Clippings (information artifacts)

The bulk of the Claflin collection is from the years 1927-1934, the period in which she received her graduate degrees and began to teach at Vassar College as an associate professor and later as a full professor. While the collection itself is mainly made up of correspondence, it also contains an eclectic selection of material, including: various drafts of her doctoral thesis, newspaper clippings concerning her career, programs of exhibits, class notes and assorted miscellanea.

Correspondence, clippings, notes,
speeches, interviews, photographs, manuscript and published versions of her
writings, other publications, bibliographies, and copies of historic documents
pertaining to materials on women's history. There are also family letters and
photographs, biographical materials, and miscellaneous items relating to Vassar
College.

Collection includes manuscripts,
professional and personal correspondence, subject files, teaching files, publicity
and press clippings. Files hold typescripts, handwritten notes and drafts, as well
as academic notebooks. Family papers in the collection include correspondence, press
clippings, photographs and family history files, including some genealogy
documentation. Press clippings include reviews of Coyle's writings, as well as
clippings regarding selected family members. Collection contains photographic
prints, CDs, DVDs, as well as audio and video cassettes.

Drafts of sheet music, scrapbooks,
and biographical ephemera related to Charles Gilbert Spross's career as a pianist,
accompanist, and composer.

The collection contains records of Vassar College’s transition to a coeducational institution accumulated and created by History Department professor, one-time Dean of Freshmen, and co-chair of the Committee on a Coeducation for Tomorrow, Clyde Griffen. Materials include research on other American colleges and universities; correspondence with coeducational institutions; data gathered at Vassar regarding admissions, transfers, costs, and athletics; committee reports and correspondence; and clippings and other publications.

Examinations, student papers, accounts, programs, publications, and photographs from her years at Vassar College, circa 1913-1917; manuscripts of two poems; and forty-five letters to Elizabeth Hazelton Haight, Vassar President Henry Noble MacCracken, Walter Adolphe Roberts, Charlotte Babcock Sills, and others. Also includes letters of husband Eugen Boissevain, Mrs. A.W. Parsons (Millay's "Auntie Kem) and others. The remainder of the collection consists of published works by Millay or material about her life and career, such as her involvement in the Sacco-Vanzetti murder trial, and includes photographs, articles, clippings, reviews, programs.

Materials relating to the family's personal, professional, and political activities. The bulk of the collection relates most directly to Elsie M. Hill.

The collection consists of journalist and educator Jeanne R. Lowe's correspondence, writings, notes, and substantial research materials pertaining to urban renewal, urban housing, the role of women in the sciences, race, public housing, and community planning in the United States. Specific cities covered include New York, New Haven, Philadelphia, Pittsburgh, Miami, Sunnyvale (CA), Chicago, Rochester, and Washington, D.C.. Writings include drafts of Lowe's book (1967), as well as numerous other publications written for the Ford Foundation, the Alfred P. Sloan Foundation, and other non-governmental organizations. Also included are personal and professional materials related to Lowe's life and career, including her work with academic organizations as a lecturer and organizer for Goucher College, Vassar College, and New York University.

The collection consists of published
articles, printed ephemera, visual media, and a variety of popular culture artifacts
and realia related to American author and abolitionist Harriet Beecher Stowe and her
most popular novel, .

Correspondence, contracts, printed ephemera, and other materials from publisher Mitchell Kennerley that document his work on behalf of
writers, including Randolph G. Adams, Zoe Atkins, Arnold Bennett, Dorothy Beall
Cunningham, Bliss Carman, Max Eastman, Frank Harris, Alfred A. Knopf, D.H. Lawrence,
Christopher Morley, and Edna St. Vincent Millay.

This collection consists of
administrative and financial records, correspondence, and photographs created by
Springside Landscape Restoration, a non-profit organization dedicated to the
preservation and maintenance of Springside--a United States National Historic
Site and the summer home of Matthew Vassar (1792-1868). Publications and
writings about Springside and its designer, landscape architect Andrew Jackson
Downing (1815-1852), as well as records related to Springside from its 20th-century
owners, the Nelson family, are also included.

Materials related to the early years
of the Vassar College Black Studies Program and the student sit-in staged in 1969
for improvements to the program along with other demands relating to the
African-American community both on campus and off.

Material documenting the history of the Vassar College Drama Department and its many components and programs (including the Experimental Theatre). Includes programs, news clippings, production material, photographs, negatives, slides, and film.