hold. . . . . . . your KING! your KING! be - fore him bend. - His pow'r. .. . . . . . and glo - ry, ev - er -more proclaim ! a.Tempo. a tempo. V * 8va.oo~ro¢ooo~oeo~oaa~oo¢~oo¢~o4~ao~oooo~ooa~ooo~oooo~oo~ooo¢o owooaootora 4 av ro~c~oo~ooo~I~o~z —- -1.... :fi -‘-"'— .'r._._____...___ THE MAIDEN’S ROSE. I ‘ Or, so THE STORY eons. T - Words by Dr. J. F. WALLER. . , Music by .1. L, HATTON. Allegro. /:94 ,I_ ~\ 0 —x— f brillcmte. 1. ’Twas once up -'on a— sum - mer 2. The il - 1er’s son stood by the sf p e legg. riten. sto - ry goes. Franklin's daughter chanc’d to ‘ stray VVhere the mi1l—streao1 sto - ry goes. He stopp’d the wheel, and ere it sank, Caught up the maid - en’s calla 22003. .2211 I _d. a tempo. And ‘ as the rus - tic bridge she cross’d, “Is this thy flow’r, sweet heart?” he cried, S0 ad lib. 4.‘ Tempo piu animate. "‘ 't““'*f*—-“N-~ . 3 t‘\ 1 fi ' —.l - :" ,= — T . 3‘ ‘- 1; Ha‘ .I_- «-1 = r;-- 'g— ~*—” 2 J. _.g_. - » .._ _ a rose. '1 he stream ran fast, the I] ' r V I V _ O - vor the mil she stooped, and lost From out her breast The tnniden b1ush’d, the maid -eu sigh’d, “ Oh! give me’ back my rose,” “ Two flow’rs” he said, “so ,:\ gjj W _,’!qI__..H‘q)-1r ‘4 l_a’_l:'_,:i__L_l_4. d . :0‘ L_" 9 4.-." T '5‘ - '19 e Zeggiero. ' ‘ d‘ calla voce. "3 N R . In / M I x ," ' U I 3: _ strealn ran the sto - ry goes. sweet and the sto - ry goes. . I J . V bore a - long The care-less ma1den’s rose, The care-less mald -en’s rose, '1he care-1ess % ad lib. shame to part, breast should bear Thy - self and _ this red &_ calla voce. ad lib. self V and this red rose.” » ‘ . h ’V*$/"11—z1t hlore the youth and f a tempo. That summer eve, who knows? But he kept the flow’rl and fa Won the maid, Set the sto - ry goes. > _ <- 5: W sf colla voce. 21f2 it Words by F. E. WEATHERLY. ONG ‘ (3:66-> AA AA f2'3:J. 1. Who rides yonder proud and gay, Spurning the dust on the KT1g’sTHighwa.y? Lord of thousand -x‘ -¢"9"fl" fiowvfi - dam N do. Aa temp“ the beggar must stand aside; 'fl"'¢' ff‘ 3'- /5 >' /\ on the King’s Highway, /5 >- /\ Scatter the dust j- G0 thy wfy, let me go mine, I But room THE KING’S HIGHWAY. —_ Music by J. L. MOLLOY. /\/\ /5/5 i‘ rit. ffiffi 'I' 333+ to beg, and -or i‘ ,3 ritarcl. tH§° be‘§;/- gar, room, r.-s f-'\ -G 1"’ a - cres Wide, While '9'. #1‘ V -'1' o i‘ 0 I say! M _t -+ *0 FN thou d'f‘1:e.,‘ | -1- 1‘- can spirito. ~0- pfea’. Fair and free, Night and day, /\ A /\ r.\_ Fair and free, Night and day, Fair and free is the King’s Highway, and free is the King's Highway! _;. ‘T L 3; red. Hug thyself in wealth of state, Emp - ty purse has a. caE- less gait; Thou must Watch thy chest ‘ and bags, -'9’ 3 3‘ 3 I 3’ 3 V3’ ‘ ._ -a--t «-1- $~o+ + } um KING'S manw.n. 4. None would steal the beggar’s rags. Wine for thee, for me .a crust, King and beggari they both V d§t,‘And to dust Fair and free, Night and (lay, p;ed. V Fair and free is the King’s m What has the beggar will be borne one (lay, ' and low on the King's Highway. >— fl\ f.\ /3 - Fair and free is the King’s Highway, Fair and free, /\ I Night and day, /\ m Dain - tyV maid of high degree, tenderly. with thee? Thy life morn, And mm xIxe’a Kmnwnr. 4. poco ritard. What has the beggar to thee to say? Gen - tle word hast thou or me? Tears are in m qvw 1*» _ 1,. "-39- way» -¢ V . :§: 7°ed. heart for thee; Ah! that thou shouldst fade one day, E’en as I ‘on the great High-Way! 3 . Fair and free, Night and day, Fair and free is the Kings Highway, Fair and free, Night ax! day, . -49- >> cres.3E1 Kin-_:’s .. .. . 5‘ ad lib. A hlrld 5'9} is the King’s, the King’s High- Way '! . . . . . . . . . . . . . . . . ‘MN ‘ ffi I" . /5 1" )3 . 35 1'’w’- * 7"“"*2Ded. 8ra "uni nae‘: ‘manwu L 216 THERE’s NOTHING LIKE A FRESH’NING BREEZE. For Bass or Alto Voice. ALBERTO RANDEGGER._ .__._ ____,c:; ___._°_;_ - I _ ' 9~"——i—+r _. . _g:ar-_ «%~«¢fi:¢:f%%%;;t:tE ...a _.[_.j_ _. )- Ld- ; __]___ I. __ _ 34- 3- 1‘ L. " ‘< cres. 2K. 777: " _ fl__.___ ______ EH .1 :__:1_- __/ __'_/$94-- I \ KL __ (W68. --E > i >_________¥ > . 0 " ‘—‘*i\'" ;::‘—,T:fi F‘ ::1::j5:. :: : f_?,_g___4_“':;.:;:*"q::;]:"irj?_,::,; ?j—"“—'— jt“ C I’ ~‘ ----3.-.—1——1~ y 7*“—'——¢" '** . "‘T'—;'—d‘ ”?'"'?‘.T““”'C7 F A ship that cuts the dashing waves,And j.._‘_ 1 x “"“”=""‘" ’._/ -* -oz 4- Give me a fresh’ning breeze,myboys, A white andswelling sail, foaming waves a — round us dash! The an - gry storm loud roars, ’Tis mu - sic to the sail - or’s car, And _-____.____._ E __. ._ __ -__ _.-. 5___ _.1_.—_. ._.. L A ’Z3.';""."'_'_—__“T‘:i"q -« ’.:3:;‘§¢j~Ej;;i$ ' - t '~4— * * i -0' _ 2 i4-a:-_—_ I; :7 ;‘f— 5 a _g 8f> I ’/—~ 2-‘ ' ‘ .-__,' p * ’e_=::‘“;.'*~*'r['——3“i9‘°‘-—'”*p. 4:5: I _ __ .9_'-:E—-V-‘v‘-’I.*;:~ - E E E E3-£9-—a—%--I lifii L_v_;t_‘ _t_v_,:_- ,-t_;;: I 0 T __< marcato. .._.i._' :_;_._:j ‘:1 ._U—: '7 '7 1 5 R _ J’ » -- —--i—- .— ————-d~ —» —-—-i—- —-—:—— ——a——-— — - ——z——— —, — ':.:—v""'“I.'”‘*‘i’.—.*- .::i’”?‘”‘?”?*‘?"“ ~<*l“71-2-7+%7‘— weath -.ers ev’ - ry gale, What life is like a sea - man’s life, So free, so hold, so brave. of migh -ty pow’r,The el - e-ments his slaves, - ‘ high his cour- age soars: He feels a king -n‘ L + —-—-—~————~‘1— f-— :1. :7 ? T" ‘ %*3'5—’7—~-T--]¥~-¥*;1_" _::,\i;1S;3':§:j§::::4*'—d:;*:fi;:::._ ‘ “ K-.L.7‘]‘§§:*““_gf?n‘_.;:“‘ ‘ _ :gr‘::l:“".g_\/*i” o“"'f‘ . _ _ _ : >"’ slacc e_73za7'cato.- ...i.: ?c2'es._ “H-**:‘i!:;F.:r-I: » ‘FF; F:€;§;::ifiB:F:F_H 1 =2 I :2 I I I ! Ii,-L 'b_/LL-.- L#——.———/ b.—;‘o—~- V = T "1 I ‘ ——-—-D——l-‘— . . -9-— — — r——~ < -——u—— a E v *5 V #5 I ‘ V .3‘ , V . > E __ _=_.__ . &:-1 -:rr- ,E_.,‘: .____'J_ v 4 V X _ . ..._ 1-4. —]- -i_ - hur- rah!.... -.;__i_E__¢- grave,... . Hur - rah! . hur - rah!..-- home the o - eean’s ivide expanse, A‘ co - ral ‘bed his trus- ty ship at A his command, Steers on thro’ storm and waves,. . .Hur - rah! . . . . , KN _ ' - ‘if - >_ qres. assai. rall. col canto. ‘ ' . °j 4!. ’ '.. . . _fl_ ) r . :1- _.4__I ’ "0'?’ "'*—"—%*‘*‘:_‘ &z . _‘_ 0 bur - riah, then, for a seaman’s fife, F.or o - cean, ship and wind There’s nothing like a f1-esh’ningbreeze,To C7'8S. ’ 1st time. with energy. a tempo. stacc. "‘ u ’ 0 _-“I; _k_._____}-_'___l’_ V I -0- afrettmzdo 32320 alfine. rah!-ooqooo o o u - out o o a c o o u o o n o I¢IvoIlOOoocIollloolflsooltoloolitooat n o n o o 0 _D.. .0. boson a 0 82310 al fine. ‘ 218 66 . Words by LIONEL H. LEWIN. L ARTHUR s. SULLIVAN.‘ Andante espressivo. K . |‘ M / 1. I lin - ger round the 2. For ev - _,_ g_‘_ -',_ ,._ L g g E‘ _J '_ " .‘ u __ F .- .- . \ ~- * , . . J . ..‘ 4‘ 1 I ,_. . 1;‘ 1. !_;_g§__ WE 9 5 0' B— U 9"‘ ""j"—"" ‘ ve - ry spot Where years a. - go we met, And won - der when you quite forgot, if you quite for - thoughts in-cline, And back my mem’ry slips, I feel warm fingers lock’d in mine, see those quiv’ring 2'e\Ll5‘I~;—~7s“ +«a‘~’Ij‘—2z——t-=--;~--»tE-4 . l l , -7 W 2 = : ~ : ‘ : " ~ §:‘—-§:_:“—_::tg_:§:- ‘—-:..t:¢.‘:..+s;—.~;L~’——_.;:.;e.i;- i— ——-fi—¢I*:¢.=_;;-- —'—_:—-igi-g;—e1-J . ~.~——~ 1*<~«———-L I ‘ 1 _ ‘ j___ "‘ _l__,___':U:g__:J'5: 0 a R “ 5 ‘ I J i ‘N . M. . i.=":. ,-_,__; =; -' g - ~ .7 1 U 1 i1 . ' U . . -0- get,. . . . . . . . And ten - cler yearnmgs rise a-new, For love that used to be, If you could know thntl was lips . . . . . .Whose mur—murs came like music through, When mine had set them free, That all the world was nought to . ,7. I _ *3 .;.i '’ Z, .s 4-; it t i i L -—a——t=—=:s: :t .. _'-.- -4‘ t H——:_-_- -.**“n * 2; --:_-_a_-<__ ‘<- -3:‘§:j§fi:0- :" ::::9: :2 E3‘ #3; :;f’ :5 ' .__’ . , I 1 j- Con tenerezza. * 7-», _1\.."L‘——N.— _-fig- n.__._§i._l.___.__ _._j._ _____‘ ____A {*1 _”jl\" ?:-=<5*»‘’“ \ '*7~*=r 5 7" 1: ..L _a' rd i 1*-5.’-#3-"E5-3-r*’-‘*~E—~.I9-1 .0 ° .\;Ll._.__._._._.___£__i._1__,___'._l_' .1 L’ E g _L 1 :_1 VJ { true, ‘And I that you were free. Ah! . . . . . . . . . . . . . . . . . Love . . . . once a - gain; you, Who on-ly want-ed me. Ah! .............. - Love once 9. - gain; I . (I z 1 : i gl--—J—J _,:;’;*:;*:;i"’.'7‘;‘i:d"3”£‘_y_‘ '9 6‘W'9—“ ? ‘r i T 67 219 7 : ’‘‘» 5‘ . ' ._ . _ . , _ :':U——'—'+___-—’—'.I:'_g - ””'&".'§”'a__7::: V -5 " a J» Wak - ing, Shall it wake in -..___ ..__1,‘j -4 ____p:pqq _ _—1_nq___umnq_ “ L % :::w::::a::~% ¥a?A3Efi1‘%Fa“4 i7a- :3 - ‘ _ _ I ‘ 4 -a—-a4;a—;a—1_—o—'a—I 4;,;1,.4- a,:1;,‘_._: iii‘ 1 ’B‘U‘ '57!‘ Ta ‘d T '6' ‘i/" i I ’$.‘o If con passione. Love . . . . oncea. - gain, V me oncea - gain,. . . O ‘L ' "‘ 4- -0- . -9- -0- -9- -9- P d. .z_r_;;-, Shall . . . it Wake ?shall it wake in vain? - 2'? —\ /* m conforza. \« - - ing, Shallit wake in vain? shall It Wakem vain? can form. Ped_/.———-—_.\ $17“ Ska”. 'I VVEARY VVITH ROWING. Words by W. W. STORY. Music by F. BO0T'_l'. Allegretto. 7“ 1. I am wea - ry with row -uifé, with roy ing, Let me drift. a. - 2. The stream in its flow-ing, its flow - ing, Shall bear us a - long with the - row - iug, with down to the .. row - ing, with down and love and to I can strug - A piacere. > > - '- In these arms which are *" rit. dim. _ a tempo. —..___—2:_"__h. —‘_ stronger, are strong - er Than all of this earth, Let me die, Let me die. I7 _M01'end0. ROSE OF THE ALPS. Arranged and adapted to English Words ’ By GEORGE LINLEY. Allegretto. - :13; ¢ e W A 1- ’Mong the beauteous floW’rs I live, Hap- py as young heart 2. When the day - light fades a - way, Pleas’d I turn my steps -1: V -0- -0- There’s not a boon the World could give, Like the charm of rov - ing free: Yet with the first blush of the day, Here with my flocks a - gain I roam; __‘,__._~ Ah: - .1 vain - ly, lov- ers en - treat Vo?-/ fond and faith—ful to prove; Ah! . . . gai - ly, then I am sing- As . .A . i - dly wand’ring a. -long. and mks of love. A.h 2. my A1 - pine. song. Ah! . _ 1__J_,9 9- —o9——+ .6. -‘- _ -e- ~0- marcato zl basso. e——i .1 .. . F o _._x_.. -— ._ U _.,_ 1,- dolce. Far fxom the sorrows Ev’ - ry wild note of . j_. : F 5 ‘"1’ . U’ I to rove, €‘!:i::!: i 31--=1'—4—n —~;———-a——.__... ;:€;Ed d I =;——-*—--22- -!——3— 9:1! ai.——i 2:3?’ giajfir am more blest here con-tent~ed E - cho re - peating, the mountains a - mono, U- _ _ _ — _ _ _ M M _H _% _, I 3'“ / fi:4_1 % +5 THE VAGABOND. Words by CHAS. LAMB KENNEY. Music by JAMES L. MOLLOY. Vivace. 1} - less, ra.g- ged and tann’d, Un-der . changeful’ land, Who so con-tent-ed . Ne’er . . need I quake, lest for- tune prove un - kind, . . ’ . . . my heart break, that vows have oeasedtd ‘N 32512. "av - * a tempo. Would I call by friendship’s name. . . Z9. .6. a tempo. _ __ :j_—‘::—_._ E’en thi - ther whence I came. . ra.g- ged and tann’d, Un-der changeful sky, ; free in the lafid, Who so con-tent- ed‘ as ‘I? /o\ 3: B-ann’d by saint-li - est cant, Scorning hy - poc - ri - sy’s wage, 4% By way-Ward fan — cy Con spirito. _Who the sparrows still hath fed, ‘ . _. . . let me” die, be the World’s base thrall, . . ._ . . ‘ To- mor - row ne’er’ ‘re . Home - less, V ragogedand tann’d,' Un-def the change-ful free in the 1and,LWho so con-tent-ed m Once, . . .- Vten- der love \ Wat¥:h’d Her An - gé1’s my guide. When heaV’na » Asks my last bfea.-th, A ‘ % -’ ' gel love ‘ Smile on the Va-ga.-bond’s death. When . . heav’na - bove . . . my last breath, ——-——~ Smile on the Va-gab0nd’s death, Smile on the Va - gs.-bond’s death. . L I L L 1 A }\ I‘ i‘ ! K‘ ' : . . I . 4. =' -1 ~.¢;a—-——~a T | "‘ ’ 1 I ' . ‘—"“ Home - less, rag-ged and tann’d, Un—der the cl_mnge-ful _\ .—j_j_..___._- r 3 = : 1*‘ —.*- j -,- (‘'5 free in the land, Who so con—tent-ed as ‘Z . fh _. __,*__ __,. J 1‘ A rh--F IT WAS A DREAM- Stop!-ahno. Music byhFRED. H. COWEN. Words by R. E. FRANCILLON. ANDANTE. VOICE. 1. heard brooklet 2. I saw the wand’ring st-reamlet -ti‘ -rvvv" t I7 sing, Among the pop-lar trees, . . . . .. I heard the Wi1-1oWswhis- per- flow Down to the cold grey sea, . . . . I saw the bending Wil - lows 'a“i'1"'d' -r #3; ;+ , , aw-z'r i‘-ti" iii’ '- - ing Un-to the evening breeze, un- to the eve - ning breeze, ‘bow, In Welcome o-ver me, In Welcome 0 - ver me, looked on’ the old, old . ' my dar - 1ing's 11s - tend to breeze _ and M ' ,., T‘ 1ing’s voice 1 agitdto. face, . . . . . . . . . . . A - gain we wan der’d by th t . . . . - ' heard; . . . . .. . . We kiss’d be - neath the moun’s sofeta; :eI:1?1I?].,. . . . .. .. Vée 3:: a tempo. espress. - der’d by the the moon’s soft a tempo. dream; . . . . . . . . A-gain I looked on Elie old, old dream; . . . . . . . . A~ gain I he - ten’d to breeze and, 21. 3 \\\’\’‘\’T\”\ 33e.3_e.3 ;i'° 0 C7'C3o _‘. my dar - 1ing’s face . . . . . .. . . . . . . . . . . . . . . - 1ing’s voice I heard, . . . . . . . . . . . . ff‘? fir .; It wait a Dream. % we wan - der’d by the stream, It was a. be - neath the moon’s soft; beam; Itvwas a 7st. rit. ,3 tempo. dream, it was a. dream. m —-—--_-—-—..’’..\'J dream, 1t was /A 3 . ' It wasa Dream. & “THE TAR’S FAREWELL.” Words by RC. BURNAND MUSIC by STEPHEN ADAMS. MODERATO UON ENERGIA. Z“"""S ._‘;:g_'£_h_ :’ :1“ - __f_ -9--93" vi —¢ 2 .2 1. When forced to bid farewell to Loo,Pu11a-Way, my boys, pull a,- Way, I did not know What; I should d0,Pu11 a- 2. But then if false should prove my fair,Pu1laway, my boys, pull 21- way, I’d burn this 1it;- tle lock of hair,Pu11 a- pull a - Way, I left; her Weeping on thequay, She said she would be true to me, As we pull a - way, If ‘she be false’ and I be free, I’ll ’ sail a. - gain to the Southern sea, I , _¢'. . rall. ~. ‘ «A sail’d 3. - Way to the Southern sea; Pull EL - way,m_v boys,pull a. - Way, »Pull 9. - Way,pull away, pull a - Where there are plenty as good as she, Pull a - wa_V.my b0ys,pull a - Way, Pull a - way, pull away,‘ pull a - can tabile. For the Wind must blow,and the ship must go, And lov - ing souls must part, But the ship will tack, and the Tar come back To the con spz'rz'to. first love of his heart, For the wind must blow, and the ship must 7go, And —- V 7“. _‘-r The 'I‘ar’s Farewell. 3. 235 lov - Zing souls must part, But the ship will tz1ck,a.nd the Tar come back To ‘the #11‘ ! 7st. ad lib. To the first love of his heart.;.... . .. 13>- '0" 2d. ad lib. The Tin-’s Farewell. 3. 236 l A TWILIGHT FANCY, OI‘ DRESDEN CHINA. A Words by F. E. WEATHERLY. ' Music by J. L. MOLLOY. Andante con moto. . $ 1. In the twi- 'ght has Iplay,And as I dream in the flickering gleam,He 5&1’? fan-cles come and go, And dreamland falls on the old oak mm the firelight’s fi glow ; takes her Wee sweet hand, And too and fro in a measure slow, They tread :1 so - ra - band; A 7” Side by side In the cor - ner Wide,Stand a lit - tle lass and lad, And thro’ the gloom of my Still they dance and still they pla. ,’Till the mu - sic gives a sigh, As danc-in aye, they PP lone -ly room Come their two lit-tle fa- ces glad. Side by side in the cor - nerwide, I fade :).-way And ind the sha.-dows die. Dim-ness falls on the old oak walIs,And razz. 237 watch their ev’ - ry look, She peeps at him ’neath her hat’s white brim,As he leans on h1s lit - tle lone - li - ness on me, When they are gone, my song, is done,’And the mu - sic hushed must “'1 a tempo. crook. Hour by hour Watchthemtherc,But they take no heed of me, '1‘ y be; Oh, how I loved to Watch them there,Tho’theytook no heed of me,’ They W811: 3 pp a z‘cmpo. make my dark room bright andfair, The lit - tle He and She, on - ly Dres-den Chi - na fair, The lit - tle He and JAMIE! Words and Music by J. L. MOLLOY. ad lib» L . ‘ ,5 a tempo. 1. Ja - m1e! Ja - mie! Ja - m1e! Ja- me! do youhear me 2. Ja - niie! J9. — mie! Ah! if he were no - vet, call-ing in the gleaming, Calling to you, lad - die, to come home; Long and lone I’m Watching,and my heart is ne-ver more to hear n1e, Ne-ver to come back to me a - gain. Sure I’in on -ly dreaming, and I know he’s ,3‘ ‘ ad wond’ring Why up-on the hill so late. you roam, Ja-mie! Ja-mie! Are you ne - fer com- ing ‘com-ing, All the same the tears will flow like rain. Ja-mie! Ja-mie! Ah! the fear is on me, .lU r {j V 239 A‘ ritard. of rall. % To the little heart that's waiting Sad at home. .Ta../- mie! j7a/- mie! And my heart is ach - ing with dull pain; Ja - mie! Ja - mie! Jamie!Do you hear me calling in e gloam-ing, Call-ing to you, lad - die, calling H mie! Jamie! Do you hear me calling in the gloam-in Call-ing to you, lad + die, to come home. It tempo. an - swer, A{¢)youe{y. . l g ; s -V [H - I‘ H '1 | I n 1 I . I J U And it says he’s com-ing, com - ing down the hill - side, Well I know his voice, my A ' ‘ V Now hear him sing - ing to the cat-tle blithe - ly, And the lit - tle sheep-bells tink-lin glad, 3% a-nmiel Ja-mie! Ahlthe joy is on me, and my heart is go - ing just like mad,‘ 3 \ . _ Ja - mie! ' Ja - mie! Welcome to you, lad - die, ta /5 -q- ''d' THE LOST CHORD. . % 3“ Words by ADELAIDE A. PROCTOR. % T Music by ARTHUR SULLIVAN. .71JV‘.’Z.21.7V'2Z' /21092139120. ere‘: . . . . . . . . . . . . . . . . . . . . . .. | f -0- Seat -ed oneday at the or - gan, I was wea - ry, and ill And my fin - gers wander’d O - ver the noi - sy keys; know not what I Vwbas .1Z)lay - ing, what I was dreaming then. M But struck one chord of mu - sic, Like the pew rail. >-——— ores. ................................. ......... .. f dim- soflnd of a _’ great A -T men, Like the sound of T flood - ed the crim '- son twilight, Like the close of an An - ge1’s Psalm, + T j me Lost chord. 5.; dm......Z..5 .... .. Lay on my -fe - ver’d ' rit, With a. touch of in - fi-nite J -C- "F qui -et - ed sor - row, ' o - ver- com - ing strife; I -0- seem’d the hat - mo - nious From our dis-cor - dant life, I 7; tra7zgzkz'lZo. . -9- tra'2zgm'ZZo sempre. link’d all per-plex - ed mean- ings, _ . V per ~ fect peace, The Lost Chad. 5.. 244 poco apocopiu animate. f a,9'2'l§0. -9- it were 10th to cease ; trem — bleda - Way in -to si - lence, M __1_e 4- fled. ‘Z2. sought, but I seek vain - Iy, That one lost chord di - vine, 1 came from the soul of the -9- f gran cZz'o.9o . be that Death’s bright An - gel, Will '5' "5' ritard. ff 719 Ted. The Lost Chord. 5. 7' 4 T h ' 245 speak in thatchord ’ a - gain; It may be that on -V ly in Heav’n, shall sempre f f 5}: feat 55‘: fed. §>§<:f’ea". :>§<: -it may be that death’s bright An - gel; will +- 3: 9 ? ff rimra’. con gran /‘orza. speak in that chord a - fin, It may be that on - ly in Heav’n, I i shall f ritartl. race con _qramS/‘orza. hear that grand raiiwzlmz do . The Loat Ohbrd. 6. LET ME DREAM AGAIN. Words by B. C. STEPHENSON. ’ Music by ARTHUR SULLIVAN. A K MEZZO SOPBANO. .71/V?$.21JV2Z’ £’Si°flESSIVO. . ‘L. 1%. The sun — is set- ting and the hour is late, Once more The clock is strik- ing in the bel - fry tower, And warns be-side the wick ‘ The bells are ringing out the ev- elf fleet — - ' But nei - ther heeds the time \.., \., ' V ing day, The chil - dren singing on their home- Ward way, ward glides, For time‘ may pass a - Way, but love a-bides. whisp’ring words of sweet in - tent, half kiss - es on my fe - - vered brow, ~ We must mzpoco pz'uZem‘o. 17 )2 ' 1 V doubting, whis - per a consent. - Is this a. dream? part, . ah! Why should it be now? Is this a dremn? 81 not wake me, me dream a- wak - ing would be pain, Oh, do a. dream? then Wak - ing would be pain, 9: ‘ 9, appasszbnaio ad lib . c forza. /5 not wake do not "wake me, let .me dream a - gain. H A WARRIOR Bow. Words by EDWIN THOMAS. Music by STEPHEN ADAMS. CON SPIRITO. 1. In days of old, when Knights were bold, And Barons ' their sway, 2% So this brave knight, in at - mor bright, Went gaily to the stray, warrior bold, with spurs of gold, Sang Iner - ri - ly his lay,". . .. sang mer - ri‘ - ly his lay,- fought the fight, but ere the night, His soul had passed a - way,. . . . His soul had pass’d a. - way, love is young plighted ring heart so true, brave - ly cried, love hath gold - en with hair, 8016» and fair, My he Wore Was crushed and wet eyes so blue, and ere he died, be none with her com - pare. So kept the vow I swore. So What care I, What care 1, Though death be nigh, Though death he nigh, -0-. -8-. x calla voce. f /-N . live for love, fought for love, T die. So what care I, Though death be nigh, I’ll live for love, or die. J A warrior bald.-8. fig 2D. death be I’ve fought for love, % piu lento. molto. rallentandoe dim. A >’ >">‘>’. love, for love .... . . for love I die. A a tempo. f>‘ }" colla voce. ‘ m fled. A warrior bold.-3. I’ve fought for love . . . . . . . . I’ve fought for EMBARRASSMENT. 1 A VERLEGENHEIT. _AI..TO SONG. ' FRANZ ABT, Andantino. con leggierezza. D 5”“ 5% 0 u : F‘ W i" [f | I 7 : j I_é“t I - 7: _‘ J“ —“““‘."‘j“""‘ " “ _l“‘ —"i 1”" d.-_, L I A i 3 I I i I .__i ._..‘. Jq;4)__'T.__ i tell thee some-thingI am yearn - ing, Yet to speak it, know not moch - te dir wzohl et was sa. - gen und ' doch selbst so recht nicht, thee with joy would I be sing - ing, A which in my heart is‘ moch te dir so ger - ne I sin - gen ein ' das tief in’s Herz dir write a let- ter to thee, tell - ing, — and hid-den are my mfich - te dir ein Brief-lein schrei ben ' mein Herz dir schiit — ten ‘a1 __. -——~j,T- i ; .1 1 s _g_“z_lcg;_._-___g:g: 3: pi? \-/ _,,_,,. ;:\ 0 no in = ' .- -1 .--7--—-.--—.--3--I 1-’ Hr‘ .v—.v——.v . I V H A '[ 4' ‘ V 70 I . 2‘ 5 1‘ “* 1-“: s L 3‘ I I :1: fi____*' Yetvvould’st thou still the clue belearning, I on - ly could as answer tell : I und wiir - dest. du datum mich fra - gen, wiisst’ ich wohl sel-ber-nichts als das: But still my lips are only bringing, One soul - felt, tender, pleading Word: _ Doch will mix‘ eines nur ge - lin - gen, das stets in mei-ner See -le klingt: But from my breast,with passion swelling, One sim - ple word will on - ly rise : al - lein auch das muss nnter- blei - ben, _denn stets bring ich nur das her - aus : F1 I 41': _ 7 L J I) i__ ‘ i 1 _ I ' :1 Li " ;fi.¢+o*=~+;r-——-J~%v—-;— -a—r——. , '-:aT—~—=z--‘Eta; is; i I 3 fl 01: l ' ‘”" ' ' 2 _ »_,__. -_ -_:__ -_ 17¢ — , , g 4 --93’-~<=9"-~¥~~*¥---v‘5-~4--av-3 y gfi-%-v.::*-—.::-.:._~:.. “ - - ’ I oco rzt. -_ - . - {Is -<.: —~=< M) P " !' 9 1"? I i; 2 p-bu:--‘ 9:;-b-2-.-,—-°.r-: 5 =., 3' .= 9 .= , W1 «P. : |___x t__ V "L-LEV I A--hd -4+9-—p—-4-My-P-+—i-%——r4——-5—r—r- i 5 :?5—L—‘..:——-' ‘:5. I I ' I molto espressivo. _/ \ love thee dar - ling, faith - ful-ly, Love thee, A A and on - ly thee,...J ...... .. lie - be dich herz - in - nig-lich, nur dich 31 - lein, nur dich, . . . . . . . . . / 1- ‘ -g— I I L I . I ! " E '.‘q: E? M7 1/ _._ L. ‘“l‘ g I I U. ' ___'U.l 17 love thee dar - ling, faith ~ ful - ly, Love thee, ..... ..' ......... .. - be ‘dich herz - in - nig - lich, uur dich . . . . . . . . . i .9 I‘ I Iii j thee I dich I Tempo 1. . 254 R 0 M A N C E V ‘ Words by W. Gurnsey. Andante con espressione. ’ 4- t /:\ +- the for - est, slept gen - tly! . rays tinge And T all things And all Ah! Al “ALICE WHERE ART THOU.” Music by J. Aecher. seems glad to - night, - ice, Where art thou? -+ ‘C’ , _\. - mg by me, Cool - mg my fevered by lake - let, I’ve sought thee on the Z?‘ V, stream flows as ev - er, Yet Al - ice, where art thou? One 1n the pleasant wildwood, year back When winds blew cold and chill; I've sought thee in -4- '9' e - ven, And thou wort by my si e; for - est, I’m look - ing heav’nward now; thou by my e, look - ing heav’nward now ALICE, wanna ART 'moUP 3. lofe me, One year past starshine. I’ve sought thee Vow - ing to love Oh! . . . . . . .. there a. - mid this e - ven, And thou Wert by my side: in for - est, I’m look - ing heav’nward now; be - tide. me, Al - ice, what - e’er might thou. the sta1'shine, A1 - ice, I know art /5 1 ALICE, wxmnn ART wow? 3. . flan.u..»§..._rEn,nna.3u.!. n. ,. .H::.Td.a fl-..u.aa..t.£1aq.n:;..u.. , artwo‘ ‘ u,«I..rw/49.‘ /daarranrlrl/m.~».uuv»¢rflniintrflfur »..».fifi.....a»r«mfim,.n ixlnln-.. lulu v _ ‘ . x..!.|\4,A.?. Anllnnt. . 5:.-In linnululpls mo‘ mu..m.flW-.5 vIu..1I:.£:a.fl.u:2..un. . fi»...,»..mn,£.fi. 55.. ‘4v‘._., . I‘ . » 5 ,5fl.55.=.,p1.. :1 m
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Title
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Lighthouse, The, The Lighthouse
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Date
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1917
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Text
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MUSIC LIBRARY VASSAFI cause: FOUGHKEZPSIE. NEW YORK SONGS BY CECIL Op. 32 Philornei . . . (VVILLIAM SHAKSPERE) High voice, in E Medium voice. in D1» The sea hath its pearls (HEINRICH HEINE) Medium voice. in F‘ Low voice. in D9 Ye voices, that arose ¢HENRY WADSWORTH LONGFELLOW) High voice. in A‘) Low voice. in E I heard the ‘trailing garments of the night 4HENRY WADSWORTH LONGFELLOVV) High voice, in D min. Lczw VOICE‘. in B mm. The lighthouse , (HENRY WADSWORTH LONGFELLOW) High voice, in ED»...
Show moreMUSIC LIBRARY VASSAFI cause: FOUGHKEZPSIE. NEW YORK SONGS BY CECIL Op. 32 Philornei . . . (VVILLIAM SHAKSPERE) High voice, in E Medium voice. in D1» The sea hath its pearls (HEINRICH HEINE) Medium voice. in F‘ Low voice. in D9 Ye voices, that arose ¢HENRY WADSWORTH LONGFELLOW) High voice. in A‘) Low voice. in E I heard the ‘trailing garments of the night 4HENRY WADSWORTH LONGFELLOVV) High voice, in D min. Lczw VOICE‘. in B mm. The lighthouse , (HENRY WADSWORTH LONGFELLOW) High voice, in ED» Luw VUMC. In C -nuunun BOSTON: OLIVER DITSON COMPANY NEW YORK: CHAS. H. DITS-ON & CO. CHICAGO: LYON &. HEALY THE LIGHTHOUSE (0rz}g2'naZ K212/) HENRY WADSWORTH LONGFELLOW CECIL BURLEIGH Op.32, N9 5 With breadth and dignity (-3569) rock — y ledge runs far in - to the sea, And ' on its out-er point, some >7 in rolling 7’ T’ w’¥-/T’ morease —-————=-4 miles M a - way, - The Lighthouse lifts its mas — sive //‘T increase ‘ifi / ‘fen. Copyright MCMXVII by Oliver Ditaon Company International Copyright Secured 5 ‘$0 72080 4 pi1_1ar of fire by night, of cloud by day. vr L sliglzl/y .s'!(2wer as eve-ning dark A ens, 101 how bright, 3-1453'}:/lg slower \_/dim. and ref. jh 17% mcrea.s'(a . ‘£1117 7/? , _/“aster __éZ.;-1:./:_ Through the deep pur-p1e of the twi — light air,.__ Beams forth the sud — den._ ‘hjzsfer z'7zcre2a.9e .5701" fly \ 5-150-72080 - -'4 with z'ncreasz'ng power and breadth /‘ { __.. ra - di—ance of its light Wiflx strange, un-earth_1y splen ._ dor in its wt?/z zizcreamzg power a read!/z > > 1/ \ JV/\ dz'772. .s'lz'g/zI‘Zg/ As at fz'r.9t great_ ships sgi/1 outward and 1-e—turn, Bend_ing and b0w_ing As at first 5450-720 80- 4 inc"/'ea.s‘e o’er the bi1—1ow- y swells, And ev — er joy _ ful, as they see it burn,__ They Z"$\Z"?_a increase ‘Ea. more 3 br0aa’@ e dim 77.? Wave their si - lent We1_comes and fare ~ Wells. more 6roaa’/g/ gradually dim. I/zroughout ”"’1’/ "'l"w".9 retard 5—150~72080— 4 The Musicians Library The masterpieces of song and piano Iiterature edited by men OF authority SONG - VOLUMES - ISSUED For High Voice For Low Voice For High Voice For Low Voice For H igh Voice For Low VOICR Edited by JAMES HUNEKER Edited by WM. FOSTER APTHORP Edited by HENRY T. FINCK Edited by DR‘. EBENEZER PROUT Edited by DR. EBENEZER PROUT Edited by WM. FOSTER APTHORP Edited by CARL ARMBRUSTER Edited by HENRY T. FINCK Edited by W. J. HENDERSON Edited by JAMES HUNEKER Edited by JAMES HUNEKER Edited by CARL ARMBRUSTER Edited by CARL ARMBRUSTER Edited by ERNEST NEWMAN Ediied by HENRY T. FINCK Edited by DR. CHARLES VINCENT Edited by PHILIP HALE BRAHMS, JOHANNES FORTY SONGS FRANZ, ROBERT FIFTY SONGS GRIEG, EDVARD ' FIFTY SONGS HANDEL, GEO. F. SONGS AND AIRS HANDEL, GEO. F. SONGS AND AIRS JENSEN, ADOLF FORTY SONGS LISZT, FRANZ THIRTY SONGS SCHUBERT, FRANZ FIFTY SONGS SCHUMANN, ROBERT FIFTY SONGS STRAUSS, RICHARD FORTY SONGS TCHA'I‘I<OvSi<Y, P. I. FORTY SONGS WAGNER, RICHARD LYRICS I WAGNER, RICHARD LYRICS II E III WOLF, HUGO . FIFTY SONGS FIFTY MASTERSONCS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS VOL. I (BEMBECRG .TO FRANCK) MODERN FRENCH SONGS VOL. II F°'H'“" "°‘°‘ For Low Voice (GEORGES TO VVIDORI ONE HUNDRED ENGLISH FOLKSONGS For Medium Voic- Nations) For Medium Voice ONE HUNDRED SONGS OF ENGLAND " F°'H“‘I‘V°'°° For Low Voice SEVENTY SCOTTISH SONGS F"H'”" V°‘°‘ For Low \/0|C¢ SIXTY FOLKSONGS OF FRANCE - ForMedium Va-ce SIXTY IRISH SONGS ’’°'”'**‘‘ ‘’°‘“‘ For Low Voicz SIXTY PATRIOTIC SONGS OF ALL NATIONS For Med-um voice SONGS BY THIRTY AMERICANS F“ “I55” V°'°" For Low VOICE SONGS FROM THE OPERAS L II Er III roi'i~5’i}1,Sz‘7S’7'sa$'.§’rano or to SONGS FROM THE OPERAS IV 52- V F” T“ For Bunions Bus as as as as by 3,1: Dav Dz! For High Voice For Low Voice For High VOW! For Low Voice For H igh Voice For Low Voicc For High Voice For Low Voice For H igh Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Soprano For Ten For Bariiane Bins For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low VOICC €2vvi:%¢.’v(:3>3:3>‘z?%v‘:‘5f:5i‘:%v1:%f:%f.-%fz%¢z?r¢;%v2.*% For High Voice For Low Voic: Edited by PHILIP HALE Edited by CECIL SHARP Edited by GRANVILLE BANTOCK Edited by GRANVILLE BANTOCK Editedby HELEN HOPEKIRK Edited by JULIEN TIERSOT Edited by WM. ARMS FISHER Edited by GRANVILLE BANTOCK Edited by RUPERT HUGHES Edited by H. E. KREHBIEL Editedby H. E. KREHBIEL -‘.:i‘vv‘.-%v1i‘5v‘:‘5$v‘5n‘:‘iv3$v‘z3v$ V5 v‘°.$v’a‘-E3v1$i%v‘:‘vv‘:‘wi“;%fiv‘:%v‘l-?£.'=%v‘x% COMPLETE LIST OF PIANO VOLUMES FREE ON REQUEST Each volume in heavy paper, cloth‘ back, $I.50; in FLIII Cioth, gilt, $2.50. Copies mailed postepaid. Other volumes inipreparation For Free booklet, giving full particuiars and Easy Payment Plan, send to the publishers ii OLIVER DITSON COMPANY‘ BOSTON 6:14
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Title
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When the Noiseless Night Descended
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Date
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1907
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Text
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SIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighiy (KitschiManito, der Machfge) . . . . Med. Greeting of Hiawatha (Gruss Von Hia- watha) . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei~ gen) Chibiabos (Tschibiabos) . Death of’ Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawéil wach auf", Geliebtel) Med. OLIVER DITSON COMPANY. Boston New York Chicago ' Philadelphia...
Show moreSIX INDIAN SONGS FROM THE “HIAWATHA" HENRY VV. LONGFELLOVV With German text by Hermann Simon VOICE Gitche Manito the Mighiy (KitschiManito, der Machfge) . . . . Med. Greeting of Hiawatha (Gruss Von Hia- watha) . . . When the Noiseless Night Descended (Nachts, wenn alles liegt in Schwei~ gen) Chibiabos (Tschibiabos) . Death of’ Chibiabos (Tod der Tschibiabos) Onawayl Awake, Beloved! (Onawéil wach auf", Geliebtel) Med. OLIVER DITSON COMPANY. Boston New York Chicago ' Philadelphia C. H. DITSON 8: CO. LYON 8: HEALY J. E. DITSON 8: CO. To Am’!!! Rio Pxxrclm. 39d from the WHEN THE NOISELESS NIGHT DESCENDED vsl “mm” (NACHTS, WENN ALLES LIEGT IN SCHWEIGEN) HENRY WADSWORTH LONGFELLOW E E German translnlzbn by Hermann Simon CARI. BFSCH Allegro Moderate, When the noise — less night de — scend -ed Broad Nachts,wenn Al — les liegt im Schwei—gen_, Nachts, Copyright MCMVII by Oliver Ditson Company International Copyifight Secured — dark o’er field and for_est, When the mourn—ful Wa _ wo— nais — sa, AI — les liegt im Dun-kel, W"em1 des Schlum—mers Geist, Ni — bo — win, Sor-roW—ing sang a _ mong hem—10cks,» Zu _ schlies al — le Wig — Thii — ran, J-/‘T KT J-’\ [/9 Spit — it of Sleep, Win,.._. Shut the doors of Nie — mami dich 1'en,._____ S0, (lass Me _ mand A 543-86898 ~4 all the Wig — wams, From her bed rose Laugh- ing VVa—ter, dich kann sz: _ /zen} Heb’ dich schzvci — geml 22011 dam La _ gar, 3 [9 Laid a—side her gar—ments Wh01-1y, And with dark - Le — ge ab die Klei — dc?’ a.l — le, Geh} um ness clothed and guard — die be_sii - ten Fel — :4; 4;; 444 5—33~66898-4 shamed and un — af _ fright—ed, Walked se - Cure — 1y round the corn_fie1ds, Drew the Gran — ze al - ler Ae - char, Nur be — deckt mi! dei — nen Lo _ cken, Und in sa — cred, mag- ic cit- cle Of her foot-prints round the corn — Ra — ben -nacht ge— klei-def Das mach! frucht—bar die Ge — fil - 5-33-663‘.-)8-4 THE MUSICIANS LIBRARY An ideal series of‘ independent volumes, planned to include the masterpieces of song and piano music, edited by men of authority. Each volume contains an elaborate, critical introduction, a bibliography of the subject, and portrait of the composer. The volumes are beautifully and uniformly bound in full cloth, gilt, price, $2.50, postapaid, and in paper with cloth back, price, $1.50, postrpaid. Descriptive booklet sent on request THE MUSIC STUDENTS LIBRARY A series of educational works suited to the requirements of the average student. The books are uniformly bound in flexible cloth, are handy in size, and range in price from 50 cents to $1.25. The subjects treated are Ear Training, Intervals, Chords, Harmony, Harmonic Analysis, Music Form, English Diction for Singers, Training of Boys’ Voices, and kindred subjects. Send for booklet THE HALF DOLLAR MUSIC SERIES A series of music volumes planned to give, at a popular price, a varied selection of attractive music. The contents of each volume have been carefully chosen from music of proven acceptability. In no other form can so much desirable music be had at the price. The books are attractively bound, and the series includes collections for Piano, Organ, Violin, Voice, Mandolin, Guitar, Cornet, and other instruments. Send for booklet THE DITSON EDITION A new library of approved works, chiefly technical, for the Piano, Organ, Violin, and other instruments, and for the Voice. It addresses itself to music teachers and students of dis» crimination—to those who value quality, who want the best. The Ditson Edition claims superiority in its editing, typography, printing, and binding. It is built on the principle—"Not how cheap, but-how good." Send for catalog THE MUSICIAN A monthly magazine devoted to the educational interests of music. Its richly illustrated pages are for teacher, pupil, and music lover. Its varied contents are practical, helpful, and entertaining. Its special features are unique, and its contributors specialists of great reputaa tion. Each number contains at least 24 pages of music. Sample copy, I0 cents, which is credited if you subscribe. Subscription price, $1.50 per year. Send I0 cents for sample copy and special premium offer OLIVER DITSON COMPANY, BOSTON
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Title
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Good Night, Good Night, Beloved:
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Description
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Date
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1892
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uwsac uananv VASSAR COLLEGE ’0UGHKEE%: 1%. THE CODA ~ SUPPLEMENTARY MUSIC FOR-PUBLIC SCHOOLS Normal or High. Graded as follows: Lower and Upper Primary, Lower, Interrn., and Upper Grammar, High and Normal School. GINN & COMPANY. < PUBLISHERS, BOSTON, NEW YORK. <3: CHICAGO. Words by H. W. LONGFELLOW. Andante cantabile. ALTO II or TENOR. GOOD-NIGHT, GOOD—NIGHT, BELOVED! PART SONG. From CIRO PINSUTI. Arr. by GEO. F. WILSON. CTGS‘. mm SOPRANO. g_____j/ Good-night, good-night, be — 10v -...
Show moreuwsac uananv VASSAR COLLEGE ’0UGHKEE%: 1%. THE CODA ~ SUPPLEMENTARY MUSIC FOR-PUBLIC SCHOOLS Normal or High. Graded as follows: Lower and Upper Primary, Lower, Interrn., and Upper Grammar, High and Normal School. GINN & COMPANY. < PUBLISHERS, BOSTON, NEW YORK. <3: CHICAGO. Words by H. W. LONGFELLOW. Andante cantabile. ALTO II or TENOR. GOOD-NIGHT, GOOD—NIGHT, BELOVED! PART SONG. From CIRO PINSUTI. Arr. by GEO. F. WILSON. CTGS‘. mm SOPRANO. g_____j/ Good-night, good-night, be — 10v - ed! I come to watch o’er ALTO I. cres. T Good-night, good-night, be — lov - ed! I come to Watch o’er C7'€8. 11*‘ §_______Z good-night, be - .2’ 10V ed 1 to Good-night, - I come BASS. cres. /____.___...\ Andante cantabile. 7979 C0 PYR|GHT,1892, BV GINN do 00. iNDERSON dz WENTWORTH, BOSTON, MASS, ‘ Watch o’er L THE CODA: SUPPLEMENTARY MUSIC. }- good - night, good - night, } good - night, good- night, j»- good - night, good - night, n Omit 3d time and go to C01) sf> un poco Mt I come to Watch o’er thee! come to Watch o’er thee! 70 sf > un poco Tit. ‘# fd' ‘i- to Watch o’er thee! come to Watch o’er thee! sf > un poco rit. \_Z ' . g to Watch o’er thee! come to watch o’er thee! sf >/\ 20000 Omit 3d time and go to CODA. 7070 un poco mt. No. 175.] THE CODA: SUPPLEMENTARY MUSIC. 1st time. — -- —- - - f risoluto. f To be near - lone is peace for f risoluto. thee, to - lone is peace for cres. thee, a - lone is peace for 1st time. f ‘lute. 17" to be near thee, to be near thee, a - lone is rf 1?” peace for thee, to be near thee, a - lone is peace for rf f to be near thee, a - lone is peace for if f THE CODA: SUPPLEMENTARY MUSIC. n_ u. > 10 7'0L_ll. me! Good - night, he -lov - ed! I come to Watch o’er 79 > 79 >— 79 fall‘ me! Good - night, be -10v - ed! I come to Watch o'er :>- 79 > 70 : 79 Tall- \_/ - \_' me! Good - night, be - 10%! I come *0 Watch o’er thee! _-‘e7/-"" 79 ' good-night, good-night, ._ _. _ - 201 time. - dolce con grazta. a, tempo. . Kj_ZZ_j___i____,J . . . . Thme eyes are stars of morn - 1ng, Thy llps are crlm - son fl0w’rs, on tempo. > > > \_ \, Thine eyes are stars of morn-ing, Thy lips are crim— son fl0W’rs. 0t tempo. > > > ’ K? Thine eyes are stars of morn-ing, Thy lips are 0 -son floW’rs. are crim - son fl0W’rs. } I can grazta. THE CODA! SUPPLEMENTARY MUSIC. thy ps arec mson ow’rs, Good-night,be - thy ps arec n oW’rs, Good-night,be - Thylips are crimson floW’rs, Good-night, tj./ eyes are stars of morn—ing, Thy lips are crimson floW’rs, ._ ._ ._. _. _ ... ._ _. While I count the molto ritenuto. } } } } Wea-ry hours. >>i- While I count the molto 7-itenuto. } } } } 10v-ed! wea - ry Wea.-ry hours. j]. V While I count the Wea-ry hours. umolto ritenuto. >. > > > lov-ed! > >- 1- While I count the Wea - ry while I count the } 2 } >- molto mtenuto. Wea.-ry hours, THE CODA: SUPPLEMENTARY MUSIC. CODA. p cmimato apoco apoco. I come to watch o’er thee, I come, I come, omimato a poco apoco. to Watch o’er thee, I - come, I come, ainimato a 10000 a poco. ‘J V to watch 0’er thee, come,. . . I come, . . . am)/zaz‘o a pace cz pom. to Watch 0’ er thee, cmimato a 10000 apoco. ej/*4 2”‘! _J_ %” to Watch to watch ‘<‘ come to watch, to watch 79 79 to Watch No. 175.] THE CODA: SUPPLEMENTARY MUSIC. come to watch, to watch o’er thee, Good-night, . . J > 0’er thee, } L_ I come to Watch o’er thee, i} > 70 L» } z\ J :> Tall e dim. good - night, . . good - night! . . > rall e dim. > nyofo \« *6‘ g/ good-night, good-night, good - night! . . > Tall e dim. > > npjo . ‘Rx g00d—night, good-mght, good - night! . . /‘T /"_‘\ %, good-night,. . . . good-night! . . . . . . . mll a dim. > THE CODA: SUPPLEMENTARY MUSIC. [No. 175. EVENING SONG. Words by Rev. J. A. THOMPSON, D.D. G, F. W1Lso1§:, ,Lento. Sop. I & II. I/9}“ - . I 41,?! {V J . n I I . pi” 9.1 —d— 1. Slow-1y all wround us gath- er, Shadows of the e — ven—tide,Home We 2. Bright with dewdrops was the morning, Gold-en fair the ear - 1y light, Earth and 3. Therefore tho’ the shad—oWs dark-en, Trudging wea—ri - 1y 3. -long, Yet We ALTO. m :&‘i/if: . 17' I j L L L ' 1 ‘ I ‘ ' A -I T T \ ‘glib-+7‘ EL K’ ii I I Q ‘: § 1 3 I 1% ?"?i _,_ _,- Let our hearts with thee a - bide, We are sea, and sky at - dorn - ing, With its splen -dor pure and bright, Birds their knowtheir ear will hea1'k—en, While We sing our e - ven song, Slow-ly - 1 V’ ' come to thee, O Fath- er. I I 1| 1| """‘1t1 4; . strife,. . Thouwllt Weak, and worn, and Wea. - ry, Chafed by toil, and care, and bow’rs, Incense mat - in songs were sing — ing, In the fra-grant leaf — y e — ven-tide, . . Home We all a-round us gath- er Shadows of the mf<\{: j 15‘ I Irri L V i I W 4 N i ' , 1 1 \'/ :9?’ 1 -* , ‘v I 7 I love and life. vest — ed floW’rs. a — bide. /'.\ us We1- come cheer - y, To thy home of breath-ing, 0 - dors bring -ing, Were the glo - ry come to thee, O Fath - er, Let ourhearts with thee V t\ —9.—bn5g ~?-1+?
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Title
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Happiest Land, The, The Happiest Land
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Date
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1896
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v 'A3"'g.. Music uannnv VASSAR COLLEGE "006!-mszv-su:. uzw vac... -'1 i ¥'U‘a"4 ’l5‘n\. ._ J ‘fig ..—I ( ~._?;=z$‘\\»- ?."’._z ’,«si»%g:~w / Hayes, Maria Ximena Haynes, Battison Hirnmel, Friedrich H. Hughes, R. S. Iude, W. H. do do do do King, Oliver Leach, Stephen Leslie, Henry Loder, Edward I. Lbhr, Frederic N. Mackenzie, Sir A. C. Marchant, Arthur W. Mattei, Tito Maws0n—Marks, C. do Moir", Frank L. MoIloy,J. L. do do do do Moncrieff, Mrs. L....
Show morev 'A3"'g.. Music uannnv VASSAR COLLEGE "006!-mszv-su:. uzw vac... -'1 i ¥'U‘a"4 ’l5‘n\. ._ J ‘fig ..—I ( ~._?;=z$‘\\»- ?."’._z ’,«si»%g:~w / Hayes, Maria Ximena Haynes, Battison Hirnmel, Friedrich H. Hughes, R. S. Iude, W. H. do do do do King, Oliver Leach, Stephen Leslie, Henry Loder, Edward I. Lbhr, Frederic N. Mackenzie, Sir A. C. Marchant, Arthur W. Mattei, Tito Maws0n—Marks, C. do Moir", Frank L. MoIloy,J. L. do do do do Moncrieff, Mrs. L. Mullen, John W. Old English Parker, Henry Parry, John, Ir. Perkins, W. O. Peuschel, Moritz Pinsuti, Ciro do do FIRST SERIES Faith and Courage Off to Philadelphia. Battle Prayer, The. Inchcape Bell, The Bill the Bo’sun Deep in the Mine Happiest L_a,;;d_, The Mighty Deep, The Skipper, The Israfel . (Old Irish Melody) . . ( Gebtz‘ wdhrwzd tier S:/z/at/zt.) Let All Obey Speed on, My Bark, Speed on Diver, The . . . Out on the Deep . Old Grenadier, The Man-0’-War’s Man, The. Hearest Thou? (01/2' tuf) My Part in Thee . Three Wanderers . Sea—Dreams . Boatswain, The Postillion, The Thursday Trankadillo . Vagabond, The Creole Love Song, A Afterwards Vicar of Bray . King of the Forest Am 1 Flying Dutchman, The Tempest, The . . . . . . M0narch’s Tear, The. (De: Kaiser: T /Lriine.) Op. 18. Arrow and the Song, The . . . Op. 80 . . . . (English and Italian) . Bedouin Love Song Bugler, The (English and German) . Eb KEY *c *c C min. *Bb (English and German) * The voice part of songs marked with an asterisk does not range above Dfi. \ ’j #4. V4 Boston Oliver Ditson Company New York C. H Ditson & Co. Chicago Lyon &. Healy. Philadelphia J. E. Ditson & 00. PRICE .60 .60 .40 .50 .60 .60 .50 .50 .40 .50 .50 .40 .50 .50 .50 .50 .50 .40 .60 .50 .50 .50 .50 .50 .60 .40 .40 .40 .50 .50 .40 .50 The Happiest Land. For Bass in F. Words from the German by LONGFELLOW. §* Music by W.H.JUDE.. Used by permission of Houghton,Miff1in Q‘ Co. publishers of the K ‘ Edited W UK- Works of Henry Wbongfellow. Allegro alla Marcia. \/ sat one day in \/ qui — et, By an a1e—h0use on the Rhine, > f g/ drank the pre — cious Wine. The Land1ord’s daughter filled their cups, A - round the rus 4 tic >/-3 ' stare. . . y. P t9mI90 Then sat they all so calm and still, And spake not one rude Word. ten . ten. ten . ten. > f '1? Copyright MDCCCXCVI by Oliver Ditson Company. 5 $200 It - 6 &/ whim the maid de- part— ed, A SR7/a-bian raised his. ‘,/ \_/ ,/]'> cried, all hot and fl11sh’d With Wine, “Long live the SWa.—bian .fi"'-:7"-sf > marrcato Long‘ live the Swabian The greatest kingdom up—0n this earth Carmotwith ff that, can-not with that com _ pare; With all the stout and hard_‘y men, nut - brown maid — ens >., calla voee la Ag-itato. there,Z’_ .... ..“Ha! Ha!” cried a SaX- on, laughing, / And dashed his beard with Wine; > > V > > > -4 i (3 p Andante eantabile. 1 “I’d rather live in La.p—1and, Thanthat SWa—bia.n land of thine! The good - - —1iestland on ritard. aiéfio. pm mosso ‘£23. this earth, It is the Sax —~ on land! .......... .. There have I as ma - ny > > > > *m. 916 9* /“T p maid - ens, As fin— gers M on this hand!» ........... .. Yes, the g00d-1iest land on 5 f declamatory. V #2 all the earth, It is the Sax— on land! It is the Sax— on land!” Hold your {TX f H calla vase hi can spirito Hold your tongues! Hold your tongues! both Swa.—bi—an and Sax — on!”A > {T ' - _ Andahte cantabile. Bo—he - mian cries, .......... .. A Ifthere’s a KT H A heav’n, a hea _ ven up —- on this earth , It ' Bo—he 4 mia ‘ lies .............. .. There the f\ 59004-6 Presto. tai-lor blows the flute, And the cob-bler blows the horn, And the mi-ner blows the > > > § bu—g1e 0- ver mountain gorge and boom, And the tai_10r blows his flute, > ~ >- > h> -0- cob—b1er blows his horn , And the m'1— nor blows the bu—g1e 0 -ver moun—tain gorge > , L the Landlord’s daugh — ter Up to hea - ven rais’d her hand, said, “Ye may no more con .- tend , There lies the hap—piest land, There, ............. ._ v n hap\— — piest, There hes the hap - plest land, ............... .. BARITONE AND BASS SONGS Adams, Stephen do do do do Arditi, Luigi Balfe, M. W. Barnard, d’ Auvergne Barri, Odoardo Berger, Emile Bizet, Georges FIRST SERIES Heart of a Sailor, The . Six O’clock in the Bay . They All Love Jack Vikings’ Song, The Warrior Bold, A Stirrup Cup, The . Day is Done, The Bid Me to Love Old Brigade, The Message from the Deep, A . . . . ’. . . . . Here’s to You. (Can zmiéer.) (Song of the Toreador, from “Carmen.” ) (English and Italian) . . . . . . . . . . . . Blanchard, Maud Conway Scythe Song Blumenthal, Iacques do Bonheur, Theo. do do Bottesini, J. Brown, 0. B. Chesham, Edward W. Clay, Frederic Daubert, Camille Denza, Luigi do D’ Hardelot, Guy Diehl, Louis do Eayrs, M. P. Evers, Carl Flégie-r, A. Gilchrist, W. W. Gotze, Carl Gounod, Charles Halley, T. G. B. do Handel, Georg F. Harriss, Charles A. E. Life My Queen Red Scarf, The Star of the Desert . . Westward Ho ! or, The Spanish Main . . . Were I a King. (Sz'j’ez‘zzz'r Roi.) (English and French) Yachtman’s Song, The . . . . . . Longshoreman, The Gipsy John . Spirit of the Deep Come to Me Fountain and Star . . . To Thee. (.5 ma) (English and French) Gay Hussar, The . . . . . Mariner, The Song of the Sea To the Stormwind. (Art z/en Slurrzzu/z'7m’.) (English and German) Adrift. (15 la z/érz'2/5.) (English and French) . . . Where Would I Be. (Sea Song) . . . . . . . . . 0 Happy Day. (05:/zfineZez'l, 0 st[’ge Zeil.) Op. I 60, No.1. (English and German) She Alone Charmeth My Sadness. (Recitative and Aria, from “Reine de Saba”) Ca1iph’s Daughter, The . . . . . Sailor’s Dream, The O Ruddier than the Cherry l (From “Acis and Galatea”) Old Tubal Cain . . * The voice part ofsongs marked with an asterisk does not range above D11. PRICE *Bb '*'C Bl: min. ‘*D Ab G ”"'G min. * D G min. aseBu, .40 .60 ~35 .50 —35 -35 .50 .50 .40 .60 .50 -35 .50 .60 .50 .50 .50 .40 .50 .50 -35 .50 .40 .40 .40 .60 .60 .40 -35 .40 .50 .30 .50 .60 .50 .40 .50 NEW YORK CHAS. H. DITSON BOSTON OLIVER DITSON COMPANY CHICAGO LYON 8: HEALY PHILADELPHIA J. E. DITSON & co.
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Title
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Song of the Nun of Nidaros
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Date
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1920
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MUSIC usnAnv VASSAR COLLEGE roucuxu-:Pst£. NEW YORK *¢‘:.‘§X‘3}u1 @€0ng 0/ the qgzm 0/ C/fooicz,/azoz) Poem by HENRY W. LONGFELLOW Low in G minor High in B minor Mtdium in A minor ‘ ‘C . 3 on 0.’ U. > r f Price, sixty cent: :32 _ '.L VQ‘:‘ ¢1.53l“~ XL‘; ‘'4? deneca ocgiezce 68 C975ac/1 8310c/L 375ilwau/tee, Cvvioconoin ‘ \ 03:: 352-: ‘ho: Written for and dedicated to Mme. Frances Aldd Song of the Nun of Nidaros Henry W. Longfellow Seneca Pierce (With great breadth) §‘T pooo a...
Show moreMUSIC usnAnv VASSAR COLLEGE roucuxu-:Pst£. NEW YORK *¢‘:.‘§X‘3}u1 @€0ng 0/ the qgzm 0/ C/fooicz,/azoz) Poem by HENRY W. LONGFELLOW Low in G minor High in B minor Mtdium in A minor ‘ ‘C . 3 on 0.’ U. > r f Price, sixty cent: :32 _ '.L VQ‘:‘ ¢1.53l“~ XL‘; ‘'4? deneca ocgiezce 68 C975ac/1 8310c/L 375ilwau/tee, Cvvioconoin ‘ \ 03:: 352-: ‘ho: Written for and dedicated to Mme. Frances Aldd Song of the Nun of Nidaros Henry W. Longfellow Seneca Pierce (With great breadth) §‘T pooo a poco cresc. e accel. mf can cmima \___;"_2 Dawn is not dis - ‘cant, 00123/right, 1.920, by Seneca Pierce . F0 re ign _ Copyright Secured P is E— ter - nal is E- ter — nal u1.—»—IL..———--*1 L_..——————-'1|_.———~HzI.I2|L.-’——‘ A /*''‘‘‘‘s /»/'''‘‘‘—T L/ His faith shall not fail The Dawn is not dis - tant Nor is the night is still God And His faith shall not fail us /:—--” T r-"T"“‘ faith shall___, not ( non rit.) L1) oresc. molto SECULAR SONGS by SENECA PIERCE Published for High and Low Voice Dadicafcd to Anna Can My Little House KATHARINE ADAMS SENECA pngncg Allegretto "83 W ‘33 No one known SW18 bY ‘ Sung by FRANCES ALDA LOTTA MADDEN CHARLES HACKETT MARCELLA CRAFT JULIA CLAUSSEN CECIL ARDEN And mold - ed ghe key, ‘Q6 W:n- down wide to hold the light, Lit - He door . 00 rlgm N18 by Some» Plano nuhnl Ooyyrlghl Sunni Modiumlnnb ‘ I To our Marker _ The Journey‘ % A Wishing Well Seneca Pierce High in Eb Frank L. Stanton’. from "Songs 42/ the Soil" KATHARXNE ADAMS CA Tenderly (Wflh charm) Allegretto A m ‘ “away to walk wnhyommy own Deep in the heart of n fair-y dell.__. Far from the PP can pedal E On - 1y 3 little way,__Then one of us shall weep_ and walk 21-lone Un-til_ know a moss - grown wish-ing wefl...— ‘ A prim-rose _ glen,....._.. a tempo g1‘az1‘oso '7. Lime Way" Author's angina! zme. " Reprinlcd by permissxon /Capyrfgll, 1394, o, p. Appleton .9 00.) Copyright, l919,by Senéca_Plo:¢o c M mm 3’ Pk”. ibrszgn Uapyrxg-.':tSec::i~cd ° y’ {on} c¢l?,g‘m gun,‘ 68 Mack Block SENECA PIERCE Milwaukee, Wis.
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Title
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Good Night Good Night Beloved:
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Description
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Date
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1884
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Text
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MUSIC UBRARY VASSAR COLLEGE POUGNW:'.'.-5*E. NEW vomt ””’*-rr £33 ETHELBERT NEVIN “®uniJ=3RigI)t, @uuiJ=3B1'gI)t, Jfieluheh!” SERENADE FOR A SOLO VOICE VVITH PIANO ACCOMPANIMENT Poem by LONGFELLOW 3 High in B Medium in G 60 Cents net NEW YORK : G. SCHIRMER BOSTON : THE BOSTON MUSIC CO. Serenade (Good-night! good-night, beloved I) ETHEVLBERT LNEVIN VOICE ' Moderate can Good-night! good — night,be—‘ sempre 1’ r. watch 0’er thee . To be near A thee, ___. /" dolce. lone is...
Show moreMUSIC UBRARY VASSAR COLLEGE POUGNW:'.'.-5*E. NEW vomt ””’*-rr £33 ETHELBERT NEVIN “®uniJ=3RigI)t, @uuiJ=3B1'gI)t, Jfieluheh!” SERENADE FOR A SOLO VOICE VVITH PIANO ACCOMPANIMENT Poem by LONGFELLOW 3 High in B Medium in G 60 Cents net NEW YORK : G. SCHIRMER BOSTON : THE BOSTON MUSIC CO. Serenade (Good-night! good-night, beloved I) ETHEVLBERT LNEVIN VOICE ' Moderate can Good-night! good — night,be—‘ sempre 1’ r. watch 0’er thee . To be near A thee, ___. /" dolce. lone is ~ peace . for me." Good- night! good - fi0c"'0 ril. (70[7_y7'1'g/It, 1884’, by G. S('II7'rme7' Copyright Renewed, 1.912, by Mrs. Etlzelbert Nevin watch o’er thee, _ To. be near for Good night. Thine eyes ' stars of morn 52‘ e sernpre 1; Sflilkid peddle. crim — son flow ' Good night! G00d._ count the wear - a1'e__. stars of morn U Good night! Good... night he — lov - ed, While_. I ' rit. count ’the wea - ry hours. Good A night. At taper-time Evening b If flowers could speak Leaves Morning Mother dear Priere d’arnour Speak to rnel TWO little stars What is a kiss? by SONGS Two Little Stars Modem“) Mana Zuccn Op [1 (mm the gold-an num.her. Came to earth upon a s : Sfayed there 1 . dream (n — ly s|um.ber. And he . wll - dered by the mom - 1 lng light. qpyngs-, m7. 4, a .sm.+.,.u Price, 60 cemfx, mt Speak to me! Sprich zu mir‘! Engmn and German word: by Ben Ahheimev Moderate con espreasionc Voice Speak Sp:-ich That my sweet voxca . Dass del nu Sum me zu so clean’ pen klingz Each word from pure hps Jed‘ Wort Von del-nen Lip To Capyright. 1317, by 0 Sclhrmer may reach my ear mlr drlngl Price, 60 -cents, mi Mann zum Op )!.No - » E“g'“"‘ "°"‘°“ by r. Th. Baker Allegro ‘'0 m’ Voice 11: mix” lell me (rue,w1:at is sag‘ mlr ‘null, was oes lhro’ em 3 chosunge if you do not know yourself, wenn du das nichv fiih- len kannsgzu What is a Kiss? Was ist ein K_uss? (Krusu) n kfss? is! ein Kuss, Du aapyirght, M7, by a.'sm'mu- _0_THER WORKS net Song C0//ectiorz A child’s day in boards song FM Duet Tendres aveux _75 (Soprano and baritonz) Pzkmo S0/0 Fugato humoresque .75 (On the theme of Dixie) Scene de ballet .50 Valse brillante .75 M“. luoon op. 1e,No.1 Price, 60 centy, net 3 East 43d Street T 274 Thematic list of new mug: rent on request, New York
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Title
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Brook and Wave, The, The Brook and The Wave
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Date
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1899
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Text
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MUSIC uunnv VASSAR COLLEGE poucuxcswsuz. New You Robin Goodfellow. . ......................... .. .50 Only a Ribbon. .................................. .. .40 Dear Little Baretoes. .................... 77 .35 AWidow Bird T .35 The Brook andfrhe Wave ........ A0 GARTHUR P.§cHJ~11D'r. BOSTON. LEIPZIG. NEW YORK. I46 Boylston St. I36 Fifth Ave. C‘o,ay/V;/)2/flfilzy/1rt/vur /2 Schmidt. The Brook and the Wave. (pm 52405 Uzvp DIE WOGE.) H. W. LONGFELLOW. Germzm by HANS BERZVIIOFE CHARLES P. SCOTT...
Show moreMUSIC uunnv VASSAR COLLEGE poucuxcswsuz. New You Robin Goodfellow. . ......................... .. .50 Only a Ribbon. .................................. .. .40 Dear Little Baretoes. .................... 77 .35 AWidow Bird T .35 The Brook andfrhe Wave ........ A0 GARTHUR P.§cHJ~11D'r. BOSTON. LEIPZIG. NEW YORK. I46 Boylston St. I36 Fifth Ave. C‘o,ay/V;/)2/flfilzy/1rt/vur /2 Schmidt. The Brook and the Wave. (pm 52405 Uzvp DIE WOGE.) H. W. LONGFELLOW. Germzm by HANS BERZVIIOFE CHARLES P. SCOTT. Moderato sostenuto. mp The Es sang the bard old, Bd'0/e-[em mm Berg’ hold, A-. P. S. 4902-4 Copyright 1899 by ARTHUR P. SCHMIDT. Run - _ - ning with feet._ of Das tr2'p—pe/I ml‘! 821- ber- men - ver the sands of Sand 7z>2'e aus law‘. (:72 em the bri - - ny der wiit/z— en — den ‘S13 M; There rolled_____.__ a tur - bu-1ent Daren H132’ . mat/z das 7725170/at- 2' - ge ‘Sin. A.P.S. 4902-4 A.P.S.4902-4 ‘Sin. Now sing- g a - long An der K223- ie bald brecla — end Now how1_1ng a — long Bald lzeul- end an I11}/a— Zen ff etc . Though So they A.P.S. 4902-4 /A f10wedj__._ wee)‘ f illed mil’/2/t tur- bu - W?)—ge so far... a _ die Fern auciz ge _ with 85?:/L ts 2'72 and tier fresh — ness Lie _ be i} lent, bit - _ ter heart! part,’ trenm‘, -sweet _ IV; _ _ ness ge______. 771.8. 1 mm an- ders 377:}; name‘! ‘— ce)........... Moorish Love Song. Dmin. (a-—e) . . The Swallow Song. Eb (bb—f) . Tell her so. G (d#—g) . . . Bruno Oscar Klein. Q. I7. lngeborg’s Lament. Concert Aria. English version by F. W. Bancroft. Mez. Sop. Cmin. (c—a) Op. 42. Five Songs for Baritone or Contralto: No. 1. The Moon shines through the Forest Green. E (b—f$S) . . . No. 2. Trooper’s Morning Song. Emin. eb——f . . . . . . . . . . . No. 3. The Sgreet May Night with Dusky ‘ Pall. G (c#—e) No.4. At Twilight. F (e—e) . . . . No.5. Serenade (When at Evening). Fmin. (c—eb) . . . . . . . . . Margaret Rnthven Lang. Eros. G (d—g) . . Oh what comes over the Sea? Amin. (e—f) My Lad Jacqueminot. Bb (f—g) . Ojala. it (f#—f3) . Nameless Pain. G (e-g) . . . . . Ghosts. Ab (f— . . . . . . . ln the Twilight. E (g—e) . . . . Song of the rival Maid. D (f#—-g) . . . Meg Merriles. Gmin. (d—g) . . In 8. Garden. (d—f) . . . . . Deserted. E (e—f¥) . A Spring Song. Emin (e—f#) . . Op. 6. Three Songs for low voice. Chinese Song. Emin. cil——e) . A Bedtime Song. E ( —d$i). . Lament. D (d——d) . . . . . . . Op. '1. Three Songs of the Night. Night. B(dt—g. . . . . . . . . Slumber Song. (d#— . . . . . The Harbor of Dreams. E (d#—-fi) . Three Songs of the East. Oriental Serenade. Medium voice. Emin.(c—f#). . . . . . . . . Christmas Lullaby. Medium voice. Fmin. (d——e) A Poet gazes on the Moon. Low voice. Cmin. (c—eb). . . . . . . . . Four Songs. Heliotrope. High voice. F (eb—g). Spinning Song. High voice. D (d—f#) The Sky-Ship. Medium voice. Ab (db—f) Betrayed. High voice. Amin. (e—a) 1!. Elliot I-nth. Love’s Courier. Eb (d—f). . . . . . D 8- — Emin. (b——f). Fmin. (c—-g) . . . W. P. P. Longfellow. '0 that we two were Maying (Violin obligate). Cmin. (c-—{). . . E. A. Mao Dovell. . Op. 34 No.1. Menie. Dmin. (d-——f) . . . No.2. My Jean. A3e—e). . . . E ition Schmidt net. 1!. R. llaofarlane. Sway to and fro’. F (f or gt-—d) . . . . E. P. Header. Sweetheart sigh no more. E (b—f#) The Robin. Gr (d—g) Soft and gently through my soul. E (dit--ft) Geo. 3. Kevin. The Boatswain Bold. Bar. or Bass. D (a-—d) Eomer A. Norris. Cradle Song (Rock-a-bye Babie). Ab (c--c) Once in royal David’s City. Christmas. Db (db—eb)...... . . . . . .. Supplicfiticzn (O61 Father, Thou dost hear us). b John Knowles Paine. Op. 40 No. 1. A bird upon a rosy bough. B(d—g No.2. A farewell. G (d——e) . . . J’. 0. ID. Parker. Ieleetionr from the Oratorio of St. John. No. 1. Eye hath not seen. Contralto. F E-d)............ IQJ Otlntilmightv Sop. C(c--b) oeyoooeoo. Hi_fh <3 ‘ E. W. Parker. Slumber Song. Ab (eb—~eb) . . Wedding Song. Bb (c—~eb) . Goldilocks. E (d#——-fie’) . . . . . . Op. 14 No.1. Love’s Chase. A (e—-gt . . No. 2. Night Piece to Julia. Eb (d—-g) No. 3.‘ Orsames’ Song. D (d—e). . Tllere is a land of pure delight. Sacred- Gb (c—eb Rest. Sacred. Gb (db-fb) P. A. Porter. Op. 8. True Love. Db (eb—gb) . 0 Memory. G (d—-e) . . . . . . . Love’s Touch. Bb min. (f—-gb) . . In May. Db (f—gb) . . . . . . . . Earth in heavenly rest. F g—f) . The Answered Prayer. G ( ——e). . Seven times four. —g . . . . . . . Slumber and rest thee. Sop. Violion obli- gato. D (b—~e) . . . . . . . . . . Martin Roeder. Shall we roam, my Love. C (d—g) . . . Unspoken. D (e—i’£$) . . To the Night. Bb (d—eb) . . . Love’s Strivings. Gb (db—eb) . . . . . . My spirit is of pensive mood. Eb (c-—-f or g) Op. 59. Four Songs. No. 1. Dost thou know? Eb (e—f) No.2. Warning, Eb (eb—f or g) . No.3. Confession. C (c#——t‘ or g) . No.4. Cupid’s Song. F (f—~t). . . 7 Mrs. Emily 3. Roelofson. Christmas Lullaby. Cmin. (c—eb) . . . . Op. 16 No. 1. The Sands 0’ Dee. (1; er) No.2. . F (e—e) . . . No.3. As through the land. Fmin. c—- . . . . . . . . . . No. 4. I leaned out of the Window. Amin. (e—e) . . . . . . . No. 5. From the close shut Window. Cmin. (c——f) No.6. Carpe Diem. Eb (eb—eb) . No. 7. 0 heart, my heart. G (d~g) A. Rotoli. Eveningdliest. Sacred. Sop. or Ten. in G ( —g) . . . . . . . . . . . . . . — Mez. Sop. or Bar. in F (c—f) . . . . — Cont or Bass. D (a—d) . . . . . . . Our King. Sacred. Sop. or Ten. F (f—g) . —- Mez. Sop. or Bar. D (d——e). . . . . —-— Cont. or Bass. 0 (c—d) . . . . . . P. Rudolphsen. Break, break. F (f—g). . . . . . Chas. Salaman. Of thee I fondly dream. Db (c—gb) Jan Saxe. Look down. Bb (d—g) . . . . . . Bird’s Love. F (d—f) . . . . . , At the window. Eb (e8—-g) . . . . I-. 1'... Soalfe. Beyond all lights. A (e--ft). . . . . Exultation. Db (eb—ab). . . . . . . Sidney Seymour. . Only a Song. C (ft or b—e). . My Love is gone. D min. (f-g) No. ‘. At my feet. Eb (ab or c——eb). No. .Her King. F (c—-g) . . . . No. . Over the Mountains. D ((1-1 0 Op. 42 No. No. Wilson G. Smith. 1. Shadow Song. A (b-—a_) . . 2. 0 Beauteous Maiden, Whither? G (d--a) Op. 22 No. 1. My Bonny Lass, Marie. geb——g) No. 2. radio Song. C (d—f) . . . Templeton Strong. Op. 10 No. No. Op. 38. Three Songs, No. 1. Shall I smile or guileful glance. G (e—d) No. 2. Come, Ah come, my life’s de- light. Eb (eb—f) No. 3. Philon (While that the Sun) E(d#—-t').. a__e -._..1->2. . ~. Eeliimidt, Arthur W. Thayer. Clover Blossoms. Sop. or Ten. Db (db—€ or ab) . . . . . . . . . . . . . —- Alto or Bar. Bb b—-d orf) . . . . Supplication. Sop. or en. E (e-—g#) . ——- Alto or Bar. Bb (bb—d) . . . . . My Love. Sop. or Ten. Eb (I-—-ab) . . — Alto or Bar. Bb (c—-eb) . . . . . The Helmsman. Alto or Bar. Cmin. (c—d) The red, red rose. Alto or Baritone. Bb (bb—~d) . . . . . . . . . Break. break, break. Db (g-—eb). . Somebody. Mez. Sop. Amin. (e——f) . Pictures in the sky F (c——»f) . . . The Winds are hushed. Db (db—-ab) . I know not where. Sop. Eb (d—g) . — Alto. Bb (a—d.) The quiet moon upon the clouds. Gmiu. o e a 1. ‘*3 Only a Song. Db (db—-nab) . The Milkmaid. Bb (f—f) . - . . . My Swete Swetyng. Eb (bb—-ob) . . Beware. A (c d ’ . . Go, hold white Roses. E (e--3) .. Good Night. Db (eb-—ab) . . . Chan. 8. Tinney. Art thou Weary. F (c-f) Bird of the Wilderness. F (e—f or g) . . By the Sea. Contr. or Bar. Eb (bb—eb) . The Keeper of the Keys. Bass. C (c-—c). Peace 1 leave with you. Sacred. A (e-gb) Rock of ages. Sop. Fmin. (c—f) . . . . — Cont. Drnin. (a——d . . . . . . . . . Vain Quest. Cont. or at. E (b—-c#——o . The time I’ve lost in wooing. Eb (bb—ebg Gustavus Tuckerman. O! that we two were maying. C (dlt-gi) . The Windmill. Bass. Bbmin. (f-—eb). . . Vlnoenzo Vanninl. The Floweret (Il Fiore). G (03-13 or g) . Malinconia. Eb eb——~f) 0! were I blesse (S’io fossi un Angelo). Eb (lxb-eb) . . . . . . . . . . . . . Thee will I love. (Io t’amero). Ab (eb--1) Osoar Well. Op. 10 No. 1. Iéimiflitiggin ()Herbstfriihli.ng). 1 . —g . . . . . . . No. 2. %'pr(i(x11 gong (Friihlingslied). The same with Vihlin obliglatflo: : I I I I Op. 11 No. 1. Yl_Vl(11tS.n tlga ((lél.y its) done (Abend- e . —— . . . . . . No. 2. Devotion (Die helle Sonne scheint). A (e-g) . . . . No.3. Fatrevyell (Ahschied). Amin. e — 3 No. 4. Autumn Blossoms (Die Nach- knospen). Bb (f——a). . . . No.5. Ave Maria. C (e—g) . . . Arthur Weld. When the sere leaves fall. F (c——c) . . . Flowereé boyn in the Hedge row shade. Bb By the Brook’s side. Amin. (e—f). . . . Attraction. C (e—e) . . . . . . . . . . All things to-day. F (fhf) . . . . . . . Six Songs to Words by Rennell Rodd: No. 1. To-—. Eb (bb—eb). . . . . . 2. Lyric. D (e—e) 3. The Daisy. G (d—g) . . . . 4. The Sea Swallows. D (d—eb) . 5. Vain Dreams. Eb (eb—f). . . 6. Love’s Reproach. Emin. (e—e V Mary E. Wood. Heart's ease. F . . . . . . . . . A Wild Rose. Gb (e—gb). . . . . A Souvenir. Cmin. (c—eb) . . . . Blossoms. ~D (d-—f#) . . . . . . . B. E. Woolf. Courtship. G (c—d) How many times do I love. Eb (eb—eb) . Margery Daw. A (e——f#) . . . . . . . . My Own. E (e—-gt) . . . What would you buy? Ab (g—ab) . . . . That sweet day in June. Eb (f——g) . . . The turn of the Tide. D (a-—-d). .. . - SS '58 Si 888388888 E'§§'e§25‘o"E 3388833
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Title
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Beware
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Date
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1908
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Text
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MUSIC uammv VASSAR COLLEGE L POUGHKIIEPSIE. new YORK @©)lN BY Em :2 3? ; * V V \_/ /|\ B EWA R E , (A DAINTY ENCORE sou c; . AN EASTER WISH, ............................................ .. . ............................................ TH E B ORDERLAN 0 ,( maze TH E B OR DERLAN D, (wnm vnoun oaucno). M.D. SWISHER. PHlLA.,F'A., SELLING AGENT To ./Ilrne. James 0. /1003, TRY THIS OVER ON YOUR PIANO. AN EASTER WISH. Words by EVA V HE TH. ERNEST LENT Andante con espressione N p _ Theworld is...
Show moreMUSIC uammv VASSAR COLLEGE L POUGHKIIEPSIE. new YORK @©)lN BY Em :2 3? ; * V V \_/ /|\ B EWA R E , (A DAINTY ENCORE sou c; . AN EASTER WISH, ............................................ .. . ............................................ TH E B ORDERLAN 0 ,( maze TH E B OR DERLAN D, (wnm vnoun oaucno). M.D. SWISHER. PHlLA.,F'A., SELLING AGENT To ./Ilrne. James 0. /1003, TRY THIS OVER ON YOUR PIANO. AN EASTER WISH. Words by EVA V HE TH. ERNEST LENT Andante con espressione N p _ Theworld is fair at Ea,s—ter — tide, A sunkissed and wide, With Eas-ter lil -‘ ies fresh -ly bloom—‘ing, 3 Sweet — ly all the air per-fum-ing; I hope ‘rheybloomfor y0u._ f .07‘?-5'0. . T Cop;/7-z‘g/at‘ ./11017117111 by The Columbia ./Iluszv Pubo 6’a.,Inc.,WZzs}Lz‘7zgt072,fl 6'. International Copyright To Mz'.9s Fra72cr:.s~ca Kaspar. BEWARE. Wmds by ERNEST LENTV. HENRY WADSWORTH LONGFELLOWV. With animation maid - en fair , * Take care! and friend-ly be, Be - ware! Cop;/rig/at /116’./IIVIII 53/ Tile €olum6z'a Zllusic Pub. 00., Inc.,W'z.s‘/u'ngton,D. 6'. International Copyright A/1.2000 rit. /5 “tempo Trust her not,___._____ trust her not, K5 pvoco mi 97' . a tempo _pa7-Zando ing thee! has two eyes, so soft and brown, Take care! She E3; gives a side" glance and then looks down,_.. 17000 775- parlando ,4-\ a tempo Trust her not,__.__:__ trust her not! " fool—ing thee! poo-vo rit. *?f' . And Ishek has hair of a gold-en hue, parlando 1" care! And what she says, it is not true,Be-ware, be - ware! Beware _ 3 HIGH CLASS SONGS To Nu: tum um» and mu nu lad-nun THE BORDER LAND I w.'.‘ ‘y Sum! Snug fin Snpmuu or Tenar \\'II.1.un rlmumu JOHNSON annssr mam‘ Moderato- Andante sostenuto Wotdnty [EDDIE LPKBRSON. lulu by WILL ‘I’. PlEIISON.jr. V at pdobo when an blnvou noonvuuhlmlag, On an An.;uI night, I'll. rylla.pu man upnuiou won I puhyny, All of gold .0: light nu-light 0! out] av - at then In nu glo-ry, Nu uturliglt no waned Ir. 1 - Vollodvlthln chair than, SI.ny'dfn.nhoIv'n| “Lila tenant-ly calm, As the sen you-dot country [or - ov- er holds glow-lng,WLen o ‘in. 0 6-n-nu Icnn 1-.nom.,:y.A cu ..Iuun.m.n.e. m ,3, . Coryrqll tnnfihnvl nu co:-uh lute no.I:oJ~:puMu¢n.:.c. * a.'f,.g,u .vc.vvm ». m mm»... mm IIO.6‘A,flIL, n.n..m-., n 0. htcnulond Cvyyrlglu All Worthy A Place In Your Repertoire. in nu Iragaug ;v..,.,, r. In. J.-u or. Inn. BEWARE. AN EASTER WI SH. Wall: by nun’ wusworrn Lonanuow. “"55” “H E Worth by IVA V. BETH: ERNEST LENT With animation Andante con espressionc ...=—_— 1’ Theworld In hir at Eu-tar - tide, A nnkinevl ho‘ ' 'M”‘” ‘II - den In um! wllo, Will In-In Iil - ion ll-uh-ly bloom-Ins. hMh_ “ho ”‘".“d_ly ,,e_ 3._,,,,°g Iy ml! the -iv per-hm-lug; I hope Iheybhmnlnr you... I 0773. fuyyngll I01 VIII 0] fl: Can: and Hunt ‘Ill. £‘i., Ine.,l6lAin(ln,lA C . ‘ . to”-qu mural 5, In. cu.-m 11...: Put. z~a.,1-.e.,wuAv~«:aa,Aa llhrlllionnl Co" lulu:-lion! c-"ugh Order of your dealer or send direct to publishers ‘run COLUMBIA MUSIC PUB. co , lNC.. Washington, D. c.
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Title
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Stars of the Summer Night
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Date
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n.d.
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Text
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MUSIC LIBRARY VASSAR COLLEGE PoUGHK£EPs:E. new YORK . [F4 - R .\ ‘V \_, 3 J EA‘ THE LA‘/ST SONG T \ 7/ \ / ""_’f" ADA]? TE D»TO T / *\ /L/if /Z/17/ /5//[fl 1. THE ANEELE. T /mm/5 2. THE rm. I///Z7./.‘Z.s’..r/*, 3. Mnnmsn SERENADE, TT mm. ‘ rnamme w1nuN:.A:N.;7/,r/;p//z 5. ADIELI 1u5[flTLAND../.’//z/f/‘fl/i¢7z///f , 6. IL auamizn. //2//gm 1. un vmnm run. T flz/z’ /am;//I I 5. T T /‘7fl/Z7/3/’flfl/Q7, EANDRE 3([H.11(‘n4TL:m.~a-..ui st: ’ FG_B_E[_[3NSvigjfiliti/D>EP_1]T. //77///2/////2...
Show moreMUSIC LIBRARY VASSAR COLLEGE PoUGHK£EPs:E. new YORK . [F4 - R .\ ‘V \_, 3 J EA‘ THE LA‘/ST SONG T \ 7/ \ / ""_’f" ADA]? TE D»TO T / *\ /L/if /Z/17/ /5//[fl 1. THE ANEELE. T /mm/5 2. THE rm. I///Z7./.‘Z.s’..r/*, 3. Mnnmsn SERENADE, TT mm. ‘ rnamme w1nuN:.A:N.;7/,r/;p//z 5. ADIELI 1u5[flTLAND../.’//z/f/‘fl/i¢7z///f , 6. IL auamizn. //2//gm 1. un vmnm run. T flz/z’ /am;//I I 5. T T /‘7fl/Z7/3/’flfl/Q7, EANDRE 3([H.11(‘n4TL:m.~a-..ui st: ’ FG_B_E[_[3NSvigjfiliti/D>EP_1]T. //77///2/////2'//////fW£i[/57/WI ..«"/T/'1'" /[///fc§’.f:.71/ /'/3'7///1/'7//,7//T .i///;///I/T /1//57/[/34-.v"flI57,>%¢{ /1-’}’r7/I51?/5’fl /, FOOTSTEPS OF ANGELS. \\'<.)1'd,< by L(T}NG}<‘}‘ILl;0‘W.* Music by CARL MARIA 4\-'.?\HCBTl*IR. $6 By [dud pe['I.L1i.\‘sion of . .\/lessrs: Trit-knor &C,0.. Amlumv G1-aiioso. .,VVheu the PIANO FORTE." " con es n- r’ f V‘ yare numbe (1, And the voices of the night, Waketl19\ bet ..--_t91' soul that _slun1be1"d - hn_l} <-al111du__,lia:l1t;_ Ere-_t 9 n-;-_/ e~V.‘______nin<.'; lzunp.» are lia;l1t-___ed, S11Hd(‘<)V\> Angl like phan_____tumsu1'imand tall, , p.at'lante. 3 temp“ the fit_['ul fire _ _.li:ht Dzmce up_<m the palflour. wall; Then the ma e,~‘pressim1e. .fon.11s nf th:(le pa1’t._,--ed‘ Enter at the .o-pe11 dour, [\ rita rd: > 10 ________ __\ed the true hom‘t_cs.|. (folno tn \i-__.<n m-;- 0ll(.‘L‘ inure. I Fm‘-!x1v-3-.~' vi" \n<."r1~‘. G.A.l1€0. He the * " I and st1'om_: who _+_ TA_.___M-___._.,. (’-he-____1'i.~sh’d Noble lm_:uJ'u=_-s for i“-:’1e ;~,‘n’}i‘e, Brthv !'<’-2:('i_;~;Mt* fellalui ‘Wea--1'} ssith the E1»-1-=‘x»>;»< ~ GU‘. mo. ‘Z ones, and \\ea1s__1_y, V\h<_>tl1e vms.~+ of ,.auffi'jug bore, pa1'1zm1,e . d,'L'1'rL_- their, pale hands so .lll€'9}<Jy, spake with on earth no more. .1 espressioue. théul .Who cm .to my the B9:_ing Beaufe u us, life was giv’ 11 Mfitalx : thiufis elsu to low F(m1~tr'}I.! (rf ;\(x'_-‘4.‘!.<, G.A{-180. Folded a tempo. And with more than he-av’n Foot _ ._step, .. side Fm-txl-'p°‘ of‘ A&‘A“='>‘)]SI (lxI:s>i l'r'f‘il:1li\'(). un p(;('() pin l;tI‘j.',<v. With a sin w and noiseless > > J 101,) 'l'akeStlw vm-ant «mm be- ()o1ne.a‘ that 111e,~‘.sse11ge1' di___\ine,A Lays her g-en__t1e hand in’ mine. -4- -r 4' G.A.180. and g:1_z«,-s at me \\'ilhlliu.se deep tc1i_(lt+:‘ pawlzuite. Like the stars, so still and saint _ __ like, liunkim; a tempo \ duwu__i__i_.~ V\'dl"(l the skies. Ut_-1e1"‘d uni, -he1id _ __- ed 15 the Sp'1'_ i'it§ V'0i(:eless pi'ay’1', b'00ts1ups of Angels. G.A.180. in l>le.~‘.~E1r_‘s 1-nd---_u<l Breatl1iu_s: fruln Pin lmrgo. 0, thnusglx oft... . . . . dt-p1'ess’d and lone ......I_;, my fears are laid ,a--_ side, re _ member on _------- ly Suvh as tlwse hme 1iv’d and died. null?
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Title
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Songs of Love and Youth:
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Description
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Songs listed on cover include: "Love! What wilt thou with this heart of mine?" ; "A Birthday" ; and "Hence away! Begone."
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Date
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1919
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Text
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Music LHBRARV VA3$fiR CQLLEQE Pouauntzavszt, um YORK MEDIUM VOICE T HIGH VOICE SONGS OF LOVE ANDYOUTH LONGFE LLOW AND CHRISTINA R0 SSETTI The Z‘/XI:1‘sic byO WILLIE B.MANsoN. “LOVE! WHAT WILT THOU WITH THIS HEART or: MINE‘! ‘ A 1=_=m'=2THt:>Av. ‘ HENCE1, AWAY! BEGONE! PR1 CE3/6 NET BOOSEY & C5, 295, REGENT STREET, LONDON.W. 9,EAST 177v STREET. AND 228.YONGE STREET. NEW YORK. TORONTO. ' THESE SONGSOMAY BE SUNG IN PUBL|C WITHOUT FEE OR LICENSE. . THE PUBLIC PERFORMANCE OF ANY...
Show moreMusic LHBRARV VA3$fiR CQLLEQE Pouauntzavszt, um YORK MEDIUM VOICE T HIGH VOICE SONGS OF LOVE ANDYOUTH LONGFE LLOW AND CHRISTINA R0 SSETTI The Z‘/XI:1‘sic byO WILLIE B.MANsoN. “LOVE! WHAT WILT THOU WITH THIS HEART or: MINE‘! ‘ A 1=_=m'=2THt:>Av. ‘ HENCE1, AWAY! BEGONE! PR1 CE3/6 NET BOOSEY & C5, 295, REGENT STREET, LONDON.W. 9,EAST 177v STREET. AND 228.YONGE STREET. NEW YORK. TORONTO. ' THESE SONGSOMAY BE SUNG IN PUBL|C WITHOUT FEE OR LICENSE. . THE PUBLIC PERFORMANCE OF ANY PARODIED VERSlONS.HOWEVER.»|S STRICTLY PROHIBITED. ' COP\/R.ICvHT 191.9 BY BOOSEY 8<C<? MEDIUM VOICE HIGH VOICE SONGS OF LOVE ANDYOUTH THE POEMS BY LONGFE LLOW AND CHRISTINA ROSSETTI The MIISIC by WILLIE B.MANsoN. LOVE‘. WHAT WILT THOU WITH THTS HEART OF MINE’! A BIRTHDAY. HENCE,AWAY! BEG-ONE‘. PR1 cE_3/6 N ET BOOSEY & (<2 295, REGENT STREET, LONDON.W. 3.EAST |7"."’.‘ STREET. AND 229.YONGE STREET. NEW YORK. TORONTO. THESE SONGS MAY BE SUNG IN PUBLIC W|THOUT FEE OR LICENSE. THE PUBLIC PERFORMANCE OF ANY PARODIED VERSION$.HOWEVER.|S STRICTLY PROHIBITED. COPYRPGHT l9|9 BY BOOSEY 8c C? LOVE, WHAT WILT THOU WITH THIS HEART OF MINE? Love, love, what wilt thou with this heart of mine? Nought see I fixed or sure in thee! I do not know thee; nor what deeds are thine: Love, love, What wilt thou with this heart of mine? Nought see I fixed or sure in thee! Shall I be mute, or vows with prayers combine? Ye who are blessed in loving, tell it me: Love, love, what wilt thou with this heart of mine? Nought see I permanent or sure in thee! LONGFELLOW. (Translated from Froissard). I I Love! what wilt thou with this heart of mine? Poetry by Music by LONGFELLOW. WILLIE B. MANSON. Andante. C072 molzfo es ressz'o7ze. /73 Love, love, what wilt thou with this heart of mine‘? 11 sempre legato. \‘T Nought see I- fixed Copyright 1919 by Boosey 6% C9 do not know thee, I do not know f ma dolce Love, love, f sempre legato. Love! what wilt than with this heart of mine. nor What deeds are thlne, ......... .. \—4 nor What deeds wilt thou are thine: with this heart of mine? PP Nought see I fixed Love! what wilt than with this heart of mine. esfress. dim. pray’rs com-bine ? ............... .. ajfijfiassimzato. gccel. Ye who are bless’d in 1ov—ing, tell it me,’ /‘T /'\ calla wow. 1, cantabzle./\ ij” /'3‘\. Ye who are bless’d in lov—ing, tell it 3 ..—. T9. )0 dolce. > ,/35$ Tempo I. Love, love, What wilt thou with this heart of mine? 1’ Tempo I. Love! what wilt thou with this heart of mine. per - ma-nent or sure per — ma—nent, canbile. per- ma — nent or /T calando. —__ T Love! what wilt thou with this heart of mine. A BIRTHDAY. My heart is like a singing bird g Whose nest is in a water’d shoot: My heart is like an apple-tree Whose boughs are bent with thick—set fruit; My heart is like a rainbow shell That paddles in a halcyon sea‘; And all because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it with cloves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver f leur-de-lys; And all because my love is come to me. CHRISTINA ROSSETTI. (By kind permission of Messrs. Macmillan if C?) Birthflay. Poetry adapted from . Music by CHRISTINA ROSSETTI. ‘ VVILLIE B. MANSON. Allegro Vivace. sing ~ ii1g........ Copyright 1.91.9 by Boosey & C9 ’ . .2 -.-,..4. «...,..‘\. ; T I 1 1‘ J L‘ if i ‘\ thick - set A Birthday. P a tempo. A Birthday- Hang it with Vair ......... \. and it with doves pome - gran — ates, hundred eyes; ....................... .. A Birthday. pp dolce. Work it in gold and ' leaves and sil - _ ver fleur - my love f a tem]5o. A Birthday. HENCE AWAY! BEGONE“ Hence away, begone, begone, Carking care and melancholy! Think ye thus to govern me All my life long, as ye have done? That shall ye not. I promise ye: Reason shall have the mastery. So hence away, begone, begone, Carking care and. melancholy! If ever ye return this way, With your mournful company, A curse be on ye, and the day That brings ye rnoping back to me! Hence away, begone, I say, Carking care and melancholy! LONGFELLOW. (Translated from The Duke of Orleans). Hence away! Begone. Poetry by Music by . LONGFELLOW. WILLIE B. MANSON. (Translatedfrom The Duke of Orlcavu) Allegro non troppo. Voice. f can brio e sempre 72072 legato. > > f C072 brio. Hence a - Way, {J > Cark - ing care and me —1an-cho—ly! > Copyright 1919 by Boosey :6 C2 mf gov— ern me Think ye thus f All my life long, as ye have done? /T mf That shall ye not, I prom-ise ye: Hence away? Begone. _ Rea — son shall have the f So hence a-way, be — gone, V be-gone, Cark—ing care and me - lan - cho — ly ! Hence away! Begone. pom meno meno. cresc. ev - er ye poco memo meno. H p cresc. - ful With your mourn - .ff> curse be on ye, and the day Hence away! Begone. turn this‘ Way, COII1 That brings ye mo—ping back to me! accel. V ff semjfire. - ‘T allargazzdo. ff Tempo I. Hence a — way, Hence away! Begone. b H- 9735' Cark-ing care and me -lan-cho-ly, $ Cark-ing care, be - gone! /3\ colla z/oce. allarg. Hence away! Begone. VOLUMES OF songs BY EMINENT COMPOSERS. .1‘ v H U B E RT BATH . THREE INDIAN SONGS. F0?‘ High 07' Low Voiw " - Price of each Edition. 3s. 6d. net. HELENA M. BLAN D. FOUR SONGS OF FAI RY LAN D. WOWIS by HELEN TAYLOR‘ F0?‘ High or Low Voice. *- Price of each Edition, 43. net. CHAS. WAKEFIELD CADMAN. FOUR AMERICAN INDIAN SONGS Words by NELLE RICHMOND EBEREART. For High or Low Voice. Price of each Edition, .55. net. ERIC COATES. FOU R OLD ENGLISH SONGS. The Poems by SHAKESPEARE- Fcvr High, Medium or Low Voice. Band Parts may be had. S. COLERIDGE-TAYLOR. FIVE FAIRY BALLADS, ywords by KATHLEEN EASMDN. For ‘High _ or Low Voice. Price of each Edition, 5s. 6d. net. Full Score and Band Parts may be had. EDWARD ELGAR. SEA PICTURES, Cycle of Five Songs for Contmlto. The 'V‘vords by Mrs. BROWNING, The HON. RODEN NOEL, and others. sung by Madame CLARA BUTT. (Three EditioI1s——-English, French, and German.) . Price 55. 6d. each net. Full Score and Band Parts may be had. A LIV! A G O ETZ . FOUR SONGS FROM “ THE GARDEN OF KAMA.” by LAURENCE HOPE. For High or Low Voice. Price of each Edition, «is. net. HAMILTON HARTY. THREE TRADITIONAL ULSTER AIRS. MACCATHMHAOIL. For High or Low Voice. ’ . Price of each Edition, 35. 6d. net. HERBERT HUGHES. I IRISH COUNTRY SONGS. (2Vo1s.l FREDERICK KEEL. ELIZABETHAN LOVE SONGS (5966 1- and II») ’ Price of each set, is net, Paper Cover. Words by SE05.-‘IMH 5s. etch, net. Also in Limp Cover, Gilt. Ts net, and Limp French Morocco, Gilt, 105. 6d. net. Two Editions of Set II. for High and Low Voices. LIZA LEH MAN N . F NINE FAVOURITE SOPRANO SONGS. For Medium or High Voice. Price of each Edition, 5s. net. B|RD..SQN(.-‘.3, Words by A.S. For Mezzo-Sqprwno or Sop‘r'a.nr;. Price of each Edition, 4s. 5d. net. TH E LI FE OF A ROSE, 51. group of S_6'IE‘-l1V:ShO.l‘I3 Songs. Words and Music by LIZA LEKMANN. For Medium cw High I/owe. ' * ’ Price of each Edition. 4s. 6d. net " THE DAISY OHAAIN " arid“ MORE DAISIES." S0109 M15 Quaaffiefis» Words by R L. SIEVENSON, and others. Price 75. each. net» ALIcIA ADELAIDE NEEDHAIIII. TWELVE HUSH SONGS. The words by EUGENE FI1'lLLI,FF/.N(‘.IS A. FAHY, and Others. Price 73.. Paper Cover; 103. 6:1 Cloth Gilt. HERBERT OLIVER. SONGS OF A VIVANDIERI‘-_. Wordshy E. TES('HZEB'£Al_‘EER. For Low, Medium or High Voice Price of each Edition 43 not . ROGER QUILTER. FOUR SONGS mp’ 14') Em High mI>fi3éwoIf70éi§IecL Edition, 49. not I -,1? HQ] vL.vv'» SEVEN EIJZABETHAN LYRICIE-ice 8:931-LCz1lI€(:IihiO)IlL. not. THREE SHAKESPEARE SONGS. For High. Mediu1IL or Low ‘ Voice. Price of each Edition. 3s. 6d. net. Band Ports may be had WILFRID SAN DERSON. A COFINISH HAUL. Five Songs, words by BERNARD Moons. rice 55. 6d. not. NQQTU RN ES, Words by E. TESCHEMACHER. For Low or Mediuvn Voice ’ Price of each Edition, 45. net. Price of each Edition, 43. net. ' ARTHUR SOIVIERVELL. CYCLE OF SONGS PROM 'FENNYSON‘S “ MAUD." Sung by Mr. PLUHKET GREENE. Price 73 net. Voice Port only, price Is. net. "A SH ROPSHIRE LAD," Song-Cycle from “ A Shropshire LII.d,”_ by A. E. Housman. Sung by Mr. PLUNKET GREENE. Price 5s. 6d. net. CHAS. VILLIERS STAN FORD. AN IRISH IDYLL IN SIX MINIATURES. The WGWE by MOD“ 0’N1:1LL. Sung by Mr. PLUNKET GREENE. For High or Low VoI‘ce.; . Price of each Edition, 5s. net. SONGS OF THE SEA. (5.) Poems by HENRY NEWBOLT, set to Music for Baritone Solo and Chorus, ad. lib.’ Sung by Mr. PLUNKE1‘ ,GltEENE. Pfice 4s net. Chorus only (T,’l‘.B. or -S.A."I,‘.B.), in Old Notation or Tonic Sol-fa, 15. each. . _Full Score and Band Parts may be had.- SONGS OF ERIN. A collection of Fifty Irish Folk-Songs, arranged with words by ALFRED PERCEVAL GRAVES. Price 105. net. SONGS OF OLD IRELAND, A collection of Fifty Irish Melodies. a.rra.nged with words by ALFRED PEBGEVAL Gmxvics. . Price 7s. 6d., Paper Cover; 103. 66., Cloth Gilt. THE IRISH MELODIES or THOMAS MOORE. The 01=i.r.*im1 ' Airs restored and arranged. Price 105. net. FRED. J. WHISHAW. ‘- RUSSIAN SONGS, by Tscnluxowsnv and others, collected and arranged with English words. by FRED J. Wnxsruw. Three Volumes, price 3s. 6d. each not. CHAS. WILLEBY. * B O W B E L L 3. Five London Silhouettes. Words by DOIIOTHY DICKINSON. Price «is. net. R. VAUGHAN WILLIAMS. SONGS OF TRAVEL, Words by R, L. SmvENsoN. In Two Pen-ts. Price 35. 60.. each not, H . LAN E W I LSO N . FLORA'S HOLIDAY. . Cycle of Old English Melodies. _Solos and Quartets. « Price 55, net. OLD ENGLISH M ELODIES. restorecl and arranged CHARLES WOOD. Price 59. net _ IRISH FOLK-SONGS. Twenty-five Old Irish Melodies arranged with words by A1.rm~:D PERCEVAL Gums. HAYDN WOO D. THREE SEA SONGS, Words by P. J. I ‘REILLY. Price 38. 6d. net. Band Parts may be had. AMY WOODFORDE-FINDEN. To THE HILLS, Four Eastern Poems by LAURENCE HOPE. . ‘Price 45. not. THE MAGIC CASEMENT, Song Cycle by CHAS. HANSON TOWNE. rice 45. net. THREE LITTLE MEXICAN SONGS. WON’-S by HAROLD SIMPSON. For High or Low Voice. Price of each Edition, 33. 6d, net. Price 55. net. —STARS OF THE— DESERT. FOUR MORE “INDIAN LOV-E LYRICS,” by LAURENCE HOPE. For Low, Medium or High Voice. , , Price of each Edition, 4s. net. A DREAM OF EGYPT, Song Cycle. The words by CHARLES HANSON TOWNE.‘ For High. or Low VoI‘pe. Price Of each Edition, 5s. net. AZI ZA_ Three Oriental Sougs., The words by FREDERICK JOHN FRASER. rice «is. net. THE PAGQIDA OF FI_QwERS_ ABIIII-niasc Story in Song Solos, , Duets, and Chorus. words by Fnnmsmcx JOHN FRASER ' Vocal Score 6s. 6d. net; Chorus only, ls. net. ON JHELUM RIVER. A Kashmiri Love Story. For Soprano and Baritcvne. or Mezzo-Soprcmo and Bass Words by 1_“1_%E‘.D‘E-RICK JOHN ):.‘RAs)'~;fl.. Price of each Edition, 5s 6311.. net, —‘sIx SONGS mom “ON JHELUM RIVER." solo auangemms of the above. For High or Low "Voice. “‘ Price of each Edition, 5s. 6d. not. soon INDIAN LOVE LYRICS. By:-wmmon Ham For High ,-,7 Low V0-icc_ ‘ . Price of each Edition, 45. net. Do, with French words, price 5s. net. A LOVER IN DAMASCUS. Set of Six Songs, the Words by CHARLES HANsO':I Towim. For High or Low Voice. Price of each Edition. 5s. net. FIVE LITTLE JAPANESE SONGS. Words by 0. Hwsou TOWNE. For High or Low Voice. MYRTLES OF DAMASCUS. ‘Set of Five Songs, the Words by CHARLES HANSON ’l‘owNE For High or Low Voice. Price of each Edition, 4s. net. BOOSEY €<»)"’I I.CO., LONDON, NEW YORK AND TORONTO. Price of each Edition, 45. net- 0* New and Standard Piiyanoforte Music. PRICE 2/— EACH NET (rm-cpl, where utlwrwz7se stated). DRAYYING-ROOM PIECES. Pomp and Circumstance, Military Marches ’ No.1inD; No.2inA; No.3inCminor; No.4inG. Prices of each March; Solo, 2/- net; Duet, 2/6:net. Edward Elgar Ah, Willow . . .. .. Arr. by Herbert Fryer False Phillis P Arr. by Herbert Fryer My lovely Celia. . .. - Arr. by Herbert Fryer Phillis has such charming graces .., Arr. by Herbert Fryer Butterflies in the Garden of Roses (Ballet Music, “Va.lentine") N. Lambelet Thistledown (Intermezzo) . _ J. Hennessy Sea. Pieces from the Hebrides. Two Books, 3/6 each, net... 6 . . s M. Kennedy-Fraser Piano Lyrics from the Hebrides. Three Books, 3/6 each, net M. Kennedy-Fraser On Jhelum River. Price 4/- net Amy Woodforde-F/mien Four Indian Love Lyrics. Price 3/6 11 Amy Woodforde-Finden A Lover in Damascus. Price 3/6 net Amy Woodforde-Finden Six Short Pieces. Price 2/6 net Eric Goates National Anthems of the Allies. Price 1/- net . Arr. by Arthur Fagge Three Dances, Gavotte, Eastern Dance, and English Dance. Price 2/6 net Cyril Scott Two Pierrot Pieces, Lento and Allegro .. . Cyril Scott 6“ Killed in Action ” (from Symphony in D minor‘). "iirthur Somervell Etude de Concert, Octave Study Felix Swlnstead Concert Ya.lse in E flat l Arnold Bax Yeomanry Patrol ... W. H. Squire “Yankia.na.,” American Suite. Price 2/6 not T. W. Thurban , PIANOFORTE ARRANGEMENTS /OF‘ ORCHESTRAL WORKS. * , Cockaigne (EDWARD EDGAR), Concert Overture. Solo, 6/6 net; Duet, 8/- net Otto Singer Thunder-bird (Suite). Price 4/- net... . . 0. Wakefield Oadman Three English Dances. Solo, 3/6 net; Duet, 4/- net... Roger Quilter Miniature Suite. Price 3/6 not ' Eric Goates Incidental Music to “ Faust ” (as performed at His Majesty's Theatre). Price 3/6 net... Oolerldge-Tay/or ARRANGEMENTS OF‘ CELEBRATED SONGS. ' I hear you calling me (CHAS. MARSHALL) ' .,. Clarence Lucas Nea-rel‘, my G041. to Thee (Lswxs CAREY) Dixon Dawes The Fairy Pipers « ,, A, Herbert Brewer Arthur Su1liva.n’s Songs, Selection of this Composer’s Popular Songs. Price 2/6 not Arr, by William Henley Stephen Adams’ Songs, Selection of this Composer’s Popular Songs. Price 2/6 not Arr. by William Henley “The'Da.isy~ Chain," and “ More Daisies,” Selection of Favourite Airs from LIZA LEIIMANN’S Celebrated Song Cycles, arranged for Pianoforte. Price 2/6 net . ' Adolf Schmid “Abide with me” A samuel Liddle “Come back to Erin” (CLARIBEL) ..., . ° __ .___ W,/(gym -“ The Flight of Ages” (FREDERICK BEVAN) Ohas. Godfrey, Junr. “The Glea.ner’s Slumber Song” H Richard H, wa/thew “ The Holy City” (smmm ADAMS) . Ones. Godfrey, Junr. “ The Star of Bethlehem” (Srnrumz Amms) Boyton Smith “ The Lost Chord” (ARTHUR SULLIVAN) ,, w, /(uh, DANCE MUSIC. Dorma. Yalse Kenneth Park Queen of the Air Yalse ... Bertram Lestrange Ju—Ja.h Jazz . . Bertram Lestrange Louisana. Yalse W. H. Squire Fleurs clu Printemps Yalse Julian Ktindt Aurora Yalse .. . Julian Kéndt Down the Yale Yalse (on FRANK Mom’s Celebrated Song) ... Ernest Allan Mona. Yalse (on STEPHEN_ ADAMS’ Famous Song) . . ‘ ...J. Llddell Love's Old Sweet Song Yalse (on Monnors Charming Song) .~ . , ...Er-nest Buca/ossi Thine Rlone Waltz, Solo and Due .. Mia Gariuima.'Yelso .. 6. van den Dyck *'. BGGSEY & ($0., ’ 295, REGENT STREET, LONDON, W. 0. East nu: arms:-:'r. new vomt. 229, YONG! omen’, ronouto. -- Josef Meissler
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Title
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Day is Done, The:, The Day is Done:
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Description
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Date
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n.d.
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Z’—~””/ // i T > / /““ ._ T Lani! “**’7 * ‘‘<:~/{i;K<%:7’‘\ \ *\/¢ I _ . 7 \.\\ ' V. V’ _Wy/ 2/ I 4, THE HZ’ :1 (‘A M %( ‘ m at 0 S ‘~‘l*".% ‘D .;\%:\‘;1%) ;1.>1«:1m[ _ ,»~ \ 2* E‘ ax‘ \\ X /I‘ \ ~/ fix T0 ~“ LURD 1.‘ g; 1; I. -_ t I ‘:' ;r& ’ LIE __t x‘t'*fk:=y‘-—.... 2?-— . M B 111 L F E _/2 7226.5?‘/1.127/z//. - A ,. — ~ . /7»/,7-» _'///1’ . ' H ' 7 ,2, ._._1_A< -,..<.m....»««—t~,.Ag-,=w—§, ..._-.»-»e:.__5..,.A ‘-A/3 L O N D 0 N1,...
Show moreZ’—~””/ // i T > / /““ ._ T Lani! “**’7 * ‘‘<:~/{i;K<%:7’‘\ \ *\/¢ I _ . 7 \.\\ ' V. V’ _Wy/ 2/ I 4, THE HZ’ :1 (‘A M %( ‘ m at 0 S ‘~‘l*".% ‘D .;\%:\‘;1%) ;1.>1«:1m[ _ ,»~ \ 2* E‘ ax‘ \\ X /I‘ \ ~/ fix T0 ~“ LURD 1.‘ g; 1; I. -_ t I ‘:' ;r& ’ LIE __t x‘t'*fk:=y‘-—.... 2?-— . M B 111 L F E _/2 7226.5?‘/1.127/z//. - A ,. — ~ . /7»/,7-» _'///1’ . ' H ' 7 ,2, ._._1_A< -,..<.m....»««—t~,.Ag-,=w—§, ..._-.»-»e:.__5..,.A ‘-A/3 L O N D 0 N1, BOOSEY &soNs.28, HOLLES STREET.OXFOR_D STREET. /»"’;,.,,,<v-»ae~‘:..'x{_‘~«.=£¢~;.,~.;~‘-...*‘.'.~ AA? >—n«~%,.A..-‘~..:-a:..3»_\‘,:~_‘)é;-'“_T)-‘r:v<;a.«» < _;, \-.—_»,= » ., .4, ,.- - <- ... ‘~A,,< ‘_», :»,-3' ‘A ~— --IA‘ ‘Q3?-E-‘,-3::-:,‘«<....¢.;w..7-:,. M '73,‘ _'~;:. ..‘ n . — :Cq~ uTHE DAV Is DONE.” Inn POETRY BY’ 1 : v" V THE .MCslC xv" LONGH:LLow.V ’» _ ’ V ’ ‘ ‘ 7 M.w’;,BA_’u<'t{:.-« MODER.-I’F0 JVIOLVTB-.j' _ ’ , ‘ ( VOICE; Tllemduy is (l <)1‘1e_ and the -A.’ (l:L‘l'!\'il(‘\‘S PIANO; iVi§M9° ‘ _\\_,/ 4 V A ” ' ‘ Fall x_- _.f'run1 the w intgs of ni ght; ._§v ‘cres: ‘in his f‘l.,ig‘l1t, from an
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Title
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Hymn To The Night
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Date
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1920
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M ‘:9 " UU IIIIIIII RY VASSAR COLLEGE G % ’. Qornposed by Clocugbfon Ellen and Klordfs b Henry Kl. Lor2g1‘3e| lcam K F I. HYl‘1l‘| TO THE NIGHT 2. THE EVEH|%r|G STAR K Publfsfled by CPEIGHTON ALLEN I806 Creswel I St. SH REVEPORT, LA. Jjfi” To Mrs Mabel? Atkins Vance Words hy , CREIGHTOIJ ALLEN HENRY W. LONGFELLOW Op. 2, No.1 Molto Expressive I heard. the trail—ing gar-mentsof the night I heard the sounds of sor-row and de - light .. Sweep throughher mar- ble halls! ._.____ . I sawher sab...
Show moreM ‘:9 " UU IIIIIIII RY VASSAR COLLEGE G % ’. Qornposed by Clocugbfon Ellen and Klordfs b Henry Kl. Lor2g1‘3e| lcam K F I. HYl‘1l‘| TO THE NIGHT 2. THE EVEH|%r|G STAR K Publfsfled by CPEIGHTON ALLEN I806 Creswel I St. SH REVEPORT, LA. Jjfi” To Mrs Mabel? Atkins Vance Words hy , CREIGHTOIJ ALLEN HENRY W. LONGFELLOW Op. 2, No.1 Molto Expressive I heard. the trail—ing gar-mentsof the night I heard the sounds of sor-row and de - light .. Sweep throughher mar- ble halls! ._.____ . I sawher sab-le skirts are f1-ing-edwith the _. The. man - i — fold soft chimes, That fill the haunt-ed cham—bers of the From the ce. — les — tia-1 walls! ________.__ I felt her TT pre-sence by its Like some old po — et’s rhymes. ' From._ the cool leis-terns of the /""":"'*S spell of might Stoops o’er , me from a - bove; ._ The I I I calm. mat-., jes —,tic pre—sence mid- night air My spir - it , drank, re - pose; __ _The efoun-tain of , per-pet—ual ' Copyrightl\/ICMXX by Creighton Allen, Sl1reveport,La. of the night As of the one of love. peace flows there From thosedeep cis-tern flows...___ 0 ho—1y night, fromethee I learn to bear What man hes,.borne-be - fore!_ Thou layest thou fin-ger on the lips of care, And they com—plain no ‘ more, T Peace! Peace! 0-rest-es like I breath this prayer! V .De-scendwith broadwinged flight,_.____ The we1—o.ome,the thricedprayedfor, themost fair, The best be ~ loved night! Hymn To The Night 2 _ " 4 To Mr. Harry A1-d CREIGHTON ALLEN HENRYV1S:'.O(IeEI:lI)gFELLOW The EV3ning Star Op-2»No-2 Calmato e s stenutou ’”_‘\J Just a-bove you sand —Ly bar, as the day» grows_fa1'n-terand dim - mer, Lone.-ly and love-iy a. sing — le star lights Tthe_aJ1'r with a dusk-.y glim— met In - to,the o — ceam faint and far fallsthe trail of its gol - den splen - dor, And the; gleam of that sin-gle star is ev—er re - ful-gent,_sToft.a¢nd ten —_de_r Copyright MCMXX by Creighton._Allen, Shreveport, La. Chry - sax-dor I-is-ing out of the sea,show’d thus glo-ri— ous‘ andthus emu] — ous Leav—ing the arms of Cal — lirr-hoe’ fox--ev—er ten - der, soft and F tre—mul—ous . Thus o’er the 0 - cean faintand far t1'ai1—ed the gleam of his fal-chion bright — ly; Is a star, that en - t1-ane’d, I gaze 77 011., night - 1y The Evening Star 2
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Title
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Nine Songs:
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Description
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Songs listed on contents page include: "Stay at Home" ; "Love, what wilt thou with this heart of mine?" ; "The light of Stars" ; "It is not always May" ; "Eyes so tristful" ; "The sea hath its pearls" ; "My lady sleeps" ; "sundown" ; and "Onaway, awake, beloved"
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Date
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1892
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Text
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- Q6 1 ,. L ,9, , m ..flw.nw..+.M.wTlfln , .\ V; ,.r . /\ .\ .r ' W. ‘N law 3%. AV 4 . gfigmmga km. _ W“ EDITION SopI’anoand Tenor’. EDITION Cont:/alto and Baritone. / § E5/I ]QLI@F3EI§I§2VI/. K; 0 M PO 8 ED BY 9} F R E D E R K . Copyfight I892, _ B)/METZLER &C‘..’.,U”,:; I Lo~DoN- L 0 N D 0 N. METZLER &C‘?, L'“-’. , Great Ma\1’Ibo1/ouagh IStreet,yv. Pr/i Ce 2/6 MET CONTENTS. Page . “Stay at Home” ....................................................................................
Show more- Q6 1 ,. L ,9, , m ..flw.nw..+.M.wTlfln , .\ V; ,.r . /\ .\ .r ' W. ‘N law 3%. AV 4 . gfigmmga km. _ W“ EDITION SopI’anoand Tenor’. EDITION Cont:/alto and Baritone. / § E5/I ]QLI@F3EI§I§2VI/. K; 0 M PO 8 ED BY 9} F R E D E R K . Copyfight I892, _ B)/METZLER &C‘..’.,U”,:; I Lo~DoN- L 0 N D 0 N. METZLER &C‘?, L'“-’. , Great Ma\1’Ibo1/ouagh IStreet,yv. Pr/i Ce 2/6 MET CONTENTS. Page . “Stay at Home” ............................................................................................ .. 2. . “Love, What wilt thou with this heart of mine?” ....... ................ .. 8. . “The light of Stars” ................................................................................. .. 14. . “It is not always May” ........................................................................... .. 20. . “Eyes so tristfL.1” ................................................. ..................................... .. 27. f “The sea hath its pearls” ...................................................................... ..30. . “My lady s1eeps”(semWze) ................................................................... .. 36. . “Sundown” ....................................................................................................... .. 42. . “Onaway, awake, beloved!” (from Hiawatha) ......... .; ............................ .. 45. *STAY AT HOME. A Words by Composed by LONGFELLOVV. FREDERIC H. COWEN. Molto sostenuto. Stay, stay at home, Home - keep_ing hearts Copyright 1892 by Metzler & C9,London. Oliver‘ Ditson & C9j,.B‘oston for U_.s%,A,._, $€< (By permission of Messrs George Rou{1’edfg',e‘&‘ So,ns1.:);= hap_pi _ est, For those that wan - der they know not where Are full of trou - ble and full of care; To {""$\ / express. stay _ ry and home - sick dis_tressed, They war1_ der east, they wan _der west, And are bea _ ._ten and bknvn der_ ness espres-.s'. may stay at home, and rest; saf _ est flut _ _ ter their wings is hov’ring mo!/0 express. stay TLOVE, WHAT WILT THOU WITH THIS HEARTOF MINE? VVritten by Composed by LONGFELLOVV. FREDERIC H. COVVEN. Andante sostenuto. VOICE. . .— _ I? esjwesswo zl iema semp re p can tr‘ fezza Love, .................. .. T This Song is also published in the Key of Bi) minor. (By permission of Messrs Routledge & Sons.) Copyright 1892 by Metzler & C9 London. Oliver Ditson & CQ Boston U. S. A. what wilt thou with this heart of mine? ...................................... .. 1:000 cresc. F‘ . What deeds are thine : ............. .. with this heart of 27 espress. love, ................................................. .. what wilt thou F. molto espress. I fixed espress. 1' mm 3 3 3 dim. e poco «it. *5. 5 19000 mll. what wilt with this heart calla voce p espress. il tema with prayers com .. bhle? esp ress. love , ................................................. .. What Wilt thou /""——T ‘Yen. molto esjzress. Nought per _ ma _ nent poco rit. love, ................................................ .. What wilt thou colla voce with this heart, this heart .................... ......................... .. fz'he'_ 14 THE LIGHT 0F STARS. Written by Composed by LONGFELLOW.‘ FREDERIC H. COWEN. Lento con moto. P tmnguillo, The night is come, but too soon;And tranguzila. sink - ing Si- lent - ly, _' 1ent-1y, the lit _ tle Drops down be_hind the Copyright 1892 by M=e7tz1’lre:r-& ‘-C'o.,5Ig:1"n?l-o'h«. ‘Oliver Uitson & Co, Boston, U.S.A. no light ‘ in A earth or heaV’n, But the cold And the first watch of night is giv’r1 pp trajzguzlla. L ear _ nest thoughts with - in me rise, When VI be- hold Sus - pend _ ed in the eVe_ning skies, mf shield of that ' 0 star of strengthll see thee stand And smile’ up_on my pain; Thou beck_on_est with thy mailed hand A mf am Strong a- The star of the un _‘ ‘LEJ’V13U7V—§-“'1-311' — _ queredwill, He ' _ “r ' breast, Se _ 3 rmrmrrwrwrm so _ lute, and still, And Calm, and self- poss _ m;N:;IrL;m'L,m*m4;r~:;r /3 Se- rene, and re-so_1ute,and stil1,__ And Calm, and too, who- so _ e’er thou art , read - est J Vhopes de _ part, Be grarzdzbso. Oh! fear not in a world like grandioso. thxs brief shalt know e (-3 long, sublime A how sublime A ff m suf - fer and A 1}” § ? 20 “IT IS NOT ALWAYS MAv’.’ VVritten by Composed by . LONGFELLOW. FREDERIC H. COVVEN. Molto Vivace. mp Zeggiero %. L dart _ing swal_10Ws SO\.':l/I‘ and sirig, ......... .. And from the state - ly elms hear ......... .. The blue —bird pro _ phe _ sy This Song is also published in the Keys of G.& AL. Copyright, 1892, by Metzler & C9 London. O1iv_er Ditson & C9 Boston for U. S.A. ( F) 12000 07650. ‘ seems an out _ let from the sky, _ iug till the P000 C7650. wind blows, ................ .. The freight _ ed clouds at an - mf lie ............................... .. All things are new; .......... .. the buds, the leaves, ..... .. “,That 6 6 the _ V611 V611 the the elm nest nest There tree’s nod _ he _ neath poco rit. be _ neath the col la ?.'0C6. ding the crest, eaves , .......................................... .. A11d M.784i§? (F) mp leggicro youth and love .............. .. The L/ ful _ness of their first (16 - light! ...... .. A11d learn from the soft hea_V’ns a - _ b0Ve..; ....... .. The melt _ ing ten - der- ness that read§t this sim _ ple rhyme, ............... .. T / _ joy thy youth, it Will not 9%? M. 7841. (F) poco cresc. _ joy ................ .. the f'ra_grauce of poco cresc. ‘Sch. \ pom rit. --————“——\—=- a tempo some good an _ gel leave the calla voce rest, truth, .......................... .. for time will teach thy prime, ..... .. For oh! it is not al_ Ways and Youth, ...... .. To \_/ time will teach thee soon the a te mpo thee soon the truth, ......................................... .. f calla voce. a temjm M.7841. (F) 2 J‘ —~ . .. J year s nest, t};_em ye ars’ *£vEs so TRISTFUL. N9 2. Written by ' - LVONGFELLOW. Composed by Poco lento ma non troppo. Eyes so trist _ ful, eyes so trist - ful, \./3 Heart so full of Care and ‘cum _ ber, ‘ I was lapped in rest and V F p0_co M2‘. a ¢g7;,pg_ slum _ bet, Ye have inade____ me wake_fu1\,' wistn - fol! collzz zvoce V 9/ Cop ri M1892 b Metzler & Co, London. Oliver Ditson (E Co,Boston. U.S.A. y g Y §"F(By permission of Messrs. Routledge & Sons .) FREDERIC H._COWEN. In this life of la _ bour Who shall com _ fort my‘ dis - tress I’ Quer - u_1ous my soul and friend- less In its row shuns ca _ am. #-\‘/E }; a tempo. Ye have made ye have made , Quer _ u _ lous of you, \/3 pp a tempo . _ trayed 30 THE SEA¢HATH ITS PEARLS. Written by Composed by LONGFELLOW. FREDERIC H. COVVEN. Molto Vivace ed Agitato. mjmzlam ante mf hath its pearls, ........................... .. The m.i;D”‘ K.__/ heaven hath its stars, But my heart, ...... .. : ‘" '7 This Song is a;i.::0 ;3'e.1bSi5.hed in the Keys of A dc C. té: M.7841. (G) Copyright, 1892, by Metzler & C‘? London. Oliver Ditson dz C‘? Boston. U. S.A. The heaven : — 2: " fig 6&5 Lg M.7841. (G) - er than pearls, - er than f ul maid _ M.78-11. (G) heaven J. semp re agitato My heart, M.7841. (G) scmp re and the sea , C763 and the heaven, the sea, and the heaven senaa ml]. sempre f A _ ing, melt- ing A A A senza rail. A (G) LADY SLEEPS SERENADE Written by Composed by LONGFELLOW. EREDERIC H. COWEN. Andante con moto, ma non troppo. P Z€gdt0_ Stars of the P | A N 0_ S - sezzzpre e /eggiero. sum_m<=_:r night:_ of the sum_mer night! ale sempre ‘Sim 17000 cresc. a_zure deeps,__________ ' J mdeyour 17000 07-esc. Copyright 1892 by Metzler & C9, London. fjliver Ditson & C9 Boston, U.S..A. . espressz?/0. gold _ en li ht! She sleeps! M Sleeps, ____?_ sleeps! 91% M.7841. (D) of e summer In ht, 916 sempre ‘Sim summer night Where y0n_der w0od—bine pinions 1' ht! " sleeps! mf espress-z'zxo. la _ dy sleeps, Dreams of the summer night: V‘ (0) rgf espress. V Dreams of the sum-mer night! A Tell her, . her, 12000 cresc. keeps Watch! . while ' slumbers 9Ié‘532b c.s*pressz'1/0. in slum rs 1i p000 7-21‘.- slumbers __________ My la _ col/22 woe. V (D) a tar/zoo 9!’: paco rit. she poco rit‘. *suN3owu. Written by Composed by LONGFELLOW. V FREDERIC H.COWEN. Molto tranquillo e religioso. pp tmngzdllo. The sum _ mer sun is sink _ ing low, P On _ ly the tree— tops re\cf”.. den and glow: On _ ly the wea _ther_c'ock the spire Of the r1eigh_bOur_ing church is a flame f fire; {'———-‘T &_j T C'7‘€S0. I’ p poco rit. /A All is in sha-dow be - low, All is in sha_dow be _ low. A 6- Copyright 1892 by Metzler & Co, London. Oliver Ditson & Co,Boston.U.S.A. (By permission of Messrs.Rout1edge &'Sons) beau - ti _fu1, aw _ fhl sum _ met '- day, What hast thou giv- en, what " 7/gfa tempo. ta’. ken a'-way! Life and death, and love and hate, ' Homes made hap _ py or F ht mf 9 poco rit. de _ so-1ate, Hearts made sad ' Hearts m\a3e sad or calla 1/ace. d Oh the road a of life mile — stone more! In the f/\ of life one leaf turned Like a red seal is the On the good and the ev _ i1 men have‘ done, .7’ Naught can fo_day I Naught can to_day 619- rall. - can to A_ da collar ' 1/ace. 45 “oNAwAv, AWAKE, BELOVED!” from “HIAWATHA7 Written by V Composed by LONGFELLOWK ‘ FREDERKZHLCOWHDL Allegretto VOICE. PIANO. non legato I’ Thou the Wild- flower of the for _ est! This Song is also published in the Keys of C, D & E. Copyright, 1892, by Memer & co London. Oliver Ditson & 0.’ Boston. U. S.A. M. 7841. (B) Thou the wild - bird of — L2 fawn - like! ................ .. am hap _ py, When they feel ............... .. the prai _ rie! am hap _ py, the dew up with m‘/* /‘K /"\ If 011 eyes SO soft thou on _ ly look _ est at me, the li lies of the prai _ rie, M.7841. and (B) It Does not all the blood Within me Leap to meet thee, leap to meet thee, sem ire tato As the springs to meet the sun _shine, I11 the moon when nights are brightest? agitate non legato I’ ' M:7841. (B) art not pleased, be_lov _ ed ................ .. Then my heart is sad and darkened, As the shin - ing ri _ver darkens, When the clouds ........ .. drop sha - dows on When thou smil _ est, my be_10V _ ed, Then my trou _b1ed heart is brightened, M.7841. (B) poco rit. As in sun- shine gleam the rip _ ples That the cold ................ .. wind makes in calla voce Smiles the earth, and smile the wa _ ters, Smile the cloud_less skies a_boVe us, But I lose the way of smi _ ling When thou art ................ .. no long _ er near M.7841. (B) agi ta to Does not all the blood With_in me Leap to meet thee, leap to meet thee, mf As the springs to meet the sun _ shine, In the moon when nights are brightest! the blood with_in Leap to meet thee, 51 semp re ato leap to meet thee, As the springs to meet the sun_shine, In the moon when nights are brightest? -3% M.7841. (B) ENGLISH VERSION OF CARMEN: Qbpera IN FOUR ACTS. MUSIOBY HENRYBPEHSEE. aromas mm. ENGLISH VOCAL SCORE COMPLETE, WITH PORTRAIT OF THE COMPOSER, PRICE SIX SllILLIllGS NET. HANDSOMELY BOUND IN CLOTH, GILT, PRICE 83. 6d. NET. SEPARATE SONGS AND ARRANGEMENTS. Song of me Toréador (Sire, your Toast), No. 1, in F, Baryton .. .. . Song of the Toreador (Sire, your Toast), No. 2, in G, Tenor .. .. ,, _ , Song of the Toreador (S35, your Toast), No. 3, in E, Bass or Baryton (with Simplified Accompaniment) . . . . . . . . . . . . . . . . . Love the Vagrant (llabanerag, No. 1, in D, Mezzo-Soprano or Baryton Love the Vagrant (Habanera , No. 2, in E, Soprano or Tenor . . . 1 said naught should frighten me here (.\Iicaela’s Song . . . Close by the ramparts of Seville (Seguedille) . . . . Carmen Fantaisie Brillante pour Piano .. . ..J. Lxrmcn. Solo, 45., Duet Carmen Fantaisie Brillante . . . .. . . . . W. Klnm Carmen Fantaisie Brillante .. .. .. Amvnnn Ln: Bun Carmen Fantaisie Brillante .. .. .. .. R. ms: Vrmmo Carmen Petite Fantaisie .. .. .. .. . .Cnoxsnz Carmen Petite Fantaisie facile . . . . . . . . . . Monror Carmen Fantfiiflie 0 0 o 0 o e g o . o O’KR1'.LY Carmen Fantaieie de Concert .. .. .. .. par Srmmr Smrm Carmen Fantaisie-Transcription . . . . par F. Fnmmuon. Solo, 4s., Duet Carmen Cavatine Transcrite . . . . . . . . par R. on VILBAO Grand March from Carmen ,, . . . . Arranged by J. M. Cowman, net Duet, 25. 6d. net; Small Orchestra, 1s. 4d. net; Full Orchestra, 25. net. The Toreador March . . . . . . . . . . Arranged by Mrcmmr. WATSON The Toreador March. Duet . . . . . . . . . . . . Ditto Toréadofs Song . . . . . . . . . . . . . . (1 by B. Rxonanns Carmen “Bouquet do Melodies.” Two Books, each 45. Duets, each ,. R in: Vnmnc Carmen Galop .. .. .. .. .. .. .. .. _.J.M.Cow.uu: Carmen Lancers .. . . . . .. . . .. . . 0. Gonranr. Solo, 4s., Duet Carmen Valse. Solo and Duet . . .. .. . . . . . . Srnmss, each Carmen Qnadrille. Solo and Duet . . . . . . . . . . Anna, each Carmen Quadrille .. .. .. .. .. .. .. .. ..S'rnAvss Carmencita Polka. Solo . . . . . . . . . . . . . . Dnnaxsam 00 o Carmen Fantaisie Brillante, pour Violon et Piano . . . . . . par Irvmii HUBAY Carmen F antaisie de Concert, pour Violon, avec Aooompagnement de Piano Samsam Carmen Fantasia, for Violin and Piano . . . . . .Arranged by Han! Funvmn Carmen Fantaisie pour Violin et Piano .. .. .. . . par An. Human Carmen Fantaisie pom Flute et Piano .. .. .. par HERMAN 1!: Warm: Carmen‘ Fantaisie pour Cornet et Piano .. .. .. par Human rr Cnonomn Carmen for Violin Solo. In two parts .. .. .. . . .. each net Carmen for Cornet ,, ,, ,, .. .. .. .. .. each net Carmen for Flute ,, ,, ,, .. .. .. .. .. each net Pianoforte Score .. .. .. (is. net. Bound in cloth, gilt, 8s. 6d. net. Ditto 2. Four Mains .. 209. net. Score, with Italian and German Words, 1329. net. ,, ,, ,, 15:. 0d. net. Score. with French Words . . 126. not. ,, ,, ,, 169. 0d. net, The Orchestral Parts of the Dance Music may be had. METZLER & C0., Limited, 42, Great Marlborough St., London, OOOOOOOOO OOOOOO COCO OOOOOOOOOOQ OOOOO O05 5. 4 4 4 4 4 4 4 5 5 4 8 3 4 4 5 5 4 2 2 8 4 6 4 5 4 4 4 3 8 3 5 5 5 5 2 2 2 ‘~_.«‘\‘-‘\\\-L- <\<<\~.«~.\.-.~;_\\._\..\«.\-..;\\_.\_\ ..»::\~.\\V-‘L
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Title
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Footsteps of Angels
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Date
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n.d.
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J// / A: m'//. /. . w //. H W /M 1 «I / /H N «U4 W D R E W L 0 ./,4; m /4 MUSIC LI§RARY . 7 / ‘VASSAR COLLEGE _//:94»/I POUGHKECPSIE. new vomx J7/////.) FOOTSTEPS OF ANGELS. by W.R. DEMPSTER. Music Poetry by H. w. LONGFELLOW. Q. 3 ‘=1 P C 2 <1 \_4/ ho - ly, calm de- of the nigllf Vfixketlxe 1):-tfer soul that slumbered,Tna voices rm: fax Pres: Slxadmrs Ere the evening lamps are lighted, An(l,Iike phantoms grim and tall, mx. '9 C res: ? V f1‘01n the fit - ful fire-light Dance up —...
Show moreJ// / A: m'//. /. . w //. H W /M 1 «I / /H N «U4 W D R E W L 0 ./,4; m /4 MUSIC LI§RARY . 7 / ‘VASSAR COLLEGE _//:94»/I POUGHKECPSIE. new vomx J7/////.) FOOTSTEPS OF ANGELS. by W.R. DEMPSTER. Music Poetry by H. w. LONGFELLOW. Q. 3 ‘=1 P C 2 <1 \_4/ ho - ly, calm de- of the nigllf Vfixketlxe 1):-tfer soul that slumbered,Tna voices rm: fax Pres: Slxadmrs Ere the evening lamps are lighted, An(l,Iike phantoms grim and tall, mx. '9 C res: ? V f1‘01n the fit - ful fire-light Dance up — on the par- lour wall, Shadows from the fit - ful f'i1"e - light Danceupnntheparlour wall, Then theforms of the de - parted Enfm‘ \./ at the 0 ~ pen door; The ‘De - l<)V*§({ the true hearte(!,Cmnetn vis .it me once ff? n,~ 1 J )‘ Strife, He the y0u11;__f-a11(l str0ng,vvhn cherished f T V? fiF\./ By the \ road-side and perished, ’.\ By ‘the mad-sidv fell and L per - ished, Crcs: Noble ‘l<mgin;_§;s for the Wkary with the march of Ra”: Ad /27): Weary wifh the march of They, thehr)iyo11es and weakly, VVh0 the Cross Hf s11ft'eri11g bore, Folded their pale hands so Ineekly, Spake with us on earth 110 more. And wirh them the Being Beauteons, “V110 unto my youth was given, More than all t!1in,g.<: else to I1>ve111ef And is now a saint in heaven. And with slow and 110iseless f()(/)fSf6‘r}) C01nes that 1nesse11ge1' divine, Takes the vacam: Chair beside me, Lays her gentle hand in mine. And she sits and gazes at me Wvithrtlmse (Rel) and tender eyes, Like the stars, so still and saint-like Looking downward from the skies. FIFTH VERSE. o Uftereecl 110t,ye,-1 cmnpre - hended, Is the spirifis V0i(‘e-less "prayer, Soft re- M’ as ,, bukes in blessings ende(l,Breall1in;=f {'r<m1 their lips of air, ." 1" E * lonely, All my fears are laid a - side, If ‘I but re - 1119111-beer 021- ly Such as these have lived and died! If I but re-Inember on - - ly Sursh as tlmse lmave lived and died! (),1lmu;;l1 oft «llépressed and’
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Title
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Wreck of the Hesperus
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Date
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1893
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Music LIBRARY VASSAR COLLEGE eoucuxesnsac. NE“! ‘mun INSCRIBED TO AUGUST MANNS, ESQ., AND THE CRYSTAL PALACE CHOIR. THE fifiimztk Hf the ifi25p2r1I5 A BALLAD FOR CHORUS AND ORCHESTRA THE POETRY BY H. W. LON GFELLOW THE MUSIC COMPOSED BY FERDINAND DUNKLEY. PRICE Lwmw ,, 50,. CENTS. LONDON 6 NEW YORK NOVELLO, EWER AND CO. A UTHOR’S PROPERTY. Copyright, 1893, by Ferdinand D1/mleley. Score and Parts may be hired of the Composer, 7, Nightingale Park Crescent, Wandsworth Common, London; and 136, State...
Show moreMusic LIBRARY VASSAR COLLEGE eoucuxesnsac. NE“! ‘mun INSCRIBED TO AUGUST MANNS, ESQ., AND THE CRYSTAL PALACE CHOIR. THE fifiimztk Hf the ifi25p2r1I5 A BALLAD FOR CHORUS AND ORCHESTRA THE POETRY BY H. W. LON GFELLOW THE MUSIC COMPOSED BY FERDINAND DUNKLEY. PRICE Lwmw ,, 50,. CENTS. LONDON 6 NEW YORK NOVELLO, EWER AND CO. A UTHOR’S PROPERTY. Copyright, 1893, by Ferdinand D1/mleley. Score and Parts may be hired of the Composer, 7, Nightingale Park Crescent, Wandsworth Common, London; and 136, State St., Albany, N.Y., U.S.A. INSCRIBED TO AUGUST MANNS, ESQ., AND THE CRYSTAL PALACE CHOIR. THE rank nf the ‘ifieaaperufi A BALLAD FOR CHORUS AND ORCHESTRA THE POETRY BY ” H. W. LONGFELLOW THE MUSIC COMPOSED BY FERDINAND DUNKLEY. PRICE ONE SHILLING. ,, 50 CENTS. LONDON 6» NEW YORK NOVELLO, EWER AND CO. A UTHOR’S PROPERTY. Copyright, 1893, by Ferdinand Dunkley. Score and Parts may be hired of the Composer, 7, Nightingale Park Crescent, Wandsworth Common, London; and 136, State St., Albany, N.Y.. U.S.A. THE WRECK OF THE HESPERUS. Allegro con anima. CHORUS. ALTO. _._ _y_ It was the schoon-er Hes — perus, That sailedthe, BASS. ‘i > It was the sch00n—er Hes - perus, That sailed the ‘\ , _V_ ‘Z? 3 o ‘ ‘B’ : n 3*“1<“—l3""-",§*i“* 3 ‘—1"~.—*‘3"“1"-.—i’7£"—eg—::"1'1l Ti ‘ V ‘ . ‘ . | i ‘ 3 ‘ 1 I 3 3 3 . -—~ 0-3-a4_—_—r——j:a——.+ ; 0-: * \/ C \/ \. \/ \_ \. Copyright, 1893, by Ferdinand Dunkley. Fe1:dina.ndADunk1ey—?‘ The Wreck of the Hesperus." ' SUPRANO. And the "K - per had taken his lit-tle daugh mf - I And. the skip — per had taken his lit-tle daugh — 1 And the sk1'\p — per had taken his 1it—t1e daivigh And the skip - per had taken his 1it—t1e daugh To bear him com - 133;‘ ny. L To bear him com - pa- ny. - To bear him com - pa- ny. -h To bear him com — pa- ny. Fcrdinzmcl Dunkley—“ The Wreck of the Hespenlsfi’ Un poco path cmimato. Sopmmo. Blue were her eyes as the fai 1 Un poco piic animate. d : 144. r—‘''—‘‘\ f—‘\ K-'’‘-'‘''—‘\ /""*“‘\ K"""""—'\ cheeks bo\‘- sfijx white as the - thorn buds, That ope in the month ope — in ~ the month .Ferc1inan<1.Dunk1ey—“ The Wreck of the Hesperus." ‘:37 VI‘ "fir qr <e=e> teed» <$=e <3 - CF 4:4] ii CF‘ I flag) tggsg, 1 55:: \ <3“ Cl‘ ‘CF \ \ l\ |\ g u “ LL | u -' ‘ ' TL. 0 TI «-7- And he watched pipe was in his mouth, _'— Tempo lmo. > new West South. > > blow The smoke, now West South. > He wa the veering flaw blow The smoke now West new South, > South. , Tempo lmo. d : 132. 3\ 3 ‘Ferdinand Dunk1ey—“ The Wreck of the Hesperus." --him ‘ J -3- -6- \ Then upandspakean old sai - lor, Hadsailedthe Span ish main, ‘e ____e-— . _'.. Then up and spake an (SH sai - lor, Had sailed. the Span - main, ' ’ - ' Thenspake ’ sai - lor, Hadsailedthe Span ish main, e‘ — Then up ahd spake sai ~ L lor, Had sailed the Spam —~-3 “I pray thee put in -120 yon-der port, “ Last night the moon had a go\1d—(£ ring, Audto - ' —-—-— ,_ ur - ri—cane. - 3 hur - ri—cane. “ Last night the moon had a golden ring, And to -0- . 8ve ....... Ferdinand Dunkley-—-“ The Wreck of the Ilesperus.” The skip-per he blew a. whiff from his pipe, And a. The skip—per he blew a wl1i pipe, And a > dim. - night no moon we see! ” a whiff from his pipe, And a. > . - night no moon we see !” scorn - ful laugh laughed he. :5 scorn - laugh laughed he. ~ \ scorn - ful laughed he. \ \ -3 scorn - ful laugh laughed he. A gitato. B SOPRANO. ALTO. Cold - er and loud - er blew the wind, A gale from the North - B A gitato. & : 76 (J = 152). ' ,. f Ferdinand Dunk1e'y-—“ The Wreck of the Hesperus." bil - lows frothed like yeast. e h E d M 69 H ..1 I b 8 2|... LU in snow fell hiss - ing _;;__F_ ‘I. "[750 ‘IV 094 Kit? :6 7%? its in and smote . . a- main The ves - sel Down . came the storm, ' 0 0 0 ‘(J . smote . . a—Ina1n its in The was - sel . came the storm, Down .1?”/——x its in and smote. . armain The ves- sel came the storm, 0 1‘ ‘fie 9 5E.t1f§. IF ~s~T.v="—b?';'_'“:”: its in and smote . . a.— main The Ves - sel czune the storm, >- >- I\ I. i:?:+=4~§— ‘H: e§—%—% 0‘ —:‘.;=1—*1 —%{%£§' _l Ferdinand Dunk1ey—“ The Wreck of the Hesperus." 29” strength ; She shudder-ed . . and paused, like a fright —ed slzrength ; She shudder-ed . . and paused, like a fright - ed strength ; She shudder—ed . . and paused, likea fright - ed St1‘e11gth; She shudder—ed . . and paused, likea fright ~ ed /- /- C Allegro. Then leaped her ca. - b1e’s length. leaped her ca - ble’s length. Then leaped her ca - ble’s length. /_Then leaped her ca - ble’s length. /— /_ C Allegro. cl : 120. /‘ r---\ _ TENOR. “Come hith-er, come hith -er ! my lit; — tle (laugh f*'*"T_ /‘-jfi r*--—-% . Ferdinand Dunkley——“ The Wreck of the Hesperus." “em ‘ ble 50; I can Weatherthe 5 . , ‘ ' ‘ a rough - est gale That ev er Wind did blow.” He Wrapped her Warm . . ' his sea. - man’s coat, A — gainst the ‘cf ' He wrapped her warm . . " his sea - man’s coat, A - gainst the He wrapped her warm, A‘ - gainst the wrapped ' man"s coat, ;_.____._/ ' Ferdinand Dunk1ey——“ The Wreck of the Hesperus.” blast ; r--—-——-—-‘\ from And bound her to the mast. — And bound her to the mast. — And bound her to the mast. __.(.——:——v-—:'4_ _ L And bound her to the mzmst. 5 Ferdinand Du11kley—“ The Wreck of the Hesperus.” -=___—-T; _ . I I i ‘n. - I = 4 . ,1-3~-e—:~—~e.:;~ V V fa - ther, I hear the c11ureh~17eI s ring, 0 say, . . what may it T‘ I I h I; 0 F v'—‘.~—-.o—.«-—F _ - ‘\l 1. i I ‘ « ._ I - V :“~T—~4.”+%»+'-.+.——;>:~r 1 he steered for the 0 — peg fog - hell on a rock-b0undcoa,st!”—— And he steered for the 0 pm “0 fa-ther, Ihear the ._I_ —;E } } :- Ferdinand Dunk1ey——-“ The Wreck of the Hesperus." sound of guns, 0 say, . . what mayit; be?” TENOR. “Some ship in dis-tress, that }- can - not live In such an an - gry sea?” SOPRANO. “O Fa -ther, I see a gleam - ing light, 0 say, . What may it ;__) ff” Ferdinand Dunkley--—“ The Wreck of the He.sperus.” ' ‘D Lento doloroso. -7- *"r— K -0-’ -0- . But the fa - ther an - swered nev — er a word, But the fa - ther an - swered nev e er a word, D Lento doloroso. J : 56. i ‘y if *6‘ fro - zen corpse . TENOR. I ‘fzn a I E " E“’ =" E l g i 1 g Lashed to the helm, in H I fro - zen corpse stiff and stark, With his face turned to the skies, /‘_"""'\ The Ian - tern .n- 159 ALTO. gleamed through the gleam - ing snow On his fixed and glass - y eyes. Thenthe __ _‘_ : Ferclinand, Dunk1ey—“ The Wreck of the Hcsp:1'us.” snow, maiden clasped h er hands ahcl prayed sav - ed she might be ; Soi>RAN 0. She thought of Christ, who J J’ ~13‘ sr“ -' _ V .1}- _[ f Pia moto. Gal - i-lee. Piio motto. stilled the ‘wave, Lake . . of "I rfi and drear, Through And fast through mid - night dark And fast through mid - night dark and drear, Through And fast through mid - night dark and drea1',Tl1rough And fast through the n1i(l;~ night dark _g_ ' } . sheet ghost sheet ghost sheet ghost . 0- ' sheet ghost 3 3 Ferdinand Dunk1ey—-" The Wreck of the Hesperus." whist - ling sleet and Wl1ist- ling sleet and whist - ling sleet and ‘ {.3-_'" and d1'ear,Through the whist - ling sleet and ves — sel swept ’l"wards the ves — sel swept ’].‘’wards the t T’wa1'(ls the ves - sel ves - sel swept 'l"wards the of or - man’s of Nor - man’s of Nor - man’s -9- of N0r-man’s . ev — er the fit - ful gusts be- tween A ALTO. It was the sound of the trampling surf, On the came from the land; f-<:sf rocks and the hard sea. - The break-ers Wereright be - SOPRANO. And a. Who0p- ing bil - low ws, She drift -ed a. - y wreck, > . f Ferdinand Dunk1ey——“ The ‘Wreck ofthe Hesperus.” swept the crew Like i - white and flee - cy Waves White and flee - cy Waves white and flee — White and flee - cy waves Waves K F‘ " Looked soft Looked soft Looked soft Looked soft ‘ah fir 4?" ci-cles from the deck. " E Pia sostenuto. struck struck EPiz‘o sostenuto. J : 84. ' K :2?“ i3 as cord - as cord - as cord - as cord ~ . ,‘_ Ferdixnagd _I)unk1ey,—_-4-“ The Wreck of the Hesperus.” 0 Where the where the . L where the M where the - e1 ‘rocks, they L .herside Lil::e—tl1e horns of an - rocks, they gored her side Like the horns of an an they gored her side Like the horns of an an ::—+——> - el rocks, they gored her side Like the horns Pie} agitato. _ bull. ' Her rat- tling sh/eath’d Her ra,t — tling. . sheath’d Her rat - tling b . . ' sheath’d 111 bull. I Her mt - tling shrouds, . all sheath’d in Pm agitate. d : 112. P060 0: 17060 C768. /T X} } sempre pm With the masts L by the board ; Like a sempre ' With the masts . by the boerd ; With the masts by the board. ; semp7'e_pz'L‘o ' . ' With the masts _ byrthe board ; §.__._.___.._.....—___/ Ferdinand Dunk1ey—“ The Wreck of the Hesperus." fig Ar-—\ ves - sel of glass, she Holho! . . ffi vies - sel of glass, she I-Io ! ho ! the breakers A A /\ the breakers -9- ves - sel of glass, she a , _¢_ ves — sel of glass, she H0!l\1/0! . the b\4eake/rs I A roared I roared 2 /\ roared 1 6' d fpocoapo z o l I I 1 F‘ :1: I : Z‘;- V — -o— L Pad. Ferdintmd Dunk1ey——“ The Wreck of the Hesperus." TENOR :' fi~7“/.',.::* *"«57° - ’ : j At day-break, bleak sea - beach, fish— er-man stood a—ghast, To see the form of a maid- en A fair, Lashed . f . , -1’ .. con molto espress. 170; "5" J 5 .1} _ . _,_ _ froz — en on her breast, e salt tears 1n her eyes; And he saw her Z“. ‘ - J ‘ " g. ""..._“‘—“;‘——*- __? Ferdinand Dunkley——“ The Wreck of the Hesperus.” hair’ the bil - lows /' . Tempo lmo, ma sostenuto. Such the wreck of the Hes Such the wreck of the Hes of the Hes Such was the Wreck mid ~ night IS Such was the wreck of the es mid - G Tempo lmo, ma, sostemito. J : 100. Christ Ferdinand Dunk1ey—" The Wreck of the Hesperus.” fall and _ -1 7"‘ %_ V a death a death like this, a death v like this, /\ of Nor - man’s of Nor - man’s '6' 0 0 . Ferdinargd Dunkley-—-“ The Wreck of the Hesperus.”
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Title
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Bridge, The, The Bridge
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n.d.
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,&,,7z/ 2/ac. - EA/7, JIA, /-/ALL : ROBERT COCKS 83 00, NEW BURLINGTON STREET, "W. MUSIC uananv VASSAR COLLEGE poucn-mas:-soc. am You
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Title
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Rainy Day, The:
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Description
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Date
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1851
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39/MM/( W/V. ©< €f?,f&J’«M4/ R EAPER AND THE FLOWERs-___./I414/, HALF./F. 5 RESIGNATION ________________________________ ._JE.60ULD. SEA HATH ITS PEARLS. QT...__._0./7//v5UT/. STARS OFTHE SUMMER NIGHT .... ..F.B007r. STARS OF THE SUMMER NIGHT. ........ .5’. 70035. TRUST HER NOT DT.____.__.____.‘._._/W.W/19/41/‘E. VILLAGE BLAGKSMITH. ............... ..I/I/H. WE/SS. WREGK OF THE HESPERUS........J.z5’L00/(LEV. OPEN WINDOW..__,....,.._E..I____.__.__.......__.€/I77)’. ARROW AND THE SONG ......
Show more39/MM/( W/V. ©< €f?,f&J’«M4/ R EAPER AND THE FLOWERs-___./I414/, HALF./F. 5 RESIGNATION ________________________________ ._JE.60ULD. SEA HATH ITS PEARLS. QT...__._0./7//v5UT/. STARS OFTHE SUMMER NIGHT .... ..F.B007r. STARS OF THE SUMMER NIGHT. ........ .5’. 70035. TRUST HER NOT DT.____.__.____.‘._._/W.W/19/41/‘E. VILLAGE BLAGKSMITH. ............... ..I/I/H. WE/SS. WREGK OF THE HESPERUS........J.z5’L00/(LEV. OPEN WINDOW..__,....,.._E..I____.__.__.......__.€/I77)’. ARROW AND THE SONG ...... ..C.P//V507/. B R I D G CAREW. BRI Z/ND.S’A>’_ DAY IS DONE........I......................,/VV1/Z?/ILFE. DAY IS F. 1000. DEATH OF MINNEHAHA ....... ..0C00/v1/M55 EXCELSIOR. DT...................M.I4/BALFE, ‘PSALM OF 25’/.00/(LEV. .._II3.AV,INY DAY. ...................... ..\/1/./?.flEMPS7'£/I’. GOOD NIGHT! BELOVED ......... ../V/.V\/.15’/MFE B O S TO N. V Published by 0 LIVER D ITS 0 N 8: C 0 .451WaShiI1gt01n. St. 1 NEW YORK. SAVANNAH GA. BALTIMOREMD. CINCINNATI. I SAN FRANCISCO. PH I LA. ‘C.H. DITSON 8: C0. LU DDEN 8: BATES. OTTO SUTRO. GEO.D.NEWHALL8<GO. SHERMAN CLAY 8:00. J. E.DlTSON 8:00. CHICAGO. ST LOUIS, 8‘ H JVHABUFVDRDS sons LVVHABOSTON &N:wYoHv., S - N cnO3w§aamm§I>-I> ulmc uuww T.VA_ ‘L THE DAY. Poetry by H. W. LONG-FELLOW. Music by WILLIAM R. DEMPSTER. Andante. cold, and dark, and drea-ry; It rains, and the wind is The vine still clings to the mouldering wall, But at flofigygj uogumg an y gag; an m me ya P351 by OLIVER DI FSUN in IA: ClcrIr‘r"afiu rv Nu Dnlirm Cmwrol Hue dreary . . . . . . . . dark and Car. espress. And the day /5 leaves the dead And the day is dark and drea - ry . . . . . . . . . . drea - - - - ry. And the day is drea-ry; It rains, and the wind wea-ry; My thoughts still cling to the mould - ’ring past, But the youth fall thick in the blast, And the days are dark and. drea - ry, . . . . . . . . .. And the days dark and d1-ea - ry, . . . . . . . . .. And the days are dark and {-T sad heart! and cease re - pin-ing; Be - bind the clouds sun still shin-ing; 'l‘hy fate is the com - 5Q. -__. each life some rain K Some davs must be dark and §,.__§ dark and drea - ry, . . . . . . . . . . ( Some days must be dark and
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Old House by the Lindens, The, The Old House by the Lindens
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J. ‘_ 58 A5». I} To A D :.~\, .9. /‘Z035’/f7HA/, L/THU‘ COMPOSED EXPRESSLY FOR AND SUNG BY THE POETRY BY THE MUSIC av ENT. STA.HALL. «E»; 0A/[7,0A/Kb» DUNCAN DAVISON & C9 244-,REDENT STREET,CORNER OF LITTLE ARCYLL STREET. K W O V U. flu N C. we PL MUSIC LIBRARY VASSAR COLLEGE 3-oucm’-.:
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Title
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Hiawatha
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Date
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1898
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Music Lmnnww VRSSAR COLLEGE POUGHKEEPSME, saw vogx Dramatic Cantata by frzdcrick R. Burton I1:xWATHA* Oliver Ditson Company Boston, New York and Philadelphia Chicago, Lyon & fiealy I-IIAWATI-IA Dramatic Cantata by frederick R. Burton ‘Che words selected from the poem by ,a? fienry Kladswortb Longfellow ,e? Orchestral Score and Darts may be bad of the Dublisber Oliver Ditson Company Boston, New York and Dbiladelpbia Chicago, Lyon & Bealy Copyright MDCCCXCVIXI b liver Ditson Company....
Show moreMusic Lmnnww VRSSAR COLLEGE POUGHKEEPSME, saw vogx Dramatic Cantata by frzdcrick R. Burton I1:xWATHA* Oliver Ditson Company Boston, New York and Philadelphia Chicago, Lyon & fiealy I-IIAWATI-IA Dramatic Cantata by frederick R. Burton ‘Che words selected from the poem by ,a? fienry Kladswortb Longfellow ,e? Orchestral Score and Darts may be bad of the Dublisber Oliver Ditson Company Boston, New York and Dbiladelpbia Chicago, Lyon & Bealy Copyright MDCCCXCVIXI b liver Ditson Company. International Cop ri it Secured. Dedication. O the “Yonkers Choral Society,” whose friendly interest inspired the completion of the work, the music of “l5iawatba” is gratefully dedicated. frederick R. Burton. Yonkers, N.Y., November 1897‘. prefatory Note ' N HIS PREFACE to “The Song of Hiawatha,” Mr. Longfellow wrote: “This Indian Edda—if I may so call it——is founded on a tradition, preva- lent among the North American In- dians, of a personage of miraculous birth, who was sent among them to clear their rivers, forests and fishing grounds, and to teach them the arts of peace. . . . Into this old tradition I have woven other curious Indian legends. . . . ” That there was a real Hiawatha, who lived five centuries ago, was known to the poet. In setting aside the historical personage, and creating one to serve as the leading figure of his poem, the poet may have been actuated by a desire to give freer rein to his fancy than could have been the case had he limited the “ Edda ” to an account of the real Onondaga chief; but, in any event, he idealized the North American Indian and established an elevated type of man and prophet. It is Longfellow's conception of Hiawatha that I have tried to embellish with music, and in my treatment of the subject I have had no theories to pro- mote or expound. Iregard the poem as a narrative, and the chorus, soloists, and orchestra as narrators. The most important events in Hiawatha’s life, as de- scribed in the poem, were the battle with Mudiekeewis, the wooing of Minnehaha, the loss of his wife during the famine, and his mystical departure from his people to take his place among the immortals. These events, including a suggestion of the festivities attending Hiawatha’s wedding, and the prophet’s gloomy vision of the future of his race, have been chosen, as the sa- lient points in the story, for musical setting. F. R. B. November, 1897. plan of the (Clerk. part I. Prelude . . . . . . . . Introductory Chorus. “ Should you ask me whence these stories.” Hiawatha and Mudjekeewis. . .. Four soli and chorus. part II. Hiawatha’s Wooing. . Four soli and chorus. The Wedding Festivities: (a.) “Onawavl awake, beloved!” . . Soprano solc. (6.) The dance of Pau—puk-keewis. . . . Chorus. (c.) “When I think of my beloved.” . . Contralto solo. part III. The Famine. . . . . Three soli and chorus. Hiawatha’s Vision. . . . Tenor solo. Hiawatha’s Departure. . . Tenor solo and chorus. H IAWATHA. I . — Frederick R . Burton . N9 1 . Prelllde . Molto andante. J: 44. , /‘\ /*7: J/’\I3J2_ I 0 071980. J :4” ‘E11! é/“Bil? _;_/\. Wo1‘ds used by m'x'nngemv:nt with Hr.-ug .Mifflin 6° Co. Publishers of Mr. Longfellowfis vvorks . Copyright MDCCCXCVllIby Oliver Dilson Company. Into:-natioxml copyright sgcured . 4- 20 ‘($0431 -165 -2U‘60!l5l ‘lfifi rm S 6 4. . In S A. 0, 6 .. U 2 . 4 a temp 0. P1, q~20~¢so4M ~16!-i PART I. -N9 2. Introductory Chorus. mp Andanfe moderate. J: 84. Should you .ask me whence sto - ries,VVhence these leg‘ - ends and tra- mp Should you‘. ,sto — ries, nee ese leg - ends and tra- mp di - tions With the o - - dors of the for - est, With the dew and ‘damp of di - tions With the - - dors of the for - est, dew ‘ and damgflof meadows, With the curl - ing smoke of wig‘-wa.ms,VVith the rush — ing of great meadows, curl - ing smoke of Wig‘-wams,With the rush - ing of great 4» 2o~ 60¢8i-4Q8 . riv — ers, With their fre quent re— pe - ti — tions, With their wild V re-ver-ber_ wild . re -vex--ber_ riv- ers, With their fre quent I-e—pe - ti - tions,With their wild re - - ver-ber- wild re - ver- her- :._==..Ef —-Q As of thun - - der in the moun-tains. ..................... -. j As of than - ‘ - der the moun — tains. As of thun - der, of thun — er in the moun-tains. —< As of thun - der in the moun - ./' “Ea. 9-20-60581~l68 ml’ /5 m"!/" B J; 100. 9 I should an — swer, Ishould tell you: “From the for- ests and the px-a»i-ries, From the d W1 _ r.\”«‘/' I should an— swer, I should tell you:“From the f - th p /‘\, \./ .3’ B 7 F "3" Great Lakes of V the No1'th—1and,F1'om the 1and,the land of O - jib —Ways,From the Great Lakes of N -land,Fr m land,the land of Da - ko - tas, From the moun- tains,moors and fen- IandsVVherethe fen — lands Where the 4-20-604 81~i62§ her - on,the S - shu- gab, Feeds a - mong the reeds and rush-es. - 011, the Shu - shu— gab, Feeds a - mung‘ the reeds and rush-es. a - mong the them as I heard them From e lips of Na-wa- da - ha, them as heard them From the lips I of —Wa- da — ha, - cian the sweet sing - er 3’ si - - cian the sweet sing- er 2’ 4-20-6'o481-uis /5 p T(77TI¥}0 A If still fur - ther you should ask me, Say- ing “Who was Na-wa - If still fur - ther you should ask me, 'Say- ing‘ “Who was Na—wa ~ da - ha? Tell us of this Na.-Wa - da - ha,” I should on — swer your in- da — ha? Tell us of this Na—wa - da ‘- ha? I should an - swer your in- ! ~20~60481~!63 qui - ries Straightway in "such words as fol - low. qni - ries Straightway in such words as fol — low. in ' I’ “In the Vale of Ta-Wa — sen — that, In the P “In the vale of Ta -wa - sen - the, In the “In the vale of Ta- wa - sen- tha, In the and si—1ent val — ley, By the A pleas - ant Wa-ter — cours- es, Dweltthe 12000 marcato. and si-lent val — ley, By’ the easantwa — - ter - cours - es, Dwelt the and si-lent vaI — ley, By the pleas - ant wa -ter - cours - es, 251. 168 13 sing- - er Na-wa - da i- ha. Round a-bout Indian Vil - lage Spread the sing - er N - - da - ha, Round a-bout the In — - dian vil - lage Spread the . sing: _ ' Round a-bout the Indian_ - lage mead - - ows and the corn- fields, And be-yond them stood for - est, Stood the mead- - ows and the corn- fields, And be-yond stood the for - est, Stood groves of singing pine— trees, Gwen in mer,White in win - ter, Ev—er rail. groves of singin pine - trees,Green in snmmelgwhite in win - ter, EV- ere - mer,White in win - ter, M 1. T, 4-2 0.. 604 3 «~46 8 atempo 1'1’ mf E /—\ sing‘ - ing./\There he sang‘ of Hi — e- 1'}? fa ' A sing- ing. ‘There he 1'1’ h _ {Wag f. fl\ 1’ wa.- tha, Sang the song; of Hi - a - Wa ~ the, Sang his won- drous birth and /5 we» — tha, Sang‘ the song‘ of Hi - a — wa - tha, Sang‘ his won-drous hirth and /T\ A/'*\ Tm £6 - ing, How he prayed and how he fast- ed, How he lived and toiled and - ing, How he prayed and how he fast — ed, How he lived and toiled and ,-4~20—6048l-i68 suf- fered, That tribes of men might pros — per, the, might ad-Vance his suf - fered, That tribes of men might pros - per, That he might ad -Vance his Tin do peo — pie, That the tribes of men might pr0s- per, That he might ad-Vance, he» peo— ple, That the tribes of men might pros—per, That he might ad—vance, .,he .1?" /-'—‘\ might ad — Vance , .................. .. ad-Vance his fit’ —Va11ce, ad - - Vance, might ad—vance, ad - - Vance, ad -Vance his fad- Vance ......... ...................... -- his _ .19" 4- 20~604b1--168 ’l~L’0- 604 81 ~16 3, Part I. N9 3.» Hiawatha and Mudjekeewis. Andante maestoso. 3:60. _ ./' SOLI . All retto. Out of child- h\o‘<:l in - to man-hood, Now had grown my Hi- at —wa-tha, SOLI/"f Out of childhood in - to man -hood, Now had g1'own my Hi - a~wa- tha, SOL]. W/‘ ¥ Allegretto. 0 =1;.'6. v »f Learned in all the lore of old men, Skilled youth-ful sports and pas”. times Learned in all the lore of old men, Skilled in youth- ful sports» and pas»~times ‘ !|'I~’0~60’4?'H~V5S In all man~ly He could shoot an He could shoot an That the ar— row That the ar - row _ arts and arts and 1a- b0I'S. Swift of foot w\a's/ Hi— a la.- bors. Swift of foot was Hi -a /\ ar- row from him, And run for-Ward with such fleet-ness ar-row from him, And run for-ward with such fleet-ness A M6110 fell be- hind_-... him. Strong‘ of arm was Hi - a — f ‘/‘S _ fell be-hihd .... .. him. Strong of arm was Hi - a- At/‘ Menu mosso. J : 108. f i~20~6 048! ‘I168 rfa tempo. wa.- that; 7'3)" a tempo. Wa - that; He could shoot ten ar -rows a tempo_ "if strength and swiftness. That the tenth ha\d/ strength and swiftness That the ‘tenth had \./ He could‘ shoot ten a1'- rows 19 up —ward, up -wa-rd, Shoot them with such up —ward ,up-ward, Shoot them with such left the bow string’ Ere the first to left the bow string Ere the first to earth had fal—1en, Ere the first to earth had fal-len. earth had fal-len, Ere the firstto earth hid fa1—1en. 4-2 0- 504 3,4. 16 as 20 B J: 108. TENOR SOLO. B Much he questioned Old No~ k_o-mis Of his Fa - ‘aha: \—/ Mud-J9-kee-WiS§ Learned from her the fa.—tal se - _ cret‘ of the bean - ty of his moth - er, Of the falsehood of his Fa- ther, And his heart was hot With-in him,Likea 1iv- ing‘ coal his &r '2-2 U- 4&1-465 TUTTI. TUTTI jour - neyed we So he jour- neyed westward, west _ ward, So he jour- neyed westward, TUTTI. So he jour — neyed westward , west - ward , 0 he jour - neyed Westward» Piz? m0.s.s-0. :72. jour-neyed westward, westward To the king-dom of the westward , westward, So he jou1'—neyed westward, westward To the kingzdom of the li~2 0—60§ Si -168 West-wind an- cieut Mud—je _ J’ an — ciént Sat the Mud—je - West-Wind Where, kee - Wis, kee _wis, BASS SOLO. gusty sum - mits f D ' Ru -le1' of Winds of heaven. Bu -ler of the Winds of heaven. L} fl' D ".9" Filled Withjoy was Mud - je-kee - Wis 4 -2 u-60¢ 8l-168 When he looked Hi — ~:a—wa - thua; Sawhis youth rise up .... ..be-fore him. EU In theface Hi - a-wa-the, Saws the bean - -9 ‘CED’ . nah fromthe grave rise up be - fore him,E'omthe g'1'ave rise up be - -fore ‘ c5 E “ \—r L) E TENOR SOLO. .L’z'sfesso tempo. Many days they talked to—g‘ether, Questioned , listened , waited, 3 answered; Much the an - cient Mud-je — kee - Wis boast - of his an- cient F J r «~20-so-is:--"468 accel. malty. Pa, tient ly sat Hi- a - wa - tha, List - ~ P \.a V a tempo. Pie} mossy cresc. But his heart was " L Like a iiv -. - O- 1; P22}. mos-so 6 cresc. a tempo. Then theytalked of Hi- a — Wa -tha’s moth—er, V The beau ~ ti - ful We - no - nah, I: ~ , 4-20 ~60§3i"ll5b Of her birth 91) - on Of her death old No-ko-mihs had re-mem-bex'ed and re — lat— ed. up start — ed Hi — o‘=s0. f Jlaestosu. .f’ f . up start- ed — a — Then rup start- ed Hi — a - Wa. rent the jut - wa - tha, rent the ' V ' crag Ia- sun - der, a - a li '20-60liSl ‘-1"!‘ \y Then Th en - tha, rent the ting;'cra,g-a - sun — up st-art- ed Hi — up startedHi— a-Wa - tha, ,jut—ting crag‘ a- sun — — der , der.,thejut—ting‘crag- a - - sun - der, -Wa—tha1'ent the jut ting (Tag a - sun - der. rent the jut- ting‘ rent ejut-tingcrag‘ it ~ - sun - der, rent the jut-tingcrag jut-ting crag, rent the jut -ting crag rent e crag, rent the jut-ting‘ crag" sun - der, rent, rent the crag‘ rent, rent e crag‘ ............. .. sun - der, sun —der, rent, rent the crag, rent, rent the sun- der, rent, rent the crag, rent, rent the 4.-20~60@8l‘lt'>!'§ rent, rent the Crag‘ rent, rent 9 crag a - crag ...................... .. a - /”"""—"—s sun — der , sun - der , sun - der, ................................... .. them Hur ed them mad-1y at his Hurled ‘ them mad~1y at his '- - der; Smote der , rent the jut- ting der, rent the jut- ting der, rent the jut- der, rent the jut-tingcrag a- sun - der, a - der; Smote - to fragzm nts, Hurled and crushed it ‘ der; Smote and crushed it and crushed frag- ments, ‘ der; Smote and crushed 2nd‘£Q_ at his fa - - ther fa — ther, his fa - ther for his heart... fa. - - ther, at his fa - ther for his madly at his fa - ther for his: heart was 4-20-60481-16 8 for his heartwas hot..... ' With- in - him heart Was. .was hot ' Ya liv- ing coal '~ heart was, heart was hot with - — ' A ' like a liv- ing coal ’ heart was. hot ________________________________________________ _ . coal ; ________________ _ _ But 6’ V4 :1 Li’ 1 But the ru - ler of theWest - Wind ru ler of the ' the fra ments backward from him, blew ........... .. blew the frag- ments bankwcnmbackward from him , blew..-..... the fragmentsbadivsard, But. the ru-ler of eVVest- wind blew ...................... .. But the ru — ler of VVest -wind frag- ments back-Ward from him, back - Ward, 5''}, L20-60&84. ‘J68 *SOL0|STS. I back - ward from seized — mente back - — ward from- him, seized blew the frag- nrents back - from him,_ fragments back - ward from him, seized - ward, back - dragged it, dragged it, dragged it from its ooze the gi — — ant bul dragged it, dragged it, dragged it from its ooze the gi - ~ ant bul dragged it, dragged it, it from its ooze . nhe gi-ant bul dragged it,dragged it , dragged it from its ooze the gi-ant bul *9 the bk} the bul seized the bul ebul - Loud and /‘T -'1-20 -6011 81 ‘ 108 /‘\ long laugzhed Hi - a-Wa — tha, Loud and longlanghed Hi ~ a - wa.tha longlaughed Hi — ah-wa —tha, Loud and longlanghed Hi - a - Wa.-tha 3 Then he. gan ................. .. Then he — gan ................. .. Then be - 4~20-u 04 84-468 ........... .. the deadly con- flict, %\ ........... ..the deadly con-flict, gan the deadly con- f lict, gan the dead-ly con- flict , to hand a- mong, a- mong the to hand a-mong, a,-mung‘ the to hand a. mong, a- mung the. to hand a- Vmqng‘, a. - mong the From his ey- ry sc1'eamdfl1e moun-tains,hand to hand moun-tains , hand to hand moun-tains, hand to hand moun-tains, hand to hand ’.2\ 4 ~' 20"-6043 1 ~-1 as zs ea- - gle, Sat hand to hand,hand to hand hand to hand,l1and to hand hand to hand, hand to hand hand to hand, hand to hand the mountains . the mountains . the mountains. the mountains. / "‘\ /"\ /'\ up — on the crags a-round them , Wheeling‘ f1app’d his wings a - bove Q Wheeling flapp’dhis wings a - hove , \L VVheeling" flappd his wings a. - hove Wheeling £1app’d his Wings a- hove 4‘ 20~804Si-l68 Like it Like a tall thee in the tem— pest Like a tall tree in the tem - pest \/ bent and lashed the gi - ant bul - rush, And in bent and lashed the - ant bul — rush, And in lashed the gi — ant bul — rush, bent the bul - - hul - — rush, And in masses huge and hea- vy tall tree in the tem - pest tall tree in the tem - pest bent , bent and masses huge and hea - vy masses huge and rush crashing’ fell the fa - # I - 2.0-30431 -168 crash.-ing‘ fell the Waw-beek, like a tree in tem— pest bent the bul ~ rush crash- fe . waw.beek, like a. tree in tem— pest bent the bul — rush g‘i - - ant bu1- rush, like a tall tree in the K‘ Waw— beek,crashing,fel1_ crash - ing‘, like a tree in the tem - pest crash- ing‘, crash - i»n'g' fell the Waw - beek, crash - ing bent the - rush‘, tall tree the tem - pest, crash - ing‘ tem _ pest bent and lashed the bul - rush, crash — in ' bent and lashed the - gi — - ant bul - rush, I‘:-rash- ing waw — beek, fe1\1'/ the — - beek, like a , crashing‘ fell, fell the Waw — beek fa — tal Wa - beek, crashingfell, fell the waw — beek , crash-ing‘ fell, - beek,.--.. 4 -20'60481-108 tall tree bent the gi, - ant, the 4 -crash- ing ‘Ky bent and or ash — bent and lashed crash - ing bent the. gi _ crash — ing fa _ tal waw— crash—ing, crash- ing fell the fa - tal waw- beck, tall tree in the tem— pest, crash - ing fell the fa - rtal fa - tal waw- beék, fell, fell the fa - tal waw- beck fell T waw_ beck, crash - ing, waw- beck, f the fa — tal waw- beck, crash- ing~ fell the fa.- tal waw- beek,fe11. the a- tal waw-beek, waw - - - beek, fell the fa- tal crashing’ fell the fa — tal waw- beck, fell a~ tal 1, ’1—2(|"6()f1."4l-463 crash- ing, crash-ing', erash- mg», . crash- ing, waw-beek, crashing‘, — ing Like a tall tree in waw- beek, leshed the bu] rush, fell the waw - beek, crash - ing‘, waw— beek, the bul- rush, fell the waw- beek, crash — ing ‘V’ A Like a tall tree in the tem - pest till the earth shook Withthe tu— mult, shook withthe con- - pest, ’ ' tem-pest tillthe earth shook Withthe tu - mult, shook with the con- I Like a tall tree in tem-pest till the earth shook with the tu- mult, shook with the con- u A _ a tall tree in the tem~pest earth shook with the tu - mult, shook the con- 3 3 - sion of “the hat- tle and the air was full of '1-20‘-60481 - H55 And the thun-der of moun - tains start— an- swered And the thun-der of start- - sweréd And the thun-der of moun - tains start-ing an —sWered' And the thun-der of mountains starting answered , start-ing an - swered wa!Baim- wa - _ - wa, 1” Baim- Wa - wa! — Baim-wa-wa!Baim- wa - - -wa!Baim~ Wa —‘ Back re -' treat - ed Mud-je - kee -wis, Rushing /\ "31" km. treat- ed Mud-je - kee - Wis, Rush—ing /‘\ ... L’z'stcss0 1” 4--2‘o~eo4s4-4es west-ward o’er the est- ward o’er the -days I-e-treated fighting‘. . days re - treated fighting, Still pur— suedbbyHi- a - wa- tha! moun-tains, Stumbling west-wa1-d o’er the moun-tains, Stumbling west-ward o’er the mountains,ThI-ee whole mountains ,Three whole pu1'— sued by — a - wa — that, N To the door- ways of the To the door - ways of the q~20—¢iU 481- M519 West-Wind, 0 the port — - als of the west—wind, To the - M set, To the earth’s re - mot - est earth’s re- xgot ~ est the emp- ty spa - ces Sinks the sun, flamin - go Drops in - the emp - ty spa- ces Sinks the sun, as a. f1amin.- go Drops in- -/"\. ores - 4~20—60’a 8'1-168 her nest at night — fall, In the - an — chol - y marshes. 1'1’ to her nest at night.- fall, In the 'mel - an» chol - y marshes.» can - not kill th’im - - 4-20-00 48l"488 \ I 11101‘ - ‘t'<11!------ . I have put you to this mil. tri - al, But to know your strength and courage; Now receive the prize of val— or! \- 19 Slower. Go back to your honie and Pomposo. J _ 66 4: FR 7'1‘ 5 peo - ple, Live a-mongthem, toil them;C1eansethe of all that it, ..... .. Cleansethe fish - — ing grounds and 4 -20-00451-4624 riv - _ ers, Slay all mons-- ters, slay £f_* E last when death draws of Pan - guk Glare up- on you near you , VVhen the aw - Vful eyes .2" the darkness I will share /‘T in poco accelh _ f 4 ‘-2 0- 60484 ‘ifih shall be thence — T _ west—Wind Kee — (X _ wind, the Kee — . Way -— din, Of the K€9"'W3«)' - din: 4-20-6048 {-168 CHORUS. Thus was fought the fam — ous 77;/‘CHORUS. us was fought the fam — ous m , ' Faster. 0 .— 96. bat— tle In the days long‘ since de — part — ed king — dom of the bat- tle In the days longsince de — part- ed king - dom of the L. _:\_____?_. VVest-Wind, In the king — dom of the VVest-wind. Still the hun — ter sees the L- West-wind, In the ~ king- dom of “est-wind. Still the hun - ter sees &‘2 0-6 0451-4158 7-all. es dim. traces Scattered far der and -ley, tra-ces Scattered far o’er and val-Iey, rail. e. dim. traces Scattered far o’er hill and val-ley, J. o’er hill and val - ley,o’er hill and va1- ey, o’er hill, 0’erl hill and vlal- ley, o’er hill, o’er hill. Vale , f 1» bul-rush grow- - ing By the bu1— By the easant ing, grow — - e pleasant ing, grow — - ing‘ By the pleasant T 1' Vale , ...................... -- o’er hill and vale ..... .. 0 o’er evry ev — - ’ry far ................... _. o’er hilk and val - - 0- H1 vale , Sees the vale, Sees vale, Sees the Sees the wa -ter _ cours Wa- ter - cours wa - ter - cours wa- ter - cours gi - ant bul-rush By ev - ’ry OW - gi - ant bul—rush grow - the pleasant By the By the pleasant e p easant §‘20-604811 6 8 wa.~ telucours - es; wa-.te1'_co1u's - es; . \_.7J ‘ the masses of eWawbeek /‘ Sees the masses hf» the_tWawbeek T still in eV_’ry va1—ley, Ly-ing‘ still in ev-’ry still in ev. ’ry in ev.’ry val—1ey, Ly-ing‘ still in ev -’1-xy Ly- ing still Sees the masses of the Wawbeek, - Sees the masses of the Wawbeek , Va-l— Val - ley, ................. .. val-ley, Ly- ing still in evfry val— ley, Ly- ing‘ still /1-20-60481-168 L g./E" 4-20—G048~l_l65 Part 2. N91. H iawathavs Wooing . Andante. d]: 50. 5 19 IE?’ Tanon.” “As un-to the how the hem is, So un-to the man is W0- man, Tho’ she . r—‘\._‘ \___J/ bends him she o - beys him, Tho’ she draws himyét she fol - lows. , (N {*3 / ‘ Use-1ess each without the 0th — er!” 4 -'20- 60451-£68 . , Thus the youth-ful Hi - a - wa-tha said with-in him ~ self and pon - dered List- less, long- ing, hop - ing, fear - ‘mg, Dreaming still of Min- ne - 1; d ii” hm Of the 1ove—1y Laughing VV -ter In the land of the Da- co - tahs. B CONTRALTO. B Stesso tentpo. 4-20-60481-16 8 your peo — —' ple,” Warn-ing‘ said ....... .. /" "\"‘\ Bring .\/ maid - Bring not here ...... .. \—...Z' \_j Hands un- skil - - ful, feet vL::.ft.f..?fLFLf_1‘"-LEII.L1‘”Lf C can an-iymz‘. the old No—ko - - - mis; not .. a use - less ‘\2 $2 un - wi11.- - ing; Bring a accel. and hand ....... 86181-1875 -....that work ‘to - geth er - ~- Heart and Hands ___________________ _, thatwork to - geth... er _______ __ Ta. '. arm ‘ D {T "f/""‘\ . - “J Smll - - - mg‘ answeredfli - a. - wa - tha ______ ,_ -4.v ~ - -~ “In the land of the Da — co- tahsLivest_he arrow-mak- er’s daughter, Min-ne- /\ Un poco pie} allegro. L63. ;/ I-20-60481-16 8 ha-ha Laughing‘ Wa — ter, Hand-som - est of all the W0. men; I willbring fl her “to your wiguwam She shall run up-on your eluraxlds Be your 1' E , ‘T f / ‘~ rail. moonh-,lig'ht,star- light, fire - light, Be the sun - - light of my‘. E v CHORUS. _ Allegro. 715/" Thus de— part- ed CHORUS. CHORUS. . f Thus de-part-ed CHORUS. Thus de - - part — - — - ed Thus de- part-ed /5 P12} allegro. J :96. J. 4 -20- 6048{~l68 53 wa- tha,Hi— a-Wa.tha,To the land, to land of the Da— co- ,the Da-co-tahs,To the Wa- tha,Hi- a -wartha,To the land, to the land of the Da - co—tahs,the Da- co-tahs,To the - tha, 8 land ................ .. of the - co - - tahs,_,.,.. To Da- — co - tahs, To the land, to the land of handsome wo land, to the land of handsome wo land ................ .. of handsome wo { land ................. .. of handsome "sf Striding ov— er moor and meadow,moor and meadow,with his Striding ov-er moor and meadoW,moor and méadow,with his th his Stri-ding ov - er moor and mead - — - ow, Striding ov—er moor and mead - ow,‘ with his. 1 -.20- 60485 -168 moc- ca-sons of mag'- mile he measured Buthis moc - - ca- sons of mag _ ic At each stride a mile he measured But his - - easonsofmag - - ic At each stride a mile he measured But moc- ca- sonslof mag- ic At each stride a measured But his foot- steps jour- neyed with — out. foot - steps jour — with - ou foot - steps ' jour fo ot - s And jam‘ 4 — ing, ~ ceas — ing. _ mg, ‘ ceas - ing, - neyed with - out, ceas - ing. - _ neyed ceas - ing. 4-20-60481-4 68 4-20-60481-188 CHORUS. CHORUS“ out - skirts of the cHORus_ out — - skirts of the CHORUS. out— skirts of out — skirts of 12000 mil. Wmm /‘,.'_'\T for - est,"l_‘wixtthe shad — - ow and the sun-shine, Herds oi‘ - lowdeeruere for est, ’Twixt the shad — ow and the sun — shine, Herds of fal-low deer were f - for , ’Twixt the shad — - ow and the_ sun-shine, Herds f — low deer were est, ’Twixtthe ad—ow and the sun-shine,Herds of fal - low deerwere H feed- ing, But they not Hi- a — wa — that; ' bow ...... .. he Whispered t ing‘, But they Hi — a - wa.- tha; ' bow ...... .. he whispered feed- , But they saW__...... not Hi - a — Wu - that; ' how ...... .. he whispered . feed- ing, But they saw not Hi - a — Wa — tha; ’ how he whispered 4-20- 60§8i-168 //_-_\g ' _ <1 14/‘/_\ not!” To ' ar- - row Whisper-’d“S\vervenot'.”v Sent it sing - - ing on not!” To ' ar - row whisperH“Swen'enot!” Sent -ing not!” To ' ' ‘ ’d*‘SWeme 1” Sent t sing- ing . -<=::::: not!” To ' ’d“Swervenot!” Sent. sing- ing —-=:::::: zgip er- 1-and To the red heart of the roe.buck,To the red heart of the‘roe-buck;'I‘hrewthe er‘: ra.11dTo the red heart of the roe-buck,To the red heart of the roe-buck;ThreWthe er - 1andTo the red heart of roe.-buck,To e red heart of the roe-buck;Th.rewthe er - ra.ndTo the red heart of the roe-buck,To the red heart of the roe-b_uck;Threwthe eer..._.._. upon his shou1-eder, And sped‘for — ward paus - ing, deer ...... .. upon his shoul- der, And spedfor‘ - ward without pans - ingx. deer up-on his shoul — der, on his shou1der,And sped ’ forward ’ pans - ing. deer up- on shoul - der, up- on his shou1der,And sped.‘vforwardm'thout paus— ing. ,5-20'00£8l-168 -‘B CONTRALTO SOLO. mp At the door - way Wig - wa.m Sat the cient ar - row ' . 0:58. 4.21» a 04 81-16 8‘ mak— er, In the land of the Da- co - tahs,Making ax"-row heads of jas-per J sormmo SOLO. ,, ml) J dolce‘ V ‘ /“At his side,in alt her beau- ty, tsat the #5321 \~—-—————~</ - . . . ‘*2 _1ove-1y Mm- ne — ha - ha, Sat h1s daughter,LaugiungaWa — - ter, ‘P1a_it-ing mats Mi \_/ ........... ..of flags and rush - es, Plaiting of flags and rush - es, Of the past hr. ‘ A T’ KJJ poco ml]. .... the old man’s thoughts were, And the maid- en’s of the fu - ture.A T9’ :[____:___;=___ ‘A a tempo. 12000 4- ~u0§s1 »-168 eé___._________,/ BASS SOLO. Pic} alle 0 cont am'ma. 7'0)’ G.7'¢"/‘9- grcresc. He was think- ing, as he sat there, Of the days whenwith such ar - Piz} a . J:96. T .f' He had struck the deer and bi : son, On the mus-ko - day, the meadow,Shot 7‘ F\/ .25” wild g0ose,fly- ing southward,On the wing the clamorous Wa-wa. Think - ~ ing of the 0 f .2 par - ties........ How they came .............. .. to buy his 3 I~20~ ($0481 ~16!‘ - rows Could not f ight ....... .. ........ .. without his ar molto meno mosso. L12 Ah! L mollo meno mosso. no more such no - ble E SOPRANO SOLO. 7”’ 73‘ She was V1’? 1734.3 War—ri0rs Could be found ........ .. on earth as :4 In J? IL} .._...._._..- .P2'2} allegro. thinking of a hun - ter From an T Pia} allegir-0. J : 84. 4- 20-60481-168 051/— er tribe and coun - - try, Young‘ and tall, and ve — _ry hand — some, Who one morn - ing-' in the Spring- time Came to buy her fa - the:-’s ar - \./ Sat and rest - ed in the Wig‘- wam,Lin- gered long tam» - I do . molto M . .a tempo. door- Way, Look- i11g‘back when he de - — part — - ed. She had muzto a tempo. \./ heard her fa — ther praise him,Praise his cour— age and his Wis - - dom, 5-20-60l8l-188 W’ memo mosso. Would he come a— gain for ar- rows To the falls of Min - ne - -=:=—";—.“ meno mosso, ha - ha? On the mat her hands lay i- dle,And her eyes were ve—ry /5 thoughts they heard a foot- step,Heard a. rust- ling in the b‘1ranch—es,And with glow- "mg cheek and fore-head,With the -4- 20- 60481-165' deer up - on his shou1-de—r, Sud - den - ly from out the wood-lands, N BASS SQLO. Straight the an - cient ar - row mak— er L 1111 grave- ly from his la — bor, Laid a - side. th’un—fin-ished ar — row, Badehim en- ter at the dooxuway, Say — ing V In-3.’.0~ 601481‘! 68 as he rose to meet him, “Hi- a - wa- tha, you are Wel — comet’ Q /\ SOFRANO. Then up- rose the Laughing Wa - ter, Laid a - side her mat O fin~ ished,Broughtforth food and set be-fore them 7 Wa—ter brought them from the brook- 0 Listened, ’ listened while the guest was speaking. ]'\_/— 1.! ml]. But not once her lips she opened,Not a single word she uttered. 1 O : 60. .I.\ dolciss. T K2.’ ° V ‘ 4.. 20-60481-168 man — — y years of war- fare, Man-y years of strife and blood—shed,There is peace between th’0 — jib-Ways And the tribe of the Da - co - tahs.” F.::L__. Thus con - tin _ ued 4-20 _ 150484-188 And then ad - ded, speak- R “That this peace may last for - R_J:76. mp ev - ex: Andour hands he c1asp’d more close—ly, And our hearts be more 11 — mama to. Give me ' as my wife thiSmaid-en , Langhingwa — - ter, Love- - liest of Da- co - an 20-60481 ~-[.68 \o______jL___’J BASS" Malta modemto. /5 And the an—cient arrow - maker Pansed a. mo- ment ere he" answered ,A A ’ A E‘ Smoked a lit-tle while in si—1ence,Looked at Hi- a - wa-tha proud~ly, Fond-ly /Z\ looked at Laughingwa-ter,And made an— swer ve-ry grave-1y: “.Yes, if Min-ne-ha-ha m . S wishes;Let your heart speak,Laug'hingWater.” S 1’? l4-20- 604-81~l0H SGPRANO. mp cresc . .5. love - will ing nor re- luc - tant,As a- tem Soft — ly took seat a tempo. molto rail. it: ly Laug‘h— ing'Wa - ter Seemed more love — be- “I will follow you,my husband?’ J). as she sat there,Nei - ther rail. molto. she went to Hi - a-wa — /7\ .7111]. mo/to. side him,While she said , andblushed to D; vivace, /5 /_\ tcnzzgu # 4 - 20- 60454- 168 " tha,..... ., , SOL! . 7)/'¢'4{llb’g'7'0. This was Hi- a - wa— tha’s Woo-ing! Thus it was he won the da11gh—ter.._.. SOLI. ” was Hi- a. — wa.-thafs woo-i_ng! Thus it was he won the dangh- ter..__ Z''\ »/ Allegro. : 176. pow rail. Of the an - cient a.1'—roW makyerh In the land of poo-0 rail. 01' the an — cient axurow mak-er In the land of 12000 rail. 1:‘ 2U~ 60481 "168 71 /5 a tempo, T tahs! From the Wig‘—Wam he — part-ed, Lead—ing‘ With Lang‘h—ing - /5 A a tempo. tahs! From e Wiguwam he (16 — pax‘t-ed, Lead- ing‘ th Laughing‘ - Hand to hand theywent to - g'eth- er, Thro’ the Hand to hand they went. to — g'éth- er, Thro’ the Wood - land and the Wood - land and the 4-20 -30484-1158 CHORUS. man stand - ing lone - 1y At n H 4 I 1 IF‘ 7 Wig‘- wam, Heard the falls 0 Min-ne - ha -ha Call- ing to them from a - 5. MI L . 4 N1 11; x ‘L i I I [K H x\ n I\ I 1\ A I r V v r 1 K I . - I i x no 1 I\] Ar 1‘, wig*-w:m1,Heard the falls of Min—ne -, ..ha.- ha Call- ing to them from a ~ I 1 I H R‘ K 4 I 1:\ 4 A k L IN‘ KY 4 I l\ A A 4 I V V I Y Wig’-wam, Heard the falls 0.1’ 7 I Min-ne -. ha. — ha. Ca1l- ihg to thhm ti;-m fia 49 1] If 7 a’ a ; I] I I I) I 1 TI r_ r r r _r r 8 r Wlg-wam,Hea.rd the falls of Mm-n A W T} V I fl fix’ if rfi Es ’-”V-? 1] 1/]! 1] I) V r r r r - ha - ha Call - ing to them from a - 4- 2o~ eons:-ms off§‘Fa.re thee Well, 0 Laughing Wa thee well , far off,“Fare thee well, 0 Laughing Wa . thee well, off,“Fare thee well, Laughing Wa . thee well, - off,“Fare thee well, Laughing Wa. . . V. e thee well, 0 4- 20- 60!. a4- ma Laughing Wa — ' ' LaughingWa—ter! Fare thee Laughing Wa — , Laughingwa-ter! Fare thee Laughing Wa - ' Laughing Wa.-ter! Laughing Wa - 4 Laughingwa-ter! Fare thee 4-20-6045l— 168 fare thee Well ! Well ! fare tixeewell ! ........... .. thee well 1 \./ ........... .. thee well ! ........... ..thee well! fare — \/ ........... ..theewel1‘. fare — - l~20‘O0481-168 theewell ! Oh! fare thee well ! thee well! fare - — well ! thee well ! Oh ! fare thee well ! theewelll, fare - - well! fare - well, ........... ..farewe11! fare - well, ........... . . farewell - well ,- — fare-well , fare - I ‘ 20- 0048! ~i 08 ........... .. farewell ! . ........... .. farewell ! fare - Well! 1'1’ creso. e mll. CHOR ' . ' cmdante. All the went with them , Paco audante. th travelling winds went withthem, All the travelling winds, ............ .. all the travelling went them , all Paco amdante. : 69. W,» /"'\" All ............................... ........................... .. stars looked at them All the stars of night looked at them ’ went Wm, , went with th , went with them , All stars them /'\ went with them, .... with them, All stars looked at them . A 4‘20-604 81 -46 8 Watched with sleepless eyes their slum birds,the birds sang‘ sleepless eyes their slum ‘ S 1191'» the birds sang" W with sleepl eyes their slum — - M1’, the birds sang .9 <'\ . VVatched sleepless eyes their slum _- her the birds sang- . . loud and sweetly Songs of hatp- pi - ness loud and sweetly "Songs of hap-pi - ness andheartsease. loud and Songs of hap‘- i- ness , From the sky the sun be.Li1ig.nant h______§___,/ _ loud and sweetly Songs of hap- i — ness ........................... -- The From the sky the sun beinigznant Looked ' em thro’ e branch - es, Said un— The- looked thro’ b1'anch — es» Said 1111. Looked up - _ on them, 1) -on thro’ branch - es,Said un- Looked up — - them thro’ branch — es, ........... .. Said un- & ~20~30481-16 S 79 —to them:“0 my chi1.dren, Love is sun- shine, hate is sha-dow; Rule by 10%;”... rule by -to them:“O my chi1.dren, Love is sun-shine, hate is sha- dew; Rule by love,..... rule by love, .... .. rule by love, 0 Hi — a —Wa - tha! Rule by love, 0 love, .... .. rule by love, 0 Hi - a.~ wa - tha! Rule by love, wa - tha! The moon ...................... _.' .............. .. filled the lodge..... with mys—ti0 wa . tha! om the ky ....... ., the moon looked a_t the , f ........... ..thelodg‘ewithmyS~tic wa - tha! From the sky the moon looked at lodge with mys —tic wa— tha! The moon looked at them, filled Xlodge with mys 0 V 4 -20- 60484 -108 sp1en-dor, Said un- to them: “O my children, Day rest-less.,day rest- less, < > < > sp1en.'dor, Said un- to them: ‘-‘0 my splen-dor, - to them: f.\ splen_dor,Said un - to them,- puco cresc. qui- - et, ' Man im- per’-ious, \./ n . qui - - — , qm Man im - per-ious, wo-man ui - et is i- et. Man im- er-ious wo—man -q ’ 3 (Pl ’ or-esv. p ’ qui - ~ et, night is qui- et, Man im - per- ious, Wo - man paco creso, fee-b1e, Half is mine ....... .. al-tho’ I ‘fol - low; by pa _ tience,Laugh- ing ee—ble, Half is mine ....... .. a1—tho’ I fol - low; by pa — tience,Langh- ing fee—hle, Half is mine al- tho’ fol - low; by pa- tience,La1ighing fee—ble, Half is mine a1- tho’ I fol - low; -1 -zo-ooas4‘-.435 ater; Rule by Water; [Rule by ” f VVate1' ; f\fl\ home —Wa1'd, Thus it was .............. ..that Hi- a - home -ward , Thus it hand- som—est of all the hand-som-est of all the wo ~ men From the From the Rule by patience Laughing VVa- ter.” Thus it patience Laug'h- ing' Wa- ter.” Thus it was f.\fl\ was ,’—————§\ /. P122 allc-gm. 3:96. wa - tha Brought e was ............. ..that Hi—a. - wa- /"“"“\\ of hand — some land of hand - some 6'20-Bflfifiimlfifl was ....... .. was that was that men; Thus ' men; Thus ' men; Thus men; Thus ' J ..... .. thatHi- a- Hi- Hi- mis , Br ought the mis , Brought the mis , Brought e mis , Br ought the Wa - tha. wa - tha moon- light, star _ light, oon - light, star - lights _ light, star - light, moon-light, star - light, (-2-0-604251-'ll$?§ 7%’ cresc. Brought the 0I'6’SC. light, light,Bro light the 0.'T'€-5'0. fire - - fire - — light,Broug'htthe crass. 77¢’ , Brought the 4 -20-00484 -ma moon — light , moon - light, moon - light, moon - light, St-31' - lights star - light , star - light, star - light , A fire - - light; Broughtthe fire - fire - fire - /1'\ - light ; Brought the /5 - light; Brought the F5 . — light; Brought the Part II, N9 2. 2(3L)“0naway! Awake, Beloved!” SOPRAN 0 SOLD. Andante g-razioso. J: 58. K5 ml’ On - a. - way‘. a.-Wake, be _ 1’ 6’ E Thou the wild—f10Wer of the for - est!Th0u the Te:o.e»1e°e1e wild - birdvof the prai _ rie'.Thou,with eyes so soft and faWn—1ike'. On— a _ » f\ way! a-wa.ke,be- ldv - ed! If thou 4- 20~6048lr 188 A on— ly 1ook- est at me I am ha.p—py, sI— hm ha.p- py as the A lil — ies of the prai—rie When they feel the dew up - on them. Sweet thy breath is as the fragrance of the wild flowers inthe morning, Astheir ‘V B fra- grance is at even- ing In the moon whenleavesare fall-ing'. 1' Does not the blood with- in me Leap to Q-20 -6048! - 468 meet thee, leap to meet thee as the springs to meetthe sun- shine In the f j“>’ ‘[3 f 1’ 12000 maircato. moon when nights: are bright — dim. 6 mil. On _ a - way, my heart sings a ' tempo primo C Sings with joy when thou art 4 -20-60484-'l¢58 1’ near me, As the sigh - ing',singing‘ branch-es In the pleas - ant means of spring— time! On— a - Way, myheart sings to V /5 Dmp When thou art not p1eased,he - lov - ed Then my poco maroato; is sad angl darkened As the shin .~ing' riv- er . dark- ens When the F ' ? ': ~ pr clouds drop shadows on» it. 0'2 0- 60 481 -1 6 8 smil - est, my be — 1oV— ed , Then my troubled heart is 1ig'ht- ened As in “T sun— shine gleam the rip1 ples That the cold Wind makes in E Smiles the earth and smilewhe Wa — ters Smile» the cloud - less skies 95%. smil ~ ing VVhen than 12000 mare-a2‘o 5~20—60v-'48-I — 16% Blood. of my beat - ing-heart 3 be - lov - ed! ................. .. On - a - - Way, a,-wake,be - f.\ . 1-20- 60481 -«.1615 Part II, N9 2(1)); The Dance of Pau—puk-keewis. CHORUS. ( You shall hear how Pau—puk—keewis Danced at Hiawathms wedding‘. Old Nokomis-.< :4 >: said,:< >4 ‘r= “Dance for us your merry dances That the feast may be more joyous, That the time may pass more gaily.” Then the handsome Pau-p1Lk- keewis, Y K :< . x X Bose among the guests assembled, >4 :4 z: » x x 'I‘o the sounds of. flutes and singing, To the sounds of drums and voices, And began his mystic dances. ) Andante moderate. mp SO -6111]! meas - I Andante moderate. 0 : 50. Andante moderato. mp. so1-emn meas - . '3‘? In rehearsals the drum notes,whenever practicable,should be played upon the Piano at the fiitch indicated. (The theme of this number, comprised in the first nine measures,is a song of the Kwaliiutl Indians. I am indebted for it to Mr.H.E. Krehbiel who took it down in the course of observing one of the tribal ceremonies.) F.R.B. /3‘ ‘.‘(|‘60’A8l ' ‘Ibis ' out _a - mong pine ees, in In and out ‘a. - mong the pine trees,in mong the e ees, Thro’ the shad-ow and the snn-shine, out a -mong the nine trees thesun-shine. 1,1) B ____ 171’ 6-20—60€8l‘lli‘8 like a panther, ah, .0. 'I‘red-ing‘soft—1y ah, like a panther, treading s0ft—1y like a pan-ther, A 2 5 51:. Then more 'I~k’0—60'gR I-10% swift - ly :1/Zr: m. Pie} allegro. . 8 . . . - - - . — . . . . . . . . . . . . _ .. B- Pzfi} (tile leaves 4‘20~6048l-1l38 . 1 Presto. U . I g I I O 9K‘ ¢3'nd_P_6d.K.-2 915 ,2» , ed. In-estz'ss imo . V, 8 = ' ' ‘ ' ' ' ' ' “ ' ‘ ‘ - - --Y - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -‘ - - - - - - - - - -,i .19" prestzlvsimo. §-20- 60481-16?! Part II. N9 2.(c) “When I think of my beloved!’ CONTRALTO SOLO. Paco andante. J ; 84. Then a- gaill SaI1g"Chi ~ bi — a -bos, sanga song of love ..................... .. and longinggsang‘ a maiden’s la -men-ta.tions for her 1ov_ er, her Al — gon — quin. J? i-20-00481 ‘468 ,5 Pm vwo. Whenl think of my be - 10v - ed, Ah,me! think of my m P52} vivo. J :96. T-=‘*“—-‘—’————“““"""" F gon - quin ,VV hen my heart is t11ink- ing‘ of ....... .. O my sweet - — .=::::: ,2--.\\ O my sweet — hea1't,myAl - gon - - quin, ’ A gon— quin ! h _ ¢-2orso4s4-165 Ah, me‘. when I parted from him Bound my neck he hung the ;\vg\. k\. B wam- pum as a pledge, The snow—White, snow - White wam - pum , ‘sweet - heart , my A1 _ gon - quin , O , my sweet-heart , my A1 - go with you , $‘___:;j i mollo port. _'\_\~___.. WhiS- pered , Ah ................................ .. me‘. to your nat - - 4;-2 0*6048i -1 68 can cmima. coun - try Let me go with you,he Whis- pered, ‘ix t/' P27? alle 0. Far, ................................................................................... -- ‘ff Pz'z2 allegro. J: 108. E O , my sweet —heart, I-20-60481 - 138 me! is my na - tive coun - try, Ah 9 Z? sweet ’— heart,_ my A1 - gon - quin , 0 ........... .. my sweet - heart! , /<§‘\ \ /””_—‘_—:§\\ con Mia. 25 /’-'f"‘\\ 4F2U_6048i-l38 VVhen I looked back to be - - hold ........ .. him wherewe part — — ed to be - hold ........... ..him, At‘— ter he still my sweet — , 7716 71/0 .m0.s-s 0 heart, V ’ - - heart,my sweet ~ ii a tempo. 1? \ , 0 I My Al - gon _ - quin, By the tree he still was # \_/ calla 12003 1 1’ ‘O’ 4.20- 6045!-I6 8 standing, By the fall- en tree was stand — ing That had dropp’d in to - the my sweetheart, my Al - gon-quin! .7” think of my be - - lov - - ed, Ah me! think of my 4-20 —60lA81‘ltEfl lov - - ed," When my heart is think- h sweet . - heart , 0 my 0 my (‘T my sweetheart, O ................... ._ '/LJJA J’ -ob Andaiz te. .................... .. sweet - heal.-t, Andante . sweet — heart,myAl- gon — - _ ’\_/ mg‘; of ........... .. - quin, 4-20 -60481 ;- 168 Part III. N9 1. The Famine. Allegro moderato. J : 126 . CHORUS. Soprani . 0 the long and d1-ea» ry the long‘ and drea-ry Ev-er thick— - era -er thick- - er, Ev— er thick - er, 4' 20-60484 -465 thick — er , thick — er, thick - er thick - er, Ev-er Ev— er deep - er, Ev- - er B land -. scape, thick - er , thick - er, thick - er, thick _ er, V d 7'' Bl‘, deep — er , /\ deep — er T‘? Fell the Froze the Froze the cov — ’ring‘snow and drift — . on lake and Froze the lake lake Froze ..... .. the iceon lake {T snow o’er’ all ... "' ........ .. the de -er fellthe snow o’er. deep-er fell the snow o’e1j al1._.._' ...... .. the snow o’er all he the 8: — ed Thro’the for - - A {'3 cov ~ ’ring snowand drift - _, ed Thro’ the for - ‘- &‘20-6048 1'‘! 6 8 est, round the est, round the Hard-ly from his bur — ied _}’}’ Hard-ly from his bur - ied force a pas-sage; bth his mit-hens force a With his mit- tens‘ Pa5‘538'95 Could the hun—ter Could the hun-ter Ha pocu and his hnowshoes 17000 and his snowshoes 4 -20-6048 1-108 12000 f D Vain—1y Walkedhe thro’ the for- est Sought for bird ./' vain—1y walked he for - est Sought for bird ’" D f V beast, and found none Saw no track deer or rah -bit, ‘In the snow "h h‘ s tto woe beast, and found none Saw no track deer or rab_bit, In the snow «*7; sotto voce held no foot-prints, ghast - - ly gleaming for- est ghastly gleam - — ing for—est held no foot-prints, ghast — — ly gl for.est !A~20~0048l~ 168 E and could not rise from Weakness, Perished there from cold and and could not r from weakness, Perished there from cold and fam- - ‘me and -Othe fam- — - ver, 0 the - ver, .0 the A fe - Ver!The '4~20- 60481‘ 168 O the blast - — — ing", the 0th .b1t-— —.—t -’ " ‘L-————\ mg fig _ 0 the blast - '- - - ing 0 the_ blast - _ ing of O the wail - ing of O the wail of the of the child - ren , the wail - ing o>f child-ren, the Wail - - ing bof wan _ of - ren,the Wail — of child — mm the wail £11 ,LA£4 4-20-60431» uss children 1 4-20—60l81~J6 8 TENOR SOLO. J , Tempo ad lib. = 0 Forth in - to the emp—ty for- est Rushed the mad — dened Hi - a- wa- tha; f ........... .. he with his face up - lift- ed In that bit - ter hour /5 L} fl A/\ fl _ /\ mp tenqao “Git- che Ma - ni - to, the Migh — ty 1 Give your 7"0d""“[0- M061, 6' cresc, chil - dren food , 0 Fa- ther! Give us food, or we ‘ must per- ish‘. Give me 1) tempo mode/rat‘o. 610095 6 07'6’-5‘0- WLBNO ’/II/0880. g food for Min — ne - ha- ha; Formy dy - ing~Min-ne - — ha —- ha!” f ’ meno mosso. M- 1» rs~2o~604M -468 re,- sound—ing for -, est, .20” Me. Thro’ the far re— sounding‘ for - est, 'f/pdndante. J = 88. fie _ Va —' cant Bang‘ that cry of des — o - la - tion, of des- o - la.-tion, Bang cry Than the ech- o of his cry-ing, Than the ech- o of his cry- ing, Thro’ the 1’ But there came 1’ for. - est vast H ' no oth - er But there c'a.me 1’ . Than the Than the H ech- 0. ech- 0 4*20~ 60481-168 11 10 PP}? wood — 1ands,“Min-ne - ha — ha! Min—ne - ha. - ha!” 171’ wood - 1ands,“Min_ne — ha. - ha! Min-ne - ha - ha!” CONTRALTO SOLO. In the Wig- wam with N - ko _ mis , With those g1oom—y guests that I watched her, With the fam - ine and the few er , Shewas ly ~ ingthe be— M V Laugh- ing Wa - ter. 4- 20450481» 168 SOPRANO SOL/'0.» Hear a Hear the falls 4- 20- 60481 ~ 468 C§ntf,‘_“,1,;c-- from the dis - tance No,’ my child , night - — Wind, ___________ _. it is the night — 1’ standing pine - _ trees. No, my child! his wig- - Warn,‘ Beck + — ’ning to me from his 4520-604 51 -1 68 my child ! No mychildl ’Tis the Glare up — on In the land of the Da — C0- :17)/—$ Ah! ............ .. the eyes beck- ons that Waves and smoke in the dark - - ness Clasp -ing ’c—'€0~60481‘J6h dark 4 ness! my child ! 4-2-U -60681-1 68 Heard that 4~20-$0 481-168 sud - — den cry of anguish, Heard the voice of Minlne - ha — ha, sud - a den cry of anguish, Heard the voice of Mim1e—ha—ha, that sudden cry of anguish, Heard the voice of Min-ne - ha - ha, that sudden cry of anguish, Heard voice of Min—ne - ha - ha, wa—tha! Hi-a - wa — tha!” /3\ !” Over snow—fie1ds,waste,and pathless Under snow en.- SOLO. Wa-ho- no - — win!Wp»ho- no _ — cum-bered branches Homeward hurried Hi- a- wa-tha; Heard No-ko - mis moaning‘ Wail - 4-2o-- sous: -168 Would that I had perished or you! Would that I were dead as you are! Wa—ho-now - ing. \/ ~\_/ in!..... Wa-ho— now— In!...... TUTTI. TUTTI-And his heart Within him TUTTI. TU-rn And his bursting heart With-ill him Andhis burst - — in heart With-in him M9750 L? Uttered such a cry of an - guish That the for - est moaned and shud-dered Utteredsuch a cry of an- guish That the for - est moaned and shud-dered Ut - tered such a cry of an--guish I-i0-60481-.1 cs N ........... ..'1‘hatthe ve-ry stars in heav—en shock, and trembled with his a;/. guish, ........... ..Thatthe ve-ry stars in heav—en shook, and trembled with . an 17 guish . ‘., Li ( Hummz’/¢g".) ( H u mm mg‘. (11 na’cmte . Then theylbur . ied - ne - ha - ha, In the snow a grave eymade her, Andante. d :72. . ’ p 4'-20-*6048i‘l68 ' In . the for - est deep and dark;sVome, Une—_ der-’neath the moan_—ing‘ hem —locks, her rich-est gm-'-ments,Wrapp’dher . robes of er - e, Clothed her in ‘» her rich-e.st gar-ments,V$i’app’dher h her . robes of er-mine, Hmnmi 0 Cov— ered her with snow-like er- mine, Thus they bur— ied Min- ne — ha - ha, Cov— ered her ‘ with snow-like er-mine, Thus they bur - ied Min- ne - ha - ha, Thus they bur— ed Min- 11_e - he - ha, ghus theyehur- ed ,Min-ne- ha — 4»-20~eo4s4 -168 Thus they bur — ied Laugh - ing Wa - ter, ied Lfiu1gh— ing ied Laugh - ing Thus they bur - ied Laugh — ing‘ Wa — ter, théy bur - ied ied Laugfh—ing‘ Laughing Wa — - ter..A ..... Wa - - — . TENOB SOLO. Fare-We11, 0 my Min—ne - ha — ha! L__________’/ 4—20~6o«rs1- 16 3 0 Laughh1gWa—ter! All my heart is , bur- ied with you, All mythoughts go on- Ward with you! Come not back a— gain to la - bor, ..... .. Come not back a- gain to suf- fer, VVhere the fam- inc and the fe — ver" Wear the heart andfwaste /\ f Soon my taskwill be com - p1e-ted, ’4‘20‘60&8i-468, Soon your foofisteps Ishall follow To the is - lands of the bless-ed", T0 the .fi0("”"_5“\ king" - dom of P0 - ne-mah, To the 7 land ............. ...... .. of the Here- land .................... ............. .. of the Here —. af - A \_/ mil. e dim. 1'17 -E 4-20-60/H5’!-1ti8 ‘ Part III. N92 . HiaWatha.’s Vision. TENOH SOLO . Con moto. 7'/’ I have seen in a Can moto. J:96. vis-ion , seen a great 3 3 ‘__¥«’/‘ .f’ "3/' - ions, Seen a peo - ple with Seen the com - ing' of this bearded peo - ple From the re — g-ions 12000 wall. A mor11~ ing, from the shin - ing land......... of Wab — un; ’ pow 7-all. V/\____/ ea-noe with 3 ~____——”/ Git- ehe " 4-20-60481-168 _ i- to, the Might - ,. y, the great spirit,the C1-e - - tor, Sends them hith-er T Maestoso . éends them to _ us with His mes - Mano mosso. Let’ us We1come,then,these ‘strangers, Hail them as our Mano mosso. o : 69. B friends and brothers, And the heart’s right hand of friendship Give ;them when they 4 -20~6048i" 168 Gitche Man - i- to the Might - y, said this to me.in my vis - ion ............ .. i I be- held, too, in that 17000 ad lib. vis-ion All the se-crets of the fu - ture, of t dis- tant days that Con moto. held the Westward marches of the unkn0wn,crowded L92 5’ 4“20—604 81- 16% na- tions, All the land was full of peo .ple, Best-less,strug*g'lil1g‘;toi1ing‘,striv-ing', . .9 can gran anima :‘ Speaking‘ ma— ny tongues, ..... .. yet feel- - ing but one heart beat .... .. in their .2 3 b0s—0ms. In the wood—1ands rang their ax— es,Smoked. their towns in all ‘ .2 * 3 val - leys , 0v-er all the lakes and riv ~ ers Ru.sh’d their great canoes of ( thun’— - d ‘. 7 ex Andante maestoso. J :69. .19” 4- 20-60454 -168 mp Then a dark— er, drearier vis- ion Passed be - fore me cloud — like , scattered , ,fi"/x 12000 rail. of my counsels , povo 7-all. —_%‘?" ‘ vague and fl’ Adagio. I be- Weakened, War; ring‘ with each piz? viva. f held our na - tions flép All forget — ful fl L- er , Saw the 4'2-0-6048!-/168 remnant of my peo- ple Sweeping Westward, wild and W0 - ful, Like the 6‘ .9 cloud - rack‘ of a tem- pest. p fly’ _ W Like the withered leaves of Like the withered leaves of an - ’A—40‘60£8l -465 Part 3 . N9 3. Hiawathevs Departure. /T 4- 20-60481- 168' 4 V 133 1’ Hea—vy with the heat and si - lence Grrex-v the af - ter - noon of sum - mer; 1’ Hea—vy with the heat and si-1ence Grew the at’ — ter— noon of sum -mer; drow — — sy sound the - est Whis— pered round the With a drow — - sy sound the - est W11is— p round the th a draw - sy sound ' - pered found the 1’ sul - - try Wigwam; sul — — try Wigwam; 4 —20".60-'48!-.1629 1’ With a sound of sleep the 4 —‘.’0-050481-J68 sound of A sleep mp Rip - - pled Rip - Rip — - p1_ed on the beach — ' Rip ~ 4-‘20~5048i ‘I68 corn - - fields {:—"\ grass - hopper, /-""‘\ 4~20~(i0481~16S [And the guests the guests And the guests 1’ And the guests D Slum - bered Slum - hered Slum - bered . bered s D Hi- a.— we. -tha, weal ry with - a —wa-tha., Wea— rywith Hi - a -wa- tha, Wea- Hi - a — Wa - tha, ,Wea-ry with ‘ Wig - - Wam,s1um - wi v- — wam,s1um — wig‘- — wam,s1um — % 137 heat of sum—mer, heat of sum— mer, — heat of sum- mer, bered in bered in bered, in . 4-20-6048! -168 438 SOPRANI. mf Slow — ly o’er the {’_\ poco rail. simm—’ring land- scape Fell the eve - ning’s dusk and coolb- ness, E ‘ Shot theix-spears in- t_6' the for - est, Break-ing thro’ its shields of shad - ow, ‘mil. fl\ ° /.\ R—u’shedV in - to each se - cx-ct.‘ am - bush, Sea.rch’deach thick- et,din - gle, hol - low_ £2 //-—*""“$‘¢ 4‘20 ~60¢81~IOI-\ 1'!’ Still the guests Still the guests 17]’ Still the. guests Still the guests Hi - a -wa-tha. Hi — ab- Wa-tha. Slum — bered in Slum - bered in Shim - bered in Slum- bered in lent wig‘ - wam; lent wig - wam. si - lent wig- wam. T’ 4-20~604!§'l ~ 158 140 TENDR soLo. 7,9; /,_.__...__1 From his (place .................................... .. rose Hi? 21 — Bade fare ~ well .................................... .. to old ko - mis,SpokeiI1 whispers,spoke in this Wise, ............................ -- Wake the guests that slum — — - 3 ¥—___'__z 1-20-60Al8l-10V8 g'o— —ing*, 0 No- 110- mis, )7 jour- ney To the port — als of the sun- set, To the re - gions of the home — wind, Of the North — west-Wind,Kee- way- ..din. 4; -zo-oo481-168 P But these guests I leave he - hind me your looo. 7 J D »_J_,L and ward I: leave them, See that new - - er harm comes “DJ E; near.....z,.. them, Nev-er darn - - ger nor sus — pi - cion, Nev- er poco 1-all. Want of food, or shel - ter In the lodge of Hi - a - wa - poco rail. 4~2o~6o4s4~wzs CONTRALTI. Forth in-to the vil - - lage ' 2-‘ Badefarez — - well /5 Bade fare - /"\ is 20*60 481 >165 Spakeper — suad - - ing, spake Z1‘-. 4\‘ \___JJ this wise: ..................................................... .. /Z——\_ /5 ,/ TENOR SOLO. “I am go - ing, 0' my peo- ple, On a long and distant jour - ney; Ma- ny moons and ma - ny Win - Will have 4 ‘ 20~60l-8 1~158 ished Er} I dome and will have van - ere I come I leave he. hind me._ of Wis - dam, List — t5 the ‘. truths ..... .. they 4 - 20-6048! 465 For the ‘Mas - ter of Life H ing; For the Mas - ter them From the 4- 2.0 -60481~1¢iS CHORUS. id 60 mp 011 4;; molto legato 6 [1 4 - 20~60481-168 lu - — mam-ato. lu - minous /‘\ Iu - min - ous lu - min - ous 4 -3) -0048 1-158 Launched aunched Launched Launched peb.— - —bles peb — blee peb - - bles peb - — bles J1» it forth ' Whis- pered /to it forth ' ' VVhis- pered to Shaved it forth ' - , Whis -pered to Shoved it forth ' Whis -pered to 4 ~20- 80481 .18 8 — ward!“ west—ward , west - . west - ,westWard !“ west-ward, west - ward! west-wax-d,westWard! { vI<esc. ed avcel. And with speed it dart- ed or - Ward, it And with speed it da1j_t - ed, West - And /.\ West - Ward !” 19 cercsc, a accel. . speed it dart- ed speed it dart - ed for‘ _ ward. Allegro. =126. "' J: A 4~20 ~60481~ £68 the clouds ........... .. on ' withred — - clouds ' with red. - - ness , clouds with red - — ness, Set the clouds ........... .. on 4-20-001121!-£0 8 452 ,,.=:____ Burned the Burned the _ . Burned H the Burned the broad burned the broad ............................ -. b ned the» ............................. .. buigned __________&_____ 7 __AV burned e broad ................. .., Left prai — - rie, Left - prai — - rie, sky like ‘ sky {T 3. prai - a prai - 4-20-604$“-1625 -153 f-\/_,_.__...———-T long track ..................................................... .. g- long 4-20"6048l..16S ward , west - est- - ward, west - - West - - Ward, west — {T ward, west - 7970 ate Sailed ....... .. Sailed Sailed '\../ 4-20-60481-168 J. S ailed Sailed Sailed Sailed Sailed - ing , Sailed ..................... .. of Veven - Sailed ..................... .. in - -4 ewfen - ing, in - - to the even - - 1113', S aile d , sailed: ...................................... .. 4-20-60481 -168 P1’ sailed. ..... .. in - to -B‘, éven - — - _ sailed ' - ' . sailed’ sailed sailed ‘ 88mpT6_[)P dusk , the dusk of 7'6 ing, the dusk not‘ ing, .__§_._%______.__ sempre . the dusk of mg, dusk - to the e d the dusk ..................... .. 4"20-804S1‘l6 8 sempre K\ seemed seemed the peo —ple the peo- ple the pee - ple the peo - ple watched watched Watched watched b'7“6’S0, High in-to that sea GTESO. High 0T’€b'L’, in—t0 that sea High ....................................... .. 67886‘. High .* ...................................... .. 4 -2 0-60£8l"18 8 High in— to_ that sea S83. 4_zu—1i0!4hl-408 €~ 20- 60484- 468 tha! fare thee well, 3 tha! fare thee well, tha! fare thee well, ’ 3 tha! fare thee well, 3 4-20-60481-188 thee Well , O fare thee thee Well , 0 fare thee fare - well, fare - Well for- ev- er, fare thee well, fare - Well , ................ .. fare - well ................................. 1’ well, 0 Hi — a~wa - tha, fare thee well, 0 Hi— a-wa-tha!”And ceresc. . , _ .9 fig , 1’ well, 0 Hi- a—Wa- tha, fare thee well, 0 Hi -- a,-wa-thah!”And R I‘20‘ 80481‘ 168 ests , ness, ness , ness, dark and And And And. lone - ly, lone - ly, lone - ly, lone - ly, moved thro 3 moved thro moved the 3 ‘moved thro their depths their depths their depths their depths of mar - gin , mar - gin, 4-40 -604 81-16?! bles , Subbed - - bles , Sobbed bles, Sobbed rip — - pling‘ on bles, Subbed well ........... .. 0 Hi - - well, hZ""‘\. fare well ........... .. 0 Hi— well , well, farewell, fare- f-- wel1,_ farewell , f — well, farewell, fare- well , farewell , fare - a -Wa - tha, fare theewell , fare fare thee well , fare a - wa- tha, '4' 20 ‘SO ’i.\'|.-£68 thee Well , well, 0 Hi - “ - well, n» 3 well, 0 Hi - for - - farethee Well .................................. .. fl‘ A fare theewell for - - ev — er, well,» fare-We1l, fare — fare thee 4‘ 20-8048!-468 well fare thee well , fare 7 4- 20~604Si-16S ple shades ple shades pur - ple pur - ple shades shades re — gions re - gions re- gions re - grions ll-20'6"}-481-(<38 .1" home - — Wind ./' home ~ - Wind home — - wind home - - Wind the North - North - North - west west West west. “ind 4-20 -30581-ms bless - - bless - - T !4—20- 011681-468 L here - af - ~ ter, to the land _____________________________________________ __ of here.— af — - here - af - 4-20 -60-181-16 8 A-20=so431..u%s --Ivan - ‘ Secular Choral Work PUBLISHED BY OLIVER DITSON COMPANY ANDERTON, THOFIAS The Wreck of the Hesperus. . (Ottawa Na. 7206.) BEETHOVEN. L. VAN Becalmed at Sea and Prosperous Voyage. (Octaw ./Va. 7045.) BENNE1 T, \VILLIAl’I STERNDALE The May-Queen . . . BREE, J-OHANNES B. VAN Saim Cecelia's Day. BRUCH, l’IAX The Birches and the Alders. . (0cz‘awa /Va. 7205.) Fair Ellen. (Schiin Ellen.) . . (English and German words.) BULLARD, FREDERIC FIELD and GRACE HAYHEW The Sleighing Frolic. (VVomen’s Voices.) . . .20 BURTON, FREDERICK R. Hiawatha. . . . COWEN, FREDERIC The Rose Maiden . GADE, NIELS W. The Crusaders. . . . . . The Erl-King's Daughter . . . Spring’s Message. (Friihlings-Botschaft.) (English and German words.) HADLEY, HENRY K. In Music’s Praise. HAYDN, JOSEPH Spring. (From “ The Seasons.") . HOPMANN, H. Fair Melusina. . . . . (Ottawa No. 7204.) JORDAN, JULES Barbara Frietchie. . . .- . (Ottawa Na. 8571.) KIEL, FRIEDRICH An Idyll. . . . . . (Octawa Na. 7199.) KIES, GEORGE A. The Last Hymn . . . . (0£f(l7/0 Na. 7813.) FIARKULL, F. W. Roland's Horn. . . . . (Octawa Na. 7202.) FIAYHEW, GRACE and FREDERIC FIELD BULLARD The Sleighing Frolic. (Women’s Voices.) . . . .20 LAHEE, HENRY Building of the Ship. . . . . . - .60 MIENDELSSOHN, FELIX First Walpurgis Night. . . .50 Loreley (Unfinished Opera.) . . .40 FIOZART, W. A. The Praise of Friendship. NOYES, CHARLES F. The Village Blacksmith . . (Octtzwa Na. 0001.) RAFF, JOACHIFI Elegy . . . . (0£fll7/0 Na. 6847.) (The solo part can be sung by Sopranos in unison.) REINECKE, CARL Evening Hymn. (Ottawa No. 10,058.) RHEINBERGER, JOSEPH The Roses of Hildesheim. . (Ottawa Na. 0855.) (Ein geistliches Abencllied.) . . (English and German words.) RIES, FRANZ Morning. . . . . (Ottawa No. 8305.) ROGERS, EDMUND john Gilpin ROFIBERG, ANDREAS The Song of the Bell. . sAIN1‘=sAi'3'Ns, CAMILLE_ The Deluge . . . SINGER, OTTO The Power of Song. . . (Ottawa Na. 7314.) SMART, HENRY King Rene"s Daughter. . (Women’s Voices.) STEVENSON, FREDERICK May-Day. (Rustic Dance.) . . . . . Oclzzwa No. 10,101.) (Orchestra and Band.) z(")LLNER, HEINRICH Battle of the I-Iuns. (Men’s Voices.) . (Octzzwa Na. 7211.) DRAMATIC CANTATAS. (With directions for staging.) ANDREWS. EBEN A. Ruth and Boaz BUCK, DUDLEY The Legend of Don Munio. . BUTTERFIELD, J. A. Belshazzar . . . (Can be given without action.) CHADWICK, J. M. Joseph's Bondage. . HODGES, D. F. Rebecca. (Words and Music by D. F. H.) ROOT, GEORGE F. Belshazzar‘s Feast. The Haymakers The Pilgrim Fathers TROWBRIDGE, J. E. The Heroes of’76. .
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