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Date: 1865
Text: As sung by MISS CLARA LOUISA KE 1g§,I,~..4\UU(U(. A Pricc,4'0 cts. ‘§2fE{\N0_ NEW Y0 RK GSCHIRMER 35 UNION S0. MEZZ0 SOPRAQ MUSIC LIBRARY VASSAR C0 >¢ ._ BEWARE! W'ard.s- by II. L0l\'GI'ELLOW'. Jlusic by C’. Jll () UL TOJV. 1. I know a fair to see, 2. She has two . soft and brown, care! She can both false and care! She'gires a side glance friend — Ely be, and looks down, 487 ' E1: to red (wen rvling in .4 Ci of C 0 11 g res8A.D. l 8 6 5, by Bee?‘ ¢%SC,d...
Show moreAs sung by MISS CLARA LOUISA KE 1g§,I,~..4\UU(U(. A Pricc,4'0 cts. ‘§2fE{\N0_ NEW Y0 RK GSCHIRMER 35 UNION S0. MEZZ0 SOPRAQ MUSIC LIBRARY VASSAR C0 >¢ ._ BEWARE! W'ard.s- by II. L0l\'GI'ELLOW'. Jlusic by C’. Jll () UL TOJV. 1. I know a fair to see, 2. She has two . soft and brown, care! She can both false and care! She'gires a side glance friend — Ely be, and looks down, 487 ' E1: to red (wen rvling in .4 Ci of C 0 11 g res8A.D. l 8 6 5, by Bee?‘ ¢%SC,d'T me?-, i’n‘the ('I€"rl".v Offic? of lhe_Di.s"t riot Court of the Southern District of New York. . ‘ f th we thee she‘s she’.s' fool — ing fool - ing Tru st ' Trus l thee ________ __ thee, _______ __ She’s fool - ing She‘.s- fool — ing _ /\ She's fool - ing SI: 93‘ fa 0 I -— ing she's fool — ing .s-he's fool 1.'11g of gold .. en And what shé foul — lug thee, .b She's fool — ing thee ........... -- she”s f‘0oV1 - ing She-’s fool — ']'11g f'\ J New Songs and Duets, Selected from the Catalogue of G. Schirmer, New York ALLITSEN, FRANCES, A Song of Thanksgiving (with Organ ad lib.) High, medium or low. — I know a little Rose. '(Ich Weiss ein Riislein roth.) M.-Sop. — Eight Heinrich Heine Songs: A Pine-tree standeth lonely. (Der Fz'c/zienbaum.) Two Sapphires those dear Eyes of thine. (Sttjﬁ/tire sinrl die Augen deizz.) Diamonds hast thou and Pearls. (Du /last Diamante” um! Perlen.) King Duncan's Daughters. (Die Botsc/mft.) Since my Love now loves me not. (Seit die Lieéste war mztferrzt.) Fathoms deep may drift the Snow. (Magda draussenSc/mee sic/1 t/tz?¢‘r1nen,) Oh Death, it is the cold, cold Night. (Der Tod das ist die /:22‘/zle Nae/ti.) Katherine. (lfat/Larine.) Complete in one Volume. net AMBROSE, R. S., One sweetly solemn Thought. Sacred Song. High or low. BARTLETT, HOMER N., Come, see the Place where Jesus lay! Easter Song. High or low. —— 0 Little Town of Bethlehem. Christmas Song. With Piano and Violin obl. High or low. —: Sayonara. M.-Sop. BLACK, JENNIE P., 3 Songs for M.-Sop: No. 1. Storm, the King! “ 2. The Rosary. “ 3. The Violet. BROCKWAY, HOWARD, Op. 22. Two Songs: No. 1. Would thy Faith were mine. Sop. Lend me thy Fillet, Love. M.-Sop. BUCK, DUDLEY, Boots and Saddles. (A Soldier's Farewell.) Ten. (Original) C; Bar. Ab. —— O, Saviour ofthe World. Offer- tory. High or low. Until God's Day. High or (K 2. -13» low BURLEIGH, H. T., Plantation Why Love is King. High or Melodies, Old and New. net CAMPBELL, G., For one sweet Smile. M.—Sop. CASTELLO,GEORGE E., 4 Songs for Sop. (or Ten.): To the West Wind. Cou1d‘st thou but know. Du bist wie eine Blume. sweet as any Flower.) Sehnsucht. (Yearning.) CLAY, FRED, The Sands o’Dee. Sop. (Ah. $0.75 .50 .50 .5o .60 .60 .4o .60 I.00 .50 DE KOVEN, REGINALD, Abide with me. Sacred Song for Alto. Barcarollez “You are the Moon, my Love.” Sop. ? Battle Grey. M.-Sop. Love’s Trinity. Alto. — My Nightingale. Sop. DENZA, L., In Shadowland. High or low. FREY, ADOLF, Over the Way. Sop. GOLDMARK, RUBIN, Op. 5. Four Songs for M.-Sop. (or Ban): No. I. Ode. “ 2. Spring Rains. “ 3. The old, old Song. “ 4. A Love Symphony. GRAY, HAMILTON, The Golden Pathway. High, medium or low. —— Purple Heather. High or low. d’HARDELOT, GUY, In Bracken- time. Sop. HASTINGS, FRANK S . , F air Helen. (Old Scotch.) High or low. —-— For Love of You. High or low. —— Rose dark the solemn Sunset. High or low. HAWORTH, C. E., At Last. High or low. HOMER, SIDNEY, Eight Poems by Tennyson : Break, break, break. M.-Sop. Gm. Sop. Bbm. Crossing the Bar. M.-Sop. Db, Sop. E. Sweet and Low. M.-Sop. Db Sop. E. Thy Voice is heard. M.-Sop. E]; Sop. F. Home they brought her Warrior dead. M.-Sop. Fj;m., Sop. Am. The City Child. M.-Sop. Eb Sop. F. Minnie and Winnie. D, Sop. Eb. Er]13id’s Song. M.-Sop. Bb, Sop. p. M.-Sop. LAER, C. E. van, Crossing the Bar. Sop. LEHMANN, LIZA, Mother Sleep. High or low. MASON, DANIEL GREGORY, I love him. M.-Sop. : Shall I upbraid or praise her? NEIDLINGER, W. H., Life and Death. Bar. F; Bass D. — Thy Face. Baritone. NORMAND—SMITH, GER- TRUDE, Four Songs for M.-Sop. (or Bar.): Auf der Heide. (On the Moor.) Das Hiiterkind. (The Shepherd Child.) Sunnenwendnacht. (S 0 ls t i c e Night.) Der Geworbene. (The Recruit.) $0.60 .50 .60 .60 .5o .60 .5o .60 .40 .5o .60 .50 .5o .60 PRICE, C. E. B., A Few more Years shall roll. —— My Father for another Night of quiet Sleep and Rest. Sacred Song for Bar. (or Bass). RODNEY, PAUL, Clang of the _ Forge. Bar F; Bass Eb. ROGERS, JAMES H., “Moods." Four Songs : No. I. Not from the whole wide World I chose thee. High or low. “ 2. Years have ﬂown since I knew thee ﬁrst. Sop. “ 3. You. High or low. “ 4. Who knows? High or low. SAAR, LOUIS V., Hark, hark, pretty Lark. Sop. With Violin. —— Lilian. Sop. With Violin. SARJEANT, J., Blow, blow, thou lVVinter Wind. High, medium or ow. STAHLSCHMIDT, ARTHUR E., Concita. A Serenade in Seville. Ten. (or Sop.). —— If I were loved. M.-Sop. (or Bar.). STERN, LEO, Soupir. (A Sigh.) Valse lente. High or low. THOMSON, SYDNEY, I heard the Voice of Jesus say. Sacred Song for Alto (or Bar.). TSCHAIKOWSKY, P., Pi1grim’s Song. Bar. (or Bass)E; Alto D. WARREN, SAM’L P., Faithful. M.—Sop. —— Waiting.‘ M.-Sop. WHITE, MAUDE V., How do I love thee. M.-Sop. (or Bar.). WHITING, ARTHUR, Barrack- Room Ballads (by Rudyard Kip- ling). (Da7myDeever. Zllmzda/rzy. Sacred Song for Bar. $0.75 .50 .5o .50 .50 Soldier, Soldier. F/uzzy— Wuzzy. net I.0o “ Floriana.” Poems by Oliver Hereford, from “Overheard in a Garden.” For Solo Voices and Piano. VOCAL DUETS. ALBUM ofsixteen Sacred Duets for various Voices. net Dvoiuix, ANTON, Echoes from Moravia. (Klange aus Méihren.) I3 Two-part Songs for Soprano and Alto. g. e. RUBINSTEIN, A., Eighteen two-, part Songs : g. e. Paper. Cloth. net 1.50 I.O0 net 1.00 1.00 2.00
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Date: 1865
Text: yfzw YGRK. 7ot93R®N3W9\Y- 61% ,9-/w-mg;-LM/zc K/ex-,(:r we 45///i/ﬂl.;”2’rt(é (émcyz/2/» (J. J7//}ro‘:r«. .>'ozz///en vﬂzevt/~iz£ A/Wu/. }’3'I'/1: .25‘:-u2revtarz'or-o£;>zg Q/Jrmfibrzg/rczrr was 2?4.7-_7€5’.>‘ ’ MUSIC LIBRARY VASSAR COLLEGI BEWARE! W7) rds by H. LOI\‘GI'ELLU”". JI1u'I'L' by (". 4 IO (LI/I’()_.f\'. 1. I know a fair to see, 2 . She has I II‘() soft (1 1:41 I; roum , She can both false and She gives a side glance be...
Show moreyfzw YGRK. 7ot93R®N3W9\Y- 61% ,9-/w-mg;-LM/zc K/ex-,(:r we 45///i/ﬂl.;”2’rt(é (émcyz/2/» (J. J7//}ro‘:r«. .>'ozz///en vﬂzevt/~iz£ A/Wu/. }’3'I'/1: .25‘:-u2revtarz'or-o£;>zg Q/Jrmfibrzg/rczrr was 2?4.7-_7€5’.>‘ ’ MUSIC LIBRARY VASSAR COLLEGI BEWARE! W7) rds by H. LOI\‘GI'ELLU”". JI1u'I'L' by (". 4 IO (LI/I’()_.f\'. 1. I know a fair to see, 2 . She has I II‘() soft (1 1:41 I; roum , She can both false and She gives a side glance be, do u'11 , ~19’? E11 It- rmlztt-r-r» nling In A (‘l ufi '0 ng 1-as-3 A.D. 1 8 6 5, by Bee1~¢f=Schi rmer, in "(P ('10 .»=I.".s- ()ffi¢.-P of llw I) is! rit-l ('01: pl - of the So 11 (Item: I)1'.s' l rid of ,\'e>w I '0 rlr. Sht-'s foul - ing She's foo? - ing /\ f the-4» She's fqv-ML - ing SI1.e‘.s foo?! — ing she‘s fool — ing .s'he’.s' fool - ing V thee sht=’s foul - ing she's fool — ing thee ________ -_ llwe._; _____ __ Sh9’s ‘fool — ing thee ............ .- she's fool — ing thee, She‘s fool — mg /\ BEER 82; SCHIRMERS CATALOGUE of VOCAL MUSIC. SONGS. (Those marked with *‘ are with embellished titles.) 5 Abadie, L., Le Vieux braconier, Rom. franc, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Alary, G., Un Secret. Romance Franc, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 25 Abt, F rz., When the swallows homeward ﬂy, (Wenn die Sc/Lwalben, etc.) . . . . . . 0 ye tears. Contralto, or Soprano, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sleep well, sweet angel, (Schlaf wohl, du siisser Engel du) Spprano.,. . . “ “ A t . . . . . . . 0? ——-- II Sogno, (A happy dream.) Valse composée pour Paolina Lucca. Sop., Annie of Tharau. (Aennc/ten non T/Larau.) Popular Song, . . . . . . . . . . . . . . . . . . Arditi, L., I1 Bacio, (the kiss.) Arietta, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ascher, Jos., Alice. Romance. French and English, . . . . . . . . . . . . . . . . . . . . . Auber, D. F. E., Laughing Song from the Opera “ Manon Lescaut,” English and French words (as sung by Carlotta Patti) . . . . . . . . . . . Balfe, M. W., The Sweet Guitar. Boler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tu m’ami ah si! (Then you’ll remember me.) English and Italian,.. ——- Oh! take me to thy heart again. Song, . . . . . . . . . . . . . . . . . . . . . . . . . Bassford, W. K., “’Tis all for thee.” Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. N ever-More. Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bellini, Ah, non crcdea, (Alas ! for thee, time’s power,) in G minor, de l’op. “Son- nambul ” Berre, Ferd., Loin de Toi 1 (Far from thee.) French and English,. . . .. . . . . . Bordese, L., La Course aux Papillons. Rom. Francaise, . . . . . . . . . . . . . . . . . .. Miracle of the Roses. Parlor Operetta, . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Borg, Louis, Dreams of Love. Son . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Braga, G., Santa Lucia. (When the bright moonbeams.) Rondo de Concert,. * * * La Reine Mignon, (Queen of .Joy’s Realms am I,) . . . . . . . . . . . . . . . . . Campana, F., To thee! (a te !) Ital. and Eng.,. . ., . . . . . . . . . . . . . . . . . . . . .. , Glapisson, L., Within this goblet brightly glowing. Brindisi, from the opera “La Promise.” English and French words, . . . . . . . . . . . . Dama, L., L’Amore. Romanza per Mezzo Soprano, . . . . . . . . . . . . . . . . . . . . . . . . Donizetti, In terra solo, (Lonely, I wander,) in B ﬂat, de l’op. “ Dom Sebastian,” All’ afﬂitto. Romanza de l’Opera Roberto d’EvereuX, . . . . . . . . . . . . . . Convien partir. De l‘0pera Figlia del Regimento. Italian, French and English, F Minor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 luce di quest anima, (recit. and cav.,) in B ﬂat, de l’op. “ Linda di Chamounix,” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . O mic Fernando, (recit. and cav.,) in C major, de l’op. “ La Favorita.” Ital. and Eng, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Farmer, H., Little Sunbeam, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ferrari, S. A. de, I F iori g’Aprile, (Spring Flowers.) Mazurka per Canto. Ital. and ng ., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Flotow, M’appari, (Ah! so pure,) in E ﬂat, de l’op. “Marta,” . . . . . . . .: . . . . . . . . Franz, Rob., Fondly he sought me, (Er ist gekommen in Sturin,) . . . . . . . . . . . . Glover, S., Do they think of me at home? Song, . . . . . . . . . . . . . . . . . . . . . . . . Gordigiani, 0 santissima Vergine. (Prayer to the Virgin,) . . . . . . . . . . . . . . . . . . Gounod, Chs., Faust, “ Cera un re di Thule,” (Reigned a King in Thule,) Ital., French, and Engl., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. “ Parlate d’amore, (Lovely ﬂower I pray.) Ital., French and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sing, Smile, Slumber! Serenade. French and Engl., or Ital. and . Eiwlish, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gr-aben.Hoﬁ‘man, The Barightest Angel. (Der Schoenste Engel,) . . . . . . . . . . . Guglielmo, My Angel. (Angelo mio,) Italian and English... . . .. . . . . . I love thee! (T’amo, Guion, Prosper, La Fillette aux Chanson. French, and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gumbert, F., Ye merry birds, (0 bit!’ euch, Ziebe Vo'_qele2'n,) Contralto, . . . . “ “ “ “ “ Soprano, . . . .. Soprano, . . . . . . . . . . . . . . . ___ C0ntralto.. Hail Columbia! National Song. Arranged by S. Jackson, . . . . . . . . . . . . . . . . . . Halevy, F., La Juive. ll va venir. (He will be here.) Ital., Fr. and Engl. Sop., Hall, F., Ever of Thee, . K, E, H., Awake,‘love, awake! Serenade, . . . . . . . . . . . . . . . . . . . . . . . . . . Hering, C. E., The Stars and Stripes. Patriotic Song,. . . . . . . . . . . . . Hodges, F . H_, The Dreary Day. Words by Longfellow, . . . . . . . . . . . . . . . . . . L’A.micizia. (Friendship.) __Duett for Sop. and Mezzo Sop., . . . . . . . . . Farewell to N orth-Maven. Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Rose-Bush Song. For Sop. Do. for Alto, . . . . . . . . . . . . . . . . . . . Cloister Memories of Sacred Song: . . . . . . . . . . . . . . . . . . . . . . . . . . . .. No. 1. Blessed are the poor 'n spirit. Mezzo Sop.,... . . . No. 2. Blessed are they tha mourn. Contralto, . . . . . .. No. 3. Blessed are the meek. Duet, 2 Sop., . . . . . . . . . . . N o. 4. Blessed are they that do hunger and thirst. Con. No. 5. Blessed are the merciful. (I/Vill be continued.) Hoelzel, G., The Forsaken One, (Al,/oenkZage,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Tear, (Die TIm‘ine,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . * The Village Blacksmith’s Bride, (Mein Liebster {st im Dowf der Schmied,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Huss, G. -L, A National Lyric. Words by R. S. Willis, . . . . . . . . . . . . . . . . , . . . Jackson, S., Lights and Shades. Words by Mrs. Norton, . . . . . . . . . . . . . . . . . . . Katey’s Letter. Irish Song, King, W. A., Ave Maria, (English,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Kotschoubey, L., Oh ! ten him all, (Oh! dites-lui.) Romance, . . . . . . , . . . . . . . Kuecken, Fr., Jewish Maiden, (Mddchen non Judah,) . . . . . . . . . . . . . . . . . . . . . . Thou soft and balmy evening breeze, (Frii/tlings're7'gen,) . . . . . . . . . . . . Linley, G., The Swiss Girl, ' Lucantoni, G., La Danza d’Amore, (Gay dance of love.) Valse. Mezzo Sopr. (Ital. and English,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Manzocchi, M., La Bella Stella di Trinidad. Baroarolle, (Ital. and Engl.,).. . . . . Mendelssohn, Here under the trees, (Da lieg ich miter den .Bd'umen.) Alto,. . .. Merz, K., The Strangers Love, (Des Fremden Liebe,) Meyerbeer, G., Fisher Maiden. (Guide au bord ta nacelle,). French & English, Mill in the Valley, (In cinem 7Ci,i]Ll677. Granola.) Popular Song, . . . . . . . . . . . . . . . . . Millard, H., With all my heart I love you, (Io ti voglio bene assai,) . . . . . . . . . . .. Millet, E., Diana, (Maidenls Warning.) Valse. (Ital. and Engl.) Mezzo Sopr.,. —: Giannetta. Allegro, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . j— Song of our Country's Daughters, . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. —————- A Sailor’s Song, (0 for a whilf of the salt sea breeze,) . . . . . . . . . . . . . . Muller, A., Ye soft blue eyes, good night. (Ihr blauen augen gute nacht.) Ser- enade, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Little Mendicant. (Das Bettelnde Kind.) u ' rt U —_.._. M uzio, E., Brindisi—Waltz. (English and Italian.) As sung by Mlle. Carlotta Patti and Mme. Strakoseh, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ere life’s declining sun has set, (Di tanto ecceso o’perﬁdi,) Aria in- troduced in the opera “ Bohemian Girl,” Piccoloinini Waltz, _ L’Amour. Clara Louisa Polka. Soprano, . . . . . . . . . . . . . . . . . . . . . . . dfl o. Mezzo Sopr., . . . . . . . . . . . . . . . . . . .. L’Usignuolo. Canzone di Bravura. Soprano. (Composed for and sung by Carlotta Patti,) Le Stelle d’It-alia, (Stars of Italy,) Melodie per Canto, Ital. and Engl., No. 1. Stornello Toscauo. (Toscan Evening Song,)“ La Vedova. (The Widow,) . . . . . . . . “ La Nanna. (Cradle Song,) . . . . . . .. “ I1 Sospiro. (The Sigh,) . . . . . . . . . . . “ . . L’Af’fezi0ne. (Aﬁ‘ection,) . . . . . . . . . “ No. 6. All’anra. (To the Breeze,) . . . . . . . . “ Norton, Hon. Mrs., Juanita. Spanish Song, . . . . . . . . . . . . . . . . . . . . . . . . . . . . Perrlng, E., Piccolomini’s Farewell to America, . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Petrella, E., Brindisi (Italian and English) from Opera Jone, . . . . . . . . . . . . . . . . “Abandonata e orfana. (Orphaned, abandoned.) Rom. par Mezzo Sop. de Opera Jone, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Vanne e serba geloso.” (Go, preserve this important.) Duetto par Basso and" Mezzo Sop. Opera Jone, . . . . . . . . . . . . . . . . . . . . . . “ Llamo, l’a1no.” (Love him, love him.) Cavatina par Soprano. Opera Jone, “ Dell’ Ilisso sulle sponde." (0’er the banks of cool Ilissus.) Duetto Sop. and Ten. Opera Jone, , , , . . , “ O Jone, di quest’ amina.” (O Jone, for thy light of love.) Romanza, . Tenor, Preyer, G., Will she com Proch, H., Tyrolese Song, (TyroZe1'Zied,) Reichardt, Alex., Thou art so near and yet so far. (Du bist mir nah und doch sofern.) New edition in the key of E ﬂat. French, Eng- lish and German, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ricci, Alﬁn brillar. (My heart with joy,) B ﬂat, .......................... .. Rivarde, P. A., The Harvest Moon is beaming, (Guide au bord ta nacelle.) § Barcarolle, obillard, V., Dieu, mon enfant, te le rendra. Romance, . . . . . . . . . . . . . . . . . . . Rondinella, P., I! Griubilo. (Valse elégante.) Italian and English, . . . . . . . . . .. Salaman, Ch., I arise from dreams of thee. Serenade, , . . . . . . . . . . . . . . . . . . . . Schubert, Cam., Le Gondolier de Venise. Barcarolle, . . . . . . . . . . . . . . . . . . . . . Schubert, Franz, Last Greeting. (LebewoILl,) . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Maiden’s Lament, (Mddche7L’s Klage,) My Abode, (Aufent/taZt,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shepherd’s Song of Complaint, (Schdfers Klagelied,) . . . . . . . . . . . . . . . —-——— Serenade, (Stands/zen.) Ital., Fr., Engl., . . . . . . . . . . . . . . . . . . . . . . . .. Schumann, R0b., The Lotus Flower, (Die L0tosbZume,) . . . . . . . . . . . . . . . . . . . . .. Oh I thou art like a ﬂower, (Du bis! wie eine Blume,) . . . . . . . . . . . . . . . Silcher, Loreley. Popular Song. Engl. and Germ. words, . . . . . . . . . . . . . . . . . . Speranza, D., The Hour of Prayer. Sacred Song, . . . . . . . . . . . . . . . . . . . . . . . .. A Hymn of Thanksgiving, “ Spohr, L., To Minona. Serenade, Star—Spangled Banner. National Song, (with Chorus ad libit.) Arr. by S. Jackson, Stigelli, G., Isolina. Arietta. Engl. and Ital. words, . . . . . . . . . . . . . . . . . . . . . .. Szemelenyi, E., Medora, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Templar, E., My heart is breaking. Ballad, . . . . . . . . . . . . . . . . . . , . . . . . . . . .. Thevenet, D’Alphonse, Femme du Pecheur, . . . . . . . . . . . . . . . . . . . . . . . . . . .. Thomas, J. R_, In the clear mirror of her eyes. Canzonet, . . . . . . . . . . . . . . . .. * Thunder, H., G., The Sands o’ Dee. Lyric Ballad, . . . . . . . . . . . . . . . . . . . . . . . Torrente, G., Show me thy ways, 0 Lord! Anth. f. Soprano, . . . . . . . . . . . . . . . . Venzano, L_, The Zingarella. Italian and English Verdi, G., La Traviata: “Dite alla giovine,” (Tell me, fair Maiden.) Song,. . . . Un Ballo in Maschera: “E scherzo od e follia,” (It seems a harmless lying.) Aria, Weber, G. M. V., Lullaby, (Wie_qen.Zied,) . . . . . . . . . . My true love is fair, (jllein Schatzerl is [Lil Pain of secret love, (Heimlichcr Diebe P Weldt, H., How fair art thou l (l/Vie sckocn bist du /) . _ . _ . . Wood, Alb. H., A Psalm of Life. Words by Longfellow, Wrighton, W. T., Gentle ray of sunlight. Song, . . . . . . . . . . . . . . . . . . . . . .. . . . VOCAL DUETS. Campana, F., Do you remember? (Te Prammenti?) . . . . . . . . . . . . . . . . . . . . . .. See the pale moon, (Guarda che bianca Luna,) . . . . . . . . . . . . . . . . . . . . . Tell me thou lovest me, (Dimmi che m’ami,) . . . . . . . . . . . . . . . . . . . . . . Hackel, Ant, Two Nightingales, (Die beiden NachtigaZlen,) . . . . . . . . . . . . . . . . . Hodges, Fa ustina Hasse, L’AInicizia, (Friendship) Polka Duet. 2 Sopr., llgluoantoni, G., Il Bacio, (Bright as the bow of promise gleams.) 2 Sopr., . . . . . . illet E. “With cheerful notes.” Sacred Duet, . . . . . . . . . . . . . . . . . . . . . . . . . . 7 l “ Meekly may my soul receive.” Church Duet. Sop. or Mezzo Sop., and Baritone, Mosenthal, J., “I will magnify thee, O God.” Sacred Duet, . . . . . . . . . . . . . . . . Nicolai, Otto, Evening, (Wenn sanft des abends.) Duets Sopr. and Bass, .. . . . . Yradier, Chev. de, Jota de los Toreros, (Song of the Toreador.) Sop. and Alto, TRIOS AND CI-IORUSES. Bellini, Beatrice di Tcnda, “ Angiol di pace,” (Angel of peace.) Sop., Contr. and Tenor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . e,loli ! come,” coro di donne, . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . Bonoldi, Felice donzella, (Oh! happy the Maiden.) 3 Sopranos, . . . . , . . . . . . . . . Costa, M., “Vagnnse ar coleii ﬁche adoro,” (Go to the one whom I adore.) Trio, op . an enor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Donizetti, G., Lucrezia Borgia, “Bella Venezia” and “ Bando bando.” Coro di donn Gemma di Vergi, “ Vieni o b Coro di donne, . . . . . . . . . . . . . . . . “ Do’lce zcl'liro.” Coro di donne, de l’Opera: Favorita, . . . . . . . . . . . Jackson, Scalm ‘I, J:11lDllEEIl)(—) Pee, élfllllllilll, 4 vp,1c_es, in E ﬂat, with Organ‘ Accomp., Ol'lfl. Ill XCC SIS an \ (separate voices). . . » Bcnedietus, Anthem, 4 voices, in King, Wm. A,. Six sacred Quartets, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Millet, E., Ye ﬁelds of Light. Sacr. Trio, Sopr., Ten. and B., . . . . . . . .. , Verdi, G., Giovanna d’Arco. “ Tu sei bella.” Coro di donne, . . . . . . . . . . . . . . . . IMPORTERS OF FOREIGN MUSI.G.
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Date: 1865
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Show more-“.,.,......-...-uv W“ ' ix. 1, . I ' ' - .—-_~«-».......‘ .. IA % % : .3 i. N1;WYaR)c. G. S C H IR M E R ,.701;BjR5':);\3)W;&Y. SUCCESSOR T0 BEER &SCHlRMER. z‘,‘m:/ mf rmrw ﬂ’J,/Iq //» //{'1'///ft‘?/I‘/I///‘(‘.C¢‘//£1/,/9’) kw /r?6'j /2;. / K/rfi. z’,':.’F/7':z '//1 //Er ,//e/%cr///7/"rm//1/‘ /}1./}’rz(/ (//311377’./////l4'*‘/r’ W 0 . .>'/;/zzV/r:m /.7/a7w1c‘. 1/ ' ' 4/r74/M/*/r uusnc uannny -VASSAR COLLEGE ?’1*:lce 40 as ME;7Z{) I'>()F’H/\N() BEWARE! H701-(Is by II. LOJVGFELLOVV. Jllusic by C. JIIOULTOJV. 1. I know a maid — en fair to see, 2. She two eyes ,so soft and brown, She can both false and She gives a '-side giance friend — ly and . looks 487 - Fnie red acco/rd1'1zy to A ct ofCo 11gre.9sA.D; 1 8 6 5 , by Bee?‘ cf-ScIu"rme'r, in the ("Ie’rl".s- Office of tIveD ist rict‘C'our't of the Southern l)1Lst1*ict 0,f_7\'ew Y 01-k. . f s}1e’s fool - ing thee She-.’s fool — ingé she's fotﬂ — ing' thee S'he’.s7§ fool — ing she’s fool - ing‘ .s'he’s fool — ing She's fool — ]'J1g thee ________ _- She".s- fool - ing the? ........ -_ of gold - en A1111 What she thee, S‘he’s fool -~ 1'J1g thee ........... -_ she’s fool — ing thee, She’s fool — " f‘\ Catalogue No. 2 of Vocal Music, published by G. Sohirmer, 70] Broadway, New-York. SONGS. Verdi, G., Luisa l(\iIiller: “ La tomba 6 un letto," (The grave, like gs.rdens,) Melo ie . . . . . . . . . . . . . . . . . . . . . . . . . . Vilanova, IL, Sospiro. Melodia,. —— Ave ltlaria. Sop. or Mezzo-Sop. Warren}, S. P., The sea hath its pearls. WingsofSong.. .. .. . Mother’s Morning Song, . . . . . . . . . . . . . . . . . . . . . . Two Songs: No. 1. Miller’s Daughter, . . . . . . . . . . . . . . No. 2. Love that hath us in the net,. The Fountain. Watson, H. 0 . nllivllti A Happy tears down falliiig,. . . Roving, restless streamlet, _ 0. HI. V., Lullaby, (_Wte (1, ._ .. My true Love is fair, (Mam be/iatzer 25 /mZ>scIL,). — Pain of secret love, (lieiiltlicher Lielze Pein,). . . . xveidt, 11., How fair art thou ! (Wis so/Lon btst du I) . . . . . . . . . . . . . . . . .. Wviebe, EdW., Slumber Song. Engl. and Geiz, . . . . . . . . . . . . . . . . . . .. . . . . Elvood, All). I-[., A Psalm of Life. Words by Longfellow, . . . . . . . . . . . . .. Wriglitoxi. W. T... Gentle ray of sunlight, Song, . . . . . . . . . . . . . . . . . .. Wrobleski. E., Lifeis happy hour. (11 Ballo.) Valse, M. Sop., . . . . . . . . . Yraidier. Chevalier, Lost forever, (Ay Chiquita.) French and English, or Spanish and English, . . . . . . . . . . — Maria clolores. Spanish and English,.. . . .. VOCAL DUETS. (Fliege du Vbglcin.) Duet, . . . . . . . . . . . . . (Surrc, surre Kiiferlein.) Duet, . . . . Sop. and T Latin and Italia Song,. Weber, Abt, Fl'Z., Fly away birdling. —— Music of the Meadow. Arditi, Night in Venice, (Una notte a Venezia.) opraiios, . . . . . . . . . . . . . . . . . . . . . , . . . . . . . . . . . . . . . . . _ , . . . . . . . . Auber, D. F. E., Premier Jour de Bonheur. Nocturne. Sop. and Mez. Sop. French and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . liklangini. 17., Through valley, through forest, (Per Vd.lll,_ per boschi.) Bordese, L., Carnaval dc Venise. (Carnival of Venice.) Sop and Alto, French and English, . . . . . . . . . . . . . . . . . . . Oarnpana, F., “ I live and love thee.” (Io vi _.—— Roma 1 (Rome,) Cont. and Baiz, . Do you remember? (Te Praminenti '2). . See the pale moon, (Guarda che bianca Luna,) . . Tell me thou lovest me, (Dimmi che m‘ami,) . . . . . . . .. ... . . . . . Contralto or Sop. and Ever united, (seinpre insieme.) Sop. and Baritone, . Maria e Kizzio, (Mary and Rizzio.) Sop. d e ., r 2 We’ll go and seek. (Alla capanna andiamo.) Sop. and Sop., or Sop. and Ten., . . . . . . . . . . . . . . . . . . . . . . . —- Come witi. me. (Vieni meco.) Sop. and Mezzo Sop. Carulli. Poor Heart, (Povero cor.) Soprano and Baritone, . . . . . . . . . . . . . . . C111-sclnnann, Welcome be thou light of heaven, (WillIt'0Ir1.me7t do G0tl€8 lstmne.) 2 Sopranos... . .. . .. In the Woods. (1771. Wu/rte.) u t, Sop. , D0 zetti, La Favoiita, “ 0 Days of Youth,” (Ah Leonora l guai o.) and Baritone, The Adieu, (L’Addio.) Soprano and Baritone, . . . . . . . . . . . . Gabussi, La Calabraise. (Fortune teller.) Sop and Mezzo Sop. Italian, English, and French, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gounod, Charles, Romeo e Griulietta. Madrigale, “Angel che adoro,” (Angel beloved.) Duet. Soprano and Tenor, . . . . . . . . . . . . . . . . Grell, A. }3}., Laurel and the Rose. (Larbeer und Ruse.) Sop. and Mezzo Soprano, Graben-Hoffmann,’ Messenger of Spring. and Baritone, Gumbel-t, F., Cheerfulness, (Frohsinn.) Waltz, Duet. 2 Sopranos, I-Iaekel, Ann, Two Nightingaies, (Di 1) ‘den NacILt7;gallen,)... Kiodges, Faustina Hasse, L’Amicizia, (l<‘riendship.) Pol Duet. 2 Sopranos, . . . . . . . . . . . Kiicken, Fri)... fmward bonny boat be ﬂying, (Treibe, treibe, Sc/Lwtein.) ue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (»V‘7"t'i/Lli/z_gs0oten.) Sop. , . —-— On gentle waves. (Die 17" . Duet, . . . . _ . _ . , . __ Lueantoni, G“ 11 Bacio, (Bright as the bow of promise gleams or Tenor and Soprano, . . . . . . . . . . A Night in Venice, (Una notte a Vene . 2 Sopranos, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lovers’ Meeting, (I1 convegno.) Soprano and Tenor or 2 Sopranos,. -—— La Reconcialation. (The Reconciliation.) Duo Sop. and Bar. Italian, French, and English, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . , . . Mabellini, F., L’Estasi “ Zitto non chiedere.” (’l‘he Ecstasy “ Speak not lov .” Duet, Sop., and Baritone, . _ . . . . , , _ . , . . Malibran, Mme", “ Breathe not that mountain Duetorsolo, . . . . . . . . . . .1 . . . . . . . . . . . . . . . . . . . . Masinl. F., Tshe Land of the Swallows, (La Patric des Hirondelles.) Duet. ‘-4 OPYMIO . Mendelssohn, 17., Two part songs, (new and correct edition,) complete and separate. No. 1. “I would that my love,”. . “ 2. The passage bii-d’s farewell,. 8. Gree ing, . . . . . . . . . . . . . . . 4. Autumn Song,. . . . . . . . . 5. 0, wert thou in the cold blast, 6. May bells and ﬂowers, . , . , . . 7. My bark is bounding, ’ ( des Vaches.) s, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 8. Can I light hearted be, 9. Evening Song, . . . . .. 10. Zuleika and lziassan 11. Sabbath moi'n,.. . . . 12. The harvest field, . . . . . . 13. Song from“ltuy Bla ” .. . , , . lvlillard. I-L, Vieni al ml: qsenl (Come to my heart I) Duet. and Tenor or ' copranos . . . . . .. Mﬂlet, En Awake up rgy glory, (Quae te Ch . orano. uet......... . . . . L’Aveu. h(The vow !) ‘”Du§t, Tenor, and Sop. French and English,. “ With c eerful notes. acred Duet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “ Meekgy may my goﬁl rfceive.” Chiirch Duet. Soprano or Mezzo oprano an an on Adored foreveir, (Beatam te dicent.) 2 Sopranos, . . , . . , . , _ ——- Grlencove. “Duet for Soprano and Mezzo Sop., or Tenor and Soprano, Mosentlial, J., I will magnify thee, 0 (:rod.” Sacred Duet, . . , . . , , . , . , Nicolai,M0ltto, Evenindg, (8/Vem7., sanﬂ ales Abends.) Duets, Sop. and Bass, at tsubyecte , ( rmai sommesco.) Sop. and Bai-., or Sop. and I] . Offenbach, J._; La Périchple, L’ warrior once said. ’ Duet, Ten. an Palloni, G., L’Oi‘{a.1convenuta.3._(The appointed -h . , Duet, 2 Sop., or sop. am "en. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . _ .. -— Una Sera in Mare.‘ (An Evening at Sea.) Duet, 2 Sop., or Sop. and Ten. Ricci. Now waits the Gondoletta, (I ront e la uondoletta.) Duet or Chorus. Soprano séfriétirb‘ }£xi:i' iwiéiié TwoSop., . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Rinck, 0115., Sabliath Eve. 12 devotional songs for 2 voices, Book 1 and eaci... _ , , , , , _ , _ , _. schimon, A., The céi. . L’Eco.) , Sop ., so,,_ and T6,,” S. ll}. S., Felice, amore, (Tell me then, dearest.) Duet, Sop. and Mezzo Sop., Yradier, Cllgghde. Jota de los Toreros, (Song of the Toreador.) Sop. an 0, . . . . . . . . . . . . . . . , COMPLETE CATALOGUE OF IMPORTER OF FOREIGN MUSIC, 5 50 50 «+0 TRIOS, QUARTETS, AND CI-IORUSES. (SECULAR MUSIC.) Bellini, Beatrice di Tenda, “Angiol dl pace,” (Angel of Peace.) Sop., Cont. and Tenor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . —— “ Come, oh! come,” (Coro di donne,) . . . Bonoldi, Felice donzella, (Oh! happy the Maiden.) 8 Soprano Oampana, 17., Row us swiftly, (Voga, voga.) 8 female voices, . , . . . . . . . . 1 — When I am gone from thee, (Quando ﬁa gen-ere,) Trio, 2 Sop., and Ten. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . My mother‘. (Mia madre.) Trio. 3 female voices,. . . .. Clapisson, L., Les Grlaneuses. (The Reapers.) Solo and Trio, or Chorus. Three female voices, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Costa, IVL, “ Vanne a colei che adore,” (Go to the one whom I adore.) Trio, 2 Sop. an enor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Curse-hman. The Violet, (Das Veilc/Len.) Trio, 3 female voices, . . . . . .. Donizetti, G., Lucrezia Borgia, “Bella Venezia,” and “ Bando, Bando Coro (li donne, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A Geinma di Vergi, “ Vieni n Bella.” Coro di donne, . . “ Dolce zeﬁfiro.” Coro di donne, de l’0pera I<‘avorit-a, . . . . . . . . . . . . . Garcia. lVIIne., Se mia prestassi i vanni, (Spirit of Light and Beauty.) Trio, 3 female voices, Gordigiani. 0 come to the Sea, (Vieni al mar.) Trio, Sop., Ten., and B.,. Nigri, G... La Luna, (By Moonlight.) Trio, 3 fem. voices, or Sop., Ten. and B., Rittel', F. L., Practical Method for female chorus classes, Part] and 2, each . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . n Scllumaxin, R01», Gipsey Life. (Zigeuner-Lebzm.) voices, score, . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 voices, parts separate, each,. . .. .. Sibel-, Ferd., Summer. (“ 1m Sommer zremt die Biiume 971271.”) Trio, Sop., Alto, and enor, . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. G., Giovanna d’Arco. “ Tu sei belia." Coro di dcnne, . . . . . . . .. . Chorus for mixed Verdi, FOR FEMALE VOICES. F. L., and Funny Raymond-Bitter, Collections of Trios and Choruses for female voices, is adapted and arranged, with English words. . 1. “Sleep, sleep, noble Child.” Chorus. Blanche de Provence. Cheriibini, 2. “ To Earth May Win<ls are of the Rose. (Schumann,).. . The Merry Month of May. . (A L Maiden’s Spring Song. Trio, (F. Grumbert, . “ Hark ! ’tis the Indian Drum ” Round. (Bis iop,) . . . .. “ When the Wind blows.” Trio. (Fanny R, l{itter,) .. .. “The World lies hushed in Slumber.” Trio. (It. llol,). The Spanish Tambourine-Girl. Chorus. (Scliumann,). . " Hear our Morning Pr ' ” Solo and Chorus. La Ves tie, (Spontiui,).... . . . . . .. .. . . . . . .. . . " Morn‘s Gates aga . . ( ptmann, “Sprites of Air.” Fairy Chorus. Oberon. (Webei',) . Down in the Dewy Dell. Tfio. (Henry Smart,) . . . . . . . Thou wilt notleaveme,(Ah, nonlasciarmi.) Trio. (Leonlr d,) “ Calm is the glassy." Chorus. ldomenoo. (Nlozai'l.,). . .. . The Chime of Silvery Sabbath Bells. Trio. Abt,) . . . Nightfall and Darkness, (Alta 6 la Notte, oscura) (Grordigi-ani,) . . . . . . . . . Rittor, Chorus. Pilgi nnge _-m_._.»_n._i_ °‘$'-7':F*.°°’~"’!“.° 5°.°°:*‘?’$1‘£".°° 'i~.-it", ) Ti . Campana.)... . “Deck we the Pathway.” Solo and Chorus. Paradise and the Perl. (Schumann . . . . . . . . . . . . . . . . . . . . . “ Let us all to the Fields).” Trio. (Ferrari,) “ ow bending before you.” Trio. Ma (Ciinarosa,) . . . . . . . . . . . . . The Stars. Trio. (Leon 3. “Homeward in Joy.” >-1,.”-A .°.°°I"‘ . . Trio. ) '. The thirtysecond Psalm. Chorus. . . “Give Praise to God.” Trio. (Hauptmann,) . . . . . . . . . . . . . . “ With Thee is Mercy.” (0 Salutaris ) Trio (l’zinsei'on,)., . The Water Elves. Chorus. (F. L. Ritter,).. . . .. .. .. . . “The Duchess Diana.” Chorus, (F. L. Bitter, . “Whirl and Twirl.” Solo and Chorus. Flying Dutchman, (R. W;igner,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Moonlit Rocks. Quartet. (A. Lee,) , . Spi'ing’s Delights. Quartet. (Mueller . “ He hath holpen,” (Magniliciit) Trio. (Bach,). . . “ Oh ! share the Treasure.” Solo and Chorus. Obero . Weber,) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SACRED SONGS FOR ONE VOICE. Bach, J 011. Seb.. My heart ever faithful. (Main gldubig Herz ) Sop. or Mezzo Sop, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Banclr, Carl, Three sacred Solos or Quartets. See Quartets, . . . . . . . . . . . . Benedict, J”, He giveth his beloved sleep, . , . . . . . . . . . , . , . . . . . . . . _ . . . , , , , Campana. F., From the depths. (Dal profondo dell ’oblio.) Preghlera, Contr. or l‘5arit,, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . (Prayer to the Virgin,). . . . . . . . . . . . Beatitudes, . . . . . . . . . . . . ezzo Sop., . . _ (Schletterer, . . . . .. (Franz Schubert,). Gomliginiu. O santissima Vergine. Hodges Faustina H Cloister Memories. ————- .1 o. 1. Blessed are the poor in Spirit. No. 2. Blessed are they that mourn. Contralto . No. 8. Blessed are the meek. Duet, two Sop.,. . . No. 4. Blessed are they that do hunger and thirst. Con No. 5. Blessed are the merciful. So . . . . . . . . . . . . . . . . . . . .. . D 7 Jackson, Salnuel, “Teach me 0 Lord.” Soprano solo with Quart.,.... King, Wm. A.’ Ave Maria. Latin and Engl.,, . Lord, (1118. W., Vesper hymn, . . . . . . . . . . . .. Llizzi L. Ave Maria. Ital. and Engl. . . . . . . . . . . .. . ., . . 5 lvlercadante, S.’ Salve Maria. Ital. and Engl. Sop. or Mezzo Sop.,.... lYIilla1'd, I-I.’ Ave Maria. Latin and Engl.,. . . . . . . . . . . . . . . . . . . . . . . . . Procll, I-I., Ave Maria stella. Soprano, (Latin and Eng1,,) . , . . _ , , , , . , , , Rossini, G.’ Messe Solennelle. “Domine.” Tenor,.. —— do. Cruciﬁxus.” do. “ O Salutarls.” do. “ Agnus Dei.” Contralto, . speranza, 1)., The hour of i>rayei~. Mezzo Sop.,.... A A hymn of thanksgiving. Mezzo Sop.,. . . . , . .. , _ , . . , , Stradella, 0 Lord have mercy. (Pieta Signore.) C minor (Sop.,). . . . . . .. . Sprano in G, . . . . . . . . , . . . . . .. Mezzo Sop. in F ‘Vilanova, R.’ Ave Maria. Soprano, Latiu,. , . . , Wood, Alfred H., A psalm of life. Words by Longfellow. Torrente, G., Show me thy ways 0 Lord! -—— do. Sop., . . . DUETS, TRIOS, AND QUARTETS. (SACRED MUSIC.) Banck, Carl, Three Sacred Quartets, (or Sop. Solos.) No. 1. Dawn, . . . . . . . No. 2. The Morning Star, No. 8. The Cloudless,.. . Do., do., do., Complete in one, . . . . . . . 1 Dudley, Episcopal Church Music for Quartet or Chorus Choir: Morning Service, Op. 25, No. 1. Venite, . . . . . . . . . . . . . . . . . . . “ 2. Te Deum, . “ 3. l3enedictus,. . “ 4. Jubilate Deo, Evening Service, Op. 81, No. 1. Gloria in Excelsis U Buck, “ 3 Deus misereatui~,. :: 4. Cantatc Domino, Ch ' t P E t A ii Ben?)d1c2'i)mm"' i-is our assover as er 1] iem, p. , . . . . . . . . . . . . There were Shepherds. Christmas Anthem i I-Iark i What mean those holy voices, Hymn’, Op’ 32*‘ ‘ ' ' ‘ ' ' ‘ ' " Darkly rose the guilty morning, Lenten Anthem, . . . . . . .. _ . . . . . . . . . Special Hymns (in Anthem form) for Quart, or Chor. Choir. No. 1. The s ‘ain upraise Alleluia! . . . . . . . . . . . . . . . . . . . . . . . . . .. 1 u . 5 H-ar'kl a thrilling voice is sounding (Aclvent,) } ' . l Saviour source of ev ry blessing, Hail to the Lord s anoiiited, (h1>ipliany,) H Day of wrath ! _(l)l'eS Irae,)V . . . . , . . . Christ the Lord is risen. (ha _er,). . “ O holy, holy, holy Lord. (Trinity So I ( y, M 7 % ‘l\3I1'e:Lrd.é)lf itli<,;{worlCé inﬂmercy l)|'(lli€ll, E_ A y :11 l oo s up o ice, ' “ 8. Come yc disconsolate, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Cliristopher, lVla1'i0n, Deus misereatur, Anthem, 4 voices, . . . . . . . .. . 1 Hodges, Fallstillia }I., “I heard a voice from Heaven.” Quartet .. Blessed are the meek. Duet Sop.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Jackson, S., “Peace troubled soul." (llyinn 130, 11 3.) Solo Duet Trio, and Quart From Lysberg,,, . . . . . ,, Gloria in Exce Chant, 4 voices, p Benedictus. Anthem, 4 voi ~ .5, in E ﬂat, with Organ Accomp.. . . Inspirer and llearer of Pra Ilymn 158, for Soprano and TI Solo with Duet and Quartet .. .. Lord foiiever at Thy Side. Sop.’ and on b It as .°°$1‘:‘‘.°° ‘*7 Melody y t, . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . As pants the wearled Hart for cooling Springs ! (Select. 37.) Sop. and Ten. Solo, \vith Duet and Quartet, from Robert Franz. . . . . . . . .. Teach me, O Lord. Sop. Solo with Quart, ad libit., adapted and arr. from Mendelssolmls “ O quam S1l'olVlS,". . . .. . . . . . . . . . . . . . . . . . .. Saviour, Source of every Blessing. (liymn 18.) AYI‘. for Sop. and Ten. Duet, with Alto and Bass Solo. From Franz Abt, . . . . . . . . . I will Arise, (Sonic-nr:e,) from “Agnus Dei," by Liimotte. 4 voices,.. Jesus, Saviour of my Soul. (llymn 143.) Air. for Sop. and Ten. Solo, with Quart, from Franz Abt , Thanksgiving Anthem. “ Great God ! we come with grateful Hearts." Voice‘ Jubilate Deo. Anthem, 4 voices, in E ﬂat, with Organ Accomp., , . , . “ The Lord my pasture shall prepare.” (Hymn 9,) Sop., Solo and Sop., and Ten., Duet with Quart., from GuglieIino,. . . Gloria. in Excelsis. Chant in D. 4 voices,.. . Gloria in Excelsis, in C. 4 voices, . .. Jubilale Deo in F. 4 voices,. . . . Jubilate Deo in D, 4 voices, . . .. . . .. “Sun of my Soul.” (Hymn 268 L. M.) Qua cieiit Melody,. -". Gloria Pati-is, No . ' d. from an an- “ 3 in F “ 4 iii Bi) 6 Gloria tibis. 4 voices, _ _ _ Deus misereatur in E Flat. 4 voices, . . . . . . . . . . . . . . , , , . ._ ,, “ Lord with glowing heart.” (Hymn 150.) Sop. or Ten. Solo with Quai~t,, from Mendelssohn, . . . . . . . . , . . . . . . . . . . . . . . . . . . . . . . . . . . . “Saviour breathe an evening blessing.” Opening piece, arr’d, from Mendelssohn for Sop. Solo and Quartz, . . . . . . . . . . . . . . . . . . . . . . . . . “ Hark a thrilling voice is sounding.” (Advent hymn 218,) arr’d for Sop. and Ten , Solo with Quart, from l\loz:irt, . . . . . . . . . . . . . . . . . . “Jesus Christ is risen to-day.”‘ (Easter hymn, 283,) a ’d for Sop. and Ten., Solo with Quart., from Mozart, . . . . . . . . . . . . Grand Te Deum in A. 4 voices,. . Benedictus, in F. 4 voices, . . . . Kotzschmar. I-L. Te Deum in . . . . . . . .. . :— “O Lord, 0 Lord.” Quartet. Mixed voices, ———« Deus Misereatur. do. do. . Rejoice in the Lord. Anthem. do. King, Wm. A.. Six sacred Quartets,..... . . . . . . . . . . Millet, E... Ye Fields of Light. Sacr. Trio, Sop., C011. and B., _ . , . , , . . _ _ _ ——— Awake up my lory. (Quae te Christe) Sop. and Mezz Sop., Duet, With cheerful notes. Duet, _ M , , _ _ —— Meekly may my soul receive. Sop. or Mezzo Sop., and B itone, . . Adored forever. (Beat-am te dicent.) 2 Sop., . . . . . . . . . . . , . . . . . . . . . . Mosenthal, J., "I will magnify thee, 0 Lord.” Duet, Sop. and Ten., or 2 Sop. —— do transposed for Mezzo, Sopr., and Alto, in F, Eve, l2 devotional songs for 2 voices. Book 1 and Rivarde, P. A., “ Softly now the light of day.” Solo and Quarte , , . Rossini, G.’ Messe Solennelle. “Gratias.’j Trio, Con., Ten., and Bass, _——_— do. “Qui tolhs.” Duo Sop. and Con.,. , Paine, John K.. MasslnD.for4voices,........ . . . . 500‘ Walters, W. H. “0 how amiable.” Quartet. Anthem " Out of the l)eep.” Anthem for Sop. and Ten., wlthifull Choir,. .. 1 00. , , ORGAN. Buck, Dudley, Jr., G-r. Sonata in E ﬂ-it, . . . . .. . . . . . . -——- 18 Studies in Pedal phrasing. Bks. 1 and 2, each,.. Concert V3.l'l'v\tl-‘-I15 on “ Star-spangled Banner,”.. . . “ Andante” from BeethoVen’s Sonata. Op. 28,. . Triumpha1March,..... .. .. Impromptu Pastorale Rondo Oaprice,. .. . . . . . . . . . . . Overture " Gruillau ll,” (Rossini,). . “ “Stradella,” (Flotow,).... 4 Transcriptions from Schumannls “ Pictures from the Jackson, Samuel, 12 Voluntaries. Vols. 1 and 2, each,.... . . . . . . .. .. 1 25 Bridal March, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . lVIendelssol1n9s Wedding Marchharr. by S. Jackson, . .. . . 1’riest’s March, from “ Athalie,” arr. by do., Wagner, Rich., March and Chorus from “ Ta.nnhausei°,” arr. by do.,... ALL MY PUBLICATIONS SENT ON APPLICATION. AND PUBLISHER. so ‘ 35 35 _ 00 00 35 25‘ 50 " 75 35
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Date: 1892
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/;m:=IM~ , " Copyright 189 '3 by J. E . Per-ring . BEWARE! Words by H.“/. LONGFELLOW. Music lay JAMES ERNEST PERRING. Allegro con spirito ma non troppo presto. 1’ known 1naid- - en fair to see! take careltake care! take czweltakecarel She .f can both false _ and friendly be, Beware, beware, hewgxre, ten: 0. > P hewzu-e,VbeWa1'e, She is fooling thee, she is foolingthee,t1'usthe1' /4'3 tcn1})o.K/ \' not! . . . . oh trust her not! .. . She is fooling thee, she is fooling thee,f1*11sthe1' not! oh trust her not! >>> > > /3 gﬁazioso. Slm has two eyes so soft and [)1'0wn, (-zu'e,t:1kc care, beware, beware!‘ She gives :1 side glziuce and looks down, 1,], rail.- 0ht1'11sthe1' not! 011 beware, hewzu'e,hewa1'e! pp wall.- has two eyes so softand brown, She give_S a side glance amdlooks down, tcnapo. trust he L’ a tempo. a tempo. t rust h e trust herfnot, oh be-w;u-e! trust her not, atem 0. > P fooling thee, she ‘is fooling thee, trust her not, oh trust her not! She is (I tempT‘/ fooling thee, she is fooling thee,t1‘ust her not oh trust her not! >>>:>>f.\ /\ \ '. r.\1’(-\ \ “""V T’—“,;s3?g7 ;.._;“f_ -5 she hag hair 0f"'g0ld-en hue; And what she says it is not true, : «— W 4-~::~.—.=w«.—.)v.~.: -:>.:+-vywwz tempo. she has hair of wall.- gold-en ' And what she says {’— /_\ J‘. Be-w:u-e! beware! beware,‘ beware! For she has hair of a golden hue, 011 trust her not; 011 trust her not! And what shesays it > > > /'\ /"\ is not true, She gives thee a garland fair,‘ 7Tis :1 fools cap f01'theet'0 Z5 Z‘ {T /"\ t * . >cmpo Oh she7s fooling thee, she is fooling thee, Trust her not, 011 trust he /3 she is fooling thee, she is fooling thee,trust her nbt 1, ohtrusthc *3 Perfect Peace. (I heard a Voice.) Sacred Song for Low Voice 221 C, Vvqfds by V I I I ¥ N[1lSiC‘by JOSEPH FLETCHER. e V‘ " W9 DRESSLER. _ Larghetto. heard :1 voice, . Je — sus to me’ speak —ing, u.—mid the prcssund throng, I heard Him ' : “Come ‘wen-ry Copyright 1910 by VVIF1 A.Pond & Co. International Copyrightﬁecured.
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Date: 1912
Text: MUSIC uammv VASSAR COLLEGE poucmutzpsaz, new vonx VICTOR KOLAR 772ree Son '5 /or /76 0021/77 I/03/[*6 THE SEA HATH ITS PEARLS . . . . . . . . . . . . . , . . . . .. .50 From the German of Heine, translated by Longfellow. 'BE\x_Qgs,R1g.A .......................................... .. 50 From the German, translated by Longfellow. DO I LOVE. THEE? .................................. .. .50 Words by folm Godfrey Saxe. Medium Voice in C From the German Translated by H. W. LONGFELLOVV. B...
Show moreMUSIC uammv VASSAR COLLEGE poucmutzpsaz, new vonx VICTOR KOLAR 772ree Son '5 /or /76 0021/77 I/03/[*6 THE SEA HATH ITS PEARLS . . . . . . . . . . . . . , . . . . .. .50 From the German of Heine, translated by Longfellow. 'BE\x_Qgs,R1g.A .......................................... .. 50 From the German, translated by Longfellow. DO I LOVE. THEE? .................................. .. .50 Words by folm Godfrey Saxe. Medium Voice in C From the German Translated by H. W. LONGFELLOVV. B eware! Music by Allegretto scherzando. VICTOR KOLAR’ 0918’ N9 2' f Wgp dolce know a maid - en fair to see, ‘ake z/nlczlss. "F" She can both false and C’. U. Copy;-z'g}zt MUMXH by Carl }F'z'sche2; JV. Y. 15093 ‘ 4 International Copyright secured. — mﬂ ing thee! She has two eyes so soft and brown‘,Take dolce e ‘fab. 5%. side — glance and looks down, Be - Ware! ﬂfa I‘e'/‘//170 she has hair of gold-en hue, Take care! Take care! 5 D What she says, it is not tme, pow rallen-ttmdo She is fool — ing thee! She L 12030 rallemf. 15092 -4 m at tempo 12000 ﬂid mosso has a bo— som as white as snow, She knows how much m * - fa tempo 17000 pm mosso best to show, She gives thee a gar - land wov - en fair, 15092 - 4 A FEW SUGGESTIONS FOR SINGERS TAKEN FROM THE CARL FISCHER CATALOGUE 2 High Voice in As Low Voice m 1-‘ - Bediunied to my mum”. After Sunset. Sleep Song. Music by . W (1 ' d M ‘ b AWE Mmvl-WET mm FRY” A. 5216:?“ o“,ii§s§n: Moderate con aniore. Anda"t°' l1 d y . me your 3“ Sleep,my lll~llB one sled-:p,__ 5ha.dow5 round prom-ise ymil] be true! Give me your heart sun has gone he - yond the sea, To T Continued Copyright MCMX by cm Piacher, N. I 40- lnternatloinl Copyright secured. (Bill-I Copyright M(‘M.‘( by rm mm ‘ rm.-rnmouii Copyri; Price’ 50c‘ I Price, 50c. High Edition in A ﬂat. Law Edition in F 7 Love 5 Answer. SW” 1.” Shadows F Iy. J. Louis Von der Mehden Jr. 09.18. ‘ words by Mum by Moderato, can moto agitaio. FRED. G. BOWLES. LOUIS VICTOR SAAR, Op, 69.1] cm, fuocu, Moderate, con iiioto agitate. molto n'!. "f qfa “Yes, my lips to - night have spo - ken ' R Heart1_ are you hope—ful, now 'tis niglii?___._ p dolce . . M’ 152 \‘J pom mil. _ L Wards I said they should not speak, TUL pow rall. . . _. are you ea ger for the fight? -6 Continued Contiri/ued Copyright iicu x by cm Fisohar,N.Y. lnternationnl Copyright sec d. Copyright MGMX by cm Fischer, N.Y. '"° lernntioniil Copyright secured‘ Price, 50¢. Price, 50c. ? It gives you the most comprehensive and complete news of everything worth 0 e knowing in the vocal line; contains splendid articles on the voice, voice culture, ' etc., and is only one of the many interesting departments contained in the “MUSIGAL OBSERVER,” _America’s.fastest growing musical monthly. 1]] Each issue of this interesting magazine is virtually an education in itself, while the music supplement consisting of piano solo and vocal music, is worth many times the subscription price of $1.00 a year. Single copy mailed for 19¢. ‘ All! your deal?’ to allow you current isine of "The Musical 0l)server.‘" a muiical montlily magazine wlioue interesting and educational articles on mmic and mnxicinns, tnget er with its valualile music supplement will prove a constant source of inspiration and pleasure to every teacher, student and rnusiclove in general. SUBSCRIPTION ONE DOLLAR PER YEAR——SlNGLE COPY TEN CENTS.
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Date: 1902
Text: E.L.A HFORD FDUR sums ROS “/LOVE; 60A BLO , HOU wxxmza WIND as wmsm LOVE IS DONE .. BEWARE 6 WULSC R IO 00. INDIA us, NA. BEWARE. To .7117: Justin T/eatc/aw". LONGFELLOW. , « E. L. ASHFORD. I know .a maid- en fair to Allegrett 0. Take care! be — ware! ‘ She can both false and friend-ly Am'm¢i2fo ‘A be, Take care! be — ware! Trust._—___._. — — ing ‘the9!.._ she is fool - ing .bL. . (70/)y.rI’gIzt 1.902 by Wulsclmer Music Co. Pm lento She has two eyes, so soft and can cmima brown,...
Show moreE.L.A HFORD FDUR sums ROS “/LOVE; 60A BLO , HOU wxxmza WIND as wmsm LOVE IS DONE .. BEWARE 6 WULSC R IO 00. INDIA us, NA. BEWARE. To .7117: Justin T/eatc/aw". LONGFELLOW. , « E. L. ASHFORD. I know .a maid- en fair to Allegrett 0. Take care! be — ware! ‘ She can both false and friend-ly Am'm¢i2fo ‘A be, Take care! be — ware! Trust._—___._. — — ing ‘the9!.._ she is fool - ing .bL. . (70/)y.rI’gIzt 1.902 by Wulsclmer Music Co. Pm lento She has two eyes, so soft and can cmima brown, Take care! Take care! Shegives a side-glanceandlooks down, 0 be- ->Ié°S3eb. -316 Con abandon ‘./—\ C7680. Ware! 0 be - Ware! ATrust her n0t,__she is foo] — ing Beware. 4 Gmzioso And she has hair of gold - en and she has_hair ofgold-en hue, And what she says, it is not cwcel. it is not true, it is not true, Strmgendo Szmg “"010. She gives thee, a gar-land fair, . Tis a fo0l’s cap for thee to Bewa1'e.4 f¢’“i’%’ Trust_. her not, shéis f00]- - — ing thee! cresc. 19000 thee! be - ware,__ be- slower ware,___ 0 trust__.. her not, 0 1ru.=t_._ hér not, ﬂwco (5 fool-ing she’s fool — ing thee! /3 Tempo I m if Beware. 4
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Date: 1886
Text: MUSIC Lnammv VASSAR COLLEGE poucuxazvsnz. uzw vonu N‘? I. N92. N93. N94. N95. N96. N97. THE QUIET MOON UPON THE CLOUDS... 40.Cts. ONLY A ,, THE ,, MY SWETE SWETYNG ............................ ..25 ,, BEWARE ............................................. .I%,....25 ,, GO, HOLD WHITE ROSES ....................... .. 25 ., GOOD NIGHT ................................................. ..4O ,, J!) BOSTON: ARTHUR PSCHMIDT & C‘? 13 and 15 West Street. % Copy//ig/it /o°d’c2"/4//ﬁzz/’ﬂ Sc&...
Show moreMUSIC Lnammv VASSAR COLLEGE poucuxazvsnz. uzw vonu N‘? I. N92. N93. N94. N95. N96. N97. THE QUIET MOON UPON THE CLOUDS... 40.Cts. ONLY A ,, THE ,, MY SWETE SWETYNG ............................ ..25 ,, BEWARE ............................................. .I%,....25 ,, GO, HOLD WHITE ROSES ....................... .. 25 ., GOOD NIGHT ................................................. ..4O ,, J!) BOSTON: ARTHUR PSCHMIDT & C‘? 13 and 15 West Street. % Copy//ig/it /o°d’c2"/4//ﬁzz/’ﬂ Sc&272z‘([z‘ 45 C’? BEWARE! Trans. from the German by Music by H.W LONGFELLOW. , ARTHUR W. THAYER. Allegretto Vivace. > 1. know a maid-en 2. She__ has two eyes, so I 3. And_ she has hair of a 4. She gives thee a gar-land Pg.‘ L 1 [ill I MA A 0 H’ C I 7 V -‘I P care! She-o__gives a side — glzulce cure! And_What she says, it care! It_._ is a foo1’s cap for- {T I a‘ care! She__can both false and Copyright 1886 Arthur P. Schmidt Jr C0. A3 5.é,.C0_95-7 ' friend—1y be,_ Trust _her and looks down, Trust her is not true, Trust her thee to wear, Trust her f0olV— ing . ' fool - ing fool- ing . fool — ing fool — lug . fool — ing fool - ing . . i ' ‘ fool — ing -4:4 I . . o Be.— — ware! Be — — Ware! Be — — ware! Be — — Ware! :1 I87/{[10 AP S.‘5rCo.967 CATALOGUE OF NEW MUSIC- PUBLISHED BY ARTHUR P. SCHMIDT &CQ.13 and 15 West St. BOSTON. ‘Iv Vocal. Songs. A. .., E. I. Serenade . . . . . Mulevnkl, ‘I’. Love’s Simile . . . -—- Faded Roses. . . . . . . . . Adams, 6. R. The Bedouin Song (Bass) Apmdoc, W. I thought you loved me. —- Only a ‘Face at the Window (Con- tralto or Barit.) . . . . . . . B...;|l.W. Maysong . . . . . . Bach, l. 8. If thou thy heart butowest (Willst du dein Herz mir schenlren) Boon, F. In the Cathedral . . . . -—- Cradle Song . . . . . . . — Flowers of our Spring . . . . . —~ The Sunset Light. Barcarole . Bracken, F. l. Margery . . . . —— The Letter . . . . . . Brown, I). B. 3 Sacred Songs. No. 1. Ohthatthouhadst hearkened No.2. What are these which are arrayed. . . . . . . . . . No. 3. Therefore the Redeemed of theLord . . . . ._. . . Brown, l. L. Clear and Cool . . . . lllmlwlclx, G. W. The Miller’s Daughter — Op. 8. Three Love Songs. No. 1. Rose Guerdon. . No.2. Serenade . , . . . No. 3. Before the Daw . — Three little Songs. No.1. Request . . . . . No.2. Gay little Dandelion . . . No. 3. Thou art so like a Flower . Clrlllo, V. The murmuring Wind . -—- Oh than who drylst the mourners tears............ — Ah why my Love (Soprano or Tenor)........... Eevrlu, Ilrry. The old Abbey Bell. Song for Bass . . . . . . . . — Lullaby. Song for Soprano . — Despair. Song for Tenor Dans, Arlll. Six Sacred Songs. No. 1. Inspirer and 1-Iearer of Prayer (Contralto or Bass) . . . . . No. 2. My Shepherd will supply my Need (Sopr. or Ten. . . . . . 0.3. There is an Eye that never sleeps (Sopr. or Ten. . . . . No.4. In heavenly Love abiding (Sopr. or Ten.) . . . . . . . No.5. Come said Jesus (Sopr. or Ten.)........... No. 6. Now and afterward (Sopr. or Ten.z...... Dru, Ilene III. At Last . —AtRest — Ave Maria (Tenor or Soprano) — Beside the Summer ea (Mezzo Soprano or Contralto) . . . . . -— Bird was singing clear one day. Ballad........... —— It was a Knight of Aragon (Bari- tone or Bass . 0 heart my heart . . . . . . O Salutaris (Contralto) . . . . . Salve Regina No.2 (Mezzo Soprano) Up to her Chamber Window . . Whether the World go up or down Three Songs. No. 1. The Blackbird sings in the Hazslbush . . . . . . . . . No. 2. Where go you pretty Maggie No. 3. Somebody watches and waits foryou..,........ —— Edenland. Duet for Soprano and Tenor........... Dvorllt, A. Language of the Flowers . Emery, 3. A. Op. 19. Good Night. Alto Song......... — Op. 28. 2 Soprano Songs. evening Twilight — 0p.24. No. 2. Naebody . —— 011.36. Skating Song . . -—- Op. 22. Home Songs. No. 1. Where are the Eyes of the lovely one . . . . . . . . . No. 2. Sleep, Baby, sleep . . . . No. 3. Nae shoon to hide her ting tees —- Op.30. Two Alto Songs. No. 1. 0 Love, my Willie . . No.2. Little bud Dandelion . . . -— Op. 31. Spray leaps high on the jut- ting Crag for Soprano. C min. -— The same for Contralto. A min. . Feueudcn, W. II. My gentle Mary (Tenor or Soprano) . . . . . . . . Fools, Arthur. Go, lovely Bose . . . - W'hen Icicles hang by the Wall. LowVoice Ford, C. II. _No love for naught — Tit for Tat (Tenor) . . . Frank, J. W. Wait thou still. Edited by Gr.l'-Ienschel. . . . . . . . . Grndvlell, A. Ave Maria for Sopr. or Ten. llssclll, W. F. 5 Songs. No. 1. Unto Death . . . No. 2. Kyrie Eleison . . . No. 3. A Grreyport Legend No.4. The Bells of Lynn . . No.5. Under the Guns (Bass) learnt, Rlcllrd. Binding Sheaves Iuscllel, Guam. Come away, come away, Death. (The Clown’s Song from Shakespeare’: Twelfth Night) . — My Sweetheart . . . - To my Turtle Dove. Folks Song V — Bird in you Forest — Consolation ' ' ' — Spanish Serenade. For Sopr. or Ten. — The same f. Contralto or Barit. in D —— Three Songs from Kingsley’s Water- babies. No.1. The Brook sings: Clear and coo . . . . . . . . . . . No. 2. When all the World is young, La . . . . . . . . . . . No. 3. I once had a sweet little Doll, Dears........... lenses, 8. L Phantom Isle . . . . ﬂood, lhlen F. Four Songs. No. 1. Shepherdess No.8. A Disappointment No. 3. The Convert . . No.4. The Violet . . . . . . . flows. 1. ll. 4 Sacred Songs f. Contralto or Bass. No. 1. In heavenly Love abiding . No.2. He is thy Lord . . . . . No. 3. His Love is merlasting . No. 4. Glory to Thee. Evening Hymn — Four Songs with Violin or Violon- cello obligate. Op. 8. No. 1. A Day in the Woods . No.2. A Night in the Woods No. 3. The Cricket . . . . No.4. Summer Song . . . . . . hello, 8. ll. Art thou weary, art thou languid. Oﬁertory . . . . . . . — Jennle’s Wooin’. A Scotch Ballad — The Moorish Love Song . . —The Sunbeam . . . . . . . . Johns, clayton. Farewell oh dream of m e . . . . . . . . . . . . Kennedy, Welter. Whether my heart be gladorno......... Knox, J. B. Absence. Romanna. . . —— Bugle Song with Cornet ad lib. -—- The merry Lark was up and singing Kolcllll, 1'. Dance on the Green . . . —Forsaken . . . . . . . . . . —- Heart Sorrow — Peasants Love . . . . . . . . Lsmn, E. Songs. Adapted and edited by L. C. Elsan. . 1. I wander ’mid the Flowers (Soprano) . . . . . .1bis. The same (Contralto). . .2. It was a Dream (Contralto). .2bis. The same (Soprano) . , . .3. My Heart is like the sable Night (Contralto) . . . . 4. Whither ohBird so fast P (So- prano)........ . 5. With thy blueEyes(Contralto) .5bis. The same (Soprano) . .6. Past! (Contralto) . . . No No No No No No.3bis. The same (Soprano) . . No No No No No. 7. At Night (Mezzo Soprano) . No.8. Moonlight (Mezzo Soprano) No.9. Farewell (Mezzo Soprano) . No.10. Serenade (Soprano) . . . Lnvm, W. J. D. My love will return to me . . . . . . . . . . . Lulle, Ernest. Year after year. Love ong . . . . . . . . . . . . Lulle, Herbert. Dear heart good night. Ballad for Soprano or Tenor . . — Left Alone. Ballad for Cuntralto or Baritone . . . . . . . . . — Oh Rest thee my Babe. Lullaby for Contralto . . . . . . . . Loewe. lllrl. Henry the Fowler. Sung by Georg Henschel . . . . . Lucchul, R. A. To Thee (A Te) . . . Hinton, B. W. The Beat of my Lover (Contralto or Mezzo Soprano) . . — Cavaliers Song . . . . . — Days are long (Contralto) — Don’t Forget . . . . . — Douglas my Douglas — Oh heart of my heart —- Lonely . . . . . . — Milkmaidls Song . . . . . . . — Morning Star (Romanza for Tenor or Soprano . . . . . . . . . — The old clock on the stairs . — Promise . . . . . . . . . . -—- Waiting by the Hedges (Tenor or Soprano) . — My God and .Fa.ther.‘Saer.ed-Song. —. 30 —. 25 rllcndoluolnn. Ah ifl were s bee (Spring Son . . layer. As thy wavlring footsteps . llapravnik, E. Cossack Cradle Song . llslnn, Beppo. Cradle Hymn ofthe Virgin (Latin and Engl.) . . . . . lorrls, lloncr A. Cradle Song . Plies, 1. K. Op. 40. Four Songs. No. 1. A Bird upon 5 rosy Bough No.2. A Farewell. . . . . . . No. 3. Beneath the starry Arch . ,. No.4. Music when soft Voices die Parker, l. W. Slumber Song . . . . — Wedding Song . . . . . . . . — Goldilocks . . . . . . . . . lluleclzl. lllgs v. The Sea hath its Pearls Illtier, G. P. In Maytime . . . . . . Rogers, Clare K. Six Songs 1‘. Sopr. or . She never told her Love . The Clover Blossoms . . . The Yearls at the Spring . At Break of Day . . . . The Rose and the Lily . Nothing. . . . . . . . Six Songs. .AMatch. . . . . . Confession . . . . . . Mona (Mezzo Soprano) .Rhapsody . . . . . . . . What does the little one see down there (Mezzo Soprano) .Sprin......... Enlly 9. Op. l5. New Songs. 1. The Sands O’Dee . . . . .Seashell. . . . . . . As through the Land . . . I leaned out of the Window . . From the close shut Window No.6. Carpe Diem. . . . . . No.7. 0 Heart my Heart . — Christmas Lullaby . . . . . . Snlslnan, Charles. Of thee I fondly drezun Stalls, L. L. Beyond all lights . . —— Exultation. . . . . . . . Scinsluluann, Louis. Op. 23. No.1. Upon the vast wide Ocean (Die helle Sonne leuchtet) . No. 2. Spring Song (Grruss) . . . No. 3. The Fisher Lad (Der Fischer- knabe).......... No.4. The Tear (Die Thrfine) . Skelly, .l. P. Our loved ones far away. Song and Chorus . . . . . . . Snllll, Wilson 9. A. Op. 10. Two Songs for Sopr. or Tenor. No. 1. Shadow Song . . . . . . No. 2. O beauteous Maiden, whither? Sirscllausr, lltrlnann. The Sa.ilor’s Return (Baritone or Contralto) . . . . strong, Amalie, Dietrich. Here under the Linden........... llllllnn, Illa. Last Adieu . . . . . Vsnnlnl, Vlncenro. The ﬂoweret (I1 ﬁore) — Malinconia. Romanza . . . . . — S’io fossi un Angelo (Oh were I blest above) Mezzo Soprano or Baritone — Thee will I love (Jo t'amero) . — In our boat . — Our own —- Reconciliation —-SpringSong......... WIII, Oscar. Autumn Blossoms (Nach~ ria . . . . . . . . . -—- Devotion (Die helle Sonne scheint) — Farewell (Abschied) . . . . . . -—- When the day is done (Abendlied) Wilson, .I. ll. How it came about . — Lullaby (Sleep, sleep) . . . . . Wlsler, ll. Arabian Love Song for Barit. or Contralto . . . . . . . . Wooll, B. E. Courtship (Contralto). — Margery Daw. Ballad. . . . . —- The Turn of the Tide (Contralto) — That sweet Day in June . . . . -—- How many atime do I love thee dear Studies. Florlmo, F. 14Vocal Studies. Arranged by Chas. B. Haydn . . . . nett lone, Fr. E. 1.’) Exercises for Medium oice . . . . . . . . . . . Four Part Songs. 41) Male Voices. AM, F. Happiness in wait (with Sopr. Solo............ Atlenlwier, 8. Springs Warning . Brown, 0. B. Bugle Song . Blmlwlck. Margarita . —— Reiterlied . . . Ts;-~>:enss.§.———~ llltlyllclt. The Vickings last Voyage C —.50l - (Male Chorus, Baritone Solo and —. 35 m. so —. 50 _l _| _l J _| .3 _: .1 ,1 .1 J .1 Orchester) Piano Score — Song of the Viking . , Ultla, l. W. The Reamer . . . llanaclicl, B. To my Turtle Dove Kmlm. Cruel Cuckoo . . . . — The Lovers . . . . . . . Iimuer. E. Two Starlets . . . . . Pulse, 1. K. Oedipus Tyrannus of So- phocles (Male Chorus and Orchester) Piano Score . . . . . . . . . -—- Op. 37. Phoebus, arise (Ten. Solo, Male Chorus and Orch.) . . . . Vlllxn, II. V. . nett The Jolly Musician 6) Female Voices. Brown, 0. B. 0 Lord be merciful (Motet) — Winter Song . . . . . . . . liharlwlck, G. W. Op.9. Spring Song . Down, 8. I. Jubilate Deo . . . . Emery, 3. A. The night has a thousand yes . . . . . . . . . . . . lletion. Ballade of the Weaver . lllller, F. Cradle Song . . . . — Evening in the Vale . -—- Morning Song . . . — My Polly Wog (Trio) . llollmnn, G. The Nightingale . Movie, I. II. The Lark now leaves . Isrcelln. J ehovahls Power and Majesty ( rio) . . . . . . . . Holley. Song of the Triton lllnne, R. In Autumn . . . om. Sparrows Twitter . . . . . Peurtt, ll. Thou art so like a ﬂower. — Day«bree.k. . . . . . . . . . Phillpp, G. Greeting . . . -— Little blue eyed Flower Rittsr, G. P. In Maytime . . . sﬁdennann. A Wedding March . St. Saint. Ave Verum . . . . Snack, 6. F. Birdls Message . . . . Tauiel, 1. Sunshine follows the Rain . — Little blue eyed ﬂower . . c) Mixed Voices. Brown, D. 3. Two sacred Tries f. Sopr., Ten. and Bass. No. 1. I will lay me down . . . No. 2. The Lord will comfort Zion —— Op. 8. 2 Anthems f. Church Service. No. 1. Whose dwelleth in the secret Place . . . . . . . . . No.2. Unto thee, 0 Lord . . . Capen, I3. L. 0 Wedding Guest. Hymn from the Ancient Mariner . . . Glnstlwlclr, G. W. Op.6. Three Anthems for Church Service. No. 1. Praise the Lord (Benedic, amma men . . . . . . . No.2. Blessed be the Lord (Bene- di us . . . . . . . , . No. 3. 0 thou that hearest (Hymn) Glrlllo, Vlncsnzo. 0 salutaris hostia Dans, liessliaw. As when the weary trav- eller gains . . . . . . . . . Dunlum, II. I. Hymn Music. Bbooks es. — Oh tell me thou life and delight ofmysoul......... Fenullosa. Under the greenwood tree Ford. Charles II. Te deum laudamus inBﬂa.t.......... -—- Christmas Carol (Soprano Solo, Chorus with Organ Zlbbulupﬂllllllﬁﬂt) llascall, W. F. Guide me o thou great Jehovah llolnlann, ll. Salve Regina . lioml, Helen. The Robin . . . . liuwe, 1. ll. Blessing, Honor, Glory . Knox, l. 0. Sleep! Holy Babel Christ- mas Carol . . . . . . . . . — Blessed be the Man that provideth —— Give Aims of thy Goods . . . . - Be merciful after thy Power -— 0 pray for the Peace of Jerusalem. Anthem for Barit. Solo and Chorus. -—- Te Deum Lnudamus in C . . . ~—— Benedictus in C . . . — Hymns and Responses . . lanigan, R. W. Asperges me . . . . Merston,G.W. Venite exultenius (0 come letus sing) . . . . . . . . . — How beautiful on the Mountain —— I will arise and go to my Father llllver, Ben. E. A shout of mighty triumph. Christmas Carol . . . Pslne, J. |(. The Realm oi‘Fancy. Chorus, Soli and Orchestra . . . . . . — Op. 38. The Nativity . . . . . . Tlayer, Eugene. Immanuel (Bass Solo and Chorus) . . . '. . . . . . — Sweet Day of Rest (Tenor Solo and Chorus)........... tllmsn, lug. Waken Christian Children. A Carol for Christmas . . . . . Whitney, 3. 3. Deus Misereatur (E ﬂat) Wlllls, Richard Siam. Christmas Carol
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Date: 1908
Text: MUSIC uammv VASSAR COLLEGE L POUGHKIIEPSIE. new YORK @©)lN BY Em :2 3? ; * V V \_/ /|\ B EWA R E , (A DAINTY ENCORE sou c; . AN EASTER WISH, ............................................ .. . ............................................ TH E B ORDERLAN 0 ,( maze TH E B OR DERLAN D, (wnm vnoun oaucno). M.D. SWISHER. PHlLA.,F'A., SELLING AGENT To ./Ilrne. James 0. /1003, TRY THIS OVER ON YOUR PIANO. AN EASTER WISH. Words by EVA V HE TH. ERNEST LENT Andante con espressione N p _ Theworld is...
Show moreMUSIC uammv VASSAR COLLEGE L POUGHKIIEPSIE. new YORK @©)lN BY Em :2 3? ; * V V \_/ /|\ B EWA R E , (A DAINTY ENCORE sou c; . AN EASTER WISH, ............................................ .. . ............................................ TH E B ORDERLAN 0 ,( maze TH E B OR DERLAN D, (wnm vnoun oaucno). M.D. SWISHER. PHlLA.,F'A., SELLING AGENT To ./Ilrne. James 0. /1003, TRY THIS OVER ON YOUR PIANO. AN EASTER WISH. Words by EVA V HE TH. ERNEST LENT Andante con espressione N p _ Theworld is fair at Ea,s—ter — tide, A sunkissed and wide, With Eas-ter lil -‘ ies fresh -ly bloom—‘ing, 3 Sweet — ly all the air per-fum-ing; I hope ‘rheybloomfor y0u._ f .07‘?-5'0. . T Cop;/7-z‘g/at‘ ./11017117111 by The Columbia ./Iluszv Pubo 6’a.,Inc.,WZzs}Lz‘7zgt072,ﬂ 6'. International Copyright To Mz'.9s Fra72cr:.s~ca Kaspar. BEWARE. Wmds by ERNEST LENTV. HENRY WADSWORTH LONGFELLOWV. With animation maid - en fair , * Take care! and friend-ly be, Be - ware! Cop;/rig/at /116’./IIVIII 53/ Tile €olum6z'a Zllusic Pub. 00., Inc.,W'z.s‘/u'ngton,D. 6'. International Copyright A/1.2000 rit. /5 “tempo Trust her not,___._____ trust her not, K5 pvoco mi 97' . a tempo _pa7-Zando ing thee! has two eyes, so soft and brown, Take care! She E3; gives a side" glance and then looks down,_.. 17000 775- parlando ,4-\ a tempo Trust her not,__.__:__ trust her not! " fool—ing thee! poo-vo rit. *?f' . And Ishek has hair of a gold-en hue, parlando 1" care! And what she says, it is not true,Be-ware, be - ware! Beware _ 3 HIGH CLASS SONGS To Nu: tum um» and mu nu lad-nun THE BORDER LAND I w.'.‘ ‘y Sum! Snug ﬁn Snpmuu or Tenar \\'II.1.un rlmumu JOHNSON annssr mam‘ Moderato- Andante sostenuto Wotdnty [EDDIE LPKBRSON. lulu by WILL ‘I’. PlEIISON.jr. V at pdobo when an blnvou noonvuuhlmlag, On an An.;uI night, I'll. rylla.pu man upnuiou won I puhyny, All of gold .0: light nu-light 0! out] av - at then In nu glo-ry, Nu uturliglt no waned Ir. 1 - Vollodvlthln chair than, SI.ny'dfn.nhoIv'n| “Lila tenant-ly calm, As the sen you-dot country [or - ov- er holds glow-lng,WLen o ‘in. 0 6-n-nu Icnn 1-.nom.,:y.A cu ..Iuun.m.n.e. m ,3, . Coryrqll tnnﬁhnvl nu co:-uh lute no.I:oJ~:puMu¢n.:.c. * a.'f,.g,u .vc.vvm ». m mm»... mm IIO.6‘A,ﬂIL, n.n..m-., n 0. htcnulond Cvyyrlglu All Worthy A Place In Your Repertoire. in nu Iragaug ;v..,.,, r. In. J.-u or. Inn. BEWARE. AN EASTER WI SH. Wall: by nun’ wusworrn Lonanuow. “"55” “H E Worth by IVA V. BETH: ERNEST LENT With animation Andante con espressionc ...=—_— 1’ Theworld In hir at Eu-tar - tide, A nnkinevl ho‘ ' 'M”‘” ‘II - den In um! wllo, Will In-In Iil - ion ll-uh-ly bloom-Ins. hMh_ “ho ”‘".“d_ly ,,e_ 3._,,,,°g Iy ml! the -iv per-hm-lug; I hope Iheybhmnlnr you... I 0773. fuyyngll I01 VIII 0] fl: Can: and Hunt ‘Ill. £‘i., Ine.,l6lAin(ln,lA C . ‘ . to”-qu mural 5, In. cu.-m 11...: Put. z~a.,1-.e.,wuAv~«:aa,Aa llhrlllionnl Co" lulu:-lion! c-"ugh Order of your dealer or send direct to publishers ‘run COLUMBIA MUSIC PUB. co , lNC.. Washington, D. c.
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Date: 1864
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/...
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. NEW vonx /(~ Kg‘. ‘/3 II. ,'.“n‘I‘9‘“'l|'\l‘l‘| \‘ ‘ ‘ . nu“ :| | 1 /3 ' I J‘ _ glllh N» W ‘H - A ~/\« yr//T :9 K % 1’ 1~ / /’ Iﬂfjﬂd‘./.5l7%}Z‘Zﬂ&§Ué . ,0 ‘ ,_ T» 5' T ‘V 33 Q . /} *‘ Q) J /[ I \ X \ ‘K \ V///—‘>-‘T\\\ g . \ Néw vorm WM. A.POND & C0.‘ I8 WEST 3.77.” STREET 1/:/;«»»J,:zrari/‘zip/1,/zru/’ /Wm; J Am 1, 14’7I/,1'..1’///.1! M’: /In/M I/11:4’; I/'/W M//In /mm /mm"//m 5/u///In/w mmzvx ,1/;m:=IM~ , " Copyright 189 '3 by J. E . Per-ring . BEWARE! Words by H.“/. LONGFELLOW. Music lay JAMES ERNEST PERRING. Allegro con spirito ma non troppo presto. 1’ known 1naid- - en fair to see! take careltake care! take czweltakecarel She .f can both false _ and friendly be, Beware, beware, hewgxre, ten: 0. > P hewzu-e,VbeWa1'e, She is fooling thee, she is foolingthee,t1'usthe1' /4'3 tcn1})o.K/ \' not! . . . . oh trust her not! .. . She is fooling thee, she is fooling thee,f1*11sthe1' not! oh trust her not! >>> > > /3 gﬁazioso. Slm has two eyes so soft and [)1'0wn, (-zu'e,t:1kc care, beware, beware!‘ She gives :1 side glziuce and looks down, 1,], rail.- 0ht1'11sthe1' not! 011 beware, hewzu'e,hewa1'e! pp wall.- has two eyes so softand brown, She give_S a side glance amdlooks down, tcnapo. trust he L’ a tempo. a tempo. t rust h e trust herfnot, oh be-w;u-e! trust her not, atem 0. > P fooling thee, she ‘is fooling thee, trust her not, oh trust her not! She is (I tempT‘/ fooling thee, she is fooling thee,t1‘ust her not oh trust her not! >>>:>>f.\ /\ \ '. r.\1’(-\ \ “""V T’—“,;s3?g7 ;.._;“f_ -5 she hag hair 0f"'g0ld-en hue; And what she says it is not true, : «— W 4-~::~.—.=w«.—.)v.~.: -:>.:+-vywwz tempo. she has hair of wall.- gold-en ' And what she says {’— /_\ J‘. Be-w:u-e! beware! beware,‘ beware! For she has hair of a golden hue, 011 trust her not; 011 trust her not! And what shesays it > > > /'\ /"\ is not true, She gives thee a garland fair,‘ 7Tis :1 fools cap f01'theet'0 Z5 Z‘ {T /"\ t * . >cmpo Oh she7s fooling thee, she is fooling thee, Trust her not, 011 trust he /3 she is fooling thee, she is fooling thee,trust her nbt 1, ohtrusthc *3 Perfect Peace. (I heard a Voice.) Sacred Song for Low Voice 221 C, Vvqfds by V I I I ¥ N[1lSiC‘by JOSEPH FLETCHER. e V‘ " W9 DRESSLER. _ Larghetto. heard :1 voice, . Je — sus to me’ speak —ing, u.—mid the prcssund throng, I heard Him ' : “Come ‘wen-ry Copyright 1910 by VVIF1 A.Pond & Co. International Copyrightﬁecured.
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Date: 1901
Text: MUSIC Lmunv VASSAR COLLEGE POUGMKEEPSIE. new vomx —BEWARE . . . . . . I THE ISLAND WHERE BAB- NOBLE A. HARDEE High Voice CUPID’S MISTAKE. EDWARD BROOME Medium voice DRY YO’ EYES SIGMUND LANDsBERG High voice; Low voice “ EV’RY NIGHT ” ETHELBERT NEVIN High voice; Low voice “IF NO ONE EVER MAR- RIES ME” JAMES H. ROGERS Medium voice JUST ACROSS THE WAY FRANKLIN RIKER Medium voice KING BABY G. E. LUNT Medium voice LITTLE BOY BLUE ETHELBERT NEVIN High Voice; Low Voice MY LADY CHLO’ H. CLOUOH...
Show moreMUSIC Lmunv VASSAR COLLEGE POUGMKEEPSIE. new vomx —BEWARE . . . . . . I THE ISLAND WHERE BAB- NOBLE A. HARDEE High Voice CUPID’S MISTAKE. EDWARD BROOME Medium voice DRY YO’ EYES SIGMUND LANDsBERG High voice; Low voice “ EV’RY NIGHT ” ETHELBERT NEVIN High voice; Low voice “IF NO ONE EVER MAR- RIES ME” JAMES H. ROGERS Medium voice JUST ACROSS THE WAY FRANKLIN RIKER Medium voice KING BABY G. E. LUNT Medium voice LITTLE BOY BLUE ETHELBERT NEVIN High Voice; Low Voice MY LADY CHLO’ H. CLOUOH—LEIOHTER High voice; Low voice THE CAPTAIN . JAMEs H. ROGERS High voice; Low Voice IES GROW . JAMES FORD Medium voice THE LAND OF THE PUPPY DOGS JAMES FORD Medium voice THE NEW LOVE FRANKLIN RIKER Medium voice THE NOISETTE G. WARING STEBBINS High voice; LOW Voice THE POLAR BALL THAT WAS SIX MONTHS LONG JAMES FORD Medium voice THE SOLAR MONDAY. G. W. LUNT -' Medium Voice THE WITCH IN THE GLASS HARRY HALE PIKE Medium voice ’VIRA FRANKLIN RIKER l\/Iedium voice WHERE KITTY—CATS HANG IN A ROW . . . . JAMES FORD Medium Voice WONDER SONGS (6) Complete CLAYTON JOHNS Medium Voice @. $tbtrmer, 31:, Boston (Tbe Boston Muyz'c Co.) Foreign Agents: Woolhouse, London Allan & Company, Melbourne Beware! NOBLE A. HARDEE. C oquettishly. 1. I know a maid— en fair see; 2. She has two eyes so soft and brown; 3. And she has hair of gold — en hue; Take care! Take care! , can both false and f endly be; Take care! Take care! She gives a side - glance and looks down, Take care! Take care! And What she says, it is not true, false and end-1y be. side glance and looks down, it is not true, Coj>yrz'g}zt, 1.901, by 6'-. Schirnzm; jr. For all courzlries. 1-3. Be — Ware!”§ Trust er not, d I know a maid-en can both false and friend-1y She’s 001-ing thee! A Take care! Beware! She Z\ £1.-3. I Trust er not, She-’s foo thee! 1.—3. la st /Z°7'.s’e. She gives a gar-land WOV — fair; Take care! Take care! f001’s-cap “(is thee to Wear, . ee to Wear. Be — ware‘. R. ZVLCQ 636 I know a maid- en fair to see; Be-ware! .b $ Take care! She can both false and friend - 1y Trust her not,i____. She’s 1— ing R M. C9 638 VERY USEFUL SONGS FOR TEACHER & SINGER BY TALENTED COMPOSERS! Complete copy may be had at any Music Shop or from the Publisher G.SCHIRMER,]r. _ THE BOSTON MUSIC COMPANY. BOSTON, MASS. V Go,LoVe1y Rose! Published for . Sopr or Tenor F‘min. $50‘? ‘ I know a Alto 01' Barit. (Ill m1n. hythe Author of _ ' Robert Herrick. “Song of file Nig/Lfingalef’ Benﬁmm Whelpley Andante espressivo. M'E' “"b”y‘ 50¢ Harriet Boyer. Andante. Voice. Cm, lovely R050! __ Go, love-ly Voice. :1 hill in mine own land, //f Tell l'lI-'1" lhnl wastes her time, and me, be; I know a he’.-.1r»ih—fire burining bright, ihat burns for f7}i_f' P A~ruund that home: ihis winter (lde the snow lies deep; ‘E... ﬂy- dim. gig. . (7opy1'ig'ht,1903, by G. St-hirmer, Jr. lE‘b‘Fo1' all ('ounf1'ies. Copy1'i;;'hf, 1903, by G. Sr-hirmer Jr. F01’ all t'0uni1'ies. 50¢ 50¢ of I love my 1ady’s «eyes. W ' _ ” B.B1*id;;'es. Also published for Soplzor T('ll.lll A- . “Song ofﬂze Nighimgale Andante. R _ Buual,d_ M. E. Mabery. Voice. .9 _ ', — dy's eyes, \Vedwo1"th‘Wadsworfh. <5’ """""" ‘I Lento, ma non troppo. A Voice. Shadows un—der the /. la—dfs eyes, A have the rare She is most Want to ap—ple—irPes, Slindqiws deems:-, and cool; Shad uws dense and cool;.._ hair, A—hov+— ht-.r $un—ny hair, prize , A - bove her streanfs deep pool. 0 var the meadows hum the bees, and And all {had face 0 face her glass re-penis of grzimv, Now ;uy_ A O . J. L2 . \ . . . Xxvn A C0[>Yl'lghT. 1903,11)’ G. St-hn'mc~1'. Jr. — For all onuntrn-s. (“op_v1«i,2-ht,1900, by G, schiymeg-,,n-, THE SINGER’S GUIDE. An attractive booklet, containing a graded and classified list of recent publications, useful alike to teachers professionals and amateurs. Sent to any address free of charge. For all countries,
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Date: n.d.
Text: 15$ ,, N‘? I, THE PAST AND PRESENT.,.2/. _N‘?2, THE SILENT LAND._._......... 2/. 3, THE CASTLE BY THE SEA. 2/. 4, FOOTSTEPS or ANGELS...'2/. 5, FLOWERS. ........................................ ,2/. 6, TWO LOCKS or HAIR .......... __2/. 7, THE FERRY. ................................ ..2/. 8, SPRING TIM 2/. 9, THE FROZEN WRECK_,_._.__......2/. Io, oun LIVES ARE RlVERS..2/. II, A PSALM or LIFE ., I2, CHILDREN ................................ ..2/. I3, RESIGNATION... ,.._.._,2/ca- I4-,...
Show more15$ ,, N‘? I, THE PAST AND PRESENT.,.2/. _N‘?2, THE SILENT LAND._._......... 2/. 3, THE CASTLE BY THE SEA. 2/. 4, FOOTSTEPS or ANGELS...'2/. 5, FLOWERS. ........................................ ,2/. 6, TWO LOCKS or HAIR .......... __2/. 7, THE FERRY. ................................ ..2/. 8, SPRING TIM 2/. 9, THE FROZEN WRECK_,_._.__......2/. Io, oun LIVES ARE RlVERS..2/. II, A PSALM or LIFE ., I2, CHILDREN ................................ ..2/. I3, RESIGNATION... ,.._.._,2/ca- I4-, SILENT RIVE .2/. I5, MY LOST YOUTH . 2/6. I6, DAYBREAK._...,....._..._.,.._.,......_.2/6. I7, THE TWO ANGELS.._.._.._._... ....2/6. I8, HYMN TO THE NIGHT .,._..2/6- I9, THE GOLDEN MlLESTONE.,...2/6.J 20, ,»‘t‘7'1“«‘fI5ﬂ*%~m I; ‘ I 9:’ ¥ \ W >3'\ I //7 ,r§:, 5);; / 3%, T I E, / , % I Z//1l;.."!zI.,//('7?/. R \/cI/ ..,__ ,, L@w@©H, , LEADER 8: COCK, 63, NEW BOND STREET, CORNER OF BROOK STREET. (7 . MUSIC LIBRARY ; ‘ VASSAR co EGE “‘B[§ﬂ.®\VEDmﬂ@ﬂ]iT2”” HYMNQ To THE NIGHT. POETRY BY ‘ V _' I Muslc BY H. W. LONGFELLOW. _ V F.‘ ROMER. ALLEGRETTO cow ESPRESSIONE. voice. heard the traillng garments of ...... .. the night‘ _ Sweep 'thro’ her ma:r___l)le L_./ I saw.~..... her sable skirts ‘all fring’d ‘with light L & C. 3052. From the celes _ - tial walls! /°/59 "L" Beloved night ............ ..! Beloved e~ felt hef pre_ sence by its spell W x../ o'er me from L & C. 3052. ma _ jes _ tic pre_ sence of E of the one . J love. r=rJF\~_g=,./Z/»»’;'%:-.--—-—=—-> heard V - sounds of sor-rowk and be- light, 1 L ma . _ _ _ _ _ _ _ __ ni _ , soft chimes, L & C. 3052. fill the haunted chambers of the; night some old po ____ _-et’s n-ight ................. .! ‘beloved night! ‘fzi-_--J-..o,.&;Z.‘.g;;..V...ﬁ...‘ I’ L & C. 3052. ,\ From the cool cisterns of the mid___night air....d.... My spi___ _ _rit drank .... .. re- foI_1i1 _vtai11 of perpetual peace flows there,—:— From dolce. those deep cis_ terns flows ................ .., From‘ those....‘. deep cis___-_terns Beloved night! Beloved night; ........ L & C. 3052. _____ v_,__.,.——-—-——-- T - cantabﬁc: """"‘“‘ ho _ _ _ . _ _ . -_ ly Nighf! from thee I learn to bear V L layest “ thy fin_ger on the they complain no ‘more. . . ~ Peace! peace! Orestes—1ike I A L & C. 3052. breathe r! .De - scend br0ad—winged flight, Xx OM98. ,.,\ cres. __—__{___ Oh, ‘ night ................ ..! begloved night! } FA * 3 night .................. ..! be_1ov_ ed‘ nightl. fi\ ,3’? morendo. ,3 \_Z/ w _ L & C. 3052. _ LONDON: Printed by LEADER & COCK 63 New Bmtd Street. "V LIST OF NEW SONGS. A LOVING HEART . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Land . . . . . . . . . . . . . . . . .. 2 6 THERE SAT UPON A LINDEN TREE . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . 2 0 SING, PRETTY STREAMLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . 2 0 OUR EARLY DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. G. B. Allen . . . . . . . . . . . . 2 0 DEAR OLD ENGLAND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jlfrs. Gilbert (2 Beckett . . . . 2 0 SONG OF FORTUNE. . . . . . . . . . . . . . . . . . . . . . .IDYLLs 01?‘ THE KING. .Jo/zn Barnett . . . . . . . . . . .. 2 0 VIVIEN’S SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DITTO . . . . . . . .Jolz-n Barnett . . . . . . . . . . . . 2 0 LOVE AND DEATH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI’I‘T0 . . . . . . . .John Barnett . . . . . . . . . . .. 2 0 WITH THE CAROL IN THE TREE . . . . . . . . . . . .M.nz QUEEN . . . . .. W. S. Bennett . . . . . . . . . . 2 0 O MEADOW CLAD IN EARLY GREEN (in D 8c F) . .DI'1‘T0 . . . . . . . . IV. S. Bennett . . . . . . . . . . 2 0 ’TIS JOLLY TO HUNT . . . . . . . . . . . . . . . . . . . . . . . . . . . .DI’l‘T0 . . . . . . .. W. S. Bennett . . . . . . . . . . 2 0 STILL LET ME SING TO THEE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sterlcel . . . . . . . . . . . . . . . . 2 0 LOVE AND FEAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mzlss Smith . . . . . . . . . . . . 2 0 BLOW, BUGLE, BLOVV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lord 0’/zarles Tlzynne . . . . 2 0 MY FRIENDLY HARP! . . . . . . . . . . . . . . . . . . . . . . . . . . . .> . . . . . . . . . . . .Franl: Romer . . . . . . . . . . 2 6 THE ORPHAN’S PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jlltss Dolby . . . . . . . . . . . . 2 0 SLEEPEST THOU? WAKEST THOU P MAIDEN MINE . . . . . . . . . . W. V. Wallace . . . . . . . . . . 2 6 SWEET ROSEBUD OF GLENARRA . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ltnley . . . . . . . . . . . . . . . . . . 2 0 AS I SAT BENEATH A WILLOW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Franlc Romer . . . . . . . . . . . . 2 0 THE JOY OF FRIENDSHIP . . . . . . . . . . . . . . . . . . . .‘ . . . . . . . . . . . . . . . .BeetIzoven . . . . . . . . . . . . . . 2 '0 SOLITUDE. . . . . ............................................... . .Rosa Lg/ne ............ .. 1 6 WHEN BRIGHTEST HOPES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .H. Condron . . . . . . . ., . . . . 2 0 I TRUSTED TO A FAITHFUL HEART . . . . . . . . . . . . . . . . . . . . . . . . . .A. M. Wyatt . . . . . . . . . . . . 2 0 ’MID THE WILD—WOOD’S LEAFY BRANCHES . . . . . . . . . . . . . . . . . ..Menclel.9soltn . . . . . . . . . . . . 1 0 THE SPIRIT’S SONG (transposed edition in D minor) . . . . . . . . . . . . . . . .Haydn . . . . . . . . . . . . . . . . 1 0 WHEN DAY IS BRIGHT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Hatt0n . . . . . . . . . . . . . . . . 2 6 AWAY TO THE FAIRIES’ VVELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Land . . . . . . . . . . . . . . . . . . 2 6 WEEP NO MORE! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Miss Smith . . . . . . . . . . . . 2 0 WE VVERE PLAYMATES IN CHILDHOOD. .‘VILIJAM AND SUSAN. . Tully . . . . . . . . . . . . . . . . . . 2 0 THE BOATMEN’S SONG (and Chorus ad. lib.) . . . . . . . .DITTO . . . . . . . . Tally . . . . . . . . . . . . . . . . . . 2 0 I LOVE MY LOVE IN THE MORNING . . . . . . . . . . . . . . . . . . . . . . . . . G. B. Allen . . . . . . . . . . . . 2 0 THE YOUNG MOSS ROSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Barnett . . . . . . . . . . .. 2 6 THE ANGEL OF PRAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .111. W. Balfe . . . . . . . . . . . . 2 0 ZEPHYRS OF THE GOLDEN MORNING . . . . . . . . . . . . . . . . . . . . . . . .AI2t . . . . . . . . . . . . . . . . . . . . 2 0 A BEAM OF SUNSHINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. V. Wallace . . . . . . . . .. 3 O POOR LITTLE BIRD, THY SWEET NOTES HAVE BEEN RINGIN G Mrs. Wilson . . . . . . . . . . . . 2 0 I MURMUR NOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Benedz'ct . . . . . . . . . . . . . . . . 2 6 LONE STAR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. V. Wallace . . . . . . . . . . 2 6 DAWN GENTLE FLOWER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. S’. Bennett . . . . . . . . . . 2 0 COME NINA, COME I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C-l2'u_qlin2' . . . . . . . . . . . . . . . . 2 6 KATIFIS LETTER (in E & G) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lady Duﬁerin . . . . . . . . . . 2 6 THREE FISHERS (THE) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Laltee . . . . . . . . . . . . . . . . . . 2 6 I BEHELD A FLOWER BLOOMING . . . . . . . . . . . . . . . . . . . . . . . . . . . .H. Smart . . . . . . . . . . . . . . 2 0 OLD HOUSE BY THE LINDENS STOOD . . . . . . . . . . . . . . . . . . . . . .James Bennett . . . . . . . . . . 2 0 THOUGHTS OF THEE............. . . . . . . . . . . . . . . . . . . . . . . . . . . . ..FranzKeizer...... . . . . .. 2 0 MERRILY, MERRILY OVER THE SEA . . . . . . . . . . . . . . . . . . . . . . . . . . W. V. Wallace . . . . . . . . . . 2 6 COME INTO THE GARDEN, MAUD . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jolm Barnett . . . . . . . . . . . . 2 6 THEREISANAMEINEVERBREATHE . . . . . . . . . . . . . . ._.........1l[.W.Ba%............ 2 0 IKNOWWHO!...... . . . . . . . . . . . . ..... . . . . . . . . . . . . . . . . . . . ......Mrs.G'room.......... . 2 0 SING,MAIDEN, SING. . . . . . . . . . . . . . . ... . . . . ........ . . . . . . . . . . ..W.S.Bennett.......... 2 0 In 0 N D 0 N’ I LEADER AND COCK, 63, New Born) Srnzzr, coxmmz or Bnoox Srzuwr. _. ‘.2 .
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Date: n.d.
Text: 7 333$ \/" 5| l W.cRos ax LONGFELLOW. Music n J.L.HATTON. Maderczvto . _ b heardlthebells0nbChristn1as day - _'ll1 r old falmiliar Carols play, — ' dancl sweet the w0rd_s repeat Of peace on eartl1,go0dwill to men‘. And thought how,ﬁs the dayhadcome The. dint. . belfries of. all Chris-ten_donp . . . . . . .H‘adroll,dl,a.. long‘, tlfxlnbmken s_011g', Of peace on f"_'\ crmc‘. ad li . ,g00dwi1lt.om , Ofpeace on % ,goQdwill to’ 4'> r27Iun.te. MUSIC LIBRIRY I,‘...
Show more7 333$ \/" 5| l W.cRos ax LONGFELLOW. Music n J.L.HATTON. Maderczvto . _ b heardlthebells0nbChristn1as day - _'ll1 r old falmiliar Carols play, — ' dancl sweet the w0rd_s repeat Of peace on eartl1,go0dwill to men‘. And thought how,ﬁs the dayhadcome The. dint. . belfries of. all Chris-ten_donp . . . . . . .H‘adroll,dl,a.. long‘, tlfxlnbmken s_011g', Of peace on f"_'\ crmc‘. ad li . ,g00dwi1lt.om , Ofpeace on % ,goQdwill to’ 4'> r27Iun.te. MUSIC LIBRIRY I,‘ C: N (.1 5 . VASSAR COLLEGE H _ TNE— BELLS.’ .,Til1,ri11gi11g,si11g‘ing on its way, world revolvdfmmnight to day, A—.\_ v0ice,a chime, a chant sub1ime,0f peace 011eafth,goodwi]lto . 3%‘ . Pad: 00 n encirg‘1'<t . But wil _ fnl man now drew the A sword’ Andwarwas > >- cres: m 01 7'" TC‘ rife,and cannons roared . . . . . . ..Andwiththe sound the ca_ro]s drowxfd Ofpeac/e.on Lg L earth, goodwill to noen , Ofpeace on earthgoodwill to then ! L ‘ 4; T rull. /J/J E “ THE BELLS. Paco pm lento. . And in desl-pair I bow’dmyhead‘;"H1erei_s nopeace on earth,’ ’I said’; “For hate strong',and mocksthe song‘ Of peace on earth,g'o0dwill to men 2” . S molfo. pit? cmivnato . peal,d.the bellsﬂnlorel loixd and deep; \ V is L not deacl; nor doth he sléep! wrong‘ shall fail; the right._ prevail,Witl1peac<; on earth, g'00d,Will to men,V\-Tith‘pélace on -S:/‘ ‘if’ ~22” eart , goodwill to 11!. .. ' In * I AM A FRIAR or onnzns GREIY. ,WoRDs,IY JOHN U,KEAEFE. , Iuslc BY_REEVE . ‘Con spirito. Piano . "if 1. I am a fri-Var of or- ders grey.And down "the v,al_1ey I Iiakgeomyway, I pull notblackberry, 2. Af_ter su’pper,0f Heav’n I dream,But that is fat uLlets and c1outedcream;My_self by de_ni - al I . 115/‘ ‘ haw nor hip,Good store of ve-ni_s0n fills my sCrip;My long beald-rol I mer-ri- ly chantM_/here. mor- ti-fy,Wit}1 a gooddain bit of war-den pie; I’m Clo'th’d in sackcloth for my sin, With _ e_ver I 0“ no mo_ney I wa11tWhere_e-ver\I go no money I want.- old sackwine I’m Iin’d with-in,With old sackwine I’m lind with_in .. J. V Andwhylln z;’oplun1p, e rea_:.0n I’ll te11,VVho leads a good life is sure to livewell‘,VVho .A‘ ch‘irp_ing cu is my ma - tin song,And the ves -‘ per bell is my ‘bowl,ding,doug,Andthe I I AM A Farm or qmizns any. ad lib. f'L'\ /L" 0 \J ' ._leads a good life is . . sure" to‘ live we : i _ _ . _ _, . V ._ per bell is my bowl, ding’ dong: .W'hat ba-ron or squ1re,or knight 9f the shire, Llveb . VCS V ’ I m ‘ calla voce. — J : half so well as a ho; 1y friar?Lives half s<)we11,_ half so we11,LiVves half so well as a ho-1y friar, . . . mg,‘ ,\ 7)£f’ _ 1y friar, .21 Lives half so well friar .9. . . I cresc ONE ONLY. . Worms 3‘! JOHN OXENFDRD .l “"5”: BY J'B'wEKERL|‘N' /ll~leg*ro Grazioso . Best of all 0..mens, at my start_ing', I chanc’d to meet a bean..te0r1s- S‘Veet-est maid-€11» how I could love you! Few ri _val you beneath the sun, ,/"""“‘x\ \ /o*""""¥~ _ ‘ / \ P3 ONE ONLY. Bnt_ there /still is .one far . a _ l)ove y0”n‘,. _My 'Ma..x-+y,s’he, oh she’s that .(me., But there still is one far a - bove you, My Ma-ry, sh , oh she’s that one- PP Be-vau - ti_ff1l sigvbls afe e - ver - plea- sant, _I had but gone a lit- tlé Way: VVheu on. the road a fair ‘young? pea- sant,Pass’d me witlh all the fl0w'19s of May; r_.Ro _ sy beau_ty, ‘how ONE ONLY. I could love you , Brig'ht-er f1ow:rs.tha11 yon there are none , Zfjegfjée "vi g 52'2": ‘But there "still is" one far a _ bove -you; My Ma_r_y,she, oh she’s that one. far a - hove you, My Ma_ry,she, oh she’s that one o. Z.____e‘ . \ PP .Now the old town is far be - hind me, Onwandl have no need to go; ' ' . ‘ /—\ -ONEONLY. - .Here is the chain that’sforgf’d to bin me, Nougfhtthat can set me free I know; 2-: 7nJ' Those 0 - thermaid‘s let 0 _ thers lov them, All a - like A I e _ ver will shun: ax mf Ah!there still is one far a - hove them, My Mary,she, oh she’s that Ah!there still is far a - bove them, My Mary, 61 en glissunt . THE TOKEN . Music BY DIIDIN . Avzdzznte can mo to . 1. The breeze wais fresh, the ship in [stays .Each brea’ker hushd. the shore a huze,When Jackmu 2. The storm ,that like a shape-_less wreck. Had strewdwith ri _- ging all the deck, That tars fur Z \_.—— _more on du_ty bcallid, is truelove's itokens 0 - ver - hauhd; The broken gold .‘ thebruide-d_ .sharks hadgiv’ a feast, And left the ship a hu1k_.had ceaS’d;Wl1enJack,as with hismessmates _ hair, The tender mot - to,writ'so fair, Up-on his 'bac_co_box he views, p_0n his’bae..c0_b0x he _ . d , He sh_ar’d the grog theil-hearts to Cheer-,*'l‘ookfromhi§baé.c0_b0x a quid,Tookfromhi§bézc;éo_box" -at LL; ' d/£7" . w‘ views. Nancy the po _ _ et,l0vethe muse, .. ‘ . , quid, Aund spelldfor com ._ fort ‘on the lid‘, U ym‘ “Wes 1’ ' ' ' "*5 I1°"‘3S Y““v NUP3” 50 THE TOKEN . happy as . _ ' 3. The batatle, that wnh hor_ ror V . _ ‘ V 4- V The . v0yage,that hadbeenlongand ' I calla voce. cresc. J /-7 \, 1 ‘\" 7 . gri m Had madly ra _ vagd life andlimb. Had scuppersdrenchdwithhuman gore . And wi A .dow’d manya_wife,- was ‘ ..hard,B'ut.tha had yi 1d- ed full 1-e.ward,Andbroughteaqhsai_1br to s friend Hap_py and.rich,was at an o'er: Whe1xJuck to his companionsdear,Firstpaid the tri .. bute of a tear,Then,as his’bac-c0 x he .end: WhenJack,hist0ils andperils 0’ r, Beheld his Nan - cyifon »the shore:He then the-'bac-co_bo'x dis _. \\:*/ dim. ' ' ‘ ' ' '. ' ' ' ' ‘ ‘I 3 o u o u a a 1 o g o n - ’ T---—-—.:—J? \§.______r____f.4»Z . he1d,Then as his ’bac_co.box he held. Restor'd his-com..f0rt as he spe1l’d, .. r I » .. p1ay’d_.He thenthe'bac_co_box dis_play’d,And ed,ands 'd theyielding-maid, ) Ifyouloves I ' ' ' as loves No pair so hap_py as calla truce , ' cresc . f> I I XLV _' - -I THE VIACAR or my . Melody of the 17*?‘ Century, g Char1es's gold-en daI}'s,WhenI _ a1 James ob-’tai1Ifd the crovm,And 1.. In good‘ 2. “Then ro ' E‘ 1nurca ' J A I . I _ I "I I _ -/-\ I» - -I I III I II I - I I] I I II I I I. I '_J_ -I I T If I H‘ C I I - I I I I I I I I ‘ —|. - ‘ 0 harm meant,A zea .. lous High Churchgmanwgxs I,And s40.,I g0t’pre_ fa- shi0n,The pe - ,na1 laws — I II C fer_ment ;ToI .h00_t:.ed down,AndreadtheDecIar- a _ tion;Thee .- I my‘. a1- ty .n0 ‘ Pqp’. ry camein T teach my flock ‘I nev.. er miss’d,Kings were by'God‘ ap- point - ed.And dannlfd are those that, .Chu he of Rome I ‘foundwould fit Full well my co ‘_s - tu _ tion;And had be--come a. ._ do .re_ -‘=t,0r touchth I.ord’~ _ ‘ t- d. . ., . . . . . 'Je_hsu_§i1f But for th:Re-:: _n011:_ti':m.) And thls ls’, law, I w11lma1n-ta1n, Un _ _t1l’ my dy _ mg. .‘\_X I. I I 1 I I " I ' ' I\ IV I-I I ‘ ~ - I A ' I I I I I M K I I ’ I I I I P I I I L___+; .I d II" I I I I I I 7 Q '“ I ' I I 7 U -I King may reign,StiJ1 Ill be theVicar0f“Bray,Sir.. ‘ Z.‘ I I I’ I I I I I ' I ' y, $i‘r,Tha‘t‘what.;s0 ..e e _ ver ( THE VICAR OPBRAY. - 13 {%.Whe11 Wil _liumw_as‘ our King de-clur’d ,To ease a }1H_'tl()1l',S " g"ri‘eV .' anCe,With this i new wind it _ 4<r._When gra-cious Anne be_c-Amie our Queen,The Church of England’s glo - ry, An - 0 -‘ ther face of 5".fi‘ 1* .. bout I steer’d,And swore t him al - le- giance;Old prin-c -ples I did re- voke,Set things was seen, And I be_came‘ «.a To _ ry', Oc - é'a.. sio_nal C0n-for- mists bas , I conscience at a s _ tance; Pas- sive V o - bedience ‘was a joke, A jest was non -~ re -. ’ . n u - . damnd their mo - der _ a _ tion , And th t the Church in dan _ gel‘ was , B such pre- Va ,. r1‘ _ ‘ “S " ‘a“°e' And this is law, I i will main_tain,Un.. til my dy- ing day, Sir'.Th,at. ca _ tion. 1' what _ so _ e _ ver King may reign,Still Ill be the Vi_car of Bray, Sir.» J. 5 " 6 When George in pud‘ding_time came o’er, And moderate men look'd big, Sir . I turi-fd a c_at-in-a - pun once more , To these I do allegiance swear. And so became a Whig, Sir, While they can keep possession __ § Th’ illustrious house of Hanover. § And thus.preferment I procured , E For in my faithiand loyalty And Protestant succession , From our new.faith's defender , I never more will falter. And almost every day abjured And George my lawful King shall be ,_ The Pope and the Pretender . Until the times do alter . Ami this is law are. And this is law &c. THE LEATHER BOTTEL. Melody of the 179‘ Century , 9 Allegro . VOICE. pmm. l..When ‘ sur- vey _the world a-r0und,The Vw0nd’rous things that o ' a ; bound, The. 2. Now t do you ‘say to these s of .9 Oh, n . in faith, theyc -not be good. For ships _that on the a do swim, To keep out foes, that none _Come in; Well, if the bear- er fall by the w'4y,, Why on the groundyour li _ quor doth lay; But . let them all _ say what they Can:Twas for one end,the use of num, S I . hh. - . _ . ha it bee in a 1 er bot_te1, A1_tho’.’he had fa1l_en all hadbeenm-11,)‘ " W” "'“v’°y W er 17% ‘$7 1*; .e’er he dwell, That first found . . the lea - _ ther bot .. té1\."./. . THE .1.,:A.vH:R sortie . . ‘ 35 T3. ThenVW;lia’t. do you‘ say? (to these’ Then t_ do you sa ‘to those glas_ses fine?0h, they shall have no praise of mine, For L you chance ‘to touch _th.e_brim ts th e?If a m and his wife should 1: a- gree,Why tug and pull till their liquordothvspill; Ina ,f'all's _ l,i-quor_ all therein; But had. it been. in a leatherbot..tel,Andthe '1 -ther bot_tel the ma their fill. And a - wa till theirh ts do ach ,Al1d stag- - per in all‘ had heen well. ye theirliquorno harm can take.) So“ I wish,_him _joy.wher_e’gr he-dwell, That first found‘. 1*? 5 T ’\._/ the lea — _ ther bot- tel. A At morn the haymakers sitthem down . And when thfbbtile at last grows Old .- To drink from their bottles of ale nut-b1-own; And will good liquor no longer hold, In sum tne11,tOé,when the weather is Warm. Out Of the Side}? 7011 ma)’ "lake 3 Clout»/j" Agood full bottle will do them no harm. To m__end your shoes when they’re worn out: . Then the lads and lasses begin to tattle, ’Or take and hang it‘u.p»on a pin, But what, would they be without this bottle? Twill serve to put hinges,and’odd‘things“in . So I wish him joy where’er he dwell , V So lwish. him jay‘ whet-e’er he dwell , I That first found out the leather botté-1'. That first found out the leather bottel . G.N‘." . THE nEu.’s AwA wI’*rHE EXCISEIVIAN . Allegrv; , ./.\ f.'Ihe deil cam d- dling thro’ the t0wn,And _ J .13 s tucc . danc’d a -wa wi’th’E§zcise_ma11,And i1- ka Wifecries, nld Mahotm, I wishyon luck 0’ the . Z“ /‘ I ‘ O I . > I, , »pr1ze,». man‘. The d1el’s a - Va, the d1el’s a _.wa, The (116175 a -Wa W1t_1h.Ex ' . .,I . .. A V, , I ’ . clse- _man:He’s dancd a_wa, he’s dancd_a-wa, Hesdanc’d a_wa w1’LhExc1se-man. THE DE|L'S AWA WI THE EXOISEMAN . 2. .W€ll mak’ our maut , we 11 brew our ‘ drink,VVUl1 3.There’s three_some reels . there’s four- some ree1s,There’s dance - and sing , and re-j0ice, man (1 o _—.n:y b1-aw than to t,he mei_k1e black deil at’s horn - pipes and strath _spe-ys , man;But the ae best dance eca‘ iacam to the land Was the /“\ /*‘\ ’-\ / ZR /___ 5 ’ . a _ Wa,,W1’thEx-C1se _ _ man. .9‘ 7 . . a _ wa w1thEx_C1se - - ‘mm- 0 ) The die1’s a - wa , the die1’s a _ wa, The _/J\/_/ . n’ 7 . r ’ ’ d1el's a .. wa w1thEx_C1se - - mun; He's Mdzgncd a .. W21, h€’s dancd 1 _s 9 . dancd a -wa ,w1thEx-c|se’ - I8 HEARTS OF OAK . Won: BY DAVID GARRICK , MUSIC in DE BOY(iE , Mttestoso. L ‘Piano . . Come'ch"eer, up my ladsftis to glo _ ry we s_t'et'=r, To add somethingnew to this won_derfulyear. To 2. We neer see foes but we wish them to s’ta_y,'They nev_e.r see us but the wi us Qwaa , If the \__( ' \. ’ of .hon_our we call you, not press you’ like slaiées, For who are so free as the sons of the waves. 7 . , . )1-ieartsof , why we fol _ l0w,and ru them a - shore,An. if they wont f1ghtus,we cannot do more. i - -if H . A » /9. ad lib. oak are our ships,jo1-ly tarts are our men,‘ ,We a1.'ways are ready, stea_dy, boys. stea y,'We‘ll calla yoce. fight and will Conquer :1 _ gain and a-gain . ‘”“‘Z/ . -‘If >-V >.IJ. 3 ' Still Britian shall triumph. "her ships plough the sea - Her standard be Justice her watchword,“Be free!" Then cheer up, my lads.with one heart let us sing, Our Soldiers, our Sailors, ‘our Statesmen, our Queen. Hearts of oak &c A LIFE, THAT LIVES FOR YOU. Wonps av L.H.LEW|N. MUSIC ‘BYARTHUR SULLIVAN. Allegro A-m'mato . .$;f' The sweet se - due _ tive arts That c0n-qI1er maiden s’ hearts . . I new - er knew . ten-der pi ..teous sighs , And Jr‘ poco rull. looks from 1ong_ing' eyes , Soft l00ks,that la-diee prizewhen l0v-ers woo, . . poco rt/ll . ALIFE THAT LIVES FOR YOU, (1 tempo .:_>__ when lov..ers wholo; Soft lo0ks,t:hat la - dies prize, “Then lov - - ers- . u t€)_1I})() Tull . "””}’”- Soft. . . looks when lov-ers woo . y winning‘ word 7‘(l . _____‘%_\._ a tempo . 7' W ‘I’! and woo_in lance, _ A ’shiver’d sword . . . . and shatLer’d g' g" 9 _ And hon - ours wrung from but - tle’s chance,A'nd »C7"8S'C‘ 0 hon_onrs wrung‘ from bat;tle’s chance»,BIxt all,. . . . . . . . . all from CUIIH 1'()('(?, J’ 1*-all V’ A LIFE THAT LIVES FOR You, ‘ .S’_f' need to call you fair,A1;dp1:;i's/eyotxr-beatI~.ty rare, . . . . As all V men do ? ,Tis not the. ' sil - ver tongue, Soft ‘ _speeoh and soft-er song‘, ' A LIFE THAT LIVEB FOR YOU . fall. prOy,,es—,rthe loire _ is strong,iThe heart is "true, The heart rall . the sil - ver.tong'ne,, That proves the love Andmite iczmtabile -nan troppo lento; Nay, turn and give thait "palmlw . . . . To "one who yields ,bef0reyo1u- A l0v_ing' heart, a his .. ty arm, A life that lives for 4 ‘Nay, tIII'Ili:'él1ld give that palm . . To one yieldsbeforeyour A LIFE THAT LIVES FOR YOU . Tall. A 10v—iug'heart;. 8 IIIS — ‘ﬂy arm , A life thaq lives, that liveslbr dim ~ calla voce . Tempo I9 ygu . I‘mn}m IQ Nay,tIn:u and give 1; lit _ tle palm (mima to . Vresc . To one who yields before yourcharm, A lov - iugheart , a lus _ ty ralll-. arm, A »lo\'_ ing heart , . life . that calla voce . li\'es. . .for »-.~ 244 THE ARETHUSA . ‘wens aw PRINCE noun: Music n SHIELD Allegro con spirito. voice. Come all y\e/ j0l-ly 9 ~ sai _ lors b0ld,Wh0sehearts ai'e cast h0noI1r’s‘moultl‘,While Enlglish bglo - ry I 0 (1, H1112. \..z . - vra, for-the TA _ re -thr1 _sa. a frigate tight and brzive, As . ev - gar the dashing wave, Her men are staunch to their fav’rite launch;And whenthe foe shall meet‘; our fire, Soon..er thanstrike we'll all ex..p , On board of the A .. re-thII - Sa. . l A _ . THE A.RETHU8A . ’Twas with the spring fleet cruise a - bo11t,When four French sail, in \./ Bore down on the A - re _thr1 - sa. Belle Ponle straight a-head did lie, The A - re - II - sa eeem’d tod fly, Not a. sheet, or 2'1tack,Or a brace did she s d k,Tho’ Frenclrmen Iauglfd, and thought it stuff, Butthey knew notthe hand _ful of men, so to ,On board Ofthe A - I‘e'-thII -sa.. /-3 _ f THE ARETNUSA . The fight was off the Freuchman’slaI1d, ‘V9 drove them back b - on their strand,F0rwe fought till not a Astgickwould gal . lant >A .. e _ thrt _ sa. An'<1_11\ow we’ve -foe a_shore, Nev-er to‘ t with Bri_t0ns»m0re, Let[eaQh fill a glass To his .',and of _fi_cers true, And all that belong to the A .fav’.ri_te lass,‘ A health htojhe cap \.a . jo vial crew, board of the A - r'e'-thu\_sa.. . _!f C.N‘.’5. THE BRITISH TAR. e 27% wom a+.1.v. BRIDGEMAN . e e Mus|c_BY J.L.HATTO,N_. Mztrctzfo . ’“ vows. Come cheer .t.hee,g‘enLle maid_enmine«,Yield not to Craven fears , Nor drown that winiiiiig, ﬁr gladsonie smi1e,In floods. of bit_ter tears; A ‘British sai - lor’s bride,dearg‘irl,ShonId dash such tears a-waiy , M Jixst as agallanf vesselisprov Fling-se } the curling spray; . méf L ‘ V ' ,y~ ,. .s:f \—I English sai’- lor mt1st~n0t shrinkVNhe11Engfland c4a11shimheI1c‘e', ‘ _ His f ifst tiJOIlg'ht;Il‘lT!‘=-St be SJ‘ THE BRTTISH. TAR- .Eng‘land’sfame,H-is dn _ ty,her de_'fence_; And while up - on the blood-stain’d deck There ' -if b%"\___/ stands one single spar , A stick to fly a f1ag,hell fig'ht,As hefought at Trafa1_g'a1:~! 4‘ T -. f ‘V - VJ} . Our sa'i_l0rs are the. FN same theywere,Whenpmud and haughty Spain Her dread Ar -lma _da sent,Ato find De, *2 — feat Hp_.OI1 Chelmain; ‘ Om‘ sei- l0r’splI_1ck,a]l pe-ril scornsflhe world in arms ite,-— THE BRITISH TAR. braves; b Their spirits but with \_/ dan-g*ers rise,As shipsrise to the waves; Then cl1eert,hee, gen- tle maid_enmine,Think, e -A ven tho’ I fall, '" And 0- cean be my ﬁr \../ wind - ing-_sheet,The can - nclfg sm0ke,my pall ; A sailor's grave I shall havefonnd,B_e - _ neaih the ‘roll- ing sea, For England shall have g‘iv’n my life,Br1t left my heart with 4‘ » BLOW HIGH, BLOW LOW. L Music’ BY msmu. ylllegro Moderate . L Blow high,b10w low,let tempests tearThe A mainmastb the Board; My ‘heart,with 1h0ug'hLsof1l1ee,mydear , v And lovewell Sf‘ , -if ">‘ > /9? can (1 {ma . brave all ' ‘ ,scorn all fear,The roar- ing'wi1jds,the' ra - g‘i1;'g-sea,In hopespn shore, .to aud lib. 1 be Qncemore Safe moor’dwith thee , _ . rs calla v0 (2. , f >_ _/ 4 A - loftwhilejal9t1n.tains high xv? go, The whis‘t_ling'winds that‘ send‘ a - long',Audthe mf « e— . « s ~ ?>A .— 9. —j~&j"§ Q‘ 5 ‘ ‘ E \ BLOW HlGH,BLOW LOW. W ar_ing‘ from be_1 /3 1;:-' (Id 2'1 be . calla tﬂ()C’.€. t;empesIstea1-Tllemaiumlast by the 1"_’.)f. can anim t . And l0ve,well storld Shall brave all clan- ./‘> > ra - gingsea, n h0pes,on shore, to be on , S 11‘ mysignal be, to think on thee,Shallmy can as‘ : a .be;to. with thoughts of thee,m déar, ,scorn all fear,Tl1e ad lib. A safe .' . . moorld with thee. Ila race , ar..iug wind V, the.‘ A BLOW HIGH,8LvOW LOW . 7'9)" e11that11i‘g'ht,WheI1 all the crewThe me‘m’r_V of the r f 1ives;0’er f10wing‘cans of flip J. ’ drink th’eirAswee s,‘a11d their wwes , 1,11 heave a si , I_’ll heave a -.s' think on thee;And as the J. con umma , V ship rolls thr0’£h‘ sea The burden 0 mTso11gs11a1l be: Blow low low; let tempests tear The mainmastb ‘theb0ard;My hear with thoughts of .thee,my dear,- s./‘ P can unimu. brave all danger, scorn all fear,The roaring'winds,the ra _ g'ing'sea, n h0pes,on sh0re,to‘be ad lib. it Q I e F r . . L‘Ljz' ‘ 1 I 1 1 _ f . 1 V sa . moofdviith thee. /x /. _\ — I I . ‘-calla vocé .
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Date: 1910
Text: MUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New YORK Pi anoforte A“éJ<:o1npani1nenI H JV. L ONGFELLOW Set to Music FLORENCE NEWELL BARBUUR. :33, @\sL———-- dwakel it is ffzeﬂay. ................ ..(3%'§z"o"sB§.“.s.~ am. Stars ofilze Summe2°Iz§gZ2t.% ...;32§28”sBE“an em. .7... }§'1'ce 50021173 each. JXRTHUR 19. 5CHJVIIDT, BOSTON, LEIPZIG, NEW YORK, 120 Boylston St. Lindenstrassel6. ll West36th St. Copyrfg}1tI9/0 by Arthur F.’ Schmidt. International Copyright Secured....
Show moreMUSIC LIBRARY VASSAR COLLEGE POUGHKEEPSIE. New YORK Pi anoforte A“éJ<:o1npani1nenI H JV. L ONGFELLOW Set to Music FLORENCE NEWELL BARBUUR. :33, @\sL———-- dwakel it is ffzeﬂay. ................ ..(3%'§z"o"sB§.“.s.~ am. Stars ofilze Summe2°Iz§gZ2t.% ...;32§28”sBE“an em. .7... }§'1'ce 50021173 each. JXRTHUR 19. 5CHJVIIDT, BOSTON, LEIPZIG, NEW YORK, 120 Boylston St. Lindenstrassel6. ll West36th St. Copyrfg}1tI9/0 by Arthur F.’ Schmidt. International Copyright Secured. 3 “ ; § Awake! It is the Day HENRYW LONGFELLOW ’ FLORENCE NEWELLBARBOUR Allegro agitato a temp0 wind came up from 5) And said “O mists, make room for me, 7 Copyright 1910 by:Arthur P. Schmidt International Copyright Secured 01. . . 887. -4 -P S 9 Public Performance Bermilied. hail’d the ships and Cried, “Sail on, Ye a tempo And . . + a dam. 3 mt. - _ - I) hur - ried land - ward far - a - way, Cry-ing,“A _ wake! for p L. the day.” It L touched the wood - bird’s fold - ed Wing, cm? 8. 8879 -4 —-==i::_.."'.::. Chan - ti - clear,» Your clar - ion blow, the aﬂd? 8. 8879 -4» pm animato 12000 oresa - whis pered to the fields 19 pm am'maz‘o 17000 oresa - '1/‘ato accel. - - _ } } down, and hail the com - ing m0rn.”___ A wake, a - > >}> gf Li — f agzlato accel. - - _ A oms-a. _ - molto ff _ wake ’tis day! A - wake H______ A > >' m Brillante F3 > .71.? 8. 8879-4 L./2.3» /T \‘ SELECTED SONGS from the Catalogue of ARTHUR P. SCHMIDT Boston . L Paul Ambrose. .17. The Shoogy-Shoo. Two keys each , A. 18 No.2. A Spring Song. Two keys ea. . 19. The Lotus Flower. Two keys ea. Mrs. H. H. A. ‘Beach. .i9 No.2. Ecstasy. Two keys. . each .37 No. Fairy Lullaby. F (e-for a) . .43 No.2. Scottish Cradle Song. Cmin. .43 No.5. My Lassie. AE> (eiw-at») W. Berwald. .15. The Approach of Spring. Waltz Song. Bl» (c-a). . . . . . . . Arthur Bird. Op.36 No.5. When Katie tuned the old Guitar.’ 'I‘wo keys. . . . each John Hyatt Brewer. Sweet! (The Swallows’ Song). Two keys ea. Op. 39 No. l. Rockabye Dearie. Two keys ea. Op. 39 No. 5. There’s ever a song somewhere my dear. Two keys . each Dudley Buck. The Village Blacksmith, C (at!-eb) . Geo. W. Chadwick. Allah. Two keys . . . . . . . . each Sweetheart, thy lips are to ched with ﬂame. Two keys. . . . . . . . each The Roseleans over the Pool. Two keys ea. O Let Night speak of me. Two keys each Theo. Chandon. An old Love Song. G (tl-d) Mrs. C. F. Chiekering. In the night she told a story. I) (d-ft) . (3. Whitney Coombs. Child of the Dark Eyes. Two keys Once at the’ Angelus. Two keys. . Charles Dennée. In Dreamland. Two keys. . . . . The Sandman (Lullaby). Two keys The Thought of You. Two keys. . Steph. A. Emery. Op. 24 No.1. Somebody(Scotch Song). D (d—f) 011.33 No.2. Bunst, ye Apple Buds! Bmin. (ft!-git). . . . . . . . . . . . Arthur Foote. 0p.13No.2. Pm wearin awa’. Two keys ea. Op. 26 No.2. Love me ifllive. Two keys ea. Op. -13 No.3. Sweetheart. Two keys each Op.43 No.5. Up to her Chamber Window. Two keys . . . . . . . each An Irish Folk Song. Two keys . . each each each each each each Through the long days and years. Two keys ea. Alhan Forster. The Hour will come. D (d-f) . . . . . lnspring. A(c-f)........... Henry K. Hadley. Op. 7 No. 3. Kathleen. Two keys. each No.6. Greeting. Two keys. each Op. 14 No.1. Dear, when Ilook into thine eyes, Db (b-f) . . . Op, 14 No.4. I dreamed of a Princess. Di1.(c-f)........... ‘My ain dear Somebody. A The Awakening of the Rose. New York. I J. H. Hahn. Break, break, break. Two keys . . Love me if I live. Two keys . . . The Prpposal. A((1b-e) . . . E. W. Hanseoni. My Secret. Waltz Song. E5 (cl-ah). . . Victor Harris. In Springtime. Two keys ea. '.l‘heBlackbird. Two keys ea. Georg Henschel. Spanish Serenade. Two keys Reinhold L. Herman. Op.37 No. 2. A Little’ Summer Breeze. F 0p,41 No.1. or Ever. Two keys . each ()p,41 No.6. (tipsy Serenade. Two keys ea. each each Op. 13 No. 1. No.6. each W. Ilennnnn. The Time of Roses. A (dil-gora‘; Edw. liurlingalne Hill. Five Songs for Children from the Hound Rabbit« . . . . . . .n. Mildred J. Hill. The Perfect Day. I) (c~t'3). . Love's Paradise. ll (ll-fit) . Helen Hood. A Disappointment. E (c~c) . The Violet. Ffemin. (ct-ft) Natll. Irving llyutt. Op.4 No.1. Marguerite. Two keys No. 2. Beneath Thy Lattice. Clayton Johns. Because of Thee. D (d-g) Marie. G‘>(_d-gzl-'). . . . . . . . Love’s Revelation. 1) (d-f). , . . Jules Jordan. Two keys Op. 45). A. Life Lesson. each Margaret R. Lang. F (f -f). . . Irish Love Song. Two keys. . . . each An Irish Mother’s Lullaby. Two keys each Frank Lynes. My King. (Companion Song to »He was a Prince«) Two keys . . .. each Marie. Two keys . . . each "Fwas my Heart. Two keys . . . . each If all the dreams. we dream. Two keys each Thy Picture. Two keys . each Dreams. Two keys. . . . . . each W. Manse. Bn (c—a‘o) Violin Oblig. Edward Mae nowen. Deserted and Slumber Song. Eb (eb-eh). Thy Beaming Eyes. Two keys each A Maid sings light and a Maid sings low. Twokeys. . . . . . .. each Four Songs. Complete. Two keys each 11. Three Songs. Complete . . . . . . . .11. Hugh W. Martin. When I behold Thee. D (cit-g). . . . . 3:! In .50 .30 .40 .75 .75 .30 Leipzig. {D John W. llletcalf. Absent. Two keys . . . . Sunrise. E" (d-e) . . . . . . . A Dream so Fair. Two keys . . A Keepsake. Two keys. . each . each each Homer A. Norris. Twilight. B (b-e) . . . Geo. B. Nevin. The Boatswain Bold. D (a-d). . . . . Edna Rosalind Park. The Nightingale and the ltose. Twokeys ea. A Memory Two keys . each Thy Name. Two keys each Alice Locke Pitman. A (e—e) Th. Podberlsky. The Wanderer’s Song. A lr (elwg). . . . Confession. (‘arl lteineeke» On the Strand. I) (e—f3). Violin Oblig. . Dance of the Dragon Flies. E (d-g). Violin Oblig............. Franklin Wing Biker. For Love of Her. F (c-f) . . . . . , . l’ll never cease loving Thee. F (c-g}, . . Clara Kathleen Rogers. Confession. Amin. (0-e) . . . . . . . . The Clover Blossoms. F and A (ye-fitor a) Jas. H. Rogers. The Moon shines pale. Two keys . each Frank E. Sawyer. The Night has a thousand eyes. F ({'-f) . Spanish Romance. C (e~a) . . . . . . . Sch. B. Schlesinger. Up to her Chamber Window. Two keys ea. Longing, Dix (c-eh or glr) I’. A. sehnecker. To the Night. Bass Solo. 1) min. (a-eh). Chas. P. Scott. Only a Ribbon. Ballad. Two keys each Robin Goodfellow. D (a-e). . . . . . . I-‘. N. Shaekley. Ere the moon begins to rise. Two keys ea. Softly blow, ye scented breezes (Serenade) Two keys. . . . . . . . each Thou. G. Shepard. Me . A Cycle of Songs . . . . . . . n. , Gel-rit Smith. Bee Song. A(e-fit), . . . . . .. Alpine Rose. Bb(d-f). . . . . .. Arlhnr W. Thayer. Clover Blossoms. Two keys. Only a Song. Db (db-ab) Gust. Tncherman. The Windmill. Bass. Bbniin. (f~el7) . . .60 Max Wei]. C (e-g) . . . . . . . . .40 z¢_n\J Love’s Captive.
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Date: n.d.
Text: 1.IN 2,INDFLAT. —— 3.IN ”: CON‘l;F:ALTO - ORIGINAL KEY. BARJJONE SOIJRANO. — TENOR. ' - BASS. I’ MEZZO<5OPRANO. D To Ab . ‘ xi . /‘WEI,’ BbToE_ BTOF. C TOG IIIIIIIW am 80176 wc)rc[S /49 £xOD(c3E?€LLOIlf 97/62.1.5‘ [C ﬁg Z,77zZ*.-Ayzfa .-EZZZ . £0 11 5 on ; M ET z L E R Xe C 9, 42 G/"eaf ,ZI{cz//Z60//Oug/z I957/2eez,‘, II/. M *THIs SONG MAY BE SUNG IN PLIBLICV/ITHOUT PAYMENT OF ANY FEE. NEW IVIU S IC .—- Now READY. AIVIETZLER <3 C°.5 THEMATIC CATALOGUES OF NEW SONGS, DANCE.and...
Show more1.IN 2,INDFLAT. —— 3.IN ”: CON‘l;F:ALTO - ORIGINAL KEY. BARJJONE SOIJRANO. — TENOR. ' - BASS. I’ MEZZO<5OPRANO. D To Ab . ‘ xi . /‘WEI,’ BbToE_ BTOF. C TOG IIIIIIIW am 80176 wc)rc[S /49 £xOD(c3E?€LLOIlf 97/62.1.5‘ [C ﬁg Z,77zZ*.-Ayzfa .-EZZZ . £0 11 5 on ; M ET z L E R Xe C 9, 42 G/"eaf ,ZI{cz//Z60//Oug/z I957/2eez,‘, II/. M *THIs SONG MAY BE SUNG IN PLIBLICV/ITHOUT PAYMENT OF ANY FEE. NEW IVIU S IC .—- Now READY. AIVIETZLER <3 C°.5 THEMATIC CATALOGUES OF NEW SONGS, DANCE.and PIANOFORTF. MUSIC. These Catalogues give a clear description o’Feach songwith the compass.character, and a portion of the words and melodies. The same principle applies to the Dance and Pianoforte Music Catalogues. Intending purchasers can therefore Form a correct opinion of what will suit them. N‘? I. SOPRANO SONGS. N9 4. CONTRALTO SONGS. N‘? 2. TEN.OR SONGS. N‘? 5. DANCE MUSIC. N‘? 3. BARITONE SONGS. N° 6. PIANO MUSIC. N9 7 . VOCAL DUETS&TRIOS. N‘? 8. PIANO DUETS &TRIOS. SENT GRATIS AND POST FREE ON APPLICATION. /1/30 ,/IV/ewlzsts 0/5'acre‘d_ﬂ17Lzsz'c, Viol 2'11, Violin ana,7PiaIz0ﬂ[usL'c, American 0/fgaii aizcifjczrmoniuin Music,Part Songs, G[ees,&c. MUSIC LIBRARY VASSAR COLLEGE At the Sale by Public Auction of Music Copyrights at Messrs. Puttiok & Slmpsou’s ‘on June 4th, HEMTS PIANOFORTE TUTOR was bought by METZLER & 00. for the sum or Three Thousand and Ten Pounds. N E W E I) I T I C) l\T. Aﬂzer the sale of over a. QUARTER OF A MILLION Copies. HEMY’S ROYAL WERE PIANOFQRTE TUTTB The PRESENT EDITION of Hemy’s world-renowned Pianoforte Tutor haa been entirely re-engraved, carefully revised, and largely added to by THE AUTHOR, and we have now no hesitation in pronouncing HEMY’s TUTOR to be the most complete, valuable, and easily understood Instruction Book that has ever been oﬁered to the Public. PRICE FIVE SHILLINGS. Bouna’ in cloth, 43. net. , ‘ I gm as ﬂngel ﬂlndomt Tonal §oImnI Boo]: I. For Bass, Baritone, Mezzo-tenor, Contralto,& Mezzo—soprano Voices. BOOK II. Advanced Soprano and Tenor Voices. Price 53. each book; Cloth, 6s. 6d. each. TO BE HAD OF METZLER & 60., 42, GREAT MARLBTROUGH STREET, W. And of all Music and Book Sellers in the United Kingdom and Colonies. THE ARROW AND THE SONG. Words by . Music by LONGFELLOW. CH. GOUNOD . ALLEGRETTO. shot an in- to the air, . . . . . It fell to it fell to I knew not where; . . . . so swiftly,‘ swiftly '. . . . . ' so sWift_ly, swift _ ly it fol _ low it breathll 21 It fell to W. 6464. The sight fligllt; earth , . . could not in _ to it fell the to knew not Where; For, who has sight. . . . . . . and strong, For, who has sight. . . . . . . and strong, . . That it can fol _ 10W, . . . . . _ ' fol - low. the flight af _ tel‘- Ward, , ' . . . . found the found-the the 211'. row’. , . . -still un _ broke, . And the song. . . . from _ g1'n_ning to V . . A And the song‘. . . . from .A~/{S H V. s 3 1 I :2 - g1'n_ning to end. . found ' a _ - gain, . . found a _ - in the A heart \§\\\\\\ IN KEYS FOR ALL VOICES. iasﬁ @@ § primrose Path BEHREND. V2,), pnpugan Just Pub/2's/zm’. "‘ THE voxcxa: 1 LOVE. _" SUNSHINE FAIR ROVINS LIFE Rem Song by Eaby 2Irthur ﬁill. A YESPER MUSIC ‘bong , GilbertBYBoyce. ' sung by Mr. EDWARD LLOYD. BY . 53”“ %’°“£V BY . Sung ‘by g by BY GARUUNE LOWTHIAN. ““aYbV°k: JOSEPH BARNBY ../ V 7‘ ﬁrmmmmmmmm . .,,,+,..,, ..........n............." A GREAT SUCCESS. l§YDE1V[I,1V[YB1KB COMPOSED BY Words by GEORGE ELIOT. LADY ARTHUR 5>°"sI- - HILL. SONG. MUSIC BY ARTHUR SULLIVAN. TIG-TAG, SONG OF THE GLOGK UNLESS. 3,, Ken) Song by 21. 3. dlatbicott. "‘““‘1“°“° sung by the VISGOUNTESS FOLKESTONE. DAYBREAK SUNG BY EDWARD LLOYD Sung by Miss HOPE GLENN. mm %ong av GALDIUOTT PLANQUETTE PINSUTI nx'r1'n.nn . ‘ ‘ ENTITLED xm-rrn.zn ' Unbidden , ' - First Love Follow Me >319 *3? . S *3}? 911* ? 519 G31]?
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Date: n.d.
Text: \ _/ I _ I :\ ’ JV / » \ \ X \‘ _< g " ’ ~ I _g‘ \ \ ‘ \\ B / < \ ,7 \/ \\\:TI;;/ AN1D> , »«L//“* ‘” ,/f:;E;:§;;:> xx Q. Z V‘ '"'\ //\ \',/ / // \ S/§€@ﬁyE jlﬂinmihirg $ Ky 1*”/~? L \ \\r’x”3‘\~%i /) V’ /‘/-4, A , % C/* H, 7 . A C§é%;:%%Z;a?é%%7a§%,n%%:§;%?&%%/ /F‘ { % x ﬂ \ a $32 A Ea“ [am %if ma \ .\ . \ /‘ft’ //"\ a\/ .3*"’ > ,x ; w—3 M4 » A¢\7[ R ;%L°L.9M%£&Q9&/x 2- \ / //‘7T*\gE“// .. * . /’/)“((‘6 Z/70' ‘\ / J “*?T.¢)A,5...
Show more\ _/ I _ I :\ ’ JV / » \ \ X \‘ _< g " ’ ~ I _g‘ \ \ ‘ \\ B / < \ ,7 \/ \\\:TI;;/ AN1D> , »«L//“* ‘” ,/f:;E;:§;;:> xx Q. Z V‘ '"'\ //\ \',/ / // \ S/§€@ﬁyE jlﬂinmihirg $ Ky 1*”/~? L \ \\r’x”3‘\~%i /) V’ /‘/-4, A , % C/* H, 7 . A C§é%;:%%Z;a?é%%7a§%,n%%:§;%?&%%/ /F‘ { % x ﬂ \ a $32 A Ea“ [am %if ma \ .\ . \ /‘ft’ //"\ a\/ .3*"’ > ,x ; w—3 M4 » A¢\7[ R ;%L°L.9M%£&Q9&/x 2- \ / //‘7T*\gE“// .. * . /’/)“((‘6 Z/70' ‘\ / J “*?T.¢)A,5“{ . y ‘ 11 ‘ 0 i}‘i) @> l©N®®Nq BOOSEY & SONS. 28. H0'LLES STREETOXFORD STQ v MUSIC LIBRARY -ix - - o THE ARROW AND THE SONG. THE POETRY xv THE Mcsxc BY l.()N(-‘FELLOW- M. W. BALI-"I<I. ./U01. T0 M0Dr:R.4 TU. I'()ICI4.'. PIA .‘\'(). §.______J in _ to the air ............ .. It fell to eurtvh I shot an Arrow kxmw not wllere, For sqswiftb- ly it flew, ii??? /9/9 s«i“§,~'l1t Could‘ not ful_|uMr |Ht_; The sig'l1t could not in its flight. I breatlxcd a Song in __ to the air ‘ . . . . It fell. to earth I know not Wlxcrc, > / >Fm‘ who has sight . . . . . . . . . . .. so keen and strong‘, That 1t can fol _ low thv Hi_;;‘ht of a. snug‘ ' Furwhu has sigllt ‘ keen; and so .st\'nnn;_r 4 . . . . . .. That it Cull ful - , -. _ 1'owtlw1'li;_;-lxt [of :1 song‘? Long, long af'terwurd . . . . . . .. in an oak . . . . . . . . . . . . .. I found tlw Ar- r«.,v\J PP still lmbroke; And the Song; f'ru1n he _ giin11ing'* to end ‘I found ii_g'ai11 the heart of friend . And the Song fmnlbe- 3 _ gi111\i||g to end . . . . . .. I f(_)und a_g‘ain in the heart ‘of :1 friend . q-0* ««- L, ’<3:., :7; 2%s~.;,,»'~. :$ ~u,=a:ss.;\e;~:x>:a‘&e=er 3:4, found u_g‘uin , — found u_g'uin , — I ﬁmnd a_g;'aIiII in the heart .............. .. aﬁ friend! Tempo l”.’° /J/J/.) SONGS AND BALLADS BY " OLARIBEL.” S COME BACK TO ERIN. Composed expressly fvr Madame ' - MY BRILLIANT, AND I . . . . . LEMMENS-SHERRINGTON . . . . . NORAH’S TREASURE. Sung by Madame SAINTON-DOLBY . I CANNOT SING THE OLD SONGS. Sung by Madame MARION’S SONG. Third Edition . . . SAINTON-DOLBY . . . THE LIFEBOAT (for Baritone). Words by Lord STRATFORD DE REDCLIFFE . . . . . Is- o °=+r—o:9n ooo” THE OLD HOUSE ON THE HILL DO YOU REMEMBER? . . GOLDEN DAYS . . . . BLIND ALICE . . . . . DREAMLAND. Sung by Madame PAREPA . . FIVE O’CLOCK IN THE MORNING. Tenth Edition I REMEMBER IT. Sung by Miss PooLE . . . JANET’S BRIDAL. Sung by Madame PAREPA. Tenth Ediiion , »JANE’I"S CHOICE. Sung by Madame SAINTON-DOLBY. THE BROOK . . . . . Twentieth Edition . . . . . . THE TWO NESTS. Illustrated . . LITTLE BIRD, LITTLE BIRD ON THE GREEN TREE; THE SAILOR BOY . . . Or, “Loyal je serai, durant ma, vie.” . . THE OLD PINK THORN. Illustrated . LOWLAND MARY . . . . . . THROUGH THE JESSAMINE . . . . MAGGIE’S SECRET. Sung by Madame SAINTON-DOLBY. WONT YOU TELL ME WHY, ROBIN? E,-97”], Ed[;j0n__ Tenth Edition . ’ . . . . . 4 “ YOU AND I.” Sung by SIMS REEvEs. Sixth Edition MILLY’S FAITH . . ‘ 3 PIANOFORTE ARRANGENIEONTS OF CLARIBEL’S SONGS. . JANET'S CHOICE. By BRINLEY RICHARDS . . _ CLARIBEL GALOR By E_ AUD1BEm._ I11ust,ated . JANET’S CHOICE. By DUMAS . . . . 2 0 _ CLARIBEL POLKA B E A . “JANE’I"S CHOICE” WALTZES. OD Cmmsmxs Songs. MAGGIES SECRET’ B’; K'UH:D“3ERT ' 4 0 ' ' Illustrated. By MUSGRAVE . . . . ' . CLARIBEL VALSE. On CLARIBEL'S Songs, by Cums ‘ MAGGIE“ SECRET BY DUMA5 - - - ' Com. Illustrated , , , _ _ 4 . TAKE BACK THE HEART. By J. A. WADE . . . CLARIBEL QUADRILLE. On Cmmsmxs Popular Songs . FIVE 0’CLOCK IN THE MORNING. By J. A. WADE and Ba11adB- Illustrated 4 . I CANNOT SING THE OLD SONGS. By J. A. WADE . TAKE BACK THE HEART . . . — THE BELLS’ WHISPER . . . PRIEZ POUR ELLE . . . . SUSAN ‘S STORY - . . SPRING-TIME. Companion to “ Dreamland.” THE BLUE RIBBON. Illustrated THE BROKEN SIXPENCE. Dlustrat 0093 IF ¢0D30°C.OC)DOD<‘.DC)Ov# O OOOOOOOOO otooontooun u no It .- O003036OC)0€.)O<D3A‘a3C)9f)909¢A?C)303OO OOOOOOOOOOOOOCO SIX GEMS OF OLARIBEL, EASILY ARRANGED FOR THE PIANOFORTE. Price ls. each. ' 1. MAGGIE’S SECRET. 4. WON’T YOU TELL ME WI-IY, ROBIN? 2. JANET'S CHOICE. ‘ 5. YOU AND I. s. FIVE O’CLOCK IN THE MORNING. 6. TAKE BACK THE HEART. SONGS BY VIRGINIA GABRIEL. THE LADY OF KIENAST TOWER. Romance. Poetry by WEE}? NO MORE. Sung by Madame SAINTON-DOLBY J. R. PLANCHE, Esq. ; composed expressly for and sung by THE SKIPPER AND HIS BOY. Sung by Madame SAINTON Madame SAINTON-DOLBY . . . . . DOLBY. Tenth Edition . . . . NIGHTFALL AT SEA. Reverie . . . . RISE, MY SOUL. Sacred Song. Sung by Mr. WILBYE COOPER DREAM, BABY, DREAM. Sung by Miss BANKS . . THE LIGHT IN THE WINDOW. Sung by Madame SAINToN- OH! MAY’ST THOU DREAM OF ME. Serenade for Two DOLBY. Fifth Edition . . . . Voices . . . . . . I DO NOT ASK TO PRESS THAT CHEEK . IPIANOFORTE ARRANGEMENTS OF MISS GABRIEL’S SONGS. NIGHTFALL AT SEA. Reverie . . . . 3 0 H THE SKIPPER AND HIS BOY. Arranged by B. RICHARDS. NEW SONGS BY “DOLORES.” “ CUSHA.” Poetry by JEAN INGELOW . . . 3 N THE FOOLISH SHEPHERD, a Ditty. Words by HAMILTON UNCHANGED. Song. Words by W. C. Bmmm, Esq. . 3 0 AIDE, Esq. . . . . . . NEW AND POPULAR OHRISTYS MINSTRELS’ SONGS. THE CUCKOO’S NOTES. Composed by C. BLAMPHIN. Sung IN THE MOONLIGHT LONG AGO. Composed by J. R. by Mr. J. W. RAWLINSON with great Success. Illustrated . THOMAS. . . . . . . SWEET EVELINA. Sung by G. W. MOORE . . . ANNIE LISLE . . . WIIEN JOHNNY COMES MARCIIING HOIWE AGAIN . DEAR LIOTHER, I»LL COME HOME AGAIN . COIHPOSGCI J. R. IFHOMAS Composed F. WHY AM I SO HAPPY? Composed by F. WIDDOWES WIDDOWES . . . . _ _ _ BLOWING I WEEPING SAD AND LONELY ' ' ' MARYLAND, MY MARYLAND _ . _ SOFTLY FALLS THE MOONLIGHT. . . IT IS MY COUNTRY’S CALL . . THE BONNIE BLUE FLAG - - 3 O l\Dt\9l\9l\‘.'>l\'>C«O€.D<'.O0D QQOOOSOOOO N 0 W R E A D Y, In Three Volumes, Price 45. each, handsomely bound in extra cloth, lettered and gilt edges; or in One Elegant Volume, Price 12s. OI-IRISTY’S MINSTTRELS’ SONG BOOK, CONTAINING 180 OF THE MOST POPULAR MELODIES. FORMING THE BEST AND MOST COMPLETE COLLECTION OF THESE POPULAR SONGS PUBLISHED BOOSEY AND 00., HOLLES STREET, LONDON, W.
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Date: n.d.
Text: /—\ //Z “\\*° " \ *\ L / ‘. ‘ Q 9 Q \\ 9) } VJ : V \ ,fTH=\¥ / ; 3 $4 , - & A *’{1Z»g»a:w“i1E’ ﬁi@zzsfta%§¢ ﬁ® MWG%%m l.©N@©[r‘{lq _. T’ \’ “ “Boo,.sEY & ca 295, REGENT STREET.W. MUSIC LIBRARY VA ' : 0 THE ARROW AND 'l'H;E SONG. THE p()}..TRy Ry THE .V$EIS.'lC' BX} l.()NHl<‘ELI.OW. V M. W- HAL.F'E‘- JInLTo .MoD1su.ATo., l‘()I(7}<.'. l’I.A.\'(). j I shot an Arrow in - to the air . . . . . . . . . . . . .. It fell to enrtll I r\ know...
Show more/—\ //Z “\\*° " \ *\ L / ‘. ‘ Q 9 Q \\ 9) } VJ : V \ ,fTH=\¥ / ; 3 $4 , - & A *’{1Z»g»a:w“i1E’ ﬁi@zzsfta%§¢ ﬁ® MWG%%m l.©N@©[r‘{lq _. T’ \’ “ “Boo,.sEY & ca 295, REGENT STREET.W. MUSIC LIBRARY VA ' : 0 THE ARROW AND 'l'H;E SONG. THE p()}..TRy Ry THE .V$EIS.'lC' BX} l.()NHl<‘ELI.OW. V M. W- HAL.F'E‘- JInLTo .MoD1su.ATo., l‘()I(7}<.'. l’I.A.\'(). j I shot an Arrow in - to the air . . . . . . . . . . . . .. It fell to enrtll I r\ know not where, For so swift. ly it flvw, 1 PI’ F ‘.\..0 "'[‘}vH-."1\r'rnw 4' ' ta \ ~ sight Could not ful_l0W it, sight cnuid not H f‘«>H«)w it in its flight. Ibreathud a Song‘ £____Z in - to the nil’ . . . . . . . . . . . . . . . .. It fell to eurtll k1mwnot\~lu-rc, >l"m’.whu has‘ sight . . . . . . . . . . .. so k(ft‘lli1\=lld strong‘, That It can fol _ |nw_ Hus Hi;;*l1t of u S()ll;_{‘.l For who has _.n'gl1t ‘ keen and so .stI'<)|1g' "-Or *4 . . . . . .. Tl)-ut it can fol _ low the 1'li§_;‘.lxt of :1 ~.()llg'? Lnllg‘,-* lNuu_;;' ufv‘lh-o'7r"w;nr(l . . . . . . .. in an oak . . . . . ..; . . . . .. I tlnnui the Ar- rx.,w 4 Pl’ 2% still unhrnke And the Snnw I'ujm11 he _ g;'inning' to end I f'mn1d ,u _g-uiu 1n the heau't of’ u friend . And the Songg; f'mn1he_ _ g_;'iI11xin|:_;°- to end.;..... I found u_g*uin in the heart of at friend . '2»: av‘) “'l‘V:--‘. ~ ~ ”(\| \« |{-\x,vr ' I found u_0":1in , — fuund u_.g':1in , — I found an. ,g';nin ' in Hu- huurt . . . . . . . . . . . . . . . . . .. of a friend! rrpmlm lmu I.)/3/.7 ' Gentle Heart V Oncefor all ARTHUR SULLIVAN’S SONGS. 6- d- Let me dream again (0, D7, dz E?) 4 0 Sung by Mdrne Christine l\'ilsson dz Mdme. Edith Wynne. Love laid his sleepless head (D (ft E) Sung by Mr. Sims Reeves. Living Poems (E7 :3! ll‘ ... Sung by Mdme. Edith Wynne. Sleep, my Love, Sleep (D A’; 1*‘) .. . Sung by llldme. Patey. Once Again (D (S: F)... ... Sung by Mr. Sims Reeves. on Golden Days... .. ... Sung by Mdme. Patcy. A Life that Lives for You .. ... Sung by Mr. Santley. Looking Back (D & F) . . Sung by Mdme. Patey. Looking Forward (sequel to Looking bacl ) (D & Sung by Mdme. Edith Wynne. Birds in the Night (D, E. & F) Sung by Mdine. Sherrington. From Rock to Rock ... E) MOLLOY’S POPULAR SONGS. My love has gone a sailing Sung by Mdme. Dresden China (C & D) Sung" by Mdme. Sherrington. Don’t be Sorrowful Darling (C J: E) Edith 'w; H1375. Sung by Mdme. Antoinette Steiling. Jack's Farewell Sung by Mr. Sims Reeves. Polly Sung by Mr. Santley. So the Story Goes (F & Gr) .. Sung by Mdme. Edith Wynne. Clochette (D & F) _ Sung by Mdme. Sherrington. Thady O'F1inn (D ct F) Sung by Mdme. Sherrington. The Vagabond (E & G) Sun g by The Old Cottage Clock . Sung by Mdme. Edith Eily’s Reason (E, F. & G Sung by Mdme. Sherrington. Marching along Wynne‘. no PINSUTI’S Bid me Live A Maiden’s Love NEW SONGS. on on ..- Sung by Mdme. Ratey. m Sung 1;; Mdnie Edith-Wynne‘. sm{;¥ by Li}: lllaybrick. The Free Lance (C & D) . Sung by Mr. Santley. MISS GABRIEL’S FAVOURITE SONGS. 4 o .- ... The Light in the Window The Skipper and his Boy Across the Sea Sacred Vows (D & ... ... FREDERIC CLAY’S SONGS. She wandered down the mountain’ side (0 & E) Sung by llirlnm. Edith Wynne. Days of Long Ago (D & E).. Sung by Mdme Edith Wynne. The Reaper and the Flowers ... Sung by Mr. Sims Reeves. 4 4 4 ¢\/\_/\/'\./\.»'\/\/\/\"\’\/\/\/\I‘\/\_’\/\/'\/\’\/\. :E>oPI:rLAR SONG-F3. The old love is the new (B & C) Sung by llldme‘. Sherrington. Why? and G) ... Sung by Mr. Edward Lloyd. So far away (Mon anii) Sung by Mdme. Roze—Perkins Never again ... Past and Future V Aubade (D & F) Sung by Mr. Sims Reeves. Almost (A'7 & B?) Sung - Spinning (D & E) ... Sung by Mdme. Sherrington. Night and Morning (E & F) Sung by llldme. Edith It was a. Dream (0 & E) Sung by Marguerite (B & C) ... Sung by Mdme. Trebelli. 4 0 cu no u- .“ ... ... lhbﬁrﬁrlin-P~ by Mdme. Eialtey. . Wynnii. Mdi.ne. Titiens. 00 iii IF #5 Only a Violet Sung by Mdme. Edith Wynne. If every lute on earth were mute Sung by Mr. Santley. The Harbour Lights... Children can on ..- Defton Woods . ... Those merry walks together ... Sung by Mdme. Patey. He loup’d the wa’. Scotch ballad ... The Hay is i’ the Mow Sung by Mdme. The Old Sweet Story Sung by Mdme. Edith Wynne. Speed-well ... ..’. ... Forget me Not ... One Morning, oh ! so Early (A & B) Sung by Mdme. Edith The Gallants of England Sung by Signor Foli. Apart (6th edition) Rothesay Bay. (10th edition The Departure -- Wynne. ... on NEW EDITIONS. Farewell to Erin (C & D) Take back the heart (D & F) Mag‘gie’s Secret (D, E7. 5; F) We’d better bide a wee You and I (G, G7, dd B) . . Come back to Erin (C & E) Chi1dron’s Voices (G (la 13) ... Dreamland ... Susan’s Story... Strangers yet (E & F) .Ianet’s Choice I cannot sing the old songs (E_ & G) Five o’clock in the morning (F & Robin Ptedbreast (D & F) Won't you tell me why, Robin? Half—mast high Silver Chimes 0 O 0 When we are Old and Grey Out on the Rocks (W7 & ED (D&F) ) . F. H. COWEN’S NEW SONGS. ALFRED SCOTT GATTY’S SONGS. Out of the depths. (Dbdicatedto lib: Rlimsoll, Antoiiiette Sterling. CLARIBEI/S FAVOURITE BALLADS. MDME. SAINTON’S POPULAR SONGS. d. 0 0 0 M.P§j )wPr#t-I3)-Fvlil-Prhrwﬁrl-‘-phi-Fbébvlirlivwl‘-DIFIIF H“:-Flvﬁ DF I-F-ihrh D-F rPi-F >F-iln5-FF-1% OOOOOOOOOOOOOOOOC G00 O 000 O OO OOCOO ...40 ...40 I Brown Eyes, or Blue Eyes LOUIS DIEHLS’ NEW SONGS. Happy Days Sung by Mdme. Patey. Absent, yet present Sung by A Song of Neptune . ' Sung by Signor Foli. burning (El? d; F) Sung by Signor Foll. . HAMILTON AIDE’S SONGS. Let me dream of happy days ... ... The Maid I love is six years old Spanish Boat Song (E? (55 G) Remember or Forget The Fisher (D & 13).. Mr. Santley. The Winter log is on |F>F|bvFt§:i~ BLUMENTHAL’S NEW A Letter (El) & C) .. Sung by Mr. Sims Reeves. The Boatman’s Song (D & E) Sung by Mr. Santley. Gondoliera (G & B7) ... Sung by Mr. Edward Lloyd. Love, the Pilgrim (E dz F) ..'. Sung by Mdme. Titiens. DOLORES’ BEST SONGS. ifhlhbbiﬁ The Fairies . . Clear and Cool ... ... The Lsndof long ago Sea-weed ... I-IATTON’S NEW SONGS. Fair ismy love (C& El?) . . Sung by Mr. Santley. The British Tar. Sung by Santley MISS PHILP’S BEST SONGS. Lillie’s Good Night ... ... Lilliels Good Morning 3 The Pcaeher's Widow 3 0 NEW SONGS BY VARIOUS WRITERS. DANKS, 11. P. Siingby iss Soldene. DICK, COTSFORD. The secret of thy name ANDERTON, THOMAS. The Little Fishermaiden ... Sung by Mdme. Patey. CELLIER, ALFRED. ... ... no no. on ... .. ... Still united 4 0 -u on on Jack andI ... Sung by Signor Foli. ADAMS, STEPHEN. Nancy Lee ... Sung by Mr. Maybrick. BUCK, DUDLEY. When the heart is young . ... Sung by Mrs. Osgood. HOWELL, FRANCIS. T’was not a dream EAYRES, W. H. Ever Thine (C & D)... ... 4 ‘ Sung by Mr. Edward Lloyd and Mr. Nelson Varley. VVEKERLIN. A Song to a Rose Sung The Flower Girl ... Sung by Mdme. Sheri-ington. 13;. Maixié. Sheirringtdni One Only Sung by Mdme. Edith Wynne. SIX DUETS, Sung by Mdlles. CARLOTTA and ANTOINETTE BADIA at the London Ballad Concerts. Price 2s each not. The Rainbow (Di pace at n0i)—DONIZET’l‘I. The best solace (Dolee conforto)—MER- CADANTE. 'V’OO.A_I_: ZDU Through valley, through forest (Per valli, per Joy is to-day (Giorno d’orrore)—R0ssINI. Say to me (Ripctio mio tesor)—L. DADIA. Yo breezes, softly blow (Buon vento spira in These Duets have English and Italian words. boscl1i)——l3i.ANcINI. Excelsior mar)—-L. BADIA. Coming home... Trust her not... 9’ The Chamois Hunters J. L. HATTON. Sung by Mr. Sims Reeves and Mr. Santle S. 333 T A. SULLIVAN. BALFE. Day dreams ...CLARIBEL. Chimes of St. Mary’s Evening song Yet ‘once again My roses blossom roun 7? GABRIEL. .1. , o 0 0 0 Y. the ‘whole ’year n KUHE. Lohengrin . ... Don’t be Sorrowful, Darling. (Molloy) One Morning, oh! so Early. (Gatty) La Fillo do Madame Angot... Geneviizve de Brabant Come back to Erin. (Claribel) Maggies Secret. (Claribel) Dinorah ... The Vagabond. (Molloy) La Jolie Parfum euse. . . . . . BENEDICT. America. New Fantasia Der Freischiitz ... mwewseamppw oo ooooooooooP' Z IEl'VV' PIANOFORTE 1/TTTSICE COWEN,FREDERIC II. It was a Dream Alice, Troisie’lne Valse Caprice Rondo 3). la Turque ... ... Macbeth I Lombardi Oalme et solitude Madame Angst Moonlight on the Danube Whispering Leaves Valse des Pampas Eolus (Maz-urka) LEYBACH. .d. no ... ... MULLER, THEODORE. Berceuse 4. Marguerite 3 KETTERER. on an ... ..- 0 3 0 Grand l\Iarch,”Maid O1‘le-ans Serenade, Maid of Orleans HAWLEY, MISS. Salopia (Home, sweet home) Ivanhoe (Auld Robin Gray)... _ Hibernia (The LastRose of Summer FORBES. La Caprera ... Castollucia ... ... ... RICHARDS, BRINLEY Polly (l\‘?olloy) Isiilora, Valse de Concert A Visit to VVales . ... Conspirators Chorus ( Madame Angot) Once Again (Sullivan) . Strangers yet. (Claribol) ... FAVARGER. Der Freischiitz .. ... Oberon. 2nd Fantasia ... ... 3 wewwmpmp mooooooP on u. OFFENBACH. La Jolie Parfumeuse Valse and Quadrille . each Genevieve Quadrille. Solo or Duet Genevieve Waltz Périehole Quadrille. Solo or Duet ... Périchole Waltz LONID no . n c‘:N Our Boys Galop Migration Galop Indian Quadrille : BOOSEY <32: 00., N E 'Vi7' , D MONTGOMERY. l\TC3E s.d. 40 MINNIE. Once Again DEBILLEMONT. ... ... ... 4 O Polly Waltz Madame Angot Waltz. MadameAngot Quadrille. Solo orDuet Madame Augot Galop Claribel Waltz. Silver Chimes Waltz :l"_\:{E U S I 0. CHARLES COOTE. Remember or Forget Waltz Waltz ... Solo or Duet 295, REGENT STREET, TN‘. Solbuor SCHNEIDER. Trop de Bonheur Waltz. Solo or Duet L E C O C Q. The Island of I3i.chelors (Les Cent Vierges) Q,ua<,lrille The Island of Bachelors Waltz mpmwemmaw ooooooooP ’»
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Date: 1915
Text: nnussc uunnnv VASSAR COLLEGE nouamuzzv-set. new YORK Poem by Henry W. Longfellow Music by William Blailr Price, 60 cents The John Church Company Cincinnati New York Lonclon Deﬂcated to Jlargarel fem? 6’2'Zm0re The Arrow and the Song HENRY W. LONGFELLOW WILLIAM BLAIR Allegro (J = 92) f Presto Copyright MCMXV by The John Church Company International Copyright Poco Andante I’ an ar— row in to the air fell to earth /alga lo .5‘ 2);; 2'16 [I000 agzm/0 not .._____%____.___ For so swift - ...
Show morennussc uunnnv VASSAR COLLEGE nouamuzzv-set. new YORK Poem by Henry W. Longfellow Music by William Blailr Price, 60 cents The John Church Company Cincinnati New York Lonclon Deﬂcated to Jlargarel fem? 6’2'Zm0re The Arrow and the Song HENRY W. LONGFELLOW WILLIAM BLAIR Allegro (J = 92) f Presto Copyright MCMXV by The John Church Company International Copyright Poco Andante I’ an ar— row in to the air fell to earth /alga lo .5‘ 2);; 2'16 [I000 agzm/0 not .._____%____.___ For so swift - > SO sight_. could not f0l—low f\ f_\ Z"/‘may:/,2‘//0 T in its r1Etrr.‘_./_ 17-191-6 ]I,’0c0 Andante I breathed a song in- to the air It fell to earth .9‘. sz'm 2'16 legalo l7491— 6 keen 2> who 17491-6 17000 agzmto For who has vi - sion so :> :> and strong, for has vi -sion so keen 7 and strong, for '7 > > > > has vi-sion so and strong That it can fol-low the > > > mm/T of song? That ' can 722.3. fﬁ fol—low the flig ____ of ./f m e"/'a2zqa2'//0 Andante es pres sivo NV Long, long af— ter-ward in__ an oak, NV espressivo found__ the ar — row, sti11_ un—broke, and the song, the song from be- f.‘ gin — ning to friend. German, French and Italian Song’ Classics EDITED BY HORATIO PARKER Vol. I Soprano Vol. 2 Alto Vol. 3. Tenor Vol. 4. Bass These collections of the most notable lyrics in German, Italian and French have been prepared to meet the needs of our large and ever increasing class of earnest aspirants to true artistry. The songs are presented always with the original text in order that their full ﬂavor and signiﬁcance may be preserved, and because a poem which does not suffer by translation is a thing hardly con- ceivable. Students and teachers as well, should remember that of these noble songs each is an earnest of like treasures which will reward any diligent seeker in the ﬁelds represented by the collections now offered for their use and guidance. The following composers are represented in the collection: Adam (lliaminzulo Ilalm l\I{1SS(‘I1(‘L Surti Iiaclr llelilws Ilamlvl l\lemlel.s.s'ul1i1 Hcmlzitti l’wetlm\'mi l)eIl’;\<:q11a Illllzmlelnt Miiilntli Ht-lu1l>erL I'»(‘lIII)t‘,l'g lmlmis Ilaydn .\loz:n'L Sclnnn-tum Iiixut IIlIl‘;lI1L0 Iloluws l'ul;ulillm »\‘tr:ui.-‘H Rmmnt-,ini Fulire Jensen l’ergolese ’l‘lmuw llrulnns Frzuick Legrenzi l’iernu 'l‘osf.i (i:lL.'L'lIlI Fnmz Loewe Rail" Vidal (‘ztlelara (dordani Lotti Rios \\':ignm' (‘um p-.u1zL Uzodard Luzzi Rosa \Vt,‘(‘I{téI'IIIl (Tau-issinii (lounod Marclxault Rubinstein \\'idur Uavztlli Grieg l\Iarcello S:tint«S;u-11s Wolf Ucdli Price each volume in heavy paper, $1.50. in cIoth, gilt, $2.50 THE JOHN CHURCH COMPANY CINCINNATI NEW YORK LONDON
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Date: n.d.
Text: BUMPUSED BY ﬂ§N?§i®é$&§¥u N. 0 D N. O _. . IL. Wu. J .52 f{_U.)‘/,-'/, F//AL, _'////0. W R I T T E N B Y 1:5’//f.//////’. AD D I 30 N“, H'0’L LI E R 8; LUCAS. ZIO R'E'G"E‘N'TM$T ,/'}//1,/ _‘.,§_,_¢-.,~..,7._ ‘ ‘ 7 au;%% /1”?/W. L ‘um’:-<9‘ THE ARROW AND THE some. “I shot an arrow into the Air, It fell to earth I know not where g” Poetry by H.W.LONGEELLOW. ./I./[usic by JOHN BLOCKLEY. to swift _ ly CV88 . fdllow M ' ° its ngf calla voce . The...
Show moreBUMPUSED BY ﬂ§N?§i®é$&§¥u N. 0 D N. O _. . IL. Wu. J .52 f{_U.)‘/,-'/, F//AL, _'////0. W R I T T E N B Y 1:5’//f.//////’. AD D I 30 N“, H'0’L LI E R 8; LUCAS. ZIO R'E'G"E‘N'TM$T ,/'}//1,/ _‘.,§_,_¢-.,~..,7._ ‘ ‘ 7 au;%% /1”?/W. L ‘um’:-<9‘ THE ARROW AND THE some. “I shot an arrow into the Air, It fell to earth I know not where g” Poetry by H.W.LONGEELLOW. ./I./[usic by JOHN BLOCKLEY. to swift _ ly CV88 . fdllow M ' ° its ngf calla voce . The Arrow and the Song . flight‘. A Could not John Blockley breathed earth I know not where;/‘ For who has follow the flight of song? "f calla voce . t,7,. . piu animate. Long, long afterwards U11 _ _ _broke; song , from be __ ginning F\ i I found a _ gain in the heart of a friend . And the song, from be- ginning, from be_ginning to end, I found 3. _ gain in theheatrt of a friend . And the song from beginning, fr-om'be.. 1 ’ mf _ginning to end, I found a_gain in the» heart of a friend. 27“ L7 The Arrow and the Song . Londnu,PnM Euhvd by John Blockley, 2 Park Road, Havexstock Hi-11.» /‘_, I7®@IML :iaIma / kg coNIPosER or "I.ovE N01.” "HEARTS 8: HOMES,"“EvAN<;ELINE1'"ExcELsIoRl‘&c. R®@‘“ POETRV BY POETRV av JEssIE's DREAMISTOHVOFRELIETOELURKNOMGRACE CAMPBELL 216 I HIGHLAND RE$cuEI...c.m1 n Lucxnow) CARPENTER 2&6 MESSENGER SWALL0WIo swALIow‘ITENNYSON, 2[6 FLOAT|N(‘, AwAY_ ________________________ __ _ [D9 3,. MAUD . 0° L 216 MY DEAR om HOME..,. D°... 2;- THE BROOK. _ 7 .. 0° 2! A FLOWERS or HOME.....,._._...... 0°. COME TNTO THE GARDEN MAUD D° 216 GENTLE woRDs_ MEMORY or THE PAsT,Im..s,__L><_t ale EooTsT'EPs or ANGELS .,.LONGFELLOW IWITH PORTRAIT) MUSIC oN THE wINDI<. mom” 1.. buss) ova 2[e ARROW 3. THE SONG__,__._________‘, D9‘ _ coHctusIoN.or oumz or me am; I MOTHERS SONG Iswm . LOW,‘ ,D.° 2[- GREEN TREEs WHlSPERED...__.. . 0° BREAK.BREAK._,,(I=onrnAIr or TEN_NvsoN)_,.D9.,,. ._ 216 PA$S|NG AWAY_.._ " ' M".5 HEMANS THE wARRIoR's RETURN I50 2Is THE I3RIoE's FAREWELL ,,,,,,,,,,, _, .o_T<,>_ GO NOT HAPPY DAY . ' D? 2l- HoNIEs or ENGLAND. _____ ,_D° ELFIN EcHoEs EEEE ..(.m am Iuow; D9 . are THE BETTER LAND. oo. RING OUT WILD BELLS... _ D9 BIRTHDAY G|F.T__ ' c.TREvEI.vAN A BLESSING oN THINE EYES EH0N°E‘M“.5N0RT0N. ALI's FOR THE I3EsT,,_ MARTIN TUPPER FRIEND or ouR EARLY DAYS D9 21» SPEAK GENTLY ,,,,, A , ALANGFORDV * IREMEMBER THY VOICE o°_,_,E 21- - ABSENT FRIENDS . T SHEA ________ *7 wr_ HAVE BEEN I-'RlEND$TOGETHERD° 21- ROSE,ROSE,0PEN THY LEAVES ............. L ....... .. . THE A35r_NT on; V D0 2’- swlss GIRLS DREAM ____ __ E,._..BARTHOLOMEW I MY CHILDHOOUS H0ME(PanTRAIT orM-.=NoMo~)D 9 W 3T9 3U M M ER ----------------- - r-A ~ - ~ D-3 - *- THV NAME,THY TREASURED NAME. ., , 2!’ YESTERDAV(co;nPAvIIoN T0"T0 DAV? »»»»»»» »-BROWNE —» no To Moaaowi THE HAPPY BRTDE... C.YOUNG ........ ..21’ MOTHER WHO HATH A CHHD AT SEA E-COOK--—-~ (HAPPY I3 THE BRIDE. TM SUN SHIIIES 0I\ HOPE Is THE LIGHT or EVERY HEART GRACE STIRLING 2|’ ROSE OF THE ALHAMBRA ......... UBULWERA. FAVGF-UTE’ ‘SONGS BY VARTOUS CGMPGSERS. THE RIVER 8: STAR . ........A-NGELINA E2|v THE SABBATH NIoRN ............. _AE..I.LooER ART THOU LOST To .ED9_E . 2|. $IIIIL£& KIND WORD OF‘ GREETING .. . A-A-D°»~— ABSENCE.............._,.. " A 2|- Mv mans BIRTHDAY...“ . .. 0° TELL~TALES . . S . LOVER | TIMETHAT BRINGS HIM HOME AGAIN MACFARREN sTIR THE FIRE(I=oETRvavcARPu4Tm.J0LLY BIG THE'FALSE GONDOUER... A CRGLOVER HASTE THEE,B0A-1-MANI'sHAIIoPsoNo)KUCKEN 2|‘ BIRD OF THE W|LDWOOD,,._ .,,GOLDBERG R
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Date: n.d.
Text: \¥éJ§m.«.LL,( r\/V. 0/7L c1T<X2,SL/Qmu R EAPER AND THE FLOWERS. ..M.l/L/.,9AM£. RESI GN ATI J E. 600:0. SEA HATH ITS PEARLS. QT _____ _,0./7/A/.5(/7/. STARS OF THE SUMMER NIGHT....,._.E._.._F.Boorr STARS OF THE SUMMER NIGHT. ....... .3. 70C/HS. TRUST HER NOT. DT.__,,_._,___,,,.,._/W.WBALFE. VILLAGE BLAGKSMITH........_._..”. W/-/. W5/53 WREGK OF THE HESPERUSLLL.J.6’L0C/(1.5% OPEN wlND0w...__..,.__........_.._L....._..._.LL?/477)’. ARROW AND THE SONG ...... “COP/A/Sc/7/. B R I D G CA HEW....
Show more\¥éJ§m.«.LL,( r\/V. 0/7L c1T<X2,SL/Qmu R EAPER AND THE FLOWERS. ..M.l/L/.,9AM£. RESI GN ATI J E. 600:0. SEA HATH ITS PEARLS. QT _____ _,0./7/A/.5(/7/. STARS OF THE SUMMER NIGHT....,._.E._.._F.Boorr STARS OF THE SUMMER NIGHT. ....... .3. 70C/HS. TRUST HER NOT. DT.__,,_._,___,,,.,._/W.WBALFE. VILLAGE BLAGKSMITH........_._..”. W/-/. W5/53 WREGK OF THE HESPERUSLLL.J.6’L0C/(1.5% OPEN wlND0w...__..,.__........_.._L....._..._.LL?/477)’. ARROW AND THE SONG ...... “COP/A/Sc/7/. B R I D G CA HEW. BRI .._./V/.1/NDSAY, DAY IS DONE ..... A» DAY IS DONE......... EXCELSIOR. PSALM OF LIFE......,............J.BLOC/(LEV. RAINY (W. R. DE/MP5 75/9. GOOD NIGHT! BELOVED ...... ..L/V/.V\/.25’/IZFE mmm§mmm§#p B O S T O N. Pubhghed by OLIVER D ITSO N 8: C0 .4-5lWé1Sh111gU;m St. I, ‘A NEW YORK. SAVANNAH GA. BALTIMORE MD. Cl NGINNATI. SAN FRANCISCO. PH ILA. _H. DITSON 8: C0. LUDDEN St BATES. OTTO SUTRO. GEO.D.NEWHALL&G0. SHERMAN CLAY & 60. J. E.D|TSON 8: 00. CHICAGO. STLDUIS & H .J.H BurroRnSSonsLnu.Bosro~ &N::wYom<. Mussc Luamnv VASSAR COLLIQI THE ARROW AND THE SONG. The Poetry by LONGFELLOW. The Music by CIRO PINSUT1. Andanie moderate. , pogo pm mo3go_ shot an molto cantabile. R.H. 3 1"‘ '5 LH ar— row in- to the air,...... It fell to earth, I knew not where; arpeggzizte. animamlo. anivnando. .Z';):az<_1;. V:/ ‘v.‘. V K »_ «.- swiftly it ﬂew, so swiftly it ﬂew,The sight could not fol - low it in its ﬂight! For, 50 N ‘Z *2 o noto. . C n 7 sempre ommwmdo. 4K§}§’W ??t ﬁ %!2 ~%: «,~g.,~.»— «~. Amphion. [0000 pm mosso. breatifd a memo mosso cantabile. 3 3 '5 L.H. air,...... It fell to earth, Iknew not where; For who has P C- The Arrow and the Sung. amimcmdo a [1000 a poco. sight so keen and strong, That it can fol - low the ﬂight of con moto, song For who has sight so keen and strong......That it can fol - "low the ﬂight of song? Long, long af-terward, 7726720 7720880. The Arrow and the Song. piu mosso assai. the Ar row, still un - broke; :11 O C U I C 3 3 pm 7710880 dS8dZ. ‘(J ‘r’ af - ter- ward, ' an oak I found the ar-row, still un- And the Song,------from beginning to > > > > > W68. 77101150. molto maestoso. allargomdo. The Arrow and the Song. incakando I O 9 V Ifound a- ga1n...... in the heart a friend; And the >>>>>>> >> incaleomdo 8 (3768. €Zp0C0 Cl song.... from be- ginning to end,.... Ifound a- gait}... in the heart of a ‘ > > > > grcmdzoso. >_ {: mil. assai. I ~———/ friend.... I found a -gain.... in the heart of a friend. /5 > > > > ‘> > > 10 col canto. \:—/ Za nt . rgame e > 3 The A:-row and the Song.
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Date: 1890
Text: berm RUUQUHO vo_n ZL1rJV(UTﬂ€Tl. 7% % 1 MM °\/\6rb,s by e ryx/V2:b§wortb fqngfellow, l_SWg‘E_r:g_g_9W Pr. 40 cts. LI5\lto ......... ._ Pr. 40 cts. NEw—Y0RK, BERLIN, EDWARD SCHUBERTH &c9 ED. BOTE& G.BocK 23 Union Square. Kgl. Hof—Musikhandlung. [by/yr/‘git 7690 by Edward /Styx/den‘/7 4? (P Lnh An§r.v,C g.f\6der, Leipzig, MUSIC LI IRARY "ix. _, .2 1 Der Pfeil und das Lied. The arrow and the song‘, (Lougf<~I10w.) Allegro . A Mary Wurm . Einst schoss ich ei _ nen Pfeil weit 1 8...
Show moreberm RUUQUHO vo_n ZL1rJV(UTﬂ€Tl. 7% % 1 MM °\/\6rb,s by e ryx/V2:b§wortb fqngfellow, l_SWg‘E_r:g_g_9W Pr. 40 cts. LI5\lto ......... ._ Pr. 40 cts. NEw—Y0RK, BERLIN, EDWARD SCHUBERTH &c9 ED. BOTE& G.BocK 23 Union Square. Kgl. Hof—Musikhandlung. [by/yr/‘git 7690 by Edward /Styx/den‘/7 4? (P Lnh An§r.v,C g.f\6der, Leipzig, MUSIC LI IRARY "ix. _, .2 1 Der Pfeil und das Lied. The arrow and the song‘, (Lougf<~I10w.) Allegro . A Mary Wurm . Einst schoss ich ei _ nen Pfeil weit 1 8/202‘ an arm-Iv 2'/2. — to 1/26 /‘T Erd’ fiel er an fer—nem Ort, Ist sein Flug doch so schnell fell to earth I /mew not where, For so 8102]’! - [y if f/ew,_ Eigenthum dc’ Ve"1"5‘“' W’ 3119 Lﬁndeh St1'chundDruck derRdder’schen 0§ficinmLe1pzig Ed. Bote 80 G. Rock in Berlin. Edited by H- W- NiC11011~ 13439 Copyright 1890 by Edward Schuberth 80 C? N. Y. leicht,"_.: dass kein Au _ '- ge as Ziel er — reicht. Sig‘/It ____.._ could not fol — low it in 278 flzlg/zl. sang ein ed im rei-en a1d,_.._____.___._.__ 1e’s kl-ang,-.1ch, ch V61‘-g'{LSS breaz‘/zed a song 2'72 - lo‘ 2‘/ze air, ______________ It fell to earl/1 I /mew not a1d._____ Wie kommt ein Lied‘? W0 fliegt es hin? Nicht anh ihm av/zere. For w/20 /gas siglzt so /wen a21d8tr0ng,T/mt 2'2.‘ can L, ¢ fol — - gen er h ’ - ste Sinn! fol - /ow I/Le flig/zt of song. 13/L39 P Doch hab’ end—I1ch ch beid’ Long, long (If— l'6l'— wards 2'1; Pfeil au —- be ef found the (Ir - row still 0T680- 13439 treu /zeart
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Date: n.d.
Text: R —r:_ / :\ j; ~ : ' ,3 ‘_ _ L4 »‘.~‘ \ \ \ >\: if/%dugfg[%%l}¢a \ ¢ \ <3 G) / > 9 \ ./ T/711///z'.s*/zzxd /If 5//‘var D/7‘.s-0/7 & ['17. ./97/—, H'4r’/.<'/’//'/.///./u7/ 52* ‘ izzs/77/7. ./.1’. /Z7//755 rﬁ £27. /-7/7//=7. .4’/I/Lcaqzz \ ,/ L’, 527a/17’, Z/47/7 <3//5.74/. /1/M7/‘,4. W,/1. /70/it cilia I//7/7 . M I/ﬁx/rt/7 .//1 MUSIC Lsunni vussnn cO1.LEG! THE ARROW AND THE SONG. \V01'(1s by 1{.\V. LONGFELLOW. Molto moderate. I shot an...
Show moreR —r:_ / :\ j; ~ : ' ,3 ‘_ _ L4 »‘.~‘ \ \ \ >\: if/%dugfg[%%l}¢a \ ¢ \ <3 G) / > 9 \ ./ T/711///z'.s*/zzxd /If 5//‘var D/7‘.s-0/7 & ['17. ./97/—, H'4r’/.<'/’//'/.///./u7/ 52* ‘ izzs/77/7. ./.1’. /Z7//755 rﬁ £27. /-7/7//=7. .4’/I/Lcaqzz \ ,/ L’, 527a/17’, Z/47/7 <3//5.74/. /1/M7/‘,4. W,/1. /70/it cilia I//7/7 . M I/ﬁx/rt/7 .//1 MUSIC Lsunni vussnn cO1.LEG! THE ARROW AND THE SONG. \V01'(1s by 1{.\V. LONGFELLOW. Molto moderate. I shot an Arrow kn ow not where , /‘For so svdft — ly it Music by M.\V. BALFE. It fell to earth fl ew, I Couldnot follow it, follow it ' its I breatheda Song . . . . It fell to earth I knownot vshere, For vsho has sight . . . .‘ so keen and strong, That it can fol — low the I flight of ‘:1 For vsho has sight so keen and so strong . . . . .. That it can fol The flight Of 3 song? Long, long after - Ward. . in an oak . . . . . I found the still un broke; And the Song from be — ginning to end [found a—gain in the heart of a friend. And the Song‘ from be- -gin - ning to end. . . [found a—g:u'n in the heart of [found a — gain , I found a- gain , I found a—gain a friend! 22578
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Date: 1883
Text: *7 \\ 7 \_k \’\ (J R E! 5 NEW . @ 5 \q RDS %/V/\\; rlttgfellniv % HAWILW ‘J 9.__1 __l‘._._l 49 ' :=: .~ 5 .. A NEW.YORK, % L ’ WM.A.P0ND&Co.25 UNION SQ. -- CCCCCC 0, ‘ 1\/M13 .\z\/my THE ARROW AND THE 1 +$%%b J VV01'ds by I{.W.LONGFELLOW. ‘Allegretto. row in — I I know‘ to earth I‘ know not Where, Copyright. I883 bY W!A.POND&0‘.' to the -air‘, ..... __ -36- a tempo. not where: .... __ For so /N (level. 6 ores. dim. svsiftly it flew, so swift-ly it ﬂew, .... .. the sight...
Show more*7 \\ 7 \_k \’\ (J R E! 5 NEW . @ 5 \q RDS %/V/\\; rlttgfellniv % HAWILW ‘J 9.__1 __l‘._._l 49 ' :=: .~ 5 .. A NEW.YORK, % L ’ WM.A.P0ND&Co.25 UNION SQ. -- CCCCCC 0, ‘ 1\/M13 .\z\/my THE ARROW AND THE 1 +$%%b J VV01'ds by I{.W.LONGFELLOW. ‘Allegretto. row in — I I know‘ to earth I‘ know not Where, Copyright. I883 bY W!A.POND&0‘.' to the -air‘, ..... __ -36- a tempo. not where: .... __ For so /N (level. 6 ores. dim. svsiftly it flew, so swift-ly it ﬂew, .... .. the sight Could not follow it in ......... -_ its .17’ accel. e ores. n\ a tempo. flight. b1'eatl1.ed a song in—t0 the air, .... .. It /5. a tempo. f.\ a tempo. Whefe, I know not Where. For A fell to earth I know not ‘dim. mg 7 a tempo. 0 _accel. e cres. k'«_'_,.-j ' who Has sight so keen and so ‘tr acbel. e ores. the ' cm. strong , .... ._ a tempo. pp sostenuto. : Long, long af- terward, I found the ares. I fmuul the Tlmt . if accel. e ores. Still ......... '0 11Ii— broke; A1111 the song, _______ __ from be-gi1mjng to , ' /5 A A -accel. e ores. end, _____ _. I fdlmd » a — gain __________ ._ in the heart of a f1‘iei1(1;_____ And the A A ‘ A . A A AA Nﬂefa‘ . A. sAo11g, ____ __& from be-ginning to em1,____-_‘ ..... __ I ‘found a.—«“g:iin ..... ._ - in ’ ' I A A V of ............... __ a ﬁ'ie1ul . A A A . JP-. 6m° 10302 ' A Hounslowl Engﬁa N ‘
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Date: 1910
Text: w% 8. C. COLBURN % 60 Cents NEW YORK I G. SCHIRMER BOSTON BOSTON MUSIC CO G N O S E H mm T wa D m N A W O R R A E H T. THE ARROW AND THE SONG SHOT an arrow into the air, I It fell to earth, I knew not where; For, so swiftly it ﬂew, the sight Could not follow it in its ﬂight. I breathed a song into the air, It fell to earth, I knew not where; For who has sight so keen and strong, That it can follow the ﬂight of song? Long, long afterward, in an oak, I found the arrow still unbroke; And the...
Show morew% 8. C. COLBURN % 60 Cents NEW YORK I G. SCHIRMER BOSTON BOSTON MUSIC CO G N O S E H mm T wa D m N A W O R R A E H T. THE ARROW AND THE SONG SHOT an arrow into the air, I It fell to earth, I knew not where; For, so swiftly it ﬂew, the sight Could not follow it in its ﬂight. I breathed a song into the air, It fell to earth, I knew not where; For who has sight so keen and strong, That it can follow the ﬂight of song? Long, long afterward, in an oak, I found the arrow still unbroke; And the song, from beginning to end, I found again in the heart of a friend. LONGFELLOW To my Sister The Arrow and the Song Poem by Longfellow _ S. C. Colburn Allegro Voice 21562 c ‘ 00py7‘2'g'/ti, 1.910, by Cr’. Sckirmer Meno mosso, quasi andante breathed a song in - to can 8”_“ bassa ' knew not where; For ?ﬁ’ who has sight so keen and It fell strong, to earth,._ That it can fol-low the flight of song?_ n______2‘ mi’ 17000 accel. . Long, 0 00 (1008 . the ar— row And the song, ter-ward, in an 7.. from be - ginning to b 25 l\Jb|‘l'( VII G. SCHIRMER, NEW YORK D9412-nted to and sung by Mme. Marcella Sembrich Am See Poem by Emil Robert English version by By the Lake Henry G. Chapman Langsam ‘ Frank La Forge Adagio P . - schein I stand up « . len See, da weil’ ich gem mil mei-nem your shore, Oh qui — et lake, my heart is Seuf~ zer sich zum »mel seeks to al - ter in a (/‘apyrfg/rt, 1.m¢,by G.Sc1n'ruzer ‘PNCFI 60 ° The Sheepherder A-ml“? Ch°P"13n "‘ Frank La Forge e Andante Voice the stream, from rm 1“ 4"» 4”\.b _ and dale. The sheep un - to... the bed - ground press. 4*» 4w KY» * By penmssion anne author . Pmcz 60 ‘ "W Copyrigltl, 1909, 0,, G. Sc/zzrmcr 2 1' c To Mr. Elﬂun Van Moon To a Violet ‘“"°"‘5 “Y (The Message) Elizabeth Ruggles Frank La Forge, Voice forth, 0 V1- 0 — 1eL. sweet and ten < der, Bear to my love the thoughts} send her, her breast !.hou.1i — est, Ere thou in ver—y ' Breathe on her 1”" W 6'o_zvyn'gIzl, 1909, by olsoumar P1106 40 03311‘-6 Dcdit'nId'ri to and sung by Mme. Marcella Scmbrich Prun)"Des Knuhcn \Vun(h:rhurn" An einen Boten English version by Henry G. Chapman To a Messenger _ Frank La Forge Schnell mrt Humor Allegro giocoso leggero e Wenn du__ zu_ rnei’m —When you__ see, my_ 7 _ 7 leggero _“_’_;,_,_. j—-'7; Schéit.zl kommst, :j_.___...._.: ich Iiess’sie mis.tress dean.‘ he I love her > sie__ fra . gene she_ asks_ you_ PRICE L30” Copyright, 1.909, by G. Sclzirmer
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Date: 1887
Text: \3\e5pectfu\\y Dedicated to \ \ w’ (‘)7 N,» 3”} /ix , (/ \ “ . \\_Z\\ \ ////' vw \\ / / \ E , , /H \ MUSIC BY)‘ \ ;/ @, Muﬂljigm ——:§“:vPrice 4o¢d“” — \. F NEW YORK. ‘Q N _ ' J’ ’ /47M//~///i/yy //Wa7//5[//Z/z7£f///Vtffﬂ “VA A. ' COLLEGE Emsvwxxu S©|HJU‘BE|RiTHJ &Jc;:co.J /J % A J $3UJN|ON)‘I:3jQUAR|iZ. ) Respectfully dedicated TO MES THEO A. HAVEMEYER. <>§§<> THE ARROW AND THE SONG. .. WM E1). MULLIGAN. Andantino. ar —I'0W in — to the air, It fell to the...
Show more\3\e5pectfu\\y Dedicated to \ \ w’ (‘)7 N,» 3”} /ix , (/ \ “ . \\_Z\\ \ ////' vw \\ / / \ E , , /H \ MUSIC BY)‘ \ ;/ @, Muﬂljigm ——:§“:vPrice 4o¢d“” — \. F NEW YORK. ‘Q N _ ' J’ ’ /47M//~///i/yy //Wa7//5[//Z/z7£f///Vtffﬂ “VA A. ' COLLEGE Emsvwxxu S©|HJU‘BE|RiTHJ &Jc;:co.J /J % A J $3UJN|ON)‘I:3jQUAR|iZ. ) Respectfully dedicated TO MES THEO A. HAVEMEYER. <>§§<> THE ARROW AND THE SONG. .. WM E1). MULLIGAN. Andantino. ar —I'0W in — to the air, It fell to the earth I r. M7. /3 knew not Where, S0 sWift~ Jy_ it_ flew, S0 swift— 1y_ it_ flew The ‘ /5 3. E, S,& C9169:-2 Clxjﬁyright [887 by Ea"wardS(/zu/1crl/z (42 CC’ sight could not £01- low N ' its flight. ‘-if ' A» ‘ ;€.{‘.f:A:fA f'.\ breathiéd a song in - to the air, It fell to earth I knew not W11ere,E_)r /3 Who has sight so keen and str0ngT11at It can fol — 10w_the_ flight of song, For. E.S.& C9169»-2 Who has sight so keen ‘V s1:rong,That it__ can fol — low the flight of song‘. Lento. Lo11g,1ong afterwards in A an oak I found, The ar — row still un — broke; 17 piil animato. and the S011g 1°'1‘0H1 be - glnnlng » Ullii ——__-_-_.. The song from be - gmn111g'to A an \ S. & C‘) loo»; I found, I found in the heart of a friend; found, I found in the heart a friend; found in the heart of friend. E. S.& C0 169R
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Date: 1917
Text: ,__ uusuc uunnv / 8 , vussm COLLEGE L. 5% rououxzcrsut. NEW "°'“‘ \/IIASQ. ‘ ~« I W is S w‘»' 63 (7 L??? 2 ﬂ -"9 ‘.‘,.l O a «D ' ‘ 4. be §« 2 %' SONGS BY ) ($70 0 HERIVIANN VVEIL ALj___Al_-_L_, .50 HIGH VOICE“ IN A MEDIUM VOICE, IN GI? B SOMEWHERE I KNOW .40 HIGH VOICE, IN GI» LOW VOICE, IN Eb Boston: OLIVER DITSON COMPANY New York: CHAS. H. DITSON :7 co. Chicago: LYON 5, HEALY b I D? 0 /4“ .9 .. I °°Z I “ ”-?=_Q. 6%) * .§.-- * ° ‘\ &‘ 9 Z (5 Inga‘ f \ Q ‘ 2,...
Show more,__ uusuc uunnv / 8 , vussm COLLEGE L. 5% rououxzcrsut. NEW "°'“‘ \/IIASQ. ‘ ~« I W is S w‘»' 63 (7 L??? 2 ﬂ -"9 ‘.‘,.l O a «D ' ‘ 4. be §« 2 %' SONGS BY ) ($70 0 HERIVIANN VVEIL ALj___Al_-_L_, .50 HIGH VOICE“ IN A MEDIUM VOICE, IN GI? B SOMEWHERE I KNOW .40 HIGH VOICE, IN GI» LOW VOICE, IN Eb Boston: OLIVER DITSON COMPANY New York: CHAS. H. DITSON :7 co. Chicago: LYON 5, HEALY b I D? 0 /4“ .9 .. I °°Z I “ ”-?=_Q. 6%) * .§.-- * ° ‘\ &‘ 9 Z (5 Inga‘ f \ Q ‘ 2, 0 A d 0 89 i To Julia U1/1}) ALLAH From the German Of V /0rzgim1/ Key. A) Siegfried August Mahlmann by HERMANN WEIL HENRY WADSWORTII LONGFELLOW Broadly . f — lah gives light in dark-ness, lah gives rest ' Cheeks_ that are white with Al - lah paints red Copyright MCMXVH by Oliver Difson Qompany hnternationtil Coﬁyfight Secu ma 5_ M4_.,w,n _3 I0 fIow’rs and the. b1os—so1ns all‘ with - er, I Years van—i:sh with fly — ing °rJ will live on for 7'22‘. . L I7 v in an~guish beat. Glad — 1y to Al — lah’s, 7' ‘t - Q, r- 5- 14471821-8 dwell — ing Yon—der would I {IT .1?" There_._ will the dank — ness . — ish, There will my eyes “T rit. L 5-144-71821-3 §EThe Musicians Library The masterpieces of song and piano literature edited by men of authority SONG ' VOLUMES ' ISSUED For High ‘cc For Low ice Edited by JAMES HUNEKER Edited by WM. FOSTER APTHORP Edited by HENRY T. FINCK Edited by DR. EBENEZER PROUT Edited by DR. EBENEZER PROUT Edited by VVM. FOSTER APTHORP Edited by CARL ARMBRUSTER Edited by HENRY T. FINCK Edited by XAVER SCHARVVENKA Edited by JAMES HUNEKER Edited by JAMES HUNEKER Edited by CARL ARMBRUSTER Edited by CARL ARMBRUSTER Edited by ERNEST NEWMAN Edited by HENRY T. FINCK Edited by DR. CHARLES VINCENT Edited by PHILIP HALE Edited by BRAHMS, JOHANNES FORTY SONGS FRANZ, ROBERT FIFTY SONGS GRIEG, EDVARD FIFTY SONGS HANDEL, GEO. F. SONGS AND AIRS HANDEL, GEO. F. SONGS AND AIRS JENSEN, ADOLF FORTY SONGS LISZT, FRANZ THIRTY SONGS SCHUBERT, FRANZ FIFTY SONGS SCHUMANN, ROBERT FIFTY SONGS STRAUSS, RICHARD FORTY SONGS TCHAIKOVSKY, P. I. FORTY SONGS WAGNER, RICHARD LYRICS I WAGNER, RICHARD LYRICS II gr III WOLF, HUGO FIFTY SONGS FIFTY MASTERSONGS FIFTY SHAKSPERE SONGS MODERN FRENCH SONGS VOL. I (BEMBERG TO FRANCK) MODERN FRENCH SONGS I VOL. II (GEORGES TO WIDOR) ONE HUNDRED FOLKSONGS ONE HUNDRED SONGS OF ENGLAND SEVENTY SCOTTISH SONGS SIXTY FOLKSONGS OF FRANCE SIXTY PATRIOTIC SONGS OF ALL NATIONS SONGS BY THIRTY AMERICANS SONGS FROM THE OPERAS I, II fr III SONGS FROM THE OPERAS IV ér V For Hi Voice For L Voice v‘z%v‘.~3 For Hi Voice For L Voice vi: For High Voice For Low Voice High Voice Low Voice For Hi Voice For L Voice For Hi Voice For L Voice For High Voice For Low Voice v‘;%v‘z‘«‘%v‘.-3v‘;3v‘;%%.%v‘.~3€.-? For High Voice For Low Voice For High Voice For Low Voice v‘.-'3v‘.~% For Soprano v‘.-3 For Tenor For Baritone and Bass For High Voice For Low Voice For High Voice For Low Voice For High Voice For Low Voice For Hi Voice For L Voice For High Voice For Low Voice ‘L ‘D ‘S 48 45 48 CL 48 CL 48 45 CL 48 48 CL ‘L >3 )3: by no )3 up 3;: u: by by by by v.-.v at :3 by F°t Medium Voice Edited by GRANVILLE BANTOCK Edited by GRANVILLE BANTOCK Edited by HELEN HOPEKIRK Edited by J ULIEN TIERSOT For High be For Low 'ce ﬂ For High ca For Low 'ce For Medium Voice For Medium Voice Edited by GRANVILLE BANTOCK For High ‘ce For Low 'ce Edited by RUPERT HUGHES Edited by H. E. KREHBIEL Edited by H. E. KREHBIEL For Soprano For Mezz —Soprano For Tenor For Baritone and Bass 5 ¢°.<v‘$v‘:I‘vv‘..-'5i:%>‘.-%v‘;%v‘..°%v‘;%v1.-%&%v‘:3v1.'%v‘;% v‘g‘i¢-.'4v‘.°%v‘.-iv‘.-%v‘;% Each volume in heavy paper, cloth back, $1.50; in Full cloth, pilt, $2.50. Copies mailed postepaid. Other volumes in preparation. For free booklet, giving Full particulars, send to the publishers. =°-‘OLIVER DITSON COMPANY ° BOSTON
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Date: 1887
Text: '78 L36 Al ,% No.| IN. D FLAT V’! % some Wonos BY H.W.LONGFELLOW Mus}uc BY C.VV.CHADW|CK COPYRIGHT PRICE 2/- NET. ELKI N &Co.L-ro.8&|0 BEAKST. REGENT ST. LONDON. BOSTONZARTHURP SCHMIDT COPYRIGHT NDCCCLXXXVII BYARTHUR RSCHMIDT LC? ALLAH. Allah gives light in darkness, Allah gives rest in pain, Cheeks that are white with weeping, Allah paints red again. The flowers and the blossoms wither, Years Vanish with flying feet, But my heart will live on for ever, That here in sadness beat....
Show more'78 L36 Al ,% No.| IN. D FLAT V’! % some Wonos BY H.W.LONGFELLOW Mus}uc BY C.VV.CHADW|CK COPYRIGHT PRICE 2/- NET. ELKI N &Co.L-ro.8&|0 BEAKST. REGENT ST. LONDON. BOSTONZARTHURP SCHMIDT COPYRIGHT NDCCCLXXXVII BYARTHUR RSCHMIDT LC? ALLAH. Allah gives light in darkness, Allah gives rest in pain, Cheeks that are white with weeping, Allah paints red again. The flowers and the blossoms wither, Years Vanish with flying feet, But my heart will live on for ever, That here in sadness beat. Gladly to Allah’s dwelling, Yonder would I take flight, There will the darkness Vanish, There will my eyes have light. II. U’. L ONG FELLO IV E. 83' C9 178 179 Words by Music by H.W. LONGFELLOVV. G. W. CHADWICK. Serioso. V/"OICE. A1 — lah gives light dark- ness, A1 — lah gives rest in Cheeks that are white with >weep - ing, A1 - 1a.h paints red__ at — gain. Theflowersand the b1os- soms /gj Copyright MDCCCLXXXVH by Arthur P, Schmidt & C? E. 8; 00179 van-ish with fly - ing (‘S NZWZ . But my heart will live on for That here in sad-ness $.89 C9179 - 1y to Allahs dwell - ' — derwould Itake 7% . will the darkness van rzz‘. ,—\ will my eyes have light. 15.8: 09179 VRIL SCOTT. on New Songs. Op. 24 Op. 36 No. 1 Op. 36 No. 2 1. Voices of Vision. 2. Willows G (D to and B flat E flat (B flat to E flat) and F F (C to D) and G F (C to E) and A flat D (B to E) and E D (D to D) and E D (B to F) and F Two Poems A Valediction Sorrow My Captain Op. 38 A Gift of Silence . Op. 43 No. 1 Don't Come in Sir, Please! Op. 43 No. 2 The White Knight Op. 43 No. 3 A Reﬂection Op. 43 No. 4 Price each 2/- net. if?/% 4 New Pianoforte Scherzo Solitude Vesperale Chimes Impromptu Lotus Land Columbine Op Op Op Op “ That MR. CYRIL SCOTT is a musician of very great attainment already there can be no doubt, nor can there be any fear that he will soon rise to greater heights than at present perhaps even he has dreamed of. . . . . MR. CYRIL SCOTT is a composer who is already forcing his way to the front.”——The Times. “ MR. CYRIL SCOTT is a talented and enthusiastic musician of the most modern school, fully equipped with the knowledge necessary to the well-being of a first-rate com- poser, and without doubt his works will have to be reckoned with in the near future.”——Musical Times. ' “ MR. CYRIL SCOTT’S music is fresh and pleasing, and the writing shows no sign of effort."~—Daily Telegraph. “ MR. CYRIL SCOTT is a very clever young com- poser.”———Daz'ly News. “ MR. CYRIL SCOTT is a composer who has most assuredly travelled far along the pathway that leads to the laurel wreath.”——Pall Mall Gazette. “ MR. CYRIL SCOTT was last night enthusiastically hailed as a future star.”—Daily Express. “ MR. CYRIL SCOTT has already succeded in making us look forward with keen interest to the future develop- ment of his powers."—Lz"verpool Daily Post. Op. 25 40 No. 1 40 No. 2 40 No. .41 47 No. 1 . 47 No. Music. “ MR. CYRIL SCOTT evidently has a ﬂow of graceful melody, and he knows how to treat it.”—Mcmchester Courier. “ MR. CYRIL SCOTT is regarded by many connois- seurs as a coming man."——Yorkshire Post. “ MR. CYRIL SCOTT has leapt suddenly on to our musical platform and presented quite a new phase of English music, which the educated public has hailed with delight.”—— Musical Standard. “MR. CYRIL SCOTT a young English composer, whose works have lately been a good deal talked of."—— _Westminster Gazette. “ The name of MR. CYRIL SCOTT ought to become well«known among the names of English composers.”——- Bir711inglzam Gazette. “ The name of MR. CYRIL SCOTT has begun to find its way into London concert programmes, and the sooner it becomes more familiar the better."——The World. ‘ “My Captain’," words by VValt Whitman,is a big song, immensely strong and absolutely convincing. MR. SCOTT has a perfect grip over his subject, and never slips for a moment from his straight line. As a piece of music, as a big song, full of vigour and fire, ‘My Captain’ is superb.”—The Rapid Review. ELKIN & co’., Ltd.,i Music Tublishers, 8 &t 10 BEAK STREET, REGENT STREET, LONDON, W. AND OF ALL MUSIC SELLERS IN THE UNITED KINGDOM AND THE COLONIES. vv ’,’, .. Compositions by E 83 5% 33 ea Edward MacDowell. @‘7@V@.“7/£:i‘°’m@"m@V@V@i‘7@V@%"&V&‘7@"QAVQVQVQVQVQVQVQ‘A‘"®V:2§’ﬂZ3i"®Vm 7@’°QV@V@.""@V®“7@7&V@“7@;V@QVQVQVQVQVQVQVQVQVQVQVQVAVQVQVQVQV SONGS. _ Twelve Studies, Op. 39. , Book 1. Hunting Song, Allzi ’l‘alr;ilrit.e|laJ, TWO Old Songs, OD‘ 9 Roiiizmce, Aralieske, In the l“l'.II‘t¢SL, N0v1v D9S‘3“3‘3d * , Dance of tho Gnonios . . . . . , ‘ , ; Db and l*.b,. N0. 3. Slumbﬁf 300% Book 2. ldyl, Shadow Dance, Intermo/mi, Two Songs, Op. 34 Melody, Sohorzino, I-Iungarian . . . No.1. 1Vlenie- - - - « - « - - - « Detached Pieces, from Op. No. 2. My Jean. . . . . . . . . . « Ni, Hunting 3”,“ Six Love Songs, Op. 40 . . _ . . . . .' No. Allii Taranm-ll.:i No. . Sweet Blue-Eyed Maid No. Romance . No. . Siveetlieart tell Me No. Arabeske . No. . Thy Beaming Eyes No In the Forest . . No. . For Sweet Love‘s Saki: No Dance of the Glmrnes No. O Lovely Rose No. liiyl. . . No. . I ask but this No Shadow Damon Thy Beaming Eyes (separately, D. No. 9. 1llll(>‘FlllPZZO . E17, F and G) . . , . No.10. Melody . Two Songs, from Op '40 E3 isicliemino. No.1 0 Lovely Rose ““8"“”‘“1 - - No. 2. Sweetheart. tell Me ' ' Woodland Sketch;/s, Up. 51 . . . . To a. Wild‘ R. 5‘. ll o’tleWi‘ , Ata, Four Songs’ Op’ 56' V . V ‘ _ Old Try;5t,irigOl’l‘:'i.ce,,lln Allll.llll’ll'l,b}€'l‘OITl all H'l~3j1 “T 14"“ V“1"‘* - - "‘“'h lnriiaii lmdgri, To at, Wriner llily, From No.1. Long ago. Sweetheart. Mine Uimle Remus-, A llesertod Fﬂ.l”II‘I, By .'I No. 2 The Swan bent. low to tho Lily ‘Mon.duw Brook, Told at Suiisob. No.3. A Maid sings light Sea Pieces, Op 55. . . .‘ . . . . No.4. As tlieGloamingSha.dows«sleep. T0 the 539% FTUHI 3 VV*"”d‘«““"E§ J°9h0I‘{1. . . » ‘ , . l A D 16:30. Sla.i‘light.,Si\ng. l*'rrim l.l‘lCl)(‘[!lill.\‘, A Maid sings light (separately. D 6!. P). Nlmmusy In Mid Oman Three S°“g57 09* 58 ' ‘ ' S ' ‘ Third Sonata, (Norse) Op. 57 . N0‘ C""St.’a’“ey Fourth Sonata, (Keltin) op 59 N“ =~ S“““3e , y _ Fireside Tales, Op, 61 . . . . . . . . N0. 3. MWTY Malden Spring All Old Love Story, oi‘ Hr.» Rn.liluit., From Merry Maiden Springmeparzillely D&F'i = a Gr‘.l.‘|'llilll Forest. Oi’ HIl.l.‘llll.’llltl‘(‘r‘.\“ A Three Songs’ Op’ 60. ‘ _ ‘ A ; Haunted House. By bln«llllClt)l'll'lg lumber». N,,_1_ Tyrant Love New England ldyls, O;».82 _ ._ . . N” 3 T" the Gmde“ R"‘i liidiuri ldy/l. In an Old '\Vhll,G Piiie, Frorn l'iiril:m l)a_ys, Froin zi Log Cabin. The s-._..., Joy of Aiitiimn. PIANOFORTE SOLOS. PIANOFORTE DUET- Etude de Concert in F sharp on 36 . ‘S! Suite (A””’”gem‘ 0"‘ 42 ' Les Orientales. ——W Three pieces for Piano, Up. 37. No.1. ClELl1' de Lune . . . . . I“ Suite, for Full ll['(‘ll(’Sl.l'8., Op. 42 No. 2. Dans le llzmizic . . . . . , ‘ Or.-liostral Score . . . . . . . 8 No 3. llzinsa Andalousi-. . . . Ur(:licstra.l Parts . . . . . . . . . 24 AV@f“?" .7‘ T‘ S” 9“ F‘ 95 P3 E‘ 4; l:o'.\“;p—-i—-I "L‘2KfLr—*CC'-‘LL .. . .. . “:’”’*~@*Wé-@FV:AfV*-V%3f-*-V?AW;A?*f~? “7?*=@%>?%@@?A@#V4?%Ve?éVe?4?§??4VA@4V V . .“.,. .,;,‘ .,. London: ELKI N &- Co. Ltd., 8& I0 Beak Street, Regenfstreet, W. And of all Musicsellers in the United Kingdom and the Colonies. AWA@§@A@@A@é@A@A@A@AWAWAWAQWAE V _ __ _;_____________._.___._H_.______A__.- ___.. .. _ ~ @AA@AWAWA@AWAWA@A@A@A@AWWQWWEAWAWAWAWQAWAQWAWAWAWAWAWAWAWAWAW > W‘ 0 V 4 4 we ‘6" '3 '“6‘*4"'*% I 4 4 4 4 4 4 4 4 4 4 4 . 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 0' 4 v. v. 2 -v. *2 +. ‘C a .' *3 +. *1‘ -6 o’ .2 6 <2 6“ ~». 0' 1 <2" *2 ->1 4 4 O O O O 4 ‘. ‘T 6’ ‘. a 45 *5 4: 4 ‘. d". *. 4. 4 *L if 4 ->' J 4 4 4 4 4. 2 ". O‘ J 1*". 4 *1 -5 4 4 4 4 4 4 4 1' ELKIN & Co’s Songs? by Popular Composers. ———<—~$————— Words and Music by ROBERT EDEN. Mo derato. polco mll. .11 fmf: I I 4' " I 1 I ‘ 1 A ' I I I u a 1 1 I I I I l I I l I I: ‘J F ‘J I I 4 I . I .1 I l 4:41 .I 11. I I T - v ,1 . v . I Irv V 11- _I I u I 11 V? Come, let us sing a song of glad_ness,Let us call the whole year May; C0me,let us ban_ish time and sIId.m:ss,Let us live but for to day! Copyright MCMIII by Elkiu & 0‘! Ltd. In two keys C (B to F) and EL. Words by ERNEST DOWSON. SORROW-~ Music by CYRIL Very slowly with simple pathos. . 11 l ml’ . . H II) 51 L l\ K I I L I I7 - ' K K - k l N CA I\ I I I I l\ I) I I\ l I F V II J I A A A I I I I J I’ I I I I A ‘I I T " V " I H C V I I I’! =I C V I It Ex _ cued _ing sor _ row Con . sum- eth my sad heart! Be_cause to - mor _ row Copyright MCMIV by Elkin & C? Ltd. In two keys 111- (BI to Eb) and F. MORNING DREAMS. Words by F. E. WEATHERLY. Music by L. DENzA_ 1! lg I L I IIII/In ‘F1 1 II 1 I I . 111.11 11 In In 11 1 I I L V .11 AJ v A I A I J. v I vL v I v 5 5 v r v‘ . . I I -' ' .- I’ I’ I I I Under the white cliffs gleam . ing, Down by the roll _ ing sea, Watch_ing the ships and dream _ ' Thats where long to Copyright MGMV by Elkin & 09 In two key El» (Bl: to E5) and F. THE MESSAGE OF HOPE. Words by E. TESCHEMACHER. Music by G. AITKEN. Slovfyly and very marked. . . I I Lift up your eyes though griefszmdsorrows meet thee, Lift up your hearts thoughdarkc-.n’Il be the way, E2Irth’s11ightshu.ll pzIss__ Copyright MCMIII by Elkin & 0‘? Ltd. I11 three keys D (B to D) F and G. With Organ or HII.rmuI1iun1 ad lib. REMEMBRANCE. Words by NELLIE FIELDING. Music by ETHEL BARNS. 1! I1 L ' _1 lkd Irv I1 I .4. C V’ I ' 7 All lovely things remind me love ' ' : 'l‘heprimr<Ise grow. ing by the qI1i_e:t " . Thegoldmn gorse up _ on the Ilis_t.'I11t hill. Gopyright MCMIII by Elkin & C‘? LL11. III two keys F (U to E) and Al». ‘ I _ _ WHEN I GAZE ON A ROSE. .. . . Words by I«..TEsc11I«.-MACHLR. Music by 11. TROTERIL. Andante moderate. _ # I III [ I i\ l A f -2 A I I 1\ I R I.I_u I1 - I | 11 F I 1 L . I - n 11 - VII/I J P I I An I I I I‘ R do AEI l 4' Pl I -x v V 1 /1 V I I g '1" W V V 1 4‘. I J l A‘ F U] n 11 J V 51 V 11 4} J l 4“ -J V V 4 W When I gaze on ‘ rose, I see HI lit _ tle ' . Dim_pled chin, 1zIugh-iI1g \‘y(‘S, in-s0me grace. .When my Copyright MCMIII by Elkin. & C‘! U11. II1 three keys ELI“ (C to 1*‘) and Ala. Words by GUNBY HADATH. A Music by J. M._CAPEL. Con molto animato -S 6,650 f\ /2_f__.T K‘ S ‘T A ..- / L I I . I A x x I I L 1 n: 1 I 1 ‘ritzy’:/Tn. I‘ I NJI K r I lIl-- I I I 1\'1 HI I i :41 I 1\ I III I L. I ' I O , i V — .n r v T, V 7 7 . v.” - ‘I T L./ \/ Come,who’llIlri\'eII. bar_I,r:Iin -I ' sell... Pri_thee 2111‘ ye‘d have it will ye treat it well? Bid the cri. er cry it, Copyright MGMIV by Elkin & cu» Ltd. In two keys 0 (C to E) and El». SHONE THE SUN YESTERDAY? Words by R.H.ELKIN. Music by REGINALD SOMERVILLE. 175/’ T] C A Sm-11:.-the sun yes_tor_Ilay Were the skies blue‘? Sang a thrush on the spray ht‘iL.Vy with II 7 1 l\ K A A 1 A I ll ll l\ R - ‘ A - I - F 1 A .1 II II 11 1' n I v v 1/ u 7 V 7 3 Copyright MCMIII ll_\’ I-::1ImI & L29 1111. In two keys El: (D II) F) and 1‘. Price 2/- net each. London: ELKIN & C9 Ltfi 8 &1O Beak Street, Regent Street. W’. Adwmsemem M13. And of all Musicsellers in the United Kingdom and the Colonies.
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Text: ROYAL ALBERT HALL ]UNE 8th to 20th, 1936, inclusive EVENINGS AT 8 SATURDAY MATINEES AT 2-30 YAL HOEAL SOCIEY 1A\z§;ATHA I I (ELEVENTH SEASON) Dramatised and Produced by T. C. FAIRBAIRN PAGEANTRY - MUSIC - BALLET 1,000 PERFORMERS Conductor .. DR. MALCOLM SARGENT FULL SYMPHONY ORCHESTRA T be C axt include: _ WEBSTER BOOTH TREFOR JONES STILES-ALLEN PHYLLIS EVENS ELSA MACFARLANE _ ELSIE SUDDABY HENRY GILL CHIEF OS-KE-NON-TON HENRY WENDON A HOWARD HEMMING EDWARD REACH HAROLD WILLIAMS Ba/let: ERROL...
Show moreROYAL ALBERT HALL ]UNE 8th to 20th, 1936, inclusive EVENINGS AT 8 SATURDAY MATINEES AT 2-30 YAL HOEAL SOCIEY 1A\z§;ATHA I I (ELEVENTH SEASON) Dramatised and Produced by T. C. FAIRBAIRN PAGEANTRY - MUSIC - BALLET 1,000 PERFORMERS Conductor .. DR. MALCOLM SARGENT FULL SYMPHONY ORCHESTRA T be C axt include: _ WEBSTER BOOTH TREFOR JONES STILES-ALLEN PHYLLIS EVENS ELSA MACFARLANE _ ELSIE SUDDABY HENRY GILL CHIEF OS-KE-NON-TON HENRY WENDON A HOWARD HEMMING EDWARD REACH HAROLD WILLIAMS Ba/let: ERROL ADDISON I-IERMIONE DARNBOROUGH MYRTLE FARQUHARSON C/2oreograpbi.rt: EUPHAN MACLAREN PRICES - - BOXES_: £4. : o : o (10 Seats), £3 :4. : o (8 seats), £2 : o : o (5 seats) STALLS 10/6 8: 8/6, BALCONY 6/— & 5/—, GALLERY 2/6 . I Tickets from Royal Albert Hall (Kensington 3661) and usual agents F‘. 1. MIL ER PRINTER KENSINGTON GORE S.W. 7
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