Access Control
Date
[1988]
Creator
Contributor
Subject (Topical)
Details
Member of
Identifier
vassar:43914,: mvsb_1949_001
Extent
1 item
Format
Type
Rights
These materials are made available for research and educational purposes. It is the responsibility of the researcher to determine the copyright status of materials in the Vassar College Digital Library.
Date Created
1988
Language
: mvsb_48-49_40th_2025_001.tif
. ACompendium of Songs
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: mvsb_48-49_40th_2025_004.tif
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YT "POP SONGS"
N oo
BEAZLIL * BIRTH OF THE BILUES, THE = 1'M REGINNING TO SEE THE
LIGHT * SEEMS LIKE OLD TIMES * 'WAY DOWN YONDER IN NEW
CRLEANS * BAEY FACE * HONEY BUN * 1 WON'T DANCE * ONE DOZEN
ROSES *= 1I'VE HEARD THAT SONG BEFORE * STRIP POLKA * DU, DU
LIEGST MIR I RERZEN * IF-THIS-ISH'T LOVE * TOO DARN HOT =
OH LADY BE GOOD * BOO-HOQ * DON'T FENCE ME IN * CALIFORNIA
HERE I COME * BYE BYE BLACKBIRD * CLEMENTINE * SHNEET GEORGIA
BROWN * vES SIR, THAT S MY BRBEY * 1T HAD T0O BE YOU * TAKINC A
CHANCE ON LOVE * HAPPY DAYS ARE HERE AGAIN * MAKIN' WHOOPEE *
PICK YOURSELF UP * LULLABY OF BROADWAY * HELLO! MY BABY *
LADY 15 A IRAMP, THE * LASY TIME I SAW PARIS, THE * MUSIC!
HUSICT MUSIC! ™ BRUSH UP YOUR SHRALESPEARE * BLDE MOON *
JINGLE JANGLE JINGLE * YOU MADE ME LOVE YOU * BESAME MUCHO *
webr By CREEPERS *» S1DE By £1D8 * GLORY OF LOVE, THE * LFT'S
GET AWAY FROM 1T ALL * SIORMY WEATHER * FOGGY DAY, A *
EVERTZHING HAPPENS TO ME * PERSONALITY * 1 CAN'T GIVE ¥OU
BETIHING BUT LOVE * FINE ROMANCE, A * LITILE WHITE LIES *
MA (HE'S MAKING EYES AT ME) * BUTTON AND BOWS * WRAP YOUR
TROUBLES IN DREAMS * DON'T GET AROUND MUCH ANYMORE * DOWN
AMONG THE SHELTERING PALMS * THAT'S MY WEAKNESS NOW * FOUR
SEAF CLOVER * ANOTHER OP'NIN', ANOIHER SHOW * YOU'RE THERE
CREAM TN MY COFFEE * THREE LITTLE MAIDS FROM SCHOOL * KIDS *
BEST THINGE IN LIFE ARE FREE., THE * TIT-WILLOW * LET'S CALL
THE WHROLE THRING OFF * 3T'S ONLY A PAPER MOON * YOU'D BE SO
ICE 3O COME HOME TO * 1 HAD THE CRAZIEST DREAM * PISTOL
SACKIN" MAMA * COME JOSFEPHINE IN MY PFLYING MACHINE * FLDWERS
SAT BLOOM “IN THE SPRING * WANDERING MIBTREL, A * AFTER
00U ' VE GONE * GARTURDAY NIGHT 1S5 THE LONELIEST NIGHT *
TOMEBODY ELSE IS TAKING MY PLACE * DO NOTEINC 'TI1LL ¥OU HEAPR
Z0OM NE * PUTTON UP YOUR OVERCOAT * JENNY -* WUNDERBAR *
V423
[ A
4
-
7 S =
N[ "FOLK SONGS"
S DDYSTONE LIGHT * CHEVRLIERS OF THE TABLE RONDE * AR ROVIN *
L RANBDFATHER 'S CLOCE * RIDDEE SORNC ¢ SLERD My CHILD * PRAIAY
MURPNY * AU PHES DE MA BLONDE 2 JUHN JACOB * STUDY WAR NO
MORE * JACOB'S LADDER & CAPITAL SE1B-x 1 GOT SHOES * FOGGY
PEW * WEOOPEE TI YT YO * COODNICHT IRENE * THIS LAND 15 YOUR
§AND * READY WHEN THE GHEAT DAV COVES . * ST. JAMES INFIRMARY *
Y BONNIE * BELI BOTTOM TROUSERS & AURA LEE * WILLY THE
BEEPER * GREEN GROW THE REUSHES, OH *.SAINTS GO MARCHING IN *
a8l HNIVER * OH BURY ME NUOT * VENESUSLA * SISTER LUCY * BATILE
CF JERICHO * 19 T HAD 4 HAMMER * BOX. THE * OVERALL IN MES.
HIRPHY'S = DOWN N -THE VALLEY * 9l JE.TAIL * CARELESS LOVE *
Tl ME DOWN * STANDING IN THE NEES OF PRAYER * OLD TINE
PELIG 0N * DD SMOKEY * OLD ARK 'S A MODVERIN' * SAMUEL HALL *
& 1= M aE 0 BE PITIED CHAN CENSURED " BAILING ~SAILING ¥
. Y & THE WHEET * TELL AUNT REODY *
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YT "POP SONGS"
N oo
BEAZLIL * BIRTH OF THE BILUES, THE = 1'M REGINNING TO SEE THE
LIGHT * SEEMS LIKE OLD TIMES * 'WAY DOWN YONDER IN NEW
CRLEANS * BAEY FACE * HONEY BUN * 1 WON'T DANCE * ONE DOZEN
ROSES *= 1I'VE HEARD THAT SONG BEFORE * STRIP POLKA * DU, DU
LIEGST MIR I RERZEN * IF-THIS-ISH'T LOVE * TOO DARN HOT =
OH LADY BE GOOD * BOO-HOQ * DON'T FENCE ME IN * CALIFORNIA
HERE I COME * BYE BYE BLACKBIRD * CLEMENTINE * SHNEET GEORGIA
BROWN * vES SIR, THAT S MY BRBEY * 1T HAD T0O BE YOU * TAKINC A
CHANCE ON LOVE * HAPPY DAYS ARE HERE AGAIN * MAKIN' WHOOPEE *
PICK YOURSELF UP * LULLABY OF BROADWAY * HELLO! MY BABY *
LADY 15 A IRAMP, THE * LASY TIME I SAW PARIS, THE * MUSIC!
HUSICT MUSIC! ™ BRUSH UP YOUR SHRALESPEARE * BLDE MOON *
JINGLE JANGLE JINGLE * YOU MADE ME LOVE YOU * BESAME MUCHO *
webr By CREEPERS *» S1DE By £1D8 * GLORY OF LOVE, THE * LFT'S
GET AWAY FROM 1T ALL * SIORMY WEATHER * FOGGY DAY, A *
EVERTZHING HAPPENS TO ME * PERSONALITY * 1 CAN'T GIVE ¥OU
BETIHING BUT LOVE * FINE ROMANCE, A * LITILE WHITE LIES *
MA (HE'S MAKING EYES AT ME) * BUTTON AND BOWS * WRAP YOUR
TROUBLES IN DREAMS * DON'T GET AROUND MUCH ANYMORE * DOWN
AMONG THE SHELTERING PALMS * THAT'S MY WEAKNESS NOW * FOUR
SEAF CLOVER * ANOTHER OP'NIN', ANOIHER SHOW * YOU'RE THERE
CREAM TN MY COFFEE * THREE LITTLE MAIDS FROM SCHOOL * KIDS *
BEST THINGE IN LIFE ARE FREE., THE * TIT-WILLOW * LET'S CALL
THE WHROLE THRING OFF * 3T'S ONLY A PAPER MOON * YOU'D BE SO
ICE 3O COME HOME TO * 1 HAD THE CRAZIEST DREAM * PISTOL
SACKIN" MAMA * COME JOSFEPHINE IN MY PFLYING MACHINE * FLDWERS
SAT BLOOM “IN THE SPRING * WANDERING MIBTREL, A * AFTER
00U ' VE GONE * GARTURDAY NIGHT 1S5 THE LONELIEST NIGHT *
TOMEBODY ELSE IS TAKING MY PLACE * DO NOTEINC 'TI1LL ¥OU HEAPR
Z0OM NE * PUTTON UP YOUR OVERCOAT * JENNY -* WUNDERBAR *
V423
[ A
4
-
7 S =
N[ "FOLK SONGS"
S DDYSTONE LIGHT * CHEVRLIERS OF THE TABLE RONDE * AR ROVIN *
L RANBDFATHER 'S CLOCE * RIDDEE SORNC ¢ SLERD My CHILD * PRAIAY
MURPNY * AU PHES DE MA BLONDE 2 JUHN JACOB * STUDY WAR NO
MORE * JACOB'S LADDER & CAPITAL SE1B-x 1 GOT SHOES * FOGGY
PEW * WEOOPEE TI YT YO * COODNICHT IRENE * THIS LAND 15 YOUR
§AND * READY WHEN THE GHEAT DAV COVES . * ST. JAMES INFIRMARY *
Y BONNIE * BELI BOTTOM TROUSERS & AURA LEE * WILLY THE
BEEPER * GREEN GROW THE REUSHES, OH *.SAINTS GO MARCHING IN *
a8l HNIVER * OH BURY ME NUOT * VENESUSLA * SISTER LUCY * BATILE
CF JERICHO * 19 T HAD 4 HAMMER * BOX. THE * OVERALL IN MES.
HIRPHY'S = DOWN N -THE VALLEY * 9l JE.TAIL * CARELESS LOVE *
Tl ME DOWN * STANDING IN THE NEES OF PRAYER * OLD TINE
PELIG 0N * DD SMOKEY * OLD ARK 'S A MODVERIN' * SAMUEL HALL *
& 1= M aE 0 BE PITIED CHAN CENSURED " BAILING ~SAILING ¥
. Y & THE WHEET * TELL AUNT REODY *
: mvsb_48-49_40th_2025_006.tif
(Chorus Line sings '""One Two Three Four' all through the song)
(ONE TWO THREE FOUR) FORTY EIGHT IS MY CLASS
CLASSY AS A CLASS CAN BE!
(ONE TWO THREE FOUR) FORTY NINE IS MY CLASS
HIGH CLASS AND HIGHER ARE WE
EACH FORTY EIGHTER CAN RATE HERSELF A PLUS PLUS!
NO FORTY EIGHTER WAS GREATER THAN US! US! US!
(ONE TWO THREE FOUR) WHY A COMPETITION?
TALK ABOUT YOUR DUMB DEBATES!
WHY NOT LET THE ALI~-TIME GREATS CONBINE SHINE?
ONE (TWO THREE FOUR) HYPHEN FOR CONNECTION!
ONE (TWO THREE FOUR) SUPERDUPERFECTION!
ONE! THE CLASS OF FORTY EIGHT DASH
NINE
TEEN FORTY EIGHT DASH NINE!
(Repeat)
WE'RE TRYIN' OUT TONIGHT
Come, all grandmothers!
Come, all you others!
For Senior Daisy Chain we're tryin' out tonight!
Re-uners come nigh!
All you alumnac!
For Senior Daisy Chain we're tryin' out tonight!
You caii be short, deaf, dumb or gray! ,
It's life expericnce that matters today! YAY!
You can get in through
What you have been through!
This Senior Daisy Chain has BITE!
So, tragedy tomorrow!
We're tryin'! out tonight!
You' ve gotten fatter!
That doesn't matter!
For Senior Daisy Chain we're tryin' out tonight!
Failures career-wise?
That brings you here wise!
For Senior Daisy Chain we're tryin' out tonight!
If you're a wreck, like an old car, -
The more you've muddled through, the better you are! YAY!
You can get in through
What you have been through
This Senior Daisy Chain has might! and fight!
So tragedy tomorrow!
We're fryin' out tonight!
(ONE TWO THREE FOUR) FORTY EIGHT IS MY CLASS
CLASSY AS A CLASS CAN BE!
(ONE TWO THREE FOUR) FORTY NINE IS MY CLASS
HIGH CLASS AND HIGHER ARE WE
EACH FORTY EIGHTER CAN RATE HERSELF A PLUS PLUS!
NO FORTY EIGHTER WAS GREATER THAN US! US! US!
(ONE TWO THREE FOUR) WHY A COMPETITION?
TALK ABOUT YOUR DUMB DEBATES!
WHY NOT LET THE ALI~-TIME GREATS CONBINE SHINE?
ONE (TWO THREE FOUR) HYPHEN FOR CONNECTION!
ONE (TWO THREE FOUR) SUPERDUPERFECTION!
ONE! THE CLASS OF FORTY EIGHT DASH
NINE
TEEN FORTY EIGHT DASH NINE!
(Repeat)
WE'RE TRYIN' OUT TONIGHT
Come, all grandmothers!
Come, all you others!
For Senior Daisy Chain we're tryin' out tonight!
Re-uners come nigh!
All you alumnac!
For Senior Daisy Chain we're tryin' out tonight!
You caii be short, deaf, dumb or gray! ,
It's life expericnce that matters today! YAY!
You can get in through
What you have been through!
This Senior Daisy Chain has BITE!
So, tragedy tomorrow!
We're tryin'! out tonight!
You' ve gotten fatter!
That doesn't matter!
For Senior Daisy Chain we're tryin' out tonight!
Failures career-wise?
That brings you here wise!
For Senior Daisy Chain we're tryin' out tonight!
If you're a wreck, like an old car, -
The more you've muddled through, the better you are! YAY!
You can get in through
What you have been through
This Senior Daisy Chain has might! and fight!
So tragedy tomorrow!
We're fryin' out tonight!
: mvsb_48-49_40th_2025_007.tif
TRY TO REMEMBER
I TRY TO REMEMBER I GOT.INTO:VASSAR::
I HAD A HEAD THAT WASN T HOLLOW!
WHO HERE ATTENDED A LECTURE THIS MORNING CALLED
"LIVING WITH RISK IN A TECHNOLO.....
GICAL SOCITY BY RICHARD B. HEMMER, ASSOCIATE PROFESSOR OF (gulp) BIOLO-
GEE WHIZ I.WONDER IF THAT WAS A TALK I COULD FOLLOW FOLDOW FOLLOW ETC.
I TRY TO REMEMBER I ONCE WROTE A THESIS
READ SARTRE IN FRENCH AND PLAYED THE CELLO!
ANYONE GO TO THAT LECTURE THIS MORNING CALLED
"CAMPUS LANDSCAPE MASTER PRAN" BY THIS FELIOW....
HIS NAME S SLIPPED MY MIND AS SO MUCH DOES, I FIND....
NOW WHAT WAS I JUST SAYING? OH DEAR! WELL, HELIO! -
HOPE I VE BEEN SAYING THINGS YOU ALL WERE ABLE TO FOLLOW, FOLLOW, FOLLOW, EIC,
I TRY TO REMEMBER I PASSED COMPREHENSIVES..
I KNEW OTHECLO FROM APBLIO!
AND THEN I ATTENDED THAT LECTURE THIS MORNING
WHOSE VERY TITLE MAKES ME SWALLOW!
It was called: "LITERRTURE AND REPRESSION: COMPARATIVE PERSPECTIVES: AN
EXAMINATION OF WRITERS' RESPONSES VERSUS THE ACTIVE REPRESSION OF LITERARY
ACTIVITY IN TWO SOCIETIES™!
I THOUGHT THAT THE LECTURE WAS GREAT
BUT NOT EASY TO FOLLOW, FOLLOW, FOLLOW, FOLLOW, FOLLOW.
... (Stands there flustered. Ky says '"Well!™)
IF I COULD JUJST REMEMBER WHAT IT WAS I CAME HERE FOR
I'D KNOW WHY I WAS STANDING HERE! THEN I OOULD TELL YOU MORE |
DD YOU EVER DIAL A NUMBER..WHILE IT RINGS YOU'RE GOING WILD...
BY THE TIME SOMEBODY ANSWERS YOU'VE NO IDEA WHO YOU DIALED?
I'M ACCUSTOMED TO MY DENTURES..TO BIFOCALS I’M RESIGNED. - -
AND MY HEARING AID 'S ESSENTIAL. BUT 1 DO SO MISS MY MIND!
I TRY TO REMEMBER I GOT.INTO:VASSAR::
I HAD A HEAD THAT WASN T HOLLOW!
WHO HERE ATTENDED A LECTURE THIS MORNING CALLED
"LIVING WITH RISK IN A TECHNOLO.....
GICAL SOCITY BY RICHARD B. HEMMER, ASSOCIATE PROFESSOR OF (gulp) BIOLO-
GEE WHIZ I.WONDER IF THAT WAS A TALK I COULD FOLLOW FOLDOW FOLLOW ETC.
I TRY TO REMEMBER I ONCE WROTE A THESIS
READ SARTRE IN FRENCH AND PLAYED THE CELLO!
ANYONE GO TO THAT LECTURE THIS MORNING CALLED
"CAMPUS LANDSCAPE MASTER PRAN" BY THIS FELIOW....
HIS NAME S SLIPPED MY MIND AS SO MUCH DOES, I FIND....
NOW WHAT WAS I JUST SAYING? OH DEAR! WELL, HELIO! -
HOPE I VE BEEN SAYING THINGS YOU ALL WERE ABLE TO FOLLOW, FOLLOW, FOLLOW, EIC,
I TRY TO REMEMBER I PASSED COMPREHENSIVES..
I KNEW OTHECLO FROM APBLIO!
AND THEN I ATTENDED THAT LECTURE THIS MORNING
WHOSE VERY TITLE MAKES ME SWALLOW!
It was called: "LITERRTURE AND REPRESSION: COMPARATIVE PERSPECTIVES: AN
EXAMINATION OF WRITERS' RESPONSES VERSUS THE ACTIVE REPRESSION OF LITERARY
ACTIVITY IN TWO SOCIETIES™!
I THOUGHT THAT THE LECTURE WAS GREAT
BUT NOT EASY TO FOLLOW, FOLLOW, FOLLOW, FOLLOW, FOLLOW.
... (Stands there flustered. Ky says '"Well!™)
IF I COULD JUJST REMEMBER WHAT IT WAS I CAME HERE FOR
I'D KNOW WHY I WAS STANDING HERE! THEN I OOULD TELL YOU MORE |
DD YOU EVER DIAL A NUMBER..WHILE IT RINGS YOU'RE GOING WILD...
BY THE TIME SOMEBODY ANSWERS YOU'VE NO IDEA WHO YOU DIALED?
I'M ACCUSTOMED TO MY DENTURES..TO BIFOCALS I’M RESIGNED. - -
AND MY HEARING AID 'S ESSENTIAL. BUT 1 DO SO MISS MY MIND!
: mvsb_48-49_40th_2025_008.tif
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KIDS OF
Tils BABY BOOM
\)
THEY ALL LEARNED HOW TO PLAY ON ROCK GUITARS AND &ING! S
THEY LIKED THEIR MUSIC LOUD AND I MEAN DEAFENING! 9,
THEY GREW THEIR HAIR SO LONG WITH PONYTAILS AND CURLS WA
TILL THEY TOOK OFF THEIR COATS WE THOUGHT TIHEY AL.. WERE GIRLS! N \y
THEY LEARNED SEX IN A KINDERGARTEN ROOM... NV ZA
KIDS OF TIE BABY BOOM! 1.5»‘
il
TIHEY USED I'OUR LETTER WORDS SOME WE HAD NEVER HEAPTE! 3 ?}"\‘
THEY STARTED USING "LIKE" LIKE EVERY SEVENTH WORI | SV
THEN EVERY SIXTH THEN PIFTH THEN FOURTH THEN EVELY THIRD... ‘ql
UNTIL THEY DROVE US Q0OCO0 AS A COOCOO BIRD! k
TWO OTHER WORDS TIHEY KNEW WERE "GROSS' AND "'VOOM" I
KIDS OF THE BABY BOOM! “
.‘ V7
Chorus: :“3‘:
KIDS OF il BABY BOOM!
I DUNNO WHAT WE USED FOR MONLY! \\‘ A
TUHIE BABY BOOM! --,;-.,..é
GOT SO IT REALLY WASN"T FUNNY! ZORNA
TIEY WERE SWEET TO HOLD W 6
WIEN THEY WERE TWO YEARS OLD <84 Z
KIDS OF ‘THE BABY BOOM! DIV}
BUT WE DIDN T GET A BANG OUT =
OF THAT BABY BOOM .@g‘.?
WHEN THEY HUNG OUT AND . 7& y
LET I'T [ANG OUT! -
THLY WERE CROWDED BUT TIHLEY WOUND UP MAKIN ROOM! (R
KIDS OF TIE BABY BOOM! k.
>/,
THEY SAVED US ALL A FORTUNE ON ‘TIHE CLOTHES THEY WOkE ‘:'}’;5‘5
ONE PAIR OF JEANS APTECE WAS ALL THEY ASKED US R© }
[ GUESS TIEY SAVED AN AWFUL LOT ON LAUNDRY TOO i\ 7
THEY NEVER DID A I&AD THEY DIDN T HAVE TO DO! 2&# a
THEY COULD WORK A 1IULA 1I0OP, BUT NOT A BROOM!
KIDS OF THE BABY BOOM! > v [
: ’ J"I
THEY ATE AND READ AND SLEPT IN FRONT OF LOUD TEEVEES "i-";
IN WEAVING, 100D, AND POTTERY TIYY EARNED DEGREES \\E);\,
THEY LIKE TO HITCI AND BITCH ABOUT OUR DRINKS AND SMOKES 2"‘V’
WHILE USING WEED AND SPEED AND THEIR UN COLA OOKES! Y
THAT MARIJUANA GARDEN IN FULL BLOOM.... : A’
KIDS OF THE BABY BOOM! W%
i SIS
Chorus repeat. '\\
i V9 )
BUT NOW IF Wi ALL LOOK IN OUR VASSARIONS =
WE LL SEE THE MOMS OF ALL 'MHOSE VIGETARIANS ’ ‘\Vé
WHO LEARNED ‘1O USE OOMPUTERS AND DO MORIS THAN DANCE. . . T
TIEY VE ALL GOT CALVIN KLEIN STAMPED ON TR UND!1PANTS! a2
AWARE AT LAST OF ALL THAT THEY CONSUME.... ST
KIDS OF TIE BABY BOOM! 2
- \\‘,/
B S
i e - . ‘\.'
\J
< \)
4_\ gl\\ 5 N
KIDS OF
Tils BABY BOOM
\)
THEY ALL LEARNED HOW TO PLAY ON ROCK GUITARS AND &ING! S
THEY LIKED THEIR MUSIC LOUD AND I MEAN DEAFENING! 9,
THEY GREW THEIR HAIR SO LONG WITH PONYTAILS AND CURLS WA
TILL THEY TOOK OFF THEIR COATS WE THOUGHT TIHEY AL.. WERE GIRLS! N \y
THEY LEARNED SEX IN A KINDERGARTEN ROOM... NV ZA
KIDS OF TIE BABY BOOM! 1.5»‘
il
TIHEY USED I'OUR LETTER WORDS SOME WE HAD NEVER HEAPTE! 3 ?}"\‘
THEY STARTED USING "LIKE" LIKE EVERY SEVENTH WORI | SV
THEN EVERY SIXTH THEN PIFTH THEN FOURTH THEN EVELY THIRD... ‘ql
UNTIL THEY DROVE US Q0OCO0 AS A COOCOO BIRD! k
TWO OTHER WORDS TIHEY KNEW WERE "GROSS' AND "'VOOM" I
KIDS OF THE BABY BOOM! “
.‘ V7
Chorus: :“3‘:
KIDS OF il BABY BOOM!
I DUNNO WHAT WE USED FOR MONLY! \\‘ A
TUHIE BABY BOOM! --,;-.,..é
GOT SO IT REALLY WASN"T FUNNY! ZORNA
TIEY WERE SWEET TO HOLD W 6
WIEN THEY WERE TWO YEARS OLD <84 Z
KIDS OF ‘THE BABY BOOM! DIV}
BUT WE DIDN T GET A BANG OUT =
OF THAT BABY BOOM .@g‘.?
WHEN THEY HUNG OUT AND . 7& y
LET I'T [ANG OUT! -
THLY WERE CROWDED BUT TIHLEY WOUND UP MAKIN ROOM! (R
KIDS OF TIE BABY BOOM! k.
>/,
THEY SAVED US ALL A FORTUNE ON ‘TIHE CLOTHES THEY WOkE ‘:'}’;5‘5
ONE PAIR OF JEANS APTECE WAS ALL THEY ASKED US R© }
[ GUESS TIEY SAVED AN AWFUL LOT ON LAUNDRY TOO i\ 7
THEY NEVER DID A I&AD THEY DIDN T HAVE TO DO! 2&# a
THEY COULD WORK A 1IULA 1I0OP, BUT NOT A BROOM!
KIDS OF THE BABY BOOM! > v [
: ’ J"I
THEY ATE AND READ AND SLEPT IN FRONT OF LOUD TEEVEES "i-";
IN WEAVING, 100D, AND POTTERY TIYY EARNED DEGREES \\E);\,
THEY LIKE TO HITCI AND BITCH ABOUT OUR DRINKS AND SMOKES 2"‘V’
WHILE USING WEED AND SPEED AND THEIR UN COLA OOKES! Y
THAT MARIJUANA GARDEN IN FULL BLOOM.... : A’
KIDS OF THE BABY BOOM! W%
i SIS
Chorus repeat. '\\
i V9 )
BUT NOW IF Wi ALL LOOK IN OUR VASSARIONS =
WE LL SEE THE MOMS OF ALL 'MHOSE VIGETARIANS ’ ‘\Vé
WHO LEARNED ‘1O USE OOMPUTERS AND DO MORIS THAN DANCE. . . T
TIEY VE ALL GOT CALVIN KLEIN STAMPED ON TR UND!1PANTS! a2
AWARE AT LAST OF ALL THAT THEY CONSUME.... ST
KIDS OF TIE BABY BOOM! 2
- \\‘,/
B S
i e - . ‘\.'
: mvsb_48-49_40th_2025_009.tif
THEY VE GOT A LITILE LIST
(from Gilbert and Sullivan...the Mikado)
THERE IS A LITTLT QOLLFGE THAT DELIGHTS IN RAISING FUNDS
AND THEY VE GOT A LITILE LIST! YPS, THEY VE GOT A LITTLE LIsh!
THEY OBVIOUSLY T'IiNK I M MAKING MONEY BY THE TONS
CAUSE THEY VE GOT ME ON TIHEIR LIST! YES, TIHEY VE GOT ME ON THEIR LIST!
TO GET THEIR HANDS ON WHAT I VE GOT WHATEVER MAKES THEM ITCH?
WIIY WASTE ON SOMBONE PENNILESS TIHAT WIIOLE TERRIFIC PITCH?
IN FORTY SEVEN I WAS PINNEDP TO ABERCROMBIE FITCIH
BUT I HAVE NEVEL 3EEN HIM SINCE, NO ANYONE SO RICH!
AND SURELY IN THE HALL OF FAME I HIAVEN T CARVED A NICHE!
AND WE TELL. EM WE ARE POOR, BUT TIIEY THEY PESTER AND PERSIST
CAUSE THEY VE GOT US ON THEIR LIST! YES, THEY VE GOT US ON TIEIR LIST!
AND WE NEVER WOULD BE MISSED! NO WE NEVER WOULD BE MISSED!
WHY AFTER FORTY YEARS DOES MY OLD CHUM FROM UTAHl PIIONLE?
CAUSE SHE S GOT ME ON HER LIST CAUSE THEY PUT ME ON HER LIST!
SHIEE ASKS ME TO TIIINK OVER ALL THE BLUE CHIPS THAT I OWN
THAT NEVER WOULD BE MISSED! That never would be missed?!!!!!
WHAT CAN TIHEY THI'K I VE DONE THAT WOULD HAVE MADE ME SUCH A PILE?
I ALWAYS SEND THEM COPIES OF TIIE INCOME TAX I FILE
DO DO THEY THINK THAT DONAL TRUMP HAS WALTZED ME DOWN THE AISLE?
I WISH THEY D COMIT TO MY IIOUSE AND JUST STAY A LITTLE WHILE
I MAY IIAVE LIVED 'N SIN BUT I IAVE NEVER LIYFD IN STYLE!
THEY CQOULD TWEAK 1Y LITILE NOSE! TIEY COULD TWIST MY LITILE WRIST!
THEY COULD BREAK Y LITTLE NECK! EVEN SO 1 WOULD INSIST
THAT I NEVER WOULD BE MISSED! NO WE NEVER WOULD BE MISSED!
{pusic svitehes (o "God Save Tho (meon’', fhen
‘Why Don'f the Il'nglish Teach Their Children How To Speakl
From "My Fair lLiudy™)
WHY DOI'S THE COLLIGE THINK THE ENGLISH HAVE IT PLUSI?
JUST PUT IT ON YWAR BARCLAY CARD, THEY SAY, THERE IS NO RUSIH
WHAT MAKES THFM THINK SOME LATFR MONTH 1 MAY BE FLUSH?
I VE NO DUNN AND DRADSTREET!
I OWN A BUSINESS 2JT THERE S NOTHING IN THE TILL
I LOST MY RICH OIJ UNCLE, BUT HE HADN: T MADE A WILL!
I HAD A GIAGE AT CARTIER, BUT | NEVER PATD THE BIIL!
1 LIVE ON A BAD STREET!
(Music goes back to Gilbert and Sullivan)
I WAS ALWAYS THERE ON SCIHOLARSHIP AS IF THEY DIDN T KNOW
I SHOULD NOT BE O THEIR LIST BUT TIEY VE GOT ME ON THEIR LIST!
IT' THEY HEARD T HAD A FORTUNE IT S THE FORTUNE THAT I OWE
BUT THEY VE GOT ME ON THETR LIST AND 1'M REALLY GETTING....!
YOU DAN T ESCAPE HEM THOUGIHT YOU MOVE TO PFOPING OR TO PERTU
OR FIJI R THE FIAIE OR BOUTH OR IS5 FT PORTH OF FIRINZ ‘
10 BE COMPLETELY HONEST THEY HHAVE TRACKED US AIL FROM BIRITIL
AnD THEY KHOW RIGHT TO THE PENNY WHAT FACH ONE OF US IS WORTU
YI'S, AND THEY CAN INARDLY WAIT UNTIL TilE DAY WE I[EAVE THIS 1 RTH
FAUSE WE VE PUT TUF N OuUit LIST . YES WEVE GOT T, O oud 1aST!
SO WELL NONE OT JS BE MISSED! NO, WFLI, NONE OI' US BE MISSED!
YES WEVE GOT TTHIEEM ON OUR LIST AND WE'LL NONE OF US BE MISSED!
A
(from Gilbert and Sullivan...the Mikado)
THERE IS A LITTLT QOLLFGE THAT DELIGHTS IN RAISING FUNDS
AND THEY VE GOT A LITILE LIST! YPS, THEY VE GOT A LITTLE LIsh!
THEY OBVIOUSLY T'IiNK I M MAKING MONEY BY THE TONS
CAUSE THEY VE GOT ME ON TIHEIR LIST! YES, TIHEY VE GOT ME ON THEIR LIST!
TO GET THEIR HANDS ON WHAT I VE GOT WHATEVER MAKES THEM ITCH?
WIIY WASTE ON SOMBONE PENNILESS TIHAT WIIOLE TERRIFIC PITCH?
IN FORTY SEVEN I WAS PINNEDP TO ABERCROMBIE FITCIH
BUT I HAVE NEVEL 3EEN HIM SINCE, NO ANYONE SO RICH!
AND SURELY IN THE HALL OF FAME I HIAVEN T CARVED A NICHE!
AND WE TELL. EM WE ARE POOR, BUT TIIEY THEY PESTER AND PERSIST
CAUSE THEY VE GOT US ON THEIR LIST! YES, THEY VE GOT US ON TIEIR LIST!
AND WE NEVER WOULD BE MISSED! NO WE NEVER WOULD BE MISSED!
WHY AFTER FORTY YEARS DOES MY OLD CHUM FROM UTAHl PIIONLE?
CAUSE SHE S GOT ME ON HER LIST CAUSE THEY PUT ME ON HER LIST!
SHIEE ASKS ME TO TIIINK OVER ALL THE BLUE CHIPS THAT I OWN
THAT NEVER WOULD BE MISSED! That never would be missed?!!!!!
WHAT CAN TIHEY THI'K I VE DONE THAT WOULD HAVE MADE ME SUCH A PILE?
I ALWAYS SEND THEM COPIES OF TIIE INCOME TAX I FILE
DO DO THEY THINK THAT DONAL TRUMP HAS WALTZED ME DOWN THE AISLE?
I WISH THEY D COMIT TO MY IIOUSE AND JUST STAY A LITTLE WHILE
I MAY IIAVE LIVED 'N SIN BUT I IAVE NEVER LIYFD IN STYLE!
THEY CQOULD TWEAK 1Y LITILE NOSE! TIEY COULD TWIST MY LITILE WRIST!
THEY COULD BREAK Y LITTLE NECK! EVEN SO 1 WOULD INSIST
THAT I NEVER WOULD BE MISSED! NO WE NEVER WOULD BE MISSED!
{pusic svitehes (o "God Save Tho (meon’', fhen
‘Why Don'f the Il'nglish Teach Their Children How To Speakl
From "My Fair lLiudy™)
WHY DOI'S THE COLLIGE THINK THE ENGLISH HAVE IT PLUSI?
JUST PUT IT ON YWAR BARCLAY CARD, THEY SAY, THERE IS NO RUSIH
WHAT MAKES THFM THINK SOME LATFR MONTH 1 MAY BE FLUSH?
I VE NO DUNN AND DRADSTREET!
I OWN A BUSINESS 2JT THERE S NOTHING IN THE TILL
I LOST MY RICH OIJ UNCLE, BUT HE HADN: T MADE A WILL!
I HAD A GIAGE AT CARTIER, BUT | NEVER PATD THE BIIL!
1 LIVE ON A BAD STREET!
(Music goes back to Gilbert and Sullivan)
I WAS ALWAYS THERE ON SCIHOLARSHIP AS IF THEY DIDN T KNOW
I SHOULD NOT BE O THEIR LIST BUT TIEY VE GOT ME ON THEIR LIST!
IT' THEY HEARD T HAD A FORTUNE IT S THE FORTUNE THAT I OWE
BUT THEY VE GOT ME ON THETR LIST AND 1'M REALLY GETTING....!
YOU DAN T ESCAPE HEM THOUGIHT YOU MOVE TO PFOPING OR TO PERTU
OR FIJI R THE FIAIE OR BOUTH OR IS5 FT PORTH OF FIRINZ ‘
10 BE COMPLETELY HONEST THEY HHAVE TRACKED US AIL FROM BIRITIL
AnD THEY KHOW RIGHT TO THE PENNY WHAT FACH ONE OF US IS WORTU
YI'S, AND THEY CAN INARDLY WAIT UNTIL TilE DAY WE I[EAVE THIS 1 RTH
FAUSE WE VE PUT TUF N OuUit LIST . YES WEVE GOT T, O oud 1aST!
SO WELL NONE OT JS BE MISSED! NO, WFLI, NONE OI' US BE MISSED!
YES WEVE GOT TTHIEEM ON OUR LIST AND WE'LL NONE OF US BE MISSED!
A
: mvsb_48-49_40th_2025_010.tif
Anne Thorss G whon
and
GRANDMOTHER 'S LAMENT coan . Javite g
THE AVERAGE UNMARRIED CHILDREN, YUPPIES AND POSSELQ'S
OPWARDS IN AGE FROM 30 I HAVE KNOWN
THEY LIVE WITH OTHER CHILDREN...MINE AND I DON'T KNOW WHOSE...
AND THEY DON T SEEM TO WANT ANY CHILDREN OF THEIR OWN
IN OTHER WORDS, I'VE A CHEEK THAT WILf, NEVER
BE PINCHED BY A DIMPLED HAND....
YOU CAN PRINT INVITATIONS AND ORDER THE WINE AND THE BRIDE S BOUQUET
YOU CAN HIRE A HALL AND A CATERER FOR A GOURMET BUFFET
BUT IF FOUR HUNDRED GUESTS ALL ARRIVE AND YOUR BRIDE AND GROOM DON’T, I‘D SAY
YOU RE A MOTHER WHO 'LL NEVER BE GRAND!
ASSUMING THEY NEVER MARRY, HETERO THOUGH THEY ARE,
THEN IT S THE END OF FAMILY LINE AND TREE!
NO ONE WILL CALL YOU "GOOGIE'", "NANA'" OR ''MIMI MINE"
SO I CAN SEE THE END OF THE LINE FOR ME!
IN OTHER WORDS, JUST FROM WAITING AROUND TO GO SHOP FOR A BABY CUP
A MOTHER CAN BEGIN TO GIVE UP!
YOU CAN KNIT UP A STORM TO KEEP ESKIMOS WARM WITH THE YARN YOU BOUGHT
ALL THE HINTS YOU ARE GIVIN YOUR SON AND HIS LIVE IN WILL COME TO NAUGHT
IF THE PHOTOS YOU SHOW ARE A BEAGLE YOU KNOW AND A FISH YOU CAUGHT
A MOTHER CAN BEGIN TO GIVE UP!
IN OTHER WORDS, JUST FROM WAITING TO FUSS WITH ADORABLE CURLS OF GOLD
A MOTHER CAN GROW TERRIBLY OLD!
WITH THE COILS AND THE RINGS AND THE FOAMS AND THE PILLS AND THE DALKON SHIELD
AND THE OVER THE COUNTER PREVENTIVE DEVICES TO CURB THE YIELD 4
THE FINEST PROFESSIONAL GRANNY MUST TRAIN FOR A DIFFERENT FIELD
WHERE PRODUCTION : ISNT QUITE SO CONTROLLED!
AND
SUPPLY EXCEEDS DEMAND! :
THEN YOUR DAUGHTER WALKS IN AND YOU SEE ON HER FINGER A BEAUTIFUL WEDDING BAND
AND SHE LOOKS IN THE ATTIC TO SEE IF YOU/VE STILL GOT HER CRIB AND HFR BABY PRAM
AND SHE TELLS YOU YOU WILL SOON BE A GRAND OLD 8RAND!
and
GRANDMOTHER 'S LAMENT coan . Javite g
THE AVERAGE UNMARRIED CHILDREN, YUPPIES AND POSSELQ'S
OPWARDS IN AGE FROM 30 I HAVE KNOWN
THEY LIVE WITH OTHER CHILDREN...MINE AND I DON'T KNOW WHOSE...
AND THEY DON T SEEM TO WANT ANY CHILDREN OF THEIR OWN
IN OTHER WORDS, I'VE A CHEEK THAT WILf, NEVER
BE PINCHED BY A DIMPLED HAND....
YOU CAN PRINT INVITATIONS AND ORDER THE WINE AND THE BRIDE S BOUQUET
YOU CAN HIRE A HALL AND A CATERER FOR A GOURMET BUFFET
BUT IF FOUR HUNDRED GUESTS ALL ARRIVE AND YOUR BRIDE AND GROOM DON’T, I‘D SAY
YOU RE A MOTHER WHO 'LL NEVER BE GRAND!
ASSUMING THEY NEVER MARRY, HETERO THOUGH THEY ARE,
THEN IT S THE END OF FAMILY LINE AND TREE!
NO ONE WILL CALL YOU "GOOGIE'", "NANA'" OR ''MIMI MINE"
SO I CAN SEE THE END OF THE LINE FOR ME!
IN OTHER WORDS, JUST FROM WAITING AROUND TO GO SHOP FOR A BABY CUP
A MOTHER CAN BEGIN TO GIVE UP!
YOU CAN KNIT UP A STORM TO KEEP ESKIMOS WARM WITH THE YARN YOU BOUGHT
ALL THE HINTS YOU ARE GIVIN YOUR SON AND HIS LIVE IN WILL COME TO NAUGHT
IF THE PHOTOS YOU SHOW ARE A BEAGLE YOU KNOW AND A FISH YOU CAUGHT
A MOTHER CAN BEGIN TO GIVE UP!
IN OTHER WORDS, JUST FROM WAITING TO FUSS WITH ADORABLE CURLS OF GOLD
A MOTHER CAN GROW TERRIBLY OLD!
WITH THE COILS AND THE RINGS AND THE FOAMS AND THE PILLS AND THE DALKON SHIELD
AND THE OVER THE COUNTER PREVENTIVE DEVICES TO CURB THE YIELD 4
THE FINEST PROFESSIONAL GRANNY MUST TRAIN FOR A DIFFERENT FIELD
WHERE PRODUCTION : ISNT QUITE SO CONTROLLED!
AND
SUPPLY EXCEEDS DEMAND! :
THEN YOUR DAUGHTER WALKS IN AND YOU SEE ON HER FINGER A BEAUTIFUL WEDDING BAND
AND SHE LOOKS IN THE ATTIC TO SEE IF YOU/VE STILL GOT HER CRIB AND HFR BABY PRAM
AND SHE TELLS YOU YOU WILL SOON BE A GRAND OLD 8RAND!
: mvsb_48-49_40th_2025_011.tif
"y X g
-o..E _q-s "t adal
WHEM I BROUGIIT UP COLLEGE, MY CHILDREN ACKNOWLEDGE,
MY STORIES WERE NEVER A BORE...
WHEN I D NAME MY CHUMHMIES, MY KIDS HELD THEIR TUMMIES
AND PRACTICALLY FELL ON THE FLOOR.
Well....THERE WAS TUCKY AND TIENSA AND TIPPY AND TISSA AND TINY AND TONI AND TISIV
AND I'IFI AND GLOGIO AND DEDE AND DODO AND CEECEE AND CISSY AND SWISH
I WOULD SPEAK ABOUT CASEY AND GRACIE AND J.C. AND BIBSIE AND BABSIE AND BOO
AND ESSIE AND JESRIE AND BESSIE AND CHESSIE AND JUNO AND YOU KNOW M'LOU!
WE HAD TRISKY AND FRAPPIE AND FRANNIE AND FANNY AND PUSSY .AND POOZY AND WORSIE!
NOW WE, WEEZY:&BIBSY AND) YOOI'ER WILL DIBSY I'OR WHO GETS TO SING THIS NEXT VERSE
AND
We knew TEENIE AND NINI AND GINNY AND DINNY AND BEETSIE AND WEETZIE AND CILAY
AND POTGYAND PEEPSIE AND PERKY AND KIRKY AND KIKI, K.O. AND M.A.
THERE WAS PIGGY AND POGGY AND FIGGY AND FOGGY AND EDGIE AND LFDGIE AND JEIT :
We BECAME SO ASHAMED OF THE WAY WE WERE NAMED WHEN THEY'D 8SK WE D PRETEND TO BE |
They just couldn't believe what these people were called.
They would ask was Kay Watson called "Wattsy"? -
With Nickv and Mickey was Barbara Quick "Quickie!
And if Gretchen Noti was a "Nottsie'!
AV el
B | = 2 AT W S U § JA\\"\“M_Y \
Was Pegay Chow "Chewy' and Judy Thorn "Thoany''?
And Sue Fritz "Chop Suey'" and Ann llorner "lorny''?
Was Jo Sills cealled “Silly" and Jane Catlett "Latty! and
Hope Dilon #1Diliv " and Barbira Batt "Batty??
Was Ellen Monks "M()ngky”? Dunc Oliphant "Donkey''?
Sue Getty 'S paghetti' ? Was Jo Swett called "Swetty'?
Wwas Jock Nolte "Jockey'" and Joanie Kock '"Cocky™7
Was Judy Baldwin "Baldy"? Was I'lo Gassner "Gassy''?
YOUNG TTMOTITYS, TIFFANYS, ERICAS, STEPHANIES, JAI NS AND JONATHANS DIE
NO THREE SYLLABLE KID CAN BELIEVE WHAT WE DID WITH TIHOSE NAMIES THAT ENDED IN ''y'!
md Ay
-o..E _q-s "t adal
WHEM I BROUGIIT UP COLLEGE, MY CHILDREN ACKNOWLEDGE,
MY STORIES WERE NEVER A BORE...
WHEN I D NAME MY CHUMHMIES, MY KIDS HELD THEIR TUMMIES
AND PRACTICALLY FELL ON THE FLOOR.
Well....THERE WAS TUCKY AND TIENSA AND TIPPY AND TISSA AND TINY AND TONI AND TISIV
AND I'IFI AND GLOGIO AND DEDE AND DODO AND CEECEE AND CISSY AND SWISH
I WOULD SPEAK ABOUT CASEY AND GRACIE AND J.C. AND BIBSIE AND BABSIE AND BOO
AND ESSIE AND JESRIE AND BESSIE AND CHESSIE AND JUNO AND YOU KNOW M'LOU!
WE HAD TRISKY AND FRAPPIE AND FRANNIE AND FANNY AND PUSSY .AND POOZY AND WORSIE!
NOW WE, WEEZY:&BIBSY AND) YOOI'ER WILL DIBSY I'OR WHO GETS TO SING THIS NEXT VERSE
AND
We knew TEENIE AND NINI AND GINNY AND DINNY AND BEETSIE AND WEETZIE AND CILAY
AND POTGYAND PEEPSIE AND PERKY AND KIRKY AND KIKI, K.O. AND M.A.
THERE WAS PIGGY AND POGGY AND FIGGY AND FOGGY AND EDGIE AND LFDGIE AND JEIT :
We BECAME SO ASHAMED OF THE WAY WE WERE NAMED WHEN THEY'D 8SK WE D PRETEND TO BE |
They just couldn't believe what these people were called.
They would ask was Kay Watson called "Wattsy"? -
With Nickv and Mickey was Barbara Quick "Quickie!
And if Gretchen Noti was a "Nottsie'!
AV el
B | = 2 AT W S U § JA\\"\“M_Y \
Was Pegay Chow "Chewy' and Judy Thorn "Thoany''?
And Sue Fritz "Chop Suey'" and Ann llorner "lorny''?
Was Jo Sills cealled “Silly" and Jane Catlett "Latty! and
Hope Dilon #1Diliv " and Barbira Batt "Batty??
Was Ellen Monks "M()ngky”? Dunc Oliphant "Donkey''?
Sue Getty 'S paghetti' ? Was Jo Swett called "Swetty'?
Wwas Jock Nolte "Jockey'" and Joanie Kock '"Cocky™7
Was Judy Baldwin "Baldy"? Was I'lo Gassner "Gassy''?
YOUNG TTMOTITYS, TIFFANYS, ERICAS, STEPHANIES, JAI NS AND JONATHANS DIE
NO THREE SYLLABLE KID CAN BELIEVE WHAT WE DID WITH TIHOSE NAMIES THAT ENDED IN ''y'!
md Ay
: mvsb_48-49_40th_2025_012.tif
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: mvsb_48-49_40th_2025_013.tif
Do ypur
Remem her
These. ?
Remem her
These. ?
: mvsb_48-49_40th_2025_014.tif
T e e N
. GAUDEAMUS
Gau-de-a-mus i-gi-tur, ju-ve-nes dum Su-mus:
Post ju-cun—dam.ju-vén—tu—tem, post mo-les-tam
Se-nec-tu-tem, Nos ha-be-bit hu-mus,
nos ha-be-bit hu-mus.
U-bi sunt qui an-te nos in mun-do fu-e-re?
Va-di-te ad Su-pe-ros, trans-i-te- ad in-fe-ros,
U-bi Jam fu-e-re, u-bi Jam fu-e-re.
Vi-ta nos-tra bre-vis est, bre-vi fi-ni-e-tur:
Ve-nit mors ve-lo-ci-ter, ra-pit nos a-tro-ci-ter,
Ne-mi-ni par-ce-tur, ne-mi-ni-par-ce-tur.
Vi-vat A-ca-de-mi-a, vi-vant Pro-fes-so-res,
Vi-vat mem brum quod-li-bet, vi-vant mem-bra
quae-li-bet, Sem-per sint in flo-re,
sem-per sint in flo-re!
Vi-vant om-nes Vir-gi-nes, fa-ci-les, for-mo-sae,
V-vant et mu-li-e-res, Dul-ces et a-ma-bi-les,
Be-nae, la-bori-o-sae, bo-nae, la-bori-o-sae!
Vi-vat et res-pub-li-ca, et quae il-lam re-git:
Vi-vat no-stra ci-vi-tas, Mae-ce-na-tum ca-ri-tas,
Quie nos hic pro-te-git, quae nos hic pro-te-git!
Pe-re-at tris-ti-ti-a, pe-re-ant O-so-res,
Pe-re-at di-a-bo-lus, qui-vis an-ti-bur-schi-us,
At-que ir-ri-so-res, at-que ir-ri-so-res!
GiWLaxéetxrnuus
{
I_AD
N | {
|
i
P
{
)
FROM SENIOR SHOW:
Let us all be joyful now
While we're still around - (repeat)
After youth, fertility
Aftey that, senility
Then we'll li-ve in the ground (repeat)
. GAUDEAMUS
Gau-de-a-mus i-gi-tur, ju-ve-nes dum Su-mus:
Post ju-cun—dam.ju-vén—tu—tem, post mo-les-tam
Se-nec-tu-tem, Nos ha-be-bit hu-mus,
nos ha-be-bit hu-mus.
U-bi sunt qui an-te nos in mun-do fu-e-re?
Va-di-te ad Su-pe-ros, trans-i-te- ad in-fe-ros,
U-bi Jam fu-e-re, u-bi Jam fu-e-re.
Vi-ta nos-tra bre-vis est, bre-vi fi-ni-e-tur:
Ve-nit mors ve-lo-ci-ter, ra-pit nos a-tro-ci-ter,
Ne-mi-ni par-ce-tur, ne-mi-ni-par-ce-tur.
Vi-vat A-ca-de-mi-a, vi-vant Pro-fes-so-res,
Vi-vat mem brum quod-li-bet, vi-vant mem-bra
quae-li-bet, Sem-per sint in flo-re,
sem-per sint in flo-re!
Vi-vant om-nes Vir-gi-nes, fa-ci-les, for-mo-sae,
V-vant et mu-li-e-res, Dul-ces et a-ma-bi-les,
Be-nae, la-bori-o-sae, bo-nae, la-bori-o-sae!
Vi-vat et res-pub-li-ca, et quae il-lam re-git:
Vi-vat no-stra ci-vi-tas, Mae-ce-na-tum ca-ri-tas,
Quie nos hic pro-te-git, quae nos hic pro-te-git!
Pe-re-at tris-ti-ti-a, pe-re-ant O-so-res,
Pe-re-at di-a-bo-lus, qui-vis an-ti-bur-schi-us,
At-que ir-ri-so-res, at-que ir-ri-so-res!
GiWLaxéetxrnuus
{
I_AD
N | {
|
i
P
{
)
FROM SENIOR SHOW:
Let us all be joyful now
While we're still around - (repeat)
After youth, fertility
Aftey that, senility
Then we'll li-ve in the ground (repeat)
: mvsb_48-49_40th_2025_015.tif
WHERE, OH, WHERE
Where, Oh, Where are the verdant Freshmen? (3 times)
....oafe now in the Sophomore class.
They've gone out from Baldwins Hygiene (3 times)
....5afe now in the Sophomore class.
«eee0illy, silly Sophomores,....
....5afe now in the Junior class.
They've gone out from Dickey's Music
Safe now in the Junior class.
Where, Oh, Where are the drunken Juniors? (3 times)
....5afe now in the Seniors class. .
They've gone out from Lockwood's English, etc.
Where Grave Old Seniors,
Safe now in the wide, wide world,
They've gone out from their Alma Mater
Safe now in the wide, wide world.
Funny, funny, faculty
Safe now in their trundle beds,
They've gone out from Poughkeepsie§ Movies
Safe now in their trndle beds.
fflfinq
FLING THE BANNER WIDE
Fling the banner wide! O'er the towers
let it wave. And as we march comes the sound of
singing, Through the valleys ringing. Let the
echoes resound - send back the sound Of the ever
swelling chorus: Hail Alma Mater, Oh, Vassar
hail to thee.
<.
Where, Oh, Where are the verdant Freshmen? (3 times)
....oafe now in the Sophomore class.
They've gone out from Baldwins Hygiene (3 times)
....5afe now in the Sophomore class.
«eee0illy, silly Sophomores,....
....5afe now in the Junior class.
They've gone out from Dickey's Music
Safe now in the Junior class.
Where, Oh, Where are the drunken Juniors? (3 times)
....5afe now in the Seniors class. .
They've gone out from Lockwood's English, etc.
Where Grave Old Seniors,
Safe now in the wide, wide world,
They've gone out from their Alma Mater
Safe now in the wide, wide world.
Funny, funny, faculty
Safe now in their trundle beds,
They've gone out from Poughkeepsie§ Movies
Safe now in their trndle beds.
fflfinq
FLING THE BANNER WIDE
Fling the banner wide! O'er the towers
let it wave. And as we march comes the sound of
singing, Through the valleys ringing. Let the
echoes resound - send back the sound Of the ever
swelling chorus: Hail Alma Mater, Oh, Vassar
hail to thee.
<.
: mvsb_48-49_40th_2025_016.tif
VASSAR IN BEAUTY DWELLING
Vassar in beauty dwelling Through all the
changing year; Hail to thee, Mighty Mother,
Lovely, serene, austere. Praise we thy bloss'ming
springtime, Rose red thy June we praise;
Crimson and gold thine autumns, Crystal thy winter
days.
Vassar enthroned on beauty, Glad in thy gates
we throng; Mother of all our dreaming, Lifting
to thee our song.
Glorious do we behold thee, Gleams on thy
head a star; Thine eyes survey undaunted
The flaming worlds a-far. Long are thy
dreams, O Mother, Dreams are we taught of
thee; Touched with thy sprit's beauty,
Kindling our lives to be.
Vassar enthroned on beauty, Glad in thy gates
we throng, Mother of all our dreaming, Lifting
to thee our song.
Vassar in beauty dwelling Through all the
changing year; Hail to thee, Mighty Mother,
Lovely, serene, austere. Praise we thy bloss'ming
springtime, Rose red thy June we praise;
Crimson and gold thine autumns, Crystal thy winter
days.
Vassar enthroned on beauty, Glad in thy gates
we throng; Mother of all our dreaming, Lifting
to thee our song.
Glorious do we behold thee, Gleams on thy
head a star; Thine eyes survey undaunted
The flaming worlds a-far. Long are thy
dreams, O Mother, Dreams are we taught of
thee; Touched with thy sprit's beauty,
Kindling our lives to be.
Vassar enthroned on beauty, Glad in thy gates
we throng, Mother of all our dreaming, Lifting
to thee our song.
: mvsb_48-49_40th_2025_017.tif
PEACE 1 LEAVE WITH YOU
Peace I leave with you, my peace I give unto you:
Not as the world giveth, give I unto you. . :
Let not your heart be troubled, neither let it be afraid.
Peace I leave with you, my peace I give unto you.
V
% == {
) 5 § 5
1
! e f
] T i
HARK, AIMA MATER
Hark Alma Mater through the world is ringing,
The praise thy grateful daughters bring to thee.
O thou who dost hold the torch of truth before us,
‘A cross thy lawns we hear the magic song.
'Tis Vassar, our beloved Alma Mater,
That stands for ever fair and high and strong.
As we, thy children, pass from out thy portals,
To scatter far and wide the seeds of right,
May we be girt with pow'r and inspiration,
And worthy be to raise the loyal song.
'Tis Vassar, our beloved Alma Mater,
That stands for ever fair and high and strong.
Joyous a host come thronging, Alma Mater,
All seek the wisdom thou dost ever give.
With rev'rence may they take thy name up on them,
Send down the years the never ending song.
'Tis Vassar, our beloved Alma Mater,
That stands for ever fair and high and strong.
Peace I leave with you, my peace I give unto you:
Not as the world giveth, give I unto you. . :
Let not your heart be troubled, neither let it be afraid.
Peace I leave with you, my peace I give unto you.
V
% == {
) 5 § 5
1
! e f
] T i
HARK, AIMA MATER
Hark Alma Mater through the world is ringing,
The praise thy grateful daughters bring to thee.
O thou who dost hold the torch of truth before us,
‘A cross thy lawns we hear the magic song.
'Tis Vassar, our beloved Alma Mater,
That stands for ever fair and high and strong.
As we, thy children, pass from out thy portals,
To scatter far and wide the seeds of right,
May we be girt with pow'r and inspiration,
And worthy be to raise the loyal song.
'Tis Vassar, our beloved Alma Mater,
That stands for ever fair and high and strong.
Joyous a host come thronging, Alma Mater,
All seek the wisdom thou dost ever give.
With rev'rence may they take thy name up on them,
Send down the years the never ending song.
'Tis Vassar, our beloved Alma Mater,
That stands for ever fair and high and strong.
: mvsb_48-49_40th_2025_018.tif
‘Ffiflwr Tima
/
O | |
iy
}
|
P d
Boendd
-
)
‘bn—b
.
=
o
t
WU
Father Time
fFather Time 15 3 eritty mep
And he's set in his ways
And we know that we never can
Make him bring back past days
So Vassar, while we are here
Let!s be friends firm and true
We'll have a gay time
A happy play time
For we all love to play with you.
'49
The cry of brave '49ers was
"Golden days must be here."
And though they all might have mined it,
To-day you'll find it - right here.
So at the end of our searching,
A round of praise is in line,
For all the memories of Vassar
And for the class of Forty-nine!
'48
Together with our spirits high
Our only limit's the sky
So Sing The Vassar Class of '48
Tho' small in size we'll take the prize
For we're the best and the last class
In this college to accelerate.
Ever since 1861 the rose and grey has
Never been outdone
So let's renew our cheers for you and
Once again celebrate
Vassar Class of '48
/
O | |
iy
}
|
P d
Boendd
-
)
‘bn—b
.
=
o
t
WU
Father Time
fFather Time 15 3 eritty mep
And he's set in his ways
And we know that we never can
Make him bring back past days
So Vassar, while we are here
Let!s be friends firm and true
We'll have a gay time
A happy play time
For we all love to play with you.
'49
The cry of brave '49ers was
"Golden days must be here."
And though they all might have mined it,
To-day you'll find it - right here.
So at the end of our searching,
A round of praise is in line,
For all the memories of Vassar
And for the class of Forty-nine!
'48
Together with our spirits high
Our only limit's the sky
So Sing The Vassar Class of '48
Tho' small in size we'll take the prize
For we're the best and the last class
In this college to accelerate.
Ever since 1861 the rose and grey has
Never been outdone
So let's renew our cheers for you and
Once again celebrate
Vassar Class of '48
: mvsb_48-49_40th_2025_020.tif
YOU HAVEN ' T STARTED TO LIVE
Words and Music bv Joan Weisman
1947 SePuermoRE PRARTY
you haven't known the ways of smoky cabarets,
Cr gambling dens wnhere wine and women give,
You haven't yet begun,
To Znow what's really fun,
You haven't started to 1iive!
H
£
-~
if vou haven't known the lures of short, but gay amours,
And should think you've trained 2 temp'rate hear:t,
You'll find that you've been wrong,
Home's not where vou belong,
Ahg Virtoe 8 ust & lost art.
Y0u mey contenc that 1t'e t=»
That *there's no end where the
But fun's a passing bliss that vou so. often miss
i1t 8.3ps right by like water through a seive
20 catch 1t on the fly, before it passe= by,
You haver 't started to. l-ve
" ] &) e "
NedWords ‘by JaVitd: You Haven't Started to &ive
1921 REUNION SWHOw
If you haven't known the joys
of grownup girls and boys
Who're gone a while and then come back to live,
You haven't yet begun
Supporting everyone,
You haven't started to give!
If you haven't spent a thou 2N
Upon their wedding vow,
Their honeymoon and soon their baby's crib,
You haven't known the glee
Of total bankruptcy,
You haven't started to givel
You spend and spend.
They have babies you adore,
But there's no end..
They just kepp on having more.
7\ 5
But }égé%s a passing bliss
That you so often miss,
It slips right by like water through a sieve
So tell themose kids kyby "ByC sv€ " g
Before they bleed you dry.
You haven't started to give,
You haven't started to give! L~
Words and Music bv Joan Weisman
1947 SePuermoRE PRARTY
you haven't known the ways of smoky cabarets,
Cr gambling dens wnhere wine and women give,
You haven't yet begun,
To Znow what's really fun,
You haven't started to 1iive!
H
£
-~
if vou haven't known the lures of short, but gay amours,
And should think you've trained 2 temp'rate hear:t,
You'll find that you've been wrong,
Home's not where vou belong,
Ahg Virtoe 8 ust & lost art.
Y0u mey contenc that 1t'e t=»
That *there's no end where the
But fun's a passing bliss that vou so. often miss
i1t 8.3ps right by like water through a seive
20 catch 1t on the fly, before it passe= by,
You haver 't started to. l-ve
" ] &) e "
NedWords ‘by JaVitd: You Haven't Started to &ive
1921 REUNION SWHOw
If you haven't known the joys
of grownup girls and boys
Who're gone a while and then come back to live,
You haven't yet begun
Supporting everyone,
You haven't started to give!
If you haven't spent a thou 2N
Upon their wedding vow,
Their honeymoon and soon their baby's crib,
You haven't known the glee
Of total bankruptcy,
You haven't started to givel
You spend and spend.
They have babies you adore,
But there's no end..
They just kepp on having more.
7\ 5
But }égé%s a passing bliss
That you so often miss,
It slips right by like water through a sieve
So tell themose kids kyby "ByC sv€ " g
Before they bleed you dry.
You haven't started to give,
You haven't started to give! L~
: mvsb_48-49_40th_2025_021.tif
q " ,;‘
”'
BY: $OAW JAVIiTS 1949 SENICR PARTY
THIS IS THE DAY WE GO HOME
THIS IS THE DAY WE GO HOME!
AFTER WE VE GOT OUR DIPLOMAS
SHOW US THE WAY TO GO HOME.
The cry of brave forty niners
was 'GOLDEN DAYS MUST BE NEAR'
AND OUR CELEBRATION OF THIS GRADUATION
HAS MADE IT A GOLDEN DAY HERE!
GONE ARE THE LABORS
FOR Fs AND As
GONE "LOVE THY NEIGHBOURS'!
GONE ARE THE DAYS
WE USED TO WONDER WOULD IT
EVER BE TIME TO GO HOME
FROM TENNESSEETO TACOMA
WHO HAD A DIME TO CALL HOME?
THOUGH THEY ALL MAY HAVE MINED IT
TODAY YOU LL FIND IT RIGHT HERE
SO LEND US THE WHEREWITHAL
TO PAY THE FARE, WITH ALL
SPEED WE WILL PAY IT BACK, DEAR.
GONE ARE THE NO BOZ
GONE MIDNIGHT LIGHTS
JUST THINK OF OH THOSE
WONDERFUL NIGHTS
WE RE GONNA SPEND ASLEEP
AS SOON AS IT S TIME TO GO HOME
FOUR YEARS WE VE BEEN IN A COMA
SEEKING A WAY TO GO HOME
NOW AT THE END OF OUR SEARCHING
A ROUND OF PRAISE IS IN LINE
FOR AN INSPIRATIONAL, SUPER SENSATIONAL, EDIFICATIONAL TIME
GONE ARE THOSE PAINFUL
BILLS IN ARREARS!
GONE THOSE DISDAINFUL
SLAP HAPPY YEARS
WE SPENT INSISTING IT WOULD
NEVER BE TIME TO GO HOME
THINK OF THE TIME THAT WE WASTED
WISHING THAT WE COULD GO HOME
WITH ALL OUR MEMORIES OF VASSAR
AND OF THE CLASS OF F®RTY NINE!
WE DIDN T KNOW HOW TO MEASURE
THOSE FOUR YEARS OF PLEASURE
AND TREASURE OUR LEISURELY TIME!
WE DIDNT KNOW HOW TO MEASURE
THOSE FOUR YEARS OF PLEASURE
AND TREASURE OUR LEISURELY TIME!
(»
”'
BY: $OAW JAVIiTS 1949 SENICR PARTY
THIS IS THE DAY WE GO HOME
THIS IS THE DAY WE GO HOME!
AFTER WE VE GOT OUR DIPLOMAS
SHOW US THE WAY TO GO HOME.
The cry of brave forty niners
was 'GOLDEN DAYS MUST BE NEAR'
AND OUR CELEBRATION OF THIS GRADUATION
HAS MADE IT A GOLDEN DAY HERE!
GONE ARE THE LABORS
FOR Fs AND As
GONE "LOVE THY NEIGHBOURS'!
GONE ARE THE DAYS
WE USED TO WONDER WOULD IT
EVER BE TIME TO GO HOME
FROM TENNESSEETO TACOMA
WHO HAD A DIME TO CALL HOME?
THOUGH THEY ALL MAY HAVE MINED IT
TODAY YOU LL FIND IT RIGHT HERE
SO LEND US THE WHEREWITHAL
TO PAY THE FARE, WITH ALL
SPEED WE WILL PAY IT BACK, DEAR.
GONE ARE THE NO BOZ
GONE MIDNIGHT LIGHTS
JUST THINK OF OH THOSE
WONDERFUL NIGHTS
WE RE GONNA SPEND ASLEEP
AS SOON AS IT S TIME TO GO HOME
FOUR YEARS WE VE BEEN IN A COMA
SEEKING A WAY TO GO HOME
NOW AT THE END OF OUR SEARCHING
A ROUND OF PRAISE IS IN LINE
FOR AN INSPIRATIONAL, SUPER SENSATIONAL, EDIFICATIONAL TIME
GONE ARE THOSE PAINFUL
BILLS IN ARREARS!
GONE THOSE DISDAINFUL
SLAP HAPPY YEARS
WE SPENT INSISTING IT WOULD
NEVER BE TIME TO GO HOME
THINK OF THE TIME THAT WE WASTED
WISHING THAT WE COULD GO HOME
WITH ALL OUR MEMORIES OF VASSAR
AND OF THE CLASS OF F®RTY NINE!
WE DIDN T KNOW HOW TO MEASURE
THOSE FOUR YEARS OF PLEASURE
AND TREASURE OUR LEISURELY TIME!
WE DIDNT KNOW HOW TO MEASURE
THOSE FOUR YEARS OF PLEASURE
AND TREASURE OUR LEISURELY TIME!
(»
: mvsb_48-49_40th_2025_022.tif
Sl
- - ’e . )'u:‘—
B NS A— L
2 et
.\‘\— !" p "‘\ "'»--_
A WECTZR Y
SN 2SN 3’\\.'/. N
} I CAN SEE YOU ba‘ Ma.rz.‘ Ruedebush
, I can see you every night ‘Z;“ w\eqotl
f Just close my eyes and hold you tight gc‘,qb ‘
I'll always follow wherever you go i
Do you love me or don't you know?
I always want you by my side
The beat of my heart made me decide
Darling come back and see this through
I'1l always go on loving you.
KRAMER 4 FISKE Sotd . PARTY
L - 1Ay
\SWIWCRDS . BibenN Semnnay
SPREAD IT AROUND
When I was a baby my mother told me
"Art for art's sake is a good policy",
I took her advice and soon after I found
You should throw your bread upon the waters,
Spread it, spread it around.
So many have lines long enough to hang clothes
But when I kiss I don't know where the nose goes,
So I have devoted my life to my art,
Men are fine, that's if you have the time to
Spread it, spread it around.,
Daaist, expressionists the cubists and impressionists
Are .11 in fors of art,
Surrcalism gets me, but art never lets me
T 2 time off to spend on my heart,
New art is5 just fine for the ballet brigade,
And mer who know have said that I could be made
In the~ier, in opera, in any big town
Art's for all so g.-» y~ur all for art,
Snread it, spread it ar:,und,
- - ’e . )'u:‘—
B NS A— L
2 et
.\‘\— !" p "‘\ "'»--_
A WECTZR Y
SN 2SN 3’\\.'/. N
} I CAN SEE YOU ba‘ Ma.rz.‘ Ruedebush
, I can see you every night ‘Z;“ w\eqotl
f Just close my eyes and hold you tight gc‘,qb ‘
I'll always follow wherever you go i
Do you love me or don't you know?
I always want you by my side
The beat of my heart made me decide
Darling come back and see this through
I'1l always go on loving you.
KRAMER 4 FISKE Sotd . PARTY
L - 1Ay
\SWIWCRDS . BibenN Semnnay
SPREAD IT AROUND
When I was a baby my mother told me
"Art for art's sake is a good policy",
I took her advice and soon after I found
You should throw your bread upon the waters,
Spread it, spread it around.
So many have lines long enough to hang clothes
But when I kiss I don't know where the nose goes,
So I have devoted my life to my art,
Men are fine, that's if you have the time to
Spread it, spread it around.,
Daaist, expressionists the cubists and impressionists
Are .11 in fors of art,
Surrcalism gets me, but art never lets me
T 2 time off to spend on my heart,
New art is5 just fine for the ballet brigade,
And mer who know have said that I could be made
In the~ier, in opera, in any big town
Art's for all so g.-» y~ur all for art,
Snread it, spread it ar:,und,
: mvsb_48-49_40th_2025_023.tif
Senior Party, Spring 1947
Here we are together,
Together on our honey-moon;
Who cares about the weather,
All we'll do is spoon, and soon,
Surrounded by people,
We're still all alone,
No more courtin'! on the telephone.
Now that 1life - expectancy
{s reachin' eighty-five,
That's not the real expectancy
That keeps our love alive,
Two-thousand eleven
Welll still bill and coo.
Can't go on without lovin' you.
CONEY Coh ey To LB
Coney, Coney Island
That's the pldce for me
VVhere bathing beauts in briefest suilts
Never see the sea
Every red hot mama
VWVith her sugar dad
Strolling down the boardwalk
Flirts with every lad .
Junior wants some ice cream
Mother wants a tan
Daddy wants a dancer
Sister wants a man
How about some pop corn?
Come and see the babes
Where the hell's the ocean?
Haven'!t seen a wave
Coney, Coney Island
That's the place for me
Now listen kid I‘ve been around
Ifve been kinda giddy
In Aflantic CiLY
But it's still Coney Island for me.
Here we are together,
Together on our honey-moon;
Who cares about the weather,
All we'll do is spoon, and soon,
Surrounded by people,
We're still all alone,
No more courtin'! on the telephone.
Now that 1life - expectancy
{s reachin' eighty-five,
That's not the real expectancy
That keeps our love alive,
Two-thousand eleven
Welll still bill and coo.
Can't go on without lovin' you.
CONEY Coh ey To LB
Coney, Coney Island
That's the pldce for me
VVhere bathing beauts in briefest suilts
Never see the sea
Every red hot mama
VWVith her sugar dad
Strolling down the boardwalk
Flirts with every lad .
Junior wants some ice cream
Mother wants a tan
Daddy wants a dancer
Sister wants a man
How about some pop corn?
Come and see the babes
Where the hell's the ocean?
Haven'!t seen a wave
Coney, Coney Island
That's the place for me
Now listen kid I‘ve been around
Ifve been kinda giddy
In Aflantic CiLY
But it's still Coney Island for me.
: mvsb_48-49_40th_2025_024.tif
1947 SCCUemeRs POARTY
| MAGNOLIAS IN YOUR EYES \:\t‘\\hci ?éfjf
BIRS MO HS
Leewg g m\{é RS
I can be the bravest man
In a cavalry or ten
I can face a whole brigade without
a rise. But my heart within me balks
And I cannot even talk
When I see magnolias in your eyes
I have kept the upper hand
with a savage pirate band
I have made my way through armies
| in dusguise, But I cannot save myself
; When I see magnolias in your eyes.
I could live a year or two
In the depths of he bayou
I could kill an octopus of any size
I can do most any feat
But my boldness must retreat
When I see magnolias in your eyes.
® é o
(ngopy F2oM We have steered our bikes with skill
‘Mfifl PEUN‘“’ Up and down on Skinner Hill
Nearly fast enough for an Olympic Prize
Now we jog a little ways and
we're limping several days
still we've got magnolias in our eyes.
Sy
With Miss Mosscrop and MIss Timm
We did cartwheels int he gym
At lacrosse and soccer got our exercise
But our swayback further curves
With arthritis and pinched nerves
Still we've got magnolias in our eyes.
Vassar Devils took us much
To the Drug and to the Dutch
Then we'd eat two pizza pies of any size
Nowptake one spoon of cream
and we bul at every seam
Still we've got magnolias in our eyes.
7 ‘_5',“_\\",/ ‘
Y&
- A7\
Y
NS
We'd play bridge for half the night D
Then start papers we must write
Typing on until the sun began to rise
| Now we drink a glass of wine
E Fall asleep at 10 to 9
? Still we've got magnolias in our eyes.
| We could live a year or two
g‘ And we hope that's what we'll do
? But before we must start saying our goodbyes
One more course ma. e survive....
Geriatrics one oh five
Still we've got magnolias in our eyes.
i -
| MAGNOLIAS IN YOUR EYES \:\t‘\\hci ?éfjf
BIRS MO HS
Leewg g m\{é RS
I can be the bravest man
In a cavalry or ten
I can face a whole brigade without
a rise. But my heart within me balks
And I cannot even talk
When I see magnolias in your eyes
I have kept the upper hand
with a savage pirate band
I have made my way through armies
| in dusguise, But I cannot save myself
; When I see magnolias in your eyes.
I could live a year or two
In the depths of he bayou
I could kill an octopus of any size
I can do most any feat
But my boldness must retreat
When I see magnolias in your eyes.
® é o
(ngopy F2oM We have steered our bikes with skill
‘Mfifl PEUN‘“’ Up and down on Skinner Hill
Nearly fast enough for an Olympic Prize
Now we jog a little ways and
we're limping several days
still we've got magnolias in our eyes.
Sy
With Miss Mosscrop and MIss Timm
We did cartwheels int he gym
At lacrosse and soccer got our exercise
But our swayback further curves
With arthritis and pinched nerves
Still we've got magnolias in our eyes.
Vassar Devils took us much
To the Drug and to the Dutch
Then we'd eat two pizza pies of any size
Nowptake one spoon of cream
and we bul at every seam
Still we've got magnolias in our eyes.
7 ‘_5',“_\\",/ ‘
Y&
- A7\
Y
NS
We'd play bridge for half the night D
Then start papers we must write
Typing on until the sun began to rise
| Now we drink a glass of wine
E Fall asleep at 10 to 9
? Still we've got magnolias in our eyes.
| We could live a year or two
g‘ And we hope that's what we'll do
? But before we must start saying our goodbyes
One more course ma. e survive....
Geriatrics one oh five
Still we've got magnolias in our eyes.
i -
: mvsb_48-49_40th_2025_025.tif
MANY OTHER SWAINS HAVE TOLD - - -
(Music & Lyrics by Joan Weisman)
Love has been a well-known story, -
Known to many pairs of old,
And the words I want to tell you,
Many other swains have told.
So if I should say I love you,
That you set my dreams aglow,
Though the words are over-used, dear,
They still mean I want you so.
Though I may not be a Humphrey Bogart,
A Brummel or a Van,
Still I can have the one ambition
To be your only man.
Why must you be so indifferent?
Must you be so very cold?
When I'm longing so to tell you
What many other swains have told.
YOQU'RE BEESENTIAL 70 ME
Like a new bonnet
Ar. old Enclish saonret
A cottage trat!'s.bui. .4 by the sea
Zike week-ends at beaches
Sugar on peaches
You're Essential Tc Me.
_ike summer vacations
A new book of rations
The honey that's made b
Loke waintes and fipalicpe
Slper and =tar ' "oht
You vre Feeprt o TS Mo
~ was so stunned when I =net vou
TOW coulc 1T ras v op twoas
caule 1f mave besrn accidenta’
were the Fates In 1t to00?
-
ridge goes With. . Cunny
ne cahdy wits S umme 4
And Endlard can't live withpus tea
~Lxe MeEvoer ave Canbe o
New Year's and champacgne
on'vye Feoenn o B
=
NG e o TSSO R
(Music & Lyrics by Joan Weisman)
Love has been a well-known story, -
Known to many pairs of old,
And the words I want to tell you,
Many other swains have told.
So if I should say I love you,
That you set my dreams aglow,
Though the words are over-used, dear,
They still mean I want you so.
Though I may not be a Humphrey Bogart,
A Brummel or a Van,
Still I can have the one ambition
To be your only man.
Why must you be so indifferent?
Must you be so very cold?
When I'm longing so to tell you
What many other swains have told.
YOQU'RE BEESENTIAL 70 ME
Like a new bonnet
Ar. old Enclish saonret
A cottage trat!'s.bui. .4 by the sea
Zike week-ends at beaches
Sugar on peaches
You're Essential Tc Me.
_ike summer vacations
A new book of rations
The honey that's made b
Loke waintes and fipalicpe
Slper and =tar ' "oht
You vre Feeprt o TS Mo
~ was so stunned when I =net vou
TOW coulc 1T ras v op twoas
caule 1f mave besrn accidenta’
were the Fates In 1t to00?
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ridge goes With. . Cunny
ne cahdy wits S umme 4
And Endlard can't live withpus tea
~Lxe MeEvoer ave Canbe o
New Year's and champacgne
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THERE'S A PRIMITIVE URGE IN EVERYBODY !
THERE'S AN ANIMAL SURGE IN EVERYBODY !
IF YOU CAN.........NOT RESIST IT LOVE WILL COME
LIKE THE BEATING OF A DRUM!
THERE'S A SAVAGE BEATING IN EVERYBODY !
A TATTOO REPEATING IN EVERYBODY !
IF YOU €AN.........NOT SUPPRESS IT LOVE WILL START
LIKE THE BEATING OF YOUR HEART!
THE FORCE OOMPELS YOU TO LOWER YOUR RESISTANCE'!
OF QOURSE LOVE JUSTIFIES ALL YOUR EXISTENCE.
YOU LOSE ALL INHIBITION, INDIVIDUALITY!
FUSE WILD DISPOSITION AND SENSUALITY!
?
THERE S A TOM TOM SOUDING IN EVERYBODY !
AND A PULSE IS POUNDING IN EVERYBODY !
IF YOU CANNOT RESIST IT LOVE WILL COME
LIKE THE BEATING OF A DRUM.
LOVE WILL COME!
As Time Goes By
Misicr by B w94 Hupfeld like always
You must remember this, how boys begged for a Kiss
But settled for a sigh.
| And everyone was really shy
| ' But Time Went By.
Now when two people woo, there's nothing they won't de-
And nothing's on the sly .
No fundamental rules apply
Since time went by.
Moonlite and love songs, strictly out of date.
Sreakers and flashers, movies to X rat.
Woman needs man and neither one cAN WAIT
To give the thing a try.
Its not the same ols saga, their pot has made them gaga
their coke has made them high.
I think we had more fun in our day
But time went by.
o
N
bji TOQN Ilavi‘tc)‘,
DRUMS ‘Cf“f'7 SOP\’)C\M(,R.}_
Paary
THERE'S A PRIMITIVE URGE IN EVERYBODY !
THERE'S AN ANIMAL SURGE IN EVERYBODY !
IF YOU CAN.........NOT RESIST IT LOVE WILL COME
LIKE THE BEATING OF A DRUM!
THERE'S A SAVAGE BEATING IN EVERYBODY !
A TATTOO REPEATING IN EVERYBODY !
IF YOU €AN.........NOT SUPPRESS IT LOVE WILL START
LIKE THE BEATING OF YOUR HEART!
THE FORCE OOMPELS YOU TO LOWER YOUR RESISTANCE'!
OF QOURSE LOVE JUSTIFIES ALL YOUR EXISTENCE.
YOU LOSE ALL INHIBITION, INDIVIDUALITY!
FUSE WILD DISPOSITION AND SENSUALITY!
?
THERE S A TOM TOM SOUDING IN EVERYBODY !
AND A PULSE IS POUNDING IN EVERYBODY !
IF YOU CANNOT RESIST IT LOVE WILL COME
LIKE THE BEATING OF A DRUM.
LOVE WILL COME!
As Time Goes By
Misicr by B w94 Hupfeld like always
You must remember this, how boys begged for a Kiss
But settled for a sigh.
| And everyone was really shy
| ' But Time Went By.
Now when two people woo, there's nothing they won't de-
And nothing's on the sly .
No fundamental rules apply
Since time went by.
Moonlite and love songs, strictly out of date.
Sreakers and flashers, movies to X rat.
Woman needs man and neither one cAN WAIT
To give the thing a try.
Its not the same ols saga, their pot has made them gaga
their coke has made them high.
I think we had more fun in our day
But time went by.
o
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Stein Song
(University of Maine)
Fill the stcins to dear old Maine, To the youth, to the fire,
Shout till the rafters ring! To the life that is moving and calling us!
Stand and drink a toast once again! To the Gods, to the Fates,
Let every loyal Maine man sing— To the rulers of men and their destinies;
Then drink to all the happy hours, ‘To the lips, to the eyes,
Drink to the careless days— To the girls who will love us some day! Oh—
Drink to Maine, our Alma Mater, (Repeat chorus)
The College of our hearts always.
Copyright 1910 by Carl Fischer, Inc., New Yo
To the trecs, to the skyl copyright renewed.
To the spring in its glorious happiness,
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He was a desperado from the wild and woolly West,
Ile came into Chicago just to give the West a rest.
Ile wore a big sombrero and a gun beneath his vest,
And cverywhere he went he gave his war whoop.
ITe was a brave, bold, man and a—desperado,
Irom Cripple Creck, way down in—Colorado,
And he walked around like a—Dbig tornado,
And cverywhere he went he gave his war whoopl
I1e went to Coney Island just to take in all the sights,
He saw the hootchic-kootchie and the girls dressed up in tights,
He got so darned excited that he shot out all the lights,
And everywhere he went he gave his war whoop.
A great big fat policeman was a-walking down his beat,
Ie saw this desperado come a-walking down the street.
e grabbed him by the whiskers, and he grabbed him by the scat, ~
And threw him where he wouldn’t give his war whoop.
1
(University of Maine)
Fill the stcins to dear old Maine, To the youth, to the fire,
Shout till the rafters ring! To the life that is moving and calling us!
Stand and drink a toast once again! To the Gods, to the Fates,
Let every loyal Maine man sing— To the rulers of men and their destinies;
Then drink to all the happy hours, ‘To the lips, to the eyes,
Drink to the careless days— To the girls who will love us some day! Oh—
Drink to Maine, our Alma Mater, (Repeat chorus)
The College of our hearts always.
Copyright 1910 by Carl Fischer, Inc., New Yo
To the trecs, to the skyl copyright renewed.
To the spring in its glorious happiness,
p c G? c -
p # 1 5 8 1 K 1 1 L 1 1 § & P ¢ S |
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He was a desperado from the wild and woolly West,
Ile came into Chicago just to give the West a rest.
Ile wore a big sombrero and a gun beneath his vest,
And cverywhere he went he gave his war whoop.
ITe was a brave, bold, man and a—desperado,
Irom Cripple Creck, way down in—Colorado,
And he walked around like a—Dbig tornado,
And cverywhere he went he gave his war whoopl
I1e went to Coney Island just to take in all the sights,
He saw the hootchic-kootchie and the girls dressed up in tights,
He got so darned excited that he shot out all the lights,
And everywhere he went he gave his war whoop.
A great big fat policeman was a-walking down his beat,
Ie saw this desperado come a-walking down the street.
e grabbed him by the whiskers, and he grabbed him by the scat, ~
And threw him where he wouldn’t give his war whoop.
1
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74 , You can easily sce she’s not my mother,
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AIE Cause my mother’s over forty-nine.
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: You can easily see she’s not my sister,
[} ‘Cause I never showed my sister such a
; wonderful time,
You can easily see she’s not my sweetheart,
‘Cause my sweetheart’s too refined.
She’s just a slip of a kid, she didn’t know
1. what she did;
She's just a personal friend of minec.
| With | Were a Wittle Thugar Bun
I with I were a wittle thugar bun, (thugar bun),
I with I were a witlle thugar bun,
I'd thlippy and I'd thliddy down everyone'’s
inthididie;
I with I were a wittle thugar bun.
I with T were a wittle eake of thope,
(cake of thope) etc.
I'd thlippy and I'd thliddy over everybody’s hidie.
I with I were a monkey in the zoo;
I with I were a wjttle muthkitoe;
I'd buthic and I'd bitic under cverybody’s nightic.
I with I were a fithic in the thea;
I with I were a wittle thafety pin,.
And everything that’s buthted,
I'd hold until I ruthted.
I with I were a wittle thlippewy woot;
I'd thtick up in the twail, and I'd flop you
on your tail.
20.
I'd thit upon a thelf and I'd thquat my wittle thelf.
I'd thwim around tho cute without a bathing thuit.
I with I were a wittle bog of mud;
I would ooze and I would gooze inthide
cvcrybody's thuze.
I with I were a wittle can of beer;
I'd go down with a flurp and come up withab
I with I were a wittle Englith Thpawwow;
I'd thit up on a thteeple, and I'd thpit
on all the people.
I with I were a wittle kangaroo;
I'd hippie and I'd hoppie inthide my
mother’s pockic.
I with I were a thpoon of cather oil,
I'd lubricate the chathics of all the lads
and lathics.
I with I were a wittle thriped thkunk,
I'd thit up in the treethes, and perfume
all the breethes.
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72, . . e
74 , You can easily sce she’s not my mother,
Y &~ ’ . » e
AIE Cause my mother’s over forty-nine.
)
: You can easily see she’s not my sister,
[} ‘Cause I never showed my sister such a
; wonderful time,
You can easily see she’s not my sweetheart,
‘Cause my sweetheart’s too refined.
She’s just a slip of a kid, she didn’t know
1. what she did;
She's just a personal friend of minec.
| With | Were a Wittle Thugar Bun
I with I were a wittle thugar bun, (thugar bun),
I with I were a witlle thugar bun,
I'd thlippy and I'd thliddy down everyone'’s
inthididie;
I with I were a wittle thugar bun.
I with T were a wittle eake of thope,
(cake of thope) etc.
I'd thlippy and I'd thliddy over everybody’s hidie.
I with I were a monkey in the zoo;
I with I were a wjttle muthkitoe;
I'd buthic and I'd bitic under cverybody’s nightic.
I with I were a fithic in the thea;
I with I were a wittle thafety pin,.
And everything that’s buthted,
I'd hold until I ruthted.
I with I were a wittle thlippewy woot;
I'd thtick up in the twail, and I'd flop you
on your tail.
20.
I'd thit upon a thelf and I'd thquat my wittle thelf.
I'd thwim around tho cute without a bathing thuit.
I with I were a wittle bog of mud;
I would ooze and I would gooze inthide
cvcrybody's thuze.
I with I were a wittle can of beer;
I'd go down with a flurp and come up withab
I with I were a wittle Englith Thpawwow;
I'd thit up on a thteeple, and I'd thpit
on all the people.
I with I were a wittle kangaroo;
I'd hippie and I'd hoppie inthide my
mother’s pockic.
I with I were a thpoon of cather oil,
I'd lubricate the chathics of all the lads
and lathics.
I with I were a wittle thriped thkunk,
I'd thit up in the treethes, and perfume
all the breethes.
: mvsb_48-49_40th_2025_030.tif
A Zulu King
A 2veY nNG-
ON, A HUG AN A KDY
C'st BUILD A BUAN AL w-
OmeI pedy) pl¢m nlel -
>
o
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i)
X
Ul X
Oh, a Zulu king with a big nose ring, fell in love with a fair young maid,
And every night by the pale moonlight, across the lake he came.
Oh, a hug and a kiss {or a Zulu miss, in the shade of the old palm tree,
Whene’er they met, they sang a duet, and it sounded like this to me:
Bar-rumph (kiss kiss) har-rumph (kiss kiss) bar-rumph ti di a di ayc,
Bar-rumph, (kiss kiss) bar-rumph (kiss kiss) bar-rumph ti di a di aye.
We'll build a bungalow, big enough for two,
Big enough for two, my honcey, big enough for two, walla walla walla
And when we're married, how happy we'll be,
Underneath the bamboo, underneath the bamboo tree, boom boom
Boom, boom, boom boom boom boom boom boom!
If you'll be M-I-N-E mine, I'll be T-1-I-N-E thine,
And I'll L-O-V-E love you all the T-I-M-E time;
You are the B-E-S-T best of all the R-E-S-T rest,
And I'll L-O-V-E love you all the T-1-M-E time,
Wrap ‘em up, stack ‘em up, any old time.
. Somebody’s been here giving lessons in love;
It Iacks that inspiration sent {rom IHeaven above, walla walla walla
O, that kiss you gave me surc was a winner;
You're no beginner, ‘cause somebody’s been here before.
You're second-hand.
Throw It Out the Window
Old Mother IHubbard went to the cupboard
iI}’o fetch her poor dog a bone, ack. + ¥y [
ut when she got there, the cupb ‘ P> :
, pboard was bare, 4
And]shc threw it out the window. e \C’GP
The window, the sccond stor i ‘
: s -story window, k. ener
But when she got there, the cupboard was bare, b
And she threw it out the window. : ke
i
A 2veY nNG-
ON, A HUG AN A KDY
C'st BUILD A BUAN AL w-
OmeI pedy) pl¢m nlel -
>
o
-
i)
X
Ul X
Oh, a Zulu king with a big nose ring, fell in love with a fair young maid,
And every night by the pale moonlight, across the lake he came.
Oh, a hug and a kiss {or a Zulu miss, in the shade of the old palm tree,
Whene’er they met, they sang a duet, and it sounded like this to me:
Bar-rumph (kiss kiss) har-rumph (kiss kiss) bar-rumph ti di a di ayc,
Bar-rumph, (kiss kiss) bar-rumph (kiss kiss) bar-rumph ti di a di aye.
We'll build a bungalow, big enough for two,
Big enough for two, my honcey, big enough for two, walla walla walla
And when we're married, how happy we'll be,
Underneath the bamboo, underneath the bamboo tree, boom boom
Boom, boom, boom boom boom boom boom boom!
If you'll be M-I-N-E mine, I'll be T-1-I-N-E thine,
And I'll L-O-V-E love you all the T-I-M-E time;
You are the B-E-S-T best of all the R-E-S-T rest,
And I'll L-O-V-E love you all the T-1-M-E time,
Wrap ‘em up, stack ‘em up, any old time.
. Somebody’s been here giving lessons in love;
It Iacks that inspiration sent {rom IHeaven above, walla walla walla
O, that kiss you gave me surc was a winner;
You're no beginner, ‘cause somebody’s been here before.
You're second-hand.
Throw It Out the Window
Old Mother IHubbard went to the cupboard
iI}’o fetch her poor dog a bone, ack. + ¥y [
ut when she got there, the cupb ‘ P> :
, pboard was bare, 4
And]shc threw it out the window. e \C’GP
The window, the sccond stor i ‘
: s -story window, k. ener
But when she got there, the cupboard was bare, b
And she threw it out the window. : ke
i
: mvsb_48-49_40th_2025_031.tif
Drunk last night, drunk the night before; :
Goin’ to get drunk tonight like I never got drunk
before.
For when I'm drunk I'm as happy as can be,
" For I am a member of the souse [umily.
Singin’ glorious, glorious,
One keg o’ beer for the four of us.
Glory be to God that there are no more of us,
For one of us could drink it all alone.
All alone (damn ncar), all alone (damn near),
Glory be to God that there are no more of us,
For onc of us could drink it all alone.
(Tune “C")
Oh, when you hear the roll of the big bass drum,
Then you know that the Dutch have come.
The Dutch Company is the best company
That ever came over from the old country.
There’s the Amsterdam Dutch and the Rotterdam
Dutch,
The Pottsdam Dutch and the G-- d--- Dutch.
Ragged But Right
Then there’s the Irish, but they’re not much,
But they’re a damn sight better than the G-- d---
Dutch. :
Oh, why do we go with the girls so much,
When we could drink beer with the G-- d---
Dutch?
When a Greek meets a Greek it’s a restaurant or
two;
When a Dutch meéts a Dutch it’s a keg of lager
brew.
(Tune “A”)
Singin’ glorious, glorious, etc.
(Tune “D”) . e
Oh, they had to carr Carry to the ferry,
And the ferry carried Carry to the shore.
And the reason that they had to carry Carry,
Was that Carry couldn’t carry any more.
(Follow this with “Sweet Eveline”)
Ijust called up to tell you that I'm ragged but right,
A thicl and a gamblin® woman, drunk every night,
I order porterhouse steak three times a day for my board,
That's more than any ordinary gal can afford. -
I got a big handsome man to play around at my feet,
A big clectric fan to keep me cool when 1 sleep.
For I'm a ramblin’ woman, a gamblin’ woman, and Lord am I tight,
I just called up to tell you that I'm ragged but right.
Oh, How He Lied
Jod 4 s i e
L3 )
- o=
-He sat down beside her and smoked his cigar,
~He old her he loved, but oh, how he lied!
Smoked his cigar, smoked his cigar.
He sat down beside her and smoked his cigar,
Smoked his cigar-r-r.
She sat there beside him, and played her
guilar,
She told him she loved him, but she did not
lie. 2%
5—They were to be marricd, but she ups and
dics. :
G—Ilc went to the funeral, but just for the ride.
7—She went up to heaven, and flip-flop she flied.
8—Ilc¢ went down below her, and sizzled and
fricd.
9—The moral of this tale is never to lie.
10—-Or you, too, may perish, and sizzle and fry.
Goin’ to get drunk tonight like I never got drunk
before.
For when I'm drunk I'm as happy as can be,
" For I am a member of the souse [umily.
Singin’ glorious, glorious,
One keg o’ beer for the four of us.
Glory be to God that there are no more of us,
For one of us could drink it all alone.
All alone (damn ncar), all alone (damn near),
Glory be to God that there are no more of us,
For onc of us could drink it all alone.
(Tune “C")
Oh, when you hear the roll of the big bass drum,
Then you know that the Dutch have come.
The Dutch Company is the best company
That ever came over from the old country.
There’s the Amsterdam Dutch and the Rotterdam
Dutch,
The Pottsdam Dutch and the G-- d--- Dutch.
Ragged But Right
Then there’s the Irish, but they’re not much,
But they’re a damn sight better than the G-- d---
Dutch. :
Oh, why do we go with the girls so much,
When we could drink beer with the G-- d---
Dutch?
When a Greek meets a Greek it’s a restaurant or
two;
When a Dutch meéts a Dutch it’s a keg of lager
brew.
(Tune “A”)
Singin’ glorious, glorious, etc.
(Tune “D”) . e
Oh, they had to carr Carry to the ferry,
And the ferry carried Carry to the shore.
And the reason that they had to carry Carry,
Was that Carry couldn’t carry any more.
(Follow this with “Sweet Eveline”)
Ijust called up to tell you that I'm ragged but right,
A thicl and a gamblin® woman, drunk every night,
I order porterhouse steak three times a day for my board,
That's more than any ordinary gal can afford. -
I got a big handsome man to play around at my feet,
A big clectric fan to keep me cool when 1 sleep.
For I'm a ramblin’ woman, a gamblin’ woman, and Lord am I tight,
I just called up to tell you that I'm ragged but right.
Oh, How He Lied
Jod 4 s i e
L3 )
- o=
-He sat down beside her and smoked his cigar,
~He old her he loved, but oh, how he lied!
Smoked his cigar, smoked his cigar.
He sat down beside her and smoked his cigar,
Smoked his cigar-r-r.
She sat there beside him, and played her
guilar,
She told him she loved him, but she did not
lie. 2%
5—They were to be marricd, but she ups and
dics. :
G—Ilc went to the funeral, but just for the ride.
7—She went up to heaven, and flip-flop she flied.
8—Ilc¢ went down below her, and sizzled and
fricd.
9—The moral of this tale is never to lie.
10—-Or you, too, may perish, and sizzle and fry.
: mvsb_48-49_40th_2025_032.tif
BER® I I W (VMo WM
V- IPNNIEE.COBaut MY
St LA 18 8 S o o o0 o S
A Persian kitty, perfumed and falr,
Strolled out on a backyard fence for air
When a tomeat, lean and lithe and strong,
Dirty und yuller, came a-strolling along.
Ic snifled at the perfumed Persian cat
As she strutted about with much éclat
And a-thinkin’ the time to pass,
. e whispered, “Kiddo, you sure got class.”
“ "Tis fitten and proper,” was her reply,
As she arched her whiskers over her eve.
“I am ribboned, sleep on pillows of silk,
And I daily bathe in certiged milk,
“But I'm not content with what I've got;
T ought to be happy, but happy I'm not.
I should be joyful, yes, I should indeed,
For I'll have you know, I'm highly pedigreed.”
“Now, hark,” said the tomcat with a smile,
“You must trust in your new-found friend for
a while.
You must abandon your backyard fence,
My dear, what you lack is experience.”
The joys of living he then unfurled
As he told her tales of the outside world;
And then suggested, with a leering laugh,
A trip for two down the primrose path.
The morning after the night before,
The cat came home at the hour of four,
The innocent look from her face had went,
And in its place was a smile of content.
Two months later the kittens came
To that Persian kitty of pedigreed famc;
They were not Persian—they were black and tan—
And she told them their pa was a travelin’ man.
é
N
77
N
,
’ ‘f , -,
AN
Old Maid
..A;/,_/
He asked to hold my hand, I scriously objec(ed.
I knew the fccling was grand, but I might not be respected.
ITo asked mo for a hug, T serionsly objected,
I knew the [eeling was snug, but 1 might not be respeceted.
Ile asked me for a kisy, 1 seriously objectod.
I know the fecling was Dli<, bhut T might not ho respected.
L5
4
V- IPNNIEE.COBaut MY
St LA 18 8 S o o o0 o S
A Persian kitty, perfumed and falr,
Strolled out on a backyard fence for air
When a tomeat, lean and lithe and strong,
Dirty und yuller, came a-strolling along.
Ic snifled at the perfumed Persian cat
As she strutted about with much éclat
And a-thinkin’ the time to pass,
. e whispered, “Kiddo, you sure got class.”
“ "Tis fitten and proper,” was her reply,
As she arched her whiskers over her eve.
“I am ribboned, sleep on pillows of silk,
And I daily bathe in certiged milk,
“But I'm not content with what I've got;
T ought to be happy, but happy I'm not.
I should be joyful, yes, I should indeed,
For I'll have you know, I'm highly pedigreed.”
“Now, hark,” said the tomcat with a smile,
“You must trust in your new-found friend for
a while.
You must abandon your backyard fence,
My dear, what you lack is experience.”
The joys of living he then unfurled
As he told her tales of the outside world;
And then suggested, with a leering laugh,
A trip for two down the primrose path.
The morning after the night before,
The cat came home at the hour of four,
The innocent look from her face had went,
And in its place was a smile of content.
Two months later the kittens came
To that Persian kitty of pedigreed famc;
They were not Persian—they were black and tan—
And she told them their pa was a travelin’ man.
é
N
77
N
,
’ ‘f , -,
AN
Old Maid
..A;/,_/
He asked to hold my hand, I scriously objec(ed.
I knew the fccling was grand, but I might not be respected.
ITo asked mo for a hug, T serionsly objected,
I knew the [eeling was snug, but 1 might not be respeceted.
Ile asked me for a kisy, 1 seriously objectod.
I know the fecling was Dli<, bhut T might not ho respected.
L5
4
: mvsb_48-49_40th_2025_033.tif
WAS MIDNIGHET ON THEE OCEAN
It was midnight on the ocean, not a streetcar was im sight;
While the sun was shining brightly, for it had rained all the night.
"Twas a summer’s day in Winter, and the rain was snowing fast,
As the barefoot girl with shoes on stood there sitting in the grass.
It was evening and the sunrise was just setting in the west;
And the fishes in the treetops were all cuddled in their nests.
As the wind was b owing bubbles, lightning shot from left to right;
Everything that you could see had been hidden out of sight.
While the organ peeled potatoes, lard was rendered by the choir;
When the sexton rang the dishrag, someone set the church on fire.
“Holy Smokes!” the preacher shouted, as he madly tore his hair,
Now his head resemfiles heaven, for there is no parting there.
THE VULCGAR BCATMAN
How I love mine bhoatman
My very vulgar: bcatman
He's just a Russian, c¢lfshin', Prussian,
Russian from the sea, :
VVhen he comes from the ocean
He smells like Scott's emulsion
He's got that silky kind of oilskin
What you love to touch.
He calls me his moimaid
I just love to be his slave
His kisses upset me just like the ocean wave
But I still I love mine boatman
My very vulgar boatman
He's just -a Russian, crushin', Prussian,
Russian from the sea.
Mary Ann McCarty
(Tunc: Battle Hymn of the Republic)
Mary Ann McCarly, sho went out to dlg some clams;
«Mary Ann McCarty, she went out to dig some clams;
Mary Ann McCarty, she went out to dig some clams,
But she didn’t get a single solitary clam.
All that Mary got was oysters, (three times)
But she didn’t get a single solitary clam.
She dug up all the mud there was in San Francisco bay.
Glory, glory, what a helluva time she had!
She went to all the partics that the Psi U’s cver had.
All that Mary got was trench mouthl
o
‘o silver Yhreads w‘(flaf{ |d
It was midnight on the ocean, not a streetcar was im sight;
While the sun was shining brightly, for it had rained all the night.
"Twas a summer’s day in Winter, and the rain was snowing fast,
As the barefoot girl with shoes on stood there sitting in the grass.
It was evening and the sunrise was just setting in the west;
And the fishes in the treetops were all cuddled in their nests.
As the wind was b owing bubbles, lightning shot from left to right;
Everything that you could see had been hidden out of sight.
While the organ peeled potatoes, lard was rendered by the choir;
When the sexton rang the dishrag, someone set the church on fire.
“Holy Smokes!” the preacher shouted, as he madly tore his hair,
Now his head resemfiles heaven, for there is no parting there.
THE VULCGAR BCATMAN
How I love mine bhoatman
My very vulgar: bcatman
He's just a Russian, c¢lfshin', Prussian,
Russian from the sea, :
VVhen he comes from the ocean
He smells like Scott's emulsion
He's got that silky kind of oilskin
What you love to touch.
He calls me his moimaid
I just love to be his slave
His kisses upset me just like the ocean wave
But I still I love mine boatman
My very vulgar boatman
He's just -a Russian, crushin', Prussian,
Russian from the sea.
Mary Ann McCarty
(Tunc: Battle Hymn of the Republic)
Mary Ann McCarly, sho went out to dlg some clams;
«Mary Ann McCarty, she went out to dig some clams;
Mary Ann McCarty, she went out to dig some clams,
But she didn’t get a single solitary clam.
All that Mary got was oysters, (three times)
But she didn’t get a single solitary clam.
She dug up all the mud there was in San Francisco bay.
Glory, glory, what a helluva time she had!
She went to all the partics that the Psi U’s cver had.
All that Mary got was trench mouthl
o
‘o silver Yhreads w‘(flaf{ |d
: mvsb_48-49_40th_2025_034.tif
AETER YOI WORE A TULIP
Adam
Oh, Adam was the first man before the world began
The Lord took mud and sand and from them He made man
But Adam wasn't satisfied. He said, "I want a bride,"
So the Lord took out a rib from Adam's side.
gou could tell them from each other by the clothes the other wore
or '
He wore tuli a big yellow tulip
Ind she wore a big red rose.
When they gfew older twas then he grew bolder
From her head down to her toes
They started apanic, said "The Lord was some mechanic
When He made you from a rib from my side,
And if I ever want a harem
I've got six more ribs to spare Him,"
And she blushed like a sweet June Bride.
N.B. - Before'singing "Oh, Adam", sing one verse of "Vhen you
, Wore a8 tulip.”
OH, WHEN THE MOON SHINES
Oh, when the moon shines, I want to
hold somebody's hand.
Oh, when the moon shines, I begin
to understand.
Why all the little bees and all the
little bears never go in threes
they always go in pairs. (
Oh, when the moon shines, I want to
hold somebody's hand.
Why all the little bears and all the
little bees always go in pairs - they
never go in threes.
YIELD NCT TC TEMPTATION
Yeild ppt to temptation, for flirting is sin,
Some sister will help you, her brother to win.
Fig?t manfully onward, dark passions subdue.
Don't run after the boys, girls, let them run after you.
We do.- They don't. We sita£;So what. Some men are dumb!
S\
4lnr&
,«
QVLJ
Adam
Oh, Adam was the first man before the world began
The Lord took mud and sand and from them He made man
But Adam wasn't satisfied. He said, "I want a bride,"
So the Lord took out a rib from Adam's side.
gou could tell them from each other by the clothes the other wore
or '
He wore tuli a big yellow tulip
Ind she wore a big red rose.
When they gfew older twas then he grew bolder
From her head down to her toes
They started apanic, said "The Lord was some mechanic
When He made you from a rib from my side,
And if I ever want a harem
I've got six more ribs to spare Him,"
And she blushed like a sweet June Bride.
N.B. - Before'singing "Oh, Adam", sing one verse of "Vhen you
, Wore a8 tulip.”
OH, WHEN THE MOON SHINES
Oh, when the moon shines, I want to
hold somebody's hand.
Oh, when the moon shines, I begin
to understand.
Why all the little bees and all the
little bears never go in threes
they always go in pairs. (
Oh, when the moon shines, I want to
hold somebody's hand.
Why all the little bears and all the
little bees always go in pairs - they
never go in threes.
YIELD NCT TC TEMPTATION
Yeild ppt to temptation, for flirting is sin,
Some sister will help you, her brother to win.
Fig?t manfully onward, dark passions subdue.
Don't run after the boys, girls, let them run after you.
We do.- They don't. We sita£;So what. Some men are dumb!
S\
4lnr&
,«
QVLJ
: mvsb_48-49_40th_2025_035.tif
Seven Beers With the Vlrong Vioman
Seven beers with the wrong woman;
We sat at a table for two.
And the first thing I knew, she whispered,
“"Honey Boy, I coulsd sure go for voul"
Then my heart beat a iittle bit Guicker
e -I fondled her sweet little hand;
I swelled up with pride, but oh boy, how she lied!
I sure was a foulish young man. :
’
Seven beers with the wrong woman.
She asked me to get up and dance.
Around and around we circled,
Til I felt for the dough in my pants.
When I asked her if she had seen it,
She looked up at me and said "No",
From that day, to me, it's a great mystery.
I wonder just where it did go.
- Seven beers with the wrong woman.
Her husband came in after that.
And when he spied us together,
He rushed up and told me to scat.
He took me by the seat of my britches,
And he sure didn't leave any slack.
T'was then I got tossed out the door by the boss,
And he told me to never come back.
Seven beers with the wrong woman.
It left me with only regrects.
And I guess she was only follin',
VWhen she called me her darlin' and pets.,
Now I wish that the lord had made Adam,
And had nver made anyone else.,
But there's one thing I know;--
That the next place place I go,
I'11l have fourteen beers by myself.
Dubuque
Oh, Dubuque, oh, llzubuquehi .
u really make me shive
g§¥hy;our gregt wide streets and your Mississippi River
Oh, I love you with my heart
And I love you with my liver
Oh Dubuque (tsck tsck)
By the River (stamp feet)
Seven beers with the wrong woman;
We sat at a table for two.
And the first thing I knew, she whispered,
“"Honey Boy, I coulsd sure go for voul"
Then my heart beat a iittle bit Guicker
e -I fondled her sweet little hand;
I swelled up with pride, but oh boy, how she lied!
I sure was a foulish young man. :
’
Seven beers with the wrong woman.
She asked me to get up and dance.
Around and around we circled,
Til I felt for the dough in my pants.
When I asked her if she had seen it,
She looked up at me and said "No",
From that day, to me, it's a great mystery.
I wonder just where it did go.
- Seven beers with the wrong woman.
Her husband came in after that.
And when he spied us together,
He rushed up and told me to scat.
He took me by the seat of my britches,
And he sure didn't leave any slack.
T'was then I got tossed out the door by the boss,
And he told me to never come back.
Seven beers with the wrong woman.
It left me with only regrects.
And I guess she was only follin',
VWhen she called me her darlin' and pets.,
Now I wish that the lord had made Adam,
And had nver made anyone else.,
But there's one thing I know;--
That the next place place I go,
I'11l have fourteen beers by myself.
Dubuque
Oh, Dubuque, oh, llzubuquehi .
u really make me shive
g§¥hy;our gregt wide streets and your Mississippi River
Oh, I love you with my heart
And I love you with my liver
Oh Dubuque (tsck tsck)
By the River (stamp feet)
: mvsb_48-49_40th_2025_036.tif
Williams Man Who's Far, Far Away
Around her hair, she wore a purple ribbon;
She wore it in the springtime and in the month
of May, '
And if you ask her why she wore that ribbon,
She wore it for her Williams man who’s far,
far away. .
Far away, far away; far away, far away;
She wore it for her Williais man who's far,
far away.
Around her knee, she wore a purple garter;
She wore it in the springtime, and in the month
of May,
And if you ask her why she wore that garter,
She wore it for her Willicuns man who's far,
far away.
IN THE QUARTER MASTER CORPS
Oh, il’s ale, ale, ale, that makes you feel so hale.
Far away, lar away; far away, far away;
She wore it for her Williams man who's far,
far away.
Around the block, she pushed a baby carriage.
Bchind the door her father kept a shotgun,
On the wall she keeps a marriage license.
In the desk, the sherifl keeps a warrant.
And in her heart, she has a secret passion;
She has it for an Amherst inan who's not so
[ar away.
Similarly: Brandy—dandy. Cocoa—loco. Liquid—wicked. Rum—bum. Rye—spry.
Sherry—merry. Vodka—hotka. Whiskey—frisky. Wine—fine. Bourbon—burpin’,
Coke—want to choke. Gin—want to sin. Porl—want to sport. Mint—want to
squint. Musca-muscatel—fecl like Hell. Vermouth—makes you so uncouth.
Royal Royal Crown—really gets you down, Pepsi—gives you apoplexy.
Champagne—gives you such a pain. Corn—glad you're born. It's the Amontillado
that gives me this vibrato. Scolch—gives your name a blotch.
Mules
(Tune: Auld Lang Syne)
On mules we find two legs behind,
and two we find before,
We stand behind before we find
what the two behind be for,
When we're behind the two behind
we find what these be for,
So stand before the two behind,
behind the two before.
27
Around her hair, she wore a purple ribbon;
She wore it in the springtime and in the month
of May, '
And if you ask her why she wore that ribbon,
She wore it for her Williams man who’s far,
far away. .
Far away, far away; far away, far away;
She wore it for her Williais man who's far,
far away.
Around her knee, she wore a purple garter;
She wore it in the springtime, and in the month
of May,
And if you ask her why she wore that garter,
She wore it for her Willicuns man who's far,
far away.
IN THE QUARTER MASTER CORPS
Oh, il’s ale, ale, ale, that makes you feel so hale.
Far away, lar away; far away, far away;
She wore it for her Williams man who's far,
far away.
Around the block, she pushed a baby carriage.
Bchind the door her father kept a shotgun,
On the wall she keeps a marriage license.
In the desk, the sherifl keeps a warrant.
And in her heart, she has a secret passion;
She has it for an Amherst inan who's not so
[ar away.
Similarly: Brandy—dandy. Cocoa—loco. Liquid—wicked. Rum—bum. Rye—spry.
Sherry—merry. Vodka—hotka. Whiskey—frisky. Wine—fine. Bourbon—burpin’,
Coke—want to choke. Gin—want to sin. Porl—want to sport. Mint—want to
squint. Musca-muscatel—fecl like Hell. Vermouth—makes you so uncouth.
Royal Royal Crown—really gets you down, Pepsi—gives you apoplexy.
Champagne—gives you such a pain. Corn—glad you're born. It's the Amontillado
that gives me this vibrato. Scolch—gives your name a blotch.
Mules
(Tune: Auld Lang Syne)
On mules we find two legs behind,
and two we find before,
We stand behind before we find
what the two behind be for,
When we're behind the two behind
we find what these be for,
So stand before the two behind,
behind the two before.
27
: mvsb_48-49_40th_2025_037.tif
, ‘ O
She goes to Vassar, none can surpass her,
She is the stroke of the varsity crew.
And in my future life, she’s gonna be my wife.
How in the world do you know that? She told me so.
My gitl’s from Thmith, thhe talkth like thith,
Thhe taught me how to kith, I love her tho,
And in my future life, cle.
My girl’s from Ilolyoke, she taught me how to smoke,
She knows a dirty joke, now I know one tgo.
My girl’s from Radecliffe, she is a big stiff,
And she gets sore at me when 1 tell her so.
My girl's from Wheaton, she takes a beatin’,
And when she’s feeling good, I take one too.
My girl's from Skidmore, she is an awlul bore,
She never knows the score, boy don’t I know!
My girl's from Middlcbury, she is cxtraordinary,
She’s built just like a fairy, three hundred pounds or so.
My girl's from Wellesley, she always tells me
I'm bats in the belfry, but I love her anyhow.
My girl’s from MIT, she is a travesty,
Cirls who go for engincering are not so hot appcearing.
My girl’s from Connccticut, she knows her eliquctte,
She taught me how to pet, now I do it too.
My man’s from Yale, he lands in jail,
From drinking too much gin—ger alc.
Advertise
(‘Tunc: Auld Lang Sync)
The fish, it never cackles "bout
it's million eggs or so,
The hen is quite a different bird,
one cgg—and hear her crow.
The fish we spurn, but crown the hen,
which leads me to surmise:
Don't hide your light, but blow your horn,
it pays to advertise.
28,
[
She goes to Vassar, none can surpass her,
She is the stroke of the varsity crew.
And in my future life, she’s gonna be my wife.
How in the world do you know that? She told me so.
My gitl’s from Thmith, thhe talkth like thith,
Thhe taught me how to kith, I love her tho,
And in my future life, cle.
My girl’s from Ilolyoke, she taught me how to smoke,
She knows a dirty joke, now I know one tgo.
My girl’s from Radecliffe, she is a big stiff,
And she gets sore at me when 1 tell her so.
My girl's from Wheaton, she takes a beatin’,
And when she’s feeling good, I take one too.
My girl's from Skidmore, she is an awlul bore,
She never knows the score, boy don’t I know!
My girl's from Middlcbury, she is cxtraordinary,
She’s built just like a fairy, three hundred pounds or so.
My girl's from Wellesley, she always tells me
I'm bats in the belfry, but I love her anyhow.
My girl’s from MIT, she is a travesty,
Cirls who go for engincering are not so hot appcearing.
My girl’s from Connccticut, she knows her eliquctte,
She taught me how to pet, now I do it too.
My man’s from Yale, he lands in jail,
From drinking too much gin—ger alc.
Advertise
(‘Tunc: Auld Lang Sync)
The fish, it never cackles "bout
it's million eggs or so,
The hen is quite a different bird,
one cgg—and hear her crow.
The fish we spurn, but crown the hen,
which leads me to surmise:
Don't hide your light, but blow your horn,
it pays to advertise.
28,
[
: mvsb_48-49_40th_2025_038.tif
s ‘ \“F = \\\l‘/ \‘r/’
= L‘ =~
/) \\ -'."
‘ ?/b— -~ \
- -"
-\
L 4
NOATH AFTZR DINNER SCHGS
"HOME ON THE JUAD"- words by Joan Javits
Oh, give me a suh
Wwho will scrub ouk the tub
Give me breakfast in bed on a tray
Give me something to eat
I'm so sick of puffed wheat :
O0ld matt didn't plan it this way.
Home, Home, on the quad
Where the North Tower's closest to God
¥here seldomn is heard
The song of a bird
Cause the gnow always covers the sod.
My rammate believes
We have 85 leaves
Haven't seen her since early last iay
She's up skilnb at Stowe
; But there isn't no snow
f Old Matt must have planned it this way.
Home, Home in the stacks
Where the seniors are break'ing their backs
If your book's on reserve
. Dearie, don't lose your nerve
Just swipe it and start to make tracks.
Give me free cigaret*es
Give us hundreds of L8
Gilve us no classes on Saturday
Give Profes-opPs more dough
Or -1 4ell you they'11 blow
0ld watt didn't plan it this way.
Home, Home on the Quad ,
ihere the North Tower's closest to God
{fhere seldom is heard
The song of a bird
Cause the snow always covers the scd.
AT THE BOARDING HOUSE
(Tune: Silver Threads Among the Gold)
At the boarding house where I stayed, everything was growing old;
Silver hairs among the butter, and the bread was all a-mold.
When the dog dicd, we had sausage, when the cat died, catnip tea,
But when the landlord dxeddl left there, spareribs were too much for me.
= L‘ =~
/) \\ -'."
‘ ?/b— -~ \
- -"
-\
L 4
NOATH AFTZR DINNER SCHGS
"HOME ON THE JUAD"- words by Joan Javits
Oh, give me a suh
Wwho will scrub ouk the tub
Give me breakfast in bed on a tray
Give me something to eat
I'm so sick of puffed wheat :
O0ld matt didn't plan it this way.
Home, Home, on the quad
Where the North Tower's closest to God
¥here seldomn is heard
The song of a bird
Cause the gnow always covers the sod.
My rammate believes
We have 85 leaves
Haven't seen her since early last iay
She's up skilnb at Stowe
; But there isn't no snow
f Old Matt must have planned it this way.
Home, Home in the stacks
Where the seniors are break'ing their backs
If your book's on reserve
. Dearie, don't lose your nerve
Just swipe it and start to make tracks.
Give me free cigaret*es
Give us hundreds of L8
Gilve us no classes on Saturday
Give Profes-opPs more dough
Or -1 4ell you they'11 blow
0ld watt didn't plan it this way.
Home, Home on the Quad ,
ihere the North Tower's closest to God
{fhere seldom is heard
The song of a bird
Cause the snow always covers the scd.
AT THE BOARDING HOUSE
(Tune: Silver Threads Among the Gold)
At the boarding house where I stayed, everything was growing old;
Silver hairs among the butter, and the bread was all a-mold.
When the dog dicd, we had sausage, when the cat died, catnip tea,
But when the landlord dxeddl left there, spareribs were too much for me.
: mvsb_48-49_40th_2025_039.tif
Girls Can Never Change Their Nature
(Tune: Silver Threads Among the Gold)
Girls can never change their nature; that is quite beyond their reach.
If a girl is born a lemon, she can never be a peach.
But the law of compensation is the one I always preach,
You can always squceze a lemon, but just try to squccze a peach.
But you can tryl
- Wolves When They're Young
They're wolves when they're young, :
And they're wolves when fhev!'re old,
So beware of all men because they blow hot, blow cold.
All things that shine
My dear are not gold,
So beware of all men because they blow hot, blow cold.
Now you may work like a mamniac
And Jump around like a jumping jack
Just to keep your honey from sliding back
And then he flies off with a blonde.
They're wolves when they're young, etc.
Now I said to Jennie Jgnes the otther day
HIf & man falls fory you just let him lay,
And don't you believe a single word they say!l!"
Cause they blow hot, blow cold.
Vhen a man proposes by the garden gate,
He gets you hot and bothered, then procrastinates,
So honey, just be careful when you're picking out a mate,
They blow hot, blow cold. ~
Now you may work like a maniac, itc.
I would play with fire any old day,
Just as long as I was sure that it was safe to play,
But dammit, the men don't play that way,
They blow hot, blow cold.
All things that shine, etc,
weye
(Tune: Silver Threads Among the Gold)
Girls can never change their nature; that is quite beyond their reach.
If a girl is born a lemon, she can never be a peach.
But the law of compensation is the one I always preach,
You can always squceze a lemon, but just try to squccze a peach.
But you can tryl
- Wolves When They're Young
They're wolves when they're young, :
And they're wolves when fhev!'re old,
So beware of all men because they blow hot, blow cold.
All things that shine
My dear are not gold,
So beware of all men because they blow hot, blow cold.
Now you may work like a mamniac
And Jump around like a jumping jack
Just to keep your honey from sliding back
And then he flies off with a blonde.
They're wolves when they're young, etc.
Now I said to Jennie Jgnes the otther day
HIf & man falls fory you just let him lay,
And don't you believe a single word they say!l!"
Cause they blow hot, blow cold.
Vhen a man proposes by the garden gate,
He gets you hot and bothered, then procrastinates,
So honey, just be careful when you're picking out a mate,
They blow hot, blow cold. ~
Now you may work like a maniac, itc.
I would play with fire any old day,
Just as long as I was sure that it was safe to play,
But dammit, the men don't play that way,
They blow hot, blow cold.
All things that shine, etc,
weye
: mvsb_48-49_40th_2025_040.tif
NZe=ee I
25—\ \. S -\\\M’ 2
D SO NS *‘ . =V
'v\ }A a2 ““\ 7 ) 2%
LITTE it
=
We're marching, we're marching our brave little band.
On the right side of Heaven we now take our stand.
We don't chew tobacco because we do think
That them that does, chew it is liable to drink.
Down with King Alclohol. Down all you can.
Ah, Men....Ah women. Ah nuts.
PERSONAL (1Y
oh on when Frediy danced, he Ty girls entranced
And you can bet it was eesy to see
He had a well develoyea PeaBsonality
When Lucy Galpin's hips created an eclipse %
And lLela's face started to fall . s
; He came back to lLela e
Cause Lela had the alcohol~- | .~ '
k d e "’" A
e ¢
ANNAPOLIS
Got our bags and got our reservations
Got each dime we could afford
With our hearts in wild antliclpation @ .
longed to hear that‘Annazglgg,call g i
“ive oclocx, that's when we got up at five o clook
Potsy waitin' up to see us off, countin' every mile
Tnat leads us to our men in blue
Never thought my face could be so pea green
Never thought I'd act like this :
¥lth my knees as wobbly as spaghetti
Here we come, Anapolis
We got there, the Boys were there to peet us
Took us to a basxetball game
Went to the hop, and home at 2 ockfick
And you can bet that they weren't tame " — —— —-
Got to our rooms and tney were full of people
4 on the bed and 4 on tne floor
Listened 1ndand tnis 1s what we heard .
Roll over Jacx and do it some more *
Chapel that8s where we arrived at ten
¥isn you could have seen our men mareching in review...how we love you
And we still do
After church we went and got some chow
Never thousght a day could be such bli:zs
They left us ~ith our hearts upon cur sleeves
Fare thee well, Annapolis
.. ocat—— e —————
25—\ \. S -\\\M’ 2
D SO NS *‘ . =V
'v\ }A a2 ““\ 7 ) 2%
LITTE it
=
We're marching, we're marching our brave little band.
On the right side of Heaven we now take our stand.
We don't chew tobacco because we do think
That them that does, chew it is liable to drink.
Down with King Alclohol. Down all you can.
Ah, Men....Ah women. Ah nuts.
PERSONAL (1Y
oh on when Frediy danced, he Ty girls entranced
And you can bet it was eesy to see
He had a well develoyea PeaBsonality
When Lucy Galpin's hips created an eclipse %
And lLela's face started to fall . s
; He came back to lLela e
Cause Lela had the alcohol~- | .~ '
k d e "’" A
e ¢
ANNAPOLIS
Got our bags and got our reservations
Got each dime we could afford
With our hearts in wild antliclpation @ .
longed to hear that‘Annazglgg,call g i
“ive oclocx, that's when we got up at five o clook
Potsy waitin' up to see us off, countin' every mile
Tnat leads us to our men in blue
Never thought my face could be so pea green
Never thought I'd act like this :
¥lth my knees as wobbly as spaghetti
Here we come, Anapolis
We got there, the Boys were there to peet us
Took us to a basxetball game
Went to the hop, and home at 2 ockfick
And you can bet that they weren't tame " — —— —-
Got to our rooms and tney were full of people
4 on the bed and 4 on tne floor
Listened 1ndand tnis 1s what we heard .
Roll over Jacx and do it some more *
Chapel that8s where we arrived at ten
¥isn you could have seen our men mareching in review...how we love you
And we still do
After church we went and got some chow
Never thousght a day could be such bli:zs
They left us ~ith our hearts upon cur sleeves
Fare thee well, Annapolis
.. ocat—— e —————
: mvsb_48-49_40th_2025_041.tif
/8 %‘L'
»"T';\ Y
,a: ‘ o ULy 55 Lopt AT
VA % .
W& We're ugly to look at, repulstve to know and, drastic to kiss ~ o
\: ® ‘combination like this - e - ;é%f
,;flwéf ;Maxes us the most unpopular girls 1n town , - ~ =
”«} The boys are always turning us down - - ' |
‘5’3 Our families are frantic because we don't click like other girls ¢
Y i And this is the story of poor little me el
| _.\.,"; A jnaggar'd old freshman at Vassar you see, a.h jme, «&s s
/. . : i whohi
S
/Ԥ
1 >
3 ‘; - GOODNIGHT
‘74? _Goodnight liktle girls, goodnight .
‘ / - hope you gel Home all right = : 0Nl s
-%ޤ Your kiss was divine, and with each Jjug of wine
AN 1 I thouzht I could make you most any old time
\V: But I see, little girl, I was wrong
5 ) 80 I guess T'11 be rolllng along
I thoupht T could winm you with all that gin.in ¥you
Goodmight little b;{anéggggiéét o
e i ERR e e
-
OLD HUDSON VALLEY
TO0 %the fTrre &€ "Red River Vallevy®
OLh, rement s e
- ememoer the ?Tu dudson Valley
~0 Dot hHEstern to bfd te - aga
v * :
=Veryone goes away every weekend
'T'k i bay ~ > 3 > o
-€Y Te sorry when weekends are through
rt
Yes, and down in the
Matthew thou T thad
He invested := coog ¢
Soon West DPgoint set
We'll remember th .
NH > o ~-|v~ :
£T8 OLr Folrtianr et Vassar +o stav,
el B nbeicie e Bl fordlv.
-
ZOW much beer ha cculd sell here tocavy
M
s O
TN
()
e, T hew
»"T';\ Y
,a: ‘ o ULy 55 Lopt AT
VA % .
W& We're ugly to look at, repulstve to know and, drastic to kiss ~ o
\: ® ‘combination like this - e - ;é%f
,;flwéf ;Maxes us the most unpopular girls 1n town , - ~ =
”«} The boys are always turning us down - - ' |
‘5’3 Our families are frantic because we don't click like other girls ¢
Y i And this is the story of poor little me el
| _.\.,"; A jnaggar'd old freshman at Vassar you see, a.h jme, «&s s
/. . : i whohi
S
/Ԥ
1 >
3 ‘; - GOODNIGHT
‘74? _Goodnight liktle girls, goodnight .
‘ / - hope you gel Home all right = : 0Nl s
-%ޤ Your kiss was divine, and with each Jjug of wine
AN 1 I thouzht I could make you most any old time
\V: But I see, little girl, I was wrong
5 ) 80 I guess T'11 be rolllng along
I thoupht T could winm you with all that gin.in ¥you
Goodmight little b;{anéggggiéét o
e i ERR e e
-
OLD HUDSON VALLEY
TO0 %the fTrre &€ "Red River Vallevy®
OLh, rement s e
- ememoer the ?Tu dudson Valley
~0 Dot hHEstern to bfd te - aga
v * :
=Veryone goes away every weekend
'T'k i bay ~ > 3 > o
-€Y Te sorry when weekends are through
rt
Yes, and down in the
Matthew thou T thad
He invested := coog ¢
Soon West DPgoint set
We'll remember th .
NH > o ~-|v~ :
£T8 OLr Folrtianr et Vassar +o stav,
el B nbeicie e Bl fordlv.
-
ZOW much beer ha cculd sell here tocavy
M
s O
TN
()
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: mvsb_48-49_40th_2025_042.tif
NORTH SONC :
Words and Music by Joan Javits
We got it over you
The tower's got a super view
The wings you must admire, they could fly higher,
Cause .they've got the spirit, tooo...
North is the very top,
The tower will rock, but never drop,
And if you venture forth you'll wind up at North...
Don't misconstrue it, we do mean Jewett.
Though we don't think you're a total flop,
We've got it over you, we've got it over you.
TEASIN' TEASIN'
(Verse 1)
Teasin', Teasin', I was only teasing you,
Teasin', Teasin', just to see what you would do.
(Of course you know that I was)
Teasin', Teasin', just to prove your lone was true
-Don't be angry, 'cause
I was only, only teasin’' you.
DEDICATED TO MISS BLANDING
(To the tune of TEASIN') Verse 3 8
Found 'er, founde 'er
Vassar found 'er when she came to us.
We found 'er, found er
But we didn't know what name to call 'er, when we hollered
Found 'er, found 'er, :
But Prexy lends us no relief;
If tuition drops or not, she's tops.
Brd let's just call her our Big Chief:
Words and Music by Joan Javits
We got it over you
The tower's got a super view
The wings you must admire, they could fly higher,
Cause .they've got the spirit, tooo...
North is the very top,
The tower will rock, but never drop,
And if you venture forth you'll wind up at North...
Don't misconstrue it, we do mean Jewett.
Though we don't think you're a total flop,
We've got it over you, we've got it over you.
TEASIN' TEASIN'
(Verse 1)
Teasin', Teasin', I was only teasing you,
Teasin', Teasin', just to see what you would do.
(Of course you know that I was)
Teasin', Teasin', just to prove your lone was true
-Don't be angry, 'cause
I was only, only teasin’' you.
DEDICATED TO MISS BLANDING
(To the tune of TEASIN') Verse 3 8
Found 'er, founde 'er
Vassar found 'er when she came to us.
We found 'er, found er
But we didn't know what name to call 'er, when we hollered
Found 'er, found 'er, :
But Prexy lends us no relief;
If tuition drops or not, she's tops.
Brd let's just call her our Big Chief:
: mvsb_48-49_40th_2025_043.tif
po—, |
- e
~n. D |\ T
RVVZE: " S
BLOOD ON THE SADDLE
There's blood on the saddle
And blood on the ground
And there's great big puddles
0Of blood all around.
The cowboy lay in it,
All bloody and red _
For his branco dare throwed him
And bashed in his head.
Oh pity the cowboy
A1l bloody with gore
For he ain't gonna ride
Any branco no more.
BEER THAT PICKLED DEAR OLD DAD
I want a beer
Just like the beer
That pickled dear old dad.
It was a beer, and the only beer
That daddy ever had,
A real old fashioned beer
With lots of foam
It took six men
To carry daddy home.
Oh I want a beer
Just like the beer
That pickled dear old dad.
Slmq‘ ac da-— ¢« Thie - Oh Vassar college wpen e Hodsen 1T
1l g
Lo 8 T 1 O S B
At
We
At
We
s By
A
. » i P4
g 7 o_o
SLING-A DA INK
Vassar College upon the Hudson,
sling-a da ink and push-a dapen along;
Vassar College upon the Hudson,
sling-a da ink and push-a dapen along.
Sling-a da ink, sling-a da ink and push-a da pen along,
Sling-a da ink and push-a da pen along
At Vassar College upon the Hudscn,
We
sling-a da ink ag&lpush—a da pen along.
- e
~n. D |\ T
RVVZE: " S
BLOOD ON THE SADDLE
There's blood on the saddle
And blood on the ground
And there's great big puddles
0Of blood all around.
The cowboy lay in it,
All bloody and red _
For his branco dare throwed him
And bashed in his head.
Oh pity the cowboy
A1l bloody with gore
For he ain't gonna ride
Any branco no more.
BEER THAT PICKLED DEAR OLD DAD
I want a beer
Just like the beer
That pickled dear old dad.
It was a beer, and the only beer
That daddy ever had,
A real old fashioned beer
With lots of foam
It took six men
To carry daddy home.
Oh I want a beer
Just like the beer
That pickled dear old dad.
Slmq‘ ac da-— ¢« Thie - Oh Vassar college wpen e Hodsen 1T
1l g
Lo 8 T 1 O S B
At
We
At
We
s By
A
. » i P4
g 7 o_o
SLING-A DA INK
Vassar College upon the Hudson,
sling-a da ink and push-a dapen along;
Vassar College upon the Hudson,
sling-a da ink and push-a dapen along.
Sling-a da ink, sling-a da ink and push-a da pen along,
Sling-a da ink and push-a da pen along
At Vassar College upon the Hudscn,
We
sling-a da ink ag&lpush—a da pen along.
: mvsb_48-49_40th_2025_044.tif
_ ‘.'_‘:’ ‘.’
ZIF, 719 71D | \\“
Good morning, Mr., Zip, Zip, Zip \‘“‘.JL"'
With your haiz cut just as shor% as mine, i
Geod morning ir. Zip, zip, Zip, - \\‘\"/
You're rcally locking fine. SVE
Now ashes to ashes, and dust to dust, 2
If, Camels don't get you, then Fatimas must. ,‘2‘"
Good morning, Mr. Zip, Zip, 21p, _ : 9“'1
VWith your hair cut just as short as mine., - (/ \“ A
(If cocaine doesn't get you, then the caffein must) c 1
(If a good man doesn't get you, then a bad man must) N
W2
I
Wig
-y =
/’\ 4
A \C
GOING BACK : N
E . (R
‘\\:‘,-
I used to go down to the station ’l\ /
Every evening just to watch those pullman trains come rolling in
Ard the one night that great temptation o\
Got the best of me and led me to a life of sin. /N
I took my hat and fcuarteen dollars 3
And I went to all the trouble of this world that always follers ",‘
Vhen you're rich and huntin’® ronance /ly
I ay huatin' dayvs are over I can tell you that. ,,’(’ |
I met a man in Kansas City, and he winked at me 1 {42
And asked me if I'd like %o see the town Pl "W
And I said "Sure, thatc's what I'm her fer" - J’
So he said he'd take me to the hottest spots in town, ‘?J
He mentioned things he’s have to fix up ‘ \‘”\
S0 he tcok my fourteen dollarg but there must have been a mix-up }.’,,'L,,‘
He's been gone since Thursdsy evening - .'."!V,
And I got a hunch I'll nsver sce that man no more. g
When I grow old ard have a grandsorn \‘6‘,
I will tell him of my romance and I'11l watch his eyes bulge out ag;\_
But you can't say I didan't wzrh him - ‘['<§
Vihatywould happen if I met up with that city guy dcggone ;f
I'm going back to where I (:Qq_xg.,'frorp y 24
Where the mockin' bird is sinzin! in the lilac bush. .‘Y/
. 4@" ;
LSS
.
= N3/
e) fey
ZIF, 719 71D | \\“
Good morning, Mr., Zip, Zip, Zip \‘“‘.JL"'
With your haiz cut just as shor% as mine, i
Geod morning ir. Zip, zip, Zip, - \\‘\"/
You're rcally locking fine. SVE
Now ashes to ashes, and dust to dust, 2
If, Camels don't get you, then Fatimas must. ,‘2‘"
Good morning, Mr. Zip, Zip, 21p, _ : 9“'1
VWith your hair cut just as short as mine., - (/ \“ A
(If cocaine doesn't get you, then the caffein must) c 1
(If a good man doesn't get you, then a bad man must) N
W2
I
Wig
-y =
/’\ 4
A \C
GOING BACK : N
E . (R
‘\\:‘,-
I used to go down to the station ’l\ /
Every evening just to watch those pullman trains come rolling in
Ard the one night that great temptation o\
Got the best of me and led me to a life of sin. /N
I took my hat and fcuarteen dollars 3
And I went to all the trouble of this world that always follers ",‘
Vhen you're rich and huntin’® ronance /ly
I ay huatin' dayvs are over I can tell you that. ,,’(’ |
I met a man in Kansas City, and he winked at me 1 {42
And asked me if I'd like %o see the town Pl "W
And I said "Sure, thatc's what I'm her fer" - J’
So he said he'd take me to the hottest spots in town, ‘?J
He mentioned things he’s have to fix up ‘ \‘”\
S0 he tcok my fourteen dollarg but there must have been a mix-up }.’,,'L,,‘
He's been gone since Thursdsy evening - .'."!V,
And I got a hunch I'll nsver sce that man no more. g
When I grow old ard have a grandsorn \‘6‘,
I will tell him of my romance and I'11l watch his eyes bulge out ag;\_
But you can't say I didan't wzrh him - ‘['<§
Vihatywould happen if I met up with that city guy dcggone ;f
I'm going back to where I (:Qq_xg.,'frorp y 24
Where the mockin' bird is sinzin! in the lilac bush. .‘Y/
. 4@" ;
LSS
.
= N3/
e) fey
: mvsb_48-49_40th_2025_045.tif
AN 2 a2
WE MUST BE VIGILANT
AMERICAN PATROL
We must be vigilant! We must
be vigilant! American Patrol
With arms for the navy, ships
for the navy, let this be our
goal .
We must be diligant! We must be
diligant! American Patrol.
Protect our shore line to the door
line of ev'ry native soul
We need this solidarity or else
divided we will fall;
It means the populartty of peace
and happiness for all.
Behind this cause we must keep
rallying, let there be no dilly-
dallying; Keep us free from shilly-
shallying, hark to freedom's call
On the land! in the air! on the seal!l
ev'rywhere
We must be vigilant! we must be vig-
ilant! American Patrol.
With planes of the army, planes of the
navy, always in control ;
We must be digilent! We must be digilant!
American Patrol!
In each direction give protection to
ev'ry native soul.
We must be vigilant! we must be vigilant
by day!
We must be diligent! we must be digilent
by night!
Behind this cause we must keep rallying,
let there be no dilly-dallying.
Keep us free from shilly shallytng and
we'll reach our goal.
The American, the American Patrol.
GOT ALONG WITHOUT YOU % o
T —— -
Got along without you before I met you
Genna get along without you now.
Going to find somebcdy just as good as you
Cause I never loved you anyhow.
You ran around with every girl in town,
You'll never know how much it got me down.
Cat alone with out vou. etce
WE MUST BE VIGILANT
AMERICAN PATROL
We must be vigilant! We must
be vigilant! American Patrol
With arms for the navy, ships
for the navy, let this be our
goal .
We must be diligant! We must be
diligant! American Patrol.
Protect our shore line to the door
line of ev'ry native soul
We need this solidarity or else
divided we will fall;
It means the populartty of peace
and happiness for all.
Behind this cause we must keep
rallying, let there be no dilly-
dallying; Keep us free from shilly-
shallying, hark to freedom's call
On the land! in the air! on the seal!l
ev'rywhere
We must be vigilant! we must be vig-
ilant! American Patrol.
With planes of the army, planes of the
navy, always in control ;
We must be digilent! We must be digilant!
American Patrol!
In each direction give protection to
ev'ry native soul.
We must be vigilant! we must be vigilant
by day!
We must be diligent! we must be digilent
by night!
Behind this cause we must keep rallying,
let there be no dilly-dallying.
Keep us free from shilly shallytng and
we'll reach our goal.
The American, the American Patrol.
GOT ALONG WITHOUT YOU % o
T —— -
Got along without you before I met you
Genna get along without you now.
Going to find somebcdy just as good as you
Cause I never loved you anyhow.
You ran around with every girl in town,
You'll never know how much it got me down.
Cat alone with out vou. etce
: mvsb_48-49_40th_2025_046.tif
THE LAVENDAR COWBOY
He was only a lavendar cowboy, and the
hairs on his chest were but two.
he wanted to be like the heros, and do
as the he-men-do.
Herbicide and many hair tonics, he
rubbed 1in
each time
were only
both morning and night, but
he looked in the mirror, there
two hairs in sight. He fought
to save Red Nellie's honor-he cleaned out
an outlaw's nest, and he died with his
sitxguns a-smokin' and only two hairs
on hig chest.
Let Her Sleep Under the Bar
"Twas a cold winter’s evening, the guests were all leaving,
O’Leary was closing the bar,
When he turned and he said to the lady in red,
“Get out! You can’t sta
She shed a sad tear in
As she thought of the cold night ahead,
When a gentleman dapper step
And these were the words that
where you arel”
er bucket of beer
ed out of the—phone booth,
“IIer mother never told her the things a young girl should know,
About the ways of college men, and how they come and go (mostly go).
Age has taken her beauty, and sin has left its sad scar,
So remember your mother and sisters, boys, and let her sleep under the bar.’
He was only a lavendar cowboy, and the
hairs on his chest were but two.
he wanted to be like the heros, and do
as the he-men-do.
Herbicide and many hair tonics, he
rubbed 1in
each time
were only
both morning and night, but
he looked in the mirror, there
two hairs in sight. He fought
to save Red Nellie's honor-he cleaned out
an outlaw's nest, and he died with his
sitxguns a-smokin' and only two hairs
on hig chest.
Let Her Sleep Under the Bar
"Twas a cold winter’s evening, the guests were all leaving,
O’Leary was closing the bar,
When he turned and he said to the lady in red,
“Get out! You can’t sta
She shed a sad tear in
As she thought of the cold night ahead,
When a gentleman dapper step
And these were the words that
where you arel”
er bucket of beer
ed out of the—phone booth,
“IIer mother never told her the things a young girl should know,
About the ways of college men, and how they come and go (mostly go).
Age has taken her beauty, and sin has left its sad scar,
So remember your mother and sisters, boys, and let her sleep under the bar.’
: mvsb_48-49_40th_2025_047.tif
Israeli Folk Song
Zum ga-1li, ga-1i, ga-1li, Zum, ga-li, ga-li,
Am Em
Solo: He-cha-lutz l¢’ - man— a-vo-dah,__
Zum ga-li, ga-li, gali, zum ga-li, ga-li,Zumké)/A-vo-dah le’
Am Em B? Am
z - /:;——\
4‘ 1 | R e
= 4: {1 1 1 1
man___ he -cha-lutz.
M, ai,
Al,— i, Al, _ hai_ hai-ah, hai-ah,
Em
1 q
Chorus and Solo:
Zum ga-1i ga-li, ga-li, Zum ga-li, ga-l, Zum.
Vassar Hygiene Song ' 5
Oh, we never used to bathe till we heard the Doctor rave
In the lectures that she gave how to behave;
Now we take our daily bath even though we miss our math.
IHow in the world do you know that? She told us so.
When we grow older, then we'll be bolder,
We'll take it colder, up to the shoulder.
This we must do every day, even though we pass away.
Iow in the world do you know that? She told us so.
Oh, we always used to weep when we heard the chickens peep
In the boiled eggs that we cat every old week,
Now we cat them every day; pepper takes the taste away.
Iow in the world do you know that? She told us so. . :
Wiiake o
|
Zum ga-1li, ga-1i, ga-1li, Zum, ga-li, ga-li,
Am Em
Solo: He-cha-lutz l¢’ - man— a-vo-dah,__
Zum ga-li, ga-li, gali, zum ga-li, ga-li,Zumké)/A-vo-dah le’
Am Em B? Am
z - /:;——\
4‘ 1 | R e
= 4: {1 1 1 1
man___ he -cha-lutz.
M, ai,
Al,— i, Al, _ hai_ hai-ah, hai-ah,
Em
1 q
Chorus and Solo:
Zum ga-1i ga-li, ga-li, Zum ga-li, ga-l, Zum.
Vassar Hygiene Song ' 5
Oh, we never used to bathe till we heard the Doctor rave
In the lectures that she gave how to behave;
Now we take our daily bath even though we miss our math.
IHow in the world do you know that? She told us so.
When we grow older, then we'll be bolder,
We'll take it colder, up to the shoulder.
This we must do every day, even though we pass away.
Iow in the world do you know that? She told us so.
Oh, we always used to weep when we heard the chickens peep
In the boiled eggs that we cat every old week,
Now we cat them every day; pepper takes the taste away.
Iow in the world do you know that? She told us so. . :
Wiiake o
|
: z_mvsb_48-49_40th_2025_048.tif
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$:otland’s Burning, Round
4 a 1 {19 o
Q_L* g, ey . |
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%E%Mg-fififi——q
Scotland’s burning, Scotland’s burning,
Look out, look out!
Fire, fire, fire, fire,
Pour on water, pour on water,
French Cathedral, Round
1 ) B ¢ 1 = $ ]
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b § l ) § d ) G g ) | 1 ) § 1 4
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Or-(é-any, Beau gen-cy, No-treDame de Cié-my, vends-
e, ven- g0 - e,
Dona Nobis, Round
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Three Blind Mice, Round
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Three blind mice, three blind mice,
Sce how they run, see how they run,
They all ran after the farmer’s wife,
she cut off their tails with a carving knife,
Did you ever see such a sight in your life,
as threce blind mice.
White sand and gray sand who'll buy me
white sand? who'll buy me gray sand?
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Scotland’s burning, Scotland’s burning,
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French Cathedral, Round
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Dona Nobis, Round
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Three blind mice, three blind mice,
Sce how they run, see how they run,
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she cut off their tails with a carving knife,
Did you ever see such a sight in your life,
as threce blind mice.
White sand and gray sand who'll buy me
white sand? who'll buy me gray sand?
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) & Y R (RRET ) ¢ | GO 6 GREAE ¢ II,_IIiI 5 SN G R Gl A%
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Oh, how lovely is the evening, is the evening,
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Row, row, row your boat,
gently down the stream,
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life is but a drcam.
KOOKABURRA
.L‘U:L X fep—— - I;_ : K m W
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Kookaburra sits on an old gum tree,
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Gay your life must be.
Why Shouldn’t My Goose, Round
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Why shouldn’t my goosc
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Twice as much as thine?
White Coral Bells, Round
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Row, row, row your boat,
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life is but a drcam.
KOOKABURRA
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Kookaburra sits on an old gum tree,
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Gay your life must be.
Why Shouldn’t My Goose, Round
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Sweet the evening air of May,
\ : Solt my checek caressing,
(“‘{ Sweel the unseen lilaes spray,
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whither shall I follow follow thee?
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M¢at nor drink nor money have I none,
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Brazil, where hearts were entertaining
June, ‘
We stood beneath an amber moon
and softly murmured "Someday
soon”,
We kissed and clung together,
Then, tomorrow was another day
The morning found me miles away
with still a million things to say;
Now, when twilight dims the sky :
above , recalling thrills of our love
There's one thing I'm certain of - i
Return I will to old Brazil.
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They heard the breeze in the trees
Singing weird melodies
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< start ot the RiLg
nd from a jail came the wai:?
s
A b
Of a down hear Ancd they played tha+*
t of *he blues
Trom a whippoorwill Out or =a oS
They took a new note,
Pusnhed it through a horn 'Tila
Ancd then they nursed it, rehear ed
And gave out the news
That the Southlang
Cave Binth *o fhe biyes!
= M BEGINNINC 70 SEF T5F L GHT
FA b
Hevel carec so much £
never wink back at fi 3
But now that the stars a :
- 5 Segapnine To Sea The " ight,
i-o-neyer went In for gfter agiow
Dr gane e “ght on the mist'e toe.
3ut now whern you turn the lamp down low
= W Bec . rr 5 To See The [iagat
Jsed To ramble thru the par:s
Shadow pox:ng in the dark
Lnen you came and caused a sbarvir,
~odat e g four alarm fire rnow
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« Ve never made 1oVe By Javters shing.
- Rever saw rainbows 1in my Wine,
St 1ow that your. (ips are bursspe mi-a
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June, ‘
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and softly murmured "Someday
soon”,
We kissed and clung together,
Then, tomorrow was another day
The morning found me miles away
with still a million things to say;
Now, when twilight dims the sky :
above , recalling thrills of our love
There's one thing I'm certain of - i
Return I will to old Brazil.
S
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They heard the breeze in the trees
Singing weird melodies
And they made that
< start ot the RiLg
nd from a jail came the wai:?
s
A b
Of a down hear Ancd they played tha+*
t of *he blues
Trom a whippoorwill Out or =a oS
They took a new note,
Pusnhed it through a horn 'Tila
Ancd then they nursed it, rehear ed
And gave out the news
That the Southlang
Cave Binth *o fhe biyes!
= M BEGINNINC 70 SEF T5F L GHT
FA b
Hevel carec so much £
never wink back at fi 3
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- 5 Segapnine To Sea The " ight,
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Dr gane e “ght on the mist'e toe.
3ut now whern you turn the lamp down low
= W Bec . rr 5 To See The [iagat
Jsed To ramble thru the par:s
Shadow pox:ng in the dark
Lnen you came and caused a sbarvir,
~odat e g four alarm fire rnow
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- Rever saw rainbows 1in my Wine,
St 1ow that your. (ips are bursspe mi-a
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W\ VY o
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AN\
I CRIED PFOR ¥OU
| i remember other days how I used to weep
! Over things you said to me I couldn't even sleep.
You forgot your promises ev'ry single vow. 84
All you did was laugh at me but things are diff'rent now. N
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BOW it's your turn to cry over me. ~QN&L'
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§ 0rled For You 3”
Bt & fool I used to be. SR
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eund 2 heart just a little bit truer. %fi
§ 0ried For You ne.
e .t 'S your turn to cry over me. ne, 4“”
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oW can I forget the hours that I worried through ’Vfi
Wondering the livelong day just what next thing to do. “
=i those days you never thought anything of me. ‘$$fi£
B e Slave that was all yours and now at last is free. /fifi?
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“usSt Riss me once, then kiss me twice, ¥
BNen Kiss me once again, 15?
s Been A Long, Long Tinme. /"
B felt ke this, mv dear Y7
ince can't remember when, 76’.;
S S Been ohe, Long Time. "(4;
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Then kiss me once again, Qifl}
= Seen A Long, lLong Time. 2{(’
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\ N/
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AN\
I CRIED PFOR ¥OU
| i remember other days how I used to weep
! Over things you said to me I couldn't even sleep.
You forgot your promises ev'ry single vow. 84
All you did was laugh at me but things are diff'rent now. N
\“":;’.‘“‘:
I Cried For You ) ]
BOW it's your turn to cry over me. ~QN&L'
¥ v road has a turning )‘\‘3
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§ 0rled For You 3”
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§ 0ried For You ne.
e .t 'S your turn to cry over me. ne, 4“”
\i}‘:’:’.a‘
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=i those days you never thought anything of me. ‘$$fi£
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e = so much I feel that I should savy, A
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“usSt Riss me once, then kiss me twice, ¥
BNen Kiss me once again, 15?
s Been A Long, Long Tinme. /"
B felt ke this, mv dear Y7
ince can't remember when, 76’.;
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Then kiss me once again, Qifl}
= Seen A Long, lLong Time. 2{(’
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TANNN
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R
- e et N\
THERE'LL BE SOME CHANGES MADE
For there's a change in the weather
There's a change in the sea
So. from now on there'll be a change in me
My walk will be different
My talk and my name.
Nothin' about me is goin' to be the same
I'm gonna change my way of livin'
And if that ain't enough
Then I'11 change the way that I strut my stuff
Cause nobody wants you when you're old and gray
There'll be some changes made today
There'll be some changes made.
JA DA
Ja da, Ja da, Ja da, Ja da Jing, Jing, Jing
Ja da, Ja da, Ja da, Ja da, Jing, Jing, Jing
That's a funny little melody
It's so soothing and appealing to me
it goes Ja da, Ja da, Ja da, Ja da, Jing, Jing, Jing!
MOOD TROIGO
RC:,
you've hadéd that Moon
in' goes stealin' down to my shoes,
e ard s2igh: GO 'long, bluee! Siues’.
t that Mood Indigo, Since 1y baby said
evenin' when lights are low,
JoMeclie L coulc CYY,
there'!s nobody who cares about me,
& sou_.d who's b uver than Hlue can be,
B
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jms
do e oote b
been blute,
b
been blue,
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g thiince
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D.ease ny folks +
tndico,
goodbve,
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ON
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- & :g
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R
- e et N\
THERE'LL BE SOME CHANGES MADE
For there's a change in the weather
There's a change in the sea
So. from now on there'll be a change in me
My walk will be different
My talk and my name.
Nothin' about me is goin' to be the same
I'm gonna change my way of livin'
And if that ain't enough
Then I'11 change the way that I strut my stuff
Cause nobody wants you when you're old and gray
There'll be some changes made today
There'll be some changes made.
JA DA
Ja da, Ja da, Ja da, Ja da Jing, Jing, Jing
Ja da, Ja da, Ja da, Ja da, Jing, Jing, Jing
That's a funny little melody
It's so soothing and appealing to me
it goes Ja da, Ja da, Ja da, Ja da, Jing, Jing, Jing!
MOOD TROIGO
RC:,
you've hadéd that Moon
in' goes stealin' down to my shoes,
e ard s2igh: GO 'long, bluee! Siues’.
t that Mood Indigo, Since 1y baby said
evenin' when lights are low,
JoMeclie L coulc CYY,
there'!s nobody who cares about me,
& sou_.d who's b uver than Hlue can be,
B
S ~eaX
-
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NGO, NO
jms
do e oote b
been blute,
b
been blue,
P !
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MW ket ct
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LOVE
b3
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Give me mvy rose andg
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D.ease ny folks +
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: z_mvsb_48-49_40th_2025_056.tif
SEEMS LIKE OLD TIMES.
Seems Like 01d Times, having
Seems Like 01d Times, having
e it's still a thrill just
Et111 the thrill that it was
Seems Like 01d Times, dinner
Just like old times, staying
you to walk with,
you to talk with,
to have my arms around you,
the day I found you,
and flowers,
up for hours,
Making dreams come true, doing things we used to do,
Seems Like 0l1d Times, being here with you.
'WAY DOWN YONDER IN NEW
ORLEANS
'Way Down Yonder In New Orleans
in the 1and of dreamy scenes
There's a garden of Eden
That's what I mean,
Creole babies with flashing eyes
Softly whisper with tender sighs
iStop! Oh! won't you give your: Jady fair
A little smile"
Stop! You bet your life
A little while
you'll linger there
There is Heaven right here on earth
With those beautiful queens
'Way Down Yonder In New Orleans.
"Way Down Yonder In New Orleans
In the land of dreamy scenes
There's a garden of Eden
That's what I mean,
Creole babies with flashing eyes
Softly whisper with tender sighs
iStop! Oh! won't you give your -lady -falir
A little while
They've got angels right here on earth
Wearing little blue jeans
'Way Down Yonder In New Orleans.
BABY FACE
Baby Face,
You've got the cutest little Baby Face
There's not another one could take your place,
Baby Face,
My poor heart is jumpin',
You sure have started somethin',
Baby Face,
I'm up in heaven when I'm in your fond embrace,
I didn't need a shove
Carse I ust fell in love
'With your pretty Baby Face.
4s.
Seems Like 01d Times, having
Seems Like 01d Times, having
e it's still a thrill just
Et111 the thrill that it was
Seems Like 01d Times, dinner
Just like old times, staying
you to walk with,
you to talk with,
to have my arms around you,
the day I found you,
and flowers,
up for hours,
Making dreams come true, doing things we used to do,
Seems Like 0l1d Times, being here with you.
'WAY DOWN YONDER IN NEW
ORLEANS
'Way Down Yonder In New Orleans
in the 1and of dreamy scenes
There's a garden of Eden
That's what I mean,
Creole babies with flashing eyes
Softly whisper with tender sighs
iStop! Oh! won't you give your: Jady fair
A little smile"
Stop! You bet your life
A little while
you'll linger there
There is Heaven right here on earth
With those beautiful queens
'Way Down Yonder In New Orleans.
"Way Down Yonder In New Orleans
In the land of dreamy scenes
There's a garden of Eden
That's what I mean,
Creole babies with flashing eyes
Softly whisper with tender sighs
iStop! Oh! won't you give your -lady -falir
A little while
They've got angels right here on earth
Wearing little blue jeans
'Way Down Yonder In New Orleans.
BABY FACE
Baby Face,
You've got the cutest little Baby Face
There's not another one could take your place,
Baby Face,
My poor heart is jumpin',
You sure have started somethin',
Baby Face,
I'm up in heaven when I'm in your fond embrace,
I didn't need a shove
Carse I ust fell in love
'With your pretty Baby Face.
4s.
: z_mvsb_48-49_40th_2025_057.tif
. S A2 . ) - ' 1 7 "
7 %% LN S 1 > e (2
IRSHES WU ETN G O SV
S WIS R SN L= (VS
HONEY BUN
My doll is as dainty as a sparrow
Her figure is something to applaud,
Where she's narrow she's narrow as an arrow,
And she's broad, where a broad, should be broad.
A hundred and one pounds of fun,
That's my little Honey Bun!
Get a load of Honey Bun tonight
I'm speakin' of my Sweetie Pie,
Only sixty inches high,
Ev'ry inch is packed with dynamite!
Her hair is blond and curly
Her curls are hurly burly,
Her lips are pips!
I call her hips:
"Twirly! and YWhirdy "
She's my baby, I'm her pap!
I'm her booby, She's my trap!
I am caught and I don't want a run
'Cause I'm havin' so much fun with Honey Bun!
I WON'T DANCE
(He) I Won't Dance!
I Won't Dance! Don't ask me:
I Won't Dance, madame with You,
My heart won't let my feet do things they should do!
Don't ask me;
I feel so absolutely stumped on the floor!
(She) When you dance you're charming and you're gentle!
'Specially when you do the "Continental." :
(He} But thisg feeling isn't purely mental;
For heaven rest us,
I'm not asbestos.
And that's why
So il T held you in-my arms,
I Won't Dance.
You know what? You're lovely,
{She) And =0 what? I'm lovely!
(He) But oh! wWhat vou do to me
I'm like an ocean wave that's bumped on the shore;
I Won't Dance! Why should I?
I Won't Dance! How could I?
I Won't Dance! Merci beaucoup!
I know that music leads the way to romance.
4.
7 %% LN S 1 > e (2
IRSHES WU ETN G O SV
S WIS R SN L= (VS
HONEY BUN
My doll is as dainty as a sparrow
Her figure is something to applaud,
Where she's narrow she's narrow as an arrow,
And she's broad, where a broad, should be broad.
A hundred and one pounds of fun,
That's my little Honey Bun!
Get a load of Honey Bun tonight
I'm speakin' of my Sweetie Pie,
Only sixty inches high,
Ev'ry inch is packed with dynamite!
Her hair is blond and curly
Her curls are hurly burly,
Her lips are pips!
I call her hips:
"Twirly! and YWhirdy "
She's my baby, I'm her pap!
I'm her booby, She's my trap!
I am caught and I don't want a run
'Cause I'm havin' so much fun with Honey Bun!
I WON'T DANCE
(He) I Won't Dance!
I Won't Dance! Don't ask me:
I Won't Dance, madame with You,
My heart won't let my feet do things they should do!
Don't ask me;
I feel so absolutely stumped on the floor!
(She) When you dance you're charming and you're gentle!
'Specially when you do the "Continental." :
(He} But thisg feeling isn't purely mental;
For heaven rest us,
I'm not asbestos.
And that's why
So il T held you in-my arms,
I Won't Dance.
You know what? You're lovely,
{She) And =0 what? I'm lovely!
(He) But oh! wWhat vou do to me
I'm like an ocean wave that's bumped on the shore;
I Won't Dance! Why should I?
I Won't Dance! How could I?
I Won't Dance! Merci beaucoup!
I know that music leads the way to romance.
4.
: z_mvsb_48-49_40th_2025_058.tif
ONE DOZEN ROSES
ve me one dozen roses
t my heart in beside them Du, du, liegst mir im Hermen n
d send them to the one I love Du, Du, liegst mir im Sinn
e'll be glad to receive them Du, Du, machst mir viel Schmerzen
d I know she'll believe them
at's something we've been talking J
s> There may be orange blossoms later (repeat)
nd of think that there will
ause she's done something to me
d my heart won't keep still
ve me one dozen roses
t my heart in beside them
d send them to the one I love.
I'VE HEARD THAT SONG BEFORE
. geems to me I've heard that song
fore
e from an old familiar score,
8 the rhapsody for me and for you.
know it well, that melody.
's funny how a theme recalls a
vorite dream,
dream that brought you so close
me.
know each word because I've heard
at song before;
TW
e
TE
e Lyric said "Forevermore”"-for - ;;
ermore’'s a memory, = ™ i s
ease have them play it again :jm‘“
d I'll remember just when I heard %*k
at lovely song before. -
Y g bef ied
m
STRIP POLKA
1ere's a burlesque theatre where i
te gang loves to go,
) 8ee Queenie, the cutie of the :
irlesque show, - |
nd the thrill of the evening 1is
1en out Queenie skips,
id the band plays the Polka while ?Y heart needs a plumber.
I'm swing
1e strips!/ :
B Off," Soon it's all you .
in hear, -
it she's always a lady even in pan
mime ,
) she stops! And always just in time.
ieenie, queen of them all,
ieenie, someday you'll fall,
omeday church-bells will chime,
1 Strip-Polka time.
Weisgt nicht, wie gut ich dir bin.
a, ja, ja, ja, weisst nicht,
wie gut ich dir bin
o0 T-S0OVE
This isn'
e whole world is crazy,
isn!t lLove
daft as a daisv.
J.moons all arocund
Cows sumping over
There's something a
And J!1] eat ny hat
On top of William Tell:
i cannot grapple '3
because youire so adoratel \‘);"
S _&ar't Love
sl is sunmmer
- W
ve me one dozen roses
t my heart in beside them Du, du, liegst mir im Hermen n
d send them to the one I love Du, Du, liegst mir im Sinn
e'll be glad to receive them Du, Du, machst mir viel Schmerzen
d I know she'll believe them
at's something we've been talking J
s> There may be orange blossoms later (repeat)
nd of think that there will
ause she's done something to me
d my heart won't keep still
ve me one dozen roses
t my heart in beside them
d send them to the one I love.
I'VE HEARD THAT SONG BEFORE
. geems to me I've heard that song
fore
e from an old familiar score,
8 the rhapsody for me and for you.
know it well, that melody.
's funny how a theme recalls a
vorite dream,
dream that brought you so close
me.
know each word because I've heard
at song before;
TW
e
TE
e Lyric said "Forevermore”"-for - ;;
ermore’'s a memory, = ™ i s
ease have them play it again :jm‘“
d I'll remember just when I heard %*k
at lovely song before. -
Y g bef ied
m
STRIP POLKA
1ere's a burlesque theatre where i
te gang loves to go,
) 8ee Queenie, the cutie of the :
irlesque show, - |
nd the thrill of the evening 1is
1en out Queenie skips,
id the band plays the Polka while ?Y heart needs a plumber.
I'm swing
1e strips!/ :
B Off," Soon it's all you .
in hear, -
it she's always a lady even in pan
mime ,
) she stops! And always just in time.
ieenie, queen of them all,
ieenie, someday you'll fall,
omeday church-bells will chime,
1 Strip-Polka time.
Weisgt nicht, wie gut ich dir bin.
a, ja, ja, ja, weisst nicht,
wie gut ich dir bin
o0 T-S0OVE
This isn'
e whole world is crazy,
isn!t lLove
daft as a daisv.
J.moons all arocund
Cows sumping over
There's something a
And J!1] eat ny hat
On top of William Tell:
i cannot grapple '3
because youire so adoratel \‘);"
S _&ar't Love
sl is sunmmer
- W
: z_mvsb_48-49_40th_2025_059.tif
Boo-Hoo youilve got me cr
And as I sit here andg sigh, says
can't believe it's twype. "
11 e
(SRS
SCa-Heo TL1: £uay &y nama on vou.
Ml 11‘-4-4-18 —~ van += 3 4-' 7l SR
i =t DANE .TOHAT You plaved has made
Se 5 ue
FOU JBTE me e thGow o
i e A.'
You left nme waiting at the calreh .
300-Hpo, that's Why 'nm crying for wvou
Some day you' ) feal like - &0 :
ARG vau . e D00-hoo-noo-in'
+00 DARN HOT
700 Darn Eot,
it ' Tve Darn Mot
I'd like to sup with my baby tonight,
Anc play the pup with my baby tonight,
= d like to sun with my baby tonight,
Ancd play the pup with my baby tonight,
But I a:n't up to my baby tonight
'Cause it's Too Darn Hot.
2. 8 Too Darn Hot
st's Too larn Bor
= o like to stop for Ay baby tonight,
And blow my top with my baby tonight,
1.6 li¥e to Stop for my baby renight. .
Anhd blow Yy top witi
nmy baby tonjieht;
But I'd be a flop with my baby tonight
‘Cause ‘t'e Too Darn Hot.
Oh, sweet and lovely lady, be good!
Oh Lady Be Good to me!
. am s0 aw:'ly misunderstood,
$0 _ady e good to me.
Oh, please have some pit
s el /. 086 1> RHig Dips pd ity
2-tell You 1'm Tust a lonesome babe
So lady, be good to nme!
Oh, sweet and lovely lady,
Oh Lady Be Good *o me!
' meg awr'ly miswncerstooc,
So lady be good to ne.
This is tulip weather
SO let's DUt ‘two and two ftogether
I . tell vou I'm Just a lonesome babe
S0 lady, Ye cood o mel
be good!
-4
20000
And as I sit here andg sigh, says
can't believe it's twype. "
11 e
(SRS
SCa-Heo TL1: £uay &y nama on vou.
Ml 11‘-4-4-18 —~ van += 3 4-' 7l SR
i =t DANE .TOHAT You plaved has made
Se 5 ue
FOU JBTE me e thGow o
i e A.'
You left nme waiting at the calreh .
300-Hpo, that's Why 'nm crying for wvou
Some day you' ) feal like - &0 :
ARG vau . e D00-hoo-noo-in'
+00 DARN HOT
700 Darn Eot,
it ' Tve Darn Mot
I'd like to sup with my baby tonight,
Anc play the pup with my baby tonight,
= d like to sun with my baby tonight,
Ancd play the pup with my baby tonight,
But I a:n't up to my baby tonight
'Cause it's Too Darn Hot.
2. 8 Too Darn Hot
st's Too larn Bor
= o like to stop for Ay baby tonight,
And blow my top with my baby tonight,
1.6 li¥e to Stop for my baby renight. .
Anhd blow Yy top witi
nmy baby tonjieht;
But I'd be a flop with my baby tonight
‘Cause ‘t'e Too Darn Hot.
Oh, sweet and lovely lady, be good!
Oh Lady Be Good to me!
. am s0 aw:'ly misunderstood,
$0 _ady e good to me.
Oh, please have some pit
s el /. 086 1> RHig Dips pd ity
2-tell You 1'm Tust a lonesome babe
So lady, be good to nme!
Oh, sweet and lovely lady,
Oh Lady Be Good *o me!
' meg awr'ly miswncerstooc,
So lady be good to ne.
This is tulip weather
SO let's DUt ‘two and two ftogether
I . tell vou I'm Just a lonesome babe
S0 lady, Ye cood o mel
be good!
-4
20000
: z_mvsb_48-49_40th_2025_060.tif
DON'T FENCE ME 1IN
Oh, give me land, lots of land
Under starry skies above
Don't Fence Me In
Let me ride thru the wide
Open country that I 1love,
Don't Fence Me In.
Let me be by myself in th
Listen to the murmur of +
Send me off forever, but
Don't Fence Me In.
Just turn me loose,
Let me straddle my o0ld saddle
Underneath the western skies,
On my cayuse,
et ne wander over yonder
Till I see the mountain rise.
I want to ride to the ridge
Where the West commences
Gaze at the peor v333 1 ldae my senses
Can't look at hobbles and I can't stand
Jon 't Tenece Me Th
CALIFORNIA HERE T COME
rania Here I Come,
back where I started fronxr.
b
2 morning, at dawning,
dies sing an’ eV puthing.
unkist miss said, "Dex't he sate
! & can hardly wait,
the Golden Gate,
ia Here I Come.
‘..Jn
.
)}
o3k
()
b
45
P 'g
PYE. BYED BrACKBIRD
Pack up all my care and woe,
Here T o6, singing low,
Bye Bye Blackbird,
Where somebody waits for me,
Sugar's sweet, so is she,
2ve Bye-Blackbivrd.
No one here can love and understan me,
Oh what hard luck stories thev all hang
dake my hed an LIGREVthatt aha
2 S l-areive .ot tenight,
S.ackbizd, -9us. Sve.
e evening breeze
he cottonwood trees.
I ask you please
cwers of flowers bloom in the sun,
Oh, give me land, lots of land
Under starry skies above
Don't Fence Me In
Let me ride thru the wide
Open country that I 1love,
Don't Fence Me In.
Let me be by myself in th
Listen to the murmur of +
Send me off forever, but
Don't Fence Me In.
Just turn me loose,
Let me straddle my o0ld saddle
Underneath the western skies,
On my cayuse,
et ne wander over yonder
Till I see the mountain rise.
I want to ride to the ridge
Where the West commences
Gaze at the peor v333 1 ldae my senses
Can't look at hobbles and I can't stand
Jon 't Tenece Me Th
CALIFORNIA HERE T COME
rania Here I Come,
back where I started fronxr.
b
2 morning, at dawning,
dies sing an’ eV puthing.
unkist miss said, "Dex't he sate
! & can hardly wait,
the Golden Gate,
ia Here I Come.
‘..Jn
.
)}
o3k
()
b
45
P 'g
PYE. BYED BrACKBIRD
Pack up all my care and woe,
Here T o6, singing low,
Bye Bye Blackbird,
Where somebody waits for me,
Sugar's sweet, so is she,
2ve Bye-Blackbivrd.
No one here can love and understan me,
Oh what hard luck stories thev all hang
dake my hed an LIGREVthatt aha
2 S l-areive .ot tenight,
S.ackbizd, -9us. Sve.
e evening breeze
he cottonwood trees.
I ask you please
cwers of flowers bloom in the sun,
: z_mvsb_48-49_40th_2025_061.tif
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Oh my darling, oh my darling,
Oh my darling Clementine,
You are lost and gone forever,
Dreadful sorry, Clementine.
Light she was, and like a fairy,
And her shoes were number nine,
Herring boxes without topses,
Sandals were for Clementine.
Drove she ducklings to the water
Every morhing Jjust at nine
Hit her foot against a splinter,
Fell nto the foawmirc brise.
Ruby lips above the water,
Blowing bubbles soft and fine,
Alas for me! I was no swimmer,
S0 . lost my Clementine,
\
ON THE ATCHISON, TOPEKA AND TYE SANTA FE
Do yuh hear tle down the line?
I figure that it's engine number forty ninpe,
She's the only one that'll sound that way.
On the Atchison, Topeka and the Santa Fe.
See the cl' smoke risin' 'round the bend,
I reckon that she knows he's gonna neet a friend,
Folks around these parts get the time o' day
From the Atchison, Topeka and the Santa Fe.
Here she comes! '
Qoh, oobh, ooh.
dev, Jim! Yuh hette™ git +heé Sk n g
Qon, oohl, ooh
She's got B l1ist o passengers that's pretty big
Ancd they'll all want lifts to Brown's hotel,
'Cause lots o m been travelin'! for gquite a spell,
All the way fr lladelphiay,
Cn the Atchinson, Topeka and the Santa Te.
DANNY 30Y
Q= Darnry boy, the bipas.. +*he pipes are eallinc,
From glen to glen and down the mountain side,
The summer's gone and all the flowers are gdyi=ne
=a2 VOU, 'tis vor must fgo afhd Tl ET Hige.
come you back when Summer’s in the meadow,
when the valley's hushed and white with snow,
Z'1l be there in sunshire or iz shadow,
of Danny Loy, I love vou so.
- O W
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Oh my darling, oh my darling,
Oh my darling Clementine,
You are lost and gone forever,
Dreadful sorry, Clementine.
Light she was, and like a fairy,
And her shoes were number nine,
Herring boxes without topses,
Sandals were for Clementine.
Drove she ducklings to the water
Every morhing Jjust at nine
Hit her foot against a splinter,
Fell nto the foawmirc brise.
Ruby lips above the water,
Blowing bubbles soft and fine,
Alas for me! I was no swimmer,
S0 . lost my Clementine,
\
ON THE ATCHISON, TOPEKA AND TYE SANTA FE
Do yuh hear tle down the line?
I figure that it's engine number forty ninpe,
She's the only one that'll sound that way.
On the Atchison, Topeka and the Santa Fe.
See the cl' smoke risin' 'round the bend,
I reckon that she knows he's gonna neet a friend,
Folks around these parts get the time o' day
From the Atchison, Topeka and the Santa Fe.
Here she comes! '
Qoh, oobh, ooh.
dev, Jim! Yuh hette™ git +heé Sk n g
Qon, oohl, ooh
She's got B l1ist o passengers that's pretty big
Ancd they'll all want lifts to Brown's hotel,
'Cause lots o m been travelin'! for gquite a spell,
All the way fr lladelphiay,
Cn the Atchinson, Topeka and the Santa Te.
DANNY 30Y
Q= Darnry boy, the bipas.. +*he pipes are eallinc,
From glen to glen and down the mountain side,
The summer's gone and all the flowers are gdyi=ne
=a2 VOU, 'tis vor must fgo afhd Tl ET Hige.
come you back when Summer’s in the meadow,
when the valley's hushed and white with snow,
Z'1l be there in sunshire or iz shadow,
of Danny Loy, I love vou so.
- O W
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\
SWEET GEORGIA BROWN
No gal made has got a shade
On Sweet Georgia Brown,
Two left feet but oh so neat
Has Sweet Georgia Brown;
F They all sigh and wanna die
For Sweet Georgia Brown,
I'11 tell you just why, you know
Paon't lie, not much!
It's been said she knocks them dead
When she lands in town;
Since she came why it's a shame
How she cools 'em down,
e lers she can't get
Bre fellers she ain't met
Georgia claimed her,
Ceorgia named her
Sweet Georgia Brown,
Two left feet but oh so neat
Has Sweet Georgia Brown:
I tell vou just why, you know
I don't lie, not much!
All those tips the porter slips
To Sweet Georgia Brown,
They buy clothes at fashion shows
With one dollar down,
B Boy, tip vour hats,
Bt Joy, she's the "cat's",
Who's that mister? 'Taint her sister,
Sweet Georgia Brown.
@ES SIR, THAT'S MY BABY
Yes Sir, That's My Baby,
e Sir, don't mean "Maybe",
Yes Sir, That's My Baby now.
Yes, ma'am, we've decided,
No, ma'am, you're invited now.
By the way, by the way,
When we reach the preacher I'11 say,
e, Sir, That's My Baby,
B Sir, don't mean "Maybe"
Bell, well, "lookit" that baby,
e ll, don't say "Maybe",
Nell's bells, won't she cause some YrYow.
Pretty soon pretty soon,
B Will hear that Lohengrin tune.
BRe Tor should she be, sir?
No one else but me sir.
Yes, Sir, Tha*'s My Baby now.
S5k
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IT HAD TO BE voU
It Had To Be Yon,
It Had To Be You,
I wandered around
And finally found
The somebody who
Could make me be true,
Could make me be blue
And even be glad,
Just to be sad,
Thinking of you.
Some others I've seen
Might never be mean
Might never be cross
Or try to be boss,
But they wouldn't o,
For nobody else
Gave me a thrill
With all your faults,
1 love you stili,
It Had To Be You,
Wonderful you,
Had to be vou.
X
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SWEET GEORGIA BROWN
No gal made has got a shade
On Sweet Georgia Brown,
Two left feet but oh so neat
Has Sweet Georgia Brown;
F They all sigh and wanna die
For Sweet Georgia Brown,
I'11 tell you just why, you know
Paon't lie, not much!
It's been said she knocks them dead
When she lands in town;
Since she came why it's a shame
How she cools 'em down,
e lers she can't get
Bre fellers she ain't met
Georgia claimed her,
Ceorgia named her
Sweet Georgia Brown,
Two left feet but oh so neat
Has Sweet Georgia Brown:
I tell vou just why, you know
I don't lie, not much!
All those tips the porter slips
To Sweet Georgia Brown,
They buy clothes at fashion shows
With one dollar down,
B Boy, tip vour hats,
Bt Joy, she's the "cat's",
Who's that mister? 'Taint her sister,
Sweet Georgia Brown.
@ES SIR, THAT'S MY BABY
Yes Sir, That's My Baby,
e Sir, don't mean "Maybe",
Yes Sir, That's My Baby now.
Yes, ma'am, we've decided,
No, ma'am, you're invited now.
By the way, by the way,
When we reach the preacher I'11 say,
e, Sir, That's My Baby,
B Sir, don't mean "Maybe"
Bell, well, "lookit" that baby,
e ll, don't say "Maybe",
Nell's bells, won't she cause some YrYow.
Pretty soon pretty soon,
B Will hear that Lohengrin tune.
BRe Tor should she be, sir?
No one else but me sir.
Yes, Sir, Tha*'s My Baby now.
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IT HAD TO BE voU
It Had To Be Yon,
It Had To Be You,
I wandered around
And finally found
The somebody who
Could make me be true,
Could make me be blue
And even be glad,
Just to be sad,
Thinking of you.
Some others I've seen
Might never be mean
Might never be cross
Or try to be boss,
But they wouldn't o,
For nobody else
Gave me a thrill
With all your faults,
1 love you stili,
It Had To Be You,
Wonderful you,
Had to be vou.
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HAPPY DAYS ARE HERE AGAIN
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AN % The skies above are clear again
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\fié TAKING A CHANCE ON LOVFE All together shout it now
: e\ There's no one who can doubt it
\ . now,
v Here I go again So let's tell the world about it m
I hear those trumpets blow again Happy days are here again., Tfi
All aglow again Your cares and troubles are gone
Taking a chance on love There'll be no more from now on,
Here I slide again Happy days are here again!
e About to take that ride again The skies above are clear again,
Starryeyed again Let us sing a song of cheer again
Taking a chance on love. Happy days are here again!.
I thought that cards were a frameup
i never wouldg fry
But now I'm taking the game up
And the ace of hearte is high
Things are mending now PICK YOURSELF UP
I see a rainblow blending now -
¥zk;ighzvih222eh§ipgo$2dlng g Nothing's impossible I have found,
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_ I pick myself up,
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g:;;zg guzgaigzlgn chast Don't los§ your confidence
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freling aramd —omin o Dust yourself off, i
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G = TR e e i Bgt you'll be a man, my son! [
Wédiné in*again Will you remember the famous men |
I'm leadin' with wmy: chin again Who had to fall to rise again?
i'm starlin' out to win again > fake gideep bregth,
) = Pick Yourself Up,
Taking a chance on love. Dust yourself off,
HATe 1 ol o oin Start all over again.
About to take that tip again
Got my grip again
Taking a chance on love
Now I prove again
That I can make life move again
In the groove again
M Taking a chance on love
\ I walk around with a horseshoe clover I lie
And brother rabbit of course you
Better kiss your foot goodbye
On the ball again
Zim ridin’ fdr 5 Fall again
= I'm gonna give my all again
s - laking a chanee on love.
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HAPPY DAYS ARE HERE AGAIN
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AN % The skies above are clear again
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i; ‘ Happy days are here again. |
\fié TAKING A CHANCE ON LOVFE All together shout it now
: e\ There's no one who can doubt it
\ . now,
v Here I go again So let's tell the world about it m
I hear those trumpets blow again Happy days are here again., Tfi
All aglow again Your cares and troubles are gone
Taking a chance on love There'll be no more from now on,
Here I slide again Happy days are here again!
e About to take that ride again The skies above are clear again,
Starryeyed again Let us sing a song of cheer again
Taking a chance on love. Happy days are here again!.
I thought that cards were a frameup
i never wouldg fry
But now I'm taking the game up
And the ace of hearte is high
Things are mending now PICK YOURSELF UP
I see a rainblow blending now -
¥zk;ighzvih222eh§ipgo$2dlng g Nothing's impossible I have found,
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_ I pick myself up,
H?re I come again. . Dust myself off,
i m'gonna make Fhlngs hum again tart all over-again.
g:;;zg guzgaigzlgn chast Don't los§ your confidence
Boi 7 stahd s 2 you slip be grateful for a ples
About to beat the band again e o B slE g ]
freling aramd —omin o Dust yourself off, i
o : Start all over again.
Taking a chance on love. Work like & Bouwl inssi 7
2 a1 pired
I never dreamed in my slumbers TH1l *he Bidtie 6F i Ao
And bets were taboo . = = Sy es v
; You may be sick and tired,
But now I'm playing the numbers , :
G = TR e e i Bgt you'll be a man, my son! [
Wédiné in*again Will you remember the famous men |
I'm leadin' with wmy: chin again Who had to fall to rise again?
i'm starlin' out to win again > fake gideep bregth,
) = Pick Yourself Up,
Taking a chance on love. Dust yourself off,
HATe 1 ol o oin Start all over again.
About to take that tip again
Got my grip again
Taking a chance on love
Now I prove again
That I can make life move again
In the groove again
M Taking a chance on love
\ I walk around with a horseshoe clover I lie
And brother rabbit of course you
Better kiss your foot goodbye
On the ball again
Zim ridin’ fdr 5 Fall again
= I'm gonna give my all again
s - laking a chanee on love.
53, |
: z_mvsb_48-49_40th_2025_064.tif
MAKIN' WHOOPEE'
Another bride, another June
Another sunny honeymoon,
Another season, another reason
For Makin' Whoopee!
Alot of shoes, alot of rice,
’
The groom is nervous, he answers twice
it's really killing that he's so willj
To make whoopee!
Picture a 1ittle lovenest,
Down where the roses cling,
Picture the same sweet lovenest,
Think what a year can bring.
He's washing dishes and baby clothes,
He's so ambitious he even sews,
Sut don't forget, folks,
That's what you get folks,
For Makin' Whoopee!
LULLABRY OF BROADWAY
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, oaby, sleep tight,
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’
The groom is nervous, he answers twice
it's really killing that he's so willj
To make whoopee!
Picture a 1ittle lovenest,
Down where the roses cling,
Picture the same sweet lovenest,
Think what a year can bring.
He's washing dishes and baby clothes,
He's so ambitious he even sews,
Sut don't forget, folks,
That's what you get folks,
For Makin' Whoopee!
LULLABRY OF BROADWAY
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THE LADY IS A TRAMP
get too hungry for dinner at eight
like the theatre but never come late.
never bother with people I hate
That'!s why The Lady Is A Tramp.
ERENE
[
I don't like crap games
With Barons and Earls,
Won't go to Harlem in ermine and pearls,
Won't dish the dirt with the rest of the girls
shat's why The Lady Is A Tramp.
I like the free fresh wind in ny hair.
Life without care
1'm broke, it's ake
"
That's why
S2LLOl- MY BARY
Eello! My Baby,
Hello vy bonev,
HFello my ragtime gal!
Send me a Riss by wire:
=
Bahir, g Rasris oufecaer s Ent amnshen.niclel In,
TEOX, Y hparte ge fabind I the aicke ndar
< you ~Ef??? ?e, All S want is having you
Boney, wou'l. loze Wb
and Music! Musig! Music!
Td o anvehing for you
Ahvythinag v 'd want me 10
a2 I want o9& Kissing you
And Music! Music! Music!
Closer, my dear, come close
| $c. put another nicke. 1irn,
TET I T T the nickelodeon
. - A3 Towan® = lovinc you
And -Music! Musig! Music!
then you'! 11 Se Tefd gigra.:
Qh, baby, telephone,
And tell ne I'm You> own.
-
He lol ¥e.lo there! owr .
he Last Tixe I Saw Paris
Her heart was warm and gay,
I heard the laughter of her hear+
in every stireet cafe.
e Last Time T Saw Paric
Zer trees were dressed for Soring,
Anc _overs walked beneath those *rees,
And blrds found sohgs to sing.
I docged the same o0ld taxicabs
~hat I had dodged for years,
The chorus of their sgueaky horans
Was music o ny ears.
e Leeld Time T Saw Davie
Zer heart was warm-and cay
SO martes by —hev chares her
1'11 remember her that way.
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get too hungry for dinner at eight
like the theatre but never come late.
never bother with people I hate
That'!s why The Lady Is A Tramp.
ERENE
[
I don't like crap games
With Barons and Earls,
Won't go to Harlem in ermine and pearls,
Won't dish the dirt with the rest of the girls
shat's why The Lady Is A Tramp.
I like the free fresh wind in ny hair.
Life without care
1'm broke, it's ake
"
That's why
S2LLOl- MY BARY
Eello! My Baby,
Hello vy bonev,
HFello my ragtime gal!
Send me a Riss by wire:
=
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TEOX, Y hparte ge fabind I the aicke ndar
< you ~Ef??? ?e, All S want is having you
Boney, wou'l. loze Wb
and Music! Musig! Music!
Td o anvehing for you
Ahvythinag v 'd want me 10
a2 I want o9& Kissing you
And Music! Music! Music!
Closer, my dear, come close
| $c. put another nicke. 1irn,
TET I T T the nickelodeon
. - A3 Towan® = lovinc you
And -Music! Musig! Music!
then you'! 11 Se Tefd gigra.:
Qh, baby, telephone,
And tell ne I'm You> own.
-
He lol ¥e.lo there! owr .
he Last Tixe I Saw Paris
Her heart was warm and gay,
I heard the laughter of her hear+
in every stireet cafe.
e Last Time T Saw Paric
Zer trees were dressed for Soring,
Anc _overs walked beneath those *rees,
And blrds found sohgs to sing.
I docged the same o0ld taxicabs
~hat I had dodged for years,
The chorus of their sgueaky horans
Was music o ny ears.
e Leeld Time T Saw Davie
Zer heart was warm-and cay
SO martes by —hev chares her
1'11 remember her that way.
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: z_mvsb_48-49_40th_2025_066.tif
BRUSH UP YOUR SHAKESPEARE
Brush Up Your Shakespeare,
Start quoting him now
Brush Up Your Shakespeare
And the women you will wow.
Just declaim a few lines from Othella
And they'll think you're a heck uv a fella.
If your blonde won't respond, when you flatter ‘er
1ell her what Tonvy told Cleopaterer.
And if still to be shockd she pretends, well,
Just remind her that "All's Well That Ends Well,"
Brush Up Your Shakespeare
And they'll all kow tow! tow!
If vour goil is & Washington Heights dreanm,
Treat the kid to A Mid-Summer Night's Dreanm,
With the wife of the British embessida
Try to crack out of Troilus and Cressida,
If she says she won't buy 3t or tike it
Make her tike it, what's more, As You Like i,
Brush Up Your Shakespeare
And they'1ll all kow tow! tow!
If you can't be a ham and do Hamlet
They will not give a damn or a damnlet.
Just recite an occasional sonnet,
And your -lap '11 -have Honey upon it.
When your baby is pleading for pleasure
Let her sample your "Measure for Measure."
Brush Up Your Shakespeare
And they'll all kow tow! tow!
BLUE MOON
Blue Moon you saw me standing alone
Without a dream in my heart,
Without a love of my own.
Blue Moon you knew just what I was there for
You heard me saying a pray'r for
Someone I really could care for. .
And then there suddenly appeared before me
The only one my arms will ever hold,
I heard somebody whisper, "Please adore me, "
And when I looked, the moon had turned to gold!
Blue Moon now I'm no longer alone
Without a dream in my heart,
Without a love of my own.
Brush Up Your Shakespeare,
Start quoting him now
Brush Up Your Shakespeare
And the women you will wow.
Just declaim a few lines from Othella
And they'll think you're a heck uv a fella.
If your blonde won't respond, when you flatter ‘er
1ell her what Tonvy told Cleopaterer.
And if still to be shockd she pretends, well,
Just remind her that "All's Well That Ends Well,"
Brush Up Your Shakespeare
And they'll all kow tow! tow!
If vour goil is & Washington Heights dreanm,
Treat the kid to A Mid-Summer Night's Dreanm,
With the wife of the British embessida
Try to crack out of Troilus and Cressida,
If she says she won't buy 3t or tike it
Make her tike it, what's more, As You Like i,
Brush Up Your Shakespeare
And they'1ll all kow tow! tow!
If you can't be a ham and do Hamlet
They will not give a damn or a damnlet.
Just recite an occasional sonnet,
And your -lap '11 -have Honey upon it.
When your baby is pleading for pleasure
Let her sample your "Measure for Measure."
Brush Up Your Shakespeare
And they'll all kow tow! tow!
BLUE MOON
Blue Moon you saw me standing alone
Without a dream in my heart,
Without a love of my own.
Blue Moon you knew just what I was there for
You heard me saying a pray'r for
Someone I really could care for. .
And then there suddenly appeared before me
The only one my arms will ever hold,
I heard somebody whisper, "Please adore me, "
And when I looked, the moon had turned to gold!
Blue Moon now I'm no longer alone
Without a dream in my heart,
Without a love of my own.
: z_mvsb_48-49_40th_2025_067.tif
JINGLE JANGLE JINGLE
A got spurs that jingle, jangle,
Jingle as I go ridin' merrily
along
And they sing "Oh, ain't you glad
your single!
And that song ain't so very far
from wrong.
Oh, Lillie Belle, oh Lillie Belle,
Lillie Belle
Tho' I may have cone some foolin'
That is why I never fell
I got spurs that jingle, Jangle,
Jingle, as I go ridin’' merrily
along,
And they sing "Oh, ain't you glad
your single!
And that song ain't so very far from
wrong.
YOU MADE ME LOVE YOU
You made me love you
I didn't wanna do it, I didn't wanna
do it ,
You made me want you
And all the time you knew it, I guess
you always knew it
You made me happy sometimes dear, you made
me feel so bad;
You made me sigh for, I didn't wanna tell
you, I didn't wanna tell you
I want some love that's true, yes I do,
'deed I do, you know I do
Gimme, gimme what I ery for
You know you got the brand of kisges that
I'd die for,
You know you made me love you!
BESAME MUCHO
Besame, besame mucho
Each time I cling to your kiss I hear
mugsic divine.
Besame mucho, hold me my darlinq
And say that you'll always be mine.
This joy is something new, my arms
enfolding you,
Never knew this thrill before.
Whoever thought I'd be holding you
close to me,
Whisp'ring "It's you I adore"
Dearest one, if you should leave me
Each little dream would take wing
and my life would be through.
Besame mucho, love me forever,
And make all my dreams come true.
5
A got spurs that jingle, jangle,
Jingle as I go ridin' merrily
along
And they sing "Oh, ain't you glad
your single!
And that song ain't so very far
from wrong.
Oh, Lillie Belle, oh Lillie Belle,
Lillie Belle
Tho' I may have cone some foolin'
That is why I never fell
I got spurs that jingle, Jangle,
Jingle, as I go ridin’' merrily
along,
And they sing "Oh, ain't you glad
your single!
And that song ain't so very far from
wrong.
YOU MADE ME LOVE YOU
You made me love you
I didn't wanna do it, I didn't wanna
do it ,
You made me want you
And all the time you knew it, I guess
you always knew it
You made me happy sometimes dear, you made
me feel so bad;
You made me sigh for, I didn't wanna tell
you, I didn't wanna tell you
I want some love that's true, yes I do,
'deed I do, you know I do
Gimme, gimme what I ery for
You know you got the brand of kisges that
I'd die for,
You know you made me love you!
BESAME MUCHO
Besame, besame mucho
Each time I cling to your kiss I hear
mugsic divine.
Besame mucho, hold me my darlinq
And say that you'll always be mine.
This joy is something new, my arms
enfolding you,
Never knew this thrill before.
Whoever thought I'd be holding you
close to me,
Whisp'ring "It's you I adore"
Dearest one, if you should leave me
Each little dream would take wing
and my life would be through.
Besame mucho, love me forever,
And make all my dreams come true.
5
: z_mvsb_48-49_40th_2025_068.tif
—
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JEEPERS CREEPERS
Jeepers Creepers! Where'd Ya get those peepers?
Jeepers Creepers! Where'd vYa get those eyes?
Gosh all git up! How'd they get so Jit up?
Gosh all git up! How'd they get that size?
Golly gee! When you turn those heaters on,
Woe is me! Got to put my cheaters on.
Jeepers Creepers! Where's Ya get those peepers?
Oh! Those weepers! How they hypnotize!
Where'd ya get those eyes?
SIDE BY SIDE
Oh! we ain't got a barrel of money,
Maybe we're ragged and funny,
But we'll travel along,
Singin' a song
Side By Side.
Don't know what's comin' tomorrow,
Maybe it's trouble and sorrow,
But we'll travel the road,
Sharin' our load
Side By Side.
Thru all kinds of weather
What if the sky should fall
Just as long as we're together,
It doesn't matter at all. -
When they've all had their quarrels and parted
We'll be the same as we started _ i\
Just trav'ling along, .g/
Singin' a song =3
Side By Side. 7;'
4
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THE GLORY OF LOVE '
: FJe )
You've got to give a iittle, take a little, J”/
And let your poor heart break a little ri?
That's the story of, \\h,’}\,
That's The Glory Of Love. | 3’@"
You've got .to laugh a little, Cry a little, cj! :
Before the clouds roll by a little ‘flf‘
That's the story of, {p‘/
That's The Glory Of Love. ;;fl?=;
As long as there's the two of us 'Nk“
B ve got the world and 311 its chavas ;hn\
And when the world is through with us j%'l
We've got each others arms. Juég
You've got to win a iittle, lpce = aittle. ‘;P;
And always have the blues a little. /\~&
‘That's the story of, . ' = A
That's The Glory of Love. = ”\‘
You've got to Love. ;apéi
57. RS
4 "_ 2 N . /
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JEEPERS CREEPERS
Jeepers Creepers! Where'd Ya get those peepers?
Jeepers Creepers! Where'd vYa get those eyes?
Gosh all git up! How'd they get so Jit up?
Gosh all git up! How'd they get that size?
Golly gee! When you turn those heaters on,
Woe is me! Got to put my cheaters on.
Jeepers Creepers! Where's Ya get those peepers?
Oh! Those weepers! How they hypnotize!
Where'd ya get those eyes?
SIDE BY SIDE
Oh! we ain't got a barrel of money,
Maybe we're ragged and funny,
But we'll travel along,
Singin' a song
Side By Side.
Don't know what's comin' tomorrow,
Maybe it's trouble and sorrow,
But we'll travel the road,
Sharin' our load
Side By Side.
Thru all kinds of weather
What if the sky should fall
Just as long as we're together,
It doesn't matter at all. -
When they've all had their quarrels and parted
We'll be the same as we started _ i\
Just trav'ling along, .g/
Singin' a song =3
Side By Side. 7;'
4
’%'.h
THE GLORY OF LOVE '
: FJe )
You've got to give a iittle, take a little, J”/
And let your poor heart break a little ri?
That's the story of, \\h,’}\,
That's The Glory Of Love. | 3’@"
You've got .to laugh a little, Cry a little, cj! :
Before the clouds roll by a little ‘flf‘
That's the story of, {p‘/
That's The Glory Of Love. ;;fl?=;
As long as there's the two of us 'Nk“
B ve got the world and 311 its chavas ;hn\
And when the world is through with us j%'l
We've got each others arms. Juég
You've got to win a iittle, lpce = aittle. ‘;P;
And always have the blues a little. /\~&
‘That's the story of, . ' = A
That's The Glory of Love. = ”\‘
You've got to Love. ;apéi
57. RS
: z_mvsb_48-49_40th_2025_069.tif
LET'S GET AWAY FROM IT ALL
Let's take a boat to Bermuda
Let's take a plane to Saint Paul
Let's take a kayak to Quincy or Nyack,
Let's Get Away From It All.
Let's take a trip in a trailer
Ne need to come back at all.
Let's take a powder to Boston for chowder
Let's Get' Away From It Al1,
We'll travel 'round from town to town
We'll visit every state
Alaska and Hawaii too,
Then =11 the forty eight
Let's go again to Niagra
This time we'll look at the "Fall"
Let 's leave olr hut, lear .
Let's Get Away From It All:
14
STORMY WEATHER
Don't know why there's no sun up in the sky,
Stormy Weather,
Since my (man/gal) and I ain't together,
Keeps raining all the time.
Life is bare, gloom and mis'ry ev'ry where,
Stormy Weather,
Just can't get my poor self together,
I'm weary all the time, the time.
So weary all the time.
When (he/she) went away the blues walked in and met ne.
If (he/she) stays away o0ld rockin' chair will get me.
All I do is pray the Lord above will let me
Walk in the sun once more.
Can't go on, ev'rything I had is gone,
Stormy Weather, »
- Since my (man/gal) and I ain't together,
Keeps raining all the time.
A FOGGY DAY
A Foggy Day in London town
Had me low and had me down,
I viewed the morning with alarm,
The British Museum had lost its charm.
How long, I wondered could this thing last?
But the age of miracles hadn't passed.
For suddenly, I saw you there
And through foggy London town
The sun was shining ev'ry where.
Let's take a boat to Bermuda
Let's take a plane to Saint Paul
Let's take a kayak to Quincy or Nyack,
Let's Get Away From It All.
Let's take a trip in a trailer
Ne need to come back at all.
Let's take a powder to Boston for chowder
Let's Get' Away From It Al1,
We'll travel 'round from town to town
We'll visit every state
Alaska and Hawaii too,
Then =11 the forty eight
Let's go again to Niagra
This time we'll look at the "Fall"
Let 's leave olr hut, lear .
Let's Get Away From It All:
14
STORMY WEATHER
Don't know why there's no sun up in the sky,
Stormy Weather,
Since my (man/gal) and I ain't together,
Keeps raining all the time.
Life is bare, gloom and mis'ry ev'ry where,
Stormy Weather,
Just can't get my poor self together,
I'm weary all the time, the time.
So weary all the time.
When (he/she) went away the blues walked in and met ne.
If (he/she) stays away o0ld rockin' chair will get me.
All I do is pray the Lord above will let me
Walk in the sun once more.
Can't go on, ev'rything I had is gone,
Stormy Weather, »
- Since my (man/gal) and I ain't together,
Keeps raining all the time.
A FOGGY DAY
A Foggy Day in London town
Had me low and had me down,
I viewed the morning with alarm,
The British Museum had lost its charm.
How long, I wondered could this thing last?
But the age of miracles hadn't passed.
For suddenly, I saw you there
And through foggy London town
The sun was shining ev'ry where.
: z_mvsb_48-49_40th_2025_070.tif
ke _
S\
,;"/ = ‘,—
=SB 2===\NuZD"
ZUS A S
KIS &
EVERYTHING HAPPENS TO ME
I make a date for golf and you can bet your life it rains.
B Yy to give & party and the guy upstairs complains.
I guess I'11 go thru 1life
Just catchin' colds and missin' trains,
Ev'rything Happens To Me.
I never miss a thing
I've had the measles and the mumps,
And ev'ry time T play an ace my partner always trumps.
I guess I'm just a fool who never looks before he jumps,
Ev'rything Happens To Me.
At first my heart tho't You could break this jinx for me,
That love would turn the trick to end despair,
But now I just can't fool this head that thinks for me.
I've mortgaged all my castles in the air
I've telegraphed and phoned,
I sent an "Airmail Special"” too.
Your answer was "Goodby",
And there was even postage due,
F fell in love Just once and then it had to be with you.
Ev'rything Happens To Me.
PERSONALITY
When Madame Pompdour was on = ballroom floor
Said all the gentlemen,
"Obviously, the Madame has the cutest Personality ¥
And think of all the books about DuBarry's looks
What was it made her the toast of Paree?
She had a well developed Personality.
And what did Romeo see in Juliet,
§T Pierrot in Pierrette,
Or Jupiter in Juno?
You know!
And when Salome danced and had the boys entranced
No doubt it must have been easy to see
That she knew how to use her Personality,
A girl can learn to spell and take dictation well
And never sit on the bosses settee
Unless she's got a perfect Personality.
A girl can get somewhere inspite of stringy hair
Or even just a bit bowed at the knee
If she can show a faultless Personality.
And why are certain girls offered certain things
Like sable coats and wedding rings
By men who wear their spats right?
ihat's rdight!
So don't you say I'm smart and have the kindest heart,
Or what a wonderful sister 1'dl b
Just tell me how yYocu like my Fersonality,
59
S\
,;"/ = ‘,—
=SB 2===\NuZD"
ZUS A S
KIS &
EVERYTHING HAPPENS TO ME
I make a date for golf and you can bet your life it rains.
B Yy to give & party and the guy upstairs complains.
I guess I'11 go thru 1life
Just catchin' colds and missin' trains,
Ev'rything Happens To Me.
I never miss a thing
I've had the measles and the mumps,
And ev'ry time T play an ace my partner always trumps.
I guess I'm just a fool who never looks before he jumps,
Ev'rything Happens To Me.
At first my heart tho't You could break this jinx for me,
That love would turn the trick to end despair,
But now I just can't fool this head that thinks for me.
I've mortgaged all my castles in the air
I've telegraphed and phoned,
I sent an "Airmail Special"” too.
Your answer was "Goodby",
And there was even postage due,
F fell in love Just once and then it had to be with you.
Ev'rything Happens To Me.
PERSONALITY
When Madame Pompdour was on = ballroom floor
Said all the gentlemen,
"Obviously, the Madame has the cutest Personality ¥
And think of all the books about DuBarry's looks
What was it made her the toast of Paree?
She had a well developed Personality.
And what did Romeo see in Juliet,
§T Pierrot in Pierrette,
Or Jupiter in Juno?
You know!
And when Salome danced and had the boys entranced
No doubt it must have been easy to see
That she knew how to use her Personality,
A girl can learn to spell and take dictation well
And never sit on the bosses settee
Unless she's got a perfect Personality.
A girl can get somewhere inspite of stringy hair
Or even just a bit bowed at the knee
If she can show a faultless Personality.
And why are certain girls offered certain things
Like sable coats and wedding rings
By men who wear their spats right?
ihat's rdight!
So don't you say I'm smart and have the kindest heart,
Or what a wonderful sister 1'dl b
Just tell me how yYocu like my Fersonality,
59
: z_mvsb_48-49_40th_2025_071.tif
I CAN'T GIVE YOU ANYTHING BUT LOVE
Gee, but it's tough to be broke, kig,
It's not & joke, kid
1t's a curse;
My luck is changing, it's gotten
From simply rotten
To something worse.
Who knows someday I will win oo,
I'll begin to reach my prime;
Now though I see what our end jis
All T can spend is
Just my time:
1 can't cive von anything but leve .
Baby, _
That's the only thing I've plenty of,
Baby,
Dream awhile,
Scheme awhile,
Ke re sure to find
Happiness
And I guess
All those things you've always pined for,
CGee I1'd like to see You looking swell] .
Baby,
Diamond bracelets Woolworth doesn't sell,
Baby,
Ti11 that lucky day, you know darned well,
Baby,
I can't give you anything but love.
A FINE ROMANCE
A Fine Romance!
With no kisses! :
A fine romance;, my friend, this is!
We should be like a couple of hot tomatoes,
But you're as cold as yesterday's mashed potatoes,
A Fine Romance!
You won't nestle A Fine Romance,
You won't wrestle!
I might as well play bridge with my old maid aunts!
I haven't got a chance.
This is A Fine Romance.
A Fine Romance!
My good fellow!
You take romance,
I'l]l take jellon!
You're calmer than the seal in the Arctic Ocean,
At lee=st they flap theiyr fine to express emotich,
A Fine Romance!
With no guarrels with no insults,
And all morals!
I've never mussed the crease in your blue serge pants!
I never get the chance,
This is A Fine Romance.
©O.
Gee, but it's tough to be broke, kig,
It's not & joke, kid
1t's a curse;
My luck is changing, it's gotten
From simply rotten
To something worse.
Who knows someday I will win oo,
I'll begin to reach my prime;
Now though I see what our end jis
All T can spend is
Just my time:
1 can't cive von anything but leve .
Baby, _
That's the only thing I've plenty of,
Baby,
Dream awhile,
Scheme awhile,
Ke re sure to find
Happiness
And I guess
All those things you've always pined for,
CGee I1'd like to see You looking swell] .
Baby,
Diamond bracelets Woolworth doesn't sell,
Baby,
Ti11 that lucky day, you know darned well,
Baby,
I can't give you anything but love.
A FINE ROMANCE
A Fine Romance!
With no kisses! :
A fine romance;, my friend, this is!
We should be like a couple of hot tomatoes,
But you're as cold as yesterday's mashed potatoes,
A Fine Romance!
You won't nestle A Fine Romance,
You won't wrestle!
I might as well play bridge with my old maid aunts!
I haven't got a chance.
This is A Fine Romance.
A Fine Romance!
My good fellow!
You take romance,
I'l]l take jellon!
You're calmer than the seal in the Arctic Ocean,
At lee=st they flap theiyr fine to express emotich,
A Fine Romance!
With no guarrels with no insults,
And all morals!
I've never mussed the crease in your blue serge pants!
I never get the chance,
This is A Fine Romance.
©O.
: z_mvsb_48-49_40th_2025_072.tif
B TLE WHITE LIES
The moon was all aglow,
e heaven was in your eyes,
The Eeat that you told nme,
fhose Little White Lies.
The stars all seem'd to know, ‘
ffhat you didn't mean all those sighs, ‘ Phe)
e night that you told me,
Those Little White Lies.
B try,
but
there's no forgetting,
When evening appears.
eich, but there's no regretting,
'In spite of my tears.
'The devil was in your heart,
But heaven was in your eyes,
e night that you told me,
"Those Little White Lies.
Who wouldn't believe those lips,
‘Who ever could doubt those eyes?
N/
S0 2
I!p‘\.
,.‘2,"’
MA (He's Making Eyes At Me) f\,&.fi‘
19 s \
Ma, he's making eyes at me! ‘iU{~
Ma, he's awful nice to me! fiL/
Ma he's almost breaking my heart, g
I'm beside hinm, \"'/,
Mercy! fLet his conscience guide him!flg'
Ma, he wants to marry me ‘5‘
’
Be my honey bee. \‘l
Be my he Wiy
V' ry minute he get bolder, -t =
Now he's leaning on my shoulder, 2NV
Ma, he's kissing me!" \' _
"Ma, he's making eyes at nme! > 4V,
Ma, he's awful nice to me! ,!\\
Ma he's almost breaking my heart,
1f you peek in.
Can't you see I'n goin’
.se
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to weaken? (I}
Ma, he wants to marry me. .
Be my honey bee. A 74
BUTTONS AND BOWS ?a, I'm meeting with resistance, .37 ‘.
I shall holler for assistance, —
East is east and west is west nar Bels kiseing med” 7”‘
And the wrong one I have to chose: Y
Let's go where you'll keep on wearin' H A
Those frills and flowers and buttons and bows. , ' ;f
Rings and things and buttons and bows. ksl v
Don't bury me in this prairie, 445 )
Take me where the cement grows; ’§?
Let's move down to some big town \\‘)}i‘\
Where they love a gal by the cut o' her clothes ';f‘/
And you'll stand out in buttons and bows. C}fig!
I'll love you in buck-skin or skirts ' ’fi(‘
That you've homespun - \“/
et 11 love ya' longer, stronger ;;“y -
I ver friends don't tote a gun. '\\\
My bones denounce the buckboard bounce ‘ .h,>\
And the Cactus hurts my toes; >
Let's vamoose where gals keep usin' 7 4“{4
Those silks and linen that shows, ;'\
Bhd you're all mine in buttons and bows. 4&~i
Gimme eastern trimmin' = B
Where women are women in high sillx hose A
And peek-a-boo clothes and French perfume .\\"4
At rocks the room and you're all mine Afl%fir
EEsuttons and bows ! .
bl,
The moon was all aglow,
e heaven was in your eyes,
The Eeat that you told nme,
fhose Little White Lies.
The stars all seem'd to know, ‘
ffhat you didn't mean all those sighs, ‘ Phe)
e night that you told me,
Those Little White Lies.
B try,
but
there's no forgetting,
When evening appears.
eich, but there's no regretting,
'In spite of my tears.
'The devil was in your heart,
But heaven was in your eyes,
e night that you told me,
"Those Little White Lies.
Who wouldn't believe those lips,
‘Who ever could doubt those eyes?
N/
S0 2
I!p‘\.
,.‘2,"’
MA (He's Making Eyes At Me) f\,&.fi‘
19 s \
Ma, he's making eyes at me! ‘iU{~
Ma, he's awful nice to me! fiL/
Ma he's almost breaking my heart, g
I'm beside hinm, \"'/,
Mercy! fLet his conscience guide him!flg'
Ma, he wants to marry me ‘5‘
’
Be my honey bee. \‘l
Be my he Wiy
V' ry minute he get bolder, -t =
Now he's leaning on my shoulder, 2NV
Ma, he's kissing me!" \' _
"Ma, he's making eyes at nme! > 4V,
Ma, he's awful nice to me! ,!\\
Ma he's almost breaking my heart,
1f you peek in.
Can't you see I'n goin’
.se
\J
Vo
7\
to weaken? (I}
Ma, he wants to marry me. .
Be my honey bee. A 74
BUTTONS AND BOWS ?a, I'm meeting with resistance, .37 ‘.
I shall holler for assistance, —
East is east and west is west nar Bels kiseing med” 7”‘
And the wrong one I have to chose: Y
Let's go where you'll keep on wearin' H A
Those frills and flowers and buttons and bows. , ' ;f
Rings and things and buttons and bows. ksl v
Don't bury me in this prairie, 445 )
Take me where the cement grows; ’§?
Let's move down to some big town \\‘)}i‘\
Where they love a gal by the cut o' her clothes ';f‘/
And you'll stand out in buttons and bows. C}fig!
I'll love you in buck-skin or skirts ' ’fi(‘
That you've homespun - \“/
et 11 love ya' longer, stronger ;;“y -
I ver friends don't tote a gun. '\\\
My bones denounce the buckboard bounce ‘ .h,>\
And the Cactus hurts my toes; >
Let's vamoose where gals keep usin' 7 4“{4
Those silks and linen that shows, ;'\
Bhd you're all mine in buttons and bows. 4&~i
Gimme eastern trimmin' = B
Where women are women in high sillx hose A
And peek-a-boo clothes and French perfume .\\"4
At rocks the room and you're all mine Afl%fir
EEsuttons and bows ! .
bl,
: z_mvsb_48-49_40th_2025_073.tif
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WRAP YOUR TROUBLES IN DREAMS
When skies are cloudy and gray,
iley 're only gray for a3 day
So Wrap Your Troubles In Dreams,
And dream your troubles away.
Until that sunshine peeps thru,
There!s only one thing to do
Just Wrap Your Troubles In Dreams,
And dream your troubles away.
Your castles may tumble,
That's fate, after all.
THAT'S MY WEAKNESS NOW
Shefs got eyes of blue,
I never cared for eyes of 08
But she's got eyes of blue
And That's My Weakness Now
She's got dimpled cheeks, |
I never cared for dimpled chel
Life's really funny that way But she's got dimpled cheeks
No use FO grumble, And That's My Weakness Now
Just smile as they fall, Oh! my Oh! me
Weren't you King for a day? : Oh! I should be good,
Say! Just remember that sunshine I would be good, but gee!
Always follows the rain, . She likes to bill and coo,
SO Wrap Your Troubles In Dreams, But she likes to bill and ccl
And dream your troubles away. And That's My Weakness Now
When way. She talks baby talk,
I never cared for baby talk,
But she talks baby talk,
And That's My Weakness Now
She likes 'gagement rings,;
When I'm not playing solitaire I never liked engagement rings
And what with programs on the air Oh! yes Oh! ves
I keep pretty much to myself. And we're headin' for
Missed the Saturday dance The parson's door, I guess
Heard they crowded the floor, She likes a family,
Couldn't bear it without you I never liked a family, |
Don't Get Around Much Anymore. And That's My Weakness Now. -
Thought - I'd visit -the &1ub
Got as far as the door,
They'd have asked me about you
Don't Get Around Much Anymore.
Darling I guess my mind's more at eace :
But nevertheless FOUR LEAF CLOVER
DON'T GET AROUND MUCH ANYMORE
Why stir up memories ‘ |
Been invited on dates, I'm looking over a four leaf clove
Might have gone but what for That O overlooked before
Awfl'ly diff'rent without you, One leaf 1s sunshine
Don't Get Around Much Anymore. The second is rain
Missed the Saturday more. Third is the roses that grow
in the lane.
No need explaining
The one remaining is somebody I
DOWN AMONG THE SHELTERING PALMS adore. |
I'm looking over a four leaf clove
Down Among The Sheltering Palms That I overlooked before.
Oh honey, wait for me
Don't be forgettin' we've got a date.
Out where the sun goes down about eight
How my love is burqing, burning, burning,
How my heart is yearning, yearning to be down
Among The Sheltering Palms
Oh honey, wait for me.
’
.
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WRAP YOUR TROUBLES IN DREAMS
When skies are cloudy and gray,
iley 're only gray for a3 day
So Wrap Your Troubles In Dreams,
And dream your troubles away.
Until that sunshine peeps thru,
There!s only one thing to do
Just Wrap Your Troubles In Dreams,
And dream your troubles away.
Your castles may tumble,
That's fate, after all.
THAT'S MY WEAKNESS NOW
Shefs got eyes of blue,
I never cared for eyes of 08
But she's got eyes of blue
And That's My Weakness Now
She's got dimpled cheeks, |
I never cared for dimpled chel
Life's really funny that way But she's got dimpled cheeks
No use FO grumble, And That's My Weakness Now
Just smile as they fall, Oh! my Oh! me
Weren't you King for a day? : Oh! I should be good,
Say! Just remember that sunshine I would be good, but gee!
Always follows the rain, . She likes to bill and coo,
SO Wrap Your Troubles In Dreams, But she likes to bill and ccl
And dream your troubles away. And That's My Weakness Now
When way. She talks baby talk,
I never cared for baby talk,
But she talks baby talk,
And That's My Weakness Now
She likes 'gagement rings,;
When I'm not playing solitaire I never liked engagement rings
And what with programs on the air Oh! yes Oh! ves
I keep pretty much to myself. And we're headin' for
Missed the Saturday dance The parson's door, I guess
Heard they crowded the floor, She likes a family,
Couldn't bear it without you I never liked a family, |
Don't Get Around Much Anymore. And That's My Weakness Now. -
Thought - I'd visit -the &1ub
Got as far as the door,
They'd have asked me about you
Don't Get Around Much Anymore.
Darling I guess my mind's more at eace :
But nevertheless FOUR LEAF CLOVER
DON'T GET AROUND MUCH ANYMORE
Why stir up memories ‘ |
Been invited on dates, I'm looking over a four leaf clove
Might have gone but what for That O overlooked before
Awfl'ly diff'rent without you, One leaf 1s sunshine
Don't Get Around Much Anymore. The second is rain
Missed the Saturday more. Third is the roses that grow
in the lane.
No need explaining
The one remaining is somebody I
DOWN AMONG THE SHELTERING PALMS adore. |
I'm looking over a four leaf clove
Down Among The Sheltering Palms That I overlooked before.
Oh honey, wait for me
Don't be forgettin' we've got a date.
Out where the sun goes down about eight
How my love is burqing, burning, burning,
How my heart is yearning, yearning to be down
Among The Sheltering Palms
Oh honey, wait for me.
’
.
: z_mvsb_48-49_40th_2025_074.tif
RUU'RE
B e The Cream In My Coffee
bl 're the salt in my stew
‘You will always be my necessity
i be lost with you.
L re the lace in my shoe
FoU will
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ANOTHER OP'NIN', ANOTHER SHOW
Another op'nin', another show g,g
q
{
In Philly, Boston or Baltimore.
A chance for stage-folks to say "hello"
Another op'nin' of another show.
Another job that you hope, at last,
Will make your future #orget yolr past,
Another pain where the ulcers grow,
Another op'nin' of another show!
Four weeks, you rehearse and rehearse,
Three weeks and it couln't be worse.
One week, will it ever be right?
ehen out-o! the bhat, dt'e that big first night!
The overture is about to start,
¥ou cross your fingers and hold your heart
’
It's curtain time and away we go, ¢
- Bnother op'hin' of another show. =
Another op'nin’ o Just arothey Ho'nin® of ancother chose! ’\
THREE LITILE MAIDS FROM SCHOOL
Pert as & schoo! girl we'!l can be,
Filled o the brim with girlish glee,
Three little maids from school!
Everything is a source of fun
&8 CREAMLIN MY COREEE Thyee Little Maids From School are we %{
;§
Nobody's safe, for we care for none!
Three little maids from school.
B e the starch in my coliar Life is a joke that's just begun!
é?i(
It be lost without you.
Most men tell love tales
And each phase dovetails
You've heard each known way @ _
iThis way is my own way. One little maid is a brid Yum Yur
e re the sail of my love boat
You're the captain and crew
You will always be my necessity,
Bt be lost with you, you.
You give life savor
Eng out its flavor
S0 this is clear, dear,
You're my Worcestershire dear
i . :
a.ways be my necessity Three little maids, who all unwary,
Come from a ladies seminary, %
Freed from its genius tutelary
Three little maids from school,
Three little maids from school.
Three little maids is the total sun,
Three little maids from school!
From three little maids take one away
Two little maids remain and they,
Won't have to wait very long they say.
Three little maids from school,
Three little maids. from school!
Two little maids in attendance cone. gg
: Three little maids who all unwary, éé%
Come from a ladies seminary,
Freed from ite genius tutelary,
Three little maids from school,
Three 11 *le maides from school!
B e The Cream In My Coffee
bl 're the salt in my stew
‘You will always be my necessity
i be lost with you.
L re the lace in my shoe
FoU will
= \ ’
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=i \\“«‘sz:ms
,\
\ 17
ANOTHER OP'NIN', ANOTHER SHOW
Another op'nin', another show g,g
q
{
In Philly, Boston or Baltimore.
A chance for stage-folks to say "hello"
Another op'nin' of another show.
Another job that you hope, at last,
Will make your future #orget yolr past,
Another pain where the ulcers grow,
Another op'nin' of another show!
Four weeks, you rehearse and rehearse,
Three weeks and it couln't be worse.
One week, will it ever be right?
ehen out-o! the bhat, dt'e that big first night!
The overture is about to start,
¥ou cross your fingers and hold your heart
’
It's curtain time and away we go, ¢
- Bnother op'hin' of another show. =
Another op'nin’ o Just arothey Ho'nin® of ancother chose! ’\
THREE LITILE MAIDS FROM SCHOOL
Pert as & schoo! girl we'!l can be,
Filled o the brim with girlish glee,
Three little maids from school!
Everything is a source of fun
&8 CREAMLIN MY COREEE Thyee Little Maids From School are we %{
;§
Nobody's safe, for we care for none!
Three little maids from school.
B e the starch in my coliar Life is a joke that's just begun!
é?i(
It be lost without you.
Most men tell love tales
And each phase dovetails
You've heard each known way @ _
iThis way is my own way. One little maid is a brid Yum Yur
e re the sail of my love boat
You're the captain and crew
You will always be my necessity,
Bt be lost with you, you.
You give life savor
Eng out its flavor
S0 this is clear, dear,
You're my Worcestershire dear
i . :
a.ways be my necessity Three little maids, who all unwary,
Come from a ladies seminary, %
Freed from its genius tutelary
Three little maids from school,
Three little maids from school.
Three little maids is the total sun,
Three little maids from school!
From three little maids take one away
Two little maids remain and they,
Won't have to wait very long they say.
Three little maids from school,
Three little maids. from school!
Two little maids in attendance cone. gg
: Three little maids who all unwary, éé%
Come from a ladies seminary,
Freed from ite genius tutelary,
Three little maids from school,
Three 11 *le maides from school!
: z_mvsb_48-49_40th_2025_075.tif
KIDS!
I don't know what's wrong with these KIDS today!
KIDS!
Who can understand anything they say!
KIDS!
They are disobedient, disrespectful oafs!
Noisy, crazy, sloppy, lazy.loafers!
While we're on the subject:
KIDS!
You can talk and talk !'till venr.face is - bluysel
KIDS!
But they still do just what they want to dol
Why can't they be like (we/you) were,
Perfect it evd'ry way?
What's the matter with KIDS. todav? dav?
Who can understand anything they say!
KiDs!
They are disobedient, disrespectful oafs!
Nodsey,. crazy, slopy. lazy loafers!
Why are they so dreadful?
KIDS!
They are just impossible to control!
x1ID5 ]
With their awful clothes and their rock and roll!
Even I don't understand what they say!
They are so ridiculous and so immature!
I don't see why anybody wants 'em!
Why are they so dreadful?
KILDS!
What the devil's wrong with these KIDS today?
KIDS!
Who rcould guess that they would turp ont that way!
THE BEST THINGS IN LIFE ARE FREE
The moon belongs to everyone,
The Best Things In Life Are Free,
The stars belong to eveyone
They gleam there for you and me.
The flowers in Spring,
The robins that sing,
The sunbeams that shine
They're yours.
They're mine!
And love can come to ev'ryone.
The Best Things Ih 1ife Are Free.
.
I don't know what's wrong with these KIDS today!
KIDS!
Who can understand anything they say!
KIDS!
They are disobedient, disrespectful oafs!
Noisy, crazy, sloppy, lazy.loafers!
While we're on the subject:
KIDS!
You can talk and talk !'till venr.face is - bluysel
KIDS!
But they still do just what they want to dol
Why can't they be like (we/you) were,
Perfect it evd'ry way?
What's the matter with KIDS. todav? dav?
Who can understand anything they say!
KiDs!
They are disobedient, disrespectful oafs!
Nodsey,. crazy, slopy. lazy loafers!
Why are they so dreadful?
KIDS!
They are just impossible to control!
x1ID5 ]
With their awful clothes and their rock and roll!
Even I don't understand what they say!
They are so ridiculous and so immature!
I don't see why anybody wants 'em!
Why are they so dreadful?
KILDS!
What the devil's wrong with these KIDS today?
KIDS!
Who rcould guess that they would turp ont that way!
THE BEST THINGS IN LIFE ARE FREE
The moon belongs to everyone,
The Best Things In Life Are Free,
The stars belong to eveyone
They gleam there for you and me.
The flowers in Spring,
The robins that sing,
The sunbeams that shine
They're yours.
They're mine!
And love can come to ev'ryone.
The Best Things Ih 1ife Are Free.
.
: z_mvsb_48-49_40th_2025_076.tif
TIT-WILLOW
On a tree by a river a little tomtit sang,
"Willow, tit willow, tit willow!"
And I said to him Dickie bird, why do von sit.
Singing willow, tit willow, tit willow?
"Is it weakness of intellect, birdie?" I cried,
"Or a rather tough worm in Your little side?"
With a shake of his poor little head he replied,
"Oh willow, tit willow, tit willow!" willow!" willow!™
_He slapped at his chest as he sat on the bough, singing
"Willow, tit willow, tit willow!"
And a cold perspiration bespangled his brow,
Oh willow, tit willow, tit willow!
He sobbed and he sighed, and a gurgle he gave,
Then he plunged himself into the billowy wave,
And an eacho arose from the suicide's grave
"Oh willow, tit willow, tit.»
Now I feel just as sure as I'm sure that my name isn't
‘Willow, tit willew, it willewse
That 't was blighted affection that made him exclaim,
Oh, willow, tit willow, tit willow!
And if you remain callous and obdurate,
I shall perish as he did and you will know why,
Though I probably shall not exclaim as I die,
OB willow, tit willow, t9+ 1
EET & CALL 1THFE WHOLE THING OFF
You say eether
And I say eyether,
You say neether
And I say nyther; v
Eether, eyether, neether, nyther,
Let's call the whole thing off!
You like potato and I like potahto,
You like tomato and I like tomahto;
Potato; potahto, tomato, tomahto,
Let's Call The Whole Thing Off!
But oh! if we call the whole thing off,
Then we must part.
And oh! if we ever part,
Then that might break my heart!
So if you-like pajamas
And I like pajahmas,
I'll] wear pajamas and give up pajahmas.
For we know we need each other,
So e shéetter . call the calling off off.
Let'sBal . The Whole . Thing Off! OFfF)
65,
On a tree by a river a little tomtit sang,
"Willow, tit willow, tit willow!"
And I said to him Dickie bird, why do von sit.
Singing willow, tit willow, tit willow?
"Is it weakness of intellect, birdie?" I cried,
"Or a rather tough worm in Your little side?"
With a shake of his poor little head he replied,
"Oh willow, tit willow, tit willow!" willow!" willow!™
_He slapped at his chest as he sat on the bough, singing
"Willow, tit willow, tit willow!"
And a cold perspiration bespangled his brow,
Oh willow, tit willow, tit willow!
He sobbed and he sighed, and a gurgle he gave,
Then he plunged himself into the billowy wave,
And an eacho arose from the suicide's grave
"Oh willow, tit willow, tit.»
Now I feel just as sure as I'm sure that my name isn't
‘Willow, tit willew, it willewse
That 't was blighted affection that made him exclaim,
Oh, willow, tit willow, tit willow!
And if you remain callous and obdurate,
I shall perish as he did and you will know why,
Though I probably shall not exclaim as I die,
OB willow, tit willow, t9+ 1
EET & CALL 1THFE WHOLE THING OFF
You say eether
And I say eyether,
You say neether
And I say nyther; v
Eether, eyether, neether, nyther,
Let's call the whole thing off!
You like potato and I like potahto,
You like tomato and I like tomahto;
Potato; potahto, tomato, tomahto,
Let's Call The Whole Thing Off!
But oh! if we call the whole thing off,
Then we must part.
And oh! if we ever part,
Then that might break my heart!
So if you-like pajamas
And I like pajahmas,
I'll] wear pajamas and give up pajahmas.
For we know we need each other,
So e shéetter . call the calling off off.
Let'sBal . The Whole . Thing Off! OFfF)
65,
: z_mvsb_48-49_40th_2025_077.tif
YOU'D BE S0 NICE
IT'S ONLY A PAPER MOON COME HOME TO
Say, It's Only A Paper Moon
Sailing over a cardboard sea,
But it wouldn't be make believe
If you believed in me.
Yes 1ts only a canvas sky,
Hanging over a muslin tree,
But it wouldn't be make believe
If you believed in me.
Without vour love,
It's a honkytonk parade,
Without your love.
It's a melody played in a penny arcade.
It's a Barnum and Bajley world
Just as phony as it can be,
But it wouldn't be make believe
If you believed in me.
'S Wonderful!
'S marvelous!
You should care for me !
'S awful nice
'S paradise!
'S what I love to see!
You've made my life so glamorous
You can't blame me for feeling amorous
Oh! 'S Wonderful!
'S marvelous!
You should care for me!
'S awful nice
'S paradise!
'S what I love to see!
My dear, it's fourleaf clover tinme
From now on my heart's working overtime
Ch! 'S Wonderful
'S marvelous!
Ihat you should care for me!
You'd be 8o nice to come home ¢t
You'd be so nice by the fire, |
While the breeze on high sang al
lullaby,
You a be all that' r doyld desirg
Under stars chilled by the wintd
Under an August moon burning abq
You'd be so nice, you'd be parad
To come home to and love.
I HAD THE CRAZIEST DREAM PISTOL PACKIN' MAMA
. Drinkin' beer in a Cabaret
I had the craziest dream last night, And was I havin' fun!
yee I did: Until one night
I never dremt it could be, yet there She caught me right,
you were in love with me , And now I'm on the run
I found your lipas close to mins as I She kicked out my windshie]
kissed you and you didn't mind at all ; She hit me over the heaq,
When I'm awake such a break never She cussed and cried,
happens , And said I'd liegq,
How long can a guy go on dreaming? And wished that I was dead
If there's a chance that Yyou care, then, 1'11 sepe You ev'ry night, ¥
please say you do, I'11 woo you ev'ry day,
Baby say it and make my craziest dream I'11 be your regular daddy
come true. If you'll put that gun away
b,
IT'S ONLY A PAPER MOON COME HOME TO
Say, It's Only A Paper Moon
Sailing over a cardboard sea,
But it wouldn't be make believe
If you believed in me.
Yes 1ts only a canvas sky,
Hanging over a muslin tree,
But it wouldn't be make believe
If you believed in me.
Without vour love,
It's a honkytonk parade,
Without your love.
It's a melody played in a penny arcade.
It's a Barnum and Bajley world
Just as phony as it can be,
But it wouldn't be make believe
If you believed in me.
'S Wonderful!
'S marvelous!
You should care for me !
'S awful nice
'S paradise!
'S what I love to see!
You've made my life so glamorous
You can't blame me for feeling amorous
Oh! 'S Wonderful!
'S marvelous!
You should care for me!
'S awful nice
'S paradise!
'S what I love to see!
My dear, it's fourleaf clover tinme
From now on my heart's working overtime
Ch! 'S Wonderful
'S marvelous!
Ihat you should care for me!
You'd be 8o nice to come home ¢t
You'd be so nice by the fire, |
While the breeze on high sang al
lullaby,
You a be all that' r doyld desirg
Under stars chilled by the wintd
Under an August moon burning abq
You'd be so nice, you'd be parad
To come home to and love.
I HAD THE CRAZIEST DREAM PISTOL PACKIN' MAMA
. Drinkin' beer in a Cabaret
I had the craziest dream last night, And was I havin' fun!
yee I did: Until one night
I never dremt it could be, yet there She caught me right,
you were in love with me , And now I'm on the run
I found your lipas close to mins as I She kicked out my windshie]
kissed you and you didn't mind at all ; She hit me over the heaq,
When I'm awake such a break never She cussed and cried,
happens , And said I'd liegq,
How long can a guy go on dreaming? And wished that I was dead
If there's a chance that Yyou care, then, 1'11 sepe You ev'ry night, ¥
please say you do, I'11 woo you ev'ry day,
Baby say it and make my craziest dream I'11 be your regular daddy
come true. If you'll put that gun away
b,
: z_mvsb_48-49_40th_2025_078.tif
COME, JOSEPHINE IN MY FLYING MACHINE
Come Josephine In My Flying Machine,
Going up she goes! up she goes!
Balance yourself like a bird on a beam,
In the air she goes, there she goes!
Up,. up, & little bit higher,
Ohl myl the .moon is on fire,
Come Josephine In My Flying Machine,
Going up, all on, "Goodbye!"
FLOWERS THAT BLOOM IN THE SPRING
The flowers that bloom in the spring, trala,
breath promise of merry sunshine. As we merrily
dance and we sing, trala, we welcome the hope that
they bring, trala Of a summer of roses and wine,
Of a summer of roses and wine. And that's what we mean
when we say that a thing is welcome as flowers that
bloom in the spring. Tra la 1la la 3a, tra 1a 1a 1a
la, the flowers that bloom in the spring. Tra la
1a l1a la, tra la . la 1a la, tra la la la lala. da.
The flowers that bloom in the spring, tra la, have
nothing to do with the case. I've to take under
my wing, tra la, A most unattractive old thing, tra
la, with a caricature of a face, with a caricature
of a face. And that's what I mean when I say "O
bother the flowers that bloom in the spring'. Tra
la-la 1a la, tra la 1a la la, O, bother the flowers
of spring. Tra la la la la, tra 1a 1a la la, tra la
la 1la 1la.
A WANDERING MINSTREL
A wandering minstrel I, a thing of shreds and
patches, Of ballads, songs and snatches, and
dreamy lullaby! My catalogue is long, through
every passion ranging and to your iLumors changing
I tune my supple song I tune my supple song. Are
you in sentimental mood? I'll sigh for you, oh,
sorrow! On maiden's coldness do you brood? I'll
do so too oh, sorrow, sorrow! I'll charm your
willing ears with songs of lovers fears, while
sympathetic tears my cheeks be-dew oh, sorrow,
sorrow. But if patriotic sentiment is wanted,
I've patriotic ballads cut and dried; For where'er
our country's banner may be planted, All other
local banners are defied! Our warriors, in serried
ranks assembled, Never quail, or they conceal it
if they do, and I should'nt be surprised imfnations
trembled before the mighty troops, the troops of
Titipu! We should'nt be surprised if nations
trembled with alarm before the mighty troops the
troops of Titipu! And if you call for a song of
the sea, We'll heave the capstan round, with a yo
heave ho, for the wind is free, her anchor's a
trip and iicr helm's alee, Hurral for the homeward
bound! Yo ho heave ho Hurrah for the homeward bound!
Vs |
Come Josephine In My Flying Machine,
Going up she goes! up she goes!
Balance yourself like a bird on a beam,
In the air she goes, there she goes!
Up,. up, & little bit higher,
Ohl myl the .moon is on fire,
Come Josephine In My Flying Machine,
Going up, all on, "Goodbye!"
FLOWERS THAT BLOOM IN THE SPRING
The flowers that bloom in the spring, trala,
breath promise of merry sunshine. As we merrily
dance and we sing, trala, we welcome the hope that
they bring, trala Of a summer of roses and wine,
Of a summer of roses and wine. And that's what we mean
when we say that a thing is welcome as flowers that
bloom in the spring. Tra la 1la la 3a, tra 1a 1a 1a
la, the flowers that bloom in the spring. Tra la
1a l1a la, tra la . la 1a la, tra la la la lala. da.
The flowers that bloom in the spring, tra la, have
nothing to do with the case. I've to take under
my wing, tra la, A most unattractive old thing, tra
la, with a caricature of a face, with a caricature
of a face. And that's what I mean when I say "O
bother the flowers that bloom in the spring'. Tra
la-la 1a la, tra la 1a la la, O, bother the flowers
of spring. Tra la la la la, tra 1a 1a la la, tra la
la 1la 1la.
A WANDERING MINSTREL
A wandering minstrel I, a thing of shreds and
patches, Of ballads, songs and snatches, and
dreamy lullaby! My catalogue is long, through
every passion ranging and to your iLumors changing
I tune my supple song I tune my supple song. Are
you in sentimental mood? I'll sigh for you, oh,
sorrow! On maiden's coldness do you brood? I'll
do so too oh, sorrow, sorrow! I'll charm your
willing ears with songs of lovers fears, while
sympathetic tears my cheeks be-dew oh, sorrow,
sorrow. But if patriotic sentiment is wanted,
I've patriotic ballads cut and dried; For where'er
our country's banner may be planted, All other
local banners are defied! Our warriors, in serried
ranks assembled, Never quail, or they conceal it
if they do, and I should'nt be surprised imfnations
trembled before the mighty troops, the troops of
Titipu! We should'nt be surprised if nations
trembled with alarm before the mighty troops the
troops of Titipu! And if you call for a song of
the sea, We'll heave the capstan round, with a yo
heave ho, for the wind is free, her anchor's a
trip and iicr helm's alee, Hurral for the homeward
bound! Yo ho heave ho Hurrah for the homeward bound!
Vs |
: z_mvsb_48-49_40th_2025_079.tif
AFTER YQOU'VE GONE
After you've gone, and left me Crying;
After you've gone,
There's no denying, you'll feel blue,
You'll feel sad,
You'll miss the dearest pal you've ever had:
There'll come a time, now dont forget it
There'll come a time when you'll regret it,
Some day, when you grow lonely,
Your heart will break like mine and you'll want me only,
After you've gone,
After you've gone away.
After I'm gone, after we break up;
After I'm gone,
You're gonna wake up: yYou w3ll Fird
You were blind,
To let somebody come and change your mind,
After the years, we've been together
Their joy and tears, all kinde of weather;
Some day, blue and down hearted,
You'll long to be with me right back where vou started:
After 1'm gane, After 1'n gone away.
SATURDAY NIGHT IS THE LONELIEST NIGHT OF THE WEFK
Saturday Night is the loneliest night in the weelz,
'Cause that's the night that my sweetie and 1
Used to dance cheek to cheel:.
L don't ming sunday night at ali
'Cause that's the night friends come to call
And Monday to Friday g0 fast
And another week is past,
But Saturday Night is the loneliest night in the week.
I sing the song that I sang
For the memories T usually seek,
Until I hear you at the door
Untdl ven're in my arms once more
Saturday Night is the loneliest night in the week.
SOMEBODY ELSE IS TAKING MY PLACE
Somebody Else Is Taking My Place
Somebody else now shares yYour embrace
While I am trying to keep from crying,
You go around with a smile on your face.
Little you care for vows that Yyou made
Little you care how much I have paid,
My heart is gchitg
My heart is breaking
For Somebody's Taking My Place,
2N
After you've gone, and left me Crying;
After you've gone,
There's no denying, you'll feel blue,
You'll feel sad,
You'll miss the dearest pal you've ever had:
There'll come a time, now dont forget it
There'll come a time when you'll regret it,
Some day, when you grow lonely,
Your heart will break like mine and you'll want me only,
After you've gone,
After you've gone away.
After I'm gone, after we break up;
After I'm gone,
You're gonna wake up: yYou w3ll Fird
You were blind,
To let somebody come and change your mind,
After the years, we've been together
Their joy and tears, all kinde of weather;
Some day, blue and down hearted,
You'll long to be with me right back where vou started:
After 1'm gane, After 1'n gone away.
SATURDAY NIGHT IS THE LONELIEST NIGHT OF THE WEFK
Saturday Night is the loneliest night in the weelz,
'Cause that's the night that my sweetie and 1
Used to dance cheek to cheel:.
L don't ming sunday night at ali
'Cause that's the night friends come to call
And Monday to Friday g0 fast
And another week is past,
But Saturday Night is the loneliest night in the week.
I sing the song that I sang
For the memories T usually seek,
Until I hear you at the door
Untdl ven're in my arms once more
Saturday Night is the loneliest night in the week.
SOMEBODY ELSE IS TAKING MY PLACE
Somebody Else Is Taking My Place
Somebody else now shares yYour embrace
While I am trying to keep from crying,
You go around with a smile on your face.
Little you care for vows that Yyou made
Little you care how much I have paid,
My heart is gchitg
My heart is breaking
For Somebody's Taking My Place,
2N
: z_mvsb_48-49_40th_2025_080.tif
y=ASE
DO NOTHIN' TILL YOU HEAR FROM ME
Someone told someone and someone told you
But they wouldn't hurt you not much,
Since ev'ryone spreads the story
IWith his own %ittle personal touch.
Do Nothin' Till You Hear From Me.
Pay no attention to what's saigd
Why people tear the seam of anyone's dream is over my head.
Do Nothin' Till You Hear From Me
At least consider our romance
If you should take the word of others you've heard
I haven't a chance.
True JI've been seen with someone new
But does that mean that I'm untrue
When we're apar*t the words in my heart
Reveal how I feel about you.
Some kiss may cloud my memory
And other arms may hold a thrill
But please do nothin' till you hear it from me
And you never will.
Do nothin' till vou hear from
SUTTION UP YOUR OUERCOAT
Button Up Your ODvertoat
When the wind 1= free
1dke good care of yourself voyu belong to me!
Eat an apple ev'ry day,
Get to bBee by theae
Take good care of yourself you belong to me!
Be careful crossing street 0Oo oo!
Don't eat meats 0Oo oo!
Cut out sweets 0o o0o!
You'll get a pain and ruin your tum tum!
Keep away from bootleg hootch,
When you're on a spree
iake. good care of voureslf sou belong to me.
Sutton Up Your Overcoat
When the wind is free,
Take good care of yourself vou belong to me!
Wear you flannel underwear
When you climb a tree,
Take good care of yourself you belong to me!
pon 't sib oy hevpeta! Do pol
Qr oh nails 06 oo!
Prothird yailse O 6o
¥ou'dleget s padn ahd ruin vour tum tum!
Don't go out with college boys
When vyou're o 2 sprec
9.
DO NOTHIN' TILL YOU HEAR FROM ME
Someone told someone and someone told you
But they wouldn't hurt you not much,
Since ev'ryone spreads the story
IWith his own %ittle personal touch.
Do Nothin' Till You Hear From Me.
Pay no attention to what's saigd
Why people tear the seam of anyone's dream is over my head.
Do Nothin' Till You Hear From Me
At least consider our romance
If you should take the word of others you've heard
I haven't a chance.
True JI've been seen with someone new
But does that mean that I'm untrue
When we're apar*t the words in my heart
Reveal how I feel about you.
Some kiss may cloud my memory
And other arms may hold a thrill
But please do nothin' till you hear it from me
And you never will.
Do nothin' till vou hear from
SUTTION UP YOUR OUERCOAT
Button Up Your ODvertoat
When the wind 1= free
1dke good care of yourself voyu belong to me!
Eat an apple ev'ry day,
Get to bBee by theae
Take good care of yourself you belong to me!
Be careful crossing street 0Oo oo!
Don't eat meats 0Oo oo!
Cut out sweets 0o o0o!
You'll get a pain and ruin your tum tum!
Keep away from bootleg hootch,
When you're on a spree
iake. good care of voureslf sou belong to me.
Sutton Up Your Overcoat
When the wind is free,
Take good care of yourself vou belong to me!
Wear you flannel underwear
When you climb a tree,
Take good care of yourself you belong to me!
pon 't sib oy hevpeta! Do pol
Qr oh nails 06 oo!
Prothird yailse O 6o
¥ou'dleget s padn ahd ruin vour tum tum!
Don't go out with college boys
When vyou're o 2 sprec
9.
: z_mvsb_48-49_40th_2025_081.tif
JERRV
Jenny made her mind up when she was three
She, herself was going to trim the Christmas tree:
Christmas Eve she 1it the cnadles, tossed the tapers away
Little Jenny was an orphan on Christmas day
Poor Jenny!
Bright as a Penny!
Her equal would be hard to find.
She lost one dad and mother,
A sister and a brother,
But she would make up her mind
Jenny made her mind up at seventy-five,
She would live to be the oldest woman alive
But gin and rum and destiny play funny tricks
And poor Jenny kicked the bucket at seventy six.
Jenny points a moral,
With which you cannot quarrel,
Makes a lot of common sense,
Jenny and her saga,
Prove that you are gaga,
If you don't keep sitting on the fence.
Jenny and her story
Point the way to glory
To all men and womankind
Anyone with vision,
Comes to this decision;
Don't make up, you shouldn't make up.
You mustn't make up oh never make up
Anyone with vision,
Comes to this geciseion,
Don't make up your mind. WUNDERBAR
Gazing down on the Jungfraun
Frem our secret chalet for two,
Let us drink Liebchenmein,
=N the moonlight benign,
To the joy of our dream conme true.
Wunderbar, Wunderbar!
What a perfect night for l1pve,
Here am I, here you are,
Why, it's truly Wunderbar!
Wunderbar, Wunderbar!
We're alone and hand in dlove,
Not a cloud near or far,
Why, it's more Wunderbar!
Oh I care, dear, for Yyou madly,
And T long, dear,
TOr ypur kise
I would die, dear, for You gladly,
You're divine, dear!
And you're mine, dear!
Wunderbar, Wunderbar!
There's our fav'rite star above,
Bhat -aibright shining star
Lilke our love jt'e Wunderbar!
Wunderlove, it's Wunderba~!
a0,
Jenny made her mind up when she was three
She, herself was going to trim the Christmas tree:
Christmas Eve she 1it the cnadles, tossed the tapers away
Little Jenny was an orphan on Christmas day
Poor Jenny!
Bright as a Penny!
Her equal would be hard to find.
She lost one dad and mother,
A sister and a brother,
But she would make up her mind
Jenny made her mind up at seventy-five,
She would live to be the oldest woman alive
But gin and rum and destiny play funny tricks
And poor Jenny kicked the bucket at seventy six.
Jenny points a moral,
With which you cannot quarrel,
Makes a lot of common sense,
Jenny and her saga,
Prove that you are gaga,
If you don't keep sitting on the fence.
Jenny and her story
Point the way to glory
To all men and womankind
Anyone with vision,
Comes to this decision;
Don't make up, you shouldn't make up.
You mustn't make up oh never make up
Anyone with vision,
Comes to this geciseion,
Don't make up your mind. WUNDERBAR
Gazing down on the Jungfraun
Frem our secret chalet for two,
Let us drink Liebchenmein,
=N the moonlight benign,
To the joy of our dream conme true.
Wunderbar, Wunderbar!
What a perfect night for l1pve,
Here am I, here you are,
Why, it's truly Wunderbar!
Wunderbar, Wunderbar!
We're alone and hand in dlove,
Not a cloud near or far,
Why, it's more Wunderbar!
Oh I care, dear, for Yyou madly,
And T long, dear,
TOr ypur kise
I would die, dear, for You gladly,
You're divine, dear!
And you're mine, dear!
Wunderbar, Wunderbar!
There's our fav'rite star above,
Bhat -aibright shining star
Lilke our love jt'e Wunderbar!
Wunderlove, it's Wunderba~!
a0,
: z_mvsb_48-49_40th_2025_082.tif
AN N7
IV NS
% 2 7\ 7 — g
KRS & > &/ A 7%
HOW 'YA GONNA KEEP 'EM
DOWN ON THE FARM?
"Reuben, Reuben, I've been ink i
: 1, - i th 7
Said his wifey dear: PiSe g
Now that gll is peaceful and calm,
'Tbe boys will soon be back on the farm."
Mister Reuben, started winking, ;
find slowly rubbed his chin:
e pulled his chair up cloée T
o moth
And he asked her with a grin- 2
"How 'ya gonna keep
P em, down on th
After they've seen Paree? R
!
How 'Ya gonna keep 'em, away from Broadway ;
Jazzin' around', :
And paintin' the town?
!
How+'ya gonna keep 'em, away from harm?
That's a mystery;
'
ihey 1l never want to see a rake or plow
’
”nd vho the deuce can parleyvous a cow?
Yy ol ;
_;v Ya gonra keep 'em down on the farnm
After they've seen Paree? :
WALTZING MATILDA
VERSE 1. Once a jolly swagman camped by a billabong
Under the shade of a coolibah tree,
And he sang as he watched and waited till his billy boiled,
CHORUS: "You'll come a-waltzing Matilda with me!
Waltzing Matilda, waltzing Matilda,
You'll come a-waltzing Matilda with me!"
And he sang as he watched and waited till his billy boiled
You' 11 come a-waltzing Matilda with me!
VERSE 2. Down came a jumbuck to drink at the billabong.
Up jumped the swagman and grabbed him with glee,
And he sang as he stowed that jumbuck in his tuckerbag, etc.
VERSE 3. Up he rode the sguatter, mounted on his thoroughbred,
Down came the troopers, one, two, three,
Where's that jolly jumbuck you've got in your tuckerbag,. etc.
VERSE 4. Up jumped the swagman, sprang into the billabong.
"'you'll never catch me alive,'" said he
And his ghost may be heard as you pass that billabong,etc.
BY THE SEA
By the sea, by the sea, by the beautiful sea
You and I, you and I, Oh! how happy we'll be!
When each wave comes arolling in, we will duck or swim
And we'll float and fool around the water
Over and under, and then up for air!
Pa is rich! Ma is rich! so now what do we care?
I love to be beside your side beside the sea
Beside the seaside, by the beautiful sea!
Ty
IV NS
% 2 7\ 7 — g
KRS & > &/ A 7%
HOW 'YA GONNA KEEP 'EM
DOWN ON THE FARM?
"Reuben, Reuben, I've been ink i
: 1, - i th 7
Said his wifey dear: PiSe g
Now that gll is peaceful and calm,
'Tbe boys will soon be back on the farm."
Mister Reuben, started winking, ;
find slowly rubbed his chin:
e pulled his chair up cloée T
o moth
And he asked her with a grin- 2
"How 'ya gonna keep
P em, down on th
After they've seen Paree? R
!
How 'Ya gonna keep 'em, away from Broadway ;
Jazzin' around', :
And paintin' the town?
!
How+'ya gonna keep 'em, away from harm?
That's a mystery;
'
ihey 1l never want to see a rake or plow
’
”nd vho the deuce can parleyvous a cow?
Yy ol ;
_;v Ya gonra keep 'em down on the farnm
After they've seen Paree? :
WALTZING MATILDA
VERSE 1. Once a jolly swagman camped by a billabong
Under the shade of a coolibah tree,
And he sang as he watched and waited till his billy boiled,
CHORUS: "You'll come a-waltzing Matilda with me!
Waltzing Matilda, waltzing Matilda,
You'll come a-waltzing Matilda with me!"
And he sang as he watched and waited till his billy boiled
You' 11 come a-waltzing Matilda with me!
VERSE 2. Down came a jumbuck to drink at the billabong.
Up jumped the swagman and grabbed him with glee,
And he sang as he stowed that jumbuck in his tuckerbag, etc.
VERSE 3. Up he rode the sguatter, mounted on his thoroughbred,
Down came the troopers, one, two, three,
Where's that jolly jumbuck you've got in your tuckerbag,. etc.
VERSE 4. Up jumped the swagman, sprang into the billabong.
"'you'll never catch me alive,'" said he
And his ghost may be heard as you pass that billabong,etc.
BY THE SEA
By the sea, by the sea, by the beautiful sea
You and I, you and I, Oh! how happy we'll be!
When each wave comes arolling in, we will duck or swim
And we'll float and fool around the water
Over and under, and then up for air!
Pa is rich! Ma is rich! so now what do we care?
I love to be beside your side beside the sea
Beside the seaside, by the beautiful sea!
Ty
: z_mvsb_48-49_40th_2025_083.tif
ALABAMY BOUND
I'm Alabamy Bound
There'll be no "Heebie Jeebies” hangin' 'roung
Just gave the meanest ticket man on earth
All I'm worth
To put my tootsies in an upper berth
Just hear that choo-choo-sound
I know that soon we're goin' to cover ground
And then 1'1] holler so the world will know
'Here 1 go"
I'm Alabamy Bound.
I'm Alabamy Bound _
There'll be no "Heebie Jeebjesg™ hangin' 'round
eanest ticket man on earth
To put my tootsies in an upper berth
I 18 st a lucky hound
To have someone to put my arms around
That's why I'm shoutin' for the world to know
"Here I go"
I'm Alabamy Bound.
I'M GONNA WASH THAT MAN RIGHT OUTA MY HAIR
I'm Gonna Wash That Man Right oOuta My Hair,
I'm Gonna Wash That Man Right Outa My Haijir,
I'm Gonna Wash That Man Right oOutg My Hair
And send him on his way. ((ewd)
I'm gonna wave that man right out g my arms,
I'm gonna wave that man right out a my arms,
I'm gonna wave that man right out o my arms
And send him on his way.
OH, JOHNNY OH Don't try to patch it up,
i€ar it up, teay it rup!
Oh, Johnny! Wash him out, dry him out
Oh, Johnny! Push hin out, fly him out,
How you can love! Cancel him and let him go!
Ch, Johnny! Yea, sister!
Oh, Johnny!
Heavens above! ' . :
You make my sad heart jump with joy
And when you're near :
I Just can't sit atill a minute,
I'm so,
Oh, Johony!
Oh, Johnny!
Please tell me, dear,
What makes me love you so?
You're not handsome, it's true
g But when I look at wvou 1 just.
: Gh, Johnnvy!
Oh, Johnny!’
Oht! Oh!
el | 5
I'm Alabamy Bound
There'll be no "Heebie Jeebies” hangin' 'roung
Just gave the meanest ticket man on earth
All I'm worth
To put my tootsies in an upper berth
Just hear that choo-choo-sound
I know that soon we're goin' to cover ground
And then 1'1] holler so the world will know
'Here 1 go"
I'm Alabamy Bound.
I'm Alabamy Bound _
There'll be no "Heebie Jeebjesg™ hangin' 'round
eanest ticket man on earth
To put my tootsies in an upper berth
I 18 st a lucky hound
To have someone to put my arms around
That's why I'm shoutin' for the world to know
"Here I go"
I'm Alabamy Bound.
I'M GONNA WASH THAT MAN RIGHT OUTA MY HAIR
I'm Gonna Wash That Man Right oOuta My Hair,
I'm Gonna Wash That Man Right Outa My Haijir,
I'm Gonna Wash That Man Right oOutg My Hair
And send him on his way. ((ewd)
I'm gonna wave that man right out g my arms,
I'm gonna wave that man right out a my arms,
I'm gonna wave that man right out o my arms
And send him on his way.
OH, JOHNNY OH Don't try to patch it up,
i€ar it up, teay it rup!
Oh, Johnny! Wash him out, dry him out
Oh, Johnny! Push hin out, fly him out,
How you can love! Cancel him and let him go!
Ch, Johnny! Yea, sister!
Oh, Johnny!
Heavens above! ' . :
You make my sad heart jump with joy
And when you're near :
I Just can't sit atill a minute,
I'm so,
Oh, Johony!
Oh, Johnny!
Please tell me, dear,
What makes me love you so?
You're not handsome, it's true
g But when I look at wvou 1 just.
: Gh, Johnnvy!
Oh, Johnny!’
Oht! Oh!
el | 5
: z_mvsb_48-49_40th_2025_085.tif
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Zch binein Musikanter,
Ich kommaus Schwabenlandé
B Disvtein Musikanter
Du kommstaus Schwabenland.
Ich kann spielen!
20 Zanret enieien?
Auf mein voila!
Anf mein planno!
Auf meine trumpet!
L neite Hiccoleo!
Auf meine dudelsack!
Auf alles ingtrument!
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DER MUSIKANTER
Zch binein Musikanter,
Ich kommaus Schwabenlandé
B Disvtein Musikanter
Du kommstaus Schwabenland.
Ich kann spielen!
20 Zanret enieien?
Auf mein voila!
Anf mein planno!
Auf meine trumpet!
L neite Hiccoleo!
Auf meine dudelsack!
Auf alles ingtrument!
V.o, v
Plank,
A
: z_mvsb_48-49_40th_2025_086.tif
i
The Beer Bottle
(Tune: Sing a Song of Cities)
"Twas only an old beer bottle, floating on the foam.,
"Twas only an old beer bottle, a thousand miles from home.
Inside was a picce of paper, with these words written on:
“Whoever finds this bottle, finds the beer all gone.
The beer all gone, the becr all gone,
Whoever finds this bottle, finds the beer all gone,”
[P l
e ———
4
s
L. A2
]
+ Sy o RN,
B s g -.'—_-—
M
“
1
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1 7 ?ifij_‘\fil i 1
| | (=™ | ME
— 94, D, 4 e .
RS U0 S (e TEe:
Landlord, £l the flowing bowl, until it doth run over.
Landlord, fill the flowing bowl, until it doth run over.
For tonight we’ll merry, merry be, for tonight we’ll merry, merry be,
For tonight we’ll merry, merry be, tomorrow we’ll be sober.
(similarly:)
The man who drinks good whiskey clear and goes to bed right mellow,
Lives-as he ought to live, and dics a jolly good fcllow.
The man who drinks cold water pure, and goes to bed quite sober,
Falls as the leaves do fall, so eaniy in October.
The man who drinks just what he likes, and getteth “half seas over,”
Lives until he dies, perhaps, and then lies down in clover,
The little girl who gets a kiss, and runs and tells her mother,
Does a very foolish thing, and scldom gets another.
The little boy who gets a kiss and runs and tells his brother,
Does a very uscful thing, and brother gets another. '
That's Where My Money Goes
that's where my money goes, to buy my baby She’s got a pair of cyes just like two custard pies,
clothes,
And when she looks at me I sure get a thrill,
[ buvs her everything to kecp her in style. She’s got a pair of lips just like potato chips.
She's warth hc_r weight in gold, my coal black
haby,
She’s got a pair of legs just like two whiskey kegs,
Say boys, that’s where my money goes. And when they knock together, oh what a sound|
When we go walkin’, she does the talkin’,
She’s got a pair of hips just like two battleships.
And when my arm’s around her, how time docs She's got a bulbous nose, just like a big red rose,
e And when the lights go out, it rcally docs shine,
She does the teasin’, T do the squcezin’, She wears silk underwear, I wear my lastest pair.
fly.
Say bays, th
at’s where my money gocs.
=
The Beer Bottle
(Tune: Sing a Song of Cities)
"Twas only an old beer bottle, floating on the foam.,
"Twas only an old beer bottle, a thousand miles from home.
Inside was a picce of paper, with these words written on:
“Whoever finds this bottle, finds the beer all gone.
The beer all gone, the becr all gone,
Whoever finds this bottle, finds the beer all gone,”
[P l
e ———
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]
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— 94, D, 4 e .
RS U0 S (e TEe:
Landlord, £l the flowing bowl, until it doth run over.
Landlord, fill the flowing bowl, until it doth run over.
For tonight we’ll merry, merry be, for tonight we’ll merry, merry be,
For tonight we’ll merry, merry be, tomorrow we’ll be sober.
(similarly:)
The man who drinks good whiskey clear and goes to bed right mellow,
Lives-as he ought to live, and dics a jolly good fcllow.
The man who drinks cold water pure, and goes to bed quite sober,
Falls as the leaves do fall, so eaniy in October.
The man who drinks just what he likes, and getteth “half seas over,”
Lives until he dies, perhaps, and then lies down in clover,
The little girl who gets a kiss, and runs and tells her mother,
Does a very foolish thing, and scldom gets another.
The little boy who gets a kiss and runs and tells his brother,
Does a very uscful thing, and brother gets another. '
That's Where My Money Goes
that's where my money goes, to buy my baby She’s got a pair of cyes just like two custard pies,
clothes,
And when she looks at me I sure get a thrill,
[ buvs her everything to kecp her in style. She’s got a pair of lips just like potato chips.
She's warth hc_r weight in gold, my coal black
haby,
She’s got a pair of legs just like two whiskey kegs,
Say boys, that’s where my money goes. And when they knock together, oh what a sound|
When we go walkin’, she does the talkin’,
She’s got a pair of hips just like two battleships.
And when my arm’s around her, how time docs She's got a bulbous nose, just like a big red rose,
e And when the lights go out, it rcally docs shine,
She does the teasin’, T do the squcezin’, She wears silk underwear, I wear my lastest pair.
fly.
Say bays, th
at’s where my money gocs.
=
: z_mvsb_48-49_40th_2025_087.tif
AN =R MRS \ZLe =0
Tom Dooley
Hang down your head, Tom Dooley,
Hang down your head and cry,
Hang down your head, Tom Dooley,
Poor boy, you're bound to die.
I met her on the mountain
And there I took her life;
Met her on the mountain,
And stabbed her with my knife.
This time tomorrow,
Reckon where I'll be?
If it hadn’t-a been for Grayson,
I'd-a been in Tennessee.
This time tomorrow,
Reckon where I'll be?
Down in some lonesome valley,
A-hangin’ from a white oak tree.
THE SHIP TITANIC
Oh they built the ship Titanic to sail the ocean blue
And they thought they had a ship that the water would never go through
But the Lord;s almighty hand said that ship would never land
It was sad when that great ship went down.
CHORUS:
It was sad, it was sad, it was sad when that great whip went down
To the bottom of the
Husbands and wives, little children lost their lives
It was sad when that great ship went down.
Oh they sailed from England's shore bout a thousand miles or more
When the rich refused to associate with the poor
So they put them down below where they'd be the first to go ]
It was sad when that great ship went down
CHORUS
Oh that boat was full of sin, and the sides about to burst
When the captain shouted, '"Women and children first!"
Oh the captain tried to wire but the lines were all on fire
It was sad when that great ship went down.
CHORUS
Oh they swung the lifeb oats out o'er the deep and raging sea
And the band struck up with "A-nearer my God to Thee"
Little children wept and cried as the waves swept o'er the side
It was sad when that great ship went down.
CHORUS
Tom Dooley
Hang down your head, Tom Dooley,
Hang down your head and cry,
Hang down your head, Tom Dooley,
Poor boy, you're bound to die.
I met her on the mountain
And there I took her life;
Met her on the mountain,
And stabbed her with my knife.
This time tomorrow,
Reckon where I'll be?
If it hadn’t-a been for Grayson,
I'd-a been in Tennessee.
This time tomorrow,
Reckon where I'll be?
Down in some lonesome valley,
A-hangin’ from a white oak tree.
THE SHIP TITANIC
Oh they built the ship Titanic to sail the ocean blue
And they thought they had a ship that the water would never go through
But the Lord;s almighty hand said that ship would never land
It was sad when that great ship went down.
CHORUS:
It was sad, it was sad, it was sad when that great whip went down
To the bottom of the
Husbands and wives, little children lost their lives
It was sad when that great ship went down.
Oh they sailed from England's shore bout a thousand miles or more
When the rich refused to associate with the poor
So they put them down below where they'd be the first to go ]
It was sad when that great ship went down
CHORUS
Oh that boat was full of sin, and the sides about to burst
When the captain shouted, '"Women and children first!"
Oh the captain tried to wire but the lines were all on fire
It was sad when that great ship went down.
CHORUS
Oh they swung the lifeb oats out o'er the deep and raging sea
And the band struck up with "A-nearer my God to Thee"
Little children wept and cried as the waves swept o'er the side
It was sad when that great ship went down.
CHORUS
: z_mvsb_48-49_40th_2025_088.tif
‘“mere was a little man and he had a little can
There was a little man-and he had a little can
And he went to a Russian Boiler
He went too soon on a Sunday afternoon
And you should 've heard the old man holler
No booze today! no booze today!
We don't sell beer on Sunday!
No booze today! No booze today!
You better come back next Monday!
Now the only girl I knew had a face like a horse and bug
She was leaning up against the middle of the lake :
Oh fireman save my child!
But the child was bigger than the fireman!
The child was bigger than the fireman!
Be careful with that monkeywrench!
My father was a nut nut nut nut nut nut!
Oh peeking through the nuthole in Grandpa's wooden leg
Who will mind the cat while I am gone? Bo de o do do do
Who cut the sleeves off Grandma's B V DS
And they're moving Sister's grave to build a silo!
O roses are red, violets are blue
And if you don't like this song you know what you can do do do do do do
O do it in the morning and do it in the night
Do it when you're sober and do it when you're tight
We know this song is awful! We know that it will smell
But if you don';t like it then you can go to
H A double R I G A N spells Harrigan! Harrigan!
Harrigan! That's me!
GOODNIGHT, IRENE
Last Saturday night I got married. Me and my wife settled down.
Now me and my wife are parted. I1'm gonna take another stroll down town.””: '
Irene, goodnight, Irene goodnight!
Goodnight Irene! Goodnight Irene!
I'1l see you in my dreams!
Sometimes I live in the country. Sometimes I live in town.
Sometimes I take a great notion to jump in the river and drown.
Irene, goodnight! etc.
Stop ramblin', stop your gamblin'!- Stop staying out late at night!
Go home to you wife and family and stay by the fireside bright!
Irene, goodnight!, etc.
k.
There was a little man-and he had a little can
And he went to a Russian Boiler
He went too soon on a Sunday afternoon
And you should 've heard the old man holler
No booze today! no booze today!
We don't sell beer on Sunday!
No booze today! No booze today!
You better come back next Monday!
Now the only girl I knew had a face like a horse and bug
She was leaning up against the middle of the lake :
Oh fireman save my child!
But the child was bigger than the fireman!
The child was bigger than the fireman!
Be careful with that monkeywrench!
My father was a nut nut nut nut nut nut!
Oh peeking through the nuthole in Grandpa's wooden leg
Who will mind the cat while I am gone? Bo de o do do do
Who cut the sleeves off Grandma's B V DS
And they're moving Sister's grave to build a silo!
O roses are red, violets are blue
And if you don't like this song you know what you can do do do do do do
O do it in the morning and do it in the night
Do it when you're sober and do it when you're tight
We know this song is awful! We know that it will smell
But if you don';t like it then you can go to
H A double R I G A N spells Harrigan! Harrigan!
Harrigan! That's me!
GOODNIGHT, IRENE
Last Saturday night I got married. Me and my wife settled down.
Now me and my wife are parted. I1'm gonna take another stroll down town.””: '
Irene, goodnight, Irene goodnight!
Goodnight Irene! Goodnight Irene!
I'1l see you in my dreams!
Sometimes I live in the country. Sometimes I live in town.
Sometimes I take a great notion to jump in the river and drown.
Irene, goodnight! etc.
Stop ramblin', stop your gamblin'!- Stop staying out late at night!
Go home to you wife and family and stay by the fireside bright!
Irene, goodnight!, etc.
k.
: z_mvsb_48-49_40th_2025_089.tif
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Mistress Murphy gave a party just about a week ago,
Everything was plentiful, the Murphys, they’re not slow.
They treated us like gentlemen; we tried to act the same,
And only for what happened, well it was an awful shame.
When Mrs. Murphy dished the chowder out she fainted on the spot;
She found a pair of overalls at the bottom of the pot.
Tim Nolan he got ripping mad, his eyes were bulging out,
He jumped upon the piano and loudly he did shout.
Who threw the overalls in Mistress Murphy’s chowder?
Nobody spoke so he shouted all the loltxrger.
It’s an Irish trick that’s true, I can lick the mick that threw
The overalls in Mistress Murphy’s chowder.
They dragged the parits from out the soup and laid them on the floor;
Each man swore upon his life, he'd ne’er seen them before.
They were plastered up with mortar and were worn out at the knee,
They had their many ups and down as we could plainly see. -
And when Mrs. Murphy she came to she 'gan to cry and pout,
She had them in the wash that day and forgot to take them out.
Tim Nolan, he excused himself for what he said that night,
So we put music to the words and sang with all our might.
Aupres De Ma Blonde
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Dans les jardins d'mon pere, les lauriers sont fleuris
Daus les jardins d’'mon pcre, les lauriers sont fleuris
Tous les oiscaux du monde y viennent fair’ leur nid.
Aupres de ma blonde, Qu'il fait bon, fait bon, bon, bon,
Aupres de ma blonde, Qu'il fait bon dormir.
1
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el & AN TS S8 SBeS ARG, . SIS SRS SRy S
Mistress Murphy gave a party just about a week ago,
Everything was plentiful, the Murphys, they’re not slow.
They treated us like gentlemen; we tried to act the same,
And only for what happened, well it was an awful shame.
When Mrs. Murphy dished the chowder out she fainted on the spot;
She found a pair of overalls at the bottom of the pot.
Tim Nolan he got ripping mad, his eyes were bulging out,
He jumped upon the piano and loudly he did shout.
Who threw the overalls in Mistress Murphy’s chowder?
Nobody spoke so he shouted all the loltxrger.
It’s an Irish trick that’s true, I can lick the mick that threw
The overalls in Mistress Murphy’s chowder.
They dragged the parits from out the soup and laid them on the floor;
Each man swore upon his life, he'd ne’er seen them before.
They were plastered up with mortar and were worn out at the knee,
They had their many ups and down as we could plainly see. -
And when Mrs. Murphy she came to she 'gan to cry and pout,
She had them in the wash that day and forgot to take them out.
Tim Nolan, he excused himself for what he said that night,
So we put music to the words and sang with all our might.
Aupres De Ma Blonde
e 5 l(' lG
0 o b i L 4! D Dn i e |
b (D 50 b ) 96 ) 1 B )| ). N 3 111 3 6 d &
P ERE o of ). 6D S B T =W K 1 ) x
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)- Ut'
L Ao b E 8 & A 3 v
5 dEmE ) GISPER o LD R Y 1 ) S p—— i )4 2 t X
‘ D S S i S — S S S § S — E— § $
- i " v ot p— $ ——— 4
o e . T e r 4 i}‘_. L& ’
Dans les jardins d'mon pere, les lauriers sont fleuris
Daus les jardins d’'mon pcre, les lauriers sont fleuris
Tous les oiscaux du monde y viennent fair’ leur nid.
Aupres de ma blonde, Qu'il fait bon, fait bon, bon, bon,
Aupres de ma blonde, Qu'il fait bon dormir.
1
: z_mvsb_48-49_40th_2025_090.tif
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A capital ship for an occan trip
Was the “Walloping Window-Blind.”
No wind that blew dismayed her crew, ' -
Or troubled the captain’s mind. :
The man at the wheel was made to feel
Contempt for the wildest blow-w-w,
Though it oft’ appcared when the gale had cleared
That he’d been in his bunk below.
So, blow yc winds, heigh-ho,
A-roving I will go;
I'll stay no more on England’s shore,
So let the music play-ay-ay;
I'm off for the morning train,
I'll cross the raging main,
I'm off for my love with a boxing glove
Ten thousand miles away.
The bo’sun’s mate was very sedate,
Yet fond of amusement, too.
He played hop-scotch with the starboard watch,
While the captain tickled the crew.
The gunner we had was apparently mad,
For he sat on the after ra-ai-ail,
And fired salutes with the captain’s boots
In the teeth of a booming gale.
The captitin sat on the commodore’s hat,
And dined in a royal way
OIF pickles and figs, and little roast pigs,
And gunnery bread each day.
The cook was Dutch and behaved as such,
For the dict he served the crew-ew-ew,
Was a couple of tons of hot-cross buns
Scrved up with sugar and glue.
Aunt Rhody
gl I L~ g !
e e e e
Go tell Aunt Rhody (3 times) The old gander’s mournin’ (3 times)
That the old gray goose is dead. Because his wife is dead.
The onc she’s been savin® (3 times) The goslin’s are cryin’ (3 times)
To make a feather bed. Because their mammy's dead.
She died in the millpond (3 times) Go tell Aunt Rhody (3 times)
A-standin’ on her head. That the old gray goose is dead.
e
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-
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L2
~A meme- -
~—
-
A capital ship for an occan trip
Was the “Walloping Window-Blind.”
No wind that blew dismayed her crew, ' -
Or troubled the captain’s mind. :
The man at the wheel was made to feel
Contempt for the wildest blow-w-w,
Though it oft’ appcared when the gale had cleared
That he’d been in his bunk below.
So, blow yc winds, heigh-ho,
A-roving I will go;
I'll stay no more on England’s shore,
So let the music play-ay-ay;
I'm off for the morning train,
I'll cross the raging main,
I'm off for my love with a boxing glove
Ten thousand miles away.
The bo’sun’s mate was very sedate,
Yet fond of amusement, too.
He played hop-scotch with the starboard watch,
While the captain tickled the crew.
The gunner we had was apparently mad,
For he sat on the after ra-ai-ail,
And fired salutes with the captain’s boots
In the teeth of a booming gale.
The captitin sat on the commodore’s hat,
And dined in a royal way
OIF pickles and figs, and little roast pigs,
And gunnery bread each day.
The cook was Dutch and behaved as such,
For the dict he served the crew-ew-ew,
Was a couple of tons of hot-cross buns
Scrved up with sugar and glue.
Aunt Rhody
gl I L~ g !
e e e e
Go tell Aunt Rhody (3 times) The old gander’s mournin’ (3 times)
That the old gray goose is dead. Because his wife is dead.
The onc she’s been savin® (3 times) The goslin’s are cryin’ (3 times)
To make a feather bed. Because their mammy's dead.
She died in the millpond (3 times) Go tell Aunt Rhody (3 times)
A-standin’ on her head. That the old gray goose is dead.
e
J
= Q,};‘ - 8 :
B
-
: z_mvsb_48-49_40th_2025_091.tif
Ain’t Gwine Study War No More
"Oh, bury me not In the library"
- These words came low and mournfully
From the pallid lips of a gal who
lay on her unmade bed At the close
of day,
"Oh, bury me not..."
And her voice failed there, But they
took no heed to her foolish prayer.
In a cozy nook down in old Stack III
They buried her there,
In the library.
Yes, they buried her there with the history
Where the old Night Owls hoot mournfully
Cause she'd paid a high tuition fee
For those lonely stacks
Of the library.
Gywine to lay down my sword and shicld, down by the riverside,
Down by the riverside, down by the riverside. : '
Cwinc to lay down my sword and shicld, down by the riverside,
Ain’t gwine study war no morc.
I ain’t gwine study war no more, ain’t gwine study war no more,
Ain’t gwine study war no more. (repeat)
Gwinc to stick my sword in the golden sand, .down by the riverside,
Down by the riverside, down by the riverside. =
Gwine to stick my sword in the golden sand, down by the riverside
Ain’t gwine study war no more.
Gwine to put on my long white robe, down by the riverside, etc.
Gwine to put on my starry crown, down by etc.
Gwinc to put on my golden shoes,
Gwine to ride on my milk white horse,
Gwine to talk with the Prince of Peace,
G
"Oh, bury me not In the library"
- These words came low and mournfully
From the pallid lips of a gal who
lay on her unmade bed At the close
of day,
"Oh, bury me not..."
And her voice failed there, But they
took no heed to her foolish prayer.
In a cozy nook down in old Stack III
They buried her there,
In the library.
Yes, they buried her there with the history
Where the old Night Owls hoot mournfully
Cause she'd paid a high tuition fee
For those lonely stacks
Of the library.
Gywine to lay down my sword and shicld, down by the riverside,
Down by the riverside, down by the riverside. : '
Cwinc to lay down my sword and shicld, down by the riverside,
Ain’t gwine study war no morc.
I ain’t gwine study war no more, ain’t gwine study war no more,
Ain’t gwine study war no more. (repeat)
Gwinc to stick my sword in the golden sand, .down by the riverside,
Down by the riverside, down by the riverside. =
Gwine to stick my sword in the golden sand, down by the riverside
Ain’t gwine study war no more.
Gwine to put on my long white robe, down by the riverside, etc.
Gwine to put on my starry crown, down by etc.
Gwinc to put on my golden shoes,
Gwine to ride on my milk white horse,
Gwine to talk with the Prince of Peace,
G
: z_mvsb_48-49_40th_2025_092.tif
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Sister Lucy, she wears a low-necked dress, low-necked dress,
Sister Lucy, she wears a Jow-necked dress, low-necked dress,
Sister Lucy wears a low-necked dress, it’s much too low I must confcss,
There’s no hidin’ place down there.
No hidin’ place down there, hallelujah, brothers,
No hidin’ place down there, praise de Lawd,
Oh I went to the rocks to hide my face, the rocks cried out “No hidin’ placel”
There's no hidin’ place down there. :
Sister Lucy, she has a wooden leg, wooden leg, (clec.)
Sister Lucy has a wooden lcg. she hangs her garter on a peg.
Sister Lucy, her teeth are made of zine,
Sister Lucy’s teeth are made of zine, she cleans them in the kitchen sink.
Sister Lucy had a golden chain, the links of which were all the same.
She went in the water ankle deep, prayed de Lawd her soul to keep.
Of all the religions I love best, I like the shoutin® Methodist,
Now I believe without a doubt, that the Christian has the right to shout.
Young people who delight in sin, I'll tell you how it’s lately been.
Oh a sinnerman sittin’ on thé gates of hell, the gates gave "way and in he fell.
Oh sinnerman, pull your boat to one side, you can’t get to heaven by de wind and tide.
All Through the Night
Lok GF GFGY (0 F (O uc.
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Sleep. my child, and peace attend thee, all throngh the night;
Cuardiam angels God will send thee, all through the night.
Soft the drowsy hours are creeping, hill and vale in shionber sleeping,
I my loving vigil keeping, all through the night,
While the moon her watel is keeping, all through the night;
While the weary world is sleeping, all through the night,
O'cr thy spirit gently stealing, visions of delipght revealing,
Breathes a pure and holy feeling, all through the night.
KO .
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Sister Lucy, she wears a low-necked dress, low-necked dress,
Sister Lucy, she wears a Jow-necked dress, low-necked dress,
Sister Lucy wears a low-necked dress, it’s much too low I must confcss,
There’s no hidin’ place down there.
No hidin’ place down there, hallelujah, brothers,
No hidin’ place down there, praise de Lawd,
Oh I went to the rocks to hide my face, the rocks cried out “No hidin’ placel”
There's no hidin’ place down there. :
Sister Lucy, she has a wooden leg, wooden leg, (clec.)
Sister Lucy has a wooden lcg. she hangs her garter on a peg.
Sister Lucy, her teeth are made of zine,
Sister Lucy’s teeth are made of zine, she cleans them in the kitchen sink.
Sister Lucy had a golden chain, the links of which were all the same.
She went in the water ankle deep, prayed de Lawd her soul to keep.
Of all the religions I love best, I like the shoutin® Methodist,
Now I believe without a doubt, that the Christian has the right to shout.
Young people who delight in sin, I'll tell you how it’s lately been.
Oh a sinnerman sittin’ on thé gates of hell, the gates gave "way and in he fell.
Oh sinnerman, pull your boat to one side, you can’t get to heaven by de wind and tide.
All Through the Night
Lok GF GFGY (0 F (O uc.
|
Sleep. my child, and peace attend thee, all throngh the night;
Cuardiam angels God will send thee, all through the night.
Soft the drowsy hours are creeping, hill and vale in shionber sleeping,
I my loving vigil keeping, all through the night,
While the moon her watel is keeping, all through the night;
While the weary world is sleeping, all through the night,
O'cr thy spirit gently stealing, visions of delipght revealing,
Breathes a pure and holy feeling, all through the night.
KO .
”, R — t V%
N ESWBN. 2N
: z_mvsb_48-49_40th_2025_093.tif
W2
-
Once I was a lady’s maid way down in Drury Lane,
My master was so kind to me, my mistress was the same.
Along came a sailor as happy as can be,
And he was the cause of all my miscry.
2
Singing, “Bell-bottomed trouscers, coats of navy blue,
He'll climb the riggin’ like his daddy used to do.”
He asked me for a kerchief to tic around his head,
Ile asked me for a candle to light his way to bed,
And I like a silly maid, thinking it no harm,
Jumped right in beside him to keep the sailor warm.
Early in the morning, before the break of day,
A one-pound note he gave me, and this to me did say:
“Maybe you'll have a daughter, maybe you'll have a son;
Take this, oh, my darling, for the damage I have done.
“And if you have a daughter, bounce her on your knee;
But if you have a son, send the rascal off to sea.”
The moral of the story is as plain as plain can be:
Never trust a sailor an inch above your knce.
0 & q
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Q‘ Dy G
} R G § ) {
' IV T & T v eV T IdIR P f-j'j-i-{ U-]
Y'heave hol My Iads, the wind blows free,
A pleasant gale is on our lee,
And soon across the occan clear
Our gallant bark shall bravely stecr.
But ere we part from Freedom’s shore tonight,
A song we'll sing for home and beauty bright.
Then here’s to the sailor, and here’s to the soldier, too,
Hearts will beat for him upon the walers blue.
Sailing, sailing, over the bounding main,
For many stormy wind shall hlow ere Jack comes home again,
Sailing, sailing, over the l)onm]ing main,
IFor many a stormy wind shall blow cre Jack comes home again!
=
-
Once I was a lady’s maid way down in Drury Lane,
My master was so kind to me, my mistress was the same.
Along came a sailor as happy as can be,
And he was the cause of all my miscry.
2
Singing, “Bell-bottomed trouscers, coats of navy blue,
He'll climb the riggin’ like his daddy used to do.”
He asked me for a kerchief to tic around his head,
Ile asked me for a candle to light his way to bed,
And I like a silly maid, thinking it no harm,
Jumped right in beside him to keep the sailor warm.
Early in the morning, before the break of day,
A one-pound note he gave me, and this to me did say:
“Maybe you'll have a daughter, maybe you'll have a son;
Take this, oh, my darling, for the damage I have done.
“And if you have a daughter, bounce her on your knee;
But if you have a son, send the rascal off to sea.”
The moral of the story is as plain as plain can be:
Never trust a sailor an inch above your knce.
0 & q
AR X ) { 1 } ¢
Q‘ Dy G
} R G § ) {
' IV T & T v eV T IdIR P f-j'j-i-{ U-]
Y'heave hol My Iads, the wind blows free,
A pleasant gale is on our lee,
And soon across the occan clear
Our gallant bark shall bravely stecr.
But ere we part from Freedom’s shore tonight,
A song we'll sing for home and beauty bright.
Then here’s to the sailor, and here’s to the soldier, too,
Hearts will beat for him upon the walers blue.
Sailing, sailing, over the bounding main,
For many stormy wind shall hlow ere Jack comes home again,
Sailing, sailing, over the l)onm]ing main,
IFor many a stormy wind shall blow cre Jack comes home again!
=
: z_mvsb_48-49_40th_2025_094.tif
At the old concert hall on the Bow'ry,
‘Round a table were seated one night,
A crowd of young fellows carousing, .
With them life seemed cheerful and bright
At the very next table, was seated
A girl who had fallen to shame,
b
All the young fellows jeered at her weakness,
Till they heard an old woman explain:
She is more to be pitied than censured,
She is more to be Lel red than despised,
She is only a lassie wLo ventured,
On life’s stormy path, ill-advised,
JOSHUA FIT DE
Battle of Jericho
Cuoavs
Do not scorn her with words fierce and bitter,
Do not laugh at her shame and downfall,
For a moment just stop and consider,
That a man was the cause of it all.
There’s an old-fashioned church ‘round the corner,
Where the neighbors all gathered one day,
While the parson was preaching a sermon,
O'er a soul that had just passed away, |
"Twas this same waywars girl from the Bow'ry,
Who a life of adventure had led, :
Did the clergyman jeer at her downfall?
No, he asked for God’s Mercy and said—
Joshua fit de battle ob Jericho,
Jericho, Jericho;
Joshua fit de hattle oh Jericho,
And de walls come tumblin’ down.
You may talk about your kings ob Gideon,
You may talk about your men ob Saul,
But dere’s none like good old Joshua,
At de battle ob Jericho.
Right up to de walls ob Jericho,
Dcy marched wid spear in hand,
“Go blow dem ram Lm'ns," Joshua criced,
“Kase de battle am in my hand.”
Den de lamb, ram, sheep horns begin to blow,
And de trumpets begin to sound,
Josh'a told de children to shout, that mornin’
And de walls come tumblin® down.
s
‘Round a table were seated one night,
A crowd of young fellows carousing, .
With them life seemed cheerful and bright
At the very next table, was seated
A girl who had fallen to shame,
b
All the young fellows jeered at her weakness,
Till they heard an old woman explain:
She is more to be pitied than censured,
She is more to be Lel red than despised,
She is only a lassie wLo ventured,
On life’s stormy path, ill-advised,
JOSHUA FIT DE
Battle of Jericho
Cuoavs
Do not scorn her with words fierce and bitter,
Do not laugh at her shame and downfall,
For a moment just stop and consider,
That a man was the cause of it all.
There’s an old-fashioned church ‘round the corner,
Where the neighbors all gathered one day,
While the parson was preaching a sermon,
O'er a soul that had just passed away, |
"Twas this same waywars girl from the Bow'ry,
Who a life of adventure had led, :
Did the clergyman jeer at her downfall?
No, he asked for God’s Mercy and said—
Joshua fit de battle ob Jericho,
Jericho, Jericho;
Joshua fit de hattle oh Jericho,
And de walls come tumblin’ down.
You may talk about your kings ob Gideon,
You may talk about your men ob Saul,
But dere’s none like good old Joshua,
At de battle ob Jericho.
Right up to de walls ob Jericho,
Dcy marched wid spear in hand,
“Go blow dem ram Lm'ns," Joshua criced,
“Kase de battle am in my hand.”
Den de lamb, ram, sheep horns begin to blow,
And de trumpets begin to sound,
Josh'a told de children to shout, that mornin’
And de walls come tumblin® down.
s
: z_mvsb_48-49_40th_2025_095.tif
CHOKV S
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Did you ever hear the story 'bout Willy the
Weeper?
He had a job as a chimney sweeper;
He had the dope habit, and he had it bad.
Now listen while I tell you 'bout the dream he had.
Teet tee dee dee dée, toot too doo doo doo,
Yah dee dah dah, dee dee dee, dee dah dahl
He went down to the dope shop one Saturday
night, .
When he knew the lights would be burning
bright.
He must have smoked a dozen pills or more,
For when he woke up, he was on a foreign shore.
The Queen of Sheba was the first he met.
She called him lovey-dovey, and honey pet.
She gave him a great big automobile,
. With a diamond headlight, and golden wheel.
He landed with a splash in the river Nile,
# A-ridin’ a sea-goin’ crocodile.
He winked at Cleopatra; she said, “Ain’t he a
si%ht,
How about a date for next Saturday night?”
\
The Keeper of the Eddystone Light
N D S G 6 S S R S S WY (B SV & iF BT amewm
Down in Honolul1 Willy fell into a trance,
Watching the cusky beauties do a hula-hula
dance. - :
His sweety got in jail, and Willy sure did shout
When he got the news that she had wriggled out.
Down in Monte Carlo he won every bet,
Made a million dollars playin’ roulette.
He broke the Czar of Russia; what a jokel!
So Willie took another pill, an’ rolled another
smoke.
He went to Turkey by special request;
Stayed seven years as the Sultan’s guest.
But when he got in with that harem crew,
What was a poor fellow like Willy to do?
He had a million cattle, and he had a million
sheep; \
He had a million vessels on the ocean deep;
He had a million dollars all in nickels and dimes;
Well-he knew it cause he'd counted it a thousand
times. :
He landed in New York one evening late.
He asked his sugar for an after date;
He started to kiss her, and she started to pout
When—Bingityl Bang! and the dope gave out.
A
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(4 ©
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v
Oh, my father was the keeper of the
Eddystone Light,
He slept with a mermaid one fine night.
From this union there came three:
A porpoise, a porgy, and the other was me.
Yo ho Lo, the wind blows free,
Oh, for a lifc on the rolling seal
One night as I was a-trimmin’ of the glim,
A-singin’ a verse of the evenin’ hymn,
82,
A voice from the starboard shouted ahoy,
And there was me mother a-sittin® on a buoy.
Oh, what has become of my children three,
My mother then she asked of me.
One was exhibited as a talking fish,
The other was served in a chafing dish.
The phosphorus flashed in her scaweed hair,
I looked again and my mother wasn’t there.
A voice came echoin’ out of the night,
“To hell with the keeper of the Eddystonc Ligl!
aia.aia l a v I
. P
810 R AT B0 N0 80 G S BN GITR N OB S
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Did you ever hear the story 'bout Willy the
Weeper?
He had a job as a chimney sweeper;
He had the dope habit, and he had it bad.
Now listen while I tell you 'bout the dream he had.
Teet tee dee dee dée, toot too doo doo doo,
Yah dee dah dah, dee dee dee, dee dah dahl
He went down to the dope shop one Saturday
night, .
When he knew the lights would be burning
bright.
He must have smoked a dozen pills or more,
For when he woke up, he was on a foreign shore.
The Queen of Sheba was the first he met.
She called him lovey-dovey, and honey pet.
She gave him a great big automobile,
. With a diamond headlight, and golden wheel.
He landed with a splash in the river Nile,
# A-ridin’ a sea-goin’ crocodile.
He winked at Cleopatra; she said, “Ain’t he a
si%ht,
How about a date for next Saturday night?”
\
The Keeper of the Eddystone Light
N D S G 6 S S R S S WY (B SV & iF BT amewm
Down in Honolul1 Willy fell into a trance,
Watching the cusky beauties do a hula-hula
dance. - :
His sweety got in jail, and Willy sure did shout
When he got the news that she had wriggled out.
Down in Monte Carlo he won every bet,
Made a million dollars playin’ roulette.
He broke the Czar of Russia; what a jokel!
So Willie took another pill, an’ rolled another
smoke.
He went to Turkey by special request;
Stayed seven years as the Sultan’s guest.
But when he got in with that harem crew,
What was a poor fellow like Willy to do?
He had a million cattle, and he had a million
sheep; \
He had a million vessels on the ocean deep;
He had a million dollars all in nickels and dimes;
Well-he knew it cause he'd counted it a thousand
times. :
He landed in New York one evening late.
He asked his sugar for an after date;
He started to kiss her, and she started to pout
When—Bingityl Bang! and the dope gave out.
A
yo s
(4 ©
g
v
Oh, my father was the keeper of the
Eddystone Light,
He slept with a mermaid one fine night.
From this union there came three:
A porpoise, a porgy, and the other was me.
Yo ho Lo, the wind blows free,
Oh, for a lifc on the rolling seal
One night as I was a-trimmin’ of the glim,
A-singin’ a verse of the evenin’ hymn,
82,
A voice from the starboard shouted ahoy,
And there was me mother a-sittin® on a buoy.
Oh, what has become of my children three,
My mother then she asked of me.
One was exhibited as a talking fish,
The other was served in a chafing dish.
The phosphorus flashed in her scaweed hair,
I looked again and my mother wasn’t there.
A voice came echoin’ out of the night,
“To hell with the keeper of the Eddystonc Ligl!
: z_mvsb_48-49_40th_2025_096.tif
I got a shoe, you got a shoc,
All God’s chillun got shoes;
Hebben, hebben;
a-gwine dar,
Icbben, hebben;
I got a harp, clc.
I got wings, cle.
I got a song, etc.
I got a ski, cte.
When I get to hebben, gwine a-put on my shoes,
Gwine-a tromp all over God's hebl‘)en.
Everybody talkin’ about hebben? ain’t
Cwinc a-tromp all over God’s hebben.
I got a robe, you got a robe, ete.
Gwine a-shout all over God’s hebben.
Gwine a-play it all over God’s hebben.
Gwine a-fly all over God’s hebben.
Cwinc a-sing it all over God’s hebben.
|
Gwine a-shuss all over God’s hebben,
Venezvela
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Aty
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*
o
[ 4
I met her in Venezuela
With a basket on her head,;
If she loved others, she didn’t say,
But I knew she’d do to pass away,
To pass away the time in Vencezuela;
To pass away the time in Venczuela.
I bought her a sash, a sash of blue;
A beautiful sash of blue,
Because 1 knew that she could do,
With all the tricks I knew she knew,
To pass away the time in Venezucelag
To pass away the time in Venczucla.
When the wind, the wind was out to sca;
The wind was out to sca,
And she was taking leave of me,
I said, “Cheer up, there’ll always be
Sailors ashore in Venezuela;
Sailors ashore in Venczuela.”
Her lingo was strange, but the thought of her
smile,
The thought of her beautiful smile,
Would haunt me and taunt me for many a mile,
For she was my gal, and she did the while,
To pass away the time in Venezucla;
To pass away the time in Venezucla.
ST
All God’s chillun got shoes;
Hebben, hebben;
a-gwine dar,
Icbben, hebben;
I got a harp, clc.
I got wings, cle.
I got a song, etc.
I got a ski, cte.
When I get to hebben, gwine a-put on my shoes,
Gwine-a tromp all over God's hebl‘)en.
Everybody talkin’ about hebben? ain’t
Cwinc a-tromp all over God’s hebben.
I got a robe, you got a robe, ete.
Gwine a-shout all over God’s hebben.
Gwine a-play it all over God’s hebben.
Gwine a-fly all over God’s hebben.
Cwinc a-sing it all over God’s hebben.
|
Gwine a-shuss all over God’s hebben,
Venezvela
. A b Ay . D Ay DPa d By A VLo A
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v e B CrYs
: i Ar Um e b~ Ar Ve am D Ar ba o bm
Aty
" SRS ) § 7 S B G S o B O 1 )
*
o
[ 4
I met her in Venezuela
With a basket on her head,;
If she loved others, she didn’t say,
But I knew she’d do to pass away,
To pass away the time in Vencezuela;
To pass away the time in Venczuela.
I bought her a sash, a sash of blue;
A beautiful sash of blue,
Because 1 knew that she could do,
With all the tricks I knew she knew,
To pass away the time in Venezucelag
To pass away the time in Venczucla.
When the wind, the wind was out to sca;
The wind was out to sca,
And she was taking leave of me,
I said, “Cheer up, there’ll always be
Sailors ashore in Venezuela;
Sailors ashore in Venczuela.”
Her lingo was strange, but the thought of her
smile,
The thought of her beautiful smile,
Would haunt me and taunt me for many a mile,
For she was my gal, and she did the while,
To pass away the time in Venezucla;
To pass away the time in Venezucla.
ST
: z_mvsb_48-49_40th_2025_097.tif
The fox went out on a chilly night,
Prayed for the moon to give him light,
For he’d many a mile to go that night
Before he reached the town-o,
The town-o, the town-o, .
For he’d many a mile to go that night
Before he reached the town-o.
(simllzulg:)
He grabbed the gray goose by the neck,
Throwed a duck across his back;
He didn’t mind their quack, quack, quack,
And their legs all dangling down-o, (etc.).
The old mother Flipper-Flopper jumped out of
bed
Out of t};e window she cocked her head,
ing, “John, John, the gray goose is gone,
?n{l tfie }ox is on the town-o0,” (etc.).
Then John, he went to the top of the hill,
Blowed his horn both loud and shrill;
The fox, he said, “I better flee-with my kill
Or they'll soon be on my trail-o,” (etc.).
This is Your Land
He ran till he came to a great big pen ;
Where the ducks and the geese were put therein,
“A couple of you will grease my chin
Before I leave this town-o,
This town-o, this town-o,
* A couple of you will grease my chin
Before I leave this-town-o.”
He ran till he came to his cozy den,
There were the little ones eight, nine, ten.
They said, “Daddy, better go back again,
For it must be a mighty fine town-o0,” (etc.).
Then the fox and his wife without any strife,
Cut up the goose with a fork and knife;
They never had such a supper in their life,
And the little oncs chewed on the bones-o, (etc.).
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- &
As T was walking that ribbon of highway,
I looked above me, there in the skyway,
I looked below me in the golden valley—
This Iand was made for you and me.
This land is your land, this land is my land,
I'rom California to the New York Island,
Irom the Redwood Forests, to the Gulf Stream
walers; ;
This land was made for you and me.
I'roamed and I rambled, and I followed my
footsteps
O'er the sparkling sands of her diamond deserts,
And all around me th's voice came saying—
B8s.
I followed your low hills and I followed your
cliff rims,
Your marble canyons and sunny bright waters,
This voice came calling, as the fog was lifting—
As the sun was a-shining and I was a-strolling
Through the wheat ficlds waving and the dust
clouds rolling,
I could feel inside me and sce all ‘round me—
Prayed for the moon to give him light,
For he’d many a mile to go that night
Before he reached the town-o,
The town-o, the town-o, .
For he’d many a mile to go that night
Before he reached the town-o.
(simllzulg:)
He grabbed the gray goose by the neck,
Throwed a duck across his back;
He didn’t mind their quack, quack, quack,
And their legs all dangling down-o, (etc.).
The old mother Flipper-Flopper jumped out of
bed
Out of t};e window she cocked her head,
ing, “John, John, the gray goose is gone,
?n{l tfie }ox is on the town-o0,” (etc.).
Then John, he went to the top of the hill,
Blowed his horn both loud and shrill;
The fox, he said, “I better flee-with my kill
Or they'll soon be on my trail-o,” (etc.).
This is Your Land
He ran till he came to a great big pen ;
Where the ducks and the geese were put therein,
“A couple of you will grease my chin
Before I leave this town-o,
This town-o, this town-o,
* A couple of you will grease my chin
Before I leave this-town-o.”
He ran till he came to his cozy den,
There were the little ones eight, nine, ten.
They said, “Daddy, better go back again,
For it must be a mighty fine town-o0,” (etc.).
Then the fox and his wife without any strife,
Cut up the goose with a fork and knife;
They never had such a supper in their life,
And the little oncs chewed on the bones-o, (etc.).
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r i) v- -51 ol l-:ll 4-'l. } e il - A hat” SO A |
- &
As T was walking that ribbon of highway,
I looked above me, there in the skyway,
I looked below me in the golden valley—
This Iand was made for you and me.
This land is your land, this land is my land,
I'rom California to the New York Island,
Irom the Redwood Forests, to the Gulf Stream
walers; ;
This land was made for you and me.
I'roamed and I rambled, and I followed my
footsteps
O'er the sparkling sands of her diamond deserts,
And all around me th's voice came saying—
B8s.
I followed your low hills and I followed your
cliff rims,
Your marble canyons and sunny bright waters,
This voice came calling, as the fog was lifting—
As the sun was a-shining and I was a-strolling
Through the wheat ficlds waving and the dust
clouds rolling,
I could feel inside me and sce all ‘round me—
: z_mvsb_48-49_40th_2025_098.tif
Andante con moto
F 4
George R. Poulton
3. Aura Lee, the bird may flee,
The willow’s golden hair
Swing thro’ winter fitfully,
On the stormy air.
Yet if thy blue eyes I see,
Gloom will soon depart;
For to me, sweet Aura Lee
Is sunshine thro’ the heart.
/A | | il
| e e e e e —
= =t : - 1 3 1 o P ] Vi b VY, R |
M ' J [ l ! ! l | I | \-/r
elody
1. As the black-bird in the Spring, 'Neath the wil - low tree, ___
2. In thy blush the rose was born; Mu - sic, when you spake;__
sl v'.‘L > p: - : ' B ' ' :' J !/ ’4,
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v E - ool Py . 128 R § !
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\ e s E
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J = | , i B |
Sat and piped, I heard him sing, Sing - ing Au - ra Lee
Thro' thine a - zure eye the moon Spark-ling seemd to break
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hel A P 4 i . 4 i }' — ; { : ) } 2 { [ © ] S |
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: < am s et +— - = \ ; S |
F T I { |4 T J I | {
An - I3 laa, Au - ra Lee, Maid with gold- en hair,
An “= srg ‘Lee; Au - ra Lee, Birds of crim- son wing
»
4 f.! S .J P e -~ ”lfi - - ¥ e
Kot — =4 ) B P yuP 7 - - - » ] [ ® ) TRESRESE |
' o I | 1 o - - < 1 CTHTSREN {
o e froiy = t 1 ‘ : i A
mp | ——— ——
B ] . J > < . i = s = -— p B b 1 CESIERRE 4 |
y e ) » ) - » :m‘ % - ) . '
i A A el IR i a <
1 1 ) T 1 ! b | 1 # 1 - v %E l Efl
T T ! I f r | ' I r
Sun-shine came a - long with thee, And swal-lows in the air.
Nev - er song have sung to me As in that bright,sweet spring.
mp,
h
il _LTL J ‘.' ‘a, - & & ) ) l
> i = e —e > T = s | T ox——H
— : - e —o = ——— >t
' I , ‘ V T ! T | 4
4. When the misletoe was green,
'Midst the winter's snows,
Sunshine in thy face was seen,
Kissing lips of rose.
Aura Lee, Aura Lee,
Take my golden ring;
Love and light return with thee,
And swallows with the spring.
F 4
George R. Poulton
3. Aura Lee, the bird may flee,
The willow’s golden hair
Swing thro’ winter fitfully,
On the stormy air.
Yet if thy blue eyes I see,
Gloom will soon depart;
For to me, sweet Aura Lee
Is sunshine thro’ the heart.
/A | | il
| e e e e e —
= =t : - 1 3 1 o P ] Vi b VY, R |
M ' J [ l ! ! l | I | \-/r
elody
1. As the black-bird in the Spring, 'Neath the wil - low tree, ___
2. In thy blush the rose was born; Mu - sic, when you spake;__
sl v'.‘L > p: - : ' B ' ' :' J !/ ’4,
:fii S < = —*y—§— > s e
v E - ool Py . 128 R § !
I b ] ] ! 1 = - 1 . ; { ; X%
\ e s E
: l I 1 4B ='l ; 1 R ) ;- lfl:’ &> b LRI, |
====c——-=—-c—c . —
J = | , i B |
Sat and piped, I heard him sing, Sing - ing Au - ra Lee
Thro' thine a - zure eye the moon Spark-ling seemd to break
— ’ l , = | ’ e, | —
; P | P ) | } >4 - & § :- : p | : } . % DTSRI |
hel A P 4 i . 4 i }' — ; { : ) } 2 { [ © ] S |
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£ y? ”(f; e = - h—
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s . FoP | I'JY‘ 0 1‘-' a5 3 e ] & 2 B ){ el Q) R |
: < am s et +— - = \ ; S |
F T I { |4 T J I | {
An - I3 laa, Au - ra Lee, Maid with gold- en hair,
An “= srg ‘Lee; Au - ra Lee, Birds of crim- son wing
»
4 f.! S .J P e -~ ”lfi - - ¥ e
Kot — =4 ) B P yuP 7 - - - » ] [ ® ) TRESRESE |
' o I | 1 o - - < 1 CTHTSREN {
o e froiy = t 1 ‘ : i A
mp | ——— ——
B ] . J > < . i = s = -— p B b 1 CESIERRE 4 |
y e ) » ) - » :m‘ % - ) . '
i A A el IR i a <
1 1 ) T 1 ! b | 1 # 1 - v %E l Efl
T T ! I f r | ' I r
Sun-shine came a - long with thee, And swal-lows in the air.
Nev - er song have sung to me As in that bright,sweet spring.
mp,
h
il _LTL J ‘.' ‘a, - & & ) ) l
> i = e —e > T = s | T ox——H
— : - e —o = ——— >t
' I , ‘ V T ! T | 4
4. When the misletoe was green,
'Midst the winter's snows,
Sunshine in thy face was seen,
Kissing lips of rose.
Aura Lee, Aura Lee,
Take my golden ring;
Love and light return with thee,
And swallows with the spring.
: z_mvsb_48-49_40th_2025_099.tif
IF I HAD A HAMMER
(The Hammer Song)
.
2 Words and Music by
/) LEE HAYS and PETE SEEGER
ith steady rhythm
¥ .
.—‘A,/‘
f.If T had a ham . mer, ld ham-mer {in the
2If 1 bad a bell, 14 ring it in the
8.If 1 had a song,..____.. 14 sing it in the
) Y |
v . ] } |
; At = - :; . { ) ¢ ) ) | ) § 1 N " TR |
& A e =SS S
morn - ing, Id ham-mer {in the ev -'ning __
morn - ing,_ Id ring it in the ev - ‘shng .
morn - ing, Id sing Z n the ev-’ning__
) A% %l 3 ) 4 ) § ) § TRRBIREE £
|
o - ver this land; ld ham-mer out
ld ham-mer out love be-tween all
of
o~ Id rlng_. love be-tween all or
’% @f:fi s ER@ ‘#love bg;een all
- ver this land; 14 ring ___ out
- tr-tms land; 1d sing out
(° 1) s D)
dan - ger,~ ld ham-mer out a warn- ing,__
dan - ger,__ Id ring _ out a warn- ing, —
dan - ger,__ %ld sing ou warn ing,
<~ — YOI G
= et
u ' L& i.l [~} [ 4 v [ 4 ‘.’
my broth-ers,
z:y broth-ers,
‘ yff}“h ers,
. \{///\ A b fln
QJ [~ § ~ | @ 4 [ J 2
All : 0 - ver this land,
All 0 - ver this land, —
All 0 - ver thls_ land, ——
Old Time Religion
Gimme dat ol time religion, gimme dat ol txme religion,
Gimme dat ol time religion, it's good enough for me.
It was good for de Hebrew chillun, it was good etc.
It was good for de Hebrew chillun, so it’s good enough for me.
It was good for Paul and Aaron, it’ll be good when de worl’s on fire.
= 81,
(The Hammer Song)
.
2 Words and Music by
/) LEE HAYS and PETE SEEGER
ith steady rhythm
¥ .
.—‘A,/‘
f.If T had a ham . mer, ld ham-mer {in the
2If 1 bad a bell, 14 ring it in the
8.If 1 had a song,..____.. 14 sing it in the
) Y |
v . ] } |
; At = - :; . { ) ¢ ) ) | ) § 1 N " TR |
& A e =SS S
morn - ing, Id ham-mer {in the ev -'ning __
morn - ing,_ Id ring it in the ev - ‘shng .
morn - ing, Id sing Z n the ev-’ning__
) A% %l 3 ) 4 ) § ) § TRRBIREE £
|
o - ver this land; ld ham-mer out
ld ham-mer out love be-tween all
of
o~ Id rlng_. love be-tween all or
’% @f:fi s ER@ ‘#love bg;een all
- ver this land; 14 ring ___ out
- tr-tms land; 1d sing out
(° 1) s D)
dan - ger,~ ld ham-mer out a warn- ing,__
dan - ger,__ Id ring _ out a warn- ing, —
dan - ger,__ %ld sing ou warn ing,
<~ — YOI G
= et
u ' L& i.l [~} [ 4 v [ 4 ‘.’
my broth-ers,
z:y broth-ers,
‘ yff}“h ers,
. \{///\ A b fln
QJ [~ § ~ | @ 4 [ J 2
All : 0 - ver this land,
All 0 - ver this land, —
All 0 - ver thls_ land, ——
Old Time Religion
Gimme dat ol time religion, gimme dat ol txme religion,
Gimme dat ol time religion, it's good enough for me.
It was good for de Hebrew chillun, it was good etc.
It was good for de Hebrew chillun, so it’s good enough for me.
It was good for Paul and Aaron, it’ll be good when de worl’s on fire.
= 81,
: z_mvsb_48-49_40th_2025_100.tif
ON TOP OF OLD SMOKY
Mouerately
n (Tacet) e = 1 % g ~
— = e e e e e e e
‘ -d_ b V e ——
: On top of old - Bmok - y — all
For court - in's " a pleas - ure,(Partingisgriyf) and
| e 1 i
B =t
P il G T
cov-ered with™snow ~ lost m ue
part-ing~ is grief,/4nd a false-hearted love“'g‘f\nd a false-heart-ed
G?7 ! F c
%* = = e e e
vfi-'Lal,\_——/l Ul & 1141 .ll-d_ 1 1 1 1
lov - er __for court-in’ too Slow/2Forcourtins a pleasure)
lov - er(z's worse t7fanath1qf'}15 wor;e than a :m:f’{.?Allugfhewzu rcbyou)
* Spoken
3. (A thief will just rob you) A thief will just rob you
(Tauke what you have) And take what you have,
(But a false-hearted lover) But a false-hearted lover
(Will lead you to the grave) Will lead you to the grave.
4. (And the grave will decay you) And the grave will decay
you
(Turn you to dust) And turn you to dust,
(Not one boy in a hundred) Not one boy in a hundred
(A poor girl can trust) A poor girl can trust.
5. (They'll hug you and kiss you) They'll hug you and kiss
you
(And tell you more lies) And tell you more lies,
(Than cross-ties on a railroad) Than cross-ties on a
railroad
(Or stars in the sky) Or stars in the sky.
6. (So come all you young maidens) Come all you young
maidens _
(And listen to me) And listen to me,
(Never place your affection) Never place your affection
(On a green willow tree) On a green willow tree.
7. (The leaves they will wither) The leaves they will wither,
(The roots they will die) The roots they will die,
(You'll all be forsaken) You'll all be forsaken
(And never know why) And never know why.
82.
Mouerately
n (Tacet) e = 1 % g ~
— = e e e e e e e
‘ -d_ b V e ——
: On top of old - Bmok - y — all
For court - in's " a pleas - ure,(Partingisgriyf) and
| e 1 i
B =t
P il G T
cov-ered with™snow ~ lost m ue
part-ing~ is grief,/4nd a false-hearted love“'g‘f\nd a false-heart-ed
G?7 ! F c
%* = = e e e
vfi-'Lal,\_——/l Ul & 1141 .ll-d_ 1 1 1 1
lov - er __for court-in’ too Slow/2Forcourtins a pleasure)
lov - er(z's worse t7fanath1qf'}15 wor;e than a :m:f’{.?Allugfhewzu rcbyou)
* Spoken
3. (A thief will just rob you) A thief will just rob you
(Tauke what you have) And take what you have,
(But a false-hearted lover) But a false-hearted lover
(Will lead you to the grave) Will lead you to the grave.
4. (And the grave will decay you) And the grave will decay
you
(Turn you to dust) And turn you to dust,
(Not one boy in a hundred) Not one boy in a hundred
(A poor girl can trust) A poor girl can trust.
5. (They'll hug you and kiss you) They'll hug you and kiss
you
(And tell you more lies) And tell you more lies,
(Than cross-ties on a railroad) Than cross-ties on a
railroad
(Or stars in the sky) Or stars in the sky.
6. (So come all you young maidens) Come all you young
maidens _
(And listen to me) And listen to me,
(Never place your affection) Never place your affection
(On a green willow tree) On a green willow tree.
7. (The leaves they will wither) The leaves they will wither,
(The roots they will die) The roots they will die,
(You'll all be forsaken) You'll all be forsaken
(And never know why) And never know why.
82.
